MR. BEY ANT'S ADDRESS ON HIS LIFE AND GENIUS. ADDRESSES BY EVERETT, BANCROFT, LONGFELLOW, FELTON, ASPINWALL, KING, FRANCIS, GREENE. MR. ALLIBONE'S SKETCH OF HIS LIFE AND WORKS. WITH EIGHT PHOTOGRAPHS. NEW YORK: G. P. PUTNAM. 1860. Entered, according to Act of Congress, in the year 1860, by G. P. PUTNAM, in the Clerk's Office of the District Court of the United States for the Southern District of New York, R. CRAIOHEAD, Printer, Stereotyper, and Electrotyper, Carton twitting, 31. 83, and 85 Centre Street. CONTENTS. I. BRYANT'S DISCOURSE ON IRVING. II. ADDRESSES IN BOSTON AND NEW YORK, by EDWARD EVERETT, COL. T. ASPINWALL, PROF. C. C. FELTON, GEO. BANCROFT, H. W. LONGFELLOW, CHARLES KING, OLIVER WENDELL HOLMES, DR. J. W. FRANCIS GEO. W. GREENE. III. SKETCH OF IRVING'S LIFE AND WORKS, By S. AUSTIN ALLIBONE, Esq. Photographs : 1. Portrait of IRVING at 27, . . . JARVIS. 2. Portrait of IRVING at 37, NEWTON. 3. Bust of IRVING at 50, BALL HUGHES. 4. Sketch of DANIEL WEBSTER, BRYANT, and ) T <. /^ m *: IORQ > . . D. HuNTlNGTON. IRVING, at Cooper Meeting, 1852. ) 5. Daguerreotype of IRVING in 1849, PLUMBE. 6. Portrait (the last one), 1851, MARTIN. 7. Portrait of W. C. BRYANT, Daguerreotype. 8. View of Sunnyside, MILLER. LIFE, CHARACTER AND GENIUS or WASHINGTON IRVING BY WILLIAM CULLEN BETANT. w p* w *; A DISCOURSE LIFE, CHAKACTEE AND GENIUS OF WASHINGTON IRVING, DELIVERED BEFORE THE NEW YORK HISTORICAL SOCIETY, AT THE ACADEMY OP MUSIC IN NEW YORK, ON THE 3D OP APRIL, 1860. BY WILLIAM CULLEN BRYANT. NEW YOKK: G. P. PUTNAM, 115 NASSAU STREET, 1860. ENTERED, according to Act of Congress, in the year 1860, by WILLIAM CULLEN BRYANT, In the Clerk's Office of the District Court of the United States, for the Southern District of New York. W. H. TINSON Stereotyper. R. CRAIGHEAD, Printer. A DISCOUESE ON THE LIFE, CHARACTER, AND GENIUS OF WASHINGTON IRVING, DELIVERED BEFORE THE NEW YORK HISTORICAL SOCIETY, AT THE ACADEMY OF MUSIC, IN NEW YORK, ON THE 3D OF APRIL, 1860, BY WILLIAM CULLEN BRYANT. WE have come together, my friends, on the birthday of an illustrious citizen of our republic, but so recent is his de- parture from among us, that our assembling is rather an expres- sion of sorrow for his death than of congratulation that such a man was born into the world. His admirable writings, the beauti- ful products of his peculiar genius, remain, to be the enjoyment of the present and future generations. We keep the recollection of his amiable and blameless life, and his kindly manners, and for these we give thanks ; but the thought will force itself upon us that the light of his friendly eye is quenched, that we must no more hear his beloved voice, nor take his welcome hand. It is as if some genial year had just closed and left us in frost and gloom ; its flowery spring, its leafy summer, its plenteous autumn, flown, never to return. Its gifts are strewn around us ; its harvests are in our garners j but its season of bloom, and warmth, 6 WASHINGTON IKVING. and fruitfulness is past. We look around us and see that the sunshine, which filled the golden ear and tinged the reddening apple, brightens the earth no more. Twelve years since, the task was assigned me to deliver the funeral eulogy of Thomas Cole, the great father of landscape painting in America, the artist who first taught the pencil to portray, with the boldness of nature, our wild forests and lake shores, our mountain regions and the borders of our majestic rivers. Five years later I was bidden to express, in such terms as I could command, the general sorrow which was felt for the death of Fenimore Cooper, equally great and equally the leader of his countrymen in a different walk of creative genius. Another grave has been opened, and he who has gone down to it, earlier than they in his labors and his fame, was, like them, foremost in the peculiar walk to which his genius attracted him. Cole was taken from us in the zenith of his manhood ; Cooper, when the sun of life had stooped from its meridian. In both instances the day was darkened by the cloud of death before the natural hour of its close ; but Irving was permitted to behold its light until, in the fulness of time and by the ordinary appoint- ment of nature, it was carried below the horizon. Washington Irving was born in New York, on the third of April, 1183, but a few days after the news of the treaty with Great Britain, acknowledging our independence, had been re- ceived, to the great contentment of the people. He opened his eyes to the light, therefore, just in the dawn of that Sabbath of peace which brought rest to the land after a weary seven years' war just as the city of which he was a native, and the republic of which he was yet to be the ornament, were entering upon a career of greatness and prosperity of which those who inhabited them could scarce have dreamed. It seems fitting that one of ANECDOTE OF WASHINGTON. 7 the first births of the new peace, so welcome to the country, should be that of a genius as kindly and fruitful as peace itself, and destined to make the world better and happier by its gentle influences. In one respect, those who were born at that time had the advantage of those who are educated under the more vulgar influences of the present age. Before their eyes were placed, in the public actions of the men who achieved our revo- lution, noble examples of steady rectitude, magnanimous self- denial, and cheerful self-sacrifice for the sake of their country. Irving carruB into the world when these great and virtuous men were in the prime of their manhood, and passed his youth in the midst of that general reverence which gathered round them as they grew old. William Irving, the father of the great author, was a native of Scotland one of a race in which the instinct of veneration is strong and a Scottish woman was employed as a nurse in his household. It is related that one day while she was walking in the street with her little charge, then five years old, she saw General Washington in a shop, and, entering, led up the boy, whom she presented as one to whom his name had been given. The general turned, laid his hand on the child's head, and gave him his smile and his blessing, little thinking that they were bestowed upon his future biographer. The gentle pressure of that hand Irving always remembered, and that blessing, he believed, attended him through life. Who shall say what power that recollection may have had in keeping him true to high and generous aims ? At the time that Washington Irving was born, the city of New York contained scarcely more than twenty thousand in- habitants. During the war its population had probably diminished. The town was scarcely built up to Warren street ; 8 OLD NEW YORK. Broadway, a little beyond, was lost among grassy pastures and tilled fields ; the Park, in which now stands our City Hall, was an open common, and beyond it gleamed, in a hollow among the meadows, a little sheet of fresh water, the Kolch, from which a sluggish rivulet stole through the low grounds called Lispenard's Meadows, and following the course of what is now Canal street, entered the Hudson. With the exception of the little corner of the island below the present City Hall, the rural character of the whole region was unchanged, and the fresh air of the country entered New York at every street. The town at that tune contained a mingled population, drawn from different countries ; but the descendants of the old Dutch settlers formed a large proportion of the inhabitants, and these preserved many of their peculiar customs, and had not ceased to use the speech of their ancestors at their firesides. Many of them lived in the quaint old houses, built of small yellow bricks from Holland, with their notched gable-ends on the streets, which have since been swept away with the language of those who built them. In the surrounding country, along its rivers and beside its harbors, and in many parts far inland, the original character of the Dutch settlements was still less changed. Here they read their Bibles and said their prayers and listened to sermons in the ancestral tongue. Remains of this language yet linger in a few neighborhoods ; but in most, the common schools, and ihe irruptions of the Yankee race, and the growth of a population newly derived from Europe, have stifled the ancient utterances of New Amsterdam. I remember that twenty years since the market people of Bergen chattered Dutch in the steamers which brought them in the early morning to New York. I remember also that, about ten years before, there were families in the westernmost towns of Massachusetts where Dutch was still the THE KNICKERBOCKERS. 9 household tongue, and matrons of the English stock, marrying into them, were laughed at for speaking it so badly. It will be readily inferred that the isolation in which the use of a language, strange to the rest of the country, placed these people, would form them to a character of peculiar simplicity, in which there was a great deal that was quaint and not a little that would appear comic to their neighbors of the Anglo- Saxon stock. It was among such a population, friendly and hospitable, wearing their faults on the outside, and living in homely comfort on their fertile and ample acres, that the boy- hood and early youth of Irving were passed. He began, while yet a stripling, to wander about the surrounding country, for the love of rambling was the most remarkable peculiarity of that period of his life. He became, as he himself writes, familiar with all the neighboring places famous in history or fable, knew every spot where a murder or a robbery had been committed or a ghost seen ; strolled into the villages, noted their customs and talked with their sages, a welcome guest, doubtless, with his kindly and ingenuous manners and the natural playful turn of his conversation. I dwell upon these particulars because they help to show here how the mind of Irving was trained, and by what process he made himself master of the materials afterward wrought into the forms we so much admire. It was in these rambles that his strong love of nature was awakened and nourished. Those who only know the island of New York as it now is, see few traces of the beauty it wore before it was levelled and smoothed from side to side for the builder. Immediately without the little town, it was charmingly diversified with heights and hollows, groves alternating with sunny openings, shining tracks of riv- ulets, quiet country-seats with trim gardens, broad avenues of 10 THE BANKS OF THE HUDSON. trees, and lines of pleached hawthorn hedges. I came to New York in 1825, and I well recollect how much I admired the shores of the Hudson above Canal street, where the dark rocks jutted far out in the water, with little bays between, above which drooped forest trees overrun with wild vines. No less beautiful were the shores of the East River, where the orchards of the Stuyvesant estate reached to cliffs beetling over the water, and still further on were inlets between rocky banks bristling with red cedars. Some idea of this beauty may be formed from looking at what remains of the natural shore of New York island where the tides of the East River rush to and fro by the rocky verge of Jones's Wood. Here wandered Irving in his youth, and allowed the aspect of that nature which he afterward portrayed so well to engrave itself on his heart ; but his excursions were not confined to this island. He became familiar with the banks of the Hudson, the extraordinary beauty of which he was the first to describe. He made acquaintance with the Dutch neighborhoods sheltered by its hills, Nyack, Haverstraw, Sing Sing and Sleepy Hollow, and with the majestic Highlands beyond. His rambles in another direction led him to ancient Communipaw, lying in its quiet recess by New York bay ; to the then peaceful Gowanus, now noisy with the passage of visitors to Greenwood and thronged with funerals ; to Hoboken, Horsimus and Paulus Hook, which has since become a city. A ferry-boat dancing on the rapid tides took him over to Brooklyn, now our flourishing and beautiful neighbor city ; then a cluster of Dutch farms, whose possessors lived in broad, low houses, with stoops in front, over- shadowed by trees. The generation with whom Irving grew up read the " Specta- tor " and the " Rambler," the essays and tales of Mackenzie and SCHOOL DAYS. 11 those of Goldsmith ; the novels of the day were those of Rich- ardson, Fielding and Smollett ; the religious world were occu- pied with the pages of Hannah More, fresh from the press, and with the writings of Doddridge ; politicians sought their models of style and reasoning in the speeches of Burke and the writ- ings of Mackintosh and Junius. These were certainly masters of whom no pupil needed to be ashamed, but it can hardly be said that the style of Irving was formed in the school of any of them. His father's library was enriched with authors of the Elizabethan age, and he delighted, we are told, in reading Chau- cer and Spenser. The elder of these great poets might have taught him the art of heightening his genial humor with poetic graces, and from both he might have learned a freer mastery over his native English than the somewhat formal taste of that day encouraged. Cowper's poems, at that time, were in every- body's hands, and if his father had not those of Burns, we must believe that he was no Scotchman. I think we may fairly infer that if the style of Irving took a bolder range than was allowed in the way of writing which prevailed when he was a youth, it was owing, in a great degree, to his studies in the poets, and especially in those of the earlier English literature. He owed little to the schools, though he began to attend them early. His first instructions were given when he was between four and six years old, by Mrs. Ann Kilmaster, at her school in Ann street, who seems to have had some difficulty in getting him through the alphabet. In 1789, he was transferred to a school in Fulton street, then called Partition street, kept by Benjamin Romaine, who had been a soldier in the Revolution a sensible man and a good disciplinarian, but probably an indifferent scholar and here he continued till he was fourteen years of age. He was a favorite with the master, but preferred 12 EARLY TEACHEKS. - reading to regular study. At ten years of age he delighted in the wild tales of Ariosto, as translated by Hoole ; at eleven, he was deep in books of voyages and travels, which he took to school and read by stealth. At that time he composed with remarkable ease and fluency, and exchanged tasks with the other boys, writing their compositions, while they solved his problems in arithmetic, which he detested. At the age of thirteen he tried his hand at composing a play, which was performed by children at a friend's house, and of which he afterward forgot every part, even the title. Romaine gave up teaching in 1791, and in that year Irving entered a school kept in Beekman street, by Jonathan Irish, probably the most accomplished of his instructors. He left this school in March, 1798, but continued for a time to receive pri- vate lessons from the same teacher, at home. Dr. Francis, in his pleasant reminiscences of Irving's early life, speaks of him as preparing to enter Columbia College, and as being prevented by the state of his health j but it is certain that an indifference to the acquisition of learning had taken possession of him at that age, which he afterward greatly regretted. At the age of sixteen he entered his name as a student at law in the office of Josiah Ogden Hoffman, an eminent advocate, who, in later life, became a judge in one of our principal tribu- nals. It was while engaged in his professional studies that he made his first appearance as an author. I should have men- tioned, among the circumstances that favored the unfolding of his literary capacities, that two of his elder brothers were men of decided literary tastes, William Irving, some seventeen years his senior, and Dr. Peter Irving, who, in the year 1802, founded a daily paper in New York, at a time when a daily paper was not, as now, an enterprise requiring a large outlay of capital, FEBST JOUKNEY ABROAD. 13 but an experiment that might be tried and abandoned with lit- tle risk. Dr. Irving established the " Morning Chronicle," and his younger brother contributed a series of essays, bearing the signature of Jonathan Oldstyle, of which Mr. Duyckinck, whose judgment I willingly accept, says that they show how early he acquired the style which so much charms us in his later writ- ings. In 1804, having reached the age of twenty-one, Irving, alarmed by an increasing weakness of the chest, visited Europe for the sake of his health. He sailed directly to the south of France, landed at Bordeaux in May, and passed two months in Genoa, where he embarked for Messina, in search of a softer climate than any to be found on the Italian peninsula. While at Messina, he saw the fleet of Nelson sweeping by that port on its way to fight the great naval battle of Trafalgar. He made the tour of Sicily, and crossing from Palermo to Naples, pro- ceeded to Rome. Here he formed the acquaintance of Washing- ton Allston, who was then entering on a career of art as extra- ordinary as that of Irving in literature. With Allston he made long rambles in the picturesque neighborhood of that old city, visited the galleries of its palaces and villas, and studied their works of art with a delight that rose to enthusiasm. He thought of the dry pursuit of the law which awaited his return to Ame- rica, and for which he had no inclination, and almost deter- mined to be a painter. Allston encouraged him in this disposi- tion, and together they planned the scheme of a life devoted to the pursuit of art. It was fortunate for the world that, as Irving reflected on the matter, doubts arose in his mind which tempered his enthusiasm, and led him to a different destiny. The two friends separated, each to take his own way to renown Allston to become one of the greatest of painters, and Irving to WILLIAM IKVING. take his place among the greatest of authors. Leaving Italy, Irving passed through Switzerland to France, resided in Paris several months, travelled through Flanders and Holland, went to England, and returned to his native country in 1806, after an absence of two years. At the close of the year he was admitted to practice as an attorney-at-law. He opened an office, but it could not be said that he ever became a practitioner. He began the year 1807 with the earliest of those literary labors which have won him the admiration of the world. On the 24th of January appeared, in the form of a small .pamphlet, the first number of a periodical entitled " Salmagundi," the joint production of him- self, his brother William, and James K. Paulding. The elder brother contributed the poetry, with hints and outlines for some of the essays, but nearly all the prose was written by the two younger associates. William Irving, however, had talent enough to have taken a more important part in the work. He was a man of wit, well educated, well informed, and the author of many clever things written for the press, in a vein of good natured satire and pub- lished without his name. He was held in great esteem on account of his personal character, and had great weight in Con- gress, of which he was for some years a member.* When " Salmagundi " appeared, the quaint old Dutch town in which Irving was born had become transformed to a compara- tively gay metropolis. Its population of twenty thousand souls had enlarged to more than eighty thousand, although its aris- tocratic class had yet their residences in what seems now to us the narrow space between the Battery and Wall street. The * See a brief but well written memoir of William Irving by Dr. Berrian. SALMAGUNDI. 15 modes and fashions of Europe were imported fresh and fresh. " Salmagundi " speaks of leather breeches as all the rage for a morning dress, and flesh-colored smalls for an evening party. Gay equipages dashed through the streets. A new theatre had risen in Park Row, on the boards of which Cooper, one of the finest declaimers, was performing to crowded houses. The churches had multiplied faster than the places of amusement ; other public buildings of a magnificence hitherto unknown, including our present City Hall, had been erected ; Tammany Hall, fresh from the hands of the builder, overlooked the Park. We began to affect a taste for pictures, and the rooms of Michael Paff, the famous German picture dealer in Broadway, were a favorite lounge for such connoisseurs as we then had, who amused themselves with making him talk of Michael Angelo. Ballston Springs were the great fashionable watering- place of the country, to which resorted the planters of the South with splendid equipages and troops of shining blacks in livery. " Salmagundi" satirized the follies and ridiculed the humors of the time with great prodigality of wit and no less exuberance of good nature. In form it resembles the " Tattler," and that numer- ous brood of periodical papers to which the success of the " Tat- tler" and " Spectator" gave birth; but it is in no sense an imita- tion. Its gaiety is its own; its style of humor is not that of Addi- son nor Goldsmith, though it has all the genial spirit of theirs; nor is it borrowed from any other writer. It is far more frolic- some and joyous, yet tempered by a native gracefulness. " Salma- gundi " was manifestly written without the fear of criticism before the eyes of the authors, and to this sense of perfect freedom in the exercise of their genius the charm is probably owing which makes us still read it with so much delight. Irving never seemed to place much value on the part he contributed to this 16 CONTEMPORARY AUTHORSHIP. work, yet I doubt whether he ever excelled some of those papers in Salmagundi which bear the most evident marks of his style, and Paulding, though he has since acquired a reputation by his other writings, can hardly be said to have written anything bet- ter than the best of those which are ascribed to his pen. Just before Salmagundi appeared, several of the authors who gave the literature of England its present character had begun to write. For five years the quarterly issues of the " Edin- burgh Review," then in the most brilliant period of its existence, had been before the public. Hazlitt had taken his place among the authors, and John Foster had published his essays. Of the poets, Rogers, Campbell and Moore were beginning to be popu- lar ; Wordsworth had published his Lyrical Ballads, Scott, his Lay of the Last Ministrel, Southey, his Madoc, and Joanna Baillie two volumes of her plays. In this revival of the crea- tive power in literature it is pleasant to see that our own coun- try took part, contributing a work of a character as fresh and original as any they produced on the other side of the Atlantic. Nearly two years afterward, in the autumn of 1809, appeared in the " Evening Post," addressed to the humane, an advertisement requesting information concerning a small elderly gentleman named Knickerbocker, dressed in a black coat and cocked hat, who had suddenly left his lodgings at the Columbian Hotel in Mulberry street, and had not been heard of after- ward. In the beginning of November, a " Traveller " commu- nicated to the same journal the information that he had seen a person answering to this description, apparently fatigued with his journey, resting by the road-side a little north of Kings- bridge. Ten days later Seth Handaside, the landlord of the Columbian Hotel, gave notice, through the same journal, that he had found in the missing gentleman's chamber " a curious kind WASHINGTON IRVING, FROM THE PICTURE BY JARVIS, 1809 aet. 27. DIEDRICH KNICKERBOCKER. IT of written book," which lie should print by way of reimbursing himself for what his lodger owed him. In December following, Inskeep and Bradford, booksellers, published "Diedrich Knicker- bocker's History of New York." " Salmagundi" had prepared the public to receive this work with favor, and Seth Handaside had no reason to regret having undertaken its publication. I recollect well its early and imme- diate popularity. I was then a youth in college, and having committed to memory a portion of it to repeat as a declamation before my class, I was so overcome with laughter, when I appeared on the floor, that I was unable to proceed, and drew upon myself the rebuke of the tutor. I have just read this " History of New York " over again, and I found myself no less delighted than when I first turned its pages in my early youth. When I compare it with other works of wit and humor of a similar length, I find that, unlike most of them, it carries forward the reader to the conclusion without weariness or satiety, so unsought, spontaneous, self-sug- gested are the wit and the humor. The author makes us laugh, because he can no more help it than we can help laughing. Scott, in one of his letters, compared the humor of this work to that of Swift. The rich vein of Irving's mirth is of a quality quite distinct from the dry drollery of Swift, but they have this in common, that they charm by the utter absence of effort, and this was probably the ground of Scott's remark. A critic in the " London Quarterly," some years after its appearance, spoke of it as a " tantalizing book," on account of his inability to under- stand what he called " the point of many of the allusions in this political satire." I fear he must have been one of those respect- able persons who find it difficult to understand a joke unless it l)e accompanied with a commentary opening and explaining it 18 AN OLDEN FLAVOR. to the humblest capacity. Scott found no such difficulty. "Our sides," he says, in a letter to Mr. Brevoort, a friend of Irving, written just after he had read the book,