THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES £\.l.» I Q Monumental Brasses in Shropshire, BY MILL STEPHENSON, B.A., F.S.A. Reprinted from The Archaeological Journal, March, 1895. LONDON: HARRISON AND SONS, ST. MARTIN'S LANE, Printers in Ordinary to Her Majesty. 1895. [Reprinted from The A rchsological Jottrxat., March, 1895.] MONUMENTAL BRASSES IN SHROPSHIRE. By MILL STEPHENSON, B.A., F.S.A. [Read at Shrewsbury, July 25th, 1894.] Shropshire, although large in area, does not contain many examples of this class of monument. Twenty brasses with effigies and one inscription with devices have been noticed, but others may still be found, especi- ally in the remoter districts. The brasses of the county as at present known, may be roughly divided as follows : — Armed figures alone „ ,, with ladies Civilians alone ,. with ladies Ecclesiastics Ladies alone Miscellaneous 1 4 3 5 4 2 2 21 Inscriptions only are not included, some few are given, but the list is not complete. The effigies at Harley, Tong (Ralph Elcok. 1510), and Withington exhibit marked peculiarities and are probably the work of some local artists, possibly of a school of metal-workers established at Coventry in the adjoining county of Warwick during the latter half of the fifteenth century. Much of their work may be found in the counties of Northampton, Stafford, and Warwick. The fine brass at Acton Burnell may possibly belong to this class, but in this case a northern origin must be looked for, and in all probability it may be attributed to the earlier provincial school established either in Lincolnshire or Yorkshire, more probably the latter, at the close of the fourteenth century. Nothing is known of the history of these local engravers except in the case of Norwich where some trace of a family named Brazier, bellfounders and braziers, has a 48 MONUMENTAL BRASSES IN SHROPSHIRE. come down to us. At Upton Cressett on a late brass, 1640, there occurs a maker's name, "E. Grigs, sculpsit," but this is the only instance which has been noticed in the county. The finest military figures are those at Acton Burnell to Sir Nicholas Burnell, 1382, and at Tong to Sir William Vernon, constable of England, 1467. The later examples at Harley, c. 1475, and Withington, 1512, belong to the local school. At Adderley is a very late example of date 1560. The earliest figure of a civilian is that of William Mayn- waryng, 1497, at Ightfield, all the other seven examples belong to the last half of the sixteenth century, and pre- sent no points of interest. Of ecclesiastics there are four examples, but one, unidentified, either an abbot or a bishop, c. 1390, at Adderley, is of great interest. The mitred head and the inscription are unfortunately lost, the vestments are the amice, albe, dalmatic, maniple, and chasuble, but neither the tunic, stole, sandals, nor gloves appear. In the right hand is a crozier, and in the left a book. All attempts at identification have so far failed. At Tong is a small figure to Ealph Elcok, 1510, a brother of the college, in cassock, surplice, and almuce. This brass is of local origin, and the inscription is somewhat blundered. In the same church is a fine figure to Sir Arthur Vernon, warden of the college and rector of Whitchurch, 1517, representing him in the dress of a master of arts of the University of Cambridge. Above the figure is a pretty little chalice with a rayed wafer inscribed with the letters " Ihc." The last of the series is a figure in cassock, surplice, almuce, and cope, to Adam Graffton, " the most worshipful priest living in his days," but somewhat of a pluralist according to the inscription. Amongst his many preferments he was parson of Withington and was there buried in 1530. Of ladies alone there are two fine examples, one at Burford, unfortunately mutilated, to Dame Elizabeth Cornewaylle, c. 1370, and one at Ightfield to Dame Margery Calveley, widow of Philip Egerton, she died in 1509, but the brass was engraved in her lifetime, c. 1495, after her marriage with her third husband, Sir Hugh Calveley. This brass has a fine triple canopy with a MONUMENTAL BRASSES IN SHROPSHIRE. 49 curious figure of St. John the Baptist on the centre finial. Of ladies accompanying their husbands the fine figure of Lady Vernon at Tong is a good example of a widow's costume. At Harley is an example of the butterfly head- dress, but the rest of the series calls for no special com- ment. At Edgmond is a curious brass to Francis Yonge, 1533, representing him in a shroud, whilst his wife Anne, who predeceased him, is in ordinary attire. At Clun is an inscription, on a quadrangular plate, to Sir Eobert Howard, K.B., 1653, with a running pattern of flowers and leaves with various devices in the angles. Of canopies there are but two examples, at Acton Bur- nell, 1382, and at Ightfield, c. 1495 ; the former is a single canopy of the cinquefoiled ogee shape, and is an early example of the use of groining, the head of the figure being carried into the midst of the groining. The latter is triple, but of debased character with much ornament and heavv crockets. Heraldry is well represented on the Vernon brasses at Tong ; early examples of shields also occur at Burford, and at Edgmond there was until recently a shield bearing the emblems of the Passion. The arms of the town of Coventry appear on the Onley brass at Withington. An account of the brasses in the destroyed church of St, Alkmund, Shrewsbury, is attempted, principally drawn from Owen and Blakeways History of Shrewsbury, and from a manuscript in the British Museum, viz., Add. MSS. 21, 236-37. Draivings of Monuments and Inscriptions front churches and chapels in Shropshire, executed by the Rev. Edicard Williams, 1792-1803, with indexes, 2 vols., paper, folio. The writer is indebted to the Eev. T. Auden, F.S.A., chairman of the council of the Shropshire Archasological Societv, to Mrs. and Miss Auden, the Eev. J. E. Field, the Eev. E. M. Serjeantson, and to other friends for the loan of rubbings and for much kind assistance in the prepara- tion of this paper. a 50 MONUMENTAL BRASSES IN SHROPSHIRE ACTON BUENELL. I. Sir Nicholas Burnell, 1382. Full length effigy in complete armour of the " camail " period ; the bascinet is acutely pointed and to it is attached by laces the camail, the hawberk also of mail is covered by the jupon, whilst the shoulders are defended by epau- lieres composed of overlapping plates, the arms by bras- sarts and vambraces, the elbows by coutes, and the hands by gauntlets. The thighs, knees, and legs are protected by plate alone, the sollerets are extremely pointed and have rowel spurs buckled over the instep. At the feet is a very fine lion, the sword is suspended diagonally behind the body from a richly ornamented bawdric and to it on the right hand side, in front of the body, is fastened the misericorde or dagger. A good single canopy of the cinquefoiled ogee shape surrounds the figure, it has, for this early date, the unusual feature of groining and the head of the figure is carried into the centre of this groining. The bases of the pinna- cles are ornamented with wolves' heads and the base of the canopy itself, with large quatrefoils filled with foliage. The inscription, in three lines black letter, is at the head of the canopy and not as usual under the effigy. It reads : — ^tc facet cms Jflicfjus 33ttnteII miles tins iBe J)olgot' qut obttt xix° trie ^anuaritj&nno HBnT jSlmo (MODma %xxxii° GTui ate ppfcfet' tis am. Two shields of arms and parts of the finials of the canopy are lost. The brass lies on a high tomb in the north transept The figure is 46 inches in height and the size of the whole composition is 6 ieet 6 inches by 2 feet. It has been engraved in The Archceological Journal, vol. ii, p. 329 ; BoutelVs Monumental Brasses and Slabs, p. 54 ; The Oxford Manual of Brasses, p. 70 : and Haines Manual, Introd., p. 138. brbolgac qui olnir ^Eit a tnciamiain } Smio • — .. .** ' iii«--»-. ' '0 .:. vr— -■ ■■'.As— ''-c± ', JO- SIR NICHOLAS BURNELL, Knt. 1382. ACTON BURNELL, SALOP. MONUMENTAL BRASSES IN SHROPSHIRE. 51 Maud Burnell, the heiress of the Burnell estates, married for her second husband John de Handlo, who died in 1346, leaving one son, Sir Nicholas, who assumed his mother's name and eventually succeeded to the estates. For an account of Sir Nicholas' controversy with Eobert de Morley concerning his right to bear the Burnell arms, see the Archceological Journal, vol. ii, p. 330. IL Elisa Whitney, c. 1650. Inscription only. Size of plate 21 by 7 inches. Eesvrgam. Filia Doctoris Bright, lohitney chara marita Dormit Elisa solo corpore, mente polo Lucida nubae viae, patriae splendor e refulget. Gandoris plenam vestit et alba stola. Now mural. Chancel. III. Margaret Smyth, 1655. Inscription only. Size of plate 13 J by 6 J inches. HERE LYETH THE BODY OF MARGARET SMYTH THE WIFE OF THOMAS SMYTH OF RVCKLEY GEN: BEING THE ELDEST DAUGHTER OF THOMAS UNTON OF DREYTON ESQ: SHE DEPARTED THIS LIFE THE 5 TH OF FEBRUARY 1655 BEINGE 54 YEARES OF AGE. She had one son 13 years of age the 22th of February, 1655. Now mural. Chancel. 52 MONUMENTAL BRASSES IN SHROPSHIRE. IV. Martha Trovell, 1660. Inscription only. Size of plate 15 by 6^ inches. i : am : svre : that : my : redeemer : liveth : and : HE : SHAL : STAND : THE : LAST : ON : THE : EARTH : AND : THOVGH AFTER : MY : SKINNE : WORMES : DISTROY : THIS : BODY : yet : shal : I : see : GOD ; in : my : flesh : whom : I : my- selfe : shall : see : and : my : eyes : shall : be : hold : and : NO : other : for : me : thovgh : my : reins : are : consvmed : with : tn : me : martha : trovell : VlRGO : FOURE : SCORE : AND : NEINE : OF : AGE : IN : MARCH : LAST : 1660. Now mural. Chancel. ACTON SCOTT. Thomas Mytton, and wife Elsabeth, 1571. Effigies kneeling at prayer desks on which lie open books and on the side panel of each desk is a lozenge enclosing a skull. Thomas Mytton, " a gentle by race " is in civil costume and behind him are the kneeling figures of his nine sons. His wife Elsabeth, a daughter of Sir Edward Gryvell, " a Warwykeshere knight," wears the " Paris Hede ", a small ruff and an overgown with turned back collar and short sleeves puffed at the shoulders, the gown is confined round the waist by a girdle. Behind her are the kneeling figures of her two daughters in similar dresses. MONUMENTAL BRASSES IN SHROPSHIRE. 53 Below the figures is a black letter inscription in eleven lines :■ — W^m Igctft cntombcij m clane tfjc carcase of lEIsabctfj JttMton tobo late foas tfje fonffe of 2H)omas JWjjtton a (Senile by race torjtfj issue alcben goo blcssctr tfjetr Inffc ^fjerj gjoijrtr together anfc liffc Ictto arigfjt trcscenticcJ of Clientrrjc, anb bougrjt 9 sfjc toas of §br lEbfoarb CSrnbcU a S^artmiKesfjcre fcnigbt £bfje yclbctr bcr brcatfj anci enbcc& f)cr race tfje alebentfj of marcb anb rjc gerc of grace a tfjousanb fijbc bunbrcb sebentge anS one to fobomc golf grant a ^opfull resurrection. The male effigy measures 11 J inches in height and the female 10^ inches. The size of the whole composition is about 20 by 21 inches. It is now mounted on an oak panel and hangs in the chancel. ADDERLEY. I. An Ecclesiastic (Abbot or Bishop), c. 1390. Full length effigy (head with mitre lost), in amice, albe, dalmatic, maniple and chasuble, holding in the right hand a crozier (head lost) encircled with the vexillum, and in the left a clasped book. Neither the tunic, stole, sandals, nor gloves are represented. The inscription, the head of the figure and the head of the crozier are lost. This figure presents an early instance of an ecclesiastic holding a book. Later examples may be found at Beef or d, Yorks., 1472, and at Carlisle Cathedral, 1496. After the Reformation the practice becomes common. In its present condition the figure measures 41 inches in height and lies on the chancel floor. 54 MONUMENTAL BRASSES IN SHROPSHIRE. All attempts at identification have so far failed. The brass is not- mentioned by the Eev. Edward Williams although he visited the church on September 1, 1794 (Brit. Mus. Add. MS. 21, 236, fol. 176). Eandle Holme also visited the church at a much earlier period but only notices some shields in glass (Harl. MS. 2, 129, fol. 154a). II. Sir Eobert Nedeham, and wife Agnes, 1560. Full length effigies turned sideways. Sir Eobert is represented bare-headed in armour, his hands are without gauntlets and frills appear at the neck and wrists. The figure is badly proportioned and very clumsy, the armour is of the usual type of this period and calls for no comment. His wife wears the " Paris hede " together with the usual over and under gown accompanying this style of head-dress. Below the figures is a five line inscription in black letter : f^ne Itett> btmjefc tm&er tins stone tf)c bobes of Jbgr Bobart J=tcotIjam fentgbt antr frame 0gnes ijts foyffe tiaugbtcr of 3°& n i^agnfoarmg of peber rscntirc fobtcb santo Bobart btceassefc tbc ttit Jjagc of 3J unc &1TO0 fcomim 1556 antr tbc sapb Epcs beccassetf tf)e ft fcajje of mape gjnno tJomtnt 1560. Below the inscription are the smaller effigies of seven sons in civil attire and two daughters in similar costume to their mother. The male effigy measures 19 inches in height and the female 18 inches. The size of the whole composition is 3 feet 6 inches by 2 feet, and lies in the chancel. Sir Eobert Nedeham married Agnes, a daughter of John Maynwaring, Esq., of Pever or Peover, Cheshire. i 17" AN ECCLESIASTIC. C. 1390. ADOERLEY, SALOP. MONUMENTAL BRASSES IN SHROPSHIRE. 55 III. John Podmore, rector, 1673. Inscription only. Size of plate 9 by 1\ inches. SUB SPE KESURRECTI- ONIS HIC SITUS EST 10- HANNES PODMORE QU- ONDAM HUIUS RECTOR ECCLESI^E obiit anno mt- ATIS SViE LXXIII ANNO QUE DOMINI 1673. Nave. ALVELEY. John Grove, 1616. Fnll length effigy turned sideways and wearing ruff, doublet and gown with long false sleeves. Inscription in Roman capitals : — x HERE LYETH BVRIED THE BODY OF JOHN GROVE GENTLEMAN AND A FREEMAN OF THE RIGHT WOR$* t K COMPANY OF GROCERS OF LONDON WHO WAS BORNE' IN THIS PARISH OF ALVELEY AND HATH GWEN FOR EVER TO A SCHOOL MASTER TO TEACH SCHOL- LERS WITHIN THE SAID PARISH OF ALVELEY AND OTHER TEN POVNDES TO FIVE POORE AGED MEN & IMPOTENT WHO HAVE BIN LABORING MEN OF HONEST CONVERSATION AND HAVE BIN DECAIED THROVGH AGE OR INFIRMITY HEt'DYED THE Xlf-DAY OF DECEM- BER ANNO DNI 1616 BEING OF THE AGE OF FIFTY SIX YEARES. 56 MONUMENTAL BRASSES IN SHROPSHIRE. Above the figure are two shields of arms : — (Dexter) — [Erin.) on a chevron engrailed (gu.) three escallops (arg.). grove. . « r/ It .Aa-£ see* £... /n- At/ftx-im (Sinister) — Arg., a chevron gii. between oevon cloves % and 3 sa. company of grocers. This brass was formerly in the chancel but is now on the south side of the nave. John Grove, gentleman and freeman of the Grocers' Company of London, founded the school at Alveley and was likewise a benefactor to the parish as stated in the inscription. BURFOBD. Dame Elizabeth de Cornewaylle, c. 1370. j i Large full length effigy, head resting on embroidered cushion, lower part of figure restored in recent times. Dame Elizabeth, wife of Mons. Esmon de Cornewaylle, wears a close cap with its front edges plaited, carried straight across the forehead and down the sides of the face. Over this is a veil or kerchief falling on the back and shoulders. The tight fitting sleeves of the kirtle are seen at the wrists ; the close fitting overgown 1 as also tight sleeves and curious slits or pocket holes in front through which may be seen the plain girdle of the kirtle. Over all is worn a long mantle fastened across the breasts by a short cord. Of the marginal inscription only a few words remain, it is in French in thick black letter : — *3kg gist trame <2Blt?al)ef)t feme a mons' (JBsmon Ue (EowcfoapUc q morust • Two shields of arms above the head are lost, two others, one on each side of the neck bear: — ( Dexter ) — Arg., a lion rampant gu., armed, and langued az., ducally crowned or, ivithin a bordure engrailed sa. bezantee. cornewaylle impaling .... two lions passant in pale. ( Sniffer ). . . two lions passant in pale. perhaps erdington — or, two lions passant in pale az. > 1 DAME ELIZABETH DE COBNEWAYLLE. 0. 1370. BTTEFOBD, SALOP. About T \j linear. 58 MONUMENTAL BRASSES IN SHROPSHIRE. The effigy now measures 66 inches in height, the restored part being 9 inches. It lies on the chancel floor. An engraving of this brass may be found in Haines Manual of Brasses, Introd., p. 167. CLUN. Sir Robert Howard, K.B., 1653. A quadrangular plate measuring 22 by 15^- inches. In an oval in the centre is the inscription with four shields of arms, one at the top, one at the bottom, and one on each side. In the four corners are a skull, a skeleton holding a dart, an hour glass and a pair of crossed thigh bones. The remainder of the plate is entirely covered with a running pattern of flowers and leaves enclosed within a border of leaves. The inscription reads : — Here lyeth the Body of S r . Robert Howard Knight of the Bath (Fifth Son of Thomas Earle of Suffolk Lord High Treasurer of England) Who deceased April th 22 A° Dni. 1653 He married Katherine Nevill Daughter of Henry Lord Abergaveney By whom he had Issue Henry Edward and Robert At the bottom of the plate under the lowermost shield is : — .etat — Sile 63. The upper and two side shields bear the Howard arms with crest and mantling, viz. — Quarterly. I. Gu., on SIR ROBERT HOWARD, K.B. 1653. CLUN, SALOP. MONUMENTAL BRASSES IN SHROPSHIRE. 59 a bend between six crosses crosslet fitchy arg., an escut- cheon or, charged with a demi-lion rampant pierced through the mouth with an arrow, within a double tressure flory counter-fiory of the first. Howard. II. Gu., three lions passant guardant in pale or, in chief a label of three points arg. brotherton. • III. Cheqicy or and az. warrenne. IV. Gu., a lion rampant arg., armed and languid az. mowbray. Over all a crescent, for difference. Crest : — On a chapeau gu. turned, up erm., a lion statant guardant crowned and ducally gorged or. The lower shield bears Howard as above impaling Nevill, Lord Abergavenny— Quarterly of six. I. Gu., on a saltire arg. a rose of the first, seeded or, barbed vert. NEVILL^ LORD ABERGAVENNY. II. Or, fretty git., Oil a canton per pale erm. and of the first a ship with sails furled sa. nevill of Buhner. III. Chequy or and az. warrenne. IV. Or, three chevrons gu. clare. V. Quarterly arg. and gu., in the second and third quarters a fret or, over all a bend sa. le despencer. VI. Gu., a fess between six crosses crosslet or, the f ess charged with a crescent. . for difference, beauchamp. Crest as above. This plate was formerly attached to a handsome marble monument on the south wall of the chancel but is now fastened to the east wall of the north aisle of the church. A lithograph facsimile has recently been published. Sir Robert Howard, K.B., was the fifth son of Thomas Howard, Earl of Suffolk and Lord High Treasurer of England. He married Katherine, daughter of Henry Nevill, Lord Abergavenny, by whom he had three sons, Henry, Edward, and Robert. Sir Robert died on the 22nd of April, 1653. The Rector of Chin — The Rev. Prebendary Warner — has very kindly searched the registers for entries relating to the Howard family, but as the earlier register is missing the search proved fruitless. 60 MONUMENTAL BRASSES IN SHROPSHIRE DIDDLEBURY. Richard Bawdewin 1623, and wife Margery, 1614. Inscription and shields of arms. QVI MARE QVI FERRVM DVRM qvi vincvla Tvrris qvondam transivit nunc ingens atropos occa nomen si qv^ras soboles qvot qv.e fvit vxor occvbvit qvando qv^e svbsvnt r^ec tibi mostra Thomas primogenitvs Richardi Bawdewin de DlDLEBVRIE ET MARGIRI^ VXORIS EIUS FILI^E IjAW- rencii Lvdlowe de Morehowse dvxit in vxore Gertrvdam filiam Roberti Corbet de Stand- wardine de qva genvit tres filios edwardvm lohannem et rlchardvm et dvas filias doro- c, — 1 ET OBIIT THEAM ET SUZANNA ET VALEDICIT MVNDO I . a Anno Dni 1614 ^Etatis sv^e lxviii jg23 Arms : (1). Quarterly I. Arg., a saltire sa. Baldwin. II. Barry of six az. and arg. a chief erm. wigley. III. Gu., a chevron erm. between three eaglets close arg. childe. IV. Per pale gu. and or, a fleur-de-lys counter changed. acheley. Crest : — On a mound vert a cockatrice with wings addorsed arg., beaked, combed, ducally gorged and lined or. bald- win. (2). Baldwin impaling or, a lion rampant sa. LUDLOW. Mural. North wall of chancel. MONUMENTAL BRASSES IN SHROPSHIRE. 61 II. Charles Baldwyn, Esq., 1674. Small quadrangular plate with inscription and shield of arms. M. 8. Carolus Baldwyn tie Elsich Armiger Hie situs est Obiit 14 Die Februarii * Anno Bui 1674. Arms : Quarterly I. baldwyn. II. wigley. III. ciiilde IV. acheley, with a crescent for difference in the centre. Crest — baldwyn, with helmet and mantling. Mural. North wall of chancel. Engraved in Miscel- lanea Genealogica et IJeraldica, 2 S. Vol. iii. p. 136. DKAYTON . Kowland Corbet, c. 1580. Quadrangular plate, 24 inches by 18 inches, with small kneeling effigy of Rowland Corbet in civil dress with a scroll from his mouth inscribed : — Jtttscrcrc met ticus. He wears a long gown, open down the front and fastened round the waist by a cord, the sleeves are close fitting and from the shoulders hang long false sleeves. Below is a black letter inscription in eight elegiac verses : — Utoulanbus patrts (JTorbctt iufctcfe teres Brcttona; stutrtis tempora Iacta trans Inct&t't in morbum subtto bttaq? mtgrauit Bcstitucns djart fcmlcia bota patu's Botibus bunc bants nature bentgna creautt Jttors nullt parents mufatosa tultt Jtunc fruiter ©bristo celestt setre receptus ^recesstt breuiter nosq? sequcmur cum. 62 MONUMENTAL BRASSES IN SHROPSHIRE. On the upper part of the plate are two shields of arms : — (Dexter) — Quarterly of seven — I. Or, a raven ppr. Corbet. II. Az., six lioncels rampant 3, 2 and 1 within a bordure engrailed or. leybourne. III. Gu., semee of crosses crosslet a lion rampant or. hopton. IV. Gu., semee of crosses crosslet three lucies hauriant 2 and 1 or. lucy. V. Arg., three chevronells sa. archdeacon. VI. Gu., two bars vair. saye. VII. Barry of six sa. and or, on a chief of the second two pallets of the first, an escutcheon of pretence erm. charged with three bars gu. BURLEY. Over all a mullet . . . for difference. (Sinister) — Az., two bars arg., on a canton sa., a chevron between three pheons of the second, charged with a wolfs head erased between two mullets gu. hill. These arms were allowed to Alice Corbet by William Hervey, Claren- cieux, in 1562 (See Trans. Shropshire Arch. Soc, vol. vi, p. 449). Below the inscription are the two shields impaled. The whole is enclosed within an ornamental border and is fixed on the east wall of the chancel. Eowland Corbet was son and heir of Eeginald Corbet, a judge of the Common Pleas, 1559-66, by his wife Alice, a daughter of John Gratewood, by Jane, sister of Sir Eowland Hill, Knt., Lord Mayor of London. EDGMOND. Francis Yonge, Esq., 1533, and wife Anne. A curious brass originally consisting of two figures, an inscription, two groups of children, a shield with the emblems of the Passion and two scrolls, two shields of arms, and the symbols of the Evangelists. The inscription, the shield of the Passion, one scroll, and one daughter now lost. The effigies are turned sideways. Francis Yonge in a shroud open at the top and bottom to show the bust and feet and gathered up under the right arm, his hair is long and curly. m k «j . B W. fe'.jp^ii!?* 1 s^^r K^5§| E25S?-**i Hi z z < Ul □ z < « s ul o z o > w o z < u. a o -j < w Q Z o 2 o Q UJ MONUMENTAL BRASSES IN SHROPSHIRE. 63 Anne his wife is represented in ordinary attire, she wears the kennel shaped head-dress, an undergown with tight slashed sleeves with frills at the wrists, an over- gown cut low at the neck and having short wide sleeves. This gown is looped up in front, trimmed with fur and fastened round the waist by a girdle with an ornamented buckle from which lianas a chain terminating in a pomander box. A rosary is also suspended from the girdle. Below the figures was the following inscription, now lost, but here given from Randle Holme's transcript in the British Museum, Harl. MS. 2,129, fol. 194 b (or 145) :— " <&i pr cfmu'nj lie stall prarj fori]* soulls of ffrancis |9onge some* trjmcs of Caynton (£sq? sone & fjeire of & Wlift Honge fc* : & frame matgtt ftts tot'fc tiau. of iBtcrj : (Sgton ISsq? to^ ffrancis Ucptctr tfjt's txiorltr gc last trap of marcij_g p tjeare of our Ho : Jft0 <&■<&<&(&<&* xxxiifi. & for $* sol of &ne late fotfeto ffrancis torn: of Iftt'crj c&oriton of glpplcn (JBsq? & Icltsabcj. rjt's mile tiougrjter to Ene tfecessetJ xxiitj trarj of August rjf ncare of our ILorti JW.&& off on mljos souls 3Hm fjaue mercn .^men." Below the inscription and under the man is a group of nine sons in civil dress. Note the curious position of their heads. Under the lady is a group of five daughters, the fifth unfortunately lost, the first, third, and fourth have long flowing hair with close fitting gowns with fur cuffs and edging. The second has a somewhat similar dress with the addition of an overgown with large turned back collar, her hair is confined in a sort of cap. These figures are rather worn. Between the heads of the principal figures was a shield bearing the emblems of the Passion. This has dis- appeared within recent years. Above the shield were two scrolls, but one only remains on the dexter side. It bears the following inscription : — quofl eg p me p 9 cor ora JWors btta mactat ataht xps q? reuibat itrra t 9 ra tegat sptrittts alta petat. Which may be expanded thus : Putrida lapsa caro consumitur ut fimus agro Carnem cum flato deus erigat ethere claro Et sui prse dextra ponatur sorde repulsa Gloria connexa sit lacrima semper avulsa. Quis quis eris qui transieris sta perlege plora Sum quod eris fueram que quod es pro me precor ora Mors vitam mactat animam Cristusque revivat Terrain terra tegat spiritus alta petat. Of this the Rev. J. E. Field has kindly made the following translation*: o " Rotting and wasting away is my flesh like dang in the furrow : That flesh upon heaven's bright way may God's Breath upraise on the morrow ; Set it at His right hand, and from all pollution deliver, Where is the glor}- attained, and the tear is banished for ever." " Who so thou art that passetV this part, stay and read with contrition : I am what thou shalt be and I once was like thee : bid for me thy petition. Though my life by death's hand be slain, yet my soul may Christ quicken again : Though my dust in the dust may lie, let my spirit be wafted on high." 68 MONUMENTAL BRASSES IN SHROPSHIRE. Below the inscription are the smaller effigies of eight sons (the heads of three lost) in civil dress, and of five daughters (the head of one lost). One shield only remains, now above the man's head, it bears — Quarterly per f ess indented (erm.) and (az.), in the first quarter a bird . . . lacon. impaling . three bends , again impaling . . . on a chief a bird ... Three other shields and, according to the Shropshire Transactions, a double canopy above the figures are lost. The male effigy measures 26|- inches in height and the female 25 inches. The brass was formerly in the north aisle but at the restoration was moved into the Tower. It is engraved in the Transactions of the Shropshire Archaeological Society, vol. vi. p. 329. IGHTFIELD. I. Dame Margery Calveley, widow of Philip Egerton, dec. 1509, but brass engraved, c. 1495. Large full length effigy under good triple canopy with marginal inscription. The figure turned slightly to the right, is represented wearing the kennel-shaped head-dress with long ornamented lappets, a plain close fitting gown, cut square at the neck and having large fur cuffs at the wrists. Round the hips is an ornamented girdle clasped by three rosettes from which hang a long chain terminating in a bell-shaped ornament. On the right, at the feet of the figure, are the small effigies of four sons in civil dress. On the left are four daughters in kennel-shaped head-dresses and close fitting gowns. From the mouth of the figure of Dame Margery proceeds a scroll inscribed : — &ce golmes bapttsta <©ra pro me Above the figure is a triple canopy of a debased character, highly decorative but heavy in its detail; in the mm mm irato ym dim am m\ mwi nm no ofttfi . m of - l : Qprtim mm m"-w Midi >- u _i ui > < o K 5 d W ~ -I o o s a o a. < < a i & m M offlxom ST. JOHN THE BAPTIST, FROM THE BKASS TO DAME MABGEBY CAITELEY, C. 1495. IGHTFIELD, SHROPSHIEE. £ linear. 70 MONUMENTAL BRASSES IN SHROPSHIRE. centre pediment is a quatrefoil enclosing a shield on which is the initial P. M. E. for Philip and Margery Egerton. The centre finial terminates in a small figure of St. John the Baptist holding in his left hand a book whereon is the Holy Lamb and banner. A curious feature in St. John's raiment is the representation of the camel's neck and head forming a pendant to his skin robe. Some of the smaller finials of the canopy are lost. A marginal inscription in black letter encloses the whole : — f^ere Igetf) frame JUargerg ODalbtlcy fcrotogfjter ^o William JWagnfoargng late of Sgftffefr Sbutgme fogf unto Pfrilipp Sgerton late of ©gerton squgcr bp tf)e tofricl) P)ilipp sf)e fjati tfjtse GMjiloren tlje foljicf) IBeccssgti tlje frag of tfje gere of ofore lotii Jfl <&<£(£(£ on mftos souk t&u fjabe meg a me. At the four corners in the place of the usual symbols of the Evangelists are four shields all apparently bearing chequy (arg.) and (sa.), for wajiren, of Ightfield. The effigy measures 42 inches in height and the size of the whole composition is 7 ft. 6 ins. by 3 ft. 6 ins. It lies at the west end of the north aisle. Dame Margery, a daughter of William Maynwaryng, of Ightfield, was thrice married; firstly to Philip Egerton, Esq., of Egerton, who was aged 26 years in 38 Hen. VI., and died 13 Edw. IV. (Inquis. post mort). Of their children, John, the eldest son was 15 years of age at the time of his father's death, and died 1 Ric. III. {Inquis. p. m.). The second son, Sir Ralph, was chief ranger of Dela- mere forest and standard bearer of England. The other two may have died young. The daughters were Anne, Katherine, Ellen, and Elizabeth, all subsequently married. Dame Margery's second husband was Thomas Hurleton, of whom no details are known ; her third, Sir Hugh Calveley, Knt., of Lee, who was aged 12 years in 11 Hen. VI. and died 10 Hen. VII. (Inquis. p. m.). Dame Margery died 1 Hen. VIII. (Inquis. p. m). The brass was laid down in her lifetime and after her third marriage, but the date of death has never been filled in. &iiiiaE»"^fiiMliuariorto tin? mm M WuflitM tfie 9ft? m of 20" —I THE GOOD" WILLIAM MAYNWARYNG. 1497. IQHTFIELD, SALOP. MONUMENTAL BRASSES IN SHROPSHIRE. 71 IT. William Maynwaryng, 1497. Full length effigy, head lost, wearing a long tunic lined with fur, the sleeves full, of uniform breadth and edged with fur. The close fitting sleeves of an under-dress appear at the wrists. The tunic is confined round the waist by a girdle to which are attached a rosary, one end of which is secured by a tassel and the other by a hook from which hangs a signet ring, a gypciere or pouch and a long anelace with a small knife, called the u ' bastardeau," placed beside the hilt. This is a late example of the use of the anelace ; the same method of carrying the knife may be seen on a stone effigy of a knight at Yatton, Somerset, and on the effigy of William Canyngs, at St. Mary Redcliffe, Bristol. The shoes are broad with round toes. Below the figure is a black letter inscription in four lines : — f^cre Ijoett) tfje CGootr (MUtam Jttagntoargng tfje sbeconti sone of f^afofegn Jtomtoarimcj z Jttarctarete f)ts fopf troucjiner z fmre of (Srpffpn S23arcn h Hafcm of Eojmfd&c foljtcfje _ asaUltam foas &spcctall tmf actor to tfjt's Crjurcfjc anfcr fje tmsscspti tfjc sbprt ttag of JWarcfcc &nno tmt mtllto ©©©©n H£SS£FMa on fofjos ^ofoks gotr almpgfttp fjaue m'ccp &men. The figure in its present condition measures 39 inches in height and 14 inches from elbow to elbow. The inscription plate measures 28 inches by 5 inches. The head was lost previously to 1793. " The good " William Maynwaryng was the second son of Hawkyn Maynwaryng by his wife Margaret, daughter and heiress of Gryffin Waren, and Lady of Ightfield. He was also a special benefactor to the church. For many years this brass has been missing from the church. It disappeared during a restoration, in fact passed as a builder's perquisite, probably because it wanted a head. However, within the last few months it has 72 MONUMENTAL BRASSES IN SHROPSHIRE. been fortunately recovered and is now in the possession of the Eev. J. Cooper Wood, the Clive Vicarage, Shrewsbury, to whom the writer is indebted for facilities for taking the rubbing from which the illustration is reproduced. Mr. Wood proposes to replace the brass in its original place. 1 Of its identification there can be no doubt, in the British Museum, Add. MSS. 21,236, fol. 266, is a sketch of the brass made in Ightfield Church on August 28th, 1793. It is also mentioned in Haines Manual under Ightfield. MYDDLE. Haines' in his List of Brasses, under Middle mentions the existence of (1) A man in armour, c. 1490, peculiar (i.e., by a local or Warwickshire artist) ; (2) A fragment, seven sons (Corbet family?), c. 1530. Of these two brasses there is no record. No mention of them occurs in Gough's History of Myddle, nor is anything to be found in the various manuscript collections of Shrop- shire church notes in the British Museum. The present rector, who has held office for nearly fifty years, has never seen any trace of them. I. Arthur Chambre, 1564, and wife Margaret. Full length effigies turned sideways. Arthur Chambre in ruff, doublet, trunk hose, and fur-lined gown, with long false sleeves. His wife wears the " Paris hede," ruff, overgown with turned back collar and puffed and slashed sleeves, from the waist the overgown is open showing the undergown and from a long cord hangs an ornament, perhaps a pomander-box. 1 Since the aboye was written the have it placed in a new slab and laid down brass has been placed in the hands of in the church ; the head is to be restored Mr. A. P. Heywood Lonsdale, patron of and a short inscription stating this the living of Ightfield, who is about to added. PjL^^&U^ J^yf^ *~^&iv of 9H~ < ^£ £ z .- Si: 2 o z i- o z K 111 > < J -J (0 tnimmm mmlM vrmtum m& £ • * MONUMENTAL BRASSES IN SHROPSHIRE. 87 sentation of an elephant, and from her mouth proceeds a scroll bearing : — Ifru fiU traufo miserere nob 9 Below the effigies are the small figures separately inlaid — except in the case of the two youngest sons and the two eldest and two youngest daughters — of seven sons and five daughters. The sons are all in civil costume ; from the mouth of the eldest proceeds a scroll inscribed : — Sbp'aut m tmo et erepiat me. From the mouth of the second son : — ffilt tfet memento met. From the mouth of the fourth the scroll is lost. From the mouth of the fifth : — Bite leuaui atam mea atr te. The third, sixth, and seventh sons have no scrolls. The daughters — originally five in number but the figures of the two youngest are now lost — wear a modified type of the butterfly head-dress and close fitting gowns cut low at the neck ; the figure of the third daughter is some- what larger than the others, her gown is trimmed with fur, and from her mouth proceeds a scroll inscribed : — 5fju fili 9 marie pietat 9 miserere nobis There are eight shields of arms inlaid in the slab, three at the top, three at the bottom, and two in the centre between the figures. *&■ Top row : — (Dexter). Az., three bars or. Pembruge. (Centre). Az., crusily two pipes or. Pype. (Sinister). Sa., a fess chequy az. and or, between six escallops arg. Durvassall. Centre : — (Upper). Arg.,fretty sa. Vernon. (Lower). Arg., a lion rampant gu, collared and crowned or. Stacpole. 88 MONUMENTAL BRASSES IN SHROPSHIRE. Bottom row : (Dexter). Az., three lions passant in pale arg. Cam- VILLE. (Centre). Vernon impaling Pype. (Sinister). Arg., a bend engrailed gu. (?). Treamton (?) This last coat occurs amongst the Vernon quarterings on the tomb of Sir George Vernon, " the king of the Peak," 1567, in Bakewell church, Derbyshire. (See Notes on the Churches of Derbyshire, by J. Charles Cox, vol. ii, p. 22). A marginal inscription inlaid in the chamfered edge of the tomb surrounds the whole : — * ffiit latent tins OTtllms Fernon Jttilcs ©uon&m Jfttles constabularius &noJie films ct Jjcrcs tini IRtcartii Fernon Jttilitis qui qttonbm erat ^fjesattrarius ©alesie qui quittem tms OTfllms obiit ultimo trie jftrtensis gjum't glnno Domini JWilltmo ©€©©0 HWM ©t Jtagareta uxor trfct a® tilt filia lEt fjerctiitar 9 tmi Sftoberti ^rjpis <2£t ^petnores Jttilttis que qtutrcnt JWargareta obiit trie JWensis &nno Bomtnt JTOItmo €<&<&<&* US quorum ^nimabus ^ropicictur Deus gt Jtttt gjobn %Ucffington fem'g&te somtpme £bbenffe of Honbo z after marrtcb to ^rgjoim Babnsaij Knigbte. <&biit &a tmi. 1549. Sbougbc birtues rave fcifo in tbis foigbte abounbe &nb toeltbc at mill tbis toortfjfc latrlc trt'tr poeesse §9et notbingc in rjc enbe fjer praise tittT more rcsounbe tben fattfjc fa 3Jesus (JTbrist foitfj sober goblines • gin eie to blrmb a Irjme to lame sf)e foas ^o poore a frcntr <©f kynne in ecrjc tfegre Botr) bonoureb z beloucb too loe tfjis trotfjc btrtu pas Eo place appointed brj tfje lorbe Inhere blessed rjt srjal be. Below this plate is a smaller one measuring 9|- by 3^ inches with the initials J. R, G. S., J. T., in a lozenge between the words " |9osuerunt ^tetatis Jilonumentum." Above the inscription is a shield bearing the Skeffimjfton quartering^ impaling Pecke or Peche — Or, three eagles displayed az., the upper dexter one charged on the breast with a crescent for difference. For the Skeffington quarterings see jSTo. V. Mural. Chancel. Engraved in Griffiths' History of Jong, p. 86. Y. William Skeffington, Esq., 1550. Inscription with arms, crest, helmet and mantling. Size of plate 17f by 9 J- inches. f^ere bnber Irjctb interred tbe bobrje of STOItam 5bfcef= fington late of tbe SSibite Uabics'lSsquire sonnc anb beire of §bit ^\)xi ^feeffington sometnmc of ILonHo knigbte. <©biit &no tint. 1550 94 MONUMENTAL BRASSES IN SHROPSHIRE. &n esquier fee foas rigfete fear&rje to tfee fealtre &n& faitfefull to feis fBrrmce in quiet tgme of peace 23ut fofeen feis course on eartfjc fee feati fullfitoe ®fee Hortrc of foorlolrj fooes trt'tr fetm release glntf to feis ftingtfome tfecn feis soule titU call |^is bottye to tmst returned from fofeence gt came Mlfeicfe rape agarjne fee mill to 3°fi cclestiall tKftfeerc feotfrje antr soule sfeall eber prarjse feis name. Below is a smaller plate similar in all respects to the one on No. IV. Above is a square plate rounded at the top, bearing the arms, crest, &c, of Skeffington. Quarterly of six, I. Arg., three bulls heads erased sa. skeffington. II. . a bend between two cotises and six mullets . . . III. . . . three birds . IV. . . . afess dancettee between three crescents . V. Erm., a bend . . . VI. Erm., on a chief indented three escallop shells In the fess point a crescent . . . for difference. Crest : — A mermaid with comb and mirror, all proper. Mural. Chancel. Engraved in Griffiths' History of Tong, p. 84. UPTON CRESSETT. Richard Cressett, Esq., and wife Jane, 1640. A quadrangular plate measuring 23 by 20 J inches. In the centre are the effigies of Richard Cressett and his wife Jane kneeling at a prayer desk on which lie open books. Richard Cressett wears a doublet with square turned-back collar, trunk hose, high boots and long cloak. Two sons in similar costume kneel behind him. His wife wears a close-fitting hood with lace edging, a gown with large turned-back collar also edged with lace, the sleeves puffed at the shoulders, slashed on the fore arms and terminating in short lace-edged cuffs. Three daughters in similar attire kneel behind their mother. All kneel on cushions on a chess-board pattern floor and are enclosed by a flat-topped arch, from the centre of which hangs a DIE VIIBRIS VI MONUMENTAL BRASSES IN SHROPSHIRE. 95 shield bearing the arms of Cressett — az., a cross engrailed within a bordure also engrailed or — impaling Huxley of Edmonton — erm., on a bend cotised gu. three crescents or. Below is an inscription in Eoman capitals : P. M. S. Reqviescit svb hoc cespite Depositvm Janas cressett Richardo cressett Armigero Maritat^: Georgio Huxley et CatharinEe vxori de Wyrehall in paretic EDMVNTON agri MIDDLESEXESII (sed ille Cestria orivndo) prog- NATjE. QVM POST DUODECENNIVM CONIVGIALE OCTONAQ PVERPERIA SVPERSTITIBVS QUINQ LIBERIS ROBERTO ET RlCH- aruo Mascvlis, Catharina ElizaBetha et Alisia fjemellis. Rebvs iivmanis excedens plactde obdormivit. Ne quod mnemosynvm desit marmorq3 dolorq^ Coniugis geterno nectare Nomen ano dni mdcxl <( asunt Pignoraq3 ingeniis et matrissantia ^itatis xxix j formisTot stant Historias tot Monumenta L tibi. E. GRIGS Scvlpsit. This seems to be the only plate in the county upon which a maker's name appears. Instances of the maker's or engraver's names are scarce. Two inscriptions dated 1654 and 1656 at Darley, Derbyshire, were made by " Robert Thorpe in Sheffield the carver " ; an inscription dated 1629 at Nunkeeling, East Yorkshire, ends "Gab. Hornbie Sculp." ; at Rudston and Lowthorpe, both in the same Riding, are inscriptions bearing " Tho. Mann Eboraci sculp."' They are dated 1665 and 1677. Another inscrip- tion at Ormskirk, Lancashire, 1661, reads " Richard Mosok Sculpsitt." The Cressett brass is on the wall of a chapel on the south side of the chancel. This chapel is said to have been a mortuary chapel belonging to the Cressett family, but is now used as a vestry. Richard Cressett, Esq., married Jane, a daughter of George and Catherine Huxley, of Edmonton, Middlesex. d 96 MONUMENTAL BK ASSES IN SHROPSHIRE. She died on the 6th of September, 1640, aged 29, leaving issue two sons, Robert and Richard, and three daughters, Catherine, Elizabeth and Alice. WENLOCK, MUCH. Richard Ridley, 1592, and wife Eleanor. Small effigies kneeling on cushions at a table whereupon lie open books. Richard Ridley wears the usual civilian dress of the period. His wife has the " Paris hede," ruff and overgown. Below is a black letter inscription in ten lines. J^eer bnto tin's place Inetlj bxixitH tfje bob}} of iHtdjartr Hfolep, sonnc &nb Ijenre of iftarmoto Hublen of kgnleg i&mV z of glltce Heiojfrton f)is S2&nfe, fijrste marne& to stomas Jttofonsloe of ^augftky ©15K®, brj tofjome sbe baft Issue one sonnc z b tiaugbters. ®be satjtr ifticbarb Itbftr m gooU name z Report z foas tfotise 23aglp of tfn's tofone of SiKenlork z n* ffran= treses thereof. |^e marneto lEIeanor Daughter of 3obn £bp&enbam of Cbilfoortbg m ©o. Somerset z fjatf no Issue, p^e fceparteti out of tbts transttorn Infe tbe tit of 3Januarj3 1592 z tfje sagtr lEIeanor fjts fonfe surbibing fttm causefc tljts Monument to be sett up for a perpetuall token of ber singular z obetrient loue tofoarfcr jjt Above the figures are three shields of arms : Dexter — Arg. on a mound vert a bull statant gu., armed or. Ridley of Lynley. Centre — Ridley impaling Sydenham as in the sinister shield. Sinister — Quarterly of six — I and VI. Arg., three rams passant 2 and 1, sa. Sydenham, of Combe, co. Somerset. II. arg., a bend fusilly sa. Kjtsford. III. arg., a cross engrailed gu., in the dexter-chief a mullet. IV. Barry of MONUMENTAL BKASSES IN SHROPSHIRE. 97 six erm. and gu. V. set., a bend or between six fountains ppr. Stourton. The effigies are 9J inches in height and the size of the whole composition is 19 by 20 inches. It is on the north wall of the chancel. Eichard Ridley, son and heir of Eaynold Ridley, of Lynley, by his wife Alice Leighton, widow of Thomas Mownsloe of Caughley, by whom she had one son and five daughters, was twice Bayley of Wenlock and married Eleanor, daughter of John Sydenham, of Chilworthy, Somersetshire, by whom he had no issue. He died 3rd January, 1592, and his widow erected the monument to his memory. II. Robert Thorne, 1645. Inscription and three shields of arms on a small quad- rangular plate on the north wall of the chancel. nere vnto this scvlptvre lyeth interred ye body of robert thorne gent. late of sponhill who severall tymes with prvdence fidelity and jvstice discharged the office of bayliffe in this ancient corporation of wenlock he lived a loyal svbject to his kinge a loving servant to his covntry and in all endeavovrs manifested himself a trve ho- novrer of the noble family of the lawleys thvs he lived then died the 18 day of march ao 1645 aged 70 yeares for whose piovs memorie his movrn- full kinsman edward thorne hath for svrviving ages left this testimony of his love and griefe Arms on the dexter and sinister .... three lozenges in f esse .... thorne. In the centre — thorne impaling .... a chevron between three leopard's faces .... 98 MONUMENTAL BRASSES IN SHROPSHIRE. WHITCHURCH. Matthew Fowler, M.B., 1677. Inscription with shield of arms, crest, helmet and mantling. The whole enclosed in an ornamented border. In the upper part are a candlestick, hour-glass and skull and crossbones. Size of plate 24 by 24|- inches. M. S. Matth^ii Fowler Gen 81 : et in med: bacc : qvi lvteti^ parisiorvm variolis extinct™, peregrinationi sv^ mvndanie finem posvit et in g^lesti patria sedem fixit perpetvam vltimo Die Janvarii AD. 1677 8 Anno ^Etatis sv,e 24 to Optima spei Juvenis, corpore formosvs : dotibus animje insignior, pietatis erga : Devm, et Parentes, Veracitatis, Prudenti^e, castitatis, comitatis, morum deniq3 bonorvm omnivm lavdabile exemplar, exteris et Ignotis gratvs, Amicis carvs, Parentvm dvm Vixit solativm non medioore et post Mortem lvctvs extremvs ; Qui Filia TJnica hac Quale eumqz Monumentum, ne Inutilia TJixisse JJideatur . Maesti Posueruut. Arms : — Az., on a chevron arg. between three lions passant guardant or, as many crosses pattee sa., a mullet in chief for difference. Fowler. Crest : — An owl arg., ducally gorged or. Mural. North Aisle. jjxrmrwart antra filing atiiMlfll riibBtt M$i 16" -1 JOHN ONLEY AND WIFE JOAN. 1512. WITHINGTON, SALOP. MONUMENTAL BRASSES IN SHROPSHIRE. 99 II. James Egerton 1735. Inscription with skull and crossbones. Size of plate 13 bv 9 inches. Here lyeth the Body of James Egerton son of the Hon h,e And Rigid Rever 4 Henry Lord Bishop of Hereford and the Right Hon bu Elizabeth his Wife Who Departed this life The & h of Aug'., 1735 In the 4 M year of his age. Chancel. WITH1NGTON. John Onley, 1512, and wife Joan. John Onley, son and heir of Sir Robert Onley, of the town of Coventry, is represented bare-headed with long hair, his armour consists of a plate gorget, a breast-plate strengthened with demi-placcates, pauldrons of a curious shape, small coutes, gauntlets with shell backs and peaked cuffs, short skirt of taces with mail fringe, over which are strapped the tuiles, large knee pieces with plates behind, jambs and round-toed sabbatons with rowel spurs. The sword is suspended diagonally in front of the body from a narrow belt once inlaid with colour. There is no misericorde. The left arm of the figure is broken awav. His wife Joan is represented slightly turned to the right, she wears the kennel-shaped head-dress with plain lappets, a close-fitting overgown cut square at the neck, showing the finely plaited partlet and undergown below, the cuffs are large and edged with fur, whilst the long skirt is gathered up under the left arm. d 2 ioo MONUMENTAL BRASSES IN SHROPSHIRE. Below the figures is a three-line black letter inscrip- tion : f^tc facet 3Joj)£S onlcy films et ijcixs tint robcrtt onky mtltt 9 citn'tat 9 cobente qui obtft XW"<* trie mens 9 gjtmu &o &nj_ intUmo (&<&<&<&<&XM ct toima ux 9 ti 9 cmor 9 atab? pptctV 9 W ac Below the inscription there were on the original slab a group of seven sons in civil dress under the father (these still remain) ; and under the mother the indent of a group of three or four daughters (the latter were lost before 1795). ARMS OF THE TOWN OF COVENTRY. i linear. At the four corners of the slab were originally shields of arms (the upper dexter was lost before 1795) ; the upper sinister (now placed under the brass of Adam Graffton) bears — Quarterly I. and IV. or, three piles gu., on a canton of the second a pierced mullet of the first. onley. II and III. . . . three stirrups 2 and 1. . . The lower dexter bears the arms of the town of Coventry — Per pale gu. and vert an elephant, on his bach a tower triple towered §mmb tM (tt^ntrasw antuDr ran of start? teOni oftucbfM iilrJMIiilic'r.uiKiiiMFllIwI iMHiraimMim Iflj ewcajjtio a oti wWuttf ofu ib\i* ^,v Wot; tmm ADAM GRAFFTON. 1530. WITHINGTON, SALOP MONUMENTAL BRASSES IX SHR( >PSHIRE. 101 or. The lower sinister (now lost) bore — . . . a bend between six birds. In the British Museum (Add. MSS. 21, 23G, fol. 109) is a sketch of this brass taken June 6, 1794, showing it in its original slab then in the nave. Some years ago the church was rebuilt, the brass taken from its slab ; this disappeared and the brass itself was for some time in the custody of a neighbouring rector. It is now nailed on the north wall of the tower in a somewhat irregular fashion. The figures are 22 J inches in height. This brass possesses considerable interest in that it is the work of a "local" or Warwickshire school of engravers, most probably settled in the town of Coventry. Compare the figure at Harley. II. Adam G-raffton, Parson, 1530. Full-length effigy in cassock, surplice, almuce and cope. Black-letter inscription in five lines : — i^ere Inert) tmtgtfj J¥laster gfctfam (Kraffton tfje most toorsljtpfull prcst lybjmg in Ijjjs bays sumtgmc djaplcnnc to rtjc ffamotos prinens fegng ■ * Harrison and Sons, Printers in Ordinary to Rer Majesty, St. Martin's Lane. UNIVERSITY OF CALIFORNIA LIBRARY Los Angeles This book is DUE on the last date stamped below. ft JW jfXN S51978 Form L9-32m-8,'57(,C8680s4) 444 m 13U2 S83br 3 1158 00146 1044 UC SOUTHERN REGIONAL LIBRARY FACILITY AA 000 281 637 9 i wlm 111 i \Llim