John Ry lands Li^ '.talogue of the Works of Dante Ali^^hieri J THE JOHN RYLANDS LIBRARY EXHIBITION OF THE WORKS OF DANTE ALIGHIERI Digitized by tine Internet Archive in 2007 witii funding from IVIicrosoft Corporation http://www.arcliive.org/details/catalogueofexhibOOjoliniala / THE JOHN RYLANDS LIBRARY^ MANCHESTER! : Catalogue of an EXHIBITION OF THE WORKS OF DANTE ALIGHIERI, SHOWN in the main LIBRARY FROM MARCH TO OCTOBER, MCMIX PRINTED BY ORDER OF THE GOVERNORS: SOLD AT THE UNIVERSITY PRESS, 34 CROSS STREET, MANCHESTER, AND BY MESSRS. SHERRATT & HUGHES, SOHO SQUARE, LONDON, W.C. MCMIX Tuscan, that wanderest through the realms of gloom, With thoughtful face, and sad, majestic eyes, Stern thoughts and awful from thy soul arise, Like Farinata from his fiery tomb. Thy sacred song is like the trump of doom ; Yet in thy heart what human sympathies. What soft compassion glows, as in the skies The tender stars their clouded lamps relume! Methinks I see thee stand, with pallid cheeks, By Fra Hilario in his diocese. As up the convent-walls, in golden streaks, The ascending sunbeams mark the day's decrease; And, as he asks what there the stranger seeks Thy voice along the cloister whispers, " Peace I " — H. W. Longfellow. PQ f330 X6/3 PREFATORY NOTE. 'T~'HE exhibition of the works of Dante Alighieri, of which * a descriptive catalogue will be found on pages 1-44, has been arranged, prim£uily, in connection with the visit to the library of the members of the Manchester Dante Society, many of whom may be still unaware of the wealth of material which is available to them here, for the study of the poet in whose honour the society was founded. The purpose for which exhibitions of this chciracter are undertaken from time to time, is to reveal to students, and to the public generally, something of the riches of the col- lections which have made the library famous in the world of letters, and which, at the same time, have helped to make Manchester a centre of attraction to scholars from all parts of the world. It is hoped, therefore, that the present exhibition may be of service, not merely to those in whose interest it was ostensibly arranged, but also to a much wider circle of students of litera- ture in general. To that end, it will remain on view until the month of October. It is impossible within the limits of a short prefatory note to convey anything like an adequate idea of the range of the collection from which the exhibits are selected, but it seems desirable to indicate, in a few words, something of its scope and character. The library contciins five manuscripts and nearly 6,000 printed volumes and pamphlets relating to Dante. The 1438115 PREFATORY NOTE. nucleus of this collection, including the rarest and the most important of the early editions, formed part of the Althorp Library, which was purchased by Mrs. Rylands in 1892, from Earl Spencer. These have been added to from time to time, by the purchase of other groups of copies, together with a considerable collection of the modern literature of the subject. One of the most recent purchases was the dated manuscript of the " Divina Commedia " which is shown in the first case. Of the five manuscripts the three most important are ex- hibited. The first is a copy of the " Canzoni" written in the latter part of the fourteenth century for Lorenzo degli Strozzi. It is ornamented with large initial letters and illuminated borders, containing portraits of Dante and of his inamorata. The second is a copy of the " Divina Commedia " containing a number of variants from the common text, made by B. Landi de Landis, of Prato, of whom nothing is known. The third is a sixteenth-century copy of the " Divina Commedia," with the ' ' Credo " and other poems at the end, which at one time was in the possession of Cavaliere S. Kirkup. Of the printed editions the three earliest folios of the '* Divina Commedia " are exhibited, printed in the same year (1472) at Foligno, Mantua, and Jesi respectively. The only serious gap in the collection is the fourth folio, undated, but which issued from the press of Francesco del Tuppo at Naples between the years 1473 and 1475. Of this edition not more than three or four copies cire known to have survived, three of which are already locked up in national or public libraries. With this exception, the entire range of the ecirly and principal critical editions of the text of Dante's great poem is represented. Of the first illustrated edition of the " Divina Commedia," which has also the distinction of being the only one printed in Florence during the fifteenth century, one of the two copies exhibited is believed to be the only copy contciining twenty PREFATORY NOTE. of the engravings, ssdd to have been executed by Baccio Baldini. The entries in the catalogue are fully annotated, so that further reference to the interesting features and peculiarities of many of the editions show^n seems to be unnecessary. The descriptions as printed, are, as far as they are given, ccirefully exact transcripts of the opening lines, colophons, or title-pages of the respective volumes. The upright bars are intended to indicate the actual cirrangement of the lines in the originals. Prefixed to the catalogue will be found a hurriedly pre- pared diary of the principal events connected with the life and writings of Dante, whilst in an appendix will be found a list of a selection of works on the study of Dante, which may be consulted in the John Rylands Library. It remains only for me to say that I am indebted to my colleagues, Mr. Guthrie Vine, Mr. Peacock, and Mr. Nuttall for much help in the arrangement of the exhibition and in the preparation of the catalogue. But for their ready help it could scarcely have been accomplished. HENRY GUPPY. The John Rylands Library, 13th March, 1909. CONTENTS. Prefatory Note Diary of the Principal Events connected with the Lite and Writings of Dante --xi Case 1 1 2 5 3 10 4 14 5 21 6 27 7 29 8 33 9 - - - 37 10 42 Selection of the Works on the Study of Dante in the John Rylands Library 45 List of Trustees, Governors, etc. --51 Rules and Regulations 53 A DIARY OF THE PRINCIPAL EVENTS CONNECTED WITH THE LIFE AND WRITINGS OF DANTE ALIGHIERI. 1 265. Birth of Dante. 1 266. Birth of Beatrice. 1274. Dante's first sight of Beatrice. 1 283- First salutation from Beatrice, after which Dante writes his first sonnet. 1283-91. Writes the "Vita nuova". 1 290. Death of Beatrice. 1 296 (not later than). Marriage to Gemma Donati. 1 300. Dante elected one of the priors of Florence. 1302. Dante exiled. 1307-09. Composes the " Convito ". 1 3 1 4-2 1 . Writes the " Divina Commedia ". 1 32 1 . Death of Dante at Ravenna. 1321-33. Jacopo della Lana writes his commentary on the " Divina Commedia ". c. 1 363. Boccaccio writes his life of Dante. 1374. Benvenuto Rambaldi d'Imola commences his commentary on the "Divina Commedia* in the form of lectures at Ravenna. 1 472. The first printed editions of the " Divina Commedia " issued at Foligno, Jesi, and Mantua. 1481. The first illustrated edition of the "Divina Commedia" printed at Florence, with the commentary of Christoforo Landino completed in the previous year. 1490. The first printed edition of the "Convito," issued at Florence. A DIARY OF THE PRINCIPAL EVENTS. 1 508. First edition of the " Quaestio de aqua et terra," printed at Venice. 1518. First edition of the "Canzoni". 1529. First edition of Trissino's Italian version of the treatise, " De vulgari eloquentia ". 1559. First pubhcation of the treatise " De Monarchia " in the work of Alciati " De formula Romani imperii libellus ". 1576. First edition of the "Vita nuova" published at Florence. 1577. First Latin edition of the " De vulgari eloquentia". CASE 1. 1. DANTE ALIGHIERI [Canzoni]. Manuscript, 14th CENT. Dante Alighieri [Canzoni]. On vellum. 14th cent. 8vo. The colophon reads : " Beatissimi spetiosiq3 hui' volumis adepto fie. | laus sit et gl'a deo. qui Lauretio karoli de strozis | qui ip3 fieri fecit, pauloqj scriptori eiusde. fe I licej tribuat uitaj per tpa longiora. Amen : — j The first half of this manuscript is occupied with the poems of Petrarch, written by the same hand as the Canzoni of Dante. It was executed either during the lifetime of Petrarch, or immediately after his death. Ornamented with large initial letters and three illuminated borders, containing portraits of the poets and their inamorate, with the arms of the Strozzi emblazoned at the foot of the first two borders. 2. DANTE ALIGHIERI [DiviN A CoMMEDiA]. Manu- script. 1416. Dante Alighieri [Divina Commedia]. On paper. 1416. 4to. A manuscript of the Divina Commedia containing a number of variants from the common text. It has not yet been studied by any editors of Dante. The colophon reads : " Explicit Tertia et ultima Comedia Dantis allegherij ] Florentini Poete Excellentissimi : THE JOHN RYLANDS LIBRARY. — I Scripta fuit p me bartoIomeu5 landi de landis j de prato notm Et conpletu fuit die xxviiij | Junij Ano Mccccxvj Indictioq^ viiij : — | Of the transcriber of the manuscript nothing is known. There are a number of comments in the margin written in a smaller hand, but probably by B. Landi de Landis. The end of the volume is filled with a number of passages transcribed, or translated, from various classical writers. 3. DANTE ALIGHIERI [Divina Commedia]. Manu- script, 16th cent. Dante Alighieri [Divina Commedia]. On paper. i6th cent. 4to. A meinuscript written in double columns. With the Credo cind other poems at the end. At one time in the possession of Cavaliere S. Kirkup. 4. DANTE ALIGHIERI [Divina Commedia]. [Foligno], 1472. [Begin ;] Comincia La Comedia Dl | dante alleghieri di fiorenze nella qle tracta | delle pene et punitioni de uitii et demeriti { et premii delle uirtu . • . | Etc. [Colophon :] Nel mille quatro cento septe et due | nel quarto mese adi cinque et sei | questa opera gentile impressa fue | lo maestro lohanni Numeister opera dei | alia decta impressione et meco fue | Elfulginato Euangelista mei :. | [Foligno :] J. Numeister, 1472, Fol. There is some doubt as to the priority in the publication of the three editions of the " Divina Commedia " printed in 1472 at FoHgno, Mantua, and Jesi, re- CASE 1. spectively, but this edition, printed at Foligno, is now generally regarded by bibliographers as the earhest. The difficulty arose from the different methods of computing the year, which were in vogue in various Italian cities during the fifteenth century. The question is : which was the quarto mese? At Rome, Milan, and else- where the year began at Christmas, while at Venice the first of the year corresponded with the first of March. Certain authorities believe that at Foligno the beginning of the year was reckoned from the 25 th of December. In which case the publication of the Foligno edition may be placed in the month of April. That there were at least two impressions of this edition is revealed by Sir A. Panizzi in Lord Vernon's " Le prime quattro edizioni della Divina Commedia," 1 858, where reproductions are given, of the first page of the two copies in the British Museum, described as the " Grenville copy " and the " George iii. copy ". A comparison of the two copies shows a number of variants. The present copy follows the " Grenville copy " readings and belongs without question to the first impression. The opening lines of the poem show a variant. The " Grenville copy " and the ** John Rylands copy " read : " [N] El mezo declamin dinra uita mi trouai puna selua oscura — che la diricta uia era smarrita." The George iii. copy reads : " [N] El mezo declamin dinra uita mi ritrouai p una selua oscura che la diricta uia era smarrita." Two passages : Paradiso XX, 49-54 and XXI, 46-48 are omitted in this edition. The same passages are omitted in the Naples edition of 1473 or 1474. THE JOHN RYLANDS LIBRARY. 5. DANTE ALIGHIERIp VINA CoMMEDiA]. [Jesi].1472. [Begin :] [N]el mezo del camin di nostra uita | Etc. [Colophon:] Explicit. Liber. Dantis. Im- | pressvs. A Magistro. Fede | rico. Veronensi. M.CCCC. | LXXII. Qvintodecimo. A= | lendas. Avgvsti. | [Jesi :] Federicus Veronensis, 1472, 4to. *^* An edition of great rarity, but presenting a very in- accurate text. 6. DANTE ALIGHIERI [Divina Commedia]. Mantua, 1472. [Begin : Prefatory letter in verse.] Capitulo di columbino Veronese al No- | bile e prestatissimo huomo philippo Nu- I uoloni. I [Fol. 2 recto:] Dantis Aligerii Poetae | Florentini Inferni Ca- | pitvlvm Primvm Incipit. | [Colophon :] MCCCCLxxII. | Magister georgius & magister paulus teu- | tonici hoe opus mantuae im- presserunt ad | iuuante Columbino ueronensi. | Mantuce : Georgius & Paulus Teutonici, 1472, Fol. *^* There is a miniature at the commencement of each part of the Divina Commedia, that to the Inferno being a portrait of Dante. At the foot of the same page is also another miniature. The illuminated portrait referred to is identical with the engraved one found on the title-page of the Venetian edition of 1 564 which is known as the edition " al gran naso ". They are doubtless both copies of a common original. 7. DANTE ALIGHIERI [Divina Commedia]. London, 1858. Le Prime | Quattro Edizioni Delia | Divina Commedia | Letteralmente Ristampate | PerCuraDi | Q.G.Warren Lord Vernon. | Londra \ Presso ToTnmaso E. Guglielmo Boone | MDCCCLVIII I Fol. CASE 2. *^* Edited by Sir A. Panizzi. With facsimiles. The four editions are those of Foligno, 1472, Jesi, 1472, Mantua, 1472, and Naples, c. 1475. The four texts are printed in the four quarters of each page. This edition is shown, as the Library is unable to exhibit the Naples edition. 8. DANTE ALIGHIERI [Divina Commedia]. Naples, 1477. [Begin .] Incominciano Le Cantiche | Dela Comedia Di Dante Al | leghieri Firentino. Canti | ca Prima Delo Inferno. | [Colophon ;] Finisse la tertia & ultima Com- edia di I Paradise, delo excellentissimo poeta | laureato Dante : alleghieri di firenze. | Impress© nela magnifica cipta di Na { poli : cu ogni diligentia & fede. Sotto | lo inuictissimo Re Ferdinando inclito | Re de Sicilia. &ct. Adi XII. dil mesa | di Aprile, M.CCCC.LXXVII. | Lavs Deo | Napoli, 1477, Fol. *^* A very rare edition. The type employed in it strongly resembles that used for a few books by Ayolfus de Cantono at Naples about fifteen years later. CASE 2. 1. DANTE ALIGHIERI [Divina Commedia]. [Venice], 1477. [Begin :] Qui comicia la vita e costumi dello excellete | Poeta vulgari Dante alighieri di Firenze | honore e gloria delidioma Fiorentino. Scri | pto e composto per lo famosissimo homo | missier giouani Bocchacio da cer- taldo. . • . I Etc. Sig. a2 [fol. 17, recto :] [Rjubriche di Dante. Et prima inla | prima parte dello inferno. In THE JOHN RYLANDS LIBRARY. CO- I mincia la coinedia di Dante alii- | ghieri difirenze Nellaquale tracta di pene | et punimenti de vitii t de- menti tp remii | delle virtudi. | Sig. [PP7 verso, col. 2 :] Paradisus tertia t ultia ps comedie da | tis allegierii eximii poete vulgaris feliciter | explicit. | Sig. [PP8 recto .] Questo capitolo fece messer Busone da | gobbio il quale parla sopra tutta la Com | media di dante al- leghieri di firenze | [Colophon :] Finita e lopra delinclito t diuo | dante alleghieri Fiorentin poeta | lacui anima sancta alberga lieta | nel ciel seren oue sempre il fia uiuo | Dimola benuenuto mai fia priuo | Deterna fama che sua mansueta | lyra opero comentando il poeta | per cui il texto a noi e itellectiuo | Christofal Berardi pisaurense detti | opera e facto indegno correctore ] per quanto intese di quella i subietti | De spiera vendelin fu il stampatore | del mille quattrocento e settantasetti | correuan glianni del nostro signore | Finis I [Venice :] Vindelinus de Spira, 1477, Fol. *^* This is the first appearance of Boccacio's "Vita di Dante ". The commentary attributed in the colophon to Benvenuto da Imola is now regarded by scholars as the work of Jacopo della Lana. According to Scartazzini the comments ascribed to Jacopo della Lana, " The Anonymous Florentine " and the " Ottimo comento," are in reality but one commentary, which was copied by later commentators, with the addition of little fresh matter. The epithet " Divina " as applied to the " commedia " does CASE 2. not occur in any of the early editions. The first edition to appear as " La divina commedia " was that issued at Venice in 1 555. In the colophon given above one finds the expression " inclito et divo dante alleghieri Fiorentin poeta, ' whilst later editions speak of the " divino poeta Fiorentino," long before they begin to apply the epithet "divina" to the poem itself. 2. DANTE ALIGHIERI [Divina Commedia]. Milan. 1477-78. [Begin ;] Divo Gvilielmo Marchioni Montisferrati : Militiae Svpre I mo Dvci : Sacri Romani Imperii Principi Vicari- oqve Per | petvo. Martinvspavivs Nidobeatvs Novari- ensis. P. F. D. | [Fol. 2. recto .] Al Nome Di Dio. Apparato | Sopra La Comedia Di Dan | ti Aldigferi Excelso Poeta | Fiorentino. | [Fol. 6. recto .] AInome Di Dio. Comincia La | Comedia Di Dante Aldighie | ri Excelso Poeta Firentino | Cantica Prima Appellata | Inferno. Canto Primo Nel | Qvale Si Prohemiza Atvt | ta Lopra [ [Colophon, pt. i :] Finita al noma di dio la prima cantica del glorioso poeta firentino Danti aldi- geri la quale | e chiamata inferno e contiene capitoli. xxxiiii. adi. xxvii. septembre. Mcccclxxvii. in la citta in I civta di milano. ] [Colophon, pt. 2 :] Finita ainome didio la seconda cantica dela comedia di Danti aldi- geri excelso poeta Firentino ] appellata Purgatorio la quale contiene capitoli .xxxiii. adi .xxii. nouembre. Mcccclxxvii. in | la citta inclita di Melano Deo Laudes. | [Colophon, pt. 3, fol. 93 verso ;] Diva. Bo. Ma. cum duici nato. lo. Gz. ducibus feliciss. ligurie ualida pace | regnantibus. operi egregio manum supremam. Lvd. & Alber. pedemontani amico loue | imposuerunt. Medio- lani urbe illustri. Anno gratie. MCCCCLXXVIII. V. Id. F. I .Mp. N. N. Cvm. Gv. T. Fa. Cv. | [Pt. 3, fol. 94 THE JOHN RYLANDS LIBRARY. recto .] Se Qvesto Volvme Di Dante Fosse Tvtto Disperse Et Dissi I pato Potrassi Per la Presente Tavola Racco- gliere Et Or | dinare ... | ... | ... | [End., fol. 94 recto :] Deo Lavs | Mediolani : Ludovicus & Albertus Pedeniontani, 1477-78. Fol. *^* The rulers of Milan referred to in the colophon of pt. 3 were the youthful Duke Giovanni Galeazzo Maria Sforza and his mother Bona Sforza who acted as regent. The initials at the end of the colophon stand for " MartinuS- paulus Nidobeatus Novariensis cum Guidone Terzago faciendum curaverunt ". The text of this edition has always been highly esteemed. 3. DANTE ALIGHIERI [Divina Commedia]. [Venice], 1478. [Begin :^ Dantis Aligerii Poetae Flo | rentini Inferni Capi- tvlvm 1 Primvm Incipit | [Colophon :] Opus impressnm arte & diligetia ma | gfistri philippi ueneti. Anno domini | Mcccclxxviii | Inclyto ueueciarum prTcipe an- drea | Vendramino | [Venice :] Philippus Venetus, 1478. Fol. * * * A very rare edition. 4. DANTE ALIGHIERI [Divina Commedia]. Flor- ence, 1481. [Begin :] Comento Di Christophoro Landino Fiorenti | no Sopra La Comedia Di Danthe AH ] ghieri Poeta Fioren- tino. I Sig. [a. ii recto :] Canto Primo Delia Prima Cantica O Vero | Comedia Del Divino Poeta Fiorentino | Danthe Ale^hieri : Capitolo Primo : | [Colophon :] Fine Del Comento Di Christo- | phoro Landino Fioren | tino Sopra La Comedia Di Dan \ the Poeta* Excellentis | 8 CASE 2. simo. Et Impresso In Firenze | Per Nicholo Di Lorenzo Delia Magna A Di .XXX. Da \ gosto. M.CCCC.LXXXI. j Firenze : Nicholo di Lorenzo, 1481. Fol. *^* The first Florentine edition, and the only one printed in the fifteenth century in that city. This edition is celebrated for the copper engravings accompanying it. These are probably adaptations of a series of drawings by Botticelli preserved in the Berlin Mus- eums, w^hither they passed in 1 882 on the sale of the Duke of Hamilton's collection, and in the Vatican. Although Botticelli was known to have executed designs for the Divina Commedia, these drawings were not recognised as his work until they were acquired by the Berlin Museums, The comparison, which was thus rendered possible between the de- signs of Botticelli and the engravings of the Floren- tine edition, showed that the latter were not direct copies of the drawings, as formerly supposed, but rather free versions of them. The conmion identifica- tion of the engraver with Baccio Baldini, a Floren- tine who, according to Vasari's statement, habitually worked after the designs of Botticelli, can only be regarded as conjectural. This copy is believed to be the only one containing as many as 20 illustrations, being one more than any other copy possesses. This particular engraving is found on Sig. c. ii. in the middle of canto 3, at which the volume is opened. In this copy all the plates with the exception of the one prefixed to the second canto have been printed separ- ately, A number of small omissions occur in the text of this edition. This is the first appearance of Landino's commentary. THE JOHN RYLANDS LIBRARY. 5. DANTE ALIGHIERI[DivinaCommedia]. Florence, 1481. [Another copy.] *^* The two illustrations which this copy contains are both printed with the text. CASE 3. 1. DANTE ALIGHIERI [Divina Commedia]. Venice, 1484. [Begin:] Proemio | Comentodi christophoroLandinofioren- tino sopra la comedia di Danthe alighieri poeta fioren- tino. I Sig. b [recto :] Inferno | Canto Primo Dela Prima Cantica Overo Comedia Del | Divino Poeta Fiorentino Dante Aleghieri Capitolo. I | [Sig. K v verso. Colophon ;] Fine del comento di Christoforo Landino Fiorentino sopra la Comedia di Danthe poeta excellentissimo. | Et impresso in Vinegia per Octauiano Scoto da Monza. Adi .xxiii. di Marzo .M.cccc.Lxxxiiii. | [Sig. K vi recto ;] Registro | [At foot: Printer's device.] Vinegia : Octaviano Scoto, 1484. FoL *^* Most of the passages omitted from the text in the 1 481 edition are also wanting in this one. 2. DANTE ALIGHIERI [Divina Commedia]. Brescia, 1487. [Begin ;] Regisro Di Dante ( Sig. a it [recto ;] . . . | Canto Primo Delia Prima Cantica O Vero Comedia Del bivino I Poeta Fiorentino Danthe Aleghieri : Capitolo Primo. I [Colophon:] Fine Del Comento Di Christophoro Lan I dino Fiorentino Sopra La Comedia { Di Danthe Poeta Excellentissi | mo. Et Impresso In Bressa Per | Boninvm De Boninis Di Ra I gvxi A Di Vltimo Di I CASE 3. Mazo .M.CCCC.LXXXVII. | [Printer's device at left of colophon.] Brescia : Boninvus de Boninis, 1487. Fol. *** With 68 full-page woodcuts. These are coarsely executed by a man who does not seem to have been familiar with the text of Dante. Each canto of the Inferno and Purgatorio is preceded by an illustration ; but in the Paradiso only the first canto has one. As far as Inferno XIX. they appear to have been based on the engravings in the Florentine edition of 1481. In their turn they seem to have been studied by the more skilful cutists who designed the woodcuts for the two Venetian editions of 1 49 1 . At this period the customary way of representing travellers on a journey was to show them in several different positions in the same picture. Examples of this convention appear constantly throughout this series of illustrations. 3. DANTE ALIGHIERI [Divina Commedia]. Venice, 1491 (March). [Begin :] Proemio | Comento di Christophoro Landino Fior- entino Sopra | La Comedia Di Danthe Alighieri Poeta Fiorentino. | Fol. II [recto .] | . . . | Canto Primo Delia Prima Cantica Overo Comedia Del Divino | Poeta Fiorentino Danthe Aleghieri : Capitolo Primo. | FoL CCLXXXXI [verso. Colophon :] Finita e lopa deliclyto & diuo dathe alleghieri poeta fioretio reuista & emedata dilegetemete p el rueredo ] maestro Piero da figio . . ► & ha posto molte co | se i diuersi luoghi che ha trouato macare i tutti edati liqli sono stati stapadi excepto qsti Impressi i uenesia p | Bernardino benali & Matthio da parma & ha achora posto di fora I li margini tutte le historic notade & li | nomi pprii che si trouano i ditta opera fornita de stapar del .MCCCCLXXXI. adi .iil. THE JOHN RYLANDS LIBRARY. marzo como ne | dicti danthi si potra uedere si i lo testo como nela iosa & qsto p neg^ligetia «Sc diffecto di correctori passati. | Registro de questa opera . . . | . . . I . . . I [Col. I :] Qui incomincia il credo di Danthe. | [Fol. CCLXXXXII recto, col. 3, line 2 :] Pater nostro di Danthe. | [Col. 3, line 33:] Aue maria di Danthe. | [Col. 3, at foot : Printer's device.] Venesia : Bernardino Benali & Matthio da Parma, 1491. Fol. ♦ « * There is a full-page woodcut at the commencement of each part of the " Divina Commedia," with smaller woodcuts at the beginning of each canto. These illustrations show traces of the influence of the wood- cuts in the edition of 1 487. The three full-page woodcuts reappear in slightly altered form in the edition of 1493, and the one to the Inferno in 1 497 and 1 507. The smaller ones were used in the editions of 1 493, 1 507 and 1 529, whilst the same designs appeared in an enlarged form in the editions of November, 1491 and of 1497. The small " b " found on a number of the illustrations, which may stand for the name of the designer, or of the engraver, or for the workshop in which they were engraved, occurs in several other Venetian books, in- cluding the famous " Hypnerotomachia " of 1 499. 4. DANTE ALIGHIERI [Divina Commedia]. Venice, 1491 (November). [Begin :] Comento di christophoro Landino fiorentino sopra la comedia di Danthe alighieri poeta fiorentino. | Fol. ii [recto, being the 15th leaf:] Canto Prime De La Prima cantica o uero comedia del diuino Poeta Fiorentino Dante Ale | ghieri. . . . | Fol. 315 [verso. Colophon :] Et Fine del comento di Christoforo Landino Fiorentino sopra la comedia di Danthe poeta excelletissimo. I E CASE 3. impresso in Vinegia per Petro Cremonese dito Veronese r Adi .xviii. di nouebrio .M.cccc.Lxx xxi. | emendato per me maestro piero da figfhino dellordine de frati minori. | [End. sig. r 6 verso ;] Qui finisse lecanzone de danthe. | Vinegia : Petro Cremonese, 1491. FoL *4^* The small woodcuts in the edition of March 149t reappear in this volume in an enlarged form. On the assumption that the year began on March 25, this volume has been sometimes considered to be anterior to that dated March 3, 1491 ; but in Venice the legal year began March 1 , whilst the common practice was to treat it as commencing on the 1 st of January, so that according to either method of com- putation the edition of March, 1491, should take precedence of that dated November, 1 49 1 . 5. DANTE ALIGHIERI [Divina Commedia]. Venice. 1493. Dante alegfieri fiorentino 1 Fol. CCXCIX [recto. Colophon :] Finita e lopa dellinclyto & diuo Dathe alleghieri poeta fioretino reuista & emedata diligetemete p el reue | redo maestro Piero da Figino ... & ha posto mol | te cose 1 diuersi luoghi che ha trouato macare si i lo texto coe nella giosa. Impressa in Venetia per Matheo di | chodecha da parma Del .MCCCCLXXXXIII. Adi .XXIX. de Nouembre. | Fol. CCXCIX [verso, col. 2, line 52 :] Pater nostro di Danthe. | [Col. 3, line 25 :] Aue maria di Danthe. | [Fol. CCC recto :] Registrvm | [Col. 4, line 39. End. :] dallo exilio j Finis. | Venetia : Matheo da Parma, 1493. Fol. *#* With woodcuts, which are reimpressions from the blocks used for the edition issued by the same printer in conjunction with B. BenaH in March. 1491. 13 THE JOHN RYLANDS LIBRARY. 6. DANTE ALIGHIERI [Divina Commedia]. Venice, 1497. Danthealighierlfiorentino. ] Fol. CCXCV II [recto. Colophon:] Fine del comento di Christoforo Landino Fiorentino sopra la Comedia di Dathe poeta excellentissimo | reuista & emendata diligetemete per el reueredo maestro Piero da Figino ... | ... & ha posto molte cose in diuersi luoghi che ha trouato macare si i lo tex | to come nella giosa. Impressa in Venetia per Piero de zuanne di quarengii da palazago bergamasco. Del | M.CCCC.LXXXXVn. Adi .XI. octubrio. | [Col. i :] Qui comincia il credo di Danthe. | Fol. CCXCVII [verso, col. 3, line 52 :] Pater nostro di Danthe. | [Col. 3, line 25:] Aue maria di Danthe. | [Fol. CCXCVIII recto:] Registro | [Col. 5, line 31. End. ;] da lo exilio | Finis | Venetia : P. di Quarengi% 1497. Fol. *** With woodcuts. This edition is a mere copy of that of 1 493. CASE 4. i. DANTE ALIGHIERI [Divina Commedia]. Venice, 1502. Le Terze Rime | Di Dante. [ [Verso of t.-p. :] Lo 'Nferno E 'L Pvrgatorio | E 'L Paradiso | Di Dante Alaghieri. | [Colophon:] Venetiis In Aedih. Aldi. \ Accvratis- sime. 1 Men. Avg. | M.DII. | 8vo. *^* Printed on vellum. On the verso of the last leaf is the device of Aldus, with his name Al dvs. Renonard believed this to be the first volume in which the device appeared, but Dr. Christie was inclined to assign the priority to the second volume of the " Poetae Christiani veteres ". 14 CASE 4. Printed in the Italic type, first employed by Aldus for the Vergil published in the previous year, this was the first edition of Dante in a convenient and port- able form. According to Scartazzini this edition, which was based on a somewhat late codex, practi- cally fixed the text for three centuries. 2. DANTE ALIGHIERI [Divina Commedia]. [Lyons, 1502 or 1503.] Le Terze Rime | Di Dante. | [Verso of t.-p. :] Lo 'Nferno E 'L Pvrgatorio J E 'L Paradise | Di Dante Alaghieri. | [Lyons, 1502 or 1503.] 8vo. *^* A counterfeit of the Aldine edition of 1 502, issued without any indication of place, printer or date. In this edition the last quire — " g " — consists of 1 2 leaves ; in the Aldine "g" only contains 8 leaves and is followed by " h " comprising 4 leaves. 3. DANTE ALIGHIERI [DiviN A Commedia]. Florence, 1506. — 1 -^2 U) 1 — , r 1^ — tx) PQ ^330 J6l3c