Mr 
 
The PLAYS AND BOOKS 
 
 of 
 
 THE LITTLE THEATRE 
 
 Edited by 
 
 FRANK SHAY 
 
 With a Preface by 
 
 PIERRE LOVING 
 
 New York 
 
 THE THEATRE CRAFTS EXCHANGE 
 1919 
 
COPYRIGHT, 1919 
 THEATRE CRAFTS EXCHANGE 
 
PREFACE 
 
 CONCERNING the state of the little theatre today, two 
 mutually exclusive but arresting viewpoints prevail in the 
 critical diocese. One holds that having abundantly leavened 
 the barren loaf of the legitimate stage, it has by that same 
 token outlived its pristine fruitfulness. The other contends 
 that the little theatre will, and must, continue to flourish 
 cheek by jowl with the professional playhouse, thus completing 
 the function of both laboratory and supply base. 
 
 Of late the latter commissary role of the little theatre has 
 been most provocative of justified optimism, as well as highly 
 prolific of actual results, more or less commendable and far- 
 reaching. For quite a long interval, owing to huge moneyed 
 syndicates, grimly intrenched, the legitimate theatres remained 
 unmalleable to the repeated assaults of the new theatrecraft 
 engineered, for the most part, by small outlawed groups. 
 Despite this fact, perhaps because of it, these groups continue 
 to multiply, springing up unforced in remodeled barns, canvas- 
 roofed backyards or in transfigured garages. While Mr. Sam 
 Shipman, for example, is at present doling out piecework in 
 his Play Sweatshop on Broadway, such clear-eyed enthusiasts 
 as The Provincetown Players and The Wisconsin Players are 
 conducting brave little try-out theatres tending to encourage 
 the beginning playwright and the scene-designer with a new 
 idea. The enormous irony of the situation is apparent when 
 one considers the strabismic boycott once launched on Broadway. 
 
 To cite the classic example: Mr. Belasco, during the first 
 season of the Washington Square Players, deigned to honor 
 the Bandbox with his Rhadamanthine presence. But he went 
 away the more firmly rooted in an inexorable determination to 
 pursue his wonted course of nice, denatured realism — a realism 
 that obtrudes constantly on the wonder and attention of the 
 audience — but which somehow fails to "realize." On the other 
 side, a handful of legitimate producers, by attending the 
 little theatre performances with open mind, were eventually 
 won over to the cult of the new stagecraft. Foremost among 
 the latter should be mentioned Mr. Winthrop Ames and, par- 
 ticularly, Mr. Arthur Hopkins, whose productions of the Clair 
 Kummer comedies and "Redemption" and "The Jest," not- 
 withstanding their faults, testify to the foreshadowed risorgi- 
 mento of the commercial theatre. 
 
 < , 
 
4 PLAYS OF THE LITTLE THEATRE 
 
 Supersubtle pronouncements of critics to the contrary, the art 
 theatre, as we understand it, is no mere esthetic flutter of a 
 waterfowl in a mirage supposed to be shimmering over the 
 present Sahara in commercial theatredom. The point which 
 these nodding solons miss is precisely that the art theatre, 
 with all needful pomp and circumstances, has arrived; that it 
 has, squatter-like, settled on the land and that it is destined far 
 to outstay the latest detective flim-flam or ostermoor spasm on 
 Broadway. 
 
 How absurd, futile and trifling, for instance, is the cavil 
 we hear now and again that the little theatre lacks definite 
 purpose; that it is drifting aimlessly in accordance with the 
 whims of its devotees. Is it not indeed this vicissitudinous drift 
 which has instilled vitality into the experiments of the little 
 playhouse? Is it not just this inspired lack of formal purpose 
 which has permittted the directors and authors to dabble in 
 star-space and stake out the hills of the gods? In the case of 
 the little theatre, mastery over the event would have spelled 
 irretrievable ruin and the new dawn — or the milkman — would 
 have overtaken it bowling along the wagon-rut of colorless 
 mediocrity. 
 
 Thank, then, the spirit of Andre Antoine ! For he it was 
 who, while still a groping pioneer, undertook to set no pre- 
 tentious- purpose, but voiced only that larger purposiveness 
 of creating beauty effortlessly, with heart's joy and heart's 
 ease. Thus the little theatre idea developed, growing out of 
 the poignant vision of lowly men and women, devoid of tram- 
 meling memory complexes, which so often spell the death of 
 art, devoid of the faintest trace of sophistry. Antoine's little 
 coterie was informed by a perfervid love of the theatre. And 
 it was this that kept alive the intense prefiguration of the 
 newly conceived art. Its burnings Jiope, rather than purpose, 
 was, broadly speaking, to free the theatre from artificial fetters 
 and stultifying tradition. Convincing evidence abounds that 
 the art theatre is here to stay. In America, as yet, it is grop- 
 ing its way; in Europe there is, for one, the example of M. 
 Stanislavsky, whose receipts at the Moscow Art Theatre are 
 said to be over fifty thousand dollars annually. 
 
 In another sense, the art theatre must always be groping 
 along unknown and often forbidden paths. The chip in the 
 
PLAYS OF THE LITTLE THEATRE 5 
 
 flywheel of the legitimate producer's cosmos is that, uncon- 
 sciously, he views life as finished, static; whereas life is al- 
 v empirical and in a state of becoming. The very least 
 
 the art of the theatre can do is not to torture the verisimilitude 
 of life. The best it can do is to portray it faithfully, and 
 imaginatively. The dialogue of the majority of the plays on 
 Broadway is lifted without qualm or quibble, from the comic 
 weeklies. Every manager has his paste-pot and scissors staff. 
 Of course, there is a remedy for this condition and that is the 
 widespread publication of plays. In fact, all plays should be 
 written for the reading public. That trenchant observation of 
 Dumas fls in his in- i to Un Pere Prodigue holds with 
 
 ! truth today. Writing about the technic of playwriting, 
 he said : "A play should be written as if it were never in- 
 
 I to be anything but read. The production is nothing but 
 ing by many people who do not care or know how to 
 r< 
 
 The history of the little theatre properly goes back to 
 
 1877, when Andre Antoine, in association with a mad young 
 
 1 of amateurs, put a roof over a tameless idea at 37 
 
 I 1 Beaux A lasso has eloquently recorded the 
 
 trials and setbacks of the groups for him who runs to read. 
 
 Antoine w in the employ of the Gas Company. His 
 
 c nions in y:i\or were of the some stamp; for the most 
 
   men and women, chaotic with glorious 
 
 and out of this chaos sprang their dancing star. An- 
 
 toine's passion for the theatre was, in reality, a grandc passion 
 
 of the French variety. It began, no doubt, as a flirtation, but 
 
 our American brand, it had as its object a serious 
 
 ( n«*nce. Antoine was far-seeing because he was at bot- 
 
 minently practical. He himself laid ;isi<le his weekly 
 1 might be rented where, among fat 
 
 butts and odorous casks, the company held its first rehearsals. 
 A nriates would make a house-to-house 
 
 canvj» handbills. Antoine was possessed of a fine 
 
 I . like the ancient Greeks, who managed to sell 
 
 their I'm:- <»f , ve ages. 
 
 "mpiricism was the raison d'etre of the Theatre 
 Libre. It Aristotle, instead of Thalasso, were its chronicler, 
 he would, perhaps, have called it the nous of the movement. 
 
6 PLAYS OF THE LITTLE THEATRE 
 
 At all events, its purpose was the same as avowing no pur- 
 pose. To experiment in art implies drifting with the stars. 
 And it is comparatively safe to say that the stars have not 
 heard of Scribe, Sardou or even William Archer. The out- 
 standing fact is that the Theatre Libre did give the momentous 
 early push to such writers as George Ancey, Pierre Wolf, 
 Eugene Brieux and many others. Besides the work of these, 
 it succeeded in breaking a furrow for the productions of drama- 
 tized versions of Dostoievsky's novels and the amorphous, in- 
 tensely gripping, non-theatre plays of the Russians, notably 
 Tolstoi. 
 
 From the outset Antoine's theatre was supported by volun- 
 tary subscriptions. By avoiding the besetting temptation of 
 profiteering, whether of the toady or the financial sort, An- 
 toine was able to assist at a new birth of histrionism, with 
 himself as accoucheur. Through the dense underbrush of 
 superficiality and sterile form he hacked a way for what has 
 come to be known as Naturalism, which, be it said, is not 
 necessarily Zolaism. Naturalism is only the trick of capturing 
 and re-creating life from a naif examination of its dynamic 
 electrons. Naturalism is the native poetry of the demiurge, 
 who relegates such lesser metaphysical matters as the problem 
 of the cosmos to Man. What sublimer study can God have 
 than the intricate cross-currents of human personality and 
 social relationships? Take, for instance, the subject of mar- 
 riages, which are unmade in Heaven 
 
 In short, then, Antoine discovered a plastic and eminently 
 satisfying instrument for the genius of Ibsen, Strindberg, Haupt- 
 mann, Wedekind, Schnitzler, Brieux, Tolstoi and numerous 
 other writers whose outlook on life was once held to be too 
 microcosmic, too morbid and soul-searching for rendering on 
 the stage. Lugne Poe followed with the first workshop theatre, 
 and in 1890 Stanislavsky built the Moscow Art Theatre. Like 
 that of the Theatre Libre, Stanislavsky's company was enlisted 
 from unspoiled raw material, from amateurs who were fired 
 only with a consuming ambition to pay their new-minted obol 
 to the bankrupt theatre. It was here that Tchekov's "The 
 Sea-Gull" was first given a hearing, as well as Gorki's "Sub- 
 merged." It was here, too, that Gordon Craig was ceded 
 unhindered rein in matters of mise en scene and the artistic 
 
PLAYS OF THE LITTLE THEATRE 7 
 
 embodiment of his theory of the theatre in general. The result 
 was, as is well known, the memorable production of Hamlet 
 with black curtains. 
 
 In such manner, if the figure be permissible, was a narrow 
 gauge railway constructed to the frontiers of the future, intent 
 on reinvigorating an art run to seed. Suffice it to mention 
 here, among many others, Wyspianski's theatre at Cracow, the 
 Convex Theatre at Petrograd and J. T. Grein's Independent 
 Theatre in London, not forgetting the Stage Society which 
 introduced Shaw's plays to the playgoing public. Then Max 
 Reinhardt built the Deutsche* Theater in Berlin as well as his 
 adjoining kammerspielhatis. The art theatre likewise rose in 
 Munich, and Strindberg erected his experimental theatre at 
 Holte. 
 
 Between 1911-12 the little theatre idea began to possess the 
 United States. To what splendid proportions the movement 
 has grown is, perhaps, best indicated by the complete list of 
 little theatres to be found in the appendix to this bibliography. 
 
 It is no exaggeration to declare that the new art of the 
 modern stage, including lighting, color, stylization and syn- 
 chronization has not only been made possible but fervently 
 and consistently encouraged by the little theatre groups. And 
 not only would such men as Gordon Craig, Reinhardt, Fuchs, 
 Bakst, Stanislavsky, Urban, Jones, not have been provided with 
 an egress for their marked talents, but the whole body of 
 dramatic literature would have been enormously beggared by 
 the non-emergence in this field of such front-rank writers as 
 Strindberg, Schnitzler, Dunsany, Brighouse and Susan Glaspell. 
 
 The typical little theatre piece in the past has been at times 
 a thing apart, delicate and poetic, tending to the suffusion of a 
 rarified mood; at others, it has been a slice of life, and at 
 still others, less commendable perhaps, it has been a work 
 merely of the theatre like the long play we have been accus- 
 tomed to see on Broadway. But the little theatre at its best 
 appeals to a peculiarly responsive and intelligent audience. 
 By virtue of its air of intimacy it seeks to bring the actor 
 and auditor into rapport. It is especially true of the little 
 theatre that the audience meets the actors halfway. Jointly 
 they are able to sustain such delicate moods as are demanded 
 by Maeterlinck's "Intruder" or "The Blind," or Dowsen's 
 
8 PLAYS OF THE LITTLE THEATRE 
 
 "Pierrot of the Minute." Together they form a nexus of 
 intelligence suitable to the presentation of the play of biting 
 satire or the play of ideas, such as the "Man of Destiny" or 
 "How He Lied to Her Husband." The question arises, then, 
 what sort of play shall the little theatre of today and tomorrow 
 specialize in, if at all. There is, of course, the precious piece, 
 the typically art thing, so beloved of many small theatres; 
 there is the play of searching realism and there is also the 
 typical commercial mechanistic play. Undoubtedly, the little 
 theatre that is not entirely subsidized and has to pay its own 
 bills, will steer something of a middle course at first. Not a 
 few adventurers in this field insist on the utter impracticability 
 of the highest standards. 
 
 But if the little theatres are to be honestly experimental they 
 must cherish and hold inviolable the archetype of their vision. 
 They may compromise only insofar as they are inescapably 
 circumscribed by the limitations of their own instrument. No 
 further. In this, without going deeper afield, lies their valu- 
 able contribution to the modern theatre. Let the;:: essay the 
 bizarre, if they will, the precious, the naturalistic, the so-called 
 "inspired realistic piny" as well as the poetic, the mystic and 
 whimsical children's play. Of such, indeed, is the stuff of 
 experimentation. 
 
 At the Arts and Crafts Theatre in Detroit, Mr. Sam Hume 
 sandwiched "advanced" plays between other matter of a more 
 recognizably obvious appeal. Other small playhouses have 
 adhered to a somewhat similar course, being urged mainly by 
 expediency and a desire gradually to ransom their audiences 
 to the true art-theatre pitch. Forcible feeding would indeed 
 have proved disastrous. On the whole, the productions of the 
 little theatres give proof of the clear staking of an outpost in 
 theatredom beyond the lingerie and ostermoors recently char- 
 acteristic of Broadway. If you like, they are what literature 
 is to — patent medicine advertising copy. Of the little the 
 that have maintained an unusually high standard, both in 
 manner of setting and the choice of plays, the Chicago Art 
 Theatre, the Provincetown Players and the Neighborhood 
 Playhouse of New York deserve honorable mention. Curi- 
 ously enough, the little art playhouses have discovered as well 
 as created their own vehicles. Even exteriorly, in many in- 
 
PLAYS OF THE LITTLE THEATRE 9 
 
 stances, they have decked themselves with staid beauty and 
 
 mplicity. But their "wild surmises," their hits in 
 
 experimentation, stand out in high relief against a monotonous 
 
 ound, blazoning forth their right to continued existence. 
 
 The introduction of Dunsany to the public is but one signifi- 
 cant example. Dunsany and the little theatre are impossible 
 to conceive apart. And, besides Dunsanv's poetic plays, the 
 little theatre has been responsible for the staging of the one- 
 acters of such excellent writers as Schnitzler, Strin 
 Hankin, Wilfrid Gibson, Brighouse and Eugene O'Neil. The 
 function of virtuoso and patron of dramaturgic art the little 
 theatre has irresistibly arrogated to itself. In this connection, 
 note the type of little theatre, certainly a dynamic force today, 
 has assumed the office of encouraging the embryonic 
 playmaker and placing at his disposal a stage for laboratory 
 ses. The Wisconsin Players and the Provincetown Play- 
 ers ork are foremost among the latter. 
 
 The Washington Square Players, in addition to making the 
 American public familiar with foreign plays of unusual merit, 
 were successful in bringing forward a great many young 
 American writers. For this service to the stage, the Washing- 
 jare Plavers deserve to be securely niched in our hearts. 
 During the first year of its existence, this organization pro- 
 duced thirrv-two one-act and larger plays, twenty of which 
 were American. This proportion it managed to uphold to 
 the end of its interesting career. Moreover, three of the 
 its native playwrights have achieved or are about to achieve 
 Broadway production and it may be supposed that, like Joseph 
 Urban and Robert Edmond Jones, original stage artists, they 
 will mingle a salutary influence with the general current of 
 commercial plays. 
 
 A bibliography of the little theatre possesses a twofold value 
 at this time. It cannot help but clarify the atmosphere of 
 apparent abeyance hovering over the experimental playhouse. 
 The little theatre audiences are asking of the little theatre: 
 "Quo vadis?" Perhaps we have come upon the parting of the 
 At any rate, the present inflated state of the commercial 
 playhouse and the prospect of a big season, perhaps the big- 
 gest in the history of the theatre, will leave its inevitable mark 
 upon the small playhouses throughout the country. The evil 
 
IO PLAYS OF THE LITTLE THEATRE 
 
 influence will be felt less in the provinces than in New York. 
 
 A perusal of the present bibliography will reveal how potent 
 a force the little theatre has been in our jejune art life; and 
 in what manner it has shaped for itself a broader and more 
 fruitful course of pioneering. 
 
 Regarding books about the little theatre, books by critics and 
 even directors, it may be well to say at once that many empty 
 and utterly absurd things have been uttered which have sub- 
 sequently passed as irreproachable currency. For one thing, 
 the little theatre has fairly begotten critics of one sort or 
 another. If at the outset, it was poor in them, it finally man- 
 aged to conscript them from its own personnel, secessionist 
 and otherwise. And so a great many pale prophecies and 
 patternings of governing principles have been voiced and de- 
 signed. Take, for instance, the following statement by Mr. 
 Sheldon Cheney, who on most occasions is illuminating: 
 
 "Unless we carry the little theatre beyond the ideals most 
 of them stand for, unless we professionalize them while pre- 
 serving their amateur spirit, unless we organize them efficiently 
 for art production, we shall be little better off than before 
 they came." 
 
 Arbitrarily to compel the little theatre to goosestep to some 
 preconceived rhythmic idea is, on the face of it, highly ridicu- 
 lous. Does not the authentic value and contribution of the 
 small playhouse lie in the concept of insurgency with which 
 it is intrinsically informed? Does it not consist largely in its 
 ringing note of individuality? Not individuality a V outrance, 
 like the proposed Imagist Theatre, but certainly a salient in- 
 dividuality definitely marking a point of departure. 
 
 Mr. Cheney says elsewhere: "It is not impossible that even 
 Shaw might be brought more completely into the theatre, al- 
 though as yet the realistic drama leans too far toward life to 
 claim undisputed place in the art-theatre production." Un- 
 doubtedly Mr. Cheney, like Shaw, thinks the Shavian prefaces 
 far more dramatic than the plays; whereas the truth of the 
 matter is that the plays are infinitely more dramatic than the 
 prefaces. As to the utterly transhuman play, the comsic drama 
 of Dunsany, for example, even Edward Hale Bierstadt, Dun- 
 sany's special pleader, finds it lacking in emotional warmth, 
 nearer Pegana than the dust and sweat and poignancy of the 
 
PLAYS Of THE LITTLE THEATRE II 
 
 all-too-earthly, which is, in fact, the raw stuff of the theatre, 
 as of literature. 
 
 It is of course inevitable that amid the warp and woof of 
 much excellent criticism which the art theatre has stimulated, 
 such arrant a priori twaddle should rear its hydrahead now 
 and again. On the contrary, it is not because the professional 
 theatre leans too far toward life that insurgency is whole- 
 somely welcome ; but it is to be devoutly wooed because the 
 shekel-down drama of Broadway has no fresh contact or 
 remote relation with life and its deeper motivations; because, 
 in essence and in fact, it is actuated by sordid purposes and a 
 false, illiterate conception of the art of the theatre which is 
 directly responsible for the monstrous birth of unwarrantable 
 simianism in the portrayal of reality. For this reason must 
 the little theatre break through into the open. Its aim is the 
 depiction of life unvcneered and of real psychological motives, 
 as well as the attainment of pure beauty flowering from the 
 achieved synthetic ideal, the perfect production. 
 
 The primary object of the little theatre is always wrapped 
 up in that of the art theatre. In the past that object has been 
 the attainment, as nearly as possible, of a synthesis growing 
 out of the perfect co-ordination of staging, scene-designing, 
 lighting and acting for the purpose of inducing a desired mood. 
 This ideal has been best voiced by Gordon Craig who, with 
 Adolph Appia, represents not so much anointed fulfiller of the 
 event, as forerunner and interpreter; not so much the Christ 
 as his prophet, John. Craig says, in analyzing his method: 
 
 "I let my scene grow out of not merely the play, but from 
 the broad sweeps of thought which the play has conjured up 
 in me. We are concerned with the heart of this thing, and with 
 the loving and understanding it. Therefore approach it from 
 all sides, surround it, and do not let yourself be attracted away 
 by the idea of scene as an end in itself, of costume as an end 
 in itself, out of stage management of any of these things, and 
 never lose hold on your determination to win through to the 
 secret — the secret which lies in the creation of another beauty 
 and then all will be well." 
 
 Pierre Loving. 
 
12 PLAYS OF THE LITTLE THEATRE 
 
 FOREWORD 
 
 What is wanting in this volume the reader will only too 
 soon discover for himself. I do not, however, wish to offer a 
 faltering apology for the incompleteness of the book. In truth, 
 it needs none. Nevertheless, a brief word of explanation may 
 not be amiss. 
 
 The duties of the bibliographer are more or less m c 
 cal. He merely collects his data from the most available 
 sources or from arcana known only to a few, arranges his 
 material alphabetically and sends his copy to the printer. 
 
 The present volume is an exception to the general practice. 
 It will be noted that the bibliographer has broken his traces, 
 forsaken his accustomed field and intruded, in some measure, 
 upon the province of the critic. From the great mass of plays 
 accessible in English I have sought to select only those which 
 I hold best adapted to the little theatre as it is today consti- 
 tuted. On the whole, they are plays which have encountered 
 a certain measure of success or that I feel to be worthy of 
 production. Rigid care has been taken to exclude such dra- 
 matic pieces which are fittingly described as "side-splitting 
 farces." The latter contribute nothing to the art theatre. 
 Box and Cox, I doubt not, may be excruciatingly funny, but 
 few would care to hear that Sam Hume, for instance, was 
 about to produce it. Not that genuine laughter hasn't its 
 place in the modern theatre ; but we cannot laugh today at 
 the archaic drolleries of yesterday. We cannot abandon our- 
 selves to papier-mache characterization in the theatre. And 
 this is what the art theatre has accomplished in its brief stay 
 with us. 
 
 The plays that have met with success in recognized little 
 theatres are marked with an asterisk. Titles and authors 
 mean so little that I have used this method for the guidance 
 of the questing reader and director. 
 
 F. S. 
 
Part One 
 The BOOKS of THE LITTLE THEATRE 
 
 ALBUM DU VIEUX COLOMBTER, Par FAUCONNET 
 35 et 37 Rue Madame 
 
 . Y., 1918 75 
 
 ALL 
 
 1 Acr.yR's Manual 
 
 Dramatis: > 25 
 
 ANDREWS, Charlton 
 The Drama of Today 
 
 t, 1913 1.50 
 
 qub of Play Writing 
 
 Home Correspondence School, 1915 1.50 
 
 ,Y, Luther B. 
 
 A Manual of C 
 
 1. 00 
 
 APP: he 
 
 Dl- die Inscenieruxg 
 
 in, 1899 3-5° 
 
 ARCHER, William 
 
 Play Making. A Manual of Craftsmanship 
 
 Small, Maynard, 1912 2.00 
 
 Ab 1 Theatre 
 
 :ER, William, and BARKER, Granville 
 
 , Theatre. Schemes and Estimates 
 
 [908 2.50 
 
 ARNOLD. KoVa S. 
 
 /' rub tier, 1908 
 
 ASI! ' 11. 
 
 Stokes 4.50 
 
 pfaen F. 
 I P Drama — Thirapy 
 
 I Shay, 1917 1.25 
 
 1 ' ! TIFF. Dl 
 
 1915 2.00 
 
 'Jin, 1 919 3.75 
 
 The same. Students' edition 3.00 
 
 13 
 
I4 PLAYS OF THE LITTLE THEATRE 
 
 BAKSHY, Alexander 
 
 The Path of the Modern Russian Stage 
 
 Luce, 1918 Y\*'°° 
 
 BEEGLE, Mary Porter, and CRAWFORD, Jack Randall 
 Community Drama and Pageantry 
 
 Yale, 1916 2 -5° 
 
 BICKLEY, Francis 
 
 J. M. Synge and the Irish Dramatic Movement 
 
 Houghton Mifflin 75 
 
 BLEACKLEY, J. Arthur 
 The Art of Mimicry 
 French 
 BOOTH, William Stone 
 
 A Practical Guide for Authors and Playwrights 
 
 Small, Maynard, 1914 IO ° 
 
 BORSA, Mario 
 
 The English Stage of Today 
 Lane, 1908 
 BOURGEOIS, Maurice 
 
 John Millington Synge and the Irish Theatre 
 
 Macmillan, 1914 2, 5° 
 
 BOYD, Ernest A. 
 
 The Contemporary Drama of Ireland 
 
 Little, Brown, 1917 I, 5° 
 
 BRACKETT, J. A. 
 Theatrical Law 
 
 Clark, 1907 4-oo 
 
 BROADBENT, R. J. 
 
 A History of Pantomime 
 
 Simpkin, Marshall, 1901 5/ 
 
 BROWN, Moses T. 
 
 The Philosophy of Expression 
 
 Scribner's x -5° 
 
 BROWNE, Maurice 
 
 The Temple of a Living Art 
 
 Chicago Little Theatre, 1914 IO 
 
 BROWNE, Van Dyke 
 
 Secrets of Scene Painting and Stage Effects 
 
 London, Routledge, 1913 x -5° 
 
 BROWNE, Van Dyke 
 
 Secrets of Stage Painting 
 BRUNETIERE, Ferdinand # 
 
 The Law of the Drama, with an introduction by 
 Henry Arthur Jones. Translated by P. M. Hayden 
 Columbia Il5 
 
PLAYS OF THE LITTLE THEATRE 1 5 
 
 BURLEIGH, Louise 
 
 The Community Theatre 
 
 Little, Brown, 1917 1.50 
 
 BURTON, Richard 
 
 The New American Drama 
 
 Croivell, 1913 1.25 
 
 Little Essays in Literature and Life 
 
 Century, 1914 1.25 
 
 How to See a Play 
 
 Macmillan, 1914 1.25 
 
 CALTHROP, Dion Clayton 
 
 English Costume. Four volumes 
 
 Black, 1906 7/6 per volume 
 
 CALVERT, Louis 
 
 Problems of the Actor 
 
 Holt, 1918 1.60 
 
 CANNAN, Gilbert 
 
 The Joy of the Theatre 
 
 Dutton, 1913 50 
 
 CANNON, Fanny 
 
 Writing and Selling a Play 
 
 Holt, 1915 1.50 
 
 CARTER, Huntley 
 
 The New Spirit in Drama and Art 
 
 Kennerley, 1913 5.00 
 
 The Theatre of Max Reinhardt 
 
 Kennerley, 1913 2.50 
 
 CHANDLER, Frank Wadleigh 
 
 Aspects of the Modern Drama 
 
 Macmillan, 1914 2.00 
 
 CHENEY, Sheldon 
 
 The Open Air Theatre 
 
 Kennerley, 1918 3.00 
 
 The Theatre Arts Magazine 
 
 Neiv York, 1916-17-18-19 50 
 
 The New Movement in the Theatre 
 
 Kennerley, 1914 2.00 
 
 The Art Theatre 
 
 Knopf, 1917 1.50 
 
 Chapters are: Present conditions in the American 
 Theatre; the coming of the art theatre; ideals of the 
 art theatre; the artist-director; the question of acting 
 and actors; the question of plays; the question of 
 stage settings; the question of audiences and the com- 
 munity; organization and management; buildings and 
 
j6 plays of the little theatre 
 
 equipment; unrealized ideals; a discursive bibliog- 
 raphy. 
 
 Profusely illustrated with reproductions of sets from 
 the Arts and Crafts Theatre of Detroit. 
 
 CLARK, Barrett H. 
 
 T How to Produce Amateur Plays 
 
 Little, Brown, 1917 I -5° 
 
 Continental Drama of Today 
 
 Holt, 1914 I,5 ° 
 
 British and American Drama of Today 
 
 Holt, 1915 I,5 ° 
 
 European Theories of the Drama 
 
 Stewart & Kidd, 1918 3-5° 
 
 COLLES, W. M., and HARDY, H. 
 
 Playwright and Copywright in all Countries 
 
 Macmillan (London) 7/ 6 
 
 COQUELIN, Constant 
 
 Art and the Actor. Translated by A. L. Alger 
 Columbia 
 CRAIG, Gordon 
 
 The Art of the Theatre. Out of print 
 On the Art of the Theatre 
 
 Sergei 2 °° 
 
 A Living Theatre 
 
 The Mask */ 
 
 Towards a New Theatre 
 
 Button, 1913 6o ° 
 
 The Theatre — Advancing 
 
 Little, Brown 2 -5Q 
 
 DAVOL, Ralph 
 
 A Handbook of American Pageantry 
 
 Davol Publishing Co., Taunton, Mass 2,50 
 
 DEAN, Basil 
 
 The Repertory Theatre, 191 i 
 DICKINSON, Thomas H. 
 
 The Contemporary Drama of England 
 
 Little, Brown, 1917 I, 5° 
 
 DICKINSON, Thomas H. 
 The Insurgent Theatre 
 
 Huebsch, 1917 .*'*o*L* *' 25 
 
 The Old Theatre and the New; Experiments m Sub- 
 sidy The Federated Audience; Breaking a New Fur- 
 row; The Little Theatre; The Theatre and the Law; 
 Dramatic Laboratories; The Children's Theatre; 
 Pioneers, Three New York Theatres; New Ideas of 
 
PLAYS OF THE LITTLE THEATRE 17 
 
 Circuit; The Adventure; Art and Outlook. The Ap- 
 pendix contains the repertories of the leading little 
 theatres. 
 EDWARDS, O. 
 
 Japanese Plays and Playfellows 
 
 Heinemann 10/ 
 
 FENELLOSA, Ernest, and POUND, Ezra 
 "No"; or Accomplishment 
 
 y Knopf, 1917 2.75 
 
 ;FILLIPI, Rosina 
 " Hints to Speakers and Players 
 
 Longmans, Green 1.00 
 
 FITZGERALD, Percy 
 
 The World Behind the Scenes 
 
 London, Chatto, 1881 1.40 
 
 y The Art of Acting 
 
 London, Sonneschien, 1892 1.00 
 
 FRANK, Waldo 
 
 The Art of the Vieux Colombier 
 
 Nowvelle Revue Francais, 1918 50 
 
 FREYTAG 
 
 Technique of the Drama 
 See McEwen 
 FRY, Emma Sheridan 
 
 Educational Dramatics 
 
 Moffat, Yard 50 
 
 GILLETTE, William 
 
 The Illusion of the First Time in Acting 
 
 Columbia, 1915 1.25 
 
 GOLDMAN, Emma 
 
 The Social Significance of the Modern Drama 
 
 Badger, 1914 1.00 
 
 GRAU, Robert 
 
 The Business Man in the Amusement World 
 
 Broadway, 1910 5.00 
 
 The Theatre of Science 
 
 Broadway, 1914 5.00 
 
 GORY. Lady 
 Our Irish Theatre 
 
 Putnam, 1913 1.50 
 
 HAMILTON, Clayton 
 
 Theory of the Theatre 
 
 Holt, 1910 1.50 
 
 Studies in Stagecraft 
 Holt, 1914 I# 5o 
 
 u 
 
J 
 
 1 8 PLAYS OF THE LITTLE THEATRE 
 
 HASTINGS, Charles 
 
 The Theatre. Its Development in France and Eng- 
 land and a History of Its Greek and Latin Origins. 
 London, Duckworth, 1902 
 HENDERSON, Archibald 
 The Changing Drama 
 
 Holt, 1914 1.50 
 
 Interpreters of Life 
 
 Kennerley, 191 1 1.50 
 
 European Dramatists 
 
 Stewart & Kidd, 1918 2.00 
 
 HENNEQUIN, Alfred 
 
 The Art of Playwriting 
 
 Houghton Mifflin, 1890 1.25 
 
 HILLIARD, E., McCORMICK, T., and OGLEBAY, K. 
 Amateur and Educational Dramatics 
 
 Macmillan, 1918 1.00 
 
 HOPKINS, Arthur 
 
 How's Your Second Act? 
 
 Goodman, 1918 90 
 
 HORNBLOW, Arthur 
 
 Training for the Stage. Some Hints for Those 
 About to Choose the Player's Career 
 
 Lippincott, 1916 1.25 
 
 HORRWITZ, Ernest P. 
 
 The Indian Theatre. A Brief Survey of the Sans- 
 krit Drama 
 London, Blackie, 1912 
 HOWE, P. P. 
 
 The Repertory Theatre 
 
 Kennerley, 1914 1.25 
 
 HUBERT, Philip G. 
 
 The Stage as a Career 
 
 Putnam, 1900 1.25 
 
 HUNT, Elizabeth R. 
 The Play of Today 
 
 Lane, 1913 1.50 
 
 IRWIN, Beatrice 
 
 The New Science of Color 
 
 Union, 1915 1.50 
 
 IZUMO, Takeda. Translated by M. C. Marcus 
 The Pine Tree 
 
 Duffield, 1916 1.25 
 
 With an Introductory Causerie on the Japanese 
 Theatre. 
 
PLAYS OF THE LITTLE THEATRE 1 9 
 
 JONES, Henry Arthur 
 
 Renascence of the English Drama 
 
 Macmillan, 1895 2.00 
 
 Foundations of a National Drama 
 
 Doran, 1913 2.50 
 
 The Theatre of Ideas 
 
 Doran, 1915 1.25 
 
 KINSILA, Edward Bernard 
 
 Modern Theatre Construction 
 
 /Moving Picture World, 1918 2.50 
 KROWS, Arthur Edwin 
 
 Play Production in America 
 
 Holt, 1916 2.25 
 
 The Play is Accepted ; the Director Takes Charge ; 
 the Stage is Made Ready; Scenery, Decoration, and 
 Costumes Are Prepared ; Lighting Effects are Worked 
 by the Stage Crew; Managers Begin Their Activities; 
 the Play is Advertised and Tickets are Sold, and the 
 Theatre is Opened to Audiences. Illustrations. 
 LEE, Sydney 
 
 Shakespeare and the Modern Stage 
 
 Scribner 2.00 
 
 LAWRENCE, W. J. 
 
 The Elizabethan Playhouse 
 
 Lippincott 3.50 
 
 J LEWES, G. H. 
 
 On Actors and the Art of Acting 
 
 Brentano 1.00 
 
 y LEWIS, B. Roland 
 
 The Technique of the One Act Play: A Study in 
 Dramatic Construction 
 
 Luce, 1918 1.50 
 
 LEWISOHN, Ludwig 
 The Modern Drama 
 
 Heubsch, 1914 1.50 
 
 MACCARTHY, Desmond 
 The Court Theatre 
 
 Bullrn, 1907 2/6 
 
 MACCLINTOCK, Lander 
 
 The Contemporary Drama of Italy 
 
 (In preparation.) Little, Brown 1.50 
 
 MACKAY, Constance D'Arcy 
 
 iumes and Scenery for Amateurs; A Practical 
 Working Handbook 
 
 iioit, 1915 1.75 
 
1 
 
 20 plays of the little theatre 
 
 The Little Theatre in the United States 
 
 Holt, 1917 2.00 
 
 Chapters are : The rise of the little theatre ; the little 
 theatres of New York City, other little theatres of 
 the east; the little theatres of Chicago; other little 
 theatres of the west; little theatres of the south; 
 laboratory theatres; little country theatres; cost of 
 maintaining a little theatre ; a word on repertory 
 theatres in general; the little theatre in mediaeval 
 times; little theatres that have failed; municipal 
 theatre of Northampton. 
 
 MACKAY, F. F. 
 
 The Art of Acting 
 
 Author, 1913 5.00 
 
 MACKAYE, Percy 
 Community Drama 
 
 Houghton Mifflin, 1917 50 
 
 The Civic Theatre 
 
 Kennerley, 1909 1.25 
 
 The Playhouse and the Play 
 
 Macmilan, 1909 1.25 
 
 Patriotic Drama in Ycur Town 
 
 Holt, 1918 1.35 
 
 MACKINNON, Alan 
 
 The Oxford Amateurs 
 London, Chapman, 1910 
 
 MANTZIUS, Karl 
 
 History of Theatrical Art in Ancient and Modern 
 Times. Five volumes 
 
 Lippincott 3.50 per vol. 
 
 McCLEOD, Addison 
 
 Plays and Players in Modern Italy 
 
 Sergei, 1912 2.75 
 
 McEWEN, E. J. 
 
 Freytag's Technique of the Drama 
 
 Scott Foresman 1.50 
 
 MATTHEWS, Brander 
 ^ On Acting 
 
 Scribner, 1914 75 
 
 MEREDITH, George 
 An Essay on Comedy 
 
 Scribner, 1918 75 
 
PLAYS OF THE LITTLE THEATRE 21 
 
 MODERWELL, Hiram Kelly 
 The Theatre of Today 
 
 Lane, 1914 1.50 
 
 That the theatre is not merely a matter of the spoken 
 word is proven by Mr. Moderwell's book. It stands 
 the finest book of its kind and no theatre lover has a 
 right to his title unless he has read it. 
 Chapters: The Gathering of the Forces; The Me- 
 chanical Forces; Improvements in Stage Equipment; 
 The Artistic Forces; The Stage Setting, or "In- 
 scenierung"; The Artistic Forces; Pure Design; The 
 Artistic Forces; Color; The Artistic Forces; Color; 
 Modern Scene Designing in America; The Intellectual 
 Forces; Philosophy in the Modern Drama; The Liter- 
 ary Forces; French and Italian Dramatists; The 
 Russians; Dramatists of the Germanic Nations; The 
 Imaginative Dramatists; The Social Forces; Modern 
 Theatre Architecture; Modern Theatre Organization; 
 Modern Theatre Economics ; The Synthesis of the 
 Forces. 
 
 What is aho quite important the book is profusely 
 illustrated with reproductions of American and Con- 
 tinental settings. 
 
 MONTAGUE, C. E. 
 Dramatic Values 
 Macmillan, 191 1 1.25 
 
 MORSE, Elizabeth 
 
 Principles of Expression: A Guide for Developing 
 Readers, Speakers and Dramatic Artists 
 
 Nixon-Jones, 1916 1.25 
 
 MOSES, Montrose J. 
 
 The American Dramatist 
 
 Little, Brown, 1917 2.00 
 
 NATHAN, George Jean 
 
 Another Book on the Theatre 
 
 Huebsch, 1915 1.50 
 
 Mr. George Jean Nathan Presents 
 
 Knopf, 1917 1.50 
 
 The Popular Theatre 
 
 Knopf, 1918 1.60 
 
 NICHOLSON, Watson 
 
 Tur Struggle for a Free Stage in London 
 
 Houghton Mifflin, 1906 1.50 
 
22 PLAYS OF THE LITTLE THEATRE 
 
 OLIVER, D. E. 
 
 The English Stage 
 
 John Ousley, 1912 1/6 
 
 PALMER, John 
 
 The Future of the Theatre 
 
 Bell (London), 1913 2/6 
 
 Comedy 
 
 Doran, 1915 40 
 
 The Censor and the Theatre 
 
 Kennerley 1.50 
 
 PHELPS, William Lyon 
 
 The Twentieth Century Theatre 
 
 Macmillan, 1918 1.25 
 
 POLLAK, Gustav 
 
 Franz Grillparzar and the Austrian Drama 
 
 Dodd, Mead, 1907 2.50 
 
 POLLARD, Percival 
 
 Masks and Minstrels of New Germany 
 
 Luce, 1911 1.50 
 
 POLTI, George. Translated by Lucille Ray 
 The Thirty-six Dramatic Situations 
 
 The Editor Co., 1918 1.50 
 
 PRICE, W. T. 
 
 Technique of the Drama 
 
 Brentano, 1909 1.50 
 
 Analysis of Play Construction and Dramatic 
 Principle 
 
 Privately Printed 5.00 
 
 The Philosophy of Dramatic Principle and Method 
 
 Author, 191 1 2.50 
 
 RENNERT, Hugo A. 
 The Spanish Stage 
 
 Hispanic, 1909 3.00 
 
 RILEY, ALICE C. D. 
 
 The One Act Play. A Study Course in Three Parts. 
 
 Published in the Drama League Monthly, 1918 75 
 
 ROUCHE, Jacques 
 
 L'Art Theatral Moderne 
 
 Paris, Cornely, 1910 5 francs 
 
 SACHS, Edward O. 
 Stage Construction 
 
 London, Botsford, 1898 25.00 
 
 SAYLER, Oliver M. 
 
 The Russian Theatre under the Revolution 
 
 (In preparation.) Little, Brown 2.50 
 
PLAYS OF THE LITTLE THEATRE 23 
 
 SEPET, Marius 
 
 Origines Catholiques de Theatre Moderns 
 Paris, P. Lethielleux, 1902 
 SHAW, George Bernard 
 
 Dramatic Opinions and Essays. Two vols. 
 
 Brcntano, 1906 2.50 
 
 SIMONS, Sarah E., and ORR, Clem I. 
 
 Dramatization: Selections from English Classics in 
 Dramatic Form 
 
 Scott, Foresman 125 
 
 SMITH, Winifred 
 
 The Commedia Dell'arte. A Study of Italian Popular 
 Comedy 
 Columbia 
 STOPES, Marie C. 
 
 The Plays of Old Japan. The No. 
 
 Heineman, 1913 5/ 
 
 STURGIS, Granville Forbes 
 
 The Influence of the Drama 
 
 French, 1915 100 
 
 d TAYLOR, Emerson 
 
 Practical Stage Directing for Amateurs 
 
 Dutton, 1916 100 
 
 THEATRICAL SCENE PAINTING: A Thorough and 
 Complete Work on How to Sketch; Paint and Install 
 Theatrical Scenery 
 
 Appleton, Neb., 1916 2.00 
 
 THE TRUTH ABOUT THE THEATRE 
 
 Stewart & Kidd, 1916 1.00 
 
 TURRELL, Charles A. 
 
 Contemporary Spanish Dramatists 
 
 Badger 3°o 
 
 WAUGH, Frank A. 
 Outdoor Theatres 
 
 Badger, 1918 2.50 
 
 WITHINGTON, Robert 
 
 English Pageantry. An Historical Outline 
 
 Harvard, 1918 3.50 
 
 WITKOWSKI. Gcorg. Translated by L. E. Horning 
 The German Drama of the Nineteenth Century 
 
 Holt, 1910 100 
 
 WOODP.RTDGE, Elizabeth 
 
 The Drama. Its Law and Technique 
 
 Allyn & Bacon, 1898 80 
 
Part Two 
 The PLAYS of THE LITTLE THEATRE 
 
 ABBREVIATIONS: 
 
 a = Allegory s = Satire 
 
 c — Comedy m : =Men, or Male parts 
 
 d — Drama w = Women, or Female parts 
 
 m = Masque j = Juveniles 
 
 p = Play i = Parts played by either sex 
 
 ABERCROMBIE, Lascelles 
 
 The Adder, d London, Poetry and Drama 
 
 AIKEN, Ednah 
 
 The Hate Breeders. 5 scenes. Misc Bobbs, .75 
 
 AKINS, Zoe 
 
 Did It Really Happen? p 3m iw.. Smart Set, May, 1917 
 
 *The Magical City, p 7m 2w Forum, May, 1916 
 
 Such a Charming Young Man. c 6m 3W 
 
 Smart Set, April, 1916 
 ALARCON, Mariano 
 
 Sons of Adam, p 7m iw Stratford, Feb., 1919 
 
 ALDERMAN, Joseph S. 
 
 The Net. p 5m 2w Sheffield, Oct., 1915 
 
 Susannah, p 2m 3W .Sheffield, Nov., 1914 
 
 ALDRICH, Thos. Bailey 
 Sisters' Tragedy 
 
 Corydon, a Pastoral. 2m 
 
 Pauline Pavlovna. p im iw supers. . .Houghton, 1.25 
 ALDIS, Mary 
 Plays for Small Stages 
 
 Mrs. Pat and the Law. p 2m 2w ij 
 
 The Drama Class at Tankaha, Nev. c 2m 9W 
 
 Extreme Unction, d im 4W 
 
 The Letter, p 2m ij 
 
 Temperament, t im 2w 
 
 Five plays in one volume Duffield, 1.25 
 
 ALEXANDER, W. P. 
 
 Queen Kapiolani. p 4m 2w Sheffield, Dec, 1914 
 
 ALICE IN WONDERLAND 
 
 See Freillgrath-Kroeker, Kate 
 ANCEY, Georges. See "Four Plays for the Free Theatre." 
 
 *Monsieur Lamblin. c im 3W . .Stratford, March, 1917 
 ANDREWS, K. 
 
 America Passes By. p 2m 2w Baker, .25 
 
 24 
 
PLAYS OF THE LITTLE THEATRE 2$ 
 
 ANDREWS, George S. 
 
 "As You Like It." c 2m 2w Sheffield, Feb., 1915 
 
 ANDREYEV, Leonid 
 
 ♦Love of One's Neighror. s 15m 7W ij Shay, .35 
 
 ♦An Incident, d 5m Poet Lore, Spring, 1916 
 
 D'ANNUNZIO, Gabriele 
 
 ♦Dream of an Autumn Sunset, p 2m 4W 
 
 Poet Lore, Spring, 1904 
 
 ♦Dream of a Spring Morning, p 3m 4W Poet Lore 
 
 ARISTOPHANES 
 
 ♦Lysistrata. s 4m 5W ij French, .25 
 
 ARKELL, Reginald 
 
 ♦Colombine, a fantasy. 4m iw S & J .35 
 
 AUGIER, Emile 
 
 ♦The Postscript, c im 2w French, .25 
 
 AUGIER, Emile, and deMUSSET, Alfred 
 
 ♦The Green Coat, c 3m iw French, .25 
 
 AUSTEN, Alfred 
 
 A Lesson in Harmony, p 3m iw French, .25 
 
 "AUSTIN FRIARS" 
 
 Loved and Lost, p 2m iw Dramatic, .1$ 
 
 BACON, Mrs. Josephine Dodge 
 
 ♦The Twilight of the Gods, p 2 scenes Kennerley 
 
 BAILEY, Helen C. 
 
 ♦The Demigod, p 3m 3W Drama, Nov., 1918 
 
 BAKER, Elizabeth 
 
 ♦Miss Tassy. p Sidgivick, 6d 
 
 BALLARD, J. Fred 
 
 The Good News, d 3m iw ij Harvard, .35 
 
 BANGS, John Kendrick 
 The Real Thing, etc. 
 
 The Real Thing, c 2m 5W 
 
 The Barringtons' "At Home." c 2m 3W 
 
 The Return of Christmas, c 4m 3W 
 
 The Side Show, c 8m 3W 
 
 Four plays in one volume Harpers, 1.00 
 
 The Bicyclers, etc. 
 
 The Bicyclers, c 4m 3W 
 
 A Dramatic Evening, c 4m 3W 
 
 The Fatal Message, c 5m 4W 
 
 A Proposal Under Difficulties, c 3m 2w 
 
 Four plays in one volume Harpers, 1.00 
 
 A Chafing Dish Party, c 4m 3W Harpers, .25 
 
 The Real Thing, c 2m 5W Harpers, .25 
 
26 PLAYS OF THE LITTLE THEATRE 
 
 BANNING, Kendall 
 
 "Copy." p 7m Clinic 
 
 deBANVILLE, Theodore 
 
 *Gringoire. c 4m 2w supers Poet Lore, 1.50 
 
 *Gringoire. c 4m 2w Dramatic, .15 
 
 ♦Charming Leandre. c 2m iw French, .25 
 
 BARBER, M. E. 
 
 Mechanical Jane, c 3W French, .25 
 
 BARGATE, John 
 
 The Prize, p 4m 3W French, .25 
 
 BARKER, Granville 
 
 ♦Rococo, f m w 
 
 *Vote by Ballot, p m w 
 
 *Farewell to the Theatre, p m w 
 Three Plays in one volume Little, 1.00 
 
 *Anatol. (See Schnitzler.) 
 BARNUM, M. D. 
 
 The French Maid and the Phonograph, c 8w 
 
 French, .25 
 BARRIE, James M. 
 Half Hours 
 
 *Pantaloon. p 3m 
 
 *The Twelve Pound Look, c 2m 2w 
 
 *Rosalind. p im 2W 
 
 *The Will, p 6m iw 
 
 Four plays in one volume Scribner's, 1.25 
 
 The Tragic Man Scribner's, .25 
 
 Echoes of War 
 
 *Old Lady Shows Her Medals, p im 5W 
 
 *The New Word, p 2m 2w 
 
 ♦Barbara's Wedding, p 3m iw 
 
 *A Well Remembered Voice, p 2m 2w 
 
 Four plays in one volume Scribner's, 1.50 
 
 BARTLETT, Randolph 
 
 Safety First, c im 2w Smart Set, May, 1916 
 
 BATES, Esther 
 
 Engaging Janet, c 7W Penn, .15 
 
 BATES, W. O. 
 
 *Polly of Pogue's Run. p 6m 2w Shay, .35 
 
 BECHHOFER, C. E. 
 Five Russian Plays, etc. 
 
 *Evreinov, N. A Merry Death, c 5m 
 
 *Evreinov ; N. The Beautiful Despot, c 5m 3W ij 
 
 *von Vizin, D. The Choice of a Tutor, c 5m 3W 
 
PLAYS OF THE LITTLE THEATRE ^^ 
 
 ♦Chek^v, A. The Wedding, c 9m 3W 
 
 ♦Chekov, A. The Jubilee, c 5m iw 
 
 ♦Ukraiska, L. The Babylonian Captivity, d im *]\ 
 
 Six plays in one volume Dutton, 1.50 
 
 BECQUE, Henri 
 The Vultures, etc. 
 
 ♦The Merry-Go-Round. c 4m iw Little, 1. 50 
 
 BELL, Mrs. Hugh, and CECIL, A. 
 
 Time Is Money, c im 2w French, .25 
 
 BELMONT, Mrs. O. H. P., and MAXWELL, Elsa 
 
 Melinda and Her Sisters, p 6m 12W Shores 
 
 BEITH, Ian Hay 
 The Crimson Cocoanut, etc. 
 
 The Crimson Cocoanut. c 4m 2w 
 
 A Late Delivery, p 3m 2w 
 
 The Missing Card, c 2m 2w 
 Three plays in one volume Baker, .50 
 
 Queen of Hearts, c 2m 2w Venn, .15 
 
 BENEDIX, Roderich 
 
 ♦The Law Suit, c 5m French, .25 
 
 ♦The Third Man. c im 3W French, .25 
 
 BENEVENTE, Jacinto. Plays 
 
 ♦His Widow's Husband, c 2m 5W 
 
 With other plays in one volume Scribner, 1.50 
 
 ♦The Smile of the Mona Lisa, p 5m i\. .. .Badger, .75 
 
 ♦No Smoking, c 2m 2w Drama, Feb., 1917 
 
 ♦In the Place of Don Juan, p 3m 2vr..Poet Lore, 1.50 
 BENNETT, Arnold. Polite Farces 
 
 ♦The Stepmother, c 2m iw 
 
 ♦A Good Woman, c 2m iw 
 
 ♦A Question of Sex. c 2m 2w 
 
 Three plays in one volume Doran, 1.00 
 
 BERINGER, Mrs. Oscar 
 
 Holly Tree Inn. p 4m 3W French, .25 
 
 BERNARD, Tristan 
 
 ♦French Without a Master, c 5m 2w. . . .French, .25 
 
 ♦I'm Going! c im iw French, .25 
 
 BIRMINGHAM, G. A. 
 Adapted from "Eleanor's Enterprise" 
 
 The Trouble That Is in It. c 2m 3W Woman, .35 
 
 BIRO, Lajos 
 
 ♦The Brh>egroom. p 5m 6w 
 
 ♦The Grandmother, p 3m 8w 
 
 Two plays in one number Drama, May, 1918 
 
28 PLAYS OF THE LITTLE THEATRE 
 
 BLOCH, Bertram 
 
 *The Maiden Over the Wall, f 2m iw 
 
 Drama, Aug., 1918 
 
 *MORALS AND CIRCUMSTANCES, p 2m 3W 
 
 Smart Set, April, 19 19 
 BODENHEIM, Maxwell 
 
 The Wanderer, p 4m 2w Seven Arts 
 
 *The Master Poisoner 
 
 "In Minna and Myself." Pagan, 1.25 
 
 BODENHEIM, M., and HECHT, Ben 
 
 ♦Mrs. Margaret Calhoun, p im 6w Shay, .35 
 
 BONE, F. D. 
 
 A Daughter of Japan, d French, .25 
 
 Pride of the Regiment, p 2m iw French, .25 
 
 BOTTOMLEY, Gordon 
 
 *Laodice and Danae. p. im 5W Four, .50 
 
 ♦King Lear's Wife, p Reynolds, .50 
 
 BOUCHOR, Maurice 
 
 *A Christmas Tale, p 2m 2W French, .25 
 
 BOUCICAULT, Dion 
 
 My Little Girl, d 3m 2w French, .25 
 
 Lover by Proxy, c 6m 4W French, .25 
 
 BOYCE, Neith, and HAPGOOD, Hutchins 
 
 ♦Enemies, p im iw Shay, .50 
 
 BOYCE, Neith 
 
 *The Two Sons, p 2m 2w Shay, .50 
 
 BRAGDON, Claude 
 
 *The Gift of Asia, p 2m Forum, March, 1913 
 
 BRANCH, Anna Hempstead 
 
 *The Rose of the Wind, p 2m 2w Houghton, 1.25 
 
 ♦Shoes That Danced, p 3m 5W ij. .. .Houghton, 1.25 
 BRETHERTON, Evangeline 
 
 The Minister's Messenger, p 14W French, .25 
 
 BRIDGHAM, G. R. 
 
 Excuse Me ! c Two acts. 4m 6w Baker, .25 
 
 A Modern Cinderella. Two acts, p i6w. .Baker, .25 
 BRIEUX, Eugene 
 
 *School for Mothers-in-Law. p 2m 4W 
 
 Smart Set, Sept., 1913, .25 
 BRIGHOUSE, Harold 
 
 ♦Scaring Off of Teddy Dawson, c 2m 2w. .French, .25 
 
 ♦Lonesome-Like, p 2m 2w Phillips, .25 
 
 ♦The Price of Coal, p 
 
 ♦The Maid of France, p 3m 2w Phillips, 35 
 
PLAYS OF THE LITTLE THEATRE 29 
 
 ♦The Doorway, p Joseph Williams, 6d 
 
 ♦Spring in Bloomsbury. p Joseph Williams, 6d 
 
 BRIGGS, Caroline 
 
 ♦One a Day. c 5m Shay, .75 
 
 In "Morningside Plays." 
 BROOKE, Rupert 
 
 ♦Lithuania, d 5m 2w Chicago, .35 
 
 BROOKER, Bertram R. 
 
 Efficiency, p 5m iw International, June, 1914 
 
 BROWN, Alice 
 
 ♦Joint Owners in Spain, c 4W Chicago, .25 
 
 ♦The Loving Cup. p 4m 9W Swartout, .25 
 
 BROWNE, Maurice 
 
 ♦King of the Jews, p Drama, Vol. 6, 1916, .75 
 
 BROWNING, Robert 
 
 ♦In a Balcony, p im 2w Dramatic, .25 
 
 deBRUEYS, David Augustin 
 
 *Pierre Patelin, Solicitor. Three acts, c 7m 2w 
 
 French, .25 
 BRUNNER, Emma Beatrice. Bits of Background 
 
 Over Age. p im 4W 
 
 Spark of Life, p 2m 2w 
 
 Strangers, p 2m iw 
 
 Making a Man. p 2m 2w 
 
 Four plays in one volume Knopf, 1.00 
 
 BRYANT, E. M. 
 
 The Peacemaker, c 2m 3W French, .25 
 
 BRYANT, Louise 
 
 ♦The Game, p 2m 2w Shav, .50 
 
 BUCK, Gertrude 
 
 ♦Mother-Love, p im 3W Drama, Feb., 1919 
 
 BUNNER, H. C. 
 
 Courtship with Variations, c im iw Werner 
 
 \ER, H. C, and MAGNUS, J. 
 
 A Bad Case, c im 3W Baker, .15 
 
 BURRILL, Mary 
 
 ♦Aftermath, p 2m 3W Liberator, April, 1919 
 
 BUSHIDO. See Izumo (Takeda) 
 BUTLER, Ellis Pv 
 
 The Revolt, p 8w French, .25 
 
 BYNNER. Winer 
 
 ♦The Little King, p 3m iw ij.... .60 
 
 ♦Tiger, d 2m 3W Kennerley, .60 
 
 U'ET, G. A. 
 
 ♦Choosing a Career c French, .25 
 
30 PLAYS OF THE LITTLE THEATRE 
 
 CALDERON, George 
 
 The Little Stone House, p Sidgwick, 6d 
 
 CAMERON, Margaret. Comedies in Miniature 
 
 *Miss Doulton's Orchids, c 3 m 3W 
 
 ♦The Burglar, c 5W 
 
 ♦The Kleptomaniac, c 7W 
 
 ♦The Pipe of Peace, c im 2w 
 
 ♦A Christmas Chime, c 2m 2w 
 
 Committee on Matrimony, c ira iw 
 
 Her Neighbor's Creed and Four Monologues, c im iw 
 Seven plays in one volume Doubleday, 1.25 
 
 Piper's Pay. c 7W French, .25 
 
 The Teeth of the Gift Horse, c 2m 4W . .French, .25 
 
 The White Elephant, c 2m 3W. . .*. French, .25 
 
 ♦Published separately French, .25 
 
 CAMPBELL, M. D. 
 
 A Chinese Dummy, c 6w Baker, .15 
 
 CANN, Louise G. 
 
 ♦Life Is Always the Same, p im iw 
 
 Drama, May, 19 19 
 CANNAN, Gilbert. Four Plays 
 
 ♦James and John, p 3m iw 
 
 *Miles Dixon. Two acts. p. 3m 2w 
 
 *Mary's Wedding, p 2m 3W 
 
 ♦Short Way With Authors, p 7m iw 
 
 Four plays in one volume Sidgivick, .80 
 
 ♦Everybody's Husband, p ira 5W Huebsch, .75 
 
 CAPUS, Alfred 
 
 My Tailor, c ira 2w Smart Set, Feb., 1918 
 
 CARMAN, Bliss, and KING, Mary. Earth Deities, etc. 
 
 The Dance Diurnal, m 2m 3W i 
 
 Earth Deities, m im iow i 
 
 Children of the Year, m im iw 24J 
 
 Pas de Trois. m 3m iw 
 
 Four masques in one volume Kennerley, 1.50 
 
 CARPENTER, Grant 
 
 The Dragon's Claws, d 3m iw 
 
 Smart Set, April, 19 14 
 CARTER, Josephine Howell 
 
 Hilarion. c 2m 2w Poet Lore, Summer, 1915 
 
 CARTHEW, L. 
 
 *The American Idea, p 3m 2w Baker, .25 
 
 CARTON, R. C. 
 
 The Ninth Waltz, c im iw French, .25 
 
PLAYS OF THE LITTLE THEATRE 31 
 
 CHAMBERS, C. Haddon 
 
 Open Gate, d 2m 2w French, .25 
 
 CHATTERJI, Tapanmohan 
 
 ♦The Light-Bearer, d 4m Drama, Aug., 191 8 
 
 CHURCH, Virginia 
 
 ♦Pierrot by the Light of the Moon, f 2m 3W 
 
 Drama, Feb., 1919 
 CLEMENTS, Colin C, and SAUNDERS, John M. 
 
 ♦Love in a French Kitchen, a Mediaeval Farce, im 2w 
 
 Poet Lore, Winter, 1917 
 CLARK, Barrett H. Four Plays for the Free Theatre 
 
 deCurel, F. The Fossils. Four acts, p 6m 4W 
 
 Jullien, J. The Serenade. Three acts, p 7m 6w 
 
 ♦Porto-Riche, G. Francoise's Luck, c 3m 2w 
 
 Ancey, G. The Dupe, c im 2w 
 
 Four plays in one volume Stewart, 1.50 
 
 CLIFFORD, Mrs. W. K. 
 
 Honeymoon Tragedy, c im iw French, .25 
 
 COLQUHON, Donald. See Repertory Plays 
 
 Confederates., d 4m iw French, .25 
 
 CONWAY, Ed. Harold 
 
 The Windy Shot, p 5m Smart Set, April, 191 5 
 
 CONRAD, Joseph 
 
 ♦One Day More, d 4m iw Smart Set, Feb., 1914 
 
 CONVERSE, Florence 
 
 The Blessed Birthday. A Christmas Miracle Play. 
 
 19 Characters Dutton, .75 
 
 COOLIDGE, H. D. 
 
 Dead Reckoning, p 2m iw Baker, .15 
 
 COPPEE, Francois 
 
 ♦The Violin Maker of Cremona, c 3m iw supers 
 
 Dramatic, .25 
 
 ♦Pater Noster. p 3m 3W French, .25 
 
 COURTLELINE, Georges 
 
 ♦The Pitiless Policeman, c 3m. .Poet Lore, Spring, 1917 
 
 ♦Blank Cartridge, p im iw . .International, July, k;ij. 
 
 ♦Peace at Home, c im iw ... .International, Dec, 1913 
 
 ♦Peace at Home, c im iw Poet Lore, 1.50 
 
 COURTSHIP OF MILES STANDISH. See Prhsbbry, F, 
 COWAN, Sada 
 
 ♦The State Forbids, d im 2w 2) Kennerley, .60 
 
 ♦In the Morgue Forum, Aprils 1916 
 
 ♦SlNTRAM OF SKAGERRAK. p im IW 
 
 In Mayorga's "Representative One Act PI 
 
 Little, 2.50 
 
32 PLAYS OF THE LITTLE THEATRE 
 
 CRAIG, Marion Wentworth 
 
 War Brides, d 3m 4W Century, .50 
 
 CRANDALL, Irene Jean 
 
 Beyond the Gate. Two acts, p 7m 2w French, .25 
 CRANE, Mabel H. 
 
 The Girls, p 9W French, .25 
 
 CRIMMINS, Agnes 
 
 The Pride of the Family, c 3m iw Swartout, .2/ 
 
 CROTHERS, Rachel 
 
 *The Rector, p im 6w French, .3^ 
 
 DALE, Irving 
 
 Tickets, Please, c 4W Baker, .15 
 
 DANE, Essex 
 
 Fleurette & Co. p 2\v French, .25 
 
 Wrong Numbers, c 3W French, .25 
 
 DANGERFIELD, Trelawney 
 
 Old Stuff, p im 2w Smart Set, June, 1917 
 
 DARGAN, Olive Tilford. Lords and Lovers 
 
 *Lords and Lovers, p i8ra 4W Scribner, 1.50 
 
 *Wocds of Ida. m Century, August, 1907 
 
 DAVIS, Richard Harding 
 
 Miss Civilization., c 4m iw French, .25 
 
 Peace Manoeuvers. p 2m iw French, .25 
 
 The Zone Police, p 4m French, .25 
 
 Orator of Zapata City, p 8m iw Dramatic, .25 
 
 DAVIES, Mary Carolyn 
 
 *Slave With Two Faces, a 3m 4W Arens, .35 
 
 DAVIS, Robert H. 
 
 Room Without a Number, c 3m iw 
 
 Smart Set, April, 1917 
 DAVIS, Robert H., and SHEEHAN, P. P. 
 
 *Efficiency. d 3m Dor an, .50 
 
 DELL, Floyd 
 
 *A Long Time Ago. f Forum, 1917 
 
 *King Arthur's Socks, c im 3W Shay, .50 
 
 *The Angel Intrudes, c 3m iw Arens, .35 
 
 DELAND, Margaret 
 
 Dramatized by M. B. Vosburgh from "Old Chester Tales" 
 
 Miss Maria, c 2m 3W French, .25 
 
 DEMUTH, Charles 
 
 The Azure Adder, s 3m 4W Shay, .35 
 
 DENISON, Emily H. 
 The Little Mother of the Slums 
 
 Seven one act plays Badger, 1.00 
 
PLAYS OF THE LITTLE THEATRE 33 
 
 DENTON, Clara J. 
 
 To Meet Mr. Thompson, c 8w Baker, .15 
 
 DEPUE, Elva 
 
 ♦Hattie. p 2m 3W Shay, .75 
 
 In "Morningside Plays" 
 DICKENS, Charles 
 
 Browne, H. B. Short Plays from Dickens. Contains 
 twenty dramatized sketches from the work of 
 Charles Dickens Scribner, 1.50 
 
 Bardell vs. Pickwick, c 6m 2w Baker, .15 
 
 A Christmas Carol, p 6m 3W Baker, .15 
 
 DICKINSON, C. H., and GRIFFITHS, Arthur 
 
 The Rift Within the Lute, p 4m iw French, .25 
 
 DIX, Beulah Marie 
 
 The Glorious Game, d 6w A.S.P.L. 
 
 The Enemy, d 5m A.S.P.L. 
 
 Clemency, d 3m iw A.S.P.L. 
 
 Legend of St. Nicholas, d Poet Lore 
 
 Allison's Lad and other Plays 
 
 Allison's Lad. d 6m 
 
 The Hundredth Trick, d 4m 
 
 The Weakest Link, d 4m 
 
 The Snare and the Fowler, d 3m 
 
 The Captain of the Gate, d 6m 
 
 The Dark of the Dawn, d 4m 
 
 Six plays in one volume Holt, 1.35 
 
 DONNAY, Maurice 
 
 ♦The Gimlet, c im iw Stratford, Dec, 1918 
 
 DORAN, Marie 
 
 The Girls Over Here, p 8w French, .25 
 
 DOREY, J. Milnor 
 
 ♦Under Conviction, d 2m 2w Drama, Feb., 1919 
 
 DOWSON, Ernest 
 
 ♦Pierrot of the Minute, f im iw Mosher, .50 
 
 DOWN, Oliphant 
 
 ♦The Maker of Dreams, f 2m iw Phillips, .35 
 
 ♦The Quod Wrangle, c 5m iw French, .25 
 
 DOYIE, A. C. 
 
 I terloo. p. 3m iw French, .2$ 
 
 A Duet, c im iw French, .25 
 
 DRACHMAN, Holgar 
 
 "Renaissance." d 6m 2\v Poet Lore, Winter, 1908 
 
 DRAKE, Frank C. 
 
 Tme Rosererry Shrud. p im 3W French, .25 
 
34 PLAYS OF THE LITTLE THEATRE 
 
 DREISER, Theodore. 
 Plays of the Natural and Supernatural 
 
 *The Girl in the Coffin, p 4m 3W 
 
 The Blue Sphere, f 4m 2w 2} 
 
 *Laughing Gas. f 6m 2w 
 
 In the Dark, f um 4W 
 
 The Spring Recital, f 9m 9W 
 
 Light in the Window, f 9m 7W 
 
 Old Ragpicker, f 4111 iw 
 
 Seven plays in one volume Lane, 1.25 
 
 DREW, Sylvan 
 
 The New Pygmalion and Galatea, c 3m 6vr. French, .25 
 DREYFUS, A. 
 
 The Silent System, c im iw Baker, .15 
 
 DRISCOLL, Louise 
 
 *The Poor House, p 2m 2w. . .Drama, Aug., 1917? -75 
 
 *The Child of God. p 2m 3W.. Seven Arts, Nov., 1916 
 DUNSANY, Lord. Five Plays 
 
 *The Gods of the Mountain, p ioi 
 
 *The Golden Doom, p 11m iw 
 
 *The Glittering Gate, c 2m 
 
 *King Argimenes. p 10m 4W 
 
 *The Lost Silk Hat. c 5m 
 
 Five plays in one volume Little, 1.25 
 
 Plays of Gods and Men 
 
 *A Night at an Inn. p 8m 
 
 *The Queen's Enemies, p 9m 2w 
 
 *The Tents of the Arabs, p 6m 
 
 *The Laughter of the Gods, p 9m 4W Three acts 
 Four plays in one volume Luce, 1.50 
 
 *A Night at an Inn. p 8m Sunwise, .50 
 
 *The Murderer. In prep. 
 
 ♦Fame and the Poet, c 2m iw Atlantic, Aug., 1919 
 
 DYMOW, Ossip 
 
 *Nju. t 6m 3W 2j Knopf, 1.00 
 
 EARLE, Dorothy Kirchner 
 
 You're Such a Respectable Person, Miss Morrison 
 
 c 3m 2w Smart Set, Aug., 1915 
 
 EBNER-ESCHENBACH, Marie von 
 
 A Man of the World, p 3m ...Poet Lore, 1.50 
 
 ECHEGARAY, Jose 
 
 *The Street Singer, p 2m 2w Drama, Feb. 1917 
 
 *Madman or Saint, p 7m 4W Poet Lore, 1.50 
 
 EDGERTON, Lady Alex. 
 
 Masque cf the Two Strangers Gowans 
 
PLAYS OF THE LITTLE THEATRE 35 
 
 EHRLICH, E. C. 
 
 ♦Snaring the Lion, p 3m iw Drama, May, 1919 
 
 ELDRIDGE, Paul 
 
 The Jest, p 4m 2\v Stratford, July, 1918 
 
 ELKINS, Felton B. Three Tremendous Trifles 
 
 The Belgian Baby, c 2m 2w 
 
 The Quick and the Dead, c 5m iw 
 
 Figuratively Speaking, c 3m 2\v 
 
 Three plays in one volume Duffield, 1.50 
 
 ELLIS, Mrs. Havelock. Love in Danger 
 
 *The Subjection of Kezia. p 2m iw 
 
 ♦The Pixy, p 3m 
 
 ♦The Mothers, p im 2w 
 
 Three plays in one volume Houghton, .75 
 
 ENANDER, Hilma L. 
 
 In the Light of the Stone, p 3m iw 
 
 The Man Who Did Not Understand, p im 2w 
 
 On the Trail, p 4m iw 
 
 Three plays in one volume Badger, 1.00 
 
 ERVINE, St. John. Four Irish Plays 
 
 ♦The Magnanimous Lover 
 
 ♦The Critics 
 
 ♦Mixed Marriage 
 
 ♦The Orange Man 
 
 Four plays in one volume Macmillan, 1.25 
 
 ESKIL, Ragna 
 
 In the Trenches Over There, c 10m 6w 
 
 Dramatic, .25 
 ESMOND, H. V. 
 
 Her Vote, c im 2w French, .25 
 
 ESTERBROOK, Anne L. 
 
 The Christening Robe, p im 3W Baker, .25 
 
 EURIPIDES 
 
 Alkestis. Nine characters Baker, .25 
 
 Electra. Nine characters 
 
 The Frogs. Twelve characters 
 
 [PHBGENIA i.v Taurus. Seven characters 
 
 Translated by Gilbert Murray Allen 
 
 EVANS, Florence Wilkinson. The Ride Home 
 
 Tuf: Marriage of Guineth. p 7m 3W. .Ilouahton, 1.50 
 EVREINOV, Nicholas 
 
 ♦Tmvn I sm pv Henderson, .30 
 
 ♦A Mew sui 
 
 1   w ij 
 
 1 in Becb Russian Plays. 
 
36 PLAYS OF THE LITTLE THEATRE 
 
 EWEN, Taylor 
 
 The Coward, d 5m 2w Fitzgerald, .25 
 
 EWERS, Hanns Heinz 
 
 The Dead Eyes, p 3m 3W International, June, 1917 
 
 FAWCETT, M. R. 
 
 The Alarm, p 2m Baker, .15 
 
 FAYDON, Nita 
 
 The Great Look, c 2m 2w French, .25 
 
 FENN, Frederick 
 
 The Nelson Touch, c 2111 2w French, .25 
 
 Convict on the Hearth, c 6m 5W French, .25 
 
 FERGUSON, J. A. 
 
 ♦Campbell of Kilmhor. p 4m 2w Phillips, .35 
 
 FERRIER, Paul 
 
 *The Codicil, c 3m iw Poet Lore, Summer, 1908 
 
 FERRIS, E., and STUART, A. 
 
 Nicolete. p 2m 2w French, .25 
 
 FETHERSTONBAUGH, V. 
 
 Harrison, p 4m 4W Smart Set, July, 1914 
 
 FEUILLET, Octave 
 
 *The Fairy, c 3m iw French, .25 
 
 *The Village, c 2m 2w French, .z$ 
 
 FIELD, Rachel L. 
 
 Rise Up, Jennie Smith, p im 3W French, .35 
 
 FILLMORE, J. E. 
 
 "War." p 2m iw Poet Lore, Winter, 1914 
 
 FITZMAURICE, George 
 
 Magic Glasses, p 3m 3W 
 
 The Piedish. p 4m 2w 3J 
 
 The Dandy Dolls, p 4m 2w 3J 
 
 With two long plays in one volume Little, 1.25 
 
 FLANNER, Mary H. 
 
 The Christmas Burglar, p 3m iw French, .25 
 
 FLEXNER, Hortense 
 
 ♦Voices, p 2w Seven Arts, Dec, 1916 
 
 FLORIAN, J. P. 
 
 The Twins of Bergamo, p 2m 2w. .Drama, Aug., 1918 
 FLYING STAG PLAYS. Arens, 1917-19 each, .35 
 
 *i. Cronyn, G. The Sandbar Queen, d 6m iw 
 
 *2. Oppenheim, J. Night, d 4m iw 
 
 ♦3. Dell, F. The Angel Intrudes, c 3m iw 
 
 ♦4. Helburn, T. Enter the Hero, c im 3W 
 
 •5, Moeller, P. Two Blind Beggars and One Less 
 Blind, p 3m iw 
 
 *6. O'Brien, S. Blind, c 3m 
 
PLAYS OF THE LITTLE THEATRE 37 
 
 ♦7. Davies, M. C. The Slave With Two Faces, a 3m 4W 
 ♦8. Kemp, H. The Prodigal Son. c 3m 2w 
 FOREST, Belford 
 
 Failures, d 3W ij Smart Set, July, 1916 
 
 Lost Sheep, p 2m 4W Smart Set, Oct., 1916 
 
 Honors Even, p 3m iw Smart Set, Dec, 1917 
 
 FRANCE, Anatole 
 
 ♦The Man Who Married a Dumb Wife. Two 
 
 acts, c 14m 4W Lane, .75 
 
 ♦Crainquebille. Three scenes, p 12m 6w . .French, .25 
 
 FRANK, Florence Kiper 
 
 ♦Jael Chicago, .25 
 
 *Cinderelline. p im 4W Dramatic, .25 
 
 ♦The Garden, p 3m 3W Drama, Nov., 1918 
 
 FREDERICK, John T. 
 
 ♦The Hunter, p 2m iw Stratford, Sept., 1917 
 
 FREILIGRATH-KROEKER, Kate 
 
 Alice in Wonderland. Two acts. 2ij. .Fitzgerald, .25 
 FREYBE, C. E. 
 
 In Garrison, p 5m Poet Lore, Vacation, 1915 
 
 FROOME, John Redhead 
 
 ♦Listening, p 3W Poet Lore, Vacation, 1917 
 
 Mrs. Mainwaring's Management. Two acts, c 
 
 French, .25 
 
 Billy and the Directing Fates.. Two acts, p 3m 
 
 Dramatic, .25 
 FRY, Horace B. 
 
 Little Italy, d 2m iw ij Dramatic, .25 
 
 FULDA, Ludwig 
 
 ♦By Ourselves, c 3m 2w Badger, 1.50 
 
 FURNISS, Grace L. 
 
 A Dakota Widow, c im 2w French, .25 
 
 Perhaps, c 2m iw French, .25 
 
 GALBRAITH, Esther 
 
 ♦The Brink of Silence, p 4m 
 
 In Mayorga's "Representative One Act Plays." 
 
 Little, 2.50 
 GALE, R. B. 
 
 The New Crusade, c 12W Baker, .25 
 
 The Clinging Vine, c i6w Szvartout, .25 
 
 GALLON, Tom, and LION, L. M. 
 
 Mam Who Stole the Castle, p 4m 2w French, .25 
 
 <THY, John. The Little Man, etc. 
 
 •The Little Man. s 5m 2w 
 
38 PLAYS OF THE LITTLE THEATRE 
 
 *Hallmarked. s 3m 3W 
 
 Two plays in one volume Scribner, 1.50 
 
 *The Little Dream. An allegory in six scenes. 
 
 Scribner, .50 
 
 GARLAND, Robert 
 
 At Night. All Cats Are Gray, p 3m iw 
 
 Smart Set, March, 1916 
 *The Double Miracle, p 4m iw. .Forum, April, 1915 
 
 GERALD, Florence 
 
 For Love and Honor, d 2m iw Denison, .15 
 
 GERSTENBERG, Alice 
 
 *Overtones. See "Washington Square Plays." 
 *Beyond. p iw 
 
 In Mayorga's "Representative One Act Plays." 
 
 Little, 2.50 
 
 GIACOSA, Giuseppe. The Stronger, etc. 
 
 *Sacred Ground, c 3m iw Little, 1. 50 
 
 *The Wager, c 4m iw French, .25 
 
 *The Rights of the Soul, p 2m 2w 
 
 Stratford, Feb., 1918 
 
 GIBSON, Preston 
 
 S. O. S. p 8m 2w French, .25 
 
 Derelicts, p 2w French, .25 
 
 Suicides, p 2m French, .25 
 
 The Secret Way. p 3m French, .25 
 
 The Vacuum, p 2m iw French, .25 
 
 Cupid's Tricks, c 3m 2w French, .25 
 
 GIBSON, Wilfred Wilson 
 
 *Womenkind. d 2m 3W Macmillan, 1. 00 
 
 The following volumes of Mr. Gibson's are replete 
 with short, intensely dramatic sketches of English 
 labor folk. 
 
 *Daily Bread Macmillan 
 
 *Borderlands and Thoroughfares Macmillan 
 
 *Fires Macmillan 
 
 GILBERT, W. S. 
 
 Sweethearts. Two acts, c 2m 2w French, .25 
 
 ROSENCRANTZ AND GuiLDENSTERN. C 5m 3W . .French, .2$ 
 
 Comedy and Tragedy, d 14m 2w French, .25 
 
 GLASPELL, Susan 
 
 *Trifles. d 3m 2w Shay, .35 
 
 *The People, s 10m 2w 
 *Close the Book. 3m 5W 
 Two plays in one volume Shay, .50 
 
PLAYS OF THE LITTLE THEATRE 39 
 
 GLASPELL, Susan, and COOK, George Cram 
 
 ♦Suppressed Desires, c im 2w Shay, .50 
 
 GLICK, Carl 
 
 Outclassed, c 4m Smart Set, Sept., 1918 
 
 GLICK, C, and HIGHT, M. 
 
 The Police Matron, d 3m 2w Baker, .25 
 
 GOLDBERG, Isaac 
 
 ♦The Better Son. p 2m iw Stratford, Oct., 1918 
 
 GOODMAN, Kenneth Sawyer 
 
 ♦Back of the Yards, d 3m 2w Stage, .35 
 
 ♦Dust of the Road, d 4m 4W Stage, 35 
 
 ♦Ephraim and the Winged Bear c 4m 3W.. Stage, .35 
 
 ♦Game of Chess, d 4m Stage, .35 
 
 ♦Barbara, p 2m iw Stage, .35 
 
 Dancing Dolls, p 4m 7W Stage, .35 
 
 ♦A Man Can Only Do His Best, c 6m aw.. Stage, .35 
 
 GOODMAN, K. S., and STEVENS, T. W. 
 
 Holbein in Blackfriars. c 6m 2w Stage, .35 
 
 Ryland. c 5m 2w Stage, .35 
 
 Reinald and the Red Wolf, m Stage, .35 
 
 Caesar's Gods, m Stage, .35 
 
 ♦The Daimio's Head, m Stage Guild, .35 
 
 ♦The Masque cf Quetzal's Bowl. m. . .Stage Guild, .35 
 ♦Masque of Montezuma, m Stage Guild, .35 
 
 GORDON, Leon. Three Plays 
 
 The Gentleman Ranker, p 9m iw 
 As a Pal. c 2m 2w 
 "Leave the Woman Out/' p 3m 
 Three plays in one volume Four Seas, 1.50 
 
 GOULD, Felix. The Marsh Maiden, etc. 
 
 ♦The Marsh Maiden, p 2m 2w supers 
 ♦The Stranger, p 3m 2w 
 ♦In the Marshes, p iw 
 Three plays in one volume Four Seas, 1.00 
 
 de GOURMONT, Remy 
 ♦Theodat. p 7m iw 
 ♦The Old King, p 3m 3W 
 
 Two plays in one number Drama, May, 1916 
 
 GRAHAM, Bertha M. Spoiling the Broth, etc. 
 Spoiling the Broth, c 2m 2w 
 
 Land of the Free, p 2m 3W 
 On, the Press, c im iw 
 Thi irif \ Thorn, c 2m 2w 
 
40 PLAYS OF THE LITTLE THEATRE 
 
 Taffy's Wife, p 2m iw 
 
 Five plays in one volume Chapman & Hall,. ..60 
 
 The above plays published separately. . .French, each, .25 
 GROSSMITH, Weedon 
 
 Commission, c 3m 2w French, .25 
 
 GRAY, Eunice T. 
 
 Winning of Fuji, c 3 scenes 3m 3W. .Dramatic, .25 
 GREENE, Clay M. 
 
 The Dispensation, p 4m 
 
 The Star of Bethlehem, p 5m 
 
 Through Christmas Bells, p 4m iw 
 
 Awakening of Barbizon. c 4m iw 
 
 Four plays in one volume Doran, 1.00 
 
 GREGG, Marjorie 
 
 Close Prisoners, c 2m 3W A. U. P. 
 
 GREGORY, Lady 
 
 *Spreading the News, c 7m 3W 
 
 *Hyacinth Halvey. c 3 m 3W 
 
 ♦Rising of the Moon, c 4m 
 
 *The Jackdaw, c 4m 2w 
 
 ♦The Workhouse Ward, c 2m iw 
 
 *The Traveling Man. p im 2w 
 
 *The Gaol Gate, p im 2w 
 
 Seven plays in one volume Luce, 1.50 
 
 ♦The Image. Three acts, p 5m 2W Maunsel, .75 
 
 Grania. Three acts, p 4m iw 
 
 Kincora. Three acts, p 8m 3W 
 
 *Dervorgilla. p 3m 3W 
 
 Three plays in one volume Putnam, 1.50 
 
 The Canavans. Three acts, p 3m 2w 
 
 The White Cockade. Three acts, p 10m 2w 
 
 *The Deliverers, p 6m 3W 
 
 Three plays in one volume Putnam, 1.50 
 
 *The Bogie Man. c 2m 
 
 ♦The Full Moon, c 5m 3W 
 
 ♦Coats, c 4m iw 
 
 ♦Damer's Gold, c 4m iw 
 
 ♦McDonough's Wife, c im 2w 
 
 Five plays in one volume .Putnam, 1.50 
 
 GREGORY, Lady, and YEATS, Wm. B. 
 
 The Unicorn from the Stars Macmillan, 1.00 
 
 GUILD, Thatcher H. 
 
 The Higher Good, d 7m A. U. P. 
 
 GUIMERA, Angel 
 
 ♦The Old Queen, p 7m 7W Poet Lore, 1.50 
 
PLAYS OF THE LITTLE THEATRE 41 
 
 GYALUI, Wolfgang 
 
 ♦After the Honeymoon, c im iw French, .25 
 
 GYP 
 
 The Little Blue Guinea-Hen c 5m 4W 
 
 Poet Lore, Spring, 191 9 
 HAGEDORN, Herman 
 
 Makers of Madness. 5' scenes d 14m supers 
 
 Macmillan, 1.00 
 
 Horse Thieves, c 4m 2w Harvard, .60 
 
 Heart of Youth Macmillan 
 
 HALE, Louise Closser 
 
 The Other Woman p 2w Smart Set, June, 1911 
 
 Paste Cut Paste p 3W Smart Set, Jan., 1912 
 
 HALMAN, Doris 
 
 ♦Will '0 the Wisp, p 4W 
 
 In Mayorga's "Representative One Act Plays." 
 
 Little, 2.50 
 HALSEY, Forrest 
 
 The Empty Lamp p im iw ij.. Smart Set, May, 1911 
 HAMILTON, Cicely 
 
 Jack and Jill and a Friend. Two scenes c 3m iw 
 
 French, .25 
 HAMILTON, C, and ST. JOHN, Christopher 
 
 ♦How the Vote Was Won. c 2m 8w. . .Dramatic, .25 
 HAMILTON, Cosmo. Short plays for small stages 
 
 St. Martin's Summer, c im 2w 
 
 Soldier's Daughters, c 3W 
 
 Toller's Wife, c 4m iw 
 
 Why Cupid Came to Earl's Court, c 3m 4W 
 
 Four plays in one volume Skcffington, .80 
 
 Jerry and a Sunbeam, c im iw French, .25 
 
 Aubrey Closes the Door, c 3m iw French, .25 
 
 HANKIN, St. John 
 
 ♦The Constant Lover, p im iw Vol. Ill No. 2 
 
 Theatre Arts, .50 
 HARE, W. B. 
 
 Isoscles. p 2m iw Baker, .25 
 
 HARVARD PLAYS. The 47 Workshop 
 
 ♦Field, R. L. Three Pills in a Bottle, f 5m 3W 
 
 ♦Osborne, H. The Good Men Do. c 3m 5W 
 
 ♦Pillot, E. Two Crooks and a Lady, p 3m 3W 
 
 ♦Prosser, W. Free Speech, c 7m 
 
 Four plays in one volume Brentano, 1.00 
 
 The Harvard Dramatic Club 
 
 *Hawkridge, W. The Florist Shop, c 3m 2w 
 
42 PLAYS OF THE LITTLE THEATRE 
 
 *Brock, H. The Bank Account, p im 2w 
 
 •Smith, R. C. The Rescue, p 3W 
 
 •Andrews, K. America Passes By. p 2m 2w 
 
 Four plays in one volume Brentano, 1.00 
 
 The Harvard Dramatic Club. 2nd Series 
 
 *Bray, L. W. Harbor of Lost Ships, p 3 m iw 
 
 •Bates, E. W. Garafelia's Husband, p 4m iw 
 
 •Bishop, F. Scales and the Sword, d 6m iw 
 
 •Kinkead, C. The Four Flushers. c 4m iw 
 
 Four plays in one volume Brentano, 1.00 
 
 HASLETT, H. H. Dolores of the Sierra, etc. 
 
 Dolores of the Sierra, p im iw 
 
 The Scoop, p 2m iw 
 
 Undercurrents, p 4m 2w 
 
 A Modern Menage, c 3m iw ij 
 
 The Inventor, p 2m iw 
 
 When Love Is Blind, c im iw 
 
 Six plays in one volume Elder, 1.25 
 
 HASTINGS, Basil McDonald 
 
 Twice One. p 2m 2w Smart Set, Jan.. 1913 
 
 HAUPTMANN, Gerhart 
 
 •The Assumption of Hannelle. Two parts, p 
 
 7m 3W Poet Lore, Spring, 1909 
 
 HAWKRIDGE, Winifred 
 
 The Price of Orchids, c 4m 2w.. Smart Set, Oct., 1915 
 HAY, Ian. See BEITH, Ian Hay 
 HEAD, Cloyd 
 
 •Grotesques Poetry, .15 
 
 HECHT, Ben, and BODENHEIM, Maxwell 
 
 *Mrs. Margaret Calhoun, p im 6w Shay, .35 
 
 HEIDENSTAM, Verner von. Translated by K. M. Knudsen 
 
 •The Soothsayer. In prep Four Seas, 1.25 
 
 *The Birth of God. In prep Four Seas, 1.25 
 
 HENNIQUE, Leon 
 
 Death of the Due D'Enghien. d Three scenes 
 
 22m 2w Poet Lore, Autumn, 1909 
 
 HENRY, R. 
 
 Norah. p 2m iw Dramatic, .15 
 
 HERTZ, H. Translated by T. Martin 
 
 King Rene's Daughter, d 6m 2w Baker, .15 
 
 HERVIEU, Paul 
 
 *Modesty. c im 2w French, .25 
 
 HENSLOWE, Leonard 
 
 Perfidious Marriage 
 
PLAYS OF THE LITTLE THEATRE 43 
 
 A Hero for a Husband 
 
 People from the Past 
 
 Three plays in one volume Stanley Paul 2/ 
 
 HELLEM, Valcos, and D'ESTOC 
 
 ♦Sabotage, d 2m 2w 1 j Dramatist 
 
 HENRY, R. E. 
 
 Norah. c 2m 2W Dramatic, .15 
 
 HICKS, Seymour 
 
 New Sub. c 8m iw French, .25 
 
 HILBERT, Jaroslav 
 
 ♦Whom the Gods Destroy, d 12m iw 
 
 Poet Lore, Vacation, 1916 
 HOFFMAN, Pheobe 
 
 Martha's Mourning, p 3W Drama, Feb., 1918 
 
 von HOFFMANSTHALL, Hugo 
 
 ♦Death and the Fool, d 4m 3W Four Seas, 1.00 
 
 ♦Madonna Dianora Four Seas, 1.00 
 
 ♦The Death of Titian. In prep Four Seas, .75 
 
 HOGG, C. W. ' 
 
 Mirror of Time, c im iw French, .25 
 
 HOLLEY, Horace. Read aloud plays 
 
 Nine short plays Kennerley, 191 6, 1.25 
 
 Ellen, p 2w Stratford, March, 1917 
 
 HOLT, Florence Taber 
 
 They the Crucified, p 7m 2w 
 
 Comrades, p 7m 2w 
 
 Two plays in one volume Houghton, 1.00 
 
 HOME, Ina 
 
 A Dream on Christmas Eve. ioj French, .25 
 
 HOPKINS, Arthur 
 
 Moonshine, p 2m Vol. III. No. 1.. Theatre Arts, .50 
 HOUGHTON, Stanley. Five one act plays 
 
 ♦The Dear Departed, c 3m 3W 
 
 ♦Fancy Free, c 2m 2w 
 
 ♦Master of the House, p 4m 2w 
 Phipps. c 2m iw 
 
 ♦The Fifth Commandment, p 2m 2w 
 
 Five plays in one volume French, .75 
 
 ♦The Dear Departed, c 3m 3W French, .25 
 
 ♦Fancy Free, c 2m 2w French, .25 
 
 HOUSMAN, Lawrence 
 
 As Good as Gold, p 7m French, .25 
 
 Bird in Hand, c French, .25 
 
 A Likely Story, c French, .25 
 
 Lord of the Harvest, p 6m iw French, .25 
 
44 PLAYS OF THE LITTLE THEATRE 
 
 Nazareth, i 13m 3W. .' French, .25 
 
 The Snow Man. p 4m jw French, .25 
 
 Return of Alcsstis. p 15m 20W French, .25 
 
 HOWARD, Bronson 
 
 Old Love Letters, c im iw French, .25 
 
 HOWARD, Homer H. 
 
 *The Child in the House, p 2m 2w French, .25 
 
 HOWARD, Keble 
 
 Compromising Martha, c im 3W French, .25 
 
 Dramatist at Home, p im iw French, .25 
 
 Come Michaelmas, p 2m 2w French, .25 
 
 Martha the Soothsayer, c 2m 3W French, .25 
 
 HUTCHINS, Will 
 
 Jeanne d'Arc at Vaucouleurs. d 5m 3W 
 
 Poet Lore, Spring, 1910 
 
 HYDE, Douglas 
 
 The Twisting of the Rope, c 2m 3W 
 
 Poet Lore, Spring, 1905 
 
 IGLESIAS, Ignacio 
 
 *The Cemetery, p 2m iw Poet Lore, 1.50 
 
 INDIAN PLAYS. By Helen P. Kane 
 
 Yot-che-ka, the Erie, p 5J French, .25 
 
 Yagowanea. p 4m iw French, .25 
 
 Capture of Ozah. c 2m 2w French, .25 
 
 IRVING, Laurence 
 
 Phoenix, p 2m 2w French, .25 
 
 IZUMO, Takeda 
 
 *The Pine Tree, d 4m 3W 4J Duffield, 1.25 
 
 Sometimes called Bushido, Matsuo, etc. 
 
 JACOBS, W. W., and HUBBARD, P. E. 
 
 A Love Passage, c 3m iw French, .25 
 
 JACOBS, W. W., and ROCK, Charles 
 
 The Ghost of Jerry Bundler. p 7m French, .25 
 
 Grey Parrot, p 4m 2w French, .25 
 
 JACOBS, W. W., and MILLS, Horace 
 
 Admiral Peters c 2m iw French, .25 
 
 JACOBS, W. W., and PARKER, L. N. 
 
 The Monkey's Paw. d 4m iw French, .25 
 
 JACOBS, W. W., and SERGENT, H. 
 
 The Changeling, c 2m iw French, .25 
 
 Boatswain's Mate, p 2m iw French, .25 
 
 In the Library, c French, .25 
 
 JAGENDORF, Moritz 
 
 A Blue Morning Glory, p 2m iw 
 
 International, Mar., 19 14 
 
PLAYS CF THE LITTLE THEATRE 45 
 
 JAKOBI, Paula 
 
 ♦The Chinese Lily, p 8w Forum, Nov. 1915 
 
 JAMACOIS, Eduardo. In "Contemporary Spanish Dramatists 
 
 ♦The Passing of the Magi, p 7m 5W Badger, 2.50 
 
 JAPANESE PLAYS 
 
 See Stopes, Marie C. 
 
 Izumo, Tared a 
 
 Pound, Ezra, and Fenollosa, Ernest 
 
 Noguchl Yone, Ten Noh Dramas 
 JENKS, Tudor 
 
 Dinner at Seven Sharp, c 5m 3W Baker, .25 
 
 JENNINGS, E. M. 
 
 Mrs. Oakley's Telephone, c 4W French, .25 
 
 Dinner at the Club, c 9W French, .25 
 
 Prinzessen von Barnhof. c 8w French, .25 
 
 Tom's Fiancee. Two acts, c 5W French, .25 
 
 JENNINGS, Gertrude 
 
 The Rest Cure, c im 4W 
 
 Between the Soup and the Savoury, c 3W 
 
 The Pros and Cons, c im 3W 
 
 Acid Drops, p im 6w 
 
 Four plays in one volume Sidgwick, 2/ 
 
 Between the Soup and the Savoury, c 3W. .French, .25 
 JEROME, Jerome K. 
 
 Sunset, c 3m 4W Dramatic, .15 
 
 Barbara, d 2m 2w French, .25 
 
 Fennel, d. 3m iw French, .25 
 
 JEX, John. Passion playlets 
 
 ♦Violet Souls, s 3m 2w 
 
 The Nest, p 2m 3W 
 
 Mr. Willoughby Calls, p 3m iw 
 
 The Unnecessary Atom, p 3m iw 
 
 Four plays in one volume Cornhill 
 
 JOHNS, Orrick 
 
 Shadow, p 3 w Others, .20 
 
 JOHNSON, Martyn 
 
 Mr. and Mrs. P. Roe. c im 3W Chicago, ms. 
 
 JONES, Henry Arthur. The Theatre of Ideas, etc. 
 
 The Goal. 4m 2w 
 
 Her Tongue. 3m 2w 
 
 Grace Mary. 6m 2w 
 
 Three plays in one volume Doran, 1.25 
 
 Clerical Error, c 3m iw French, .25 
 
 Sweet Will, p im 4W French, .15 
 
46 PLAYS OF THE LITTLE THEATRE 
 
 Deacon. Two acts, c 2m 2w French, .15 
 
 Harmony, d 3m iw French, .25 
 
 Bed of Roses, c 4m 2w French, .25 
 
 Elopement. Two acts, c 4m 3W French, .25 
 
 Hearts of Oak. Two acts, c 5m 2w French, .25 
 
 KALLEN, Horace M. 
 
 *The Book of Job. d Moffatt Yard, 1918 
 
 KAUFMAN, S. Jay 
 
 *Kiss Es. c 2m 4W Smart Set, Nov., 191 5 
 
 KAVANAUGH, Katherine 
 
 The Daughters of Men. p 3m 2w Dramatic, .25 
 
 My Mexican Rose, p 2m 2w Dramatic, .25 
 
 Girl and the Outlaw, p 2m iw Dramatic, .25 
 
 Professor of Love, c 3m 3W Dramatic, .25 
 
 House Across the Way. p ira iw Dramatic, .15 
 
 KEMP, Harry 
 
 *The Prodigal Son. c 3m 2w Arens, .35 
 
 KEMPER, S. 
 
 *Moth Balls, p 3W Baker, .25 
 
 KENNEDY, Charles Rann 
 
 *The Terrible Meek, p Harper, 1.00 
 
 *The Necessary Evil, p Harper, 1.00 
 
 KEYES, N. W. 
 
 Red-Cap. Two acts, p 5m iow Baker, .25 
 
 KILMER, Joyce 
 
 Some Mischief Still, c 4m iw.. Smart Set, Aug., 1914 
 
 KING, Pendleton 
 
 *Coacaine. p im iw Shay, .35 
 
 KINGSBURY, Sara 
 
 The Christmas Guest, p im 3W ij. .Drama, Nov., 1918 
 
 KINGSLEY, Ellis 
 
 The Other Woman, d 2w Baker, .15 
 
 KLAUBER, Adolph 
 
 The Green-Eyed Monster, c 3m iw 
 
 Smart Set, Jan., 1914 
 
 KNOBLAUCH, Edward 
 A War Committee, p 
 Little Silver Ring, p 
 
 Two plays in one volume French 
 
 KNOWLTON, A. R. 
 
 Why, Jessica ! c im 9W Baker, .25 
 
 KNOX, F. C. 
 
 The Matrimonial Fog. d 3m iw Baker, .25 
 
PLAYS OF THE LITTLE THEATRE 47 
 
 KRAFT, Irma 
 
 The Power of Purin and other plays. 
 
 Jewish Publication Society, 191 5 
 
 KREYMBORG, Alfred 
 
 *Six Plays for Poem-Mimes Others, 1.25 
 
 ♦Lima Beans, c 2m iw Shay, .50 
 
 LABICHE 
 
 ♦Grammar, c 4111 iw French, .25 
 
 ♦The Two Cowards, c 3m 2w French, .25 
 
 LAIDLAW, A. H. 
 
 Captain Walrus, p im 2w French, .25 
 
 I. ANGER, Lawrence 
 
 ♦Another Way Out. c 2m 2w Shay, .35 
 
 The Broken Image, d 7m Arens, .35 
 
 Patent Applied For. c 3m 3W Arens, .35 
 
 ♦Wedded, p Little Review, No. 8 
 
 LAVEDAN, Henri. Five little plays 
 Along the Quays, p 2m 
 For Ever and Ever, p im iw 
 Where Shall We Go. p im 6w 
 The Afternoon Walk, p im 4J 
 Not at Home, p 2m 3W 
 
 Five plays in one number Poet Lore, 1.50 
 
 Two Husbands, p 2m Poet Lore, Summer, 1908 
 
 Sunday on Sunday Goes By. p 3m Poet Lore, 1.50 
 
 LAWREN, Joseph 
 
 Courage, p 5m Boston, Everett 
 
 Sanctuary, p 5m iw Boston, Everett 
 
 The Voice, p 4m 2w Boston, Everett 
 
 LAWS, Anna C. 
 
 A Twice Told Tale, p im 3W Drama, Aug., 1918 
 
 LEACOCK, Stephen, and HASTINGS, Basil 
 
 "Q." Farce French, .25 
 
 LEE, Charles 
 
 Mr. Sampson, c im 2w Dent, .20 
 
 LEE, M. E. 
 
 ♦The Black Death, or Ta un. A Persian Tragedy. 
 
 2in 2w Poet Lore, Winter, 1917 
 
 M. 
 
 Goose." d 2m 2w French, .25 
 
 1> 5m iw Little Theatre, Julv, u,i 7 
 
 *rt deCAMP 
 
 p 2m 1 :\ Four St as, 1.00 
 
 1 MARIANS. p bill Poet; J .50 
 
48 PLAYS OF THE LITTLE THEATRE 
 
 LENNOX, Cosmo 
 
 The Impertinence of the Creature, c im iw 
 
 French, .25 
 LENT, Evangeline M. 
 
 Love in Idleness, c im 3W French, .25 
 
 LESAGE 
 
 *Crispin, His Master's Rival, c 4m 3W. . .French, .25 
 LESLIE, Noel. Three plays 
 
 For King and Country. In prep. 
 
 Waste 
 
 The War Fly 
 
 Three plays in one volume Four Seas, 1.25 
 
 LEVICK, Milnes 
 
 Wings in the Mesh, p 3W Smart Set, July, 1919 
 
 LEVINGER, E. E. 
 
 The Burden, p 3m iw Baker, .25 
 
 LEWISOHN, Ludwig 
 
 The Lie. p 2m 2w Smart Set, Dec, 1913 
 
 LINCOLN, Florence 
 
 A Piece of Ivory, p 3m 2w Harvard, April, 1911 
 
 LION, Leon M. 
 
 The Touch of a Child, p French, .25 
 
 LION, L. M., and HALL, W. S. 
 
 The Mobswoman. d 2m 2w French, .25 
 
 LITTLE THEATRE CLASSICS. Edited by Samuel A. 
 Eliot, Jr. 
 
 *euripides : polyxena 
 
 *A Christmas Miracle Play 
 
 *Marlowe: Doctor Faustus 
 
 *Beaumont and Fletcher: Ricardo and Viola 
 
 *Sheridan: The Scheming Lieutenant 
 
 Five plays in one volume Little, 1.50 
 
 LITTLE THEATRE CLASSICS. Second Series 
 
 *Abraham and Isaac 
 
 *Middleton: The Loathed Lover 
 
 ♦Moliere : Sganarelle 
 
 *Pichel, I. Pierre Pathelin 
 
 Four plays in one volume Little, 1.50 
 
 LONDON, Jack. Turtles of Tasman 
 
 The First Poet, p Macmillan, 1.25 
 
 *LOVE IN A FRENCH KITCHEN. A Mediaeval Farce. 
 
 c im 2W Poet Lore, 1.50 
 
PLAYS OF THE LITTLE THEATRE 49 
 
 LOVING, Pierre, and SHAY, Frank 
 
 ♦Contemporary One Act Plays. Fifty short plays 
 for the Little Theatre. In one volume. In prep. 
 
 Stewart, 5.00 
 LUTHER, Lester 
 
 Law. 10 voices Forum, June, 1915 
 
 M. J. W. 
 
 A Brown Paper Parcel, c 2w French, .25 
 
 MACINTIRE, E., and CLEMENTS, C. C. 
 
 The Ivory Tower, p 3m ivf....Poet Lore, Spring, 1919 
 MACDONALD, Zellah 
 
 ♦Markheim. d 2m iw 
 
 In "Morningside Plays." Shay, .75 
 
 MACKAYE, Constance D'Arcy 
 
 The Forest Princess and other Masques Holt, 1.35 
 
 The Beau of Bath and other One Act Plays. .Holt, 1.50 
 
 Plays of the Pioneers Harper, 1.25 
 
 The Silver Thread and other Folk Plays Holt, 1.10 
 
 MACKAYE, Percy. Yankee Fantasies 
 
 Chuck, im 3J 
 
 Gettysburg im ij 
 
 ♦The Antick. 2m 3W 
 
 The Cat Boat, im 2w ij 
 
 Sam Average. 4m 
 
 Five plays in one volume Duffield, 1.25 
 
 McKINNEL, Norman 
 
 The Bishop's Candlesticks, p 3m 2w French, .25 
 
 MACMILLAN, Mary. Short plays 
 
 The Shadowed Star, p 3m 5W 
 
 The Ring, c 7m 3W 
 
 The Rose, p im 2w 
 
 Luck? p 6m 7W 
 
 Entr'acte, p im 2w 
 
 A Woman's a Woman for a' That, c 2m 3W 
 
 Fan and Two Candlesticks, p 2m iw 
 
 A Modern Masque, p 3m iw 
 
 The Futurists, p 8w 
 
 Ttie Gate of Wishes, p im iw ij 
 
 Ten plays in one volume Stewart, 1.50 
 
 More Short Plays 
 
 His Second Girl, p 3m 3W 
 
 At the Church Door, p 2m 2w 
 
 Honey, c 2m 3W ij 
 
 THI Disss Rehearsal of Hamlet, c iow 
 
 The PlONIlM, p 10m 3W 5J 
 
50 PLAYS OF THE LITTLE THEATRE 
 
 In Mendelesia, I. p sw 
 In Mendelesia, II. p sw 
 The Dryad, p im 2w 
 
 Eight plays in one volume Stewart, 1.50 
 
 The Gate of Wishes, p im iw i)....Poet Lore, 1.50 
 
 MAETERLINCK, Maurice 
 
 *The Intruder, p 3m 5W Phillips, .25 
 
 ^Interior, p 4m 5W ij supers Phillips, .25 
 
 *Death of Tintagiles. d ij 6w Phillips, .25 
 
 *Happiness Phillips, .25 
 
 *Seven Princesses, p 3m 8w Phillips, .25 
 
 *Alladine and Palomides. 2m 7w Phillips, .25 
 
 The Miracle of St. Anthony 
 A Miracle of St. Anthony and Other Plays 
 A Miracle of St. Antony. 15 Characters 
 Pelleas and Melisande. Five acts 
 Death of Tintagiles. 7 Characters 
 Alladine and Palomides. Five acts 
 Interior. 10 ChaTacters 
 The Intruder. 7 Characters 
 
 Six plays in one volume Boni & Liveright, .75 
 
 MALLESON, Miles 
 
 *Black 'Ell. d 3m 4W Shay, .35 
 
 *Paddy Pools, f 19J Henderson, .30 
 
 *Little White Thought, f 9W Henderson, .30 
 
 "D" Company, p 6m Henderson, .50 
 
 *Youth. Three acts, p 9m 2\v Henderson, .50 
 
 MANNERS, J. Hartley. Happiness and Other Plays 
 Happiness, p 2m 2w 
 Just as Well, c im 3W 
 Day of Dupes, c 5m iw 
 
 Three plays in one volume Dodd, 1.00 
 
 Queen's Messenger, d im iw French, .25 
 
 The Woman Intervenes, p 3m iw French, .25 
 
 Just as Well, c im iw French, .25 
 
 As Once in May. c 3m 2w French, .25 
 
 Ministers of Grace, p 3m 2w Smart Set, Sept., 1914 
 
 MAPES, Victor 
 
 A Flower of the Yeddo. c im 3W French, .25 
 
 MARBLE, T. L. 
 
 Giuseppina. p 3m 2w Dramatic, .15 
 
 MARIVAUX 
 
 *The Legacy, c 4m aw French, .35 
 
PLAYS OF THE LITTLE THEATRE 5 1 
 
 MARKS, Jeanette. Three Welsh Plays 
 
 The Merry Cuckoo, p 3m 2w 
 
 Welsh Honeymoon, p 3m 2w 
 
 The Deacon's Hat. c 3m 3W 
 
 Three plays in one volume Little, 1.00 
 
 The Happy Thought, p 4m 5W 
 
 International, July, 1912 
 MARTIN, John Joseph 
 
 The Wife of Usher's Well, d 3m 3W 
 
 Poet Lore, Spring, 1919 
 MASEFIELD, John 
 
 ♦The Locked Chest, p 3m iw 
 
 ♦Sweeps of Ninety-eight, p 5m iw 
 
 Two plays in one volume Mactnillan, 1.25 
 
 ♦The Campden Wonder, p 4m 2w 
 
 ♦Mrs. Harrison, p 3m iw 
 
 In "The Tragedy of Nan," etc Macmillan, 1.2s 
 
 ♦Phillip the King, p 7m iw Macmillan, 1.25 
 
 ♦Good Friday, p Macmillan, 1.50 
 
 MASSEY, Edward 
 
 Plots and Playwrights, c Nine scenes 11m 6w 
 
 Little, 1. 00 
 MATHER, C. C. 
 
 Dispatches for Washington, p 3m 5W Baker, .15 
 
 Double-crossed, c 3m 3W Baker, .15 
 
 MATUSO. See IZUMO, Takeda 
 MATTHEWS, Brander 
 
 The Decision of the Court, c 2m 2w. . .Harpers, .50 
 MAUREY, Max 
 
 ♦Rosalie, c im 2w French, .25 
 
 McCONNELL, G. K. 
 
 The Bone of Contention, d 3m 8w Baker, .25 
 
 McCOURT, Edna W. 
 
 Jill's Way. p 3m 2w Seven Arts, Feb., 1917 
 
 The Truth, p 2m 4W Seven Arts, Mar., 1917 
 
 McEVOY, Charles 
 
 His Helpmate 
 
 Dwi!) BALLABO 
 
 MEN Of THE Rn\[) 
 
 Lucifer 
 
 •\ mi Devil Was Ii.i Bullen 
 
 McFADDJ 1 A. 
 
 ik Chimes Rang, p im iw 2). . . .French, .25 
 Roi Coo 
 Mi 111 CROSS, p 3m Smart Set, Aug., 1911 
 
52 PLAYS OF THE LITTLE THEATRE 
 
 MEILHAC and HALEVY 
 
 ♦Panurge's Sheep, c im 2w French, .25 
 
 ♦Indian Summer, c 2m 2w French, .25 
 
 MICHELSON, Miriam 
 
 Bygones, p 2m iw Smart Set, March, 1917 
 
 MIDDLETON, George. Embers, etc. 
 
 *Embers. d 2m iw 
 
 The Failures, d im iw 
 
 The Gargoyle, p 2m 
 
 In His House, p 2m iw 
 
 *The Man Masterful, d 2w 
 
 *Madonna. d 3m iw 
 
 Six plays in one volume Holt, 1.35 
 
 Criminals, d 2m 2w Huebsch, .50 
 
 Tradition, etc. 
 
 ♦Tradition, d im 2w 
 
 ♦On Bail, d 2m iw 
 
 ♦Mothers, d im 2w 
 
 ♦Waiting, d im iw ij 
 
 ♦Their Wife, d 2m iw 
 
 ♦The Cheat of Pity, d 2m iw 
 
 Six plays in one volume Holt, 1.35 
 
 Possession, etc. 
 
 Possession, d 2m 3W 
 
 ♦The Groove, d 2w 
 
 The Black Tie. d im 2w ij 
 
 ♦A Good Woman, d im iw 
 
 Circles, d im 2w 
 
 The Unborn, d im 2w 
 
 Six plays in one volume Holt, 1.35 
 
 Back of the Ballot, c 4m iw French, .25 
 
 ♦Are published separately by Samuel French. Each .25 
 
 Among the Lions, s 5m 3W Smart Set, Feb., 1917 
 
 The Reason, p 2m 2w Smart Set, Sept., 1917 
 
 DeMILLE, William C 
 
 In 1999. c im 2w French, .25 
 
 ♦Food, c 2m iw French, .25 
 
 Poor Old Jim. p 2m iw French, .25 
 
 Deceivers, p French, .25 
 
 MILTON, John. Adapted by L. Chater 
 
 Comus. m Nine characters Baker, .25 
 
 MOLIERE 
 
 ♦Doctor in Spite of Himself c 6m 3W French, .25 
 
 ♦The Sicilian. Two scenes, c 4m ^w. . .French, .25 
 
PLAYS OF THE LITTLE THEATRE 53 
 
 •The Affected Young Ladies, s 6m %vt .. .French, .25 
 
 ♦Sganarelle. See Eliot: Little Theatre Classics 
 
 •Gregory, Lady. The Kiltartan Moliere 
 
 Doctor in Spite of Himself. 6m 3W 
 
 The Miser 
 
 The Rogueries of Scapin 
 
 The plays in one volume Putnam, 1.75 
 
 MOELLER, Philip. Five somewhat historical plays 
 ♦Helena's Husband, c 3m 2w 
 ♦The Little Supper, c 3m iw 
 ♦Sisters of Susannah, c 5m iw 
 
 ♦ROADHOUSE IN ARDEN. C 4m 2W 
 
 ♦Pokey, c 6m 3W 
 
 Five plays in one volume Knopf, 1.50 
 
 ♦Two Blind Beggars and One Less Blind, p 3m iw 
 
 Arens, .35 
 MONTAGUE, Harold 
 
 Proposing by Proxy, c im iw French, .25 
 
 MONTOMASA 
 
 Sumida Gawa. d 2m iw ij Stratford, Jan., 1918 
 
 MORGAN, Charles D. 
 
 Search Me ! c im 2w Smart Set, Jan., 191 5 
 
 MORNINGSIDE PLAYS, The 
 
 ♦Depue, Elva. Hattie. d 2m 3W 
 
 ♦Briggs, Caroline. One a Day. c 5m 
 
 ♦Macdonald. Z. Markheim. d 2m iw 
 
 ♦Reizenstein, E. L. Home of the Free, c 2m 2w 
 
 Four plays in one volume Frank Shay, 1.00 
 
 MORRISON, Arthur 
 
 That Brute Simmons, c 2m iw French, .25 
 
 MOSHER, John Chapin 
 
 Sauce for the Emperor, c 5m 4W Shay, .35 
 
 MOTHER, Charles C. 
 
 Dispatches for Washington, p 4m 5W Baker, .15 
 
 MOTHER GOOSE, A DREAM OF 
 
 By J. C. Marchant, S. J. Mayhew, H. Wilbur and 
 
 others. Containing A Dream of Mother Goose ; Scenes 
 
 from Mother Goose; A Mother Goose Party; Two 
 
 Mother Goose Operettas Baker, .25 
 
 MOYLE, Gilbert 
 
 The Tragedy Four Seas, .75 
 
 MUGGERIDGE, Marie 
 
 The Rest Cure, p im iw French, .25 
 
 MURRAY, T. C. 
 
 ♦Birthright. Two acts, d 4m iw. . . .Maunsel, Dublin 
 
54 PLAYS OF THE LITTLE THEATRE 
 
 MUSKERRY, William 
 
 An Imaginary Aunt, c 4W French, .25 
 
 deMUSSET, Alfred. Barberine and other Comedies 
 
 Barberine. Three acts. 5m 2w 
 
 Fantasio. Two acts. 8m 2w 
 
 No Trifling with Love. Three acts. 4m 3W 
 
 *A Door Must be Open or Shut. 2m 
 
 *A Caprice, im 2w 
 
 *One Cannot Think of Everything. 3m 2w 
 
 Six plays in one volume Sergei, 1.24 
 
 deMUSSET, A., and AUGIER, E. 
 
 *The Green Coat, c 3m iw French, .25 
 
 Napoleon and the Sentry, p 3m iw. . .Dramatic, .25 
 NARODNY, Ivan 
 
 Fortune Favors Fools, c 4m 3W 
 
 Poet Lore, Autumn, 1912 
 NATHAN, George Jean 
 
 *The Eternal Mystery, p 2m iw ij 
 
 Smart Set, April, 191 3 
 NATHAN, Robert G. 
 
 The Coward, p im 2w Harvard, March, 1914 
 
 Atoms, p 2m iw Harvard, Nov., 1913 
 
 NEIHARDT, John G. 
 
 Eight Hunrded Rubles, p im 2w. . .Forum, Mar., 1915 
 NEVITT, Mary Ross 
 
 The Rostof Pearls, p 7W French, .25 
 
 NEWTON, H. L. 
 
 Outwitted, p im iw Baker, .25 
 
 Her Second Time On Earth, c im iw Baker, .15 
 
 NIRDLINGER, C. F. Four short plays 
 
 Look after Louise, d 3m iw 
 
 Big Kate, d 4m iw 
 
 The Real People, d 2m iw 
 
 Aren't They Wonders, d 2m 2w 
 
 Four plays in one volume Kennerley 
 
 Washington's First Defeat, c im 2w French, .25 
 
 NOGUCHI, Yone 
 
 *The Demon's Shell, p 2m.... Poet Lore, Autumn, 1906 
 
 *Ten Japanese Noh Plays. In prep Four Seas, 1.50 
 
 NORMAND, Jacques 
 
 A Drop of Water, c 2m iw Dramatic, .15 
 
 NORTON, Harold F. 
 
 The Woman, p im 2w Sheffield, June, 1914 
 
PLAYS OF THE LITTLE THLAiKL 55 
 
 O'BRIEN, Edward J. 
 
 At the Flowing of the Tide, p im iw 
 
 Forum, Sept., 1914 
 O'BRIEN, Seumas. Duty and other Irish Comedies 
 
 ♦Duty, c 5m iw 
 
 ♦Jurisprudence, c 9m iw 
 
 ♦Magnanimity, c 5m 
 
 ♦Matchmakers, c 3m 3W 
 
 ♦Retribution, c 3 m iw 
 
 Five plays in one volume Little, 1.25 
 
 OFFICER, Katherine 
 
 All Souls Eve. p 3m 4W International, Jan., 1913 
 
 OLIVER, Mary Scott. Six One Act Plays 
 
 The Hand of the Prophet, p 5m 2w 
 
 Children of Granada, p 6m 4W 
 
 The Turtle Dove, p 5m iw 
 
 This Youth — Gentlemen! f 2m 
 
 The Striker, p 2m 3W 
 
 Murdering Selina. c 5m 2w 
 
 Six plays in one volume Badger, 1.25 
 
 O'NEILL, Eugene. Thirst and other One Act Plays 
 
 Thirst, p 2m iw 
 
 The Web. p 5m iw 
 
 Warnings, p 5m 4W 
 
 Fog. p 3m iw 
 
 ♦Recklessness, p 3m 2w 
 Five plays in one volume Badger, 100 
 
 ♦Bound East for Cardiff, d 11m Shay, .75 
 
 ♦Before Breakfast, d iw Shay, .35 
 
 THE MOON OF THE CARIBBEES 
 
 Moon of the Caribbees. p 17m 4W 
 
 ♦Bound East for Cardiff, p um 
 
 ♦The Long Voyage Home, p 8m 3W 
 
 ♦In the Zone, p 9m 
 
 ♦Ile. p 5m iw 
 
 Where the Cross Is Made, p 6m iw 
 
 ♦The Rope, p 3m 2w 
 
 Seven plays in one volume Boni & Liveright, 1.35 
 
 OPPENHEIM, James 
 
 The Pioneers. Two scenes, d 5m 2w Huebsch 
 
 ♦Night, p 4m iw Arens, .35 
 
 ORNO, Don 
 
 THE Sock, p 2m 3W Three Pamphleteers, .25 
 
 O'SHEA, Monica Barrie 
 
 ♦The Rushlight, p Drama, 1917 
 
56 PLAYS OF THE LITTLE THEATRE 
 
 OWEN, Harold 
 
 A Little Fowl Play, c 3m 2w French, .25 
 
 PAIN, Mrs. Barry. Nine of Diamonds and other plays 
 
 The Nine of Diamonds 
 
 Her Ladship's Jewels, c im 2w 
 
 Mrs. Marlowe's Case, c 2m iw 
 
 Three plays in one volume London, Chapman, .60 
 
 Short Plays for Amateurs 
 
 The Hat. c 3W 
 
 A Lesson in Pearls, c im 2w 
 
 Thirteen, c im 2w 
 
 Trust, c im iw 
 
 A Vicious Circle, c im iw 
 
 Five plays in one volume London, Pinker, .60 
 
 More Short Plays 
 
 The Lady Typist, c im 4W 
 
 A Quick Change. Two scenes, c 2m 2w 
 
 The Reason Why. c im iw 
 
 'Ware Wire, c 3 m 2w 
 
 Four plays in one volume Chapman, .60 
 
 PALMER, John 
 
 Over the Hills, c 2m 2w Smart Set, June, 191 5 
 
 PARAMORE, E. E. 
 
 Across the Marsh, p 2m Sheffield, April, 1917 
 
 PARKER, Louis N. See also JACOBS, W. W. 
 
 Man in the Street, p 2m iw French, .25 
 
 PARKHURST, Winthrop 
 
 It Never Happens, c 2m iw Smart Set, Dec, 1918 
 
 Importance of Being Early, c 2m 2w 
 
 Smart Set, Nov., 1916 
 
 Morraca. p 7m iw Drama, Nov., 1918 
 
 The Beggar and the King, p 3m Drama, Feb., 1919 
 
 Getting Unmarried, p im iw.. Smart Set, April, 1918 
 PASTON, George 
 
 Feed the Brute, p im 2w French, .25 
 
 Stuffing, c 2m 2w French, .25 
 
 Tilda's New Hat. c im 3W French, .25 
 
 Parent's Progress, c 3m 3W French, .25 
 
 PATRICK, A. 
 
 Jimmy, p 2m French, .25 
 
 PAULL, H. M. 
 
 Hal, the Highwayman, p 4m 2w French, .25 
 
 PEABODY, Josephine Preston 
 
 Fortune and Men's Eyes, p 8m 2w i French, .25 
 
 The Wings, p 3m iw French, .25 
 
PLAYS OF THE LITTLE THEATRE 57 
 
 PEARCE, Walter 
 
 1588. c 4m iw French, .25 
 
 PEMBERTON, Max 
 
 Prima Donna, c 3m 2w French, .25 
 
 Lights Out. c 3m 3W French, .25 
 
 PFEIFFER, Edward H. 
 
 The Lamp, p im 2w International, April, 1913 
 
 PHELPS, P., and SHORT, M. 
 
 Saint Cecilia, p im 7W French, .25 
 
 PHILLPOTTS, Eden. Curtain Raisers 
 
 The Point of View, c 2m iw 
 
 Hiatus, c 4m 2w 
 
 The Carrier Pigeon, d 2m iw 
 
 Three plays in one volume Brento.no, .60 
 
 Pair of Knickerbockers, c im iw French, .25 
 
 Breezy Morninc. c im iw French, .25 
 
 PHILLPOTTS, Eden, and GROVES, Charles 
 
 Their Golden Wedding, c 2m iw French, .25 
 
 PIAGGIO, E. E. 
 
 At the Play, p London, Williams, 6d 
 
 PICHEL, Irving 
 
 ♦Tom, Tom, the Piper's Son. p 3m. .Harvard, Dec, 1913 
 PILLOT, E. 
 
 ♦Hunger, f 4m iw Stratford, June, 1918 
 
 ♦The Gazing Globe, p 2m iw. . .Stratford, Nov., 1918 
 PINERO, Sir Arthur Wing 
 
 Pla*ygoers. c 2m 6w French, .25 
 
 The Widow of Wasdale Head. d.. Smart Set, May, 1914 
 
 Hester's Mystery, c 3m 2w French, .25 
 
 Money Spinner. Two acts, d 5m 3W French, .25 
 
 PINSKI, David 
 
 See Six Plays for the Yiddish Theatre 
 
 ♦A Dollar, c 5m 3W Stratford, June, 1917 
 
 Micheal. p 4m Stratford, April, 1918 
 
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 PORTO-RICHE, G. In Clark: Four Plays, etc. 
 
 ♦Francoise's Luck, c 3 m 2w 
 PLAUTIUS 
 
 ♦The Twins, c 7m 2w French, .25 
 
 PICARD, L. B. 
 
 The Rebound, c 5m 2W French, .25 
 
 POUND, Ezra, and FENOLLOSA, Ernest 
 
 "Noh," or Accomplishment. A Study of the Classical 
 Stage of Japan. Contains 
 
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58 PLAYS OF THE LITTLE THEATRE 
 
 SUMA GENJI. 3m 
 
 , Kumasaka. Two acts. 3m i 
 
 SHOJO. 2m supers 
 
 Tamura. 3m i 
 
 and others Knopf, 2.75 
 
 PRESBERY, Eugene 
 
 Courtship of Miles Standish. p 2m 2w .. .French, .25 
 PRICE, Graham 
 
 *The Capture of Wallace, p 4m iw Phillips, .35 
 
 *Tke Song of the Seal, p 2m 2w Phillips, .35 
 
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 *Cook and Glaspell. Suppressed Desires, c im 2w 
 
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 •O'Neill, E. Before Breakfast, d iw Shay, .35 
 
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 *Glaspell, S. The People, p 10m 2w 
 
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 *Oppenheim, J. Night, d 4m iw Arens, .35 
 
 *Dell, F. The Angel Intrudes, c 3m iw . .Arens, .35 
 
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 The Visit, p 2m 3W French, .25 
 
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 He Is Coming, p im 5W Poet Lore, Summer, 1914 
 
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 •Orthodoxy, p Kennerley, .60 
 
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 *A Bright Morning, c 2m 2vt..Poet Lore, Winter, 1916 
 
 •By Their Words Ye Shall Know Them c 2m iw 
 
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PLAYS Of THE LITTLE THEATRE 59 
 
 RANCK, Edwin C. 
 
 ♦The Yellow Boots, p 2m iw. . .Stratford, May, 1919 
 RANDALL, William R. 
 
 The Grey Overcoat, p 3m French, .25 
 
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 In the Spring a Young Man's Fancy, c im 7W 
 
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 REED, John 
 
 ♦Freedom, c 6m Shay, .50 
 
 ♦Moondown. p 2w Masses 
 
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 REELY, Mary Katherine 
 
 Daily Bread, p im 4W 
 
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 The Lean Years, p 2m 2w 
 
 Three plays in one volume H. W . Wilson, .60 
 
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 ♦Home of the Free, c 2m 2w 
 
 In "Morningside Plays" Shay, .75 
 
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 *Good-bye! c im iw Smart Set, June, 1916 
 
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 ♦Carrots, p im 2w French, .25 
 
 REPRESENTATIVE ONE-ACT PLAYS BY AMERI- 
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 REYNARTZ, Dorothy 
 
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 ♦A Night in Avignon, p 
 
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 ♦The Little Shepherdess, p im 2w French, .25 
 
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60 plays of the little theatre 
 
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 *Behind a Watteau Picture, f 6m 2W Baker, .75 
 
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 *The Black Pearl, c 7m 3W French, .25 
 
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 A Vision of Paganini. p 2m iw 
 
 International, Feb., 1916 
 
 The Passing Shadow, p 2m. . .International, Aug., 1916 
 
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 *The Sidhe of Ben-Mor. p im 6w 
 
 Poet Lore, Summer, 1910 
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62 PLAYS OF THE LITTLE THEATRE 
 
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 Secrets of the Deep, p 7m Smart Set, June, 1914 
 
 STANWOOD, Louie R. 
 
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 STERLING, George 
 
 *The Dryad, p im 2w Smart Set, Feb., 1919 
 
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 STEVENS, Wallace 
 
 Three Travelers Watch a Sunrise, p 5m iw i 
 
 Poetry, July, 191 6, .15 
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I'l.AVS OF THE LITTLE THEATRE 63 
 
 STRAMM, August 
 
 ♦The Bride of the Moor, p 4m 2w 
 ♦Sancta Susanna, p im 3W 
 
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 STRATTON, Charles 
 
 The Coda, p im 2w Drama, May, 1918 
 
 STRINDBERG, August 
 
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64 PLAYS OF THE LITTLE THEATRE 
 
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PLAYS OF THE LITTLE THEATRE 65 
 
 TERRELL, Maverick 
 
 Honi Sorr. s im iw Smart Set, Jan., 1918 
 
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66 PLAYS OF THE LITTLE THEATRE 
 
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 The Slacker, p 2m 7W Baker, .25 
 
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 *The Babylonian Captivity, d im j\ 
 In Bechofer: Five Russian Plays. 
 URCHLICKY, Jaroslav 
 
 *At the Chasm, p 2m iw Poet Lore, Autumn, 1913 
 
 VIERECK, Geo. S. 
 
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PLAYS OF THE LITTLE THEATRE 67 
 
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 Smart Set, June, 1913 
 
68 PLAYS OF THE LITTLE THEATRE 
 
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 •Tchekov, A. The Sea Gull. See Author 
 *Evreinov, N. See Bechofer: Five Russian Plays 
 *Porto-Riche. Lovers' Luck. See Clark: Plays for 
 
 the Free Theatre 
 *Izumo, T. The Pine Tree. Bushido. See Author 
 *Massay, E. Plots and Playwrights, c nm 6w 
 
 Little, 1. 00 
 
 *M0LIERE. SGANARELLE. DOCTOR IN SPITE OF HIM- 
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 ♦The Lady with the Mirror, a 2m 2w 
 
 Drama, Aug., 1918 
 
 ♦Dawn, p 2m iw Drama, Feb., 1919 
 
 ♦Funiculi Funicula. p 2m iw 
 
 In Mayorga's "Representative One Act Plays." 
 
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 WELSH, Robert Gilbert 
 
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 WILCOX, Constance 
 
 Told in a Chinese Garden, p 10 characters 
 
 Drama, May, 1919 
 
PLAYS OF THE LITTLE THEATRE 69 
 
 WILDE, Oscar 
 
 Salome, d nm 2w Several editions 
 
 Birthday of the Infanta 
 
 WILDE, Percival. Dawn and other One Act Plays 
 ♦Dawn, d 2m iw ij 
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 ♦The Traitor, d 7m 
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 ♦Finger of God. p 2m iw 
 
 Six plays in one volume Holt, 1.35 
 
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 ♦According to Darwin, p 3m 2w 
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 Five plays in one volume Holt 
 
 Line of No Resistance, c im 2w French, .25 
 
 Saved, p 9m iw Smart Set, July, 1915 
 
 WILEY, Sara King 
 
 Patriots, c 3m 2W French .25 
 
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 First Series 
 ♦Gale, Z. The Neighbors, d 2m 6w 
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 ♦Leonard, W. E. Glory of the Morning, p 3m 2w 
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 ♦Illsey, S. M. Feast of the Holy Innocents, p sw 
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 Four plays in one volume Huebsch, 1.50 
 
 WOLFF, Oscar M. 
 
 Where but in America, c im 2w 
 
 Smart Set, March, 1918 
 WORLD'S BEST PLAYS, The. Edited by Barrett H. Clark 
 ♦Coppee, Francois. Pater Noster. p 3m 3W 
 ♦Meilhac and Halevy. Indian Summer, c 2m 2w 
 ♦Maurey, Max. Rosalie, c im 2w 
 ♦Hervieu, Paul. Modesty, c 2m iw 
 
70 PLAYS OF THE LITTLE THEATRE 
 
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 ♦Tchekof, Anton. The Boor, c 2m iw 
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 ♦Augier, Emile. The Post Scriptum. c im 2w 
 ♦Moliere. The Doctor in Spite of Himself, c 6m 3W 
 *deCaillavet, G. A. Choosing a Career, c 
 ♦Bernard, Tristan. French Without a Master, c 5m 2W 
 *Meilhac and Halevy. Panurge's Sheep, c im 2w 
 *Benedix, Roderich. The Law Suit, c 5m 
 ♦Benedlx, Roderich. The Third Man. c im 3W 
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 ♦Moliere. The Affected Young Ladies, s 6m 3W 
 ♦Bernard, Tristan. I'm Going! c im iw 
 ♦Feuillet, Octave. The Fairy, c 3m iw 
 ♦Feuillet, Octave. The Village, c 2m 2w 
 *Labiche. Grammar, c 4m iw 
 *Labiche. The Two Cowards, c 3m 2w 
 *Lesage. Crispin, His Master's Rival, c 4m 3W 
 *Marivaux. The Legacy, c 4m 2w 
 ♦Gyalui, Wolfgang. After the Honeymoon, c im iw 
 ♦Bouchor, Maurice. A Christmas Tale, p 2m 2w 
 ♦France, Anatole. Crainquebille. 3 scenes, p 12m 6w 
 ♦Theuriet, Andre. Jean Marie, p 2m iw 
 ♦Picard, L. B. The Rebound, c 5m 2w 
 ♦Aristophanes. Lysistrata. s 4m 5W ij 
 
 Published by French, each, .25 
 
 WYNNE, Anna 
 
 The Broken Bars, p 10m iow French, .25 
 
 YEATS, William Butler 
 
 ♦The Countess Cathleen 
 ♦The Land of Heart's Desire 
 ♦The Shadowy Waters 
 ♦The King's Threshold 
 ♦On Baile's Strand 
 
 ♦Deirdre Macmillan 
 
 ♦The Green Helmet Macmillan 
 
 ♦Where There Is Nothing Macmillan 
 
 ♦The Hour Glass 
 
plays of the little theatre 71 
 
 ♦Cathleen In Houlihan 
 
 *A Pot of Broth . ><4 Macmillan 
 
 In the Seven Woods Macmillan 
 
 YEHOASH 
 
 ♦The Shunamite. p 3m iw Stratford, June, 1919 
 
 YIDDISH THEATRE: SIX PLAYS FOR 
 
 First Series 
 
 ♦Pinski, D. Abigail. 7m iw 
 
 ♦Pinski, D. Forgotten Souls, ira 2w 
 
 Aleichem, S. She Must Marry a Doctor. 3m 4W 
 
 Ash, S. Winter, im 6w 
 
 Ash, S. The Sinner. 9m iw 
 
 Hirschbein, P. In the Dark. 3m 2w 
 
 Six plays in one volume 1.50 
 
 Second Series 
 
 Pinski, D. Little Heroes, p 6j 
 Pinski, D. The Stranger, p 9m 6w 
 Hirschbein, P. On the Threshold, p 4m 2w 
 Levin, Z. Poetry and Prose, p im iw 
 Kobrin, L. Black Sheep, p 3m 2w 
 Kobrin, L. The Sweet of Life, p 2m iw 
 
 Six plays in one volume Huebsch, 1.50 
 
 YOUNG, Sir C. L. 
 
 Drifted Apart, p im iw Baker, .15 
 
 The Baron's Wager, c im iw Dramatic, .15 
 
 YOUNG, Stark. At the Shrine and other Plays 
 ♦Addio. p 3m iw 
 ♦Madretta. p 2m iw 
 ♦At the Shrine, p im iw 
 
 Three plays in one volume Shay, .75 
 
 ZANGWILL, Israel 
 
 Six Persons, c im iw French, .25 
 
 Great Demonstration, c 2m iw French, .25 
 
 BIBLIOGRAPHIES 
 
 Actable One Act Plays Chicago Public Library, 1916 
 
 A List of Plays and Pageants. Prepared by the 
 Committee on Pageantry, War Work Council, 
 Young Woman's Christian Associations. 1919 ... .Gratis 
 Plays for Children. A ranged by Kate Oglcbay. 
 Drama League of America. Chicago. 1915 25 
 
72 
 
 PLAYS OF THE LITTLE THEATRE 
 
 Plays for Amateurs. Arranged by John Mantel 
 Clapp, Drama League of America. Chicago. 1915.. .25. 
 
 Guide to Selecting Plays for the use of professionals 
 and Amateurs. By Wentworth Hogg. French. 1916 .2$ 
 
 The Dramatic Books and Plays. An annual com- 
 pilation by Henry Eastman Lower and George 
 Heron Milne. Boston Book Co each, .501? 
 
 Bibliography of Published Plays and other Dra- 
 matic Literature. Revised to 1915. Arranged by 
 H. Newkirk Clugston. World Drama Prompters. 
 La Jolla, Cal. Out of print 
 
 oct m %m 
 
 JUL 20 192£ 
 
-••■>"•■ 
 
 .'• 
 
 4-2^37? 
 
 YB 5317! 
 
 THE UNIVERSITY OF CALIFORNIA LIBRARY