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 aXACK 
 
 CATALOGUE 
 
 OF 
 
 AUTOGRAPH LETTERS 
 
 INCLUDING 
 
 BEETHOVEN, HAYDN, SCHUBERT, GOETHE, ROUSSEAU, 
 
 SCHILLER 
 A UNIQUE MANUSCRIPT OF FREDERIC THE GREAT. 
 
 -oOo- 
 
 ON SALE BY 
 
 PAUL GOTTSCHALK 
 
 BERLIN W. 64 
 
 UNTER DEN LINDEN 13.
 
 PAUL GOTTSCHALK 
 
 BERLIN W. 64 
 
 UNTER DEN LINDEN 13. 
 
 RARE BOOKS AND MANUSCRIPTS 
 AMERICANA 
 
 FIRST EDITIONS 
 
 AUTOGRAPHS 
 
 FINE BINDINGS 
 
 ILLUMINATED MANUSCRIPTS 
 
 BOOKS OF HOURS ON VELLUM 
 
 EARLY PRINTED BOOKS 
 WOODCUTS AND ENGRAVINGS.
 
 Plate I. 
 
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 No. 54. Goethe.
 
 CATALOGUE 
 
 OF 
 
 AUTOGRAPH LETTERS 
 
 INCLUDING 
 
 BEETHOVEN, HAYDN, SCHUBERT, GOETHE, ROUSSEAU, 
 
 SCHILLER 
 A UNIQUE MANUSCRIPT OF FREDERIC THE GREAT. 
 
 ■ oOo 
 
 ON SALE BY 
 
 PAUL GOTTSCHALK 
 
 BERLIN W. 64 
 
 UNTER DEN LINDEN 13. 
 
 r 
 
 1
 
 Abreviations: 
 
 A. L. S. = autograph letter signed. 
 
 L. S. = letter signed. 
 
 Doc. S. = document signed. 
 
 A. P. S. = autograph manuscript signed. 
 
 P. S. = manuscript signed. 
 
 Y
 
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 Phite II. 
 
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 No. 4. Philipp II. Part of page 2.
 
 v4
 
 Plate III. 
 
 I 
 
 T 
 
 No, 11. Beetlioven. Page 1.
 
 1 ABT, FRANCIS, German composer. Manuscript A. S. (signed 
 on the head). 4 pp. folio. M. 38. — 
 
 The manuscript contains three songs: „Love's confession", ,, Forget-me-not" 
 and ,,tlie Robin's song". Edward Oxenford a former owner of the manuscript 
 added the engUsh translation. 
 
 2 ADELHEID, Queen of England, 1792 — 1849. A. P. i p. 8vo. 
 obi. With seal." M. 2. — 
 
 Addressed to Graf Beust. 
 
 3 ALFONSO II. OF ESTE, Duke of Ferrara, the famous protector 
 of Tasso, Titian a. o. 1533 — 1597. L. S. Ferrara, June 29. 1581. i p. folio. 
 With seal. M. 50.— 
 
 Fine specimen of a very rare autograph. 
 
 4 AMERICA. PHILIPP II., King of Spain, 1556— 1598. A. L. (Madrid 
 1573.) 2 pp. foho. M. 300. — 
 
 Very fine letter of unusually historical interest, 
 extremely rare and valuable. It contains besides many 
 notes referring to Spanish History a short passage on 
 America, named India (Indios) — as always in this period. 
 A d d e d A. D. S. o f P h i 1 i p p II. 
 
 SEE REPRODUCTION, PLATE II. 
 
 5 AUGUSTA, German Empress, wife of William I. A. L. S. Berlin, 
 April 13. 1867. 2V4 pp. 8vo. M. 45. — 
 
 6 BEETHOVEN-MANUSCRIPT. LUDWIG VAN BEETHOVEN, 1770— 
 1827. Gran Trio per Violino, Viola e Violoncello. Del Sigr. Luigi van 
 Beethoven. Opera 4. Copy of the original manuscript with AN AR- 
 RANGEMENT FOR PIANO AND VIOLONCELLO IN BEETHO- 
 VEN'S AUTOGRAPH AND SOME CORRECTIONS. THIS ARRAN- 
 GEMENT IS UNEDITED AND UNKNOWN. 62 pages oblong folio, 
 18 pages of which are covered by Beethoven's arrangement. (Part, i 
 complete and the beginning of the second part.) Each page embraces 
 16 systems. Sewed. In very fine condition. Sold. 
 
 In the seventh series of the complete edition of the works of Beethoven 
 published by Breitkopf and Haertel is to be found as No. 1 a Trio for violins in 
 E-flat major, which at first has been announced by Artaria & Co. in the ,, Wiener 
 Zeitung" of 8th February 1797 as ,, Great Trio for Violin, Viola and Violoncello, 
 opus 3. Like many others of Beethoven's earUest compositions also this Trio 
 shows the influence of Mozart, which the wellknown Beethoven-biographer Notte- 
 hohm says to have found at first about 1785. It is a Ught entertaining music 
 in the best meaning and does not yet contain such boldnesses as for instance 
 the third trio for piano. After ,,Wegeler's notes on Beethoven" (Pages 37 — 38 
 in Kalischer's reprint of the rare german edition) this trio has been caused by an 
 attempt of Beethoven, to compose a quartetto for Count Appony, a mistake dis- 
 prouved by Thayer in his fundamental Beethoven-biography through the following 
 
 PAUL GOTTSCHALK, Berlin W. 64, Unter dei Linden 13.
 
 Beethoven — Berlioz. 
 
 note: In December of 1792 Abb6 Dobbeler left Bonn for Hambourg and England. 
 HE TOOK WITH HIM A WRITTEN COPY OF THIS TRIO, and yet in the 
 summer of the following year 1793 the work has been played at Leicester in Eng- 
 land. The trio has been composed only a short time before Dobbeler left Bonn, 
 consequently Beethoven composed it in the last time he lived at Bonn, only a 
 few weeks before he removed to Vienna, where he was under the influence of Haydn 
 (November 1792). With the above mentioned copy our manuscript is identical. 
 But the value of it is also a verygreat one, because afterwards Beethoven has 
 formed a duo from this trio, entitled ,,A great sonata for piano and violoncello 
 in E-flat major" annovmced by Artaria & Co. in the ,, Wiener Zeitung" of 27th 
 of May 1807, being nothing else than an arrangement of this sanae trio. This 
 sonata is not to be found amongst the cello-sonatas in the above mentioned 
 complete edition of the works of Beethoven, but there have been published the 
 single scores for the both instruments by Artaria & Co, a copy of which is owned 
 for instance by the Royal Library of Berlin. 
 
 THE FIRST TWO PARTS OF THIS MANUSCRIPT. 
 THE „ALLBGRO CON BRIO" AND THE „A N D A N T E", 
 CONTAIN EXTENSIVE ADDITIONS IN BEETHOVEN'S 
 AUTOGRAPH, WHICH MAY BE CONSIDERED AS 
 SKETCHES FOR THE MENTIONED GREAT SONATA 
 COMPOSED ABOUT 15 YEARS LATER. These sketches are 
 of course of the highest importance for the history of the musical development 
 of Beethoven, being composed at an age of about 22 years, and the tact, that 
 many passages have not been alterated in the great sonata, a work of such 
 a later period, prouves that Beethoven himself seems to have been rather satis- 
 fied of this composition of his first time. The arrangement in this manuscript 
 shows the striving Genius, the sonata the reached perfection. Comparing the 
 both arrangements we find very characteristic variations, a very interesting one 
 for instance just at the beginning: „The violoncellist is requested to pause the 
 first bar" {„Der Herr Violoncellist ist gebeten den ersten Tact zu pausieren") 
 says a note of Beethoven in the manuscript, whilst in the sonata the cellist has 
 to intonate together with the pianist. There are also many other instructions 
 of Beethoven apparently later disapproved and not contained in the sonata, and 
 of course there cannot be any doubt, that the sonata has to be considered as 
 a more perfect production. 
 
 BEETHOVEN-MANUSCRIPTS FROM THIS EAR- 
 LIEST PERIOD RANGE AMONGST THE HIGHEST RA- 
 RITIES AND MOST DESIRABLE VALUABLES. A SO 
 EXTENSIVE AND EARLY BEETHOVEN-MANUSCRIPT 
 HAS NOT BEEN OFFERED FOR SALE SINCE MANY YEARS. 
 
 Description by Doctor James Simon. 
 
 SEE REPRODUCTION, PLATE III. 
 
 7 LUDWIG VAN BEETHOVEN, A. L. S. (Vienna, July 3. 1811.) 4 pp. 
 8vo. M. 900. — 
 
 Abeautiful specimen of a very extensive and in 
 teresting Beethoven letter, addressed to Friedrich 
 Treitschke. Regards the melodram ,,the ruins of Baby- 
 lon"; Beethoven, wishing to use the same libretto for 
 a great opera, he intended to compose, asked 
 
 Treitschke, to write the text for ii. In this letter 
 he explains his ideas to Treitschke. 
 
 8 BERLIOZ, HECTOR, famous French composer. A. P. S. 
 March 6. 1843. i p. obi. 4to. M. 100. — 
 
 Contains ,, Phrase de I'ouverture de Benvenuto Cellini", his most celebrated 
 opera. 
 
 SEE REPRODUCTION, PLATE IV. 
 
 PAUL GOTTSCHALK, Berlin W. 64, Unter den Linden 13.
 
 //V^ 
 
 'ihff, 
 
 I 
 
 1
 
 Plate IV. 
 
 \lH:. 
 
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 Nn. IS. nerli.iz.
 
 Plate V. 
 
 
 N". 3r)a. Elisabeth Chariot t.-. Pa^;.- 2.
 
 Brahms — Eleonore. g 
 
 9 BRAHMS, JOHANNES, the great German composer. A. L. S. 
 (February, 1882.) 2iy4 PP- 8vo. M. 65. — 
 
 10 CANNING, GEORGE, Statesman, P. S. London, June 24. 1825. 
 Passeport. M. i. — 
 
 11 CANOVA, ANTONIO, the Italian sculptor. A. L. S. Rome, 
 Oct. 12. 1811. I p. 4to. M. 18.— 
 
 A nice closely written letter with address. 
 
 12 CHARLES, v., German emperor. 1519 — 1556. D. S. Genova, 
 Oct. 18. 1536. I p. Large obi. folio. M. 40. — 
 
 Fine document written on vellum. 
 
 13 CAROLINE, Queen of Denmark. A. L. S. July 21. 1841. 2 pp. 
 8vo. ~ M. 10. — 
 
 14 CASANOVA, JEAN JACQUES DE SEINGALT, the f a m o u s a d - 
 venturer and author. A. L. S. Dux, i p. 4to. M. 60. — 
 
 Very rare. Nice letter written to a lady. „La nature m'a condamnd k 
 une mort lente . . ." 
 
 15 CROKER, JOHN WILSON, Essayist and Politician, 1780 
 — 1857. A. L. S. London, August 31. 1849. i p. 8vo. M. 1.50 
 
 16 COOPER, JAMES FENIMORE. A. L. S. Cooperstown 1816. i p. 4to. 
 
 M. 33.50 
 
 17 CRUIKSHANK, GEORGE, Illustrations of Time. London. W. Kent 
 
 & Co. S. D. Obi. folio. Illustrated original wrappers, half-cloth. M. 45. — 
 
 PRESENTATION COPY with the following dedication 
 in Cruikshank's autograph: „R ichard Frankum Esq. with 
 the regards of Geo C r u i k s h a n k". 
 
 18 DAMER, ANNE SEYMOUR, Sculptress. 1779— 1828. A. L. S. Upper- 
 Brook-Street, June 10. 1805. I p. 4to. M. 10. — 
 
 Very rare; nice specimen. 
 
 19 DANNECKER, JOHANN HEINRICH, the celebrated Sculp- 
 tor. A. P. S Stuttgart, August 3. 1820. 14 p. 4to. M. 12. — 
 
 Rare. 
 
 20 DARWIN, CHARLES, Naturalist. A. P. S. March 2. 1875. i p. 
 8vo. M. 4.— 
 
 21 DUMAS, ALEXANDER, the famous Author. Original 
 Manuscript of the wellknown novel: ,,La terreur 
 prussienne a Francfort". about 250 pp. 4to. halfcalf. M. 150. — 
 
 A very fine and desirable Dumas-Manuscript; a few 
 interesting letters inserted. Very rare. 
 
 22 DURHENN (SIR PHILIPP). 2 A. L. S. to Admiral Wormeley. 2 pp. 
 8vo. M. 2. — 
 
 23 ELEONORE D'AUSTRIA. German Empress, wifeofLeo- 
 p o 1 d I. A. L. S. Vienna, January 29. 1709. 414 PP- folio. With seal 
 and address. M. 50. — 
 
 A very fine and interesting letter addressed to Kardinal Grimani, the 
 viceking of Napel, written in Italian. 
 
 PAUL GOTTSCHALK, Berlin W. 04, Unter den Linden 13.
 
 6 Elisabeth — Goethe. 
 
 24 ELISABETH CHARLOTTE, Duchess of Orleans, known as „Liselotte", 
 „la Palatine". A. L. S. 2 pp. 4to. M. 200.— 
 
 Extremely rare. A very fine letter addressed to the 
 Pope. 
 
 SEE REPBODUCTION PLATE V. 
 
 25 EUGEN, PRINCE OF SAVOY, the celebrated General. 1683 
 — 1736. L. S. Vienna, February 27. 1727. i p. Folio. With portrait. 
 
 M. 12.— 
 
 26 FERDINAND III. German Emperor. Vienna, Nov. 14. 1651. 
 2 pp. foho. With seal and address. M. 7.50 
 
 27 FICHTE, JOHANN GOTTFRIED, German philosopher. A. 
 L. S. Berlin, Nov. 19. 1803. 11/2 PP- 4to. M. 36.— 
 
 28 FRANCIS II., German Empei4br, 1792— 1806. A. L. S. Laxen- 
 
 burg, August 2. 1806. 3!/^ pp. 4to. M. 100. — 
 
 UNUSUALLY FINE AND LONG LETTER TO HIS BROTHER FER- 
 DINAND OF WttRZBURG, MOSTLY ON NAPOLEON. 
 
 29 FREDERIC THE GREAT, King of Prussia. Autograph 
 Manuscript signed on the head containing acon- 
 certo for flute composed by the king himself. "Solo 
 per il flauto" (B-dur). 4 pp. Great-Folio. M. 2000. — 
 
 UNIQUE! NO OTHER ORIGINAL MANUSCRIPT OF A COMPO- 
 SITION OF FREDERIC THE GREAT IN PRIVATE POSSESSION IS 
 KNOWN, ALL OTHER MANUSCRIPTS ARE OWNED BY THE GERMAN 
 EMPEROR OB GERMAN PUBLIC COLLECTIONS. This ma n\i script 
 contains the "C a n t a b i 1 e" "Allegro" and "Presto" of the 
 concert, with many corrections. From the Aloys Fuchs- 
 Collection, probably the finest collection of musical 
 autographs ever brought together. 
 
 AN UNUSUALLY FINE AND DESIRABLE AUTOGRAPH FOR 
 EVERY COLLECTOR OF AUTOGRAPHS. 
 
 SEE REPRODUCTION, PLATE VI. 
 
 30 GADE, NIELS W., Danish composer. A. L. S. Paris, January 
 30. 1862. 2 pp. 8vo. With address. M. 18. — 
 
 31 GLADSTONE, WILLIAM EDWART. A. P. S. January 1876. i p. 8vo. 
 
 M. 10. — 
 
 32 GOETHE, JOHANN WOLFGANG. A. P. S. 1/2 P- 8vo. M. 85.— 
 
 The manuscript of the title of a book edited by Goethe. 
 
 33 A. P. S. (signed "G.") Jena, March 29. 1817. i p. M. 90. — 
 
 UNPUBLISHED. Partly in German, partly in French. 
 
 34 A. L. S. (signed "G.") i page, small 8vo. M. 75. — 
 
 UNPUBLISHED. A very nice specimen of a Goethe- 
 autograph. 
 
 SEE REPRODUCTION, PLATE I. 
 
 35 Autograph Manuscript, i p. 4to. (Nov. 7. 1825.) M. 700. — 
 
 A VERY BEAUTIFUL AND MOST DESIRABLE GOETHE-AUTO- 
 GRAPH, CONTAINING THE COMPLETE MANUSCRIPT OF A VERY CELE- 
 
 PAUL GOTTSCHALK, BerUn W. 64, Unter den Linden 13.
 
 Goethe — Leoncavallo.
 
 Plate VI. 
 
 Qa^^mUc- 
 
 qJJ^ P^ U ^/^ 
 
 ^•' O^jt/i^ 
 
 ^ ir^ii^i-ii^i^ i'r^r'^ Ki;|M)//i y 
 
 No. 42. Frieilrich der Grosso. Pail of page I.
 
 Goethe — Leoncavallo. 7 
 
 BBATED POEM OF GOETHE TO IVIARIANNE VON WIL LEMEB, . EXTRE-.
 
 Plate VII. 
 
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 5:^ 
 
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 Nu. 111. Joseph llaj'ihi. I'art uf |ingi' i;.
 
 Goethe — Leoncavallo. 7 
 
 BRATED POEM OF GOETHE TO MARIANNE VON WILLEMER. EXTRE- 
 MELY RARE. 
 
 36 GOETHE JOHANN WOLFGANG. Charlotte Kestner, known as 
 Charlotte of W e r t h e r, A. P. S. Hannover, January 13. 1823. 
 14 p. 4to. obi. " Sold. 
 
 OP UTMOST RARITY. 
 
 37 — LEWES (G. H.) The Life and Works of Goethe, with Sketches of 
 his age and contemporaries from published and unpublished sources, 
 2 vol. first edition, 2 portraits of Goethe, uncut. 1855. M. 100. — 
 
 B. DOCKRAY'S COPY, the author of the Egeria Series, who, while perusing 
 it from Dec. 5, 1857 to March 10, 1859, surrounded the text throughout with most 
 valuable manuscript additions; having had the advantage of Goe- 
 the's personal acquaintance and being on intimate terms 
 with Carlyle, these notes would fill a volume, instructive and diverting alike 
 to Goethe admirers. Thackeray's long and interesting letter to Lewes has also 
 a few notes of an elucidating nature by Mr. Dockray. 
 
 38 HALEVY, JACQUES. French composer. A. L. S. Paris, August 
 22. 1836. I p. 8vo. M. 12. — 
 
 Interesting letter written to Cherubini. 
 
 39 HAYDN, JOSEPH. AUTOGRAPH MANUSCRIPT SIGNED. 2 pp. 
 Folio, obi. cloth, nice gilt ornaments. Sold. 
 
 AN EXCEEDINGLY FINE AND PRECIOUS AUTOGRAPH, CON- 
 TAINING AN UNPUBLISHED AND UNKNOWN COMPOSITION FOR THE 
 CHIMING-CLOCK, FULL SIGNED. This valuable manuscript was 
 given to Alfred von Frank by Hayd n's publisher Artaria 
 as might be learned from a dedication written by Artaria. 
 
 SEE REPRODUCTION, PLATE VII. 
 
 40 ORIGINAL MANUSCRIPT, 2I/2 PP- Folio, obi. M. 700.— 
 
 A most interesting specimen, containing partly 
 unpublished sketches for his wellknown symphony 
 D-major. From the collection of Julius Alsleben. 
 
 41 A. L. S. Estory (Esterhass). September 36. 1785. i p. 4to. With 
 
 seal and address. M. 425. — 
 
 42 HENRY III., King of France, 1551 — 1589. Doc. s. o n v e 1 1 u m. 
 1584. I p. Folio, obi. M. 20. — 
 
 43 HERDER, JOHANN GOTTFRIED, the German Poet. A. L. S. 
 (Weimar, 25. 1800). i p. 4to. With seal and address. M. 28. — 
 
 44 ISRAELS, JOSEPH, the celebrated Dutch painter. A. L. S. 
 The Hague, Nov. 6. 1880. 2 pp. 8vo. M. 10. — 
 
 45 LEIBNIZ, GOTTFRIED WILHELM, the great Philosopher. 
 A. L. S. Hannover, March 2. 1697. i p. 4to. With seal and address. M. 65. — 
 
 Very rare. Interesting letter in Latin. 
 
 SEE REPRODUCTION, PLATE VIII. 
 
 46 LEONCAVALLO, RUGGIERO, the famous Italian com- 
 poser. A. L. S. Riccione, 3 pp. 8vo. Sold. 
 
 A nice letter, regarding his opera "la B o h g m e". 
 
 PAUL GOTTSCHALK, BerUn W. 64, Unter den Linden 13.
 
 8 Leopold — Napier. 
 
 47 LEOPOLD, I., GermanEmperor, 1670 — 1705. L. S. Jena, March 
 31. 1672. I p. Folio. With seal. M. 6. — 
 
 48 LIND, JENNY, known as "the Swedish Nightingale" 
 1829 — 1887. A. L. S. 10 pp. 8vo. M. 45. — 
 
 Unusually long and interesting letter in English, 
 addressed to Fitzgerald (the translator of "Omar Kh a y y a m"). 
 
 49 LISZT, FRANZ, the famous composer, 1811 — 1886. A. L. S. 
 Nov. 21. 1843. 2^li pp. 8vo. M. 18. — 
 
 Nice letter in French. 
 
 50 LOEWE, CHARLES, German Composer, 1796 — 1869. A. M. S. 
 
 I p. FoHo. obi. M. 75. — 
 
 Nice specimen. The original manuscript of his song 
 "Dream light" (T r a u m 1 i c h t). 
 
 51 MARIA THERESIA, Empress of Austria, 1717— 1780. L. S. 
 June, 13. 1766. I p. 4to. M. 50. — 
 
 Addressed to Graf Esterhazy with a note of about 
 6 long lines IN MAEIA THERESIA' S OWN HANDWRITING. 
 
 52 MAXIMILAIN II., German Emperor, 1527 — 1576. L. S. 214 PP- 
 Folio. With address. M. 8.— 
 
 53 MAZARIN, GIULIO, the celebrated Cardinal and States- 
 m a n, 1603 — 1661. A. L. S. Rome, August 26. 1633. i p. foHo. M 60. — 
 
 Very rare. Holograph letter in Italian to Cardinal 
 Antonio Santa Croce. 
 
 54 MELANCHTHON, PHILIPP, 1497— 1560. AUTOGRAPH LETTER 
 SIGNED. (Wittenberg, 1551.) i p. 4to. M. 275.— 
 
 IN GERMAN ! WHILST LATIN LETTERS OF MELANCHTHON 
 RATHER OFTEN OCCUR FOR SALE, GERMAN LETTERS ARE OF UTMOST 
 RARITY. 
 
 SEE REPRODUCTION, PLATE IX. 
 
 55 MENDELSSOHN-BARTHOLDY, FELIX, Thegreatcom poser, 
 1809 — 1847. A. L. S. Berlin, August 24. 1835. i p. 8vo. M. 50. — 
 
 56 MEYERBEER, GIACOMO, the celebrated Composer, 1791 
 — 1864. A. L. S. Berlin, Nov. 16. 1841. i p. 4to. M. 12. — 
 
 57 A. P. S. Schwalbach, August 1858. i p. 8vo. obi. M. 20. — 
 
 Nice specimen. Leaf ofanAlbum, containing a musi- 
 cal score: "Prelude pour 1 ' o r g u e". 
 
 58 NAPIER, CHARLES JAMES, A d m i r a 1. 6 A. L. S. to Admiral Wor- 
 meley. 1842 — 1851. 13 pp. 8vo. M. 12. — 
 
 Private letters, but partly of political interest. 
 59 2 L. S. Beyrut, August 30. and 31. 1840. Her Majesty's ship Power- 
 ful. 2 pp. Folio. M. 4. — 
 Addressed to Captain Latimer, commanding the United States ship Cyane 
 (on the blockade). 
 
 PAUL GOTTSCHALK, Berlin W. 64, Unter den Linden 13.
 
 Plate VIII. 
 
 
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 Nil. "S. Leibniz,
 
 Nicolai — Schiller. 
 
 L— Li'brv h-ri^J ''^ - 
 
 ( ¥VA.' l^* 
 
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 No.
 
 Plate IX. 
 
 
 No. 92. MeluDchthou.
 
 Niccdai — Schiller. 
 
 9 
 
 60 NICOLAI, OTTO, Composer, (The merry wives of Wind- 
 so r a. o.) A. P. S. Vienna, June 19. 1841. i p. 8vo. obi. M. 28. — 
 
 A m .s t c h a !■ rn i n g 1 e a f o f a n a 1 b n m , c o n t a i n i n K t h e b e - 
 ginning part of an Italian aria. 
 
 61 PALMERSTON, HENRY JOHN TEMPLE, Statesman, 1784— 
 1865. A. L. S. May 14. 1839. 2 pp. 4to. M. 18.— 
 
 Nice letter to the Baron de Bentinck in French. 
 
 62 PEEL, SIR ROBERT, Statesman, 1788— 1850. A. L. S. Whitehall, 
 August I. 1833. y^ p. 8vo. M. 1.50 
 
 63 PELLICO, SILVIO, the great Italian Poet. A. P. S. Rom, 
 February 5. 1846. i p. 8vo. M. 25. — 
 
 Very nice autograph: "Soltanto alcuni uomini niandano gran luce di virtii 
 ma tutti potrebbero mandarla." 
 
 64 PORTLAND, WILLIAM HENRY, Cavendish Bentinck, third duke of. 
 Premier. A. L. S. Whitehall, January, 24. 1764. i p. 4to. M. 12. — 
 
 Nice specimen. 
 
 65 RISTORI, ADELAIDE, The famous Actress, 1822— 1906. 
 A. L. S. Casa, March, 29. 1896. 2 pp. 8vo. M. 7. — 
 
 66 ROUGET DE LTSLE, C.-J., Autor of the "Marseillaise", 
 1760— 1836. A. L. S. Choisy-le-Roi, July 18. 1832. 2 pp. 4to. With ad- 
 dress. " M. 40.— 
 
 VERY RARE. 
 
 67 ROUSSEAU, JEAN JACQUES. Holograph manuscript, his 
 signature on the head: ,, Giuseppe Farsetti, Patricio Veneto, a 
 Giov. Giacomo Rousseau, Citadino Ginevrino, Sermone." 3 pages. 4to. 
 
 M. 200.^ 
 
 AN UNUSUALLY FINE SPECIMEN OF AN ROUS- 
 SEAU AUTOGRAPH, very clearly written, containing 
 anitalian poem of fi5 lines byFarselti inRousseau's hand- 
 writing and at the end a note to the printer in French. 
 
 Farsetti, a Venetian patrician, was a poet and a collector of autographs; 
 he wrote to the celebrities of his time asking for autographs. 
 
 68 RUSKIN, JOHN. A. L. S. 4 pp. 8vo. M. 48.— 
 
 A very long and interesting letter to Dallas: "the real 
 controversy is not so much between English and foreign 
 glasspainting as between the thirteenth century and mo- 
 dern Grermanisme " Refers to the Differences of 
 
 English, French and German glass-painting, from the 
 thirteenth century to the modern time. 
 
 69 RUBINSTEIN, ANTON, The great Russian composer, 
 1829— 1894. A. P. S. Hamburg, January 18. 1856. i p. 4to obi. Sold. 
 
 Leaf of an album, containing the beginning of one 
 of his most estimate songs, ,,0 wenn es doch immerso 
 bliebe . . . ." 
 
 70 SCHILLER, FRIEDRICH VON, 1759— 1805. A. L. S. (signed "Ihr S.") 
 Volkstadt, bey Rudolstadt, July 10. 1788. 3 full pp. 8vo. M. 750. — 
 
 AN EXTREMELY FINE AND UNPUBLISHED LETTER OF 
 SCHILLER TO HENRIETTE VON WOLZOGEN. 
 
 PAUL GOTTSCHALK, Berlin W. 64, Unter den Linden 13.
 
 lO Schubert — York. 
 
 71 SCHUBERT, FRANZ, The great composer, 1797— 1828. ORI- 
 GINAL MANUSCRIPT SIGNED. March 1816. 2 full pp. Folio, cbl. 
 
 M. 1250. — 
 
 THIS SPLENDID iVIANUSCRIPT CONTAINS 2 SONGS BY 
 
 SCHUBERT, ONE OP WHICH "HEEBSTNACHT" IS UNKNOWN 
 
 AND UNPUBLISHED. ON THE HEAD OF EACH SCHUBERT HAS 
 
 WRITTEN HIS SIGNATURE. 
 
 MANUSCRIPTS BY SCHUBERT ARE EXCEEDINGLY RARE. 
 
 SEE REPRODUCTION, PLATE X. 
 
 72 SCHUMANN, ROBERT, The celebrated composer, 1810— 
 1856. ORIGINAL MANUSCRIPT SIGNED. April 28. 1838. 2 full pp. 
 4to. obi. ■ M. 600. — 
 
 A MOST PRECIOUS AND RARE AUTOGRAPH, THE COMPLETE 
 FIRST PART OF THE "KREISLERIANA", PERHAPS THE FINEST AND 
 MOST ESTIjMATED COIMPOSITION OF SCHUMANN FOR THE PIANO. 
 OF HIGHEST INTEREST ARE SOME VERY CHARAC- 
 TERISTIC VARIATIONS FROM THE PRINTED EDI- 
 TION, WHICH ARE ALL UNKNOWN AND UNPUBLISHED. 
 
 73 Three poems for a voice and piano, dedicated 
 
 toMathilde Hartmann. Hannover, (1853). Folio, cloth. M. 70. — 
 
 THIS IS THE PRESENTATION COPY OF SCHUMANN TO FRAU- 
 LEIN HART]\LVNN WITH A VERY NICE INSCRIPTION OF THE COM- 
 POSER, WITH HIS SIGNATURE. 
 
 74 — SCHUMANN, CLARA. A. L. S. June, 2. 1894. 2 pp. 8vo. With ad- 
 dress. M. 3. — 
 
 75 — Album of the composer Julius Tausch, 1846 — 1852. 
 8vo. obi. Boards. M. 100. — 
 
 Robert Schumann, Hauptmann, Wasielewski and other composers 
 and musicians inscribed musical scores. 
 
 76 SEMBRICH, MARCELLA, the celebrated Singer. A. P. S. 
 Francfort, February 25. 1887. i p. folio, obi. M. 36. — 
 
 A charming autograph containing the beginning of 
 an aria from „Lucia di Lammermoor" and of the cava tine 
 from the „Barbiere di Sevill a". With a dedication to Goi- 
 ter m a n n. 
 
 77 VERNON, Minister. L. S. Whitehall, January 13. 1701. i p. 4to. M. 2.— 
 
 78 YORK, FREDERIC AUGUSTUS, Duke of, Son of George III. 
 L. S. Horseguards, March 5. 1812. 4to. M. 3. —
 
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