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The author of this volume contributed to the edition of "Web- ster's Quarto Dictionary published in 1804 a "Vocabulary of the Names of Noted Fictitious Persons and Places ; " but the present work, though based on that Vocabulary, embraces a wider range of subjects, contains nearly seventeen hundred new articles, besides important modifications of many of the others, and is furnished with an orthoepical Introduction, and an Index to the real names of persons, places, &c., whose nick- names, pseudonyms, or popular appellations, are given in the body of the book. NotAvithstanding the great pains that has been taken to secure fulness and minute accuracy, there are undoubtedly some errors and numerous omissions ; but no more of either, it is hoped, than are inseparable from a work of such multiplicity. And although a casual examination or closer scrutiny may bring to light defects of both kinds, it may still be affirmed, that, with respect to a very large class of names, there can nowhere else be found in a collective form an equal amount and variety of information. The main design of the work is to explain, as far as practi- cable, the allusions which occur in modern standard literature to noted fictitious persons and places, whether mythological or not. For this reason, the plan is almost entirely resti'icted to proper names, or such as designate individual persons, places, or things. The introduction of appellative or generic names, such as abbot of unreason, lord of misrule, Jcobold, &c., as well as the explanation of celebrated customs and phrases, such Q.S flap-dragon, nine-men^ s-morrice, philosophy of the Porch, to send to Coventry, to carry coals to Neiocastle, &c., would open Vi riiEFACE. too vast a field of inquiry ; and, besides, there are copious special treatises on these subjects already before the public, as those of Brand, Hone, Pulleyn, Timbs, and others. The author has been urged to extend his plan so as to include the titles of famous poems, essays, novels, and other literary works, and the names of celebrated statues, paintings, palaces, country-seats, churches, ships, streets, clubs, and the like ; inasmuch as such names are of very common occurrence in books and newspa- pers, and, for the most part, are not alphabetically entered and explained in Encyclopasdias, Dictionaries, or Gazetteers. That a dictionary which should furnish succinct information upon such matters would supply a Avant which is daily felt by readers of every class is not to be doubted ; but it should constitute an independent work. A manual of this description the author has for some time had in preparation ; and he hopes to publish it, at no distant day, as a companion to the present volume. The names from the Greek, Roman, Norse, and Hindu My- thologies that are here given, are concisely treated, mainly with a view to explain frequent allusions in the poets and other popu- lar writers, and for the benefit of mere English readers, rather than for that of professed scholars. From the Rabbinical and Mohammedan Mythologies have been taken some names, which are occasionally made the subject of reference, and concern- ing which information is not readily obtainable. Prominence has been given to the departments of Angelology, Demon- ology. Fairy Mythology, and Popular Superstitions, which afibrd many of the most important names in Fiction. Parables, Al- legories, Proverbs, and Medisival Legends have also furnished a considerable number. Ecclesiastical History contributes the names of several pseudo-saints, and other imaginary personages. In the Drama, and in Poetry — including the various kinds. Epic, Romantic, Narrative, Comic, &c., — the intention has been to give the names of all such characters as are familiarly referred to by writers and speakers at the present day ; and, though there may be accidental omissions, it is hoped that under this head the Dictionary v/ill be foimd reasonably complete. PREFACE. vii The principal deficiency is most likely to exist in the depart- ment of Prose Eomance ; for, though there is very little that is fictitious in ancient literature which is not included in ancient Mythology, yet the field of research continually widens as we come down to modern times, until it seems to be almost bomid- less. In fixing the limits of the work, the consideration which has determined the admission or rejection of names has not been the intrinsic merit of a book, or the reputation of its writer, but the hold which his characters have taken upon the popular mind. There are many authors of acknowledged genius, and hundreds of clever and prolific writers, who yet have not pro- duced a single character that has so fallen in with the humour, or hit the fancy, of the time, as to have become the subject of fre- quent allusion. The English romancers and novelists whose creations are most familiarly known and most firmly established are Bunyan, De Foe, Swift, Eichardson, Fielding, Smollett, Sterne, Goldsmith, Scott, Dickens, and Thackeray. Many of the portraitures of these writers may be safely presumed to be of more than temporary interest and importance. In regard to other and minor characters, from whatever source derived, it is to be borne in mind that a dictionary is chiefly designed for the use of the existing generation. To what extent names of secondary importance should be included was a question diffi- cult to determine. Opinions from scholars entitled to the high- est consideration were aljout equally divided upon this point. vSome favoured a selected list of the most important names only : others, and the greater number, recommended a much wider scope. A middle course is the one that has been actually fol- lowed. It is evident that many articles which may seem to one person of very questionable importance, if not wholly unworthy of insertion, will be held by another to be of special value, as throwing light upon passages which to him would otherwise be perplexing or obscure. This Dictionary is, of course, chiefly designed to elucidate the works of British and American writers ; but names occur- ring in the literatures of other modern nations have been in- viii PKEFACE. troduccd whenever tliey have become well known to the public through the medium of translations, or when they seemed, for other reasons, to be worthy of insertion. In accordance with the plan of the work as indicated in the title, such English, French, German, and other Pseudonyms as are frequently met with in books and newspapers have been given for the benefit of the general reader. No pretence, how- ever, is made to completeness, or even to fulness, in this re- spect. The bibliographer will find here little or nothing that is new to him ; and he must still have recourse to his Barbier, Querard, Weller, and other writers of the same class. Names like Erasmus, 3Manchthon, Mercator, (Ecolampadius, «fec., as- sumed by learned men after the revival of classical literature, being, in general, merely the Latin or Greek equivalents of their real names, and being also the only names by which they are now known in history, are excluded as not pertinent to the work. For a similar reason, no notice is taken of such names as Massena, lletastasio, Philidor, Psalmanazar, Voltaire, &c. Many eminent characters in political and literary history are often known and referred to by the surnames and sobriquets, or nicknames, Avhich they have borne ; as, the Master of Sentences, the Scourge of God, the Stagirite, the Wizard of the North, the JJttle Corporal, &c. " Nicknames," said Napoleon, " should never be despised : it is by such means mankind are governed." The Dictionary embraces the more important of these ; but names like Caligula, Guercino, Tintoretto, &c., which have en- tirely superseded the real names of the persons designated by them, have not been regarded as properly coming within the purview of the present undertaking. Nor has it, as a rule, been thought advisable to admit simple epithets, such as the Bold, the Good, the Great, the Unready, the Courtier, &c., the omission of which can hardly be considered a defect, since their signification and the reason of their imposition are usually too obvious to excite inquiry. This rule, however, has not been imiformly observed. Here, as elsewhere in the work, that discretionary power has been freely exercised, to which PEEFACE. ix every author of a dictionary or glossary is fairly entitled, and which he is often compelled to use. A considei'able sj^ace has been allotted to familiar names of Parties and Sects, of Laws, and of Battles ; to poetical and pop- ular names of Seas, Countries, States, Cities, &c. ; to ancient geographical names which have become interesting from their revival in poetry or otherwise ; and to certain long-established and important Personifications. In general, nicknames of Parties and Sects, such as C/touans, G/iibeUiues, Gueux, Method- istSj Shakers, &c., which have been adopted by those to whom they were at first derisively applied, or which have passed into history and common use as their peculiar and appropriate names, and are to be found in any good Encyclopaedia or Man- ual of Dates, ai-e designedly not included. Most of the his- torical by-names inserted, such as Day of Dupes, Evil May-daij, Wonderful Parliament, Omnibus Bill, Western Reserve, &c., are those which are not to be found under the proper heads in Encyclopaedias and other books of reference. Popular designa- tions connected with History and Geography have been freely given in all cases where they seemed to be well settled, and to be fitted to illustrate past or contemporary events or characters. A slight departure from the strict limits of the plan has been thought allowable in the case of a few quasi-historical, or real but obscure, persons, places, and things, such as Owle- glass, John O Groat, Mrs. Glasse, the Minerva Press, &c., which are often referred to in literature or conversation, and of most of which no account can be obtained except through an amount of research and toil hardly possible to a majority of readers. Illustrative citations have been copiously given from no small variety of authors ; and, as many of them are gems of thought or expression, it is believed that they will be deemed greatly to enhance the value and interest of the work. Some of them, however, have purposely been taken from ncws^Dapers and magazines rather than from the classics of the language, in order to show, by such familiar examples, the popularity of the characters or other creations of fiction to which they allude X niEFACE. There are also some quotations which serve no other purpose tliau that of justifying the insertion of names whose claim to admission might be thought doubtful, if it were not made to ap- pear that they are referred to by authors " known and read of all men." It will probably be observed that Sir Walter Scott is more frequently cited than any other single writer ; the reason, however, is not that his works have been examined with more care or to a greater extent than those of some other writers, but merely that he abounds more than most others in allusions, — often remote or recondite, but almost always apt and suggest- ive, — which his imusually tenacious memory enabled him to draw from the stores of a ^-ast and most multifarious reading. In the explanation of names, statements borrowed in great part from one author have been diligently collated with other statements derived from independent and often widely sepa- rated sources ; and they have been freely enlarged, abridged, or otherwise modified, according to the necessity of the case, or as would best subserve the purpose of the work. But where the information required has been found already stated in the best way, no hesitation has been felt in making use of the exact language of the writer ; and, beyond this general explanation, no acknowledgment of indebtedness seems necessary. To determine the ^pronunciation of proper names is imques- tionably the most difficult requirement of orthoepy ; and little or no attention has hitherto been paid to the pronunciation of such as are peculiar to the literature of fiction. In the absence, not merely of a trustworthy guide, but of any printed guide at all, the author may sometimes have gone astray ; but he has been careful to avail himself of all the information he could obtain. In particular, he has made a thorough examination of such of our vernacular poets as are esteemed classics, and has occasionally adduced passages from their writings to show the accentuation adopted by these " best judges of pronunciation," as Walker styles them ; or, more rarely, to show the sound they assign to particular letters or syllables. If the decisions or opinions he has given prove, in general, to be well grounded, PREFACE. Xi the credit will not be wholly due to him, since he has often profited by the advice and assistance of gentlemen whose superior opportunities of becoming acquainted with the best usage both at home and abroad, and whose critical taste and fa- miliarity with all that pertains to the subject of orthoepy, afford the assurance that they " speak scholarly and wisely." To indi- cate with absolute accuracy the peculiar sounds of the principal languages of modern Europe, including the English, would ne- cessarily require an extensive and elaborate system of arbitrary phonic signs ; and such a system would be hard to understand, and still harder to remember. It has, therefore, been deemed important not to introduce into this work unnecessary and per- plexing discriminations of sounds nearly identical, or to em- barrass the inquirer with needless intimations of a i^ronunciation obvious or already ftuniliar to him. Hence, diacritical marks are sparingly employed, except in the case of unaccented vowels, — which, in our language, are often of doubtful or variable value, — and except also in the case of foreign sounds which have no equivalent in English. Although the system of nota- tion made use of is easy to be understood, so far as it applies to most English names, it has been thought desirable to prefix to the work observations on some points of English pronunciation not familiar to the generality of readers, or concerning which professed orthoepists differ. In regard to the sounds occurring in the work that are peculiar to foreign languages, an explana- tion is given, in the Introduction, of the mode of their organic formation, or of their position and relations in a scientific clas- sification of spoken sounds. These observations and explana- tions are contained in distinct joaragraphs or sections, consecu- tively numbered, and are often referred to from the words in the Dictionary. The Index at the end of the volume forms the counterpart of the Dictionary proper, and v/ill, it is hoped, prove service- able by enabling an inquirer to ascertain at once the distin- guishing epithet or epithets borne by a particular person or place of which only the real name may be known to him. xii PREFACE. In the preparation of this Dictionary, the wide field of gen- eral literature has been extensively and carefully searched. Moreover, use has been made of a large number of works specially devoted to the various branches of literary history ; and valuable assistance has been derived from the principal Reviews, and the published writings of the best essayists. Not a few noteworthy names and facts, incidentally mentioned in the body of the articles of Encyclopaedias, Biographical Dictiona- ries, Gazetteers, and other works of reference, but not treated in alphabetical order, have been carefully gleaned from such works, which have been systematically searched for this pur- pose. These sources of information are altogether too numer- ous to be particularised in this place, while to specify a fev/ and make no mention of others of equal importance would be as imjust as it would be unsatisfactory. The author would return his sincere thanks to the many friends who have contributed in different ways to the complete- ness and accui'acy of his work. Some of them, whose kind assistance he would gladly acknowledge, he regrets that he is not permitted to name ; but it affords him unfeigned pleasure to be able to mention his great and varied obligations to Dr. Eobley Dunglison and Dr. R. Shelton Mackenzie of Philadel- phia, Mr. Charles Folsom of Cambridge, Mr. Samuel Porter of Hartford, and Mr. Arthur W. Wright of New Haven. Believing that the successful accomplishment of a task like the present, in its fullest extent, is hardly to be expected of any individual, the author, in conclusion, would ask a candid criticism of his labours ; and if corrections or suggestions from any quarter — especially suggestions of additional names, ac- companied with explanations, references, or citations — be sent to him through his publishers, they will be gratefully received, and used in the preparation of a future edition. MoxTKEAL, November, 18G5. CONTENTS. PAOE KEY TO THE SCHEME OF PRONUNCIATION, . xiv EEMAEKS ON SOME POINTS OF ENGLISH OR- THOEPY, xvii RULES FOR THE PRONUNCIATION OF GREEK AND LATIN WORDS, xxi to xxiii Vowels, xxii Consonants, xxii Accent, xxiii BRIEF RULES FOR THE PRONUNCIATION OF THE PRINCIPAL MODERN LANGUAGES OF CONTINENTAL EUROPE, . . . xxiii to xxxii Vowels, xxiii Diphthongs and Vowel Combinations, . . xxv Consonants, xxvi Combined Consonants, xxix Accent, xxxi EXPLANATION OF ABBREVIATIONS, ETC., . xxxiv A DICTIONARY OF THE NOTED NAMES OF FICTION, ETC., . . . . 1 to 398 INDEX OF THE REAL NAMES OF PERSONS, PLACES, ETC., WHOSE NICKNAMES, PSEUDONYMS, OR POPULAR APPELLATIONS, ARE GIVEN IN THE PRECEDING DICTIONARY, ... 399 KEY TO THE SCHEME OF PRONUNCIATION. VOWELS. A, a, long, as in Ale, fate, great, pray, range, taste. [See § 1.] A, a, shm-l, as ill Add, fat, narrow, raillery. A i as in Aerial, Israel, chS.otic, mortmain. A, a, like c', as in Air, fare, pear, prayer, scarce. [See § 3.] A, a, like as in [Fr.] vin (va"), [Port.] vim (vcc"). [Sec § C2.] If, n, like ng, as in Ink, uncle, anger, aixxiety, larynz. If G, ng, as in Singing, hanger, prolong, young. PH, ph, as in Phantom, philosophy, seraphic. QU, qu, as in Quantity, queen, quince, banquet. B" i". as in [Fr.] mer (mef ), [Sp.] rata (fa'ta). [See § G4.] §, s, like z, as in Advise, pregide, rose, dismal, spasm. TH, th, as in Father, then, this, therefore, smooth. V, v, as in [Gen] schwan (shvan), [Sp.] cubo (koo'vo). [Sec "WH,wh,asin "When, which, while. [See § 11.] § C8.] ^, X, like ^2, as in Example, exemplary, uxorious. ZH, zh, as in Azure (a'zhoor), usual (ii'zlioo-al), vision (nzh'un). xvi INTRODUCTION. *#* In addition to what appears in the Key, the following explanations will be needed for understanding the notation made use of in this Dictionary: — Diacritical marks have been dispensed with, in the case of English names, wherever it seemed that the accentuation and the division into syllables would be suflicient to indicate the true pronunciation to any one familiar with the more general and commonly -understood principles of English orthoepy; but, in all exceptional, doubtful, or difficult cases, the appropriate marks are used. Most of the names from modern foreign languages are respelt. In combinations of vowels, where one letter is marked, it is to be taken as representing the sound of the combination, and the letter or letters which are not marked are to be regarded as silent; as in grain, deal, seize, tie, door, group, journey, JlOw, &c. The combined letters ce, ci, sci, se, si, or ti, occurring before a vowel in a syl- lable immediately preceded by an accented syllable, are generally equivalent to sh ; as in o'ceau, sapona'ccous, coer'cjon, magi'cfan, an'cj'ent, gra'czous, omni'scjence, nau'«eous, tran'^/ent, pa'/h, rh, and i!^, which rep- resent simple sounds, are reckoned as single consonants. 2. A vowel before a mute and t or r is common ; that is, either long or short. 3. Diphthongs are long. 4. A vowel before another vowel or h is short. In other cases, the quantity must be determined by etj-mology, metrical usage, or the orthography of the word in Greek; but every vowel which cannot be proved to be long, is arbitrarily assumed to be short. — Tlie division of words into syllables — which depends in part upon the position of the accent, and this, in turn, upon quantity — must be understood before words can be correctly pronounced. The rules in regard to this subject may be found in any good Latin grammar. BRIEF RULES FOR THE PRONUNCIATION OF THE PRINCIPAL MODERN LANGUAGES OP CONTINENTAL EUROPE. Vowels. § 30. (1.) In the languages of the Continent of Europe, the vowel a, when long, has usually the sound of the English a in far, father; when short, nearly that xxiv INTRODUCTION. of a in fni, man; never that of a in faie. A, in French, has a sound resembling that of a in/ar, but deeper and less distinct, verging toward that of a in all: its peculiar quality is due to the retraction of the tongue and the soft palate. A briefer variety of the same sound is heard in the Fr. pas, Ger. mann. In Hun- garian, a is lilceo in no?; «, liken In fay: A, in Swedish, has a sound intermediate between that of a in all, and that of o in note. For the soimds of «, a, a, see §§ 37, 62. § 31. (2.) ^generally has a sound similar to that of "long «" in faie, but often like that of " short e " in met, or like the latter when protracted. (See § 1.) £, in French, has the sound of c in tke7i, or that of the initial element in mate (see § 1); e and e have the sound of the first e in there; e (unaccented) is, in most cases, cither entirely silent, or has a very brief sound of the neutral vowel (m in itp, urn). J^, in Swedish, when long, has a sound somewhat like that of short i (in pin), but more prolonged; when short, it is like e in met. In Hun- garian and Polish, e (unaccented) sounds like e in met; e nearly like a in mate. For the soimds of e, e, see § 62. §32. (3.) / has usually the sound of i in marine, which is the same as tlie "long e" in me, she, &c. It is often shortened in quantity, like the e in bemoan, but the quality of the soimd remains the same, and should not be suffered to degenerate into that of i in ill. This latter sound, however, is heard in Dutch, and sometimes in German. In Hungarian, i and i differ only in length, the accented vowel being more protracted than the unaccented. § 33. (4.) has, for the most part, the same, or nearly the same, sounds that it has in English in the words note, not, north. (See § 5.) It some- times — as in the It. volpe — has a soimd intermediate between that of o in note and that of oo in food. This is called, in Italian, "o chiuso.^' The "o aperto'" of the same language is a sound intermediate between the o of note and that of noi'th. In Swedish and Norwegian, at the end of a syllable, o has the soimd of 6o or of do. 0, in French, has always the full soimd of "long o" in English. In Hungarian, o is nearly like long o in English; 6 has a fuller and deeper sound. In Polish, o sounds like o in note; 6, like oo in food, or in foot. For the soimd of d, see § 46. § 34. (5.) U, in most of these languages, has, when long, the sound of u in true (equivalent to the oo in food) ; when short, that of u in full (equivalent to the do in foot). In French, — and also in Dutch, when at the end of a syllable, — it has a sound intermediate between 65 and e, formed by attempting to pronounce these sounds simultaneously, the lips being placed in the position for uttering oo, and the tongue in that for e. The sound is sometimes long and sometimes short, but the difference is merely one of quantity. In Dutch, «, when short or stopped, is sounded as in nut. U, in Swedish, is intermediate between i and ob, but is a pinched and very peculiar sound, differing considerably in its effect upon the ear from that of the French «, the lips being rounded instead of pouted. The near- est equivalent in English is oo. In Hungarian, w (unaccented) has the sound of do; u, a longer and fuller sound of the same general quality. For the sound of u, see § 51. § 35. (G.) Y, for the most part, has the same sound that I has; that is, it is INTRODUCTION. XXV like "long c" in English. (See § 32.) In Dutch, it has the sound of the Eng- lish "long 4 " {i in pine); but in the modem Dutch orthos^raphy it is replaced by ij. In Danish, Norwegian, and Swedish, it is like the French and Dutch u, or the German it. (See § 34.) DipMhongs and Vowel Combinations. § 36. (7.) Aa, in most languages, has the same sound as single a, — that is, the sound of a in fay; — but is more prolonged. In Danish, it sounds nearly as a in all, but verges towards the sound of o in note. § 37. (8.) Ae, or «, when long, is usually sounded like a in fate, or the first c in there; when short, like e in met. (See § 1.) In Dutch, it is like a in far; but the reformed Dutch orthography substitutes aa for ae. § 38. (9.) Aeu, or au, in German, has the sound of oi in toil, but is differ- ently pronounced in ditlerent parts of Germany. § 39. (10.) Al and n?/ arc generally sounded like the English adverb aj/ (yes); but in French they have nearly the sound of a in fate, or e in there. (See § 1.) §40. (11.) Eau,in French, has the same sound as the French au; that is, of the English "long o." §41. (12.) Ee has a prolonged sound of the foreign e, which is nearly equivalent to the English a in fate. (See § 31.) §42. (13.) Ei and ey are generally like ay in day, when this word is pro- nounced with the full diphthongal sound of the vowel. In French, they have a more open soimd, resembling that of e in met, or that of a in mate with the ter- minal element of the a omitted. (See § 1.) In German and Danish, they are like the English adverb «?/ (yes); that is, they unite the sounds of a in ybw* and i in ill, and hence nearly resemble our "long i." §43. (14.) -ffw, in French and Dutch, has — with some variations of quantity, and some slight differences of quality — a sound similar to that of u in iirn, but more accurately described as intermediate between the a in mate and the o in note, and formed by an attempt to pronounce these vowels simultaneously. ( See § 46.) Eit, in German and Danish, sounds like oi in toil. In Italian, Spanish, and Portuguese, it is equivalent to a'oo. §44. (15.) le usually sounds like e in me, but, in German, it sometimes makes two syllables, and, in French, before r final, forms a diphthong which is pronounced e-a. §45. (16.) li is equivalent to i — that is, to the English "long c," as in me — prolonged. § 46. (17.) Oe, or o (in Dan. 0), in the Germanic languages, is essentially the same as cu in French (see § 43), though most authorities recognise a slight difference of quality between the two sounds, o inclining more to the sound of a, and having the lips more pursed up for its utterance, than eu. The u in urn is the nearest English approximation to both. In Hungarian, i or d is merely a longer variety of d. §47. (18.) ffiw, in French, is like eu in the same language. (See § 43.) §48. (19.) Oi, in French, sounds, in most words, nearly like ^va in vhu. In some words, it formerly had the sound now given to ai, by which it is replaced XXVi IXTKODUCTION. in the mouom French spelling. 01, in Danish, is like oi in English; 0i is O'e, with the o short, or brief. § 49. (20.) Oo, has the sound of oo in ffoor, or o in Twte, somewhat prolonged, and without the final element of this sound in English. §50. (21.) On, in French, when long, is like oo in food; when short, like 00 in foot. In Dutch and Noi-wegian, it has the sound of ou in the English Avord out. In I'ortugucse, it is u&.ually pronounced like the English " long o." § 51. (22.) Ue, or u, in the Germanic languages, is sounded like the French u. (See § 34.) In Hungarian, u or u is merely a longer variety of ii. § 52, (23.) Ul and «?/, in Dutch, resemble oi in English. § 53. (24.) Uii is like oo in food, but longer. Consonants. § 54. (25.) B, in German and Danish, at the end of a word, sounds like p. In Spanish, between two vowels, its soimd is intermediate between those of t!ie English b and u% and may be described as a v made without the aid of the; teedi, but with the lips alone, which arc iwuted and brought flatly and feebly into contact. § 55. (26.) C, in Italian, before eand i, soimds like ch in churcli; in Spanish, in the same position, like ih in thin (though in Catalonia and in Spanish America it has the sound of s). In German and Danish, before e, i, y, a, 6 (0), ii, or a diphthong commencing with any one of these letters, and in Polish in all positions, it is pronounced like ts. C, in Polish, blends the sounds of ts and con- sonant y. (Compare § 74.) C, in French and Portuguese, sounds like s, before a, o, and u. § 56. (27.) D, in Gennan, Dutch, and Swedish, at the end of a word, sounds like t; in Spanish and Danish, when occurring between two vowels, or at the end of a word, like th in tlas, but it is veiy gently pronounced, so as some- times scarcely to be audible. § 57. (28.) F, in Swedish, at the end of a word or syllable, sounds as v does in English. § 58. (29.) G is alvrays "hard" before a.o, v, as it is in the English word.". gain, gold, (just. In Polish, it is hard in all situations; .so also in Hungarian, unless followed by ./ or y. ( See §§ 7G, 79. ) In French, Spanish, and Portuguese, before e, i, and y, it is like the / of these languages. (See § GO.) In Italian, in the same position, it is like the English ,/, that is, like g in gem. (See § 8.) In Gemian, the standard and best pronunciation makes .7 "hard "in every case when it is followed by a vowel in the same word ; but when preceded and not fol- lowed by a vowel, it has the sound of the German ch. (See § 71.) In Dutch, g, in all positions, has a harsh guttural sound, which is the sonant or vocalised cor- respondent of the German guttural ch. (See § 71.) In Swedish, before c, i, y, a, and 6, and when preceded by any other consonant than re, it sounds like the English consonant y; in Danish, at the end of a word, its .sound is very soft, somewhat resembling that of h. — Gu, in French, Spanish, and Portuguese, before e and i, sounds like gu in guest, guile, the u being inserted to keep the (j in its hard sound before these vowels. INTRODUCTION. XWil §59. (30.) //, in French, Italian, Spanish, and Pordifjuese, is either wholly mute, or is very feebly aspiratLtl. In the ri'niaininR languaf^es of Continental Europe, it soiuids as in English. In all of them, it is mute when it follows a vowel in the same .syllable, it.s olUcc bcin^ merely to show that the vowel has its lon{; sound. In Polish, h is very harshly aspirated, re.senibliug I:, or the German guttural ch. (See § 71.) § 60. (31.) J, in German, Dutch, Danish, Norwegian, Swedish, Polish, and Hungarian, has the soiuid of the English y consonant. In Italian, it has rather the sound of " long e." In French and Portuguese, it has the sound orthoepically represented by zh ; that is, of s in treasure, or z in azure. In Spanish, it has a very peculiar sound, somewhat resembling that of a strongly aspirated /(, and this is substituted for it in Spanish America. " To pronounce it," says Ellis, "the back of the mouth must be stopped by doubling up the back of the tongue, and making an cftbi't as if to hawk up phlegm, the scrape being in the ])alatc, and not in the pharynx." It is most nearly aUied to the Gennan palatal ck, but must not be confounded with it, nor with sh, h, or the guttural cit. §61. (32.) L, in French, in the terminations hie, nle, j^^e, &c. (as in tabic, Iranle, simjile), is colloquially whispered, but in serious or careful discourse, it has its usual vocal sound, and is followed by a faint sound of tlie neutral vowel (m in vp, urn). £, in Polish, has a peculiar, thick sound, formed by placing the under side of the tip of the tongue firnih- against the back of the upper front teeth, or the upper gum. §62. (33.) M and ??, in French and Portuguese, when final in a word or syllable, and also when not doubled or not followed by a vowel, have no sounl of their own, but are mere diacritical letters, or signs, sei-ving to show that the preceding vowel is nasal, that is, pronounced by opening the back nostrils and allowing the voice to enter the nose simultaneously with its passage through the mouth. The nasal vowels in French are as follov.-s: — 1. 2. 3. 4. am, an) .-J, in],'in, (o)in 1 cm, on/^x„ urn, un | em, en 5 aim, ainl_^n ^^^'^ J cum, eun j ' cnn, em (i)en. In pronouncing these sounds, there murt be no contact of the tongue and the soft palate, as in forming the sound of ng in English. By some phonetists, the first of these nasal vowels is regai-ded as corresponding to the pure oral vowel mfar; by others, to that in not; but those two sounds are closely re- lated, the brief open o of not (o) being intermediate between the a of far (a) and the o of for {o, a, or aw), and hence ditforing but little from a shortened form of the open u. There is disagreement, also, as to the quality of the third nasal vowel, some referring it to the o in note, or to its briefer form as heard in the New England pronunciation of whole, only, &c. (as is done in this work); while others think that it coiTcsponds to the o in form, north, &c. In Portuguese, the nasality of a vowel is sometimes indicated by the sign "^ (originally a superposed ?«) placed over it. The combinations representing nasal S'owels are a, aa, am, an (pron. d"); em, en (pron. u"); im (pron. e"); o,am,on (pron. S"); um, un (pron. w"). Nasal diphthongs are ae, ui, ao, oe. The terminations xxviii INTRODUCTIOX. acs, oes, were formerly MTitten aens, oens. The nasal vowels (5" and u" occur in Polish, in which language they are written a, e. — 31, in conversational French, is whispered, and not vocalised, in such words as schisme ; but, in formal delivery, it has its usual vocal sound, followed hy an indistinct murmur of the mute e. — N liefore ^, in Italian, usually preserves its pure sound; in the other Continental European languages, or in most of them, it takes the sound of the English n in sink. — N, in Spanish, is a variety of n, formed by an attempt to pronounce n and consonant y simultaneously. The same is true of the Polish n. The effect is verj' similar to that produced by the insertion of y after n; as in minion (min'yun). (Compare § 74.) § 63. (34.) Qti, in Spanish and Portuguese, when followed by e or i, has the soimd of k ; in other situations, that of koo. In French, the combination has the sound of k before every vowel. In German and Dutch, it is sounded as kw •would be in those languages. (See § C8.) In most other languages, its sound is essentially the same as in English. § 64. (35.) R, at the end of a word or sj-llable, is sounded more distinctly, and in other positions is apt to be more strongly trilled, than in English. By us, this letter is usually pronounced with the under surface of the tip of the tongue applied Avithin the dome of the palate, in which position the utterance is naturally verj' smooth and easy. By foreign nations, r is ordinarily produced by applying the upper surface of the tongue's tip to the upper gimi at a point quite near the teeth, which occasions a peculiar harshness of sound, and most generally a decided vibration, or trill. In French, in such words as sahre, cidre, ajiCtre, aiivre, it is usually pronounced as a whisper, but is sometimes vocalised, particvUarly in serious discourse, fonning a syllable with the obscure e. It never admits the interposition of the neutral vowel (m in uj}, urn) between it and a preceding vowel, as is often the case in English. Thus, the French dire is pronounced def or de'rii, whereas the English dear is pronoimced de'ur. § 65. (36.) S, between two vowels, has usually the sound of z in zeal. In German, it often has this sound given to it at the beginning of a syllable, but is commonly pronoimced like sz, a hiss gliding instantaneously and almost imper- ceptibly into a buzz. In Hungarian, it sounds like sh in English. S, in Polish, blends in a single utterance the somids of s and consonant y. (Compare § 74.) § 66. (37.) T has often a more dental soimd than in English, the tip of the iongue being placed against the cutting edge of the upper fi-ont teeth, and not against the upper gum, as with us. This is particularly obsers-able in Spanish. § 67. (38.) J', in Gennan, sounds like f. In Danish, it is usually like v in English, but sometimes has the sound of oo; as in havn (ha'oon, or hoiin); when followed by ?, it has the sound of f. § 68. (39.) IF, in German and Dutch, is intermediate between the English b and w, on the one hand, and v, on the other, the inner surfaces of the lips being brought flat against each other, whereas in (Eng.) lo they are rounded, in b the edges are compressed, and in v the lower lip comes in contact with the upper teeth. (See § 54.) By some writers, this pecuhar utterance of w is said to be provincial and dialectical, in German, except in words in which to is preceded by a consonant, as, schwuii. In Polish, w, when it precedes a whispered or mute INTKODUCTIO:\r. xxix consonant, is pronounced as f; in other situations, it has the sound of the German w. § 69. (40.) A', in French, has often the sound of j?, and occasionally that of r, but more generally that of ks or of ^s, as in English. In Spanish, it is equivalent to they of that language. (See § GO.) In Portuguese, it is pronounced like sh in sliall. § 70. (41.) Z, in German and Swedish, has the sound of is; in Spanish, that of th in think ; in Italian, usually that of dz. In PoUsh, z has the sound of this letter in the English word zeal; z, the sound of zh, as in azure (a'zhoor); z, nearly that of rzh. Combined Consonants. § 71. (42.) Ch, in Spanish (except in the Catalan dialect, where it sounds as k), is pronounced like the same combination in English in the word church. In Italian and Hungarian, it has the sound of k; in French and Portuguese, of s/(, the exceptions being confined to words in which it occurs before / or r, and to a few words from the Greek, where it sounds like k. In German, Dutch, and Polish, when preceded in the same syllable by any one of the vowels «, o, or u, it has a harsh, guttural sound somewhat resembling a strongly aspirated^ ; as in ach, doch, buch: it is produced by bringing the uvula into contact with the base of the tongue, and forcing unintonatcd breath through the barrier thus formed, the position taken by the organs remaining in other respects unchanged. When preceded by e, i, ci, 6, ii, e«, du, eit, I, n, or r, the sound is palatal, and approxi- mates closely to that of the tirst two elements in the word hue (h^oo), the tongue being considerably raised in the mouth; as in echt, ich, mdchtirj, wochent- lich, biicher, reich, euch, milch, manck, durch. JK5" Ch, in German and Dutch, before s radical, has the sound of k; as in Sachsen (szak'sn). § 72. (43.) Cs, in Himgarian, has the sound of ch in church. § 73. (44.) Cz, in Hungarian, sounds like fs ; in Polish, like ch in church. § 74. (45.) Dj and dy, in Hungarian, is a peculiar sound, organically formed by placing the tip of the tongue in the position for uttering d, and simultaneously raising the back part into the position for sounding consonant y, before speaking. It closely resembles the sound of d and consonant y produced in immediate succession, as in verdure (verd'yoor), and hence approximates the kindi-cd somid of,/ in just. § 75. (4G.) Gh, in Italian, is like gh in the English words gherkin, ghost; that is, like g in get, begin, &c. § 76. (47.) Gj, in Hungarian, is equivalent to dj or dy in the same language. (See § 74.) •§ 77. (48.) GZ before i, not followed by a consonant, in Italian, is a peculiar liquid sound formed from I in precisely the same way that the Hungarian dy is formed from d. Examples are gli, marsigli, &c. (See § 74.) The i is mute, if a vowel follows it ; as in batiaglia, miglio, &c. § 78. (49.) Gn, in French and Italian, represents a peculiar liquid sound •which is identical with ii in Spanish. (See § G2, and compare § 74.) XXX INTRODUCTION. § 79. (30.) Gy, in Hungarian, is like (hj m that language. (See §74.) § 80. (51.) Ay, in Swedish, sounds lilce ck in church. § 81. (52.) Lh, in Portuguese, is the same in sound with fjl in French and Italian, and II in Spanish. (See §§ 77, 82.) § 82. (5-3.) LI, in Spanish, blends the sounds of I and consonant i/ in a single, though compound utterance, by an attempt to pronounce them simultaneously, the back part of the tongue being placed in the position for forming ?/, and the tip at the same time in that for forming I. The etfect produced is very nearly the same as in the English words fdial (lil'yal), million (mil'yun), &c., where the y follows the /, instead of being amalgamated with it. (Compare § 74.) — In French, the sound here described is, by some speakers, given to II, when preceded by i, and followed by a vowel ; but, according to the modern popular style of pronunciation, the sound of the I is dropped, while that of y is often whispered. Thus, poyj/Zfow is pronounced pa'pel'yo"', or pa'pe'yo"^'; fdle, fel, or fe'y'; mouillc, mool'ya', or moo'ya'. It is to be observed that the i preceding II is silent, if itself preceded by a vowel. § 83. (54.) Ly, in Hungarian, is pronounced like Uin Spanish. (See § 82.) § 84. (55.) iVV7,in German and Swedish, has the same sound as in the English Avords sinr/, sinf/ei: § 85. (5G.) A7(, in Portuguese, con-esponds to the Spanish n. Ny, in Ilim- garian, has the same sound. (See § G2.) § 86. (57.) Pfi, in all the languages of Continental Europe in which it occots, has the same sound, that of J'. § 87. (58.) Jik is pronounced like simple r. § 88. (50.) i?5, in Polish, is a peculiar sound, said to be uttered by placing the tongue in the position for ^/;, and trilling the tip, M'hich is at liberty ; in other words, it is a simultaneous pronunciation of r and zh. § 89. (CO.) (S'c, in Italian, before e and i, is soimded like sk in shall; in other positions, like sJc. /Sc', in Polish, imites the sounds of s and c. (See §§ C5, 55.) § 90. (Gl.) Sch, in German, sounds like sh in shall ; in Italian, before e and f, like sch in school, or sk in sJdll ; in Dutch and Polish, before all the vowels, it resembles sh, but is harsher, the ch having the guttural or palatal soiuid de- ficribed in § 71. §91. (G2.) Ss, in the Germanic languages, has the same shai-p and hissing round that it usually has in English. §92. (G3.) &, in German and Hungarian, sounds like s in sun; in Polish, like sh in shall. § 93. (64.) Szcz, in Polish, is pronounced as shch would be in English. § 94. (65.) Th, in all the languages of Continental Europe, except the Modem Greek (in which t?, the graphic equivalent of ih, has the same sound that this digraph usually has in English), is pronounced like thin thyme, Thomas, that is, like simple t. § 95. (GG.) TJ and ty, in Hungarian, blend the sounds of i and consonant y in the same manner that dj and dy, in the same language, blend the sounds of d and y. (See § 74.) The nearest English equivalent is the combination of t INTRODUCTIOX. XXXI and y in the pronunciation sometimes given to the words nature (nfifyoor), virtue (vert'yoo), &c., though the ch iu church is a very similar sound. § 96. (67.) Ts, in Hungarian, is like ch in church, being the same as tlie Hungarian cs. (See § 72.) §97. (G8.) Tsch, in German, sounds very nearly as ch in clnirch. (See §§ 8, 90.) §98. (CD.) Zs, in Hungarian, is like zh in English, as heard in the pronun- ciation of azure (a'zhoor), confusion (kon-fii'zhun), «S;c. § 99. (70.) Zschi in German, has very nearly the sound of ch in church; thus Zschokke is pronounced almost like chok'ka. (See §§ 8, 70, and 00.) § 100. (71.) Z::, in Italian, usually has the sound of ts. § 101. (72.) The letters h and^ have the same sound as in English. § 102. (73) Double consonants, in some foreign languages, are dwelt upon in a marked manner, producing the effect of double articulation, though there is but one contact of the organs of speech. This is particularly observable in Italian words; as, e. r/.., hanno, pronounced un'no, and not a'no, the two ?i's being pronoimced as distinctly as in the English word unnerve. But if the double letters are cc or [/es= " Sir Anthony is an evident copy after Smollett's kind-hearted, high-spir- ited Matthew Bramble." Hazlitt. I will no longer avail myself of such weak ministers as you: — I will discard yon; — I will unbeget you, as Hir Anthonii Absolute says. Sir W. Scott. Ab-syr'tus. [Gr. 'Ai/iuprof.] (Gr. if Rom. Myth.) A brother of Medea, and her companion in her flight from Colchis. Finding that she was nearly overtaken by her father, she killed Absyrtus, and cut his body into pieces, which she scattered along the way, that her father might thus be detained by gathering up the re- mains of his murdered son. See _ Argonauts and Medea. A-bu'dah. A wealthy merchant of ' Bagdad who figures in the " Tales of the Genii," by H.Ridley. He meets with various remarkable adventures in his quest for the talisman of Oro- manes, which he is driven to seek by the threats of a little old hag who haunts him nightly, and makes his life miserable. He tiuds at last that the inestimable talisman is — to obey God and to love his commandments ; and he finds also that all his wonder- ful experiences have been but the baseless fabric of a dream. I^ikc Ahvdali, in the Arabian storv, ho is always looking out for the Fury, end knows that the night will come, and the inevitable- hag with it. 7'hackci-aij. And tlicrc, too, was Ahudah, the merchant, with the terrible little old woman hobbling out of the bo.x in Ills bedroom. llickciu. A-ca'di-a. [Fr. Acadie, said to be de- rived from Shubcnacadie, the name of one of the principal rivers of Nova Scotia ; in old grants called L^ Acadie, and La Cadie.] The original, and now the poetic, name of Is'^ova Sco- tia, or rather of a tract extending from the fortieth to the forty-^ixth degree of north latitude, which v,-as granted, Nov. 8, 1G03, to De Monts, by Henry IV. of France. The present province of Nova Scotia extends from lat. 4-3° 2G' to 45° 55' N. In 1G21, Acadia was granted by charter to Sir William Alexander, and its name changed to Nova Scotia. ilSr' In the numerous disputes between tlie English and B'renoh colonists previous to 1763, this territory changed masters ten or a dozen times, and the boundaries were widened or narrowed according to the respective views of the opposing par- ties. In 1755, the French inliabitants were seized, forcibly removed, and dis- persed among the English colonists oa ■ the Atlantic coast. Longfellow has made this event the subject of his poem of "Evangeline." t A-ces'tes. [Gr. 'Aksottic.] (Gr. if Rom. Jlh/th.) A son of the Sicilian river-god Crinisius and of a Trojan woman of the name of Egesta or Segesta. yEneas, on his arrival in Sicily, was hospitably received by him, and, on revisiting the island, celebrated the anniversary of An- chises's death by various games and feats at arms. At a trial of skill in archery, Acestes took part, and dis- CiT" For the "Key to the Scheme of Pronunciation," with the accompanying E.xplanatious, ACH ACR charged his arrow into the air with such force that it took fire, and marked out a patliway of flame, until it M-as wholly consiuiied and disap- peared from sight. Thy destiny remains untold; I'or, like Acexles' sliaft of old. The swift thought kindles as it flies. And burns to ashes in the skies. Loiiir/ellow. A-cha'te§. [Gr. 'AxaTTj^.] {(Jr. (J- Rom. Myth.) A companion and friend of yEncas. His tidelity was so exemplary that " tidiis Achates," faithful Achates, became a proverb. Old enough, perhaps, but scarce wise enough, if he has chosen this fellow for his " fidus Ac/ialcs." tiir \V. b'cutt. Ach.'e-r6n. [Gr. 'Axipuv ; as if 6 cixco. ()Euv, the stream of woe, or from " privative, and ;i;o'P"^. to rejoice, the joyless stream.] (Gi: cf- Eoni. Jfyth.) A son of Sol and Terra, changed into a river in hell ; some- times used in a general sense to designate hell itself. Abhorred Styx, the flood of deadly h.ite. Sad Aclterun, of sorrow black and deep. Mitloii. A-chilles. [Gr. 'AxMrn.] ( Gr. <)'• ' liom. Myth.) The principal hero of Homer's "Iliad," the son of Peleus, king of the MjTmidons, in Thessal}'-, and of Thetis, a Nereid. He was distinguished above all the rest of the Greeks in the Trojan war by his strength, beauty, and bravery. At his birth, he was dipped by his mother in the river Styx, and was thus made invulnerable except in the right heel, — or, as some say, the ankles, — by which she held him ; but he was at length killed by Paris, or, according to some accoimts, by Apollo. See Hector. An unfortunate country fHanovcr], if the English would but think ; liable to be stran- gled, at an.y time, for England's quarrels; the Ac/iilles-licel to invulnerable England. Carh/k. i-cMl'le§ of Germany. A title given, on account of his bravery, to Albert, Margrave of Brandenburg and Culmbach (1414-1486), "a tall, tiery, tough old gentleman," says Carlyle, " in his day, ... a very blazing, far -seen character, dim as he has now grown." A-chit'o-phel. A nickname given to ' tile r.arl of Shaftesbury (1«21-1G8;J) by his cdutomporaiifs, aiul made use of liy Drydeii in his poem of "Ab- salom and Achitophel," a masterly satire, springing from the polilictil commotions of the times, ami de- signed as a defence of Cliarles H. against the Whig party. There is a striking resemblance between the character and career of Shafteshmy and those of Achitopiiel, or Ahito- phel, the treacherous friend and coim- sellor of David, and the fellow-cou- spirator of Absalom. Of this dnnial and this apologv, we shall only sav tliat tlie l\vA Mcms very apcHTvphal, niHltlH-KTniulwculd.iustily auyeriinc'v.iiich Maehiasel uv ^ickilophcl could invent or rec- oniiucnd. :Sir W. Scott. A'cis. [Gr. 'Ak«V-] (Gr. cj- Rom. Myth.) A Sicilian shepherd, beloved by the nymph Galatea, and crushed imder a huge rock by Polyphemus, the Cyclops, who was jealous of him. His blood gushing forth from under the rock was changed by the nymph into a river, the Acis, or Acinius, at the foot of Mount Jitna. Thus equipped, he would manfully sally forth, with pipe in mouth, to besiege some fair damsel's obdin-ate heart, — not such a pipe, good reader, as that which Acis did sweetly tune in praise of his Galateaj I)ut one of true Delft manufacture, and furnished with a charge of fragi-ant tobacco. ir. Irving. A-cra'si-a (a-kra'zhi-S). [From Gr. mpaaia, want of self-control or mod- eration, intemperance, from gave them iin- limitea access to the piitrcma;;e of the most powerful nobleman in Seotlniui. slimild hnve Buffered it to remain uMemplnycd, lil;e Ahn/- rfm's rustj- hmip. wliiU- they .slrn-u'led tlinm-li three geueratiuns iu iioveity and disappoint- ment. Hcnior. Ah! who shall lift that wand of magic power, And the lost clew resain? Tlie unfinished window in Alathh'n's tov.-or Unfinished must remain. I.onnt'clloir. Alaric Cottin (a'hWuk' kot'tiV)- A nickname given by Voltaire to Fred- erick the Great, king of Prussia, who was distinguished for his military genius, and was also known as dab- bler in literature, and a writer of bad French verses. The first name refers to the famous Visigothic king and warrior, while the second probably refers to the Abl)(5 Cotin, a mediocre poet of the seventeenth century, who "was severely satirised by Boileau, Moli^re, and other writers of his time. _ See TitissoTix. A-las'nani. The hero of a story in the "Arabian Nights' Entertain- ments " entitled " The History of Prince Zeyn Alasnam and the Sultan of the Genii," which relates how he came into the possession of immense wealth, including eight statues of solid gold; how he was led to seek for a ninth statue more precious still, to place on an empty pedestal ; and how he found it at last in tlie person of the most beautiful and purest wom- an iu the world, who became his wife. In ttiis brilliant comedy [Confcreve's "Love for Love"], there is plenty of bright and sparkling characters, rich as wit and imagination can make them ; but there is wanting one pure and perfect model of sim- ple nature, and that one, wherever it is to be found, is, like Alasiiam's lady worth them all. Sir W. Scott. i-las'tor. [Gr. 'ATiUUTup, from u privative, and Tia&eiv, to forget.] In classical mythology, a surname of Zeus or Jupiter; also, in general, a punitive deity, a house-demon, the never -forgetting, revengeful spirit, wlio, in consequence of some crime perpetrated, persecutes a family from generation to generation. Plutarch relates that Cicero, in his hatred of Augustus, meditated killing himself by the fireside of this prince in order to become his Alastor. In the Zo- roastrian system, Alastor is called the and for tlie Remarks and Rules to which the numbers after certain words refer, sec pp. xiv-xxxii. Executioner or Tomientor. Origcn says he is the same as Azazel. Others confound liiiu with the Ex- terminating Angel. I5y Wieru.s and other mediieval deiiionographcrs, Alastor is described as a devil in the infernal court, and the chief execu- tive ofliieer in great undertakings. Shellc}', in his poem entitled "Alas- tor," makes him the " Spirit of Soli- tude." Al-ba'ni-a, ) A namegi\en to Scotlaml, Al'b|-ny.' jor the "Scottish High- lands, in the old romances and lii.s- tories. It is said to have been derived from a certain fabidous^4^6flH(7c/, who received this portion of the island of Albion, or Britain, from his father Brutus. See Albyn. Al'ba-nj^ Eegency. A name popu- larly given in the United States to a junto of astute Democratic politicians, having their head-quarters at Albany, who controlled the action of the Democratic party for many years, and hence had great weight in na- tional politics. The effort to elect William H. Crawford president, in- stead of John Quincy Adams, was their first great struggle. Al'bi-6n. An ancient name of Britain, said to have been given to it on ac- count of the lofty white cliffs {Lat. alous, white) on the southern coast. Others trace the word to the Celtic alb, alp, high. /!!3= In the fabulous history of Eng- land, it is related that the first inhalj- itants were subdued by Albion, a giant and a son of Nojitune, who called the island after his own name, and ruled it forty-four years. Another legend derives the name from a certain Albina, the eldest of fifty daughters of "a strange Dioclesian king of Syria,-' who, having murdered their husbands on their mar- I'iage-uight, one only excepted, whom liis wife's loyalty saved, were by him, at th(! suit of his wife, their .«ister, not put to death, but turned out to sea in a ship unmanned, and who, as the tale goes, were driven on this island, where they had issue by the inhabitants, — none but devils, as some write, or, as others assert, a lawless crew, without head or governor. Slilton characterises these stories as " too absurd and too unconscionably gross" for credence ; but he remarks, " Sure ALB 10 enough wc are that Britain hath boon anciently termed Albion, both by the Greeks and Komans." Not yet enslaved, not whnlly vile, O Albion, O my mother isle! Coleridge. Al'bi-on, New. A name formerly giveii to an extensive tract of land on the north-west coast of Nortli America. It was originally applicil by Sir Francis Drake, in 1578, to tlic ^vIlole of what was then called Cali- i'ornia; but it was afterward confined to that part of the coast which ex- tends from 43° to 48^ N. lat., and is now included wthin the State of Oregon and Washington Territory. AlBorak (al borTik). [Ar., the light- ning.] An imaginary animal of won- derful form and qualities, on vhicli Mohammed pretended to have per- formed a nocturnal journey from the temple of Mecca to Jerusalem, and thence to the seventh heaven, under the conduct of the angel Gabriel. This marvellous steed was a female, of a milk-white colour and of in- credible swiftness. At every step, she took a leap as far as the longest sight could reach. She had a human face, but the cheeks of a horse ; her eyes were as jacinths, and radiant as stars. She had eagle's wings, all glittering with rays of light; and her whole form was resplendent with gems and precious stones. Albracca (al-brak'ka, 102). A castle of Cathay to which Angelica, in Bo- jardo's "Orlando Innamorato," re- tires in grief at being scorned and .shunned by Rinaldo, with whom she is deeply in love. Here she is be- sieged by Agricane, king of Tartary, who resolves to win her, notwith- standing her rejection of his suit. Al'byn (Td'bin). The ancient Celtic name of Scotland, and, until Cresar's time, the appellation of the whole island of Great Britain. It is said to be derived from the Celtic alp or alb, meaning liif/!i, and inn, an island. The Scottish (Jelts denominate them- selves Gael Albinn, or Alhinnich, in distinction from the Irish, whom they call Gael Eirinnich ; and the Irish themselves call the Scottish Gael Albannaich, while their ■writers, so ALG late as the twelfth century, call the country of the Scottish Gael Alhan. [VVritten also A 1 b i n and A 1 b i n n.] The Celtic people of Erin and Alhtjn had, in short, a style of poetry properly called nation;U, thou;;h Macpherson was rather an. excellent poet than a faithful editor and trans- lator. 'SiV W. Scott. The pure Culdees TVcrc Albjpi's earliest priests of God, Ere yet'an island of her seas By foot of Saxou monk was trod. Campbell. Cut woe to his kindred and woe to his cause, ^Vhcu Albiu her claymore indignantly draws. VamjibeU. Alceste (aPsesf). The hero of Mo- liere's comedy, " Le Misanthrope." jee5=- " Alceste is an upright and manly character, but rude, and impatient even of the ordinary civiUties of life, and the harmless hypocrisies of complaisance, by which the ugliness of human nature is in some degree disguised." Sir W. Scott. " MoUere exhibited, in his ' Jlisanthrope,' a pure and noble mind whicli had been sorely vexed by the sight of perfidy and malevolence disguLsed under tlie forms of poUteuess. lie adopts a standard of good and evil directly opposed to that of the so- ciety which surrounded him. Courtesy seems to him a vice, and those stem vir- tues which are neglected by the fops and coquettes of Paris become too exclusively the objects of his veneration. He is often to blame, he is often ridiculous, but he is always a good man." Macaulay. Al-ces'tis,o?-Al-ces'te. [Gr. "AIkt]- arte, or 'A/l/ceor?;.] (Gr. cf Bom. 3Iytli.) A daughter of Pelias, and the wife of Admetus. To save her husband's life, she died in his stead, but was brought back to the upper world by Hercules. Methought I saw my late espoused saint Brought to me like Alcestis from the grave. Whom Jove's great son to her glad husband gave, Rescued from death by force, though pale and faint. Milton. Al-ci'des. [Gr. 'AXKeWj/f.] {Gr. (f- Rom. Myth.) A patronymic or title of Hercules, the grandson of AlcjEus. See Hercules. Alcina (al-che'na). A fairy in Bo- jardo's "Orlando Innamorato," where she is represented as caiTying off As- tolfo. She re-appears in great splen- dour in Ariosto's "Orlando Furioso."' The scene, though pleasing, was not quite equal to the gardens of Alcina. Sir W. Scott. )]Q~ For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, ALC 11 ALL Al-cin'o-us. [Gr. WIkivooc.] {dr. tj- Mom. Myth.) A king of Drepuiu', or, as some say, of Phneacia, who en- tertained the Argonauts on their re- turn from Colchis, and Ulysses when he was shipwrecked. Al'ci-plirSn. [Gr. 'AMi^puv, from u?M7f, strength, spirit, and 9P'/J', licart, breast.] 1. A freethinking interlocutor in Eishop Berkeley's work of the same name, — otherwise called the "Mi- nute Philosopher," — a work "writ- ten with an intention to expose the weakness of infidelity." 2. The hero of Thomas Moore's romance, " The Epicurean," and also the title of a poem by the same au- thor. TVe long to see one p;ood solid rock or tree, on -n-hicli to fasten our attention; but there is none. Like Alciijhroii \vc swing in air and darkness, and know not whither the winil blows us. Putnam's Jlmj. Alc-me'na. [Gr. 'AlKfii/vv.'] ( Gr. <^- Jiom. Mijth.) The wife of Amphit- ryon, and the mother of Hercules by Jupiter, who visited her in the dis- guise of her husband. See Ampiiit- KYON. Alcofribas Nasier (al'ko'fre'bS' na'- se^S', 4-1:). An anagrammatic pseu- donym of Francois Rabelais (1483- 1553), the celebrated French ro- mancer. Al-cy'o-ne. [Gr. ^A7\.Kv6vri.'\ ( Gr. (.f Horn. Myth.) A daughter of yEolus, and the wife of Ceyx. On hearing of her husband's death by shipwreck, she threw herself into the sea, and was changed by the gods into a kingfisher. [Written also Haley- one.] Al'da (al'da), or Al-da-bella (al-da- bel'la, 102). The name given to the wife of Orlando, and sister of Oliver, in the romantic poems of Itah'. Al'dl-bo-ron'te-phos'co-phor'ni-o. 1. A character in Henry Carey's play of " Chrononhotonthologos." I felt as if my understanding were no longer my own, but wiis alternately under the dominion of AldiborontephoscophofiiiOf and that of his facetious friend Kigdum Fun- nidos. Sir IK Scott. 2. A nickname given by Sir Wal- ter Scott to his school-mate, printer. partner, and confidential friend, James Ballantyne, on account of hi.^ solemn anil rather pompous manner. See lilGDUM FUNNIDOS. Al'din-gar, Sir. A character in an ' ancient legend, and the title of a celebrated ballad, preserved in I'cr- cy's " Keliques," Avhich relates hoViT the honour of Queen Elianor, wife of Henry Plantagenet, impeached by Sir Aldingar, her steward, Avas sul)- mitted to the chance of a duel, and how an angel, in the form of a little child, appeared as her champion, and established her innocence. A-lec'to. [Gr. 'A?i7]ktu.] {Gr. (/• Jiom. Myth.) One of the three Furies. Alexander of the North. An c])i- thet conferred vipon Charles XH. of Sweden (1082-1718), wliose military genius and success bore some re- semblance to those of the Macedonian _ conqueror. A-lex'is. A j'outh of great beauty, of whom the shepherd Corydon, in Vir- gil's second Eclogue, was enamoured. Alfadur (al'ta'do'of). [That is, All- Father.] {Scand. Myth.) A name given to the Supreme Being, the un- created, eternal, and omnipresent Deity, whose nature and attributes were unknown. The name was also used as a title of Odin. See Odin. Allen-a-Dale. The hero of an old ballad" which relates how his mar- riage to iiis true love — who was on the point of being forcibly wedded to an old knight — was brought about by Robin Hood. AUen-a-Dale is de- scribed as "a brave young man," gayly dressed, who " did frisk it over the plain, And chanted a roundelay." "Wliere is Allfn-a-Dnle., to chronicle mc in a b.allad, or if it were but a lay ? Sir W. Scott. Alliance, Grand. See Grand Al- liance; and for Holy Alliance, QuADituPLE Alliance, Tiuple Alliance, see the respective adjec- tives Holy, Quadruple, &c. All-the-Talents Administration. An administration formed by Lord Grenville on the death of Mr. Pitt (June 23, 1806). The fi-iends of this ministry gave it the appellation of and for the Bemarkj and Rules to wJiiclitho numbers after certain words refer, see jip. xiv-xxxu. ALL 12 ALS "All-the-Talcnts," which, boinc; cfh- (led in derision by the Opposition, he- camc tixcd upon it ever after. The death of Mr. Fox, one of the mem- bers, Sept. 13, 1801), k'd to various fhanges, and Ihisministrywastiualiy dissolved in JIarch, 1807. Xtg^ The members composing it were as follows : — Lord Grenville, First Lord of the Treas- ury. Earl Fitzwilliam, Lord President. Viscount Sidmouth (llcnry Adding- ton), Privy Seal. Rt. Hon. Charles James Fox, Foreign Seal. Earl .Spencer, Home Secretary. "William \Vindham, Colonial Secretary. Lord Er.skine, Lord Chauoellor. Sir Charles Grey (afterwards Viscount Howick. and Earl Grey). Admiralty. Lord Miuto, Board of Control. Lord Auckland, Loard of Trade. Lord Moira, Master - General of the Ordnance. Mr. Sheridan, Treasurer of the Navy. Rt. lion. Richard' Fitzpatrick. Lord Ellenboroush (Lord Chief Justice) had a seat in the Cabinet. AHwortliy, Mr. A character in Fielding's novel of "Tom Jones," distinguished for his worth and benevolence. This character was drawn for Fielding's private friend, Kalph Allen, of whom roj^e said, — " Let humble Allen, with an awkward shame. Do good by stealth, and blush to find it fame. The sturdy rectitude, the Inrsre charity, the good nature, the niodrsty, tlu' independent Bpiritjthe ardent pliiUinthiopy.thc unaffected indifference to money and to fame, make up a character, which, while it iias nothinp; un- natural, seems to us to approach nearer to perfection than any of the Grandisons and AUworthys of fiction. ilacaukuj. Al-main'. [Low Lat. Alemannia, Fr. Allcmagne, Sp. Alemania ; from Ale- maniii, the collective name of several ancient German tribes in the vicinity of the Lower and Middle Main; from Celt, allmnn, a stranger, for- eigner, from all, another, man, place.] An old English name for Germany. I have seen Almain's proud champions prance; Have seen the gallant knightsof France; . . . Have seen the sons of England true Wield the brown bill and bend the yew. Search France the fair, and Enslarid free. But bonny Blue-cap still for me! Old Song. Al-man'zor. A prominent character in Drydcn's tragedy of " The Con- quest of Granada." After all, I say with Almanzor,— " Know that I alone am king of me." Sir W. Scott. Almighty Dollar. A personification of tlie supposed object of American idolatry, mtended as a satire upon the prevailing passion for gain. The expression originated with Washing- ton Irving. The Almir/hty Dollar, that sreat object of universal devotion throughout our land, eeems to have no genuine devotees in these peculiar villages. W. Irving, Tlie Creole Village. Alp. The hero of Byron's " Siege of Corinth." Alph.. A river mentioned by Coleridge in his poem entitled " Kuijla Khan," composed during a dream, imme- diately after a perusal of Purchas's " Pilgrimage," and written down from memory. This name is not found in Purchas, but was invented by Coleridge, and was probably sug- gested by the Alpheus of classical mythology. " In Xanadu did Kubla Khan A stately pleasure-dome decree, Where Alph, the sacred river, ran Through caverns measureless to man, Down to a sunless sea." Alquife (al-ke'fa). A personage who figures in almost all the books of the lineage of Amadis as a potent wizard. Then . . . thou hadst not, as now, . . . con- verted, in thy vain imagination, honest Grii- fiths, citizen and broker, . . . into some . . . sage Alquife, the mystical and magical pro- tector of thy peerless destiny. Sir W. Scott. Al Kakim (Sr rS-keem'). [Ar., from rakam, to write, rakimeh, something WTitten or sent.] A fabulous dog connected with the legend of the Seven Sleepers. The Mohammedans have given him a place in Paradise, where he has the care of all letters and coiTespondence. See Seven Sleepers. Al-sa'ti-5 (al-sii'shi-ri). A popular name formerly given to Whitefriars, a precinct in London, without the Temple, and west of Blackfriars. It was for a long time an asylum or sanctuary for insolvent debtors and persons \vho had otfended against the laws. The scene of Shadweir.s ' For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, ALS 13 AMA corned}- of the "Sqiiire of Alsatia" is laid in this place; and Scott has rendered it faniiHar to all readers by liis " Fortunes of Nigel." ;8®= ''It is not unlikely that the Landgraviate of Alsace [Ger. Elsass^ Lat. Alsalia] — now the frontier province of I'rancc, on the left bank of the Kliine, long a cause of contention, often the seat of war, and familiarly known to many liritish soldiers — suggested the applica- tion of the name Alsatia to the precinct of fl-hitefriars. This privileged spot stood in the same relation to the Temple as Alsace did to France and the central powers of Europe. In the Temple, stu- dents were studying to observe the law ; and in Alsatia, ai^oining, debtors to avoid and violate it. The Alsatians were troub- lesome neighbours to the Templars, and the Templars as troublesome neighbours to the Alsatians." Cunningham. The furious German comes, with his clarions and his drums, His bravoes of Alsatia, and pages of Wliito- hall. Macaulaii. Al Sirat (as se-rSt')- [Ar., the path.] A bridge extending from this world to the next, over the abyss of hell, ■which must be passed by every one who would enter the llohammedan paradi.se. It is very narrow, the breadth being less than the tliread of a famished spider, according to some TVTiters; others compare it to the edge of a sword, or of a razor. The deceased cross with a rapidity proportioned to their virtue. Some, it is said, pass with the swiftness of lightning, others with the speed of a horse at full gallop, others like a horse at a slow pace, others still slower, on account of the weight of their sins, and many fall down from it, and are precipitated into hell. Am'a-dis de Gaul. [Sp. Amadis de Gaula.'] The hero of an ancient and celebrated romance of chivahy, originally the work of a Portuguese, Tasco de Lobeira, who died, as Tiek- nor conjectures, in 1403. It was translated into Spani.sh by IMontalvo, between 1492 and 1504. The Por- tuguese original is no longer extant. A French version was made by Her- beray, and was printed, in 1555, under the mistranslated title of "Amadis des Ganles," meaning France. In the original romance, Gaula is Wales ; and the subject, characters, and lo- calities are British. The other Ain- adiscs that figure in romance are ropn'senti'd as descendants, more or less remote, of Amadis de Gaul. lie himself was a love-child of a fabulou.s King Perion of Wales, and of Elisena, a British princess. A-mai'in6n, or A-may'raon. An imaginar}- king of the Fast, one of the principal devils who miglit be bound or restrained from doing hurt from the third hour till noon, and from tlie ninth hour till evening. He is alluded to in >Shakespeare's "1 Henry IV." (a. ii., sc. 4), and "Merry Wives of Windsor" (a. ii., sc. 2). According to Holme, he was " the chief whose dominion is on the north part of the infernal gulf; " but Mr. Christmas says he ruled over the easternmost of the four provinces into which the world of devils was thought to be divided. Asmodeus was his lieutenant. Am'al-thes'a. [Gr. 'hiia7SELa.'\ ( Gr. ()'• Kom. Myth.) The name of a goat with whose milk the infant Jupiter was fed, and one of whose horns he is said to have broken off, and given to the daughters of Melisseiis, a Cretan king. This he endowed with such powers, that, whenever the pos- sessor wished, it would instantane- ously become filled with whatever might be desired: hence it was called the cornucopia, or horn of plenty. According to other accomits, Anial- tha'a was the name of a nymph by whom Jupiter was nursed in liis in- fancy. The Britannic Fountain . . . flowed like an Aiiinlt/ia'a's horn for seven vears to come, rc- fri'sliin;^ Austria and all thirsty Pragmatic Nations, to defend the Key-stone of this Uni- verse. Carlyle. Ani'a-ryllis. The name of a countiy- girl in the Idyls of Theocritus and in the Eclogues of Virgil, adopted uito modern pastoral poetry as the name of a mistress or sweetheart. To sport with Amaryllis in the shade. Milton. Am'a-zo'ni-S. A name given by Francisco Orellana, in 1580, to the country on either side of the river Blarafion, from the companies of and for the Remarks and Rules to which the numbers aftvr certain words refer, see pp. xiv-xxxii. AilE 14 AMY •women in amis Avhom he observed on its banks. He also jrave the name Amazon to the river, and it has since been generally known under tliis _ desif^nation. A-me'li-a {or a-mecl'ya). 1. The title of one of Fielding's novels, and the name of its heroine, who is dis- tinguished for her conjugal tender- ness and ati'cction. I'he character of Amelia is said to have been drawn lor Fielding's wife, even down to an accident which disfigured her beauty. j^= ''To hnve inventCLl that character is not only a triumph of art, but it is a good action." Thackeray. 2. A j'oung woman killed in her lover's arms by a stroke of lightnincj, who fomis the subject of a well- known episode in the poem of" Sum- mer," in Thomson's " Seasons." American Fa'bi-us. An appellation often given to General Washington (1732-1790), whose militar}' policy resembled that of the Roman general Quintus Fabius Maximus VeiTucosus, who conducted operations against Hannibal by declining to risk a bat- tle in the open lield, harassing him by marches, counter-marches, and am- _ buscades. i-mine'. A character in the " Ara- bian Nights' Entertainments " who leads her three sisters by her side as a leash of hounds. Aminte (a'manf, G2). The assumed name of a female character in Mo- liere's celebrated comedy, "Les Prdcieuses Ridicules." Her real name is Cathos, which she has dis- carded for a more sentimental one, in accordance Avith the prevailing fashion. She dismisses her admirer for proposing to marry her, scolds her uncle (see Gokgidus) for not possessing the air of a gentleman, and is taken in by a valet whom she believes to be a nobleman, and who easily imitates the foppery and sen- timentalism which she so much ad- mires. .Am 'let, Richard. The name of a gamester in Vanbrugh's " Confed- eracy." Jiichard Amlet, Esq., in the play, is a nota- l)lc instance of the disadvantages to which tills chimerical notion of affinitv conBtituting Q claim to acquaintance may suoject the spirit of a j^cntleman. Charles Lamb. Am'mSn. [Gr. 'AfJ-iiuv.'] {Gr. If . Scotl. Am'phi-tri'te. [Gr. 'Ajk^ltpitt).'] {Gr. (j- Rom. 3fyth.) The wife of iSTcptune, goddess of the sea,' and mother of Triton. Am-phit'ry-Bn. [Gr. 'Ai^(l>iTpvuv.'] (Gr. ()'■ Earn. Myth.) A son of Al- cncus and Hippomene. He was king of Thebes, and husband of Alcmena, who bore at the same time Iphicles, his son, and Hercules, the son of Ju- piter. See Alcmena. [Written also Amphitryo.] Am'ri. See Father of Equity. Amrita (am-re'ta). {Hindu Myth.) A beverage of immortality, churned from the sea by the gods, who were mortal until they discovered this po- tent elixir. A'mys and A-myl'i-on. Two faith- ful and sorely triecf friends, — the Pylades and Orestes of the feudal ages, — whose adventures are the subject of a very ancient romance bearing these names for its title. An abstract of the story is given in El- lis's " Specimens of Early English Metrical Romances." i^~ For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, ANA 15 AND Aji'a-§har'sis Clootz (Idots). ' A name ;issuincd by IJaroii Jean Bap- tiste Clootz, who was born at Clevcs, in 1755. lie conceived the idea of reforming the human race, and trav- elled through England, Germany, Italy, &c., denouncing all kings, princes, and rulers, and even the De- ity. He called himself Anachnrsis, in allusion to the Scythian philos- opher of this name, who flourished about six centuries before the Chris- tian era, and who travelled to Greece and other countries for the purpose of gaining knowledge in order to im- prove the people of his own country. A-nac're-on Moore. A name some- " times given to Thomas Moore, the poet, who, in 1801, published a trans- lation of the Odes of Anacreon. Julia sat within as pretty a bower As c'crhekl liouri in that lieathenisli heaven described by Mahomet and Anacixon JJonre. lii/ron. A-nac're-on of Painters. A name given to Francesco Albani (1578- 16G0), a distinguished painter of It- aly. He was so called on accoimt of the softness of his style, and his avoid- ance of subjects which require spir- _ ited i nd energetic treatment. A-nac're-on of Persia. A title sometimes given to Hafiz (d. 1388), the Persian poet, whose odes and lyric compositions, like those of Anacreon, celebrate the pleasiu-es of _ love and wine. A-nac're-6n of the Guillotine. A name given by the French to Ber- trand Barere (or BaiTere) de Vieuzac (1755-1811 ), president of the Nation- al Convention in 1792, on account of the flowery and poetical language in Tvhieh he spoke upon all the meas- ures of the reign of terror. See WiTLixG OP Tekror. An'as-ta'si-us (an'as-ta'zhi-us). The hero and title of a novel by Thomas Hope (1770-1831), — a work purport- ing to be tlie autobiography of a Greek, who, to escape the conse- quences of his own crimes and vil- lanies of every kind, becomes a ren- egade, and passes through a long series of the most extraordinary and romantic vicissitudes. Anastasius Griin. See Grux, Anas- TASIUS. An-cse'us. [Gr. 'Ay/cafof.] {Gr. <;• Horn. J^fjjih.) A son of Ncptuno Avho, having left a cup of wine un- tasted to pursue a wild boar, was killed by it, which gave rise to the proverb, " There 's man}' a slip be- tween the cup and the lip." An-chi'ses. [Gr. 'Ayxiarir.] {Gi: tj- Ruin. Myth.) A son of Capys and Themis, and the father of iEneas by Venus. He survived the capture of Troy, and was carried by iEneas on his shoulders from the burning city. Ancient Mariner. The hero of Cole- ridge's poem of the same name, who, for the crime of having shot au albatross, a bird of good omen to vo3-agers, suffers dreadful penalties, together with his companions, who have made themselves accomplices in his crime. These penalties are at last remitted in consequence of his re- pentance. He reaches land, where Ije encounters a hermit, to whom he relates his story ; " Since then, at an uncertain hour, The agony returns," and drives him on, like the "Wander- ing Jew, from land to land, compelled to relate the tale of his suffering and crime as a warning to others, and as a lesson of love and charity towards all God's creatures. KS" The conception of this poem anil the mystical imagery of the skeleton-ship arc said by Dyce to have been borrowed bj' Coleridge t'rom a friend who had ex- perienced a strange dream. But De Quiucey asserts that the germ of the story is contained in a passage of Shelvocke, one of the classical circumnaTigators of the earth, who states that his second cup- tain, being a melancholy man, was pos- sessed by a fancy that some long season of foul weather was owing to an albatross which had steadily pursued the ship, upon which he shot the bird, but with- out mending their condition. Andrews, Joseph. The title of a novel by Fielding, and the name of its hero, a footman who marries a maid - servant. To ridicule Ricli- ardson's " Pamela," Fielding made Joseph Andrews a brother of that renowned lady, and, by way of con- aud for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxii. AND 16 AXG trast to Kichardson's hero, repre- sented him as a model of virtue and excellence. je®= " The accounts of Joseph's brav- ery and good qualities, his voice too musi- cal to halloo to the do^s, his bravery in riding races for the gentlemen of the county, and his constancy in refusing bribes and temptation, have something refreshing in their naivete and freshness, jvnd prepossess one in favour of that hand- some young hero." Thackeray. An-drom'a-che. [Gr. 'AvSpofiuxV-] (Or. ()• limn. 2riitli.) A daughter of Eetion, and the fond wife of Hec- tor, by whom she had Astyanax. She is'one of the noblest and loveli- est female characters in Homer's " Il- iad." An-drom'e-da. [Gr. 'AvdpofiEdTj.] {Gr. if Rim. Myth.) A daughter of Cepheus, king of Ethiopia, and of Cassiopeia. Her mother having boasted that her beauty surpassed that of the Nereids, Andromeda was exposed to a sea-monster, but was foimd, saved, and married by Perseus. An-gel'i-ca. An infidel princess of exquisite beauty and consummate coquetry, in Bqjardo's " Orlando In- namorato." She is represented to have come all the way from farthest Asia to sow dissension among the Christians in Paris, who were be- sieged by two hosts of infidels, one from Spain, and anotlier, which had landed in the south of France, from Africa. Among many others, Or- lando falls desperately in love with her, forgetting, for her sake, his wife, his sovereign, his countrv, his glory, in short, everything except his relig- ion. She, however, cares nothing for him, having fallen madly in love witli Rinaldo, in consequence of drinking at an enchanted fountain. On the other hand, Kinaldo, from drinking at a neighbouring fountain of exactly the op])Osite quality, can- not abide her. Various adventures arise out of these circumstances ; and the fountains are again drunk, with a mutual rever.sal of their effects. Ariosto, in his " Orlando Furioso," took up the thread of Angelica's story where Bojardo had left it, and making the jilt fall in love herself with Medoro, an obscure youthful squire, he represents Orlando as driven mad by jealousy and indig- nation. Angelica is celebrated for the possession of a magic ring, which, placed on the finger, defended the wearer from all spells, and, concealed in the mouth, rendered the person in- visible. See Agkicane. ;8®- " Angelica, noted in romance as the faithless lady for whose sake Orlando lost his heart and his senses, was a gra- tuitous invention of Bojardo and Ariosto ; for Spanish ballads and earlier Italian poets make him the faithful husband of Alda or Belinda." Yonge. The fairest of her sex, vlni7cZ/ca, . . . sought by many prowest knights. Both pamira and the peers of Charleraain. Milton. Angelic Doctor. . [Lat. Doctor An- gelicus.] Thomas Aquinas (1227- 1274), the most famous of the medi- ajval schoolmen and divines. j^^ Aquinas was extravagantly ad- mired by his followers. One of his com- mentators endeavours to prove that he wrote with a special infusion of the Spirit of God ; that he received many things by direct revelation, and that Christ had given anticipatory testimony to his writ- ings. Peter Labbe says, that, as he learned some things from the angels, so he tauglit the angels some things ; that he had said what St. Paul was not per- mitted to utter ; and that he speaks of God as if he had seen him, and of Christ as if he had been his voice. We extol Bacon, and sneer at Aquinns. But, if the situations had been changed. Bacon might have been the Angelic Doctor. Maccadaij. Ang^lique (on'zha'lek', G2). 1. Tlie heroine of Moli^re's comedy, "Le Malade Imaginaire." 2. The wife of George Dandin, in Moliere's comedy of this name. See Dandin, George. An'ge-lo. 1. The deputy of Vincen- tio, in Shakespeare's " Measure for Measure." At first he exercises his delegated power with rigour and seeming conscientiousness, but only to enable him the more safely to grat- ify his base passion for Isabella, the sister of a young nobleman named Claudio. His design, however, is thwarted, and his hypocrisy un- 03°" For the "Key to the Scheme of Pronunciation," with the accompanying Explanations, ANG 17 ANT masked, by a counteracting intrigue of Vincontio's, wliicli, aided and fa- voured by cliance, re^-cucs Isaliella, and punishes Augelo by compelling him to marry INIariana, a woman Avhom he had a long time before se- duced and abandoned. 2. A goldsmith in Shakespeare's " Comedy of Errors." Angel of the Schools. A title given to Thomas Aquinas, the most cele- brated metaphysician of the Middle Ages. See Angelic Doctok. Angurvardel(ang'goof-vS'del). [Icel., a stream of anguish.] The sword of Frithiof. The blade was inscribed with runic letters, which shone dimly in peace, but gleamed with a won- drous ruddy light in time of war. See Frithiof. [Written also Au- gur wad el.] Gloriously known was the sword, the first of all swords in the Northland. Jip. Tcrjnc'r, Trans. Anne, Sister. See Sister Anxe. An-tse'us. [Gr. 'Avraio^.] (Gr. cf' Eom. Myth.) A son of Neptune and Terra, a famous Libyan giant and wi-estler, whose strength was invinci- ble so long as he remained in contact w'th his mother earth. Hercules dis- covered the som-ce of his might, lifted him np from the earth, and crushed him in the air. As when Earth's son Antceiis (to compare Small tilings with greatest) in Irassa strove With Jove's Alcides, and, oft foiled, still rose. Receiving from his motlier earth new strength Fresh from his fall, and fiercer grapple joined; Throttled at length in air, expired and fell: So, after many a foil, the tempter proud. Renewing fresh assaults amidst liis pride, Fell whence he stood to see his victor fall. Milton. Ant'e-ros. [Gr. 'Avrepwf.] {Gr. m Gr. d/<.Y«, chief, in composi- tion, and fiuyo^, magician.] An en- chanter in Spenser's " Faery Queen." He is a tj'pe of Hj-poerisj', or Fraud, and, as opposed to Christian Holiness embodied in the Keel- cross Knight, may also represent Satan, the incar- nate principle of evil. He wins the confidence of the knight in the dis- guise of a reverend hermit, and by the help of Duessa, or Deceit, sepa- rates him from Una, or Truth. By his mighty science he cnuld take As many forms and shapes in seeming wise As ever Proteus to himself could make : Somitimc a low!, sometime a fish in lake, Now like a f'nx, now like a dragon fell; That of himself he oft for fear would (jiiake, And oft would fly away. Oh, who can tell The hidden power of herbs, and might of inagic spell? Fucry Qw.en. nim followed his companion, dark and sage. As he, my Master, sung the dangerous Ar- diiinarje. Sir IV. Scott. Whatever momentary benefit may result from satire, it is clear that its influence, in the long run, is injurious to literature. The sat- irist, like a malignant Arr/iiiiirnjo, creates a false medium, through which posterity is obliged to look at his contemporaries, — a medium which so refracts and distorts their images, that it is almost out of the question to see them correctlj'. Atlantic Monthhj. Ar'cite. A cliaracter in the " Knight's Tale," in Chaucer's " Canterbury Tales." See Palamon. Ar'den, Enoch. The hero of Tenny- son's poem of the same name, a sea- man who is wrecked on an uninliab- ited and rarely visited tropical island, where he spends many years, and who returns home at last only to find that his wife, believing him to bo dead, has married again, and is pros- perous and happy. In a spirit of heroic self-sacrifice, he determines not to undeceive her, and soon dies of a broken heart. Ardennes, Wild Boar of. Sec Wild Boar of Ardennes. A'res. [Gr. "Apw.] (Gr. Jft/tJi.) The god of war; the same as Mars. Sec Mars. Ar'e-thu'sa. [Gv.'Apedovaa.l (Gr.ral reed Of Ilernies, or his opiate rod. Milton. A'ri-ad'no (9). [Gr. 'ApmJf;?.] {Or. 6SJ^ " Pope's fairy region, compared with Shakespeare's, was what a drawini;- rooni is to the universe. To Rive, theu'c- fore, to the sprite of the ' Rape of the Lock ' the name of the spirit in the ' Tempest ' was a bold cliristening. Pros- pero's Ariel could have puffed liim out like a taper. Or he would have sauffed liim up as an essence, by way of jest, and I'ound him flat. But, tested by less potent sen.se.'J, the sylph species is an exquisite creation. He is an abstract of the spirit of line life ; a sugge.ster of fa.sliions ; an iuspirer of airs ; would be cut to pieces ratlier than see his will contradicted ; takes his station with dignity on a pict- ure-cord; and is so nice an adjuster of claims that he raulis liearts with neck- laces. . . . The punishmeuts inflicted on him when disobedient liave a like fitncs.s. He is to be kept hovering over the futiie-S of the chocolate ; to be transfixed with plus, clogged with pomatums, and wedged in the eyes of bodkins." Leigk Hunt. Ariodantes {Tt.jvon. a-re-o-dan'tess). The lover of (ilnevra, in Ariosto's " Orlando Furioso." A-ri'on. [Gr. 'Apiuv.] (Gr. (f Horn. Myth.) An ancient Greek bard and musician of the isle of Lesbos. On his return to Corinth from Italy, on one occasion, the mariners formed a plot to murder him for his riches ; but being forewarned of their intention, he played upon his lute, and, by the charms of his music, brought a num- ber of dolphins around the vessel, when he threw himself into the sea, and was carried on the back of one of them to the promontory of Ta;na- rus in the Peloponnesus. Ar'is-t83'us. [Gr. 'Apicrratof.] ( Gr. rj- Horn. Myth.) An ancient Greek di- A-inity, worshipped as the protector of vine and olive plantations, and of hunters and herdsmen. lie was also thought to have instructed men in the management of bees. According to the common tradition, he was a son of Apollo and the water-nymph Cyrenc. In such a palace Ari^tmi^ found Cyrcne, when he Imrr tlic iilaiiitive talo Of his lost bees to Ihm- nititeni;il car. Cowper (on the Ice-puUire uf Anne of Russia.) ir'is-te'as. [Gr. 'Apiareaf .] ( Gr. (f Horn. Myth.) A fabulous being, who B3" For the "Key to the Scheme of Pronunciation," with the accompanying Explanations, ARI 23 AKT has been styled llie "Wandering Jew " of popular tradition in ancient Greece. He ajjpears lirst as a teacher of Homer, and re-appears in dilferent ages and places in very dilt'ercnt characters. Herodotus and Suidas assert that he was a magician, whose .soul could leave and re-enter its body at pleasure. Aristophanes, The Modern. Sec .MoUEliN AinsTDrllANKS. Ariecchino (ar-lek-ke'no, 102). Sec HAKLEtjUlX. Armada, The Invincible. {Eng. cf ^]/>. IlUt.) A famous naval arma- ment, or expedition, sent by Philip II. of Spain against England, in the year 158S. It' consisted of 130 ves- sels, 2-4;iO great guns, 4575 quintals of powder, nearly 20,000 soldiers, above 8000 sailors, and more than 2000 vohmteers. It arrived in the Channel on the 19th of July, and was defeated the next daj' by Admiral Howard, who was seconded by Drake, Hawkins, and Frobisher. Eight tire- ships having l)een sent into the Span- ish fleet, they bore off in great dis- order. Profiting by the jianic, the English fell upon them, and captured or destroyed a number of tiicir ships, and Admiral Howard maintained a running fight from the 21st of July to the 27th, with such eflect, that the Spanish commander, despairing of success, resolved to return liome,and, as escape through the luigii^-li Ciian- nel was prevented by ccnitrary winds, he undertook to sail around the Ork- neys; but the vessels Avhicli still re- mained to him were dispersed by storms, or sliipwrecked among the rocks and shallows, on different parts of the Scott isli and Irish coast, and iipwards of 5000 men were drowned, killed, or taken ])risoners. Of the whole Armada, 53 ships only returned to Spain, and these in a wretched con- dition. The English lost but one ship. Armado. See Don Adiu.vno I)e Au- MAIXI. Armed Soldier of Democracy. A name given to Napoleon IJonajiarte. Armida (ar-me'da, G4). One of the most prominent female characters in Tasso's "Jerusalem Delivered.'' Tiie story of Armida is f anidcd upon a tradition related liy Pierre Delancre. fS^' The poet tells us, that, when tho Crusaders arrived at tlie Holy City, Satuu held a coumil to devise some iiiean.s of disturbiui; ttie plaus of the Christian warriors, and Amiida, a very beautiful .sorceress, was employed to seduce Ki- naldo and other Crusaders. Rinaldo was conducted by Armida to a remote island, where, iu her splendid palace, surround- ed by delij;htful gardens and pleasure- grounds, he utterly forgot his vows and the great object to wliich he had devoted his life. To liberate him IVom his volup- tuous bondage, two nu'S^engcrs from the Christian army. Carlo and Ubaldo, camo to the island, brinj;ing a talisman so pow- erful that the witchery of Armida was destroyed. Kinaldo escaped, but was fol- lowed by tho sorceress, who, in battle, in- cited several warriors to attack the hero, and at last herself rushed into the fight. She was defeated by Kiualdo, who then confessed his love to her, persuaded her to become a Christian, and vowed to bo her faithful knight. The story of Armi- da has been made the subject of an opera by both Gluck and Kossiui. 'T was but a doubt ; but ne'er magician's wand Wrousbt chatifre with all Annida's fairy art Like what this liKht touch left ou Juan's lieart. Jiyraii. The stage (even as it then was), after the rccluseness and austerity ot'u eolk-Re life, must have appeared like Annida's eucnauted pal- ace. JIazlitt. Tho Rrand mansions yon arrive at in this waste, Tiowlins solitude prove sometimes es- sentially robher-towors; and there may be Aniiiila palaces and divine-liiokinK Aniddas, where your ultimate fate is still worse. CarlyU. Arnolphe (ar'nolP). A selfish, and morose cynic in ]\Ioliere's " L'Ecolu des Femmes," whose pretended ha- tred of the world springs from an ab- sorbing regard to his own gratification. iLr'oun-dight (-dit). The sword of Lancelot of the Lake. It is the swnrrl of a prond knight. Tlioii^'h liiirnespun wiis liis mail; AVhat niattcr it' it lio nut named .Tnyciis,., (nkuln, Durindiile, ICxcalibar, or Anniniliijht i I.onafelJow. Ar-sin'o-e. A prude in Moliere's comedy, "Le Misanthrope." Ar'te-Kal. 1. A mythic king of Britain mentioned in the Chronicle of Geof- frey of Momnoulh, and in Milton's Ilistorv of Britain. See Elioui!K. 2. [Written also A rtegall, Ar- and for the Remarks and Rules to which the numbers after certain words refer, sec pp. xiv-xx.\ii. ART 24 ASH t h g a 1, and Artcpjalc] A char- acter in Spenser's '"l-'ai-ry (iueun," representative of Justice, and also of the poet's friend anil patron, Lord (Jrey. His main object is to rescue Iriiia from the tyranny of (Irantorto; l)ut, like a chivalrous kni};lit-<'rraiit, lie is ready to turn aside and subdue the spirit of mi>cliief and violence ■xvherever it may be encountered. Every ohliijalion, accordin" to the ninxim of the 'Civil Law, i8 iiuidu void in the same manner in wliicii it is rendered binding ; n» Ailluiial, the emhleniatic ehainpicin of Jnsticc in Spenser's allef;"ry, dierees as law, that what the sea has brouglit tlie sea may resume. ^ir ))'. ^-ott. Ar'te-mis. [Gr. 'Aprefiic-] (^'»■• Mytli.) One of the givat divinities of the ancient Greeks ; the same as Di- ana. See DiAN.v. Artful Dodger. A sobriquet of one of the characters in Dickens's " Oli- ver Twist." lie is a young thief, and an adept in villany. Arthur. See KiNi; Arthur. Ar'un-del. The steed of Bevis of Southampton. See Bevis of South- am rrox, Siu. Ar-vlr'a-gus. A son of Cymbeline, in Shakespeare's play of this name, passinfc imder the assumed name of C'adwid, and supposed to be a son of Belarius. See Ijelakius. As-cal'a-phius. [Gr. 'AamTio^oc;.] {Gr. (/■ liom. Myth.) A son of Ache- ron, who, having; declared that Pros- cqiine — whom Pluto had given per- mission to return to earth, provided she had not eaten any thing while in the under-world — had tasted of a yiomegranate, was turned by Ceres into an owl, for his mischief-making. As-ca'ni-us. [Gr. 'Plokuvloc.^ (6V. cj- Rum. Myth.) A son of vEneas and Creusa. He accompanied his father to Italy, succeeded him in the kingdom of Latinus, and built tlie citv of Alba Longa. [Called also lulus.'] See yExKAS. The former belong to that class who, like the youn^ -licani'jw, are ever beating about in -fiil aspect, it was clGScribed by the Latin poets as the entrance to tlie lower world ; but the name was often used to designate tlie lower world it- self. Avernus was also regarded as a divine being. Ay'mer, Prior. A jovial Benedictine mouiv, prior of Jorvaulx Abbey, in Sir Walter Scott's '"Ivanhoe." Ay'mon. (Fr.pron. a'mijn', G2.) A semi-mythical character who li.tjures in tlie romances and romantic poems of the Carolian series. He is repre- sented as Duke of Dordona (Oor- dojrne), and father of four sons, l\i- iialdo, Guieciardo, Alardo, and Ric- ciardetto (or Kenaud, Guiscard, Alard, and Richard), whose adventures ^re the subject of an old French romance, entitled " Les Quatre-Filz-Aymon," by Huon de Villeneuve, a French poet of the age of Rhilip II. (11(J5- 122.J). A-za'zel. Among the ancient Jews, the name inscribed upon one of the lots cast by the high priest, on the day of atonement, to determine -which of the two goats selected as a sin-of- fering should be the scape-goat, and which should be sacrificed to Jeho- vah. (See /-e?7. xvi.) There has been much discussion among biblical in- terpreters as to the meaning of the word Azazel. Some regard it as a designation of the goat itself; some as the name of the place to which he was sent; and others as the name of a personal being to whom he was sent. Tholuck and other critics ren- der the word " for complete sending away." Ewald considers Azazel to have been a demon belonging to the pre-Mosaic religion. Another opin- ion identifies him with Satan, or the Devil. Milton makes him Satar. ; standard-bearer. Tliat proud honour claimed Ar.nrj'l ns his right, a cherub tall; ■\Vho forthwith from liis glittering staff un- furled The imperial ensign, wliich, full high ad- vanced, Shone like a meteor streaming to the wind, AVitli gems and golden lustre rich emblazed. Seraphic arms and trophies. Far. Lost, Jik. I A'zo. The name given by Byron to the Prince of Este, in his poem of '' I'arisina." The poem is foimded on fact, and the real name of the prince was Nicholas ; but Lord Byron substituted Azo as being metrically preferable. See Pakisina. Az'ra-el. [Heb., help of God.] In the Jewish and the Mohammedan mythology, the name of an angel who watches over the dying, and separates the soul from the body. H^ff- " The Mohammedan doctors . . . say that Azrael . . . was commissioned to inflict the penalty of death on all mankind, and that, until the time of Mahomet, he visibly struck down before the eyes of the living those whose time for death was come ; and although not invariably seen by by-standers, yet he was supposed to be always visible, in the very act of inflicting the mortal blow, to those whose souls he was summoned lo take away. IMahomet, struck by the ter- rific effect whicli this produced upon men. entreated that the angel of death should take away the souls of men with- out this visible appearance ; and, in eon- sequence of the prayers of the prophet, it was no longer permitted, but nicn".s souls were taken without their beholding the angelic form which removed them."' Henry Chrishnas. Even Azrael, from his deadly quiver When flies that shaft, and fly it must, That parts all else, shall doom for ever Our hearts to undivided dust. Jlijron, JIadness . . . invisible, impalpable, and yet no black Azrael, with wings spread over half a continent, with sword sweeping from sea to sea, could be a truer reality. Carlyle. BAA 31 BAG B. Ba'ai. [Heb., lord, master.] i^^jjlh.) A general appellation of honour used — sometimes in the plural form, Ba- alim — to designate many dittereiit gods among the ancient nations of the East; but specilically applied to the principal male deity of the Vhw- nicians, Avho was also worshipped in Assyria, Egypt, Carthage, and other countries. He was the god of the sun. See 1 K'itkjs xviii. jfiSS^ " The word Bail is frequently found coupled with some epithet, and seems, iu such cases, to have deuoted a different deity, or perhaps the same deity regarded as exereisiug a different function. Thus, we have Bail - Bereth, "'the CoTenant Lord," worshipped by the people of She- chem ; Bail-Peor, the I'rinpus of the Mo- abites and Midianites ; and Eeiilzebub, or Bail-zebub, — the " Fly-god," — the idol of the Philistines at Ekron. Bataa, Ali (a'le' ba'bit). A character in the " Arabian Nights' Entertain- ments," which relates the .stoiy of his adventures with the Forty Thieves (5'. v.), whom he discovers from his h'diug- place in a tree, and whose cave he enters by the use of a magic pass- word, " Sesame," which he has accidentally overheard. Baba, Cassim (kSs'sim hS'ba). A character in the " Arabian Nights' Entertainments;" the brother of Ali Baba. See Forty Thieves. The spell loses its power, and he who should then hope to conjure with it would find liini- self as much mistaken as Cnsxim . . . when he stood cryins, "Open, 'Wheat," "Open, Barley," to the door which obeyed no sound but " Open, Sesame." Macauluij. Baba, Hajji (had'jee ba'ba). The hero of a novel of the same name, bv James Morier (1780-1849); a sort of Persian picaroon, on the Gil-Bias model. Babes in the Wood. See Ciiil- DF.EN IN THE WOOU. Babes of the "Wood. {Irish Hist.) Insurrectionary hordes who infested the mountains ofWicklow and the woods near Enniscarthy, toward the end of the eighteenth century, and v.'ho were guilty of the greatest atrocities. Baboon, Lewis. Louis XTV. of France; — so called in Arbuthuot's '■ History of John Bull." Baboon, Philip. A nickname given, in Arbuthuot's "History of John Bull," to I'hilip, Duke' of Anjou, grandson of Louis XIV. of France. Bac'chus. [Gr. Boxko?, the noisy or riotous god.] {Gr. cj- Earn. J/jjtJi.) The son of Jupiter and Semele, anil the god of wine; represented as a beautiful but etl'eminate j'outli. Bachelor of Salamanca. See Dox CiiEi;uBm. Backbite, Sir Benjamin. A censo- rious character in Sheridan's " School for Scandal." But could this sad, thoughtful countenance lie the same vacant face of folly . . . tluit Idokcd out so formally tlat in rojipinfrton, f^o frothily pert in Tattle, so irapotently busy in iackbke i Cliarles Luii,b. Bac'tri-an Sage. An epithet given to Zoroaster, the founder of the Ma- gianreligidn, and a native of Bactria, the modern Balkh. Badebec (bad'bek'). The wife of Gargantua, and mother of Pantag- ruel, whose birth was the cause of her death; which is not to be won- dered at, since he came into the world accompanied by eighty - one sellers of salt, each leading a mule by a halter; nine dromedaries, lad- en with ham and smoked tongues; seven camels, laden with eels; be- sides twenty -five waggons full of leeks, garlic, onions, and shallots. Badger State. A name popularly given to the State of Wisconsin. Badinguet (ba'dan'ga', G2). A nick- name given in France to the em- peror Napoleon III. Ba'don, Mount (ba'dn). The scene of a Ijattle which is said to have been fought bv King Arthur against the Saxons who invaded his kingdom, and in which the latter were signally defeated. By some writers, Badnn has been identified with Bath, by others with Berkshire. Bag'stock, Joe. A wooden-featured, and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiy-xxxii. BAI 32 BAN liliio-faced major in Dickens'? "Dom- beyaiul Son," solt'-ab.sorl)(.'(l, and for ever talkin;? of "J. B.," "old J. B.," ".loty B.," &c. Baillie Nicol Jarvie. See Jaisvik, Haillie Xicoi.. Baiser de Lamourette, Le. See La>u)1"rette's Kiss. Bajardo (ha-c-af'do). See Bavai:i>. Sal'der-st6ne, Caleb. In Sir Wal- ter Soiitt's " Bride of Lamniermoor," the faithful old butler of the Master of Kavenswood. lie struggles most virtuously, without food, furniture, or comfort, "to maintain an appearance of aftluenco, and is alwaj-s ready with some ludicrous shift to uphold the fallen dignity of his patron. ;Kg» '• Of all our author's fools and bores, he is the most pertinacious, the most iutrusive, and, from the nature of his one monotonous note, the least par- donable in his intrusion. His silly buffoonery is always marring, with gross absurdities and degrading associations, some scene of tenderness or dignity." Senior. The Gallic foray was even more terrible and fatil than Roman vanity chose to avow. It was like Caleb £a;-, Widow. The title of a novel by Jli's. Trollope, aud the name of its heroine, who is distin- guished for her hnsband-hiuiting schemes, her pretension, vulgar as- surance, and want of priuciple. Barnaby Kudge. See Rudge, Bae- UAliY. Bar'na-dine. A dissolute and reck- less character, " fearless of what 's past, present, and to come," who fig- ures in Shakespeare's " Measure for Measure." Barn-burners. 1. Lawless individ- uals who secretly set fire to the barns of the great landed proprietors in the State of New York, in the first half of the nineteenth century. 2. A nickname fomierly given to the more radical and progressive sec- tion of the Democratic party in the United States, who aimed at remov- ing the abuses connected with banks and corporations, in allusion to the story of an old Dutchman who re- -ieved himself of rats by biu'iiing his barns, which they infested. Bam'well, George. The hero of Lillo's tragedy of the same name. Barnwell is a London apprentice hur- ried on to ruin and murder by an in- famous woman, who at last delivers him up to justice aud to au ignomiu- ioiis death. Barons, "War of tlie. See War of THE Baeoxs. Barrel-Mirabeau (mir'a-bo). [Fr. Mir(theau - Tonneau.'\ A nickname given to Boniface Riquetti, Viscount de Mirabcau (1754-1792), brother to the great tribune. He was so called from his bulk, and the quantity of drink ho usually held. Bar'rett, Clerk, "Walter. A pseudo- nym of Joseph A. Scoville (d. 18G4), author of "The Old Merchants of New York." Barriers, Battle of the. See Bat- tle OF TIU-: Barrieus. Bartholo (baf'to'lo')- A doctor who plays a luoniinent part in Beaiunar- chais' comedies, '■ Le Mariagc do Figaro " aud "LcBarbierde Seville." Bar'thol'o-mew'g Day, St. [Fr. La tit.-Barthclemy ; Ger. BnrOwlo- miiusnachi, Bartholomew's Night, or Bluthochzeit, Blood-wedding.] (Fr. Hist.) The appellatidii given, in English books, to a tlreadlul massa- cre of French Protestants, commenced in Paris on the eve of the festival of St. Bartholomew, August 24, 1572. The massacre was secretly ordered by the king, Charles IX., at the in- stigation of his mother, the queen- dowager, Catharine de' Medici, and was attended by circumstances of the most fiendish cruelty. It is esti- mated that in all 30,000 (some au- thorities say 70,000) persons were murdered. [Called also The Barihol- omcw, and The Massacre of tit. Bar- tholomew.'] Basile (bu'zel')- A character in Beau- marchais' comedies, " Le jNIariage de Figaro " and " Le Barbier de S6- ville; " a calumniator, a bigot, and a niggard. The name is used gener- ically m French, to designate any similar character. Bas'i-lis'co. A foolish and boastfid knight in an old play called " Soli- man and Perseda," so popular that his name became proverbial. Bas-sa'ni-o. The lover of Portia, in Shakespeare's " Merchant of Venice." See I'oKTiA. Bastard of Orle-ans. [Fr. Baiard li Orleans.'] An appellation applied to Jean Dunois (1403-1468), a natu- ral son of Louis, Duke of Orleans, brotlier of Charles VI. He was one of the most brilliant soldiers that France ever produced. Ba-ta'vi-a. The ancient Latin nanio of Holland, — often used in modern poetry. Lo I where, through flat Batavia's willowy groves. Or by the lazy Seine, the exile roTPS. Wordsworth. Bateman, Lord. See Lord Beichan. Bath, Maid of. See ]Maid of Bath. Bath, Major (2). The name of a and for the Remarks and Rules to which the numbara after cerL-un words refer, see pp. xiv-xxxii. BAT 36 BAT character in Fielding's novel of "Amelia;" a poor and pompons, but noble-minded gentleman, who swears, " by the honour and dignity of man," and is caught cooking some gruel in a saucepan lor his ailing sis- ter. Bath, Wife of. Sec Wife of Bath. Bat'ra-Qho'my-o-ma'ghi-a. See IJATTI.K OF THK FUOGS AND MiCE. Battle, The Tearless. [Gr. 'AdaKpvg fuixv-] (Gr. Hist.) An engagement between the I.acedirmonians, under Archidamus 11., and the Arcadians and ^Vrgives (n. c. 367), in which the latter were defeated witli great slaughter, while not one Spartan fell. Hence, says I'lutarcli. it was " krown by the name of the Tearless Battle." [Called also The Tearless Viclory.] Battle of Spurs. [Fr. Journee des Sperms.] (Fr. Hist.) 1. A name given to the battle of Courtray (Jidy 11, 1302), tlic lirst great engagement between the nobles and the burghers, . which, with the subsequent battles of Bannockburn, Crecy, and Foictiers, decided the fate ot feudalism. In this encounter, the knights and gen- tlemen of France were entirely over- thrown by the citizens of a Flemish manufacturing to\ni. The French nobility rushed forward with loose bridles, and fell headlong, one after another, into an enonnous ditch, which lay betn^een them and their enemies. The whole army was anni- hilated; and when the spoils Avere gathered, there were fomid 4000 golden spurs to mark the extent of the knightl}' slaughter, and give a name to the engagement. I beheld the Flemish weavers, with Namur nnd JuUers bold, Slarchint; homeward from the bloody Bottle uf the Spurs oi GoM. Longfellow. 2. A name given to an affair at Guinegate, near Calais (August 18, 1513), in which the English troops under Henry VIII. defeated tlie French forces. The allusion is said to be to the unusual energy of the beaten party in ridingj off the field. • . Battle of the Barriers. (Fr. Hist.) The name of a battle fought nnder the walls of Paris, on the 30th of March, 1814, between the forces un- der Napoleon and the armies of the allied sovereigns. The latter, after an obstinate ccmtest, gained the vic- ton-, which led to the capitulation of Paris, and the abdication of Napo- leon. Battle of the Books. The subject of a satirical composition by Swift, entitled '• The Battle . . . "between the Ancient and Modem Books in St. James's Library," alluding to a celebrated controversy among the literarj' men of his day regarding the respective merits of ancient and mod- ern learning. Battle of the Frogs and Mice. [Gr. l3arpaxofivojiaxia, Lat. JSatrachomy- omcchia.] The subject of a mock- heroic poem, ascribed to Homer, but evidently of a much later origin, and apparently desiffned to travesty the " Iliad " and " Odyssey." Battleof the Giants. (Fr. Hist.) A name given to the celebrated battle of Marjgnano (Jlelegnano), Sept. 13, 1515, in which Francis I. of France fought against the Swiss, who were ledby the Duke of INIilan. Francis lost, upon this occasion, 8000 of his best troops, but displayed extraordi- narj^ generalship, and acquired ex- tensive fame. Battle of the Herrings. (Eng. Hist.) A name given by historians to an engagement which took place Feb. 12, 1429, in which Sir John Fastolfe, an English general, at the head of 1500 men, gained a victory over 6000 Frenchmen near Orleans, and brought a convoy of stores in safety to the English camp before that place. The stores comprised a large quantity of herrings. Battle of the Kegs. The subject and title of a mock-heroic poem by Francis Hopkinson (1738-1791). This ballad, verj' famous in the time of the American Bevolution, was occa- sioned by a real incident. JSCff' " Certain machines in the form of kegs, chargeil with gunpowder, were Bent down the river to annoy the British n^- For the "Key to the Scheme of rronunciation," with the accompanying ExplanationB, BAT 37 BAY shipping then at Philadelphia. The danger of these machines being dis- covered, the British manned the wharfs and shipping, and discharged their small- arms and cannons at every thing they saw floating in the river during tlie ebb- tide." Author's Note. Battle of the Nations. A name .sometimes f^iveii to the battle of Lcipsic (1813), one of the greatest and most sanguinary' battles of mod- ern times, on account of the various nationalities, French, Austrian, Rus- sian, Prussian, &c., which were there represented. iBattle of the Poets. The subject and title of a poem (1725) by John Sheffield, Duke of Buckingham, in which he brings all the versiliers of the time into the field. Battle of the Standard. {Eng.Hist.) A name given to an engagement be- tween the English and Scotch at Northallerton, Yorkshire, Aug. 22, 1138, resulting in the defeat of the latter. It was so called on account of a high crucifix borne by the Eng- lish upon a waggon as a military en- sign. Bavtle of the Thirty. [Fr. Conibat des Trenie.'] {Encj. k^- Fr. Uht.) A name given to a celebrated engage- ment which took place at a spot known as Midway Oak, half-way between the castles of Josselin and Ploermel, in France, March 27, 1351. The French General Beaumanoir, commanding the former post, being enraged at the depredations commit- ted by Bemborough, the English general, occupying the latter posi- tion, challenged him to fight. Upon this, it was agreed that thirty knights of each party should meet and de- cide the contest. The two chiefs presented themselves at the head of their best soldiers, and the battle be- gan in earnest. At the first onset, the English Avere successful; but Bemborough having been killed, the French renewed the struggle with redoubled courage, and finally won tlie victory. jKg= This was one of the most heroic exploits of the age, and gained such popularity, that, more than a hundred years later, when speaking of a hard con- test, it wa-s usual to say, " There wiw never such hard fighting since the Battle of the Thirty." Bau'cis. [Gr. BavKiq.'] ( Gr. tf- Rmn. Mijth.) An aged I'hrvgian woman, who, with her husband, PhilcniDn, hospitably received Jupiter and IMcr- curj', after everj-- one else in tlie place had refused to entertain them. The gods visited the country with an in- undation, but saved Baucis and Phi- lemon, and converted their humble dwelling into a magnificent temple, of which this pious couple became the priests. Having expressed a wish to die together, when the time of their departure should come, Ju- piter granted their request by chang- ing them simultaneously into two trees before the temple. Bavieca (ba-ve-a'ka). The name of a famous steed of the Cid. He sur- vived his master two years and a half, during which time no one was ])ermitted to mount him. When he died, he was buried before tlie gate of the monastery at Valencia, in the public place, and two elms were planted upon the grave, the one at his head, the other at his feet. Bay'ard {Fr.pron. bi'af'). 1. A fa- mous horse, of incredible swiftness, belonging to the four sons of Aymon. (See Aymon.) He was of the ordi- narj' size when only one of them wished to ride, but, when all four were to be carried, he had the power of elongating his body till it was of the requisite dimensions. Many wonderful things are related of him. It is said that one of his foot-prints is to be seen in the forest of Soigncn in Brabant, and another on a rock near Dinaut. 2. The same name is given in the old romances and romantic poems to Kinaldo's famous steed, a wonderful animal of a bright bay colour, which had formerly belonged to Amadis de Gaul. He was found by INlahigigi, the wizard knight and cousin to Ki- naldo, in a grotto, together with a suit of anns and the sword Fusberta, under the watch of a dragon whom and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxii. BAY 38 EEA he charmed. Having obtained the prize, he bestowed it upon Kinaldo. in the French romances, he is repre- sented to be yet alive in some of the forests of France ; but runs ulf on bc- Jiolding any one ; on -wliich account all hope of seciu-ing him is vain. Bayeg. The name of the principal character in " The Rehearsal," a wilty and celebrated i'arce, ostensibly and cbietly written by Gcorpc Villiers, Duke of Buckingham, and intended as a satire upon the heroic or rhym- ing plaj's of his time. It was lirst brought out in the year 1671. In its original fonn, the character of Eayes was meant for the Hon. Edward Howard (for whom Sir William Davenant was afterwards substiti/- ed); but, in its present fonn, the hero of the .satire is JJrj'den, who had stood forth not onl}' as a practiser, but as the champion, of this j)eculiar ppecies of the drama. He is repre- Fented as greedy for applause; impa- tient of censure or criticism; inordi- nately vain, yet meanly obsequious to tho?e who, he hopes, will gratify him by returning his flatter}' iu kind"; and, iinally, as anxiously and dis- tressingly mindful of tbe minute parts of what, even in the wliole, is scarce worthy of attention. In Rhort, cir, you are of opinion with Ea;/rs, — " What the devil docs the plot Bignify, ex- cept to bring in flue things? " Sir ]V. Scott. Bayou State. A name sometimes given to the State of Mississippi, which abounds in bayous, or creclis. Bay State. A popular name of Jlas- sachusetts, which, before the adop- tion of the Federal Constitution, was called tlie Colony of Massachusetts Bay. Lift ai;ain the etatolv emblem on the Hay Stall's rusted Bhield, Give to Xorthorn wiiula the pine-trco on our banner's tattered fieldl W/iilti\r. "When first the PilKrims landed on tlie lUty St(ttt_\-i iron failure, The word went forth that slavery should one day be no more. Lowell. Bean Lean, Don'aid. A Highland robbrr-chicf in Sir Walter JScott's novel of '' Waverley." B6amais, Le (In ba'af'na'). A sur- name given to' Henry IV., king of France and Navan-c (155.3-1598), from his native province, Le Beam. He was so called in especial by the Leaguers (see League, The),' who refused to recognise him as liing of France, or even as king of Navarre. Bear State. A name by whicli the State of Arkansas is sometimes des- ignated, on account of the number ol' bears that infest its forests. Be'a-trice (It. proji. ba-a-tre'cha). 1. The Christian name of a young Florentine lady of the illustrious family of I'ortinari, fcjr whom the poet Dante conceived a strong but purely Platonic affection, and whom tie represents, in the " Divina Corn- media," as his guide thi'ough para- dise. 2. The heroine of Sliakespeare's "Much Ado about Xothing." 42P " The extraordinary success of this play in Shakespeare's own daj', and ever since, in England, is to be ascribed more particularly to the parts of Bene- dick and Beatrice, two tiumoursome be- incTS, who incessantly attack each other with all the resources of raillery. Avowed rebels to love, they are both entangled in its net by a merry plot of their friends to make them belieye that each is the object of the secret p.ossion of the other." Schle- gel, Trans. — " In Beatrice, high intellect and hijih animal spirits meet, and excite each other like fire and air. In her wit (which is brilliant without being imagina- tive) there is a touch of insolence, not in- frequent in women when the wit predom- inates over reflection and imagination. In her temper, too, there is a slight in- fusion of the termagant ; and her satiri- cal humour plays with such an unrespeel- ive levity over ,all subjects alike, that it required a profound knowledge of women to bring such a character within the pale of our sympathy. But Beatrice, though wilful, is not wayward ; she is volatile, not unfeeling. She has not only an exuberance of wit and gayety, but of heart, and soul, and energy of spirit." Mrs. Jamtson. 3. See Be.vutiful Paekicide. Beatrix. See Castlewood, Bea- trix. Beau'clerc (bo'-). [Fr., fine scholar.] A surname of Henry I. of England, who received a more literary educa- tion than Avas usually given, in his IS- For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, BEA 39 BEE time, cither to the sons of kings, or to laymtu of any rank. Seau Tibbg. A prominent character in Goldsmith's " Citizen of the ■World;" said by Hazlitt to be " the best comic sketch since the time of Addison; unrivalled in his tinery, his vanity, and his poverty." Beautiful Corisande (ko're'zond', 62). [Fr. La Bdk Corisande.] A sobriquet given to Diane d'Andou- ins (1554-i020), Countess of Guiche and Granimont, and widow of Philip de Grammont. Beautiful Gardener. [Fr. La Belle Jardiniere.] A sobrifiuet given to a mistress of Henry IV. of France. Beautiful Parricide. A name given to Beatrice Cenci (d. 1599), who is alleged to have murdered her father, a wealthy Konuui nobleman, on ac- count of the revolting and incestu- ous brutality with which he treated her. For this crime, she was con- demned and put to death. Some historians maintain that she had no part in the murder, but was the vic- tim of an infernal plot hatched by two robbers, or by imknown persons whose agents they were. The story of Beatrice has l)een made tlie sub- ject of a powerful tragedy by the poet Shelley. Beautiful Ropemaker. See Rope- MAKEi;, The Beautiful. Beauty and the Beast. [Fr. La Belle et la Bete.] The hero and heroine of a celebrated fairy tale — written in French by !Mme. Villeneuve — which relates how a young and lovely wom- an saved the life of her father by put- ting herself in the power of a iright- ful, but kind-hearted monster, whose respectfid affection and deep melan- choly tinally overcame her aversion to his hideousness, and induced her to consent to marrj^ him, whereupon he was freed ti-om the enchantment of which he had been a victim, and appeared to her in his proper form and character of a handsome and graceful young prince. So she [Caroline of Anspach, afterward tjuccn of George II. of England] lived at Ber- lin, brilliant thongh importioned, with the rough cub Friedricii Wilhelm much following her about, and passionatelv loyal to her, ns the JU'dst was to /Sow/;/ .- w"luini she did not mind except as a cub loyal to her, bcine tlvo yearn older than he. Varhjle. Beauty of But'ter-mgre. A cele- brated and lovely Knglivh girl, named Mary Kobinson, who was married, by means of the most odious deceit, to John Hatfield, a heartless impostor, who was executed for forgery, at Cariisle, Sept. 3, 1803. Bede, Ciith'bert. A literary cogno- men adopted' by the Kev. Edward Bradley, a popular I-'nglish humourist of the present day. Bede, The Venerable. A famou.s English monk of the eighth century, whose surname was given him in honour of his eminent talents, virtues, and learning. JK3" There is an old story that a monk in vain attempted to write an epitaph upon Bede, and fell asleep, leavini; it thus : " Hue sunt in fa^sa Beda2 . . . o.??a;'' and that, when he awoke, he found, to his great surprise and satisfac- tion, the long-sought epithet supplied by an angelic hand, — the whole hue stand- ing thus : " Uac sunt in fossa Bedas vcnerahiUs ossa." Eed'i-vere, Sir. King Arthur's but- ler. He was a knight of the Kound Table, and a prominent tigure in many of the old romances of chivalry. [AVr'itten also B e d v e r .] Bed'red-din' Has'sS,n. A charac- ter in the storj^ of '' Xnureddin and his Son, and Shemseddin and his Daughter," in the "Arabian Nights' Entertainments." She [Effie Deans] amused l-.crself with vis- iting the dairy, in which she had so long been assistant, and was so near discovering herself to May Iletley, by betraying her acquaint- ance with the celebrated receipt for Dunlop ciieese, that she compared herself to Hcclrci!- flin 7/asson, whom the viziei-, his father-in- law, discovered by his superlative skill in composing cream-tarts with pepper in them. Sir W. Scoll. Beering-t6n, Mi-lor'. A character in " The Rovers, or The Double Ar- rangement," in the poetry of the "Anti-Jacobin." He is an English nobleman in exile hy the tyranny of King John, previous to the signature of Magna Charta. " Will without power," said the sagacious Casimir to Milor fleejiiitjlon, " is like children playing at soldiers." Macaulay. and for the Remarks and Rules to which the numbers after ccrttvin words refer, see pp.xiv-xxxii. BEE 40 BEL Be-el'ze-bub. [Ilcb. h^nl, lord, and s-bub, i\\'.] {Myth.) The title of a hcatlicn" deity, to whom the Jews ascribed the "sovereignty of the evil spirits. Milton, in his '_' Paradise Lost," makes him second in rank to Satan ; but Wierus, the celebrated de- monographcrof the sixteenth centurj', .savs, that Satan is no longer the sov- ereign of hell, but that Beelzebub reigns in his place. Other mediieval •writers, who reckon nine ranks or orders of demons, place Beelzebub at the head of the first rank, which consists of the false gods of the Gen- tiles. Which when Bcrl:<. huh perceived, than whom, Bat,in except, none lii-hcr 6.11, with grave Aspect lie rose, and in his rising seemed A pillar i.f state: deep (in his front engraven Deliberation bat and public care; And princelv counsel in his face yet phone, Majestic tho'ugh in ruin: sage he stood, With Atlantean shoulders fit to bear The weight of mightiest monarchica. Milton. Sefana, La (la ba-fa'na). [It., a cor- ruption of Gr. 'Emi^avta, the Epiph- anj'.] In Italy, a common personi- fication of the" Epiphany, or Festival of the Manifestation of Christ to the Gentiles, — variously represented as a saint and as a fairy. According to other accounts, she is the Italian bug- bear of naughty children. J85- The Epiph.any (.Tan. 6) is the d.ay for the presentation of Christmas gifts in Italy, and there is a pleasaut fiction that La Befana goes about at night like St. Nicholas, carrying presents to children. AV'hether from thus personifying the season, or from whatever other cause, a figure, called La Befana, is suspended outside the doors of houses at the begin- ning of Lent. 23eiclian, Lord. See Lord Beiciian. Bel. (ChaU. Myth.) The same as Belu.': and Balil. See Baal, Belus. Be-la'ri-us (9). The name of one of the cliaracters in Shakespeare's "Cymbeliiie." Belch, Sir ToTsy. Uncle to Olivia, in Siiakespeare's "Twelfth Night." lie is a type of the reckless, jolly roisterer of the Elizabethan period. Balmawhapple was young, stout, and ac- tive; but the Baron, ihflnitelv more master of his weapon, would, like .i'lr Tubi/ Belch, have tickled his opponents other gates than he did, had he not been under the influence of " Ursa Major " [a drinking-cup so called]. Sir W. Scott. Bel'ford. A friend and correspond- ent * of Lovelace, in Richardson's novel, " The History of Clarissa Har- low." It is well for thee, that, Lovelace-and-iJe7- /orrf-likc, we came under a convention to jiardon every species of liberty which we may take with each other. Sir }V. Scott. Be1I-ai. [Heb. bH'i, not, and ja'al, usefiil.] A Hebrew word meaning worihlessness, and hence recJcless)iess, Imdessness. The translators of the Bible have frequently treated the word as a proper name, though there can be no question that in the Old Testament it is a mere appellative. In the New Testament, the apostle Paul, in order to indicate in the strongest terms the high degree of virtue after which the Christian should strive, places Christ in direct opposition to Belial. " What con- cord hath Christ with Belial?" (2 Cor. vi. 1.5. ) The term as here used is generally understood as an appel- lative of Satan, as the personification of all tliat was bad; though Bengel explains it of Antichrist, as more strictly the opposite of Christ. Mil- ton in his " Paradise Lost " expressly distinguishes Belial from Satan, and he assigns him a prominent place in Pandemonium. Those mediaeval de- monographers who reckoned nine ranks of evil spirits, placed Belial at the head of the third rank, which consisted of inventors of mischief and vessels of anger. According to Wierus, who, following old authori- ties, establishes a complete infernal court, Belial is its ambassador in Turkey. Belial came last, than whom a spirit more lewd Fell not from heaven, or more gross to love Vice for itself. A fairer person lost not heaven; he seemed For dignity composed and high exploit: But all was false and hollow; though his tongue Dropped manna, and could make the worse appear The better reason, to perjilex and dash Maturest counsels; for his thoughts were low. Jielial, the dissolutest spirit that fell, The sensualest, and, after Asmodai, The fleshliest liicubus. Milton, isa~ For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, BEL 41 BEL But, could he make an effectual strujrple, he might depend upon the aid of the servile JJarrere, a sort of Belial in the Convention, the meanest, yet not the least able, anion;; those fallen spirits, who, with great adroitness and ingenuity, as well as wit and eloquence, caught opportunities as they arose, and was eminently dexterous in being always strong upon the strongest, and safe upon the safest, side. Sir W. Scotl. Beliards. See Don Belianis of Greece. Be-lin'da. 1. The poetical name of the heroine of Pope's "liape of the Lock," whose real name was Arabella Fermor. A frolic of gallantry in which Lord Petre cut off a lock of this lady's hair — a frolic so much resented that the intercourse of the two families, before very friendly, was interrupted — was the occasion of the poem, which was written with the design of bringing the parties to a better temper, and effecting a rec- onciliation. 2. The heroine of Miss Edgeworth's novel of the same name. Bell, Ac'tSn. A pseudonym of Anne Bronte (d. 18-18), an English novelist, author of "Agnes Grey" and " The Tenant of Wi'ldfeld Hall." Bell, Adam. The hero of a famous ok', ballad ha\'ing this name for its title ; a wild, north - country outlaw, celebrated for his skill in archery. Bell, Bessy. A character in a ballad by Allan Ramsay, founded on fact, and entitled " Bessy Bell and Mary Gray." These were daughters of two coimtry gentlemen in the neigh- bourhood of Perth. When the plague of 1666 broke out, they built them- selves a bower in a verj"- retired and romantic spot called Burn Braes, where they were supplied with food and other necessaries by a young gentleman who was in love witli both of them. After a time he himself caught the disease, and, having un- wittingly communicated it to them, they all three sickened and died. Mrs. Le Blanc, a young woman fair to look upon, with her young infant, has to live in greenwood, like a bea\itiful Jiesst/ Bell of song, her bower thatched with rushes; — catching premature rheumatism. Carlyle. BeE, Cur'rer. A pseudonjTir adopted by Mrs. N'icholls (CharloUe Bront(5, — 1824-1855, — sister of Anne and Emily Bronte?), wife of the Rev. Ar- thur Bell Nicholls, and a distin- guished English novelist, author of 'Mane Eyre," " Shirley," and " Vil- lette." Bell, Ellis. A pseudonym of Emily Bront6 (d. 1849), sister of Anne and Charlotte Bront(}, and author of " Wuthering Heights." >KS=" Averse to personal publicity, we veiled our names under those of Currer, Acton, and Ellis, Bell, — the am- biguous choice being dictated by a sort of conscientious scruple at assuming Christian names positively masculine, while we did not like to declare ourselves women, because — without at that time suspecting tliat our mode of writing and thinking was not what is called ' femi- nine ' — we had a vague impression that authoresses are likely to be looked on with prejudice ; we had noticed how critics sometimes use for their chastise- ment the weapon of personality, and for their reward a flattery which is not true praise." C. Bronte. Bell, Peter. The subject of Words- worth's poem entitled " Peter Bell, a Tale in Verse." A parody on this poem appeared soon after its publica- tion, and Shelley wrote a burlesque, entitled "Peter Bell the Third," in- tended to ridicule the ludicrous pu- erility of language and sentiment which Wordsworth often affected in the championship of the poetical system he had adopted. Bel'lSs-ton, Lady. A profligate character in Fielding's novel, " The History of Tom Jones, a Foundling." Suppose we were to describe the doings of 8uch a person as Mr. Lovelace, or my Lady Bellaston . . . ? How the pure and outraged Nineteenth Century would blush, scream, run out of the room, call away the young ladies, and order Mr. Mudie never to send one of that odious author's books again 1 Thackera;/. BeUe France, La (la bel fronss, 62). [Fr., beautiful France.] A popular epithet applied to France, correspond- ing to the epithet " Merry England," as applied to England. Biddy Fudge, though delighted to find her- self in " La Belle France" was yet somewhat disappointed at the unpicturesqueness of the country betwixt Calais and Amiens. Brit, if For. Hex'. Bellen-den, Lady Margaret (bel'- len-dn). An old Tory lady, mistress of the Tower of Tillietudlem, in Sir and for the Kemarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxii. BEL ■\V:iltpr Scott's novel of " Old Mor- tality." Bel-16r'o-pli6n. [Gr. BeAAfpo^uv.] ((jr. <)'• ./>"'• Mutft-) A beautiful s(iii ofthe Corintliian KiiiK Glaucus, and a fcrandson of Sisyphus. NVitli the help ofthe winged steed Pegasus, he killed the Chim.cra. He afterward Ottempted to rise with Pegasus into heaven; but Jupiter sent a gad-tly, whieh stung the horse so tliat he threw the rider, who became lame and blind in consequence, and wan- dered lonelv tlirough the Aleian field, consumed by grief, and avoiding the paths of men. Upled by thee [TJrania], Into the heaven of heavens I have jjrebumed. An earthly guest. ... With like salety guia ■! flown, Bcturn ine to mv native element; Lest from this Ovins steed unreined (as once Jicllcroiihon. though from a lower s|iherej, Disnumnted on the Aleian field I fall, Erroneous there to wander and forlorn. Milton. Bel-le'rus (9). {Myth.) The name of a Cornish giant. Sleep'st by the fable of Jlellerus old. Where the (.'rent vision ofthe guarded mount Looks toward Namaueos and Bayona's hold. Milton. Bel-lo'nS. {Rom. Myth.) The god- dess of" war ; the companion and eister or wife of Mars. She prepared the chariot of Mars when he was going to war; and she appeared on the battle-field with dishevelled hair, a torch in her hand, and a whip to animate the combatants. Her features, late eo excjuisitely lovely in their paleness, [were] now inflamed with the fiirv of flreuzy, resembling those of a Bcl- loaa. Sir W. Scott. Imminent blood-thirsty Regiments camped on the Champ de Mars; dispersed National Assembly; red -hot cannon-balls (to burn I'aris); — the mad War-god and Bcllona's Founding thongs. Carlyle. Bell-the-Cat. A by-name given to Archiliald Douglas (d. 1.514), a Scot- tish nobleman, fi-om an incident that occurred at Lauder, where the great barons of the realm had assembled at the call of the king, James III., to resist a threatened invasion of the country by Edward IV. of England. They were, however, less disposed to advance against the English than to correct the abuses of King James's administration, which were chiefly to 42 BEL be ascribed to the influence exerted over him by mean and unworthy favourites, particularly one Cochran, an architect, but termed a mason by the haughty barons. je@=- " Many of the nobility and barons held .a secret council in the church of Lauder, where they enlarged upon the evils which Scotland sustained through the insolence and corruption of Cochran and his associates, fl'hile they were thus declaiming. Lord Gray requested their attention to a fable. ' The mice,' he said, ' being much annoyed by the persecution of the cat, resolved that a heU should he hung about puss's neck, to give notice when she was coming. But, though the measure was agreed to in full council, it could not be carried into effect, because no mouse had courage enough to tie the bell to the neck of the formidable ene- my.' This was as much as to intimate his opinion, that, though the discontented nobles might make bold resolutions against the king's ministers, yet it would be difRcult to tind any one courageous enough to act upon them. Archibald, Earl of Angus, a man of gigantic strength and intrepid courage, and head of that second family of Douglas whom I before mentioned, started up when Gray had done speaking. ' I am he.' he said, ' who will bell the cat ; ' from which expression he was distinguished by the name of BtU-tke-Cat to his dying day." -S(> W. Scott. He was equally worthv of blazon with hira perpetuated in Scottish song and story by tlie surname ot Bell-the-Cat. W. Irving. Beloved Disciple. An appellation often given to John the evangelist and apostle, who enjoys the memo- rable distinction of having been the chosen and favoured friend of our Lord. See John xiii. 23; xLs. 26, 27 ; XX. 2 ; xxi. 7, 20. Beloved Merchant. A title bestowed by Edward III. of England upon Michael de la Pole, an eminent Lon- don merchant, who in the following reign became lord chancellor, and Avas raised to the peerage as Earl of Suffolk. Beloved Physician. An appellation sometimes used to designate St. Luke. It was first confen-ed upon Ijim by the apostle Paul ( Col. iv. 14). Bel'phe-gor. {Myth.) A Canaanitish divinitv, worshipped particularly by tbe Moabites. Wierus calls him ihv eg- For the " Key to the Scheme of Pronunciation," with the accompanying Explanations BEL 43 BEX ambassador in France from the in- i'ernal court of Beelzebub. According to Pulci, lie was a Mahometan deity. According to JNIacchiavelli, an arch- iiend who had been an archangel. Eel-phce'be. [Fr. hdk, beautiful, and Pha.be, Uiana.J A huntress in Spen- ser's "Faery Queen;" intended as a likeness of Queen Elizabeth, the woman, as contradistinguished from the queen, who is imaged in Glori- ana. jgg- " Flattery more highly seasoned may have been offered her [Queen Eliza- beth], but none more delicate and grace- ful than that contained in the finished portrait of Belphcebe. She represents that pure and high-spirited maidenhood which the ancients embodied in Diana ; and, like her, the forest is her dwelling- place, and the chase her fivourite pastime. The breezes have imparted to her their own fleetness, and the swaying foliage its graceful movement. . . . She is passion- less and pure, self- sustained and self- dependent, ' in maiden meditation fancy free,' and shines with a cold lunar light, and not the warm glow of day. The author has mingled the elements of her nature so skilfully that the result is nothing harsh, unnatural, or unfemi- nine ; and has so combined the lofty and the ideal with the graceful and attractive, that we behold in her a creature . . . ' Too fair for worship, too divine for love.' " Oeo. S. Hillard. Belted T^^Till. A title bestowed upon Lord William Howard (15G3-1640), Avarden of the western marches. His Bilboa blade, by Marchmen felt, Huns in a broad and studded belt; Hence, in rude phrase, tlie Borderers still CaUed noble Howard, Jieltcd Will. r _ Sir W. Scott. It is within the memory of even middle- ased persons that the south-western portion of our country was in as lawless a state as ever were the borders of Ensland and Scot- ' land, and with no Belted Will to hang up rufiians to swing iu the wind. Atlantic Monthly. Seltenebros (bel-ta-ni-bros')- [Sp., the darkly beautiful, or fair forlorn; from bdlo, beautiful, and tenebroso, dark, gloomy.] A name assumed by Amadis de Gaul on retiring to a hermitage, after receiving a cruel letter from his mistress, Oriana. Be'lus. [Gr. B^^o?.] (Myth.) The ancestral hero and national divinity of several Eastern nations, especially the Chaldspans and AssjTians. lie is the same as Baal. See Baal. [Called also Bd.] Bel'vi-de'ra (0). The heroine of Otway's tragedy of " Venice Pre- served; " remarkable for her beauty, conjugal tenderness, spotless purity, and agonising suflerings. See Jaf- FIEE. More tears have been shed, probably, for the sorrows of JJclviiterci and Alonimla than for those of Juliet and Uesdemona. Sir W. Scott. Bendy, Old. See Old Bendy. Ben'e-dick. A young lord of Padua, in Shakespeare's " Much Ado about Nothing," who combines the charac- ters of a wit, humourist, gentleman, and soldier. He marries Beatrice (though at first he does not love her) after a courtship which is a contest of Avit and raillery. The name is often used as a synonym for a newly -mar- ried man, and is sometimes written Benedict, though this is not Shake- speare's orthography. See Beatrice. All tlicse, like Benedick's brushing his hat of a morning, were signs that the sweet youth was in love. Sir W. Scott. In the first-named place, Henry found his dear Benedick; the married man, who ap- peared to be rather out of humour with his matrimonial cliain. Thackeray. Ben'en-ge'li, Cid Ham'et [Sp. Cide JIameie Benengdl, theed S-ma'ta ba- nen-ha'lee]. An imaginary Moorish chronicler from whom Cervantes pro- fesses to have derived his account of the adventures of Don Quixote. je3= " The Spanish commentator'! . . . have discovered that Cid Hamet Benen- geli is, after all, no more than an Ara- bian version of the name of Cervantes himself. Cid, as all the world knows, means lord or signior. Hamet is .a com- mon Moorish prefix. Benenseli signifies the son of a stag, which, being expressed in Spanish, is hijo del ciervo, cen-al, or cervanteno.^^ LockharC. I vow and protest, that, of the two bad cassocks I am worth in the world, I would have L'iven the latter of them, as freely as ever Cid llainet offered liis. only to h.ave stood by and heard my Uncle Toby's accompaniment. Sterne. But thou, at least, mine own especial pen! — Once laid aside, but now assmned .again, — Our task complete, like Ilamct's, shalt be free. Byron. Be-nr'ci-5 Boy. A sobriquet given to John C. lleenan, a noteil American and for the Remarks and Rules to which the numbers oiter certain words refer, see pp. xiv-xxxii. BEN 44 BES pugilist, who resided for a time at Ik'iiiiia, ill California. In 1800, he hud a famous lif,dit with Tom Savers, the '■ champion jirize-tighter of Eng- land," which lasted for more than two hours, and was then stopped by the interference of tlie police. Ben-nas'kar. A wealthy; merchant and magician of Delhi, m Ridley's ''Tales of the Genii." Like the jeweller of Delhi, in the house of the magician flenuiiskar, I, at length, reached a vaulted room dedicated to secrecy and silence. Sir >K. Hcolt. Ben'net, Mrs. A demure, shy, in- triguing, ciiui vocal character in J^'ield- ing's nuvel of "Amelia." Benshie. See Bansukk. Ben-vo'li-o. A friend to Romeo, and nephew to Montague, in Shake- speare's tragedy of " Romeo and Juliet." Berchta. See Bi:r.TiiA, Frau. Berkeley, Old "Woman of. The title and subject of a ballad by Southey. Ber-lin' Decree. (Fr. Uist.) A de- cree issued at Berlin, on the 21st of November, 180fi, by the Emperor Napoleon I., declaring the whole of the Briti.sh islands to be in a state of blockade, and all vessels trading to them to be liable to capture by Frencli ships. It also shut out all British vessels and j)roduce both from France, and from all the other coun- tries which gave obedience to the French. Ber-mob'tfiSs. An old form of Ber- mvdas, and the Spanish pronimcia- tion of the name of the first dis- coverer of these islands, Bermudaz, who sighted them in 1527. In the deep nnok, where once Thou calledstme up at midnight to fetch dew From the etill-vexed Bermoothcs, there she 'a hid. Shak. Ber-mu'dSs. A cant term formerly applied to certain obscure and intri- cate alleys in London, in which per- .«ons lodged who had occasion to live cheaply or be concealed. Thej' are supposed to have been the narrow passages north of the Strand, near Covent Garden. Ber-nar'do. The name of an officer in Shakespeare's tragedy of " Ham- let." Bernardo del Carpio. See Carpio, Bkunakdo del. Berserker (bi f-sei'ker). [Old Norse her, bare, naked, and sarke, a shirt of mail.] {Hcand. Myth.) A re- doubtable warrior who went into bat- tle unharnessed, his strength and fury serving him instead of armour, which he despised. He had twelve sons, who inherited his name as well as his warlike ferocity. Bertha, Frau (frow bei-'ta). [0. Ger. Fcructa, shining, white; from the same root as the Eng. brif/ltt.] lu Germany, an impersonation of the Epiphany, corresponding to the Italian Bcfana, variously represented as a gentle white lady who steals softly to neglected cradles, and rocks them in the absence of careless nurses, and also as the terror of naughty children. She has, besides, the over- sight of spinners. She is represented as having an immensely large foot and a long iron nose. The legend concerning her is mainly of Christian origin, but with some admixture of heathen elements. [Written also Fran Berchta and Frau F r e c h t .] Ber'tha with the Great Foot. [Fr. Berth'e au Grand Pied.] The moth- er of Charlemagne, by King Pepin, and the great - grand - daughter of Charles Martel ; — said to have been so named because she had one foot larger than the other. Ber'trSm. Count of Rousillon, a char- acter' in Shakespeare's "All 's Well that Ends Well." Bess, Good Queen. A sobriquet by which Queen Elizabeth of England is often familiarly referred to. Her reign, take it all in all, was a happy as well as a glorious one for England, and the contrast it offers to that of her predecessor is very striking. Bes'sus. The name of a cowardly captain in Beaumont and Fletcher's play, "A King and No King." The story which Clarendon tells of that af- fair [the panic of the royal troops at Naseby] 133" For the "Key to tlie Scheme of Pronunciation," with the accompanying Explanations, BET 45 BIG reminds us of the excuses by which Bcssus and Bobadil explain their cudgellinss. MticanUi}/. Bettina (bct'to'na). [A diminutive of Elizabeth.] The name under which Elizabeth Brentano (b. 1785), after- ward the wife of Ludwig Achhn von Aruim, corresponded with Goethe. This correspondence, under the title of" Goethe's Letters to a Child," was published in 1835, and was translated by liettina into English. Beulah. See Land of Beulaii. Beuves d' Aygremont (bov dag'r'- mo"', 43, 6-2). The father of Mala- gigi, or Maugis, and uncle of Kinaldo. He was treacherously slain by Gano. Be'vis of South-amp'ton, Sir. A famous knight of romance, whose marvellous exploits are related in the second book of Draj-lon's " Foly- olbion." Heylin claims him as a real Earl of Southampton. He is the Beuves de Hantone of the French, the Buovo iV Antona of the Italians. [Called also Bevis of Hampton.'] Ytene'8 oaks — beneath whose shade Their theme the merry minstrels made Of Ascapart and B&vis bold. Sir W. Scott. Be-zon'iSn (-van). A name given by Pistol to Shallow in Shakespeare's " King Henry IV." (Part II., a. v., sc. 3). It comesfrom the Italian word, hi- sogno (need, want), and is frequently used by the old dramatists as a term of reproach, meaning ber/r/ar, low fellow, or scoundrel. Strictly, it is not a proper name, but it is com- monly thought to be such in the in- stance referred to. Bi-an'ca. 1. A daughter to Baptista, in Shakespeare's " Taming of the Shrew." 2. Mistress to Cassio, in the tragedy of " Othello." Bibulus, Consul. See Consul Bib- ULUS. Bick'er-stafF, Isaac, Esq., Astrolo- ger (2). The assumed name imder which the " Tatler " was edited. 4£5" " Isaac Bickerstaff, Esquire, As- trologer, was an imaginary person, almost as well known in that age [Addison's] as Mr. Paul Pry or Mr. Pickwick in our.?. Swift had assumed the name of Bicker- staff in a satirical pamphlet against Par- tridge, the almanac - maker. Partridge Iiad been fool enough to publish a fu- rious reply. Bickerstaff had rejoined iu a second pamphlet, still more diverting than the first. All the wit.s had combined to keep up the joke, and tlio town was long iu convulsions of laughter. Steele determined to employ the name which this controversy had made popular ; and, in April, 1709, it was announced that Isaac Bickerstaff, Esquire, Astrologer, was about to publish a paper called tho 'Tatler.'" Macauiay. J8®" " Swift Lnld doctors [the Indian medicine- men) were supposed to draw their pharma- ceutic knowledge from no fjracious source, the Black- Mnn liimsclf hcin.; the principal professor in their medical school. Ilawtliomc. Black Monday. {Enrj. Hist.) A memorable Easter Monday in 1-351, very dark and misty. A great deal of hail fell, and the cold was so ex- treme that many died from its effects. The name afterward came to l)e ap- plied to the IMonday after Easter of each year. My nose fell a-blccding on Black Morulay last. Shak. Black Prince, The. Edward, Prince of Wales, the sou of Edward 111. of England; — so called from the colour of his armour. To portray a Homnn of the ne<' of Camillas or Curius as siipirior to natloiml uiitipatliic!<, as treutiui; I'limiiuTiil unciiiif- \iitli thr deli- cacy of tlic lihirk- I'l-iuct:, would he to violate all dramatic propriety. Jtiwaulwj. Black Republicans. See Kicpuuli- t'A.NS, ISl.ACK. Black Saturday. A name given, in Scotland, to the 4th of August, 1021. On this day, the Parliament sitting at Edinburgh ratified certain articles introducing Episcopalian fashions in- to the church, — a procerding highly repugnant to the religious feelings and couNnctions of the Scottish peo- ple. A violent storm which occuiTcd at the same time, and was accompa- nied by thunder and lightning and '■ heavy darkness," was thought to be a manifest token of the displeas- ure of Heaven. She was to remind a nci?hhour of pome par- ticular whicli she Avas to recall to his memory by tlve token, that Thome Kiid and he liail set out together to fro to the battle whieli took lilace on the Black Sattirdaij. Hii- W. Scott. Bla'dud. A legendary king of Eng- land, who is said to have built the city of Bath, and dedicated the me-' dicinal springs to Minerva. Winifred Jenkins and Tabitha Bramble must keep Englishmen on the prin for ages yet to come; and in their letter.s and the story of their loves there is a perpetual fount of .eparklin" laughter as inexhaustible as Bla- duil's well. Thackeray. BlSnche'fleuT. [It. Blancajiore.'] A lady beloved by Florcs. Their ad- ventures make the principal subject of Boccaccio's " Philopoco," but they had been famous for a long time previously, as Boccaccio himself in- forms us. They are mentioned as illustrious lovers by Blattres Eymen- gau dc Bezers, a Languedocian poet, in his " Breviari d' Amor," dated in the year 1288. Boccaccio repeated in the " Decameron " (Day 10, novel 5) the storj^ of Flores and Blanche- fleur, but changed the names of the lovers to Ansaldo and Dianora. Chaucer took it as the foundation of the Frankelein's tale in the " Can- terbury Tales," though he professes to have derived it from " a British lay." Boccaccio's novel is unques- tionably the origin of the episode of and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxU. BLA 48 BLO Irolclo, Prasildo, and Tisbina, in Bojardo's " Orlando Innanmrato.'' There is also an old Enf^li^h louiance entitled " Flores and Ulanrhttluur," paid to have been originally written in French. See Prasildo. The chronicles of Charlemagne, Of Merlin and the Mort d'Arthure, Mingled together in his brain With tales uf l-'lores and JJhtnchrJImr. LonsjJ'dlow . Bias, Gil. See Gil Blas. Blatant Beast, The. A bellowing monster, in Spenser's " Faery Queen," typical of slandci' or calunniy ; or it is an impersonation of what we now call •' Vox Populi," or the Voice of the People. Ble-fus'cu. The name of an island mentioned in the imaginary " Tra\ • els " of Lemuel Gulliver, written by Swift. It is described as being " sit- uated to the north-east side of Lilli- put, from whence it is pai-ted only by a channel of eight hundred yards wide," and as being ruled over by an emperor. The inhabitants, like the Lilliputians, were all pygmies. J6Cg= " Blefuscu is France, and the in- gratitude of the Lilliputian court, which forces Gulliver to take shelter there rather than have hia eyes put out, is au indirect reproach upon that of England, and a vindication of the flight of Oriuond and Bolingbroke to Paris." SirW. Scott. Bli'fil. A noted character who figures in Fielding's novel entitled '' The History of Tom Jones, a Foundling." Blim'ber, Miss Cornelia. A char- acter in Dickens's novel of " Dombey and Son;" a daughter of Dr. Blim- ber, the head of a first-class educa- tional establishment conducted on the forcing or cramming principle. She is a very learned, grave, and precise young lady, with " no light nonsense about her," who has become " dry and sandy with working in the graves of deceased languages." It costs her nothing to disown the slight- est acquaintance with the dead languages, or science, or any thing that calls for abstract thought. In the opinion of those whose ap- proval she most cares for, she might as well assume 3liss JlUinber's spectacles as shine in any one of them. Essays from the Saturday Review. Blind Harry. A name commonly given to Henry the Minstrel, a wan- dering Scottish poet of the fifteenth century, of whom nothing else is known except that he was blind from infancy, and composed a romantic poem entitled " The Life of that No- ble Champion of Scotland, Sir Wil- liam Wallace, Knight," which has been handed down to the present time. Blind Preacher. A popular sobri- quet given to William Henry Mil- burn (b. 1823), a blind American clergyman and lecturer, noted for his ability and eloquence. Blind Traveller. A name given to James Ilolman (d. 1857), a lieutenant in the English navy, and author of various books of travels. In 1812, a disease contracted in the discharge of his duty destroyed his eyesight. Bloody Assizes. A common desig- nation of the horrid judicial massacre perpetrated, in 1685, by George Jeff- reys, Lord Chief Justice of the King's Bench, while on a circuit through the western counties of England. About three hundred persons were executed after short trials; very many were whipped, imprisoned, and fined ; and nearly one thousand were sent as slaves to the American plantations. Bloody Bill. A name given to the statute of the "Articles" (31 Henry VIII., c. 14), by which hanging or burning was denounced against all who should deny the doctrine of transubstantiation. Bloody-bones. The name of a hob- goblin fiend, formerly much feared by children. The " Wyll of the Dev- yll " is said to be "written by our faithful secretaryes hobgoblin, raw- hed, and hloodybone, in the spiteful audience of all the court of hell." Made children with your tones to run for 't As bad as llloody-bones or Luusford. Hudihras. Bloody Butcher. A sobriquet given to the Duke of Cumberland, second son of George II., on account of his barbarities in the suppression of the rebellion excited by Charles Edward Stuart, the Younger Pretender. Bloody Mary. A name commonly given to Mary, a Eoman Catholic OS" For the " Key to the Scheme of Pronunciation," with the accompanying Explanations, BLO 49 BLU queen of England, whose reijjn is distinguished for the sanguniary persecutions of the adherents of the Church of England, no fewer than two hundred persons having been burnt at the stake within the space of four years, for their attachment to the reformed doctrines. S16w9'5-lm'd$. A country girl in Gay's* pastoral poem, " The Shep- herd's Week," which depicts rural life in its character of poverty and rudeness, rather than as clothed in the colours of romance. We, fair, fine ladies, who park out our lives From common sheep-paths, cannot help the crows From flying over; we 're as natural still As Blowsatmda. Mrs. E. B. Browning. Blue-beard. [Fr. La Barbe Bleue.'] The hero of a well-known story of the same name, originally written in French by Charles Perrault. He is represented as having a blue beard, from which he gets his designation, and as marrying a beautiful young woman, who has all the keys of a magnificent castle intrusted to her, with injunctions not to open a certain apartment. She gratifies her curios- itv during the absence of her lord, and is horrified to find the remains of his former wives, the victims of his boimdless lust and cruelty. Her disobedience is discovered by means of an indelible stain produced on the key which opened the door of the interdicted room, and she is told to prepare for death, but obtains the favour of a little delay, and is happily rescued by the timely arrival of friends, who instantly despatch her brutal husband. iB®" It is said that the original Blue- beard was Giles de Laval, Lord of Raiz, who was made Marshal of France in 1429. lie was distinguished for his military genius and intrepidity, and was possessed of princely revenues, but rendered him- self infamous by the murder of his wives, and his extraordinary impiety and de- baucheries. Mezeray says that he en- couraged and maintained sorcerers to discover hidden treasures, and corrupted young persons of both sexes that he might attach them to him, and after- ward killed them for the sake of their blood for his charms and Incantations. At length, for some state crime against the Duke of Brittany, he was sentenced to be burned alive in a field at Nantes, in 1440. Holinshed notices another Blut>- beard, iu the reign of Henry VI., anno 1400. Speaking of the committal of the Duke of Suffolk to the Tower, he says, " This doing so much di.=ipleased the peo- ple, that, if politic provision had not been made, great mischief had imme- diately ensued. For the commons, in sundry places of the realm, assembled together in great companies, and choa(! to them a captaiu, whom they called Blue-beard ; but ere they had attempted any enterprise their leaders were ap- prehended, and so the matter pacified without any hurt committed."' Blue- beard is also the name by which King Henry VIII. lives in the popular super- stitions of England. The German poet Tieck, in his " Phantasus," has a tragedy which is grounded upon the common nursery tale. Dunlop notices the strik- ing resemblance between the story of Blue-beard and that of the third calen- dar in the " Arabian Nights' Entertain- ments." A dark tragedy of Sophie's this; the PAuf- beard chamber of her mind, into which no _ eye but her own must ever look. CarlyU. Blue-coat School. A name popu- larly given to Christ's Hospital, Lon- don, — a charitable institution for the education of orphans and foundlings, — on account of the blue coats or gowns worn by the boj's. Their cos- tume has continued unchanged ever since the foundation of the school in the reign of Edward VI. Blue Hen, A cant or popular name for the State of Delaware. This so- briquet is said to have had its ori- gin in a certain Captain Caldwell's fondness for the amusement of cock- fighting. Caldwell was for a time an officer of the First Delaware Reg- iment in the war of the Revolution, and was greatly distinguished for his daring and undaunted spirit. He was exceedingly popular in the regi- ment, and its high state of discipline was generally conceded to be due to his exertions; so that when officers were sent on recruiting service to en- list new men in order to fill vacancies caused by death or otherwise, it was a saying, that they had gone home for more of Caldwell's game-cocks ; and for the Remarks and Rules to which the numbers after certain words refer, sec VV- xiv-xsxil 4 BLU 50 BOB but, as Caldwell insisted that no cock could bo truly giiine unless the mother was a blue hen, the expression " Blue lien's chickens" was substituted for " game-cocks." Ldaware State Jmirnal, July, 1860. Blue Laws. A nickname p;ivcn to the quaint and severe regulations of the early government of New Haven Plantation, when the public authori- ties kept a sharp watch over the de- portment of the people of the colony, and punished all breaches of good manners and good morals, often with ludicrous forniaiity. Some account of these laws is given in a small work published iii 1825 (Hartford, by S'las Andrus), entitled " The Code of 1G50, being a Compilation of the earliest Laws and Orders of the General Court of Connecticut," &c. The ancient records of the New Haven colony bear witness to the stern and sombre religious spirit common to all the first settlers. The chapter of " Capitall Lawes," in the code of 1650, is almost verbally copied from the Mosaic law. j^' " After the restoration of Charles II., the Puritan.s becamo the subject of every kind of reproach and contumely. The epithet blue was applied to any one ■who looked with disapprobation upon the licentiousness of the time. The Presbyterians, under which name all dissenters were often included, were more particularly designated by this term. Thus Butler : — ' For his relig:ion, it was fit To match his learning and his wit, — 'Xwas Presbyterian true blue.' JIudtbras. That this epithet of derision should find its way to the colonies was a matter of course. It was here applied not only to persons, but to customs, institutions, and laws of the Puritans, by those who wished to render tlie prevailing system ridiculous. Ilence. probably, a belief with some that a distinct system of laws, known as the ' blue laws,' must have somewhere a local habitation." Kin^sUy. Blue-Wose. A nickname popularly- given to an inhabitant of Nova Sco- tia or New I'runswick. The appel- lation is supposed to have been orig- inally applied from the effect upon the more prominent parts of the face of the raw easterly winds and long- continued fogs which prevail in these provinces. Others say that it was tirst applied to a particular kind of potatoes which were extensively pro- duced by the inhabitants, and that it was afterward transferred to the inhaljitants themselves. Others still assert that its use is accounted for by the custom among certain tribes of the aborigines of painting the nose blue as a punishment tor a crime against chastity. Blueskin, A nickname given to Joseph Blake, an English burglar, on account of his dark complexion. He was executed Nov. 11, 1723. Blue-Skins. A nickname applied to the Presbyterians, from their alleged grave deportment. Bluestring, Robin. See Robin Blue- STKLNG. Bluff, Captain Woll. A swaggering coward in Congreve's comedy of " The Old Bachelor." Those ancients, as yoll B^w^might eay, Were pretty fellows in their dav. .Sir W. Scott. Bluff City. A descriptive name poji- ularly given to the city of Hannibal, Missoui'i. Bluff Hal, or Harry. The sobriquet by wliicli King Henr}^ VIII. of Eng- land is commonly known. [Called also Burly King Harry.'] Ere yet in scorn of Peter's pence, And numbered bead and shrift, Sluff Harry broke into the spence. And tinned the cowls adrift. Tennyson. Bo'a-ner'ges. [Gr. Boavepye?, from Heb. bene-reges, the Aramaic pro- nmiciation of which was boane-^eges.'] A name signifj'ing " sons of thim- der," given by our Lord (il/rt9*Z; iii. 17) to the two sons of Zebedee, James and John. Probably the name had respect to the fiery zeal of the broth- ers, signs of which may be seen in Luhe ix. 54, Mark ix. 38. Boar of Ardennes, Wild. See "Wild Boar of Akdennes. Boast of England. Sec Tom-a-lin. Bob'a-dil, Captain. A beggarly and cowardly adventurer, in Ben Jonson's comedj', '• Every Man in his ITu- G®~ For the " Key to the Sclicme of Pronunciation," with the accompanyins E.-^planations^ BOB 51 BOM mour," who passes himself oflF with young and simple people for a valiant soldier. He says (a. iv., sc. 7): "I would select nineteen more to myself; . . . gentlemen they should be, ot good spirit, strong and' able constitution. . . . We twentj- would come into the field the tenth of March, or there- abouts, and we would challenge twenty of the enemy : they could not in their honour retu.se us. Well, we would kill them: challenge twenty more; kill them: twenty more; kill them: twenty more; kill them too. And thus wc would kill evciy man his twenty a day, — that 's twenty score: twenty score, that 's two hun- dred ; two limidred a day, five days, a thousand: forty thousand — forty times live — five times forty — two himdred days kills them all up by computation." 4®= " Bobadil, with his big words and his little heart, with his sword and his oath, — ' B}- the foot of Pharaoh I ' — is a braggart of the first water. He is, upou the whole, the best invention of the au- thor, and is worthj- to march in the same regiment with Bessus and Pistol, and Parolles and the Copper Captain." JB. W. Procter. The present author, like BohadU, had taught his trick offence to a hundred fientle- men, — and ladies, — who could feuco very nearly or quite as well as himself. Sir W. Scott. The whole province W!i3 once thrown in amaze by the return of one of his canipaiRus, whercin"it was stated, that, though, like Caji- tain Bohadil, he had only twenty men to back him, yet in tlie short space of six months he had conquered and utterly annihilated sixty oxen, ninety liofrs, one hundred sheep, ten thousand cabbages, one thousand bushels of potatoes, one hundred and fifty kilderkins of small beer, two thousand seven hundred and thirty-five pipes, ecventy-oijrht jiounds of EU^ar-plums, and forty bars of iron, besides sundry small meats, fame, poultry, and gar- den-stuff ; — an achievement unparalleled since the days of Pantagruel and his all-de- vouring army. W. Irving. Royalism totally abandons that Boharlilinn method of contest. Cariyle. Bobbies. See Peelers. Bobus Smith. See Smith, Bobus. Boeuf, Front de (fro" du bof, 4-3). A gigantic and ferocious personage who figures in Sir Walter Scott's novel of •' Ivanhoe " as a follower of Prince John. Bogy, See Old Bogy. Bo-he'mi-S. A recent cant designa- tion of those parts of London inhab- ited by gay young fellows who hang loosely " about town," leading a sort of nomadic life, like the gynsies (Fr. JJolinnieitit)., and living on their wits, — as journalists, politicians, artists, dancers, and the like. /g5=- In France, La Boheme is used of Paris in a similar way. Bohemian. Tartar. Perhaps ag^-psy; or a mere wild appellation designed to ridicide the appearance of Simple in Shakespeare's '' Meny Wives of AVindsor," a. iv., sc. 5. Bo'hort, Sir, or King. A knight of tlie Kound Table, celebrated in the old romances of chivaliy. He was the brother of King Ban, and imclc to Lancelot du Lac. [Written also B o r s, B r t.] Bois-Guilbert, Brian de (bre-o°' du bwo'gel'bcr'). A brave but cruel and voluptuous Preceptor of the Knights Templars, in Sir Walter Scott's " Ivanhoe." The most resolute courage will sometimes quail ilia bad cause, and even die in its ar- mour, like Bois-Guilbert. Atlantic 3Ionthlij. Bom'ba. A sobriquet given to Ferdi- nand n. (1830-18.59), late king of the Two Sicilies. ISSf" " Bomba is the name of children's play in Italy, a kind of prisoner's-base, or what used formerly to be called, iii Kncland, ' King by your leave ; ' and there was probably an allusion to this pastime in the nickname ; especially as- his majesty wa.s fond of playing the kin^, and had a predilection for childish amusements besides, and for playing at soldiers. But the name, whatever it.s first cause, or its collective significance, is understood to have derived its greatest weight from a charge made against his majesty of having called upon his soldiers to ' bombard ' his people during one of their insurrections. ' Bombard 'em ! bombard 'em ! ' he is said to have cried out ; that is to say, ' Sweep them away. — cannonade "em ! ' His apologist, Mr. Macfarlane, not only denies the charge, but .«ays Ijis cry was the very reverse ; to wit, ' Spare my misguided people I Make prisoners ; do not kill ; make prisoners 1 ' . . . The book entitled ' Naples and King Ferdinand ' repeats the charge, however, in the strongest manner. It says that he kept crying out, ' Down vdth tliem ! down and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xixii. BOM 52 BON ■with them I ' adding, in a note, what was ptarcd to be the particular expression, ' Uombardare ; ' and hence, says the au- thor. ' arose his well-kuowu sobriciuet of JSomba.' " Leigli Hunt. ;tg" " The name Bomba is often mis- interpreted as having some allusion to bombardments. It is not so. In Italy, when you tell a man a thing which he knows to be false, or when he wishe.s to convey to you the ideaof the utter worth- lessness of any thing or person, he puffs out hifl cheek Uke a bagpiper's in full blow, smites it with his forefinger, and allows the pent breath to explode, with the exclamation, ' Bomb-a.' I have wit- nessed the gesture, and heard the sound. Hence, after 1849, when regal oaths in the name of the Most Holy Trinity were found to be as worthless as a beggar's in the name of Bacchus or the Madonnu, ■when Ferdinand was perceived to be a •worthless liar, his quick-witted people ■whispered his name. He was called King Bomba, King Puff-cheek, King Liar, King Knave. The name and his characterwere then so much in harmony that it spread wdely ; and they have been so much in harmony ever since, that he has retained it till now, and will retain it, I suppose, till he is bundled into his unhonoured grave." Dublin Ecening Gazette. After Palcrmo'.s fatal siege, Across the western seas lie fled In good King Bomba's happy reign. iMiigfellow. Bom-bS8't§§ ril-ri-6'§o. The hero and title of a burlesque tragic opera by Thomas Barnes Rhodes, which was intended to ridicule the bombast of modern tragedies. Falling on one knee, [he] put both hands on his heart, and rolled up his eyes much after the manner of Jiombastes rurioso making love to Distaffina. JSpes Sargent. Bo'na De'a. [Lat., the good god- dess.] (Myth.) A Roman divinity, otherwise called Fauna, or Fatua, and described as the sister, wife, or daughter of Faunus. Her worship was so exclusively confined to wom- en, that men were not even allowed to know her name. Bo-nas'SUS. [Gr. B6va<7MS, Borao-cro!, a wild ox.] An imaginary wiltl beast, with which the " Ettrick She]> herd " (James Hogg), in the " Noctes Ambrosiana;" (No. XLVIII. April, 18-30), is represented as having had a most remarkable adventure. A huge animal of the genus Bison — Bison Ijonnssus — had been exhibited in London and other parts of Great Britain a few years before. I must have been the Bonassus liimself to have mistaken myselffor a genius. Sir W. Scotl. Bon Chevalier, sans Peur et sans Reprochie, Le (lu bo" shvS'le'^J' so" piif a. so" ru-prosh'). See Goou KXIGHT, &C. Bo'ney. A corruption or diminutive of Bonaparte, often u.sed by English writers and speakers in the lirst part of the present century. No monks can be had now for love or for money, (All owing, papa says, to that infidel Boneij). Moore, Bon Gaul 'tl-er. A pseudonym adopted by Professor AVilliam Edmonstoune Aytoun and Theodore Martin, under which they published a popular book of ballads, and contributed to a num- ber of periodicals. Bonhomnie, Jacques (zhak bo'- nom')- [t'r-, -Tack or James Good- man]. A derisive name given by the French barons of the fourteenth century to the peasants of the coun- try. I'he insurrection known as the Jacquerie — which derived its name from this epithet — was a terrible up- rising of this class against the nobles, in 1358. Jacques Bonhomme had a longer memory than his representative on this side of the water [England]; and while the descendants of Wat Tyler's followers were comfortable church-and-king men, when the great trial came, in 1793, the men of the Jacquerie were boiling with revenge for centuries of wrong, and poured fortli tiie concentrated wrath of generations on clergy, noble, and crown. liev. John JVTiite. Bon'i-face. The name of a landlord in Farquhar's comedy, " The Beaux' Stratagem," — one of the best rep- resentatives of the English innkeeper in the language; hence, a landlord in general. " Oh ! I beg your pardon," replied the Yankee Boiiiface; "I meant no oftencc." Putnam's Marj. Bono Johnny. The sobriquet by which, in the East, the English are commonly designated. Bontemps, Roger (ro'zha' bon'tun', 62). A popular personification, in France, of a .state of leisure, and free- CST" For the "Key to the Scheme of Pronunciation," with the accompanying Explanations, BOO 53 BOu dom from care. The equivalent, among the French peasantry, for the Enghsh proverb, " There 's a good time coming," is " Koger Bontcmps." This character is the subject of one of Beranger's most celebrated songs, written in 1814 : — To show our hypochondriacs, In days the most forlorn, A pattern set before their eyes, Jiotjcr JJontcmps was bom. To live obscurely at his will, To keep aloof from strife, — Hurrah for fat Roger Bontemps ! This is his rule of life. Ye envious poor ; ye rich who deem Wealth still your thoughts deserving ; Ye who in search of pleasant tracks Yet find your cap is swerving! Ye who the titles that ye boast May lose by some disaster, — Hurrah for'fat Jlorjcr Bontemps .' Go, take him for your master. JJcrmiger, Trans. Booby, Lady. A female character of ft-ail morals, in Fielding's novel of "Joseph Andrews," who is unable to conquer the virtue of her footman. She was designed as a caricature of Richardson's " Pamela," and is rep- resented as a vulgar upstart, whom the parson is compelled to reprove for laughing in church. Po-o'tes. [Gr. Bowttis, the ox-driver.] ( Gr. (f Rom. Myth. ) A son of Ceres, and the inventor of the plough. He was translated to heaven, and made a constellation. According to another account, he was a son of Lycaon and Callisto, and was slain by his father, who set him before Jupiter for a re- past, to try the omniscience of the god. Jiqiiter restored him to life, and placed him among the stars. Booth. The husband of Amelia, in Fielding's novel of that name. His frailties are said to have shadowed forth some of the author's own back- slidings and experiences. Bo-ra'cM-o. A follower of John (bastard brother of Don Pedro, Prince of Arragon), in Shakespeare's " Much Ado about Nothing." Borak, Al. See Al Bokak. Border, The. In history and in popu- lar phraseology, the common frontier of England and Scotland, which, until comparatively modern times, sliifted to the north or to the south, accord- ing to tlie surging tide of war or di- plomacy. From the eleventh century to about the beginning of the eight- eenth century, ruthless wars between the two countries, and feuds and forays of clans and families, caused almost constant disturbance on the border. Strenuous efforts were made during the reigns of F^lizabeth and James VI. to preserve peace; but it was not until the legislative union of 1707 took place, that the long course of misrule was finally brought to a close. Border Minstrel. A title often given to Sir AValter Scott, who traced his descent from the great border family now represented by the dulies of Buccleuch ; resided at Abbotsford on the Tweed; edited, in early life, a col- lection of old ballads under the title of " The Minstrelsy of the Scottish Border;" and afterward wrote "The Lay of the Last Minstrel," and other original poems upon border subjects. When last along its banks I wandered. Through groves that had begun to shed Their golden leaves upon the pathways, Jly steps the Border Minstrel led. Wordsworth, I'arrow Revisited. Border States. Previous to the Ilebcllion, a common designation of those Slave States, in the American LTnion, which bordered upon the line of the Free States ; namelj^ Delaware, Maryland, Virginia, Kentucky, and Missouri. "With the abolition of slav- ery throughout the United States, the name will soon pass out of cur- rent use. Border-thief School. A name for- merly given, to some extent, to Sir Walter Scott and his poetical imita- tors, who celebrated the adventures of various predatory chiefs of the Scottish border. With your Lake Schools, and Border-thief Schouh, and Cockney and Satanic Schools, there has been enough to do. Carbjle. Bo're-as (0). [Gr. Bopea?.] (Gr. (f Rom. Myth.) The north wind, a son of Astra3us and Aurora. He is fabled to have carried off Orithyia, th(! daughter of Erechtheus, and by her to have had Zetes and Calais, winged and for the Remarks and Rules to wliich the numbers after certain words refer, see pp. siv-xxxii, BOR 54 BOW warriors, wlio accompanied the Ar- goiiautic expedition. Bors, or Bort, King. See Boiiort, SlK. Boston Bard. A pseudonym as- sumed hy Itobert S. Coliin (17!J7- 1827), auAiiiericaii versifier who lived for .-;omc years in Boston, Massachu- setts. Boston Massacre. (Amer. IRst.) A name popularly K'ven to a disturb- ance wliicli occurred in the streets of Boston on the evening of March 5, 1770, when a sergeant's guard be- longing to the British gaiTison fired upon a crowd of people who were surrounding them and pelting them with snow-balls, and killed three men, besides wounding several otli- ers. 1"hc leader of the towns-people was a black man named Crispus At- tucks. The affair is of historical im- portance, as it prepared the minds of men for the revolutionary struggle which followed. Boston Tear-party. A name popu- larly given to the famous assemblage of citizens in Boston, Dec. 10, 177^!, who met to carry out the non-impor- tation resolves of the colony, and who, disguised as Indians, went on board three English shijjs which had just arrived in the harbour, and de- stroyed several hundred chests of tea. The British parliament retali- ated by closing the port of Boston. Bottle, Oracle of the Holy. Sec Holy Bottle, Okaclk of the. Bottle Biot. A disturbance which took place at the theatre in Dublin, Dec. 14, 1S22, in consequence of the unpopularity of the Marquess Wel- Icsley (Richard Colby, the younger). Lord Lieutenant of Ireland; so c;dle(l from the circumstance of a botth; being thrown into his box. [Called also The llaitln Cunspirncy.'\ Bottom, KTick. An Athenian weaver, who is the principal actor in the in- terlude of" Pyramus and Thisbo," in Shakespeare's " Midsunnner-Nignt's Dream." Oberon, the fairj' king, desiring to punish Titania, his queen, commissioned Buck to watch her till the fell asleep, and then to anoint her eyelids with tlie juice of a plant calleel love-in-idleness, the effect of which, when she awoke, was to make her dote upon Bottom, upon whom I'uck had lixcd an ass's head. iKw'" Bottom ... is a compound of prolound ignorance and omnivorous con- ceit ; but tlicsc are tempered by good- nature, decision of character, and some mother-wit. That which gires him his individuality does not depend upon his w.ant of education, )iis position, or his calling. All the schools of Athens could not have reasoned it out of him ; and all tlic gold of Crtt'sus would liavo made liim hut a gilded Bottom after all. . . . His descendants liave not uufrequcntly appeared among the gifted intellects of the world. When Goldsmith, jealous of the attention which a dancing monkey attracted in a cofifee-house, s.'iid, ' I can do that as well,' and was about to at- tempt it, he was but playing Bottom." R. G. Wiite. Indeed, llic caresscB which this partiality lc:iclsliiiii IMilton] to bestow on "Sad EIcc- tra's jiiict," Kiiiictiines remind lis of the bcau- tiliil OF St. Braxdan. Bran'di-mart. [It., swords-lover.] A character in Rojardo's " Orlando In- namorato," and in Ariosto's " Or- lando Furioso," king of the Distant Islands. Brandy Tfan. A nickname given to Queen Anne, in her lifetime, by the populace, in allusion to her fondness for brandy. Brang'tons, The. Characters in the novel of " Evelina," by Miss Burney. Their name became a synonym for vulgarity, malice, and jealousy. Brass, Sally. Sister to Sampson 05- For the "Key to the Scheme of Pronunciation," with the accompanying E.^planations BRA 67 BRI Brass, whom she surpasses in vil- lany. See infra. Brass, Sampson. A knavish attor- ney in Dickens's " Old Curiosity Shop," distinguished for his servility, dishonestv, and affected sentimental- ity- Bravest of the Brave. [Fr. Le Brave (hs Brans.] A title conferred upon the celebrated Marshal Ney (1769-1815) by the French troops at Friedland (1807), on account of his fearless bravery. He was in com- mand of the right wing, whicli bore the brunt of the battle, and stormed the town. Napoleon, as he watched him passing unterritied through a shower of balls, exclaimed, "That man is a lion; " and henceforth the amiy styled him the Bravest of the Brave. Bray, The Vicar of. See Vicar of Bray. Brazen Age. [Lat. ^nea cetas.'] ( Gr. lus and and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxii. BRI 58 BUI Ten-a. a giant 'nlth a hundred arms and lil'ty heads. According to Hc- fsiod, he defended Jupiter against the Titans; but other poets say that he assii^tcd the giants in their attempt to storm Olympus, and was buried alive under Mount iEtna as a punish- ment. [Called also ^geon.} Brick, Mr. Jerfer-son (-sn). A lierv American politician, who figures in Dickens's novel of " Martm Chuz- zlewit." Jifferson nricl:, fhc American editor, twit- ted me v.-ith tlie multifurious patented anom- alies of overgrown, wortlilesa Dulces, Bisjiops of Durham, &c., wiiicli poor English society at present labours under, and is made a sole- cism by. Carli/U. Bride of the Sea. A poetical namo of Venice, having its origin in the ancient ceremony of the espousal of the Adriatic, during which the doge, in the presence of his courtiers, and amid circumstances of great splendour, threw a ring into the sea, uttering the words, "Desjionsamvs te, viare, in si(/num veri perpeiidque doininii," lYe wed thee, O sea, in sign of a true and perpetual dominion. Bridge 'north, Major Ralph. A Pioundhead who figures conspicuously in Scott's "Peveril of the Peak." Bridge of Asses. See Pons Asixo- rxM. Bridge of Sighs. [It. Ponte dei Sos- 2n)-i.] The name popidarly given to the covered passage-way which con- nects the doge's palace in Venice ■with the state prisons, from the cir- cumstance that the condemned pris- oners were transported over this bridge from the hall of judgment to the place of execution. Hood has used the name as the title of one of his poems. Bridget, Mrs. The name of a char- acter in Sterne's celebrated novel, '• The Life and Opinions of Tristram Shandy, Gent." Bridlegoose, Judge. [Fr. Juf^e Brl- doye.] The name of a character in Rabelais' famous satirical romance of " Pantagruei," who decided causes by the chance of dice. Brid'oison (bre'dwo'zo"', G2). A stupid judge in Beaumarchais' "Ma- nage de Pigaro." Brighella (bre-gel'la). [It., from brif/a, trouble, restlessness.] A masked character, in the Italian pop- ular comedy, representing a proud, bold, and crafty plebeian of Brescia. Brigliadoro (brel-ya-do'ro). [It., bri- dle of gold.] The name of Orlando's steed, one of the most famous cours- ers in romance, and second only to Bajardo. Bri-se'is. [Gr. 'Bpia-nU.'] {Gr. (§• Mom. Myth.) The daughter of Bri- seus, a priest at Lyrnessus. She fell into the hands of Achilles, but was afterward forced from him b}'' Aga- memnon. [Called also Il'qipodamia.l British. Ar'is-ti'des. An epithet fre- quently applied to Andrew Marvell (1G20-1G78), an influential member of the House of Commons during the reign of Charles II., and a firrh op- ponent of the king. His integrity was such that he refused every ofter of promotion and a direct bribe ten- dered him by the lord treasurer, and died in poverty, being buried at the expense of his constituents. British Jeremiah. A title given by Gibbon to Gildas, a British historian, who is said to have flourished in the first half of the sixth century. Wright considers him a fabulous person. The British Jeremiah ... is bo pleased to find, or so determined to invent, topics_ for declamatory lamentation or praise, that it is difficult to distinguish the basis of truth from the fantastic superstructure of exaggeration and falsehood with which he has overloaded it. Edin. Jiev. British Pau-sa'ni-as. An epithet conferred upon William Camden (1551-1623), one of the most dis- tinguished scholars and learned anti- quaries of his age. Brit'o-mar'tis, or Brit'o-mart. [Gr. BpiTo/napn;, from the Cretan words /SpiTu's, sweet, and ixdpTis., maid.] 1. (Gi: 4- Rom. Myth.) A Cretan nymph, daughter of Jupiter and Carme; a Cretan epithet of Diana, who loved her, assumed her name, and was worshipped under it. 2. "A lady knight," representing Chastity, whose adventures are re- tST" For the "Key to tlic Scheme of Pronunciation," with the accompanying Explanations, ERI 59 BRO latccl in Spenser's "Faery Queen." She is represented as being armed ivith a magic spear, which nothing could resist. She chnrmcd at once, and tamed the heart, luconipurublo iiritoiuart! Sir W. iScolt. Brittany, Eagle of. Sec Eaglis of Bkittaxy. Broad Bottom Ministry. (Ftuj. Hist.) A name derisively given to an administration comprising nine dukes and a grand coalition of all parties of ■weight and intlucnce in the state, formed in Nov. 1744, and dis- solved by the death of Mr. Pelham, March G, 1755. The names of the original members were, — The Rt. Hon. Ilonry Telham, First Lord of the Treasury, and Chancellor of the Exchequer. Duke of Dorset, President of the Coun- cil. Enrl Govrcr, Lord Privy Seal. Duke of Newcastle, ) Secretaries of Earl of Ilarringtou, ) • State. Duke of Montagu, Blaster of the Ord- nance. Duke of Bedford, First Lord of the Ad- miralty. Duke of Grafton, Lord Chamberlain. Duke of Kichmoud, Master of the Ilorse. Duke of Argyll, Keeper of the Great Seal of Scotland. Marquess of Twceddale, Secretary of State for Scotland. Lord Hardwicke, Lord Chancellor. From this administration, the particu- lar adherents of Pulteney (newly cre- ated Earl of Bath) and Lord Carteret were carefully excluded. B rob 'ding-nag. An imaginarj- coun- try describecl in Swift's celebrated romance entitled " Gulliver's Trav- els." The inhabitants are repre- sented as giants, about " as tall as an ordinary spire-steeple." Every thing else is on the same enormous scale. [Written also Brobdignag, an orthography which, though not that of Swift, has acquired a prescriptive title to be considered well authorised.] Greatness with Timon dwells in such a draufrht As brings all Lrobdignaghcforcyour thought. Pope. "When Sir Thomas Lawrence paints a hand- some peeref^s, he does not contemplate her through a powerful microscope, and transfer to the canvas the pores of the skin, the hlood- vcssela of tlie eye, und ull the other beauties which UulUver discovered iu the Jliubdiij- narjyian maids of honour. Macaulay. Bron'zo-mar'te. The name of Sir Lanncelot Greavcs's steed, in Smol- f left's ''Adventures" of that celebrat- ^ cd hero; represented to be "a line mettlesome sorrel v.ho had got blood in him." Brook, Master. A name assumed by lord, in Shakespeare's " Merry "\Vives of Windsor," Avith a design to dupe Sir John Falstatf, who is in love with Ford's wife. The amorous knight duly reports to Master Brook the progress of his suit to Mrs. Foi'd, and the various contrivances by which he escapes the search of her jealous husband, one of which was tliat of being carried out of the house concealed in a heap of foul linen. Brother Jonathan. A sportive col- lective name for the people of the United States. /J3= When General Washington, after being appointed commander of the army of the Itevolutionary war, went to Massa- chusetts to organise it, and make prep- arations for the defence of the country, he found a great want of ammunition and other means necessary to meet the powerful foe he had to contend with, and great difficulty iu obtaining them. K attacked in such a condition, the cause might at once be lost. On one occasion, at that anxious period, a consultation of tlie officers and others was had, when it seemed no way could lie devised to make such preparation as was necessary. Jon- athan Trumbull, the elder, was then governor of Connecticut, and, as Wash- ington placed the greatest reliance on his judgment and aid, he remarked, " Wo must consult Brother Jonathan on the subject." lie did so, and the governor was successful in supplying many of the wants of the army. When difficulties afterward arose, and the army was spread over the country, it became a liy-word, " We must consult Brother Jonathan." The origin of the expression being soon lost sight of, the name Brother Jonathan came to be regarded as the national sobri- quet. The foregoing account is from the "Norwich (Connecticut) Courier;" but it has more recently been suggested that the expression originally had reference to Captain Jonathan Carver (17-32-1780), an early American tx-aveller among the In- dians, from whom he received large grants and for the Remarks and Rules to which the numbers after certain words refer, see pp. xiv-xxxii. BRO 60 BUD been put upon her, she planned and .icoomiilishcil the destruction of Sieg- Iried, aiul the humihation of Chriem- liild, his wife, who was her rival. The story of Bruneliild forms a large part of the cycle of ancient German romance. See Chkiemhlld. [Writ- ten also Brunhilt, Brynhilda, and Brynhild.] Bru-nel'lo. A thievish dwarf in Bo- jardo's " Orlando Innamorato," who, besides other exploits, steals Angel- ica's magic ring, and, by means of it, releases Rogero from a castle in which he is imprisoned. Brute, Sir John. A character in Vanbrugh's play, " The Provoked Wife," distinguished for his absurdi- ties and coarse, pot-house valour. Bubble, Law's. See Law's Bubble. Bubble, South-Sea. See South-Ska Bubble. Bubble Act. {Eng. Hist.) The name popularly given to an act (G Geo. I., c. 18) passed in 1719, and designed to punish iniprincipled adventurers who proposed schemes — popularly called Bubbles — merelj^ as baits to extract money from the ignorant or thoughtless. It was repealed July 5, 1825. Bu-ceph'a-lus. [Gr. povKedXa';, Ma- cedonian, povKe4id\a^, bull -headed, i'rom /3ou;, bullock, and Ke<^aX^, head.] The name of a celebrated horse ot Alexander the Great, who was the first to break him in, and who thus fulfilled the condition stated b}' an oracle as necessary for gaining the crown of Macedon. Buckeye State, The State of Ohio ; popularly so called from the buck- e.ye - tree (yEsculus Jiava), whicli abounds there. Buddha (bobd'a). [Sansk., wise, sage, from htdd, to know.] One of the beings worshipped or venerated by the Buddhists, a sect of religionists in- cluding more than one third of the human race, and spreading over the greater part of Central and Eastern Asia, and the Indian islands. The term is used to designate either the historical founder of Buddhism, — a 03" For the " Key to the Scheme of Pronunciation," with the accompanying Explanations. of lands, in the deeds conveying which he is repeatedly styled "our dear brother .Jonathan." Carver published in London, in 1778, an octavo volume entitled, "' Trav- els through the Interior Parts of North America, in the years 17GC, '67, and '68." As the work was e.xtensively reiid, the author became a sort of representative man of his countrymen ; and it is notia ; and he is said to have invented, or at least to have brought from Phcenicia, the old Greek alphabet of sixteen letters, namely, c/3y5eiKA/u.yo77po-Tv. These are called Cadmean letters. They were afterward increased by the ad- dition of eight more, named Ionic letters, namely, ^yje^^ix^'^- Ca-du'ce-us. [Lat., fi-om Gr. Kripv- Kcioi', a herald's wand, .Ji^olic Kapv- Keiov (r being changed into its cog- nate, d), from KJ7pvf , a herald.] ( Gr. (f- Horn. Myth.) A winged staff or rod, with two serpents entwined about it ; an attribute of Jlercury. Cad'wSl. A feigned name assumed by Arviragus in Shakespeare's " Cym- beline." See Akviragus. Cs3C'u-lus. {Rom. 3fyth. ) A son of Vulcan, a robber, and the reputed founder of Pra-neste. Cagliostro, Count de (kal-yos'tro). The assumed name of Joseph Balsa- mo (1743-1795), one of the most im- pudent and successful impostors of modem times. Ca'ius, Dr. A French physician, in Shakespeare's "Meny Wives of Windsor." End in themselves [certain portions of Bos- well's "I/ife of Johnson"], they are pood dramatically, like . . • the clipped English of Br. Coim. Macuukiy. Calandrino (ka-lan-dre'no). The subject of a stoiy in Boccaccio's " De- cameron " (Day 8, Tale 9). His mishaps, as Ma'caulay states, " have made all Europe meny for more than four centuries." Cal'chas. [Gr. KoAx«s-] (^''- ^' Rom.' Myth.) A famous soothsayer and for the Remarks and Kules to which the numbers after certain words refer, see pp. xiv-xxiii. CAL who accompanied the Greeks to Troy. Cal'e-don. A poetical contraction of Caledmia. See Caledonia. Not thu3, in ancient days of Caledon, "Was thy voice iiiutc umid the festal crowd. air W. Scott. Cal'e-do'ni-a. The ancient Latin name of Scotland, often used as a svnonym of Scotland in modern poe- try- O Caledonia, stem and wild, Meet nurse for a iioetic child I air }V. Scott. Calendars, The Three. See Three Calexdahs, The. Cal'i-ban. [A metathesis of canniM.'^ A savage and deformed slave ot Prospero, in Shakespeare's "Ten^- pest." He is represented as being the " freckled whelp " of Sycorax, a foul hag, who was banished froni Ar- gier (or Algiers) to the desert island afterward inhabited by Prospero. Ji^ " Caliban ... is all earth, all condensed and gross in feelings and im- ages : he has the dawnings of under- standing, without reason or the moral sense ; and in him, as in some brute an- imals, this advance to the intellectual faculties, without the moral sense, is marked by the appearance of vice." Coleridge. The quantity of furious abuse poured out against the Bourbons miglit have authorised the authors to use the words of Caliban, — " You taught me language, and my profit on*t Is — I know how to curse." Sir W. Scott. Cal'i-burn. See Excahbur. Cal'i-dore. [Gr., beautifully gifted.] A knight in Spenser's " Faery Queen," typical of courtesy, and supposed to be intended as a portrait of Sir Philip Sidney. , In reality, he [Sir Gawain] was the Calidore of the Round Table. Southcy. C3-lip'o-lis. A character in " The Battle of Alcazar" (15'J4), an inflat- ed play attributed by Dyce to George Peele, a dramatist of the Elizabethan age ; — referred to by Pistol, in Shake- speare's " 2 Henry IV.," a. ii., sc. 4. nark ye, most fair Calipolis, ... if thou takest all that trouble of skewering thyself together, like a trussed fowl, that there may be more pleasure in the carving, even save thyself the labour. Sir W. Scott. Ca-lis'ta. The name of the heroine 64 CAM of Rowe's " Fair Penitent," charac- terised as " haughty, insolent, And fierce with high disdain." No liigh Calisia that ever issued from story- teller's brain will impress us more deeply than this meanest of the mean, and for a good reason, — that she issued from the maker of men. Carhjlc. Cal-li'o-pe. [Gr. KaAAtdn->), the beau- tiful-voiced, j {Gr. # Koin. Myth.) One of the nine Muses. She pre- sided over eloquence and epic poetry, or poetry in general, and was the mother of Orpheus and Linus. She was usually represented Avith a style and waxen tablets. Cal-lis'to. [Gr. KaAAio-Tci.] {Gr. (f Rom. Myth.) An Arcadian nymph, and a favourite of Jupiter, who meta- morphosed her into a she-bear, that their intimacy might not become known to Juno. Her son Areas having met her in the chase, one day, was on the point of killing her, but Jupiter prevented him by placing both of them in the heavens as the Great Bear and the Little Bear. Cal'y-d6n. A forest supposed to have occupied the northern portion of Great Britain ; very celebrated in the romances relating to King Arthur and Merlin. Ca-lyp'30. [Gr. K