THE HUMAN 
 INTEREST LIBRARY 
 
 VISUALIZED KNOWLEDGE 
 
 EDITORS 
 
 RT. REV. SAMUEL FALLOWS, D.D., LL.D. 
 HENRY W. RUOFF, M.A., Litt.D., D.C.L. 
 
 VOLUME I. 
 
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 CHICAGO 
 THE MIDLAND PRESS 
 
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 Copyright 1914, by The Midland Press 
 
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ITS 
 PURPOSE 
 
 ITS 
 METHOD 
 
 ITS ILLUS- 
 TRATIONS 
 
 CUMULATIVE 
 
 HOME 
 
 LIBRARY 
 
 PUBLISHER'S STATEMENT 
 
 Today — every day — there is something we 
 would hke to know and to understando "Learn one 
 thing every day" might be the legend of The 
 Human Interest Library. Its purpose is to 
 acquaint the reader with the human interest facts 
 of the world's knowledge through his devoting five 
 minutes of spare time each day to interesting read- 
 ing and to looking at instructive pictures. 
 
 In order that this knowledge may be acquired 
 agreeably and without special effort, the facts have 
 been woven into gripping human interest stories — 
 stories that give in concise manner and without 
 unnecessary detail, just what everyone wants to 
 know about a famous person, place, picture or 
 event. Each story is complete in itself and can be 
 read in a few moments of spare time. If one story 
 only is read every day, every day something worth 
 while will be learned, and the reader will be quite 
 unaware of any effort to acquire knowledge. 
 
 More than a thousand illustrations, selected 
 for their educational and inspirational value ; nearly 
 two hundred beautiful full-page engravings and 
 numerous drawings by special artists have been 
 used to fully illustrate all subjects treated and to 
 visualize to a remarkable degree the story of man's 
 achievements. Gathered from all available sources 
 throughout the world, the paintings and photo- 
 graphs reproduced form a veritable picture gallery 
 of the world's great men and great events. 
 
 The volumes now issued are the basic volumes 
 of a cumulative set of books to which additional 
 volumes are to be added from time to time. Each 
 volume as purchased is complete in itself but so 
 planned as to cover a special field, or to form a dis- 
 tinct part of the whole. 
 
 ^141080 
 
NO REPETI- 
 TION OF 
 MATTER 
 
 PERSONAL 
 TO THE 
 SUBSCRIBER 
 
 Succeeding volumes will contain no duplication of 
 matter, but rather an orderly continuation of the 
 departments already projected, or possibly new 
 departments. When all volumes have been issued, 
 The Human Interest Library will present in 
 picture and story the sum total of a practical and 
 liberal education in Science, Fine Arts, History, 
 the Kingdoms of Nature, Literature, Biography and 
 Travel. The final volume will contain a general 
 index, minutely analyzing and indexing the con- 
 tents of the entire set. 
 
 If some favorite subjects or authors, or perhaps 
 the story of what seems a most important event, 
 do not appear in the initial volumes of the set, 
 they may be confidently expected in the volumes 
 that are to follow. Each volume affords only a 
 given amount of space and the editors keeping in 
 mind the comprehensive plan of the complete 
 library, have exercised unrestricted judgment in 
 the selections they have made. Some favorite 
 human interest topic — the story that you may have 
 looked for and failed to find — is sure to be told in 
 its most interesting form in the volumes that are 
 to follow. 
 
 SAVE YOUR Upon inquiry the publishers will be glad to 
 
 A??OWANrE ^^^i^^ subscribers of the approximate date upon 
 FOR which succeeding volumes will be ready for delivery. 
 
 SUCCEEDING TJ^e advance subscriptions received for these vol- 
 umes will be filled with First Edition copies. Save 
 a portion of your annual book money for the forth- 
 coming volumes and your home will soon possess 
 a comprehensive library of the world's best 
 knowledge. 
 
 VOLUMES 
 
X ^^ .-^ou^^^Y ^'—^'^^'^'^-- A^^C;^^^^.^ 
 
 EDITORS 
 
 RT. REV. SAMUEL FALLOWS, D.D., LL.D. 
 
 Bishop of the Reformed Episcopal Church; Ex-President Illi- 
 nois Wesleyan University; editor Popular and Critical Bible 
 Encyclopedia; Webster's Encyclopedic Dictionary, etc. 
 
 HENRY W. RUOFF, M.A., Litt.D., D.C.L. 
 
 Editor The Century Book of Facts; The Capitals of the World; 
 The Standard Dictionary of Facts; Masters of Achievement; The 
 Volume Library, etc. 
 
 CONTRIBUTORS AND REVISERS 
 
 ROBERT E. PEARY, LL.D., U.S.N. 
 
 Rear-Admiral U. S. Navy; Discoverer of the North Pole; 
 ■author of Northward Over the Great Ice, etc. 
 
 RT. REV. WILLIAM A. QUAYLE, D.D., Litt.D., LL.D, 
 
 Bishop of the Methodist Episcopal Church; author of The 
 Poet's Poet and other Essays; Eternity in the Heart; God's 
 Calendar; The Song of Songs, etc. 
 
 WINFIELD S. HALL, M.A., Ph.D., M.D. 
 
 Professor of Physiology, Northwestern University Medical 
 School; author oi Essentials of Physiology; Sexual Hygiene, etc. 
 
 FREDERIC STARR, Ph.D., D.Sc. 
 
 Professor of Anthropology, University of Chicago; author of 
 First Steps in Human Progress; Strange Peoples, etc.; editor of 
 the Anthropological Series. 
 
 DOROTHY CANFIELD FISHER, Ph.D. 
 
 Author of Corneille and Racine in England; What Shall We Do 
 Now?; The Montessori Mother, etc. 
 
 CHARLES A. McMURRY, Ph.D. 
 
 Professor of Psychology and Pedagogy, Illinois State Normal 
 School; author of The Eight Grades, Methods in Elementary 
 Science, Nature Study Lessons, etc. 
 
 dy-c.dui~<^^~XiC vJTXA/i^ 
 
 tsrr<. 
 
 ^^^~d± 
 
CONTRIBUTORS AND REVISERS 
 
 BENJAMIN C. ALLIN 
 
 Writer, Traveler, Lecturer. 
 
 GRANVILLE WALTER BARR, M.D. 
 
 Former Editor Keokuk Standard; Lecturer on Popular Science; 
 author of Shacklett, etc. 
 
 JAMES T. CASE, M.D. 
 
 Roentgenologist to Battle Creek Sanitarium, Battle Creek, 
 Mich., and to St. Luke's Hospital, Chicago; lecturer on Roent- 
 genology, Northwestern University Medical School, etc. 
 
 GEORGE LUCIUS COLLIE, M.A., Ph.D., LL.D. 
 
 Dean Beloit College; geologist; educator and traveler; writer 
 on Geological and Educational topics. 
 
 CHARLES AARON CULVER, Ph.D. 
 
 Professor Physics, Beloit College; author of papers on subject 
 of electromagnetic waves, etc. Contributor to Physical Review- 
 Electrical World; Science, etc. 
 
 HENRY PURMORT EAMES, LL.B., Mus.D. 
 
 Formerly Director Piano Department and Lecturer on Theory 
 of Music, L'niversity of Nebraska; founder of Omaha School of 
 Music; concertized in France, Great Britain and United States. 
 
 EMIL GERBER, C.E. 
 
 Late General Manager of Erection, American Bridge Company, 
 Pittsburgh, Pa. 
 
 CURVIN H. GINGRICH, M.A., Ph.D. 
 
 Professor Astronomy, Carleton College; associate editor of 
 Popular Astronomy, etc. 
 
 JEANNETTE RECTOR HODGDON 
 
 Teacher of History in New York City High School; author of 
 A First Course in American History, etc. 
 
 BEVERLY W. KUNKEL, Ph.D. 
 
 Professor of Zoology, Beloit College. Writer on zoology and 
 anatomy. 
 
 SAMUEL A. LOUGH, M.A., Ph.D. 
 
 Professor in the University of Denver; Educator, Writer. 
 
 ARTHUR MEE 
 
 Journalist and author. Editor Harmsworth'a Self-Educator; 
 Children's Encyclopedia; Children's Magazine; author of Life 
 Story of Edward VII, etc. 
 
 E. L. C. MORSE, B.A., LL.B. 
 
 Principal Phil Sheridan Public School, Chicago; periodical 
 writer, etc. 
 
 WILLIAM LEWIS NIDA, Ph.B. 
 
 City Superintendent Schools, River Forest, 111. Author, Ele- 
 mentary Agriculture; Farm Animals and Farm Crops; City, 
 State and Nation, etc. 
 
 CHARLES ELSTON NIXON, B.A. 
 
 Dramatic and Music Critic; writer of dramatic Sketches, 
 songs and historic dramas. Formerly western manager Music 
 Trades and Musical America, and The Philharmonic, Chicago. 
 
 ALBERT J. NORTON, B.Sc. 
 
 Writer and Lecturer on Spanish American Subjects; author of 
 Norton's Complete Handbook of Havana and Cuba, etc. 
 
 ETHEL COOPER PIERCE, M.A. 
 
 Editorial writer Home and School Reference Work; teacher 
 science and mathematics; contributor to periodical literature. 
 
 MARA L. PRATT 
 
 Author of America's Story for America's Children; World History 
 in Myth and Legend; etc. 
 
 GEORGE ROCKWELL PUTNAM, C.E. 
 
 United States Commissioner of Lighthouses; director United 
 States Coast Surveys, Philippine Islands, 1900-6; author 
 Nautical Charts, and numerous technical papers. 
 
 ANNA E. REURY 
 
 Assistant editor Home and School Reference Work; former as- 
 sistant editor The Freeman, Kingston-on-Hudson; contributor 
 to periodical literature, etc. 
 
 LEW R. SARETT, B.A. 
 
 Department of Rhetoric and Public Speaking, University of 
 Illinois; lecturer on out-of-door subjects; magazine writer, etc. 
 
 FREDERIC BENNETT WRIGHT, M.A. 
 
 Author, traveler, lecturer. Editor Records of the Past, etc. 
 
DESCRIPTION OF CONTENTS 
 
 VOLUME ONE 
 
 Page 
 
 EVERYDAY WONDER BOOK 11 
 
 This book concerns many of the commonest things in life about which we, and especially those 
 of us who are children, are continually wondering what the explanation may be. Very often these 
 questions remain unanswered through life; because, perhaps, they are so simple. Here is a very 
 marvelous book in which the ever recurring "Why" is answered. Whether it concerns the mysteries 
 of the body or the far-off wonders of sun, moon and stars, the explanation is equally lucid. 
 
 BOOK OF OUR OWN LIFE .89 
 
 In an age replete with discussion of matters relative to our physical well being, with public interest 
 as never before focussed on physical culture, sex hygiene, eugenics and pubUc sanitation, nothing is 
 more timely than this very Book of Our Own Life. It traces human life from the cell to the full 
 grown man and shows how the tiny microbes, the enemy of man, enter the blood stream, and the havoc 
 they make. How the senses stand guard over the avenue of approach to the body and how the central 
 nervous system from its seat in the brain, guides and directs all, is beautifully told in text and 
 illustration. 
 
 BOOK FOR PARENT AND TEACHER 169 
 
 Here is a book prepared especially to aid the parent and the teacher. For the pre-school days 
 the book gives a delightful description of Dr. Montessori's system of self-instruction for children. 
 This is followed by courses in other elementary studies to aid the parent in instructing the child when 
 necessarily detained from school. The section on Rural Economy is especially adapted to rural and 
 suburban districts. Home life in the country has never been surpassed in natural environment. It is 
 the problem of today to enhance it still more by enlarging its educational and cultural opportunities; 
 by utilizing every product of invention and science for the improvement of scientific agriculture, 
 horticulture, stock raising and the domestic arts; by providing an improved system of rural banking and 
 credits; and by affording new facilities for the distribution and marketing of farm products. 
 
 THE CHILDREN'S OWN BOOK 263 
 
 The many things a boy or girl wants to do, whether work or amusement, is provided for here : 
 carpentry, wood carving, kites, flying machines, telephones, etc., for boys; sewing, millinery and fancy 
 work, for girls; and stories, plays, games, puzzles, private theatricals and magic for all. The section 
 on stories and plays is replete with fancy, anecdote, moral, description, episode and dramatic settings 
 intended to appeal to the imagination and moral sense of children. The play instincts of children 
 are so evident that it seems superfluous to argue the need of proper material in story and dramatic 
 form to keep pace with the growth and expansion of the child mind. The world of childhood is 
 peopled with fairies, myths, flowers, animals, ogres, and wonderful characters at once humorous- 
 pathetic, cruel and kind. 
 
LIST OF ILLUSTRATIONS IN VOLUME I 
 
 FULL PAGE COLOR PLATES 
 
 Page 
 
 The Archer Fish opp. 10 
 
 The Pygmies and Storks opp. 1 1 
 
 FULL PAGE ENGRAVINGS AND DRAWINGS 
 
 Spectre of the Brocken 12 
 
 How the World's Story was First Told 15 
 
 How a Magnifying Glass Makes Things Bigger 70 
 
 How the Camera Takes a Photograph 71 
 
 Airship Attacked by Aeroplanes . , 82 
 
 Birth of the American Flag 84 
 
 Ventilation of the Human House 90 
 
 Blood Circulation in the Human House 92 
 
 Brain Signals of the Human House 93 
 
 Machinery of the Ear 118 
 
 How Sound Reaches the Brain 120 
 
 Blindfolded Man's Walk Across Niagara 124 
 
 Pictures Drawn by the Human Voice 128 
 
 The Cells and Nerves of Smell 140 
 
 Inside and Outside of Brain 150 
 
 Statue of Liberty Enlightening the World 168 
 
 Dr. Maria Montessori 170 
 
 Self-Education by Montessori System 173 
 
 Montessori Sense Training Apparatus 177 
 
 Montessori Self-Instructing Devices 178 
 
 Children Directing Their Own Lessons 184 
 
 Grace Before Meals 199 
 
 Plowing by Machinery 248 
 
 Thumbeline Floated Down the Stream 264 
 
 Alphabet Illustrated 266 
 
 Picture Words 267, 268, 269 
 
 The World at Work to Fill the Paint Box 273 
 
 A Warrior of the Vanishing Race 310 
 
 Knots in General Use by Sailors and Builders 323 
 
 The Boy Who Would Not Grow Up 367 
 
 AND 110 ADDITIONAL TEXT ILLUSTRATIONS 
 
 10 
 
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THE BATTLE OF THE PVG^^ES AND THE STORKS 
 
 Homer and other ancient writers frequently refer to pygmy races which they represent as waging desperate 
 warfare with the storks that came to raid their crops. Recently various expeditions have proved their existence 
 in several parts of the globe. 
 
The Everyday Wonder 
 
 Book 
 
 WONDERS OF THE HUMAN BODY 
 WONDERS OF ANIMALS AND PLANTS 
 
 WONDERS OF LIGHT AND SOUND 
 
 WONDERS OF AIR, FIRE AND WATER 
 
 WONDERS OF EARTH, SUN AND STARS 
 
 THE CHILDREN'S "WHYS" AND "HOWS' 
 
 MISCELLANEOUS QUESTION-BOX 
 
 19 
 
THE MYSTERIOUS SPECTRE OF THE BROCKEN 
 
 An enormously magnified image of the observer, cast upon a bank of mist, is sometimes seen in high mountain regions 
 when the sun is low in the heavens and the observer is between the cloud bank and the sun; it is seen oftenest in the Harz 
 Mountains, Germany. 
 
 12 
 
THE REASON WHY 
 
 We are asking questions continually; all our lives we keep saying, "I Wonder 
 Why." Where does the day begin? How do I remember? What makes the rain- 
 bow? To all of us come such questions, and as long as we live, such questions will 
 come, however wise we grow. The questions will never stop as long as the world 
 lasts, because out of the answer to one question another arises; and so, all over the 
 world and down the ages of time, grown-ups and children have been saying, "I 
 Wonder Why." All through these volumes we shall find the answers to our questions, 
 but in this especial Book we shall find questions about many things which we par- 
 ticularly want to know. First of all, we learn how the world was peopled; then, 
 how nations lived; how men know things that happened long ago, and how they 
 gathered up the knowledge that is in the world. Later follows the answers to the 
 puzzling workings of our own bodies, and the multitude of questions that come 
 up from day to day about animals and plants; light and sound; air, fire and water; 
 earth, sun and stars; and numerous other things we want to know about. 
 
 HOW THE WORLD WAS PEOPLED 
 
 IN the childhood of the world, there 
 were not nearly so many people 
 on the earth as there are today. 
 We cannot tell exactly what happened 
 then, because it is so very long ago; 
 but we can make believe that all the 
 people lived in one small part of the 
 world all by themselves. They were 
 like a big family living together in 
 the same house. By-and-by the family 
 grew bigger; more boys and girls began 
 to come, and at last the house became 
 too small for them to live in. So some 
 of them had to go out and find another 
 home. They wandered up and down 
 over the earth, and when any of them 
 found a comfortable place to live in, 
 there they stopped and settled. 
 
 So, we are all one big family, and 
 though now some nations seem very 
 different from others, yet they are 
 
 each some relation to the other, 
 brother or sister, or cousin, or some- 
 thing. This is why we find so many 
 of the same words used by different 
 nations ; the words father and mother, 
 for instance, are alike in manv dif- 
 ferent languages. 
 
 Nations live and die and pass 
 away as you and i 
 
 Some of these early nations have 
 died, but others are still living today; 
 for nations, just as we do, are born, 
 grow up, and die, only it takes them 
 a great deal longer time than it takes 
 us. And perhaps some of the nations 
 that are alive today will die and pass 
 away some time in the future. 
 
 You may have wondered how we 
 know about what happened long ago, 
 before there were any books or news- 
 papers, even before there was writing 
 
 13 
 
u 
 
 THE HUMAN INTEREST LIBRARY 
 
 f c f. r < 
 
 of any sort. ' It is quite easy to find out 
 what happe)aed only^ 3, hundred years 
 ago, because there are plsutyo^t books 
 that will tell us all about it. But 
 what about things that happened 
 thousands of years ago.'^ 
 
 How WE KNOW THE STORY OF 
 THE WORLD 
 
 The boys and girls who lived long 
 ago were just as fond of stories as the 
 children of today. They, too, would 
 ask for stories; and when they grew 
 up, they, too, would tell these stories 
 to their children. So the stories came 
 down to us, right from the earliest 
 time, when there was no reading or 
 writing, but simply story-telling. That 
 is the first way in w hich we know what 
 happened far back. Boys and girls 
 have been among the most important 
 people in handing on to us our story 
 of the world. What a great loss it 
 would have been if those boys and 
 girls who lived once upon a time had 
 forgotten the stories that were told 
 them! 
 
 The next way of finding out what 
 happened long ago is by reading the 
 earliest books. What do you think 
 these books were.'* Not books such as 
 we have now, but bricks; just clay 
 bricks, with writing and pictures 
 marked on them while the clay was 
 soft, and then baked hard in the heat 
 of the sun. Thousands of these bricks 
 have been dug out of the earth at 
 Babylon and other places. When these 
 cities were destroyed long ago, they 
 became gradually covered with earth; 
 the houses, the streets, the libraries, 
 and everything in them were buried 
 under the ground. And down under 
 the ground these bricks have been kept 
 dry and clean and fresh, and so today 
 we are able to read the writing and the 
 pictures, and find out what the people 
 in those days were doing. 
 
 In ancient times, also, when a king 
 did anything of which he was very 
 
 proud, such as conquering his enemies 
 and taking them captive, he had an 
 account of it carved on a big stone or 
 pillar, and set it up so that people 
 could read all about what he had done. 
 Thousands of these monuments have 
 been found, and there probably are 
 thousands still buried in Eg;y'pt, and 
 parts of Asia. The writing on these 
 stones looks very strange to us. Most 
 of those found in Egypt have pictures 
 upon them, instead of words and 
 letters. When you are in New York, 
 you should visit Central Park and 
 look at the tall column called Cleo- 
 patra's Needle. This was brought 
 from Egypt, and is covered with pic- 
 tures; we call these pictures hiero- 
 glyphics, which means sacred carvings. 
 When the first of these old pillars 
 was found, no one could read the 
 writing or understand the pictures. 
 It was like a hard riddle. 
 
 At last, when all the learned men 
 were very nearly giving up the riddle, 
 a great piece of good fortune hap- 
 pened. Some French officers who 
 were in Egypt about a hundred years 
 ago, in 1799, happened to dig up a 
 stone with writing on it, and, to their 
 great delight, the writing was in three 
 languages. One of these was the 
 picture writing, and another was 
 Greek. Now, it w^as easy enough to 
 read the Greek, and when they had 
 made out what that meant they 
 guessed that the picture writing would 
 mean just the same thing. And so it 
 did. That gave people the key to 
 the riddle, and the whole mystery 
 was made clear. They found that an 
 eagle stood for the letter a, a leg and 
 foot for h, a serpent with horns for /, 
 a hand for t, an owl for m, a chicken 
 for V, and so on. A man w^ith his 
 hands lifted up meant prayer. 
 
 After reading this one stone, it was 
 easy to read all the other writings on 
 stones and pillars found in Egypt. 
 
HOW THE WORLD'S STORY WAS FIRST TOLD 
 
 The Egyptians painted tlie walls of their temples and tombs with strange letters and pictures which tell the history 
 Egypt. This is from the wall of a tomb where the paint is still fresh, though it Is thousands of years old. 
 
 
 "^*- -J* .Hy 
 
 Cleopatra's Needle, 
 once in Egypt, and now 
 standing in Central Parli, 
 New York, shows the 
 strange writing on the 
 Egyptian monuments. 
 
 The Rosetta Stone, which taught us to read the strange 
 writing the Egyptians left behind. It said the same thing 
 in three kinds of writing, and one kind was the Egyptian. 
 Men knew one of the other kinds of writing, so that they 
 were able to find out what the Egyptian writing meant. 
 
 There was no paper 
 In old Egypt, and the 
 people wrote on bricks 
 and on the dried bark 
 ol the papyrus plant, 
 here shown growiag. 
 
 i.<F ^,^.-?&?;-**^^^^^^ . 
 
 
 An early way of writing was to mark soft 
 clay and bake it Into a brick like this. 
 
 This Is a piece of papyrus, showing how the Egyptians used it to 
 write unon. Nearly all these things are In the British Museum. 
 19 
 
16 
 
 THE HUMAN INTEREST LIBRARY 
 
 This precious stone is known as the 
 Rosetta Stone, because it was found 
 at a place called Rosetta, and it can 
 now be seen in the British Museum in 
 London. 
 
 Another way in which we are finding 
 out a great deal about early times is 
 by the opening up of many tombs 
 underground, especially in Egypt. 
 
 All kinds of things used to be buried 
 with people in those days; so dry and 
 air-tight were the tombs that every- 
 thing in them has been wonderfully 
 well preserved. Dolls have been found 
 buried with the little girls who played 
 with them long before Moses lived; 
 a baby's rattle that amused a tiny 
 brown Egyptian baby when Joseph 
 was in Egypt; ladies' combs and 
 mirrors, gold ornaments, and jewelry, 
 worn perhaps when the Children of 
 Israel were passing through the Red 
 Sea. And so, little by little, we are 
 finding out what life was like in the 
 old days, and are piecing together the 
 different bits of knowledge that we 
 
 pick up, just as you put together the 
 pieces of a puzzle to make the whole. 
 
 There is one more way in which we 
 are being helped to do this, and that 
 is by finding buried cities and towns 
 just as they were hundreds of years 
 ago. In parts of Asia, such as at 
 Babylon, men are digging out whole 
 towns that disappeared thousands of 
 years ago. 
 
 It is well to remember that nothing 
 happens by chance. There is a reason 
 and a cause for everything. If we 
 are wise enough we shall find out why 
 we live and how we are related to one 
 another. For we are really one big 
 family; or we may say that the dif- 
 ferent nations are like the beads on 
 a string — each bead is different and 
 separate, but they are all joined 
 together by the same string. Through 
 all the story of the world we find this 
 string joining up the beads; through 
 it all we find some plan at work, and 
 see God's hand in its guidance and 
 control. 
 
 WONDERS OF THE HUMAN BODY 
 
 Why we go to sleep 
 
 WE GO to sleep so as to rest. 
 The whole body rests when 
 asleep, more or less — the 
 brain, the heart, the lungs, the mus- 
 cles, stomach and all. Children want 
 a lot of sleep because children have to 
 grow, and they do most of their 
 growing during sleep; so if they will 
 not go to bed they will not grow prop- 
 erly. Sleep is more important for chil- 
 dren than for anyone else, just for this 
 reason, though no one can get on with- 
 out it. Many of the people who grow 
 up too small or weak, or poor in their 
 minds, are people who did not sleep 
 enough when they were children. 
 Time was when older people were 
 careless about children's sleep, but one 
 of the happiest and best things for 
 
 children nowadays is that their sleep 
 
 is looked after. 
 
 Where we go in our sleep 
 
 We do not go anywhere. We are 
 still there, only we are not awake. 
 That means that we are not awake 
 to what is around us; but though we 
 take no notice of what is about us, we 
 are still there; and even while we are 
 fast asleep we are often doing all sorts , 
 of things, or, rather, we think we are. ■ 
 
 This is so every time we have a 
 dream, and we have far more dreams 
 than we remember when we wake. 
 Long ago savages used to think that 
 men merely went away somewhere 
 when they slept, and dreaming was one 
 of the reasons that made them think 
 so; but now we are sure that that was 
 a mistake. 
 
TEE EVERYDAY WONDER BOOK 11 
 
 Dreams do people all sorts of harm of all these muscles together that we 
 
 if they are not sensible about them; call laughter, and it is really a reply 
 
 but we must be sensible, and not to the tickling, just as drawing away 
 
 think that terrible things are going your foot is a reply when someone 
 
 to happen. Dreams show that we tickles the sole of it. 
 
 have not really gone away, because Why you cry 
 
 they are almost always due to some- You cry because your brain is made 
 
 thmg disturbmg us, and nothmg could g^ ^s to act that way. We do not 
 
 disturb us if we were not there, could know why your brain should be so 
 
 ^^^ made, for though there is much use 
 
 So slight a thing as the wind in the i^ tears when we are not crying, yet 
 
 chimney, or a leaf tappmg on the there is no real use in crying when we 
 
 window-pane, may make us dream, g^j.^ \yxx\. 
 
 But the commonest thing that dis- ^^^n people g^ow older they find 
 
 turbs us is our stomach. If we eat this out, and usually they do not cry 
 
 too much before we go to sleep, and ^^en they are hurt. The highest part 
 
 especially if we eat things that do not ^f the brain— where people themselves 
 
 agree with us, then in the night they really live— is the master of the lower 
 
 disturb the brain, and make part of it p^^ of the brain, and can order it to 
 
 wake up, though not so much as to Jq things, and forbid it to do things, 
 
 make us know where we are. So, also, ^^ jt likes 
 
 noises often make us dream because Now, it is the lower part of the brain 
 
 they disturb the brain. But sounds that replies by crying when we are 
 
 could not disturb the brain if we were hurt, so that even the tiniest baby can 
 
 not still there to hear them. cry perfectly. But when we grow 
 
 Why you laugh ol^jer ^^ ^gH t^^ j^^e^ p^^.^ ^j ^y^^ 
 
 You laugh because you are "made brain that it must not do as it feels in- 
 
 that way." Perhaps you do not clined to do, and so we stop crying. 
 
 think much of it, but that is the real „,„„ „ .„ 
 
 T, , , ,, . Why the tears come 
 answer. It depends upon the way in 
 
 which your brain and body are built. There is no good reason why tears 
 
 After all, you laugh when you are should come when you cry, but there 
 
 tickled, even though you may not is a very good and beautiful reason for 
 
 be pleased, and that is really easier to ^^e tears which we are really making 
 
 explain. If a bright light suddenly all the time that we are awake, though 
 
 strikes your eye, you shut it because ^^ know nothing about it. You know 
 
 your brain is made so as to make you ^^}^^ well that every few seconds you 
 
 reply in that way. wink both your eyelids at once. You 
 
 That is a simple way of replying, ^o not do it on purpose, but you do it 
 
 And laughing when you are tickled is ^11 the same. If you purposely stop 
 
 really the same, only that instead of ^^i^g i^' as people often do when they 
 
 doing just one thing, you do a number stare at each other, your eye becomes 
 
 of things all at once. You move many very uncomfortable, and if you did 
 
 muscles of your face instead of merely "^t wink at all your eye would soon 
 
 moving the muscles of your eyelids, ^ease to work properly. 
 
 You also move the muscles that you What winking does for the eye 
 
 breathe with, in an unusual way, and When the eye is open, the front of it 
 
 also the muscles that you make sounds is exposed to dust and dirt, and also 
 
 with. It is this particular movement the front of it is apt to get dry, and if it 
 
18 THE HUMAN INTEREST LIBRARY 
 
 did we could not see properly. Yet erly, you know very well that when 
 
 how is it that, though we never wash you cry you make so many tears that 
 
 the front of our eyes, they are always you cannot see clearly at all. 
 
 clean? It is because we wash them What wakes us up in 
 
 every time we wink. Up above each the morning 
 
 eye, rather to the outer side, there is We do not sleep in just the same 
 
 a tmy little duct called the tear- way all through the night. To begin 
 
 gland, and all the time we are awake with, we sleep deeply. Now, it is 
 
 this is slowly making tears. Then, good to sleep deeply. It makes us 
 
 when the front of the eye feels itself look well and beautiful, and people 
 
 becoming rather dry, and perhaps a seem to have noticed this, since thej'^ 
 
 little dusty, it tells the brain, and down call the first hours of sleep "the beauty 
 
 comes the eyelid for a second, with a sleep." But for some hours after this 
 
 tear inside it, and so washes clean the we sleep less and less deeply. We can 
 
 front of the eye. It is the most gentle easily find this out by noticing exactlj'^ 
 
 and perfect washing in the world. how loud a noise is required to wake 
 
 Where the tears go anybody up at various times in his 
 
 Well, if you look at the inner corner sleep. And we find that when he 
 
 of your lower eyelid you will see a tiny has had nearly enough sleep he will 
 
 little opening. The tear runs down be wakened by a little noise which, a 
 
 this and finds itself — where do you few hours before, he would not have 
 
 think.'* Now, I will give you a hint noticed at all. 
 
 before I tell you. When you have Now, that is the sort of thing that 
 
 been crying a great deal, do you not happens when we wake. We have 
 
 have to blow your nose? The reason been sleeping less and less deeply for 
 
 is that the tears, as many of them as some time, and our brain has almost 
 
 can, run down into the nose. All the awakened of itself. Then there comes 
 
 time we are awake and not crying, this a sound or a light, or perhaps we move 
 
 goes on, keeping our eyes moist and in bed and feel ourselves moving, and 
 
 perfectly clean, and costing us no since we are already very nearly awake, 
 
 trouble. But when we cry we make the sound or the light or the feeling 
 
 far more tears than we need. Indeed, wakes us up. Of course, we live in 
 
 we make so many that they cannot a way that we have made for our- 
 
 even all run down into the nose, selves; but if we lived out of doors, 
 
 though many of them do. So, as as men did long ago, and as birds do 
 
 there is nowhere else for them to go, now, it would naturally be light that 
 
 and the eye itself cannot hold them all woke us up at last. That is what 
 
 as they come pouring into it, they are wakes the birds u]) now. When the 
 
 spilled over the edge of the lower sun rises, and the light gets stronger, 
 
 eyelid, and run down our cheeks. it wakes them up, though we are 
 
 But, though the tears, when we are awakened by a noise, 
 
 not crying, are so useful that we Do our eyes deceive us? 
 
 could not do without them, and Sometimes we can learn from the 
 
 though the way they are made and deception of our senses. Our eyes see 
 
 used by the upper eyelid when we wink things for a tiny fraction of a second 
 
 is one of the most beautiful things in after they are gone. For instance, 
 
 the body, yet it is no use to make too if you spin a little black and white disk 
 
 many of them. Indeed, though the you see circles instead of little bits of 
 
 real use of tears is to make us see prop- circles. That is because the eye goes 
 
THE EVERYDAY WONDER BOOK 
 
 19 
 
 on seeing even when the lines are not 
 there, and sees until they come round 
 again. So if you take a card with a 
 gate drawn on one side, and a man on 
 a horse on the other side, and spin it, 
 you seem to see the horse jumping the 
 gate. It is this trick of the eye that 
 is used in the biograph or cinemato- 
 graph. 
 
 How A COAT KEEPS US WARM 
 
 A coat does not make us warm, but 
 all that any coat can do is to keep us 
 warm. Except when the sun is actually 
 shining upon us, or when we are 
 huddling over a fire, we make all our 
 warmth for ourselves. There is no 
 warmth in a coat or in any article of 
 clothing. So, of course, clothing can- 
 not make us warm — unless, indeed, we 
 hold it in front of the fire until it 
 is hot, and then put it on. Indeed, 
 when you come to think of it, we make 
 our clothes warm. Our clothes often 
 feel quite cold when we put them on, 
 but when we take them off they are 
 warm, and they have received the 
 warmth from our bodies. 
 
 How CLOTHES KEEP ICE COLD 
 
 The best way to understand how 
 clothes keep us warm is to learn how 
 to keep ice cold. Well, if clothing is 
 simply something that keeps back 
 heat, as a blind keeps back light, what 
 would happen if we put some clothing 
 on the ice? If we choose nice warm 
 clothing — which simply means that it 
 keeps us warm — ought it not to keep 
 the heat from outside from getting 
 into the ice? 
 
 Now, that is exactly what happens. 
 If we take the warmest kind of 
 clothing that we can think of, which 
 is flannel, and if we wrap the ice up 
 in flannel, we keep the ice cool, and 
 prevent it from melting. Now, do 
 you not think that is rather funny? 
 When we want to keep ourselves 
 warm we put on warm clothing, as we 
 call it; and when we want to keep 
 
 ice cold we put warm clothing on it. 
 Would you not almost have thought 
 that the clothing which made us warm 
 would make the ice warm too, and so 
 make it melt? Well, so it would if 
 the clothing were really warm, like a 
 hot bottle. But then, you see, there 
 is no warmth in it at all. 
 
 Why SOME clothes are warmer than 
 
 OTHERS 
 
 You know what a thermometer is. 
 It is something that measures how 
 hot things are. Now, if you take a 
 piece of flannel and a piece of linen 
 that have both been in the same room 
 for some time, and with a thermometer 
 you try to find out how hot they are, 
 you find that they are both just of 
 the same temperature. But on a cold 
 day you would rather put on flannel 
 than linen, because, as we say, the 
 flannel is so much warmer. Yet, 
 according to the thermometer, the 
 flannel and the linen are each just as 
 warm as the other. 
 
 What is the meaning of this puzzle? 
 It is simply that some things are better 
 barriers to heat, and keep heat back 
 better, than others. 
 Why SOME things are colder than 
 
 OTHERS 
 
 In an ordinary room without a fire 
 all the different things are equally as 
 warm, because, if it has time enough, 
 the warmth will spread itself over 
 everything about it, running from 
 anything that started warmer to any- 
 thing that started cooler. 
 
 Yet if you go and touch several of 
 the things in the room, one after the 
 other, you find that they feel very dif- 
 ferent as you touch them. A thing 
 like the fender will feel cold; the car- 
 pet will feel warm; wood would feel 
 colder than the carpet, but warmer 
 than the fender. Now, that is simply 
 because these things differ in their 
 power of keeping heat from running 
 through them, just as flannel and 
 
20 THE HUMAN INTEREST LIBRARY 
 
 linen differ. The brass of the fender nervous tissue is more richly supplied 
 
 lets heat run through it quickly, but with blood than any other tissue in the 
 
 the carpet lets heat run through it body, not even excepting the muscle 
 
 slowly, and so we say that the fender tissue of the heart itself. The blood 
 
 feels cold and the carpet feels warm, carries the food materials without 
 
 just as a linen sheet feels chilly when which nerve tissue cannot act, and 
 
 we get into bed, while a woollen nerve tissue has practically no reserve 
 
 blanket feels warm. If a thing car- at all of food supply in it. If the 
 
 ries heat quickly away from our fin- supply of blood is stopped for a 
 
 ger, it makes our finger cold, and we moment, nervous tissue "gives out" 
 
 say that the thing is cold; and we call sooner than any other tissue in the 
 
 another thing warm in comparison body. 
 
 with it, if that other thing, like flan- A simple and wonderful little ex- 
 
 nel, only carries away the heat from periment will show you this for your- 
 
 our finger slowly. self. The screen or curtain at the 
 
 What happens when anyone faints back of your eye, which receives the 
 
 ^ . . . „ 1 (. 1 1 • ravs of light from everything you see, 
 
 Famtmg IS really a wonderful thmg. j/ ^^^^^^ ^f ^^^^^^^ ^-^^^^ It -^ 
 
 What happens IS that the heart does j,^^ ^^j^j^ blood-vessels. If you 
 
 not send enough blood to the bram ^j^^^^ ^^^^ ^^^^ j^^^ ^^^^ ^^ ^j^^ ^^j^^^^ 
 
 and so the bram stops working, and j .i n n ^ 
 
 , , , ^ - °' „ and then press your nnger hrmly on 
 
 the person drops to the ground. \\ hen ^j^^ (pressing on it through 
 
 you are standmg or sittmg, your heart ^j^^ ^.^^^ j^ ^ ^^^ ^^^^^^^ everything 
 
 has to drive the blood upwards to your ^^.jjj ^^^^ ^^^-^^ ^^^^ ^j^^ ;^,^ j^ 
 
 brain against the attraction of the ^^^^ ^1^^,^ i, l^ntv of light, but 
 
 whole earth, ^^'hlch tries to pull every- -^ j^ -^^ ^,j^^ ^^^^ ^^^^^ g 
 
 thing down. But directly the faint mg ^^^ -^ ^ ^^^^^^ ^^ ^;^,^ ^^^ ^^,jU 
 
 person falls the hearts task of sending ^^^ .^_ ^j^^ ^^^^^^ -^ ^j^^^ ^^j^^^^ 
 
 sufhcient blood to the brain is made ^^^^ ^^^^^^ ^^ ^^^^^ ^^.^_^^11 ^.^^^ ^^^_ 
 
 easy, and so very soon his ^ brain ^^^^^^^ ^j^^ ^j^^^j ^^^^^^-^^^ ^j^^^^^^j^ ^j^^ 
 
 gets sufficient blood, and he comes ^^^^^^ ^^ ^^^^.^^.^^ ^^ ^^^ ^^^^ ^^ ^j^^ 
 
 round, as we say. If his heart has ^^^^^ ^^^ ^ ^^^^^ ^^^^^^ ^^^.^ ^^^^^^^^ 
 
 not been actually strained he is all ^^^^-^^^ ^^.j^^^j^ j^ ^,^^ ^^^.^^^ ^p ^.j^^^^ -^ 
 
 right again. So you see that the fall- j^^^^ ^^^j.^^^ ^^^^^^ ^^^^ ^1^^^^ -^ ^^^^1^ ^^ 
 
 ing IS I\atures method of relieving i u ur j 
 
 "° ; . ,, '^ no more, and your eye became bund. 
 
 the situation. ^^^ ^^ ^^^ ^^^ ^p breath 
 
 People who ha^^ not learned this ^^ ^^^^^ ^^^^ -^ ^^ ^^^^^ ^^^ ^^^^^ 
 
 try to raise up the fallen person which ^^ .^^ jt ^^^^r gets tired. But if 
 
 IS simply mterfering with Nature s ^^ ^unVery hard, or swim verv hard, 
 
 way and putting his brain in the ^^ ^^ anvthing of that kind, we sud- 
 
 worst possible position for getting the ^^^^j^ ^j^;^^ ^ ^^^^^ ^^^1 ^^ ^^^^^ ^.^^j. 
 
 amount of blood it needs The feet ^^^ ^^^^^ ^^^^ ^^ j^^^ ^^ ^^ 
 
 of a famtmg person should be raised ^^^ ^,^jj^ ^^^ ^^ ^^^^ ^^^^ wonderful 
 
 to allow the blood to more freely ^^.^^^^ ^^^^^ ^^^ j^^^^^ j^ ^j^^ ^^^^^^^^^^ 
 
 reach the bram. ^^ ^^^^^^^^ p^^,^^ ^.j^.^j^ -^ j^ ^^1^ ^^ 
 
 DOES THE BRAIN NEED FOOD? Call upou at a moment's notice. When 
 
 The brain is made of nerves and we get out of breath we have already 
 
 nerve-cells. These taken together we called upon this reserve power, and 
 
 call nervous tissue, and we know that should take warning. 
 
THE EVERYDAY WONDER BOOK 
 
 21 
 
 Why we have lines on our hands 
 
 Some people have said that the use 
 of these Hnes is to give us a better 
 hold upon things, but probably that 
 is not their real use. If it were so 
 we should really have to say that they 
 were scarcely worth having. It is 
 much more likely that the use of these 
 lines is to help the sense of touch in 
 our hands and fingers, where touch is 
 so very important. By making little 
 valleys and ridges they increase the 
 surface of the skin, and by going in 
 different directions they help us to 
 feel the kind of surface that anything 
 has which we touch. The little end- 
 ings of the nerves of touch are placed 
 to the greatest advantage by means of 
 these lines, and that seems to be the 
 reason why they are so very well 
 marked on just those parts of the skin 
 where delicacy of touch is most 
 important. 
 
 What is the best cure for fatigue 
 We must not take a large meal when 
 we are tired, because we are not then 
 fit to deal with food. We may take 
 water, or lemonade, or oranges, be- 
 cause water, in passing through the 
 body, always carries ail sorts of poi- 
 sons away with it and helps us to 
 get rid of them. 
 
 But, above all, we must rest, and 
 there is no kind of rest which can be 
 compared with sleep. In general, the 
 people who sleep best are those who 
 work hard. The man who works all 
 day in the fields usually has the best 
 sleep in the world, far better than some 
 unfortunate people who do little or 
 nothing, and who may even take medi- 
 cine to help them to sleep. Nature, 
 the best of all doctors, has her own 
 medicine to procure good sleep for 
 every healthy person who works; 
 and the most beautiful thing about 
 ' tiredness, when it is the right fatigue 
 that everyone should feel when he 
 goes to bed, is that it produces in our 
 
 blood just the very thing that gives 
 us perfect and natural sleep. 
 Why we have ten fingers 
 
 Nature decided on five fingers, or 
 toes, at the end of each limb very long 
 ago indeed — ages before man appeared 
 upon the earth at all. It is true that, 
 at first sight, there seem to be many 
 exceptions to this. We find only one 
 obvious finger, or toe, for each limb in 
 the horse, two for the pig, and so on. 
 But the original figure was five. The 
 hen, for instance, has only three and a 
 half toes, and when we examine the 
 skeleton of its wing — which is really 
 its arm — we find three and a half 
 fingers there. The chicken, as we see 
 it, is the same. But if we examine 
 the hen's egg before the chicken is 
 ready to break through the shell, we 
 find that it has five fingers, or toes, on 
 the end of each of its four limbs; only 
 the birds have apparently found that 
 they could do as well with three and 
 part of a fourth, so they have stopped 
 developing the rest. We must go far 
 below the the mammals or the birds, or 
 even the reptiles, for the beginnings of 
 the five-fingered or five-toed ar- 
 rangement, and it is not till we study 
 the still humbler creatures that we 
 get to the real beginning. If we look 
 at a frog we can see that it has five 
 fingers and five toes just as we have. 
 So we may say that it was the frog, or 
 the remote ancestors of the frog, 
 which decided ages ago that we should 
 count in tens! 
 
 Why all our fingers are not the 
 same length 
 
 It might be very difficult to answer 
 this question if we had only the present 
 use of the hand to account for; and it 
 is a disadvantage to us that our little 
 fingers and ring-fingers, for instance, 
 are so short and weak, for this weakens 
 our grasp for things, which is the 
 principle purpose of which we use our 
 hands. Also, this inequality of the 
 
22 
 
 THE HUMAN INTEREST LIBRARY 
 
 fingers in length and strength is a 
 difficulty for the pianist and the 
 typist. We therefore cannot hope to 
 answer this question by referring to 
 the usefulness of the hand for its 
 present purpose. But we find the 
 answer when we consider the history 
 of the hand, and when we look at the 
 fingers of many kinds of lower animals 
 which have fingers more or less like 
 ours. 
 
 We learn that our hands were 
 originally used for standing and for 
 walking, since we inherit them from 
 "four-footed ancestors." If we put 
 the hand on a table, as if we meant to 
 walk on the tips of the fingers, I think 
 we shall see at once what a well- 
 balanced support it makes, just be- 
 cause the fingers are unequal in length 
 — the middle finger the longest, and 
 the short thumb and little finger 
 falling behind and balancing the 
 whole. We see the same thing in the 
 case of animals that have three 
 fingers — as the toes of the forefeet 
 might rightly be called — and we can 
 notice it for ourselves any day in the 
 dog or the cat. This is only one in- 
 stance of a very large number furnished 
 by our bodies which helps us to under- 
 stand why certain things, for which 
 we can find no particular reason now, 
 and which may even be inconvenient 
 to us, are as they are. 
 
 Why we have finger-nails and toe- 
 nails 
 
 Perhaps we may think that, at any 
 rate, there is a use for finger-nails, as 
 we can use them to scratch with; but 
 at the present day there is no explana- 
 tion of finger-nails and toe-nails so 
 far as use is concerned. If we turn 
 to the past, however, we find the 
 explanation at once. Our nails are 
 all that is left to us of the things which 
 the lower animals have and make 
 great use of as claws and hoofs. We 
 live by our minds, not by things like 
 
 claws; and as we have not sufficient 
 use for them, they have grown smaller 
 and weaker in us — just as our teeth 
 also have done, and our bones and 
 muscles in large degree — until we 
 have nothing left but nails. 
 
 Yet there is no doubt that they are 
 really the same as the claws the cat 
 uses for fighting and for climbing with, 
 and for tearing its food; and the hoofs 
 which the horse uses for walking 
 upon. The ancestors of the horse had 
 five fingers and toes, as we have, and 
 a nail, or hoof, at the end of each; but 
 all these except the middle ones have 
 shrunk in the modern horse, until we 
 find only one that reaches the ground, 
 and the remains of another on each 
 side. Occasionally we find a young 
 horse born with three or even four 
 toes. The horse's hoofs, then, are 
 really the nails of its middle fingers 
 and middle toes, and are very useful 
 to it. They are made of the same 
 material as our nails, and can be cut 
 without pain, as our nails can. 
 
 Why some people are dark and 
 some fair 
 
 The differences of color between 
 various people are a good instance of 
 those many difl^erences which are due 
 not to anything that happens to us in 
 the course of our lives, but to some- 
 thing that is inborn in us, and usually 
 derived from our parents. The chil- 
 dren of two dark parents are dark, 
 those of parents who are both brown- 
 eyed are always brown-eyed, and so 
 on. This way in which people re- 
 semble their parents is one of the most 
 important things in the world, and the 
 special name for it is heredity. We 
 say that the thing in question, such as 
 skin-color or eye-color, is hereditary. 
 
 All human beings may be divided 
 into races by their color — the fair- 
 skinned, the yellow-skinned, and the 
 dark-skinned, and they are each apt 
 to think the others ugly, especially 
 
THE EVERYDAY WONDER BOOK 23 
 
 when these are accompanied by other irregular, or have thin, soft, crumbly 
 
 differences. In America there is a outsides, which easily break away or 
 
 great mixture of races, though nearly decay. Now we see why a second 
 
 all belong to the fair-skinned family tooth grows when the first falls out or 
 
 of mankind. Among us are a fairer is pulled out. But no third tooth will 
 
 and a darker race, and it is known grow when a second tooth has been 
 
 that at present, owing to some reason lost, because there is no other tooth- 
 
 we do not understand, the darker germ lying below the second tooth, as 
 
 people are increasing and the fairer there is below the first tooth. Thus a 
 
 people becoming fewer. It is probable third tooth cannot grow, 
 
 that ages ago differences in color Why onions make our eyes water 
 depended partly on the amount of Our eyes are really watering all the 
 
 sun, darker people having coloring time, or, rather, we are producing 
 
 matter in skin and eyes which pro- tears that pass over the eyeball and 
 
 tects them from strong sunlight; but keep it clean. That is why we wink 
 
 this is a question about which we do —to carry the tears that appear 
 
 not know much yet. under the upper lid over the surface 
 
 Why only two sets of teeth grow of the eye. These tears escape into 
 
 When we are born we have, hidden the nose, as we know. We say that 
 in our gums, all our first teeth. These our eyes water when the tears form so 
 twenty teeth are already completely quickly that they cannot escape 
 formed in all their parts at birth, and quickly enough, because then we see 
 only have to get through the gums in them water. Onions give off some- 
 order to be seen. A baby gets its thing to the air which excites the ends 
 food by sucking and not by biting, and of the nerves of smell in the nose, and 
 so it is better that its teeth should be also excites the ends of the nerves of 
 out of the way at first, below the gums, touch in the eyeball and eyelids, and 
 Still deeper in the gums, below each of so sends a message to the brain, telling 
 the primary teeth, and also farther the tear-glands to make tears quickly, 
 back in the jaw than the primary and then we say that our eyes water, 
 teeth extend, there are little groups of There is use in this, for the rapid flow 
 cells, called tooth-germs, which will of tears helps to protect the eyelids 
 some day make the second set of and the eyeball from the irritant the 
 teeth, usually called the permanent onions give off. In people who, for 
 teeth, though they are often not as some reason, cannot produce tears, 
 permanent as they might be. There such things as onions will make the 
 are thirty-two sets of these little cells ; eyes smart severely, because such 
 and though none of them are teeth, or people cannot protect themselves by 
 look in the least like teeth, they have making their eyes water, 
 in them the power of making teeth of Why we are right-handed 
 the various kinds that we possess. Some people think that babies are 
 
 We should take very great care of born with a natural tendency to use 
 
 the first teeth of children, brushing one hand more than the other, and 
 
 them, and having them filled if they that in the greater number of cases 
 
 decay, even though we know that they this is the right hand; but in a few — 
 
 will fall out soon; because if they are perhaps about six in a hundred — it is 
 
 neglected the tooth-germs underneath the left. They say it i.- not worth 
 
 them are very apt to be injured, and while to train both hands equally for 
 
 when the new teeth come they will be everything — for instance, for writing 
 
2I^ TEE HUMAN INTEREST LIBRARY 
 
 — as this would take too much time; keep the brain awake and make it 
 
 and we could not become so skilful aware that something must be done, 
 
 with either hand if we were taught to How shivering from cold helps to 
 
 use both equally for everything. make us warm 
 
 But others think that the inclination A very good reason for shivering 
 shown by a child to use one hand or perhaps can be found. Whenever a 
 the other is determined by the way it muscle works, heat is produced; in- 
 is held to the breast by the mother deed, a very great part of the heat of 
 when young. Some educators even the body is made in the muscles, which 
 favor teaching children to write and have been called "the fireplaces of the 
 draw indiscriminately with both body." Shivering consists of small, 
 hands. This is called being ambi- quick, to-and-fro movements, some- 
 dextrous. It is certain that there times almost quite regular, as when 
 is very little in the old prejudice our "teeth chatter," of most or all of 
 against the use of the left hand, for the muscles of the body. Now, 
 left-handed people as a rule write as though shivering often makes us aware 
 well as others, despite the fact that that we are cold, yet it helps to keep us 
 our system of penmanship was framed warm, for all these little muscular 
 for right-handed people. movements are producing heat. So 
 Why we shiver when we are very we may say that when a person, by 
 COLD keeping still, refuses to work his 
 
 There are more good reasons than muscles so as to keep warm, the brain 
 
 one why we shiver when we are cold, takes the matter into its own hands 
 
 The machinery of it, as we may say, and does what little it can by setting 
 
 is that cold, at first, rather excites and the muscles shivering, 
 
 disturbs the nervous system, just as why everything spins round when 
 
 heat usually soothes it. We notice we are dizzy 
 
 these contrary effects of heat and cold When anyone feels dizzy, and per- 
 
 in the case of a warm bath and a cold haps almost about to faint, his brain 
 
 dip. This does not say that shivering cannot properly control the working of 
 
 is at all the same thing as the feeling his eyes. They may move round from 
 
 of activity we have after a cold side to side, perhaps independently 
 
 plunge; but in each case the cold has instead of together, and so it may 
 
 been what is called a stimulant. But look as if things were spinning round, 
 
 now we have to ask whether the Another reason for dizziness has to do 
 
 shivering is of any use to us, or whether with a wonderful part of the body near 
 
 it is a wholly useless and purposeless the ear, and without which none of us 
 
 thing; beyond any doubt it is possible could sit upright, much less stand, 
 
 to show that shivering serves the pur- though few people have ever heard 
 
 poses of the body just as hunger does, of it. This organ, which used to be 
 
 and just as even fever often does, thought to have something to do with 
 
 though we think of these as things hearing, really controls our balance, 
 
 rather bad in themselves. One good In some people it suffers from a dis- 
 
 reason for shivering is that it makes us ease, and these people constantly 
 
 aware of cold as we might not other- suffer from dizziness and a feeling that 
 
 wise be, and so we can protect our- everything is spinning round and 
 
 selves. After the first stage of its round. 
 
 action great cold sends the brain to As every one knows, we can make 
 
 sleep. Shivering perhaps serves to ourselves dizzy, and can think that 
 
THE EVERYDAY WONDER BOOK 
 
 25 
 
 everything is spinning round, by turn- 
 ing round ourselves several times in 
 one direction. This disturbs the organ 
 of balancing, and this disturbance 
 gives us the feeling. If you turn 
 round the other way you put things 
 right, by restoring the original state 
 of affairs within the balancing organ. 
 The name for the feeling that things 
 are spinning round is vertigo; and 
 vert simply means turn, as in such 
 words as convert, invert, and others. 
 Sleeping with the bed-clothes over 
 
 THE FACE 
 
 Mothers sometimes get anxious 
 about this, for they think — and quite 
 rightly, too — that a child, or anyone 
 else, should have its nose free when it 
 is asleep, and not covered with the 
 bed-clothes. But if they will watch 
 a sleeping child, they will see that 
 though often the child starts to go to 
 sleep by covering its face up, yet al- 
 ways, when it is asleep or nearly 
 asleep, the child's body will do the 
 rest for itself, and the head will be 
 moved until the nose gets free of the 
 clothes, so that fresh air can get to it. 
 So people who look after children 
 really need not worry if children like 
 to start the night with the bed-clothes 
 almost over their faces. The child's 
 brain, as soon as the child's self is 
 asleep and cannot interfere with it in 
 any way, will put things right. 
 What are freckles 
 
 What we usually speak of as freckles 
 are spots of a yellowish-brown color 
 which are seen on the skin of some 
 people, especially after they have been 
 exposed to strong sunshine for some 
 time. They occur chiefly on the face, 
 on the neck, and on the hands, because 
 those are the parts of the skin unpro- 
 tected by clothes. Some people are 
 much more liable than others to have 
 this coloring produced, and in some 
 it disappears quite quickly, while in 
 others it lasts a long time. 
 
 In all these cases the freckles are 
 the result of the action of the sun on 
 certain cells of the skin, which causes 
 these cells to produce coloring matter, 
 or pigment, which remains there for a 
 certain time. There are cases, how- 
 ever, in which freckles do not appear 
 to be caused by very hot sunshine or 
 exposure, but which come naturally, 
 just as the color of the skin itself is 
 either fair or dark, according to the 
 tendency inherited by the individual. 
 What makes a dimple 
 
 In order to understand a dimple, we 
 should know the structure of the skin 
 and what lies beneath it. In most 
 parts of the body the skin, with its 
 outer horny layer, and the inner living 
 layer, which carries nerves and blood- 
 vessels and makes the horny layer 
 afresh from day to day, lies very 
 loosely upon the layer of tissue be- 
 neath it. This is a loose layer, con- 
 taining a certain number of fibers 
 running in all directions, with fat- 
 cells lying between them in healthy 
 people — except under the skin of the 
 eyelids, where fat is never found even 
 in the fattest people. A few of these 
 fibers are attached to the under sur- 
 face of the skin, so that, though we can 
 move the skin about very freely over 
 what lies beneath it, there is, never- 
 theless, a limit to this movement. 
 
 But where there are dimples, as on 
 the face, and often round such joints as 
 the knee and the elbow, the number of 
 fibers attached to the under surface 
 of the skin is much increased, and they 
 are rather short, so that the skin is 
 depressed, or dimpled, at these points. 
 We see what is really the same thing 
 produced accidentally in the case of 
 scars, which are often a little depressed 
 below the general level of the skin 
 because they are tacked down in the 
 same way. But a scar differs from a 
 dimple, as the skin over a scar has 
 been lost, and is replaced by a new 
 
S6 THE HUMAN INTEREST LIBRARY 
 
 thing called scar-tissue, while the skin already contains a quantity of water, 
 
 over a dimple is true and healthy skin, and so does not easily take up more. 
 
 Why damp air often makes us ill and the passage of water from our 
 
 Damp air is often cold air, and the bodies is, to a certain extent, checked, 
 
 cold has usually been blamed for mak- All life, as we know, is lived in water, 
 
 ing us ill, though many facts prove and if life is to go on, enough fresh 
 
 that it is not blameworthy at all. water must always be supplied to the 
 
 There is one great difference between living body, whether it be a man or an 
 
 damp air and dry air, which accounts animal or a plant. When the pas- 
 
 for the fact that people usually feel sage of water is slow, as it is in damp 
 
 at their best in dry air, while many air, then the processes of our lives are 
 
 feel at their worst in damp air. checked, and our bodies are apt to 
 
 Water is always leaving our bodies get choked up with things which would 
 
 by many channels, such as the skin otherwise have been burned up and got 
 
 and the breath. When the air is rid of. This seems to be the real key 
 
 dry, this journey of water is readily to the effect of damp air upon rheu- 
 
 made, but when the air is damp, it matism. 
 
 WONDERS OF ANIMALS AND PLANTS 
 
 What the birds sing about most beautiful thing about the birds' 
 
 WHENEVER a child or a bird singing, which is, that they never sing 
 
 or anyone else sings naturally, that people may say "What a beauti- 
 
 it sings about its feelings. If ful voice you have!" b-'t always 
 
 you have no feelings you ought not to because they have som^ beautiful 
 
 sing. Sometimes we sing just to show feeling which makes them sing, 
 
 that we are brighter than other people. Why birds fly so high 
 
 and when we do that we do not feel If you stand on the top of a high 
 
 what we are singing, and everyone is building on a sunny day, you can see 
 
 glad when we stop. But the birds sing nearly over the city. The higher 
 
 only when they must — when their feel- you go the more you can see, if your 
 
 ings find their way out somehow, eyes are strong enough. These birds 
 
 Then they try to tell the world how have very strong sight. Their eyes 
 
 happy they are. The feelings that can see as well as ours would if we 
 
 birds sing about are always happy feel- used a telescope. 
 
 ings. When a bird is ill, or miserable. The big birds look down from the 
 
 or unhappy, it never sings. Generally great height at which they are flying, 
 
 birds sing to express their feelings of and they see many birds flying below, 
 
 love, and to call to their mates and These birds below watch the earth, 
 
 their friends when they want company. They see food thrown away by men 
 
 At other times they sing simply for and placed in the garden by children, 
 
 the joy of living, as the lark sings when and in a moment they fly down to get 
 
 he goes up into the sky. He sings for it. The bird which is right up in the 
 
 the joy of his nest on the ground, and air knows what they are doing, and 
 
 for the joy of the light, and the joy swoops down quickly to take its share, 
 
 of the air, and the joy of freedom. These birds get a good meal. If they 
 
 Perhaps the singing of the birds was did not eat that food it would soon 
 
 the first music that was heard on become bad in the sunshine, and make 
 
 the earth. But do remember the us ill; but it serves the birds for a good 
 
THE EVERYDAY WONDER BOOK 
 
 m 
 
 dinner, and by eating it the birds save 
 us from being ill. So we see how in 
 all parts of the world Nature looks 
 after her big family. 
 The use of a moth 
 
 Hair and wool are rubbed off the 
 thousands and thousands of hairy and 
 woolly animals in the world, and, if 
 this hair and wool were never de- 
 stroyed, it would, in the course of 
 many years, become a great nuisance. 
 The moths eat this and so prevent us 
 from suffering from such a nuisance. 
 
 But moths eat our clothes, you say. 
 
 Moths never eat the clothes which 
 we have on, or the clothes which we 
 wear regularly. If you have too many 
 clothes to wear, you should give them 
 to poor people who have not enough. 
 So that moths teach us not to be 
 greedy, not to hoard up things which 
 other people would be thankful to have ! 
 
 That is a lesson which not all of us 
 would expect. Other unpleasant things 
 teach us just as well. Those of us 
 who have relatives in hot lands know 
 how badly people there suffer from 
 fever. 
 Where the flowers go in winter 
 
 The flowers of most plants can live 
 and be useful for only part of one year, 
 when there is plenty of light and 
 warmth. When the summer goes 
 they die. You know how the roses on 
 a rose-bush die, but you know also 
 that the rose-bush itself does not die. 
 
 In just the same way the leaves of 
 most trees die at the end of the sum- 
 mer, but the trees go on living. When 
 the flowers and the leaves die and fall, 
 their death and fall is really a sign of 
 life in the plant, or bush, or tree that 
 bears them. If the whole bough of a 
 tree is killed by something in the sum- 
 mer, the leaves will remain on it when 
 the leaves of all the living boughs have 
 fallen. There is really no waste or 
 loss to a plant or a tree when its leaves 
 and flowers die. 
 
 Before a leaf falls it changes its 
 color, as we know, because the plant 
 or tree is taking out of the leaf all 
 the useful things that it needs for its 
 own life. Then, at the base of the 
 leaf, it forms a thin layer of something 
 rather like cork, so that, after some of 
 the useful things have been taken out 
 of it, the leaf is left to die. There 
 are still some useful things in the leaf, 
 however, only they need something to 
 be done to them before the plant can 
 use them. 
 what happens when a leaf falls 
 
 Many changes take place in the 
 leaf as the summer goes away. When 
 the leaf falls to the ground, there are 
 waiting for it many tiny living crea- 
 tures called microbes, which, as we 
 say, make it decay. But this really 
 means that the substance of the leaf 
 is changed in such a way that it can 
 be taken up by the plant from the soil 
 and built up again into the plant when 
 the spring comes. This is one of the 
 most beautiful and wonderful things 
 in Nature, and there is no greater 
 lesson we can learn than that what 
 looks like useless death and decay and 
 waste is really nothing of the sort, 
 but a living process that makes for 
 more life. 
 
 You will say. Why should not the 
 leaves and flowers live on all the year 
 round, as they do in some plants for 
 special reasons? But the leaf is made 
 in order to use the sunlight, and in 
 the winter there is not enough sun- 
 light, and so the leaf would be wasting 
 its time. 
 
 So the plant takes what it can use 
 from the leaf and the rest of the leaf 
 is changed, so that the plant can use 
 that, too, when the summer is coming, 
 and there is use for new leaves. 
 How the mosquito causes fever 
 
 And now, after all these years, after 
 many brave men have died from fever, 
 a doctor has discovered that fever 
 
S8 
 
 THE HUMAN INTEREST LIBRARY 
 
 there can be checked, and can be done 
 away with. The fever is caused by 
 the sting of a httle insect called a 
 mosquito. What we call the "midge" 
 in this country is really one form of 
 mosquito. In the hot lands this 
 mosquito, when it stings, forces a 
 deadly poison into the blood of the 
 person it bites. 
 
 What the doctor does, having found 
 out the cause of the fever, is to get 
 rid of that cause. He finds that the 
 mosquito lays the eggs from which the 
 young ones are born in moist, swampy 
 places. So the stamps are drained 
 and the puddles dried up. Then the 
 mosquito eggs cannot be hatched, and, 
 there being no mosquitoes, men can- 
 not be poisoned. The mosquito has 
 taught men that they must be clean 
 and careful in their homes. 
 
 How A SPIDER SPINS ITS WEB 
 
 Great men say that nothing is more 
 wonderful than the cleverness of the 
 spider. The silk of which it makes its 
 web comes from its body through 
 tiny tubes, like the finest hairs. 
 Many of them come out at the same 
 time, but after leaving the spider's 
 body they are all formed into one rope 
 of silk, which is so thin that a hundred 
 of them together are only as thick as a 
 hair. The end of the silk is fastened 
 to a twig or a leaf or a piece of wood 
 Sometimes the spider makes the fasten- 
 ing itself, or it may let the silk float 
 from its body for the wind to blow it 
 about until it touches something and 
 clings there. 
 
 When both ends have been made 
 fast, the spider is able to run down the 
 thread and fix several more threads, 
 perhaps twenty, all fastened to differ- 
 ent points, but meeting in the middle. 
 These are the cross ropes of the web. 
 Then other lines have to be woven 
 round and round these, making per- 
 haps twenty rings. All this beautiful 
 silk has come from the spider's body. 
 
 The spider works hard and fast, and 
 when the web is begun the work is 
 finished in less than an hour. The 
 web is then so strong that the wind 
 cannot blow it away and the rain 
 cannot break it. 
 
 The purpose of the spider's web is 
 to catch insects, so the spider has still 
 much work to do. Insects would not 
 be caught in a web if they could walk 
 
 HOW NATURE HANGS HER BEADS UPON A 
 SPIDER'S WEB 
 
 This is a spider's web covered with dewdrops. The 
 spider makes its web with silk from its own body, which it 
 spins into rings and threads until the web is complete. A 
 web is so strong that wind and rain do not break it. There 
 is nothing prettier than the spider's web with the hanging 
 dew upon it. 
 
 or fly out of it, and to prevent their 
 escape the spider covers all the web 
 with a glue-like substance, which 
 sticks to anything entering the web 
 and holds it fast. We cannot see this 
 glue with our eyes, but there are 
 thousands of tiny beads of it dotted 
 all over the spider's web. 
 
 How THE BIRDS FIND THEIR WAY 
 
 We know that many birds fly away 
 home over the sea to warmer countries 
 when our summer ends, and return 
 
THE EVERYDAY WONDER ROOK 29 
 
 when it begins again. This flight up sound like a telephone, but is made 
 across the seas is called migration, and by the bee itself. You have never 
 is one of the wonders of the world, heard a bee hum when it was crawling 
 We say that instinct guides them; but — nor any other insect. This tells us 
 this does not tell us how instinct is what we might have guessed, that the 
 able to do so marvelous a thing, bee's humming is made by the move- 
 When we cross the seas we are guided ment of its wings when it flies. The 
 by those who have been that way noise is not made by its voice-box, as 
 before. We have charts and pilots when you sing, for the bee has no voice- 
 and compasses, and even then we box. But its wings move very quickly 
 sometimes make mistakes. ■ — a bird would "hum" when flying if 
 
 But the birds have none of these its wings moved quickly enough — and 
 
 things. They do not even take pro- as they move to and fro, or vibrate, or 
 
 visions W'ith them; and we know that tremble, they set the air moving, and 
 
 some of them become exhausted with you know that waves in the air make 
 
 their long flight, unsupported by food, sound when we hear them, 
 while not a few are nearly dead. Yet, If the waves are too slow, as when 
 
 though this is so, the wonder of their you wave a stick in the air, or when a 
 
 flight, and their guidance, remains. bird flaps its wings, we hear nothing. 
 
 We can only guess that perhaps the If they are too fast, as they are in the 
 
 older birds teach the younger ones, as case of some insects, perhaps, and in 
 
 happens with ourselves; and if anyone other cases, like the scream of the bat 
 
 finds it hard to believe how they can we cannot hear them; or, to take the 
 
 remember, all we can say is that birds bat, some people can hear them, but 
 
 have wonderful memories for these many cannot. Thus there are many 
 
 things. The birds also have a wonder- sounds we cannot hear, as there are 
 
 ful sense of direction. many colors w^e cannot see. But the 
 
 We know that some people can never vibrations in the air made by the 
 
 find their way. They turn to the left bee's wings are of a rate that is within 
 
 when they should turn to the right, the range of our hearing — if the bee 
 
 and so on. Other people scarcely ever is near enough — and so we hear a 
 
 make a mistake, even though they humming. No doubt you will guess 
 
 have been only once in a place before, that that word, like "murmur," is 
 
 Probably birds and many other made to imitate the sound of which it 
 
 animals are even wiser than the wisest is the name, 
 
 human beings in this respect. Perhaps did tame flowers once grow 
 if you bandaged a bird and "turned it wild? 
 
 round three times"- — as w^hen you play Certainly all flowers did once grow 
 
 games — it would remember just how wild, and all animals, too. There are 
 
 far and often it had gone round. But certain kinds of flowers and animals 
 
 when they turn you round, you -don't which men have, so to speak, made by 
 
 know whether you are facing the fire- choosing the kind of thing they wanted 
 
 place or the window. Your brain and leaving the rest, and so gradually 
 
 can't remember the turnings as the getting such things as the garden rose, 
 
 bird's brain does. the pouter pigeon, and so on. These 
 
 What makes a bee hum are what we call cultivated varieties. 
 
 The humming of the bee and of so but all of them, even the most curious 
 
 many other insects is not like the and newest orchid, or pigeon, or breed 
 
 murmur of the seashell, which picks of dog, have been made from wild or 
 
30 
 
 THE HUMAN INTEREST LIBRARY 
 
 natural forms; and, of course, before 
 man started doing this, all flowers, all 
 plants, all animals, were wild. Even 
 now, if we are careless, our garden 
 plants will return sometimes more or 
 less completely to their natural state, 
 and so will domestic animals. On the 
 other hand, cultivated flowers may 
 escape from a garden, as we say, their 
 seeds being carried by insects or the 
 wind, and may then appear to have 
 grown wild. There is no end to what 
 we may do by cultivating plants and 
 flowers. Men used to try only to make 
 beautiful forms, but lately they have 
 tried to make useful ones, and have 
 succeeded, especially in making from 
 old kinds of corn new kinds which are 
 far more valuable for human food. 
 Does a worm breathe under 
 
 GROUND? 
 
 Every living thing breathes, whether 
 in earth, or on the earth, or in the sky, 
 or in w ater. If it cannot get air it dies. 
 The worm really has no trouble at all, 
 for there is plenty of air and to spare 
 in the earth anywhere near the sur- 
 face. Of course, if you dig deeply 
 into the earth, there will not be 
 enough air for a thing like a worm, 
 which needs a good deal; and you will 
 find only living creatures, like some 
 microbes, or tiny plants, which need 
 very little air. Further down still you 
 will find no living things at all. There 
 is no life at all in the inside of the 
 earth. 
 
 Do SEEDS BREATHE? 
 
 Seeds are no exception to the rule 
 that every living thing must breathe. 
 The seed gets its air, or, rather, its 
 oxygen from the air, just as the worm 
 does. So you must not plant the seed 
 too deeply, or it will not get enough 
 air, and then it will die. You may 
 wonder that a seed should breathe, 
 but that is because we always think of 
 breathing as if the only kind of it were 
 our breathing, w ith ribs and lungs. 
 
 The air in the earth, which enables 
 plants to grow from seeds and trees 
 from acorns, and keeps alive worms 
 and insects and many microbes, is 
 known as ground-air, and as its 
 warmth depends on the warmth of 
 the earth, it is very different at dif- 
 ferent times of the year. That is one 
 reason why certain illnesses attack 
 us at certain times of the year — be- 
 cause the warmth of the ground-air is 
 just right for the growth of the 
 microbes that cause those illnesses. 
 Remember, there is air in the earth as 
 there is in water. 
 Where the snail finds its shell 
 
 The snail makes its shell from its 
 own skin. The same is true of the 
 shell of the oyster, or that of the 
 lobster. Our own skins, we know, can 
 make things which are fairly hard, 
 such as our nails; and it is also true 
 that the hardest things in our bodies, 
 our teeth, which are, or should be, even 
 harder than the shell of the snail, are 
 really made from our skin, which has 
 been, so to speak, turned into our 
 mouths so as to line them. There are 
 really few things more wonderful than 
 the way in which soft, living creatures, 
 mostly made of w ater, are able to make 
 the hardest things, like teeth and wood 
 and shells and pearl, and so on. If we 
 look very carefully at the skin of 
 creatures like the snail, we can see 
 how its outside cells are specially 
 made so that they can gradually get 
 harder and harder, until they cannot 
 be called skin at all, but are really 
 nothing else than shell. We can 
 watch very much the same thing if we 
 look at the cells at the base of our nails 
 or the cells that make the horiK of 
 animals, and see how the soft skin is 
 gradually changed. 
 How Flies walk on the ceiling 
 
 The reason, no doubt, is that the 
 fly's feet, besides being just the least 
 little bit sticky, are made like suckers. 
 
THE EVERYDAY WONDER BOOK 31 
 
 and hold on to whatever the fly walks shown in the spider's web or the bird's 
 
 upon. Then, of course, we have to nest, or a thousand other things, is 
 
 remember that the fly's body itself is quite different. There is no learning 
 
 very lightly made, just as a bird's body at all. Many animals have to do a 
 
 is, because both are meant to fly; and most difficult thing only once in their 
 
 this makes it easier for a very little whole lives, and after doing it they 
 
 force to prevent the fly from falling die; and we know for certain that they 
 
 even when it is upside down. have never seen any other animal do 
 
 Why spiders do not get caught in 't. They have never learned, they 
 
 THEIR OWN WEB havc Dcvcr practiced, and yet they do 
 
 It is the strength of the spider that it perfeclty. That is the power of 
 
 prevents him from getting caught in instinct; but the weakness of it is that 
 
 his web, which is only made for catch- it can do only what it is made to do, 
 
 ing creatures much weaker than him- and it is for this reason that intelli- 
 
 self. We know for certain that the gence is so vastly superior to the best 
 
 spider can cut his web when he pleases, instinct. 
 
 so that there is no fear of his getting Why fishes cannot live on land 
 caught in it. The spider is a wonder- Every living thing must have air or 
 
 fully clever animal, but he is not brave, die. The fish comes out of the water. 
 
 If an insect that is too big for his taste where there is very little air, into the 
 
 comes against his web, he will sit quite air itself, and there it dies for lack of 
 
 still in one corner and never move air. It is drowned on land for lack of 
 
 until it goes away, and sometimes he air, and dies of what is called suffoca- 
 
 is so frightened that he simply cuts his tion, just as you or I would be drowned 
 
 web rather than get into difficulties in the water. 
 
 with something that is more likely to But why cannot the fish help itself 
 
 eat him than the other way about, to the air around it when it is put on 
 
 In this he is cleverer than some men, earth? Why should it starve in the 
 
 who make nets to catch other people midst of plenty, like a rich man who 
 
 and get caught in them themselves, has something the matter physically? 
 
 In proportion to his size, the spider is The reason is, that in order to breathe 
 
 a very strong animal, and it is really air you must have lungs, or something 
 
 wonderful that he can cut his own like lungs, and the fish has none ; while 
 
 web, for they say that in proportion in order to get the air which is dis- 
 
 to its weight it is one of the strongest solved in water, which the fish does, 
 
 things known. you must have something quite dif- 
 
 How birds know how to build ferent from lungs, which are called 
 
 THEIR nests gills. The fish has no lungs, but only 
 
 It is by the power of what we call gills. We have no gills, but only 
 
 instinct. We human beings do very lungs. Therefore, we die in the water 
 
 little by instinct; we have to learn for and the fish dies out of it. If an 
 
 ourselves almost everything that we animal had both gills and lungs, then 
 
 do. We cannot write or read in- it would be able to get air from the 
 
 stinctively, and if we are to learn well air or to get the air which is in water, 
 
 we must practice, and we must have as it pleased ; and it could live both on 
 
 help from older people to teach us. the land and in the sea. 
 
 Only we have this advantage, that How we can tell the age of a tree 
 there is no limit to what we can learn. In the case of some trees you can 
 
 The instinct of animals, however, only guess at this, but in the case of 
 
32 
 
 THE HUMAN INTEREST LIBRARY 
 
 many you can tell exactly, because 
 the tree makes a fresh growth every 
 year under the bark, and as this differs 
 rather in the earlier part of the year 
 from the kind of wood which is made 
 later, you can easily distinguish be- 
 tween one year's growth and the next. 
 So when the tree is cut across — but 
 that, of course, means killing it — you 
 find that it shows a number of rings, 
 one inside the other, and each of these 
 rings corresponds to a year of the 
 tree's life. 
 
 In the case of a man or a woman, 
 the number of years he or she has 
 lived need not make any difference 
 or leave any mark. Some people are 
 far younger at eighty than other 
 people at thirty, for we do not live 
 by the changing seasons of the year. 
 But all plants do this in some degree 
 or other, and thus thev show the 
 marks of their age. Another way in 
 which trees differ from us is that, as 
 long as they are alive, they go on 
 growing, while we, of course, are quite 
 different, and after the earlier part of 
 our lives is past we never grow any 
 more. Some trees live to be many 
 hundreds of years old. even 1000 
 years or more. 
 Why the bark grows on a tree 
 
 If the bark did not grow on the 
 tree, the tree would not grow. The 
 bark is a necessary part of the tree, and 
 if you strip the bark off you will kill 
 the tree. In the first place, the bark 
 does one or two things which are use- 
 ful but not very important. The 
 outside of it is usually pretty tough, 
 and has become more or less dead 
 so that things do not hurt it, and it 
 protects the living part of the tree 
 inside. Often many animals and 
 plants live on the outside of trees 
 without doing them any harm, but 
 that is really a very small thing. The 
 inside of the bark is the most living 
 part of the tree, we may say; not only 
 
 so, but it actually makes the tree. 
 All the growth of the tree in thickness 
 is due to the making of the wood, and 
 it is the bark, the soft living part of 
 the inside of the bark, that has made 
 all the hardest wood of the biggest and 
 hardest tree-trunk. Also, there are 
 channels in the bark through which 
 the sap of the tree, its food and water, 
 run, in much the same w^ay as the 
 blood runs in our own blood-vessels. 
 What makes a cat purr 
 
 The noise a cat makes when it purrs 
 is really a kind of talking, for it tells 
 you that the cat has a certain feeling. 
 It feels pleased and happy, and it says 
 so in its own way, and no doubt 
 another cat would know and under- 
 stand what it felt, and very likely 
 would feel pleased and begin to purr 
 too, just as the company of happy 
 people usually makes us happy. ^Yhen 
 a cat purrs, if you put your hand on 
 it you can feel its whole body trem- 
 bling. But when anyone speaks or 
 sings — especially if he be a man with 
 a voice low in pitch — if you put your 
 hand on his chest you can feel him 
 vibrate, or tremble, just like the eat. 
 In the case of the man, we know that 
 it is his vocal cords in his throat 
 which he has set trembling, and they 
 have set the whole of his chest vibrat- 
 ing. Whether anyone is sure what 
 it is that the cat purrs with is doubt- 
 ful, but the cat has vocal cords just 
 as we have, and we may be sure it 
 uses them. 
 How a dog knows a stranger 
 
 A dog has wonderfully good eyes, 
 but it has a still more wonderful sense 
 of smell. Our own sense of smell is 
 so very feeble and unimportant that 
 only after we have made a long study 
 of animals can we realize how useful 
 and delicate this sense may be. Thus 
 a dog "knows a stranger" chiefly be- 
 cause the stranger has a strange scent. 
 If the stranger wore the clothes of the 
 
THE EVERYDAY WONDER BOOK 
 
 33 
 
 dog's master, then the dog would take 
 him for his master, even though the 
 stranger looked very different. After 
 a time, very likely the dog might 
 begin to feel uncomfortable, and act 
 as if he thought something was wrong 
 somewhere. 
 
 But, you see, every creature forms 
 its judgments mainly by means of the 
 particular sense which is best devel- 
 oped in it, and which it has therefore 
 learned to trust best. We know 
 people by our eyes, and though some- 
 times a man's voice may be exactly 
 like the voice of a friend, yet we do 
 not think that it is our friend if our 
 eyes do not tell us so. Just in the 
 same way the dog trusts his nose 
 rather than his ej' es, because his sense 
 of smell is his best sense. Lastly, do 
 not forget that it is because the dog 
 has the wonderful thing called memory 
 that he "knows a stranger." It is as 
 if he said to himself, "This is not a 
 smell I remember" — that is to say, it 
 is a strange smell. 
 Why the leaves change color 
 
 In the autumn the beautiful green 
 color made by the sunlight in the plant 
 changes and goes. It is not that the 
 plant is dying, but that it is going to 
 rest for the winter, when the air is cold 
 and the days are short. After all, 
 many animals go to sleep all the 
 winter, and for the same reason. 
 Hibernus is the Latin word that has 
 to do with winter, and so we say that 
 some animals hibernate. Well, we 
 might just as well say that many trees 
 hibernate, and since they are not 
 going to use their leaves, they take 
 out of them everything that will be 
 useful. In doing this the tree changes 
 the green in the leaf, and so we get 
 various colors produced in the autumn. 
 
 Why certain seeds come up at 
 certain times 
 
 Young creatures come up, if they 
 are plants, or are born, if they are 
 
 animals, usually at the time of year 
 which is best suited for their particular 
 way of life. That is the general rule 
 throughout the whole world, both of 
 plants and of animals; and the case of 
 the seeds which come up in spring, 
 some sooner and some later, according 
 to the way they are made, is really 
 only the same thing. One exception 
 to it is ourselves. All the year round, 
 babies are born — Christmas Day and 
 Midsummer's Day alike. The reason 
 for this is that it does not matter what 
 time of the year it is when a baby is 
 born, because it depends, unlike a 
 plant, not upon the weather and the 
 particular amount of sun that is shin- 
 ing or the particular amount of 
 warmth in the earth, but upon the 
 love of its mother, and that it is the 
 same all the year round. While, like 
 all other living creatures, we depend 
 partly upon the sun, and so on, yet, 
 more than all other things, we depend 
 upon the care of those who love 
 us. 
 
 Why ANIMALS IN SNOWY COUNTRIES 
 WEAR WHITE COATS 
 
 The use of the white coat is to pro- 
 tect the animal from its enemies by 
 making it difficult to see. If the 
 animal keeps still it can scarcely be 
 seen at all when its coat is the same 
 color as the snow. But if it had a 
 white coat in summer, when the snow 
 goes, it would be easily seen, and so 
 often its coat changes in summer, and 
 the fur takes other tints, more like 
 the color of the ground and the plants 
 among which it lives. This is called 
 protective coloring, and is very useful 
 to many animals. But sometimes it 
 happens that an animal which lives 
 by catching others is also white in 
 winter snow, so that it can get near its 
 prey without being seen. Some in- 
 sects do the same thing, and when 
 they sit quietly among the leaves of 
 certain plants no one can tell which 
 
TEE HUMAN INTEREST LIBRARY 
 
 is insect and which is leaf, so the birds 
 
 cannot find them. 
 
 What brings life out of dry seeds 
 
 We may be sure that the hfe is 
 there, or it would not come out of the 
 seeds. The seeds are the children of 
 plants that were alive before them, 
 and part of their parents' life is in 
 them. But it is quite true that a 
 dried seed is very different from one 
 which is sprouting, and it is fair to say 
 that its life is resting or passive or 
 suspended for the time. It is alive, 
 we know very well, for it can be killed 
 by boiling it or by a poison or in many 
 other ways, and a dried seed may be 
 dead or alive, as an egg may be dead 
 or alive. 
 
 You will never be able to get a 
 chicken out of a dead egg, or a plant 
 out of a dead seed, but you will get a 
 dried seed — provided it has not been 
 killed — to sprout if you add water to 
 it. It is because it is dried that it 
 seems to stop living, which is not the 
 same thing as to die. We know that 
 it is not the same thing, for when it 
 gets water it shows us that it is not 
 dead. The chemical changes which 
 are necessary for all active life must 
 have water, if they are to go on. The 
 water does not make the life come out 
 of the dried seed, but reveals it. If 
 you have injected a drop of poison 
 into the seed first, then the water will 
 fail to make it sprout, for it is killed. 
 Why some plants are always green 
 
 Though it is the common rule that 
 green plants lose their leaves in the 
 winter, when there is less sun for them 
 to use, yet we must remember that the 
 variety of life is infinite, and that one 
 plant has one way of living which 
 suits it, and another has another. 
 Thus, some plants, which we call ever- 
 green, develop a strong kind of leaf 
 which lasts all through the winter, 
 in spite of the wind and the wet, and 
 uses the winter sun whenever it shines. 
 
 Probably we shall find, at any rate in 
 some of these cases, that the plant 
 really belongs to a part of the world 
 where there is plenty of sun in the 
 winter, so that it is quite worth the 
 plant's while to keep its green leaves 
 all the year round. We must not 
 think that evergreen plants are neces- 
 sarily stronger or better than those 
 whose leaves fall in the winter, for we 
 know that the change and the fall of 
 the leaf is not really a process of decay 
 or of death, but a living process, 
 meant to serve the life of the plant. 
 
 Why birds eggs are of different 
 colors 
 
 We know, of course, that the dif- 
 ferences in color depend upon the 
 presence in the various shells of 
 various coloring substances or pig- 
 ments, and it is interesting to see how 
 a particular kind of bird always pro- 
 duces the same kind of color in its 
 eggs, just as it produces a particular 
 kind of color in its own feathers. 
 The particular kind of food the birds 
 feed on, nor yet the particular sur- 
 roundings it lives in, have likely 
 much to do with the special color of 
 its eggs. This must really depend 
 upon the particular chemistry of the 
 body of the bird. I do not mean 
 that you cannot change the color of 
 hens' eggs, for instance, by food, but 
 you will never get a hen to lay a 
 speckled green egg. The color of 
 the shell is really as special to the 
 particular bird as any of the things 
 by which we know one bird from 
 another. 
 Use of the different colors of i 
 
 BIRDS' eggs 
 
 If we compare the colorings and 
 markings of a great number of birds' 
 eggs with the places in which they are 
 found, we discover that in a large 
 number of cases the eggs are so like 
 their surroundings that they are 
 difficult to see at all unless we look 
 
THE EVERYDAY WONDER BOOK 
 
 35 
 
 quite closely. For instance, a ringed 
 plover's egg has the same general 
 coloring as the sand on which it lies, 
 and it is spotted over with black dots 
 which look like tiny shadows. This 
 makes it difficult to see the egg at all. 
 In other cases the blotches or markings 
 on the eggs look like an irregular piece 
 of dark material lying, perhaps, on 
 the beach. Thus, the eggs of the 
 tern or gull sometimes look like stones 
 or spotted pebbles, and, on the other 
 hand, the stones themselves look so like 
 eggs as to be easily mistaken for them 
 at a slight distance; so that the reason 
 for the coloring of eggs is no doubt 
 to help them to be hidden from sight. 
 
 Why a bad egg floats and a good 
 egg sinks 
 
 A fresh eggs consists of a mass of 
 yolk, together with what we call the 
 white of the egg, and this, being 
 heavier than water, will cause the egg 
 to sink when it is placed in water. 
 But in an egg which has become 
 addled or rotten, the yolk and white 
 have split up into other things, and 
 produce gases which cause the egg to 
 be much lighter than it was before. 
 In fact, such an egg does not weigh as 
 much as an equal bulk of water does, 
 so that if placed in water it will float 
 and not sink. 
 Can a fish hear? 
 
 Although fishes are like some other 
 animals in having no visible signs of 
 ears, yet they have ears which con- 
 duct sound to the brain. Their organ 
 of hearing consists simply of an 
 internal ear placed inside a gristly 
 capsule. In some fishes — as, for in- 
 stance, the dog-fish — there is a fold 
 known as the false gill, which is no 
 doubt the remains of a real gill, but is 
 now used for transmitting sounds to 
 the internal ear. In the wall of the 
 capsule which contains the internal 
 ear there is a thin spot, and it is 
 through this thin part, corresponding 
 
 with what we call the drum of our 
 own ear, that the sound is conducted. 
 Thus, we see that in the case of some 
 of the fishes there has been a change 
 of function of an organ which was in 
 the first place a gill, but has now be- 
 come part of the hearing apparatus. 
 In other words, it is a structure at one 
 time used for breathing, but now used 
 for hearing. 
 Why fishes do not drown 
 
 All animals and plants must get air 
 in some way or other in order to live; 
 or, to be more strictly accurate, they 
 must have a supply of oxygen, which 
 is one of the gases in the air. Should 
 this supply of oxygen fail, death must 
 come, no matter whether it be from 
 drowning or from any other cause. 
 When a man is drowned, what really 
 happens is that on account of his 
 being so long under the water, his 
 supply of life-giving oxygen has run 
 short, and as he can only get it when 
 he is in the air, he dies. 
 
 But this is not because there is no 
 oxygen to be had in the water, for, as 
 a matter of fact, there is quite a large 
 amount of this life-giving gas dis- 
 solved in water, only human beings 
 and animals breathing by lungs can- 
 not make use of it. Their organs are 
 only adapted for breathing air. The 
 fishes, on the other hand, breathe by 
 gills, not lungs, and the wonderful 
 way in which gills are made enables 
 them to extract the oxygen from the 
 water. Being able to do this, they 
 can live under water perfectly well. 
 But if anything should happen to pre- 
 vent the fish from getting oxygen from 
 the water, or if something should 
 happen to the water to deprive it of 
 its oxygen, then the fish would be 
 drowned, as would any other animal. 
 
 Why a moth flies round and round 
 
 A candle 
 
 No one can say what it is in the 
 brain — or beginnings of a brain — of 
 
36 
 
 THE HUMAN INTEREST LIBRARY 
 
 the moth that decides it to hke the 
 light; and it is quite clear to everyone 
 that this liking does the moth no good 
 — at any rate, in the case of such a 
 Ught as the candle. It may possibly 
 be that it benefits the moth, and other 
 creatures that behave like it, to fly 
 towards light from darkness; and per- 
 haps we should find this to be so if 
 we knew enough of the lives of these 
 creatures. But much study has lately 
 shown that animals and plants can be 
 divided into those which go naturally 
 from darkness to light, and those 
 which go naturally from light to 
 darkness. Learned names have been 
 applied to these habits — names which 
 mean that the creature turns sunwards 
 or away from the sun. Different 
 plants and different parts of the same 
 plant behave in similar ways; and if 
 we notice the behavior of a baby 
 towards a bright light we shall see 
 that it is really like the moth. We 
 find also that different creatures tend 
 to move towards or away from other 
 things besides light — such as heat, 
 gravitation, electricity, and all sorts 
 of chemicals and smells. Some grown- 
 up people are like the moth — they 
 move to the sunny side of the street; 
 and others are like insects that usually 
 live in darkness and fly towards it — 
 they move to the shady side of the 
 street. 
 Where plants get their salts 
 
 The salts of plants are necessary 
 for their own fives, and are very 
 valuable for us when we eat the 
 plants, or when we eat other animals 
 which eat the plants. There are very 
 few salts in rain-water; but the rain- 
 water, when it becomes what is called 
 soil-water, melts, or dissolves, into 
 itself everything that can be melted 
 from the earth around it. Exactly 
 what these salts are must depend, of 
 course, upon the particular kind of 
 soil, and this is very important, for 
 
 some plants require some salts and 
 some require others; so the quality of 
 the soil in various places decides what 
 kinds of plants can or cannot grow 
 there. The plaat gets all its water 
 and all its salts by its roots; and it can 
 get no salts in the solid state, but only 
 those that are dissolved in the soil- 
 water. If we want certain plants to 
 grow — such as grass or wheat, or even 
 trees — we may often supply salts to 
 the soil, so that they may be dissolved 
 by the soil-water, and taken into the 
 body of the plant. 
 
 Why wood rots away 
 
 Well, there are kinds of wood that 
 will not rot away, even though they 
 are kept in water. The ancient city 
 of Venice is actually built on wooden 
 piles buried in the shallow sea; and 
 these have lasted for many centuries 
 already. This wood does not rot 
 because the things that make wood rot 
 cannot attack it, and wood does not 
 rot without a cause. 
 
 We shall begin to guess what it is 
 that makes wood rot when we learn 
 what is done to wood that must be 
 exposed to wet and yet must not rot — 
 for instance, the wood of which railway 
 ties are made. These are often soaked 
 with a chemical substance called creo- 
 sote; and the particular property of 
 creosote which makes it so valuable is 
 that it is poisonous to microbes. So 
 the answer to the question, in one 
 word, is microbes; and wood will not 
 rot if it is charged with something that 
 kills microbes, or if it is made of stuff 
 so hard and tough that even microbes 
 cannot digest it ; or if, as in the case of 
 Venice, it is very good wood, and also 
 protected from the kinds of microbes 
 that can rot wood by being kept in 
 salt water. 
 
 The age of animals 
 
 The prize for the land animals has to 
 be given to the tortoise. This animal 
 
TEE EVERYDAY WONDER BOOK 
 
 S7 
 
 lives, under favorable conditions, for 
 between 300 and 400 years. One 
 died in London in 1906 which was 
 stated to be at least 350 years of age. 
 Another reptile is the crocodile, which, 
 given fair play in its native wilds, can 
 live for 300 years. 
 
 It takes an elephant a long time to 
 grow up, and it takes him a long time 
 to wear out. Well treated, he should 
 live to be a hundred. That is the 
 age to which the eagle is supposed to 
 live, but some people put down the 
 age he may reach as 200 years. Even 
 that is young compared with the life 
 of the whale. This can be shown to 
 last for 500 years. 
 
 In the following tables the extreme 
 ages of things like the whale and eagle 
 and tortoise are not given. The 
 tables merely set out the ages to which 
 certain animals often live. 
 
 THE NUMBER OF YEARS THAT BIRDS LIVE 
 
 Wren 
 
 Thrush. . . . 
 
 Robin 
 
 Blackbird. . 
 
 Hen 
 
 Goldfinch. . 
 Partridge. . 
 Pheasant . . . 
 
 Lark 
 
 Nightingale 
 
 Pigeon 
 
 Linnet 
 
 3 Canary 24 
 
 10 Crane 24 
 
 12 Peacock 24 
 
 12 Skylark 30 
 
 14 Sparrow 40 
 
 15 Goose 50 
 
 15 Pelican 50 
 
 15 Parrot 60 
 
 18 Heron 60 
 
 18 Crow 100 
 
 20 Swan 100 
 
 23 Eagle 100 
 
 THE NUMBER OF YEARS OTHER ANIMALS LIATE 
 
 Rabbit 5 Horse 27 
 
 Sheep 12 Camel 40 
 
 Cat 13 Lion 40 
 
 Dog 15 Elephant 100 
 
 Goat 15 Crocodile 300 
 
 Cow . 25 Tortoise 350 
 
 Pig 25 Whale 500 
 
 Why birds cast their feathers 
 
 Feathers become worn, torn and 
 broken, and must be replaced. The 
 moulting of birds is similar to what 
 takes place in other forms of animal 
 life. Horses grow long coats of hair 
 in winter which they shed in summer. 
 Dogs cast their coats. Snakes cast 
 their skins; crabs and other shell-fish 
 cast their shells. If a crab lived al- 
 ways in one shell his body could never 
 grow any bigger. At a certain time 
 in the year his flesh becomes very 
 watery, so he can draw his great 
 claws through the narrow opening at 
 the top of the shells in which they are 
 enclosed, and he comes out of his 
 shell almost as soft and pulpy as an 
 egg in its skin with its shell removed. 
 Birds are never left bare like this. 
 They moult gradually. Some are so 
 completely robbed of their strong 
 feathers that they are glad to go into 
 hiding until the new ones grow. They 
 are then as defenceless as is the stag 
 which has shed its mighty antlers. 
 
 WONDERS OF LIGHT AND SOUND 
 
 Where music comes from 
 
 MUSIC is simply a special kind 
 of sound. Other kinds of 
 sounds we call noise. All 
 kinds of sound are really the same, and 
 they simply consist of waves in the air. 
 If you say you can scarcely believe 
 this, because you have never seen them, 
 the reply is that they are not meant 
 to be seen but to be heard, and you 
 have certainly heard them. These 
 waves in air that we hear, though we 
 cannot see them, are really wonder- 
 fully like waves in water, which we can 
 see, though we cannot hear them. 
 
 The air, after all, is not so very difiFer- 
 ent from a great ocean of water. If 
 there were two fishes living in the sea 
 or in a lake, you can understand that 
 if one of them flapped his tail he would 
 make a wave of water which the other 
 fish might feel. 
 
 When we speak or sing, or clap our 
 hands, we make a wave of air very like 
 that wave of water, and other people 
 feel it in a particular kind of way, 
 which we call hearing. After all, 
 hearing is just feeling with our ears. 
 These waves in the air move very 
 quickly, and are very tiny, but they 
 
38 
 
 THE HUMAN INTEREST LIBRARY 
 
 are of many different sizes, even 
 though they are all very small. The 
 different kinds of waves make different 
 kinds of sounds. If you make a wave 
 in the air which is jerky and not regu- 
 lar, but just comes along "anyhow," 
 then the ear, when it feels or hears that 
 wave, does not like it, and that is the 
 kind of wave that makes a noise. But 
 if someone is singing, or if you strike a 
 note on the piano, then the wave that 
 is made is a regular and even one, and 
 the ear likes it, and calls this a musical 
 sound. 
 
 How THE PIANO PLAYS 
 
 The simplest way of understanding 
 this is to take a piece of string and 
 stretch it tight at its two ends. This 
 piece of string is just like the wire 
 inside a piano, which you hit when 
 you strike a note; and the wire is 
 stretched just as the string is stretched. 
 When the piano-tuner comes, he goes 
 over all the wires inside the piano to 
 see that they are stretched just as 
 much as they ought to be. Well, if 
 you take this string and twang it, you 
 can see it moving backwards and for- 
 wards, and can hear a low sound. 
 When anything moves backwards and 
 forwards like this, we say that it is 
 vibrating, which simply means trem- 
 bling. Every time it moves it makes 
 a little wave in the air. If you make 
 the string shorter, or if you stretch it 
 tighter, it vibrates more quickly, and 
 the musical note it gives out is a higher 
 note, more like the treble of the piano. 
 When we speak or sing, we make two 
 cords in our throats, called the vocal 
 cords, vibrate, or tremble, just like 
 this cord or string that we can see 
 vibrate for ourselves. 
 
 Why we see ourselves 
 IN the glass 
 
 The glass is made with a layer of 
 quicksilver behind it. If that were 
 not there, we should see through the 
 glass as we see through the window. 
 
 But the quicksilver prevents the light 
 from going through and sends it back 
 again. The glass and the quicksilver 
 are both perfectly smooth and flat. 
 
 Now, we can see ourselves in any 
 thing that is perfectly smooth and 
 flat, and that is able to throw the light 
 from our faces back to us. Of course 
 we cannot see ourselves in what we 
 call dull surfaces, because they keep 
 the light; nor can we see ourselves 
 in things with rough surfaces, because 
 they do not throw the light back 
 fairly, but scatter it in all directions. 
 If you throw a ball against a perfectly 
 smooth wall, and throw it straight, 
 it will come straight back to you. If 
 you throw it sideways, you know that 
 it will come off the wall in a certain 
 way. You could easily throw it to 
 the wall so that it would bounce off to 
 a friend standing further along the wall. 
 
 But if instead of a smooth wall you 
 had a heap of loose stones to bounce 
 the ball against, you could never tell 
 where the ball would go after you had 
 thrown it. 
 
 Now, when you stand opposite a 
 good glass, the light from your face 
 hits the glass and comes straight back, 
 just as if it were made of a lot of little 
 balls; but if you stand opposite some- 
 thing that is rough, the light comes 
 back this way, and that, and the 
 other, just as if you threw a handful 
 of marbles against a heap of stones — 
 and, of course, you cannot see your- 
 self. The glass throws your image 
 back to you as your body throws its 
 own image on the ground in the sun- 
 shine. But on the glass your image 
 comes back light, and your shadow 
 on the ground is dark, because it is 
 made by your standing in the way of 
 the light. 
 
 What makes the colors of the 
 
 sunset 
 
 Now, when the sun is setting, its 
 light does not come so straight down 
 
THE EVERYDAY WONDER BOOK 
 
 39 
 
 upon us as it does when the sun is high 
 in the sky, but, in order to reach our 
 eyes, it has to pass through a long 
 layer of air, just as if you stick a needle 
 straight into an orange it does not have 
 to go far through the peel before it gets 
 inside, but if you stick it sideways in 
 the orange it has a long journey 
 through the peel before it gets inside. 
 So the light from the setting sun passes 
 through so much air, and all the dust 
 and smoke, and so on, that is in the 
 air; and all these take something out 
 of the white light, and throw out what 
 they do not take. The things floating 
 in the air are of all sizes, and so we get 
 many different colors in sunset. So 
 it comes about that sunsets are often 
 
 and look again. Now you can see a 
 good many more of the houses, but 
 still not all if the row is long. Then 
 go to the far side of the road, and a 
 good many more will be found to 
 have come within the range of your 
 eyes. 
 
 To look for the horizon is much the 
 same thing. The earth is round, and 
 the farther we are above the ground 
 along which we are looking, the farther 
 we can see. 
 
 How FAR OFF IS THE HORIZON? 
 
 The word horizon is Greek, and is 
 derived from the Greek word for a 
 boundary, which is horos. Of course, 
 we understand that the horizon is not 
 really the boundary between earth 
 
 finer when the air is not pure, but has 
 much dust in it. 
 
 Why we see farther if we are 
 higher up 
 
 The scientific explanation of this 
 would be that "range of vision is de- 
 termined by the altitude of the ob- 
 server." In simple language, this 
 means that the higher up we are, the 
 farther we can see. That is because 
 our world is a globe. Perhaps you 
 can understand better how this is if 
 you stand in front of a row of houses 
 that form a bulging crescent. Stand 
 close to one of the houses, and turn 
 your head first to the right, and then 
 to the left. You cannot see much of 
 the row of houses — perhaps only a 
 little bit of the house on each side of 
 the one of which you stand in front. 
 Step back into the middle of the road. 
 
 and sky, but merely the boundary 
 between them as they appear to our 
 eyes. 
 
 This is a question often asked. As 
 we stand by the seashore, the sky and 
 the sea seem to meet. We can see a 
 line which seems to be the end of the 
 sea and the bottom of the sky. That 
 is the horizon. Similarly, if we stand 
 upon a plain of land we can, if there 
 are no trees or houses in the way, see 
 where the end of the land seems to 
 touch the bottom rim of the dome we 
 call the sky. That also is the horizon. 
 
 Its distance depends upon how high 
 our eves are from the level of the sea 
 if we are looking across the sea, or 
 from the level of the land across which 
 we are looking if we are looking over 
 a plain. The picture shows clearly 
 how this is so. The boy standing by 
 
40 
 
 THE HUMAN INTEREST LIBRARY 
 
 the seashore is looking out upon the 
 sea from a distance about four feet 
 higher than the level of the sea — the 
 height of his eyes from sea-level. He 
 can see just a little more than two and 
 one-half miles in front of him, and 
 his horizon is just this distance away. 
 The eyes of the boy on the edge of the 
 cliff, on the other hand, are 100 feet 
 above sea-level, and he can see about 
 13| miles off,, and that is where the 
 horizon is. Again, the top of the 
 lighthouse is 150 feet above sea-level, 
 and if a boy looked out on the sea 
 from this point, he would see about 
 16j miles, and his horizon would be 
 the same distance. 
 Why we cannot jump off our 
 
 SHADOWS 
 
 Wherever we go, our shadows will 
 follow, of course. We all know what 
 makes shadows, but we do not all 
 know what wonderful things shadows 
 make. For instance, the moon is 
 lighted by the sun's light; and some- 
 times the earth "gets in the light," as 
 you do when yoii stand in front of 
 the lamp by which someone is read- 
 ing. So the earth prevents the sun- 
 light from reaching the moon, and 
 throws a round shadow, which we can 
 see across the moon as the earth gets 
 in the way. This is an "eclipse of 
 the moon." 
 
 Then shadows make strange things 
 when they are thrown far away. The 
 shadow of your hand becomes very 
 big if it is thrown on a wall far off. 
 And sometimes the shadow of a man's 
 body may look like a strange giant 
 and frighten the man who is making 
 it! There is a mountain'in Germany, 
 called the Brocken, nearly a mile 
 high, where a man's shadow is some- 
 times thrown on the clouds. 
 Why the sky is blue 
 
 This was found out last century by 
 John Tyndall. You would never 
 guess the reason. The sky gets its 
 
 light from the sun. When the sun is 
 away, the sky is dark. Therefore, the 
 blue of the sky must be somehow 
 thrown to our eyes from something in 
 the sky which keeps all the other 
 colors in the white light of the sun, and 
 throws back the blue, and that is what 
 happens. 
 
 The sky is filled with countless tiny 
 specks of what we may call dust. 
 These are of just such a size that they 
 catch the bigger waves of light, which 
 make the other colors, but throw to 
 our eyes the shorter waves of light, 
 which make blue. If you could do 
 away with all the solid stuff in the air, 
 the sky would be dark, and all the 
 light of the daytime would come 
 directly from the sun. Skylight is 
 reflected sunlight, but only the blue 
 part of it. 
 Why it is dark at night 
 
 If you take a ball and hold it near 
 a bright light the half of the ball next 
 to the light is shone upon, and the 
 half of the ball away from the light is 
 dark. If you mark a spot on the ball, 
 and then turn the ball round and 
 round like a top, that spot will be 
 shone upon half the time and will be 
 in the dark the other half of the time. 
 We live on a big ball called the earth, 
 which is always spinning round and 
 round, and it is shone upon all the 
 time, day and night, by a bright light 
 called the sun. 
 
 The place where we live is like the 
 spot on the ball, and as the great earth- 
 ball spins, part of the time we are on 
 the side next to the sun and part of 
 the time we are on the side away from 
 the sun. When we are on that side 
 it is dark at night, but while it is our 
 night it is daytime for the people wdio 
 live on the other side of the ball. 
 However dark it is where we live, the 
 sun is always shining somewhere, and 
 the earth is always traveling towards 
 it or away from it. The sun does not 
 
THE EVERYDAY WONDER BOOK 
 
 ^1 
 
 come to the earth, but the earth comes 
 into the sunhght. If you think of the 
 ball and the light you will understand 
 that, however dark it is, the earth will 
 soon carry us round into the light 
 again. Have you ever heard one of 
 the most beautiful lines in all poetry: 
 "There is a budding morrow in mid- 
 night," meaning that every night a 
 day is being born. 
 The noise like waves in a sea shell 
 
 This pretty idea is only just a poets' 
 fancy, and nothing more. The truth 
 is, we only imagine a likeness between 
 the sound of the shell and the sound of 
 the sea; though I quite admit that 
 it is easy to imagine, and that we may 
 forgive the poet who said that the 
 shell is "Murmurous still of its 
 nativity" — its place of birth. Murmur 
 is a good word for this, made on pur- 
 pose to imitate the sound. 
 
 Really, then, the shell is one of those 
 things which can pick up and make 
 stronger certain kinds of sounds. The 
 wooden part of a violin does this: if 
 you take it away and play on the 
 strings without it they make a feeble, 
 thin, unpleasant tone. These things 
 that make sound resound are called 
 resonators. The body of the violin is 
 one, a sounding-board is another, and 
 a shell is a third. 
 The sounds which the shell 
 
 PICKS UP 
 
 "The shell," you may say, "makes 
 a murmur even when everything is 
 quiet; surely the sound is made within 
 itself — it murmurs still the sounds of 
 its birthplace." The answer is that 
 really it is never quite quiet, and that 
 the shell picks up sound so slight 
 that we do not hear them at all with- 
 out the shell. This has been shown 
 in a new way. A sound-proof room 
 was built. People inside it heard 
 their own hearts beating, and so on. 
 But there were cut out of the room 
 all the tiny noises that usually go on, 
 
 and when a shell was held to the ear 
 nothing at all could be heard. The 
 shell is only a telephone, and if no 
 sounds come for it to resound, it is 
 silent. But the beauty of the poet's 
 idea remains; and it is true as a picture 
 of what happens with men and women, 
 and their remembrance of the places 
 and people of their childhood. 
 Why a noise breaks a window 
 
 Noise is an irregular wave in the 
 air — which is a real thing, and has 
 weight and power, remember. A wave 
 of air may break a window exactly as 
 the wave in the sea will break a break- 
 water, though, as the name tells us, 
 the breakwater will break the wave, 
 as long as that wave is not too strong. 
 
 If you think a moment, you will see 
 that every time a noise gets through 
 a shut window it shakes the window. 
 If the noise is coming in from the 
 street, the air outside is thrown into 
 waves which pass through it until they 
 strike the window, and shake it; then 
 the window shakes the air inside the 
 room in exactly the same way as the 
 air outside shook it, only perhaps not 
 quite so strongly. And so the noise 
 reaches you, just as if you had heard 
 it outside, only not quite so loud. 
 Well, plainly, the noise has only to be 
 loud enough — that is to say, the waves 
 in the air have only to be big enough — 
 to shake the window more than it can 
 stand, and then it breaks. Now, since 
 air is a real thing which has weight 
 and power, the truth is that a noise 
 breaks a window just as does a base- 
 ball. 
 Why the kettle sings 
 
 Everything that sings, sings really 
 for the same reason, because it is set 
 vibrating. When you sing or speak 
 you make the little cords in your 
 throat tremble, and when a kettle 
 sings we may be sure that something 
 is vibrating somewhere. This sets 
 the air round it vibrating, and if it 
 
1^2 TEE HUMAN INTEREST LIBRARY 
 
 vibrates quickly enough we can hear our blood were green, we should see 
 
 it sing. If you only had a stick in green, 
 
 your hand, and could turn it quickly Can we see everything? 
 
 enough in the air, you could make the ^j^^^^ ^^^ .^^^ ^^^ ^^^^^ ^j p^^pj^ 
 
 stick sing. .in the world— the foolish, who think 
 
 Now, kettles do not always sing ^, ^^^ ^jj ^^^^^ .^ ^^ ^^^^ ^^^ ^^^ 
 
 quite the same tune, and that depends ^.^^^ ^^^ ^^^^^ ^^^^^ ^^ ^^^ ^j^j^ 
 
 upon a number of things; but at any ^ ^^^^ ^^ ^^^j^^g ^^-^^^ ^j^^ ^^^^ ^f ^^^ 
 
 rate we can understand that as the ^^^^^^ ^^^^ ^^ ^^^.^^ ^,^^^ ^j^^ ^^^^ ^^ 
 
 water gets hot and begins to boil. It is ^^^ minds-which you mean when 
 
 turned into water-gas, or water-vapor, ^^^^^^^ ^ j^ins something to you, 
 
 and It has to force its way out through ^^^ ^^^ . ,.q^ j ^^^ ,„ 
 
 the spout, and past the lid of the ^^^ ^^ ^j^; ^^^^^^^ ^^;j ^.^^^^ ^^^ 
 
 kettle. As it does this it sets various ^^^ ^^^^ j.^,^^ ^^.^ ^^^^ ^^^ ^-^^^^^ 
 
 parts of the kettle trembling, and so knowledge a man could have was to 
 
 the air is made to tremble, and so the ^^^^ ^^^^^ ^^ ^^^^^ nothing-nothing, 
 
 drum-head, or window, in j^our ear is ^^^^ j^^ compared with all that there 
 
 made to tremble, and your bram feels .^ ^^ ^^^^ p^^ ^^-^^ ^^^ ^^1^^^ g^^^^ 
 
 this, and you say the kettle is singing. . ^^.^ ^.^^^^ ^^ men-his name 
 
 It IS the pressure of the gas coming ^^^ Socrates-was executed by his 
 
 out that sets the kettle trembling, f^n^^.^itizens over 2000 years ago. 
 
 When you speak or sing you nearly ^^^^ ^,^^^ ^^^^^^j ^^^-^^^ ^^^ ^^^ 
 
 close your throat, and then squeeze ^^^^ ^^^ brightest eves, we see only a 
 
 the air in your lungs through the small j. ^^^^ ^^ ^^^^^ j^ ^^^^^^ ^^^ ^^^^^y ^^^ 
 
 opening; and it is the pressure of the ^^^ j^^ ^^^^^^^ ^j^^^ -^ ^^^ j^^jgj^^ 
 
 gas that sets your vocal cords trem- .^ ^^^j^ ^ ^^^ ^^^^ ^^^ wisdom: it 
 
 bhng^ So the kettle sings ]ust as ^^^^^ ^^^^ ^^^^ ^^^^ ^^ ^ ^^^,^ ^^-^^ 
 
 y^^ ^^- see into a thing. Then our eyes see 
 
 Why light seems red when we qj^j^ certain kinds of hght. There are 
 
 SHUT OUR EYES .111 1 • i j i * 
 
 ^ ,. , 11 1- 1 p other kinds, which are darkness to us. 
 
 Eyelids cannot stop all light from ^^^ ^^^^ ^^^^ ^^^^ ^^^ ^^ ^^^^ by 
 
 coming through to^ the eyes-that is ^^^ ^^ ^^^^^ ^^^ ^1^^ ^^^^ ^^^ be 
 
 to say, they are, in a small degree. ^^^^ ^y the lifeless eye of the camera, 
 
 transparent, and enough so for the ^^^.^^ has seen for us hundreds of 
 
 sunrise to waken the birds, even thousands of stars that our eyes have 
 
 though their eyes are shut. Yet ^^^^^ ^^^^^ ^^^ ^^^^^ ^^^ ^^^ 
 when vou look at the window with 
 
 *^ 1 t u 4- ^ „ Do WE SEE WHAT IS NOT THERE? 
 
 your eyes shut, what you see — very "^ 
 
 faintly, but still you see it— is a red Besides not seeing most of what is 
 
 color. Can you guess why this is? "there," our eyes often see— or think 
 
 It is because the light that is able to they see— what is not there. ^ Some of 
 
 pass through your eyelids has to pass the most remarkable events in history 
 
 through the red blood which, of have been due to mistakes of this 
 
 course, is always in your eyelid, kind. One of the great duties of the 
 
 Now, this red blood keeps all the reason is to judge of what the senses, 
 
 other colors that go to make up the like eyes and ears, tell us, so that we 
 
 white light, but lets the red color come shall not be deceived, or so that we 
 
 through it, and that is Vv'hy we see red shall learn all the more from our 
 
 with our eyes shut in the light. If mistakes. 
 
TEE EVERYDAY WONDER BOOK 43 
 
 Does light weigh anything? ing with water, and yet, instead of 
 
 If light were made of a shower of being transparent, which means that 
 Httle sparks or specks, as Newton it lets the light through, it is white, 
 thought, then each of those must We understand at once when we find 
 weigh something. Light, however, out what snow and foam are made of, 
 we know, is not matter at all, but a or rather, what is the state of the 
 wave in the ether. So it has no water that makes them. In the case 
 weight. But that is not the whole of snow, the water is frozen and forms 
 story. Our study of light teaches us tiny little crystals of beautiful shape, 
 that it ought to have the power of These all lie loosely together, form- 
 pressure, which, in its results, comes ing the snow, and though, if you could 
 to the same thing as weight. Thus, take one of them by itself, light would 
 if you have a balance, and equal go through it just as it will go through 
 weights on each side, and then make a piece of clear ice, or many other 
 a beam of light play down on one side, crystals, yet when you have a heap of 
 it ought to press down that side of the crystals lying together, all turned 
 balance, just as if a weight had been different ways, they throw the light 
 added. back in all directions, just as salt does. 
 
 This is what was taught by a noted They do not keep any part of the 
 scientist, Clerk-Maxwell, many years white light that falls on them, but 
 ago, before this pressure of light had throw it all back, and so snow is white, 
 been proved. He foretold not only But, of course, if you have colored 
 that there must be such pressure, but light falling on the snow, then the 
 how much it must be. We can now snow throws back that same color, 
 show that pressure by experiment, and this gives some of the most 
 and have found that his prediction of wonderful sunset effects upon snow- 
 its amount — though he had never seen covered mountains, 
 it at all — was right. What causes a light to be yellow 
 
 It is possible to prepare what is What we call white light is made up 
 
 really a balance delicately hung on a of a vast number of lights of different 
 
 thread of quartz, and to see that when colors all mixed together in just such 
 
 a ray of light plays on one side of it, a proportion that our eyes call it 
 
 at once the balance turns as if you had white. It is almost as if every note 
 
 touched it with your finger, or thrown on the piano were played at once — 
 
 something against it. This pressure, with the difference that if this were 
 
 which is so like weight in its results, done our ears would call the sound 
 
 though it is not weight, is sometimes unpleasant; whereas, when our eyes 
 
 called light pressure. But it is com- see all these different kinds of light at 
 
 mon not only to the light that we can once, the result is pleasant. The 
 
 see, but also to the other radiations reason why it is pleasant is that this 
 
 or rays in the ether which we cannot is the kind of light which the sun gives, 
 
 see. The proper name for it, there- and so through long ages our eyes 
 
 fore, by which it is now known every- have become suited to it. Now, 
 
 where, is not light pressure, but radia- yellow is just one of the colors that go 
 
 tion pressure. to make up white light. The waves 
 
 Why the snow is white that make it are quite well known, and 
 
 You might have asked also why is are rather low down in the scale of 
 
 foam white when a wave breaks. In color, like a low note on the piano; 
 
 both cases we know that we are deal- while blue, for instance, is high up in 
 
4-4 
 
 THE HUMAN INTEREST LIBRARY 
 
 the scale, like a high note. Though 
 we say that the sun gives white light, 
 yet really there is rather too much 
 yellow light in sunlight for the result 
 to be quite white. 
 What makes the rainbow 
 
 The rainbow is made by drops of 
 rain; it is due to the reflection of 
 sunlight from drops of water hanging 
 in the sky. As the sunlight passes 
 through the raindrop, and is reflected 
 from the inside of the back of the 
 raindrop, it is broken up into its 
 various parts, which correspond to the 
 various colors of the rainbow. 
 
 White light, we know, is a mixture 
 of many colors. The light waves 
 corresponding to these colors differ in 
 the extent to which they are bent by 
 passing through such a thing as a rain- 
 drop, and so, when they come out of 
 it, they are sorted out, so to speak; 
 and what was white light on going in, 
 comes out as a band of several colors. 
 Thus, what we see in the rainbow is 
 really a natural spectrum of sunlight — 
 the light spread out in a band of the 
 various colors that make it up. 
 Where the rainbow ends 
 
 As we trace the rainbow down 
 on each side it seems to touch the 
 earth, and there are stories of children 
 who have set out to find the end of the 
 rainbow. But the rainbow ends no- 
 where, for it is a mere appearance in 
 the sky, due to tiny drops of water, 
 and it "ends," if we are to use that 
 word, simply where the drops of water 
 end that are so placed as to reflect the 
 sunlight in this way to our eyes. 
 Really no two people see exactly the 
 same rainbow. Thev could not do so, 
 unless their eyes were in the same 
 place. And as we move, the bow we 
 see moves with us. 
 Why spinning lights make rings 
 
 When black and white have an 
 equal chance, the white conquers the 
 black, because the white is something 
 
 and the black is nothing; black is 
 simply no light. 
 
 The disk of a black and white top 
 looks all white when you spin it under 
 a bright light, because your eye remem- 
 bers the white when the black comes 
 round, and remembers it till the white 
 comes round again! And the black 
 lines make black circles because they 
 catch the eye and the eye remembers 
 them in the same way. It is the eye's 
 way to see a thing for about one- 
 fortieth part of a second after it has 
 gone! If you spun the disk in the 
 dark as fast as ever you pleased, and 
 then had a sudden light that came and 
 went very quickly, you would see the 
 spinning disk exactly as if it were still 
 — half white, half black, and with bits 
 of circles instead of whole ones. In 
 some lights, too, we see colors, probably 
 because the eye gets confused and 
 invents them. 
 
 A whole roomful of people may be 
 
 astonished at this experiment. The 
 
 eye sees what is really there, and then 
 
 the light goes out, and so, though the 
 
 eye goes on seeing for a little after the 
 
 light goes, it gets no chance to have 
 
 another look, and so do what it does 
 
 when the light stays on. This proves 
 
 that nothing happens at all to the disk 
 
 to make the change when it is spun. 
 
 It is the way the eye sees that deceives 
 
 us. The eye goes on seeing one color 
 
 even when another has come; it mixes 
 
 them — and then we see a new color 
 
 made of the mixture! 
 
 Why the center of a gas flame is 
 blue and the outside yellow 
 
 The color of a burning or a hot 
 thing depends largely on the tempera- 
 ture of it. A white-hot poker is hotter 
 than a red-hot one; and a white-hot 
 star like Sirius is hotter than a red-hot 
 one like Aldebaran or the sun. The 
 outside of a flame is far hotter than 
 the inside, and gives out a brighter 
 light in consequence — like a hot staf 
 
THE EVERYDAY WONDER BOOK 45 
 
 or a hot poker. The color is due to sunlight reflected from the sky — that 
 
 "red-hot" particles of carbon. is to say, from the air. When a storm 
 
 Now you will ask why the inside is coming on, clouds gather, and these 
 
 of the flame is colder than the outside, clouds are thick and dense, so that 
 
 and the answer is easy. The outside they cut off the light of the sky, and 
 
 of the flame is the part next the air— so we say that the sky is dull. If we 
 
 next the oxygen — which causes the went up in a balloon above the clouds, 
 
 burning. The inside of the flame has we should find ourselves in brilliant 
 
 to be content with the very small sunshine, even when it was almost as 
 
 amount of oxygen w^hich gets to it, dark as night to the people on the 
 
 still unused, through the outer part earth below. 
 
 of the flame. Where the burning is why we have to develop photo- 
 fastest and most complete, there the graphs in a red light 
 heat is greatest, and therefore the We know that white light is a mix- 
 outside of the flame is hottest. ture of light of all sorts of colors — red. 
 Why Telegraph Lines Hum yellow, green, blue, and so on. Some 
 
 Anything that is stretched is apt to of these lights of various colors have 
 be thrown into vibration, or made to one kind of power, and some another, 
 tremble, by the force of the air blowing For instance, red light has far more 
 against it. If it vibrates so fast as to heating power than violet light, which 
 produce the air-waves that our ears has practically none at all, while red 
 can hear, then that is what we call light will soon show its power on a 
 sound. This is what happens to the thermometer. Now, the kind of light 
 telegraph wires when they hum; and that has the power of causing chemical 
 if we put our hand on the telegraph changes, which is the light we see by, 
 pole we shall feel that the wires and the light we photograph by, is 
 vibrate strongly enough to set the mainly violet light, or the violet part 
 whole pole trembling, too. If we of white light. We can see, in a way, 
 think of the way in which our own by red light; but red light has practi- 
 voices are produced we shall see that cally no influence on photographic 
 the telegraph lines hum in exactly the plates. We may say that photo- 
 same way as we hum ourselves, graphic plates cannot see red light, 
 Something stretched, in each case, is and so we can use it to develop them 
 made to tremble. When the air is by, without fear'ng that the photo- 
 quite still, you will not hear the graph of our faces or the walls of the 
 telegraph lines humming. room will be printed on the plates. 
 Why the sky is dull when a storm What colors stagnant water 
 
 IS COMING ON When water becomes stagnant vari- 
 
 The light of day is almost all due to ous forms of life grow on its surface, 
 
 the sun. The stars are shining, of Pure water alone will not support life; 
 
 course, as they do all the time, but there must be some other things in the 
 
 they are so far away that the light of water, and perhaps a fatty or oily 
 
 all of them put together counts for layer on the surface of it, before these 
 
 nothing compared with the sun; nor things — mainly microbes — will grow, 
 
 does the light of the moon count for Their growth covers the surface of the 
 
 anything when it happens to be up water with very thin layers of matter 
 
 during the day. Thus we may say from which the light is reflected to our 
 
 that the light of day is due to direct eyes when we look at it. But it 
 
 sunlight and to skylight, which is happens, as in many other cases, such 
 
^6 THE HUMAN INTEREST LIBRARY 
 
 as a soap-bubble or mother-of-pearl, that is compressed and then allowed to 
 
 that the light is partly broken up as expand is air which already exists as 
 
 it is reflected from these thin layers, or air. But there is no air or any other 
 
 as it passes through them if we were to gas in a cartridge, and the question is: 
 
 see the water from below; and so the Where does the gas come from that 
 
 colors are produced. The reason is makes the noise and fires the bullet 
 
 that the waves of light, as they return, when a gun is fired? 
 
 some from one layer of the surface, What happens is that we suddenly 
 
 some from another, interfere with each burn a powder which we have prepared 
 
 other, and the proper name for this is of materials such that when they are 
 
 the interference of light. burned a large quantity of gas will be 
 
 Why a pop-gun pops produced, and it must be produced 
 
 The "pop" of a pop-gun is a sound, very suddenly, if the full explosive 
 
 and all sounds are waves of a particu- power is to be obtained. We have 
 
 lar kind produced in air or in other another great advantage in trying to 
 
 things. If they are to be what we call make this kind of explosion, as w^e 
 
 sounds they must be the kind of waves have not when we fire a pop-gun. 
 
 that our ears are able to hear, That is that the gases produced are 
 
 and these are special, differing from exceedingly hot, for they are heated 
 
 waves of wind, because they are by the burning which makes them. 
 
 very short and quick. A hot gas naturally occupies a great 
 
 The question, then, really is: How deal of space — far more than a cold 
 does the pop-gun cause the kind of gas, and so when we fire a gun we 
 air-waves that we can hear.^ And suddenly produce a great quantity of 
 the answer is that air inside the gun hot gas in a tiny space, which is not 
 is compressed and then suddenly re- nearly sufficient to hold it. If this 
 leased, when the gun goes off. As it were done in a closed box it would 
 is released, it naturally expands or burst the box, but in the case of the 
 spreads itself out again to fill the gun we have prepared a way out for 
 space it filled before it was compressed, it — only that we put a bullet in the 
 This means, of course, that it gives a wayo Out comes the gas, driving the 
 quick push, as it expands, to the air bullet before it, and as it expands it 
 on all sides of it, and so it starts the starts the wave of sound we hear, 
 wave of air, which spreads out in all why houses seem crooked when we 
 directions, from the point where it look above a street fire 
 started, and reaches our ears. The Light is always bent in some degree 
 kind of wave is one which our ears by the various things through which 
 hear as a very short, sharp sound. It it passes — as when it passes through 
 is short because the cause of it acts the air to our eyes from a star, or as 
 for only a very short time, and the when a stick, half in water, seems to 
 sound of it is best represented by the be bent. Now so far as light is con- 
 word "pop." cerned the air is different according to 
 What makes the loud noise when its warmth. Warm air is less dense 
 a gun is fired than cold air, and when light passes 
 
 This noise also is due to an explo- from one to the other, in either direc- 
 sion, the sudden expansion of a com- tion, its path is more or less bent. So 
 pressed gas, as it escapes into the air when we look at the houses through 
 from the space in which it was con- the hot gases that rise from a watch- 
 fined. Now, in a pop-gun, the gas fire, the fight, as it travels from the 
 
REMARKABLE SPECTACLE OF A FROZEN CATARACT 
 
 This is one of the most wonderful things ever done by Jack Frost. It is a picture of Niagara In winter. No man's 
 hand, no machine ever made by man's hand, could stop the mighty rush of Niagara over the cliffs; but winter does it, 
 and silently ends the roar of the waters. When winter comes parts of the great Niagara Falls are often frozen over, and then 
 the sight is one of the most beautiful in the world. Part of the frozen falls Is shown in this photograph. Imagine enormous 
 Icicles, far thicker and taller than the pillars in any cathedral, all sparkling like diamonds in the sunshine. The frozen 
 spray covers all the rocks and trees near the falls with wonderful hoarfrost, looking like beautiful moss and ferns of sUtteriag 
 wliite 
 
 47 
 
48 
 
 THE HUMAN INTEREST LIBRARY 
 
 houses to our eyes, is bent in passing 
 from the cold air through the hot gases, 
 and is bent a second time in passing 
 from the hot gases through the cold 
 air again. 
 
 Also, as the fire does not give off 
 the same quantity of gas at every 
 moment, the light is bent in different 
 ways, and not only do we see the 
 houses crooked, but they seem more 
 or less crooked as we keep on looking 
 at them. This bending, or breaking, 
 of the rays of light as they pass from 
 
 one thing to another is called refrac- 
 tion, which simply means breaking, 
 and is very important in every way. 
 Just as you see the houses crooked 
 when you look at them through the 
 gases from a fire, so we see all the stars 
 crooked when we look at them through 
 the air. The light from the stars is 
 bent as it passes through the air, and 
 so we do not see stars where they really 
 are, but always a little distance from 
 the real place, because of the refraction 
 of their light. 
 
 WONDERS OF AIR, FIRE AND WATER 
 
 Why we cannot see the air 
 
 THE reason why we cannot see 
 the air is that it is transparent, 
 I'ke glass — that is to say, it lets 
 light go through. It affects the light 
 in some ways; for instance, light com- 
 ing to the earth from a star is bent a 
 little as it travels through the air, so 
 that we never see the star where it 
 really is. But directly we change one 
 part of the air as compared with the 
 air around it, so that it bends the light 
 a little more or a little less, then we 
 notice something. 
 
 In a sense you can see the air moving 
 sometimes above a hot gas-jet or a 
 field on a hot summer day. Also it is 
 quite easy to change air so that you 
 can see it in another way. We can 
 make it cold so that it becomes like 
 water, we can see it as you see water, 
 and we can even freeze it so that it 
 looks and can be seen just like ice. 
 The air, fortunately, has no color in 
 itself, so it does not alter the color of 
 the light passing through it — which 
 would mean altering the color of 
 things. 
 What the air is made of 
 
 The air is a mixture of several gases, 
 and these are all colorless and trans- 
 parent. Among the gases in the air 
 are carbonic acid gas, which we give 
 
 off when we breathe — and which is 
 food for plants — and also a small 
 amount of various other gases found 
 only a few years ago. Most air also 
 contains not a little water in the form 
 of a gas or vapor. But all these taken 
 together do not amount to very much. 
 Very nearly the whole of the air is 
 composed of two gases only; about 
 four-fifths are made by a gas called 
 nitrogen, wdiich is very valuable to 
 plants and therefore to us, and the 
 remaining fifth is made by the won- 
 derful gas, oxygen, by which we live 
 every moment of our lives. 
 
 The air of crowded indoor places, 
 or the air that you will find in a bed- 
 room in the morning if only a single 
 person has been sleeping in it all night 
 with closed windows, is very different 
 from fresh air or open air. It has the 
 same things in it, but it has a great 
 many other things; it has too much 
 carbonic acid gas and too little oxj^gen, 
 and it has all sorts of poisonous gases 
 which the sleeper has given off in his 
 breath and from his skin. 
 What a dewdrop is 
 
 At night when the dew comes, great 
 dewdrops frequently hang upon a 
 spider's web stretching across the 
 trees. Those tiny beads of water look 
 very simple, but it took wise men 
 
THE EVERYDAY WOhWER BOOK 49 
 
 hundreds of years to find out what when the sun draws up the water 
 
 they are. Then they found that a again and makes the rain it does not 
 
 dewdrop is part of something very suck up the salt with it. 
 important indeed. There is in the air You have just learned that it is 
 
 a great deal of moisture, which cools the water drawn up by the sun that 
 
 the rays of the sun so that we are not makes the rivers, and so the rivers 
 
 burned on a hot summer's day. At start with fresh water; but by the 
 
 night, when the earth passes out of the time they have reached the sea they 
 
 sunlight, the earth lets out the heat have taken quite a lot of salt, which 
 
 that it has stored up by day, and the they add to the salt already in the 
 
 moisture causes the heat to escape sea. So from day to day, and from 
 
 slowly. If it did not the earth would age to age, the sea gets Salter and 
 
 suddenly become so cold that we Salter; and we guess the age of the sea 
 
 should be frozen to death in a single by noticing how much salt the rivers 
 
 summer's night. carry into it every day. 
 
 Well, in the evening, when the Why a soap-bubble rises and falls 
 earth begins to give off its rays of It is quite true that if a soap- 
 heat, the moisture in the air drinks bubble lasts long enough, and does 
 in the rays, so that the moisture not burst too soon, it will begin to 
 becomes warmer than the earth and come down again after a little. The 
 the grass and the flowers, from which simplest explanation of this would be 
 the heat rays have come. The grass to remember the case of a balloon 
 and the flowers become very cold after filled with hot air. It goes up, for a 
 losing their heat, and as they grow time, and then it comes down again, 
 cold they chill the moisture near It goes up because the hot air inside 
 them. The moisture, when it becomes it is lighter than the air around it, and, 
 cold, turns to real water and falls being lighter, must rise, just as hydro- 
 towards the ground like rain, and the gen would have to rise. When it 
 blades of grass, or the leaves of trees, cools, then the weight of the covering 
 or the spider's web, catch the drops of the balloon brings it down again, 
 as they fall, and the water, trying to Now, a soap-bubble is really a little 
 keep itself together as much as it can, hot-air balloon, for the air that fills it 
 gathers into tiny beads. is warm air from our lungs, and the 
 
 These are the dewdrops. air is so much lighter than the air 
 
 Why the sea is salt outside that it goes up with force 
 
 It is the rivers that make the sea enough to carry the weight of the 
 salt. The sea was first made by the water that makes the skin of the soap- 
 water that was in the air falling into bubble. But this cannot last long, 
 all the deep places on the earth. That for water is a very good conductor of 
 was the first rain that ever fell, and heat, and the skin of a soap-bubble is 
 it was quite fresh — that is to say, very thin, and so the heat from our 
 there was no salt in the water, but breath that is inside the soap-bubble 
 the first salt in the sea was taken soon escapes, and the bubble becomes 
 directly from the crust of the earth, as cool as the air around it. Then 
 and later added to by rivers. There there is nothing to hold up the water 
 are all sorts of salt in the earth, and of the bubble, and it begins to come 
 as the rivers run into the sea they down. It is interesting to know that 
 take the salt out of the earth they run the early experiments for ballooning 
 over and carry it into the sea, although were actually made with soap-bubbles. 
 
50 
 
 TEE HUMAN INTEREST LIBRARY 
 
 How A SOAP-BUBBLE HOLDS TOGETHER 
 
 The soap-bubble is really a bubble of 
 water — the soap merely helps; but, as 
 the bubble is made the water is spread 
 out into a sort of skin, and for a time, 
 at any rate, that skin holds together 
 because the particles of which the 
 water is made hold on to each other 
 
 what men of science call surface 
 tension. Tension simply means 
 stretching, and so the name hints at 
 the forces of stretching and holding, 
 which are shown when the matter 
 that makes up one surface meets 
 another. This question is very dif- 
 ficult. 
 
 THE WONDERFUL WAY IN WHICH A SOAP-BUBBLE IS MADE TO HOLD TOGETHER 
 
 This picture shows us how a soap-bubble holds together. There are millions of tiny molecules of water, like a won- 
 derful net of beads, blown out into ball shape by the hot air inside. Of course, no microscope could show us a bubble like 
 this, but the picture gives us an idea of how a bubble is made. The molecules of water should really be infinitely smaller 
 and greater in number than they are here, and the lines between the molecules are merely drawn to suggest the way in 
 which cohesion draws the molecules together. There are not really any lines. 
 
 and avoid the air on both sides of 
 them. Of course, the bubble cannot 
 last long, for the water which makes 
 it runs down by the force of the 
 earth's attraction until it becomes 
 too thin, and then it bursts. 
 
 The point for us to remember just 
 now is that the soap-bubble merely 
 raises a question as to the way in 
 which the surface of a thing behaves 
 when it is next to the surface of some- 
 thing else. It is really a question of 
 
 Why water quenches fire 
 
 Water puts out fire for two good 
 reasons. First, if a thing is covered 
 with water, the oxygen of the air can- 
 not get at it to burn it. But that is not 
 nearly the mostimportant reason why 
 water puts out fire. It is that water 
 has a great capacity for heat, and can 
 hold a great deal of it. It takes so much 
 heat into itself, and so quickly, that it 
 lowers the temperature of the burning 
 thing so that it can no longer burn. 
 
THE EVERYDAY WONDER BOOK 
 
 51 
 
 Why a river runs into the sea 
 
 The surface of the earth is not level. 
 It has mountains and hollows, and 
 hills and valleys. Now, everything is 
 always drawn towards the center of 
 the earth, because the earth pulls it, 
 as the earth pulls a ball if you drop it 
 from your hand, or stops the ball and 
 pulls it back again when you throw it 
 up. So all the water in the world is 
 always trying to run to the lowest 
 places to get as near to the middle of 
 the earth as it can. The very lowest 
 of all places are the great basins of the 
 oceans and the seas, and that is why 
 they are full of water. A river runs 
 to the sea for the same reason that 
 
 it up into the air from the sea, and the 
 wind carries it over the land, and it 
 makes clouds and falls as rain on the 
 hills and the high places, where it is 
 gathered into little streams and makes 
 the rivers again, doing useful work all 
 the time as it flows. That is why the 
 sea is not too full and does not rise 
 and wash away the land even though 
 all the rivers in the world are always 
 running down into it. Did you ever 
 think that a river might be tired of 
 running down such a long way to the 
 sea.f* A poet thought so once, and 
 said: 
 
 "Even the weariest river 
 Winds somewhere safe to sea" 
 
 HOW THE RAIN RISES FROM THE SEA, AND HOW THE RIVERS CARRY IT BACK TO SEA 
 
 
 I 
 
 The sun draws up the water from the sea as moisture, which mixes with the clouds and is carried overland by the 
 wind, as the arrows in this picture show. When the air cools the moisture becomes water again and falls as rain. The 
 rain on the hills runs down into the valleys and along the rivers back to the sea, because all water, like everything that 
 can run, tries to find the lowest place on the earth, which is the bed of the sea. 
 
 drops of water run down a window- 
 pane. All rivers run downhill all the 
 time, even when to our eyes they 
 seem to be running on the level. 
 
 But the next thing you will ask is, 
 where does all the water come from, 
 and also why does the sea not get too 
 full? You will find that a wise man 
 in the Bible long ago said: "All the 
 rivers run into the sea, yet the sea 
 is not full ; unto the place from whence 
 the rivers come, thither they return 
 again." Now, that is the true answer, 
 though perhaps you cannot under- 
 stand it at first. The water returns 
 to the places where the rivers came 
 from because the heat of the sun sucks 
 
 What makes the water boil 
 
 To understand this you must know 
 what it is that forms the bubbles when 
 water boils. If you hold a cold plate 
 over boiling water you will find drops 
 of water form upon it, though you can 
 see no water passing upwards between 
 the surface of the boiling water and 
 the plate. 
 
 The truth is that, though we always 
 think of water as something liquid and 
 wet, just as we think of air as some- 
 thing that is always a gas, we have no 
 right to do so. Air and water, and 
 everything else, can exist in three dif- 
 ferent forms, either solid, or liquid, or 
 in the form of a gas. Air, for instance. 
 
62 THE HUMAN INTEREST LIBRARY 
 
 is usually a gas, but it is not very so much air above you. If now you 
 
 difficult to make air liquid, so that it heat the water, it begins to boil when 
 
 looks just like water, or to make it it is nothing like so hot as it needs to 
 
 solid, so that it looks just like ice. be made before it will boil at the bot- 
 
 Water happens to be usually fluid, but tom of the mountain; because on the 
 
 we all know that when it is cold it mountain there is less pressure of air 
 
 becomes solid, ice being simply solid squeezing the water, and so it can 
 
 water; and we must now learn that, more easily expand into bubbles of 
 
 when it is hot enough, water becomes gas. So if you put an egg in the water 
 
 a gas just like air. Indeed, the air at the top of a mountain, you may boil 
 
 contains a quantity of water-gas, or and boil as long as you please, but you 
 
 water- vapor, as it is usually called, and will never boil the egg hard, simply 
 
 when we find the weather close and because, however long you boil, you 
 
 "muggy," as we say, it is usually be- can never make the water hot enough 
 
 cause there is more of this water- vapor to make the egg hard. The water 
 
 in the air than we like. simply floats away as gas long before 
 
 When water boils, then, the bubbles you can do so ! You might almost 
 
 are bubbles of water-gas or water- drink boiling water if you were on a 
 
 vapor, and if this vapor strikes a cold very high mountain, 
 
 surface like a cold plate, it becomes Why air is fresher after rain 
 
 liquid or wet again. There are several reasons for this. 
 
 One of the things that decides For one thing, the rain washes the 
 
 whether anything shall be solid or air, as water will wash anything else, 
 
 liquid, or a gas, is heat; and so, of If the air has contained a number of 
 
 course, the simple answer to the smoke particles, as it does in large 
 
 question, "What makes the water cities, the rain has reduced their num- 
 
 boil.?" is heat. We apply heat to bers by carrying them down with it 
 
 water, and it begins to turn into gas, as it fell through the air. Thus the 
 
 which makes the bubbles. rain helps to rid the air of the sul- 
 
 Why water boils away phurous and other gases which are 
 
 If we go on boiling the water, of given off by these smoke particles, 
 course we boil it all away as gas, Then again, it now seems that the 
 until there is none left. In an falling of rain often, or always, de- 
 ordinary way water always begins to pends in part on electrical charges in 
 boil when it is at a certain temperature, the air, and these charges may help 
 and this is called the boiling-point of to produce small quantities of the gas 
 water. It is not possible in an ordi- called ozone, a variety of oxygen, 
 nary way to have water any hotter which has a fresh smell of its own. 
 than this point, no matter how much Then rain cleans the roads and washes 
 heat you apply to it. The result will away all sorts of things which give ofif 
 be not to make it any hotter, but unpleasant odors. We do not realize 
 simply to turn it into gas until it is all the extent to which rain is a cleanser 
 gone. in cities; and we must remember that 
 
 One of the things that decides the our noses are usually only a few feet 
 
 boiling-point is the pressure of the air, above the surface of the street, so that 
 
 at the bottom of which we live. Now, they are exposed to whatever arises 
 
 if you take some water up to the top from them. A few hundred feet 
 
 of a high mountain, the pressure of higher, the air would smell very 
 
 air is much less, because there is not different. 
 
TEE EVERYDAY WONDER BOOK 
 
 53 
 
 Why the fountain plays 
 
 The puzzling thing about the foun- 
 tain is that the water comes upwards, 
 though we know that water always 
 tries to fall; it falls because the earth 
 pulls it. Now, something must be 
 pushing the water up more than the 
 earth is pulling it down, and the 
 question is what? The answer is that 
 the water in the fountain is being 
 
 pressed upon at the end which we 
 cannot see by the air, which is really 
 very heavy; and the fountain is so 
 made that the air pushes one end of 
 the water and makes the other end 
 spout up. If this sounds puzzling, 
 you have only to look at a syphon of 
 soda-water, which is a fountain. If 
 the spout turned upwards instead of 
 downwards, it would be just the same 
 
 ^4iat the water runs until it finda the air again, when the pressure is released. 
 
 A fountain plays because the water comes to it from a 
 great height, or because the heavy pressure of the air upon 
 it pushes it. In the fountain shown in this picture, the 
 water falls from the reservoir through the water-course, so 
 
5i THE HU3IAX LXTEREST LIBRARY 
 
 as any other fountain. The air, or rule. If you pour hot and cold water 
 
 gas, inside the syphon presses hard into a bath or into a tumbler, the hot 
 
 on the soda-water below it, and directly water will lie at the top and the cold 
 
 it gets a chance the soda-water rushes at the bottom, because water is less 
 
 up the tube in the middle of the bottle dense, and therefore less heavy, when 
 
 and out at the spout. When you make it is hot than when it is cold. Gases 
 
 the soda-water run, you do just the behave in exactly the same way. Hot 
 
 same as the gardener when he makes air behaves in the midst of cold air 
 
 the fountain play. just as hot water behaves with cold 
 
 Why raindrops are round water — it goes upwards. 
 
 First, why does the rain form drops Now, if you put the hot air into 
 at all? We know now that there is al- something very light, the hot air, as it 
 ways something which we may call a goes upwards, will take that something 
 particle of solid stuff in the inside of a with it. The first balloons were made 
 raindrop, and when the drop was in this way. Two Frenchmen, broth- 
 made it was made by the water-gas ers, made balloons of silk and linen and 
 or water- vapor in the air turning filled them with hot air and smoke, and 
 liquid upon this solid speck, as steam after making balloons which carried 
 from boiling water turns liquid on a animals, they persuaded some men to 
 cold plate held above it. be carried in this way. You under- 
 
 But you want to know not merely stand that this was simply because hot 
 
 why the raindrop forms at all, but air is less dense than cold air, and 
 
 also why, when it is formed, it is so therefore lighter, 
 
 nearly round. The answer is the What makes the balloon go 
 
 same as the answer to the qviestion But, of covu-se, hot air gets cold, and 
 
 why water forms in round drops on a then your balloon will come down, 
 
 plate, and the question why it runs So we ought to fill our balloon, if 
 
 in drops down the window-pane when possible, with some gas or other which, 
 
 it rains. When water turns liquid it even when it gets as cold as the air 
 
 really consists of tiny parts, each of around it, is still lighter than the air. 
 
 which is itself a part, or particle, as Nowadays balloons are filled with such 
 
 we say, of water, just as a human a gas. Its name is hydrogen, and it is 
 
 crowd is made of men and women. extremely light; indeed, it is quite the 
 
 How A BALLOON KEEPS UP lightest thing we know. Oxygen, for 
 
 This question is really the same in instance, is sixteen times as heavy, 
 
 its explanation as the question why and nitrogen fourteen times as hea\'y, 
 
 does a stick float. If there were no and as the air is a mixture of these, 
 
 air, the balloon would drop like a hydrogen, if let loose in the air, will fly 
 
 stone, just as if the water all dis- upwards at once, and, if you have 
 
 appeared from the sea, the fishes enough of it, it will carry not only a 
 
 would drop to the bottom. Things covering to keep it together, but also 
 
 float in the sea, or on the surface of it, many people in a car hung from the 
 
 because the amount of stuff in the covering. The interesting thing for 
 
 space they occupy is less than the us now is simply that it is so very light 
 
 amount of stuff in the same space of and therefore is more useful than any- 
 
 water. The less dense thing always thing else for filling balloons, 
 
 tends to lie above the more dense, and What makes a kite fly 
 
 if the things in question are gases or The case of the kite proves to us 
 
 liquids, they always will follow this that the air has a great power of 
 
THE EVERYDAY WONDER BOOK 
 
 55 
 
 holding things up, since the kite has 
 no wings, and yet it does not fall. The 
 air supports it. If you took all the 
 material of which a kite is made and 
 rolled it into a tight ball, it would drop 
 like a stone. 
 
 So it is not that the kite is made of 
 something lighter than the air. A 
 balloon flies, we know, because it is 
 filled with something lighter than air 
 but the kite has no light gas inside it, 
 and yet it does not fall. The reason 
 is that it is spread out as wide as can 
 possibly be, so that it may have a 
 large surface for the air to support it. 
 But, of course, if there were no air at 
 all the kite would drop at once, just 
 as the bird would, whether it were 
 flying or not. Neither the kite nor 
 the bird could rise or swim in nothing. 
 Now, the Latin word meaning empty 
 is vacuus, and a place that is quite 
 empty, even of air, is called a 
 vacuum. 
 What clouds are made of 
 
 One of the reasons why we know 
 that there is no water, or scarcely any 
 water, on the moon is that we never 
 see the slightest hint of a cloud when 
 we look at it. If there were people on 
 the moon looking at the earth, they 
 would constantly be finding that the 
 face of the earth was hidden from them 
 by clouds. One of the things which 
 we are studying now in the wonderful 
 planet Mars is as to whether there are 
 any clouds to be seen there, because, 
 if there were, that would help to show 
 that there is water on Mars. Hence, 
 clouds are made of water; or, rather, 
 a cloud is made of many drops of 
 water, which, when they fall, we call 
 drops of rain. Men who study these 
 things are now beginning to learn how 
 it is that sometimes these drops stay 
 in the cloud, and sometimes they fall 
 and make rain. The water has come 
 from the seas and great lakes, and has 
 been drawn up by the sun. 
 
 Why coal burns and stone does not 
 
 The simple answer to this is that 
 stone is burned already and cannot be 
 burned twice; but that answer wants 
 explaining. What happens when a 
 thing burns is that it combines with 
 the oxygen of the air. When it has 
 taken up all the oxygen that it pos- 
 sibly can and has combined with it, 
 then it is completely burned, and can 
 burn no more. 
 
 We watch a candle, let us say, burn- 
 ing, and we are deceived because we 
 do not see the result of the burning. 
 The result in the case of the candle is 
 a number of gases which we do not 
 notice, real though they be; but when 
 various other things are burned the 
 result is not a gas at all, but sometimes 
 a liquid and sometimes a solid. 
 
 When the hydrogen gas is burned or 
 combined with oxygen, it forms water. 
 When the element silicon is burned or 
 combined with oxygen, it makes a 
 solid, and most rocks and sand are 
 made of this. An ordinary stone or 
 sand is really silicon which is already 
 burned. But coal is made mainly of 
 carbon which is not yet burned. 
 Burned carbon — that is to say, carbon 
 combined with oxygen — makes the gas 
 called carbonic acid, and that gas 
 cannot be burned any more than a 
 stone can, and for the same reason. 
 Both are burned already. 
 Why asbestos does not burn 
 
 Asbestos is alre&dy burned, like 
 stone or sand, and can be burned no 
 more. It is also very difficult to melt, 
 and will not melt with the heat of an 
 ordinary flame; and so it can be used 
 for many purposes — to line safes, for 
 gas-stoves, and so on. The very 
 word is simply taken from the Greek, 
 and means "unburnable." Of course, 
 both in this case and in the case of 
 stone and sand, we cannot doubt that 
 long ages ago all these things were 
 made by being burned or combined 
 
56 
 
 THE HUMAN INTEREST LIBRARY 
 
 with oxygen when the earth was a very 
 different place from what it is now. 
 What smoke is made of 
 
 Smoke is the result of imperfect 
 burning. Most of the things from 
 which we get so much smoke — like 
 coal — if they were properly burned, 
 would form nothing but gases, which 
 we could not see, and which would very 
 soon fly away and do no harm to any- 
 body. But in order to burn coal 
 properly some trouble and care are 
 required. When we burn coal in an 
 ordinary fire, we do not supply enough 
 air to it. We put the fresh coal on at 
 the top instead of at the bottom, as 
 we should, and so we only parth' burn 
 the coal, and small specks of it, un- 
 burned, are carried up in the draft, 
 and make smoke. The chief stuff in 
 smoke is simply coal, in specks of 
 various sizes. But the trouble is that 
 a great deal of oily stuff' comes out of 
 the coal, and covers the specks of it 
 in smoke, so that these stick to things. 
 
 At present the smoke makes black 
 fogs in many cities, and cuts off a 
 great quantity of the daylight by 
 which we live, besides making every- 
 thing dirty, destroying plants and 
 trees, and filling our lungs with dirt 
 which we ne^'er get rid of. There are 
 few things about which we are more 
 careless than smoke, and, besides, we 
 waste a great deal of our fuel. 
 Why flames never go down, but up 
 
 We might think, if we had not no- 
 ticed, that this question was not true, 
 and that flames only go upwards 
 because "a gas-jet, for instance, is 
 always directed upwards. But the 
 question is quite true, even in the case 
 of a gas-jet that is directed down- 
 wards, for we find that then the flame 
 turns upwards. If we must have a 
 flame going downwards or sideways, 
 then we must have a draft to blow it, 
 just as the wind will blow the flame 
 of a match in any direction. 
 
 But even where there is no draft 
 at all in any direction, and when we 
 burn something without sending any 
 gas in any particular direction through 
 a hole, flames always go up, and never 
 down, as the question says. And the 
 reasons are: First, that the gases 
 made in the flame are very hot, and, 
 as hot gases are always much lighter 
 than the cold gases that make up the 
 air around them, the hot gases of the 
 flame tend to rise; and, secondly, 
 every flame, as the hot gases go up- 
 wards because they are so light, makes 
 a draft for itself. As the hot gases go 
 up, the space they leave is filled from 
 below, and this goes steadily on, and 
 so makes a draft. 
 Why hot gases rise 
 
 A gas-jet, proi)erly used, may actu- 
 ally help to ventilate a room by mak- 
 ing a draft; and every fire does the 
 same thing, by increasing the natural 
 draft going up the chimney. The 
 gases which are produced when any- 
 thing burns are themselves burned, 
 once and for all; they can neither be 
 burned again, nor can they help to 
 burn anything else. 
 
 These gases consist chiefly of car- 
 bonic acid gas and water- vapor. They 
 are both of them completely oxidized 
 — the carbon of the one and the hy- 
 drogen of the other are combined with 
 all the oxygen they can hold. Nor 
 will either of them give up its oxygen 
 for the burning of anything else. 
 Thus, if hot gases did not rise, and so 
 make room for fresh air — which really 
 means fresh oxygen — nothing could 
 burn for long; for nothing can burn 
 in an atmosphere of carbonic acid and 
 water- vapor, and such an atmosphere 
 would at once surround every burning 
 thing if hot gases did not rise. 
 Why the sea looks sometimes blue 
 
 AND sometimes GREEN 
 
 On a black night, when there is no 
 light for the sea to reflect, the sea looks 
 
THE EVERYDAY WONDER BOOK 
 
 57 
 
 black. When the sky is gray, the sea 
 reflects the hgiit that falls upon it, and 
 looks gray. The color we usually think 
 of as the color of the sea is blue, be- 
 cause the sky is blue, or ought to be; 
 and if it be blue light that falls upon 
 it, it is blue light that the sea reflects. 
 Yet sometimes the sea is green, 
 though the sky is never green. Parts 
 of the sea are shallow, especially near 
 the shore, and may be so shallow that 
 some of the light from the sky may 
 pierce the water, reach the bottom, 
 and be reflected from it to our eyes. 
 So, of course, the light will be changed, 
 partly according to the color of the 
 bottom of the sea, and partly because 
 of the greenish tinge of sea-water it- 
 self. Besides all this, we have to 
 remember that the same part of the 
 sea on a coast we know well may be of 
 a different color on different days, even 
 though the water is the same and the 
 color of the bottom is the same, be- 
 cause the sun is in a different part of 
 the sky, and so the light strikes the 
 bottom differently, or because the 
 sky is clouded, and so the light which 
 reaches the sea from the sky is differ- 
 ent. Thus, there are many different 
 things which will affect the color of the 
 sea, and that is why its color changes 
 so often and is so beautiful to see. 
 What changes the course of 
 
 THE WIND 
 
 Like almost everything else, the air 
 is always moving, more or less, and the 
 changes in the direction of its move- 
 ments are due to many different things. 
 There is, for instance, the movement of 
 the earth on itself, and also its chang- 
 ing position in regard to the sun as it 
 goes round the sun. These move- 
 ments mean that different parts of the 
 earth are exposed to the sun at differ- 
 ent times; and that means, of course, 
 that different parts of the air are ex- 
 posed to the sun at different times. 
 When the sun shines on the air it 
 
 makes it warm, and warm air is lighter 
 than cold air, and will rise, while cold 
 air will flow in to take its place. 
 
 But there is a great deal more in it 
 than this. Besides the fact that the 
 surface of the earth is not smooth, 
 but has mountains and hills that turn 
 the wind as the earth turns, and tracts 
 of water which cool hot air as it passes 
 over them, there are all sorts of elec- 
 trical changes always going on in the 
 air, and these probably affect its 
 weight — perhaps even the proportions 
 of the various gases in it — even as 
 much as the heat of the sun affects it. 
 You can scarcely ask more difficult 
 questions than these about wind, rain, 
 and weather. 
 Why flowers smell sweeter after 
 
 RAIN 
 
 Where there is any vegetation rain 
 has a great influence in making the 
 air smell fresher, for water has a spe- 
 cial power upon the activity of many 
 kinds of vegetable life that produce 
 pleasant scents. We say that the 
 rain brings out the fragrance of the 
 flowers, and that is true. All life 
 requires water, and all the processes of 
 living creatures are helped by a good 
 supply of water. When rain falls on 
 flowers, and on many kinds of leaves, 
 it sets going the chemical changes 
 which result in the production of 
 many pleasant odors which are added 
 to the air, and so help to make it 
 smell "fresh." 
 Could we live without rain? 
 
 The good of rain is that it soaks into 
 the soil and is sucked up by the roots 
 of plants, which must have it if they 
 are to live. If there were no rain 
 there would be life only in the sea. 
 In parts of the world where there is no 
 rain there is little life. In this country 
 we have no idea, just because we are so 
 well off, how rain is loved and treasured 
 and prayed for in other countries 
 where there is not enough of it, or 
 
58 
 
 THE HUMAN INTEREST LIBRARY 
 
 where it falls only at certain seasons 
 of the year. We must think of rain 
 then as something that cleanses the 
 air, nourishes the vegetable life upon 
 which our own life depends, and in- 
 sures a supply of fresh water all the 
 year round in every part of the world 
 where sufficient rail falls. 
 
 WHY THE BEDS OF RIVERS CHANGE 
 
 The earth's crust is shrinking all the 
 time, as the interior cools and shrinks 
 beneath it. This means that the land 
 changes from age to age, and one con- 
 sequence of this is that often the 
 water of a river finds that its steepest 
 and quickest course to the sea is 
 different from what it used to be, and 
 so the river-bed changes; the old one 
 is deserted by the waters, and a new 
 one is formed. 
 
 But the water itself, as it flows, rubs 
 and melts aw^ay the earth it flow\s over, 
 and so grinds a deeper and ever deeper 
 bed for itself. Thus it gets less and 
 less likely to desert its old bed the 
 longer it flows there. 
 
 Why it is easier to swim in salt 
 water than in fresh 
 
 Swimming really has two parts — 
 one is to keep up in the water, and the 
 other is to move along in it. The 
 question is: Why is it easier to keep 
 
 up, or to float, in salt water than in 
 fresh? The answer depends wholly 
 on the heaviness of our bodies as com- 
 pared with the heaviness of the water. 
 Our bodies are more than three- 
 fourths water, but most of the rest is 
 heavier than water. The fat of our 
 bodies is lighter than water, and so 
 helps us to float. 
 
 Now, fresh water is less heavy than 
 salt water, and so our bodies, though 
 only a little heavier, tend to sink in it. 
 Ordinary sea water is heavier than 
 fresh water, because it contains a lot 
 of salts, just as the water of our own 
 bodies does; so we find it easier to 
 float and swim in sea water. But in 
 some parts of the world there is water 
 that is much salter than even sea 
 water; this is the case, for instance, 
 in the Dead Sea, and the Great Salt 
 Lake in Utah. There is so much salt 
 in the water of the Dead Sea that it is 
 actually heavier, on the whole, than 
 our bodies are, so you cannot sink in 
 the Dead Sea! On the other hand, 
 there are some liquids much lighter 
 than water, and if a man were to fall 
 into a lake of one of them he could not 
 swim at all, however good a swimmer 
 he might be; his body would sink like 
 a stone in such a light liquid. 
 
 WONDERS OF EARTH, SUN AND STARS 
 
 Why an apple falls 
 
 NO one in the world knows why 
 an apple falls to the ground. 
 We simply know that the 
 earth and the apple pull each other 
 together — the apple, being small, mov- 
 ing a long way, and the earth, being 
 large, moving a very little way — no 
 one knows why they pull each other. 
 But everything in the wide world pulls 
 everything else in this way, as was 
 proved by Sir Isaac Newton. It may 
 be that as a boy while lying under an 
 apple tree in his father's garden, saw an 
 
 apple fall, and thought. "The earth 
 pulls the moon and keeps it running 
 round her, just as it pulls the apple," 
 he said. If the moon stopped moving 
 round, it would rush to the earth as 
 the apple does. So he discovered the 
 law of universal gravitation. 
 
 Now, the more stuff there is in a 
 thing the more strongly it is pulled 
 by everything else. So the earth 
 should pull a big weight more strongly 
 than it pulls a small one, and it does. 
 Then the big weight will fall ciuicker 
 than the small one, men thought. 
 
THE EVERYDAY WONDER BOOK 
 
 59 
 
 They forgot that it takes a stronger 
 pull to pull a heavier weight; the 
 heavier it is, the stronger the pull, 
 but the more the pull has to do. 
 Therefore, a heavy weight and a small 
 one fall at the same rate. 
 
 How THE LEANING TOWER OF 
 PISA STANDS 
 
 In the town of Pisa, in Italy, is a 
 famous leaning tower, which has stood 
 for hundreds of years. 
 
 There is nothing in the whole world 
 quite like the leaning tower of Pisa. 
 Its building was begun more than 800 
 years ago, since the people who lived 
 in Pisa wanted to have a tower as fine 
 as the great bell tower of Venice. Yet, 
 though the tower of Pisa met with a 
 strange accident that might have 
 ruined it, it still stands, and the tower 
 at Venice fell down a few years ago! 
 We know now that the tower was not 
 meant to lean, though it is 13 feet out 
 of the straight line! 
 
 The tower was built on wooden 
 piles, driven into ground so soft that 
 when the tower was little more than 
 begun it began to sink on one side. 
 There is no other tower iii the world 
 that leans so much as this at Pisa. 
 The tower does not fall because, as 
 they went on building it, they made it 
 in such a way that if you dropped 
 a straight line down from a certain 
 point in the tower, called the center 
 of gravity, which is eciually balanced 
 on all sides, by the weight of the tower, 
 that line would touch the ground 
 within the foundations of the tower. 
 If the line reached the grovmd some- 
 where outside the tower, it would fall. 
 
 But the tower is very interesting for 
 another reason, and the reason is that 
 its peculiarity was used by one of the 
 greatest men who ever lived, in order 
 to make one of the most famous ex- 
 periments. This man was the great 
 Italian astronomer Galileo, who, more 
 than 300 years ago, was a professor in 
 
 Pisa, and was thinking for himself. 
 The great Greek thinker Aristotle, 
 nearly 2000 years before the time of 
 Galileo, had declared that if you took 
 two balls of the same material, one 
 small and the other large, and dropped 
 them at the same moment, the large 
 one would reach the ground first. If 
 it was ten times as heavy as the small 
 one, he said, it would fall ten times as 
 ciuickly. 
 
 Nowadays, when anyone says any- 
 thing like this, we always make the 
 experiment at once, and let Nature 
 decide. But in the old days very few 
 men thought about this; they chose 
 some great man, and made him their 
 authority. So for nearly 2000 years 
 everyone believed and taught what 
 Aristotle had said about falling 
 weights, and no one made the experi- 
 ment to find out the truth. 
 
 At last, however, came Galileo, and 
 he was thinking for himself. He said 
 that the two weights would fall in just 
 the same time, even though one was 
 heavy and the other light, and every- 
 body laughed at him. It is always a 
 hopeful sign when everyone laughs at 
 you — at least, no one has ever done 
 anything in the world who has not 
 been laughed at. "Very well," said 
 Galileo, "come and watch me make 
 the experiment." So one morning, 
 before the assembled university, pro- 
 fessors and students, he ascended the 
 leaning tower, taking with him a ten- 
 pound shot and a one-pound shot. He 
 let them go together. Together they 
 fell and struck the ground. 
 
 And so, you think, everyone praised 
 Galileo for having found out a new 
 truth, and he was famous ever after- 
 wards. But one of the lessons we have 
 to learn is that that is not what men 
 usually do in cases like this. What 
 really happened was that everybody 
 abused the young man for daring to 
 differ from Aristotle. 
 
60 
 
 THE HUMAN INTEREST LIBRARY 
 
 They started hissing at GaHleo's 
 lectures, and in a very short time he 
 had to leave Pisa — turned out for 
 finding a truth. The same thing 
 happened to many great men before 
 Galileo, and has happened to many 
 since. 
 Where the stars stay in daytime 
 
 The stars in the daytime are just 
 where they are at night, and if some- 
 thing could be put over the sun we 
 should see them again. Something is 
 put over the sun sometimes, for the 
 moon comes in the way, so that for a 
 time it cannot be seen, even though 
 it is daytime and there are no clouds 
 in the sky. When that happens, one 
 of the most wonderful things in the 
 world is to see the stars "come out 
 again." They were there all the 
 time, shining as brightly as ever, but 
 the sun is so very much brighter to 
 us — because it is very much nearer — 
 that we could not see them. 
 
 When you are listening to thunder, 
 or to a cannon, you do not hear the 
 quiet sound of your own breathing, 
 although the thunder is far away and 
 the breathing is near; and just as the 
 great noise swallows up the little 
 sound, so the great light of the sun 
 swallows up the little light of the stars. 
 There is another way of cutting out 
 the light of the sun so that the stars 
 may be seen in the daytime. Men 
 who work at the bottom of a pit or a 
 well, and look up at the little bit of 
 sky above them, see the stars almost as 
 brightly in the day as in the night. 
 What keeps the sun bright 
 
 You would think that the sun is 
 bright because it is burning — that it is 
 an enormous fire. But when a thing 
 burns, the stuff of which it is made 
 joins with the oxygen of the air in 
 which it burns. The sun, however, is 
 actually so hot that nothing can join 
 with anything else in it; nothing could 
 burn in the sun. There are plenty of 
 
 things which would burn there, and 
 plenty of oxygen to burn them with, 
 but they are kept apart by the heat. 
 Also, even if things could burn in the 
 sun, that would not keep it alight, but 
 it would have burned out ages ago, 
 and we should not be here. 
 
 Last century we found out to what 
 agency the sun owes its heat and light. 
 They come mainly because the sun is 
 shrinking. It shrinks, or contracts, 
 by gravitation — the power which 
 makes every piece of stuft' in the world 
 attract all other stuff to itself. The 
 sun has been shrinking for many ages, 
 just as the earth has been shrinking. 
 Indeed, long before the earth was 
 formed, the sun was stretched out as 
 far as the earth's present distance, and 
 even as far as the earth's farthest 
 brother, the planet Neptune. As the 
 sun shrinks its parts strike each other, 
 and their motion is stopped, and heat 
 and light are produced, just as when 
 one piece of flint is struck by another. 
 
 So it is gravitation that really gives 
 us the heat and light which keep us 
 alive. Astronomers have also come to 
 attribute the presence of radium as a 
 cause of heat. Probably the sun is 
 also kept warm, as the earth, we know, 
 is kept warm, by having in it some of 
 the wonderful element radium, which 
 produces heat from within itself. 
 
 How BIG THE WORLD IS 
 
 The world is nearly round. From 
 the North Pole to the South Pole, 
 straight through the earth, the dis- 
 tance is about 7899 miles. A pole 
 thrust through the center of the earth, 
 from side to side, would measure about 
 7925 miles. The distance right round 
 the outside is about 24,850 miles. 
 
 The round world is a vast mass of 
 land and water, surrounded by air. 
 It spins like a top, it travels round the 
 sun, and it moves forward with all the 
 stars in the heavens — forward and 
 forward, forever and ever. So tre- 
 
THE EVERYDAY WONDER BOOK 
 
 61 
 
 mendous is the size of this huge 
 globe, that the mighty range of 
 mountains wliich we call the Alps are 
 only likely the burrowings of a mole on 
 the ground. 
 
 Now, if the Alps are so small in 
 comparison with the size of the earth, 
 how much smaller must man appear? 
 
 How MAN CONQUERED THE EARTH 
 
 Man conquered the earth, on which 
 he is like an atom, because he is not 
 content to stand still like the Alps. 
 Though he is so much smaller than 
 these mountains, he has a brain which 
 enables him to triumph over the 
 weakness of his body and the small- 
 ness of his size. He can move; he 
 can think; he can manufacture. 
 
 You can imagine how, in the far 
 past, our savage ancestors would 
 watch birds sailing through the air 
 over the deep waters, and long with 
 all their souls to have that power of 
 flight. For one of man's chief quali- 
 ties is curiosity. Man is always 
 wanting to find out things. And 
 naturally the first thing he most 
 wanted to find out was the kind of 
 earth on which he lived. So our 
 early ancestors looked across the 
 waters, and dreamed of lands on the 
 other side of the globe. 
 
 The curiosity of men is the be- 
 ginning of geography, for curiosity 
 led men to look about them and 
 observe the earth. When they had 
 learned to build ships, they sailed 
 across the seas, visited many foreign 
 lands, and returned with descriptions 
 of those places and the people they 
 had lived among. These descriptions 
 we call geography. 
 
 Do PEOPLE LIVE ON THE MOON? 
 
 We have seen only one side of the 
 moon, because, as it goes round the 
 earth, it turns slowly on itself, so as 
 always to keep the same side turned 
 towards us. But we are quite sure 
 that there are no people on the moon, 
 
 either on this side of it or on the other 
 side, which we have never seen. 
 People could not live on the moon 
 because the moon has no air and no 
 water. Even if people could live 
 there without air or water, they 
 would probably be burned to death 
 in the daytime, having no air to pro- 
 tect them from the heat of the sun, 
 and they would be frozen to death at 
 night, having no air to keep in the 
 sun's heat. 
 
 But possibly at one time there may 
 have been humble forms of plant life 
 on the moon, and some people sup- 
 pose that there may be a little of this 
 even now, for it is possible that there 
 may be a tiny amount of air and water 
 still left at the bottom of some of the 
 deepest valleys in the moon. If there 
 were a building on the moon as big as 
 the Capitol at Washington, we should 
 easily be able to see it through our 
 biggest telescope, but there is not the 
 slightest indication that intelligent 
 beings have ever made a mark of any 
 kind on the moon. 
 What the stars are made of 
 
 Not very long ago, a great thinker 
 declared that this great question was 
 one which men would never be able to 
 answer, however long they thought 
 and however hard they worked. Our 
 telescopes could never tell us; the 
 biggest telescope that could ever be 
 made would never tell us. 
 
 It would only make the star look 
 nearer and brighter, but would tell us 
 no more what the star is made of than 
 our eyes can tell us without a telescope. 
 But now we have a wonderful instru- 
 ment called the spectroscope by which 
 we can study the kind of light that is 
 given out by any star that we can see. 
 And since we find that the light of the 
 stars, thus studied, is exactly the 
 same as the light given out by things 
 we know on the earth when they are 
 made hot, we now know that those 
 
62 
 
 THE HUMAN INTEREST LIBRARY 
 
 same things are found in the stars. 
 
 So, the answer is that the same kind 
 of stuff of which this paper, and your 
 eyes, and our ink and pen are made 
 are to be found in the stars. The stars 
 are made of the very same kinds of 
 stuff as the earth is made of. Of 
 course, all the stars are not the same. 
 Even with our own eyes we can see 
 that some are redder and some whiter 
 than others. Some have more oxygen 
 in them, and some less, but the point 
 is that it is oxygen, the same element 
 as we breathe at this moment. 
 Why the stars twinkle 
 
 This sounds a very much easier 
 question than the last, but we are not 
 yet quite certain of the answer. Of 
 course, you know that it is stars that 
 twinkle, and not the other wonderful 
 things looking like stars, which are 
 called planets, and which, like the 
 earth, belong to the sun's family. 
 
 The planets shine by the light of the 
 sun, which they throw back, or re- 
 flect, from themselves, as the moon 
 does, and, like the moon, they shine 
 steadily. But the light of the stars is 
 made by themselves, and comes over 
 immense distances to us, so long that 
 the light by which we see the nearest 
 star left it about four years ago. 
 
 It is likely that this light interferes 
 with itself as it comes, so that it seems 
 to come in little beats, and people who 
 have studied this think that it is much 
 the same as what sometimes happens 
 with the piano or an organ when the 
 sound seems to get louder, and then 
 less loud, backwards and forewards. 
 In the study of sound this is called a 
 "beat," and it is probable that the 
 twinkling of the stars is really the same 
 kind of thing. It may be that the air 
 has something to do with disturbing 
 the light, and that perhaps starlight is 
 more affected by the air than the sun- 
 light by which we see the moon and 
 the planets. 
 
 How A STONE IS MADE 
 
 Stones are really pieces of broken 
 rock. By the side of the road you 
 can see stones being made with a 
 hammer. These are sharp, as they 
 have been rudely broken. 
 
 But rocks are broken up in many 
 other ways. Even the life in the soil 
 on a cliff, for instance, may gradually 
 break up the surface of the rock. If 
 the pieces rub against each other, and 
 are open to the wind and the rain, then 
 they get rounded and dull; but if you 
 take many of these stones and break 
 them, you will find the unchanged rock 
 inside them, often beautifully smooth 
 and bright. There are other kinds of 
 stones which are quite soft. Those 
 we have been speaking of are made of 
 real rock which long ages ago was made 
 under the action of great heat. But 
 you may pick up sometimes a soft 
 stone which you can quite easily rub 
 away — a piece of soft sandstone, which 
 is really very much the same as the 
 sand on the seashore. 
 
 Is THE MATTER IN EARTH AND AIR 
 ALWAYS CHANGING PLACES? 
 
 There is a ceaseless circulation going 
 on between the surface of the land and 
 the water, and the bottom layers of the 
 ocean of air which covers them both. 
 Wherever water is, for instance, it is 
 often being sucked up in the form of a 
 gas into the air, of which it then forms 
 part; while, on the other hand, water 
 vapor from the air often passes from 
 it to the earth — as, for instance, in the 
 form of dew. Then the gases of the 
 air, especially oxygen and carbonic 
 acid, are ceaselessly passing between 
 it and the bodies of all the living 
 creatures on the earth; then, from 
 moment to moment, various gases are 
 either leaving the air to be dissolved 
 in the ocean, or are leaving the ocean 
 to join the air. 
 
 If we could, it would be well for us 
 if we could mark an atom of oxygen, 
 
THE EVERYDAY WONDER BOOK 
 
 63 
 
 and watch it for a year or two; and 
 see all the amazing things it does: 
 passing in and out of the bodies of 
 living creatures, in and out of the 
 earth, in and out of the ocean. Then, 
 if we remembered that all the other 
 atoms of oxygen and of other things, 
 too, were doing the same kind of 
 thing, we should begin to understand 
 how wonderfully alive, the whole world 
 is. Perhaps the whole world, indeed, 
 is really alive! 
 What keeps the stars in their 
 
 PLACES 
 
 The stars are not kept in position, 
 but are all in movement, and some- 
 times the stars do fall on to one 
 another, we now believe. Astronomers 
 now think that they can find in the 
 heavens two great streams, to one or 
 other of which all the stars belong; 
 and these two streams of stars are 
 moving through and past each other 
 in opposite directions. 
 
 No one has any idea at all how this 
 process started, nor what the results 
 of it will be, but at any rate we are 
 quite certain that there is no such 
 thing as what for so long has been 
 called a fixed star, anywhere. Some 
 people have thought that there may 
 be a center somewhere, which all the 
 stars move round, but we cannot find 
 any proof that this is really so. 
 Why EVERY CLOUD has a silver lining 
 
 The reason is simply that at its 
 edge the cloud is thinner, and much 
 more light can get through it, and that 
 gives it its silver lining. Some clouds, 
 however, are very thin, just like a 
 sheet of tissue-paper in the sky, and 
 we can scarcely notice a silver lining 
 to them. Of course, if we went up in 
 a balloon, above an ordinary cloud 
 which seemed to have a silver lining 
 to us when we were on the earth, we 
 should see the whole cloud bright be- 
 cause the sun would be shining upon it, 
 and it would throw back or reflect the 
 
 sun's light to our eyes. This is true 
 of the darkest and blackest clouds all 
 through the daytime. The sun is 
 always shining, and the darkest cloud 
 has a bright side. 
 
 The trouble for us is that we see the 
 dark side, but we ought to know and 
 remember that the bright side is there. 
 Of course, as we see, all this may have 
 a meaning that applies to the troubles 
 of life, big and little. That is why 
 people remind us that every cloud has 
 a silver lining. But it is even better 
 than that, for every cloud has a silver 
 side just as bright as the other is dark. 
 Some people's minds are always like 
 our eyes in a balloon. They seem to 
 see every cloud on its silver lighted 
 side. These are the kind of people 
 that it is good to live with. 
 Why all the worlds are round 
 
 It is true that all the worlds are 
 round, or very nearly so, and that, if 
 they are not quite round, there is a 
 reason. The earth, for instance, is 
 not quite round, but bulges a little at 
 the equator, simply because it revolves 
 so quickly that it gets a little out of 
 shape. There is something special 
 about roundness, for not only are all 
 the worlds round, but a thing like a 
 drop of water tries to make itself as 
 round as it can; and if you drop melted 
 lead from a height you get round shot. 
 The reason is that in all these cases 
 you have some force trying to pull all 
 the parts of the world or of the drop 
 towards each other. That shape is 
 the sphere, or a round ball. 
 What makes the shadows that go up 
 
 AND DOWN hills 
 
 The shadows that we see crossing 
 the face of the hills are the shadows 
 of clouds. They can be seen passing 
 over the sea, too, or running across the 
 field of play when you watch a game of 
 baseball. They are best seen when 
 there are small clouds quickly moving, 
 and with well-marked edges, passing 
 
6^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 across the sun, as it seems to us, on a 
 bright day. Sometimes they move 
 more quickly than at other times. 
 This depends partly on the wind, 
 which varies very much in speed, and 
 on the height of the clouds. 
 The biggest shadow that we can see 
 There is one great shadow, thou- 
 sands of times bigger than any other, 
 which men have noticed at times in 
 all ages, and which has often made 
 
 whole moon for a little while, and we 
 call that a total eclipse of the moon. 
 When we watch this shadow — one 
 does not even need a glass to see it 
 with — it is easy to see that the shadow 
 is curved. It is the shadow of a 
 round thing, and this is one of the 
 proofs that the earth is really round. 
 In olden days men used to be very 
 much afraid of eclipses of the moon 
 and of the sun. They used to think 
 
 THE SHADOW Ol THE MOON BLOTTING OUT THE FACE OF THE SUN 
 
 This is one of the most impressive sights that men have ever seen — the moon passing across the face of the sun. It 
 happens sometimes that the moon gets directly in the way of the sunlight which would fall upon the earth if the moon 
 were not there, and we call this an eclipse, or covering up, of the sun. 
 
 them very much afraid. This is the 
 shadow of the earth itself, and it is 
 thrown upon the moon. It sometimes 
 happens that the earth gets in the 
 way of the light from the sun which 
 would fall upon the moon if the earth 
 were not there. And so we get what 
 we call an eclipse of the moon. As we 
 watch the moon, we can see a round 
 shadow begimiing to creep across it. 
 
 Sometimes it passes over only part 
 of the moon; sometimes it covers the 
 
 that it was a warning of something 
 terrible about to happen. But now 
 we know that an eclipse of the moon 
 is nothing more than just the throwing 
 of a great shadow upon the moon's 
 face, and that is the shadow of the 
 earth, by far the greatest shadow that 
 anyone can ever see. 
 What makes an eclipse of the sun 
 
 The kind of eclipse that used to 
 frighten people most is an eclipse of 
 the sun. It does not often happen 
 
THE EVERYDAY WONDER BOOK 65 
 
 that the sun is totally eclipsed, but be that it is very much alone in the 
 
 when this does happen on a bright world of stars. The sun has no near 
 
 day, the effect is wonderful. It sud- star neighbor, while most of the other 
 
 denly becomes dark, until it is like stars are much more neighborly, es- 
 
 night; it turns cold; the dew falls; pecially throughout the whole circle 
 
 the birds go to roost; the flowers go of the Milky Way. We cannot tell 
 
 to sleep; all this, perhaps, in the at all whether the whole Milky Way 
 
 middle of the day, and with not a is moving through space, and we do 
 
 cloud in the sky. Then, just as sud- not know whether it is moving round 
 
 denly the daylight returns. An eclipse on itself; but we can study and photo- 
 
 of the sun is not due to a shadow, but graph it now, and long years after- 
 
 happens when the moon gets between wards our successors may compare our 
 
 the earth and the sun, and we see the photographs with what they then see, 
 
 moon pass across the sun. and may be able to learn about these 
 
 This happens quite often, but it is things, 
 
 not often that the moon passes across Look closely at the Milky Way on a 
 
 in such a way that, for a little while, bright night, and you will see that it 
 
 it exactly fits over the sun, and cuts is made of many stars, only they seem 
 
 off all the light. Those are the start- so closely packed together that their 
 
 ling times. We know beforehand light is all blended, looking like a 
 
 when they are to happen, and to what thin cloud or a milky streak spread 
 
 parts of the world we must go to see across the sky. If you use an opera- 
 
 thenij and exactly how long the period glass or a telescope, you see the sepa- 
 
 of real darkness will last. Great rate stars more clearly, and if you 
 
 preparations are made, and men go take a photograph through a tele- 
 
 with telescopes and cameras and all scope — which is quite an easy thing to 
 
 sorts of other instruments, perhaps to do — you find that the stars of the 
 
 Greenland, perhaps to some island in Milky Way are to be counted not in 
 
 the Pacific Ocean, just for the sake of thousands, or even in hundreds of 
 
 the forty seconds, or perhaps it may be thousands, but actually by the million, 
 
 as much as four minutes, during which From any one part of the earth we 
 
 the moon will exactly fit over the face can see only about half of the Milky 
 
 of the sun. For we can see things Way, but this great streak of stars 
 
 and learn things about the sun during really forms a mighty circle, the differ- 
 
 those few seconds as we never can at ent parts of which can be seen from 
 
 any other time. different parts of the earth. The sun 
 
 The milky way and the earth and other planets with 
 
 Students of the stars think that the it lie somewhere not very far from the 
 
 Milky Way is the boundary of our center of this great circle. Now every 
 
 world of stars. It is a complete one of these millions of stars is a sun 
 
 closed circle where the sky is crammed like ours, only some are smaller than 
 
 with stars; yet in places there are our sun, and many are larger. Any or 
 
 gaps where we can see through beyond all of these suns, for all we know, may 
 
 into nothing. We can begin to meas- have one or many planets circling 
 
 ure the diameter of this great circle, round it, just as the earth moves 
 
 Our own sun and system seem to be round the sun. We cannot see these 
 
 somewhere near the center of it, and planets, for they must be too small, 
 
 a very remarkable thing about the and without any light of their own, 
 
 sun, and therefore about us, seems to just as the earth is. So that if we 
 
66 THE HUMAN INTEREST LIBRARY 
 
 were to allow only two or three planets November, when the earth crosses the 
 to every star or sun that makes up the path of a shoal of meteorites called 
 Milky Way, that would mean hun- the Leonids, 
 dreds of millions of worlds of varying Is the earth hollow inside? 
 sizes. Though no one has ever seen, or 
 What the streaks of light are that ever can see, the inside of the earth, 
 SOMETIMES SHOOT ACROSS THE SKY we are Certain that the answer to this 
 These are called shooting stars. Of question is "No." We know that the 
 course, they are not stars, but quite earth has a solid crust, very thin, and 
 small things, often just like stones, very apt to crack and "buckle," 
 though some of them are made of producing such things as mountain 
 iron. They look bright merely be- chains in consequence, and we can 
 cause, as they rush through the air, prove that this crust must be utterly 
 they get very hot. The smaller ones, different from what lies underneath it. 
 no doubt, get so hot that as they Now one of the many ways in which 
 pass through the air they burn all we can learn about the inside of the 
 away, just as a candle does, and so earth is by weighing the earth, and 
 they never reach the earth at all. noting its weight in comparison with 
 But larger ones actually reach the its size. This teaches us what the 
 earth, sometimes making big holes density or denseness is of the stuff 
 where they fall. You may have seen that makes the earth, and the result 
 such things in museums, and you can is a conclusive answer to the question, 
 look upon few things more interesting If you have a small ball which 
 if you think of their history, for in weighs tremendously heavy — far 
 the beginning these things did not heavier in proportion to its size than 
 belong to the earth at all ; only they any ball you play with — you would not 
 were rushing through space, many suspect it of being hollow, but rather 
 parts of which contain large numbers you would wonder how it came to be 
 of things like pebbles, and they were so tightly packed and squeezed to- 
 caught by the air of the earth and the gether. That is the case with the 
 earth's gravitation. ball we call the earth. Its denseness 
 Many of these meteorites, as they is very high, indeed, and the material 
 are called, are believed to have once in it is packed together with more 
 been part of the bright things called tightness than we can imagine. We 
 comets. Sometimes an accident seems have just scratched the surface of the 
 to happen to a comet and breaks it earth, and already in going down even 
 up, and in the path where this comet such a short distance we find the den- 
 used to travel round the sun there is, sity increasing, as it must, if we think 
 instead, a great shoal of meteorites, of the weight that lies over us at the 
 When the earth, in her path, happens bottom of a mine. 
 to cross the path of the meteorites. What causes an earthquake 
 many of them will be caught, especially The first reason that probably ac- 
 if it be just at the time when the counts for all earthquakes is simply 
 thickest part of the shoal is passing, that the earth is shrinking as it 
 So we know the times of the year and gradually loses the heat from its sur- 
 the special years when we may expect face. We know that the earth has a 
 to see a large number of streaks of light thin crust, which is comparatively 
 in the sky at night. The best showers cool, and hot inside. The crust rests 
 of shooting stars are usually seen in upon the inside of the earth, and as the 
 
THE EVERYDAY WONDER BOOK 
 
 67 
 
 inside shrinks it is bound to leave parts 
 of the crust unsupported, so that they 
 are apt to sink or crack. This will 
 happen especially where the crust of 
 the earth is thinner and more liable 
 to crack than in other places. It is 
 very common in Japan, for instance, 
 and very rare in the Mississippi Valley, 
 But when an earthquake happens at 
 any part of the earth, it starts a wave 
 of disturbance that travels right over 
 the earth, and can be detected any- 
 where by means of the seismograph. 
 Then, if we notice the time when the 
 wave reached a place, and find out 
 what the time was when it started, we 
 can learn how quickly the earth-wave 
 travels. But sometimes no one knows 
 where the wave started, and then very 
 often we can guess that it started under 
 the sea; for earthquakes may start in 
 the earth's crust where it forms the 
 beds of great oceans as well as any- 
 where else. And so there may be 
 earthquakes at the bottom of the sea. 
 
 How THE PLANETS GOT THEIR NAMES 
 
 The names of most of the planets 
 are very old indeed, and they were 
 given to them for interesting reasons 
 worth knowing. Mercury moves very 
 quickly, for it is so near the sun that 
 it would be drawn in unless it moved 
 quickly, and its name — Mercury — is 
 after the "messenger of the gods," 
 whom the Greeks and Romans invented 
 and believed in. Then Venus is very 
 beautiful and gets its name from 
 Venus, the supposed goddess of beauty. 
 Mars is reddish and so suggests blood, 
 and was therefore called Mars, after 
 the god of war. Jupiter is the biggest 
 of the planets, and is called after 
 Jupiter or Jove, the greatest of the 
 gods whom people believed in long 
 ago. 
 
 Then, to take one more instance of 
 the way in which the planets are 
 named, there is Uranus, now so named, 
 like the others, after an ancient god. 
 
 It was discovered by a German, 
 William Herschel, who lived in Eng- 
 land, and he wanted to call it Georgi- 
 um, after the King of England. Others 
 wanted to call it Herschel, after the 
 discoverer, which would certainly have 
 been wiser than to name it after a 
 king who had nothing at all to do with 
 it; but finally it was agreed to give it 
 an old name like the others. 
 
 As for Earth, the good mother of us 
 all, the ancients called her Ge, and so 
 now we call the study of the earth 
 ge-ology; while what we call the moon 
 they called Luna. Hence, we have 
 the word lunatic, because in ancient 
 times it was thought that when a man 
 lost his mind, it was through the in- 
 fluence of the moon. 
 
 Who GAVE THE STARS THEIR NAMES 
 
 Nowadays we know an enormous 
 number of stars— about 100,000,000— 
 and the smaller ones (or rather the 
 fainter ones, for they may only seem 
 small because they are distant) simply 
 get numbers or letters, for all the 
 world like automobiles, in order to 
 identify them. But the brightest 
 stars have been known for many ages, 
 certainly not less than 10,000 years, 
 and the origin of their names is lost, 
 like the names of the men who named 
 them. 
 
 Some of these names we call Latin 
 and Greek and Arabic, but certainly 
 many of them are far older than the 
 Romans or the Greeks or the Arabian 
 astronomers, and they got the names 
 from those who went before them, 
 just as we have got the names from 
 them. A star with a specially inter- 
 esting name is the Polar star, which 
 gives us the direction of the north. 
 No one can say how many millions and 
 millions of sailors' eyes, throughout 
 thousands of past years, have been 
 gratefully and often anxiously fixed 
 upon that star, by which they could 
 steer their way home across the path- 
 
68 
 
 THE HUMAN INTEREST LIBRARY 
 
 less sea. But for all those sailors that 
 star has doubtless been known by 
 whatever word stood for north, in 
 whatever language the sailors spoke. 
 The names of great stars like Alde- 
 baran and Sirius must be older than 
 any human record. 
 
 Where the day begins 
 
 The world is full of mysteries and of 
 wonders, and there is no need for us to 
 puzzle ourselves by making any that do 
 not really exist. We could quite easily 
 make all sorts of puzzles about time 
 and the way in which it is reckoned; 
 but we must understand that these 
 puzzles are not real, but are made en- 
 tirely by ourselves — not by Nature. 
 
 The real fact is quite simple. The 
 sun goes on shining all the time, you 
 know — it is well to remember that 
 '"the sun is always shining somewhere" 
 — and the earth is spinning all the 
 time. So the sun is always seeming to 
 rise somewhere, because at some place 
 or other the earth is just spinning 
 round, so as to face it, and the sun is 
 always seeming to set somewhere, be- 
 cause at some place or other the earth 
 is just spinning away from the sun. 
 That is simple. 
 
 And, of course, whatever we call 
 now, whether we call it six o'clock or 
 twelve o'clock, this now is now every- 
 where. The present moment is the 
 present moment here and on the 
 farthest star. Only when just oppo- 
 site the sun we call that midday, 
 whereas the people on the other side 
 of the world are then away from the 
 sun, and call it midnight; but this 
 present moment of ours is their pres- 
 ent, too, of course, and the difference 
 is merely a difference of name to indi- 
 cate that now we are opposite the sun, 
 and they are away from it. It would 
 be foolish for us to make a mystery 
 whei'e none really exists, or to forget 
 that now must be now everywhere. 
 
 But, simply because the earth goes 
 on spinning, and the sun is always 
 shining, the day is dawning somewhere 
 always, and really, therefore, the 
 answer to the question, "Where does 
 the day begin?" is that the day is 
 always beginning somewhere. 
 
 Two DAYS AT ONCE 
 
 Since people live in different parts 
 of the world, what we call night (when 
 it is our night) will be someone else's 
 day, and our midnight, when a new 
 day begins for us, as w^e reckon, will 
 not be the midnight of other people in 
 other parts of the world, so that what 
 we call Monday they may call Tues- 
 day, yet we and they are both talking 
 about the same moment! 
 
 Now, it would be very inconvenient 
 if all the different parts of the world 
 east or west of each other persisted in 
 talking of time as if they were the only 
 people on the earth, and as if their 
 midnight must be everybody's mid- 
 night — which it is not. So we reckon 
 by two sorts of time. One is local 
 time — the time reckoned by what is 
 happening at the particular place 
 whose time it is; the other is standard 
 time, which we agree upon, so that 
 we can catch trains, and so on, just as 
 if midnight in one place were mid- 
 night everywhere. Up to 1883 people 
 often missed trains through this diffi- 
 culty, and then "standard time" was 
 invented. 
 Where the day changes 
 
 A clock shows that it is never mid- 
 night at the same time at any two 
 places which are not the same dis- 
 tance from the line passing through 
 Greenwich — or, indeed, from any such 
 line, only we take Greenwich for con- 
 venience. Therefore it may be one 
 day at one place, and the day before 
 or the day after at another. In order 
 that we shall not get more mixed than 
 we can help — and we cannot help 
 
THE EVERYDAY WONDER BOOK 
 
 69 
 
 getting rather mixed since we don't all 
 live on the same line, and the earth 
 will keep on turning ! — we have agreed 
 that we shall take a line exactly on the 
 other side of the earth from the Green- 
 wich line, and this we call the "date 
 line." What is called Sunday on one 
 side of this line is Monday on the other 
 side. If the "date line" passed 
 through a country or through a city, 
 this would be inconvenient. People 
 living on opposite sides of the same 
 street might have different days for 
 Sunday. They would have no doubt 
 that now is now everywhere, but they 
 would call now by different names. 
 Fortunately, however, the date line 
 scarcely touches any land at all, and 
 the little it does touch is very unim- 
 
 portant, 
 ocean. 
 
 The line passes across the 
 
 »rjf^?:iKsr«.v- 
 
 S U N D A, > 
 
 / 
 
 The international date line, with Sunday on one side and 
 Monday on the other 
 
 THE CHILDREN'S 
 
 WHYS 
 
 AND "HOWS 
 
 J > 
 
 Why we count in tens 
 
 YOU may w ell ask why we count 
 in tens, for it would be much 
 more convenient if we counted 
 in twelves — if we had a duodecimal 
 system of counting in twelves instead 
 of a decimal system of counting in 
 tens. If we should invent two extra 
 single figures for ten and eleven, and 
 then write ten to mean twelve, and 
 eleven to mean thirteen, 100 to mean 
 144 (twelve times twelve instead of ten 
 times ten), and so on. 
 
 Perhaps we will do this some day; 
 and the reason is that, while ten can 
 be evenly divided only by two figures, 
 two and five, twelve can be evenly 
 divided by four figures. Thus, for 
 many purposes it would be better to 
 count in twelves, and, indeed, we often 
 do so when we can, as, for instance, by 
 making twelve inches to the foot 
 instead of ten. This would also fit 
 in nicely with the number of months 
 in the year. But we count in tens 
 still, as a rule, and we shall doubtless 
 do so for many a long day yet, simply 
 
 because our ancestors have always 
 done so. 
 
 If you think how you sometimes 
 used to ■ reckon when you started 
 arithmetic, you will guess the simple 
 reason why. It is because we have 
 ten fingers. When we count on our 
 fingers, as childi-en do, and as the 
 first men did, it is natural to make a 
 fresh start after ten, because then we 
 go back again to the finger we began 
 with. So all over the world, we find 
 men counting by tens — using a decimal 
 system — just because men and women 
 everywhere have ten fingers. 
 Why a stone sinks 
 
 The stone sinks because it is 
 heavier, or denser, than an amount of 
 water occupying the same amount of 
 room; and the water floats on top of 
 the stone just as the stick floats on 
 top of the water. It all depends upon 
 the great law of the pull, or attraction, 
 of the earth for everything outside it, 
 and the heavier the thing is, the 
 stronger the pull. A lump of iron 
 sinks in just the same way. 
 
70 
 
 TEE HUMAN INTEREST LIBRARY 
 
 HOW A MAGNIFYING GLASS MAKES THINGS BIGGER 
 
 ^ -" ■« *•- 
 
 
 X .IT 
 
 These pictures how us how a magnifying glass makes things appear larger than they really are. What 
 happens when we look at, say, a leaf, is that rays of light are thrown off by the leaf and brought together 
 to our eyes. When we use a magnifying glass the rays of light pass through the glass and bend — as a stick 
 
 appears to bend if you put it in water, or as the pair of compasses seems to bend 
 in the glass of water shown on this page. When the rays of light reach the 
 eye, the eye imagines that they have come in straight lines, and it appears 
 to the eye that the light comes in lines as shown by the dots in this picture. 
 What we really see are rays of light. These rays not being able to go straight 
 through a magnifying glass as if it were a piece of ordinary glass, are bent in 
 passing through the glass, and what happens then is as if the eye having col- 
 lected all these rays to a point, throws them out again in straight, sloping 
 lines, at the end of which we see the image, looking much bigger than it really 
 is. So that what we see through a magnifying glass is not the actual leaf 
 but the rays of light thrown off by the leaf, first bent by the glass and then 
 straightened out again so as to appear to cover a much bigger space. A curious 
 thing happens if the rays of light are allowed to continue beyond the eye instead 
 of being focused by the eye. We can do this with the aid of a microscope, as 
 shown in the bottom picture. In this case we see the leaf upside down. This 
 is because the rays of light meet, and then as the rays must go straight, the line 
 of light coming from the top of the leaf goes down while the line coming from 
 the bottom of the leaf goes up. In the top picture the meeting or focusing of 
 the lines of light takes place inside the eye, but in the picture below we see the 
 1 rays focused through the glass instead of inside the eye, and we see them, 
 therefore, continuint;, u: '.il LUey are reflected in the looking glass, where we see the enlarged picture upside 
 down. This helps us to understand what happens inside the eye, as explained on the next page. 
 
TEE EVERYDAY WONDER BOOK 71 
 
 HOW THE CAMERA TAKES YOUR PHOTOGRAPH 
 
 /k 
 
 \ 
 
 
 N'H 
 
 \ 
 
 \ "^ 
 
 These pictures show us how a camera takes a picture, why it takes the picture upside down and also 
 how the eye is like a camera in this way. The boat in this picture gives off rays of light which strike in all 
 directions. Some of these rays go out towards the camera, and as light always travels in straight lines, never 
 crooked ones, all the rays that can be seen from the lens of the camera travel 
 straight up or down towards the lens. Inside the lens they continue traveling 
 in the same direction and at last they meet and cross so that the lines of light 
 given off by the top of the boat strike the bottom of the photographic plate 
 and the lines given off by the bottom of the boat strike the top of the plate. 
 The small picture on this page shows a way in which any boy or girl can find 
 out how the lines of light cross so as to make an image upside down. Take 
 a white cardboard box without the lid and prick in one side a small hole with 
 a pin Hold the box, say, under a gas jet so that the gas will reflect through 
 the hole. The hole will then act as a focus of the rays which will enter the 
 box through the hole and cross, so that the inside of the box where they fall 
 will reflect the gas jet, which will be upside down. The bottom picture shows 
 us that the eye acts in the same way as the cimera but a very wonderful thing 
 happens in the eye, that no man quite understands. When the photographer 
 finds that his picture is upside down he turns the plate the other way and 
 everything is right. But what wonderful thing is it that turns the picture 
 printed inside the eye the right way up? The rays of light stamp themselves 
 upon the retina of the eye as seen in this picture and the nerve of the eye carries 
 them to the brain. What happens there nobody knows but when the brain 
 brings together these rays of light so as to make a clear picture, the picture is the 
 
 right way up. The picture is printed on the retina of the eye upside down, but our brain puts it right in the mil- 
 lionth part of the twinkling of an eye, and this is, perhaps, as great a miracle as anything that ever happened. 
 
72 THE HUMAN INTEREST LIBRARY 
 
 Why a wheel stops round and round in space, but, as 
 One of the reasons why a wheel space is almost empty, and as the 
 stops when it has once been started is earth's air is part of the earth and goes 
 the resistance of the air. But wheels round with it, and as the earth is not 
 also stop through another kind of re- spinning on anything, as a top spins 
 sistance, which is called friction. The on a plate, the earth scarcely slow^s 
 w^heel of a bicycle, for instance, travels down at all throughout the ages, 
 round and round on something in the How fast a wheel can go round 
 center of it, which we call the axle, and You might think that if you applied 
 as the wheel rubs against the axle it sufficient force to a w^heel — say, the 
 is made to go slower. If you put your wheel of some kind oi engine that was 
 finger on your arm and rub it along driving something — li. would go round 
 your skin and press a little, you can faster and faster, and there need be 
 see how you are opposed by friction; no hmit at all to the speed at wliich it 
 but if you put some oil on the tip of went round. But that is not true, 
 your finger first, the finger will slide and sometimes when men forget it 
 along your arm quite easily, because and make wheels go round too fast, 
 the oil lessens the friction. accidents happen. If you take an 
 For exactly the same reason you umbrella that has been out in the 
 have to oil the bearings of a bicycle, rain, and twirl it round very gently 
 Perhaps you know that a special way and slowly, the drops of rain will hold 
 has been found in which to lessen the on to the umbrella tight enough to 
 friction of a bicycle, so that, after you go round with it, but directly you spin 
 stop pedaling, the wheels will go on the umbrella a little faster, the drops 
 running much farther than they other- of rain, as you know, fly off from the 
 wise would. A number of tiny steel umbrella. As long as the umbrella 
 balls are put between the axle and the went round slowly, the force of stick- 
 wheel, so that the wheel really runs on ing, or cohesion, as it is called, was 
 these little balls. This is w^hat is sufficient to make the drops stick to 
 called 'iiall bearings," and every bi- the umbrella, but when the umbrella 
 cycle has them, both for the wheels went round a little faster, the force of 
 and for the pedals. cohesion could not keep the drops 
 Could a top spin forever? sticking to the umbrella, and so off 
 Friction also helps to stop a top, they fly. But now, after all, it is 
 but if you spin the top on a perfectly nothing but cohesion that makes the 
 smooth plate, so that there is very parts of a wheel stick to each other, 
 little friction, it will spin much longer; and if the wheel went round quickly 
 and if you could spin the top on a enough, this cohesion would not be 
 smooth plate inside something from strong enough to hold the wheel to- 
 which you had taken away all the air, gether, any more than it is strong 
 it would not be difficult to get the top enough to hold the drops to the um- 
 to spin for hours, because things which brella if spun quickly, 
 have once started moving go on Could a wheel fly off an engine 
 moving until something stops them. Sometimes when an engine has been 
 If the top could be spun where there running too quickly, a great wheel, 
 is no air at all, and nothing happened perhaps made of hea\'^' steel, has flown 
 to hinder the spinning, the top w^ould to pieces. These pieces have gone 
 certainly go on forever. The earth flying out just as the drops do from a 
 is like a great wheel or top spinning spun umbrella, and sometimes these 
 
TEE EVERYDAY WONDER BOOK 73 
 
 have done terrible damage. This gas that acts on the engine in this 
 appUes to everything that spins — the case, just as the gases made by the 
 earth, or a wheel, or a top. There is burning of the gasoline act upon the 
 a limit to the speed at which it can engine in the commoner kind of auto- 
 spin without flying to pieces, because mobiles. Electricity is used in ordi- 
 there is a limit to the power of cohesion, nary automobiles to set the gasoline 
 or holding together, and directly that burning. Each time the spark passes, 
 limit is passed, the pieces of the wheel, a little gasoline is burned, and it is 
 or the top, or the earth — if the earth this burning that makes the noise that 
 were set spinning too quickly — must we hear, or part of it. The car is 
 fly away. For everything that is made to go, therefore, by a very large 
 moving tries to move in a straight line, number of little gas explosions, 
 and the reason why a wheel can spin Why soap takes out the dirt 
 at all is that the parts of it move in The answer to this question has been 
 circles instead of in straight lines, a great deal argued by chemists, and 
 because they are held by cohesion; but it is a very important thing, for clean- 
 if cohesion is not strong enough, all liness is necessary, and enormous 
 parts of the wheel, like the drops on quantities of soap have to be used, 
 the umbrella, will start moving in and it is well that we should know 
 straight lines instead of in circles, and how soap does its work, so that we 
 the wheel will fly to pieces. can make the soap that works best. 
 What makes an automobile go Now it is fat or oil that especially 
 
 The mystery of the automobile is, makes things dirty. If only we can 
 
 of course, only the old question of melt or get rid of the oil on things, we 
 
 using natural forces for power. In soon make them clean, and the real 
 
 nearly all automobiles it is a gas that use of soap is that it disposes of oil. 
 
 makes them move. In one way or an- It does this in at least two ways, 
 
 other this gas is made in the engine of Most soaps have in them a great deal 
 
 the car or is sent into it, and, as this gas of alkali. This alkali dissolves the 
 
 is made under pressure, its atoms fly oil that gathers on things, and makes 
 
 about in all directions, and so press them clean. 
 
 upon that part of the engine which is But soap takes the dirt from things 
 
 connected with the wheels. In most in another way, as we know when we 
 
 automobiles gasoline is burned with use soaps that have no alkali in them 
 
 air, which is admitted to the inside of at all. It has the power of breaking 
 
 the engine, and the gases which are up oil into a number of tiny little 
 
 produced by this burning make the car drops, which are easily washed away, 
 
 move. Gasoline is really a vegetable together with all the dirt that the 
 
 product, and has in it the power which oil has collected. 
 
 poured upon the earth from the sun A collection of tiny drops of oil, 
 
 ages ago. It is really the sun, then, held in some other fluid, is called an 
 
 that makes the car move; not the emulsion. Water alone will not form 
 
 sunlight of today, but the stored-up an emulsion of any oil, because oil and 
 
 sunlight of long ages ago. water will not mix. That is the reason 
 
 In steam automobiles the power is why we cannot wash well with water 
 
 produced as it is in a railway engine alone. But when water has soap dis- 
 
 or a steamboat. Something is burned solved in it, it is able to make an 
 
 ■ — generally gasoline — and so boils emulsion of the oil on anything we 
 
 water, and it is the water-vapor or are washing, and so makes it clean. 
 
'Tk 
 
 THE HUMAN INTEREST LIBRARY 
 
 WHY DOES A STICK FLOAT? 
 
 We must remember that the earth is 
 all the time trying to pull everything 
 to itself; it pulls us, it pulls the air, it 
 pulls a balloon, it pulls the moon. 
 Now, the heavier the thing is the more 
 it is pulled, and water is heavier than 
 
 '"I's^^ 
 
 ~^«s^*, 
 
 WHY WOOD FLOATS AND IRON SINKS 
 
 Vvrod floats because it is full of tiny quantities of air, 
 and so is lighter, or less dense, tlian the water, A stone, 
 or a iump of iron, has no air in if. it is denser ttian the 
 water, and therefore it sinks. An iron ship floats because 
 it is hollow and full of air, so that as a whole it is lighter 
 than the water. If we filled it up solid with iron or stone, 
 or if It cracked and so let the air escape from it and the 
 water come in, it would sink, as shown in the second of 
 these pictures. 
 
 a stick. This does not mean that all 
 the water in a jiond is heavier than a 
 stick, because we know that. But it 
 means that if you have a cup and filled 
 it wnth water, and had another cup 
 
 WHY AN IRON SHIP FLOATS 
 
 the same size and filled it with stick, 
 the cup with the w^ater would be 
 heavier — that is to say, in a fixed 
 amount of space you can pack a 
 greater weight of water than of wood. 
 
 That is what we mean when we say 
 that the water is heavier than the 
 stick. 
 
 Of course, a pound of water is the 
 same as a pound of stick, and you do 
 not need to answer the question — 
 Which is the heavier, a pound of 
 feathers or a pound of lead? They 
 both weigh the same, only the lead 
 takes up less room, and so we say that 
 lead is heavier than feathers, though a 
 pound of lead weighs the same as a 
 pound of feathers. The proper name 
 for a heavy thing is dense, and, w^hen- 
 ever it is possible, the earth always 
 pulls the denser things further down, 
 and the less dense things float on the 
 top of it. That is why the stick floats; 
 that is why the cold air is found 
 nearest the floor, because cold air is 
 heavier, or denser, than warm air, and 
 the warm air floats on the top of it as 
 the stick floats on water. 
 
 WHY AN IRON SHIP FLOATS 
 
 Men used to think that a ship had 
 to be made of wood in order to float, 
 because wood floats and iron sinks. 
 But now all big ships are built of iron. 
 Why do they not sink like a stone or 
 an anvil? It is because of their shape. 
 When they are hollowed out the whole 
 space they occupy is filled with air, 
 which makes the ship, as a whole, 
 lighter than water, and so it floats. 
 You can even put things into it, but 
 the more you put in, the deeper your 
 ship rides in the water. You can store 
 iron in it, but if you packed it full 
 of iron, or anything heavier than 
 water, it would sink. 
 
 One brave man fought for years for 
 the lives of sailors, and at last got a 
 law made that a line should be painted 
 outside the hulls of ships, and that 
 the ships must not be packed so heavily 
 as to sink that line below the surface 
 of the water. Like everyone who does 
 anything worth doing, he was laughed 
 at, but his name will alwavs be remem- 
 
THE EVERYDAY WONDER BOOK 
 
 76 
 
 bered, and that line, which protects 
 sailors, will always be called Plimsoll's 
 line, in his memory. 
 What a vacuum is 
 ^ Vacuum is simply a Latin adjective 
 ^ meaning empty, and we have an 
 English word, vacuous, which has the 
 same meaning, and which we some- 
 times apply to the expression of a 
 person's face when it seems to mean 
 nothing — to be empty of meaning. 
 In the study of Nature we often talk 
 about vacuum, meaning by that an 
 empty space. It is always necessary 
 to remember that there is really no 
 such thing as empty space, for what 
 we call the ether is everywhere. 
 
 But when we speak of a vacuum we 
 are leaving the ether out of account, 
 and are simply thinking of gases, such 
 as the air. We take such a thing as a 
 globe of glass, which cannot collapse 
 when the air is sucked out of it and we 
 attach a pump to it, so as to suck out 
 of it all the air we can. When we 
 have done so, we call the space inside 
 the glass globe a vacuum. As a 
 matter of fact, we can never get a real 
 vacuum, but only a space which con- 
 tains comparatively little air. No one 
 has ever made, or ever will make, a 
 perfect vacuum. 
 
 How A MACKINTOSH KEEPS US DRY 
 
 A mackintosh keeps us dry because 
 it is made of a material which water 
 cannot get through. Our ordinary 
 clothes are full of tiny little holes, or 
 pores, and so we call them porous. 
 The water runs into these little holes, 
 and so will make our clothes wet, just 
 exactly as it runs into a sponge, which 
 is also full of holes, or pores — only 
 these are so big that we can see them. 
 But if you take a thing like a piece of 
 india-rubber, you find that water can- 
 not get through it because there are 
 no holes in it to let the water through ; 
 or you can take a piece of ordinary 
 clothj which is porous, like a sponge, 
 
 and then, if you melt india-rubber and 
 put the cloth in it, the rubber will fill 
 up the holes in the cloth, making it 
 waterproof. 
 
 The name of the man who discovered 
 how to do this was Mr. Macintosh, 
 and that is why many kinds of water- 
 proof coats are called mackintoshes 
 now. For no particular reason we 
 have put a "k" into the word. Now, 
 there is another kind of material 
 which also keeps water out, or, at 
 least, in its natural state it keeps 
 water out, but we cut it up and put it 
 into bottles and use it to keep water 
 and medicine in. There is a special 
 kind of tree which makes this cork, 
 but really all trees have a layer of 
 cork inside the bark, and this makes 
 them waterproof. India-rubber is also 
 obtained from trees. 
 
 And so, when we wear a mackin- 
 tosh, we first of all take something 
 from the coat of a sheep to make wool- 
 len cloth, and then we take something 
 from the world of plants in order to 
 make the cloth waterproof. 
 Why ammonia cleanses things 
 
 Ammonia is really a gas, but like 
 other gases 't can be dissolved in water 
 and °s more soluble in water than 
 almost any otlier gas. The solution of 
 ammonia gas in water is what we 
 usually call ammonia, and it is largely 
 used for cleansing things. Indeed, 
 people add what is called, not quite 
 correctly, "liquid ammonia," to the 
 water of their bath, for they find that 
 it helps to make them clean. "Liquid 
 ammonia" is not a correct name, be- 
 cause what we call that is really water 
 containing a lot of ammonia gas. 
 
 Ammonia cleanses many things far 
 better than even strong soft soap, but 
 it is so powerful that we cannot use 
 it for everything. The reason why 
 ammonia is such a splendid cleanser 
 is that it is an alkali, and so dissolves 
 fats and oils, as the alkalies in ordinary 
 
76 
 
 THE HUMAN INTEREST LIBRARY 
 
 soap do. But aniinonia is different 
 from all other alkalies, because it is 
 really a gas, and the great fact about 
 a gas is that, if it gets "half a chance," 
 it goes everywhere. Ammonia is thus 
 the most searching of cleansers. 
 
 Why houses are not made 
 
 OF IRON 
 
 We are doing just what men did long 
 ago when they passed from the "Stone 
 Age," in which they used stone for 
 knives and weapons, to the "Age of 
 Metals," when they used brcnze and 
 copper and iron. We may say we are 
 passing from the Stone Age to the Age 
 of Metals in buildings. 
 
 Of course, in the case of a bridge, 
 we simply use steel and do not think 
 it necessary to do more. One of the 
 most wonderful, though not the most 
 beautiful, bridges in the world is the 
 Brooklyn Bridge, which is made of 
 steel. When it comes to ordinary 
 buildings, however, the builder makes 
 his building of steel; but we are not 
 accustomed to buildings made simply 
 of steel, and they would look very 
 unusual to our eyes; so after he has 
 made the steel skeleton of his house, 
 or whatever it is, he covers it all up 
 with stone, so as to make it look as if 
 it were really the stone that was hold- 
 ing it up; yet really you might take 
 all the stone away, and it would stand 
 as before. The real reason for not 
 making steel exposure is that it is such 
 a good conductor of heat that w^e would 
 roast, whereas stone or brick is a poor 
 conductor. 
 
 How A BAR STAYS IN ITS PLACE 
 
 All solid things have cohesion, and 
 we can almost imagine the tiny parts 
 of which they are made holding on 
 to each other, as if they had little arms 
 or hooks. That is why things can be 
 solid; that is why they can have a 
 shape and keep it. You see, the earth 
 is so enormous, compared with any- 
 
 thing that we can make or move, that, 
 if there were nothing else to act against 
 the power of the earth's gravitation, 
 everything would crumble down quite 
 flat, so that all the stuff in it might be 
 pulled as near as possible to the center 
 of the earth. 
 
 A bar holds together, because, 
 though gravitation is always acting, 
 and is very powerful, cohesion is very 
 powerful too. You know, for instance, 
 the horizontal bar in the gymnasium? 
 How does this stand.'* How does 
 it come to stand so firm that it 
 will support your weight? The 
 answer is that, though the earth is 
 pullling it down all the time, the earth's 
 pull is balanced by the cohesion of the 
 bar. If you tried to make the bar of 
 something that has very little cohesion 
 like sand^well, you might try for a 
 very long time before you succeeded! 
 Of course, it is true that gravitation 
 acts between everything and every- 
 thing else. It acts, for instance, be- 
 tween the tiny parts of which the bar 
 is made, or of which the bar of sand — 
 if such there could be — is made. 
 What the first buildings were like 
 
 The first devices men ever lived in 
 began by not being buildings at all; 
 they were just holes or caves in the 
 earth. We have found some of these 
 caves with bones and teeth and other 
 things which tell us what these men 
 ate long ago. The first attempt that 
 man made to build was simply to 
 make the caves that he found rather 
 bigger and more convenient; and so 
 he scooped them out and made them 
 deeper, and often he scooped away 
 much of the roof so as to make the 
 cave higher, and let iiim stand and 
 walk upright in it. And when at last 
 man began to build for himself, he 
 made huts, such as many peoples live 
 in even nowadays, like the Eskimos. 
 And these huts are really very like 
 caves if you come to think of it. 
 
THE EVERYDAY WONDER BOOK 
 
 77 
 
 Who invented arches for buildings 
 
 One of the remarkable things about 
 the great buildings of Greece is that 
 they do not have arches. Their 
 buildings, indeed, were in principle 
 the same as you can make with toy 
 bricks. Now, it is a curious thing 
 that somehow or other, though the 
 Greeks learned so much from the 
 Egyptians as regards science and art 
 and many other things, they did not 
 know about the arch. Yet, even in 
 very early Egyptian buildings, we 
 find various kinds of arches, including 
 even the pointed arch which you must 
 have seen in many churches. There 
 are two kinds of arches — one built up 
 from the two sides, and then at the 
 very top of the arch there is put in 
 last, a stone called the keystone, be- 
 cause it keys, or rather locks the 
 two sides of the arch together. People 
 who study buildings say that the kind 
 of arch they call Gothic does not have 
 a keystone, the two sides meeting in 
 a straight up and down line. 
 Who the best builders were 
 
 Now, you know that the Romans 
 came after the Greeks, and that nearly 
 everything they knew and could do 
 they learned from the Greeks. Indeed, 
 there was a great deal which 
 the Greeks knew and the Romans 
 forgot. The Romans did not build 
 beautifully as the Greeks. There 
 never was any building in Rome so 
 lovely as the Parthenon. But one 
 
 thing the Romans had which the 
 Greeks had not, and that was the 
 arch. No one appears to know 
 whether some Roman found out all 
 by himself how to make an arch, or 
 whether they found arches in Egypt 
 or somewhere else; but, at any rate, 
 the Romans had the secret of the arch, 
 and they seem to have been very 
 proud of it, and used it whenever they 
 could. 
 
 They were very fond of building 
 what they called triumphal arches in 
 honor of some great soldier or some 
 great event, and you will see such 
 arches in Rome and many parts of 
 Italy. 
 
 In our own times we have made a 
 great discovery as regards buildings. 
 You know that instead of building 
 ships of wood we build them of iron 
 and steel. Well, we do the same 
 thing now in building; instead of stone 
 we use steel. 
 Which travels quicker— heat or 
 
 COLD? 
 
 Complete cold, if we could get it, 
 would only be complete absence of 
 heat; and what we ordinarily call cold 
 is simply less heat than in something 
 else with which we are comparing it. 
 When a thing gets cold, it really gets 
 less hot. So we cannot speak of cold 
 traveling, unless we mean that it is a 
 cold wind that is traveling, or cold 
 water traveling through hot water, as 
 when you run cold water into a hot 
 
 A GREAT LINE OF ARCHES BUILT BY THE ROMANS. WHO WERE FOND OF ARCHES IN BUILDING 
 
78 
 
 THE HUMAN INTEREST LIBRARY 
 
 bath. But we can say how fast heat 
 travels, if by that we mean the rays 
 of heat or radiant heat that we feel 
 near a fire or a light. This kind of 
 heat is really the same as light, and it 
 travels at exactly the same speed, 
 which you know. But cold travels 
 at no speed, for there is no such thing. 
 What holds a building up 
 
 We all know that mortar holds the 
 bricks together; but we must remember 
 that the wise builder always uses the 
 weight of his bricks to make his build- 
 ing strong; and since it is the earth, 
 with its steady pull, that gives bricks, 
 and all other things, their weight, we 
 must not give the mortar all the credit. 
 No bricks and mortar would ever make 
 a strong building if there were not the 
 earth's pull to bind them all together. 
 Why a stick holds together 
 
 Mortar, as you know, "sets hard," 
 like many other things — jelly and 
 water included — if you give them a 
 fair chance. And the power by which 
 it, or paste or glue, holds things to- 
 gether is called cohesion — a word 
 which simply means sticking together. 
 We cannot see what really happens, 
 but cohesion is one of the commonest 
 things in the world. When you move 
 one end of a stick, why does the other 
 end move? Because of cohesion be- 
 tween all the parts of which the stick 
 is made. All the parts of the stick 
 hold together as if drawn to each other 
 by a magnet. 
 Why we can'T make a rope 
 
 OF SAND 
 
 We can't make a stick or a rope of 
 sand, and you can't build with bricks 
 and sand. The sand has no cohesion, 
 except just the least little bit when it 
 is wet. Have you ever thought why 
 sealing-wax melts when it is heated? 
 The truth is that cohesion is one of the 
 most important things in the world, 
 and that the world itself, indeed, could 
 
 not exist as it is without cohesion. 
 Everything that we call solid is solid 
 because the tiny parts of which it is 
 made stick or hold together. A piece 
 of sealing-wax, for instance, if it is left 
 alone, is held together by cohesion. It 
 does not spill itself and run all over 
 the table, and if you lift it up by one 
 end the other end comes too. But if 
 you apply heat to the sealing-wax it 
 begins to run — it begins to lose its 
 stickiness, or cohesion. This shows a 
 second state in which anything may 
 be, and this state we call liquid. 
 Running water is liquid. 
 
 Why water runs 
 
 That is cohesion again; water runs 
 because it has no cohesion, or else very 
 litt'.e. While all solids have a great 
 deai of cohesion — ^without which they 
 could not be solids — liquids have very 
 much less. But all liquids are by no 
 means the same. Liquid water has 
 v^ery much less cohesion than liquid 
 sealing-wax or liquid gum, which, in- 
 deed, has so much cohesion, or sticking 
 together, that we appropriately call it 
 "sticky." On the other hand, liquid 
 alcohol or lic[uid air — did you know 
 that air could be liquid like water? — ■ 
 has very much less cohesion even than 
 liquid water. But there is a third state 
 in which anvthing mav be, and that is 
 the state of a gas — like air in its 
 ordinary state, and like the gas we burn 
 for light. Now, the thing which marks 
 a gas is that it has no cohesion at all — 
 it runs wherever it can. However big 
 the space that it is in, the gas always 
 fills it. It goes under doors, out at 
 chimneys, and out at windows, and so 
 on. It has no cohesion. 
 
 Why the smoke of a train goes the 
 other way 
 
 When the smoke leaves the funnel 
 of the engine it is really moving for- 
 ward, like the engine itself, and at 
 exactly the same rate. If we could 
 
THE EVERYDAY WONDER BOOK 
 
 79 
 
 imagine tliat tlie train was moving 
 onwards in nothing, then, since we 
 know that moving things always move 
 on in a straight Hne at the same speed 
 forever, unless something outside af- 
 fects them, the smoke would move 
 forward with the train, and would 
 actually pass on in front of it as soon 
 as the driver slowed the train. But 
 the smoke, we know, is really poured 
 into the ocean of air through which 
 the train is pushing its way. The air 
 tends to stop the train, as it tends to 
 stop everything that moves through 
 it, and every engineer knows how 
 important this air-pressure is; but 
 though it retards the train a good deal, 
 it retards the light, hot smoke that is 
 poured into it far more. The question 
 reminds us that the smoke seems to 
 go in the opposite direction to the 
 train; but really it simply moves for- 
 ward so slowly and for such a little 
 distance that, compared with the train 
 it seems to go the other way. 
 
 But if a strong wind is blowing in 
 the same direction as the train — and 
 perhaps this is oftenest seen in the 
 case of the smoke from a ship's funnel 
 — then the smoke is blown forward by 
 the wind far in front of the train or 
 ship. In this case and the last the 
 same principle works, though the 
 results are so different. The principle 
 is that the air affects the smoke more 
 than the train or ship. In one case 
 it holds both back, but it holds the 
 smoke back most; in the other case it 
 blows both forward, but the smoke 
 most. 
 
 Why some faces in pictures seem to 
 
 FOLLOW us 
 
 You are discerning to have noticed 
 this, and perhaps you have also no- 
 ticed that in other pictures there are 
 faces which are not looking at us; 
 but no matter where you walk, even 
 though it be in the direction in which 
 they seem to be looking, you will 
 never find the face looking at you. 
 Indeed, faces in pictures are either 
 looking at us, from wherever we look 
 at them, or else they are never looking 
 at us, from wherever we look at them. 
 The same is true of photographs. 
 
 The rule is very simple. If the per- 
 son who was being painted or photo- 
 graphed was looking at the painter 
 or at the camera, then, wherever you 
 stand, he will seem to be looking at 
 you. If he was looking on one side, 
 then, wherever you stand, he will 
 seem to be looking on that side of 
 you. This works very queerly if you 
 have a group of people who were 
 all looking at the camera when they 
 were photographed. If you look at 
 the photograph from one side, they 
 all seem to turn to follow you, and 
 then to turn back if you look at it 
 from the other side. But if they 
 were not looking at the camera, you 
 can never get them to look at you. 
 
 How BURGLARS ARE CAUGHT BY THEIR 
 FINGER-PRINTS 
 
 You have heard, perhaps, that now- 
 adays burglars wear gloves in order to 
 avoid leaving their finger-marks on a 
 window-pane or anywhere else. The 
 fact is that all men and women differ 
 
 These are the marks of men's fingers on things they have touched. Finger-prints lilje these help the police to catch 
 burglars. No two finger-prints from different people have ever yet been found to be alike. 
 
80 
 
 THE HUMAN INTEREST LIBRARY 
 
 from each other in little things, and 
 there is nothing in which they differ 
 more certainly than the pattern of the 
 little ridges on their fingers. Two 
 patterns exactly the same from two 
 different people have never yet been 
 found. These patterns cannot change, 
 for they are formed by the innumerable 
 mouths of the tiny canals which con- 
 vey the sweat from the deep-seated 
 sweat-glands to the surface. They 
 can be destroyed, of course, but no 
 different pattern can be put in their 
 place. 
 
 Thus, of all the ways of knowing who 
 is who, this is the most certain, as well 
 as much the simplest and cheapest. It 
 is now being more and more used. If 
 a man's thumb-mark is the same as 
 the mark on a piece of paper where a 
 theft was committed, the evidence 
 against him is very strong. A bad 
 man who has become known to the 
 police may change his clothes and 
 the appearance of his face, he may 
 look like a different person, and have 
 not the slightest resemblance to the 
 photograph taken of him, but his 
 thumb-mark vrill tell him at once. 
 This is now known as the Bertillon 
 System. 
 
 How MANY WORDS THERE ARE IN THE 
 ENGLISH LANGUAGE 
 
 A dozen great scholars might give 
 as many answers to this question. 
 One of them, some years ago, gave the 
 number as only 38,000. But a still 
 greater scholar, Professor Max Miiller, 
 who, was perhaps, the greatest au- 
 thority of his time on words, put the 
 number of words in the English lan- 
 guage at 100,000. He compared the 
 growth and development of our lan- 
 guage with the putting of grain in a 
 sieve. Most of the chaff has been 
 winnowed off, and with it have gone 
 many good grains. Good old English 
 words, which we now consider only 
 dialect words or "Americanisms," 
 
 have gone out of the language. If 
 we include all the words which have 
 fixed places in the dialects of the 
 country, and include also many which 
 we know were spoken in earlier times, 
 we shall have to put the total at 
 300,000 for the English language. 
 
 That number is constantly growing. 
 Words have to be invented for new 
 industries, and they become part of 
 the language. When a new dictionary 
 was made, not many years ago, it was 
 found that the new words necessary 
 for use in relation to electricity and 
 electrical appliances numbered over 
 four thousand. A similar increase 
 had taken place with regard to other 
 arts and sciences. Most of them are 
 purely technical words, but, little by 
 little, they become common words 
 as all of us know more about science; 
 and so the language grows. 
 Have we yet discovered all the 
 
 WORLD? 
 
 No, the Arctic and Antarctic regions 
 still possess secrets which as yet no 
 man has been able to solve. Many 
 brave men in fine ships went into the 
 gloom and silence of the frozen 
 regions in the hope of discovering the 
 Poles ; but a great many perished in the 
 attempt. Each expedition brought 
 back a little more knowledge; until 
 finally both Poles were discovered. 
 The North Pole by Peary on April 6, 
 1909, and the South Pole by Amund- 
 sen, on December 14, 1911. There is 
 much land still to be explored in Asia. 
 There are parts in the far North of 
 the American continent of which we 
 know very little. So, also, in the great 
 sandy, stony heart of Australia. 
 
 The continent of Africa has been 
 traveled from end to end, and from 
 side to side, but we can fix a point on 
 the east coast of Africa and come out 
 at a point on the west coast, and cover 
 ground which no white man has pre- 
 viously crossed. 
 
THE EVERYDAY WONDER BOOK 
 
 81 
 
 The aeroplane in warfare 
 
 The aeroplane enables us to take 
 real "bird's-eye" views of scenes on 
 the surface of the earth. At first we 
 might think that a photograph taken 
 from an aeroplane to be a mere curi- 
 osity, but to the military expert it 
 suggests possibilities of a startling na- 
 ture in connection with the art of war. 
 It lays bare the maneuvering of armies 
 and the interior of fortresses; robs 
 the decks of ships of their secrets, and 
 it is even claimed that the movements 
 of submarine boats are almost as 
 patent as though they were moving 
 on the surface of the water. So even 
 as a scouting facility the aeroplane 
 will be of first rate importance in the 
 war of the future. The various gov- 
 ernments, including that of the United 
 States, have recognized this use to 
 which the aeroplane may be put. The 
 United States has an aviation school 
 at Annapolis where students are 
 taught the use of the aeroplane in 
 connection with warfare. So far the 
 chief experiments at this school have 
 been in connection with the hydro- 
 aeroplane, which rests on three pon- 
 toons, attached centrally and at the 
 wing-tips, thus enabHng the machine 
 to rise from the water or settle on it 
 with the facility of a water fowl. 
 
 Whether the aeroplane may be 
 utilized as an instrument of destruc- 
 tion is a different question. Experi- 
 ments have been made in dropping 
 bombs on targets representing war 
 ■ vessels but it is not yet estabhshed that 
 they can be dropped with accuracy 
 from a swiftly moving aeroplane so as to 
 be of practical utility. Better results 
 have been obtained from a new ma- 
 chine gun invented by Lieutenant 
 Colonel Lewis of the United States 
 Coast Artillery. This gun weighs 
 only twenty-five pounds and dis- 
 charges 750 shots a minute and the 
 discharge of the gun is practically 
 
 without recoil. It would seem that 
 
 a target on the face of the earth might 
 
 be hit with considerable accuracy from 
 
 an aeroplane flying at the rate of 60 
 
 miles an hour. 
 
 Why the united states is called 
 "uncle sam" 
 
 This term is used in reference to 
 America exactly in the same way as 
 "John Bull" is applied to England. 
 It arose at the time of the last war 
 between England and America. At 
 Troy, New York, on the Hudson, a 
 commissariat contractor named Elbert 
 Anderson, of New York, had a store 
 yard. A government inspector named 
 Samuel Wilson, who was always called 
 "Uncle Sam," superintended the ex- 
 amination of the provisions, and when 
 they were passed, each cask or package 
 was marked "EA-US," the initials of 
 the contractor and of the United 
 States. The man whose duty it was 
 to mark the casks, who was a facetious 
 fellow, being asked what the letters 
 meant, replied that they stood for 
 Elbert Anderson and Uncle Sam. 
 The joke soon became known, and was 
 heartily entered into by Uncle Sam 
 himself. It soon got into print, and 
 long before the war was over was 
 known throughout the United States. 
 Mr. Wilson, the original "Uncle Sam," 
 died at Troy, in 1854, aged 84 years. 
 
 How THE AMERICAN FLAG ORIGINATED 
 
 The United States Congress passed 
 a resolution on June 14, 1777, declar- 
 ing "that the flag of the thirteen 
 United States be stripes alternate red 
 and white; that the union be thirteen 
 stars, white in a blue field, representing 
 the new constellation." In 1794, Con- 
 gress decreed that after May 1, 1795, 
 "the flag of the United States be fifteen 
 stripes, alternate red and white, and 
 that the union be fifteen stars, white 
 in a blue field." This change was 
 made to mark the admission of Ver- 
 
AIRSHIP ATTACKED BY AEROPLANES WHILE B0:M 
 
 BARDING A NAVAL BASE 
 
 Stationed in harbors and housed in floating slied,-. lua.^i defence aeroplanes must be ready to give battle in their own 
 element to such aerial invaders as may dare to approach their shores. 
 
 8i 
 
TEE EVERYDAY WONDER BOOK 
 
 83 
 
 mont and Kentucky into the Union. 
 The stars and stripes were then equal 
 and a star and stripe were to be added 
 with the admission of each new State. 
 It was reaUzed, however, that the 
 addition of a stripe for each new 
 State would soon render the flag too 
 large, and a resolution was accordingly 
 passed by Congress, April 4, 1818, re- 
 ducing the number of stripes to thir- 
 teen — representing the original Union 
 — and making the stars twenty in 
 number. It was, furthermore, enacted 
 that a new star should be added for 
 each new State admitted into the 
 Union. 
 
 The first American flag, known as 
 the "Stars and Stripes," was, according 
 to our best information, made by 
 Mrs. Betsy Ross of Philadelphia, 
 about whom succeeding years have 
 thrown a glamor of patriotic romance. 
 
 The official flag of the United States 
 bears forty-eight white stars in a blue 
 field, arranged in six rows of eight 
 stars each. Two stars were added in 
 1912 by the admission of Arizona and 
 New Mexico to the Union. The gar- 
 rison flag of the Army is made of bunt- 
 ing, thirty-six feet fly and twenty feet 
 hoist, thirteen stripes, and in the upper 
 quarter, next the staff, is the field or 
 "union" of stars equal to the number 
 of States, on blue field, over one-third 
 length of the flag, extending to the 
 lower edge of the fourth red stripe 
 from the top. The storm flag is twen- 
 ty feet by ten feet, and the recruiting 
 flag nine feet nine inches by four feet 
 four inches. The "American Jack" is 
 the "union "or blue field of the flag. 
 The Revenue Marine Service flag, 
 authorized by act of Congress, March 
 2, 1799, was originally prescribed to 
 "consist of sixteen perpendicular 
 stripes, alternate red and white, the 
 union of the ensign bearing the arms 
 of the United States in dark blue on 
 a white field." The sixteen stripes 
 
 represented the number of States 
 which had been admitted to the Union 
 at that time, and no change has been 
 made since. June 14, the anniversary 
 of the adoption of the flag, is cele- 
 brated as Flag Day in a large part of 
 the Union. 
 
 What are the three flags in the 
 union jack? 
 
 The Union Jack is made up of three 
 flags — the English flag of St. George, 
 the Scottish flag of St. Andrew, and 
 the Irish flag of St. Patrick. St. 
 George, who lived about 300 years 
 after the birth of Christ, was a heroic 
 soldier who gave up his life rather than 
 deny his faith at the bidding of a 
 Roman emperor. Edward III adopt- 
 ed his name as a war-cry for England, 
 and the red cross of St. George on a 
 white ground became the English flag. 
 St. Andrew was one of the twelve 
 Apostles, and he was crucified on a 
 cross shaped like the letter X. Some 
 relics of the Apostle are supposed to 
 have been carried to Scotland, and the 
 white cross of St, Andrew on a blue 
 ground long ago became the national 
 flag of Scotland. St. Patrick was car- 
 ried to Ireland as a slave at the begin- 
 ning of the fifth century. He lived 
 there for thirty years, founding many 
 schools and monasteries, and died 
 there a very old man. Many cen- 
 turies afterwards, the cross of St. 
 Patrick became the national flag of 
 Ireland. 
 
 Why the englishman is called 
 
 JOHN bull 
 
 Every country has a nickname, and 
 is represented in pictures by an animal. 
 The British lion is the animal which 
 stands for England, and John Bull 
 is its owner and master. The lion is 
 the country; John Bull is the nation. 
 The name of John Bull comes from a 
 work written by John Arbuthnot, a 
 witty doctor and writer, a great friend 
 of Swift and Pope. He was born in 
 
i m.2 
 
THE EVERYDAY WONDER BOOK 
 
 85 
 
 1667, in Scotland, and died in 1735. 
 The sketch that he wrote dealt with 
 the political affairs of Europe at the 
 time, and the countries were made to 
 appear as if they were men and women. 
 
 How THE AMERICAN INDIAN REACHED 
 AMERICA 
 
 This is a much discussed question. 
 In a recent paper Prof. Chamberlain 
 coincides with the more common opin- 
 ion that the American race came from 
 Northeastern Asia across Bering Strait. 
 However, he does not think that the 
 Indian came from an existing people of 
 Northeastern Asia, but thinks that 
 they came from a Mongolian race 
 which migrated at a very remote 
 period; that they changed consider- 
 ably in their habitat and that after 
 many ages there was a migration in 
 the opposite direction from America 
 to Asia, thus Americanizing a large 
 portion of Eastern Siberia. The red 
 race and the yellow races of North- 
 eastern Asia including the Chinese 
 and the Japanese, would appear to be 
 akin. This view is largely confirmed 
 by a similarity of facial contour, or 
 hair and eyes and of complexion, and 
 by the fact that the two races are very 
 similar in their mental traits. 
 
 But there are others who take a 
 different view: Prof. Ameghino of 
 Argentina, and Prof. Sergi, an Italian 
 anthropologist, believe that the Indian 
 is descended from the South American 
 monkey. 
 Where the alphabet came from 
 
 No one really knows all about 
 where the alphabet came from, because 
 it grew very slowly, like children and 
 like every other good thing in the 
 world. But we know quite well that 
 no ingenious man sat down and made 
 the alphabet, and we know quite well, 
 too, that the alphabet began as 
 pictures. 
 
 Just as a child reads or takes things 
 in by pictures long before it can read 
 
 letters, so men used to read and write 
 by pictures; and then these pictures 
 were gradually made simpler and 
 simpler, until at last they could be used 
 in every and any way, as our letters 
 can. We know for certain that the 
 letter O was at first the picture of an 
 eye, and that gradually men made the 
 picture simpler and simpler, until at 
 last they just drew an O. We know 
 for certain also that the letter I was 
 once the picture of a man standing, 
 and many people think that the letter 
 A was once the picture of a house; and 
 very likely a capital A may have been 
 at first the picture of a pyramid. 
 
 Ages and ages ago in Egypt men 
 used both kinds of writing. The 
 priests used the oldest kind, which 
 were the pictures. This was called the 
 sacred writing. But the ordinary 
 people used a different and newer kind 
 of writing, in which the pictures were 
 turned into letters. Not very many 
 years ago, men tried in vain to read 
 the old sacred picture writing of the 
 Egyptians, but they could not. Then 
 they found the wonderful Rosetta 
 stone, and this had wTitten upon it the 
 same thing three times — once. in the 
 pictures and once in the letters, and 
 also once in other letters, and so men 
 got the key to the picture-writing, and 
 now it can be read easily. 
 
 How MANY WORDS MOST OF US USE 
 
 We need not tremble at the number 
 of words it is possible to use. Our 
 greatest writers find quite a small 
 number sufficient for their purpose. 
 Shakespeare, with all his varied writ- 
 ings, used only about 15,000 different 
 words. Milton needed only 8000 dif- 
 ferent words for "Paradise Lost," 
 while the Old Testament contains 
 fewer than 6000 different words. 
 Some people use only about 800 
 different words, and most of us use 
 no more than one or two thousand. 
 
 The beauty of writing and speech 
 
86 
 
 THE HUMAN INTEREST LIBRARY 
 
 lies not in the number of words used, 
 but in the choice and placing of them. 
 Simple language is the most beautiful. 
 The finest English writing is in the 
 Bible, in "Robinson Crusoe," and in 
 "The Pilgrim's Progress," and in 
 each of these books the language is 
 so simple that a child may under- 
 stand, while great scholars find equal 
 delight in it. 
 Why we have names 
 
 Well, we have names for the same 
 reason that everything has a name. If 
 we did not have names, we should have 
 to have numbers, like the numbers on 
 motor-cars, which serve just the same 
 purpose. Now, there are names which 
 have meanings, and there are names 
 which have none, and it is always well 
 to know how much and how little a 
 name means. There is something 
 which we call electricity, which means 
 really that it has something to do with 
 amber, for when you rub amber you 
 get electricity, but people sometimes 
 speak as if the name explained elec- 
 tricity, or as if it explained something 
 else to say that it was electricity. That 
 is because they do not know how little 
 the name means. We might just as 
 well call electricity X — which is the 
 name in what is called algebra for an 
 unknown quantity. 
 
 One thing you ought to know, how- 
 ever, is the meaning of your own name. 
 If your name is Theodore, for instance, 
 you ought to know that that means 
 the gift of God. Many of our names 
 have meanings, which you can some- 
 times find in the Bible. 
 What the cinematograph is 
 
 Cinematograph simply means "mov- 
 ing picture." You take a camera, and 
 run through a number of films one 
 after the other, perhaps at the rate of 
 forty or fifty in a second. Perhaps 
 the camera is looking at the sea, or at 
 a game of football. Then, if you take 
 a magic-lantern, and run the film 
 
 through it at the same rate as you ran 
 it through the camera in the first 
 place, you can throw a moving 
 picture upon a screen. The eye 
 remembers each separate picture after 
 it has gone just long enough to blend 
 it in your brain — where your real eyes 
 are, at the back of your head — with 
 the next picture that comes along; 
 and so you see the waves or the pro- 
 cession as if you were looking at the 
 real thing. 
 
 WHAT THE CINEMATOGRAPH TEACHES 
 
 We can learn from our senses even 
 when they deceive us. If the eye did 
 not deceive us so as to make us think 
 we see things for a tiny part of a second 
 after they are gone, the cinemato- 
 graph would merely perplex and tire 
 us, and would not give us the effect of 
 reality at all. Now, too often the 
 cinematograph was used for silly pur- 
 poses. But some wise people are 
 teaching us by it. For instance, 
 students can learn how a great surgeon 
 performs an operation a thousand 
 miles away by seeing a living picture 
 of him at work. And men have taken 
 living pictures of wild birds flying 
 home to their nests over the water, the 
 parent birds feeding their young ones, 
 the young ones learning to fly, and so 
 on. Other men have taken ])ictures of 
 terrible things which we ought to 
 know about, so that we can stop them. 
 Yet other men have made living 
 pictures of the blood running through 
 the little tubes in the web of a frog's 
 foot, so that thousands of people at 
 once can see with their own eyes 
 what the circulation of the blood is, 
 and how the little blood cells tumble 
 over each other as they scurry through 
 these tubes, carrying oxygen from the 
 frog's lungs to every part of its body — 
 just as our blood does for us. Before 
 very long the cinematograph will be 
 used all over the world for teaching, 
 as the blackboard is today! 
 
THE EVERYDAY WONDER BOOK 
 
 87 
 
 MISCELLANEOUS QUESTION BOX 
 
 f^^hy does a ball bounce? 
 
 A ball bounces because its elasticity makes it 
 tend always to spring back into shape whenever 
 flattened. When it strikes some hard object 
 the ball is partly flattened by the impact. It 
 resumes its former shape with such speed as to 
 cause a recoil or bounce. The harder the ball 
 strikes the more it is flattened and the more 
 violent the rebound. 
 
 Why does wood icarp in damp iveafher? 
 
 When wood is alive it instinctively expands 
 in wet weather, to admit the moisture on which 
 it thrives. Wood that has been cut retains 
 that tendency. It absorbs moisture only across 
 the grain. This causes the expansion known as 
 'warping." 
 
 Why are shoes hotter when they are dusty? 
 
 Dull or dusty shoes absorb the heat. Brightly 
 polished shoes throw off the sun's rays by 
 reflection. 
 
 Why is toast more digestible than bread? 
 
 The charcoal on the toast's surface helps to 
 absorb the stomach's acid. 
 
 Why does wood decay? 
 
 The presence of myriads of parasitic microbes 
 causes wood to decay. The soaking of wood in 
 creosote prevents the microbes from carrying 
 on their work of destruction. 
 
 Why are there tivo buttons on the back of an 
 evening coat? 
 
 This fashion dates back to the days when 
 every well-dressed man wore a sword. The 
 two buttons on the back of the coat held the 
 sword belt in position. 
 
 What is pumice stone? 
 
 Pumice stone is volcanic. It is formed deep 
 in the earth and thrown out upon the surface 
 from volcanic craters. 
 
 What was the origin of the tvord "Lidlaby?" 
 
 Lilith, according to the legend, was Adam's 
 first wife and was a demon. Mothers, soothing 
 their children, would croon the words "Lilith 
 abi" (meaning, "may Lilith keep away from 
 you!") The phrase became corrupted to 
 "Lullaby." 
 
 Why does dampness make wood decay? 
 
 The oxygen of the water combines with the 
 woods carbon and forms carbonic acid. The 
 hydrogen of the wood is oxidized and decay 
 sets in 
 
 Why does a silver dish tarnish more readily 
 than silver bullion? 
 
 An alloy is used to make such vessels harder 
 and more lasting. This alloy oxidizes moie 
 quickly than the pure silver. 
 
 Why are glue and paste adhesive? 
 
 The water used with them evaporates 
 rapidly. They insinuate themselves so closely 
 into the pores of the substance to which they 
 are attached that when the water dries the 
 whole mass becomes solid. 
 
 Why does the exploding of a cartridge cause a 
 report? 
 
 The sudden release and expansion of im- 
 prisoned air causes a partial vacuum. The 
 
 report is caused by the inrush of fresh air to 
 fill this vacuum. 
 
 Why does dry wood burn more easily than green? 
 
 The dry wood's pores are filled with air, 
 which helps combustion. The green wood's 
 pores are filled with moisture, which tends to 
 put out the fire. 
 
 Why is a crowded hall likely to be struck in a 
 thunder storm? 
 
 The vapor and heat rising from so many 
 bodies make the hall a good conductor of 
 lightning. 
 
 Why wont a polished tin pan bake bread as 
 readily as an iron one? 
 
 The bright metal reflects the heat and will 
 not readily brown the crust on the sides and 
 bottom of the pan. Thus the top of the loaf 
 tends to burn before the sides are brown. 
 
 What is the origin of pin money? 
 
 Pins were once very expensive. Women 
 bought them as a luxury with their extra money. 
 Hence, money to buy luxuries became known 
 as "pin money." 
 
 Does a fan cool the air? 
 
 No. It makes the air slightly warmer by 
 imparting to it the heat from the face of the 
 person fanned. 
 
 What substances go to make jip common glass? 
 
 White sand silicate, soda ash, lime hydrate, a 
 little antimony, arsenic. 
 
 How did the phrase "a feather in his cap" 
 originate? 
 
 In Hungary an ancient custom forbade any 
 man to wear a feather in his cap until he had 
 slain at least one Turk. Hence the presence of 
 such a feather was a sign of prowess. 
 
 What is the effect of electricity upon water? 
 
 The water is reduced to its elements — two 
 parts of hydrogen to one of oxygen. 
 
 Why IS oak ivood stronger than pine? 
 
 Because the molecules of the oak have a 
 greater power of attraction for each other and 
 so would take a greater force to separate them. 
 
 Hoiv long must a pendidum be to vibrate sixty 
 times a minute? 
 
 The length of the pendulum that vibrates 
 just sixty times a minute is 39.1 inches in New 
 York; this varies at different points on the 
 earth's surface. 
 
 How is stoneware glazed? 
 
 By throwing common salt into the furnace. 
 This is volatilized by the vapor of water, which 
 is always present, and the silica of clay of which 
 the air is composed. This fuses over the 
 surface of the ware and gives a thin but excellent 
 glaze. 
 
 What becomes of the abundance of carbonic acid 
 gas from the cities? 
 
 Some of it is absorbed by vegetables, the rest 
 is blown a.vay by the wind and diffused through 
 the whole volume of the air. 
 
 Why does saleratus make cake light, particularly 
 if mixed imth sour milk? 
 
 The acid of the milk disengages the carbonic 
 acid contained in the saleratus. 
 
88 
 
 THE HUMAN INTEREST LIBRARY 
 
 Why does mortar become hard after afeiv days? 
 
 The lime reimbibes from the air the carbonic 
 
 acid which has been expelled by fire, and the 
 
 loose powder again becomes as hard as the 
 
 original limestone. 
 
 Why does an extinguisher pnt a candle out? 
 The air in an extinguisher is soon exhausted 
 of its oxygen by the flame, and when there is 
 no oxygen the flame goes out. 
 
 What are meant by latitude and longitude? 
 Latitude is the distance north and south of 
 the equator. Longitude is the distance east or 
 west of the line of Greenwich near London. 
 What is the weight of a cubic foot of gold? 
 About 1200 pounds. 
 How long ago was shorthand used? 
 Shorthand probably originated in Greece or 
 in the Orient. It is known to have been in 
 common use in Rome as early as 63 B. C. and 
 was employed by Tiro, Cicero's secretary, to 
 report his master's speeches in the Roman 
 senate. 
 
 Why are the edges of gold and silver coins 
 "viUledr 
 
 Silv'er and gold coins used to be "pared," or 
 scraped at the edges by unscrupulous people, 
 who collected and sold the fragments of precious 
 metal thus obtained. To prevent this the edges 
 were "milled." Copper and nickel are not of 
 sufficient value to make "paring" worth while. 
 So copper and nickel coins are not milled. 
 Why is ice slippery? 
 
 Ice is slippery because the molecules of water 
 are held together so smoothly and evenly that 
 no resistance or friction is offered. 
 
 What were the seven wonders of the world? 
 The pyramids of Egypt, the hanging gardens 
 of Babylon, the temple of Diana at Ephesus, the 
 statue of Olympian Jupiter at Athens, the 
 Mausoleum, the Colossus of Rhodes, the Pharos 
 (lighthouse) at Alexandria. 
 
 Why are three gilt balls used for pawnbrokers' 
 signs? 
 
 The Medici family of Florence were money 
 lenders. Their coat of arms bore three gilt 
 balls. 
 
 What is the derivation of the zcord "spinster?" 
 
 In olden days a woman did not marry until 
 
 she had spun a full set of household linen. 
 
 Thus, till they were married, they were known 
 
 as spinners or spinsters. 
 
 Where did the United States get the decimal 
 system of coinage? 
 
 Gouverneur Morris in 1782 reported to con- 
 gress a decimal system of currency, using as a 
 basis the 1140th part of a Spanish dollar, which, 
 he calculated, was a common divisor of the 
 various currencies. With this fractional sum 
 as a unit he laid out a monetary system. Jeffer- 
 son in 1784 improved on this by suggesting four 
 standard coins — $10, $1, 1 dime and 1 cent. 
 
 When and from what country tvas the wearing of 
 orange blossoms by brides introduced into Europe? 
 From Syria, at the time of the Crusades. 
 How did the custom of throwing shoes after a 
 departing bride originate? 
 
 The dropping of a shoe on a piece of property 
 
 was once a symbol of new ownership. By 
 throwing shoes after a bride her parents signified 
 that they gave up all claim to her. 
 
 What is the origin of the word "hurrah?" 
 
 It comes from the Slavonic phrase "hu-ray," 
 meaning "To Paradise!" This was a battle cry 
 among the Slavs. 
 
 Why are members of tropical races dark-eyed? 
 
 The dark color defends the eyes from the 
 intense heat of the sun, which would otherwise 
 scorch them. 
 
 Why does paint keep iron from rusting? 
 
 Paint prevents the moist air from coming in 
 contact with the iron. 
 
 Why is it hard to ivrite with ink on greasy paper? 
 
 Grease will not readily mix with water or ink 
 and prevents the ink from being properly 
 absorjjed by the paper. 
 
 What is the origin of the ring in the marriage 
 ceremony? 
 
 Its use began in Egypt, and then, as now, 
 signified a transfer of property — "With all my 
 worldly goods I thee endow." 
 
 What good effect has rain falling on dead leaves? 
 
 It hastens the decay of the leaves, thus helping 
 to fertilize the earth. 
 
 How is the red fire in fireworks produced? 
 
 By nitrate of strontian, which burns with a 
 red flame. 
 
 What are the uses of cast iron and steel? 
 
 Cast iron, being brittle, is used chiefly for 
 stoves, furnaces, etc. Steel's superior hardness 
 and flexibility renders it useful for making 
 springs, tools, etc. 
 
 Why does mother-of-pearl shoio so many colors? 
 
 It consists of many transparent layers over- 
 lapping one another and thus forming grooves 
 that run in all directions. The grooves act as 
 prisms, in which various colors are seen. 
 
 Why are dreams usually illogical and absurd? 
 
 The cerebrum (the reasoning part of the 
 brain) is at rest during sleep. 
 
 What is German silver? 
 
 It is an alloy of copper, zinc and nickel. 
 
 What are three forms of iron? 
 
 Wrought iron, cast iron and steel. 
 
 What are the most important uses for common 
 salt? 
 
 As a part of the diet and for freezing mixtures 
 and for purposes of manufacture. 
 
 What are the different kinds of coal? 
 
 Anthracite (hard) and bituminous (soft). 
 Forms of coal in transition state are lignite and 
 peat. 
 
 HoiD are mirrors made? 
 
 They are of plate glass, backed by an alloy 
 of thirty parts mercury and seventy parts tin. 
 
 What is plaster of paris? 
 
 Gypsum is heated and afterward powdered. 
 This produces plaster of paris. 
 
 Why is rain water better than any other for 
 plants? 
 
 It contains carbonic acid and ammonia, which 
 serve as fertilizers. 
 
 What is shale? 
 
 Shale is a form of slate that splits easily into 
 thin, brittle layers. 
 
THE INVISIBLE ARMIES THAT MASTER THE EARTH 
 
 These pictures show us what is going on in our bodies almost every moment we live. Our bodies are inhabited by 
 millions of living creatures, always fighting to make us ill or keep us well. In the first circle we see the 
 little white things, called phagocytes, that live in our blood and keep it pure ; in the second we see them 
 devouring microbes which do us harm. The third circle shows the growth of a microbe. The small rings 
 are the seeds, which grow together like a little stick and split up. The long, thin things that are growing 
 out of them are the things they move with, what we should call legs and arms. The last picture shows 
 what a colony of microbes looks like, and we see separate microbes going out to form other colonies. 
 
 This is a row of our microbe enemies, shown 1,000 times bigger than they really are. The first are the microbes 
 that cause cholera, the second cause consumption, the third cause typhoid fever, and the last cause lockjaw. 
 These powerful creatures are so small that 140,000 could be placed side by side on a line as long as a pin. 
 
 This is a row of our microbe friends, shown 1,000 times bigger than they really are. The small microbes at 
 the top in the first circle make milk sour ; those below help to make butter and cream. In the second circle 
 are the microbes found in yeast, which make alcohol ; in the third is the microbe that makes vinegar ; and 
 in the last circle is a microbe that helps to make cheese. We could not live without such microbes as these. 
 
 €3 
 
 2 
 
 8 
 
 At the end 
 of an hour 
 
 A microbe About five After 15 It grows Both begin Both form The two 
 begmning minutes later minutes into two to develop "waists" become four. 
 
 Microbes cannot be seen without a magnifying glass, but we can watch them working with a microscope. 
 
 THE WONDERFUL WAY IN WHICH MICROBES ARE BORN WHILE WE LOOK. AT THEM 
 
 These pictvires show the way microbes grow. Some form a "waist" and add other microbes to themselves like 
 a string of beads. Others form buds, which break off and become separate microbes. Others join together in 
 long rods and break off afterwards. And so these little creatures grow, more quickly than any man can count. 
 In 24 hours, tf they all lived, the children of one microbe would form a line reaching from end to end of Englandi 
 and if the microbes were as big as shown here this line would be long enough to go 20 times round the earth. 
 
THE ENEMIES THAT STEAL HEALTH 
 
 This shows what happens In a drop of blood when we are 111. The little black •"burglars," Invisible to the eye, are 
 phold Jever parasites, and the white cells of the blood are attacking them. If the white cells win the battle, we recover 
 they lose, we die. We see this under the microscope. 
 
Book of Our Own Life 
 
 Our Body a Human House Smell and Taste 
 
 Story of the Eye The Forest of Nerves Within 
 
 Parts of the Eye Us 
 
 Seeing Colors Mystery of the Brain 
 
 The Marvel of Hearing Parts of the Brain 
 
 Balancing the Body How to Remember 
 
 Talking and Singing How We Think 
 
THE VENTILATION OF THE HUMAN HOUSE 
 
 In this picture \vc see how the human house is ventilated. The air goes down the voiee-box and windpipe and into the 
 lungs, or bellows, whicli are very much \ike sponges, with thousands of tiny hollow spaces lined with living cells. These 
 cells lie between the air and the blood in the hollow spaces, and they purify the blood by taking the oxygen from the pure 
 air and sending it into the blood, and by driving the carbonic acid gas and water from the blood into the air, to be breatlaed 
 out again. The impure blood is always being pumped through the lungs to be purifled in this way. In the picture the 
 blood-vessels of the lungs are shown dark, and the air-passage-s light. 
 
 90 
 
THE BODY 
 
 HUMAN HOUSE 
 
 THIS human house of ours is 
 the home of the soul. It is 
 the wonderful and mysterious 
 home which God provides for each of 
 us and of which we should learn to 
 take the best of care. 
 
 Just as with houses built of timbers 
 or of stone, so this house of ours is 
 made up of many rooms. Each room 
 renders its special service and demands 
 of us in turn, a special care. When 
 we are hungry, the stomach room, or 
 Great Furnace of our house is in need 
 of wholesome food. This food after 
 undergoing a wonderful change is 
 absorbed by the blood, and then 
 through a net-work of arteries and 
 veins is carried to the skin, the 
 nerves, the muscles, and the bones, 
 and thus nourishes and builds up 
 our body. 
 Need of fresh air in the house 
 
 But food alone cannot make this 
 house of ours a healthy place in which 
 to Hve. The lungs, the Ventilators of 
 the house, must be filled and refilled 
 many times each minute with pure, 
 freSh air. The air breathed deep into 
 the tiny cells of our lungs, meets and 
 purifies the impure blood which has 
 been sent there by the heart, the Great 
 Pump of our house. This Great Pump 
 of our house is kept busy every minute 
 of our lives: First, it must gather the 
 poisoned and waste-laden blood from 
 every part of the body and send it to 
 the lungs; then with tremendous 
 force the pure blood is pumped through 
 the arteries and the veins on its long 
 journey to every part of our body. 
 Sometimes, Enemies, or invisible living 
 things called Microbes, creep into our 
 house and try to steal away our 
 health, but wholesome food, fresh 
 air and an abundance of sunshine and 
 exercise will drive these Enemies 
 away. 
 
 The busy sentinels in the first 
 
 STORY 
 
 The top story of our house is sup- 
 plied with busy sentinels, the eyes, 
 the ears and the nose, which are 
 always on guard to protect our house 
 against its Enemies. For example, 
 if we breath through the nose, the air 
 is tested and filtered of impure parti- 
 cles; what we carry to our mouths is 
 closely examined and tested by our 
 tongue before it is admitted to the 
 stomach; and the knowledge thus 
 gained from touching and tasting and 
 smelling helps train the outer sentries, 
 the ears and the eyes to be on guard, 
 and to warn of approaching danger. 
 Our telephone exchange, the master 
 
 OF our house 
 
 We may correctly call the Brain our 
 Telephone Exchange. It is connected 
 with every room and every part of 
 our body by a network of nerve fibers 
 — Telephone W^ires. These nerve fib- 
 ers are usually gathered into insulated 
 cables called nerve trunks, and over 
 these nerve trunks travel the lightning 
 messages to and from the brain, the 
 master of our house. In this same 
 manner the sound vibration travels 
 over the Telephone wires that extend 
 everywhere throughout a city and 
 unite at the central exchange. 
 
 A wonderful story most wonder- 
 fully TOLD 
 
 How important it is to know how to 
 keep in perfect order the many rooms 
 of this marvelously constructed house 
 of ours ; what guests to invite there and 
 against whom every door should be 
 closed. All success and happiness of life, 
 even the house itself, may be wrecked 
 by a single act of ignorance or neglect. 
 The Book of Our Own Life tells the 
 story of the things we should know 
 about ourselves — how we should live 
 in the house not built with hands. 
 
 n 
 
BLOOD CIRCULATION IN THE HUMAN HOUSE 
 
 This picture shows the wonderful pump, called the heart, in tlie middle ot the human house, and we can see here also 
 how the ovens and corridors are linked up with the top story. The heart pumps blood through the body, and if we start 
 at the right ventricle, and follow the arrows, we can trace the course of a drop of blood through the body back to the heart. 
 
 92 
 
BRAIN SIGNALS OP THE HITMAN HOUSE 
 
 TOMATIC 
 UEPHONE 
 RELAY AND 
 EXCHANGE 
 
 The study at the top of the wonderful house which builds itself, and from this room run the telephones and te leeraoha 
 by whlcli we coDtrol all our affairs. 
 
 M 
 
The first picture shows the eye of a fly, the sectjiitl that ot a fish, and the third that of a man, and we can see, by 
 comparing these, how much nearer the fish's eye is to a man's than is that of an insect. 
 
 STORY OF THE EYE 
 
 THE sense which we are now 
 going to study is vision, or 
 seeing, and the organ of this 
 great sense, as everyone knows, is the 
 eye. In many ways, this is the most 
 wonderful and important of the senses. 
 It is so for the purposes of prac- 
 tical living. It is more necessary 
 to see than to hear, or taste, or 
 smell. A blind man is at a greater 
 disadvantage than a deaf man. The 
 progress and ascent of living creatures 
 on the earth have very largely de- 
 pended upon vision, and we have al- 
 ready learned that the vision part of 
 the brain is largest in the highest 
 forms of life. It is much larger in 
 ourselves than in any other creature. 
 
 Vision is also of the highest impor- 
 tance for our ideas of the world in 
 which we live, just as it is for our 
 practical doings in that world. If we 
 could not see we should know very 
 much less of our own earth, and we 
 should know the sun only by the 
 radiant heat that it sends us; and all 
 the other heavenly bodies would be 
 unknown to us — from our own little 
 moon to the millions of stars. It is 
 upon our eyes, then, that our knowl- 
 edge of the great world beyond our 
 own earth depends, and on this claim 
 alone our eyes are entitled to special 
 respect. Unlike any of our other 
 
 senses, they put us directly in touch 
 with the infinite and the sublime. 
 
 One of the greatest men who ever 
 lived, said that there were two things 
 which filled him with awe — the feeling 
 of duty inside the minds of men and 
 the starry heavens above us. Let us 
 begin, then, by studying how, in the 
 course of long ages, living creatures 
 have been able to develop the eyes by 
 which the starry heavens are seen. 
 
 This question of the history of the 
 eye is deeply interesting. A short 
 time ago we should have begun at once 
 witii the history of the eye in the ani- 
 mal world. It would not have oc- 
 curred to anyone that there was any- 
 thing to say about eyes or seeing in the 
 world of plants, but it has just been 
 discovered that seeing, of a kind, at 
 any rate, is not confined to the animal 
 world. There are older eyes than any 
 backboned animal, at any rate, can 
 boast of, and we find them among 
 plants. If we are really to understand 
 our own eyes, therefore, we must 
 begin at the beginning, with something 
 much older and simpler than our eyes 
 or any part of us. 
 
 The eyes of plants are very simple. 
 The business of a green plant, and 
 especially of the leaf of such a plant, 
 is to receive and use the light that 
 falls upon it. It is therefore in the 
 
 94 
 
BOOK OF OUR OWN LIFE 95 
 
 leaves of plants that we find their straight at a thing, and the picture of 
 
 eyes. Simple experiments — which that thing falls, as we shall soon learn, 
 
 have now been made many times upon exactly the right place at the 
 
 over, with many kinds of plants — back of our eyes — the place where we 
 
 show, to begin with, that somehow or see best. But — when the leaf is not 
 
 other the leaf gets to know about the facing the light — not looking straight 
 
 light. at it, as we might say — the little bright 
 
 For instance, if the direction of the circle that should fall upon the middle 
 
 light is altered, in a very short time of the floor of the cells is thrown some- 
 
 the leaf turns itself, so as to get the where to one side of the floor, or may 
 
 light fair and square upon its surface; even be thrown not upon the floor of 
 
 and some leaves will do this as often the cell at all, but upon one of its 
 
 as the direction of the light is changed, walls; and the life of the cell knows 
 
 We may, perhaps, get rather wrong the difference. 
 
 ideas if we say that the leaf sees the Of course, these discoveries have 
 
 light, yet that must be what happens; excited the greatest interest, and at 
 
 only it is a very simple kind of seeing, first many doubts were expressed, but 
 
 The little eyes by which a leaf these have all been cleared away. In 
 
 CAN SEE the first place, it was necessary to 
 
 After it had been completely proved prove that the curving of the surface 
 
 that somehow or other the leaves can of the cells really made them act like 
 
 see, the next thing, of course, was to little lenses. 
 
 find whether the leaf saw as a whole, In two ways this can be proved; 
 
 or whether it had any special places either the surface of the leaf can be 
 
 where it saw — places which must be shaved down, so that it becomes flat, 
 
 called eyes of a kind. When the or else a little water can be laid on the 
 
 surfaces of leaves were carefully ex- leaf and then covered with a thin 
 
 amined, it was often found that there sheet of glass, in such a way that the 
 
 were places where there was developed water fills up the hollows between the 
 
 a kind of simple eye. That is to say, cells, and so makes the leaf flat, 
 
 certain of the cells forming the surface whereas before it was covered with 
 
 of the leaf were made of a special hundreds of little bulging eyes, 
 
 shape; it was found that the outside When these experiments were made, 
 
 of these cells is curved, just as the it was found that the plant no longer 
 
 front of our eyes is curved. responded to the light; the leaf no 
 
 The consequence is that light falling longer turned so as to face the light 
 
 upon these cells is focused, as we say, directly — in a word, it no longer knew 
 
 and thrown upon the floor of the cell, where the light came from. Its sight 
 
 just as a curved piece of glass will focus had been spoiled just as our sight 
 
 the sun's rays and throw a bright spot would be spoiled if something of the 
 
 on a piece of paper. If the leaf is at kind were done to our eyes, 
 
 right angles to the light, then the Photographs That Can Be Taken 
 
 bright spot made in this way will fall With The Eyes Of A Leaf 
 
 right en the middle of the floor of the And then, still more lately, the 
 
 cell. power of these little eyes was proved 
 
 What Happens When A Leaf Does in another way. If these cells with 
 
 Not Look Straight At The Light their curved fronts really act as lenses. 
 
 This corresponds to what happens then, with care and skill, it ought to be 
 
 in our eyes when we are looking possible to make them take photo- 
 
96 THE HUMAN INTEREST LIBRARY 
 
 graphs — that is to say, it ought to be This is usually called pigment, which 
 
 possible to use these little cells as the is simply the Latin for paint — in fact, 
 
 lenses of a hundred tiny little cameras, another form of the word paint. These 
 
 This has been done, and the most pigment - cells are sensitive to light, 
 
 excellent photographs have been taken When light shines on them, all the 
 
 — photographs so good that the per- pigment is gathered tightly up into 
 
 son photographed can quite easily be the body of the cell; but when the 
 
 recognized when the photograph is light is taken away, and they are in 
 
 magnified and thrown on a screen. shadow, the pigment strays out in 
 
 This subject is quite new, and we are all directions from the center of the 
 
 only at the beginning of our knowledge cell, and so is scattered, 
 
 of it. A beginning has been made. This explains why the color of the 
 
 however, with a new chapter in our animal changes, and it also tells us 
 
 knowledge of plants and their wonder- why and how the animal is able to 
 
 ful lives. Here, it is sufficient just know what the state of the light is, 
 
 for us to know that plants, which live and to act as it pleases accordingly, 
 
 by the light of the sun, and upon whose In the study of the history of the eye, 
 
 life our own lives depend, have little great stress has always been laid upon 
 
 eyes of their own, which they use for these pigment-cells; but now that we 
 
 their lives, and therefore, in the long have discovered such wonderful eyes 
 
 run, for ours. It is because all animal in leaves, fitted with lenses so perfect 
 
 life depends upon plants that we should that they will take photographs, the 
 
 know these things. And now we can pigment-cell, which we look upon as 
 
 go on and study the history of the the beginning of the animal eye, seems 
 
 eye in the animal world. to be a very poor affair compared with 
 
 In the very lowest forms of animal a plant eye. 
 
 life we find that there is response to the little cells in the skin upon 
 
 light, for we find that some of the which light acts 
 
 simplest kinds of animals will always We do not know exactly how it is 
 
 travel from shadow into the light, and that light affects the pigment-cells, 
 
 others will always travel from light but we may be sure that the action is 
 
 into shadow. These are creatures really a chemical one. Everyone who 
 
 whose bodies are so simple that we is interested at all in photography 
 
 should not look for any special organ knows that light has a chemical action 
 
 of vision. — as, for instance, on the salts spread 
 
 How the first trace of an eye is on a photographic plate. Every 
 
 FOUND in the skin houscwifc whose curtains fade, or 
 
 Probably the first trace we have of who puts clothes out to be bleached, 
 
 such an organ — that is to say, the first knows also that light has a chemical 
 
 trace of an eye — is where we find that, action. Its action on the pigment- 
 
 in certain lowly animals, parts of the cells is chemical also; and when we 
 
 skin are very sensitive to light. We come to study what happens in our 
 
 find in such cases that the color of the own eyes when the light strikes the 
 
 animal changes according to whether curtain at the back of them, we shall 
 
 it is in light or in darkness or in find that what happens there is very 
 
 shadow, and when its skin is examined like the action of light when it takes 
 
 under the microscope, we find that it the color out of a curtain or a gown, 
 
 contains a large number of cells packed What happens next in the history 
 
 with colored material. of the eye is that the pigment-cells, 
 
BOOK OF OUR OWN LIFE 
 
 which were at first scattered about the 
 surface of the body, get to be specially 
 collected in certain places. These 
 cells are not quite on the surface of 
 the skin, but are underneath the outer 
 skin, and the next stage is that, at the 
 place where the pigment-cells are 
 gathered together, the outer skin, or 
 epidermis, becomes thickened, and 
 bulges a little. Now, this is very 
 important, because if we have a 
 bulging or a curved surface, through 
 which the light must pass on its way 
 to the pigment-cells, we have indeed 
 a lens of the shape called convex, and, 
 as we know in the case of the burning- 
 glass or the lenses of leaves, the result 
 is that the light is focused. 
 
 The simplest kind of eye, and the 
 wonderful eye of a fly 
 
 Now, we have already learned 
 enough to be sure that these pigment- 
 cells, like every other part of the body, 
 are comiected by nerves with the 
 brain. So now we have reached the 
 stage where there is a lens to focus 
 the Hght, sensitive cells to be chemi- 
 cally affected when the light falls upon 
 them, and nerves that somehow con- 
 vey a record of these changes to the 
 brain, which therefore sees. Here, 
 then, is a simple kind of eye, complete 
 from the surface to the center. 
 
 All the eyes of animals that have 
 no backbone are to be looked upon as 
 simply improved patterns of this 
 kind. The eye in such creatures is 
 always developed from the skin in 
 the case of each individual, just as we 
 have learned that, in the history of 
 these animal forms, the eye has gradu- 
 ally become developed from the skin. 
 We shall soon see that the eyes of 
 backboned animals are of a much 
 higher type; but we must not under- 
 rate all the eyes below backboned 
 animals, because it is very certain 
 that the eyes of some insects are 
 exceedingly keen. It is generally 
 
 agreed that the dragon-fly is the most 
 wonderful insect of all in this respect. 
 Its eyes are extremely large and 
 powerful. 
 
 As in many other cases, the lens of 
 the eye, instead of being just curved 
 in one single simple bulge, is like a 
 large diamond that has had its face 
 cut into a number of little flat sur- 
 faces. These little faces of the lens 
 are usually called facets. The num- 
 ber of facets upon the lens of the eye 
 of the dragon-fly is very large. 
 
 How THE DRAGON-FLY AMUSES ITSELF 
 BY AMUSING MEN 
 
 Few things are more wonderful than 
 the certainty and skill with which the 
 dragon-fly will recognize, follow, and 
 catch the smallest insect on the wing. 
 One of the greatest living students of 
 this subject. Professor Forel, one of 
 the many wise men who have made 
 Switzerland famous, writes as fol- 
 lows: "By trying to catch them at the 
 edge of a large pond, one can easily 
 convince oneself that dragon-flies amuse 
 themselves by making sport of the 
 hunter; they will always allow one to 
 approach just near enough to miss 
 catching them. 
 
 "It can be seen to what degree they 
 are able to measure the distance and 
 reach of their enemy. It is an ab- 
 solute fact that dragon-flies — unless it 
 is cold or in the evening — always 
 manage to fly at just that distance at 
 which the student cannot touch them; 
 and they see perfectly well whether 
 one is armed with a net or has nothing 
 but his hands. One might even say 
 that they measure the length of the 
 handle of the net, for the possession of 
 a long handle is no advantage. They 
 fly just out of reach of one's instru- 
 ment, whatever trouble one may give 
 oneself by hiding it from them and 
 suddenly lunging as they fly off." 
 
 We must not suppose that all in- 
 sects have good eyes; there are all 
 
98 THE HUMAN INTEREST LIBRARY 
 
 stages between the dragon-fly, at one or other insect: "Come here; I have 
 
 extreme, and insects which are com- something that you will like." So 
 
 pletely blind, as, for instance, the the bee gets its honey and the flower 
 
 cave-dwelling insects and certain kinds gets fertilized. Thus we owe the 
 
 of worker-ants which live entirely pleasure our eyes get from most of the 
 
 underground. beautiful flowers we know to the fact 
 
 The house-fly that has learned to that the eyes of bees and other insects 
 
 KEEP AWAY FROM THE GAS-FLAME are able to sec them and to distinguish 
 
 The rule for most insects is that them. If there were no insects there 
 
 they fly towards the light. Artificial would be no beautiful flowers; there 
 
 lights, such as we use, do not occur would be nothing for the plant to 
 
 in Nature, and an insect flying towards hang out its flag for. 
 
 a lamp really supposes that it is flying It was also proved by Lord Avebury, 
 
 towards the light of day. It is most that ants, for instance, can see kinds 
 
 unfortunate, from our point of view, of light to which our eyes are blind — 
 
 that a good many domestic insects that is to say, the light which lies 
 
 have learned in the course of many beyond the violet, and which is known 
 
 years to know what artificial light is. as ultra-violet light. 
 
 We cannot now enter into the very Here we may notice, what has re- 
 
 difiicult question how it is that this cently been shown, that people's eyes 
 
 change has been brought about in vary in this respect. Just as old 
 
 their natural habits; but, at any rate, people do not hear high-pitched 
 
 it is the case that such an insect as sounds, which younger people can 
 
 the ordinary fly does not destroy itself hear, so we find that there are a good 
 
 by flying against a flame. many young people who, somewhat 
 
 The habits of flies are extremely like ants, can see a little way, so to 
 
 dirty; their feet are always laden with speak, into the ultra-violet, where, 
 
 filth. They are thus great carriers of to the rest of us, it is quite dark, 
 
 disease, and destroy many babies every Finally, Lord Avebury has shown 
 
 year by poisoning their food. That is that ants are able to recognize each 
 
 why it is very unfortunate that flies other after more than a year of separa- 
 
 have learned how to behave to arti- tion. Let us beware of judging the 
 
 ficial light in what, for their ancestors, value and power of things by their 
 
 would have been an unnatural way. size, and let us learn from this brief 
 
 Many years ago Lord Avebury account of one of the senses of insects 
 
 showed that bees and wasps were able that we still have reason to go to the 
 
 to distinguish colors; but wasps are ant to "consider her ways and be 
 
 very inferior to bees in this respect, wise." 
 
 Bees distinguish all colors, and very Now we must pass to the eyes of 
 
 rarely make any mistake except be- backboned animals. The lowest kinds 
 
 tween blue and green. The impor- of backboned animals are the fishes, 
 
 tance of this is very great, because it and we have all seen the eyes of fishes, 
 
 largely helps to explain how it is that Wonderful and skilful as the eyes of 
 
 bees are able to distinguish one flower insects may be, the eyes of backboned 
 
 from another. animals are of a vastly finer and more 
 
 Insects that can see what our eyes wonderful type. In the first place, 
 
 CANNOT see this secms to depend upon a change in 
 
 As a rule, the color of a flower is the making of the eye. We have seen 
 
 a kind of flag held out to say to a bee that the eyes of all the animals that 
 
BOOK OF OUR OWN LIFE 
 
 99 
 
 have not backbones are entirely formed 
 from the skin; but the higher type of 
 eye found in backboned animals has 
 its most important parts developed 
 from the brain, and not from the skin 
 at all. 
 
 True, the front part of such eyes 
 as our own is formed from the skin, 
 but that is only true of the parts 
 through which the light travels on 
 its way to the all-important curtain 
 which makes the back of the eye. 
 That curtain is really a part of the 
 brain which has been pushed out, as 
 it were, from the brain upon a kind of 
 stalk or stem. 
 
 The real reason why the curtain, or 
 retina, of the eye of backboned animals 
 has its great powers — vastly superior 
 to those of any lower type of eye — is 
 that this retina is, indeed, a part of the 
 brain itself. Vision is so important 
 that the business of receiving light- 
 rays could not be left to anything 
 developed from the skin; so a portion 
 of the brain itself extends forward to 
 form a portion of the eye and especially 
 the retina. 
 
 In main principles, the eye of back- 
 boned animals is much the same, no 
 matter which particular animal we 
 take. The eye of the fish is certainly 
 very much inferior to that of a bird or 
 a mammal, as we should expect, if we 
 consider that the fish has to see only 
 in water, where it would be impossible 
 for any kind of eye to see more than 
 very short distances ; but even the eye 
 of the fish is, in all the main points, 
 the same as our own, though much 
 simpler. 
 
 We need not discuss specially the 
 eyes of birds, though everyone knows 
 that they have some powers superior 
 to those of the eyes of any other 
 creature. These powers are in the 
 direction of keenness, so that we say 
 of anyone w4io is very sharp to see 
 things that he has the eyes of a hawk. 
 
 This keenness is at its best in the case 
 of the hawk and other birds of prey, 
 but other birds also have very keen 
 eyes. They could not catch flying 
 insects if they had not. In praising 
 the eye and the keenness of vision in 
 birds, and in studying their eyes, we 
 must not make the mistake, which is 
 commonly made by almost everyone 
 who has studied this subject and 
 written upon it, of supposing that 
 mere keenness of vision is everything. 
 
 It is easy to see what a mistake 
 that is, if we consider the case of a 
 sailor, for instance, who has very keen 
 eyes indeed, and can see far into a 
 fog, but who would perhaps never 
 cast a second glance upon the most 
 noble picture that was ever painted, 
 or upon the most lovely landscape. 
 On the other hand, a great artist may 
 be old and very nearly blind, and 
 though his vision is very dim, yet he 
 can see in a sunset or in a picture 
 things which mere keenness of vision, 
 whether in a man or a hawk, could 
 never see at all. This is worth 
 remembering, for it is just as true of 
 all the other senses as it is of vision. 
 
 Keenness is not the highest quality 
 of a sense, and the best proof of the 
 rightness of our view is to be found in 
 the fact that, when we test the matter 
 by the brain, we find that the vision 
 area is largest and most highly de- 
 veloped, not in the insect or the bird, 
 or in the men with the keenest eyes, 
 but in the brains of the highest type 
 of men, who have learned to see and 
 love what is beautiful and poetic. 
 
 The eyelid that washes the eyeball 
 and keeps it moist 
 
 And now we are prepared to look 
 at our ow^n eyes and see how they are 
 made. It is proper to mention the 
 eyelids, because they exist for the 
 sake of the eyes, and the eye cannot 
 get on without them. We are very 
 wrong if we suppose that the eyelids 
 
100 
 
 THE HUMAN INTEREST LIBRARY 
 
 merely exist in order to cut off the 
 light when we do not wish to see. 
 They have that purpose, but if we 
 had to do without them, and replace 
 them by an artificial shade, we should 
 soon find that that is not the whole of 
 their use, but that they have another 
 use that is of the greatest service to 
 the eyes. 
 
 Every time that we wink — which 
 we do every few seconds without 
 thinking about it — the upper eyelid 
 washes the front of the eyeball by 
 means of a tear which has come from 
 the tear-gland, and has been spread 
 over the inside of the upper eyelid. 
 
 7hf Pupil through ^fiicfi 
 the L'ght /jaan 
 
 (Jpprr Eyr/id. 
 
 Thf fris which 'cyufat*^ 
 , ifit a/ni'unl of Light 
 that nyttrs 
 
 .Tf)f Oland 
 
 \\Mhrrt the 
 
 7>orJ art 
 
 ade 
 
 The Canal Ihraogh 
 which ihe Tears 
 pri.i.i to ihr h/ose 
 
 Lor^rCyehd 
 
 The left eye, showing the glands where the tears are 
 made and the ducts through which they are carried to the 
 nose after washing the eyeball. In weeping, the tears can- 
 not all pass through the ducts, and so they overflow. 
 
 The tear-gland lies above the eye- 
 ball, a little to its outer side. The 
 tear, after washing and moistening 
 the front of the eyeball, passes through 
 a tiny hole at the inner end of the 
 lower eyelid into the nose. 
 
 Why we cry when we are in sorrow 
 or distress 
 
 The reason why we cry when we 
 are distressed seems at first to be that 
 the part of the brain connected with 
 the tear-glands lies very close to the 
 part of the brain which is disturbed 
 when we are made unhappy. 
 
 The real reason, we may believe, 
 
 why we show signs of distress in our 
 eyes rather than anywhere else is that 
 we human beings live by one another's 
 help and sympathy and love. We are 
 meant to see when others are unhappy, 
 so that we may know, beyond any 
 doubt, when they are needing our 
 sympathy and help. 
 
 If a child's mouth merely watered 
 when it was unhappy, we should not 
 know, and therefore would not help 
 it; but when we see its eyes water our 
 sympathy is aroused, and we help it. 
 We cry, not because the brain happens 
 to be so made, but the brain has been 
 so made because crying is the most 
 useful and convenient way in which 
 our distress can be shown to others. 
 
 How THE FACE AND THE EYE EXPRESS 
 OUR FEELINGS 
 
 As the higher parts of the brain 
 develop we learn self-control, and cry 
 very much less readily than when we 
 are quite young; but it is still true 
 that our feelings find expression that 
 can be seen by other people, for the 
 face shows our feelings, and when we 
 make a general study of the way in 
 which our feelings are expressed by 
 the various parts of the face, we shall 
 see that crying fits in with these other 
 ways of expression as the watering of 
 the mouth would not, so that it is 
 more than a mere chance that sorrow 
 and sadness find expression in the 
 shedding of tears rather than in the 
 production of saliva or in some other 
 way. 
 
 The eyelids are provided with hairs 
 which help to protect the eyes from 
 dust. Besides the protection afforded 
 by the eyelashes, the eyebrows are to 
 be reckoned with, as they prevent 
 the sweat of the forehead from 
 running into the eye. Lastly, we 
 have to notice the well-contrived 
 bony structure of the skull around 
 the eye, which furnishes a very 
 wonderful protection. 
 
BOOK OF OUR OWN LIFE 
 
 101 
 
 laahe 
 
 EytktW."''. 
 
 Y»WowJSp<*j 
 
 Rftl"'^ 
 
 In the middle picture we see a section of a perfect eye, with the light focused correctly on the retina. The left-hand 
 picture shows an eye in which the cornea is too flat, and the light being focused beyond the retina causes indistinct vision. 
 The eye on the right hand has the cornea too convex. 
 
 PARTS OF THE EYE 
 
 WHEN we examine the eye, the 
 first thing we notice is that 
 the front of it is transparent. 
 This round, transparent part in front 
 is called the cornea, which really 
 means the horny thing. If we look 
 very carefully at it, we shall see that 
 it bulges forward somewhat. The 
 curve of it is not quite the same 
 as the general curve of the eyeball. 
 This shape of the cornea is very 
 important because of its effect on 
 the rays of light that enter it. It 
 acts just like the curved surface of 
 the eye-cell of a leaf. 
 
 The first and greatest business of 
 the cornea is to be perfectly transpar- 
 ent. It contains, therefore, no blood- 
 vessels, small or great; it would not do 
 to have red or white blood-cells in the 
 cornea interfering with the passage of 
 light. But the cornea is alive and 
 must be fed, and it is supplied by 
 materials that pass to it through the 
 walls of the tiny blood-vessels that 
 we find all around its edge. The 
 cornea is well supplied with nerves, 
 nearly all of which run to its front 
 surface, in order that it shall be very 
 sensitive. 
 
 This is necessary so that the least 
 speck of dust or anything else that 
 would injure it, shall be felt and wiped 
 
 away by the eyelids and the tears. 
 Only too often, however, a workman 
 gets what he calls a "fire" in his eye, 
 and then there is a great risk that, 
 when the cornea recovers from the 
 injury, the injured place will be 
 opaque for the rest of his days. Also, 
 when anything of this kind happens to 
 the cornea, blood-vessels grow into it 
 from the side. They must do so, for 
 they must supply food and other ma- 
 terials to the injured part, if it is to 
 recover; but these blood-vessels mean 
 that the passage of light is inter- 
 fered with. 
 
 Recently the first attempt that has 
 ever succeeded was made to remove a 
 piece of cornea that had become 
 opaque, and to graft there a piece of 
 healthy transparent cornea. It is 
 well for us to understand how impor- 
 tant and wonderful this part of the 
 eye is. All the light we see by must 
 pass through it; yet it is a living thing, 
 with all the needs and delicacy of a 
 living thing — very different from a 
 curved piece of glass. Lastly, it is 
 very much exposed, though, as we 
 know, the eyelid, eyelashes, eyebrow, 
 and the bony wall around the eye do 
 their best to protect it. 
 
 All round its edge the cornea passes 
 into the white, thick, strong coat of 
 
102 
 
 THE, BUM AN INTEREST LIBRkRY 
 
 This picture helps us to understand how the eyes grow out of the brain, the optic nerve projecting till it expands into 
 the hollow cup of the eyeball. The muscles that move the eyes are also shown. 
 
 the eyeball; indeed, the cornea is really 
 a special part of this strong outer coat 
 of the eyeball that has been made 
 transparent, and has been made to 
 bulge forward a little in order to help 
 in focusing the light. The white outer 
 coat of the eyeball is very strong, and 
 will stand a good deal of pressure. If 
 we feel one of our own eyes with the 
 finger, we shall find that it is quite 
 tight; and the existence of this pressure 
 in the eyeball, which is supported by 
 the outer coat, is of great importance 
 for good seeing. 
 
 Now, when we look at anyone's eye, 
 we see something through the trans- 
 parent cornea. We see a round, 
 colored ring with a black hole, small 
 or large, in the middle of it. The 
 colored part is called the iris, and it is 
 a ring of muscle with a hole in the 
 middle of it, which is the pupil. This 
 looks black because it is really the hole 
 leading into the dark chamber, or in- 
 side of the eye, which is like the inside 
 of a camera. Now, if we could be 
 shown an eye cut through sideways, 
 we should see that there is quite a 
 large space between the cornea and the 
 front of the iris. This space is filled 
 with a watery fluid, and the light has 
 to pass through this fluid before it 
 is able to reach the pupil. 
 
 The pupil of the eye that gets 
 bright in a dim light 
 
 The business of the iris is to regulate 
 the size of the pupil. The less the 
 amount of light, the larger must the 
 pupil be; and the more the light, the 
 smaller the pupil. So when a person 
 goes from darkness into light, or when 
 the eyes are opened in a bright light, 
 anyone may see that the pupil gets 
 smaller. We can also notice that the 
 pupil gets smaller if a person who has 
 been looking at something far away 
 suddenly looks at something close to 
 his eye. There is a special reason, 
 rather difficult to explain, why it im- 
 proves the clearness of vision to reduce 
 the size of the pupil when looking at 
 something near. The cause is to be 
 found in the shape of what lies behind 
 the pupil, as we shall soon see. 
 
 All the color of the eye is due to the 
 iris. The color is not to be found at 
 all in the muscle fibers that make the 
 iris; they are just like other muscle 
 fibers, and are the same in everybody. 
 But both on the back and front of the 
 iris there is a layer of cells, which may 
 or may not contain a certain amount 
 of pigment, or paint. It is this that 
 varies in different people. It is inter- 
 esting from the point of view of 
 beauty, because its variations in dif- 
 
BOOK OF OUR OWN LIFE 
 
 103 
 
 ferent people provide many different 
 types of beautiful eyes. But the color 
 of the iris has quite lately become 
 most interesting, because we are just 
 beginning to learn what are the rules 
 as to the way in which eye-color 
 descends from parent to child. This is 
 one of the subjects which is being 
 closely studied by scientific men all 
 over the world, and we are no doubt 
 going to learn a great deal from it. 
 
 The people with blue eyes and the 
 people with brown eyes 
 
 It seems that some eyes have brown 
 pigment in the cells on the front of the 
 iris, and others have not. This gives 
 us at once two great types of eyes — 
 those which have the brown pigment 
 on the front being more or less brown, 
 and those which have not being more 
 or less blue. There is far more to say 
 than this, of course, because, as every- 
 one knows, there are many different 
 blues and browns, and many eyes 
 which could not be called either. But 
 still we have already learned that a 
 father and mother with genuine blue 
 eyes never have brown-eyed children; 
 on the other hand, if one parent has 
 brown eyes and the other parent has 
 blue eyes, most of the children, at any 
 rate, will have brown eyes. 
 
 At present in this country it seems 
 quite plain that blue eyes are rapidly 
 becoming rarer and brown eyes com- 
 moner. One of the deeply interesting 
 questions is as to why this is so, and 
 what the consequences will be. Care- 
 ful study of the iris in thousands of 
 people in all parts of the country, and 
 especially the study of the eyes of 
 children as compared with their par- 
 ents, will teach us not only a great 
 deal about heredity, as it is called, but 
 will also help us to learn what is really 
 happening, and how far it is true that 
 the blue-eyed strain in our population 
 is dying out and the brown-eyed 
 people surviving. 
 
 The people with blue eyes who are 
 disappearing from the world 
 
 It is very likely that though the 
 blue-eyed seem less able to bear city 
 life, and the conditions of existence 
 nowadays, they may yet have many 
 valuable qualities, and their slow dis- 
 appearance threatens to be a great 
 loss to the world, and ought to be 
 thoroughly investigated, and some 
 means found to check it. 
 
 Now, if we pass through the door in 
 the iris, we find a beautiful transparent 
 thing called the lens of the eye. It is 
 a genuine lens, just like the lens of an 
 ordinary magnifying glass, and it is of 
 the same shape, convex on both sides. 
 It helps to bend the rays of light enter- 
 ing the eye, just as the cornea did, and 
 it is perfectly transparent. Unlike 
 any lens that any man ever made, 
 this lens, while able to do all that 
 artificial lenses do, can do far more; 
 for it is elastic, and can change its 
 shape as we please. 
 
 How THE LENS OF THE EYE IS KEPT INSIDE 
 A LITTLE BAG 
 
 The lens lies inside a little bag, and 
 that bag has little fibers attached to 
 it all round, which can be pulled upon 
 by tiny slips of muscle inside the eye. 
 When the bag is pulled upon in this 
 way all round, the lens inside it is 
 made flatter. When the muscles stop 
 acting and the pulling ceases, the lens 
 is free to bulge out again if it is per- 
 fectly elastic. 
 
 It is by this power of the lens that 
 we are enabled to see clearly both at 
 short distances and at long distances. 
 Now, as everyone knows, in the case 
 of an ordinary camera, it is equally 
 necessary to focus the light properly 
 if the picture to be taken is to be 
 sharply defined on the plate; or if we 
 are using a magic lantern, we know 
 that we must focus properly if the 
 picture is to be sharply thrown on the 
 screen. In these cases, and in all 
 
lOJf 
 
 THE HUMAN INTEREST LIBRARY 
 
 other cases where men use artificial 
 lenses — as, for instance, in the micro- 
 scope and the telescope — the same 
 method of focusing is employed, and 
 that is to alter the distance of the lens, 
 or lenses — for there may be several — 
 from the place where we want the 
 image to fall. 
 
 How OUR EYES FOCUS BY CHANGING 
 THE SHAPE OF THEIR LENSES 
 
 It is very interesting to discover 
 that in the fishes this method, which 
 men employ in all their instruments, 
 is employed in the eye: the lens has 
 its position shifted nearer to or farther 
 from the retina, or screen, at the back 
 of the eye. But in all the higher types 
 of eye, such as our own, this method 
 is not employed. There is no arrange- 
 ment for shifting the lens backwards 
 and forwards in order to suit the dis- 
 tance of the particular thing we are 
 looking at. Its distance from the 
 retina is fixed. The method of the 
 higher types of eye is not to alter its 
 position, but to change its shape 
 where it stands. That is why it has 
 to be most perfectly elastic, so that 
 after it has been flattened, by having 
 the bag in which it lies pulled upon, 
 it can spring back perfectly to its 
 rounder shape. 
 
 This means that the shape of the 
 eyeball, as a whole, is very important. 
 An eyeball may be long from back to 
 front, and then the lens is far from the 
 retina, or it may be short from back 
 to front, and then the lens is nearer the 
 retina. If the lens be of the same 
 shape in the two cases, one eye or both 
 must certainly not be quite suited to 
 its purpose. Thus, in consequence of 
 the varying shapes of eyeballs, the 
 variations in the curve of the cornea, 
 and the variations in the shape of the 
 lens itself, we find that there are a 
 very large number of people whose 
 eyes are not perfectly suited for all 
 kinds of use. 
 
 Near-sightedness has nothing to do 
 
 WITH the health OF THE EYE 
 
 Nothing is more important than 
 for us to understand, at the very first, 
 that this is not at all a question of the 
 health of the eye. An eye may be 
 healthy or ill, like any other part of 
 the body, but what we are now talking 
 about is simply a question of the mere 
 shape of the eye or certain parts of it. 
 The bending of rays of light is called 
 refraction, and so we usually speak of 
 "errors of refraction" to describe 
 those cases where an eye is near- 
 sighted or far-sighted, or has some 
 defect of that kind. 
 
 This has nothing to do with the 
 health of the eye or of any other 
 part of the body, except that, as we 
 shall see, if something is not done, the 
 rest of the body may be affected. 
 We are to look upon the eye for the 
 moment as a kind of optical instru- 
 ment or machine, and simply to 
 realize that the shape of this optical 
 instrument will affect the rays of 
 light that pass through it, just as in 
 the case of any other optical instru- 
 ment. 
 
 It is very commonly found that the 
 cornea is not quite regularly curved; 
 it bulges more or less in one direction, 
 say, from side to side, than it does in 
 another direction, say, from top to 
 bottom. This means that, if we are 
 looking at a cross, the one limb of it 
 cannot be seen sharply if the other is. 
 As a rule, this defect in the shape of 
 the cornea is so slight that it is not 
 worth bothering about; but often it is 
 worth while to wear glasses which are 
 more curved in one direction than in 
 another — more curved in the direction 
 in which the cornea is less curved, and 
 less curved where the cornea is more 
 curved — so that the little defect is 
 corrected. This particular error of 
 refraction is not nearly so important 
 as those we must now study. 
 
BOOK OF OUR OWN LIFE 
 
 105 
 
 Near-sightedness is what happens 
 when the eyeball is rather too long 
 from back to front. This error of 
 refraction means that the light is 
 focused before it reaches the retina, 
 and when it does reach the retina the 
 picture it makes is rather blurred. 
 Sometimes, also, near-sightedness may 
 be due to the cornea being too much 
 curved, so that it acts as too strong a 
 lens, and the rays of light are focused 
 too soon. 
 
 Why it is that some people become 
 near-sighted 
 
 Near-sightedness is a very common 
 defect, and is very inconvenient. We 
 can see anything near quite well; the 
 things farther off are blurred. The 
 reason why we see things clearly 
 when they are quite near, and why we 
 therefore always hold a book close to 
 our eyes, is that, when a thing is held 
 close, the image of the object is 
 larger, and so more easily seen. 
 
 People who start near-sighted when 
 they are quite young, or who even are 
 far-sighted at first — as most young 
 children are — often become gradually 
 more and more near-sighted until the 
 age of, perhaps, thirty. Most of the 
 people who study this subject are very 
 sure what the cause of this is, only, 
 unfortunately, they do not agree with 
 each other. 
 
 Some of them who have not really 
 gone into it properly think that the 
 near-sightedness is a sort of disease 
 of the eye, and is due to over-use of 
 it, bad conditions during childhood, 
 and so forth. Others think that it is a 
 natural change which is bound to 
 happen in any case; and still other 
 people suppose that this increase in 
 near-sightedness is due to the con- 
 stant use of the eye at short distances. 
 
 The truth lies somewhere between 
 the last two opinions; each of them is 
 probably true in part. The eye, like 
 other parts of the body, does undergo 
 
 natural changes during life, and as it 
 gradually becomes more far-sighted 
 after a certain age, c^uite apart from 
 anything that is done to it, there is no 
 reason why it may not become more 
 near-sighted during the earlier years. 
 
 How NEAR-SIGHT IS CAUSED BY USING 
 THE EYE FOR SHORT DISTANCES 
 
 On the other hand, we can prove 
 that, when the eye is used for short 
 distances, certain muscles inside it 
 are used in such a way as to tend to 
 make the eyeball longer from back to 
 front, and therefore more near-sighted. 
 
 The reason for going carefully into 
 this is that very few people under- 
 stand the facts, and many doctors 
 even have not properly inquired into 
 them. Young people between the 
 Ages of twenty and twenty-five find, 
 very often, that year by year they get 
 rather more near-sighted; perhaps 
 they require to use glasses where 
 formerly they did not need them, and 
 the glasses have to be made stronger 
 or parents find their children require 
 glasses for near-sight. 
 
 People are alarmed if they think 
 that all this means a kind of disease of 
 the eye, or if they begin to ask them- 
 selves where this is going to stop. 
 That is why everyone should under- 
 stand that near-sight is not a disease 
 at all; that the changes which go on 
 are natural; that they only go on to a 
 certain point. 
 
 More than this, it is certain that we 
 may look upon near-sightedness in our 
 time as a kind of adaptation to our 
 needs — that is to say, in the case of 
 the great majority of people who have 
 to use their eyes at short distances. 
 For such distances the near-sighted eye 
 is just the best that one can have; it 
 lasts splendidly, and does not tire. 
 
 Near-sighted people may become far- 
 sighted AS they grow old 
 
 After a certain age, perhaps about 
 forty-five, or later, the eyes, after 
 
106 
 
 THE HUMAN INTEREST LIBRARY 
 
 having remained just as they were for 
 many years, begin slowly to become 
 far-sighted, or less near-sighted, as 
 the case may be. But before we look 
 at this we must return to the case of 
 the child. 
 
 Practically all very young children 
 are far-sighted. A certain number of 
 them remain far-sighted as the years 
 go on, and are still far-sighted when 
 they begin to learn to read and write. 
 There is no more disease or ill-health 
 here than there is in the other case, 
 but simply the eyeball is too short 
 from back to front, the cornea is too 
 flat, and so the rays of light are not 
 focused sharply j"n time, and reach the 
 retina sooner than they should. The 
 retina is too near the lens. 
 
 Now, in days that are gone this 
 was no serious matter, because people 
 lived far more natural lives than they 
 do now. They lired much more in 
 the open air. Instead of constantly 
 reading books at a few inches distance, 
 they had to read the book of the dis- 
 tant clouds and mountains; they had 
 to see animals or enemies at great 
 distances, and the use of their eyes for 
 short distances was only occasional. 
 
 The different uses tor which nature 
 has fitted different eyes 
 
 When the eye is tc be used at long 
 distances, evidently the far-sighted eye 
 has little of which to «*omplain. 
 
 But the far-sighted eye is too short 
 from back to front. The rays of 
 light are not focused ia time. Now, 
 if such an eye is to be used at short 
 distances, it will be very much 
 strained, because the muscles inside 
 the eye will constantly be trying to 
 change the shape of the /ens in order 
 to make the eye focus better; in fact, 
 the far-sighted eye requires to use 
 the muscles inside it in all circum- 
 stances. This means that it is liable 
 to get tired, and every far-sighted 
 person knows what it is to get head- 
 
 ache and eye-strain from the use ot 
 the eyes under conditions which would 
 not be at all inconvenient or dis- 
 turbing to a near-sighted person. 
 
 The FOOLISHNESS OF MAKING CHILDREN 
 USE THEIR EYES IN A WRONG WAY 
 
 In our ignorance and carelessness 
 regarding children, we at present 
 inflict very grave cruelty, and perhaps 
 often injury that is never recovered 
 from, upon large numbers of children 
 everywhere by compelling them to 
 use far-sighted eyes for purposes to 
 which they are not suited. 
 
 All over the country, children are 
 straining their eyes at reading and 
 writing, gaining no good, but only 
 harm, from what we do for them, and 
 all they need is a pair of spectacles 
 with rounded convex lenses that will 
 help to focus the rays of light quickly, 
 so that they are brought sharply 
 together by the time they reach the 
 retina at the back of these short 
 eyes. It is the short eye, we must 
 notice, that is far-sighted, and it is 
 the long eye that is near-sighted. 
 
 It is just beginning to be discovered 
 how important this subject is, and, 
 now that it is slowly occurring to us 
 that before we start educating a child 
 we must make it fit to be schooled, 
 we may hope that, within a few years 
 from now, no far-sighted child will be 
 allowed to be injured for the lack of 
 spectacles. The relief obtained when 
 proper glasses are employed is quite 
 astonishing. 
 
 As we shall readily understand, it is 
 concave lenses that are used in spec- 
 tacles for the near-sighted eye, and 
 convex lenses that are used in spec- 
 tacles for the far-sighted eye. We 
 may think this out for ourselves. 
 
 As people become elderly, the eye 
 becomes more far-sighted; this change 
 oftenest occurs at some time after 
 forty-five. If the person was near- 
 sighted, he now becomes less so. 
 
BOOK OF OUR OWN LIFE 107 
 
 Indeed, if we take the whole course of regular way in parents and children, 
 
 life, there can be no doubt that, under Cataract is the name applied to 
 
 ordinary modern conditions, the near- opaqueness of the lens. Its conse- 
 
 sighted person is much better off than quence is blindness. The time was, 
 
 the far-sighted person, although at and that quite recently, when there 
 
 first it may not appear to be the case, was no remedy for this terrible afBiction. 
 
 The LENS OF THE EYE THAT CEASES TO BE We kuow that many of the very 
 
 ELASTIC AND CAUSES FAR SIGHT great men of the past became blind in 
 
 The far-sighteHress of elderly people their old age, and in many cases it was 
 
 is due to changes that occur mainly in cataract that was the cause. Nowa- 
 
 the lens of the eye. The all-important days science triumphs over this ca- 
 
 elasticity of the lens becomes impaired, lamity. Thanks to those who have 
 
 and it does not bulge, when the pres- studied the structure of the eye, and 
 
 sure of its coat is removed, as readily thanks to Pasteur and Lister, who 
 
 as it used to do; indeed, it becomes have taught us how to keep microbes 
 
 decidedly flatter. In extreme old age away from wounds, so that they shall 
 
 the lens loses its elasticity to such an heal easily and painlessly and cer- 
 
 extent that its shape cannot be changed tainly, it is now possible simply to 
 
 at all. make a little cut in the eye, then a 
 
 The commonest sign that the eyes little cut in the coat of the lens, and 
 
 are beginning to show this change is then, by a little squeeze, to push the 
 
 that the person finds it more difficult lens out through the cut which was 
 
 to read in a dim light. It is very made — and there it lies in the sur- 
 
 much better to be sensible about this geon's hand, looking almost like a 
 
 and wear glasses than to try to fight little lens of ground glass, 
 
 against it. This does no good, and, This would probably have to be done 
 
 on the other hand, it may do just the to both eyes, though it makes all the 
 
 same kind of harm as is done to the difference in the world if it were done 
 
 far-sighted child that is "educated," to only one eye when both were 
 
 as we call it, without having glasses affected. It is easily done, without 
 
 provided for him. The same is true pain. The obstacle to the light is 
 
 in this case, as has been seen, that now gone, and the light can pour 
 
 people suppose the need for glasses to through to the retina ; but the rays are 
 
 be a sign of weakness or disease, and not focused, and things cannot be 
 
 think they ought to fight against it. properly seen. 
 
 Now, it is good to fight against How science is able to give sight to 
 
 weaknesses, and there is not much the blind 
 
 hope for people who do not; but the The remedy is to supply the person 
 
 weakness is in being too proud to with spectacles, with strong convex 
 
 wear glasses or too careless. lenses that take the place of the lenses 
 
 Why many great men of the past he has lost. Few operations, so simple 
 
 became blind and so easy and so certain, do so 
 
 In old age, or sometimes before it, much for old people, and it would be 
 
 the lens of the eye may become worth while to study the eye, if only to 
 
 opaque. Much the commonest form learn how it is possible, by the applica- 
 
 of this misfortune is found in old age, tion of our knowledge, to give sight to 
 
 but there is also a very definite form the blind in this way, as is done all 
 
 which may occur in quite young people, over the civilized world many times 
 
 and which is known to appear in a daily. 
 
108 
 
 THE HUMAN INTEREST LIBRARY 
 
 In the first pictiin wr sec a section of the eyeball between the blind spot and the optic nerve. The middle picture 
 Shows the interior ol the eyeball with the nerve fibers radiating from the blind spot. In the right hand picture a por- 
 tion ol the retina is highly magnified showing the various layers and the rods and cones. 
 
 SEEING COLORS 
 
 IN some ways, the most wonderful 
 of all the feats that the eye per- 
 forms is the seeing of colors, and 
 this subject of color vision, as it is 
 usually called, is also very important 
 from the practical point of view, be- 
 cause in many cases we require to 
 distinguish one color from another; 
 and sometimes the lives of many 
 people may depend upon the cer- 
 tainty with which this is done. 
 
 We know that light is a wave 
 motion in the ether. A better way of 
 putting it would be that there are 
 wave motions in the ether which, 
 when they fall upon an eye, give rise 
 to light. Apart from eyes to see, all 
 Nature is in darkness. Neither the 
 eye nor the ether alone can make 
 light, but both are required. We can 
 count the number of vibrations of the 
 ether that affect the eye in a single 
 second. 
 
 The smallest number per second 
 that we can see is roughly about four 
 hundred billions. When we see these 
 we get an impression of red. The 
 highest number we can see is roughly 
 about eight hundred billions, and 
 when such vibrations affect our eyes 
 we see a sort of violet. 
 
 Now in music a note that is an 
 octave higher than another has ex- 
 
 actly twice the number of vibrations 
 in a second; and so we may say that 
 the amount of light that our eyes can 
 see corresponds to one octave, the 
 number of vibrations of the violet 
 being about twice the number of the 
 red. We must clearly remind our- 
 selves once more that just as there are 
 sounds higher and lower in pitch than 
 the eleven octaves or so which we can 
 hear, so there are ether vibrations 
 higher and lower in pitch than the one 
 octave or so that we can see. 
 
 We know that our distinguishing of 
 colors depends upon the cones in the 
 retina. We are bound to suppose 
 that in those kinds of eyes where 
 there are only rods, colors cannot be 
 distinguished as they are seen by us; 
 and we begin to understand the 
 immense advantage of having a place 
 in our eyes which is the most sensitive 
 of all, and contains only cones. 
 
 From all this it follows that we do 
 not see the colors of objects whose 
 light falls upon the outermost parts 
 of the retina, where there are no cones, 
 or practically none. Also our eyes 
 vary in sensitiveness at different parts 
 of the color scale. At the actual 
 extremes, such as red and blue, we do 
 not notice slight differences in color 
 so sharply as we do in between the 
 
BOOK OF OUR OWN LIFE 109 
 
 extremes, as in the yellow and green, of comparatively few colors to which 
 
 Colors vary in several ways. For we give definite names. Of these 
 
 instance, they vary in brightness, as we various colors, which are commonly 
 
 all know. The brightness of a color described as seven, some give us the 
 
 depends simply upon the extent to impression of being mixed, and others 
 
 which it excites the brain. We cannot of being pure. For instance, what 
 
 say why one color, because it is that we call orange is mixed; what we are 
 
 color, should affect the brain more really seeing is a red and a yellow 
 
 than another; but it is so. together. Then, again, Prussian blue 
 
 Secondly, we find that colors vary is not a pure blue, but a mixture of 
 
 in their hue, or tint, and that depends blue and green. 
 
 on the number of vibrations in each the three pure colors that are not 
 
 second of the ether waves which cause made up of other colors 
 
 the color. Now contrast with these colors such 
 
 Thirdly, colors vary very much in a color as crimson red. Nothing will 
 
 what is called purity, or richness, persuade us that that is a mixture of 
 
 The best types of eyes are very keen other colors; it is simply red itself, 
 
 to appreciate this quality in colors. There is also a tone of green which we 
 
 A pure color is one which depends cannot imagine to be made up of any- 
 
 upon light of one rate of vibration, thing else, and the same is true of 
 
 The purity of a color is destroyed ultra-marine blue. Probably these 
 
 when it is mixed with other colors, are the only three colors of which this 
 
 or when it is mixed with white light, can be said. We therefore call red, 
 
 which really comes to the same thing, green, and blue primary colors. The 
 
 as white light contains all the colors, meaning of this is almost always mis- 
 
 The myriads of colors that we understood. 
 
 CANNOT SEE AT ALL When wc Call red, green, and blue 
 
 Now, quite apart from any question primary colors, we are not saying any- 
 
 of the eyes, the question of color is thing about light; we are talking about 
 
 simple, because it is exactly the same the way in which the eye sees. Light 
 
 as the question of the pitch of sounds, consists of waves of every rate of 
 
 Ten vibrations a second means one vibration, and any one of these rates 
 
 sound, eleven means another, twelve is as good as another. But the eye, 
 
 another, and so on. In the same way, instead of being able to see each of 
 
 between light made of waves running these, has only got within itself means 
 
 four hundred billions to the second for seeing three of them directly, and 
 
 and light made up of waves running these three are red, green and blue, 
 
 eight hundred billions to the second All the other colors it sees by mixing 
 
 there is really an infinite number of in various proportions these three 
 
 colors — hundreds of billions of colors, kinds of sensation, and that is why we 
 
 That is all very well, but when it call red, green, and blue primary 
 
 comes to our seeing them we find that colors. By mixing these in various 
 
 the case is different. ways we can obtain the impression 
 
 If we take white light and pass it upon the eye of every kind of color 
 
 through a prism, we get a band of that it can see. By mixing red and 
 
 colors called the spectrum, and when green rays in various proportions we 
 
 we look at it we quite clearly get the can get the effect of all the scarlets, 
 
 impression not of a regular even change oranges, yellows, and yellow-greens; 
 
 of color from one end to the other, but by mixing red and blue rays we can 
 
110 
 
 ^HE HUMAN INTEREST LIBRARY 
 
 get all the various violets and purples ; 
 and by mixing the green and blue 
 rays we can obtain all the various 
 shades of blue-green. 
 
 To the three primary colors we have 
 to add a fourth — the gray color which 
 we get from the rods of the retina. 
 
 A POWER THAT NO MAN UNDERSTANDS, 
 
 BY WHICH WE SEE DIFFERENT COLORS 
 
 AND SHADES OF COLOR 
 
 Of course, we now want to know 
 what are the things in the eye which 
 correspond to these various kinds of 
 color sensation or color vision. This 
 can be clearly answered as regards the 
 gray color, for we know that that is due 
 to the rods. We know also that the 
 cones are responsible for the other three 
 kinds of color sensation; but, unfor- 
 tunately, we can go no further than 
 this, except by guessing. For instance, 
 we do not find that there are three dif- 
 ferent sorts of cones, nor do we find, as 
 some have supposed, that there are 
 three different parts to each cone — one 
 for each kind of color. 
 
 Nor can we show that there are 
 three different kinds of nerves rimning 
 from the retina to the brain, as Dr. 
 Young supposed a century ago. It 
 may, indeed, be that we are altogether 
 mistaken in looking at the retina for 
 the key to the fact that we see colors 
 by these three sensations. 
 
 It may be that the key to the facts 
 is to be found not in the retina at all, 
 but in the gray matter of the vision 
 part of the brain. The fact that a 
 man may be color-blind in one eye is 
 rather against this. 
 
 As a rule, color-blindness occurs in 
 both eyes, but there are cases where it 
 Is found in one eye only, and that, of 
 course, suggests that it is the eye 
 rather than the brain that is respon- 
 sible for color vision. Color-blindness 
 is almost always a state of things 
 which exists from birth, and there is 
 no cure for it. 
 
 People who cannot see color pic- 
 tures 
 
 About four men out of a hundred, it 
 is said, have one form or other of 
 color-blindness, and about one woman 
 in a hundred. This is by no means 
 the only case in which peculiarities 
 are found more commonly in men than 
 in women. Color-blindness is passed 
 on from parents to children, and we 
 have lately gone far to understand the 
 laws by which it is inherited. 
 
 Very rarely we find people who are 
 cjuite color-blind. The spectrum of 
 sunlight to them appears in shades of 
 gray throughout, being lightest in the 
 position of yellow-green, and darkest 
 at each end. A colored picture to 
 them looks like a photograph or an 
 engraving. If we believe that our 
 three color sensations depend on the 
 presence of three special chemical 
 substances in the retina, then we 
 must suppose that in such cases all 
 these three substances are absent. 
 
 Very rare also is "blue-blindness," 
 in which the possibility of blue sensa- 
 tion is absent. Then there is "green- 
 blindness," common, and very impor- 
 tant, in which we suppose that the 
 substance corresponding to the green 
 sensation is absent; in such cases 
 bright green is confused with dark 
 red, and a dark green letter on a black 
 background is not seen at all. If we 
 remember that everywhere on railways 
 red is used as the color of danger, 
 while green allows the train to go on, 
 we shall understand how very serious 
 it would be if a railway signalman 
 could not distinguish between a bright 
 green color and a dark red color. 
 
 Why railway signals are always 
 
 RED, green, AND WHITE 
 
 Lastly, there is "red-blindness," also 
 common, which is sometimes called 
 Daltonism, because it was this that 
 Dalton sviffered from. Here v.e sup- 
 pose that the chemical substance 
 
BOOK OF OUR OWN LIFE 
 
 111 
 
 affected by light and corresponding 
 to red sensation is absent from the 
 retina. In these cases light red is 
 confused with dark green, and a dark 
 red letter on a black background is 
 not recognized at all. 
 
 Now, as nearly all color-blind men 
 are either red-blind or green-blind, it 
 was suggested that signal colors, 
 instead of being red, green, and white, 
 should be changed; for instance, blue 
 and yellow might be employed. But 
 this does not do. The only convenient 
 colors to use for this purpose are red, 
 green, and white. 
 
 It is found that a red glass allows 
 about ten per cent of the light behind 
 it to come through, and a green glass 
 rather more, but a blue glass allows 
 only about four per cent of the light to 
 come through ; and yellow does not do, 
 for there are states of the light in 
 which yellow would not be noticed. 
 
 It is necessary, then, to test people 
 who are to be expected to recognize 
 lights, and if they are color-blind they 
 must find some other employment. 
 
 The best way of finding out if we 
 are color-blind 
 
 Scores of different methods have 
 been invented for detecting color- 
 blindness. The best method, which 
 is generally employed, is the use of 
 colored worsteds, and the person who 
 is being tested is asked to match 
 them. If a green-blind man is handed 
 a skein of pale green worsted, and if he 
 draws from the heap some worsteds 
 which contain no green at all, then he 
 must not be passed; or if a man takes 
 a dark green as a match to a dark red 
 skein, he proves himself to be red- 
 blind, and must therefore be rejected. 
 
 How WE CAN REST OUR EYES BY LOOKING 
 AT THINGS A LONG WAY OFF 
 
 Enough has already been said about 
 spectacles and their importance in 
 correcting the errors of refraction. 
 Here we must note a few points which 
 
 will help to preserve our eyes, quite 
 apart from the use of spectacles. 
 
 When the muscles inside the normal 
 eye are at rest, the shape of the lens 
 and other parts is such that the eye is 
 fitted to see distant objects. There 
 can be no doubt that the first and most 
 natural uses of the eye are for distant 
 and not for near vision. The course 
 of our lives is now such that we use our 
 eyes very much at short distances, 
 and this means the use of the muscles 
 inside them. That is especially true 
 of far-sighted persons, who should, of 
 course, not use their eyes at short 
 distances without glasses. But, apart 
 from that, it is a good rule for all of us 
 to relax our eyes, when we can, by 
 letting them rest upon something 
 which is distant, and so giving the 
 muscles inside them a rest, and lessen- 
 ing the risk of strain. 
 
 The best light for vision is daylight 
 — not direct sunlight, but diffused 
 daylight reflected from the sky. When 
 we use artificial light, which we do 
 more and more, it is a safe rule that 
 the nearer it resembles diffused day- 
 light, the better it will be. When we 
 call daylight diffused, what we mean 
 is that it comes from a large surface — 
 the general surface of the sky. What 
 we call a soft light is always one that 
 is diffused in this way. 
 
 The best way to light our houses 
 and to paper our rooms 
 
 In modern buildings the lights 
 themselves should be entirely hidden, 
 and we should see by light reflected 
 from wall or ceiling. Of course, this 
 is expensive, because more light is 
 required; but, though it costs more 
 money, it saves our eyes very much. 
 
 Another great fact about diffused 
 daylight is that it is steady, and so 
 should artificial light be. In this 
 respect gas is a great improvement 
 upon candles, and electric light is the 
 best of all. 
 
112 
 
 THE HUMAN INTEREST LIBRARY 
 
 It has lately been shown by some 
 French students that the different 
 qualities of light affect our eyes in 
 different ways, quite apart from their 
 brightness. The safe rule is that we 
 should, as far as possible, make our 
 artificial light of the same compo- 
 sition as sunlight. 
 
 In our houses, if we are wise, we 
 shall have spaces upon which the eyes 
 can rest. This means that we shall 
 think twice before we use wallpapers 
 with marked patterns; this is true 
 especially of bedrooms, because, sooner 
 or later, someone is likely to lie ill in 
 a bedroom, and, whatever healthy 
 people can stand, wallpapers with 
 patterns are a distress and a night- 
 mare to sick people. 
 
 The safe rule for reading by day 
 and night 
 
 Great stretches of Nature are green. 
 There is probably no color which 
 fatigues the eye less in proportion to 
 its brightness than the green of fresh 
 young leaves. This is good for bed- 
 rooms and living rooms alike. Dead 
 white is fatiguing to the eyes, and best 
 avoided. It is excessively foolish to 
 read with the eyes facing a source of 
 light, especially as the light is any- 
 thing but diffused. We should read 
 with the light behind us, passing over 
 one shoulder or the other — the left 
 shoulder, of course, when we are 
 writing. 
 
 So far as children are concerned, we 
 must remember that the great majority 
 of them are far-sighted when they are 
 very young, and that therefore the 
 strain of using their eyes at short dis- 
 tances is even greater for them than 
 for us. The fact that the child is far- 
 sighted ought to be hint enough to us 
 that the best employment fcr its eyes 
 at early ages is not at short distances. 
 Few and short stretches of reading 
 and writing are all that we ought to 
 require of these young eyes. On the 
 
 whole, the best work for a small child 
 is its play, and its best play is open-air 
 play with balls and hoops, and so on. 
 
 When children are obliged to read, 
 we must remember that they are 
 taking certain risks with their eyes. 
 We should take great care of the 
 lighting arrangements; we must pro- 
 vide glasses if the child is too far- 
 sighted; we should be most careful to 
 use large type deeply printed; and, in 
 any case, the periods of reading should 
 be brief. It is much better to employ 
 some kind of print that makes the 
 letters in very simple shapes. 
 What the eyes see when reading 
 
 When we come to think of the case 
 of a printed page, we shall see that 
 the letters which we distinguish are 
 the only places where the eye does not 
 not see. What we see when we read 
 is not the black, but the white; the 
 letters are not really anything that 
 we see, but gaps in our seeing. As the 
 white occupies a great deal more space 
 than the black, it is evident that our 
 eyes would be much less fatigued if 
 the state of things were reversed, and 
 books were printed in white letters on 
 black paper. If that were so, the 
 eye would be rested everywhere except 
 where there were the letters which it 
 wishes to see. 
 
 But reading is not the only use for 
 the eyes, and there are a great many 
 people who think that, while we spend so 
 much time upon reading, we are forget- 
 ting to keep our eyes open in other ways. 
 
 The time may come when the 
 education of the eye in other matters 
 than reading will always be included 
 in the upbringing of any child. The 
 time for this education, as for every 
 kind of education, is youth, and one 
 great difference between this kind of 
 education of the eye and the kind 
 that has to do with reading and 
 writing is that it is much more suited 
 to the young eye. 
 
BOOK OF OUR OWN LIFE 
 
 113 
 i1 
 
 'rSr^r 
 
 fttrttttt/te 
 Srai» -9. 
 
 Vl/r Titbefitn.] 
 
 V' 
 
 mty 
 
 ;-■; :r ■ .'■■ ...'irssSSSsaSi-E, ' 
 
 This diagram shows us how the sound-waves travel in ever increasing circles and how the outer ear collects the waves 
 as shown by the arrows, A, B, and C, directing them inwards so that they will strike the drum. 
 
 THE MARVEL OF HEARING 
 
 WE know something of the 
 brain and the spinal cord, 
 which together are called 
 the central nervous system, in the 
 upper part of which the Self of man 
 resides. But when we study the 
 history of the central nervous system, 
 we find that it has been developed 
 from the surface of the body, and 
 this fact in itself argues — as all the 
 other known facts do — that its first 
 business is to receive communications 
 from the outside world. 
 
 At the present time these communi- 
 cations take very definite lines, which 
 we call the senses. It is by the senses 
 that we gain all our knowledge of 
 outside things, and it is upon the 
 delicacy of the senses that, in the first 
 place, the high development of the 
 human being depends. 
 
 We have reason to believe that th?s 
 delicacy is, in the main, a matter of 
 the brain itself, rather than of the 
 channels from the world to the brain. 
 But, in any case, it must be distinctly 
 understood that this quality of sensi- 
 tiveness is so invaluable that all the 
 higher qualities of mankind are built 
 
 upon it. It is, no doubt, possible to be 
 unduly sensitive — sensitive to a degree 
 that upsets the balance of the mind; 
 but, then, nearly every good thing can 
 be exaggerated. 
 
 One of the most horrible conse- 
 quences of what we at present call 
 education, and of the dull routine 
 through which so many of us are put, 
 is that the beautiful delicacy of sense 
 that enables children to respond to 
 what is new, and to notice the small 
 differences between things, becomes 
 spoiled; the edge is blunted, so that 
 many grown-up people go through the 
 world having lost the sense of appre- 
 ciating everything which made it such 
 a beautiful, wonderful, and interest- 
 ing place when they were children. 
 Some day, when we learn more about 
 ourselves, we shall find better ways 
 than those at present adopted in 
 educating and dealing with children, 
 and then we shall get better results. 
 
 And now let us go on to study, one 
 by one, our senses, or highways of 
 knowledge. It probably does not 
 matter very much which sense we 
 begin with, for the great principles are 
 
lllf 
 
 THE HUMAN INTEREST LIBRARY 
 
 the same in every case; only we may 
 begin by noting the names of the 
 various senses, and especially by dis- 
 tinguishing between the senses which 
 communicate with the outer world 
 and certain other senses which do not. 
 
 The senses by which we know the 
 outer world 
 
 The senses which communicate with 
 the outer world are — seeing, hearing, 
 taste, smell, and touch. But nowadays 
 we have learned that it is not sufficient 
 merely to say touch, for there are 
 several senses in the skin besides mere 
 touch. We must at least add the 
 heat sense, the cold sense, and the 
 pain sense to the sense of touch. 
 
 In addition to these senses which 
 communicate directly with the outer 
 world, there are other senses by which 
 the brain is informed about the body. 
 Of course, in a way, we may say that, 
 so far as the brain itself is concerned, 
 the body is part of its outer world. 
 These senses come from the organs 
 inside the body, from the muscles and 
 joints, and from certain wonderful 
 little canals in the inner ear, which 
 we shall study later. 
 Hearing 
 
 Now we can take the senses one by 
 one, and we shall begin with hearing. 
 We know that there is a special part 
 of the brain concerned with hearing. 
 If we were to use the word ear for the 
 part of the body that really hears, we 
 should certainly have to say that the 
 real ear is in this part of the brain. 
 
 The real ear in our brain that 
 cannot hear at all 
 
 But we are quite certain that sound 
 cannot be heard directly by this real 
 ear in our brain. The part of the 
 brain where we feel touch feels nothing 
 if it is itself touched, and this is true 
 of the senses generally. The brain 
 only responds if the communication 
 is made to it through the proper 
 channel. So what we now have to 
 
 study is the channel that leads from 
 the outside to the hearing center in 
 the brain. Perhaps the best use of 
 the word ear would be to describe the 
 whole structure, from the surface of 
 the body to the tiny nerve cells where 
 the hearing is actually done. 
 
 If we begin at the surface of the 
 body, we find in ourselves and in 
 most of the higher animals a pair of 
 organs projecting from the head, 
 which are the only parts of the organs 
 of hearing that we can see, and which 
 we therefore call the ears, though they 
 are by far the least important part of 
 the whole organ of hearing, especially 
 in ourselves. We have all observed 
 a dog prick up its ears, and so we learn 
 that the real use of the ear — or, as we 
 should properly say, the outer ear — 
 is to catch waves of sound. 
 
 It is the general rule that the outer 
 ear is provided with small muscles by 
 which it can be moved in various 
 directions. This serves two purposes. 
 First, it enables the animal to make 
 the most of the sound that comes to 
 it, for the sound-waves are, to a 
 certain extent, gathered up by the 
 outer ear, and so are made rather 
 more intense. 
 Why animals prick up their ears 
 
 AT ANY sound 
 
 But the second great advantage of 
 being able to move the outer ear is 
 that it greatly helps to decide where a 
 sound comes from. This is of great 
 importance to such an animal as the 
 antelope, which hears a sound and 
 fears that it may mean the approach 
 of some danger. We all have oppor- 
 tunities of observing how animals 
 prick up their ears, and we can 
 imagine them saying to themselves: 
 "Where does that sound come from?" 
 
 It is very interesting to find in our- 
 selves three little muscles attached to 
 the outer ear, by which it ought to be 
 pulled in various directions. These 
 
BOOK OF OUR OWN LIFE 
 
 115 
 
 muscles exactly correspond with those 
 that we find in the lower animals, but 
 in ourselves they have quite fallen 
 out of use. Though they are small, 
 they are still quite capable of moving 
 the ear; but we do not use them. A 
 few people have the power of moving 
 one or both outer ears at will, but there 
 is no record of any human being who 
 ever moved his outer ears when he 
 was straining to hear a sound, or 
 when he was trying to judge the 
 direction of a sound. 
 
 We are able still to judge the 
 direction of a sound, but we cannot 
 do so as well as do the lower animals, 
 and the reason, no doubt, is that our 
 outer ears no longer help us. Still, 
 we are able in some degree to compare 
 the intensity of a sound in the two 
 ears, and so we judge more or less 
 where it comes from. If the sound is 
 made at a point equally distant from 
 both ears, we are c^uite at a loss. A 
 simple and amusing experiment or 
 game will prove this. 
 An amusing came that teaches us a 
 
 LESSON IN science 
 
 If someone is blindfolded, we can 
 seat him in a chair and then make 
 little noises, and ask him to judge 
 where they come from. As long as 
 they are on one side he will judge all 
 right; but if we make the noises at the 
 back of his neck, in the middle line 
 of his body, or under his chin, he can- 
 not tell the one from the other. 
 
 If we try this experiment on one of 
 those people who can move their ears, 
 we shall find that he does not use his 
 power for this purpose. But one of 
 the lower animals could not possibly 
 be deceived in such a case. By prick- 
 ing its ears forwards and back, it 
 would in a moment discover in which 
 direction it heard the sound best. It 
 would have no more difficulty in this 
 case than when the sound was on one 
 side. When the sound comes from 
 
 the side, the animal judges, as we do, 
 mainly by comparing the intensity of 
 sound in the two ears. 
 
 The centers of hearing in the brain 
 that compare notes 
 
 This seems very simple, and we 
 none of us have any difficulty in 
 doing it; but it is wonderful, all the 
 same, that the two hearing centers 
 should be able to compare notes, so 
 to speak, and w^hen the left hearing 
 center hears loudest we should turn 
 to the right, and when the right hear- 
 ing center hears loudest we should 
 turn to the left. This is so because 
 most of the nerve-fibers cross the 
 middle line of the body on their way 
 to the brain. 
 
 The outer ear is not entirely useless 
 even in ourselves, for if it is all filled 
 up except just at the opening of the 
 canal that runs inwards, we hear less 
 clearly. This experiment can easily 
 be made. It shows us that to some 
 small extent the outer ear is still 
 useful as a sort of ear-trumpet, 
 though vastly inferior to that of most 
 of the lower animals. 
 
 From the outer ear there leads a 
 little channel, along which the sound- 
 waves pass. When we cleanse our 
 ears, we cannot and do not wash this 
 channel. It would be a very serious 
 matter if we had to do so, for there 
 would be grave risk of doing harm at 
 its inner end. Yet, as a rule, this 
 channel is kept perfectly clear and 
 open, even though it is never washed. 
 It is lined by tiny glands which pro- 
 duce a sort of wax, and as this wax 
 passes outwards it carries impurities 
 away with it. We think of this wax 
 as a rather unpleasant thing; but in 
 reality it is a beautiful means of 
 cleanliness and protection. At its 
 inner end this canal is closed entirely 
 by a thin, delicate membrane, which is 
 exactly like a drum-head, and it is called 
 the drum membrane or tympanum. 
 
116 
 
 THE HUMAN INTEREST LIBRARY 
 
 The great importance of the drum 
 membrane 
 
 This membrane is exceedingly im- 
 portant for the purposes of hearing, 
 and it is a delicate thing. If it is 
 injured, it is, as a rule, injured per- 
 manently, and the hearing is affected. 
 It may be injured either from within 
 or from without. Sometimes little 
 children push beads or peas into their 
 ears, and they may do much harm in 
 that way. A child might have reason 
 to regret for its whole life such a 
 foolish action. When anything like 
 a bead has been put into the ear, we 
 should call in the doctor at once and 
 not attempt to get it out ourselves. 
 
 This precious drum membrane of 
 the ear is also liable to be injured from 
 within; and earache in children, or 
 indeed in anyone, should not be 
 neglected, because it means, as a rule, 
 more or less of a threat against the 
 health of the ear-drum. We shall 
 understand this better when we see 
 what is on the inner side of the mem- 
 brane. 
 
 If we could see beyond the mem- 
 brane we should find that it made one 
 of the walls of a little space, or cham- 
 ber, hollowed out inside one of the 
 bones of the head. This space is 
 known as the middle ear or tympanum. 
 The bone in which it, and also the 
 inner ear, lies is called the petrous 
 bone, from the Greek word for a rock, 
 because it is the hardest bone in the 
 whole body. This is interesting be- 
 cause a hard bone must undoubtedly 
 conduct waves of sound very much 
 better than a softer one. 
 
 The little tube that runs from the 
 throat to the ear 
 
 This middle ear is filled with air, 
 and naturally we must ask where the 
 air comes from; the answer is that it 
 comes from the throat. There runs 
 from the back of the throat on each 
 side a little tube which goes to the 
 
 middle ear and conveys air to it. If 
 we shut the mouth and hold the nose, 
 and then make a sharp movement as 
 if we were sneezing, we can feel some- 
 thing happening in our ears. This is 
 because when we made that move- 
 ment we opened the little tubes, and 
 drove some air along them into the 
 middle ears. It is a very important 
 thing for the safety and health of the 
 ear, and also for the immediate pur- 
 poses of hearing, that the air pressure 
 on both sides of the drum of the ear 
 should be the same. 
 
 If the air pressure were greater on 
 the outside than the inside of it, the 
 drum membrane would be driven 
 inwards and strained. If any dis- 
 turbance in the throat or nose closes 
 up these canals, so that air cannot get 
 along them, this is liable to happen. 
 
 Why a cold in the head causes deaf- 
 ness 
 
 Everyone knows that a cold in the 
 head often causes deafness. The rea- 
 son is that the cold, as we call it, 
 spreads along the tubes that run to 
 the ear. The lining of them becomes 
 swelled up, and so they are closed, 
 and cannot do their duty of keeping 
 the air pressure of the middle ear the 
 same as the air pressure outside. 
 Hence the drum head of the ear is 
 strained and cannot vibrate as it 
 should do to soundwaves, and so we 
 are deaf for the time. In more 
 serious troubles of the nose and 
 throat, such as may happen in scarlet 
 fever, the middle ear may be invaded 
 by the disease, and the drum head 
 may be broken through, and deafness 
 for life may result. It is probably 
 quite fair to say that proper care and 
 treatment from the first could prevent 
 this very unfortunate result in every 
 case. 
 
 But the most remarkable thing that 
 we find in the middle ear is a little 
 chain of three tiny bones, much the 
 
BOOK OF OUR OWN LIFE 
 
 117 
 
 smallest bones in the body, which are 
 there for a very special purpose. 
 They are called by Latin names, 
 which mean the hammer, the anvil, 
 and the stirrup, and the stirrup 
 especially is exactly like its name. 
 The handle of the hammer lies against 
 the drum membrane; the hammer is 
 jointed to the anvil, and the anvil to 
 the stirrup. The foot of the stirrup 
 rests against a membrane which sep- 
 arates the middle ear from the inner 
 ear, which is the most wonderful place 
 of all. 
 
 How THE HAMMER, ANVIL, AND STIRRUP 
 CARRY SOUNDS TO THE INNER EAR 
 
 The business of this chain of bones 
 is to carry sound-waves across the 
 middle ear. That is why it has to be 
 filled with air, for otherwise they 
 could not vibrate freely. Every time 
 a sound-wave causes the drum mem- 
 brane to vibrate, it sets in motion 
 the hammer bone which is fastened 
 to it, and so the vibration goes on. 
 If the joints between the bones 
 become fixed, the hearing is spoiled in 
 some degree. This may happen in old 
 age. 
 
 Lastly, we find two muscles, very 
 tiny but very useful, which pass into 
 the middle ear. They have opposite 
 uses, and we call them into action — 
 though we know nothing about it- 
 according to whether we want to hear 
 a sound more acutely or less acutely. 
 One of them is so arranged that when 
 it pulls it tightens the drum mem- 
 brane. That makes it vibrate more 
 energetically, and so we hear better. 
 Whenever we strain to hear, we throw 
 this little muscle into action. It is 
 called by doctors the tensor tympani, 
 which simply means the stretcher of 
 the drum. 
 
 The other muscle has just the 
 opposite effect. It is attached to the 
 stirrup bone in such a way that when 
 it pulls the bone cannot vibrate as 
 
 well as usual. So when this muscle 
 is in action it interferes with the 
 conduction of sound to the inner ear, 
 and when a noise is unpleasantly loud 
 we throw this muscle into action. It 
 is noticed that in certain cases when 
 there is anything the matter with the 
 nerve that supplies this muscle, loud 
 sounds become unusually painful. 
 
 That is all we need say about the 
 middle ear. The more closely we 
 study it, the more wonderful we find 
 it, and we become almost inclined to 
 think that there can be nothing 
 quite so exquisite and perfect in the 
 whole body until we come to study 
 the inner ear, compared with which 
 the middle ear is almost clumsy. The 
 whole purpose of the chain of bones in 
 the middle ear is to carry the sound- 
 waves from the membrane in its 
 outer wall to a similar sort of mem- 
 brane on its inner wall, on the inside 
 of which is the inner ear. The inner 
 ear is filled with fluid, and every 
 sound that we hear reaches the nerve 
 of hearing by conduction through 
 fluid. 
 
 We think of sound as a wave in the 
 air, and that is what it usually is; yet 
 in its last stage, before reaching 
 our nerves, every sound we hear is 
 made of waves in water. This has 
 a special interest if we trace the 
 history of the ear and notice how it 
 has slowly developed from its early 
 stages in the fish, which hears sound- 
 waves conveyed by water. 
 
 The INNER EAR THAT IS FAR MORE 
 WONDERFUL THAN THE OUTER EAR 
 
 The main part of the inner ear is a 
 tiny and very delicate bony structure, 
 rather like a snail's shell. We must 
 understand that all this is filled with 
 fluid. When the foot of the little 
 stirrup bone is thrown into vibration 
 by a sound, it vibrates the membrane 
 to which it is attached, and so there 
 is started a series of rapid little taps to 
 
THE WONDERFUL MACHINERY OF OUR EARS 
 
 Picture-dia0>*«m of the EAR 
 
 This diagram shows the Inside of our ear, from the entrance to the end of the nerve that passes to the brain. Tiie 
 drum Is stretched across the end of the canal, and on the other side is the chamber of the middle ear, filled with air that 
 enters from the throat. In this chamber are three small bones, the hammer, the anvil, and the stirrup, the last being fixed 
 to the drum of the inner ear, which is shaped like the coUs of a snail's shell. 
 
 Here we see a sound wave striking the drum of the ear. The vibration moves the handle of the hammer, which pulls 
 the anvil and pushes the stirrup, as shown by dotted lines, against the drum of the inner ear. Tiny waves of the fluid 
 inside this inner ear pass through a membrane which lines the shell, and, traveling round the coils in the direction of the 
 arrows, communicates its sensation to tlie nerve, and then returns by anotlicr canal. 
 
 In this picture the spiral coil is cut through from lop to 
 bottom. The little galleries are filled with fluid, and 
 contain very marvelous organs. The part in the dotted 
 square is shown in the next picture enlarged. 
 
 118 
 
 Over 3000 little hammers, jointed like those of a piano, 
 support thousands of hair-cells that rest on a membrane. 
 More than 10.000 strings are stretched across, like piano 
 wires, and these convey the wave sensation to the nerve. 
 
BOOK OF OUR OWN LIFE 
 
 119 
 
 the fluid which is lying against the 
 inner side of that membrane, and the 
 waves thus started run right along 
 this spiral coil. 
 
 Now, when we carefully examine 
 the inside of this coil with the aid of a 
 microscope, we shall find that we have 
 really come to the essential part of 
 the machinery by which sounds are 
 received. All the rest that we have 
 studied is merely for conducting the 
 sounds. The outer ear, the canal 
 leading from it to the drum, the chain 
 of bones, and the spiral canal filled 
 with fluid, are all mere arrangements 
 for getting the sound in the best 
 possible way to the ends of the nerve 
 of hearing. We may compare all 
 these parts of the ear with all the front 
 parts of the eyeball. These front 
 parts simply serve to carry the 
 light to the curtain at the back of the 
 eye, where the nerve of vision begins 
 •7r ends, whichever way we care to 
 look at it. And the same is the case 
 •^-ith the ear. 
 
 The fibers of the inner ear that 
 are like piano wires 
 
 But we have not vet actuallv 
 reached the ends of the nerves of 
 hearing. The httle nerve fibers do 
 not hang freely in the fluid of the 
 spiral canal, for there is something in 
 between. We find that along the 
 whole length of the canal, stretched 
 across it from side to side, there is 
 a sort of platform made of delicate 
 fibers. Their number runs into many 
 tens of thousands. 
 
 If the spiral were arranged flat, in a 
 straight line — which it doubtless 
 would be but for the fact that a 
 spiral takes up less room in the head 
 — we should see that the fibers are 
 very like a series of piano wires, or 
 like those toy musical instruments 
 made of strips of metal that are struck 
 with little hammers. INIany people 
 suppose that there is a meaning in 
 
 the resemblance of these fibers to a 
 musical instrument. 
 
 There are cases where people have 
 been perfectly deaf to one or two notes 
 of the piano, but could hear all the 
 notes above and all the notes below, 
 and in some of these cases it has been 
 found that the piano in the inner ear, 
 so to speak, has been damaged in a 
 way corresponding with the gap in 
 the person's hearing. 
 
 The little fingers of the ear that 
 receive the waves of sound 
 
 Now, upon the whole length of this 
 series of fibers there are perched a 
 number of small but wonderful cells, 
 each of which has a few little things 
 like short hairs sticking out from it, 
 and these little fingers, or hairs, lie in 
 the fluid of the spiral canal. Probably 
 it is these tiny, hair-like fingers that 
 receive the waves of the fluid, and 
 then something happens in the cells. 
 Lastly, if we examine carefully the 
 lower part of each of these cells, we 
 find that the nerve of hearing, which 
 has come to this place from the brain, 
 has sent a few tiny fibers that end at 
 the base of these cells. The fibers do 
 not run into the cells, but the cells 
 are perched upon the ends of the 
 little nerve fibers. 
 The journey of a sound from the 
 
 OUTSIDE world TO THE BRAIN 
 
 Now we have actually traced the 
 sound from the outer world to the 
 ends of the nerve of hearing. We 
 have seen the path of its conduction, 
 sometimes along canals filled with air, 
 sometimes along little bones, then 
 along the canal of fluid, and lastly, 
 through their hairs into certain special 
 cells made for the purpose. Here we 
 come to a point which very few people 
 understand, and as it applies equally 
 to all the senses, we must know it 
 thoroughly. We might suppose that 
 the next thing to happen would be 
 that the sound, having got so far, runs 
 
HOW A SOUND REACHES THE BRAIN 
 
 Tliis picture shows the wonderful strurture of the ear — the telephone receiver by which we are able to receive mes- 
 sages from outside Sound-waves of air strike the drum of the ear, which vibrates the bones of the middle ear, and they 
 in turn vibrate the drum of the inner ear. This sets in motion a fluid, and the wave motions are conveyed along the spiral 
 staircase to the wires, or nerves of hearing, and from there to the telephone exchange, or brain. 
 
 120 
 
BOOK OF OUR OWN LIFE 121 
 
 along the nerves of hearing to the we are not so much puzzled, because 
 
 brain. Nothing of the sort occurs. here is something which seems to cor- 
 
 Hitherto we have been dealing with respond with the sense of hearing, 
 
 things that are wonderful and com- There ought to be the power of 
 
 plicated enough — so complicated that noticing slight differences in sounds 
 
 what has been said is only a mere by means of an organ so complicated 
 
 outline of the facts — but at this point as the inner ear is. But the inner ear 
 
 we have reached something compared would not be of the least use without 
 
 with which all the rest is common- the nerve of hearing, and every one 
 
 place and simple. of these tiny differences in sounds 
 
 The sound which reached the hair means a tiny difference in the some- 
 cells of the inner ear does not pass thing that runs along the little white 
 along the nerves of hearing, but it threads that make up this nerve, 
 sets up in them a nerve current which jhe crea c marvel of nerve-currents 
 runs to the brain. That nerve current that very few people think about 
 is not a sound wave ; it is utterly Language cannot say how wonderful 
 different in every way from a sound these things appear to those who really 
 wave. But it is that current, and think about them; and it is a great 
 that alone, which excites the hearing pity that so many of us should go 
 cells in the brain, and enables us to through the world, hearing, seeing, 
 say that we hear. and moving, and yet never giving a 
 
 If we examine the nerve of hearing thought to these marvels upon which 
 
 through a powerful microscope, it our lives depend. 
 
 looks just like any other nerve. But The fact that nerve currents, and 
 
 to say merely that it is capable of not sound currents, travel along the 
 
 carrying a nerve current which we nerve of hearing is a general truth of 
 
 translate into sound is not to state all the senses. It is not light that 
 
 half the mystery, for we must consider travels along the nerve of vision, 
 
 the infinite variety of sounds that we The place in the brain where we see 
 
 can hear and distinguish. is enveloped, and lives always in utter 
 
 The many nerve-currents that pass darkness; no light ever reaches it. 
 
 TO THE BRAIN WHEN WE HEAR MUSIC What Fcachcs it is the nerve currents 
 
 What must be the number and from the nerves of vision. All that 
 
 delicacy and variety of the nerve the light does in entering our eyes is 
 
 currents passing along these nerves of to do something which starts those 
 
 hearing when a great musician con- nerve currents in the ends of the nerve 
 
 ducts a big orchestra, and can hear of vision. 
 
 every instrument separately, and know And all that sound does in entering 
 
 whether it is in tune or not! How our ears is to start certain nerve 
 
 delicate must be the varieties of cur- currents in the ends of the nerve of 
 
 rent that are possible when we hearing. When we study the variety 
 
 remember that it is scarcely possible of sensations that are possible for us, 
 
 for us to mistake the voice of one we see that a nerve current, though 
 
 friend for that of another. we talk about it so easily, must be 
 
 So long as we confine ourselves to nearly the most complicated and 
 the study of the inner ear, and see the wonderful thing in the world, com- 
 tens of thousands of fibers of different pared with which the waves of sound, 
 lengths, and the hundreds of thou- or light, or electricity, must be con- 
 sands of hair cells which it contains, sidered quite simple. 
 
122 
 
 THE HUMAN INTEREST LIBRARY 
 
 HOW THE BODY IS HELD IN BALANCE 
 
 THE inner ear would be quite 
 sufficient to make the bone 
 that contains it the most 
 wonderful in the body. We know 
 that that bone is the hardest in the 
 body; and this is necessary not only 
 because it forms part of the base of 
 the skull and should be strong, but 
 also, we suppose, because a hard 
 bone conducts sound waves better 
 than a more loosely -built one. 
 
 We must understand th^.^ the im- 
 portant thing in hearing is for sound 
 waves somehow or other to get to the 
 hair cells. Much the best way is 
 through the fine series of structures 
 about which we have read; but 
 though they are very useful, and 
 though we cannot hear anything like 
 so well without them, they are not 
 necessary. 
 
 From the teeth, or from the bones 
 of the head in general, sound waves 
 can be conducted — and, of course, are 
 conducted, whenever we hear — which 
 are conveyed very well by the dense 
 bone that contains the inner ear, and 
 so get to its hair cells. Sound waves 
 reaching the ear in this way contribute 
 to the keenness of our hearing, but of 
 course they cannot compare for ef- 
 fectiveness with those that travel 
 along the wonderful path made for 
 the special purpose of hearing. 
 
 But there is another reason why 
 the bone that contains the inner 
 ear is of very great importance 
 and interest. It also contains an- 
 other organ of a wholly distinct 
 sense, which lies close beside the 
 inner ear, and is, indeed, in more 
 or less direct communication with 
 it. For many years it was sup- 
 posed that this organ was part of 
 the inner ear, and was concerned 
 with hearing. We now know that it 
 has nothing to do with hearing. 
 
 The mistake was made more natural 
 by the fact that one and the same 
 nerv seems to run from the brain to 
 both parts — as they were supposed to 
 bo — of the inner ear. In point of 
 fa:t, what looks like one nerve, and is 
 still called one nerve, is two wholly 
 distinct nerves, as we can readily 
 prove if we trace the course of the 
 fibers towards the brain. 
 
 We find that the fibers which have 
 come from the real inner ear all run 
 to a certain part of the brain, the busi- 
 ness of which is hearing. But we find 
 that the fibers which have come from 
 this other organ all run to an entirely 
 different part of the brain which has 
 nothing to do with hearing at all. 
 
 In fact, what we are here dealing 
 with is the sense of balance, and it is 
 probably more or less of an accident 
 that its machinery happens to be such 
 a close neighbor to that of the sense of 
 hearing. 
 
 A LITTLE-KNOWN PART OF OUR BODY 
 THAT HELPS US TO STAND 
 
 This sense of balance is, in a way, 
 a sense that tells us about the outside 
 world, like hearing or vision; because 
 it does tell us where the outside world 
 is in relation to our bodies. But it is 
 quite unlike the senses we know so well, 
 as it is not arranged to receive any- 
 thing from the outside world at all, 
 and so, unlike the eye or ear, it has 
 no connection with the surface of the 
 body. We may say that this is one of 
 the senses which tells the brain about 
 the body, rather than about the world 
 outside the body. 
 
 Before we study the organ of this 
 sense, we must notice, in the first 
 place, that it is helped by other means. 
 We do not entirely depend for our 
 balance upon the organs of balance in 
 the base of the skull, though we cer- 
 tainly cannot balance ourselves with- 
 
BOOK OF OUR OWN LIFE 
 
 123 
 
 out their assistance. When we stand, 
 for instance — and standing is a very 
 much more difficult matter than we 
 usually suppose — our power of balance 
 is greatly helped by the feelings we get 
 from the soles of our feet. If some- 
 thing is painted on to the soles of our 
 feet so that the skin there can no lon- 
 ger feel, or in cases of illness which 
 have the same result, we cannot stand 
 so easily as we usually do. 
 
 But the sense of balance is also 
 helped by the eyes. As long as the 
 eyes are open, even a person who is not 
 helped by the soles of his feet may 
 balance himself; or, with his eyes 
 shut, he may yet balance himself if he 
 stands with his feet far apart; but if 
 he puts his heels together, and shuts 
 his eyes, he will probably topple over 
 on the ground. 
 
 The great use of the eyes in 
 balancing the body 
 
 People, however, can stand with 
 their heels together, and with their eyes 
 shut, thus doing without the assistance 
 of sight, if the organs of balance in 
 the skull are all right, and if guidance 
 is also coming to the brain from the 
 soles of the feet, and also from the 
 muscles and joints of the legs. If we 
 set ourselves the task of balancing on 
 a very narrow plank, or, still more 
 difficult, on a tight-rope, then our 
 eyes become more useful, and, unless 
 we are very skilful indeed, they are 
 quite necessary. 
 
 Everyone knows how the tight- 
 rope walker keeps his eyes steadily 
 fixed on a certain point, and 
 so greatly helps himself. If he is 
 very skilful, he may walk on the tight- 
 rope even though he bandages his 
 eyes; but this is far more difficult. 
 However, the eyes and the feelings 
 from the skin and joints and muscles 
 are all unimportant compared with 
 the guidance we get from the special 
 organs of balance, and no one was ever 
 
 yet able to stand or walk on the 
 ground, much less on a tight-rope, in 
 whom these organs were not working 
 properly. Now we must learn what 
 they consist of. 
 
 In the hard bone that contains the 
 inner ear, and close to the inner ear — 
 on each side of the head, of course — 
 we find this organ of balance. It con- 
 sists of three tiny tubes, in shape like 
 half a circle. 
 The six little tubes which tell 
 
 THE brain our MOVEMENTS 
 
 The proper name for a half circle 
 is a semi-circle, just as half a tone is 
 a semi-tone, and the corresponding 
 adjective is, of course, semi-circular; 
 not a difficult word if we know how it 
 is made up. The proper name for 
 these tubes, then, is the semi-circular 
 canals, and of these the head of every 
 human being and of all the higher 
 animals contains six, three on each 
 side. They are all filled with fluid. 
 
 Just as the nerve of vision runs to 
 the eye and the nerve of hearing to 
 the ear, so the nerve of balance runs 
 to the semi-circular canals. The ends 
 of the nerve — that is to say, the ends 
 of the countless nerve-fibers which 
 make the nerve — lie close to the fluid 
 that fills the canals, and if that fluid 
 moves, or if the pressure on it changes 
 in any direction, the nerve-fibers know 
 about it and tell the brain our move- 
 ments. 
 
 Now let us look at an ordinary 
 child's block, which we call a cube. 
 If we want to measure it, we find that 
 it can be measured in three directions 
 — from top to bottom, from side to 
 side, and from back to front. We 
 may pick up any solid thing and we 
 find the same is true of it. We 
 may want to measure a room, and we 
 find again that the same is true; we 
 must measure the floor in both direc- 
 tions, and we must also measure the 
 height of one of the walls. 
 
A BLINDFOLDED MAN'S WALK ACROSS NIAGARA 
 
 One of the most marvelous feats of balancing ever performed was the crossing of Niagara Falls by Blondin, who walked 
 across the Falls on a tight-rope, blindfolded. The eyes are very helpful in enabling us to keep our balance, but they are 
 not really essential, and Blondin was able to walk over Niagara with his eyes covered, being aided by the six little canals 
 in his head, which are the organs of balance, as described. 
 
 124 
 
BOOK OF OUR OWN LIFE 125 
 
 In general terms, space has three balance are injured cannot balance, 
 
 directions — or dimensions, to give the They suffer from persistent giddiness, 
 
 usual word — and when we move our It has also been proved that where 
 
 head it must move in one or more of the injury affects only certain of the 
 
 those three directions. We may nod canals, the giddiness corresponds to 
 
 our head, or we may shake our head, the direction of the particular canal 
 
 or we may raise it up and down. All or canals in question. If it is only 
 
 the possible movements of the head the horizontal canals that are thrown 
 
 are either in one of these directions or out of action, then we shall be all 
 
 in a combination of two or all three of right so far as nodding the head is 
 
 them. Now, the business of the organ concerned, but directl}^ we start shak- 
 
 of balance is to acquaint the brain ing it, we shall become giddy, and, 
 
 with every possible movement of the if we do not receive support, topple 
 
 head, and it must therefore be so over. 
 
 constructed that all possible move- The history of the semi-circular 
 
 ments shall duly register themselves canals is deeply interesting. The 
 
 in it. lowest kind of creature with a back- 
 
 This is done in the most exquisite bone, as we know, is the fish, and we 
 way by the provision of three canals find in it no trace of these canals, 
 on each side of the head, these three Now, the fish is very clever at balanc- 
 canals being arranged in correspond- ing itself, and shows no signs of giddi- 
 ence with the three dimensions, or ness; but probably we can explain 
 directions, of space. One canal lies why the fish manages so well without 
 on its side or is horizontal; and the any semi -circular canals, if we remem- 
 other two are upright, but at right ber how great the pressure of water is 
 angles to each other. As there is an upon the surface of the fish, and there- 
 organ of balance on each side of the fore how much more information the 
 head, we may think of the canals in fish must get from its skin than we are 
 pairs, and there is no doubt that they able to get from ours, 
 act in pairs. For instance, the hori- How birds are able to fly without 
 zontal canal on each side of the head tumbling over 
 acts with its fellow when we shake As we ascend the scale of back- 
 tlie head, or when we spin round, as boned animals, we gradually find the 
 we do in dancing. appearance of these semi-circular ca- 
 The moving fluid in the six little nals, though they do not all appear at 
 CANALS IN OUR HEADS oucc. If our statements as to their use 
 
 The consequence of this arrange- are correct, we should expect to find 
 
 ment is that every possible movement them most beautifully and perfectly 
 
 of the head has a strictly correspond- developed in birds, which could not 
 
 ing effect upon the fluid inside one or succeed in flying without a perfect 
 
 more pairs of these six canals, and the sense of balance. In flying, the bird 
 
 center of balance in the brain is gains little from the feet and legs, as 
 
 informed. This center of balance we do in the very much simpler 
 
 probably exists in the cerebellum, or business of standing or walking; and 
 
 little brain. Sometimes we have an therefore its need of special organs of 
 
 illness in which the organ of balance balance is all the greater, 
 
 is thrown out of action, and just as a So we find the semi-circular canals 
 
 person whose eyes are injured cannot at their very best in birds, and we 
 
 see, so those in whom the organs of know also that, just as in our own case. 
 
126 
 
 THE HUMAN INTEREST LIBRARY 
 
 if the canals are thrown out of action, 
 the bird's power of balance is destroy- 
 ed, and in flying it will make mistakes 
 and show peculiarities corresponding 
 to the particular defect in its organ of 
 balance. It is probable that in this 
 way we can explain the peculiarity of 
 what are called "tumbler" pigeons. 
 
 It used at one time to be thought, 
 before these newer facts were dis- 
 covered, that the semi-circular canals 
 must have something to do with 
 hearing; and we can understand how 
 natural this idea was, seeing that the 
 canals look as if they were part of 
 the inner ear, and their nerve looks 
 as if it were a part of the nerve of 
 hearing. 
 The little organs in our ears that 
 
 HAVE ^IOTHING TO DO WITH HEARING 
 
 The idea used to be that probably 
 we somehow judge of the direction of 
 sound by means of these semi-circular 
 canals. No one could look at their odd 
 arrangement without feeling that their 
 business had something to do with 
 direction. But we now know that 
 their business is with the direction in 
 which the head moves, and not with 
 the direction of sound. It is much 
 more important to know what the 
 head is doing than to know where 
 sound comes from, and, in any case, 
 by having external ears that can be 
 moved, a creature can easily enough 
 judge of the direction of sound with- 
 out any special machinery inside its 
 head. If we human beings are not 
 so well off in this respect, it is because 
 we have lost the power of moving our 
 outer ears like the animals. 
 The FISH'S gills, upon which many 
 
 PRECIOUS structures ARE BUILT UP 
 
 We have lost this power that the 
 animals have, but we have gained 
 many things that the animals have 
 not. In the very lowest vertebrate 
 animals, such fishes, we find, instead 
 of lungs, have what are called gills. 
 
 To these the blood runs, as it runs to 
 our lungs, and in them it comes in 
 close relation with the oxygen dis- 
 solved in the water, just as in our 
 lungs the blood comes in close relation 
 to the oxygen of the air. The gills 
 have to be supported on something, 
 and so we find in the fish five gill- 
 arches, with slits between them called 
 gill-slits. 
 
 How THE SWIM-BLADDER OF THE FISH 
 BECAME THE LUNG OF THE MAMMAL 
 
 We can never tell what uses nature 
 will turn a thing to, and the history of 
 life upon this earth proves over and 
 over again that organs which would 
 appear to have lost all their use, and 
 of which nothing could be made, may 
 be turned to new and utterly different 
 purposes, rather than be wasted. 
 Nature took the swim-bladder, which 
 used to be filled with air, and helped 
 the fish to swim at the level it liked, 
 and when the creature no longer swam 
 under the surface at all, she made it 
 into a lung. Thus nature had gill- 
 slits and gill-arches thrown on to her 
 hands w4th their occupation gone. By 
 long and careful study of many animals 
 we have been able to trace what hap- 
 pens to each of these; and it is one of 
 nature's great triumphs in the develop- 
 ment of the bodies of the higher ani- 
 mals that she has been able to do with 
 these apparently useless things. 
 
 Out of them has been made the 
 whole of the semi-circular canals. 
 Thus nature has provided for the 
 balance of the bird out of the organs 
 which helped the fish to breathe. 
 From these organs, also, she has made 
 the whole of the ear, including the 
 little bones in the middle ear, and all 
 the wonderful structure of the inner 
 ear. As if this were not enough, she 
 has also made out of the gill-arches 
 an organ no less new and wonderful 
 than the voice-box, or larynx, by 
 which we speak and sing. 
 
BOOK OF OUR OWN LIFE 121 
 
 THE VOICE AND ITS MECHANISM 
 
 IT IS much better, for two good rea- meaning in this arrangement, which, as 
 
 sons, that we should go on to study we know, makes it necessary for every- 
 
 the larynx. First, we should do thing we swallow, whether liquid or 
 
 this because then we shall be studying solid, to be thrown over the opening 
 
 together the various organs that have to the larynx without entering it. 
 
 been developed in the higher animals There is thus placed upon the larynx 
 
 from the gill-arches of the fish; and, another duty besides that of pro- 
 
 secondly, we should do so because it ducing sound, and that of attending 
 
 is well to study the means by which to our breathing, for it has to protect 
 
 we produce sounds, after studying the the air passages every time we swallow, 
 
 means by which we hear them. This organ is made of pieces of what 
 
 We all know something, at least, is called cartilage. Our ordinary name 
 
 about the larynx, because we have all is gristle, and we may describe it as 
 
 seen the front part of it pushing the something which is half way towards 
 
 skin forward and sometimes moving bone. 
 
 up and down. There is a foolish The narrow channel through which 
 
 notion that this is the apple which passes all the breath of life 
 
 Adam swallowed, and which stuck In old age the cartilages of the 
 
 in his throat, and so it is sometimes larynx get to be not exactly bony, but 
 
 called Adam's apple. A larynx, or more chalky and rigid than they are 
 
 voice-box, similar to ours is to be in youth; and this, probably, is one of 
 
 found in all the higher animals, and, the reasons why most people with 
 
 as we know, it is simply a stringed sensitive ears can readily distinguish 
 
 musical instrument. In the case of a young voice from an old voice, 
 
 the birds, many of which have such The business of the larynx is to 
 
 beautiful voices, there is besides this support and control the action of two 
 
 stringed instrument another, which is tiny cords or strings called the vocal 
 
 practically an organ pipe. But, in cords; that is to say, the voice cords, 
 
 all its forms, and whether with or The picture given in connection with 
 
 without this organ pipe, the larynx this article shows what the vocal 
 
 is evolved from one of the gill-arches cords look like when they are seen 
 
 of the fish. from above by means of a bright little 
 
 This voice-box, of course, is not mirror held at the back of the throat, 
 
 only concerned with speaking and We see that the vocal cords have a 
 
 singing; it has important duties to free edge towards the middle, and 
 
 perform every moment of our lives, that from it they pass outwards to 
 
 because it is the channel of the breath the sides of the larynx, 
 
 of life. Further, owing to the manner All the air by which we live passes 
 
 in which the lungs have been devel- through the narrow space between the 
 
 oped in long-past ages, it has so vocal cords. The arrangements by 
 
 occurred that the opening from the wiiich they can be put together or 
 
 throat to the voice-box lies in front separated are quite simple. They 
 
 of the opening from the throat to the part every time we breathe in, and 
 
 gullet. when we choke and cannot breathe 
 
 Only the study of the way in which in, it is because the vocal cords are 
 
 living things have developed one from not parting as they should. But if 
 
 another can enable us to see any the cords are to produce voice, they 
 
PICTURES DRAWN BY THE HUMAN VOICE 
 
 No artist drew these designs. A thin sheet of india-rubber was stretched over a vessel like a cup which had a spout 
 at the side. Some light powder was then thrown upon the rubber covering, and when someone sang into the spout, the 
 powder formed itself into the design of the picture on the left. The right-hand picture, looking like a frosted window, 
 was drawn in the same way, but, instead of powder, moist paint was put on the rubber covering. 
 
 To obtain the left-hand picture, a sheet of glass was coated with paint and put over the cup, with the paint resting on 
 the rubber covering. Then, as the spout was sung into, the glass was moved round, and this beautiful design appeared. 
 The picture on the right — something like a fern-leaf — was made by singing louder and having moister paint on the glass. 
 The cup with a spout or tube is called an eidophone, which means "form of the voice." 
 
 12S 
 
BOOK OF OUR OWN LIFE 
 
 129 
 
 must be able to do much more than 
 this. It must be possible to hold 
 them tightly stretched, so that when 
 air is forced against them they will 
 vibrate. Nor is this all, for it must 
 be possible to stretch them in different 
 degrees. As we shall learn when we 
 come to study sound, the pitch — the 
 shrillness or the lowness — of a musical 
 note produced by anything trembling 
 depends upon a number of things, 
 such as its weight, its length, and its 
 tightness. 
 
 The wonderful musical instrument 
 with one string 
 
 Now, in the case of a piano, when 
 we want to produce notes of different 
 pitch, we have a number of strings 
 of different lengths laid side by side, 
 so that we can strike the one that 
 gives out the required note. Also, 
 we can have some of them made of 
 much heavier material than others. 
 In the case of the violin, it is possible 
 to have only very few strings, but we 
 can produce all the notes we want by 
 stopping the strings with our fingers, 
 so that the length of string that is 
 free to vibrate can be altered as we 
 please; and the strings are made of 
 different weight and thickness. 
 
 But in the larynx there are only 
 two strings, and these always act 
 together, it being impossible to produce 
 voice with one of them ; moreover, they 
 are of the same weight and length. 
 Outside the human body, a musical 
 instrument that had practically only 
 one string, and that could not be 
 stopped at different points like a 
 violin string, would not be able to 
 produce much variety of pitch. The 
 only possible way of getting any 
 variety would be to have some means 
 of varying its tightness. It is prob- 
 ably correct to say that there is no 
 material other than that made by 
 life that can be tightened in such 
 different degrees as the needs of music 
 
 demand, without permanent injury to 
 the strings. 
 
 The MARVELOUS POWER THAT A GOOD 
 SINGER HAS OVER THE HUMAN VOICE 
 
 But though our vocal cords have 
 only the one possibility of varying 
 pitch, due to the fact that they can be 
 tightened in different degree, with this 
 one means they triumph. A good 
 singer can produce all the notes in a 
 range of two octaves, and many 
 singers are able to exceed this com- 
 pass considerably. Outside the body 
 there is no parallel to this. It is 
 interesting, therefore, to know of 
 what the vocal cords are made, so 
 that they can stand such varying 
 degrees of tightness, within a few 
 seconds, without injury. They are 
 simply made of fibers of what we call 
 elastic tissue, such as is found in 
 various parts of the body wherever it 
 is needed. But an ordinary piece of 
 elastic is rubbish compared with the 
 elastic tissue made by the body. 
 
 How THE VOCAL CORDS ARE TIGHTENED 
 TO PRODUCE DIFFERENT SOUNDS 
 
 The next question is — How is their 
 tightness varied? In front, just be- 
 hind the part of the voice-box that 
 we see from outside, the cords are fixed 
 to the largest cartilage of the larynx, 
 but, behind, each of them is fixed to 
 a tiny little knob of cartilage which is 
 delicately jointed to the part that it 
 rests on, so that it can be tilted in 
 several directions. 
 
 What really happens when we sing 
 is that these little knobs of cartilage 
 are tilted backwards so that the cords 
 are made tighter when our voice 
 ascends in pitch, and are tilted for- 
 wards so that the cords are made 
 slacker when our voice falls in pitch. 
 
 When a singer is producing one of 
 his highest notes, the cords have to be 
 so tight as to vibrate four times as 
 often in every second as when he is 
 producing one of his lowest notes. 
 
130 
 
 TEE HUMAN INTEREST LIBRARY 
 
 Thus, in the whole range of nature, 
 there is scarcely anything more per- 
 fectly delicate than the control which 
 a singer has over this tiny little 
 machine to produce such results. 
 
 Why the human voice is much more 
 marvelous than a piano 
 
 Nor must we suppose that the 
 singer is merely limited to the number 
 of notes that there are on the piano 
 in two octaves. Pianos vary in pitch, 
 as we know, and a singer can tune his 
 voice to the pitch of any piano he sings 
 with. Skilful singers can produce 
 several tones, even as many as eleven, 
 between two notes that are next to 
 each other on the piano. 
 
 As we have said, all this depends 
 on the tightness of the cords, and the 
 tightness depends on the strength 
 with which certain tiny slips of muscle 
 pull upon the cartilages to which the 
 cords are attached; and that depends 
 upon the force of the nerve current 
 sent to the nerves through these 
 muscles from certain nerve cells in 
 the brain. The place, therefore, where 
 the unrivaled delicacy of this machine 
 really exists is the nerve center in the 
 brain. 
 
 As everyone knows who has tried 
 to read a song he was not sure of, or 
 as anyone may observe who watches 
 a child learning to sing, it is one thing 
 to have all the machinery for pro- 
 ducing a note that is easily within the 
 range of our voice, and it is quite 
 another thing to be able to produce 
 that note when we want to. There 
 are two stages of difficulty here, and 
 the second is marvelous beyond any- 
 thing we have yet described. The 
 
 first of these is where we simply 
 imitate a note we hear. 
 
 This is quite wonderful enough, for 
 it means the beautiful working to- 
 gether of the cells in the hearing center 
 of the brain with the cells of that part 
 of the brain which gives orders to the 
 muscles of the voice-box. 
 
 The mystery of the writing and 
 singing of music 
 
 But now take the second case, where 
 a singer sings aloud the notes of a 
 piece of music that he has never seen 
 before. What is it that he imitates 
 now-f^ What is it that guides him? 
 We can only say that the singer 
 imitates, or realizes, his idea of a 
 certain sound that he has in his mind, 
 but what and where the idea really is, 
 and how the ringer can do what he 
 does, no one can say, for we are here 
 in the realm of the mind — the most 
 mysterious of all things, and it baffles 
 us utterly. 
 
 Lastly, we have the case of the 
 composer sitting down with a pencil 
 and a sheet of paper, and creating 
 music "out of his head" for other 
 people to sing and play. Some of the 
 greatest music ever written — music 
 which has made miserable people 
 happy, and cowardly people brave, 
 and frivolous people solemn, and will 
 do so to the end of time — was written 
 by a man named Beethoven many 
 years after he had become stone deaf. 
 He never heard a note of the greatest 
 and most wonderful part of the music 
 that he wrote; and yet, in his mind's 
 ear, he heard it better than anyone 
 has ever heard it since, or he could 
 not have created it. 
 
BOOK OF OUR OWN LIFE 
 
 131 
 
 lu these pictures we see the positions taken by the tongue and lips when diHerent vowels are pronounced. The posi- 
 tion of the larynx remains the same, the different sounds being produced by the changed position of the resonators, or 
 cavities above the larynx. The vowels shown are A, as in father, E, and U. 
 
 TALKING AND SINGING 
 
 WE know how the larynx, or 
 voice box, the musical in- 
 strument which we all pos- 
 sess, produces notes of any particular 
 pitch that we desire. But though 
 singing is very delightful and pleasing, 
 and though many books might be 
 written upon the voice box and its 
 use in singing, speaking is really 
 much more important than singing, 
 and therefore it is necessary to study 
 speaking from the point of view of 
 the machinery by which it is done. 
 We have already learned about the 
 wonderful center in the brain where 
 words and the meaning of them are 
 stored, and we understand that every- 
 thing else depends upon the .orders 
 given there, but now we must go on to 
 study the machinery by which those 
 orders are carried out. The voice 
 box is, of course, the central part of 
 this machinery, but it is not all; and, 
 indeed, everyone knows, who has 
 whispered, that it is possible to speak 
 without the voice box at all. 
 
 There is one point which has been 
 greatly discussed by many thinkers, 
 and which we must mention first. We 
 know that we ourselves both speak and 
 sing, and when we observe the birds, 
 we find that they sing, but do not 
 
 speak. The question is: Did singing 
 or speaking come first .^ And there is 
 a difference of opinion on this matter. 
 A great Frenchman, named Diderot, 
 at the end of the eighteenth century, 
 and Herbert Spencer, many years 
 after, supposed that singing came later 
 than speaking. Their argument was 
 that, after learning merely to speak, 
 the time came when men wanted to 
 make their speech more effective and 
 thrilling and moving, and so they sang 
 the words instead of only speaking 
 them. So on this theory speech came 
 first, and song is a sort of speech with 
 more effect added to it by the addition 
 of music. 
 
 But against these great opinions 
 there is another great opinion — that of 
 Charles Darwin. For many years he 
 studied the expressions of feeling in 
 man and in the lower animals. He 
 found, as he thought, that many of 
 the lower animals, especially the birds, 
 sing of set purpose, so to speak, and 
 perhaps sing very beautifully. He 
 supposed that the special reason for 
 the song of animals was to call each 
 other and to please each other. Now, 
 on this view, song came first and 
 speech afterwards with man, and that 
 is what Darwin maintained. 
 
132 
 
 THE HUMAN INTEREST LIBRARY 
 
 This is a subject which one writer has 
 specially tried to study, and what he 
 thinks is that in the case of mankind 
 speech and song have arisen together. 
 They are really two varieties of the 
 same thing, which is expression by 
 means of the voice. The argument 
 of Diderot and Spencer that speech 
 came first and song afterwards is, 
 not supported by the fact that 
 when we observe the growth of 
 very small children, w^e can see the 
 beginnings of speech and of singing 
 growing up at one and the same time 
 in them; nor is there any reason at all 
 why this should not be the case. 
 However this may be— and it is at 
 least an interesting subject to think 
 about — let us now go on to study 
 what happens when we speak. 
 
 Why it is that we use different 
 notes in speaking 
 
 First of all, let us discover what is 
 the difference between singing and 
 speaking. In both cases we produce 
 sounds by means of the voice box, 
 except in whispering; in both cases 
 these sounds are musical notes — that 
 is to say, the waves which form them 
 are regular; in both cases there are 
 changes of pitch. 
 
 No one speaks with his voice all the 
 time on the same note, even in the 
 shortest sentence. We raise the voice 
 sometimes, we lower it at other times, 
 as we go along, and we convey a great 
 deal by the way in which we do this; 
 so much so, that children or foreigners, 
 who do not understand the words we 
 are saying, may learn a great deal 
 from the pitch of the notes we speak 
 in. 
 
 Even a dog or a horse will learn 
 much from our voices in the same way. 
 If anyone doubts that we use a num- 
 ber of different notes when we speak, 
 let him get someone to say a sentence 
 all on the same note, without raising 
 his voice or lowering it. The Greek 
 
 word for one is monos, and so, when 
 something is spoken or sung all on the 
 same note, we say that it is a mono- 
 tone, and thus we get the word 
 monotonous. 
 
 How WE ARE ABLE TO PUT COLOR INTO 
 OUR VOICES 
 
 We could scarcely live with anyone 
 who spoke in a really monotonous 
 voice. Also, we use different loud- 
 nesses when we speak, and, apart 
 from the actual note we are speaking 
 on, we use d fferent kinds of what is 
 often called color in our voices. We 
 speak to a child in a more tender tone 
 than we speak to a car conductor, 
 though we may speak more loudly 
 to the child than to him. There are 
 many different shades of expression 
 which we can put into the same words 
 spoken on the same notes and with 
 the same loudness. 
 
 Now, the reason why it has been 
 necessary to go so carefully into this is 
 that we want to find out the difference 
 between speaking and singing, and 
 the first thing we find is that in all 
 real points the singer does no more 
 than the speaker does. He uses a 
 variety of notes, he uses a variety of 
 force, he uses a variety of colors. Both 
 singers and speakers use a variety of 
 rhythm and speed. 
 
 But, nevertheless, no one will say 
 that speaking and singing are the 
 same, and everyone knows what it is 
 to hear someone speaking in a sing- 
 song voice. There is a common Eng- 
 lish word which has a very interesting 
 history that bears on this point. It 
 is the word cant. We say that a 
 thing is cant or that a person is canting 
 when we mean that he is professing 
 high ideas that he does not really be- 
 lieve. The word comes from the 
 Latin canto, I sing. Cant and chant 
 are really the same word, and we might 
 as well say that a person is chanting 
 as that he is canting. 
 
BOOK OF OUR OWN LIFE 133 
 
 What happens when anybody speaks but by tightening or loosening our 
 
 IN A sing-song way vocal cords. If we do not use these 
 
 The explanation is that at a very intervals when we sing, people say 
 
 interesting time in history there were that we are singing out of tune, and 
 
 certain people, having very strict go out of the room as quickly as 
 
 views on many things, who had the possible, and we are only asked to 
 
 habit of speaking in a sing-song way. sing by people who have never heard 
 
 When they spoke they rather chanted, us sing before. 
 
 Their enemies said that they did not Why different people have different 
 
 believe what they professed, and so kinds of voices 
 
 the word cant, w^hich really means But the violinist can also move his 
 
 singing, came to mean insincerity. bow across a string and make it sound. 
 
 Now let us ask what it is that hap- while, at the same time, instead of 
 
 pens when a person, who was speaking stopping the string at certain intervals, 
 
 in the ordinary way, speaks in a sing- he slides a finger right along the string, 
 
 song way, or actually sings. What So, as the string gets gradually longer 
 
 happens is that he now produces notes or shorter, he produces a series of 
 
 which have fixed regular intervals notes — thousands in number really — 
 
 between them, like the notes on a which cannot be imitated on the 
 
 piano. When we speak we do not piano. Now, our vocal cords can 
 
 use the fixed musical intervals of have any tightness or slackness, and 
 
 pitch, but slide the voice up and down, so it is possible for us to pitch our 
 
 without taking any notice of the fixed voices, as we speak, at any point we 
 
 intervals of music at all. It is true, like, just as if the violinist were to 
 
 also, that as a rule, when we speak, stop moving his finger at any point 
 
 we may keep our voice within the along the string of his instrument, 
 
 limits of, perhaps, half an octave or One of the great differences between 
 
 less, while when we sing we may range voices is in the person's choice of the 
 
 over a couple of octaves or more. But notes he speaks on. It might be 
 
 though this is evident directly we supposed that if one did not sing, it 
 
 think about it, it is not the real differ- would be all the same what notes one 
 
 ence between speaking and singing, spoke on; but we all know that there 
 
 which is that in singing we use only are people to whose speaking it is a 
 
 notes with fixed intervals between real musical delight to listen. It may 
 
 them, while in speaking we let our be noticed sometimes that well-trained 
 
 voice rest just where we please. If singers who sing quite well, but are 
 
 we think of a violin, we can, perhaps, not really musical, speak unmusically, 
 
 understand this better. A player gets and everyone knows cases of people 
 
 definite notes on the violin, such as who do not sing at all, but who have 
 
 the notes that are on the piano, by most beautiful speaking voices. To 
 
 placing his fingers firmly on the strings people with sensitive ears there is 
 
 at fixed intervals. scarcely a greater delight in life than 
 
 One of the great problems for the to be surrounded by people with 
 
 player is to get his fingers always at beautiful speaking voices, and one of 
 
 exactly the right places on the string, the reasons why we ought to study 
 
 Now, when we sing, it is as if we were this question here is that we are 
 
 using just those intervals, only that, running a grave risk today of losing 
 
 as we have seen, we do not get our the beauty of our speaking voices, 
 
 notes by the violin player's method, and for several reasons. 
 
ISJt 
 
 THE HUMAN INTEREST LIBRARY 
 
 The great care that should be taken 
 OF the voice in large families 
 
 One reason is simply the way in 
 which we crowd together. It is prob- 
 ably safe to say that more pleasant 
 speaking voices come from small 
 families than from large ones. If we 
 are one of twelve children, and we 
 want to be heard — well, we are rather 
 apt to discover which is the most 
 piercing tone we can produce, and 
 then, perhaps, we use that all the rest 
 of our life. People should take great 
 care of their children's voices in this 
 respect, especially when there are 
 many children, and they all want to 
 speak at once and be heard. 
 
 Perhaps it would be a good rule to 
 listen first to the one who spoke most 
 nicely and quietly. 
 
 A person who speaks in a high- 
 pitched, harsh tone — as if he scarcely 
 expected to be heard, but meant to 
 have a try — tells us something about 
 himself and his surroundings. Con- 
 trast that with the woman who 
 speaks in a voice rather low-pitched, 
 quiet, and musical. In so doing, she 
 almost tells us — does she not — that 
 she is accustomed to live in surround- 
 ings of peace and quiet where people 
 do not interrupt each other, where no 
 one shouts, and that she, indeed, 
 would rather not be heard at all than 
 make distressing noises. In perhaps 
 the most heart-breaking scene he ever 
 wrote, Shakespeare makes poor King 
 Lear say of his daughter Cordelia: 
 "Her voice was ever soft, gentle, and 
 low, an excellent thing in woman." 
 
 To some children who read these 
 words, this may appear not very im- 
 portant; but if we wait until we are 
 unhappy, or until we are ill, or until 
 we have to live with one and the same 
 person all our life, then we shall find 
 out what a difference it makes to be 
 surrounded by people with soft speak- 
 ing voices. 
 
 The great value of cultivating a 
 
 SOFT and gentle VOICE 
 
 There are doctors and there are 
 nurses who are worth far more than 
 others are to their patients, not 
 because they are more skilful or more 
 conscientious, but because they have 
 the kind of voice that often goes half- 
 way to making a sick person well. 
 
 Every year hundreds of thousands 
 of dollars are spent on singing lessons 
 and on listening to singers. That is 
 all very well in its way, but it is a 
 curious thing that so few of us trouble 
 at all about speaking lessons or about 
 making any conscious effort at all to 
 speak nicely. Parents will cheerfully 
 spend large sums of money on having 
 their children taught to sing, and will, 
 at the same time, allow those children 
 to talk regularly in a way which would 
 distress any dog. 
 
 We already know upon what the 
 pitch of the voice depends, and we 
 know, too, that a tone of any given 
 pitch may have different shades of 
 color, or quality. This is, at first, 
 not easy to understand, but it becomes 
 clear as we study sound. 
 Why we can sing the different 
 
 VOWELS on the same NOTE 
 
 The fact is, that when w^e speak or 
 sing on a given note, that note is really 
 a mixture of a large number of notes. 
 The lowest of these is the principal 
 one, and is the one we hear best. But 
 mixed up with it there are several 
 others, called over-tones, which color 
 it and give it its quality. 
 
 Now, we all know that it is possible 
 to speak or sing any of the vowels on 
 the same note. When we read this, 
 we should quietly say or sing a, e, i, o, u 
 to ourselves on the same note — and, 
 of course, these are by no means all the 
 vowel sounds that there are. Now, if 
 these are all on the same note, what 
 makes the difference between them? 
 The whole difference between the 
 
BOOK OF OUR OWN LIFE 
 
 135 
 
 vowels consists of a difference in the 
 number and proportion and com- 
 parative loudness of the over-tones. 
 When we sing a, e on the same note, 
 the difference is that when we make 
 the e we do something which alters the 
 over-tones that made a; and so, again, 
 when we change the tone to o or to ah, 
 or to any other. 
 
 If we carefully notice when we do 
 this, we shall feel that something is 
 happening inside our mouths. We are 
 moving our throat in a different way; 
 we change the position and the shape 
 of the tongue, or, in some cases — as 
 when we change the sound to o — we 
 move the lips. 
 
 How WE CAN MAKE DIFFERENT SOUNDS 
 BY MOVING THE VOICE ORGANS 
 
 In all these cases the larynx is 
 unchanged, and the vocal cords are 
 just doing what they did at first; but 
 we are altering the shape of the 
 spaces above the larynx — the resona- 
 tors, as they are called — and so the 
 over-tones are changed, and, instead 
 of the particular set of over-tones 
 which we have agreed to call a, there 
 comes another which we have agreed 
 to call e, and so on. 
 
 Children learn to make these sounds 
 by imitation. That, by the way, is 
 no explanation of how it is done, but 
 still it is done. Now, youth is the 
 time for learning, and afterwards not 
 only is it difficult to learn new things, 
 but also it is difficult to unlearn what 
 we learned in youth. Different lan- 
 guages have different vowel sounds. 
 Probably, on the whole, none of them 
 is more difficult to learn to pronounce 
 than any of the others. The question 
 is really at what time in our lives we 
 are asked to do so. 
 
 Every nation calls the sounds of the 
 words of every other nation jaw- 
 breaking for this reason. In English, 
 for instance, we do not have the vowel 
 sounds represented by the German ii 
 
 or ue; nor has our o exactly the same 
 sound as the Italian o. So we find it 
 very difficult to make those sounds 
 when we try to speak those languages, 
 and, as a rule, we do not make them 
 rightly. We may talk very good 
 German or Italian, but the German 
 or the Italian knows very well that 
 these are not the languages we learned 
 from the cradle. 
 
 Why a foreigner can never speak 
 english correctly 
 
 In just the same way, a foreigner 
 may use English far more correctly 
 and wisely than we do ourselves, but 
 though he lives half a century in 
 America, rnd though he may be a 
 very musical person, yet he will not 
 make his vowel sounds quite correctly. 
 The lesson of this is to teach us how 
 marvelously delicate are the tiny 
 movements of tongue and throat and 
 cheeks and lips which decide the 
 difference between ham as we say it, 
 and hara as a German, speaking 
 English, says it. 
 
 Another of the consequences of the 
 fact that children learn by imitation is 
 that if people, as children, have 
 unfortunately heard the vowel sounds 
 not quite rightly made, it is hard 
 work, and perhaps impossible, for 
 them ever afterwards to get them 
 quite rightly. Now, to make the 
 vowel sounds properly is a mark of 
 having a delicate ear, and of having 
 been surrounded by people who rather 
 cared about these things, and so, 
 though a man may speak beautifully 
 and be a wicked man, or talk with a 
 "shocking accent," as we say, and be 
 a hero, it is worth v/hile, perhaps, to 
 pay more attention to this matter 
 than many of us do. The number of 
 possible vowel sounds is almost end- 
 less, for every possible position of the 
 parts of the body concerned in speech 
 will alter, by affecting the over-tones, 
 the sound produced by the vocal 
 
136 
 
 THE HUMAN INTEREST LIBRARY 
 
 cords, and so each of these positions 
 will correspond to a difiFerent vowel 
 sound. But, as we know very well, 
 speech consists not only of vowel 
 sounds, but also of consonants, like 
 b, c, d, f, g, and so on, and of these, 
 also, there are a very large number. 
 
 The difference between a vowel 
 sound and a consonant sound 
 
 The first thing for us to learn is, 
 what makes the difference between a 
 vowel and a consonant, and there is 
 no doubt at all as to the answer. 
 The difference between a vowel and a 
 consonant is the difference between a 
 musical note and a noise — that is to 
 say, the difference between a series of 
 regular sound waves and an irregular 
 disturbance of the air. All the vowels 
 are musical notes ; to be more accurate, 
 they are blends of many musical notes 
 — the principal one and its over-tones. 
 Now, i and o are just as much musical 
 notes as a or ah; but if, instead of 
 saying ah, we say ark, we are using a 
 consonant, and it takes very little 
 time to prove that we are now making 
 a sound which is not a musical note 
 at all, but a noise. There are many 
 proofs of this. 
 
 For instance, the ear tells us the 
 difference in pleasantness between a 
 language full of harsh consonants, 
 such as German, and a "liquid" 
 language, as we say, like Italian, 
 where two consonants of different 
 kinds are scarcely ever allowed to be 
 next to each other, and where the 
 most is made of the vowels. In 
 general, the higher the proportion of 
 vowels to consonants in a language, 
 the more musical we call it. 
 
 Some sounds that nobody is able to 
 
 SING 
 
 Again, we know that it is possible 
 to sing a vowel, and though we may 
 sustain the note for many seconds, 
 we are all the time quite certainly 
 producing the sound of that particular 
 
 vowel — if we sing properly. But no 
 one can sing a consonant, because 
 every consonant is really an inter- 
 ruption, and nothing else, to the 
 musical tone produced by the larynx. 
 We seem to sing the letter 7n, it is true; 
 but, in fact, when we listen to our- 
 selves, we find that, after the first 
 instant, we are simply singing through 
 our nose a note which is neither m nor 
 anything else. This fact of the nature 
 of consonants, as compared with 
 vowels, is very important, both for 
 the singer and the speaker, but in 
 quite different ways, and everyone 
 who speaks or sings knows the dif- 
 ference. 
 
 Why a SINGER likes to sing IN ITALIAN 
 
 The first business of the singer is to 
 sing — that is to say, to make music. 
 But the singer is, as a rule, asked to 
 sing words, though sometimes he may 
 be allowed to sing for a little while a 
 mere vowel like ah; and words are 
 made up of vowels and consonants — 
 that is, of sounds which are them- 
 selves musical, and sounds which 
 are the very opposite of musical; some 
 very unmusical, like s, and some less 
 so, like /. 
 
 Thus, for choice, the singer will use 
 a language, such as Italian, where the 
 proportion of vowels to consonants 
 is high, and when the consonants do 
 come in, which, of course, they must 
 if what he says is to be understood, 
 he makes a point of dealing with 
 them very quicklj\ Let them be 
 definitely uttered, so that the people 
 may hear what is being sung; but let 
 this be done very quickly, because they 
 are noises interrupting the music — 
 every one of them. When we begin 
 to learn to sing, we are all liable to try 
 to sing on the consonants, and the 
 first thing we have to learn is to do the 
 singing on the vowels, which alone can 
 really be sung. It is interesting to 
 note, by the way, that the air-waves 
 
BOOK OF OUR OWN LIFE 
 
 137 
 
 made in singing, and even in speaking, 
 will throw scattered powder into 
 patterns, and on an accompanying 
 page are some pictures drawn by the 
 human voice. 
 
 The great importance to a speaker 
 of pronouncing his consonants well 
 
 To return to speaking, the first 
 business of a speaker, as contrasted 
 with a singer, is to be understood, and 
 when we come to study the words of 
 any language, we find that the 
 differences between them are due more 
 to consonants than to vowels. The 
 rule for the speaker, therefore, is 
 exactly the opposite of the rule for 
 the singer. Whatever happens, he 
 must make no mistake about his 
 consonants. He must not drop his 
 voice at the ends of sentences or at 
 the ends of words. It may be just 
 at the end of the word that the con- 
 sonant comes which tells people what 
 the word really is. The fortunate and 
 rare speaker is he who manages to get 
 his consonants clearly enough sounded 
 so as to be understood, and yet is not 
 compelled to sacrifice all the music of 
 his vowels. Such a speaker is a 
 delight to listen to, for he satisfies 
 both needs of his audience — the need 
 of pleasant sound and of understand- 
 ing without effort. 
 
 We do not need to study the con- 
 sonants very long before we find, 
 either by noticing what happens in 
 ourselves or by looking at other 
 people, that they can be classed. 
 Certain parts of the organs of speech 
 are specially used in making one set 
 of consonants, and other parts in 
 making other sets. For instance, we 
 
 notice that we make p, h, and m with 
 our lips, and so they are called the 
 labial consonants, after the Latin 
 word for lip. The first two we make 
 by a little explosion of the lips, the 
 difference between them being due not 
 to the violence of the explosion, but 
 to the quickness of it. 
 
 The use of the tongue and the teeth 
 in pronouncing our words 
 
 Then we notice that the tongue is 
 mainly used in the making of such 
 vowels as I and r. There is certainly 
 no doubt about the r if we roll it. 
 Then there are certain consonants 
 where there is no doubt that we use 
 the teeth, as, for instance, d and t, 
 and these are called dentals ; and there 
 are others, such as the sound ng, in 
 which we evidently use the soft palate 
 — that is, the back part of the roof of 
 the mouth. So we call that a palatal 
 consonant. 
 
 The larynx has nothing to do with 
 the consonants, for, as we have seen, 
 its business is to produce musical 
 tones. We have also seen that the 
 quality of sound produced decides the 
 vowel, and that this is decided by the 
 position of the tongue, the lips, and 
 so on. It follows that if we allow air 
 to pass up between the vocal cords, 
 but without using them, we can still 
 produce all the vowels and con- 
 sonants; in other words, we can 
 whisper, and that is what whispering is. 
 
 Thus, just as there are defects in 
 speech due to defects in the machine, 
 as, for instance, loss of the teeth, so 
 also there are defects due to what 
 controls the machine, and the chief 
 of these is what we call stammering. 
 
138 
 
 TEE HUMAN INTEREST LIBRARY 
 
 \ ^M 
 
 
 l^!E»fmi&r.| 
 
 \ Nerve oi 
 \ Smell ^ 
 
 r^^]^-==-c: 
 
 
 W^. Fibres of the 
 
 /^tKtm 
 
 / ^^^^^^^^HB 
 
 yHal^tt. 
 
 ' /illllliPiKPP. 1 
 
 / -^^H^ partition Bone ', 
 / iHHHKf'^ the Nasal ca 
 
 ■^ 
 
 \ ^^^^^^VnJnsMBiRBP* 
 
 ^^^1^ 
 
 ) ^^1^^.^-^ 
 
 ^^H/F^ Tongue ^[Hhk 
 
 In the first of these pictures we see the outer side of the nose, with the nerves of smell and feeling, and the second 
 picture shows the inner part of the nose, with the dividing plate of bone between the two nostrils. 
 
 SMELL AND TASTE 
 
 SMELL and taste are two senses have been carried through the air to 
 
 which are of very trifling im- the nose. This fact that smell and 
 
 portance compared with hearing taste are so limited in their range makes 
 
 and vision, and we certainly need them very inferior to hearing and 
 
 waste no time in troubling to ask how vision. 
 
 they may be taken care of; but they Only a very small part of our knowl- 
 
 are, nevertheless, very interesting, edge of the world in which we live 
 
 These two senses are often called the enters by these two gateways of knowl- 
 
 chemical senses. 
 Unlike hearing 
 and vision, they 
 do not depend up- 
 on waves, whether 
 in the ether or in 
 the air. We only 
 smell or taste 
 wdien the thing is 
 actually touching 
 the parts of the 
 body which have 
 this power; we see 
 and hear at a dis- 
 tance, so to speak, 
 but we cannot 
 smell or taste at a 
 distance. When 
 we seem to smell 
 at a distance, par- 
 ticles of the thing 
 we are smelling 
 
 
 
 
 M'imatfi^^. " wm^ 
 
 \ 
 
 m'' IH^^^H 
 
 
 1 ' IHkHH 
 
 
 M^ .iUA"^^^^^^^^ 
 
 
 ' ^^^KB^^^^Ktfx^£T^^^a£}:9''jr -'^//f i i^ ^ 
 
 Tast 
 
 T-^^^^^^^jf 
 
 oud 
 
 t-^SKtlKBM^^KHi^^// // ^ 
 
 
 m: sam^^^^ 
 
 
 
 
 I^^^^^H^p /4'/ 
 
 
 Buds ' ■ - ■ • •". !■ /'•■ 
 
 
 
 In this picture of the tongue, the side has been removed 
 to show how the nerves run from the sense organs, or buds 
 of taste, to the brain. The taste buds are grouped at the 
 back and tip of the tongue. 
 
 edge — the senses 
 of taste and smell. 
 We know that 
 these two senses 
 are in great decline 
 among the higher 
 animals, and espe- 
 cially in mankind. 
 While the senses 
 of vision and hear- 
 ing have become 
 more important, 
 the senses of taste 
 and smell have 
 become less so. 
 These two senses 
 are closely allied, 
 and they very 
 commonly work 
 together. The 
 taste of such a 
 thing as cinnamon 
 
BOOK OF OUR OWN LIFE 139 
 
 is very like its smell. A very so does a thing like ammonia, which is 
 
 large part of what we usually call irritating, besides having a smell, 
 
 taste is really smell. This is true But this pair of nerves is not affected 
 
 not only of the aroma of coffee or tea, at all by scents that are not irritating, 
 
 but also of the flavors of ordinary The other pair of nerves that come 
 
 articles of diet. We can prove this to the nose are the nerves of smell; 
 
 for ourselves by noticing how differ- they are known as the first pair of 
 
 ently our food seems to taste when the nerves, because they come off from the 
 
 nose is thrown out of action by a bad brain in front of any others. These 
 
 cold. nerves are apt to wear out, so to 
 
 We do not smell with the whole of speak, in old age, so that old people 
 our nose. Careful study with the lose, in some degree, their sense of 
 microscope shows us exactly what part smell, just as they often become deaf, 
 of the nose we do smell with. Rough- As everyone knows, there is an end- 
 ly speaking, we may say that it is the less number of possible smells. Nat- 
 roof of the nose and the upper third urally, we wish to try to group them 
 of it that we smell by. in the same manner that we group 
 
 The rest of the nose is lined by cells tastes, but it really is very diflScult 
 
 which have little projections that to classify smells in any way that 
 
 wave backwards and forwards and people would agree upon. A very 
 
 keep the channel clear; but the smell large number of oils found in plants 
 
 region of the nose is lined by special have rather the same sort of smell, 
 
 smell-cells, which correspond to the though, perhaps, it is not very easy 
 
 special cells that we found in the inner to recognize any particular resem- 
 
 ear and in the retina. Each of the blance between such smells as turpen- 
 
 smell-cells is connected with a tiny tine and lavender, 
 
 nerve-fiber of its own. We find that family likeness of smells 
 
 this tiny nerve-fiber really grows out Still, on the whole, there is a gen- 
 
 of the smell-cell, which is therefore a eral family likeness between the smells 
 
 nerve-cell that has become changed, of plants and flowers; and, when we 
 
 This is different from the rods and examine the oils that cause these 
 
 cones of the retina, or from the special smells, we find that they are related 
 
 cells in the inner ear, because they are to each other in their chemical build, 
 
 not changed nerve-cells. The differ- There are certain other groups of 
 
 ence probably indicates to us how smells, such as the group, to which 
 
 very ancient the sense of smell is, carbolic acid belongs; and we can 
 
 dating back to a time in the history of learn enough to see that there is a 
 
 the body long before so many different connection between the chemistry of 
 
 cells had been made for so many dif- a compound and its smell, but that is 
 
 ferent purposes as we find nowadays, about all we can say. It is interesting 
 
 The nerves in the nose to notice that electricity can stimulate 
 
 The nose is supplied by two pairs of our sense of smell as it can stimulate 
 
 nerves coming from the brain. These all our senses, and the sensation it 
 
 two pairs of nerves are quite different causes is rather like the smell of 
 
 in their duties. One pair has nothing phosphorus. It has also been shown 
 
 to do with smell at all, but has to do that if we take a series of chemical 
 
 with ordinary feelings in the nose, substances which differ from one an- 
 
 Any thing tickling, or pricking, or other in a regular way, their properties 
 
 hurting the nose affects these nerves; of smell also differ regularly. 
 
WHY WE SHOULD BREATHE THROUGH THE NOSE 
 
 All sensible people breathe through the nose and not through the mouth, and this picture shows the reason why. The 
 little hairs lining the channels of the nose act as a filter, keeping back dust and other harmful things, and the value of 
 ihis filter is lost if we breathe through the mouth, where dust and germs have free entrance into the lungs. This pic- 
 ture shows also the little cells which enable us to smell, and the picture on page 138 shows more clearly the nerve of 
 smell, seen at the top of this picture. When we smell a thing, small parts of it break away and touch the cells 
 which live on the nerve of smell, and these cells can detect a particle of musk that weighs only a thirty-millionth of a 
 grain, the sense of smell being more acute even than the eye aided by the microscope. 
 
 14& 
 
BOOK OF OUR OWN LIFE 
 
 m 
 
 For instance, there is a long series 
 of chemical substances beginning with 
 marsh-gas. This has no smell — a very 
 unfortunate fact for miners. The 
 next member of the marsh-gas series 
 has a faint smell, and farther on in the 
 list the smells become very strong. 
 It is also noticed that the things which 
 have the most smell are the things, 
 as a rule, which weigh heaviest. 
 
 Sir William Ramsay advanced a 
 theory about smell, more than a quar- 
 ter of a century ago, which is probably 
 nearer ths truth than anything else 
 we can say. He thought that the 
 power of exciting smell increases with 
 the size of the molecules of a substance, 
 provided, of course, that it is a liquid, 
 or a gas, and not solid. Hydrogen, 
 oxygen, and nitrogen have no smell, 
 probably because their molecules are 
 too small. 
 What smell depends upon and what 
 
 TASTE does not DEPEND UPON 
 
 The first member of the series of 
 alcohols has no smell; the next, which 
 has a larger molecule, has a faint 
 smell; and the still heavier alcohols 
 have very decided smells. All this is 
 very far from fully explaining to us 
 what happens when we smell. 
 
 It is interesting to notice that sneez- 
 ing cannot be excited through the 
 nerves of smell, though it can be ex- 
 cited through the nerves of ordinary 
 feeling in the nose, and through the 
 nerves of sight. Lastly, it is noticed 
 in the case of all the senses, more or 
 less, that they are aroused by differ- 
 ences outside them, and soon take 
 much less notice of what excited them 
 very much at first, if it remains the 
 same. 
 
 This is more striking, perhaps, 
 in the case of smell than in that of 
 any other sense. We have all noticed 
 how quickly we cease to be aware 
 of a smell which at first was perhaps 
 very unpleasant. 
 
 Taste 
 
 The sense of taste resides mainly 
 in the tongue, but does not depend 
 alone on the tongue. The special 
 cells which are concerned with it, 
 corresponding to the special cells 
 found in the organs of the other senses, 
 may also be discovered on the lower 
 surface of the soft palate, and scattered 
 over part of the throat in front of the 
 tonsils on each side. A person who 
 has lost his tongue does not entirely 
 lose his sense of taste. 
 
 As in other cases, special nerve- 
 fibers run to the cells of taste, which 
 are most rich on the back part of the 
 tongue, along the upper part of the 
 edge of the tongue, and its tip. Taste 
 is much less acute on the front part 
 of the surface of the tongue. We 
 can notice this especially if we place 
 a quinine powder there and then 
 swallow it. 
 
 Tastes can be classified much better 
 than smells. Most of them come 
 under the headings of bitter, sweet, 
 acid, alkaline, and salt. The last 
 three of these are probably not pure 
 tastes, but mixtures of taste and 
 ordinary feeling, so they can become 
 painful when they are very strong. 
 But bitter and sweet are probably 
 pure tastes, and, however strong, and 
 unpleasant, they can never cause such 
 pain as the others do. 
 
 If things are to be tasted, they must 
 be dissolved in a liquid. 
 
 With great labor and difficulty, the 
 nerve-fibers that have to do with 
 taste have been traced from the 
 tongue, palate, and throat to the 
 brain. The curious thing is that 
 there are not separate nerves of taste as 
 there are nerves of smell, vision, and 
 hearing; but the special nerve-fibers 
 of taste run along in other nerves 
 which have nothing to do with taste, 
 and they do so in a most extra- 
 ordinarily complicated way. 
 
U2 
 
 THE HUMAN INTEREST LIBRARY 
 
 In the left-hand picture, showing a nerve-cell magnified, we see the nucleus and nerve-fibers. These fibers may inter- 
 twine with those of another cell, as seen In the right-hand picture, but they never unite. The middle picture shows a 
 bundle of nerve-flbers in their sheath, with smaller bundles branching oft. 
 
 THE FOREST OF NERVES WITHIN US 
 
 IF we feel gently at the back of the 
 elbow, rather towards the inner 
 side, we find a thing that feels 
 like a sort of cord, and if we squeeze 
 it or knock it accidentally, we discover 
 that it is what we call the "funny- 
 bone." It is a nerve, and therefore 
 belongs to the most marvelous of all 
 marvelous things. If we take a 
 nerve and look at it, we find that it 
 is just a cord made up of tiny threads 
 which are called fibers. It is these 
 fibers that are the real nerves. The 
 big cord is simply a bundle of them 
 bound together into a larger cord. 
 
 A nerve-fiber is a thing which is 
 probably not to be found anywhere 
 in the vegetable world, but these 
 things begin to appear quite low in the 
 scale of the animal world, and their 
 importance and number become great- 
 er and greater as we ascend. There is 
 no part of the body that has not nerves 
 supplied to it, and there is no part of 
 the body that does not suffer in some 
 way or another if the nerves running 
 to it be damaged or cut. 
 
 When we examine a nerve-fiber, we 
 find that it is a very long thread, 
 usually surrounded by a sheath or 
 coat which contains a quantity of a 
 special kind of fat. There are a 
 
 great many points of view from which 
 we can think of a nerve as if it were 
 an electrical wire, and the sheath may 
 be regarded as what is called an in- 
 sulator — a thing to prevent the cur- 
 rent that flows in the nerve from leak- 
 ing outside it. It is very interesting 
 to take a modern electrical cable such 
 as men lay in the Atlantic Ocean, and 
 to cut it across and see what it looks 
 like; and then to take a good-sized 
 nerve and cut it across and magnify 
 it so as to compare it with the cut 
 cable. We see at once that men have 
 found it useful to make their cables 
 on exactly the same principle as nerves 
 are made, wath bundles of fibers big 
 and little, all carefully insulated from 
 each other. Of course, the nerve is 
 much more w^onderful, but the gen- 
 eral principles of the way in which the 
 nerve-fibers are packed together, and 
 the way in which each is sheathed so 
 as to prevent any leakage of its pre- 
 cious current, are really just the same 
 as in the case of the cable. 
 
 When we excite our "funny-bone," 
 as we call it, by hitting it, we feel a 
 tingling in our fingers. We have ex- 
 cited the fibers which carry feeling 
 along the nerve from the fingers to 
 the brain. In other cases when we 
 
BOOK OF OUR OWN LIFE 
 
 US 
 
 excite a nerve, muscles will twitch. 
 We have excited fibers which carry 
 orders along the nerve from the brain 
 to those muscles. This shows that 
 nerves carry something, and may do 
 so in either direction, from the brain, 
 or to the brain. The nerve-fiber is 
 therefore a conductor. It is just like 
 the wires in the cable. They do not 
 make messages, but they carry them. 
 What runs along the wire will run in 
 either direction. Any particular nerve- 
 fiber carries what it carries only in 
 one direction; however, it has been 
 proven that it may carry messages in 
 either direction. 
 
 The living nerve that carries mes- 
 sages THROUGH OUR BODIES 
 
 The wire carries an electrical cur- 
 rent. As long as the wire is not bro- 
 ken, and is properly insulated, the 
 current will run. The wire is not 
 alive, and, though we by no means 
 understand what happens in it, yet 
 it has not about it the mystery which 
 we find when we look at a nerve. 
 
 For the noteworthy thing about a 
 nerve is that it will only carry what it 
 carries when it is alive. We can re- 
 move a piece of nerve from an animal 
 that has been killed, and can study it 
 in various ways. If we keep it moist 
 with water containing a little salt, 
 and if we keep it warm enough, it will 
 live for quite a long time, and as long 
 as it is alive things that disturb one 
 end of it will send something through 
 it. But when it dies it will no more 
 carry messages than a piece of string 
 will. 
 
 What makes the difference be- 
 tween life and death in the nerve we 
 cannot understand until some day, 
 perhaps, we shall learn what life is. 
 We can see no change under the 
 microscope to account for this differ- 
 ence, for we have to kill the nerve in 
 order to look at it under the micro- 
 scope. 
 
 The MYSTERY OF THE NERVE CURRENT 
 THAT NO MAN CAN UNDERSTAND 
 
 The thing that runs along the 
 nerve we call a nerve-current, or a 
 nervous current. Current simply 
 means something that runs, and that 
 is really almost all we know about it. 
 It is not the same as anything else in 
 the world; it directly depends upon 
 the life of the nerve, as we have seen. 
 It is not electricity. Curious changes 
 are produced in a nerve when a nerve- 
 current runs along it, and among these 
 changes is the production of electrical 
 currents of various kinds, which have 
 been long and carefully studied. These 
 show that an electrical change has 
 been produced in the nerve when a 
 nerve-current runs along it, and the 
 study of these electrical changes may 
 help us to understand the nerve, but it 
 is a very great and serious mistake to 
 suppose that the nerve-current is 
 electrical. 
 
 Electrical currents in a cable or any- 
 where else move at a wholly different 
 speed from that of a nerve-current. 
 Nerve-currents have been measured 
 again and again, and they travel at 
 rates which, compared with the move- 
 ment of electricity, are very slow. 
 The rate of a nerve-current seems to 
 be about the same as the rate at which 
 a baseball can be thrown. An elec- 
 trical current is hundreds of thou- 
 sands of times faster. 
 
 Nothing seems to be used up in a 
 nerve when it conveys a current, any 
 more than in the case of a telegraph 
 wire. So we cannot make a nerve 
 tired. As long as it remains alive, it 
 will go on sending currents as often 
 as we choose to start them in it. The 
 case of a nerve-cell is very different. 
 
 The NERVE-CELLS UPON WHICH ALL 
 OUR FEELINGS DEPEND 
 
 We have only been talking about 
 conductors, remember. We have, so 
 to speak, taken a piece of one of these 
 
m THE HUMAN INTEREST LIBRARY 
 
 conductors, just as if one took a piece have one fiber coming out from each 
 out of a cable, and we have studied end of them. The fibers from any 
 that. But if we wished really to nerve-ce!l are very often found going 
 understand telegraphy, we should to meet the fibers from another nerve- 
 have to study what is at the ends of cell. Suppose, then, we can trace a 
 the cable, and that applies to the case nerve-fiber from a cell somewhere in 
 of the nerve, too. We found that we the brain, for instance, and we find 
 could excite a nerve by hitting it that it meets another fiber from 
 against something, as when we hit our another cell, perhaps at some other 
 funny-bone, or by pinching it; and place in the brain. It is interesting to 
 there are dozens of other ways, as, know whether the two fibers run into 
 for instance, by giving one end of it each other. Careful study shows that 
 an electrical shock, dropping chemi- the fibers never run into each other, 
 cals on it, and so on. But, of course. At their extreme ends they break up 
 that is not what happens naturally into tiny little fingers, so to speak, 
 in our bodies. We must find where and the fingers of the two fibers will 
 the nerve comes from. interlace; but they never run into 
 Every nerve-fiber grows out of a each other. If we study parts of the 
 nerve-cell. It is part of that cell, brain where many nerve-cells and 
 It is only the servant of the cell, nerve-fibers exist together, we find, as 
 carrying orders from it or messages to someone has said, that it is very like 
 it. The real thing, where the greatest a dense forest. Their leaves and 
 mystery lies, and upon which every- branches intermingle with each other 
 thing depends, is the nerve-cell. When in the closest possible way; but they 
 we study the development of the body, never actually join. We shall never 
 we find that every nerve grows out of find a leaf that belongs to two trees, 
 the cell that it belongs to; we find What the simple brain of a bee or 
 also that, if a nerve be cut across the wasp is like 
 part which is next the cell is unhurt All this is very important, because 
 but the part which is separated from it teaches us that just as a gas is 
 the cell invariably dies. We find also made of atoms, just as the body as a 
 that, if a nerve cell is destroyed or whole is made of cells, so the nervous 
 poisoned, the nerve-fiber running out system is made up of true units which 
 from it invariably dies, and if the are also cells, and though these cells 
 nerve-cell has been actually killed, are of a very peculiar kind and produce 
 that nerve-fiber can never recover, fibers which may run right away 
 
 So these "cable wires" are not from the body of the cell for inches or 
 
 merely alive, but they are created even feet, yet each cell remains a true 
 
 by living cells, of which, indeed, they unit. 
 
 are living parts. That is one of the In the very lowest animals that have 
 
 marvels which make a cable a very nerve-cells and nerves, the number is 
 
 simple thing indeed compared with very few, and the arrangement very 
 
 a nerve. simple. They are usually arranged 
 
 The dense forest of nerves that merely to carry feeling from the out- 
 
 GROWS UP IN OUR BODY sidc of the animal to its inside. But 
 
 A nerve-cell may have only one as we ascend the scale, nerve-cells and 
 
 fiber coming from it, or it may have nerves get more numerous, and often, 
 
 several. Very frequently, for certain for convenience, numbers of them get 
 
 purposes, we find nerve-cells which bunched together into little balls. 
 
BOOK OF OUR OWN LIFE 
 
 U5 
 
 each of which is a sort of nervous 
 center, perhaps somewhat Hke a tele- 
 phone exchange. 
 
 When these collections of nerve- 
 cells become very large, they make a 
 thing that we can only call a brain, 
 and such are the brains of a bee or a 
 wasp, for instance. The whole ar- 
 rangement of nerve-cells and nerve- 
 fibers is called a nervous system. 
 
 When the first backbones came 
 into existence, there also came into 
 existence a number of new nerve- 
 cells and nerve-fibers, and the central 
 home of this new nervous system was 
 inside the backbone. The old nervous 
 system, such as the insects have, 
 remained, and communications were 
 established between it and the new 
 nervous system. 
 
 How THE BRAIN SENDS AND RECEIVES 
 MESSAGES THROUGH THE NERVES 
 
 In all animals that have backbones, 
 both these nervous systems are found, 
 and we may say very roughly that 
 while the old one, which we ourselves 
 inherit from the days before backbones, 
 looks after the interior life of the body, 
 it is the new nervous system that is 
 the instrument of the mind. At its 
 upper end, the long tube inside the 
 backbone opens out, as we know, into 
 the hollow skull; and in the same way 
 the nervous matter which is found in 
 the backbone, and which we call the 
 spinal cord, becomes enlarged, and 
 forms what we call the brain. 
 
 The brain and the spinal cord form 
 what is often called the central nervous 
 system. Through holes in the skull 
 and through openings in the backbone 
 run nerves which connect the central 
 nervous system with every part of 
 the body, and every part of the body 
 with the central nervous system. 
 
 It seems quite clear that, whether 
 we. take the group of cells that forms 
 a mere hair or any other of the least 
 important parts of the body, we 
 
 always find that it has a perfect 
 double connection with the central 
 nervous system. The brain, or the 
 spinal cord, or both, can send to it 
 messages upon which its life depends, 
 and it, on the other hand, can send 
 messages to them. 
 
 When we come to study the central 
 nervous system, we find it so arranged 
 by means of this double connection 
 that every tiniest part of the body is 
 really in true communication, when 
 necessary, with every other part of 
 the body without exception. It is 
 this amazing fact that helps to explain 
 how the body becomes a whole in 
 spite of the infinite variety and num- 
 ber of its parts. In no city on earth, 
 however rich in telephones, and speak- 
 ing tubes, and telegraphs, and post- 
 offices, and messenger boys, is there 
 any arrangement a thousandth part as 
 wonderful as the arrangement by 
 which the nervous system connects 
 all the parts of the city of Mansoul, 
 as John Bunyan called it. 
 
 The FOREST of nerves running TO AND 
 FROM EVERY PART OF OUR BODY 
 
 We have already learned what is 
 necessary regarding nerves. If we 
 simply understand that the lining of 
 the heart, the wall of a vein, the 
 base of a nail, every muscle-fiber, and 
 all other parts of the body are doubly 
 connected by nerves with the central 
 nervous system, we do not need to 
 inquire how and where these nerves 
 run; though, of course, the doctor has 
 to spend long months and years in 
 studying this. We must devote our- 
 selves now to the central nervous 
 system, and especially the brain. 
 
 The central nervous system con- 
 sists, in a way, of a number of levels, 
 or layers, and, as the bodies of animals 
 have become more and more wonder- 
 ful, new layers have been piled up on 
 the older ones, and each new layer is 
 the master of all the layers below it. 
 
U6 THE HUMAN INTEREST LIBRARY 
 
 It is in this way that we can come to business, then these fibers are Uke the 
 
 understand the working of the brain private wires that do not come from 
 
 and the spinal cord. The spinal cord or go to the outer world, but connect 
 
 is very old; its business nowadays is one part of the place of business with 
 
 to attend to things which are beneath another. 
 
 the notice of the brain, as, for instance, the wonderful box in which the 
 
 the movements of the stomach and central nervous system is kept 
 
 that kind of thing. It is a sort of The usefulness of the spinal cord 
 
 highly trusted and responsible foreman very largely depends upon the proper 
 
 in the house of man, and, like other working of these beautiful arrange- 
 
 foremen, it not only looks after a ments which keep every part of it 
 
 great many small matters on its own informed as to what every other part 
 
 account, so as not to trouble the of it is doing, and enable different parts 
 
 master, but it is also the master's of it to act in harmony when they so 
 
 means of communication. As a rule, require — which is practically always, 
 
 the master gives orders to the foreman. The picture on another page shows 
 
 and then he does the rest. us the central nervous system as it 
 
 The spinal cord that acts as fore- appears when taken out of the won- 
 
 MAN TO THE BRAIN dcrful box — tlic skull and backbone — 
 
 On the other hand, tradespeople which exists to protect it. We see 
 and so forth, when they have any- how, at its upper end, the spinal cord 
 thing to say, do not go to the master, becomes slightly thicker so as to form 
 but interview the foreman, and he what we might call a bulb. That, 
 takes the message to the master; so indeed, is one of the names for this 
 also does the spinal cord. When we part of the brain. It contains the 
 close our hands, the brain, which gave group of nerve-cells which controls 
 the order, did not speak directly to the our breathing, and the destruction of 
 muscles of the hand. No nerve- which means instant death; also 
 fibers run directly from the brain to another group of nerve-cells which 
 those muscles, but nerve-fibers do run controls the heart; another group 
 from the brain to the spinal cord, which controls the size of the blood- 
 which is the foreman. They give vessels; another for the acts of sucking 
 orders to certain nerve-cells in the and swallowing; another which con- 
 spinal cord, and from those nerve- trols perspiration; and there are prob- 
 cells there run fibers which go to the ably more. All of these are contained 
 muscles of the hand. in a little portion of nervous tissue 
 
 If we cut across the spinal cord, and that is just about the size of the end 
 
 take a very thin slice of it and stain it of one's thumb. Above the bulb, 
 
 with various dyes that will show up the things become very complicated. If 
 
 way in which it is made, we find that we had to begin with the study of the 
 
 its structure exactly corresponds with grown-up human brain, we should 
 
 its duties. We find in it fibers and never find the key to it; but if we 
 
 cells. Some of these fibers are running study the brain as it develops, and if 
 
 to the brain, some from the brain; a we study the brain in animals, the 
 
 great many of them arise from cells in thing becomes clear. We see quite 
 
 the spinal cord, and run to other parts plainly that what is the lower under- 
 
 of the spinal cord, and end there. If, neath part of the brain in us, all 
 
 for a moment, we think of the spinal huddled and squeezed together and 
 
 cord as a huge exchange, or place of completely poked out of sight by 
 
BOOK OF OUR OWN LIFE U7 
 
 something else that has grown over it, portant that our control of movement 
 is the old brain, the first brain that should be as fine as possible, 
 ever was, so to speak. It contains It can be proved that in the main 
 countless numbers of nerve-cells, ar- line of ascent of life, more and more 
 ranged in groups with different duties, delicacy and accuracy of movement 
 It is mostly concerned with move- have always appeared. Part of the 
 ments of the body, and in lower history of progress is the replacing of 
 animals it is also the place where strength by skill. Babies and small 
 hearing and seeing and feeling are children are very clumsy, and as they 
 done. In ourselves we know that gradually become more skilful, this 
 some of these senses have become so means mainly that the cerebellum is 
 delicate and wonderful that they developing and getting the powers 
 require new machinery, and the old which it has in grown-up people. In 
 centers which were good enough for proportion to size of the whole body, 
 lower animals are now, in us, only the clumsy, stupid animals are those 
 half-way houses towards the new that have a very small cerebellum, 
 brain. The best example of this is one of the 
 Behind the old brain there is a most stupid of all the higher animals, 
 large and important piece of nervous the hippopotamus. We can under- 
 tissue which has a name that really stand that when we catch anything, 
 means the little brain. It is called following it with our eyes, and then 
 the cerebellum. This cerebellum, we getting our hands or our mouth to it, 
 have found, gets larger and larger in we must be using the cerebellum, 
 higher forms of life, but we cannot The hippopotamus has practically no 
 find that it has anything to do with idea of catching at all. It takes a 
 feeling. We do not hear or see there, very long time to even see things that 
 it starts no movements, and certainly it likes, and if they get into a corner, 
 the will and the powers of thinking it is so clumsy that it has not sense 
 do not live there. We find that it is a enough to use either its feet or its 
 great instrument for making the body mouth to get them out again, 
 do what we want. The power of the little brain of the great hippo- 
 balancing the body lives there. A pot am us 
 drunken man staggers because he has All this depends upon the smallness 
 poisoned his cerebellum. Also the of its brain, and especially of its cere- 
 balanced use of the muscles for com- bellum. It is reckoned that the brain 
 plicated and delicate actions, like of the hippopotamus weighs about the 
 painting or playing the violin, depends same as that of the horse, the weight 
 upon the control of the cerebellum, of whose body is only one-fifth as 
 It may be thought that these duties great. It has been proved over and 
 are not very exalted, and we may over again that, in the history of life, 
 wonder, therefore, why the cere- success has always gone more and more 
 bellum should get bigger as we ascend to brains, to skill as against strength, 
 in the scale of life. But we have to mind as against muscle. The 
 already learned that the one thing in hippopotamus is a remarkable instance 
 the world that we can do is to move of an animal that has survived 
 things, our bodies and things outside through long ages from the days when 
 them. Through this power of move- brains in general were much smaller 
 ment, and only through it, our minds than they are now, and the explanation 
 can live and act. So it is very im- is not to be found in its huge size and 
 
U8 THE HUMAN INTEREST LIBRARY 
 
 strength, but entirely in its mode of to have special purposes of their own, 
 
 life. Its size and strength could never and every finger becomes precious, 
 have saved it against better brains. Cleverer even than the half-erect 
 
 In the past there have been far apes is man, who, after crawling baby- 
 bigger and stronger animals than even hood is past, frees his fore limbs for- 
 the hippopotamus, and they have all ever from the duty of locomotion, 
 died out, but the hippopotamus is and learns how to use every one of his 
 content to live upon grass and similar fingers separately, as with the type- 
 plants growing in rivers. It has its writer or the piano. There has there- 
 nostrils right on the very top of its fore been an immense development of 
 face, so to speak, and so it can lie with skill in man — though mere strength 
 its whole body in the water, and just has decidedly fallen off — and with it 
 leave its nostrils above to breathe by. there has necessarily gone a great 
 In this way it saves itself by hiding, development of the cerebellum, 
 and still lives on, while the other This is very interesting, because it 
 stronger and wiser animals have com- helps us not only to understand the 
 pletely disappeared from the earth. brain, but also to understand children. 
 
 As we pass upwards in the scale of Children belong to a race that lives 
 
 life, we find that with the growth of in the world by its ingenuity of all 
 
 the cerebellum, and the development kinds, and so they like to practice 
 
 of skill, there comes a time when even their skill. This is why children love 
 
 the mouth, that dogs and cats and games of skill, and this especially is 
 
 lions and sea-lions are so quick in why, ever since children existed, they 
 
 using, is not a good enough instru- were fond of balls, 
 
 ment for the clever brain. Why it is right that boys and girls 
 The use of the arms which gives should play 
 
 MAN his great POWER Of coursc, growu-up people do not 
 
 Something even better is required, like to have their windows broken; 
 
 and so, in the main line of ascent, we but still it is right and natural for 
 
 find that the animals called lemurs, children to play. What we call play, 
 
 which are a very humble and ancient and stupidly think of as waste of 
 
 kind of monkey, use their hands a time, is now known by wise people to 
 
 little for grasping as well as walking, be part of the necessary education of 
 
 though they prefer to use their a child, if it is to reach the best 
 
 mouths, as anyone can see who feeds possible for it in health of mind and 
 
 them at the Zoo. But when we reach body. Its play is really an essential 
 
 the highest apes, we see that they find part of the work of the child, 
 and examine, and lift their food with It is a pity that many children in 
 
 their hands, and then carry it to their America have nowhere to play but 
 
 mouths. The arms, then, limbs which the street, no one to teach them good 
 
 for countless millions of years have games, and no one to care what 
 
 been used by all sorts of different becomes of them, but the time will 
 
 animals for the same purposes as the likely come when all children will be 
 
 hind legs, and for no other, now come able to have happy playtimes. 
 
BOOK OF OUR OWN LIFE 
 
 U9 
 
 These diagrams enable us to compare a man's brain with the brains of other creatures. The size of each is drawn in 
 proportion to the size of the creature's body, and we see that man's brain is very large. 
 
 MYSTERY OF THE BRAIN 
 
 WE now know that, in our- 
 selves, the highest and most 
 important part of the ner- 
 vous system is what may be called the 
 new brain. One of our illustrations 
 shows what it looks like when viewed 
 from above, and the first thing we 
 notice is that there is nothing else to be 
 seen but the new brain. It is so large, 
 and has grown out so far in all direc- 
 tions, that the whole of the older part 
 of the nervous system is hidden under- 
 neath it. In an ordinary way, when 
 we talk about a man's brain or brains, 
 it is entirely of this new brain that we 
 are thinking. The proper name for it 
 is cerebrum. The word cerebellum, 
 which we already know, really means 
 little cerebrum. 
 
 Now, our first glance at the cere- 
 brum shows us that it is a double 
 organ. It has a right half and a left 
 half. These two are just like each 
 other, though it is probable that in 
 right-handed people the left half, and 
 in left-handed people the right half, 
 is very slightly larger. We have, 
 therefore, in a sense, two brains, just 
 as we have two arms; for our bodies 
 are built upon the principle of there 
 
 being two halves corresponding to 
 each other. If we slightly separate 
 the two halves of the cerebrum, and 
 look down between them, we see a 
 mass of white nervous tissue which is 
 evidently running across from one side 
 to the other. This is a great bridge 
 between the two halves of the brain, 
 by which they are made to work and 
 act as one. When we look at the 
 surface of the brain, we see at once 
 that it is very much folded; all over 
 it the surface has been turned inwards 
 into deep valleys. These vary in 
 depth and length, but on the whole 
 they form a very definite pattern, 
 
 The left-hand picture shows a section across one side of 
 the brain, and we see by the shaded border the thickness 
 of the gray matter of the brain, as compared with the white 
 nerve-flbers. On the right is a tiny specli of the gray 
 matter, magnified a hundred times, showing the pyramid- 
 like cells and the fibers. 
 
THE INSIDE AND OUTSIDE OF OUR BRAINS 
 
 In this picture we see what our brain would look like 
 If the top of our skull could be lifted like a lid. The 
 cerebrum, or new brain, is the part by which we reason 
 out things, and it completely covers the cerebellum. 
 
 Here we are looking up at the underneath part ol the 
 brain, and see the nerve-endings of the various sen.ses 
 and of the vital organs, all cut off short, except the nerve 
 of smell, which is shown ending in a bulb. 
 
 The ends ot /|' 
 IheNerves V 
 SL the Brain P 
 
 V thtfhet 
 
 Ntr^ ^t/tffae» rastt 
 
 Ntr*^ ollht Lar. 
 
 irer ' ^stomach 
 Pi<tur«-dlaaram of a section thtough the Brain 
 
 This section of the brain, as seen from the side, should be In this side-view of the brain, we see the proportion of 
 
 compared carefully with the picture of the brain seen the skull occupied by the bram. The convolutions or 
 from underneath In both pictures, the nerves are shown folds, are shown, and the position of the bram in relation 
 In the order in which they leave the bulb, or old brain. to the spinal cord and the backbone is easily seen 
 
 150 
 
BOOK OF OUR OWN LIFE 
 
 151 
 
 which is the same on both sides of the 
 brain, and the main hnes of which are 
 the same in all human beings. All 
 the folds and the spaces between them 
 have special names. 
 
 First let us understand what the 
 folding means. The use of it is that 
 it permits what is really the surface 
 of the brain to be enormously in- 
 creased, without requiring it to take 
 up more room. Now the surface of 
 the brain, as we shall see, is the all- 
 important part. Brains have been 
 growing bigger in the animal world 
 generally for countless ages past. 
 This means that there has been a 
 great deal more room required to 
 house the brain in, and so skulls have 
 been getting larger. The size of the 
 skull of man, compared with the size 
 of his whole body, is simply gigantic. 
 But though this is so, it very feebly 
 indicates what the huge growth of 
 man's brain has been, simply because 
 the brain has grown far more quickly 
 than the skull, as life has ascended, 
 and has deeply tucked in its surface, 
 here and there, as it went on growing, 
 until there is now as much, or perhaps 
 considerably more, of the surface of 
 the brain tucked away than shows on 
 the outside. In general, the higher 
 the type of brain, the more is its sur- 
 face folded. We can show this wheth- 
 er we trace the brain upward in differ- 
 ent kinds of animals, or whether we 
 compare different human brains with 
 one another. As animals have be- 
 come more and more clever, and have 
 trusted more and more to brain and 
 skill, rather than to size and strength, 
 the surface of the brain has become 
 more folded, and people who study the 
 subject can tell in a moment, by 
 looking at the surface of the brain 
 alone, whether it belongs to one of 
 the older kinds of animals or to one 
 of the higher animals that have more 
 lately appeared on the earth. 
 
 The many folds in the brains of 
 very talented men 
 
 A great many brains of famous 
 men have been examined; many 
 great men, indeed, have left orders 
 that their brains should be examined 
 for the advance of knowledge. As a 
 general rule, these brains are found to 
 be very highly folded. The contrast 
 is very great between them and the 
 brains of, say such an humble type of 
 mankind as the Bushman of South 
 Africa. Of course, this means that if 
 we could unfold all the brains in ques- 
 tion, and stretch out their surfaces 
 quite flat, the wiser brains would be 
 the brains with the biggest surfaces. 
 
 The size of the skull, its shape and 
 the bumps on it, can tell us absolutely 
 nothing whatever as to how much the 
 brain is folded; still less as to what 
 we shall find when we examine more 
 closely what the foldings are made of. 
 There is, on the whole, and in a very 
 rough way, some correspondence be- 
 tween the size of the skull and the size 
 of the brain inside it. But, for one 
 thing, skulls vary in thickness; and, 
 for another, no one can possibly tell 
 what it is that is making up the size 
 of the brain. Even if all skulls were 
 the same thickness, and even if bumps 
 corresponded to the brain, which they 
 never do, the brain inside might be 
 large because certain spaces inside it 
 were swollen with fluid, or it might 
 be large but have a comparatively 
 smooth surface. It is quite easy to 
 understand that a well-packed brain, 
 which will go into a much smaller 
 skull than another, may yet, if un- 
 folded, have a far greater surface. 
 
 Why the skull can tell us nothing 
 about the brain 
 
 About a hundred years ago, when 
 practically nothing was known about 
 the brain, men thought that, by feel- 
 ing and measuring the skull, they 
 could learn about the brain, and so tell 
 
152 
 
 THE HUMAN INTEREST LIBRARY 
 
 the character of the person to whom 
 it belonged. Our modern knowledge 
 of the brain has taught us that it is 
 hopeless to expect this, simply because 
 the things that really matter do not 
 affect the skull at all. If a surgical 
 operation were performed, so that a 
 considerable portion of the brain were 
 exposed and could be seen, then we 
 might, perhaps, make a very rough 
 guess as to what the person was like; 
 but as we should have to judge how 
 far we were right entirely by what we 
 knew of the person in the ordinary 
 way, it is difficult to see where the 
 advantage of such an operation would 
 come in. 
 
 Now, we must understand why it 
 is that the surface of the brain matters 
 so much. When we cut through the 
 cerebrum of any of the higher animals, 
 we find at once that it consists of an 
 outside layer, which is gray in color, 
 and an inside layer, which is white. 
 This gray layer, which covers the en- 
 tire brain, always dips down and up 
 again wherever the brain is folded. 
 There would be no meaning in the 
 folds if it did not. It is often called 
 the mantle, that is, something which 
 is stretched all over the outside of the 
 cerebrum. 
 
 The real brain of man that is the 
 most wonderful thing we know 
 
 At no part whatever of either half 
 of the brain, whether we look at the 
 part it rests upon or in the depths of 
 any of the folds, do we find this won- 
 derful mantle lacking. It is the real 
 brain, and, as we find it in mankind, 
 it is the most wonderful thing of which 
 we have any knowledge. It owes its 
 gray color, and all its meaning and 
 wonder, to the fact that it is mainly 
 made up, not of nerve-fibers, but of 
 nerve cells. The rest of the brain is 
 made up of nerve-fibers or nerves, 
 and these give it a white appearance, 
 like that of an ordinary nerve in the 
 
 arm or the leg; but the gray mantle 
 contains only comparatively few nerve 
 fibers, which connect its different 
 parts in some degree. 
 
 How THE REAL BRAIN IS MADE UP OF 
 THOUSANDS OF MILLIONS OF CELLS 
 
 What really makes up the gray 
 mantle is thousands of millions of 
 nerve-cells. These nerve-cells are 
 vastly more wonderful even than 
 those we find in the spinal cord, or 
 those which are in the medulla and 
 control our breathing, for they have 
 to do with thinking, not to mention 
 seeing and hearing, and so on. 
 
 Only a very few years ago, it used 
 simply to be taught that when we 
 take a very thin layer of this gray 
 mantle, and look at it under the 
 microscope, we see five layers of cells 
 in it; one on the very surface of the 
 brain, and so on, until the fifth lies 
 next the white matter inside the 
 brain. We can recognize these five 
 layers because the cells in the different 
 layers differ rather from one another 
 in their size and shape and number. 
 But now we can go much farther than 
 that. It is, in general, true that we 
 find about five layers of cells in any 
 part of the gray mantle that we care 
 to examine, but we also find that the 
 cells differ very definitely in different 
 parts of the brain. Also, if we care- 
 fully examine corresponding parts of 
 the brain in large numbers of animals 
 of quite different kinds, we find that 
 the same arrangement of cells occurs 
 in corresponding places. 
 
 The LIKENESS BETWEEN THE BRAIN OF A 
 MAN AND THE BRAIN OF AN ANIMAL 
 
 If a microscope slide containing a 
 large number of cells shaped like 
 pyramids and arranged in a certain 
 way were shown a man who had 
 studied the subject, he very likely 
 could not be sure what animal the 
 brain has belonged to, but he could 
 say in a moment that that was the 
 
BOOK OF OUR OWN LIFE 
 
 153 
 
 part of the brain which the animal 
 used when it wished to move its 
 muscles. 
 
 Again, if he saw certain curious 
 little groups of cells lying not very far 
 from the surface of the brain, he 
 would say, without hesitation, "that 
 comes from the part of the brain the 
 animal smelled with." No one has 
 the least idea yet what this particular 
 group of nerve-cells has to do with 
 smelling, but we always find them in 
 the smell part of the brain, and 
 nowhere else. This is equally true of 
 creatures like the dog, in whom that 
 part of the brain is large, and of 
 creatures like ourselves, in whom it 
 is comparatively small. 
 
 The parts of the brain which have 
 to do with sight and with hearing are 
 just as definite in their structure, so 
 that it is vastly easier to tell that we 
 are looking at something taken from 
 the vision part of the brain than to 
 tell what animal it was taken from. 
 
 The whole of the surface of the 
 brain has been mapped out now very 
 completely. 
 
 Why a MAN'S BRAIN IS BETTER THAN 
 AN ANIMAL'S 
 
 Now, when we have carefully learned 
 to map out the various brain ccjiters, 
 as they are called, for the motion of 
 muscles, for feeling from the skin, for 
 sight, hearing, taste, and smell, we 
 find that still the greater part of the 
 whole surface of the brain is actually 
 untouched. It is almost as if the 
 greater part of the surface of the 
 brain had no duties. We cannot find 
 that it has anything to do with any 
 of the duties that we can think of. 
 
 Now, when we begin to examine the 
 brains of other animals, it soon 
 becomes possible to take, shall we say, 
 twenty different brains, and arrange 
 them in an ascending order, beginning 
 with the brain of some simpler kind 
 of animal, as, for instance, a rabbit. 
 
 and ending with the brain of man. If 
 we do this we find a very wonderful 
 thing. It is that the lower we go 
 down, the nearer together in the 
 brain are the different special centers 
 which we have already found in the 
 brain of man. 
 
 Indeed, when we go low enough, the 
 whole brain practically consists of 
 these various centers — for motion, 
 and seeing, and so on — all lying right 
 up next to each other. They make 
 the brain. But to look at it the other 
 way, as brains improve and get bigger, 
 what happens is, not that these 
 various centers get bigger, but that 
 they become gradually separated from 
 each other by the growth of new parts 
 of the brain which appear and come 
 to lie between the old centers. This 
 process goes on and on, until at last 
 in mankind, and only in mankind, it 
 has reached the stage at which the 
 various special centers, which long 
 ago lay all together and were the 
 brain, have become mere patches that 
 lie here and there on the surface of 
 man's huge brain. 
 
 What, then, is the meaning and the 
 duty of these great new places that 
 have come into existence, and to 
 which the growth in the size of the 
 brain is really due? When we ques- 
 tion them, they are silent ; indeed, they 
 have been called the silent areas. We 
 shall surely get some help in our 
 studies if we can trace the course of 
 the nerve-fibers that run out from the 
 nerve-cells in these particular areas. 
 
 The wonderful fibers that link all 
 OUR senses together 
 
 As regards the special centers, we 
 
 find that the fibers from the cells in 
 
 them run just where we should expect. 
 
 The fibers from the seeing centers run 
 
 straight to the eye, the fibers from the 
 
 hearing center are connected with the 
 
 ear, the fibers from the center for 
 
 movement run down into the spinal 
 
15Jt 
 
 THE HUMAN INTEREST LIBRARY 
 
 cord and are connected with the 
 nerves that go to the muscles. These 
 facts, of course, help to give us the 
 key to the duties of these centers. If 
 now we can find where the nerves run 
 to from the silent areas, we shall guess 
 what these areas really do, and it 
 must be something very important 
 indeed, because, whatever it is, it 
 seems to explain the real difference 
 between clever animals and stupid 
 ones, high ones and low ones. 
 
 We find, then, that these fibers 
 from the silent areas run in every 
 possible direction, but in very definite 
 groups and ways, to the other centers 
 of the brain. What they do is to 
 associate one part of the brain with 
 another. I think we can understand 
 that if there were no such things, then, 
 though an animal might see very well, 
 nothing that it saw would connect 
 itself in that animal's mind with 
 anything that it had heard, or felt, or 
 smelled. Now, when we come to 
 study the way in which we act, the 
 way in which we put two and two 
 together; when we notice how one 
 thing makes us think of another 
 thing, we begin to understand how 
 it is that the association fibers make 
 all the difference in the world between 
 a high brain and a low one. 
 
 Where a man's brain differs from 
 the brain of a dog 
 
 If we compare the spinal cord or 
 the medulla of a dog with that of a 
 man, there is nothing worth mention- 
 ing to choose between them. If we 
 compare the new brain of a dog with 
 that of a man, we find a difference, 
 but it is one which mainly consists 
 in association fibers and cells. If we 
 compare the vision center of a dog 
 with that of a man, we find the two 
 in the same part of the brain ' i each 
 case, and with the same special type 
 of cells. 
 
 The difference, however, is that the 
 
 gray mantle in the case of man is 
 much thicker; and when we come to 
 inquire into what makes it thicker, 
 we find that it contains a vastly 
 greater number of fibers, which are 
 running to it from other parts of the 
 brain, and of new cells, which have 
 nothing to do with seeing itself, but 
 which send fibers out from the seeing 
 center to all the other parts of the 
 brain. In general, then, we may say 
 that the differences between a high 
 brain and a low brain are, first, that 
 in the various special centers the gray 
 mantle is much thicker in the high 
 brain, because it is crammed with new 
 association cells; and second, that in 
 the high brain the special centers are 
 forced apart by the growth in between 
 them of new parts of the brain, which 
 do not mean the invention of any new 
 kinds of senses, but mean bringing all 
 the parts of the brain into closer rela- 
 tion and connection with one another. 
 
 Some of our senses that are more 
 noble than others 
 
 There are one or two very interest- 
 ing exceptions to this rule, and they 
 have a meaning. It must have struck 
 all of us, if we ever think of our senses, 
 that some of them are more noble 
 than others. We agree, do we not, 
 that it is a more dignified thing to 
 enjoy a picture than to enjoy a 
 chocolate.? Someone may say: "Well, 
 in either case, we are simply using one 
 of our senses; why is not one as good 
 as another?" But when we suppose 
 that vision and hearing are more 
 noble than taste and smell, we are 
 quite right, and the reason is that 
 they are more human. They reach 
 a higher development in us than in 
 any other creature, while so far as 
 concerns smell, about which a great 
 deal has been learned, it is probable 
 that our brains are far inferior to those 
 of almost any other creature that has 
 a brain at all. 
 
BOOK OF OUR OWN LIFE 155 
 
 The sense of smell, that is weak in sense is the highest thing about it? 
 
 MAN AND STRONG IN ANIMALS ^ot at all. The point is the extent to 
 
 If we study the smell part of the which we can use the information that 
 
 brain in different kinds of animals, the sense gives us, and the way it is 
 
 we find that smell reached its per- linked up with every other part of our 
 
 fection ages ago, when vision and minds. The vulture can see a speck 
 
 hearing scarcely existed. But such on the desert sand at a tremendous 
 
 a sense as vision is far finer than distance, but will the vulture enjoy 
 
 smell, because not only does it act a fine picture, or feel itself made 
 
 at very great distances, but it gives humble and pure before a sunset? 
 
 us a thousand times more information Of course, when we ask questions like 
 
 than smell can possibly give. this, we see at once what it is that 
 
 Therefore, part of the history of really makes a sense high. No known 
 
 progress in the world of life has been animal has in the vision center of its 
 
 that sight has improved and has brain anything like the depth and 
 
 largely taken the place of smell. This variety of structure that we have in 
 
 is most marked in ourselves. The ours. This is the great fact for us to 
 
 dog is a very high kind of animal, and remember about the place where the 
 
 belongs to an order which ranks next seeing is really done, 
 
 to the monkeys themselves, and we all We have seen that smell and taste 
 
 know how splendid the dog's scent are comparatively unimportant in 
 
 may be. But in our own brains the man, and in both cases there was long 
 
 part which corresponds to smell has argument, and much work had to be 
 
 shrunk to almost nothing; it is, indeed, done, before we could be sure in what 
 
 so small that it took a very long time part of the brain these two senses really 
 
 to find where it was; while the vision lived. It might be supposed that the 
 
 part of the brain has become huge. sense of touch would not be greatly 
 
 The great growth of the back of the developed in man, and that perhaps 
 
 cerebrum in man is due to the im- it is rather falling into the back- 
 
 portance of vision to him, for it is the ground, like smell and taste. This is 
 
 extreme back part of the cerebrum, a very great error, however. The 
 
 on both sides, that we see with. Our most intelligent of all birds is the 
 
 real eyes are at the back of our heads, parrot. We notice this not only in 
 
 We have already learned that the its power of imitating sounds, but in 
 
 cerebellum is very large in us; but even many other ways, 
 
 though this is so, the vision part of why the sense of touch is called 
 
 the cerebrum has grown so enormously the mother of all the senses 
 
 that the cerebellum is completely Now, it is an interesting fact that 
 
 hidden from our sight by the cere- the parrot has a far more delicate 
 
 brum, when we look down upon the sense of touch than any other bird. It 
 
 brain from above. really has quite a good notion of using 
 
 The difference between one kind of its claws as fingers. It has the idea of 
 
 SENSE AND ANOTHER stroking and feeling what a thing is 
 
 It might be supposed that there is like as we say. Now it is not just a 
 
 something wrong here, because many chance that the most intelligent bird 
 
 animals, such as birds of prey, have is the bird with the best sense of 
 
 far keener sight than man has. That, touch. It is what we should expect, 
 
 indeed, is so; but are we right in sup- The sense of touch is the mother of 
 
 posing that the mere keenness of a all the senses, in a way, and good 
 
156 THE HUMAN INTEREST LIBRARY 
 
 education of the sense of touch is the creature. Not in a thousand years 
 
 foundation of all good education. could any other creature but man be 
 
 Probably some of those who read taught, for instance, to read with the 
 
 this will disbelieve it, but all the great fingers, even if that creature had a 
 
 students of the mind know that it is brain that could understand, 
 
 perfectly true, and have been saying The great brain puzzle that baffled 
 so for scores of years. We are learning men for years 
 
 to understand what games mean for For a long time it was a great 
 
 children, because they train the sense puzzle to find the touch center in 
 
 of touch and teach it how to work man's brain. It lay, so to speak, 
 
 with sight; and we are also beginning under our very eyes; but we never 
 
 to learn that drawing and carpentry, thought of looking for it there. A 
 
 and the sort of things that children very large area of the gray mantle on 
 
 do in kindergarten, are invaluable each side of the brain is the center for 
 
 foundations of education. There was voluntary movement, and it is here 
 
 a time when it was thought that that the will of man gives its orders, 
 
 anything good for a child must be For many years we knew this, and 
 
 something that it disliked, and that called it the motor center; and when 
 
 anything it liked must be mere we were looking for the center of the 
 
 amusement. Who would think that touch sense we never thought of 
 
 the real meaning of the word school is looking there. But now we have 
 
 leisure — doing what we feel inclined found that the center for will and 
 
 to do? Yet so it is. movement is the center for touch. 
 
 Now there is nothing we notice The two lie mixed up together, and 
 
 more positively about an intelligent the connection between them is the 
 
 child, and any child is intelligent closest of all connections in the 
 
 until foolish grown-up people begin to nervous system. 
 
 interfere, than that it loves using its jhe wonderful nerves of hearing 
 fingers. Of course it gets into mis- that enable us to enjoy music 
 
 chief, but the child that never got The sense of hearing lives low down 
 
 into mischief, and never touched on the side of the brain. As we all 
 
 things it ought not to have touched, know, this sense of hearing has led to 
 
 was never yet taught to read. There the possibility of music and all that 
 
 are such children, but they can be that means. As in the case of seeing, 
 
 taught nothing, and we call them of course there must be good machin- 
 
 imbecile. ery outside the brain if a sense is to 
 
 Whatever happens, the healthy develop, and the history of hearing, 
 
 child must constantly use its sense of like the history of vision, is partly the 
 
 touch; it must forever be fingering history of the ear and the history of 
 
 things. Now we find that the touch the eye. Here, however, we must 
 
 part of man's brain is simply magnifi- merely learn that the hearing center 
 
 cent. It is the delicacy and the of the brain is very large in mankind, 
 
 variety of his sense of touch and, far and that when we examine the cells 
 
 more than that, it is the marvelous contained in it we find a state of 
 
 way in which man's sense of touch is things that exactly compares with 
 
 connected with all his other senses, what we found in the case of vision. 
 
 that accounts for our skill, which is It may be that some animals can hear 
 
 almost the most wonderful thing sounds so slight that we cannot hear 
 
 about us as compared with any other them. 
 
BOOK OF OUR OWN LIFE 
 
 15? 
 
 "Thought," as Expressed by Three Famous Artists 
 
 The first of these pictures is from Michaelangeio's statue of Lorenzo de Medici, the second is from a painting by Sir 
 John Millais, and the third is from a statue Ijy a great French sculptor, Augusta Rodin. 
 
 HOW WE THINK 
 
 THE putting of things together in 
 the mind, or association, as it 
 is called, is the beginning of 
 all the powers of which we are most 
 proud; but though the usual name for 
 it is the association of ideas, yet it 
 does not apply only to ideas, but 
 to everything that can enter the 
 mind — a scent, a pain, a tone of 
 voice, and thousands of other things 
 that cannot be called ideas at all. 
 
 We know that there is a stage be- 
 yond seeing, and that is perceiving, 
 and the proper name for a thing per- 
 ceived is a percept. Like everything 
 else, except mere sensation itself, per- 
 ception depends upon memory. The 
 case of a puzzle picture, where we 
 look for a long time and at last per- 
 ceive a face, is a good instance of the 
 difference between seeing and per- 
 ceiving, and the same applies to hear- 
 ing sounds and recognizing them as a 
 tune. 
 
 But these things that we perceive 
 and make percepts are not ideas; they 
 are simply a certain set of sensations 
 put together and made into a whole. 
 Perception is a great advance upon 
 sensation, no doubt, but there is 
 something better still, and the proper 
 name for that is conception, or con- 
 
 ceiving, as when we say, "I conceive 
 that the stars must all be suns." That 
 was the great idea, or conception, of 
 Giordano Bruno, and it is evidently 
 something beyond the mere perceiv- 
 ing, or recognizing, that certain colors 
 and shadows we see make a chair. 
 
 We have passed from the mere level 
 of things looked at, or sounds heard, 
 to the region of thinking. Here is an 
 idea, or a concept — a thought. Two 
 memories have been put together in the 
 mind and connected, or held together, 
 by it in a certain way. Previously 
 there were in the mind the memories 
 of certain percepts; first, the stars, 
 and secondly, the sun. But the mind 
 performed the great act of conceiving; 
 it associated, or put together, the two 
 percepts, the stars and the sun, and 
 it made a new and different thing — the 
 thought that the stars are suns. 
 
 For thousands of years men had 
 not only seen the stars and the sun, 
 but had perceived them, and had 
 carried in their minds clear memories 
 of the stars and the sun, so that they 
 could recognize them when they saw 
 them again. But not until the mind 
 of Bruno said 'The stars are suns and 
 the sun is a star" had anyone per- 
 formed this great association of ideas. 
 
158 
 
 THE HUMAN INTEREST LIBRARY 
 
 to use the old name. This instance 
 we have chosen is a great one, but 
 we perform Httle associations of ideas 
 every day, whenever we think at all. 
 A great instance has purposely been 
 chosen, because what we are trying to 
 understand is the building up of the 
 mind, and such a case as this helps us 
 to realize the orderly stages of the 
 mind's wonderful ascent from the 
 mere sensation of seeing up to one of 
 the greatest ideas in the world. Let 
 us just observe for ourselves how the 
 stages follow upon one another. 
 
 How A CHILD'S MIND IS GRADUALLY 
 BUILT UP 
 
 John Locke said that there is 
 nothing in the mind except what was 
 first in the senses, and that every- 
 thing which comes to be in the mind is 
 built up out of sensations and reflec- 
 tions upon them. Now, this is true, 
 even in such a tremendous idea in 
 astronomy as that the stars are suns. 
 This begins with mere sensation. The 
 mind begins its existence in babyhood 
 and childhood without any inborn 
 ideas of any kind. Its first experi- 
 ences are mere sensations. The eye, 
 as we know, is made from a part of 
 the brain which has come forward 
 outside the skull — "The brain comes 
 out to see," as has been said. The 
 eyes are turned upwards, and certain 
 impressions of light are gained. These 
 are mere sensations. 
 
 If there were no such thing as mem- 
 ory, they might be repeated every 
 night during a lifetime, and nothing 
 would come of it. But living matter 
 remembers. 
 
 So, beginning with sensation and 
 with the necessary help of memory, 
 we pass to the stage of perception 
 where the points of light seen one 
 night are more than seen, for they are 
 perceived to be the same as the points 
 of light that have been seen on former 
 nights. 
 
 Real thinking is putting things 
 together in the mind 
 
 Percepts are remembered just as 
 sensations are, and so we may go 
 about with the percepts in our mind 
 of the stars and the sun. Then one 
 man singled out from the rest puts the 
 two percepts together, and so makes 
 a concept by this process of conception, 
 or thought, and says the stars are 
 suns. This teaches us the slow and 
 necessary order in which the mind is 
 built and grows, and the dependence 
 of its highest deeds upon its humblest 
 deeds. It is also a good instance of 
 the truth that all thinking is associa- 
 tion of ideas. The word conceive 
 means "to take together;" the word 
 associate means "to make compan- 
 ions;" and all thinking is putting 
 things together — making companions 
 of them, making a relation between 
 them. 
 
 To some extent we all do this with- 
 out effort or intention, but beyond a 
 certain point we are very apt not to 
 trouble about it. The point where we 
 stop the process is the point at which 
 our interest ends. Thinking is not a 
 thing that happens to us, but a thing 
 that we do, and in all doing a motive 
 power has to come from somewhere. 
 The motive power in this great doing 
 of the mind, which we call thinking, is 
 interest. Here we come to the key of 
 one of the great differences between 
 men, and, if the study of the associa- 
 tion of ideas taught us nothing else, 
 it would still be well worth while to 
 study for this. 
 
 The SECRET of success in all great 
 
 THINKERS 
 
 We are right to admire the "kings 
 of thought," but we are very wrong in 
 our notions of what makes them great. 
 It is true that in certain departments 
 there are very special powers which one 
 brain has and another has not; this is 
 true of mathematics, for instance, and 
 
BOOK OF OUR OWN LIFE 159 
 
 of music. But, apart from that, there good in it as a fancy; but the great 
 
 is nothing more certain than that most object of our minds is to make our 
 
 of the great thoughts, and most of thoughts genuinely correspond to 
 
 the great discoveries of mankind, things. 
 
 might have been thought or made by The great thinker is he who not 
 
 anyone if they had been interested only associates ideas, but makes the 
 
 enough. associations correspond to the asso- 
 
 The secret of most of the great deeds ciations in nature. The virtue and 
 
 done by the minds of men, in the way value of the thought that the stars 
 
 of pure thought or association of ideas, are suns is that that relation between 
 
 has been the great difference, not in the the two in our minds is the relation 
 
 way in which the great minds asso- between them in nature. The reflec- 
 
 ciate, but in the fact of interest and tion of things in the mirror of our 
 
 patience leading them to go on think- minds is so far perfect, 
 
 ing, endlessly revolving the ideas in If association is an act of the mind 
 
 their minds, and at last finding out the requiring power to do it, if it is vastly 
 
 truth. important as it is because right 
 
 For, of course, associations of ideas thinking goes a long way towards 
 
 may be false or true, or they may be right doing, and if interest is the great 
 
 merely fanciful, not pretending to be motive which makes the mind think, 
 
 true, as when we say the moon is made then, certainly, it is our business to 
 
 of green cheese. But the greatest find out how far we can help and 
 
 business of the human mind in its foster this interest in our minds, and 
 
 power of association is the discovery also to find out whether one kind of 
 
 of truth, and we ought to have a right interest differs greatly from another 
 
 notion in our heads of what we mean in its value for this purpose. 
 
 by truth. How we may help ourselves to be- 
 
 We may think of our mind as a kind come real thinkers 
 
 of mirror in which the outside world In the first place it is certainly 
 
 is reflected. Outside then there are possible for us to foster interest in our 
 
 things and the reflection of things in own minds and in the minds of other 
 
 our minds ought to correspond to the people, and there are few more useful 
 
 things as they are. Things outside tasks than that of the people who go 
 
 and thoughts inside ought duly to about trying to open other people's 
 
 reflect each other. Very often they eyes, as we say, so that they shall see 
 
 do not. Our image of the outside the interest of things and thereby 
 
 world is distorted and twisted, or start thinking about them, 
 
 there are huge gaps. But, to some There are false or doubtful kinds of 
 
 extent, our thoughts, the associations interest, as well as good ones. A man 
 
 of our ideas, do genuinely correspond may be interested simply in making 
 
 to the associations of things in the money, and the machinery of associa- 
 
 outside world; and then we can say tion in his mind will work, in conse- 
 
 that our thoughts are true. quence, with astonishing skill and 
 
 The things that make a man a great rapidity; or a boy may be interested 
 
 thinker only in passing an examination, and 
 
 Anyone can associate any ideas; so his machinery of association works 
 
 there is no difficulty about that. We hard for a time at something or other, 
 
 may say the stars are night-lights, and after the examination he seldom 
 
 and a fancy like that may have some or never thinks of it again. 
 
160 
 
 THE HUMAN INTEREST LIBRARY 
 
 The blame is not his but that of the 
 system that makes a victim of him. 
 Worst of all, perhaps, in its results, is 
 the kind of interest which sets men 
 studying things only in order to defeat 
 someone else, or to prove that they 
 are right, or to make a success for the 
 party or the class or the church to 
 which they belong against some other 
 party or class or church. This kind 
 of interest is extremely powerful and 
 very general and, according to the 
 universal laws of the mind, it pro- 
 duces its due result. Unfortunately 
 interest of this kind and interest in 
 money are the driving power of most 
 of the work of association or thinking 
 that is done in the world. 
 
 The harm of letting our thinking 
 be guided by wrong interests 
 
 If association done under interests 
 of this kind resulted in the discovery 
 of truth, that would be good; but, as 
 a rule, it does not. Interest in the 
 success of our party or our class or our 
 religion, or of the people who have 
 paid us to think and argue, destroys 
 the true working of association of 
 thinking in two distinct ways — both 
 are disastrous. One of them is obvi- 
 ous, and the other is not. 
 
 The obvious one is that it is to our 
 interest now to make the worse appear 
 the better reason. We do not now 
 make all the possible associations in 
 our minds until we find the one which 
 seems the truest, but we simply make 
 the associations w^liich best suit our 
 case, and then we try to persuade 
 other people that they are true. 
 Things are so complicated that most 
 men, if they think a little — and their 
 interest sees to it that they do — can 
 make the worse appear the better 
 reason, and so associations are formed 
 which are false. This may benefit 
 the person or the class or the country 
 or the party, but in the long run it 
 must injure mankind. We must be- 
 
 lieve that truth is far more worth 
 while than falsehood, or else we had 
 better stop thinking at all. But 
 there is the second less obvious way 
 in which the false kinds of interest 
 lead men astray. In the last case 
 men deliberately deceive other people, 
 but in this case they unconsciously 
 deceive themselves. This is because 
 the whole process of association can 
 be upset and changed by feeling. 
 Long ago this was quite forgotten by 
 men of science. 
 
 The way in which our feeling af- 
 fects OUR thinking 
 
 There was a time when men thought 
 that the intelligence, or intellect — the 
 part which knows and thinks — was 
 practically the whole of the mind. 
 They took no notice of feeling, and 
 they thought that our deeds proceeded 
 only from the resvilts of what we 
 thought. It is very strange how men 
 could have thought this, for everyone 
 knows how largely our feelings de- 
 termine our deeds. 
 
 But today we do not make the 
 mistake of supposing that the intellect 
 is the whole of the mind, and so we 
 are prepared to understand how much 
 the intellect is affected by other parts 
 of the mind. Thinking, or association, 
 is a kind of doing, and we have just 
 said that doing is largely determined 
 by feeling. When we feel angry we 
 are apt to kick, or hit, and so on. 
 
 Now, what is true of other more 
 obvious kinds of doing is also true of 
 that very wonderful, though less 
 obvious, kind of doing which is called 
 thinking. What we feel often decides 
 what we think. We want to win, for 
 money or for glory or for spite; we 
 are fighting another country and we 
 want to prove that we are right ; or we 
 are fighting for our class or our church 
 against people who dress rather dif- 
 ferently, or who arrange the service 
 rather differently in their places of 
 
BOOK OF OUR OWN LIFE 
 
 161 
 
 worship. We fancy that we are 
 seeking the truth, but we are not 
 seeking the truth; and just for that 
 reason we do not find it. 
 
 The wrongfulness of believing only 
 what we want to believe 
 
 This upsetting of the judgment by 
 feeUng so that as happens every day 
 all over the world, men come to believe 
 what they want to believe, is one of 
 the most important facts in the life 
 of mankind, and accounts for half the 
 facts of human history. If we are at 
 all sensible and watchful, we can soon 
 notice for ourselves what happens, 
 because it is apt to happen to every 
 one of us; and we need not wait 
 long for a chance of observing it. 
 What we shall find is probably this: 
 that somehow or other all the facts 
 and ideas and memories which suit 
 what we want to believe, or to prove 
 or persuade other people stand out 
 strongly in the foreground of our 
 minds. We know that the secret of 
 attention is interest, and these things 
 which we want to believe interest us 
 most, and so we attend to them most. 
 
 Unfortunately, we attend to them 
 so much that we do not attend to the 
 other facts and ideas which do not suit 
 our case. But we cannot form associa- 
 tions unless we attend, and so the asso- 
 ciations which we do form, and the 
 arguments which we use, are all based 
 upon the things we have attended to, 
 the things that interested us most, 
 the things that suited our case. 
 The REASONS why men do not always 
 
 SEARCH FOR TRUTH 
 
 We may be arguing with someone 
 else who is interested to prove the 
 opposite. Just as the points which 
 favor us press up into our minds, so 
 the points which favor his case press 
 up into his. But really we do not 
 listen to his arguments, and he does 
 not listen to ours, and neither of us 
 convinces the other. 
 
 This is the sort of thing that happens 
 in politics, and most of the things men 
 quarrel about. There is a certain 
 amount of deliberate deception, but 
 the great key to the differences of 
 opinion which divide even intelligent 
 men is self-deception, depending upon 
 the way in which our processes of 
 association are spoiled by our feelings 
 and our interests. 
 
 This danger comes into everything, 
 even into the discovery of truth. 
 There are many reasons why it enters 
 there also. It is not the discovery of 
 truth, but trying to persuade people 
 that we have discovered truth, that 
 often leads to money or glory. Quite 
 apart from that, when a man has said 
 a thing, he likes to prove himself 
 right and that, of course, is not quite 
 the same as liking to find the truth. 
 
 Then there are motives like jealousy, 
 or motives like trying to prove that 
 something which is believed by our 
 church or our class or the particular 
 school to which we belong is right. 
 All this only causes disaster. It means 
 that a man, instead of looking at all 
 the facts, looks only at some of them; 
 it means that he sees the importance 
 of facts that suit his case, and cannot 
 see the importance of those which do 
 not, and so he goes wrong. 
 
 But everywhere in all ages there are 
 a few men who are real lovers of truth. 
 They would rather give up their 
 beliefs than believe what is untrue; 
 they would rather believe the truth 
 and be despised and hated than per- 
 suade men of something that is not 
 true and be honored. 
 
 Why a thinker should be interested 
 only in seeking the truth 
 
 The success which in some measure 
 always attends these people, so that, 
 if their brains are of a high order, they 
 become the great thinkers of the world, 
 like Newton or Darwin, depends abso- 
 lutely upon the quality of the interest 
 
162 
 
 THE HUMAN INTEREST LIBRARY 
 
 which drives them. We must have 
 interest in order to make us think, or 
 associate, but we must have the right 
 kind of interest if we are to think 
 rightly. 
 
 We can see, if we study the work of 
 such a man as Darwin, exactly the 
 way in which this interest in truth, 
 and in truth only, keeps a thinker 
 right. He is afraid of only one thing, 
 and that is of going wrong. If his 
 object were to prove anything in 
 particular he would be more jnterested 
 in one set of facts than in another, but 
 as it is he is equally interested in all 
 facts, because all facts lead equally to 
 the truth. They do not all lead 
 equally to his theory, perhaps, but 
 that does not really matter — it is so 
 much the worse for his theory, and 
 so much the better for the truth. 
 
 The man who tries to find facts, and 
 the man who tries to prove a case 
 
 Darwin began with a theory which 
 came into his head, and then he spent 
 twenty years working at it. People 
 say that he spent twenty years trying 
 to prove it, but that is simply not the 
 case. If we study Darwin's mind, 
 and the lines of the work he did, we 
 shall agree that it is nearer the truth 
 to say that he spent twenty years try- 
 ing to disprove his theory. Indeed, 
 
 he was trying to prove or disprove 
 nothing, but simply to find the truth. 
 The success of the successful lawyer 
 is, of course, entirely different. His 
 business is to win his case. He there- 
 fore lays all the emphasis on the facts 
 which favor it, and purposely keeps in 
 the background the facts which do 
 not. He gets the verdict of the jury 
 but that is not the method to follow if 
 we wish to gain the verdict of no jury, 
 not even of all mankind, but the ver- 
 dict of Truth herself. 
 
 A WISE MAN WHO KNOWS LITTLE, AND A 
 FOOLISH MAN WHO KNOWS MUCH 
 
 It is of no use to store things in 
 the mind if we cannot recall the right 
 things when they are wanted. But 
 people who have not studied the mind 
 constantly make this mistake. A man 
 may be a walking encyclopedia, and 
 yet be very foolish. His mind is 
 crammed with facts, but he cannot 
 associate them rightly; they do not 
 suggest each other to him in their 
 true relations, and so they are simply 
 useless. Another man may have only 
 one-thousandth part of the knowledge, 
 but a thousand times more wisdom, 
 because the facts in his mind are 
 properly sorted and arranged and con- 
 nected and classified and compared, 
 or, in a word, the facts are associated. 
 
BOOK OF OUR OWN LIFE 
 
 163 
 
 HOW TO REMEMBER 
 
 We know the great difference between seeing and perceiving, and we must now 
 consider the memory, without which there could be no real perceiving. It is just 
 because memory makes perceiving and even higher things possible that its impor- 
 tance is so tremendous. If we could not remember, we should be nothing. Without 
 memory there would be no recognizing, there would be no learning, no knowing. 
 We are so accustomed to use this power of memory that, we think, we cannot realize 
 what we should be without it. We see something coming along a road, far away, and 
 then, after a while, we perceive that it is a human being. Later, by the dress, we can 
 tell that it is a man and not a woman, but who it is we cannot tell. Finally, we find 
 that it is someone we know. Here we see that the memory acts even in the simplest 
 kinds of perceiving, and that it is worth while to devote some time to the study of it. 
 
 NOWADAYS, in dealing with 
 such a great question as that 
 of memory, we do not make 
 the absurd mistake of trying to under- 
 stand our memories without studying 
 every kind of memory wherever we 
 can find it; and the first great dis- 
 covery we make is that, in some de- 
 gree or other, memory is a property 
 of every kind of living creature. 
 Formerly it was said that memory 
 was a property of every kind of nerve 
 and nerve-cell, and that is perfectly 
 true, but it is not the whole truth. 
 
 During late years men have studied 
 the behavior of humble forms of 
 plants, and of animals so simple and 
 lowly that no nerves or nerve-cells 
 are as yet developed in them. Yet 
 even here, almost at the beginnings of 
 life, long before there is the least 
 shadowy hint of even the simplest 
 kind of brain, we find some proofs of 
 memory. 
 
 All living matter is called proto- 
 plasm, and it is a fact that memory 
 is a property of all living protoplasm 
 everywhere. No matter how simple 
 creatures are, we find that their be- 
 havior can be made to change by 
 changing their surroundings. This 
 means that in some degree they re- 
 member; they act differently because 
 something has occurred perhaps three 
 times before, and the fourth time it 
 occurs they do not behave exactly as 
 they did the first time. What it is in 
 living matter, whether of a nerve-cell 
 
 or of any other kind of cell, that 
 enables it to remember, we cannot 
 say; neither can we say in advanced 
 cases of memory, as when we remem- 
 ber an idea. But even in the humblest 
 cases of memory, as where an animal 
 behaves differently towards light be- 
 cause it is the second time and not the 
 first time it has seen it, we can only 
 guess what happens. The light the 
 first time somehow made some kind 
 of mark, as we might say, in the living 
 cells, and altered them, so that the 
 next time the light came they were 
 different. 
 
 It is supposed by many people that 
 living matter never forgets. When we 
 say we forget, what we mean is simply 
 that we cannot recall. But the thing 
 we say we forget is still there in our 
 mind, and when someone names it we 
 recognize it; if we had really forgotten 
 we should not recognize it. 
 
 But even where we cannot recall 
 a thing for ourselves, and where we 
 cannot recognize it when it is recalled 
 for us by somebody else, it by no 
 means follows that we have really 
 forgotten. There are many cases on 
 record where a man appears to have 
 utterly forgotten, for instance, cer- 
 tain words of some language which he 
 learned and spoke when he was a 
 child; he cannot recall them, and they 
 mean nothing to him when they are 
 recalled; but he proves that they are 
 still there in his mind when, perhaps, 
 he is suffering from a very severe ill- 
 
164 
 
 THE HUMAN INTEREST LIBRARY 
 
 ness. His brain is greatly upset, and 
 these words, which he may not have 
 heard or used for fifty years, or more, 
 come from his hps. Very hkely they 
 are used without any sense, and he 
 does not know what they mean, but 
 there they are. The brain has not 
 really forgotten them. 
 
 The difference between remem- 
 bering AND RECALLING 
 
 Such cases as these teach us that in 
 all probability living matter does not 
 forget, but, more than that, they show 
 us that what we call memory is very 
 far from being a simple, single thing. 
 In what we call an ordinary act of 
 memory there are three things in- 
 volved. There is the pure remember- 
 ing, with which we have not much 
 more to do than a table has to do with 
 remembering a dent made in it ; there 
 is the recognizing of what we remem- 
 ber; and there is the power of recall- 
 ing. Everyone who has been asked at 
 an examination, "What is this.''" and 
 who knows perfectly well that he has 
 seen it a hundred times before, but 
 cannot put a name to it, knows that 
 memory is not such a simple thing as 
 we sometimes suppose. 
 
 But in every act of memory the 
 beginning of it is the making of an 
 impression on the brain. No doubt 
 this is a vastly different thing from 
 making a dent on a table, but we do no 
 harm if we think of it as if it were 
 something like that; and, indeed, the 
 only word which we can use to de- 
 scribe it, such as the word impression, 
 which just means "pressing in," sug- 
 gests a comparison of this kind. Now, 
 as this is the beginning of all memory, 
 it is very important for us to know how 
 far and in what way we can improve 
 this power of ours. 
 
 When the power of the memory is 
 at its best 
 
 We shall make nothing but mistakes 
 unless we learn first to distinguish 
 
 this part of memory from the other 
 
 parts; and, secondly, to discover any 
 
 natural changes in this power during 
 
 the time that we grow from childhood 
 
 to age. It is very likely that, on the 
 
 whole, memory is at its greatest when 
 
 we are young, and tends to diminish 
 
 steadily as we grow old. There is an 
 
 apparent exception to this, because at 
 
 certain ages boys and girls seem to be 
 
 able to learn poetry and many other 
 
 things by heart with greater ease 
 
 than they could have done a year or 
 
 two before. But this is because the 
 
 brain is, as it were, just being finished 
 
 in its making. It is likely, on the 
 
 whole, that after that the power of 
 
 being impressed steadily diminishes. 
 
 This explains to us some facts about 
 
 memory which seem peculiar. For 
 
 instance, we know that, in a general 
 
 way, we are more likely to remember 
 
 things that have recently happened 
 
 than things that happened long ago. 
 
 This is probably only because the 
 
 things that happened long ago are 
 
 lower down in the mind, so to speak, 
 
 and have been overlaid by many newer 
 
 things. 
 
 Why old people remember best the 
 things of long ago 
 
 Now we often find that old people 
 instead of remembering the latest 
 things best, remember them very 
 badly; but, though they are doubtful 
 about recent events, they remember 
 quite clearly something that happened 
 perhaps many years before. The ex- 
 planation is that the newer impression 
 was made on a brain that was losing its 
 power of being impressed, but the 
 older one was made on a young and 
 very impressionable brain; and the 
 passage of time has not destroyed the 
 deep impressions made in youth. 
 
 When we compare different people, 
 we find that there are differences be- 
 tween them in this quality of memory. 
 It is supposed by nearly everybody 
 
BOOK OF OUR OWN LIFE 
 
 166 
 
 that education accounts for these 
 differences, and makes them. So one 
 of the great objects of education is to 
 "train the memory." But, if by 
 training the memory we mean making 
 the brain more impressionable than 
 it is by nature, nothing can be more 
 certain than that this was never yet 
 done by any kind of education, and 
 never will be. 
 
 To begin with, these differences 
 between people are natural. The 
 amount that a man remembers will, 
 of course, depend upon the amount 
 that he has tried to remember, and so 
 his education is immensely important, 
 because it largely means giving us 
 opportunities for remembering. But 
 that is an absolutely different thing 
 from any effect in actually improving 
 the power to remember, so far as this 
 first part of memory is concerned. 
 
 The only excuse for learning a 
 thing by heart 
 
 The differences between people in 
 this respect are enormous, but they 
 are natural differences, and we simply 
 have to accept them as they are. 
 Of course, they make a tremendous 
 difference in our lives, because we 
 have seen that memory is the basis of 
 everything else; and though different 
 kinds of memory are needed for 
 different people — as for instance the 
 painter, the engineer, and the musician 
 — yet these differences in memory are 
 the beginnings, at any rate, of the 
 differences in what the people achieve. 
 
 It is quite certain, then, that the 
 brain's natural power of being im- 
 pressed cannot be increased by any 
 of the methods which have been too 
 long adopted for that purpose. There 
 may be a good reason for learning by 
 heart, simply because there are things 
 which it is well to have in the mind, 
 and which can be made to stick by 
 repetition. But no kind of learning 
 by heart increases the brain's power 
 
 of retaining things. Learning by 
 heart does not train the memory; it 
 very often disgusts the mind and 
 disheartens it from thinking. 
 
 The only possible defence for learn- 
 ing anything by heart is that the 
 thing is worth knowing. There are 
 plenty of such things, and the time 
 will come when we shall carefully take 
 children at just those ages when 
 learning by heart is easiest, and 
 deliberately use those years to put 
 into their minds the best possible 
 selection we can make of the things 
 which everyone ought to know. 
 The things that we must know and 
 
 THE things that WE SHOULD KNOW 
 
 There are things that people must 
 know and there are things that they 
 should know if possible. The number 
 of these things is a million times 
 greater than could be remembered by 
 the wisest and most learned man that 
 ever lived. We must therefore do our 
 best for each child, and that best will 
 mean the careful selection of the 
 things it should learn and the using of 
 the time when remembering is easiest. 
 We must break up and vary the 
 lessons so as to avoid fatigue, because 
 when fatigue begins, memory ends. 
 Though education cannot improve the 
 natural memory, yet there are certain 
 things which education, in the widest 
 sense of the word, can do or fail to do. 
 Whatever the brain is meant to be 
 by nature, and whatever is in its 
 power to become, yet the building and 
 the health of its cells and nerves, and 
 therefore the success of their duties, 
 depend upon the supply of blood they 
 receive, and upon their never being 
 subjected to over-use. 
 
 What we call education, which is 
 sometimes just the opposite of real 
 education, very often means that we 
 injure the brain and spoil the memory 
 at the very time when we think we 
 are training it. School hours are 
 
166 
 
 THE HUMAN INTEREST LIBRARY 
 
 often too long. Light, and especially 
 air, may be defective. Foul air means 
 fold blood, everywhere and always; 
 and foul blood means that the brain 
 also is being poisoned. 
 
 A HEALTHY OUTDOOR LIFE IS THE BEST 
 AID TO MEMORY 
 
 Our great business, therefore, in 
 taking care of our memories when we 
 are young, is to lead healthy lives as 
 much in the open air as possible; and 
 no doubt w^e shall find that, in after 
 years, for every one thing we remem- 
 ber that happened indoors when we 
 were children, we shall remember two 
 things that happened out-of-doors. 
 
 Next we have to consider the various 
 special methods of impressing the 
 memory. The first of these is the 
 method of repetition. We all know 
 that repetition helps us to remember, 
 and, indeed, this method of going 
 over a thing again and again is the one 
 which has been most believed in since 
 teaching began. This applies equally 
 to our learning-memory and our 
 doing-memory, as we recognize w^hen 
 we say that practice makes perfect. 
 Now, so long as we clearly understand 
 that repetition and learning by heart 
 do no good to the memory itself, but 
 merely help to impress it, we are 
 quite right to use this method, and 
 there are certain things w^ell worth 
 noticing. 
 
 The best way of remembering what 
 WE have heard 
 
 One of the great methods of learning 
 is to listen to something spoken and 
 take notes of it. Now in such cases 
 we notice that the two processes of 
 listening and w riting down and read- 
 ing over result in much better remem- 
 bering if they are close together. If 
 we read our notes the same day as 
 w^e take them down, we shall remem- 
 ber more a month hence than if we go 
 over them a few days later. When 
 the repetition comes close on the first 
 
 impression, it is as if the iron were 
 made hot by the first impression, and 
 the second impression is more effective 
 than if we wait for the first to cool. 
 
 Another most important fact is that 
 one kind of repetition is very different 
 from another, and this is one of the 
 mistakes that almost all of us make. 
 We may hear without "taking a thing 
 in;" we may read or write a thing, or 
 we may repeat it out loud, while our 
 attention is somewhere else. In such 
 cases all our labor is wasted, as cer- 
 tainly wasted for remembering the 
 thing as it is wasted for "training the 
 memory." It is no use trying to learn 
 when we are tired or when we are 
 feeling cold, thirsty or hungry. 
 
 Why reading helps us to remember 
 better than writing 
 
 It is worth noting that intelligent, 
 careful, attentive reading of anything 
 is a more effective kind of repetition 
 than copying it out, though we should 
 not suppose so. In copying out, as a 
 rule, too much of our attention is 
 devoted to the mechanical part of 
 what we are doing, and so we are not 
 really attending so well, though we 
 seem to be working harder. 
 
 The secret of mere remembering 
 lies, on the whole, more in attention 
 than in anything else. It is most 
 difficult to find out exactly what 
 attention is, and exactly what happens 
 wdien we attend. The difference be- 
 tween attending and not attending is 
 probably that, when we are not 
 attending, the disturbances that reach 
 the brain from the outside world are 
 scattered in all sorts of directions 
 throughout the brain. The effects 
 of them are almost wasted, because 
 they scarcely go anywhere in particu- 
 lar; and it may be also that perhaps 
 the most important parts of the brain, 
 when we are not attending, are really 
 not in action at all, so that the results 
 of what is going on never reach them. 
 
MEMORY TESTS ON THE BOOK OF OUR OWN LIFE 
 
 THE STORY OF THE EYE 
 
 What evidence have we that plants have 
 eyes? 
 
 What insect possesses most powerful eyes? 
 
 Why does the house fly avoid a flame? 
 
 How are bees able to distinguish one flower 
 from another? 
 
 In what respect is the vision of ants su- 
 perior to ours? 
 
 In what respect does the eye of a back- 
 bcned animal differ from that of an invertebrate? 
 
 What is the main purpose of the eyelids? 
 THE PARTS OF THE EYE 
 
 How does the cornea of the eye resemble 
 and how differ from a curved piece of glass? 
 
 What purpose does the iris serve? 
 
 What determines the color of the iris? 
 
 In what respect is the lens of the eye 
 superior to an artificial lens? 
 
 Why does a near-sighted person hold the 
 book close to him? 
 
 What is the effect of age upon near- 
 §ightedness? 
 
 How is a cataract removed? 
 SEEING COLORS 
 
 What is light? 
 
 What relation exists between the numbers 
 of ether vibrations required to produce the sen- 
 sation of red and the number required to pro- 
 duce violet. 
 
 In what three ways do colors vary? 
 
 How many colors are there? 
 
 Name the three primary colors. 
 
 What is the cure for color-blindness? 
 
 What forms does color-blindness assume? 
 
 Why are red and green lights used for 
 railroad signals? 
 
 THE MARVEL OF HEARING 
 
 How many senses have we? 
 
 What purposes are served by the outer 
 ear? 
 
 Why can a dog judge better of the di- 
 rection of a sound than a man? 
 
 How do we judge of the direction of a 
 sound? 
 
 By what means is the canal of the ear kept 
 clean? 
 
 To what is deafness in old age generally 
 due? 
 
 What control have we over the intensity 
 of sounds? 
 
 BALANCING THE BODY 
 
 What do you understand by the sense of 
 balance? 
 
 What four different things aid us in pre- 
 serving our balance? 
 
 How does a fish so easily preserve its 
 balance? 
 
 Explain the connection between fish-gills 
 and the semi-circular canals, ears and larynxes 
 of higher animals? 
 
 Are the lower animals "dumb?" 
 
 What three duties does the larynx perform? 
 
 TALKING AND SINGING 
 
 In speech are all the words given in the 
 same key? 
 
 Give the derivation of "monotone." 
 
 Give the derivation of "cant." 
 
 What is the essential distinction between 
 speech and song? 
 
 What is meant by a "musical voice?" 
 
 Give the connection between over-tones 
 and vowel-sounds. 
 
 SMELL AND TASTE 
 
 Explain the intimate relation existing be- 
 tween taste and smell. 
 
 What part of the nose do we smell with? 
 
 With what two pairs of nerves is the nose 
 supplied? 
 
 Through which pair is sneezing excited? 
 
 What connection exists between smell and 
 the weight of the substance scented? 
 
 Where is the sense of taste located? 
 
 Give the five principal classes of tastes. 
 THE FOREST OF NERVES WITHIN US 
 
 In what way does a bundle of nerves re- 
 semble an ocean cable? 
 
 Will a nerve fiber carry messages in both 
 directions? 
 
 How does the movement of a nerve- 
 current compare with that of an electric current? 
 
 Of what is a nerve-fiber a part? 
 
 What oflBce does the spinal cord perform 
 in the economy of the body? 
 
 What is the function of the cerebellum? 
 
 MYSTERY OF THE BRAIN 
 
 What connects the two halves of the cere- 
 brum? 
 
 Why is the surface of the brain folded in 
 convolutions? 
 
 Is phrenology based upon sound principles? 
 
 Whence do we derive the power of associa- 
 tion? 
 
 In what sense are our eyes at the back 
 of our head? 
 
 HOW TO REMEMBER 
 
 When we say we have forgotten a thing, 
 do we mean that there is no record of it in the 
 brain? 
 
 Distinguish between memory and recol- 
 lection. 
 
 What is the beginning of a memory? 
 
 Why is it easier to remember recent events 
 than those which occurred long ago? 
 
 The converse holds with aged persons. 
 Why? 
 
 HOW WE THINK 
 
 What mental process follows perception? 
 
 Give Bruno's great conception. 
 
 What is the motive power of thought? 
 
 What effect has perverted interest upon 
 our thoughts? 
 
 Explain how the judgment may be led 
 astray by feeling. 
 
 What is the distinction between a "walk- 
 ing encyclopedia" and a great thinker? 
 
 167 
 
STATUE OF LIBERTY ENLIGHTENING THE WORLD 
 
 Sculptured by Bartholdi and erected at the entrance of New York Harbor as emblematic ot the civilizmg influences ot 
 
 liberty upon modern civilization. 
 
 168 
 
Book for Parent and 
 Teacher 
 
 THE MONTESSORI SYSTEM OF CHILD TRAINING 
 
 Underlying Ideas of the System Montessori Exercises and 
 Purpose and Educational Value Games 
 
 of the Montessori Devices Use of the Apparatus 
 
 Necessity of the Montessori Spirit Discipline and Obedience 
 
 How a Montessori School Is Memory Tests on Montessori 
 
 Conducted System 
 
 I 
 
 THE SCHOOL OF REAL LIFE 
 
 What a Boy Must Do to Sue- What a Girl Must Do to Suc- 
 ceed ceed 
 
 PRACTICAL ARITHMETIC AND PROBLEMS 
 
 Tlie Fundamental Processes 
 
 Addition — Subtraction — Multiplication — Division — 
 Fractions — Decimals — Denominate Numbers — Per- 
 centage — Interest — Taxes — Insurance 
 
 Problems and Calculations in Connection with: 
 
 Education and Industry — Fencing — Drainage — 
 Plowing — Wheat — Corn — Potatoes — Birds and 
 Insects — Hay — Orchards and Spraying — Poultry — 
 The Dairy — Roads — Silos — Problems with the Lever 
 — Animal Power 
 
 Handy Values, Weights and Measures 
 
 FARM SCIENCE AND PRACTICE 
 
 Choosing a Farm Fifty Farm Birds 
 
 Rotation of Crops Stock Feeding 
 
 Preserving Foods Fertilizers 
 
 Plant Life Concrete Construction 
 
 IM 
 
DR. MARIA MONTESSORI 
 
 The famous Italian physician and educator who founded the Montessori 
 system of child education 
 
 17(y 
 
MONTESSORI SYSTEM OF CHILD TRAINING 
 
 FOR HOME OR SCHOOL 
 
 This Book explains how to train and develop the special senses; how to keep 
 children properly occupied; how to train their bodies; how to use all necessary 
 apparatus; and how to enforce discipline and obedience. 
 
 THE Montessori method is a new 
 system of education for very 
 small children devised by an 
 Italian woman physician. One of the 
 first facts rediscovered by Dr. Mon- 
 tessori is the old threadbare truism 
 
 Underlying idea of the system 
 
 And here Dr. Montessori found her- 
 self in accord with another fundamen- 
 tal principle of the growth of child- 
 hood, which she had discovered or 
 rediscovered and which may be said 
 
 that every child is different from every broadly to be the master idea of her 
 other child. She found not only that system. The central idea of the 
 but also that not being a fixed and in- Montessori system, on which every 
 animate object, he is in a constant bit of apparatus, every detail of tech- 
 state of flux, and differs from himself, nic rests solidly, is a full recognition 
 from day to day, as he grows. His of the fact that no human being is 
 attention, his memory, his mental en- educated by anyone else. He must 
 durance, his intellectual interest and do it himself or it is never done. The 
 curiosity, are not only unlike those of learner must do his own learning, and 
 the child next him in school, but will this granted, it follows naturally that 
 be tomorrow different from what they the less he is interfered with by arbi- 
 are today. It was evident to her that trary restraint and vexatious, unneces- 
 Ihe usual "class recitation" and "class sary rules, the more quickly, easily 
 lessons" were out of the question, and spontaneously he will learn, 
 since they could at the best, possibly Everyone who wishes to adopt her 
 fit the needs of only one child in the system, or to train children according 
 class. And yet it is obviously im- to her method, must learn constantly 
 possible, as the world is made up, to to repeat to himself and to act upon, 
 have a teacher for every child. There at every moment, this maxim, "All 
 was only one way out — things must growth must come from a voluntary 
 somehow be so organized and ar- action of the child himself." 
 ranged that, for most of the time, the The system must fit the child 
 child can and shall teach himself. In this respect again Dr. Montes- 
 
 171 
 
'172 
 
 THE HUMAN INTEREST LIBRARY 
 
 sori took the stand that education 
 must be made to fit the child, and the 
 child not forced to fit a preconceived 
 idea of what education ought to be 
 or do. She laid down the principle 
 that one of the essentials of education 
 is that children shall get that indi- 
 vidual attention they need so much, 
 by giving it to themselves, each child 
 being his own teacher. She now 
 further stated as another essential 
 element that education should be so 
 organized that the child shall ardently 
 desire to teach himself and shall en- 
 joy doing it more than anything else. 
 
 Basic principles of 
 
 SYSTEM 
 
 MONTESSORI 
 
 To reduce, then, to the barest out- 
 line this new system of training chil- 
 dren, one can say that it rests upon a 
 full conviction of these three facts 
 about the nature of children: 
 
 First. — Children are all different 
 from each other, and hence need for 
 their fullest development, the greatest 
 possible liberty for their individualities 
 to grow; and that, though of course 
 there are many points in common, 
 they must not be treated in the lump, 
 but individually. 
 
 Second. — Children cannot, so to 
 speak, learn from the outside. That 
 is, that the impulse to learn must 
 come from within their own minds. 
 There are absolutely no exceptions to 
 this rule. Children must wish to 
 learn, or it is a physical impossibility 
 for them to do so. 
 
 Third. — Children are so made that, 
 given proper conditions, they prefer 
 educating themselves to any other 
 occupation. 
 
 A DAY WITH THE CHILDREN'S ACTIVITIES 
 
 What has been said thus far is al- 
 most certain to have aroused in the 
 minds of many readers the question, 
 "How in the world does Dr. Mon- 
 tessori accomplish all this.'*" or, per- 
 
 haps the more skeptical exclamation, 
 "It can't be done, by Dr. Montessori 
 or anyone else!" How can children 
 teach themselves? How can they 
 learn without detailed verbal instruc- 
 tions from a teacher? 
 
 How does a boy learn to climb an 
 apple tree? By being turned loose in 
 company with the tree at that period 
 of his life when he feels a surging nat- 
 ural impulse to climb trees. A boy of 
 three can play about the foot of an 
 apple tree day after day and no more 
 think of climbing it than we of walking 
 the ridge pole of our house. A man 
 of twenty-one can play tennis, or 
 plough, under the tree's branches with 
 a similar lack of monkey-like desire 
 to climb from branch to branch. But 
 somewhere between those ages, there 
 is a period in every normal life when, 
 if the opportunity is present, a vast 
 amount of muscular agility, strength 
 and accuracy are acquired, together 
 with considerable physical courage, 
 some daring, some prudence, and a 
 fair amount of good judgment, all 
 without the slightest need either to 
 force or persuade the child to the 
 acquisition of these desirable qualities = 
 
 The purpose and educational value 
 OF the montessori devices 
 
 Now, for all intents and purposes, 
 the Montessori apparatus, so much 
 talked of, so scientifically and in- 
 geniously devised, is simply composed 
 of supplementary apple trees. Jt is 
 made up of devices and inventions 
 which are intended, first, to stimulate 
 the little child's natural desire to act 
 and learn through action; second, to 
 provide him with action which shall 
 give him a better control of his own 
 body and will-power; and third, 
 which shall lead him naturally from a 
 simple action to a more difficult one. 
 Trains the five senses 
 
 In the case of very little children 
 this is (as far as concerns the formal 
 
BOOK FOR PARENT AND TEACHER 
 
 173 
 
 SELF-EDUCATION BY THE MONTESSORI SYSTEM 
 
 % 
 
 At undirected play with the didactic 'or seuse>traiiiing materials 
 
nh THE HUMAN INTEREST LIBRARY 
 
 Montessori apparatus sold) largely when they feel like it, a quiet, gentle, 
 connected with the training of the alert, nearly always silent superintend- 
 senses. The importance of this de- ent, to whom all those little self-teachers 
 tailed, direct education of the five turn for advice in their educational 
 senses may not be at first apparent, career; a piano in one corner of the 
 But it is evident that our five senses room, to the music of which once in a 
 are our only means of conveying in- while those children who feel like it 
 formation to our brains about the dance and play. There are soft rugs on 
 external world which surrounds us, the floor, on which those children who 
 and it is equally evident that to act feel tired may lie down and rest when- 
 wisely and surely in the world, the ever they like. On the walls there are 
 brain has need of the fullest and most pleasant pictures of subjects suitable 
 accurate information possible. Hence for little children. There are window- 
 the education of all the senses of a boxes of plants, tended by the little 
 child to rapidity, agility and exacti- pupils; there are in one corner some 
 tude, is of great importance — not at little wash-stands with small bowls 
 all for the sake of the information and pitchers where the children wash 
 acquired at the time by the child, but their own faces and hands, whenever 
 for the sake of the five, finely accurate they are dirtied by their work or play, 
 instruments which this education puts In fact, the room and its furnishings 
 under his control. are exactly like what every mother 
 Montessori spirit is the first would like to give her own children in 
 ESSENTIAL her own home. The Casa dei Bam- 
 Much has been written and said bini is truly a "Children's Home" — 
 about the Montessori Didactic Ap- a place for self-reliant work and con- 
 paratus, but the use of her apparatus tented play, 
 without an understanding of the under- Feel a responsibility 
 lying principles and without the spirit The children learn to feel, because 
 that animates all true Montessori they are allowed to, a real responsibility 
 work will result only in confusion and for the condition of this, their very own 
 disorder. The Montessori Didactic home. Before they begin the morn- 
 Apparatus is a part of the system, ing's work, they clean the school- 
 but the most vital element is the room, using tiny brooms and dust- 
 Montessori spirit. The mother on a pans, just the right size for their 
 desert island who is dominated by little hands, and they make their 
 Dr. Montessori's love and respect for own morning toilets neatly and cheer- 
 the child would accomplish much fully at the little washstands. They 
 more without the formal apparatus all seem like brothers and sisters of 
 than a mother who uses it without one big family, living the happiest 
 the sympathy and understanding and sanest of family lives together in 
 requisite for success. one big, well-furnished nursery. They 
 The casa dei bambini form groups of two or three, over some 
 If you wish to see a typical Casa dei difficult problem; or four or five in a 
 Bambini (which means Children's game with some part of the apparatus 
 Home) you are to imagine thirty child- which needs a number of children 
 ren turned loose in a big room, fur- together; or ten or twelve in a ring- 
 nished with little chairs and tables, around-the-rosy game to the music of 
 with room outdoors, close at hand, the piano. Out in the playground, 
 where the children may run and play bright with flowers and plants of their 
 
BOOK FOR PARENT AND TEACHER 175 
 
 own tending, there are always some bility of setting the tables, bringing in 
 children playing "blackman" or the soup tureens, and serving their 
 "blindman's buff." No one makes the little mates. There is no better de- 
 slightest effort to induce them to stop scription of this most interesting and 
 playing in order to come and learn valuable part of the routine of the day 
 their letters or the simpler processes than the passage in Dr. Montessori's 
 of arithmetic. They do so of their own book, The Montessori Method^ 
 own accord. It has been found, first, page 348: "Any one who has watched 
 that although they are free to do so if them setting the table must have 
 they wish, they no more w4sh to spend passed from one surprise to another, 
 all their time in playing children's Little four-year-old waiters take the 
 games than workers in a candy factory knives and forks and spoons and dis- 
 desire to consume chocolate drops all tribute them to the different places; 
 the time. they carry trays holding as many as 
 Value of free-will over enforced five water glasses, and finally they go 
 ATTENTION from table to table, carrying tureens 
 The second discovery is of even full of hot soup. Not a mistake is 
 greater importance than the first; made, not a glass is broken, not a drop 
 is in fact of such vital importance of soup is spilled. All during the meal, 
 that it cannot be too often stated, unobtrusive little waiters watch the 
 This is the discovery that one moment table assiduously; not a child empties 
 of real attention, given of the child's his soup-plate without being offered 
 own free will, with actual vivifying more ; if he is ready for the next course, 
 interest back of it, is worth more a waiter briskly carries off his soup- 
 educationally than hours of enforced plate. Not a child is forced to ask for 
 listening to a teacher teach. Such a more soup, or to announce that he 
 moment of real attention is worth more has finished, 
 because it is worth everything, while Exercise their own choice 
 the enforced listening to teaching is After lunch, the children again choose 
 worth nothing. freely their own occupations. Some run 
 Luncheon in the casa dei bambini out to play on the playground; some 
 — The children, as a rule, busy them- water the plants under their especial 
 selves happily with the different parts care; some take naps as long as they like, 
 of the apparatus most of the morning. By far the greater number, however. 
 Towards noon, preparations for lunch- return to the Montessori apparatus 
 eon begin. The children take turns and occupy themselves with that fas- 
 in doing this work, four or five being cinating material until time for them 
 charged every day with the responsi- to go home. 
 
MONTESSORI EXERCISES AND GAMES 
 
 TWENTY-NINE LESSONS WITH FULL DIRECTIONS 
 TO MOTHER AND TEACHER 
 Including: How to fix the child's attention on size and form. How to co-ordi- 
 nate movements of the fingers. How to distinguish differences in size and form. 
 How to develop the sense of touch. How to train the sense of hearing. How to 
 teach the child to write. How to teach the child the abstract from the concrete. 
 How to teach the child the use of colors. How to train the child in bodily move- 
 ments. How to teach the child the alphabet. How the child learns self-care. 
 First steps in numbers. Arithmetical games. How to teach discipline and obedi- 
 ence. How to supplement Montessori apparatus. 
 
 WE IN America who have chil- 
 dren between the ages of 
 two and seven can not as yet 
 send our children to one of the special 
 schools. Therefore, if we wish our 
 children to profit by the great work of 
 Dr. Montessori, we must do the next 
 best thing, and give them the Montes- 
 sori training in our own homes. The 
 fact that we have only the children of 
 our own home to deal with should not 
 lessen the sense of responsibility or the 
 diligence with which we strive to 
 make daily application of the Montes- 
 sori principles. 
 
 A SCHOOL IN THE HOME 
 
 The mother has some advantages 
 which the superintendent of the Mon- 
 tessori schoolroom does not have. 
 She has the children constantly with 
 her, and she can, if she will, turn into 
 a Montessori exercise almost every- 
 thing the child does in the course of 
 his waking hours. These valuable 
 and constantly present opportunities 
 for supplementary Montessori work in 
 ordinary home life will be touched 
 upon as the regular apparatus is de- 
 scribed and explained in the following 
 lessons. 
 
 Let us suppose that the dox con- 
 taining the Montessori apparatus 
 comes into the home when the three- 
 year-old child for whom it is intended 
 is asleep. The mother takes her time 
 to look over the large collection of 
 queer-looking objects and, if she is 
 wise, puts away, for the present, every- 
 
 thing but the simplest of the Buttoning 
 Frames and the three sets of Solid 
 Geometric Insets. 
 
 EXERCISE ONE 
 
 TO FIX THE CHILD'S ATTENTION ON 
 SIZE AND FORM 
 
 Solid Geometrical Insets. — ^These 
 comprise three series of wooden cyl- 
 inders set in corresponding holes in 
 a thick, smoothly planed board. There 
 are ten cylinders to each of the three 
 series. In the first, the height of the 
 cylinders is constant and the diam- 
 eter varies; in the second series, the 
 diameter is constant and the height 
 varies; in the third series, the cylin- 
 drical form alone is constant, height 
 and diameter varying. With these 
 insets, the child, working independ- 
 ently, learns to discriminate objects 
 according to thickness, height and 
 size, and the material used controls 
 the error. 
 
 When the child wakes up, he is told 
 there are some new playthings in the 
 house, and one of the Solid Geometric 
 Series is shown him. As a rule, he 
 needs no further supervision in the 
 use of this piece of apparatus, since it 
 is self-corrective. If he gets a small 
 cylinder in the big hole, when he comes 
 to the small hole, the big cylinder will 
 not go in it, and he is forced to look 
 back to correct his own mistake. 
 Here, as in the use of all the Montes- 
 sori apparatus, it is well to remember 
 that the best thing one can do for the 
 child is to let him alone as much as 
 
 176 
 
The Long Stair 
 
 (To be used in Exercise Six) 
 
 Solid Geometrical Insets 
 
 (To be used in Exercise One) 
 
 MONTESSORI SENSE-TRAINING APPARATUS 
 
 vn 
 
Sandpaper Boards 
 
 (To be used in Exercises Seven and Eight) 
 
 Color Boxes 
 
 (To be need in Exercises Sixteen and Seventeen) 
 
 Plane Geometric Forms 
 
 <To be used in Exercise Thirteen) 
 
 Part of Movable Alphabet 
 
 (To be used in Exercise Nineteeo^ 
 
 Computing Boxes 
 
 (To be used in Exercises Twenty-three and Twenty-four) 
 
 Sound Boxes 
 
 (To be used in Exercise Ten) 
 
 Plane Geometric Insets 
 
 (To be used in Exercises Eleven and Twelve) 
 
 MONTESSORI SELF-INSTRUCTING DEVICES 
 
 178 
 
BOOK FOR PARENT AND TEACHER 
 
 179 
 
 possible. "Hands off!" is the motto 
 for adults in adopting the Montessori 
 system for a child. The important 
 thing is not that the cylinders shall 
 all be put back in the right holes, but 
 that the child shall do it himself! 
 
 Any ordinarily active, right-minded 
 baby of three will fight for this right 
 himself, pushing away help and cry- 
 ing "Let me," and the adults should 
 religiously respect this desire to begin 
 a life of self-independence. And yet, 
 of course, adult brains can often de- 
 vise some method of using the ap- 
 paratus which will make the process 
 of learning self-independence easier 
 for the child. One of the discoveries 
 made by Dr. Montessori is that the sense 
 of touch is very much more developed 
 in little children than the sense of 
 sight; that is, they can tell more 
 about an object after they have 
 handled it than if they have merely 
 looked at it. So that it is well to 
 explain to a child who has difficulty 
 in gettirig the cylinders back in the 
 right hole that if he holds a cylinder 
 by the little knob with the fingers of 
 his left hand and passes the forefinger 
 of his right hand around the base of it, 
 and then around the opening into 
 which he thinks it ought to fit, that 
 he will probably be more accurate 
 than if he merely looks at the two 
 objects. 
 Traits of child nature appealed to 
 
 It is well that the mother should 
 understand just why the child should 
 be interested in these exercises. There 
 are two fundamental traits of child- 
 hood involved: first, any normal child 
 takes a great interest in putting 
 objects in rows; second, any child is 
 delighted when he can put an object 
 into an opening. Combining these 
 two traits of childhood, we have a 
 fascinating educational device. The 
 child is not only happily employed but 
 he is learning something that is of 
 
 value. He is learning to discriminate 
 between different objects. Although 
 he does it unconsciously, he is forming 
 an idea of spacial relations. 
 
 When the child can successfully put 
 the various cylinders in their respec- 
 tive openings, the exercises can be 
 made more complex by giving all the 
 cylinders to the child and only one of 
 the bases. This requires a greater 
 discrimination, making the exercise 
 more complex. The cylinders can 
 also be used a little later in teaching 
 nomenclature, to show the difference 
 between thick and thin, thicker and 
 thinner, high and low, higher and lower, 
 etc. 
 
 After he has mastered the simpler 
 exercises, the child may be blind- 
 folded or, looking in another direction, 
 place the various cylinders into the 
 openings. These exercises bring into 
 play the tactile and muscular senses, 
 both of which are very acute in small 
 children. Since the child delights to 
 feel of objects, it will not be long until 
 he will take a great interest in the 
 game of "seeing with his fingers." 
 These sets of cylinders are perhaps the 
 simplest of all the equipment and at 
 the same time they have proved the 
 most fascinating for small children. 
 
 The tracing of forms, "the begin- 
 nings" OF writing 
 
 The child should be cautioned (and 
 his mother should take pains about this 
 in all Montessori exercises) to make the 
 motions always from the left to the 
 right, in the directions in which writ- 
 ing is done, for these exercises, un- 
 likely as it seems, are the beginnings 
 of writing and reading. Then he 
 should be left to "play" with this new 
 toy, as long as his interest lasts, 
 which will vary greatly according to 
 the degree of development reached, 
 the temperament of the child, and 
 even his state of health. When he 
 is perfectly well and rested and not 
 
EXERCISE TWO 
 
 180 THE HUMAN INTEREST LIBRARY 
 
 hungry, he can do much better work most cases he at once sets to work, 
 
 than otherwise. His attention to and even though his first efforts seem 
 
 the exercise must, of course, be spon- to the observing mother incredibly 
 
 taneous, brought about by the interest clumsy and slow, she must keep her 
 
 of the task given, and if the task does hands off, and let him work out his 
 
 not happen to interest that particular own problems, 
 
 child at that particular moment, Putting away the apparatus 
 
 nothing can be gained by forcing him The only rule should be that if he 
 
 or even coaxing him to go on with it. does not wish to play witn the ap- 
 
 He will return to it another day, or paratus, or when he grows tired of its 
 
 perhaps even an hour later, of his use, he should put it away; and for 
 
 own accord. that purpose it is very essential that 
 
 there should be a well defined place, 
 which the child can easily reach, for 
 
 FOR co-ORDmATiNG MOVEMENTS OF gvery one of his belongings— not only 
 
 for the Montessori apparatus, but for 
 The Buttoning or Dressing Frames, his other toys and for his clothing. 
 — There are eight of the dressing or The hooks should be low, so that little 
 buttoning frames. Any one or more arms can reach them, and the drawers 
 of these can be used effectively with- where clothing is put away should be 
 out association with the others. On easy to open and shut. Three years 
 six wooden frames are mounted six is none too young to begin the habit 
 pieces of cloth of varying textures, of order, which, like so many other 
 to be joined by means of large but- good habits, may be acquired pain- 
 tons and buttonholes, automatic fast- lessly at an early age, although so 
 eners, small buttons and buttonholes, nearly impossible to inculcate after 
 hooks and eyes, colored ribbons for the bad habits have become fixed, 
 bow-tying, and lacing through eye- The exercises with the dressing frames 
 lets. The remaining two frames are are not necessarily for the developing 
 mounted with leather pieces, one of of the different senses. The primary 
 which simulates shoe lacing and the object is to develop the muscular co- 
 other shoe buttoning, the latter in- ordination to strengthen the child's 
 volving the use of the button hook, little fingers. These materials carry 
 These exercises are for the develop- out Dr. Montessori's ideas of sim- 
 ment of co-ordinate movements of plicity, self-correction and general 
 the fingers. The child is taught to attractiveness. They are so simple 
 dress himself without his really know- that the child at once understands 
 ing that a lesson is being taught him. the meaning of the game, and in work- 
 The Buttoning Frame, or the frame ing with these various materials his 
 with "hooks and eyes," should be little fingers and hands are so 
 brought out first, and the method of strengthened that he may success- 
 fastening and unfastening explained fully take up more complex and 
 in the usual Montessori way; that is, difficult work. 
 
 as briefly as possible. It is often best Of course, one of the incidents of 
 
 not to say anything, but merely to go this work is that he learns to dress 
 
 through the exercises one's self, un- and undress himself. This, it should 
 
 buttoning or unhooking the cloth, be remembered, is not the primary 
 
 buttoning or hooking it up again, and factor that Dr. Montessori has in 
 
 handing the frame to the child. In mind, 
 
BOOK FOR PARENT AND TEACHER 
 
 181 
 
 EXERCISE THREE 
 
 Supplementary exercises teaching 
 
 the practical application of 
 
 knowledge gained with 
 
 the apparatus 
 
 One obvious result sought in all 
 these exercises is the beginning in the 
 child's mind of the habit of concentra- 
 tion to the task in hand. The insets 
 are primarily intended, as already 
 stated, to teach the child to distinguish 
 between differences in dimension and 
 form, and this can be taught by 
 supplementary exercises in almost any 
 room of the house. 
 
 First. — In the dining-room he can 
 be given a pile of spoons of differing 
 size, teaspoons, tablespoons, soup- 
 spoons, coffeespoons, etc., and the 
 suggestion made to him that it would 
 be fun to separate them into piles 
 according to their sizes. In most 
 cases, this impromptu Montessori 
 exercise can be depended upon to 
 amuse the child for an astonishingly 
 long period, and it is, of course, excel- 
 lent training for his capacity to dis- 
 tinguish accurately between objects 
 similar but of different size. 
 
 Second. — Out of doors, a pile of 
 stones of differing sizes can be divided 
 into several piles of the same size. 
 Most mothers will be surprised at the 
 vast and inextinguishable interest 
 taken in such simple exercises by the 
 average healthy child of three or over. 
 The gain in accuracy of eye and brain 
 is too obvious to need discussion. 
 
 Third. — The buttoning frames are 
 intended first of all to teach the child 
 to use his hands and fingers accurately 
 and well, and next to enable him to 
 dress himself as far as may be. This 
 is very important, for the first thing 
 to be done for a little child is to release 
 him as quickly as possible from the 
 prison of babyishness — to make it 
 possible for him to take care of himself, 
 and not to depend upon the services 
 
 of others. As his clothes are nearly 
 always fastened with buttons, it is 
 essential that considerable time be 
 devoted to teaching him how to 
 manage these, or, rather, that he 
 shall be allowed to take the time 
 necessary to learn this. For he has a 
 natural fund of desire to manage 
 himself which makes him eager to 
 learn. 
 
 The buttoning frames, being of 
 cloth tightly stretched on wood, are 
 easier for him to manage than the 
 buttons on his own clothes, although 
 as soon as he begins to try to button 
 his own coats and waists, he should 
 be allowed all the time he needs for 
 his first clumsy and ineffectual at- 
 tempts. Remember, he should be 
 allowed all the time he needs — not all 
 the help he needs! For if he is often 
 helped, he will fall into the vicious, 
 invalid's habit of waiting for other 
 people to serve him. 
 
 Fourth. — The lace and ribbon frames 
 are more difficult to use and are, of 
 course, to be held back until the child 
 is older, perhaps four or five. From 
 time to time, they should be brought 
 out and a simple experiment made 
 of the child's capacity to deal with it. 
 If he does not at once show interest 
 in the problem of bow-knots and laces, 
 and more of a capacity to struggle with 
 the construction of them than on the 
 last trial, the frame should be taken 
 away, without comment, and not 
 tried again until more progress has 
 been made in the other exercises. It 
 must be remembered, as a general rule 
 for the use of the Montessori exercises, 
 and in general in the training of little 
 children, that no prolonged attempt 
 should ever be made to coax them to 
 continue an exercise which does not 
 interest them. If they show no spon- 
 taneous interest, they are not ready for 
 it, and time is only wasted by any 
 attempt to force their inclination. 
 
182 
 
 THE HUMAN INTEREST LIBRARY 
 
 When they are ready, they can learn 
 in ten minutes what three hours of 
 dreary enforced practice was not able 
 to teach them. 
 
 EXERCISE FOUR 
 
 Exercises four, five and six are 
 
 also for the further cultivation 
 
 of the child's visual perception of 
 
 difference in dimension and form 
 
 The Block Tower.— After the child 
 has had a day or so of practice with 
 the Geometric Insets and Buttoning 
 Frames, allowing him to take them up 
 and lay them down at will, it is time 
 to bring out the blocks composing the 
 Tower. The Tower is a series of ten 
 wooden cubes, decreasing in size. 
 Almost every nursery possesses such 
 blocks, but few mothers are aware of 
 their educational value or of the dis- 
 tinctive use to which blocks of gradu- 
 ated size should be put. Their use 
 should not be confused with that of 
 the ordinary "building blocks," — 
 cube blocks of unvarying size. With 
 the Tower blocks there are definite 
 problems of classification and dis- 
 crimination to be solved, and to get the 
 benefit of them, the child must use 
 them in the one correct way. 
 
 Teaching the child to build 
 the tower 
 
 The mother builds up the Tower 
 before the child's eyes, placing the 
 largest block first, then the next 
 smaller one, and so on down to the 
 tiny little cube at the top. Then she 
 knocks it all down, and if her child is 
 the average child, he needs no more 
 incentive to duplicate the performance 
 and to begin to educate himself as to 
 graduations of size. When he begins 
 to construct the Tower himself, the 
 difficult thing for the mother to do is 
 to avoid giving him elaborate instruc- 
 tions: "No, no, Jimmy — not that one 
 — that's not the next size — don't you 
 see the one by your hand is bigger?" 
 etc., etc., etc. The only good Jimmy 
 
 can get of this exercise is by learning 
 to see for himself which is the bigger 
 block, and to do this his mother must 
 let him alone. She need not be sur- 
 prised if he makes one odd mistake 
 continually, even after he has learned 
 quite deftly to construct the Tower. 
 A great many children find it difficult 
 to begin the Tower with the biggest 
 block. They begin it with the next 
 biggest, and, when they have finished, 
 find that they cannot place the largest 
 one without tearing down the whole 
 structure. The psychological proc- 
 esses involved in this mistake are 
 too complicated to explain here. I 
 mention it, lest some anxious mother 
 should think her own three-year-old 
 especially deficient in the capacity to 
 distinguish between sizes. 
 
 One exercise that can be profitably 
 carried out is to give the Tower to 
 the child and have him carry it, let 
 us say, from one part of the room to 
 another. In all probability, his first 
 attempt will be far from successful. 
 Let him take his own time in the 
 building of it, and then make another 
 attempt. Finally, he will be able to 
 carry it very successfully from one 
 part of the room to another, thus 
 showing the self-control that is de- 
 veloped. 
 
 EXERCISE FIVE 
 Broad stair 
 
 After the Tower, the next exercise 
 is the Broad Stair. It is a set 
 of ten rectangular wooden blocks, 
 decreasing in height and width, 
 length only being constant. This is 
 another of the visual perception ex- 
 ercises. Here it may be well to 
 mention that when a new exercise is 
 given a child, the older ones are by no 
 means taken away. They are left in 
 the nursery, where he can get at them 
 himself whenever he wishes to, and the 
 new ones simply added to the store 
 
BOOK FOR PARENT AND TEACHER 183 
 
 of his riches. Often, when the more EXERCISE SIX 
 
 elaborate exercises are quite mastered. The long stair 
 
 a child will take pleasure in returning After the Tower and the Stair 
 
 for a time to the simpler old friends comes the third set of blocks, or 
 
 with which he began. He should be rods, called the Long Stair. This 
 
 allowed to do this quite as he wishes, is the most important of the three 
 
 his own instinct being a sure and ac- sets, as it is the foundation for instruc- 
 
 curate guide to what is best for him tion in arithmetic. With this set of 
 
 in this respect. He is doing what w^e short rectangular rods, the child 
 
 all like to do occasionally — he is "re- learns, as he grows older, a number 
 
 viev/ing" what he has learned, and of the simpler processes of numeration, 
 
 making sure of his grasp on something At first they are presented to the child 
 
 which he has not thought of for some just as a series of rods differing in 
 
 time. length, the smallest one being one 
 
 The Broad Stair is brought out in tenth of the length of the longest one. 
 
 the same quiet manner with which The mother builds up the series, 
 
 the child has been introduced to his having the child notice that all the 
 
 other Montessori "playthings." The rods are red on one end, and that the 
 
 mother arranges the blocks in regular stairs have a regular number of red 
 
 order, starting either with the biggest and blue spaces from one to ten, or 
 
 or the smallest, and laying the others from the bottom to the top of the 
 
 side by side, until a regular stair is stairs. Then the series is knocked 
 
 constructed. Then she mixes the over, the rods mixed up, and the child 
 
 blocks up, and goes away. The child, left to put it together again himself, 
 
 if he is ready for this exercise, at once Children who cannot definitely count 
 
 takes it up, and in struggling to repeat can often manage this series, and it is 
 
 his mother's feat, constructs the stair, the greatest pleasure for the child who 
 
 intellectually as well as physically, has just learned to count to be able 
 
 and learns a new variety of dimension, to verify his numbers in this concrete 
 
 Since all these blocks are .the same way. For the present, this is all that 
 
 length, and only differ in height and is done with the Long Stair, but as the 
 
 thickness, his problem is one degree child progresses and develops, it will 
 
 more difficult than in the construction be found one of the most valuable 
 
 of the Tower. parts of the apparatus, because the 
 
 It sho'-ld be remembered about rods can be combined in many different 
 
 these blocks, as about all Montessori ways, and illustrate in the plainest 
 
 apparatus, that they should be used and most unmistakable manner many 
 
 for the purpose for which they are of the simpler processes of mathe- 
 
 in tended and for no other. The child matics — addition, subtraction, etc. 
 
 should always have, in addition, an But this all comes later, and after the 
 
 ordinary set of plain building blocks, child has mastered other of the 
 
 with which he can play in any way he apparatus. 
 
 pleases, and if he begins to "make Order of exercises to be modified 
 houses," etc., with his Montessori according to circumstances 
 
 blocks, his little mind, incapable of It is not desirable that we give 
 
 more than one idea at a time, should be directions for the exact use and the 
 
 redirected to the regular exercise in- order of succession of the remainder of 
 
 volving the dimensions of these the apparatus. Children differ so 
 
 blocks. widely that the mother will be forced 
 
18Jt 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHILDREN DIRECTING THEIR OWN LESSONS 
 
 A spontaneous 
 writing lesson. These 
 children have reach- 
 ed the point where, 
 as Montessori says, 
 they "explode into 
 writing." 
 
 %.'9^^' 
 
 Montessori Long Stair Game 
 
BOOK FOR PARENT AND TEACHER 185 
 
 to depend somewhat on her own judg- touch, over the two surfaces, and the 
 
 ment and intimate knowledge of the child asked to give the right name to 
 
 child. She will have grasped by this what he is touching. At the first sign 
 
 time the purpose of the exercises with of mental fatigue or confusion, this 
 
 the Montessori apparatus, which is to exercise should be discontinued, 
 
 give the child the fullest possible control although it may be taken up again 
 
 over his own body and will-power. The after a half-hour's rest and change of 
 
 order of exercises as hereafter indicated occupation. The child's fingers 
 
 is to be followed with any ordinary should always be trained from left to 
 
 child, but this must be modified accord- right, 
 
 ing to circumstances. EXERCISE EIGHT 
 
 EXERCISE SEVEN Sandpaper board number two 
 
 Developing the sense of touch When the simpler of the sandpaper 
 
 Sandpaper Board Number One. — boards has been mastered, the child 
 
 As a rule, the next piece of apparatus may go to the next form, in which the 
 
 to be taken up is the Sandpaper Board, sandpaper is arranged in alternate 
 
 a small board, one-half of which is strips on the smoothly planed board, 
 
 smooth and the other half covered This is, of course, more complicated, 
 
 with sandpaper. This fixes the child's and the blindfolded child may soon 
 
 attention on the difference between "lose his head" and not be able to 
 
 surfaces. Sometimes this is one of the distinguish accurately between the 
 
 very first apparatus to be used, as a sensations. He should be encouraged 
 
 distinction between rough and smooth is to take plenty of time, and to allow his 
 
 apttobeone which arouses the interest finger-tips to play freely across the 
 
 of a very little child. His mother surface. When he can tell quickly 
 
 takes the board in her lap, or lays it on accurately, and without mental fatigue, 
 
 the child's small table, and draws the whether he is touching a rough or 
 
 little finger-tips over the smoothly smooth strip, the beginning of the 
 
 planed board, saying at the same time, child's education of his tactile sense 
 
 "smooth, smooth." Then she draws is well made. He has taken the first 
 
 the finger-tips (always from left to step, which counts so much, and will 
 
 right) over the rough sand-paper, say- go on steadily to more complicated 
 
 ing, "rough, rough." The child very conquests. In this exercise, the child 
 
 soon associates the sound with the is also learning to follow a raised 
 
 sensation, to which his finger-tips are surface with his little fingers. This is 
 
 more alive than are deadened adult of great value to him as a preliminary 
 
 fingers, and says himself, as he touches to the sandpaper letters. After he 
 
 the two surfaces, "smooth, smooth — has mastered this simple exercise, he 
 
 rough, rough." After this distinction has one of the first requisites necessary 
 
 has been thoroughly learned (it may for successful work with the sandpaper 
 
 take only one lesson, or it may take letters. 
 
 two or three days), it is a good plan to EXERCISE NINE 
 
 try to see if he can make the distinc- for the further development of 
 
 tion accurately when he is not looking the child-s tactile sense 
 
 at the board, purely by the sense of In the formal Montessori apparatus, 
 
 touch. The finger-tips should then the small cabinet containing seven 
 
 be passed, always with the utmost drawers is filled with various fabrics, 
 
 delicacy and with the lightest possible These fabrics consist of two pieces 
 
186 THE HUMAN INTEREST LIBRARY 
 
 of the following materials: velvet, triumph when the matching bit of 
 silk, wool, fine and coarse linen, and velvet is discovered. It may be said 
 fine and coarse cotton. It is very in passing that it is usually well to 
 important that absolutely pure fabrics begin with either velvet or silk, as 
 should be used for these first exercises; those fabrics are so markedly different 
 in short, the mother should be quite from others that the problem is easier 
 sure that the linen she is using is not for a beginner. If two children play 
 partly cotton. Of course, if the regu- this "game," the victor is the one who 
 lar Montessori apparatus is used, all first finds the piece of velvet without 
 of these precautions are provided for. looking at his pile. 
 These can be supplemented by any Second. — The mother's ingenuity 
 ragbag, and from the infinitely diver- can devise many other variations on 
 sified fabrics used in the furnishing of this game, and can see to it that the 
 any home. When this "playing" with child goes on observing the fabrics 
 fabrics is first begun, the child is used in different parts of the house, 
 allowed to handle the different pieces the materials of which his own dresses 
 of cloth, and his attention is called are made, the stuff used in upholstery, 
 to the difference in their texture. He table linen, curtains, etc. He can also 
 is told their names, one or two at a be told the names of the different 
 time, the mother taking the greatest materials used in building a house — 
 pains to pronounce the words clearly, wood, iron, tin, glass, stone, and brick; 
 distinctly, and slowly. When he and the materials of cooking utensils — 
 has learned to distinguish them by china, tin, copper, etc. There is an 
 looking at them, the next step, as with infinite variety of material in the 
 the sandpaper boards, is to distinguish humblest home which can be the most 
 them by the sense of touch only. The valuable educational apparatus for 
 child can be blindfolded, or can look the well-trained child, even in quite 
 up at the ceiling, and, sitting in front early childhood. Once the child's 
 of a mixed-up pile of the pieces, takes interest in this problem is aroused, he 
 them up one at a time, pronouncing will in most cases go on educating 
 their names. When he has done this himself, and all the parent needs to 
 enough times so that he is quite sure do is to have the patience necessary 
 of himself (usually after a week of to answer innumerable questions, 
 playing with the pieces at intervals) Third. — Games with Balls, Squares, 
 he can go on to some of the fascinating Triangles, etc. — Another "game" for 
 "games" to be played with them. developing the sense of touch with 
 Supplementary exercises and games materials other than fabrics is played 
 INVOLVING THE SENSE OF TOUCH in the Casa dei Bambini with solid 
 First. — The pieces are divided into wooden geometric forms of differing 
 two piles, each having the same number shapes — balls, squares, triangles, etc. 
 of pieces of the same fabrics. Then The child is blindfolded, and pulls 
 the mother picks out a piece of velvet, these things, one at a time, out of a 
 without naming it, asks the child if he bag, identifying them solely by finger- 
 can find a piece like it in his pile (of ing them over. In the home this can 
 course, without looking). This is be "played" with any material at 
 always productive of much excited hand with which the child is familiar, 
 fumbling in the pieces, and much He can be blindfolded and try to 
 delicate fingering of them by sensitive identify objects in a miscellaneous 
 little finger-tips, and finally much heap on the table before him, consist- 
 
BOOK FOR PARENT AND TEACHER 
 
 187 
 
 ing of toy animals, spoons, forks, 
 brushes, combs, dolls, trays — any- 
 thing in the room which will not hurt 
 him, and is not breakable. Very 
 little children always experience the 
 greatest joy in thus proving that they 
 can see "with their fingers." 
 
 EXERCISE TEN 
 
 Training the sense of hearing 
 
 Sound Boxes. — But the sense of 
 touch is not the only one of the child's 
 five senses which can be improved by 
 direct training. The sense of hearing 
 is greatly developed and made more 
 serviceable for after years, if given 
 reasonable practice. The Montessori 
 apparatus provides the wooden Sound 
 Boxes, filled with different substances 
 — sand, gravel, flaxseed, stones, etc., 
 which give out sounds differing in 
 quality and loudness, when shaken. 
 The child's attention can be thus 
 fixed, for the first time, on a definite 
 attempt to distinguish between loud 
 and low noises, as he shakes these 
 little boxes close to his ear, and 
 attempts to arrange them in order 
 according to their degree of noise. 
 
 In all probability, the child has 
 heard noises of this character, but 
 he has not had an opportunity to 
 compare or to contrast such noises. 
 This exercise affords an opportunity 
 for such discrimination. As a rule, 
 the children take a great deal of interest 
 in this simple exercise and they show 
 a marked difference in their ability 
 to discriminate between the various 
 substances. 
 
 Supplementary exercises and 
 
 "GAMES" 
 
 But this simple exercise needs 
 to be supplemented by other 
 "games" which fix the attention on 
 sounds. These can be devised most 
 easily with "hide-and-seek" games. 
 The mother hides and blows very 
 softly a little horn, by means of which 
 
 the child traces her; or she calls the 
 child's name in the lowest possible 
 whispers, as he, blindfolded, tries to 
 locate her in the room by his hearing. 
 Any of the common children's games, 
 "blindman's buff," "still - pond - no- 
 more-moving," etc., played with a 
 blindfold, are excellent exercises for 
 the same purpose. 
 
 Out of doors, long-distance calling 
 may be used for this purpose, to accus- 
 tom the child to determine the direc- 
 tion from which any noise comes. 
 
 As to musical sounds, most children 
 who are young enough for this Mon- 
 tessori training are too young to dis- 
 tinguish pitch at all accurately. Of 
 music they receive practically nothing 
 but rhythm, although they are fond of 
 marching to a tune which has strongly 
 marked time, and this is a good 
 exercise for them, in its place. 
 
 EXERCISE ELEVEN 
 
 Preparatory exercise for teaching 
 the child to write 
 
 Plain Geometric Insets. — Very 
 soon after the child's first introduc- 
 tion to the Montessori apparatus, he 
 can begin his use of the Plain Geomet- 
 ric Insets. These sets consist of a six- 
 drawer cabinet, thirty-six geometrical 
 insets, and a pattern in an adjustable 
 frame, making possible any desired 
 combination of forms. The insets 
 are made of pieces of smooth wood, 
 painted blue, cut in different shapes, 
 and with a little knob-like handle in 
 the center. These insets fit into holes 
 or openings cut in a rectangular 
 natural colored piece of wood. The 
 first of the series of six drawers contains 
 insets of strongly contrasted forms; 
 the second drawer contains a series of 
 six Polygons ; the third drawer, a series 
 of six Circles, diminishing in size; the 
 fourth drawer, a series of Quadri- 
 laterals containing one square and five 
 rectangles; the fifth drawer, a series of 
 
188 
 
 THE HUMAN INTEREST LIBRARY 
 
 six Triangles, and the sixth drawer 
 contains Oval, Ellipse, Flower Forms, 
 etc. These have such a vital part to 
 play in the training of the child to 
 write, that the mother should be 
 especially careful in the way they are 
 used. 
 
 The entire thirty-six different shapes 
 should not, of course, be put before 
 the child at the beginning but only a 
 drawer of the most strongly contrasted 
 shapes — triangles, oblongs, etc. He 
 should be taught at the very start (as 
 in the case of the solid geometric insets) 
 to aid his sight by touch. While he 
 holds the inset by the little knob with 
 his left hand, he traces the outline 
 of the inset with his right forefinger, 
 and from left to right, or in the direc- 
 tion in which writing is done. Then, 
 while still holding the inset, he traces 
 around the outline of the depression 
 into which he thinks the inset he holds 
 would fit. It is quite important to 
 establish this habit of tracing the out- 
 line with his fingers, as it has a vital 
 bearing on learning to write. 
 
 As the child masters the tray of the 
 more simple forms so that he finds it 
 easy for him to place the insets in the 
 corresponding opening, the less simple 
 forms should be given him, a few at a 
 time. After learning to distinguish 
 between a triangle and a circle quickly 
 and accurately, the next day he should 
 be given two triangles and two circles 
 of different sizes, to sharpen his sense 
 of shape and dimension. After a 
 time, he should be able to replace in 
 the correct openings six triangles of 
 differing shapes, and six circles of 
 differing sizes. 
 
 It is perhaps well to give here the 
 warning which can never be too 
 often sounded — not to force the child's 
 attention to this, any more than to 
 any other problem. When mental 
 fatigue sets in, and at the least sign 
 of inattention, the tray of insets 
 
 should be put away and some romp- 
 ing game outdoors played, or a quiet 
 story told. 
 
 EXERCISE TWELVE 
 
 Replacing the insets blindfolded 
 
 When the insets have become old 
 friends, it is well to try blindfolding 
 the child, and setting him the new 
 problem of replacing the geometric 
 forms by the sense of touch only. 
 Here it is well to go back again to first 
 principles and to begin once more with 
 the easiest forms, until he grows 
 accustomed to depending on his touch 
 only. This is splendid practice, and 
 a child who has had it grows astonish- 
 ingly keen in his capacity to take in 
 accurate impressions from his finger- 
 tips. How valuable the ability to 
 work without looking at what is being 
 done, can be estimated from the 
 experience of almost any variety of 
 hand-worker. The old grandmother 
 who knits without once looking at her 
 needle can work all day long without 
 a particle of fatigue, while the knitter 
 who needs to be verifying each stitch 
 by her eyes soon tires them out and 
 must either stop working or suffer 
 a violent headache. The stenog- 
 rapher who writes by touch has a tre- 
 mendous advantage over the other who 
 needs to use her eyes. 
 
 Dr. Montessori lays great stress 
 upon the value of the work with these 
 wooden geometric insets. They are 
 so practical and at the same time so 
 fascinating that the child learns a 
 great deal in working with them. The 
 primary object is that the child should 
 learn form; that is, that he should see 
 the difference between various objects. 
 Ordinarily, this is a very tedious task 
 for the child, but Dr. Montessori, by 
 means of her self-correcting apparatus, 
 has made a game that appeals to 
 normal children. The mother should 
 not be at all surprised if after a few 
 
BOOK FOR PARENT AND TEACHER 
 
 189 
 
 weeks of play with this apparatus the 
 child should begin to point out various 
 objects in his environment, comparing 
 them with certain insets he has 
 learned to know. 
 
 EXERCISE THIRTEEN 
 
 With which the child's comprehen- 
 sion PASSES FROM SOLID OBJECTS TO 
 THE PLANE LINE, FROM THE CONCRETE 
 TO THE ABSTRACT 
 
 Plane Geometric Figures Roro- 
 duced in Three Series of Cards. — 
 After the final mastery of the geo- 
 metric insets, the child is given a series 
 of cards, representing the same forms 
 as those of his insets. In the first of 
 these three series, the forms are cut 
 out of solid blue paper and mounted on 
 white cards; in the second, the forms 
 are .cut out of heavy line drawings 
 and mounted on the cards, and in the 
 third, the outline or form is represented 
 only by a thin blue line, such as is 
 drawn by any pencil. 
 
 The child mixes up, say six or eight of 
 these cards, and six or eight correspond- 
 ing insets, and then sets himself the 
 task of putting the insets on the corre- 
 sponding card. Here he has not the 
 sense of touch to guide him, and learns 
 gradually the meaning of the line, 
 passing from the solid blue form to 
 the form merely drawn in outline. 
 
 After the child has played with 
 these various cards for some time he 
 will have acquired a very definite idea 
 of symbolism. That is, it will be 
 comparatively easy for him to under- 
 stand how a series of lines can stand for 
 an object. Ordinarily, it is not diffi- 
 cult for the child to see the connection 
 between a photograph and an object, 
 but ^ath an abstract line it is entirely 
 different. What is there in the sym- 
 bols c-a-t that would connect them 
 with a cat.'' Dr. Montessori believes 
 that the child should understand 
 symbolism before the alphabet is 
 taken up. 
 
 EXERCISE FOURTEEN 
 Involving the first use of the pencil 
 
 Plane Geometrical Insets Made in 
 Metal. — And with this recognition of 
 the line, might go very well with the 
 average child the beginning of the use 
 of the pencil. This exercise is done 
 with the Plane Geometric Insets made 
 of metal. Accompanying the metal 
 insets in the formal Montessori ap- 
 paratus are two wooden trays with 
 sloping tops, large enough to hold 
 three of the metal insets and intended 
 to be placed by the child on his own 
 table. It is, of course, unnecessary 
 to point out that a small table and 
 chair, just the right size for a child, 
 are essentials in Montessori or any other 
 right training for childliood. 
 
 The child puts a piece of white 
 paper on the wooden tray or on his 
 own table, then places the square 
 inset over the paper and lifts out the 
 central piece by its little knob. The 
 white paper shows through the hole in 
 the shape of the inset. The child is 
 given a pencil and is shown, once, very 
 briefly and simply, how to hold it and 
 how to trace around the outline of the 
 inset. He is apt to make bad work 
 of this at first, as this is the very first 
 use of the pencil, but his interest 
 almost certainly carries him through 
 the first difficulties. To begin with 
 he simply traces the outline, lifts off 
 the metal inset and admires the design 
 on the paper beneath. The metal 
 edge of the inset is a guide to his 
 staggering little pencil and before 
 long he will be able to make a good, 
 clear outline, joining the ends neatly. 
 
 EXERCISE FIFTEEN 
 The use of colored crayons 
 
 First Lesson in Drawing. — When 
 this has been accomplished the child is 
 furnished with a box of colored 
 crayons, and invited to fill in the 
 "picture" he has made with strokes 
 
190 
 
 THE HUMAN INTEREST LIBRARY 
 
 of his crayon. The fact that he is 
 working in color stimulates his interest 
 and few children need more spur to 
 advance than the simple permission 
 to use the crayons. At first, and for 
 many days, his efforts to fill in the 
 outlines will be ludicrous in their in- 
 accuracy. He should not be corrected, 
 and should be allowed to pass from one 
 form to another as often as he pleases, 
 being supplied with an unlimited 
 amount of paper and leisure for this 
 new undertaking. Little by little, 
 as he works at this accomplishment, 
 along with other Montessori "games" 
 he begins to "get the hang of it," in 
 our vernacular phrase. The lines 
 become more and more parallel, fewer 
 and fewer go wildly outside the line 
 enclosing the outline, and finally the 
 geometric form is shown in color on 
 the white paper almost as though it had 
 been printed. This advance is not 
 rapid, however, in the case of most 
 children, and nothing should be done 
 to hurry it. Occasionally a child gets 
 tired of the whole process and will 
 play with other things for several days 
 without recurring to his "drawing," 
 although on the other hand, some 
 children are, from the first so fasci- 
 nated by the problem that they can 
 hardly let it alone. The child should 
 be allowed to choose his own time for 
 working at this and to spend as much 
 or as little time over it as he wishes, 
 although if there seems any likelihood 
 that he has really forgotten it, his 
 attention may be called to it again. 
 
 EXERCISE SIXTEEN 
 
 Training the eye; the matching 
 of colors 
 
 Color Boxes and Color "Games." — 
 At about the same stage of develop- 
 ment that the geometric insets are 
 first given to a child, the color boxes 
 can be shown him and the color 
 "games" begun. The color boxes are 
 
 sets of spools, wound with silk of 
 varying shades, eight of the main 
 colors, and eight shades of each. At 
 first the child is shown only two 
 strongly contrasting colors, red and 
 blue, for instance. The name is 
 pronounced clearly and distinctly, 
 holding up the corresponding color. 
 When the child has grasped this the 
 colors are allowed to lie on the table 
 and the mother says, "Give me red," 
 or "Give me blue." 
 
 When the child has progressed this 
 far (this may be the next day, or even 
 two or three days after the first in- 
 troduction) the teacher or mother 
 holds up a spool and asks, "What is 
 this?" When the child can answer 
 correctly, "blue" or "red," he has 
 thoroughly learned those two colors 
 and can progress to another one. 
 When the eight main colors have been 
 learned in this way, the child can 
 begin to match them. Four spools 
 are laid on the table, two red and two 
 blue (of course of exactly the same 
 shade). The child picks out the two 
 red ones and lays them side by side, 
 and then does the same for the blue. 
 From this he can go by degrees until 
 there are sixteen spools on the table, 
 eight pairs, which he must put to- 
 gether. 
 
 EXERCISE SEVENTEEN 
 
 Differentiation of colors 
 
 After the matching has been master- 
 ed, the next step is to differentiate 
 between light and dark shades of the 
 same color, dark red and light pink, for 
 instance, or dark and light blue. This 
 goes in pairs at first also, but little by 
 little, as the child's accuracy increases, 
 he may go up to the eight shades of the 
 different colors. Some Montessori 
 children become so proficient that they 
 can "carry a color in the eye," as it is 
 called. That is, they can look at a 
 spool of a certain shade of purple, go 
 
BOOK FOR PARENT AND TEACHER 191 
 
 across the room to a pile of spools and EXERCISE EIGHTEEN 
 pick out the color matching it. Special physical and gymnastic ex- 
 Games AND PRACTICAL APPLICATION IN ERCISES FOR THE YOUNG CHILD 
 
 MATCHING COLORS In Connection with all these exer- 
 
 With these color spools, a variety of cises with the Montessori apparatus 
 
 "games" can be played, which any there are a number of other exercises, 
 
 mother can invent, according to the chiefly gymnastic, which should be 
 
 number and age of the children wishing constantly in use. As soon as the 
 
 to play. They are all variations on child can walk at all, every effort 
 
 the principle which is used in the should be made to teach him further 
 
 game of "authors," and can be made and more definitely the art of equilib- 
 
 simple or hard as circumstances direct, rium of his body. When we walk we 
 
 Furthermore, as in the treatment of continually balance our weight so that 
 
 fabrics, the child's attention is we do not fall down, and more accura- 
 
 awakened to the presence of color in tely and unconsciously we do this, the 
 
 everything about him, and his interest better we walk. Now, bodily poise is 
 
 aroused in the problem of determining one of the very important factors in 
 
 the color of the carpets, curtains, bodily grace and even in strength, 
 
 dresses, etc., which he sees in his certainly in comfort, 
 
 every-day life. The chalk line exercise 
 
 The reason for using these little In the Casa dei Bambini the exercise 
 
 spools upon which the silk is wound is used for this need is arranged very 
 
 that the child's attention is primarily simply by means of a long chalk line 
 
 directed to the color and not to the drawn on the floor. The children are 
 
 object. invited to see how accurately they can 
 
 The spools in themselves are very walk along this line without stepping 
 
 unattractive while the richly colored off. At first the little tots cannot 
 
 silk is just the opposite. Silk thread manage this at all. Later they learn 
 
 is used because it gives a deeper, to walk very slowly along the line, 
 
 richer color, at the same time is more and later, when they are four or five, 
 
 practical and makes possible the to run as swiftly as deer along this 
 
 various gradations. line without swerving once from it. 
 
 Too much importance cannot be Walking the two-by-four 
 
 placed upon the developing of the A modification of this exercise can 
 
 chromatic sense in early childhood, be arranged out-of-doors by laying a 
 
 If the child at an early age acquires long piece of wood known as a "two- 
 
 a deep interest in shades and tints of by-four" down on the ground and 
 
 colorings, he will not only be able permitting the child to try to walk 
 
 to appreciate his environment much along it without falling off. He is 
 
 more, but this knowledge and ap- usually ready to spend a long time at 
 
 preciation of color will be of this exercise, and to return to it 
 
 inestimable value to him in later repeatedly. The benefit derived from 
 
 years. this is beyond calculation. 
 
 The ethical element in such train Rope-balancing and walking back- 
 
 ing is also very important. If the ward 
 
 child is taught to see the beautiful If a length of rope can be hung 
 
 and to appreciate it even in his early up where the child can reach the 
 
 years it must have a marked effect dangling end of it he will devise for 
 
 upon his later life. himself a variety of exercises in bal- 
 
192 
 
 THE HUMAN INTEREST LIBRARY 
 
 ancing which will greatly increase his 
 mastery of his body. Another ex- 
 ercise of great value for little children, is 
 in walking backward. At first they need 
 to be helped, for their little brains are 
 so unused to reversing the processes 
 of ordinary walking that they are 
 quite helpless, but after a compara- 
 tively short time, they learn this new 
 trick and practice it with delight. 
 If possible every small child should 
 have a little swing, just the right height 
 for him, and a tiny spring-board 
 ending over a pile of hay or anything 
 soft, from which he may jump and 
 learn to balance his body in the air. 
 The baby ball 
 
 Most children of three are too 
 young to have the least capacity 
 for throwing or catching a ball, 
 but if a ball is hung on a long 
 string and tossed to them, the string 
 retards the motion just enough to 
 make it possible for their little brains 
 to set their muscles in action, and they 
 will play with great joy and profit for 
 a long time, at this variety of "baby- 
 ball." 
 Encourage child's inventiveness 
 
 Of course the greatest freedom should 
 be allowed for any exercise (not in- 
 jurious to the child) which his inven- 
 tion hits upon. The action so common 
 among little children of throwing 
 themselves on a chair or stool and 
 kicking their swinging feet in the air 
 is an excellent exercise for the muscles 
 of the legs and should never be dis- 
 couraged. To climb up and down a 
 short length of ladder, with the rounds 
 set at a distance appropriate for short 
 legs, is also very beneficial. 
 Should share household work 
 
 A child who is being trained in the 
 Montessori system should also, as 
 soon as it is at all possible, begin to 
 share in the work of the household. 
 If he is provided with a small broom 
 and dustpan, there is no reason why 
 
 he should not keep his room fresh 
 and clean, and also clean up any litter 
 of paper or dirt which he makes in the 
 course of the day. Setting the table 
 is a singularly good exercise for a little 
 child although of course it is enough 
 to begin with, if he does only a small 
 part of the whole operation. 
 
 The important element should be that 
 what he does, he does entirely himself. 
 If he is set to put a spoon at each place, 
 he should be left (after due explanation 
 as brief as possible) to wrestle with 
 the problem and to solve it with his 
 own unaided invention. Later he 
 can be given all the silver to put in 
 place, and as he learns in his Mon- 
 tessori exercises, mastery over his 
 muscles, can be entrusted with china 
 and glass at four and five years of age, 
 which an untrained child of ten or 
 eleven would be almost sure to break. 
 
 Summary of child's attainments in 
 the mastery of himself and his 
 
 WORLD 
 
 But to return to those formal 
 and ingeniously devised "play-things" 
 which so wonderfully and insensibly 
 lead the little child to a mastery of his 
 world and himself, let us suppose that 
 the child for whom the box of appara- 
 tus came into the home, has now been 
 "playing" with the different pieces of 
 apparatus described for about three 
 or four months, longer if he was only 
 three when he began, a shorter time 
 if he was older. He has learned to 
 replace the geometric insets blind- 
 folded by the sense of touch only, to 
 distinguish fabrics and materials, to 
 build the Tower, the Broad Stair and 
 the Long Stair, to match colors, to 
 distinguish between noises of varying 
 intensity, to balance himself deftly, 
 to manage a glass of water. His 
 mother may very well consider that it 
 is now time to begin to teach him the 
 beginning of reading and writing. 
 
BOOK FOR PARENT AND TEACHER 
 
 193 
 
 EXERCISE NINETEEN 
 
 LEARNING TO WRITE AT THE AGE OF 
 FOUR 
 
 Sandpaper Letters. — The child is 
 told that there is a new game to play 
 and the little box containing the 
 famous sandpaper letters brought out. 
 This alphabet is composed of letters 
 in plain, round script, cut out of black 
 sand, or emery, paper and pasted 
 upon smooth white cards. Here at 
 once the child's past practice in learn- 
 ing about objects through touching 
 them, as well as looking at them, 
 comes into play. He is shown a letter, 
 the mother pronounces the sound of 
 it clearly, and shows him how to trace 
 around it wiih his finger in the way 
 one would write it. He should touch 
 it very lightly, as he has been taught 
 to do with all his work, and should, 
 at first, only trace the letters when 
 some one is watching him, to make 
 sure he does not do it backward, or 
 upsidedown. Make sure that he 
 knows the vocal sound of the letter or 
 figure he is tracing. Most children 
 of three-and-a-half or four have seen 
 so much of writing among the adults 
 of their acquaintance that their curi- 
 osity is deeply aroused as to the mys- 
 terious process and they are delighted 
 with the prospect of learning some- 
 thing about it. They need, as a rule, 
 no further incentive than the state- 
 ment that this is the beginning of their 
 learning how to write. 
 Testing the child's comprehension 
 
 As soon as a few letters are learned, 
 the teacher, or mother, should make 
 sure of the child's grasp of them in 
 the same way she tested his knowledge 
 of colors. She lays down four or five 
 on the table and asks for a certain one. 
 "Give me 'a,' please," or "Give me 
 *b.' " When the child can do this 
 quickly and surely she next holds one up 
 and asks him what it is. When he can 
 identify those first letters he can be 
 
 allowed to pass on to others; it will 
 not be long before he has mastered 
 all the letters. 
 Recognizing and spelling words 
 
 Before that time, however, if his 
 interest in the process is lively, he 
 can begin to recognize words, and to 
 compose them. If he has learned "p" 
 and "a" he can compose the familiar 
 word "papa," and will, in most cases 
 do this of his own accord if his atten- 
 tion is called to the pronunciation of 
 the word. If his mother says "How 
 would you make this word?" and then 
 pronounces it very slowly, separating 
 the sounds distinctly, the child will 
 analyze the word into its component 
 parts. "It begins with 'P'"' she says, 
 giving the phonetic sound and not 
 the name of the letter. Of course 
 the child reaches instinctively for the 
 "p," and thereafter recognizes the 
 sound of "a," puts the two together 
 and looks on delighted at the first 
 word of his composition. 
 
 EXERCISE TWENTY 
 
 Learning TO read the regular mov- 
 able ALPHABET 
 
 At this point the child should be 
 presented with the Regular Movable 
 Alphabet of cut-out script letters in 
 stiff paper. 
 
 These come in two large, flat, 
 pasteboard boxes with partitions di- 
 viding the same into separate com- 
 partments for each letter. There 
 are four or five duplicates of each 
 letter, making a like number of com- 
 plete alphabets and, of course, addi- 
 tional letters can easily be made at 
 home, if more are needed. These 
 letters are not pasted on cards, like 
 the sandpaper letters, and are easily 
 handled and arranged as the child 
 wishes, and with these begin his com- 
 position and recognition of words. 
 He is not troubled, as in the old 
 system, by the difficulty of forming 
 
IH THE HUMAN INTEREST LIBRARY 
 
 the letters, as all he has had to do is to several times a day, if his interest 
 
 take them from the compartments allows. It is almost certain that he 
 
 and make words with them, long before will ask to do this, as touching the 
 
 his little fingers have acquired the letters brings home their form to his 
 
 ability to handle a pencil surely and little brain much more certainly than 
 
 accurately. merely looking at them. Sometimes 
 
 Practice words children fail to recognize a letter when 
 
 Of course English-speaking children they look at it, although they can 
 
 have a much harder time to compose identify it perfectly after their fingers 
 
 words from letters than Italian chil- have traced it. This, being one of the 
 
 dren, whose language is phonetically essential steps in writing, must not 
 
 written. The English-speaking moth- be neglected. 
 
 er who attempts to teach her At the same time that these exercises 
 own child how to write and read, will are being repeated as often as the 
 infallibly become a convert to the child's interest makes possible, the 
 simplified spelling idea, but, since it exercises with "drawing," that is, 
 is out of the question for the present tracing the outline of one of the geo- 
 to change the wild insanities of metric insets on the par-er and filling 
 English spelling, we must possess our it in with colored chaiK, should also 
 souls in patience and exercise as much be steadily continued, for this tracing 
 ingenuity as possible in introducing teaches the child to use the pencil. 
 the little one to the life-long burden of The explosion into writing 
 an illogically spelled language. It is We quote from A Montessori 
 well for this purpose to choose for Mother a paragraph describing the 
 the first words, the very simplest ones, final success of these three exercises, 
 like "rat," "pin," "hen," "mama," "All these processes go on, day after 
 "papa," "dog," etc., words which are day, side by side, all invisibly con verg- 
 not only within a child's natural ing towards one end. The practice 
 comprehension but which offer no with the crayons, the recognition of 
 difficulties in the way of consistent the sandpaper letters by eye and 
 spelling. When the inevitable diffi- touch, the revelation as to the forma- 
 culties occur, the best that can be tion of words with the movable alpha- 
 done is to rel^'' on the naturally quick bet, are so many roads leading to 
 memory of childhood, and to fall the painless acquisition of the art 
 back on the helpless statement that of writing. They draw nearer and 
 "it's spelled that way because that is nearer together, and then one day, 
 the way it's spelled." However, there quite suddenly, the famous 'Montes- 
 is, even in English, quite a vocabulary sori explosion into writing' occurs, 
 of sensibly spelled words, which the The teacher of experience can tell 
 child can acquire as a working be- when this explosion is imminent, 
 ginning. First, the parallel lines which the child 
 EXERCISE TWENTY-ONE makes to fill and color the geo- 
 REViEw exercises WITH APPARATUS mctric figurcs become singularly even 
 ALREADY MASTERED and regular; second, acquaintance with 
 
 Although he may from now on, the alphabet becomes so thorough that 
 
 "play" with the movable alphabet, he recognizes the letters by sense of 
 
 the use of the sandpaper letters touch only; and, third, he increases in 
 
 should be steadily continued, causing facility for composing words with the 
 
 him t'^ trace them- as they are written, movable alphabet. The burst into 
 
BOOK FOR PARENT AND TEACHER 
 
 195 
 
 spontaneous writing usually only 
 comes after these three conditions are 
 present. It is to be noted that for a 
 long time after this explosion into 
 writing, the children continue inces- 
 santly to go through the three pre- 
 paratory steps, tracing with their 
 fingers the sandpaper letters, filling 
 in the geometric forms and composing 
 with the movable alphabet." 
 Cautions to be observed 
 
 There are several cautions to be 
 expressed about this whole process 
 of teaching a child to write and read 
 by the Montessori method. The 
 most important one is against hurry. 
 Even more consistently and steadily 
 than with the rest of the apparatus, 
 the child's natural gait ought not to be 
 in the slightest degree hastened by 
 urging from outside. He will go, in 
 any case, so very much more rapidly, 
 easily and surely, than children in 
 school, that urging him is not neces- 
 sary. The temptation with a bright 
 quickly adaptable child is to attempt 
 to "make a record." The mother 
 should always act deliberately, she 
 should take the greatest pains to be 
 sure that the child understands every 
 step before he passes on to the next 
 and that he has thoroughly mastered 
 one process before he is allowed to 
 progress to another more complicated. 
 Above all, she should refrain from 
 forcing the child's attention in the 
 slightest degree. 
 
 EXERCISE TWENTY-TWO 
 Undirected work; maintaining the 
 
 CHILD'S normal OR EVERYDAY LIFE 
 
 All the time that this work with the 
 drawing and filling in of geometric 
 forms, the tracing of the sandpaper 
 letters and the composition of words 
 with the movable alphabet is going on, 
 the child's usual normal life should be 
 continued. There should be plenty 
 of undirected outdoor play, where the 
 child's natural inventiveness has scope. 
 
 "hide-and-seek" games, "tag," etc., 
 with plenty of fun in the company of 
 other children should be encouraged. 
 There should be much reading to him 
 of well-selected stories and poems 
 suited to his age; with long hours of 
 sleep, and a certain amount of helpful 
 service about the household work. 
 A "Montessori child" does not by any 
 means signify a child who devotes 
 most of his time to exercises with the 
 formal apparatus. 
 Plant and animal pets 
 
 He should have, if it is possible to 
 arrange this, a plant or two of his own 
 (even at the age of three) and a pet 
 of his own, preferably a good-natured 
 kitten, for he is rather young as yet 
 for a puppy. He should assume the 
 real responsibility for these plant and 
 animal pets, caring for them himself. 
 Later, he should have a little plot of 
 ground, and learn from actual ex- 
 perience the wonder of growth from 
 seeds. 
 
 How the CHILD LEARNS SELF-CARE 
 
 He should have in his own room, or 
 in a corner of another's (if he has no 
 room of his own) a tiny washstand, 
 with a little bowl and pitcher, light 
 enough for him to handle, and a 
 mirror hung low enough for him to see 
 if he has succeeded in getting his face 
 clean. He should be allowed the time 
 necessary to wash his face and hands, 
 and should be taught to empty the 
 bowl and to keep his washstand neat 
 and clean. 
 
 As soon as possible, he should be 
 encouraged and allowed to dress him- 
 self, his clothes being made with this 
 in view, although there must always 
 be some buttons which three and 
 four-year-old fingers cannot reach, 
 and should assume the responsibility 
 of putting away his cwn clothes and 
 knowing where they are. People who 
 have struggled with older children 
 on these subjects will be surprised 
 
196 
 
 THE HUMAN INTEREST LIBRARY 
 
 to note how naturally and easily a 
 little child will assume these helpful 
 and desirable habits. The important 
 point is to "catch him young," before 
 he has learned bad habits of irrespon- 
 sibility and sloth. Of course, there 
 should be, as far as possible, the great- 
 est amount of regularity and routine 
 in the little life. He should eat his 
 meals at regular hours, feeding him- 
 self and sitting at a low table; and he 
 should take his naps regularly. 
 
 And this simple, industrious, tran- 
 quil life, with no excitements of joining 
 in adult "pleasures"; full of profitable 
 "play" which is educational, and per- 
 meated with a sense of responsibility 
 on the child's part for the conduct of 
 his own life, is the Montessori life for a 
 child between two and seven. It 
 is not enough that he construct the 
 Tower, and the Long Stair, and learn 
 his sandpaper letters perfectly; he 
 must learn to be a self-dependent, self- 
 respecting, self-trusting citizen of his 
 little world. 
 
 EXERCISE TWENTY-THREE 
 
 FIRST STEPS IN ARITHMETIC 
 
 Counting Boxes and Sandpaper 
 Numbers. — We have now to consider 
 the question of arithmetic and the 
 Montessori application of the subject 
 to the child of the average American 
 home. There is a prejudice about 
 presenting mathematics to children 
 under six, no matter how simply it 
 may be arranged. But experience in 
 the Casa dei Bambini has shown that 
 children over three take a lively 
 interest in the sequence of numbers, 
 and in some of the simpler processes 
 of arithmetic, if those processes can. be 
 presented to them in a sufficiently 
 concrete form. The Montessori ap- 
 paratus for this purpose is very simple, 
 and can be supplemented by several 
 other devices, easily obtained in any 
 home. 
 
 These counting boxes comprise two 
 small boxes, with five compartments 
 or divisions in each. Accompanying 
 the two boxes are fifty smooth, round 
 sticks, exactly alike, and a set of 
 numbers from to 9, cut out of sand- 
 paper and pasted on white cards. 
 The counting sticks give the child a 
 concrete basis for the abstract names 
 of the numbers, and he learns to 
 associate the symbol with the concrete 
 object. At first the child does not 
 play with the sandpaper numbers. 
 These are removed from the boxes and 
 he but wrestles with the problem of 
 oral counting, using the sticks. One 
 good way to begin is by arranging one 
 of the boxes so there are no sticks in 
 the first compartment, one in the next, 
 two in the next, three in the next, and 
 four in the last. This exercise is, of 
 course, for a very little child who has 
 no idea of the definite sequence of 
 numbers, or of how to determine how 
 many objects he holds in his hand. 
 The other box is then emptied of all 
 its contents and given the child, with 
 an ample supply of the counting sticks, 
 and he is invited to make his box 
 exactly like the one his mother has 
 arranged. Most children can, even 
 at a very early age, quickly put one 
 stick in the second compartment and 
 two in the next. Here frequently, 
 at the very beginning, there ensues 
 some mental confusion, and much 
 eager gazing at the three sticks in the 
 box arranged by the mother. Anxious 
 attempts are made by the child to lay 
 an equal number in the next compart- 
 ment of his own box. 
 
 The mother should not help in this 
 process. It does the child no good if 
 she interferes and does it herself, 
 or corrects his mistake. If he has 
 arrived at the age when his brain can 
 master this simple arithmetical idea, 
 he will ultimately solve the problem 
 and place the proper number of sticks 
 
BOOK FOR PARENT AND TEACHER 197 
 
 in each compartment. If he has not please." When he has mastered this 
 yet arrived at the right age or state she should then hold up a card and ask 
 of development, he will not readily the child to tell her what it is. When 
 take in the significance of anything his he can do this accurately, he has mas- 
 mother may do, seeking to aid him. tered his numbers. 
 If he repeatedly performs this exercise According to his age and capacity, 
 incorrectly, or shows signs of mental this may take him two days, or two 
 fatigue, the boxes should be re- weeks. The next thing to do is to 
 moved, and the attempt postponed teach him to connect them with the 
 until a later day. right number of objects. And here 
 
 The mental growth of children at the counting boxes come again into 
 
 this age is so astonishingly rapid that play. He should arrange the series, 
 
 sometimes a child will be able easily and place the right number in each 
 
 to solve a problem only a week after compartment. The mother will be 
 
 he has found it perfectly impenetrable, surprised to see that even after 
 
 It is far better to trust this principle mastering the names and looks of the 
 
 of growth than to attempt to urge the number and the sequence in the num- 
 
 child to put forth powers which he ber boxes, the average child finds it 
 
 does not as yet possess. quite an intellectual effort to put the 
 
 Beginning to count two things together in his mind. He 
 
 As soon as he can complete the series will need plenty of time and quiet to 
 
 up to four, he can go on, one at a time, struggle with the new problem, and 
 
 to complete the series up to nine, as if it is too hard on the first trial, the 
 
 shown in the illustration; and then, number boxes should be taken away 
 
 if he is the normal child, with a wide- without comment, and some other 
 
 awake, intelligent, curious mind, he "game" suggested, 
 
 will be observed "counting" everything EXERCISE TWENTY-FIVE 
 
 in sight. He is delighted with his new an arithmetical game with the long 
 
 acquisition, and employs it on all the stair 
 
 material at hand. Another arithmetical game is played 
 
 with the Long Stair. The stair is 
 arranged in sequence and a cardboard 
 
 The sandpaper numbers are added number corresponding with the num- 
 
 Now is the time to bring out the ber of rods in the section is leaned up 
 
 sandpaper numbers. He is taught against the section; "1" against the 
 
 EXERCISE TWENTY-FOUR 
 
 "r:i" 
 
 these just as he learned his letters, section with only one rod, the "2 
 
 one at a time, and following the against the next one, and so forth, 
 
 three regular steps. First, the mother A game with money 
 guides the httle forefinger over the? About this time, or perhaps a little 
 
 rough sandpaper as the number would earlier, it is well to begin to teach a 
 
 be written, at the same time pronounc- child the significance of money. He 
 
 ing the name of the number, slowly is always interested in this, and will 
 
 and distinctly, and adding no explana-* play with it endlessly, and study the 
 
 tions. She should refrain from wordy possible combinations to be made with 
 
 comments simply saying, "8," and it, if they are suggested to his mind, 
 
 show the little fingers how to trace the It is better, if possible, to have new 
 
 outline. Then she should lay several money. If this cannot be managed, 
 
 down on the table, and ask the child, the coins should be thoroughly 
 
 "Give me '7,' or "Give me '2,' cleansed before the child plays with 
 
198 
 
 THE HUMAN INTEREST LIBRARY 
 
 them. The mother should teach him 
 the names of the different coins with 
 the same three steps used in teaching 
 him the names of the letters and 
 numbers; that is, first tell him the 
 names, slowly, one or two at a time; 
 then ask him for a given coin; then 
 point to a given coin and ask what it 
 is called. At first the little child likes, 
 as a rule, simply to sort out the money 
 into the right piles, all the pennies 
 together, all the nickels, all the 
 quarters, etc. 
 Arithmetical game with counting 
 
 STICKS 
 
 An interesting "game" which can 
 be played with numbers, if there are 
 two or more children together, is the 
 following: A certain number of the 
 counting sticks, or any other objects 
 such as clothespins, stones, spoons, 
 coins, etc., are placed on the table. 
 The mother then holds a bag contain- 
 ing the numbers up to ten. Each 
 child draws a number at random, and, 
 without showing it to his companions, 
 goes back to his seat. When all have 
 drawn their numbers, each child goes 
 up to the table and selects from it the 
 number of objects corresponding with 
 the number hidden in his hand. He 
 carries these back to his place and 
 arranges them in order, and waits for 
 the mother or teacher to come and 
 verify the correctness of his counting. 
 Teaches self-control 
 
 This simple game, which would not 
 amuse older children for a moment, 
 is of inexhaustible interest for little 
 ones, and has a various and complex 
 influence on them. There is a con- 
 siderable amount of self-control in- 
 volved in their taking only the number 
 of objects indicated by the number 
 they have drawn, since every child's 
 instinctive action is to grab all he can 
 hold and carry off his prize in triumph. 
 The mother should explain that this 
 spoils the fun of the game, which 
 
 consists in fitting the mysterious 
 written sign to the number of objects 
 chosen. Another conception which 
 is firmly settled in the child's mind by 
 this and other similar "games" is the 
 abstract idea of "zero," since the child 
 who draws zero selects no objects at 
 all. 
 Game with sandpaper numbers 
 
 Another arithmetical game which 
 can be played with one or many chil- 
 dren is played with the sandpaper 
 numbers, or any large numbers, such 
 as could be cut out of old calendars. 
 The mother or teacher holds up a 
 number and says, "Come and give 
 me this many kisses," or "Bring me 
 this number of pennies." 
 Game with movable alphabet 
 
 A similar game can be played with 
 the movable alphabet, with older 
 children, who have learned the begin- 
 nings of reading. The mother con- 
 structs the word, say for instance, 
 "pin," and, pointing it out to the 
 child, says, "Bring me this, please." 
 The child who is first to read the word 
 and select the article, wins. When 
 several children of the same age and 
 acquirements play this together, the 
 fun, and intensity of interest, and con- 
 sequent sharpening of wits, form an 
 invaluable exercise. 
 Hide-and-seek WITH MOVABLE alphabet 
 
 A game of hide-and-seek can also be 
 played with children who have begun 
 to recognize words formed with the 
 movable alphabet. The mother con- 
 structs, in different parts of the room, 
 different simple words which the 
 child has already seen, such as "pig," 
 "hen," "dog," etc. The child is out 
 of the room while this is being done, 
 and is called back to be told, "I hear 
 something grunting." He then 
 rushes about, peering under the chairs 
 and on the table and window slils, 
 rejecting all other words he finds, 
 until he comes triumphantly to "pig-" 
 
M 
 
 WHAT IS WRONG IN THESE PICTURES? 
 
 In each of tnese pictures the artist has purposely made some mistake. Look at the pictures carefully, ana see If vqu 
 fan discover what the errors In them are. 
 
200 THE HUMAN INTEREST LIBRARY 
 
 DISCIPLINE AND OBEDIENCE 
 
 There is one phase of the Montes- which his reason tells him it is neces- 
 
 sori idea which needs more explicit sary to obey. 
 
 expression than it is apt to get in the basis of parents' authority 
 
 general descriptions of the system. Qur children should understand 
 
 That is the question of disciphne and t^^t their duty is not to obey our per- 
 
 obedience. Those two subjects are g^nal wishes, because we happen to 
 
 so vital and so tragically misunder- ^e their parents, but to obey eternal 
 
 stood by most of us, that it may be j^ws which we represent and expound 
 
 well to go a httle more deeply into the ^nd enforce. To take an instance, 
 
 discussion oi them. familiar to all of us, which comes into 
 
 Intelligent obedience our everyday experience: Children 
 
 The first thing to do, in the con- should not, any more than they can 
 sideration of the obedience of chil- help, be "messy" over their meals; 
 dren, is to differentiate clearly in our should not spill food on the table- 
 minds between the obedience that is cloth, or on their clothes, or be un- 
 desirable for an animal, and that which pleasant in their way of eating. Why 
 is desirable for the young of the human should they not do these things? 
 race. We are apt to be confused Simply because their parents forbid it? 
 here, and to have a misunderstood Not at all. Because it is their duty, 
 notion that children should obey, as members of a community, to make 
 unquestioningly, passively, with no the common life as agreeable, as easy, 
 volition of their own, as does a well- and as economically conducted as 
 broken horse. But such unquestion- possible. Their parents' duty is not 
 ing obedience, as a moment's reflec- at all to cry, "You do it because I 
 tion will show, is a very dangerous men- say so!" but to explain reasonably the 
 tal habit for a child to acquire, as well underlying grounds of conduct, to al- 
 as a very difficult one to force him to low a reasonable time for an under- 
 acquire. The horse may obey un- standing of the principle to reach the 
 questioningly some human being; he child's brain, and then to be un- 
 will always have some human being flinching in their police duty of en- 
 set in authority over him. But in a forcing obedience — obedience not to 
 very few years, as human life goes, themselves, but to a law, which they 
 the child will be grown; will no longer must obey as well as the children. If 
 be subject to the authority of parents, there is no such general broad basis 
 and must in turn be able to secure the for a command given to a child, it is 
 obedience of others. It is essential, an unjust command, and should not 
 therefore, that he shall begin to be a be issued. No child should be forced 
 human being — that is, to obey intelli- to obey a whim of the parent, but only, 
 gently — as soon as possible. What some modification of one of the gen- 
 do we mean by the phrase "obey in- eral laws which he will need to obey 
 telligently?" We mean he must obey, when he is grown up. 
 not because some one has told him to jnt management of the very young 
 and will punish him if he does not, child of unreasoning age 
 for that is the obedience exacted of Now, of course, it is impossible 
 the animal; but he will obey because for very little children to make this 
 the command is a reasonable one, distinction. Babies under eighteen 
 
BOOK FOR PARENT AND TEACHER 201 
 
 months must be forced to obey, if the tory regime of reasonableness. Sup- 
 occasion rises, as other little unreason- pose, for instance, that a child is seen 
 able animals are forced, by sheer climbing upon a chair before the 
 physical compulsion. But, as this is side board in the dining-room. His 
 a very bad method of obtaining mother should not call out to him 
 obedience, the occasions for requiring simply, "Come away from there!" 
 obedience should be sedulously avoid- but should explain to him that it is 
 ed, as much as is reasonably possible, dangerous for him to handle the glasses, 
 during this animal-like period of the standing in rows on the top, because 
 child's growth. No one thinks of re- he would be apt to break them. If 
 quiring obedience of a week-old baby, the child then asks to be allowed to 
 and yet he is in many respects just as play with the spoons in the drawer, 
 capable of being obedient as many a there is no reasonable grounds for 
 year-old child. refusing that request. He has made 
 
 In general, w^ith very young children, a concession, and has learned self- 
 
 the method of procedure should be to control and obedience in refraining 
 
 so arrange their lives that there shall from touching the glasses, and his 
 
 be few needs to issue commands. A mother has, if she is alert-minded 
 
 child who is kept quietly at home, enough to learn a lesson, taken note 
 
 playing with objects designed for his that her command, "Come away from 
 
 use, who is not "shown off" to adults, there!" was not exactly fitted to the 
 
 who is not forced into such cruel situa- case. She should have analyzed the 
 
 tions as enforced participation in situation more acutely, and see that 
 
 adult life, like traveling on the cars, she need not forbid a harmless aniuse- 
 
 going to church, or to shops, or on the ment to the child because it happened 
 
 street cars, or asked to entertain a to be in proximity to a potentially 
 
 company of idle elders, will rarely be harmful one. Such frank explanation 
 
 insubordinate or think of such a thing and mutual concession are most valu- 
 
 as disobeying for the simple reason able and vital elements in the harmoni- 
 
 that the things asked of him are within ous relations of parent and child, and 
 
 his capacity to do. On the rare do more than anything else to prevent 
 
 occasions w^hen such a crisis arises, that bitter rebellion against authority 
 
 it is best frankly to treat the little which so often saddens the adolescence 
 
 creature like a speechless animal, of children with strong wills and a 
 
 w^hich he is, and enforce obedience to keen sense of justice, 
 
 something necessary. The mother should make the most 
 
 As soon as he begins to be able to careful distinction between the con- 
 understand simple statements, the scions, willful action of a child, 
 reason for various commands given and the sort of wild irritability which 
 him should be explained to him. One results in "naughty" actions, but 
 result of this rule is apt to be that which is the result itself of nervous 
 fewer commands are given, as they are fatigue, due to injudicious treatment, 
 often seen to rest upon utterly un- In the Casa dei Bambini, on the very 
 reasonable grounds. The child should rare occasions when a child is 
 be trained, first, to obey promptly, "naughty," he is treated as a "sick" 
 and then to expect an explanation of child; is put off in a quiet corner of 
 the action. In most cases this careful the room, allowed all the toys he 
 clarifying in his mind of the grounds wishes to play with, is soothed and 
 for action, results in a most satisfac- petted, allowed everything but (this 
 
202 
 
 THE HUMAN INTEREST LIBRARY 
 
 is the important point) to play with 
 the other children. In a short time 
 this reduces the most iniruly child to 
 submission. But in an ordinary 
 home, with only two or three children, 
 the "naughty" child is not privileged, 
 like the Italian child in the Mon- 
 tessori school, to see constantly before 
 him the precious example of the 
 orderly, peaceable, industrious be- 
 havior of thirty other children. The 
 principle, however, holds. Nine 
 times out of ten, the "naughty" child 
 is, in all sober reality, a sick child, 
 or at least a very tired child. It is 
 hard for adults to realize what a 
 nervous strain it is, for instance, for 
 a child of three to see strange faces for 
 a few hours. 
 
 Should not discipline or try to 
 reason with a child when nervously 
 
 EXCITED 
 
 The only thing the mother can do 
 in such a case is to remember that the 
 child is not himself when nervously 
 excited. There is no use trying to 
 "reason" with him, or to discipline 
 him, or arouse his better nature. For 
 the moment he has no better nature! 
 He is nothing but jangled nerves. A 
 tired or excited young child should 
 never be asked to exercise self- 
 control; there should be no occasion 
 for it. The only thing to do with him 
 is to quiet him as soon as possible by 
 purely physical means. If he is 
 hungry, get him something, very 
 easily digested, to eat; slip off his 
 clothing, give him a warm bath, if 
 possible, and lay him down in a com- 
 fortable bed, in a room not too light, 
 with plenty of fresh air. When he has 
 slept and rested, he will have "come 
 to himself," and the necessity for 
 punishment will be past. He will, 
 as he always does when he is in good 
 physical condition, desire to be a good 
 child. There will be something there 
 for the mother to work with. Even if 
 
 he has had no special excitement, there 
 may be times, in the life of an especially 
 nervous child, when his vitality is at a 
 low ebb, and the regular routine of life 
 is too much for him. If he shows 
 signs of nervous irritability, snarling 
 and snapping, or crying at nothing, he 
 should never be reproved. He should 
 be put to bed, not at all as a punish- 
 ment, but with the tenderest affection 
 and the most solemn pity for the poor 
 little sensitive creature. If there is in 
 this prescription of rest for nervous 
 fret, no hint of punishment or shame 
 the child will not resent it, but will 
 soon learn to yield himself up to the 
 soothing influence. 
 
 How TO AVOID A "BRAIN-STORM" 
 
 If, when several little children are 
 playing together, the mother hears one 
 begin to speak in a loud, excited voice, 
 and to have nervous, disorganized 
 motions, such as knocking the play- 
 things about, she should come up 
 quietly to the group and remark calmly 
 that "Johnny is evidently too tired to 
 play any longer. He'd better go and 
 rest for a time, until he feels better." 
 Then he is led away, very gently. 
 There should be the utmost care not to 
 seem to use this as a chastisement. 
 His face and hands should be washed 
 in cool water (there is very apt to be a 
 slight fever present when nervous 
 irritability sets in), his clothing 
 loosened, and he himself laid on a bed 
 in a quiet room. This treatment has, 
 in addition to the invaluable physical 
 effect, a very strong moral one. The 
 gentleness, the peace of the room, the 
 utter isolation, the inaction — there 
 seems nothing left for the child to 
 battle with, nothing for his "naughti- 
 ness" to feed upon. 
 
 Children do not enjoy the miserable 
 unhappy excitement of being naughty, 
 no matter what our misunderstanaing 
 reading of them may seem to indicate. 
 And if they have had a fair experience 
 
BOOK FOR PARENT AND TEACHER 208 
 
 of a sure escape form the "brain- unwise and harmful ones. And here 
 
 storm" of a fit of insubordination, the Montessori apparatus is of in- 
 
 they are very apt to resort to it of calculable value. It caters with scien- 
 
 their own accord. If it is evident tific ingenuity to the need for action 
 
 that the child cannot be sleepy, for of the small child, and relieves the 
 
 instance, only a short time after a nap, mother's inexperienced brain of a great 
 
 another calming expedient is to take part of the strain of inventing suitable 
 
 him gently away from the others to a exercises for children under six or 
 
 quiet place outdoors, where he is left seven. 
 
 to play in solitary proximity to the Montessori apparatus not enough 
 
 bosom of Mother Earth. But the Montessori apparatus, valu- 
 
 But of course this remedy cannot able as it is, is not enough. As has 
 
 be applied, if the nervous fit comes on been said many times in the preceding 
 
 while the mother is pricing lace in a pages, the mother's mind must be 
 
 department store and the child hang- alert and ingenious to supplement it 
 
 ing to her skirts, or if they are at an as the child grows. For instance, 
 
 "amusement park," with bands bray- blunt pointed scissors and plenty of 
 
 ing and tooting about them, and paper to cut are as indispensable as 
 
 crowds of excited pleasure seekers the geometric insets. Constant ex- 
 
 noisily going their way. ercises in the occupations of every- 
 
 This is another reason for never day life, such as washing and wiping 
 
 taking children away from the quiet toy dishes and setting a sma.ll table, 
 
 home life, except to some equally quiet sweeping the fioor with a small broom, 
 
 spot out-of-doors. learning to dust, etc., are as necessary 
 
 This rule may be relaxed, of course, as the sandpaper letters. If the 
 as the children grow older, but it children are initiated into these ex- 
 should be relaxed very gradually, with ercises young enough, before their 
 the fewest possible breaks in the tran- natural instinct for action and for 
 quil and unchanging life. helpful action has been atrophied by 
 NECESSITY FOR CONSTANT ACTIVITY IN the customary idling in early child- 
 EARLY CHILDHOOD hood, the mother will find the utmost 
 
 The final lesson we American eagerness for such activities, and not 
 mothers have to learn from Dr. at all the lazy, shirking attitude to- 
 Montessori and her wonderful success wards them so frequently seen in 
 with the training of little children, is older children, who did not have 
 the lesson of positiveness, as opposed proper training in their early life, 
 to negativeness in their lives. The The other kind of obedience, the 
 craving for constant, unceasing activity right kind, can be attained only very 
 in little children is intense. This is a gradually, for it is at least as difiicult 
 normal and blessed instinct of theirs, an achievement as learning the multi- 
 which does more than anything to plication table. The child needs to 
 develop them. And the mother begin with very small beginnings in 
 should constantly bear it in mind, this as in any other important activity 
 Her attitude towards her little child of his life, to be asked in early child- 
 should be as little negative as may be; hood to obey as seldom as possible, 
 she should set her grown-up wits in- because his life is rightly and care- 
 cessantly to work to devise wise, fully suited to his needs; to have the 
 harmless and beneficial actions for reason for obedience; the real, under- 
 the child, not merely to forbid him lying philosophic reason explained to 
 
20If 
 
 THE HUMAN INTEREST LIBRARY 
 
 him as soon as possible and as often 
 as necessary; never to be asked or 
 expected to obey when he is having 
 what amounts to a fit of hysteria; 
 and, finally, to have his life so filled 
 with interesting, profitable and enter- 
 taining occupations that the question 
 of obedience enters into it very little. 
 Through the daily experience of living 
 a well-ordered, industrious, purposeful 
 life, he learns, unconsciously the joys 
 of peace and tranquility, and he comes 
 
 to be as unwilling to wreck these 
 by insubordination as his mother 
 is unwilling to have him. 
 
 Like any other good habit, obe- 
 dience cannot come from one or two 
 violent efforts. It must come from a 
 long, long continuance in the right 
 conditions. And to secure these 
 "right conditions" the Montessori ap- 
 paratus, method and philosophy are 
 the most potent means as yet dis- 
 covered. 
 
 MEMORY TESTS ON MONTESSORI SYSTEM 
 
 Should a child's life have some unvaryingly 
 regular events? 
 
 Under what conditions do little children take 
 an interest in arithmetic? 
 
 How should the numbers be taught? 
 
 How can arithmetic be taught by means of 
 games? 
 
 How can the Montessori game of "Making the 
 Silence" be duplicated in the home? 
 
 Why should a child practice exercises in im- 
 mobility? 
 
 Why should a child's actions about the house 
 be as free as possible? 
 
 How can ordinary incidents in home life be 
 turned into Montessori exercises? 
 
 Should little children be allowed to play with 
 books? With delicate breakable objects? Un- 
 der what conditions? Why? 
 
 Should a little child use a tin, a silver or a 
 china cup? 
 
 What facts a'oout children did Dr. Montessori 
 rediscover? 
 
 What is the most important principle of her 
 Method? 
 
 What three principles may be said to sum 
 up the Method? 
 
 On what principles can children learn without 
 detailed instruction? 
 
 Why should the five senses be carefully and 
 directly trained? 
 
 What is a Casa dei Bambini? 
 
 Will little children learn useful things if not 
 forced to stop playing? 
 
 Why is spontaneous attention better than 
 forced attention? 
 
 Is it well to help the child with his Montessori 
 problems? 
 
 Do little children as a rule learn best through 
 the eyes or through the fingers? 
 
 What are some of the essentials for teaching 
 system and order? 
 
 Why should a child learn to dress and feed 
 himself as early in life as possible? 
 
 Why should the little child not be hurried? 
 
 Why is a very large rag doll to be especially 
 valued as a play-thing? 
 
 Should little children be allowed to handle or 
 play with small objects? 
 
 How can children be taught to "see with the 
 fingers"? 
 
 What are some of the advantages of learning 
 to do things by touch rather than by sight? 
 
 Does Montessori freedom for the child mean 
 upsetting all order in the household or school- 
 room? 
 
 Why the child needs training in bodily poise 
 and how this can be obtained. 
 
 Should children be allowed to play with 
 water? How? W'hy? 
 
 Should little children do housework? How? 
 
 How should the alphabet be taught? 
 
 What are the three signs by which a Montes- 
 sori mother or teacher can tell when the child 
 is nearly ready for the explosion into writing? 
 
 Should a little child have pets of his own? 
 
 What is meant by a "Montessori scheme of 
 existence" for little children? 
 
 About obedience and how it is 
 obtained 
 
 What should a mother always add to the 
 command "Don't do that"? 
 
 Why should the little child be trusted as much 
 as possible? 
 
 Should a child be taught to obey as is an 
 animal? 
 
 Should children be forced to obey commands 
 based on personal wishes of their parents? 
 
 Why should children always feel that they 
 are obeying a law, not an adult's whim? 
 
 How can unreasonable commands be avoided? 
 
 Under what general conditions of life is the 
 question of obedience simplified? 
 
 Why is there need for clear thinking in issuing 
 commands for children? 
 
 Under what conditions are "naughty" actions 
 not punishable? 
 
 Why is it important that the child's natural 
 impulse to see and to do things should not be 
 suppressed? 
 
 How does the Casa dei Bambini inculcate ab- 
 solutely quiet life for young children? 
 
 How treat a nervously exhausted child who is 
 acting as if it were naughty? 
 
BOOK FOR PARENT AND TEACHER 
 
 205 
 
 THE SCHOOL OF REAL 
 
 WHAT A BOY MUST DO TO SUCCEED 
 
 LIFE 
 
 EVERY boy looks eagerly for- 
 ward to the time when he will 
 be a man and will struggle for 
 the prizes that are offered to men in 
 the big world. Every man looks back 
 to the time when he was a boy and 
 feels that if he had a chance to try it 
 over again, he could avoid many mis- 
 takes. In America every boy has 
 great opportunities for success. With 
 good health, and energy, and honesty, 
 any boy may work his way to a suc- 
 cessful career. 
 
 But the mistakes which a large 
 number of boys make when they be- 
 gin to work for themselves, the nu- 
 merous blunders and failures among 
 men, prove beyond question that real 
 success in life's work is not easy, and 
 is not to be had for the asking. It is 
 not by plunging in recklessly and 
 carelessly that men succeed, but by 
 wise forethought, by faithful atten- 
 tion to business, by honesty and re- 
 liability. 
 
 In our time we are talking much of 
 the vocational training of boys, that 
 is, of a special training for business or 
 trades and professions. The common 
 school gives a general education, but 
 does not prepare boys for special 
 callings. Before trying one's chances 
 of success in the big world it is well 
 to take advice of older people who have 
 had experience, who have suffered the 
 hard bumps and discouragements, and 
 can give boys good pointers as to how 
 to conquer success. 
 
 That boy is most likely to win a 
 place for himself in life who is willing 
 to take advice, who will train himself 
 thoroughly, who is not in too big a 
 hurry to start out in the world, but 
 first gets a good education, and if 
 possible trains himself well for some 
 special calling. 
 
 The school of real life 
 
 Life itself is a great school, and when 
 we get out into the busy work of the 
 world, we shall have plenty to learn. 
 New problems and difficulties are 
 coming up all the time. From the 
 very start we must learn how to meet 
 and master hard problems, to do dis- 
 agreeable things, to stick steadily to 
 what we undertake in spite of difficul- 
 ties and discouragements. This big 
 school of life is like all other schools — 
 full of wise or unwise scholars. There 
 are some who go through it day by 
 day, week by week, year by year, as 
 if life did not matter, waiting always 
 for play-time, caring nothing for the 
 things for which schools were made. 
 
 It is these students who keep down 
 the proud reputation of the school. 
 It is these, in the big school of the 
 world, who are responsible for most of 
 the misery and trouble of mankind. 
 
 Nothing can keep the boy back who 
 means to go forward. The roads that 
 lead to success in life are widening 
 more and more. One may wander in 
 a hundred fields and pick his prize. 
 But no boy can get any farther than 
 he aims. He must make up his mind 
 where he is going and must remember 
 that it is not only the way he goes 
 that matters, but how far he goes that 
 way; whether, when he has chosen 
 the way, he quits himself like a man. 
 He must remember that all useful 
 work is honorable, and that the only 
 dishonor in it is if it is badly done. 
 And the task that is set before every 
 man is, not to be this, or that, or the 
 other — to mind a machine, to drive a 
 plow, to write a book, to paint a 
 picture; the great task set before a 
 man is, so to prepare himself in youth 
 that in carrying on his work in the 
 world he shall do all things well. 
 
206 THE HUMAN INTEREST LIBRARY 
 
 The qualities that coin success We must be resolute; we must have 
 What, then, are the quaUties that determination. It is no use having 
 we need most on our way through the ideas unless we mean to carry them 
 world? There are few things that all out. One other thing goes with de- 
 men agree about, but some things termination, and that is concentration, 
 there are that every man knows to be One may have great energy, and may 
 true. And perhaps the first of these put it all into his work, but may use 
 things is that to do anything worth his strength in such a way that it 
 doing in the world we must have a simply fails. Everyone knows what a 
 definite purpose. We must have an spendthrift is — the foolish man who 
 aim in life. We must make up our throws away his money in stupid ways 
 mind what we want to do, how we which serve no purpose instead of 
 want to do it; and we must let nothing keeping it for something that is worth 
 come in our way. We must think of doing. Stick to the work — that is 
 time as what it really is — a treasure what is meant by concentration. It 
 given to us for our safe keeping. is wrong to try to do so many things 
 Time, it is said, is money. But that none of them can be done well, 
 time is much more than money, for Time is wasted that is frittered away 
 . time can do what all the money in the in little things that make no difference 
 world can never do. Time can heal to anybody. 
 
 all sorrows and cure all ills, and time, The boy who sticks to his work — 
 
 if it is rightly used, gives opportunity that is the boy the world is waiting 
 
 too great to be realized by the young, for. That is the boy who will paint 
 
 Time spent in watching others play the picture that everybody will go to 
 
 games, or in idling on the street is lost see. That is the boy who will be 
 
 time. We do not want forever to be manager of a big business. That is 
 
 bent on serious things, and there is the boy that every mother wishes her 
 
 time for all of us to play; but nothing son to be. 
 
 is so dangerous as amusement, and There are plenty of other boys; 
 
 we had better never play at all than plenty of boys who will grow up to 
 
 let play steal away our lives, and sell matches, or newspapers, and to do 
 
 lead us to forget our aims. nothing particular for anybody, and 
 
 And a boy must have ambition, worse than nothing for themselves. 
 
 He should not believe those who tell But the boy the world wants is the 
 
 him there is anything wrong in the boy in earnest, the boy who is ambi- 
 
 desire to get on well in the world, tious, the boy who is determined, the 
 
 There is a right getting-on and a boy who will "stick to it." 
 
 wrong getting-on, and when we say The use of difficulties 
 
 that we want to get on I hope we al- It is often said in these days that 
 
 ways mean, not merely that we want life is made too easy, and that, because 
 
 more money in our pocket, but that we have no longer to fight for our 
 
 we want to know more as well as to birthright as men fought in other 
 
 have more; that we want more op- days, we are not so strong and ready 
 
 portunities of well-doing and well- and daring as those who lived in 
 
 being. There are low ambitions and harder times. There is just enough 
 
 high ambitions. Let us see to it that serious truth behind that to make it 
 
 we aim at a high purpose; that in difiicult to contradict, because life 
 
 Emerson's splendid words, we hitch does, of course, become easier and 
 
 our wagon to a star. happier as knowledge grows. If it 
 
BOOK FOR PARENT AND TEACHER 
 
 207 
 
 did not, knowledge would not be 
 worth having. The things that do not 
 help us to live are not worth learning. 
 
 But it is not really true that life is 
 becoming so easy that character has 
 no chance to grow — which is what 
 people mean when they look back and 
 sigh for the good old times to come 
 again. There never was such wicked 
 nonsense as the talk about the good 
 old times, and the man who sighs for 
 them back again does not know what 
 he is sighing for. There never were 
 such good times as these in which we 
 live. There never were such bad times 
 as those that have gone. In the good 
 old times little boys were forced up 
 chimneys and down mines, and little 
 girls were whipped to work in factories. 
 That was one way of making them 
 strong, but the pity was that most of 
 them died without finding anything 
 worth being strong for. Nothing can 
 be more wicked than to wish for the 
 dark, ignorant, cruel past to come 
 back again. 
 
 Those who talk in this way imagine 
 that character grows best in hard 
 ground, and that therefore life must 
 be made hard and cruel, and boys 
 must be buffeted about, and perhaps 
 beaten, or at any rate in some way 
 brought to feel the cuts and blows of 
 some outrageous fortune. The great 
 untruth behind all this is the idea that 
 cruelty is necessary to breed strength, 
 that hardship is necessary to develop 
 firmness, that we must make diffi- 
 culties in order to develop the power 
 of overcoming them. 
 
 It is true that overcoming diffi- 
 culties is a fine way of growing strong, 
 but it is true, also, that life is always 
 difficult enough to develop the highest 
 strength of character. In the great 
 training grounds of the world the 
 noblest human qualities can always 
 grow, and life can never be so easy 
 that one need fear he will lose his 
 
 character, if he wants to keep it. The 
 difficulties of life do not disappear; 
 their nature changes — that is all. 
 The boy who is going to make his 
 mark in the world, how^ever pleasant 
 a place the world may be when he 
 grows up, will find difficulties to over- 
 come. 
 
 There will always be a world to 
 conquer, and nearly alw^ays it lies 
 about one, perhaps nearer than one's 
 own door. The boy who gets over 
 difficulties must make up his mind, at 
 the very beginning of anything, what 
 it is he wants to do, and having made 
 up his mind, he must do it. He 
 should let no difficulties turn him back 
 from the way he should go. Only 
 cowards count the cost of doing right, 
 and shrink from it. The thmg that is 
 easy is there for anybody to do; it 
 is the brave boy who will tread the 
 difficult way, who will run a risk, and 
 do the hard thing. There are people 
 in the world who think it right to go 
 through life taking all that life can 
 give them and giving nothing in re- 
 turn; but they live their selfish lives 
 and pass away and are forgotten. 
 Out of their ranks no hero comes. 
 
 It is perfectly true that where there 
 is a will to do a thing the way to do it 
 can be found. A story is told of how 
 Alexander the Great arrived one day 
 at the city of Gordium, and found 
 there a famous chariot fastened with 
 cords tied into knots that no man 
 could undo. And Alexander was told 
 of the legend that whoever should 
 untie the knots should rule the world. 
 It was not like Alexander to waste 
 his time untying knots, but he found 
 a better way. He cut the knots 
 asunder with his sword, and ever since 
 the man who chooses the bold way out 
 of a difficult situation has been said 
 to cut the Gordian knot. 
 
 It is right to be cautious but it is 
 wrong to be cautious even to timidity. 
 
208 
 
 THE HUMAN INTEREST LIBRARY 
 
 The world is not in want of men who 
 will hold back. They are at the 
 corner of every street; every town is 
 full of them. It is the boy who will 
 go forward that the world is waiting 
 for — the Cohimbiis, the Washington, 
 the Livingstone of the future. 
 The glory of courage 
 
 What the world needs is the courage 
 that climbs over mountains or cuts 
 them through, the boldness of a man 
 who, knowing what is to be done, sees 
 the difficulties and conquers them. 
 We would not be living in a free coun- 
 try, the land we live in would still be 
 overrun with barbarism, if men had 
 chosen the easy way. One has only 
 to think for a moment of the things 
 which every boy knows to see the 
 spirit that conquers the world. Such 
 a spirit was that of Columbus at the 
 court of Spain, fighting against preju- 
 dice and ignorance and blindness until 
 his courage moved a queen to pledge 
 her jewels for the expedition that was 
 to discover America. It is the spirit 
 that General Grant displayed in his 
 military campaigns, that remarkable 
 persistence and steadiness of purpose, 
 which never faltered, and wrought out 
 his great victories. David Livingstone 
 shows this spirit, poring over his books 
 till midnight, getting up at six o'clock 
 in the morning, and working in the 
 factory till eight at night, going to 
 school from eight to ten, then poring 
 over his Latin grammar again as long 
 as his eyes would keep open, and then 
 sleeping till six o'clock brought back 
 another day. He worked half a year 
 in the factory, and spent his wages in 
 the next half at the university. He 
 never met, either then or as a man, 
 any difficulty that he allowed to stand 
 in his way. His stubborn will con- 
 quered the hot fever-laden climate of 
 Africa. 
 
 At a time when all America was 
 talking of Mr. Roosevelt, an American 
 
 paper said jokingly, "Just stop to 
 think that Theodore Roosevelt is 
 only one nine-hundred-and-forty-thou- 
 sandth of one per cent of the popula- 
 tion of the United States." But it 
 was the genius of Mr. Roosevelt that 
 he would not let America think that. 
 The man who means to have his own 
 way may count only one in the census 
 paper, but he may count a million ones 
 in history. 
 
 All things come to him whose spirit 
 will not die. The men who have 
 transformed the world — what sort of 
 lives were theirs? They read their 
 books by candle-light and lived in 
 garrets, they toiled long hours down 
 in mines and rarely saw the sun, they 
 prayed in vain for one word of sym- 
 pathy; for the bold man with the new 
 idea had all the world against him 
 until these modern times. 
 
 It is hard to believe the difficulties 
 that were put in the way of men who 
 looked into the future years ago, and 
 laid the foundation of comfortable 
 lives for those who live now, and of 
 prosperity for nations. 
 
 Robert Fulton, the man who made 
 steam navigation a success, was 
 scoffed and jeered at on every hand; 
 not one word of encouragement, not 
 one bright hope, not one warm wish 
 crossed his path, he said. 
 
 George Stephenson was denounced 
 as an impostor when he began 
 to make his railways; and one of the 
 saddest things in the history of any 
 nation is the story of the bitter 
 struggle to save the little children of 
 England from slavery. They were 
 whipped to work like dogs, until so 
 many died that they were buried in 
 secret to hide the awful truth. 
 
 Times have changed, but still it is 
 true that the path of the good man 
 through this world is strewn with 
 thorns. Men have so much to do, and 
 so little time, and so many things to 
 
BOOK FOR PARENT AND TEACHER 
 
 209 
 
 bother them, that it is hard to interest 
 them, and harder still to get their 
 help; and so we are discouraged and 
 downhearted, and noble causes lag 
 for want of friends. 
 
 It is always so. But the boy should 
 arm himself in the days in which he is 
 putting on his strength against the 
 disappointments that must come into 
 his life. They will come, whatever 
 happens, and at times it will seem to 
 him as if the sun had gone out, and as 
 if nothing matters and nobody cares. 
 But he will remember that, however 
 dark the clouds are, the sun breaks 
 through again. He must not let 
 despair seize hold of him because the 
 task is hard and there seems to be no 
 way out. He can sustain himself by 
 the proud thought that he is in the 
 line of heroes. Behind him stand 
 Captain Scott and David Livingstone 
 and George Washington and Abraham 
 Lincoln and Francis Drake and Joan 
 of Arc, and he will not shame these 
 mighty names by turning back. 
 
 The thing that is in the way is the 
 great test, the touchstone of an enter- 
 prise. Two boys meet a difficulty, and 
 it is like the instrument at the mint 
 which touches every sovereign, throw- 
 ing out the bad and keeping the good. 
 One boy turns back, but the other is 
 true as steel. The fear of danger, 
 the sight of a mountain, the touch of 
 risk, the wondering whether he will 
 really manage it, are new life to him. 
 He goes on with new zest and resolu- 
 tion, and almost before he sees the 
 difficulty it has gone. Like melting 
 snow difficulties go when a brave 
 heart comes along. 
 
 Especially must he be on his guard 
 
 against the difficulties that do not 
 
 exist. 
 
 Some of your hurts you have cured, 
 
 And the sharpest you still have survived; 
 
 But what torments of grief you endured 
 From evils which never arrived! 
 
 Half the people in this world spend 
 half their lives in wondering how 
 they will get over a stile that they 
 will never reach. One of the wisest 
 things ever written in a copy book is, 
 "Do not meet troubles half way." 
 Time is too precious to spend in im- 
 agining difficulties; they will come 
 soon enough. 
 
 Even wise men are wrong some- 
 times. Perhaps you have read how, in 
 the early days of railways, men spent 
 their time in trying to get over the 
 difficulty of making a smooth wheel 
 ride over a smooth rail. The wheels 
 would skid on the smooth lines, it 
 was said, and for years men saw no 
 way out. Then at last, somebody 
 tried a smooth wheel on a smooth 
 rail, and found that the difficulty did 
 not exist. 
 
 Only a great daring, an inflexible 
 purpose, an unquenchable spirit of 
 perseverance, can rouse the world 
 from its indifference and drive away 
 defeat. In little things and great, 
 in the trials of our own lives and in 
 the public things we fight for, we must 
 dare to do right, whatever the conse- 
 quences may be. 
 
 He either fears his fate too much, 
 
 Or his deserts are small, 
 Who dares not put it to the touch. 
 
 To gain or lose it all. 
 
 There are nobler things than bold- 
 ness, there are baser things than fear. 
 But there is nothing sadder than the 
 fear of doing right; there is nothing 
 nobler than the fear of doing wrong. 
 Let that be the only fear. Let the 
 soul be pure, let the heart be brave. 
 Be strong and of good courage. He 
 that overcometh shall inherit all 
 things. 
 
210 
 
 TEE HUMAN INTEREST LIBRARY 
 
 WHAT A GIRL MUST DO TO SUCCEED 
 
 YOU are sure to be wondering, 
 as you stand at the gates of 
 Life and look out upon the 
 world, what destiny the hidden years 
 can hold for you. As surely as the 
 leaves fall, in obedience to the Hand 
 that guides the heavens, so surely 
 :your unfolding life is dawning, and 
 will rise to noonday, and will sink 
 into the gentle sleep of night, to the 
 bidding of the universal law that none 
 can break. 
 
 But because your life is part of the 
 great world you will not believe that 
 therefore it is fixed for you, so that you 
 have no choice. You are free to do 
 as you will. You are free to use your 
 life or to waste it. In the great scheme 
 which even now is building up a perfect 
 world, your life must have its place. 
 But you are not a spectator looking on 
 at the world. You are an actor, taking 
 part in it, and the great play of Life 
 will fail so far as you fail in your part. 
 
 And you are wondering, no doubt, 
 what part you will play — whether you 
 will go out into the world to do great 
 things, or whether you will be content 
 to be of the multitude which moves in 
 quiet paths, doing good without ceas- 
 ing, making life a blessing, but winning 
 neither wealth nor fame. And you 
 must resolve for yourself the question 
 that every girl must ask herself — 
 whether you will seek first the natural 
 place of woman in the home, or 
 whether, in some wider sphere, you 
 will seek to carve out an independent 
 place. It is the most important thing 
 you can decide, and nothing can be 
 more difficult than to advise you. 
 Use of natural gifts 
 
 But of one thing it is easy and right 
 to advise you. You can do no wrong 
 in putting your natural gifts to any 
 natural use. You can do no wrong in 
 fitting yourself for any office you can 
 
 fill with profit to yourself and useful- 
 ness to others. You can do no wrong 
 in choosing any path that leads you to 
 your destiny with dignity and honor. 
 But you may do yourself great wrong, 
 and may betray the cause that every 
 woman holds in trust, if you cut your- 
 self off, knowingly and purposely, 
 from the noblest work that daughters 
 and wives and mothers are called upon 
 to do. 
 
 You are growing up in an age when 
 too many people are willing to sully 
 the fair fame of a woman. Of all the 
 sad things that happen in these days, 
 nothing is sadder than the things that 
 make us forget for a moment the 
 gentleness and graciousness of woman- 
 hood. It is a beautiful vision that 
 comes to us as we think of our mothers, 
 and of their mothers, and of mothers 
 all down the ages of time; but how 
 easy it is sometimes to forget the things 
 that make the thought of women so 
 comforting and uplifting! You will 
 have nothing to do with the vulgar 
 manners you will see about you, with 
 girls who would be men, forgetting 
 how nnich greater than men they could 
 really be. When you find yourself in 
 the company of a girl who smokes, keep 
 your modesty and leave her; she 
 is not going your way. In such small 
 things begin the end of modest girl- 
 hood. The manners of men are not 
 for girls to put on as they put on hats 
 and gloves. 
 
 The men for whose esteem a girl 
 should crave have no esteem to spare 
 for girls who ape their habits without 
 thinking, who break through the fine 
 reserve that is a girl's best safeguard, 
 who mix with men and come down to 
 meet them, when men instead should 
 rise to their higher level. All through 
 the world, and all through life, the 
 something better in a woman has been 
 
BOOK FOR PARENT AND TEACHER 
 
 211 
 
 the world's great blessing, and 
 nothing that the world can give will 
 be worth having if you lose this price- 
 less thing. 
 
 Whatever way you choose through 
 life, you will guard the noblest thing 
 your mother gave you — the charm of 
 being made in her own image. You 
 will cherish the thought that the love 
 for a mother is the strongest influence 
 in the world, and you will do nothing 
 to wreck the place a mother holds in 
 the deathless affection of mankind. 
 
 The great power you will have to 
 stir men to glorious things 
 
 You will not mind the scoffing of 
 those who are careless in small things; 
 you will be ready to give up lawful 
 pleasures rather than run the risk of 
 losing the fair name which is worth 
 more to you than rubies. The knight's 
 armor, in the days of chivalry, was 
 buckled on by his lady, and the 
 beautiful meaning of that should still 
 be true in these days. It was the 
 gracious way in which a lady sent out 
 her knight to fight with double strength. 
 
 This is the great power for woman 
 still, so long as she keeps her hold upon 
 her knight. The things that are 
 unseen are hers, the influences that 
 reach deep down in the heart of life, 
 and never wholly fail. How often it 
 is that the man who seems so powerful, 
 who seems to do as he likes and to 
 conquer wherever he goes, is really 
 swayed by a great love behind him, 
 and nearly always the love of a woman. 
 
 A BLOW THAT YOU MAY STRIKE AT A 
 WRONG VIEW OF LIFE 
 
 You may be rightly proud of the 
 gifts which enable you to win your own 
 way in the working world, and there is 
 no reason anywhere why you should 
 not place yourself by the side of men 
 in any sphere in which you can hold 
 your own. So long as your work fits 
 you, and does not unfit you, for your 
 natural destiny, it can be nothing but 
 
 a blessing. It can bring you nothing 
 but happiness to be conscious of a 
 power to face the world whatever 
 happens, and in the years when you 
 are building up your life you may 
 wisely seek the discipline and training 
 of some useful service. The useless 
 have no rights, and we must be useful. 
 Even though your lot be cast in 
 pleasant places, so that you may not 
 need to earn your living, it will do you 
 no harm to do some useful work. 
 The real wages for good work are not 
 made at the mint. 
 
 The girl who wins a place by her 
 own efforts has strengthened herself 
 in any task she undertakes. She has 
 struck the hardest blow she can at the 
 silly notion that woman must be a sort 
 of on-looker at the world. 
 
 The great temptations that will 
 come to you to waste your days 
 
 Thousands of lives have been saved 
 from ruin by a definite work in life; 
 thousands have been wrecked by the 
 want of it; and nothing will more 
 likely prepare you for the coming 
 years than a definite piece of wisely 
 chosen work, whether for wages or 
 for love of doing it. 
 
 "Our time," said Sir Walter Scott, 
 "is like our money. When we change 
 a dollar, the dimes escape as things of 
 small account; when we break a day 
 by idleness in the morning, the rest of 
 the hours lose their importance in 
 our eyes." Idle hours are temptations, 
 but idle years are worse, and it is not 
 surprising that the end of nothing-in- 
 particular-to-do for years should be a 
 consuming love of pleasure. And 
 then often in its train comes the sad 
 waste and vanity of it all — the love of 
 vain things. 
 
 The empty vanity that flaunts 
 itself before the world 
 
 We need not object to anything 
 ])eautiful,but the vanity jf riches is not 
 the love of beauty; and the things that 
 
212 
 
 TEE HUMAN INTEREST LIBRARY 
 
 are worn because they are ticketed at 
 a high price in a shop, and so advertise 
 the splendid incomes of those who wear 
 them, are not things to admire. You 
 will learn to love things that are really 
 beautiful, to prize things that are 
 really valuable, and you will scorn the 
 empty show which flaunts itself so 
 much before the world and has nothing 
 lovely or noble, or really worthy behind 
 it. 
 
 Life is not simple, and it is not easy 
 always to know what to do; but it will 
 help you, now that you are wondering 
 which way you will go, if you make 
 up your mind to go the simple way. 
 The girl who loves her home 
 
 You have learned that happy homes 
 are not made with hands. The founda- 
 tions may be deeply set, the great 
 walls may rise high and the windows 
 may look out upon a noble scene, the 
 room may be rich beyond avarice and 
 beautiful beyond compare, and there 
 may be nothing wanting to please the 
 stranger's eye; but the seat of happi- 
 ness is not in these things. If one 
 invisible thing is absent no visible 
 splendor can atone for it; nothing that 
 we can touch or taste or hear or see can 
 help us if this thing is missing. Every 
 day, for want of it, homes are wrecked 
 and lives are broken. 
 
 You will guess that this invisible 
 foundation of a happy home is the love 
 of those who live in it. Love and 
 happiness run together. There can be 
 no transgression of that law. What- 
 ever else is false this much is true, that 
 hearts divided against themselves can 
 never make a home. And so you will 
 resolve that your home shall be built 
 upon this firm foundation. 
 
 And so you will feel that your home 
 is the shrine of sacred things, a field in 
 which the seed you sow may grow into 
 a precious harvest. 
 
 You will think of your home as your 
 own little corner of the world, where 
 
 you are queen and you will set your 
 influence as on a rock. You will love 
 your friends outside your home, you 
 will cherish goodwill to your neighbors, 
 but within the walls of your own 
 kingdom you will give yourself un- 
 selfishly and toil unceasingly for those 
 who are banded together as one, heart 
 of your heart, mind of your mind, life 
 of your life, traveling beside you 
 through sunlight and shadow, through 
 ill and good report. 
 
 The little world in which you will 
 make your own laws and keep them 
 
 We are in the world and of the world, 
 and we must take our place and play 
 our part. If we could rule the world 
 for just one week, we have thought 
 sometimes, how happy a place we 
 would make it! Well, our homes are 
 our own worlds, in which we make our 
 laws and administer them, in which we 
 lay down our rules of life and declare 
 our relation to our neighbors and 
 mankind. Your home will be the 
 place where you find rest, but your 
 rest will bring you new strength, and 
 you will spend it for the good of 
 all. 
 
 The qualities that are called for 
 in managing a home 
 
 Nothing in the world, perhaps, is 
 more difiicult than the wise manage- 
 ment of a house. Most of us are too 
 ready to forget, in enjoying the great 
 freedom of home, that a home is like 
 a machine, and must have method and 
 discipline if it is to have peace. It is a 
 wonderful thing, considering the 
 millions of opposite interests in the 
 world, and all the selfishness and in- 
 difference, that the world agrees so 
 well; and it is not surprising that the 
 management of a home, with perhaps 
 six people of six different types, with 
 tastes that can vary in perhaps a 
 hundred things, with conflicting de- 
 sires in food, and pleasure, and friend- 
 ships, and with varying needs in other 
 
BOOK FOR PARENT AND TEACHER 
 
 213 
 
 ways, should call for the very greatest 
 care and judgment. 
 
 It is not an easy task to control the 
 home-life of a family, fitting all these 
 desires into a general plan, giving 
 freedom and happiness to each and 
 contentment to all, and it is harder 
 still if some break the rules. You 
 will not be ashamed to acknowledge 
 that your place is in the kitchen as well 
 as in the drawing-room. The proper 
 management of a kitchen is one of 
 the greatest services a woman can 
 render to the world. 
 
 If we think of the lives of the great 
 multitude of working people, it is easy 
 to see how bad food, bad cooking, bad 
 housekeeping, can spoil them utterly, 
 and we have yet to measure the effect 
 of these things in driving men out of 
 their homes and into public-houses. 
 If it is true that the public-house, with 
 its horrible associations, all its germs 
 of disease, has taken the place of 
 home in the lives of masses of men, who 
 shall say how many of these men turn 
 to such places in search of the comfort 
 missing from their homes? 
 
 The great number of things we 
 can do without in the world 
 
 You will learn very soon, in building 
 up your home, that simplicity of life 
 is the golden key to happiness. It is 
 one of the sad consequences of the 
 progress of the world that civili- 
 zation brings with it a great increase 
 in what we call our needs, though they 
 are really only our desires. Crave for 
 the things that will make you happy, 
 but do not create unnecessary wants. 
 It is astonishing to think of the number 
 of things we gather into our houses 
 that we do not really need. 
 
 The enduring joy of home that 
 comes from simplicity 
 
 Make up your mind that the simpler 
 a home is, the more enduring is the joy 
 of it; the more natural our environ- 
 ment is, the more natural we ourselves 
 
 shall be. Let us set our faces, in our 
 homes and out of them, against what 
 is artificial and conventional. It is 
 art and good sense to have few things 
 in a home, instead of many, and to 
 have these of the best; and it is good 
 to have them natural, instead of arti- 
 ficial, with some idea in them that helps 
 us, or inspires us, or brings us pleasure. 
 It is good to have real things instead of 
 imitations; it is good to have a few of 
 the very best pictures rather than a 
 whole gallery of meaningless daubs; 
 and it is good to have about us the 
 books that we love. It is good, in a 
 word, to live in a house that seems to be 
 a part of nature herself, helping us in 
 our natural life, and deepening within 
 us the love of true and noble and 
 beautiful things. 
 The wise words of solomon on 
 
 THE WISE wife IN THE HOUSE 
 
 You will spend these early years, 
 while your own home is still afar off, in 
 fitting yourself for it. You will not be 
 afraid of the great task to which you 
 set your hand. You will know the 
 high mission that you undertake, you 
 will rejoice in the high privilege of 
 building up a home, and you will build 
 it in the spirit of King Solomon when 
 he wrote: "As the sun when it ariseth 
 in the high heaven, so is the beauty of a 
 good wife in the ordering of her house." 
 The girl in search of pleasure 
 
 The first duty of a girl, a wise man 
 said once, is to be happy. Unless we 
 can be happy, life is hardly worth 
 while. 
 
 That perhaps may seem to you a 
 strange thing because you know of so 
 many lives that are a great blessing to 
 the world, though they may seem to 
 you about as sad as anything can be. 
 And it is perfectly true that noble 
 lives may be full of sacrifice and sorrow; 
 perhaps it is even true that sacrifice 
 and sorrow make thousands of lives 
 noble and useful which but for these 
 
eu 
 
 THE HUMAN INTEREST LIBRARY 
 
 things might be Hved in vain. But all 
 thro VI gh the years that are opening 
 out before you you will find one thing 
 becoming clearer and clearer in your 
 mind; you will find that the pleasure- 
 seekers are not always glad, and the 
 sorrow-bearers are not always sad. 
 You will find that there is a secret 
 of happiness which neither money, nor 
 social advantage, nor education can 
 buy, and which neither poverty, nor 
 sickness, nor other ills of this world 
 can utterly destroy. 
 
 And so we learn to understand that 
 there are ways to happiness which per- 
 haps we have not guessed. Happiness 
 is much more than a mere passing 
 sense of pleasure, and we should seek 
 to build up the happiness of our lives 
 on an enduring foundation. No mere 
 round of social pleasures, no mere 
 pleasing things that last for an hour 
 and are gone, can give us that. Pas- 
 time has its proper place, and it is true 
 that all work and no play makes Jill 
 a dull girl, but the ordinary amuse- 
 ments of life are not the true source 
 of happiness. 
 
 One of your temptations will be to 
 rely upon these things when you should 
 seek enjoyment in other ways, and 
 there is perhaps no greater enemy of 
 girlhood than the ceaseless round of 
 empty pleasures that assail the girl 
 who comes face to face with life on her 
 own account. It is so easy to do this 
 and that, to go here and there, that 
 you are sure to be tempted to give your- 
 self too much to the side of life which 
 is meant only as recreation. 
 
 Doubtless you will discover, long 
 before you have yielded to this tempta- 
 tion, that the best way to be happy is 
 to plan your life so that pleasures come 
 into it naturally instead of being out- 
 side it, as it were. Nothing could be 
 more unwise than the sort of life some 
 people live, divided into two compart- 
 ments. One compartment is for work. 
 
 which we should rather call drudgery, 
 for it brings them no joy and is done 
 against their will: the other compart- 
 ment is for pleasure, which we should 
 rather call pastime, for it is merely 
 relief from their duller life, and is 
 simply a stupid way of passing time 
 which their dull minds do not know 
 how to use. It is true that some of us 
 must do the duller kinds of work if the 
 world is to go on, and no doubt 
 stitching all day long, or making boxes, 
 or adding up figures, or typing letters 
 are not as interesting as painting 
 pictures, or writing books, or managing 
 businesses ; but most of us have no real 
 excuse for not being interested in our 
 work, and it is a sad thing to turn it 
 into such a drudgery that we must 
 seek relief from it at any cost. 
 
 The duties and pleasures that will 
 fit in with one another 
 
 You will not fall between these two 
 extremes — the burden of work which 
 bores you and the reaction of amuse- 
 ment which gives you no real compen- 
 sation; you will make your whole life 
 so interesting that you will not need 
 to pay other people to amuse you in 
 order to escape from it. You will 
 look a long way ahead of you. You 
 will have a definite purpose in your life, 
 and you will see, as far as you can, that 
 its duties and pleasures fit in one with 
 the other, so that they lead and follow 
 each other naturally instead of being 
 like opposite things. 
 
 The company we keep when we en- 
 joy OUR PLEASURES 
 
 You would not think of taking 
 certain people home; you would shrink 
 from telling your mother that you had 
 been with them at dinner, or walking 
 with them in the street, or sitting with 
 them by the fire, or talking freely with 
 them. We need not think ourselves 
 better than other people, and it is no 
 hollow hypocrisy, and no sort of 
 priggishness, that turns us from the 
 
BOOK FOR PARENT AND TEACHER 215 
 
 company of those whose way of life or sorrow caused to others in order that 
 
 is not ours. The natural pride of you might enjoy a pleasant hour, and 
 
 life, the dignity of girlhood, will cause you will ask yourself what a mother's 
 
 you to shrink from evil things not less anxiety must be while her boy, or her 
 
 if they come in the form of men and girl, or her breadwinner, hangs in 
 
 women than if they come as serpents, danger of death on an iron bar high up 
 
 and it will help us if we realize that, in the air; or how little children must 
 
 whenever we go to see men and women live in dread of something happening 
 
 of bad character on the stage, appeal- to their father, who stands in danger 
 
 ing to their audiences by the very every night that you might watch 
 
 atmosphere with which they have and be excited by his peril. You will 
 
 become associated, we are in the com- love life too much to think lightly of 
 
 yany of these people as if we had invited endangering it for others, and you will 
 
 them to our homes. turn in pity, if not in disgust, from so- 
 
 You will be on the side of pure pleas- called pleasures which involve grave 
 
 ures always, but you will hate the peril to life and limb, 
 
 vulgarities which pretend to be enter- the terrible price you will never 
 
 tainments, and you will rather die than pay for the things you wear 
 
 countenance with your presence some You will dress for neatness and not 
 
 of the shameful scenes that take place for show, and you will not think your 
 
 openly in theaters and music-halls. hat, or your coat, so important that 
 
 You WILL SEE THAT YOUR PLEASURES for their Sake you cau throw aside your 
 
 are worthy of your HEART AND MIND charity and gentleness and love of 
 
 When anything impure is done, or justice, 
 
 said, or sung in your presence, in You will not think it worth while to 
 
 public or in private, you will be faced starve a family of fellow-creatures in 
 
 with a problem that you must instantly order that you may wear a pretty hat. 
 
 decide : you will have to stay and lose You would blush for shame if you were 
 
 your dignity, or to go and keep it, and asked to wear a thing that had been 
 
 you will go. It shall not be said of you stolen ; how much more then you will 
 
 that you stained the fair fame of the blush if you should find yourself 
 
 people's pleasures by patronizing a wearing one day a beautiful thing 
 
 hideous thing. You will be sure a bought by torture and cruelty and 
 
 play is sweet before you go to see it, the wanton shedding of blood! It is 
 
 just as you will be sure that a man is right that we should remember the 
 
 honorable before you consent to know terrible words uttered not long ago by 
 
 him. a professor who had been investigating 
 
 And, especially you will take care, in the circumstances under which aigrette 
 
 choosing your public pleasures, that feathers are obtained, and who 
 
 they are worthy of you in another declared that every girl who wears an 
 
 sense; you will refuse to enjoy yourself aigrette has the murderer's brand upon 
 
 at the cost of another's pain. You her broiv. It is a terrible saying, but 
 
 will be ashamed to think that another it is true. 
 
 human being should imperil his life. It is enough to say here that 
 
 or her life, to please you, and you will an aigrette's feather can be obtained 
 
 refuse to be pleased by the sight of only by the most terrible acts of 
 
 other people risking death to earn cruelty that men can inflict upon birds, 
 
 a living. You will be shocked to think and that every plume of an aigrette, 
 
 that there should be any pain or fear or a gull, or a bird of paradise, is 
 
S16 THE HUMAN INTEREST LIBRARY 
 
 obtained by the murder of a mother we will. For a little while the flowers 
 
 bird at the time when she is bringing come up about us and we have almost 
 
 up her little ones, so that she hovers nothing to do with them; but soon the 
 
 round the nest and is easily caught. seeds are offered us by a thousand 
 
 The girl who thinks and feels hands, bearing a thousand kinds of 
 
 You are thinking and feeling about fruit, and we can take them or reject 
 
 a thousand things in these years in them as we will. What shall we take, 
 
 which you are laying the foundations and what shall we reject? 
 
 of a world. What a solemn thing that That is what will make our lives, 
 
 is to say, and yet it is true that every building them up or pulling them down, 
 
 one of us, in the days of our youth, is The things we put into our pockets 
 
 building a world as certainly as he who may be as nothing, though they be 
 
 builds up stone on stone and crowns made of gold; but the things we put 
 
 them with towers and domes. We into our minds are all the world to us, 
 
 come into a world that is open to though they fall from the skies, or rise 
 
 receive us; for a few short years we from the valleys, or pour out upon us 
 
 liveinthe world as we find it; but soon, from the hills, and cost us nothing, 
 
 perhaps almost sooner than we know. We are what we think. We are as old 
 
 we are making our own world, carving as we feel, as rich or as poor as our 
 
 our own way, shaping our own imagination. We are as strong as our 
 
 thoughts, controlling our own des- faith or as weak as our fears. It is 
 
 tinies. these things that make up life for us: 
 
 We are like travelers sent out on a it is your mind that makes your world, 
 
 journey, set in a path well marked and and your mind is what you make it. 
 
 beaten down by the feet of friends who You have often heard people say, no 
 
 have gone before us. For a little way doubt, that if they could make their 
 
 the path is clear and narrow, and own world they would be perfectly 
 
 friends protect and guide us as we go: happy, and perhaps you have thought 
 
 we follow where they lead. But soon so too. Well, the boundaries of your 
 
 the way grows wide, and our friends kingdom are rising up around you, and 
 
 are scattered; and the paths lead here you are forming them. Even now, 
 
 and there, and cross and cross; and the while life is so pleasant and the years 
 
 signposts are so confusing, and in such bring no burden for you to carry, you 
 
 strange languages, that we only half are laying for yourself the foundations 
 
 perceive their meaning; and we wander of a world in which you will live, I 
 
 on and on, through unknown ways to hope, to a serene old age. Upon the 
 
 unknown lands. No longer is the thoughts you admit into your mind 
 
 path marked out for us; we make it as now, more than upon anything else, 
 
 we go, and we go whither we w411. will rest the fortunes of your future 
 
 Life is like that. We reach it years, and you can hand on to your 
 
 through a narrow, guarded way, which future no more precious inherit- 
 
 leads into infinite space. We come ance than a mind well filled, well 
 
 into it with minds like a garden not yet balanced, and well controlled, 
 
 planted — with soil half prepared, per- we must be brave enough to restrain 
 
 haps, so that it may have a tendency ouR feelings 
 
 towards flowers instead of weeds, or It is not easy to restrain the natural 
 
 towards weeds instead of flowers; but feelings of pity that come to us when 
 
 with the actual seeds unsown, so that we see or hear sad things, and it will be 
 
 we may make the garden almost what a sad day for the world when sorrow 
 
BOOK FOR PARENT AND TEACHER 
 
 217 
 
 and pain cease to stir our feelings. 
 But it would be worse for us all if, in 
 our pity, we shut our eyes and hearts 
 and minds to other feelings. We 
 must be strong enough to bear the 
 sight of pain for healing's sake, or 
 whore would doctors and nurses come 
 from? We must be stern enough to 
 punish wrong-doing, or what would 
 become of peaceful people? It is 
 right that we should regret the need 
 of causing pain, but it is wrong that 
 we should shun the painful duties that 
 we owe to ourselves and to others. 
 We must learn to look wisely upon all 
 sides of life, and not give way to the 
 feelings that belong to only one side 
 of things. 
 
 WHY WE MUST GIVE OUR REASON FULL 
 CONTROL OF OUR EMOTIONS 
 
 And so we see that we must give our 
 reason full control of our emotions. 
 We must think long, long thoughts, 
 and not only for the moment and the 
 hour. We must not let momentary 
 feelings, so lightly roused, govern the 
 acts of our lives. We must not let 
 one emotion seize hold of us, and 
 control us and dominate our lives 
 until it possesses us completely. We 
 must not let our love of dogs, for 
 example, blind us to the fact that some- 
 times, at the cost of a little pain to one 
 of these brave animals, we may save 
 the lives of children. We must not 
 let any emotion so utterly possess us 
 that we are carried away by it. 
 
 Without this balance, this careful 
 adjustment of the scales of reason and 
 emotion, our lives must lose much of 
 their happiness for ourselves and much 
 of their usefulness to others. 
 
 THE MISTAKE THAT WE MUST GUARD 
 AGAINST IN GIVING OUR SYMPATHIES 
 
 All through our lives we shall be 
 forming our opinions, fixing our atti- 
 tude to this or that great movement, 
 resolving which side we will take in a 
 hundred questions. From all sides 
 the appeal to our sympathy will come 
 and in the stress of life, in the midst of 
 all its clashing interests, it will not be 
 easy to decide. Often it will seem that 
 two ways are right, when only one can 
 be taken, and often the way that seems 
 right will mean pain to those we love, 
 or suffering to ourselves that we could 
 avoid by pursuing another way. And 
 sometimes it will seem as if to find 
 the truth is quite impossible. 
 
 THE STILL SMALL VOICE WITHIi^ THAT 
 WILL NEVER BETRAY US 
 
 When these things come we shall do 
 what seems to us right; we shall listen 
 to the still small voice within us 
 which never yet has led any one of us 
 astray. We shall remember, not 
 merely the things that crowd upon our 
 minds at the moment, but the way in 
 which the acts of our lives are wrought 
 into a chain that never ends, but 
 links the human race from age to age. 
 In all things we must consider the far- 
 off end, the ultimate purpose of Life. 
 
 You will have your share of the fears 
 and worries that come to us all, and 
 you will bear them bravely. But you 
 will be wise, and you will not suffer 
 your feelings to mislead you. You 
 will open your heart to sorrow, you 
 will open your mind to knowledge, and 
 you will live in a world of thought and 
 feeling which not all the armies of this 
 world could destroy. 
 
218 
 
 TEE HUMAN INTEREST LIBRARY 
 
 PRACTICAL ARITHMETIC AND CALCULATIONS 
 
 THE FUNDAMENTAL PROCESSES 
 
 Addition 
 
 Addition is a short way of uniting two or 
 more numbers into one number. 
 
 The numbers to be added are called Addends. 
 
 The result of adding is called the Sum. 
 
 The sign of addition (+) is the erect cross, 
 which is read "plus" or "and." 
 
 The sign of equality is = , or two short hori- 
 zontal lines placed one above the other. It is 
 read "equals." 
 
 Only numbers of the same kind can be added. 
 We can add 4 cows and 9 cows; the sum is 
 13 cows; but we cannot add 6 books and 4 
 slates, as the sum would be neither books nor 
 slates. 
 
 A number of some particular kind, as 5 balls, 
 6 horses, is called a Concrete Number. 
 
 A number used without reference to any par- 
 ticular thing, as 8, is an Abstract Number. 
 
 Any two or more abstract numbers can be 
 united into one sum because they do not refer 
 to any particular objects. 
 
 ORAL EXERCISES 
 
 Count by 2"s to 100; by 3's to 99; by 4's to 
 100; by 5's to 100; by 6's to 96; by 7's to 98; 
 by8'sto96; by 9's to 99. 
 
 Beginning with 1, count by 2's to 99. 
 
 Beginning with 1, count by 3"s to 100; be- 
 ginning with 1, count by 4's to 97; beginning 
 with 1 count by 5's, by 6's, by 7's, by 8's and 
 by 9's. 
 
 ADDITION DRILL 
 
 Note. — This table contains all of the primary 
 combinations in addition. It should be learned 
 for speed and reviewed frequently. Every 
 child should learn to be speedy with this table. 
 
 
 A 
 
 B 
 
 C 
 
 D 
 
 E 
 
 F 
 
 G 
 
 H 
 
 I 
 
 J 
 
 1. 
 
 1 
 
 1 
 
 2 
 
 1 
 
 3 
 
 3 
 
 4 
 
 4 
 
 3 
 
 1 
 
 
 1 
 
 2 
 
 2 
 
 3 
 
 2 
 
 3 
 
 1 
 
 2 
 
 4 
 
 5 
 
 2. 
 
 5 
 
 4 
 
 1 
 
 5 
 
 4 
 
 2 
 
 7 
 
 2 
 
 1 
 
 8 
 
 
 2 
 
 4 
 
 6 
 
 3 
 
 5 
 
 6 
 
 1 
 
 7 
 
 8 
 
 2 
 
 3. 
 
 3 
 
 5 
 
 9 
 
 7 
 
 4 
 
 2 
 
 4 
 
 5 
 
 6 
 
 7 
 
 
 6 
 
 5 
 
 1 
 
 3 
 
 
 
 9 
 
 8 
 
 7 
 
 5 
 
 4 
 
 4. 
 
 5 
 
 8 
 
 6 
 
 9 
 
 7 
 
 3 
 
 8 
 
 7 
 
 8 
 
 9 
 
 
 9 
 
 3 
 
 6 
 
 6 
 
 8 
 
 9 
 
 9 
 
 7 
 
 8 
 
 2 
 
 5. 
 
 5 
 
 9 
 
 8 
 
 6 
 
 6 
 
 8 
 
 7 
 
 9 
 
 9 
 
 8 
 
 
 8 
 
 9 
 
 
 
 9 
 
 7 
 
 5 
 
 9 
 
 4 
 
 6 
 
 7 
 
 up and down and to the right and to the left. 
 Use a watch to encourage speed. 
 
 Method or Rule for Addition. — In order to add 
 numbers conveniently, write the numbers so that 
 units shall be under units, tens under tens, hun- 
 dreds under hundreds, and so on. Add each 
 column separately, beginning at the right. If 
 the sum of any column is greater than 9, set down 
 only the right-hand figure of the sum and add the 
 other figure to the next column to the left. 
 
 
 
 EXERCISES 
 
 
 
 Add- 
 
 
 
 
 
 
 1. 
 
 2. 
 
 3. 
 
 4. 
 
 5. 
 
 6. 
 
 7832 
 
 9132 
 
 7911 
 
 4668 
 
 7848 
 
 2314 
 
 7386 
 
 8617 
 
 5687 
 
 4578 
 
 8337 
 
 8430 
 
 7510 
 
 2731 
 
 1234 
 
 7433 
 
 8664 
 
 9999 
 
 1832 
 
 3056 
 
 7638 
 
 6340 
 
 7931 
 
 6327 
 
 1647 
 
 7690 
 
 1967 
 
 3257 
 
 5419 
 
 6327 
 
 9975 
 
 9537 
 
 4350 
 
 1861 
 
 3228 
 
 6730 
 
 Use this table as a drill in every possible way. 
 
 Note. — The above problems should be used 
 to attain speed and accuracy. Make this a 
 game in which the pupils are contesting to win. 
 Have them start at a given signal. 
 
 ^VRITTEN PROBLEMS 
 
 1. A cottage was planned to cost $1000. 
 The foundation and brick work cost $428.80, 
 lumber $370.15, carpentering $264.87, painting 
 and plastering $253.25, hardware $38.90, tin- 
 work $13.78. What did the house actually 
 cost? 
 
 2. A farm which cost $6275 was equipped 
 as follows: House $1588.77, teams, $850, a driv- 
 ing horse $175, cattle $275, hogs $127, imple- 
 ments and tools $677. What is the total value of 
 the farm and its equipment.^ 
 
 3. A family of two persons spends for rent 
 $130, food, $210, clothing $80, fuel $30, light 
 $6, insurance $24, replenishing $10, carfare $5, 
 literature $5, charity $10, and saves $20. WTiat 
 is the income? 
 
 4. Find the cost of raising an acre of corn 
 if the rent is $3.03, fertilizer $1.86, plowing, etc., 
 $1.62, planting $1.42, cultivating $1.80, har- 
 vesting $3, and other expenses $1.76. 
 
 Subtraction is the process of finding the dif- 
 ference between two numbers. The larger of 
 the two numbers is called the Minuend. The 
 number which is subtracted is called the Sub- 
 trahend. 
 
 The result of the subtraction is the Difference 
 or Remainder. 
 
 SUBTRACTION DRILL 
 
 Note. — The teacher using a watch should 
 place a limit of so many seconds, say thirty, 
 and see who can go farthest with this table in 
 this time. Use every device you can to en- 
 courage this rapid work and do it every day 
 until the pupil is proficient. 
 
BOOK FOR PARENT AND TEACHER 
 
 219 
 
 Subtract — 
 
 8 
 
 6 
 
 7 
 
 8 
 
 7 
 
 5 
 
 6 
 
 7 
 
 9 
 
 8 
 
 5 
 
 2 
 
 3 
 
 6 
 
 2 
 
 2 
 
 4 
 
 4 
 
 7 
 
 3 
 
 6 
 
 7 
 
 8 
 
 9 
 
 6 
 
 9 
 
 8 
 
 9 
 
 9 
 
 9 
 
 3 
 
 5 
 
 4 
 
 2 
 
 2 
 
 4 
 
 2 
 
 3 
 
 5 
 
 6 
 
 10 
 
 11 
 
 10 
 
 12 
 
 11 
 
 10 
 
 12 
 
 10 
 
 11 
 
 12 
 
 7 
 
 3 
 
 8 
 
 5 
 
 4 
 
 6 
 
 6 
 
 5 
 
 7 
 
 9 
 
 13 
 
 11 
 
 13 
 
 12 
 
 13 
 
 14 
 
 11 
 
 12 
 
 11 
 
 12 
 
 4 
 
 5 
 
 7 
 
 8 
 
 9 
 
 9 
 
 6 
 
 7 
 
 9 
 
 4 
 
 14 
 
 15 
 
 16 
 
 11 
 
 15 
 
 13 
 
 14 
 
 12 
 
 13 
 
 11 
 
 8 
 
 9 
 
 8 
 
 8 
 
 6 
 
 6 
 
 7 
 
 3 
 
 5 
 
 2 
 
 13 
 
 15 
 
 14 
 
 16 
 
 16 
 
 14 
 
 15 
 
 18 
 
 17 
 
 17 
 
 8 
 
 7 
 
 6 
 
 9 
 
 7 
 
 5 
 
 8 
 
 9 
 
 9 
 
 8 
 
 MAKING CHANGE 
 
 In making change we add to the amount of 
 the sale enough money to equal the amount 
 given in payment. 
 
 Example. — A customer buys goods amount- 
 ing to $3.45 and gives a five-dollar bill in pay- 
 ment. Count out the change. 
 
 Amount of sale: Change: 
 
 $3.45 $0.05 
 
 .50 
 1.00 
 
 .55 Amount of change. 
 
 $1.55 
 
 $5.00 Amount given in payment. 
 
 Merchant says: "Three-forty-five, three- 
 fifty, four dollars, five dollars." 
 
 The merchant desiring to use the least num- 
 ber of pieces of money would hand the customer 
 his package, a nickel, a halfdollar, and a dollar, 
 and say, "three-forty-five, three-fifty, four, five 
 dollars." 
 
 The customer should always count his change 
 as the merchant makes it. 
 
 ORAL PROBLEMS IN MAKING CHANGE 
 
 
 Amount 
 
 Money 
 
 
 
 of Sale 
 
 Payment 
 
 Change 
 
 1. 
 
 S 0.30 
 
 a half dollar 
 
 how much? what pieces? 
 
 e. 
 
 .65 
 
 one dollar 
 
 how much? what pieces? 
 
 3 
 
 1.02 
 
 a dollar and a quarter how much? what pieces? 
 
 4. 
 
 1.35 
 
 two dollars 
 
 how much? what pieces? 
 
 6. 
 
 1.55 
 
 Cve-doliar bill 
 
 how much? what pieces? 
 
 6. 
 
 2.20 
 
 two two-dollar bills 
 
 how much? what pieces? 
 
 7. 
 
 3.65 
 
 a five-dollar bill 
 
 how much? what pieces? 
 
 8. 
 
 6.85 
 
 a ten-dollar bill 
 
 how much? what pieces? 
 
 9. 
 
 11.66 
 
 a twenty-dollar bill 
 
 how much? what pieces? 
 
 WRITTEN EXERCISES 
 
 1. From 896,192 subtract 425,327. 
 5 11 8 12 
 
 8 9 6 
 4 2 5 
 
 1 9 2 
 3 2 7 
 
 4 7 8 6 5 
 You cannot take 7 units from 2 units. Take 
 
 1 ten from 9 tens; this with the 2 units makes 
 12 units. This leaves 5 units. 
 
 Eight tens remain in the Minuend. Taking 
 
 2 from 8 leaves 6. 
 
 In a similar manner, taking 3 from 11 leaves 
 8. taking 5 from 5 leaves 0, taking 2 from 9 
 leaves 7 and taking 4 from 8 leaves 4. 
 
 2. From 6,000,600 subtract 172,316. 
 6 9 9 10 5 9 10 
 
 6 6 
 17 2 3 16 
 
 5 8 2 8 2 8 4 
 
 When the Minuend contains zeros think of 
 
 each zero as 9 except the right-hand one in each 
 
 group which is thought of as 10. Note that 1 
 
 of the 6 hundreds in the Minuend makes the 
 
 9 tens and the 10 imits. Also, 1 of the 5 mil- 
 lions makes the 9 hundreds, the 9 tens, and the 
 
 10 imits of the thousands 8 period. 
 
 CHECKING SUBTRACTION 
 
 The accuracy of the work is checked by add- 
 ing the Difference to the Subtrahend. The 
 sum of these two numbers should be the same 
 as the Minuend. 
 
 Subtract — 
 1. 2. 3. 4. 5. 6. 
 
 760 571 4705 
 369 296 2482 
 
 21,504 
 18,396 
 
 34,576 
 
 22,688 
 
 78,765 
 56,899 
 
 WRITTEN PROBLEMS 
 
 1. From London to Bombay by the Cape of 
 Good Hope is 11,220 miles; by way of the Suez 
 Canal it is 6332 miles. How many miles does 
 the Suez Canal save in going by water from 
 London to Bombay.'' 
 
 2. The distance from New York to San 
 Francisco by way of Cape Horn is 13,135 miles; 
 by way of Panama it is 5262 miles. Find the 
 distance saved by the Panama Canal. 
 
 3. From New York to Melbourne by way 
 of Cape Horn is 12,852 miles; by way of Panama 
 Canal it is 10,392 miles. How much does the 
 Panama Canal save between New York and 
 Melbourne.'' 
 
 Multiplication 
 
 short way of adding a 
 Thus: 4X3 = 12, is the 
 
 3 plus 3 plus 3 plus 3 
 equals 12; and 7X4 = 28, is the short way of 
 writing 4 plus 4 plus 4 plus 4 plus 4 plus 4 plus 4 
 equals 28. 
 
 Multiplication is a 
 set of equal numbers, 
 short way of writing 
 
220 
 
 THE HUMAN INTEREST LIBRARY 
 
 The number to be multiplied is called the 
 Multiplicand; the number by which we multi- 
 ply is called the Multiplier; and the result of 
 
 the process is called the Product. The Multi- 
 plier and Multiplicand are also sometimes called 
 the Factors of the Product. 
 
 THE MULTIPLICATION TABLE 
 
 Note. — It is absolutely necessary for every pupil to know this table thoroughly in order to 
 make any progress at all in Arithmetic. Use the watch in timing each pupil. A pupil should 
 be able to give any one table forward and backward in from thirty to forty seconds. No 
 child who cannot do this should be allowed to think that he has mastered this table: 
 
 CHART I 
 
 Have children count by I's; 2's; 4's and 3"s. 
 
 Teach that multiplication is a short method of adding. 
 
 ♦ Signifies new numbers found in other tables of Charts I and II. 
 
 + Signifies old numbers having been studied in other tables of Charts I and II. 
 
 Let the children discover in the new table how manv niunbers they have studied in other tables. 
 
 
 1 X 
 
 1^ 
 
 
 
 1 
 
 ♦ 
 
 2 X 
 
 1 = 
 
 
 
 2 
 
 ♦ 
 
 3 X 
 
 1 = 
 
 
 
 3 
 
 « 
 
 4 X 
 
 1 = 
 
 
 
 4 
 
 ♦ 
 
 5 X 
 
 1 = 
 
 
 
 5 
 
 
 6 X 
 
 \ = 
 
 
 
 6 
 
 
 7 X 
 
 1 = 
 
 
 
 7 
 
 
 8x 
 
 \ = 
 
 
 
 8 
 
 ♦ 
 
 9 X 
 
 \ = 
 
 
 
 9 
 
 ♦ 
 
 10 X 
 
 1 = 
 
 
 1 
 
 
 
 ♦ 
 
 11 X 
 
 \ = 
 
 
 1 
 
 1 
 
 
 12 X 
 
 i = 
 
 
 1 
 
 2 
 
 ♦ 
 
 ♦ 
 ♦ 
 
 1 
 
 2 
 3 
 4 
 5 
 
 6x2 = 
 
 7 
 
 8 
 
 9x2 = 
 10 
 11 
 12 x 
 
 X 
 X 
 X 
 X 
 X 
 
 X 
 X 
 
 X 
 X 
 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 2 
 
 1 
 1 
 1 
 1 
 1 
 2 
 2 
 2 
 
 2 
 
 4 
 6 
 8 
 
 2 
 4 
 6 
 8 
 
 2 
 4 
 
 + 
 + 
 
 
 1 
 2 
 3 
 4 
 5 
 
 6 
 7 
 8x 
 9x 
 
 10 X 
 
 11 X 
 
 12 X 
 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 4 
 
 1 
 1 
 2 
 2 
 2 
 3 
 3 
 4 
 4 
 4 
 
 4 
 8 
 2 
 6 
 
 4 
 8 
 2 
 6 
 
 4 
 8 
 
 + 
 + 
 
 + 
 
 ♦ 
 
 ♦ 
 
 1 
 2 
 3 
 4 
 5 
 
 6 X 
 
 7 X 
 8x 
 9x 
 
 10 x 
 
 11 X 
 
 12 X 
 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 3 
 
 1 
 1 
 1 
 2 
 2 
 2 
 3 
 3 
 3 
 
 3 
 
 6 
 9 
 2 
 5 
 8 
 1 
 4 
 7 
 
 3 
 6 
 
BOOK FOR PARENT AND TEACHER 
 
 221 
 
 CHART A 
 
 Drill the I's, 2's, 4's, and 3's separately as a closing review for each of the tables studied. 
 
 Develop the fact of the reversibility of numbers as 1X2=, 2X1=, etc., except the square 
 of numbers aslXl=>2X2=, etc. Develop or omit drills as circumstances require. 
 
 Study the 5's and 6"s with Chart II. 
 
 The numbers in black on this chart and on Chart C indicate the numbers in the 6's; 7's, 8's and 
 12's not studied in the other eight tables. 
 
 These numbers are tabulated for study on Chart II. If the numbers are properly reviewed in 
 couplets, the children will show an intelligent appreciation of the fact that they have only ten 
 combinations to study in these four tables. 
 
 1 X 
 
 1 = 
 
 2 X 
 
 1 = 
 
 3x1 = 
 
 4x 1 = 
 
 5x 1 = 
 
 1 
 
 6x1 = 
 
 1 X 
 
 2 = 
 
 1 X 
 
 2 = 
 
 1 X 3 = 
 
 1 X 4 = 
 
 1 X 5 = 
 
 1 X 6 = 
 
 2x 
 
 1 = 
 
 2 X 
 
 2 = 
 
 3x2 = 
 
 4x2 = 
 
 5x2 = 
 
 6x2 = 
 
 1 X 
 
 3 = 
 
 2x 
 
 3 = 
 
 2x3 = 
 
 2x4 = 
 
 2x5 = 
 
 2x 6 = 
 
 3x 
 
 1- 
 
 3x 
 
 2 = 
 
 3x 3 = 
 
 4x3 = 
 
 5x3 = 
 
 6x 3 = 
 
 1 X 
 
 4- 
 
 2x 
 
 4 = 
 
 3x4 = 
 
 3 X 4 = 
 
 3x5 = 
 
 3x6 = 
 
 4x 
 
 1 = 
 
 4x 
 
 2 = 
 
 4x3 = 
 
 4x4 = 
 
 5x4 = 
 
 6x4 = 
 
 1 X 
 
 5=^ 
 
 2 X 
 
 5 = 
 
 3x5 = 
 
 4x5 = 
 
 4x5 = 
 
 4x 6 = 
 
 5x 
 
 1 = 
 
 5x 
 
 2 = 
 
 5x3 = 
 
 5x4 = 
 
 5x5 = 
 
 6x5 = 
 
 1 X 
 
 6 = 
 
 2 X 
 
 6 = 
 
 3x6 = 
 
 4x6 = 
 
 5x6 = 
 
 5x6 = 
 
 6x 
 
 1 = 
 
 6x 
 
 2 = 
 
 6x 3 = 
 
 6x4 = 
 
 6x 5 = 
 
 6x 6 = 
 
 1 X 
 
 7 = 
 
 2x 
 
 7 = 
 
 3x 7 = 
 
 4x7 = 
 
 5x 7 = 
 
 6x 7 = 
 
 7x 
 
 1- 
 
 7 X 
 
 2 = 
 
 7x3 = 
 
 7x4 = 
 
 7x5 = 
 
 7x6 = 
 
 1 X 
 
 8 = 
 
 2x 
 
 8 = 
 
 3x8 = 
 
 4x8 = 
 
 5x8 = 
 
 6x 8- 
 
 8x 
 
 1 = 
 
 8x 
 
 2 = 
 
 8x 3 = 
 
 8x 4 = 
 
 8x 5 = 
 
 8x 6 = 
 
 1 X 
 
 9 = 
 
 2 X 
 
 9- 
 
 3x9 = 
 
 4x 9 = 
 
 5x 9 = 
 
 6x9 = 
 
 9x 
 
 1- 
 
 9x 
 
 2 = 
 
 9x3 = 
 
 9x4 = 
 
 9x5 = 
 
 9x6 = 
 
 1 X 
 
 10 = 
 
 2 xiO = 
 
 3 xlO = 
 
 4x10 = 
 
 5x10 = 
 
 6x10 = 
 
 10 X 
 
 1 = 
 
 10 X 
 
 2 = 
 
 10 X 3 = 
 
 10 X 4 = 
 
 10 X 5 = 
 
 10 X 6 = 
 
 1 X 
 
 11 = 
 
 2 X 
 
 11 = 
 
 3 xll = 
 
 4x11 = 
 
 5 xll = 
 
 6 xll = 
 
 11 X 
 
 1 = 
 
 11 X 
 
 2 = 
 
 1 1 X 3 = 
 
 11 X 4 = 
 
 11 X 5 = 
 
 11 X 6 = 
 
 1 X 
 
 12 = 
 
 2x 
 
 12 = 
 
 3 xl2 = 
 
 4x12 = 
 
 5x12 = 
 
 6x12 = 
 
 12 X 
 
 1 = 
 
 12 X 
 
 2 = 
 
 12 X 3 = 
 
 12 X 4 = 
 
 12x 5 = 
 
 12 X 6 = 
 
222 
 
 THE HUMAN IXTEREST LIBRARY 
 
 CHART B 
 
 DRILLS FOR BLACKBOARD OR PAPER 
 
 Suggestions for blackboard or speed drills to be used at the discretion of the teacher, 
 may be developed throughout all the tables 
 pendently and instantaneously. 
 
 This 
 The children should know each combination inde- 
 
 
 
 X 1 
 
 -4- 1 
 
 5 
 
 
 
 11 
 
 o 
 
 
 
 4 
 
 8 
 
 
 - 
 
 7 
 
 11 
 
 
 
 10 
 
 4 
 
 
 
 1 
 
 12 
 
 
 
 6 
 
 7 
 
 
 
 9 
 
 1 
 
 
 
 2 
 
 9 
 
 
 
 5 
 
 6 
 
 
 
 8 
 
 2 
 
 
 
 12 
 
 10 
 
 
 
 3 
 
 X 2 
 
 ^2 
 
 
 
 
 22 
 
 12 
 
 
 
 10 
 
 3 
 
 
 
 18 
 
 o 
 
 
 
 4 
 
 9 
 
 
 
 12 
 
 1 
 
 
 
 20 
 
 8 
 
 
 
 8 
 
 6 
 
 
 
 24 
 
 10 
 
 
 
 16 
 
 4 
 
 
 
 2 
 
 11 
 
 
 
 6 
 
 2 
 
 
 
 14 
 
 X 4 
 
 : 4 
 
 12 
 
 
 
 40 
 
 9 
 
 
 
 8 
 
 1 
 
 
 
 12 
 
 6 
 
 
 
 32 
 
 10 
 
 
 
 20 
 
 7 
 
 
 
 4 
 
 3 
 
 
 
 44 
 
 11 
 
 
 
 36 
 
 8 
 
 
 
 28 
 
 2 
 
 
 
 16 
 
 5 
 
 
 
 24 
 
 4 
 
 
 1 
 
 48 
 
 X 3 
 
 -i-3 
 
 9 
 
 
 
 24 
 
 1 
 
 
 
 3 
 
 6 
 
 
 
 9 
 
 10 
 
 
 
 18 
 
 8 
 
 
 
 30 
 
 5 
 
 
 
 12 
 
 11 
 
 
 
 6 
 
 7 
 
 
 
 36 
 
 2 
 
 
 
 15 
 
 12 
 
 
 
 27 
 
 4 
 
 
 
 21 
 
 3 
 
 
 
 33 
 
 CHART II 
 
 Thoroughly develop the idea of units, tens and hundreds columns. Again master each table 
 separately and review as suggested by drill charts before beginning a new table. 
 
 1st. Suggest that the 10 is made of a cipher in its units number and a 1 in its tens number. 
 Also that the units number in the answer is a cipher; and that the lO's or lO's and lOO's numbers 
 are the same as the numbers we multiply by 10. 
 
 Teach that multiplying by 10 is the same as multiplying by 1 and adding an to the units 
 column. 
 
BOOK FOR PARENT AND TEACHER 
 
 223 
 
 This idea may be developed into rapid drills of multiplying by lO's; lOO's; lOOO's; etc., by 
 adding 0"s. 
 
 The 2's, 4's, and 3's can be reviewed by multiplying by 20, 40, and 30; or by 200, 400, and 300, 
 etc., by adding O's. 
 
 2nd. Note that the 11 is composed of 2 ones; and that in the answer, both the units and tens 
 columns contain the same numbers, as 11, 22, etc. The black line separates numbers not belonging 
 to the rule (10 X H) = (H X 10); , .*. only two combinations remain to be studied. 
 
 + 
 
 1 xlO = 
 
 
 1 
 
 
 
 + 
 
 2 xlO- 
 
 
 2 
 
 
 
 + 
 
 3x10 = 
 
 
 3 
 
 
 
 + 
 
 4 xlO = 
 
 
 4 
 
 
 
 ♦ 
 
 5x10 = 
 
 
 5 
 
 
 
 
 6 xlO = 
 
 
 6 
 
 
 
 
 7x10 = 
 
 
 7 
 
 
 
 
 8x10 = 
 
 
 8 
 
 
 
 ♦ 
 
 9 xlO = 
 
 
 9 
 
 
 
 
 10 xlO = 
 
 1 
 
 
 
 
 
 ♦ 
 
 11 xlO = 
 
 I 
 
 1 
 
 
 
 
 12 xlO = 
 
 1 
 
 2 
 
 
 
 + 
 + 
 + 
 + 
 
 ♦ 
 
 ♦ 
 + 
 
 1 
 
 2 
 3 
 4 
 5 
 
 xl 
 xl 
 xl 
 xl 
 xl 
 6 xl 
 7x1 
 8x1 
 9 xl 
 
 10 xl 
 
 11 xl 
 
 12 xl 
 
 1 
 1 
 1 
 
 1 
 2 
 3 
 
 4 
 5 
 
 6 
 
 7 
 8 
 9 
 
 1 
 2 
 
 3 
 
 1 
 2 
 3 
 4 
 5 
 6 
 7 
 8 
 9 
 
 
 1 
 2 
 
 + 
 + 
 
 + 
 
 + 
 
 ♦ 
 + 
 
 2 X 
 4 X 
 6 X 
 8 X 
 10 X 
 12 X 
 
 1 X 
 3 X 
 5x 
 7x 
 9 X 
 11 X 
 
 5 
 5 
 5 
 5 
 5 
 5 
 
 5 
 5 
 5 
 5 
 5 
 5 
 
 1 
 2 
 3 
 4 
 5 
 _6 
 
 1 
 2 
 3 
 4 
 5 
 
 
 
 
 
 
 _0 
 5 
 5 
 5 
 5 
 5 
 5 
 
 + 
 
 1x9 = 
 
 
 
 9 
 
 + 
 
 2x9 = 
 
 
 1 
 
 8 
 
 + 
 
 3x9 = 
 
 
 2 
 
 7 
 
 + 
 
 4x9 = 
 
 
 3 
 
 6 
 
 + 
 
 5x9 = 
 
 
 4 
 
 5 
 
 
 6x9 = 
 
 
 5 
 
 4 
 
 
 7x9 = 
 
 
 6 
 
 3 
 
 
 8x9 = 
 
 
 7 
 
 9 
 
 
 9x9 = 
 
 
 8 
 
 1 
 
 + 
 + 
 
 10 X 9 = 
 
 
 9 
 
 
 
 11 X 9 = 
 
 
 9 
 
 9 
 
 
 12 X 9 = 
 
 1 
 
 
 
 8 
 
 6 X 
 
 7 X 
 8x 
 
 12 X 
 7x 
 
 6 
 6 
 6 
 6 
 
 7 
 
 3 
 4 
 4 
 
 7 
 4 
 
 6 
 2 
 8 
 2 
 9 
 
 8x7 
 12 X 7 
 
 8x8 
 12 X 8 
 12 xl2 
 
 5 
 8 
 6 
 9 
 4 
 
 6 
 4 
 4 
 6 
 4 
 
22k 
 
 TEE HUMAN INTEREST LIBRARY 
 
 Keep the facts observed in mind during drills. 
 
 3d. First multiply 5 by even numbers, then by odd numbers. Note that 5 is one-half of 10 
 and that the answers are just one-half as much as if multiplied by 10. 
 
 Note that even numbers multiplied by 5 have in their unit column; but (2X5) = only one- 
 half (2 X 10), etc. Odd numbers multiplied by 5 have 5 in their units column. Drill on (3X5) = 
 ;1 X 10 + 5); (5 X 5) = (2 X 10 + 5); etc. 
 
 4th. Let the children suggest the simple points they see in the 9's. Have them observe 9 
 IS one less than 10; and their answer in the lO's column is one less than the number they have 
 •multiplied by 9. 
 
 The sum of the ten's and units columns is 9. The black line denotes the exceptions. (11X9) 
 = (9 X 11); ."• there is only one combination to study. Drill and review. 
 
 5th. For the 10 numbers of the 6's, 7's, S's and 12's tables, follow previous directions. 
 
 1 
 
 7 X 
 
 1 = 
 
 8x1 = 
 
 9x1 = 
 
 10 X 1 = 
 
 11 X 1 = 
 
 12 X 1 = 
 
 1 X 
 
 7 = 
 
 1 X 8 = 
 
 1 X 9 = 
 
 1 xl0 = 
 
 1 xll = 
 
 1 xl2 = 
 
 7 X 
 
 2 = 
 
 8x2 = 
 
 9x2 = 
 
 10 X 2 = 
 
 11 X 2 = 
 
 12 X 2 = 
 
 2 X 
 
 7 = 
 
 2x8 = 
 
 2x9 = 
 
 2x10 = 
 
 2 xll = 
 
 2 xl2 = 
 
 7x 
 
 3 = 
 
 8x3 = 
 
 9x3 = 
 
 lOx 3 = 
 
 11 X 3 = 
 
 12 X 3 = 
 
 3 X 
 
 7 = 
 
 3x8 = 
 
 3x9 = 
 
 3x10 = 
 
 3 xll = 
 
 3 xl2 = 
 
 7 X 
 
 4 = 
 
 8x4 = 
 
 9x 4 = 
 
 10 X 4 = 
 
 11 X 4 = 
 
 12x 4- 
 
 4 X 
 
 7 = 
 
 4x8 = 
 
 4x9 = 
 
 4x10 = 
 
 4 xll = 
 
 4 xl2 = 
 
 7 X 
 
 5 = 
 
 8x5 = 
 
 9x5 = 
 
 lOx 5 = 
 
 11 X 5 = 
 
 12 X 5 = 
 
 5 X 
 
 7 = 
 
 5x8 = 
 
 5x9 = 
 
 5 xlO = 
 
 5 xll = 
 
 5 xl2 = 
 
 7 X 
 
 6 = 
 
 8x6 = 
 
 9x6 = 
 
 10 X 6 = 
 
 11 X 6 = 
 
 12 X 6 = 
 
 6 X 
 
 7 = 
 
 6x8 = 
 
 6x9 = 
 
 6x10 = 
 
 6 xll = 
 
 6 xl2 = 
 
 7y 
 
 7 = 
 
 8x7 = 
 
 9x7 = 
 
 lOx 7 = 
 
 11 X 7 = 
 
 12 X 7 = 
 
 7x 
 
 8 = 
 
 7x8 = 
 
 7x9 = 
 
 7 xlO = 
 
 7 xll = 
 
 7 xl2 = 
 
 8x 
 
 7 = 
 
 8x 8 = 
 
 9x8 = 
 
 10 X 8 = 
 
 11 X 8 = 
 
 12 X 8 = 
 
 7 X 
 
 9 = 
 
 8x9 = 
 
 8x9 = 
 
 8 xlO = 
 
 8 xll = 
 
 8 xl2 = 
 
 9 X 
 
 p^ 
 
 i "= 
 
 9x8 = 
 
 9x9 = 
 
 10 X 9 = 
 
 11 X 9 = 
 
 12 X 9 = 
 
 7 X 
 
 10 = 
 
 8 xlO = 
 
 9 xlO = 
 
 9 xlO=' 
 
 9 xll = 
 
 9 xl2 = 
 
 10 X 
 
 7 = 
 
 10 X 8 = 
 
 10 X 9 = 
 
 10 xlO = 
 
 11 xlO = 
 
 12 xlO = 
 
 7 X 
 
 11 = 
 
 8 xll = 
 
 9 xll = 
 
 10 xll = 
 
 10 xll = 
 
 10x12 = 
 
 11 X 
 
 7 = 
 
 1 1 x 8 = 
 
 11 X 9 = 
 
 11 xlO = 
 
 11 xll = 
 
 12 xll = 
 
 7x 
 
 12 = 
 
 8x12 = 
 
 9 xl2 = 
 
 10 xl2 = 
 
 11 xl2 = 
 
 11 xl2 = 
 
 12 X 
 
 7 = 
 
 12 X 8 = 
 
 12 X 9 = 
 
 12 xlO = 
 
 12 xll = 
 
 12x12 = 
 
 CHART C 
 
 Follow previous directions. This chart may also be combined with Chart A; and studied 
 across the pages instead of down the columns. 
 
 Blackboard drills as suggested by Chart B may be continued effectively. 
 
BOOK FOR PARENT AND TEACHER 
 
 225 
 
 CHART III 
 
 This review chart is so arranged, that all the answers are in order according to size from 1 to 
 14-1. Also all combinations having the same answers are classed together. It is useful for busy 
 work, or rapid drills. 
 
 1x1- 
 
 1 xl2 = 
 
 4x6 = 
 
 11 X 4 - 
 
 6 xl2 = 
 
 1x2 = 
 
 12x 1 = 
 
 6x4- 
 
 5x9- 
 
 12 X 6 = 
 
 2x 1 = 
 
 2x6- 
 
 5x5 = 
 
 9x5 = 
 
 7 xll - 
 
 1x3 = 
 
 6x2- 
 
 3x9- 
 
 4x12 = 
 
 11 X 7 = 
 
 3x 1 = 
 
 3x4- 
 
 9x3- 
 
 12x 4 = 
 
 8x10 = 
 
 1x4 = 
 
 4x3 = 
 
 4x7- 
 
 6x8 = 
 
 10 X 8 = 
 
 4x 1 = 
 
 2x7 = 
 
 7x4- 
 
 8x6 = 
 
 9x9- 
 
 2x2 = 
 
 7x2- 
 
 3x10 = 
 
 7x7 = 
 
 7 xl2 = 
 
 1x5 = 
 
 3x5- 
 
 lOx 3 - 
 
 5x10 = 
 
 12x 7 = 
 
 5x 1 = 
 
 5x3 = 
 
 5x Q> = 
 
 10 X 5 = 
 
 8x11 = 
 
 1x6 = 
 
 2x8 = 
 
 6x5 = 
 
 6x9 = 
 
 11x8 = 
 
 6x1 = 
 
 8x2- 
 
 4x8 = 
 
 9x6 = 
 
 9 xlO - 
 
 2x 3 - 
 
 4x4 = 
 
 8x4 = 
 
 5 xll - 
 
 lOx 9 - 
 
 3x2 = 
 
 2x9 = 
 
 3 xll = 
 
 11x5 = 
 
 8x12 = 
 
 1x7- 
 
 9x2 = 
 
 11x3- 
 
 7x8 = 
 
 12 X 8 = 
 
 7x1 = 
 
 3x6 = 
 
 5x7 = 
 
 8x7 = 
 
 9 xll = 
 
 1x8 = 
 
 6x3 = 
 
 7x5 = 
 
 6x10 = 
 
 11x9 = 
 
 8x1 = 
 
 2 xlO - 
 
 3 xl2 = 
 
 lOx 6 = 
 
 10 xlO = 
 
 2x4 = 
 
 lOx 2 = 
 
 i2x 3 - 
 
 5 xl2 = 
 
 9 xl2 = 
 
 4x2 = 
 
 4x5 = 
 
 4x9 = 
 
 12x 5 = 
 
 12x 9 = 
 
 1x9- 
 
 5x4 = 
 
 9x4 = 
 
 7x9 = 
 
 10x11 = 
 
 9x1 = 
 
 3x7 = 
 
 6x6 = 
 
 9x7 = 
 
 11 XlO = 
 
 3x3 = 
 
 7x3 = 
 
 4x10 = 
 
 8x8 = 
 
 10x12 = 
 
 1 xlO = 
 
 2x11 = 
 
 10 X 4 = 
 
 6x11 = 
 
 12 xlO = 
 
 10 x 1 = 
 
 11 X 2 ^ 
 
 5x8- 
 
 11x6 = 
 
 11 xll = 
 
 2x5 = 
 
 2x12 = 
 
 8x5 = 
 
 7x10 = 
 
 11 xl2 = 
 
 5x2 = 
 
 12 X 2 = 
 
 6x7 = 
 
 lOx 7 = 
 
 12 xll = 
 
 1 xll - 
 
 3x8 = 
 
 7x6 = 
 
 8x9 = 
 
 12x12 = 
 
 11 X 1 = 
 
 8x3 = 
 
 4x11 - 
 
 9x8 = 
 
 
226 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHART IV 
 
 The six tables containing the most difficult numbers are arranged vertically instead of hori- 
 zontally, so that the child may become accustomed to the difference in the position of numbers. 
 
 i 
 i 
 
 3 
 
 1 
 
 3 
 
 2 
 
 3 
 
 3 
 
 4 
 
 3 
 
 5 
 
 3 
 
 6 
 
 1 
 
 ,, 1 
 
 xl 
 
 3 
 
 2 
 
 3 
 
 3 
 
 4 
 
 3 
 
 5 
 
 3 
 
 6 
 
 3 
 
 3 
 
 7 
 
 3 
 
 8 
 
 3 
 
 9 
 
 3 
 
 10 
 
 3 
 
 11 
 
 3 
 
 12 
 
 7 
 
 3 
 
 8 
 
 3 
 
 9 
 
 3 
 
 10 
 
 3 
 
 11 
 
 3 
 
 12 
 
 3 
 
 
 4 
 
 1 
 
 4 
 
 2 
 
 4 
 
 3 
 
 4 
 
 4 
 
 5 
 
 4 
 
 6 
 
 
 1 
 
 4 
 
 2 
 
 4 
 
 3 
 
 4 
 
 4 
 
 5 
 
 4 
 
 6 
 
 4 
 
 4 
 
 7 
 
 4 
 
 8 
 
 4 
 
 9 
 
 4 
 
 10 
 
 4 
 
 11 
 
 4 
 
 12 
 
 7 
 
 4 
 
 8 
 
 4 
 
 9 
 
 4 
 
 10 
 
 4 
 
 11 
 
 4 
 
 12 
 
 4 
 
 
 6 
 
 1 
 
 6 
 
 2 
 
 6 
 
 3 
 
 6 
 
 4 
 
 6 
 
 5 
 
 6 
 
 
 1 
 
 6 
 
 2 
 
 6 
 
 3 
 
 6 
 
 4 
 
 6 
 
 5 
 
 6 
 
 6 
 
 6 
 
 7 
 
 6 
 
 8 
 
 6 
 
 9 
 
 6 
 
 10 
 
 6 
 
 11 
 
 6 
 
 12 
 
 7 
 
 6 
 
 8 
 
 6 
 
 9 
 
 6 
 
 10 
 
 6 
 
 11 
 
 6 
 
 12 
 
 6 
 
 
 7 
 
 1 
 
 7 
 
 2 
 
 7 
 
 3 
 
 7 
 
 4 
 
 7 
 
 5 
 
 7 
 
 
 1 
 
 7 
 
 2 
 
 7 
 
 3 
 
 7 
 
 4 
 
 7 
 
 5 
 
 7 
 
 6 
 
 6 
 
 7 
 
 7 
 
 8 
 
 7 
 
 9 
 
 7 
 
 10 
 
 7 
 
 11 
 
 7 
 
 12 
 
 7 
 
 7 
 
 8. 
 
 7 
 
 9 
 
 7 
 
 10 
 
 7 
 
 11 
 
 7 
 
 12 
 
 7 
 
 
 8 
 
 1 
 
 8 
 
 2 
 
 8 
 
 3 
 
 8 
 
 4 
 
 8 
 
 5 
 
 8 
 
 
 1 
 
 8 
 
 2 
 
 8 
 
 3 
 
 8 
 
 4 
 
 8 
 
 5 
 
 8 
 
 6 
 
 6 
 
 8 
 
 7 
 
 8 
 
 8 
 
 9 
 
 8 
 
 10 
 
 8 
 
 11 
 
 8 
 
 12 
 
 8 
 
 7 
 
 8 
 
 8 
 
 9 
 
 8 
 
 10 
 
 8 
 
 11 
 
 8 
 
 12 
 
 8 
 
 
 12 
 
 1 
 
 12 
 
 2 
 
 12 
 
 3 
 
 12 
 
 4 
 
 12 
 
 5 
 
 12 
 
 
 1 
 
 12 
 
 2 
 
 12 
 
 3 
 
 12 
 
 4 
 
 12 
 
 5 
 
 12 
 
 6 
 
 6 
 
 12 
 
 7 
 
 12 
 
 8 
 
 12 
 
 9 
 
 12 
 
 10 
 
 12 
 
 11 
 
 12 
 
 12 
 
 7 
 
 12 
 
 8 
 
 12 
 
 9 
 
 12 
 
 10 
 
 12 
 
 11 
 
 12 
 
 12 
 
BOOK FOR PARENT AND TEACHER 
 
 227 
 
 CHART D 
 
 It is suggested that as the children study the tables and review, they should be required to count 
 by the number by which they have learned to multiply, and that in final review, they should be 
 able to write them as suggested here, and cross out all the numbers that occur more than once. 
 
 This could be used for busy work drills; or, the teacher could select products, and require the 
 children to give all the combinations that make them. It is also interesting to add some number to 
 the product, as 37 instead of 36. The children will then give 
 
 4X9) 12 X 3) 
 
 (6X6 + 1); V +1; t + 1. 
 
 9X4) 3 X 12 ) 
 
 1 
 
 1 
 
 -^ 
 
 -^ 
 
 -4 
 
 -1& 
 
 -6 
 
 -^ 
 
 -8 
 
 -^ 
 
 ie 
 
 H: 
 
 ^ 
 
 2 
 
 -Ar 
 
 -% 
 
 -% 
 
 1^ 
 
 ^ 
 
 14 
 
 t6 
 
 m 
 
 2e 
 
 2& 
 
 24 
 
 3 
 
 -6- 
 
 -9- 
 
 ¥^ 
 
 ^ 
 
 ^ 
 
 Bi- 
 
 24 
 
 ^ 
 
 30 
 
 3^ 
 
 30- 
 
 4 
 
 -8- 
 
 ^ 
 
 y^ 
 
 3^ 
 
 34 
 
 as- 
 
 3^ 
 
 36- 
 
 40- 
 
 44 
 
 48- 
 
 5 
 
 le- 
 
 15 
 
 20- 
 
 25 
 
 30- 
 
 3^ 
 
 40- 
 
 45- 
 
 50- 
 
 55- 
 
 60- 
 
 6 
 
 ^3- 
 
 1^ 
 
 24 
 
 30- 
 
 36- 
 
 43- 
 
 48- 
 
 54 
 
 60 
 
 66- 
 
 72- 
 
 7 
 
 14 
 
 21 
 
 28 
 
 35 
 
 42 
 
 49 
 
 56- 
 
 63- 
 
 70 
 
 •n 
 
 84 
 
 8 
 
 16 
 
 24 
 
 32 
 
 40- 
 
 48- 
 
 56 
 
 64 
 
 7^ 
 
 80 
 
 88- 
 
 96- 
 
 9 
 
 18 
 
 27 
 
 36- 
 
 45 
 
 54 
 
 63 
 
 7% 
 
 81 
 
 90 
 
 90 
 
 i08- 
 
 10 
 
 20 
 
 30 
 
 40 
 
 50 
 
 60- 
 
 70 
 
 80 
 
 90 
 
 100 
 
 H^ 
 
 120- 
 
 11 
 
 22 
 
 33 
 
 44 
 
 bb 
 
 66 
 
 77 
 
 88 
 
 99 
 
 110 
 
 121 
 
 1^ 
 
 12 
 
 24 
 
 36 
 
 48 
 
 60 
 
 72 
 
 84 
 
 96 
 
 108 
 
 120 
 
 132 
 
 144 
 
 rs 
 
 lO's 
 
 20's 
 
 30's 
 
 40's 
 
 50's 
 
 608 
 
 70's 
 
 80's 
 
 90's 
 
 lOO's 
 
 1 
 
 10 
 
 20 
 
 30 
 
 40 
 
 50 
 
 60 
 
 70 
 
 80 
 
 90 
 
 100 
 
 2 
 
 11 
 
 21 
 
 32 
 
 42 
 
 54 
 
 63 
 
 72 
 
 81 
 
 96 
 
 108 
 
 3 
 
 12 
 
 22 
 
 33 
 
 44 
 
 55 
 
 64 
 
 77 
 
 84 
 
 99 
 
 110 
 
 4 
 
 14 
 
 24 
 
 35 
 
 45 
 
 56 
 
 66 
 
 
 88 
 
 
 120 
 
 5 
 
 15 
 
 25 
 
 36 
 
 48 
 
 
 
 
 
 
 121 
 
 6 
 
 16 
 
 27 
 
 
 49 
 
 
 
 
 
 
 132 
 
 7 
 
 18 
 
 28 
 
 
 
 
 
 
 
 
 144 
 
 8 
 
 
 
 
 
 
 
 
 
 
 
 9 
 
 
 
 
 
 
 
 
 
 
 
228 
 
 THE HUMAN INTEREST LIBRARY 
 
 METHOD OF MULTIPLICATION 
 
 1, Multiply 46 by 10. 
 
 Adding a zero to the right of 46 changes the 
 Q to 60 and the 40 to 400; hence it multiplies 
 the number by 10. 
 
 2. Multiply 426 by 300. 
 
 Long Method: Short Method: 
 
 426 426 
 
 300 300 
 
 000 127800 
 
 000 
 1278 
 
 127800 
 
 S. How many O's would you annex to the 
 right of your product if yoiu" multiplier were 
 20? 200.> 80? 1000? 4*0,000? 
 
 Tell the products of the following at sight. 
 
 4. 10X800 9. 20X32 
 
 5. 10X775 10. 70X50 
 
 6. 10X185 11. 100X20 
 
 7. 10X128 12. 400X50 
 
 8. 10X381 13. lOOOX 7 
 
 14. Multiply 8207 by 345. 
 
 15. Multiply 8217 by 305. 
 
 Multiplicand 8207 
 
 Multiplier 345 
 
 First Partial Product 41035 
 
 Second Partial Product 32828 
 
 Third Partial Product 14621 
 
 Entire Product 2832415 
 
 15. Multiply 8217 by 305. 
 
 Multiplicand 8217 
 
 Multiplier 305 
 
 First Partial Product 41085 
 
 Second Partial Product 24651 
 
 Entire Product 2506185 
 
 PROBLEMS 
 
 1. A grocer has two grades of butter, one 
 of which sells for 40 cents a pound and the other 
 for 32 cents a pound. How much will a family 
 save in a year (52 weeks) by using the cheaper 
 grade if they use three pounds a week? 
 
 2. When round steak is 22 cents a pound, 
 and sirloin is 27 cents a pound, how much will 
 a family that uses 64 pounds a month saye by 
 using round steak? 
 
 3. Suppose you could buy two kinds of 
 flour, one at 75 cents a sack and the other at 
 88 cents a sack, and you use 18 sacks a j'ear, 
 how much more does the expensiye flour cost 
 you a year? 
 
 Division 
 
 ORAL EXERCISES 
 
 1. Count by 6's from 36 to 0. How many 
 6's in 36. Count by 9's from 36 to 0. 
 
 From the above you will see that there are 
 four 9's in 36, also that there are nine 4's in 36. 
 
 Thus if we take 9 as a factor 4 times we have 
 the product 36. In division we have given the 
 product and one of the two factors to find the 
 other factor. 
 
 Dividing the product by either factor gives 
 the other factor: Thus: 36-=-9 = 4; 36-=-4 = 9. 
 
 In this case 36 is called the Dividend; while 
 the factor used to divide by we call the Divisor. 
 The result obtained by dividing which is the 
 other factor, we call the Quotient. 
 
 SHORT DIVISION 
 
 \Mien the divisor is not greater than 12 a 
 process called Short Division is usually used. 
 1. Divide 852 by 3. 
 Solution: 
 
 3)852 
 
 254 
 
 Explanation. — 3 is contained in 8 (hun- 
 dreds) 20 (hundred) times with a remainder of 2. 
 
 Write 2 in the hundreds place of the quotient. 
 The remainder, 2 hundreds plus 5 tens, equals 
 25 tens. 
 
 25 tens divided by 3 equals 8 tens, with a 
 remainder of 1 . 
 
 Write 8 tens in the quotient in tens place. 
 The 1 ten remainder plus 2 units equals 12 
 imits. 
 
 12 units divided by 3 equals 4 units. 
 
 2. 
 3. 
 4. 
 5. 
 6. 
 7. 
 
 856- 
 1624- 
 1272- 
 1054- 
 1728- 
 
 4 
 -6 
 
 6 
 -9 
 
 -8 
 
 772 -^5 
 
 8. 
 
 9. 
 10. 
 11. 
 12. 
 13. 
 
 1078^7 
 
 792^6 
 
 9136^4 
 
 7468 H- 7 
 
 11,656^-9 
 
 16,860-^6 
 
 WRITTEN PROBLEMS 
 160 Y 58006/6000 
 
 1. 600)96000 2. 6000)348096 
 
 3. Divide 480 by 10; by 20; by 30.4. 
 
 4. Divide 7200 by 40; by 400; by 900. 
 
 5. Divide 9600 by 60; by 600; by 800. 
 
 6. Divide 112000 by 700; by 800; by 7000. 
 
 7. Divide 108000 by 900; by 1200; by 9000. 
 Note. — A problem in division is checked or 
 
 proved by multiplying the divisor by the 
 quotient and adding the remainder, if there be 
 one, to the product; the result should be the 
 dividend. 
 
 LONG DIVISION 
 
 1. Divide 8745 by 37. 
 236i^ 
 
 Divisor: 
 
 37)8745 
 74 
 
 Dividend 
 
 134 
 111 
 
 235 
 222 
 
 13 
 
 Explanation. — 37 is contained in 87 (hun- 
 dreds) 2 (hundreds) times with 13 (hundreds) 
 
BOOK FOR PARENT AND TEACHER 
 
 229 
 
 as remainder. The figure 2 is set dowTi in the 
 hundreds place of the quotient. 
 
 13 hundreds pUis four tens equals 134 tens. 
 37 is contained in 13-t (tens) 3 (tens) times, 
 with a remainder of 23 tens. Place 3 in the 
 quotient in tens place. 23 tens plus 5 units 
 equals 235 units. 37 is contained in 235 units 
 6 times with a remainder of 13 
 units. 
 
 2. Divide 42832 by 184. 
 
 3. Divide 48210 by 85. 
 
 4. Divide 27152 by 67. 
 
 5. Divide 377289 by 927. 
 
 FRACTIONS 
 
 A Fraction is one or more 
 of the equal parts into which 
 a unit is divided: as one-third, 
 three-fourths. 
 
 A Fraction is expressed by one figure written 
 over another figure with a line between: |, |. 
 
 A Fraction may also be regarded as an indi- 
 cated division; that is, | is the same as 3^4. 
 
 A number composed of a WTiole Number and 
 a Fraction is called a Mixed Number; as 4|. 
 It is read "four and three-fifths." 
 
 REDUCTION OF FRACTIONS 
 
 The process of changing the form of a Frac- 
 tion without changing its value is called 
 
 Reduction : ^ = 4 = i^e • 
 
 H 
 
 K 
 
 M 
 
 'A 
 
 K 
 
 H 
 
 K2 
 
 'X2 
 
 H2 
 
 X2 
 
 'A 
 
 34 
 
 H's 
 
 X2 
 
 X2 
 
 X2 
 
 'X2 
 
 'A 
 
 K 
 
 H 
 
 K 
 
 % 
 
 % 
 
 % 
 
 ^ 
 
 % 
 
 V, 
 
 The Denominator of a Fraction is the number 
 below the line. It shows into how many 
 equal parts the given unit is divided. Thus in 
 I the Denominator is 4. 
 
 The Numerator of a Fraction is the number 
 which shows how many equal parts are taken. 
 It is written above the line; thus in | the 
 Numerator is 3. 
 
 The Numerator and Denominator of a Frac- 
 tion are called its terms. 
 
 A Fraction whose Numerator is less than its 
 Denominator is called a Proper Fraction; as 
 
 c» 10 
 
 A Fraction whose Numerator is equal to 
 or greater than its Denominator is an Improper 
 Fraction: as |; ^. 
 
 9 
 12 
 
 A Fraction is reduced to lower terms when its 
 terms are made smaller numbers; that is, 
 is reduced to f , which are its lowest terms. 
 
 Multiplying or dividing both terms of a 
 fraction by the same number does not change 
 its value. 
 
 3 -^4 ■ 
 
 . 8 
 12- 
 
 x%- 
 
 .A=2 
 4 3* 
 
 Supply the missing Term: 
 
 '■• ^ 4> ^ 8» ^ 12' S 6» 3 12 
 
 9 1 = -• i =- 
 *• 2 6» 3 1 
 
 o JL _. i _. 6 
 
 •'• 6 ~15' 6 ~15' e~l2» 
 
 4 Ji, — -• JL— _. 4 — _. 
 ^' 12~ 6' 12~ 3> 12~6> 
 
 Solve without pencil, filling in blank numerator: 
 
 z= _• 2.= . 
 
 3 9» 3 12' 
 
 2 — 
 
 3 ~T8' 
 
 Z— _• 
 6~ 3> 
 
 -8,= - 
 12 6- 
 
 1. 
 
 2. 
 3. 
 4. 
 5. 
 
 i 
 3 
 
 1 
 
 6 
 
 1 
 6 
 
 5 
 15 
 
 ~ 6' 
 ~ 18» 
 
 ~T50> 
 
 1 
 3 
 
 i 
 
 4 
 
 1 
 5 
 
 5 
 6 
 
 — 12' 
 15» 
 
 18' 
 
 24; 
 
 12=8?; 
 
 3 . 
 
 4 ~ 1 6 ' 
 
 Z — . 
 
 5 ~ 15' 
 
 5 . 
 
 6 ■" 30' 
 
 2 . 
 
 3 " 
 
 8 24' 
 
 Z— _- 
 5 "~ 55» 
 
 7 . 
 
 8~ 48' 
 
 •27- 
 
 | — 5?- 
 
 3 
 
 5— 5S' 
 
 9=T5' 
 
 _5 . 
 12 
 
 11 = 
 12 
 
 ■96' l2'~120» 
 
 12= TTT- 
 
 Reduce to Lowest Terms. — A Fraction is 
 in its lowest terms when both its terms contain 
 no common divisor. Thus f is in its lowest 
 terms since 2 and 3 have no common divisor. 
 
 A fraction is reduced to lower terms by divid- 
 ing both of its terms by the same number; thus 
 {% is reduced to | by dividing both terms by 5 . 
 104-5 = 2 
 
 15-^5 = 3 
 Reduce to lowest terms without a pencil: 
 
 
 a 
 
 b 
 
 c 
 
 d 
 
 e 
 
 f 
 
 g 
 
 1. 
 
 4 
 
 8 
 
 x% 
 
 1% 
 
 hi 
 
 ^8 
 
 hi 
 
 hi 
 
 2. 
 
 ig 
 
 hi 
 
 a 
 
 f§ 
 
 M 
 
 il 
 
 it 
 
 S. 
 
 A 
 
 1% 
 
 hi 
 
 If 
 
 M 
 
 18 
 
 35 
 
 U 
 
 4. 
 
 hi 
 
 X8 
 
 30 
 
 35 
 
 li 
 
 42 
 
 24 
 60 
 
 a 
 
 5. 
 
 X5 
 40 
 
 n 
 
 25 
 80 
 
 40 
 90 
 
 35 
 90 
 
 T%% 
 
 i%% 
 
 Reduce to lowest terms with pencil: 
 
 >■• 320 
 
 Solution. ilS = l§ = io = l Ans. 
 
S30 
 
 THE HUMAN INTEREST LIBRARY 
 
 _9J)_. 
 1055 
 
 A%; 
 
 228. 
 250> 
 
 HI; 
 
 hn- 
 
 ill; 
 
 2ie. 
 
 480» 
 
 250. 
 750> 
 
 450. 
 900» 
 
 1250 
 1000 
 
 225. 
 300» 
 
 750 . 
 1250J 
 
 ,7_5_0_ . 
 
 iooos 
 
 250. 
 7505 
 
 450 
 1000 
 
 2. 
 3. 
 4. 
 
 Reducing Whole or Mixed Numbers to 
 Improper Fractions. — Reduce 2^ to thirds. 
 Solution: 2X| = i+i = | 
 
 Rule. — Multiply the whole number by the 
 denominator and add the numerator for a 
 numerator. Under it write the given denomi- 
 nator. 
 
 Solve without pencil: 
 
 ^3 3> 
 
 "^3 3> 
 •^6 6" 
 
 "3 3- 
 ^-8 8- 
 
 1 'i3=_. 
 1. <J4 — 4 J 
 
 • * 4» *^5 5> 
 
 3. 6 = 5; 6^=3; 61 = 5; 8i = 3. 
 Solve with pencil: 
 
 4. Reduce 33| to thirds. 
 
 Solution. 33X3 = i§J- Ans. 
 
 5. 62i; 133i; 166|; 137|; 187|. 
 
 6. 270| feet; 310|; $73Jo; IGi^g years; 
 lll^g acres. 
 
 Reducing an Improper Fraction to a whole 
 or mixed number; show by making and dividing 
 circles that | = 2|; 1 = 2^; f = 2i. 
 
 Solve without pencil, reducing to whole or 
 mixed numbers: 
 
 1. 
 
 7. 
 
 2' 
 15. 
 3 > 
 
 7. 
 3' 
 
 16- 
 4 > 
 
 9. 
 3' 
 
 25 ■ 
 4 ' 
 
 V; 
 
 15. 
 5 » 
 
 1-2 • 
 
 4 ' 
 
 18. 
 
 5 ' 
 
 15_. 
 
 4 > 
 2_7. 
 
 5 > 
 
 2JL 
 
 5 • 
 
 zs 
 
 6 • 
 
 Reduce to whole or mixed numbers with 
 pencil : 
 
 3. Reduce W^ to a whole or mixed number: 
 
 Solution. 545 32 jV 
 
 17)545 
 51 
 
 35 
 34 
 
 4. 
 
 55 254. 501 13 ? 675 
 
 LOO 200 
 
 iOOfi 
 
 12 8 9 11 12 
 
 12 15 
 
 e 
 
 5. 
 
 7| feet; %^ mi.; $\^^; 
 
 -4* .days; 
 
 ip 
 
 ieh. 
 
 ,. $7^J1. $Y_,. $5_0-8, 
 
 
 
 Reducing Fractions to the Least Common 
 Denominator. — Those Fractions which have 
 the same denominator are called Similar Frac- 
 tions. The Fractions, ^, | and |, are Similar 
 Fractions. In order to add or subtract Frac- 
 tions conveniently, we must reduce them to 
 similar fractions. 
 
 1. Reduce |, g, ^^2 to similar fractions. 
 
 Solution: 
 
 3)3, 8, 12 h = ^r>^ = iz- 
 
 4)1 8 
 
 7 _ _. 7 _ 21 
 
 8~24' 8~2 4' 
 
 ^^ = ^^- 5 —lO 
 12 24' 12 24 
 
 12 1 
 
 3X4X2 = 24, the Common Denominator. 
 
 2. Reduce |, f„ /g to Similar Fractions. 
 
 Solution : 
 
 5)5, 7, 35 
 
 I-S5; 5-35 
 
 7)1, 7, 7 
 
 5 .5 25 
 
 7-35. 7-35 
 
 5 
 
 7' 
 
 9 J^- 
 14' 21- 
 
 
 1 
 2' 
 
 3' 4' 8* 
 
 
 h 
 
 27' 3*6' 
 
 H- 
 
 17 
 18 
 
 2 3 15 
 ' 24' 32 
 
 
 8' 
 
 24' 72» 
 
 Th 
 
 4 
 9> 
 
 27» 36' 
 
 H- 
 
 1% 
 
 ' 2*5' 3*0 
 
 > /o 
 
 7 
 8» 
 
 3- -5^ 
 16» 32' 
 
 /4. 
 
 1, 1' 1 
 
 5X7 = 35, the Least Common Denominator. 
 
 Reduce to Least Common Denominator. 
 
 3. 
 
 4. 
 
 5. 
 
 6. 
 
 7. 
 
 8. 
 
 9. 
 
 10- 
 
 ADDITION OF FRACTIONS 
 
 To add Fractions, reduce them to similar frac- 
 tions, that is, to fractions having the same denomi- 
 nator, then add the numerators and place the sum 
 over the common denominator. 
 
 1 Add 4 5 7 
 1. rvuu 3, e> 8- 
 
 Solution: 1+1+1 = 
 
 16 I 201 21 —57 =i_9. = £ 
 24^24r2 4 — 24 8 ' 
 
 Find the sum of: 
 
 2. 
 
 3. 
 
 4. 
 
 5. 
 
 6. 
 
 7. 
 
 8. 
 
 TO ADD MIXED NUMBERS 
 First add the Whole Numbers; then add the 
 Fractions; then add the two results obtained. 
 
 Add: 
 
 1. 5i 7i, and 6|. 
 
 Process; 
 
 (Jl 1_|_1_|_3 = 
 
 "^4 4 I 8 I 4 
 
 Ans. 
 
 1 
 
 4» 
 
 h 1%- 
 
 #2 
 
 19 5_ 
 ' 24' 48* 
 
 1 
 8' 
 
 32' 84- 
 
 A 
 
 17 29 
 ' 20' 36- 
 
 1' 
 
 5 J. 7 
 24' 18- 
 
 1. 
 
 r% hh II. 
 
 7 
 8' 
 
 -9_ 2 5 11 
 10' 3' 6' 15 
 
 n 
 
 6| 
 
 24-1 -1-6 19 _ 11 
 
 8 I rT^8 I 8 ^a- 
 
 18 
 
 2. 
 3. 
 4. 
 5. 
 
 19| Ans. 
 2|, 51, and 9{. 
 101, 121, and 7^%. 
 13|, 5i%, and 21^^. 
 24|, 32|, and2l23j. 
 
 TO SUBTRACT FRACTIONS 
 
 Reduce to Similar Fractions and subtract the 
 less numerator from the greater for a new numera- 
 tor to be written over the common denominator. 
 
 1. Subtract | from l^. 
 
 Process : 
 
 11- 
 
 12 
 
 ■ 22. 
 24 
 
 .15—7 
 2 4 — 24- 
 
 Ans. 
 
BOOK FOR PARENT AND TEACHER 
 
 231 
 
 Find the value of: 
 
 
 
 2. §-§ 
 
 
 7. 
 
 W-il 
 
 3. /u-S 
 
 
 8. 
 
 il-2% 
 
 4. H-U 
 
 
 9. 
 
 J7 2a 
 
 120 75 
 
 5. f-^ 
 
 
 10. 
 
 5 4 
 
 18 81 
 
 6. 13-2^5 
 
 
 11. 
 
 fil_r,5 
 
 64 72 
 
 
 12. 
 
 JL9__ 
 
 ._t7 _ 
 
 
 100 
 
 1000 
 
 MULTIPLICATION OF FRACTIONS 
 
 To multiply a Fraction by a Whole Number, 
 multiply the numerator of the Fraction by the 
 Whole Number and icrife result over the given de- 
 nominator, then simplify. Use cancellation. 
 
 1. Multiply 3^5 by 15. 
 
 Solution: j%Xl5 = ^i = U j% or U\. Ans. 
 Multiply: 
 
 2. i^abye. 5. i% by 5. 
 
 3. i|by4. 6. :Psby8. 
 
 4. /6by4. 7. 1^2 by 6. 
 
 To midtiply a Fraction by a Fraction multiply 
 the numerators together for a neiv numerator and 
 the denominators together for a neio denominator. 
 Use cancellation whenever possible. 
 
 1. Multiply f by Jg^ 
 
 Solution: 
 value of: 
 
 AXV = i = l5- Ans. Find the 
 
 2. 
 3. 
 
 C^IO 
 
 55 vae 
 
 7/N3o 
 
 4. 
 
 22 «^- 5/^9-^16 
 
 DIVISION OF FRACTIONS 
 
 27 
 3 
 
 Reduce Whole Numbers to the form of Fractions, 
 by writing 1 as their denominators. Reduce Mixed 
 Numbers to Improper Fractions; then invert the 
 divisor and multiply. 
 
 1. Divide 30 by f^. 
 
 Solution : \'*- -^ f^ = 
 
 ¥XV^ = 72. Ans. 
 
 Find the value of: 
 
 2. 
 
 I-I 
 
 3. 
 
 16-=-! 
 
 4. 
 
 20-=-! 
 
 5. 
 
 36 -ft 
 
 12^6 
 21 • 7 
 
 J -^28 
 12 • 15 
 
 5J .l_3 8 
 5 ■ 15 
 
 6. 
 
 7. 
 8. 
 
 9. 576^3/ 
 
 DECIMALS 
 
 The Decimal Fraction always has a period 
 called the Decimal Point at the left. The num- 
 ber of places in the Decimal is the same as the 
 number of zeros in the denominator of the cor- 
 responding common fraction. 
 
 Thus I'g equals .1; x% equals .6; xoo equals 
 .01; x^oo equals .25; xg^oo equals .001. 
 
 Notice that the number of zeros in the de- 
 nominators of the above common fractions is 
 the same as the number of figures to the right 
 of Ihe Decimal Point. 
 
 READING DECIMALS 
 
 The first place to the right of the Decimal 
 point is tenths' place, the second hundredths' 
 place, the third thousandths' place, the fourth 
 ten thousandths' place, etc. 
 
 A Decimal is read just as if it were a whole 
 number and is then given the name of the last 
 Decimal place to the right. 
 
 Thus, .76 is read "seventy-six himdredths;" 
 .0106 is read "one hundred six ten- thousandths." 
 Write the following as Decimals: 
 
 1 ^_. _e_. e . _9_. ^4_7_. _79_. _^3__. ^44_. 
 ■^* 10> 100> tO' 10' T00> 100» 1000' Xooo> 
 
 J> 
 
 lO'OOO* 
 
 2. Write as common fractions — nine-tenths; 
 seven hundredths; eighty-five hundredths; 
 twenty-nine hundredths; twenty-nine thou- 
 sandths; twenty-nine ten-thousandths. 
 
 Mixed numbers are read with the word and 
 between the whole number and the decimal. 
 The number 975.3014 is read "nine hundred 
 seventy-five and three thousand fourteen ten- 
 thousandths." .275 is read "two hundred 
 seventy-five thousandths," while 200.075 is 
 read "two hundred and seventy-five thou- 
 sandths." 
 
 3. Read: .7; 2.4; 90.03; 36.44; 216.5; 15.85. 
 
 4. Read: 86.09; 8.001; 60.044; 200.065; .265. 
 
 5. Read: 246.0012; 912.2006; 2000.0002; 
 
 .2002. 
 
 CHANGING DECIMALS TO COMMON 
 FRACTIONS 
 
 Any decimal may be changed to a common 
 fraction. 
 
 Thus .6 equals j^g equals |. 
 
 .25 equals ^^^ equals ^. 
 .875 equals xYcfo equals | 
 .371 equals 37| 100, 
 equals |. 
 Change to common fractions in the simplest 
 form: 
 
 1. .8; .625; .375; .875; .225. 
 
 2. 37i; .871; .12i; .OOJ; .62|. 
 
 3. .83^; .333J; .66|. 
 
 Change the following common fractions to 
 Decimals: 
 
 2quals 
 
 75 
 
 2oa 
 
 1. I. a- i- 5. 7. 1. 3.4. 
 2'4'4'8'8'8'5'5'5' 
 
 K J. _3 . 1 . 5 . a. 11. 2 
 •^' 10' 10' 20' 12' 6> 12' 3- 
 
 "• ^8' •'8' *^12' "3> ■''40- 
 
 ADDITION AND SUBTRACTION OF 
 DECIMALS 
 
 Rule. — In adding or subtracting Decimals write 
 the numbers so that the Decimal Points are in the 
 same column and proceed to add or subtract as 
 with integers or whole numbers. Place the Deci- 
 mal Point in the sum or the difference under the 
 Decimal Points above. 
 
 Add the following: 
 
 1. 2.25, .75, .1875, .0356. 2.25 
 
 .75 
 .1875 
 .0356 
 
 2. 
 
 
 3.2231 
 
 Add: .33 J, 35.66 ». 
 82|, 1.201 i. 
 
 .3375 
 35.662 
 82.75 
 1.20125 
 
 
 127.95075 
 
2S2 
 
 THE HUMAN INTEREST LIBRARY 
 
 3. A girl spent for shoes $4.75, for ribbon 
 $3.25, for a suit $30.75 and for the hat $5.50. 
 What was her total bill.^ 
 
 4. A man owned 320 acres of land. He 
 bought 30 1 acres at one time and 12.41 acres 
 at another time. How much had he in all? 
 
 MULTIPLICATION OF DECIMALS 
 Rule. — To multiply when there is a Decimal in 
 either of both factors, multiply as ivith integers 
 and point off in the product as many Decimal 
 places as are found in both Multiplicand and 
 Multiplier. 
 
 Multiply 
 24.6 by'lO. 
 
 Multiply 
 24.6 by' 100. 
 
 Solution: 
 
 Solution: 
 
 24.6 
 10 
 
 246.0 
 
 24.6 
 100 
 2460.0 
 
 4. Multiply 225.5 by 5.0005. 
 3. 32^ by 1.0303. 
 
 6. .400 by 4.0635. 
 
 7. 9.3i by 9.99. 
 
 8. When the average yield of corn is 23.9 
 bu. per acre and the price is 51 1 cents per 
 bu., what is the average value of the corn crop 
 per acre.'' 
 
 9. What will it cost to furnish 224.4 cu. yds. 
 of sand at $1.25^ per cu. yd..'' 
 
 DIVISION OF DECIMALS 
 
 Rule. — Provide as many Decimal places in the 
 Dividend as you have in the Divisor by adding 
 zeros if necessary. Divide as in whole numbers 
 and point off as many Decimal places in the 
 Quotient as there are Decimal places in the Divi- 
 dend less the Decimal places in the Divisor. 
 
 1. Divide 
 
 .095 by .5. Solution: .5) .095 
 
 Note. — In multiplying a Decimal by 10 the 
 Decimal Point is moved one place to the right; 
 multiplying by 100 moves the Decimal Point 
 two places to the right; by 1000 three places, etc. 
 
 3. Multiply 
 
 .3 by 6.75. Solution: .3 
 
 6.75 
 
 2. Divide 
 
 110.1 by .1101. 
 
 Solution: 
 
 .19 
 
 1000 
 
 15 
 
 21 
 18 
 
 2.025 
 
 .1101)110.1000 
 
 3. 1000 divided by .625. 
 
 4. 1.045 divided by .56. 
 
 5. If a telephone wire is worth $.002 per ft., 
 what is the value of a telephone wire extending 
 a distance of 5.75 miles.' 
 
 UNITED STATES MONEY 
 
 Business applications of decimals 
 
 The solutions of many problems may be 
 shortened by knowing the relation that the 
 price of a unit bears to $1. 
 
 1. How much will 250 bu. of potatoes cost 
 at $.25 per bu..* 
 
 Decimal Method. 
 . 25 = price 
 250 = no. of bu. 
 
 1250 
 50 
 
 Short Method. 
 
 4)250 
 
 62.50 
 
 62.50 
 
 ExPL.\NATiON. — -At $1 each 250 bu. would 
 cost $250. At $J each they cost \ of $250 
 or $62.50. 
 
 Rule. — Find the cost of the quantity at $1 per 
 unit, divide this by the quantity that can be pur- 
 chased for SI. 
 
 Find cost of: 
 
 2. 90 bu. apples at 33Jc per bu. 
 
 3. 32 lbs. butter at 25c per lb. 
 
 4. 640 yds. cloth at 6^c per yd. 
 
 5. 75 lbs. lard at 12|c per lb. 
 
 6. 72 lbs. rice at 12|c per lb. 
 
BOOK FOR PARENT AND TEACHER 
 
 233 
 
 7. 120 yds. cloth at Sl\c per yd. 
 
 8. 500 books at 40c each. 
 
 9. 600 doz. eggs at 25c per doz. 
 
 10. 300 bu. oats at 33^c per bu. 
 
 11. 800 bu. coal at 6^c per bu. 
 
 12. 80 qts. cherries at G^c per qt. 
 
 13. 500 bu. corn at -lOc per bu. 
 
 14. 180 lbs. beef at 10c per lb. 
 
 Denominate numbers 
 
 MEASUREMENTS 
 
 Distance, weight, time, liquids, etc., are 
 measured by certain standard units of measure 
 such as feet, pounds, hours, gallons. 
 
 LINEAR MEASURE 
 
 In measuring length or distance the measures 
 are called Linear Measures. 
 
 If you do not know the following table, 
 thoroughly learn it. Use a watch to see how 
 few seconds you need for saying it. 
 
 TABLE OF LINEAR MEASURE 
 
 12 
 
 inches (in.) = 1 foot (ft.). 
 
 3 
 
 feet = 
 
 1 yard (yd.). 
 
 5H 
 
 y£.-ds 
 
 = 1 rod (rd.). 
 
 320 
 
 rods = 
 
 = 1 mile (ml.). 
 
 5280 
 
 feet = 
 
 1 mile. 
 
 1. By measuring find the length and the 
 width of your school room or your living room 
 at home, in feet. In yards. 
 
 2. Estimate the length of a table. Then 
 measure it and see how nearly right your judg- 
 ment is. 
 
 3. Mark off what you think would be the 
 length of a rod on the floor, and then measure 
 the distance marked. 
 
 Note. — An expensive tape is not necessary 
 for measuring long distances. Measure off and 
 use a stout cord a rod long or fifty feet long. 
 Every pupil should make many estimates of 
 short and long distances followed by measure- 
 ments of them to develop accuracy in judging 
 distances. 
 
 REDUCTION IN LINEAR MEASURE 
 
 Changing any number of units of one de- 
 nomination to units of another denomination 
 is called Reduction. 
 
 EXERCISES 
 
 1. Reduce 10 miles to rods. 
 Solution.— 10 mi. X 320 = 3200 rods. Ans. 
 
 2. 4 rds. to feet. 
 
 3. 4 yds. 2 ft. to feet. 
 
 4. 2 mi. 248 ft. to feet. 
 
 5. 3 mi. 28 rds. to rods. 
 
 REDUCTION TO HIGHER DENOMINA- 
 TIONS 
 
 1. Reduce 96 in. *^o feet. 
 ScLXJTiON. — 96 in. -e- 12 = 8. Ans. 
 
 2. 54 ft. to yards. 
 
 3. 72 in. to jards; 288 in. to yards. 
 
 4. 15,840 ft. to miles; 1000 rds. to miles and 
 rods. 
 
 o. Find the cost of digging a ditch J mile 
 long at $2.75 a rod. 
 
 SQUARE MEASURE 
 
 Using your ruler draw upon the blackboard 
 or a paper a square foot. Three square feet, thus : 
 
 
 
 
 Mark off all sides of this square foot with 
 inch spaces and draw lines dividing the square 
 foot into square inches. How many square 
 inches in the square foot: 
 
 3 feet 
 
 CO 
 
 5' 
 
 
 
 
 
 
 :;;:::;;:::: a 
 
 
 
 ::::::::::: £J 
 
 
 
 
 
 12 in. 
 
 
 
 
 
 Scale ^^. One square yard 
 
 Learn thoroughly the following table, using 
 your watch to time yourself. 
 
 TABLE OF SQUARE MEASURE 
 
 144 
 
 square inches (sq. in.) = 
 
 
 1 square foot (sq. ft.). 
 
 9 
 
 square feet = l square yard 
 
 
 (sq. yd.). 
 
 3014 
 
 square yards = 1 square rod 
 
 
 (sq. rd.). 
 
 160 
 
 square rods = l acre (A.). 
 
 640 
 
 acres = 1 square mile (sq. mi.). 
 
 1. The perimeter of a figure is the distance 
 around it. What is the perimeter of your 
 square foot? 
 
 2. Draw an oblong 6 inches long and 3 
 inches wide. Show that it contains 18 square 
 inches. '■. 
 
 3. How many square inches in a rectangle 8 1 
 inches long and 2 inches wide? 
 
 4. How do you find the area of any rectangle 
 or square? 
 
 5. Draw figures showing the difference be- 
 tween a 6-inch square and 6 square inches. 
 
 6. Draw a square yard and divide it into 
 square feet. 
 
 7. How many acres in a field 80 rds. long 
 and 40 rds. wide? 
 
234 
 
 THE HUMAN INTEREST LIBRARY 
 
 8. What part of a square mile is a field 80 
 rds. by 40 rds.? 
 
 9. A township is six miles long and six miles 
 wide. How many acres does it contain? 
 
 PROBLEMS ON PAVING 
 
 1. What is the cost of paving a walk 6 ft. 
 wide in front of a 50-f t. residence lot, at 1 1 cents 
 per foot? 
 
 2. What is the cost of paving a walk 7 ft. 
 wide on two sides of a corner residence lot 50 ft. 
 by 150 ft. at 91-2 cents per square foot? 
 
 3. What is the cost of paving one-half of a 
 50-ft. street in front of a 50-ft. residence lot at 
 95 cents per square yard? 
 
 CUBIC MEASURE 
 
 A cube has six faces and each one is a square. 
 If each face is a square inch, the cube is called 
 a cubic inch, or a one-inch cube. 
 
 LIQUID AND DRY MEASURES 
 
 Learn thoroughly the following tables. 
 
 One cubic foot 
 
 Learn thoroughly the following table: 
 TABLE OF CUBIC MEASURE 
 
 1728 cubic inches (cu. in.) = l cubic 
 foot (cu. ft.). 
 27 cubic feet = 1 cubic yard (cu. yd.). 
 128 cubic feet = 1 cord (for measuring 
 wood). 
 243^4 cubic feet = l perch (for measur- 
 ing stone). 
 1 cubic yard = l load (of earth). 
 231 cubic inches = 1 gallon (gal.). 
 2150.4 cubic inches = 1 bushel (bu.). 
 
 Rule. — To find the volume of a solid multiply 
 together the length, breadth and thickness. 
 
 1. How many cu. ft. in a pile of wood 8 ft. 
 long, 4 ft. wide, and 4 ft. high? 
 
 2. How many cords of wood in a pile 4 ft. 
 wide, 8 ft. high and 32 ft. long? 
 
 3. How many gallons of water will a cistern 
 hold which is 6 ft. X 10 ft. X 10 ft.? 
 
 4. A granary is 24 ft. long, 8 ft. wide, and 
 6 ft. high. How many bushels of wheat will it 
 hold? 
 
 TABLE OF LIQUID MEASURE 
 
 4 gills (gi.) =1 pint (pt.). 
 
 2 pints = 1 quart (qt.). 
 
 4 quarts = 1 gallon (gal.). 
 
 31 J gallons = 1 barrel (bbl.). 
 
 231 cubic inches = 1 gallon. 
 
 TABLE OF DRY MEASURE 
 
 2 pints (pt.). = l quart (qt.). 
 8 quarts = 1 peck (pk.). 
 4 pecks = 1 bushel (bu.). 
 
 Liquid measures 
 
 1. A grocer pays 20 cents a gallon for milk 
 and retails it at 8 cents a quart. If he handles 
 40 gallons a day how much is his profit? 
 
 2. A ship with 1500 passengers aboard carries 
 a supply of 15,000 gallons of fresh water. If 
 each passenger on the average uses two quarts 
 of water a day how long will the supply last? 
 
 3. A cistern holds 50 barrels of water. How 
 many gallons is this? 
 
 4. How many quart boxes will 4 bushels, 
 3 pecks, 1 quart fill? 
 
 5. What is the cost of 3 pecks, 3 quarts of 
 nuts at 15 cents a quart? 
 
 6. If a half-peck basket of peaches sells for 
 25 cents how much will 4 bushels sell for? 
 
 AVOIRDUPOIS WEIGHT 
 
 Avoirdupois weight is used in weighing all 
 heavy articles such as farm products, groceries, 
 coal, etc. 
 
 16 ounces (oz.) =1 pound (lb.). 
 100 pounds = 1 hundredweight (cwt.). 
 2000 pounds = 1 ton (T.). 
 196 pounds = 1 barrel (of flour). 
 280 pounds = 1 barrel (of salt). 
 
BOOK FOR PARENT AND TEACHER 
 
 235 
 
 Note. — The long ion (2240 pounds) is used 
 in the United States Custom Houses and in 
 wholesale dealings in coal and iron. 
 
 ADDITION AND SUBTRACTION OF DE- 
 NOMINATE NUMBERS 
 
 1. Add 3 hours, 20 minutes; 5 hours, 10 
 minutes, 20 seconds; and 2 hours, 40 minutes 
 and 42 seconds. 
 
 hrs. min. sec. 
 
 3 20 
 
 5 10 20 
 
 2 40 42 
 
 11 11 2 
 
 42 sec. plus 20 sec. equals 62 sec, equals 1 
 min. 2 sec. 1 min. plus 40 min., plus 10 min., 
 plus 20 min., equals 71 min., equals 1 hr. 11 
 min. 
 
 1 hr. plus 2 hrs. plus 5 hrs. plus 3 hrs. equala 
 11 hrs. 
 
 The answer is 11 hrs. 11 min. 2 sec. 
 
 2. Subtract 5 hours, 29 minutes, 25 seconds 
 from 7 hours, 17 minutes, 47 seconds. 
 
 hrs. min. sec. 
 
 7 17 47 
 
 5 29 25 
 
 48 
 
 22 
 
 25 sec. from 47 sec. equals 22 sec. 29 min. 
 from 1 hr. plus 17 min. or 77 min. equals 48 min. 
 5 hrs. from 6 hrs. equals 1 hr. 
 Ans. — 1 hr. 48 min. 22 sec. 
 
 bu. 
 
 pk. 
 
 qt. 
 
 
 4. gal. 
 
 qt. 
 
 pt. 
 
 4 
 
 2 
 
 5 
 
 
 37 
 
 2 
 
 1 
 
 17 
 
 3 
 
 3 
 
 
 27 
 
 2 
 
 1 
 
 10 
 
 2 
 
 6 
 
 
 17 
 
 3 
 
 
 26 
 
 3 
 
 5 
 
 
 28 
 
 2 
 
 2 
 
 5 
 
 1 
 
 3 
 
 
 27 
 
 
 
 1 
 
 
 5. 
 
 yd. 
 
 8 
 4 
 12 
 9 
 6 
 
 ft. 
 2 
 1 
 4 
 1 
 
 
 in. 
 
 11 
 8 
 5 
 
 1 
 8 
 
 
 
 6. From 200 gallons take 49 gallons, 3 
 quarts and 2 pints. 
 
 7. From 45 miles 121 rods, take 25 miles, 
 75 rods. 
 
 8. From 15 yards 2 feet and 2 inches, take 
 11 yards 1 foot 8 inches. 
 
 MULTIPLICATION AND DIVISION 
 
 1. Multiply 4 bushels 3 pecks 5 quarts by 4. 
 bu. pk. qt. 
 4 3 5 
 X 4 
 
 19 2 4 
 4X5 qts. = 20 qts. = 2 pks. 4 qts. 
 4X3 pks.+2 pks. = 14 pks. = 3 bu. 2 pks. 
 4X4bu.-|-3bu. = 19bu. 
 Ans. — 19 bu., 2 pks., 4 qts. 
 
 Divide 69 feet 4 inches by 8. 
 ft. in. 
 8)69 4 
 
 8 8 
 
 69 ft. divided by 8 = 8 with a remainder of 5 ft. 
 
 5 ft. (60 in.) +4 in. = 64 in. 
 64 in.-H8 = 8 in. 
 
 3. If a horse eats two pecks of oats a day 
 how long will 60 bushels last him? 
 
 Note. — Reduce both terms to pecks and 
 divide. 
 
 4. If an acre will produce 16 bushels 3 pecks 
 of wheat, how many bushels will 40 acres pro- 
 duce at the same rate.' 
 
 5. A farmer thrashed 4400 bushels of oats, 
 how many sacks, each holding 3 bushels 4 quarts 
 will be required to contain his crop.' 
 
 Percentage 
 
 Per cent means per hundred, 
 means 10 in each 100. 
 10% = .10 = JgO_.or 
 
 Thus, 10% 
 
 1. 
 
 2. 
 
 50% of anything is what part of it? 
 
 50% = .50 = T^<?o = i 
 
 25% of anvthing is what part of it? 
 
 25% = .25 = i2ifo=i. 
 
 3. 123^% = |of25%ori. 
 
 It is often convenient in solving problems in 
 percentage to change the per cent to a common 
 fraction. Therefore every pupil should mem- 
 orize thoroughly the following table. 
 
 Table of Equivalents | 
 
 \ =50% 
 
 i =331% 
 
 i =25% 
 
 1 =661% 
 
 h =121% 
 
 i=16|% 
 
 I =20% 
 
 t =80% 
 
 f =40% 
 
 1 =75% 
 
 1 =60% 
 
 1 =371% 
 
 Other Equivalents 
 
 Less Important Are 
 
 1 =831% 
 
 1 =621% 
 
 \ =14^% 
 
 i =871% 
 
 1^= 81% 
 
 ^^= ^\% 
 
 Find 33 1/3% of 24. 
 Find 66 2/3% of 24. 
 
 1. Find 25% of 16. 
 Solution. — 25% = \. 
 
 Jfof 16 = 4. 
 
 2. 
 
 3. 
 
 4. 
 
 5. 
 
 6. 
 
 7. 
 
 8. 
 
 9. 
 10. 
 11. 
 
 Of 24. Of 48. 
 
 Of 36. Of 72. 
 Of 36. Of 72. 
 
 Find 20% of 40. 
 Find 40% of 50. 
 Find 50% of 17. 
 Find 75% of 12. 
 Find 80% of 10. 
 
 Of 60. Of 80. 
 
 Of 60. Of 80. 
 
 Of 21. Of 34. 
 
 Of 16. Of 36. 
 
 Of 20. Of 40. 
 Find 37 1/2% of 16. Of 48. Of 32. 
 Find 30% of 80. Of 40. Of 50. 
 18 is what % of 24? Of 36? Of 54? 
 Solution.— 18-^24 = 11 = 1 = 75%. 
 
 12. 24 is what % of 48? Of 72? Of 12? 
 
 13. 12 is what % of 16? Of 18? Of 84? 
 
 14. 25 is what % of 50? Of 75? 
 
 15. 35 is what % of 40? Of 42? Of 70? 
 
 16. Write as Decimal Fractions the following: 
 5%, 8%, 2%, 12%, 60%. 
 
 Solution. — 5% = iSo = .05. 
 
£36 
 
 THE HUMAN INTEREST LIBRARY 
 
 17. 80%, 90%, 17%, 15%, 14%. 
 
 18. 12^%, 14|%, 16|%, i%, 1%. 
 
 19. Express as per cents, |, J, J, ^, J, f , |, 
 
 1 JL 
 
 9> lo- 
 go. Express as per cents, -^q, f , |, |, |, §, |. 
 
 ORAL PROBLEMS 
 
 1. A man planted 20% of his 640-acre farm 
 with wheat. How many acres of wheat had he? 
 
 2. A man planted 160 acres of corn. His 
 farm contained 640 acres. What per cent of 
 his farm was planted to corn.^ 
 
 3. A man owning a half section of land leaves 
 25% of it for pasture. How many acres are in 
 pasture.^ 
 
 ^VRITTEN PROBLEMS 
 
 1. In a storm at sea 72% of the 3000 pas- 
 sengers on board an ocean liner were drowned. 
 How many people were lost.^ 
 
 2. A dealer lost 75 bbls. of apples or 15% of 
 all he handled. How many bbls. did he handle.' 
 
 3. A man bought a lot for $3000 and held it 
 for 2 years, selling it at a gain of 17%. Find 
 the selling price. 
 
 4. A man l)ought a lot for $1600 and sold it 
 for $1400. What was his loss per cent? 
 
 Interest 
 
 Money paid for the use of money is called 
 Interest. Interest is a certain per cent of the 
 amount borrowed which latter is called the 
 Principal. The per cent charged for the use of 
 the money is called the Rate. 
 
 ORAL DRILL 
 
 1. At 5% how much is the interest on $200 
 for 1 year? For 6 months? For 2 years? For 
 2 years 6 months? 
 
 2. At 6% find the interest on $400 for 1 year. 
 For 8 months or | of a year? For 2 years? 
 For 2 1 years? 
 
 3. At 4% what is the interest on $800 for 
 
 1 year? For 6 months? For 3 months? For 
 9 months? For a year and 9 months? 
 
 A^TIITTEN EXERCISES 
 
 4. At 5% what is the interest on $640 for 
 
 2 years 5 months? 
 
 29 5 
 
 Solution: — X X640 or 
 
 12 100 
 
 29X5X640 
 
 = $77.33 
 
 12X100 
 
 Explanation. — yBo of $640 equals the 
 interest for 1 year. Two years 5 months equals 
 fl years, therefore the total interest equals 
 flXi|oX640. Use cancellation whenever pos- 
 sible. 
 
 5. Find the interest of $250 at 4% for 
 1 year 4 months. 
 
 6. Find the interest of $500 at 5% for 
 1 year 3 months. 
 
 7. Find the interest of $750 at 4% for 
 2 years 2 months. 
 
 8. Find the interest of $124 at 6% for 
 
 1 year 9 months. 
 
 9. Find the interest of $436 at 5% for 
 
 2 years 8 months. 
 
 Note. — In the above problems no days are 
 given. But where the time of the problem has 
 days, reduce the time to days as a numerator 
 over 360 days. 
 
 10. Find the interest of $6500 at 6% for 
 
 3 months 20 days. 
 
 Solution: 3 months 20 days = 110 days. 
 110 6 
 
 X X$6500 = $119.17. 
 
 360 100 
 
 11. Find the interest of $650 at 5% for 70 
 days. 
 
 12. Find the interest of $135 at 5% for 
 8 months 20 days. 
 
 13. Find the interest for $486 at 4% for 
 90 days. 
 
 THE BANKERS' METHOD OR THE 60- 
 DAY METHOD OF FINDING INTEREST 
 
 Money is often borrowed for short periods 
 especially at banks for 30, 60 or 90 days. Six 
 per cent is a very usual rate in such cases. The 
 method used is as follows: 
 
 The interest of any Principal at 6% : 
 For 360 days = 0.06 of the Principal. 
 For 60days = 0.01 of the Principal. 
 For 6 days = 0.001 of the Principal. 
 
 14. Find the interest of $660 at 6% for 
 90 davs. 
 
 Solution: 
 
 Interest for 60 days = $6.60 
 For 30 days= 3.30 
 
 Total interest 
 
 $9.90 
 
 Explanation.— Since xJg of $660 or $6.60 
 is the interest for 60 days and 30 days equals 
 half as much, or $3.30, the total interest must 
 be their sum. 
 
 Find the interest at 6% of: 
 
 15. $1080 for 60 days. 
 
 16. $720 for 90 days. 
 
 17. $840 for 30 days. 
 
 18. $960 for 10 days. 
 
 19. $480 for 45 days. 
 
 Find the interest at 6% of: 
 
 20. $1440 for 87 days. 
 
 Solution: $14.40 = interest for 60 days. 
 
 4.80 = interest for 20 days. 
 
 1.20 = interest for 5 days. 
 
 .48 = interest for 2 davs. 
 
 21. 
 22. 
 23. 
 24. 
 25 
 
 $20.80 
 $2400 for 50 days. 
 $1500 for 120 days. 
 $2750 for 63 days. 
 $840 for 84 days. 
 $3040 for 108 days. 
 
 87 davs. 
 
BOOK FOR PARENT AND TEACHER 
 
 237 
 
 Note that the foregoing problems all bear 6%. 
 This method may be used with problems bearing 
 any per cent. 
 
 26. At 5% 6nd the interest of: 
 $1680 for 75 days. 
 
 Solution: 
 
 $16.80 = the interest at 6% for 60 days. 
 4.20 = the interest at 6% for 15 days. 
 
 6)$21.00 = the interest at 6% for 75 days. 
 
 $ 3.50 = the interest at 1% for 75 days. 
 17.50 = the interest at 5% for 75 days. 
 
 27. $1640 for 70 days. 
 
 28. $1900 for 63 days. 
 
 29. $1750 for 72 days. 
 
 TAXES 
 
 Towns, cities, counties and states meet most 
 of their expenses by levying taxes upon the 
 property within their limits. 
 
 For purposes of taxation property is divided 
 into two classes. Real Estate and Personal 
 Property. 
 
 Real Estate is immovable property such as 
 land including mines, quarries, forests, rail- 
 roads and buildings. 
 
 Personal Property is movable property such as 
 money, stocks, bonds, household goods, cattle, 
 etc. 
 
 Some states also levy a tax on all male citizens 
 over twenty-one years old. This is called a 
 Poll Tax. 
 
 Name some ways in which your city or 
 county spends its tax money. 
 
 METHOD OF SPREADING TAXES 
 
 Officers called Assessors, first inspect property 
 and place a value upon it for taxation. Then 
 the city, township, school district or county 
 determines the amount of money needed to run 
 the government for one year. The total 
 amount of money needed is divided by the total 
 value of the property as fixed by the Assessor. 
 This gives the amoimt of tax on one dollar or the 
 rate of taxation. 
 
 Thus if a school district needed $20,000 to 
 run its schools for 1 year while the property in 
 the district was valued by the Assessor at 
 $2,000,000, the rate would be $20,000 -^ $2,000,- 
 000 = .01, which is the rate of taxation for 
 school purposes. 
 
 1. If the Taxes are 18 mills on $1, what rate 
 per cent are the Taxes.* How much are the 
 Taxes on property valued at $15,000.* 
 
 2. My property is assessed at $5000, the 
 Tax rate is 13^%. What are my annual 
 Taxes? 
 
 3. \Miat would be the Tax on a farm assessed 
 at $6000 if the rate is .007? If it is .0102? 
 
 4. Mr. Jones owns a house valued at $24,000 
 which is assessed at 2/3 of its value. The Tax 
 rate is .022. What will be his total Tax? 
 
 5. If Mr. Jones Days his Tax within thirty 
 days he receives a discount of 2%. How much 
 will he save by paying his Taxes promptly? 
 
 PROPERTY INSURANCE 
 
 A man who does not wish to bear the total 
 loss of his house in case of fire pays an Insurance 
 Company a certain per cent for the Insurance of 
 his property. The amount paid is called the 
 Premium. 
 
 The Insurance Company agrees to make good 
 his loss to the extent of the sum named in the 
 Policy or contract with him in case his house 
 is accidentally burned during the period covered 
 by the Policy. 
 
 Insurance Companies do not usually insure 
 property for its full value. Can you give a 
 reason why? 
 
 1. The school house is insured for $10,000 
 for three years. The Board of Education has to 
 pay the Insurance Company 50% for this. 
 What is the face of the Policy? What per cent 
 of the face of the Policy is the Premium? What 
 per cent is this a year? 
 
 2. I value my house at $10,000. The Com- 
 pany insures it for 3 years at half its value at 
 f % of the face of the Policy. How much will 
 the Premium cost? 
 
 3. A business block costing $40,000 is in- 
 sured for 3 years for J its value at 1% a year. 
 What is the total Premium? 
 
 4. A hotel is insured for $10,000 in each of 
 five different companies. The total Premium 
 is $1000. Find the rate of insurance. 
 
 5. A factory worth $80,000 is insured for f 
 of its value at 1J%. In case of total loss by 
 fire find the owner's loss, including Premium 
 paid out. 
 
 COMMISSION 
 
 The value of property. — City property varies 
 greatly in price depending upon the city and 
 upon whether the property is used for residence 
 for business blocks, or for factories. The dis- 
 tance from street cars or other means of trans- 
 portation affects the value of property. City 
 lots are valued at so much per front foot. 
 
 The width of a lot measured along the street 
 is its Frontage, while the distance from the street 
 to the rear of the lot is called its depth. If it is 
 worth $20 per front foot that means $20 for a 
 strip one foot wide at the street and reaching 
 back to the rear of the lot. The deeper the lot 
 the more area it covers and the more desirable 
 it is, other things being equal. When one 
 speaks of a 100-foot lot, one means a lot with 
 100 feet frontage. 
 
 Residence lots vary in frontage from 30 feet 
 in poorer sections to 150 feet or more in the 
 best residence districts. In depth they may 
 be from 100 feet to 200 feet or more. The price 
 of residence lots varies in different cities and in 
 different districts of the same city from $15 or 
 $20 to $200 or more per front foot. 
 
 1. W'hat are vacant lots near your home 
 valued at per front foot? At that rate what is 
 an 80-foot lot worth? 
 
 2. Who pays for laying sidewalks in front of 
 a property? Who pays for paving the street 
 and laying the sewer? See if you can find out 
 how much it costs per front foot to do these 
 things on your street. 
 
S38 
 
 THE HUMAN INTEREST LIBRARY 
 
 PRACTICAL PROBLEMS AND CALCULATIONS 
 
 EDUCATION AND INDUSTRY 
 
 It has been carefully estimated that a man 
 with a common school education is able to pro- 
 duce on the average 13^ times as much wealth as 
 an unschooled man; the high school man can 
 produce 2 times as much, and the college man 
 4 times as much as the untrained mind. 
 
 If a laborer who can neither read nor write 
 is able to earn $14 a month, how much more 
 should he earn in a period of 40 years if he had 
 started with a common school education? 
 Ans.— $3360. 
 
 How much more would he have accumulated 
 in the same time if he had obtained a high 
 school education? Ans. — $13,440. 
 
 What will be the difference in the earnings of 
 two men for a work period of 40 years, one with 
 a college education who earns $1000 a year and 
 the other with a common school education who 
 earns $450 a year? Ans.— $22,000. 
 
 A boy who knows how to handle and care for 
 tools saves in this way 5 cents for every work 
 day he lives. What is this training worth to a 
 man in the course of 40 years if there are 26 
 working days in each month? Ans. — $624. 
 
 A boy who has been trained in the use of 
 tools saves $20 a year in the repairs and con- 
 venient articles made for the home. What 
 does this amount to in 40 years? Ans. — $800. 
 
 A self-binder costing $125 would have lasted 
 with good care 12 years. It was left out in the 
 weather and lasted only 3 years. What did 
 the farmer's carelessness cost him? Ans. — 
 $93.75. 
 
 If a careless hired hand while cultivating 
 corn covers up 20 hills to the acre, what is the 
 value of the corn destroyed on a 20-acre field, 
 counting 2 ears to a hill and 100 ears to the 
 bushel when corn is worth 50 cents a bu.? 
 Ans.— $4. 
 
 FENCING 
 
 Data. — Barbed wire is sold by the roll, 
 weighing about 100 lbs. and containing about 
 1200 ft. of wire. In a pound of staples there 
 are about 100. 
 
 Note. — Always draw the form of the field 
 before attempting to solve the problem. 
 
 How much wire fencing will it take to fence 
 an acre lot in the form of a square, 12 rods, 
 10 ft., 9 in. each way? Ans.— 50 rods, 10 ft. 
 
 How much fence will it take to enclose an 
 acre lot which is 20 rods long and 8 rods wide? 
 Ans. — 56 rods. 
 
 A 40-acre field is 80 rods each way. Find 
 cost of posts and fencing with three strings of 
 barbed wire at 25 cents a rod and a 12-icot gate 
 worth $5. Ans.— $85. 
 
 Another 40-acre field is 160 rods long and 40 
 rods wide, how much more will the fence cost 
 than in the previous problem with the posts, 
 fence and gate at the same price? Ans. — $20. 
 
 How much more will the fence posts cost for 
 the 40-acre tract 160 rods by 40 rods than for 
 the same acreage in the form of a square if the 
 
 posts cost 8 cents each and are placed 1 rod 
 apart, one extra being necessary for the gate? 
 Ans.— $6.40. 
 
 How many acres of land in a field 80 rods 
 wide and 120 rods long? How many rods of 
 fencing are needed to enclose it? Ans. — 60 
 acres; 400 rods. 
 
 How many rods of fencing are required per 
 acre in the above problem? Ans. — 5 rods. 
 
 How many acres of land in a field 40 rods 
 square? Ans. — 10 acres. 
 
 How many rods of fencing are needed to 
 enclose a field 40 rods square? Ans. — 160 rods. 
 
 How many rods of fencing are required per 
 acre in a field 40 rods square? Ans. — 16 rods. 
 
 If the fencing costs 30 cents a rod and lasts 
 10 years, what is the yearly cost per acre? 
 Ans. — 30 cents an acre per year. 
 
 How much is the annual cost per acre of such 
 a fence if 10| rods of fence are required to en- 
 close an acre? (See above problem.) Ans. — 
 32 cents per acre per year. 
 
 What does it cost for posts worth 12 cents 
 each to build 120 rods of fence if the posts are 
 set 1| rods apart? Ans. — $9.60. 
 
 CORN 
 
 How TO Test Seed Corn. — Make a box 36 
 in. by 40 in. and 3 in. deep. Fill the box about 
 half full of moist dirt, sand or sawdust. Press 
 it down so that it will have a smooth, even 
 surface. 
 
 Take a white cloth about the size of the box, 
 rule it oft" into squares 3 in. each way, numbering 
 them 1, 2, 3, 4, etc., and place it in the box 
 upon the sand. Take 6 kernels from each ear 
 and place in one square, giving the ear the same 
 number. Cover with a moist pad stuffed with 
 sawdust and keep moist and warm for several 
 days. 
 
 How many days did corn planted May 10 
 have to mature if frost occurred on the night 
 of September 10? Ans. — 123 days. 
 
 W^hen corn is planted May 15 and frost comes 
 on the night of September 1, how many days 
 has the corn in which to mature? Ans. — 108 
 days. 
 
 A bushel of seed corn will plant 7 acres. 
 W^hen seed is selling at $2 a bu., what is the cost 
 of seed per acre? Ans. — 28 4/7 cts. 
 
 If extra good seed corn costs $4.50 a bu., 
 what will it cost per acre? Ans. — 64 2/7 cts. 
 
 If it costs 14 cts. a bu. to grade seed corn 
 with a corn grader and a bu. of corn will plant 
 7 acres, what is the cost per acre for grading 
 the seed? Ans. — 2 cts. 
 
 If a man spends 4 hours shelling off tip and 
 butt kernels and sorting irregular kernels from 
 a bu. of seed corn, how much will it cost him 
 per acre if his time is worth 15 cts. an hour? 
 Ans.— 8 4/7 cts. 
 
 If it requires 18 ears of corn to plant 1 acre, 
 how many ears would be needed to plant 123^ 
 acres? Ans. — 225 ears. 
 
BOOK FOR PARENT AND TEACHER 
 
 239 
 
 Corn on the ear weighs 70 lbs. a bu. If the 
 ears average 10 oz. each, how many ears in a 
 bu.? Ans. — 112 ears. 
 
 If the ears average 12 oz. each, how many 
 ears in a bu.? Ans. — 93 plus ears. 
 
 If a man can select 1120 ears of seed corn 
 averaging 10 oz. each in 3 days, how much 
 will it cost him a bu. if his time is worth $2 a 
 day? Ans. — 60 cts. 
 
 \\'hat are 1120 ears of seed com worth at 
 $2.50 a bu. if the ears average 10 oz. and there 
 are 70 lbs. in a bu.? Ans. — $25. 
 
 Corn is sometimes reckoned on the basis of 
 120 ears to the bu. What is the weight of such 
 corn per ear? Ans. — 9f oz. 
 
 If corn is planted in check rows 3 ft. 8 in. 
 apart each way, how many square feet does each 
 hill of corn occupy? How many hills on an 
 acre? Ans.— 13| sq. ft.; 3240 hills. 
 
 How many stalks are there on an acre when 
 they are planted 3 stalks in a hill 3 ft. 8 in. 
 each way? Ans. — 9720 stalks. 
 
 If the stand is perfect and each stalk produces 
 one ear, what is the yield per acre, 120 ears to the 
 bu.? Ans.— 81 bu. 
 
 A bushel of choice seed corn costing $3.50 
 a bu. will plant 7 acres in check rows. \Miat 
 is the cost of the seed for 20 acres? Ans. — $10. 
 
 A poorer quality of seed will be priced at 
 $1.50 a bu. How much less will it cost for the 
 same 20 acres? Ans. — $4.29. 
 
 After shelling off the irregular kernels on the 
 butt and tip of a certain ear of corn there are 
 38 kernels left in each row. If there are 20 
 rows on the cob how many hills will it plant, 
 placing 3 kernels in a hill? Ans. — 253 hills. 
 
 DRAINAGE 
 
 All tile are 1 foot long. The average price 
 is about 3 cents each for 3-in. tile, 4 cents each 
 for 4-in. tile and 5 cents each for 5-in. tile. 
 
 A tract of wet land of 17 acres was tile- 
 drained at a cost of $24 an acre. What was 
 the cost of draining the field? Ans. — $408. 
 
 The farmer then sowed it to wheat, harvest- 
 ing 45 bu. an acre, which sold for one dollar a 
 bushel. What was his gross income from the 
 wheat crop? Ans. — $765. 
 
 If the farmer cleared 331 cts. a bu. from his 
 wheat crop, of 45 bu. an acre each year, what 
 would be his net gain in 5 years after deducting 
 the cost of tiling? Ans.— $867. 
 
 Mr. Brown had a square piece of low land 
 containing 90 acres. When he prepared to tile 
 it he found it was 6 ft. 8 in. higher at one side 
 than at the other. How wide is the field? How 
 much fall will this be to the rod? Ans. — 120 
 rods wide; 1^ in. to the rod. 
 
 What did it cost to lay 6 strings of tile across 
 
 this 90-acrc tract if the tile is $20 a thousand and 
 each tile was 1 ft. long and the cost of laying 
 them was 30 cts. a rod? Ans. — $453.60. 
 
 Find the cost per acre for tiling. Ans . — $5 .04 . 
 
 If tiling Air. Brown's field increased the yield 
 of corn an average of 8 bu. per acre, what will 
 the increase of corn be worth on the 90 acres at 
 40 cts. a bu. in 10 years? Ans.— $2880. 
 
 What will be the net gain per acre over the 
 cost of tiling in 10 years? The net gain on the 
 90-acre tract? Ans.— $26.96 an acre; $2426.40. 
 
 Farmer Jones had 20 acres of orchard with 
 30 trees on each acre. Each tree yielded on the 
 average 2 bbls. of apples worth $3 a bbl. After 
 tile-draining his orchard at a cost of $30 an 
 acre, his income from the crop was doubled. 
 What fraction of the crop paid for the tiling? 
 Ans. j^ of the crop. 
 
 PLOWING 
 
 There are 160 sq. rds. in an acre. How many 
 acres in a field 80 rods square? Ans. — 40 acres. 
 
 How many acres in a field 8 rods wide and 20 
 rods long? Ans. — 1 acre. 
 
 A ten-acre field is 40 rods long. How many 
 feet wide is it? Ans. — 660 ft. 
 
 A five-acre field is 16 rods wide; how long is it? 
 Ans. — 50 rods. 
 
 How many times must a farmer cross a field 
 40 rods square with a harrow 12 ft. wide to 
 harrow the field? Ans. — 55 times. 
 
 How far will the farmer travel in the above 
 problem? Ans. — 6g miles. 
 
 How many times must Mr. Brown cross a 
 field 16 rods wide with a 12-foot harrow to 
 harrow the field? Ans. — 22 times. 
 
 How many rounds (back and forth) must 
 Mr. Brown make to plow a field 8 rods wide 
 if the plow turns a furrow 14 in. wide? Ans. — 
 57 rounds. 
 
 How far must the plowman, cutting a 14-in. 
 furrow travel to plow an acre 8 rods wide, not 
 counting the turns? Ans. — 1\ miles. 
 
 How far must one travel with a 12-foot harrow 
 to harrow an acre? Ans. — 220 rods. 
 
 How far must a team travel, not counting the 
 turns, to plow one round on a field 40 rods long? 
 Ans. — I mi. 
 
 To plow a strip 10 rods wide, how many 
 furrows must be plowed with a 14-in. plow? 
 Ans. — 142 furrows. 
 
 How far must a team travel to plow a field 
 20 rods square with a 14-in. plow? Ans. — 
 17ii mi. 
 
 A man with two horses and a 14-in. plow 
 plows 2 acres in 8 hours. What does it cost to 
 plow one acre if the man's time is worth 16 cts. 
 an hour and the time of each horse is worth 
 8 cts. an hour.^'— Ans.— $1.28. 
 
no 
 
 THE HUMAN INTEREST LIBRARY 
 
 SILOS 
 
 The base of a silo is 20 ft. in diameter. Find 
 its circumference. Ans. — 62f ft. 
 
 Find the capacity in cu. ft. of a silo 16 ft. 
 in diameter and 30 ft. high. Ans. — 9428f cu. ft. 
 
 If a cu. ft. of silage weighs 30 lbs., how many 
 tons will this silo contain if after it is settled the 
 silage is 4 ft. from the top? Ans. — 122 .5 T. 
 
 A silo is 18 ft. in diameter and 32 ft. high; 
 how many tons of silage does it hold if a cu. ft. 
 weighs 36 lbs. and it has settled 4 ft. from the 
 top? Ans.— 123.3 T. 
 
 If 45 cows are fed 36 lbs. each of silage a day, 
 how long will the contents of the above silo last 
 this herd? Ans. — 158 days. 
 
 What must be the diameter of a silo 36 ft. 
 deep filled with silage to within 4 ft. of the top 
 to hold enough silage to feed 24 cows 35 lbs. a 
 day for each cow for 180 days if the silage weighs 
 36 lbs. a cu. ft. Ans. — 13 ft, nearly. 
 
 How many acres of corn will it take to supply 
 ensilage to a herd of 24 cows for 180 days, 35 
 lbs. each per day, if 1 acre yields 12 T. of silage? 
 Ans. — 7 acres, nearly. 
 
 The corn on a field of 24 acres when ready for 
 cutting and chocking, or for putting in the silo, 
 weighs 10 tons per acre, of which 80% is water. 
 By cutting and shocking the corn there is a loss 
 in dry matter of 30%; by putting it in the silo 
 there is a loss in dry matter of only 10%; if 
 the dry matter in silage is worth $.0071 a lb., 
 what is the value of the feed gained by putting 
 the crop in the silo? Ans. — $136.32. 
 
 A silo 16 ft. in diameter is filled 24 ft. deep 
 with silage. One cu. ft. weighs 30 lbs. How 
 many tons of silage are in the silo? Ans. — 
 144.8 T. 
 
 HAY 
 
 One acre of mixed clover and timothy will 
 produce 2h tons of hay. If the labor to raise it 
 costs $3.68 an acre and the rent of the land is 
 $2.50 an acre, what is the total cost per ton? 
 Ans.— $2.47. 
 
 If the above crop yields but 1§ tons an acre 
 what is the cost per ton for producing it? Ans. 
 —$4.12. 
 
 If bran is worth 2^ times as much as clover 
 
 hay per pound, how much is bran worth when 
 clover is $8 a ton? Ans.— $20. 
 
 If it costs a farmer only $3.34 a ton to raise 
 clover hay, how much can he afford to pay for 
 bran which is worth 2^ times as much as clover 
 hay? Ans. — $8.35 a ton. 
 
 If a 12-acre field of clover yields 3500 lbs. of 
 hay per acre at the first crop, and a bushel of 
 seed per acre at the second crop, what is the 
 entire yearly income from the field when hay is 
 $10 a ton and seed $8 a bu.? Ans.— $306. 
 
 At $8 a bu. what is the return from 5 acres of 
 clover vielding 160 lbs. of seed an acre (60 lbs. 
 tothebu.). Ans.— $106.66|. 
 
 If an acre of clover yields 4500 lbs. of clover 
 hay the first cutting and 2400 lbs. the second 
 cutting, what is the value of the crop at $8 a 
 ton? Ans.— $27.60. 
 
 One pound of alfalfa hay contains .11 of a 
 pound of digestible protein, .4 of a pound of 
 carbohydrates, and .012 of a pound of fats. 
 Red clover hay contains .068 lb. protein, .36 lb. 
 carbohydrates and .017 lb. fats. What is the 
 difference in the feeding value of a ton of 
 alfalfa and a ton of red clover when digestible 
 protein is worth 3 cts. a lb. and carbohydrates 
 1 ct. a pound and fats 2§ cts. a pound? Ans. — 
 Alfalfa $15.20 per ton; red clover $12.13. 
 
 One pound of timothy hay contains .028 lb. 
 digestible protein, .43 lb. C. H., and .014 lb. fat. 
 Which has the greater feeding value, timothy or 
 clover according to the above problem? Ans. — 
 Clover, $12.13; timothy, $10.98. 
 
 ORCHARDS AND SPRAYING 
 
 When trees are set 25 ft. apart each way, how 
 much space does each tree occupy and how 
 many trees can be set on an acre 10 rods by 16 
 rods? Ans. — 60 trees. 
 
 (Note. — Find how many trees in a row and 
 the number of rows.) 
 
 If the acre lot is square how many trees may 
 be set on it 25 ft. each way? Ans. — 64 trees. 
 
 If there are 64 trees per acre and each tree 
 produces 3 bu. 3 pk. of apples, how much are 
 the apples on one acre of orchard worth at 
 75 cts. a bu.? Ans.— $180. 
 
BOOK FOR PARENT AND TEACHER 
 
 2n 
 
 The Kentucky Experiment Station made a 
 spraying test on an orchard that had never 
 before been sprayed. One sprayed Maiden 
 Bhish tree yielded 7 bu. of apples, 4j bu. of 
 which graded firsts and sold at 75 cts. a bu., the 
 remainder graded seconds and sold at 375 cts. 
 One unsprayed tree of the same variety in the 
 next row yielded 4 bu. of apples, \ of which 
 graded firsts and the rest seconds. What is 
 the difference in income from the fruit on the 
 two trees.'* Ans. — $2,625. 
 
 If an orchard contained 200 trees, what would 
 be the difference in income from a sprayed and 
 an unsprayed crop according to the data in the 
 above problem if firsts sold at 50 cts. a bu. and 
 seconds at 30 cts..? Ans.— $340. 
 
 Bordeaux Mixture contains 4 lbs. of freshly 
 slaked lime and 4 lbs. of copper sulphate or 
 bluestone in 50 gals, of water; with lime at Ic. 
 a pound, and copper sulphate at 10 cts. a pound, 
 what would it cost to spray 200 apple trees twice 
 if 2 gals, of the mixture is sufficient for the 
 spraying of one tree once.'' Ans. — $7.04. 
 
 Three unsprayed apple trees yielded 188 
 sound apples while 6 similar trees, sprayed, 
 yielded 8764 sound apples. Counting 100 
 apples to the bushel, what would be the gain 
 from spraying 100 trees when apples are selling 
 at 80 cts. a bu..? Ans.— $1118.40. 
 
 FEEDING 
 
 If a calf weighs at birth b^ lbs. and gains 2 
 lbs. a day, what should it weigh under usual 
 conditions at the end of 90 days.? Ans. — 
 235 lbs. 
 
 When milk is worth 15 cts. a gal., what is the 
 cost of making a calf that weighs 60 lbs. at birth 
 weigh 140 lbs. when it takes \\ gals, of milk to 
 produce one pound of his weight.? Ans. — $15. 
 
 Which is the better proposition, to keep a 
 young calf for 90 days, feeding it on the average 
 2^ gals, of milk a day worth 10 cts. a gal., and 
 then sell it for $15; or to sell it at birth for $3 
 and sell butter-fat from the milk at 18 cts. a 
 pound if the milk contains 3.8% butter-fat and 
 a gal. of milk weighs 8.6 lbs.? Ans.— First 
 proposition, loss $7.50; second, gain $8.88. 
 
 A calf at birth weighs 68 lbs. If at the end of 
 60 days it weighs 200 lbs., what is the cost of 
 its keep, not counting labor, if Ij gal. of milk 
 worth 15 cts. a gal. produces 1 lb. of weight.? 
 Ans.— $24.75. 
 
 At an Experiment Station a certain pig that 
 was fed a total of 397 lbs. of shelled corn gained 
 79 lbs. At this rate how many pounds of 
 shelled corn did it take to produce one pound of 
 flesh.? Ans. — 5 lbs. corn. 
 
 When corn is 50 cts. a bu., what does it cost 
 to add one pound of flesh to a pig according to 
 the above problem (56 lbs. to a bu.)? Ans. — 
 4£\ cts. 
 
 At this rate how many pounds of fat can be 
 put on a hog with a bushel of corn weighing 
 56 lbs..? Ans.— 11 lbs. 
 
 Another test showed that pigs fed for 46 
 days on a total of 334 lbs. of middlings gained 
 90 lbs. At this rate how many pounds of mid- 
 
 dlings does it take to put one pound of flesh 
 on a hog.? Ans. — 3.7 lbs. 
 
 Compare the cost of producing one pound of 
 live weight on a hog with corn at 45 cts. a bu. 
 with middlings at $1.40 a cwt. Ans. — Corn 
 4i'j; cts; middlings 5 2^ cts. 
 
 ROADS 
 
 Farmers living in regions where they have 
 good roads are enabled to haul their products 
 to market at any season of the year. Larger 
 loads can be drawn in less time. This re- 
 duces the cost of marketing crops. A good 
 road must be hard and smooth with proper 
 slope for drainage. 
 
 If a road is 66 ft. wide, how many sq. ft. of 
 surface are there in a mile of road? Ans. — 
 348,480 sq. ft. 
 
 If a road bed is 12 ft. wide, how many square 
 feet of surface in a mile? Ans. — 63,360 sq ft. 
 
 If there are 32 in. of rainfall in a year, how 
 many tons of water fall on a mile of road 66 ft. 
 wide, in a year? Ans.— 3833.28 T. 
 
 How many cu. yds. of gravel are required to 
 cover a mile of road bed 10 ft. wide and 6 in. 
 deep? Ans. — 977| cu. yd. 
 
 If it costs 50 cts. a sq. rd. for grading, what 
 will it cost to grade a mile of road-bed 10 ft. 
 wide? Ans. $96.93. 
 
 If a team can be hired for $4 a day of 10 hrs. 
 each which can haul a cu. yd. of gravel an hour, 
 how long will it take to gravel a 12-foot road- 
 bed a mile long with gravel 6 in. deep? What 
 will it cost? Ans.— $469.33. 
 
 An apple grower had 1200 tons of apples to 
 deliver to the railroad 6 miles away. It is 
 estimated that poor dirt roads cost the marketer 
 17 cts. a ton for every mile. In this region the 
 roads were well-kept and the cost was only 
 13 cts. a mile. How much does this grower 
 save on his crop by the good roads? Ans. — 
 $288. 
 
 According to the above problem, what does it 
 cost Mr. Carter to market 60 tons of produce at 
 a distance of 6 mi. on poor dirt roads? Ans. — 
 $61.20. 
 
 Mr. Bangs goes to market twice a week. 
 The market is 10 miles away. Over poor roads 
 a whole day is consumed. Over macadamized 
 roads he can make the round trip in half a day. 
 How much would macadamized roads save this 
 farmer in a year if the time of himself and his 
 team is worth $2 a day? Ans. — $104. 
 
 RENTS 
 
 Property owners usually charge their tenants 
 10% of the value of the house and lot as rent. 
 Out of this gross rental the owner pays the 
 taxes, insurance and the necessary repairs. 
 These three items average about J or 20% of 
 the gross rental. 
 
 Real estate agents charge from 2^% to 5% of 
 the gross rental as commission for renting a 
 house for an owner. For selling of property 
 agents charge from 2i% to 5% of the selling 
 price of the property for their services. 
 
 For what would a man owning a $10,000 
 house on an average lot be likely to rent it? 
 
2k^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 WHEAT 
 
 How many bushels in 13,6!20 lbs. of wheat if 
 there are 60 lbs. in a bushel? Ans. — 2-27 bu. 
 
 How many poimds are produced on 1''2^ acres 
 yielding 20 bu. per acre? How many bushels? 
 Ans.— 15,000 lbs.; 250 bu. 
 
 If there are 12 lbs. of water in 100 lbs. of 
 wheat, how many pounds of water in 25 bushels? 
 Ans.— 180 lbs. 
 
 If /g of wheat is starch, how many lbs. of 
 starch in 25 bu.? Ans. — 1350 lbs. 
 
 How many tons of wheat are grown on 24 
 acres yielding 24 bu. per acre? Ans. — 17.2 
 tons. 
 
 What is the value of the crop in the above 
 problem at 85 cents a bushel? Ans.^$489.60. 
 
 It takes 4.77 bu. of wheat to make one bbl. 
 of flour. How many bbls. of flour can be made 
 from a 20-acre field of wheat averaging 15 bu. 
 to the acre? Ans. — 62.9 bbls. 
 
 If 60 acres are seeded to wheat and only f 
 of the seed germinates, how many acres are 
 seeded to wheat that will not grow? Ans. — 
 12 acres. 
 
 At 85 cts. a bu. and with a crop of 24 bu. 
 per acre, what is the value of the wheat grown 
 on a piece of land containing 280 sq. rds.? 
 Ans.— $35.70. 
 
 If wheat for sowing contains ^ weed seed, 
 how much land will a farmer sow to weeds if he 
 plants a 40-acre field? Ans. — 2 acres. 
 
 What will be his loss if by sowing clean seed 
 wheat his field would have yielded 25 bu. an 
 acre worth 75 cts. a bu.? Ans. — $37.50. 
 
 If 25 bu. of 85-cent wheat can be grown on 
 an acre, how many pounds is that per acre and 
 what is the price per pound? Ans. — 1500 lbs.; 
 li cts. 
 
 BIRDS AND INSECTS 
 
 If the damage done by insects on a farm 
 averages 60 cts. an acre for the entire farm, 
 what would this amount to on a 240-acre farm? 
 Ans.— $144. 
 
 Winter birds live on weed seed. If each bird 
 eats a quarter of an ounce of weed seed in a 
 day and there is a bird to each acre, how many 
 pounds of weed seed will the birds eat on 320 
 acres in 3 months? Ans. — 450 lbs. 
 
 Wild birds average about 400 to a quarter 
 section of 160 acres. How many would this 
 be for a township 6 miles square (36 sections) ? 
 Ans. — 57,600 birds. 
 
 It is estimated that 500 small grasshoppers 
 will eat a pound of a growing crop in one day. 
 If a meadow lark eats 250 grasshoppers in a 
 day, how many larks can save a ton of a 
 growing crop in 10 days? Ans. — 40 larks. 
 
 A stalk of plantain bears an ounce of seed or 
 about 14,000 seeds. If 40 seeds sow one square 
 yard of ground, what part of an acre will one 
 stalk of plantain sow? Ans. — g^gV A. 
 
 If 4 lbs. in every bushel of a farmer's crop of 
 oats is weed seed, what per cent of his crop of 
 2000 bu. is weeds? How many pounds of oats? 
 Ans.— 12V%; 46,000 lbs. oats. 
 
 If a farmer seeded 20 acres of land with grass 
 seed containing 10% weed seed, how much land 
 would he sow to weeds? Ans. — 2 acres. 
 
 Twelve bu. of clover seed containing 4^ bu- 
 of dead seed were bought at $3.75 a bu., what 
 was the price paid for the live seed? Ans. — $6. 
 
 Twenty bushels of clover seed containing Ij 
 bu. of dead seed were bought for $6 a bu. 
 What was the price paid for the live seed? 
 Ans.— $6.49. 
 
BOOK FOR PARENT AND TEACHER 
 
 2Jt3 
 
 COWS, MILK AND BUTTER 
 
 Four per cent milk means that each 100 lbs. 
 of milk contains -1 lbs. of butter fat. 
 
 Process: 100 lbs. X. 04 =4. lbs. 
 
 How many lbs. of butter-fat in -tOOO lbs. of 
 milk that tests 5%.? Ans.— 200 lbs. 
 
 How much less is the butter-fat if the milk 
 tests 3%.=' Ans.— 80 lbs. 
 
 A cow gives on an average 18 lbs. of 4% milk 
 per day for 300 days each year. What is her 
 yearly butter-fat production? Ans. — 216 lbs. 
 
 When a cow yields 20 lbs. of milk daily which 
 tests 3.2% butter-fat, what quantity of butter- 
 fat is produced in a month of 30 days? How 
 much is it worth at 28 cents a lb.? Ans.— 19.2 
 lbs.; $5,376. 
 
 A cow gives 5400 lbs. of milk in a year testing 
 3% fat. How much is it worth at 28 cts. a lb.? 
 Ans.— $45.36. 
 
 If a cow gives 5400 lbs. of milk in a year 
 testing 5% fat, how much is the butter-fat 
 worth at 28 cents a lb.? Ans.— $75.60. 
 
 A dairyman owns a herd of 12 cows that 
 average 24 lbs. of milk each day from each cow. 
 How manv lbs. of milk does he get in a month 
 of 30 days? Ans.— 8640 lbs. 
 
 If this milk tests 3.8% and butter-fat is 
 worth 28 cts. a pound, what does he receive 
 monthly from his herd? How much per head? 
 Ans.— $85.36; $7.11 per head. 
 
 The average cow gives about 4000 lbs. of milk 
 in a year testing about 3.8% fat. How many 
 lbs. of butter-fat does she give? What is it 
 
 worth at 30 cts. a lb.? Ans.— 152 lbs.; $45.60 
 If every farmer fed and cared for his cows in 
 the best possible manner, the average yield of 
 dairy cows would be increased about 100 lbs. 
 of butter-fat for each cow per year. If butter- 
 fat is worth 30 cts. a lb., how much more income 
 would a farmer receive from a herd of 10 cows 
 with extra care? Ans. — $300. 
 
 From the following record find the monthly 
 income from each cow, with butter-fat at 25 cts. 
 a pound. Which is the best cow and which 
 the poorest? 
 
 Dailv Yield of Milk Fat Test 
 
 Brindle '^..32 lbs. 3.5% 
 
 Brownie 16 lbs. 4 % 
 
 Rose 28 lbs. 3.5% 
 
 Cherrv 18 lbs. 3 % 
 
 Red 15 lbs. 3.2% 
 
 Daisy 26 lbs. 5.4% 
 
 Ans.— Daisv, $10.53; Brindle, $8.40; Rose, 
 $7.35; Brownie, .$4.80; Cherry, $4.05; Red, $3.60 . 
 
 At the Chicago Dairy Show, November, 1913, 
 the U. S. Government displayed a herd of cows 
 whose feed was carefully weighed and whose 
 milk was weighed and tested. Below is the 
 week's record tested for butter-fat of 3 of the 
 cows in that herd. The cows were said to have 
 freshened about the same time. 
 
 Lbs. of Milk Av. % of Cost 
 in 7 days butter-fat of feed 
 Grade, or scrub cow . 49 . 6 4 . 6% $1 . 44 
 
 Guernsev 235 6.5% 1.78 
 
 Holstein 350 3.8% 1 .94 
 
su 
 
 THE HUMAN INTEREST LIBRARY 
 
 Find the amount of butter-fat produced by 
 each cow during that week. Ans. — Grade, 2.8 
 lbs.; Guernsey, 15.2 lbs.; Holstein, 13.3 lbs. 
 
 Find the week's income from each cow with 
 butter-fat at 33 cts. a pound. Ans. — Grade, 
 $0.93; Guernsey, $5.02; Holstein, $4.39. 
 
 Find the weekly profit or loss after charging 
 each cow with her feed. Ans. — Grade, loss 
 $0.51; Guernsey, profit, $3.53; Holstein, $5.25 
 profit. 
 
 A dairyman sent to market 200 lbs. of 25% 
 cream. From what quantity of 5% milk was 
 the cream taken.^ Ans. — 1000 lbs. 
 
 His neighbor sends with him 200 lbs. of 20% 
 cream which was taken from 1000 lbs. of milk. 
 What was the per cent of fat in this milk.^ 
 Ans. — 4%. 
 
 The temperature of cream ready for churning 
 may vary from 50 degrees Fahr. to 66 degrees. 
 As the temperature increases above 66 degrees 
 Fahr. more butter-fat is left in the milk. The 
 butter is also soft and of an inferior quality. 
 This cream churns more slowly than thick 
 cream. Churning should be stopped when the 
 granules are about the size of a grain of wheat of 
 large size. 
 
 Buttermilk churned from cream at a tem- 
 perature of from 50 degrees to 60 degrees con- 
 tains .2% of fat, when churned at a temperature 
 of from 75 degrees to 80 degrees the buttermilk 
 tests .9% butter-fat. What would be saved by 
 churning at the lower temperature from a herd 
 of cows from which 16,400 lbs. are annually 
 produced.^ Ans. — 114.8 lbs. 
 
 From the following record find the monthly 
 income from each cow, with butter-fat at 25 
 cts. a pound. Which is the best cow and which 
 the poorest? Arrange them in the order of the 
 money income they produce. 
 
 A certain farmer has 15 good butter cows. 
 The average per cent of butter-fat for the entire 
 herd is 5.5%. If they yield 240 lbs. of milk on 
 an average daily, wliat is the average daily 
 production of butter-fat in pounds. Ans. — 
 13.2 lbs. 
 
 What is the daily income from such a herd 
 when butter-fat sells for 28 cts. a pound.* Ans. 
 —$3.70. 
 
 A certain farmer o^\Tied a Holstein cow that 
 was very valuable but he did not know it be- 
 cause he had never tested her milk. He traded 
 her for a scrub cow and $15. The Holstein was 
 tested and found to give 800 lbs. of butter-fat 
 in a year and the scrub, 125 lbs. What did the 
 farmer lose in 5 years with butter-fat at 25 cts. 
 a pound if both cows consumed the same amount 
 of feed.' Ans.— $843.75. 
 
 A farmer with a herd of Jersey cows number- 
 ing 10 had the week's weight of milk as follows: 
 210 lbs., 220 lbs., 212 lbs., 214 lbs., 204 lbs., 
 216 lbs., and 214 lbs. for each day. It tested 
 6% butter-fat which sold at 28 cts. a pound. 
 How much did the cows average per head for 
 the week? Ans.— $2.50. 
 
 A dairyman hauls 24,650 lbs. of milk that 
 tests 3.8% to a creamery. The price of butter- 
 
 fat is 30 cts. a pound; how much money should 
 he receive? Ans.— $281.01. 
 
 POTATOES 
 
 A bushel of potatoes weighs 60 lbs. 
 
 If an acre of potatoes yields 110 bu. what is 
 the value of the crop at 40 cts. a bu.? Ans. — 
 $44. 
 
 How many pounds of potatoes are grown on 
 2| acres yielding 150 bu. per acre? Ans. — 
 22,500 lbs. 
 
 If a potato farmer gave his crop careful at- 
 tention it would cost him $25 an acre to grow 
 potatoes. What is the net profit an acre if the 
 yield is 110 bu. worth 40 cts. a bu.? If the 
 yield is 250 bu. worth 40 cts a bu. — Ans. 
 $19.; $75. 
 
 How many acres of potatoes producing 90 
 bu. an acre must he grow to return as much net 
 profit as 10 acres yielding 180 bu. an acre if the 
 cost and price are the same as in the above 
 problem? Ans. — 42.7 A. 
 
 Five farmers sell a carload of 650 bu. of mixed 
 potatoes at 42 cts. a bu. They divide equally. 
 How much does each receive? Ans. — $54.40. 
 
 Five other farmers sell a carload of 650 bu. 
 of uniform potatoes at 52 cts. a bu. Divide 
 the returns among them equally. Ans. — $67.60. 
 
 Jack Smith and his brother Jim belong to a 
 potato club. Jack spends an extra day select- 
 ing his seed from the field as they are dug for 
 his acre of potatoes. Jim takes his seed at 
 random and his crop yielded 98 bu. an acre while 
 Jack's yielded 140 bu. an acre. How much did 
 Jack make the day he selected his seed potatoes 
 if potatoes are worth 50 cts. a bu.? Ans. $21. 
 
 The next season Jack not only chose his 
 seed from the field as the potatoes were dug 
 but noticing some scabby potatoes he bought 
 a pint of formalin for 50 cts. which he mixed 
 with 35 gak. of water. Just before cutting 
 the potatoes for planting he soaked them in 
 this solution for 2 hours and killed the scab. 
 Jack raised 200 bu. an acre which he sold for 
 55 cents a bu. Jim raised 110 bu. which on 
 account of scab sold for 40 cts. a bu. Find 
 Jack's profits over Jim's. Ans. — $66. 
 
 F. E. Bugbee of Hastings, Fla., reports as 
 follows on untiled land: Cost of raising crop 
 $88.50 an acre, gross income $130 an acre. 
 Find the net income on 12§ acres. Ans. — 
 $518.75. 
 
 Mr. Bugbee tile-drained a part of his land at a 
 cost of $30 an acre. On this land the cost of 
 raising a crop was $147.50 an acre and the gross 
 income was $390 an acre. How many times 
 did his clear profit on one acre pay for the 
 tiling? Ans. — 8 times. 
 
 In the Twin Falls country of Idaho the yield 
 of potatoes is from 100 to 700 bu. per acre. 
 The cost of producing a 150-bu. crop there is 
 estimated at $44 an acre. At that rate what is 
 the profit on 10 acres when potatoes sell at 50 
 cts. a bu.? Ans.— $310. 
 
 If by increasing the expense of the crop to 
 $95 an acre a 600-bu. crop may be raised, what 
 would be the net profit on 10 acres at 50 cents 
 a bu.? Ans.— $2050. 
 
BOOK FOR PARENT AND TEACHER 
 
 245 
 
 POULTRY 
 
 If a flock of 80 hens average 90 eggs a year, 
 what is the income from the flock with eggs at 
 20 cts. a dozen? Ans. — $120. 
 
 How many bushels of corn will it buy at 45 
 cts. a bu..'' Of wheat at 70 cts..'' Ans. — Corn, 
 266| bu.; wheat, 171 f- bu. 
 
 A flock of 200 hens average 90 eggs a year 
 apiece. If the average price of eggs for the 
 year is 20 cts. a dozen, what is the value of the 
 flock's output.?' Ans.— $300. 
 
 If it takes 24 bu. of corn at 50 cts. a bu., 10 
 bu. of oats at 30 cts., and $15 worth of other 
 feed to keep this flock for one year, what is 
 the profit over the cost of the feed? Ans. — • 
 $270. 
 
 At 18 cts. a pound, what would be received 
 from 60 hens weighing 7.5 lbs. each? Ans. — 
 $81. 
 
 The market price of hens was 18 cts. a pound. 
 What would be received from 60 hens each 
 weighing 4.5 lbs. if the dealer docked them 
 one cent a pound from the regular price because 
 they were small and thin? Ans. — $45.90. 
 
 A farming community markets all their eggs 
 together. If each farm produces 30 eggs a day 
 how many farms will be needed to fill 7 cases 
 each holding 30 dozen once a week? Ans. — - 
 12 farms. 
 
 What would be the gain per day on each farm 
 if 5 cts. extra a doz. were secured by keeping 
 the eggs clean and packing them neatly if it 
 took a boy one hour each day whose services 
 were worth 10 cts. an hour? Ans. — $1.40. 
 
 If a farmer's wife keeps 80 hens and each hen 
 lays 125 eggs in a year, how much will her 
 annual income be with eggs at 21 cts. a doz.? 
 Ans.— $175. 
 
 If 12,000 lbs. of grain costing 1 cent a pound 
 is required to feed the above flock a year and 
 raise 300 young chickens, what will be her 
 gain if the chicks are worth 35 cts. each and the 
 eggs 21 cts. a dozen? Ans. — $160. 
 
 PROBLEMS WITH THE LEVER 
 
 The teeter-board is a kind of lever. The 
 point of support is called the fulcrum. The 
 teeter-board will balance when the weight on 
 one end multiplied by its distance from the 
 fulcrum equals the product of the weight on 
 the other by its distance from the fulcrum. 
 
 John, who weighs 75 lbs., sits on one end of 
 the teeter 6 ft. from the fulcrum, where must his 
 brother Oscar sit if he weighs 60 lbs., to make 
 the teeter-board balance? 
 Process: 75X6 = 450 
 
 450^60 = 7^.— 0--'^./ sits 7| ft. 
 from fulcrum. 
 
 Cyrus, who weighs 120 lbs., sits on one end of 
 a teeter 6 ft. from the fulcrum, how far from 
 the fulcrum on the other end must his sister 
 sit who weighs 90 lbs.? Ans. — 8 ft. 
 
 John weighs 90 lbs., and his sister Jane 45 
 lbs. Both sit on one end of a teeter 8 ft. from 
 the fulcrum. Victoi' weighs 120 lbs. How far 
 from the fulcrum on the other end must he sit 
 to balance John and Jane? Ans. — 9 ft. 
 
 A man with a crowbar 6 ft. long places one 
 end of it under a stone. He places the fulcrum, 
 or rest, 1 ft. from the stone. If the man weighs 
 160 lbs., how heavy a stone can he raise with the 
 crowbar? Ans. — 800 lbs. 
 
 A man weighing 150 lbs. has a piece of timber 
 20 ft. long with which he wishes to raise the 
 corner of a building. He places a fulcrum 6 in. 
 from the building, how many pounds can he 
 raise? Ans. — ^5850 lbs. 
 
 A doubletree is made for 2 horses of different 
 weight. One end is 18 in. long and the horse 
 pulls upon it with a force of 150 lbs. The other 
 end of the doubletree is 20 in. long, how many 
 pounds must that horse pull to keep even with 
 the first? Ans.— 135 lbs. 
 
 A doubletree is 4 ft. long. At what point 
 must it be attached to a plow so that one horse 
 will pull twice as much as the other? Ans. — 
 16 in.; 32 in. 
 
 (Note. — What fraction of the load will each 
 horse pull?) 
 
 At what point must the same doubletree be 
 attached so that one horse will pull Ij times as 
 much as the other? Ans. — 2I5 in.; 26| in. 
 
 (Note. — What fraction of the entire load does 
 each horse pull?) 
 
 Two horses weigh 1600 lbs. and 1200 lbs. 
 respectively. If each pulls ^ of his own 
 weight, how should a 4-ft. doubletree be at- 
 tached so they will pull evenly? Ans. — 27f in. 
 for the light horse; 20f in. for the heavy horse. 
 
 (Note. — Find what fraction of the load each 
 horse pulls.) 
 
2I^6 
 
 THE HUMAN INTEREST LIBRARY 
 
 ANIMAL POWER 
 
 The word "work" is used with different 
 meanings. Men of science use it to mean 
 motion against resistance. In this sense 
 work is measured in foot-pounds. A boy 
 pulling with a force of 2 pounds moves his 
 little wagon 10 feet. The work done is 
 20 foot-pounds. 
 
 Process: 2 X 10 = 20 foot-pounds. 
 A man pushes a wheelbarrow with a force 
 of 20 pounds long enough to move it 30 feet. 
 The work done is 600 foot-pounds. 
 Process: 20X30 =600 foot-pounds. 
 A horse pulling with a force of 150 pounds 
 draws a load 10 rods. The work done is 
 24,750 foot-pounds. 
 
 Process: 10 rods = 165 feet. 
 
 150X165 = 24,750 foot-pounds. 
 Rule. — Multiply the force in pounds by the 
 distance infect. The result is foot-pounds. 
 
 How much work is done when a 100-lb. boy 
 climbs to the top of a 40-ft. windmill.' Ans. — 
 4000 foot-pounds. 
 
 How much work is done when a 60-lb. boy 
 climbs a 9-ft. stairway.'' Ans. — 540 foot-pounds. 
 How much work does a 1200-lb. horse do in 
 walking up a 150-ft. hill? Ans.— 18,000 foot- 
 pounds. 
 
 (Note. — The force necessary to pull an ob- 
 ject or tool is called the draft.) 
 
 The draft of a certain hand cart is 18 lbs. 
 How much work does a man do in pushing it a 
 mile.' (5280 ft. in a mile.) Ans.— 95,040 
 ft.-lbs. 
 
 How much work is done by a team in plowing 
 a furrow 40 rods long when the draft of the plow 
 is 450 lbs.? Ans.— 297,000 ft.-lbs. 
 
 A horse does 290,400 ft.-lbs. of work in draw- 
 ing a certain wagon one-half mile. What is the 
 draft? Ans.— 110 lbs. 
 
 What power is necessary to raise grain in an 
 elevator to a height of 50 ft. at the rate of 990 
 bu. an hour? Ans. — 49,500 ft.-lbs. 
 
 (Note. — There is always some power lost by 
 contact of surfaces or friction. 
 
 In the foregoing problem what power will be 
 required if 50% of it is lost in friction. Ans. — 
 99,000 ft.-lbs. 
 
 If there could be such a thing as an absolutely 
 smooth or frictionless horizontal surface a load 
 moving along it would never stop, or in other 
 words it would require no force to keep it going. 
 But as there is always friction in some degree 
 enough force must be used to overcome it if the 
 load is to be kept in motion. By the use of 
 wheels, lubricating oils, and hard road-beds, 
 friction may be greatly reduced. The total 
 force necessary to keep a ton moving on the 
 best level macadam road may be as low as 30 
 to 50 lbs. On a hard, level earth road with an 
 ordinary wagon the draft or traction is about 
 150 lbs. to the ton. A large draft horse may 
 easily exert a force of 150 lbs. and keep this up 
 working 10 hours a day walking at the rate of 
 2.5 miles per hour. This amount of work, 
 33,000 foot-pounds per minute, is called a horse- 
 power. 
 
 If a horse is walking 2.5 miles an hour and 
 pulling 150 lbs. on his traces, how much power 
 is he developing? Ans. — 1 horsepower. 
 150X5280X2.5 
 
 Process: = 33,000 ft.-lbs. a 
 
 60 min. or 1 horse- 
 
 power. 
 
 A horse is walking 2.5 miles per hour and 
 pulling 100 lbs. on his traces. How much power 
 is he developing? Ans. — | horsepower. 
 100X5280X2.5 
 
 Process: = § horsepower. 
 
 33000X60 
 
 (Note. — Use cancellation.) 
 
 How many horsepower is a horse developing 
 when walking 5 miles an hour and pulling 60 
 lbs. on his traces? Ans. — | horsepower. 
 
 How many horsepower is a team developing 
 when walking 4 miles an hour and steadily pull- 
 ing 165 lbs.? Ans. — 1.7 horsepower. 
 
 If it requires a 1500-lb. draft horse walking 
 at the rate of 2.5 mi. an hour to develop 1 
 horsepower, how much power may be exerted 
 by a 1000-lb. horse walking at the same rate? 
 Ans. — I horsepower. 
 
 Careful tests have been made showing that 
 a horse may be expected to pull about j^q 
 of its own weight and keep it up 10 hours a 
 day walking 2.5 miles an hour. This pulhng 
 power is called traction. 
 
 If a horse can pull steadily with a force equal 
 to jJjj of its own weight, what draft will a 1200-lb. 
 horse exert? Ans.— 120 lbs. 
 
 How much power will he develop walking 2.5 
 mi. an hour? Ans. — jg horsepower. 
 
 How much power may be expected from a 
 1500-lb. horse walking at the same rate? Ans. 
 — 1 horsepower. 
 
 At the same rate how much power may be 
 expected from an 1800-lb. horse? Ans. — 1| 
 horsepower. 
 
 What should be the pulling power of a two- 
 horse team, one weighing 1600 lbs. and the 
 other 1200 lbs. walking at the rate of 2.5 mi. 
 per hour for 10 hours a day? Ans. — 280 lbs. 
 
 How much horsepower is this team develop- 
 ing? Ans. — 1.8 (plus) horsepower. 
 
 What should be the pulling power of a two- 
 horse team, one weighing 1500 lbs. and the other 
 1400 lbs., walking at the rate of 2.5 mi. an hour 
 for 10 hours? Ans. — 1{^ horsepower. 
 
 If a horse pulls ^ of its own weight steadily 
 for 10 hours a day walking 2.5 mi. an hour, how 
 does a team of draft horses weighing 3200 lbs. 
 compare with a light team, weighing 1800 lbs.; 
 in horsepower? Ans. — 2j^5 h. p. 
 
 COUNTING 
 
 n h. p. 
 
 12 things are one dozen (doz.). 
 
 12 dozen are 1 gross (gro.). 
 
 12 gross are 1 great gross (G. gro.). 
 
 20 things are 1 score. 
 
 24 sheets of paper are 1 quire. 
 
 20 quires or 480 sheets are 1 ream. 
 
BOOK FOR PARENT AND TEACHER 
 
 m 
 
 TIME MEASURE 
 
 60 seconds (sec.) are 1 minute (min.)- 
 60 minutes are 1 hour (hr.). 
 24 hours are 1 day (da.)- 
 7 days are 1 week (wk.). 
 
 2 weeks are 1 fortnight. 
 
 30 das. (31, 28, 29 das.) are 1 month (mo.). 
 
 3 months or 13 weeks are 1 quarter. 
 
 12 months or 365 days are 1 common year (yr.) 
 366 days are 1 leap year. 
 
 10 years are 1 decade. 
 100 years are one century (C). 
 
 WEIGHTS OF PRODUCE IN A BUSHEL 
 
 Wheat 60 lbs. 
 
 Corn in the ear 70 lbs., except in Miss., 
 
 72 lbs. in Ohio, 68 lbs. 
 in Ind. after Dec. 1, 
 and in Ky. after May 1 
 following the time of 
 husking, it is 68 lbs. 
 
 Com shelled 56 lbs., except in Cal., 
 
 54 lbs. 
 
 Rye 56 lbs., except in Cal., 54 
 
 lbs.; in La. 32 lbs. 
 
 Buckwheat 48 lbs., except in Cal.. 40 
 
 lbs; Ky., 56 lbs.; Ida., 
 N.D.,Okl.,Ore.,S.D., 
 Tex., Wash., 42 lbs.; 
 Kan., Minn., N. C, 
 N. J., Ohio., Tenn., 50 
 lbs. 
 
 Barley .48 lbs., except in Ore., 
 
 46 lbs.; Ala., Ga., Ky., 
 Pa., 47 lbs.; Cal., 50 
 lbs; La., 32 lbs. 
 
 Oats ........32 lbs., except in Ida. 
 
 and Ore., 36 lbs.; in 
 Md., 26 lbs.; in N. J. 
 and Va., 30 lbs. 
 
 Peas 60 lbs. 
 
 White beans 60 lbs. 
 
 White potatoes 60 lbs., except in Md., 
 
 Pa., Va., 56 lbs. 
 
 Sweet potatoes 55 lbs. 
 
 Onions 57 lbs. 
 
 Turnips 55 lbs. 
 
 Dried peaches 33 lbs. 
 
 Dried apples 26 lbs. 
 
 Clover seed 60 lbs., except in N. J., 64 
 
 lbs. 
 
 Flax seed 56 lbs. 
 
 Millet seed 50 lbs. 
 
 Hungarian grass seed 50 lbs. 
 
 Timothy seed 45 lbs., except in Ark., 60 
 
 lbs.; N. D., 42 lbs. 
 
 Blue grass seed 44 lbs. 
 
 Hemp seed 44 lbs. 
 
 Corn meal .50 lbs., except in Ala., 
 
 Ark., Ga., 111., Miss., 
 N. C, Tenn., 48 lbs. 
 
 Bran 20 lbs. 
 
 HANDY VALUES 
 
 1 bu. = 2150.4 cu. in. 
 
 1 bu. = 1J4 cu. ft. (approximately), used for 
 wheat, shelled corn and all small grains. 
 
 1 bu. corn on cob = 2}^^ cu. ft. 
 
 1 bu. corn in husk = 3)^4 cu. ft. 
 
 1 heaped bu. = 2747.7 cu. in. (used for apples, 
 potatoes, turnips). 
 
 1 heaped bu. = 1 5/9 cu. ft. 
 
 1 gal. = 231 cu. in. 
 
 1 gal. water = 834 lbs. 
 
 1 gal. average milk = 83^ lbs. 
 
 Milk averages 3.8% butter-fat. 
 
 1 lb. butter-fat = 1 1/6 lbs. butter. 
 
 1 bbl. = 4 cu. ft. (approximately). 
 
 lbbl. = 31>igals. 
 
 1 bbl. cement = 4 cu. ft. 
 
 1 bag or sack cement = 34 bbl. 
 
 1 ton of well-packed timothy = 512 cu. ft. . 
 
 1 ton of well-packed clover = 450 cu. ft. 
 
 1 cu. ft. water = 623^^ lbs. 
 
 1 cu. ft. of ensilage = 30 lbs. (in small silo). 
 
 1 cu. ft. of ensilage = usual daily ration for a 
 cow. 
 
 1 cu. ft. =73^ gals, (approximately). 
 
 1 cord = 128 cu. ft. 
 
 1 ear of seed corn has about 800 kernels. 
 
 Corn shrinks 10% or more the first 6 months 
 after husking. 
 
 1 roll of barbed wire weighs 100 lbs. approxi- 
 mately. 
 
 1 roll of barbed wire = 1200 ft. approximately. 
 
 1 mile = 5280 ft. 
 
 Grains and 
 Vegetables 
 
 Average 
 
 Quantity of 
 
 Seed per Acre 
 
 for Planting 
 
 Alfalfa 
 
 Barley 
 
 Blue grass 
 
 Buckwheat 
 
 Clover 
 
 Corn (in the husk) . 
 Corn, shelled,check 
 
 row 
 
 Corn, on cob. . . 
 Corn, ensilage . 
 Cotton, upland 
 
 Cowpea 
 
 Oats 
 
 Potato 
 
 Rye 
 
 Timothy 
 
 Wheat 
 
 Sweet potatoes 
 
 Beans 
 
 Peas 
 
 Corn meal 
 
 Bran 
 
 30 lbs. 
 
 8 pks. 
 20 lbs. 
 
 4 pks. 
 12 lbs. 
 
 7 qts. 
 
 10 qts. 
 
 6 pks. 
 
 6 pks. 
 
 23^ bu. 
 10 bu. 
 
 6 pks. 
 15 lbs. 
 
 8 pks. 
 
 Legal Weight 
 per Bushel 
 
 60 lbs. 
 
 48 lbs. 
 
 14 lbs. 
 
 48 lbs. 
 
 60 lbs. 
 
 72 lbs. 
 
 56 lbs. 
 70 lbs. 
 
 32 lbs. 
 60 lbs. 
 32 lbs. 
 60 lbs. 
 56 lbs. 
 45 lbs. 
 60 lbs. 
 55 lbs. 
 60 lbs. 
 60 lbs. 
 48 lbs. 
 20 lbs. 
 
 (Legal weights vary in different states. See above. 
 Extra fine wheat may weigh as much as 65 lbs. per bu 
 Oats sometimes weigh 40 lbs per bushel.) 
 
2J^8 
 
 THE HUMAN INTEREST LIBRARY 
 
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FARM SCIENCE AND PRACTICE 
 
 There is widespread and growing demand for practical knowledge concerning 
 scientific agriculture and country life. No subject now taught in the schools can 
 be eliminated without serious objection, nor does there seem to be room for others 
 to be crowded in. New subjects of agriculture and country life, therefore, must 
 be acquired largely through the old subjects, re-cast and re-directed along agri- 
 cultural lines so that the child in the country or in suburban districts may be taught 
 in terms of his own environment. This is particularly true of the rural science and 
 other practical subjects, a knowledge of which is in daily demand. 
 
 No subject is so well adapted to make clear the results of the best agricultural 
 practices as arithmetic. It may be used to drive home the correct principles of 
 farming and to nail them fast with figures. Moreover, no subject is more popular 
 with boys and girls than arithmetic. It is, therefore, the best of all mediums through 
 which to introduce scientific agriculture. 
 
 CHOOSING A FARM 
 
 WHAT are the two points to con- How far may milk and grain be 
 
 sider in buying a farm? hauled to market ivith 'profit? 
 
 The economic, or money- Three miles is as far as a farmer can 
 
 making vahie, and the home vakie. profitably haul his own milk, while 
 
 What is the home value? five miles is a long haul for grains. 
 
 A healthful location, near to schools, Ten miles is not too far to market 
 
 churches and desirable neighbors. stock. 
 
 Which should be considered first, the What relation do icagon roads bear 
 
 home or economic value? to farming? 
 
 It depends whether one is to live on A farmer may travel two miles over 
 
 the farm or not. a hard road with easy grades more 
 
 Should a farmer invest all his capital easily and quickly than over one mile 
 
 in land? of hilly or muddy roads. 
 
 It may be safe in a pioneer country What other things should be con- 
 where values are bound to rise but in sidered in locating? 
 older communities the higher the Electric lines add greatly to the 
 price of land the lesser part of one's value of a farm, also telephone lines, 
 capital should be invested in the bare The occupation of the other farmers 
 land. may help to advertise a section for 
 
 When should a farmer locate near a fruit or fine stock and thus bring 
 
 market? buyers that way. 
 
 If he intends producing cream. For an investment which is better — 
 
 milk, fruit or even grain. a farm ivith no improvements or one 
 
 When can he afford to locate farther with extensive improvements? 
 
 from a market or shipping point? Better than either is a farm with 
 
 If he is a stock raiser, because they moderate improvements just sufficient 
 
 can be driven some distance. for the conduct of the farm. 
 
 Is it worth while to pay more for a What practice of farmers has con- 
 farm near a transco7itinental railroad? tributed most toward exhausting the soil? 
 
 Yes. It costs more to ship when Raising the same crop on a given 
 
 two roads must be used to reach a field for forty or fifty years without 
 
 large city market. fertilizing or manuring or rotating. 
 
 ROTATION OF CROPS 
 
 Why should not the same crop be foods needed by the crop because some 
 grown continuously on the same soil? crops make a special drain on one 
 
 It will tend to exhaust certain plant element of food. 
 
 249 
 
250 
 
 THE HUMAN INTEREST LIBRARY 
 
 How do flants differ in their manner 
 of root growth? 
 
 Some plants, like wheat, are shal- 
 low-rooted and are surface feeders, 
 while others extend their roots deeper. 
 
 Why is it wise to rotate deep and 
 shallow rooted crops? 
 
 Because they feed at different depths 
 and this plan will not exhaust the soil 
 so quickly. 
 
 What other reason for this method? 
 
 The deep-rooted crops probably 
 leave near the surface some food pro- 
 cured deeper in the soil. 
 
 What is the effect of shallow-rooted 
 crops following deep-rooted crops? 
 
 They always prosper. 
 
 How does rotation affect the physical 
 condition of the soil? 
 
 Different crops receive different 
 cultivation and the shortcomings of 
 one crop treatment is corrected by 
 the preparation for the next crop and 
 thus the soil is kept in better condition. 
 
 Does the different manner of rooting 
 affect the soil? 
 
 It is well to have the roots of 
 stubble, clover and grasses periodically 
 left in the soil to decay to improve the 
 texture of the soil. 
 
 What effect has rotation on the 
 farmer s labor? 
 
 Rotation distributes the care of 
 crops throughout the season and thus 
 economizes labor, and enables the 
 farmer to keep regular help which is 
 better than transient help. 
 
 Does rotation affect plant diseases? 
 
 Most plant diseases are fungi or 
 bacteria that live in only one kind of 
 
 plant. Therefore rotation starves 
 them out. 
 
 What effect has rotation on insects? 
 
 Most insects have their favorite 
 crops and as many of them live only 
 a few years they, too, are starved out 
 by rotation. 
 
 How does rotation affect weeds? 
 
 Crops are cultivated differently and 
 harvested in different manners and at 
 different times and this tends to drive 
 out weeds by striking them at their 
 weak points. 
 
 If land is badly infested with a cer- 
 tain weed how can it be freed from it? 
 
 By leaving out of the rotation the 
 particular crop whose cultivation of- 
 fers aid to the weed. 
 
 What effect has rotation on the size of 
 the crop? 
 
 Experiments show much better crop 
 yields where rotation is practiced. 
 
 Can any general rules he given for 
 rotation? 
 
 Every rotation should include at 
 least one hoed or cultivated crop such 
 as corn and potatoes and one legume 
 such as clover. 
 
 Why is the hoed crop desirable? 
 
 It destroys weeds and improves tilth. 
 
 Why the leguminous crop? 
 
 Because legumes are deep-rooted 
 and get food from the subsoil; they 
 increase the nitrogen supply in the 
 soil and leave it porous. 
 
 Give a general rule for rotation. 
 
 The crops should vary as much as 
 possible in food requirements, manner 
 of growth, root system, and in the 
 season during which they occupy the 
 ground. 
 
 PRESERVING FOODS 
 
 What causes canned goods to spoil? 
 
 The presence of any one of three 
 living organisms will cause decay of 
 vegetable or animal matter — they are 
 yeast, molds, and bacteria. 
 
 What conditions aid the groivth of 
 yeast plants? 
 
 They need warmth, moisture, sugar. 
 
 How does the yeast plant groic? 
 
 By budding, that is, the parent 
 
BOOK FOR PARENT AND TEACHER 
 
 261 
 
 plant divides into two plants and these 
 grow and divide, and the process con- 
 tinues as long as conditions are favor- 
 able. 
 
 Where will yeast grow most easily? 
 
 In fruit juice and slightly sweetened 
 fruit, but not in thick sirups or pre- 
 serves. It is easily killed by a high or 
 low temperature. 
 
 Hoiv does mold get a start? 
 
 The spores or seeds of mold are very 
 light and may be floating in the air. 
 When they lodge on a warm, moist 
 surface such as food often presents, 
 they germinate and cover the surface. 
 
 Hoiv may violds be destroyed? 
 
 By exposure to a high temperature 
 for about twenty minutes. 
 
 Where do bacteria groio? 
 
 Bacteria multiply rapidly in meat, 
 milk, and legumes, but will not grow 
 in thick sirups or acids. 
 
 What makes fruit juices form jelly? 
 
 A carbohydrate resembling starch 
 called pectin is an important factor in 
 the juice of ripe or nearly ripe fruit. 
 When equal amounts of sugar and 
 fruit juice are mixed and heated this 
 pectin causes the mixture to gelatinize 
 or form jelly. 
 
 What are the essentials in canning and 
 preserving? 
 
 Cleanliness and sterilization. 
 
 How shall we sterilize? 
 
 By scalding or boiling all kettles, 
 jars, strainers, rubbers and other 
 utensils used in canning. 
 
 Give general rules for canning foods. 
 
 Kill all germs in the food and in- 
 side the cans and seal while hot so 
 as to prevent other germs from the 
 air to enter. 
 
 How does the drying of fruits and 
 meats preserve them? 
 
 Germs or bacteria cannot grow 
 without the presence of water. 
 
 Why does salting meat preserve it? 
 
 Because bacteria cannot live in a 
 strong solution of common salt. 
 
 Does putting fruit and meat in cold 
 storage kill the bacteria? 
 
 A low temperature simply keeps 
 them from growing and multiplying. 
 They begin to act as soon as the tem- 
 perature rises. 
 
 How does smoking meat preserve it? 
 
 Smoking coats the outside of the 
 meat with a thin layer of creosote 
 which not only kills all germs present 
 but gives the meat a different flavor. 
 
 What effect has sugar on keeping 
 qualities? 
 
 Sugar is a preservative against the 
 action of germs. It is used in curing 
 meats and extensively in preserving 
 fruit. 
 
 Why does preserving keep fruit? 
 
 "Boiling down" for a long time kills 
 the germs and drives off the water, 
 making conditions unfavorable to 
 growth. 
 
 What makes milk sour? 
 
 Germs or bacteria. 
 
 Where do they come from? 
 
 The air is full of germs, the dust 
 from the barn is laden with them and 
 they are on the milk pail and the 
 hands of the milker. 
 
 How should we care for milk cans and 
 pails? 
 
 They should all be thoroughly 
 washed and scalded and placed in the 
 sunlight which is an enemy to germs. 
 
 What causes butter to become rancid 
 and how prevented? 
 
 Bacteria. It is best overcome by 
 working out all the water which bac- 
 teria need and mixing in salt. 
 
 What makes cider turn to vinegar? 
 
 The solid slimy mass known as 
 mother of vinegar is a vast colony of 
 bacteria. It is the action of these 
 that causes the change. 
 
 Where do the vinegar-making bac- 
 teria come from? 
 
 From the air and from the barrel. 
 The process may be hastened by in- 
 troducing "mother of vinegar." 
 
£52 
 
 THE HUMAN INTEREST LIBRARY 
 
 PLANT LIFE IN THE GARDEN, ORCHARD, VINEYARD AND 
 
 GREENHOUSE 
 
 What are the parts of a plant? 
 
 There are five: root, stem, leaf, 
 flower and seed. 
 
 What are the uses of the root? 
 
 The roots hold the plant in place 
 and prevent its blowing away, they 
 take nourishment and moisture from 
 the soil; and serve as storage places 
 for plant food. 
 
 What is a root cap? 
 
 The tip of the tender root has a 
 little cap on the end to enable it to 
 force its way among the soil particles 
 without injury. 
 
 What are root hairs? 
 
 They are a hair-like, velvety growth 
 covering the real roots. 
 
 What is the use of root hairs? 
 
 The root hairs present a much 
 greater surface through which the 
 plant may absorb food and moisture. 
 
 Do the real or fibrous roots absorb 
 food and moisture? 
 
 No, this is the work of the root 
 hairs, which cover the fibrous roots. 
 
 Hoiv do the root hairs take their food? 
 
 Their walls are very thin and the 
 plant food in order to enter must be 
 in a soluble or watery form which will 
 pass through these thin walls. 
 
 What is this passing of liquids 
 through the thin partitions of the mem- 
 branes called? 
 
 It is called osmosis. It is the same 
 process as that by which the food 
 passes from the alimentary canal of 
 animals into the blood. 
 
 What are the uses of plant stems? 
 
 They support the leaves and hold 
 them up in the air and sunlight. 
 They serve as storehouses for starch 
 and sugar and other forms of plant 
 food for the future use of plants. 
 The stems are also channels for the 
 passage of sap through the plant. 
 
 What is the use of the sap? 
 
 It carries raw plant food from roots 
 to leaves and then carries the manu- 
 factured food like starch and sugar to 
 the place where it is needed to build 
 up the plant or to the place of storage. 
 
 What uses have leaves? 
 
 The leaves give off water to the air, 
 take carbon from the air, and change 
 raw plant food to starch and sugar. 
 They are the food factory of the plant. 
 
 In ivhat form does carbon exist in the 
 air? 
 
 The air contains carbonic acid gas 
 which is composed of oxygen and car- 
 bon. It is sometimes called carbon 
 dioxide^ 
 
 From what does the air obtain car- 
 bonic acid gas? 
 
 It is exhaled or breathed off by all 
 animal life. It is also given off by 
 decaying plant life. 
 
 How does the leaf get hold of carbonic- 
 acid gas? 
 
 The air may enter the leaf through 
 openings on the under side called 
 stomata which means "mouths." 
 
 Hoiv does the leaf separate the car- 
 bonic-acid gas into oxygen and carbon? 
 
 The heat furnished by sunlight and 
 the green coloring matter of leaves 
 called chlorophyll act together and 
 separate the oxygen from the carbon. 
 
 What becomes of the oxygen? and 
 carbon? 
 
 The oxygen is given off to the air 
 and the carbon is combined with other 
 food elements to make such compounds 
 as starch and sugar which are then 
 ready to build up the plant. 
 
 What is the use of chlorophyll? 
 
 Only the plants that have the green 
 chlorophyll are able to use carbon 
 dioxide from the air to manufacture 
 starch and sugar. 
 
BOOK FOR PARENT AND TEACHER 
 
 253 
 
 What about the 'plants that grotv in 
 the dark? 
 
 Mushrooms grow in dark places 
 and can get no food from the air 
 because they have no green chloro- 
 phyll. Their food comes from partly 
 decomposed matter in the soil. 
 
 Whatismeanthythe balance in nature? 
 
 Animals need large quantities of 
 oxygen which plants give off while 
 plants need large amounts of carbon 
 dioxide which animals give off. What 
 is poison or waste of animals is food 
 for plants, and the reverse is also true. 
 
 What things besides plant food are 
 needed for plants? 
 
 Plants need light, heat, moisture, 
 and air. 
 
 What is the main aim of life for all 
 plants? 
 
 To produce seed. 
 
 What part of the plant bears the seed? 
 
 The flower. 
 
 What parts has a perfect flower? 
 
 Pistils and stamens. 
 
 What is the office of the stamens? 
 
 Stamens are the male part of the 
 flower. They bear the yellow dust 
 or pollen which is needed to fertilize 
 the pistil or female part to enable it 
 to produce seed. 
 
 What are imperfect flowers? 
 
 When the flowers of a plant do not 
 contain both male and female parts 
 they are known as imperfect flowers. 
 
 How do imperfect flowers bear seed? 
 
 The pollen must be carried to the 
 flowers having the pistils by some 
 means. 
 
 How is it carried? 
 
 The pollen of corn, which is light, 
 is carried by the wind. In some cases 
 it is carried by insects, such as bees. 
 
 What is cross-pollination? 
 
 Plants are cross-pollinated when 
 the pollen is taken from one to an- 
 other by some means. Some varieties 
 of apples, pears, peaches and plums 
 will not bear fruit if grown by them- 
 
 selves, but will bear abundantly if 
 pollinated by other varieties that 
 blossom at the same time. 
 
 Describe a seed. 
 
 A seed bears within its coat a minute 
 plant called a germ. 
 
 What is the purpose of this germ or 
 tiny plant? 
 
 To develop into a new plant like 
 the parent when proper conditions 
 are offered. 
 
 How can the seeds begin to grotv ivith 
 no leaves in the air and no roots in the 
 ground? 
 
 Some nourishment prepared by the 
 parent plant is stored up in the seed 
 to feed it until it can put forth leaves 
 and roots of its own. 
 
 Where is this store of nourishment? 
 
 In the bean it is in the two seed 
 leaves. In the corn kernel a store 
 of starch is found about the germ. 
 
 What part of the stem carries the 
 water from the roots to the leaves? 
 
 In plants with netted veins in the 
 leaves the water passes up mainly 
 through the ducts or channels in the 
 outer wood. 
 
 How are plants classified? 
 
 They may be classified in different 
 ways. According to length of life as 
 annuals, biennials, and perennials. 
 
 What are annuals? 
 
 Annuals are plants that live only 
 one year from the planting of the seed 
 to the production of the new seed, 
 such as oats, peas, beans and to- 
 matoes. 
 
 What are biennials? 
 
 Biennials live two years from seed 
 to seed, such as cabbages, parsnips 
 and common mullein. 
 
 What are perennials? 
 
 Perennials live more than two years, 
 such as asparagus, alfalfa, straw- 
 berries and trees. 
 
 How do we know that different plants 
 take different amounts of plant foods 
 from the soil? 
 
25If 
 
 THE HUMAN INTEREST LIBRARY 
 
 Chemists have analyzed various 
 plants and thus ascertained what 
 elements they contain and in what 
 proportion. 
 
 How many elements in the soil? 
 
 Between seventy and eighty are 
 known. 
 
 Why are they called elements? 
 
 Because scientists have not been 
 able to separate them into similar 
 substances. 
 
 Are most materials that ive know 
 simple elements? 
 
 Most materials are compounds, that 
 is, they are combinations of two or 
 more elements combined in different 
 proportions. 
 
 What are some compounds that make 
 diferent articles because the proportion 
 of their elements differ? 
 
 Alcohol, sugar, starch, and fats all 
 contain the same elements, carbon, 
 hydrogen, and oxygen, but in different 
 proportions. 
 
 Are there many compounds in a single 
 plant? 
 
 Yes, but they may be separated and 
 known. 
 
 What proportion of corn plant is 
 water? 
 
 One thousand pounds of mature 
 corn contains nearly 800 pounds 
 water, 12.7 pounds hydrogen, and 
 88.9 pounds oxygen, and since both 
 hydrogen and oxygen come from 
 water nearly 900 pounds of the 1000, 
 or nine-tenths of the corn plant, is water. 
 
 Is this nine-tenths of the plant's 
 weight all the water it needs to grow? 
 
 It is only a small part, for the leaves 
 are constantly giving off moisture to 
 the air, and it is from this moisture 
 that the plant obtains mineral foods. 
 
 Hoiv many pounds of water does the 
 plant use for every pound of dry matter? 
 
 About 300 pounds of water passes 
 through the plant for each pound of 
 dry matter produced. 
 
 About how much water is needed by 
 
 an acre of good corn during the growing 
 period? 
 
 About 900 tons, an amount if spread 
 over the acre would be nearly 8 inches 
 deep. 
 
 Does this include the water lost from 
 the land by drainage? 
 
 No, about as much water runs 
 away and passes down beyond the 
 reach of the roots of the corn as is 
 used by the crop, so that about 1800 
 tons of water should fall upon an 
 acre of growing corn. 
 
 How does the plant obtain moisture? 
 
 It all comes from the ground 
 through the roots. 
 
 In what other way is water useful to 
 plant life? 
 
 Besides furnishing about nine-tenths 
 of the plant's weight, it dissolves 
 other plant foods in the soil and puts 
 them in shape to be taken up in a 
 liquid form by the roots. 
 
 What makes a plant wilt on a very 
 hot day? 
 
 Because the leaves are giving off 
 moisture to the air faster than the 
 roots can supply it to the plant. 
 
 Is there any other factor so important 
 to plant life as proper moisture? 
 
 No. More soils fail to produce 
 good crops for lack of proper moisture 
 than for any other cause. 
 
 Do plants get any food from the air? 
 
 Nearly half of the dry matter in the 
 plant consists of carbon, all of which 
 comes from the air in the form of 
 carbonic-acid gas. 
 
 Is carbonic-acid gas pure carbo7i? 
 
 It is a compound of carbon and 
 oxygen, but the plants separate these 
 elements, retain the carbon and set the 
 oxygen free. 
 
 Hoiv is this done? 
 
 The green coloring matter of the 
 leaves or the chlorophyll with the help 
 of the heat energy furnished by the 
 sunlight breaks apart the carbon and 
 oxygen. 
 
BOOK FOR PARENT AND TEACHER 255 
 
 Is sunlight necessary to this process? Where do plants get their supply of 
 
 Plants grow more vigorously in full nitrogen. 
 
 sunlight than in shade, and at night From the soil only, 
 
 this growing process ceases. Where does the soil get nitrogen for 
 
 Will not plants germinate in the the growing crops? 
 
 J ug A small part comes directly irom 
 
 , the atmosphere, brought by rain 
 
 They grow until they use up the ^^^^^ -3^^ ^^^^^ ^^ ^^^ nitrogen is 
 
 food stored m the seed but they have ^^^^^ ^^^^^ ^^^ ^j^ ^^^ ^^^^^^ j^ ^^^ 
 
 no power to use the food in the air ^^jj ^^ bacteria that live in small 
 
 and soil without chlorophyll and sun- ^^.^^y^^^^ ^^ nodules on the roots of 
 
 light. Analysis shows that the plant ^^^^^^^ ^^^^^^ ^^jj^^ legumes, such as 
 
 grown in the dark contains ess dry ^j^^^^^^ ^j^^j^^^ ^^^ ^^^^^ cow^es., and 
 
 matter whan was present in the seed. ^^^ j-j.^ 
 
 How does the plant use carbon? jJq^^ can the farmer help these bac- 
 
 It causes the carbon to combine teria? 
 
 with water and mineral matter which By stirring the soil so the air can 
 
 are taken through the roots, and these enter it, for bacteria cannot live with- 
 
 elements form carbohydrates of which out oxygen from the air. 
 
 the plant is composed. What part of the green plant comes 
 
 Is it necessary for the farmer to buy from the air? 
 
 carbon to fertilize his soil? Including w^ater, ninety-eight and 
 
 The atmosphere furnishes free an one-half per cent comes from the air 
 
 inexhaustible supply of carbon for all ff ^ of cost and the supply of these 
 
 . . • elements 01 lood in the air is beyond 
 
 4-1 
 
 What is the most costly plant food? """"y^^ ^j^^^^ ^^^^ ^^^^^^^^ ^^ ^^^^ -^ 
 
 Nitrogen. ^^^ qi]^^^. ^^g ^^^^ one-half per cent of 
 
 Do plants contain a high percentage green plants? 
 
 of nitrogen? There are about a dozen, but the 
 
 Nitrogen forms only from one to three demanding the farmer's atten- 
 three per cent of the dry matter or tion are nitrogen, phosphoric acid and 
 about one-half of one per cent of the potash. The other elements are gen- 
 green plant. But a crop must have erally found in the soil in abundance 
 this proportion in order to thrive. except occasionally lime is missing. 
 
S56 
 
 THE HUMAN INTEREST LIBRARY 
 
 
 0i 
 
 •t-y 
 
 
 
 ^ .^. ,-., :•': V^sJ-"- . ■■ 
 
 \ , '^i . .^^ 
 
 
 STOCK FEEDING 
 
 Foods may be said to serve two 
 purposes. They either build up the 
 body or furnish heat and energy. 
 They are divided into three classes: 
 proteins, carbohydrates, and fat. 
 
 Protein is a name given to a group 
 of feeds or compounds from which 
 animals make muscle or lean flesh, 
 bone, hair or wool, tendons, nerve, 
 casein, and albumen in milk, etc. 
 Since no other compound can take 
 the place of protein it is important 
 that enough of this be fed or the ani- 
 mal cannot keep up in flesh and pro- 
 duction or work. If too much pro- 
 tein is fed it will replace the other 
 food elements, but as feeds containing 
 a high percentage of protein are usu- 
 ally expensive it is unwise to feed 
 more of it than is needed. Feeds 
 containing a large proportion of pro- 
 tein, such as clover, bran, and oil 
 meal, are called nitrogenous foods. 
 
 Carbohydrates (C. H.) are those 
 compounds in feed that are composed 
 of carbon, hydrogen and oxygen, but 
 
 have no nitrogen. Sugar, starch, fi- 
 ber and others are carbohydrates. 
 They are used in the body to produce 
 fat or are burned to produce heat or 
 energy. They cannot take the place 
 of protein. 
 
 Fat. The oils, wax and fats con- 
 tained in feed are called fats. In 
 the animal body they are used for the 
 same purpose as are carbohydrates. 
 One pound of fat is equal to 23^ pounds 
 of carbohydrates. 
 
 The work horse and cow of average 
 size require daily about two pounds of 
 protein and twelve pounds of carbo- 
 hydrates. 
 
 If a farmer intends to feed his ani- 
 mals without waste he must give 
 them protein and heat and fat pro- 
 ducing elements (which latter includes 
 C. H. and fats) in certain proportions. 
 It may be 1 : 6 or 1 : 11 or some other 
 proportion. This correct proportion 
 is called a balanced ration which is 
 indicated by figures called a nutritive 
 ratio. 
 
BOOK FOR PARENT AND TEACHER 
 
 257 
 
 The following table gives the di- contained in certain feeds. The fats 
 gestible protein and carbohydrates are included with the carbohydrates. 
 
 Corn fodder .... 
 Timothy hay ... 
 
 Clover hay 
 
 Cowpea hay .... 
 
 Alfalfa hay 
 
 Oat straw 
 
 Wheat straw . . . . 
 
 Wheat bran 
 
 Corn 
 
 Oats 
 
 Cotton seed meal 
 
 Corn stover 
 
 Corn silage 
 
 Skim milk 
 
 Estimated Price 
 
 $3perT 
 
 $12 per T 
 
 $12 per T 
 
 $12 per T 
 
 $12 per T 
 
 $18 per T.. . . 
 49 cts. per bu . 
 37 cts. per bu . 
 
 $30 per T 
 
 $5perT 
 
 $3perT 
 
 20 cts. per cwt 
 
 IN 100 LBS. OF FEED 
 
 Protein 
 
 lbs. 
 
 2.5 
 2.8 
 6.8 
 
 10.5 
 
 11. 
 1.2 
 .4 
 
 12.2 
 7.9 
 9.2 
 
 37.2 
 1.7 
 .9 
 2.9 
 
 Protein 
 
 per cent 
 
 2.5% 
 2.8% 
 6.8% 
 
 10.5% 
 
 11% 
 
 1.2% 
 
 .4% 
 
 12.2% 
 
 7.9% 
 
 9.2% 
 37.2% 
 
 1.7% 
 
 70 
 2.9% 
 
 Carbohydrates 
 (Including Fats) 
 
 lbs. 
 
 37.3 
 46.6 
 39.6 
 40. 
 42.4 
 40.4 
 37.2 
 45.3 
 76.4 
 56.8 
 44.4 
 34. 
 12.9 
 5.9 
 
 per cent 
 
 37.3% 
 46.6% 
 39.6% 
 40% 
 42.4% 
 40.4% 
 37.2% 
 45.3% 
 76.4% 
 56.8% 
 44.4% 
 34% 
 12.9% 
 5.9% 
 
 DIGESTIBLE NUTRIENTS IN 100 POUNDS OF VARIOUS FEEDING STUFFS 
 
 Alfalfa hay 
 
 Apples 
 
 Barley, grain 
 
 Beet, mangel 
 
 Cabbage 
 
 Carrot 
 
 Clover, red (green) . . 
 Clover, red (hay) . . . . 
 Corn fodder, dry .... 
 
 Corn, grain 
 
 Corn silage 
 
 Corn stover 
 
 Cottonseed meal .... 
 
 Cowpea hay 
 
 Linseed meal 
 
 Meat scrap 
 
 Milk, cows' 
 
 Skim milk (separator) 
 
 Buttermilk 
 
 Hay (mi.^ced grasses) . 
 
 Oat straw 
 
 Oats, grain 
 
 Potatoes 
 
 Pumpkin, field 
 
 Rye, grain 
 
 Rye bran 
 
 Rye straw 
 
 Soy-bean 
 
 Timothy hay 
 
 Turnip, flat 
 
 Wheat, grain 
 
 Wheat bran . 
 
 Wheat middlings .... 
 Wheat straw 
 
 Total 
 
 Dry 
 
 Matter 
 
 lbs. or % 
 
 91.6 
 19.0 
 89.1 
 
 9.1 
 15.3 
 11.4 
 29.2 
 84.7 
 57.8 
 89.1 
 20.9 
 59.5 
 91.8 
 89.3 
 89. 
 89.3 
 12.8 
 
 9.4 
 
 9.9 
 87.1 
 90.8 
 89. 
 21.1 
 19.1 
 88.4 
 88.4 
 92.9 
 89.2 
 86.8 
 
 9.5 
 89.5 
 88.1 
 87.9 
 90.4 
 
 POUNDS AND PER CENTS OF 
 DIGESTIBLE NUTRIENTS 
 
 Protein 
 
 lbs. 
 
 11. 
 
 8 
 1 
 1 
 
 2. 
 
 6. 
 
 2.5 
 
 7.9 
 
 .9 
 
 1.7 
 
 37.2 
 
 10.8 
 
 28.2 
 
 66.2 
 
 3.6 
 
 2.9 
 
 3.9 
 
 5.9 
 
 1.2 
 
 9.2 
 
 .9 
 
 1.4 
 
 9.9 
 
 11.5 
 
 .6 
 
 29.6 
 
 2.8 
 
 1.0 
 
 10.2 
 
 12.2 
 
 12.8 
 
 .4 
 
 % 
 
 11. 
 
 .7 
 
 8.7 
 
 1.1 
 
 1.8 
 
 .8 
 
 2.9 
 
 6.8 
 
 2.5 
 
 7.9 
 
 .9 
 
 1.7 
 
 37.2 
 
 10.8 
 
 28.2 
 
 66.2 
 
 3.6 
 
 2.9 
 
 3.9 
 
 5.9 
 
 1.2 
 
 9.2 
 
 .9 
 
 1.4 
 
 9.9 
 
 11.5 
 
 .6 
 
 29.6 
 
 2.8 
 
 1.0 
 
 10.2 
 
 12.2 
 
 12.8 
 
 .4 
 
 C. H. and Fat X2.25 
 
 lbs. 
 
 42.3 
 
 18.8 
 
 69.1 
 
 5.6 
 
 9.1 
 
 8.3 
 
 16.4 
 
 39.6 
 
 37.3 
 
 76.4 
 
 12.9 
 
 34.0 
 
 44.4 
 
 40. 
 
 47. 
 
 31.1 
 
 13.2 
 
 5.9 
 
 6. 
 
 43. 
 
 40. 
 
 .5 
 .6 
 .4 
 
 56.8 
 
 .5 
 .5 
 .1 
 
 16. 
 
 6. 
 70. 
 54.8 
 41.5 
 54.7 
 46.6 
 
 7.7 
 73. 
 45.3 
 60.7 
 37.2 
 
 % 
 
 42.3 
 18.8 
 69.1 
 
 5.6 
 
 9.1 
 
 8.3 
 16.4 
 39.6 
 37.3 
 76.4 
 12.9 
 34. 
 44.4 
 40. 
 47. 
 31. 
 13. 
 
 5. 
 
 6. 
 43. 
 40.4 
 56.8 
 16. 
 
 6. 
 70. 
 54.8 
 41.5 
 64.7 
 46.6 
 
 7.7 
 73. 
 45.3 
 60.7 
 37.2 
 
 .1 
 
 .2 
 .9 
 .5 
 .6 
 
 .5 
 
 .5 
 
 1 
 
 Nutritive 
 Ratio 
 
 3.8 
 
 26.8 
 7.9 
 5.1 
 5.1 
 
 10.4 
 5.7 
 5.8 
 
 14.9 
 9.7 
 
 14.3 
 
 20 
 1.2 
 3.9 
 
 0.5 
 
 3.7 
 
 2. 
 
 1.7 
 
 7.4 
 
 33.7 
 6.2 
 
 18.3 
 4.6 
 7.1 
 4.8 
 
 69.2 
 1 8 
 
 16 6 
 7.7 
 7.2 
 3.7 
 4.7 
 
 93. 
 
258 
 
 THE HUMAN INTEREST LIBRARY 
 
 Some animals require one ratio and 
 other animals a different ratio depend- 
 ing upon whether the animal is young 
 and growing or mature, whether it is 
 at work or at rest. Ratios are said to 
 be wide or medium or narrow. Timo- 
 thy hay (1 : 16.6) is wide; alfalfa 
 (1 : S.8) is a narrow ratio. 
 Finding the ratio 
 
 The nutritive ratio is found by 
 dividing the pounds of protein in a 
 feed or ration, into the pounds of 
 C. H. (including the fats). This may 
 be more easily understood by putting 
 these amounts in the form of a frac- 
 tion, in which the protein is the nu- 
 merator and the C. H. including fats 
 is the denominator. Thus the nutri- 
 tive ratio of 
 
 Alfalfa = 7j^ (See table Page 257) 
 
 Divide both terms of the fraction 
 
 by the numerator 
 
 11 11 1 
 42.3 ■ 11 ~ 3.8 
 
 1 
 
 3.8 
 
 is the same as 1 :3.8 
 
 Feeding standards 
 
 Different animals require different 
 quantities of feed and different nu- 
 tritive ratios. A dairy cow producing 
 milk must have a feed rich in protein, 
 a dry cow does not require so much 
 protein. A horse at heavy work re- 
 quires a different feed from that of 
 one at rest; a growing pig from a 
 mature hog that is being fattened for 
 market. 
 
 The following table shows the 
 amounts of digestible nutrients per 
 day in feeding standards upon the 
 basis of 1000 pounds of live weight. 
 
 FEEDING RATIONS PER DAY FOR 1000 LBS. OF LIVE WEIGHT 
 
 Oxen at rest in stall 
 
 Growing pigs 
 
 Fattei ing swine 
 
 Growing -alves 
 
 Fattening cattle 
 
 Horse (light work) 
 
 Horse (heavy work) 
 
 Dairy cow (giving 1 1 lbs. milk daily) . . . 
 Dairy cow (giving 16.5 lbs. milk daily) . 
 Dairy cow (giving 22 lbs. of milk daily) . 
 
 Dairy cow (27 . 5 lbs.) 
 
 Wool sheep (coarse breed) 
 
 Wool sheep (fine breeds) 
 
 Dry 
 
 Matter 
 
 18 lbs. 
 
 36 lbs. 
 
 32 lbs. 
 
 30 lbs. 
 
 30 lbs. 
 
 20 lbs. 
 
 26 lbs. 
 25 lbs. 
 
 27 lbs. 
 29 lbs. 
 32 lbs. 
 20 lbs. 
 23 lbs. 
 
 DIGESTIBLE 
 
 Protein 
 
 0.7 lbs. 
 
 4.5 lbs. 
 
 4 lbs. 
 
 2.5 lbs. 
 
 lbs. 
 lbs. 
 lbs. 
 lbs. 
 lbs. 
 
 2 5 lbs. 
 3.3 lbs. 
 1 . 2 lbs. 
 15 lbs. 
 
 C. H. 
 
 including 
 
 Fats(X2M) 
 
 8.2 lbs. 
 
 26.6 lbs. 
 25.1 lbs. 
 16.1 lbs. 
 16.1 lbs. 
 
 10 4 lbs. 
 15.1 lbs. 
 
 10.7 lbs. 
 
 11 9 lbs. 
 14 1 lbs. 
 
 14.8 lbs. 
 11 lbs. 
 12.7 lbs. 
 
 Nutritive 
 Ratio 
 
 1:11.8 
 
 Bran alone does not make a bal- 
 anced ration for a cow because if a 
 sufficient amount of bran is fed to 
 furnish two pounds of protein the 
 cow does not get enough C. H. If 
 enough is fed to furnish the correct 
 amount of C. H., then she is given 
 more protein than she can use, and it 
 is wasted. Bran is not only too ex- 
 pensive but too concentrated and 
 should be fed sparingly. Hay, fodder. 
 
 silage and the like will give the proper 
 bulk for a ration and furnish cheaper 
 food. 
 
 Since protein is the element of food 
 most commonly lacking in feed rations 
 on the farm, every feeder should make 
 sure that he is providing enough pro- 
 tein. The cheapest way to provide 
 protein is to raise a legume such as 
 clover, alfalfa, or cowpea hay whicl? 
 is very rich in protein. 
 
BOOK FOR PARENT AND TEACHER 259 
 
 If a farmer must buy protein it is ter may vary two or three pounds from 
 
 best to estimate its cost according to the exact amounts called for on page 
 
 the percentage as given on page 258 258 without much consequence, 
 
 and the market price. In the fore- Mixing a Ration 
 
 going problems it is figured on an It is not necessary to weigh a ration 
 
 average market price. It must be ^^ch day. Mix the grain ration in 
 
 remembered that it does not cost a proper proportions and use a measure 
 
 farmer $12 a ton to raise clover, ^^at contains the right amount for 
 
 cowpea, or alfalfa hay, but more ^^ch animal. Weigh the hay once or 
 
 nearly $4 a ton. twice and thereafter it can be estimated 
 
 Heat value of fats with sufficient accuracy. 
 
 By careful test it has been shown Each pupil should try to make a 
 
 that one pound of fat will produce ration for a 1000-pound cow giving 
 
 234 times as much heat or energy as 163^2 pounds milk, using such feeds 
 
 one pound of carbohydrates.* In the as are commonly used on your farm, 
 
 table on page 258 the fats are included You will have to make several trials 
 
 in the C. H. Many tables give them perhaps before you get the right 
 
 separately and the farmer or pupil amounts. Remember that if your 
 
 should know how to deal with such ratio is too wide it needs more protein 
 
 tables. and therefore use more clover, alfalfa 
 
 Dry matter or cowpea hay or if your feed is al- 
 
 The mature student will take note ready too bulky, that is, if it already 
 
 that the bulk of the ration — that is, has too much dry matter, then use 
 
 the pounds of dry matter in each bran or linseed meal or cottonseed 
 
 ration — has been omitted for the sake meal, or some concentrated food to 
 
 of making the problems simple. In reduce the ratio to suit your animal, 
 
 compounding the ration the dry mat- The dry matter should be within a few 
 
 ter is important. The dry matter in pounds of the amount required in 
 
 each ration may easily be computed table, page 258. The amount of dry 
 
 from the percentage given in column matter is found by using the per- 
 
 1, page 258. The amount of dry mat- centages given in column 1, page 258. 
 
 FERTILIZERS 
 
 James J. Hill tested 151 farms in phosphoric acid, nitrogen, and potash, 
 
 the northwest for wheat, barley and Since a crop of clover or other legumes 
 
 oats. By applying 8.9 pounds of may furnish all the needed nitrogen 
 
 nitrogen, 47 pounds of phosphoric acid it is often unnecessary and expensive 
 
 and 130 pounds of potash an acre the to buy a complete fertilizer. In such 
 
 wheat on 51 farms increased 11.4 a case all that is needed is the phos- 
 
 bushels an acre. phoric acid and the potash. 
 
 The composition of fertilizers varies It is usually cheaper and more satis- 
 to some extent, but the following is a factory for the farmer to buy the in- 
 fair average. gredients and mix them on the farm. 
 
 A complete fertilizer is one that The following table shows the 
 
 contains all three of the ingredients — amount of nitrogen, phosphoric acid 
 
 *To reduce fats to C. H. Rule: Multiply ^^d potash removed from the soil by 
 
 the fats by i\i and add the product to the C. H. variOUS crops. 
 
S60 
 
 THE HUMAN INTEREST LIBRARY 
 
 Corn, grain 
 
 Corn stover 
 
 Oats, grain 
 
 Oat straw 
 
 Wheat, grain 
 
 Wheat straw 
 
 Timothy hay 
 
 Clover seed 
 
 Clover hay 
 
 Cowpea hay ....... 
 
 Alfalfa hay 
 
 Apples 
 
 Apple leaves 
 
 Apple wood growth 
 
 Potatoes 
 
 Sugar beets 
 
 Fat cattle 
 
 Fat hogs 
 
 Milk 
 
 Butter 
 
 Cotton lint 
 
 Amount 
 
 Nitrogen 
 
 Phosphoric 
 Acid 
 
 Potash 
 
 
 lbs. 
 
 lbs. 
 
 ibs. 
 
 100 bu. 
 
 100 
 
 17 
 
 19 
 
 3T. 
 
 48 
 
 6 
 
 52 
 
 100 bu. 
 
 66 
 
 11 
 
 16 
 
 2MT. 
 
 31 
 
 5 
 
 52 
 
 50 bu. 
 
 71 
 
 12 
 
 13 
 
 23^ T. 
 
 25 
 
 4 
 
 35 
 
 3T. 
 
 72 
 
 9 
 
 71 
 
 4bu. 
 
 7 
 
 2 
 
 3 
 
 4T. 
 
 160 
 
 20 
 
 120 
 
 3 T. 
 
 130 
 
 14 
 
 98 
 
 8 T. 
 
 400 
 
 36 
 
 192 
 
 600 bu. 
 
 47 
 
 5 
 
 57 
 
 4T. 
 
 59 
 
 7 
 
 47 
 
 1/50 tree 
 
 6 
 
 2 
 
 5 
 
 300 bu. 
 
 63 
 
 13 
 
 90 
 
 20 T. 
 
 100 
 
 18 
 
 157 
 
 1000 lbs. 
 
 25 
 
 7 
 
 1 
 
 1000 lbs. 
 
 18 
 
 3 
 
 1 
 
 10,000 lbs. 
 
 57 
 
 7 
 
 12 
 
 500 lbs. 
 
 1 
 
 0.2 
 
 0.1 
 
 500 lbs. 
 
 1.7 
 
 .5 
 
 2 3 
 
 Commercial fertilizers are bought 
 and used for the phosphoric acid 
 (P. A.), nitrogen (N.) and potash (P.) 
 they contain. These elements are 
 obtained from different substances. 
 Some substances contain one, some 
 two, and some all of these plant foods. 
 Fertilizers are labeled according to the 
 per cent of phosphoric acid, nitrogen 
 and potash they contain. An 8-2-4 
 fertilizer contains 8 per cent phos- 
 
 phoric acid, 2 per cent nitrogen, and 
 4 per cent potash. (In some states 
 the order is reversed — nitrogen, phos- 
 phoric acid and potash, and the above 
 formula would be 2-8-4.) 
 
 The prices of fertilizing materials 
 are subject to market changes, but 
 are usually about as follows: 
 
 Nitrate of soda 3 cts. per lb. in 200 lb. bags 
 Muriate of potash 3 cts. per lb. in 200 lb. bags 
 Acid phosphate 1 ct. per lb. in 125 lb. bags 
 
 FERTILIZING SUBSTANCES AND THE ELEMENTS THEY CONTAIN 
 
 Acid phosphate 
 
 Ground phosphate rock 
 
 Tobacco stems 
 
 Sulphate of potash (high grade) 
 
 Muriate of potash 
 
 Nitrate of potash 
 
 Kainit 
 
 Wood ashes (unleached) 
 
 Cottonseed meal 
 
 Cottonseed 
 
 Tankage (concentrated) 
 
 Dried blood (high grade) 
 
 Fish scrap 
 
 Nitrate of soda 
 
 Sulphate of ammonia 
 
 Ammonia 
 
 Phosphoric Acid 
 
 14% 
 
 32% 
 
 2% 
 
 1.5% 
 2.8% 
 1.3% 
 1.5% 
 
 7% 
 
 Nitrogen 
 
 1.5% 
 
 13% 
 
 6.2% 
 
 3% 
 12% 
 14% 
 
 9% 
 15.8% 
 20.5%, 
 82.4% 
 
 Potash 
 
 5% 
 50% 
 50% 
 45% 
 12.5% 
 
 6% 
 
 1.8% 
 
 1.2% 
 
BOOK FOR PARENT AND TEACHER 
 
 261 
 
 PROBLEMS IN CONNECTION WITH FERTILIZERS 
 
 If nitrogen is worth 18 cents a pound, 
 phosphoric acid 6 cents, and potash 5 cents, 
 find the value of these fertilizers in each of 
 the following problems: 
 
 In 100 bu. of corn and 3 tons of corn stover. 
 Ans.— $31.57. 
 
 In 100 bu. of oats and 2| tons of oat straw. 
 Ans.— $21.82. 
 
 In 50 bu. of wheat and 2| tons of wheat straw. 
 Ans.— $20.64. 
 
 In 3 tons of timothy hay. Ans. — $17.05. 
 
 In 4 bu. of clover seed and 4 tons of clover 
 hay. Ans.— $37.53. 
 
 Compare 3 tons of CO wpea hay withS tons of al- 
 falfahay. Ans.— Cowpea, $29.14; alfalfa, $83.76. 
 
 Compare the ravages from the soil of a crop of 
 300 bu. of potatoes with a crop of 20 tons of 
 sugar beets. Ans. — Potatoes, $16.62; beets, 
 $26.93. 
 
 Compare the cost of fertilizer elements used 
 in producing 1000 lbs. of fat cattle with that of 
 1000 lbs. of fat hogs. Ans.— Cattle, $5.27; 
 hogs, $3.47. 
 
 What is the value of the fertilizers used from 
 
 the soil in producing 10,000 lbs. of milk and 500 
 lbs. of butter.!* Ans.— $11.44. 
 
 A corn crop of 80 bu. to the acre takes 146 
 lbs. of nitrogen, 57 lbs. of phosphoric acid and 
 82 lbs. of potash from each acre of land. With 
 nitrogen worth 20 cts. a lb., phosphoric acid, 5 
 cts. a lb. and potash 5 cts. a lb., what is the value 
 of the plant food removed by the corn crop? 
 Ans.— $36.15. 
 
 A farm raises and ships away 400 bu. of 
 wheat. With fertilizer at the same price as in 
 the above problem, what is the value of the plant 
 food removed.^ Ans.— $123.60. 
 
 Compare the value of plant food (nitrogen, 
 phosphoric acid, and potash) removed by 500 
 bu. of wheat and 500 bu. of potatoes. Ans. — 
 Wheat, $154.50; potatoes, $29.60. 
 
 What is the value of the plant food remcved 
 from a 20-acre field of oats yielding 50 bu. to 
 the acre.' Ans.— $145.50. 
 
 The barley increased 16.4 bu. per acre. At 
 this rate find the increased profit on 40 acres 
 with barley at 60 cents a bu. and fertilizer $2 
 an acre. Ans.— $313.60. 
 
 CONCRETE CONSTRUCTION 
 
 Concrete is a mixture of gravel or 
 crushed stone, sand, and Portland 
 cement. Concrete is used for the 
 building of foundations, steps, side- 
 walks, cellars, and farm building 
 floors, cisterns, watering and feeding 
 troughs, fence and hitching posts, 
 culverts, building blocks, etc. 
 
 The crushed stone and sand should 
 be reasonably free from clay or loam 
 and the sand should not be too fine. 
 Walks and floors should be under- 
 drained and should have a slope of 
 1 inch in 4 feet for surface drainage. 
 
 Where freezing occurs walks may be 
 underlaid with from 4 inches to 12 
 inches of cinders, gravel, or broken 
 stone well wetted and very well 
 stamped into place. Foundations and 
 piers should extend below the frost 
 line. 
 Concrete Formula 
 
 A formula is used to show the pro- 
 portional amounts by volume of each 
 of the three ingredients of concrete. 
 A 1-2-4 concrete is composed of 1 
 part cement, 2 parts sand and 4 parts 
 gravel or crushed stone. 
 
 DIFFERENT FORMULA8 
 
 AMOUNTS NEEDED FOR 1 CU. YD. CONCRETE 
 
 Cement 
 
 Sand 
 
 Stone or Gravel 
 
 Cement, bbls. 
 
 Sand, 
 
 Cu. Yd. 
 
 Stone, Cu. Yd. 
 
 
 1 
 
 
 4.8 
 
 
 
 
 
 1.5 
 
 
 3.87 
 
 
 
 ^ , 
 
 
 2 
 
 
 3.21 
 
 
 
 
 
 2.5 
 
 
 2.74 
 
 
 
 
 
 1.5 
 
 2 
 
 2.30 
 
 
 
 
 
 1.5 
 
 2.5 
 
 2.09 
 
 
 
 ^ , 
 
 
 15 
 
 3 
 
 1.91 
 
 
 
 
 
 2 
 
 3 
 
 1.74 
 
 
 
 
 
 2 
 
 4 
 
 1.51 
 
 
 
 
 
 2.5 
 
 5 
 
 1.24 
 
 
 
 
 
 3 
 
 5 
 
 1.16 
 
 
 
 
 
 3 
 
 6 
 
 1.06 
 
 
 
 
S6S 
 
 THE HUMAN INTEREST LIBRARY 
 
 This formula is richer in cement 
 than is ordinarily required. For walks, 
 cellar floors, building walls, etc., a 
 1-23/^-5 mixture is sufficient. For 
 heavier work the proportion may be 
 1-3-6. 
 Mixing directions 
 
 Spread out the measured quantity 
 of dry sand on a level, v/ater-tight 
 platform. On top of this spread the 
 cement and turn dry with shovel until 
 thoroughly mixed — at least three 
 times. Then add the gravel or 
 crushed stone. Wet thoroughly and 
 turn again — at least three times, add- 
 ing the water slowly from a sprinkler 
 so as to make a thick mush. 
 
 For the upper course on sidewalks 
 and floors only cement and sand are 
 used. Since there is a space between 
 the pieces of crushed stone or gravel 
 
 it can easily be seen that a consider- 
 able volume of cement or gravel may 
 be added to a given quantity of 
 crushed stone without increasing the 
 volume. 
 
 It is usually estimated that the 
 given volume to be filled with the 
 mixture must be increased 45 per cent 
 in calculating the amount of materials 
 needed. This is called 45-per-cent 
 voids, or openings in the stone. If 
 one had a space of 100 cubic feet to 
 be filled with concrete, it would be 
 necessary to order 145 cubic feet of 
 the three ingredients. 
 
 Sand and stone are bought by the 
 cubic yard and cement by the sack or 
 barrel. A sack of cement is one- 
 fourth of a barrel and weighs about 
 100 pounds. A barrel is estimated to 
 contain 4 cubic feet. 
 
 PRACTICAL PROBLEMS INVOLVING CEMENT 
 
 How many cu. yds. of concrete are required 
 in the construction of a cellar floor 14 ft. by 24 
 ft. and 4 in. thick? Ans. — io^f cu. yds. 
 
 How many cu. yds. would be recjuired for 
 two 3-in. floors, one 10 ft. by 12 ft., and the 
 other 16 ft. by 30 ft.? Ans.— 5| cu. yds. 
 
 Find the number of cu. yds. of cinders re- 
 quired to make a 12-in. foundation for a walk 
 to the barn 162 ft. long, 2^ ft. wide and 4 in. 
 thick. Ans. — 5 cu. yds. 
 
 Estimate the amount of concrete needed to 
 build a feeding trough with walls 4 in. thick and 
 inside measurements 10 ft. long by 18 in. wide 
 and 10 in. deep. Ans. — 14 (plus) cu. ft. 
 
 How much concrete is needed to build the 
 walls and floor of a cellar 10 ft. by 12 ft. and 8 ft. 
 high inside measurements, if the side walls are 
 8 in. thick and the floor 4 in. thick? Ans. — 
 15 cu. yds. 
 
 Estimate concrete needed to build a circular 
 silo 20 ft. in diameter and 32 ft. high, with 12-in. 
 walls and 8-in. floors. Ans. — 82 (plus) cu. yds. 
 
 What quantity of each material will be re- 
 quired in a 1-2-4 mixture for a walk to the 
 barn 108 yds. long, 2h ft. wide and 4 in. thick? 
 Ans. — 15.1 bbls. cement; 4.48 cu. yds. sand; 
 8.96 cu. yds. stone. 
 
 How many sacks of cement will be required 
 to make 4.5 cu. yds. of a 1-2-1 mixture, also how 
 much sand and gravel or stone? Ans. — 27.2 
 sacks or 6.8 bbls. of cement; 2.02 cu. yds of 
 sand; 4.03 cu. yds of stone 
 
 What would be the cost of the concrete in a 
 walk 108 yds. long, 2| ft. wide, and 4 in. thick, 
 with cement costing $1.35 a bbl., sand 75 cts. 
 a cu. yd., and crushed stone $1.25 a cu. yd.? 
 Ans.— $35.22. 
 
 What will be the cost of the materials in a 
 cement basement floor 15 ft. wide, and 24 ft. 
 long, the base consisting of l-2|-5 mixture 4 in. 
 thick and the top coat a 1-2 mixture 2 in. 
 thick, when material costs the same as in the 
 foregoing problem? Ans. — Base, $14.05; top, 
 $11.19; total, $25.24. 
 
The CHILDREN'S Own Book 
 
 BEFORE THE CHILD GOES TO SCHOOL 
 
 How to Learn the A B C 
 Forming Words 
 
 Reading 
 
 Counting and Figures 
 
 LITTLE LESSONS IN THINGS BEAUTIFUL 
 
 Making Pictures of Things We See 
 Music 
 
 Modeling in Clay 
 Basketry 
 
 LITTLE PROBLEMS FOR THE WISE 
 
 Problems 
 
 Riddles 
 
 Things Difficult to Say 
 
 MYSTERY AND MAGIC 
 
 Simple Experiments with Air and Water 
 Knots Used by Sailors and Builders 
 A Trick to Play with a Book 
 
 The Disappearing Dime 
 
 Making a Ball Vanish and Reappear 
 
 Conjuring 
 
 GAMES AND AMUSEMENTS 
 
 A Little Shadow Theater 
 The "Alice in Wonderland" Tub 
 Games to Play by the Fire 
 Nursery Games 
 
 Garden Games 
 
 Games to Play When Out Walking 
 
 Amusing Games for Halloween 
 
 THINGS FOR BOYS TO DO 
 
 An Easy Way to Make a Telephone 
 The Silent Messages of the Red Man 
 A Magic Lantern for Picture Post Cards 
 Simple Kites and How to Make Them 
 
 Measuring Distances by Sound 
 A Simple Flying Machine 
 The Pleasure of a Little Garden 
 How to Make a Paper Box 
 
 BOY'S CARPENTER SHOP 
 
 The Tool Box 
 
 Making a Set of Book Shelves 
 
 Joints 
 
 Staining and Polishing Wood 
 
 THINGS FOR GIRLS TO DO 
 
 How to Make a Girl's Workbox 
 How to Use the Needle 
 Collecting Ferns for a Rock Garden 
 The Little Petticoats 
 
 The Doll's Little Frock 
 
 A Little Winter Garden 
 
 How to Make Our Own Zoo 
 
 Things We Can Make at the Dinner Table 
 
 STORIES AND PLAYS 
 
 Stories With a Mora 
 
 Stories About Animals 
 
 Stories Connected with History 
 
 Nature Stories 
 
 Stories of the Imagination 
 
 Stories of the Sea 
 
 Stories of Patriolism 
 
 Stories of Childhood 
 
 Nursery Stories 
 
 Stories of Myths 
 
 Plays for Home Production 
 
 Fables and Folk Stories 
 
THUMBELINE FLOATED DOWN THE STREAM 
 
 
 Thumbellne became happy again, for everything she passed was so lovely in the sunshine, and the birds on the branches 
 sang to her as she floated by with her pretty butterfly tied to the leaf of the water lily with her sash. (See page 371.) 
 
 264 
 
THE CHILDREN'S OWN BOOK 
 
 267 
 
 A P spells 
 AP, which is not 
 a word at all ; 
 but if we put 
 a C, or an M, or 
 a T in front of 
 it in turn, we 
 get real words. 
 
 E N spells 
 EN, and if vve '^: 
 put first a D, ^^^j 
 Or an H, or an 
 M in front, we ( 
 get DEN, HEN ^^ 
 and MEN. 
 
 .^^"^^ 
 
 CAP 
 
 MAP 
 
 TAP 
 
 I N spells 
 IN ; put an F, 
 
 or a P, or a Tin _-^L£^^^ia 
 front, and what ^^^ 
 Hn vou find ? '^.-'.<'/r'^,-i^:== 
 
 do you find r 
 Why, FIN, PIN 
 and TIN. 
 
 ' J- <!■ r 
 
 FIN 
 
 PIN 
 
 TIN 
 
 MUG 
 
 One more. 
 U G spells UG, 
 and with an 
 M, or a P, or 
 an R in front, 
 we have these 
 very different 
 words — MUG, 
 PUG and RUG. 
 
 Or perhaps you can 
 learn words better in this 
 way : 
 
 When boys and girls are 
 fast asleep, 
 And beasts go out to 
 prowl. 
 If you're awaKe, you'll 
 often hear 
 The hooting of an 
 OWL. 
 
 PUG 
 
 If 
 
 RUG 
 
 give 
 
 father would 
 me a penny, 
 
 I would soon be inside 
 of this shop. 
 It's the jolhest window 
 of any. 
 And oh, how I should 
 like that TOP ' 
 
 TOP 
 
 OWL 
 
 COW 
 
 
 ^-zz^-y 
 
 -T^-' . . 
 
 T 
 
 BOY— TOY 
 
 SUN 
 
S68 
 
 THE HUMAN INTEREST LIBRARY 
 
 BILL 
 
 HILL 
 
 MILL 
 
 Then again, AIL spells AIL, and out of this you can make many words of four 
 letters each, such as FAIL. HAIL, PAIL, and those given with pictures below. 
 
 NAIL SAIL TAIL 
 
 SAIL 
 
 You will be able to make many other words from four letters. Perhaps you 
 can make the next words out by yourselves 
 
 LOCK 
 
 ROCK 
 
 BACK 
 
 RACK 
 
 SACK 
 
 CAKE 
 
 LAKE 
 
 RAKE 
 
THE CHILDREN'S OWN BOOK 
 
 269 
 
 STORY QUESTIONS AND PICTURE ANSWERS 
 
 Before we go on to longer words, we should be sure that we can read all kinds of 
 short, easy words. So in this lesson we will have a few more words of three or four 
 letter's each, and then we shall be able to go on to something better. 
 
 ARK 
 
 What did Noah 
 build to save 
 himself, and his 
 family, and the 
 animals from 
 the flood ? 
 
 What bird did he send 
 out after the raven ? 
 
 LEAF 
 
 DOVE 
 
 What did the dove 
 bring back in its 
 mouth ? 
 
 What did Jacob make 
 for his little son Joseph ? 
 
 COAT 
 
 PIT 
 
 Into what 
 did Joseph's 
 b'"others 
 throw him ? 
 
 /^NCE upon 
 ^^ a time 
 the Prophet 
 Mahomet 
 hid from his 
 enemies in a 
 
 Suddenly 
 
 CAVE 
 
 grew at the 
 entrance of 
 the CAVE. A 
 
 built its 
 
 BIRD 
 
 What did 
 Joseph's 
 brothers go 
 down into 
 Egypt to buy ? 
 
 CORN 
 
 What did Joseph's 
 youngest brother, Benja- 
 min, find in his sack ? 
 
 CUP 
 
 On what musical instru- 
 ment did David play to 
 comfort Saul ? 
 
 HARP 
 
 What 
 beasts 
 David 
 while he 
 
 LION BEAR Zt'3?l 
 
 wild 
 did 
 
 kill 
 
 was 
 
 his 
 
 father's flocks ? 
 
 When David 
 grew up, what 
 did he become ? 
 
 KING 
 
 
 
 TREE 
 
 LEAF 
 
 in the 
 
 TREE, and 
 a spider 
 spun Its 
 
 NEST 
 
 WEB 
 
THE HUMAN INTEREST LIBRARY 
 
 WE ARE GOING TO THE ZOO 
 
 WE WILL HEAR THE LION ROAR 
 
 SEE THE MONKEY AT HIS TRICKS 
 
 WATCH THE LITTLE MOLES TilAT DELVE 
 
 THE COCK CREW 
 
 '^^'y 
 
 HEAR THE BULL ROAR 
 
 THE CLOCK TICKS 
 
 FOR COAL THEY DELVE 
 
THE HOUSE THAT JACK BUILT 
 
 HThis is the house 
 ^ that Jack built 
 
 IS 
 
 the 
 
 THIS 
 malt 
 that lay 
 in the 
 house 
 that Jack built. \L 
 
 THIS is the rat that ate the 
 malt 
 That lay in the house that 
 Jack built. 
 
 T 
 
 HIS is the cat 
 That killed 
 the rat that ate 
 the malt 
 
 That lay in the 
 house that 
 Jack built. 
 
 'T'his is the dog 
 •*■ that worried 
 
 the cat 
 That killed the rat 
 
 that ate the 
 
 malt 
 That lay in the 
 
 house that Jack 
 
 built. 
 
 "T'his is the cow 
 •'• with the 
 
 crumpled horn 
 That tossed the 
 
 dog that worried 
 
 the cat 
 That killed the 
 
 rat that ate the 
 
 malt 
 That lay in the house that Jack built. 
 
 his is the 
 maiden all 
 forlorn 
 That milked the 
 cow with the 
 crumpled horn 
 That tossed the dog 
 that worried the 
 cat 
 That killed the rat that ate the malt 
 
 This is the man 
 all tattered 
 
 and torn 
 That kissed the 
 
 maiden all forlorn 
 That milked the 
 
 cow with the 
 
 crumpled horn 
 
 That tossed the dog that worried the cat 
 That killed the rat that ate the malt 
 That lay in the house that Jack built. 
 
 This is the priest all shaven and shorn 
 That married the man all tattered 
 and torn 
 That kissed the 
 maiden all forlorn 
 That milked the 
 cow with the 
 crumpled horn 
 That tossed the dog 
 
 that worried the cat 
 
 That killed the rat that ate the malt 
 That lay in the house that Jack built. 
 HThis is the cock that crowed in the 
 *■ mom 
 That wakened the priest all 
 
 shaven and shorn 
 That married the man all 
 
 tattered and torn 
 That kissed the maiden all forlorn 
 That milked the cow with the crumpled 
 
 horn 
 That tossed the dog that worried the cat 
 That killed the rat that ate the malt 
 That lay in the house that Jack built. 
 
 This is the farmer so\ving the com 
 That kept the cock that crowed in 
 the morn 
 That wakened the priest all shaven and 
 
 shorn 
 That married the man all tattered and 
 
 torn 
 That kissed the maiden all forlorn 
 
 That milked the cow mth the cmmpled 
 
 horn 
 That tossed the dog that worried the cat 
 That killed the rat that ate the malt 
 That lay in the house that Jack built. That lay in the house that Jack built. 
 
MOTHER GOOSE IN REBUS 
 
IS YOUR NAME IN THESE GIRLS' PICTURES 
 
IS YOUR NAME IN THESE BOYS' PICTURES? 
 
SJ^l^ LOYDS PUZ:ZLES 
 
 OeogeaphicalPuzzles 
 
 45 
 
 ■'t-^^cr- 
 
 '*r vs* 
 
 + 1 
 
 I 
 
 
 + 
 
 =7 
 
 +0-' 
 
 =? 
 
 WHAT TWO AMERICAN CITIES DO 
 THESE SUMS SPELL? 
 
 Zoological Puzzles 69 
 
 +F,-i 
 
 :^'^ 
 
 =? 
 
 WHAT TWO ANIMALS DO THESE SUMS SPELL? 
 
 Bird Puzzles 
 
 V 
 
 87 
 
 Puzzle Svns 
 
 76 
 
 ? 
 
 ? 
 
 WHAT BIRDS DO THESE SUMS SPELL 7 
 
 NO. T. WHAT REPTILE DOES THIS SUM SPELL? 
 NO. IL WHAT ANIMAL DOES THIS SUM SPELL? 
 
SAM LOYDS PUZZLES 
 
 <^mzu;^^yfois^ 
 
 99 
 
 MOWAV 
 
 THU5»Ay 
 fRlDAY-- 
 
 -1— g jBa ' 
 
 The young musician is surrounded by a variety of noises. Number 
 one is plainly a squeak. How many other noises can you find in the 
 little pictures ? 
 
 E PEN PUZZLB- 
 
 117 
 
 !n how few moves can you place each of the animals in its proper pen. without ever 
 having two in the same pen ? The numbers on the animals should correspond to the 
 number'^ of the pens. 
 
 I St. Nest + One — Stone + Wheel — Heel + 
 
 Ark = Newark. 
 
 2d. WTieel + Pic + Ring - Pier = Wheeling. 
 
 I St. Can — N + Melon + E - One = Camel, 
 zd. Tie — E ^ Finger — Fin = Tiger. 
 
 ist. Wrench -f- .\nn — Charm = Wren. 
 2d- Magnet — Net + Pie = Magpie. 
 
 43 
 
 69. 
 87. 
 
 76. isL Scoop — Coop + Nail = Snail. 
 
 2d. Fowl - Owl + 0.\ = Fo.\. 
 99. i.Stiueak; 2, Squall ; 3, Howl ; 4, Roar ; 5, 
 
 Bellow; 6, Ring; 7, Growl; 8. Wail; 9, Bark. 
 
 117. The animals are rearranged into their proper pens- 
 by moving them in the following order ; 4,' 3. 2, 
 4. 3- 5. '. 2. 4. 3. 5. 4. 2. I. 4, and 5. 
 
 BY PERMISSION OF DAVID M9K«r CO. 
 
HOW TO DRAW HUNDREDS OF FACES 
 
 VY/iTH the diagram on this page we can 
 ** draw hundreds of different pictures, 
 even though we may not be artists in- any 
 sense of the word. First of all, we should 
 take a piece of good, tracing-paper and trace 
 the diagram upon it quite carefully and 
 accurately. Then we should ink over the 
 lines, ^nd when the ink is quite dry paste the 
 tracing-paper with the design upon a piece of 
 cardboard. To do this, cover the card with 
 a smooth paste and lay the tracing-paper 
 
 the tracing-paper round until oneof the pairs 
 of eyes comes into position within the outline 
 of a face that we have drawn. Trace the 
 eyes with pencil, and finally turn the paper 
 round to another position and trace a nose 
 and mouth. We now have a complete face 
 with eyes, nose and mouth, hair, and hat. .. 
 Hy ringing the changes and drawing the 
 different eyes in the different face outlines, 
 and putting sometimes one hat or mouth and 
 sometimes another, we are able to make 
 
 BY FOLLOWING THE DIRECTIONS, WE CAN, FROM THIS DIAGRAM, DRAW HUNDREDS OF FACES 
 
 upon it, smcothing out all wrinkles with a 
 clean cloth. When this is dry, we are ready 
 to draw any number of faces. ' Take a piece of 
 tracing-paper and pin it down upon the card, 
 pressing the pin through the centre of the 
 diagram where a star is marked. Now we 
 must trace any one of the hats upon the 
 transparent paper. Then let us turn the 
 paper round until the hat that we have drawn 
 comes over one of the other hats in the 
 diagram. Now trace the shape of the face 
 that appears under our hat. Again turn 
 
 hundreds of different pictures. There are 
 one or two things to remember if we want 
 to be successful in thus producing an imagi- 
 nary portrait gallery. The tracing-paper 
 must be pinned down firmly upon the card 
 and must not be allowed to shift about, or 
 the different parts of the different faces will 
 not join up properly. Then we should use a 
 soft black lead pencil in tracing the faces, and 
 we must not press too heavily or we shall 
 indent the card and spoil the diagram. We 
 can ink over the pencil-lines afterwards. 
 
DIFFERENT EXERCISES WITH DUMB-BELLS 
 
 A \ K 
 
 
 *s* 
 
 »# ».:'*'_: 
 
 r\ 
 
 J^#» 
 
 t 
 
 i-^ 
 
 1 
 
 A f \ / 
 
 ♦■St-i* 
 
 
 
 V 
 
THE CHILDREN'S OWN BOOK 
 
 211 
 
 Rembrandt in his studio 
 
 LESSONS IN THINGS BEAUTIFUL AND USEFUL 
 
 SHAKESPEARE says in one of 
 his plays that if we could cast off 
 this "muddy vesture of decay" 
 we should be able to hear the "music 
 of the spheres." He means that if we 
 were more thoughtful and quiet, we 
 should find that all the sights and 
 sounds about us are really beautiful 
 and pleasant and that if they do not 
 seem so to us the fault is not in these 
 things, but lies in ourselves. 
 
 Now artists — who include poets, 
 writers of books, musicians, painters, 
 designers, sculptors, and architects — 
 are those who hear this "music of the 
 spheres," and put it down so that the 
 rest of us may hear it too. 
 
 Let us try to find out how this 
 music is heard by painters and de- 
 signers, architects and sculptors, and 
 how they write it down. We know 
 all beautiful things by our minds or 
 our souls. Our eyes, ears, touch, 
 taste, and smell are only the roadways 
 to our true selves, so that music may 
 travel by any one of these paths, and 
 not by the ear roadway only. 
 
 And music does not mean only 
 pleasant sounds coming together; it 
 means also beautiful shapes falling 
 side by side, or colors, placed one 
 against another. So that, when we 
 see a beautiful picture, or a piece of 
 sculpture, or a grand building, or a 
 lovely decoration, the music of the 
 arrangement of the shapes is appealing 
 to our eyes, and giving us joy and 
 pleasure quite apart from the subject 
 of the work. In these pages are 
 some pictures with their musical 
 shapes. Look carefully at them, and 
 see if you can find any of this music. 
 Look carefully to see if one line 
 appears to be the continuation of 
 another, though there is no actual 
 connection. Join these lines, and 
 note the beautiful shape they enclose. 
 
 Again, boys and girls, men and 
 women, the flowers and trees, the 
 birds and animals, the earth itself 
 are all struggling for existence. The 
 very winds, the clouds, and the sun- 
 shine are all the results of struggling, 
 of fighting, of victory, and of failure. 
 
^2 
 
 THE HUMAN INTEREST LIBRARY 
 
 Joy and sorrow touch everything on 
 earth, and he is an artist who is able 
 to picture this joy and sorrow for us 
 so that we can feel them strongly. 
 
 So an artist must possess two 
 things — an eye quick to see and love 
 beautiful shapes, and a mind quick 
 to feel and to respond to the joys and 
 
 and feelings, and not be ashamed or 
 afraid of them. 
 
 Now, though drawing is music, it 
 is also speech, and we draw in order to 
 tell to others facts that we could not 
 put so well into any other form, things 
 that give us pleasure which we would 
 share with others. 
 
 How the hand (il I hi' artist draw.s a picttirr 
 
 struggles that all the things about us 
 are enduring — that is, he must want 
 to rejoice with glad things, to be 
 sorrowful with sad things, to admire 
 all brave efforts, wherever they are 
 made and whatever makes them. 
 
 All of us possess more or less these 
 two essentials — the quick eye and the 
 sympathetic mind. We do not always 
 realize it, and we are too often afraid 
 of our feelings. Now this is wrong, 
 for if we would become brave and 
 tender men and women, capable of 
 doing big and effective work in the 
 world, we must reverence our thoughts 
 
 t:':*^^iil 
 
 V 
 
 
 y^f^:- 
 
 
 
 . ^p 
 
 ^^^ 
 
 % 
 
 f\^'^ 1 
 
 
 • ** 
 
 
 "^ *v ft? 
 
 
 
 ft/ 
 
 
 -J^^-" 
 
 The completed picture 
 
 It is not possible for us all to become 
 great artists, but we should all be able 
 to read what the artist is eager to tell 
 us in his work, and by reading his 
 pictures our lives will become bigger 
 and more sympathetic. ^Ye shall 
 begin to see the beautiful laws of order 
 and music that are at the heart of 
 everything, and then we shall want to 
 link this music together ourselves, in 
 order to make others feel it as we do, 
 and we, too, may be artists, creators. 
 So let us set about our lessons in this 
 wonderful subject, whereby we shall 
 become friends with the things around 
 us. 
 
 Materials: For the little ones we 
 will choose white and colored crayons, 
 these should be soft and not greasy. 
 The mind must work readily through 
 the fingers and the muscles of the hand 
 must become very sensitive, which 
 cannot happen if hard unyielding 
 pencils are used. You who are older 
 may use pencils, which must be soft 
 known as B or BB so that they will 
 yield readily to the slightest pressure. 
 If you have a paint box you must 
 learn to use it. These boxes contain- 
 ing moist colors in pans or tubes are 
 preferable. With these you will need 
 
THE WORLD AT WORK TO FILL A PAINT-BOX 
 
 ^^F«^^^ 
 
 :<P^^^^ 
 
 ■sjSit 
 
 *r 
 
 si 
 
 *< 
 
 n.. . 4^ % 
 
 -'4 
 
 All over the world men work hard iu order to fill this little girl's paint box. Here, reading from left to right, we see 
 men collecting ivory for black, insect-cells for crimson lake, resin for gamboge, cochineal for carmine, the indigo plant for 
 indigo, the madder for brown. Iron and potassium for Prussian blue, cuttlefish for sepia, earth for sienna, mercury for ver- 
 milion, and mineral (or ultramarine. 
 
27J^ 
 
 THE HUMAN IXTEREST LIBRARY 
 
 a pointed camel's hair brush, number 
 six, a jar for water, and a small 
 sponge-box, water and sponge must be 
 kept quite clean. Untidy materials 
 make an untidy mind. 
 
 Use white or colored paper to work 
 on. There is a cheap unglazed, soft- 
 textured, warm gray paper which is 
 delightful, and which may be obtained 
 from any dealer in artists' materials. 
 Ordinary unglazed brown paper is 
 good if neither too light nor too dark. 
 Do not let your paper become creased 
 or crumpled, keep it flat and neatly 
 together in a portfolio. The portfolio 
 may be bought or made at home from 
 two pieces of cardboard joined to- 
 gether at the back and fastened at the 
 front with a piece of tape. 
 
 A small drawing board will l)e neces- 
 sary to which the paper should be 
 fixed by four thumb tacks or drawing 
 pins. When drawing do not lay your 
 board flat upon the table, let it slope 
 toward you resting the top against 
 the table. 
 
 Sit well away from your work, hold 
 crayon, pencil or brush lightly with 
 end of same pointing into the palm of 
 
 your hand, and your hand scarcely 
 touching the paper as you work. 
 
 Face squarely the object you wish to 
 draw so that you may glance quickly 
 from your drawing to the object. 
 Hold your work frequently at full 
 arms length from you, or better still 
 stand away and look at it as though 
 you were a teacher correcting exercises. 
 
 Forget yourself and do not be afraid 
 of your materials. Think only of 
 putting down on the paper just the 
 appearance of the object before you. 
 Things to draw 
 
 All living things, if they have been 
 allowed to grow up without suffering 
 from accident, have beautiful shapes. 
 We cannot do better than to draw, 
 from every possible view, the things 
 we see about us and so learn to rec- 
 ognize a beautiful shape before we 
 consider the second great essential 
 underlying all art — that is, the true 
 self of everything. 
 
 When using crayons do not press 
 lieavih^ or you will fill every crevice 
 of your paper, then the color of the 
 paper will not show through the crayon 
 as a soft gray. If your drawing is not 
 
 This is how the laurel spray should look when it is drawn 
 from memory in black chalk on brown paper. 
 
 If we have chosen ivy leaves to draw instead of laurel 
 leaves, this picture will do to compare our drawing with. 
 
THE CHILDREN'S OWN BOOK 
 
 215 
 
 good, do not try to rub it out, make it 
 
 again and again. 
 
 Drawing and painting a spray of 
 
 LEAVES 
 
 Let us find and draw or paint a 
 spray of leaves. Any kind of leaves 
 will do but since all leaves and flowers 
 change quickly after they are picked 
 we will need to work rapidly. You 
 will notice that wherever, the leaf 
 springs from the stem there is a little 
 swelling; sometimes it is much bigger 
 than at other times 
 
 The stalk of the leaf is not the same 
 thickness all the wav down. Some 
 
 getting the direction the leaf takes 
 carefully, and drawing it big. The 
 pictures show laurel and ivy, but any 
 leaves must be drawn in the same way, 
 beginning first with the long stems. 
 We can practice drawing the spray 
 with a brushful of color in green paint 
 to match the shade of the leaves, or 
 in brown or black paint like the picture 
 above. Moisten the paper with the 
 damp sponge first. If the paper 
 glistens when you hold it level with the 
 eye, it is too wet. 
 
 A good, bright green is made by 
 mixing Prussian blue, gamboge, and 
 
 Now we have to make a copy of our laurel leaves, paint- 
 ing them straight away on white paper. 
 
 Here is a picture of a spray of ivy leaves painted on white 
 paper. Remember to start with the stalk. 
 
 kinds of laurel leaves are rounded at 
 the tips and where they join the stalks 
 and some are pointed. Wh'chever 
 kind of leaf we have chosen, we must 
 look at all these things and notice the 
 different shapes, begin with the big 
 stem. Notice if it curves or bends, 
 then draw the leaf-stalks and then the 
 leaves themselves. We shall find it 
 better not to draw the leaves with a 
 single line round them at first, but to 
 rub the chalk sideways on the paper. 
 
 burnt sienna. A good dark green 
 is made by mixing together indigo and 
 burnt sienna or Prussian blue and 
 Vandyke brown. We shall find that 
 there are a great many ways of mixing 
 gi-eens when we know our paints. 
 
 Remember that we draw with our 
 mind, and that our hands can do only 
 what our mind, or soul, tells them. If 
 we do not look at the object carefully, 
 and judge its edges carefully, our 
 hands cannot put the truth down. 
 
276 
 
 THE HUMAN INTEREST LIBRARY 
 
 A PLAY LESSON 
 
 Now let us have a play lesson. 
 Take one of the things you think you 
 can draw, place it before you, and look 
 at it for a minute or two. Then cover 
 it up and try to draw what you have 
 seen from memory. 
 
 ^Yhen you have finished your draw- 
 ing, uncover the object, get up from 
 your seat, stand behind your work 
 and compare it with the original. Be 
 a teacher, and do not allow any fault 
 to go uncorrected. 
 
 Do this with every object — the cat, 
 the dog, your toys, leaves, fruits, and 
 
 flowers — about you. Look at it, turn 
 away and draw it; then change your- 
 self into a teacher and criticize. You 
 must be a judge, and bring up every 
 accusation you can. You must defin- 
 ately and fairly judge each one — 
 length against breadth, curve against 
 curve. You cannot realize too clearly 
 how important this part of your work 
 is. 
 
 You will never draw freelv, or for- 
 get your pencil and paper and your- 
 self, until you can draw from memory. 
 It is only then that you can be said 
 to know what an object is like. 
 
 THE LITTLE CLAY MODELER AT HOME 
 
 A SIMPLE LESSON IN AN INTERESTING 
 PASTIME 
 
 THOSE of us who have ever 
 done modeling will agree that 
 it is a delightful pastime. 
 There is no end to the things that can 
 be made out of those little lumps of 
 clay which look so uninteresting till 
 they have been pinched and poked and 
 rolled into all manner of fascinating 
 shapes. And modeling is as useful as 
 it is delightful, for it not only makes 
 practical use of our patience and our 
 perseverance, but it trains the senses 
 of sight and touch, and makes us 
 observant, and consequently more 
 accurate and self-reliant. 
 
 The "tools" that are needed are few 
 in number, and quite inexpensive. 
 All that is required is a piece of clay, 
 or, better still, of plasticine — which is 
 cleaner to work with and better in 
 many ways — an unframed slate, and 
 one's fingers. Of course, the more 
 plasticine the better, and the gray 
 color is the most suitalile for the work 
 it is proposed to do. It can be bought 
 at ahnost any shop in which artists' 
 materials are sold, and a slate may be 
 procured from a shop dealing with 
 school requisites. 
 
 Just a word as to the care of the 
 materials. Keep the plasticine in a 
 moderately cool place, and when not 
 in use see that it is kept free from dust 
 or grit. x\fter long usage, plasticine 
 has a tendency to become stiff and 
 difficult to manipulate. This is owing 
 to the evaporation of the oil which it 
 contains. When it becomes so, work 
 a small c{uantit,y of vaseline into it by 
 kneading in j^our hands until it be- 
 comes plastic again. The slate should 
 always be scraped clean before each 
 model or exercise is attempted. 
 
 The first few models will not need to 
 be worked on the slate at all; they 
 must be done almost entirely in the 
 hands and with the finger-tips. 
 
 Let us take the first picture — a 
 model of a bunch of cherries. Break 
 off — do not cut — a lump of plasticine 
 and roll three balls about the size of 
 cherries. Slightly press the top of 
 
THE CHILDREN'S OWN BOOK 
 
 S77 
 
 each to give the shape shown at A, 
 and in the center of each depression 
 bore a hole, as at B, with a match, to 
 receive the ends of the stalks. For 
 the stalks, roll out on a clean slate a 
 long thin strip, as at C. To do this 
 successfully, and to preserve equal 
 thickness throughout the length, re- 
 quires care. The small piece of plas- 
 ticine used should be rolled beneath 
 the flat hand on the slate, and not 
 between the two hands. Press evenly 
 as the strip begins to lengthen, and 
 move the hand slowly to the right as 
 you proceed with the rolling. The 
 right thickness to obtain is equal to 
 that of an ordinary match. This is, 
 of course, a little thicker than the 
 natural stalks of the cherries would be; 
 but we take a little liberty, for if we 
 reduced them to such a degree they 
 would hang limply down. Divide 
 the strip into three equal lengths, and 
 make the little thickening, as shown 
 at D, by lightly holding the strip 
 between fingers and thumbs and 
 pressing with both hands at once to- 
 wards the thickening. Fix the stalks 
 into the cherries, pinch the three ends 
 together, and the model is complete. 
 
 Our other model is an apple, and 
 this will demand a greater effort. 
 Of course, there are many shapes of 
 apples and a round one as at A, with 
 just the end depressions and the stem, 
 would be very easy to make. 
 
 But the apple we wish to do is one 
 
 with a well-defined and somewhat 
 angular shape, of the type shown, 
 exaggerated a little, in the illustration 
 marked B. This is much more diffi- 
 cult. The size of the model must be 
 left to the worker for it must not be 
 too big to handle comfortably. First, 
 make a ball as before, and, with the 
 real apple before you, work it into 
 the same shape adding to or taking 
 from the model as you proceed. You 
 will find the finger-tips very useful 
 for this. Notice all the little angu- 
 larities of surface, look well at the copy 
 from every side, and compare the two 
 constantly as you work. Do not be 
 satisfied merely with the model of an 
 apple, but try to make a faithful copy 
 of the apple before you. The stem 
 is inserted in a similar manner to those 
 of the cherries, and the markings at 
 the opposite end are made with the 
 match end as at C. 
 
 The model should have a smooth 
 finish, and this can be done by lightly 
 smoothing with the forefinger. It 
 must be held carefully and without 
 undue pressure while this process is 
 being carried out. 
 
 BASKETRY 
 Basketry— A doll's Christmas 
 
 HAMPER 
 
 WHILE we are enjoying the 
 good things that Christmas 
 brings, we surely must not 
 forget our dolls. Here we are going 
 to learn how to make a little doll's 
 hamper, and later on to fill it with 
 Christmas "goodies" which we shall 
 
 find it quite easy to model with our 
 fingers out of clay. 
 
 First, then, we will make the ham- 
 per, for which we must carefully 
 measure off seven pieces of "No. 4" 
 (or fairly thick) cane. Most of the 
 big toy-shops sell cane for cane-weav- 
 ing, or, of course, it can be bought 
 from any basket factory. 
 
278 
 
 THE HUMAN INTEREST LIBRARY 
 
 If we maKe the hamper three inches 
 high, each piece of cane must be sixteen 
 inches long. These seven lengths of 
 cane are for the foundation of our 
 hamper, and we will call them the 
 "spokes" whenever we refer to them, 
 as they remind us of the spokes of a 
 wheel. 
 
 Form a cross with four spokes 
 across and three spokes upright, the 
 three upright spokes being in front as 
 in picture 1. 
 
 1. Position of the canes 2. Beginning to make the basket 
 
 Hold these between the thumb and 
 first finger of the left hand. 
 
 Our next step is to select a long piece 
 of "No. 1" (or fine) cane, which we 
 shall call the "weaving-cane," as it 
 weaves in and out the spokes, just as 
 the threads of any woven material 
 pass over and under each other. 
 
 We must hold the weaving-cane in 
 our right hand, a few inches from one 
 end. Place this end of the weaving- 
 cane at the dot in picture 1, and pass 
 it under the four spokes at A, over 
 
 the three spokes at B, under at C, and 
 again over at D. We draw this as 
 tightly as possible and pass the cane 
 under the tiny end to form a tie. 
 
 In picture 2 we are able to see just 
 how the weaving-cane travels, if we 
 follow it up from the letter L. 
 
 From this point we weave over one 
 spoke and under the next until we 
 have passed eight spokes, which brings 
 us to the left side of the picture where 
 we see two spokes taken together. 
 Some of us may think this a mistake, 
 but in weaving we must have an odd 
 number of spokes, because where the 
 weaving-cane passes over one time, 
 the next time it must go under. 
 
 At the place marked X in picture 2, 
 we take two spokes together and treat 
 them just as one spoke. 
 
 By taking the two together it fastens 
 the odd number in quite securely. 
 Continue the weaving over and under, 
 taking care, when you come to the 
 spoke with the little bit beside it, that 
 you treat that spoke and the little bit 
 as one. We must remember always 
 to weave in the direction in which 
 we began. 
 
 If we have done our weaving cor- 
 rectly, the weaving-cane will now pass 
 under the spoke over which it went the 
 last time round. 
 
 We must continue our weaving until 
 we have covered about one inch from 
 
 The basket without the lid 
 
 4. The lid of the basket 
 
 5, The basket complete 
 
THE CHILDREN'S OWN BOOK 279 
 
 the center of the basket. Then cut By this time the side of our hamper 
 
 off one of the two spokes taken to- measures two and a half inches from 
 
 gether and what is left of the tiny bit where we turned it up. Here we take 
 
 of weaving-cane where we started. a length of No. 4, or rather thick cane 
 
 One very important thing is the to weave the other half-inch. An 
 
 fight way to hold our work. Hold the important point to learn just now is 
 
 work in the left hand perpendicularly, how to join a new piece of cane so 
 
 the weaving-cane being held in the that it will be least observable, 
 
 right hand just like a skipping-rope We must always finish off the end 
 
 about two inches away from the of the old weaving-cane, when we have 
 
 basket. We now slip the first finger come under a spoke, by pushing the 
 
 out and hold the cane between the loose end of the weaving-cane down 
 
 thumb and the second finger. the side nearest to us of the same 
 
 Don't think Mr. First Finger has spoke, 
 
 nothing to do. He is a very important Take a new piece of weaving-cane 
 
 person, and acts as a guide to Mr. and pass the end down the far side 
 
 Weaving-cane, guiding and pressing of this spoke. Both the old and the 
 
 him always into his proper place. We new weaving-cane pass behind the 
 
 must also be very careful never to same spoke, but the join does not 
 
 pull the weaving-cane, but to bend it show on the right side of the basket, 
 
 round the spokes, moving the basket To finish our basket we cut an inch 
 
 up and down at the same time. off each spoke with the exception of 
 
 Every touch of our fingers has a two, which we leave to form the han- 
 
 permanent effect on the ultimate shape die, as seen in picture 3. Each spoke 
 
 of our basket, and no subsequent pres- must be turned back the opposite 
 
 sure will alter it. We shall be able to way from which we have been weav- 
 
 begin a second basket much better after ing, and pressed down the far side of 
 
 we have thus learned to weave properly, the next spoke until it lies level with 
 
 How are we to turn up the cane for the last line of weaving. To form the 
 
 the sides of the hamper? little handle, we cross the two spokes 
 
 We notice the alternate spokes are and push the ends down so that one 
 
 on the top of the weaving-cane, end goes in where the other starts 
 
 These spokes we bend away from us. from. 
 
 Weave round once again, when, of Having made our hamper, we must 
 
 course, the other spokes are on the turn our attention to the lid for it, 
 
 top. These also must be bent away which is made exactly as the bottom 
 
 from us. We continue weaving as of the hamper, using seven spokes 
 
 before, taking care to keep the spokes about six inches long, 
 
 nearly at right angles to the bottom of When the weaving exactly fits the 
 
 the basket. top of our hamper, we finish by pusli- 
 
 We must remember, as we weave the ing the spoke-ends down the sides of 
 
 side of the hamper, when the weaving- their left-door neighbors, 
 
 cane is going behind a spoke, to draw Basket-weaving is most fascinating 
 
 that spoke back with the guiding finger work when once we have acquired the 
 
 and slip the whole hand behind it to art of weaving easily; therefore it is 
 
 put the weaving-cane in place. The worth while to practice weaving, as 
 
 more we press on the spokes when from this small beginning it is possible 
 
 drawing them back, the more the sides to make any number of very pretty 
 
 of our basket will slant outwards. and useful articles. 
 
280 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE WONDERFUL LAND OF SOUND 
 
 THERE is a wonderful land of Sound, a country so 
 beautiful that it may be called a magic kingdom 
 In this kingdom there are fairies who will sing; 
 and little kind-hearted goblins. In this beautiful land 
 fairies and goblins help one another, and join together 
 to tell the most delightful stories. When we know 
 them and can understand their language, they will 
 tell us stories of the winds; they will bring to us 
 the songs of the birds ; the murmurs of the brook, 
 and all the beautiful sounds in the world. This 
 magic kingdom w^e call the Piano. 
 
 When we open the door of this fairyland we 
 see what looks like a long black line and a 
 long white line. If we look closely we see 
 that these lines are really made up of about 
 fifty little white pieces and not quite so 
 many little black pieces. The fifty little 
 white pieces are where the fairies dwell 
 the black pieces are the homes of the 
 goblins. 
 
 The fairies are very simple little 
 people, and like to make it easy 
 for us to talk to them, so they 
 
 have very short names which 
 we will find easy to re 
 member. There areonl.v 
 seven of them and they 
 have taken the names 
 of the first seven let 
 ters of the alphabet 
 Let us say to our 
 selves, "Seven 
 little fairies, 
 seven little 
 
 Fairy 
 
 / C, Fairy 
 
 D, Fairy 
 
 E, Fairy 
 
 F, Fairy G. 
 
 / The homes of 
 
 the goblins — 
 
 the thirty -five 
 
 little black houses, 
 
 are arranged in 
 
 twos and threes, and 
 
 this arrangement is a 
 
 great help in finding out 
 
 and remembering all the 
 
 homes of the fairies. 
 
 In nearly all pianos Fairy A 
 
 has eight houses. They all look 
 
 <^ exactly alike and all are named 
 
 A after Fairy A herself. 
 
 cf To find where Fairy A lives we 
 
 must first notice the group of three 
 
 names. A, 
 B,C,D,E, 
 F, G 
 
 Fairy A, 
 Fairy 
 
 black houses. Look carefully at these 
 three goblins' homes and then remem- 
 ber that Fairy A lives on the right side 
 of the middle black house. Fairy B is 
 satisfied with seven homes all exactly alike 
 and one is named after herself, B. Again we 
 must notice the three little black houses, for Fairy 
 B is always found on the right side of the third 
 black house. Fairy C has seven houses all named C, 
 ^ after herself, and they are on the left side of the 
 ^ tico little black houses grouped together. 
 
 Fairies D, E, F and G have also seven homes each, 
 
 and each of these little houses bears the name of the 
 
 fairy to whom it belongs. Let us see where they live. 
 
 Look again at the little group of two goblins' houses. The 
 
 fairy living between these two black houses is Fairy D, 
 
 and wherever we see just two goblins together we can be 
 
 quite sure that Fairy D is to be found between them. 
 
 Fairy E feels that she wants to be one of this happy party and 
 
THE CHILDREN'S OWN BOOK 
 
 281 
 
 she has her home next to D, so that 
 Fairy E is on the right side of the 
 second black house. 
 
 Fairy F and Fairy G are Hke a group 
 of three goblins, so Fairy F lives on 
 the left of the first of the three black 
 houses while Fairy G lives next door 
 to her on the left side of the middle 
 black house. 
 
 Now that we have found out where 
 all the little fairies live, let us go to 
 
 Home of the seven fairies 
 
 the piano and see if we can find the 
 little houses. Every day we should 
 enjoy a real game of play with the 
 fairies and goblins in the magic king- 
 dom. We can think we are the post- 
 men of fairyland and each morning 
 we must take the fairies their letters, 
 being sure to go to the right houses 
 
 and careful not to forget any of our 
 little friends. 
 
 Let us ask the fairies to play a game 
 with us and see if we cannot learn to 
 sing the note of each. We will knock 
 first at Fairy C's door. We will choose 
 that house of hers which is almost in 
 the middle of the long white line, 
 remembering that her houses are 
 always found on the left-hand side 
 of the group of two goblins' houses. 
 To knock at her door so that we 
 may really hear her voice in answer, 
 we must press down the little white 
 piece very gently and firmly. 
 
 Listen! Do you hear her? It 
 is Fairy C's voice. Try to sing the 
 same sound exactly. Try a great 
 many times, and then, when we 
 think we know it quite well, we will 
 run away to the end of the room 
 and sing it again, coming back very 
 quickly to the magic kingdom to see 
 if we have remembered it rightly. 
 
 Fairy C likes to hear us say 
 "This is Fairy C's voice," and she 
 will always sing if we go to her house, 
 C, and press the door very gently. 
 
 When we have played as long as 
 we like with Fairy C, we may go 
 to her next-door neighbor. Fairy D. 
 Fairy D's voice is not quite like 
 Fairy C's. We will press the door 
 here, too, and listen to the answer, 
 and then try and sing the same 
 sound. 
 
 But we must not forget Fairy C's 
 voice, so we will touch the door 
 again and listen. Now we will go 
 back to Fairy D, to be quite sure 
 that we know each fairy's voice. 
 
 But there are more fairies, and so we 
 go to Fairy E's house and learn her 
 httle "note," and then to Fairy F and 
 Fairy G, until we reach Fairy C's 
 second little house. 
 
 If we have a fairy concert every day. 
 we shall soon come to know all the 
 beautiful fairy voices quite well. 
 
S82 
 
 THE HUMAN INTEREST LIBRARY 
 
 LITTLE PROBLEMS FOR THE WISE 
 
 When was the watch right? 
 
 1. At noon on Monday Herbert 
 asked his father what o'clock it was. 
 His father told him that it was noon, 
 and said that his watch was two min- 
 utes fast. On Wednesday morning 
 Herbert again asked the time, and his 
 father replied that the exact time was 
 eight o'clock, but added that his watch 
 was one minute slow. Herbert then 
 told his father at what time his watch 
 had been exactly right. Could you 
 have done it? 
 
 Answer. — From noon on Monday 
 to 8 o'clock on Wednesday morning is 
 44 hours. His father's watch, there- 
 fore, lost 3 minutes in 44 hours. But 
 it was right when it had lost only 
 2 minutes, which it would do in two- 
 thirds of 44 hours — that is, in 29 hours 
 20 minutes. This number of hours 
 from noon on Monday would make it 
 5 :20 on Tuesday afternoon. 
 
 How MANY DUCKS? 
 
 2. "How many ducks did you 
 drive home.''" asked Farmer Bell. 
 
 "There were two ducks in front of a 
 duck, two ducks behind a duck, and 
 a duck between two ducks," was the 
 reply. 
 
 What was the number of ducks? 
 
 Answer. — Three. 
 What vehicles were sent? 
 
 3. An order had been received at 
 a garage for automobiles for a party 
 of fifty-nine. The manager had auto- 
 mobiles to seat nine and cabs to hold 
 four, and he sent some of each, so that 
 everyone had a seat and there was 
 no seat vacant. 
 
 How did he do it? 
 
 Answer. — Try one automobile first. 
 This will seat 9 and leave 50. There 
 is not an exact number of 4's in 50, 
 so that they could not be seated in 
 cabs. Next try 2 automobiles. These 
 
 will seat 18 and leave 41, which again 
 cannot be seated in cabs. Next, 3 
 automobiles will seat 27 and leave 
 32. Now 8 cabs will seat exactly 
 32, so that the manager must have 
 sent 3 automobiles and 8 cabs. 
 
 How DID THE SHEEP STAND? 
 
 4. "I saw an odd sight the other 
 day," said Jones. "Two sheep were 
 standing in a field, one looking due 
 north and the other due south. How 
 do you think that each could see the 
 other without turning round?" 
 
 Can you give the answer? 
 
 Answer. — This is what is usually 
 known as a "catch," and the answer 
 is that, as they stood, they faced each 
 other, one looking north and the other 
 south. 
 The clock strikes twelve 
 
 5. John and his sister stood under 
 the church tower and heard the clock 
 strike six. John looked at his watch 
 while it did so, and said to his sister: 
 "It took 30 seconds to strike six." 
 His sister replied: "Then how long 
 would it take to strike 12?" John 
 replied, "Sixty seconds, of course!" 
 John was wrong. What is the correct 
 answer? 
 
 Answer. — The clock would take 
 sixty-six seconds to strike twelve. 
 Between the first stroke and the sixth 
 stroke there were five intervals of 
 time, each interval being six seconds. 
 Between the first and the twelfth 
 stroke there were eleven intervals of 
 time, each of six seconds, so that th^ 
 clock would take sixty-six seconds to 
 strike twelve. 
 
 How MANY eggs? 
 
 6. If a hen and a half lays an egg 
 and a half in a day and a half, how 
 many eggs will one hen lay in six days? 
 
 Answer. — Four eggs. One hen 
 would lay one egg in a day and a 
 
THE CHILDREN'S OWN BOOK 283 
 
 half— that is, two eggs in three days, How many stamps had they? 
 
 or four eggs in six days. 10. Three children — Jack, Frank, 
 
 Twelve eggs in basin and Harry — divided some postage- 
 
 7. There are 12 boys, and on the stamps among them. Jack had half 
 table is a basin with 12 eggs. Each of them and one more; Frank had one 
 boy took one egg and there remained more than half of those left; Harry 
 one egg in the basin. How was this? had the remaining three. How many 
 
 Answer. — The last boy took the stamps were there? 
 
 basin as well as the egg in it. Answer. — First let us find how 
 
 The farmer and the tramp many stamps were left when Jack had 
 
 8. A tramp lies down for a nap at taken his share. Since Frank had one 
 the side of a haystack, and hears the more than half, Harry must have had 
 farmer approaching. He runs round one less than half. You know that 
 and round the stack chased by the Harry had three, therefore four must 
 farmer. They start from opposite have been half of the quantity that 
 corners, the tramp taking forty seconds Harry and Frank divided. Half of 
 to run completely around and the eight is four so Frank had five. Now 
 farmer thirty seconds. How often we must find how many Jack had. 
 must the farmer run around before Jack's share was one more than half 
 catching the tramp? the total quantity and therefore the 
 
 Answer. — x\s the tramp runs round quantity divided by Frank and Harry 
 
 the stack in forty seconds, and the must have been one less than half the 
 
 farmer in thirty seconds, the farmer total. Frank and Harry's share came 
 
 can run round four times in the same to eight as we have seen and the half 
 
 time that the tramp takes to run round of the total quantity being one more 
 
 three times. This means that in four than eight was nine. Jack had ten 
 
 rounds run by the farmer he would which is one more than half the 
 
 gain one round upon the tramp; but, total quantity and thus there were 
 
 as the tramp had a start of only half eighteen altogether. 
 
 a round, the farmer would overtake Whose portrait is it? 
 
 him after running only two rounds, 11. One of the problems that have 
 
 which is the answer. most puzzled our fathers and mothers 
 
 How many persons were they? is the old problem of a man looking at 
 
 9. Brown arrived at the inn to a portrait, saying: "Brothers and sis- 
 arrange lunch for his party. "How ters have I none, but this man's 
 many of you are there?" asked the father is my father's son." Whose 
 innkeeper. "Well, we represent portrait is it? 
 
 father, mother, uncle, aunt, sister, Answer. — If a man says that he 
 
 brother, nephew, niece, and two has no brothers and sisters, his father 
 
 cousins." would have only one son — himself. 
 
 What was the fewest number that Thus, if what he says is put in simple 
 
 could be in the party? language it is: "That man's father is 
 
 Answer. — There were four in the myself." This means that the pic- 
 party. The father and mother were ture at which he looked was that of 
 brother and sister, one having a son his own son. 
 
 and the other a daughter. The Did george walk round the monkey? 
 
 children were cousins, therefore, 12. George was trying to tease the 
 
 nephew and niece, and the father and monkey which was seated on the top 
 
 mother were thus uncle and aunt. of a barrel-organ. But, although he 
 
S84 
 
 THE HUMAN INTEREST LIBRARY 
 
 walked all round the barrel-organ, the 
 monkey always turned so as to face 
 the boy the whole time. 
 
 When the boy has walked round the 
 organ, has he walked round the 
 monkey? 
 
 Answer. — No. George never sees 
 the monkey's back, which he clearly 
 would do if he walked round the 
 monkey. 
 
 How LONG WAS THE STRING? 
 
 13. A boy had two pieces of string, 
 one of which was just twice as long as 
 the other. He cut 6 inches oflP each 
 piece, and then found that one was 
 just three times as long as the other 
 How long were they at first .5^ 
 
 Answer. — To begin with, one piece 
 of string was 1^2 inches long and the 
 other piece 24 inches. After cutting 
 
 How MUCH DOES A BRICK WEIGH? 
 
 15. A brick weighs six pounds and 
 half of its own weight. What is the 
 weight of the brick? 
 
 Answ^er. — The brick weighed 12 
 pounds. The weight of each of the 
 two halves is the same, so that if a 
 brick weighs half of its own weight 
 and 6 pounds, the 6 pounds must 
 represent the other half. 
 
 How MUCH WATER WAS SPILLED ? 
 
 16. A boat leaving a wreck had 
 water to last 13 days, allowing each 
 man one quart each day. After 
 five days some water was spilled and 
 one man died on the same day. The 
 water then lasted just the expected 
 time. How much water was spilled? 
 
 Answer. — The amount spilled 
 would have served the man who died 
 
 How did the engineer cliange the cars? 
 
 6 inches off of each the shorter piece 
 was 6 inches long and the longer piece 
 18 inches long. 
 
 How FAST WAS THE HORSE WALKING? 
 
 14. I was walking along a country 
 road steadily at the rate of four miles 
 an hour. I saw a horse and cart 
 going in the same direction, and wdien 
 I saw them they were exactly 2'-20 
 yards in front of me. I overtook 
 them in 15 minutes. At wdiat rate 
 was the horse walking? 
 
 Answer. — In 15 minutes I had gone 
 one mile and the horse 220 vards less 
 than one mile. In one hour the horse 
 would walk 880 yards less than four 
 miles — that is three-and-one-half miles 
 in one hour. 
 
 for 8 days, and this, at 1 quart each 
 day, would have been 8 quarts. 
 
 How DID THE ENGINEER DO IT? 
 
 17. The illustration represents a 
 railway line with a short loop line 
 extending from one part of the main 
 line to another part of the main line. 
 In the middle of the loop line is a 
 bridge, under which a car can be 
 pushed by the engine, but which is too 
 low for the engine itself to pass through. 
 On the left side of the loop line, near 
 the lamp-post marked A, is a car 
 marked B, and on the right side of 
 the loop line, near the lamp-post 
 marked C, is a car marked D. The 
 engineer is told to take car B to the 
 lamp-post C on the right side, and to 
 
THE CHILDREN'S OWN BOOK 
 
 285- 
 
 take car D to the lamp-post A on the 
 left side, leaving them at these points, 
 and then to bring his engine back to 
 the main line. The main line extends 
 further at each end than is seen in the 
 picture. 
 
 How did he perform his task? 
 
 Answer. — The engine goes forward 
 along the main line, backs up the left 
 side of the branch line, and pushes 
 car B through the bridge. Then the 
 engine comes down the branch line, 
 to the main line, along the main line to 
 the right of the picture, then up the 
 right side of the branch line, and 
 pushes car D up to car B. At this 
 stage the position is like this : 
 
 Then the engine pulls down both 
 cars, brings them both to the middle 
 portion of main line, where it leaves 
 car B (which is the one farthest in 
 front of it), and, going back again 
 with car D, pushes it up the right side 
 of the branch through the bridge. 
 The position is then like this: 
 
 Now the locomotive comes back 
 again to the main line, takes car B, 
 and leaves it at the post C, finally 
 coming down again along the main line, 
 up the left side of the branch line, and 
 pulls car D into its place. It can then 
 return to the main line alone. 
 
 How DOES JULIA GET THE EGGS? 
 
 18. Dora and Julia gather the eggs 
 on the farm. One morning Dora 
 discovers that several eggs have been 
 laid on a small square island in the 
 middle of a square pond, and, having 
 
 no plank long enough to reach across, 
 she leaves the eggs alone. 
 
 Julia sees them the next morning, 
 and, looking round for a means to 
 reach the island, finds two planks, 
 neither of which will quite reach from 
 the edge of the pond to the island. 
 But they are her only means of access 
 to the eggs, and, placing them so that 
 she can step across them, Julia 
 reaches the island and takes the eggs 
 home in her basket. How does Julia 
 reach the island. f* 
 
 How does Julia get the eggs? 
 
 Answer. — Julia put the planks as 
 shown in the picture, and thus reached 
 the island. 
 
 
 
 How Julia got the eggs 
 
 Riddles 
 
 1. To what island should hungry 
 people go? 
 
 2. Why is a policeman like an 
 aeroplane? 
 
 3. Why are watches like grass- 
 hoppers? 
 
 4. What tree is nearest to the sea? 
 
 5. Why is charity like an um- 
 brella? 
 
£86 
 
 THE HUMAN INTEREST LIBRARY 
 
 6. Why is the eye like a very 
 severe schoohiiaster? 
 
 7. What flower is most Hkely to be 
 found in the shop of a shoemaker? 
 
 8. Why is Sunday the strongest 
 day? 
 
 9. What flower would you wish 
 for when oppressed with woe? 
 
 10. Why are pen, ink and paper 
 like fixed stars? 
 
 11. Why are hay and straw like 
 spectacles ? 
 
 12. Ten men's strength and ten 
 men's length, and ten men cannot 
 set it on end, yet one can carry it. 
 
 13. What is that which goes 
 through the wood yet never touches 
 the ground or the trees ? 
 
 14. What tradesmen are always 
 robbing themselves? 
 
 Answer. — (1) The Sandwich Isles; 
 (2) Because he takes people up; (3) 
 Because they move by springs; (4) 
 The beech; (5) Because it is most 
 useful when most widely extended; 
 (6) He always has a pupil under 
 the lash; (7) Lady's slipper; (8) 
 Because the others are all week 
 (weak) daj^s; (9) Heartsease; (10) 
 Because they are stationery (sta- 
 monary); (11) Because they are 
 forage (for age); (12) A rope twenty 
 yards long; (13) The blast of a horn; 
 (14) Butchers, because they are always 
 stealing (steeling) their own knives 
 and other tools. 
 
 THINGS DIFFICULT TO SAY 
 
 WE ALL know the curious 
 sentence with many saws in 
 it that we were asked to say 
 when we first went to school: "Of all 
 the saws that ever I saw I never saw 
 a saw to saw like this saw was to saw." 
 That is quite easy to say, but there 
 are many other sentences with the 
 same word or syllable or sound that 
 are so hard to say, and especially to 
 say several times in quick succession, 
 that they have obtained the apt 
 name of tongue-twisters. "Truly 
 rural" seems quite a simple expression, 
 and yet there are very few people 
 who can say it quickly six times run- 
 ning without twisting it into some- 
 thing like toore-looral. 
 
 Here is a tongue-twister in the form 
 of a verse : 
 Oliver Oglethorpe ogled an owl and 
 
 oyster; 
 Did Oliver Oglethorpe ogle an owl and 
 
 oyster? 
 If Oliver Oglethorpe ogled an owl and 
 
 oyster, 
 Where are the owl and oyster Oliver 
 
 Oglethorpe ogled? 
 
 Perhaps even more difficult to repeat 
 
 than either of these is a verse in 
 
 which the sound of q occurs in almost 
 
 every word. 
 
 Quixote Quicksight quizzed a queerish 
 quidbox; 
 
 Did Quixote Quicksight quiz a queerish 
 quidbox? 
 
 If Quixote Quicksight quizzed a queer- 
 ish quidbox, 
 
 Where's the queerish quidbox Quixote 
 Quicksight quizzed? 
 The sound of c, too, mixed up with 
 
 the sound of cr, is difficult to repeat 
 
 over and over again in a sentence. 
 
 Here is a sentence combining these 
 
 sounds : 
 
 Captain Crackskull cracked a catch- 
 poll's cockscomb; 
 
 Did Captain Crackskull crack a catch- 
 poll's cockscomb? 
 
 If Captain Crackskull cracked a catch- 
 poll's cockscomb, 
 
 Where's the catchpoll's cockscomb 
 Captain Crackskull cracked? 
 A very good tongue-twister is the 
 
 verse about the sea-shells : 
 
 She sells sea-shells on the sea-shore; 
 
THE CHILDREN'S OWN BOOK 
 
 287 
 
 The shells she sells are sea-shells I'm 
 sure. 
 
 So if she sells sea-shells on the sea- 
 shore ; 
 
 Then I'm sure she sells sea-shore 
 shells. 
 
 Here is a prose tongue-twister 
 which should be repeated very rapidly : 
 
 How much wood would a woodchuck 
 chuck if a woodchuck could chuck 
 wood? If a woodchuck could chuck 
 wood, the wood that a woodchuck 
 would chuck is the wood that a wood- 
 chuck could chuck, if the woodchuck 
 that could chuck wood would chuck, 
 or a woodchuck could chuck wood. 
 
 A shorter but scarcely less difficult 
 tongue-twister is this sentence of only 
 six words : 
 
 Seven Severn salmon swallowing 
 several shrimps. 
 
 Here is a series of sentences that Dr. 
 Moberlj^ headmaster of Winchester 
 School, and afterwards Bishop of 
 Salisbury, used to make his boys read, 
 
 placing the emphasis on the right 
 words. They are all perfectly correct 
 but take a good deal of examination 
 before the sense can be understood in 
 each case : 
 
 I saw that C saw. 
 C saw that I saw. 
 I saw that that that C saw was so. 
 C saw that, that that that I saw was so. 
 I saw that, that that that that C saw 
 
 was so. 
 C saw that that, that that that that I 
 saw was so. 
 
 I saw that that, that that that that 
 that C saw was so. 
 
 It is very amusing to try to repeat 
 this: 
 
 Mrs. Biggar had a baby. Which 
 was the bigger .'* The baby w^as a 
 little Biggar! Which was the bigger, 
 Mrs. Biggar or the baby? Mr. Biggar 
 was father Biggar! Mr. Biggar died; 
 was the baby then bigger than Mrs. 
 Biggar? No, for the baby was father- 
 less! 
 
 MYSTERY 
 
 Simple experiments with air and 
 
 WATER 
 
 WE can learn a great deal of 
 science from the most fa- 
 miliar objects in our homes. 
 
 AND MAGIC 
 
 ments that will teach us much that 
 we ought to know. 
 
 First of all, we can perform an 
 experiment that will show us how the 
 air, that is invisible and does not 
 
 and an interesting half-hour may be seem to have any weight, is actually 
 spent in performing simple experi- pressing down upon us and upon 
 
 Easy experiments that can be tried in every home 
 
£88 THE HUMAN INTEREST LIBRARY 
 
 everything on the earth's surface, cause of this is that when the paper is 
 
 We take a wide-necked bottle, and burned out the air cools again, and as 
 
 also prepare a hard-boiled egg to help it does not now fill the glass the 
 
 us in our experiment by carefully pressure of the air on the surface of 
 
 removing all the shell. the water drives it up into the tumbler. 
 
 Now we put into the bottle a piece Still another experiment will prove 
 of lighted paper, and, after a second that the air exercises a pressure, not 
 or two, place the egg in the neck of only downwards, but upwards as well, 
 the bottle as though it were the We take a wine-glass, and fill it care- 
 stopper. The egg will, of course, fully up to the brim with water, 
 remain there just as if it were in an Then take a thin sheet of paper, and 
 egg-cup. At least, that is what some place it on top, so that it touches both 
 of us would expect. But if we watch the surface of the water and the rim 
 the hard-boiled egg we shall see, after of the glass. Now, holding the paper 
 a time, that it is gradually going down carefully in position, we turn the glass 
 the neck of the bottle as though it of water upside down, and the water 
 were being sucked in. Then, suddenly, will remain in the glass apparently 
 it will enter the bottle with a loud suspended. Of course, it is not really 
 noise. What is the explanation of suspended, but the air is pressing it 
 this? It is very simple. The burning up into the glass. The air must not 
 paper heated and expanded the air in be allowed to get into the glass while 
 the bottle, and some of it was driven we are inverting it, or the water will 
 out through the opening at the neck, come out; and as any carelessness will 
 Then the egg was placed in the neck result in an accident, it is always wise 
 and the opening was stopped up. to perform the experiment over a 
 Presently the air in the bottle cooled, basin. 
 
 and, as it lost its heat, it contracted, or If we should like another experiment 
 
 filled less space, so that there was a to prove the downward pressure of the 
 
 partial vacuum in the bottle, and the air, we can use our basin of water 
 
 air outside pressing upon the egg again, and take a small ear-syringe 
 
 drove it into the bottle. The report such as is found in every house. We 
 
 was caused by the outside air rushing fill it with water, and invert it with 
 
 in as soon as the falling of the egg the point in the water in the basin, 
 
 opened the neck once more. Now we press down the rod and empty 
 
 There is another simple experiment the syringe. But directly we pull up 
 
 which shows clearly the pressure of the rod again the water rushes up and 
 
 the atmosphere. Take a basin of fills the syringe. The reason of this is 
 
 water, and on the surface of the water that the pressure of the air all over 
 
 let a cork float. Now place on the the surface of the water in the basin 
 
 cork a piece of lighted paper, and over drives the water up into the syringe, 
 
 these invert an empty glass, pressing An interesting experiment, this time 
 
 it down gently into the water. Bubbles with a pair of ordinary domestic 
 
 will be seen to come from under the bellows, proves that the pressure of 
 
 glass. This is the air being driven the atmosphere is exerted, not only 
 
 out owing to the fact that the heat above and below, but sideways and 
 
 from the lighted paper has expanded in all directions. Having blown all 
 
 the air, and the glass will not hold it the air out, we completely stop up the 
 
 all. A few moments after, the water nozzle and the vent-hole with corks, 
 
 is seen to rise in the tumbler. The and then, if the bellows are in proper 
 
THE CHILDREN'S OWN BOOK 
 
 289 
 
 order and are air-tight, no boy will be 
 able to open them, no matter in what 
 position they may be held. The air 
 outside pressing equally on all sides 
 holds the bellows together. 
 
 All bodies, solids, liquids, and gases 
 alike, when heated expand — that is, 
 fill more space — and two simple ex- 
 periments will show this clearly in the 
 case of liquids and gases. We take a 
 small bottle, fill it with some colored 
 liquid, such as water in which a little 
 coloring has been dropped, and cork 
 it up. But we must see that the cork 
 is pierced, and a piece of glass tube, 
 open at both ends, inserted. Now, 
 if we plunge the bottle into a vessel 
 of warm water, as seen in picture 6, 
 the colored liquid will be seen to rise 
 in the tube to A. This is because the 
 warm water in which the bottle was 
 plunged has heated the liquid in the 
 bottle, and caused it to expand and 
 overflow into the tube. 
 
 To show that gases expand we must 
 use a glass tube closed at one end. 
 We take the tube, which is, of course, 
 full of the gas that we call air, and 
 put it into a tumbler of water, as 
 shown in picture 7. The water rises 
 to a certain point, B. Now we hold 
 a lighted taper to the upper part of the 
 glass tube, and, after a second or two, 
 the water descends in the tube from 
 B to C. This is because the heat 
 expanded the air in the tube, and as it 
 wanted more room drove some of the 
 water out. 
 
 Another experiment with a wine- 
 glass and a jar of water will show that 
 gases, such as the atmosphere, possess 
 the property of compressibility — that 
 is, they can be pressed into smaller 
 space. We take the wine-glass and 
 invert it on the surface of the water. 
 The glass is full of air, which occupies 
 the whole of the space A in picture 8. 
 Now we press the glass down to the 
 bottom of the jar, and we see, as in 
 
 picture 9, that some water has risen 
 in the glass, and the air that formerly 
 occupied the whole glass now fills 
 only the space B. As we gradually 
 lift the glass out of the jar, we see that 
 the air expands and fills the glass as 
 easily as it was compressed. 
 
 There is a simple experiment to show 
 that liquids, like gases, exert a pressure 
 equal in all directions. Take an 
 ordinary lamp chimney and p^ace 
 below the widest opening a piece of 
 cardboard. Hold this against it and 
 plunge the whole into a jar of water. 
 Now remove the hand that held the 
 cardboard, and it will be found to 
 remain in position, the upward pres- 
 sure of the water holding it against 
 the glass. Now pour water gently 
 into the lamp chimney from above; 
 the card continues in position until 
 the water in the glass reaches the 
 level of the water in the jar. The 
 pressure of water top and bottom 
 being then equal the card will be 
 displaced, and sink to the bottom of 
 the jar by its own weight. 
 
 A TRICK TO PLAY WITH A BOOK 
 
 This is a trick of a really startling 
 kind, which will puzzle even the wisest 
 man if he does not know it. 
 
 You invite someone, the older and 
 wiser the better, to take down any 
 book he pleases from the bookshelves, 
 to open it haphazard, and to choose 
 a word in the first nine lines of any 
 page, and not after the ninth word 
 in the line. He is then to notice the 
 number of the page, and multiply it 
 by 10. To the product he is to add 
 25 and the number of the line. The 
 result thus obtained is in turn to be 
 multiplied by 10, and the number 
 at which the word stands to be added 
 to the product. 
 
 He is then to hand you the book, 
 with a slip of paper on which are 
 written the figures last obtained. 
 After thinking for a few moments you 
 
£90 
 
 THE HUMAN INTEREST LIBRARY 
 
 open the book and read out the word 
 chosen. 
 
 To obtain this surprising result, 
 all that you have to do is to subtract 
 in your mind 250 from the amount 
 given you on the slip of paper handed 
 to you. 
 
 The last figure of the answer will 
 give you the number at which the 
 word stands in the line, the last but 
 one the number of the line, and the 
 remaining figures the number of the 
 page. 
 
 Suppose, for instance, that the 
 person choosing the word had hap- 
 pened to choose the fifth word in the 
 ninth line of the eighty-fourth page. 
 In such case the process would be as 
 follows : 
 
 84X 10 = 840 
 
 840+ 25+9= 874 
 
 874X 10 =8740 
 
 8740 + 5 =8745 
 
 8745—250 =8495 
 
 And 8495, dissected as explained, 
 gives 84, 9, 5, being the three clues 
 necessary to the discovery of the word. 
 The Disappearing dime 
 
 This is a capital trick. Two things 
 only are wanted for it — a handkerchief 
 spread out upon the table, and a 
 dime laid in the middle of it. The 
 corners of the handkerchief are folded 
 down over the coin, and anyone 
 is permitted to feel that it is still 
 there. And yet, at the conjur- 
 er's command, it passes through 
 handkerchief and table, and is found 
 on the floor beneath. The handker- 
 chief is shaken out, and proves to be 
 empty. This trick is good enough 
 to make quite a reputation for the 
 youthful wizard, and yet it is simplic- 
 ity itself — when you know it ! 
 
 In the first place we must have two 
 dimes in appearance as nearly alike 
 as possible, and one of these we take 
 an opportunity to drop quietly before- 
 hand under the table at which we 
 
 propose to perform the trick. The 
 only other thing required is a little 
 pellet of beeswax. This we must 
 knead between the fingers till it is 
 fairly soft, and then press, till needed 
 in another sense, against the back 
 part of our lowest vest button. 
 
 To perform the trick, take the wax 
 off the button, and press it against one 
 corner of the handkerchief which you 
 are going to use. Then lay the hand- 
 kerchief on the table squarely in front 
 of you, with the waxed corner nearest 
 to the right hand. Lay the dime on the 
 center of the handkerchief, or better 
 still, let somebody else do this, to prove 
 that there is "no deception." Then 
 fold down the corners of the handker- 
 chief one by one over the coin, begin- 
 ning with the waxed corner, and press- 
 ing this down a little, so as to make it 
 adhere. This done we ask someone 
 to make sure, by feeling through the 
 handkerchief, thatthecoinis still there. 
 Each person who does so presses the 
 wax a little closer. 
 
 Now comes the exciting moment. 
 "Now, ladies and gentlemen," you 
 say, "I am going to make the dime 
 pass right through the table, and be 
 found upon the floor. If you will all 
 be very quiet, perhaps you will hear 
 it fall." They won't, but they may 
 as well imagine that they do so. 
 
 We blow upon the center of the 
 handkerchief saying, "Presto! Pass!" 
 
THE CHILDREN'S OWN BOOK 
 
 291 
 
 Then, hooking the first and second 
 fingers of each hand inside the nearer 
 opening of the handkerchief, as shown 
 in the picture, we draw the two corners 
 smartly apart, one in each hand, and 
 shake it out. The coin, adhering to 
 the handkerchief, is drawn into the 
 right hand. "Look under the table, 
 and see whether it has gone through," 
 you say, and while general attention 
 is occupied by looking for and picking 
 up the other coin, you will have ample 
 opportunity to get rid of the one in 
 the hand. 
 
 Of course we are not bound to make 
 the coin pass "through the table." 
 If we prefer it we may order it to pass 
 under a candlestick, into a vase on 
 the mantelpiece, or even into some- 
 body's breast-pocket. All that is 
 needful is to place the duplicate dime 
 where we intend that it shall be found, 
 and alter the command accordingly. 
 Making a ball vanish and reappear 
 
 For the performance of this con- 
 juring trick the only apparatus we need 
 is a little ball, light in weight and rather 
 smaller than a marble in size, and a small 
 stick for a wand. We hold the ball 
 up between the thumb and forefinger 
 of our right hand, as shown in the 
 first picture, so that all the spectators 
 may see it clearly. Then w^e say that 
 we shall place the ball in our left hand, 
 and we proceed to do so; but instead of 
 putting it in the left hand, we skillfully 
 roll the little ball down the right hand, 
 and fix it as shown in the second picture, 
 so that it is supported between the 
 second and third fingers. To do this 
 quickly and successfully needs a little 
 practice, but it is quite possible for 
 any boy or girl to learn the trick in a 
 very short time. 
 
 Now we close the left hand as if we 
 were holding the ball in it. Then, 
 still supporting the little ball between 
 the second and third fingers of the right 
 hand, we take up the wand, and, 
 
 tapping on the knuckles of the closed 
 left hand, we say, "Vanish, little ball!" 
 and instantly we open the hand and 
 show that the ball, which was supposed 
 to be in it, has disappeared. 
 
 If we are skillful in performing the 
 trick so far, we shall have no difficulty 
 in continuing it, and, to the astonish- 
 ment of the spectators, we shall call 
 the little ball back from the inside of 
 the wand. We continue to support 
 the ball between the second and third 
 fingers of the right hand, keeping the 
 back of the hand towards the audience 
 all the time, though, of course, without 
 
 How the ball is concealed 
 
 appearing to do this purposely. We 
 take the wand in the right hand, as in 
 the third picture, and, holding the 
 other end with the left hand, we call to 
 the ball to come forth from inside the 
 wand. As we speak we work the ball in 
 an instant from its hiding-place, and 
 hold it up once again before the spec- 
 tators, as in the first picture. Of 
 course, in all such tricks as this we 
 should practice well alone before at- 
 tempting to give an exhibition before 
 others. 
 
 The boy conjurer's joke with his 
 audience 
 
 At the end of a series of tricks it is 
 often a source of great amusement to 
 entertain the audience with what 
 schoolboys call a "sell" — a practical 
 joke in the disguise of a conjuring 
 trick. The only apparatus needful 
 is the pencil, and this you can manu- 
 facture for yourself. You have 
 
£92 
 
 THE HUMAN INTEREST LIBRARY 
 
 merely to change an ordinary pencil 
 in such a way as to make it look 
 like an extraordinary one. For in- 
 stance, you may paint it in three 
 colors — red, blue, and yellow, successive 
 rings of each color; or, for lack of 
 paint, colored paper may be used — 
 anything, in fact, to give it an un- 
 usual appearance. 
 
 Having performed a few genuine 
 tricks, you produce the pencil and a 
 blank sheet of paper, inviting the 
 company to examine them. "Now, 
 ladies and gentlemen," you remark, 
 "you notice no doubt, that this is a 
 rather peculiar-looking pencil. But 
 its appearance is the least of its pecu- 
 liarities. In point of fact, it is an 
 electric pencil. At present, you see, 
 it writes plain black like any other 
 pencil." Here you make a few marks 
 with it and proceed : "But if I electrify 
 it a little, it will write red, blue, or 
 yellow — in fact, any color, just as I 
 please. What color will you have.^ 
 Choose for yourselves." "Red," we 
 w^ill suppose is the reply. You 
 gravely breathe upon the pencil, rub 
 it upon your coat-sleeve, and proceed 
 to write the word "red" in bold letters. 
 "There it is, you see — red. If you 
 had asked for blue or yellow, it would 
 have been just the same." Which 
 nobody can deny. 
 
 The success of the trick rests on the 
 fact that the audience have been 
 prepared, by seeing sundry surprising 
 things, to expect something equally 
 surprising. If the trick were offered 
 offhand, without such preparation, 
 some of the audience would probably 
 see through the joke; but if it is led up 
 to in a proper manner, they will hardly 
 ever do so. 
 
 A GOOD CONJURING TRICK WITH NUTS 
 
 There is an excellent conjuring trick 
 that can be performed with very little 
 preparation or apparatus, and if it is 
 practiced once or twice until skill is 
 
 acquired, it will greatly mystify the 
 spectators. 
 
 We hand round us for the inspection 
 of the audience an empty dessert plate 
 and a clean pocket-handkerchief. 
 These can be handled by anyone who 
 likes to prove that they have no 
 secret pockets or recesses. We now 
 place the empty plate on the table, 
 spread over it the pocket-handkerchief, 
 and then, after making a few mysteri- 
 ous passes with the hand or a wand, 
 we raise the handkerchief and shake 
 out of it upon the plate a number of 
 sweetmeats or nuts. 
 
 This is the explanation of the trick. 
 We make a small triangular bag, as 
 shown in the first picture, by sewing 
 
 The trick bag 
 
 together two triangular pieces of linen 
 or calico, and in the two hems on each 
 side of the opening we sew straight 
 pieces of watch-spring, taking care 
 that in each case the spring goes the 
 whole length of the hem. These 
 springs, if flat, will close the opening 
 of the bag, and keep it closed unless 
 force is used to open it. A pin, bent 
 to a hook, is put through the apex of 
 the bag. 
 
 Nuts or sweetmeats are now placed 
 in the bag, and the spring closes the 
 mouth, so that when the bag is sus- 
 pended they will not fall out. Having 
 prepared the bag in this way, we hang 
 it by the hooked pin on the side of the 
 table that is awaj^ from the spectators, 
 this being done, of course, in advance, 
 
TEE CHILDREN'S OWN BOOK 
 
 298 
 
 before they sit down, so that they know 
 nothing about it. 
 
 After showing the empty plate to the 
 audience, we place it on the table near 
 the edge where the bag is suspended, 
 and in spreading the handkerchief 
 over it we see that part of it hangs over 
 the edge of the table where the hooked 
 pin is. Then in picking up the hand- 
 kerchief we dexterously pick up with 
 it the bag. The handkerchief falhng 
 around so as to hide the bag. The 
 rest of the trick is simple. We 
 
 shake the handkerchief with a 
 few vigorous jerks and the impact 
 of the nuts or sweets parts the 
 springs, which are not very stiff, and 
 allows the objects to fall out on the 
 plate. The bag can then be skillfully 
 dropped behind the table, which 
 should, of course, have a thick cloth 
 on it, reaching to the floor, to effect- 
 tively hide the back. There are few 
 conjuring tricks so easy to per- 
 form, and yet so surprising in their 
 effects. 
 
 GAMES AND AMUSEMENTS 
 
 The "ALICE IN WONDERLAND" TUB 
 
 ALL boys and girls know "Alice 
 in Wonderland," and there 
 is a good Alice game that we 
 can play. 
 
 We prepare a shallow tub and deco- 
 rate it, inside and out, with green 
 muslin and pretty wreaths of ivy. 
 Boys will easily put together a lattice 
 made of wire, one, perhaps, with four 
 large squares or oblongs; the outer 
 circle should be of the same size as the 
 tub. A very pretty cover is made 
 when this lattice is decorated with 
 greenery. 
 
 Then lovers of "Alice in Wonder- 
 land" collect as many as they can of 
 the people in the book — white rabbits, 
 the Mad Hatter, the Dormouse, Bill, 
 the Lizard, and a host of other char- 
 acters can easily be made up by clever 
 boys and girls. They should be 
 wrapped carefully in prettily tinted 
 papers, and the packets should be tied 
 with ribbons or tapes to match, 
 leaving a long, trailing end. All the 
 parcels should now be placed carefully 
 in the tub, in such a way that the ends 
 of ribbon can be drawn through one 
 of the openings in the cover. Then, 
 when pulled by a pair of eager hands, 
 the ribbon brings out with it a package 
 one longs to open. No packet must be 
 
 opened, however, until the magic tub 
 is empty. 
 
 Who will get the White Rabbit, the 
 Black Kitten, or the dear, sleepy Dor- 
 mouse? How delightful to find a 
 lobster or a walrus, or one of the 
 poor little oysters ! A little pig may be 
 in one parcel ; a pepper-pot in the next. 
 There is really no end to the number of 
 delightful people and things that may 
 be popped into the Lewis Carroll 
 lucky tub. But the packages may 
 only be felt by those who take posses- 
 sion of them, they are not to be opened 
 until a signal is given, and even then 
 they may be opened only privately — 
 just a private peep. 
 
 Everybody then scampers to a seat 
 and waits for more fun. A clever 
 grown-up somebody takes a chair in 
 the middle of the room and begins 
 telling, quickly and cleverly, the story 
 of "Alice in Wonderland," and when 
 the moment comes for the dear, fussy 
 White Rabbit to be mentioned a 
 pause is made, the storyteller strikes a 
 gong, and before sixty seconds have 
 passed the child with the White 
 Rabbit must have loosened the cover- 
 ings that conceal him, run to the side 
 of the storyteller, and hold him up for 
 general observation, pronouncing his 
 name. Sometime three or four people 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 must run at the same moment; what 
 would the Mad Hatter, the March 
 Hare, the Dormouse, and Ahce do 
 without the big teapot or the wonder- 
 ful watch? 
 
 Each boy or girl who succeeds in 
 getting to the center of the room at 
 the right moment takes a chocolate 
 from a box placed close to the story- 
 teller, and returns to his or her place 
 
 until wanted again. This time the 
 concealing papers need not cover the 
 treasure drawn from the lucky tub; it 
 may be placed on the floor of the 
 owner's feet, so that its beauties may 
 be properly noted. Then, when the 
 story comes to an end a big march 
 past to music takes place, and a boy, 
 wearing the Mad Hatter's Hat, makes 
 a fine leader of the procession. 
 
 GAMES TO BE PLAYED IN THE NURSERY 
 
 Hunt the slipper 
 
 ALL the players but one — 
 "cobblers," as they are called 
 — sit on the floor in a circle 
 a few inches apart. Then the cus- 
 tomer comes and says: "Please, I 
 want this old slipper mended. I will 
 call for it in ten minutes." 
 
 She hands one of the cobblers an 
 old slipper, and turns away. When 
 she has counted up to ten, she comes 
 back, but is told the slipper is not 
 ready. 
 
 "I must have it," says the customer. 
 
 "Then you must find it," all the 
 cobblers reply. 
 
 At that the search begins. Each 
 cobbler passes the slipper on to his or 
 her neighbor, hiding it from sight as 
 much as possible; but should the seeker 
 spy it and call out the name of the 
 cobbler who has got it, that cobbler 
 must take her place, and bring it to 
 be mended again. The slipper must 
 not stop in one place, but must keep 
 passing round the circle, either one way 
 or the other. 
 The garden gate 
 
 The garden fence is made by all the 
 players, except one, holding each 
 other's hands, standing in a big ring. 
 In the middle stands the single player, 
 while the rest dance round her three 
 times. Then they stand still while she 
 sings : 
 
 "Open wide the garden gate, the 
 garden gate, the garden gate. 
 Open wide the garden gate and let me 
 
 through." 
 
 But the "fence," as the ring is called, 
 
 only answers, as it dances round again : 
 
 "Get the key of the garden gate, the 
 
 garden gate, the garden gate. 
 
 Get the key of the garden gate and let 
 
 yourself through." 
 Then the poor prisoner cries : 
 "I've lost the key of the garden gate, 
 
 so what am I to do?" 
 Still dancing, the others sing: 
 "Then you may stop, may stop all 
 night within the gate, 
 Until you're strong enough, you 
 know, to break a way through." 
 At this the prisoner runs between 
 two of the boys and girls — the "pal- 
 ings" of the fence — and if, by pushing, 
 she can make them unclasp hands, one 
 of them takes her place in the middle 
 and the game begins again. 
 Hold fast ! let go ! 
 
 You must listen to what is said in 
 this game, and be careful to do exactly 
 the opposite. Four players stand up, 
 and each takes hold of one corner of a 
 square sheet of paper or a handker- 
 chief. A fifth player calls out: "Hold 
 fast!" and anyone who does not let go 
 will be out; while, if the order is "Let 
 go!" those who fail to holdfast will be 
 out. The orders must be given 
 
THE CHILDREN'S OWN BOOK 
 
 295 
 
 rapidly, one after another, and some- 
 one is sure to make a mistake, but the 
 last to do so, of course, is the winner. 
 
 Puss IN THE CORNER 
 
 In this game all the children pretend 
 to be mice, except one, who is the puss. 
 "Puss" stands in the middle of the 
 room. Each mouse stands in a corner. 
 While there puss cannot touch them, 
 but when they run across the room to 
 change corners with one another she 
 may capture any she can. No 
 mouse should venture from a corner 
 until she has made signs to another 
 mouse with whom she would like to 
 change houses, or she may find herself 
 half-way across the room with no 
 corner to run to. The mouse that is 
 caught must take the place of puss. 
 Blind man's buff 
 
 Those who want to make a great 
 noise will have a chance now. One 
 player is taken into the middle of the 
 room, where a handkerchief is tied 
 over his eyes. He is then turned round 
 three times and told to catch whom he 
 can. The other players run to and 
 fro, passing as near to him as they dare, 
 while the blindman rushes in all direc- 
 tions, clutching at those who seem 
 nearest. When he succeeds in catch- 
 ing someone, he must guess who it is, 
 and, if correct, the person caught must 
 be blindfolded in his place. If he 
 cannot guess, he must leave go and 
 try again. 
 Wolf 
 
 The "wolf" is a player who creeps 
 away to one side of the nursery, and 
 hides behind chairs and tables or boxes. 
 The "sheep" all huddle up at one end 
 of the room, and the shepherd stands 
 at the other. Presently he calls out to 
 the sheep to "come home, for the night 
 is falling." 
 
 "We are afraid of the wolf," answer 
 the sheep. 
 
 "The wolf is away!" cries the 
 shepherd. 
 
 Then the sheep all run across. Out 
 jumps the wolf and catches whom he 
 can. The game lasts till there are no 
 sheep left to be caught. 
 Bingo 
 
 The players join hands in a ring, 
 with one of their number, who is called 
 the "miller," in the center. Then all, 
 still holding hands, dance round and 
 sing: 
 
 "The miller's mill dog lay at the mill 
 door. 
 
 And his name was little Bingo: 
 B with an I, I with an N, N with a G, 
 G with an O, 
 And his name was little Bingo." 
 
 Then as they stand still again the 
 miller cries out "B" and points at one 
 of the players in the ring, who must 
 say "I," the next to her "N," and so on, 
 until the little dog's name is spelled. 
 The first player to say the wrong 
 letter has to change places with the 
 miller. 
 Feather and fans 
 
 A fluffy feather out of any cushion will 
 do for this game, and if there are not 
 enough fans to go round, stiff pieces of 
 paper or thin card will do quite as well. 
 Draw a line across the nursery floor, 
 and let half the number of players be 
 on one side, and half the number on 
 the other. When all are ready, toss 
 the feather into the air and keep it up 
 with the fans. No players must leave 
 their side of the line, but should do 
 their best to stop the feather sailing 
 across it. Those in whose country 
 it falls at last lose the game. Of course 
 the feather, while in flight, must not be 
 touched. 
 
£96 
 
 THE HUMAN INTEREST LIBRARY 
 
 GAMES TO PLAY BY THE FIRE 
 
 Word-making 
 
 NEAR the top of a slip of paper 
 each player writes down a word 
 given out by the leader of the 
 company. Then all start to make a 
 list below it of other words, spelled 
 from the letters it contains — and these 
 letters only. When the leader says 
 that time is up (about ten minutes 
 should be allowed), the lists are added 
 up, and the player who has made the 
 largest number of words is the winner. 
 It is not necessary to choose a very 
 long word, for it is surprising how many 
 words may be made from the letters 
 contained in any word of ordinary 
 length. For example, from the word 
 "animal" we can get: am, nail, main, 
 lain, and so on. 
 Magic answers 
 
 This is a game in which two of the 
 players form a plan between them- 
 selves to puzzle the rest. One of these 
 two leaves the room, while his partner 
 remains behind to choose with the rest 
 of the company some object to be 
 guessed. 
 
 The one outside is then recalled and 
 questioned by his accomplice as to what 
 this object is. Several things are 
 touched. "Is it this?" "Is it this?" 
 he is asked. To every inquiry he 
 answers "No," until something is 
 mentioned that has four legs, and as 
 he and his friend have previously ar- 
 ranged that such an article shall not be 
 referred to till just before the real object 
 is named, he knows that the next ques- 
 tion may be answered with a "Yes." 
 Proverbs 
 
 While one of the players is out of 
 the room, the rest think of a proverb. 
 It should contain at least as many 
 words as there are players. 
 
 The boy or girl who has been sent 
 out is now called back, and begins the 
 game by asking the first in the row a 
 
 question. This question may be of 
 any kind, but the answer to it must 
 contain the first word of the proverb. 
 The next is then questioned, and 
 replies with the second word, wrapped 
 up, as it were, in the answer. 
 
 Supposing the proverb to be, "It is 
 never too late to mend," and the first 
 question is, "How many apples do you 
 eat in a day?" the answer might be, 
 "As it is not wise to eat too much of 
 anything, there are some days when I 
 don't eat apples at all." The word "it" 
 is not easy to notice in this sentence. 
 But it would be more difficult to hide 
 the last word in the proverb. 
 
 Let us take as a question, for 
 example, "Are you fond of reading?" 
 The answer might be, "Yes; but I 
 tore the pages of my favorite book, 
 and must mend them before I can go 
 on with the story." If you wish to 
 puzzle the questioner you should not 
 let your word begin or end the sentence. 
 General post 
 
 All the players sit round the room 
 in a large circle, and one, who is 
 blindfold, stands in the middle. Each 
 player takes the name of a town, and 
 the leading player makes a list of 
 these, from which he calls out now 
 and then, thus: "The Post is going 
 from Chicago to Denver," choosing 
 "towns" on opposite sides of the 
 circle. "Chicago" and "Denver" 
 jump up and slip across to each other's 
 seat, the blindman doing his best to 
 catch one of them as they pass. When 
 several towns have changed places, 
 and the blindman has failed to make 
 a prisoner, the leader cries out 
 "General Post," when all must jump 
 up and cross over to opposite sides. 
 In the hurry and confusion the blind- 
 man is sure to catch someone, who 
 takes his place while he becomes one 
 of the towns. 
 
THE CHILDREN'S OWN BOOK 
 
 297 
 
 A LITTLE SHADOW THEATER 
 
 BY means of scissors, paste, 
 cardboard, paper, and a piece 
 of wood, any bright boy or 
 girl can make an amusing toy that 
 will provide plenty of fun for a Christ- 
 mas or New Year party, and will be 
 equally interesting for grown-ups and 
 for children. The toy is a shadow 
 puzzle game, and is made in this way. 
 Take some stiff cardboard, and cut 
 out two pieces 15 inches high by 6 
 inches wide. Then cut another piece 
 15 inches high and 18 inches w^de, and 
 from the center of this larger piece cut 
 out a space about 12 inches high and 
 12 inches wide, so that what is left 
 will look very much like the wings 
 and curtain of a theater. Now take 
 two strips of gummed paper, and 
 fasten the two narrow pieces of card 
 to the larger piece, one on each side, 
 so that the paper will form hinges, 
 and the side pieces can be turned at 
 
 right angles to the middle card. 
 Strips of linen pasted or gummed on 
 to the card make even better hinges 
 than the gummed paper. 
 
 To make this screen frame neat, 
 cover one side of it with black paper — 
 not the side on which the linen or paper 
 strips are pasted. Then, turning the 
 screen over, paste over the opening 
 which we have cut out a piece 
 of ordinary semi-transparent tracing 
 paper. The paper should be as white 
 as possible. The screen is now ready, 
 and it may be put aside while we make 
 the rest of the toy. 
 
 Cut out four figures in stiff card- 
 board, each about three inches high, 
 and these should be, if possible, rather 
 fantastic and humorous, as that will 
 add to the fun of the game. Any kind 
 of upright figures will do, and may be 
 copied from books, but if there is any 
 difficulty about drawing men, four 
 
 Little men for the shadow theater 
 
 • 6" «■■ • _• la - * 6T....J 
 
 The framework of the theater 
 
 <^ 
 
S98 
 
 THE HUMAN INTEREST LIBRARY 
 
 upright pieces of card may be cut into 
 any kind of irregular shapes, and will 
 serve for the purpose of the game. 
 
 A piece of wood, 12 inches long by 
 about 6 or 7 inches wide and ^4 of an 
 inch thick, is wanted for a stand for 
 these figures, and running the whole 
 length of the board, cut six grooves at 
 regular intervals, just wide and deep 
 enough to hold the figures upright 
 when they are placed in these grooves. 
 
 Now take some stiff paper an 
 make four extinguishers, by rolling u} 
 the paper in the form of a cone, an 
 cutting the opening evenly all rount 
 Then sew a little ring in the top 
 each. The extinguishers should b 
 about 4 inches high and 2 inches i 
 diameter at the bottom. 
 
 Next get a thin stick about 2 
 23^ feet long, and in the end put 
 nail or drawing-pin, and to this fast 
 a straight piece of wire about 12 inch 
 long with the end turned up slight^ 
 to form a hook. The wire should 
 stout enough to remain stiff 
 straight. All that is necessary 1 
 for the game is an ordinary candl 
 a candlestick. 
 
 Any number of people may pla 
 puzzle shadows. Stand the screei 
 the table, with the wings folde 
 right angles, as shown in the pic 
 and put a lighted candle some dist 
 at the back of it. One who doe> 
 take part in the game acts as m 
 of ceremonies. He puts the wc 
 stand between the screen an 
 candle, and then places each o 
 four figures in a groove. 
 
 All lights in the room except the 
 candle are turned out. The first 
 player now takes his place before the 
 screen, and he must on no account 
 look round or over it to see what is 
 behind. Hooking the wire holder into 
 the ring of one of the extinguishers, he 
 lifts this over the top of the screen, 
 and guided only by the shadows of the 
 
 figures and extinguisher on the paper 
 front of the screen, he tries to put the 
 extinguisher over one of ilm figures. 
 So long as the shadow of the extin- 
 guisher is above the shadows of the 
 figures it may be moved about in any 
 direction, but directly it touches or 
 begins to cover the shadow of a figure 
 it must be let down at once. The 
 gently unhooked, and another 
 
 catch nre. 
 
 You MUSTN'T LAUGH! 
 
 All sit in a row round the fire and 
 look solemn. Then the first player 
 says: "Haw-haw!" which is repeated 
 all down the line, one after another. 
 Those who cannot do this without 
 laughing afterwards are declared out, 
 and the game begins again. 
 
THE CHILDREN'S OWN BOOK 
 
 299 
 
 AMUSING GAMES FOR HALLOWEEN 
 
 HALLOWEEN, or All Hallows' 
 Eve, is a festival that has 
 long been observed, particu- 
 larly in Scotland, and although many 
 of the customs associated with the 
 season are superstitious, yet there are 
 also some interesting games which 
 
 apples without stalks are selected. 
 The greatest fun is to have some of 
 each kind. Of course, those with 
 stalks are captured first, and then 
 the excitement increases. Small apples 
 can be sucked up into the mouth, but 
 the larger ones have to be chased to 
 
 Ducking for apples in a tub ol water 
 
 Cutting (iuwn the apple 
 
 Tlie apples captured frum the water 
 
 boys and girls have played for genera- 
 tions on Halloween, or the last night 
 in October. 
 
 Some of these historic games are 
 illustrated on this page. One of the 
 most popular is that of ducking for 
 apples. A large tub or bath is nearly 
 filled with water, and a number of 
 apples are set floating on the water. 
 
 the bottom or side of the bath, and 
 there seized with the teeth. 
 
 Another game is to suspend an 
 apple from the ceiling or chandelier 
 by a string, and for the boys and girls 
 then to take it in turns to try to cut 
 the string. They have to be blind- 
 folded, and are placed some distance 
 from the apple. Then they take 
 
 V... 
 
 These pictures show a boy and girl playing the Halloween gams ol dropping a fork to pick up an apple 
 
 The boys and girls then gather round, 
 and take it in turn to duck their heads 
 into the water, trying at each duck to 
 seize an apple in their teeth. 
 
 Sometimes the apples chosen are 
 provided with stalks, and sometimes 
 
 three steps forward, scissors in hand, 
 and make a cutting motion where they 
 think the string is. It is great fun to 
 see the many amusing and fruitless at- 
 tempts that are made before anyone 
 succeeds in cutting down the apple. 
 
300 
 
 THE HUMAN INTEREST LIBRARY 
 
 Still another game with apples is to 
 place several of them in a tnb or bath 
 of water, and to put this near the back 
 of a chair. Then the boys and girls 
 take it in turn to stand or kneel on 
 the chair, and to drop a kitchen fork 
 into the tub, trying to spear an apple. 
 If the player succeeds, the apple is his. 
 Sometimes the fork is held by the 
 handle in the mouth, and allowed to 
 drop from there into the tub. This 
 makes it harder to spike the apples. 
 We must, of course, be careful not to 
 overbalance the chair. 
 
 Instead of the tub being nearly full 
 of water and having apples floating 
 in it, it is sometimes left dry, and in it 
 are placed an apple, a potato, a 
 carrot, and a turnip. The boys and 
 girls then drop the fork and see which 
 they can manage to secure. The apple 
 is the most sought after, and the 
 turnip is regarded as the least desirable. 
 
 In addition to these games, there 
 are many other customs practiced on 
 All Hallows' Eve which are interesting 
 as being survivals of a past age. For 
 instance, nuts are placed in the fire, 
 and according to the order and the 
 manner in which they crack or jump 
 out, so certain things are imagined as 
 to what will happen in the future. 
 Very few people believe in such 
 foolish superstitions nowadays, but 
 there is much amusement in watching 
 the nuts and seeing how they happen 
 to fall and which crack first. 
 
 Literature is full of references to 
 Halloween. The most famous is per- 
 haps Burns's poem, beginning 
 "Among the bonnie winding banks." 
 Goldsmith, in his "Vicar of Wake- 
 field," refers to the custom of cracking 
 nuts on Halloween. 
 Good games for a Christmas party 
 
 To make a Christmas party a thor- 
 ough success there is nothing like 
 having plenty of variety in the games. 
 There is no chance then of the boys 
 
 and girls getting tired because some 
 of the games are more or less alike. 
 
 A very good game for a large or 
 small party is that of "guessing with 
 the wooden spoons." One of the 
 partj" — a girl, for instance — is blind- 
 folded, and sits upon a chair. She is 
 then given two large wooden spoons, 
 such as are in common use in every 
 kitchen. One after another the other 
 boys and girls come up to the blind- 
 folded sitter and stand or kneel 
 before her, and she has to guess who 
 each one is by simply feeling him or 
 her with the wooden spoons, as shown 
 in the picture on this page. 
 
 Guessing with the wooden spoons 
 
 The task is very much more difficult 
 than it looks, and there is great fun 
 as the spoons go over the face and body 
 in the attempt of the blindfolded 
 player to discover the identity of the 
 other. It is not easy for the one who 
 is being touched with the spoons to 
 abstain from laughing, especially 
 when all the other players are equally 
 amused. 
 
 Of course, any outburst of laughter 
 when the spoons are going over our 
 face would disclose our identity, so 
 we must keep perfect silence. When 
 
THE CHILDREN'S OWN BOOK 
 
 301 
 
 anyone's identity is guessed, he has 
 to be bhndfolded and must take the 
 spoons. We must be careful when 
 using the spoons to touch another 
 player with them quite lightly, so as 
 not to hurt him; and any player who 
 wears glasses should remove them 
 before going to be felt with the spoons. 
 Another good game for a Christmas 
 party is that of blowing the egg. Two 
 pieces of cotton or tape are stretched 
 across the carpet in a straight line 
 about two feet apart. Then an ordi- 
 nary hens' egg— not too large — which 
 has been prepared beforehand by being 
 blown — that is, having the contents 
 removed without cracking the shell — 
 is laid exactlv midway between the 
 
 A CHRISTMAS TREE FOR THE BIRDS 
 
 Christmas would not be Christmas 
 without a Christmas-tree. But have 
 you ever thought when you have been 
 enjoying yourself, that the winter, 
 which brings lots of fun for all of us, is 
 a very uncomfortable time for the 
 poor things who do not have warm 
 homes? 
 
 Perhaps, on some cold morning, you 
 have looked out of your window, and 
 have watched the birds flying about 
 among the bare branches of the trees 
 in the garden, searching the ground 
 in the hope that some kind person 
 has thrown out a few crumbs for them? 
 
 Have you not sometimes wished 
 there was a Santa Clans to bring a tree 
 
 Bio wing llie egg across lue liue 
 
 tape lines. A girl player then makes 
 a little paper fan out of half a sheet 
 of notepaper, and kneels down on one 
 side of the tapes, and a boy kneels 
 down on the other. The girl then has 
 to try to fan the egg-shell across the 
 tape on the boy's side, and he has to 
 try to blow the shell back across the 
 tape on the girl's side. The one who 
 first drives the egg across the partner's 
 line three times wins the contest. 
 Nothing must be used by the girl but 
 the paper fan or her hand; and the 
 boy, on his part, must simply blow 
 with his mouth. If more convenient, 
 a large dining-table may be used in- 
 stead of the floor. 
 
 Fanning tue egg witn a paper Ian 
 
 full of good things for the birds? Per- 
 haps it never occurred to you that you 
 might be the birds' Santa Clans? 
 Well, we are going to see how to make 
 a Christmas-tree for those poor little 
 mites. 
 
 First, we must get a small tree that 
 can be put into a pot. Probably we 
 shall find one in the garden, and will 
 be allowed to dig it up. If not, we 
 can buy one about Christmas-time 
 for a few cents. 
 
 When we have our tree planted in 
 a large flower-pot, we must get some 
 small baskets — the tiny ones that 
 sweets are sold in will do splendidly — 
 and tie these baskets to the branches of 
 
302 
 
 THE HUMAN INTEREST LIBRARY 
 
 the tree. We can put all sorts of 
 things into these baskets — bread- 
 crumbs, nuts, little pieces of crust or 
 toast from the breakfast table, or 
 some of the seeds that are given to 
 tame birds and little pieces of suet. 
 
 A Christmas tree for the birda 
 
 We can make our Christmas-tree 
 look very pretty with some bright 
 pieces of cloth and ribbon, or colored 
 paper made into little bags to hold 
 bread-crumbs, and then, when it is 
 finished, we must put it out in the 
 garden or on the window-ledge of our 
 
 own room. At first the birds will not 
 understand, because nobody has ever 
 taken the trouble to make a Christmas- 
 tree for them before, and perhaps they 
 will think it is some sort of trap. 
 But presently some of the bravest ones 
 will come. Then we shall see them 
 perch on the branches, and look round 
 in everv direction to see if there is anv 
 danger. 
 
 We can watch them through the 
 window, and they will not be frightened 
 if we do not move. As long as we keep 
 quite still, they will not think we are 
 going to hurt them. In a little time 
 the birds will put their tiny heads in 
 the baskets, and give a little twitter of 
 delight when they find the good things 
 there. Other birds will be watching 
 them from the trees, and when these 
 see that the braver ones have not been 
 hurt, they too will come. When the 
 tree has been out a little while, we 
 shall see perhaps forty or fifty birds 
 of all sorts fluttering round it. 
 
 When they have eaten everything, 
 we can refill the baskets. 
 
 GARDEN GAMES 
 
 TOM Tiddler's Ground is a good 
 game when there are at least 
 three players. One is told off 
 to be Tom Tiddler, and his ground is 
 the lawn, or the path, or any other 
 part of the garden that may be spe- 
 cially marked off. Tom Tiddler gets 
 on to his ground, and, shutting his 
 eyes as he stands, pretends to be 
 asleep, and the other players venture 
 upon the ground, singing: 
 
 Here I am on Tom Tiddler's ground. 
 Picking up gold and silver. 
 
 As Tom Tiddler makes no sign of 
 being awake, the other players go 
 farther and farther on to his ground, 
 and then suddenly Tom Tiddler makes 
 a dash, and tries to touch one of the 
 
 others. If he succeeds, the one touched 
 becomes Tom Tiddler. If he does 
 not, and both of the other players get 
 quite safely off his ground, he must 
 continue to be Tom Tiddler. 
 
 Games of touch 
 
 Cross Touch is a good game for 
 three players, and provides plenty of 
 exciting play and healthy exercise. 
 One player is "He," and has to call 
 out the name of another player, and 
 then to run after him. 
 
 The third player tries to run be- 
 tween the hunter and the hunted, and 
 if he succeeds in doing so, "He," has to 
 run after him and try to touch him. 
 But if the second player manages to 
 run between the others, then he draws 
 
THE CHILDREN'S OWN BOOK 303 
 
 off "He" after himself. The more knocking them into each hole as it is 
 
 frequently the player runs between reached, and the one who does this 
 
 hunter and hunted, the more exciting and gets round to the starting point 
 
 and varied the game becomes. with the fewest strokes wins. ^ Each 
 
 Touch Wood is another game that player, of course, only hits his own 
 
 can be played by three players. One ball. The starting-place should also 
 
 is "He," and runs after the others, be used as the last hole, 
 
 trying to touch either of them. But jug of war 
 
 if a player touches wood — a tree- ^ strong, long rope is laid on the 
 
 trunk, or fence, or wooden shed, or ground across a chalk line. The 
 
 anything of that kind — he cannot be players are then divided into two 
 
 touched by "He." Of course, those parties, one side taking up the rope 
 
 who are being pursued must not touch ^^^ ^j^g gi^je of the line and the other 
 
 wood too often, nor must they remain ^j^^ opposite side. At a given signal 
 
 touching it for very long, or the game ^j^gy p^^ against each other with 
 
 will get slow. What "He" has to do niight and main, and the side that 
 
 is to try to drive them where there is draws the enemy over the line are the 
 
 no wood to touch. victors. 
 
 Follow my leader Flags 
 
 If the garden is a large one Follow ^ ^^ j.^^ j^ ^^^^^^^ ^^ 
 
 My Leader can be played with a good ^^^^ ^^^ ^^^ ^^ pl^^^^^ ^^ 
 
 deal of fun. One is chosen as leader, ^.^.^^^ .^^^^ ^^^ ^ ^^^^^^^^^^^ ^^ 
 
 and wherever he leads the others ^.^^^ ^^^^ ^.^^ ^^^^^ ^^^^ .^^^ .^^ 
 
 must follow, whatever he does they ^^^ "country," the Hue stretching 
 
 must do, even to a motion of the arm ^^^^^^^ ^^^^^^ ^^^^^, ^^^^ 
 
 or leg, or head. The first one to fail ^^^^ ^ ^^^^^^^ ^^.^^^ g^^^^^ g^^ ^^ 
 
 in following the leader loses the game ^^.^^ ^^^^ .^^ ^^^^ ^^^^ ^^ 1^^ ^^^^^ ^^ 
 
 Of course the leader must be careful ^^^ ^ ^^^ .^^ .^^.^^ j^.^ ^^^^ 
 
 to do nothing that will mean danger ^ i^^^^kerchief, a cap, or a scarf; 
 
 for a younger player and he must ^^^^^ ^^ ^^^ .^^^^ „ ^^ ^ ^-^^^ 
 
 be very careful not to go too near ^^^ ^.^^ ^^^^^^ ^^^^^^ ^^^ ^-^^ 
 
 flower-beds, or to do anything that J ^^ ^^ ^^^ ^^^^^^^ ^^^^ 
 
 will result m damage to flowers. ^^^^^^ ^^^^ ^^^^^^^^ ^^^^^^ ^^ ^^^^^^^ 
 
 Field golf to return to their country, but any 
 
 We are going to play golf in a new ^ ^^^^^^ ^^^^^.^^ ^ ^^g ^^^ 
 
 way, which IS quite simple, but very -^^^^^^ j^ -^ ^h^^ the other side's 
 
 good fun. Choose a startmg-point in ^^^^ ^^ ^^^^^ ^^^^ ^.^^^^ ^^^^ ^j^^.^ p^i^. 
 
 a large field and dig there a very small ^^^^^ ^^^^^^^ j^^^p ^^ ^^p^^^^ ^^^ 
 
 hole. One hundred steps away, in a ^^^^ ^^^^ ^^^^^^ belonging to the 
 
 straight me from this, we make an- ^^ ^^^^^ ^^^^ ^^^^ 
 
 other hole in the ground. Then, at ^^^^ ^^^ ^^ ^^^^ ^^^^^^^ ^^^^ ^^^ 
 
 the end of another hundred steps, ^.^^ ^^^^ .^ ^^^^ ^^ ^^^^ .^^ g^^^ j^ 
 another hole, and so on until we have 
 gone round the field and are back at 
 
 the starting-point. These holes mark Bounce about 
 
 our golf-course. Each player is armed Two players, with two marbles, 
 with a club-ended stick and a small, play this game. The larger the mar- 
 hard indiarubber ball. The game is bles the better. One boy throws his 
 to strike these balls round the course, marble down. If his companion can 
 
304 
 
 THE HUMAN INTEREST LIBRARY 
 
 hit it with his own, he wins 10 marks, 
 and has the right to try again, aiming 
 from the spot at which his marble 
 stops. He may keep on till he misses, 
 when the other player takes a turn. 
 A certain number should be fixed upon 
 — say, 100 — and the player whose 
 marks reach this first will be the 
 winner. Sometimes this game is played 
 with smooth pebbles. 
 Catch-ball 
 
 Any number of players can join in 
 this game. It simply consists of 
 tossing the ball from one to another, 
 but it may be made more exciting if 
 no special plan is followed as to whom 
 the ball is to be thrown next. This 
 keeps everyone on the alert, and a 
 very good trick is to look at some other 
 player than the one you intend to 
 throw to. This nearly always leads 
 to a slip on the part of the catcher. 
 Steeplechase 
 
 This is hard work as well as good 
 play. Before starting, a certain point 
 is fixed upon at some distance, with 
 fences and ditches and hedges and 
 brooks in between. Then the word 
 "Off!" is given, and the players race 
 away to see who can get there first. 
 In such a race it is not certain that the 
 fastest runner will win, for the boy 
 who knows how to get over a difficulty 
 stands a good chance. 
 The traveler and the wolves 
 
 The smallest boy or the slowest 
 runner is the traveler, and the traveler 
 has to get to his journey's end without 
 being caught. The rest of the players 
 are the wolves. Before setting out on 
 his journey, the traveler is given as 
 many tennis-balls as there are wolves, 
 and, of course, there should not be 
 more than four or five, or he w ill have 
 too much to carry. When he has got 
 some distance away, the wolves roar 
 out that they are coming, and the 
 race begins. When the traveler finds 
 
 a wolf overtaking him, he throws out 
 one of the balls, which the wolf must 
 secure before he can take up the race 
 again. Of course, the traveler's ob- 
 ject should be to throw the ball in 
 a way that will lead the wolf from the 
 direct path. Thus, he should never 
 throw it in front, or the swifter run- 
 ner will pass him to secure it, and then 
 merely wait for him to come up. 
 Knowing what the traveler is going to 
 do, the wolves will probably spread out 
 a little to either side in the hope of 
 stopping the balls more quickly. 
 Therefore, the traveler should do his 
 best to find out where the nearest wolf 
 is, and the more skill he shows in 
 managing the balls the greater will 
 be his chance of escape. Above all, 
 he should not throw them away too 
 soon. 
 
 If the chances against him are very 
 great at the start, he might be pro- 
 vided with more balls than there are 
 wolves. Of course, a distant spot 
 should be chosen as a goal. 
 
 Leap-ball 
 
 This game, which can be played 
 out of doors, is also suitable for a 
 large, clear room. AVe attach an 
 ordinary indiarubber or tennis ball 
 to a piece of string. The best way 
 to do this is to put the ball in a net 
 and fix the string to the net. Then 
 one player takes the other end of the 
 string and swings the ball round and 
 round on the ground in a circle. The 
 other players stand round in a circle, 
 and as the ball comes round and round 
 each player must jump so that the 
 ball goes under his feet and does not 
 touch him. Any player who is touched 
 must take his place in the center and 
 have a turn at swinging the ball while 
 the others jump. 
 Cross-ball 
 
 Cross-ball should be played by two 
 players standing two or three yards 
 
THE CHILDREN'S OWN BOOK 
 
 305 
 
 apart. They should start with two 
 balls, and should each toss at the same 
 time so that the balls pass in mid-air. 
 It requires quickness of sight and 
 hand to keep this up, but a little 
 practice will make it easy, and 
 by-and-by a third ball may be added, 
 when the effect is very pretty. 
 
 Chestnuts, or any small round 
 objects that are not heavy, or too 
 hard, are better for this game than 
 balls, as they are quickly and easily 
 handled. If the players count aloud 
 as they throw, their actions will become 
 more regular, and slips less frequent. 
 Fives 
 
 This is a game for two or four 
 players. Draw on a flat brick wall a 
 long chalk line, three feet six inches 
 above the ground, and another one 
 along the ground, ten feet from the 
 foot of the wall. Then across each end 
 of this last line, which should be about 
 ten feet in length; draw another at 
 right angles to it, and connecting it 
 with the wall. These lines are to 
 show where the ball is to bounce. 
 
 The players divide into two parties 
 — we will call them A and B. A 
 throws the ball against the wall, 
 where it must strike above the chalk 
 line, and when, on springing back, it 
 bounces from the ground, B must 
 strike it with his open hand, sending 
 it against the wall again. Then 
 comes A's turn to hit it on the bounce, 
 and this is kept up, turn by turn, until 
 someone makes a slip. 
 
 If the ball strikes beneath the chalk 
 line, or rebounds outside the ground- 
 lines, the side that did not make this 
 mistake counts 1 to itself. The side 
 that first reaches 12 or 24 marks 
 wins, but any number may be chosen 
 as the players decide. 
 Driving a blindfold team 
 
 A very good game to play in a field 
 or playground, or large schoolroom, is 
 that of driving a blindfold team in and 
 
 out of a line of bottles or tins. We 
 place the bottles in a row, as shown in 
 the picture, taking care that there is 
 room between any two bottles for two 
 boys or girls to walk abreast. Then, 
 having blindfolded the horses, the 
 driver ties the reins to their arms, and 
 drives them in and out of the bottles, 
 turning the horses alternately to the 
 right and to the left, until they have 
 passed through the whole line. 
 
 For every bottle that is knocked 
 over or touched by the horses in their 
 passage, one mark is counted against 
 the team. When one team has driven 
 over the course, another takes a turn, 
 and so on, until all the teams have 
 been through. Then the team that 
 has the lowest score wins the game. 
 
 A successful blindfold team 
 
 The reins are tied on the outer 
 arms of the team, and the only 
 guidance the blindfolded horses have 
 as to where they shall go, and how 
 they shall avoid knocking over the 
 bottles, is by the pull to right or left 
 given by the driver. It is therefore 
 essential for success in a race that the 
 driver should keep a clear head, and 
 give the necessary directions to his 
 team with skill and care. 
 Egg hat 
 
 The caps of the players are laid in a 
 row on the ground at the foot of a 
 wall; they should be tilted a little, so 
 as to make it easier to toss a ball into 
 
306 
 
 THE HUMAN INTEREST LIBRARY 
 
 them. The players then stand in a 
 row at a hne about eight steps away, 
 and one of them pitches the ball at the 
 hats. The moment this is done they 
 all scatter, except the boy who owns 
 the hat it has fallen into. 
 
 He must take out the ball as quickly 
 as possible and throw it at one of the 
 other players. If it hits him this boy 
 must, in turn, pitch the ball at the 
 hats. 
 
 But if the thrower misses him, a 
 small pebble is placed in his cap as a 
 bad mark, and when any player has 
 missed so often that the number of 
 pebbles in his cap equal the number of 
 players, he is made to stand at a short 
 distance while the rest throw the ball 
 at him, each in turn. The game then 
 starts afresh. 
 
 A pebble should also be added for 
 every time a player fails to toss the 
 ball into a hat. 
 
 overbalance in the course of pushing 
 the matchbox forward we have to 
 start again. Success depends almost 
 entirely upon knack and balance 
 learned in practice, for short, stout 
 boys are sometimes more successful 
 than tall, thin boys. We should bend 
 as low as possible on the right side, 
 keeping the left shoulder and arm well 
 back to counterbalance the forward 
 weight of the right arm. 
 
 A somewhat similar trick is shown in 
 the second picture. In this case we 
 bend forward on all fours, and then, 
 raising the right hand, push the match- 
 box as far as we are able. Here, again, 
 practice makes perfect, and it is aston- 
 ishing how far we can push the box 
 after we have tried several times. 
 In this trick, knack does not count for 
 so much; we need strength to support 
 ourselves upon the left arm while reach- 
 ing forth to push the matchbox. 
 
 PUSHING THE BOX 
 
 THE ARM AND LEG STRETCH 
 
 KICKING THE BOX 
 
 The matchbox on the lawn 
 
 Here are three amusing tricks need- 
 ing no apparatus other than an empty 
 safety matchbox. We make a line 
 upon the ground either with chalk 
 or by stretching a piece of string 
 across; or we can use as the toe-line 
 any line that there may be upon the 
 linoleum or on the carpet. Then 
 stooping down into the position 
 shown in the first picture, and placing 
 the right hand under the knee, we push 
 the matchbox as far as we possibly 
 can, keeping our toes all the time to the 
 marking-line, and taking care not to 
 lose our balance. Of course, if we 
 
 Some prefer to close up the left hand 
 when resting upon it, but keeping 
 the hand open and resting upon the 
 palm gives a better support. 
 
 In the third trick we have to stretch 
 with our leg and foot. Some line is 
 marked or decided upon on the floor 
 or lawn, and we toe this line. Then 
 we stretch out with our foot as the boy 
 in the picture is doing, and place the 
 matchbox on the ground just beyond 
 where the foot reached. Now, again 
 toeing the line, we take great care not 
 to overbalance, and, stretching the 
 right foot and leg forward, try to kick 
 over the box. 
 
TEE CHILDREN'S OWN BOOR 
 
 301 
 
 If we succeed we mark the spot by 
 a match, and put the box still farther 
 away. Then, again, we try to kick it 
 over, and so long as we succeed we 
 continue putting it farther and farther 
 
 from the toe-line, until at last we mark 
 the limit of distance to which we can 
 reach. Other players then take a turn, 
 and it is very exciting to watch the 
 efforts and see who can kick farthest. 
 
 GAMES TO PLAY WHEN OUT WALKING 
 
 TO MAKE a walk thoroughly 
 interesting and enjoyable, even 
 though it be over an old and 
 familiar route, is quite easy. We 
 merely want to arrange some simple 
 and amusing games that can be played 
 as we walk, and, of course, those 
 games that will draw out our powers 
 of observation and encourage us to 
 take note of the things that we see 
 during our walk are the best. 
 
 Counting the dogs 
 
 One such game is that of counting 
 dogs. One player takes one side of 
 the road and all the streets leading 
 out of it, and the other player takes 
 the other side of the road and all the 
 turnings out of it. Then, as they 
 walk along, they watch their own 
 particular side and see how many 
 dogs they can count. Every ordinary 
 dog counts one point, but a black dog 
 counts two, and for every perfectly 
 white dog seen one point is deducted. 
 Any player who sees a Dalmatian or 
 coach dog wins — the game, no matter 
 how many points others have made. 
 
 This game can, of course, be devel- 
 oped, and general objects taken in- 
 stead of dogs. Thus, a perambulator, 
 a truck, a two-wheeled cart, a police- 
 man, a bicycle could score one point; 
 a soldier, a sailor, a tricycle, or a four- 
 wheeled van could score two; and for 
 a rider on horseback, a motor-cycle, 
 or a flock of pigeons, a mark could be 
 deducted, and so on. Players can 
 always make their own rules before 
 setting out, the rules varying, of course, 
 according to the district where the 
 walk is to be taken. 
 
 On country roads sheep and cattle 
 would be very common, and in city 
 streets vans, carts, and automobiles 
 would appear in great numbers. Of 
 course, more than two players can 
 play these games. If there are four 
 or five players, sides can be formed. 
 
 Guessing the color of tails 
 
 Another good, quiet game that can 
 be played while out walking is that of 
 guessing the color of horses' tails. 
 Every horse that we see coming 
 towards us gives an opportunity for 
 guessing. We must guess while the 
 horse is some distance away, and the 
 one who is proved to be right when the 
 horse comes near scores a point. 
 
 A game for the city or town is to 
 look out for the names of tradesmen, 
 printed up over their shop-fronts, 
 that form ordinary words. Names 
 that are trades, for instance, might be 
 selected, and one looks at one side and 
 the other at the other side of the street. 
 Every name over a shop that is the 
 name of a trade would mean one point. 
 Such words as Baker, Butcher, Brewer, 
 Taylor, and so on, would score. Of 
 course, other kinds of words could be 
 selected — names of animals, like Bull 
 and Lamb. 
 
 Another game for a walk in a shop- 
 ping thoroughfare is to select some 
 number, like 6, and every time it 
 occurs over a shop-front, on a cart, 
 or on any other similarly conspicuous 
 place, for the players to say six. This 
 would happen whenever such numbers 
 as 6, 16, 26, and so on, appeared. But 
 if the number appears twice running, 
 as in 66, 166, and 266, the players must 
 
308 
 
 THE HUMAN INTEREST LIBRARY 
 
 say six, six. In the numbers 61 to 69 
 the players must say six one, six two, 
 and so on. Any faihire on a player's 
 part to keep to these rules means 
 one mark against him, and the player 
 wins who has the fewest such marks 
 to his credit. 
 The game of adjectives 
 
 Of course, many games that are 
 played in the living-room can be played 
 equally well when out Avalking. There 
 is, for instance, the old game of ad- 
 jectives. Somebody starts by saying, 
 "My mother had a cat." Then the 
 players take it in turn to put an adjec- 
 tive before cat. First of all, it must 
 
 be a w^ord beginning with A, as an 
 artful cat, an awkward cat, an apt cat, 
 and so on. When at last a player 
 cannot think of a word beginning with 
 A that has not already been used, he 
 has a point scored against him. If 
 nobody can think of a fresh word 
 beginning with A, then B is taken — 
 a bad cat, a blessed cat, a beautiful 
 cat, and so on. The one who has 
 few^est points scored against him for 
 failure to think of an adjective wins 
 the game. This is a good game to 
 play when a considerable number of 
 companions are out walking together 
 in the countrv. 
 
 THE GAME OF WHERE IS IT 
 
 One boy gives a description of an interesting place visited, a scene in history, or 
 reads one of the descriptions given below, and the game is to guess the place or incident 
 described. 
 
 The city of crowded streets 
 
 How hot it is! The sun's rays beat 
 down from a cloudless sky so fiercely 
 that our eyes turn with relief to the 
 broad river speeding by eastwards. 
 Low down on the banks are crowds of 
 people with brown skins, and here and 
 there some wearing white turbans. 
 They are bathing in the water and 
 crowding up and down stone steps, 
 leading to curious little buildings. 
 Can these be little temples .'^ Farther 
 along the banks steamers are busy 
 loading indigo and saltpeter to take 
 away. All around we hear strange 
 speech, and we look in vain for clean 
 streets. How narrow and crooked 
 they appear! 
 
 Answer: Benares, India. 
 The city with the golden dome 
 
 It is winter, and we are in a big city 
 where the streets are deeply covered 
 with snow; there is no sound of 
 vehicles, only the tinkling of sleigh- 
 bells and voices to break the silence. 
 The shops have signboards and objects 
 hung outside to tell what they sell, 
 because many of the people cannot 
 
 read, and certainly we cannot recog- 
 nize the letters. We follow the way 
 the sleighs take and come to a cathedral 
 with a golden dome and wide granite 
 pillars at the entrance. In front is a 
 river — but a river frozen over. The 
 ice will bear carriages; it will stay 
 there till the spring, and when it melts 
 there will be a religious ceremony and 
 a blessing of the waters. 
 
 Answer: St. Petersburg. 
 Trees for Europe's ships 
 
 We are in a country covered with 
 thick forest, so dense that it is only 
 with great difficulty w^e can make a 
 way through it. Hark! That must 
 be men sawing wood and chopping 
 down trees, and a young man, wearing 
 a white helmet, is directing them, and 
 — why, yes ; those big animals working 
 so hard are elephants. They are piling 
 up the big logs with their strong trunks 
 as though they were handling little 
 sticks, and others are dragging along 
 the chained trunks. The man tells 
 us they are clearing a way for a railway 
 through the forest, and the teak-trees 
 they are cutting down are to be used 
 
THE CHILDREN'S OWN BOOK 309 
 
 for building ships. He says there are a table before him. At last he con- 
 nearly twenty thousand square miles sents, sets his seal on a lump of wax 
 of tropical forest, and that some and throws himself on the ground in 
 tigers and leopards have been seen a rage. Who is he, and what is the 
 near. Do you know what country deed he has been forced to do by 
 we are in? others and now so regrets.? 
 
 Answer: Upper Burma. Answer: King John signing Magna 
 
 Where the cocoa-nuts grow Charta. 
 
 We seem to be on an island in the The landing of a brave band 
 
 midst of a big sea, for there is water We are on the coast of a wild, un- 
 
 everywhere, except here and there cultivated country. Behind the bare 
 
 where small islands are scattered rock on which we stand, forest 
 
 about. W^e are standing on a beauti- stretches far inland. Off the shore is 
 
 ful white sandy shore, dotted with a small bark at anchor, and from it 
 
 lovely colored shells. It is only one we watch men, women and children 
 
 o'clock in the day, yet, when we look landing. They are dressed in plain 
 
 at our little pocket compass and then garments, and seem to belong to the 
 
 at the sun in the sky, we find the sun artisan class. They are evidently 
 
 is to the north of us. weary, yet how brave they must be to 
 
 Away inland the ground rises in cross that wild sea in their small boat 
 
 terraces, forming a kind of amphi- of 180 tons, and land with their little 
 
 theater, up to the highest point in the children on an unknown shore. Who 
 
 middle of the island, which looks about are they and why have they come here, 
 
 8000 feet above the sea, and reminds where there is neither shelter nor food 
 
 us of a broken-down volcano. We for them? 
 
 turn up one of the gorges, and see Answer: Landing of the Pilgrim 
 
 palm-trees with cocoa-nuts growing Fathers with their wives and children 
 
 on them, great tree-ferns, sugar-canes, from the Mayflower. 
 
 and oranges. We meet some con- An interrupted game of bowls 
 
 tented-looking, brown-skinned natives. We have before us a bowling green, 
 
 who tell us in broken French that they where men are intent on their play, 
 
 are going to dive for oysters to get Near by stands a man gazing out to 
 
 mother-of-pearl from the shells that sea across the harbor. He pays no 
 
 they find. attention to the game, but stands 
 
 Answer: Tahiti, Society Islands, shading his eyes from the sun. Sud- 
 
 Pacific Ocean. denly he sees something, for he turns. 
 
 What scene in history? and striding up to one of the players, 
 
 We are in a tent in a meadow by the eagerly points out to him the beacon 
 
 bank of a river. In the tent are being lighted close by. But to his 
 
 gathered a number of men armed surprise the player goes on with his 
 
 after the fashion of the Middle Ages, game of bowls, coolly remarking: 
 
 and through the opening of the tent "There is plenty of time to finish the 
 
 we see troops standing. The men in game and beat the Spaniards too." 
 
 the tent look angry and determined. Yet, all around, people are gazing out 
 
 and bend threatening looks on one across the harbor, or making hurried 
 
 who is the center of attention, and preparations. What incident is this? 
 
 wears a crown. The foremost man Answer: Sir Francis Drake warned 
 
 of the group is urging him to put his of the approach of the Spanish 
 
 signature to a document spread out on Armada while at bowls. 
 
2 
 
 U. 
 
 O 
 
 s 
 
 X 
 H 
 
 
 
 
 810 
 
THE CHILDREN'S OWN BOOK 
 
 311 
 
 THINGS FOR BOYS TO DO 
 
 I am going east 
 
 I have not gone I'ar I have gone far 
 
 TELLING A STORY WITH BRANCHES AND TWIGS 
 
 eionc nve clays' journey 
 
 THE SILENT MESSAGES OF THE RED MAN 
 
 ALL readers of Fenimore Coop- 
 er's Indian stories know how 
 clever the red men were at 
 following a trail and reading the 
 silent messages which their friends 
 had left for them, and which would 
 pass unnoticed by most of us. 
 
 This was, of course, in the last 
 
 friend following is to turn to the right 
 or left, the direction is indicated by a 
 third stone or by the direction in which 
 a twig is laid or the knotted grass is 
 twdsted. 
 
 Sometimes a more permanent and 
 substantial sign is fixed up. A stick 
 or small branch of a tree is stuck in 
 
 century, before civilization had spread the ground slanting-wise, and accord- 
 
 into the far w^est, but even now he is 
 very clever at giving and receiving 
 silent messages, and some of the 
 signs wdiich he uses are well worth 
 
 ^ 
 
 .4^ 
 
 PK. 
 
 ing as its free end points north or 
 south, east or west, so an observer 
 could know which way the traveler 
 had gone. If the one fixing up the 
 sign wished to indicate how far he 
 was going, he w^ould place another 
 smaller stick upright in the ground 
 against the slanting stick. If it was 
 near the fixed end it meant he had 
 not gone far, but if it was near the 
 free end of the slanting branch the 
 traveler had gone far. By placing a 
 knowing. They wall be particularly number of uprights along the slanting 
 
 THIS IS THE TRAll. 
 T;jftN TO THE RIC.MT 
 
 eX-^ 
 
 TURN TO THE L.E F.T 
 
 atones, twigs, grass, and tree signs 
 
 useful to Boy Scouts and all w^ho love 
 to spend their spare time in the open 
 country. 
 
 The red man can make use of any 
 common object of the countryside to drawn on the ground, with a stone or 
 
 stick, the red man would show how 
 many days' journey he had gone. 
 Two sticks crossed means "this path 
 not to be followed." A circle 
 
 IS 
 
 convey his message. If he wants to 
 tell his friend who follows an hour or 
 a day later which way he has gone, 
 the road is marked by a series of stones 
 every here and there, one being placed 
 on another. Or, if there are no stones, 
 a twig from a bush or tree is stuck in the 
 ground at intervals, 
 or a bunch of grass 
 is knotted as show^n 
 in the picture, or a 
 mark made on a 
 tree-trunk. If the 
 
 another small circle inside, means, 
 "I have gone home." An arrow 
 drawn in the dust of a road shows the 
 route to follow. 
 
 But not only does the Indian use 
 such methods of leaving information 
 behind. He has a vast code of signs 
 
 The camp is here I am lost Good news Summons to meet 
 
 TALKING TO DISTANT FRIENDS BY SMOKE SIGNALS 
 
312 
 
 THE HUMAN INTEREST LIBRARY 
 
 by which he can talk to one of his own 
 or a friendly tribe without speaking 
 an audible word. Night is indicated 
 by closing the eyes and inclining the 
 head as though it were on a pillow. 
 Day is shown by joining the thumb 
 and forefinger, describing a circle 
 with them, and pointing from east to 
 west. Hunger is shown by sawing 
 across the breast with the hand; 
 scratching the chest means fire; the 
 earth is indicated by pointing to the 
 ground; to speak of a house or tent, 
 the red man places his two hands 
 together to form the shape of a gable 
 roof; when he wants his friend to look 
 at something he points to his eye and 
 then at the distant object. "I under- 
 stand" is shown by making a circle 
 with the thumb and forefinger, and 
 passing it away from the mouth. 
 Wherever possible an action was 
 indicated by imitating the operation, 
 as in drinking, eating, burying some- 
 thing, and so on. The smoke of 
 fires was formerly much used for 
 sending messages to friends a long 
 distance away in a level country like 
 the prairie. One or more fires were 
 lighted, and the rising columns of 
 smoke conveyed the message accord- 
 ing to an arranged code. Thus one 
 column of smoke would simply indi- 
 cate the position of the camp, two 
 fires with two rising columns of smoke 
 would be a cry of distress, meaning 
 "I am lost," three columns means 
 "I have good news to tell," four 
 would be a summons to a council of 
 chiefs, and so on. It is not necessary, 
 of course, to copy the actual signs 
 used by the Indians. We can take 
 their idea, and adapt the signs to the 
 particular country in which we happen 
 to be. 
 Measuring distance by sound 
 
 Most boys and girls have a watch 
 nowadays, and it is a very interesting 
 occupation for the country to measure 
 
 distances by means of sound. Sound 
 travels at the rate of about 1142 feet in 
 a second, which is equal to about a mile 
 in four and a half seconds, or thirteen 
 miles a minute. If, then, we have a 
 watch with a second hand, and we can see 
 the cause of a sound, we can measure 
 how far it is from where we are stand- 
 ing to the place where the sound first 
 arose. 
 
 If we are near a place where artillery 
 practice firing their guns, we shall be 
 able to measure the distance of the 
 guns from where we happen to be by 
 noticing the puff of the smoke, which 
 indicates that the gun has been fired, 
 and then watching the second hand 
 of cur watch and seeing how many 
 seconds pass before we hear the report 
 of the guns. 
 
 In this way we may also measure 
 the distance of a tliunder-cloud. We 
 see the flash of lightning, and by 
 means of our watch are able to tell how 
 many seconds pass between the flash 
 and the thunder-clap, which is, of 
 course, the report of the flash or electric 
 spark. Having this time and know- 
 ing the rate at which the sound travels, 
 a very simple sum in arithmetic will 
 give us the distance away of the 
 thunder-cloud. Many other sounds 
 will enable us to measure distances in 
 the same way. 
 
 If we are on a broad river in a row 
 boat on a dark night, we can, by 
 striking the water with the flat of the 
 oar and listening for the echo from the 
 bank, judge roughly of our distance 
 from shore. We can also tell which 
 bank we are nearer to, for the nearest 
 bank will send back the echo first. 
 An easy way to make a telephone 
 
 To make a real telephone is a some- 
 what difficult task, but we can make 
 a good telephone which will enable us 
 to speak, in favorable conditions, up 
 to a quarter of a mile away with very 
 simple materials. 
 
THE CHILDREN'S OWN BOOK 
 
 313 
 
 
 
 The materials we shall require in- 
 clude two boards about 14 inches long, 
 10 inches wide, and about half an inch 
 thick. We should be able to get such 
 boards by breaking up an empty box, 
 and sawing up two of the boards to 
 these sizes. Then we cut a circular 
 hole about eight inches across in the 
 middle of each board. We have first 
 to mark the holes to be cut out. 
 
 This is easily done by getting a plate 
 about eight inches across, laying it 
 face downwards in the middle of the 
 board, and marking the wood round 
 the edge of the plate with a lead-pencil. 
 To cut out the holes properly we should 
 have a keyhole saw or a fret-saw; but 
 if we do not have either of these tools 
 we can make shift by making holes 
 with a gimlet right round the circle 
 we have made. The holes should 
 be as close together as we can get them. 
 Then by using our chisel we can cut 
 out the circular hole. Having done 
 this, the boards are ready, and we can 
 put them aside until we have the other 
 parts of our telephone ready. 
 
 the necks with string, and put them 
 aside for a few days to stretch. We 
 must not leave them so long that they 
 get dry. When they have stretched, 
 we cut off the necks and soak the 
 bladders in warm water until they 
 are white and pliable. Then we 
 put them over the holes in the 
 boards we have prepared, putting 
 the outside of the bladders to the wood. 
 They should be put on evenly without 
 
 2. Button 
 and wire 
 
 1. Fixing the bladder 
 
 Now we want two fresh beef- 
 bladders. We blow them up hard, tie 
 
 3. Stretching the bladder 
 
 creases, and not stretched in one direc- 
 tion more than in another direction. 
 Now we take a thin leather band, 
 or some pieces of leather which we can 
 make into a thin leather band, and 
 tack it all round one of the holes above 
 the bladder as seen in picture 1. This 
 will attach the bladder securely to the 
 board. The tacks should have big 
 heads, and should be driven well hoi»e.> 
 Old boot-tongues will do 'irieply 
 for the leather. We cut theeef 31^ 
 into strips about half an inch wide for 
 the purpose. We fix the two bladders 
 in this way to the two boards in which 
 we have cut the holes. Then the 
 edges of the bladder outside the leather 
 strips should be cut away. 
 
3U 
 
 TEE HUMAN INTEREST LIBRARY 
 
 Now take a button and attach a 
 thin wire to it by passing the wire 
 through two of the holes in the button, 
 as seen in picture 2, twisting it so that 
 it will not come out. Make a hole 
 right in the middle of the bladder and 
 put this wire through. Then hang 
 something heavy — a weight of about 
 7 pounds, or a large stone — to the 
 other end of the wire, as seen in 
 picture 3, putting the board in some 
 position so that the weight can pull 
 down the bladder. We treat both 
 bladders in this way, and leave 
 them in the sun until the bladders are 
 dry and hard. 
 
 All that remains to be done now is to 
 fix up the two boards and bladders at a 
 distance apart, and connect them by 
 fixing a wire to the two wires attached 
 to the buttons. This wire should be 
 fine copper or tinned iron wire. The 
 wires may need to be supported if the 
 distance is great. This can be done by 
 hanging loops of string to the branches 
 of trees, or to any posts that may be in 
 the way. Then we may speak from 
 either end, and the words should be 
 heard distinctly at the other end. 
 We should speak close to the bladder. 
 When we wish to "ring up" the other 
 end, we tap the bladder at our end 
 with a pencil. 
 Simple kites and how to make them 
 
 There are many different kinds of 
 kites. Some are very simple, and 
 these we shall see how to make in this 
 article. 
 
 The ordinary kite is made with very 
 simple materials, and its manufacture 
 costs very little indeed. First, we 
 require the half of a hoop. The size of 
 the hoop depends upon the size of kite 
 we are going to make, or, rather, the 
 size of kite that we shall have will 
 depend upon the size of hoop that we 
 use. A hoop from a butter-cask will 
 do very well for a small kite, and any 
 grocer will be glad to give us one if we 
 
 ask him. We do not use the whole 
 hoop, but only a piece a little smaller 
 than half of it. We choose the best 
 for this purpose, and cut away the 
 remainder. Then we thin the half- 
 hoop with a pocket-knife, taking care 
 not to take off enough to weaken it 
 much. We must thin it equally all 
 round, and we should test it to see that 
 we have not made it lighter at one side 
 than at another. The way to test it 
 is simple. Take a piece of string and 
 put it round the outside of the half- 
 hoop, then cut it off to the exact 
 length of the half-hoop. Double the 
 string then, and again put it round 
 the half -hoop as far as it will go 
 from one end. Make a notch with 
 the penknife where the end of the 
 doubled string conies. Then balance 
 the half-hoop on the edge of the 
 knife-blade at this point, as seen in 
 picture 1. If the half-hoop hangs 
 
 1. Testing the top 
 
 2. Top With notches 
 
 evenly, and does not hang down at one 
 end more than at the other, it is all 
 right; but, if one end hangs down more 
 than the other, we must shave a little 
 more wood from the heavier end, so 
 as to make it the same weight 
 as the other end. When we have 
 got the half-hoop thinned properly 
 and balanced, we make a notch 
 at each side of each end, close 
 to the end, as seen in picture 2, and put 
 it aside till the backbone of the kite 
 is ready. We require for the backbone 
 a length of wood that will be strong and 
 light. A piece of thin cane will do 
 nicely if it is rather stiff. 
 
THE CHILDREN'S OWN BOOK 
 
 315 
 
 But a long slip of wood — say, from 
 24 to 30 inches long — will do about as 
 well. We thin and smooth this slip, 
 and then tie it to the notch in the 
 center of the half-hoop, so as to leave 
 1 inch sticking up beyond the top of 
 the half -hoop. Picture 3 shows the 
 kite at a later stage, but shows also 
 the position of the hoop and the back- 
 bone. Now tie a thin, strong string 
 to one end of the half-hoop, or top, as 
 we shall now call it, at one of the end 
 notches, pass the string once round the 
 backbone, and the other end tie to the 
 notch in the opposite end of the top. 
 
 3. Frame of kite 
 
 5. Strut in position 
 Cutting the paper 
 
 Balance the whole by placing one end 
 of the backbone on one forefinger, 
 and the other end of the backbone on 
 the forefinger of the other hand. We 
 can then see if the top swings heavier 
 at one side than at the other. If one 
 side is heavier, we move the backbone 
 along the string a little bit, until we 
 find from the swing that it is right in 
 the middle between the two ends of the 
 top. Picture 6 shows how we test 
 the balance. 
 
 Testing the balance 
 
 Having done this, we join each end 
 of the top with string to the bottom 
 end of the backbone, where we put a 
 notch or a hole to receive the string. 
 
 The kite now looks like picture 3. All 
 the strings should be fairly tight. 
 
 We now get a large sheet of thin 
 strong paper. A sheet of a large news- 
 paper would do, but imitation parch- 
 ment paper, if we can get it, is stronger 
 and better. The paper must be large 
 enough to cover the entire kite from 
 top to bottom and from side to side. 
 If the only paper we can get is in too 
 small sheets, we can make one sheet 
 large enough by pasting two or more 
 pieces together at their edges. 
 
 We place the kite on the top of the 
 paper, on a table or on the floor, and, 
 with a pencil, draw a line round the 
 kite, about one inch outside the hoop 
 top, and J^-inch outside the string 
 sides, as seen in picture 4. Paste or 
 gum the edges of the paper, and fold it 
 over, and stick it down. Turn 
 it over carefully, and stick on two or 
 three patches on the back, thereby 
 sticking the backbone to the covering 
 paper and strengthening it. The kite 
 is made, and we may prepare to fly it. 
 
 Tie a string at the back from side to 
 side, from one end of the top to the 
 other end of the top. Take a piece of 
 wood about 4 inches long, and, having 
 cut a notch in each end of it, fit it 
 between this string and the backbone 
 with one end on each. From the back, 
 the kite will now look like picture 5. 
 
 Tie a string from top to bottom of 
 the backbone in front. This is the 
 bridle. It must be slack, so that the 
 kite will fly properly. 
 
 Tie another piece of string to the 
 lower end of the backbone and let 
 it hang loose — say, about 5 yards long. 
 This is the tail. Make some loops in 
 the tail right down, 2 feet apart, and 
 put in tufts of paper, and then pull 
 the loops tight. These tufts are 
 streamers, and make the kite look 
 well when we fly it. 
 
 The kite is now ready for the field. 
 We take it out when the wind is fairly 
 
316 
 
 THE HUMAN INTEREST LIBRARY 
 
 strong. We should have a ball of 
 string, or more than one ball, wound 
 upon a stick. Tie the end of this 
 string to the bridle so that the kite 
 hangs horizontal when suspended, and 
 tie a piece of turf to the end tail. One 
 boy takes the kite by the bottom end, 
 leaving the tail lying free. Another 
 boy takes the ball of string to which the 
 kite is tied, and goes away about 10 
 yards in the direction from which the 
 wind is blowing. Both stand and wait 
 for a breeze. Then, as the boy with 
 the kite cries "Go!" he throws the kite 
 violently forward into the air, and 
 his friend runs his best. Then, if it 
 has all been properly done, the kite 
 soars aloft steadilv in the wind, and 
 
 7. Flying the kite 
 
 & Sqoars Idte- 
 
 the string can be let out carefully and 
 gradually. If the kite does not rise, 
 the ,tail may be too heavy, and some 
 of- the turf must be taken off. If it 
 wobbles, or rushes from side to side, 
 the tail may be too light, and a heavier 
 ptiece of turf must be put on. 
 ,.,,Th{^t is, perhaps, the simplest form 
 of J^te; , A square kite is another very 
 
 liuq 
 
 2. Cutting one, of the wings 
 
 simple shape, and is shown in picture 
 8. From this picture, and from the 
 description of how to make the kite 
 
 we have seen, we can make a square 
 kite without further instructions. 
 
 A SIMPLE FLYING MACHINE 
 
 Most of us know that the propeller 
 of a steamship, as it revolves, drives the 
 ship through the water. This is because 
 the slope of the blades drives the water 
 away from the ship behind, and this 
 pushes the ship forward. A very 
 simple flying machine can be made on 
 the same principle, and when we have 
 made it we shall perhaps understand 
 better how it is that a ship is driven 
 
 1. Wood for the Hying machine 
 
 forward by the revolution of its pro- 
 pellers. 
 
 First, we get a piece of wood about 
 5 inches long, 1 inch wide, and half 
 an inch thick, as illustrated in picture 
 1. Soft wood, such as is used for fire- 
 wood, will do well enough, so that we 
 may simply take a piece of firewood if 
 we can find a piece large enough each 
 way. Right in the middle of it and 
 on the flat side we bore a hole about a 
 quarter of an inch in diameter. We 
 can do this with a gimlet, and we must 
 do it carefully and slowly so that we 
 do not split the wood. The hole is 
 made right through from side to side 
 of the wood. Picture 1 indicates the 
 position and size of the hole. A little 
 distance from this hole at one side 
 we cut away the corner until we get 
 it down to look like picture 2. The 
 end of the piece that we have cut 
 will be almost triangular in shape. 
 
 d 
 
 3. The wings after cutting 
 
 Now we begin at the opposite corner 
 at the same end of the wood, and cut 
 it away also until we have one end of 
 
THE CHILDREN'S OWN BOOK 
 
 317 
 
 the wood almost up to the hole in the be sufficient if we push it in firmly, 
 
 form of a slanting blade, but very thin, but not so far as to split the blades. 
 
 Its resemblance to the blade of a ship's When we have the stem fixed, we have 
 
 propeller begins to be 
 
 seen, and it will look 
 
 something like the 
 
 right end of picture 
 
 3. We make the corners 
 
 part we have cut round 
 
 of leaving them square 
 
 proves the appearance 
 
 4. The completed 
 
 of the 
 instead 
 This im- 
 That finishes 
 one end of the blade. We do the same 
 with the other end of the piece of 
 wood, except that we cut away, not 
 the same corners as we hr.ve cut away 
 in the first end, but the opposite 
 corners. Then we shall have the two 
 ends cut away to the form of thin 
 blades, but the slope of the one will 
 
 be opposite from that of the other, as it properly. If we 
 shown in picture 3. Our toy is almost have not done it 
 complete. properly, we may find 
 
 W^e have now to fix a stem firmly that the toy strikes 
 into the center hole. A butcher's the ground at once 
 meat skewer, if made of wood, will do instead of flying. If so we may know 
 for the stem, or a wooden penholder, that we have spun it in the wrong 
 or even a thin lead pencil. The stem direction before releasing it, and we 
 may be any length from 6 to 9 inches, can do better at the next attempt. 
 We may glue the stem into the hole, A little practice will enable us to make 
 but it is not really necessary. It will it soar high every time. 
 
 flying machine 
 
 only to hold the toy 
 
 upwards with the 
 
 stem between the 
 
 palms of the two 
 
 hands, then rub the 
 
 hands together 
 
 cjuickly, and release 
 
 the machine as we 
 
 make it spin. It 
 
 should soar aloft as 
 
 high as the roof of a 
 
 house if we have done 
 
 5. Flying the machine 
 
 THE PLEASURE OF A LITTLE GARDEN 
 
 THE spring is a capital time in 
 which to start a little garden 
 of our own — the earlier the 
 better, but the middle of April will do 
 if we have not thought of it before. 
 
 Gardening is a splendid hobby, 
 because it gives us plenty to do and 
 plenty to think about, and plenty of 
 wonderfully interesting things to find 
 out. When we make a garden and 
 plant it, we set ourselves the task — 
 and it is a very pleasant one — of 
 looking after the welfare and health 
 and comfort of all sorts of plants, 
 many of which have different tastes 
 and requirements; and it is one of the 
 
 experiments we must always be making 
 to see if we are giving each plant just 
 what it most wants. Some like a great 
 deal of sunshine, some like the shady 
 places; some like a dry position, some 
 a moist one; some like to grow among 
 the stones, some stretch up, and need 
 arches or posts to support them. 
 
 After we have acquired our plot of 
 ground, we need a supply of tools 
 before we can transform it into a 
 beautiful garden; and we ought to get 
 tools as large as we can comfortably 
 handle. This applies especially to 
 such an important tool as the spade. 
 Other tools that will be needed will be 
 
318 
 
 THE HUMAN INTEREST LIBRARY 
 
 a hoe; and many people find what 
 is called a "Dutch" hoe the most 
 convenient to use for weeding. 
 
 A rake will be necessary to smooth 
 the surface and to clear up the rubbish. 
 Something smaller than the spade will 
 be needed for planting, and for this 
 purpose a trowel is useful; but where 
 it is a cpiestion of digging holes in 
 ground where many bulbs may lie 
 hidden, a trowel may damage them, 
 so that a little four-pronged fork in a 
 handle of the same length as that of the 
 trowel is very useful ; and, if we cannot 
 have both, the little fork will do all 
 that the trowel does, and should be 
 the one we should choose. 
 
 Large fork 
 
 Watering can 
 
 Dutch 
 hoe 
 THE LITTLE GARDENER'S TOOLS 
 
 A large fork set in a handle the same 
 length as the spade is a most useful 
 tool, and can often be vised for digging, 
 especially round about plants already 
 established, as it is not so likely to 
 injure their roots as the spade. A 
 watering-can is necessary, and one 
 the rose of which takes off and on 
 should be bought, as quite as often we 
 need to water through the spout as to 
 sprinkle the water through the rose. 
 A wheelbarrow is useful to have, 
 
 either to bring soil or to cart away 
 weeds, leaves, and other rubbish; or, 
 failing that, a strong basket will take 
 its place. 
 
 The first work in the garden plot 
 will be to dig it as deeply as you 
 possibly can — that is one of the reasons 
 why it is necessary to have a spade 
 that really can do some good work, 
 because deep digging is of the utmost 
 importance. You can understand that 
 the deeper you work the soil the better 
 it is for the roots of your plants, and in 
 well-worked soil these go creeping out 
 in all directions to find food and drink 
 wherewith to build up and sustain 
 healthy and sturdy leaves and stems 
 and flowers. 
 
 The middle of April is not too late 
 to sow seeds of many plants that will 
 flower during the summer and autumn. 
 Plants that flower so quickly as this 
 are called annuals. They do not come 
 up year after year in the garden, as 
 some plants do, and live for many 
 seasons. No; annuals are the shortest 
 lived of all plants, and you must sow 
 seeds afresh each year. But an annual 
 accomplishes a great deal in its little 
 life. You sow the seed; the seedling 
 appears, grows quickly into a little 
 plant; the buds appear, and open out 
 into beautiful flowers. Then they 
 fade, and the seed-vessels grow; and 
 when the seed has fully ripened the 
 plant dies. And all within the year! 
 
 Among the prettiest and brightest 
 of annuals are larkspurs, poppies and 
 nasturtiums. The sweetest smelling 
 is, perhaps, the mignonette, and one 
 that is interesting for its quaint seed- 
 vessels is known as love-in-a-mist. 
 
 The great point to remember in 
 seed sowing is to sow as thinly as 
 possible, and however thinly we sow 
 we shall have to draw out many of the 
 seedling plants when they appear, but 
 we can think about that later on; 
 though any boy or girl who already 
 
THE CHILDREN'S OWN BOOK 
 
 319 
 
 has a garden, and has reared his seed- 
 hngs, may at once set about thinning 
 them, as it cannot well be done too soon. 
 Some of the seeds may be sown in 
 lines, especially where we need a row 
 to serve as an edging; or, again, they 
 may be sown in circles. These, when 
 they grow up, make nice patches. 
 There are a few rules always to be 
 borne in mind when sowing seeds in 
 
 HOW TO MAKE 
 
 ANY clever boy or girl can make a neat 
 paper box suitable for bonbons, valen- 
 tines or party favors. First, take a piece 
 of paper, which should not be too thin or too 
 soft. A piece the size of this page or a little 
 smaller will do nicely. Now make the paper ex- 
 actly square. You can do so easily by folding it 
 over as shown here. 
 Cut off the part 
 where the folded 
 upper piece does 
 not cover the lower 
 piece, and what re- 
 mains will be ex- 
 actly square. 
 
 You have already 
 folded the paper 
 diagonally — that is, from corner to corner. Make 
 a good crease by pressing it with the fingers at 
 the fold, then open it out and hold it diagonally 
 from the other corners, and press the fold well 
 down with the fingers. The paper will now be 
 square and creased as in 
 this picture. 
 
 Notice the letters on 
 the picture, so that you can 
 understand easily what to 
 do. So that we may under- 
 stand what follows more 
 easily, we shall call the 
 four corners A, B, C, and 
 D, and the center will be E. 
 Now fold all the corners in 
 carefully so as to touch the 
 center, and make the paper 
 as here shown. 
 
 The paper will now be 
 in the form of a square, 
 but a much smaller square 
 than formerly. Having 
 folded it like this, press it 
 
 down well at the folds so 
 as to crease it plainly. 
 
 You will now have four 
 more creases, and when you 
 open out the paper again 
 it will be creased where the 
 dotted lines are in the next 
 illustration. The other 
 letters— F, G, H, J— mark 
 
 
 N 
 
 '■%■■■' 
 
 ..•■ 
 
 ■■•■£••■ 
 
 ' 
 
 I- 
 
 * * 
 
 
 ..••■" "• 
 
 •.. .• 
 
 ••■■■ \. 
 
 the open ground. The soil must not 
 be so wet that it is sticky and hangs 
 together in lumps, neither should it be 
 so dry that it is like powder. Second, 
 the seed must not be buried too deeply; 
 and third, it must be sown thinly. 
 
 If the soil is too wet, it is better to 
 wait for a few days until wind and sun 
 have partially dried it, and if it is too 
 dry it must be watered. 
 
 A PAPER BOX 
 
 where the creases cross. Fold the comer A over 
 
 to the spot J, as seen in this illustration. 
 
 That will make another 
 crease. Now make another 
 crease by folding the cor- 
 ner B over to H; another 
 by folding the corner C 
 over to F; and another by 
 folding the corner D over 
 to G. 
 
 We still want four more 
 creases. Make them by 
 
 folding A over to F, B over to G, C over to J, 
 
 and D over to H. The paper is now creased 
 
 as shown here. 
 
 Every one of these 
 
 creases is necessary to make 
 
 the final box, although, as 
 
 the paper is now, it is not 
 
 easy to see why all these 
 
 marks are wanted. But 
 
 we shall see presently the 
 
 use of all the creases. 
 Now you must use scis- 
 sors. Cut along where 
 there are black lines in- 
 stead of dotted lines in the 
 next picture. 
 
 You now have a paper 
 which does not look very 
 like a box. But you have 
 only to fold it up in the 
 proper way, and you 
 will see that it is. Fold 
 D like this: ys/n 
 slit near B. r^^ 
 at the side. 
 
 vwy 
 
 7^ Xy\ AJ 
 
 over the corner at 
 and slip it into the 
 Now fold in the flap 
 and you have it like this: 
 
 ? 
 
 Fold over the corner at C, and 
 
 slip it into the slit at A, and the 
 
 box is now finished. If you 
 
 have made it properly, it will be 
 
 very neat and perfectly regular. 
 
330 
 
 THE HUMAN INTEREST LIBRARY 
 
 A MAGIC LANTERN FOR PICTURE POSTCARDS 
 
 FOR winter evenings nothing is 
 more interesting than a good 
 magic lantern. Unfortunately, 
 the lanterns that are bought at the 
 shops have this disadvantage: they 
 will show only slides that have been 
 painted or photographed on glass, and 
 these slides cost money; and even if 
 the owner of the magic lantern has a 
 good many of them, he soon gets tired 
 of showing the same pictures over and 
 over again. 
 
 Most boys have wished they could 
 have a lantern that would show any 
 sort of picture on the screen, and so 
 we are going to tell them how they 
 can easily make one for themselves. 
 
 The magic lantern here described 
 can be made out of an old biscuit-tin. 
 It does not require glass slides, but it 
 
 1. Magic lantern showing picture postcards 
 
 will throw on the white sheet in natural 
 colors a big picture of anything that is 
 put into it. When we have made it 
 we can put picture postcards into it, 
 or funny drawings that we can cut 
 out of magazines, and it will throw 
 them on the screen iust as well as an 
 
 ordinary magic lantern with glass 
 slides. 
 
 Picture 1 shows the lantern being 
 used; the picture of an elephant in 
 the lantern is being thrown upon the 
 screen in front. 
 
 2. Tliis is the lantern complete. A is the body of the 
 lantern; B is the sliding lens; C is the chimney; D is the 
 gas bracket; E marks the feet on which the lantern stands. 
 
 We can see the advantage of this 
 at once. Probably we have hundreds 
 of picture postcards or photographs 
 that would look splendid if they were 
 thrown on the screen. Well, we can 
 use all these, and never get tired of 
 this sort of magic lantern, because we 
 shall always be getting new pictures 
 for it of one kind or another. 
 
 Get a large square biscuit-box. 
 Possibly we can find one in the house; 
 if not, any grocer will sell one. This 
 box will form the body of the magic 
 lantern, as seen in picture 2. 
 
 Now we must fix into it a lamp or a 
 gasjet that will give a bright light. 
 Of course, the brighter the light, the 
 brighter the pictures will be on the 
 
THE CHILDREN'S OWN BOOK 
 
 321 
 
 screen. An incandescent gas-mantle 
 gives the best possible light, and one 
 of these can really be fixed more 
 easily than a lamp. We can buy an 
 incandescent gas-burner complete, and 
 any gas-fitter will supply a short 
 bracket of the kind shown in the 
 illustration. We have then only to 
 make a small hole in the bottom of 
 the biscuit-box, put the burner inside 
 and the bracket underneath, and then 
 screw them together. When this has 
 been done, the burner will be fixed in 
 the reciuired position quite firmly. 
 
 It will be necessary now to make 
 four feet for the lantern to stand upon, 
 as the gas-bracket at the bottom makes 
 it uneven. Little cubes of wood, 
 about two inches high, will form the 
 feet. If we can find any wooden 
 "bricks" in an old toy-box, these will 
 do splendidly. We have only to place 
 one at each corner of the box, to drive 
 nails through the tin from the inside, 
 and the feet will be firmly fixed in a 
 few minutes. 
 
 ^^^^^uT^ 
 
 5. Chimney made 
 from coffee-tin 
 
 -M-" 
 
 Diagram of the lantern 
 looking from above 
 
 3. Opening for 
 the lens 
 
 Now we must get a lens for our 
 lantern. These are sold at the shops 
 where magic lanterns and cameras are 
 kept. We had better explain exactly 
 what we want the lens for, and the 
 man will understand. The lens should 
 be mounted in a brass tube that slides 
 backwards and forwards in another 
 tube, so that we can focus the picture 
 on the screen. 
 
 Now we must cut a hole in our 
 biscuit-box, and fit the lens in the 
 position shown in the illustration. 
 This is quite easy, if we get from a 
 tool-shop a small tin-cutter. With 
 one of these we can cut the tin in a 
 few minutes, and it will also be useful 
 later on. The tin-cutters are merely 
 strong scissors. 
 
 When the hole is cut, fit the lens 
 into it. If the lens has a "flange," 
 that is to say, a flat rim, with holes for 
 screws, this will be very easy. All we 
 have to do is to bore holes through 
 the tin, and then fix the lens with 
 strong brass "paper fasteners." If it 
 has no flange, the simplest way is to 
 cut eight slits, all meeting in a point, 
 as shown in figure 3. Then bend the 
 pointed pieces of tin inwards, and 
 they will form a support for the lens tube. 
 
 We now have the gas-bracket and 
 the lens in position. The next thing 
 to do is to make a door at the back of 
 the lantern, so that we can put the 
 pictures in. Cut an oblong hole, 
 about the size of a postcard, not in 
 the middle of the box, but on one side 
 opposite the lens, as shown by diagram 
 in picture 4. \\^hen we have done 
 this make a wooden door with hinges, 
 as shown in the picture. 
 
 The lantern is now complete except 
 for the chimney. This can be made 
 out of an old coffee-tin. Cut a hole 
 in the lid of the box exactly over the 
 gas-bracket. Then make five or six 
 cuts round the top of the coffee-tin, 
 each about one inch long, bend back 
 the pieces of tin, and then you will be 
 able to fix the chimney to the top of 
 your lantern with brass paper fasteners. 
 One glance at picture 5 will make all 
 this clear. At the bottom of the coffee- 
 tin, which is now the top, we must cut 
 a hole about as big as a twenty-five 
 cent piece, and fix over it a flat piece 
 of tin with paper fasteners. This 
 opening will allow the hot air to 
 
322 
 
 THE HUMAN INTEREST LIBRARY 
 
 escape, but not the light. A few 
 small holes must also be made in the 
 back of the lantern, so that air may 
 come in, otherwise the gas will not 
 burn properly. 
 
 Now the whole lantern is complete, 
 and if we have done everything neatly 
 it will look quite nice. If we wish it 
 to look particularly smart, we can 
 give it a coat of Brunswick black. 
 When we want to try our lantern, we 
 fix a white sheet over one wall of the 
 room. Then place the lantern on a 
 table about eight or nine feet away, 
 and connect the gas-burner by means 
 of a rubber tube with the ordinary 
 bracket on the wall. Put on the in- 
 
 candescent mantle, light the gas, and 
 then put the lid on the lantern. 
 
 Now open the door at the back, and 
 fix a picture postcard to the wood 
 with drawing-pins, and the moment 
 the door is closed a large picture of 
 the postcard will be thrown on the 
 white screen. We must slide the lens 
 backwards or forwards until the pic- 
 ture on the screen is quite sharp, and 
 then we can show just as many more 
 postcards or other pictures as we 
 please. By the way, whatever sort 
 of pictures are placed on the door, 
 remember to pin them on upside 
 down. They will appear right way 
 up on the screen. 
 
 HOW TO MAKE AND USE A BOOMERANG 
 
 ANY boy or girl can make a boomerang of 
 cardboard that when flung out into space 
 will travel for a certain distance and then 
 return again. 
 
 Boomerangs can be made of various shapes, 
 but the simplest and most familiar is that 
 shown in the first picture. We take an ordi- 
 nary postcard of medium thickness, and first 
 draw the boomerang carefully to the pro- 
 portions showTi in the 
 picture, making it as 
 large as the postcard 
 will allow. 
 
 Then, having drawn 
 it, we lay the card 
 on a flat piece of wood 
 resting on an even 
 surface, and, with a 
 sharp penknife, cut it 
 out clearly and neatly. 
 No jagged edges must 
 be left or the boom- 
 erang will not work. 
 We must not cut it out 
 with scissors, for that 
 causes the card to curl, 
 and a cardboard boom- 
 erang must be perfectly 
 flat. 
 
 Another very good shape for a boomerang 
 is that shown in the second picture, and here 
 again we first draw the outline on a postcard, 
 and when we have got the curve and the pro- 
 portions quite accurate, we cut the weapon out 
 with a sharp penknife, proceeding in exactly 
 the same way as before. 
 
 A more complicated form of boomerang is 
 that shown in the third picture. Here we have 
 
 Three kinds of boomerangs, and the way to throw them 
 
 three arms, and this must be made in the same 
 manner as before. We must be particularly 
 watchful that there are no jagged surfaces in 
 the angles where the arms join one another. 
 
 It will be noticed that in the case of all three 
 shapes the ends are carefully rounded. This 
 is important or the boomerang will not work 
 properly. It may sail through the air swiftly 
 and well, but it will not come back. 
 
 The method of throw- 
 ing the boomerang is the 
 same in all cases, and 
 the picture on this page 
 showing how the first 
 shape is driven into 
 space will explain how 
 to act in each case. The 
 boomerang is placed on 
 some flat surface, such 
 as a book, and then it 
 is flicked off sharply 
 with a pencil. As it 
 sails off into space it 
 will whirl round and 
 round, and, after going 
 some distance, will de- 
 scribe a curve and come 
 swiftly sailing back 
 home again. 
 Any failure of the boomerang to return to 
 its thrower will be due to faulty shaping or 
 cutting out, or to too heavy cardboard. 
 
 The reason for the curious flight of the 
 boomerang is not, even now, properly under- 
 stood by men of science, but it is known that, 
 owing to its shape, the air resists one part 
 more than another, which causes it to fly in a 
 more or less circular path. 
 
KNOTS IN GENERAL USE BY SAILORS AND BUILDERS 
 
 Timber Hitch. 
 
 Magnus Hitcli 
 
 S2S 
 
 Riuuxing Knot^ 
 
32Jt 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE BOY'S CARPENTER SHOP 
 
 EVERY boy should have a box 
 of tools and know how to use 
 them. With practice many 
 things useful and ornamental may be 
 made. The most commonly used tools 
 are not difficult to manipulate; and 
 although written instructions may 
 help, a little practice should soon 
 overcome any difficulties, especially 
 if the right methods of holding, setting, 
 and using are followed. When the 
 tools are mastered it is possible to 
 begin real work. The tools most 
 needed will be a claw hammer, saw, 
 chisel, plane, screw-driver, foot-rule, 
 set-square, gimlet and possibly a 
 hatchet. These should be purchased 
 of the best quality one can afford. 
 
 Wood has what is called a grain, 
 which is always up the way the tree 
 has grown, and it can be split the 
 way of the grain, but not across. 
 
 When you 
 wish to cut 
 wood across 
 the grain 
 you must 
 use a saw. 
 When the 
 grain of the 
 wood is very 
 regular you 
 can split it 
 evenly, but 
 if the grain 
 
 Using the saw 1 S t W 1 S t e d 
 
 you cannot do so. Therefore, even 
 when you want to have the plank 
 of wood cut the way of the grain it 
 may be necessary to use the saw 
 instead of the hatchet. There are 
 many saws. The kind you want is a 
 handsaw, say about fourteen or six- 
 teen inches long. You can use this 
 both for sawing the long way of the 
 grain and across. You must work 
 the saw backwards and forwards 
 regularly, not rocking it from side 
 to side, or you will cut unevenly; 
 and not jerking it out and in, 
 or you will blunt the saw, and tire 
 yourself. Before beginning to saw, 
 make a pencil line on the wood where 
 you want to cut it, and make the saw 
 follow the line very carefully. 
 
 A hammer is a tool you cannot 
 possibly do without. Its chief use is 
 for driving and pulling nails. 
 
 A chisel is 
 used to cut 
 the wood 
 where a 
 hatchet or a 
 saw would 
 not be suit- 
 able. We 
 use a chisel, 
 for instance, 
 to cut away 
 the wood to 
 make room 
 
 for a lock using the hatchet 
 
THE CHILDREN'S OWN BOOK 
 
 325 
 
 on a door, and sometimes before 
 
 putting on hinges. 
 
 A gimlet is used to make 
 
 holes chiefly when screws are to 
 
 be put in. For ordinary driving 
 
 nails it is not necessary to make 
 
 holes with the gimlet unless / 
 
 the wood is very hard and /^ 
 
 liable to slit. 
 
 The screwdriver is for put 
 
 ting in screws. 
 It is pressed 
 
 against the 
 
 head of the 
 
 screw-nail 
 
 with its point 
 
 in the slot 
 
 of the 
 
 head, and 
 
 i s turned 
 
 round at 
 
 the same 
 
 time. 
 If you 
 
 look at an 
 
 ordinary 
 
 wooden 
 
 fence and 
 
 then at a 
 
 door in a 
 
 house you will notice a great 
 
 difference in the surface of the 
 
 wood. The fence will probably 
 be rough, or almost 
 hairy. The reason is 
 that the door 
 has been planed 
 and the fence 
 
 The square 
 
 Using the square 
 
 Straightening a 
 bent nail 
 
 The Screwdriver 
 
 The grimlef 
 
 has not. All wood to 
 
 which we want to give 
 
 a smooth surface must 
 
 be planed. Another 
 
 reason for 
 
 planing is that 
 
 if we paint 
 
 wood that has 
 
 not been 
 
 planed we use 
 
 Using a gimlet much morc 
 
 Using a screw- 
 
 driver 
 
 paint than we should use if the 
 wood had been planed. In using 
 the plane, push it forward on the 
 wood steadily, and press upon it 
 evenly all the time. The plane 
 iron and the chisel must be 
 kept sharp, and if you can 
 afford to buy an oilstone 
 you should do so. The stone 
 is called an oil stone because 
 it is used with a httle oil in 
 rubbing the edge of a tool 
 upon it. 
 
 The first 
 
 thing you 
 
 mi g h t 
 
 make with 
 
 your tools 
 
 is a box in 
 
 which to 
 
 keep them. 
 
 You can no 
 
 doubt find 
 
 somewhere 
 
 a n empty 
 
 soap or 
 
 sugar box, 
 
 or you may 
 
 probably 
 
 buy one 
 
 from the grocer for a few cents. 
 
 //r-^s' Having the box, take the sides 
 
 l0lr apart by pulling out the nails. 
 
 "^ Now measure off two pieces 
 
 eighteen inches long 
 
 and six inches 
 
 wide. These are 
 
 for the two sides 
 
 of the tool box. Then 
 
 measure off two other 
 
 pieces six inches 
 
 by seven inches 
 
 to make the ends. 
 
 Cut out these 
 
 pieces , plane 
 
 them until they 
 
 are smooth 
 
 enough, and nail 
 
 them together so 
 
 chisel 
 
 The plane 
 
 Using the plane 
 
326 
 
 THE HUMAN INTEREST LIBRARY 
 
 that they look like the 
 top picture, with the 
 end pieces fitted inside 
 the sides. 
 
 The total length when 
 nailed up is eighteen 
 inches, and the width 
 will now be 
 more than 
 seven inches 
 — it will be 
 eight inches 
 if the wood 
 of the sides 
 is half an 
 inch thick. Now nail 
 on pieces of wood to 
 make the bottom, 
 having cut them out 
 as you did the sides. 
 
 To make the lid, 
 take one or more 
 pieces of wood mak- 
 ing the same width 
 altogether as the bottom. 
 
 The ends and sides of the box 
 
 Box end, and posi- 
 tion of bottom 
 
 ti 
 
 The lid of the box 
 
 The completed toolbox 
 
 them, as in the drawing, 
 two pieces that do not 
 go quite to the edge. 
 The lid is now made. 
 You can use it as a lift- 
 off lid or you can put 
 it on with hinges, which 
 you can 
 buy. Fix 
 these on 
 with screws, 
 screwing 
 them to the 
 edge of the 
 lid first. 
 Then chisel away 
 a little of the wood 
 from the back of 
 the box so as to 
 make room for the 
 hinges. You can 
 put a lock on it if 
 you like, and fit in- 
 side a tray to hold 
 
 The position 
 of a hinge 
 
 Nail across nails and other small things. 
 
 MAKING A SET OF BOOKSHELVES 
 
 IN PROCEEDING with our car- 
 pentry work, we must not go 
 too rapidly. We shall do better 
 work if we make very simple things 
 at first. Another point to keep in 
 mind is the utility of the articles we 
 set ourselves to make. Here we shall 
 see how to make an exceedingly useful 
 article — a set of hanging bookshelves — 
 which may be attached to the wall. 
 
 Everyone can use an article of this 
 kind, and everyone with ordinary in- 
 telligence and the necessary tools can 
 make one. The sizes given in the 
 sketches are good useful ones, but the 
 best sizes for the article to be made 
 depend upon the space available for its 
 accommodation. Thus everyone who 
 makes the bookshelves from these 
 sketches must first decide if these sizes 
 
 are the best in his individual case, and 
 if they are not he must modify the sizes 
 given to suit his own case. 
 Kind of wood to use 
 
 We have first to decide what kind 
 of wood we shall use. We could use 
 oak, beech or birch — perhaps oak 
 looks better than the other two for 
 the purpose — ^but all these are hard 
 woods, and it will be much easier for 
 us to use a soft wood, such as pine. 
 Hard woods are much more difficult 
 to work. We can use soft wood, and 
 after the shelves are made we can stain 
 them to imitate any of the harder and 
 more expensive woods. 
 Size of shelves 
 
 In picture 1 we show one side of our 
 hanging bookshelves with all the sizes 
 marked. We first cut out two pieces 
 
THE CHILDREN'S OWN BOOK 
 
 327 
 
 CJ/iC 
 
 i 7- 
 
 2^4 
 
 I 
 
 I 
 
 un [zs 
 
 20^ 
 
 3^0 
 
 of the wood we are using — pine, for 
 instance — to this shape. They must 
 be fairly strong, and we should make 
 the m s o 
 that the 
 finished 
 thickness 
 shall be not 
 less than 
 one inch , 
 so we had 
 better use 
 wood lyi 
 inch thick 
 and reduce 
 it to one 
 inch by 
 planing it. 
 The holes 
 in the sides 
 we can 
 make with 
 our chisel, 
 and we 
 must be 
 particular- 
 ly careful 
 that each 
 pair of 
 holes is ex- 
 actly in the same horizontal 
 that the shelves may be 
 We must also see that 
 the two sides are ex- 
 actly alike. Having 
 cut the two pieces, 
 we must finish them 
 carefully with the 
 plane so as to have 
 them true and smooth, 
 afterwards rubbing 
 them well with sand- 
 paper. Use No. 1 sand- 
 paper first, rubbing 
 the surface and edges 
 carefully until they 
 are as smooth as the 
 
 give them the final touches. It is more 
 important to have the sides smooth 
 than it is to have the shelves smooth, 
 
 because 
 
 D 
 
 
 Z5 
 
 ... 7- 
 
 1. Plan of sides 
 
 V 
 
 2 
 
 D 
 
 D 
 
 the former 
 are more 
 exposed to 
 view. 
 
 We shall 
 now make 
 the three 
 shelves 
 alike, and 
 thereby 
 simplify 
 matters . 
 Picture 2 
 shows the 
 shape and 
 the sizes to 
 which we 
 s h o u 1 d 
 make 
 them. The 
 thickness 
 of these 
 pieces 
 when 
 fin i s h e d 
 should not 
 be less than M inch and preferably "H 
 inch, so that the wood, when we be- 
 gin, should be at least 
 1 inch. Having made 
 the shelves, we fit 
 them into the sides 
 so that the ends go 
 through the holes we 
 made. We shall then 
 want twelve taper 
 pins, or dowels, for the 
 holes in the ends of the 
 shelves to hold them 
 in position. Now nail 
 on two back pieces, 
 as shown in picture 
 three, and the shelves 
 sand-paper can make them, and then are complete, except the mirror plates, 
 we use No. sand-paper, which will as shown in picture five. 
 
 Plan of shelves 
 
 line, so 
 quite flat. 
 
 5. The completed bookshelves 
 
328 
 
 THE HUMAN INTEREST LIBRARY 
 
 JOINTS AND MORTISES 
 
 The simplest forms of joints are not tenons go right through the uprights. 
 
 too difficult for the amateur to make, 
 which is fortunate, since one cannot 
 go far in wood work without using 
 them. 
 
 The Dovetail Nailing, or sloping 
 the nails (Fig. 13A). This method 
 is necessary only when the nails are 
 driven into the end grain of the wood, 
 as in fixing the sides of the box to the 
 ends, in which case the fiber of the 
 wood does not grip the nail. Figure 
 13B explains the hold which a nail has 
 when it enters the wood at right 
 angles to the grain. 
 
 or "stiles," of the door, and are wedged 
 on the outside edge (Fig. 15, a). This 
 
 Fig. 13. — (a) Dovetail nailing; (b) nail lorclng wood 
 fibers apart; (c) skew nailing; (d) housing. 
 
 Housing (Fig. 13) is the name 
 given to the joint when a groove of 
 sufficient size is made in one piece of 
 wood to admit the end of the other 
 piece. Bookshelves are fixed in this 
 way. Such joints may also be nailed 
 through the ends but this should not 
 be necessary if the shelf fits closely 
 into the groove and there is a back to 
 hold the piece of furniture rigid. 
 
 Mortise and Tenon Joints are 
 used in the making of doors, tables, 
 and various kinds of woodwork. They 
 are applied to the finest as well as to 
 the heaviest kinds of construction, and 
 vary in shape according to the work 
 they have to do. The mortise is the 
 hole, and the tenon is the piece driven 
 into it, the word tenon meaning "that 
 which holds." In house doors these 
 
 Fig. 15. — Mortise and Tenoi Joints 
 
 "through" tenon is only necessary 
 in large work, where extra strength is 
 required. In this tenon the wedge 
 should not be driven right in, the final 
 position shown in Fig. 15, a, being 
 about correct. "VMien cutting mor- 
 tises in stiles near the ends, always 
 leave a waste piece on for strength in 
 working, as in the case of the frame 
 (Fig. 15, d). In Fig. 15, b is seen a 
 "stopped" tenon, the joint generally 
 adopted by cabinet-makers where any 
 great strain or strength is not required, 
 while the tenon itself is shown in Fig. 
 15, c, with a piece left on at B, which is 
 called the "haunch." This haunch 
 serves two purposes. It fills in the 
 space made by the groove when the 
 door is paneled as in an ordinary 
 house door; and it gives rigidity and 
 
THE CHILDREN'S OWN BOOK 
 
 329 
 
 strength to a rail, as in the frame of a 
 table. The tenon and haunch is 
 shown in Fig. 15, h, as it would be in a 
 table, the haunch in this case being 
 sloped. A tenon should occupy, later- 
 ally, about one-third the thickness of 
 the wood. In cutting down the tenon 
 be careful to keep the saw outside the 
 lines. 
 
 Fig. 15, d, is an illustration of a 
 door frame suitable for a cabinet or 
 cupboard. It is made with a stopped 
 tenon, and shows the haunch, which 
 would only be used if the panel is be to 
 grooved in. The "face" marks all 
 finish off on the outside edges — a rule 
 that should always be followed — and 
 it will be noted that the uprights or 
 stiles are longer than the actual 
 length of the door for the reason given 
 above, and are left on until the door 
 has been glued up and dried, and is 
 ready to be fitted intb its frame. A 
 tenon will enter the mortise easier 
 if the end corners are cut off, as a sharp 
 square edge is likely to catch on the 
 uneven sides of the mortise. 
 
 Fig. 15, e, shows a form of tenon 
 which goes right through the wood 
 and protrudes sufficiently to allow a 
 wedge to be driven into a hole in the 
 projecting part. This is generally 
 used in heavy work and church furni- 
 ture, but is also a great advantage in 
 such a thing as a standing bookshelf, 
 as it allows for easy separation of 
 parts if occasion requires. It is not 
 glued, for it is evident that the further 
 in the wedge is driven the tighter does 
 the joint become. At the same time 
 there is the danger of forcing out the 
 extension piece if the wedge is driven 
 in too far. 
 
 The through tenon shown in Fig. 15, 
 /, is used when divisions in bookcases, 
 cabinets, and showcases, etc., are 
 fixed into the tops and bottoms. 
 
 Both sides of the boards should be 
 marked for the mortises, and the 
 
 cutting out will be made easier if a 
 hole is bored right through first; then 
 cut halfway through with a chisel, 
 and turn the board over to finish from 
 the other side. On no account should 
 the mortise be cut through from one 
 side only, as there is a danger of 
 breaking the wood away at the back. 
 Neither should the tenons fit too 
 tightly across the width for fear of 
 splitting the board. 
 Mitre joints 
 
 The true mitre joint is made at an 
 angle of 45°, as in picture-frames. In 
 the first place, the mitre is sawed in a 
 mitre box and the "return" or corre- 
 sponding mitre should follow the pre- 
 ceding one, as 1, 1, and 2, 2, in Fig. 
 19, a, to ensure a correct intersection. 
 
 (d) 
 
 1 
 
 1 
 
 Fig. 19. — (a-f) Mitre joints: (g-h) clamping 
 
 It is a fatal mistake to cut the molding 
 into lengths first. 
 
 If the angle is not a true one, the 
 frame will not be square. It is quite 
 
330 
 
 THE HUMAN INTEREST LIBRARY 
 
 possible to cut a true mitre at once 
 with a fine saw. Frame-makers use 
 a hand-machine for the joint, but an 
 amateur is not hkely to include this 
 in his outfit. The makers also use a 
 vice to hold the joints while they are 
 being nailed, but the worker at home 
 must rely on simpler methods. 
 
 Another way of keying mitres in 
 thin work, such as a tray, is to build 
 up the sides and ends of the tray on a 
 
 square piece of wood with dimensions 
 equal to the inside measurements of 
 the tray-to-be. The pieces are held in 
 position by pins or a little glue. If a 
 piece of paper is put between the back 
 pieces and the wood, and the three 
 are glued together, they can be 
 separated subsequently by inserting 
 the blade of a thin knife between wood 
 and wood. The slightest touch of 
 glue is sufficient for the purpose. 
 
 STAINING AND POLISHING WOOD 
 
 WOODWORK is stained to 
 improve its natural color. 
 The difference between stain 
 and paint is that stain sinks into the 
 fibers of the wood, and dyes them, but 
 leaves the grain of the wood showing as 
 plainly as before. Paint forms an 
 opaque coat on the surface which 
 quite conceals the material beneath. 
 Generally stain is used to make a 
 cheap wood look like an expen- 
 sive one. The colors used are chiefly 
 imitations of walnut, mahogany, and 
 rosewood. These stains are used on 
 lighter colored common woods, such 
 as pine, and only for good appearance 
 and not to deceive people, for anyone 
 with a little experience can tell what 
 the wood really is. 
 Different colors in stains 
 
 Sometimes, though not often, colors 
 quite different from that of any wood, 
 such as green, blue, or red, are used as 
 stains. Very often fancy woods are 
 darkened and improved in appearance 
 by stains of the same color as them- 
 selves. Stain is used also to darken 
 lighter parts of the wood to the same 
 shade as the rest. Wood may be 
 darkened in colors slightly by rubbing 
 oil into it. Oak and mahogany can 
 be darkened by ammonia. The usual 
 way to do this is not to wet the wood 
 with it, but to shut it up in a case or 
 small room with saucers of liquid 
 
 ammonia. The fumes of the ammonia 
 darken the wood in a few hours. In 
 all cases stained wood must be darker 
 than the natural color, for a dark 
 surface will show through a lighter 
 stain. 
 
 Stains for wood are sold ready for 
 use in small bottles. They may be put 
 on with a brush, or rubbed in with a 
 rag. The neater way is to use a brush. 
 Generally two coats are given. The 
 best result can be obtained by using 
 weak stain and applying a number 
 of coats, allowing each to dry before 
 putting on the next. The surface 
 must be smoothed with sand-paper 
 before the first coat and after each 
 coat has thoroughly dried. Other- 
 wise it will feel and look rough, for 
 anything which wets the wood causes 
 its surface to roughen as it dries. 
 Varnish stains are often used instead 
 of simple stain. These are varnish 
 and stain combined and are not so 
 good. 
 Effect of varnish 
 
 Varnish does not conceal the char- 
 acter of the wood beneath it, for it is 
 almost transparent unless something 
 is added to color it. It simply pro- 
 duces, when dry, a hard, glossy film 
 on the surface, which protects the 
 wood from dampness and dirto Quick- 
 drying varnish consists of shellac 
 dissolved in methylated spirit. The 
 
THE CHILDREN'S OWN BOOK 
 
 331 
 
 spirit evaporates and leaves a thin 
 layer of shellac on the wood. Shellac 
 varnish is used only for indoor work. 
 In making varnish for work exposed to 
 the weather it is necessary to use lin- 
 seed oil instead of spirit, and copal, 
 or mastic in place of shellac. Varnish 
 may be used either on the bare wood 
 or on paint. 
 
 Varnish is applied with a brush. 
 Two or three coats are put on, each 
 being allowed to dry and then 
 smoothed with fine sand-paper before 
 applying the next. For large surfaces 
 a large brush should be used, so that 
 
 1. How to varnish wood 
 
 the varnish can be spread quickly. 
 For small work a small brush is better. 
 The varnish should be put on uni- 
 formly, so that some parts shall not 
 be more thickly coated than others. 
 Varnish should not be allowed to run 
 over edges or corners of the article 
 being varnished, and the brush should 
 be used so that it does not leave marks 
 of its own all over the work. The best 
 way is to take one surface at a time 
 and cover it with varnish as quickly 
 as possible — that is, if ordinary shellac 
 varnish, which dries quickly, is being 
 used. The brush should be held as 
 shown in picture 1, and should move 
 in line with the grain of the wood. If 
 
 it is used across the grain, marks of 
 the brush will show more distinctly. 
 To prevent varnish from getting 
 squeezed out of the brush and running 
 over the edges of the wood, the brush 
 should always move outwards to the 
 edges, as indicated by the arrows in 
 picture 1. In approaching the ends 
 of the wood it goes directly to the 
 edges, but in passing along the sides 
 its direction is only very slightly 
 diagonal towards the edges there, so 
 that the movement shall be as nearly 
 as possible in line with the grain. 
 Spirit varnish dries quickly, but to 
 obtain the best results each coat should 
 be allowed several hours to harden 
 before sand-papering it down for the 
 next. After the first coat, old sand- 
 paper worn smooth should be used, 
 and the work is not rubbed down at 
 all after the final coat. Sand-paper 
 should always be rubbed in line with 
 the grain of the wood. If rubbed 
 across, it scratches the surface too 
 much. 
 Polishing and varnishing 
 
 The difference between polishing 
 and varnishing is chiefly in the method 
 of application, for shellac varnish and 
 polish are practically the same thing. 
 
 The distinction between varnishing 
 and polishing is that varnishing is 
 done with a brush, and polishing with 
 a rag. Polishing requires more skill 
 and time, but it gives a smoother and 
 glossier surface than varnishing. It 
 is important in polishing that the pores 
 of the wood shall first be thoroughly 
 filled, so that the polish cannot sink in 
 and lose its luster. A number of 
 applications of polish with long inter- 
 vals for drying will do this, but it is 
 quicker and cheaper to fill the pores 
 with some other substance before 
 beginning to polish. The filler is 
 generally whiting or plaster of Paris 
 dissolved in water, turpentine, or oil, 
 and colored to match the wood. It is 
 
332 
 
 THE HUMAN INTEREST LIBRARY 
 
 rubbed in and allowed to dry, and then 
 the surface is sand-papered smoothly. 
 The wood is now ready to receive the 
 first application of polish. 
 
 The rag used in polishing is called 
 a rubber. It should be a piece of soft 
 white linen. This is used as an outer 
 covering to a pad of cot ton- wool. 
 
 The cotton wool is moistened with 
 polish, and the single thickness of rag 
 encloses it and is drawn up like a 
 pudding-cloth at the top and grasped 
 by the hand while it is used. The 
 pressure on the rubber should not be 
 heavy, and a few drops of linseed oil 
 are put on the rag to make it move 
 about freely without tendency to 
 stick. The polish is put on the cotton- 
 wool only, and gets squeezed through 
 the rag in rubbing. The method of 
 rubbing depends to some extent on the 
 shape and size of the work. First, it 
 is necessary to cover the surface of 
 the wood with polish as quickly as 
 possible. This is done by moving the 
 rubber in large sweeps either with or 
 across the grain or both. The direc- 
 tion is not important as long as the 
 polish is rubbed uniformly all over the 
 surface. On a large flat surface, as 
 in picture 2, the rubber may be moved 
 in curves or spirals, as shown by the 
 dotted lines. These are only drawn 
 as lines, but the broad surface of the 
 rubber would, in following them, 
 polish the entire area of the wood. 
 For getting into the corners of panels 
 and similar parts the rubber must be 
 squeezed into a pointed form which 
 will reach those parts. After the 
 
 polish has been applied in this manner, 
 the work must be laid aside for at least 
 a day. Then a second application 
 is given in the same way as the first. 
 
 2. Polishing a large surface 
 
 In the best work this process is re- 
 peated a third time or even a fourth, 
 and long periods are allowed between 
 each to allow the polish to sink in as 
 much as it will. In sinking in, and 
 hardening, it loses some of its gloss, 
 and as long as this occurs the work can 
 be improved by fresh applications of 
 polish. This is called bodying in. 
 The final process in polishing is called 
 spiriting off. In spiriting off, the 
 rubber is moistened with methylated 
 spirit instead of polish, and is rubbed 
 lightly over the surface to remove 
 smears caused by the rubber in body- 
 ing in, and also to take up the oil, 
 which, when present, gives the surface 
 a dull, greasy appearance. The last 
 movements of the rubber should follow 
 the grain of the wood — that is, the 
 rubber should move in straight lines 
 with the grain. 
 
 THINGS A BOY CAN MAKE FOR A BAZAR 
 
 Here are other things that boys can make 
 for a bazar: 
 
 Toasting-forks made of wire. The wire can 
 be bought at any ironmonger's, and should not 
 be too thick; it can be twisted double or treble 
 to give sufBcient stiffness to the handle. 
 
 A set of furniture for a doll's house — -chairs 
 and tables — made from firewood, the pieces 
 being joined together with glue. 
 
 A boot-brush box with a hinged lid can be 
 made from an old egg-box. 
 
 A flower-pot case made of wood and covered 
 outside with cork bark, or enameled in some 
 dainty color. 
 
 Pictiu-e-frames of different sizes and shapes. 
 
 Clock-cases, handkerchief-boxes, letter-racks, 
 wall-brackets, and other articles made from 
 cigar-boxes by fretwork. 
 
THINGS FOR GIRLS TO DO 
 
 HOW TO MAKE A GIRL'S WORKBOX 
 
 HAVE you ever thought of the 
 joy it brings to have a real 
 workbox of your own? Let 
 us try to learn to make a box like the 
 one in the picture. 
 
 The pattern of the girl's woikbox 
 
 Take a piece of cardboard thick 
 enough to make a firm foundation, 
 and on this draw a pattern similar to 
 the above, enlarged to the size desired 
 for your box. Cut the cardboard all 
 round the outlines of the diagram. 
 Bend the four pieces which are intended 
 to form the four sides. Do this w^hile 
 following the lines carefully, so that 
 the bottom of the box will be quite 
 even. Straighten the cardboard 
 again, and cut two pieces of cretonne, 
 each one covering entirely the piece of 
 cardboard which includes the bottom 
 and sides of the workbox. Cut the 
 material about a quarter of an inch 
 larger all round than the cardboard, 
 to allow for turning in the edges, 
 which otherwise would fray and look 
 untidy; then glue (or overcast) the 
 cretonne on the cardboard, back and 
 front. When this is done, let it dry 
 for one day. 
 
 Then bend your covered cardboard 
 as you did before. Join the corners 
 A together by sewing the cretonne on 
 the two sides with over-and-over 
 
 stitches, using a needle with strong 
 thread to secure the corners, top and 
 bottom, very firmly. The same thing 
 must be repeated in the corners 
 marked B, C, D. 
 
 The workbox now stands, is covered 
 and lined. Some cord sewn round the 
 foot of the box will make a neat finish 
 and slightly raise the box. Now the 
 cover must be made. Cut a piece 
 of cardboard to fit exactly the top of 
 your workbox; then, before putting 
 on the cretonne as you have done on 
 the other part, put a layer of cotton to 
 form padding, and cover it over wath 
 the material. Do this on both sides 
 of the cardboard, taking great care 
 to turn the edges in, as described for 
 the other part of the box, before 
 gluing the cretonne down. A strip 
 of material is fixed on the inside of the 
 lid, and sewn at regular intervals, to 
 receive a thimble, a pair of scissors, 
 crochet needle, and other things. The 
 cover is then put on the box part by 
 slipping two small pieces of cretonne 
 under both cover and back of box, one 
 on each side, to form hinges. These 
 are then sewn very firmly, so that the 
 lid can be ooened and closed. 
 
 v.^^^K^»V :.. 
 
 The workbox lined and ready for use 
 
 333 
 
SSJf 
 
 THE HUMAN INTEREST LIBRARY 
 
 HOW TO USE THE NEEDLE 
 
 NOW that we can make a work- 
 box of our own — we must 
 find out how to use it. We 
 are going to dress a doll. We shall 
 cut out the clothes and make them as 
 our own clothes are made. First we 
 shall make the little underclothes, 
 one by one, and then the frock. But 
 before we can do anything at all we 
 must know how the different stitches 
 holding the pieces together are made. 
 
 We all think that it is the easiest 
 thing in the world to thread a needle, 
 but the right way to do it is to thread 
 it by the end just cut off the spool, 
 making a tiny knot at the other end. 
 If the cotton is put through the needle 
 at the opposite end all the gloss goes 
 out, knots, and breaks off very 
 easily. Always choose a needle that 
 is just a little thicker than the thread. 
 This will open the material enough 
 for the thread to come through with- 
 out any unnecessary tugging. 
 
 The left hand holds the piece of 
 material between the thumb and 
 first finger, letting it fall loosely over 
 the back of the hand, the little finger 
 just holding it in place. The right 
 hand holds the needle and pushes it 
 in and out of the material, a thimble 
 on the third finger helping to push the 
 needle through. The width of the 
 first fold of a hem should be about 
 one-third the width of the hem 
 required, but in very narrow hems 
 the first fold is the same width as the 
 second. If, however, you intend to 
 sew very fine material, such as muslin, 
 the fold must be the same size as the 
 hem, otherwise the rough edge will 
 show through. 
 
 When you have decided what the 
 size of the hem should be, turn the 
 double fold and press it down firmly 
 with your nail, then tack it, with long, 
 even stitches. This will save time, 
 for the hem will keep pressed down in 
 
 position, and it will help to get the 
 work straight and even. The needle 
 is then put in the material, as you can 
 plainly see in the picture (2), the 
 stitches being done from right to left 
 in a slanting position. 
 
 These sketches show you how to make the different kinds 
 of stitches. 2 is a hemming stitch, 3 running, 4 running 
 and felling, and 5 a French seam. 
 
 There are many different kinds of 
 stitches, but for our present purpose 
 it is only necessary to know a few of 
 them. The running stitch (3), is 
 one of the most useful to learn, for it 
 is with this stitch that seams are 
 made and materials gathered. 
 
 If you are anxious to learn how to do 
 really beautiful sewing, try first on 
 fine canvas, or on any other very 
 coarse material, where the threads 
 can be easily sewn, taking two threads 
 on the needle and going over two. 
 You will be surprised to find how 
 easily the hand and eyes will be trained 
 to work evenly and regularly, imtil 
 you can work quite pretty little 
 stitches on any material without 
 counting the threads, which is always 
 a slow and tedious method of working. 
 
 When you can do the hemming and 
 running stitches quite evenly, you 
 have mastered the most difficult part 
 of sewing, for all the other stitches 
 are more or less made from these two. 
 
 If you look at picture 4, for eicample, 
 you will see a little pattern of running 
 and felling, which always looks full 
 of difficulties to little girls, although 
 it is simply running and hemming. 
 
THE CHILDREN'S OWN BOOK 
 
 335 
 
 Two pieces of material are put close 
 together, the back piece slightly over- 
 lapping at the top to allow for the fold- 
 ing over of the raw edge, and joined 
 together, on the wrong side, by running 
 stitches. The material is then opened 
 under the seam, laid flat, and the two 
 edges folded over like an ordinary 
 hem. 
 
 A glance at the picture will show 
 the work far better than it can be 
 explained. 
 
 The easiest way for little girls to do 
 running and felling is by French 
 seams. It will probably be the most 
 popular way of doing the seams in 
 dolly's underclothes. If you look at 
 the picture (o) you will see that this 
 kind of seam is simply a double row of 
 running stitches. The first row is 
 done in the ordinary way, then the 
 raw edges are cut as short as possible, 
 and the seam turned inside out, a 
 second row of stitching giving perfect 
 neatness in the finished work. Re- 
 member, however, when doing these 
 seams that the first row of running, 
 instead of being done on the wrong 
 side, as for running and felling, is 
 always done on the right side, the second 
 row putting the first one out of sight. 
 
 Gathering is done with exactly the 
 same stitches as running, only it must 
 be done with strong thread so that it 
 will not break. The thread is pulled 
 to gather the fullness. No knots or 
 joins must be allowed in the thread, 
 or it will not come through the 
 material to form gathers. Measure 
 
 the piece of material you want to 
 gather, and take a long enough piece 
 of thread to leave two or three inches 
 to take hold of w hen you w^ant to draw 
 it. It is always better to do two or 
 three rows of gathers in case one should 
 break, besides giving more evenness 
 and regularity to the gathers. 
 
 If the gathers are done on fine 
 material for underclothes w'hen the 
 thread has been drawn, a coarse 
 needle should be used to stroke down 
 the material between each gather. 
 
 Biittonliole stitches come next, and 
 these are by no means too difficult 
 
 6. Buttonhole stitches 
 
 to be attempted. They are really 
 quite easy when you know the way. 
 Try first on a piece of canvas or coarse 
 flannel, and make even and regular 
 stitches quite close to each other. 
 The picture (6) shows just how the 
 stitches are made. Let the thread 
 go under the point of the needle and 
 pull the needle down gently, letting 
 the thread cross over itself where the 
 needle came out. If you follow these 
 directions, and look at the picture, you 
 will find the stitch so easy that you 
 will really be surprised. 
 
 THE DOLL'S FIRST 
 
 WE HAVE learned how to do 
 the different stitches that 
 are needed, so now we should 
 be able to undertake the fine stitching 
 for the garments that we are going to 
 make. 
 
 We will start with the little chemise. 
 
 LITTLE GARMENT 
 
 If you look at the picture (1) you will 
 see that the pattern is quite simple, 
 and very easy to cut out if you read 
 this article carefully. 
 
 Drav/ the pattern to fit the size of 
 your doll on a piece of paper, and 
 mark it A, B, C, D, E, F, like the 
 
336 
 
 THE HUMAN INTEREST LIBRARY 
 
 sketch. Nearlj^ all patterns are cut 
 out in halves — that means that nearly 
 all garments have, of course, two sides, 
 or two parts, which are exactly alike, 
 and it is far easier to get these exact if 
 we double the material, lay the pattern 
 on it, and cut them both at once. This 
 is why we always, or nearly always, 
 speak of a pattern as being half the 
 back or half the front, and so on. 
 Take a piece of fine muslin, or, better 
 still, nainsook, twice the length and 
 twice the width that you want the 
 little g a r- 
 ment to be, 
 allowing 
 enough over 
 for seams 
 and he m . 
 Now fold 
 the material 
 in half, and 
 then fold it 
 in half again. 
 When you 
 have done 
 this the 
 shape of the 
 material 
 should be as 
 it ivas before, 
 only smaller. 
 Before 
 going f a r - 
 ther be sure 
 that the two 
 single folds 
 of the mater- 
 ial are at the 
 top, and the double fold at the 
 side. If this is not quite clear to you, 
 look at picture 2 which shows the ma- 
 terial folded. Lay this down on the 
 table in the position shown in the 
 picture, and lay the pattern on it. 
 Pin the pattern to the material before 
 it can slip out of place; then take a 
 pair of scissors and cut all round the 
 outlines of the pattern, except the 
 
 1. How to cut out the pattern 
 
 3. Buttonhole scallops 
 
 parts between B and C (this is the 
 shoulders) , and between A and D (this 
 is the middle of the chemise, as you 
 will see when you open the material 
 out after it has been cut) . 
 
 When you are cutting remember to 
 leave half an inch for the double seam 
 under each arm, and an inch and a 
 quarter for the hem at the bottom. 
 
 Take off the pattern and unfold the 
 material. The two sides of the little 
 garment are now shaped and held 
 together by the uncut folds of the 
 
 shoulder. If 
 
 ■ you look at 
 
 your own 
 little chem- 
 ise you will 
 find that the 
 front of the 
 neck is cut 
 lower than 
 the back. 
 Now turn to 
 the picture 
 (2) again, 
 and you will 
 see that 
 there is a 
 dotted line 
 below the 
 one between 
 A a n d B . 
 The line be- 
 tween A and 
 15 represents 
 half theback 
 of the neck, 
 and the dot- 
 So to get 
 scissors and 
 little, being 
 
 2. Laying pattern on the material. 
 
 4. The whipping stitch 
 
 front, 
 
 ted line half the 
 
 the front, take your 
 
 cut out the material a 
 
 careful to slope out more at the center 
 
 than at the sides. Then slope out 
 
 each little sleeve (between C and F) in 
 
 the same way. 
 
 Before starting the sewing we must 
 be sure that our hands are spotlessly 
 clean, for on its neatness and cleanli- 
 
TEE CHILDREN'S OWN BOOK 
 
 337 
 
 ness depends the success of our work. 
 To look well, needlework must be kept 
 quite fresh, or its charm will be gone, 
 however neat the work may be. 
 
 Thread a short needle and begin with 
 the seams on each side, joining them 
 either by running and felling them, or 
 by a French seam. 
 
 The next is the hem at the 
 bottom. Turn up the material about 
 134 inches. You will remember that 
 we allowed an inch and a quarter when 
 we cut the material. The quarter 
 of an inch is for the first little fold, and 
 the inch will be the width of the hem. 
 Measure an inch and a quarter all 
 round, turn this down and tack it to 
 keep it in place. A good way to meas- 
 ure the hem and to be certain that it 
 is quite even is to get a piece of stiff 
 paper — or a visiting card is better — 
 measure an inch on it, snip it with 
 the scissors to mark it, and use it as 
 you would use a tape measure. When 
 your hem is even fold the rough edge 
 under a quarter of an inch, and tack 
 it again, and then hem it round with 
 neat little stitches. 
 
 If we have been practicing all the 
 stitches which we learned, we shall be 
 able to do some small buttonhole 
 scallops round the neck and sleeves, 
 in which case we shall have the dain- 
 tiest little ornament that one could 
 wish for. If you look at picture 3 
 you will see how the material is 
 marked in scallops all round for the 
 button-hole stitches to be worked on. 
 The picture shows how the stitches 
 should be narrow at the top of each 
 
 scallop, and get wider in the middle. 
 If you cannot get this quite even, 
 draw a faint line, like you will see in 
 the picture, and work over it. 
 
 But if this is too difficult we can 
 make a little hem and sew on the end 
 of it a piece of pretty Valenciennes 
 lace. As the neck is round, and not 
 straight, it will not be very easy to 
 fold the hem in the usual way; but if 
 you will try to roll the edges and make 
 only a tiny hem, you will find it will not 
 be nearly so difficult. 
 
 5. The finished garment 
 
 Now for the lace. This should be 
 first gathered and pulled up, so that 
 it makes a little frill. When the lace 
 is pulled up full enough — do not let 
 it be too full — sew it on to the edge 
 of the hem with tiny whipping stitches. 
 In sewing the lace to the chemise, do 
 not put the two back to back and then 
 sew, but draw them together as you 
 would sew together the two edges of a 
 hole in a glove. This is the only way 
 to get the lace to set quite flat. 
 
 And now your little chemise should 
 look just like the one shown in pic- 
 ture 5. 
 
 THE LITTLE 
 
 THE next little garment we will 
 make is the flannel petticoat. 
 The pattern of this is very 
 easy, as we can see from pictures on 
 next page. Picture 1 shows half the 
 pattern. Cut your pattern, and lay 
 it on a piece of soft, fine flannel which 
 
 PETTICOATS 
 
 has been folded in half, taking care 
 that A B lies against the fold. Cut all 
 round, except between A and B. To 
 make the back seam, join the two edges 
 as for running and felling, but instead 
 of felling the edges, turn them over, 
 and fasten them by herring-boning 
 
338 
 
 THE HUMAN INTEREST LIBRARY 
 
 them "raw-edged."" Leave a placket- 
 hole at the top and make the edges 
 neat by two tiny hems, herringboned, 
 like the seam, to keep them fiat. 
 When you liave gathered tlie material, 
 regulate the gathers, so that the front 
 of the petticoat is nearly flat, and the 
 fullness is at the back. 
 
 1. Pattern of flannel 
 petticoat 
 
 r^y^v-^^ 
 
 2. Herringbone stitch 
 
 3 Pattern of 
 bodice 
 
 4. Fastening bodice to skirt 
 
 The flannel 
 petticoat 
 
 (■). The white 
 petticoat 
 
 The next thing to do is to make the 
 little bodice which has to be joined on 
 to the petticoat. Look at picture 3, 
 and you will see half of the very 
 
 simple outline of the pattern needed 
 to make this bodice. It is in one 
 piece, and needs no seam except the 
 tiny ones on the shoulders — that is, 
 between E and C. 
 
 After you have drawn the design 
 the right size to fit your doll, fold the 
 piece of flannel in half and put the 
 edge of the pattern marked A B on 
 the fold of the flannel. Then pin it, 
 and cut along the lines of the pattern, 
 except between A and B, leaving 
 enough for the turnings. 
 
 The dotted line in picture 3 is to 
 show where to slope out the material 
 for the front, of the armhole. 
 
 After the seams on the shoulders 
 have been done, either with a French 
 seam or running and felling, the little 
 bodice must be finished off at the top 
 with buttonhole stitch to match the 
 bottom of the petticoat. To make the 
 material strong at the back to hold the 
 buttons and buttonholes, which have 
 to be sewn next, a little hem, herring- 
 boned, should be made on each side. 
 If we have cut our pattern correctly, 
 we shall find that we have quite enough 
 material for this without adding any 
 more. When the bodice is finished, 
 the lower part of it is run on to the 
 gathered skirt. 
 
 Join the bodice to skirt, by running 
 stitches, as picture (4) shows. But it 
 would be very imtidy on the wrong 
 side if we left the raw edges like this, 
 so to make it neat and dainty, a 
 strip of nainsook is run along the 
 gathers, and tlien turned over and 
 neatly hemmed down just above. 
 But the stitches must be very tiny 
 ones, because they will show on the 
 right side. 
 
 Trim the raw edge of the skirt part 
 with buttonhole stitches, put on 
 another button and buttonhole to 
 fasten the waist-band, and your little 
 flannel petticoat is finished, and will 
 look like picture 5. 
 
THE CHILDREN'S OWN BOOK 
 
 339 
 
 The white petticoat, which goes 
 over the flannel one, is cut and made 
 in very much the same way. The 
 only difference lies in cutting out the 
 skirt part of the trimming. The 
 bottom should have two little tucks and 
 a narrow hem, edged with tiny Valen- 
 cienrues lace. These tucks and the 
 hem will take up about one and a half 
 inches of material, so when we cut out 
 the skirt part of the white petticoat 
 it must be longer than the flannel one. 
 No pattern is needed. It is simply a 
 straight piece cut about one and a half 
 inches longer than the flannel one. 
 
 But the important thing to remem- 
 ber is to cut it "on the straight," not 
 "on the bias," like the flannel one is cut. 
 Material cut on the bias pulls very 
 easily, and is difficult to tuck. Mate- 
 rial that is cut on the straight — that is, 
 in a straight line with the selvedge — 
 is firmer and keeps its shape much 
 better. The reason why we cut a 
 flannel petticoat on the bias is, 
 because it sets better and is less clumsy 
 round the hips, for flannel is a clumsy 
 material. The seams of the white 
 petticoat should be run and felled, 
 not herringboned. 
 
 ARRANGING FLOWERS FOR THE HOUSE 
 
 THE world has paid every 
 woman a charming compli- 
 ment. It has credited all of 
 us with the ability to make our sur- 
 roundings beautiful. Have you not 
 read in many books that the heroine 
 possessed a magic touch? When she 
 had been there the room seemed to 
 
 This shows the right and the wrong way to arrange 
 violets and flowers lilse them. They should be loosely 
 arranged In a low vase, and not cramped up in a high vase 
 where they can hardly be seen. 
 
 show an extra daintiness, the place 
 wore an added charm, an air of com- 
 fort and coziness that it did not 
 possess before. But, unfortunately, 
 the novel gave no precise direction 
 as to how she did it. 
 
 These things are not arrived at by 
 instinct. The good fairy who deals 
 out the birth-gifts is not so lavish as 
 we are led to suppose, and seldom 
 gives to anyone so big a gift that 
 
 there is nothing left to learn. She 
 just gives a little bit — just enough to 
 show it is there — and one has to learn 
 the rest. 
 
 We shall not be able to learn here 
 everything that our favorite heroines 
 are supposed to know, but only a few 
 things about one simple part of the 
 subject — how to arrange flowers. 
 
 We wonder if you have ever thought 
 that the size, shape and color of the 
 vase is a most important point.'' 
 For instance, daffodils, which are 
 heavy flowers, should always stand 
 in strong china — for preference, green 
 glazed ware. There is something so 
 strong and sturdy about their growth 
 that they need a good support and 
 plenty of water; so don't put them into 
 frail china vases that will topple over 
 with a breath of wind because they 
 are top heavy. 
 
 Also remember how the daffodil 
 grows. How many leaves go to 
 one daffodil? Hundreds! Well, you 
 cannot get hundreds into a vase, but 
 you can get a good many, and you 
 will find the flowers look far finer with 
 a plentiful supply of leaves, because — 
 and this point applies to every kind of 
 blossom — they grow like that. 
 
sw 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE DOLL'S LITTLE FROCK 
 
 G U 
 
 THE little frock 
 illustrated is a 
 simple one. It 
 is made entirely in one 
 piece with only two 
 tiny seams on the 
 shoulder and one in the 
 center of the back. 
 The two armholes are 
 for the little puff sleeves 
 which are also made in 
 one piece with a little 
 seam under the arm. 
 The first thing to do 
 after cutting is to make 
 the seam at the back. This 
 is marked C D in the 
 picture. A little French 
 seam such as we have al- 
 ready done for the under- 
 linen will do very well for 
 this frock, especially if you 
 have been able to coax mother 
 to give you a piece of Japanese 
 gilk, or some other thin ma- 
 terial. 
 
 Do not make a seam at the 
 back right up to the top of the 
 neck, but leave a placket-hole 
 rather more than half-way up, 
 just about where the star is 
 marked on picture (1). Three 
 or four little buttons and 
 buttonholes are needed to 
 close the frock. The hem 
 should be about two inches 
 wide all around with a quarter 
 of an inch turned inside. The 
 neck part is simply gathered 
 into a little straight band 
 which is first run edge to edge 
 with the main part of the 
 frock and then hemmed over 
 the gathers. If this little 
 band is made broad enough it 
 can be doubled over to form a 
 little turn-down collar, which 
 may be ornamented with 
 
 2. Sleeve pattern 
 
 H 
 
 3. Back of the frock 
 
 feather stitching, while 
 a lace frill may be added 
 to make it daintier. A 
 wide tape sewn inside 
 at the waistline rather 
 low down, will, if sewn 
 top and bottom all 
 round, act as a slot in 
 which a fine silk tape 
 may be put through to 
 gather the little frock as 
 picture 3 shows. 
 The pattern of the little 
 sleeve is plainly shown 
 in picture 2. The part 
 between E and F in the pic- 
 ture is the top and when 
 gathered, and the thread 
 pulled up, will form the 
 little puff. 
 
 Join the line E G to F H 
 by a French seam and you 
 will begin to see the shape 
 of the sleeve. The top part as 
 we have said, is gathered 
 drawn up, and made to fit the 
 hole left for it in the frock. 
 The side marked F H to put 
 under the arm and the sleeve 
 seam is joined to the notch 
 seen in the pattern. Arrange 
 the fullness to come at the top 
 of the sleeve on the shoulder. 
 The bottom of the sleeve — 
 that is, the part between G H 
 in the picture, is also gathered 
 and then put into a straight 
 band of material which is made 
 large enough to turn over just 
 like the little collar. This too is 
 trimmed with a row of feather 
 stitching. 
 
 The little frock shown in the 
 picture has what is called a 
 long waist — that is, the waist 
 trimming is arranged to come 
 much lower than the doll's real 
 waist. 
 
THE CHILDREN'S OWN BOOK 
 
 341 
 
 HOW TO MAKE OUR OWN ZOO 
 
 A LITTLE while ago most of 
 the creatures in our Home 
 Zoo were lying together all in 
 a heap at the bottom of somebody's 
 piece-bag. They did not look much 
 like animals then, but that was before 
 they were touched and brought into 
 
 wheels — such as any boy can make — 
 little children will be delighted to 
 draw them about. If they are very 
 nicely made they are quite pretty 
 models, and will readily sell at a 
 bazar. 
 
 But before we start to make them, 
 
 Animals to make at home 
 
 shape by the won 
 
 derful fairies 
 
 Needle and 
 
 Thread. Our 
 
 kitten was just a 
 
 bit of black plush 
 
 left over from the 
 
 trimming of a coat; our 
 
 fierce lion was a corner of fawn- 
 
 jolored, smooth - faced cloth 
 
 Some members of the zoo 
 
 there are a few 
 things which we 
 must always re- 
 member if we 
 want really to suc- 
 ceed. If we number 
 them it will help us 
 to remember. 
 1. The best materials are 
 from tightly woven stuffs that are plain on one 
 a tailor-made suit; our fat pig and side and fluffy or shaggy on the other, 
 dear little white bunny were odds Thin and loose cloths that easily fray 
 and ends of eider-down; and our are troublesome. Beaver cloth, all 
 
 curly dog was a scrap 
 of imitation astrachan 
 from somebody's 
 winter jacket. But we 
 just cut them out, and 
 sewed them together, 
 and fed them well on 
 wadding, and here 
 they are — all that you 
 see in the picture, and 
 many more. Making 
 
 imitation furs — if they 
 are not too thick — 
 eider-down, canton 
 flannel, plush, and 
 velveteen, all make up 
 splendidly. 
 
 2. In cutting out, 
 first note which way 
 the pile, or "nap, " goes, 
 and take care to place 
 the pattern so that it 
 
 How the cat looks when made 
 
 one's own Zoo is great fun. It is so will stroke from the head to the tail, as 
 
 nice to have the animals to play with, in nature. 
 
 They will all stand up; and if their feet 3. All the patterns are cut out in 
 
 are glued to a small stand, with halves, so that you will have to double 
 
3J^S 
 
 THE HUMAN INTEREST LIBRARY 
 
 the material. We shall understand holes where the legs are fastened in, 
 
 this better later. But be very careful and sometimes the legs themselves — 
 
 to see that the two halves face each may be sewn raw-edged on the right 
 
 other, and cut out with neatness and side, and the nap at the margin pulled 
 
 exactness, making the pieces all fit over the stitches to hide them. 
 
 one another precisely. 
 4. Stitch up as 
 closely and neatly as 
 you can, with the 
 sewing-ma- 
 chine if pos- 
 sible, but re 
 member 
 
 Thinner cloth must be turned in 
 where necessary to sew or hem 
 over on the right side. 
 
 6. Stuff always with un- 
 bleached wadding. A yard will 
 fill three or four animals of 7 
 inches or 8 inches long and 4 
 inches or 5 inches in height. Never 
 use cut-up flannel or any other 
 odds and ends if you want to get 
 a good effect. Put the wadding 
 in a little at a time, 
 pushing it well home 
 with your finger or the 
 point of a pair of scis- 
 sors, and pack as 
 tightly as ever 
 vou can. 
 
 Plans for making the cat 
 sbown on the previous page 
 
 that very firm, close seams are most 
 important. 
 
 5. All animals have their principal 
 seams sewn on the wrong side; but 
 if the cloth is thick and firm, with a 
 good nap, some parts — such as the 
 
 Now we may start on our first 
 animal — the cat. Gray velveteen or 
 plush makes the prettiest cat, but 
 black will do. The cat, when cut 
 out, is in eleven pieces — namely, 
 two upper halves, two under halves. 
 
THE CHILDREN'S OWN BOOK 
 
 34s 
 
 two pieces, upper and under, for each 
 of the ears, the upper and under 
 halves of the tail, and a lemon-shaped 
 piece on the top of the head. We cut 
 out the pieces to the shapes shown in 
 the plans, which we can trace on thin 
 paper. Let us begin with the side 
 half of body which is marked 1. We 
 cut out two pieces this shape, making 
 them exactly alike. We cut out two 
 pieces of the under half of body 
 marked 2 in the picture, then one 
 piece for the top of head, marked 3, 
 one tail piece marked 4, and another 
 tail piece marked 5, and, finally, two 
 ears to the shape given in the picture. 
 We must remember to make every 
 piece the size given in the pictures. 
 
 Now we are ready to sew the pieces 
 together. The pictures are marked 
 with V's and X's, and these show 
 what pieces are to be sewn together. 
 The piece marked VV is to be sewn to 
 the other piece marked VV, and so 
 on. We begin by stitching the under 
 halves on to the upper ones, being 
 careful to stitch very closely round the 
 toes. Next stitch up the tail, turn 
 it, and stuff it. Stitch on the lemon- 
 shaped piece to the top of the head in 
 the position shown in the pattern. 
 Sew up the upper animal, beginning 
 at the throat and going over head and 
 back, and ending at the tail. Be 
 
 careful to keep the halves in proper 
 position. 
 
 Now turn the cat and her four paws, 
 and begin to stuff her — first the head, 
 then the paws, then the body. When 
 she seems nearly fat enough, begin to 
 sew up at the tail, and work along, 
 poking in more stuffing as you see it 
 is needed, until you finish up under 
 the chin. The two front legs will 
 probably have to be caught together 
 with strong thread to make pussy sit 
 up properly, and her tail, hemmed at 
 the base, should be curled round her 
 toes, so as to give a natural position. 
 
 The ears must be made and turned, 
 after being fastened neatly in the right 
 position, and the two outer edges 
 folded over to meet in the middle. 
 Then you will have a pretty little ear 
 to sew on in position. Beads or 
 sequins make bright eyes; but, if the 
 cat is to be a toy for a young baby, 
 black worsted eyes, just stitched, are 
 safer. A nose and mouth may 
 be also marked in worsted, as 
 here shown, and bunches of 
 white thread can be sewn 
 on for eyebrows and whiskers. 
 If you finish up by marking the 
 "tabby" pattern in ink, copying 
 from a real cat, and brush the stiffness 
 out when dry, you will find you have 
 made a very charming cat. 
 
 H 
 
 COLLECTING FERNS FOR A ROCK GARDEN 
 
 NO GARDEN is complete with- 
 out its ferny nook, and any 
 ugly old corner can be made 
 beautiful in a short time by planting 
 ferns, the graceful fronds of which 
 will, when they unfold, hide every 
 trace of ugliness. 
 
 Almost any time of the year we can 
 go on a fern-hunting expedition, and 
 very enjoyable such an excursion is, 
 especially in the autumn, when the 
 
 ferns appear in all their verdant glory 
 and rich plumage. 
 
 No matter where we may live, in or 
 out of a big city, east or west, north or 
 south, inland or by the sea, we are 
 sure to find, within an accessible dis- 
 tance, some spot that is given over to 
 the fern family, and if we are careful 
 we can get new plants for our rockery 
 or shady corner without injuring the 
 countryside in any way. 
 
3U 
 
 THE HUMAN INTEREST LIBRARY 
 
 m. 
 
 Hart's-tongue 
 
 Maidenhair spleenwort 
 
 Common polypody 
 
 Lady fern 
 
 Among the rocks by the seashore, 
 in the green lanes, by the side of the 
 meadow, on the moorland, by the 
 banks of the brook or stream, in the 
 ditches by the road, and among the 
 shadows of the wood — all these are 
 places where ferns may be found free 
 and flourishing. 
 
 As equipment for a fern-hunt we 
 need some pieces of brown packing- 
 paper or newspaper to wrap the roots 
 of our specimens in, a small garden 
 fork and trowel, and, if we are intend- 
 ing to bring home very many plants, 
 a bag or wicker basket. 
 
 In selecting plants, it is wise to take 
 the smaller specimens; they can be 
 removed more safely and easily than 
 larger plants and they are easier to carry 
 home. The earth roimd the plant 
 selected should be loosened with the 
 fork, and then the fern taken up with 
 the trowel with as little disturbance 
 to the roots as possible. Of course, 
 it is essential that the whole of the 
 roots should be taken, and so we must 
 dig at some distance round and under 
 the plant. The earth adhering to the 
 roots should not be removed. Injury 
 
 to the root will result in a dwarfed and 
 sickly plant, when the fern is trans- 
 planted and made to grow in the 
 
 garden. 
 Having 
 
 freed our specimen, we 
 should place a little damp moss round 
 the roots, wrap the specimen up in 
 paper, and place it carefully in the 
 bag. If it is not convenient to plant 
 them out on arriving home, we can 
 keep them healthy and fresh for several 
 days by laying them in a shady place 
 and occasionally sprinkling the en- 
 wrapping moss with water. This 
 plan enables us to bring home safely 
 specimens gathered on a summer holi- 
 day. 
 
 Of course, if we want to get the best 
 value out of our specimens, we should 
 carefully note the situation and sur- 
 roundings of each, and try to reproduce 
 these as nearly as possible in the 
 garden. 
 
 Rock ferns are more difficult to 
 gather, and, in order not to disturb 
 the roots, it is often necessary to bring 
 home with us a piece of the rock in 
 and round which are the delicate 
 roots. 
 
STORIES AND PLAYS 
 MASTER SELF 
 
 THERE was once a lit-tle boy," 
 said Mam-ma, "and he loved 
 Some-bod-y ver-y much. It 
 is n't a ver-y large Some-bod-y, but 
 it has bright blue eyes and curl-y 
 hair." "Why, it 's me!" said Char- 
 lie. "It 's me, my-self." 
 
 "So it is," said Mam-ma, laugh-ing. 
 "And it 's 'Mas-ter Self whom Char- 
 lie loves best. He even does n't love 
 Sis-ter so much as 'Mas-ter Self.' So 
 he keeps all his pret-ty toys and does 
 n't give them up. He loves 'Mas-ter 
 Self bet-ter than Mam-ma, for when 
 Mam-ma says 'Go to bed,' and 'Mas- 
 ter Self says 'No,' — Char-lie likes best 
 to please that naught-y 'Mas-ter Self.' " 
 
 "I wont please 'Mas-ter Self,' said 
 Char-lie, and he kissed Mam-ma, and 
 said "Good-night." Next day. Mam- 
 ma gave Char-lie a bright, new ten- 
 cent piece, and said he might go with 
 Nurse to buy some can-dy. 
 
 When Nurse and Sis-ter were read-y, 
 and Char-lie had taken his lit-tle stick, 
 they set out. Char-lie was think-ing. 
 He was think-ing ver-y much, and he 
 was say-ing to him-self : "I don't love 
 'Mas-ter Self.'" 
 
 He walked qui-et-ly by Nurse's 
 side. Now and then he looked at the 
 mon-ey in his hand; it was ver-y bright 
 
 and ver-y white. It seemed a long 
 
 way to the can-dy store. "What 
 
 will you buy, Char-lie?" asked Nurse. 
 
 "Some can-dy for my-self," said 
 Char-lie, as they reached the Park. 
 
 "Keep close to me while we cross 
 the road," said Nurse; but just then 
 Char-lie pulled her dress and whis- 
 pered: "Look, Nurse! Look there!" 
 and Nurse saw a lit-tle girl stand-ing 
 near a tree, a-lone and cry-ing. 
 
 "What's the mat-ter with her, 
 Nurse?" asked Char-lie. 
 
 "I'll ask her," said Nurse. "What 
 are you cry-ing for, dear?" 
 
 But the lit-tle girl on-ly cried the 
 more, and Char-lie went close to her and 
 said: "What's the mat-ter, lit-tle girl?" 
 
 The lit-tle girl could not speak, she 
 was sob-bing so much. "Don't cry," 
 said Char-lie, in great dis-tress. "It 
 makes me want to cry too." 
 
 "Oh, dear! Oh, dear!" said the 
 lit-tle girl. "I have lost my mon-ey! 
 All my mon-ey." But soon she be-gan 
 to tell Nurse how it was. She was 
 go-ing to get some bread, and she had 
 the mon-ey in her hand, — "and," said 
 she, "a boy pushed me, and I fell, and 
 lost my ten-cent piece, and I can't 
 buy the bread, and Moth-er will be so 
 an-gry." 
 
 S45 
 
SJtS 
 
 THE HUMAN INTEREST LIBRARY 
 
 "I'm glad I did n't lose my piece," 
 said Char-lie, squeezing it hard. 
 
 "I am ver-y sor-ry for you," said 
 Nurse. "If I were you, I 'd run home 
 and tell Moth-er." 
 
 "I can't! I can't!" cried the lit-tle 
 girl. "It was all Moth-er had, and 
 we 're so hun-gry!" 
 
 Char-lie held his mon-ey tight-ly. 
 What was he think-ing of, all the time.^ 
 He was say-ing to him-self: "I don't 
 love 'Mas-ter Self.' " He pulled 
 Nurse's dress, and said: "Nurse, can't 
 you give the lit-tle girl some mon-ey?" 
 
 "I have n't my purse, dear," said 
 Nurse. 
 
 The lit-tle girl moved a-way, cry- 
 ing. Char-lie walked be-side Nurse. 
 They were near the can-dy store. He 
 could see the sweets in the win-dow, 
 — sticks and balls and creams! Char- 
 lie turned his head. He saw the lit-tle 
 girl look-ing back too. She was still 
 cry-ing. Char-lie pulled Nurse's dress. 
 "Nurse," he said, "I want to turn 
 back." 
 
 "What do you want to turn back 
 
 for?" asked Nurse. "Here is the store." 
 
 Char-lie raised him-self on tip-toe to 
 get near-er to Nurse's ear, and whis- 
 pered : 
 
 "I want to please the lit-tle girl and 
 not 'Mas-ter Self!" 
 
 Nurse knew what he meant. She 
 turned back. Char-lie looked once 
 more at the can-dy store, then he ran 
 a-cross the street. When he came 
 close to the lit-tle girl, he held out his 
 bright ten-cent piece and said: "It 
 is for 3'ou, and not for 'Mas-ter Self!" 
 
 The lit-tle girl stopped cry-ing and 
 be-gan to smile; then she tried to say 
 "Thank you," to Char-lie; but Nurse 
 said: "Run, now, and buy your 
 bread," and she ran off, aft-er look-ing 
 back to nod and smile at Char-lie. 
 
 But Char-lie was even hap-pi-er 
 than she. He walked brisk-ly home 
 and sat on Mam-ma's lap, and told 
 her all a-bout it. Mam-ma kissed 
 him, and said: "Is n't Char-He hap-py 
 now."* 
 
 And Char-lie said: "Yes; be-cause 
 I did n't please 'Mas-ter Self.' " 
 
 GOLDILOCKS TOOK UP THE SPOON AND ATE UP ALL THE BABY BEARS DINNER 
 
 THREE bears lived in a house in 
 a wood. There was the father 
 bear, the mother bear, and the 
 baby bear. The first was a great 
 big bear, the second was a middle- 
 sized bear, and the third was a tiny 
 wee bear. In the kitchen was a table, 
 
 and beside the table there were three 
 chairs. The first was a great big 
 chair, the second was a middle-sized 
 chair, and the third was a tiny wee 
 chair. 
 
 One day the three bears went out 
 for a walk. Before thej- started 
 
THE CHILDREN'S OWN BOOK 
 
 347 
 
 mother bear prepared the dinner, and 
 poured it into three basins. The first 
 of these was a great big basin, the 
 second one was a middle-sized basin, 
 and the third one was a tiny wee basin. 
 
 While they were out a little girl 
 named Goldilocks passed by that way, 
 and looked in at the window. She 
 was very cold and hungry, and the 
 bread and honey in the basins looked 
 very tempting. So she pushed open 
 the door and walked in. 
 
 "How good it smells!" she said. 
 And she sat down in the great big 
 chair. But it was much too large for 
 her. So she tried the middle-sized 
 chair, but that was not high enough; 
 so she sat down in the tiny wee chair, 
 which just fitted her. 
 
 She took up the spoon and soon 
 ate up all the little baby bear's din- 
 ner. 
 
 When she had finished she began 
 to feel very tired, and thought she 
 would like to lie down. So she went 
 upstairs into the bedroom, where she 
 
 found three beds. The first was a 
 great big bed, the second was a middle- 
 sized bed, and the third was a tiny 
 wee bed. First she tried the big bed, 
 but it was much too big. So she got 
 out again and tried the middle-sized 
 bed. But that was too big, so she 
 jumped into the tiny wee bed and fell 
 fast asleep. 
 
 Soon the bears came back, and as 
 their walk had made them very hun- 
 gry they went straight up to the 
 table. 
 
 "Someone's been sitting in my 
 chair," cried the great big bear in a 
 great big voice. 
 
 "Someone's been sitting in my 
 chair," cried the middle-sized bear in 
 a middle-sized voice. 
 
 "And someone's been sitting in my 
 chair," cried the tiny wee bear in a 
 tiny wee voice. 
 
 Then they looked into their basins. 
 
 "Someone's been tasting my din- 
 ner," cried the great big bear in a 
 great big voice. 
 
 GOLDILOCKS RAN DOWN THE STAIRS AS FAST AS SHE COULD AND ESCAPED INTO THE WOODS 
 
31^8 
 
 THE HUMAN INTEREST LIBRARY 
 
 "Somebody's been tasting my din- 
 ner," cried the middle-sized bear in a 
 middle-sized voice. 
 
 "And somebody's been tasting my 
 dinner and eaten it all up," cried the 
 tiny wee bear in a tiny wee voice. 
 
 "Who is it?" cried all the bears 
 together. And they all ran upstairs. 
 
 The great big bear ran to the great 
 big bed. 
 
 "Somebody's been lying in my bed," 
 he cried. 
 
 The middle-sized bear ran to the 
 middle-sized bed. 
 
 "Somebody's been lying in my bed," 
 she cried. 
 
 And the tiny wee bear called out in 
 a tiny wee voice: 
 
 "And somebody's been lying in my 
 bed — and, oh, here she is!" 
 
 Just at that moment Goldilocks 
 woke up and saw the three bears 
 looking angrily at her. She was so 
 frightened that she jumped up and 
 ran down the stairs as fast as ever she 
 could, and out of the house into 
 the wood, and they never saw her 
 again. 
 
 BRER RABBIT AND TAR-BABY 
 
 BRER FOX was always trying 
 to catch Brer Rabbit; but Brer 
 Rabbit was mighty pert and 
 spry, and he never let Brer Fox catch 
 him. So Brer Fox pretended to be 
 friendly, and asked Brer Rabbit to 
 come to dinner with him. But Brer 
 Rabbit did not come; he knew what 
 was going to be eaten at that dinner. 
 Brer Fox then thought of something 
 else. He went to work and got some 
 tar and some turpentine, and fixed 
 up a thing which he called a Tar-Baby. 
 He set up this Tar-Baby by the road 
 near Brer Rabbit's house, and laid low 
 beneath the bramble-bushes near by 
 to watch what would happen. 
 
 By and by Brer Rabbit came 
 prancing along, li])pity-clippity, olip- 
 pity-lippity, as saucy as a jay-bird. 
 When he saw Tar-Baby he sat up on 
 his hind legs in astonishment. 
 
 "Good-morning," says Brer Rabbit, 
 very politely and nicely. "Fine 
 weather this morning," says he. 
 
 Tar-Baby said nothing, and Brer 
 Fox he laid low. 
 
 "Are you deaf?" said Brer Rabbit. 
 "I can shout if you are." 
 
 And he shouted. But Tar-Baby 
 kept on saying nothing; and Brer Fox 
 he winked his eye slowly, and laid low. 
 
 At last Brer Rabbit raised his fist 
 and hit Tar-Baby on the side of her 
 head. And there his fist stuck in the 
 tar, and he couldn't pull it away. 
 
 "Howdydo?" says Brer Fox, coming out of the bushes. 
 "You seem rather stuck up. Brer Rabbit, this morning." 
 
 "Let me go, or I'll strike you again!" 
 says Brer Rabbit. And he hit out 
 with his other hand, and that stuck on 
 Tar-Baby. 
 
THE CHILDREN'S OWN BOOK 
 
 3J^9 
 
 Brer Rabbit kicked out angrily 
 with his feet, and they got stuck on 
 Tar-Baby. Then he butted her with 
 his head, and his head also got 
 fixed. 
 
 "Howdydo.''" says Brer Fox, coming 
 out of the bushes, and looking as 
 innocent as a dicky-bird. "You seem 
 rather stuck up. Brer Rabbit, this 
 morning." 
 
 And then Brer Fox rolled about the 
 ground and laughed. 
 
 'T expect you'll come to dinner with 
 me now, Brer Rabbit," says he. 
 "We're going to have some nice roast 
 rabbit. You won't play any more 
 tricks on me. You're too saucy by 
 far. 
 
 Who asked you to strike up an 
 acquaintance with this Tar-Baby? 
 Now you're going to have a warm 
 time, as soon as I can get some fire- 
 wood together." 
 
 Then Brer Rabbit began to talk 
 mighty humble. 
 
 "I don't care what you do with me, 
 Brer Fox," says he, "so long as you 
 
 don't fling me on those prickly bram- 
 ble-bushes." 
 
 "It's too much trouble to light a 
 fire," says Brer Fox. "I'll have to 
 hang you." 
 
 "Hang me, or drown me!" says 
 Brer Rabbit. "I don't mind. But 
 for pity's sake don't fling me on those 
 prickly bramble-bushes." 
 
 But Brer Fox wanted to hurt Brer 
 Rabbit as much as he could, so he 
 took him by the hind legs and pulled 
 him off Tar-Baby, and flung him right 
 into the middle of the prickly bramble- 
 bushes. There was a considerable 
 flutter where Brer Rabbit struck the 
 bushes, and Brer Fox wanted to see 
 what was going to happen. By and 
 by he heard someone calling up the 
 hill, and there he saw Brer Rabbit 
 sitting on a log, combing the tar out 
 of his hair with a chip of wood. 
 
 "I was bred and born in a bramble- 
 bush, Brer Fox — bred and born in it," 
 says Brer Rabbit, with a laugh. And 
 with that he skipped off home as 
 lively as a cricket. 
 
 THE THREE LITTLE PIGS 
 
 ONCE upon a time, three little 
 pigs went out into, the world 
 to seek their fortunes. The 
 first little pig had not gone far before 
 he met a man who was carrying a 
 bundle of straw. 
 
 "If you please," said the little pig, 
 "will you give me some of that straw 
 to make me a house?" 
 
 "W'ith pleasure," replied the man. 
 
 Away went the little pig with the 
 straw, and built his house. 
 
350 
 
 THE HUMAN INTEREST LIBRARY 
 
 Now, an artful old wolf who lived 
 close by determined to have the little 
 pig for supper. So when it became 
 dusk he went up to the little straw 
 house and called out : 
 
 "Little pig, little pig, may I come in?" 
 
 But the little pig knew his voice, 
 and said: 
 
 "No, no; by the hair on my chinny, 
 chin, chin!" 
 
 "Ho, ho!" cried the wolf. "Then 
 I'll puff and I'll blow till I blow your 
 house in." 
 
 And he puffed and he blew, and he 
 puffed and he blew till the house fell 
 down. Then he sprang inside, pounced 
 on the little pig, and gobbled him all 
 up. 
 
 The second little })ig met a man 
 carrying some sticks. 
 
 "If you please," said the little pig, 
 "will you give me some of those 
 sticks to make me a house?" 
 
 "With pleasure," replied the man. 
 
 Away went the little pig with the 
 sticks, and built himself a cozy house. 
 
 That night the wolf came to the 
 door. 
 
 "Little pig, little pig," cried the 
 wolf, may I come in?" 
 
 "No, no," replied this little pig, as 
 the other one had done; "by the hair 
 on my chinny, chin, chin!" 
 
 "Ho, ho!" cried the wolf in a rage. 
 "Then I'll puff and I'll blow till I 
 blow your house in." 
 
 And he puffed and he blew, and 
 he puffed and he blew till the house 
 fell down. Then he sprang inside, 
 pounced on the poor little pig, and 
 gobbled him all up. 
 
 But the third little pig was ex- 
 ceedingly wide awake the morning he 
 set out on his travels. This little 
 pig went on till he saw a man carrying 
 bricks. 
 
 "If you please," said the little pig, 
 "will you give me some of those 
 bricks to make me a house?" 
 
 "With pleasure," replied the man. 
 
 Away went the little pig with the 
 bricks, and built his house. 
 
 Soon the old wolf came along that 
 way, and knocked at the door. 
 
 "Little pig, little pig, may I come 
 in?" cried he. 
 
 "No, no; by the hair on my chinny, 
 chin, chin!" 
 
 "Then I'll puff and 'I'll blow till I 
 blow your house in!" 
 
 But the house was made of bricks, 
 and the old wolf he puffed and he 
 blew, and he puffed and he blew% 
 and still the house stood firm. At 
 last he went away in a rage; but 
 presently he came back again. 
 
 "Little pig, little pig, I know a field 
 just down the lane where there are 
 such fine turnips. I'll call for you 
 in the morning and show you the 
 w^av." 
 
 The next morning when the wolf 
 called out: "Are you ready, little 
 pig?" the little pig replied: "Dear me, 
 how late you are! I've been back an 
 hour or more. I'm sure I'm much 
 obliged to you; they were fine tur- 
 nips ! 
 
 The wolf was furious; but, pretend- 
 ing he did not mind, he said, quite 
 pleasantly : 
 
 "Do you like apples? I know an 
 orchard down the lane where the trees 
 are covered with fruit. I'll call for 
 you in the morning, and show you the 
 way." 
 
 The next morning the wolf got up 
 very early, and walked round to the 
 little pig's house. But the little pig 
 must have got up earlier still, for when 
 the wolf arrived he found him out. 
 
 The wolf hurried off to the orchard; 
 but the little pig saw him coming, and 
 climbed up into a tree. 
 
 "These are indeed fine apples," he 
 called out, as the wolf came up to it. 
 "Just try this one." And he threw 
 the apple as far away as he could into 
 
THE WOLF CAME BACK AGAIN TO THE HOUSE 
 
 "Dear me, how late you are!" said the little pig when he saw the wolf. "I've been back an hour or more. 
 I'm much obliged to you; they were fine turnips!" The wolf was furious, but pretended he did not mind. 
 
 351 
 
 I'm sure 
 
352 THE HUMAN INTEREST LIBRARY 
 
 some long grass. Then, while the braver, he went to the little pig's 
 
 wolf was hunting for it, the little pig house. 
 
 scrambled down the tree, and ran "I was just on my way to call for 
 
 home. you this afternoon," he shouted out, 
 
 The wolf did not like being beaten, "when I met the most awful thing 
 
 so the next morning he went again to rolling down the hill all by itself. It 
 
 the little pig's house, and said: gave me a horrible fright, I assure 
 
 "Little pig, little pig, there's going you. There must have been a witch 
 
 to be a fair on the village green this inside." 
 
 afternoon. You come along with me. The little pig burst out laughing, 
 
 and we'll both have a fine time. I'll and he laughed so loud and he laughed 
 
 call for you at exactly three o'clock." so long that the old wolf got annoyed. 
 
 The little pig said nothing, but at "I was the old witch," said the little 
 
 half past two he started off for the pig, as soon as he could speak. "I 
 
 fair. He bought a churn, and was spied you a long way off, and I jumped 
 
 rolling it home, when he saw the wolf inside to save my skin." 
 
 in the distance. Quick as lightning This so enraged the wolf that he 
 
 the little pig jumped into the churn to jumped up on to the roof and began 
 
 hide, and set it rolling down the hill, sliding down the chimney. But it was 
 
 The hill was steep, and the churn came baking day, and the little pig had made 
 
 flying along at such a speed that the a huge fire. Down, down, down slid 
 
 wolf became frightened, so he turned the wolf; there was nothing to save 
 
 back and ran home as fast as he him. He sank right down into the 
 
 could. fire, and was burned to cinders. And 
 
 Some hours later, when he felt that was the end of the old wolf. 
 
 THE STORY OF THE DAYS 
 
 Sunday. Monday, Tuesday, wednes- selves. But they are only separated 
 
 DAY, THURSDAY, FRIDAY. SATURDAY f^^^^^ ^^^^ OtJ^^j. ^y ,,,^1]^ ^^ g^^^p^ ^j^^J 
 
 HAVE you ever met Mr. and they talk to each other through the 
 
 Mrs. Day? A more useful telephone of Dreams, 
 family you will never meet Now, this is the first room, occupied 
 
 from one year's end to the other, by Mr. Day, who does less work than 
 
 They are, in fact, the best servants of the rest of the family, but who is 
 
 the human race, and do as much work very far from being idle. He puts on 
 
 in their time as anything or anybody a surplice and holds Church services, 
 
 on the face of the earth. We must and he also has to provide the whole 
 
 make their acquaintance. of the human race with amusements 
 
 The seven-roomed house in which and recreations. He is the father of 
 
 they live is called "The Week," and the family, and he is known by the 
 
 it stands in Month Street, which is one name of Sun Day. 
 of the twelve roads running through "Hullo, Mr. Sun Day! How are 
 
 Year Town in the wonderful country you? Glad to see you. But every- 
 
 of Time. We will enter this house body's that, eh? There is no member 
 
 and go through the seven rooms to- of j^our family quite so popular as you 
 
 gether. Mr. Day lives in one room, are! Come, I hope you are glad to see 
 
 Mrs. Day in another, and their five me, too. I've brought a little friend 
 
 ^children have each a room to them- with me, who w^ants to know how you 
 
THE CHILDREN'S OWN BOOK 
 
 353 
 
 AGES AGO MEN WORSHIPED THE SUN AND CALLED THE FIRST DAY OF THE WEEK AFTER IT 
 
 got your name, and to hear something 
 of your history. Do you feel Hke 
 talking for a few moments?" 
 
 "How I got my name? Well, that's 
 an old story, that is. How I got my 
 bad name isn't nearlj^ so old; and how 
 I am getting my good name is quite a 
 new story. Nevertheless, just to 
 oblige your young friend, I'll run the 
 whole three stories into one, and begin 
 with the old one. Far back in the 
 history of the world, young friend, 
 people could see nothing so wonderful, 
 nothing so beautiful, and nothing so 
 useful as the sun. They had in them 
 what is called the instinct of worship — 
 that is to say, they had a feeling that 
 there was Something greater, stronger, 
 and more glorious than themselves — 
 Something that they ought to fear, 
 reverence, and worship. The sun 
 seemed to these first people the token 
 or sign of that Something, and they 
 worshiped it. The sun, in fact, be- 
 came the visible expression of God. 
 
 Now, when the world got wiser, and 
 men and women knew more about 
 the true God, they still kept the old 
 idea of the heathen in their heads, and 
 called the Christian Sabbath — which 
 means the day of rest — Sunday. 
 They no longer worshiped the sun, 
 but they called the first day of the 
 week after it, and that is how I got 
 my name. 
 
 "People loved me then, and I gave 
 rest, and pleasure, and festivity to 
 hundreds of generations. Well, as 
 time passed on, people began to make 
 me anything but a sun-day; they made 
 me a black day. Children were not 
 allow^ed to play ; books and games were 
 put away and locked up in cupboards 
 as something wicked; and all my 
 precious hours were spent in gloom and 
 solemnity. 
 
 "Then it was that I got a thoroughly 
 bad name. People said Sunday was the 
 gloomiest day in the week; they ate too 
 much, and sat about yawning and 
 
35Jf 
 
 THE HUMAN INTEREST LIBRARY 
 
 grumbling. Just lately I've reminded 
 them that the Founder of Religion once 
 said : The Sabbath was made for man, 
 not man for the Sabbath. They don't 
 quite understand just yet what that 
 means. Some of them are noisy and 
 wild and foolish on the Sabbath; they 
 have gone to the other extreme. But 
 it will come right soon. People will 
 use me for rest of body and mind in a 
 proper w^ay, and my good name will be 
 restored. 
 
 for Moon. She is really Moon Day, 
 the day sacred to the wife of the Sun. 
 In ancient times people called the 
 goddess of the moon Diana, and 
 temples were built for her in nearly 
 every quarter of the world. They 
 used to think that Phoebus Apollo, the 
 Sun God, drove his flaming chariot 
 across the sky by day, and that Diana 
 drove her silver chariot through the sky 
 by night. They loved Diana because 
 she was gentle and beautiful. Woods 
 
 MONDAY WAS SACRED TO THE MOON, THE WIFE OF THE SUN, WHO WALKED IN THE WOODS 
 
 "Well, let us pass to the next room 
 and see what Mrs. Day will tell us." 
 
 "I've no time to stay to gossip. I'm 
 a busy woman. Everybody knows 
 that I'm the busiest day in the week. 
 It's coming after Sunday that does it. 
 Ah, he's a lazy fellow, my husband is . 
 The mess I have to clear up after him! 
 I don't believe in holidays— except 
 Easter Mondays. Let everyone do 
 his work." 
 
 "We mustn't interrupt her," said 
 Mr. Day. "Her name of Mon is short 
 
 were sacred to her because she could 
 be seen walking through them. 
 Roiuid cakes were made on her feast 
 day, with candles stuck round them. 
 
 And now we must peep into the 
 room of INIr. and Mrs. Day's eldest 
 son. Master Tues Da,y. You observe 
 that he has only got one hand, and the 
 story of how he lost his other hand is 
 the story of how he came by his name. 
 
 The Norsemen had a god of w^ar 
 named Tyr, and w^hen a terrible wolf- 
 spirit, named Fenris, had to be cap- 
 
THE CHILDREN'S OWN BOOK 
 
 355 
 
 TYR, THE GOD OF WAR, CAPTURED THE WOLF-SPIRIT, AND TUESDAY IS NAMED AFTER HIM 
 
 tured, because he was troubling the 
 whole earth, it was Tyr who undertook 
 the dangerous venture. The spirits 
 of the mountains had made a chain 
 out of the hardest things in the world 
 to find — the footsteps of a cat, the 
 beards of women, the roots of stones, 
 the breath of fishes, the nerves of 
 bears, and the spittle of birds. This 
 strange chain could not be broken, and 
 with it Fenris was to be bound. 
 
 But Fenris would not allow even 
 this soft-looking chain to be put round 
 his neck, and said he would only suffer 
 
 it if the gods would promise to take it 
 off again, and would send a god to put 
 his hand in the wolf's mouth. Tyr 
 was the only god brave enough to 
 volunteer. He put his hand in the 
 mouth of Fenris, and Fenris was 
 bound; then, in his rage at being cap- 
 tured, he bit off the hand of the god. 
 It is curious that the French name for 
 Tuesday is Mardi — that is, the day of 
 Mars, who was also a god of war like 
 the Norseman's Tyr, who gives us Tyr's 
 Day, or Tuesday. The second son 
 of Mr. and Mrs. Dav is named after 
 
 WEDNESDAY IS CALLED AFTER WODEN, WHO SENT RAVENS ROUND THE WORLD FOR NEWS 
 
356 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE MORE THAT THOR. THE GOD OF THURSDAY, TRIED TO DRAIiN THE HORN, THE MORE IT FILLED 
 
 Woden, or Odin, the greatest god of the 
 Scandinavians. Woden hved in a 
 palace built entirely of gold and silver, 
 which was called Valhalla. Two 
 ravens stood on his shoulders, and 
 when he wanted news of the world he 
 sent these ravens to fly round the 
 earth and bring him intelligence of 
 everything they saw and heard. 
 
 Round about him stood maidens 
 with helmets, and spears, and shields, 
 and these maidens, named Valkyries, 
 were sent down to earth to bring the 
 souls of heroes slain in battle to feast 
 
 with Woden in Valhalla. While they 
 feasted, Woden listened to their stories 
 and drank mead. He never ate any- 
 thing himself. Our friend Wednes 
 Day is rather odd and capricious in his 
 habits. He sends his Valkyries to 
 bring boys and girls into Valhalla for 
 a half-holidav, but leaves the rest of 
 the world hard at work. But he is 
 a good fellow, and everybody likes him. 
 He lives in the middle of the house 
 and seems to be saying all day long : 
 
 "Work away; work away! Sunday 
 will soon be here again." 
 
 FRIDAY WAS NAMED AFTER FREY'A, THE Wll L Ol WODEN, SO THAT SHE MIGHT NOT BE JEALOUS 
 
THE CHILDREN'S OWN BOOK 
 
 357 
 
 And now here we are at the fifth 
 room, occupied by Master Thurs Day. 
 Isn't he a big strong, vigorous fellow? 
 If ever you have a hard bit of work to 
 do, start at it on Thursday — the day 
 of strength and power. Thurs Day 
 gets his name from Thor, the strongest 
 of all the Scandinavian gods. Thor had 
 a hammer which no man could lift, a 
 pair of iron gloves, and a belt which, 
 when it was fastened round him, 
 doubled his great strength. But once 
 the mighty hammer was lost, and a 
 giant named Thrym hid it. He said 
 he would only give it up if the goddess 
 Freya would marry him. Thor dis- 
 guised himself in Freva's dress and 
 went to visit the giant. He received 
 the hammer, and slew Thrym and all 
 the other giants. 
 
 The sixth room belongs to Mr. and 
 
 Mrs. Day's only daughter, Fri Day, 
 named after the goddess Freya, who 
 refused to marry Thrym. How this 
 female Day got her name is rather sad. 
 Woden was Freya's husband, Thor her 
 son; and it was only because she might 
 be jealous that our ancestors named a 
 day after her when they had given one 
 to Woden and one to Thor. However, 
 Friday is a very sacred day, although 
 some superstitious people think it is a 
 day of ill-luck. 
 
 And now here is another half- 
 holiday room, Satur Day, who gets his 
 name from the Roman god Saturn, 
 a god who ate his own children. For 
 us Saturday is one of the pleasantest 
 days in the week, although some of the 
 games and feastings of our Saturday 
 crowds remind us of those terrible 
 Saturnalia which disgraced Rome. 
 
 SATURDAY IS THE DAY OF SATURN, IN WHOSE HONOR THE ROMANS USED TO FEAST AND DRINK 
 
358 
 
 THE HUMAN INTEREST LIBRARY 
 
 AURORA 
 
 THE STORY OF APOLLO AND LETO 
 
 In very early days people, as we 
 now know, had very little true knowl- 
 edge of the sun and moon and stars; 
 of the sea and the winds and the 
 storms. Indeed, they knew as little 
 of these as they did of the Crea- 
 tion. 
 
 To them it was all very, very won- 
 derful, and they thought out wonder- 
 ful stories to account for what they 
 saw on the earth and in the skies 
 above them. 
 
 They knew that when the sun shone, 
 the green grass sprang up; the flowers 
 came; the trees were loaded with 
 fruit, and food was plentiful. 
 
 So they began to say to each other, 
 "The sun is our Good Spirit, the Lov- 
 ing One who watches over us and takes 
 care of us." 
 
 And so it came about that, by and 
 by, these early people became sun 
 worshippers; they prayed and offered 
 sacrifices to the sun; and after a long 
 time there grew up many stories of 
 the sun. 
 
 Here is a story of the Sun God as 
 the early Greek people used to tell it 
 to their little boys and girls: 
 
 Once there was only darkness upon 
 the earth. Then a beautiful woman. 
 
 Leto, came wandering up and down 
 the dark earth, carrying in her arms a 
 beautiful, sunny-haired baby boy. 
 
 "Let us dwell here in your land," 
 said Leto to the people. "Let me rest 
 here upon your hillsides. Behold, I 
 bring the light of day to you," she 
 pleaded. "I will bring you power and 
 wealth and rich harvests and beautiful 
 flowers, for the Sun God shall abide in 
 the land which gives me shelter." 
 
 "We know," said the king of Crete, 
 "that all these things are promised 
 wherever the Sun God shall dwell; 
 but we are afraid of you; we fear your 
 dark and terrible beauty." 
 
 "We know that such a god is 
 promised," said also the king of 
 Athens; "and gladly would our people 
 welcome him. But how are we to 
 know that you are the mother of this 
 radiant god? No, Leto, we dare not 
 open our gates to you. Go hence; we 
 await the coming of Apollo." 
 
 And so from land to land Leto 
 wandered, till at last she came to the 
 island of Delos. It was but a barren 
 little island in the midst of a great 
 blue sea. Its shores were rocky; 
 its fields were bare; its mountains 
 black and grim and wild. 
 
THE CHILDREN'S OWX BOOK 
 
 359 
 
 And in the island dwelt a king whose 
 people were poor and ignorant. He 
 had neither wealth nor power; and 
 scarcely was the name of this king 
 known among the people of the lands 
 that bound the sea. 
 
 "Delos, Delos," cried Leto, when 
 she came to this rocky shore, "listen 
 to the voice of Leto. Give me welcome 
 and I will bring glory and great wealth 
 and power to your people. The island 
 of Delos shall be a temple; and to its 
 altars people from all nations shall 
 come, bringing their offerings. Wel- 
 come me, and my child, the Sun God, 
 Apollo, will love you and will abide 
 forever in your land." 
 
 Then said the king of Delos, "Leto, 
 it cannot be that the Apollo would 
 care to dwell upon our barren island. 
 Little have we to offer this glorious 
 child of thine; for we have but a 
 rocky soil. The mountains are black 
 and rough. Our people are fierce. 
 They know little of the wealth and 
 glory of other lands. A weary home 
 would this be for a child like the fair 
 Apollo." 
 
 "O king of Delos! can you not be- 
 lieve that the promise I make shall be 
 fulfilled.?" said Leto. 
 
 Then the good king said, "Even 
 though the child shall not remain in 
 this land of Delos; and even though 
 
 this island has little to offer either to 
 gods or men, let it not be said that we 
 failed to welcome any stranger who 
 came to our shores. Enter, Leto, and 
 rest in Delos." 
 
 Then Leto entered. The darkness 
 grew deeper and deeper upon the 
 island and there was stillness even 
 upon the seas. The king and all his 
 people slept, but happy dreams, how- 
 ever, came to them; dreams of glory 
 and power; dreams of beauty and 
 greatness; dreams of light and of a 
 splendor which the earth had never 
 known. 
 
 By and by the king awoke. Upon 
 the mountain tops he saw a new, 
 strange light and brightness shining 
 behind the great, dark pillars of rock. 
 Gradually the light grew brighter. 
 And behold, there upon the mountain 
 top stood Apollo, the Sun God, his 
 hair shining like gold in the fresh new 
 light of day. 
 
 He smiled down upon the plain, and 
 the plain blossomed into color. Grains 
 grew and waved their happy blossoms 
 in the wind; flowers sprang forth — 
 flowers of richest color and sweetest 
 odors. 
 
 For Apollo, the Sun God, had come ! 
 He had made his home in Delos; and 
 there was joy in the island from shore 
 to shore. 
 
JINGLES, VERSES AND POEMS FOR LITTLE PEOPLE 
 
 Under a toadstool 
 Crept a wee Elf, 
 
 Out of the rain. 
 To shelter himself. 
 
 Under the toadstool, 
 Sound asleep. 
 
 Sat a big Dormouse 
 All in a heap. 
 
 /". 
 
 Trembled the wee Elf, 
 Frightened, and yet 
 
 Fearing to fly away 
 Lest he got wet. 
 
 To the next shelter^ 
 Maybe a mile! 
 
 Sudden the wee Elf 
 Smiled a wee smile. 
 
 Tugged till the toadstool 
 
 Toppled in two. 
 Holding it over him, 
 
 Gaily he flew. 
 
 Soon he was safe home. 
 
 Dry as could be. 
 Soon woke the Dormouse 
 
 "Good gracious me!" 
 
 "Where is my toadstool?" 
 Loud he lamented — 
 
 And that's how umbrellas 
 First were invented. 
 
 36tf 
 
THE CHILDREN'S OWN BOOK 
 
 361 
 
 CiMPLE Simon met a pieman 
 ^ Going to the fair ; 
 Says Simple 
 
 Simon to the 
 
 pieman : 
 " Let me taste 
 
 your ware." 
 Says the pieman 
 
 unto Simon • 
 " First give me 
 
 your penny ! " 
 Says Simple Si- 
 mon to the 
 
 pieman *. 
 
 not 
 
 catch a 
 
 " Indeed, I have 
 
 any." 
 He went to 
 
 dicky bird, 
 And thought he would 
 
 not fail, 
 Because he had a little 
 
 salt 
 To put upon his 
 
 tail 
 He went to ride a 
 
 spotted cow 
 That had a little calf ; 
 
 She threw 
 him down up- 
 on the ground. 
 
 Which made 
 the people 
 laugh. 
 
 Then Simple Simon 
 
 went a-hunting 
 For to catch a hare ; 
 He rode a goat 
 
 about the street, 
 But could not 
 
 find one there. 
 Simple Simon 
 
 went to town 
 To buy a piece 
 
 of meat ; 
 
 He tied it to his horse's tail 
 To keep it clean and sweet. 
 
 Simple Simon went a-iish- 
 ing 
 For to catch 
 
 a whale. 
 And all the 
 water he 
 had got 
 Was in his mother's pail. 
 
 Simon 
 
 He went to take a bird's nest— 
 
 'Twas built upon a 
 
 bough , 
 A branch gave way. 
 
 and Simon fell 
 Into a dirty slough. 
 He went to shoot a 
 
 wild duck, 
 But the wild duck 
 L flew away , 
 Says 
 can't hit him 
 Because he will 
 
 not stay " 
 Once Simon 
 made a great 
 snowball, 
 And brought it 
 
 in to roast , 
 He laid it down 
 upon the fire, 
 And soon the ball was lost 
 He went to slide upon the ice, 
 Before the ice 
 would bear 
 
 Then he plunged in — ^ ^^iZSL- ^ 
 
 above his knees, 
 Which made poor 
 
 Simon stare. 
 
 Simple Simon went to 
 
 look 
 If plums grew on a 
 
 thistle ; 
 He pricked his finger 
 
 very much. 
 Which made poor 
 
 Simon whistle. 
 
 He washed himself with 
 blacking ball. 
 
 Because he had no soap ; 
 
 And then said to his 
 mother : 
 
 "I'm a beauty now, I 
 hope." 
 
 He went for water 
 
 in a sieve. 
 But soon it all ran 
 
 through. 
 And now poor 
 
 Simple Simon 
 Bids you all adieu. 
 
-c*^^ 
 
 -5s.< 
 
 
 HE comes in the night ! He comes in tlie 
 night! 
 He softly, silently comes; 
 While the little brown heads on the pillows so 
 white 
 Are dreaming of bugles and drums. 
 He cuts through the snow like a ship through 
 the foam, 
 While the white flakes around him whirl; 
 Who tells him I know not, but he findeth the home 
 Of each good little boy and girl. 
 
 His sleigh it is long, and deep, and wide; 
 
 It will carry a host of things. 
 While dozens of drums hang over the side. 
 
 With the sticks sticking under the strings. 
 
 And yet not the sound of a drum is heard. 
 
 Not a bugle blast is blown. 
 As he mounts to the chimney-top like a bird. 
 
 And drops to the hearth like a stone. 
 
 The little red stockings he silently fills 
 
 Till the stockings will hold no more; 
 The bright little sleds for the great snow hills 
 
 Are quickly set down on the floor. 
 Then Santa Claus mounts to the roof like a bird. 
 
 And glides to his seat in the sleigh; 
 Not the sound of a bugle or drum is heard 
 
 As he noiselessly gallops away. 
 
 He rides to the East, and he rides to the West, 
 
 Of his goodies he touches not one; 
 He eateth the crumbs of the Christmas feast 
 
 When the dear little folks are done. 
 Old Santa Claus doeth all he can. 
 
 This beautiful mission is his; 
 Then, children, be good to the little old man, 
 
 When you find who the little man is. 
 
 tr.^ij-!- ---J 
 
 36!i 
 
THE CHILDREN'S OW'N BOOK 
 
 363 
 
 THE BATTLE OF BLENHEIM 
 
 The great battle of Blenheim, a town on the River 
 Danube, was fought on August 13th, 1704, Marl- 
 borough commanding the English army allied with 
 the Germans against the French and Bavarians. It 
 was "a famous victory," but 37,000 lives were lost. 
 The poem was written by Robert Southey, who was 
 made Poet Laureate of England in 1813, though we 
 cannot call him a great poet. By means of a very 
 simple talk between an old man and a little boy and 
 girl, who had found the skull of one of the slain 
 soldiers a hundred years after the battle, the poet 
 shows us what a terrible curse is war. 
 
 It was a summer evening, 
 
 Old Kaspar's work was done. 
 And he before his cottage door 
 
 Was sitting in the sim; 
 And by him sported on the green 
 His httle grandchild, Wilhelmine. 
 
 She saw her brother Peterkin 
 
 Roll something large and round, 
 Which he beside the rivulet 
 
 In playing there had found; 
 He came to ask what he had found. 
 That was so large and smooth, and round. 
 Old Kaspar took it from the boy. 
 
 Who stood expectant by; 
 And then the old man shook his head, 
 
 And with a natural sigh — 
 *"Tis some poor fellows skull," said he, 
 "AMio fell in the great victory. 
 
 "I find them in my garden, for 
 There's many here about; 
 And often when I go to plough 
 
 The ploughshare turns them out; 
 For many thousand men," said he, 
 "Were slain in that great victory." 
 
 'Now tell us what "twas all about," 
 
 Young Peterkin he cries. 
 And little Wilhelmine looks up 
 
 With wonder-waiting eyes. 
 'Now tell us all about the war. 
 And what they fought each other for." 
 
 'It was the English," Kaspar cried, 
 
 "Who \)\\t the French to rout; 
 But what they fought each other for 
 
 I could not well make out. 
 But everybody said," quoth he, 
 
 "That 'twas a famous victorv. 
 
 "They say it was a shocking sight 
 
 After the field was won; 
 For many thousand bodies here 
 
 Lay rotting in the sun: 
 But things like that, you know, must be. 
 After a famous victory. 
 
 "Great praise the Duke of Marlbro' won. 
 And our good Prince Eugene." 
 
 "Why. 'twas a very wicked thing!" 
 Said little Wilhelmine. 
 
 "Nay, nay, my little girl," quoth he, 
 
 "It was a famous victory! 
 
 "And everybody praised the Duke 
 Who this great fight did wan." 
 
 "But what good came of it at last?" 
 Quoth little Peterkin. 
 
 "WTiy, that I cannot tell," said he, 
 
 "But 'twas a famous victorv." 
 
 TIS SOME POOR FELLOW 'S SKULL," SAID HE, "WHO FELL IN TH.\T GREAT VICTORY." 
 
864 
 
 THE HUMAN INTEREST LIBRARY 
 
 HOW PETER PAN FOUND HIS SHADOW 
 
 T 
 
 HERE was once upon a time 
 little girl named Wendy 
 
 a 
 
 Moira Angela Darling. She 
 lived in a house with her brothers, 
 John Napoleon Darling and Michael 
 Nicholas Darling. This house was 
 an ordinary house of brick and slates, 
 but one thing about it was quite ex- 
 traordinary. It contained a Newfound- 
 land dog whose name was Nana, and 
 this dog acted as nurse to the three 
 children. 
 
 ing this brave and powerful dog as 
 the children's nurse. One night, on 
 visiting the nursery, she had seen a 
 strange flitting shape moving quickly 
 to and fro in the dim glow of the 
 nightlight. At sight of Mrs. Darling 
 this shape rushed to the window. Mrs. 
 Darling darted towards it. Just as it 
 sprang into the night ISIrs. Darling 
 pulled down the window with a bang. 
 The shape escaped ; but something fell 
 on the floor at Mrs. Darling's feet. It 
 
 Peter Pan saves the children Irom the pirates 
 
 Nana was so clever that he never 
 allowed the children to put on a 
 flannel night dress before it was aired 
 at the fire; and he knew how to turn 
 on the hot water when it was bath- 
 time; and however the children might 
 cry that they would not be bathed, or 
 that they would not go to bed. Nana 
 always insisted that they should. 
 
 Now Mrs. Darling loved Nana, and 
 she had a particular reason for keep- 
 
 was the shadow of this strange, flitting 
 creature. Mrs. Darling put the shadow 
 in a drawer; but she felt very nervous 
 for the safety of the children. She 
 feared that the shape might come 
 back and do them some dreadful harm. 
 The only comfort she had was the 
 presence of Nana in the nursery. The 
 big dog, she thought, would protect 
 her children from all danger. But one 
 night Mr. Darling was rather cross. 
 
THE CHILDREN'S OWN BOOK 
 
 365 
 
 and he said it was ridiculous to liave a 
 dog for a nurse; and he got so cross at 
 last that he said Nana should sleep in a 
 kennel in the yard. Mrs. Darling 
 pleaded; the children cried; Nana 
 barked. Mr. Darling, however, was 
 extremely cross, and Nana was led 
 away to the yard, moaning and growl- 
 ing. 
 
 That night the window was thrust 
 open, and into the room glided and 
 skipped the mysterious shape. 
 
 "Where is my shadow.''" it cried; 
 while Nana barked furiously outside. 
 
 "I can't be happy without my 
 shadow. Tinker Bell, Tinker Bell, 
 where is my dear little shadow?" 
 
 Instantly a spot of light flicked 
 into the room, and sprang round the 
 walls, and over the ceiling, and down 
 the beds, and across the carpet, mak- 
 ing a tinkling sound wherever it flitted 
 and whenever it settled for a moment. 
 This was the fairy Tinker Bell, a little 
 female fairy. She told the shape 
 where the shadow lay, and soon the 
 drawer was open, the shadow pulled 
 forth, and the shape skipped round 
 the room with delight, singing, danc- 
 ing, laughing in its joy, while Tinker 
 Bell flashed round the room like a 
 luminous butterfly. But, alas! when 
 the shape tried to make the shadow 
 stick on, it refused, and so all the de- 
 light went, and the shape burst into 
 passionate tears. 
 
 Just at this moment Wendy awoke. 
 She was not frightened, and asked the 
 little shape why it was crying. Then 
 she asked it its name, and the shape 
 told her that it was Peter Pan. Wendy 
 got needle and thread and stitched the 
 shadow on to Peter Pan, and then 
 Peter Pan danced with joy, for wher- 
 ever he went the shadow followed him 
 on the floor. 
 
 Peter Pan then told Wendy his 
 story. He said that he lived in a 
 place called Never-Never-Land, with a 
 
 lot of little boys who had all been 
 dropped out of their perambulators by 
 careless nurses; and that they lived 
 with fairies and v/ould never grow up, 
 but for always and always would re- 
 main happy boys in this enchanting 
 Never-Never-Land. 
 
 He told her that when the first baby 
 laughed, the laughter broke into little 
 pieces, and each little piece became a 
 fairy, and went dancing about the 
 world. But whenever a child says 
 
 SlaLuc ul I'elur I'un in Kini^myLuu Gardi;us. Loudon 
 
366 
 
 THE HUMAN INTEREST LIBRARY 
 
 that it does not believe in fairies, then 
 one of the fairies dies. Peter Pan said 
 it was dreadful for a child to say it did 
 not believe in fairies. There was only 
 one other thing that made them sad, 
 he said, and this was the want of a 
 mother; all the boys in Never-Never- 
 Land wanted to have a mother very 
 much indeed. Wendy asked if there 
 was not a little girl among them who 
 could pretend to be their mother; but 
 Peter Pan shook his head and answered 
 that girls never dropped out of their 
 perambulators, they were far too 
 clever. This pleased Wendy, and she 
 loved Peter Pan. 
 
 "Oh, Wendy," cried Peter, "come 
 and live with us and be our mother!" 
 
 The two boys woke up. Peter Pan 
 said he would teach them all to fly if 
 Wendy would only come and be their 
 mother. All this time Tinker Bell 
 was tinkling angrily, and telling Peter 
 Pan to come away at once. Tinker 
 Bell loved Peter Pan, and was jealous 
 of Wendy. 
 
 When the children heard that they 
 could learn to fly, they were quite 
 excited, and immediately began to 
 spring in the air. But every time, 
 they fell and sprawled on the ground, 
 or bumped flat on the beds. 
 
 "You must think beautiful 
 thoughts," cried Peter Pan; and, so 
 saying, soared up gracefully into the 
 air, and sailed noiselessly round the 
 room. 
 
 Soon the children learned, and all 
 began to fly round the room with cries 
 of delight. Then the windows opened 
 wide, and Peter Pan led the way into 
 the night; and while Tinker Bell 
 tinkled loudly and Nana barked w arn- 
 ingly, the children soared towards the 
 stars. 
 
 The boys in Never-Never-Land were 
 beginning to get anxious about Peter 
 Pan, who was their captain. He 
 seemed to be a long time away, and 
 
 they were frightened of wolves and 
 pirates. While they were wondering 
 what had happened to Peter, they saw 
 what looked to them like a large white 
 bird in the sky. 
 
 As they gazed at it. Tinker Bell sud- 
 denly shone on the trees, and, tinkling 
 very loudly, told them that Peter Pan 
 wanted them to shoot this bird at once. 
 So they ran and got bows and arrows, 
 and shot them into the air. Suddenly 
 down fell — what do you think? — poor 
 Wendy with an arrow in her breast. 
 Jealous little Tinker Bell was responsi- 
 ble for this awful deed. 
 
 But she was not killed. Soon she 
 revived, and then with her brothers 
 round her, and Peter Pan holding her 
 hand, she promised all the boys to be 
 their mother. Then they set to, and 
 built Wendy a funny little house, with 
 the silk hat of John Napoleon Darling 
 for its chimney-pot; and everybody 
 was wonderfully happy, except Tinker 
 Bell, who was more and more jealous 
 of Wendy. 
 
 Now, while they were so happy in 
 their house, through the wood came 
 the terrible pirates. The captain of 
 this frightful gang was named Captain 
 James Hook, and a more horrible 
 villain never froze the blood in a 
 child's veins. All his crew feared 
 him and cowered before him. His 
 long black hair was enough to make 
 you shiver; his yellow skin made you 
 go white; his coal-black eyes struck 
 daggers of fear into your heart; but, 
 far worse than all these, more awful 
 even than his cackling laugh and his 
 way of rolling his "r's" so that they 
 sounded like pistols, was his right 
 hand. His right hand wasn't a hand 
 at all, it was an iron hook. How he 
 came to have that hook is part of the 
 story. 
 
 Peter Pan had tripped the terrible 
 pirate into the sea, and a crocodile, 
 a tremendous c-r-r-r-r-rocodile, had 
 
THE BOY WHO WOULD NOT GROW UP 
 
 The Darling family at home, showing Mirlmcl on his failicr s Imrk 
 
 The little house tbat the lost boys built iu the woods for Weudy 
 367 
 
368 
 
 THE HUMAN INTEREST LIBRARY 
 
 snapped off his hand and part of his 
 wrist. Nor was this all. The croco- 
 dile enjoyed the captain's hand and 
 wrist so much that it wanted more, 
 and so it haunted the captain wherever 
 he went, longing to eat another bit 
 of him, and dreaming of the happy 
 day when it would gobble him all up. 
 The captain always knew when his 
 ferocious enemy was near, because 
 on one occasion it had swallowed an 
 alarm clock, and the ticking of this 
 clock could plainly be heard through 
 its skin. But the captain feared, 
 because he knew the clock would one 
 day run down, and then the crocodile 
 would be able to steal upon him un- 
 awares. 
 
 You can imagine Jiow this pirate 
 hated Peter, the cause of all his 
 troubles, and how he longed to slay him. 
 
 One day, when some friendly 
 Indians were guarding the boys, up 
 came the pirates and made a great 
 slaughter of the poor redskins. The 
 boys did not hear the battle, for they 
 were very interested in something that 
 Wendy was telling them underground. 
 
 Wendy, you must know, had become 
 the mother of these boys, and they all 
 did exactly what she told them, and all 
 adored her, because it was so delightful 
 to have a mother after having lived so 
 long without one. After she had seen 
 mermaids and a bird that gave up its 
 nest for Peter Pan to use as a boat, 
 she settled down to be a real practical 
 mother, giving the boys their medicine, 
 teaching them how to behave nicely, 
 and tucking them all up nice and comfy 
 in their beds. Considering that she 
 was only nine years of age, Wendy 
 made a splendid mother. 
 
 Well, on this night, Wendy was 
 telling them a story about her own 
 father and mother — a beautiful story 
 which showed how that mother and 
 father must be weeping for their lost 
 children. As she was finishing, John 
 
 Napoleon and Michael Nicholas sprang 
 up in their beds, and said : 
 
 "Wendy, we must go back!" 
 
 "Yes," answered Wendy, "we must 
 go back." 
 
 You can imagine how dreadfully 
 sad all the motherless boys were when 
 they heard that Wend}^ was going 
 home. They cried so much that at 
 last she told them they might come 
 back with her and her brothers, and 
 live in their house, and have Mr. and 
 Mrs. Darling for their father and 
 mother. All the boys accepted this 
 offer with delight except Peter Pan. 
 Peter Pan said he did not want to 
 grow up. He did not want to live in 
 a real house and go to school. He 
 wanted to live always in Never-Never- 
 Land, with the fairies and birds and 
 mermaids. In his heart he was ter- 
 ri])ly sad at losing Wendy, whom he 
 loved very much indeed; but he refused 
 to go away and grow up like an ordi- 
 nary boy. 
 
 So they all said good-by to Peter 
 Pan, and one by one went up the 
 narrow tunnel which led from their 
 underground home to the forest and 
 the night. Wendy was the last to 
 go, and before she went she poured 
 out some medicine for Peter and made 
 him promise her that he would take 
 it when he woke up in the morning. 
 
 But instead of kind redskins keeping 
 guard, the pirates were there. The 
 boys were seized one by one as they 
 stepped on ground; a rough hand was 
 clasped over their mouths to prevent 
 them from crying out, and they were 
 carried away prisoners to the pirate 
 ship with Wendy. 
 
 Peter Pan lay asleep in his bed. 
 The rest of the boys were on board the 
 pirate ship. Peter Pan was alone, 
 and asleep. 
 
 Captain Hook was creeping to the 
 hole above. Now was his chance to 
 slay his enemy. 
 
THE CHILDREN'S OWN BOOK 
 
 369 
 
 Noiselessly the pirate chief crept 
 down the hole. He arrived at the 
 door, and peeped over the top. Peter 
 Pan was fast asleep. He tried to open 
 the door, and failed. Again and 
 again his hook fumbled at the latch, 
 but failed. Peter Pan was safe. But 
 no! The terrible captain espied the 
 glass of medicine left by Wendy on a 
 shelf; he reached towards it, and then, 
 taking a bottle of poison from his 
 pocket, poured the contents into the 
 glass. 
 
 Peter Pan woke up. He remem- 
 bered his promise to Wendy, and went 
 to drink the poison. At that moment 
 Tinker Bell rushed in crying : 
 
 "Don't drink! Don't drink!" 
 
 But her w^arning was useless. 
 
 "I have promised Wendy," an- 
 swered Peter, and walked towards the 
 glass with his hand outstretched. 
 
 In vain did Tinker Bell warn him; 
 but, just as Peter was about to drink, 
 the little Shining Light popped into 
 the glass and drained all its deadly 
 contents. Then it flickered and paled 
 and drooped tow^ards its bed, dying. 
 
 Peter knew there was only one way 
 in which he could possibly save it. 
 
 "Do you believe in fairies? Oh, 
 please say you believe in fairies!" he 
 cried to all the world. And back from 
 the world, which was so sorry for poor 
 little Tinker Bell, came the answer: 
 
 "We believe in fairies." 
 
 So Tinker Bell revived and was 
 saved, and she told Peter Pan how the 
 pirates had carried off the lost boys, 
 with Wendy and her brothers, to their 
 ship, and of the danger in which they 
 stood. 
 
 Peter immediately started out. He 
 arrived at the ship just as the captain 
 was going to flog his prisoners before 
 making them walk the plank. Peter 
 Pan had an alarm clock in his pocket; 
 he took it out, and at the first sound 
 of that ticJc-tick the captain gave a 
 
 great cry of horror, thinking that the 
 cr-r-r-rocodile was near. 
 
 During the panic, Peter stole on 
 board ship and hid himself in the 
 cabin where the cat-o'-nine-tails was 
 hidden. 
 
 The clock ran down. The captain 
 grew brave again. 
 
 "Go and get the cat-o'-nine-tails!" 
 he ordered. 
 
 One of the ruffians went to obey. 
 As he entered the cabin a terrible 
 shriek resounded all over the ship. 
 Another pirate was ordered to go and 
 see what had happened. He, too, 
 uttered a ghastly shriek, and did not 
 come out. 
 
 The rest of the crew were now in a 
 state of panic. They refused to enter 
 the cabin ; one threw himself into the sea. 
 
 Suddenly Peter Pan rushed out, 
 sword in hand, and a terrible fight 
 followed. Captain Hook was flung 
 overboard, where the crocodile was 
 waiting for him ; and all the rest of the 
 wicked pirates were killed. 
 
 Then Wendy and all the boys went 
 home, and you can imagine how glad 
 Mrs. Darling and Mr. Darling and 
 Nana were to see their lost children. 
 Mr. Darling, we must tell you, had 
 been so repentant for his crossness 
 that he had made Nana live indoors 
 and dine at the table and occupy his 
 own chair; while he himself slept in a 
 kennel outside, and ate all his meals 
 out of a dog's trough. Mrs. Darling 
 had always kept the window open, 
 hoping that the children would return; 
 and used to play and sing "Home, 
 Sweet Home," thinking that they 
 might hear her and come back. 
 
 But Peter Pan, all alone in Never- 
 Never-Land, longed for little Wendy; 
 and Mrs. Darling allowed Wendy to go 
 every now and then to visit Peter, and 
 see that his house was nice and tidy. 
 Peter Pan always refused to grow up, 
 and Wendy never forgot the fairies. 
 
370 
 
 THE HUMAN INTEREST LIBRARY 
 
 x 
 
 ■ .-sssi^ti^sSi^S^^ 
 
 ^^^~"'' 
 
 LITTLE TINY THUMBELINE 
 
 ONCE upon a time there lived 
 a young wife who longed to 
 possess a little child, so she 
 went to a fairy and said to her: "I 
 wish very much to have a child, a 
 little tiny child. Will you give me 
 one, dear fairy?" 
 
 "With all my heart," replied the 
 fairy. "Sow this barleycorn in a 
 flowerpot, and then see what will 
 happen." 
 
 "Thank you, thank you!" cried the 
 woman, giving the fairy a silver coin. 
 Then home she went, and planted the 
 barleycorn, and immediately there 
 shot up a large flower like a tulip, but 
 with the petals tightly closed like a 
 bud. 
 
 "What a lovely flower!" said she, 
 and kissed it. The bud opened at 
 once with a loud voice, and there, in 
 the center of the flower, sat a little 
 tiny girl about an inch high, scarcely 
 bigger than her thumb. So she called 
 her Thumbeline, and put her to bed 
 in a walnut shell, with violet leaves 
 for her mattress and a rose leaf for 
 a quilt. During the day she told 
 Thumbeline stories, and taught her 
 to sing, as she played on the table 
 beside her. 
 
 But one night a great, wet, ugly 
 toad came and stole away the cradle 
 
 with little Thumbeline asleep in it, 
 and carried it off to her home in the 
 muddy bank of the brook that flowed 
 past the end of the garden. 
 
 "This is just the wife for my son," 
 thought she. But when her ugly 
 son saw her, all he could say was 
 "Croak, croak, croak!" 
 
 "Don't make so much noise, or 
 you'll wake her," said the old Mother 
 Toad. "She may easily escape, for 
 she is as light as a feather. We must 
 take her out and place her on one of 
 the large water-lily leaves in the mid- 
 dle of the brook, while I prepare our 
 house for you both." 
 
 This they did, and when poor little 
 Thumbeline awoke and found herself 
 in the middle of the stream, she cried 
 most bitterly. 
 
 As soon as old Mother Toad had 
 decorated her home with bulrushes 
 and yellow buttercups, she and her 
 hideous son swam out to the leaf to 
 fetch the cradle so as to place it in 
 their new home before taking the 
 little maid herself there. 
 
 Old Mother Toad bowed low in the 
 water, and said: "Here is my son, 
 who is going to be your husband. I 
 will come and fetch you soon, and you 
 will be very happy together." 
 
 Then they swam off with the cradle, 
 
THE CHILDREN'S OWN BOOK 
 
 371 
 
 and poor, terrified Thumbeline wept 
 bitterly. Now, some little fishes had 
 overheard old Mother Toad, and when 
 they saw the little maid so sad they 
 gnawed away the stem of the leaf, and 
 away it floated down the stream, so 
 fast that the toad could not catch it. 
 Thumbeline became happy again, 
 for everything she passed was so 
 lovely in the sunshine, and the birds 
 on the branches sang to her as she 
 floated by. A pretty little butterfly 
 
 her beauty; but when the henchafers 
 saw her, they said that she was just 
 like a human being. 
 
 "How very, very ugly she is!" they 
 all cried; and at last the cockchafer 
 disowned her, and they all flew down 
 with her and set her on a dais}'. Then 
 she wept because she was so ugly that 
 the henchafers would have nothing to 
 do with her. 
 
 All the summer Thumbeline lived 
 alone in a wood, dining off the honey 
 
 The fairies came out from their flowers and brought Tluiiiilicline presents 
 
 hovered round her, and at last settled 
 for a moment on the leaf, for he loved 
 her very much. She was pleased, too, 
 and tied him to the leaf with her sash. 
 But presently a great ugly cock- 
 chafer came buzzing past. He caught 
 sight of her, and snatching her off the 
 leaf, flew up with her into a tree; but 
 the poor butterfly could not free him- 
 self, and went floating along down- 
 stream. The cockchafer gave Thum- 
 beline some honey to eat, and praised 
 
 from the flowers, and drinking the 
 dew that every morning spangled the 
 leaves around her. But then came 
 the cold, long winter; the flowers all 
 died, the birds flew away, and the 
 snow began to fall. Poor hungry 
 Thumbeline wandered through the 
 stubble of a cornfield hard by until 
 she came to the hole of a field-mouse, 
 who dwelt snugly down in the ground, 
 having a room full of corn, and a 
 neat kitchen and store-room. 
 
372 
 
 THE HUMAN INTEREST LIBRARY 
 
 Thumbeline stood at the door and 
 begged for food. 
 
 "Poor little thing!" said the good- 
 natured field-mouse. "Come into my 
 warm room and dine with me." And 
 she soon became so fond of the tiny 
 maid that she said: "You may dwell 
 with me all the winter, if you will only 
 keep my room clean and neat, and tell 
 me stories, for I love stories dearly." 
 And Thumbeline agreed, and was very 
 happy in her new home. 
 
 In a few days' time the field-mouse 
 said: "We shall have my next-door 
 neighbor, the mole, in to visit us to- 
 morrow; he comes to see me once a 
 week. He is richer than I am, has 
 large rooms in his house, and wears a 
 beautiful black velvet coat. It would 
 be capital if you married him; but 
 he is blind, and cannot see you, so you 
 must tell him your prettiest stories." 
 
 When he came, Thumbeline sang to 
 him, and he soon fell in love with her. 
 He invited them to walk down a 
 long, dark passage that he had just 
 burrowed from their house to his, 
 lighting them with a piece of tinder. 
 
 But when they had gone a short 
 distance they found a swallow lying 
 stretched on the floor; the poor bird 
 had evidently died of cold. Thumbe- 
 line felt very sorry, as she loved all the 
 birds, but the mole kicked it with his 
 short legs, saying: 
 
 "Here's a fine end to all its whis- 
 tling ! What a miserable thing it must 
 be to be born a bird! None of my 
 children will be birds, thank goodness !" 
 
 But Thuml^eline could not sleep 
 that night, so she got up, and wove a 
 carpet out of hay and then went and 
 spread it round the bird; she also 
 covered it with some warm, soft cotton. 
 
 "Farewell, dear bird," said she; 
 "farewell, and thank you for your 
 beautiful song in the summer, when 
 all the trees were green and the sun 
 shone so warmly upon us." And she 
 
 pressed her head against his big body. 
 To her great surprise she felt some- 
 thing beating within it. It was the 
 bird's heart, and he was not really 
 dead. She quickly laid the cotton 
 more closely round him, and he 
 gradually revived. 
 
 He remained underground all the 
 winter, and Thumbeline was kind to 
 him and brought him water and food; 
 but she never said a word either to the 
 mole or the field-mouse. 
 
 As soon as the spring came the 
 swallow said farewell to Thumbeline, 
 who would not go with him, because 
 she knew it would vex the old field- 
 mouse if she left her. 
 
 Thumbeline was now sad indeed, 
 for she was not allowed to go into the 
 warm sunshine. 
 
 "This summer you must work and 
 make your wedding clothes," said the 
 field-mouse, for the blind, dull mole 
 had decided to marry Thumbeline. 
 
 So the tiny maid was obliged to 
 work hard at the distaff, and the field- 
 mouse hired four spiders to spin and 
 weave. 
 
 Every evening the mole came and 
 talked about how the summer was 
 coming to an end, and he abused the 
 sun and pretty flowers so much that 
 Thumbeline disliked him more and 
 more, and said she would not marry 
 him. 
 
 "Fiddlestick!" cried the field-mouse. 
 "Don't be obstinate, child, or I will 
 bite you with my white teeth." 
 
 At last the day fixed had arrived, 
 and Thumbeline went to bid a last 
 farewell to the beautiful sun before 
 going to dwell with the mole deep down 
 in the earth. 
 
 "Farewell, thou glorious sun!" she 
 cried, as she walked a little way. 
 
 "Tweet, tweet!" And she heard a 
 fluttering of wings, and there was the 
 little swallow. She told him her sad 
 fate and how she longed to be free. 
 
THE CHILDREN'S OWN BOOK 
 
 373 
 
 "The cold winter will soon be here," 
 said the swallow; "I shall fly far 
 away to the warm countries. Come 
 with me, sweet little Thumbeline, who 
 didst save my life when I lay frozen 
 in the dark earth." 
 
 "Yes, I will go with thee," said 
 she; and she seated herself on the 
 bird's back, and then the swallow 
 soared high into the air and flew away 
 over forest, lake, and mountain, until 
 they reached the warm countries. 
 There the sky seemed twice as high 
 and twice as blue, and there grew the 
 loveliest green and purple grapes, and 
 citrons, and melons. 
 
 Near a calm, blue lake stood a half- 
 ruined palace of white marble, and 
 here the swallow had built his nest. 
 
 "This is my house," said the swal- 
 low, "but I will take you to one of the 
 splendid flowers growing beneath us, 
 and you shall dwell in one of them." 
 
 But what was her surprise when she 
 
 saw sitting on the flower a little mani- 
 kin wearing a gold crown on his head 
 and the brightest, most delicate wings 
 on his shoulders, scarcely any bigger 
 than herself.' He was the spirit of 
 the flower, and in every flower there 
 dwelt one such fairy, and he was 
 their king. 
 
 When he saw Thumbeline he was 
 delighted, for he had never seen so 
 lovely a maiden. So he put his gold 
 crown on her head and asked her to 
 be his queen. And Thumbeline said 
 "Yes," and then all the fairies came 
 out from their flowers and brought her 
 presents, and the best of all was a 
 pair of transparent wings, which 
 enabled her to fly from flower to 
 flower. 
 
 "You shall no longer be called 
 Thumbeline," said the king to her, 
 "for it is not a pretty name, and you 
 are so lovely. We will call you Maia." 
 
 And she dwelt with him ever after. 
 
 THE PYGMIES 
 
 THERE is an old saying that 
 "truth is stranger than fic- 
 tion." This seems to be just 
 as true today when we read the 
 stories of recent travelers and explorers 
 about the strange peoples and races 
 they find in the wilds of distant 
 lands. One of the most wonderful 
 recent discoveries is that of a new 
 race of pygmies that dwell on the 
 flanks of the great Snow Mountains 
 in Dutch New Guinea, Africa. 
 
 Ancient writers were fond of re- 
 counting the adventures of these 
 little people, and the folklore of 
 Africa and Asia and Europe bases 
 many of its strangest stories upon 
 pygmy life. Our nursery tales of 
 gnomes and fairies, goblins, pinkies 
 and brownies have undoubtedly come 
 down, generation after generation, by 
 word of mouth, from the dim, pri- 
 
 meval days when pygmies wandered 
 dry shod across the land-bridge that 
 connected India with Africa, and 
 when the island of Sicily was part of 
 the highway from northern Africa into 
 Southern Europe. Although no pyg- 
 my in the wilds has ever seen pencil or 
 paper, yet the race is immortalized in 
 the company of Trojan and Greek, 
 and until modern times has been 
 regarded as equally mythical. 
 
 Homer, who lived in the ninth 
 century B. C, began the story, com- 
 paring the arming Trojans, rushing 
 to war, with cranes migrating to the 
 pygmies' land: 
 
 "So when inclement winters vex the p'ain 
 With piercing frosts, or thick-descending rain. 
 To warmer seas the cranes embodied fly. 
 With noise, and order, through the midway 
 
 sky. 
 To pygmy nations wounds and death they 
 
 bring . . . ." 
 
37If 
 
 THE HUMAN INTEREST LIBRARY 
 
 Battling with the storks 
 
 Aristotle, another Greek, knew full 
 well of the existence of pygmies; 
 Herodotus describes them as battling 
 with the storks which came to raid 
 their crops. These and other ancient 
 writers got the main fact correct as 
 to the existence of the little people; 
 but, as in other dealings with natural 
 history, they mingled the mar- 
 velous with the matter-of-fact. Their 
 tales of pygmies with pygmy horses 
 and other tiny, domesticated animals, 
 of the tiny people having to cut down 
 their crops with axes, of their requiring 
 a ladder to mount into the goblet of 
 Hercules, were, of course, as fabulous 
 as the legend of their fashioning the 
 spear of Odin and the world-shaking 
 hammer of Thor. And because of 
 this leaven of romance the whole story 
 of pygmies was discredited until cer- 
 tain African travelers burst into the 
 twilight gloom of the forests and first 
 discovered a kingdom of real midgets. 
 
 There are two groups of pygmies 
 now known — Negrillos and Negritos — 
 consisting of many tribes. Some are 
 found in the Andaman Islands, in the 
 Bay of Bengal; half a dozen distinct 
 tribes are in the Congo; there are the 
 tiny Bushmen of South Africa, the 
 Aetas of the Philippine Islands, the 
 Samange of Malacca, the pygmy 
 tribes in Formosa, and now, also, these 
 little people in Dutch New Guinea. 
 
 Herodotus, the ancient Greek writer, 
 was then not wholly mistaken in 
 describing his pygmies as defending 
 their crops against great birds. 
 
 The latest discoveries in Dutch 
 New Guinea are on the side of the 
 ancients. The Tapiros, as the newly 
 known midgets are called, do cultivate 
 crops. They cultivate sweet potatoes, 
 tobacco, and sugar-cane. African 
 pygmies of today have no crops, but 
 they wage war upon the giant cranes 
 which haunt the head waters of the Nile. 
 
 They knew the use of fire and, in a 
 primitive way, iron-smelting and work- 
 ing. Their spear-heads are of iron, 
 smelted and worked by themselves, 
 and the tips are poisoned with a virus 
 of terrible potency. They live in tiny 
 huts in the forest — huts only 4 feet in 
 height, bare of any suggestion of 
 furniture, and entered by a low open- 
 ing through which the tenant crawls 
 on all fours. Spears are their only 
 assets. These constitute the pur- 
 chase price of a bride, and upon the 
 product of the weapon they live. 
 They attack and kill the mighty 
 elephant; they hunt the okapi. It is 
 a strange fact that the discovery of 
 the Congo pygmies gave this extraor- 
 dinary animal to the knowledge of 
 the world. No white man had ever 
 seen an okapi ten years ago, and only 
 rumors of its existence had been heard. 
 
 At home the pygmies are feared 
 and avoided by other natives. They 
 inhabit the reeking, steaming forest, 
 impenetrable to all save themselves, 
 and pass their lives in a perpetual 
 twilight, amid mighty trees laced and 
 bound together with vast creepers, in 
 and out of which little men run like 
 rabbits. 
 
 The same habits and method of 
 living distinguish the majority of 
 pygmy tribes. For the most part all 
 have like features: the dark skin, the 
 ape-like mouth; the broad, flattened 
 nose; the woolly, "pepper-corn" hair. 
 
 Like the tiny Shetland ponies and 
 the diminutive Shetland sheep dogs, 
 the pygmies make up in intelligence 
 what they lack in inches. 
 
 But the pygmies most recently dis- 
 covered — those of Dutch New Guinea 
 — appear to be in advance of their 
 fellows. They are husbandmen, grow- 
 ing their own crops. They make bows 
 and arrows, and use them with astonish- 
 ing skill, employing them against birds, 
 rats, mice, and other small animals. 
 
THE CHILDREN'S OWN BOOK 
 
 375 
 
 THE ARTFUL MOLE AND THE INNOCENT BLACKBIRD 
 
 "Tell us about the most wonderful 
 escape you ever had from an enemy, 
 will you, daddy?" said an excitement- 
 loving little Blackbird, sitting along- 
 side one of his brothers on a twig 
 overhanging a cattle pond. 
 
 "Oh, let me see, let me see," mused 
 the sable old bird with the orange bill. 
 "I think the most curious adventure 
 I ever had, and certainly the narrowest 
 escape, happened to me when I was a 
 young fellow, just learning to sing. 
 
 "Blackbirds are all early risers, and 
 I used to leave my cozy roosting perch 
 under a tuft of ivy at the first peep of 
 day regularly every morning, in order 
 to listen to my father, who was a 
 capital singer, and such a cunning old 
 bird, too! 
 
 "One day he said to me, 'Jack, do 
 you know an easy way to catch 
 worms?' 
 
 " 'No, father,' I answered. 
 
 " 'Well, I'll tell you, then, lad. If 
 eve^ you see a mole at work throwing 
 up a hillock of earth, just hop quietly 
 along to the place, and ninety-nine fat 
 caterpillars to a lean daddy longlegs, 
 you'll observe a terrified worm or two 
 hurrying to the surface of the ground 
 in order to escape from their enemy 
 below. Once they have left their holes 
 you can pick them up and swallow 
 them as easil;^" as ever you please, for 
 
 it's what men call a case of "out of the 
 frying pan into the fire" so far as the 
 worms are concerned.' 
 
 " 'Thank you very much indeed. 
 That is a pretty wrinkle, and no mis- 
 take, dad,' said I with glee. 
 
 " 'Yes, Jack,' replied my father, 
 'but it's just like all pretty things — it 
 needs to be approached with care, as 
 the puppy dog said when he tried to 
 play with the wasp. You must be 
 very careful the mole does not catch 
 hold of you, for he is an awful cannibal, 
 and the monster that will eat his own 
 grandmother would not hesitate to 
 breakfast off j'^ou.' 
 
 "Being dragged underground alive 
 and devoured in a mole's dark tunnel 
 struck me at the time as being rather 
 an unpleasant way of ending one's 
 career; but warnings have a trick of 
 slipping from the minds of over- 
 confident young people, and I had 
 forgotten the dangerous side of my 
 father's information in less than a 
 week. 
 
 "I was standing on the topmost 
 branch of a dead tree early one morn- 
 ing, listening intently to my worthy 
 parent's top notes, when I observed a 
 tiny clod of earth roll off the top of a 
 newly made mole hill. Now's my 
 chance, thought I, never dreaming of 
 the great surprise in store for me. 
 
376 
 
 THE HUMAN INTEREST LIBRARY 
 
 Keeping my eye steadily fixed on the 
 spot, I saw the mole give another 
 heave, and out came a great red worm, 
 helter-skelter. I was on him like a 
 shot, and thought I had never in all 
 my life tasted such a delicious morsel. 
 
 "I waited about for some time, feel- 
 ing sure that other worms would come 
 to the surface; but in vain, the mole 
 had ceased to work. 
 
 "By-and-by, a monster just showed 
 his great pink head on the crown of the 
 newly-made hillock, and I grew so 
 excited I could hardly stand still. 
 
 "I waited and waited, and as the 
 mole did not burrow any more the 
 worm also waited and waited. I 
 naturally supposed that as there was 
 no enemy at work beneath him he did 
 not see the fun of coming out to make 
 a meal for me, so I decided to pounce 
 upon him and drag as much of his 
 body out as I could. 
 
 "I made a wild dash at him, and 
 never got such a fright in all my life." 
 
 "Whatever happened, daddy?" 
 
 asked both the young Blackbirds ex- 
 citedly. 
 
 "Well, what I supposed to be the 
 head of a worm proved to be the nose 
 of the artful old mole. Whether he 
 had stuck it out in order to get a 
 breath of fresh air, or as a deliberate 
 bait for me, will never be known; but 
 directly I seized it he seized me, and 
 it is a wonder I'm alive to tell the tale. 
 
 "The brute instantly tried to drag 
 me underground, but being a strong 
 young bird and my bill hard and 
 slippery he lost his hold, and I made 
 my wings go faster than they ever 
 flapped before or since. 
 
 "It was a full week before I dared 
 look at a worm again. 
 
 "Take my advice, children, and 
 examine early worms well, especially 
 when they thrust their heads out of 
 mole hills. Man-made proverbs need 
 applying with caution, and I should 
 tie on behind 'It is the early bird that 
 catches the worm,' but 'All is not gold 
 that ghtters.' " 
 
 THE ARCHER FISH — A FINNY SPORTSMAN 
 
 MANY tall stories have been 
 discredited since scientists 
 began sternly to demand 
 proof of alleged facts, but nevertheless 
 it has been recently established that 
 there are fish that share with man the 
 sporting instinct. Of these finny 
 sportsmen the Archer is king. 
 
 "We have," said Sir Charles Bell, 
 "a curious instance of the precision 
 of the eye and of the adaptation of 
 muscular action, in the beaked chseto- 
 don, a fish which inhabits the Indian 
 rivers and lives on the smaller aquatic 
 flies. When it observes a fly alighted 
 on a twig, or flying over it — for it can 
 shoot them on the wing — it darts a 
 drop of water with so steady an aim 
 as to bring the fly down into the water, 
 when it falls an easy prey. It will 
 
 hit a fly at the distance of from three 
 to six feet. Another fish, of the same 
 order, the Zeus, has the power of 
 forming its mouth into a tube and 
 squirting at flies, so as to encumber 
 their wings and bring them to the 
 surface of the water. In these in- 
 stances a difficulty will readily occur 
 to the reader. How does the fish 
 judge of position, since the rays of 
 light are refracted at the surface of 
 the water? Does instinct enable it to 
 do this, or is it by experience?" 
 
 Nearly a century ago travelers re- 
 ported having seen specimens of the 
 Jaculator fish in Java. They were 
 exhibited by a native chief, who kept 
 them in a pond, in the middle of which 
 was placed a short branch. For the 
 amusement of his visitors the chief 
 
THE CHILDREN'S OWN BOOK 377 
 
 instructed attendants to place living as well as forwards, says Zolotnitsky, 
 
 beetles on it. a Russian savant. This habit of 
 
 Expert gunners swimming backwards is very curious 
 
 "When the slaves had placed the and quite customary; indeed, they 
 
 beetles, the fish came out of their often swim in this manner for several 
 
 holes and swam around the pond," minutes at a time. They reconnoiter 
 
 says one account. "One of them came a possible prey, and back from it until 
 
 to the surface of the water, resting they secure a good position for ob- 
 
 there, and, after steadily fixing its servation and attack, 
 
 eyes for some time on a beetle, it dis- The action of the eyes deserves 
 
 charged from its mouth a small quan- special notice. They can be moved in 
 
 tity of water with such force and pre- almost every direction — to the left, 
 
 cision of aim as to strike it off the to the right, upwards, and backwards 
 
 twig into the water, and in an instant — backwards so that the fish can see 
 
 swallowed it. After this another fish everything that goes on behind. Their 
 
 came and performed a similar feat, vision is also very penetrating; they 
 
 and so the sport continued until they can see small objects at a great dis- 
 
 had secured all the beetles. If a tance, and drench them with astonish- 
 
 fish failed in bringing down its prey ing correctness of aim. But the eyes 
 
 at the first shot, it swam around the cannot be turned downwards, and, 
 
 pond till it came opposite the same consequently, when the fish would see 
 
 object, and fired again. In one in- what is below, it plunges forward, 
 
 stance a fish returned three times to head foremost. It rarely sees what is 
 
 the attack before it secured its prey, at the bottom, and although worms 
 
 but in general the fish seemed very may be there in abundance, it finds 
 
 expert gunners, bringing down the them only when hunger impels it to 
 
 beetle at the first shot." search for them there. And it is not 
 
 When the Jaculator fish intends to alone the movement of the eyes which 
 catch a fly or any other insect which engages attention; instead of the ex- 
 it sees at a distance, it approaches pressionless stare which is characteris- 
 very slowly and cautiously, and goes tic of fishes generally, the Archer's 
 as much as possible perpendicularly eyes sparkle with intelligence. Es- 
 under the object; then, the body being pecially when the fish becomes sick 
 put in an oblique position, and the or dying is the expression manifested; 
 mouth and eyes being near the surface then it looks at you as if it would im- 
 of the water, the Jaculator stays a plore your attention and would like to 
 moment quite immovable, having its speak. Apparently there are few lim- 
 eyes directly fixed on the insect, and its to the ingenuity of the Archer fish. 
 then begins to shoot, without ever This finny tribe certainly does not 
 showing its mouth above the surface seem to be less greedy than its fellows, 
 of the water, out of which the single It appears that the less expert gun- 
 drop, shot at the object, seems to ners, finding that their clumsy efforts 
 rise. With the closest attention, one merely resulted in driving insects 
 can never see any part of the mouth away from the aquarium, desisted in 
 out of the water, though the Jaculator favor of the adepts of the family, 
 fish shoots a great many drops one When the latter exercised their skill, 
 after another without leaving its the other fish waited in readiness to 
 place and fixed situation. snap up the spoil before the success - 
 
 They frequently swim backwards ful sportsman could secure it. 
 
LITTLE PLAYS AT HOME 
 
 HINTS: 1. Stage Properties are those articles which are used in a play either 
 for scenery or for dress. One child should be appointed to look after these properties. 
 He must see that they are in their proper places before the curtain rises and at hand 
 as the scene goes on. 
 
 2. Each child is responsible for his own personal properties, that is to say, the 
 articles of dress, swords, armor, etc., belonging to his part. 
 
 3. In setting or arranging the scenery, the Right is on the right hand and the 
 Left on the left hand as you stand facing the stage, with your back to the audience. 
 
 4. The Prompter should stand, out of sight of the audience, at the side of the stage, 
 book in hand, ready to give the missing word or sentence, should any one forget his 
 part. 
 
 SCENE FROM ROBIN HOOD 
 
 CHARACTERS: King Richard Cceur de 
 Lion; Three Nobles, attendants on him; 
 Robin Hood; Little John; Much; Allan- 
 a-dale; Friar Tuck; Robin Hood's Merry 
 Men; Maid Marian; Lady Christabel. 
 
 STAGE PROPERTIES: Green cloth for aoor, 
 bank, bushes, mugs, platters, jug for wine, 
 dishes, dinner things, silver and crystal bowl. 
 For the bank, a biggish box banked up with 
 cushions. Cover it with cloth and ivy. Bowl 
 in bright new tin basin, and crystal fruit dish . 
 For dinner dishes, have as many covered dishes 
 as possible, plates of fruit, bread, etc. Sham 
 fowls, meat, etc., can be bought, but these are 
 not necessary with covered dishes. A big 
 soup tureen looks well. This scene can be 
 acted out of doors. 
 
 SCENE: An open space in Sherwood Forest. 
 To the Right and Left, trees or greenery; at 
 the back a bank. When the curtain rises 
 King Richard is discovered standing in 
 center; near him the three Nobles. They are 
 all dressed in monks' cloaks, with hoods well 
 drawn over their faces. 
 
 The King [looking round him] : Well! 
 I hope we shall see the fellow this time. 
 
 First Noble: There is not much 
 
 fear of that: Robin Hood finds out 
 monks as quickly as bees do honey. 
 We shall not have long to wait, your 
 Majesty. 
 
 The King [softly, puffing finger on 
 lip] : Hush ! He may be listening now, 
 and if he guesses who I am our game 
 is spoilt. Remember I am only an 
 abbot for today, [louder] The fellow 
 is well off here: sunshine and green 
 trees, flowers and the song of the birds 
 for company — who could want more? 
 
 Second Noble [speaking quickly]: 
 I saw something moving down there 
 . . . through the trees . . . take 
 care, my Lord! 
 
 The King [still loudly]: For my 
 part, I have no fear of the map H^ 
 would not dare rob me. 
 
 RoBii; Hood [stepping from behind 
 a tree, all in green, with botv and arrow. 
 
 378 
 
THE CHILDREN'S OWN BOOK 
 
 379 
 
 and horn]: You speak too soon, my 
 lord abbot — for an abbot I take you 
 to be by your dress and manner. Robin 
 Hood dare rob whom he will, when he 
 has need of money, so you had better 
 come with me peacefully. I have a 
 hundred men within call, and I am 
 not over fond of monks. 
 
 The King: If we are monks, we 
 are also messengers from the King. If 
 you are the famous Robin Hood . . . 
 
 Robin Hood : I am Robin Hood. 
 
 The King: Then his Majesty sent 
 us to say that he would see you. As a 
 sign he sends you this ring [showing 
 ring on his hand]. 
 
 Robin Hood [after looking at it, 
 taking off his hat]: It is truly the 
 King's ring. God bless him: God 
 bless all those that love him: cursed 
 be all those who hate him and rebel 
 against him. 
 
 The King: Then you curse your- 
 self, for you are a traitor and an out- 
 law. 
 
 Robin Hood [fiercely] : I am an out- 
 law may be, through no fault of mine, 
 but I am no traitor, and if you were 
 not the messenger of the King you 
 would pay dearly for that lie. I have 
 never yet hurt any true and honest 
 man: I have robbed only from the 
 tyrant rich, never from the poor: I 
 fight against monks and abbots, and 
 take their money from them when I 
 can, because they steal from the poor. 
 They ought to live good lives and 
 show others a good example, but they 
 do not. They live wickedly, and 
 should be punished. If they had 
 ruled England well when King Richard 
 was away, we should not have to live 
 in the woods as we do now. [Kindly.] 
 But do not fear, you are the King's 
 messengers, and therefore welcome to 
 all that we have. Stay here, and sup 
 with us; we will make you couifortable 
 as we know how. 
 
 Third Noble: They wait for us 
 at Nottingham, my lord. 
 
 The King: Let them wait: the 
 King wishes to know as much as 
 possible about this man. If we do 
 not fare well, it will matter not for 
 once. 
 
 Robin Hood: You shall eat of our 
 best. Sir Abbot, though if you came 
 not from the King I doubt if you 
 would be so well treated. 
 
 [Bloivs his horn. Enter quickly 
 Little John, Much, Allan-a-dale, 
 and others: they are all dressed in green.] 
 
 Little John: What newf, master? 
 
 Robin Hood: None that will fill 
 our pockets, my little John. These 
 good monks are messengers from the 
 King, and therefore safe from us. 
 Much! 
 
 Much: Yes, master! 
 
 Robin Hood: . . . Tell the cook 
 that we shall dine here, and that we 
 must have as fine a feast as if the King 
 himself were among us. 
 
 Much: Yes, master! [Goes out by 
 Left quickly.] 
 
 Robin Hood: Allan - a - dale, go 
 bring me here Maid Marian, and your 
 sweet Christabel; tell them we have 
 need of their help to entertain our 
 noble company. 
 
 Allan-a-dale: I go right gladly, 
 master. [Exit by Left.] 
 
 Robin Hood [to the others]: Now, 
 men, help bring the things and do your 
 parts with a right good will. Let us 
 show these gentlemen what we poor 
 foresters can do. 
 
 All: Ay, that we will, master! 
 
 [Exit all foresters, save Little John. 
 They all drop on one knee before Robin 
 as they pass out.] 
 
 The King: Upon my word, Sir 
 Outlaw, you are master of a gallant 
 company. It is a pity that you should 
 live as you do — shooting down the 
 King's deer, robbing his faithful 
 bishops and knights. 
 
380 
 
 THE HUMAN INTEREST LIBRARY 
 
 Robin Hood: I cannot starve my 
 men, Sir Abbot, and were Richard him- 
 self here I think he would scarcely 
 grudge these fine men their food. 
 
 The King: Perchance not, but it 
 is against the law. 
 
 Robin Hood: I know that well, 
 Sir Abbot, but what else can we do.'* 
 Our homes have been burned down by 
 the Norman nobles, our lands have 
 been stolen, our money taken, and 
 they would have made us their slaves. 
 Rather than that, we have chosen to 
 live here in the merry greenwood. We 
 are Englishmen, Sir Monk, and we 
 would be free. 
 
 The King: Well spoken! Well de- 
 fended, Robin! 
 
 [Enter by Left Allan- a-d ale, with 
 Maid Marian, Lady Christabel, a?id 
 Friar Tuck.] 
 
 Maid Marian [curtsying]: Wel- 
 come to Sherwood Forest, Sir Abbot! 
 
 The King: Who is this fair lady? 
 
 Friar Tuck [pushing forward] : Have 
 you never heard of Maid Marian, 
 Robin Hood's sweet bride, and Queen 
 of our merry greenwood? She comes 
 of noble blood, but rather than be 
 parted from her Robin she fled to the 
 forest all in knightly array. There 
 she again met our master, and the two 
 young things fell to fighting together, 
 neither knowing the other; presently 
 Robin spoke and the lady discovered 
 herself, and the end of it all was that I 
 married them myself. Ah, it was a 
 merry wedding! 
 
 The King: Who is this jolly 
 monk? 
 
 Friar Tuck: Friar Tuck, at your 
 service, my lord abbot, and a very 
 busy man. Look at these two [point- 
 ing to Allan-a-dale and the Lady 
 Christabel]. I married them under 
 the old bishop's nose: I cried them 
 seven times in the church lest there 
 should be some mistake. They are a 
 couple to be proud of. They . 
 
 Robin Hood: Friar Tuck, Friar 
 Tuck, your tongue clacks too loudly. 
 
 P'riar Tuck: Not so, master, not 
 so; you would be badly off without its 
 clacking, I'll warrant. Who would 
 marry you? Who would bless you? 
 Who would say grace at meat in the 
 Latin tongue? Who would . . . 
 
 [Little John takes him by the arm 
 arid leads him away.] 
 
 Robin Hood [laughing]: He is a 
 merry soul! 
 
 [Enter a Page {or Pages) ivith silver 
 or crystal bowl and towel. He kneels 
 before the King, holding the bowl while 
 he washes his hands, then goes to the 
 Nobles. Men in green come hurrying 
 in icith mugs, platters, dishes, food, etc., 
 irhich they set on the grass. Little 
 John orders them here and there: the 
 King and Nobles talk to Maid Marian 
 and Christabel. Presently Robin 
 Hood blows his horn: all the men stand 
 round.] 
 
 Robin Hood: Fill up the mugs, 
 men, to the very brim: before we eat 
 we will drink the King's health. 
 
 [They fill up mugs, giving them also 
 to the King and Nobles.] 
 
 All drinking [led by Robin Hood]: 
 God save the King ! 
 
 The King: If I could get you par- 
 don from the King, Roliin, would 
 you be willing to leave this wild life 
 in the woods and serve him forever? 
 He has need of loyal and true men like 
 you. 
 
 Robin Hood: With all my heart! 
 
 The King [to the men]: Men, would 
 you be willing to serve the King of 
 England, Richard Coeur de Lion? 
 
 All [flinging their caps into the air]: 
 With all our hearts! . . . God save 
 the King! 
 
 Robin Hood: You see. Sir xVbbot, 
 we are all loyal people here. 
 
 The King [huskily]: So I see! 
 
 Robin Hood : If you would but ask 
 the King to forgive me, I think I 
 
THE CHILDREN'S OWN BOOK 
 
 SSI 
 
 could once more respect monks. A 
 bishop was the first cause of all our 
 misfortunes, and because of that I 
 have hated them all, but from this 
 day I shall respect them. 
 
 The King [flinging back the monk's 
 hood]: There is no need to ask the 
 King for pardon. I am the King, your 
 sovereign, and I forgive you gladly, 
 Robin. 
 
 Robin Hood [falling on his knees]: 
 
 Sire! 
 
 The King: Stand up, stand up, 
 my friend: I doubt if in all England, 
 
 1 have more faithful followers than 
 you and your men. 
 
 Little John: The King! God save 
 us! . . . The King! ! 
 
 Much and Others: The King ! The 
 King! [They all kneel.] 
 
 The King: Rise, all! I am King 
 Richard of England: are you ready to 
 follow me as your master, and be my 
 men? 
 
 All: We are, we are! 
 
 The King [gaily]: Then let us sup, 
 and after we will to Nottingham, and 
 surprise them. 
 
 All: Long live the King! Three 
 cheers for Coeur de Lion ! And three 
 for Robin Hood! 
 
 [The King gives his hand to Maid 
 Marian, Robin Hood to Christabel. 
 As they all seat themselves round the 
 feast the Curtain falls.] 
 
 SCENE FROM UNCLE TOM'S CABIN 
 
 CHARACTERS: Miss Ophelia, Eva, Topsy. 
 
 STAGE PROPERTIES : Bed or sofa arranged 
 as bed, and any other bedroom furniture. 
 Ribbon, gloves, dressing table, etc. 
 NOTE. — In this scene there is no need to 
 
 keep strictly to stage directions. Set it as 
 
 seems most convenient. 
 
 SCENE: Miss Ophelia's bedroom: Door to 
 the Left; at the back in center a bed, or couch 
 arranged as bed, standing out from the wall; 
 to the Right side of the bed, a dressing-table: 
 on it, besides the usual looking-glass, etc., a 
 bright red ribbon and a pair of white gloves. 
 Chair to Right near front of stage. Book- 
 case, pictures, and other furniture, according 
 to convenience. When the curtain rises, Miss 
 Ophelia is discovered sitting on chair to 
 Right; opposite to her stands Topsy, hands 
 folded, eyes fixed on the ground. 
 
 Miss Ophelia: Now, Topsy, you 
 are clean and tidy at last, I hope.'' 
 
 Topsy: Laws, yes. Miss Feely! 
 There's not a speck o' dirt left on me. 
 
 Miss Ophelia: That is better: I 
 hope you will always keep clean and 
 tidy in the future. There is nothing 
 I dislike so much as dirt. 
 
 Topsy [rolling her eyes and making a 
 face]: Yes, missis. 
 
 Miss Ophelia: Now I have a few 
 questions to ask you before we set to 
 work. How old are you, Topsy? 
 
 Topsy [grinning]: Dunno, missis. 
 
 Miss Ophelia: Don't know how 
 old you are! Did nobody ever tell 
 vou? Who was your mother then, 
 child? 
 
 Topsy [with another grin]: Never 
 had none. 
 
 Miss Ophelia: Never had any 
 mother! What do you mean? Where 
 were you born? 
 
 Topsy: Never was born. 
 
 Miss Ophelia [sternly] : You must- 
 n't answer me like that, child. I 
 am not playing with you. Tell me 
 where you were born and who were 
 your father and mother. 
 
 Topsy [emphatically]: Never was 
 born, never had no father, nor mother, 
 nor nothin'! 
 
 Miss Ophelia: Topsy, how can 
 you say such things! How long have 
 you lived with your master and 
 mistress? 
 
 Topsy: Dunno, missis. 
 
 Miss Ophelia: Is it a year, or 
 more, or less? Try to answer properly 
 this time. 
 
 Topsy: Dunno, missis. 
 
 Miss Ophelia: Worse and worse! 
 
382 
 
 THE HUMAN INTEREST LIBRARY 
 
 Do you know anything at all, I won- 
 der! Have you ever heard of God, 
 Topsy? [TopsY shakes her head.] Do 
 you know who made you? 
 
 Topsy [laughing]: Nobody as I 
 knows on: 'spect I grow'd. Don't 
 think nobody ever made me. 
 
 Miss Ophelia [shocked]: Terrible! 
 whatever shall I do with a child like 
 this ! Do you know how to sew, Topsy ? 
 
 Topsy: No, missis. 
 
 Miss Ophelia: What can you do? 
 What did you do for your master and 
 mistress? 
 
 Topsy: Fetch water, wash dishes, 
 and clean knives and wait on folks. 
 
 Miss Ophelia [going to left side of 
 bed]: Well now, Topsy, I'm going 
 to show you just how my bed is to be 
 made. I am very particular about my 
 bed. You must learn exactly how to 
 do it. Come to the other side and 
 watch me well. 
 
 Topsy [going to right side]: Yes, 
 ma'am. 
 
 Miss Ophelia: Now, Topsy, look 
 here. This is the hem of the sheet, 
 This is the right side of the sheet. 
 This the wrong. Will you remember? 
 
 Topsy [with a big sigh]: Yes, ma'am. 
 
 Miss Ophelia: Well now, the 
 undersheet you must bring over — like 
 this — and tuck it right down imder the 
 mattress, nice and smooth — like this. 
 Do you see? 
 
 TopsY[with a bigger sigh] : Yes, ma'am. 
 
 Miss Ophelia: But the upper 
 sheet must be brought down and 
 tucked under, firm and smooth at the 
 foot — like this — the narrow hem at 
 the foot. 
 
 Topsy [snatching the gloves and the 
 ribbon off the dressing-table, as Miss 
 Ophelia bends over the bed]: Yes, 
 ma'am. [Slips them into her sleeve.] 
 
 Miss Ophelia [pulling off the clothes 
 again]: Now, Topsy, let me see if 
 you can do it. [Topsy quickly and 
 neatly makes the bed again.] 
 
 Miss Ophelia [watching her]: Very 
 good . . . very good indeed, Topsy! 
 We shall make something of you yet. 
 
 Topsy [tucking in the sheet]: Yes, 
 missis. [As she does so the ribbon falls 
 from her sleeve.] 
 
 Miss Ophelia [picking it 7ip] : What 
 is this? You naughty wicked child, 
 you have been stealing! 
 
 Topsy [very surprised]: Why! That's 
 Miss Feely's ribbon, an't it? How 
 could it a' got into my sleeve? 
 
 Miss Ophelia: Topsy, you naughty 
 girl, don't tell me a lie. You stole 
 that ribbon. 
 
 Topsy: Missis, I declare I didn't. 
 Never seed it till dis blessed minnit. 
 
 Miss Ophelia: Topsy, don't you 
 know it is wicked to tell lies? 
 
 Topsy: I never tell no lies. Miss 
 Feely. It's jist the truth I've been 
 tellin' now. It an't no thin' else. 
 
 Miss Ophelia : Topsy, I shall have 
 to whip you, if you tell lies so. 
 
 Topsy [beginning to cry]: Laws, 
 missis, if you whips all day couldn't 
 say no other way. I never seed that 
 ribbon. It must a' caught in my 
 sleeve. Miss Feely must a' left it on 
 the bed, and it got caught in the 
 clothes, and so got in my sleeve. 
 
 Miss Ophelia [angrily shaking her]: 
 Topsy, how dare you ! Don't you tell 
 me that again. [The gloves fall to the 
 floor.] 
 
 Miss Ophelia [holding them np]: 
 There! Will you tell me you didn't 
 steal the ribbon? 
 
 Topsy [still crying loudly] : O missis, 
 missis, I'se so sorry! I won't never 
 do it again, I won't. 
 
 Miss Ophelia: Stop crying then, 
 and tell me if you have taken anything 
 else since you have been in the house. 
 If you tell me truthfully, I won't whip 
 you. 
 
 Topsy: Laws, missis, I took Miss 
 Eva's red thing she wears on her neck. 
 
 Miss Ophelia: You did, you 
 
THE CHILDREN'S OWN BOOK 
 
 383 
 
 naughty child! Go and bring it me 
 this minute. 
 
 Topsy: Laws, missis, I can't — 
 they's burnt up. 
 
 Miss Ophelia: Burnt up? What 
 a story! Go and get them or I shall 
 whip you, 
 
 Topsy [groaning and crying]: I 
 can't, I can't, Miss Feely! They's 
 burnt up, they is. 
 
 Miss Ophelia: What did you 
 burn them up for.f* 
 
 Topsy [rocking to and fro] : 'Cause 
 I'se wicked, I is. I'se mighty wicked. 
 I can't help it. 
 
 [Enter Eva wearing red necklace.] 
 
 Miss Ophelia: Why, Eva, where 
 did you get your red necklace? 
 
 Eva: Get it? Why, I have had it 
 on all day, and what is funny, aunty, 
 I had it on all night. I forgot to take 
 it off when I went to bed. 
 
 Miss Ophelia [lifting her hands in 
 despair]: Whatever shall I do with 
 her ! What in the world made you tell 
 me that you took the necklace, Topsy? 
 
 Topsy [wiping her eyes]: Missis 
 said I must 'fess. I couldn't think 
 of nothin' else to 'fess. 
 
 Miss Ophelia: But of course I 
 didn't want you to confess things you 
 didn't do; that is telling a lie just as 
 much as the other. 
 
 Topsy [very surprised]: Laws now, 
 is it? 
 
 Miss Ophelia : Topsy, what makes 
 you behave so badly? 
 
 Topsy [grinning]: Dunno, missis; 
 'spects it's my wicked heart. 
 
 Miss Ophelia: What shall I do 
 with you? I'm sure I don't know; 
 this is terrible. 
 
 Topsy: Laws, missis, you must 
 whip me. I an't used to workin' 
 unless I gets whipped, but I dunno 
 that it helps much neither. 
 
 Miss Ophelia [going to door]: I 
 never saw such a child! Topsy, if 
 you do not try to be more honest, and 
 
 better in every way, I shall have to 
 speak to your master. [Exit.] 
 
 Eva : What makes you so naughty, 
 Topsy? Why don't you try to be 
 good? [Taking her hand.] Don't you 
 love anybody, Topsy? 
 
 Topsy [blinking her eyes]: Dunno 
 nothin' 'bout love. I love candy, 
 that's all. 
 
 Eva : But you love your father and 
 mother? 
 
 Topsy: Never had none: I telled 
 ye that before. Miss Eva. 
 
 Eva [sadly]: Oh, I forgot: but 
 hadn't you any brother or sister, . . 
 
 Topsy [interrupting]: No, none on 
 'em. Never had nothin' nor nobody. 
 
 Eva: But, Topsy, if you would 
 only try to be good, you might . . . 
 
 Topsy [interrupting] : Couldn't 
 never be nothin' but a nigger, if I was 
 ever so good. If I could come white, 
 I'd try then. 
 
 Eva: But people can love you, if 
 you are black, Topsy. Miss Ophelia 
 would love you if you were good. 
 
 Topsy [laughing]: Would she 
 though? 
 
 Eva: Don't you think so? 
 
 Topsy: She can't bear me, 'cause 
 I'm a nigger. She'd as soon have a 
 toad touch her. There can't nobody 
 love niggers, and niggers can't do 
 nothin'. I don't care. [Whistles or 
 hums, and tosses her head.] 
 
 Eva [laying her hand on Topsy's 
 shoulder]: O Topsy, I will love you: 
 I love you now, because you haven't 
 any mother or father or friends. And 
 it makes me sorry to have you so 
 naughty. I wish you would try to 
 be good, Topsy. Won't you? 
 
 [Topsy suddenly sits down on the 
 floor and hides her face in her apron.] 
 
 Eva [stroking her head]: VoorTo^syl 
 
 Topsy: O Miss Eva, dear Miss 
 Eva, I will try . . . indeed I will. I 
 never did care nothin' about it before, 
 Cuetain, 
 
INDEX TO VOLUME I 
 
 Abe, how to learn, 265. 
 
 Addition, 218: decimals, 231; defini- 
 tions, 218; denominate numbers, 
 235; drill In, 218; tractions, 230; 
 oral exercises, 218; problems in, 
 218. 
 
 Adjectives, game of, 308. 
 
 Aeroplane, in warfare, 81. 
 
 Africa, discoveries in, 80. 
 
 Age, of animals, 36, 37; of birds, 37; 
 of trees, 31. 
 
 Air, changes in Its composition, 62; 
 damp air malces us iil, 26; how a 
 balloon keeps up, 51: need of fresh 
 In lungs, 91 : what It is made of, 48: 
 what makes a kite fly, 5i; w^iat 
 makes the balloon go, 54; why a 
 soap bubble ris^s and falls, 49: why 
 fresher after rain, 52; why we can- 
 not see It, 48; wonders of, 48. 
 
 Air and Water, experiments with, 
 287. 
 
 Air Pressure, why the fountain plays, 
 53; why the smoke of a train goes 
 the other way, 79. 
 
 Air Waves, how they break a window, 
 41; why a pop-gun pops, 46. 
 
 Alexander the Great, The Gordlan 
 Knot, 207. 
 
 Alice in Wonderland, tub, 293. 
 
 Alkali, how It dissolves oH. 73. 
 
 Alphabet, games with movable, 198; 
 how to learn the ABC, 265; learn- 
 ing, 193; movable, 198; picture, 
 266; where it comes from, 85. 
 
 American Flag, birth of, 84: first 
 made by Betsy Ross, 83; how It 
 originated, 81. 
 
 American Indian, likeness to Japan- 
 ese and Chinese, 85 ; where he came 
 from, 85. 
 
 American Jack, 83. 
 
 Ammonia, why It cleanses things, 75. 
 
 Amundson, Roald, discovery of 
 South Pole, 80. 
 
 Amusements, "Alice In Wonder- 
 land" tub, 293; boy conjuror's 
 Joke, 29 1 ; conj uring trick with nuts, 
 292; disappearing dime, 290; ex- 
 periments with air and water, 288; 
 games, and, 263; games for hal- 
 loween, 299; games to play by the 
 Are, 296; garden games, 302; little 
 shadow theater, 297; making a ball 
 vanish, 291; mystery and n^aeic, 
 263, 287: stories and plays, 2^3; 
 things for boys to do, 263; things 
 for girls to do. 263; trick to play 
 with a book. 289. 
 
 SEE ALSO GAMES 
 
 Animal Power, problems concerning, 
 246. 
 
 Animals, age of, 36, 37: animal pets. 
 195: brain of. 152; how arms and 
 limbs have been developed, 148; 
 why some wear white coats, 33; 
 why they prick up their ears, 114; 
 wonders of, 26. 
 
 Anvil, of ear, 117. 
 
 Apollo and Leto, 358. 
 
 Apparatus, Montessorl, 172; put- 
 ting away Montessorl, 180; putting 
 it back, 179; sense training, 177. 
 
 Apple, why it falls, 58. 
 
 Apples, games with, 299, 300; model- 
 ing, 277. 
 
 Arbuthnot, John, 83. 
 
 Archer, fish, 376. 
 
 Arches, Egyptian, 77; Gothic, 77; 
 Greek, 77; Roman, 77; who In- 
 vented them, 77. 
 
 Architects, 271. 
 
 Architecture, what first buildings 
 were like. 76; who Invented arches 
 for buildings, 77; who the best 
 builders were. 77. 
 
 Arithmetic, addition, 218; beginning 
 to count, 197: calculations, 218; 
 counting table, 246; decimals, 231; 
 denominate numbers, 233; division, 
 228: figures and counting, 270; 
 first steps in, 196; fractions, 229; 
 fundamental processes, 218: games 
 In, 197: game with counting sticks, 
 198; game with money, 197; in- 
 Burance, 237; interest, 236; multi- 
 plication, 219; percentage, 235; 
 practical, 218; subtraction, 218, 
 219: subtraction drill, 218; taxes, 
 237; weights and values, 247; 
 Why we count In tens, 69. 
 
 Arithmetical Problems, animal 
 power, 246: birds and insects, 242; 
 cement, 262; concrete, 262; corn, 
 238: cows, milk and butter. 243: 
 drainage, 239; education and In- 
 dustry, 238: feeding, 241; fencing, 
 238; fertilizers, 261; hay, 240; 
 horse power, 246; orchards and 
 spraying, 240; plowing, 239: pota- 
 toes. 244: poultry, 245; rents. 241; 
 roads. 241; silos. 240; wheat, 242; 
 with the lever, 245. 
 
 Artful mole and Innocent blackbird, 
 375. 
 
 Artist, 271, 272; how his hand draws 
 a picture, 272; qualifications for, 272. 
 
 .\sbsstos, why it does not burn. 55. 
 
 Asia, disnoverlos in. 80. 
 
 Association of Ideas, what it means, 
 158. 
 
 Astronomy, Galileo, 59. 
 
 Authority, basis of parents' au- 
 thority over children, 200. 
 
 Automobile, what makes it go, 73. 
 
 Avebury, Lord, on bees and wasps, 
 98. 
 
 Avoirdupois Weight, 234; table of, 
 234. 
 
 Baby Ball, 192. 
 
 Babylon, early writing In, 14. 
 
 Backbone, protection of the spinal 
 cord, 146. 
 
 Balance, how birds balance, 125; 
 how body is held In, 122; us3 of 
 eyes in balancing the body, 123. 
 
 Balancing, blindfolded man's walk 
 across Niagara, 124. 
 
 Balancing the Body, tight-rope 
 walker, 123, 124. 
 
 Ball, baby, 192; making one vanish, 
 291; why It bounces, 87. 
 
 Balloon, how It keeps up, 54; what 
 makes It go, 54. 
 
 Banker's Interest Method, 236. 
 
 Barbed Wire, 238. 
 
 Bark, its use on trees, 32. 
 
 Bartholdi, liberty enlightening the 
 world, 168. 
 
 Basketry, 277. 
 
 Baskets, how woven, 278, 279. 
 
 Battle of Blenheim, poem, 363. 
 
 Bazar, things a boy can make for, 
 332. 
 
 Bee, brain of, 144; why It hums, 29. 
 
 Bcrtilllon System, what It Is, 80. 
 
 Bible, finest English writing In, 86. 
 
 Bingo, game of, 295. 
 
 Birds, age of, 37; Christmas tree for, 
 301; eye of, 99; have eggs of dif- 
 ferent colors, 34; how they baian'-e, 
 125; how they find their way, 28: 
 how they fly, 125; how they know 
 how to build their nests, 31: prob- 
 lems concerning, 242; what they 
 sing about, 28; what makes them, 
 18; why they fly so hi':!h, 26. 
 
 SEE ALSO VOLU.MB II 
 
 Birds' Eggs, have different colors, 34; 
 
 use of diiferent colors, 34. 
 Blindfold, games and exercises, 187, 
 
 188. 
 Blindfolded man's walk across Ni- 
 agara, 124. 
 Blindman's Buff, 295. 
 Blindness, causes of, 107. 
 Block Tower, 182. 
 Blondes, 22. 
 Blood, how pumped through the 
 
 body, 91; microbes of disease in, 
 
 91. 
 Blowing the Egg, game of, 301. 
 Blue Eyes, 103. 
 Body, a human house, 91; how held 
 
 in ijalance, 122; human, 16; part 
 
 that helps us stand, 122. 
 Boiling, what makes water boil. 51: 
 
 why water boils awav. 52. 
 Book, trick to play with, 289. 
 Bookshelves, how boys can make, 
 
 326. 
 Boomerang, how to make. 322. 
 Boot Brush Bax, how to make, 332. 
 Bounce About, game of, 3)^. 
 Boxes, computing, 178: sound, 178, 
 
 187. 
 Boy, conjuror's Joke, 291; Peter Pan. 
 
 367: what he must do to su-ces;!, 
 
 205; who wouldn't grow up, 357. 
 Boys, carpenter shop, 324. 
 Boys' Carpenter Shop, making a 
 
 tool-box, 326; making bookshelves, 
 326; Joints and mortises, 328; 
 mitre Joints, 329. 
 
 Boys, things to do. 263, 311. 
 
 Brain, a telephone exchange, 91; 
 special centers, 153; centers of 
 hearing in, 115; cerebellum, 147; 
 composed of millions of nerve cells 
 152; convolutions In brains of 
 talented men, 151; convolutions or 
 folds, 150; cross-sections of, 149; 
 fibres, 154; hearing, 114; how a 
 sound reaches, 120: how it sends 
 and receives messages through the 
 nerves, 145: how the nerves are 
 connected, 150; how we think, 157; 
 human, 149; Inside and outside, 
 150: journey of sound to, 119, 120; 
 layers of, 152; likeness of man's 
 brain to that of an animal, 152; 
 mystery of, 149; needs food, 20; 
 nerve centers that pass to when we 
 hear music, 121; nerve fibres, 91; 
 part that acts In crying, 17; posi- 
 tion in skull, 150: the six tubes that 
 tell it of our movements, 123 : touch 
 center, 156; why a man's Is better 
 than an animal's, 153; of bee or 
 wasp, 144; of bird, 149; i of fish, 
 149; of the hippopotamus, 147; of 
 mammal, 149: of reptile. 149. 
 
 SEE ALSO MEKVE3. NERVOUS SYSTEM, 
 SENSES 
 
 Brainstorm, how to avoid In chil- 
 dren, 202. 
 
 Breathing, how fishes breathe, 31; 
 how it is done, 90; why we get out 
 of breath, 20; why we should 
 breathe through the nose, 140; 
 use of larynx, 127; of seeds, 30; 
 of worms, 30. 
 
 Brer Rabbit and Tar Baby, 348. 
 
 Brides, ori'?in of custom of wearing 
 orange blossoms, 88. 
 
 British Lion, 83. 
 
 Broad Stair, 177; teaching the 
 child to build, 182. 
 
 Brocken, spectre of, 40. 
 
 Brown Eyes, 103. 
 
 Brunettes, 22. 
 
 Bruno, Giordano, an association of 
 Ideas, 157. 
 
 Builder's knots, 323. 
 
 Building, what holds It up, 78. 
 
 Buildings, Invention of arches, 77; 
 what first were like. 76; who the 
 best builders were, 77. 
 
 Burglars, how caught by their finger 
 prints, 79. 
 
 Burnt Sienna, 275. 
 
 Bushel, weights of grain, per, 247; 
 weights of, par, 247. 
 
 Business, application of decimals, 
 232; makln? change, 219: prac- 
 tical arithmetic, 218; U. S. money, 
 232. 
 
 Butter, problems concerning, 243, 
 244. 
 
 Buttons, why evening coat has two 
 on back, 87. 
 
 Calculations, Arithmetical, 218. 
 
 Camera, how It takes a photograph, 
 71. 
 
 Can a Fish Hear, 35. 
 
 Candle, why an extinguisher puts 
 out the flame. 88. 
 
 Carbohydrates, 256. 
 
 Carbon, why a gas fiame Is blue and 
 yellow, 44; why coal burns, 55. 
 
 Carbonic Acid, what becomes of it, 
 87. 
 
 Carbonic Acid Gas, 55. 
 
 Care, of the voice, 134. 
 
 Carpenter Shop, Bovs, 324. 
 
 Carpenters' Tools. 321, 325. 
 
 Cartridge, why it makes a noise when 
 exploded, 87. 
 
 Casa del Bambini, 174: Children's 
 luncheon in, 175; methods of secur- 
 ing discipline and obedience, 201. 
 
 Cast Iron, 88. 
 
 Cast Steel, 88. 
 
 Cat, why it purrs, 32. 
 
 Cataract, frozen, 47; of the eye, 107. 
 
 Catch-Ball, game of, 304. 
 
 Cells, Inner ear, 119; nerve, 143; 
 upon whieh li'^ht acts, O^i. 
 
 Cement, problems concerning, 262. 
 
 Centers, of hearing in brain, 115; 
 of the brain, 153. 
 
INDEX TO VOLUME I 
 
 Center, of touch In brain, 156. 
 
 Central, nervoua system, 145. 
 
 Cerebrum, brain, 149. 
 
 Cerebellum, 147; develops upward 
 in the scale of life, 148. 
 
 Chalk line exercises, 191. 
 
 Character Making, in boys, 205. 
 
 Character Training, discipline and 
 obedience, 200: school of real life, 
 205; what a boy must do to suc- 
 ceed, 205; what a girl must do to 
 succeed, 210. 
 
 Charts, multiplication, 220, 221, 222, 
 223 224 225 226 227. 
 
 Chemise, Wd'oiirs'sfi, 337. 
 
 Chemistry, of fertilizers, 259. 260; 
 of foods, 256. 
 
 Cherries, modeling, 276. 
 
 Child, before it goes to school, 263; 
 how it can learn self-care, 195; 
 how to teach it self-control, 198: 
 how its mind Is built up, 158: how 
 to encourage Inventions, 192. 
 
 Child Nature, appeal oX Montessorl 
 system, 179. 
 
 Child Training, before the child goea 
 to school, 263; beginning to count, 
 197: boys' carpenter shop, 263; 
 cautions to be observed, 195; 
 children's own book, 263; child 
 should not be disciplined when 
 nervously excited, 202; discipline 
 and obedience, 200; figures and 
 counting, 270 ; first steps in arithme- 
 tic, 196: game of where is it, 308; 
 games and amusements, 263, 293; 
 games in arithmetic, 197; games 
 to play by the fire, 296: games to 
 play when out walking, 307: 
 games with counting sticks, 198; 
 games with money, 197; garden 
 games. 302: gymnastic exercises, 
 191; how child can learn self-care, 
 195; how to avoid a " brain- 
 storm, " 202: how to learn the 
 ABC, 265; how to maintain the 
 child's normal life, 195: how to 
 teach mastery over muscles, 192; 
 how to teach self-control, 198; 
 learning the alphabet, 193; learning 
 to read, 193; learning to write at 
 age of four, 193: lessons in things 
 beautiful, 263; little problems for 
 the wise, 263, 2S2; management 
 of very young, 200: matching col- 
 ors, 190; memory tests on Montes- 
 sorl system, 204; modeling, 276; 
 Montessorl system, 171; mystery 
 and magic, 263. 287: necessity for 
 constant activity in early child- 
 hood. 203; nursery games. 294; 
 passing from concrete to abstract, 
 189: picture alphabet, 263: picture 
 words, 267, 268, 269: plant and 
 animal pets, 195: plays for the 
 home, 378; pleasures of a little 
 garden. 317: practice words. 194; 
 recognizing and spelling words, 193; 
 rope-balancing and walking back- 
 ward, 191; spontaneous writing 
 lesson, 184; stories and plays, 263, 
 345; storv questions and picture 
 answers. •2"69: system must fit the 
 child, 171; teaching the child to 
 trace with pencil, 194: things for 
 bovs to do 263; 311; things for 
 girls to do, 263. 333; training the 
 eye, 190; undirected work. 195; 
 wonderful land of sound, 2S0. 
 
 BEE ALSO MONTESSORI SYSTEM 
 AND CHILDREN 
 
 Children, all young are far-sighted, 
 106; cultivation of voice, 134; 
 how they "explode into writing", 
 184; Montessorl games for, 187; 
 unreasoning age In, 200; their 
 natural right to play, 148; why 
 they need sleep, 16. 
 
 BEE ALSO CHILD TRAINING, AND 
 
 MONTESSORI SYSTEM 
 
 Children's own book, 263; Whys 
 
 and Hows, 69. 
 Chisel, 325. 
 
 Choosing a Farm, 249. 
 Christmas Party, games for, 300. 
 Christmas, tree for birds, 301. 
 Cinematograph, what It Is, 86; 
 
 what it teaches, 86. 
 Circulatory System. 92. 
 CItv of Crowded Streets, game of, 
 
 308. 
 CItv With the Golden Dome, 
 
 game of, 308. 
 Classincatlon, of smells, 140; 
 
 tastes, 141. 
 
 Cleopatra's Needle, 14. 
 
 Clock strikes twelve. The, 282. 
 
 Clothes, why they keep us warm, 19 
 why some are warmer than others, 
 19: why moths eat them, 27 
 
 Clouds, how they make shadows, 
 63; what they are made of, 55 
 why they have silver linings, 63. 
 
 Coal, dlHerent kinds of, 88; why It 
 burns, 55. 
 
 Coat, how It keeps us warm, 19. 
 
 Coat, Evening, why It has two 
 buttons on back, 87. 
 
 Cohesion, how a bar stays In place, 
 76: why a stick holds together, 78; 
 why water runs, 78 : why we cannot 
 make a rops of sand. 78. 
 
 Coins, why milled, 88. 
 
 Cold, how clothes keep tee cold, 19; 
 how it travels, 77; how shivering 
 makes us warm, 24: why some 
 things are colder than others, 19; 
 why we shiver, 24. 
 
 Color, boxes. 178; In the voice, 132; 
 use of colored crayons, 189; why 
 animals change, 96: why leaves 
 change, 33: what makes the rain- 
 bow, 44; why snow is white, 43; 
 why the sea looks green and blue. 66. 
 
 SEE ALSO LIGHT, AND COLORS 
 
 Color-Bllndness, 110; testa for, 
 111. 
 
 Color Vision, 108. 
 
 Colors. best for eyes, 112; 
 Blenna, 275; color-blindness, 110: 
 differentiation of, 190; Gamboge, 
 275: how we see them, 108; in 
 mother-of-pearl, 88; in stagnant 
 water, 45: matching, 190; primary, 
 109; Prussian blue. 275; secondary, 
 110; shades of color, 110: that we 
 cannot see, 109: three pure, 109: 
 what produces them at sunset, 38; 
 where paints come from, 273; 
 why photographs are developed In 
 red light, 45. 
 
 BEE ALSO LIGHT, AND COLOR 
 
 Columbus, example of courage, 208. 
 Commercial, fertilizers. 260. 
 Commission. 237; problems In, 237. 
 Computing Boxes, 178. 
 Concrete, formula for making, 261; 
 mixing directions, 262: problems 
 concerning, 262; what It is, 261. 
 Concrete and Abstract, 189. 
 Conduct, principles of, for boys, 
 
 205, 206, 207, 2U8, 209. 
 Conduct, principles of, for girls, 210, 
 
 211, 212, 213. 214. 215. 216. 217. 
 Conduct, supremacy of conscience, 
 
 217. 
 Cones In Retina. 108. 
 Conjuring, boy conjuror's Joke, 291; 
 
 trick with nuts, 292. 
 Consonants, importance of correct 
 pronunciation. 137: sounds of, 
 contrasted with vowels, 136. 
 Convolutions of Brain. 1.50; In 
 talented men, 151; what they 
 mean, 151. 
 Corn, how to test seed corn, 238; 
 
 problems concerning, 238. 
 Cornea, 101. 
 
 Could a top spin forever, 72. 
 Could a Wheel Fly Off an Engine, 
 
 72. 
 Could we live without rain, 57. 
 Counting, 270; beginning to, 197: 
 boxes and sand-paper numbers, 
 196: games In, 197; game of sticks, 
 198. 
 Counting the Dogs, game of, 307. 
 Countries, Babylon, 14: Egypt, 14. 
 Courage, examples of, 208; glory of. 
 208; value of In restraining feelings, 
 216. 
 Cows, problems concerning, 243. 
 Crayon drawing, 274. 
 Crayons, 272, 273, 274. 
 Crops, rotation of, 249. 
 Cross-Ball. 304. 
 Crying, tears, 17; the reason for it, 
 
 iOO; what causes It, 17. 
 Cubic Measure, 234; table of, 234. 
 Cure for fatigue, 21. 
 Currents, nerve, 121. 
 Customs, marriage ring, 88: throw- 
 ing shoes after bride, 88; wearing 
 orange blossoms, 88. 
 
 Daltonism, 110. 
 
 Dampness, effect of, 26; why It 
 makes wood decay, 87. 
 
 Darkness, why the night is dark, 40. 
 
 Darwin, Charles, his interest in find- 
 ing the truth about things, 162; 
 on expression, 131. 
 
 Date Line, 69. 
 
 Day, Two days at once, 68: where 
 it begins, 68: where It changes, 68. 
 
 Dead Sea, 58. 
 
 Deafness, From a cold, 116. 
 
 Decay, why wood decays, 87. 
 
 Decimals, 231; addition and sub- 
 traction of, 231: business applica- 
 tion of. 232: changing to common 
 fractions. 231; division of. 232; 
 multiplication of. 232; reading of 
 231; U. .S. money, 232. 
 
 SEE ALSO ARITHMETIC 
 
 Decimal system of coinage In U. S., 
 
 88. 
 
 Defects of the eye, 104. 
 
 Denominate numbers, 233; ad- 
 dition and subtraction of, 2o5; 
 avoirdupois weight, 234; cubic 
 measure, 234; division of, 235: 
 linear measure, 233; ilciuid and 
 dry measures, 234; multiplication 
 of, 235; square measure, 233; 
 time measure, 247. 
 
 SEE ALSO ARITHMETIC 
 
 Designers, 271. 
 
 Devices, Montessorl, 172. 
 
 Dewdrop, what it is, 48. 
 
 Didactic Apparatus, Montessorl 
 System, 174. 
 
 Did George walk around the mon- 
 key? 283. 
 
 Differentiation, of colors, 190. 
 
 Difficulties, Imaginary, 209; use of 
 In real life, 206. 
 
 Digestible Nutrients, In feeds, 
 257. 
 
 Dimension and form, teachings of, 
 182. 
 
 Dimple, what makes It, 25. 
 
 Disappearing Dime, 290. 
 
 Discipline, glory of courage, 208; 
 imaginary dliflculties, 209: quali- 
 ties that coin success, 206; use of 
 ditHculties, 206; what a boy must 
 do to succeed, 205; what a girl must 
 do to succeed, 210. 
 
 Discipline and Obedience, child 
 should not be disciplined when ner- 
 vously excited, 202; how to avoid a 
 "brain-storm," 202; how to teach 
 children, 200; methods of the Casa- 
 del Bambini. 201 : what the attitude 
 of the mother should be, 201. 
 
 SEE ALSO MONTESSORI SYSTEM 
 
 Discovery, In Asia, 80: In Africa, 80; 
 of the North Pole by Peary, 80; 
 of South Pole by Amundsen, 80. 
 
 Division, 228: long, 228: short, 228; 
 written problems. 228: of decimals. 
 232; of denominate numbers, 235: 
 of fractions, 231. 
 
 Dizziness, why things spin around, 24. 
 
 Does a Fan cool the air, 87. 
 
 Does Light weigh anything, 43. 
 
 Does the Brain need food. 20. 
 
 Dog, how he knows a stranger, 32. 
 
 Doll, Christmas hamper, how to 
 make, 277, 278, 279; first little 
 garment, 335; frock lor, 340: petti- 
 coat, 337. 
 
 Doll's House, furniture for, 332. 
 
 Do Our Eyes deceive us, 18. 
 
 Do People live on the moon, 61. 
 
 Do Seeds breathe, 30. 
 
 Do We See what is not there, 42. 
 
 Dragon Files, 97. 
 
 Drainage, problems concerning, 239: 
 tile for, 239. 
 
 Drake, Francis, example of courage, 
 
 209. 
 
 Drawing, 272; and painting, 275; a 
 play lesson, 276; first lessons in, 
 189; how artist draws, 272; how to 
 sit, 274; leaves, 274, 275; materials, 
 272; paper, 274; things to draw, 
 274; use of colored crayons, 189; 
 with crayons, 274. 
 
 Dreams, 16. 17: what causes them, 
 17; why absurd, 88. 
 
 Drills, in multiplication, 220, 221, 
 222, 223, 224, 225, 226. 227. 
 
 Driving a Blindfolded Team, game 
 of, 305. 
 
 Dry matter. In feeding, 259. 
 
 Dry measure. 234. 
 
 Ducking for apples, game pt, 299t 
 
INDEX TO VOLUME I 
 
 Ear, anvil of, 117; deafness from a 
 cold, 116; fibres of inner. 119; ham- 
 mer, 117; how sound waves travel 
 to it, li:?; inner, 117; inner cells, 
 119; journey of sound to brain, 
 119, 126; machinery of, 118; 
 middle. 116; parts of, 117; pictures 
 of inside; 118, real one in the 
 brain, 114; stirrup, 117; tympa- 
 num, 115, 116. 
 
 SEE ALSO HEARING, SOUND, VOICE 
 
 Ear, continued, tympanum, 115, 116. 
 
 Earache, should not be neglected, 
 116. 
 
 Ear Drum, 115, 116. 
 
 Earth, changes in its matter, 62: 
 how men conquered it, 61; is it 
 hollow, 66; wonders of, 58. 
 
 SEE ALSO VOLUME II 
 
 Earthquake, what causes it, 66. 
 
 Eclipse, how observed, 65; of the 
 sun by the moon, 64.- what it is, 64. 
 
 Education, desirable to train the 
 memory, 165; importance of sense 
 of touch in, 155, 156; problems con- 
 cerning, 238: school of real life, 205. 
 
 BEE ALSO MONTESSORI SYSTEM, AND 
 CHILD TRAINING 
 
 Egg Hat, game of, 305. 
 
 Eggs, why bad ones float and good 
 ones sink, 35. 
 
 Egypt, Cleopatra's Needle, 14; early 
 writing in, 14; monuments, 14; 
 tombs, 16. 
 
 Egyptian Tombs, what they con- 
 tained, 16. 
 
 Egyptian Writings, 15. 
 
 Electricity, effect upon water, 87. 
 
 Emotions, must be controlled by 
 reason, 217. 
 
 Engine, could a wheel fly off, 72. 
 
 English Language, finest writing in 
 Bible, "Robinson Crusoe" and 
 "Pilgrim's Progress," 86; foreign- 
 er's difficulties with, 135; number of 
 words in, 80. 
 
 Exercises, chalk line, 191 ; gymnastic, 
 191. 
 
 Exercises and Games, Montessorl 
 system, 176. 
 
 Experiments, Simple, with air and 
 water, 287. 
 
 Eye, blindness, causes of, 107; cata- 
 ract of, 107; color-blindness, 110: 
 color vision, 108; cones in retina, 
 108; cornea, 101; crying, 17; de- 
 fects of, 104, 105; elasticity of lens, 
 107; how a picture is printed on the 
 retina, 71; how our eyes focus by 
 change of shape of their lenses, 104 
 interior of eyeball, 108: iris, 102 
 lens of, 103: nearsightedness, 104 
 105; of backboned animals, 98, 99 
 of birds, 99; of a dragon fly, 97 
 of a fish, 94; of fishes, 98: of a fly 
 94, 97: of a man, 94; optic nerve, 
 102; parts of, 101; pupil, 102 
 storyof. 94; tear gland, 100: tears, 
 17: training of, 190- uses for which 
 nature has fitted them 106; where 
 tears go, 18: winking, 17, 100. 
 
 SEE ALSO SEEING, AND EYES 
 
 Eyeball, 101; interior of, 108. 
 
 Eyebrows, 100. 
 
 Eyelashes, 100. 
 
 Eyelid, what it does, 99. 
 
 Eyes, best colors for, 112; busy senti- 
 nels of the body, 91: do they de- 
 ceive us, 18: how children should 
 use them, 106: how developed, 94; 
 how to rest them. 111; of leaf, 94; 
 of plants, 94; use of in balancing 
 the body, 123; what they .see during 
 reading, 112; why onions make 
 them water, 23; why tropical races 
 are dark-eyed, 88. 
 
 SEE ALSO EYE, AND SEEING 
 
 Fairies, home of the seven, 281; see 
 stories. 
 
 Fairies and Goblins, of piano key- 
 board, 280. 
 
 Fainting, causes, 20; what to do, 20. 
 
 Fan, does it cool the air, 87. 
 
 Farm, choo.sing one, 249. 
 
 Fat 256: heat value of, 259. 
 
 Fatigue, cure for, 21. 
 
 Feather and Fans, game, 295. 
 
 Feeding, problems o«ncernlng, 241; 
 
 rations, table of, 258; standards, 
 258. 
 
 Feeds, chemical analysis of, 257; di- 
 gestible nutrients in, 257; dry mat- 
 ter, 259; feeding rations, table of, 
 258; feeding standards, 258; heat 
 value of fats, 259: mixing a ration, 
 259; nutritive ratio in, 258. 
 
 Feelings, how expressed by the face 
 and eye, 100; how they affect our 
 thoughts, 160: nerve cells upon 
 whicii they depend 143. 
 
 Fencing, problems concerning, 238. 
 
 Fertilizers, 259; chemical ingre- 
 dients, 259- chemical substances 
 taken from soil by various crops, 
 260; fertilizing substances, 260; 
 problems concerning. 261; what 
 substances commercial fertilizers 
 contain, 260. 
 
 Ferns, for rock garden, 343; types 
 of for garden, 344. 
 
 Fever, caused by mosquito, 27. 
 
 Fibers of inner ear, 119; of the brain, 
 154. 
 
 Figures, 270; beginning to count, 
 197; first steps in arithmetic, 196; 
 games in, 197; why we count in 
 tens, 69. 
 
 Fine Arts, 271; crayon drawing, 274; 
 drawing, 272; modeling, 276; music 
 271; painting, 275; where paints 
 come from, 273. 
 
 Fingers, Co-ordinating movements 
 of, 180; uses, 22: why different 
 lengths, 21; why we have ten, 21. 
 
 Finger Nails, u.ses of, 23. 
 
 Finger Prints, how burglars are 
 caught by them, 79. 
 
 Fire, how water quenches It, 50; 
 wonders of, 48. 
 
 FIreworlcs, 88. 
 
 Fish, archer, 376: gills, 126: hear- 
 ing in, 35; swim, bladder of, 126. 
 
 Fishes, eye of, 98, 99; why they can- 
 not live on land, 31; why they do 
 not drown, 35. 
 
 Fives, game of, 305. 
 
 Flag, American, how it originated, 
 81: "American .lack." 83; Eng- 
 lish, 83; official of United States, 
 83; of Ireland, 83; Union Jack, 
 83. 
 
 Flag Day, 83. 
 
 Flags, game of, 303. 
 
 Flames, why they go up, 56. 
 
 Flannel, why it is warm, 19. 
 
 Flies, how they walk on ceiling, 30 
 
 Flowers, arranging for home, 339 
 garden, 318; tame ones and wild, 29. 
 where they go in winter, 27; why 
 they smell sweeter after rain, 57. 
 
 Fly, dragon, 97; eyes of, 97. 
 
 Flying, how birds fly, 125. 
 
 Flying Machine, how boys can make, 
 316. 
 
 Fluid, in six little canals of head, 125. 
 
 Following Leader, game of, 303. 
 
 Foods, Carbohydrates. 256: chem- 
 istry of, 256; fat, 256; how the 
 brain is fed, 20: preserving, 250, 
 251; protein, 256. 
 
 Form, teaching of, 182. 
 
 Formula, 261. 
 
 Fountain, why it plays, 53. 
 
 Fractions, 220; addition of, 230; 
 addition of mixed, 230; decimal, 
 231; definitions, 229; division of, 
 231; multiplication of, 231; re- 
 duction of, 229; subtraction of, 230. 
 
 SEE ALSO ARITHMETIC 
 
 Friction, could a top spin forever, 
 
 72; why a wheel stops, 72. 
 Friday, story of, 356, 357. 
 Fulton, Robert, example of courage, 
 
 208. 
 "Funny-Bone," 142. 
 Furniture for Doll's House, 332. 
 
 Galileo, experiments with falling 
 bodies, 59; leaning tower of Pisa. 
 59. 
 
 Games, baby ball, 192; bingo, 295; 
 blindman's buff, 187, 295; blowing 
 the egg, 301; ciiy of crowded 
 streets, 308; city of the golden 
 dome, 308: counting the dogs, 307; 
 ducking for apples, 299; feather 
 and fans, 295; for children, 187; 
 for Christmas party, 300; for hal- 
 loween, 299; game of adjectives, 
 308; garden, 302; garden gate, 
 294; general post, 296; guessing 
 
 the color of tails, 307; guessing 
 with wooden spoons, 300; hide-and- 
 seek, 187; hold fast, let go, 294; 
 hunt the slipper, 294; in arithmetic, 
 197; interrupted game of bowls, 
 309; landing of a brave band, 309; 
 magic answers, 296; nursery, 294; 
 of touch, 302; proverbs, 296: pusa 
 in the corner, 295; rope-balancing 
 and walking backward, 191; still- 
 pond-no-more-moving, 187; to play 
 by the fire, 296; to play out walk- 
 ing, 307; trees for Europe's ships, 
 308; with apples, 299, 300; with 
 balls, squares, triangles, 186; with 
 colors, 190, 191: with money, 197; 
 with movable alphabet, 198; with 
 sandpaper numbers, 198: with 
 velvet, 186; what scene in history, 
 309; where the cocoanuts grow, 
 309; wolf, 295; word-making. 296. 
 
 SEE ALSO AMUSEMENTS 
 
 Games and Amusements, 263, 293; 
 "Alice in Wonderland," tub, 293. 
 
 Games and Exercises, blindfold, 188. 
 
 Garden, flowers, 318: plants, 252, 
 2.53, 254, 255; pleasures of, 317; 
 rock, 343; when to sow seeds, 318. 
 
 Garden Games, 302: bounce about, 
 303; catch-ball, 304; cross-ball, 
 304; driving a blindfolded team, 
 305; egg hat, 305; fives, 305; flags, 
 303; follow my leader, 303: games 
 of touch, 302; leap-ball, 304; 
 matchbox on the lawn, 306; steeple- 
 chase, 304: Tom Tiddler's ground, 
 302; traveler and wolves, 304; tug- 
 of-war, 303. 
 
 Garden Gate, The, 294. 
 
 Gardener's tools, little, 318. 
 
 Gas, ammonia, 75; carbonic acid, 55. 
 
 Gases, what air is made of, 48: why 
 flames go up, 56; why hot gases 
 rise, 56. 
 
 Gas Flame, why its center is blue 
 and outside yellow, 44. 
 
 Gathering, 335. 
 
 General Post, game of, 296. 
 
 Geometric Figures, reproduced In 
 cards, 189. 
 
 Geometric Forms, plane, 178. 
 
 Geometrical insets, solid, 176, 177. 
 
 German Silver, 88. 
 
 Giddiness, why we suffer it, 125. 
 
 GUIs, use of in fish, 126. 
 
 Gimlet, 325. 
 
 Girl, joyoJ simplicity, 213: must give 
 reason control over emotions, 217; 
 must have courage to restrain feel- 
 ings, 216; must not be wholly con- 
 trolled by sympathies, 217: pleas- 
 ures should be worthy mind and 
 heart, 215; qualities necessary in 
 managing a home, 212; search for 
 pleasure, 213; things she can do 
 without, 213; unnecessary extrava- 
 gance, 215; who loves her home, 
 212; who thinks and feels, 216; 
 wise wife in the home, 213; char- 
 acter making of, 210. 
 
 Girls, how to make work-box, 333; 
 how to use needle, 334: right view 
 of life, 211; should guard fair name, 
 211; should use natural gifts, 210; 
 supremacy of conscience in con- 
 duct, 217; temptations to waste 
 time, 211; things to do, 263, 333; 
 vanity of riches, 211: what she 
 must do to succeed, 210: wherein 
 their power for good lies, 211. 
 
 Glass, of what common is made, 87. 
 
 Glue, wh.v it is adhesive, 87. 
 
 Goblins and fairies, of piano key- 
 board, 280. 
 
 Gold, weight of a cubic foot, 88. 
 
 Goldiloclcs, and the three bears. 347. 
 
 Gordian knot, 207. 
 
 Grains, weight of per bushel, 247. 
 
 Grant, Ulysses S. example of courage, 
 208. 
 
 Gravitation, what holds a building 
 up, 78: why an apple falls, 58: why 
 a stone sinks, 69. 
 
 Gravity, why the river runs into the 
 sea, 51. 
 
 Gray matter of brain, 152. 
 
 Great Salt Lake, 58. 
 
 Great Thinkers, what makes them, 
 1.59. 
 
 Greenhouse, 252, 253, 2.54, 255. 
 
 Guessing the color of tails, game of, 
 307; with wooden spoons, 300. 
 
 Gun, noise when it is fired, 46. 
 
 Gymnastic Exercises, 191. 
 
INDEX TO VOLUME I 
 
 H 
 
 Halloween, games for, 299. 
 
 Hammer, 325: ot ear. 117. 
 
 Handv values, table of, 247. 
 
 Hands, why they have lines, 21. 
 
 Hatchet, 324. 
 
 Have We discovered all the world, SO. 
 
 Hav, problems concerning, 240. 
 
 Hearing, 114: centers of the brain, 
 115: ear drum, 115, 116: in fishes. 
 35: marvel of. 113: real ear in the 
 brain. 114: training sense of, 187: 
 why animals pricl?: up their ears, 
 114; wonderful nerves of. 156. 
 
 SEE .4LS0 E.^B 
 
 Heart, how it distributes the blood, 
 
 91- 
 
 Heat, how a coat keeps us warm. 19: 
 how it travels, 77: in fats, 259. 
 
 Heavens, eclipse of sun, 64: meteor- 
 ites, 66: milky way, 65. 
 
 Hem, 334. , , ,, 
 
 Hippopotamus, brains of, 147. 
 
 Hold Fast, let go, 294. 
 
 Horizon, how far off. 39. 
 
 Home, qualities in a girl necessary to 
 m.anage, 212: schoo! for children, 
 176: wise wife in. 213. 
 
 Houses, why not made of iron, 76. 
 
 Horsepower defined, problems con- 
 cerning, 246. 
 
 How a Balloon keeps up, 54. 
 
 How a Bar stavs in place. 76. 
 
 How a Coat keeps us warm, 19. 
 
 How a Hog knows a stranger. 32. 
 
 How a Mackintosh keeps us dry. 75. 
 
 How a Magnifying Glass makes 
 things bigger. 70. 
 
 How a Soap-bubble holds together, 
 
 50. ^ ,„ 
 
 How a Spider spins its web, 28. 
 How a ?tone is Made, 62. 
 How Big the world is. 60. 
 How Birds Fly without tumbling 
 
 over, 125. 
 How Birds find their way, 28. 
 How Birds know how to build their 
 
 nests, 31. ^ , 
 
 How Burglars are caught by their 
 
 finger-prints. 79. 
 How Clothes keep ice cold, 19. 
 How did the Engineer change cars, 
 
 284. 
 How did the Sheep stand. 282. 
 How does Julia get the eggs. 28o. 
 How Far off is the horizon. 39. 
 How Fast Can a Wheel Go Round, 
 
 72. 
 How Fast was the Horse Walking, 
 
 How Flies walk on the ceiling, 30. 
 
 How long a Pendulum must be to 
 vibrate si.'ity times a minute, 87. 
 
 How Long was the string, 284. 
 
 How Man conQuered the earth, 61. 
 
 How Many ducks, 282. 
 
 How Many eggs. 282. 
 
 How Many persons were they, 283. 
 
 How Manv stamps had they. 283. 
 
 How Many words in English lan- 
 guage, so". 
 
 How Many words we use. 8o. 
 
 How Mirrors are made. SS. 
 
 How Mosquitos cause fever. 27 
 
 How Much does a brick weigh? 284. 
 
 How Much Water was spilled? 284. 
 
 How Our Eyes focus by change of 
 the shape of their lenses. 104. 
 
 How Red Fire is produced. 88. 
 
 How Science gives sight to the blind. 
 
 How Stoneware is gla'.ed. 87. 
 How the American flag originated 
 
 How the Camera takesa photograph. 
 
 How the Face and Eye express our 
 
 feelings, 100. 
 How the Leaning Tower ot Pisa 
 
 .stands, 59. 
 How the piano plays, 38. 
 How the Planets got their names, 6< . 
 How the World was peopled, 13. 
 How to Learn the ABC, 265. 
 How to Make a paper box, 319. 
 How to Make toy zoo. 341. 
 How to remember, 163. 
 How to Teach Children at home. 
 
 How to Weave baskets, 278, 279. 
 
 How we Breathe, 90. 
 
 How we Can Tell the Age of 
 
 Trees. 31. . ^. 
 
 How we Know the Story of the 
 
 world, 14. 
 
 How we See things upside down, 70. 
 
 How worms breathe, 30. 
 
 Human Body, 16. . , , , 
 
 Human House, Blood circulation in, 
 92; brain signals of, 93: sentinels 
 of, 91; telephone exchange of, 91; 
 ventilation of, 90. 
 
 Humming of bees, 29. 
 
 Hunt the slipper, 294. 
 
 Hurrah, origin ot, 88. 
 
 Ice, how it Is kept cold, 19; why It 
 
 is slippery. SS. 
 Ideas, association of. 158. 
 Illusions, do we see what is not 
 
 there, 42. 
 Indians, how they sent messages, 
 
 311. . OQQ 
 
 Industrv, problems concerning, 238. 
 
 Ingredients, of fertilizers. 259. 
 
 Ink, why it is diJlcult to write on 
 
 greasy paper, 88. 
 Inner Ear. 117. 
 
 Insects, problems concerning. 242. 
 Instinct, in birds, 29: how birds 
 
 know how to build their nests, 31. 
 Insurance, problems in, 237: prop- 
 erty, 237. , . ,, . 
 Interest, 236; banker s method, 
 
 236; oral drUl. 236; written 
 
 exercises. 236. 
 International date line. 69. 
 Interrupted Game of bowls. 309. 
 Inventiveness, how to encourage 
 
 child's. 192. „^ ,^„ 
 
 Iris, 102- color of, 102, 103. 
 Iron, cast, 88; three forms ot, 88: 
 
 why It sinks, 74. 
 Is the Earth hollow? 66. 
 Is the Matter of Earth and .\ir 
 
 Changing Places? 62. 
 Italian, why adapted to singing, 136. 
 
 Jack Frost, at Niagara Falls. 4, . 
 Joanof-\rc. example of courage. 209. 
 "John Bull," why England is so 
 
 called. 83. 
 Joints and mortises, 328. 
 
 Kevboard, ot Piano, 280. 
 Kite, what makes it fly, 54. 
 
 Knots, ot sailors and builders, 323. 
 
 Lacing frames. 177. 
 
 Landing ot a brave band, game of, 
 309. 
 
 Languages, different vowel sounds 
 of. 135. 
 
 Language, vowel sounds and con- 
 sonant sounds, 136. 
 
 Larvnx, how it was developed, 126; 
 in breathing, 127; its mechanism, 
 127. 
 
 Latitude, what is meant by it, 88. 
 
 Laughter, what causes it. 17. 
 
 Lawyer versus scientist. 162. 
 
 Leaf, why it changes color, 27; why it 
 falls, 27. 
 
 Leap-Ball, 304. 
 
 Leaves, why they change color, 33. 
 
 Learning by heart, 165. 
 
 Lens, of the eye, 103. 
 
 Lessons, in things beautiful, 2/1. 
 
 Lever, explained, 245; problems 
 concerning, 245. . 
 
 Liberty, Enlightemng the ^\ orld, 
 Statue, 168. , ,^ ^ „ ,t 
 
 Light, diffraction of. 46; does it 
 weigh anything, 43; how it acts 
 upon cells of plants and animals. 
 96: magnifying glass, 70; reflec- 
 tion of 38; what causes it to be 
 yellow 43; what makes the rain- 
 bow. 44; why center ot gas flame 
 is blue and outside yellow 44; 
 why it attracts moths. 35; why it 
 seems red when we shut our eyes, 
 42- why photographs are devel- 
 oped in red light, 45; why sky is 
 dull during a storm, 4o: why some 
 houses look crooked. 46; why the 
 sky is blue, 40; why the stars 
 twinkle. 62: why we see ourselves 
 in the glass, 38: wonders of. 3/ . 
 
 SEE ALSO COLOR, -VXD COLORS 
 
 Lighting, for houses. 111. 
 
 Lightning, why it frequently strikes 
 a crowded hall. 87. 
 
 Lights, why spinning makes rings, 
 44. 
 
 Life, in seeds, 34; training tor, 205. 
 
 Lincoln, Abraham, example of cour- 
 age. 209. . . 
 
 Linear measure. 233; reduction of. 
 2:J3; table of. 233. 
 
 Linen, why it is cool, 19. 
 
 Lion, British, 83. 
 
 Liquid and Dry measures, tables of, 
 234. 
 
 Liquid measures, 234. 
 
 Little, Gardener's tools, 318' lessons 
 in things beautiful. 263: problems 
 for the wise. 263, 282: shadow 
 theater, how to make, 297. 
 
 Little Problems for the wise. Did 
 George walk round the monkey. 
 283; How did the engineer change 
 cars'^ 284: How did the sheep 
 stand'' 282; How does Julia get 
 the eggs? 285: How fast was the 
 horse walking? 284- How long 
 was the string? 284; How many 
 ducks? 282; How many eggs? 282; 
 How manv persons were they? 
 283; How many stamps had they? 
 283; How much does a brick 
 weigh? 2S4; How much water was 
 spilled? 284; kiddles. 285; the 
 clock strikes twelve. 2S2: the 
 farmer and the tramp. 283: things 
 difficult to say. 286: \\'Tiat vehicles 
 were sent? 282; When was the 
 watch right? 2S2; Whose portrait 
 is it? 283: twelve eggs in basin, 
 283 
 
 see' ALSO GAMES. AND AMUSEMENTS 
 
 Little Tiny Thumbellne, 370. 
 Livingstone, David, example of 
 
 courage, 208. 
 Locke, John, Theory of knowledge. 
 
 Longitude, what is meant by it, 88. 
 Long Stair, 177. 
 Long Stair game, 184. 
 Lullaby, origin of word, 87. 
 Lungs, 90: development of, 126; 
 their function, 91. 
 
 M 
 
 Machinery, plowing. 248. 
 Mackintosh, how it got its name, 
 
 75: how it keeps us dry, 75. 
 Magic, 287. 
 
 Magic Answers, game of. 296. 
 Magic Lantern, how to make, 320. 
 Magnifying Glass. 70. 
 Making Change, 219. 
 Management, of very young child, 
 
 ^00. , „„ 
 
 Marriage Ring, origin of, 88. 
 Marvels, of hearing, 113; of nerve 
 
 currents, 121. 
 Master self, 345. 
 
 Matchbox on the lawn, game of, 306. 
 Materials, for drawing, 272; for 
 
 modeling. 276. 
 Mechanism, of larynx. 127. of 
 
 mouth. 140: ot nose, 140. 
 Measurements, 233. 
 Measures, cubic, 234; linear, 233, 
 liquid and dry, 234 square, 233; 
 time, 247. „ 
 
 Measuring, distance by sound, 3iz. 
 Memory, best way of remembering 
 what we have heard, 166: desirable 
 to train it. 165: difference between 
 remembering and recalling. 164; 
 how to remember. 163; important 
 in education. 165; learning by 
 lieart, 165; learning to discriminate, 
 165- outdoor life best aid, 166; 
 reading as an aid, 166; te^ts on 
 Montessori system, 204; when at 
 its best, 164: why old people re- 
 member things of long ago, 164; 
 writing as an aid, 166. 
 Men, do not always search for 
 
 truth, 161. ,. JO,, 
 
 Messages, how Indians send, 311. 
 Meteorites. 66. 
 Microbes, in blood, 91. 
 Middle Ear, 116. 
 
 Milk, problems concerning, 243, 244. 
 Milky Way. what it is, 65. 
 Milton, words used py So. 
 Mind, how a child s is built up, lo8. 
 Mirrors, how made, .SS. 
 Miscellaneous quesuon boi, 87. 
 Mitre joints, 329. 
 
INDEX TO VOLUME I 
 
 Mixing, rations for stock, 259. 
 
 Modeling, apples, 277; cherries, 276; 
 in clay, 276; materials, 276. 
 
 Monday, story of, 3.54. 
 
 Money, games with, for children, 197; 
 United States, 232. 
 
 Montessorl, Dr. Maria, portrait, 
 170; system of child training, 171 
 
 Montessorl System, a day with 
 children s activities, 172; apparatus 
 not enough, 203; baby ball, 192; 
 basic principles, 172; beginning of 
 writing, 179; blindfold games and 
 exercises, 188; block tower, 182; 
 broad stair, 177; buttoning and 
 lacing frames, 177; Casa del 
 Bambini. 174; cautions to be ob- 
 served, 195; chalk line exercises, 
 191; children choose their own 
 occupations, 175; children learn to 
 feel responsibility, 174; child's 
 attention directed to siz' and form, 
 176; color boxes, 178; computing 
 boxes, 178; co-ordinating move- 
 ments of fingers, 180; developing 
 the sense of touch, 185; differ- 
 entiation of colors, 190; disciplina 
 and obedience. 200; encourages 
 child's Inventiveness, 192; exer- 
 cises and games, 176; explosion 
 Into writing, 194; first lesson in 
 drawing, 189; first steps in arith- 
 metic, 196; first use of pencil, 189; 
 further development of tactile 
 sense, 185; games and exercises 
 involving the sense of touch, 186; 
 games with balls, squares and 
 triangles, 186; game with counting 
 sticks, 198; games in arithmetic, 
 197; games with money, 19 ; 
 game with sandpaper numbers, 198; 
 games with velvet, 186; gymnastic 
 exercises, 191; how child learns 
 self-care, 195; how it maintains the 
 child's normal life, 195; how to 
 teach mastery over muscles of 
 child, 192; how to teach selt- 
 control, 198; lacing frames, 177; 
 learning to read, 193; learning to 
 write at age of four, 193; long 
 stair. 177; long stair exercise, 183; 
 long stair game, 184; matching 
 colors, 190; memory tests on 204; 
 movable alphabet. 178; necessity 
 for constant activity in early 
 childhood, 203; passing from con- 
 crete to abstract, 189; plana 
 geometric figures reproduced in 
 cards, 189: plane geometric forms, 
 178; plant and animal pets, 195; 
 practice words, 194; preparatory 
 exercises to writing, 18?: purpose 
 of devices, 172; putting away 
 apparatus, 180: recognizing and 
 spaillng word.s, 193; rope balancing, 
 191; sandpaper boards, 178; sand- 
 papsr board, number two, 185; 
 school in the home. 176; self- 
 education by, 173: self-Instructing 
 devices, 178; se .se-training appa- 
 ratus, 177; solid geometrical insets, 
 176, 177; sound boxes, 178, 187: 
 spirit essential, 174: spontaneous 
 writing le.sson, 181; supplementary 
 games for, 187; teaching dimension 
 and form, 182; teaching practical 
 application of kno\fledge gained, 
 181; teaching the child to build the 
 broad stair, 182: training must fit 
 the child, 171; training sense ol 
 hearing, 187: training the eye, 190, 
 trains the five senses, 172; traits 
 of child nature appealed to, 179; 
 underlying idea, 171; undirected 
 work, 195; use of colored crayons, 
 189; value of free will over forced 
 attention, 175; what it is, 171. 
 
 SEE ALSO CHILD TRAINING 
 
 Monuments, Egyptian, 14. 
 
 Moon, eclipse of sun, 64; is it In- 
 habited, 61. 
 
 Mortar, why it becomes hard, 88. 
 
 Mortises, 328. 
 
 Mosquito, how it causes fever, 27. 
 
 Moth uses of, 27; why it flies round a 
 candle, 35. 
 
 Mother-of-pearl, colors in, SS. 
 
 Mouth and Nose, mechanism of, 
 140. 
 
 Movements, how body movements 
 are told to brain, 123. 
 
 Muller, Max 80, 
 
 Multiplication, 219; charts, 220; 
 chart and drills, 221, 222, 223, 224, 
 225. 226, 227; of fractions, 231; 
 methods in, 228; of decimals, 232; 
 
 of denominate numbers, 235; prob- 
 lems In, 228; tables, 220. 
 
 SEE ALSO AKITHMBTIC 
 
 Muscles, how to teach mastery over, 
 in child, 192; particular, 17. 
 
 Music, 271; goblins and fairies, 280; 
 home of the seven fairies, 281; 
 how the piano plays, 38: how to 
 teach young children, 280; nerve 
 currents that pass to the brain 
 when we hear it, 121; piano, 280; 
 power of singer over human voice, 
 129; singing, 130, 131; the voice 
 box, 127, 128, 129: where it comes 
 from 37; why a singer likes to sins.' 
 In Italian, 136: wonderful land of 
 sound, 280, writing and singing of. 
 130, 131 
 
 Mystery and Magic, 263, 287; boy 
 conjuror's joke, 291; conjuring 
 . trick with nuts, 292; disappearing 
 dime, 290; making a ball vanish, 
 291; simple experiments with air 
 and water, 287; trick to play with 
 a book, 289. 
 
 SEE ALSO AMUSEMENTS 
 
 Myths, see Stories. 
 
 N 
 
 Names, why we liave them, 86. 
 
 Nations, live and die, 13. 
 
 Near-Sightedness, 104. 
 
 Need of fresh air. 91. 
 
 Needle, how to use. 334. 
 
 Nerve Fiber, how it grows, 144; 
 
 what it is, 142. 
 Nerve Fibers, their function, 91. 
 Nerve Cells, 143; how they produce 
 
 nerve fiber, 144; in lower animals 
 
 144; millions compose the brain. 
 
 152; upon which feelings depend, 
 
 143. 
 
 SEE ALSO BBAIN 
 
 Nerve Currents, marvel of, 121. 
 
 Nerves, changes produced by nerve 
 currents, 143, forest of within us, 
 142; how they carry messages to 
 and from the brain, 145; mystery 
 of the nerve current, 143; of nose, 
 139. 
 
 SEE ALSO BEAIN 
 
 Nervous System, 93; brain and 
 spinal cord, 146; central, 145; cere- 
 bellum, 147; different parts of, 
 146: how brain and spinal cord are 
 protected, 146; see brain and 
 nerves, 145. 
 
 SEE ALSO BRAIN 
 
 New York Cleopatra's Needle, 14' 
 
 Niagara Falls, Blindfolded man's 
 walk across, 124: frozen over 47. 
 
 Night, why it is diark, 40. 
 
 Nitrogen, 259, 260. 
 
 Noises, in sea shell, 41. 
 
 Noise, when a gun is fired, 46: why 
 an exploding cartridge makes a 
 report, 87; why It breaks a win- 
 dow, 41. 
 
 North Pole, discovery of by Peary, 
 80. 
 
 Nose, nerves of, 139; why we should 
 breathe through it, 140. 
 
 SEE ALSO SMELL 
 
 Numbers, denominate, 233; why wa 
 
 count in tens, 69. 
 Nutritive Ratio in feeds, 258. 
 
 Oak. why it Is stronger than pine, 87. 
 Obedience, how to teach children, 
 
 200. 
 Onions, why they make the eyes 
 
 water, 23 
 Optic Nerve, 102. 
 Orange Blossoms, origin of custom 
 
 of wearing, 88. 
 Orchard. 252. 2.53. 2.54, 255. 
 Origin, of 'A feather in his cap. "87; 
 
 of "hurra.h,' 88; of "pin money," 
 
 87; of ring in marriage ceremony, 
 
 88. 
 Outdoor Life, its aid to memory, 
 
 166 
 Oxidize, why silver tarnishes, 87. 
 Oxygen, why coal burns, 55. 
 Ozone, Jn air, 52. 
 
 Paint, why it keeps iron from rusting, 
 
 88. 
 Paint Box, where the colors come 
 
 from, 273. 
 Painting, 271; leaves, 275; where 
 
 the colors come from. 273. 
 Pal .Its, where we get them, 273. 
 Pap2r, drawing, 274. 
 Paper Box, how to make, 319. 
 Papering, for rooms. 111. 
 Papyrus, 15. 
 
 Parent and Teacher, book for. 169. 
 Parents, authority of over children, 
 
 200. 
 Parts, Of ear, 117, 118; of eye, 101. 
 Paste, why it is adhesive, 87. 
 Patterns, for doll's frock. 340: for 
 
 doll's petticoat, 338; for toy zoo 
 
 342. 
 Paving, problems on, 234. 
 Pawnbroker's sign. 88. 
 Peary, Robert E., discovery of North 
 
 Pole, SO. 
 Pencil, first use of, 189. 
 Pendulum, law of, 87. 
 People, color of, 22; how the world 
 
 was peopled, 13: why some are 
 
 dark 22; why some are fair, 22; 
 
 why they have different kinds of 
 
 voices, 133. 
 Percentage, 235: oral problems. 236: 
 
 table of equivalents, 235; written 
 
 problems, 236. 
 Perception, visual, 182. 
 Peter Pan, 364; statue of, 365. 
 Pets, animal and plant. 195. 
 Petticoat, for doll 337. 
 Phosphoric acid, 259, 260. 
 Photographs, how the camera takes 
 
 one, 71; that plants can take. 95; 
 
 why developed in red light. 45. 
 Piano, how it plays 38: how to teach 
 
 young children, 280; key board, 
 
 280. 
 Picture, alphabet, 266; answers, 269; 
 
 drawn bv the voice, 128; how artist 
 
 draws, 272; how made, 71; words, 
 
 267, 268, 269. 
 Pictures, on retina of the eye, 71; 
 
 why some faces in pictures follow us, 
 
 79. 
 Picture Writing, 14; In Egypt, 85. 
 Pigment, 96. 
 Pilgrim's Progress, flne.3t writing 
 
 in, 86. 
 Pine, why It is weaker than oak, 87. 
 Pin Money, origin of phrase, 87. 
 Pisa, leaning tower of, 59. 
 Plane, 325. 
 Planets, how they get their names, 
 
 67. 
 Plant and animal pets, 195. 
 Plant Life, in garden, orchard, vine- 
 yard and greenhouse, 252. 
 
 SEE ALSO V'JLUME II 
 
 Plants, eyes of, 94; garden, 318; how 
 they turn their leaves to the light, 
 95; where they get their salts, 36; 
 wonders of, 26. 
 
 SEE ALSO VOLUME II 
 
 Plaster of Paris, what it is, 88. 
 Plav, the natural right of boys and 
 
 girls, 148. 
 
 SEE ALSO GAMES, AND .WIUSEMENTS 
 
 Plays and stories, 263, 345. 
 
 Plays, scene from Robin Hood, 378; 
 scene from Uncle Tom's Cabin, 381. 
 
 Pleasures, should be worthy mind 
 and lieart, 215. 
 
 Plowing, by machinery, 248; prob- 
 lems concerning, 239. 
 
 Poetry, Battle of Blenheim, 363; 
 jingles, verses and poems for little 
 people, 3,60; Santa Glaus, 362. 
 
 Poets, 271. 
 
 Polar Star, 67. 
 
 Poles, discovery of, 80. 
 
 Polishing and varnishing, 331. 
 
 Potash, 259, 260. 
 
 Potatoes, problems concerning, 244. 
 
 Poultry, problems concerning. 245. 
 
 Practical, arithmetic. 218; problems 
 and calculations, 238. 
 
 Practice Words for child, 194. 
 
 Preserving Foods. 250, 251. 
 
 Primary Colors, 109. 
 
 Principles of child training, 171, 172, 
 of Montessorl system, 172. 
 
 Problems, little for the wise, 263 
 282. 
 
 Processes, of arithmetic, 218. 
 
 Produce, weights of per bushel, 24"!'. 
 
INDEX TO VOLUME I 
 
 Pronunciation, Importance of cor 
 rectly pronouncing consonants. 137; 
 use of tongue and teeth in, 137. 
 
 Protein, 256 
 
 Proverbs, game of, 296. 
 
 Pumice Stone, what it is, 87. 
 
 Pupil, of the eye, 102. 
 
 Purr, why a cat purrs, 32. 
 
 Puss In the Corner, 295. 
 
 Pygmies, The, 373. 
 
 Question Box, 87. 
 
 Races, why tropical are darlc-eyed, 
 88. 
 
 Railway signals, why red, green and 
 white, 110. 
 
 Ramsay, Sir William, theory of 
 smell, 141. 
 
 Rain, could we live without, 57: how 
 It freshens the air, 52; why flowers 
 smell sweeter after, 57. 
 
 Rainbow, what makes it, 44. 
 
 Raindrops, why they are round, 54. 
 
 Rainwater, why best for plants, 88. 
 
 Reading, as an aid to memory, 166; 
 learning to, 193; picture words, 
 267, 268, 269 ; recognizing and spell- 
 ing words, 193; safe rule for, 112; 
 what the eyes see during, 112. 
 
 SEE ALSO MONTESSORI SYSTEM, 
 AND MEMORY 
 
 Red Fire, how produced, 88- 
 
 Rembrandt, in his studio, 271. 
 
 Rents, problems concerning, 241. 
 
 Rest, for the eyes, HI 
 
 Retina, how it takes pictures 71. 
 
 Riches, vanity of, 211. 
 
 Riddles, 285, 286. 
 
 Right-handed, why we are, 23. 
 
 Rings, why spinning lights make. 44. 
 
 River Beds, why they change. 58. 
 
 Rivers, why their beds change, 58. 
 
 Roads, problems concerning. 241. 
 
 Robin Hood, scenes from 378. 
 
 Robinson Crusoe, finest writing In, 
 86. 
 
 Rock Garden, 343 
 
 Roosevelt, Theodore, example of 
 courage, 208. 
 
 Rope balancing, 191. 
 
 Rosetta Stone, 15, 16, 85. 
 
 Ross, Mrs. Betsy made first Ameri- 
 can flag, S3. 
 
 Rot, why wood rots, 36. 
 
 Rotation of crops. 249. 
 
 Running and felling, 335. 
 
 Rust, why paint prevents, 88. 
 
 Sailor's Knots. 323. 
 
 Salteratus, why it makes cake light, 
 
 87. 
 Sand, why we cannot make a rope 
 
 of it, 78. 
 Sandpaper Boards, 178. 
 Sandpaper Board, number two, 185. 
 Santa Claus. poem. 362. 
 Salt, in the sea, 49; uses of, 88. 
 Salts, in plants. 36. 
 Salt Water, why it is easier to swim 
 
 in, 58. 
 Saturday, story of, 357. 
 Saw, how to use 324. 
 Science, how it gives sight to the 
 
 blind. 107. 
 Scientist vs. lawyer. 162. 
 School, of real life. 205. 
 School in the home, Monlessori 
 
 system, 176. 
 Scott, Capt., example of courage, 
 
 209. 
 Scott, Sir Walter, on waste of time, 
 
 211. 
 Screwdriver, 325. 
 Sculptors, 271. 
 Sea, why it is salt, 49; why it looks 
 
 blue, why it locks green, 56. 
 Sea Shell, noises in, 41. 
 Sea Water, why it is green or blue, 
 
 56. 
 Seams, 335. 
 Secondary Colors, 110. 
 Seeds, how they breathe, 30; what 
 
 brings life out of them, 34; when 
 
 to sow, 318; why they come up at 
 
 certain times 33. 
 
 Seeing, can we see everything. 42: 
 do we see what is not there, 42; 
 with the eyes, 42; with the mind, 
 42. 
 
 SEE ALSO EYE, AND EYES 
 
 Seeing Colors, 108. 
 
 Self-Care, how child can learn, 195. 
 
 Self-Instructing, devices, 178. 
 
 Senses, by which we know the outer 
 world, 114; developing sense of 
 touch, 185; difference in, 155; 
 hearing, 113; matching colors, 
 190: nerves of hearing, 156; of 
 balance, 122; seeing, 94; smell 
 and taste, 138. the nobler, 154; 
 touch, the mother of senses, 155' 
 trained by Montessori system, 172; 
 training sense of hearing, 187. 
 
 SEE ALSO IlRAIN; NERVOUS SYSTEM 
 
 Senses Chemical, taste and smell, 138. 
 
 Sense-training apparatus, 177. 
 
 Sentinels, of the human house, 91. 
 
 Seven Wonders of the World, 88. 
 
 Sewing, 334; buttonhole scallops, 
 336; doll's clothes, 335; folding, 
 335; gathering, 335; hem, 334; 
 materials, 334: patterns for doll's 
 garments, 336; running and felling, 
 335. seams, 335; stitches, 334, 335; 
 whip stitch, 336. 
 
 SEE ALSO THINGS FOR GIRLS TO DO 
 
 Shades of Color, 110. 
 
 Shadows, biggest that we can see, 
 
 64; Brocken, 40; what causes 
 
 them, 40; what makes them, 63; 
 
 why we cannot jump oft, 40. 
 Shakespeare, words used by, 85. 
 Shale, what it is. 88. 
 Ship, why an iron one floats, 74. 
 Shivering, makes us warm, 24 
 Shivering from Cold, causes of, 24. 
 Shoes, whv hotter when dusty, 87. 
 Shooting Stars, 66. 
 Shorthand, when it came into use, 
 
 88. 
 Sienna, burnt. 275. 
 Signals, of Indians, 311. 
 Silicon, why a stone does not burn, 
 
 55. 
 Silos, problems concerning, 240 
 Silver, German, 88. 
 Silver Linings, of clouds, 63. 
 Simple Simon, 361. 
 Singing, 130, 131; why we can sing 
 
 different vowels on the same note, 
 
 134. 
 
 SEE ALSO VOICE 
 
 Sing-Song speaking, 133 
 
 Skull, protector of brain, 146: why 
 
 it can tell us nothing about the 
 
 brain, 151. 
 Sky, why it is blue, 40; why it is dull 
 
 in a storm, 45. 
 
 SEE .\LSO VOLU.ME II 
 
 Sleep, covering the face, 25; what 
 wakes us, 18; where we go in, 16; 
 why children need, 16; why we 
 go to, 16. 
 
 Sleeping with bed clothes over face, 
 25. 
 
 Smell, an inferior sense. 138; closely 
 allied to taste, 138; nose. 138; or- 
 gans of, 138: !*ir William Ramsay's 
 theory of, 141: upon what it de- 
 pends. 141: weak in man, strong in 
 animals, 155: family likeness of, 139. 
 
 SEE ALSO NOSE 
 
 Smoke, what it is made of. 56; why 
 that of a train goes the other way, 
 78. 
 
 Snail Shell, where it comes from, 30. 
 
 Snail, where it finds its shell, 30. 
 
 Snow, why it is white, 43. 
 
 Soap, why it takes out the dirt, 73. 
 
 Soap-Bubble, how it is made, 49; 
 what holds it together. 50. 
 
 Sound Boxes, 178, 187; deafness 
 from a cold. 116; hearing, marvel 
 of, 113; how it reaches the brain, 
 120; how we put color in the voice, 
 132; in measuring distances, 312; 
 journey of to brain, 119, 120; 
 music, 37: talking and singing, 
 131: the noise when a gun is fired, 
 46; training the sense of hearing, 
 187; vocal chords, 129; voice box, 
 127; why a kettle sings, 41; why 
 a pop-gun pops, 46: why telegraph 
 lines hum, 4 . wonderful land of, 
 280; wonders of, 37. 
 
 SEE ALSO VOICE, AND EAR 
 
 6 
 
 Sounds, of tbe sea shell, 41; soma 
 that cannot be sung, 136: vowels 
 contrasted with consonants, 136. 
 
 Sounds of voice, how produced, 135: 
 in different languages. 135. 
 
 Sounds, Vowel, in different lan- 
 guages, 135. 
 
 Sound Waves, Uow they travel to the 
 ear, 113. 
 
 South Pole, discovery by Amundsen, 
 SO. 
 
 Speaking, sing-song, 133; why we 
 use different notes in, 132. 
 
 SEE ALSO VOICE 
 
 Specific Gravity, why a stick floats, 
 74; why iron sinks, 74; why an iron 
 ship floats, 74 
 
 Spectroscope, what tne stars are 
 made of, 61. 
 
 Spelling, picture words, 267, 268, 
 269. 
 
 Spider, how it spins its web, 28. 
 
 Spiders, why they do not get caught 
 in their webs, 31. 
 
 Spider-Web, covered with dewdrops, 
 28: how spun, 28; why spiders 
 do not get caught in them, 31. 
 
 Spinal Cord, 146; connection with 
 the brain, 146. 
 
 Spinster, origin of, 88. 
 
 Square, 325. 
 
 Square Measure, 233; table of, 233. 
 
 St. Andrew, cross of, 83. 
 
 St George, 83. 
 
 St. Patrick, 83. 
 
 Staining and Polishing, 330. 
 
 Stains, colors of, 330 
 
 Stair, broad, 177: long. 177. 
 
 Stair Broad, teaching child to 
 build, 182. 
 
 Stair Long, teaching child to build, 
 183. 
 
 Standing, part of body that helps 
 us to stand, 122. 
 
 Stars, how they were named, 67; 
 milky way. 65 : shooting, or meteor- 
 ites, 66: what keeps them In their 
 places, 63; what they are made of, 
 61 ; where they stay in daytime, 60; 
 why they twinkle, 62; wonders of, 
 58. 
 
 SEE ALSO VOLUME II 
 
 Stars and Stripes, ^see American 
 Flag.) 
 
 Statue, Liberty Enlightening the 
 World, 168. 
 
 Steel, cast, 88. 
 
 Steeplechase, game of, 304. 
 
 Stephenson, George, example of 
 courage, 208. 
 
 Stirrup, of ear, 117. 
 
 Stitches, Buttonhole, 335; how to 
 make, 334. 
 
 Stock, feeding, 256. 
 
 Stone, how It is made, 62; Rosetta, 
 85; why it sinks, 69. 
 
 Stoneware, how It is glazed, 87. 
 
 Stories and Plays, 263. 
 
 Stories, Apollo and I.eto, 358; Art- 
 ful mole and innocent blackbird, 
 375; Brer Rabbit and Tar Baby, 
 348; history of world transmitted 
 In, 14, Little Tiny Thumbeline, 
 370; Master Self, 345; Peter Pan, 
 364; Story of the Days, 352; the 
 Archer Fish, 376 ; The Pygmies, 373 ; 
 The Three Bears, 346; Three Little 
 Pigs 349. 
 
 Storm', why sky is dull during, 45. 
 
 Storv, of the eye, 94; questions, 269. 
 
 Subtraction, 218, 219; checking, 
 219; drill in, 218: fractiisns, 230; 
 making change, 219; of decimals, 
 231: of denominate numbers, 235; 
 written exercises, 219. 
 
 Success, emotions must be controlled 
 by reason, 217: girl who loves her 
 home, 212; girls should use natural 
 gifts, 210, glory of courage, 208; 
 Imaginary difficulties, 209; joy of 
 simplicity, 213: pleasures should 
 be worthy mind and heart, 215; 
 qualities in a girl necessary in man- 
 aging a home. 212: qualities that 
 coin, 206: search for pleasure, the, 
 213; unnecessary extravagance, 
 215: use of difficulties, 206: what 
 aboy must do to succeed, 205; what 
 a girl must do to succeed, 210. 
 
 SEE ALSO CHILD TRAINING; MON- 
 TESSORI SY'STEM 
 
 Sun, Eclipse by moon, 64; how it 
 changes the course of the wind. 57; 
 what keeps It bright,'60; wonders of, 
 68. 
 
INDEX TO VOLUME I 
 
 Sunday, story of, 352. 
 
 Sunset, what produces colors of, 38 
 
 Swim, bladder of flsh, 126. 
 
 Swimming, wTiy it Is easier to swim 
 in salt water. 58. 
 
 Symbolism, 189. 
 
 Sympathies, must be limited In con- 
 trol of girls. 217. 
 
 System, Circulatory, 92; nervous, 
 9o> 
 
 Tables, counting, 246. 
 
 Tallting, 131. 
 
 Tarnisii. why silver tarnishes, 87. 
 
 Taste, organs of, 138; where It re- 
 sides, 141. 
 
 Tastes, better classified than smells, 
 141 . 
 
 Taxes , 237 ; method of spreading, 237 ; 
 problems in, 237. 
 
 Teaching, practical application of 
 knowledge, ISl; visual perception, 
 
 Tear"GIand, 100. 
 
 Tears, crying, 17; use of, IS: where 
 
 they go, IS: why they come, 17; 
 
 why they overflow, 100. 
 Teeth, use in pronunciation, 137; 
 
 why only two sets grow, 23. 
 Telegraphy, why lines hum. 45. 
 Telephone, way to make lor boys. 
 
 Tests for color-blindness. 111. 
 
 Theater, little shadow. 297. 
 
 Things, beautiful, 263; difllcult to 
 say, 286; for boys to do, 263; for 
 girls to do, 263, 333: to draw, 274. 
 
 Things for Boys to do, bookshelves, 
 326; boy's carpenter shop, 324; 
 how to make flying machine, 316; 
 Indian signals, 311; kites, how to 
 make, 314: knots of sailors and 
 builders. 323; mea.suring distance 
 by sound. 312; staining and polish- 
 ing, 330; tool-box, 326; way to make 
 a telephone. 312. 
 
 SEE ALSO GAMES A>rD AMUSEMENTS 
 
 Things for Girls to do, arranging 
 flowers for the house, 339: bas- 
 try, 277, 278. 279: doll'- frock, 340; 
 doll s garments, 335; drawing, 272, 
 274, 275, 276: game of where is It, 
 308; games and amusements, 293; 
 games for halloween, 299: games 
 for nursery, 294; games to plav by 
 the Are, 296: garden games, 302; 
 girls work-box, 333; how to make 
 the stitches, 334; how to use needle, 
 334; success in things beautiful, 
 271; little problems for the wise, 
 282; little shadow theater, 297- 
 making a rock garden, 343. 344- 
 making a toy zoo, 341- modeling! 
 2(6; music, 280, 281; patterns, 
 336; seams, 334, 337: sewing, 334- 
 Btltches, 334; stories and plays, 
 345. 
 SEE ALSO GAMES, AND AMUSEMENTS 
 
 Things to Make, 322; for a bazar 
 332; magic lantern, 320; paper 
 box, 319. 
 
 SEE AL.SO THINGS FOR BOYS TO DO' 
 THINGS FOR GIRLS TO DO 
 
 Thinkers, their secret of success. 
 loS. 
 
 Thinking, how affected by our feel- 
 ings, 160: should not be guided by 
 wrong Interests. 160. 
 
 Thought, expressed by famous 
 artists, 157; how affected by feel- 
 ings, 160: how our thinking should 
 be guided, 160: how we can help 
 ourselves to become real thinkers, 
 lo9; how we think, 157; secret of 
 success of all thinkers, 158; what 
 makes great thinkers, 159: what 
 real thinking Is, 158: why a thinker 
 should seek only the truth, 161 
 
 Three little pigs, 349. 
 
 Thumbeline, Illustration, 264 
 
 Thursday, story of, 356, 357. 
 
 body'"°123"''l>l°^' *'^'^'^"'^S the 
 
 Time, date 'line. 69; measure, 247- 
 
 waste of, 211: where the day b&l 
 
 gins, 68: where the day changes. 
 
 Do. 
 
 Toast, why more digestible than 
 
 Toasting Forks, how to make, 332 
 
 Toe-nails, 22. 
 
 Tombs, Egyptian, 16. 
 
 Tom Tiddler's ground, game of, 302. 
 
 Tongue, nerves of, 138; use In pro- 
 nunciation, 137. 
 
 Tool-Box, how to make, 326. 
 
 Tools, carpenter's, for boys, 324. 
 
 Top, could it spin forever, 72. 
 
 Touch, developing sense of, 185; 
 development of the tactile sense, 
 ISo: games and exercises in, 186- 
 importance In education, 156; 
 mother of senses, 155. 
 
 SEE ALSO -MONTESSORI SYSTEM; 
 BKAI.N: SENSES 
 
 Tower, block, teaching. 182; teach- 
 ing the child to build. 182. 
 
 Traveler and Wolves, game of, 304. 
 
 Tree, Christmas, for birds, 301. 
 
 Trees, for Europe's ships, game of, 
 308; how we can tell their age. 31; 
 why they have bark, 32. 
 
 Trick, to play with a book, 289. 
 
 Truth, search for desirable, 161. 
 
 Tuesday, storv of, 354. 
 
 Tug-of-War, game of, 303. 
 
 Twelve Eggs in basin, 283. 
 
 Tympanum, 115, 116. 
 
 U 
 
 ••Uncle Sam" Why United States Is 
 
 so called, 81. 
 Uncle Tom's Cabin, scene from. 
 
 United States, money. 232. 
 Use of a Moth, 27. 
 
 Vacuum, what It Is, 75. 
 
 Values, table of, handy, 247. 
 
 Vanishing Red Man. 310. 
 
 Vanity of Riches. 211. 
 
 Varnish. 330. 
 
 Ventilation, of human house, 90. 
 
 Verses for Children, 360, 361, 362, 
 363. 
 
 Vibration, why a kettle sings, 41; 
 why telegraph lines hum, 45. 
 
 Vineyard. 252, 253, 254, 255. 
 
 Vision, organs of, 94; range of, 39. 
 
 Visual perception. 182. 
 
 Vocal Chords, 129; how tightened 
 to produce sounds, 129. 
 
 Voice, human, 127; care of, 134; 
 cultivation of children's, 134; how to 
 put color Into It, 132; pictures 
 drawn by, 128: power of singer 
 over, 129; talking and singing, 131- 
 value of soft and gentle, 134: why 
 different people have different 
 kinds of voices. 133; whv more 
 marvelous than piano, 130: why 
 we use different notes In speaking, 
 
 SEE ALSO SOUND ; SPEAKING ; SINGIN Q 
 
 Vowel Sounds, contrasted with con- 
 sonant sounds, 136; of different 
 languages, 135. 
 
 W 
 
 W'alking, backward, 191. 
 
 Wall Papers, undesirable patterns. 
 
 War use of aeroplane in, 81. 
 
 Warp, why wood does, 87. 
 
 Washington, George, 209. 
 
 Wasp, brain of, 144. 
 
 Water, effect of electricity upon 87- 
 experiments with, 287: rain best for 
 plants, 88: what a dewdrop is, 48' 
 what clouds are made of, 55: what 
 colors stagnant, 45: what makes it 
 Doil, ol: why a river runs into the 
 sea, ol; why it boils away, 52; why 
 It quenches fire. 50: why it runs, 
 78; why raindrops are round, 54- 
 why the sea is salt, 49; wonders of, 
 48. 
 
 SEE ALSO VOLUME II 
 
 Wednesday, story of, 355, 356. 
 ^^IIM- °' ^ <^^*'''' foot of gold, 88: 
 
 of light, 43 : avoirdupois, 234. 
 Weights of Produce, 24V 
 Were Tame flowers once wild, 29. 
 What are Meant by latitude and 
 
 longitude, 88. 
 What a Vacuum is, 75. 
 What becomes of carbonic add, 87. 
 What Brings Life out of seeds. 34. 
 
 43 * *-°"^^* " Light to be yellow. 
 
 What causes an earthquake, 66. 
 What Changes the course of the 
 
 wind, 57. 
 What Clouds are made of, 55. 
 What Colors stagnant water, 45. 
 What Happens when one faints, 20. 
 What Holds a building up, 78. 
 What is the Efifect of electricity 
 
 upon water, 87. 
 What is Plaster of Paris, 88. 
 What is Pumice stone 87. 
 What is Shale. 88. 
 What Keeps the Stars In their 
 
 places, 63. 
 What Keeps the sun bright, 60. 
 What Makes a bee hum, 29. 
 What Makes a Cat purr, 32. 
 What .Makes a dimple, 25. 
 What .Makes a Kite fly, 54. 
 What Makes an Automobile go. 
 
 What Makes the shadows, 63. 
 What Makes the Colors of sunset. 
 
 What Makes the rainbow, 44. 
 What Scene In history, game of, 309. 
 What Smoke Is made of, 56. 
 What Substances make common 
 
 glass, 87. 
 What the birds sing about, 26. 
 What the Cinematograph Is, 86. 
 What the Cinematograph teaches, 
 
 86. 
 What the First buildings were like, 
 
 76. 
 What the Stars are made of, 61. 
 What Vehicles were sent, 282. 
 What Wakes us, 18. 
 Wheat, problems concerning, 242 
 Wheel, could it fly off an engine, 72; 
 
 how fast can It go round, 72; why 
 
 it stops, 72. 
 When was the Watch right, 282. 
 Where Flowers go in winter, 27 
 Where Plants get their Salts. 36. 
 Where Tears go, 18. 
 Where the .\lphabet came from, 85. 
 Where the cocoanuts grow, game of. 
 
 Where the day begins, 68. 
 Where the Day changes, 68. 
 Where the Indian came from, 85 
 Where the Snail flnds Its shell. 30. 
 Where the Stars stay In daytime, 
 
 60. 
 Where We Go In our sleep. 16. 
 Which Travels Quicker, heat or 
 
 cold. 77. 
 Who Gave the stars their names, 67. 
 Whose Portrait is it. 283. 
 Why a Bad egg floats and a good one 
 
 sinks, 35. 
 Why a Ball bounces, 87. 
 Why a Crowded Hall Invites light- 
 ning, 87. 
 Why a Leaf falls, 27 
 Why a Man Is wise, 162. 
 Why a Man may be foolish, 162. 
 Why Ammonia cleans things, 75. 
 Why a Moth flies round a candle, 35. 
 Why an apple falls, 58 
 Why an Exploding cartridge causes 
 
 a report, 87. 
 Why an Iron ship floats ,4 
 Why a polished tin pan will not bake 
 
 as readily as an iron one, 87. 
 Why a pop-gun pops, 46. 
 Why are dreams illogical, 88. 
 Why are There two buttons on the 
 
 back of an evening coat. 87. 
 Why a River runs into the sea, 51 
 Why Asbestos does not burn, 55 
 Why a Singer likes to sing in Italian, 
 ' 136. 
 
 Why a Stick holds together, 78. 
 Why a Stone sinks, 69, 
 Why a Thinker should seek only 
 
 the truth, 161. 
 Why a Wheel stops, 72. 
 Why Bark grows on ^rees. 32. 
 Why Beds of Rivers change, 58. 
 Why Birds Eggs are of different 
 
 colors, 34. 
 Why Birds Fly so high, 26. 
 Why Coal Burns and stone does 
 
 not. 55. 
 Why Damp Air makes us 111. 26. 
 Why Dampness makes wood decay. 
 
 Why does a Silver dish tarnish, 87. 
 
 Why Does a Stick float, 74 
 
 Why Does Wood warp. 87. 
 
 Why Dry Wood burns more readily 
 
 than green, S7. 
 Why Every Cloud has a silver lining, 
 
INDEX TO VOLUME I 
 
 Why FlniJcrs are not of the same 
 
 leiKtli. 21. 
 Why Kishcs cannot live on land, SI. 
 Why Fishes do not drown. 35. 
 Whv KIsinios uo up. .">(> 
 Why ruiwors Smell sweeter after 
 
 rain. ,">r. 
 Whv The Kountaln iilays, 5o. 
 Why Gold and .Silver coins are 
 
 milled. SS. 
 Whv Glue and Paste are adhesive. 
 
 Why Houses are not made of Iron, 
 
 7(i. 
 
 Whv Is Ice slippery. SS. 
 
 Wliv is Oak stronger than pine, S7. 
 
 Whv is it dark at ulixht. 40, 
 
 Why is it easier to swliu In salt 
 
 water, ;"iS. 
 Whv the leaves Chance color, 33. 
 Wh> Llilht Seems Red when we shut 
 
 our eves, 4J. 
 Why Men do not always search for 
 
 truth, li'l. 
 Whv Mortar become.^ hard, SS. 
 Why Old People remember things 
 
 of loiit: as:o. Hit 
 Whv Onions Make our eyes water, 
 
 •J3. 
 Why Paint Keeps Iron from rustlns, 
 
 SS. 
 Whv PhotoiSraphs are developed In 
 
 rod liu-ht. ■!.">. 
 Why Railway sisjn.als are red, green 
 
 and wiiUo. 110- 
 Whv Raindrops are round, 54. 
 Why Rainwater Is best for plants, 
 
 SS. 
 Why Saleratus makes cake light, 
 
 S7. 
 Why Seeds come up at certain 
 
 times. oS. 
 Whv Shoes are hotter when dusty, 
 
 S7. 
 Why Smoke of a trala goes the other 
 
 way. 7S. 
 Why Snow Is white. 4."?. 
 Why Soap takes out dirt, 73. 
 
 Whv Some anlmaUs wear white coats 
 
 33. 
 Whv some Faces In pictures follow 
 
 us, 70. 
 Whv Some houses look crooked, 4fl. 
 Whv Some People are dark and some 
 
 fair, 2J. 
 Why Spiders do not get caui;ht In 
 
 their own webs. 31. 
 Whv reloilraph Hues hum, 45. 
 Whv the Sea Is salt. 40. 
 Whv the skv is blue. 40. 
 Whv tlio Stars twinkle, 62. 
 Why the Worlds are round. 03. 
 Why Things Spin round when we 
 
 are dlzzv. 24. 
 Why Toast Is more digestible than 
 
 bread. S7. 
 Whv Tropical Races are dark-eyed, 
 
 SS. 
 Why United States Is called "rncle 
 
 Sam. " SI . 
 Why Water quenches Are, 50. 
 Whv Water runs. 7S. 
 Whv Wood floats and Iron sinks, 74. 
 Whv Wood rots. 30 
 Why We are right-handed. 23. 
 Why we cannot make a rope of 
 
 sand. 7S. 
 Why we cannot see air. 48. 
 Whv we covmt in tens, 69. 
 Whv we cry, 100. 
 Whv we cet out of breath, 20. 
 Why we So to sleep. Hi. 
 Whv we have lluser-nails. 22. 
 Why we have lines on our hands, 21. 
 Why we have names, S6. 
 Why we have only two sets of teeth. 
 
 Why we have ten fingers. 21. 
 
 Whv we have toe-nails. 22. 
 
 Whv we see farther from a height, 
 30. 
 
 Why we see ourselves in the glass, 
 3s. 
 
 Whv we shiver. 24. 
 
 Whv we suffer giddiness, 125. 
 
 Whv we use different notes In speak- 
 ing, 132. 
 
 Why you cry, 17. 
 
 Whv you laugh, 17. 
 
 Whys and Hows, children's. 69. 
 
 Wind, what changes Us course, 57. 
 
 WinkinS. 100. 
 
 Wire, barbed. 23S. 
 
 Wolf, came of, 295. 
 
 Wonders, of air. lire and water, 4H: 
 of animals and plants, 26; of earth, 
 sun and stars. 5S; of light and 
 sound. 37: of the human body, 16. 
 
 Wood, wliy dampness makes It de- 
 cay, S7: why dry burns more 
 readilv, S7: why It decays, S7; why 
 It floats, 74: why It rots, 36; why 
 It warps. S7. 
 
 Word-.MakinfS, game of, 296. 
 
 Words, how many we use. S5: Lulla- 
 by, origin of. S7: number used In 
 Old Testament. S5: picture. 267, 
 26S. 269: practice, 194: recognizing 
 and spelling 193. spinster, origin 
 of. SS. used by Milton. S5: used by 
 Shakespeare. S5' why they grow 
 In number. SO. 
 
 Work-Bo\, girls, how to make, 333. 
 
 World, have we discovered It ail. SO; 
 how big it is. 60: how it was peopled, 
 13: how we know the story of, li; 
 its motions. 60 
 
 Worlds, wh.\- they are round. 63, 
 Worms, how they breathe, 30. 
 Writinii. beginning. 179; explosion 
 into, 194; tirst use of pencil. 1S9; 
 how tracing teaches the child to 
 use pencil, 194; in Babylon, l-.gypt 
 and .\sia. 14: picture, in Egypt, 
 85: learning to write at age of four, 
 193: of music, 130: on stones and 
 t.ablets, 14; picture, 14: prepara- 
 tory exercises, 1S7; spontaueoie 
 lesson. A, 1S4. 
 
 SEE .^LSO MONTESSORI SYSTEM 
 
 Zoo, how to make toy, 341- 
 
THE HUMAN 
 INTEREST LIBRARY 
 
 VISUALIZED KNOWLEDGE 
 
 EDITORS 
 
 RT. REV. SAMUEL FALLOWS, D.D., LL.D. 
 HENRY W. RUOFF, M,A., Litt D., D.C.L. 
 
 VOLUME IL 
 
 CHICAGO 
 THE MIDLAND PRESS 
 
Copyright 1914, by The Midland Press 
 
DESCRIPTION OF CONTENTS 
 
 VOLUME TWO 
 BOOK OF EARTH AND SKY '7 
 
 No study is more fascinating than that of the great globe on which we live. This book deals 
 with the great truths of the forces of nature — physics, geology and astronomy — not as dry facts, but 
 in a charming way which captivates the imagination. It tells us how the earth was born from the 
 primeval chaos, how under the influence of cosmic laws, here fully described, it took form and slowly 
 cooling and shrinking through the ages, became the solid sphere upon whose crust we live; and then, 
 taking a wider flight, it tells us all that is known of the starry heavens. 
 
 BOOK OF NATURE 81 
 
 Plants and animals, the denizens of the world about us, are a source of never-ending interest 
 to young and old alike. Nothing could be more entertaining than this book with its varied panorama 
 of the animate world. In it we explore the depths of the ocean abyss, and watch the eagle renew his 
 sight at the fioon-day beam; follow the busy bee through his life of toil, or the king of beasts as he 
 stealthily approaches his prey. The text is accompanied with striking and unique illustrations. It 
 will prove of immense assistance to the boy or girl pursuing grammar or high school work in nature 
 study. 
 
 MARVELS OF MODERN MECHANISM 173 
 
 The world moves so fast and the industry and ingenuity of this present age are so great that we 
 can hardly keep pace with them. No work is complete unless it furnishes a summary of the most 
 recent of man's wonderful achievements. Here are graphic accounts by the best authorities, telling 
 the story of the electrical and mechanical conquest of the world. Radium, X-rays, telegraphy, engines, 
 animated photography, mechanism for the measurement of time, new sources of power — all come in 
 for a human interest treatment. The illustrations, charts and diagrams which accompany the text 
 are the best of their kind, and are a course of instruction in themselves. 
 
 BOOK OF ENGINEERING AND INDUSTRY 269 
 
 The American is nothing if not practical and, be he man or boy, will appreciate this book. It 
 teaches us how science has been applied in those recent discoveries which are revolutionizing modern 
 life. Many of the most interesting forms of industry and structural engineering — such as glass- 
 making, concrete construction, bridges, light-houses, water power, conquest of the sea, etc. — are 
 taken up and explained. The construction of the world's greatest canal; the great Keokuk dam 
 which harnesses the "Father of Waters;" and the wonderfu' Niagara power plants are described by 
 masters of engineering enterprise. The modern processes of great industries are also vividly described 
 by specialists. 
 
LIST OF ILLUSTRATIONS IN VOLUME II 
 
 FULL PAGE COLOR PLATES 
 
 PAGE 
 
 The Dreaded Simoon opp. 6 
 
 Building the Celebrated Forth Bridge " 7 
 
 A Group of Plants That Catch Insects " 80 
 
 The Sperm Whale— The Tiger of the Deep " 81 
 
 Birds of Prey and Game Birds " 123 
 
 Birds Noted for Song or Plumage " 124 
 
 FULL PAGE ENGRAVINGS AND DRAWINGS 
 
 Procession of Worlds in the Skies 8 
 
 The Sun and Its Numerous Children 15 
 
 The Infinite Space no Man Can Measure 19 
 
 The Changing Earth from Age to Age 32 
 
 The Wonder Story Told in the Rocks . 33 
 
 The Fire Burning Inside the Earth 38 
 
 How Fire Conies Out of the Earth 42 
 
 The Splitting of the Earth's Crust 43 
 
 How We Look at Another World 46 
 
 The Earth as Viewed from the Moon 58 
 
 Map of the Stars in Spring 63 
 
 Map of the Constellations in Summer 64 
 
 Map of the Stars in Autumn and Winter 65 
 
 The Water That Is Everywhere 79 
 
 Members of the Numerous Cat Family 82 
 
 The Development of the Animal Kingdom 85 
 
 Animals That Live on Ants 88 
 
 The Elephant in Anger 91 
 
 The Lords of the Wild Kingdom 93 
 
 The Hyena, Grizzly and Polar Bears 95 
 
 The Fox, the Jackal and the Wolves 99 
 
 The Handsomest Birds in the World 103 
 
 Some Beauty Birds of Foreign Lands 107 
 
 Strange Birds with Strange Feathers 109 
 
 Colony of Flamingoes in the Bahamas Ill 
 
 The Immense Family of Vultures 116 
 
 Some Birds That Hunt for Beasts 118 
 
 The First Cousins of the Ostrich 121 
 
 The Barn-Owl of the Countryside 131 
 
 Picture of Parts of the Bee 135 
 
 The Growth of the Honey Bee in the Tiny Cell 136 
 
 i 
 
LIST OF ILLUSTRATIONS IN VOLUME II— Continued 
 
 PAGE 
 
 The Life of the Bee in Its Wonderful Hive 138 
 
 Offer of Life to the Earth and Sun 142 
 
 Insect Mothers and Their Famihes 147 
 
 Marvelous Homes of the Water Spider 149 
 
 Beautiful Forms of the Shell Sand on the Seashore 151 
 
 Secrets of the Past Locked in a Pebble 153 
 
 Starfish and Sea Anemones ;......... 156 
 
 Living Light of the Ocean Depths 158 
 
 Exploring the Ocean Bed 160 
 
 Some Examples of Climbing Plants 168 
 
 A Plant That Breaks the Rules 171 
 
 Radiograph of the Structure of the Hand 174 
 
 Apparatus by Which X-Ray Penetrates the Body 179 
 
 A Series of X-Ray Pictures 181 
 
 Striking Vision of the Radio- Activity of an Atom 189 
 
 Behind the "Foothghts" of the Moving Picture Studio 198 
 
 How Moving Pictures Are Produced 201 
 
 How Moving Picture Tricks Are Done 203 
 
 The Impossible Made to Seem Real 204 
 
 Behind the Great Face of Big Ben 207 
 
 How Time in Past Was Measured by the Sun 209 
 
 The Mystery of Stonehenge 212 
 
 How Time Is Now Measured by the Stars 214 
 
 Time Recorders in Clockless Ages 217 
 
 What Makes the Wheels Go Round 219 
 
 Many Clocks Worked by One Pendulum 221 
 
 How a Telegram Is Sent and Received 223, 225 
 
 The Bottom of the Atlantic Ocean 227 
 
 The Electric Wave That Runs Under the Sea 228 
 
 Making the Electric Cable for the Ocean Bed 229 
 
 How the Ship Lays the Ocean Cable 230 
 
 How the Cable Is Joined Together at Sea 231 
 
 How a Cable Is Lowered and Raised 232 
 
 Words Travel Everywhere on Electric Waves 235 
 
 Wireless Stations on Duty Day and Night 236 
 
 The Unseen Telegraph Messenger 238 
 
 How Electric Waves Are Turned into Words 239 
 
 Trans-Atlantic Messages Flying Through Space 240 
 
 Two Continents Joined by Electric Waves 241 
 
 A Station That Talks to All the World 243 
 
 The Two Extreme Types of Big Guns 245 
 
 Three Stages in a Big Gun's Growth 247 
 
 The Manufacture of Rifles 250 
 
 Testing Rifles and Making Shot 254 
 
 5 
 
LIST OF ILLUSTRATIONS IN VOLUME II— Continued 
 
 PAGE 
 
 Adaptations of the Inclined Plane 256 
 
 Various Types of Gears 263 
 
 Possibility of Tapping the Fires of Earth 267 
 
 Wonderful Steps of Water up Which Ships Will Climb 270 
 
 Scenes on the Panama Canal 272 
 
 Excavation of Panama Canal 275 
 
 Bed in Which Two Seas Met 276 
 
 Walls Through Which the Seas Flowed 277 
 
 Panama City and Map 281 
 
 Scenes in the Lucky Little City of Panama 282 
 
 Development of Steam Navigation 285 
 
 From the Caravel of Columbus to the "Imperator" 290 
 
 The "Vaterland" under Construction 292 
 
 Maiden Voyage .of the "Imperator" 294 
 
 The Bull Dog's Teeth 297 
 
 Interior of a Dreadnought at a Glance 298, 299 
 
 Manufacture of Armor Plate 303 
 
 Barbette of Battleship 304 
 
 Beacons of the Sea 314 
 
 Life Saving Bells in Operation 317 
 
 Niagara Falls Power Plants 318 
 
 How Niagara Falls Are Harnessed 3^1 
 
 Gigantic Wheel Turned by Niagara 322 
 
 How Power Is Generated and Controlled 323 
 
 Keokuk Dam and Locks 327 
 
 Underground Engineering in Paris 332 
 
 The Jawbone Siphon 334 
 
 Underground Engineering in New York 336 
 
 New York Subways 337, 338 
 
 Old-fashioned Bridges in Picturescjue Lands 342 
 
 Beginning to Build a Great Bridge 343 
 
 The Interior Workshop Under the Water 344 
 
 The Great Forth Bridge Section by Section 346 
 
 The Tower Bridge, London 348 
 
 Brooklyn Suspension Bridge 350 
 
 Cultivation of the Tea Plant in Ceylon 355 
 
 The Preparation of Teas for the Markets 359 
 
 Where the Fragrant Coffee-berry Is Grown 361 
 
 Where the Chocolates Come From 364 
 
 From Grinding Mill to Chocolate Molds 366 
 
 Art Glassware of the Last 1500 Years 370 
 
 Machinery for Making Glass Bottles 374 
 
 How a Fragile Wine Glass Is Shaped 378 
 
 AND 78 ADDITIONAL TEXT ILLUSTRATIONS 
 
 « 
 
T. 
 
 2-3 
 
 to 
 
 ■T. .h 
 
 — o 
 
 :i o 
 
 "7- y) 
 - >> I 
 
 ^ a 
 
 
BUILDING THE CELEBRATED FORTH BRIDGE 
 
 This bridge with its two mighty spans of 1.700 feet is one of the most remarkable in the worki. For seven 
 years an army of intrepid workers hil)nr('d in nii<1-iiir to lomplete it. It cost $15,000,000 and 57 linnian lives. 
 
Book of Earth and Sky 
 
 THE GREAT BALL UPON WHICH WE LIVE 
 
 THE SUN AND ITS FAMILY 
 
 HOW THE EARTH WAS MADE 
 
 THE EARTH AS IT IS TODAY 
 
 THE EARTH'S CHANGING FACE 
 
 WORLDS IN THE SKIES 
 
 THE MOON, THE LAMP OF NIGHT 
 
 THE SUN'S GIFT TO THE EARTH 
 
 STARS AND CONSTELLATIONS 
 
 AIR, WATER AND FIRE 
 
PROCESSION OF THE WORLDS IN THE SKIES 
 
 The earth is not the only world; it is only a fragment of the great Universe — the name 
 we give to all created things. In the picture the earth looks the biggest of all the globes; 
 but that is only because it is the nearest to us. Round the sun are many other worlds and 
 millions of stars. The great world balls travel, always spinning, round the sun. This 
 picture helps us to understand what a mighty universe we live In. Nobody has ever seen 
 the universe like this because nobody can get outside it to look; and even if we could it is 
 so vast that nobody could possibly see it all. Through a telescope we can see a little bit of 
 the world nearest our earth; but the majesty and wonder of the universe is something that 
 no man can fully understand. 
 
 8 
 
The World is round like a ball, and this Is the side of 
 the bpll called the Old World, the part of the World that 
 was known before Christopher Columbus found America. 
 
 This is the other side of the ball, the New World, called 
 America, which the men living in the Old World did not 
 know until Columbus found it, four hundred years ago. 
 
 THE GREAT BALL UPON WHICH WE LIVE 
 
 THE earth on which we Uve is so 
 big that we cannot possibly 
 see it all at the same time. It 
 has come to be what it is through 
 millions and millions of years. Yet 
 the earth is only one of many, many 
 worlds, some of them much greater 
 than the earth, all of them moving 
 through space like a ball when it is 
 thrown in the air. What do we know 
 of all these worlds? How were they 
 made? Is every star a sun like ours, 
 and are there little children playing 
 on balls, like the earth, that circle 
 round the stars? How does the sun 
 give us life and warmth? All these 
 questions we ask as we think of the 
 great universe in which we live, and 
 we come to know more and more 
 about the world as time goes on. 
 
 The men who thought the earth 
 WAS flat 
 
 The first men who tried to under- 
 stand the earth naturally thought that 
 there were two or three great facts 
 which he could start with, about 
 which there was no doubt at all. To 
 begin with, it seemed quite plain that, 
 though there were hills and valleys, 
 
 ups and downs, yet, on the whole, 
 the earth was flat. The hills and the 
 valleys seemed to be mere ups and 
 downs, like the ups and downs on a 
 bad road. However far you walk 
 your head is still upright, at the top 
 of you, and your feet are still beneath 
 you. You will never come to an 
 edge and fall off. Walking on the 
 earth, or even going in a train, is not 
 at all like walking on a ball, as people 
 do at the circus. 
 
 Well, then, men thought that here 
 was something plain. First of all, there 
 was this great stretched-out earth, 
 giving us a certain level upon which 
 we live, and stretching out in all 
 directions. Then men began to think 
 of everything else in the whole world as 
 either at that level or else above that 
 level like the sky, or else below that level. 
 It was not possible to get very far 
 down below because of the difficulty 
 of digging; but still, just as there was 
 an above, so men knew that, of course, 
 there must be a below. 
 
 GREAT mystery OF THE UNDER WORLD 
 
 In some parts of the world it was 
 possible, men thought, to get hints of 
 
10 
 
 THE HUMAN INTEREST LIBRARY 
 
 the lower regions, and men came to 
 learn that the earth below was hot 
 and on fire. How did they find this 
 out? Here and there upon the surface 
 of the earth there are great holes, 
 usually found at the tops of moun- 
 tains. These mountains have a 
 special name which we must learn; 
 they are called volcanoes, and the 
 holes are called craters. Sometimes a 
 volcano becomes excited, and all sorts 
 of things come up from below and are 
 shot up into the air through the hole 
 at the top. Now, these things that 
 come up are all terribly hot, and with 
 them comes a great deal of black 
 smoke. So it seemed probable that 
 what men called the under world — 
 that is to say, the part below the level 
 of the earth — was a very hot place, 
 probably with fire always burning 
 in it. 
 
 Another idea was that the earth was 
 quite still and at rest. We do not feel 
 the earth moving vnider our feet; we 
 cannot imagine that it moves. If we 
 look "up" to the stars and watch 
 them carefully from day to day and 
 from night to night, they seem to 
 come up from the edge of the earth, 
 in a direction which we call the East. 
 Then they seem to travel across the 
 sky, and then to dip down at the 
 other edge of the earth, which we call 
 the West. 
 What men used to think about the 
 
 SUN 
 
 We can easily see the sun doing this, 
 as it seems to do it every day. At 
 some time in the morning we see it 
 in the East; it travels across the sky, 
 and then it passes from our sight in 
 the West. It used to be thought that 
 the great fire of the sun w^as put out 
 every night in the water in the West, 
 and that then, in some mysterious 
 way, it passed through the under 
 world, and was set blazing again, and 
 turned up next morning in the East 
 
 to begin its journey afresh. Whatever 
 happened to the sun at night, at any 
 rate there seemed to be no doubt that 
 it did what we think we see it do- — 
 rise in the morning, move across the 
 sky, and set on the other side from 
 where we first saw it rise. The 
 notion that the earth itself moved 
 seemed to be such nonsense that 
 everybody laughed at it. 
 
 But at last there came the notion 
 that, in spite of what we think, the 
 earth is not flat! Some bold men 
 actually declared that the earth was 
 nothing else than a big ball, and that 
 we lived on the outside of it. Many 
 people laughed at such an idea. "If 
 it is a big ball," they said, "we should 
 be able to go right round it and come 
 back to where we started from." 
 Now, in those days the only part of 
 the earth that men knew at all was 
 scarcely more than a spot on its sur- 
 face, and beyond this they knew 
 nothing. So this idea of traveling 
 boldly out in one direction and going 
 on and on until you came back to the 
 place you started from seemed really 
 too absurd. 
 Could a man tumble off the 
 
 EARTH? 
 
 Then again, people argued that 
 there could not possibly be other 
 people on the under side of this big 
 ball, for if they were they would fall 
 off, and, indeed, if it were a ball, 
 anyone starting at the top of it, and 
 walking too far in one direction, 
 would soon find himself beginning to 
 slip — just as a doll might slip off an 
 orange — until at last he would tumble 
 off altogether, and that would be the 
 end of him. It seemed a great puzzle, 
 or, rather, it seemed not a puzzle at 
 all; it simply seemed that the people 
 who said the earth was a ball were 
 talking nonsense. But these people 
 would not stop talking, and they went 
 on with one argument after another 
 
BOOK OF EARTH AND SKY 
 
 11 
 
 so strongly that at last people believed 
 that what they said was true. 
 
 How WE KNOW THE EARTH IS ROUND 
 
 One of their best arguments was 
 that if you watch a ship as it sails out 
 to sea from the harbor, it does not 
 behave as it should behave if the sea 
 were flat. Suppose the sea were like 
 a flat, ploughed field. You could 
 watch the ship go up and down and 
 on and on, looking smaller and smaller, 
 
 until at last it became just a speck, 
 and then disappeared out of sight. 
 But that is not at all what happens 
 when a ship sails out to sea. If we 
 watch it closely, we find that it begins 
 to disappear in a particular way. The 
 hull — that is, the bottom — of the ship 
 disappears first, and then the ship 
 seems to sink lower and lower, until 
 we can see only the tops of the masts, 
 and then only the top of the highest 
 
 HOW WE KNOW THE EARTH IS ROUND 
 
 The earth is not flat like a table, but Then we see the top of the mast, Then the front appears, and we see 
 
 round like an orange. We know this as if the ship were climbing up the the vessel rising higher and higher, 
 
 by the way a ship comes into sight side of a hill, 
 at sea. At first we see only smoke. 
 
 ^^?^- , 
 
 Jdb. 
 
 If the earth were flat we should see But we do not see it that way. We At last the ship is over the circle, 
 
 the whole of the ship at once, not the see the ship rising as if it were sailing sailing clear on the top of the ball, 
 
 front of it first and the rest of it bit up the other side of a ball. 
 by bit. 
 
12 THE HUMAN INTEREST LIHHARY 
 
 mast, and then nothing at all. When they were sailing farther from their 
 
 it has quite gone, the ship is really homes, and what way back could 
 
 near enough for us to see quite well, there be except the way they had 
 
 but it is hidden by something — some- come? 
 
 thing which first hides the lowest part, But there was to be no turning 
 
 and then hides it all. back. Each day their leaders gazed 
 
 How THE SHIP COMES INTO SIGHT AT SEA ahead lookiug for land — laud that 
 
 Then, supposing the ship comes had never been seen, but which they 
 
 back, what do we see? Is it, first of hoped to be the other side of the land 
 
 all, a sort of dim shape, which gradu- from which they had started. And 
 
 ally becomes clearer and clearer, like once they nearly found what they 
 
 a man meeting us in a street in a fog? were looking for. 
 
 Not at all. The ship seems to rise up It was not a great stretch of land 
 
 from somewhere, and, as it rises, comes that they saw, only some small 
 
 nearer and nearer, so that we see the islands, but that was quite enough, 
 
 tops of the masts first and the hull they thought. Where there were 
 
 last. islands, they said, there would surely 
 
 The first men who tried to sail be land beyond them. 
 
 AROUND the great EARTH-BALL HOW MEN FOUND THAT THE EARTH WAS 
 
 "Very well, then," said some bold a great ball 
 
 sailors. "Very well, then; if the earth Now, in those days, people who 
 
 is really a ball, and if there is water lived in Spain, and in that part of 
 
 enough, we shall sail around it. We the world, used to call the land which 
 
 shall start out from the edge of the lay farthest east from them the Indies, 
 
 land with our ])est boats and a big So when the sailors came across these 
 
 supply of food, and we shall go straight islands, they thought that, by going 
 
 on and on and on, though we see round the other way, they had 
 
 nothing but water in front of us; and reached some of those same Indies 
 
 if you are right, and if we sail long which they had visited before by 
 
 enough and our food does not run traveling east, and they called these 
 
 short, we shall go right round the ball islands to which they first came the 
 
 and turn up again at the place we West Indies, and the Indies they had 
 
 left" — not at the same edge of the left behind them they called the 
 
 land, but at the opposite edge. East Indies. Little did those bold 
 
 And that is what these sailors tried sailors guess that instead of going all 
 
 to do. They went out in their best the way round they had gone only a 
 
 and biggest boats; they turned their quarter of the way. 
 
 boats straight ahead, and waved their Soon there followed other sailors, 
 
 hands to the crying friends who equally brave, and at last they suc- 
 
 thought they would never see them ceeded in sailing right round the earth, 
 
 again. The country called Spain, That was the end of the notion that 
 
 which was at that time one of the the earth was flat. These voyages 
 
 most famous countries in the world, discovered for us what we still call the 
 
 was their starting place. On they New World, and they have been of 
 
 went, and we may imagine how often great importance to the lives of all of 
 
 those sailors, who could not believe us. But their greatest importance 
 
 this story about the earth being was really to prove forever that this 
 
 round, wanted to turn back and get wonderful earth is nothing else than 
 
 home again. Every day they felt a great ball. 
 
BOOK OF EARTH AND SKY 
 
 13 
 
 1^ 
 
 iL!llliliL11ii 
 
 ^^^^^^^^ 
 
 ^H^ 
 
 ^^^^^^^^^^^^^^^^^ 
 
 UBANUS 
 
 ™"4 
 
 
 
 ^^^^^^^1 ^^^^^^^^1 
 
 r 
 
 ^ 
 
 ^^^^^^V EARTH ^^^^^^^H 
 
 SATURN MERCURY VENUS HARS j„p,^„ 
 
 
 We know the earth spins through space like a ball, spinning round once in a 
 day, and traveling round the sun once in a year. But the earth was not always a 
 great ball. Once it was a great cloud, made of the stuff of which the earth is made, 
 and of which our bodies are made. The cloud was moving, spinning round until it 
 came together, shrinking into the shape of a globe, and at last becoming solid. Spin- 
 ning in space at the same time were other great clouds. We call them planets, 
 which means wanderers, because they wander through the sky. They are the sun's 
 family. One is so near to the sun that it goes round it in 88 days; one is so far 
 away that it has only been round the sun 12 times since Jesus Christ was born. All 
 round these planets are other worlds called moons, and millions of strange and won- 
 derful things which go through the universe spinning. 
 
 THE SUN AND ITS FAMILY 
 
 NOW we must take up the 
 story of the earth from the 
 beginning. As we know that 
 the earth is not in the middle of the 
 world, but that it goes round the sun, 
 we must be very sure to find out all 
 that we can as to what the sun is, 
 and why it makes the earth go round 
 it. We could not live without the 
 sun, and we cannot know too much 
 about it. Where, then, have the sun 
 and the earth come from, and what 
 were they like at first .-^ 
 
 We have seen that, as the earth 
 spins round itself, it moves rovmd the 
 sun, and so we know that, so to speak, 
 the sun is a neighbor of ours. Now 
 we must find out whether we have 
 any other near neighbors, and we find 
 that we have. There is, for instance, 
 the wonderful moon, the story of 
 which is part of the story of the earth. 
 But also we see in the sky a number of 
 bright objects that look like stars, but 
 which, for several reasons, we know 
 are different from the stars, that we 
 
 also see when we look upwards. These 
 bright objects are not stars because, 
 for one thing, they move about the 
 sky, while the real stars seem to be 
 fixed, and for ages past have been 
 called the "fixed stars." Since they 
 are always seen to be moving, the 
 men of long ago called them the 
 wanderers; but, of course, those men 
 did not speak English, but Greek, and 
 we now use the Greek word when we 
 speak of them. They are called 
 planets, which just means wanderers. 
 Now, of course, when we talk of 
 wandering we think of a movement 
 that is haphazard and does not quite 
 know where it is going. That is not 
 true of the planets, even though we 
 call them wanderers. We know now 
 that these planets all move round the 
 sun just as the earth moves round the 
 sun, and in just as orderly a way. 
 That is why we may talk of the sun 
 and its family. We must think of 
 the sun as a great light and furnace 
 in the center of the great world. 
 
u 
 
 THE HUMAN INTEREST LIBRARY 
 
 Around it there travel, from one 
 year's end to another, a wonderful 
 family of planets. One of these is 
 the earth. It is not the biggest, nor 
 the smallest, nor the nearest to the 
 sun, nor the farthest from it. They 
 all go round the sun in the same 
 direction — they go the same way; 
 but, of course, if a planet is farther 
 away from the sun than the earth is, 
 it will have much farther to go before 
 it can get right round the sun and come 
 back again to the same place. This 
 takes a very much longer time then, 
 and so "from one year's end to 
 another" would mean something very 
 different on that planet from w^hat it 
 means to us. Our earth may go 
 round the sun more than a hundred 
 times while one of these other planets 
 that is much farther away from the 
 sun goes round only once. 
 
 But all that does not matter at 
 present. The great fact is that our 
 earth, which is so important for us, 
 is really just one of several planets 
 that go round the sun. It is our sun 
 and their sun. Now, the Latin word 
 for the sun is Sol, and so this great 
 system, made up of Sol — the sun — and 
 all the planets is called the solar system. 
 Plainly, then, we shall not be able to 
 tell the story of the earth unless we 
 know the story of the solar system, for 
 the earth is part of the solar sys- 
 tem. 
 
 Time when there was neither earth 
 
 NOR SUN 
 
 You will remember that men used 
 to think that the earth was flat and 
 still, with the sky above it, and the 
 fiery under- world below it. How dif- 
 ferent that is from what we know 
 now — that the earth is a ball, one of 
 a number of balls that are always 
 flying round the sun! 
 
 Now at last we can begin at the 
 beginning of the story of the earth. 
 We must go back to a time when there 
 
 was no earth at all, when there was no 
 sun at all, and no planets at all. 
 
 There was only in those far-away 
 times — we cannot say those far-away 
 days, for there could be no days when 
 there was no sun or earth — there was 
 only in those far-away times a great 
 cloud of atoms, so much bigger than 
 any cloud you ever saw, so much 
 bigger than anything we know, that 
 not even the wisest of wise men can 
 really make a picture in his mind of 
 how big that cloud must have been. 
 There it was, however. Enormous 
 though it was, it was only a cloud. If 
 we could have been there to see it we 
 should not have found much to say of 
 it, except simply that it was there and 
 that it was very big. All parts of it 
 were like all other parts. It was just 
 a cloud, and if you had tried to draw 
 a map of it you could only have 
 drawn its edge all round, for there was 
 nothing else to draw in it. 
 
 The atoms that we are made of was 
 in the great cloud 
 
 Some people think that it must have 
 been a very bright and even a very hot 
 cloud, giving out light and heat from 
 itself; but most people think that this 
 was not so, and that at first, at any 
 rate, this cloud was not bright or hot, 
 but perhaps very cold. 
 
 Now you probably guess what is 
 coming. That great cloud w^as made 
 of the stuff which now makes up the 
 sun and the planets, including our 
 own earth, and even the atoms of which 
 your body is now made, and the stuff 
 which is before you and which you 
 call paper. All the stuff, or matter, 
 as it is called, that now goes to make 
 the solar system — the sun and its 
 family — was there in that great cloud. 
 There was no system, however. The 
 cloud had no particular shape, and 
 one part of it was just like another. 
 
 There was only this to be said — if 
 we, and not merely the matter of which 
 
THE SUN AND ITS NUMEROUS CHILDREN 
 
 '.^^^ Path of Neptune 
 
 1-- 
 
 NEPTUNE 
 and his Moon 
 
 Path of Uranus 
 
 URANUS 
 and his 4 Moons 
 
 •.NEPTUNE 
 
 .URANUS 
 
 SATURN 
 
 With his Rintfs 
 and 9 Moons 
 
 ^^-'^path of Saturn 
 
 »and his 7 Moons 
 
 •>?^^^? 
 
 ^!^ tVe Minor* 
 
 ^/^ • 
 
 
 
 SATURN 
 
 '\VENJS^ MERCURY,'' / 
 
 JUPITER 
 
 MARS . • * 
 
 and his2Moons . • ' • 
 
 , Minor 
 Planets 
 
 . MARS 
 EARTH 
 VENUS 
 
 MERCURY 
 
 9'>y 
 
 The sun Is like a great furnace of heat and light in the center of the universe. Around it travel a wonderful family 
 
 of worlds, which we call planets. They all go round the sun in the same way, but some members of the sun's family are 
 
 -eo 'ar away that it takes them many years to go round It. The earth goes round the sun once in a year, but Neptune, 
 
 the most distant planet, goes round only six times in 1000 years. The picture at the right shows the size of the planets 
 
 compared with one another, and their distance '"-om the sun. 
 
 15 
 
16 
 
 THE HUMAN INTEREST LIBRARY 
 
 our bodies are made, had been there to 
 say it — and that is that all the little 
 bits of which the cloud was made up 
 were moving. They were probably 
 rushing about in a very rough-and- 
 tumble sort of way. Nothing could 
 have been less like a system of any 
 kind. This all happened so long ago 
 that we simply cannot think how long 
 ago it was. But, as the ages went on, 
 all the little bits of stuff that made up 
 the cloud found themselves moving, 
 not like a jumble, but in a more 
 orderly way. Indeed, so orderly was 
 their movement, after a long time, 
 that the whole great shapeless cloud 
 slowly began to twist or spin on 
 itself. 
 
 When the spinning of the earth 
 
 BEGAN 
 
 Now that reminds you of the earth 
 spinning on itself, and so it should, for 
 the slow spinning of this great cloud 
 was the beginning of the spinning that 
 makes our night and day. The stuff 
 that makes the earth was set spinning 
 in that cloud, and it has been spinning 
 ever since; it is spinning now, and in 
 the same direction as when it first 
 began. But there is no earth yet, 
 nor sun, nor solar system; there was 
 merely this spinning cloud. 
 
 As time went on it began to shrink. 
 This we can be quite sure of, for we 
 know that every speck of matter in the 
 whole world tries to attract every 
 other speck of matter in the world. 
 That is why a ball falls to the earth 
 when you let it go. Now, if in this 
 enormous cloud all the little parts 
 were pulling upon each other, of 
 course it would shrink, for those on 
 the outside would have all the others 
 pulling them inwards and none pulling 
 them outwards. 
 
 We have made up our minds to try 
 to find out where the sun and the 
 earth come from, and what they were 
 like at first. But before we do that we 
 
 must look for a little while at what we 
 may call the brothers and sisters of the 
 earth — heavenly bodies that began as 
 the earth began, and that depend upon 
 the sun in the same way. These 
 heavenly bodies, together with the sun 
 and the earth, make up a little family 
 which is complete in itself, and is, in 
 a way, independent of the rest of the 
 world. This little family, since its 
 center is the sun, the Latin name for 
 which is Sol, is known as the solar 
 system. What, then, are the other 
 bodies, not unlike the earth, that go 
 to make up the family of the sun? 
 
 Ages and ages ago, men who watched 
 the face of the heavens found that 
 among the stars there were some few 
 which behaved quite differently from 
 the rest. All the heavenly bodies, of 
 course, seem to rise in the east and set 
 in the west; but that, as we have seen, 
 is simply because the earth, from which 
 we behold them is rotating the other 
 way. Apart from that movement, 
 which is only apparent and not a real 
 movement, men found that all the 
 heavenly bodies except a very few were 
 fixed in their positions. If we take, 
 for instance, the stars that make up 
 what the ancients called the "Great 
 Bear" — part of which we often call 
 the "Plow" — we find that, year after 
 year, they are always found in the 
 same position. The brightest of the 
 stars had their place in the heavens 
 noted thousands of years ago, and, so 
 far as we can tell without very careful 
 study, they occupy just the same 
 places now. We have lately learned 
 that really they are moving, but they 
 are so far away that, to the unaided 
 eye, nothing can be noticed even in 
 the course of many years. These 
 stars, then — that is to say, all the stars 
 except a very few — were called fixed 
 stars. 
 
 On the other hand, one or two 
 bright stars could be seen, including 
 
BOOK OF EARTH AND SKY 17 
 
 even the brightest of all the stars, that it has actually taken three years to 
 
 were quite different in the way they reach us, and light travels so fast that 
 
 behaved. They were not fixed, but it would go eight times round the 
 
 moving, and their movement could be entire earth in a second, 
 
 seen quite easily from day to day or All these planets move round the 
 
 week to week. In one month you sun, but some of them are much 
 
 might see one of these very bright nearer to it than others are. Two of 
 
 stars seeming to lie in one part of the them, we know for certain, are nearer 
 
 sky, but in another month it would the sun than the earth is. All the rest 
 
 not be there at all. Therefore, a move round the sun at distances 
 
 special name was given to these stars greater than that of the earth, 
 
 which moved or wandered about the Now what about the moon, you will 
 
 heavens, and which were, therefore, say. Well, there is no doubt at all that 
 
 so very different from the fixed stars, the moon goes round the earth just as 
 
 They were called planets, which is the earth goos round the sun. So, of 
 
 simply the Greek word meaning "wan- course, the moon goes round the sun, 
 
 derers." Among them was, for in- too, only instead of going straight 
 
 stance, the morning star, or Venus, round as the earth does, it has to 
 
 which outshines all the fixed stars ; keep on circling round the earth all the 
 
 another was Jupiter; and another, way. The moon, then, is part of the 
 
 because of its reddish color, was named solar system. Then we have to ask 
 
 after ]\Iars, the god of war. ourselves whether any of the other 
 
 These planets are quite different in planets have moons, and the answer 
 
 every way from the fixed stars, and is that they have, so that all these moons 
 
 from age to age go on circling round must be included in the solar system, 
 
 the sun just as the earth does. The It is not very long ago since the first 
 
 planets are not stars at all; ccm- of these moons were found. They 
 
 pared with the fixed stars. They were discovered by a great Italian 
 
 are so bright simply because they named Galileo. Galileo looked at the 
 
 are so near us. More than that, they great planet called Jupiter, the biggest 
 
 do not even shine by light of their of all the planets, and there, with the 
 
 own, but only by the light of the sun, help of his telescope, he saw what no 
 
 which strikes upon them, and then is one had ever seen till then— four tiny 
 
 thrown back to us upon the earth, moons. As he watched them from 
 
 just as a ball is thrown back from a night to night, he could see quite 
 
 wall. The planets owe all their light plainly that they were going round 
 
 to the sun, and if we w^ere upon one of Jupiter, just as the moon goes round 
 
 them we should see the earth shining the earth. Sometimes one of them 
 
 in the sky very brightly and behaving would disappear altogether because 
 
 like a planet. Indeed, the earth is one it had got behind Jupiter, and then it 
 
 of the planets, and shines by sunlight would turn up again on the other 
 
 just as they do. side from where it was last seen. 
 
 All the planets, then, including the These moons went round Jupiter at 
 
 earth, circle round the sun and make different distances from it, just as the 
 
 up the family which we call the solar planets go round the sun at different 
 
 system. This solar system is very distances from it; but they all went 
 
 much alone in the great world. The round in the same direction. 
 
 very nearest of the fixed stars is so far Since that time moons have been 
 
 away that the light by which we see discovered going round many of the 
 
18 
 
 THE HUMAN INTEREST LIBRARY 
 
 other planets. So all these moons 
 must be included in the sun's family. 
 The two planets that are nearest the 
 sun have no moons; then comes the 
 earth, which, as we know, has one 
 moon. Some of the planets which go 
 round the sun at a greater distance 
 than the earth are better off. The 
 wonderful planet called Saturn, for 
 instance, has nine moons, and four 
 more moons of Jupiter have been dis- 
 covered since Galileo's time, so that 
 this planet is pretty well off with eight. 
 The last two of these were found only 
 a few years ago, and perhaps there 
 may be more. 
 
 The worlds that fly round and 
 round the sun 
 
 Now I think, we must have a list 
 of the planets that make up the solar 
 system, and we shall name them in 
 the order of their distance from the 
 sun; also we may put opposite each 
 planet its distance from the sun in 
 miles, the time that it takes to go 
 round the sun, and the number of its 
 
 moons. 
 
 
 
 
 
 Names of 
 
 Miles from Length of 
 
 No. of 
 
 
 Planets 
 
 the Sun i 
 
 ts year 
 
 Moons 
 
 
 Mercury 
 
 36,000,000 
 
 88 
 
 days 
 
 
 
 Venus 
 
 67,000,000 
 
 224 
 
 days 
 
 
 
 Earth 
 
 93,000,000 
 
 365i 
 
 days 
 
 1 
 
 Mars 
 
 142,000,000 
 
 686 
 
 days 
 
 2 
 
 Jupiter 
 
 483,000,000 
 
 12 
 
 years 
 
 7 
 
 Saturn 
 
 870,000,000 
 
 29 1 
 
 years 
 
 9 
 
 Uranus 
 
 1,754,000,000 
 
 83 
 
 years 
 
 4 
 
 Neptune 
 
 2,792,000,000 
 
 165 
 
 years 
 
 1 
 
 If you look at the second column 
 you will see that we have called it 
 "length of year." Now, you under- 
 stand that what we mean by that is the 
 length of time the planet takes to go 
 right round the sun, and we measure 
 that by the units that we on the earth 
 know best. So, when we say that the 
 length of Neptune's year is 165 years, 
 what we mean is simply that while 
 Neptune goes round the sun once the 
 earth has gone round it 165 times. 
 
 Hundreds of tiny planets and 
 "stars" with tails of fire 
 
 But even this is not the whole of the 
 sun's family, for we have lately found 
 some very tiny little planets, far 
 smaller than the moon, which go round 
 the sun between the orbits of Mars and 
 Jupiter. All of them pvit together — ■ 
 and they are num})ered by hundreds — 
 would not be nearly as large as the 
 earth. At one time it used to be 
 thought that all these tiny little bodies 
 had been formed by the breaking up 
 of some big planet; but nowadays men 
 are very far from sure that this 
 "shattered planet" ever existed. How- 
 ever, all these little bodies have to be 
 included among the sun's family. 
 They are all found, be it remembered, 
 in one particular part of the solar 
 system, and doubtless, if w^e coidd 
 discover the history of any one of 
 them, that would also be the history 
 of all the others. 
 
 Yet again, the solar system includes 
 a number of strange and wonderful 
 objects which are utterly different from 
 any of those we have described; they 
 are called comets, from the Greek word 
 for hair, because when we can see them 
 best they seem to have long hairy 
 tails streaming out across the sky. 
 These also travel round the sun, and 
 therefore belong to its family; but 
 they do so in a very curious way. 
 None of the planets go round the sun 
 in circles, but always in paths like a 
 circle that has been rather flattened in 
 one direction. 
 
 In the case of the comets, however, 
 this flattening is very extreme. At 
 one time in its history the comet is 
 quite close to the sun, and just misses 
 running into it. Then, after passing 
 round the sun. it travels away from it, 
 out and out, cutting across the paths 
 of all the planets and passing millions 
 of miles beyond even Neptune, 
 and then at last it turns on its course 
 
I<( 
 
20 
 
 THE HUMAN INTEREST LIBRARY 
 
 and comes back again. But still it is 
 
 one of the sun's family. 
 
 The bright lights that shoot across 
 
 THE SKY 
 
 Now even this is not quite all. You 
 must have heard of what are called 
 shooting stars, and on any clear night 
 in November you will very likely see 
 some — and also at other times of the 
 year. A flash of light seems to come 
 from nowhere, dart for a little distance 
 across the sky, and then disappear. 
 These, of course, are not stars at all, 
 but quite small things, perhaps the 
 size of a football, which the earth has 
 caught as it flies through space, and 
 which, as they pass through the air, 
 are made very hot and bright. What is 
 left of them often may reach the earth, 
 and many of them are to be found in 
 museums nowadays. It seems that 
 throughout the solar system there are 
 countless numbers of these small 
 objects called meteors. These meteors 
 also circle round the sun and belong 
 to its family. In November the earth 
 is apt, in its path, to cut across the 
 path taken by a very large number of 
 these tiny wandering bodies, and that 
 is why we are most apt to see shooting 
 stars in November. 
 
 A very interesting fact is that a 
 famous comet, the path of which was 
 well known, disappeared some time 
 
 ago, and just in that same path we now 
 know that there are a number of these 
 small bodies like pebbles. There can 
 be little doubt that they are the 
 remains of the broken comet. 
 
 Now we have completed the strange^ 
 list of the different kind of things thai 
 make up the solar system: Sol, the sun 
 itself, in the center, the planets 
 round it, the moons of the planets 
 going round them, the very small 
 planets found between Mars and 
 Jupiter, the comets, and a host of 
 little things like pebbles. All these 
 make up one great family ruled by the 
 sun. So far as we can find out, they 
 practically all move in the same direc- 
 tion round the sun; they twirl or twist 
 on themselves as the earth does, also 
 in that same direction; their moon goes 
 round them in that same direction, 
 and even the sun is twisting in the 
 same direction also. 
 
 This solar system is very much 
 alone in the great world. But it does 
 not stay in one place. We know that 
 the sun — and with it all the planets 
 and moons — is moving through space 
 at a great rate of about twelve miles 
 per second. Though the solar system 
 is very much alone in space now, we 
 have no reason to think that it was 
 always so, or that it will always be 
 so. 
 
BOOK OF EARTH AND SKY 
 
 21 
 
 The earth began, as far as we can tell, in a great shapeless cloud like this. All the matter of which the sun and its 
 family of worlds are made was in this cloud, which moved through space for millions of yeajs, until parts broJse away. 
 The parts shruiLk into themselves and became globes, Uke the earth and the moon opposite. 
 
 HOW THE EARTH WAS MADE 
 
 This story tells us of the time when the sun and its family of worlds were all 
 one — a great fiery cloud, which at last broke into smaller clouds. One of these was 
 the cloud that formed the earth, which became at last a glowing globe of gas, hot at 
 the center and cooler at the surface. Slowly the gas became liquid — like water, but 
 red hot. There was then no living thing on the earth, which was like a red-hot 
 ocean. As the earth spun round in space an extraordinary thing happened : part of 
 the red-hot stuff fell away, like drops from a wet umbrella, and formed the moon. 
 Slowly the globe cooled down and the hard surface of the earth was formed — the 
 great ball of earth, still glowing inside perhaps, on which we live. 
 
 A 
 
 ND now we must ask ourselves 
 again the great question: 
 Where have the sun and the 
 earth come from, and what were they 
 like at first? 
 
 For a long time men used to think 
 that the solar system, including the 
 sun and the earth, had been, from the 
 first, as they are now. No one now 
 thinks that, however. We believe 
 that they have grown, so to speak, 
 to be what they are, and we have a 
 fairly good idea of the way in which 
 they have grown. Now, in order to 
 see what the solar system was like at 
 first, we have only to take a telescope 
 
 and look up at the sky, and there we 
 shall see scores of thousands of 
 wonderful bodies which are still at the 
 stage the solar system was at long 
 ages ago. These bodies are called 
 nebulae, and one of them would be 
 called a nebula, which is simply the 
 Latin word for a cloud. They look 
 like the tiniest little bright, fleecy 
 clouds in the sky. Some of them can 
 be seen with the naked eye, and then 
 they look like stars, but they are 
 quite different from stars. 
 
 We now know for certain, by ex- 
 amining the kind of light that they 
 send to us, that the sky contains, at 
 
22 
 
 THE HUMAN INTEREST LIBRARY 
 
 the very least, 120,000 real nebulae. 
 They are not star-clusters at all, but 
 glowing clouds of matter. Perhaps you 
 can get the best idea of what a nebula 
 is like by using the name which the 
 poets often call it by, and that is 
 fire-mist. A nebula is like a great 
 mist of fire. Those we see in the 
 heavens are of different shapes and 
 sizes. Many of them are far bigger, 
 hundreds or thousands of times bigger, 
 than the whole space occupied bj' the 
 solar system. A great many of them, 
 probably about half, have a shape 
 very like a lens. They are called 
 spiral nebulae. You know what a 
 spiral staircase is. The spiral nebulae, 
 however, ought never to have had 
 that name, because they are not at 
 all like a spiral staircase; they are 
 quite flat, thin things, much more 
 like a lens in shape. 
 
 If we look at some of these spiral 
 nebulae we see bright points in them 
 here and there, which suggest to us 
 that the fire-mist has become thicker 
 at certain places than at others. Often 
 these bright points are so large and 
 bright that they look like stars, and, 
 indeed, probably they are stars. 
 Probably all stars are made out of 
 nebulae. Now let us come back to 
 our solar system. 
 
 If you could look at the solar 
 system from a great distance away 
 you would notice many remarkable 
 facts about it. In the first place, 
 you would notice that all the twistings 
 and movements are in one direction, 
 as we have already said; then you 
 would notice that the solar system is 
 a flat thing. All the planets, so to 
 speak, go round the sun at much the 
 same level. You know that if you 
 took two hoops you might put one 
 inside the other, so that while the one 
 hoop was upright on the pavement 
 the other lay across it; then anything 
 traveling along the rim of the one 
 
 hoop would be traveling round and 
 round, and anything traveling along 
 the rim of the other hoop would be 
 traveling up and down. Now, that 
 is just what we do not find in the case 
 of the solar system. It is a flat 
 thing like a system of hoops of many 
 sizes, all laid on the ground inside 
 one another; and the spiral nebulae are 
 also flat. 
 
 Now, there is another curious fact, 
 and this is that the kind of matter the 
 sun is made of is the same as the kind 
 of matter that the various planets are 
 made of. It almost looks — does it 
 not? — as if our little earth and all the 
 planets were once a part of the sun. 
 
 The sun is made of the same matter 
 AS the earth 
 
 And so men guessed that perhaps 
 the pieces of matter that now make 
 the planets have been somehow 
 brushed off from the sun, and that as 
 tbey cooled down they had become 
 solid and started traveling round and 
 round it. 
 
 We are sure now that that is not 
 what happened, but we are also 
 sure that the idea underneath that 
 notion was right. The sun and all 
 its planets were once one. 
 
 Indeed, we believe that in its first 
 stage the solar system was nothing 
 else than a nebula, like one of the very 
 smallest of the thousands of nebulae 
 that we now see in the sky. No one 
 who has studied the subject now 
 doubts that; still we are not certain 
 as to exactly how such a nebula would 
 gradually become changed into the 
 solar system that we know. It seems 
 to be certain, at any rate, that a 
 nebula is apt to become flattened and 
 also to take on the shape of a lens. 
 Far too many of the nebulae are of 
 that shape for us to imagine that 
 there is not some good reason why 
 they should be so. Possibly if we 
 could live long enough to watch the 
 
BOOK OF EARTH AND SKY 28 
 
 nebulae that are not spiral we should "ow the great cloud began to come 
 
 see them gradually become so. together and form the earth 
 
 Now there is one great fact that From the first moment that a 
 
 must always be true of a nebula like nebula was formed, then — ^probably 
 
 this. It is a fact which is true every- by a collision between two or more 
 
 where, and it is not difficult to de- stars — there would begin to act upon 
 
 scribe. We are certain that in the all its parts the same force of gravita- 
 
 course of time this fact must work tion which acts upon you if you miss 
 
 great changes in a nebula — such your footing and tumble downstairs. 
 
 changes as we believe to have been And this is a force that goes on acting 
 
 worked in the nebula from which the all the time, never ceasing and never 
 
 solar sj^stem was formed. getting tired. So, some years after 
 
 What happened when sir isaac new- the great work of Newton, several 
 
 TON SAW AN APPLE FALL FROM A TREE men began to apply his ideas to the 
 
 This fact is called gravitation, and nebulse and to ask what must happen 
 
 it simply means that every tiniest in the course of ages when this force 
 
 piece of matter, or stuff, in the whole of attraction acts upon such a nebula. 
 
 world has a natural tendency to attract Herschel, the man who made a list 
 
 and be attracted by all the other of the great stars 
 
 matter in the world. Gravitation is. One of the greatest of these followers 
 
 perhaps, the most familiar of all facts of Newton was Herschel who made 
 
 in our daily lives. When you let go finer telescopes than anyone had used 
 
 of a ball it drops to the earth, and before, and who spent all his life 
 
 that is simply because the earth and studying the stars and the nebulse. 
 
 the ball have attracted each other. He was the first man who ever made 
 
 The ball is so small that it moves the a list of nebulae and he it was who 
 
 earth to itself only a very little dis- first saw that they may be arranged 
 
 tance, and what we see is simply that in classes, from those which look just 
 
 the ball falls to the earth. One of like little milky clouds and nothing 
 
 the greatest men who ever lived, an more, to those which are really stars 
 
 Englishman named Isaac Newton, it with a sort of cloudy substance round 
 
 is said, was lying on his back, under them. 
 
 the shade of an apple-tree in his So it seemed to him that some 
 
 father's garden. He was not just "clustering power" must be at work 
 
 dreaming his time away, however, turning these scattered and milky 
 
 but thinking; and he saw what nebulae into brighter and smaller 
 
 thousands of people had seen before objects which would some day become 
 
 him, but never troubled to think stars or suns and solar systems, 
 
 about — an apple falling from the tree Herschel compared the heavens to a 
 
 to the ground. rich garden containing plants in all 
 
 The result of his thinking about stages of their lives. This gives us 
 
 this was that he discovered this law the advantage, he says, that at one 
 
 of attraction, which is true through- and the same time we can see all the 
 
 out the whole wide world, not only different stages in the history of 
 
 of the earth and a ball or the earth and plants — from their birth to their 
 
 an apple, but also of the earth and the death ; so also in the heavens we can 
 
 moon, the earth and the sun, and see all the different stages from a 
 
 also of all the atoms, or matter, in a nebula to a star. Then there fol- 
 
 nebula. lowed a great Frenchman who saw 
 
u 
 
 THE HUMAN INTEREST LIBRARY 
 
 that the "clustering power" must be 
 gravitation, and who worked out 
 exactly what must happen in such a 
 case, since we know exactly the force 
 with which gravitation acts. 
 
 The earth may once have been 
 shaped like a pear 
 
 That, then, is all that we can tell at 
 present about the origin of the sun 
 and its family. Men who work at 
 these things are constantly filling in 
 little details, explaining the small 
 difficulties and helping us to gain a 
 complete picture. But everyone is 
 agreed that something like what we 
 have described is what really , hap- 
 pened. 
 
 Now let us try to imagine what our 
 own earth must have been like in its 
 beginnings. The most important facts 
 we can be quite sure of, even though 
 we are not quite sure about every step 
 in the way in which the earth first 
 came to be separated from all the rest 
 of the family to which it belongs. 
 We cannot be quite certain as to the 
 shape of the earth at first, though 
 some men who are studying this 
 matter just now think that it may 
 have been shaped like a pear instead 
 of like a flattened orange, as it is now. 
 But, at any rate, whatever its exact 
 shape was, it was so utterly different 
 from the earth we know that we can 
 scarcely imagine it. Really, the earth 
 of long ago must have been far more 
 like what the sun is now — only, of 
 course, quite tiny compared with the 
 sun. 
 
 The air is part of the earth and 
 moves with it 
 
 The earth, as we think of it now, is 
 
 something that stops suddenly at the 
 
 surface — at the level of the ground. 
 
 That is, however, by no means quite 
 
 correct. Even now the earth does not 
 
 stop sharply all round as an orange 
 
 does. We must not imagine that the 
 
 earth stops at the level of the ground 
 
 or at the level of the water, and that 
 we are really walking outside the 
 earth. 
 
 Not at all. Above both the ground 
 and the water there is something 
 which is really part of the earth, 
 though we cannot see it. It moves 
 with the earth round the sun, and 
 twists round with the earth as it 
 spins. The stuff of which it is made 
 is constantly being exchanged in both 
 directions with the water of the sea 
 and the stuff of which the dry ground 
 is made. In short, the air is part of 
 the earth, and if we lived on another 
 planet, and looked at the earth from 
 afar, we should never question this for 
 a moment. The air as it is at present 
 probably extends upwards from the 
 surface of the solid and liquid part of 
 the earth to a distance of about 100 
 miles. As we pass upwards through 
 the air in a balloon we find the air 
 becoming more and more thin, or, to 
 use the proper word, more and more 
 rare; and though we cannot go very 
 far in a balloon, we are quite sure that 
 this rareness goes on increasing until 
 there is no air to be found at all. 
 
 When the earth was a great glow- 
 ing GLOBE OF GAS 
 
 So even now, you see, the earth 
 does not really stop short sharply 
 anywhere, but its matter is spread out 
 all round it in a layer, which gradually 
 becomes rarer and rarer, until at last 
 it stops altogether. 
 
 Now, that was certainly true of the 
 earth long ago, and no one who could 
 have seen the earth then would have 
 had any doubt at all that the air was 
 part of the earth; for the earth then 
 did not consist of anything at all like 
 what we call "earth," but it consisted 
 altogether of gases like those of which 
 the air is made today. If you take 
 anything you please and make it hot 
 enough, you will be able to turn it 
 into a gas; and the earth in its begin- 
 
BOOK OF EARTH AND SKY 
 
 25 
 
 nings was so hot that all the stuff in it 
 was in the form of gas. Even the 
 stuff that now makes the hardest rocks 
 and stones, not to mention every drop 
 of water in the sea, was then gas. 
 
 What we' now call the earth was at 
 first nothing more or less than a great 
 globe of glowing gas. In that hot, 
 twisting, glowing globe there were 
 contained all the tiny little portions 
 of matter, or atoms, as they are called, 
 which now make up the water of the 
 sea, the soil, the rocks, the bodies even 
 of all living things, and also, of course, 
 the air, or mixture of gases, that still 
 remains covering the whole earth like 
 a warm blanket. 
 We live at the bottom of an ocean 
 
 OF air 
 
 So far are we from being really on 
 the surface of the earth that the 
 whole earth, sea and land together, is 
 really covered with a great sea or 
 ocean of air. We move about at the 
 bottom of this ocean, and the thing 
 we are puzzling our heads about just 
 now is how to learn to jump off the 
 bottom and swim in it, as birds have 
 been able to do for ages without 
 troubling their heads at all. 
 
 In the course of time we know that 
 great changes had to happen in this 
 glowing globe of gas. It was doubtless 
 then giving out light and heat like a 
 little sun, but in doing so it would 
 gradually become cooler. If you make 
 a poker red hot, and then take it out 
 of the fire, it will give out light and 
 heat for some time; then it will give 
 out heat only, but no light — which is 
 to say, that it is still hot, but will 
 have become dark; and lastly, it will 
 become quite cold. It cannot give 
 out light and heat without becoming 
 cooler itself, for it does not make 
 them out of nothing. The case was 
 the same with the earth, and in the 
 course of long ages it had gradually 
 to become cooler. At last it would 
 
 have to become so cool that part of the 
 matter of which it was made would no 
 longer be a gas, but would become 
 liquid, like water. This is a perfectly 
 simple thing which you have seen for 
 yourself a hundred times — whenever 
 you look out of a railway car, for 
 instance. As you breathe, a great 
 deal of water comes out of your 
 mouth and nose. This water, having 
 come from the inside of your warm 
 body, is itself so warm that it is in 
 the form of a gas ; but when this warm 
 gas strikes the cold glass of the window- 
 pane it is cooled so much that it is 
 turned into a liquid, and will run 
 down the pane in little drops. If you 
 cool any gas sufficiently, it must 
 become liquid. 
 
 Now, that part of the earth which 
 would soonest become cooled would 
 not, of course, be the hot inside — 
 which is believed to consist of a gas at 
 this very moment— but would be the 
 part next the surface. All the kinds 
 of matter that were most apt to become 
 liquid would do so, and, being heavier, 
 would fall towards the center; while 
 the kind of matter, like the air of today, 
 which is not so apt to become liquid 
 would stay where it was. 
 The red-hot tide that rolled over 
 
 THE earth long AGO 
 
 So you can imagine an earth with a 
 core of hot gas and a layer of liquid 
 outside that, and then a layer of cool 
 gas, or air, outside that. But soon even 
 part of the matter that had become 
 liquid would become solid, or perhaps 
 like a very thick oil. 
 
 Now, it must be remembered that 
 all this time the earth was twisting 
 round and round like a top, as it has 
 done ever since, and as it is doing 
 today. Also it must be remembered 
 that the great sun is all this time 
 pulling as hard as it can upon the earth 
 by means of gravitation. You can 
 imagine, then, that the liquid stuff 
 
S6 
 
 THE HUMAN INTEREST LIBRARY 
 
 next the sun at any given moment 
 would be apt to be pulled out towards 
 the sun or heaped up at the surface 
 of the earth. But, of course, since 
 one point of the earth is never opposite 
 the sun for long, this heaping up of the 
 liquid on the surface would be like a 
 wave traveling over the surface of the 
 earth. Now, this great traveling wave 
 is nothing else than a tide, and every 
 child who has ever been to the sea has 
 seen its consequences. Only the first 
 tides that were raised by the sun upon 
 the earth were not tides of cold water, 
 for there was no liquid water upon the 
 earth at that time at all. 
 
 Th( earth was too hot for that, and 
 all the water in it was in the form of a 
 gas in the air, just like the water in 
 your warm breath before it strikes the 
 cold window-pane. The first tides 
 that rolled upon the earth must have 
 been terrible tides made of something 
 like red-hot lava — the red-hot stuff 
 that comes out of a volcano and runs 
 down in fiery streams until it turns 
 cold and solid. 
 
 How THE MOON WAS FLUNG OFF FROM 
 THE SPINNING EARTH 
 
 Now, it is much more than probable 
 that a very remarkable thing happened 
 somewhere about this time. The men 
 who have studied this subject believe 
 that one day, while these tides of lava 
 were rolling round the earth as it spun, 
 part of the lava was whisked off like 
 drops from a wet umbrella when you 
 
 spin it. It is even possible that two 
 great lumps were whisked off at about 
 the same time — one from one side of 
 the earth and one from the other. 
 Perhaps at this time the surface of the 
 earth had become cool enough for the 
 great gaps left by this loss to remain 
 more or less fixed, and some people 
 have supposed that those gaps are 
 now the great bites into the surface of 
 the earth which have since been filled 
 by the seas. They would not be filled 
 with water then, because the earth 
 was doubtless still so hot that all the 
 water remained in the form of a gas 
 in the air. 
 
 But what became of the lava that 
 was so whisked off from the surface of 
 the earth? Its shape at first, of 
 course, would be very irregular, but 
 as it went on moving and became 
 cooler, and as its parts acted upon 
 one another by gravitation, it would 
 become round. 
 
 The DISTANCE OF THE MOON, OUR 
 NEAREST NEIGHBOR FROM THE EARTH 
 
 Now, surely, with all these hints, 
 you do not need to be told that it 
 is the moon which men believe to have 
 been formed from the earth in this 
 wonderful way. At first it was very 
 near the earth, and for a long time 
 afterwards it went gradually farther 
 and farther away. But even now the 
 moon is really close to the earth, not 
 so far off as ten times round the 
 earth. 
 
BOOK OF EARTH AND SKY 
 
 27 
 
 Though, compared with all the stars and suns and planets, the earth is only a 
 grain of dust, yet it is to us the most important part of the whole universe, and we are 
 right to think so. Therefore we cannot know too much about it. We read here of 
 the earth's crust and its inside, and we begin to learn how the world is kept warm. 
 
 THE EARTH AS IT IS TODAY 
 
 SO far we have been going over a 
 kind of history, showing very 
 briefly the chief things that have 
 happened in order to make the earth 
 of today. But we have seen also 
 what people are so apt to forget — 
 that the things which went on in the 
 past are going on still ; the earth, which 
 is the product of changes, is still 
 changing. 
 
 We shall not talk here about the 
 oceans and the seas and continents 
 and mountains — what is called geog- 
 raphy. That is important, and we 
 shall come to it in its proper place 
 and at the proper time. We must 
 begin now by thinking of the earth as 
 a ball, speaking about it just as one 
 might speak about a base ball. Per- 
 haps you know that a base ball has 
 a certain weight, that it has a cover, 
 and that inside this there is a core, 
 which is made of certain materials put 
 together in a particular way. You 
 may also know that a base ball is 
 elastic, so that when you throw it 
 against a wall it comes back again 
 instead of spreading out and sticking 
 to the wall, as a lump of mud would. 
 Now, just in the same way let us 
 examine the great earth-ball, tiny 
 little pieces of which we put together 
 to make base balls, cathedrals, and 
 other things. 
 
 We have mentioned what the 
 size of the earth was. Now, we have 
 a good idea of what a yard is and 
 what a mile is, but it is very difficult 
 to imagine such a distance as 25,000 
 miles; yet, though this sounds such a 
 big figure, compared with other things, 
 the earth is really very small. If the 
 center of the sun could be placed at 
 
 the center of the earth, the surface of 
 the sun would reach far beyond the 
 distance that the moon is from the 
 earth — that is to say, the sun occupies 
 far more space than the whole of the 
 space swept by the earth and the 
 moon moving round it. 
 
 The sun is so much bigger than the earth that if tlie 
 sun could be placed at the center of the earth the outer 
 edge of it would reach as far beyond the moon as tlie 
 moon is from the earth. It is four times as far across 
 the sun's face as it is from the earth to the moon. 
 
 And yet the sun does not look so 
 very much bigger than the moon, 
 though really you might throw a 
 thousand moons into the sun, and 
 the difference they would make would 
 not be worth mentioning. 
 
 The EARTH'S CRUST 
 
 If we turn to the earth and study the 
 crust under our feet, we are able to 
 find out many important facts con- 
 cerning it. Men dig mines in the 
 earth, they make deep borings into it, 
 they study the sides of its canyons and 
 gorges, they climb its mountains, and 
 little by little they have been able to 
 piece together the scattered facts 
 
28 
 
 THE HUMAN INTEREST LIBRARY 
 
 about the crust, until at last a great 
 deal is known about what happened 
 here upon the earth long before man 
 appeared upon it. 
 
 This study of the earth and its 
 history is called geologj% and it has 
 been necessary not once, but often, 
 to refer to it in these pages. We have 
 learned a little about the part that 
 water plays in the history of the earth; 
 we know that there are rocks which 
 were formed under the influence of 
 heat, that there are others, which 
 w^ere formed by water. We shall now 
 make a survey of some of the main 
 facts and ideas of geology, enough for 
 us to be prepared to study the earth 
 with intelligence and to follow the w'ork 
 of geologists with interest and profit. 
 
 We sometimes read accounts of 
 great earthquakes, such as that which 
 happened a few years ago at Messina, 
 which shake whole regions, destroying 
 cities, towns and killing many people. 
 
 Great volcanic eruptions occur 
 which overwhelm large areas and 
 bring ruin in their train. Now it is 
 the earthquake, the eruptions of vol- 
 canoes and other violent occurrences, 
 which occasionally happen, that tempt 
 us all into an utterly wrong idea of 
 the earth's history. We are apt to 
 think that it is the violent, exceptional 
 occurrences that have made up the 
 history of the earth, or, at least, that 
 have been the chief factors in it. We 
 see the rain falling, the rills of water 
 rushing down the road, the river flow- 
 ing in its valley, the waves dashing 
 upon the shore, we notice the wand 
 blowing or the dust flying over the 
 fields. It is not easy to imagine that 
 such things, apparently so slight in 
 their effects and so slow in their action 
 can accomplish much. Yet it is 
 these rather quiet activities that have 
 had most to do with the present shap- 
 ing of the crust and not the violent 
 earthquake or the volcanic explosion. 
 
 When we cross a stream or note the 
 rain falling upon the soil, or when we 
 play with the sand on the seashore we 
 can see and watch for ourselves the 
 slow happenings which have made, 
 are making and will continue to make 
 the features of the land upon wliich 
 we dwell. 
 The forces that make the crust 
 
 The crust of the earth, too, is not 
 stable, it is not terra firnia, as we some- 
 times call it, but it moves now up, 
 now down. At times portions of the 
 continents are depressed beneath the 
 sea, sometimes raised above it. These 
 movements are exceedingly slow, so 
 much so that we do not notice that 
 any change is taking place. 
 
 Our lifetime is too brief to enable us 
 to realize that any movement is hap- 
 pening. If the land rises up high 
 above sea-level then the streams, the 
 atmosphere begin to attack it; if time 
 permits they may wear it down almost 
 to sea-level again. The erosion of 
 land into hills, valleys, plains and 
 mountains is more rapid when the 
 lands are being elevated and less rapid 
 when they are depressed and ap- 
 proach the level of the sea. These 
 movements of the land give the op- 
 portunity for rain, frost and other 
 agents to carve and develop the 
 scenery, which surrounds us. 
 
 Another important fact in connec- 
 tion with the study of geology is that 
 it is a historical study; it tries to 
 present to our view all of the important 
 events of the earth's history in the 
 order of their occurrence, it also at- 
 tempts to enable us to see what was 
 happening during the long ages before 
 human beings had appeared. 
 
 It tries to show us how large the 
 continents were millions of years ago, 
 what their shape was at that distant 
 time, what mountains existed, what 
 plants flourished, what animals lived 
 and where. 
 
nOOK OF EARTH AND SKY 
 
 "29 
 
 The wonderful succession of 
 changes in the earth's structure 
 
 We realize that human history is 
 always in the process of making, it is 
 being unfolded as we read these pages; 
 it is just as true that the rain, the wind 
 outside at this very moment are help- 
 ing to make the history of the earth's 
 crust. The history of the earth, then, 
 like the history of man, is really made 
 from moment to moment, by small 
 things, which do yery little in a mo- 
 ment of time but do accomplish much 
 in a million years. Geology teaches 
 us that time is very long, that the 
 earth has existed through such vast 
 periods that the human mind is un- 
 able to grasp their immensity of 
 reach. 
 
 The earth has had its being for tens 
 of millions and probably for hundreds 
 of millions of years. If we might only 
 see that wonderful panorama, which 
 has been unfolded here through all 
 of these long ages. We know some- 
 thing about it, through the efforts of 
 geologists, but not in all of its beauty, 
 grandeur and interest. 
 
 What continents have existed, where 
 now rolls the sea, how oceans have 
 spread out and covered areas, now dry 
 land; what great forests have waved 
 where now deserts and plains extend, 
 what endless troops of animals have 
 crossed and recrossed the continents, 
 animals of such strange appearance 
 and structure that we would be as- 
 tounded beyond measure should we 
 meet them in the flesh! What suc- 
 cessions of beautiful sunrises and sun- 
 sets have flashed their beauty on the 
 world, what great canyons, with their 
 gorgeous colorings have seamed the 
 crust, what stupendous mountain 
 peaks, glittering with snow and ice, 
 have lifted their heads in air! No 
 human eye saw them, their beauty 
 went for naught so far as man is con- 
 cerned, yet they were here and their 
 
 fleeting glory, their majestic presence, 
 have been a part of the record of old 
 mother earth and her vast, far- 
 extended history. 
 
 These are some of the lessons which 
 geology has to teach us and now we 
 may go on to look at some of the main 
 facts regarding the earth's ever chang- 
 ing crust. The term crust is a relic 
 of the old idea that the globe had a 
 molten interior, which was covered 
 by a thin but solid, compact covering, 
 to which the name crust was naturally 
 applied. This theory is no longer 
 believed, but the old term is still re- 
 tained and is likely to remain in our 
 current language. Geologists call the 
 crust "the lithosphere," because it is 
 composed chiefly of rocks of one kind 
 and another; these rocks continue 
 down as far as man has ever been 
 able to study the crust. 
 Rock structures and origins 
 
 Rocks everywhere underlie the sur- 
 face of the earth; they are as a result 
 the foundation upon which we live 
 and carry on our activities. The 
 rocks are composed of minerals, united 
 together more or less compactly into 
 masses of varying size. The rocks 
 have one of three origins, as follows: 
 
 Some of them were once molten 
 and have gradually cooled from that 
 melted state; sometimes they cooled 
 on the surface of the earth, sometimes 
 they were injected into previously 
 existing rocks and cooled there below 
 the surface. Such rocks are called 
 igneous rocks. Granite is a common 
 type of such rocks; another form is 
 the dark-colored, fine-grained rock 
 usually found on lava plains or 
 plateaus, called basalt, or trap. 
 
 Most of the rocks on the surface of 
 the globe belong to the second group, 
 the sedimentary, often called strati- 
 fied or aqueous rocks. These rocks 
 are laid down by the agency of water, 
 hence the term aqueous rocks; sand- 
 
30 
 
 THE HUMAN INTEREST LIBRARY 
 
 scones, limestones, mud rocks or shales 
 are examples of this group. They are 
 commonly arranged in layers or strata. 
 
 The third group of rocks arises 
 from the fact that the igneous or the 
 stratified rocks may be changed by 
 heat or pressure, they may be so 
 folded and crushed, so altered as to 
 lose their original appearance, per- 
 haps they may be so changed that 
 they are no longer recognizable as 
 either igneous or sedimentary in 
 origin. Such rocks are called meta- 
 morphic rocks. Marble is an ex- 
 ample of a metamorphic rock, which 
 has been changed over from a lime- 
 stone; slate is a metamorphic rock 
 also, it was formerly a mud rock or 
 shale. 
 
 Commonly the solid rocks do not 
 appear at the surface, but they are 
 hidden from view by the covering we 
 call the soil or by other deposits. 
 Though rocks may seem to us to be 
 hard and unyielding, yet as a matter 
 of fact they do not long retain their 
 compact nature; they are attacked 
 by various agencies, they decay, they 
 become broken up into fine particles, 
 which gradually collect to form the 
 soil, or else they are swept away to 
 their final resting place beneath the 
 sea. 
 Action of air and water on rocks 
 
 We should know something about 
 these agents that thus attack the 
 rocks and provide for man that abso- 
 lutely indispensable product, the soil. 
 In order to understand the methods 
 by which rocks are disintegrated we 
 must borrow help from several of the 
 sciences. We must learn all that 
 men can teach us about the atmos- 
 phere and the way it acts upon rocks. 
 The chemist finds oxygen in the air 
 and in water; it is known that the 
 oxygen will unite with the iron in 
 rock-making minerals and cause them 
 to rust and to crumble awav. The 
 
 chemist finds carbonic acid gas in the 
 air and in rain water; he is able to 
 show that this gas, when united with 
 water, helps to dissolve some of the 
 mineral matter in rocks and this 
 causes the rock to waste away. All 
 of this knowledge is a necessary part 
 of geology. The physicist shows us 
 that when water is frozen in a tightly 
 closed vessel, it expands as it freezes 
 and bursts the vessel; so when water 
 freezes in the cracks of the rocks it 
 rends the rocks apart and helps to 
 break them up. This knowledge be- 
 comes a part of geology. We must 
 study where we can the action, 
 chemical and physical, of rain and 
 frost, of water on the surface and 
 under the surface; we must study the 
 work of wind and waves, of glaciers, 
 of ice on lake and river; these are all 
 tools engaged in breaking up the 
 rocks of the crust. If we watch these 
 agents at work day by day, if we study 
 the results of their activity, we may 
 know why the crust is so altered from 
 period to period and why it has its 
 present form. 
 
 Geology also borrows from the stu- 
 dent of earthquakes and of volcanoes 
 and learns to know what these dreaded 
 powers have done to make the earth as 
 it is. Geology is the great borrowing 
 science, had it not been for the things 
 geologists have obtained from other 
 sciences, little would be known about 
 the earth and geology would not be 
 the important study that it now is. 
 The forming of minerals 
 
 But the borrowings of geology are 
 not vet ended; it must learn from 
 the mineralogist about minerals. It 
 must take everything that mineralogy 
 has to teach about crystals, about 
 minerals, how they are formed, how 
 they break up, how they melt down, 
 how they are dissolved and by what, 
 how hard they are and how much 
 they weigh. Not only this, but we 
 
BOOK OF EARTH AND SKV 
 
 31 
 
 should learn about where minerals are 
 found in the earth, how they lie in 
 veins, in cavities, in masses; all of 
 this knowledge comes to form a part 
 of geology. Nor has this exhausted 
 our sources of knowledge, for every- 
 thing we may learn about plants and 
 animals contributes to geology. The 
 rocks have records of many forms of 
 life, some of which are utterly different 
 from any now existing, while others 
 are scarcely different from those now 
 living. 
 
 If we are to understand this life of 
 the past it is necessary to use the 
 knowledge furnished us by botany and 
 zoology. Geology gains enormously 
 from a study of these remains in 
 rocks just as the study of biology gains 
 greatly from geology. 
 
 By the use of these sciences geol- 
 ogists have learned much about the 
 crust, about the rocks which compose 
 it and about the long history through 
 which they have passed. This his- 
 tory is told by the structure of the 
 rocks themselves and also by the 
 fossils in the rocks; it is a twofold 
 presentation and we shall now con- 
 sider each of these sources of informa- 
 tion. The rocks tell, in a measure, 
 the experiences through which they 
 have passed. The mud, the sand and 
 gravel, which form many rocks, show 
 the conditions that were in existence, 
 when they were forming. We may 
 know, for example, whether they were 
 formed under the sea or on the conti- 
 nental surface, whether in shallow 
 water, near the shore, or in deep water. 
 The rocks tell the extent of the oceans 
 in which they were deposited. This 
 enables us to determine the size of the 
 continents, also, we may know their 
 general outlines and their relations to 
 each other. The rocks enable us to 
 tell whether the continents were 
 mountainous at any given period or 
 whether they were low-lying. Many 
 
 marks are found in rocks, which help 
 to interpret their history and to tell 
 the place of their formation. Ripple 
 marks, rain-drop impressions, sun- 
 cracks, rill marks, tracks of animals, 
 etc., are among the tell-tale evidences 
 that rocks, which contain them, were 
 formed in shallow water or on exposed 
 tidal flats, near the shores of conti- 
 nents. 
 
 The structures, which rocks have, 
 also, aids in understanding the changes 
 which have taken place since they 
 were formed. The folding, the crys- 
 tallization, the erosion which they 
 have undergone all help to tell this 
 long story of change and endurance. 
 The folds in rocks may indicate that 
 they were once a part of a great moun- 
 tain chain, which has now disappeared. 
 The worn condition of the rocks may 
 enable the geologist to estimate how 
 high they were once uplifted and how 
 much they have been cut down by 
 erosion. 
 Animal remains shut up in rocks 
 
 In many respects the most impor- 
 tant story the rocks have to tell us 
 is gleaned from those remains of 
 animals, which lived long ago, and 
 are known to us as fossils. They help 
 to an understanding of the globe be- 
 cause their form and their nature re- 
 veal the conditions under which they 
 lived and died. The animals and 
 plants found in the earlier rocks arc 
 utterly different from those now liv- 
 ing, while those in later rocks are 
 scarcely to be distinguished from many 
 now living. x\nimals have slowly 
 changed from period to period and 
 they thus indicate the passage of time. 
 In the rocks of each period, too, there 
 are fossils which are peculiar to those 
 rocks and this aids geologists greatly 
 in determining just when the rocks 
 were formed. Unfortunately the rocks 
 have not yet taught us all we may hope 
 to learn regarding the history of life. 
 
THE CHANGING EARTH FROM AGE TO AGE 
 
 The history of the earth for milhons 
 of years is written in its rocks, and 
 men are able to read what took place, 
 and to give us, in pictures like these, 
 a vivid panorama of the earth's long 
 wonder-story. We can see also just 
 how that story came to be written in 
 the rocks. A million years ago, a 
 little stream trickled down a moun- 
 tain-side, carrying with It grains of 
 sand and stones, which fell to the 
 bottom of the sea. In the sea swam 
 a great and wonderful creature called 
 an Ichthyosaurus. 
 
 The ichthyosaurus wa.s a reptile 
 that lived in the sea, and its name 
 means "flsh-lizard." It had a great 
 head with powerful jaws and teeth, 
 and its body had four limbs like pad- 
 dles which enabled it to swim about. 
 One day the great creature died, or 
 probably It was killed In battle with 
 another strange monster, and its 
 body fell to the bottom of the sea 
 among the shells and seaweed. 
 Meanwhile, the stones and sand 
 brought down by the stream con- 
 tinued to fall upon the bed of the sea. 
 
 As the URCS pa.s.sed, tlie .stream 
 gradually wore away a wider and 
 deeper bed for itself, and became a 
 big river; and the rains falling upon 
 the mountain loosened the soil and 
 formed hundreds of tiny streamlets. 
 These all ran into the main stream, 
 and each did its part in wearing away 
 the mountain. As the river became 
 wider, so it brought down more and 
 more earth and stones, which fell in 
 a never-ceasing shower upon the bed 
 of the sea, until at last the great 
 reptile's body was buried. 
 
 82 
 
THE WOxNDER-STORY TOLD IN THE ROCKS 
 
 Higher and higher rose tlie ocean- 
 hed as the mud from the mountain 
 continued to fall upon it, and the 
 lower layers became pressed Into 
 hard rock by the weight on top. One 
 (lay an elephant going to the river to 
 (Link broke off his tusk, and this was 
 carried down by the river and sank 
 In the sea. Another day a bird was 
 drowned, and this, too, fell upon the 
 ocean-bed. Dead fishes and shells 
 also sank, and all were buried by the 
 never-ceasing shower of mud and 
 earth and sand and stones. 
 
 All througU these ages the rain and 
 river were wearing the mountain 
 away. Hundreds of thousands of 
 years after the ichthyosaurus died, 
 men began to live on the earth, and 
 one day a man who had made a boat 
 out of a hollow tree-trunk took his 
 wife and went out to fish. Trying to 
 spear a big fish, the head of his har- 
 poon broke off and fell to the bottom of 
 the sea. It was too far down for the 
 man to recover it, and in course of 
 time this also was buried in the 
 mud. 
 
 The bottom of the sea crept higher 
 and higher, till at last it became dry 
 land. Then one day men began to 
 dig, and the world's wonderful story 
 was revealed as we read it here. First 
 the spear-head was found, then the 
 tusk, the bird's skeleton, the shells, 
 the fish, and at last the skeleton of 
 the great sea reptile, all turned to 
 stone and became fossils, a word that 
 means something dug up. It is 
 hard to realize that these fossils 
 found in the rocks were once living, 
 moving animals. 
 
 38 
 
54 
 
 TEE HUMAN INTEREST LIBRARY 
 
 The record of life as preserved in the 
 rocks, ill the form of fossils, is very 
 imperfect, yet if we consider how many 
 conditions are necessary for a fossil 
 to be formed and preserved, we shall 
 wonder that so many exist at all. 
 The bodies of many animals are entire- 
 ly soft, having no hard parts; snch 
 animals decay before they become 
 fossilized. In those cases where ani- 
 mals have bones or shells, which 
 might be fossilized, it often happens 
 that they may decay or be destroyed, 
 otherwise, before they have a chance 
 to be preserved. Even if the fossils 
 are once formed it often happens that 
 they are obliterated by different 
 things. Water may move throngh 
 the rocks and slowly bnt surely dis- 
 solve the fossil, heat or pressure may 
 distort and finally destroy all traces 
 of life in the rocks. Many millions 
 of fossils have thus been destroyed 
 and left no trace of their existence. 
 Another reason why the rock record is 
 imperfect, aside from the lack of a 
 life record, is that only a small portion 
 of the rocks have been studied as yet. 
 Water and land areas 
 
 To begin with, only about two- 
 sevenths of the earth's surface is at 
 present above the ocean. All that 
 we have access to is that found on 
 this comparatively small area, which 
 may not be altogether the most im- 
 portant part of the globe so far as the 
 history of life is concerned. Even 
 on the land surface, only small areas 
 here and there have been carefully 
 studied, more especially western 
 Europe, the eastern portions of the 
 United States, Canada and small 
 regions elsewhere. We have not yet 
 even commenced to study thoroughly 
 one-thousandth part of the land sur- 
 face of the globe. 
 
 The really marvelous thing is that 
 so little inquiry has produced such 
 great results. During the past fifty 
 
 years thousands of new animal forms 
 have been discovered in the rocks, 
 their nature and their characteristics 
 have been determined, so that we 
 know how they looked in life, what 
 their habits were, how and where 
 they lived. Not a day passes that 
 new fossils are not found and recorded, 
 in a few centuries man will know the 
 life of the past much more fully than 
 he does at present. 
 
 It is often hard for us to realize that 
 the fossils which are found in the 
 rocks were once living, moving ani- 
 mals, yet, as Professor Huxley once 
 said, "We have no more ground for 
 doubting that these creatures really 
 lived and died at or near the places 
 in which we find them, than we have 
 for doubt about a shell on the seashore. 
 The evidence is as good in one case 
 as the other." 
 
 Now that we have found out some- 
 thing about fossils, we must learu 
 what they teach us about themselves 
 and their surroundings. 
 What fossils teach 
 
 This part of geology has its own 
 special name, palaeontology, and men 
 often devote their whole lives to a 
 study of a small portion of it. It is 
 found that life began far back in time 
 with the earliest sedimentary rocks 
 and that it has continued on the globe 
 from that time to this without any 
 interruption. At first there were no 
 animals with backbones, all were 
 invertebrates and all lived in the 
 water. As the ages passed away 
 animals came to have backbones, 
 finally limbs were developed, they 
 gained lungs, and began to live on 
 the land. In the meantime they be- 
 came more complex and better fitted 
 for a varied life. Most of the simpler 
 animals of the earlier ages reproduced 
 their kind by laying eggs, but the 
 higher animals bring forth their young 
 alive, they suckle them and give 
 
BOOK OF EARTH AND SKY 
 
 35 
 
 them a great deal of care. Thus the 
 higher animals are better fitted to 
 live than the earlier ones, and they 
 have become the important life of the 
 globe, because of this fitness. 
 
 Some very large and strange-looking 
 animals have lived and then have 
 become extinct. We only know them 
 by their bones or teeth that are found 
 in the rocks. Geologists make draw- 
 ings of these animals and thus restore 
 these monsters of old. These pic- 
 tures, which portray their supposed 
 appearance when living, are based on 
 a careful study of their skeletons. 
 There were once great reptiles walking 
 about the earth, swimming in the sea, 
 or flying in the air, the latter real 
 flying dragons. Some of these huge 
 reptiles, the dinosaurs, were among 
 the largest animals that ever lived; 
 they must have been very strange- 
 looking and alarming sort of animals. 
 
 How ANIMALS IN PAST AGES DIFFERED 
 FROM THOSE OF TODAY 
 
 These animals, however, were mere- 
 ly big; they had very small brains 
 and little intelligence. They were 
 stupid, sluggish creatures, and in 
 spite of their large size and great 
 strength, they gradually died off and 
 became extinct. Thus animal life 
 tried the method of mere bigness, 
 tried it persistently and thoroughly, 
 and it failed. When these great 
 reptiles were masters of the earth, 
 there were, at the same time, little 
 animals not larger than rats or mice, 
 who made a great contrast to the 
 dinosaurs, not only in size but in 
 appearance, in quickness of motion 
 and in endurance. 
 
 Unlike these reptiles, which were 
 covered with armor-like plates or with 
 scales, these small animals were cov- 
 ered with hair, unlike the reptiles they 
 were warm-blooded, they cared ten- 
 derly for their young, unlike the 
 reptiles they had large brains in pro- 
 
 portion to the size of their bodies, 
 which enabled them to act more in- 
 telligently. These animals, the mam- 
 mals, with the larger brains, higher 
 intelligence, better motherhood, have 
 become dominant on the earth and 
 have superseded the larger and 
 stronger reptiles. The earth is pos- 
 sessed by those who have intelligence 
 and who care much for family rela- 
 tions. 
 
 We have seen that animals steadily 
 advance from the simpler, cruder 
 forms of early periods to the better 
 and more familiar creatures of today. 
 This is most strikingly shown in the 
 case of mammals, since we are better 
 acquainted with them than with 
 most of the lower animals. There has 
 been a steady advance of the animal 
 as a whole and also in its different 
 parts. This is true of the brain, 
 which is small and quite smooth in 
 early mammals, but becomes much 
 larger and more convoluted in later 
 animals. In the same way the teeth 
 and tooth structure becomes more 
 complex as time passes. The early 
 mammals tended to have small and 
 rather conical teeth, which have been 
 replaced by the larger, more compli- 
 cated teeth of modern time, such as 
 the molars, with their large grinding 
 surfaces, their cusps and crests. The 
 foot structure also changes as we pass 
 from early to later time, the number of 
 toes becomes less on the whole; primi- 
 tive mammals probably had five toes, 
 but these have become reduced in 
 number in modern life, to one usable 
 toe in the case of horses, and of two 
 in the case of cattle, sheep and swine. 
 The foot structure has also become 
 more compact, the various joints 
 better fitted to each other and more 
 securely bound together. 
 Distribution of animals 
 
 Through all of tlie past ages, ani- 
 mal life has moved back and forth 
 
36 THE HUMAN INTEREST LIBRARY 
 
 over all lands, it has migrated far and of food causes many to starve, the 
 
 it has peopled widely separated re- coming on of extreme climates makes 
 
 gions. Hence it is true that animals trouble for animals. Severe cold or 
 
 which are found in the rocks of any excessive heat may destroy certain 
 
 given region may not have originated types of animals, very arid climates 
 
 there, but may have come, by migra- with their accompanying scarcity of 
 
 tion, from some far away point. water, are exceedingly destructive to 
 
 Animals have a natural impulse to animals, which are unable to migrate, 
 wander and may move about on that Animals are often handicapped by 
 
 account, but other causes serve to unfavorable bodily structures, as small 
 
 drive them forth from their ancestral brains, poor teeth, inferior foot struc- 
 
 abodes. Some of these important tures, and these act ad\'ersely on 
 
 causes are: lack of food, change of length of life, they cause the early 
 
 climate, presence of numerous ene- destruction of animals possessing them, 
 
 mies and the like. Horses and camels Changes in the nature of food, the 
 
 were both originally American ani- disappearance of food which animals 
 
 mals, but migrated to Asia in late like, may help to cause the extinction 
 
 geological time, where early man of animals. In the case of herbivorou.*^ 
 
 found them and domesticated them, animals such as the bison or the an 
 
 The various ele])hants, which were so telope, the appearance of large packs 
 
 numerous in North America during of wolves would mean the destruction 
 
 the ice age and just before, migrated of many, for as the herd diminishes, 
 
 originally from Africa, in all prob- the survivors are unable to protect 
 
 ability. their young. These and other factors 
 
 Many features have acted as bar- have acted, in the long distant past, 
 
 riers to thwart the advance of animals to destroy whole families of mammals, 
 
 or to swing it aside in one direction or As rapidly as they disappeared, how- 
 
 another; mountains, deserts, forests, ever, their place was taken by others 
 
 rivers, act as barriers to some ani- and the stream of life went on with- 
 
 mals, while they may be favorable to out a break. 
 
 other animals. Changes in the con- how we know the beginnings of 
 tinents, caused by elevation or de- animal life 
 
 pression. and temperature changes It is not possible to trace life back 
 
 are the most potent influences in to the beginning in any one locality, 
 
 regulating animal migrations. because the whole series of rocks are 
 
 What causes the extinction of never represented in their entirety at 
 
 ANIMALS any one place. Rocks of different 
 
 Animals become extinct through ages are found at different places and 
 
 various causes, a group of quadrupeds it is necessary to go from one part of 
 
 will have a life history of a certain the earth to another to study all of 
 
 lengtli. then they die out and a better the rocks and the fossils, which they 
 
 fitted group of animals takes its place, contain. 
 
 Many factors lead to the destruc- A vivid way of getting an idea of 
 tion of animals now and they have rocks and their contents is to put down 
 also probably acted in the past. In in order some of the things we should 
 the case of the mammals, for example, come across if we began to dig down 
 diseases, especially skin disease, are from the youngest rocks, through the 
 an important means, various insects whole series to the oldest. If we be- 
 cause wholesale destitution; scarcity gan in the northern states, we would 
 
BOOK OF EARTH AND SKY 
 
 37 
 
 be likely to come upon beds of gravel 
 or of clay, the so-called glacial drift. 
 Some of these beds might contain 
 bones of large animals, most of them 
 now extinct, such as the mastodon, 
 the mammoth, the sabre-tooth tiger, 
 the rhinoceros. The skulls and teeth 
 of mastodons and elephants are fre- 
 quently found in peat-bogs and about 
 springs in the northern United States. 
 Below the drift are the rocks of the 
 Cenozoic era; these are especially 
 well developed in the western states, 
 if we should pass down through them 
 we would find animals resembling our 
 modern horses, wolves, bears, squir- 
 rels, etc., and yet differing from them. 
 P'or instance, these more ancient 
 horses were not as large as those at 
 present and they had several toes on 
 each foot, instead of one, as now. 
 The animals were more generalized 
 then than they are at present, that is, 
 characteristics which are found in 
 several different kinds of animals 
 now, were all combined in one animal 
 then. For example, some of the dogs 
 combined features of the fox with that 
 of the dog, some were like bears and 
 were a sort of bear-dog. Some ani- 
 mals combined the characteristics of 
 horse and antelope, or of elephant and 
 rhinoceros, or of giraffe and camel, 
 while some of the early Cenozoic ani- 
 mals combined the characters of 
 hoofed and clawed animals. 
 
 If, now, we proceed lower into the 
 rocks to those of the next era, the 
 Mesozoic, we shall find few of the 
 mammals, but many reptiles, many 
 fishes related to our modern fishes, 
 yet unlike them, many curious mol- 
 lusks that have no living representa- 
 tives. 
 
 Below the rocks of the Mesozoic 
 we come to the rocks of the Palaeozoic 
 era. These rocks are best represented 
 in the eastern states of our country; 
 should we explore them, we would 
 
 find coal beds, in many localities, with 
 many representatives of the plants 
 which formed the coal. We would 
 readily recognize the ferns, which had 
 a large part in forming the coal, but 
 much of the vegetation would be very 
 strange to us, it is so unlike anything 
 we have in our modern forests. As 
 we proceed further down, we would 
 find remains of fishes, we would find 
 many shells, most of them unlike mod- 
 ern forms; some of them we might be 
 able to recognize by their general 
 resemblances, but most of them would 
 be utterly strange to us. Such ani- 
 mals as the trilobites and the ortho- 
 ceratites are examples of these strange 
 animals, all long ago extinct. 
 
 Finally we would come down to 
 rocks, which yield no evidence of life 
 and indeed correspond to a time when 
 there was no life on the globe, at least 
 of a kind that could be fossilized. 
 Still lower down we should arrive at 
 the granites and other igneous rocks, 
 which from their very nature preclude 
 life. Here we have arrived at a time, 
 which existed before life was found on 
 the earth, we are at the very basement 
 of the great rock series. 
 The value of rocks to man 
 
 The rocks are of value to mankind 
 not only because they reveal to him 
 the history of the earth, but because 
 they are of great service to him. They 
 hold many minerals and metals, which 
 man must have; they contain the 
 ground water, so essential to the wel- 
 fare of plant and animal life and to 
 the maintenance of rivers and lakes. 
 The rocks furnish abundant and 
 valuable building material, they supply 
 ballast for railroads, material for roads, 
 for concrete construction, etc. The 
 soil is supplied from rocks and so in 
 numerous ways man has come to 
 depend absolutely upon rocks for his 
 life and for furnishing the means for 
 his industries. 
 
THE FIRE BURNING INSIDE THE EARTH 
 
 I'hii earth, being a Hi'eat ball, has a I'uro, just a.s an apple ha.s a eure; but the cure of the earth is made up of vast 
 quantities of burning materials and Kases. This central fire, just like au^• other lire, must find a chinme^•, and there are 
 many mountains in the world through which the tire forces its way. We call them volcanoes, and they are the chimneys 
 of the central fire. But it is not always smoke they pour out, as Vesuvius, the great volcano of Italy, is pouring out smoke 
 in this fine photo; imderground rivers sometimes burst into the burning materials at the bottom of the volcanoes, and so 
 cause great explosions of the most disastrous kind. At times volcanoes burst with great violence, and Vesuvius has destroyed 
 whole cities, one of them, Pompeii, overwhelmed just after the birth of Christ, having been dug out of the earth. 
 
 38 
 

 BOOK OF EARTH AND SKY 39 
 THE EARTH'S CHANGING FACE 
 
 PERHAPS the mountains are the to understand how great are the chang- 
 
 objects that would most strike es they can produce. When it was 
 
 an observer, apart from the first taught that long lines of inland 
 
 question of life — mountains and val- cliffs and mighty valleys had been 
 
 leys and inland cliffs and what are formed, not suddenly, but by the slow 
 
 called canyons. On the seashore we working of agencies which are still at 
 
 can watch the sea doing its work upon work, like wind and water, the students 
 
 the cliff s almost any day ; but we know of the subject thought it impossible 
 
 that there are cliffs far from the sea, that this could be, but now no one 
 
 and mighty valleys which look as if questions it. The discovery of the 
 
 they had been suddenly scooped out truth was the work of the greatest of 
 
 by some tremendous deluge of water, all geologists, Sir Charles Lyell, who, 
 
 So first let us study these great ups like many other great men, was 
 
 and downs on the dry land. abused during his lifetime, but whom 
 
 Probably we are only just beginning all students of the earth will always 
 
 to get a real understanding of the honor. 
 
 making of mountains. At any rate, There was a time, we know, when 
 
 we may be sure that the process was all the northern parts of Europe and 
 
 a gradual one. We may also be sure North America were under ice; in- 
 
 that the cooling and shrinking of the deed, that has been true throughout 
 
 interior of the earth is one of the great more than one period of history. No 
 
 underlying causes in the making of one yet understands the real cause of 
 
 mountains. The view which is gen- the Ice Ages, and it will be best not to 
 
 erally held, though we are beginning attempt to explain them. Probably, 
 
 to suspect that it is probably not the in a very few years, we shall learn how 
 
 whole truth, is that mountain ranges they came about. But, at any rate, 
 
 are formed by the crumpling of the we must know, when we study the 
 
 earth's crust as it tries to fit itself to mountains, that there were Ice Ages; 
 
 the shrinking interior. and it is specially interesting to know 
 
 Then, we are now beginning to be- that the Ice Ages were quite recent, 
 
 lieve that the marvelous element, comparatively speaking, 
 
 radium, which is found everywhere, How mountains and boulders tell 
 
 may possibly, by the power which it us of the story of the earth 
 
 produces from inside itself, have had a Charles Darwin says: "The ruins 
 
 share in the building of the mountains, of a house burned by fire do not tell 
 
 But it is impossible to say more about their tale more plainly than do the 
 
 that yet. Let us turn to the places mountains of Scotland and Wales, with 
 
 where the dry land, instead of being their scored flanks, polished surfaces, 
 
 piled up, is scooped out. Until the and perched boulders, of the icy 
 
 first half of the nineteenth century, streams with which their valleys were 
 
 men always supposed that valleys had lately filled." In riiany parts of 
 
 been made suddenly by some mighty Europe we can study the action of 
 
 disturbance, like a great deluge. When ice upon the mountains even at this 
 
 we do not see the slow steps of a day. A stream of ice flowing down a 
 
 movement, and when they act for valley from an ice-covered mountain 
 
 such long ages that the mind cannot is called a glacier. In very cold parts 
 
 appreciate the length of them, we fail of the world we can find glaciers run 
 
UO 
 
 THE HUMAN INTEREST LIBRARY 
 
 right down to the level of the sea; but 
 elsewhere, as for instance, in Switzer- 
 land, of course we can only find the ice 
 at a much higher level, say, four or five 
 thousand feet above the level of the 
 sea. In Greenland, as the ice of a 
 glacier breaks at sea-level, it forms 
 icebergs; in Switzerland, when the 
 ice of a glacier breaks, it may tumble 
 down the mountain, and cause what is 
 called an avalanche. 
 
 When we talk of a stream of ice, 
 people may say: How can ice flow, 
 and at what rate does it flow? Well, 
 we may say that the rate of flow is a 
 few feet each day, and the central 
 part of the glacier moves more quickly 
 than the sides because they are held 
 back by the friction of the rocks be- 
 tween which it flows. 
 
 The wonderful reason why a river 
 of ice flows forever onward 
 
 The same is true of any river, and 
 we can also see exactly the same when 
 we watch the blood flowing through a 
 blood-vessel. The reason why the ice 
 flows, as it does, is now understood. 
 The weight of the ice makes it fall, 
 and it is of course pressed upon by 
 snow from above; but the glacier 
 could not flow as it does were it not 
 for the fact that when ice is pressed 
 very hard it is melted, and then, when 
 the pressure is removed, it freezes 
 again. 
 
 So, as the glacier moves down, any 
 obstruction in its way causes part of 
 it to melt, and so flow over; and then, 
 when the obstruction is passed, the 
 ice freezes again. This curious prop- 
 erty of ice can be shown with a block 
 of ice and a piece of wire, which can 
 be pulled right through the ice and 
 yet leave a solid block behind. The 
 pressure of the wire causes the ice to 
 melt, and then, after the wire has 
 passed, the ice freezes again. The ice 
 that forms the glacier comes from the 
 snow on the mountain heights. As 
 
 this snow is squeezed and pressed, it 
 
 turns into ice. 
 
 Mountains, earthquakes, volcanoes 
 
 The rocks of the earth suffer many 
 changes and accidents after they are 
 once laid down; these changes produce 
 a marked effect upon the surface fea- 
 tures of the earth, or what we may call 
 the face of the earth. Sometimes the 
 rocks are folded into great mountain 
 chains, which cause the face of mother 
 earth to be severely wrinkled; some- 
 times large areas are directly uplifted, 
 forming plateaus or what may be 
 termed large swellings on the earth's 
 face. Sometimes great fissures trav- 
 erse the earth, lying more or less 
 parallel to each other, while other sets 
 of fissures or cracks run across them, 
 more or less at right angles to the first 
 set of cracks. 
 
 This divides the crust up into great 
 crustal blocks. When earth move- 
 ments take place, these blocks may 
 move differently, they slide one on the 
 other, some sinking faster than others, 
 some becoming tilted over, some, pos- 
 sibly, becoming pushed up over others. 
 These various movements cause great 
 disturbances in the rocks; they may 
 break apart on either side of a fissure, 
 one side settling down, the rock layers 
 become mismatched, one layer of rock, 
 perhaps joining another of a different 
 sort. When men are mining coal, gold 
 and other minerals under the ground, 
 it is very annoying to come to places 
 like this, where breaks or "faults" 
 occur. The coal bed or the gold vein 
 has been snapped short off by the fault 
 and has disappeared; it may be that 
 it has been carried down by the settling 
 rocks several thousand feet. It be- 
 comes a matter of careful study to 
 determine where the vein has gone, 
 how far down it is, whether it will pay 
 to dig down to reach it. Beds of rock 
 with a small fault are shown on 
 page 43. 
 
BOOK OF EARTH AND SKY 
 
 U 
 
 When these faults occur, great 
 massive rock blocks may drop all at 
 once, this sudden movement produces 
 a jarring of the crust, which may be 
 felt as an earthquake. If the moving 
 mass of rock happens to be large, or if 
 it drops quite a distance, then the 
 earthquake shock is very severe and it 
 causes great destruction of life and 
 property, though generally only over 
 a very limited extent of territory. 
 Sometimes the rock masses move on 
 each other horizontally instead of verti- 
 cally, this was the case in the great 
 San Francisco earthquake of 1906. 
 These sudden movements and dis- 
 turbances may result in a sudden 
 elevation or depression of the land 
 over an area of notable size. 
 
 These rapid movements associated 
 with earthquakes are very different 
 from the slow earth movements, 
 already mentioned. These cjuick 
 movements may cause marked changes 
 locally, on the earth's face in a few 
 moments. On the other hand the 
 slow movements go on steadily and 
 with such slight changes, from year 
 to year, that we do not notice them 
 nor their effects, v The sudden move- 
 ments generally produce changes only 
 over a relatively small area, while the 
 slow movements affect large regions, 
 even whole continents, or the slow 
 movement may express itself in the 
 form of mountain making and cause 
 the uplift of such great systems as the 
 Rocky Mountains or the Andes, which 
 involve the crumpling of a third of the 
 earth's circumference. 
 What causes the faults 
 
 Though these two movements ex- 
 press themselves in such different ways, 
 yet probably the same general under- 
 lying cause produces them both; this 
 cause is, probably, the constant shrink- 
 ing of the globe and the effort of the 
 crust to adjust itself to the constantly 
 withdrawing interior. It is this loss 
 
 of heat which is the fundamental cause 
 of all kinds of crust movements, how- 
 ever they may reveal themselves. 
 The interior of the earth, though very 
 hot, apparently, is not molten; it is 
 solid and seems to be very rigid, as 
 much so as if it were composed of steel. 
 This hot interior, however, constantly 
 radiates its heat out, through the crust, 
 into space. As this heat is lost and the 
 interior becomes cooler it is inevitable 
 that it should shrink and become 
 smaller. The outer part of the earth, 
 which we call the crust, is supported 
 by this interior and as it withdraws, 
 the crust must follow it, for its support 
 is taken away from it. The crust 
 sinks down in its effort to follow the 
 retreating interior; as the crust moves 
 downward it must occupy a smaller 
 space than it originally did. As the 
 crust cannot be compressed very 
 much, the only course open to it is to 
 become wrinkled and to allow certain 
 areas to be pushed up until the crust 
 fits down on the interior compactly. 
 
 We have all noticed how an apple 
 behaves when it is baked or allowed 
 to dry, it loses water from the inside, 
 which causes the interior to become 
 smaller, the skin of the apple accom- 
 modates itself to the reduced inside 
 and as a result it becomes much wrin- 
 kled. It is probable that mountain 
 ranges, in part, are produced by this 
 wrinkling, as well as other great 
 features on the surface of the earth. 
 All parts of the surface are in process of 
 this shrinking, but the wrinkling of the 
 crust does not appear everywhere, 
 but only in those portions of the crust 
 which are weakest. It is the weaker 
 portions of the crust that give way and 
 show folds, depressions and other evi- 
 dences of change. These weaker parts 
 of the crust are commonly near the 
 oceans and it is in the neighborhood 
 of sea coasts that this wrinkling take,'- 
 place ordinarily. 
 
HOW LAVA COMES OUT OF THE EARTH 
 
 The pictures on tliis |):ige sliow us at a glance one of the causes of volcanic eruptions and earthquakes. It is as though 
 we were behind the scenes and could see the machinery by which Nature iierforms her most awful spectacle. This volcano 
 is asleep, but processes are going on that will sooner or later cause a catastrophe. 
 
 d*^- 
 
 f.i re w^E'vi- 
 
 Water is always trickling through the earths crust from the surface, the heat inside the earth turns it into steam. 
 •M last the steam pressure becomes so great that there ii a mighty explosion. The rocks are rent asunder, and the molten 
 lava from the interior of the e.arth, with great force is hurled forth in a Hery stream. The rending of the rocks, ton, 
 causes au earthijuake. This is prutnihly how the eruption of Mount I'elee was caused. 
 
 M 
 
THE SPLITTING OF THE EARTH'S CRUST 
 
 inlBrior Of white-hot rrolten tsva 
 
 I'he interior of the earth is quite solid for the most part, but there are large pools of liquid lava, here and there. As 
 the molten matter inside the earth gets cooler, the crust shrinks and crumples up, just as the peel of an orange shrivels 
 when the orange gets dry. By this wrinkling the mountain ranges are formed, as shown here. 
 
 
 We usually think of the ground as being the one solid and lirm thing that we know, until some terrible earthquake, 
 like that at San Francisco or Messina, reminds us that even the ground is not stable. When the earth's crust at any point 
 wrinkles so much that it is unable to bear the strain longer, the rocks split, as shown here, and the shock sends a shiver 
 through the earth for hundreds of miles, causing buildings to shatter and fall. 
 
h^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 It is true also that all portions of the 
 crust do not sink with the same rapid- 
 ity, some areas, apparently have always 
 become depressed more rapidly than 
 others, until now they are great per- 
 manent depressions, which we desig- 
 nate as ocean basins or sea basins, and 
 occupied by great bodies of water. 
 The continents have not gone down 
 as rapidly and they stand up above the 
 ocean, therefore, as protuberances, foni)- 
 ing the familiar land masses and islands. 
 
 These great crustal changes have 
 ever been going on, in some periods, 
 apparently, more actively than at other 
 times, but they are always taking 
 place. They are going on day by day, 
 now in our own lifetime, and for aught 
 that we know with as much effective- 
 ness as ever in the past. If there is 
 any one idea, which we should bear in 
 mind regarding the science of geology, 
 it is that geology is not simply a record 
 of past events and processes that have 
 now come to an end, but that the forces 
 which have formed the world, in the 
 past, are still at w^ork. We are living 
 on the surface of the earth in a certain 
 stage of its existence, just as creatures 
 which lived on the earth millions of 
 years ago, lived on the earth in another 
 stage of its existence, but the activities 
 of the globe are much the same now 
 as they were then. 
 
 Portions of our country have been 
 re])eatedly covered by the ocean, 
 sometimes, indeed it has extended quite 
 across the continent. The crustal 
 movements, which thus allowed the 
 ocean to creep over the land, may come 
 again and the sea may once more come 
 up over the country. There is nothing 
 permanent on the face of the earth, 
 its expression is ever varying, and this 
 is especially true of the boundaries 
 l^etween continents and oceans, they 
 are, indeed, very evanescent features; 
 the changes, which have gone on in 
 ages past, are to continue their work. 
 
 Age of the earth 
 
 It should be remembered, too, that 
 the earth, in all probability, is destined 
 to exist for a great many millions of 
 years, in the future, and that there 
 will be ample time for many changes 
 to be carried out. 
 
 Probably, men will be on the earth 
 tlu-ough all of these long years to come; 
 the j)eople, who live here in North 
 America then, will live on the same 
 continent as we do now, but it will have 
 a different form, another outline and 
 its surface will not be as it is now. It 
 is perfectly possible that mountains 
 may exist where now there are plains, 
 and, on the contrary, the mountain 
 ranges of the West may be worn dow^n 
 to inconsiderable hills and lowly 
 ridges. When we look at a map of the 
 world, we are looking at the arrange- 
 ment of land and sea, as they happen 
 to be at the present time, not as they 
 were five million years ago, or as they 
 are to be in tlie distant future. 
 Land and water areas interchange 
 
 There are many evidences that some 
 of the continents have been much 
 larger than they are now and that 
 there were great prolongations of the 
 continent, in some cases, which tied 
 one continent to another. These old 
 connections or "Land Bridges," as 
 they are termed, were of great impor- 
 tance in enabling animals to pass from 
 one continent to another. A map of 
 Asia shows the Malay peninsula as 
 such an arm stretching toward Aus- 
 tralia, a great broken chain of islands 
 connecting it with the great island 
 continent. 
 
 Careful study of the region has con- 
 vinced geologists that there was once, 
 far in the geological past, practically 
 continuous land connections between 
 Australia and Asia. Over this land 
 bridge migrated the kangaroo and 
 other peculiar animals, now so char- 
 acteristic of that island land. Shortly 
 
BOOK OF EARTH AND SKY 
 
 45 
 
 after their migration there, this land 
 bridge was broken and the sea over- 
 whelmed portions of it; this strange 
 animal life was left shut up there, 
 where it has remained ever since, un- 
 molested by enemies, which have de- 
 stroyed that kind of life elsewhere. 
 America and Europe once connected 
 
 Land bridges generally follow the 
 borders of ocean basins, they do not 
 extend across the deeper portions of 
 the ocean; thus a land bridge has 
 connected America and Europe, prob- 
 ably by way of Greenland and Iceland. 
 It seems to be true, also, that if such a 
 land connection is once established, 
 although it may be overwhelmed by 
 the ocean at some periods, yet it is 
 likely to be re-established and appear 
 again and again. The land bridge 
 between Europe and America has been 
 of that character, apparently; North 
 America and Asia have been repeatedly 
 connected by a land bridge across what 
 is now the shallow Bering's Strait. 
 
 There are evidences, too, that 
 during the Mesozoic era, a land bridge 
 extended from South America to 
 Antarctica, and that another bridge 
 extended from Antarctica to Australia, 
 so that animals might migrate from 
 Australia into South America. These 
 land connections are generally narrow, 
 this is well shown in the case of the 
 isthmus between North and South 
 America. 
 
 It does not require a great amount 
 of change to obliterate these nar- 
 row connections; through much of 
 the middle portion of geological time 
 and even later, the sea covered portions 
 of Central America and the two conti- 
 nents of the Americas were separated. 
 Geologists have discovered evidences 
 of many land connections in different 
 portions of the globe and existing in 
 different geological periods. 
 
 In the course of these land move- 
 ments it has happened, at times, that 
 
 the continents, in certain portions, 
 have been lifted high above sea level. 
 
 This was the case with the northern 
 part of North America during the later 
 Cenozoic era, just before the Great Ice 
 Age. This remarkable elevation made 
 a continuous continent, far toward the 
 poles, joining Greenland to the main- 
 land and obliterating Hudson Bay, 
 probably. Such a great uplift had a 
 marked influence on the climate and it 
 was, doubtless, an indirect cause of the 
 glacial period, which did so much to 
 alter the face of nature in Canada and 
 the northern United States. 
 The lost continent 
 
 From the time of ancient Greek 
 writers there has been a story told 
 about a lost Atlantis, a continent, 
 which these early writers located in 
 the west, and which was engulfed, 
 supposedly, by the Atlantic ocean. 
 
 Stories of other lost continents are 
 current, it may well be doubted 
 whether there have been continents 
 rising out of the deep ocean basins as 
 they exist today. There have been 
 the minor prolongations or land bridges 
 already described, but no large, lost 
 continents. It seems probable that the 
 ocean basins have for ages been ocean 
 basins and that the continents, like- 
 wise, have been land masses for long 
 periods. It is true that the ocean has 
 often invaded the land, seriously, but 
 it should be remembered that the 
 ocean, thus lying on the continents, is 
 always quite shallow and has no such 
 great depth as mid-ocean has. 
 
 Continents and deep sea basins do 
 not change places with each other, in 
 spite of the great earth movements, 
 the ocean basins have too great a depth 
 to pass into a continental stage. The 
 average depth of the ocean is about 
 13,000 feet, nearly two and one-half 
 miles, and this depth is so great it is 
 not at all likely that continents have 
 ever risen within such deep basins. 
 
HOW WE LOOK AT ANOTHER W^ O R L T) 
 
 Of all the worlds in the sky, the moon is the nearest to us. It is only 240,000 miles away, ant when we look at it 
 through a huge telescope such as this, the moon seems to come down quite close and appear as near as does the small section 
 of this picture. So large is the moon through a big telescope that we can study only a small part at a time, and we are 
 able to make a more complete map ot the moon than we can of some parts of the earth. 
 
 46 
 
The earth we live on is only one of many worlds that fly through space. If we 
 are to understand our own world, we must learn about the worlds in the skies, which 
 we can see but cannot visit. In these pages we begin the study of astronomy, the 
 science of the stars. Though men have been "star-gazing" for many ages, it was not 
 until about three hundred years ago that astronomy really began as a true science — 
 just about the time when all true science really began. A Danish monk and two 
 Italians, one of whom was also a monk, were the real founders of our knowledge of the 
 universe; and the greatest name after theirs is that of Isaac Newton. These men 
 have taught us that our own earth, and the sun it moves round every year, are only 
 a tiny part of the great universe, which contains millions of such suns and planets, 
 in all stages of their history. And now, armed with the telescope, which brings the 
 stars nearer to our sight, and the spectroscope which interprets the light of the stars, 
 and the law of gravitation found by Newton, men are learning more and more 
 about these worlds in the skies. 
 
 WORLDS IN THE SKIES 
 
 IT IS always true that if we are most of us have no idea how useful it 
 
 really to understand anything we is. So it comes about that we find 
 
 must study not only the thing proof of astronomical knowledge long 
 
 itself, but also what is around it. We ages ago, even thousands of years 
 
 cannot understand a part of any great before the birth of Christ. This is 
 
 whole, until we understand some- specially true of the East, more espe- 
 
 thing, at least, of that whole. We cially of Western Asia and Egypt, 
 
 cannot even understand ourselves The names of most of the sciences, 
 
 unless we study the conditions of our we know, end in ology, and we might 
 
 lives, our parents and schools, what expect the name of the science of the 
 
 we read, the air we breathe, the things stars — using the word stars to include 
 
 we hear people say and so on. And in all the bright objects in the heavens — 
 
 the case of the earth we can never to be astrology. 
 
 hope to understand it unless we study the alchemists and astrologers 
 the great world of which it is really a who degan the study of 
 very tiny part. This study is known ^"^ earth 
 as astronomy — the word means the We use the word astronomy, how- 
 law of the stars — and it is in many ever, to distinguish this real science 
 ways, though not in all, the most from an unreal science which came 
 marvelous of all the sciences. before it, and which was called astrol- 
 Astronomy is probably the oldest ogy. If we turn to the great science 
 of the sciences. Men were always of chemistry we find exactly the same 
 interested in the weather, in changes thing. Before what we now call 
 of climate, and in the sun, which plain- chemistry came into existence there 
 ly has so much to do with what hap- was an unreal science called alchemy 
 pens in the sky around us. The sun — which is really the same word. The 
 and moon were closely watched by alchemists were searching for the 
 men, probably before anything else philosopher's stone that was to turn 
 at all. Also the stars are far more everything into gold, and for the elixir 
 brilliant when they are seen through of life that was to turn or keep every- 
 the clear air of warmer countries than body young. The alchemists were 
 ours, such as Arabia and Egypt; and wrong in looking for these things, and 
 as they seem to be fixed they can they were wrong practically always in 
 guide men on the sea and on land, the way in which they interpreted the 
 Thus, astronomy was useful from the results of their experiments. But we 
 first, as it is useful today, though could not have modern chemistry if 
 
 47 
 
J^8 
 
 THE HUMAN INTEREST LIBRARY 
 
 there had been no alchemists. They 
 were eager and patient men who made 
 numberless experiments and noted 
 numberless facts. They laid the foun- 
 dation of chemistry, and though they 
 were wrong in their objects, and wrong 
 in their attempts to understand what 
 they noticed, yet we profit in a thou- 
 sand ways by their discoveries today. 
 And just as every modern chemist 
 is indebted to the alchemists, so every 
 modern astronomer is indebted to the 
 astrologers. We could not have had 
 our modern astronomy but for them. 
 They, too, like the alchemists, were 
 eager and patient men, and they ob- 
 served thousands of facts about the 
 heavenly bodies. 
 
 The strange things men thought 
 long ago about the stars 
 
 They were wrong in the way in 
 which they interpreted those facts, 
 but a fact is a fact forever, and since 
 it is part of truth, is a part of true 
 science; nor does it matter, in the 
 long run, that the man who observed 
 it misunderstood it — whether sincerely 
 or dishonestly. We find in the early 
 history of every race and nation that 
 we can trace a kind of astrology — that 
 is to say, a study of the stars in the 
 belief that they controlled the fates 
 of men, Egypt and Persia, Arabia 
 and Greece, the Chinese and the Hin- 
 doos all contributed to astrology, and 
 so when civilization began in Europe 
 it took over these ideas from the first. 
 They flourished for thousands of years, 
 and even today we can buy almanacs 
 which pretend to predict what will 
 happen on the earth by studying the 
 stars. The astrologers took those of 
 the planets that they knew, and con- 
 nected human characters with them. 
 Venus had something to do with love, 
 they thought; Mars with war, and so 
 on. They divided up the sky into 
 various parts, and supposed that 
 when a certain planet entered a 
 
 certain part of the sky corres- 
 ponding results would occur for 
 human beings, especially for anyone 
 who was born just at the moment 
 when that particular part of the sky 
 happened to be going to rise above the 
 horizon. 
 
 Of all the astronomical discoveries, 
 one stands out as that which, beyond 
 all others, destroyed astrology, and 
 that was the discovery by Copernicus 
 that the sun and not the earth is the 
 center of the solar system. We must 
 remember, too, that in this case, as in 
 every other, people will believe the 
 false unless they know the true. So in 
 our own time and in the future, wher- 
 ever there are people who do not know 
 anything about astronomy, they will 
 believe what astrologers tell them. 
 
 We have already learned that as- 
 tronomy was useful from the first, and 
 we should particularly notice the 
 difference between the real use of real 
 knowledge and the sham use of sham 
 knowledge. The astrologists declared 
 that the study of the stars was useful 
 because it enabled them to predict 
 what would happen to men — which is 
 a thing that men always want to know. 
 
 How THE STARS GUIDED THE TRAVELER 
 IN THE EARLY DAYS OF THE WORLD 
 
 Sometimes they happened to be 
 right, as anyone may happen to be 
 who makes a prophecy, especially if 
 he takes care that it is a likely one. 
 But usually they were wrong, and so 
 they were not merely useless, but 
 worse than useless. Yet all through 
 the time of astrology there was a cer- 
 tain amount of real astronomy known, 
 and this was usefid then as it is now. 
 Especially was it so because observa- 
 tion of the position of the stars guided 
 travelers, whether on the sea or on 
 the land. Traveling has always been 
 important, but there were no good 
 maps in those days, and the compass 
 was only known in China. The skies 
 
BOOK OF EARTH AND SKY 
 
 49 
 
 are almost always bright, however, 
 in Egypt and Arabia and Greece, and 
 so the stars could always be seen at 
 night to help the traveler to his goal. 
 Every ship that crosses the sea is 
 indebted to astronomy today, and 
 always will be. 
 
 But the thing we should notice par- 
 ticularly is the difference between the 
 sham knowledge and the real knowl- 
 edge — the worse than useless and the 
 very useful. They both depended 
 upon facts and upon the same facts — 
 that such and such stars could be 
 seen at such and such places at such 
 and such times. But the sham knowl- 
 edge with its bad consequences de- 
 pended upon a false interpretation of 
 true facts, while the useful knowledge 
 depended upon a true interpretation 
 of the true facts. 
 
 How MANKIND WAS CHEATED AND LED 
 ASTRAY FOR THOUSANDS OF YEARS 
 
 The great lesson which w^e have to 
 learn from this applies to all knowl- 
 edge of every kind; whether we are 
 studying stars or disease or the rocks 
 or history or anything else, there are 
 always tw^o things which it is our 
 business to find out. First come the 
 facts, and then comes the meaning of 
 the facts. We must have the facts 
 first, and we get these either by simply 
 observing — as when men look at the 
 stars, or by making experiments — as 
 we do in chemistry. The facts are 
 facts whether we understand them or 
 not, and in any case we must have the 
 facts first. After that comes the busi- 
 ness of trying to understand what the 
 facts mean, and if you do not know 
 what they mean it is much better to 
 say so and to go on looking for more 
 facts, rather than to pretend you know 
 what they mean. 
 
 We thank and praise the astrologers 
 for finding many facts, but we cannot 
 thank them, and are, indeed, bound to 
 blame them, because they pretended to 
 
 understand them when they did not, 
 and because for thousands of years 
 they cheated mankind with their pre- 
 tended explanations. The astrono- 
 mers of today ask money from man- 
 kind as the astrologers did, but they 
 do not ask it in return for sham prophe- 
 cies as to what will happen to you and 
 me, but they ask it for telescopes and 
 observatories, so that they may learn 
 more about the wonderful world in 
 which we live. 
 
 Brave men who suffered for believ- 
 ing WHAT men now believe 
 
 Our more definite knowledge of the 
 history of real star-science begins with 
 the Greeks, and w^e know that some 
 Greek astronomers had discovered the 
 true shape of the earth, the fact of its 
 spinning and its revolution round the 
 sun. Then these truths were denied 
 and despised, and for many centuries 
 men went back to the old view that 
 the earth is motionless and flat, and 
 that the sun goes round it, as it cer- 
 tainly seems to do. 
 
 But in the sixteenth century there 
 arose a great man, a monk, called 
 Nicolas Koppernik, of Denmark, 
 whose name we now know in its Latin 
 form of Copernicus, and he proved 
 again the truth that had been lost 
 for nearly 2000 years, that the earth 
 goes round the sun, and that the other 
 planets, such as Mars and Venus and 
 Jupiter and Saturn, do so too. 
 
 His great follower, the Italian, 
 Galileo, invented the telescope. With 
 it he completed the proof of the view 
 held by Copernicus. He found that 
 Venus has phases like the moon, 
 showing that it goes round the sun 
 in a path inside the path of the earth, 
 and he found four of Jupiter's moons, 
 showing that it was like the earth, 
 which also has a moon. And so we 
 learned to think of the sun and it^ 
 family, the solar system, about which 
 we have already read a little in this 
 
50 
 
 THE HUMAN INTEREST LIBRARY 
 
 book. Galileo was over and , over 
 again stopped and silenced by the 
 Inquisition. He was made, under 
 threat of torture or death, to declare 
 that his discoveries were false. He 
 was forbidden to write any more, and 
 the poor old man, alone in the world — 
 for he had lost his beloved daughter — 
 died miserable, alone and despised. 
 But his glorious name will be revered 
 and honored by all men as long as 
 mankind endures. 
 
 About the same time there lived a 
 man, also a monk, like Copernicus, of 
 Denmark, who saw farther and deeper 
 than either Copernicus or Galileo, 
 though he was not an actual discoverer 
 with his own eyes. He was an Italian, 
 named Giordano Bruno; and if you 
 think of him as if his name were 
 George Brown, you will realize that 
 anyone, anywhere at any time, may 
 make his name immortal. Bruno or, 
 Mr. Brown, as we should call him now, 
 was the first man to realize the true 
 nature of the mighty universe in 
 which we live, and so his work is of 
 lasting interest to all men. 
 
 We saw what Galileo's earthly re- 
 ward was; but Galileo sacrificed him- 
 self at least in some degree, by denying 
 what he knew to be true; and so we 
 cannot say of him that he was so 
 completely a martyr for the truth as 
 he might have been. Martyr really 
 means loitness, but we use the word 
 to mean a witness who pays for his 
 witness by his life. Bruno was at- 
 tacked, as Galileo was, soon after- 
 wards. He, too, recanted, or took 
 back what he had said, for a time; 
 but afterwards something within him 
 made him ashamed of doing so. He 
 boldly declared again what he be- 
 lieved, which is what we all believe 
 now; and the Inquisition burned him 
 in the Campo di Flora — the Field of 
 Flowers — in Rome, in the year 1600, 
 on a spot where, three hundred years 
 
 afterwards, in 1900, a statue was 
 erected to his immortal memory. 
 
 How ISAAC NEWTON CARRIED FORWARD 
 THE TRUTH THAT BRUNO DIED FOR 
 
 Before we learn what Bruno taught 
 the world, there is one other name 
 which we must learn in the history of 
 astronomy. It is that of an English- 
 man, Isaac Newton, who discovered 
 the law of gravitation, by which the 
 universe is balanced. This he did 
 when he was 23 years old. When he 
 published his discovery people said 
 that he was wicked, and was trying to 
 take away from the glory of God; 
 but now all men honor him, and see 
 that the more we learn about Nature 
 the more we learn about the wonder 
 and power of its Great Author, 
 
 The FIRST MAN TO UNDERSTAND THAT 
 ALL THE STARS ARE SUNS 
 
 When Bruno read and thought over 
 the work of Copernicus, there came 
 into his deep mind the true view of 
 what our universe really is. The first 
 great truth he saw was that the sun — 
 our sun — must really be one of the 
 stars; and with that great idea in his 
 mind he began to think of the other 
 stars. So he saw that if the sun is a 
 star the stars are suns. 
 
 Consider how tremendous is the 
 meaning of that sentence, and espe- 
 cially of its conclusion: the stars arc 
 suns. Men had thought of the earth 
 as the center of all things, the sun as 
 its attendant, daily moving round it, 
 and the stars as little points of light — 
 mere trifles, giving no useful light, and 
 meaning nothing, unless that some- 
 body would meet with an accident in a 
 certain year, or that someone else 
 would win a victory, if certain stars 
 could be seen at certain times. And 
 then Bruno came and taught that these 
 little points of light were suns, like our 
 own, perhaps vastly bigger and more 
 important, and that probably there 
 were planets circling round them with 
 
BOOK OF EARTH AND SKY 
 
 51 
 
 living creatures, pei'haps as intelligent 
 as men, or even more intelligent than 
 men, upon them. This is the most 
 humbling discovery to the pride of 
 human beings that men have e^'er 
 made, and it is also the grandest. 
 Men saw only one side of it then, and 
 perhaps we should not wonder that 
 they burned Bruno. 
 
 The earth is as a grain of dust in a 
 mighty mass of worlds 
 
 The universe, then, consists chiefly 
 of a vast multitude of stars, of which 
 we can reckon not less than one hun- 
 dred millions already. Of these our 
 sun is just one, and certainly neither 
 the biggest nor the brightest, though 
 infinitely more important to us than 
 all the others put together. Around 
 any number of these stars there may be 
 planets, perhaps with moons, circling 
 as we do round our particular sun. 
 And the whole of our earth is but as 
 a grain of dust compared with the 
 whole mighty mass of worlds which we 
 can see on any fine night from the 
 earth's surface. 
 
 As to the size of the visible uni- 
 verse, we learn similar lessons. The 
 earth is quite small, compared with 
 Jupiter, the giant planet, and Jupiter 
 is small compared with the sun. But 
 if the whole space surrounded by the 
 path of the outermost planet, Nep- 
 tune, from the sun outwards, were one 
 solid mass, a mighty ball in which 
 sun and earth and Jupiter and all 
 would be lost like drops of water in a 
 lake — even then this great globe would 
 be nothing in size compared with 
 many of the objects we see in the sky, 
 and the distance from boundary to 
 boundary of it would be nothing com- 
 pared with the distance from it to 
 the nearest star. 
 
 In looking at the sky, then, we must 
 always remember the meaning of 
 these tremendous distances between 
 stars and stars, and we must not be 
 
 deceived, as so many men have been 
 deceived, by the apparently equal 
 distance of a planet and a star beside 
 it. 
 
 The light that has been traveling 
 
 SINCE the SPANISH ARMADA WAS 
 DESTROYED. 
 
 It is not merely that the planets — 
 which belong to our little system — 
 are nearer than the stars, but that, 
 compared with the stars, they are at 
 our very doors, while the stars are 
 almost infinitely far away. Some- 
 thing happened to a star which we 
 noticed a few years ago, and much 
 attention was paid to it. Yet we 
 reckon that whatever it was really 
 happened before the Pilgrims landed 
 on Plymouth Rock, and the light that 
 then left the star reached our eyes 
 only a few years ago. 
 
 Thus to the eye of the astronomer 
 the bright points in the sky are of two 
 utterly different kinds. All but seven 
 of them — among these scores of mil- 
 lions — are suns, vastly far away, and 
 many of them vastly bigger than our 
 sun. 
 
 But seven of these bright points, 
 together with the sun and the moon, 
 and the moons of the other planets 
 that have moons, and a number of 
 very tiny planets, perhaps as small as 
 an American county, that can only be 
 seen through a telescope, are parts of 
 the solar system; they belong to us, 
 they are close neighbors of ours, and 
 have nothing to do with any of the 
 stars among which they seem to lie. 
 
 Now let us make a list of the various 
 things that make up the universe, and 
 that astronomers study. First, we 
 shall note down the things that make 
 up our system; we shall think of it as 
 a kind of sample of what makes up 
 millions of other systems in the sky — 
 only that they are so far away that 
 we can only see the suns — or stars — 
 of those systems. 
 
52 
 
 THE HUMAN INTEREST LIBRARY 
 
 The things that make up our part 
 OF the universe, the solar system 
 
 Our system consists of the sun; 
 the eight large planets of which our 
 earth is one; the moons of those 
 planets; the minor or lesser planets, 
 which all revolve round the sun in a 
 sort of heap, in a path outside the 
 path of Mars and inside the path of 
 Jupiter; a large number of tiny things 
 like stones and pebbles and pieces of 
 rock, much too small for us to see, 
 except when they are caught in our 
 atmosphere and made bright, when we 
 call them meteorites, or "shooting 
 stars"; and a few curious things called 
 comets, which also move round the sun 
 and belong to our system. We ought 
 really to learn this list. It is much 
 easier to learn than a list of dead kings, 
 most of whom could not read, and it is 
 quite as imjjortant. The pebbles, the 
 comets, and the minor planets are the 
 things you are likeliest to forget. The 
 names of the major planets are given 
 on page 18, and we certainly should 
 learn them and their order outwards 
 from the sun. 
 
 Again we must remind ourselves 
 that several of these things may be 
 seen in the sky, either with the naked 
 eye or through a telescope, just as if 
 they were stars, but they are really 
 just about as far from the stars as we 
 are, and belong to us. When as- 
 tronomers discover a new minor planet 
 — and there are hvmdreds of them 
 known — they cannot tell whether they 
 are dealing with a tiny little planet, 
 perhaps smaller than Rhode Island, 
 or a star that may be vastly bigger 
 than the sun, until they find that it 
 moves or wanders among the stars, and 
 so is a planet, or wanderer. 
 
 The great DIFFICULTY OF understand- 
 ing THINGS SO FAR AWAY 
 
 The difficulty people have in learn- 
 ing how utterly different Venus is 
 from a star like Sirius is a difficulty 
 
 that even astronomers have to reckon 
 with, so great is the influence of dis- 
 tance in deceiving us as to the 
 comparative importance of things. 
 We mvist learn from astronomy that 
 a very tiny thing may be taken for 
 a very big thing, if only it happens to 
 be near enough. 
 
 We can never know any other of 
 the millions of solar systems as we 
 know our own, but whenever we look 
 at a star we must think of it as Bruno 
 thought of it, and remember that it is 
 probably the sun to other planets, and 
 perhaps to intelligent beings not very 
 unlike ourselves. But in the universe, 
 outside the little limits of our solar 
 system, there are many other things 
 beside stars, and we know what these 
 various things are. Then, when we 
 have got firm hold of the right idea 
 of the universe and what it is made of, 
 we shall be ready to study some of 
 these wonderfid things more closely. 
 
 We discover in the heavens, apart 
 from our small system, many bright 
 stars. Without seeing them, but in 
 other ways, such as by noticing how 
 they disturb the bright stars, we dis- 
 cover also many dark stars; stars that 
 have grown cold and "gone out." 
 The COUNTLESS number of stars IN 
 
 THE sky and their MANY KINDS 
 
 A well - known astronomer, Sir 
 Robert Ball, has said that to look at 
 the bright stars—the stars we can see 
 — and say, "These are all the stars," 
 would be like counting all the red-hot 
 horse-shoes in a country and saying, 
 "These are all the horse-shoes." The 
 bright stars are probably very few 
 compared with the dark ones. Bright 
 stars and dark are of many different 
 kinds, but we shall read about them 
 later. Here we must remember both 
 of them as helping to make up the 
 mighty population of the skies. And 
 after them we must put down the 
 names of the nebvkr. Nebula means 
 
BOOK OF EARTH AND SKY 
 
 53 
 
 cloud, and nebulce means clouds. The 
 nebulae are things which look hke 
 tiny clouds among the stars. We 
 have already learned that the solar 
 system was made from a nebula; and 
 we believe that all the stars, and the 
 systems of which they are the suns, 
 were also made from nebulae. 
 
 There are many stars in the heav- 
 ens which seem to be still only half- 
 made — still more "star-mist" than 
 star — and these we call nebulous stars. 
 There is a great nebula in Orion, in 
 which six stars can be seen to have 
 
 sun as regularly as the earth does. 
 A comet is quite a small thing, really, 
 and requires to be near to be seen. 
 Even the comets that belong to the 
 solar system can only be seen occa- 
 sionally when they come compara- 
 tively near to the sun. The comets in 
 outer space cannot be seen. But we 
 know that they are there, since some 
 of them occasionally visit us. After 
 rushing through space for the vast 
 distances that stretch between star 
 and star, they may visit our star, the 
 sun, and after rushing round it may 
 
 THE LONG AND LONELY JOURNEY OF A COMET. WITH ITS TAIL MILLIONS OF MILES LONG 
 
 -/- P«h,.of_a_ Comet. '..ir- 
 
 ^'-^?4o/ a P}a?5^'"' 
 
 This picture shows the path of a comet round the sun. At one time the comet comes quite close to the sun and just 
 misses running into it; then passing round the sun, it travels far beyond all the planets, millions of miles into space, until 
 it comes to the sun again. The circle shows how the earth goes round the sun, and it is when a comet comes close to the 
 earth's path that we see it. 
 
 already condensed. We can see Orion 
 for ourselves in the early winter 
 evenings in the south. To our naked 
 eyes the nebula looks like a star — the 
 middle star of three forming the dagger 
 of the huntsman which the ancients 
 thought Orion looked like. 
 
 It is almost certain that there are 
 dark nebulae as well as bright ones, 
 and that we must therefore remember 
 both kinds as we remember both 
 kinds of stars. 
 
 The mysterious journey of a comet 
 through space 
 
 There are also in the heavens many 
 
 comets besides those that belong to 
 
 the solar system, and go round the 
 
 fly away again into space and be seen 
 no more — by us. Astronomers know 
 that these comets do not belong to the 
 solar system, and will never return, 
 as the paths they pursue are not 
 closed paths, like a circle O or an 
 ellipse 0> but open ones, like thisD, 
 which carry the comet through space, 
 perhaps never visiting the same star 
 twice, until its history ends in its 
 breaking up into little parts like the 
 stones we call meteorites. 
 
 The most brilliant of all comets 
 in the memory of living men was that 
 of 1858, known by the name of its 
 discoverer, Donati. Its tail was over 
 fifty million miles in length 
 
5Jt. 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE MOON, THE LAMP OF NIGHT 
 
 FOR many millions of years the 
 earth has been attended by a 
 satellite — which means attend- 
 ant — called the moon. In all ages men 
 have admired the moon, and in the 
 history of almost all nations there are 
 records that the moon has actually 
 been worshiped. It is, of course, the 
 most brilliant body in the whole 
 heavens, after the sun, so far as our 
 view of things is concerned; and, just 
 as the sun is the king of day, so the 
 moon is the queen of night, and on ac- 
 count of its beauty has been cele- 
 brated by thousands of poets. The 
 whiteness of the moon's light has al- 
 ways been for poets an emblem of 
 purity, though this light, as we know, 
 does not originate in the moon, but is 
 merely reflected sunlight. 
 
 The time has gone when men 
 thought that everything in the world 
 existed only for their use, nor do we 
 now credit the moon with the power of 
 causing lunacy, which really means 
 moon-acy. But we know that the 
 moon has very important influences 
 upon the earth. The most obvious 
 of these influences is the light which 
 the moon sends us, which at night 
 may sometimes be quite useful. We 
 have already seen how little of the 
 sun's light the earth catches, and the 
 moon, being smaller than the earth, 
 catches much less. It has been esti- 
 mated that it would require 600,000 
 full moons, all shining together, to 
 light the earth as brilliantly as the 
 sun lights it now. 
 
 The sun is always shining, and the 
 side of the moon which is exposed to 
 it is always lighted by it, except for 
 a few minutes now and again, when the 
 earth gets between the sun and the 
 moon. The proof of the fact that the 
 moon gives out no light of its own is 
 to be found in the changes that the 
 
 moon goes through every month. 
 These changes, which are shown in 
 the illustration, can have only one 
 meaning — which is, that all the light 
 we see the moon by is reflected sun- 
 light. The moon is practically a 
 sphere and therefore any source of 
 light like the sun can light up only 
 one half at any time; and if the sun's 
 light is falling on the half which is 
 curved away from us, then we see no 
 moon at all. 
 
 The only exception to this is that 
 sometimes we can see what people 
 call "the old moon in the young moon's 
 arms." We see, perhaps, a beautiful 
 bright crescent, and then the rest of 
 the moon very faintly shown. The 
 bright crescent we see by reflected 
 sunlight, and the rest of the moon's 
 face by reflected earth-light. This is 
 one of the facts which prove that the 
 earth, seen from somewhere else, would 
 look bright. It reflects sunlight 
 enough, indeed, to light up the face 
 of the moon at times sufficiently for 
 us to see it by. 
 
 The brightness of the moon depends 
 on its nearness. In all the heavens 
 there are only a very few bodies that 
 we can see which are smaller than the 
 moon, but the moon has the great 
 advantage of being very much nearer 
 us than anything else. Its distance 
 from the earth is only about 240,000 
 miles — less than ten times the dis- 
 tance round the earth. Compared 
 with the distance of the sun or of 
 Mars, this is, of course, very small 
 indeed. It gives us the great advan- 
 tage that we can study the moon 
 with our telescopes more closely than 
 any other body in the heavens. 
 Why the moon cooled down and died 
 
 so QUICKLY 
 
 The moon, however, is very tiny 
 and the whole face of it, which we 
 
BOOK OF EARTH AND SKY 
 
 55 
 
 see, is only about twice the size of 
 Europe. If you look at Europe on the 
 map of the earth, you will see that it 
 does not amount to much. The dis- 
 tance through the moon, or its diam- 
 eter, is only a little more than a quarter 
 that of the earth, and "if the earth 
 were cut into fifty pieces, all equally 
 large, then one of these pieces rolled 
 into a globe would equal the size of 
 the moon." But the surface of the 
 moon is about one-thirteenth that of 
 the earth. These figures are extremely 
 important and interesting. They 
 show us that when the moon is com- 
 pared with the earth, it has a far big- 
 ger surface in proportion to its size. 
 It is only one-fiftieth of the size, but 
 instead of having a surface only one- 
 fiftieth the size of the earth's its sur- 
 face is one-thirteenth that of the 
 earth. That is why the moon has 
 cooled so very much more quickly than 
 the earth has done, and this rapid 
 cooling of the moon accounts for two 
 things: first, its cold and lifeless state 
 today; and second, the character of 
 the moon's surface, which shows that 
 its life, so to speak, was "a short and 
 merry one." The cooling crust of the 
 moon shrank down upon its interior 
 so quickly that the most violent things 
 happened, the marks of which remain 
 long ages afterwards on the surface 
 of the moon for us to study. 
 
 The side of the moon that men have 
 never seen 
 
 The fact that the distance across 
 the moon looks to us always about 
 the same indicates that the moon's 
 distance from the earth varies very 
 little, and that is so. The reason is, 
 of course, that the moon travels 
 round the earth in a path which is 
 very nearly, but not quite, a circle. 
 It moves once round the earth in 
 about twenty-seven days and a third. 
 This time makes the real month, 
 which we call the lunar month. There 
 
 are twelve months in the year accord- 
 ing to the calendar, but that has only 
 been made so for convenience. Really 
 there are thirteen and a little bit 
 more; in other words, while the earth 
 goes round the sun once, the moon 
 goes round the earth a little more than 
 thirteen times. 
 
 But, as the moon goes round the 
 earth, we find that it keeps the same 
 side towards us. Indeed, we have 
 never seen, and never can see, more 
 than the same one half of the moon's 
 surface, or just a trifle more than half. 
 The reason is that the moon is slowly 
 spinning upon itself as it moves 
 round the earth, and it makes one 
 complete spin on its axis in just the 
 same time as it takes to go once round 
 the earth. In other words, the moon's 
 24-hour day is a month long. 
 
 Anyone living upon the moon, then, 
 would have day and night as we have 
 day and night upon the earth, and for 
 the same reason — because the moon 
 is spinning. But, as the moon's spin 
 is very slow, the bright part of his 
 day would last about two weeks, and 
 the dark part of it, corresponding to 
 our night, would last another two 
 weeks. 
 
 A WORLD THAT WE KNOW BETTER THAN 
 WE KNOW AFRICA 
 
 Of course, we should like to see the 
 other side of the moon, but we may 
 be quite sure that if we could it would 
 be very much the same as the side 
 we can see. We have now mapped 
 out the visible half of the moon very 
 carefully with drawings and photo- 
 graphs. As Sir Robert Ball has said, 
 "astronomers know the surface of the 
 moon better than geographers know 
 the interior of Africa. Every spot 
 on the face of the moon which is as 
 large as an English parish has been 
 mapped, and all the more important 
 objects have been named." This, we 
 must remember, however, applies only 
 
56 
 
 THE HUMAN INTEREST LIBRARY 
 
 to one-half of the moon's surface. Of 
 the other we know nothing. When we 
 look at a map of the moon, or when we 
 look at the moon through a telescope, 
 we do not see at all anything like the 
 face we all know so well, but we see 
 at once what it was that made the 
 appearance of a face. 
 
 The moon's surface is richly covered 
 with markings, the largest of which 
 are great dark spaces, which are the 
 markings we see with our naked eyes. 
 
 These spaces, though they contain 
 no water, were called "seas" by the 
 old astronomers. We also see great 
 ridges, which are mountain ranges, and 
 large rings, which are thought to be 
 the remains of volcanoes. 
 
 There can be no question that many of 
 the things we see project above the sur- 
 face of the moon, and that they are light- 
 ed from some source outside them, for 
 we can see their great shadows. When 
 the moon is quite full, and the sun is 
 
 A PHOTOGRAPH OF THE MOON: A DEAD WORLD LIT UP BY THE SUN 
 
 This is a picture-map of tlie moon, whicli is really a dead world, as the earth would be if there were not one living 
 thing upon it. The moon travels round the earth as the earth travels round the sun. It is not light in itself; what we 
 see is the light of the sun upon it, as we see the light of a candle thrown upon a wall. We see really one-halt of an enormous 
 globe like a small earth, lit up in the sunshine, spinning in space like a fireball, yet weighing millions of tons. 
 
BOOK OF EARTH AND SKY 57 
 
 striking directly upon it as we see it, great plain, perhaps with a mountain 
 
 these shadows are absent, and, indeed, peak in its center, perhaps not. One 
 
 though the moon is then beautiful to of the most splendid of these craters 
 
 the naked eye, the astronomer cannot is named after Copernicus, and many 
 
 learn from it nearly so much as he can other astronomers have had their 
 
 at other times. If we want to see a names given to the larger craters that 
 
 lunar mountain at its best, we must mark the surface of the moon, 
 
 watch it when it is not far from the things that happened before there 
 edge between light and darkness. The were human beings on the earth 
 sun's rays are then falling upon it According to many astronomers, 
 
 slantwise, and we can see its form, there are still occasional traces of 
 
 the shadows it throws, and learn from things going on upon the moon. For 
 
 them the size of it. instance, we believe that a small 
 
 The shadows thrown by the moun- crater has been found that was not 
 
 tains of the moon are extremely dense there before. However, even if there 
 
 and sharp. The reason is that the were no doubt that small changes 
 
 moon has no air. The shadows thrown still occur on the surface of the moon, 
 
 on the earth are neither so black nor so we are certain that nothing which now 
 
 sharp as they would be if there were no occurs there can compare for a moment 
 
 air, for the air spreads the light about, with the tremendous events which 
 
 and throws a certain amount even created the moon's surface as we now 
 
 upon the blackest part of the blackest see it. So far as we can judge, these 
 
 shadow. Now, it is not difficult in events must have occurred not merely 
 
 the case of the earth to find out how long before there were any human 
 
 high a thing is if we can measure the beings upon the earth to witness them, 
 
 length of its shadow. We should do but at a time when the earth was so 
 
 this at noonday, when the sun is hot that no life of any kind upon its 
 
 highest in the sky, and then, if we surface had yet become possible, 
 know how high the sun was on the day In any case, the facts of the moon's 
 
 in question, we can calculate from the surface clearly show quite what we 
 
 length of the shadow what the height should expect when we remember how 
 
 of the object is. Indeed, if, in our quickly a small body cools compared 
 
 latitude, we make the measurement with a large one. There is one crater 
 
 on certain days in the year, the length upon the moon which is nearly eighty 
 
 of the shadow is the same as the miles across, and the moon's craters 
 
 height of the thing we are measuring, and mountains are not to be found here 
 
 It is not a very difficult matter to find and there merely, but cover it almost 
 
 out the number of miles that a shadow everywhere. Indeed, we require 
 
 on the moon extends, and we can also some other explanation of the reason 
 
 find out how high the sun would why such tremendous heapings up of 
 
 appear to anyone looking at it from matter have been possible upon the 
 
 that part of the moon. So we can moon, and that explanation is again 
 
 measure the height of mountain peaks to be found in the moon's small size, 
 and crater edges in the moon. We a man on the moon could jump across 
 find craters fifty, sixty, and more miles the street 
 
 wide. Some of these have walls of The force of gravitation on the 
 
 the most tremendous height — 10,000 moon's surface is very different from 
 
 feet, for instance. In other places, the force of gravitation on the earth's 
 
 instead of a deep crater, Ave find a sm-face. It is only one-sixth as great. 
 
THE EARTH AS VIEWED FROM THE MOON 
 
 This picture shows us what the earth would look like it we could see it from the moon. The light ol the sun falliUM 
 upon the earth must make it shine like the moon when seen, it it is seen from the other planets. No beings dependent 
 upon air for their life could live on the moon for the moon is an airless world. People on the moon could not speak because 
 sound does not exist without air; the largest cannon ball that could be fired it it could be made to reach the moon, would 
 fall like a pin upon velvet. The moon might be Oiled with lovely flowers but they would give off no perfume, birds might 
 sing from every branch, but not a note would be heard. For the moon is a silent world where sound and speech and smell 
 cannot exist. 
 
 68 
 
BOOK OF EARTH AND SKV 
 
 59 
 
 A man who on the earth can jump six 
 feet high, as some can, could jump 
 thirty-six feet high on the moon. 
 This means that the explosive force 
 of the volcanoes on the moon, hurling 
 upwards all the substances which 
 reached them from the interior of the 
 moon, would be resisted by a feebler 
 force of gravitation, so much less than 
 we are familiar with on the earth that 
 we can begin to understand how some 
 of the great features of the moon's 
 surface can have been formed. 
 
 Why there are no such changes on 
 the moon as on the earth 
 
 Air and water, as we know, are al- 
 ways smoothing away the prominences 
 on the earth, rubl^ing them down 
 and rounding their edges; but when a 
 great mass of lava was thrown up by 
 a volcano on the moon, and hardened 
 as it cooled, it took a shape which 
 ages could not change, for there was 
 nothing to cause the change. There 
 is only one fact about the moon which 
 can contribute much to any changes 
 upon its surface now. As the moon 
 has no blanket of air, it is very much 
 exposed to the rays of the sun. During 
 the moon's day which is as long as 27 
 of our days, the surface must become 
 intensely hot, but during the moon's 
 night, which is as long as 27 of our 
 nights, there is nothing to keep in the 
 heat which it has received during the 
 day, so that the heat is radiated 
 freely, and the moon must become 
 colder than any part of the earth ever 
 is. So, the surface of the moon must 
 shrink very much with cold and ex- 
 pand with heat each night and day. 
 
 THE PATH OF THE MOON ROUND THE 
 EARTH 
 
 That is all we can say now 
 about this very difficult but very inter- 
 esting question. If it were true that 
 this was the origin of the moon, we 
 should expect to find the moon spin- 
 
 ning upon itself and revolving round 
 the earth, in the same direction as the 
 earth spins on its axis and revolves 
 round the sun; and so we do. But the 
 path of the moon round the earth is 
 not quite on the same level, or in the 
 same plane, as astronomers say, as the 
 path of the earth round the sun. In a 
 picture on a flat page — like, for 
 instance, one of the pictures of this 
 part — it looks as if the moon were 
 traveling round the earth on the same 
 level as the earth is traveling round 
 the sun. If this were so, of course 
 we could not see a full moon, for then 
 the earth would be in the way of the 
 sun's light, and instead of a full moon 
 we should have an eclipse of the moon 
 every month. Also the moon would 
 eclipse the sun every month. But if 
 we think of the moon's path round 
 the earth as being tilted a little at 
 an angle to the earth's path round the 
 sun, we shall understand how it is 
 that we are able to see a full moon, 
 and we shall also understand that, at 
 certain regular intervals, when the path 
 in which the moon moves crosses the 
 path in which the earth moves, there 
 may be an eclipse. 
 
 WHAT THE EARTH WOULD LOOK LIKE TO 
 A MAN ON THE MOON 
 
 If intelligent beings lived upon the 
 moon, our earth would appear to them 
 a most magnificent object, looking in 
 the sky many times larger than the 
 moon does to us, equally bright as a 
 whole, but often hidden partly by 
 clouds, as the moon never is. This 
 large earth would eclipse the sun, but 
 the size of the earth as seen from the 
 the moon would be very much larger 
 than that of the sun, and so an eclipse 
 of the sun by the earth, as seen from 
 the moon, would blot out not only the 
 body of the sun, but also its promi- 
 nences and the corona, and would only 
 leave all round a faint glow of light. 
 
GO THE HUMAN INTEREST LIBRARY 
 
 STARS AND CONSTELLATIONS 
 
 THE beginning of the study of together, and these groups, we know, 
 
 the stars was made very long are called constellations. From night 
 
 ago, ages even before the in- to night, or year to year, the stars 
 
 vention of the telescope or any kind making up a constellation remain in 
 
 of instrument, Avhen men had only the same positions beside one another; 
 
 a pair of eyes and a good brain behind and so, if six form a sort of coronet, 
 
 them. The Assyrians and Egyptians, men call them the crown, and so on. 
 
 the Chaldeans and the Greeks, had no The proper name for these six is the 
 
 telescopes and few observatories, but Northern Crown or Corona Borealis, 
 
 they learned practically everything that and you can find it in the accompany- 
 
 was known about the stars until almost ing picture — or, much better, in the 
 
 our own times. For, after all, anyone sky. Borealis is derived from Boreas, 
 
 with eyes, who cares to use his eyes, the god who was supposed to blow the 
 
 can study the stars and learn a great north wind. But it is most important 
 
 deal about them. for us to understand now what could 
 
 The first thing men learned was that not be understood long ago. 
 
 a few of the bright points in the sky. How men thought they were living 
 
 like stars, move about or wander in a ball, with the stars stuck on it 
 among the other stars. These wan- When we look at the sky it seems 
 
 derers, or planets, we now understand; to be a sort of dome or bowl upside 
 
 and we keep the name "stars" for all down — someone has called it "that 
 
 the rest, which for many ages were inverted bowl we call the sky" — with 
 
 called the fixed stars, in order to dis- all the stars stuck on it, at the same 
 
 tinguish them from the wandering level or distance from our eyes ; so that 
 
 stars. There are good reasons why what we see as a group of stars would 
 
 we should drop the word fixed. It is really be a group of stars, or a constel- 
 
 not necessary, as we can call the wan- lation. And astronomers actually 
 
 dering stars planets, and not stars at thought that the stars were attached 
 
 all ; and it is not true, for we know that to a mighty sphere, inside of which we 
 
 many of the "fixed" stars move, and were, and that the movements of the 
 
 we have reason to believe that they sky as a whole were due to this great 
 
 are all of them moving. sphere or hollow ball moving round and 
 
 If we watch these stars, however, carrying all the stars together with it. 
 
 every clear night for the whole span The planets, moving separately, had 
 
 of our lives, we notice no movement; to have other supposed spheres or 
 
 and this is true of most of them, even bowls invented for them, and we may 
 
 though they are watched for genera- guess how complicated and impossible 
 
 tions or centuries. They seem to keep the whole thing grew, for it was wrong 
 
 the same positions compared with one from the first. It is as if you looked 
 
 another, though the whole sky seems across your room and thought that 
 
 to have moved at different times everything was on the same level — 
 
 of the year or at different times of the at the same distance from your eye. 
 
 night. The winter sky, for instance, A funny notion you would have of 
 
 seen from our part of the world, is much what your room really is! But actu- 
 
 more interesting than the summer sky. ally you see the room i?i perspective. 
 
 Thus it happens that men's eyes and you know that things which lie 
 
 naturally came to group the stars side by side in your field of view may 
 
BOOK OF EARTH AND SKY 
 
 61 
 
 be, one quite near and the other at 
 the far end of the room. 
 
 The immense depths in the sky that 
 we cannot realize 
 
 Unfortunately, we cannot see the 
 sky in perspective. If we could — if 
 we could get any notion at all with our 
 eyes of the depths of space — much 
 more than half of all the mistakes of 
 astronomers could never have been 
 made. Any boy could have corrected 
 them the first time he was out on a 
 fine night. 
 
 Nevertheless, of course we must 
 learn the principal constellations, for 
 they are the landmarks of the sky — 
 or skymarks, if you like — and they are 
 always referred to when we want to 
 say where to find a comet or a planet 
 at any particular time. And here we 
 may learn a very interesting thing. 
 The "fixed" stars are not fixed, and 
 therefore, as they move, the constella- 
 tions ought to change. And so they 
 do. The first astonishing fact about 
 these changes is that, on the whole, 
 they are so slight. We have names 
 and records going back for ages; but, 
 in general, the face of the sky is very 
 much what it was when the study of 
 the stars began. 
 
 The CHANGES that TAKE PLACE SO FAR 
 AWAY THAT WE CANNOT SEE THEM 
 
 Yet we now know that many of 
 these stars are moving perhaps ten or 
 even a hundred miles every second. 
 This can only mean that the distances 
 of the stars are enormous; for, of 
 course, the nearer things are to our 
 eyes, the greater is the visible effect 
 of their movement, and vice versa. 
 
 But the second fact is that, though 
 the changes seem so small, considering 
 how long the stars have been watched 
 by mankind, yet there are changes. 
 For one thing, we know certain con- 
 stellations, or groups of stars, which 
 the ancients did not name, and which 
 have received names near our own 
 
 time. Knowing how carefully the old 
 astronomers watched, and how ready 
 they were to give names, we may 
 reasonably believe that the reason why 
 they took no notice of these "new" 
 constellations, as they are called, is 
 that they were not there to be seen. 
 The stars making them have moved 
 in the sky, and the "new" constella- 
 tions are therefore really new in the 
 sense that, a few thousand years ago, 
 the stars making them did not look 
 like a group of stars, or a constellation, 
 to the eye, as they do now. 
 
 Some of the names given to the con- 
 stellations, suggesting that they look 
 like things we know, may seem very 
 absurd. Here, too, the fact that the 
 stars are not really fixed may help to 
 explain. It may be that, when the 
 name was given, the stars were in 
 positions that made the constellations 
 look more like their names than some 
 of them do now. 
 
 The NORTHERN AND THE SOUTHERN 
 HALVES OF THE SKY 
 
 If we consider how the earth turns 
 in space, we shall understand that only 
 the northern half or so of the sky can 
 ever be seen from most of the United 
 States. As it happens, this includes 
 the more interesting and wonderful 
 stars, though perhaps we may think 
 so only because the great astronomers 
 have all lived on the northern half of 
 the earth, and there is scarcely more 
 than one first-class observatory — that 
 of Cape Colony — on the southern half 
 of the earth yet; so that we really do 
 not know nearly so much as we should 
 about the southern sky. 
 
 But everyone who lives in our part 
 of the world should know, at any rate ; 
 a few of the finest constellations and 
 stars that can be seen from here with- 
 out the use of any machinery except 
 that by which the Greeks made such 
 great discoveries in astronomy — a pair 
 of eyes and a mind. The pictures show 
 
G2 
 
 THE HUMAN INTEREST LIBRARY 
 
 us what we really ought to know, and 
 here are mentioned the principal stars 
 that are shown. But the pictures do 
 not show one thing which would inter- 
 fere with their clearness, and that is 
 the northern half of the Milky Way, 
 the great belt of stars which runs right 
 across the entire sky, all the way 
 round. 
 
 The queer names the ancient as- 
 tronomers GAVE TO THE STARS 
 
 We all should know the seven stars 
 that form the tail and part of the body 
 of the Great Bear. These seven stars 
 are also called the Big Dipper. When 
 we see them we can always find the 
 Pole Star, by following up the line 
 made by the "pointers," Dubhe and 
 Merak. Look straight at the Pole 
 Star and that is the north. Now go 
 back to the Great Bear, and follow the 
 course of his tail downwards and back- 
 wards, until you come to the magnifi- 
 cent star Arcturus. This is one of the 
 brightest stars, which are called "first 
 magnitude" stars. Magn ilude is Latin 
 for bigness. Arcturns is one of the most 
 rapidly moving of all the flying stars, 
 and is believed to travel about one 
 hundred miles every second. 
 
 Another easily-seen constellation 
 looks very like a big W, '.'.■, in the sky, 
 and is called Cassiopeia, the lady in 
 the chair. It can never be mistaken. 
 
 A beautiful white star of the first 
 magnitude is Vega, in the Lyre, lying 
 beside the Milky Way. It is specially 
 interesting, not merely because it is 
 one of the most beautiful stars in the 
 sky, but because careful study showh 
 that it is in the direction of this star 
 that the sun, and we with it, are now 
 moving, at the rate of about twelve 
 miles in every second of time. 
 
 Quite near to Cassiopeia is Perseus. 
 This can often be seen as a great L 
 below the great W, and it is interesting 
 because one of its stars is the celebrated 
 double star Algol, which is really two 
 
 stars, one bright and the other dark. 
 They revolve round one another, so 
 that every few days the dark one 
 partly eclipses the bright one, and so 
 Algol gets brighter and less bright 
 every few days from age to age. 
 
 The fine spectacle we can see in the 
 sky on a february night 
 
 The map of the stars in winter, 
 shows the magnificent spectacle that 
 we may see — and should look for — any 
 fine evening in February and there- 
 abouts. Below the L of Perseus, not 
 to the left like Capella but to the right, 
 and lower than Capella are the Pleiades. 
 There is nothing in the sky like this 
 wonderful group of stars. It is a 
 true constellation, for the stars making 
 it are really together. With the un- 
 aided eye we can see about seven if 
 we are fortunate; with a glass we can 
 see many more. With a telescope and 
 a camera we can print the images of 
 about thirty thousand stars in this 
 mighty group: stars and nebulae too. 
 In no other ])art of the sky is there such 
 a tremendous amount of matter gather- 
 ed together as in the Pleiades. Now 
 run your eye down, and to the left from 
 the Pleiades, and you come to the 
 wonderful red star of the first magni- 
 tude called Aldebaran. Go on in the 
 same line, and you reach the greatest 
 and most splendid of the constellations, 
 Orion. The map clearly shows how 
 the stars of Orion make the figure of a 
 great huntsman, with three fine stars 
 in his belt, and three smaller ones 
 forming the blade of his dagger. The 
 middle one of these three last is really 
 the most wonderful thing in the sky — 
 it is not a star, but the Great Nebula 
 of Orion, out of which at least six fine 
 stars have already been formed, and 
 doubtless many more will be formed, 
 throughout the countless ages to come. 
 Now look downwards and to the left 
 from Orion, and you will see Sirius, 
 the brightest star in the whole sky — 
 
THE MAP OF THE STARS IN SPRING 
 
 To read these star-maps, stand facing the south and hold the map above tde head with the top pointing north. 
 As we look up at the sky at night and see the stars shining, we notice that most of them are clustered together la 
 groups. These groups are called constellations, a word that means simply "stars together." Some of these constellations 
 have curious names, because the people of ancient times named them after their gods, or after things which the stars were 
 thought to resemble. As we look at these groups of stars, it is impossible for us now to see any resemblance to the things, 
 but some modern astronomers suggest that perhaps the positions of many of the stars, as seen from the earth, have changed 
 during the centuries, and that the groups did at one time somewhat resemble the creatures named. In these maps we see 
 the outlines of the constellations as ancient people drew them. 
 
 63. 
 
MAP OF THE CONSTELLATIONS IN SUMMER 
 
 The grouping of the stars into constellations supposed to represent animals and other things has been continued by 
 modern astronomers because it has proved convenient for so long and any change now would cause confusion. One of 
 the names for a group of stars, the Plow, Is a good and useful one because the seven bright stars that form the tail and 
 back of the Great Bear as seen in this picture, really have the shape of a plow and we can easily find the Plow In the 
 sky. After giving them names, the ancients built up many fairy tales round the constellations, which professed to tell 
 how the stars came to be there. The Great Bear is the most easily seen of all the constellations and two of its stars point 
 almost in a straight line to the Pole Star which is always to the north of us. 
 
BOOK OF EARTH AND SKY 
 
 66 
 
 
 
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66 THE HUMAN INTEREST LIBRARY 
 
 "the leader of the heavenly host." method, nor by the simple use of our 
 We must not suppose, however, that, eyes, nor by any other means of the 
 if we could see all the stars in a line at kind, can we ever learn what is the 
 equal distances from your eyes, Sirius brightness of the stars. We can learn 
 would be the biggest. Sirius, like how bright they appear to us, we can 
 Algol and thousands of other stars, is learn the comparative intensity of the 
 really a double star. Its companion light from them when it reaches us; 
 is dark, but never gets between Sirius but that is a very different thing. The 
 and us, so that the brightness of Sirius little moon, shining by reflected sun- 
 does not change. light, is vastly more bright than 
 The wonderful sight you can see Sirius, which is probably far brighter, 
 ABOUT BEDTIME really, than a hundred suns. The dis- 
 
 Now we have come down the right tance makes this difference, 
 
 side of this map, which really shows us What we can see and learn, then, 
 
 all the greatest glories of the sky, but by these means, is only the apparent 
 
 there are three splendid stars in it still brightness of the stars. Yet the star 
 
 which must be mentioned, and can that seems to us the brightest in the 
 
 easily be recognized. These are Castor sky, which is Sirius, might be really the 
 
 and Pollux, in the heads of the twins or faintest, and might shine brightly only 
 
 Gemini, and Procyon in the Little Dog. because it happened to be much nearer 
 
 If you learn these few stars and look than any of the others. Therefore, 
 
 out for them when there is a chance, we can only learn anything about the 
 
 they will be easily remembered, and real brightness of the stars by taking 
 
 will always make the sky on a fine into account their distance, 
 
 night vastly more interesting than it Their distance is the first great prob- 
 
 would otherwise be. lem of the stars. All over the world 
 
 We might think at first that there astronomers are working at it, and now 
 
 was nothing to find out about the we do know the distances, in a very 
 
 brightness of the stars. Anyone with general way, of a fair number of stars, 
 
 eyes in his head can see that Sirius This is how they are found, 
 
 is brighter than Arcturus, and that how men found out the distance 
 
 Arcturus is brighter than any of the of the stars 
 
 stars in the Pleiades. Also it is not If a thing is very near your head, and 
 
 difficult to think of ways of measuring you change the position of your head, 
 
 these differences. For instance, we the apparent position of the thing 
 
 may compare the length of time it changes. Even if you look at it first 
 
 takes for various stars to print an out of one eye, and then out of the 
 
 image of themselves on a particular other, its apparent position changes; 
 
 kind of photographic plate. If we and if you know the distance between 
 
 assume — though we really may not — your two eyes, you can in this way 
 
 that the light of all the stars is the measure the distance of the thing you 
 
 same in quality, so far as its affecting are looking at. Now, in the case of a 
 
 a photographic plate is concerned, then thing like the moon, or a planet, we 
 
 we have here a means of measuring the can change our position of sight by 
 
 comparative brightness of the stars. simply noticing where it appears to be 
 
 Why we cannot understand the real when seen first from one part of the 
 
 BRIGHTNESS OF THE STARS earth, and then from another, perhaps 
 
 But, when we come to think of it, hundreds of miles away. This base- 
 
 we shall see that neither by this line of a few hundreds of miles is quite 
 
BOOK OF EARTH AND SKY 
 
 67 
 
 enough in such cases, just as the base- 
 line no longer than the distance be- 
 tween your two ej^es is enough for a 
 pencil held in front of you. But the 
 stars, even the nearest of them, are so 
 far away that any base-line taken on 
 our little earth is far too short. 
 
 What, then, can we do, for we cannot 
 leave the earth? We can use the move- 
 ment of the earth round the sun. W'e 
 can look at the star on a certain night, 
 and then look at it again six months 
 later, when the earth is on the other 
 side of the sun. This gives us a base- 
 line about 186,000,000 of miles long- 
 twice the earth's distance from the sun 
 — and that is just long enough to allow 
 us to notice a measurable difference 
 in the apparent position of some stars, 
 and so we can measure their distance. 
 But there are many cases in which we 
 notice ??o difference even when we use 
 this tremendous base-line. Such stars 
 are unimaginable distances away. 
 
 How MEN CAN TELL THE "WEIGHT" OF 
 STARS THAT ARE OUT OF SIGHT 
 
 It is sometimes said that we can 
 weigh the stars, but weight is not the 
 right word to use here. By the weight 
 of a thing, such as this book, we mean 
 simply the amount of pull due to 
 gravitation between it and the earth. 
 If the earth were suddenly to become 
 nothing, the book would lose nearly all 
 its weight, and have left only that due 
 to the pull of the sun. But the amount 
 of stuff in the book would be, of course, 
 the same as before. This amount of 
 matter we call its mass, and it is the 
 mass of the stars that we can meas- 
 ure, or at least trv to measure. Their 
 "weight" means nothing, though if we 
 knew their mass we can say what their 
 weight or gravitation pull would be at 
 the surface of the earth. 
 
 We can measure the mass of a star 
 sometimes when it has another star 
 near it, for we can notice how its move- 
 ment is affected. For instance, we 
 
 know an almost endless number of 
 double stars in the heavens — a pair of 
 stars revolving round each other. 
 They move in accordance with their 
 gravitation pull for each other, and 
 that depends on their mass, so that we 
 can measure it. Thus we can even 
 measure the mass of stars we cannot 
 see, which is a great triumph for 
 astronomy. 
 
 HOW MEN TRY TO FIND OUT THE SIZE 
 OF THE STARS 
 
 But we are not completely baffled, 
 for if we can learn certain other facts 
 about a star, then we can at least 
 guess its probable size. If, for instance, 
 we know its distance, if we know its 
 brightness, and, still more, if we know 
 the amount of material in it, then we 
 shall not be far from being able to 
 guess what its probable size must be. 
 But these things are very difficult to 
 find, and the results are not very 
 certain or precise; so the most we can 
 say is that probably this star, or that, 
 must be so many times as big as the 
 sun— and that is usually the case — 
 since it gives out so much more light. 
 
 The last point about the stars which 
 we must mention here is their number. 
 To find this, we need more than the eye 
 helped by the largest telescope. W^e 
 must use a photographic plate, which 
 can see more stars than the eye, simply 
 because the substances in the plate are 
 more readily affected by the light of the 
 stars than are the substances in the 
 screen or retina of the human eye. 
 The number of stars thus to be found 
 is about one hundred millions. 
 
 How MANY STARS ARE THERE? 
 
 Also we do 7wt find that, with im- 
 proved telescopes and cameras, the 
 number of the stars increases, as we 
 should expect it to do if their number 
 were really endless. On the contrary, 
 we have good reason to believe that 
 there is a limit to the number of both 
 the visible and invisible stars. 
 
68 
 
 THE HUMAN INTEREST LIBRARY 
 
 HEAT AND LIGHT-THE SUN'S GIFT TO THE EARTH 
 
 WE ARE all familiar with the 
 fact that the light and heat 
 which we enjoy from day to 
 day comes directly or indirectly from 
 the sun. When we burn coal or wood 
 we liberate the imprisoned sunlight 
 which fell upon the earth long ages 
 ago. Each day brings a new gift of 
 life — giving and life-sustaining warmth 
 and light directly from the center of 
 our solar system. But the question 
 which must often have presented it- 
 self to the reader is — how does this 
 light and heat reach the earth and 
 what is their real nature. 
 
 Now it was once thought that light 
 consisted of tiny particles shot off at 
 great speed from luminous bodies 
 such as the sun and that the striking 
 of these particles, or corpuscles as 
 they were called, upon our eyes gave 
 rise to the sensation of sight. As the 
 result of many experiments and much 
 study this explanation was long ago 
 found to be untrue and we now know 
 light to be of an entirely different 
 nature. Our ancestors also held in- 
 correct notions as to the nature of 
 heat. They supposed heat to be a 
 subtle and weightless fluid called 
 caloric which might enter into and pass 
 out of bodies. Today scientific knowl- 
 
 edge has so far advanced that we know 
 that heat is not a substance at all. 
 
 The modern theory concerning the 
 nature of heat and light is that, under 
 some conditions at least, they are one 
 and the same thing and that they have 
 a common origin or beginning. We 
 have read in the chapter describing 
 the sun that it is made up of many 
 substances such as iron, sodium, car- 
 bon, copper, etc., and that these ele- 
 ments are at a very high temperature. 
 We also learned in our study about 
 chemistry that a substance such as 
 carbon, for example, is made up of 
 very minute particles called atoms. 
 It is now thought that these atoms are 
 in turn made up of still smaller parts 
 known as electrons. The nature of 
 these electrons will be spoken of when 
 we come to study about electricity. 
 
 When a substance is very hot the 
 atoms, and the electrons which go to 
 make up the atoms, are in very rapid 
 but regular vibratory motion. Some 
 of the electrons may be vibrating much 
 more rapidly than others. 
 
 Now there exists everywhere in the 
 universe a strange and invisible some- 
 thing which we call ether. It is 
 probably not a gas or liquid or solid 
 but is something quite different from 
 
BOOK OF EARTH AND SKY 
 
 69 
 
 ordinary matter. It not only fills all 
 space, extending out beyond the sun 
 and the most remote star, but is in 
 everything, that is, the particles of 
 matter which go to make up this book 
 are embedded in it. Though the 
 ether is invisible yet we kno\\^ that 
 such a thing exists because of its effect 
 in the world, just as we know that 
 wind exists, not because we see the 
 wind itself, but because we can ob- 
 serve its effect. Though we do not 
 know very much about the ether, we 
 do know that it has certain charac- 
 teristics, or, as we may say, properties, 
 which make possible the transmission 
 of a disturbance through it. Imagine 
 a mass of gelatine such as we eat for 
 dessert at dinner. If we touch one 
 side of the gelatine with a spoon a 
 tremor or wave motion passes through 
 the entire substance. This is similar 
 to the behavior of ether when dis- 
 turbed in certain ways. 
 
 We will remember from our study 
 of sound that a vibrating piano 
 string generates a disturbance in the 
 air which we call sound waves. Let 
 the piano represent an atom of some 
 element in the sun, and the strings 
 some of the electrons that go to make 
 up the atom. The vibrating electrons 
 in the sun being surrounded by the 
 all-pervading ether give rise, because 
 of their motion, to disturbances in 
 this strange medium. These distur- 
 bances, or ether waves, travel out- 
 ward in all directions carrying some 
 of the energy of the motion of the 
 electrons with them. In the case of 
 the piano we may cause a number of 
 the strings to vibrate at the same time 
 — bass notes and notes of higher pitch 
 — the former giving rise to long air 
 waves and the latter short waves. In 
 much the same manner some of the 
 electrons in an atom may be vibrating 
 slowly and others rapidly. Hence both 
 long and short ether waves may pro- 
 
 ceed simultaneously from the same 
 atom. However the longest of these 
 ether waves are very short when com- 
 pared with sound and water waves. 
 The sound which we recognize as 
 middle C on the piano is about four 
 feet in length while a wave of average 
 length in the ether would be about as 
 long as a thin piece of tissue paper is 
 thick. 
 
 Another striking thing about these 
 ether disturbances is that out in free 
 space, that is, beyond our atmosphere, 
 the long and short waves travel with 
 the same speed. The actual velocity 
 of the waves in the ether is enormous. 
 The sun is something like ninety three 
 million miles from the earth, an ether 
 wave starting at the sun will arrive 
 at the earth eight and one-half min- 
 utes later. This means that such 
 waves have a velocity of 186,000 miles 
 per second. We are amazed with the 
 magnitude of such a velocity when we 
 remember that a bullet travels at the 
 rate of approximately half a mile a 
 second ; sound in air travels at the rate 
 of one-fifth of a mile a second, while 
 an ether wave could travel one million 
 miles a second. 
 
 It was suggested above that these 
 waves, as in the case of sound and 
 water waves, possess energy, that is, 
 they are capable of exerting a force 
 and hence doing work. Because these 
 waves are being sent out continually 
 from the sun, or as we say, being 
 radiated, and because they possess 
 energy these disturbances in the ether 
 are spoken of as radiant energy. And 
 so we see that the energy from the sun 
 comes to the earth in the form of this 
 radiant energy which is no more or 
 less than a series of wave motions in 
 the ether. 
 
 So far in our story we have not said 
 anything directly about the nature of 
 light or heat, and perhaps we have 
 asked ourselves the question, what 
 
70 THE HUMAN INTEREST LIBRARY 
 
 have these ether waves to do with glass are very close together and have a 
 
 light and heat. As we shall presently very strong attraction for one another, 
 see it was necessary to know something We naturally wonder what force or 
 
 about these waves coming from the agency keeps the molecules in motion 
 
 far-away sun before we could easily and whether they always move with 
 
 and clearly understand what is to the same speed. Here is where our 
 
 follow. long ether waves play a part. When 
 
 Now this radiant energy from the these waves coming from the sun 
 sun passes through our atmosphere strike upon material substances such 
 and the waves strike the earth and as wood or water or earth they cause 
 all bodies upon it. The shortest of the molecules composing these sub- 
 these ether waves are capable of affect- stances to vibrate more rapidly than 
 ing certain parts of the body in a they commonly do. If these waves of 
 most wonderful and beautiful way. radiant energy fall upon a piece of 
 Where certain of the shortest of these iron, for example, for a long time the 
 ether waves pass into our eyes and molecules of iron are caused to move 
 strike the retina we sense green, and very, very rapidly. Now a body that 
 still longer waves give us a sensation is moving rapidly possesses more 
 of red. The retina is not sensitive energy than one that moves slowly, 
 to the longest waves but we fortunate- This is illustrated by the greater de- 
 ly have other means of recognizing struction wrought by a projectile 
 their presence, and we shall read about moving at a high velocity as compared 
 these long waves in the paragraphs with the results of one having the 
 which are to follow. For the present same weight but moving slowly. We 
 the important fact to be remembered have seen that our ether waves possess 
 is that the short ether waves, that is, energy. In the case we are studying 
 those capable of affecting our eyes, the molecules which are given greater 
 constitute what we know as light, motion by the impinging waves re- 
 Light then is a wave motion. ceive energy from these waves and 
 
 And now to learn something more hence possess more energy as a result 
 
 about the longest waves that come of their increased motion. We say 
 
 from the sun. In order that the facts the substance is being heated. The 
 
 about these waves may become plain energy of the moving molecules is 
 
 to us we must realize a certain very what we know as heat. If the 
 
 important and strange fact in nature, molecular motion becomes less the 
 
 The book in our hand may be held body possesses less energy, or, in 
 
 perfectly still but do we realize that other words, it has less heat. We are 
 
 the molecules which go to make up to look upon these long ether waves, 
 
 the paper of the book are always then, not as heat but rather as that 
 
 moving about? They never get very which gives rise to molecular motion 
 
 far from one another but nevertheless and the energy of this molecular mo- 
 
 they are always in more or less rapid tion is heat. 
 
 vibration, and this is true about the The molecular motion which bodies 
 
 molecules of all substances about have when ether waves are not falling 
 
 which we have any knowledge. The directly upon them is due to the fact 
 
 reason that the molecules do not fly that radiant energy has at some 
 
 off into space and separate from one former time reached the substance, 
 
 another is that the molecules of any and to other reasons which will be 
 
 substance such as paper or wood or explained later. 
 
BOOK OF EARTH AND SKY 71 
 AIR, WATER AND FIRE 
 
 THE Greeks, when they spoke of answer this question quite positively, 
 
 the earth, probably meant all for there is scarcely anything that 
 
 solid matter. Of course, they chemists have more carefully studied 
 
 knew as well as we do that this solid than the air. It is not an element, but 
 
 matter composing the earth under our a simple mixture of a number of elements 
 
 feet shows itself in many forms, such as which can be sorted out of it, just as 
 
 gold and silver and iron and sand, you might mix gold and silver by 
 
 But still, all these have a certain melting them together, and then 
 
 resemblance; they all look much more might separate them from each other 
 
 like each other than like such a very afterwards. The air is a mixture of 
 
 different thing as air; and so they were different elements in the gaseous state, 
 
 all grouped together under the one Now, we should be particular to notice 
 
 heading of "earth." the word mixture, because it has an 
 
 Of course, there are living creatures exact meaning, and because, when we 
 
 on the earth, such, for instance, as come to say what we must say about 
 
 trees, and trees make the material water, we shall find that though water 
 
 called wood, which is different in is also not an element, and though it 
 
 many ways from the earth we pick contains two elements, yet it is not a 
 
 up in the garden. But the Greeks mixture of those two elements, but is 
 
 recognized, quite rightly, that all something else. 
 
 living things are made out of the sub- The case of water, and thousands of 
 
 stance of the earth; that the earth is other things, is rather more difficult, 
 
 their mother, as they said. And so and that is why we have purposely 
 
 they still continued to include all solid taken the air first, because scarcely 
 
 things, not excepting the bodies of anything could be more simple than 
 
 living creatures, as made of the one air. The most simple kind of stuff, 
 
 element earth. We now know, how- of course, is one that is simply made 
 
 ever, that the solid ground under our of one element, such as gold, or silver, 
 
 feet, and the living creatures which or iron. Nothing could be more 
 
 grow from it, are made up of many straightforward than that. But, after 
 
 different elements, which no force, no all, the case of the air is not much more 
 
 kind of treatment, however long difficult, for anyone who has ever 
 
 continued, will change into each other added milk to tea, or seen a plum- 
 
 or will split up into different things, pudding, knows what a mixture is. 
 
 and we know that these are the real If you take a little sugar and a little 
 
 elements. rice, and mix them together, there you 
 
 Now let us consider the next thing have a simple mixture, 
 
 that the Greeks called an element — What happens when two things 
 
 the air. We have already learned that make another quite different 
 
 it is real matter, though we cannot The point about the mixture of sugar 
 
 see it; but is it really an element, as and rice is this: that, however perfectly 
 
 the Greeks thought — that is to say, they are mixed, the sugar remains 
 
 is it made of only one thing, which is sugar and the rice remains rice. They 
 
 one and the same everywhere, and are mixed, but they are not changed. 
 
 which, whatever is done to it, cannot After all, it is no more than if you had 
 
 be changed into anything else or split one grain of rice and one grain of 
 
 up into simpler things.'* We can sugar, and put them side by side. The 
 
72 
 
 THE HUMAN INTEREST LIBRARY 
 
 grain of rice is still a grain of rice, and 
 the grain of sugar is still a grain of sugar. 
 That may seem simple, but it is of 
 great importance that we should 
 understand it, because, as we shall see, 
 two elements can be made, in certain 
 circumstances, to unite in a special way 
 which is very much more than mixture, 
 and to produce something which is 
 absolutely different from either of 
 them, just as much as if when you 
 mixed sugar and ground rice they 
 both disappeared, and you found 
 yourself with a lot of water in the cup 
 instead. That would be more than 
 a mixture, would it not.f* Something 
 must have happened very different 
 from simply pouring two things out 
 of two bags into one cup, and that is 
 all you need do to make a mixture. 
 
 What a mixture is and what a mix- 
 ture IS NOT 
 
 Now, the air is simply a mixture of 
 elements. It is as if you took a 
 quantity of one element in the form 
 of a gas, made of tiny little specks 
 called atoms — which we shall talk about 
 soon — something like the grains of 
 sugar or rice, and then to that you 
 added a quantity of another element 
 in the form of a gas, so that the tiny 
 grains or atoms of which it was made 
 just mixed with the atoms of the first 
 element. It is as if you had black 
 marbles in one pocket and white 
 marbles in another, and you took them 
 out and put them into a different 
 pocket together. The black marbles 
 would still be black, and the white 
 marbles white, and you would simply 
 have a mixture of black marbles and 
 white marbles. 
 
 Now, this simple fact, that the air is 
 just a mixture of gases, took men an 
 exceedingly long time to find out, and 
 it took them still longer to believe; and 
 even now, though people know that 
 there are different kinds of stuff in the 
 air, they are very often slow to under- 
 
 stand that these kinds of stuff are 
 simply mixed, and nothing more. And 
 even in careless books, sometimes, you 
 will find the facts wrongly stated, so as 
 to suggest that the air is not merely a 
 mixture of gases, but something quite 
 different, which we may as well know 
 the name of now; it is called a com- 
 pound. But that is not so; the air is 
 not a compound. 
 
 There are two elements which make 
 up nearly the whole of the air; their 
 names are oxygen and nitrogen, and 
 they are not really combined, but 
 mixed, like the marbles in one's pocket. 
 Oxygen and nitrogen can be combined 
 in various ways, but in these cases they 
 make something c^uite different — 
 which is not oxygen, not nitrogen, and 
 certainly not air. The best-known 
 thing which is made out of oxygen and 
 nitrogen when they are combined as a 
 compound is called laughing-gas, 
 which the dentist gives us so that we 
 shall feel no pain when we have a 
 tooth drawn. 
 
 Oxygen has been named first, though 
 the air is not an equal mixture of these 
 two elements, and though, indeed, 
 there is far more nitrogen than oxygen 
 in it; but the oxygen is far more im- 
 portant, though there is less of it. 
 Just about one-fifth of all the air con- 
 sists of oxygen, and just about four- 
 fifths consists of nitrogen. Of course, 
 these are only rough proportions, 
 because, as a matter of fact, there is a 
 tiny quantity of many other elements 
 in the air helping to make up the 
 mixture. 
 
 The lazy element that keeps by it- 
 self, EVEN IN A CROWD 
 
 But though these elements are very 
 interesting, yet they do not do any- 
 thing in particular, and so they do 
 not matter much to us. Only one 
 of them — perhaps the best known — 
 is called argon, which means lazy, 
 because, though, of course, it will mix 
 
BOOK OF EARTH AND SKY 
 
 73 
 
 with anything, it has never yet 
 been made to combine with anything, 
 but always keeps by itself, so to say, 
 even when it is in a crowd. That is 
 why it is called lazy. 
 
 Though about four-fifths of the 
 entire air is made of nitrogen, yet this 
 element, as it exists in the air, is also 
 not very important in itself, for it 
 does practically nothing. Very differ- 
 ent is the nitrogen that exists in the 
 earth, where it is also found, for in 
 the earth it helps to build up the bodies 
 of animals and plants, and without 
 it there could be no life. 
 
 But practically all that the nitrogen 
 in the air does is merely to dilute or 
 weaken the oxygen, just as you dilute 
 strong medicine by adding a lot of 
 water to it. If all the air, instead of 
 only one-fifth part of it, were made of 
 oxygen, we should scarcely know our- 
 selves. 
 We could not live without oxygen, 
 
 NOR COULD we LIVE WITH TOO MUCH 
 
 Oxygen as we have learned is the 
 element which all animals and plants 
 breathe in order to keep alive. With- 
 out oxygen they would all die at once. 
 And this is true even of the fishes of the 
 sea, which breathe oxj^gen from the 
 air that has dissolved in the water. 
 This is quite different, as we shall see, 
 from the oxygen that goes to maJie 
 the water, which the fishes cannot use. 
 If all the air were made of oxygen we 
 should get too much of it into our 
 blood, and we should be probably very 
 excited, and never rest, and live too 
 fast. We should do what a fire does 
 if you blow pure oxygen into it. It 
 burns up vigorously. It is quite easy 
 to sift the oxygen out of the air, and 
 collect it, and when men want an in- 
 tensely hot flame they make something 
 burn with this pure oxygen instead of 
 with ordinary air. Also, sometimes 
 when people are ill, and cannot get 
 enough oxygen from the ordinary air, 
 
 they are given pure oxygen instead to 
 breathe for a time, and this often 
 helps them greatly. 
 
 Well, that is all we need read about 
 air at present. It is mainly a mixture 
 of two elements in the form of gases, 
 but it is an unequal mixture, about 
 four-fifths of it consisting of the ele- 
 ment nitrogen, and about one-fifth of 
 the element oxygen. There are also 
 tiny quantities of various other ele- 
 ments which go to make it up. 
 
 And now we come to the fourth of 
 the things which the Greeks thought 
 were elements, and that is ivater. This 
 is, of course, one of the most wonderful, 
 interesting, and important things in 
 the world, though it is so common. 
 It is to be found everywhere. There 
 is a vast quantity of it in the air in the 
 form of a gas or water- vapor; enormous 
 quantities of it occur in the form of ice 
 in the neighborhood of the two Poles 
 of the earth — the North Pole and the 
 South Pole. In its liquid form it 
 covers three-fifths of the entire surface 
 of the globe. Fully three-fourths of 
 the entire substance of our own bodies 
 consists of it, and this is practically 
 true of all living creatures. 
 
 There could be no life without water. 
 Most of the changes that occur on the 
 surface of the earth are due to the 
 action of water. There are very few 
 forms of matter, indeed, which will not 
 dissolve in water to some extent; and 
 this applies not only to solid things 
 like sugar, and to liquid things, but 
 also to gases. 
 
 Water is made up of simpler things 
 that are not water 
 
 One of the most important questions 
 
 about the planet Mars is as to the 
 
 presence of water there ; and one of the 
 
 most important facts about the moon 
 
 — a fact which explains why the moon 
 
 is lifeless, and why scarcely anything 
 
 ever happens on its surface — is that 
 
 there is no water on it. 
 
7^ THE HUMAN INTEREST LIBRARY 
 
 For many ages men believed that agination, for, of course, they are far 
 water was an element. There was no too small for us to do it in reality — 
 reason to believe that water could ever and find out what it is made of. This 
 be split up into anything simpler, is, of course, really impossible so far 
 But we now know that water is not an as one molecule is concerned. How- 
 element, and few more important dis- ever it is possible for the chemist to 
 coveries have ever been made than this, take apart a large number of such 
 
 The truth is that water is made up of molecules at once and hence we are 
 
 simpler things which are not water, absolutely sure of what we should find 
 
 Now, the first thing that will occur to if we were able to take one molecule 
 
 you is perhaps that water, like the air, of water and pull it to pieces, 
 
 is a mixture. Obviously, it is not a Now, let us imagine that we have 
 
 mixture of gases, for a mere mixture this molecule before us. The first 
 
 of gases would itself be gaseous, as the thing we find is that it consists of three 
 
 air is; but perhaps it is a mixture of pieces. Every molecule of water, 
 
 liquid things, just as milk is. But this everywhere and always, whether in 
 
 is not so. Water is neither an element your body, or in the air, or in the sea, 
 
 nor a mixture, but is what is called a or in the form of ice, or in the air of the 
 
 compound, and as most of the things of planet Mars, consists of these three 
 
 which the earth is made are com- pieces joined together. Otherwise it 
 
 pounds, we must be sure we understand would not be water, and nothing else 
 
 what this means before we go any is water, however much it may look 
 
 further. like water. That is one of the things 
 
 The atoms which form molecules we are absolutely certain of. 
 
 If you take a heap of sand, you Further, because water is always 
 know that it is made up of tiny grains, made of molecules consisting of these 
 each of which is itself a grain of sand, three parts, all water everywhere, on 
 Now, in exactly the same way, if you the earth, or on Mars, or on a planet 
 take a tumbler of water, it is made up belonging to some other sun than ours 
 of tiny little parts or particles, each of a million million miles away, always 
 which is a particle of water; and the behaves in exactly the same way as 
 whole bulk of the water is made up of a all other samples of water. It has 
 number of these as the heap of sand is its laws, which depend upon its 
 made up of grains of sand. These par- nature; and as its nature is the same 
 tides of water are so small that, if you everywhere, so its laws are the same 
 could imagine a row of them, it would everywhere. We can watch the snow- 
 certainly need many millions of mil- caps of Mars melting under the influ- 
 lions of them to stretch out as far as ence of the sun's heat, just as snow 
 an inch. melts on the earth. 
 
 Now, there is a special name for Everywhere in the universe, water 
 
 these tiny parts or particles of any- under the same conditions will boil in 
 
 thing, and as this name is used all the same way, will melt in the same 
 
 over the world in describing them, we way, will freeze in the same way, will 
 
 must learn it. The word is molecule — dissolve the same amounts of the 
 
 pronounced molly-cule — and it is the same things, will form drops in the 
 
 Latin name for a little mass. Now if same way, will have exactly the same 
 
 we want to find out what water really properties of every kind; simply be- 
 
 is, the best way for us would be to cause whenever and wherever you find 
 
 take one of these molecules — in im- water it is one and the same thing. 
 
BOOK OF EARTH AND SKY 
 
 75 
 
 Now, what are the three parts of 
 which the molecule of water is always 
 made? This is, on the whole, the 
 most important molecule of any kind 
 that we know in the universe, and as 
 it is also one of the simplest, it is a 
 good one to begin with. The picture be- 
 low is an imaginary picture of the way 
 in which a molecule of water is made. 
 What a molecule of water would 
 
 LOOK like if you COULD SEE IT 
 
 We say an imaginary picture be- 
 cause, though we have drawn the three 
 parts as if they were round, we really 
 know nothing about that, since we 
 have never seen them. We do know 
 that they exist, and that by some 
 
 The tiniest part of water is made up of three parts like 
 the left picture, called a molecule; the large picture shows 
 how these together form a drop of water. 
 
 force or other they are held together. 
 We also know, by the way, that this 
 force is extremely strong, because it 
 takes great trouble and eflFort to break 
 up a molecule of water; that being the 
 reason why for so many ages men 
 thought that water was an element. 
 
 The diagram represents a single part, 
 or molecule, or unit of water. A lot of 
 water — like a tumbler of water or the 
 Atlantic Ocean — is made up of a num- 
 ber of these molecules taken together. 
 But a single molecule is the smallest 
 possible portion of water that can 
 exist. If you break it up so that its 
 three parts do not hang together, then 
 it is no longer water at all, but is 
 simply a mixture of the two kinds of 
 stuff which make up water. This we 
 must be quite clear about, for it is the 
 
 difference between a compound and a 
 mixture, and that is one of the most 
 important differences in the world. 
 
 How TO make one o catch hold OF 
 
 TWO H's 
 
 If you had in a jar — and this is 
 quite easy — a number of the kind of 
 things marked H in the picture, and 
 also a number of the kind of things 
 marked O, and even supposing that 
 you had twice as many of the H as of 
 the O, so that the proportion between 
 the two was the same as it is in water, 
 yet that jar would not contain water, 
 but only a mixture of the stuff called 
 H and the stuff called O. That mix- 
 ture would not be water, and would 
 not look like water ; and the astonishing 
 thing is that, even at the ordinary 
 temperature of the room, this mixture 
 would not be liquid at all, but just a 
 mixture of gases, and by looking at 
 it you could not possibly tell it from 
 that other mixture of gases which we 
 call air. In a little while we shall see 
 how it would be possible to do some- 
 thing with this mixture of H and O so 
 as to make every O catch hold of two 
 H's and form a molecule of water; 
 and then, instead of the mixture of 
 gases that we had before, we should 
 have a tiny drop of water, and this 
 water would actually be made out of 
 that mixture of gases. 
 
 Now, that is what water is — a com- 
 pound made out of the two gases 
 which up to now we have called by 
 the first letters of their names, H and 
 O. 
 
 Now, what do H and O stand for? 
 First of all let us take O, because we 
 have heard more about it already. 
 O stands simply for the gaseous ele- 
 ment oxygen, which we talked about 
 in connection with the air. 
 
 Each molecule of water has two 
 hydrogen atoms and one of oxygen 
 
 H stands for another gas, called 
 hydrogen, and hydrogen is really a 
 
76 
 
 THE HUMAN INTEREST LIBRARY 
 
 very good name for it, and tells us 
 what it is, for the word simply means 
 the thing that produces water, and H, 
 or hydrogen, is simply the gas with 
 which oxygen produces water. Only 
 it will not do for them to be merely 
 mixed, but they must be covihined, and 
 they must be combined in the special 
 way shown in the picture — two H's 
 for one O. There is another way in 
 which hydrogen and oxygen can 
 combine, in which there are two H's 
 for two O's, so that each molecule of 
 this other substance consist of four 
 parts instead of three. But this other 
 substance is not water; it is not even 
 a special kind of water, but is some- 
 thing quite different. 
 
 Now, there is another word which 
 we must learn here. The tiny specks 
 of H or of O which go together, two 
 of the first to one of the second, in 
 order to form a molecule of water are 
 called atoms, and so we can say now that 
 water is made of molecules, and each 
 molecule contains two atoms of hydrogen 
 and one of oxygen. 
 
 In the drawing the O has been made 
 large and the H quite small, for the 
 reason that each oxygen atom 
 really weighs as heavy as sixteen 
 hydrogen atoms. Therefore, though 
 there are two hydrogen atoms to one 
 oxygen atom in every molecule of 
 water, oxygen forms eight-ninths of 
 all water, which is made up of one part 
 of hydrogen and eight parts of oxygen. 
 
 So when we speak of an element like 
 oxygen or gold, we simply mean some- 
 thing consisting of a number of atoms 
 all of the same kind. When we speak 
 of a compound, such as water, we mean 
 something made of molecules which 
 themselves are made up of atoms of at 
 least two kinds ; and when we speak of 
 a mixture, we simply mean that two 
 or more kinds of atoms, such as oxygen 
 and nitrogen, have got mixed up 
 together. 
 
 Now, atoms are most important 
 things, for it is their properties that 
 give the elements their properties. 
 Gold is gold because it is made of 
 atoms of gold; and oxygen is oxygen 
 because it is made of atoms of oxygen. 
 And, just as we saw that all the mole- 
 cules of water are the same everywhere, 
 and that all water everywhere is made 
 of the same kind of molecules, so also 
 we must know that all the atoms of any 
 particular element are the same. 
 There are atoms of oxygen in this page 
 before you, and in your eye, and in the 
 sun, and in water, though in water 
 
 The pictures show how atoms mix. The dark balls are 
 lil\e atoms of an element, such as oxygen. The light balls 
 are like atoms of another element, such as hydrogen. 
 When the two mix, we get a mixture of elements, as in the 
 third picture. The air is such a mixture. Oxygen and 
 hydrogen make such a mixture, but that is not water. 
 
 they are combined with hydrogen. 
 But all atoms of oxygen everywhere are 
 all the same, and we can know them 
 because they are the same. 
 
 Finally, let us remember the way in 
 which water can be made. If we take 
 the right proportions of oxygen and 
 hydrogen — that is, eight times as much 
 oxygen as hydrogen, so as to give us 
 two hydrogen atoms for every one of 
 oxygen — and if we let them mix in a 
 jar, and if then we pass a spark of 
 
BOOK OF EARTH AND SKY 
 
 77 
 
 electricity through them, the atoms of 
 the two gases will rush towards each 
 other, each atom of oxygen taking two 
 of hydrogen; and the two gases will 
 totally disappear, leaving in place of 
 them a tiny drop of water. 
 
 When these two gases are once united 
 to form water it is with great diffi- 
 culty that they are again separated. 
 It is interesting to note that the 
 same agency which caused two gases 
 to combine, in the above experiment, 
 may be utilized to separate water into 
 its constituent parts. If we send an 
 electric current through some water, 
 to which has been added a small 
 amount of acid, we shall find that gas 
 will bubble off from both the wires 
 that conduct the current into the 
 liquid. If wc examine these gases 
 carefully we shall find gas is being 
 produced twice as rapidly at one wire 
 than at the other and a simple test will 
 prove that this gas is hydrogen. The 
 gas being evolved at the other terminal 
 is found to be oxygen, and as these 
 gases are produced the quantity of 
 water diminishes. The electric cur- 
 rent has separated the water into its 
 elemental parts. 
 
 This however is not the only method 
 by which the decomposition of water 
 may be brought about. If water in 
 the form of steam is raised to a very 
 high temperature by bringing it in 
 contact with burning anthracite coal 
 it will also be broken up into hydrogen 
 and oxygen. This method is em- 
 ployed on a large scale commercially 
 in producing what is known as "water 
 gas." 
 
 If we want to express very shortly 
 the nature of water — that is to say, 
 the make-up of a molecule of water — 
 we can simply write down a big H for 
 hydrogen and put a little 2 beside it to 
 show that we want two hydrogen 
 atoms; and then we can take a big O 
 to stand for oxygen, and put a little 1 
 
 beside it to mean that we want one 
 oxygen atom; and then we can write 
 them together like this, H2 Oi. In 
 order to save trouble we usually omit 
 the 1, and so, when we want to write 
 water in this special way, we simply 
 say II2O, and that represents the mole- 
 cule of water, made up of two H, or 
 hydrogen, atoms, and one O, or 
 oxygen atom. 
 
 In fact scientists frequently use 
 such abbreviations or symbols for 
 elements and compounds. Some- 
 times more than the initial letter is 
 used as the symbol of an element, and 
 often this abbreviation is taken from 
 the Latin word for the element. For 
 example, Fe stands for ferrum, the 
 Latin word for iron; Ag for argentum, 
 meaning silver; and Au for aurum, the 
 Latin equivalent for gold. 
 
 Reference was made in a previous 
 paragraph to the force which holds 
 the atoms together to form the mole- 
 cules of water. This force is spoken 
 of as chemical affinity and is one of the 
 most remarkable forces in the world. 
 Just what the nature of this force is no 
 one at present knows, but we do know 
 that this force acts much more strongly 
 between certain atoms than between 
 others. As we have already learned, 
 the chemical affinity between the 
 atoms of oxygen and hydrogen in 
 water is very great but in a substance 
 such as iron rust, which is a compound 
 of the elements iron and oxygen, the 
 affinity between the iron and oxy- 
 gen is not nearly so strong as between 
 hydrogen and oxygen in water. 
 
 Not only is there a difference be- 
 tween elements with respect to the 
 strength of their chemical attraction, 
 but they also differ in the manner in 
 which they unite with other elements. 
 For instance in the case of water the 
 element oxygen unites with two atoms 
 of hydrogen while in the case of a 
 certain compound of zinc used in 
 
78 THE HUMAN INTEREST LIBRARY 
 
 making paint the molecules are made Latin in order to express this way of 
 
 up of one atom of oxygen and o?ie measuring things. We take the Latin 
 
 atom of zinc. It would take us too word for a hundred, which is csnfum; 
 
 far to inquire into this point further and another Latin word per meaning 
 
 at the present time but it is mentioned "for" or "by"; and so we get the 
 
 here to show that the uniting of phrase per centum, usually written 
 
 elements to form compounds is a per cent for short. Hence we say in 
 
 wonderful process — a process however the case of apples, for instance, that 
 
 which follows certain definite and they are 18 per cent solid matter and 
 
 fixed laws. It has already been 82 per cent water. The long black 
 
 pointed out that a water molecule is line in the scale in the picture tells the 
 
 always composed of the same elements eye just what these words tell the mind, 
 
 in the same proportions, and the same Picture 2 shows that strawberries 
 
 thing might be said concerning the have only 10 per cent of solid matter, 
 
 compound of zinc just referred to, and and 90 per cent of water. Picture 3 
 
 about any compound in the world. shows that the cucumber has only 5 
 
 Before leaving the subject of water per cent solid matter, and 95 per cent 
 
 it is well for us to realize the extent of water, and so on through the list, 
 
 to which this compound enters into the xA.nd what is true of the substances 
 
 composition of the countless different shown in the illustrations is also true 
 
 substances in the world. Although of many others. Hence we are led to 
 
 water is not an element yet it acts in realize how widely water is distributed 
 
 the world, for all practical purposes, as throughout nature and how important 
 
 if it were an element. The water a part this compound plays in the life 
 
 existing in nature — in the earth, in the of the world. 
 
 bodies of living creatures, in the sea, And now we come to consider the 
 and in the air — goes on existing as fourth thing which the Greeks thought 
 water from year to year just as if it was an element — namely, fire. It is 
 were an element and not the compound not at all surprising that the ancient 
 that it is. This is one of the singular peoples made the mistake of thinking 
 and very important facts about this fire to be something separate and dis- 
 common but necessary compound. tinct from ordinary matter. As we 
 
 The accompanying picture has been watch the flames play about a burning 
 prepared to show the extent to which object and acting much as if they 
 water enters into the composition of were alive it is not difficult to under- 
 various substances. Each of the small stand how Plato, one of the most 
 pictures has at its side a pillar, which learned men the world has ever known, 
 we may call a scale or measure, concluded that all combustible sub- 
 marked off into a hundred parts Vjy stances must contain a certain element 
 little lines, and the thick black line which enabled them to burn. Later 
 in the middle shows how many hun- in the world's history this supposed 
 dredths of the thing in the picture are element came to be known as phlogis- 
 made of water. ton, from a Greek word meaning, "I 
 
 In the picture, we are shown that set on fire." According to this theory 
 
 eighty-two parts out of a hundred of combustion consisted in the escape of 
 
 apples consists of water. The remain- phlogiston from the burning substance, 
 
 ing eighteen parts of a hundred consist In short, fire was escaping phlogiston, 
 
 of various other things which are not About the time of our Revolutionary 
 
 water. We borrow words from the War a French scientist by the name of 
 
THE WATER THAT IS EVERYWHERE 
 
 S2 parts out of 100 of apples are 
 made of water. 
 
 90 parts out of 100 of strawberries 
 are made of water. 
 
 95 parts out of 100 of a cucumber 
 are made ol water. 
 
 87 parts out of 100 of milk are 
 made of water. 
 
 12 parts oui of 100 of Sour are 
 made of water 
 
 This loaf contains more water than 
 the flour beside it. 
 
 About two-thirds of an egg is made 
 of water. 
 
 About four-fifths of a fish is made 
 of water. 
 
 Three-quarters of a potato is made 
 of water. 
 
 These pictures show us how water comes into everything. It is wonderful to think that a cucumber can hold together 
 as a solid thing, although 95 parts of it are water and only 5 are solid matter. Each of these pictures has a little measure 
 beside it, marked off into 100 parts by little lines, and the thick black line shows how many of these parts are made of 
 water. The black line up the center of the scale stands for the water, the white line stands for the solid matter in all these 
 things. 
 
 7» 
 
80 THE HUMAN INTEREST LIBRARY 
 
 Lavoisier performed a number of ex- set free and escaping as a gas. This 
 penments which revealed the true is a somewhat more complex reaction 
 nature of the process of combustion than the oxidation of the copper, 
 and gave us a correct understanding When the chemical reaction just 
 of what fire really is. We now know described takes place a definite though 
 that fire is nothing more nor less than small amount of heat is produced as a 
 incandescent matter— usually the result of the reaction. Now many 
 element carbon. The process known chemical reactions result in a large 
 as burning or combustion is what the amount of heat. Carbon, and a num- 
 chemist is in the habit of calling a ber of other elements, have a very 
 reaction. By reaction he means the strong affinity for oxygen. When the 
 breaking up of a compound into its union of these two elements takes 
 elements, or the uniting of elements place very rapidly a large amount of 
 to form a compound, the latter form of heat is produced. Indeed so great 
 reaction being illustrated by the forma- is the heat that the particles of carbon 
 tion of water by passing an electric are actually heated to incandescence, 
 spark through a mixture of hydrogen In other words, combustion or hurnirig 
 and oxygen. is a rapid chemical reaction between 
 If we lay aside a bright piece of carbon, or some other element, and 
 copper for a considerable length of oxygen. Their action gives rise to in- 
 time we know that the metal will be- tenseheat which causes the combustible 
 come tarnished. W^hat has happened? material to glow as do the coals in the 
 A slow chemical reaction has taken grate or the gaseous elements in a 
 place. Oxygen from the air has candle flame. The burning of a build- 
 gradually united with the metallic ing is a chemical reaction on a grand 
 copper on the surface to form a com- scale. 
 
 pound known as copper oxid. Com- The question might naturally arise, 
 mon muriatic acid is a gaseous com- what happens when we "light" the 
 pound dissolved in water. It is com- fire and why is it necessary? 
 posed of hydrogen and an element By applying fire to a combustible 
 known as cldorine, and its symbol is material we raise the temperature of the 
 HCl — one atom of hydrogen and one substance to the point where the reac- 
 of chlorine compose a molecule. Now, tion will begin, and after the union of 
 if we pour some of this acid onto a the elements once starts the heat gener- 
 piece of metallic zinc we say the acid ated by the reaction itself is sufficient 
 "dissolves" some of the zinc. What to continue the process. The tempera- 
 we really mean is that the zinc and the ture to which we must heat a substance 
 acid have reacted chemically to form before it will begin to burn is known 
 a new compound, and this new as the kindling point. We can thus 
 substance is known as zinc chlorid see that combustion will not take place 
 (Zn CI2). Zinc has a much stronger where there is no oxygen, and that if 
 affinity for chlorine than does hydro- this chemical process were to begin 
 gen, and so the molecules of the acid at ordinary temperatures all the corn- 
 are broken up and new molecules are bustible material in the world would 
 formed, the hydrogen atoms being burn up at once. 
 
BOOK OF EARTH AND SKY 
 
 CHEMICAL ELEMENTS 
 
 A tabulated statement of the occurrence, preparation, properties and uses of 
 all important elements. 
 
 Abbreviations: — At. wt., atomic weighl; M. wt., molecular weight; Va., valence; S. G., specific gravity; M. P., 
 melting point; B. P., boiling point. All temperatures are centigrade. 
 
 Definitions of Chemical Element, Atomic Weight, Symbol, Formula, and Electrolysis will be found at the end 
 of the Table. 
 
 Note: — The M. wt. of gases divided by 28.95 gives the density compared with air. 
 
 Aluminum, Al, 
 
 At. wt. 27.1. 
 
 Va. III. 
 
 S. G. 2.6 M. P. 658° 
 
 Antimony, Sb. 
 
 At. wt. 120.02. 
 Va. Ill and V. 
 S. G. 6.7. 
 M. P. 630°. 
 
 Argon, A. 
 
 At. wt. 39.86. 
 M. wt. 39.86. 
 B. P. 186°. 
 
 Arsenic, As. 
 
 At. wt. 75. 
 Va. Ill and V. 
 
 S. G. 5.7. 
 
 Barium, Ba. 
 
 At. wt. 137.37 
 Va. II. 
 S. G. 3.6. 
 
 Bismuth, Bi. 
 
 At. wt. 208. 
 Va. III. 
 S. G. 9.9. 
 M. P. 266.5". 
 Boron, B. 
 At. wt. 11. 
 Va. III. 
 S. G. 2.4. 
 
 Occurrence. Very abundant in clays, feldspars and many 
 other silicate rocks; also as the oxide in emery, ruby, sap- 
 phire, etc. 
 
 Preparation. Electrolysis of the purified oxide dissolved in 
 molten cryolite. 
 
 Properties. Silver white, ductile, malleable at 120°, high 
 tensile strength, the best conductor in proportion to weight. 
 Stable at ordinary temperatures, attact only by the strong 
 acids, except nitric acid, and by caustic alkali. Has a 
 powerful afhnity for oxygen at high temperatures, there- 
 fore it is a most powerful reducer of other oxides, generating 
 high temperatures in the action, which are exceeded only by 
 the electric arc. Also used for cooking utensils, electrical 
 conductors, and paint. Clays and alum are very important 
 compounds. 
 
 Occurrence. Mostly as stibnite (Sb2S3). 
 
 Preparation. Roasting stibnite to oxide and reducing with 
 carbon. 
 
 Properties. White metal, brittle, strongly crystalline. Molt- 
 en metal expands on solidification, and its alloys give, there- 
 fore, sharply defined castings, e. g., type metal. Stable 
 in air, burns when heated, and unites readily with the halo- 
 gens. It is used mostly in alloys, e. g., type metal, Britannia 
 metal and Babbitt metal (for bearings). 
 
 Occurrence. About 1% of the air. 
 
 Preparation. Carbon dioxide, water vapor, oxygen and 
 nitrogen are successively removed from air by absorption. 
 The residue is mostly Argon. 
 
 Properties. Monatomic gas, absolutely inert, enters into no 
 chemical combinations. Identified by its characteristic 
 spectrum. 
 
 Occurrence. Free, arseno pyrite (FeAsS), and the sulphides 
 orpiment and realgar. 
 
 Preparation. Roast ores, and reduce oxide with carbon. 
 
 Properties. Steel gray, tarnishes to dull gray, coarsely 
 crystalline. Sublimes at 450°. Burns with pale blue flame, 
 combines readily with the halogens. The most important 
 compounds are white arsenic (AS2O3) and its derivatives, 
 and the salts of arsenic acid (II3ASO4). Used mostly for 
 insecticides, also in medicine. 
 
 Occurrence. Barytes (BaS04) and witherlte (BaCOa). 
 
 Preparation. Electrolysis of the molten chloride. 
 
 Properties. A silver-white metal, decomposes water, very 
 active. Its vapors give a green flame. Hence it is used in 
 pyrotechny. Important compounds are BaOl, used in 
 manufacturing oxygen and hydrogen peroxide, and BaSO*, 
 used in paints as an inferior substitute for white lead. BaSO* 
 is highly insoluble. 
 
 Occurrence. Free, and as trioxide, and trisulphide. 
 
 Preparation. Roasted in air and reduced with carbon. 
 
 Properties. Bright crystalline metal with pinkish tint; 
 brittle. Stable in air, burns when heated. Used in alloys 
 with low melting points. The subnitrate is used in medicine. 
 
 Occurrence. In boric acid and borax. 
 
 Preparation. The o.xide is heated with magnesium. 
 
 Properties. A greenish black powder. Boric acid (H3BO3) 
 and borax (Na2B407) are important compounds. 
 
// 
 
 THE HUMAN INTJEREST LIBRARY 
 
 CHEMICAL ELEMENTS — Continued 
 
 Bromine, Br. 
 
 At. wt. 79.92. 
 M. wt. 160. 
 Va. L 
 S. G. 3.2. 
 B. P. 59°. 
 
 Cadmium, Cd. 
 
 At. wt. 112.4. 
 
 Va. II. 
 
 S. G. 8.6. 
 
 M. P. 321.7°. 
 Caesium, Cs. 
 
 At. wt. 132.81. 
 
 Va. 1. S. G. 2.4. 
 Calcium. Ca. 
 
 At. wt. 40.09. 
 
 Va. II. 
 
 S. G. 1.54. 
 
 M. P. 760. 
 
 Carbon, C. 
 
 At. wt. 12. 
 
 Va. IV. 
 
 S. G. 1.9—3.5. 
 
 Cerium, Ce. 
 
 At. wt. 140.25. 
 Va. Ill and IV. 
 S. G. 7.0. 
 Chlorine, CI. 
 At. wt. 36.46. 
 M. wt. 71. 
 Va. I, V and VII. 
 B. P.— 33 6°. 
 
 Chromium, Cr. 
 
 At. wt. 52. 
 
 Va. II, III and VI. 
 
 S. G. 6.9. 
 
 M. P. 1515°. 
 
 Cobalt, Co. 
 
 At. wt. 58.97. 
 
 Va. II and III. 
 
 S. G. 8.5. 
 
 M. P. 1500°. 
 Columbium, Cb. 
 
 At. wt. 93.5. 
 
 S. G. 12.7 
 
 M. P. 1950°. 
 Copper, Cu. 
 
 At. wt. 63.57. 
 
 Va. I and II. 
 
 ?. G. 8.9. 
 
 M. P. 1064°. 
 
 Occurrence. In sea water and salt deposits, as bromides. 
 
 Preparation. Bromides are treated with sulphuric acid and 
 manganese dioxide, and the Br. distilled off. 
 
 Properties. Dark red liquid, bad odor, very corrosive and 
 poisonous. Combines with most elements but with less 
 energy than chlorine. LTsed in preparation of dyes. Bro- 
 mides are used in medicine and photography. 
 
 Occurrence. In Zinc ores. 
 
 Properties. A silver-white metal, burns in air, and is faii'y 
 active. Uses, in alloys with low ]\I. P. The sulphide is a 
 yellow pigment. The iodide is used in medicine. 
 
 Rare element, strongly resembling potassium. The most 
 active of the metals. 
 
 Occurrence. As carbonate in limestone, marble, chalk, etc. 
 As sulphate in gypsum, as phosphate, fluoride, and in many 
 silicates. 
 
 Preparation. Electrolysis of the fused chloride. 
 
 Properties. A white crystalline metal. Decomposes water, 
 burns in air, and is very active. Uses: Yields many useful 
 compounds, e. g., lime, which is the oxide; slaked lime, the 
 hydroxide; bleaching powder and calcium carbide. 
 
 Occurrence. In two crystalline forms, diamond and graphite, 
 and in several amorphous forms: charcoal, coke, lamp 
 black, gas carbon, and coal. Each has its peculiar impor- 
 tant uses. 
 
 Properties. Very stable at ordinary temperatures, very 
 active toward oxygen at high temperatures. It forms carbon 
 dioxide, the basis of carbonic acid, and the poisonous monox- 
 ide. The compounds of carbon form the field of organic 
 chemistry. 
 
 Occurrence. In cerite and monazite. 
 
 Preparation. Electrolysis of the molten chloride. Burns 
 with dazzling brightness. One per cent of the dioxide is 
 used in Welshach mantles. 
 
 Occurrence. In salt (XaCl) and other chlorides. 
 
 Preparation. Electrolysis of chlorides, or oxidation of hy- 
 drochloric acid. 
 
 Properties. A greenish-yellow gas of intensely bad odor, 
 very corrosive to mucous membranes, combines with most 
 elements with great energy. Used for bleaching and dis- 
 infecting. 
 
 Occurrence. As chromite (FeCr204). 
 
 Preparation. By reducing the oxide with aluminum. 
 
 Properties. A steel gray, brittle and very hard metal. 
 Stable in air, burns at high temperatures. Used in alloys 
 and in chrome steel. Potassium dichromate, KoCr-iO?, has 
 many uses, in making pigments, in tanning and dyeing, and 
 as an oxidizing agent. 
 
 Occurrence. As smaltite, CoAsj, and cobaltite, CoAsS. 
 
 Preparation. Reducing the oxide with hydrogen. 
 
 Properties. A white, magnetic, malleable metal. Its salts 
 are pink. Used in Cobalt glass, which, when ground, gives 
 the blue pigment, smalt. 
 
 A rare element. The metal is not affected by acids. It h 
 weakly acidic and also weakly basic. 
 
 Occurrence. In oxide, carbonate and sulphide ores. 
 
 Preparation. The oxide is reduced with carbon. It is re- 
 fined by electrolysis. 
 
 Properties. A red, lustrous, very ductile and malleable 
 metal. The best electrical conductor next to silver. Dis- 
 
BOOK OF EARTH AND SKY 
 
 III 
 
 CHEMICAL ELEMENTS— Continued 
 
 Dysprosium. 
 Erbium. 
 Europium. 
 Fluorine, F. 
 
 At. wt. 19. 
 M. wt. 38. 
 Va. I. 
 
 Gadolinium, Gd. 
 Gallium, Ga. 
 
 At. wt. 69.9. 
 Germanium, Ge. 
 
 At. wt. 72.5. 
 Glucinum (or Beryllium). 
 
 Gl. At. wt. 9.1."^ 
 
 Va. II. 
 
 S. G. 1.8. 
 Gold, Au. 
 
 At. wt. 197.2. 
 
 Va. I and III. 
 
 S. G. 19.32. 
 
 M. P. 1062.4°. 
 
 Helium, He. 
 
 At. wt. 3.99. 
 M. wt. 3.99. 
 B. P. 268.7°. 
 
 Hydrogen, H. 
 
 At. wt. 1.008. 
 M. wt. 2.016. 
 Va. I. 
 B. P.— 252.5°. 
 
 Indium, In. 
 
 At. wt. 114.8. 
 Iodine, I. 
 
 At. wt. 126.92. 
 Va. I, V and VII. 
 S. G. 4.95. 
 M. P. 114°. 
 
 Iridium, Jr. 
 
 At. wt. 193.1. 
 S. G. 22.42. 
 M. P. 1950°. 
 
 solves readily in nitric acid, and in other acid when aided by 
 oxygen. It is used for electrical conductors, for electro- 
 plating, as sheet copper, and in many alloys. The com- 
 pounds are poisonous and are used in germicides, and in- 
 secticides. Blue vitriol is CUSO45H2O. 
 
 Are rare earth elements, separated from other elements with 
 great difficulty. 
 
 Occurrence. Mostly in cryolite, NasAlFe, and fiuorite, 
 CaF,. 
 
 Preparation. Electrolysis of hydrogen fluoride in a special 
 cell. 
 
 Properties. A pale yellowish-green gas. The most violently 
 active non-metallic element. Decomposes water, liberating 
 oxygen as ozone. Hydrogen fluoride is used for etching glass 
 and in the decomposition of silicates. 
 
 A rare earth element, difficult to separate. 
 
 A rare element found in some zinc blende. Like aluminum 
 the oxide is both acidic and basic. 
 
 A rare element, having the properties intermediate between 
 silicon and tin. 
 
 Occurrence. In beryl. 
 
 Preparation. Electrolysis of the fused double fluoride. 
 
 Properties. A very light metal with the excellent qualities of 
 aluminum to even a greater degree. But it is rare. 
 
 Occurrence. Chiefly free, but also as telluride. 
 
 Preparation. Gold bearing sands are washed, and the gold 
 collected in mercury from which it is separated by distilla- 
 tion. When gold occurs in a very fine state it is dissolved 
 from the powdered ore by cyanide. 
 
 Properties. A very soft, brilliant, yellow metal, an excellent 
 conductor, and the most ductile and malleable of all metals. 
 It is very stable and insoluble in all acids, except aqua regia. 
 It is both acidic and basic. Gold is alloyed with copper or 
 silver to increase its hardness. The fineness of gold is ex- 
 pressed in carats, 24 carat gold is the pure metal. 
 
 Occurrence. In air about one part per million by volume. 
 In large quantities in the atmosphere of the sun. 
 
 Preparation. Fractional distillation of liquid argon. The 
 lightest substance next to hydrogen. Combines with no 
 other elements, and has the lowest B. P. of any substance. 
 
 Occurrence. 11.19% of all water, also in petroleum, natural 
 gas, and all living organisms. 
 
 Preparation. By electrolysis of water, and by the action 
 of zinc and other metals upon several strong acids. 
 
 Properties. The lightest known substance. It is readily ab- 
 sorbed by a number of metals, especially by palladium. 
 Combines powerfully with oxygen, fluorine and chlorine. In 
 water, acids, living organisms and organic compounds it 
 plays a most important role. It is used for filling balloons 
 and in the oxy-hydrogen blowpipe. 
 
 A rare element, occurring in zinc blende. Its vapor colors a 
 flame blue. 
 
 Occurrence. In certain sea weeds, and in Chili saltpeter. 
 
 Preparation. Treating iodides with chlorine. 
 
 Properties. Dark gray crystals with metallic luster. Its 
 vapor is violet. Slightly soluble in water, but readily in 
 alcohol, ether, carbon disulphide, chloroform and solutions 
 of potassium iodide. Combines with many elements, but 
 with less energy than clilorine and bromine. It colors starch 
 blue. Used in medicine and in many organic syntheses. 
 
 Occurrence. With platinum. 
 
 Properties. A white and very hard metal. Not attacked by 
 aqua regia or any acid. Used for hardening platinum. 
 
IV 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHEMICAL ELEMENTS — Continued 
 
 Iron, Fe. 
 
 At. wt. 55.85. 
 Va. II and III. 
 
 S. G. 7.86. 
 M. P. 1804°. 
 
 Krypton, Kr. 
 
 At. wt. 82.9. 
 Lanthanum, La. 
 
 At. wt. 139.0. 
 
 Va. III. 
 Lead, Pb. 
 
 At. wt. 207.1. 
 
 Va. II and 1\. 
 
 S. G. 11.4. 
 
 M. P. 326°. 
 
 Lithium, Li. 
 
 At. wt. 6.94. 
 
 Va. I. 
 
 S. G. 0.53. 
 
 Magnesium, Mg. 
 
 At. wt. 24.32. 
 Va. II. 
 S. G. 1.75. 
 M. P. 633°. 
 
 Manganese, Mn. 
 
 At. wt. 54.93. 
 Va. II, III, IV, VI 
 and VII. 
 
 S. G. 8.0. 
 
 Mercury, Hg. 
 
 At. wt. 200. 
 Va. I and II. 
 S. G. 13.6. 
 
 Occurrence. As the ores, magnetite, hematite, limonite, 
 and siderite; also in pyrites and widely distributed through 
 rocks and soils. 
 
 Preparation. In the blast furnace where the ores are re- 
 duced by carbon monoxide, and other matter is run into 
 slag. The result is pig iron from which the different kinds 
 of iron and steel are prepared. The essential difference in 
 these is due to the varying proportions of carbon contained, 
 and the influence of small amounts of other metals alloyed 
 with steel. Mn., Ni., Cr., Mo., W., V., Ti., Si. and Cu., are 
 all used to impart special properties to steel. The carbon 
 content varies from 2% to 5% in cast iron; .2% to 1.5% in 
 steel; and less than .2% in wrought iron. 
 
 Properties. A white, malleable, ductile and magnetic metal. 
 It rusts in moist air, and dissolves readily in dilute acids. 
 It is by far the most important metal in the extent and the 
 varied applications of its usefulness. Some of its compounds 
 are used in medicine, and green vitriol (FeS047H20) is used 
 as a disinfectant, in dyeing and in the making of ink. 
 
 Occurrence. In minute quantity in air. 
 
 Properties. Like argon, forms no chemical combinations. 
 
 Occurrence. In the rare mineral lanthanite. 
 
 Properties. An iron gray metal, malleable and ductile. It 
 is unstable, and reacts with water. 
 
 Occurrence. Principally as galena (PbS). 
 
 Preparation. Partial roasting of the ore, then continuing 
 the heating in a closed furnace. The crude metal is then 
 purified. 
 
 Properties. A soft, gray metal, malleable but of small 
 ductility. It is stable in air, is but little affected by acids, 
 excepting nitric acid. Heated in air it forms the oxide 
 litharge (PbO) which oxidizes to red lead (Pb304) on further 
 heating. It is used for water pipes, as sheet lead, lead foil, 
 in shot, storage batteries, and in a number of important 
 alloys. The basic carbonate, "white lead" is the most 
 important basis of paints. 
 
 Occurrence. In some rare minerals, and in some mineral 
 waters. 
 
 Preparation. By electrolysis of the fused chloride. A silver 
 white, soft metal, that tarnishes quickly in air, decomposes 
 water, and combines readily with nitrogen. The carbonate 
 is used in medicine. Lithium salts color flames carmine red. 
 
 Occurrence. Widely distributed in carbonates, as magnesite 
 and dolomite, as sulphate, chloride, and in many silicate 
 rocks. 
 
 Preparation. Electrolysis of fused carnallite. 
 
 Properties. A silver-white, tough metal, ductile when hot. 
 It tarnishes in air, decomposes boiling water, is very active 
 toward acids, and burns with an exceedingly dazzling bright 
 light. The sulphate, "epsom salts,"" and the oxide and 
 carbonate are used in medicine. Magnalium, the alloy 
 with aluminum is light and strong and has important uses. 
 
 Occurrence. Principally pyrolusite (MnOs), also as Mn203, 
 and Mn304, and as a minor constituent in many rocks. 
 
 Preparation. Reducing Mn304 with aluminum filings. 
 
 Properties. A hard steel-gray metal. It rusts in moist air, 
 and dissolves in dilute acids. Used in steel manufacture and 
 in alloys. Potassium permanganate, KMn04, is an im- 
 portant oxidizing agent and disinfectant. 
 
 Occurrence. Free and as cinnabar (HgS). 
 
 Preparation. By roasting cinnabar and distilling off the 
 mercury. A silver-white liquid metal. It is stable in air 
 and is dissolved by nitric acid, and aqua regia. Used in 
 
BOOK OF EARTH AND SKY 
 
 CHEMICAL ELEMENTS — Continued 
 
 M. P.— 39.5°. 
 B. P. 356.95°. 
 
 Molybdenum, Mo. 
 
 At. wt. 96. 
 
 Va. IIL IV, V and VI. 
 
 S. G. 9.0. M. P. 2110°. 
 Neodymium, Nd. 
 
 At. wt. 144.3. 
 Neon, Ne. 
 
 At. wt. 20.2. 
 Nickel, Ni. 
 
 At. wt. 58.68. 
 
 Va. II and IIL 
 
 S. G. 8.9. 
 
 M. P. 1385°. 
 
 Nitrogen, N, 
 At. wt. 14.01. 
 M. wt. 28. 
 Va. Ill and IV. 
 B. P.— 194°. 
 
 Osmium, Os. 
 
 At. wt. 190.9. 
 S. G. 22.48. 
 M. P. 2400°. 
 Oxygen, O. 
 At. wt. 16. 
 M. wt. 32. 
 Va. II. 
 B. P.— 184°. 
 
 Palladium, Pd. 
 
 At. wt. 106.7. 
 S. G. 11.9. 
 M. P. 1535°. 
 Phosphorus, P. 
 At. wt. 31.04. 
 Va. Ill and V. 
 
 Platinum, Pt. 
 
 At. wt. 195.2. 
 Va. II and IV. 
 S. G. 21.48. 
 M. P. 1753°. 
 
 many scientific instruments and in the extraction of gold 
 from its ores. It forms alloys called amalgams with many 
 metals. Its salts are poisonous, some are used in medicine 
 and the bichloride as a powerful germicide. 
 
 Occurrence. As molybdenite (M0S2). 
 
 Preparation. By reducing the oxide with aluminum. A 
 white malleable metal, insoluble in dilute acids. It is used 
 in steels. 
 
 A. rare element occurring with other rare earth elements. 
 
 Occurrence. Along with argon, which it resembles in prop- 
 erties. 
 
 Occurrence. In combination with arsenic and sulphur. 
 
 Preparation. Reducing the oxalate in hydrogen. 
 
 Properties. A white, hard, lustrous metal, malleable, ductile 
 and tenacious. It is stable in air, but dissolves readily in 
 nitric acid. Its salts are green. It is used in plating and 
 in a number of important alloys. 
 
 Occurrence. Four-fifths of the atmosphere, also in ammonia, 
 nitrates, all living organisms, and in many organic com- 
 pounds. 
 
 Preparation. Removi^ng the other constituents of air, or by 
 heating ammonium nitrite. 
 
 Properties. A colorless, odorless gas, inactive, but though 
 it is brought into combination with difficulty, its compounds 
 are exceedingly numerous and important. The most com- 
 mon of the compounds are ammonia (NH3), and nitric 
 acid (HNO3). 
 
 Occurrence. Along with platinum. 
 
 Properties. The heaviest known metal. It has the highest 
 known valence of VIII, and its principle compound is the 
 tetroxide (OSO4). 
 
 Occurrence. Free in the air of which it forms one-fifth. 
 It constitutes eight-ninths of water, and nearly fifty per cent 
 of the earth. 
 
 Preparation. By heating potassium chlorate, or barium 
 dioxide. 
 
 Properties. A colorless gas, but it is blue in deep layers, 
 slightly heavier than air. It is soluble in water to the extent 
 of three volumes in 100 of water. It is exceedingly active, 
 and combines with nearly all elements. Its oxides form the 
 basis of most of inorganic chemistry. Its uses in respiration 
 and combustion are fundamental to life and civilization. 
 
 Occurrence. Along with platinum. 
 
 Properties. Resembles silver and platinum. Dissolves in 
 nitric acid. The metal may absorb up to 900 times its 
 volume of hydrogen. 
 
 Occurrence. As phosphates in apatite and other minerals, 
 in small quantities in all soils. It constitutes the chief mineral 
 matter of bones, and is a necessary constituent of the tissues. 
 
 Preparation. Reducing calcium phosphate with carbon and 
 sand in the electric furnace. 
 
 Properties. Phosphorus exists in two forms: the yellow form 
 which is waxy, dissolves in carbon disulphide, melts at 44°, 
 ignites at a very low temperature, and burns with great 
 energy. It is very poisonous. Red phosphorus is a crystal- 
 line powder, insoluble in carbon disulphide, acts with less 
 energy and is non-poisonous. Phosphorus is used for the heads 
 of matches, and the phosphates are important as fertilizers. 
 
 Occurrence. Free, alloyed with the other platinum metals. 
 
 Preparation. The separation of the metals is complex. 
 
 Properties. A silvery metal, tenacious, ductile and malleable. 
 Resists all acids, but dissolves slowly in aqua regia. Be- 
 cause of this resistance and its high melting point it is in- 
 
VI 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHEMICAL ELEMENTS — Continued 
 
 Potassium, K. 
 
 At. wt. 39.1. 
 Va. I. 
 
 . G. 86. 
 M. P. G2.5°. 
 
 Praseodymium, 
 
 At wt. 140.(3. 
 Radium, Ra. 
 At. wt. 2^6.4. 
 Va. IL 
 
 Pr. 
 
 Rhodium, Rh. 
 
 At. wt. 1(1-2. !>. 
 Rubidium, Rb. 
 
 At. wt. 85.45. 
 
 Va. I. 
 
 S. G. 1.52. 
 Ruthenium, Ru. 
 
 At. wt. 101.7. 
 
 Samarium, Sa. 
 
 At. wt. 150.4. 
 Scandium, Sc. 
 
 At. wt. 44.1. 
 Selenium, Se. 
 
 At. wt. 79.2. 
 
 Va. IL IV and VI. 
 
 Silicon, Si. 
 
 At. wt. 28.3. 
 
 Va. IV. 
 
 M. P. 1200°. 
 
 Silver, Ag. 
 
 At. wt. 107.88. 
 Va. I. 
 
 S. G. 10.53. 
 M. P. 960°. 
 
 valuable for chemical vessels. It also is the only metal 
 that can be successfully fused into glass, hence its use in 
 electric lamps. 
 
 Occurrence. As chloride, sulphate, nitrate, feldspar, and 
 many other silicates. It is a necessary constituent of soils, 
 and of plants and animals. 
 
 Preparation. Electrolysis of fused potassium hydroxide. 
 
 Properties. A very soft, silver-white metal. It tarnishes 
 instantly in moist air, and is one of the most active of the 
 metals. Caustic potash (KOH) is the strongest base of 
 available metals, and forms salts with all acids. These 
 salts have various applications. 
 
 One of the rare earth elements, occurring with cerium and 
 lanthanum. 
 
 Occurrence. In minute quantities along with uranium. 
 
 Preparation. The residues from uranium ores, after extract- 
 ing the uranium, are treated so as to separate the radium and 
 barium as bromides. These are then separated by fractional 
 cry.stalHzation. 
 
 Properties. Radium in any form emits three kinds of rays, 
 different from light. These pass through objects opaque 
 to light, and affect photographic plates and phosphorescent 
 screens. It has been used successfully in the treatment of 
 cancer. 
 
 Occurrence. In platinum ores, and is of the general character 
 of the i)latinum metals. 
 
 Occurrence. In minute amounts along with potassium salts, 
 and it strongly resembles potassium in all its properties. 
 
 Occurrence. In ores of platinum. Of the general character 
 of the platinum metals, resembling especially osmium, and 
 like it forms several oxides. 
 
 A rare metal, resembling in general the rare earth elements 
 in its properties. 
 
 A typical rare earth element. 
 
 Occurrence. With sulphur and sulphides. 
 
 Preparation. Reducing selenious acid with sulphur dioxide. 
 
 Properties. The element occurs in three forms: the red 
 amorphous, the red crystalline, and the blue-gray metallic. 
 The latter conducts electricity, and its conductivity is greatly 
 increased by light. Therefore, it is used in cells for measuring 
 light. Its chemical compounds resemble those of sulphur. 
 
 Occurrence. Silicon dioxide (SiOo) occurs in sand and dif- 
 ferent forms of quartz. Most of the earths crust is composed 
 of silicates. 
 
 Preparation. Reducing sand by heating with magnesium 
 powder. Amorphous silicon is a brown powder, that burns 
 in air. Crystalline silicon forms black needles and is less 
 active. Silicon is used in steel making. Some quartz and 
 silicates are used as gems. Quartz sand is used in manu- 
 facturing glass. Silicon carbide (SiC) "Carborundum" is 
 nearly as hard as the diamond and is used as an abrasive. 
 
 Occurrence. Native and as sulphide, usually accompanying 
 galena. 
 
 Preparation. Separated from lead by the Pattison or the 
 Parkes process. Separated from gold by nitric acid. 
 
 Properties. A white, lustrous, tough, very ductile and 
 malleable metal, the best conductor of heat and electricity. 
 
 It is not oxidized by air, but it is tarnished by hydrogen sul- 
 phide. It dissolves in dilute nitric and in boiling concen- 
 trated sulphuric acid. Uses, for coinage, and for many 
 useful articles and ornaments. Silver nitrate is used as 
 
BOOK OF EARTH AND SKY 
 
 VII 
 
 CHEMICAL ELEMENTS — Continued 
 
 Sodium, Na. 
 At. wt. 23.0. 
 Va. I. 
 S. G. 0.97. 
 M. P. 95.6°. 
 
 Strontium, Sr. 
 
 At. wt. 87.63, 
 Va. IL 
 S. G. 2.55. 
 
 Sulphur, S. 
 
 At. wt. 32.07. 
 Va. IL IV and 
 M. P. 114.5°. 
 
 VI. 
 
 Tantalum, Ta. 
 
 At. wt. 181. 
 S. G. 16.6. 
 M. P.— 2250°. 
 Tellurium, Te. 
 At. wt. 127.5°. 
 Va. II, IV and 
 
 VI. 
 
 Terbium, Tb. 
 
 At. wt. 159.2. Va. 
 Thallium, Tl. 
 
 At. wt. 204. 
 
 Va. I and II. 
 Thorium, Th. 
 
 At. wt. 232. 
 
 Va. IV. 
 Thulium, Tm. 
 
 At. wt. 168.5. 
 Tin, Sn. 
 
 At. wt. 119. 
 
 Va. II and IV. 
 
 S. G. 7.3. 
 
 M. P. 232°. 
 
 Titanium, Ti. 
 
 Ac. wt. 48.1. 
 
 Va. IL III and IV 
 
 M. P. 1850°. 
 
 Tungsten, W. 
 
 At. wt. 184. 
 
 III. 
 
 "lunar caustic" in cauterizing and to make the silver halides 
 used in photography. Potassium silver cyanide, KAgCCug), 
 is used in plating. 
 
 Occurrence. As salt (XaCl), nitrate, borate, carbonate, and 
 in many silicates. 
 
 Preparation. Electroylsis of the fused hydroxide or chlo- 
 ide. 
 
 Properties, A silver-white metal, soft as wax. It is very 
 active, readily decomposes water and resembles potassium 
 generally. Sodium hydroxide is a powerful base which 
 forms salts with all acids. Most of these salts have their 
 application. 
 
 Occurrence. As carbonate and sulphate. 
 
 Preparation. Electrolysis of the fused chloride. 
 
 Properties. A light, active metal resembling calcium. It 
 decomposes water vigorously. Its vapors color flames red, 
 and it is therefore used for red fire in pjTotechny. 
 
 Occurrence. Free and combined with metals as sulphides 
 and sulphates. 
 
 Preparation. Melting the native sulphur and draining it off 
 from the rocks and earth with which it is mixed. It is 
 then purified by distillation. 
 
 Properties. It exists in two crystalline and one amorphous 
 form. The rhombic form is the stable variety into which 
 the others change on standing below 96°C. This variety is a 
 brittle light yellow solid, soluble in carbon disulphid. It 
 burns in air to sulphur dioxide (SOo) and it combines with 
 most metals to form sulphides. Sulphur is used for vul- 
 canizing rubber, in gunpowder, fireworks and matches. 
 SO2 is used for bleaching, disinfecting and in the manufacture 
 of sulphuric acid. The latter is the most important of all 
 chemicals. 
 
 Occurrence. In rare minerals along with rare earth elements. 
 
 Preparation. Reduction of the fluoride by sodium. 
 
 Properties. A hard silver-white metal of great strength and 
 stability. Used for filaments in electric lamps. 
 
 Occurrence. Free and as tellurides. 
 
 Preparation. Reduction of tellurious acid by sulphur 
 dioxide. 
 
 Properties, Similar to those of sulphur and selenium, but 
 is less acidic. 
 
 Occurrence. In rare earth minerals, and it has the general 
 properties of these elements. 
 
 Occurrence, In flue dust of sulphuric acid works. A 
 bluish metal resembling lead, and has a rather high chemical 
 activity. 
 
 Occurrence. In monczite sand. 
 
 Preparation. By electrolysis. Welsbach mantles consist of 
 99^ thorium dioxide. 
 
 A rare earth element, associated with others of the group. 
 
 Occurrence. As cassiterite (Sn02). 
 
 Preparation. Roasting the ore then reducing this by ignition 
 
 with carbon. 
 Properties. A silver-white metal, rather soft, very malleable 
 
 ductile and stable in air. It is used for tin plating iron and 
 
 copper, and in a number of alloys. 
 Occurrence. As rutile (TiOo) and titanic iron ore. 
 Preparation. Reducing the chloride with sodium. 
 Properties. A hard, brittle metal that can be forged at a 
 
 low, red heat. It unites with oxygen and nitrogen when 
 
 heated. It is used in steel manufacture. 
 Occurrence. As wolframite (FeW04) and as scheelite 
 
 (CaW04). 
 
VIII 
 
 THE HUMAN IXTEREST LIBRARY 
 
 CHEMICAL ELEMENTS — Continued 
 
 Va. II, IV, V and \ I. 
 
 S. G. 19.3. 
 M. P. -2800°. 
 
 Uranium, U. 
 
 At. v.t. 238.5. 
 Va. Ill, IV, V, and VI. 
 S. G. 18.7. 
 Vanadium, V. 
 At. wt. 51.06. 
 Va. IL III, IV and V. 
 
 Xenon, Xe. 
 
 At. wt. 130.2. 
 Ytterbium, Yb, 
 
 At. wt. 172. 
 Yttrium, Y. 
 
 At. wt. 89. 
 Zinc, Zn. 
 
 At. wt. 65.37. 
 
 Va. II. 
 
 S. G. 6.9. 
 
 M. P. 419°. 
 
 Zirconium, Zr. 
 
 At. wt. 90. G. 
 Va. IV. 
 
 Preparation. Reduction of the trioxide by carbon at high 
 
 temperatures. 
 Properties. A hard, gray metal, burns in air and combines 
 
 with chlorine at 250°. It is used in tungsten steel, and for 
 
 filaments in incandescent lamps. 
 Occurrence. As pitchblende (L'aOs). 
 Preparation. Reducing the oxide with aluminum. 
 Properties. A white radio active metal, tarnishes in air and 
 
 is fairly active. 
 Occurrence. Rather rare, in vandinlte, and accompanying 
 
 other metals. 
 Preparation. Reducing VCI2 in hydrogen. 
 Properties. A silver-white metal, stable in air, burns in 
 
 oxygen, and combines with nitrogen when heated. It is 
 
 used in special high grade steel. 
 The heaviest gas of the argon group, with the general group 
 
 propevties. 
 In rare earth minerals. A rare earth element. 
 
 A rare earth element, associated in rare minerals with other 
 
 related elements. 
 Occurrence. As zinc blende (ZnS) principally, but also as 
 
 carbonate, oxide and silicate. 
 Preparation. Roasting the ore and reducing this with 
 
 carbon. The zinc is distilled off. 
 Properties. A bluish-white metal, brittle but malleable at 
 
 120°. It is rather active. It is used as sheet zinc and for 
 
 galvanizing iron, in galvanic batteries, and in alloys. The 
 
 oxide (zinc white) is a valuable constituent of paint. 
 Occurrence. As zircon (ZrSi04). 
 Preparation. Reducing the oxide with carbon in the electric 
 
 furnace. A hard, gray metal, stable in air. 
 
 Definitions: A Chemical Element is a simple kind of matter, which cannot be resolved 
 into two or more other sul)stances by any chemical means. There are about eighty ele- 
 ments which combine to form the many thousands of substances found in the world. 
 
 The Atomic Weights are the unit weights of the elements which enter into chemical 
 combination. They are based upon the atomic nature of matter. The elements are con- 
 ceived to be made up of exceedingly minute particles or atoms, which for any given element 
 have a definite characteristic weight. The atomic weight of Oxygen is represented by the 
 number 16. and the relative weights of the atoms of other elements are expressed in com- 
 parison with this number. 
 
 The Symbol for an element stands for the name of the element and also represents 
 its atomic weight. 
 
 A Formula stands for a substance and represents by symbols the elements which 
 form it, and the proportions in which they are contained, e. g. CO2 represents carbon 
 dioxide, and shows that one atomic weight of carbon of 12 weight units is combined with 
 two atomic weights of oxygen or 2 x 16 weight units. In other words it shows that 44 
 grams of the gas contain 12 grams of carbon and 32 grams of oxygen. 
 
 Electrolysis is the process of decomposing substances by means of the electric current. 
 Many compound substances called electrolytes when dissolved in water or when in a molten 
 condition, will conduct the electric current. But unlike a wire which suffers no chemical 
 change from the passage of a current, electrolytes are decomposed by a current — the 
 metallic part collecting on the negative pole and the non metallic part at the positive pole 
 of the battery. 
 
A GROUP OF PLANTS THAT CATCH INSECTS 
 
 1. Pitcher Plant 
 
 4. Huntsman's Horn 
 
 2. Sarracenia 
 5. Butterwort 
 
 3. Sundew 
 
THE SPERM WHALE— THE TIGER OF THE DEEP 
 
 Possessed of amazing strength this monster of the seas sometimes turns upon the whalers. When this 
 occurs at night, and it soars into the air made luminous by phosphorescence, it is like the extension of some 
 gigantic flame cone from the deep. 
 
Book of Nature 
 
 NATURE'S WONDERFUL FAMILY 
 
 WILD ANIMALS IN THEIR HOMES 
 
 BIRDS OF UNCOMMON BEAUTY 
 
 CHIEF OF THE HUNTING BIRDS 
 
 COMMON FARM AND ORCHARD BIRDS 
 
 WHAT HAPPENS IN A HIVE OF BEES 
 
 HOW INSECTS GUARD THEIR YOUNG 
 
 ANIMAL LIFE IN OCEAN DEPTHS 
 
 SOME INTELLIGENT PLANTS 
 
 s. 
 
MEMBERS OF THE NUMEROUS CAT FAMILY 
 
 The wild leopard climbs trees, which lions and tigers The lynx climbs trees and eats birds. It has wonderful 
 
 do not. The leopard crouches on a bough and lies in wait eyes, and whenever we speak of anybody who seems to see 
 to spring upon an animal passing underneath. everything we call him "lyn.\-eyed." 
 
 The snow leopard can live where it is very cold. It has 
 a coat of warm light-colored fur, so that it can steal unseen 
 over the snow and pounce upon its prey. 
 
 The puma, which people call the "American lion," klll3 
 cattle and horses, but never attacks a man unless the man 
 attacks him first. 
 
 The cheetah Is one ol the lew aiiiuials which, alter being 
 caught wild, can be made to serve man. and in India princes 
 keep many cheetahs, to hunt antelopes. 
 
 The jaguar Is a mure tcrribie-luuking beast than the 
 leopard, having much thicker legs and a heavier head. 
 Like the leopard, It has a spotted coat. 
 
 8?, 
 
NATURE'S WONDERFUL FAMILY 
 
 Nature is the mother of us all. By Nature we really mean the whole of life — 
 everything that is not made by man. But many natural things, such as the sun 
 and moon and the earth itself, come into other parts of our book, and here we shall 
 read of the two most important things in Nature — Animal Life and Plant Life. 
 There were plants on the earth before the animals came, but it is better to begin 
 with animals, and our book of Nature tells us first the story of the animals, and then 
 the story of flowers and trees. We shall not tell our story with big words and strange 
 names; but we shall learn all that we need know now about animals and flowers. 
 Our story tells us of the wonderful things that live in the world with us, and the huge 
 monsters that once lived upon earth and have now passed away. 
 
 WHEN we have interfered with That is a little thing which wise men 
 
 the liberty of a busily-work- were a long time in learning. We 
 
 ing honeybee or bumblebee, ought always to remember it, because 
 
 and have found to our sorrow that it it shows how Nature has to plan so 
 
 can gallantly defend itself, we are that the world may go on in the best 
 
 quite inclined to wish that there were way for us. When we think of the 
 
 no such things as bees. But let us world, we think of a great place where 
 
 suppose that our wish could be sudden- men and women and children live, 
 
 ly granted. We know of course that we But the world was not made simply 
 
 should have to do without honey, but to be a home for men and women and 
 
 how many of us know that, stranger children. If there were no living 
 
 still, we should soon lose many of our creatures but ourselves, there would 
 
 beautiful flowers as well as many of be a great many empty places in the 
 
 our more necessary fruits and grains? world. There would be a great deal 
 
 The strangest part of this, too, is that of work left undone. There are places 
 
 with all the work that it does for man, in the world where we cannot live, 
 
 the bee is wholly unconscious that it But Nature does not like empty 
 
 is doing anything more than to supply spaces. She must have living crea- 
 
 its own needs. tures everywhere, in earth and sky 
 
 A great many of our commonest and sea. 
 blossoms contain a sweet juice, called Our eyes are not strong enough to 
 nectar, which the bees love and need see all the tiny things which live. If 
 for their honey. They fly into the our eyes were as strong as the strong- 
 blossoms to drink the juice, and in est magnifying glasses, we should see 
 doing so carry in with them from other that the air we breathe is full of very 
 plants a dust, called pollen, which the tiny creatures. We should see that 
 plants need in order to make their the soil in the garden swarms with 
 seed; if the flowers do not get this little insects. We should see that the 
 pollen they die. Among the plants to little drops of water which we drink 
 whose very existence the bee is neces- have in them more living creatures 
 sary are the white clover, the red than we can count. We know that 
 clover, several of the common violets, there is life in the air as there is life in 
 the roadside toadflax, and many an- the sea. We can see the jellyfish 
 other delightful blossom of our fields floating on the top of the waves. We 
 and lanes. If we are to do without know that there are big fish and little 
 the bees with their sharp stings we fish beneath the surface. We know 
 must make up our minds to do also that there are monsters in the sea like 
 without these plants that depend whales and sharks, we know that deep 
 upon them for their support. down in the sea, deeper than the deep- 
 
 8S 
 
8Jt THE HUMAN INTEREST LIBRARY 
 
 est mine in the world, there are area- all creatures lived in the seas and 
 
 tures such as nobody has ever seen. rivers. Some lived in shells. Others 
 
 So there is life everywhere. Be- were soft things like jelly, and had 
 
 sides men and women and children, no backbones. These had all the sea 
 
 Nature has many workmen, great and to themselves for a very long time, 
 
 small, to carry on the work of the But during this time they were grow- 
 
 world. Some are big, like elephants; ing into separate families, unlike those 
 
 some are so small that we cannot see which had gone before. Proper fish 
 
 them. Some fly in the air, some swim began to swim about, and there were 
 
 in the sea, some creep in the earth, great sea-scorpions, as big as a tall 
 
 Some live among us as our friends; man, and fishes with skins made like 
 
 some live wild in woods and moun- armor. 
 
 tains. The reptiles, the flying dragons. 
 
 The great animal world the birds, and man 
 
 There have not always been the After these there grew up great 
 
 same sort of animals on the earth as creatures which could live in the water 
 
 now. Once upon a time, when there or out of the water, as the hippopota- 
 
 were no men and women and children mus can today. Then came enormous 
 
 on the earth, the only living creatures reptiles. We have nothing living now 
 
 were strange and monstrous animals like the reptiles which, by slow de- 
 
 such as we see in our pictures. These grees, came into existence millions of 
 
 huge creatures, bigger than any ani- years ago. Some of them had bodies 
 
 mals now alive, were the masters of as large as elephants, with heads like 
 
 the earth before man came. Some lizards, and huge teeth. Some could 
 
 were so big that they could eat off fly, and some could swim as well as 
 
 the top branches of tall trees; some they could walk. From some of the 
 
 of the animals could fly and swim, flying monsters came the birds, and 
 
 The animals we know have come from still later came animals which, in- 
 
 these; through thousands and thou- stead of scales and bony spines and 
 
 sands of years the monsters were great plates of bone, had hair to cover 
 
 changing and passing away, until in them. Little by little the animals 
 
 their places we have the animals of changed, until they became the kind 
 
 our own time. Deep down in the of creatures that are now living; and 
 
 rocks we find remains of the mon- then, last of all, milleniums after the 
 
 sters still; sometimes when men dig lower animals, came man. 
 
 deep down they come upon the whole Nature has been packing her box for 
 
 body of an animal which must have millions of years 
 
 died and been covered up when the No man knows how much time 
 
 rocks were being formed. passed away while all this was happen- 
 
 The wonderful way in which liv- ing, but we know that at one time 
 
 ing things have changed certain kinds of creatures lived on the 
 
 It has taken thousands of years to earth or in the waters, and that after 
 
 make the birds and animals the beau- these came creatures of a different 
 
 tiful creatures that they now are. kind. There are no books to tell us 
 
 The story of the animals makes us these things, because there were no 
 
 wonder if Nature tried all sorts of men alive to write books, but we find 
 
 patterns before she made up her the bodies of these creatures deep 
 
 mind what sort of creatures should live down in the rocks today. When you 
 
 in the seas and on the land. Once unpack a box you begin at the top, 
 
BOOK OF NATURE 
 
 85 
 
 THE DEVELOPMENT OF THE ANIMAL KINGDOM 
 
 HOW THE ANIMALS CAME INTO THE WORLD SOME OF THE GREAT MONSTERS OF THE PAST 
 
 These pictures show us some of the strange creatures 
 that have passed away, and help us to understand the story 
 oJ animal life from the first thing we know about it. Once 
 all creatures lived in the sea, and the first of all were only 
 soft things lilie jelly, with no bones. 
 
 >\Cirwr^ii 
 
 These creatures had the sea to themselves for a very 
 long time, and slowly they grew into separate families, un- 
 like those which had gone before. Proper fishes began to 
 swim about, and some of them lived in shells. Then on 
 the land great forests grew, and a new kind of animals came. 
 
 The first crocodile appeared now, but this age is impor- 
 tant because great trees grew, drinking in the sunshine 
 for thousands of years, and then fell, to be buried in the 
 earth, and to lie there millions of years until they turned 
 to coal. That is how coal began. 
 
 ^'•^-— -" ^Sr -** '*t "^^ "'^^^''K^r^^ 
 
 In the sea great fish lizards grew, four times as long as 
 a man, some with necks like snakes. There were great 
 sea-serpents, fish with skins almost like iron, and huge 
 animals that could live either on land or sea. 
 
 Some of these creatures could fly and swim, and some 
 could eat off tree-tops. The first birds came, and flying 
 dragons. It has taken millions of years for these strange 
 things to become the beautiful birds we know. 
 
 On the land the great monsters were grcjwing up, and 
 the mastodon, like a giant elephant with four tusks, fought 
 the savage tiger with teeth like swords. There were bata 
 in those days, and a strange little animal which we may, 
 perhaps, call the first horse, walked the earth. 
 
 The little sloths we see today have descended from 
 creatures like that clasping a tree on the right of this pic- 
 ture. The giant sloth lived when the hippopotamus and 
 elephant began, when there were horses with many toes 
 and animals like tortoises bigger than a man. 
 
 Slowly the world grew into the kind of place it is today, 
 and the animals became more like those we know. Bears 
 lived in the caves, and the woolly rhinoceros and the 
 savage hyena roamed the earth with the mammoth, like 
 a giant elephant with long hair. 
 
 MM #^l?^ 
 
 ^^ 
 
 m^: 
 
 j^^ -^^^a 
 
 [■niJiii^Bmtapp"^''''''^ 
 
 f^^f^ -^s« 
 
 U!n^BHlBBHF^^if. 'b 
 
 ^S^ 1 
 
 Hnfr^ 
 
 
 
 ^fe*^^4^ 
 
 §^^^9 
 
 ,ivfeslkt:-j4v J^ ,J - 
 
 
 At last came man, the lord of all the animals. The first 
 men lived in trees and caves, with the wild animals about 
 them, and it has taken thousands of years for men to learn 
 how to build houses, tame animals, make fires and write 
 books to tell us what a wonderful place the world has been, 
 and how much more wonderful still it is to be. 
 
86 
 
 THE HUMAN INTEREST LIBRARY 
 
 and you know that the things on the 
 top were put last into the box, that 
 those lower down were there before 
 the top ones, and that the things at 
 the bottom were put in first of all. 
 Well, nature has been packing away 
 things in her cellars for millions and 
 millions of years. Her box is the 
 solid rock. It was not always solid 
 rock. It was mud and water. The 
 water dried up, and as thousands of 
 years passed away the mud grew 
 harder and harder, so that it is now 
 rock, almost as hard as iron. 
 
 How do we find the old-time animals 
 in these rocks? They were born, and 
 lived, and died, and were covered over. 
 Floods carried them away to the seas 
 and lakes, where mud came swirling 
 down with the water from the rivers. 
 The bodies sank and were covered 
 with layer after layer of mud. As 
 time passed away, nature dried up 
 the seas and lakes, and, by pressure 
 from within the earth, forced up the bed 
 of the seas and lakes and rivers and 
 made it dry land. The fishes and 
 birds and other animals which had 
 died and been buried in the mud were 
 sealed up in this mass, and as the mud 
 hardened into rock these creatures 
 became part of the stone. 
 
 How WE FIND THE ANIMALS THAT LIVED 
 LONG AGO 
 
 When we dig deep down today we 
 find mammals, birds, fishes, and even 
 insects, many of them perfectly shaped, 
 in the rock, where they have lain for 
 millions of vears. The mud which 
 settled about them was so soft that 
 it did not crush them out of shape. 
 It preserved their shape, as it pre- 
 served the shape of the beautiful ferns 
 printed in the coal. Some of the big 
 things were just as carefully protected 
 by the mud, without being turned to 
 stone. Great animals like the mam- 
 moth, which was a sort of huge ele- 
 phant covered with long hair, died 
 
 thousands of years ago through sinking 
 into deep mud in Siberia, and became 
 frozen hard in that mud; and some of 
 these have been found with flesh, and 
 skin, and hair all preserved. 
 
 Of course, not all the creatures 
 which were once alive have been pre- 
 served in this way. Many were de- 
 stroyed in various ways after their 
 death, but there still remains enough 
 to show us what creatures of long ago 
 were like, and to tell from what 
 families those now on the earth first 
 came. It seems very hard to believe 
 that the birds, with their lovely 
 plumage and their sweet song, came 
 from ugly reptiles. 
 
 What the first of all birds looked 
 
 LIKE 
 
 The oldest bird known is called the 
 archseopteryx. That is a Greek word, 
 which really means "ancient wing." 
 It was an extraordinary bird. It had 
 a long tail, not all feathers as a bird's 
 tail is now, but like a lizard's tail, long 
 and thick, with bones and flesh, and 
 with feathers growing from it. It had 
 two legs, with which it could walk or 
 perch in the trees, but it had two other 
 limbs like hands, which it probably 
 used to climb about the trees instead 
 of flying from bough to bough, as 
 birds now do. It had a curious eye 
 fitted with a sort of armor shield as 
 the reptiles have, and its beak was 
 armed with great strong teeth. 
 
 Of course, there is no such bird as 
 this now, and it is not surprising that 
 such a bird should pass away. Even 
 in these daj's two or three strange 
 birds have died out. The dodo was 
 quite common in the island of Maur- 
 itius 300 years ago, but there is not 
 one alive today in all the world. It 
 could not fly, because its wings were 
 so small, and the dodo family was soon 
 all killed. In New Zealand there used 
 to be vast numbers of birds called 
 moas, which were often 11 or 12 feet 
 
BOOK OF NATURE 
 
 81 
 
 high. There still lives a bird called 
 the apteryx, or kiwi, which, like the 
 moa, the dodo, the ostrich and the 
 penguin, cannot fly; but, though it is 
 a fair-sized bird, it is tiny compared 
 with the moa. The great auk, which 
 used to come in thousands to the shores 
 of Great Britain, is another bird which 
 has died out within the last hundred 
 years. There is not one in the world 
 today, but there are a few of its egg 
 shells, and they are so rare that men 
 pay hundreds of dollars for them. 
 
 Men have killed many animals, but 
 in making the world what it now is 
 nature has killed far more. Whole 
 races of animals have been destroyed 
 by earthquakes and floods, by the 
 sinking of land into sea, and by snow 
 and frost and ice descending upon 
 lands where before all was sunshine 
 and rich vegetation. Then, again, 
 great families of animals have gradu- 
 ally died out, and given place to others 
 better able to fight the battle of life. 
 
 Think of the horse, that swift and 
 beautiful creature. Once upon a time, 
 long before man appeared on the earth, 
 the horse was a miserable little thing 
 with five toes on its front feet and 
 three behind, and only as big as a 
 fox. The horse has, through a long 
 number of years, become larger and 
 swifter and more beautiful, and its 
 soft, spreading toes have become hard 
 hoofs. 
 
 Think, again, of the humming bird, 
 that tiny beauty, not much bigger than 
 a good-sized bee, and remember that 
 it, like all other birds, has descended 
 from an herb-eating monster called the 
 iguanodon, which had a great head 
 like a lizard, a yard in length. It had 
 a great tail and enormous hind legs, 
 with shorter ones in front ; and when it 
 reared itself upon its hind legs the 
 height of its head from the ground 
 was 14 feet. In many ways it was 
 like a bird. Its front legs, it is sup- 
 
 posed, had first been used as paddles 
 to help it to swim. As time passed 
 these became changed into wings, with 
 which it learned to fly. 
 
 There were others rather like it 
 which ate flesh. One of these was a 
 fearful creature called the megalosau- 
 rus, which fed upon the flesh of the 
 great animals that lived on herbs. 
 Another was called the brontosaurus, 
 and a third was called the ceratosaurus. 
 These monsters had bodies as big as 
 the biggest elephants. Their legs were 
 shaped like those of the iguanodon, 
 except that the front legs were longer. 
 The length of these creatures was as 
 much as 60 feet ; and their backs, when 
 they were full grown, were quite 14 
 feet from the ground. All these 
 creatures belonged to a family called the 
 dinosaurs, which means terrible lizards. 
 
 The sea, as we have seen, had won- 
 derful creatures in those far-off days. 
 The waters teemed with what we now 
 call the great fish lizards. One of 
 these was the ichthyosaurus, which 
 was 30 to 40 feet long. It had a 
 wonderfully formed eye, which it could 
 adjust so as to see things quite near 
 or those far away. The remains of 
 this creature are common in England, 
 and scientists have been able to learn 
 that though its home was chiefly in the 
 water, it used to crawl to the land to 
 bask in the sun, as turtles and seals 
 still do. The ichthyosaurus has died 
 out, but the shark lives as a relic of 
 those bygone times. The whale is a 
 much younger creature. 
 
 The sloths, small animals today, 
 which cling to the branches of trees 
 and live upside down, are descended 
 from enormous creatures which, in- 
 stead of having to climb the trees to 
 eat the tender shoots, were powerful 
 enough to pull the tree down to their 
 mouths ! 
 
 The bodies of these monsters were 
 as big as elephants, and their front 
 
ANIMALS THAT LIVE ON ANTS 
 
 The pangolin which is found in Asia and Africa is covered from head to taii with rough, hard scales, each scale being 
 made up of tightly-woven hairs, all joined together. The pangolin lives in a burrow where it stays all day. It has a long, 
 sticky tongue and feeds entirely on ants. 
 
 The aardvarii is an African animal, and its curious name given by the Dutch means "earth-hog." It measures about 
 five feet in length, and sleeps by day in a burrow, coming out at night to feed among the ant hills. Its long ears and pig- 
 like head give it a strange appearance. 
 
 This ant eater is a big animal, four feet long, with an extraordinary tail about the same length. The body is covered 
 with long, coarse hair, and the claws on its forefeet are so long and sharp that the foot has to be turned over on its side 
 in walking. It has no teeth, but piciis up the ants by its sticky tongue. 
 
 88 
 
 J 
 
BOOK OF NATURE 
 
 89 
 
 legs had enormous power. Similar to 
 the great sloth was an animal called 
 the mylodon, the remains of which 
 have been found in a huge cave in 
 Patagonia, along with the bones of 
 other wild animals. In this cave there 
 were also the bones of dogs and men, 
 with bones made sharp by man to use, 
 perhaps, as forks; and here also was 
 found a quantity of cut grass, which 
 makes us believe that once upon a 
 time savages kept the mylodon alive 
 in the cave and fed it with grass, just 
 as we feed cows and horses today. 
 
 Nearly all these extinct monsters 
 made their home at one time in Great 
 Britain. In those days there was no 
 sea between England and Europe. 
 
 These great animals, once upon a 
 time, had the world to themselves. 
 They were the masters of the earth. 
 They disappeared in the ways we have 
 seen, and in many other ways. Many 
 of them were destroyed by the Great 
 Ice Age, when the climate of a great 
 part of the world was suddenly 
 changed, and nearly all living creatures 
 perished from cold. 
 
 All these things about the early 
 world we learn from nature's own 
 storehouses, the rocks and bogs or 
 frozen wastes in which the strange 
 monsters of land and sea fell and died. 
 The great fish lizards are no more, the 
 monstrous flying reptiles have gone. 
 The gigantic birds are represented only 
 by the ostrich and the emu. But 
 there are still links with the puzzles of 
 those old days. There is still a mam- 
 mal — the bat — which flies; and there 
 is still a mammal — the duckbill, or 
 platypus — which lays eggs like a bird 
 and has a beak like a duck. This 
 duckbill lives in Australia, where that 
 strange animal, the kangaroo, looking 
 like some old-world freak, is also to be 
 found. The great sloth has come 
 down to very small size, though some 
 
 people believe that there are still 
 monstrous ones alive in Patagonia. 
 The bats, with their wings and claws 
 and mouse-like bodies, remind us of 
 the curious things of old time, and the 
 lizards and the armadillos tell us of a 
 time when their ancestors were among 
 the marvels of the world. 
 
 What is the use of all these animals.!* 
 That is what we often ask ourselves. 
 All things really have their uses. The 
 humblest animals are able to teach 
 human beings many lessons. A great 
 man named Brunei wanted to make a 
 tunnel under the Thames. It was 
 quite a new thing which he had to do. 
 And how do you think he got the idea 
 for the work.? He watched a little 
 worm burrowing its way into wood, 
 building round itself a case of slime 
 which became hard and firm, and 
 making a tunnel that could not fall 
 in. And Brunei made his tunnel 
 under the river just as the worm made 
 its tunnel through the hard woodwork. 
 There is nothing more ugly at the 
 Zoo than the alligators and crocodiles. 
 They are cruel creatures, and have to 
 be killed when we catch them, because, 
 when they can, they eat men. Yet we 
 cannot afford to lose therafor they eat 
 animals which would otherwise destroy 
 the crops, and they help to dispose of 
 the bodies of drowned animals that, if 
 allowed to decay there, would poison 
 the rivers and streams. The great 
 hippopotamus, also, eats the things 
 which grow in the rivers. If he did 
 not the rivers would become choked 
 with weeds, and boats would be unable 
 to pass up and down. 
 
 So there is work for all. Man has 
 his work; so has the elephant in the 
 forest, the hippopotamus in the river, 
 and the tiniest insect that hums in the 
 air. Each does the work for which it 
 is created and all help to keep the 
 world healthy. 
 
WILD ANIMALS IN THEIR HOMES 
 
 This story tells us of the life of the wild animals, and what happens in those parts 
 of the world where the lion and the tiger still roam about and animals are the enemies 
 of man. There are few dangerous wild animals left in America now, but there are 
 still parts of the world where the lion is king and where its roar is terrible in the 
 forest. Slowly, however, man has conquered the animal kingdom, and the great 
 fight between animals and men ends always, and must end always, with the triumph 
 of man. But we learn here that these animals are not useless in the world, for nothing 
 ever created is quite useless, and the world could not spare even its wild animals. 
 
 THE best idea of peace in the 
 world is that which we fancy 
 we see when reading of the 
 days to come when the lion shall lie 
 down with the lamb, and a child shall 
 lead them. We know that if a lamb 
 lay down near a lion today, the lion 
 would quickly eat it. The lion seems 
 therefore, a cruel creature. But the 
 lion is doing only what it was intended 
 by nature to do. Suppose there had 
 been no lions, or tigers, or leopards, or 
 other flesh-eating beasts in wild coun- 
 tries. There would have been all 
 kinds of deer and cattle, sheep and 
 goats, hares and rabbits, and other 
 animals which live upon vegetable 
 matter, but there would have been 
 nothing to keep their numbers in 
 check. They would have multiplied 
 to such an extent that the countries 
 in which they lived could never have 
 become the homes of men. 
 
 Nature never meant that any class 
 of animals should become too numer- 
 ous, because that brings trouble all 
 around. It is said that the countries 
 lying near the Mediterranean Sea lost 
 their forests and vineyards through 
 goats being allowed to work havoc. 
 The goats, having no enemies to keep 
 down their numbers, ate up everything 
 they could. They gnawed the vines, 
 they nibbled off the young shoots of 
 trees; they ate the bark of the big 
 trees and so killed them. They de- 
 stroyed all the green growth upon the 
 mountain-sides, and left a wilderness 
 in place of smiling plenty. By so do- 
 ing they caused the climate to become 
 
 changed into one dry and unfavorable 
 to the growth of green things. Where 
 there are forests and green plains the 
 air is never so hot and dry as where 
 all is bare rock and sand. By destroy- 
 ing forests we ruin the climate. 
 
 Had the deer and cattle and sheep 
 and goats all been allowed to increase 
 as the goats in the INIediterranean 
 countries were, there would have been 
 far greater damage. The end of it 
 would have been that these animals 
 would have died of starvation, for they 
 would have changed the beautiful 
 places in which they lived into dreary 
 deserts, where nothing would have 
 been able to grow. 
 
 If the numbers of lions and tigers 
 and other savage creatures had been 
 allowed to increase without any check, 
 these would in turn have become a 
 deadly peril to us all. But man has 
 become master of the lions and tigers. 
 He is not so strong as these monsters, 
 but he is wiser and has made spears 
 and guns with which he can kill them. 
 Wherever tlie white man makes his 
 home, the lion and the tiger have to 
 leave. There is no need now for lions 
 and tigers to keep down the number of 
 other wild creatures that eat herbs, 
 for man can do that himself. He does 
 not want big animals which kill his 
 cattle as freely as they kill the 
 creatures of the forest. 
 
 When the lion creeps abroad in 
 the night 
 
 The story of the war between men 
 and the savage beasts is as old as the 
 
 90 
 
The elephant and the tiger are both monarchs of the jungle, each in his own sphere, but when they meet there is a 
 aerce battle, and till the flght is over none can say who will be the victor. More often than not, however, the elephant 
 is conqueror, and the tiger is fortunate U he can steal away from his enemy into the depths of the forest. 
 
 91 
 
92 
 
 THE HUMAN INTEREST LIBRARY 
 
 world; but victory always rests in the 
 end with man. 
 
 There are lions in other parts of 
 Asia as well as India, but Africa is 
 now the chief home of the lion. Where 
 white men have been living for a long 
 time it is not very often seen, but when 
 men are making their way into new 
 parts, there the lion is a terrible 
 enemy to them. The deer flee away 
 at the sight of man, and the lion, unless 
 he follows the deer, must have cattle, 
 or even men, or else he must starve. 
 So he attacks the horses, and mules, 
 and cattle which draw the white men's 
 wagons, and even kills and eats the 
 men themselves. The teeth of the 
 lion are of huge size, and its jaws are 
 as strong as a great steel trap. How 
 does it get the great power which en- 
 ables it to kill a horse or an ox at a 
 single blow? 
 
 The three strongest things in the 
 animal world 
 
 Let us fancy that we are looking at 
 those terrible front paws with which it 
 strikes the blow. The leg, or forearm, 
 as it is called, measures 19 inches 
 around, and is made up of the hardest 
 of hard bone, with muscle and tendons 
 as strong as the strongest wire. The 
 foot measures 8 inches across. ^Yhen 
 this foot strikes an animal the lion 
 shoots out its terrible claws, which are 
 hidden, when it walks, inside the joints 
 of the toes. These claws are like 
 great hooks made of yellow horn. 
 They tear the flesh off an animal as 
 we would strip the peel from an orange. 
 The force with which these claws are 
 driven in is almost more than we can 
 believe. We are told that the three 
 strongest things in the animal world 
 are these: first, the blow from the tail 
 of a whale, second, the kick of a giraffe, 
 and third the blow from a lion's paw. 
 The forearm of the lion is worked by 
 great muscles at the shoulder, and the 
 blow which it makes is really like the 
 
 blow from a steam hammer. No 
 wonder that it can kill a man or a big 
 animal with ease. 
 
 The lion and the tiger are the largest 
 of the cat family. They are really 
 great fierce cats. Your pet kitten is 
 simply a young lion or tiger on a tiny 
 scale. Notice the kitten's claws: they 
 are made in the same way as the lion's. 
 Notice how rough its tongue is upon 
 your hand. The lion's tongue is like 
 that, only much more rough. On it's 
 tongue little hard points, like frag- 
 ments of horn, stick up, so that with 
 these the lion can tear pieces of meat 
 from a bone just as if it were using a 
 file. 
 
 The LION'S ROAR IN THE FOREST AND 
 HOW HE GETS HIS SUPPER 
 
 Another thing in which the lion is 
 like the cat is that it cannot run fast 
 for a long distance. It can spring a 
 long way, and it can bound along at 
 a great rate for a short time; but, just 
 as a dog can race a cat, so a deer can 
 easily race a lion. So the lion has to 
 be very cunning to catch swift an- 
 imals for its supper. 
 
 When the lion goes out to a pool 
 to drink at night, he knows that other 
 animals will be coming to the same 
 spot. So he puts his great mouth to 
 the ground and roars. There is no 
 other sound in the animal world like 
 the roar of a lion. It is so loud, so 
 deep and so powerful, that it terrifies 
 all the animals which hear it. It seems 
 to send them wild with terror. The 
 lion knows this, and he keeps on roar- 
 ing. The result is that the animals 
 which hear it forget everything in their 
 terror; they rush madly to and fro, 
 and one of them generally dashes 
 straight into the mouth of the lion. 
 That is one of his ways of catching a 
 supper. There is another way. 
 
 Suppose that there are deer right 
 out on the plain. It is of no use for 
 the lion to go galloping out there, for 
 
THE LORDS OF THE WILD KINGDOM 
 
 The lion is the king of beasts, the lord of the forest. A blow from a lion's paw is one of the strongest things in the 
 world, like a blow from a steam-hammer. When he goes to drink at the pool at night, he puts his great mouth to the 
 ground and roars, filling the other animals with terror, and sending them rushing madly to and fro in their contusion, often 
 within reach of the lion's paws. That is how the lion gets his supper. 
 
 I 
 
 The tiger, which belongs to the same family as the lion and the cat, has not the grand head and mane of the lion, 
 but it uses its strength jast as surely as the lion, and in countries like India hundreds of people and thousands of cattle 
 are killed by tigers every year. When they have once tasted human blood, tigers become very bold, and they will prowl 
 round houses at night and carry off anybody they can catch. 
 
 OS 
 
94 
 
 THE HUMAN INTEREST LIBRARY 
 
 the deer would see him and rush far 
 away. There may be scattered rocks 
 to enable him silently to creep from 
 one to another, and so get near, ready 
 to jump out. But suppose that there 
 are no rocks; then he cannot get near. 
 In that case two lions have to hunt 
 together. One lies down and hides. 
 The other lion goes quietly off in the 
 reeds and bushes at the edge of the 
 plain, until he can get round to the 
 back of where the deer are feeding; 
 then he dashes out with a roar. The 
 deer rush away in terror, with the lion 
 after them. Though he cannot keep 
 up with them, he can keep near enough 
 to drive them towards where the 
 other lion is hiding. In an instant, 
 when the deer draw near, this lion 
 bounds forth, strikes right and left 
 with his great paws, and at each stroke 
 he kills a deer, and so gains a supper 
 for himself and his friends. 
 
 The sword-toothed tiger that lived 
 in england 
 
 The tiger is more to be feared, per- 
 haps, than the lion. It does not live 
 in Africa, but is to be found nearly all 
 over Asia and especially in India. It 
 is cunning and cruel; it will kill animals 
 when it does not need food. It has 
 not the grand head and mane of the lion, 
 but it uses its strength just as surely. 
 
 Ages ago there were tigers more ter- 
 rible even than those living today. They 
 had two teeth which the tiger of today 
 has not. These two teeth were great 
 blades which grew down from the 
 upper jaw. They were like sword 
 blades, and the name given to that 
 tiger is the "saber-toothed" tiger. It 
 had legs bigger and stronger and claws 
 more powerful than the tigers of today. 
 With its great teeth and big mouth it 
 could break the backs of huge beasts 
 such as then lived. 
 How the tiger hunts his prev 
 
 Animals are often colored like the 
 scenes in which they live. The lion 
 
 loves the open ground, so its fur has 
 become a mixture between yellow and 
 gray, like the sand and rocks. The 
 tiger hunts in marshes or among long 
 reeds and grass, so its coat is a fawn 
 color with stripes of black, or a color 
 almost black. When it crouches down 
 among the reeds, or tall grass, it looks 
 like the ground, with shadows of the 
 reeds showing on it. 
 
 Although lions and tigers kill men 
 and cattle, they do not do this all their 
 lives. The lion likes deer and zebras 
 and giraffes. The tiger eats deer and 
 
 THE TIGER PEERS OUT OE THE JUNGLE 
 
 wild pigs and pea-fowl. When the 
 tigers get old, or after they have been 
 injured, it is less easy for them to 
 catch wild prey, so they creep nearer 
 to the homes of men, and take their 
 cattle. The tiger does this very often 
 in India. The poor natives who are 
 set to guard the cattle are terribly 
 frightened when they see a tiger, 
 which, sometimes twice in a week, 
 will carry off a cow. The man runs 
 away, and so shows the lion or tiger 
 that he is afraid. When it sees this, 
 the animal strikes the man down. 
 
 Leopards hide in trees and spring 
 UPON their victims 
 
 Leopards are more like tigers than 
 
 lions, for they have no manes, but they 
 
THE HYENA, GRIZZLY AND POLAR BEARS 
 
 The hyena is a fierce, ugly creature, which hunts in This is a big grizzly bear, which climbs trees and will 
 
 packs at night and steals everything it can get. It is a catch and kill a horse or a man. These bears generally 
 cowardly animal, with great power in its teeth. live in a cave and sleep through the winter. 
 
 The Polar bear lives near the North Pole, at the very top of the world, where it Is all ice and snow. It lives chiefly 
 upon seals and walruses, but U It can it will kill and eat a man. 
 
 99 
 
96 
 
 THE HUMAN INTEREST LIBRARY 
 
 are spotted, instead of striped, as the 
 tiger is. When wild, they are even 
 more to be dreaded than the lion or 
 the tiger, for they climb trees, which 
 lions and tigers do not. They crouch 
 down on a bough, and as a child or an 
 animal passes underneath they spring 
 down and kill it. The cruel leopard 
 seems to love to kill simply for the sake 
 of killing. The leopard is a most 
 cunning animal. Though it will not 
 attack a man who has a gun, it will 
 spring on a poor native who is un- 
 armed. 
 
 Some leopards can live where it is 
 very cold. These are called snow 
 leopards. They live high up in the 
 mountains, where snow nearly always 
 lies, and then their fur is long, to keep 
 them warm, and light colored, so that 
 they may steal unseen over the snow 
 upon their prey. When captured and 
 brought into a warmer climate, where 
 there is no longer any snow about, the 
 coat of the snow leopard often becomes 
 darker. 
 
 The jaguar is a more terrible-looking 
 beast than the leopard. It has much 
 thicker legs, its head is heavier, and 
 the spots upon its coat, instead of 
 being round rings, like those of the 
 leopard, are shaped like rosettes. 
 Like the leopard, it climbs trees, and 
 pounces down upon its victim. Its 
 home is in America, from Texas south 
 to Patagonia. 
 
 The puma, the enemy of the dog and 
 the kind man's friend 
 
 Another of the big cats like the 
 leopard is the puma, also called the 
 mountain lion, panther and cougar. 
 The puma can kill a horse or an ox, 
 but of all things it best loves the flesh 
 of the dog. It can be tamed, but you 
 must not let it see a dog, for that will 
 tempt it too much. 
 
 There is this to be said in favor of 
 the puma: although he will fight the 
 jaguar and the bear, and will kill 
 
 cattle and horses, he never attacks a 
 man unless he is himself first attacked. 
 People sleep without any protection 
 when they know that pumas are about, 
 for they call him the kind man's 
 friend. 
 
 How THE CHEETAH IS MADE TO HUNT 
 THE ANTELOPE 
 
 One of the f'^w savage animals 
 which, after being caught, can be 
 made to serve man is the cheetah. If 
 he is caught wild he can be taught to 
 hunt for his master; but he cannot be 
 made to do this if he has been born in 
 captivity. Some princes in India keep 
 cheetahs, just as many men in England 
 keep packs of hounds for hunting foxes. 
 When it has been trained, the cheetah 
 is taken near to where there are deer or 
 antelopes. At first its head is covered 
 with a hood; when this is taken off the 
 animal creeps away to where it sees 
 the deer, and, springing upon one, 
 catches it for its master. It is like 
 the leopard, in appearance, having a 
 spotted coat, but it cannot climb trees. 
 
 The weasel family is a big one. It 
 includes the otter, which swims and 
 dives splendidly and catches fish; the 
 glutton, or wolverine, which lives in 
 the cold countries and is a foe to the 
 beaver; the stoat, or ermine, with its 
 brown coat in summer and white coat 
 in winter, and its everlasting appetite; 
 and the weasel itself, which eats rats 
 and mice and birds. If a weasel gets 
 into a poultry yard, no chickens will 
 be left alive. 
 
 The little sharp-toothed members 
 OF the weasel family 
 
 The pine marten is another of these 
 
 little animals with long thin bodies. 
 
 They are terrible little creatures, 
 
 though they are so handsome. Some 
 
 years ago a farmer in Ireland had 
 
 fourteen out of twenty-one lambs 
 
 killed, and the next night the other 
 
 seven were served in the same way. 
 
 When a search was made it was found 
 
BOOK OF NATURE 
 
 97 
 
 that the whole of the damage had been 
 done by two pine martens, which had 
 made their home in the nest of a mag- 
 pie in the top of a pine tree near by. 
 
 The American sable is sometimes 
 called the pine marten, but is a mem- 
 ber of a different family and is more 
 like its cousins among the sables. 
 
 The most famous of the weasel 
 family is the sable. This is a little 
 animal which has a brown coat in 
 summer, but a white one in winter 
 when the snow conies. Its fur is so 
 precious that men go into the cold, 
 frozen wastes of Siberia to catch it, 
 and in seeking it they have explored 
 and made maps of lands where 
 civilized men had never been before. 
 
 An animal known for its scent is the 
 civet, which lives in Africa. Its scent 
 is not unpleasant, but is valued, and 
 the civet is kept tame, so that men 
 can always get a supply of the scent. 
 It is a waxy substance that is passed 
 from the animal's body into a little 
 pouch beneath the abdomen, from 
 which it is removed by men who sell 
 it to be used for making perfumes. 
 
 A little long-bodied animal which 
 is much prized is the mongoose. Men 
 tame it and have it about their houses, 
 because it kills snakes and rats and 
 mice. So long as it is kept under 
 control, all goes well; but if it is not 
 controlled, then woe betide its master. 
 Many years ago the island of Jamaica 
 swarmed with rats. These creatures 
 ate the sugar-canes and ruined the 
 planters. A number of mongooses 
 were taken there from India, and 
 turned loose in the fields. Though 
 they quickly killed and ate the rats, 
 they also killed all the useful little 
 animals in the island. 
 The bear that lives in a world of ice 
 
 AND SNOW 
 
 In the frozen Arctic regions the 
 animal which men most dread is the 
 Polar bear. It is not so fearful a bear 
 
 as the one which used to live in Europe. 
 That was called the cave bear, and 
 was so big that two cave bears would 
 have weighed more than three of the 
 biggest bears in the world of today. 
 
 THE POLAR BEAR BEGS 
 
 The Polar bear lives chiefly upon seals 
 and walruses, and on the flesh of 
 whales, but if it can it will kill and 
 eat a man. 
 
98 
 
 THE HUMAN INTEREST LIBRARY 
 
 In winter the female bear goes some 
 distance away from the sea and Ues 
 down and buries herself in the snow. 
 Then she goes to sleep for the whole 
 winter, while her husband is out 
 getting food and keeping himself warm 
 as best he can. When she goes out in 
 the spring from her snowy home, the 
 she-bear generally takes a baby bear 
 with her to show to her husband. The 
 Polar bear can swim, and can make his 
 way over smooth ice where no horse or 
 
 A LIVE TEDDY BEAR, THREE WEEKS OLD 
 
 man could go, since his great feet are 
 covered with little hairs, which prevent 
 him from slipping. 
 
 The Polar bear would perhaps not 
 know what to do if he came to a tree; 
 but the grizzly bear, or any other bear 
 which does not live in the Polar 
 regions, would know what to do. 
 These would climb the tree if there 
 were a bees' nest or a man at the top. 
 
 Wherever there is food they will go. 
 They will eat roots or berries; they 
 will eat honey; they will catch and kill 
 a horse or a man; they will eat the 
 body of a man or an animal which has 
 died. Nearly all the bears go to sleep 
 in the winter. They get so fat in the 
 summer that, while they are sleeping 
 in the winter, they can live on the 
 strength which is stored up in their fat. 
 They are thin and hungry when they 
 come out of their hiding-places in the 
 spring. That hiding-place is generally 
 a cave or some other hole, or it may 
 even be the inside of a great hollow tree. 
 
 The wolves that chase the horses in 
 the great russian wilderness 
 
 The wolf is not as large an animal 
 as the bear, but he is more to be 
 feared. There are so many wolves, 
 and they travel so fast and so far. 
 They hunt together in large packs, 
 and in the winter, when snow is on the 
 ground and food is hard to find, they 
 run for miles and miles to chase horses 
 and men. 
 
 In Siberia and Russia, and other 
 cold countries, wolves hunt men who 
 are driving in sledges. No matter 
 how quickly the frightened horses 
 gallop, the wolf can keep up with 
 them. Sometimes the driver is com- 
 pelled to cut the harness of one of the 
 horses and let it go, so that the wolves 
 may seize that, and enable him to get 
 safely away with the other horses. 
 But if there are many wolves, some 
 will still follow the man, and in the 
 end run him down. If, while he is being 
 chased, the man shoots a wolf, some 
 will stop and eat the one which drops, 
 but the others go on. When hunting 
 animals they are just as determined. 
 Two will hunt a deer as the lion does, 
 one lying in hiding while the other 
 drives the deer towards it. Wolves 
 are found in many parts of the world, 
 and used to live in such numbers in 
 England and Scotland that the kings 
 
THE FOX, THE JACKAL AND THE WOLVES 
 
 The fox Is the only wild animal left In the country which The jackal runs like a shadow after the lion and tiger, and 
 
 l3 at all like the wolf. It l3 handsome, cunning, and bold, picks up whatever they leave. He will eat up anything 
 and destroys the farmer's fowls and ducks. the Uon and tiger refuse. 
 
 This picture shows us a pack of wolves hunting for food. They hunt together in large numbers, and In the winter, 
 when the ground Is under snow and food is hard to find, they run for miles, chasing horses and men. Sometimes the driver 
 Iiaa to let loose one borse to satlafy the wolves and to enable him to get away with the others. 
 
 99 
 
100 
 
 THE HUMAN INTEREST LIBRARY 
 
 made the people pay taxes, not in 
 money, but in the skins of wolves. 
 That was a sure way of making people 
 hunt and kill the wolf. 
 
 The only wild animal left in the 
 country now at all like a wolf is the 
 fox, the animal which, in England, 
 men on horseback hunt with hounds. 
 It is a handsome but cruel animal. 
 Like the leopard, it will kill all it 
 possibly can. In one night it will kill 
 scores of fowls, though it needs but 
 one or two. 
 
 The cunning fox and the way in 
 which he cheats his hunters 
 
 The fox lives in a hole burrowed in 
 the ground, or in the root of an old 
 tree. Sometimes it will share a bur- 
 row with a badger. The badger is a 
 shy, handsome animal, with long, fine 
 hair. No other animal of its size has 
 such terrible jaws. The badger and 
 the fox do not fight, or it would be 
 bad for the fox. Sometimes they live 
 together in a burrow which has two 
 little rooms at the end. In one the 
 mother fox rears her babies, and in 
 the other the badger nurses hers. 
 Although the fox does not bite so hard 
 as the badger, its bite is dangerous, 
 and men have gone mad from the 
 wound caused in this way. 
 
 The fox is as bold as it is cunning, 
 and, like the skunk, the fox has a 
 strong smell, and wherever it goes it 
 leaves traces of this odor. It is this 
 which the dogs are able to follow. They 
 can chase a fox which they cannot see. 
 They do not look for the animal; they 
 simply keep their noses to the ground, 
 and follow wherever the scent leads 
 them. The fox knows all about this, 
 and does all he can to destroy the scent 
 he leaves. He will swim as readily as 
 a Polar bear, and he will make great 
 leaps in the air as the hare does to 
 break the track of scent. 
 
 The wild dogs, the wolves, the jack- 
 al, AND THE HYENA 
 
 All dogs were wild once upon a 
 time. The dogs and the wolves and 
 the foxes and the wild dogs still living 
 in places abroad all come from the 
 same father and mother, far back in 
 the ages. There are still to be seen in 
 Achill Island, off the west coast of 
 Ireland, dogs which are simply little 
 wolves and nothing else. We need 
 not be surprised, then, that the ways 
 of wild dogs and wolves are alike. 
 Wild dogs hunt just as the wolves do. 
 They will attack any animal when 
 they are hungry. 
 
 The jackal is really a smaller kind 
 of wolf. He is a wretched creature, 
 and runs like a shadow after the lion 
 and the tiger. When the tiger has 
 killed an animal and eaten as much 
 as it wants, the jackals, which have 
 been humbly creeping round about, 
 rush out from their hiding place and 
 devour the rest of the carcass. They 
 eat up the filth of the villages; but 
 they are great thieves, and dogs have 
 to be kept to prevent them from doing 
 still greater damage. They have a 
 nose which is less pointed than that of 
 the fox, but sharper than that of the 
 ordinary wolf; and they have a tail 
 like the fox. 
 
 If there is a more unpleasant animal 
 than the jackal, it is the hyena. But, 
 uglj'^ and horrid as they are, they are 
 important to the health of the coun- 
 tries where they live. If wounded 
 animals get away and die in the forest, 
 or if animals be left only partly eaten, 
 their flesh, if allowed to lie in the sun, 
 would become poisonous. But where 
 hyenas are about, this thing never 
 happens. They set out in packs at 
 night, and clear up whatever dead 
 bodies they can find, not even leaving 
 the bones. 
 
BOOK OF NATURE 
 
 101 
 
 The home ol the W eaver Birds 
 
 BIRDS OF UNCOMMON BEAUTY 
 
 WHEN Alice was in Wonder- 
 land, if she wanted suddenly 
 to grow tall or to make her- 
 self smaller, all she had to do was to 
 eat a piece of cake or mushroom, or 
 drink something from a bottle, and she 
 at once became the right size. When 
 we think of birds becoming brilliantly 
 colored, or marked like the surround- 
 ings in which they live, we think of 
 Alice. But, of course, the case in real 
 life is different from that in the story- 
 book. No bird ever says to itself: "I 
 will make my feathers the color of the 
 rocks and sand in the desert, so that 
 the hawks and eagles shall not see me." 
 Nor does it make up its mind to wear 
 rich and gorgeous plumage. The ap- 
 pearance of birds is brought about by 
 long ages of change, by the slow work- 
 ing of natural laws. 
 
 Suppose we have a number of birds 
 Hving in a place where they have 
 many strong enemies. They cannot 
 escape by fighting, for they are not 
 strong enough. They cannot escape 
 by flying, for their enemies fly faster. 
 The probability is that they will be 
 killed. But if some of the birds have 
 feathers which enable them to appear, 
 when hiding, like the rocks or sand, 
 or like the trees or jungle, it is very 
 likely that those birds will escape. 
 
 The birds which have not this ad- 
 vantage will be caught and killed, but 
 the others will live, and the baby 
 birds hatched from their eggs will be 
 like them. It will become part of 
 their nature to seek safety by hiding. 
 Gradually they will become more and 
 more like the scene in which they live. 
 If the change of seasons brings great 
 changes in the character of the foliage, 
 the birds will be able to change their 
 feathers so that they will keep pace, 
 in appearance, with the altered looks 
 of the things about their homes. 
 
 That is one way in which nature 
 enables birds to flourish. But there 
 is another way. It is the way of the 
 female bird to mate herself to the 
 handsomest among her suitors, like 
 the princesses in the story-books; so 
 that each generation of birds in this 
 way tends to become stronger and 
 more handsome. But the mother 
 birds of gorgeous bird families are, as 
 a rule, neither gay nor splendid, so 
 that they may sit on the nest and hatch 
 the eggs without danger of being mo- 
 lested by their enemies. 
 
 The most gorgeous birds in the 
 world are the birds of paradise and 
 the humming-birds. The first of these 
 is, like the bower-birds, a distant 
 cousin of our old friend the crow. 
 
102 
 
 THE HUMAN INTEREST LIBRARY 
 
 Only a naturalist could discover this. 
 To anyone not acquainted with the 
 science of natural history, it would 
 be hard to imagine a greater con- 
 trast than that between the crow and 
 the bird of paradise. But then the 
 bird of paradise does not differ more 
 from the crow than one species of 
 bird of paradise differs from another 
 species. There are nearly fifty differ- 
 ent species of birds of paradise, and 
 many of them may claim to be among 
 the fairest of nature's children. Not 
 only are they beautiful in coloring, 
 but the arrangement of the feathers 
 of some of them is really extraordinary. 
 The GORGEOUS plumage of the birds 
 
 OF PARADISE 
 
 There is one called the twelve-wired 
 bird of paradise. It's tail is short and 
 square, but there grow out twelve long, 
 wire-like feathers, or bristles, for they 
 are only the bare stems of feathers, 
 which curve round towards the sides 
 of the wings, and give the strangest 
 appearance to the bird. The chief 
 colors in its magnificent plumage are 
 purple-bronze on the head, green and 
 purple and black on the neck, bronze 
 green on the back and shoulders, and 
 emerald green to the edges of the 
 outer wing feathers, with brilliant 
 violet-purple to the rest of the wings 
 and tail, and rich yellow on the breast. 
 This bird is, including its two-inch 
 beak, a foot in length. The long beak 
 supplies the bird with food, which it 
 takes in the form of honej^ from 
 flowers. 
 
 There is a larger bird of paradise 
 than this- — the long-tailed one of the 
 mountainous regions of New Guinea, 
 which is over a yard in length. It is 
 colored as richly as the other, but it 
 adds a fan-like arrangement of feathers 
 which rise from the sides of the breast, 
 expanding at their outer ends in bril- 
 liant blue and green, while the tail 
 feathers are of a lovely opal blue. 
 
 The king of the gay birds and its 
 wonderful spray of feathers 
 
 The king of gay birds is, however, 
 the great paradise bird — a bird half 
 the size of the long-tailed one, but 
 lovely beyond description. The chief 
 color of the body and wings is deep, 
 rich brown, varied by tints of black and 
 purple and violet. The top of the 
 head and neck are colored like yellow 
 plush, while from beneath the eyes 
 and around the lower part of the throat 
 run feathers of emerald green, from 
 which spring deeper green feathers in 
 a band across the forehead and chin. 
 The beak is blue, and the feet are pink. 
 
 The most wonderful feature of this 
 wonderful bird is a superb spray of 
 feathers which it erects to cover itself 
 and look its best. These feathers 
 grow out from under each wing, rise 
 into the air, and curve gracefully over 
 in descending plumes, as much as two 
 feet in length. The plumes are of a 
 deep orange color, pale brown at the 
 tip, and they cover the bird as with a 
 cascade of glossy feathers. 
 
 When the male birds set out to win 
 mates they gather together in the 
 trees near the home, and dance and 
 spread their feathers in the vainest 
 way. On one of these trees, says Dr. 
 Russel Wallace, who has studied them 
 in their native home, a dozen or twenty 
 magnificent male birds in full plumage 
 may be seen together. They raise 
 their wings, stretch out their necks 
 and elevate their lovely plumes which 
 they keep continually vibrating, so 
 that the whole tree is filled with wav- 
 ing plumes in every variety of attitude 
 and motion. 
 The bird with plumes like fans 
 
 AND A tail like A RACKET 
 
 We have been speaking of this one 
 as the king of the birds of paradise, 
 but the one that the naturalists call 
 the king paradise bird is only about 
 six inches in length, and is dis- 
 
THE HANDSOMEST BIRDS IN THE WORLD 
 
 The satin bower-bird is a member of tlie crow family, is .Ia\ a siiarrows are common in captivity. They have 
 
 a great gardener and builder, and loves to build a bower smart white feather collars in winter and spring. The 
 beautiful with flowers and gay feathers. Java sparrow is a type of the weaver-bird. 
 
 The great bird of paradise is the biggest of its family, 
 and has feathers like velvet, as well as the wonderful 
 spreading tail. The colors in Its plumage are gorgeous. 
 
 The gorget bird of paradise Is lovely beyond description The humming bird, one of the loveliest of living things, 
 
 with its colors of black, purple, copper, green and gold. flies so rapidly that its wings hum like those of a bee. 
 
 The twelve-wired bird of paradise has a tail unlike any Hundreds of sociable weaver birds build nests together 
 
 other bird's. The shafts are bare like wires. under one neat thatched root made in a tree. 
 
 103 
 
10J^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 tinguished by two fan-like plumes on 
 the breast, and a tail of curved feathers 
 shaped at the end like a racket. Its 
 feathers are green, purple, red and white. 
 
 Wilson's bird of paradise, another 
 member of this family, named after 
 its discoverer, is almost bare upon 
 the head, over which two narrow 
 tracts of feathers form a cross. The 
 rest of the head is bare, and the skin 
 a deep blue. From its tail grow out 
 two long feathers, which cross, then 
 curve completely, looking like the 
 handles of a pair of scissors. 
 
 As we have a twelve-wired bird of 
 paradise so we have also a six-plumed 
 one. The plumes are long, glistening, 
 wire-like growths, springing from the 
 back of the head, and bare all the way 
 up to the tips, where dainty webs of 
 feather appear. This bird has a 
 gorgeous ruffle, and a tuft of silver 
 feathers upon the beak, which it can 
 cause to lie flat or stand up at will. 
 No pen could describe the glories of 
 these birds. They must be seen. 
 When the Zoo is fortunate, it has one 
 or two alive, but they are hard to keep 
 in captivity. We can give them the 
 proper sort of food, for they like fruit 
 and insects and seeds, but we cannot 
 give them their native air, sunshine, 
 and brilliant climate. 
 
 We have seen in earlier stories how 
 birds and animals develop in a special 
 way in particular parts of the world. 
 The wonderful little humming-birds 
 inhabit only the warm parts of 
 United States, Brazil, Mexico, and 
 certain mountain slopes of both North 
 and South America. For beauty of 
 plumage there is no bird to surpass 
 them. They are as gorgeous as the 
 birds of paradise, but not with the 
 same stately grandeur, for the biggest 
 of them are small, and the tiniest 
 are no more than three inches from 
 beak to tail. Yet they are most 
 wonderful flying birds. 
 
 The conjurers rightly say that the 
 quickness of the hand deceives the eye. 
 Well, the humming-bird's quickness 
 simply makes it impossible for the 
 human eye to follow it. It is like the 
 flash of shooting stars. A famous man 
 who has often been near these birds in 
 their native forests has told us how 
 very difficult it is to see them. While 
 he was watching a flower he suddenly 
 saw something come between his eye 
 and the bloom. It was a humming- 
 bird, but it seemed like a gray blur as 
 it paused for an instant before the 
 flower. There was a look as of four 
 black threads suspending it in the air. 
 This would be the moving forks of 
 the bird's tail. There was a gray film 
 as, like lightning, the bird vibrated 
 its wings; then, with a sharp twitter, 
 it turned. There was a flash of 
 emerald and sapphire light as the sun 
 was reflected by its plumage, and in 
 an instant it had vanished. It all 
 happened so quicldy that the word 
 remained unspoken on the watcher's 
 lips, the thought in his mind had 
 scarcely had time to change. Yet in 
 that time the bird had flown to the 
 flower; it had thrust in its beak, shot 
 out its long tongue, and sucked up the 
 honey in the flower; and it had gone 
 to a new flower which would furnish 
 the next portion of its meal. 
 
 How THE HUMMING-BIRD HANGS IN THE 
 AIR SIPPING HONEY FROM A FLOWER 
 
 Everybody who has seen the hum- 
 ming-bird in its native wilds gives us 
 the same impression of its marvelous 
 swiftness. No one can see its wings 
 move — they are vibrated too quickly. 
 And it is because of the rate at which 
 they move that the bird makes the 
 humming sound which gives it its 
 name. It lives all day in the air. It 
 is never tired of flying, unless it be 
 one of the few species which are more 
 like other birds, and prefer, through 
 weakness of wings, to take its food 
 
BOOK OF NATURE 105 
 
 while perching. Most of the hum- another, and does for those flowers 
 
 ming-birds feed when flying. This is, what bees do for others, in making the 
 
 of course, the habit of many other plant fruitful. 
 
 birds — of the swallow and goat-sucker. There are nearly five hundred 
 
 for example — but the humming-bird species of humming-birds, so it is 
 
 has to hang in the air while sipping hopeless for us to attempt any detailed 
 
 the honey from a flower. To do this description. The most remarkable 
 
 it possesses wonderful wings for its part of their frame, after their splendid 
 
 size. wings, is the long beak with its tongue 
 
 Birds are supposed to be unable to capable of being shot out like that of 
 fly backwards, but the humming-bird the Old World chameleon. The tongue 
 is an exception. It can fly backwards acts like a pump, and the beak is 
 for a little way. When it approaches wonderfully constructed to help, 
 a flower it inserts its long beak, while a humming hermit-bird of the for. 
 its body is raised higher than the est, and a giant eight inches long 
 flower. As it puts in its beak it lets Among the most famous humming- 
 its body sink down in the air, as if it birds is the Jamaican, which has two 
 were holding on to the flower by its long feathers growing beyond its tail, 
 beak. But it does not; its splendid far longer than the body of the bird, 
 little wings are working like steam- The hermit humming-bird, with its 
 engines to keep it afloat in the air. long beak and long tail, haunts the 
 When it has sipped such honey as the dark forest, eating insects, instead of 
 flower contains it raises its body again, seeking honey in the sunshine. The 
 withdraws its beak, and then flies out sword-bill, or siphon-bill, is the longest- 
 backwards, and darts away like a flash, beaked of all the humming-birds. 
 
 Some of the humming-birds can turn Although the bird itself measures only 
 
 right round in the air with a single four inches, the male bird has a beak 
 
 motion; some seem to dance in the air, four inches in length, while the female, 
 
 while they can all dart from side to still better provided, has a bill much 
 
 side in a manner such as to make the longer than her body. The giant 
 
 swallow, which they most resemble, humming-bird is eight or more inches 
 
 seem slow and commonplace. in length, and has wings measuring five 
 
 Five hundred kinds of humming- or six inches across. It hovers over 
 
 BIRDS and their REMARKABLE POWERS a flowcr like the smaller ones, but 
 
 When young, the humming - bird moves more slowly, and seems to gain 
 
 might pass for a strange sort of swal- support from its tail, which, while the 
 
 low, for its beak is blunt and wide like bird is tapping a flower, opens and 
 
 that of the young swallow. But as it shuts like a fan. 
 
 grows older the beak gets longer and The beauties of the humming-bird 
 slenderer, until the full-grown bird are well known. The racket-tailed 
 has a bill ready to dip into the smallest has two long feathers from the tail, 
 flower to drink the honev which it and two, like those at the back of the 
 stores. It does not depend wholly six-plumed paradise bird's head, bare 
 upon honey, though that is the chief but glistening to the tip, where the 
 part of its food. It eats a great many feather-web grows out in the shape of 
 insects. In this respect it is a good a racket. Then there are humming- 
 friend to man. But it has another birds with gorgeous crests and ruffs, 
 value: by going from flower to flower humming-birds with balls of white 
 as it does it carries pollen from one to feathers round their legs like powder- 
 
106 
 
 THE HUMAN INTEREST LIBRARY 
 
 puffs, humming-birds with "boots" of 
 white feathers, spangled humming- 
 birds, humming-birds with snow-cap- 
 ped heads, with long beaks, with short 
 beaks, with up-curving beaks, and 
 beaks bending downwards like the 
 scimitar of an Indian prince. We can 
 never say that we have exhausted the 
 beauties of birdland until we have 
 seen these visions of splendor in their 
 own homes. The sun-birds resemble 
 them and are often called humming- 
 birds, but belong to a different order. 
 We must turn back again for a 
 moment to the crow family to make 
 the acquaintance of the bower-birds. 
 The males are a shining blue-black, 
 except on the wings, where they are 
 deep black. They are handsome, but 
 they interest us chiefly from their love 
 of beauty. They make their nest like 
 ordinary birds, but they build avenues 
 of twigs and houses or bowers to play 
 in. Here the two sexes meet. The 
 male birds show themselves off and 
 the females are wooed and won by the 
 best among them. But while the 
 wooing is in progress the bower is a 
 wonderful place. Sometimes it is 
 several feet high, made of twigs and 
 elaborately decorated. The gay feath- 
 ers which other birds have dropped, 
 pieces of colored cloth that they can 
 pick up near men's homes, bleached 
 bones, even bright tools, they build 
 into the bower. But, prettiest of all, 
 they bite off orchids and other beauti- 
 ful flowers growing wild near them, and 
 weave them into the decorations. 
 The flowers fade of course, but the 
 dead ones are taken out each day and 
 thrown behind the bower, while fresh 
 flowers are put in their place. There 
 are different sorts of bower-birds, but 
 in all the habit of building bowers is 
 the same. One of them, the Papuan 
 bird, makes a hut, two feet high, at 
 the foot of a tree, roofs it with moss, 
 {ind builds a gallery round it. 
 
 Among the birds remarkable for 
 their nests are the weavers, or weaver 
 birds. They form a large family, some 
 of them very beautiful, as the whidah 
 bird. The sociable weavers are even 
 more ingenious builders than the 
 bower-birds. They collect vegetable 
 fibers and weave them round the 
 branch of a tree. This forms the 
 thatch, or roof of the dwelling. 
 Underneath they make a great num- 
 ber of nests, where as many as three 
 hundred birds may have their homes, 
 all under the same roof. There they 
 dwell together in peace, each pair of 
 birds having their own nest and 
 rearing their little ones. 
 The weaver-birds and their nests, 
 
 AND the little JAVA SPARROWS 
 
 In the following year they make 
 new nests. These they join on to the 
 layers of nests made in the previous 
 year. To do so they have to make 
 the roof bigger, and in course of time 
 as layer after layer of nests is added 
 the huge structure looks like a thatched 
 cottage. Finally it becomes so heavy 
 that it breaks the bough of the tree 
 upon which it is placed, and a fresh 
 start on another branch or tree has to 
 be made. 
 
 The Java sparrow, a favorite bird 
 in our aviaries, is a type of weaver- 
 bird. 
 
 The lyre-bird and the peacock, the 
 birds with beautiful tails 
 
 The Java sparrows are not as 
 gorgeous as their distant cousin, the 
 whidah bird, but they are still hand- 
 some and interesting. The white 
 feathers on their cheeks disappear as 
 summer advances, and the cheeks, 
 neck and head are an unbroken black. 
 
 Now we come to another of the big 
 beauties, the lyre-bird. It has a 
 strikingly beautiful tail, shaped like 
 the musical instrument called the 
 lyre. Only the male bird has this, 
 and not until he is four years old. 
 
SOME BEAUTY BIRDS OF FOREIGN LANDS 
 
 Hornbllls live in Africa and India. Kaffirs in time of The toucan, whlcli we see here, has an enormous bill, 
 
 drmiffht kill a hnrnbill as an offpriiicr for rain. but this is honeycombed with air-cells to make it light. 
 
 K» 
 
 v^M 
 
 The laughing jackass ol Australia is, as we see here, I 
 really a kingfisher. It loves to mimic the human voice. 
 
 '^ 
 
 The kaka parrot is a member of tlie kea lamuy, but Australia's beautiful lyre-bird is closely related to oiu* 
 
 harmless. The kea proper kills sheep for food, little English wren, though it looks so different. 
 
 The gray parrot of West Africa is a wonderful mimic. Love-birds belong to the parrot family, and though their 
 
 It can imitate birds and beasts, whistle a song, mock home is in Africa, they thrive In captivity and make 
 street criers, and imitate the sound ot machinery. amusing little companions. 
 
 107 
 
108 THE HUMAN INTEREST LIBRARY 
 
 The lyre-bird has a gift for imitating up the entrance, leaving only a small 
 
 the songs and cries of other birds. In slit through which he can pass food for 
 
 that he has a decided advantage over her and the young ones. She seems 
 
 that most famous tailed domestic to assist in this. He does not let her 
 
 bird, the peacock. Among the birds and the family come out until the 
 
 frequently seen in pictures and well young ones are nearly full grown, 
 
 known in parks and gardens is the The male bird, having to find the food, 
 
 peacock. is worn almost to a skeleton during 
 
 No other bird has more perfectly this long time, 
 
 colored plumage, but in spite of that The king of the handsome climbers 
 
 the peacock is a disagreeable bird, is undoubtedly the parrot. We can- 
 
 with a hoarse screech for its call, not stay here to glance at the whole 
 
 which can be heard far and near. tribe, for when we sort out the many 
 
 It is well for him that he is such a forms of parrots, macaws, love-birds, 
 
 beauty in appearance, or the peacock and cockatoos, there are hundreds of 
 
 would never be tolerated in private species to deal with. The handsome 
 
 life. When the courting season is little parrakeet which is often seen in 
 
 over, his fine feathers disappear, and captivity has its home in Australia 
 
 he slinks away until new ones grow, and the southern states. The gray 
 
 Then he comes out again in all his parrot is a native of West Africa, 
 
 glory, proud as only a peacock knows Macaws come mainly from the warm 
 
 how to be. parts of America and from India, 
 
 The strange toucan, and the horn- ^^'h<?i^ ^il^ the birds all eat fruit and 
 
 BILL which brings UP ITS YOUNG IN sccds. Oiic spccics, howcvcr, the kea, 
 
 PRISON jj^g become a flesh-eating bird. This 
 
 With all their splendor, some of the is one of the few instances of a bird's 
 
 beauty birds, it must be admitted, are nature changing while actually under 
 
 to be regarded as a little freakish, the observation of man. Nobody 
 
 and some of them are not all that could knows for certain what has caused it to 
 
 be desired in their ways. Among the change, but the kea has become a 
 
 strange birds let us take first the deadly enemy of the sheep-farmer in 
 
 handsome but queer toucan and the New Zealand. Its food had always 
 
 hornbill. been insects and fruit. One day a kea 
 
 The toucan is a bird with a huge was found standing on the body of a 
 
 beak like a small pelican's, but not dead sheep, tearing away at the wool, 
 
 soft like that great fisherman's bag- Such a thing had never before been 
 
 net. It is notched like a saw, and as known to happen. Ever since then 
 
 it is brightly colored it gives the bird the kea has been a bird of prey. The 
 
 the strangest appearance. This beak change could not have come as sud- 
 
 is not so heavy as it looks, for it con- denly as that; the attacks of the kea 
 
 tains air-sacs which make it light, must have been made before, but it 
 
 The hornbills share this advantage, had never been observed. Now two 
 
 They have big bills, with helmets of or three keas attack a sheep together, 
 
 horn on the top, and these are lightened and by means of their long, cruel beaks 
 
 in the same wav. thev kill it. 
 
 The hornbills are famous for a the laughing bird that mocks a 
 
 curious habit. When the female has man in the Australian wilds 
 
 laid her eggs in a hollow tree, the male While we are thinking of Austra- 
 
 makes a prisoner of her by plastering lasian birds, we must not forget the 
 
STRANGE BIRDS WITH STRANGE FEATHERS 
 
 The waxwing has many of its feathers tipped wit'i 
 red or yellow and does not got its fine feathers till 
 
 The manakiu is brilliantly i:ulored with a feather beard. The bell-bird has a note liiie a bell. When many are 
 The beating of its wings In flight sounds like a spinning calling the sound of note following note is like the beating 
 wheel. of hammers on steel anvils. 
 
 The cock of the rock is a brilliant The quetzal is from Central Ameri- The banded cotinga is a Brazilian 
 
 orange red and crested to the tip of ca. Its feathers keep their lovely color bird which lives among the tree tops, 
 the beak. alter the bird's death. only descending to feed. 
 
 109 
 
110 
 
 THE HUMAN INTEREST LIBRARY 
 
 laughing jackass, or laughing king- 
 fisher. This is a bird which could 
 beat the parrot, or even the famous 
 Indian starling — called the mina — at 
 laughing. Parrots and niinas mar- 
 velously imitate human speech. Al- 
 though they seem very wise birds they 
 do not understand what they are say- 
 ing. The mewing of a cat, which they 
 imitate perfectly, has no more meaning 
 for them than a song which they may 
 learn to sing. So the laughter of the 
 laughing jackass has no meaning for 
 the bird. It has a voice, and uses it 
 in this way. It follows a man in the 
 wilds where there are trees, and perches 
 near him, chuckling and laughing. 
 
 The beautiful kingfisher and the 
 bird with a note like a bell 
 
 The kingfisher is a beautiful bird, 
 which at one time was very scarce, 
 owing to thoughtless women wearing 
 its plumage in their hats. It flies like 
 a swallow over the water, then, when 
 it sees a fish, dives down like a flash. 
 Some of the kingfishers are said to 
 build their nests of the bones of fish 
 which they have eaten. The king- 
 fisher is one of the handsomest and 
 most interesting of all birds. 
 
 We find more strange beauties 
 among the family of birds called 
 chatterers. The most striking is the 
 umbrella-bird. This has a fine crest 
 upon its head, and though the sides of 
 its neck are naked, it possesses a lovely 
 lappet composed of loose feathers 
 hanging from beneath the throat. 
 When it desires to call its mate, it 
 raises its crest, moves its lappet in 
 stately fashion, and pipes loudly. A 
 more remarkable piping bird is known 
 as the bell-bird. There are four 
 species of this bird, of which the most 
 famous is a pure glossy white. Its call 
 is like the note, clear and melodious, 
 of a beautiful bell. Sometimes it 
 utters only one note, then rests. At 
 other times it utters several notes, 
 
 which then sound like a blacksmith 
 playing on his anvil with a hammer. 
 When several of the birds call and 
 answer, the effect is beautiful. 
 The strange song of the manakin 
 
 AND the ways of THE HOOPOE 
 
 In the same family are the mana- 
 kins, marvelously-colored little birds; 
 and the cotingas, nearly related to the 
 bell-birds, but far more brilliant in 
 plumage. The manakin has a strange 
 little song, which he utters when 
 courting. He dances, too, in the 
 funniest way, as if trying to show how 
 much more agile he is than his fellows. 
 Two rivals meet on the bough of a 
 tree, sing their song and leap into the 
 air, each in turn, always rising to the 
 same height and always descending 
 upon the exact spot from which they 
 rose. But if they discover that they 
 are watched by enemies, they dis- 
 appear with remarkable speed. 
 
 They have a rival in the hoopoe. 
 It is of a rich russet hue, with a beauti- 
 ful crest upon the head and with wings 
 marked out in black and white. 
 
 The cock - of - the - rock, the black- 
 headed NUN, AND THE TINY TROGON 
 
 Returning to the chatterers, we 
 must notice the brilliantly-colored 
 cock-of-the-rock, famous for the great 
 crest which hides its nostrils, and the 
 resplendent orange plumage, for the 
 sake of which the unfortunate bird is 
 mercilessly shot. The cock-of-the- 
 rock is a handsome bird, with its 
 crest and gay plumage. When perch- 
 ed at the top of the high trees in which 
 it makes its home, it gambols and plays 
 and mews like a cat. There is another 
 bird, a little one, the black-headed 
 nun, which mews, too, but like a tiny 
 kitten. Another gaudy-crested bird 
 is the trogon, of which a Central 
 American species, called the quetzal, 
 is distinguished by a long streaming 
 tail, which seems to help rather than 
 hinder its strong and rapid flight. 
 
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 111 
 
112 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHIEF OF THE HUNTING BIRDS 
 
 THE air has its lions and tigers 
 — not real lions and tigers, 
 but birds, which, in their way, 
 are as fierce and hungry as the great 
 four-footed animals of the jungle and 
 the plain. When we study their lives, 
 we can see that the eagles, the falcons, 
 the kites, the buzzards, the vultures, 
 the owls, and other flesh-eating birds, 
 play a similar part to that played 
 by the flesh-eating animals. Some 
 strike down their prey, kill and eat 
 it; others wait until the death of an 
 animal or a man has taken place before 
 they begin their meal. 
 
 First in the scale of splendor among 
 the hunting birds comes the eagle, 
 the most noble looking of birds that 
 fly. It is the king of the falcon family, 
 which includes no fewer than 300 
 species of birds that hunt their prey 
 by day. Here for the moment we 
 will keep to the eagles proper, and 
 glance at some of the most important. 
 
 The largest are the sea eagles. Of 
 these there are several species, scat- 
 tered over a great part of the world. 
 They are to be found in Scotland and 
 the northern islands, and in wild 
 parts of Ireland. One was caught in 
 Windsor Forest, England, in 1856, 
 measuring eight feet across the wings 
 and three feet two inches from the 
 point of the beak to the tip of the tail, 
 and weighing twenty-two pounds. 
 
 The golden eagle, the handsomest 
 of the family, inhabits Scotland and 
 America. It is the largest of all save 
 the Steller sea eagle. The golden 
 eagle does not hunt in the sea, but 
 otherwise its habits do not differ 
 much from the habits of the sea eagle. 
 
 Where the golden eagle builds its 
 nest and makes its larder 
 
 Like most other birds of prey, the 
 
 female golden eagle is larger than the 
 
 male. Her length, from the tip of 
 
 beak to the end of tail, is about a 
 yard; while the male eagle is several 
 inches less. The plumage is rich and 
 handsome. While the colors may 
 differ, the majority of these birds have 
 feathers of a golden-brown hue. The 
 golden color occurs near the tips of the 
 feathers, and gives a golden appear- 
 ance to the whole. The bird builds in 
 high, rocky places far from the haunts 
 of men, and the rough, strong nest can- 
 not be reached except by a rope let 
 down froin above. 
 
 Eagles are watchful parents. They 
 will fiercely attack anyone who at- 
 tempts to approach the nest in which 
 their young ones are. The little 
 eagles have big appetites, and the 
 parent birds have to maintain quite a 
 larder for them. The larder is gen- 
 erally a large rock near the nest, so 
 that the eaglets can go to it and feed 
 while the parent birds are away. 
 Here on this stone hares and rabbits 
 and birds are placed, and these the 
 eaglets eat at their leisure. 
 
 If the little eagles need so much 
 food, what do the big eagles require? 
 They have hearty appetites to support 
 their weight and flying powers. 
 
 The story that the eagle carries 
 off children is not true 
 
 A golden eagle will eat in the course 
 
 of a day a couple of partridges or a 
 
 rabbit. It can live on that, but, like 
 
 other creatures, it prefers variety in 
 
 its food. These eagles will sometimes 
 
 willingly eat putrid flesh as a change 
 
 from their ordinary diet; and men, 
 
 knowing this, set traps and catch them 
 
 as if they were the silliest birds. But 
 
 the desire for change does not end here. 
 
 The eagles carry off lambs to their 
 
 nests, and they attack and kill deer. 
 
 It has been told a thousand times that 
 
 eagles carry off children; but though 
 
 we know for a fact that they will at- 
 
BOOK OF NATURE 
 
 113 
 
 tack children guarding flocks which 
 the eagles desire to rob, there is no 
 proof that children ever have been 
 carried away by these birds. 
 
 As to their attacking deer, there is 
 no such doubt. They set about their 
 work with as much method and skill 
 as if it were part of their everyday 
 life. Generally they will attack a 
 young deer, that being more easy to 
 kill. They drop from the sky like a 
 flash upon the back of the deer they 
 mean to secure. If they can, they 
 drive it from its mother. The faith- 
 ful hind, if she can keep her little one 
 close beside her, will fight the great 
 eagle with splendid courage, and strik- 
 ing out with her front feet, may beat 
 it off. But if the fawn can be driven 
 away from the hind, the hind becomes 
 so alarmed that she seems unable to 
 act, and in that case the eagle will 
 send the little deer racing away in 
 terror and kill it with its terrible 
 talons and beak. 
 
 How THE EAGLE WILL TERRIFY A HERD 
 OF DEER TO CATCH ITS PREY 
 
 If this plan cannot be tried, the eagle 
 does a still more amazing thing. 
 
 It will hover over a herd and 
 frighten them into running away. 
 Just as they are bounding round some 
 narrow path which winds round the 
 top of a precipice, the bird will swoop 
 down upon the back of the deer, and 
 drive home its great claws. The deer 
 in terror seeks to throw off its foe, and 
 generally jumps down the precipice, 
 so killing itself and affording the eagle 
 a meal without further trouble. That 
 is just what the eagle wants, and it is 
 for that reason that it makes its attack 
 when the deer are in so perilous a 
 place. 
 
 The only chance for a young deer 
 when so attacked is to bolt into a 
 narrow division between the rocks. 
 There the eagle is practically power- 
 less, for, seeing that its wings, when 
 
 outspread, measure from eight feet to 
 ten feet across, of course it cannot fly 
 in a little space, and it will not venture 
 in on foot. Eagles have been seen to 
 suffer defeat in this way. But they 
 do not, as a rule, lose their prey. 
 
 A noted huntsman saw a remarkable 
 sight in a forest showing how the eagle 
 can hunt. While he was stalking a 
 herd of deer, he saw through his 
 telescope that the animals became 
 suddenly alarmed. He knew he had 
 not caused their fright, for he was too 
 far away. Suddenly a great eagle 
 swooped into sight and attacked one 
 of the small stags. Its plan was to 
 drive it away from the rest of the herd, 
 so that they could not help it. The 
 bird did not attack with beak or 
 talons, but kept striking the stag 
 heavy blows on the back with the 
 middle joint of his powerful wings. 
 Several times it seemed as if he would 
 fail to get the stag away, for the bird 
 kept rising into the air as if to fly 
 away. But each time he returned 
 with more determination, and at last 
 he did get the stag away from the rest 
 of the herd and killed it. The man 
 who had gone out to kill a deer by 
 the aid of a gun saw his victim taken 
 before his eyes by one of the hunters 
 of the air. 
 
 An EAGLE'S GAME OF DROPPING AND 
 CATCHING IN THE CLOUDS 
 
 The sight of the eagle, so keen and 
 powerful, is the gift of nature; but its 
 ability to catch things, though in- 
 herited, is developed by practice. An 
 eagle has been seen to snatch up a 
 wounded grouse as it fell through the 
 air after being shot. Another swooped 
 down and caught a rabbit which was 
 being chased by hounds. The young 
 eagle practices to enable it to do 
 things of this sort. 
 
 One of these birds was seen to catch 
 a rabbit. Away it went with the 
 rabbit, up into the sky. Then, when 
 
IIJ^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 far up, it let the rabbit drop from its 
 talons. While the rabbit was drop- 
 ping through the air, the eagle de- 
 scended upon it, and caught it. Then 
 it carried it up again, and once more 
 let it drop, and again caught it. This 
 it repeated several times, never once 
 failing to catch the rabbit as it was 
 falling through the air. The young 
 eagle was at play, but it was practicing 
 for the serious business of life. Very 
 wonderful it is that a bird should be 
 able to give a heavy thing like a 
 rabbit a good start in a fall through 
 the air towards the earth, then catch 
 it up and secure it. 
 
 The wonderful love of a free eagle 
 
 FOR ITS trapped COMRADE 
 
 Fierce as the eagle is, it is affec- 
 tionate to its kind. A strange ex- 
 ample of this was afforded in a forest, 
 where a beautiful golden eagle was 
 found dead in a trap which had been 
 set to catch a fox. The bird had 
 espied the bait afar off, and, going 
 down to get it, had been seized by the 
 trap and left to die a miserable death. 
 The strange thing was that the eagle 
 had not died of starvation, nor from 
 any serious injury. It was caught 
 only by one claw. Apparently the 
 knowledge that it was a prisoner had 
 killed it, for there was abundant food 
 beside it. Other eagles, seeing the 
 prisoner in the trap, had brought it 
 food. There, beside the dead eagle, 
 were two grouse, and a rabbit, still 
 warm when the hunters came to the 
 trap. 
 The osprey that catches fishes, and 
 
 ITS FOE, the bald EAGLE 
 
 The affection which the eagles 
 show reminds us of the osprey, which, 
 though as wild as the other members 
 of its family, displays great love for 
 its mate and children. It is a hand- 
 some bird, living almost entirely on 
 fish, and for that reason is called the 
 fishing hawk. It is about twenty-two 
 
 inches in length, but its fine wings 
 measure five feet six inches across, 
 and on these it sails in graceful flight 
 over the sea in which its food is to be 
 found. In Scotland the osprey has 
 an enemy in the sea eagle, which will 
 occasionally rob it of the fish it has 
 caught. In North America the bird 
 the osprey most dreads is the great 
 white-headed eagle, the bird, which, 
 because of its white crown, is called 
 the bald eagle. This is a bird which 
 will eat pretty nearly anything. 
 Though fond of fish, it is no fisherman, 
 so it robs the osprey as it is returning 
 to its nest with a fish in its talons. 
 But the white-headed eagle will eat 
 dead horses or other animals, and it 
 may be seen seated on such a carcass 
 feasting and angrily keeping off a 
 flock of vultures which prowl round, 
 hungry, yet afraid, like jackals creep- 
 ing about an animal on which a lion is 
 feeding. 
 
 The vulture that drops a tortoise 
 from a height to split its shell 
 
 It is im])ossible to be fond of a 
 vulture, valuable as its work often is 
 when it plays the scavenger. 
 
 There are two kinds of vultures that 
 are less horrid than the others. The 
 splendid lammergeier, or lammergeyer, 
 which soars above the Italian Alps, 
 the Caucasus, and the hills of Spain, 
 is not so repulsive a creature as the 
 ordinary vulture. The average vul- 
 ture has dirty, dusky-looking plumage, 
 and its neck is bare, with the discol- 
 ored flesh showing plainly. The lam- 
 mergeier is feathered to the beak, and 
 sails in the air with the grace of a 
 vacht. 
 
 Its claws are not especially strong 
 enough to enable it to carry off a child, 
 and it attacks only what it can eat. 
 Sometimes it will take a live animal, 
 but generally speaking, its food con- 
 sists of the flesh of animals which have 
 died. In India, where it is very 
 
BOOK OF NATURE 115 
 
 abundant, it haunts slaughter-houses enough to avoid the noose which the 
 
 and the soldiers' quarters, on the look- expert cattleman throws, 
 
 out for scraps, and particularly for the powerful weapons with which 
 
 bones. These it carries to a height, the winged scavengers are armed 
 
 then drops them on the rocks to split But the true vultures are greedier 
 
 them. It does the same with tor- than even the condor. One, an Egyp- 
 
 toises, tian vulture, has been seen to gorge 
 
 The mighty condor that seems to be itself to such an extent that it could 
 
 ASLEEP ABOVE THE MOUNTAIN TOPS not uiovc, but lay ou its sidc and still 
 
 The biggest of all the vultures is the fed. There are many kinds of vul- 
 
 condor, the huge, heavy bird which tures, some worse than others. They 
 
 makes its home in the Andes of Peru share with the hyenas and jackals and 
 
 and Chile. The male bird is about wild dogs the filth of the villages of 
 
 four feet in length, and its wing-spread the East. They eat also all the putrid 
 
 is from eight to eleven feet or more, flesh of dead animals, and kill lambs 
 
 The male bird has a large, fleshy wattle, that are too feeble to defend them- 
 
 which forms a crest to the head. selves. 
 
 Both male and female have power- They have powerful feet and claws, 
 
 ful beaks, but their claws, while they but not such as would enable them to 
 
 help in tearing their food, have not carry off heavy burdens to their nests, 
 
 power enough to enable them to carry Their beaks are the great weapons of 
 
 away heavy bodies. Their food con- attack. With these the larger ones 
 
 sists chiefly of animals of the moun- can tear off the skin of a horse or 
 
 tain-side and the plain, which have buffalo, and tear the flesh from the 
 
 either died a natural death or been bones, so that nothing but the skeleton 
 
 killed by wild animals. remains. A man in India who saw a 
 
 The condor has marvelous eyesight, host of these birds settle upon a dead 
 and, though it sails high up in the air horse said that in a marvelously short 
 so smoothly that men have believed time there remained of the horse 
 it to be asleep while thus flying, nothing but a clean-picked skeleton, 
 hunters say that it is closely watching Pharaoh's chickens, and the vul- 
 some animal on the plain thousands ture that eats reptiles 
 of feet below, which is being killed or The king vulture's naked neck is 
 is near death from disease. Suddenly colored with shades of orange, purple, 
 the bird drops like a stone through the and crimson, and it has extraordinary- 
 air. Others from all quarters follow; colored fleshy wattles all round its 
 and hunters see a carcass swarming nostrils and the root of its cruel-looking 
 with birds which a moment before had beak. All the vultures have this fact 
 been specks in the sky. in their favor, that they are very good 
 
 The condor has this trait in common parents. Long ago the Egyptians so 
 
 with the other vultures, it can fast for highly regarded the vulture, which in 
 
 several days, but to make up for this Egypt has the name of Pharaoh's 
 
 it gorges itself when it gets the chance, chickens, that they frequently in- 
 
 This accounts for the fact that cattle- eluded it in their drawings and carv- 
 
 men are able to catch it with ropes, ings as the emblem of the love of 
 
 It seems unlikely that they should parents for their children. In some 
 
 lasso a grand flyer like the condor, parts of the East the vulture is pro- 
 
 but the bird so fills itself with food that tected by law because of its value as 
 
 it cannot rise into the air swiftly a scavenger. 
 
THE IMMENSE FAMILY OF VULTURES 
 
 The strangest-looking viilttire of the lamily is the king 
 vulture, the flesh of whose extraordinary bare neck is 
 briUiantly tinted with orange, purple, and crimson. 
 
 GrifBn vultures are to be found in Europe and in the 
 East. They build on high rocks, but sometimes steal the 
 nests which eagles have made and left. 
 
 The Egyptian vulture was the chief seavenuer of the Thf londor is the largest of the vultiu'es, and, indeed, of 
 
 land of Pharaoh. The Egyptians valued it highly, and all birds of prey. It makes its great nest in high moun- 
 carved its likeness on their monuments and tombs. tains, and flies as gracefully as a winged yacht. 
 
 The lammergeier is known as the bearded vulture. It 
 descends from its mountain home to eat dead animals, 
 and can carry smaller ones to its nest of young ones. 
 
 The secretary bird kills and eats snakes in South Africa. 
 Its feathered head makes it look like a clerk, with a quill 
 pen in his ear; hence its name. 
 
 116 
 
BOOK OF NATURE 117 
 
 Before passing from the vulture victim without making a sound, 
 
 family we must say a good word for Members of the tribe are to be found 
 
 the secretary bird, which is really a in Scotland, Ireland and America, 
 
 vulture. It is a curious, long-legged, the evil work of the kite and the 
 
 long-tailed bird, with a strong, hooked good work that it does 
 
 beak and strong legs armed with stout The kite robs rabbit warrens, and 
 
 scales, and claws admirably adapted likes game birds; but the harm that it 
 
 to the purpose which they have to does in this way must be more than 
 
 serve. Its food consists of reptiles, made up by the good it works in 
 
 and among these is included a great destroying rats and mice, and snakes 
 
 number of venomous serpents. The and moles. 
 
 bird has no fear of them. Generally Next we come to the true falcons — 
 it dashes at the snake, and, with its handsome, noble-looking birds, of 
 wings spread out towards the front to which the most famous are the 
 keep the serpent from biting it, beats gerfalcon, the peregrine, the lanner, 
 it, pecks it, and stamps on it until the the saker, the Barbary falcon, the 
 snake is killed. Small snakes it swal- Indian shaheen, the hobby, and the 
 lows whole; larger ones it tears to merlin — all long- winged, dark-eyed 
 pieces. This bird is found chiefly in birds, which rise high in the air, then 
 South Africa, where it is so highly descend like thunderbolts upon their 
 valued as the foe of snakes that a fine prey and bear it to the ground; then 
 is imposed for killing it. It gets the the strong, swift goshawk and sparrow- 
 name of secretary bird from the hawk, birds with shorter wings and 
 feathers which grow out from the back yellow eyes, which catch their prey by 
 of its head, looking very much like flying after it in a straight line, and 
 quill pens behind the ear of a clerk, overcoming it by greater speed and 
 Some of the smaller members of strength. 
 
 the family of bird hunters piq^ .j-j^j. falcon birds are taught 
 
 Of course, there are smaller birds in to catch other birds for men 
 
 this great family of hunters than those These birds play the same part in 
 
 we have so far considered. The buz- bird life that the cheetah plays in 
 
 zards, kites, and falcons, though hav- the animal world. Like the powerful 
 
 ing much the same nature as their cheetah, they are by nature wild and 
 
 larger relatives, are built on a smaller fierce, but they are trained to hunt 
 
 scale. The buzzard measures from for men. 
 
 twenty to twenty-two inches in length. Soft leather straps are fastened to 
 
 and it has the strong beak and sharp their legs so that they cannot fly away 
 
 claws of its family. But it is not so at will. A hood is put over the head, 
 
 active a bird as the rest. At times it leaving the beak and nostrils free for 
 
 flies gloriously high up, in great circles, breathing, but preventing the bird 
 
 with very few movements of the wings from seeing. When the hood is re- 
 
 which the eye can detect. As a rule, moved, the bird is shown a piece of 
 
 however, it prefers to get its living meat, and has to hop from its perch 
 
 easily, by watching and waiting, and on to the wrist of the man who holds 
 
 pouncing at the right moment upon the food. He has a glove on, so that 
 
 its victim, whether that victim be rat, the sharp talons of the bird will not 
 
 mouse, reptile, or bird. Parts of its hurt him. 
 
 plumage are very downy, so that the When the bird gets used to this 
 
 bird can drop down upon its astonished sort of treatment, it knows that by 
 
SOME BIRDS THAT HUNT FOR BEASTS 
 
 The buzzard la one of the handsomest of the falcon tribe. It Is fierce but lazy, waiting in liidmg, ttien pouncing on its 
 prey without being heard Its feathers are downy, and mal^e no sound as the bird flies. 
 
 The smallest falcon is the merlin, a tierce foe, but easy Men take out the peregrine falcon to hunt, with a hood 
 
 to make a friend of and to tame This is the bird which put over its head. As the game appears, the hood Is taken 
 the lark flics so high to avoid oft, and the falcon sees it.s prey ami flics offer it. 
 
 
 
 The strong, tast-llyin^; sixirrow- Tue kite has a forked tail, and looks, Thr u-cisliawli rutche.s its prey by Its 
 
 hawk hunts blackbirds and thrushes. In flying, like a big swallow. Some very swift flight, clutches it in its tal- 
 young partridges, rabbits and hares, species are well known as scavengers, ens and drops to the ground with It. 
 
 118 
 
BOOK OF NATURE 
 
 119 
 
 jumping to the wrist it will be fed. 
 Then the distance is increased. With 
 a light line tied to its leg, it is made to 
 fly twenty or thirty yards for its food. 
 Then in time the line is removed from 
 the leg, and the bird flies free. After 
 awhile, instead of its usual food, it is 
 made to fly to a bird or a small animal, 
 and catches this and returns to the 
 wrist of its master. 
 
 Like all other falcons, the peregrine 
 is a magnificent hunter. It is sup- 
 posed to be able to fly at the rate of 
 one hundred and fifty miles an hour, 
 yet it flies with such delicacy of direc- 
 tion that it can follow a smaller bird 
 through mazes of branches and under- 
 growth, and take a bird off a bough 
 without stopping or touching any part 
 of the tree. 
 
 COMMON FARM AND ORCHARD BIRDS 
 
 The principal object of this section is to give concise information about the na- 
 tive birds that frequent farm, orchard and suburban districts. To aid the descriptions 
 a number of illustrations in color are inserted to enable anyone — particularly boys 
 and girls — to identify them; while the information itself will be found sufficiently 
 full to disclose the good or harm certain birds do. Fifty of our commoner birds are 
 discussed, including some that are destructive. They inhabit various parts of the 
 country, and it is for the interest of the farmers of the respective localities to be 
 familiar with them. The birds were drawn from nature by the well-known bird 
 artist, Louis Agassiz Fuertes. 
 
 AMERICA is greatly favored in catchers, quails, doves, and other 
 
 the number and character of families have each their own special 
 
 its birds, which not only in- field of activity. However unlike 
 
 elude some of the gems of the bird they may be in appearance, structure, 
 
 world, as the warblers and humming habits, all are similar in one respect — 
 
 birds, but on the whole embrace few they possess a never flagging appetite 
 
 destructive species. Not only do for insects and weed seeds, 
 
 many birds satisfy our senses through Birds or insect destroyers 
 
 their beautiful plumage and their Entomologists have estimated that 
 
 sweet voices, but they are marvelously insects yearly cause a loss of upwards 
 
 adapted to their respective fields of of $700,000,000 to the agricultural 
 
 activity. No other creatures are so interests of the United States. Were 
 
 well fitted to capture flying insects as it not for our birds the loss would be 
 
 swallows, swifts, and nighthawks. very much greater, and indeed it is 
 
 Among this class also are wrens, believed that without the aid of our 
 
 trim of body and agile of movement, feathered friends successful agriculture 
 
 that creep in and out of holes and would be impossible, 
 
 crevices and explore rubbish heaps Birds occupy a unique position 
 
 for hidden insects. The woodpecker, among the enemies of insects, since 
 
 whose whole body exhibits wonderful their powers of flight enable them at 
 
 adaptation of means to end, is pro- short notice to gather at points where 
 
 vided with strong claws for holding there are abnormal insect outbreaks, 
 
 firmly when at work, a chisel-like bill An unusual abundance of grasshop- 
 
 driven by powerful muscles to dig out pers, for instance, in a given locality 
 
 insects, and a long extensible tongue soon attracts the birds from a wide 
 
 to still further explore the hidden area, and as a rule their visits cease 
 
 retreats of insects and drag forth the only when there are no grasshoppers 
 
 concealed larvae, safe from other foes. left. So also a marked increase in 
 
 The creepers, titmice, warblers, fly- the number of small rodents in a 
 
120 
 
 TEE HUMAN INTEREST LIBRARY 
 
 given neighborhood speedily attracts 
 the attention of hawks and owls, 
 which, by reason of their voracious 
 appetites, soon produce a marked 
 diminution of the swarming foe. 
 The sparrow family 
 
 One of the most useful groups of 
 native birds is the sparrow family. 
 While some of the tribe wear gay suits 
 of many hues, most of the sparrows 
 are clad in modest brown tints, and 
 as they spend nmch of the time in 
 grass and weeds are commonly over- 
 looked. Unobtrusive as they are, 
 they lay the farmer under a heavy 
 debt of gratitude by their food habits, 
 since their chosen fare consists largely 
 of the seeds of weeds. Selecting a 
 typical member of the group, the tree 
 sparrow, for instance, one-fourth ounce 
 of weed seed per day is a conservative 
 estimate of the food of an adult. On 
 this basis, in a large agricultural state 
 like Iowa tree sparrows annually eat 
 approximately 875 tons of weed seeds. 
 Only the farmer, upon whose shoulders 
 falls the heavy burden of freeing his 
 land of noxious weeds, can realize 
 what this vast consumption of weed 
 seeds means in the saving and cost of 
 labor. Some idea of the money value 
 of this group of birds to the country 
 may be gained from the statement that 
 the total value of the farm products in 
 the United States in 1910 reached the 
 amazing sum of $8,926,000,000. If 
 we estimate that the total consump- 
 tion of weed seed by the combined 
 members of the sparrow family re- 
 sulted in a saving of only 1 per cent of 
 the crops — not a violent assumption — 
 the sum saved to farmers by these 
 birds in 1910 was $89,260,000. 
 Hawks and owls 
 
 The current idea in relation to hawks 
 and owls is erroneous. These birds 
 are generally classed as thieves and 
 robbers, whereas a large majority of 
 them are the farmers' friends and 
 
 spend the greater part of their long 
 lives in pursuit of injurious insects 
 and rodents. The hawks work by 
 day, the owls chiefly by night, so that 
 the useful activities of the two classes 
 are continued practically throughout 
 the twenty-four hours. As many as 
 100 grasshoppers have been found in 
 the stomach of a Swainson's hawk, 
 representing a single meal; and in 
 the retreat of a pair of barn owls have 
 been found more than 3000 skulls, 97 
 per cent of which were of mammals, 
 the bulk consisting of field mice, house 
 mice, and common rats. Nearly half 
 a bushel of the remains of pocket 
 gophers — animals which are very de- 
 structive in certain parts of the United 
 States — was found near a nest of this 
 species. A few hawks are injurious, 
 and the bulk of the depredations on 
 birds and chickens chargeable against 
 hawks is committed by three species 
 — the Cooper's hawk, the sharp- 
 shinned hawk, and the goshawk. 
 
 From the foregoing it will at once 
 appear that the practice of offering 
 bounties indiscriminately for the heads 
 of hawks and owls, as has been done 
 by some states, is a serious mistake, 
 the result being not only a waste of 
 public funds but the destruction of 
 valuable birds which can be replaced, 
 if at all, only after the lapse of years. 
 
 The majority of owls are usually 
 purely nocturnal — night birds. One 
 or two species usually can see quite 
 well in a bright light, but the majority 
 cannot. Their eyes are so formed that 
 they can collect light from what to us is 
 darkness. They can see when the 
 daylight is not quite gone; but in the 
 direct light of the sun they are dazed. 
 
 The owl works and feeds when we 
 are asleep. It has eyes differently 
 placed from those of any other bird — 
 close together in front, so that it must 
 look straight ahead. To make up 
 for this, it can turn its head with the 
 
THE FIRST COUSINS OF THE OSTRICH 
 
 ^ 
 
 The cassowary lives in Australia and Sow Guinea. Its 
 glossy feathers are like hair, and its head is crowned with 
 a helmet. The male Is smaller than the female. 
 
 The emu is a kind of cassowary. Its neck is feathered, 
 not bare like the cassowary's. The female emu is bigger 
 and fiercer than the male. 
 
 South America's ostrich is called the rhea. It has three toes; the African ostrich has only two. The rhea has no 
 tall, but it has larger wings than the ostrich. Its feathers are used for making brushes. Those of the ostrich are more 
 valuable, and the ostrich is carefully reared by ostrich farmers for the sake of Its featUera. These big birds have strange 
 appetites, and eat all sorts of things, broken bottles, etc., and seem none the worse. 
 
 121 
 
122 
 
 THE HUMAN INTEREST LIBRARY 
 
 greatest ease in any direction. The 
 power of its eyes in the darkness is 
 quite wonderful. Most of us, if we 
 were quite close to a field mouse or 
 rat moving stealthily over a field, 
 would do well to see it against the 
 earth, like which its coat is colored. 
 But the owl sees it from afar through 
 the darkness, pounces noiselessly 
 down, and seizes it. It can catch the 
 mouse and the mole and the rat; it 
 can catch fish as they rise to the sur- 
 face of the water. 
 
 How THE COURAGE OF THE OWL GOES 
 IN THE DAYTIME 
 
 There are about two hundred species 
 of owls. Some are tiny owls; some are 
 big eagle owls, twenty-eight inches in 
 length, very fierce and strong, ready 
 to attack a man who goes near, able to 
 kill fawns and large game birds, and to 
 do battle with the golden eagle. The 
 courage of one of these owls goes in 
 the daytime, and then little birds, led 
 by a crow, may find it and mob it out 
 into the open, and lead it a terrible 
 dance. But when night comes, and 
 the bird can see, none but a mighty 
 eagle dare do battle with it. 
 
 The hawk owl is one of the few ow Is 
 which work by day. It is big and 
 strong and savage. There are owls 
 with great ear-tufts of feathers, and 
 owls with none at all; some are snowy 
 white, others are mottled. Some live 
 in burrows with the prairie marmots; 
 some make burrow^s for themselves. 
 Mostly they live in hollow trees, or in 
 church belfries or other high towers. 
 Among so many owls, of course, there 
 are those which do harm, but the most 
 of them do more good than evil. 
 
 The merciless crow that robs nests, 
 and the jolly little jackdaw 
 
 The carrion crow has a nature like 
 the vulture and the raven, but the 
 bird is smaller, and when it attacks a 
 big living animal it cannot do its work 
 single handed, but advances in num- 
 
 bers. Its habit of eating putrid flesh 
 is, of course, unpleasant, but it is of 
 importance to the health of the place 
 in which the crow finds its meals. 
 Crows are merciless thieves. They 
 rob other birds' nests, killing and eat- 
 ing the young ones, and even carrying 
 off the unhatched eggs. To do this 
 the crow thrusts his strong beak 
 through one end of the egg, then 
 carries the shell and its contents away 
 as on a spear. 
 
 The jolly little jackdaw belongs to 
 this family, and can be distinguished 
 from the others by the patch of gray 
 on the head and back of the neck. It 
 builds in the steeples of churches and 
 other high buildings. Everybody 
 knows its relative, the magpie, from 
 its handsome plumage of glossy black 
 and white. We are all fond of this 
 bird because of its bright ways; but 
 other birds hate it, for it robs their 
 nests as the crows do. When tamed, 
 it is a wonderful talker. 
 
 One of the most singular of the 
 birds of prey is the shrike, or butcher 
 bird. It catches small birds, mice, 
 and so on, and fixes their bodies upon 
 thorns; then it can easily skin and eat 
 such as it wants, leaving the others 
 for the time to come when it is once 
 more hungry. 
 
 The BIRDS' MANNER OF LIVING 
 
 As a rule birds do not live very 
 long, but they live fast. They breathe 
 rapidly and have a higher temperature 
 and a more rapid circulation than other 
 vertebrates. This is a fortunate cir- 
 cumstance, since to generate the req- 
 uisite force to sustain their active 
 bodies a large quantity of food is 
 necessary, and as a matter of fact 
 birds have to devote most of their 
 waking hours to obtaining insects, 
 seeds, berries, and other kinds of 
 food. The activity of birds in the 
 pursuit of insects is still further 
 stimulated by the fact that the young 
 
BOOK OF NATURE 
 
 123 
 
 of most species, even those which are A tree swallow's stomach was found 
 by no means strictly insectivorous, to contain 40 entire chinch bugs and 
 require great quantities of animal food fragments of many others, besides 
 
 10 other species of insects. A bank 
 
 ROBinS MEST 
 
 WIUOWWREM/ — \ 
 SKY LARK \ ) 
 
 KmCFISHER 
 
 in the early weeks of existence, so 
 that during the summer months — 
 the flood time of insect life — birds are 
 compelled to redouble their attacks 
 on our insect foes to satisfy the wants 
 of their clamorous young. 
 What birds eat 
 
 It is interesting to observe that 
 hungry birds — and birds are hungry 
 most of the time — are not content to 
 fill their 
 stomachs 
 with insects 
 or seeds, but 
 after the 
 stomach is 
 stuffed until 
 it will hold 
 no more 
 continue to 
 eat till the 
 crop or gul- 
 let also is 
 crammed. 
 It is often 
 the case that 
 when the 
 stomach is 
 opened and 
 the contents 
 piled up the 
 pile is two or 
 three times 
 as large as 
 the stomach 
 when filled. 
 Birds may 
 truly be said 
 to have 
 healthy ap- 
 petites. To 
 show the astonishing capacity of birds' 
 stomachs and to reveal the extent to 
 which man is indebted to birds for the 
 destruction of noxious insects, the 
 following facts are given: 
 
 BULlFinCHS HEST 
 
 ClESTED rrREM 
 fllCHTIMUlh-^ ^-' <^ — ^ 
 
 ^-\ /^CRtATTITJl 
 
 .MfADOtHim/^ ^ /^^^^ ^ /""^ 
 
 y^ J/ fOLPfincH / \ 
 
 /YciiortBuifTittc 
 
 
 Nightjar ] /^^ 
 
 \ /TRtE-riP 
 
 \^^r^>5- 
 
 TREE-riPIT 
 
 "^ — CHAf finch's NEST 
 
 SIZE OF EGGS OF OUR BEST-KNOWN BIRDS 
 
 swallow in Texas devoured 68 cotton- 
 boll weevils, one of the worst insect 
 pests that ever invaded the United 
 States; and 35 cliff swallows had taken 
 an average of 18 boll weevils each. 
 Two stomachs of pine siskins from 
 Hay wards, California, contained 1900 
 black olive scales and 300 plant lice. 
 A killdeer's stomach taken in Novem- 
 ber in Texas 
 contained 
 over 300 
 mosqu i to 
 larvae . A 
 flicker's 
 stomach 
 held 28 white 
 grubs. A 
 nighthawk's 
 stomach col- 
 lec t ed in 
 Kentucky 
 contained 34 
 May beetles, 
 the adult 
 formofwhite 
 grubs. An- 
 other night- 
 hawk from 
 New York 
 had eaten 24 
 clover - leaf 
 weevils and 
 375 ants. 
 Still another 
 nighthawk 
 had eaten 
 340 grass- 
 hoppers, 52 
 bugs, 3 bee- 
 tles, 2 wasps, and a spider. A boat- 
 tailed grackle from Texas had eaten at 
 one meal about 100 cotton boll worms, 
 besides a few other insects. A ring- 
 necked pheasant's crop from Washing- 
 
 LANDRAIL / 
 
 V lyCoRMORAMTl 
 
 oodiarkI 1 I / 
 
 > LinrtET V y^ 
 
 /syvauow /" n. 
 
 S/^^Sea-cuil \ 
 SPARROn-HAWK 
 
 
 r^ 
 
 X^BIACKCAP /^ SHOTTED 
 
 fLYCATCHER 
 
 WREHSrjEST 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 ton contained 8000 seeds of chickweed 
 and a dandelion head. More than 72,000 
 seeds have been found in a single duck 
 stomach taken inLouisiana in February. 
 
 Important in this connection is the 
 planting near the house and even in 
 out-of-the-way places on the farm of 
 various berry-bearing shrubs, of which 
 many are ornamental, which will 
 supply food when snow is on the 
 ground. Other species which are not 
 berry eaters, like the woodpeckers, 
 nuthatches, creepers, and chickadees, 
 can be made winter residents of many 
 farms, even in the North, by putting 
 out at convenient places a supply of 
 suet, of which they and many other 
 birds are very fond, even in summer. 
 Hedges and thickets about the farm 
 are important to furnish nesting sites 
 and shelter both from the elements 
 and from the numerous enemies of birds. 
 
 Few are aware of the difficulty often 
 experienced by birds in obtaining 
 water for drinking and bathing, and 
 a constant supply of water near the 
 farmhouse will materially aid in at- 
 tracting birds to the neighborhood 
 and in keeping them there, at least 
 
 till the time of migration. Shallow 
 trays of wood or metal admirably 
 serve the purpose, especially as birds 
 delight to bathe in them. 
 
 One of the worst foes of our native 
 birds is the house cat, and probably 
 none of our native wild animals de- 
 stroys as many birds on the farm, 
 particularly fledglings, as cats. The 
 household pet is by no means blame- 
 less in this respect, for the bird-hunting 
 instinct is strong even in the well-fed 
 tabby; but much of the loss of our 
 feathered life is attributable to the 
 half-starved stray, which in summer is 
 as much at home in the groves and 
 fields as the birds themselves. Forced 
 to forage for their own livelihood, 
 these animals, which are almost as 
 wild as the ancestral wildcat, inflict an 
 appalling loss on our feathered allies 
 and even on the smaller game birds 
 like the woodcock and bobwhite. If 
 cats are to find place in the farmer's 
 household, every effort should be 
 made by carefully feeding and watch- 
 ing them to insure the safety of the 
 birds. The cat without a home should 
 be mercifully put out of the way. 
 
 DESCRIPTION OF SOME FAMILIAR AMERICAN BIRDS 
 
 BLUEBIRD (Sialia sialis) 
 
 Length,* about 6^ inches. 
 
 Range: breeds in the United States (west to 
 Arizona, Colorado, Wyoming, and Montana), 
 southern Canada, Mexico, and Guatemala; 
 winters in the southern half of the eastern 
 United States and south to Guatemala. 
 
 Habits and economic status: the bluebird is 
 one of the most familiar tenants of the farm and 
 dooryard. Everywhere it is hailed as the har- 
 binger of spring, and wherever it chooses to 
 reside it is sure of a warm welcome. This bird, 
 like the robin, phoebe, house wren, and some 
 swallows, is very domestic in its habits. Its 
 favorite nesting sites are crannies in the farm 
 buildings or boxes made for its use or natural 
 cavities in old apple trees. For rent the bird 
 pays amply by destroying insects, and it takes 
 no toll from the farm crop. The bluebird's 
 diet consists of 68 per cent of insects to 32 per 
 cent of vegetable matter. The largest items of 
 insect food are grasshoppers first and beetles 
 
 *Measured from tip of bill to tip of tail 
 
 next, while caterpillars stand third. All of 
 these are harmful except a few of the beetles. 
 The vegetable food consists chiefly of fruit 
 pulp, only an insignificant portion of which is 
 of cultivated varieties. Among wild fruits 
 elderberries are the favorite. From the above 
 it will be seen that the bluebird does no essential 
 harm, but on the contrary eats many harmful 
 and annoying insects. (See Farmers' Bui. 54, 
 pp. 46-48, U. S. Dept. of Agriculture.) 
 ROBIN {Planesficus migratorius) 
 
 Length, 10 inches. 
 
 Range: breeds in the United States (except 
 the Gulf States), Canada, Alaska, and Mexico; 
 winters in most of the United States and south 
 to Guatemala. 
 
 Habits and economic status: in the North 
 and some parts of the West the robin is among 
 the most cherished of our native birds. Should 
 it ever become rare where now common, its 
 joyous summer song and familiar presence will 
 be sadly missed in many a homestead The 
 robin is an omnivorous feeder, and its food 
 
BIRDS OF PREV AND GAME BIRDS 
 
 M 
 
 
 'm 
 
 lj#/' 
 
 m 
 
 Mf 
 
 KING 
 
 BIRD 
 
 SPAR R OW 
 HAWK 
 
 BOB WHITE 
 
 RUFFED grouse: 
 
 SCREECH OWL 
 
 BARN OW l_ 
 
BIRDS NOTED FOR SONG OR PLUMAGE 
 
 ii^ 
 
 •^■4 
 
 BLUE JAV 
 
 R O B I Nl 
 
 WOODPECKt W 
 
 BOBOLINK 
 
 MOCK I NG BIRD 
 
 MEADOW LARK 
 
 GROSBEAK 
 
 BLUE BIRD 
 
BOOK OF NATURE 
 
 125 
 
 includes many orders of insects, with no very 
 pronounced preference for any. It is very fond 
 of earthworms, but its real economic status is 
 determined by the vegetable food, which 
 amounts to about 58 per cent of all. The prin- 
 cipal item is fruit, which forms more than 51 
 per cent of the total food. The fact that in 
 the examination of over 1200 stomachs the 
 percentage of wild fruit was found to be five 
 times that of the cultivated varieties suggests 
 that berry-bearing shrubs, if planted near the 
 orchard, will serve to protect more valuable 
 fruits. In California in certain years it has 
 been possible to save the olive crop from hungry 
 robins only by the most strenuous exertions and 
 considerable expense. The bird's general use- 
 fulness is such, however, that all reasonable 
 means of protecting orchard fruit should be 
 tried before killing the birds. (See Farmers' 
 Bui. 54, pp. 44-46, U. S. Dept. of Agriculture.) 
 
 MOCKING BIRD {Mimus polyglottos) 
 
 Length, 10 inches. Most easily distinguished 
 from the similarly colored loggerhead shrike 
 (opp. p. 124) by the absence of a conspicuous 
 black stripe through the eye. 
 
 Range: resident from southern Mexico north 
 to California, Wyoming, Iowa, Ohio, and INIary- 
 land; casual farther north. 
 
 Habits and economic status: Because of its 
 incomparable medleys and imitative powers, 
 the mocking bird is the most renowned singer 
 of the Western Hemisphere. Even in confine- 
 ment it is a masterly performer, and formerly 
 thousands were trapped and sold for cage birds, 
 but this reprehensible practice has been largely 
 stopped by protective laws. It is not surpris- 
 ing, therefore, that the mocking bird should 
 receive protection principally because of its 
 ability as a songster and its preference for the 
 vicinity of dwellings. Its place in the affections 
 of the South is similar to that occupied by the 
 robin in the North. It is well that this is true, 
 for the bird appears not to earn protection from 
 a strictly economic standpoint. About half of 
 its diet consists of fruit, and many cultivated 
 varieties are attacked, such as oranges, grapes, 
 figs, strawberries, blackberries, and raspberries. 
 Somewhat less than a fourth of the food is 
 animal matter, and grasshoppers are the largest 
 single element. The bird is fond of cotton 
 worms, and is known to feed also on the chinch 
 bug, rice weevil, and bollworm. It is unfor- 
 tunate that it does not feed on injurious insects 
 to an extent sufficient to offset its depredations 
 on fruit. (See Yearbook U. S. Dept. Agric. 
 1895, pp. 415-416, and Biol. Survey Bui. 30, 
 pp. 52-56.) 
 
 ROSE-BREASTED GROSBEAK {Zamelodia 
 ludoviciana) 
 
 Length, 8 inches. 
 
 Range: Breeds from Kansas, Ohio, Georgia 
 (mountains), and New Jersey, north to southern 
 Canada; winters from Mexico to South America. 
 
 Habits and economic status: this beautiful 
 grosbeak is noted for its clear, melodious notes. 
 
 which are poured forth in generous measure. 
 The rosebreast sings even at midday during 
 summer, when the intense heat has silenced 
 almost every other songster. Its beautiful 
 plumage and sweet song are not its sole claim 
 on our favor, for few birds are more beneficial 
 to agriculture. The rosebreast eats some green 
 peas and does some damage to fruit. But this 
 mischief is much more than balanced by the 
 destruction of insect pests. The bird is so fond 
 of the Colorado potato beetle that it has earned 
 the name of "potato-bug bird," and no less than 
 a tenth of the total food of the rosebreasts 
 examined consists of potato beetles — evidence 
 that the bird is one of the most important 
 enemies of the pest. It vigorously attacks 
 cucumber beetles and many of the scale insects. 
 It proved an active enemy of the Rocky Moun- 
 tain locust during that insect's ruinous invasions, 
 and among the other pests it consumes are the 
 spring and fall cankerworms, orchard and forest 
 tent caterpillars, tussock, gipsy, and brown-tail 
 moths, plum curculio, army worm, and chinch 
 bug. In fact, not one of our birds has a better 
 record. (See Biol. Survey Bui. 32, pp. 33-59.) 
 BOBOLINK {Dolichonyx oryzivorus) 
 
 Length, about 7 inches. 
 
 Range: breeds from Ohio northeast to Nova 
 Scotia, north to Manitoba, and northwest to 
 British Columbia; winters in South America. 
 
 Habits and economic status: when American 
 writers awoke to the beauty and attractiveness 
 of our native birds, among the first to be en- 
 shrined in song and story was the bobolink. 
 Few species show such striking contrasts in 
 color of the sexes, and few have songs more 
 unique and whimsical. In its northern home 
 the bird is loved for its beauty and its rich 
 melody; in the South it earns deserved hatred 
 by its destructiveness. Bobolinks reach the 
 southeastern coast of the L^nited States the last 
 half of April just as rice is sprouting and at once 
 begin to pull up and devour the sprouting 
 kernels. Soon they move on to their northern 
 breeding grounds, where they feed upon insects, 
 weed seeds, and a little grain. When the young 
 are well on the wing, they gather in flocks with 
 the parent birds and gradually move south- 
 ward, being then generally known as reed birds. 
 They reach the rice fields of the Carolinas about 
 August 20, when the rice is in the milk. Then 
 until the birds depart for South America planters 
 and birds fight for the crop, and in spite of 
 constant watchfulness and innumerable devices 
 for scaring the birds a loss of 10 per cent of the 
 rice is the usual result. (See Biol. Survey Bui. 
 13, pp. 12-22.) 
 
 BREWER'S BLACKBIRD {Euphagus cyano- 
 cephalus) 
 
 Length, 10 inches. Its glossy purplish head 
 distinguishes it from other blackbirds that do not 
 show in flight a trough-shaped tail. 
 
 Range: Breeds in the West, east to Texas, 
 Kansas, and Minnesota, and north to southern 
 Canada; winters over most of the United States 
 breeding range, south to Guatemala. 
 
126 
 
 THE HUMAN INTEREST LIBRARY 
 
 Habits and economic status: Very numerous 
 in the West and in fall gathers in immense flocks, 
 especially about barnyards and corrals. During 
 the cherry season in California Brewer's black- 
 bird is much in the orchards. In one case they 
 were seen to eat freely of cherries, but when a 
 neighboring fruit raiser began to plow his orchard 
 almost every blackbird in the vicinity was upon 
 the newly opened ground and close at the plow- 
 man's heels in its eagerness to get the insects 
 exposed by the plow. Caterpillars and pupte 
 form the largest item of animal food (about 12 
 per cent). Many of these are cutworms, and 
 cotton bollwornis or corn earworms were found 
 in 10 stomachs and codling-moth pupie in 11. 
 Beetles constitute over 11 per cent of the food. 
 The vegetable food is practically contained in 
 three items — grain, fruit, and weed seeds. 
 Grain, mostly oats, amounts to 54 per cent; 
 fruit, largely cherries, 4 per cent; and weed 
 seeds, not quite 9 per cent. The grain is prob- 
 ably mostly wild, volunteer, or waste, so that 
 the bird does most damage bv eating fruit. 
 (See Biol. Surv. Bui. 34, pp. 59-65.) 
 
 MEADOWLARKS {Stuniella magna and 
 Sturnella neglccta) 
 
 Length, about lOf inches. 
 
 Range: Breed generally in the United States, 
 southern Canada, and Mexico to Costa Rica; 
 winter from the Ohio and Potomac Valleys and 
 British Columbia southward. 
 
 Habits and economic status: Our two 
 meadowlarks, though differing much in song, 
 resemble each other closely in plumage and 
 habits. Grassy plains and uplands covered with 
 a thick growth of grass or weeds, with near-by 
 water, furnish the conditions best suited to the 
 meadowlark's taste. The song of the western 
 bird is loud, clear, and melodious. That of its 
 eastern relative is feebler and loses much by 
 comparison. In many localities the meadow- 
 lark is classed and shot as a game bird. From 
 the farmer's standpoint this is a mistake, since 
 its value as an insect eater is far greater than as 
 an object of pursuit by the sportsman. Both 
 the boll weevil, the foe of the cotton grower, and 
 the alfalfa weevil are among the beetles it 
 habitually eats. Twenty-five per cent of the 
 diet of this bird is beetles, half of which are 
 predaceous ground beetles, accounted useful 
 insects, and one-fifth are destructive weevils. 
 Caterpillars form 11 per cent of the food and 
 are eaten in every month in the year. Among 
 these are many cutworms and the well-known 
 army worm. Grasshoppers are favorite food 
 and are eaten in every month and almost every 
 day. The vegetable food (24 per cent of the 
 whole) consists of grain and weed seeds. (See 
 Yearbook U. S. Dept. Agr. 1895, pp. 420-426.) 
 
 RED-WIXGED BLACKBIRD {Agelaius 
 phoen iceus) 
 
 Length, about 9^ inches. 
 
 Range : Breeds in Mexico and North America 
 south of the Barren Grounds; winters in south- 
 ern half of United States and south to Costa 
 HiciJ.. 
 
 Habits and economic status: The prairies of 
 the upper Mississippi Valley, with their nu- 
 merous sloughs and ponds, furnish ideal nesting 
 places for redwings, and consequently this 
 region has become the great breeding ground for 
 the species. These prairies pour forth the vast 
 flocks that play havoc with grain-fields. East of 
 the Appalachian Range, marshes on the shores 
 of lakes, rivers, and estuaries are the only avail- 
 able breeding sites and, as these are compara- 
 tively few and small, the species is much less 
 abundant than in the West. Redwings are 
 eminently gregarious, living in flocks and breed- 
 ing in communities. The food of the redwing 
 consists of 27 per cent animal matter and 73 
 per cent vegetable. Insects constitute prac- 
 tically one-fourth of the food. Beetles (largely 
 weevils, a most harmful group) amount to 10 
 per cent. Grasshoppers are eaten in every 
 month and amount to about 5 per cent. Cater- 
 pillars (among them the injurious army worm) 
 are eaten at all seasons and aggregate 6 per cent. 
 Ants, wasps, bugs, flies, dragonflies, and spiders 
 also are eaten. The vegetable food consists of 
 seeds, including grain, of which oats is the 
 favorite, and some small fruits. When in large 
 flocks this bird is capable of doing great harm to 
 grain. (See Biol. Survey Bui. 13, pp. 33-34.) 
 
 COMMON CROW {Corvus hrachyrhynchos) 
 
 Length, 19 inches. 
 
 Range: Breeds throughout the United States 
 and most of Canada; winters generally in the 
 United States. 
 
 Habits and economic status: The general 
 habits of the crow are universally known. Its 
 ability to commit such misdeeds as pulling corn 
 and stealing eggs and fruit and to get away 
 unscathed is little short of marvelous. Much 
 of the crow's success in life is due to cooperation, 
 and the social instinct of the species has its 
 highest expression in the winter roosts, which 
 are sometimes frequented by hundreds of thou- 
 sands of crows. From these roosts daily flights 
 of many miles are made in search of food. In- 
 jury to sprouting corn is the most frequent 
 complaint against this species, but by coating 
 the seed grain with coal tar most of this damage 
 may be prevented. Losses of poultry and eggs 
 may be averted by proper housing and the 
 judicious use of wire netting. The insect food 
 of the crow includes wireworms, cutworms, 
 white grubs and grasshoppers, and during out- 
 breaks of these insects the crow renders good 
 service. The bird is also an efficient scavenger. 
 But chiefly because of its destruction of bene- 
 ficial wild birds and their eggs the crow must be 
 classed as a criminal, and a reduction in its 
 numbers in localities where it is seriously de- 
 structive is justifiable. (See Farmers' Bui. 54, 
 pp. 22-23.) 
 
 BLUE JAY (Cijanocitta cristata) 
 
 Length, 11^ inches. The brilliant blue of the 
 wings and tail combined with the black crescent 
 of the upper breast and the crested head dis- 
 tinguish this species. 
 
BOOK OF NATURE 
 
 127 
 
 Range: Resident in the eastern United States 
 and southern Canada, west to the Dakotas, 
 Colorado, and Texas. 
 
 Habits and economic status: The blue jay 
 is of a dual nature. Cautious and silent in the 
 vicinity of its nest, away from it it is bold and 
 noisy. Sly in the commission of mischief, it is 
 ever ready to scream "thief" at the sHghtest 
 disturbance. As usual in such cases, its re- 
 marks are applicable to none more than itself, 
 a fact neighboring nest holders know to their 
 sorrow, for during the breeding season the jay 
 lays heavy toll upon the eggs and young of 
 other birds, and in doing so deprives us of the 
 services of species more beneficial than itself. 
 Approximately three-fourths of the annual 
 food of the blue jay is vegetable matter,^ the 
 greater part of which is composed of mast, i. e., 
 acorns, chestnuts, beechnuts, and the like. 
 Corn is the principal cultivated crop upon 
 which this bird feeds, but stomach analysis 
 indicates that most of the corn taken is waste 
 grain. Such noxious insects as wood-boring 
 beetles, grasshoppers, eggs of various cater- 
 pillars and scale insects constitute about one- 
 fifth of its food. (See Farmers' Bui. 54, pp. 18-19.) 
 
 NIGHTHAWK {Chordeiles virginianus) 
 
 Length, 10 inches. Not to be confused with 
 the whippoorwill. The latter lives in woodland 
 and is chiefly nocturnal. The nighthawk often 
 flies by day, when the white bar across the wing 
 and its nasal cry are distinguishing. 
 
 Range: Breeds throughout most of the 
 United States and Canada; winters in South 
 America. 
 
 Habits and economic status: The skilful 
 evolutions of a company of nighthawks as the 
 birds gracefully cleave the air in intersecting 
 circles is a sight to be remembered. So expert 
 are they on the wing that no insect is safe from 
 them, even the swift dragonfly being captured 
 with ease. Unfortunately their erratic flight 
 tempts men to use them for targets, and this 
 inexcusable practice is seriously diminishing 
 their numbers, which is deplorable, since no 
 birds are more useful. This species makes no 
 nest, but lays its two spotted eggs on the bare 
 ground, sometimes on the gravel roof of the 
 city house. The nighthawk is a voracious 
 feeder and is almost exclusively insectivorous. 
 Some stomachs contained from 30 to 50 differ- 
 ent kinds of insects, and more than 600 kinds 
 have been identified from the stomachs thus far 
 examined. From 500 to 1000 ants are often 
 found in a stomach. Several species of mos- 
 quitoes, including Anopheles, the transmitter of 
 malaria, are eaten. Other well-known pests 
 destroyed by the nighthawk are the Colorado 
 potato beetle, cucumber beetles, chestnut, rice, 
 clover-leaf and cotton-boll weevils, billbugs. 
 bark beetles, squash bugs, and moths of the 
 cotton worm. 
 
 FLICKER {Colaptes auratus) 
 
 Length, 13 inches. The yellow under sur- 
 
 face of the wing, yellow tail shafts, and white 
 rump are characteristic. 
 
 Range: Breeds in the eastern United States 
 west to the plains and in the forested parts of 
 Canada and Alaska; winters in most of the 
 eastern United States. 
 
 Habits and economic status: The flicker in- 
 habits the open country rather than the forest 
 and delights in park-like regions where trees are 
 numerous and scattered. It nests in any large 
 cavity in a tree and readily appropriates an 
 artificial box. It is possible, therefore, to insure 
 the presence of this useful bird about the farm 
 and to increase its numbers. It is the most 
 terrestrial of our woodpeckers and prociu*es much 
 of its food from the ground. The largest item 
 of animal food is ants, of which the flicker eats 
 more than any other common bird. Ants were 
 found in 524 of the 684 stomachs examined and 
 98 stomachs contained no other food. One 
 stomach contained over 5000 and two others 
 held over 3000 each. While bugs are not largely 
 eaten by the flicker, one stomach contained 17 
 chinch bugs. Wild fruits are next to ants in 
 importance in the flicker's dietary. Of these 
 sour gum and wild black cherry stand at the 
 head. The food habits of this bird are such as 
 to recommend it to complete protection. (See 
 Biol. Survey Bui. 37, pp. 52-58.) 
 
 YELLOW-BELLIED SAPSUCKER (SpAj/rapi- 
 
 cus varius) 
 
 Length, about 85 inches. Only woodpecker 
 having top of head from base of bill red, com- 
 bined with a black patch on breast. 
 
 Range: Breeds in northern half of the United 
 States and southern half of Canada; winters in 
 most of the States and south to Costa Rica. 
 
 Habits and economic status: The yellow- 
 bellied sapsucker is rather silent and suspicious 
 and generally manages to have a tree between 
 himself and the observer. Hence the bird is 
 much better known by its works than its ap- 
 pearance. The regular girdles of holes made by 
 this bird are common on a great variety of 
 trees; in all about 250 kinds are known to be 
 attacked. Occasionally young trees are killed 
 outright, but more loss is caused by stains and 
 other blemishes in the wood which result from 
 sapsucker punctures. These blemishes, which 
 are known as bird pecks, are especially numerous 
 in hickory, oak, cypress, and yellow poplar. 
 Defects due to sapsucker work cause an annual 
 loss to the lumber industry estimated at $1,250,- 
 000. The food of the yellow-beUied sapsucker 
 is about half animal and half vegetable. Its 
 fondness for ants counts slightly in its favor. 
 It eats also wasps, beetles (including, however, 
 very few wood-boring species), bugs, and spiders. 
 The two principal components of the vegetable 
 food are wild fruits of no importance and cam- 
 bium (the layer just beneath the bark of trees). 
 In securing the cambium the bird does the 
 damage above described. The yellow-bellied 
 sapsucker, unlike other woodpeckers, thus does 
 comparatively little good and much harm. 
 (See Biol. Survey Bui. 39.) 
 
H8 
 
 THE HUMAN INTEREST LIBRARY 
 
 CHICKADEE {Penthestes atricapillus) 
 
 Length, about 53^ inches. 
 
 Range: Resident in the United States (ex- 
 cept the southern half east of the plains), 
 Canada, and Alaska. 
 
 Habits and economic status: Because of its 
 delightful notes, its confiding ways, and its fear- 
 lessness, the chickadee is one of our best known 
 birds. It responds to encouragement, and by 
 hanging within its reach a constant supply of 
 suet the chickadee can be made a regular visitor 
 to the garden and orchard. Though insig- 
 nificant in size, titmice are far from being so 
 from the economic standpoint, owing to their 
 numbers and activity. While one locality is 
 being scrutinized for food by a larger bird, 10 
 are being searched by tlie smaller species. The 
 chickadee's food is made up of insects and 
 vegetable matter in the proportion of 7 of the 
 former to 3 of the latter. Moths and cater- 
 pillars are favorites and form about one-tliird 
 of the whole. Beetles, ants, wasps, bugs, flies, 
 grasshoppers, and spiders make up the rest. 
 The vegetable food is composed of seeds, largely 
 those of pines, with a few of the poison ivy and 
 some weeds. There are few more useful l)irds 
 than the chickadees. (See Farmers' Bui. 54, 
 pp. 43-44.) 
 
 HOUSE WREN {Troglodytes edon) 
 
 Length, 4| inches. The only one of our wrens 
 with wholly whitish underparts that lacks a 
 light line over the eye. 
 
 Range. Breeds throughout the United States 
 (except the South Atlantic and Gulf States) and 
 southern Canada; winters in the southern 
 United States and Mexico. 
 
 Habits and economic status: The rich, bub- 
 bling song of the familiar little house wren is 
 one of the sweetest associations connected with 
 country and suburban life. Its tiny body, long 
 bill, sharp eyes, and strong feet peculiarly adapt 
 it for creeping into all sorts of nooks and cran- 
 nies where lurk the insects it feeds on. A cavity 
 in a fence post, a hole in a tree, or a box will be 
 welcomed alike by this busybody as a nestuig 
 site; but since the advent of the quarrelsome 
 English sparrow such domiciles are at a premium 
 and the wren's eggs and family are safe only in 
 cavities having entrances too small to admit the 
 sparrow. Hence it behooves the farmer's boy 
 to provide boxes the entrances to which are 
 about an inch in diameter, nailing these under 
 gables of barns and outhouses or in orchard 
 trees. In this way the niunbers of this useful 
 bird can be increased, greatly to the advantage 
 of the farmer. Grasshoppers, beetles, cater- 
 pillars, bugs, and spiders are the principal ele- 
 ments of its food. Cutworms, weevils, ticks, 
 and plant lice are among the injurious forms 
 eaten. The nestlings of house wrens consume 
 great quantities of insects. (See Yearbook 
 U. S. Dept. Agric. 1895, pp. 416-418, and Biol. 
 Survey Bui. 30. pp. 60-62.) 
 
 CATBIRD (Dumetella carolinensis) 
 
 Length, about 9 inches. The slaty gray 
 plumage and black cap and tail are distinctive. 
 
 Range: Breeds throughout the United States 
 west to New Mexico, Utah, Oregon, and Wash- 
 ington, and in southern Canada; winters from 
 the Gulf States to Panama. 
 
 Habits and economic status: In many locali- 
 ties the catbird is one of the commonest birds. 
 Tangled growths are its favorite nesting places 
 and retreats, but berry patches and ornamental 
 shrubbery are not disdained. Hence the bird 
 is a familiar dooryard visitor. The bird has a 
 fine song, unfortunately marred by occasional 
 cat calls. With habits similar to those of the 
 mocking bird and a song almost as varied, the 
 catbird has never secured a similar place in 
 popular favor. Half of its food consists of 
 fruit, and the cultivated crops most often in- 
 jured are cherries, strawberries, raspberries, and 
 blackberries. Beetles, ants, crickets, and grass- 
 hoppers are the most important element of its 
 animal food. The bird is known to attack a 
 few pests, as cutworms, leaf beetles, clover-root 
 curculio, and the periodical cicada, but the good 
 it does in this way probably does not pay for the 
 fruit it steals. The extent to which it should be 
 protected may perhaps be left to the individual 
 cultivator; that is, it should be made lawful to 
 destroy catbirds that are doing manifest damage 
 to crops. (See Yearbook U. S. Dept. Agric. 
 1895, pp. 406-411.) 
 
 BARN SWALLOW {Hirundo erytkrogasta) 
 
 Length, about 7 inches. Distinguished among 
 our swallows by deeply forked tail. 
 
 Range: Breeds throughout the United States 
 (except the South Atlantic and Gulf States) and 
 most of Canada; winters in South America. 
 
 Habits and economic status: This is one of 
 the most familiar birds of the farm and one of 
 the greatest insect destroyers. From daylight 
 to dark on tireless wings it seeks its prey, and 
 the insects destroyed are countless. Its favorite 
 nesting site is a barn rafter, upon which it sticks 
 its mud basket. Most modern barns are so 
 tightly constructed that swallows can not gain 
 entrance, and in New England and some other 
 parts of the country barn swallows are much less 
 numerous than formerly. Farmers can easily 
 provide for the entrance and exit of the birds 
 and so add materially to their numbers. It may 
 be well to add that the parasites that sometimes 
 infest the nests of swallows are not the ones the 
 careful housewife dreads, and no fear need be felt 
 of the infestation spreading to the houses. 
 Insects taken on the wing constitute the almost 
 exclusive diet of the barn swallow. More than 
 one-third of the whole consists of flies, including 
 unfortunately some useful parasitic species. 
 Beetles stand next in order and consist of a few 
 weevils and many of the small dung beetles of 
 the May beetle family that swarm over the 
 pastures ia the late afternoon. Ants amount 
 to more than one-fifth of the whole food, whil§ 
 wasps and bees are well representeci. 
 
BOOK OF NATURE 
 
 129 
 
 PURPLE MARTIN {Progne subis) 
 
 Length, about 8 inches. 
 
 Range: Breeds throughout the United States 
 and southern Canada, south to central Mexico; 
 winters in South America. 
 
 Habits and economic status: This is the 
 largest as it is one of the most beautiful of the 
 swallow tribe. It formerly built its nests in 
 cavities of trees, as it still does in wild districts, 
 but learning that man was a friend it soon 
 adopted domestic habits. Its presence about 
 the farm can often be secured by erecting houses 
 suitable for nesting sites and protecting them 
 from usurpation by the English sparrow, and 
 every effort should be made to increase the 
 number of colonies of this very useful bird. 
 The boxes should be at a reasonable height, say 
 15 feet from the ground, and made inaccessible 
 to cats. A colony of these birds on a farm 
 makes great inroads upon the insect population, 
 as the birds not only themselves feed upon in- 
 sects but rear their young upon the same diet. 
 Fifty years ago in New England it was not 
 uncommon to see colonies of 50 pairs of martins, 
 but most of them have now vanished for no 
 apparent reason except that the martin houses 
 have decayed and have not been renewed. 
 More than three-fourths of this bird's food 
 consists of wasps, bugs, and beetles, their im- 
 portance being in the order given. The beetles 
 include several species of harmful weevils, as the 
 clover-leaf weevils and the nut weevils. Be- 
 sides these are many crane flies, moths, May 
 flies, and dragonflies. 
 
 ENGLISH SPARROW {Passer domesticus) 
 
 Length, about 6J inches. Its incessant chat- 
 tering, quarrelsome disposition, and abundance 
 and familiarity about human habitations dis- 
 tinguish it from our native sparrows. 
 
 Range: Resident throughout the United 
 States and southern Canada. 
 
 Habits and economic status: Almost uni- 
 versally condemned since its introduction into 
 the United States, the English sparrow has not 
 only held its own, but has ever increased in 
 numbers and extended its range in spite of all 
 opposition. Its habit of driving out or even 
 killing more beneficial species and the defiling of 
 buildings by its droppings and by its own un- 
 sightly structures, are serious objections to this 
 sparrow. Moreover, in rural districts, it is 
 destructive to grain, fruit, peas, beans, and 
 other vegetables. On the other hand, the bird 
 feeds to some extent on a large number of insect 
 pests, and this fact points to the need of a new 
 investigation of the present economic status of 
 the species, especially as it promises to be of 
 service in holding in check the newly introduced 
 alfalfa weevil, which threatens the alfalfa in- 
 dustry in Utah and neighboring States. In 
 cities most of the food of the English sparrow is 
 waste material secured from the streets. 
 
 SPARROW HAWK (Falco sparverius) 
 
 Length, about 10 inches. This is one of the 
 best known and handsomest, as well as the 
 smallest, of North American hawks. 
 
 Range : Breeds throughout the United States, 
 Canada, and northern Mexico; winters in the 
 United States and south to Guatemala. 
 
 Habits and economic status: The sparrow 
 hawk, which is a true falcon, lives in the more 
 open country and builds its nest in hollow trees. 
 It is abundant in many parts of the West, where 
 telegraph poles afford it convenient perching 
 and feeding places. Its food consists of insects, 
 small mammals, birds, spiders, and reptiles. 
 Grasshoppers, crickets, and terrestrial beetles 
 and caterpillars make up considerably more than 
 half its subsistence, while field mice, house mice, 
 and shrews cover fully 25 per cent of its annual 
 supply. The balance of the food includes birds, 
 reptiles, and spiders. Contrary to the usual 
 habits of the species, some individuals during the 
 breeding season capture nestling birds for food 
 for their young and create considerable havoc 
 among the songsters of the neighborhood. In 
 agricultural districts when new ground is broken 
 by the plow, they sometimes become very tame, 
 even alighting for an instant under the horses 
 in their endeavor to seize a worm or insect. 
 Out of 410 stomachs examined, 314 were found 
 to contain insects; 129, small mammals; and 
 70, small birds. This little falcon renders good 
 service in destroying noxious insects and rodents 
 and should be encouraged and protected. (See 
 Biol. Survey Bui. 3, pp. 115-127.) 
 
 RED-TAILED HAWK {Buteo borealis) 
 
 Length, about 2 feet. One of our largest 
 hawks; adults with tail reddish brown. 
 
 Range: Breeds in the United States, Mexico, 
 Costa Rica, Canada, and Alaska; winters 
 generally in the United States and south to 
 Guatemala. 
 
 Habits and economic status: The red-tailed 
 hawk, or "hen-hawk," as it is commonly called, 
 is one of the best known of all our birds of prey, 
 and is a widely distributed species of great 
 economic importance. Its habit of sitting on 
 some prominent limb or pole in the open, or 
 flying with measured wing beat over prairies 
 and sparsely wooded areas on the lookout for its 
 favorite prey, causes it to be noticed by the 
 most indifferent observer. Although not as 
 omnivorous as the red-shouldered hawk, it feeds 
 on a variety of food, as small mammals, snakes, 
 frogs, insects, birds, crawfish, centipedes, and 
 even carrion. In regions where rattlesnakes 
 abound it destroys considerable numbers of the 
 reptiles. Although it feeds to a certain extent 
 on poultry and birds, it is nevertheless entitled to 
 general protection on account of the insistent 
 warfare it wages against field mice and other 
 small rodents and insects that are so destructive 
 to yoimg orchards, nursery stock, and farm 
 produce. Out of 530 stomachs examined, 457, 
 or 85 per cent, contained the remains of mammal 
 pests such as field mice, pine mice, rabbits,. 
 
130 
 
 THE HUMAN INTEREST LIBRARY 
 
 several species of ground squirrels, pocket 
 gophers, and cotton rats, and only 6i contained 
 the remains of poultry or game birds. (See 
 Biol. Survey Bui. 3, pp. 48-62.) 
 
 COOPER'S HAWK {Accipiter cooperi) 
 
 Length, about 15 inches. Medium sized, 
 with long tail and short wings, and without the 
 white patch on rump which is characteristic of 
 the marsh hawk. 
 
 Range : Breeds throughout most of the United 
 States and southern Canada; winters from the 
 United States to Costa Rica. 
 
 Habits and economic status: The Cooper's 
 hawk, or "blue darter," as it is familiarly known 
 throughout the South, is preeminently a poultrj-- 
 and bird-eating species, and its destructiveness 
 in this direction is surpassed only by that of its 
 larger congener, the goshawk, which occasionally 
 in autumn and winter enters the United States 
 from the North in great numbers. The almost 
 universal prejudice against birds of prey is 
 largely due to the activities of these two birds, 
 assisted by a third, the sharp-shinned hawk, 
 which in habits and appearance might well pass 
 for a small Cooper's hawk. These birds usually 
 approach under cover and drop upon unsuspect- 
 ing victims, making great inroads upon poultry 
 yards and game coverts favorably situated for 
 this style of himting. Out of 123 stomachs 
 examined, 38 contained the remains of poultry 
 and game birds, 66 the remains of other birds, 
 and 12 the remains of mammals. Twenty-eight 
 species of wild birds were identified in the above- 
 mentioned material. This destructive hawk, 
 together with its two near relatives, should be 
 destroyed by every possible means. (See Biol. 
 Survey Bui." 3, pp.' 38-43.) 
 
 MOURNING DOVE {Zenaidura macroura) 
 
 Length, 12 inches. The dark spot on the side 
 of the neck distinguishes this bird from all 
 other native doves and pigeons except the white- 
 winged dove. The latter has the upper third of 
 wing white. 
 
 Range: Breeds throughout the L'nited States 
 and in Mexico, Guatemala, and southern Can- 
 ada; winters from the central United States to 
 Panama. 
 
 Habits and economic status: The food of the 
 mourning dove is practically all vegetable 
 matter (over 99 per cent), principally seeds of 
 plants, including grain. Wheat, oats, rye, corn, 
 barley, and buckwheat were found in 150 out 
 of 237 stomachs, and constituted 32 per cent of 
 the food. Three-fourths of this was waste 
 grain picked up after harvest. The principal 
 and almost constant diet is weed seeds, which 
 are eaten throughout the year and constitute 
 64 per cent of the entire food. In one stomach 
 were found 7500 seeds of yellow wood sorrel, in 
 another 6400 seeds of barn grass or foxtail, and 
 in a third 2600 seeds of slender paspalum, 4820 
 of orange hawkweed, 950 of hoary vervain, 
 120 of Carolina cranesbill, 50 of yellow wood 
 sorrel, 620 of panic grass, and 40 of various other 
 weeds. None of these are useful, and most of 
 
 them are troublesome weeds. The dove does 
 not eat insects or other animal food. It 
 should be protected in every possible way. 
 (See Farmers' Bui. 54, pp. 6-7.) 
 
 KILLDEER {Oxyechus vocijerus) 
 
 Length, 10 inches. Distinguished by its 
 piercing and oft-repeated cry — kildce. 
 
 Range: Breeds throughout the United States 
 and most of Canada; winters from central 
 United States to South America. 
 
 Habits and economic status: The killdeer is 
 one of the best known of the shorebird family. 
 It often visits the farmyard and commonly nests 
 in pastures or cornfields. It is rather suspicious, 
 however, and on being approached takes flight 
 with loud cries. It is noisy and restless, but 
 fortunately most of its activities result in bene- 
 fit to man. The food is of the same general 
 nature as that of the upland plover, but is more 
 varied. The killdeer feeds upon beetles, grass- 
 hoppers, caterpillars, ants, bugs, caddis flies, 
 dragonflies, centipedes, spiders, ticks, oyster 
 worms, earthworms, snails, crabs, and other 
 Crustacea. Among the beetles consumed are 
 such pests as the alfalfa weevil, cotton-boll 
 weevil, clover-root weevil, clover-leaf weevil, 
 pine weevil, billbugs, white grubs, wireworms, 
 and leaf beetles. The bird also devours cotton 
 worms, cotton cutworms, horse-flies, mos- 
 quitoes, cattle ticks, and crawfish. One stom- 
 ach contained hundreds of larva? of the salt- 
 marsh mosquito, one of the most troublesome 
 species. The killdeer preys extensively upon 
 insects that are annoying to man and injurious 
 to his stock and crops, and this should be 
 enough to remove it from the list of game birds 
 and insure its protection. fSee Farmers' Bui. 
 497, pp. 16-18.) 
 
 UPLAND PLOVER {Bartramia longicauda) 
 
 Length, 12 inches. The only plainly colored 
 shorebird which occurs east of the plains and 
 inhabits exclusively dry fiekls and hillsides. 
 
 Range: Breeds from Oregon, Utah, Okla- 
 homa, Indiana, and ^'irginia, north to Alaska; 
 winters in South America. 
 
 Habits and economic status: This, the most 
 terrestrial of our waders, is shy and wary, but it 
 has the one weakness of not fearing men on 
 horseback or in a vehicle. One of these methods 
 of approach, therefore, is nearly always used by 
 the sportsman, and, since the bird is highly 
 prized as a table delicacy, it has been hunted 
 to the verge of extermination. As the upland 
 plover is strictly beneficial, it should no longer 
 be classed as a game bird and allowed to be 
 shot. Ninety-seven per cent of the food of this 
 species consists of animal forms, chiefly of 
 injurious and neutral species. The vegetable 
 food is mainly weed seeds. Almost half of the 
 total subsistence is made up of grasshoppers, 
 crickets, and weevils. Among the weevils 
 eaten are the cotton-boll weevil, greater and 
 lesser clover-leaf weevils, cowpea weevils, and 
 billbugs. This bird devours also leaf beetles, 
 wireworms, white grubs, army worms, cotton 
 
THE LONELY TENANT OF A LANE BY NIGHT— THE BARN-OWL OF THE COUNTRYSIDE 
 
 ISl 
 
132 
 
 THE HUMAN INTEREST LIBRARY 
 
 worms, cotton cutworms, sawfly larviie, horse- 
 flies, and cattle ticks. In brief, it injures no 
 crop, but consimies a host of the worst enemies 
 of agriculture (See Farmers' Bui. 497, pp. 
 14-16.) 
 
 KINGBIRD (Tyrannus tyrannus) 
 
 Length, about SA inches. The white lower 
 surface and white-tipped tail distinguish this 
 flycatcher. 
 
 Range: breeds throughout the United States 
 (except the southwestern part) and southern 
 Canada; winters from Mexico to South 
 America. 
 
 Habits and economic status: the kingbird 
 is a pronounced enemy of hawks and crows, 
 which it vigorously attacks at every oppor- 
 tunity, thereby affording efficient protection to 
 near-by poultry yards and young chickens at 
 large. It loves the open country and is espe- 
 cially fond of orchards and trees about farm 
 buildings. No less than 85 per cent of its food 
 consists of insects, mostly of a harmful nature. 
 It eats the common rose chafer or rose bug, and 
 more remarkable still it devours blister beetles 
 freely. The bird has been accused of eating 
 honeybees to an injurious extent, but there is 
 little groimd for the accusation, as appears from 
 the fact that examination of 034 stomachs 
 showed only 61 bees in 22 stomachs. Of these 
 51 were useless drones. On the other hand, it 
 devours robber flies, which catch and destroy 
 honeybees. Grasshoppers and crickets, with a 
 few bugs and some cutworms, and a few other 
 insects, make up the rest of the animal food. 
 The vegetable food consists of fruit and a few 
 weeds. The kingbird deserves full protection. 
 (See Biol. Survey Bui. 44. pp. 11-19.) 
 
 SCREECH 0\VL {Otus asio) 
 
 Length, about 8 inches. Our smallest owl 
 with ear tufts. There are tv/o distinct phases 
 of plumage, one grayish and the other bright 
 rufous. 
 
 Range: resident throughout the United 
 States, southern Canada, and northern Mexico. 
 
 Habits and economic status: the IHtle screech 
 owl inhabits orchards, groves, and thickets, 
 and hunts for its prey in such places as well as 
 along hedge rows and in the open. During 
 warm spells in winter it forages quite extensively 
 and stores up in some hollow tree quantities of 
 food for use during inclement weather. Such 
 larders often contain enough mice or other prey 
 to last it over a week or more. With the excep- 
 tion of the burrowing owl it is probably the most 
 insectivorous of the noctural birds of prey. 
 It feeds on small mammals, birds, reptiles, 
 batrachians, fish, spiders, crawfish, scorpions, 
 and earthworms. Grasshoppers, crickets, 
 ground-dwelling beetles, and eater-pillars are 
 its favorites among insects, as are field mice 
 among mammals and sparrows among birds. 
 Out of 324 stomachs examined, 169 were 
 found to contain insects; 142, small mam- 
 mals, 56, birds; and 15, crawfish. The screech 
 owl should be encouraged to stay near barns and 
 
 outhouses, as it will keep in check house mice 
 and wood mice, which frequent such places. 
 (See Biol. Survey Bui. 3, pp. 163-173.) 
 
 BARN OWL {Aluco pratincola) 
 
 Length, about 17 inches. Facial disk not 
 circular as in our other owls; plumage above, 
 pale yellow; beneath, varying from silky white 
 to pale bright tawny. 
 
 Range: resident in Mexico, in the southern 
 United States, and north to New York, Ohio, 
 Nebraska, and California. 
 
 Habits and economic status: the barn owl, 
 often called monkey-faced owl, is one of the 
 most beneficial of the birds of prey, since it 
 feeds almost exclusively on small mammals that 
 injure farm produce, nursery, and orchard stock. 
 It hunts principally in the open and conse- 
 quently secures such mammals as pocket 
 gophers, field mice, common rats, house mice, 
 harvest mice, kangaroo rats, and cotton rats. 
 It occasionally captures a few birds and insects. 
 At least a half bushel of the remains of pocket 
 gophers have been found in the nesting cavity 
 of a pair of these birds. Remembering that a 
 gopher has been known in a short time to 
 girdle seven apricot trees worth $100 it is hard 
 to overestimate the value of the service of a 
 pair of barn owls. One thousand two hundred 
 and forty-seven pellets of the barn owl collected 
 from the Smithsonian towers contained 3,100 
 skulls, of which 3,004, or 97 per cent, were of 
 mammals; 92 or 3 per cent, of birds; and 4 
 were of frogs. The bulk consisted of 1,987 
 field mice, 656 house mice, and 210 common 
 rats. The birds eaten were mainly sparrows 
 and blackbirds. This valuable owl should be 
 rigidly protected throughout its entire range. 
 (See Biol. Survey Bui. 3, pp. 132-139.) 
 
 RUFFED GROUSE {Bonasa umhellus) 
 
 Length, 17 inches. The broad black band 
 near tip of tail distinguishes this from other 
 grouse. 
 
 Range: resident in the northern two-thirds 
 of the United States and in the forested parts of 
 Canada. 
 
 Habits and economic status: the ruffed 
 grouse, the famed drummer and finest game bird 
 of the northern woods, is usually wild and wary 
 and under reasonable protection well withstands 
 the attacks of hunters. Moreover, when re- 
 duced in numbers, it responds to protection in 
 a gratifying manner and has proved to be well 
 adapted to propagation under artificial condi- 
 tions. Wild fruits, mast, and browse make up 
 the bulk of the vegetable food of this species. 
 It is very fond of hazelnuts, beechnuts, chest- 
 nuts and acorns, and it eats practically all kinds 
 of wild berries and other fruits. Nearly 60 
 kinds of fruits have been identified from the 
 stomach contents examined. Various weed 
 seeds also are consumed. Slightly more than 
 10 per cent of the food consists of insects, about 
 half being beetles. The most important pests 
 devoured are the potato beetle, clover-root 
 weevil, the pale-striped flea beetle, grapevine 
 
BOOK OF NATURE 
 
 133 
 
 leaf-beetle. May beetles, grasshoppers, cotton 
 worms, army worms, cutworms, the red-humped 
 apple worm, and sawfly larvae. While the 
 economic record of the ruffed grouse is fairly 
 commendable, it does not call for more stringent 
 protection than is necessary to maintain the 
 species in reasonable numbers. (See Biol. 
 Survey Bui. 24, pp. 25-38.) 
 
 BOBWHITE {Colinus virginianus) 
 
 Length, 10 inches. Known everywhere by 
 the clear whistle that suggests its name. 
 
 Range: resident in the United States east 
 of the plains; introduced in many places in the 
 West. 
 
 Habits and economic status: the bobwhite is 
 loved by every dweller in the country and 
 is better known to more hunters in the 
 United States than any other game bird. It is 
 no less appreciated on the table than in the 
 field, and in many states has unquestionably 
 been hunted too closely. Fortunately it seems 
 to be practicable to propagate the bird in 
 captivity, and much is to be hoped for in this 
 direction. Half the food of this quail consists of 
 weed seeds, almost a fourth of grain, and about 
 a tenth of wild fruits. Although thus eating 
 grain, the bird gets most of it from stubble. 
 Fifteen per cent of the bobwhite's food is com- 
 posed of insects, including several of the most 
 serious pests of agriculture. It feeds freely 
 upon Colorado potato beetles and chinch bugs; 
 it devours also cucumber beetles, wireworms, 
 billbugs, clover-leaf weevils, cotton-boll weevils, 
 army worms, bollworms, cutworms, and Rocky 
 Mountain locusts. Take it all in all, bobwhite 
 is very useful to the farmer, and while it may not 
 be necessary to remove it from the list of game 
 
 birds every farmer should see that his own farm 
 is not depleted by eager sportsmen. (See Biol, 
 Survey Bui. 21, pp. 9-46.) 
 
 DOWNY WOODPECKER {Dryobates pubes- 
 scens) 
 
 Length, 6 inches. Our smallest woodpecker; 
 spotted with black and white. Dark bars on 
 the outer tail feathers distinguish it from the 
 similarly colored but larger hairy woodpecker. 
 
 Range: Resident in the United States and 
 the forested parts of Canada and Alaska. 
 
 Habits and economic status: This wood- 
 pecker is commonly distributed, living in wood- 
 land tracts, orchards and gardens. The bird 
 has several characteristic notes, and, like the 
 hairy woodpecker, is fond of beating on a dry 
 resonant tree branch a tattoo which to apprecia- 
 tive ears has the quality of woodland music. 
 In a hole excavated in a dead branch the downy 
 woodpecker lays four to six eggs. This and the 
 hairy woodpecker are among our most valuable 
 allies, their food consisting of some o" the worst 
 foes of orchard and woodland, which the wood- 
 peckers are especially equipped to dig out of 
 dead and living wood. In the examination of 
 723 stomachs of this bird, animal food, mostly 
 insects, was found to constitute 76 per cent of 
 the diet and vegetable matter 24 per cent. The 
 animal food consists largely of beetles that bore 
 into timber or burrow under the bark. Cater- 
 pillars amount to 16 per cent of the food and 
 include many especially harmful species. Grass- 
 hopper eggs are freely eaten. The vegetable 
 food of the downy woodpecker consists of small 
 fruit and seeds, mostly of wild species. It dis- 
 tributes seeds of poison ivy, or poison oak, 
 which is about the only fault of this very useful 
 bird. (See Biol. Survey Bui. 37, pp. 17-22.) 
 
 .<i 
 
ISJt 
 
 TEE HUMAN INTEREST LIBRARY 
 
 WHAT HAPPENS IN A HIVE OF BEES 
 
 IF YOU have ever seen a swarm of 
 bees issue from a hive, fill the 
 summer morning with a cloud of 
 flashing wings and glad riot of music, 
 and then come to rest at last, all the 
 thousands of reckless truants gathered 
 in one dense, silent mass, gently sway- 
 ing from the branch of a tree, you have 
 seen one of the most mysterious sights in 
 all the round of Nature. 
 
 The wonder of it lies not so much in 
 the spectacle itself, although that is 
 startling, but in the fact that the 
 honey-bees, of all creatures on earth, 
 should behave in this surprising way. 
 If the honey-bees were in the habit 
 of congregating in this way on fine 
 summer mornings, returning to their 
 hive after a few hours' enjoyment of 
 the air and sunshine, it would be inter- 
 esting, yet little more; but that is 
 not what happens. That is not the 
 habit of the bees. This great swarm 
 of theirs ic the first they have known, 
 and of the thousands that have issued 
 so jubilantly from the hive, which has 
 been home to them from their first 
 moment of life, not one will ever re- 
 turn. The swarm, from how onward, 
 will become a separate colony of bees; 
 and even if the new home should be 
 within a few feet of the old home, and 
 hard times should come upon it, every 
 bee in the new home will starve, and 
 die at her post, rather than go back to 
 the place where prosperity and plenty 
 await her after only an instant's flight. 
 
 Moreover, we are faced with this 
 mysterious thing. Today, before the 
 swarm has issued, the twenty or thirty 
 thousand worker bees, destined to go 
 forth in a few hours, would instantly 
 defend the mother hive against an 
 assailant with their last energy and the 
 last drop of venom in their stings. But 
 tomorrow when the new colony has 
 come into existence, not a single one 
 
 of those bees would stir a wing to save 
 the old home that was all-in-all to 
 them but yesterday, no matter what 
 danger might threaten it. As far as 
 they are concerned, the old home has 
 now utterly ceased to exist. 
 
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 ^ 
 
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 w 
 
 
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 ^ 
 
 
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 ^ji 
 
 Swarm of Bees Hanging From a Beam 
 
 We see the hive at one moment 
 going about its business in a quiet and 
 orderly fashion, and the next suddenly 
 throwing a dark and living stream 
 upon the air. We see the winged 
 multitude flinging itself broadcast 
 overhead in what appears to be a mad 
 confusion. But then we see a com- 
 mon purpose gradually reveal itself 
 amid this chaos. The madly pirouet- 
 ting, vociferating crew, after sailing 
 about bodily hither and thither against 
 the blue sky, at length seems to be 
 concentrating at one spot. At the tip 
 of a branch a little knot of bees has 
 formed itself, no bigger than a single 
 leaf; but even as we gaze this black 
 spot doubles its volume. A moment 
 more, and it has doubled again, and it 
 grows and grows, as we watch, at 
 amazing speed. We note now that, 
 from all quarters, the flying bees are 
 streaming towards this common center. 
 In an incredibly brief interval, the air 
 is empty of winged life. Every bee 
 has attached herself to the cluster, and 
 the branch is bowed down with the 
 
BOOK OF NATURE 
 
 135 
 
 
 
 The upper and lower wings of the honey bee 
 
 
 
 mm 
 
 f^ llHll' '" 1 i"?!?!-'!-! 'Illl 
 
 \ ' "-^; 
 
 ^^ 
 
 ^^ 
 
 m 
 
 ""f 
 
 
 IP 
 
 W 
 
 1 he hiM.k.s thut liuld the upper and lower wings oi a bee togetuer wuen in flight 
 
 The empty pollen pocket of the bee, In the joint ol ita leg The pollen pocket ol the bee laden after a visit to the garden 
 
THE GROWTH OF THE HONEY-BEE IN THE TINY CELL 
 
 THE DEVELOPMENT OF THE BEE FROM THE EGG LAID IN THE CELLS 
 
 THE EGGS LAID BY THE QUEEN IN THE CELLS. SHOWN IN VARIOUS STAGES OF DEVELOPMENT 
 
 THE WISE LITTLE CREATURES THAT EMERGE FROM THE EGGS SEEN ABOVE — THE QUEEN BEE 
 IS IN THE MIDDLE, WITH A DRONE ON HER LEFT AND A WORKER ON THE RIGHT. 
 
 136 
 
BOOK OF NATURE 137 
 
 weight of it, almost to the ground, in the late spring. The store-houses 
 
 There it hangs, a dark brown, glisten- are full to overflowing; the hive is 
 
 ing, cigar-shaped mass, idly swaying crowded to the very door with a great 
 
 to and fro in the sun. population of bees ; thousands more are 
 
 And now let us see what manner of being born every day. And then this 
 creature it is that has done this thing, strange thing happens. The creatures 
 For 364 days out of 365 in the year a who have been at such infinite pains 
 hive of bees presents an almost perfect to bring about all this fullness and pros- 
 example of law and order, prudence, perity, whose industry and ingenuity 
 and untiring industry. Every member have resulted in such an amazing 
 of the colony — and in the height of structure, such an abounding accumu- 
 summer a colony may consist of fifty lation of wealth, appear suddenly to 
 or sixty thousand individuals — has its go back on all their long-cherished 
 allotted work to do, and does it in a principles. They throw work to the 
 very fever of conscientiousness, resting winds, rush madly to sport and play, 
 neither day nor night. The queen, abandon forever all their possessions, 
 the one mother bee in the hive, passes and utterly beggar themselves — all, as 
 incessantly over the combs, deposit- far as we can see, for the wild frolic of 
 ing eggs in the little cells to the num- an hour. And tomorrow we shall see 
 ber of several thousands in a single them sober and industrious again, as 
 day. The worker bees hurry in and forgetful, apparently, of their wild es- 
 out of the hive, bringing in nectar capade as they are of the very existence 
 from the flowers, to be brewed into of the home of plenty they have for- 
 thick, golden honey; or bringing pollen saken for all time, beginning life afresh, 
 to be made into food for the young with a feverish accession of energy, as 
 bees when they are only tiny white they attach the first atom of wax 
 grubs with staring black eyes, lying to their empty house, and hurry forth 
 inert in the cells; or bringing water, to gather the first drop of nectar, or 
 which is indispensable at nearly all first pollen-loads, to feed the children 
 stages of the life of a bee. Even the yet unborn. 
 
 drones, of which there are only a few The issue of a swarm is inevitably 
 hundreds in each hive, have their ap- connected with another thing perhaps 
 pointed tasks. The drone is by no more curious still. Though a great 
 means the idle, dissolute fellow he is army of bees has come surging out of 
 made out to be in the old-fashioned the hive, many have remained behind. 
 Nature books. He does not work If we look into the hive immediately 
 simply because he has not been pro- after the departure of the swarm, we 
 vided with any tools of labor — his find there still a great gathering. The 
 tongue is too short to reach the nectar ordinary daily affairs of the colony 
 at the base of the flower-cups, he has seem to go forward in the old way, in 
 no baskets on his thighs in which to spite of the upheaval. The combs are 
 transport the pollen, he cannot make covered with bees engaged in the usual 
 wax or build up honeycomb. But he, occupations— storing the nectar, feed- 
 as well as the workers, has many im- ing the young grubs, sealing over the 
 portant offices vital to the well-being ripe honey-cells, and closing up the 
 of the hive. cells in which the larvse have reached 
 
 So the hive goes on, day after day, full growth. And the question at once 
 
 month after month, until the colony rises in the mind — why did all those 
 
 reaches its high tide of prosperity bees rush from the home, never to 
 
THE LIFE OF THE BEE IN ITS WONDERFUL HIVE 
 
 The queen bee deposits an egg In each cell In this comb. The royal cells are all constructed like the large cell at the 
 bottom. 
 
 1S8 
 
BOOK OF NATURE 
 
 139 
 
 return, while all these others remained 
 at their tasks, apparently uncon- 
 cerned? By what means were some 
 chosen and the others left? 
 
 As far as is known, no man has ever 
 been able to answer that question. It 
 is certain that the bees to go are 
 chiefly mature workers accustomed to 
 fly abroad, and that they take with 
 them the queen of the old colony. 
 It is certain, also, that the majority 
 of the bees that remain are young 
 w^orkers and drones, whose experience 
 of out of doors has been mostly con- 
 fined to short airing flights in the 
 midday sunshine round the hive. But 
 that is all we know — that the stock 
 does divide itself in this way, and the 
 phenomenon must depend on urgent, 
 definite laws — it must fulfil some 
 imperious need, for it is obviously 
 brought about by forces that are 
 instant and irresistible. 
 
 Yet, though the life of the honeybee 
 must ever rouse a spirit of wonder, it 
 is not always fraught with mystery. 
 There are aspects of it that the wisest 
 of us may never come to understand; 
 but, considered as an intelligent sys- 
 tem, it is far from being mysterious; 
 intricate and ingenious as it appears 
 to us, its meaning and purpose stand 
 out clear as day. 
 
 Bees are ordained to live together 
 in a dense community, all the energy 
 and ability of thousands of individuals 
 united for the common good. What, 
 then, do we see in a hive? The first 
 things we see are the unique systems 
 of rearing the young, and methods of 
 making and storing honey, which is 
 merely food laid by for the coming 
 winter. For both of these purposes a 
 continuous high temperature is needed, 
 and the hive is therefore a closed 
 receptacle, so that heat may be re- 
 tained. But this warmth must first 
 be generated and then economized, 
 and both objects are attained by 
 
 restricting the enclosed space to the 
 least dimensions needed for the combs 
 and the living heat-producers, the 
 inhabitants of the hive. Limitation 
 of space being thus necessary, it follows 
 that the cells, which are needed for 
 rearing the brood and storing the 
 honey, must be made of the thinnest 
 material, and of such a shape that 
 they will pack together in the least 
 possible compass. How does the hon- 
 eybee solve this problem? 
 
 First, the bee proceeds to create 
 within her own body a material which 
 is lighter, tougher, and more elastic 
 than anything that can be obtained 
 out of doors. Then she ascertains 
 the size of cell necessary for a full-sized 
 grub, and proceeds to fashion a series 
 of these cells. She makes each cell 
 six-sided in form, because cells of this 
 shape will fit together side by side over 
 a given surface without leaving any 
 waste spaces between. Moreover, a 
 larger number of six-sided cells will 
 go into a given area than cells of any 
 other shape. 
 
 And now the bee perfects her scheme 
 for greatest efficiency and economy by 
 two crowning strokes. Every cell 
 must be closed in at one end. Instead 
 of grouping her cells in horizontal 
 planes mouth upwards, as do the wasps, 
 she places them on their sides, building 
 a vertical wall with them, and sets two 
 of these walls back to back, so that one 
 partition will suffice to close two cells. 
 But a still more ingenious economy in 
 material is now brought about. In- 
 stead of making the cell-bottom flat, 
 the bee constructs it of three diamond- 
 shaped plates which fit together, 
 forming a blunt pyramid. The result 
 is that the cells, while retaining their 
 necessary length in their centers, fit 
 together where they meet back to 
 back, like the teeth of a rat-trap, over- 
 lapping each other, and thus saving 
 considerable in both space and ma- 
 
IW 
 
 THE HUMAN INTEREST LIBRARY 
 
 terial. The comb of the honeybee ex- 
 ists today, in this age of mechanical 
 wonders, as one of the most ingenious 
 mechanical contrivances in the world. 
 
 But perhaps the most wonderful 
 thing about a beehive consists not in 
 any custom or achievement of its 
 inhabitants, but in the bodily structure 
 of the worker bee herself. The fact 
 that she accomplishes so many great 
 works and overcomes so many diffi- 
 culties seems less of a miracle when we 
 watch her under the microscope, see 
 how wonderfully she is made, and with 
 what a sheaf of ingenious implements 
 she is provided. She is first of all to 
 be a honeymaker, and is therefore 
 equipped with a tongue which can be 
 used either as a sort of sponge to take 
 up minute quantities of nectar, or as a 
 tube which can be thrust into the finest 
 apertures, and by which the most care- 
 fully hidden stores can be sucked up. 
 For the conveyance of these sweets to 
 the hives, she has within her body an 
 elastic reservoir whose contents can 
 be discharged through the mouth at 
 will. 
 
 On the worker bee devolves the 
 duty of supplying the pollen, an indis- 
 pensable ingredient of the food given 
 to the young larvae, to the stay-at- 
 home queen, to the drones, and some- 
 times to the workers themselves. For 
 the purpose of collecting this pollen, 
 nearly the whole of the body of the 
 bee is covered with curiously branched 
 hairs, like herring-bones, to which the 
 grains of pollen adhere as the bee 
 climbs into the flower. From these 
 hairs the pollen is removed every 
 moment or two by a process of groom- 
 ing, which the bee carries out by means 
 of a pair of beautifully constructed 
 curry-combs carried on the hind legs. 
 From these combs the pollen grains 
 are again removed and kneaded to- 
 gether, after which the mass is packed 
 into baskets formed by the stiff bristles 
 
 on the thigh. The pollen thus ac- 
 cumulated often makes a lump of 
 immense size compared with that of 
 its bearer, and the bees may be seen 
 fairly staggering into the hive under 
 the weight of their golden loads. 
 
 The method of constructing the 
 cells is even more remarkable than the 
 method of provisioning them. These 
 have to be made of excessive thinness 
 in order that as little space as possible 
 may be taken up, but they must be 
 capable of bearing immense strains, 
 and of resisting the high temperature 
 of the hive. There is no natural sub- 
 stance affording all the qualities needed 
 by the bee for her building work, so she 
 must create it for herself. This she 
 does by means of her wax-pockets — 
 six tiny crucibles lying under the hard 
 plates of the lower part of her body. 
 In these pockets are generated tiny 
 oval scales looking like flakes of clear 
 glass, and this is the raw material of 
 the comb. The bee has two pairs of 
 pincers, one on each of her hind legs, 
 and with these she draws out the 
 brittle scales from her wax-pockets, 
 and proceeds to chew them up, 
 mingling with the substance a strong 
 acid secreted by certain glands in the 
 jaws. Then, and only then, does the 
 material we know as beeswax come 
 into existence, and the worker imme- 
 diately sets about the task of molding 
 it into comb. 
 
 But all this marvelous work of 
 comb-building, with its exquisite regu- 
 larity of form and accuracy of dimen- 
 sion, is carried on in what seems to us 
 total darkness. How is it possible for 
 the bees to construct it so perfectly, 
 working in crowded comjDanies to- 
 gether, the whole comb growing out- 
 ward and downward in all directions 
 at one and the same time.f* Here, 
 again, we are faced with a question 
 which the ingenuity of man has failed 
 to answer. A partial explanation 
 
BOOK OF NATURE 
 
 Ul 
 
 may be found in the fact that the bee 
 is provided with eyes which actually 
 make light of what we regard as com- 
 plete darkness, but this will not solve 
 the difficulty. Vision alone, however 
 perfect, could never guide the bee in 
 all the tasks she performs within the 
 hive. Perhaps she has not only our 
 own five senses, but other senses of 
 which we can form little conception. 
 An examination of her antennae — the 
 curious flail-like organs protruding 
 from the middle of her forehead, 
 which she incessantly uses in all her 
 affairs — discloses evidence of this. On 
 these antennae we find no less than 
 six distinct kinds of implements, all 
 obviously organs of sense, and all per- 
 
 haps conveying different impressions. 
 We cannot be far wrong, therefore, in 
 imagining that the bee has faculties, 
 inconceivable in ourselves, which are 
 necessary in her own special place in 
 the scheme of life. 
 
 It would be easy to go on thus 
 multiplying instances of the bee's 
 amazing equipment for the work she 
 does in the world. Many books have 
 been filled with stories of this little 
 friend of ours, one of the most inter- 
 esting creatures in the universe. But 
 we must study the bee, not in books 
 only, but in the hive itself, for though 
 it is good to read of what other eyes 
 have seen, it is better to see for our- 
 selves. 
 
 HOW INSECTS GUARD THEIR YOUNG 
 
 THE noblest thing in all the 
 world is your mother's love 
 for you, and this beautiful 
 thing, without which the world could 
 not have been, runs through creation. 
 The great love which moves a mother 
 to live or die, if need be, for her chil- 
 dren, has its root deep in the universe, 
 and from this seed springs the hap- 
 piness of our race and the future 
 of all life. 
 
 It is really true, as Charles Dickens 
 said, that it is love that makes the 
 world go round. Throughout the an- 
 imal world, as in the human race, runs 
 this golden thread of love. Even the 
 fierce spider, which gobbles up her 
 husband, is a loving mother to her 
 children; the savage crocodile val- 
 iantly defends the eggs she has laid; 
 the cold-blooded serpent, which will 
 kill every other living thing, coils her 
 form around the eggs from which her 
 children will emerge. The mother 
 bear is never so much to be feared as 
 when her cubs need defending; the 
 mother elephant is never so skilful 
 and clever as when her baby gambols 
 clumsily at her side. 
 
 Yet crocodile and bear and elephant, 
 admirable as they are in motherhood, 
 are not more admirable than the 
 humble earwig, and not so laborious in 
 their nursery duties as the bee and the 
 ant and the wasp. Such insects, in- 
 deed, rank next to mankind as wise 
 and loving parents. All that they do 
 in planning and organizing their lives 
 is prompted by the love of their little 
 ones. The homes they make, marvels 
 of accurate design and finish, are not 
 for themselves, but for their helpless 
 young. 
 
 We remember that many kinds of 
 insects never see their children, and we 
 ask ourselves, can it be love for their 
 unknown little ones which prompts 
 these insects to labor in constructing 
 nurseries and laying up stores of food? 
 Nobody can answer that with cer- 
 tainty. Man is wise, but he does not 
 know all things. The senses of insects 
 are not like our own, and we do not 
 know how insects feel towards one an- 
 other, whether love guides them, or 
 what we call instinct. What is in- 
 stinct? It is described by one of our 
 highest authorities as "reasoning which 
 
OFFER OF LIFE TO THE EARTH AND SUN 
 
 Grasshopper depositing her eggs in a nest under the ground 
 
 bpider mother holding up her egg to the sun, turning it round and round — A wonderful photograph taken by a French 
 
 naturalist. 
 
 142 
 
BOOK OF NATURE US 
 
 is organized, systematized, automatic." leave large families behind, and these 
 
 Let us bear that in mind, for it helps would learn to deposit their eggs in 
 
 us to understand the puzzling question the right place. Those not profiting 
 
 which rises to the mind. Can insects by experience would see their little 
 
 be said to love their children whom ones perish, and would die without 
 
 they never see? Some children's ques- leaving families behind. In course of 
 
 tions perplex the most learned phil- time, as the right and wise choice 
 
 osophers, and this is one of them. Let grew into a habit, the care of the 
 
 us follow it up for a moment. parents for their young would become 
 
 We know that millions of moths, less and less necessary, 
 butterflies, midges, and other winged Mothers who live just long enough 
 insects die soon after leaving the to lay their eggs and die 
 chrysalis stage. These can never see The process of laying eggs would be 
 their little ones, yet, in due season, in hurried on; the insect would live its 
 place of the parents the children ap- life at a greater rate, as we say; and, 
 pear. Many insects do not eat, can- a great amount of work being crowded 
 not eat. Their mouths are imperfect, into shorter space, the little body of 
 There is a food reserve in their bodies the fragile insect would wear out 
 on leaving the chrysalis, and when that sooner. So the lives of the parents 
 is exhausted they die. How does such grew shorter and shorter, until today 
 a mother, which does not eat, under- many insect mothers have nothing to 
 stand the kind of food its caterpillar do but lay their eggs and die. Let us 
 will require? How can the midge, take one — the clothes moth. She 
 whose life as a perfect insect is passed never eats, because she cannot, yet 
 on the wing, know that its eggs must there is not a living creature in the 
 be laid in water? How does the lordly world that takes greater care in select- 
 dragonfly know the same thing? Is ing a nursery for her young. She 
 it love for the children who will not chooses a garment of wool or hair, 
 be born until they themselves are dead and from her eggs come forth the 
 which guides them, and prompts this tiniest of caterpillars. The garment 
 marvelous selection of place for the chosen by the careful little mother is 
 eggs? The answer to this has taken a the luxuriant pasture of the baby cater- 
 long time to discover, and it is a fasci- pillar, which eats the fabric upon 
 nating one. which it is hatched with as great a 
 
 It is believed that long, long ago the delight as a beautiful deer eats the 
 
 insects which now die as soon as they grass of the park, 
 
 have laid their eggs lived much longer. bees and ants industrious little 
 
 Those of today, which cannot eat, creatures 
 
 had ancestors that could eat, and did The queen bee and the queen ant 
 
 eat, and may have lived long, and in are at the pinnacle of insect organiza- 
 
 that age insects would learn to choose tion, but there are equal wonders to 
 
 the right food for their little ones, be found among bees and wasps which 
 
 They would see the eggs hatch, and do not assemble in cities, 
 
 the little ones grow up and thrive Here each mother has to make a 
 
 when their food and their surroundings little dwelling of her own, and it is 
 
 were favorable. Gradually they would strange to trace the different plans 
 
 learn by experience the place to choose followed. Some of the wasps — our 
 
 and the kind of food to select. Those common wasps, for example — are 
 
 insects, profiting by experience, would social in their habits. They do not 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 dwell in hives in the midst of a popula- 
 tion which goes on from year to year, 
 but create a family round themselves 
 during the summer, and for a few 
 months have a properly organized 
 city, such as the first of the old-world 
 beehives must have been. There 
 comes a time in every year when all 
 the worker wasps die; only the queens 
 live through the winter. In the spring 
 the queen seeks a site for her nest. 
 It may be a hole in the ground, or a 
 hollow tree, it may even be a position 
 beneath the roof of a house. She 
 chews woody, fibrous substances into a 
 paste, which hardens into a sort of 
 paper, and of this her cells are made. 
 In each of these she lays an egg, from 
 which a worker wasp appears in a very 
 short time. Each worker at once be- 
 gins to build new cells, and to help its 
 mother with the labor of the home. 
 The nest grows bigger and bigger, tier 
 upon tier. In each cell the queen 
 wasp places an egg. More workers 
 are born, and when all is ready the 
 new queen wasps and the drones are 
 hatched. These fly forth and do not 
 return. The labor of the home is 
 completed. The workers have done 
 their task. They have seen the queens 
 and the princes depart, and they are 
 ready for death. 
 
 Many kinds of homes are made by 
 wasps and bees whose organization 
 runs upon these lines. Some of the 
 wasps hang splendid nests from the 
 boughs of bushes and trees. The 
 queen begins the work; the workers 
 help her to finish it. The best ex- 
 ample of this kind is that of the wood 
 wasps, of which there are many 
 species. One kind of wood wasp has 
 so many chi'dren that the united 
 labors of all produce a nest five feet 
 in length. What an enormous struc- 
 ture to be made by such little insects! 
 
 Another interesting nest is that of 
 what we call the solitary wasps. 
 
 Here the mother wasp has the entire 
 responsibility of providing for her 
 family, and she makes the nursery in 
 all sorts of places. It may be a little 
 home tunneled in sandstone, or in a 
 
 Eggs of the common bumble-bees in their underground 
 
 nests. 
 
 The mud nest of a solitary wasp, showing the comb In 
 which it lays its eggs. 
 
 The carpenter bee's house of many stories In the branch 
 of a tree. 
 
BOOK OF NATURE 
 
 U5 
 
 mud wall, or in timber; sometimes 
 advantage may be taken of an inviting 
 keyhole. The house may be fashioned 
 of paper made from wood or fiber, or 
 of mud, or even of little pellets of sand 
 cemented together by a fluid from the 
 mouth of the insect. An example that 
 we may all study is the common wall 
 wasp. 
 
 She makes her cradle in a wall, in 
 which she constructs a tunnel, and 
 lines it with paper, forming the snug- 
 gest little dwelling imaginable. Here 
 she lays her egg. The mother will not 
 be there when the larva leaves the egg ; 
 she will never see the little creature 
 for which she is making a home, so 
 she must prepare a food supply to last 
 it through its infant life. Bees can 
 make honey, wasps cannot, so the 
 wasp must provide an artificial food 
 supply. This is done in an extraor- 
 dinary way. The mother wasp 
 attacks another insect; it may be 
 caterpillar, spider, or moth. Now, 
 if the insect were simply walled up in 
 the nest until such time as the wasp 
 grub hatched and could eat, the 
 prisoner would die and become poison- 
 ous. To prevent that, the wasp stings 
 it in a vital place. The wound 
 paralyzes the insect so that it cannot 
 move, and cannot feel any pain. 
 Paralyzed and insensible, the insect 
 will retain just enough life to last 
 until the young grub emerges from 
 the egg of the mother wasp, and its 
 body will be there ready to form a 
 meal for the little creature emerging 
 into life. The cells stocked by a 
 solitary wasp may contain a number 
 of such victims, each cell possessing a 
 supply of food sufficient to last the 
 infant until it passes from the larva 
 stage into a complete wasp. The 
 idea of leaving a wounded insect alive 
 and lingering in this way seems 
 horrible to us, but there is consolation 
 in the thought that the victim in- 
 
 Thirteen hundred moths' eggs on a leaf, and eggs largely 
 magnified. 
 
 The lace-wing moth's egg on the end of a stalk, and 
 wasps' eggs in a paper nursery. 
 
 The cradle ot a bee made from a leaf, and a grub feeding 
 In it. 
 
U6 
 
 THE HUMAN INTEREST LIBRARY 
 
 stantly loses all sense of pain, and 
 knows nothing of what happens. 
 Insects using sting and poison are 
 unerring in their aim. They know 
 exactly where to strike, and, as it is a 
 great nerve-center which is maimed, 
 there can be no feeling or sensation 
 afterwards. 
 
 The solitary bees have prettier 
 ways than this. They leave honey for 
 their babies, and leave it in models 
 of skilful contrivance. When we see 
 holes in the rose leaves — clean-cut, 
 semicircular holes — we know that one 
 of the leaf-cutting bees has been there 
 for a cradle. Very cleverly she makes 
 a tunnel in the ground or in the trunk 
 of a tree or in a wooden post; then she 
 flies to a rose leaf or a willow leaf, 
 hangs by her legs to the edge of it, 
 and with her strong jaws cuts away a 
 piece the exact size required. Just 
 before she makes the last cut she sets 
 her wings in motion, and hovers 
 steadily in the air. Then she flies to 
 her tunnel, shapes the piece of leaf 
 like a thimble, and lines the bottom 
 of the boring with it. When it is 
 made quite secure, she flies off to the 
 flower-bed, collects nectar and pollen, 
 kneads a little loaf of "bee-bread," 
 deposits it in the leaf, and lays an egg 
 in the larder-cradle. Next she cuts 
 another piece of leaf, and with this 
 roofs over the cell. Afterwards she 
 cuts still more leaf, and with that 
 makes a second cell, which she rests on 
 top of the first, the bottom, shaped 
 like the nose of a thimble, fitting per- 
 fectly into the hollowed roof of the 
 one below. With great care she seals 
 up all the places from which honey 
 might leak, and to this cell also she 
 gives an egg and a supply of pollen and 
 honey. From six to ten cells, one on 
 top of another, may be made in this 
 way, until the shaft is filled with 
 cradles. The top of the tunnel is then 
 covered over, and the bee flies away. 
 
 knowing, we may imagine, that she 
 has done her duty to the children that 
 are to come to life in this marvelous 
 home she has made. 
 
 The wonderful house that the car- 
 penter BEE BUILDS 
 
 Carpenter bees make still more 
 elaborate homes. They bore deep 
 tunnels inside the trunks of trees. At 
 the lowest depth a little chamber is 
 prepared. Here the bee deposits an 
 egg with a proper food supply. Then 
 the chamber is tightly roofed over with 
 water-tight paper made by the bee 
 from the wood of the tree. Above 
 this first chamber a second is made, and 
 this in turn is stored with an egg and 
 food before the roof is put on. The 
 roof of the cell below serves for the 
 floor of the chamber above. It is a 
 beautiful piece of work, about as thick 
 as a cent, and made in rings, the outer 
 ring being cemented to the wood of 
 the tree, the inner rings gradually 
 filling up the opening until the cell is 
 completely closed. The chewed wood 
 of which the ceiling is formed is 
 rendered watertight by a fluid from 
 the bee's mouth, so that there is no 
 danger of the honey stored in one cell 
 leaking into the one below and leaving 
 the little tenant to starve. A car- 
 penter bee may make two or three 
 such tunnels, each with from seven to 
 eight cells, so that we may imagine 
 with what great determination she 
 works for the good of the children she 
 will never see. 
 
 The leaf-cutting bee is not the only 
 insect to employ leaves for the cradles 
 of her young ones. Leaves form the 
 homes of many of Nature's tiny 
 children; some tiny moths pass their 
 caterpillar stage actually within leaves, 
 tunneling the leaves and eating the 
 parts they excavate, just as the great 
 fat larvae of the wood-boring beetles 
 eat the pulped fragments of wood that 
 they gnaw in the interior of tree trunks. 
 
INSECT MOTHERS AND THEIR FAMILIES 
 
 Mother spider carrjing her yoving 
 
 A mother mole cricket with her family 
 
 An earwig guarding her little ones 
 147 
 
U8 THE HUMAN INTEREST LIBRARY 
 
 The clever cradle made by a mother Some spiders are not by any means 
 
 BEETLE FROM A LEAF Content merely to guard and guide 
 
 But we come now to work upon their babies, but actually carry them 
 
 leaves performed not by the larvae but about on their backs, so that they may 
 
 by their parents — the leaf-rolling not stray into danger. Two kinds of 
 
 beetles. These beetles make cuts in spiders have really wonderful homes 
 
 the leaves as the bees do, but for a for their young. One is the raft spider, 
 
 different purpose. Beginning at the which binds leaves and fragments of 
 
 top of a leaf, they bite a semicircular weed together, and floats it on water, 
 
 track down to the tough center of the The eggs are carried on this raft, and 
 
 leaf, which we call the midrib. Half the young ones, which in due course 
 
 the leaf, detached from its upper will pop out to dine on land just 
 
 support, hangs limp, and this half is as freely as they will run upon the 
 
 rolled down by the beetle into a water, are actually born upon the deep ! 
 
 series of coils, which hang parallel to The water-spider constructs a lovely 
 
 the midrib. Then the second half little palace of silk actually beneath the 
 
 of the leaf is cut in the same way as water, fills it with air carried down 
 
 the first, but is wound round the first from above, and in this beautiful 
 
 half. The beetle lays her eggs inside dwelling lays her eggs. The young 
 
 the folded leaf, fastens down the outer ones are born in a silken diving-bell, 
 
 fold upon the first, seals up the bottom and the faithful mother rests in her 
 
 of the home, then gives a sharp bite to fairy dwelling with them, going aloft 
 
 the upper part of the midrib, to make only at intervals to catch food and 
 
 the entire leaf limp and easy for the bring down fresh supplies of air. 
 
 baby beetles to eat when they are We must all wish that the gnat or 
 
 hatched. Then her work is done, mosquito, were not so clever and careful 
 
 The little ones will never see their in her treatment of her eggs, for while 
 
 mother, but when they issue from the the many gnats merely bite and cause 
 
 eggs they will find the wilted leaf that one to smart, some of their relatives 
 
 she has prepared, and will find it not carry poison germs which kill thousands 
 
 only a cradle but food. They will eat of people. The female gnat constructs 
 
 and be merry, change from grubs into a raft. She may make use of a piece 
 
 the pupa form, drop to the ground, of floating leaf, or may make a raft of 
 
 and bury themselves in the soil for the eggs themselves. The eggs are 
 
 the winter. Then, in the spring, they cigar-shaped, and are glued together 
 
 will come forth as beetles, and the to the number of 200 or more, and 
 
 females will attack other leaves. stand upright in a solid mass, the 
 
 But it is not all insects, of course, heavier part pointing downwards, the 
 
 who never see their children; many light part at the top. Owing to the 
 
 insect parents have the joy of seeing tiny spaces between the tops of the 
 
 their babies about them. Some spi- eggs, it is impossible for them to sink 
 
 ders carry their eggs about with them in or get wet. If they are driven under 
 
 a little yellowish-white bundle of silk, water a bubble of air accompanies 
 
 and great is their distress if they mis- them, forming a shield for the tops of 
 
 place it or if it is taken from them, the eggs, and so keeping them dry. 
 
 When the little ones are hatched, the In places where these mosquitoes 
 
 mother keeps careful watch over them, cause disease, men fight them by cover- 
 
 and shows the most desperate courage ing the water with petroleum, which, 
 
 in defending them. being lighter than water, floats on the 
 
MARVELOUS HOMES OF THE WATER SPIDER 
 
 The water spider comes up for an air bubble 
 
 And carries the bubble to its nest 
 
 The sil^ air chamber, In which the water spider lives down In the water — Spiders bringing down Iresh air Irom the surface 
 
 140 
 
150 THE HUMAN INTEREST LIBRARY 
 
 surface, so that w hen the larvae come the home and providing for the future 
 
 to the surface they cannot breathe, of the httle ones. Even when the 
 
 and die at once. mother insect does not trouble herself 
 
 As the great water-beetle is the with the task of rearing her family, 
 
 monarch of the pond, we might expect she has to undertake the great respon- 
 
 her to lay her eggs in the water, as the sibility of finding the exact position 
 
 mosquito does; but she does not. The in which her children will thrive. The 
 
 mother beetle weaves a wonderful mother scarab, or sacred beetle, of 
 
 cocoon, which contains upwards of which our common dor beetle is a 
 
 a hundred eggs. This cocoon she cousin, displays the greatest skill in 
 
 places on the soil by her pond, care- her effort to preserve her little one 
 
 fully hidden, in such a position that from death before it is old enough to 
 
 the larvae, when hatched, can enter withstand the rough usage of the world, 
 
 the water as soon as they desire. The These beetles, which the ancient 
 
 larvae pass their infancy in the water, Egyptians regarded as sacred, eat 
 
 but to make their change into the unpleasant forms of food, but prepare 
 
 chrysalis stage they have to go ashore a special compound for their young, 
 
 again, and bury themselves in the The food is formed into a little sphere, 
 
 damp earth, finally to emerge as and the small egg is placed in the food, 
 
 winged beetles, equally at home in the but at the extreme end of the mass, 
 
 air and on the surface of the water, and at that end a tiny opening is left, 
 
 handsome and interesting to all but not actually bare, but guarded by a 
 
 the living things which they seek as fine lattice-work, just enough to admit 
 
 prey. The common smaller water- air. 
 
 beetle makes for herself a cocoon of silk The rest of the food supply is 
 
 for her eggs actually in the water, coated with a hard substance resem- 
 
 The eggs do not need their gauzy bling clay, and the whole is placed in a 
 
 little yacht to enable them to hatch, tunnel under the ground. Unless the 
 
 for they come to life in the water; but site were carefully chosen, the food- 
 
 the silken covering protects them mass encased in clay, the heat from 
 
 from carnivorous creatures, and that the burning sun would dry up the ball 
 
 is why the painstaking mother labors of food, so that the grub would starve 
 
 to prepare this dainty cradle for them, in its cradle, A French naturalist. 
 
 So far we have found that only M. Fabre, has given us the remarkable 
 
 female insects look to the care and story of this insect in full, and for the 
 
 upbringing of the children, but we first time has shown that the ancient 
 
 must note that in certain sea-spiders Egyptians were right in believing that 
 
 known as the Pycnogonida the males the little scarab comes from this ball 
 
 are the nurses. In these the males of matter. 
 
 carry the eggs attached to their legs It is wonderful to find this sense of 
 
 vmtil the baby spiders are hatched, duty in such lowly creatures, and we 
 
 Generally speaking, however, the find it running widely through the 
 
 mother is solely responsible for making insect world. 
 
BEAUTIFUL FORMS OF SHELL SAND OF THE SEASHORE 
 
 When we examine the sand on the seashore it reveals millions of little shells so tiny that we need the help of a micro- 
 scope to see them. These little creations are marvels of form and color. The illustrations above show a number of forms 
 as revealed under a powerful microscope, while the color shadings are so wonderful that man with all his skill cannot imitate 
 them. Many of the cliffs and rocks in the vicinity of the English Channel were formed from these sand shells which througb 
 millions of years were gradually changed into solid forms. 
 
 151 
 
ANIMAL LIFE IN OCEAN DEPTHS 
 
 INHABITANTS OF THE DEEP 
 
 We know that all life began in the sea, and we have read how life came out of the 
 sea to cover the land. But life did not leave the sea forever. There is still more life 
 in the depths of the ocean than on the land. The sea teems with unnumbered forms 
 of life — life as simple as that which first swam in the waters, and life as wonderful 
 as that of the whales and dolphins and seals. There are fishes that sail through the 
 air high enough above the water that we call them flying fishes. There are fishes 
 that are found out of the water. There are fishes that build nests at the bottom of 
 the sea; and in cliffs and mountains we find myriads of skeletons of tiny creatures 
 that once lived and breathed on the ocean-bed. In these pages we read of the many 
 wondrous forms of life in the seas today. 
 
 NOT the wisest men on earth 
 know the full story of the 
 sea and its wonders. How 
 can they? They have to seek knowl- 
 edge from the things that their dredges 
 bring up. That is as if we set to work 
 to examine some great, deep lake by 
 bringing up things from its depths in 
 a teaspoon. However, patient work 
 is constantly bringing new learning 
 to us. We know that there is no place 
 in the ocean where life is not possible. 
 The waters of the equatorial regions 
 and the seas of the temperate zone 
 abound with life, but so also do the 
 silent waters of the frozen Arctic 
 Circle. 
 
 Nature will have no blank spaces. 
 There is a place for everything, and 
 we find everything in its place. We 
 find, swimming upon the surface, 
 creatures which cannot descend. In 
 the middle depths we find fish which 
 cannot come to the surface lest, 
 without the proper pressure of water 
 upon their bodies, they should burst. 
 Those same creatures cannot descend 
 beyond a certain level; and below 
 these there are creatures which never 
 see the light, fulfilling in the unlit 
 depths of ocean the purpose for which 
 they were created. 
 
 For the present it will be interesting 
 for us to glance at some of the lowest 
 forms of life in the sea. We shall find 
 it as wonderful as anything in the 
 whole of Nature's fascinating story. 
 
 Let us consider the marvels of that 
 class of tiny organisms called infusoria. 
 They exist in fresh water and in the 
 water of the sea. In a single cupful 
 of pond-water, such as certain in- 
 fusorians love, there may be more of 
 them than there are people in the whole 
 world. The rate at which they grow 
 is astounding. One infusorian breaks 
 up into two; two become four; four 
 become eight; eight become sixteen, 
 and so on, almost as we watch. 
 
 Given the proper temperature and 
 nourishment, a single infusorian may 
 become in four days the ancestor of 
 a million like itself, in six days of a 
 billion, in seven and a half days of 
 a hundred billions. From that tiny 
 speck we have in seven and a half 
 days this countless host, weighing 
 over 200 lbs. Of course, the numbers 
 do not work out like this, for there 
 are merciful checks, or the whole 
 earth and its seas would not hold the 
 creatures that are born. 
 
 Floating upon the surface of the 
 sea, and stacked high over its bed, 
 are countless billions of these and 
 similar tiny creatures, dead and living. 
 Of what are the beautiful chalk cliffs 
 of England composed? Of nothing 
 but the shells of the tiniest little 
 creatures, which we call foraminifera. 
 They were all living creatures millions 
 of years ago. 
 
 They were born and had their day, 
 and they died, piles upon piles of 
 
 15S 
 
SECRET OF THE PAST LOCKED IN A PEBBLE 
 
 The wearing down of the cliffs in which lie buried creatures of ages past — the top layer hundreds of thousands of years 
 old, the bottom layer a hundred million years old. 
 
 At high ti;le the waves beat against the cliffs and roll the great boulders about, wearing down the corners and edges 
 i:ito the shape ol pebbles. 
 
 THE PEBBLES AS THEY LIE ON THE BEACH TODAY. OFTEN CONTAINING A FOSSIL WHICH MAY BE 
 DISCOVERED AND PRESERVED BY CAREFUL SPLITTING OF THE STONE 
 
 The fossils in these pictures are, of course, shown very large. Those marked a and b help us to follow the history ol 
 one pebble. 
 
 15S 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 them, and their hmy shells turned to 
 chalk. And other white cliffs, which 
 will some day rise above the waters, 
 are still being built up beneath the 
 sea today. The tiny specks of life 
 in their little shells are still being born, 
 and are still dying down in the sea, 
 and they are forming ooze which will 
 some day be solid chalk. It would 
 take about ten millions of them to 
 make a pound of chalk, but there have 
 been enough to make millions of tons 
 of chalk. 
 
 The little animals that built up 
 the stones of paris and berlin 
 
 Some of the greatest mountain 
 ranges, the Alps and the Balkans, con- 
 sist largely of the shells of little 
 creatures like these, called nummulites. 
 Among the greatest wonders in the 
 world are the Sphinx and the Pyramids 
 in Egypt, built of dead nummulites. 
 They grew in seas which ran where dry 
 land now is. They formed the Arabian 
 chain of mountains; from these moun- 
 tains men cut the great blocks of which 
 the Sphinx and Pyramids are com- 
 posed. Paris is built of stone from a 
 similar source, and Berlin stands upon 
 foundations made up entirely of the 
 skeletons of tiny animals. 
 
 In view of all this, we shall not be 
 surprised to learn of the wonders of the 
 coral builders. These are very tiny 
 sea animals, which appear in their 
 glory only in the warm waters of 
 sunny seas. We all know what coral 
 is, the beautiful pink polished sub- 
 stance of which necklaces, bracelets, 
 and scores of pretty ornaments are 
 made. We know what coral is, but 
 the way in which it is made was for 
 two thousand years a mystery. 
 The little coral builders that 
 
 WORK DOWN in THE SEA 
 
 Long, long ago, men had been in the 
 habit of bringing it up from the sea in 
 nets and by other means. The com- 
 mon fishermen could not be expected 
 
 to know a great deal about its com- 
 position, but the wise men thought 
 they knew more, and they all agreed 
 that coral was simply a sort of rocky 
 flower grown in the sea. But how 
 could a flower be hard.f* That was 
 quite simple, they said. The fisher- 
 men told them that coral, when in the 
 sea, was quite soft like any other 
 flower, but that as soon as it reached 
 the air it became as hard as rock. And 
 for ages that was believed. But a 
 man who wished to know more sent 
 down a diver, who found, of course, 
 that coral beneath the waves is as hard 
 as coral above the waves. The good 
 man could not believe the word of his 
 diver, but went down in the water to 
 see for himself. 
 
 We know now that the coral builder 
 is one of the tiny, tireless workers of 
 the deep. The coral animals are as 
 numerous as the stars of heaven. 
 When born, they are quite soft, jelly- 
 like little things. But they have the 
 power to extract carbonate of lime 
 from the sea-water, and to build with 
 it the most wonderful structures. As 
 a bee makes its wax, or as the oyster 
 builds its shell, so the coral polyps 
 make lime from their food, building 
 up slowly and laboriously a most 
 beautiful and curious framework. 
 
 The WONDERFUL animal wall THAT 
 RISES FROM THE BOTTOM OF THE OCEAN 
 
 Some form structures, looking like 
 flowers. The colors are not always 
 the same. There are browns and 
 blues and greens, as well as the more 
 common pink. This coral is not made 
 as a bird makes its nest, not as the 
 mud plaster in which the rhinoceros 
 loves to bury himself in a swamp; the 
 coral is part of the coral animal itself. 
 It issues from the soft interior of the 
 little animal's body, and is its stony 
 covering or skeleton. 
 
 Countless hosts of coral polyps 
 working together join their skeletons 
 
BOOK OF NATURE 
 
 155 
 
 or coverings to each other. They 
 build up from the bottom of the sea, 
 until they reach the top of the waves. 
 They make great reefs or barriers in 
 the sea where, before, the waves flowed 
 unchecked. The coral polyps build 
 islands. They put a great ring of 
 coral around a tract of water, and make 
 a lake within the boundaries of their 
 work. In places where they are most 
 numerous they quite change the char- 
 acter of the sea. The reefs and islands 
 are the actual coverings of millions of 
 coral polyps' bodies. They become 
 solid rock forming dry land for thou- 
 sands of miles in the sea. It is a 
 most wonderful work that these little 
 animals do by their own efforts. 
 
 We kriv>Ar how very difficult men, 
 with all til^ir skill and fine tools, find 
 it to build a lighthouse in the sea, but 
 here these tiny animals, working in 
 the depths of the furiously tossing 
 waves, build structures which have 
 no likeness in the world. One of their 
 works consists of a barrier reef along 
 the shores of New Caledonia, 400 
 miles long, and another, along the 
 northeast coast of Australia, 1000 
 miles in extent. As a great man 
 points out, this means a work by these 
 tiny things beside which the wall of 
 China and the Pyramids of Egypt are 
 like children's toys. The work has 
 been going on for many ages, it is 
 going on today. Of course, the result 
 is often very serious to ships, which run 
 on the coral reefs and get wrecked. 
 But that should not happen, for we 
 have charts of the seas to guard our 
 sailors against wreck in such a manner. 
 Living and building and dying in the 
 
 BLUE SEA 
 
 If they do damage in this manner, 
 the coral builders are friends to man- 
 kind in another way — they provide 
 homes for men where only the angry 
 sea once appeared. Sea animals of 
 various sorts bore into the coral and 
 
 loosen it, so that the waves break it 
 up. The great waves pick up huge 
 blocks of the loosened coral, and 
 throw it high up on the reefs, grinding 
 much of it to powder. Shells and 
 sand collect and are ground up to- 
 gether by the action of the waves. 
 The powdered mass collects in the 
 crevices of the reef, and presently 
 seeds blown from afar, or carried by 
 the sea, or brought by birds, take root 
 in the soil that has been slowly form- 
 ing. Entire trunks of trees, that have 
 been torn up and carried down the 
 rivers and out to sea, find a lodging 
 here. With these trees come small 
 animals, like lizards and insects. 
 Trees grow, sea-birds settle; tired 
 land-birds, blown out to sea, take rest; 
 and at last man comes, to find trees 
 and fruit and birds and other forms 
 of life. Here is a home ready made 
 for him. He cuts down the trees and 
 builds himself a house, and there we 
 have a new part of the world prepared 
 for human habitation. But the cre- 
 ators of it were the myriads of coral 
 animals, living and building and dying 
 in the blue sea. 
 The living flowers that grow on 
 
 THE living walls OF THE SEA 
 
 Growing on the coral reefs and 
 adding to their beauty, we find a 
 great many sea-anemones. At first 
 sight we should say that these are 
 vegetable growths. Their very name 
 suggests it. 
 
 The wood-anemone we all know, the 
 pretty flower of the country wood- 
 lands. Surely, then, the sea-anemone 
 must be the wood-anemone's cousin, 
 growing in the sea? But the anemone 
 of the sea is an animal, which can kill 
 and eat other forms of animal life and 
 by some process of instinct too mys- 
 terious for us to understand, can enter 
 into partnership with other animals, 
 just as birds enter into partnership 
 with crocodiles, buffaloes, and rhi- 
 
STARFISH AND SEA ANEMONES 
 
 The brittle starash 
 
 A big sea slug 
 
 Delicate feather starfish 
 
 A group of sea anemones which resemble flowers, but which hunt and kill 
 
 These pictures of sea anemones have their mouths open and tentacles spread out ready to grasp the tiny animals of the 
 sea upon which they feed. They hunger, and hunt and kill living prey to satisfy their hunger. They take into part- 
 nership other animals like the hermit crab, which helps them to obtain food. The Portuguese man-of-war is a beautiful 
 thing, but stings painfully. 
 
 156 
 
BOOK OF NATURE 157 
 
 noceroses. This animal-plant or plant- the top of the anemone with a finger, 
 animal, as we think it, grows in the It closes at once upon our finger, and 
 most elaborate and gorgeous forms, we feel that each little spike of the 
 A fairy wand could not create more fringe is roughened at the end, and 
 charming pictures than the sea-anem- gives a distinct pull at our finger, like 
 ones present. Some of them appear the rasped claw of some insect. They 
 to have a sense of sight, for what look are not strong enough to take in our 
 like eyes appear. They depend, how- finger, but they have received the 
 ever, on touch for their food. They necessary impulse which sets them at 
 have long, sensitive feelers, which look work. The anemone shuts up, be- 
 like petals or fringe. These, when lieving — if we may use that word — 
 anything fit for a sea-anemone to eat that it has caught a meal, and for 
 touches them, close like a flash upon some minutes you will find that it will 
 it, and draw it down the tube leading not attempt to reopen, 
 to the sea-anemone's stomach. It is a humble, lowly form of life. 
 
 Let us watch them in a sea aqua- yet there seems so much purpose and 
 rium. The sea-anemone, glistening and set plan about the way of the sea- 
 gay, grows at the bottom of the water, anemone that we are amazed and 
 or on the side of the glass, like some bewildered at such apparent method 
 extraordinary fringed mushroom with and skill. But the wonder only be- 
 its head the wrong way up. There is gins here. The partnerships of the 
 nothing to suggest that this is a sea-anemone are the most wonderful 
 hungry little animal. But wait! feature of its life. Let us consider 
 How THE ANEMONE LIVES WITH THE ^OT a moment Messrs. Crab, Anemone 
 CRAB, AND THE CRAB WITH SPONGES & Co. The hermit crab, while a 
 
 A lively shrimp darts through the vicious, quarrelsome little rascal, has 
 water. The tentacles of the anemone no shell to cover his tail. That is the 
 are instantly all of a quiver, ready to spot which his enemies attack. His 
 catch the little shrimp. The shrimp's one hope in life is, therefore, to win 
 instinct or experience tells him what and retain a secure covering for his 
 that means, and he darts away if he unprotected tail. He and the sea- 
 can. But he cannot always do so. anemone seem to come to an agree- 
 The sea-anemone must live and have ment. The sea-anemone affords him 
 his shrimps, or other form of food, and just the cover that he needs for his tail, 
 the tentacles close rapidly in, causing and he in exchange carries the sca- 
 the sea-anemone to shut up like a anemone about on his back, 
 flower which is going to sleep for the The tentacles of the sea-anemone 
 night. And if the effort made is are towards the nippers of the crab, 
 quick enough, the poor shrimp is and when he goes in pursuit of his 
 encircled by those terrible tentacles, prey, the anemone helps to kill it. 
 and drawn in to make a good meal for The anemone has stings which para- 
 the deceitful fisher. lyze or kill a little living animal. The 
 
 There are countless sea-anemones crab has, therefore, a powerful ally 
 
 growing upon our seashores. Some to help him in killing his food, and 
 
 look like rosettes, others like bobbins as he eats, the anemone shares his 
 
 with a frayed, fringed top. The meal. It is a profitable partnership, 
 
 fringe of tentacles lies widely expanded. The crab gets his tail protected; he 
 
 and we should never dream how is largely hidden from his enemies; 
 
 quickly they can move. Let us touch he is hidden, too, from the things that 
 
LIVING LIGHT OF THE OCEAN DEPTHS 
 
 No man has been to the depths of the ocean in which such strange creatures as these live; but w« Inow that the be(l 
 of the seas swarm with phosphorescent fishes which live in great depths. 
 
 158 
 
BOOK OF NATURE 159 
 
 he desires to attack. The sea-anem- by a growing whelk. Then comes a 
 
 one is carried about, and is kept in young sponge, sent forth on its hfe 
 
 constant touch with an ample supply journey by its parent. It settles upon 
 
 of food. Thus we have a life partner- the whelk shell in which the crab has 
 
 ship between the simple-looking plant- sheathed his tail. There the sponge 
 
 animal and a desperate warrior who grows and grows until it quite covers 
 
 is always battling. the shell, but it leaves open a channel 
 
 The study of sea-anemones is a most by which the crab can enter and 
 
 interesting one, and one which all depart. Then as the sponge and the 
 
 who reside by the seashore can pursue, crab grow bigger they take into 
 
 Think of them not as plants, but as partnership a little assistant, which is 
 
 animals, of which the larger will admitted into the interior of the 
 
 swallow a cent piece, or perhaps a sponge, simply that it may devour any 
 
 shell the size of a saucer, and then refuse which may collect in the home 
 
 divide into two living animals rather of the crab. Even such humble 
 
 than lose the booty it has managed to things as crabs and sponges have to 
 
 secure. guard against unclean homes; thus 
 
 The sea-anemone is not the only sea they are more careful than many 
 
 animal with which the crab goes into human beings. And that is why we 
 
 partnership. There is a certain sponge find the interior of the sponge occupied 
 
 in which he makes his home. We by a shell, a wormlike animal, and a 
 
 know that sponges are not vegetables, crab. 
 
 but animals. They admit the sea- Where the corals abound, fishes of 
 
 water through the canals in their the most brilliant color are always to 
 
 bodies. From this they extract tiny be found. The fishes protect them- 
 
 forms of life for their food, and at the selves by becoming colored like their 
 
 same time take the oxygen which the surroundings, just as the animals do. 
 
 water contains. That is the way But swimming with them are marvels 
 
 fishes breathe. They have no lungs, of colored jelly, as they seem. They 
 
 except in rare cases. They have gills, are the jellyfish. We may all see 
 
 over and through which the sea-water jellyfish at the seaside when the tide 
 
 washes. These gills take the oxygen goes out. Better still, on a favorable 
 
 from the water, and pass it into the day, we may see hundreds of them 
 
 bloodvessels, so that the fishes may floating on the sea as we go by steamer, 
 
 breathe as we breathe. The method Those round our coasts look like great 
 
 is, of course, very different, but the white or transparent leaves, with a 
 
 purpose and result are the same, little dash of red in the center, as 
 
 Well, that is the way in which the though they had been darned with 
 
 sponge, no matter what its name or colored wool. We do not have the 
 
 size, breathes and feeds and grows, jellyfish of brilliant color. They be- 
 
 In some of the channels running long to the warm seas of the tropics, 
 
 through the sponge the hermit crab But the nature of all jellyfishes is much 
 
 may make its home. Higher up in the same. 
 
 the same channel may be discovered Those of the tropics give off a bril- 
 
 a little shell, and some other tiny liant silvery light at night, which 
 
 animal. In this collection we have helps to make the sea like a gleaming 
 
 the history of four forms of life, mirror of liquid metal. Others are not 
 
 First of all the hermit crab pops his so attractive. If we catch one and lay 
 
 naked taU. into the empty shell left it on a piece of blotting-paper for 
 
A NEW WAY OF EXPLORING THE OCEAN BEU AND RECOVERING LOST TREASURE FROM WRECKS 
 
 The explorers go down a tube, five feet wide, to a kind of diving bell, fitted with a powerful searclilight. 
 
 The tiny specks of life in the sea, lutown as diatoms. One diatom, magnified over a quarter ot a mUUon tlmeg. 
 
 160 
 
BOOK OF NATURE 
 
 161 
 
 examination, we have to be very quick 
 with the examination, for the jellyfish 
 is composed largely of water, and it 
 simply dries up before our eyes. They 
 are not nice things to handle; they can 
 sting very badly, as all sea-bathers 
 know. The scientific name of the 
 jellyfishes and their kin is taken from 
 the Greek word which means nettle, 
 and sea-nettles is an English name for 
 the jellyfishes that sting. 
 
 By far the most alarming of the sea- 
 nettles is the Portuguese man-of-war, 
 or yhysalis. This looks like an in- 
 flated bladder, six inches long. Be- 
 neath it streams a number of organs, 
 important to the animal in gathering 
 and distributing food. The tentacles 
 which we most wish to avoid are those 
 which carry the stings. These are 
 intended to numb the prey of the 
 physalis, but woe to the" man who 
 comes in contact with them. They 
 flow out from the body of the animal 
 for some feet into the water, and are 
 heavily charged with stings and a 
 poisonous fluid. The merest touch 
 from them will raise a white swelling 
 on the hand, and for long afterwards 
 the hand and arm experience an 
 aching pain, which gradually extends 
 to the muscles of the chest, causing 
 some trouble in breathing. 
 
 The sea-anemones, the corals, the 
 jellyfish, and many other plant-like 
 sea animals, all belong to the same 
 family. We have another interesting 
 family, including the starfishes, sea- 
 urchins, sand-stars, brittle-stars, feath- 
 er-stars, and so forth. 
 
 The wonderful starfish that walks 
 along the bottom of the sea 
 
 ^Ye may see hundreds of star-fish 
 at the seaside. There is not a simpler, 
 more innocent-looking thing to be 
 found by the sea than the starfish, par- 
 ticularly that commonest of all, the 
 five-fingered jack, or crossfish. Yet 
 it is really a rather wonderful creature. 
 
 Its organs are in the center of its body, 
 and the fingers branch out from that 
 center. The fingers are really the 
 legs, for there are tubular feet under- 
 neath them by means of which they 
 walk as comfortably along the sea- 
 bottom as we walk along the 
 beach. 
 
 The starfish has a terrible appetite, 
 and oysters, mussels, scallops, and 
 other shell-fish are its food. It seizes 
 its prey with its long and strong arms 
 or fingers, and, no matter how power- 
 ful the shell may be, by persistent 
 pressure the starfish manages to force 
 it open, and eat the fleshy interior. 
 Fisherman hate the starfish, and, 
 when they catch them, tear them in 
 two and fiing them into the sea. That 
 is not only cruel but stupid. Though 
 you tear a starfish in halves, the 
 animal can recover. Each of the 
 two halves heals and grows new 
 fingers, and, instead of a dead star- 
 fish in two halves, you soon have two 
 starfishes, fully equipped and very 
 much alive. 
 
 The SEA-CUCUMBER THAT THE CHINESE 
 PEOPLE LIKE 
 
 What we call the sea-cucumber is, 
 like all the other things we have 
 been considering, an animal. Its other 
 names are the sea-pudding, the sea- 
 slug, and the trepang. It has the 
 same sort of feet that the starfishes 
 possess — suckers which protrude from 
 tubes, and can get along over places 
 which seem quite impossible to it. 
 
 The common name of the sea- 
 cucumber suggests the idea which its 
 appearance presented to those who 
 bestowed the title upon it. The 
 Chinese consider it a great delicacy for 
 the table. There are many kinds of 
 sea-cucumbers, and the rarest bring 
 quite big prices. It does not sound 
 nice to eat sea-slug, and we in this 
 country are content to leave it to the 
 Chinese. 
 
162 
 
 THE HUMAN INTEREST LIBRARY 
 
 The mystery of the lowest forms 
 of life in the sea 
 
 We have now glanced briefly at 
 some of the lowest forms of life in the 
 sea. It is quite as wonderful as life 
 among the higher animals. We do not 
 expect much of animals that seem to 
 
 be no more highly gifted with life 
 than plants; but, as we have now seen, 
 there is a mystery and fascination about 
 these lowly creatures sufficient to 
 make even the wisest men marvel at 
 their habits. 
 
 SEA HORSE AND PIPE FISH 
 
 One peculiarity of the sea horse is that the apex of the head is at an angle with the rest of the body. Its superficial 
 resemblance to the Icnight of the chess board is striking. It is chiefly found in eel-grass or other vegetation and is wont to 
 twist its very prehensile tail around some stalk and there remain in an upright position. 
 
 TIGER OF THE DEEP 
 
 ON ACCOUNT of its size, activ- 
 ity and strength, the Bengal 
 Tiger should undoubtedly 
 share equal honors with the lion, 
 which has been awarded the kingship 
 of all the land animals for a long time. 
 When, however, we come to consider 
 the headship of the innumerable 
 tribes of the ocean, we are under no 
 difficulty whatever, and the more 
 we learn about the monarch, the less 
 do we doubt his right to the title. 
 
 True it is that to most people it is 
 sufficient to call the "sea-shouldering 
 whale" the sovereign of the seas, after 
 man, and the idea that among whales 
 there are many varieties does not 
 disturb the placid verdict. 
 
 Only naturalists as a rule, and those 
 who have dared to hunt and slay this 
 gigantic sea-mammal for the sake of 
 the spoil his vast carcass yields, 
 realize how far in every detail the 
 sperm whale towers above every 
 
BOOK OF NATURE 
 
 163 
 
 other member of the brute creation. 
 Only in the one factor of size does be 
 yield place to two other kinds of 
 whales, the gigantic Bowhead or 
 Arctic whale, and the vast Rorqual, 
 known to whalemen as the Sulphur 
 Bottom. Both of these occasionally 
 produce specimens half as large again 
 as the greatest Sperm whale ever 
 measured, which was about 70 feet 
 long, 50 feet in largest girth, and 
 weighed in the neighborhood of 150 
 tons, or as heavy as twenty-five large 
 elephants. 
 
 But the Arctic whale and Rorqual 
 have their only preeminence in size; 
 they are peaceful, unaggressive, stupid, 
 and slow, while they have no weapon 
 for attack or defence save the enor- 
 mous tail-fin or flukes. 
 
 The Sperm whale, on the other 
 hand, has all the highest characteris- 
 tics of a warrior. He is brave and 
 well armed, for his chief feature is his 
 enormous head with its huge, pendent 
 lower jaw, a shaft of bone, often 
 reaching 20 feet in length and bristling 
 with teeth set sparsely on either side 
 of it, and averaging six inches in 
 length above the gum. They are 
 conical and about six inches in their 
 largest circumference, and fit into 
 sockets in the upper jaw, there being 
 no teeth there to oppose them. 
 
 Unlike any other whale known, the 
 female of the Sperm whale is never 
 more than half, more generally one- 
 third, the size of the male. In most 
 other whales the females are the 
 larger. That mysterious substance 
 known as ambergris, even now valued 
 at $15 per ounce, is produced solely 
 by the Sperm whale. Alone among 
 all whales this wonder carries a great 
 reservoir of liquid spermaceti in his 
 head — pure, bland, snowy, and limpid 
 until exposed to the air, when it 
 concretes. Science has dethroned it 
 from its high place among lubricants. 
 
 for it has no properties not shared by 
 pure lard or vaseline. But think of 
 having 500 to 1000 gallons of that 
 stuff floating around in a head — not as 
 brains, for the brains of the Sperm 
 whale are not larger than those of a 
 bull. Practically blind, deaf, and 
 without sense of smell, this lordly 
 ocean monarch pursues his amazing 
 way, and thrives beyond belief until 
 he meets man 
 
 These wonderful creatures, alone 
 of all the sea people, have no efficient 
 foes save man and one another. 
 Among themselves Sperm whales fight 
 tremendously for the headship of a 
 "school," and the vanquished ones are 
 thenceforward condemned to roam 
 the wastes of ocean solitary and 
 morose. These "lone whales" are 
 exceedingly dangerous to attack, if 
 indeed they do not attack first, there- 
 by playing havoc with otherwise well- 
 laid plans. 
 
 But the knowledge of that fierce 
 fact has never deterred the Yankee 
 whale-fighters from attacking them. 
 Indeed one hardly imagines any 
 characteristic of a whale that would 
 have hindered an old-time "whale- 
 man" from New England from "saihng 
 in" when prey was in sight. 
 
 A FIGHTING WHALE 
 
 A monster fighting whale had been 
 twice harpooned and had gone off at 
 top speed for several miles, drawing 
 two boats behind him in his foaming 
 wake. When the great mammal tired, 
 at last with exultant shouts the boats' 
 crews gained upon their prey and drew 
 alongside while the mate hurled a 
 lance its whole length deep into the 
 leviathan's body. 
 
 "Starn all! Starn all!" he yefled a 
 moment later. 
 
 With a will the men tugged at their 
 oars, and the boats shot clear to avoid 
 a great peril that threatened. From 
 the extreme urgency of the mate's 
 
164 THE HUMAN INTEREST LIBRARY 
 
 tone they guessed that the whale was orders given, they wielded their oars, 
 
 about to "breach." while the boats both headed for the 
 
 It needs a strong effort of the im- spot. Suddenly the long slender lance 
 agination to picture that dark, solemn flew from the hands of the foremost 
 sea, only lighted by tiny splashes of boat-leader, and as if in instant re- 
 phosphorescent light where wavelets sponse, both boats whirled about and 
 broke in obedience to some hidden sped away through the darkness at a 
 suasion, or by an occasional, fleeting, speed of some ten miles an hour. It 
 brilliant band of light that marked was evident, though, that the enor- 
 the swift passage of some great fish mous effort made by the whale had not 
 through the highly charged water, been without a certain exhausting 
 And then, without a sound, like the effect upon him, for the speed soon 
 sudden extrusion of some gigantic slackened, 
 flame cone from the uncanny depths, A narrow escape 
 
 there rose majestically a vast luminous Then, without a moment's warning, 
 
 body whose brightness poured from the two boats suddenly rushed at 
 
 it in floods of light, revealing the black each other, the boat-leaders in each 
 
 central mass; and, as it soared the just averting a frightful calamity by 
 
 light fell from it in glowing waves to snatching up in their arms the two 
 
 the illuminated whirlpool from whence or three lances which were pointing 
 
 it arose. At last the leviathan fell, diagonally from each bow. There 
 
 and at the impact a blazing sea rose was a hubbub of voices, a rending and 
 
 in many a sudden fountain, an im- crashing of oars, and the boats shot 
 
 mense boom as of muffled thunder past each other as the whale, having 
 
 broke the awed stillness of the night, doubled back upon his previous path, 
 
 and over a great area wave upon wave reappeared again with a commotion 
 
 of light rushed any whither and broke like heavy waves beating upon a rock, 
 
 upon their fellows, until stillness and Nearly out of the water, with jaws 
 
 darkness resumed their momentarily wide open, he came straight for the 
 
 interrupted reign. boat, intent on biting it in half. 
 
 For a few minutes the awe-stricken But the whalers bore in upon him 
 
 boats' crews sat at their oars unable vigorously, and again and again the 
 
 to think, benumbed, not with fear, lances flew into the dense blackness, 
 
 but bewilderment at this terrible fringed with green light, that marked 
 
 manifestation of energy. After that the position of the whale, 
 
 brief space the sea-surface gave no Meanwhile the harpooners at the 
 
 sign of anything unusual beneath it, steer oars never for a moment relaxed 
 
 no sound save a faint moaning as of their vigilance, swinging the boats 
 
 gathering wind afar off broke the cosmic this way and that, w^hile ever keeping 
 
 silence of the night. Then a sound them "on" the whale if possible, 
 
 like a gigantic sigh broke upon their Soon there came a strangled roar, 
 
 ears, and they saw, within a short and hoarse triumphant shouts arose 
 
 distance, a greenish break in the dark of "Stern all, he's in his flurry." 
 
 surface of the waters, accompanied by The exertions indulged in previously 
 
 a slight plashing noise as when a lazy had so weakened the monarch that 
 
 breaker lolls upon a reef on a calm day. the death agony was feeble, and an 
 
 But, slight as it was, the appearance exultant cheer went up as it became 
 
 roused them to instant energy, and manifest that the great sea beast was 
 
 with ready obedience to the hoarse dead. 
 
BOOK OF NATURE 
 
 165 
 
 A sensitive plant before and after having been breathed upon 
 
 SOME INTELLIGENT PLANTS 
 
 WE ARE accustomed to associ- 
 ate the idea of intelligence 
 with such animals as have a 
 somewhat highly developed brain, but 
 it is an extremely difficult matter to 
 lay down any line of distinction to in- 
 dicate where intelligence first makes 
 its appearance. Looking at the 
 idea of intelligence in the widest 
 possible manner, and understanding 
 the doing of something for a particular 
 end in view, we should be ready to 
 admit that many of the processes go- 
 ing on in the leaves of plants can only 
 be described as intelligent. 
 
 It was in that sense that Darwin 
 compared the tip of the root to the 
 brain of the lower animals. He said 
 it was hardly an exaggeration to say 
 that the tip of the root, thus endowed, 
 "having the power of directing the 
 movements of the adjoining parts, acts 
 like the brain of one of the lower an- 
 imals, the brain being seated within 
 the anterior end of the body, receiving 
 impressions from the sense-organs, and 
 directing the several movements." 
 
 In this sense, plants have well-de- 
 fined intelligence, which manifests 
 itself in a thousand ways, particularly 
 in the movements which their various 
 parts display, either in search of food 
 or for some other vital purpose. We 
 
 shall study in detail some of the more 
 striking of these movements. 
 Wisdom displayed by root tips 
 
 We may first notice the fact that 
 the growth of a plant is not equal in all 
 of its parts. Some portions exhibit a 
 much more rapid growth than others, 
 or grow during a longer period of time; 
 and one of the results of this inequality 
 of growth in different tissues is to pro- 
 duce movements in the various parts 
 which are sometimes described as 
 spontaneous. In both stems and roots 
 the growth is usually more rapid on 
 one side than on the other, and this 
 results in the production of curvatures, 
 or bends, unless the variation is such 
 that the extra growth produced on 
 one side is at once compensated for 
 by a corresponding growth on the 
 other. That is what actually happens 
 at the tip of the root; and it has the 
 result of making the root describe a 
 spiral course through the soil, instead 
 of a directly downward one. As a 
 matter of fact, most stems in their 
 upward growth also have a similar 
 spiral movement, commonly in the 
 opposite direction to the hands of a 
 watch. The movement itself is termed 
 "nutation." 
 
 If these spontaneous movements, of 
 roots especially, be carefully studied, 
 
166 THE HUMAN INTEREST LIBRARY 
 
 the observer cannot help being im- in response to their environment, form 
 
 pressed with the idea that they have a an obvious and interesting study. One 
 
 very definite object in view. Hence can see in any such cutting of ground a 
 
 the justification for the use of the ex- root turning away from dry, sandy, or 
 
 pression "the intelhgence of plants." inhospitable soil, until it comes to a 
 
 Obviously the end and object of the richer deposit; and here, not having 
 
 movements is to attain that position any necessity to turn further, it will 
 
 in the soil which is best suited for the grow now straight downwards, through 
 
 furnishing of the nourishment required, good material. Arrived at the further 
 
 Seeds which lie under water sometimes boundary of this deposit, it will once 
 
 send roots directly upwards. In all more change its direction, and may 
 
 these cases the primary direction of even bend round and round, so as to 
 
 the root-growth— the movement of the keep in such a desirable neighborhood, 
 
 root-tip, that is — is extremely definite. Changes in the color of leaves 
 
 The directions taken by the second- Perhaps one of the most interesting 
 ary roots, however, from whichever of all the many examples of the intel- 
 part of the plant they may arise, are ligence of plants, in reference to the 
 not so definitely circumscribed, though movements of their parts, is to be 
 here, too, it is obvious that the move- found in connection with the attitude 
 ments are directed to reaching such and arrangements of their chlorophyll 
 positions as will give either security of granules in relation to sunlight. These 
 attachment or moisture for nourish- granules, it must be remembered, float 
 ment. Study of all these movements freely within the protoplasm, which 
 shows that both those which take place can move them to different places, 
 in the aerial structures, and those This permits of their being either 
 which take place in the root, follow equally distributed throughout the 
 the same guiding principle, though the cell, or aggregated together in clumps, 
 latter, of course, are made much more or otherwise arranged. Perhaps the 
 restricted, from the nature of their best example of these movements can 
 environment. If the root were to be seen in plants like the liverworts, or 
 grow straight down, it would not come in the mosses, where the green of the 
 in contact with nearly so much ma- leaf is noticed to be lighter or darker, 
 terial as it does by following a spiral according to the intensity of the light 
 course. This latter evidently offers which falls upon it. The same thing 
 the best means of encountering the takes place in many flowering plants, 
 most desirable food-supplies. This is The darker tint is observed when the 
 part of what is meant by the intelli- light is weakest, whereas, under the 
 gence of plants. action of the most intense, direct sun- 
 How A ROOT SEEKS MOISTURE light, the leaf appears yellowish. These 
 
 Further, one may readily observe alterations in color-appearance are due 
 
 that the growing portions of roots to actual movements of the chlorophyll 
 
 invariably turn aside from dry or granules, which take up different po- 
 
 barren soils in favor of a part in which sitions as the light varies, 
 there is more moisture and more A very simple experiment may be 
 
 nourishment. This movement towards performed by anyone in this connec- 
 
 the moisture is called "hydrotropism." tion. If a piece of black paper be 
 
 In any considerable section of soil placed on a leaf which is exposed to 
 
 which has much vegetation growing at the sun, in such a way as to cover up 
 
 its surface, these movements of roots, a part of the leaf, after a time it is 
 
BOOK OF NATURE 
 
 167 
 
 observed, on removing the strip of 
 paper, that the portion of leaf under- 
 neath is dark green, in comparison 
 with that which was left exposed and 
 unprotected. That is light green. 
 
 A reference to the diagram will ex- 
 plain this. We find that when the 
 
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 Iri 
 
 r'^-i^-B 
 
 1:::::::::m 
 
 * . • 
 
 • 
 
 • • 
 
 u 
 
 ; 
 
 2 
 
 ftWHH 
 
 3 
 
 THE MOVEMENT OF CHLOROPHYLL GRANULE 
 IN A LEAF 
 
 This diagram of part of a section of a green leaf repre- 
 sents roughtly the change in the movements of the chloro- 
 phyll granules in response to the stimulus of (1) darkness, 
 (2) direct sunlight, and (3) diffused light. 
 
 light is diffuse, the chlorophyll granules 
 so arrange themselves as to cover those 
 walls of the cells on which the light 
 falls perpendicularly. This gives such 
 portions of the leaf a dark-green ap- 
 pearance. When such a cell becomes 
 exposed to direct sunlight, the granules 
 leave these walls parallel to the upper 
 surface of the leaf, and accumulate on 
 those which are parallel to the direc- 
 tion of the light (2). The tissue, as 
 the result, assumes a much paler color. 
 
 A word or two may be added in 
 connection with leaves, concerning the 
 movements of compound leaves, which 
 exhibit interesting changes of attitude 
 in places where they are exposed to 
 considerable cooling during the night 
 temperatures. 
 
 During the ordinary hours of sun- 
 shine such leaves are placed more or 
 less parallel to the surface of the 
 ground, with the upper surface open 
 to the sky, and thus catching the 
 direct rays of the sun. It is obvious 
 that if the leaf were to remain in this 
 attitude during the hours of the night, 
 there would be great loss of heat, on 
 account of radiation. The intelligence 
 of the plant, as we have agreed to 
 understand that term, here shows 
 itself by the leaflets which compose 
 the compound leaf folding themselves 
 
 together either upwards or down- 
 wards, according to the species con- 
 cerned, so that their broad aspect is 
 placed vertically. In this manner 
 there is much less loss from radiation 
 than there would otherwise be. 
 Creeping and climbing plants 
 
 We may now turn our attention to 
 an entirely different class of plant 
 movement, namely, that which is 
 associated with climbing plants, of 
 which there are a large number whose 
 stems are not sufficiently woody in 
 texture to maintain a vertical or erect 
 attitude. In a plant which has such 
 a nature, one of two things may hap- 
 pen : the stem of the plant may con- 
 tinue to grow along the surface of the 
 ground, bending or arching, as it does 
 so, but coming in contact with the soil 
 at intervals. Such plants have what 
 are termed prostrate stems. On the 
 other hand, however, there are a num- 
 ber of species which, in their efforts to 
 reach the erect attitude, have devel- 
 oped vaj-ious structures which enable 
 them to grasp any neighbormg object 
 that may afford a means of support, 
 and to this object the plant attaches 
 itself. 
 
 A good example is that of the hop, 
 but in this case the whole plant par- 
 ticipates in the movement, the entire 
 stem twisting to the right. 
 The habits of sensitive plants 
 
 Next we may turn our attention to 
 an entirely different aspect of what 
 we have referred to as plant intelli- 
 gence. There are movements which 
 take place in plants during the hours 
 of night, to which the name of "sleep 
 movements" has been given; and it 
 will be remembered that these con- 
 sisted in the adoption of certain atti- 
 tudes of the leaves or leaflets. A 
 somewhat similar phenomenon is to 
 be noted in connection with some 
 plants that exhibit these sleep move- 
 ments, and also in others that do not. 
 
SOME EXAMPLES OF CLIMBING PLANTS 
 
 WILD CLEMATIS, OR VIRGINS BOWER 
 
 THE TWISTING STEM OF THE HOP 
 
 FLOWERS OF THE TRUE, OR ENGLISH, DAISY, CLOSED AT NIGHT BUT OPEN IN FULL DAYLIGHT 
 
 We refer to plants known by the 
 general name of sensitive plants, from 
 their different manifestations of this 
 sensitive phenomenon. A number of 
 the plants which assume the sleep 
 position in the night exhibit a similar 
 movement when they are either shaken 
 or merely lightly touched, and, as a 
 matter of fact, they appear to be even 
 more sensitive to this disturbance than 
 to darkness. The onset of a very 
 
 slight breeze of air may be sufficient 
 to cause the leaflets to fold up. 
 
 Although this curious change occurs 
 in some of the same plants that adopt 
 the sleep position at night, it is not to 
 be therefore inferred that the two 
 things are the same. The attitude of 
 the leaf is determined by the condition 
 of a little cushion of tissue, called the 
 pidvinus. This cushion remains quite 
 rigid in the sleep position, while on the 
 
 168 
 
BOOK OF NATURE 169 
 
 other hand, it undergoes a very re- from the fact that quite other oon- 
 markable change in the movements ditions than rain produce the same 
 produced by shaking the plant. It movements, particuhirly such factors 
 becomes less turgid, by discharging as hot, dry winds, impregnated with 
 some of its water into another part, particles of dust or sand. Here it is 
 and the result of this is to cause a obviously to prevent excessive trans- 
 bending of the leaflet. piration that the leaves fold together. 
 
 Under natural conditions practically So we may safely conclude that several 
 
 the only two things which stimulate different advantages accrue to the 
 
 the protoplasm to act in this way are plant in virtue of the powers of move- 
 
 the action of the wund, and still more ment we have been describing. At 
 
 emphatically, perhaps, the irritation night the loss of heat by radiation is 
 
 caused by the falling of drops of rain minimized. In the heat of the day 
 
 on to the leaf. In the Indian plant extreme transpiration is kept in check, 
 
 already referred to, most remarkable In wet weather, injury to the leaves, 
 
 movements immediately follow a show- or possibly to the whole plant, which 
 
 er of rain. The leaves which first come might collapse under the weight of 
 
 in contact with the drops fold together accumulated water, is prevented, 
 
 downwards, but not only do these The bursting open of flowers 
 
 leaves do so, but actually, also, those A movement which may be ob- 
 
 in closest proximity to them, even served in almost all flowering plants is 
 
 though no actual drops fall thereon, that which takes place at the onset of 
 
 Well might such a plant be termed daylight, or at some varying period 
 
 "sensitive." Even the leaf-stalk, during the day afterwards. This is 
 
 which bears the mass of leaves, bends the opening of the passage to the 
 
 in the direction of the earth; and the interior of the flower. Very detailed 
 
 practical consequence of these move- observations have been made on the 
 
 ments is that the drops of rainwater times at which this separation of the 
 
 flow over the bent stalk, and over the petals takes place, and the following 
 
 hanging leaves, so that all the moisture examples, quoted by Kerner, may be 
 
 is immediately drained off, and none noted here. 
 
 remains upon the surface. No better In the case of the honey-suckle, 
 
 example can be imagined illustrative the whole series of movements in 
 
 of plant intelligence, or movements the process begins by the lowest lobe 
 
 directed by some principle towards the of the corolla folding back, this being 
 
 attainment of a definite purpose. followed by the same thing in the 
 
 Why the leaves fold up other lobes, which liberates the sta- 
 
 Very similar processes are seen in mens, and they spread out like fingers, 
 
 the leaves of the sundew, and in those This series of movements takes about 
 
 of Venus's fly-trap, as well as in some two minutes. The evening primrose 
 
 of the mimosas. The actual move- is still more rapid in its opening, the 
 
 ments are not identical in all these petals springing apart, and being wide 
 
 cases, but they are produced by the open in half a minute. This may 
 
 same sort of influences, and for pre- truly be described as the bursting open 
 
 cisely analogous purposes. The free- of the flower. In some cases this 
 
 ing of the plant from raindrops, how- opening occurs quite quickly enough 
 
 ever, though obviously one of the to be followed with the naked eye, and 
 
 objects in these movements, is not in one or two instances is accompanied 
 
 the only one. This may be concluded by a slight noise. 
 
170 
 
 THE HUMAN INTEREST LIBRARY 
 
 Hours when flowers open their lips 
 
 With regard to the times during the 
 day when these opening movements 
 may be noted, Kerner gives the fol- 
 lowing instances: "There are flowers 
 which open so early in the morning 
 that they greet the first rays of the 
 rising sun with fully expanded corollas. 
 That common garden climber, Morning 
 Glory, opens its buds at four a. m. 
 Wild roses also open between four and 
 five a. m. Between five and six many 
 species of flax open. Between six and 
 seven, willow-herbs; between seven 
 and eight, bindweed. Between eight 
 and nine, many gentians, and wood- 
 sorrels. Between nine and ten, most 
 tulips open; between ten and eleven, 
 the centaury and chaffweed 
 
 "From noon till evening comes a 
 long interval. No plant is known in 
 our latitude which, under ordinary 
 circumstances, opens during the after- 
 noon. Towards sunset, however, it 
 recommences. About six p. m. the 
 honeysuckle opens, shortly followed 
 by the evening primrose. Between 
 nine and ten, the Queen of the Night, 
 the Mexican cactus, opens." 
 Weapons of insectivorous plants 
 
 When we come to consider the sub- 
 ject of plant defences we shall have to 
 make reference to poisonous and 
 insectivorous plants. One or two of 
 these, however, must be noted here 
 from the point of view of their move- 
 ments. We may take those to which 
 we have already referred. The whole 
 of the genus sundew are excellent 
 examples of plants whose movements 
 are directed to the capturing of small 
 insects. The plants themselves are 
 common enough, and especially preva- 
 lent on damp soil and marsh land. 
 There are some forty species of sun- 
 dew, all of which show as their most 
 conspicuous character a slender red 
 filament, that is club-shaped at its 
 free end, and carries a refractile globlet 
 
 of fluid. These filaments project from 
 the upper surface of the leaf, the under 
 aspect of which is smooth, and very 
 often rests upon the damp ground. 
 The filaments have been compared in 
 their appearance to pins stuck in a 
 cushion. They are various sizes, the 
 shortest being in the middle of the 
 leaf, the longest at the outer edge, and 
 each leaf carries about two hundred of 
 these little filaments. The club-shaped 
 
 THE TRAPS OF THE BLADDERWORT THAT 
 CAPTURE TINY AQUATIC ANIMALS 
 
 swelling at the end is in reality a 
 
 gland, which secretes a clear globlet, 
 
 that looks very like a drop of dew, but 
 
 is really a sticky, viscous substance. 
 
 Discriminative intelligence of sun- 
 dew 
 
 A wonderful example of plant in- 
 telligence is to be found here. The 
 movements we have mentioned above 
 in connection with wind and rain and 
 dust are utterly ignored by the sun- 
 dew. Experimentally, one may irri- 
 tate these filaments with minute 
 particles of ordinary foodstuffs, such 
 as sugar, or with solid particles of 
 sand, and so forth, and the only result 
 is to increase the secretion of the 
 
A PLANT THAT BREAKS THE RULES 
 
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 This orchid from Mexico, reverses nearly all the normal conditions that govern plant growth. It flourishes on a 
 piece of dry bark, with its roots in the air, instead of in the soil. The atmosphere provides it with sufficient moisture, 
 combined with that stored in its bulbs. It grows upside down, with its leaves towards the ground. 
 
 171 
 
172 
 
 THE HUMAN INTEREST LIBRARY 
 
 gland, which assumes an acid reaction. 
 The leaf itself does not move, nor does 
 there follow any attempt at digestion. 
 
 Let a small insect, however, in its 
 search for honey, impinge upon the 
 leaf and touch the gland, and — won- 
 derful to relate — the composition of 
 the secretion is at once changed, in so 
 far as it becomes a digestive ferment, 
 the object of which is, of course, to 
 appropriate the unfortunate insect as 
 food. Remarkable movements take 
 place in the filaments, or tentacles, and 
 they close in, so to speak, as the tips of 
 the fingers would do if bent towards the 
 palm of the hand. 
 
 Gradually all the filaments bend over 
 towards the insect which has been 
 caught in the sticky, glandular secre- 
 tion, and in a time varying from one 
 to three hours all of them are foimd 
 bending upon it. No matter where 
 the insect may alight, the tentacles 
 move down upon it exactly to the right 
 spot, whether it be in the center or 
 otherwise. Should there be two in- 
 sects for the same leaf, at the same 
 time, in different parts, then some 
 tentacles will converge on the one, and 
 some on the other. 
 Digestion of insects by sundew 
 
 The result of the whole process is 
 that the captured little creature is 
 covered with secretion and digested. 
 The whole process of absorption is 
 complete in a couple of days. What is 
 left behind is carried away by the wind 
 
 when the tentacles reassume their 
 original attitude. Small midges are 
 the usual victims of the sundews, 
 but flies, and ants, and beetles also 
 suffer a similar fate. As many as 
 thirteen different species of captured 
 animals have been found on a single 
 leaf at the same time. 
 
 The really interesting fact about 
 these wonderful, intelligent move- 
 ments is not merely that they con- 
 tribute to the nutrition of the plant, 
 but that the movements take place in 
 tissues other than those which are 
 actually the first to be stimulated by 
 the insect. In other words, there is a 
 transmission, or carrying, of the origi- 
 nal impulse from cell to cell through 
 many cells at a speed which can be 
 actually measured. 
 
 This suggests at once to the mind 
 an analogy to the transmission of a 
 nerve impulse from the brain to a 
 distant muscle in the arm or leg. 
 How sensitive the leaves of the sun- 
 dew are may be imagined when it is 
 stated that "a particle of a woman's 
 hair, O.'^ mm. long, and weighing 
 0.0008"22 nig., when placed upon a 
 gland of round-leaved sundew, caused 
 a movement of the tentacle belonging 
 to the excited gland." 
 
 A similar experiment on the human 
 tongue would fail to give any indica- 
 tion of the presence of the hair, 
 though the tip of the tongue is very 
 sensitive. 
 
Marvels of Modern 
 Mechanism 
 
 ROENTGEN OR X-RAYS 
 
 THE MASTER ENERGY OF RADIUM 
 
 MOVING PICTURES— THE WORLD IN REVIEW 
 
 MEASUREMENTS OF TIME 
 
 TELEGRAPHY— MESSAGES BY LAND, SEA AND AIR 
 
 MODERN WAR'S MAILED HAND— GUNS AND SHELLS 
 
 FUTURE SOURCES OF POWER 
 
 178 
 
RADIOGRAPH OF THE STRUCTURE OF THE HAND 
 
 This picture explains the mechanism by which X-rays are produced in a Crooke's tube for the purpose of radiographing 
 a band plAced on a box containing a sensitized plate. 
 
 174 
 
MARVELS OF MODERN MECHANISM 
 
 175 
 
 THE X-RAY — MAGIC TUBE OF MODERN SCIENCE 
 
 IF THE discharge of a fairly large 
 induction-coil be made to pass 
 through a Hittorf vacuum-tube, 
 or through a Lenard tube, a Crooke's 
 tube, or other similar apparatus which 
 has been sufficiently exhausted, the 
 tube being covered with thin, black 
 cardboard, which fits it with tolerable 
 closeness, and if the whole apparatus 
 be placed in a completely darkened 
 room, there is observed at each dis- 
 charge a bright illumination on the 
 paper screen covered with barium 
 
 Figure 1. William Konrad Roentgen, the discoverer of 
 the X- or Roentgen rays. 
 
 platino-cyanide, placed in the vicinity 
 of the induction-coil, the fluorescence 
 thus produced being entirely inde- 
 pendent of the fact whether the coated 
 or the plain surface is turned toward 
 the discharge tube." With these 
 words. Professor W. K. Roentgen, in 
 December, 1895, announced to the 
 world one of the most profound dis- 
 coveries of the nineteenth century, 
 a discovery that for far-reaching re- 
 sults must rank, indeed, as one of the 
 greatest events of all times. 
 
 How THE DISCOVERY WAS MADE 
 
 Roentgen's discovery was the cul- 
 mination of a long series of experi- 
 ments with the vacuum tube. So 
 long ago as the eighteenth century, 
 the Abbe Nollet arranged an electrical 
 apparatus in such a manner as to send 
 a spark through a glass globe which 
 he gradually emptied of air. Experi- 
 ments continued on into the next 
 century, but it was not until 1859 
 that noteworthy results were obtained. 
 In this year Plucker succeeded in 
 obtaining a far higher vacuum than 
 any heretofore known, and produced 
 with it another "curious" phenome- 
 non — a greenish phosphorescence that 
 lined the walls of the tube — attributed 
 to the action of cathode rays. 
 Cathode Rays explained 
 
 The "cathode," the reader will 
 bear in mind, is nothing more nor less 
 than the negative pole (see e, figure 
 3), or the point at which the elec- 
 tric current leaves the tube; the posi- 
 tive pole, or the point at which the 
 current enters the tube, being called 
 the "anode." This deduction of 
 Plucker's forms, really, the starting 
 point of the observations that led up 
 to the discovery of the x-ray itself, 
 as also the further fact that the 
 "cathode" rays respond readily to a 
 magnet placed outside the tube, 
 changing their direction as the posi- 
 tion of the magnet was changed. 
 
 In 1879, Professor Crookes (now 
 Sir William), with a remarkably high 
 vacuum, obtained powerful rays which 
 he directed against a sort of windmill, 
 or vane, placed within the tube, the 
 vane revolving under the impact of 
 the rays. This and other experiments 
 led Crookes to announce the theory 
 that the cathode ray was a stream of 
 infinitesimally minute particles of mat- 
 ter charged with negative electricity. 
 
176 
 
 THE HUMAN INTEREST LIBRARY 
 
 ROENTGEN'S 
 
 Laboratory 
 its secret 
 
 GIVES UP 
 
 A year later Professor Wilhelm Kon- 
 rad Roentgen, Professor of Physics at 
 Wiirzburg University, was one day 
 making experiments in his laboratory 
 
 DESCRIPTIVE X-RAY TUBE 
 
 A — Anode 
 
 B — Assistant Anode 
 
 C — Cathode 
 
 D — Regulating Chamber 
 
 F — Regulating Adjuster 
 
 G — Hemisphere 
 
 H — Connection Wire 
 I — Assistant Anode Cap 
 K — Anode Cap 
 L — Cathode Cap 
 M- — -Cathode Stream 
 N — Focal Point 
 
 with the vacuum tube. Beside the 
 tube lay a small quantity of crystals of 
 barium platino-cyanide, placed there 
 quite by accident. Happening to 
 glance down at the screen, he observed 
 
 that under some influence exerted by 
 the tube, they were aglow with phos- 
 phorescence. To ascertain whether 
 the phosphorescence could be due to 
 the cathode rays, he covered both the 
 tube and the screen, and lo! not only 
 the phosphorescence continued, but 
 dark shadows were cast on the screen 
 by the hand and other objects placed 
 between the tube and the screen. 
 Thus was discovered, quite by acci- 
 dent, a new ray, which because 
 nothing whatever was known of it, 
 and X being the symbol of unknown- 
 ness, was called by Professor Roentgen 
 the "x-ray." 
 
 Wild was the excitement that pre- 
 vailed throughout the scientific world, 
 and many and ingenious were the 
 theories that arose to account for the 
 new phenomenon. 
 
 The MYSTERY OF MATTER 
 
 Later experiments by Sir J. J. 
 Thomson, conducted in the Cavendish 
 Laboratory at Cambridge, showed that 
 the powerful electric discharge as it 
 passed through the tube not only broke 
 up into atoms the molecules of matter 
 which happened to be in the tube, but 
 
 The theoretical diflerence between an atom of ordinary matter and an atom of radio-active matter 
 
MARVELS OF MODERM MECHANISM 177 
 
 further separated them into the consisting of the original negative 
 
 infinitely minute particles of nega- electrons, to each of which is attached 
 
 live electricity known as electrons a small charge of positive electricity. 
 
 — now recognized as the unit of And this is the x-ray. Being neither 
 
 matter. positive nor wholly negative, it does 
 
 The cathode ray Thomson found not answer to an electro-magnet, 
 to be merely a stream, or beam of And, moreover, it is not impeded by 
 these electrons shooting out from the the electrical attractions of the atoms 
 cathode at the inconceivable speed of through which it passes on its shining 
 60,000 miles a second, a third that of march through matter. We must re- 
 light. The fact that these rays can member that an atom consists of an 
 be bent or deflected at will, whereas empty space — somewhat like our solar 
 the Roentgen-ray resists every at- system on a very small scale — in 
 tempt to alter its course, penetrating which a few infinitesimal negative 
 with the utmost readiness the densest electrons are spinning round a large 
 materials, showed it to be different positive electron. There is therefore 
 from the cathode rays. The further at times ample room for the x-ray 
 fact that the Roentgen-ray cannot be to pass through atom after atom, 
 refracted, diffracted, or polarized, throwing on the screen only a faint 
 showed that the Roentgen-ray is not, shadow of the substances through 
 as many supposed, identical with which it swiftly travels, 
 ordinary light, although in certain Yet, sooner or later, there is a 
 respects it is akin to light. collision. One of the results is that 
 
 These and later experiments by the x-ray is robbed of its stolen proper- 
 Thomson and by Sir George Stokes, of ty — its positive electrical charge — and 
 Cambridge University, demonstrated reduced to its original character of a 
 the propagation of Roentgen-rays by cathode ray. The same thing happens 
 showing that the stream of cathode with the x-ray that proceeds from 
 rays by impinging upon a hard sub- radium. As its speed slows down, 
 stance, as against the wall of just before its work is done, it becomes 
 vacuum, was converted into an a cathode ray of negative electrons, 
 electrical pulse of irregular length with a diminishing energy of velocity; 
 and rhythm. The manner of this and at last its particles penetrate into 
 may be observed from the pre- an atom from which they have no 
 ceding illustration which shows the longer the power to emerge. And 
 main features of the Roentgen-ray that is practically the end of it. It is 
 tube as employed today. absorbed in the existing and perma- 
 
 Professor Bragg has lately nent structure of the universe — in the 
 
 worked out the most fascinating gases of the air or in the atoms of the 
 
 idea of the nature of the marvelous walls, ceiling, or floor of the room in 
 
 x-ray. which the x-ray apparatus is being 
 
 He supposes that when the stream used, 
 
 of negative electrons of the cathode From a medical point of view, when 
 
 ray strikes against the platinum point the x-ray comes to an end in human 
 
 in the modern glass x-ray tube, it flesh and is re-transformed into the 
 
 breaks up some atoms of platinum, original cathode ray that produced it, 
 
 and robs them of some of their posi- it often may have a serious effect upon 
 
 tive electrons. Thus is fashioned a the flesh of the x-ray operator. It 
 
 stream of doubled-natured bodies, breaks up the cells of that part of the 
 
178 
 
 TEE HUMAN INTEREST LIBRARY 
 
 human body on which it has been 
 constantly falling. The consequence 
 is that dreadful sores are sometimes 
 formed upon the hands of an operator 
 who is continually exposed to the 
 x-rays. Even the constant study of 
 the action of x-rays by means of a 
 fluorescent screen hurts the eyes of an 
 operator, causing an inflammation of 
 the outer portion of the eyeball. The 
 fact is, the x-ray is so intense a form of 
 energy that it gives rise to what are 
 called secondary radiations. It breaks 
 bits off the atom against which it 
 strikes continually; and when these 
 atoms are the elements of substances 
 in the living flesh of the x-ray operator 
 the result is at times serious. 
 
 Several brave men who worked the 
 x-rays in hospitals, with great benefit 
 to thousands of injured patients, have 
 now lost their fingers, hands, or arms 
 through the strange, spreading, and 
 terrible sores produced by continual 
 daily exposure to the extraordinary 
 power of the x-rays. 
 
 Yet it must not be thought that a 
 patient nowadays is in any danger 
 when the x-ray is used upon him by 
 a skilled operator to find some broken 
 bone, or some diseased organ, or some 
 foreign body, such as a needle or bullet 
 that has got embedded in his flesh. 
 If a very long exposure of some hours 
 is necessary, his skin may feel a little 
 sore, but the soreness will pass away. 
 It is only the heroic operator, day 
 after day exposing himself to the weird 
 force of the ray, who is in peril of 
 great and permanent injury. In an 
 ordinary way the action of the ray on 
 human flesh is said to be often bene- 
 ficial. There is, for instance, an 
 ulcerous disease of the skin produced 
 by the same tubercle microbe that 
 causes consumption of the lungs. A 
 careful application of the rays brings 
 about an inflammatory reaction, which 
 causes the tubercles to become visible. 
 
 This is followed by a loosening of the 
 tubercles; they are then sloughed off 
 in masses, and a healthy scar tissue 
 grows underneath. 
 
 A similar beneficial result is often 
 produced by means of the Finsen light, 
 but the x-rays are quicker in action, 
 and less expensive in use, and they 
 can be applied to cavities which are 
 inaccessible to the Finsen light. Sev- 
 eral other skin diseases and various 
 kinds of malignant growths have been 
 cured by treating the sufferers with 
 x-rays. Some cases of cancer of the 
 throat and breast are reported to have 
 been cured by applications of the rays, 
 lasting for ten minutes, and repeated 
 daily for some weeks. But on the 
 whole it seems that the new treatment 
 is only likely to be successful in diseases 
 affecting the outer parts of the body 
 that can be directly subjected to the 
 action of the rays. When the malady 
 is deep-seated, the healthy surround- 
 ing portion of the body tends to be- 
 come seriously inflamed by the rays 
 as they pass through on their way to 
 the seat of the disease. 
 
 At the present time there are sev- 
 eral means of protecting an operator 
 from the action of the rays. In some 
 cases, he needs only to use a very mild 
 form of the new power. This is ob- 
 tained by allowing a certain amount of 
 gas to enter the glass tube, and so 
 lower the vacuum. The ray then 
 produced is very soft; it cannot pene- 
 trate far. Hard rays, on the other 
 hand, are produced by increasing the 
 vacuum and making the air in it 
 more rarefied. When this is done, 
 the operator has to be careful to pro- 
 tect himself. 
 
 There are two principal methods of 
 protection. In one, advantage is taken 
 of the fact that the x-ray cannot pene- 
 trate lead. So a lead-glass is placed 
 over the vacuum tube, leaving only a 
 small point in the inner soda-glass 
 
APPARATUS BY WHICH X-RAY PENETRATES THE BODY 
 
 Figure A. Instrument for doing fluoroscopic observations with the patient standing. This particular cut illustrates 
 the observation of the stomach following the bismuth meal. The nurse is handing the patient a glass of buttermilk into 
 which has been stirred an ounce of bismuth powder. This bismuth meal is opaque to the ray and permits the study of the 
 outline of the stomach. In this same instrument one may study the heart, the lungs, the diaphragm, the stomach and the 
 intestine. The tube is enclosed in a lead-lined box behind the patient, the rays passing through the patient and casting 
 a shadow upon the fluorescent screen immediately in front of the observer 
 
 Figure B. A horizontal fluoroscopic apparatus upon which the patient reclines during fluoroscopic observation. 
 A screen is laid over the patient, wUle the tube is underneath the table upon wliich the patient is lying 
 
 m 
 
180 
 
 THE HUMAN INTEREST LIBRARY 
 
 vessel through which the x-rays stream 
 on to the patient. Again, the operator 
 now has various devices for testing 
 the strength of the rays, without put- 
 ting his own hand between the stream 
 of invisible force and the screen, in 
 order to measure the penetrative 
 power. This rough-and-ready man- 
 ner of testing the rays was the chief 
 cause of the loss of fingers, hands, and 
 arms by the band of brave men who 
 first worked the rays. 
 
 The modern operator measures the 
 power of the radiance he is about to 
 apply to a patient, by means of curious 
 and delicate instruments that show 
 the amount of electricity the invisible 
 ray is communicating to the air out- 
 side the tube. The degree of electri- 
 fication exactly denotes the softness 
 or hardness of the unseen radiance; 
 and a careful operator never now ex- 
 poses his eyes or his hands to the 
 action of the unseen force. During 
 his work he uses rubber gloves, and 
 puts on a pair of lead-glass spectacles, 
 and wears a rubber apron. 
 
 His work has, moreover, been great- 
 ly lightened by the progress made in 
 x-ray photography. In a general way, 
 the invisible radiance that penetrates 
 through flesh and bone is employed for 
 finding out what is the matter with the 
 patient. This can be done much 
 quicker by means of photographs of 
 the interior of the human body than 
 by studying the actual picture thrown 
 on the fluorescent screen. For the 
 photographs can be minutely examined 
 in broad daylight and at leisure, and 
 compared with similar photographs of 
 the flesh and bones and organs of 
 healthy people. For this reason x-ray 
 photography has become, both for 
 the surgeon and the physician, the 
 most important by far of the medical 
 applications of the new force; and 
 inventors are still busy in perfecting 
 this branch of radiography. 
 
 At first there were obtainable only 
 flat silhouettes of the shadows cast 
 by the x-rays as they traveled through 
 the human body. By using just a 
 medium hard ray, which did not 
 penetrate through the bones, the 
 skeleton of the human frame could be 
 shown in dark shadows amid the 
 lighter, vaguer tints of the flesh. The 
 method was useful in discovering 
 fractures of bones and foreign bodies 
 of metals, such as bullets and splinters 
 of shell in wounded soldiers, and 
 needles and nails and other metallic 
 objects due to domestic and indus- 
 trial accidents. It was early shadow- 
 photographs of this sort that directed 
 the general attention to the wonderful 
 properties of the x-rays in the first 
 years following their discovery. 
 
 But the trouble with a flat shadow- 
 photograph was that it gave no indi- 
 cation of depth. It only showed in 
 outline the internal structure of the 
 human body. In the case of fractures 
 of bones, this difficulty was overcome 
 to some extent by taking several pho- 
 tographs — from the sides as well as 
 from the back and front of the injured 
 limb or other bony part. So the 
 surgeon was fairly well contented with 
 a series of flat silhouettes that the 
 x-rays gave him. 
 
 It was some time, however, before 
 the new invisible force, that can pene- 
 trate wood and steel, w^as of much 
 use to the physician. In many cases 
 he required a clear and perspective 
 view of the flesh organs and of the 
 softest parts of the tissues. And this 
 is what he has now obtained. By 
 using soft rays on certain parts of the 
 body, and taking two separate photo- 
 graphs, and combining them for ex- 
 amination in a stereoscope, he can 
 often get a perspective vision into the 
 human body. Everything stands out 
 in order in soft relief, so that various 
 diseases of the lungs and heart and 
 
A SERIES OF X-RAY PICTURES OR ROENTGENOGRAMS 
 
 Figure C. The human vermiform appendix as it appears 
 when filled with bismuth 
 
 Figure E. Tlie tones of the arm 
 
 Figure D. Tbe loot enclosed in tbe shoe 
 
 Figure G. Skeleton of a frog 
 
 181 
 
182 
 
 THE HUMAN INTEREST LIBRARY 
 
 other organs can be traced. And 
 there is another more technical meth- 
 od, called plastic x-ray photography, 
 which gives similarly excellent results. 
 All this is a magnificent advance in 
 the art of locating the effects of a 
 malady and observing exactly the 
 results of a curative treatment. The 
 physician can see with his own eyes 
 the improvement that is taking place, 
 or the need there is to adopt some other 
 form of cure. 
 
 Moreover, he can give the patient 
 certain bismuth preparations that will 
 coat some of the interior parts of 
 the body, and make them stand out 
 very vividly in a stereo x-ray 
 photograph or a plastic x-ray photo- 
 graph. 
 
 Just recently, an extraordinary ap- 
 plication of the medical use of x-rays 
 has been made by converting the hu- 
 man body into a fluorescent screen. 
 It has long been known that a natural 
 fluorescence existed in certain human 
 tissues, and that the nerves, muscles, 
 and brain, and the chief organs, con- 
 tain a fluorescent material that re- 
 sembles ciuinine. 
 
 Now experiments are being made 
 in dosing patients with quinine pre- 
 parations, and then making the 
 medicine shine in the body by ap- 
 plying x-rays to the part that is 
 diseased. Some good results are re- 
 ported to have been obtained in cer- 
 tain tuberculous maladies. It is too 
 early yet to give a reliable decision on 
 the general value of the method. 
 
 Indeed, much yet remains to be 
 done before the various forms of x-ray 
 treatment and examination are per- 
 fected. At present tumors of soft 
 tissues are photographed with great 
 difficulty, owing to the surrounding 
 structure having nearly the same 
 density. Diseases of the brain are 
 especially hard to trace by means of 
 the x-ray. For the shadows of the 
 
 bony vault of the head greatly obscure 
 the details of the soft structure. And, 
 moreover, as the rays pass through the 
 skull, they produce cathode rays that 
 tend still further to confuse the shad- 
 owy image of the brain. Yet, a 
 blood-clot in the brain has been re- 
 vealed by the wonderful ray. So we 
 may expect the intricate technique 
 of the modern operator to be at last 
 developed to a point at which the 
 entire internal parts of the bodies of 
 suffering mankind will be made clearly 
 visible to the modern physician. 
 
 What has already been accomplished 
 is so wonderfully useful that it is 
 revolutionizing medical science. In 
 course of time every surgeon and doc- 
 tor will be an expert x-ray operator. 
 He will begin by studying the healthy 
 functions of the body with a fluorescent 
 screen and the jc-ray stereoscope. 
 Then he will go on to learn all the 
 signs of hidden diseases that the x-ray 
 reveals. So, when he is fully trained, 
 he will be able to tell, almost at a 
 glance, what is wrong with his patient. 
 In the meantime, the new scientific 
 blood-tests, by which the cause of a 
 disease is revealed under a microscope, 
 will be extended and in many cases 
 simj)lified. 
 
 So there ought to be in the future 
 no occasion for a careful medical 
 man to make any mistake in his 
 diagnosis of an illness. The healing 
 art, that still remains an art, will 
 then be transformed into a science; 
 and this science will grow more exact 
 as man obtains a larger control over 
 the microbes of disease. 
 
 It is more than evident that the 
 x-ray will be found permanently 
 useful in its marvelous revelation of 
 the interior structure of the human 
 body. No one should submit to the 
 action of the x-ray, whether for treat- 
 ment or for examination, except at 
 the hands of a skilled operator. 
 
MARVELS OF MODERN MECHANISM 
 
 183 
 
 THE MASTER ENERGY OF RADIUM 
 
 FREQUENTLY in science one 
 great discovery leads to an- 
 other. This was the case with 
 this strange and wonderful substance 
 known as radium. In the year 1896 
 Professor Roentgen discovered the very 
 useful rays which bear his name and 
 which are often called x-rays. The 
 discovery of radium may be directly 
 traced to the discovery of x-rays. 
 And this is the way it happened. 
 
 Discovery of radium due to dis- 
 covery OF X-RAYS 
 
 We know that x-rays are produced 
 by sending an electric current through 
 a glass tube from which nearly all 
 the air has been removed. When the 
 x-rays are being generated certain 
 parts of the walls of the tube are seen 
 to glow with a beautiful yellowish- 
 green color. It was thought by those 
 who first studied the x-rays that this 
 fluorescence of the glass might in 
 some way be inseparably connected 
 with the emission of the x-rays and 
 that possibly phosphorescent sub- 
 stances such as zinc sulphide might 
 give rise to x-rays. The chemical 
 known as zinc sulphide is a white 
 pov/der. If this substance is exposed 
 to sunlight for a few minutes and 
 then removed to a darkened room it is 
 found to glow or phosphoresce with a 
 beautiful pale blue light. Other sub- 
 stances also behave in a similar way. 
 Experiments of becquerel 
 
 M. Henri Becquerel examined a 
 number of these phosphorescent com- 
 pounds by testing their effect upon a 
 photographic plate. It was known 
 that x-rays will pass through many 
 bodies which are opaque to ordinary 
 light and make an impression on a 
 photographic plate. Becquerel ex- 
 posed a number of phosphorescent sub- 
 stances to sunlight and then placed 
 them near a photographic plate that 
 
 had been wrapped in black paper. 
 It was found that the plate had been 
 affected as if struck by light. He 
 next tried an experiment to determine 
 whether the preliminary exposure to 
 sunlight was necessary in order to se- 
 cure an impression on the plate. It 
 was found that the photographic plate 
 was blackened even when the phos- 
 phorescent substance had not been 
 previously subjected to sunlight. 
 Pushing his experiments still further 
 Becquerel found that he could obtain 
 the effect with substances that did not 
 phosphoresce. In one experiment he 
 placed a coin between the substance 
 being examined and the photographic 
 plate and upon developing the plate 
 he found a shadow image of the piece 
 of metal. In developing that photo- 
 graphic plate Becquerel unlocked a 
 door which had long hidden many of 
 nature's most precious secrets. In 
 that dark room that day man took a 
 long step forward in his search for 
 knowledge. Here was a substance 
 capable of spontaneously emitting 
 something which passed through ma- 
 terial opaque to ordinary light. Bec- 
 querel had discovered a new form of 
 radiation, and these new rays are 
 called Becquerel rays in honor of their 
 discoverer. 
 Madame CURIE'S investigations 
 
 The substances used by M. Becque- 
 rel in these experiments were com- 
 pounds of the element uranium. In- 
 spired by the important discovery of 
 the Becquerel rays other investigators 
 at once began a search to determine 
 whether any other substances pos- 
 sessed this peculiar property. In a 
 short time two investigators, Schmidt 
 and Madame Curie, independently 
 discovered that compounds of the 
 element thorium emitted rays which 
 were similar to those given out by 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 uranium. Those compounds which 
 were found to give out these strange 
 rays came to be known as radio-active 
 substances, and this new property as 
 radio-activity. 
 
 How TO DEMONSTRATE RADIO-ACTIVITY 
 
 It is not difficult to repeat some of 
 those early experiments in radio-activ- 
 ity. An ordinary gas mantle contains 
 a small quantity of thorium. Wrap a 
 photographic plate in black paper and 
 place the same, film side up, where 
 it will not be disturbed. On top of 
 the plate and outside of the light-proof 
 envelope place a gas mantle. The 
 mantle should be broken open so that 
 it will lie flat. After about ten days 
 develop the plate in the usual manner 
 and a distinct image of the gas mantle 
 will be found on the plate. The 
 Becquerel rays will have penetrated 
 the paper and produced an impression 
 on the sensitive photographic film. 
 If a piece of metal such as a coin be 
 placed between the mantle and the 
 
 paper it will be found that the rays 
 have been stopped by the metal, thus 
 leaving its shadow on the plate. The 
 accompanying radiographs were made 
 by the author in a manner similar to 
 the process just outlined. 
 
 The Ores producing radio-active 
 elements 
 
 But this strange and fascinating 
 story of discovery does not stop here. 
 Having found two radio-active ele- 
 ments it was but natural to examine 
 the mineral ores from which these 
 elements are obtained. Now it will 
 be remembered that an ore usually 
 contains a number of different ele- 
 ments in the form of a compound or a 
 mixture of compounds. It happens 
 that the radio-active element uranium 
 is found in the ore known as pitch- 
 blende. This ore contains lead, oxy- 
 gen and nitrogen as well as uranium. 
 Hence if we have an ounce of pitch- 
 blende only a small part of this amount 
 will be pure uranium. M. and Ma- 
 
 A FILTER-PRESS FOR EXTRACTING URANIUM SALTS, THE MOST IMPORTANT RADIUM -HOLDING 
 
 MATERIALS 
 
 » 
 
MARVELS OF MODERN MECHANISM 
 
 185 
 
 Alpha Rays (U} to. 
 HGlium Atoms 
 
 
 
 iii^^Ei-"-s* 
 
 URAHIUM .„ RADIUM.wAicA 
 
 t/irowi'nffoffA/phaffays&0comea, ed '" throwing off t/ie £MANAT/oNr^ radio active Cos 
 
 I'n 7Soaooo.OOO years, after a ^^psfo'"'^ together with the Alpha.Beta ILGetmmaRa^S, 
 
 couple of intermediate stages, f becomes in 850Oyears,f^fter intermediate stages, 
 
 PRODUCTION OF RADIUM FROM URANIUM, AND OF POLONIUM FROM RADIUM 
 
 Alpha Raysfo^ £.». Hetium Atoms I 
 
 
 219 
 
 206 %■' 
 
 .„to POLON I U M ^hich.after , .„ 6e L E A D 
 
 ^ff^eo' tfirowing off Alpha flays . tplie^^ 
 
 .!«' becomes tnahoutymonths .L«t i* , ±. 
 
 trartstormcd into an elom«nt w>"^ Note. The ffays & Emanation are 
 
 of course shown in diagram . 
 
 THIS PICTURE SHOWS HOW THE CHIEF RADIO-ACTIVE SUBSTANCES DISINTEGRATE 
 
 dame Curie compared the radio-activ- 
 ity of equal amount of the element 
 uranium and the ore pitchblende and 
 found to their astonishment that the 
 ore was much more radio-active than 
 the metal uranium itself. This at 
 once lead them to the important con- 
 clusion that there must be some other 
 substance in the pitchblende which 
 was many times more active than 
 uranium itself. 
 
 The Curies at once began a search 
 for this unknown substance. By an 
 extremely long and very tedious 
 chemical process these tireless in- 
 vestigators were able to separate out 
 an exceedingly small amount of this 
 substance after working over several 
 
 tons of pitchblende ore. In fact, two 
 radio-active elements were discovered 
 and separated from the ore, to one 
 Madame Curie gave the name 'polo- 
 nium,, naming it after her native 
 country, Poland, and the other was 
 called radium. Both of the elements 
 were hundreds of times more radio- 
 active than uranium. And so we see 
 how, beginning with a search for new 
 methods of producing x-rays, we are 
 led to the discovery of at least two 
 new elements — elements which pos- 
 sess properties entirely unlike those 
 of any known heretofore — elements 
 which have proved vastly important 
 because cf what they have taught 
 man about the nature of matter. 
 
186 
 
 THE HUMAN INTEREST LIBRARY 
 
 How RADIUM DIFFERS FROM OTHER 
 ELEMENTS 
 
 But before we consider the question 
 of the interpretation of radium let us 
 glance for a moment at some of the 
 more striking properties of this ele- 
 ment, in order that we see in what 
 respect it differs from other elements 
 such as gold or silver or carbon. 
 
 One of the several striking and 
 interesting properties which distin- 
 
 still self-luminous. Radium is the only 
 known substance that possesses the 
 peculiar property of self-luminosity. 
 Another strange fact about radium 
 is that it produces heat spontaneously, 
 or, in other words, it warms itself. 
 The fact was discovered by M. Curie 
 and Laborde that salts of radium have 
 a temperature that is always higher 
 than that of their surroundings. This 
 shows that heat is produced in and by 
 
 MEASURING THE RADIO-ACTIVITY OF SALTS CONTAINING RADIUM, AS THEY ARE MORE AND MORE 
 
 PURIFIED 
 
 Radium, which has not yet been separated pure, but in its most potent form as a chemical compound is worth more 
 than 82,000,000 an ounce, is found in infinitesimal quantities in combination with other substances. Thus a ton of pitch- 
 blende residues, when treated for 2^i months with five tons of chemicals, and washed with fifty tons of rinsing water, will 
 produce from two to four pounds of radium bromide of low radio-activity. This salt, under successive purifications and 
 crystallizations, leaves smaller amounts of radium with a higher radio-activity, until only one-thirtieth to one-sixtieth 
 part of a grain of radium remains from a ton of residue; but its radio-activity will be forty thousand times greater than 
 that of the larger mass of radium bromide first obtained. 
 
 guishes radium from other elements is 
 that it is self-luminous. While the 
 self-luminosity is not intense enough 
 to be seen in ordinary daylight it can 
 be seen by artificial light. This light 
 which radium emits comes from the 
 entire mass of the substance and not 
 simply from the surface, and continues 
 to be given out for long periods of 
 time. Samples of radium which have 
 been under observation for years are 
 
 a radium compound itself. And a 
 still further astonishing fact is that 
 the quantity of heat developed by the 
 radium is comparatively very great. 
 It has been determined that a piece 
 of radium gives out enough heat 
 every hour to melt its own weight of 
 ice, and that it will continue to give 
 out heat at this rate for an indefinite 
 period of time — in fact as long as the 
 radium, as such, exists. 
 
MARVELS OF MODERN MECHANISM 
 
 187 
 
 Still another striking property of 
 vadium is its ability to excite phos- 
 phorescence in various substances. 
 Such substances as paper, cotton, 
 diamond, ruby, various chemical com- 
 pounds, and certain kinds of glass 
 become luminous when brought near 
 a sample of radium. In this connec- 
 tion it is of interest to note that glass 
 which phosphoresces in the presence of 
 radium slowly changes to a violet 
 color when exposed to the influence of 
 radium. 
 Common air fairly good conductor 
 
 It is also true that common air, 
 which, under ordinary circumstances, 
 does not easily conduct electricity, 
 becomes a fairly good conductor when 
 exposed to the action of radium. So 
 marked is this effect that it is impossi- 
 ble to keep a body charged electrically 
 within several feet of a sample of 
 radium. This property of radium 
 serves as a very delicate test of its 
 presence. A quantity so small that 
 it cannot be seen with the highest 
 power microscope or even detected by 
 the spectroscope can be quickly and 
 easily identified by its effect in 
 discharging an electrified body. The 
 Curies used this method to detect the 
 presence of, and to measure the radio- 
 activity of specimens of radium which 
 they extracted from pitchblende. 
 
 The chemical action of radium in 
 producing effects similar to that of 
 light upon a photographic plate have 
 already been referred to. Closely 
 allied to this property is the effect pro- 
 duced by the radiations from radium 
 on animal tissues. It is known that 
 an active sample of radium will pro- 
 duce severe burns when kept near the 
 skin for any length of time. Such 
 wounds are both painful and slow to 
 heal. Because of this fact specimens 
 of radium which are strongly radio- 
 active and which are to be carried 
 about are kept in lead capsules. Ex- 
 
 periments are being carried out at the 
 present time to determine whether the 
 radiations from radium will affect 
 certain diseased tissues of the human 
 body in such a way as to bring about 
 a cure, but the results of these experi- 
 ments have yet to be learned. 
 
 The properties of radium which 
 have been briefly described above 
 serve to distinguish this element from 
 any other known substance. In fact, 
 certain of its characteristics are so 
 entirely different from any phenomena 
 known to man that radium stands in 
 a distinct class by itself. Is it possible 
 to account for the strange behavior 
 of this unusual element, and what 
 does radium teach us about the nature 
 of matter and the sources of the 
 world's supply of energy? These are 
 some of the questions which will now 
 claim our attention. 
 Extraction of radium from ores 
 
 The extraction of radium from the 
 ore is exceedingly difficult and ex- 
 pensive, and involves three processes, 
 mechanical preparation, chemical 
 treatment, and "fractionization," as 
 described by Wickham and Degrais, 
 eminent French scientists, as follows: 
 
 Mechanical Preparation: This con- 
 sists of a series of different operations: 
 grinding, which crushes the pieces of 
 ore to the size of a nut; pulverization, 
 which reduces it to a very fine powder; 
 and, finally, mechanical enrichment 
 by dressing. 
 
 Chemical Treatment: Radium is 
 found in an insoluble state in the 
 residues of pitchblende, unassailable 
 by acids, mixed or combined with 
 earthly silicates, alkaline earth and 
 alkalis, etc., all being inactive sub- 
 stances. Repeated washing with hy- 
 drochloric acid and water rids the 
 residue of a large quantity of this in- 
 active matter. The insoluble part 
 contains the radium. It is then sub- 
 mitted to a long boiling with car- 
 
188 THE HUMAN INTEREST LIBRARY 
 
 bonate of soda, transforming the ray, thrust out in the disintegration 
 
 radium salts into salts which are still of the radium. 
 
 insoluble but henceforth able to be Character of radiation 
 
 acted upon by acids. Hydrochloric Radium is constantly undergoing 
 
 acid is again used to dissolve out the disintegration, breaking up into incon- 
 
 radium and permit of its concentra- ceivably minute particles of matter 
 
 tion. that fly out from the mass at an in- 
 
 Fractionization: This operation is credible rate of speed, and consuming 
 
 extremely delicate. It is divided into an energy that transcends the human 
 
 three phases: gross fractionization, imagination. And the wonder of it 
 
 fine fractionization, and the definite all is that this tremendous energy is 
 
 fractionization of the bromides. emitted without cessation for 20,000 
 
 In crystallizing a solution of radium- years; at the end of a "half-life" 
 
 bearing barium chloride, it is found period, or two thousand years, half of 
 
 that the crystals contain more radium it will have disintegrated; at the end 
 
 than the mother liquor which held of another two thousand years, half 
 
 them. It is this fact which is utilized of the remainder will have disintegrat- 
 
 in fractionization to determine a series ed, half of the remainder at the end 
 
 of crystallizations extracted from the of another two thousand years, and 
 
 mother liquors. so on until all has passed into 
 
 By this definite fractionization it is decay, 
 
 possible to obtain the concentration of Alpha Rays: This radiation is not 
 
 a few centigrammes of almost pure homogeneous, but is made up of 
 
 radium bromide, to secure which it is three kinds of rays, designated as 
 
 necessary to utilize fifty-six tons of alpha (a), beta (b), and gamma (y) 
 
 products: one ton of ore, five tons of rays, differing vastly in velocity, in 
 
 chemical matter and fifty tons of penetrative power, and in therapeutic 
 
 water. effects. 
 
 Although quite recently Madame The alpha rays are made up of 
 
 Curie has succeeded in isolating -pure minute particles carrying a charge of 
 
 radium, yet as employed in therapeutic positive electricity, and traveling at a 
 
 work it is one of several compounds, speed of more than nine thousand 
 
 such as radium bromide (Ra Brj miles a second. Their penetration is 
 
 2H2O); radium sulphate (Ra SO4); not great, however, for they are com- 
 
 radium chloride (Ra CI2) ; and radium pletely stopped by a sheet of ordinary 
 
 carbonate (Ra CO3). note paper, by a sheet of aluminum 
 
 An apparatus much used in the .006 centimeters thick, or by three 
 
 study of radium is the spinthariscope, inches of air. 
 
 an apparatus devised by Sir William A fact of great interest to physicists 
 
 Crookes to demonstrate the luminous is this, that many evidences seem to 
 
 qualities of the metal. It consists of prove, either that the particles of 
 
 a short brass tube, one end of which is matter which constitute the alpha ray 
 
 closed by a convex lens, and the other consist of helium, or that the alpha 
 
 by a screen of zinc sulphide, directly rays are converted in radiation into 
 
 in front of which is placed a minute helium, that strange element long 
 
 quantity of radium. Upon looking known to exist in the sun and certain 
 
 through the lens one sees the screen planets, but which until recent years 
 
 lit up by brilliant scintillations, each was not known to exist upon the earth, 
 
 the effect of the impact of the alpha The spectrum of helium has been found 
 
STRIKING VISION OF THE RADIO-ACTIVITY OF AN ATOM 
 
 Vhe invisible alpha particles or Helium atoms throwt, 
 off in a constant stream by the mi note speck of Radium 
 those that imprnge on the oval screen of Zinc -.jti/fihide ■ '^ 
 can be seen, when highly magnified, producing a bright \-_^ 
 
 splash of light where each one stri/tes the screen ■■ i^ # 
 
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 f: \^iri/{^'-^-' - - 'S- 
 
 Radiurn 
 
 m 
 
 ' ;.!■ - 1 V% . .■: 
 
 , Fihe needle po^^ . ' 
 on which it shotim • , ' \ 
 a small part/ci»&';.^ \ \ 
 ffoLdiumJoat a/feW , ^ . ^ 
 cUoma,*vnich ar0^} \ , ' 
 tfuiie invisible "^Xv \ 
 even the higheatt v^ ' V 
 magnt-^i/jg pat^ \ \ ^ 
 
 
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 Aa invisible speck of radium throwing out invisible atoms that sparkle into sight on a film 
 
 On the point of this needle ' 
 IS p/ctced the imaJhsi N 
 
 possible- oarticle of Radium 
 that can be obtained. 
 
 'de only 
 hojf the 
 Disc is 
 shovin. 
 
 M 
 
 VJhcel for mprtng the l^ncdlp 
 to & frxim the sr.rcfrt. 
 
 m 
 
 THE SPINTHARISCOPE, WHICH ENABLES RADIUM PARTICLES TO BE SEEN SHIMMERING CLEARLY 
 
 These pictures show the means by which the marvelous energy stored up in radium may be observed. From a speck 
 of radium too small to be seen a stream of helium atoms pours forth, and will do so for 2500 years before the radium ceases 
 to exist. The flying particles fall on a zinc sulphide screen or film like hailstones splashing on the surface of water, and the 
 splash is visible, while the radium Itself and flying atoms are not. This la the nearest men have yet come to seeing an 
 actual atom. 
 
 189 
 
190 
 
 THE HUMAN INTEREST LIBRARY 
 
 to appear in a tube into which radium 
 emanation has been put, and if the 
 process is one of conversion of radium 
 into hehum, scientists see in the 
 phenomenon a fulfihnent of the dream 
 of the alchemists of all ages — the 
 transmutation of a baser into a nobler 
 metal, under the influence of the 
 tremendous energy liberated by the 
 disintegration of the radium atom. 
 
 Beta Rays: It has now been dem- 
 onstrated that the beta ray of radium 
 is practically identical with the cathode 
 stream of the vacuum tube, but 
 traveling with a much higher velocity. 
 They have, owing to their greater 
 velocity, a greater penetrability than 
 the alpha rays, being to the latter as 
 one hundred is to one. In therapeu- 
 tics, three types of beta rays are 
 recognized: hard, medium and soft, 
 in the order of their hardness. 
 
 Gamma Rays: The gamma rays, 
 unlike the alpha and beta rays, do not 
 consist of material particles, but are 
 electro-magnetic pulsations of the 
 ether, similar to x-rays, light and 
 Hertzian waves, probably originating 
 in the explosion of the radium atoms 
 in their disintegration. The gamma 
 rays have a remarkable degree of 
 penetrability. If we place a screen 
 coated with barium platino-cyanide 
 crystals in the dark, a metre away 
 from a powerful radium apparatus, 
 the screen is illuminated with a 
 diffused light; if we lessen the dis- 
 tance, the light becomes concentrated 
 and brilliant. This experiment shows 
 that the rays have passed through 
 the air. 
 
 Again, if we place a book, a stone, or 
 any substance whatever (the experi- 
 ment through a door or a partition 
 wall is interesting), or interpose or- 
 ganic tissues — the human body for 
 example— between the screen and the 
 radium, the screen continues to be 
 ijhiniinated; and its refulgence is at 
 
 the same time in direct ratio to the 
 power of the radio-active sources, and 
 in inverse ratio to the thickness or 
 density of the interposed body. For 
 this reason, certain substances, such 
 as aluminum, mica, and certain var- 
 nishes, are easily penetrable, while 
 others, such as lead, silver and plati- 
 num, offer, on the contrary, greater 
 resistance. 
 
 Separation of Rays: This three- 
 fold composition of radium is impor- 
 tant, since by proper means of sepa- 
 ration the various rays can be isolated 
 and applied therapeutically as the 
 paxticular case demands. Thus, if it 
 is desired to direct the gamma rays 
 alone upon the body, a sheet of lead, 
 say five millimeters of thickness, will 
 cut out both the alpha and the beta 
 rays; if it is desired to utilize the beta 
 rays, a sheet of note paper or of alu- 
 minum or other metal of a certain 
 thickness will cut off the alpha rays 
 and permit the gamma and the beta 
 rays to enter the tissues. Still an- 
 other method of isolating the various 
 rays is by means of magnetic deflec- 
 tion. If radiation is made to cross 
 the space between the poles of a 
 powerful electro-magnet, the alpha 
 rays will be bent in one direction, the 
 beta in the opposite, while the gamma 
 rays are not affected electro-magneti- 
 cally whatever. 
 
 Delta Rays: A group of rays called 
 "delta" (d) rays by Professor J. J. 
 Thomson, a famous English physicist, 
 are set up by secondary radiation. 
 When a stream of beta rays, for exam- 
 ple, falls on matter of any kind, it is 
 scattered widely in all directions, the 
 scattered radiation giving rise to 
 "secondary beta rays," and gamma 
 rays giving rise in contact with mat- 
 ter to "secondary gamma rays." In 
 a similar way very feeble "secondary 
 alpha rays" are produced from alpha 
 ra^^s, 
 
MARVELS OF MODERN MECHANISM 
 
 191 
 
 I Radium 
 Emanations ■" 
 
 Radium \ Alpha rays 
 Beta rays 
 ( Gamma rays I 
 
 Alpha rays 
 Beta rays 
 Gamma rays 
 
 Radium emanation 
 
 A still more remarkable product of 
 the rays is "radium emanation, or 
 niton," a gas which is being constantly 
 emitted by radium. And, strange to 
 say, this gas, weight for weight, is 
 one hundred thousand times as radio- 
 active as radium itself, and, like 
 radium, gives off alpha, beta, and 
 gamma rays, first having gone through 
 a group of intermediate substances 
 known as radium A, radium B, radium 
 C, radium D, radium E, radium F, 
 and radium G (the accompanying 
 chart shows the relation of these 
 various aspects of radiation). 
 
 "Radium A" 
 Radium B 
 Radium C 
 Radium D 
 Radium E 
 Radium F 
 ^Radium G'' 
 
 f Secondary 
 \ alpha rays 
 Secondary J Secondary 
 Radiation j beta rays 
 I Secondary 
 V gamma rays 
 
 Induced radio-activity 
 
 Still another type of radiation con- 
 sists of what is known as "induced 
 activity." So long ago as 1899 Pro- 
 fessor and Madame Curie found that 
 the surface of any body placed near 
 radium, or immersed in radium emana- 
 tion, acquires thereby a decided radio- 
 activity. Water has been found to 
 acquire radio-activity in this manner, 
 a fact which has been utilized in the 
 treatment of various disorders, as for 
 instance at Hoachimsthal, where the 
 spring waters become radio-actively 
 charged by passing over pitchblende 
 ore. As to the duration and strength 
 of the radio-active property conferred 
 in this manner, Wickham and Degrais 
 have shown that these depend on the 
 length and intensity of the contact, 
 as well as upon the nature of the sub- 
 stances impregnated. When the ema- 
 nation is separated from the radium 
 its life is of short duration, and the 
 induced radio-activity determined by 
 ttie thus isol3,ted emanation dies out 
 
 rapidly. The loss follows a well- 
 defined law of diminution. It is 
 fifty per cent every half-hour as long as 
 the body impregnated with radio- 
 activity is not enclosed, while, if en- 
 closed, the loss corresponds to only 
 half the activity in four days. This is 
 why the radio-activity of mineral 
 waters does not last when taken from 
 their source. 
 
 If the emanation remains in proximity 
 to the radium so that it is replen- 
 ished in proportion to its loss, the 
 radio-activity produced is more con- 
 stant. For example, when the radium 
 atom is introduced into the tissues of 
 the body the sources of induced radio- 
 activity are much more lasting. 
 Therapeutic application of radium 
 
 Thus, in the therapeutic use of 
 radium the physician has a wide 
 variety of applications from which to 
 choose : the alpha, beta or gamma rays, 
 or all three combined, the secondary 
 rays, radium emanation, and induced 
 radiation. Strange to say, however, 
 the therapeutic value of radium was 
 not discovered until 1901, three years 
 after the discovery of radium by the 
 Curies. In that year Becquerel visited 
 London, carrjdng in his waistcoat 
 pocket a small tube containing a 
 minute quantity of radium. He soon 
 became conscious of a soreness at the 
 point of his body against w^hich the 
 small tube of radium had pressed. 
 Examining the spot he found the flesh 
 inflamed, and came to the conclusion 
 that the burn was caused by the 
 radium. This inflammation, which 
 has become famous as the "Becquerel 
 burn," gave rise to an extended study 
 of the effect of radium on tissues of 
 the human body, especially with 
 reference to its use in the treatment of 
 disease. 
 
 Professor Danysz, of the Pasteur 
 Institute, Paris, found that three 
 hours' exposure to radium wa§ su:ffi- 
 
192 
 
 THE HUMAN INTEREST LIBRARY 
 
 cient to give rise to painful inflamma- 
 tion. In experiments upon a guinea 
 pig he found that minute amounts of 
 radium sealed in a glass tube and 
 placed against the body would burn 
 off the hair and produce a painful dis- 
 turbance of the tissues, which, how- 
 ever, would feel like any other sore. 
 
 The results were scarcely less re- 
 markable in the case of experiments 
 upon young mice. Placing radium a 
 few inches above the animals, he 
 found that the mice became "dopey" 
 within a short time, paralysis of the 
 hind legs followed, with convulsions 
 and ultimate death. Larval worms 
 which he subjected to radium were 
 likewise affected, many of them dying 
 and the others showing retarded de- 
 velopment. Those specimens which 
 were not treated with radium grew 
 into normal beetles. 
 The treatment of cancer 
 
 These experiments showed conclu- 
 sively that radium has a very vital 
 effect upon healthy human tissue, and 
 attention was centered at once upon 
 the possibility of curing cancer by 
 the new method. Study was first 
 made of such abnormalities of the skin 
 as warts, and these, it was found, 
 reacted at once to the effects of 
 radium, after one treatment disap- 
 pearing in a very few days. Attention 
 was next turned to those tumor-like 
 growths which frequently appear on 
 the face. These had been successfully 
 removed by the surgeon's knife, but 
 often at the expense of a horrible dis- 
 figurement of the part. If no trace 
 of the tumor was left in the svstem, 
 the cure was permanent, but, as too 
 often happened, it was not entirely 
 removed, and the growth reappeared. 
 
 In the treatment of this type of 
 cancer, radium has achieved wonder- 
 ful results. In the deeper-lying tis- 
 sues, however, the cancer is less easily 
 reached, and the diflficulty is thus in- 
 
 creased manifold, although here re- 
 markable results have been secured. 
 One of the early experiment? was upon 
 a youth of seventeen, who had a 
 rapidly growing cancer on the lower 
 jaw, a "giant-celled" type of tumor of 
 great malignancy. An operation was 
 apparently the only means of saving 
 the patient's life, and the success even 
 of this was entirely problematical. 
 Radium was applied, and after a few 
 applications the cancer entirely dis- 
 appeared and normal, healthy bone 
 grew in its place. 
 
 Except in a few rare instances, such 
 as growths of the palate, tonsils and 
 gums, the results of radium treatment 
 of cancer of the mouth have not been 
 very satisfactory. 
 
 In the treatment of deep-lying and 
 malignant cancers, such as cancer of 
 the breast, cancer of the pelvic organs, 
 etc., the efficacy of radium is still un- 
 determined, though this much is 
 known, that it reduces pain, and re- 
 tards the growth of the tumor, even 
 in the most obstinate cases; and there 
 have already occurred a number of 
 authenticated cures. 
 
 Radium treatment of rheumatic 
 conditions 
 
 Radium emanation has also been 
 used with some degree of success in 
 rheumatic conditions, notably by Dr. 
 Paude and others in the treatment of 
 arthritis deformans, subacute and 
 chronic rheumatism, gonorrheal rheu- 
 matism, neuralgia, and such cutaneous 
 affections as pruritus. A form of 
 application used extensively in these 
 disorders is induced radio-activity; 
 that is, by bathing the patient in 
 water which, by its contact with ra- 
 dium or radium emanations, has 
 acquired a radio-activity of its own. 
 
 But, after all, the most momentous 
 results have been obtained in experi- 
 ments upon cancer, owing partly to 
 the fact that a cure for this horrible 
 
MARVELS OF MODERN MECHANISM 193 
 
 malady Is being sought with greater plants. Again, in some cancer cases 
 
 and still greater eagerness by scien- treated with radium, the effect was 
 
 tists, and also by the further fact that found only to increase the virulence of 
 
 the gamma rays seem to have an affin- the lesion and to hurry the patient's 
 
 ity for the cells that make up can- death. 
 
 cerous tissue, a fact demonstrated by As soon as these facts became 
 the phenomenon that gamma rays known, the attempt was made, of 
 pass through surrounding healthy course, to isolate the various rays, and 
 tissue and leave them unharmed, but to make it possible to treat when 
 penetrate and destroy at once the dis- necessary any diseased tissues with 
 eased cancer tissue. The rays seem gamma rays exclusively and in any 
 to find some substance in the diseased strength desired. A means of accom- 
 tissue that it does not find in the plishing this with some success has 
 healthy tissue, and proceeds to de- since been discovered, as we have 
 stroy it. found, both by using metal plates or 
 Difficulties of standardization other substances of varying degrees of 
 One of the greatest difficulties that thickness, or by means of electro- 
 has stood in the way of the therapeutic magnetic deflectors. Thus satisfae- 
 use of radium has been the fact that tory standardization seems assured in 
 standardization has developed slowly, the future, when emanation and in- 
 The variation in strength of the various duced radio-activity can be brought 
 rays, not only of the radium itself, but under equally complete control, 
 of radium emanation and of induced The conservation of radium 
 and secondary radio-activity, under The problem of a more exact appli- 
 varying conditions has made it difficult cation of radium has taken on new 
 to apply any forms of the metal with interest through the efforts of leading 
 any degree of accuracy. American radium workers to con- 
 There is the further fact, too, that serve, by national means, the sources 
 alpha, beta and gamma rays have en- in this country of carnotlte ores, and 
 tirely different effects upon body thus to make accessible to American 
 tissue, whereas the physician in the physicians a larger supply of radium, 
 early experiments applied all three Dr. Howard A. Kelly, of the Johns 
 rays indiscriminately to the affected Hopkins University, is sponsoring the 
 tissue, unconscious of the fact that movement, and believes that radium 
 one ray might act quite differently has only to be produced in sufficiently 
 from the others, and produce harmful large quantities to make its benefits 
 effects. universally accessible. 
 
 The alpha rays, owing to the It is the concensus of opinion of 
 
 fact that they cannot penetrate deeply experts that enormous doses of gamma 
 
 into the tissues, have little effect rays can be given without injury and 
 
 beyond inflaming surface tissue, as in that the favorable results in success- 
 
 the case of Becquerel burn. The beta ful cases have been due to the fact 
 
 rays, again, have a particularly stimu- that very large doses have been used, 
 
 lant effect upon growth when applied The extreme rarity of radium makes it 
 
 to plant equally with animal cells, physically impossible of occupying 
 
 Oats, for instance, when subjected to the widest field of usefulness, and this 
 
 the influence of beta rays, have been limitation is increased by the conse- 
 
 found to grow much larger and de- quent price, which was recently quoted 
 
 velop more fully than ordinary oat at $120,000 per gram. 
 
19Jf 
 
 THE HUMAN INTEREST LIBRARY 
 
 
 •- .---ifRi" 
 
 
 SCENES FROM THE MOVING PICTURE WORLD 
 
 MOVING PICTURES— THE WORLD IN REVIEW 
 
 A QUARTER of a century ago 
 animated photography, or the 
 moving picture, was an un- 
 dreamed dream. Today, though an 
 impressive reahty, it is still marvelous. 
 Professor Frederick Starr, the noted 
 traveler and sociologist, has very 
 graphically characterized it thus: 
 
 "I have seen Niagara thunder over 
 her gorge in the noblest frenzy ever 
 beheld by man; I have watched a 
 Queensland river under the white 
 light of an Australasian moon go 
 whirling and swirling through strange 
 islands lurking with bandicoot and 
 kangaroo; I have watched an English 
 railroad train draw into a station, 
 take on its passengers and then chug 
 away with its stubby little engine 
 through the Yorkshire Dells, past old 
 Norman Abbeys silhouetted against 
 the skyline, while a cluster of centurj^- 
 aged cottages loomed up in the valley 
 below, through which a yokel drove 
 his flock of Southdowns; I have 
 beheld fat old Rajahs with the price 
 of a thousand lives bejewelled in their 
 monster turbans, and the price of a 
 thousand deaths sewn in their royal 
 nightshirts as they indolently swayed 
 in golden howdahs, borne upon the 
 backs of grunting elephants; I saw a 
 runaway horse play battledoor and 
 shuttlecock with the citizens and 
 traffic of a little Italian village, whose 
 
 streets had not known so much com- 
 motion since the sailing of Columbus; 
 I know how the Chinaman lives and 
 I have been through the homes of 
 the Japanese; I have marveled at the 
 daring of Alpine tobogganists and 
 admired the wonderful skill of Nor- 
 wegian ski jumpers; I have seen 
 armies upon the battlefield and their 
 return in triumph ; I have looked upon 
 weird dances and outlandish frolics in 
 every quarter of the globe, and I 
 didn't have to leave Chicago for a 
 moment. 
 
 "No books have taught me all 
 these wonderful things; no lecturer 
 has pictured them; I simply dropped 
 into a moving picture theater at 
 various moments of leisure; and at 
 the total cost for all the visits of per- 
 haps two performances of an ordinary 
 show, I have learned more than a 
 traveler could see at the cost of 
 thousands of dollars and years of 
 journeying." 
 
 The moving picture industry makes 
 for us volumes of history and action. 
 It gives a great variety to the themes 
 of entertainment and is at the same 
 time a mighty force of instruction. 
 We do not analyze the fact that when 
 we read of an English wreck we at 
 once see an English train before us, 
 or when we learn of a battle that an 
 altogether different panorama is 
 
MARVELS OF MODERN MECHANISM 
 
 195 
 
 visualized than our former erroneous 
 impression of a hand-to-hand con- 
 flict; we are famiUar with the geog- 
 raphy of Europe ; we are well acquaint- 
 ed with how the Frenchman dresses, 
 in what sort of a home he lives, and 
 from what sort of a shop he buys his 
 meat and greens. 
 
 Today the moving picture industry 
 is developed to a high degree of per- 
 fection in America and Europe. Mil- 
 lions of dollars are invested in the 
 production of moving picture films; 
 entire companies of trained and 
 practiced actors are carried to every 
 interesting spot on the continent and 
 carefully drilled to enact pantomimes 
 which will concentrate within the space 
 of a few minutes the most entertaining 
 and instructive incidents of the world. 
 
 How IT WAS DISCOVERED 
 
 The basis for animated photog- 
 raphy — or the continuity or per- 
 
 sistence of human vision — was noted 
 by the famous Arabian astronomer, 
 Ptolemy, before the Christian era. 
 The retina of the human eye has the 
 psychological property of retaining 
 for a brief time, the tenth of a second 
 the impression of an image after the 
 object which produced it has dis- 
 appeared. If these images are shown 
 representing successive positions as- 
 sumed by the object in motion, the 
 impression conveyed to the eye is 
 that of continuous movement without 
 intermission. 
 
 No practical use of the observations 
 of the ancients was made up to the 
 middle of the eighteenth century, at 
 which time a scientific toy called the 
 "Dream Top" w^as evolved in France. 
 This had an added charm in 1829, 
 when another scientist invented the 
 Phantoscope, a disk revolving around 
 eight spokes viewed the perforations 
 
 A MOVING PICTURE STAGE 
 This shows how the stage is artificially lllumLnated. The artificial lighting equipment In the main Selig studio is only 
 used when the sunshine is inadequate. A traveling frame holds 15 quartz tube Cooper-Hewitt lights, each bearing 4500 
 candle power, being in a space 12 feet square 10 feet above the scene. On either side of the scene are banks of mercury 
 vapor lamps (witb tubes 50 inches long) ; this floods Its limited stage section with approximately 100,000 candle power. 
 
196 THE HUMAN INTEREST LIBRARY 
 
 in the edges. In 1841 photography change of pictures. Since then the 
 
 having come into the possession of the SeHg polyscope and numerous other 
 
 people, photographs were substituted motion picture machines have ap- 
 
 in this device for drawings. peared with numerous new and valu- 
 
 The next most important move, in able improvements that have added 
 
 a great invention, was made by immensely to the vital illusion and 
 
 Edward Muybridge, official photog- the artistic conviction imposed by 
 
 rapher of the United States Govern- the flying film, 
 
 ment, who, in 1872, made a series of Mechanism of the camera 
 
 practical experiments in which cam- The celluloid film upon which the 
 
 eras caught the movements of horses photographs are taken, is one and 
 
 in motion, reproducing what he called three-eighths inches wide, is in rows 
 
 "animal locomotion." In this Muy- of two hundred and four hundred 
 
 bridge utilized twenty-four cameras, feet in length and certainly has a 
 
 engaging in their process certain tensile strain equal to that of linen 
 
 springs, which struck by the passing paper, which is said to be over seven 
 
 animals, released the shutters of the hundred pounds. This film is per- 
 
 cameras, catching the particular pose forated on each side in successive 
 
 of the passing instant. areas three-quarters of an inch deep. 
 
 The celluloid negative the equivalent of a picture (eighteen 
 
 It was not, however, until 1889, perfect pictures to a foot), so that it 
 
 that Friese-Green and Evans patented can be seized by the running sprockets 
 
 a machine in England for taking and brought taut into position be- 
 
 pictures on celluloid — that this sub- hind the lens (sixty-four perforations 
 
 stance became the invaluable sub- to the foot is the Edison standard 
 
 stitute for glass, in photography, gauge). Nearly all the picture film 
 
 This made it a comparatively easy made in America is manufactured in 
 
 matter for a long series of negatives one establishment, 
 
 to be taken upon a continuous. The mechanism of a cinematograph 
 
 transparent, flexible support which camera, seems comparatively simple, 
 
 became the perfected base of moving yet the Selig cameras are adjusted to 
 
 pictures. a thousandth part of an inch, showing 
 
 Improvements OF EDISON AND LUMiERE their accuracy of graduation. These 
 
 In 1893, Thomas A. Edison in- cameras hold two film boxes — the 
 vented the kinetograph and two years upper for carrying the unexposed film 
 later Lumiere in France, who had — the lower for housing the exposed 
 been working independently along product, working upon the system of 
 the same line, exhibited his kinometo- roller photography. The lens is set 
 graph in Paris. The American, com- centrally in the front face of the 
 mercially and practically, demonstra- camera with focusing effected by 
 ted the possibilities of a new invention moving the lens itself. It is addi- 
 and consequently Edison gets a royalty tionally fitted with stopping facili- 
 from all film users for his perforation ties on the well known Iris principle, 
 in the edge of the film, which holds it The mechanism with an intermittent 
 steady and eliminates the jumpy side motion, pulls forward the film three- 
 motion that used to be so distressing quarters of an inch after each exposure, 
 in the showing of films. Lumiere the film passing through a narrow slit 
 introduced the drop-shutter, which from under the unexposed film box 
 disguised the hiatus involved in the over a sprocket wheel kept in firm 
 
MARVELS OF MODERN MECHANISM 
 
 197 
 
 mesh by a guide-roller, so that the 
 film is moved and exposed with mathe- 
 matical accuracy through the swing- 
 ing gate when the exposure takes 
 place and then, by a similar process, 
 is drawn safely into the lower film 
 box. This is mounted on a special 
 heavy tripod, so that the camera can 
 be swung panoramically or be moved 
 through a large vertical arc. 
 
 The developing, printing and tint- 
 ing of the films, is an involved scien- 
 tific process conducted upon a large, 
 but accurate scale. A large plant 
 frequently develops and prints up- 
 wards of 300,000 feet of film in a 
 week. 
 
 Present extent and future possi- 
 bilities OF MOTOGRAPHY 
 
 Although the art of motography in 
 its large appeal to the public is less 
 than ten years old, its serious, scien- 
 tific development is said to now repre- 
 sent an investment in this country 
 alone of over $50,000,000.00 in ex- 
 pensive plants equipped with special 
 and elaborate machines. Up to date 
 there is said to be fully 30,000 theaters 
 in the United States devoted to the 
 use of moving pictures. The pro- 
 ducers and manufacturers of moving 
 pictures have kept pace wuth the 
 growing demands of an eager and ap- 
 preciative public in regard to the in- 
 terest and the quality of their product. 
 In the vast domain of picture play, 
 they have enlisted stock companies 
 for the silent drama that have in 
 them the best Thespian talent pro- 
 curable and the great stars of the stage 
 are now appearing in such productions 
 to make pantomime a more poetic 
 and potential attraction than ever 
 before. The motion picture business 
 has a broader, a more serious and a 
 more lasting value in the educational 
 way. Historical dramas, great events 
 of national importance have an in- 
 fluence too infrequently considered. 
 
 but have enduring qualities that 
 promise to add greatly to the world's 
 store of knowledge. The so-called 
 travel films are an equally valuable 
 asset, as they concern the intimate 
 information for the public in bringing 
 on the beauties of nature and the 
 wonders from the far corners of the 
 earth for the observation of every 
 community. Another form of the in- 
 forming values of pictures come 
 through the study of natural history, 
 scientific and microscopic investiga- 
 tion. The delicate art of the surgeon 
 is now brought to the attention of 
 the medical student through the 
 searching eye of the camera, while 
 the study of bacteria is microscopically 
 accomplished through the same won- 
 derful medium. These good and great 
 accomplishments of motion pictures 
 are adding vastly to general interest 
 as well as to the knowledge of the 
 scientific world. 
 
 When photography is accomplished 
 in color, when the film becomes un- 
 breakable and can be perfectly syn- 
 chronized with the talking machine, 
 the moving picture will approximate 
 perfection in its impress upon the 
 human eye and ear. It has already 
 accomplished marvels, yet still ap- 
 pears to be upon the threshold of 
 greater things. 
 How the picture plays are staged 
 
 In the taking of moving pictures, 
 the camera is ordinarily placed fifteen 
 feet from the stage to show people at 
 normal height, the front line or foot- 
 light of the scene being only eight or 
 ten feet wide. The interiors are set 
 at an angle and are consequently open 
 on two sides and at the top, so that 
 the scene gets all the illumination 
 possible. Such surroundings limit the 
 radius of action although any depth 
 may be used for value in perspective. 
 Naturally, out-of-door productions al- 
 low the widest liberty of action and a 
 
198 
 
MARVELS OF MODERN MECHANISM 199 
 
 sweep to the horizon. If the picture veloped through "toning" and ahiiost 
 
 of persons at fifteen feet distance stereoscopic vahies for fihns. The 
 
 reveals them Hfe-size, when a long Cines Company of Rome, have been 
 
 focus lens is used and they are photo- singularly successful in this artistic 
 
 graphed at a distance of a hundred touch. The French secure delicate 
 
 and fifty feet, they resemble Lilipu- and varying effects of color through 
 
 tians — an advantage frequently used tiny stencils applied to the films, the 
 
 in the production of fairy plays. printing process involving aniline dyes. 
 
 The actors engaged in picture-plays being similar to that employed in 
 
 make up less strongly than they do* on the larger scale of placing patterns on 
 
 the theatrical stage, as the lighting is wall-paper. At present kinemacolor 
 
 more intense and the camera catches is the best known commercial natural 
 
 every detail. . It must be remembered color system. Some of its effects are 
 
 that in the moving picture film it is beautiful, although the process has 
 
 impossible to rectify any mistakes by not yet been perfected, 
 
 re-touching. The actors move and Large stock companies are employed 
 
 speak (usually extemporizing) as they for regular daily service, the morning 
 
 do in life, simulating all the emotions hours being obviously the most valu- 
 
 to make pantomime telling and po- able, by reason of the sunlight. Now, 
 
 tential. Before filming a silent drama, however, all studios are fitted with 
 
 the actors are thoroughly rehearsed Cooper-Hewitt quartz burners as well 
 
 in every detail of the "business," by as mercury tube lights, so that the 
 
 the director who times the scene ac- artificial illumination is more brilliant 
 
 curately and calculates the film foot- even than that of nature. The selec- 
 
 age in advance. In important scenes, tion of actors is by no means easy, as 
 
 usually two or more cameras are the taxing peculiarity of the cinemato- 
 
 called into use, so that choice of films graphic stage is that the actor must 
 
 may be secured from slightly different not only act, but look the part- — types 
 
 viewpoints. are in great demand for character 
 
 Picture stage settings work in the silent drama. 
 
 The settings of studio scenes are The curious public, frequently be- 
 painted in neutral tints of browns and lieving that the camera lies, ask 
 grays like photographic backgrounds, doubtfully: "Are these things real.^ 
 and are frequently most elaborate in Do those engaged in the moving pic- 
 construction, while the furnishings tures do the things they seem to ac- 
 may be of the richest character, complish? Are there any risks or 
 While no charm of color obtains in real dangers?" 
 
 these photograph scenes, the actors Such inquiries in the broad can 
 
 are as richly and as correctly costumed be emphatically answered in the af- 
 
 as they are upon the mimic stage and firmative; although the manipulated 
 
 no effort or expense is spared to make camera and the printing of films may 
 
 the ensemble equal, if not superior, in secure very puzzling and uncanny 
 
 every detail to their theatrical proto- results. The wild rides, the strenuous 
 
 types. experiences enacted, are real, although 
 
 In this country films are tinted to they may be of short duration. The 
 
 secure the effect of twilight, of moon- bucking broncho, the speeding train, 
 
 light, the glare of a conflagration, or the racing automobile, or the flying 
 
 the cloud-gathering of a storm. In airship caught upon the film, is in no 
 
 Italy, this scientific process has de- sense counterfeit. 
 
soo 
 
 THE HUMAN INTEREST LIBRARY 
 
 STAGING FOR PAULINE CASHMAN IN "THE YANKEE SPY" 
 
 When Tom Mix, the champion 
 cowboy, unhmbers for action, he leaps 
 from a running horse to the back of a 
 frenzied Texas long-horn and actually 
 accomplishes what is known in the 
 technic of the ranch, as "bull-dogging" 
 a steer. This means that the daring 
 rider, with his bare hands, hanging on 
 to the horns of the maddened animal, 
 brings it to a standstill and actually 
 throws it to the ground in front of the 
 recording camera, a very difficult feat. 
 It was an extraordinary bit of dare- 
 deviltry that inspired this cowboy to 
 the ordeal of being thrown from his 
 horse, allowing his foot to catch in a 
 stirrup and be dragged — a dreadfully 
 hazardous stunt. While blank car- 
 tridges are used in battle scenes, like 
 the charges for artillery, and coils of 
 worn-out film are fired by electric 
 contact to give the effect of exploding 
 shells, real bullets are frequently used 
 in wild west gun-plays, that toss up 
 the dust and clip the rocks close to 
 
 the combatants. In such scenes only 
 skilled shots are employed and men 
 willing to take the risk. 
 Securing local color 
 
 While much work is done in studios 
 during the winter season, companies 
 travel great distances and there is no 
 caviling at expense when it comes to 
 securing proper "locations." Many 
 out-of-the-way sections of the world 
 have been visited to secure effective 
 environment for picture plays. A 
 well known American producer re- 
 cently purchased a large estate in 
 Turin, Italy, which be will utilize for 
 its pictorial values in play-craft. 
 The Selig Polyscope Company, for 
 example, in addition to its square in 
 Chicago, and a similar size plant in 
 Los x\ngeles, California, has the Selig 
 Zoo, a tract of fifty acres, planted like 
 a botanical garden, fully stocked with 
 the rare wild animals of Asia and 
 Africa. In this collection are forty 
 lions, ten leopards, six tigers, as many 
 
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 THE HUMAN INTEREST LIBRARY 
 
 elephants, giraffes, hippopotami, rhi- 
 noceroses, and other habitants of the 
 tropics. Sehg was the originator of 
 the wild animal play and has expended 
 a great deal of money to make the 
 encompassment of these realistic pro- 
 ductions true to nature in every 
 fidelity or detail. In "The Adventures 
 of Kathlyn" and a series of unique and 
 thrilling predecessors located in jungle 
 land, all the animals utilized, includ- 
 ing the most dangerous and treacher- 
 ous carnivora, were unfettered, mak- 
 ing the hazards of such productions 
 dangerous beyond compare. Natural- 
 ly, these animals, which are not 
 trained animals, are kept within 
 bounds, but they are not restrained 
 by tethers. 
 
 Moving-picture actors have a deep 
 dislike to "water-stuff" which involves 
 discomfort and danger. When the 
 tank lakes in studio yards are used, 
 risks are largely eliminated, but out 
 on the high seas the chance changes. 
 Many notably fine effects have been 
 secured off rock-bound coasts, splendid 
 in atmospheric value, or out on blue 
 water. Few picture plays have been 
 more impressive than the ship reel in 
 "The Coming of Columbus," in which 
 the caravals, replicas of the original 
 craft, were utilized in most realistic 
 fashion. Operations with maritime 
 craft in miniature, are frequently 
 filmed, but they are seldom convinc- 
 ing, as many chances are open to 
 show their unsubstantiality. 
 
 The demand for realism is great 
 and growing, and shrewd producers 
 dare all sorts of conditions to secure 
 the truth that thrills triumphant. 
 The kerosened interiors of houses 
 built only to burn, with flimsy sheet- 
 iron walls designed to fall, or minia- 
 ture model towns made of cardboard, 
 have served their mission many times. 
 One day a fire broke out in a large 
 department store in Los Angeles, and 
 
 an enterprising picture-play producer, 
 accompanied by his camera men and 
 leading people, rushed to the scene 
 and, through Clie sanction of the fire- 
 men, and the intrepidity of the leading 
 lady, secured her rescue from an upper 
 window surrounded by the actual fire. 
 Many fierce oil-tank fires have been 
 filmed to serve as a background of 
 plays at later days; in fact, the oil- 
 fire is a sort of stock fixture for inter- 
 mediate scenes of the fire story. 
 
 How THE "IMPOSSIBLE" PICTURES ARE 
 OBTAINED 
 
 Interesting illusions have been im- 
 pressed through what is known as 
 "stop motion," "double printing" or 
 "stop and substitution." Trick pic- 
 tures using these effects, have been 
 chiefly evolved in France, where labor 
 is cheap and time is not grudged for 
 securing minutia in recording every 
 move. Some examples may be re- 
 called in "The Traveling Bed," "The 
 Magnetic Man," or "The Magic 
 Laundry." 
 
 In the first named play, when bailiffs 
 come to the scene to eject a tenant, 
 they are spared trouble by the anima- 
 tion of furniture, which moves out of 
 the room in methodical order followed 
 by the bed with the tenant in it. 
 Wires move all the smaller objects and 
 the bed is pushed along by stage hands 
 concealed under it. 
 
 When "The Magnetic Man" strolls 
 down a Parisian street in a coat of 
 mail, metallic articles seem to jump 
 toward him and cling to his person. 
 To one and all of these articles invisi- 
 ble wires are attached, the free ends 
 being held by stage hands, or by the 
 principal himself. When the cover of 
 a manhole in the sidewalk rises on 
 edge and bolts after him, it is manipu- 
 lated by wires held by the actor. 
 After the cover is raised, a "stop" is 
 made, so that the stage-hand can 
 enter the picture and start the wooden 
 
HOW MOVING PICTURE TRICKS ARE DONE 
 
 The walker on the ceiUng seen here is photographed walking on the floor as seen here 
 
 The ski-runner is photographed on a film that already has the chimney and clouds 
 
 The magnetic man really draws shop signs, cellar doors and lamp posts toward him by thin wires 
 
 203 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE IMPOSSIBLE MADE TO SEEM REAL 
 
 
 '0^-'-'- 
 
 THE BED THAT RUNS UP THE STREET — IT IS REALLY BEING PUSHED FROM BEHIND 
 
 THE FAIRY WALKS ACROSS 
 
 THE TABLE 
 
 
 H 
 
 P ^-^ 
 
 
 wh 
 
 
 L." 
 
 
 THE FAIRY DANCES IN THE BOTTLE 
 
 THE SECRET OF THE TEAPOT THAT POURS 
 OUT ITS OWN TEA 
 
 cover, painted to resemble iron, roll- 
 ing. The lamp-post that jumps to- 
 ward him is snapped in twain, by 
 strong wires attached, having been 
 
MARVELS OF MODERN MECHANISM 
 
 205 
 
 previously hinged to heel over like a 
 flap. 
 
 In the laundry where articles go 
 through the process of sorting, wash- 
 ing and ironing without any visi- 
 ble human agency, each movement 
 of each process was photographed, 
 "stopped," then the action was re- 
 sumed, all representing remarkable 
 care and vast pains to make its mys- 
 tery baffling to the eye, through the 
 complete continuity of action. The 
 "stop" movement, as a rule, is the 
 secret of all instantaneous disap- 
 pearances. 
 
 Astonishing and highly ingenious 
 effects are obtained by "the reversal of 
 action" in running a film backward. 
 All objects it depicts, act topsy-turvy 
 and defy the laws of gravitation. 
 Pedestrians walk backward, automo- 
 biles whirl back in dangerous zig-zags 
 and smoke instead of escaping from 
 chimneys seems to flow downward. 
 Objects are seen to roll up-hill in a 
 race, or fly violently into the air, 
 while a brick wall builds itself. These 
 pictures were all taken in the reverse 
 and the brick wall had its demolition 
 really photographed. 
 
 Audiences are puzzled by the antics 
 of cyclists or motorists, who elude the 
 capture of pursuing crowds, by turn- 
 ing their vehicles and running up 
 vertical walls to cloud-land. In such 
 cases, a cloth, carrying the painted 
 
 impression of the wall with its win- 
 dows, stack-pipes and architectural 
 projections, is laid upon the floor of 
 the studio and the camera is pointed 
 down upon it from the "flies" above. 
 It photographs the vehicles driven 
 over this ground cloth, so that the 
 film conveys the impression of their 
 scaling the wall. Escaping prisoners, 
 comical soot-covered men, laboriously 
 worming their way up narrow pas- 
 sages or chimney flues, work through 
 similar devices, as they are merely 
 stage properties laid upon the floor 
 and photographed from above. 
 
 The present effective camera mech- 
 anism, allowing double exposure, does 
 away, to a large extent, with the slow, 
 old forms of double printing; so that 
 wonderful transformations are secured 
 and beautiful dissolves are obtained 
 that far outdo ordinary stage effects 
 for interesting and astonishing com- 
 binations in vast variety. 
 
 The sensational and amusing side 
 of motography has its fascinations, 
 but the art has a higher aim in its 
 scientific and informing phases. It 
 may show the growth of a flower, the 
 wonder of the silk worm, weaving its 
 own sarcophagus, and through the 
 microscope revealing nature's hidden 
 secrets. Thomas Alva Edison de- 
 clares that animated photography is 
 destined to become the greatest factor 
 of education in the future. 
 
206 
 
 THE HUMAN INTEREST LIBRARY 
 
 MEASUREMENTS 
 
 THE sun by day, and the moon 
 and stars by night, send to 
 us something more than the 
 visible light that strikes our eyes. 
 From them comes a subtle radiance 
 which enlightens our minds. It was 
 from the heavens that man obtained 
 that idea of time which was absolutely 
 necessary for the development of his 
 intellectual faculties. He had to find 
 some way of measuring the succession 
 of tilings before he was able to at- 
 tempt to control any of them. 
 Isolated at first in the midst of a 
 world in which everything was to him 
 a mystery, and terrified at every un- 
 expected manifestation of natural 
 forces, primitive man was incapable of 
 seeing in the course of the universe 
 anything but caprice. 
 
 The alternation of day and night, 
 and the recurrence of the seasons, 
 were no doubt the first thing that en- 
 abled man roughly to measure the 
 passage of time. But this carried 
 him very little farther than some 
 animals get. The curious instinct of 
 a recurring change that sends the 
 swallow on its far migrations was not 
 sufficient for intelligent human pur- 
 poses. Man needed both a finer and 
 a larger instrument for measuring 
 time than the periods of light and 
 darkness, and coldness and warmth, 
 that govern the activities of plant and 
 animal. Compelled by his growing in- 
 telligence to search for the reason of 
 things, he suffered great moral and 
 intellectual injury through his long 
 failure to measure time. He could 
 not parcel out space intelligently in 
 the absence of some means of defining 
 the duration of objects; and his 
 powers of memory were confused by 
 his lack of a fixed standard of the 
 efflux of time. Being unable to re- 
 member distinctly, he was unable to 
 foresee clearly. 
 
 O F 
 
 TIME 
 
 The starry heavens the first clock 
 
 It was by the study of the recurring 
 phases of the moon that primitive man 
 seems to have made his first great 
 advance. By lunar months a good 
 many uncivilized people still measure 
 the longer lapses of time. It was 
 more difficult to find a way of dividing 
 a single day into small, regular periods. 
 For the daily course of the sun from 
 the eastern to the western horizon 
 varies considerably in most parts of 
 the earth. The rising point and set- 
 ting points are quite different in winter 
 and summer, and the course of the 
 low winter sun is much shorter than 
 that of the high summer sun. 
 
 The shadow thrown on the ground 
 by a tree or an upright stick does not 
 travel over equal distances at an equal 
 
 The clock at Greenwich, England, which gives the 
 standard time to the world 
 
MARVELS OF MODERN MECHANISM 
 
 207 
 
 BEHIND THE GREAT FACE OF BIG BEN 
 
 At the top of 360 steps in the Clock Tower at Westminster, Big Ben has marked time for London for fifty years It 
 is not possible to understand the size of the clock as we stand on the ground. It has four faces, each 23 feet across — nine 
 or ten times as wide as a door. The minute hands are 14 feet long; they would reach higher than an ordinary room. The 
 pendulum weighs nearly 450 pounds. The figures on the face are each two feet long, and the minute spaces are a foot 
 square. If you will look closely at your watch, you will see the minute hand move in little jumps; the minute hand of Big 
 Ben jumps half a foot every time it moves. It is not easy to believe these figures, but that is because our eyes deceive us 
 when we look up to a great height, and Big Ben stands so higto <*im thirty tall men stood on one another's shoulders tlie 
 top man would only just touch tbe middle ol its face. 
 
SOS THE HUMAN INTEREST LIBRARY 
 
 speed. So this primitive form of the yearly and monthly course of the 
 
 sundial was not useful as a teller of sun in the skies, it was a simple step 
 
 the passing hours of daylight. It was to study a few other star groups in 
 
 not until man grew studious of the other parts of the heavens. In the 
 
 spangled darkness of the midnight south there were some very bright 
 
 skies, and began to study them on stars, whose risings and settings gave 
 
 clear, unclouded nights, that he ob- an indication of the time of year; 
 
 tained that vision of a reign of uni- while in the north there were many 
 
 versal law which he could not discern stars that did not set at all, so that 
 
 on the earth around him. their slow motion had a special value 
 
 On considering the midnight sky for the nightfarer and the sailor. 
 
 attentively, he perceived that the All this was done in widely separated 
 
 stars were not a confused multitude of parts of the earth— in Babylonia and 
 
 lights wandering at a venture, but a in Egypt, in India and in China, 
 
 disciplined army that marked by its among the Incas of Peru and the 
 
 march the regular passage of time. Aztecs of Mexico. The South Sea 
 
 Against this majestic revolution of the Islanders and the ancient inhabitants 
 
 heavenly sphere, with its awe-inspiring of Britain both worked out the as- 
 
 regularity of motion, the different tronomical method of measuring time; 
 
 annual courses of both the sun and and so did other barbaric and even 
 
 the moon stood out clearly. As soon savage races. Whether the great work 
 
 as the star-gazers gave themselves up of thus rescuing mankind from a 
 
 to their work, they discovered that world of timeless chaos and placing 
 
 the sun could be regarded as the hand him in a universe of heavenly law was 
 
 of a yearly clock, that showed by its performed by some single nation of 
 
 position in the celestial track the civilizing genius, whose discoveries 
 
 month and season. Of course, it was were gradually spread among other 
 
 impossible to observe the sun and people; or whether the common result 
 
 stars at the same time, and it would was obtained independently at differ- 
 
 have been much easier to have studied ent times by different peoples is a 
 
 the moon alone as the clock-hand, problem that cannot be solved. There 
 
 But in scarcely any case of which we are, however, some good grounds for 
 
 know anything was this done. The supposing that the Egyptians, In- 
 
 sun's path among the stars was di- dians, and Chinese have made false 
 
 vided into twelve portions, each cor- claims in regard to the immemorial 
 
 responding with fair approximation to antiquity of their astronomical studies. 
 
 a month. On the other hand, the system of the 
 
 The early records of the heavens Babylonians stands examination, in 
 
 Two methods were then used in spite of the fact that the Babylonian 
 
 ascertaining the time of the year, priests modestly informed Alexander 
 
 Some early astronomers rose up be- the Great that their astronomical 
 
 fore dawn, and made observations of records went back 403,000 years. For 
 
 the last conspicuous star rising just it seems highly probable that about 
 
 before the sun. The other school of four thousand years ago the early 
 
 time-measurers did their work in the inhabitants of Babylonia fixed and 
 
 evening, and associated the sun with named the chief constellations that 
 
 the constellation that set just after mark the annual path of the sun. 
 
 sunset. After mapping out the con- The star groups which were after- 
 
 stellations, directly associated with wards added were too far south of 
 
HOW TIME IN PAST AGES WAS MEASURED BY THE SUN 
 
 Time was measured for ages and ages by placing a small dish or a round 
 basin in water and boring a hole in the bottom of it, the water flowing in, 
 and gradually sinking it. This would always happen in the same period 
 of time, so that men knew the time when the dish or water-clock sank. 
 
 This is a tiny rushlight holder. A rushlight 
 was used before candles were made. It burns 
 regularly, and was used by the poor for a 
 long time after candles were invented. 
 
 ■^-- 
 
 There are very few people who have not seen a sundial, either on a house, or on a pedestal in a park, 
 marked, and the time is told by the shade of the pointer falhng on the different numbers. 
 
 The dial is 
 
 This Is a kind of movable sundial, which can be held up so that 
 the sunlight shines through a tiny hole in the straight piece of 
 metal, and lights up one of the figures engraved inside of the circle, 
 which 13 placed at a right angle to the straight piece. 
 
 This is a primitive watch. It was always held 
 in one position, and the sun, shining through the 
 little hole, fell upon one of the numbers engraved 
 on the inside of the circle, as shown here. 
 
 209 
 
210 THE HUMAN INTEREST LIBRARY 
 
 Babylonia to be visible in 2000 B. C; the varying path of the sun. The 
 and the period that elapsed before shadow at nine o'clock on a sunny 
 they were included in the modern winter morning will fall upon the same 
 method of measuring time is a piece line as the shadow falls on a bright 
 of striking evidence in support of the summer morning. The task of draw- 
 claims of the Babylonian stargazers. ing the hour marks on a dial is more 
 There is even some truth in their con- difficult, as these occur at irregular 
 tention that their astronomical cal- intervals, instead of being evenly 
 culations extended back for over spaced round the dial. 
 400,000 years. With the knowledge Primitive forms of the sundial 
 they amassed concerning the sun's But the savages who lived in pre- 
 apparent path through the heavens, historic times in Great Britain seem 
 they worked back and verified, to to have worked out part of the diffi- 
 within a few years, the solar position, cult art of making a sundial. Some 
 such as would be indicated on a sun- time ago there was published an ab- 
 dial. stract of some results of the excava- 
 The invention of a proper sundial tions that Dr. INIcAldowie recently 
 was only possible among a nation with made in prehistoric burial mounds in 
 a knowledge of the sun's apparent Staffordshire and Gloucestershire, 
 movements against the starry sphere; England. At Camp, the doctor un- 
 and it is possible that the Babylonians covered a huge, rough stone monu- 
 accomplished it. It is only at the ment, which clearly seems to be a very 
 North and the South Poles that a ancient instrument of time measure- 
 stick stuck upright in the ground will ment. It consists of four stones, 
 indicate by its shadow the regular placed north, south, east, and west, 
 passage of the daylight hours. In and embedded in the solid rock. A 
 lower latitudes the shadow cast by leaning stone crosses in a diagonal 
 the upright rod or style of a sundial manner the space formed by the outer 
 would so alter its position at the same stones. The structure is so built as 
 hour, at various seasons of the year, to mark the turning points in the 
 that the instrument would be useless, sun's annual path; but its most in- 
 For instance, at nine o'clock on a teresting feature is the way in which 
 midsummer morning the shadow would the hours are indicated at certain 
 fall a good distance away from the times in the year by shadows falling 
 spot it would occupy at nine o'clock on prominent points or edges of the 
 on a midwinter morning. So the monument. The north stone is really 
 marks on the dial would be very mis- a sundial, and the south stone a style, 
 leading. To make a proper sundial, while the east and diagonal stones 
 it is necessary to calculate the differ- fulfil both purposes. The structure 
 ent paths that the sun takes in its thus appears to have been a sacred 
 high summer course through the sky instrument used for measuring the 
 and in its low winter journey. It is time at certain critical periods of the 
 easily done by giving the rod or style year, some of religious and some of 
 of a sundial the same direction as the agricultural importance. Dr. McAl- 
 axis of the earth. This sounds very dowie has uncovered several other 
 difficult, but in practice it only means burial mounds, and found beneath 
 that the style should point to the Polar them other big, rough stone-dials. He 
 Star. The position of its shadow in thinks they were the sacred places or 
 the sunlight will not then alter with temples of a very early race, and that 
 
MARVELS OF MODERN MECHANISM 
 
 211 
 
 they were converted into burial 
 mounds by some alien invaders, who 
 took over, as is often the case among 
 ancient races, the traditions of sanc- 
 tity attaching to the monuments. 
 
 It scarcely seems possible that these 
 buried structures should all by mere 
 chance be admirable sundials. The 
 real question is whether they are later 
 in date than Dr. McAldowie supposes. 
 Many so-called Druidical remains in 
 the British Isles were probably in ex- 
 istence before the Celtic peoples and 
 their medicine-men, the Druids, invad- 
 ed the country. The Druids, no doubt, 
 took over the traditions of sanctity 
 attaching to Stonehenge and Avebury, 
 and other similar prehistoric monu- 
 ments; and it is quite likely that in 
 some cases they may have continued, 
 and improved upon, the work of the 
 earlier builders. But on the whole 
 doubtless most of these strange mon- 
 uments were the work of a native, 
 non-Celtic people of the New Stone 
 Age. It is possible that this prehis- 
 toric British race was not far behind 
 the civilized farmers of Southern Baby- 
 lonia, in marking the annual path of 
 the sun amid the stars, and putting 
 their knowledge to good use in the 
 erection of strange, rough, open-air 
 temples that partly served as sundials. 
 We can scarcely conceive how strong 
 was the need, among nations strug- 
 gling into the agricultural state, of 
 some means of measuring time, and 
 thus discerning the approach of the 
 sowing season and the coming of the 
 harvest. 
 Modern successors of the druids 
 
 Thus it perhaps came about in the 
 New Stone Age, when a knowledge of 
 farming was spread throughout Eu- 
 rope, that the men who designed and 
 looked after the primitive sundials 
 ranked next in importance to the 
 royal chiefs. Indeed, in the course of 
 time they grew so powerful that the 
 
 chieftains liked to appoint members of 
 their own families to the position of 
 religious time-measurers. The work 
 that the star-gazing wizards of Stone- 
 henge probably used to perform has 
 not lost any of its importance in the 
 lapse of centuries. Their successors 
 are now members of our various ob- 
 servatories. Were the staffs belong- 
 ing to these establishments to cease 
 work, the country to a large extent 
 would come to a standstill. Our ship- 
 ping especially would suffer. Our 
 sailors would have to go back to the 
 principles of navigation that were 
 employed two thousand years ago, 
 feeling their way from place to place 
 by daylight and keeping to the coast. 
 Long voyages could only be executed 
 at great peril. Moreover, our rail- 
 way system would be disorganized. 
 A few trains could run, but only at 
 considerable intervals, and they would 
 have to travel by daylight and at low 
 speed. 
 The limits of accuracy in keeping 
 
 TIME 
 
 A clockmaker would not be able to 
 save the situation. Clocks are ex- 
 tremelv useful in their wav, but it is 
 a grave mistake to regard them as the 
 fundamental basis of time measure- 
 ment. They only deal with seconds, 
 minutes, and hours. In the last re- 
 sort we have no better means of 
 measuring the lapse of years than the 
 early Babylonians discovered forty 
 centuries ago. The clear night sky, 
 with its majestic array of stars, is still 
 the timepiece by which we measure 
 the duration of all things. Our clocks 
 and watches are conveniences: the 
 work of the astronomer is an absolute 
 necessity of human life. In taking 
 transit observations the time that it 
 takes him to make a signal with his 
 hand, as his eye watches a certain 
 star, is the limit of accurate time 
 measurement. One-fifteenth of a sec- 
 
212 
 
 WE HUMAN INTEREST LIBRARY 
 
 
 (V-cv Hc»y 
 
 THE MYSTERY OF STONEHENGE AND ITS ASSOCIATION WITH TIME 
 
 This picture-diagram shows how the sun's rays fell on the sacrificial stone at Stonehenge on midsummer morn 4000 
 years ago and in the beginning of the twentieth century. Sir Norman Locltyer roughly calculated that Stonehenge was 
 erected 1700 years B. C, by calculating the divergence of the sun's rays from the center line through the Friar's Heel Stone 
 and the axis of the temple, the sun having shifted his apparent position, due to the tilting of the earth, which is known to 
 be 48 seconds of an arc every century. 
 
 end is generally reckoned to be the 
 limit of accuracy in personal observa- 
 tion; for the most rapid piano player, 
 whose rapidity of execution is the 
 result of years of finger exercise, can- 
 not strike a note more than twelve 
 
 times a second. No doubt it is easy 
 to build a machine that would divide 
 a second into a hundred or more parts. 
 Indeed, chronographs for dividing and 
 measuring one-thousandths of a second 
 are used in the new scientific study of 
 
MARVELS OF MODERN MECHANISM 
 
 213 
 
 motion. But no astronomer could 
 check an instrument of this sort. The 
 very best he can do is to keep an 
 astronomical clock regulated to one- 
 thirtieth of a second, and then only 
 by means of frequent transit observa- 
 tions. 
 Time and the telegraph 
 
 No clock tells the time exactly. It 
 is merely a mechanism for giving an 
 approximate measurement of the dura- 
 tion of things. And it can only work 
 properly when it is regulated by the 
 observations which an astronomer 
 makes on the movements of the stars. 
 So in most of the principal observa- 
 tories of the world astronomical obser- 
 vations are made on every clear night, 
 for the express purpose of regulating 
 an astronomical clock mth the great- 
 est exactness. Then every day at 
 noon a signal is sent to various parts 
 of the country by telegraph, so that 
 all persons who hear the signal can 
 regulate their clock within two or 
 three seconds. These signals also can 
 be used to correct clocks automatically, 
 putting them forward if they are too 
 slow, and setting them back if they are 
 too fast, by a simple electro-magnetic 
 device called a "synchronizer." This 
 is the way in which exact time is 
 maintained in all large cities through- 
 out the civilized world. The railway 
 service specially owes an incalculable 
 debt to the time-keeping astronomers 
 who daily check, by the apparent 
 movement of the starry sphere, all 
 the principal clocks in the world, and 
 thus enable railway trains to be run 
 with a safety and exactness that no 
 kind of clockwork could maintain. 
 
 Why a sundial does not keep true 
 
 TIME 
 
 The daily revolution of the earth 
 with regard to the sun is not uniform. 
 As is well known, it is midday at the 
 instant when the sun is seen at its 
 greatest height above the horizon. 
 
 But this takes place sometimes 16 
 minutes 18 seconds sooner, and at 
 other times 14 minutes 28 seconds 
 later, than twelve o'clock mean time. 
 These curious variations are due to 
 the fact that the earth not only has a 
 daily revolution wuth regard to the 
 sun, but that it advances at the same 
 time along its annual path, moving 
 with greater rapidity when it is near 
 the sun in December than it does in 
 July, when it is farther from the cen- 
 ter of the solar system. The regu- 
 larity of the earth's motion is also 
 further disturbed by the attraction of 
 the moon and some of the planets. 
 So a sundial in the best of order is a 
 very incorrect timekeeper; and if we 
 had to rely entirely on observations of 
 the sun, many of the main activities 
 of our civilization would be sadly dis- 
 ordered and ill regulated. 
 How YOU may regulate your clock 
 
 BY THE STARS 
 
 On the other hand, the daily spin 
 of the earth with regard to the fixed 
 stars in the remote depths of space is 
 uniform. The distance between our 
 earth and the constellations is so im- 
 measurably great that the variations 
 in the position of our planet in its 
 annual orbit are of no practical ac- 
 count. A star will always appear at 
 its meridian 3 minutes 56 seconds 
 sooner than it did on the preceding 
 day. It is a fairly easy matter to 
 regulate the clocks of one's household 
 by observation of the stars; and we 
 would commend any reader, interested 
 in timekeeping, to measure by the 
 stars, instead of putting up in his 
 garden a picturesque but irregular 
 working sundial. A transit instru- 
 ment and a table giving the right 
 ascension of the particular stars lighten 
 the labor of observation, but neither is 
 absolutely necessary. 
 
 As an experiment, choose a window 
 having a southern aspect, from which 
 
2U TEE HUMAN INTEREST LIBRARY 
 
 HOW TIME IS NOW MEASURED BY THE STARS 
 
 The upper tube of this telescope is used for observing the stars, by the apparent movement of which in the heavens 
 exact time is measured. The lower, larger tube is used for solar photography. 
 
MARVELS OF MODERN MECHANISM 
 
 215 
 
 the steeple of a church, or a tall 
 chimney, or some other fixed point 
 may be seen. To the side of the win- 
 dow attach a thin plate of brass, hav- 
 ing a small hole in it, so that, by look- 
 ing through the hole towards the 
 edge of the steeple or other fixed point, 
 some of the stars may be seen. Watch 
 the progress of one of these, and at the 
 instant it vanishes behind the fixed 
 point make a signal to the person 
 observing the clock, who must then 
 note the exact time at which the star 
 disappeared. On the following night 
 the same star will be seen to vanish 
 behind the same fixed object 3 min- 
 utes 56 seconds sooner. If the clock 
 does not show this, the clock is wrong, 
 and must be put right. 
 
 If a series of cloudy nights should 
 then make it impossible to compare 
 the clock with the stars, it is only 
 necessary to multiply 3 minutes 5Q 
 seconds by the number of days that 
 have elapsed since the last observa- 
 tion and record were made. Deduct 
 the product from the hour which the 
 clock then indicates, and this will give 
 the time the clock ought to show. 
 The same star can only be observed 
 for a few weeks. For as it gains 
 nearly one hour in the fortnight, it 
 will at last reach the meridian in day- 
 light, and become invisible. To con- 
 tinue the observation, another star 
 must be selected and studied through 
 the hole in the brass plate. Care 
 must be taken that a planet is not 
 chosen instead of a star. As is well 
 known, most of the planets appear 
 larger than the stars, and give a 
 steady reflection, instead of a twink- 
 ling light. 
 
 But the surest means of distin- 
 guishing between them is to watch a 
 star attentively for a few nights; 
 if it changes its position with regard 
 to the other stars, it is a wandering 
 and misleading planet. 
 
 Time is measured with a spider's 
 
 THREAD 
 
 Of course, an astronomer uses more 
 precise methods of measuring time 
 than the rough and handy sort of ob- 
 servation which we have described. 
 But we hope our description has 
 clearly brought out the fundamental 
 fact that all time measurement still 
 depends entirely on the personal ob- 
 servation of the movement of the earth 
 in regard to the stars. Every ob- 
 servatory in the world has its transit 
 instrument, which is a fixed telescope 
 on a stated meridian, with a spider's 
 thread across its field. For at least 
 four thousand years the universe has 
 been our clock; and our fundamental 
 clock it will remain, however much all 
 our modern mechanisms for measuring 
 time may be elaborated and made 
 automatic. 
 
 The astronomers who measure our 
 time for us are now being equipped 
 with a cheaper and handier method of 
 signaling the results of their observa- 
 tions than the telegraph wire. The 
 invention of the electric-wave systems 
 of wireless telegraphy is destined to 
 have a far-reaching effect upon the 
 general methods of keeping time; and 
 may be actually used to operate cir- 
 cuits of electrically propelled clocks. 
 All that is needed is a sensitive de- 
 tector which, when affected by the 
 electric waves from a distant trans- 
 mitting station, allows the current 
 from the local battery to act. This 
 local current, on coming into play, 
 moves the minute-hand of one or more 
 dials a step forward; or rather it 
 moves the wheel that moves the hand, 
 each movement of the wheel affecting 
 the mechanism regulating the position 
 of the hour hand. Thus the elaborate 
 works of an ordinary clock or chro- 
 nometer are unnecessary. This is 
 the contribution of the twentieth 
 century. 
 
^16 
 
 THE HUMAN INTEREST LIBRARY 
 
 How THE MARINER FINDS HIS LOCATION 
 ON THE MAP 
 
 In the meantime, the extraordinary 
 amount of science and ingenuity which 
 has gone to the making of our me- 
 chanical timepieces deserves a brief 
 consideration. A first-rate chronom- 
 eter is one of the most interesting and 
 useful of mechanisms. By means of 
 it the captain of a ship is able to per- 
 form a calculation similar, but oppo- 
 site, to that which astronomers make 
 for us every night. The astronomer 
 knows, when he undertakes a measure- 
 ment of time, the exact position he 
 occupies on the surface of the earth, 
 and the exact position in the skies of 
 the heavenly body that he is studying. 
 This enables him to calculate exactly 
 the correct time. The mariner, on 
 the other hand, knows from his 
 chronometer what the time is to with- 
 in a fraction of the truth; and he is 
 then able to learn, by an observation 
 taken with an instrument he carries, 
 his exact position on the ocean. At 
 noon, by means of an instrument 
 called a sextant, he measures the 
 angle at which the sun is at its highest 
 above the horizon; and knowing from 
 his nautical almanac at what angle 
 the sun is above the equator, he can 
 quickly calculate the latitude of his 
 ship — that is, how far north or south 
 it is. 
 
 Why the sailor needs an accurate 
 timepiece 
 
 But in order to find out his longi- 
 tude — that is, how far east or west 
 he is of Greenwich — he must have a 
 chronometer that keeps Greenwich 
 time. 
 
 If his watch is two minutes out, he 
 will miscalculate the position of his 
 ship by half a degree of longitude — 
 that is to say, by thirty geographical 
 miles. For the earth takes two min- 
 utes to revolve that distance. In the 
 reign of Queen Anne an Act of Parlia- 
 
 ment was passed offering a reward of 
 £20,000 to any inventor who could 
 find a method of telling the longitude 
 at sea true to half a degree. A York- 
 shire carpenter, John Harrison, worked 
 at the problem for forty years, and at 
 last won the reward by making a 
 watch that did not lose more than two 
 minutes in a period of several months. 
 This will show of what incalculable 
 value an exact means of measuring 
 time is in ocean transport. The sun 
 and the stars by themselves cannot 
 help a sailor to find his time and 
 longitude at sea, for naturally he has 
 no fixed and settled point at which to 
 observe them. Unless he can keep in 
 touch with some observatory by 
 means of electric waves, he must 
 trust to his chronometer. Yet wire- 
 less telegraphy has made such swift 
 and gigantic strides that, in July, 
 1913, wireless time-signals were trans- 
 mitted over half the globe. 
 
 The BABYLONIAN WATER-CLOCK 
 
 The first mechanical device for 
 measuring the daily lapse of time was 
 the water-clock that was used by the 
 Babylonians and Egyptians and other 
 ancient nations around the Mediter- 
 ranean. It consisted of a basin with 
 a spout or tap from which water 
 trickled into a receiving vessel. On 
 the inside of the receiving vessel were 
 marks from which the hours could be 
 told by the height of the water. In 
 the course of time this simple mech- 
 anism was greatly improved — espe- 
 cially by the Greeks. The receiving 
 vessel became a long cylinder, in 
 which a float was placed. Connected 
 with the float was a chain passing over 
 a pulley on a spindle, and balanced at 
 the other end by a weight. To the 
 pulley was fixed an hour-hand, which 
 pointed out the hours on a dial, as 
 the float rose on the water. The ener- 
 gy obtained from the rising water by 
 means of a float or some other con- 
 
TIME RECORDERS IN CLOCKLESS AGES 
 
 This was one of the first ways in 
 Which men told the time, fixing a stick 
 upright in the ground and marking the 
 spot reached by the shadow. This 
 moves round the stick, becoming 
 shorter before noon and longer after. 
 
 At night men marked a candle 
 in equal sections in black and white, 
 so that each section was burned 
 in a given time. Alfred the Great 
 is said to have Invented this way 
 of measuring the passing of time. 
 
 Here is a simpler method of telling 
 the time by night. A hemp rope is 
 knotted in regular spaces, and set 
 light to at the bottom, smoldering 
 slowly and regularly. In Korea 
 people still tell time in this way. 
 
 Here is a time-recorder. Every time 
 a section of rope or candle is burned 
 through, or an hour-glass turned, 
 the owner cuts a notch on a stick 
 to maxk the hours of vigil passed. 
 
 This is an hour-glass, like an egg- 
 boiler used in kitchens. One end is 
 filled with sand, which pours through 
 a small hole into the bottom bulb. It 
 was once used to measure sermonsi 
 
 When a master and man wished to 
 keep a record of time for wages, 
 two sticks were used. The servant 
 brought his part of the stick, and the 
 farmer comoared it witb his owq. 
 
 S17 
 
ns 
 
 THE HUMAN INTEREST LIBRARY 
 
 trivance was sometimes used to work 
 mechanical figures, instead of being 
 employed to move an hour-hand over 
 a dial. About eleven hundred years 
 ago the King of Persia sent Charle- 
 magne a water-clock of bronze, inlaid 
 with gold, which was very ingeniously 
 constructed. 
 
 The dial was composed of twelve 
 small doors, representing the hours. 
 Each door opened at the hour it repre- 
 sented, and out of it came a number of 
 little balls, that fell one by one at 
 equal intervals on a brass drum. 
 The hour of the day was shown to the 
 eye by the number of doors that were 
 open, and the ear was informed of the 
 time by the number of balls that fell. 
 At twelve o'clock, a dozen miniature 
 horsemen issued forth and closed all 
 the doors. 
 
 The candle -clock and the hour- 
 glass 
 
 At the time when this Oriental 
 marvel was still being displayed in 
 France, King Alfred made a simple 
 clock by which, at night time, he 
 could both write and tell the time. 
 For it was simply a long, thick, slow- 
 burning candle, with the hours that it 
 took to burn marked upon it. The 
 sand-glass that careful housewives 
 still use in boiling eggs was also em- 
 ployed for some thousands of years in 
 marking the time. The Chinese and 
 Japanese used to make a primitive 
 timekeeper out of a wick of flax 
 or hemp, about two feet in length, 
 and knotted at regular intervals. The 
 wick was specially treated so that, 
 when lighted, it would slowly smoulder 
 away without flame, and the time 
 was estimated from the unburned 
 portion. 
 Who invented the weight-clock 
 
 It is impossible to say by whom the 
 weight-clock was invented. Even the 
 date of its invention is unknown. A 
 time-piece composed of an assemblage 
 
 of wheels actuated by a weight was 
 sent by Saladin of Egypt to the 
 Emperor Frederick II of Germany, 
 in the year 1232. And having regard 
 to the fact that in the Dark Ages of 
 Europe the Mohammedan races alone 
 carried through the world the torch 
 of science, it is very probable that 
 they were the inventors of the first 
 modern clocks. However this maj^ 
 be, weight-clocks came into use in 
 Europe in the thirteenth century, and 
 they were at first chiefly employed, 
 at cathedrals and abbeys and wealthy 
 monasteries, for indicating the hours 
 of prayer. Few persons could then 
 read a dial, so the hours were struck on 
 bells by mechanical figures, known as 
 Jacks, which excited the amazed ad- 
 miration of the people. Unfortunate- 
 ly, the devisers of these ingenious 
 marionette exhibitions were far more 
 highly esteemed than the men who 
 merely strove after exactness of time- 
 keeping. But the clock that Peter 
 Light foot made for Glastonbury Ab- 
 bey in 1335 remained in working order 
 until 1835. It is the earliest modern 
 clock of which we have any authentic 
 details. Most of the old weight- 
 clocks, however, were so defective in 
 working that about the middle of the 
 seventeenth century the principle of 
 the water-clock was revived and ap- 
 plied in a more scientific manner. 
 
 Discovery of the law of the pendu- 
 lum 
 
 Not until the principle of the pen- 
 dulum was discovered did the me- 
 chanical measurement of time become 
 of scientific importance. But in 1580 
 a little boy was attending divine 
 service in the cathedral church at 
 Pisa, and, like many other boys, he 
 took to staring about him instead of 
 saying his prayers. What struck his 
 idle curiosity was a great chandelier 
 that had been lighted and allowed to 
 swing until it came to rest. The boy 
 
MARVELS OF MODERN MECHANISM 
 
 219 
 
 WHAT MAKES THE CLOCK'S WHEELS GO ROUND 
 
 This picture of the Inside of a clock shows us how the 
 wheels go round. It Is not the pendulum that makes the 
 clock go; It is either a weight or a spring. In this grand- 
 father's clock it is a weight. The weight is on a cord which 
 passes round a broad wheel, called a barrel, marked A in 
 the picture. The heavy weight pulls the cord downwards, 
 and the cord, being wound round the barrel, pulls the 
 barrel round. The edge of this barrel has teeth which 
 work into the teeth of another wheel, marked B, so that 
 both wheels go round. This second wheel causes the top 
 wheel, marked C, to go round, and so all the wheels are 
 set to work. But if that were all, the wheels would run 
 round too quickly, and they must be made to run slowly 
 and regularly. At the top is a curved piece of metal with 
 a catch at each end; it is called the escapement, and Is 
 marked D. This swings to and fro, and every time It 
 swings, it catches the top wheel and prevents It from going 
 round more than one tooth. 
 
 This picture shows how the wheels make the hands go 
 round. The three wheels shown in front of the clock, 
 marked B, E, and F, are really behind the face. B, E, 
 and F are necessary for the hands. Wheel F goes round 
 once every hour, and as the minute hand is fixed to it, the 
 wheel carries the minute hand round with it. Now wheel 
 F touches wheel E with its edge, making it go round also. 
 E is a double wheel, having near the center a small wheel 
 fixed to it with only six teeth; it is really on the other side 
 of wheel E, but is shown in the picture in front for clear- 
 ness. Each tooth in it fits into a tooth in wheel B, thus 
 making that wheel go round. As wheel E goes round once 
 in an hour, the six teeth in its center carry round one- 
 twelfth of wheel B, which has seventy-two teeth. The 
 hour hand is fixed to wheel B, so while F is going once 
 round, it makes wheel E drive B one-twelfth of its Journey. 
 Thus wheel F, with the minute hand, turns twelve tlme^ 
 while wheel B, with the hour hand, turns once 
 
220 
 
 THE HUMAN INTEREST LIBRARY 
 
 expected that as the swing of the big 
 lamp grew smaller, it would move 
 more quickly over the shorter space. 
 But it seemed to him that the time it 
 took to swing over decreasing dis- 
 tances was uniform. He wanted some 
 way of measuring the duration of the 
 lessening movement; and, with a 
 flash of genius, he thought of counting 
 his own pulse-beats, and measuring 
 the time the chandelier took to swing 
 first over a large space and then over a 
 small space. To his surprise, he 
 found that all the varying swings of 
 the big lighted lamp were measured 
 by exactly the same number of pulse- 
 beats. 
 
 When he went home, he tied a 
 weight to a string and set it swinging 
 from a beam. Again he found that 
 no matter whether the arc of the 
 swing was large or small, the time 
 taken in covering the various dis- 
 tances was equal. Thus did Galileo 
 in his boyhood discover that the swing 
 of a pendulum is equal-timed. As a 
 matter of fact, this is true only when 
 the arc of vibration is small. 
 
 On the other hand, the weight of a 
 pendulum has no influence upon the 
 time of its vibration. For the effect is 
 produced by gravity, as Galileo went 
 on to show, and the time that bodies 
 take to fall to the ground under the 
 action of this force is independent of 
 the weight. A swinging or falling 
 weight of two pounds is only equiva- 
 lent to two pound-weights swinging 
 or falling side by side. 
 
 The discovery of the peculiar prop- 
 erty of the pendulum gave the makers 
 of weight-clocks the regulating instru- 
 ment for which they had vainly 
 searched for centuries. A clock con- 
 sists of two principal parts. There is 
 first a train of toothed wheels, which 
 transmits to a definite point the mo- 
 tive force produced by a weight or 
 spring. But as the motive force 
 
 would expend itself with wasteful 
 rapidity in setting the train of wheels 
 going at a furious rate, a mechanism is 
 necessary for regulating the expendi- 
 ture of the motive force with the 
 requisite uniformity and slowness. 
 So the second main part of a clock 
 consists of the pendulum or time- 
 governing device, and the escapement, 
 by means of which the pendulum con- 
 trols the speed of going. 
 Escapement mechanism of clocks 
 
 AND watches 
 
 It is difficult to describe an escape- 
 ment mechanism in words, though it 
 is simple in action. But we must at 
 least attempt an explanation of Gali- 
 leo's contrivance. For, though it was 
 unsuccessful at the time, it contained 
 the germ of the chronometer-escape- 
 ment and free pendulum which are 
 likely to be the escapement of the 
 future. Galileo made a wheel with a 
 number of pins sticking out, not from 
 its edge, but from its side. Sideways, 
 near the top of the wheel, a ratchet 
 engaged with the pins, and at the 
 same time was connected with the 
 pendulum beneath by a small down- 
 ward projecting arm. Touching this 
 arm at times was another straight 
 arm, running sideways from the top 
 of the pendulum rod, and moving 
 with it. This pendulum arm extended 
 partly over the side of the wheel, in 
 such a way that it came into contact 
 with one of the pins. 
 
 The wheel, of course, went round by 
 the motive force of a weight or spring 
 transmitted through a train of wheels. 
 But as the ratchet engaged with the 
 pins, the entire motion was stopped 
 until the pendulum came swinging 
 back at the end of its beat. The 
 pendulum arm then struck the lower 
 projecting arm of the ratchet, and 
 raised the ratchet from the pin with 
 which it was engaged. So the wheel 
 then went round, and one of its lower 
 
MARVELS OF MODERN MECHANISM 221 
 
 MANY CLOCKS WORKED BY ONE PENDULUM 
 
 
 HOW AN ELECTRICALLY DRIVEN PENDULUM TURNS THE HANDS OF NUMEROUS DISTANT DIALS 
 
 By the aid of the electric current all the clocks in a large factory or even a town can today be controlled by a single 
 pendulum. This diagram shows the principle of the synchronome system. The clock consists of the pendulum (A) alone, 
 which pulls round the wheel (B) once every half-minute. The vane (C) then withdraws the catch (D), and allows the 
 gravity lever (E) to fall. The little roller (F) presses the pendulum aside by running down the bracket (G) mounted upon 
 the pendulum. The lower arm of the gravity lever (fi) then meets the contact screw in the end of the armature (H) , thereby 
 closing the circuit of the electro-magnet (J), which allows the current from the battery (K) to pass through the dials all over 
 the building. These dials are advanced half a minute whilst the electro-magnet (J) attracts the armature (H) and throws 
 the gravity lever (E) up on to its catch again. The clock-faces have no "works" behind them, only one wheel and a magnet, 
 shown on the right. The electro-magnet (L) receives the half-minute impulses, so attracting the armature (M), and by 
 means of the lever (N) enabling the click (O) to pick up another tooth of the wheel (P). The spring (Q) then propels tbe 
 Wheel (P), and the minute-hand attached to It. one half-minute 
 
222 
 
 THE HUMAN INTEREST LIBRARY 
 
 pins struck against the arm of the 
 pendulum and thus gave the penduhim 
 its forward stroke. But in making 
 this stroke the penduhim lowered its 
 side-arm. This enabled the project- 
 ing arm of the ratchet to drop freely, 
 with the result that the ratchet itself 
 engaged with the next pin on the 
 wheel, and again stopped the move- 
 ment of the clock till the arm of the 
 pendulum again swung back. 
 
 As a matter of fact, this arrange- 
 ment did not work well, and the use 
 of the penduhmi had to wait until 
 Huyghens investigated its mathemat- 
 ics and emmciated the laws governing 
 oscillatory bodies, in 1673. But al- 
 most another century elapsed before 
 the escapement mechanism of a watch 
 was converted into a good regulator 
 by the great George Graham, whose 
 famous dead-beat escapement is still 
 used in many a high-class clock today. 
 
 It was impossible to take a pen- 
 dulum-clock to sea and suspend it 
 so as to avoid distur'ijing its motion 
 by the rocking of the ship. The 
 ship's chronometer is a large watch, 
 about six inches in diameter, moun- 
 ted on gymbals, in a mahogany 
 box. 
 
 A modern chronometer escapement 
 consists of a toothed wheel, against 
 which two levers work. A delicate 
 spring at the top of one lever comes 
 at times into contact with a little 
 projection at the bottom of the other 
 lever, so the escapement - wheel is 
 alternately held and released by the 
 interaction of the two levers. 
 Electric world-clock 
 
 The electric w^orld-clock into which 
 the Eiffel Tower in Paris has been 
 transformed excites the liveliest in- 
 terest in western Europe, where it is 
 easy for anybody, with the aid of very 
 simple wireless telegraph apparatus, 
 to receive the time signals radiated at 
 Jxed hours over se£|, and land. 
 
 Eiffel tower makes fine station for 
 wireless signals 
 
 The Eiffel Tower has been chosen 
 for this purpose because its immense 
 height, nearly a thousand feet, gives 
 it a distinct advantage as a sending 
 station for wireless signals. But at 
 the very moment when this finger of 
 steel pointing skyward out of the heart 
 of Paris becomes, as it were, a clock 
 hand for the whole planet, the merid- 
 ian of Paris 's officially abandoned., 
 
 The order has gone forth that hence- 
 forth the Connaissance des Temps, the 
 famous French astronomical almanac, 
 shall have its calculations based on 
 the meridian of Greenwich — the prime 
 meridian that all the civilized world 
 now recognizes. 
 
 The world's standard wireless tele- 
 graph timepiece does not keep step 
 with the hours as they flit across the 
 world's standard meridian of time, 
 and an allowance for difference of 
 longitude has to be made by everybody 
 who receives the signals from the 
 Eiffel Tower, if he wishes to know what 
 the true world-time is. What he gets 
 is Paris time. 
 
 The observatory of Paris auto- 
 matically, by an electric clock, trans- 
 mits to the Eiffel Tower the time sig- 
 nals that are radiated over the globe, 
 and these time signals are regulated 
 by the passage of stars across the 
 meridian of Paris, and not that of 
 Greenwich. But Paris is situated 2 
 degrees 29 minutes and 15 seconds of 
 longitude west of Greenwich, corre- 
 sponding to a difference of 9 minutes 
 and 21 seconds of time, which must 
 be either added to or subtracted from 
 the indications of the signals in order 
 that standard world-time may be 
 obtained. 
 
 If the observer is west of Paris 
 he must add the extra time to get 
 the hour at Greenwich, and if he is 
 east he must subtr9,ct. 
 
 I 
 
MARVELS OF MODERN MECHANISM 
 
 223 
 
 THE STARTING OF THE TELEGRAM 
 
 In the left corner we see the Interior of a telegraph office. Outside we see the wires running across country. The girl 
 Is sending a telegram to the office shown on another page hundreds of miles away. Each time she presses down the key 
 with her right hand, a current runs from the battery, ttirough the key, which connects the twe wires, through the galvanom- 
 eter, and out over the wires to the far-away town. 
 
 HOW WE SEND 
 
 NOBODY can say what elec- 
 tricity really is. It is not 
 matter. It cannot be seen, 
 though its effects can; it cannot be 
 smelled or tasted. We call it a fluid 
 because we cannot give it a better 
 name. But though we do not know 
 what it is, we know how to bring it 
 into use, how to create or excite it, 
 how to harness it and make it our 
 most marvelous and obedient servant; 
 and one of the chief wonders electricity 
 performs for us takes place after we 
 hand a telegram across the counter of 
 a telegraph office. A telegram is one 
 of the familiar things in our lives 
 which are really so wonderful that no 
 man can quite understand them. 
 
 If we wish to send a telegram, say 
 from Chicago to New Orleans, we 
 
 A TELEGRAM 
 
 must have in the telegraph office a 
 battery from which we can send elec- 
 tricity along wires. The wires coil 
 round a piece of iron, and so long as 
 the current of electricity is passing 
 through the coil the iron acts as a 
 magnet, an electro-magnet as it is 
 called, and draws other metal to it. 
 The moment the current ceases, the 
 iron is no longer a magnet. We see 
 a picture of this electro-magnet and 
 battery in the above picture. When we 
 send the electricity through this coil, 
 we call it magnetizing the coil. The 
 current flies swiftly along the wire, and 
 while it is going the circuit is said to 
 be closed. When the current ceases, 
 the circuit is broken. Now we hand 
 our telegram for New Orleans to the 
 telegraph operator. 
 
22J^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 Before him there is a little lever with 
 a knob at the end. This lever is called 
 a key. While that key is at rest, the 
 
 A telegraph key used to send telegrams 
 
 circuit is broken. The moment he 
 presses it down, the circuit is closed, 
 and the current races along the 
 telegraph wire. He taps away at 
 his key and the message flies over 
 the wires to be written down at 
 the New Orleans telegraph office. 
 How is it done.f* New Orleans is the 
 receiving end. Well, there, at the 
 end of the wire, they have an electro- 
 magnet made as we have seen, of wire 
 and iron. A current comes from 
 Chicago. It enters the office by the 
 wire. It passes through the coil and 
 makes the iron magnetic. The mag- 
 net attracts towards itself a little 
 metal bar working on a lever, and 
 every time this bar comes down to- 
 
 A sounder used to receive messages 
 
 wards the magnet, the end of it taps 
 upon a small screw; then when it 
 goes up again it taps on another screw. 
 Each tap that it makes corresponds 
 with something that the clerk in 
 Chicago has done at his end of the 
 wire. 
 
 The Chicago clerk, as we have seen, 
 presses down a key. That key, when 
 at rest, has its knob raised in the air. 
 There is a wire attached to the key. 
 Now, when the key is pressed down, 
 its under side touches another wire. 
 The pressing down of the key joins 
 these two wires together. That closes 
 the circuit. The joining of the two 
 wires instantly causes a current of 
 electricity to flow from the Chicago 
 battery over the wire to New Orleans. 
 The instant that the key is allowed to 
 
 This diagram explains the uses of the battery, coll, and 
 wires in the sending of a telegram. The hand stands for 
 the battery, which provides the energy. The big wheel 
 represents the coll, which regulates the electric current 
 to flow as we want it. The rope represents the flow of the 
 current, conveying the energy to the small wheel, which 
 stands for the receiving end. The knot Is for the electric 
 spark, which ties the ends of the rope, or current, together, 
 as it were. When the knot Is tied, the circuit Is closed. 
 When the knot is untied, the circuit Is broken. It Is the 
 rapid tying and breakini; of the spark-knot that produces 
 the electric waves 
 
 rise from the wire underneath it, the 
 current is stopped, and the circuit is 
 broken. While the current is flowing, 
 the coil and iron at New Orleans be- 
 come a magnet, that draws towards 
 itself the small metal bar. 
 
 Clever men thought out a way of 
 making this of use. They arranged 
 that certain pressures by the sending 
 key should stand for certain letters. 
 We have only to agree once for all 
 that a certain sign shall stand for a 
 
MARVELS OF MODERN MECHANISM 
 
 S26 
 
 WHERE AND HOW A TELEGRAM IS RECEIVED 
 
 We are sending this telegram by the simple single-wire system, so the clerk has to write down the dots and dashes as 
 they sound. Each shock pulls down the iron marked A, causing the bar to strike the pegs P P and sound the "dots" and 
 "dashes." From the girl, the current passes along the wires, then back through the instrument, into the earth. When 
 the man telegraphs, the current goes into the earth and back along the wires to the girl. 
 
 certain thing, and then we know what 
 it means. And that is how we got the 
 telegraph's A, B, C. A very short 
 pressure of the key in Chicago gives 
 two taps at New Orleans, one very 
 quickly after the other, and a longer 
 pressure gives two taps, but with a 
 longer interval between them. These 
 double tappings, one with a short 
 interval between the taps, and the 
 other with a longer pause, correspond 
 with the dots and dashes of the Morse 
 alphabet. 
 
 When we send our telegram from 
 Chicago to New Orleans, the telegraph 
 operator turns the letters which we 
 have written into telegraphic letters 
 by tapping away at his key in the 
 manner agreed upon. Each tap is 
 registered at New Orleans instantly 
 it is made. With each pressure upon 
 the key the circuit is closed, and the 
 
 current flies for a certain length of 
 time, signifying a sign which means 
 part of a letter. Each time the key 
 is at rest in its ordinary position, the 
 current ceases to flow. 
 
 But there is a limit to the speed at 
 which a man can tap his key. If he 
 is very skilful and strong he may be 
 able to send as many as forty words a 
 minute. More likely he will not be 
 able to send more than twenty-five. 
 That is not quick enough when the 
 message which he sends, instead of 
 being a little telegram from one of 
 ourselves, is a long one of thousands 
 of words — a speech, or the account of 
 some great event. For this, another 
 system is used. A message of twelve 
 hundred words, for instance, would 
 be divided among, say ten clerks, each 
 of whom sits before a machine that 
 punches holes in a ribbon of paper, 
 
226 THE HUMAN INTEREST LIBRARY 
 
 the holes corresponding to the letters one wire at the same time from Chicago 
 of the Morse alphabet. Each clerk to New Orleans, while two others are 
 punches 120 words of the message, coming at the same time over the same 
 at the rate of 25 words a minute, so wire from New Orleans to Chicago, 
 that, when the work is divided in this This is done by arranging different 
 way, the whole message is punched strengths of current. The messages 
 out on the tape, or ribbon, in about that are traveling together from the 
 five minutes. The ribbon is then south to the north are each sent by a 
 run through an elaborate telegraph current which is of different strength 
 instrument, called an automatic trans- from that of the others, and the same 
 mitter, because it works itself. The is the case with those coming from 
 ribbon runs through in such a manner the north. Each current goes to a 
 that the circuit is closed at each hole receiver, which takes a current of 
 in the paper representing a dot or a particular strength, 
 dash, and the current flows along the If we have relatives awaj over the 
 line, to be registered at the other end, sea to whom we may wish to telegraph, 
 in ink, upon a tape. By this machine, we can reach them by a message car- 
 messages can be sent at the rate of ried by electricity under the sea. 
 400 words a minute. The recording Cables run under the Atlantic and 
 of the dots and dashes upon a tape at Pacific Oceans, under the Mediter- 
 the receiving end is necessary, because ranean Sea, the Black Sea, the Indian 
 no clerk could write out the message at Ocean, the North Sea, the English 
 the rapid rate at which it is received. Channel, and so forth. There are 
 The writing out is done from the about 250,000 miles of these sub- 
 printed dots and dashes on the receiv- marine cables in use, so that we can 
 ing tape. exchange messages with England, 
 
 We do not find this recording in- Panama, Australia, New Zealand, In- 
 strument in small telegraph offices, dia, China, and every other civilized 
 The instrument which is used in rail- country. The principle is the same 
 way signal-boxes and stations is what as in the land telegraph, but the wires 
 we call the needle instrument. There are different, and the rate of tele- 
 we find a little dial, in front of which graphing is slower, as the current 
 a needle works to right or left, accord- passing through these long wires is 
 ing as dots or dashes are meant. By necessarily weaker, which makes the 
 watching this, the operator can take recording of the messages slower, 
 a message quite easily. But as the If the ordinary telegraph wires were 
 needle moves to right and left it used, the current would run off into 
 strikes upon two little bars of metal, the sea and be lost. So the wires 
 each different from the other, so that have to be encased in gutta-percha, 
 they give out different sounds, and by and bound round with tape and yarn, 
 listening, without watching, the clerk and brass, and tarred hemp, and over 
 is soon able to read the message by all are wound coils of stout wire, to 
 sound, just as the clerks in the tele- protect the cable from the sea, and 
 graph offices do with their improved the rocks at the bottom of the ocean, 
 instruments. For long distances, only one wire is 
 
 Perhaps the greatest wonder of the placed inside the cable, but for shorter 
 
 telegraph line is the fact that several ones many can be used. More than 
 
 messages can be sent at the same time, one message can be sent over the cable 
 
 Two messages can be traveling over at the same time. 
 
^28 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE ELECTRIC WIRE THAT RUNS UNDER THE SEA 
 
 One of the most wonderful things in the world is the way in which a thought can be flashed across the earth quicker 
 than a messenger can carry a letter across a town. Every day messages are sent under the sea by means of electric cables 
 lying along the ocean-bed. The question answered on another page deals with this great achievement of man and the 
 pictures in the following pages show us how the cables arc laid. 
 
 Marine plants an<l sea animals fasten and grow upon the cable at the bottom of the sea, a.s may be seen in this picture. 
 Sometimes a cable is pulled to the surface with a large piece of coral growing all round it. or some big fish is mixed up with 
 it. These were the greatest difficulties that the early layers of deep-sea cables had to fight against and learn how to over- 
 come. Several years ago, something went wrong with a cable in the sea near Valparaiso, in South America. When it 
 was hauled to the surface of the ocean, there was a dead whale with the cable coiled round its body. Such incidents are 
 QOt uncommon, hence the need for great strength In the cable. 
 
MAKING THE ELECTRIC CABLE FOR THE OCEAN BED 
 
 Here we see a submarine cable in the course of being made. The men are puttinsi on one of the many coats that cov^i 
 the metal and protect it Irom damage, and prevent the electricity from escaping under the sea. 
 
 In this picture we see how the cable, after it is covered with gutta-percha, is bound round with wire, livery delu.il ol 
 the work must be most carefully performed, for if there was any flaw the cable would be useless. 
 
230 
 
HOW THE CABLE IS JOINED TOGETHER AT SEA 
 
 After fixing the cable ashore, the ship steams away, and the cable 
 passes over a drum or grooved wheel, as seen here, and then over the 
 side of the ship. A vessel cannot carry a very long cable all at once, 
 so it has to return to land for a second instalment. 
 
 A buoy is put to mark the place where the 
 end of the cable is let down. When the ship 
 returns, the end is hauled up and joined to the 
 new cable, as seen here. 
 
 When the cable has been laid right across the ocean, the end must be taken ashore to be fixed in the cable station, 
 Just in the same way as we saw it done at the beginning of the laying operation. Here tlie cable Is seen supported on 
 barrels from the ship to the shore, and the shore part is being placed in a trench. 
 
 891 
 
HOW A CABLE IS LOWERED AND RAISED 
 
 The cable is now laid under the sea, except where part is still held by ropes from the ship. The rope holding the cable 
 is now laid across a wooden block, and a man with an axe cuts the rope. Then the cable sinks to the bottom ol the .sea, 
 and as long as it carries the messages properly it is allowed to remain undisturbed. 
 
 If the tubk- UoL-a liot work prupLilj , ii musi be raised to find what 1;= vvrouy;. In lliis pictare we .see a collection of the 
 curious grapnels, or grappling-irons, used for catching hold of a cable at the bottom of the sea 
 
 These men are using grapnels. They can tell when the 
 cable has been caught by the grappling-iron, owing to the 
 lerK of the rope or chain that holds the grapnel. 
 
 When a cable is hauled up, a man is swung over the side 
 of the ship to fasten a rope to it, as shown here, and then 
 the cable is pulled on hoard (or repairs. 
 
 232 
 
MARVELS OF MODERN MECHANISM 233 
 
 The speed at which cablegrams can received the answer in a minute and 
 
 travel is very great, though we have a half. The distance there and back 
 
 not yet the instruments to receive the is 18,000 miles. 
 
 messages quickly. A signal has been Not many years ago at an electrical 
 
 sent 8000 miles under water in a single exhibition in Chicago, a message was 
 
 second. But we could not send a sent from a room, through the United 
 
 long message at this rate. As it costs States to Canada, from Canada to 
 
 twenty -five cents a word to cable . London, from London to Portugal, 
 
 across the Atlantic, codes are used by Spain, Egypt, India, and Japan. It 
 
 which one word may mean a dozen came back by the same route, and 
 
 or more words. By this means time was received in the same room from 
 
 and money are saved. Once an which it had started, but at another 
 
 English firm cabled to their manager instrument. It had been round the 
 
 in Victoria, British Columbia, and world in fifty minutes. 
 
 WIRELESS TELEGRAPHY 
 
 WHEN we read of the various a man was James Clerk-Maxwell, the 
 useful inventions of such late renowned English physicist and 
 great men as Edison and mathematician. England has con- 
 Bell and Marconi we are sometimes tributed many illustrious men in the 
 led to think that all great discoveries development of the world's scientific 
 in science are made by means of history, but not even Newton sur- 
 experimentation alone. This, how- passes this famous scientist in real 
 ever, is not true. Before one can genius and remarkable insight into 
 begin to experiment with any hope of the mysteries of nature, 
 producing a useful invention he must Length of ether waves 
 first understand those laws of nature Professor Maxwell discovered by 
 which underlie the problem he is the aid of mathematical reasoning that 
 trying in a practical way to solve, there exist in the ether waves of very 
 For example, much valuable time and much greater length than those con- 
 many thousands of dollars have been cerning which we read under the sub- 
 spent in a vain attempt to produce ject of heat and light. He maintained 
 perpetual motion. Had those experi- that these long ether waves travel 
 menters who have worked on this with the same speed as light. In 
 impossible problem fully understood fact, it was the thought of this great 
 the law of the conservation of energy theoretical investigator that these 
 all this time and money might have very long waves constitute what we 
 been saved. know as one form of an electric 
 Not only is it necessary to under- current. Indeed, he went so far as 
 stand the fundamental laws but it is to contend that light and certain 
 the work of some one to discover these forms of electrical disturbances are 
 laws and principles in the first place, practically one and the same thing. 
 In other words, before we can apply a both being waves in the ether, the 
 principle to produce or invent a useful only difference being in the length of 
 article or device we must have the the waves. Now this was a remark- 
 principle to apply. able theory, and the interesting and 
 Now new facts or truths in nature singular thing about it all is that 
 are often discovered by men who do Maxwell himself did not live to see 
 very little if any experimenting. Such his theory pu^t to a practical test- 
 
m 
 
 THE HUMAN INTEREST LIBRARY 
 
 By the aid of higher mathematics 
 this college professor discovered these 
 wonderful truths of nature, but it 
 was left for other scientists who came 
 later to confirm his conclusions and 
 extend them into practical fields. 
 
 Not long after Maxwell's death a 
 young German high school physics 
 teacher actually discovered these elec- 
 tric magnetic waves that the great 
 Englishman had predicted. It was 
 Heinrich Rudolf Hertz who made this 
 great discovery, and these long ether 
 waves are called Hertzian waves in 
 his honor. 
 
 Hertz very carefully studied the 
 behavior of these waves and found 
 that they obey all the laws of 
 light waves and travel with the 
 same velocity, viz., 186,000 miles 
 per second. The retina of the eye is 
 not sensitive to these long ether 
 waves, but Hertz was able to detect 
 their existence by means of very 
 simple apparatus. We learned in 
 our study about heat that certain 
 ether waves cause the molecules of 
 bodies to vibrate more rapidly. Now 
 these long ether waves which we are 
 now considering, and which hereafter 
 we shall call electric waves, produced 
 a somewhat different effect on matter, 
 particularly on metallic substances. 
 
 For example, if a copper wire is in a 
 region traversed by such waves there 
 will be set up in that wire an electric 
 current, which current will rush back 
 and forth from one end of the wire to 
 another. 
 
 If our metallic conductor is in the 
 form of a circle and the ends sepa- 
 rated by only a very small space, 
 tiny sparks will jump across this gap 
 whenever the electric current is set 
 up in the wire as a result of the 
 presence of electric waves. Hertz used 
 a device of this kind to find out a 
 great many important and useful 
 facts about these remarkable waves. 
 
 How WAVES ARE SET IN MOTION 
 
 But how are such waves started or 
 set in motion? When an alternating 
 current is oscillating back and forth 
 in a wire it disturbs the ether in 
 and about it just as the vibrating 
 electrons of an incandescent body set 
 up waves in the surrounding medium. 
 Such ether waves are known as 
 electromagnetic waves, or, more 
 briefly, electric waves. 
 
 When considering the method of 
 producing electric waves it is well to 
 remember that the ordinary com- 
 mercial alternating current which 
 flows along the wires in our homes and 
 gives us light is of a comparatively 
 low frequency, ranging from 25 oscil- 
 lations per second to 135, the most 
 common being 60 cycles. It has been 
 found that currents of much higher 
 frequency than the above are most 
 effective in setting vip electric waves. 
 Currents having from one hundred 
 thousand to a million oscillations per 
 second are employed in producing 
 strong electric waves. Now the length 
 of these ether waves generated by a 
 high frequency current depends upon 
 the frequency of that current. The 
 greater the frequency the shorter the 
 waves; the lower the frequency the 
 longer are the resulting waves. 
 Hertzian waves range from a few feet 
 to several miles in length. 
 High frequency currents 
 
 Further, it should also be under- 
 stood that the form and general 
 arrangement of the metallic conductor 
 carrying these high frequency currents 
 have a great deal to do with their 
 effectiveness in radiating electric 
 waves. It was thj discovery of this 
 very important fact by Dr. Marconi 
 and others that has made it possible 
 to signal through space without wires. 
 Marconi learned by experiment that a 
 vertical wire, or system of wires, 
 having the lower end connected to 
 
MARVELS OF MODERN MECHANISM 235 
 
 WORDS TRAVEL EVERYWHERE ON ELECTRIC WAVES 
 
 This picture shows us in a diagram the wonderful way in which the electric shocks travel through the ether. The 
 wireless waves radiate in all directions, outwards and upwards, so that in less than one-sixtieth of a second a dot of the 
 message, shown here as being sent from Poldhu, could be received in London, Norway, Berlin, America, or on any ship sail- 
 ing on the Atlantic Ocean. It is to prevent everyone receiving everyone else's messages that the instruments are tuned. 
 The message could also be received in airship, aeroplane, or balloon at thousands of miles above the clouds if men could 
 get there. It is also believed that they descend into the earth. 
 
 This picture shows us, in another way, what we see above — how the wireless waves radiate, expanding evenly In true 
 circles. The boy has thrown a stone into the river, and the waves flow outwards, getting fainter and fainter the farther 
 they get from the spot where the shock occurred. The wireless waves are waves in the ether very like these water-waves, 
 with this difference, that while the ripples of water travel only in a horizontal direction all round, and at a slow rate, the 
 wireless waves travel at a very rapid pace, and in all directions. A better illustration of how these electric waves travel la 
 provided by the light from a lamp or candle. The light-waves move from the flame in every direction, and the wlreleai 
 waves travel through the world in exactly the same way Irom the center at wblcb tbe messaise la sent oil. 
 
WIRELESS STATIONS ON DUTY DAY AND NIGHT 
 
 /. 
 
 -«^V ■■> iSV T 
 
 •^">-*>^, ^. 
 
 .iyr^,^.;;„ir:^^i*fe*«ii.i*« 
 
 -:-¥^ — :5&.^i„ 
 
 The structures, with the wires at the top, are built high so that the electric waves, when starting across the sea, may 
 not meet with obstructions. On striking the ocean they leap from crest to cr?st of the sea-waves. 
 
 This picture gives us a glimpse of a wireless telegraphy station by night. Whether it be light or dark, the wonderful 
 waves created by the power of electricity speed on their way across the waters. Receiving Instrumenta are ready to record 
 their message, and the words fly, in dots and dashes, speedy as light, and as noiseless. 
 
 2S6 
 
MARVELS OF MODERN MECHANISM " ^ '■' ' 237 
 
 the earth radiates electric waves The coherer receives a Hght tap 
 much more efficiently than any other from a little automatic tapper, and the 
 arrangement. By utilizing an oscil- filings fall. apart again instantly, to be 
 lator of this character ''Marconi was as they were before, ready to receive 
 able to signal over a distance of several the next electric wave. When the 
 miles where previous to this discovery metal filings come together and close 
 the waves could not be detected the circuit, they operate a bell or sound- 
 beyond a few feet. er, and the message which they tick is 
 
 Let us now direct our attention to read and written down, ready to be sent 
 
 the practical methods used to produce to the person for whom it is intended, 
 
 these high frequency currents in the Thus we send a message thousands 
 
 vertical wire or oscillator as it is of miles across the ocean without the 
 
 sometimes called, and to the modern help of wires. Here again the rate is 
 
 means employed to detect electric slow. Cablegrams run off at the rate 
 
 waves at great distances from the of fifty words a minute, but the wireless 
 
 sending station. Improvements in telegrams go at the rate of only twenty- 
 
 the apparatus used for practical wire- five words a minute. Some day, of 
 
 less telegraphy are being made with course, this pace will be greatly im- 
 
 such astonishing rapidity that the proved. Wireless telegraphy is one 
 
 past few years have witnessed almost of the great gifts that inventors have 
 
 a complete change in radio equip- given to mankind, and we cannot yet 
 
 ment. Because of this rapid develop- realize the importance of it to the 
 
 ment and in view of the changes that world. The pictures on these pages 
 
 are certain to come in the immediate show how wonderful is the power that 
 
 future, it will be well to confine our wireless telegraphy gives us to speak 
 
 attention to a brief description of the across the sea, and sometime ago there 
 
 latest forms of apparatus used to happened a wonderful thing, showing 
 
 transmit messages over thousands of how the power of telegraphy without 
 
 miles of space. wires may save great disasters at 
 
 The Wireless Instruments sea. Let us read the story of how a 
 
 By the use of an instrument called man tapping away into space saved 
 
 a transmitter, these electric waves a thousand lives. 
 
 can be sent bounding forth through Let us picture to ourselves an im- 
 the air in all directions. By making a mense liner moving slowly from its 
 receiver in tune with the transmitter, berth. The wharf is crowded with 
 we can make that receiver take a people waving their hands and flutter- 
 message. To receive the message an ing handkerchiefs. From the side 
 instrument called a coherer is used, of the ship, on all the decks, leans a 
 A coherer is a glass tube, sealed at multitude of passengers waving fare- 
 both ends with metal, and filled with well. The, space between these two 
 nickel and silver filings. When an crowds slowly widens. Between ship 
 electric wave comes along, it passes and shore flows an increasing space of 
 through this tube. It magnetizes the troubled water. The faces of people 
 metal filings, and causes them to become indistinct. The sounds die 
 draw close together — to cohere, and away. Then the engines get to work, 
 to close the circuit. The wave is and the great ship moves forward, and 
 quickly gone, the filings are no longer draws impressively to sea. 
 magnetized, and the circuit is then The passengers hurry to their cabins, 
 broken again. They see that everything is comfort- 
 
THE UNSEEN TELEGRAPH MESSENGER 
 
 WIRELESS" TELEGRAM 
 
 Here we see the operator preparing to send a 
 telegram without wires. There is the key, 
 which he is to tap; the battery, which gives the 
 current necessary for sending the message, and 
 the induction coil. At a little distance from the 
 coil we see two brass knobs. One of the knobs 
 is connected to a wire, F, which runs down into 
 the earth. The other knob is connected to a 
 wire, G, which goes out into the air. So long 
 as the key remains untapped, that is to say, so 
 long as the ends of the wires have a little space 
 of air between them, just underneath the knob, 
 the current cannot flow along the wires. The 
 telegraph instrument, without the touch of the 
 operator's hand, is as silent as an unplayed 
 piano. But suddenly an urgent message has 
 to be despatched. The operator presses down 
 the knob of his key. Immediately the current 
 leaps across from the wire A to the wire C, and 
 along this to the coil. It whirls round miles and 
 miles of wire in the coil, gathering intensity at 
 every whirl, then out, along E, to the brass knob. 
 
 The OIK lin' ri;ifly to send a message 
 
 The current from E charges the little brass 
 knob powerfully with electric energy; the 
 other knob is also charged from the coil along 
 D; the electric charge gathers in the knobs un- 
 til it becomes so powerful that the air between 
 them is unable to keep it apart, and it leaps 
 across the space with a loud crack and brilliant 
 spark; this sends a shock along the wire F 
 down into the earth, and also up the wire G 
 out into space in every direction. The electric 
 current is shown as sparks of light in this picture, 
 but it cannot really be seen. For a dot of the 
 alphabet a single spark jumps from knob to 
 knob. For a dash there is a little stream of 
 sparks. What else happens we cannot see, 
 but we know all the same. When the key is 
 tapped and the spark ends, the message actually 
 begins. Waves are set up in the ether, carrying 
 each dot and dash of our message. Such is 
 the power of electricity working in conjunction 
 with the wonderful ether, an element that not 
 one of us can explain any more than we can 
 explain the electricity itself. 
 
 Making the electric circuit 
 
 238 
 
HOW ELECTRIC WAVES ARE TURNED INTO WORDS 
 
 Receiving a "wireless" telegram 
 
 Here is the office in which the wireless tele- 
 gram is to be received. The sender, whom we 
 see on another page, may be thousands of miles 
 away, but the receiving instruments here are 
 in tune with his. The waves which he caused, 
 after traveling for thousands of miles over the 
 ocean, at last reach, in about one-sixtieth of a 
 second, the wire a. Through this they pass to 
 the coherer, shown large in this picture for 
 clearness. It is a little glass tube, in which are 
 two silver plugs. Between these there is a 
 little space, which is occupied by loose grains 
 of nickel and silver. The incoming wave 
 causes the filings to cohere, or join together, 
 as we see in the lower picture. The message 
 through a now flies across, and through b and c 
 to the magnet coil. It magnetizes the piece of 
 iron marked magnet, which attracts the upright 
 piece d, and this enables the message to pass to 
 the wires e and /, which now form a powerful 
 circuit, working another magnet, which also 
 pulls down another piece of iron, marked g. 
 
 THE ABOVE PICTURE SHOWS THE OPERATOR ABOUT TO RECEIVE A MESSAGE 
 
 Operator receiving message 
 
 Every time the piece of iron marked g is 
 attracted by the magnet, it tilts up an inker at 
 the other end, which spells out the message in 
 dots and dashes on a tape, revolving on a wheel 
 by clockwork. This lower picture shows the 
 signs that spell a word being inked on to the 
 coil. The circuit must be broken several times 
 for each word — after each dot or dash — other- 
 wise we could not get our message. This is 
 effected by the little instrument placed just 
 under the coherer, marked "tapper." Directly 
 the filings cohere, the tapper gives it a tap, as 
 shown in the upper picture, and the filings 
 separate, ready to be drawn together by the 
 next electric shock received. The wire h is run 
 Jown into the earth, the great body of which 
 completes the circuit of perhaps 5000 miles. 
 The simplest forms of instruments are shown on 
 these pages, but for long-distance messages 
 more elaborate instruments, with a powerful 
 dynamo instead of a battery, would be used to 
 form a circuit through the ether in the earth. 
 
 239 
 
TRANS-ATLANTIC MESSAGES FLYING THROUGH SPACE 
 
 r I C 
 
 
 -^ 
 
 Here we see the latest invention in telegraphy — the wireless system. We tap a key and send a current of electricity 
 along a wire. From the end or this wire the current springs into space and flashes across the sea. 
 
 N EWFOUMDUANO 
 
 Toi^vi^ec AM<intrtaJ 
 
 A T L t< N T I C OCCAM 
 
 WrtViTS that --—^ 
 
 
 
 CAPE BRETON 
 
 ^ Taking e 
 f^- ■' oays te trdvef 
 
 II we want to send a wireless message from Cape Breton, Canada, to Ireland on the other side of the Atlantic Oceaa 
 we tap our key, and the message flies through the air, covering the 2000 miles' journey in the sixtieth of r second. 
 
 1240 
 
MARVELS OF MODERN MECHANISM 
 
 2U 
 
 TWO CONTINENTS JOINED BY ELECTRIC WAVES 
 
 "i* -. - " 
 
 instructions >n mi at -ocean 
 
 Not only can we send our messages to an Irish or English station; we can receive messages as well. If we get 
 news for somcljndy on the sea, we can receive it at one of the established stations and tolegraph it out to the ship. 
 
 Of course, though we call it wireless telegraphy, we have wires at the recennig and dibpatclnng points. High po3ta 
 are erected at the instrument houses to catch the waves as they fly to us from those who send the message. 
 
n2 
 
 THE HUMAN INTEREST LIBRARY 
 
 able for them. They put on great 
 coats and wraps, and take to the 
 decks. Before they begin to walk 
 about, however, they think of their 
 families ashore, their wives, hus- 
 bands, children, sweethearts. They 
 go to one of the rooms on the ship and 
 write messages of affection and good 
 cheer. They ring a bell. A servant 
 comes and the messages are handed 
 to him. They are carried to the clerk 
 in charge of the wireless telegraph. 
 The passengers begin to walk about 
 the liner and to enjoy themselves. 
 
 In his little room the operator of the 
 wireless telegraph sits before his ma- 
 chine. On the table in front of him 
 are the messages of passengers, a pile 
 of crowded papers. It is the business 
 of the clerk to send those messages. 
 He flips an A, B, C into the ether, and 
 somehow or another those letters are 
 received on shore. They travel with- 
 out wings, without wires; they arrive. 
 
 A fog descends upon the sea; the 
 engines are slowed; the foghorn be- 
 gins to sound. 
 
 Tap, tap, says the operator, earning 
 his daily bread. 
 
 Crash ! 
 
 A noise like thunder. A shock that 
 sends everything flying. A tearing 
 and rending and splintering of timbers. 
 A dull, thudding crumple of steel 
 plates. The roar of water rushing in. 
 The staggering shudder of the whole 
 ship. Shrieks and cries of people 
 from every quarter. Voices shouting 
 through the fog — loud voices of com- 
 mand. And darkness. Every elec- 
 tric light goes out. 
 
 The operator interrupts a sweet- 
 heart's message, and taps out the letters 
 C, Q, D, or S, O, S. Through the cries 
 of the passengers, above the shouts of 
 command, piercing the black fog and 
 winging wingless over the ocean, those 
 invisible letters strike on the "receiver" 
 ashore, and on numerous "receivers" 
 
 aboard other ships, almost at the mo- 
 ment when the operator sets them free. 
 They mean to those who receive them : 
 "Come quick, danger" or "save our 
 ship." 
 
 What has happened? The steamer 
 Florida has rammed the great White 
 Star liner Republic. The water pours 
 in, the crowd of panic-stricken hu- 
 manity waits for death. 
 
 Through it all the operator sits 
 amid the ruin of his office, tapping, 
 tapping, tapping his messages into 
 space. 
 
 On another vessel, in another little 
 office, another clerk sits tapping away 
 at the ether. The telegraph operator 
 on the Baltic was sending his passen- 
 gers' messages home when his receiver 
 recorded the distress call from the 
 Republic. The sinking ship was sixty 
 miles away, drifting in a dense fog, 
 and the Baltic changed its course and 
 set out to find it. From half-past 
 seven in the morning till half-past 
 six at night the Baltic scoured the 
 sea, talking all day long to the ship 
 that was sinking with a thousand 
 lives. All day long on the sinking 
 ship sat the telegraph operator, tap- 
 ping into space a signal of distress. 
 Let us try to imagine the scene. Two 
 ships are in peril in a thick fog. Two 
 thousand men, women, and children 
 prepare to die. In a little room on one 
 of them, a man is tapping at a key- 
 board, tapping into space a bitter cry 
 for help. The air-waves, set in mo- 
 tion by his tapping, travel sixty miles 
 until they find, on another ship, a 
 sympathetic disk on which they regis- 
 ter themselves; and thus the ships' 
 distress is made known. 
 
 Only a few years ago the Republic 
 must have been completely lost, and 
 that catastrophe was saved for the 
 first time in the history of the world, 
 by wireless telegraphy, a power which 
 no man understands. 
 
MARVELS OF MODERN MECHANISM S43 
 
 A STATION THAT TALKS TO ALL THE WORLD 
 
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 MM) 88 »» li^ 
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 SS S8 Si| g 
 
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 The Tower on Long Island. crt'ctiMl for tlie dispatch of wireless impulses 
 
 An eDormous electrical discharge at the Long Island wireless station 
 
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 i4 
 
 THE HUMAN INTEREST LIBRARY 
 
 MODERN AVAR'S MAILED HAND— GUNS AND SHELLS 
 
 THE guns carried on ships of 
 war, and used in army forti- 
 fications (with the exception 
 of shoulder rifles and revolvers, which 
 are known technically as small arms) 
 range in size from a light automatic 
 machine gun, which weighs about 
 forty pounds, and fires 500 rifle bullets 
 per minute, to a huge monster known 
 as the naval fourteen-inch gun to be 
 mounted on the battleships New York 
 and Texas, and which weighs sixty- 
 three tons, and fires a projectile of 
 1400 pounds' weight at the rate of 
 three shots in a minute. Fourteen 
 inch gvms of about this size will also 
 be used in fortifying the approaches 
 to the Panama Canal. 
 
 The steel used in their 
 construction 
 
 Modern guns are now all built up 
 or assembled from steel forgings which 
 are supplied to the gun shops in the 
 form of rough forged hoops and tubes, 
 slightly larger than their finished size. 
 The steel of which guns are made is of 
 the very finest quality of forgings 
 known, and is supplied to the govern- 
 ment by the Bethlehem and Midvale 
 Steel Companies, who have made a 
 specialty of supplying them. These 
 forgings must have the very best 
 treatment, and are subjected to the 
 closest scrutiny both during their 
 manufacture and subsequently during 
 
 their final machining to size at the 
 gun factory. 
 
 It is indeed one of the most inter- 
 esting facts in connection with the 
 extraordinary development of modern 
 gun construction that the demand for 
 a constantly improving quality of 
 material has led to improvements in 
 the manufacture of steel far exceeding 
 those that might have been expected 
 from the demands of ordinary indus- 
 tries. When it is realized that when- 
 ever a large gun is fired the pressure 
 in the bore rises almost instantaneously 
 from 15 pounds per square inch to 
 over 15 tons per square inch, the 
 necessity for the highest grade of 
 material is fully apparent. 
 Mack'ning the gun 
 
 The gun hoops and tubes when 
 received at the factory are placed in 
 the large gun lathes and turned down 
 to the required size. In addition to 
 machining the exterior of the hoops 
 or tubes used in building up the 
 finished gun, these parts all have to be 
 bored out so that the inside will be of 
 the required size to fit over the piece 
 next inside it, in the assembled gun. 
 The boring bit, or tool used, for this 
 purpose consists of two cutter tools 
 projecting from a wooden cylinder. 
 In the turning off of the exterior of 
 the forging, it is revolved, and the 
 tools are stationary except for longi- 
 
THE TWO EXTREME TYPES OF BIG GUNS 
 
 The automatic action of tlie gun is effei-tfd by means of llie pressure of tlie powder gases in tlie barrel. Tlie boxes 
 contain one hundred, two hundred and fifty, or five hundred cartridges each, and are so constructed that they can be Quickly 
 attached or removed. 
 
 THE MONSTER NAVAL FOURTEEN-INCH GUN 
 
 These guns weigh more than sixty tons and Are projectiles of 1400 pounds every 20 seconds 
 
 9AS 
 
ne 
 
 THE HUMAN INTEREST LIBRARY 
 
 tudinal movement so as to cover the 
 whole length of the surface; in the 
 boring operation, on the contrary, 
 the forging is stationary, and the tool 
 revolves and advances slowly through 
 it at the same time. This operation 
 sometimes requires two or three 
 hundred hours to complete. It must 
 be done with extreme accuracy and 
 requires constant checking, for the 
 reason that mistakes cannot be cor- 
 rected, and the piece would bs, 
 ruined. 
 
 The work of machining gun forgings 
 to finished size calls for the employ- 
 ment of only the most skilful machin- 
 ists, because the work must be done 
 with the utmost exactness, and the 
 variation from the prescribed dimen- 
 sions on these long forgings is not 
 allowed to exceed half a thousandth 
 of an inch or the thickness of an 
 ordinary cigarette paper. So care- 
 fully are the measurements made that 
 
 the measuring tools or gauges are held 
 by wooden grips so that the heat of 
 the hand will not warm the metal and 
 make the measurement inaccurate. 
 The temperature of the machine shop 
 is kept uniform throughout, and all 
 measurements are checked on a 
 standard comparator kept in the shop 
 office. During the boring and turn- 
 ing operations above descnbed the 
 forgings are minutely examined for 
 any flaws, cracks, or other defects 
 that might conceal a weakness of the 
 metal. Any defect that cannot be 
 completely removed in machining 
 causes the rejection of the forging. 
 Assembling the parts 
 
 The next process in the building of 
 the gun is the assembling of the 
 various parts together. Modern guns 
 are assembled by what is technically 
 called "shrinkage;" that is, the finished 
 size of the inside of one hoop is slightly 
 smaller than the outside of the hoop 
 
 A FORGING FOR A BIG 14-INCH GUN BEING TURNED DOWN IN A GIANT LATHE TO THE REQUIRED SIZ£ 
 
THREE STAGES IN A BIG GUN'S GROWTH 
 
 The wbite-hot ingot in the hydraulic press, which roughly shapes it 
 
 The roughly-shaped ingot being turned and worked upon simultaneously by eight eutting tools 
 
 Tbe Onished kud in the oixaminatlon sbOD. awaiting rigid tests before being paased {or servlc* 
 
 U1 
 
S^8 
 
 THE HUMAN INTEREST LIBRARY 
 
 it goes over, and the assembling is 
 done by heating the outer hoop in a 
 furnace until it has expanded suf- 
 ficiently to go over the cold inner 
 hoop. 
 
 Small guns consist of two layers or 
 parts, and the larger guns of four 
 layers of hoops, and 10 or 12 separate 
 parts. Finally, the hner, or inner 
 tube, is inserted in the gun; this inner 
 lining is made so as to be easily re- 
 movable, and a new one can be in- 
 serted when the bore of the gun 
 becomes worn out through repeated 
 firing. The liner is inserted in the 
 gun, the latter having been previously 
 heated in a furnace. This operation 
 requires great skill, as the hole in the 
 heated gun is only a few thousandths 
 of an inch greater in diameter than 
 
 the size of the liner, and the assemblage 
 must be made rapidly before the gun 
 cools off. When the liner is in place 
 the gun is cooled by spraying it with 
 water and it contracts and holds the 
 liner firmly in place. 
 Rifling the gun 
 
 The inside of the liner is now rifled, 
 or has spiral grooves cut in it to 
 rotate the shell, and the breech 
 mechanism or arrangement for closing 
 the rear end of the gun after loading, 
 is fitted and the gun is complete. 
 When the breech is first closed the 
 heavy steel plug is swung up and 
 entered in the round slotted hole, 
 with its threads clearing those of the 
 gun; the plug is next revolved so that 
 its threads engage with those of the 
 gun, and lock; thus the escape of 
 
 BREECH MECHANISM FOR CLOSING THE REAR END OF A 14-INCH GUN 
 
MARVELS OF MODERN MECHANISM 2^9 
 
 powder gases when firing the gun is long; similarly a 6-inch 50-caliber gun 
 
 confined in the bore of the gun, and is 25 feet long. Guns are built in 
 
 the only escape is at the muzzle after all sizes. The army 6-inch gun is 
 
 the shell gets out. The three round 310 inches long, is 10 inches wide at 
 
 holes above the gun breech shown in the muzzle, and 24 inches wide at the 
 
 the picture are for bolting the gun to breech. The 14-inch naval gun is 
 
 its mounting so that it can be elevated 650 inches long, 24 inches wide at the 
 
 or depressed for firing the desired muzzle, and 48 inches wide at the 
 
 distance. breech. All guns are now built as 
 
 How CLASSIFIED brccch loaders. The English and 
 
 Guns are classified according to the some U. S. Army guns have wire 
 
 diameter of the bore in inches, and ribbon wound tightly around the gun, 
 
 according to their length in calibers; this wire winding replacing some of 
 
 a caliber being one bore diameter; the inner hoops, but this construction 
 
 thus a 12-inch 50-caliber gun is one requires a heavier gun in order to get 
 
 that is 12 times 50 inches or 50 feet the same longitudinal strength. 
 
 THE MAKING OF RIFLES AND AMMUNITION 
 
 WHILE most persons of any desired. After this they are "straight- 
 age have handled guns and ened," which is an act requiring deli- 
 ammunition, comparatively cate and expert treatment. The "ri- 
 few users of guns and ammunition are ding" is then put in, 
 acquainted with the elaborate proc- How a modern gun is rifled 
 esses and the great care and skill that This is a series of grooves that run 
 are required to produce them. spirally through the barrel, in order 
 Steel used in the manufacture of to make the bullet spin so it will keep 
 RIFLES head on. The correct twist of this 
 
 The selection of suitable steel is "rifling" for a given caliber is deter- 
 
 an important requisite in manu- mined by test and experiment, and 
 
 facturing guns, as they are subject to the carefulness with which it is worked 
 
 tremendous pressures. Nickel steel, out has much to do with the accurate 
 
 which has a tensile strength of over shooting of the rifle. Both after 
 
 110,000 pounds and an elastic limit boring and "rifling" the barrel is 
 
 of over 90,000 pounds to the square carefully tested and examined, and 
 
 inch, is used for the barrels of all (in the best factories) given the 
 
 rifles intended to shoot high-power "lead" test. This test discloses the 
 
 cartridges; and most of the metal slightest variation in the diameter of 
 
 parts of some of the later models of the bore or any imperfection in the 
 
 guns are made entirely of this steel, in "rifling." The barrel is also given a 
 
 order to obtain lightness with strength, provisional proof, which consists of 
 
 The steel is bought in rods and firing it with a heavy charge of powder, 
 
 billets and is manufactured into the much heavier than it is intended to 
 
 barrels and parts in the factory. In shoot. 
 
 making the barrels, the rods are first The receiver and most of the other 
 
 cut off to the requisite lengths, and, parts of the guns are first forged under 
 
 in some instances, forged into the drop presses and then machined into 
 
 shape required. They are then drilled the dimensions and shaped required. 
 
 out and machined and afterwards Each part is carefully inspected and 
 
 bored up and reamed to the caliber gauged; for the system of interchange- 
 
250 
 
 THE HUMAN INTEREST LIBRARY 
 
 STRAIGHTENING AND INSPECTING WINCHESTER BARRELS 
 
 PROVISIONAL PROOF. FIRING WINCHESTER GUN BARRELS WITH EXCESSIVE CHARGES 
 
MARVELS OF MODERN MECHANISM 
 
 S51 
 
 able parts In vogue in the manufacture 
 of guns makes it necessary that all 
 similar parts should be exactly alike. 
 It is this system of turning out similar 
 parts in large quantities that makes it 
 possible for guns to be bought at such 
 a low figure. 
 The process of hardening the steel 
 
 The parts are then hardened, so 
 they will stand wear, by heating them 
 in a furnace and plunging them in oil. 
 This process is regulated, so as to get 
 uniform results. All the furnaces are 
 kept at a uniform temperature by 
 thermometers, which are connected 
 to a central station in charge of a 
 man who gives this matter his undi- 
 vided attention; and the oil is kept at 
 a fixed temperature by means of a 
 refrigerating plant, also in charge of 
 a man. After hardening, the parts 
 are assembled or put together to make 
 up the guns. 
 Making the wooden parts of the gun 
 
 The stocks and forearms of standard 
 dimensions are turned out on auto- 
 matic machines, which work some- 
 what after the principle of a panto- 
 graph. A form or model to give the 
 shape of the stock desired is placed 
 in the machine on one side and on the 
 other side is placed a block of walnut. 
 Between them is a rod, held in posi- 
 tion. At one end of the rod is a roll 
 and at the other end a cutting tool. 
 
 Both the model and block are re- 
 volved and the rod being held against 
 the model at the roller end is forced 
 forward and backward by the revolv- 
 ing model against the revolving block 
 and the tool cuts out the shape of 
 the model on the block. The stocks 
 are then finished by hand, expert 
 wood finishers being required to ob- 
 tain the smooth and soft effect re- 
 quired in gun stocks. 
 Testing for action and accuracy 
 
 When the guns are put together, 
 they are given a definitive proof, 
 
 which consists of firing them with a 
 charge much heavier than they are 
 intended to handle. After this they 
 are tested for action and accuracy in 
 shooting. The sights of the rifles are 
 lined up so as to group a series of 
 shots in the center of the target; and 
 the shotguns are shot to show the 
 pattern they make. 
 
 Certain high standards are required, 
 and guns that do not reach these 
 standards are not allowed to leave 
 the armory. During the different 
 proofs and inspections, the guns are 
 marked, and these marks show they 
 have passed through the regular 
 series of proofs and inspections. 
 
 the manufacture of cartridges and 
 shells 
 
 In the manufacture of metallic car- 
 tridges and shotgun shells, even the 
 metal used is made in the plant. 
 Cartridges are subjected to a very 
 heavy pressure in firing and therefore 
 the metal ought to be exceedingly 
 tough and elastic. By theoretical, 
 scientific and mechanical tests and 
 experiments, the proper ingredients for 
 this metal are determined and a fixed 
 standard adopted. After the differ- 
 ent ingredients have been mixed in a 
 retort, the metal is cast into long 
 bars, which are then passed through 
 heavy rolls until they are of the re- 
 quired thinness for making different 
 kinds of cartridges. They then ap- 
 pear like rolls of brass or copper. 
 
 These rolls are passed through a 
 press, which stamps out circular disks 
 of the metal and at the same time 
 forms them into shallow cups. These 
 cups are passed through a series of 
 presses, which gradually draw them 
 out into the length required for the 
 cartridges. During each operation 
 the metal becomes very hard and 
 therefore has to be annealed. This 
 is done by heating the cups to a 
 required temperature in a furnace 
 
252 THE HUMAN INTEREST LIBRARY 
 
 and allowing them to cool slowly, around the bullet. If the proper 
 The discoloration caused by this heat- charge is not delivered to the car- 
 ing is removed by placing the cups in tridge, a device on each machine 
 tumbling barrels with sawdust and announces this fact instantly, 
 soda water, from which they emerge New cartridges are being constantly 
 bright and shining. designed at the factories, and one of 
 How THE HEAD OF A CARTRIDGE IS the most important things is to deter- 
 FORMED mine the weight and shape of the 
 
 After the cups have been drawn into bullet. This is done by tests and 
 
 tubes, the heads are formed on them, experiments, which often have to be 
 
 This is done by means of a hollow die long continued. 
 
 the exact shape of the head. This is The bullets are of many varieties, 
 
 brought down on the closed end of Some are full lead, others full lead with 
 
 the tube in a press, and so ductile is patches of paper, others steel or cupro- 
 
 the metal that it is forced into the nickel jackets filled with lead; others 
 
 die and assumes the shape of it. have steel jackets with lead exposed 
 
 Center fire cartridges have pockets at the point, in order to produce a 
 
 in the heads for the primers. These mushrooming effect upon impact. This 
 
 pockets are punched in before the mushrooming effect is very desirable 
 
 cartridges are headed. After heading, in cartridges for game hunting, as 
 
 the tubes are trimmed off the required when a bullet spreads out in this way 
 
 length for the cartridge, after which upon striking an animal, it delivers 
 
 they go to the reducing presses to be its whole force on the animal and 
 
 formed into their proper shape. The produces a tremendous, shocking 
 
 bottle-necked cartridges are drawn in effect. To obtain this, therefore, some 
 
 at the mouth and others given the bullets are very ingeniously contrived, 
 
 taper required. This is done with Round-pointed, flat-pointed and 
 
 dies. Practically all the machines sharp-pointed bullets 
 
 work automatically, and are capable The bullets are also of many differ- 
 
 of turning out a very large quantity ent shapes: some with round points, 
 
 of cartridges every day. some with flat points and some with 
 
 After the shells are formed, the sharp points. The sharp-pointed bul- 
 primers are inserted on a machine, lets have been found to shoot with 
 which pierces the pocket, so as to great accuracy, due no doubt to their 
 provide a hole for the flash, and sets greater ease in overcoming air re- 
 in the primer. The cartridges are sistance. The jackets are drawn out 
 then thoroughly inspected for de- to the required length from disks of 
 fects, such as dents or scratches, un- metal, in the same way that the car- 
 pierced primer pockets, poor primers, tridges are, and the lead forced in. 
 or absence of primers, or primers set Lead bullets are cast in slugs and then 
 in wrong, etc. The cartridge is now swedged to size and shape. The 
 ready to receive the powder charge grooves often seen on bullets are put 
 and the bullet. on by machines, which are equipped 
 Automatic loading of cartridges with two large metal disks with a sharp 
 
 The loading is all done on auto- or a knurled edge, moving in opposite 
 
 matic machines, which accurately directions, through which the bullets 
 
 measure the proper charge of powder, pass while standing with point up. 
 
 seat the bullet firmly and evenly and The cartridges, after being loaded, 
 
 draw in the mouth of the shell firmly are carefully inspected before being 
 
MARVELS OF MODERN MECHANISM 
 
 253 
 
 packed into boxes. For packing some 
 of the smaller cartridges, an ingenious 
 perforated plate is used. This is 
 set shaking, and the cartridges upon 
 being thrown on promiscuously are 
 shaken into the perforations point 
 down. They are then in a condition 
 for quick packing. 
 
 How SHOTGUN SHELLS ARE MADE 
 
 In the manufacture of shotgun 
 shells, the paper tube is important. 
 This tube is made on a machine from 
 a sheet of specially manufactured 
 paper, cut to a fixed size. The sheet 
 is fed through the machine, coated 
 with paste, spun into a tube around 
 a mandrel and ejected. This is all 
 done automatically and the sheets 
 follow one another in rapid succession. 
 The color is given to the shell by 
 coloring the sheet of paper two or 
 three inches from the end. The tubes 
 are then burnished, placed into a 
 water-proofing solution for a stated 
 time and dried in ovens, after which 
 they are gauged or sized to the re- 
 quired dimensions. They are then 
 cut into shell lengths. This is also 
 done by an automatic machine. The 
 tubes feed dowm from a hopper at the 
 top of the machine and are grasped 
 and drawn in front of the revohnng 
 cutters by a shifting slide, when the 
 cutters move forward and simultane- 
 ously cut the tube into the lengths 
 required. 
 
 The brass heads of the shells are 
 drawn out of cups of brass in the 
 same manner as the cartridges, and 
 the pocket made for the primer. 
 The brass heads and the paper tubes 
 are now brought over to the assem- 
 bling machines. The brass heads are 
 placed in a hopper at the top of the 
 machine to be fed down and the tubes 
 are placed on spindles on a dial, 
 which move around and under a 
 punch at the same time that the brass 
 head is fed down on top of the tube. 
 
 In the meantime a ribbon of narrow 
 cut specially prepared paper, which 
 unwinds on a spindle at the left of 
 the machine, is spun into wads and 
 inserted into the tube to be pressed 
 into the head of the shell to form the 
 base wad. The shell is then carried 
 over to another machine alongside, 
 which shapes the head. From there 
 it is carried to still another machine, 
 which pierces the primer pocket and 
 inserts the primer. 
 
 The shell is now ready to be loaded, 
 but it is first carefully inspected for 
 various imperfections which are liable 
 to occur during the process of manu- 
 facture. The loading is done on 
 automatic machines, which accurately 
 measure the specified quantity of 
 powder and shot and place them in 
 the shell, together with the wads 
 selected, and then crimp and eject it. 
 During the process of loading car- 
 tridges and shotgun shells, samples 
 are taken from time to time and tested 
 for pressure, velocity, accuracy, pat- 
 tern, etc. The smaller cartridges are 
 tested by shooting them from a 
 mechanical rest; the larger ones are 
 shot from the shoulder with a muzzle 
 rest. 
 Importance of good primers 
 
 Of much more importance than 
 many people suppose is the primer. 
 As most primers nowadays are re- 
 quired to ignite smokeless as well as 
 black powder, they must emit a par- 
 ticularly strong and hot flash. They 
 must also flash instantly the firing pin 
 strikes them; otherwise there is a 
 hangfire, which is apt to cause dan- 
 ger. In preparing, the object is to 
 get a mixture that will be safe to 
 handle when packed in cartridges, 
 and yet be sensitive enough to re- 
 spond to the blows of hammers of all 
 properly made guns and be quick and 
 thorough in ignition. It is also im- 
 portant to get a combination that will 
 
254 
 
MARVELS OF MODERN MECHANISM 
 
 255 
 
 not send off gases that corrode gun 
 barrels. These desirable results have 
 all been obtained. 
 
 The cups are stamped out of brass 
 of a determined thickness, as well as 
 the anvils which go inside. The 
 mixture is then placed in the cups in 
 a moist state and the anvils inserted. 
 The mixture lies between the wall of 
 the cup and the anvil. When the 
 firing pin is driven against the primer, 
 its wall is forced in against the anvil 
 and the friction causes the mixture to 
 explode and the flame thus made 
 shoots out each side of the anvil where 
 it is cut away, and into the powder 
 charge. 
 
 Pressures are determined by noting 
 the compression of metallic disks at 
 the time of firing a cartridge. The 
 ballistic laboratory is equipped with 
 a pressure gauge for each different 
 kind of cartridge. Both the pressure 
 and the velocity are often determined 
 at the same time. 
 Torrents of molten lead 
 
 The shot that goes into shotgun 
 shells is made in a building known as 
 a shot tower. The building is in 
 reality a huge machine, and the entire 
 process of manufacturing shot, after 
 the pigs of lead are put into the melt- 
 ing pot, is taken care of by automatic 
 machinery. The lead runs from the 
 melting pot into a pan, the bottom 
 of which is composed of a screen; the 
 size of the screen varying according 
 to the size of shot desired. Through 
 this screen the lead falls in drops like 
 rain, and is caught in a tank of water 
 below. In its fall it assumes a 
 spherical shape. 
 
 It is raised from the tank by an 
 endless chain into a long perforated 
 cylinder, which drains off the water. 
 From this it descends into a long, 
 tight, revolving cylinder, which is 
 heated by steam, and there it dries. 
 A small quantity of graphite is put 
 
 into this cylinder, which gives a fine 
 polish to the shot. 
 
 How THE SHOT IS SORTED AND SIZED 
 
 From the cylinder the shot is raised 
 almost to the top of the building, 
 where it begins to flow down the sort- 
 ing tables. These are shelves of plate 
 glass, having a slight downward pitch 
 and broadening towards the front. 
 In front of these is a trough, placed 
 at such a distance that only the 
 spherical shot, racing down the in- 
 clined shelf, will reach it. The im- 
 perfect or flat-sided shot, sliding or 
 traveling more slowly, drop over the 
 edge of the shelf into the scrap kettles 
 below and is later melted over. There 
 are a number of these shelves, set one 
 below the other and facing in alternate 
 directions. By the time it has passed 
 over all these shelves it is safe to say 
 that only the good, well-rounded shot 
 continues on its journey. 
 
 It then runs into the sizing screens. 
 These are truncated-cone-like cylin- 
 ders, having perforations of different 
 sizes, and are set one below another. 
 The size of the perforations corresponds 
 to the size of shot of a certain number, 
 such as No. 4, No. 5, No. 6, etc. The 
 larger size is unable to pass through the 
 first screen and is therefore led off. 
 The smaller sizes pass through to the 
 screen below, and the next larger size 
 is there led off; and so on, down 
 through the different screens, until 
 all the sizes are assorted and led 
 off to their respective places. These 
 sizing screens are continually revolv- 
 ing. 
 
 After being assorted for sizes, the 
 shot descends still further into long 
 revolving cylinders, where it is given 
 a final polish. Upon entering these 
 cylinders, it is weighed by auto- 
 matic scales. The shot is now fin- 
 ished and descends to tanks below, 
 which are numbered with the respec- 
 tive sizes. 
 
THE NEWEST INSTRUMENTS OF WAR 
 
 THE SUBMARINE BOAT— SUBMARINE MINE— TORPEDOES— SHRAPNEL— AIR 
 SHIPS— AEROPLANE— ZEPPELIN'S— AIR BOMBS— INTRENCHMENTS— 
 
 SIEGE GUNS— COAST DEFENSE. 
 
 Many of the instruments of modern warfare 
 are almost as startling as was the use of gun- 
 powder, in the Fourteenth Century, at the 
 battle of Cressy. Today electricity and gaso- 
 line are of equal importance with powder and 
 shot. 
 
 In addition to highly improved rifles and 
 machine guns, field pieces and howitzers there 
 is a long line of instruments calling for the last 
 degree of efficient mechanism. 
 
 There are dynamos that supply the currents 
 for the strong searchlights, whose long pencils 
 of light sweep the sky for aircraft or the terrain 
 opposite for the enemies infantry; telegraph 
 and telephone nets are spread out from the tent 
 of a commanding general to the firing line itself; 
 there are mixing machines to supply concrete for 
 the bases of the heavy guns that batter down 
 fortresses; gasworks travel on rails and high- 
 ways to supply hydrogen for balloons; traction 
 engines haul heavy cannon and caissons; armed 
 and armored automobiles and aeroplanes whir 
 over roads and through the air; armored 
 trains crash into columns of troops and deliver 
 broadsides; in short, every branch of mechanical 
 and chemical science is utilized to the utmost 
 to extend the range and intensify the deadliness 
 of death dealing instruments. 
 
 Probably the two most effective of the new 
 engines of war are the submarine boat and the 
 airship — both aeroplane and Zeppelin. 
 
 THE SUBMARINE BOAT AND ITS WORK 
 OF DESTRUCTION 
 
 The following description of the construction 
 and operation of the submarine will apply in its 
 principles to most of the various types employed. 
 
 The form of the hull is generally described 
 as cigarshaped. It is built of the very best 
 quality of mild steel, and the workmanship is 
 of the highest order, for the reason that every 
 seam and rivet must be perfectly tight, in view 
 of the service which the boat is called upon to 
 perform. Not only do vessels of this type 
 undergo all the stresses of sea and weather to 
 which other vessels are subjected, but in addi- 
 tion they are required to navigate at consider- 
 able depths below the surface of the water. 
 At these depths the pressure of the water is 
 great, so that the hull must be made sufficiently 
 strong to withstand it. 
 
 For submerged work large storage batteries 
 are pro\'ided, which furnish energy suflicient to 
 drive the boat from ten to eleven knots for a 
 period of over an hour. The same electrical 
 energy will drive it at a lower speed for a much 
 longer time. 
 
 There are two distinct conditions in which 
 the boat may be used. In the first, commonly 
 known as the surface condition, the boat is pre- 
 
 pared for cruising. A considerable portion of 
 its hull is above water, a removable navigating 
 bridge is in place, and it is driven by large, 
 powerful, internal-combustion engines. Under 
 these conditions it is managed in about the same 
 way as any vessel built to run upon the surface. 
 
 The second distinct condition exists when 
 the boat is submerged. To pass from the sur- 
 face to the submerged condition, certain valves 
 in the interior of the boat are opened. This 
 allows the water from the sea to run into great 
 tanks built within the boat, and thus virtually 
 sink it. These tanks are closely gaged, so 
 that just the required amount of water is taken 
 in. Under normal conditions, when the boat is 
 at rest with the ballast tanks filled, it will have 
 a few hundred pounds reserve buoyancy, which 
 is represented by the top of the conning tower 
 protruding above the water. If desired, this 
 buoyancy may be entirely destroyed by ad- 
 mitting a small additional amount of water, 
 equal in volume to the volume of that part of 
 the conning tower above water. While in the 
 Submerged condition, all communication with 
 the outside atmosphere is necessarily cut off. 
 The crew then breathes the air contained in the 
 body of the boat. The amount of air originally 
 contained within the hull is suflScient to support 
 life with comfort for at least twenty-four hours. 
 But, in addition to the air thus contained, the 
 boat carries a large supply of compressed air in 
 steel flasks, which, if used for breathing pur- 
 poses, would be suflicient for a number of days. 
 
 After having brought the boat to the sub- 
 merged condition in the manner above described, 
 powerful electric motors are started by throwing 
 in a switch. These motors derive their energy 
 from storage batteries contained in the boat, 
 and drive the propellers. The same storage 
 batteries furnish current for numerous auxiliary 
 motors used for pumping, steering, handling 
 torpedoes, etc. 
 
 The motion of the boat when under way is 
 controlled by two sets of rudders; one of these 
 sets, known as the vertical rudders, directs the 
 boat's course to port or starboard just as does 
 the rudder of an ordinary ship. In addition, 
 there are provided horizontal rudders, which 
 serve to control the motion of the boat in a 
 horizontal plane; that is to say, the depth at 
 which she runs is regulated by these rudders. 
 For steering in the horizontal plane, instruments 
 are provided, so that the boat may be navigated 
 with the same degree of accuracy as boats on 
 the surface. The first of these instruments is 
 known as a periscope. This consists of a verti- 
 cal tube which extends from above the surface 
 of the water to a few feet within the submarine. 
 At the top of the tube is an object glass; at the 
 bottom an eye-piece. Two reflecting mirrors 
 one at the top, the other at the bottom of the 
 
MARVELS OF MODERN MECHANISM 
 
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MARVELS OF MODERN MECHANISM 
 
 vertical tube, cause the image to be transferred 
 from the object glass to the eye-piece. The 
 operator can turn the periscope so as to sweep 
 the whole horizon. The view thus obtained is 
 as clear as though he were at the surface looking 
 through an ordinary field glass. Hence when 
 running submerged with the top of the periscope 
 just out of the water, the navigator can see 
 with perfect ease surrounding objects. If for 
 any reason it should be desired to run at a still 
 greater depth, compasses are provided by which 
 the course may be steered with accuracy. For 
 "steering, submerged, in the vertical plane, 
 instruments are provided which in a way take 
 the place of the compass. One of these is a 
 large pressure gage, which indicates the depth 
 at which the boat is running. Another is a 
 form of spirit level, which indicates the inclina- 
 tion of its avis. By the use of this, the man 
 controlling the horizontal rudder is able to run 
 at a perfectly even depth. While in the sub- 
 merged condition, the boat is of course amply 
 illuminated by electric lights. 
 
 The arm of the submarine is the automobile 
 torpedo. A number of these may be carried. 
 They are discharged through torpedo tubes 
 located in the bow of the boat. Any modern 
 tj^pe of automobile torpedo may be used. In 
 view of the fact that the submarine is enabled 
 to approach unseen to within a few yards, if 
 desired, of the most powerful battleship, a long- 
 range torpedo is not required. For this reason 
 the weight devoted to motive power in the 
 ordinary torpedo may be largely used to increase 
 the destructive power, so that the proper arm 
 for the submarine would be far more powerful 
 and destructive than the ordinary automobile 
 torpedo. 
 
 AVEIGHT 
 
 RAIL. 
 
 THE SUBMARINE MINE 
 
 To-day the mine is still looked upon as a 
 great defensive force, and used pretty extensively 
 in defending war ports. Wet gun-cotton is the 
 explosive now almost universally employed; it 
 has the advantage of being slow to explode, and 
 can be moved and manipulated without very 
 much danger to the submarine miners. By a 
 new process the gun-cotton is now compressed 
 into solid blocks of any desired size or shape, 
 and these are placed in the iron cases. The 
 cylindrical form of case is usually employed. 
 This is made of wrought iron riveted together, 
 and is nothing more nor less than a large ball 
 on which chains are attached so that the mine 
 can be moored in the desired position. The 
 spherical case has been adopted as the result of 
 exhaustive experiments, by which it was found 
 that this form is most capable of withstanding 
 external pressure, and offers the least resistance 
 to tidal currents; it is, therefore, the least 
 liable to be affected by an enemy's attempts at 
 countermining. 
 
 The type of mine now generally employed is 
 made to contain a 100-pound charge, if used as 
 a buoyant mine; if used as a ground mine, a 
 cement lining is formed inside the iron shell, 
 and 500 pounds of explosive packed within. 
 The type is excellent for harbor defence, and is 
 used as a ground mine, it can be placed under 
 the fairway of the ships, and is connected by 
 electric cable with a station ashore. By this 
 means a channel right through the center of 
 the mine field is found, so that friendly vessels, 
 knowing the course, can come or go without 
 danger, but should a hostile ship attempt to 
 rush in, then these sinister globes nestling along 
 
 It consists of the mine itself r'gged with a lever for 
 Betting off the explosives, an anchor chamber connected 
 with the mine by a cable which is as many feet in length 
 as the mine is to he under water, and a weight connected 
 wltb the ancbor chamber. 
 
 When the mine Is dropped overboard as shown (on the 
 left) the anchor chamber plays out cable and sinks until 
 the weight reaches the bottom (aa in the third diagram) 
 which stops the cable from unwinding further and pulla 
 the mlue below the surface (as in the right hand diagram) 
 
A SUBMARINE ATTACKING A BATTLESHIP AT CLOSE RANGE 
 
 SECTIONAL VIEW OF A MINE-LAYER 
 
 Showing how the mines are stored and launched through a spscial port-hole in the stern. 
 
 The most common type of anchored contact mine is provided with a mechanism which automatically causes the sphere 
 Gontainlne the explosive to float at a predetermined depth of about fifteen feet. 
 
tlie sea bottom, can be instantly fired from tbe 
 land. 
 
 Mines are usually moored about twelve feet 
 below the surface, and kept in position by a 
 heavy iron sinker resting on the bed of the 
 harbor. The latter is connected to the floating 
 mine by a stout chain cable. The mine can 
 either be fired from the shore, or — when a 
 detonator of fulminate of mercury, in connection 
 with a small priming charge of dry gun-cotton is 
 used to explode the mine — by contact with a 
 ship. 
 
 But now we must look upon the other side 
 of the picture — i.e. what is done to combat the 
 terror of the mine.'' liere we come upon per- 
 haps the strangest vessels to be found in any 
 fleet. They are nothing more than the trawlers 
 painted the familiar navy grey, and specially 
 adapted, not for the trawling of cod but for a 
 more difficult and dangerous role — the creeping 
 or trawling for submarine mines! 
 
 The method employed is simple and in- 
 genious. Assuming that a certain mine field 
 has to be "cleared," two or more of these 
 "creepers" steal outside the mine area, each 
 towing well astern, sunk to the sea bottom, a 
 heavy iron sinker, or, to employ its correct 
 name, a "kite." This large casting is V-shaped, 
 and attached to it is an iron pulley or block; 
 through this runs the "sweeping- wire," which 
 is attached to a hauling drum on the deck of the 
 trawler, and passes over the stern, and then, 
 going through the block of the kite, stretches 
 away across the sea bottom to the second 
 kite, trailing behind the sister "creeper" 
 on the opposite side of the mine field. 
 The necessary cable being swung out, the 
 two vessels creep ahead in direct line. Well 
 astern, at the bottom of the sea, trails the 
 sweeping-wire, which, passing slowly along, 
 naturally catches the sinkers and chain of the 
 mines. Thus these dangerous fish are swept 
 together; even if one or more do explode, there 
 is no danger to the ship employed, as it is well 
 out of the way. When all the mines are drawn 
 together, a large charge is placed in position, 
 and the whole lot destroyed. 
 
 SKY TORPEDOES 
 
 Two types of bombs are used from the Zep- 
 pelins. One is an ordinary globular grenade, 
 to which is attached a tail of linen to guide it 
 in its flight, and the other takes the form of an 
 "aerial torpedo." This is fired from the gon- 
 dolas of the airship from a special launching 
 tube placed upon a mounting with a universal 
 joint so that the tube can be swung to any 
 angle and the torpedo sent upon its journey by 
 simply pressing a trigger. 
 
 The deadly weapon itself consists of a pointed 
 shell, approximately 20 inches long by 4 inches 
 in diameter. In the nose is a high explosive 
 which is fired by a percussion cap on contact. 
 Beyond this is another compartment that con- 
 tains the propellant, which is a slow-burning 
 compound composed of sulphur, saltpetre. 
 
 charcoal and vegetable oil, weighing four and 
 one-half pounds. This when ignited gives off 
 gasses produced by its combustion, which in 
 turn drive a powerful turbine in the rear of the 
 torpedo, and by this means it is driven forward 
 at a high velocity and at the same time imparts 
 a rapid rotating motion as if it were fired from 
 rifled cannon, which, of course, adds consider- 
 ably to its efficiency. 
 
 The aerial torpedo has a stout shell of steel 
 and gives off no flame, which, of course, would 
 be dangerous to a gas-filled Zeppelin. The 
 impetus imparted to the torpedo by the turbine 
 is remarkable, and allowing for the speed of the 
 airship the shell can be hurled with great 
 accuracy. 
 
 It is interesting to note that the path of a 
 falling body when merely dropped from the 
 Zeppelin is composed of two motions, the 
 forward motion of the object at the moment of 
 release from the moving Zeppelin and the 
 downward path due to gravity. In the case 
 of light objects, experiments prove that when 
 released from aeroplanes they rapidly pass 
 astern. 
 
 MAKING THE BIG GUNS 
 
 A fascinating sight is to watch the first 
 stages in the manufacture of the big guns. A 
 solid ingot of steel, some fifty feet in length and 
 weighing about 100 tons, is employed in the 
 making of a thirteen-inch gun. After being 
 forged and then allowed to cool, so that it may 
 be toughened for the heavy work, this gigantic 
 bar of steel is pressed into cylindrical shape 
 by a powerful hydraulic press, which exerts a 
 pressure of anything between 5,000 to 10,000 
 tons to the square inch. Later what is known 
 as the trepanning operation is carried out, 
 namely, drilling the bore from end to end. 
 Next the bore is rifled. 
 
 The most impressive sight, however, is the 
 hardening process, when the rough weapon is 
 heated to dazzling white heat and plunged into 
 a well full of oil. If the operation takes place 
 in the night time the sight of this big, glowing 
 bar of metal being lowered apparently into the 
 bowels of the earth issuing leaping tongues of 
 flames from the burning oil, may be likened to 
 a scene from Dante's Inferno. The gun is 
 left to cool in the oil bath, out of which it comes 
 hardened, toughened and tempered. 
 
 Now follows the wire-winding operation to 
 make the weapon stronger and impart to it 
 some measure of elasticity. This wire-winding 
 is much the same in principle as the whipping 
 on the handle of a cricket bat. In this case, 
 however, the whipping takes the form of a 
 strong steel ribbon, which is wound around the 
 body of the gun. Every thirteen-inch gun has 
 about 120 miles of this steel ribbon wound 
 about it. Some idea of the labor involved in 
 the manufacture of one of these guns may be 
 gathered from the fact that from start to fioisb 
 the time occupied is twelve months. 
 
MARVELS OF MODERN MECHANISM 
 
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 A TYPE OF THE LAND MINE 
 
 SHRAPNEL 
 
 When the artillerists figured out the problem 
 of scattering projectiles so that even thinly dis- 
 tributed soldiers would be reached, the result 
 of their figuring was the shrapnel shell. 
 
 This is a hollow steel projectile, packed with 
 bullets, and containing a charge of powder in 
 the base. It is exploded by a time fuse, con- 
 taining a ring of slowly burning composition 
 which can be set so as to fire the powder during 
 the flight of the shell when it has traveled to 
 within fifty yards of the enemy. The head is 
 blown off and the bullets are projected forward 
 in a sheaf, spreading outward as they go. An 
 18-pound shell covers a space of ground some 
 300 yards long by 35 yards wide with its 365 
 heavy bullets. 
 
 head, with its explosive burster, flies forward 
 and acts as a small but efficient high exjjlosive 
 shell. These projectiles have been introduced 
 for howitzers and for anti-air-craft guns, and 
 some of the nations with new equipments have 
 them for their field guns. 
 
 A CAISSON OR AMMUNITION WAGON 
 
 Which is set by the side of the gun in action. The 
 device on the grounri is a mechanical fuse setter by which 
 the point of the explosion of the shell in the air can be 
 regulated. 
 
 HIGH EXPLOSIVE SHRAPNEL 
 
 If the time fuse is "et the projectile hursts in air, the 
 base charge driving out the bullets which scatter and give 
 the shrapnel effect; otherwise the projectile bursts on 
 impact. 
 
 When shrapnel came into use most nations 
 abandoned the common shell. But shrapnel 
 proved almost ineffective against the shielded 
 gun and the gunners were indifferent to the 
 bullets pattering on the steel shield in front of 
 them. The answer to this was the high-explo- 
 sive shell, a steel case filled with high explosive, 
 such as melinite, which is the same as lyddite, 
 shimose, or picric acid. This, when detonated 
 upon striking a gun, can be relied upon to dis- 
 able it and to kill the gunners behind it. 
 
 A shell is now used which combines the 
 action of the shrapnel and the high explosive 
 shell has been introduced. This is the "uni- 
 versal" shell invented by Major van Essen of 
 the Dutch artillery. It is a shrapnel with a 
 detachable head filled with high explosive. 
 When burst during flight it acts like an ordinary 
 shrapnel and the bullets fly forward and sweep 
 the ground in front of it; at the same time the 
 
 
 
 
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 eoiuT ef tft'Acr 
 
 The ground covered by a shrapnel is elliptical In 
 form and at the effective ranges does not exceed 2iju yards 
 In depth by 25 in width. Shrapnel is the most important 
 P'-ojectilc The case is of drawn steel with solid base 
 The mouth of the case has an aluminum head screwed iu 
 and tapped to take a combination time and percussion 
 fuse. The case contains 262 balls, each 0.49 inch in diam- 
 eter. The bursting charge consists of 2^4 ounces of loose 
 black powder; it is placed in the base, and covered by a 
 steel diaphragm. The fuse is timed so that the case will 
 burst just in front and above the trenches or line of troops. 
 
 VALUE OF FAST AEROPLANES 
 
 Aeroplanes are faster and more powerful 
 now than they ever were, not so much because 
 they must cover much ground quickly as be- 
 case they must be able to attain greater speed 
 so as to choose their own position and pour in a 
 destructive hail of bullets. 
 
 The great, rigid Zeppelins alone can hope 
 to contend with high-powered aeroplanes; for 
 they have been so far improved that their 
 average speed was increased to over sixty-three 
 miles an hour, and their maximum speed, with 
 the wind, to ninety-four miles an hour. Armed 
 as they are with machine guns and capable as 
 they are of rising to safe heights twice as rapidly 
 
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 This photograph shows a huge German airship blown out of Its course and compelled to desoeud. Tlie lii tie aeroplane 
 hovering overhead seems a midget by comparison. It is a matter of controversy whether the airship or the aeroplane is 
 likely ultimately to prove of greater value in the service of man. 
 
 ZEPPELIN R!S!D 
 
 T'^TAL PftftTTTlCNS 
 
 Of the three types of the dirigible the Zeppelin, with its rigid framework of aluminum protecting its separate ballonets 
 and its great length, has little head resistance in comparison with its size, and slips through the air with little friction. 
 
 PARSEVAL I.CNKICIO 
 
 The semi-rigid, represented by the Parseval type, has 
 ft stiffening keel to keep the balloon in shape. 
 
 LElBAUCY JEPI-RIC--: 
 
 o,(i;n rykyt 
 
 AiH^ 
 
 The non-rigid feels the effect of air pressure (tending 
 to force the bag out of aiiape,) moat of all. 
 
?=-•«[ DSPFr4C£ AGAtWST 
 
 GAi-LERV eXT=NDi.NO PRACTtCALl.Y 
 Wt;OL£ LZISC-Th-- OF TOP FRAMINC 
 
 POSITION OF 
 
 □ fVOi 4G T"ME 
 
 AIRSHIP •,;tc ,7 
 
 COMPASTMEN^& 
 
 C E ^^l T R A L 
 
 HUOE BAO FILLED 
 WJTM WATER USED 
 FOR EXPERIMENTAL 
 
 PURPOSES 
 
 U..... 
 
 AMIDSHIPS SECTION OF A ZEPPELIN 
 
 The fabric has been cut away to show the delicate array of steel and aluminum. A ladder passes right through the center 
 of the vessel from the central car to the top of the envelope. This top is strengthened by steel framing, and upon It is 
 mounted a light quicli-flring gun to defend the ship against aeroplane attack from above. The gun platform is placed 
 over one ol the seventeen partitions of the Zeppelin's envelope. 
 
MARVELS OF MODERN MECHANISM 
 
 as the highest powered aeroplane, they must 
 be regarded as veritable battleships of the air. 
 But why are there both aeroplanes and air- 
 ships? For the same reason that there are 
 dreadnoughts and torpedo-boats. Each has its 
 own function. Aeroplanes are useful chiefly for 
 tactical reconnaissance; in other words, for 
 scouting after armies have entrenched them- 
 selves and unlimbered their artillery. Airships 
 are useful chiefly for strategical reconnaissance; 
 in other words, for scouting at a time when 
 armies are moving towards the terrain which 
 they intend to occupy. Although aeroplanes, 
 guided by skilful pilots of marvelous endurance, 
 have stayed aloft continuously for more than 
 twenty hours, the strain is too great for ordi- 
 nary human nerves. Even a continuous flight 
 of five hours makes inordinate demands on a 
 pilot's nervous force. 
 
 AEROPLANES EQUIPPED WITH 
 MACHINE GUNS 
 
 Most military aeroplanes carry two passen- 
 gers seated in tandem. One man guides and 
 controls the machine, the other observes the 
 terrain below and manipulates either a rifle or a 
 machine gun. Single-seated machines are also 
 used, but machine guns cannot be successfully 
 fired by an aviator whose hands and feet may 
 not leave the controls. To engage in a machine- 
 gun or rifle duel 5000 feet above the ground 
 requires courage of a kind that surpasses the 
 heroism recorded in the epics of old. Indeed, 
 there is nothing in all Homer which for sheer 
 daring can be compared with the feat that a 
 fighting air scout is called upon to perform. 
 
 If an aeroplane flies at a height greater than 
 4500 feet it is reasonably safe from the fire of 
 rifles and artillery on the ground. But at that 
 height it is extremely diflicult to reconnoiter 
 successfully. Whole batteries seem more like 
 minute crawling insects than guns and men, 
 and it is difficult to distinguish cavalry from 
 horse artillery. The temptation to descend 
 into the danger zone in order to see more clearly 
 is strong. 
 
 ADVANTAGES OF THE DIRIGIBLE 
 
 The commander of an airship is as much 
 at his ease as the captain of an ocean liner on 
 his bridge. He can move about in more or 
 less comfort; he can hover over one spot for 
 hours and study the operations below at his 
 leisure, if he is not disturbed by a flock of two- 
 seated aeroplanes carrying rifles; he can stay 
 aloft for a whole day without fatigue. More 
 important still, he has at his disposal wireless 
 apparatus which enables him both to send and 
 receive messages for 300 miles without the 
 necessity, therefore, of immediately reporting 
 each important discovery in person. 
 
 In lifting capacity, too, the airship is vastly 
 superior to the aeroplane, — a factor of impor- 
 tance because if explosives are to be dropped, 
 the dirigible airship can carry not only more 
 bombs but much heavier bombs than an aero- 
 
 plane. What is more, the airship's ability to 
 float stationary over a given spot (an aeroplane 
 must be in constant motion to stay aloft at all) 
 enables it to drop a hundred-weight of explosive 
 with a reasonably true aim. 
 
 All these frightful advantages have been 
 developed to the utmost in Germany's colossal 
 Zeppelins, — slim cylinders as big as ocean 
 steamers that slip througl Ae air with a certain 
 sureness. They have searchlights for nocturnal 
 scouting, armor to protect their motors, wireless 
 outfits almost as powerful as those of a trans- 
 atlantic liner, machine guns on top of their long 
 gas envelopes to beat off attaching craft, a crew 
 of twenty, provisions and fuel for a journey of 
 3000 miles, and bombs formidable in size and 
 number. Compared with them other German 
 dirigibles, as well as the non-rigids of France, 
 Germany, and Russia, seem what they are, — 
 great mechanically propelled bubbles of hydro- 
 gen gas and not real ships of the air. 
 
 THE SILENT DEATH, THE NEW 
 WAR WEAPON 
 
 The perfecting of the flying machine has 
 brought into use new and deadly weapons. 
 They are steel arrows, about five inches long 
 and a little thicker than a lead pencil. They 
 are dropped from aeroplanes in batches of 500, 
 a mechanical arrangement spreading them over 
 an area of 200 yards. From a height of 1,500 
 feet they obtain a terrific speed by the force of 
 gravity, and will penetrate a man's body from 
 his head to his heel. It is reported that they 
 are used by all the airmen of the warring 
 nations. 
 
 ■OattitU 
 
 Ptrate abovU' 4' apart/ '^ 
 
 Pla-n 
 
 Palisades In dry ditch in front o* parapet. 
 
 PARAPET TRENCH 
 
 i 
 
 i o. b. Command, 
 a. «. /fr/rV- 
 
 Section of intrenchment made In stiff soil.. The 
 legends designate in military terms the various portions 
 of such an intrenchment. 
 

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Book of Engineering and 
 
 Industry 
 
 THE PANAMA CANAL— SEVERING THE TWO AMERICAS 
 
 CONQUEST OF THE SEA 
 
 BEACONS OF THE SEA 
 
 HARNESSING THE WORLD'S GREAT WATERFALLS 
 
 UNDERGROUND ENGINEERING 
 
 FOOTPATHS IN THE AIR 
 
 FOOD BEVERAGES— TEA, COFFEE, CHOCOLATE 
 
 MARVELS OF GLASS MAKING 
 
 269 
 
Oil " 
 
 S ^ 9 
 
 270 
 
BOOK OF ENGINEERIXG AXD IXDUSTRY 
 
 271 
 
 Kl„. rt. S EA. 
 
 Baf'ja^-x? 
 
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 IDJI 
 
 SEVERING THE TWO AMERICAS 
 
 THE completion of the Panama 
 Canal marks the end of the 
 greatest engineering undertak- 
 ing in the history of human progress. 
 It was envisioned by men as early as 
 the time of Balboa, the famous dis- 
 coverer of the Pacific, but it remained 
 for present day enterprise and skill to 
 make it an accomplished fact. More 
 like a story from the Arabian Nights 
 than the story of the work-a-day 
 world, this marvelous stairway of 
 water, separating two continents and 
 uniting two oceans, may well be classed 
 among the new wonders of the world. 
 
 The FRENCH PANAMA CANAL COMPANY 
 
 Though a subject of vision and dis- 
 cussion for upward of four hundred 
 years, no step was taken toward the 
 actual planning of the canal until the 
 year 1876. In that year Columbia 
 granted a concession for the construc- 
 tion of the canal by way of Panama 
 to Lieut. Wyse, an officer in the 
 French army. This concession Lieut. 
 Wyse sold to a group of French 
 financiers, who, because of the prestige 
 he had acquired by reason of his 
 brilliant success at Suez, persuaded 
 Count Ferdinand de Lesseps to join 
 them as chief engineer. De Lesseps 
 went out to the Isthmus in 1879, and, 
 having gone over the ground with his 
 experienced eye, pronounced in favor 
 of the undertaking and determined on 
 
 the course between Colon and Panama 
 City, over which the United States 
 Government was afterwards to under- 
 take the completion of the canal. 
 Early in 1881 these Frenchmen or- 
 ganized the Panama Canal Co., -to 
 own the concessions and carry through 
 the undertaking. 
 
 In 1889, after eight years of active 
 work, this company went into bank- 
 ruptcy, and a new one that succeeded 
 it in 1894 was enabled to resume 
 operations only to an extent sufficient 
 to keep alive its franchise. 
 
 Acquisition of franchise by the 
 united states 
 
 In 1902, under the administration 
 of President Roosevelt, the Govern- 
 ment of the United States, which had 
 become more than ever interested and 
 had had under consideration the con- 
 struction of the canal through Nicar- 
 agua, concluded to take up the work 
 in Panama if satisfactory arrange- 
 ments could be made with the French 
 company for the acquiring of its 
 rights. It was pending these negotia- 
 tions in 1903 that Panama declared 
 her separation from Columbia and 
 became an independent republic. On 
 the 28th of November, 1903, the 
 French company having agreed to sell 
 for $40,000,000, the Hay-Bunau-Var- 
 illa treaty between the new republic 
 and the United States was signed. It 
 
GATUN LOCKS 
 
 General view from temporary tower on north end of approach wall. Looking south. Sea gates under pressure 
 
 OPERATION OK <,\H N LOCKS 
 Looking north from north gates, showing lower guard gates, dredging fleet in distance and Atlantic entrance to cana' 
 
 % 
 
 <u(^a 
 
 \ 
 
 ■ 
 
 
 OPERATION OF GATUN LOCKS 
 
 First boat through. Tugboat "Gatun" entering lower lock, west chamber Looking south from center wall 
 
 27« 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 273 
 
 was promulgated on the 26th of 
 February, 1904. Under its terms, 
 $10,000,000 was paid to the govern- 
 ment of Panama for the right of way 
 and an annual rental of $250,000 
 agreed upon, to begin nine years after 
 date. The United States guaranteed 
 the independence of Panama and 
 secured absolute control over what is 
 now known as the Canal Zone, a strip 
 of land ten miles wide extending from 
 Colon to Panama City, through the 
 center of which runs the course of the 
 great waterway. The French com- 
 pany's franchise and property rights 
 were purchased at the figure stated 
 and the formal transfer to the United 
 States was made on the 4th of May, 
 1904. 
 
 Colonel goethals the man and the 
 occasion 
 
 Six days after the promulgation of 
 the treaty President Roosevelt ap- 
 pointed the body known as the 
 Isthmian Canal Commission to have 
 charge of canal construction. The 
 Commission was reorganized at vari- 
 ous times and finally the government 
 determined to take over the work 
 itself. In April, 1907, Col. Goethals 
 was appointed Chairman and Chief 
 Engineer, and under his direction this 
 gigantic work has been brought to 
 completion. 
 Turning in the Waters 
 
 On August 31, 1913, a charge of 
 48,000 pounds of dynamite blew up 
 the so-called Miraflores dike and per- 
 mitted the waters of the Pacific Ocean 
 to approach the Miraflores locks 
 situated eight and one-half miles 
 inland from the Pacific entrance of 
 the canal. On October 1, a severe 
 earthquake, more marked indeed than 
 the San Francisco trembler, put the 
 great work to the supreme test and at 
 the same time served to throw the 
 population into consternation and 
 distress. Fortunately, not the slight- 
 
 est harm befell the locks, and the 
 critics of the plan as well as the usual 
 small army of prophets of evil, were 
 silenced temporarily at least. The 
 black population returned to its rou- 
 tine labors following a few days of 
 "camp meeting," during the progress 
 of which the welkin resounded with 
 high-pitched lamentations, prayers of 
 many kinds, and unconditional prom- 
 ises to be good in the future. Colonel 
 Goethals and his staff did not hesitate 
 for one moment, but, on the contrary, 
 began on October 1 to turn water into 
 the only remaining dry section of the 
 canal, the Culebra cut. This was 
 accomplished by means of four twenty- 
 four-inch pipes which pierced the 
 Gamboa dike. President Wilson him- 
 self applied the finishing touches to 
 this branch of the work when on 
 October 10 he pressed a little pearl 
 button in the city of Washington, 
 which in turn sent an igniting spark 
 some four thousand miles to Gamboa 
 dike, there to tear out two hundred 
 feet of rock and earth and permit the 
 waters of Lake Gatun to rush head- 
 long through Culebra cut as far back 
 as the Cucaracha slide. 
 The first boat to pass the locks 
 
 Gatun locks were operated for the 
 first time on September 26, 1913, 
 when the sea-going tug Gatun was 
 passed through the west flight from 
 the Atlantic channel to Gatun Lake. 
 Though various temporary methods 
 were employed in filling the locks with 
 water this was actually the first 
 occasion upon which any of the locks 
 in the entire system were used to pass 
 a vessel from one level to another. 
 The filling of the lower lock was com- 
 pleted about 4:45 p. m., when the sea- 
 gate was opened and the Gatun with 
 flags flying and whistle blowing, 
 steamed into the lower lock. The lower 
 operating gates were closed and the 
 tug came to a stop. The process was 
 
21k 
 
 THE HUMAN INTEREST LIBRARY 
 
 repeated in the middle lock and at 
 6:15 p. m., just as dusk was falling, 
 the vessel entered the lock for the last 
 lift. This was accomplished thirty 
 minutes later when the two last gates 
 swung open and the tug passed out 
 into Gatun Lake. The entire passage 
 required an hour and a half. 
 Wonders of engineering 
 
 But when one pauses to remember 
 that this simple operation has taken 
 almost ten years to make possible, at 
 a cost of $375,000,000, and a toll of 
 thousands of lives, a more appreciative 
 feeling comes to the onlooker. Almost 
 220,000,000 cubic yards of earth and 
 rock have been excavated and 5,000,- 
 000 cubic yards of concrete have been 
 poured into the locks, each of which 
 is 1000 feet long and 110 feet wide, 
 and will accommodate a vessel 1000 
 feet long. As a matter of fact, there 
 are twelve lock chambers, or as they 
 are designated, six twin locks. There 
 are lengthwise culverts eighteen feet in 
 diameter, running through the great 
 lock walls, and it is through these that 
 water is taken in from the upper 
 levels. Smaller lateral culverts run 
 in and under the lock floors and from 
 them the water pours into the lock 
 chambers through great holes. Electric 
 motors operating giant valves are used 
 to control the flow of water in and 
 out of the chambers. Electric "mules" 
 tow vessels through the locks at a maxi- 
 mum and fixed rate of two miles an 
 hour. 
 
 The two great engineering prob- 
 lems encountered and solved by the 
 Americans were: the control of the 
 waters of the Chagres River and the 
 cut through the Continental Divide. 
 The first was met by the construction 
 of a huge dam, Gatun dam, one and 
 one-half miles long and one-half mile 
 wide at the bottom across the valley 
 of the Chagres River at Gatun. This 
 resulted in the creation of Lake Gatun 
 
 over an area of 164 square m'les. It 
 covers an area of 64 square miles and 
 the worst flood recorded in the history 
 of the Chagres River would barely 
 raise the surface one foot in nine hours. 
 Smaller dams have been built near 
 Pedro Miguel and Miraflores locks, and 
 like the Gatun structure, they are 
 now overgrown with vegetation and 
 appear to be part of nature's own 
 handiwork. The other difliculty was 
 overcome by the obvious method of 
 drilling the Culebra cut through the 
 Continental Divide in the teeth of 
 the greatest discouragements. 
 
 Prodigious landslides 
 
 By far the greatest obstacle encoun- 
 tered has been the cut at Culebra. A 
 cut of such great dimensions has never 
 before been attempted, and the rock 
 through which it was made was of a 
 peculiarly intractable nature. But the 
 difiiculties of the work have been 
 greatly augmented by the enormous 
 landslides which have been in progress 
 more or less uninterruptedly since the 
 French began to dig. These land- 
 slides have necessitated the excavation 
 of 20,000,000 cubic yards of dirt from 
 the waterway. 
 
 A TRIP THROUGH THE CANAL 
 
 A vessel passing from ocean to 
 ocean will require from ten to twelve 
 hours, depending on the speed main- 
 tained in those portions of the canal 
 in which it travels under its own 
 power. Let us take a steamer on the 
 Atlantic side: the starting point will 
 be near the end of Toro breakwater, 
 which extends out two miles as a 
 protection against the destructive 
 northwest winds. Our vessel will 
 steam a distance of seven miles 
 through a channel 500 feet wide to 
 Gatun, where the series of three 
 locks of that name are situated. 
 Along the route to the left (east 
 shore) may be seen the twin cities of 
 
THE GIANT b'lEAM SHOVEL. AT WUKK 
 
 ^<MM 
 
 The most gigantic engineerini; Icat ovci uinliiiakcii liy man waf? the cuttin;; of the American continent in two by the 
 malting of the Panama Canal. The most wontlerl'ul tools were used and here we see liow the great shovel thrust against 
 an embankment scraped away the earth. The largest raised as much as ten tons at one scoop. 
 
 When the shovel was full, it was swung round over a railroad car, the bottom was opened, and the earth fell into 
 the car. One shovel did the work of a hundred men and over one hundred shovels were used on the canal. 
 
 Here is a near view of the earth being piished off the cars. The machine that did this was a kind of plow that traveled 
 from one end of the train to the other, tmloading twenty cars in ten minutes. One unloader did the worK ol lour bunured 
 Uborera 
 
 •7« 
 
THE BED IN WHICH TWO SEAS MET 
 
 The mlBlity cut line throusjh the Culebra mountain shown here is one of the wonders of tlie world 
 IltcraUy moved mountains. Altogether 300.000.000 tons of earth were removed for the canal. 
 
 'I'ho engilieer.s 
 
 ThLH \H another part of the cut throuKb the Culebra mountain. To blast away the rock more than a mliiion cartridgea 
 were expluclcU In a year, and the removal of the material excavated la no less wonderful Uian the excavation. 
 
 S7« 
 
WALLS THROUGH WHICH THE SEAS FLOWED 
 
 To collect and harness sufficient water a great dam has been built, and by storing flood waters that formerly ran away 
 a lake ol 164 square miles, called Gatun Lake, was formed. Here we see a wall of the Gatun locks, the walls being more 
 than half a mile thick at the bottom. The round opening in the wall is the tunnel through which the surplus water will 
 flow. The Gatun dam is the mightiest in the world. 
 
 Pedro Miguel Locks In the Panama Canal, showing south end ot east chamber and construction ol safety and lower gatea 
 
278 
 
 THE HUMAN IXTEREST LIBRARY 
 
 Crystobal and Colon with their hos- 
 pitals, fine new steel-concrete piers, 
 employes' homes, commissary houses 
 and ships from the far corners of the 
 earth. Further on is Mt. Hope, 
 famous for its cemetery and receiving 
 station for all supplies. Both shores 
 are fringed by the myriads of plants 
 and flowers and trees which make up 
 the tropical jungle. Entering the locks 
 the steamer is lifted eighty-five feet 
 to the level of Gatun Lake thirty 
 minutes being spent in each lock. 
 Thence through a lake channel from 
 oOO to 1 ()()() feet wide, it steams 
 twenty-four miles to Bas Obispo, 
 whence the Culebra cut leads through 
 nine miles of excavations to the single 
 lock at IVtlro Miguel. The minimum 
 width of this cut is 300 feet. This 
 lock lowers the vessel thirty and a 
 third feet to the 55-foot level of the 
 small artificial lake, Miraflores. 
 Another mile under its own power and 
 the vessel is lowered through two 
 more locks called ^Miraflores, to the 
 Pacific level, from which point it 
 steams through a 500-foot channel 
 eight and a half miles to deep water 
 in the Pacific. All of which seems 
 .simple enough. 
 What the canal means 
 
 What does the Panama Canal 
 mean? What does it mean to the 
 United States, to Latin America, to 
 Eiirojx', to Asia, to Australia, and to 
 all of the world.'' 
 
 These are questions which every one 
 interested in the progress of the world 
 caiHiot fail to turn over constantly in 
 his mind. 
 
 No other great engineering under- 
 taking, not even the construction of 
 t!ie Suez Canal, the building of the 
 transcontinental railways of North 
 America, the construction of the great 
 wall of (-hina, has had any .such effect 
 on the power, prestige, commerce, 
 and opportunity of one or of a group 
 
 of nations as will have the Panama 
 Canal. 
 
 For the United States and its twenty 
 sister American Republics the formal 
 opening of the canal will be the solemn 
 inauguration of a great new Pan 
 American era of commerce, friendship, 
 and peace. In separating North from 
 South America with a water channel 
 it will draw them closer together in 
 ties of better acquaintance and larger 
 trade. 
 
 Just as a new railroad built through 
 a sparsely settled country between 
 two cities does not begin to do the 
 business at first which comes to it 
 later on through the construction of 
 feeders, the filling uj) of the country, 
 and the growth of its terminal points, 
 so the Panama Canal, through the 
 extension of old steamship lines, the 
 putting on of new lines and tramp 
 vessels, and the building uj) of the 
 countries reached by them, will in- 
 crease its commerce and its shipping 
 with eventual individual benefits to 
 each port within the limit of its 
 influence. 
 
 Probably the greatest good to the 
 United States from the canal will 
 result from the cheap, short, and 
 quick route of water conununication 
 between its Atlantic, Gulf, and Pacific 
 seaboards. 
 Simple contrasts in distance 
 
 Some simple contrasts in distances 
 between the Panama Canal antl the 
 Straits of Magellan will show at a 
 glance what the Panama Canal means 
 in the relations of the Atlantic, Gulf, 
 and Pacific seaboards of the United 
 States. By Magellan, the distance 
 from New York to San Francisco is 
 1,S,135 miles; by Panama, 5262 miles, 
 a saving of 7873 miles, or more than 
 twice the distance across the Atlantic 
 Ocean. From New Orleans to San 
 Francisco, by way of Magellan, is 
 13,551 miles; by way of Panama, 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 279 
 
 4683 miles, a saving of 8868 miles, 
 or practically a month's steaming of 
 vessels averaging 12 knots an hour. 
 Such figures need no further argument 
 than themselves to illustrate the real 
 significance and meaning of the canal. 
 
 While the shortening of the distance 
 between the domestic ports of the 
 United States is, perhaps, the most 
 remarkable and important fact, the 
 saving effected between the ports of 
 the United States and others beyond 
 
 COMPARATIVE DISTANCES (IN NAUTICAL MILES) IN THE 
 WORLD'S SEA TRAFFIC AND DIFFERENCE IN DISTANCES 
 VIA PANAMA CANAL AND OTHER PRINCIPAL ROUTES 
 
 
 VIA 
 
 FROM 
 
 TO 
 
 New 
 York 
 
 New 
 Orleans 
 
 Liver- 
 pool 
 
 Ham- 
 burg 
 
 Suez 
 
 
 geaLtle 
 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 13,953 
 6,080 
 7,873 
 
 14,369 
 5,501 
 
 8,868 
 
 14,320 
 8,654 
 5,666 
 
 14,701 
 9,173 
 
 5,528 
 
 15,397 
 
 10,447 
 
 4,950 
 
 4,063 
 
 
 
 
 San Francisco . . 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 13,135 
 5,262 
 
 7,873 
 
 13,551 
 4,683 
 8,868 
 
 13,502 
 7,836 
 5,666 
 
 13,883 
 8,355 
 
 5,528 
 
 14,579 
 9,629 
 4,950 
 
 3,245 
 
 
 
 
 Honolulu 
 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 13,312 
 6,702 
 6,610 
 
 13,728 
 6,123 
 7,605 
 
 13,679 
 9,276 
 4,403 
 
 14,060 
 9,795 
 4,265 
 
 14,756 
 
 11,069 
 
 3,687 
 
 4,685 
 
 Guayaquil .... 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 10,215 
 2,810 
 7,405 
 
 10,631 
 2,231 
 8,400 
 
 10,582 
 5,384 
 5,198 
 
 10,963 
 5,903 
 5,060 
 
 11,659 
 9,192 
 2,467 
 
 793 
 
 
 
 
 Callao 
 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 9,613 
 3,363 
 6,250 
 
 10,029 
 2,784 
 7,245 
 
 9,980 
 5,937 
 4,043 
 
 10,361 
 6,456 
 3,905 
 
 11,057 
 7,730 
 3,327 
 
 1,346 
 
 
 
 
 Valparaiso .... 
 Distance 
 
 Magellan 
 
 Panama 
 
 saved 
 
 8,380 
 4,633 
 3,747 
 
 8,796 
 4,054 
 4,742 
 
 8,747 
 7,207 
 1,540 
 
 9,128 
 7,726 
 1,402 
 
 9,824 
 
 9,000 
 
 824 
 
 2.616 
 
 
 
 
 Wellington. . . . 
 
 Magellan 
 
 Suez 
 
 11,344 
 
 8,857 
 2,493 
 
 11,760 
 
 8,272 
 3,488 
 
 12,989 
 
 11,425 
 
 1,564 
 
 13.353 
 
 11,944 
 1,409 
 
 9,694 
 
 9,205 
 489 
 
 
 Distance 
 
 Panama 
 
 saved 
 
 6,834 
 
 
 
 
 Melbourne 
 
 CapeGoodHope 
 Suez 
 
 13,162 
 
 10,392 
 2,770 
 
 14,095 
 
 9,813 
 
 4,282 
 
 11,654 
 
 12,966 
 
 1,312 
 
 11,845 
 
 13,452 
 1,607 
 
 8,186 
 
 10,713 
 
 2,527 
 
 
 Distance 
 
 Panama 
 
 saved 
 
 8,342 
 
 
 
 
 Manila 
 
 Suez 
 
 11,589 
 
 11,548 
 
 41 
 
 12,943 
 
 10,969 
 
 1,974 
 
 9,701 
 
 14,122 
 
 4,421 
 
 9,892 
 
 14,608 
 
 4,716 
 
 6,233 
 
 11,869 
 
 5,636 
 
 
 Distance 
 
 Panama 
 
 saved 
 
 9,370 
 
 
 
 
 Hongkong 
 
 Suez 
 
 11,673 
 
 11,691 
 
 18 
 
 13,031 
 
 11,112 
 
 1,919 
 
 9,785 
 
 13,957 
 
 4,172 
 
 9,976 
 
 14,443 
 
 4,467 
 
 6,317 
 
 11,704 
 
 5,387 
 
 
 Distance 
 
 Panama 
 
 saved 
 
 9,173 
 
 
 
 
 Yokohama .... 
 
 Suez 
 
 13,566 
 9,798 
 3,768 
 
 14,924 
 9,219 
 5,705 
 
 11,678 
 
 12,372 
 
 694 
 
 11,869 
 
 13,858 
 
 1,989 
 
 8,210 
 
 11,119 
 
 2,909 
 
 
 Distance 
 
 Panama 
 
 saved 
 
 7,660 
 
 
 
 
 Panama 
 
 
 2,017 
 
 1,438 
 
 4,591 
 
 5,110 
 
 6,387 
 
 
 
 
 
5S0 
 
 THE nUMAX IXTEREST LinTlARY 
 
 its shores upon the Pacific is almost 
 equally significant and impressive. 
 A steamship hound from New York 
 to Honolulu, using the Panama Canal 
 in preference to the Magellan route, 
 will save (UilO miles; from New York 
 to Wellington, New Zealand, i2493 
 miles; to Melhourne, Australia, 2770 
 miles; and to ^ Okohama, Japan, 
 .'37ti8 miles. All these distances give 
 also a large advantage to the Panama 
 Canal over the Suez Canal route, but 
 there is practically no choice in actual 
 distance between the Panama and 
 Suez routes in the steaming distance 
 from New York to Hong Kong, China, 
 an<l ^Manila, the capital of the Philip- 
 pines. 
 
 The saving of the Panama over the 
 Magellan route for vessels running 
 not only from New- York, New Orleans, 
 and ncighi)oring j)orts but from Eng- 
 land and northern Europe to the 
 j)rincipal ports of the west coast of 
 South America is one of the best 
 illustrations of the value and meaning 
 of the canal. The first northern im- 
 portant j)()rt of the Pacific coast of 
 South America is Gnayacpiil in Ecua- 
 dor. A steamship bound from New 
 York to Cuayacpiil going through the 
 canal will be obliged to steam only 
 2H1() miles, instead of 1(),'-215 miles 
 via Magellan, a saving of 7405 miles, 
 or between twenty and thirty days, 
 according to the power of the vessel, 
 'j'lic steamship from New Orleans 
 making this journey would save S400 
 miles; fntni Livcrjjool, ol!)8 miles; 
 and from Hambnrg, 5000 miles. 
 Callao, the principal jjort of Peru and 
 the next im|)ortant port south of 
 (inaya(|nil. \ia the canal, is only 
 ".VM'i'.i miles from New ^ Ork, or ccpial 
 to about the average tlistance across 
 tlie .\tlantic Ocean from New York to 
 England. Jiy the Magellan roihte it 
 
 is distant, 9613 miles, so that the 
 steamer going from New York to 
 Callao via the canal saves 6'-250 miles. 
 From New Orleans the distance saved 
 is I'iio miles; from Liverpool, 4443 
 miles; and from Hamburg, 3905 
 miles. 
 
 Valparaiso, the chief port of Chile, 
 is generally considered the principal 
 terminal point for steamships which 
 will go via the canal to the west coast 
 of South America. Through its har- 
 bor, not only is the large trade of 
 Chile reached but to some extent that 
 of the great Argentine Republic, 
 whose capital, Buenos Aires, is con- 
 nected with \'alparaiso by rail. By 
 the canal, Valparaiso, which accord- 
 ing to our old ideas seemed far away 
 from New York, is only distant 4033 
 miles via the Panama Canal. Although 
 it is the nearest port of the west coast 
 to the Straits of Magellan, it is 3747 
 miles nearer New York via Panama 
 than via INIagellan. A vessel from 
 New Orleans to Valparaiso saves via 
 the canal 4742 miles; from lyiverj^ool, 
 1540 miles; and from Hamburg, 1402 
 miles. 
 Curvature of earths surface 
 
 There are two facts not generally 
 appreciated in the matter of distances. 
 On account of the curvature of the 
 earth's surface a vessel en route from 
 Liveri)ool to the Panama Canal taking 
 the great circle route can by only one 
 extra day's steaming, or a detour of 
 between three and four hundred miles, 
 include New York City as a iK)rt of 
 call, enabling it to coal there or get 
 additional cargo. Correspondingly, a 
 vessel en route via Panama to Yoko- 
 hama, or vice versa, by only a slight 
 detour of less than two days' steaming 
 can include San Diego, Los Angeles, 
 or San Francisco as ports of call for 
 both cargo and coal. 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 281 
 
 CITY OF PANAMA AND MAP OF THE CANAL ZONE 
 
S82 
 
 THE HUMAN INTEREST LIBRARY 
 
 SC EXES TX THE LUCKY LITTLE CITY OF PANAMA 
 
 PANAMA RAILROAD STATION 
 
 CATUEURAL PLAZA, DURING A CARNIVAL 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 28S 
 
 THE CANAL ZONE 
 
 The Canal Zone, over which the 
 United States exercises all the rights 
 of sovereignty under a treaty with the 
 republic of Panama, boasts an area 
 of 448 square miles. It begins three 
 marine miles from the mean low water 
 mark in each ocean and extends for 
 five miles on each side of the center 
 line of the route of the canal. The 
 cities of Colon and Panama City are 
 excluded from this special sovereignty, 
 except that the United States may 
 enforce sanitary ordinances therein 
 and maintain order in case the Repub- 
 lic of Panama shall at any time not 
 be able to do so. 
 Panama financially independent 
 
 RICH in metals and AGRICULTURE 
 
 Panama is the most independent 
 nation, financially, in the world. It is 
 the only nation which receives interest 
 on money it has loaned instead of 
 
 paying interest on funds borrowed. 
 The country, vastly rich in resources 
 of mines, fields and sea, — has come 
 into its own — and all because of the 
 canal. 
 
 Panama has no bonded debt on 
 which to pay interest. It has in- 
 vested in gilt-edge mortgages in the 
 United States, $6,000,000, bringing in 
 an income yearly of about 4}^ per 
 cent. There is $300,000 on deposit to 
 guarantee the parity of its currency, 
 and since 1913 the United States pays 
 a perpetual yearly rental of $250,000 
 for the canal. The income from tax- 
 ation amounts to about $5,000,000 
 yearly, and there is no army, no navy 
 and no expensive courts to keep up. 
 All money is available for improve- 
 ments, and Panama is the only nation 
 collecting interest on its own money 
 instead of paying out interest on loans. 
 
 THE MARKET BOATS AT LOW TIDE, PANAMA 
 
£8A 
 
 THE nUMAN INTEREST LIBRARY 
 
 UNITED SIA 1 
 
 \r HAMPTON ROAUS 
 
 CONQUEST 
 
 IX no field of enterprise has man 
 acliievcd more notable progress 
 than in sliii)l)uildins. Today he 
 plows the ocean in mighty vessels 
 towering 100 feet above the waves, 
 measuring more than 1)00 feet in 
 length, and nearly 100 feet in width, 
 proi)elled at a speed of from 25 to ^S 
 miles an hour by wonderful and 
 intricate machinery, and i)ossessing 
 in tlieir ap])ointments every form of 
 luxury in tlie way of convenience 
 and comfort. Indei'd, the modern 
 liuer is a floating ])alace as well as a 
 floating city containing a j)oi)ulation 
 of between 4000 and 5000 souls. It 
 represents the genius and cunning of 
 the architect, the artist, and the 
 decorator, as well as the liiglu^st skill 
 of the sliii)l)uil(lcr and engineer. Its 
 construction demands three years of 
 labor, building and fitting out a 
 modern liner, and an expenditure of 
 between }5(;.'-250,000 and Ji<l(),()()0,0()0. 
 \Vith no ships the si-a would bi' a 
 source of horror to us. It would be a 
 
 OF THE SEA 
 
 fearful void, shutting us out from com- 
 nuinication with other parts of the 
 world. And that is just what the 
 sea was to men before they learned 
 the art of shipbuilding and navigation. 
 By a series of grand schemes men 
 have changed all this. There was the 
 gradual building of great ships; there 
 was the making of accurate instru- 
 ments by wliich men could tell at any 
 moment of the day or night their 
 exact position at sea, no matter how 
 far they went; there was the ai>i)lica- 
 tion of steam to the ])urj)ose of the 
 ship; and there Wiis the laying of the 
 ocean cables. 
 
 These things accomplished, the sea 
 remained no longer an enemy. The 
 ocean became a roadway, leading to 
 all i)arts of the world. Storm and 
 tem])est, fogs and hidden rocks, still 
 cause disaster, it is true, but the 
 accidents are rare, considering the 
 enormous number of ships there are. 
 The sea h;us become one of our best 
 friends. 
 
SS£ 
 
2S6 THE HUMAN INTEREST LIBRARY 
 
 And all this wonderful change in such as it was, wjis fitted to a model 
 
 our afTairs we owe to a very small boat and drove the boat through the 
 
 number of men. It will be enough water, Papin well deserves his place 
 
 for our purpos«; if we glance briefly in the gallery of heroes who brought 
 
 at the careers of the chief figures in about steam navigation, 
 
 these revolutions in the history of Two great inventors who were 
 
 the world. ruined by the French revolution 
 
 Everv time that some great change Many names appear for a little time 
 has been proposed for the benefit of upon the page of the history of this 
 mankind, people with power and invention. One of them, Jonathan 
 inlluence, who ought to have given Hulls, patented a sort of steamboat in 
 their encouragement and support, England in 1787, but years were to 
 have always been among the first to P'-^ss before anything practical was 
 say: "It can't be done," and "It done. More men crowded to the 
 shan't be done." That is just what task, and we find several skilled in- 
 happened concerning the steamship ventors working in rivalry at the same 
 and the ocean telegraph. Take first time. One of these was the unfor- 
 the steamship. No invention ever tunate Marquis de Jouffroy, who, 
 had a harder struggle for life. Fate born in France in 17.51, set himself, 
 and men both seemed against it. at 26, the task of driving a boat by 
 The man who first made a machine steam. He adopted Papin's idea, and 
 
 DRIVE A BOAT THROUGH WATER in eight ycars made three successful 
 
 The Spaniards say that a country- boats. The first was 40 feet in 
 man of theirs, named Blasco de Gary, length; but it was the third which is 
 who lived in the sixteenth century, said to have been the first real steam- 
 made a model steamboat in 1543. boat. He might have gone on to 
 Every country is anxious to claim the complete success, but the French 
 honor of an invention, if the invention Revolution drove him, an exile from 
 has i)rovcd a success. his country, to America. When he 
 
 A century later, Denis Papin, a returned to France, he was too late; 
 
 famous Frenchman, a{)peared on the others had seized his ideas and begun 
 
 scene. He was a physician, born at to reap the honors which should have 
 
 Blois in 1(147, and he died in England been his. He died in 1882. 
 in 171,'. Frenchmen declare that he At about this time two American 
 
 in\rnted tlie steam-engine and steam engiiuvrs, named James Rumsey and 
 
 naxigalion, and in many books his John Fitch, were making experiments, 
 
 name is gixi n as having achieved that Rumsey is of imi)ortance to us JUs being 
 
 K'sult. But that is wrong. He was the man who first turned the atten- 
 
 a man of splendid brain, but his tion of Robert Fulton to the subject, 
 
 thoughts did not turn to the making Filch came into prominence in the 
 
 of a true steam-engine as we know it. American Revolution, acting as gun- 
 
 Wlrit he invented was an engine smith for the Americans, who were 
 
 worked not really by exi)anding steam, fighting for their liberty against the 
 
 but by atmospheric pressure. His British. His first model steamship 
 
 idea wjus a brilliant one, and it led to was made in 1785, but five years later 
 
 great things in the hand.s of New- he built a proper vessel, with i)ad(lle- 
 
 comen, Brindh'y, and Siaeaton. We wlieels at the sides. He Went to 
 
 must remember that it was not the France just as Joutfroy was leaving, 
 
 true steam-engine; but as his engine, and, like Jouffroy, was ruined by the 
 
BOOK OF ENGINEERING AND INDUSTRY 287 
 
 Revolution. It is said that while he either with carelessness or contempt, 
 
 was there his plans were shown to as a useless scheme. My friends, 
 
 Fulton. Anyhow, he returned to indeed, were civil, but they were shy. 
 
 America starving, and killed himself. As I had occasion to pass daily to and 
 
 Theman WHO CAMETO PAINT PICTURES from the building yard while my 
 
 BUT MADE A STEAMBOAT boat was in progress, I often loitered 
 
 It was for something quite different unknown near idle groups of strangers, 
 
 from shipbuilding that Robert Fulton and heard them scoff and sneer and 
 
 went to England. He was a painter ridicule. Never did a single encour- 
 
 of portraits, born in Pennsylvania in aging remark, a bright hope, a warm 
 
 1765, but set out for England in 1786, wish, cross my path. • My work was 
 
 in order that he might study this art always spoken of as Fulton's Folly." 
 
 under Sir Benjamin West. He became But at last the ship was built, and 
 
 acquainted with Rumsey, who had set out with passengers for a trial trip, 
 
 also gone to England earlier, and, The vessel moved off, went a little way, 
 
 after discussing inventions with him, then stopped. Everybody except Ful- 
 
 gave up all thought of painting. Ful- ton thought that this was the end — 
 
 ton's brain teemed with ideas. He that he had failed, as they all had 
 
 invented things for the improvement expected. But he went below and 
 
 of canals, for cutting and polishing soon put right some trifling mishap, 
 
 marble, for twisting rope, for iron and the boat steamed away, while 
 
 bridges, for spinning flax, for dredging people were saying: "I told you it 
 
 rivers, and for making boats go under would be so; a foolish scheme; I wish 
 
 water and blow up ships. But the we were safely out of it. " The vessel 
 
 great work of his life was done for the went its way, a journey of 150 miles in 
 
 steamship. 32 hours. Fulton was delighted, but 
 
 In 1802 he built a steamship, but its his friends still doubted; they thought 
 
 engine was so heavy that it fell through that the vessel would never be able to 
 
 the bottom of the vessel into the River get back to New York, and that if it 
 
 Seine, in France, where he was trying did it could never make another trip, 
 
 it. He did not lose heart, but re- No wonder he felt discouraged. He 
 
 covered the engine and built it into himself wondered if such a voyage 
 
 a stronger boat. This he made to could be repeated, and if it could, 
 
 go, but it was too slow to be success- whether it was of any value, 
 
 ful. Going back to England, he pre- Why one of the early steamboats 
 
 pared plans and had an engine built was allowed to fall to pieces 
 
 by Boulton and Watt. Then he came Fulton was the first man, therefore, 
 
 to America and left the engine to be to make steam navigation what we 
 
 brought over, packed up in a ship, call a commercial success. Fitch had 
 
 When it arrived, he set to work to put shown that something of the sort could 
 
 it together. His story, told in his own be done, but Fulton profited by Fitch's 
 
 words, gives us an excellent idea of experience and by that of Jouffroy. 
 
 the hard lot of the inventor of those He died in 1815, but not until he had 
 
 times. built several other boats. 
 
 Robert FULTON'S FIRST steamer, AND Fulton's successful steamer was 
 
 THE scoffing OF STUPID men lauuchcd in 1807. Nineteen years 
 
 "When I was building my first earlier a successful steamer had been 
 
 steamer in New York, " he wrote, launched in Scotland, but this was not 
 
 " the work was reviewed by the public a commercial success. It was built 
 
283 
 
 THE HUMAN INTEREST LIBRARY 
 
 by William Symington, a Scotch 
 mechanic, who was bom in 1763, and 
 died in 1831. He first of all built a 
 steam-cnpne to run on the roads, 
 then carried out the l^uilding of the 
 steainsiiij) for a thouifhtt'ul Scotsman 
 named William Miller. Symington's 
 vessel for IS! i Her was succ-eeded by 
 another wliicli he ])uilt for Lord Dun- 
 das. It was launched on the Forth 
 and Clyde Canal, and, without any 
 trouble towed two barges, weighing 
 together 140 tons, a distance of 20 
 miles against a powerful wind. This 
 was still five years earlier than Fulton's 
 success. But what hapjjcned.'' The 
 owners of the canal said that the 
 steamer would create such a current 
 that it wovdd wash away the banks 
 of the canal, and so this fine steamer 
 was run aground and allowed slowly 
 to fall to pieces on the bank of the 
 canal. Fulton saw this vessel, and 
 doubtless gained a hint or two from 
 it. 
 
 A POOR MAN WHO CONFOUNDED THE 
 WISDOM OF THE WISE 
 
 But Symington's work was not all 
 wasted. One of the men em])loyed in 
 making the woodwork of liis first 
 vessel was Henry Bell, the son of ])oor 
 Scottish j)arents. Born in 17(57, he 
 followed first one trade and then 
 another, and seemed unlikely to do 
 any good until he was brouglit face to 
 face with the i)rol)lems which the luck- 
 less Symington was trying to sohe. 
 Symington's experiments coininced 
 Bell that success might yet be gained 
 with steam-vessels, and for the next 
 thirteen years he gave all his thoughts 
 to the plan. 
 
 A\e hear of him in ISOO trying to 
 make the British Government believe 
 in the possibility of the scheme, but 
 he was unsuccessful. How could he 
 hope to succ<'<'(l in official circles when 
 one of the greatest and j)est men of 
 the day — Sir Joseph Banks, president 
 
 of tlie Royal Society — could say to all 
 proposals for vessels driven by steam- 
 engines: "A very pretty plan, but 
 there is just one j)oint overlooked — 
 that the steam-engine rc(juires a firm 
 basis on which to work." Talented 
 man though he was. Banks, himself 
 overlooked one point, that even 
 though it floated on water, the hull 
 of a shij) does give the firm basis 
 the steam-engine retpiires. Bell gave 
 up ho})e of encouragement from 
 the Government, and when he had 
 managed to get some money, he set 
 to work in ISll and had a little 
 steamship of his own built on the 
 Clyde. 
 
 How SCOTTISH INVENTORS AND ENGI- 
 NEERS LED THE WAV WITH STEAMBOATS 
 
 The ship was called tiie Comet, and 
 was launched in January, 181 2, be- 
 ginning at once to carry freight and 
 passengers on the Clyde. Great was 
 the terror that it created among ig- 
 norant people. People thought, as 
 they saw it puffing along, snorting 
 sparks and smoke, and going against 
 the wind and the tide, that it was 
 some evil monster. When it aj)- 
 j)roached the shore to pull up, they 
 ran away and hid themsehcs like 
 savages in some primeval land. 
 
 News of the Conicfs success soon 
 spread abroad, and in 1813, the first 
 of the Thames steamers were run by a 
 man named Dawson, while a coura- 
 geous man named ]>awrence, of Bristol, 
 sent up a steamer from his native city 
 to carry the peoj)le of London up and 
 down their great river. The oppo- 
 sition of the Thames boatmen i)roved 
 too much for Lawrence, and his vessel 
 had to return to the River Severn, 
 liut the steamship industry was now 
 fairly founded, in s|)ite of the "wise" 
 men and the Government ; and many 
 ships were built on the Clyde to run 
 between (dasgow and Liverpool and 
 other ports. 
 
BOOK OF ENGINEERING AND INDUSTRY 289 
 
 The FIRST CROSSING OF THE ATLANTIC 1838, when, on the same day, two 
 
 OCEAN BY STEAM AND SAILS English vcssels steamed into New 
 
 From this time forth there was no York. They were the Great Western 
 
 more opposition to the steamship as — a steamship built by Sir Isambard 
 
 a means of sea passage. The next Kingdom Brunei and a smaller vessel, 
 
 important step was its first voyage called the Sirius. The Sirius had 
 
 across the Atlantic. This was made by started from England four days ahead 
 
 an American ship called the Savannah, of the Great Western, but the Great 
 
 but it did not steam all the way. It Western, being bigger and stronger, 
 
 was built as a sailing ship by Francis nearly caught up, and the Sirius, 
 
 Fickett, of New York, in 1818; but reached New York only a few hours 
 
 it was decided afterwards to fit it up ahead. The journey had taken the 
 
 with a steam-engine. This was done, Sirius eighteen days, and the Great 
 
 and it set sail for England from Western only fourteen, instead of the 
 
 Savannah on May 24, 1819, reaching month which a sailing ship required. 
 
 Liverpool twenty-seven days after. The steamboat was now a success. 
 
 The greater part of the distance There was a long fight between rival 
 had been covered by the help of sails, sides to get the screw propeller U'?ed 
 steam having been used only for for driving ships instead of the old 
 eighty hours. The Savannah returned wheels at the sides called paddle- 
 to America and was not considered wheels, but in the end the screw won 
 useful, for its engine was taken out and for all but smooth waters. Similar 
 it depended until it was wrecked, upon doubt had to be overcome before the 
 its sails. Therefore, although America iron ship was built to take the place 
 rightly claims to have sent the first of wood. Still later there has come 
 steamship across the Atlantic, we must another change in the method of driv- 
 remember that it sailed for the greater ing the ship. The new plan is called 
 part of the voyage, and steamed only the steam-turbine. With his new 
 a little now and then, about one hour's method of driving a vessel we have 
 steaming for eight hours' sailing. bigger steamers than ever. 
 How THE REAL STEAMSHIPS REACHED Thc monstcr occau liucrs that now 
 NEW YORK ON ONE DAY ply bctweeu the great ports of the 
 
 The first crossing of the Atlantic by world are almost universally of the 
 
 a real steamship was completed in turbine type. 
 
 BUILDING A BIG, MODERN OCEAN LINER 
 
 IT is no exaggeration to say that in the evolving of the vessel. From 
 
 tliere is nothing that man fashions the time the ship is jjlanned in the 
 
 today that calls for more skill, drawing loft, till she takes the water 
 
 ingenuity, forethought, and judgment at her launching, the brains of learned 
 
 than the designing and building of a mathematicians, assisted by the might 
 
 large ship. Be it a great liner that of complicated and wonderful machin- 
 
 will carry thousands of passengers ery, and the labor of an army of skilled 
 
 across the ocean at express speed, in artisans, have been in constant requi- 
 
 spacious and comfortable saloons, or sition. • 
 
 a mighty battleship with an array For this reason there is no place 
 of formidable guns, all the knowledge, so bewildering and fascinating as a mod- 
 craft, and cunning that the modern ern shipbuilding yard. First there are 
 shipwright can display will be needed the building berths. These berths 
 
r 
 
 1 K(JM I Hi < \K \\ II, Ol' t;Ol.t>MlH'S TO lUK 'I MI'KKA lUK ' 
 
 £90 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 291 
 
 may be inclosed by neat, steel lattice- 
 work walls, or be entirely open. Here 
 the hulls are built up, piece by piece, 
 amid an ever-growing forest of scaffold- 
 ing. From the overhead girders, that 
 span the site, run cranes that pick up 
 heavy steel plates and beams, weighing 
 many tons, as if they were mere toys, 
 and lift them into the desired position. 
 
 Indeed, all the mar^•els of machinery 
 are here, driven by steam, electricity, 
 compressed air and water. There are 
 the great presses that bend the steel 
 plates into the desired shape and form; 
 machines that punch holes by the 
 score in them, for the rivets, as easily 
 as you can stick a knife through a 
 piece of paper, while others bite large 
 holes in the hard steel, or reduce the 
 size of the plates by literally slicing off 
 a piece, as deftly and as easily as you 
 could carve a slice off a loaf of bread. 
 Above all, there is the wonderful 
 activity, the constant clang of the 
 riveters' hammers, the snorting of 
 many engines, the glow of furnaces, 
 the rattle of heavy chains, the shouts 
 of the foremen, the toiling mass of 
 humanity, all creating an ordered 
 chaos the like of which can be found 
 nowhere but at those busy yards by 
 the riverbanks where great ships are 
 born. 
 
 Naturally, the men in the yard can- 
 not start upon the ship till it has been 
 planned. This is the work of the 
 draughtsmen, and at all the big yards 
 there is what is termed a drawing or 
 mold loft, an immense room, so large 
 that designs can be made to the 
 actual scale of the vessel. This is 
 necessary if the ship is larger than 
 any existmg vessel or of a different 
 type from what the builder has turned 
 out before. In that case the draughts- 
 man, taking the floor of his room as an 
 immense blackboard, chalks out in 
 mighty lines all the girders, frames 
 beams and plates. Everything, down 
 
 to the rivets and rivet-holes, is drawn 
 full size. From these great drawings 
 the working plans are prepared. Then 
 in an immense floor of pine-wood, 
 called the " scrieve-board, " the body 
 plan of the ship is cut, from which 
 wooden models are made of her out- 
 lines. 
 
 From these plans the steel of which 
 the ship is to be built is ordered, as 
 well as all other necessary material. 
 Meanwhile the berth is got ready, 
 and, if the ship is a large one, attention 
 has to be paid to the floor. Before the 
 keel of the Mauretaiiia was laid, some 
 16,000 piles of timber, 13 inches 
 square, and averaging from 30 to 35 
 feet in length, were driven into the 
 ground. Along the top of these were 
 laid great beams, and on them again 
 a complete floor of thick plates. Much 
 the same procedure was done in the 
 Vulcan yards in Germany, before work 
 was begun on the building of the 
 Hamburg-American liner Vaterland, 
 of which we show several illustrations. 
 This vessel is the longest and largest 
 of liners. It is 950 feet long, 100 feet 
 in breadth, and has a tonnage of some 
 56,000. 
 
 Now commences the erection of the 
 hull, which is, in essence, a steel box 
 of curious design. Down the center 
 of the floor are placed portable balks 
 of wood forming piles from 4 to 5 
 feet high, and known as keel blocks. 
 It is upon these that the keel of the 
 ship is laid. It is a girder of the 
 strongest kind, as it needs to be, seeing 
 that at one moment it may be in the 
 trough of a wave, deeply immersed 
 fore and aft only, and the next riding 
 on its crest with bow and stern almost 
 out of the water. It has, too, to 
 withstand the terrific blows of ocean 
 billows, which tend to bend it side- 
 ways. 
 
 The strength of the ship lies in this 
 keel and the center girder running 
 

 VlkVV OF THE "VATKRI-ANn" IINOER <;ONSTRU<rriON 
 
 At the momeollbls la ihe loosest and loTKcst of Itners. It Is 9&0 feet Ions. I0Ote«tlD breadth, and baa a tonnage of M.OOO. 
 
 M« 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 S93 
 
 from one end of the ship to the other. 
 In the case of the Vaterland this center 
 girder, immediately above the keel 
 plate, is 6 feet high, and 13^ inches 
 thick. On either side are other gir- 
 ders, running parallel to it, and from 
 these, at various intervals on both 
 sides, spring the ribs or frames, which 
 curve upwards, and to which the 
 plates that form the sides of the ship 
 are fastened. The ribs are held in 
 place by horizontal rafters or beams 
 that carry the decks. 
 
 In the case of the modern liner it is 
 now built with an inner skin. That 
 is to say, there are virtually two hulls, 
 one within the other, carried well up 
 above the water-line. The vessel is 
 also provided with a double bottom, 
 while, as an additional precaution, in 
 case of injury by collision that part of 
 the vessel below the water-line is 
 divided into water-tight compart- 
 ments. 
 
 The recently launched Imperator 
 is almost one-fifth of a mile long. Her 
 beam of 98 feet compares favorably 
 with the width of a city street. 
 
 She carries five anchors, the main 
 one weighing 12 tons, the combined 
 weight of the five anchors and chains 
 being 217 tons. The cargo of many a 
 small steamer is not much larger. 
 
 The vessel has a height of 96 feet, 
 her great sides being built upon 327 
 steel ribs on either side, each weighing 
 over a ton. The weight of the steel 
 plates, angles, profiles, and the like 
 totals 260 tons. More than 2,000,000 
 steel rivets were used in her con- 
 struction, each weighing 11 lbs. Be- 
 cause of her great size her decks are 
 particularly imposing. Two of her 
 three broad decks are partially en- 
 closed. The promenades vary in 
 width from 16 to 23 feet, while the cir- 
 cuit of the deck is equal to a walk of 
 five ordinary city streets. 
 
 Like the German leviathan, the 
 
 Olympic, Mauretania, and other liners 
 of recent construction are marvelously 
 rich in luxurious appointments. The 
 ocean traveler of today is pampered 
 by the provision of electric elevators, 
 swimming baths, palm gardens, res- 
 taurants, cafes, and self-contained 
 flats. For instance, one of these 
 vessels boasts of a restaurant under 
 the management of the Ritz-Carlton 
 Hotel, where meals are served a la 
 cane at any hour. There are, in ad- 
 dition, a grill-room, tea-room, veranda 
 cafe, and a number of ladies' sitting- 
 rooms, a palm garden, and a superbly 
 appointed ball-room, as well as a stage 
 for theatrical performances and con- 
 certs. 
 
 The smoking room of this wonderful 
 vessel is a beautiful saloon of the Tudor 
 period. It has a large open fireplace, 
 the red brickwork over which realistic- 
 ally reproduces that of the sixteenth 
 century. The bricks in question came 
 from a Buckinghamshire cottage of 
 the Tudor period, which was de- 
 molished for the purpose. The ball- 
 room is undoubtedly one of the great- 
 est innovations of the ship. It is 
 72 feet long, 58 feet wide, and 18 feet 
 high; the floor is of parquet, which, 
 when not being used for dancing, is 
 covered with a carpet; the walls are 
 decorated with costly old Gobelin 
 tapestry, and have bow windows 10 
 feet high on either side. It has been 
 constructed with no pillars visibly 
 supporting it. The scheme of decora- 
 tion is Louis XV. Another unique 
 feature of the ship is the two self- 
 contained flats, comprising drawing- 
 room and veranda, with large windows 
 opening out over the sea, dining-room, 
 two bed-rooms, two bath-rooms, dress- 
 ing-room, box-room, and pantry. 
 These are among the most expensive 
 dwelling places in the world, for the 
 occupants pay a fare of from $2500 
 to $5000 for a single short voyage. 
 
MAIDEN VOYAGE OF THE "IMPERATOR" 
 
 HAMBLRG POPULACE WITNESSING THE STEAMERS DEPARTURE I ROM THE PORT OF HAMBURG 
 
 •IMPLKAIOK • AUKIMNG IN NEW YORK HARHOR, SHOWING THE OUTLINES Ot ITS IMMENSE 
 
 HULK AGAINST THE CITYS SKYSCRAPERS 
 
 t9i 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 295 
 
 THE FLOATING RITZ-CARLTON 
 
 On the "Imperator" there is a restaurant under the management of the Ritz-Carlton Hotel, where meals are served 
 6 la carte at any hour. 
 
 There seems no end to the money 
 that ship-o^vTiers must lavish on their 
 vessels today to attract the custom 
 of the capricious millionaire voyageur. 
 On one ship the Roman bath, with its 
 decorative Pompeian pillars and orna- 
 mental cascades of running water, is 
 a masterpiece. The swimming pool 
 has been built after the designs of the 
 ancient Romans. The total length of 
 the bath is 65 feet, the width 41 feet, 
 and the greatest depth of water 7 feet. 
 There are also electric, Turkish, and 
 steam-baths, massage apparatus, and 
 hair-dressing saloons with the most 
 modern equipments, as well as a 
 splendid gymnasium containing every- 
 thing to satisfy the sportsman's most 
 exacting requirements. Other fea- 
 tures include a running track, a sweet 
 shop, a florist's shop, and a photogra- 
 pher's dark room. 
 
 The first class and main dining room 
 is a spacious and beautifully decorated 
 saloon, 98 feet wide and 25 feet high, 
 capable of seating 700 persons. All 
 told, the ship can accommodate 720 
 first, 600 second, 900 third, and 1800 
 steerage passengers, besides the crew, 
 which totals 1180 hands, giving a 
 total of 5200 souls. As she is capable 
 of performing some fifteen round trips 
 per annum, and the passage money 
 alone per voyage may amount to 
 $400,000 it will be seen that the 
 owners handle a sufficient income from 
 the passengers' fares to make the con- 
 sideration of their comfort eminently 
 worth while. 
 
 It is difiicult to realize what it means 
 for the population of a town to go 
 afloat in one huge vessel. But for the 
 perfect organization now in vogue it 
 would be impossible to feed them. 
 
290 
 
 THE HUMAN INTEREST LIBRARY 
 
 For a seven days' voj'age between 
 Hamburg and New York a single sliip 
 takes on hoard '■2') tons of fresh meat, 
 48,000 eggs, and GO tons of potatoes. 
 The hirder also contains 14 tons of 
 fresh vegetables and GOOO tins of 
 canned vegetables, liesides, there are 
 over fi\e tons of fowl and game, and 
 
 43^ tons of fish and shell-fish, 800 lbs. 
 of mushrooms, and 4000 cans of pre- 
 served fruits. No less than 1 "2,500 
 quarts of milk and cream, 400 lbs. of 
 cheese, 500 lbs. of chocolate and 
 cocoa, and 7000 lbs. of coH'ee are 
 also consumed between shore and 
 shore. 
 
 THE WONDERS OF A BATTLESHIP 
 
 Til 10 modern battleshij) stands of men who have chained to their will 
 
 forth as one of the greatest won- two mighty weapons, each capable 
 
 ders of man's toil and ingenuity. of throwing a projectile with deadly 
 
 Into .a vast whole enter in one way or acruracy to a distance of eight miles, 
 
 anotiierall the metals from the roughest and with a tremendous bursting charge 
 
 iron to pure gold, all the woods from the 
 commonest deal to the most exi)ensive 
 oaks and mahogany, and all the fabrics 
 fromc-anvas to silk, and, n ore impor- 
 tant still, lal)()r that costs most of all. 
 To take a peep at one of these mon- 
 sters is to enter a world that is prac- 
 tically unknown to the landsman. 
 
 A POPULATION OF 1000 MEN 
 
 Step aboard; note the sj)acious deck, 
 the crowd of seamen who are j)art of 
 
 and shell of 1400 lb. filled with the 
 latest form of chemical explosive. 
 The officer commanding the turret 
 sits on his tiny seat out of the way; 
 a small tubj not unlike the periscoi)e 
 of a submarine passes through the 
 hood of the turret and conveys the 
 scene outside to his eye. Before him 
 are telephones and dials that sjxvik 
 to him in a strange language which he 
 understands. High above his head 
 
 the population of close U])on one are the range-finders in the control 
 thousand men, and, above all, observe top, perched dizzily at the ajjcx of 
 the grim guns that are the greatest the tripod mast; provided Avith delicate 
 l^owcr of this monster ship. These and intricate instruments, they are 
 guns are all on the center or keel line able to detect the range to a nicety. 
 of the ship, so that each can fire at The information thus gleaned by their 
 almost any angle and have a big sweep superior range of vision is telephoned 
 of the horizon. In all the latest and and signaled by electricity to the cap- 
 greatest ships the guns are super-im- tain of the turret. Either by hy- 
 posed, that is, the guns in the second draulic or electrical power the shell 
 turret from the bow and the second is brought from the shell room right 
 turret from the stern fire over the down in the bowels of the ship on a 
 turrets of the forward and after miniature elevator. AVhen this tray, 
 guns. This mt'ans that, in cha.se, four with its death-dealing burden, comes 
 guns can be brought to bear on the opi)osite the bnx'ch of the gun, which 
 enemy alu ad. is automatically openeil, a rammer 
 Now climb through the small aper- drives the shell home, and, in a matter 
 
 ture that forms the entrance doors 
 to these barbettes and get inside, 
 shut from the outside world by twelve 
 inches of the hardest sttx'l that modern 
 
 of seconds, the explosive charge fol- 
 lows. The breech clangs and locks 
 by the same movement, the electric 
 contact is connected, antl the gun 
 
 methods can ])roduce. Here is a busy ready for firing. When all is ready, 
 space, populated by less than a score it is the simple i)ull of a gleaming pistol 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 297 
 
 THE BULL- DOG'S TEETH 
 
 The photo shows the guns mounted complete and ready for service on board a Dreadnought. Since the firing of 200 
 rounds, each passing through the barrel in one-fortieth of a second may wear out the A tube of a big gun, its actual working 
 life may be no more than 5 seconds. 
 
 trigger that sends the great shell The working chamber 
 hurtling through space. While it Once more clamber through the 
 
 fills the air with thunderous sounds, manhole, leave the gunhouse, and give 
 
 the blast is already cleaning the gun a glance at the working chamber 
 
 for the next round. inmiediately below it, wherein is the 
 
298 
 
 THE HUMAN INTEREST LIBRARY 
 
 SECTION SHOWINC; THIC INTERIOR 
 
 This sectional view of the very powerful "Ulo de Janeiro," bouRht by Turkey from lirazll while si ill under oompletlon at 
 
 her speed Is 22 knots: her length Is 032 feet. She civrrles founoen 12-lncli and 
 
 swasli-pliito eii^'inc that turns the On the hitest and greatest sliips 
 great turret in any direction desired, there are five of th(\se great gun- 
 So wouderful is the geariug that it can liouses, all exactly alike, all inauned 
 rotate the turntable at a fast speed of by an e(|ually alert crew, aud all a 
 one revolution in one minute, or at a mass of gleaming, business-like steel, 
 slow spet'd (if one revolution in ten In addition to this the vessel will carry 
 hours. Other machines are here to a sin-oudary l)attery, coiisisling of 
 Work the anunuiiilion lioists, that fjuick-liriug guns for rcix'lliiig torpedo 
 piuss in trunks through this chamber boat attack. The majority of new 
 down to tlie magazine aud shell rooms, vessels are armed with the 4-inch 
 
BOOK OF ENGINEERING AND INDUSTPxY 
 
 299 
 
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 2~|-^ 
 
 ti 
 
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 y.^., ^ < . ^ ^ __.- :, ^^;i/?rocK LESS 
 
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 1X1^ 
 
 fi 
 
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 ^§SSJ^,T cAWCtTH-fes'Sf' "■-'Sftl-iartfis^ 
 
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 STORES 
 
 rrrtfirwr w 
 
 
 
 
 *^ O T T O S^ 
 
 OF A DREADNOUGHT AT A GLANCE 
 
 the Elswick Yard, makes clear all the details described in this article. The "Rio de Janeiro's" displacement is 27,500 tons; 
 twenty 6-inch guns. Her complement ol crews should number 1000 men. 
 
 weapon, weighing 26 cwt., and able to 
 send a shell clear through an on- 
 rushing torpedo-boat 1}^^ miles away. 
 In later ships the 6-inch gun, a new and 
 wonderful weapon, is mounted; this 
 is necessitated by the rapidly increas- 
 ing size of modern torpedo craft. 
 
 Leave the artillery, which is the 
 chief item (for is not a battleship sim- 
 ply intended to act as a floating plat- 
 
 form for guns?), and turn to those 
 dim regions far below the armor belt, 
 down below the water line, an inferno 
 of heat and oily smells, where work 
 the " black gang. " The modern fight- 
 ing ship of the speedy battle-cruiser 
 type will have as many as 48 great water- 
 tube boilers, which are roaring boxes 
 of blistering heat when the vessel is 
 steaming hard. There is the con- 
 
300 
 
 THE HUMAN INTEREST LIBRARY 
 
 tinuous clang of the shovel, there is 
 the intermittent search-like glow as 
 furnace doors are opened to examine 
 the fires or add more fuel; there are 
 the oil burners with their pump room 
 above, with engine, pumps, filters, 
 and heaters, and with tanks below in 
 the double bottom to aid the coal with 
 oil should the Admiral suddenly call 
 for speed. There is the roar of a score 
 of draught fans sucking down the 
 necessary air, and along the broadside 
 runs, most wonderful of all, a miniature 
 colliery in full working order, where can 
 be found dim human forms working by 
 thelight of Davy lamps, whilethe great 
 fabric thunders through the riven seas. 
 
 Visit yet another quarter where the 
 Chief Engineer holds sway. Here is 
 anotluT domain of oil-smelling heat, 
 with walls lined with miles of steel and 
 copj)er mains, some gleamingly bright, 
 while others are asbestos covered. 
 Over all rules a clean-shaven officer, 
 and under him are various grades of 
 artificers. Everywhere are dials, and, 
 in different compartments, the vast 
 turbines that rotate the propellers and 
 push the 27,000 tons of metal, wood, 
 and men through the whistling seas. 
 
 Clim)) to the bridge, small in size, 
 but lofty and airy. If it be day the 
 panorama of the ship is below you; at 
 your back a great fore funnel, big 
 
 enough to admit a motor-bus, sends 
 a gentle brown cloud into the sky. 
 Aft this are the boats and pinnaces, 
 the great tri|)od mast with tiie fire 
 control and director boxes high above, 
 and the aerials of the wireless telegra- 
 I)hy higher still. All the battle squad- 
 ron are spread out ahead and astern; 
 all the great ships are seething with 
 life each has its thousand souls, each 
 has its throbl)ing steel heart, and its 
 gigantic teeth sticking menacingly 
 from the turrets. Each, by means of 
 flags and balls is telling the other 
 strange truths of speed while the 
 officer in command, pacing the bridge, 
 and the stolid quarter-master at the 
 puny wheel (that steers so vast a ship 
 by the aid of steam) keep a clear eye 
 on the nest ah(>ad. As it drops a 
 little we droj) also; the engine speed is 
 up and down, changing from minute 
 to minute. If it be dark, a great beam 
 of light may sweep up from over the 
 horizon, and one of our searchlights 
 answers back by a beam that, in fine 
 clear weather, can be seen a dozen 
 or more miles away. 
 
 Such is a fighting ship, great and 
 grim, built only to protect us from our 
 foes. In most cases it is Imilt, it lives 
 its short twenty odtl years of life, and 
 finally goes to the shipbreakcr without 
 ever firing a single gun in anger. 
 
 STROXGEST SHIP IN TIIE WORLD 
 
 UXK^l'E among boats is the 
 Russian ice-breaker, Ermack. 
 On account of its peculiar 
 formation and design it can claim to be 
 the strongest vessel afloat. IiuKmmI, 
 its flesigners declare that if it were 
 lying on its beam ends alongside a ciuay 
 300 feet long, at each end of which 
 there was a giant crane with a lifting 
 ca))a!ity of lOOO tons, and these two 
 got hold of it and lifl(>d it clear out 
 of the water, it would hang between 
 
 them as rigid as a bar of steel. If the 
 same test were a])plied to a Dread- 
 nought, or any other battleship, it 
 would crumple up by its own weight. 
 This unique example of the ship- 
 builders' art is nothing less than a hull 
 of steel 305 feet long, 71 feet broad, 
 4''2 feet 6 inches deep, having a displace- 
 ment of 8000 tons, and driven by the 
 concentrated energy of I'i.OOO horse- 
 power. It is a double ship from end 
 to end, and its two skins are so con- 
 
LOOK OF ENGINEERING AND INDUSTRY 
 
 301 
 
 THE RUSSIAN ICE BREAKER "ERMACK" 
 
 This unique example of the shipbuilders' art consists of a hull of steel 305 feet long, 71 feet broad, 42'-^ feet deep. 
 having a displacement of SOOJ tons and driven hv fie concentrated energy of 12,000 horse-power. Every winter, while 
 engaged in keeping the Baltic ports open, she is called upon to smash up ice twenty feet and more in thicliness. 
 
 nected and fortified bv bulkheads, and 
 longitudinal bulkheads or, as we should 
 say in landsman's language, partitions 
 of steel framed in girders of enormous 
 strength, that they are practically un- 
 crushable, while the ship itself is prac- 
 tically unsinkable. It is divided into 
 forty-eight water-tight compartments. 
 Its mission on the sea is to keep the 
 ports of the Baltic open during the 
 winter months by cutting a passage- 
 way for other ships through the thick 
 ice. When it is caught, as it has been 
 many scores of times, between a couple 
 of closing masses of ice, it at once 
 rises slowly and easily, and ; without 
 
 so much as a shiver. Then, if its 
 weight of 8000 tons is not sufficient 
 to break the ice, its powerful pumps 
 are set to work, and certain of its com- 
 partments are filled with water. In 
 this way an additional weight of 2000 
 tons is obtained, making a total of 
 10,000 tons. The ice has either to sup- 
 port this weight or give way. Hither- 
 to it has always done the latter. Its 
 keel and sides are as round as an apple; 
 there is not an angle for the ice to grip. 
 Frequently it rescues more than 100 
 steamers during a season that are 
 unable to extricate themselves from 
 the ice. 
 
THE MANUFACTURE OF ARMOR 
 
 TIIK iiiiieteeiith century gave 
 l)irlli to the iiwn's nuxst per- 
 sistent opjxjuent, known as 
 "armor," and the figlit for sui)remacy 
 between the offensive gun and tlie 
 defensive armor has been going on 
 ever since with the hahince incHning 
 first to one side, then to the other. 
 
 In so far as it is of record, John 
 Stevens of Hoboken, New Jersey, 
 was the first to propose the use of 
 armor for the protection of war vessels 
 in iSl-i, and now it is even used for 
 coast defense in some cases, the forts 
 in the harbors of Rio de Janeiro and 
 Manihi liay containing armored tur- 
 rets simihir to those on ships. As is 
 well known, the first armored war 
 vessels in this coni:try were the re- 
 nowned Monitor and Merrimac. 
 
 Armor of all kinds and descrijjtions 
 has l)een tried with varying success. 
 Target structures of almost every 
 conceivable description have been 
 made and tested. These were plates 
 of cast iron and wrought iron, sheets of 
 metal bolted together and faced both 
 flat and edgewise, alternating lay(>rs of 
 metal and wood; of metal and rubber 
 disposed in various ways, and of 
 springs behind solid plates, etc. The 
 results of all these exj)eriments have 
 shf)wn that the most edicient armor 
 is a hard-faced, tough-backed, homo- 
 genct)us plate, made by what is called 
 the "Kiiipp" process, alter the famous 
 German ordnance firm of that name, 
 who were the first to make these 
 plates. 
 
 Armor is made in this country by 
 the Bethlehem, Carnegie, and Midvale 
 Steel Companies, who have expended 
 many millions of dollars in the costly 
 and massive machinery necessary to 
 produce these large armor plates, 
 weighing as much as a hundr(>d thou- 
 sand j)ounds, and of various shapes. 
 
 The manufacture of modern face- 
 hardened armor comprises a series of 
 operations which requires the greatest 
 care and attention to details to pro- 
 duce the best results, and these opera- 
 tions are so elaborate that a jjcriod of 
 nine months is consumed in the manu- 
 facture of armor from the time the 
 drawings showing the plates are re- 
 ceived until the plates are completely 
 finished and ready to be installed. 
 
 The first process in making the 
 armor plate is the casting of the steel 
 ingot from which the plate is to be 
 forged. Tiiis is done in a large cast 
 iron mold lined with sand. The 
 molten metal from the furnace is 
 carried in a ladle to the mold, and 
 poured in vertical tubes coimected to 
 the bottom of the mold so that it is 
 filled from the bottom, or "bottom 
 poured," as it is called. 
 
 As soon as the metal lias solidified 
 and cooled off the mold is strijjjjcd 
 from it and the ingot is i)icked up by 
 a big electric crane and taken to a 
 heating furnace to be heated for 
 forging. Figure (1 ) shows one of these 
 large ingots after it is removed from 
 the mold by the crane; the bucket 
 behind the two workmen is the ladle 
 used in filling the mold. The ingot 
 being properly heated, is remo\'ed 
 from the furnace and forged to the 
 approximate size of the finished plate, 
 which is usually aliout one-third the 
 thickness of the ingot. To forge a 
 heavy armor plate reciuires tremendous 
 power, and the forging presses for this 
 purpose are very massive and j)ower- 
 ful. Each time full pressure is ap- 
 plied with one of the presses it is 
 ecjuivaUMit to placing the weight of a 
 battleship on top of the armor to mash 
 it. The ingot is swung into position 
 and its end placed under the upper 
 die of the forging press, which is then 
 
 302 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 303 
 
 FIGURE 1. STEEL INGOT TO ARMOR PLATE 
 
 FIGURE 2. ARMOR PLATE SAWING MACHINE 
 
SOlt 
 
 THE nUMAN INTEREST LIBRARY 
 
 FIGURE 3. BARBETTE OF BATTLESHIP "TEXAS' 
 
 FIGURE 4 ARMOR I'l.ATE REAMING MACHINE 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 305 
 
 forced down upon the ingot, the throw 
 being so regulated as to diminish the 
 thickness about 3 inches a stroke. 
 The metal flows evenly in all direc- 
 tions under the irresistible and steady 
 pressure of the press, and after each 
 stroke the ingot is moved along until 
 the thickness is the same throughout. 
 Thus one sees a mass of tough steel 
 molded into shape as if it were 
 molasses cand3% 
 
 The plate, being approximately 
 forged, has all scale removed from its 
 surface and is ready for "carbonizing." 
 This is an adaptation of the well known 
 process of cementation which means 
 heating the metal to a high tempera- 
 ture in the presence of carbon, so that 
 the carbon is absorbed by the metal. 
 The plate is now forged to final size 
 and then annealed to relieve any 
 strains in the metal. It is next 
 rough machined and then bent to 
 shape, after which it is tempered to 
 produce the hard face to break up 
 the projectiles fired at it. This is 
 done by spraying the hot face with 
 cold water under pressure. The ex- 
 act details of the above processes are 
 manufacturers' secrets. 
 
 The plates are now ready for final 
 machining, which is extremely diffi- 
 cult, owing to the toughness of the 
 metal. The special armor plate saw- 
 ing machine is shown in figure 2, 
 cutting the edges off an armor plate. 
 
 This is a very slow and laborious 
 operation, as is all armor machining. 
 Then the plate is put through an 
 armor planing machine, which re- 
 moves extremely small shavings at 
 each stroke. After machining, the 
 plates are next carefully fitted to- 
 gether, to insure that all joints are 
 well made, and are an accurate and 
 tight fit. This is called "erecting," 
 and is done on heavy iron flooring. 
 
 Figure 3 shows the barbette of one 
 of the turrets of the battleship Texas, 
 which is eighteen inches thick and 
 forty feet in diameter, twelve feet 
 high, and made of seven plates keyed 
 together. Figure 4 shows the ream- 
 ing or machining of the holes for the 
 guns in one of the turret face plates; 
 the rough drilled hole shows on the 
 left, and the smooth one on the right 
 side of the picture. 
 
 After erecting the plates are dis- 
 assembled and shipped on flat cars to 
 the ships to be built in them. 
 
 Out of every lot of plates manu- 
 factured one is selected for test, and is 
 fired at by a gun of the same size as 
 its thickness, and it must not allow 
 the projectile to penetrate it, other- 
 wise the whole lot of plates is rejected. 
 This is called the "ballistic test," and 
 determines the quality of the armor as 
 regards resistance to penetration. 
 Figure 5 shows a plate that has suc- 
 cessfully passed the ballistic test. 
 
 FIGURE 5. PLATE WHICH HAS SUCCESSFULLY PASSED THE BALLISTIC TEST 
 
S06 
 
 THE nUMAN INTEREST LIBRARY 
 
 I DOYSTONE LIGHTHOUSE, ENGLISH CHANNEL 
 
 BEACONS OF THE SEA 
 
 E\'ER since man began to navi- 
 gate the waters he has en- 
 deavored to light them at 
 night. This he aceomi)Hshes to(hiy l)y 
 the erection of beacons or towers 
 upon the shore and rocks, from the 
 summit of which a beam of light is 
 automatically flashed over the ocean, 
 and also by means of lightships and 
 illuminated buoys. How necessary 
 thcx- lights are to guide and warn the 
 mariner is obvious by the returns of 
 wrecks. 
 
 The f;ithcr of the modern lightliou.se 
 w.is uiid<nible(lly the iincieut Pharos 
 of Alexandria, in Egyj)t. one of the 
 seven wonders of the world. It was 
 l.nill by Ptolemy I'hiladelphus (^283— 
 ■■217 H. C), on a small island al the 
 rill ranee to tin- harbor, connected by 
 a causeway wilh the mainland. The 
 Pharos cost 800 talents; if these were 
 
 silver talents — as most likely they 
 were — that would be equal to $850,- 
 000, the largest sum ever expended 
 upon a single lighthouse. The struc- 
 ture had a base of some 400 feet, and 
 towered 4.50 feet above .sea-level. As 
 the whole was built of white marble, 
 .the edifice must have been at once 
 elegant and impressive. At the sum- 
 mit fires were kept burning to direct 
 the mariner through the tortuous 
 entrance of IIk" i)a_\'. It is recorded 
 by some of the anc-ients that the flame 
 of the Pharos could be discerned 100 
 miles at sea. This, of course, is an 
 exaggeration, as the most up-to-date 
 light of modern times, with all the 
 latest inx'entions for increasing its 
 intensity, is only visible tiiirty miles 
 out. It is doubtful if the smoky 
 gleams of the ancient Pharos were 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 m 
 
 INTERIOR VIEW OF EDDYSTONE LIGHTHOUSE 
 
 -^■■y> 
 
 W-^ 
 
 - 
 
 r^^ 
 
 
 ^^ 
 
 
 
 This picture sliow3 the interior structure and arrange- 
 ment of one ot tbe famous beacona of the world. 
 
 seen twenty or twenty-five miles on a 
 
 clear night. 
 
 Church, palace and beacon 
 
 The Romans built many lighthouses, 
 and it is said that several exceeded in 
 splendor and magnificence the famous 
 Pharos, but not one of them remains. 
 The earliest example extant of a light- 
 house is the famous Tower of Cor- 
 douan, France, which dates from 805 
 A. D. but has been rebuilt on several 
 occasions. The present edifice, which 
 was begun by M. Louis de Foix, in 
 1584, is certainly one of the most re- 
 markable edifices in the world. This 
 lighthouse (originally 180, now 207 
 feet in height), is beacon, church, and 
 royal residence in one, many of the 
 French kings having occujjied it. 
 
 Until the time of John Smeaton, who 
 invented the dovetailed stone tower, 
 lighthouses, with a few exceptions, 
 were built of wood. It was Smeaton's 
 success in placing a stone edifice on 
 the dreaded Eddystone Rocks, in the 
 eighteenth century, which gave an 
 impetus to lighthouse building. 
 
 Smeaton's first tower of solid stone 
 braved the elements on the Eddystone 
 for 123 years, when it was dismantled 
 and reerected on the Hoe at Plymouth, 
 and another tower put up in its place 
 on an adjoining reef. The reason for 
 the removal of the lighthouse was that 
 the rock on which it stood had been 
 worn away by the action of the sea. 
 Long before this occurred, however, 
 it had been demonstrated that the 
 stone tower was the best device for 
 equipping a wave-washed rock with 
 a light. Stone towers sprang into 
 existence on dreary rocks around the 
 British Isles and in America. 
 
 There are now about 260 light- 
 houses around the coasts of Great 
 Britain alone, and 762, having resi- 
 dent keepers, within the jurisdiction 
 of the United States. 
 
50.9 
 
 THE nUMAy IMEREST LiniURY 
 
 THE PRESENT BOSTON LIGHT 
 
 Built In 1783 by Massachusetts and ceded to the United States In 1700 
 
 FIRST AMERICAN LIGHTHOUSE also revolving,' mechanism, it hiwm^ 
 
 Tlu> first lighthouse on the American previously been a fixed li^'ht. In 1888 
 
 continent Nvas built by the province Boston light is described as "a re- 
 
 of Massachusetts, 1715-16, on an volving light, consisting of 14 Argand 
 
 island at the entrance to Boston liar- lanij)s, with parabolic reflectors," the 
 
 bor. The light was supported by lamps being "of about the volume of 
 
 ligiit dues of one j^enny ])er ton, levied similar lamps in family use." In 
 
 l)y the recei\er of impost at Boston on 1881) large reflectors 21 inches in 
 
 all incoming and outgoing vessels diameter were fitted to this light, 
 
 except coasters. This lighthouse was Boston light was provided with a 
 
 an o})ject of attack during the early Fresnel lens in 18.51). 
 
 part of the Revolutionary War, and 
 was burned by the Americans and 
 finallv blown up bv the British in 
 1770. A new lighthouse on the same 
 site was built in 1783 by Massa- 
 chusetts, and this, with various al- 
 terations, is the present Boston light. 
 Although candles and even coal 
 fires have been used in lighthouse illu- 
 mination in England to a much later 
 <lal<', lioston light was j)robably il- 
 hiiiiiiiali'd from the first by oil lamps. 
 Ill 17S!) the light was j)ro<lu(cd by 
 1(5 lamps in groups of 4. (-rude len.ses 
 and r((lectors were fitted in 1811, and 
 
 Apparently a great gnn was the 
 only fog signal at this statit)n until 
 about 185'2, when a fog-bell was in- 
 stalled. A mechanical striking bell 
 was installed in 18(5!), in IS?";? a fog 
 trumpet, and in 1887 an air siren. 
 
 The oldest of the existing lighthouse 
 structures in this country is the tower 
 at Sandy Hook, New York, built in 
 17G4. The lighthouse at Cape Ilen- 
 lopen, Delaware, was completed the 
 same year. These are similar in 
 design — massive structures of stone 
 and brick, with walls 7 feet thick at the 
 base. 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 509 
 
 SANDY HOOK LIGHTHOUSE, NEW YORK 
 
 This and Cape Henlopen lighthouse, both built in 1764, are the oldest existing lighthouse towers in this country. 
 
 walls at the base are 7 feet thick. 
 
 The 
 
 Location and construction of light- 
 houses 
 
 The first-class light and fog-signal 
 stations are located at the more promi- 
 nent and dangerous points along the 
 seaboard, and on a well-lighted coast 
 such stations should be sufficiently 
 close that a coasting vessel may 
 always be in sight of a light. The 
 smaller lights are placed to mark 
 harbors, inside channels, and dangers. 
 Along the navigable rivers numerous 
 post lights are maintained to indicate 
 the channels. 
 
 For New York harbor and immedi- 
 ate approaches alone 268 aids to navi- 
 gation are required, including 46 shore 
 lights, two light vessels, and 36 lighted 
 buoys; there are 192 buoys of all 
 classes and 37 fog signals, including 
 sounding buoys. 
 
 At the principal stations provision 
 is made either in the tower or in 
 separate buildings for the mechanical 
 equipment connected with light and 
 fog signal, for storage of oil and 
 supplies, for quarters for keepers and 
 their families, boats, etc. 
 
 Various materials have been em- 
 ployed in lighthouse construction — 
 stone, brick, iron, steel, concrete, rein- 
 forced concrete, and wood; in new 
 work, however, the latter is now little 
 used because of the desirability of 
 permanency. 
 Wonderful sea-swept lighthouses 
 
 Lighthouse construction on the land 
 is usually comparatively simple, except 
 when there is difficulty of access to the 
 site. But often it is important for the 
 protection of shipping that lighthouses 
 be erected either on rocks or reefs 
 
Bio 
 
 THE HUMAN LXTEREST LIBRARY 
 
 exposed to the sea or actually in the 
 water, on sand or rock bottom. Such 
 work has called forlli the ^'reatest skill 
 of en<4incers. 
 
 Numerous types of construction 
 have heen used. Where the founda- 
 tion is exjwsed, even at the lowest 
 tides, masonry towers have heen, with 
 great labor and often danj^er, fitted to 
 the bed-rock; otherwise the structure 
 has been erected on iron piles driven, 
 screwed, or pumped into tiie sand or 
 coral, or on caissons floated to the site 
 and set on the bottom or sunk deeper 
 by the pneumatic process, or by the 
 use of coffer-dams, within which the 
 masonry tower has been erected; 
 smaller structures have been placed on 
 rip-rap foundations. 
 
 The earliest example now^ existing 
 of a sea-swe|)t lighthouse is the beauti- 
 ful lower of C'ordouan, built in 1584 
 to Kill, on a rock in the sea at the 
 mouth of the (iironde, on the west 
 coast of France. This lighthouse 
 
 4^ 
 
 
 4£a^^|P 
 
 
 j 
 
 
 1 
 
 ^ ^' .^B 
 
 ^ 
 
 I 1,.- I.. , . . : ,.: I i.,h., . rii.iirde 
 
 ('•inliiijuii, I i>iiii>l( ii (1 111 liil 1 and HliicL' allcrcU: lliv olduat 
 ■ea-awcpi llKbUiouM! duw Lu cxlslcoco. 
 
 has since been altered and raised in 
 height. The original structure was 
 elaborately decorated, and one floor 
 was occupied by a chapel. 
 
 The most famous of the sea-swept 
 lighthouses is the Eddystone, 13 miles 
 from Plymouth harl)or, England. This 
 was comj)leled in l(i!)!), after four y<'ars 
 of work. During the lirst year all that 
 was accomplished was drilling I'i holes 
 in the rock and fastening irons iu 
 them. This lighthouse, with the 
 keepers and the engineer who built it, 
 disappeared in the great storm of 
 November, 170'3, and since that time 
 three other lighthouses have in succes- 
 sion been erected on the Eddystone. 
 
 MiNOTS LEDGE LIGHT 
 
 The earliest lighthouse built iu this 
 country iu a dangerous position, ex- 
 posed to the open ocean, was that im 
 INIinots Ledge, a reef off Boston harbor 
 which had long been a terror to 
 mariners. 
 
 There was a great gale in April, 1S.51. 
 "The light on the Minot was last seen 
 from Cohasset on Wednesday night 
 at 10 o'clock. At 1 o'clock Tlnu'sday 
 morning, the 17th, the lighthouse bell 
 was heard on shore, one and one-half 
 miles distant; aiul this being the hour 
 (»f high water, or rather the turn of the 
 ti<le, when from the oi)i)osition of the 
 wind and the tide it is supposed that 
 the sea was at its very highest mark; 
 and it was at that hour, it is gi-nerally 
 believed, that the lighthouse was 
 destroyed; at daylight nothing of it 
 was visible from shore, and hence 
 it is most prol)a))Ie it was overthrown 
 at or about the hoin* named." Two 
 keepers were in I he tower ami were 
 lost, and this extract from the oflicial 
 n^port tells the story of one of the great 
 light house tragedies. 
 
 The present massive stone lighthouse 
 was built on the same site on Minots 
 Ledge, connnenced in 1855 and com- 
 pleted in 18G0. It ranks among the 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 311 
 
 difficult lighthouse engineering works 
 of the world. During the first summer 
 only 130 working hours were obtained 
 on the rock, and after three years' 
 work only four stones of the founda- 
 tion were laid. The reef rock was pre- 
 pared to fit the stones of the lower 
 courses and the latter were cut to inter- 
 lock. Dwellings for the keepers' 
 families were built on the shore, ac- 
 commodations for the men only being 
 provided in the tower. 
 
 Longfellow visited Minots light in 
 1871, and in a letter thus describes it: 
 "The lighthouse rises out of the sea 
 like a beautiful stone cannon, mouth 
 upward, belching forth only friendly 
 fires." 
 White shoal light 
 
 ^Yhite Shoal, a dangerous spot in 
 Lake Michigan, at the entrance to the 
 Straits of Mackinac, was marked for 
 19 years by a light vessel anchored 
 over it. On account of the ice, this 
 vessel could not be kept on the station 
 during a portion of the season of navi- 
 gation in the spring and fall. As the 
 unmarked shoal was a serious menace 
 to navigation at these seasons, an ap- 
 propriation was made for building a 
 lighthouse, and this was completed in 
 1911 at a cost of $225,000. 
 
 A timber crib 72 feet square and 18 
 feet high was built on shore and 
 floated out to the site, where the depth 
 of water was 22 feet. The bottom, 
 which is of coarse gravel, was covered 
 with 2 feet of rock, and the crib was 
 filled with stone and sunk. Above 
 this was built a concrete pier, which 
 supports the lighthouse. 
 
 The Hght is of 1,200,000 candle 
 power, flashing white every 8 seconds. 
 In addition to the compressed air fog- 
 whistle there is a submarine bell 
 signal, located in 60 feet of water three- 
 quarters of a mile from the station. 
 This bell is supported on a tripod 
 standing on the bottom of the lake, is 
 
 operated by electric power transmitted 
 through a cable from the light station, 
 and strikes "23." 
 
 Tillamook rock— one of the most 
 
 EXPOSED IN the WORLD 
 
 Two lighthouses involving great 
 difficulties have been built on rocky 
 islets of the Pacific coast — Tillamook 
 Rock, completed in 1881, and St. 
 George Reef in 1891. Tillamook is a 
 high, precipitous rock south of the 
 Columbia River and about a mile from 
 shore. It is exposed to the sweep of the 
 Pacific Ocean. Landing on the rock 
 
 IWli TILLAMOOK ROCK LIGHT COMl'LE'lEU 
 
 The seas here are terrific. On October 19, 1912, a wave 
 broke a pane of the lantern 132 feet above the sea. 
 
 was very dangerous, and the foreman 
 was drowned the first day a working 
 party was landed. There was serious 
 difficulty in providing any protection 
 on the rock for the workmen. It was 
 necessary to blast off the top of the 
 rock to secure sufficient room for the 
 lighthouse. 
 
 This light station is one of the most 
 exposed in the world. The tower is 
 136 feet above high water, but the 
 keepers reported that in a storm in 
 1887 the seas broke over the building, 
 some going above the tower, and 
 serious damage was done. In another 
 
^1^ 
 
 THE HUMAN INTEREST LIBRARY 
 
 storm a mass of concrete "filling 
 weighing half a ton was thrown over 
 the fence into the enclosure," at a 
 level of 88 feet above the sea. 
 
 St. GEORGE REEF LIGHT, CALIFORNIA 
 
 St. George Reef light is built on a 
 rock lying 6 miles off the northern 
 coast of California. The rock was so 
 exposed and swept by the seas that 
 workmen could not safely live upon it, 
 and it was necessary to moor a schooner 
 near the rock to provide quarters for 
 the men, who were transported back 
 and forth by a traveler on a cable. 
 The total cost of the work at St. 
 George Reef was about $712,000, 
 making it the most expensive light- 
 house that has been built in this 
 country. These two exposed light 
 stations on the Pacific coast are the 
 only ones having five keepers. 
 Famous shore lights 
 
 The tallest light-tower in the United 
 States is that at Cape Hatteras, on the 
 low-lying coast of North Carolina, 
 which is 200 feet from base to top of 
 
 lantern. The highest light, however, 
 is that at Cape Mendocino, on the 
 coast of California, which is shown 422 
 feet above high water; it is on a cliff, 
 the lighthouse itself being only 20 feet 
 in height. 
 Troubles from ice, birds, and sand 
 
 Sand creates difficulties at some light 
 stations located among dunes or shift- 
 ing wastes of sand. At Cape Hen- 
 lopen the sand driven by the wind has 
 cut deeply into the wood framing of 
 the keepers' dwellings, and has ground 
 the window glass so that it is no longer 
 transparent; but the lantern of the 
 light is too high to be so affected. 
 
 Even the flj^ing birds make trouble 
 at lighthouses, as the brilliant light 
 so attracts them that they will fly 
 directly for it, and striking the heavy 
 glass of the lantern are killed. 
 From wood fires and candles to oil 
 
 VAPOR and electric LAMPS 
 
 The early lighthouses were lighted 
 by wood or coal fires burned in open 
 braziers, and later by candles inclosed 
 
 THE tallest LIGHT TOWER OF THIS COUNTRY, 200 FEET HIGH: THE CAPE HATTERAS LIGHTHOUSE, 
 
 NORTH CAROLINA 
 
 The spiral painting is to furnish a distinctive day-marls to mariners. "A light must be about 200 feet above the 
 water to be seen from the deck of a vessel 20 nautical miles distant; beyond that distance the curvature of the earth would 
 prevent a light at this elevation being seen." 
 
BOOK OF ENGINEERING AND INDI'STN]' 
 
 SIS 
 
 in lanterns; the resulting light was 
 necessarily weak and fitful, and a large 
 part was lost by being diffused in 
 directions of no use to mariners. Oil 
 lamps were early introduced in this 
 country and at the present time 
 lamps with from one to five con- 
 centric wicks, and biu'ning a high 
 grade of kerosene oil, are used in a 
 majority of lighthouses. For the more 
 important lights the incandescent oil 
 vapor lamp is now used. In this 
 lamp the oil is heated and then vapor- 
 ized, and is burned mixed with air 
 under a mantle which is made in- 
 candescent. 
 
 Electric lights are used at a few 
 light stations only. The expense is 
 too great to warrant the employment 
 of electricity at many important 
 stations. 
 
 The electric light at Navesink, on 
 the highlands just south of New York 
 harbor, is the most powerful coast 
 light in the United States. This light 
 shows each five seconds a flash of one- 
 tenth second duration estimated at 60 
 million candle power. Although, on 
 account of the curvature of the earth, 
 the light itself cannot be seen more 
 than 22 miles, its beam has been 
 reported to have been observed in the 
 sky at a distance of 70 nautical miles. 
 Powerful reflectors, lenses, and 
 
 PRISMS ARE used 
 
 In order to increase the effective- 
 ness of illumination, reflectors, lenses, 
 and prisms are used to concentrate the 
 light and throw it out either in a plane 
 around the horizon or in a beam or 
 limited arc, where it will be most useful. 
 
 With the most complete lenses 
 about 60 per cent of the light is 
 rendered useful, the balance being 
 lost at the top and bottom and by 
 absorption of the glass of the lens and 
 the lantern. The largest lens in service 
 is that at Makapuu Point light, 
 Hawaii, which is 8| feet in diameter. 
 
 A BEAUTIFUL GLASS LENS AND MOUNTING 
 RECENTLY BUILT IN FRANCE FOR THE 
 KILAUEA LIGHTHOUSE NOW UNDER 
 CONSTRUCTION IN THE HAWAIIAN 
 ISLANDS 
 It will be the landfall light approaching the islands from 
 Japan. The light will give a double flash of 940,000 candle 
 power every 10 seconds. The lens and mounting "weighs 
 nearly 4 tons and turns on a mercury float, making a 
 complete revolution every 20 seconds and giving a double 
 flash of about 940,000 candle power every 10 seconds. 
 The light is sufficiently powerful to be visible 40 miles, 
 but because of the earth's curvature it can be seen only 
 21 miles." 
 
 The most powerful flashing lights 
 are arranged to have the entire lens 
 revolve, the beam from each panel of 
 the lens appearing as a flash as it 
 sweeps past the observer. To obtain 
 rapid and smooth revolution, the lens 
 is mounted on a mercury float, and a 
 lens weighing, with fittings, as much 
 as 7 tons may make a complete revolu- 
 tion in 30 seconds. 
 
 A recent example is the lens for 
 Kilauea light station, Hawaiian 
 Islands. 
 Buoys 
 
 Floating buoys are efiicient and 
 relatively inexpensive aids to naviga- 
 tion. They are used to mark dangers 
 — as shoals, rocks, or wrecks — to 
 indicate the limits of navigable chan- 
 nels, or to show the approach to a 
 channel. They varv in character 
 
3U 
 
 THE HUMAN INTEREST LIBRARY 
 
 A BELL BUOY TAKEN ON BOARD LIGHTHOUSE TENDER 
 
 Shows marine growth and the necessity for periodic cleaning and painting of buoys 
 
 AN UNATTENDED LIGHT VESSEL ON THE COAST OF ENGLAND 
 
 !♦ has no crew, and is equipped with flashing gas light, aerial fog bell, and submarine log bell, all automatic. The beUs 
 are operated by the motion o( the vessel In the aea. 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 315 
 
 according lo their purpose or the 
 distance at which they should be seen. 
 The simpler forms are the wooden and 
 iron spar buoys, and iron can and nun 
 buoys. For warxiing in thick weather, 
 buoys are fitted with bells, whistles, 
 and submarine bells, all actuated by 
 the motion of the sea. 
 
 Some important buoys are lighted, 
 usually by means of oil gas com- 
 pressed in the buoy itself or acetylene 
 gas compressed in tanks placed in the 
 buoy or generated in it. 
 
 The buoy off the entrance to Am- 
 brose Channel, New York harbor, at a 
 height of 27 feet above the water, 
 shows a light of 810 candle power, 
 occulting every 10 seconds and visible 
 10 miles. This buoy recently burned 
 for one year and four months without 
 recharging. The buoy is nearly 60 
 feet long and weighs over 17 tons. 
 
 FOG SIGNALS 
 
 The most powerful coast lights may 
 be rendered of little or no use to navi- 
 gation by thick fog or rain. To assist 
 vessels under such conditions, making 
 their course more safe or allowing 
 them to proceed, fog signals of many 
 sorts have been established. Of these 
 the bell is the most common. 
 
 The fog signals now in use in the 
 United States, consist of sirens, 
 whistles, reed trumpets, aerial bells, 
 and submarine bells. Sirens and 
 whistles are operated by compressed 
 air or steam, and trumpets by com- 
 pressed air. To furnish air, com- 
 pressors driven by internal combustion 
 engines are used, and for steam signals 
 boilers are employed. The larger fog 
 bells, up to 4000 pounds, have hammers 
 actuated by a weight and clockwork. 
 The smaller bells are rung by hand. 
 
 There is nothing sailors dread more than a fog, when lighthouses and lightships become useless. The sailors are like 
 men deprived of their sight. Then it is that the foghorns begin to sound. A foghorn is often heard for twenty miles, but 
 in some weathers only for one or two miles. This picture shows the Bass Rock foghorn. 
 
316 
 
 THE HUMAN INTEREST LIBRARY 
 
 g"^: ■' 
 
 KTft^ 
 
 THE RACINE RI.l.I I It .111 IIOl SK, IN LAKE 
 MICHIGAN, COVERED WITH ICE 
 
 Winter seriously increases the work of maintaining aids 
 to navigation; the spray or sleet freezing may completely 
 envelop the tower in ice, obscu-ing the light until the 
 lantern is cleared. In northern waters, w'here there is 
 floating ice, many of the gas buoys must be removed in 
 winter and replaced by spar buoys, over which the ice may 
 pass without serious damage to the buoy. The spray 
 freezes to bell buoys sometimes until the weight of ice 
 overturns them. 
 
 Besides the above, there are various 
 noise-making buoys; bells, whistles, 
 and submarine bells are attached to 
 buovs and are made to sound by the 
 
 movement of the buoy due to the sea. 
 Nearly all fog signals excepting those 
 on buoys are operated to sound a 
 characteristic signal so that they may 
 be distinguished, there being a suc- 
 cession of blasts or groups of blasts 
 or strokes at regular time intervals, 
 which are made known for each station . 
 Even adjacent buoj'^s are differentiated 
 by the use of whistles and bells and by 
 variation of tone. 
 Submarine bells 
 
 Submarine bells were first regularly 
 employed as fog signals in the United 
 States in 190G. The bell is suspended 
 in the water from a light vessel to a 
 depth of 25 to 30 feet and is operated 
 by compressed air, or the bell is 
 mounted on a tripod on the bottom 
 and worked by electric power trans- 
 mitted from the shore through a cable, 
 or it is suspended from a buoy and 
 actuated bv the motion of the sea, 
 which moves a vane and winds a 
 spring. Submarine bells have fre- 
 c[uently been heard through the water 
 at distances of 15 miles and more. 
 
 i 
 
 i# 
 
 -SSSfc, 
 
 AN UNATTENDED FLASHING G.V.S LIGHT ON RICHARUSO.N S ROCK, GALII 0RN:.\. 
 
 This light will flash every three seconds for seven months before it requires another charge of gas. This would be 
 a difficult and expensive site on which to establish a regular lighthouse with keeper's quarters. 
 
HOW LIFE SAVING BELLS ARE FIXED AND WORKED 
 
 HiaswaM^ifiMttaB^Mi 
 
 g^g^^ggg^ig^ai 
 
 A 
 
 asmm 
 
 ^j^H.*.i,H ..^.^^ ^ 
 
 iteMlk 
 
 ■"•'-•■ --^--^-^^ 
 
 A. Position of receiving apparatus in bow ot siiip. B. Tripod and beil altutlied to a iiglitliouse. C. Electric cable. 
 D. Diver laying a submarine bell. E. Submarine bell suspended from a lightship. ¥. Submarine bell buoy. 
 G. Handworked boat gong. 
 
 817 
 
c 
 c 
 
 P 
 
 c 
 
 H 
 
 H 
 
 3 
 
 p^ 
 
 H 
 <1 
 
 H 
 
 ^^ 
 
 H 
 
 O 
 Q 
 
 t--i 
 I— ( 
 
 S18 
 
HARNESSING THE WORLD'S GREAT WATERFALLS 
 
 THE POWER OF A DROP OF WATER 
 
 PROBABLY nothing in the uni- 
 verse is regarded by the ma- 
 jority of people as of less im- 
 •portance than a drop of water. If we 
 want to say how insignificant a thing 
 is, and how little work it can accom- 
 plish, we usually say it is like "a drop 
 in the ocean." And yet the power in 
 a drop of water is so vast that, added 
 to the power in every other drop, it 
 could do all the work of the world a 
 thousand times over. This is no new 
 discovery, for it has been known from 
 very early times. Solomon had dis- 
 covered the power of water when he 
 wrote, "A continual dropping weareth 
 away stone." But it is only now, in 
 these davs in which we live, that men 
 are making practical use of the tre- 
 mendous fact that water has stored 
 up in it energy enough to light our 
 cities, drive our machinery, and move 
 our trains — energy so tremendous 
 that the power of coal and steam are 
 weak and old-fashioned compared 
 with it. 
 
 It has been stated by a great en- 
 gineer that within a very few years, 
 in all those countries that have water- 
 falls and swiftly flowing rivers, trains 
 will no longer be driven by steam, and 
 streets be lighted by gas, but electricity 
 will be used for everything, not only 
 because it is so much better, but be- 
 cause it will be cheaper than any other 
 kind of power. And this mighty step 
 forward will all be due to the power 
 that lies in a drop of water. 
 
 If we put our finger under the 
 water-faucet and then turn on the 
 water, we find that the water presses 
 with such force against the finger that 
 it cannot be held in, but spurts out all 
 around. ^Miat, then, must be the 
 
 accumulated force of a mighty mass of 
 water falling from a great height. 
 
 The world over men are now har- 
 nessing the force of falling water, which 
 for thousands of years has been Tun- 
 ing to waste. The most notable 
 example of this is that of Niagara. 
 
 Long ago, engineers realized that 
 if only a fraction of the water could 
 be harnessed, Niagara Falls could 
 be made to do a vast amount 
 of work. It has been estimated by 
 some expert that the power running 
 to waste at the falls is equal to 
 five million horsepower, more than 
 double that of all the coal mined in 
 the state of Pennsylvania, if that were 
 used in furnaces and turned into steam. 
 This power is worth tens of millions of 
 dollars a year, and yet, until recently, 
 all that it has done has been to wear 
 away a deep bed for the river in the 
 solid rock. 
 Period of discovery 
 
 The Niagara Falls were only dis- 
 covered by white men in 1678, and 
 it has been said that up to that time 
 the roaring waters had been feared. 
 Then they were admired, and now, at 
 last, they are being used to develop 
 the greatest electrical power plant in 
 the world. This development is the 
 pioneer and leader of the electrical 
 
 age. 
 
 The Niagara River falls 300 feet in 
 five miles, 50 feet in the upper rapids, 
 165 feet at the falls and 85 feet in the 
 lower river. In its entire length of 
 36 miles, the river falls 326 feet. The 
 total power-producing capacity of 
 the great cataracts is estimated at 
 from five million to seven million 
 horsepower, and five companies are 
 now developing about 450,000 horse- 
 
 319 
 
320 
 
 THE HUMAN INTEREST LIBRARY 
 
 power on both the American and 
 Canadian sides of the river. The 
 average flow of the river is 122,400 
 cubic feet per second. A flow of one 
 cubic foot per second equals one 
 square mile of water 1.16 inches deep 
 in a 30-day month. The flow of the 
 Niagara River is furnished by six 
 thousand cubic miles or from four 
 lakes having 90,000 square miles 
 of reservoir space. The extreme width 
 of the river is one mile, and the two 
 channels above the falls are 3800 feet 
 wide. The American fall is 165 feet 
 high and one thousand feet wide, and 
 the Horseshoe falls is 159 feet high and 
 2600 feet in width. The greatest 
 depth of the river just below the falls 
 is 192 feet. The power of the Niagara 
 Rapids and falls is estimated to equal 
 the power available or being generated 
 from all the coal mined daily — about 
 200,000 tons. The flow of water 
 over the Falls of Niagara is about 
 25 million tons an hour or one cubic 
 mile per week. 
 Beginning of power development 
 
 The beginning of the project of the 
 electrical development of power at 
 Niagara Falls was the passage by the 
 New York Legislature of a special 
 charter in 1886, granting to the 
 Niagara Falls Power Company the 
 right to develop 120,000 horsepower 
 for a tunnel. The projectors esti- 
 mated that 120,000 horsepower ex- 
 ceeds the theoretical power at 
 Lawrence, Holyoke, Lowell, Tur- 
 ners Falls, Manchester, Windsor 
 Locks, Bellows Falls, and Cohoes, 
 and exceeds the power actually de- 
 veloped at these places and at Augusta, 
 Paterson and Minneapolis. The com- 
 pany was then given the right to con- 
 struct a tunnel with a capacity of 
 100,000 horsepower more. 
 
 The work of excavation for the 
 tunnel was started October, 1890. 
 The intake canal, one and one-quarter 
 
 miles above the falls, is 250 feet wide, 
 twelve feet deep and 1200 feet long. 
 The wheelpit is 178 feet deep. The 
 tunnel is 7-181 feet long and the in- 
 terior dimensions 21 feet by 185 feet 
 six inches. It runs about 200 feet 
 below the City of Niagara Falls. The 
 velocity of the water flowing through 
 it is about 20 miles an hour, the slope 
 being six feet in one thousand feel. 
 In excavating for it 300,000 tons 
 of rock were taken out. For lining 
 it 16 million bricks were used. 
 The initial installation was for 
 15,000 horsepower. This company 
 and its auxiliary, the Canadian Ni- 
 agara Power Company, are now de- 
 veloping about 160,000 horsepower 
 and diverting less than four per- 
 cent of the flow of the river. Its 
 generators are of 5000 and 5500 
 horsepower in its two power houses 
 at Niagara Falls, New York, and of 
 10,000 horsepower at its plant at 
 Niagara Falls, Ontario. 
 Output of five power stations 
 
 Today electrical energy equal to 
 580,000 horsepower is obtained from 
 this single waterfall. This is the com- 
 bined output of the five power stations 
 that dot the banks of the Niagara 
 River. Two are on American terri- 
 tory and three on Canadian soil. 
 The latter are far and away the largest 
 institutions of their kind in existence, 
 generating 110,000, 125,000, and 180,- 
 000 horsepower respectively. 
 
 Here it may be mentioned that one 
 horsepower represents the hard labor 
 of at least ten men, so that the 
 Niagara development of today seems, 
 at first glance, to represent the energy 
 of 5,800,000 men. But man has 
 elected to work no more than eight 
 hours a day, while Niagara gives out 
 its power from sunrise to sunrise, 
 so that the Niagara development 
 stands for the force of 17,400,000 able- 
 bodied men. 
 
WE CAN SEE AT A GLANCE IN THIS PICTURE HOW 
 THE NIAGARA FALLS ARE HARNESSED 
 
 g 4) M 
 
 5 o« 
 
 S«l 
 
THE GIGANTIC WHEEL TURNED BY NIAGARA 
 
 This picture, showing the outside of a turbine, gives some idea of the tremendous size of these marvelous steel water- 
 wheels. The wheel that revolves Inside this will generate enough electricity to light a town, and the entire turbine weighs 
 ISO tons. 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 S2» 
 
 HOW POWER IS GENERATED AND CONTROLLED 
 
 X'/ 
 
 
 
 INTERIOR OF GENERATING STATION, ONTARIO POWER COMPANY 
 
 CONTROL ROOM. ONTARIO POWER COMPANY 
 
Sn THE HUMAN INTEREST LIBRARY 
 
 Putting Niagara to work in this fashion that all water passing through 
 fashion has resulted in a great manu- the cylinder must push the vanes aside 
 facturing city arising on the American in its course, imparting to them, and 
 side of the falls, in which not a single therefore to their axis, a circular mo- 
 steam-engine pants, though coal is tion. Attached to the turbines are 
 very cheap in the locality. Even in revolving shafts of steel reaching up 
 Buff alo, where coal costs only a nominal to the generators in the power house 
 sum, electric power, transmitted 23 on the surface of the ground, which 
 miles from the falls, has completely operate the dynamos and thus pro- 
 ousted steam — a fact which is not a duce the electrical energy, 
 matter of astonishment, considering In the case of the new Canadian 
 that the generating companies supply power houses, the tunnels or pen- 
 current at the rate of $25 per year stocks are of immense size, and were 
 per horsepower, running continuously, laboriously cut through the solid rock. 
 Every year the great electrical ten- The largest is 11 feet in diameter. At 
 tacles reach out farther and farther, their bases there are deep wheel-pits 
 and grip town after town. Already in which the various turbines do their 
 the street cars of Syracuse on the east mighty work. To get rid of the water 
 and Toronto on the west — ^250 miles after it has passed through the tur- 
 apart — are operated by Niagara power, bines, channels have been bored 
 as is also a section of the Erie Railway, through the rock on a gentle gradient 
 150 miles distant. Within a short to points below the falls. 
 time from now towns 300 miles away Driving a tail-race 
 and more will be tapping the energy The tunnel, or "tail-race," of the 
 of the famous falls. Niagara Falls Power Company, the 
 No VISIBLE WHEELS WHICH INDICATE fi^st to be crccted, is 7000 feet long, 
 POWER with a maximum section of 21 feet by 
 
 There are stories told of tourists 18 feet 10 inches. The driving of 
 visiting the falls who, after being im- this tunnel occupied 1000 men con- 
 pressed by their grandeur, ask, "Where tinuously for three years, required 
 are the wheels from which the power the removal of 300,000 tons of rock, 
 is obtained?" As a matter of fact, and consumed 16,000,000 bricks for 
 there is nothing at all at the falls its lining. Add the quarrying out of 
 themselves to indicate that man has 123,455 cubic yards of rock for the 
 in any way harnessed them for his wheel-pits, and it will be realized that 
 benefit. But at five points on the here a very considerable engineering 
 river, above the falls, there are little feat has been performed, 
 dams or openings into which the Of the Canadian power-stations the 
 water runs, and, by falling upon tur- largest is that belonging to the On- 
 bines laid deep down in the bowels tario Power Company, the output of 
 of the earth, generates the power, which is 180,000 horsepower. Its erec- 
 These turbines are in all cases situated tion was a bold and daring undertak- 
 from 170 to 180 feet below the surface ing. About a mile above the falls a 
 of the river, and the water is supplied great wall 600 feet long was built out 
 through vertical pipes, known as obliquely into the river, slanting 
 penstocks. downstream. From here water passes 
 
 A turbine is composed of a number into the tunnel and down on to the 
 
 of vanes set spoke-wise round an axis, turbines in the giant wheel-pit, an 
 
 and enclosed in a cylinder in such a ingenious arrangement of sluice-gates 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 325 
 
 and gratings keeping back any ice 
 that is brought down by the river 
 during the winter months. The tun- 
 nel or penstock is 7 feet by 15 feet, 
 and from its base a lateral tunnel, 8 
 feet by 15 feet, has been driven out, 
 400 feet back of the Horseshoe Fall, 
 to carry off the "dead" water. 
 
 The piercing of the rocky cliff in the 
 rear of the Horseshoe Fall by this 
 lateral tunnel was one of the most 
 notable engineering exploits Niagara 
 has known in connection with its mag- 
 nificent power development. 
 
 So far as the power-houses are con- 
 cerned, all that the visitor detects are 
 rows of mighty dynamos, the largest 
 in the world, while he is conscious of 
 a ceaseless hum. This is caused by 
 the armatures as they spin round at a 
 speed of 1500 revolutions per minute. 
 The outcome of this activity is that 
 power is generated, and, by means of 
 specially designed cables, carried to 
 distant places to be used as desired. 
 
 In the same way man has harnessed 
 the famous Victoria Falls, on the 
 Zambesi, in South Africa. These falls 
 have a drop of close upon 400 feet and 
 are more than a mile in width. Their 
 potential energy is estimated to be 
 fully 35,000,000 horsepower, several 
 times as great as that of Niagara. 
 Here it is interesting to note that if 
 the whole of the waterfalls of Europe, 
 both large and small, were utilized in 
 the service of man tomorrow, they 
 would not aggregate more horsepower 
 than that which could be obtained 
 from this single waterfall in South 
 Africa. So far man has only tapped 
 a fraction of this enormous energy 
 now running to waste at the "Roaring 
 of the Waters," namely, some 150,000 
 horsepower, less than one two-hun- 
 dredth part of the whole. 
 
 As Niagara and the Victoria Falls 
 have been harnessed so, no doubt, in 
 course of time, the same fate will over- 
 
 take the Yguazu Falls situated on the 
 river of that name, a tributary of the 
 Parana, in South America. These 
 falls are over two miles wide and have 
 a drop of 215 feet. Here is continu- 
 ally running to waste some 14,000,000 
 horsepower. 
 Famous European waterfalls 
 
 The great waterfalls of Europe have 
 long been harnessed to the service of 
 man. The Rhine Falls at Schaff- 
 hausen, the most voluminous of Euro- 
 pean waterfalls, now generate elec- 
 tricity for a variety of purposes. Then 
 the Rjukan Falls of the Maan-Elf 
 River, in the Norwegian province of 
 Telemarken, have been tamed re- 
 cently, a 125,000 horsepower plant 
 having been erected there. This is the 
 highest waterfall in Europe. The 
 principal fall is 800 feet high, and the 
 total height of the two chief falls with 
 the intervening rapids amounts to 
 1837 feet, while the average flow of 
 water is 1760 cubic feet per second. 
 The Falls of Trollhattan, the most cele- 
 brated of all Scandinavian waterfalls, 
 now work for man, generating some- 
 thing like 40,000 horsepower. In- 
 deed, the total energy man obtains 
 today from falling water, in Europe 
 alone, represents, it is estimated, not 
 less than 8,650,000 horsepower. Yet 
 we are but on the verge of a revolution 
 in our methods of obtaining energy for 
 locomotion, lighting, heating, and 
 factory operations, for there are many 
 falls and large volumes of water 
 still running free that are capable of 
 being tamed for man's service. 
 
 Electric current is sold by the horse- 
 power and also by measure and watt 
 hour. The volt is the unit of electri- 
 cal current. A volt multiplied by an 
 ampere is a watt. A watt is the unit 
 of electrical power. One thousand 
 watts make a kilowatt. Seven hun- 
 dred and forty-six watts make one 
 horsepower. 
 
326 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE KEOKUK DAM ACROSS THE FATHER OF WATERS 
 
 FOR more than half a century 
 dwellers upon either shore of 
 the Mississippi near the Des 
 Moines rapids have watched the 
 rushing waters and longed for the day 
 when the mighty river should be 
 harnessed for the benefit of mankind. 
 For many years such an undertaking 
 was impossible. But the advent of 
 the "concrete age" has enlarged the 
 powers of the engineer and the won- 
 derful development of the Middle 
 West has at last furnished the capital 
 essential to the stupendous under- 
 taking. 
 
 This greatest of all water-power 
 developments is the outgrowth of 
 public energy exerted continuously 
 over a long series of years, although 
 the last ten years only were the ones 
 productive of tangible results. The 
 work was started by the organization 
 of a small corporation, consisting 
 really of the people of Keokuk, Iowa, 
 and Hamilton, 111., organized to facili- 
 tate action, the money necessary to 
 launch the enterprise being paid from 
 the respective city treasuries. 
 
 Safeguarding the rights of the 
 
 PUBLIC 
 
 Upon petition Congress accorded 
 to this corporation the rights and 
 franchises essential to the construction 
 of a dam at Keokuk. But the act 
 granting the franchise placed every 
 detail of the work under the super- 
 vision of the War Department. It 
 was also provided that a colossal lock 
 of the Panama type should be con- 
 structed and an immense dry dock, 
 and that these should become the 
 property of the Federal Government 
 and yet be perpetually operated at 
 the expense of the corporation. 
 
 The Government also secured deep- 
 water navigation for sixty-five miles 
 above the proposed dam. 
 
 Searching for capital to build the 
 
 DAM 
 
 The local corporation, after receiv- 
 ing its franchise from Congress, began 
 a search for some one to take over 
 its rights and construct the dam. It 
 finally came in contact with Hugh L. 
 Cooper, who had built many large 
 water plants, including the great one 
 at Niagara Falls. He became much 
 interested in the Keokuk project and 
 a few years later he built the great 
 dam and as its chief engineer at- 
 tained international fame. 
 
 But the intervening years were 
 nerve-racking ones. The first fifty- 
 eight capitalists Mr. Cooper ap- 
 proached turned him away coldly, 
 saying the proposition could not be 
 made a success. He spent all his 
 own assets in the search for capital. 
 Just before the five years provided in 
 the franchise for beginning work ex- 
 pired, Stone & Webster, a Boston 
 financial house, heavily interested in 
 public utilities throughout the coun- 
 try, agreed to finance the proposition 
 and gather the capital for it, which 
 they did, largely in Europe. 
 
 A year was spent partly in con- 
 struction, but chiefly in assembling an 
 organization of hundreds of engineers, 
 thousands of workmen and over a 
 million dollars' worth of machinery, 
 most of it built from original designs 
 for the work. Then the entire dam 
 was rushed to completion in about two 
 years, although it contains the same 
 amount of masonry as the great 
 pyramid of Cheops which is said to 
 have required for its building the 
 labor of a hundred thousand men for 
 about a hundred years. 
 The largest power dam in the world 
 
 The Keokuk dam, the largest power 
 dam in -the world extends for nine- 
 tenths of a mile from the Illinois bluffs 
 across the ri'^'er to its junction with the 
 
THE KEOKUK DAM, LOCK AND DRY DOCK 
 
 The Keukuk waterpower jiist previous to its completion, showing tlie dam stretching across the Mississippi to the 
 power house which extends down the river to the government loclt In the foreground. Between the lock and the reader Is 
 the dry dock partially completed. This lock and dry dock belong to the United States after being completed at the cost 
 of the company. 
 
 The world's greatest power (lam uuiii uctos.s the Mississippi to join the power house lu the iiisiaiiee ou iiie luwa cule 
 of the river. 
 
 The colossal Keokuk lock la tbe Missiasiuui aa wide as those at Panama and with a higher lilt than any one lock ou thtt 
 Isthmua. 
 
 SS7 
 
338 
 
 THE HUMAN INTEREST LIBRARY 
 
 power-house near the Iowa side of the of over one hundred square miles, and 
 Mississippi. The power-house extends its surface is kept constantly at the 
 down the river and is one-third of a same height by opening or closing 
 mile long, half a city block wude, and gates in the dam as the stage of water 
 as high as a fifteen-story building, in the river changes. 
 At the lower end of the power house, The giant power house 
 between it and the Iowa shore, is the The power house has thirty identical 
 great lock, as wide as those at Panama units, each composed of a gigantic 
 and wuth a higher lift than any of water wheel connected by a shaft 
 them. Between the lock and the with a mammoth electric generator 
 west bank of the river is the mam- above it. Each of these wheels is 
 moth dry 
 dock in 
 which boats 
 are built and 
 repaired. 
 The upper 
 end of the 
 forebay is 
 closed with 
 a massive 
 con Crete 
 drift skim- 
 mer. The 
 total length 
 of the work 
 is ten feet 
 less than two 
 and one-half 
 miles; all 
 solid c o n - 
 Crete. The 
 concrete ma- 
 sonry is set 
 down into 
 the hard 
 limestone 
 bottom of 
 the Mississippi river, which was exca- through immense transformers which 
 
 One of the thirty titanic turbines of the Keokuk water-power plant, 
 several times as large as any ever built before. It weighs several hundred 
 thousand pounds and revolves with the power of ten thousand horses. 
 
 over f o u r 
 times as 
 large in di- 
 mensions as 
 any ever 
 built before. 
 They were 
 hauled on a 
 car built for 
 the purpose, 
 after the 
 water tank 
 spouts and 
 coal chutes 
 had been re- 
 moved along 
 the route 
 from the 
 foundry in 
 Ohio to Keo- 
 kuk. From 
 the largest 
 generators 
 ever built 
 the electric 
 current is 
 conducted 
 
 vated for that purpose inside cofferdams, 
 one of which enclo.sed thirty-five acres. 
 The dam is fifty-three feet high, 
 forty-two feet wide at the bottom and 
 twenty-nine feet wide on top, and 
 
 step it up to 110,000 volts at 
 which pressure it goes over the trans- 
 mission line to St. Louis and inter- 
 mediate cities. This transmission line 
 consists of six large copper cables sup- 
 
 consists of 119 arched spans, between ported on steel towers standing on 
 
 the piers of which are spillways over concrete pillars. The total power 
 
 which the water flows; each spillway developed on the water wheel shafts 
 
 being topped by a huge steel gate, is 300,408 horsepower, and after de- 
 
 The lake above the dam has an area ducting losses there remain 200,000 
 
BOOK OF EXGIXEERIXG AND INDUSTRY 
 
 329 
 
 horsepower to be used in manufactur- 
 ing. The power developed in that 
 one power house is greater than the 
 total water-power generated in any 
 state in the Union save three — Maine, 
 California and New York. 
 The wonderful lock gates 
 
 The features of the lock are the re- 
 sult of its exceptional size. The 
 lower gates weigh a million pounds 
 and the sag strain on the top of the 
 hinges is 364,000 pounds in each of 
 the two gates. Yet they move so 
 easily that only a little force is re- 
 quired to swing them open or shut, 
 and they meet in the middle of the 
 lock so perfectly that there is no more 
 leakage of water than the quantity one 
 may wring from a pocket handker- 
 chief. The upper gate is a marvel of 
 mechanical engineering and is a bas- 
 ically new invention in lock gates. 
 The work has attracted the attention 
 of economists on account of its great 
 efiPects on the Middle West and the 
 entire Union by its influence on manu- 
 facturing. Most of the water power 
 in operation in the United States is 
 around the borders of the country and 
 is used chiefly for lighting and traction 
 power because its distance from raw 
 material and markets lessens its 
 value for manufacturing purposes. 
 
 Disposal of the electricity gener- 
 ated 
 
 This Keokuk water power of colos- 
 sal size is in the very center of the 
 populous Mississippi Valley where its 
 electric power is especially available to 
 energize machines in factories. It is 
 intended specifically for that use. It 
 
 produces many times enough power to 
 supply the manufactures now in its 
 sphere of influence, and a vast amount 
 of manufacturing must be moved into 
 its power zone to consume the electric 
 current now produced. The trans- 
 mission lines run to Burlington, Iowa, 
 40 miles to the north and to St. Louis, 
 150 miles to the south, tapping inter- 
 mediate cities. The current is spe- 
 cially available at Keokuk, Iowa, and 
 Hamilton, Illinois, at the opposite 
 ends of the gigantic work. 
 A new industrial district in the 
 
 COUNTRY'S heart 
 
 The proprietary company recog- 
 nized that its large quantity of power 
 could not be sold quickly to factories 
 brought into the power zone and early 
 began a campaign to build up a new 
 industrial district in the heart of the 
 country. To this end it is assisting 
 each of the cities in the power zone to 
 make themselves attractive to manu- 
 facturers and factory operatives. It 
 is based on the greater economy in 
 electric power produced by water over 
 steam power produced by coal. 
 Though located in the midst of the 
 cheapest coal in the world it will 
 more than meet the competition of 
 that coal in its prices for power. 
 Eight million tons of coal saved 
 
 YEARLY 
 
 This Mississippi water power con- 
 serves for other uses than manufac- 
 turing over 8,000,000 tons of coal 
 yearly. It will make a new manu- 
 facturing center for the United States 
 and start a new industrial era for the 
 already rich Mississippi Valley. 
 
S30 
 
 TEE HUMAN INTEREST LIBRARY 
 
 MARVELS OF UNDERGROUND ENGINEERING 
 
 OF all the problems which have 
 confronted the engineer dur- 
 ing the past twenty years, 
 none has been more persistent than 
 that of the relief of traffic congestion 
 in our great cities. 
 
 City after city has discovered, when 
 the cost of acquiring property at sur- 
 face has become prohibitive, that its 
 main traffic arteries are hopelessly 
 faulty in design for efficient service; 
 and the false expedients which have 
 been devised for relief, only to present 
 new and more difficult problems, are 
 too familiar to need enumeration. 
 Surface congestion 
 
 There are three types of congestion 
 — pedestrian, passenger vehicular, and 
 freight vehicular, the last two being 
 capable of further subdivision. 
 
 In many cities the congestion on the 
 footpath itself is so great that walking 
 is a waste of time. In parts of the City 
 of London an hour's hard walk at noon 
 would accomplish less than a mile and 
 a half. 
 
 Each large city presents a different 
 problem for solution, as the result of 
 the conditions which have governed 
 its growth. London's chief problem 
 has been to secure a passenger trans- 
 port service connecting the districts, 
 constantly expanding north, south, 
 and west, with the city business cen- 
 ter and the busy port to the east. 
 
 In Paris the problem was partly a 
 military one. It was necessary to 
 secure intercommunication between 
 isolated suburbs set radially about the 
 center, both within and without the 
 fortifications, as well as to make possi- 
 ble the rapid concentration of troops 
 to any part of the defences. 
 
 Boston and Philadelphia have com- 
 paratively short subway systems for 
 passenger traffic — particularly Phila- 
 delphia — in Chicago, following on the 
 
 extension of the railway system of 
 America, it became imperative to find 
 some means of handling the freight 
 transfers of the twenty-five great 
 trunk lines which meet there. 
 
 New York City has had to face the 
 most difficult problems of all. Here 
 the original city, situated on the long 
 and narrow Manhattan Island, has 
 extended southeast over the southern 
 portion of Long Island (owing to port 
 facilities) and west, on to the main- 
 land around the termini of the trunk 
 lines which serve the continent. The 
 problem in New York was that of 
 establishing intercommunication north 
 and south along the axis of Manhattan 
 Island, and east and west across the 
 broad East River to Brooklyn, and the 
 great estuary of the Hudson to Jersey 
 City on the mainland. 
 Elevated railways 
 
 The first attempts to relieve con- 
 gestion of traffic at surface took the 
 form of elevated railways, and those 
 of New York and several continental 
 cities are models of ingenuity in con- 
 struction. These, however, except in 
 those cases such as the Barmen-Elber- 
 feld Monorail, where they can be con- 
 structed over existing water courses, 
 invariably introduced other undesir- 
 able conditions. 
 
 The early subterranean railways 
 (such as the London Metropolitan and 
 District) were constructed on the cut- 
 and-cover system. Steam was the 
 motive power used by the trains, and 
 the use of fire under the boiler, with 
 the attendant smoke difficulty, made 
 large tunnel sections and frequent 
 communication with the open air 
 imperative. 
 
 The conditions which have led 
 immediately to the construction of 
 relatively deep tunnel communications 
 have been accurate geological knowl- 
 
BOOK OF ENGINEERING AND INDUSTRY 331 
 
 edge of the continuity and thickness underground communication; but the 
 of certain soft strata, and the march problem in the one case has been the 
 of physical science in the department transport of passengers, and in the 
 of electricity, combined with the in- other that of freight, 
 genuity of the engineer in following Chicago possesses some sixty or 
 closely the discovery of scientists in seventy miles of underground railway 
 both domains, and bending them to on which not a single passenger is car- 
 service in his work of construction. ried, the work of transport being con- 
 It must not be imagined that all fined to mails, merchandise, coal, and 
 cities can be provided with such an rubbish. The track serves every 
 admirable system of deep level under- street in the business district, and a 
 ground communications as London great deal of the residential quarter, 
 has. Had it not been for the existence Goods for delivery to the railway 
 of the stratum known as the London termini or other parts of the city are 
 clay, which overlies the chalk and sent to the nearest collecting station 
 lower London tertiaries, the con- and conveyed over the railway system, 
 struction of such communications, if Ashes and coal are collected and dis- 
 they existed at all, would have been tributed in the same way. The mail 
 on the cut-and-cover system, to take bags are handled on mechanical ele- 
 advantage of the soft subsoil. Econom- vators, from the subway into the post- 
 ic considerations would have made office building and vice versa, and the 
 them far more limited in extent, and streets are relieved of freight traffic to 
 great inconvenience in the way of the extent of about 30,000 tons daily, 
 traffic dislocation during their con- Large business houses have private 
 struction. elevator shafts from the basements to 
 In the Paris Metropolitan and the the subway below. In recent years. 
 New York subway, we find typical wherever a large building has been 
 cut-and-cover work, and the London erected, a temporary shaft has been 
 County Council tunnel under Kings- constructed to the subway, and all 
 way is an excellent example of the the excavated material from the 
 type of such construction. The neces- foundations has been fed straight into 
 sary arrangements for traffic diversion, cars below, at an average depth of 45 
 and acquirement of surface property, feet below the surface, 
 add enormously to the cost of an The tunneling for Chicago's freight 
 undertaking of this kind. railway was carried out at the rate of 
 Both Paris and New York present some 300 feet per day, and the exca- 
 the same difficulty of rock at or near vated material added a park of over 
 the surface with a certain thickness twenty acres on the lake shore to the 
 of subsoil and surface gravels to help city's open spaces, free of cost to the 
 out. A large proportion of the New community. 
 
 York subway had to be blasted from It was originally intended to operate 
 
 the solid rock. New York has the the King William Street and Elephant 
 
 added complication of the necessity and Castle subway, London, by a steel 
 
 of carrying the tunnels beneath wide cable. Following on the successful 
 
 and deep river channels. construction and operation of this 
 
 London and Chicago are related, in subway, it was for the first time 
 
 that each is underlaid by a thick sub- generally realized that, conditions be- 
 
 stratum of plastic clay and an admira- ing similar under the whole of Lon- 
 
 ble medium in which to construct deep don, a network of subterranean rail- 
 
sss 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 333 
 
 ways was possible, to deal with the 
 passenger traffic problem in every 
 part of the city and suburbs. The 
 year 1893 saw the construction au- 
 thorized of not less than six separate 
 tubes. 
 
 It is comparatively easy today to 
 build subways, even when their con- 
 struction involves tunneling under the 
 beds of great rivers. But when the 
 Pennsylvania Railroad tunnels under 
 the North and East Rivers, ninety- 
 seven feet below high-tide level, were 
 bored from the New Jersey shore 
 across to and under Manhattan 
 Island and thence to Long Island there 
 was no engineering precedent for the 
 undertaking. 
 
 The tunnels or tubes themselves 
 consist of a series of iron rings, and 
 the installation of every ring meant 
 an advance of two and one-half feet. 
 Eleven segments and a key piece at 
 the top complete the circumference, 
 and an entire ring weighs about fifteen 
 tons. The cast-iron plates, or sec- 
 tions of the ring, have flanges at right 
 angles to the surface, and it is through 
 these that the successive rings are held 
 together with bolts. The record prog- 
 ress in one day of eight hours was 
 five of these rings, or twelve and one- 
 half feet. Hydraulic rams, placed 
 against the flanges every few inches 
 around the tube, were used to push 
 forward the huge shields with which 
 the tunnels were bored. This type 
 of shield weighed 194 tons. 
 
 Longest, if not the largest, of the 
 holes burrowed under New York by 
 human moles is the great water tunnel 
 through which the mountain streams, 
 impounded by the Ashokan dam and 
 brought to the city's edge by the Cats- 
 kill aqueduct, will be distributed 
 through the five boroughs. There are 
 four distinct types of aqueduct, cut- 
 and-cover, grade-tunr.cl, pressure-tun- 
 nel, and steel-pipe siphon, north of the 
 
 city line. The city aqueduct, through 
 which Catskill water will be distrib- 
 uted, is a circular tunnel in solid rock, 
 fifteen feet in diameter at the upper 
 end and reduced to eleven feet in the 
 outlying boroughs. From two ter- 
 minal shafts in Brooklyn steel and 
 iron pipe lines will extend into Queens 
 and Richmond. A cast-iron pipe, 
 resting on the harbor bottom, will 
 cross the Narrows to the Silver Lake 
 reservoir on Staten Island, holding 
 400,000,000 gallons. The total length 
 of this delivfciy system is over thirty- 
 four miles. The tunnel has depths of 
 200 to 750 feet below the street sur- 
 face, thus avoiding interference with 
 streets, buildings, subways, sewers 
 and pipes. These depths are necessary, 
 also, to secure a substantial rock 
 covering to withstand the bursting 
 pressure. The tunnel construction 
 involves twenty-four shafts, about 4000 
 feet apart, located in parks and other 
 places where they interfere very little 
 with traffic. Through these shafts, 
 also, the delivery of the water is ac- 
 complished through additional pipes. 
 
 One of the most remarkable of such 
 undertakings is the great aqueduct 
 which traverses no less than 246 miles 
 to supply Los Angeles with water. 
 
 Determined to secure a supply of 
 the purest water obtainable, the en- 
 terprising authorities of this American 
 city have tapped a source high among 
 the mountains of the Sierra Nevada. 
 From that distant place a crystal 
 river will flow through divers con- 
 duction agencies before it reaches the 
 water-taps of city consumers. For 
 over twenty-two miles its way lies 
 through a canal; a conduit covered 
 with concrete conveys it for 1643^ 
 miles. More than ten miles of tunnel 
 have been painfully delved through 
 earth by human moles to provide a 
 passage-way for it, while eighteen and 
 one-fourth miles have been hewn and 
 
The Jawbone Siphon Is the most remarkable in the world, 
 length of 8135 feet, and weighs no less than 3243 tons. 
 
 THE JAWBONE SIPHON 
 
 Varying between 7 and 10 feet in diameter, It has a total 
 
 S34 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 335 
 
 THE EASTERN HALF OF SOLEDAD SIPHON 
 
 The Soledad Siphon 8000 feot in length, with lt3 
 diameter of 1 1 feet, so big that a motor-car can be driven 
 through it without grazing either side. 
 
 blasted in the solid rock. In addition, 
 there are nearly two miles of steel 
 flume, the cleansing reservoirs extend 
 seven and one-half miles in length. 
 
 and the engineers can take advantage 
 for twelve and one-half miles — roughly 
 one-twentieth of the entire distance — 
 of the natural bed of a stream. 
 
 Great as this achievement of delving 
 and blasting and adaptation of exist- 
 ing means undoubtedly is, it pales 
 into insignificance beside the means 
 employed for nine miles of the way, 
 by wliich the stream sufficient for a 
 population of two million souls is car- 
 ried over mountain tops and down the 
 sides of deep valleys. To cope wdth 
 such difficulties the engineers realized 
 that it was necessary to employ the 
 siphon principle. Never before has 
 so much mammoth steel piping, capa- 
 ble of carrying three hundred million 
 gallons of water per diem, been em- 
 ployed for such a purpose. The Jaw- 
 bone Siphon is the most remarkable 
 in the world. 
 
 UNDERGROUND LIFE OF THE BIG CITIES 
 
 o 
 
 From a million and a half to a mil- 
 lion and three-quarters of the residents 
 of New York City spend at least a 
 portion of each day underground, and 
 many thousands come to the surface 
 so rarely that the light of day blinds 
 them when they reach it. 
 
 According to the best obtainable 
 statistics about 20,000 persons in New 
 York City spend their entire working 
 hours beneath the surface of the earth. 
 
 These figures are not the sort that 
 deceive. They are figures of fact, con- 
 servatively given, and if in any man- 
 ner incorrect, they err on the side of 
 conservatism. 
 
 On quite ordinary days 1,500,000 
 persons are accommodated in the New 
 York subways, and the crowds are 
 multiplying week by week. 
 
 Men go below the surface to reach 
 the trains that are to take them from 
 the architectural wonder, the new 
 Pennsylvania Station, east and west 
 out of the city. After they have 
 
 reached the trains they are dropped 
 still further underground, in order that 
 they may pass beneath the bottom of 
 the Hudson and East Rivers. 
 
 To get out of New York City by 
 means of the New York Central Rail- 
 road or the New York, New Haven 
 and Hartford Railroad it is necessary 
 to make use of that other architectural 
 wonder, the Grand Central Station, 
 and again travelers drop down into the 
 bowels of the earth before they may 
 start. 
 
 The Lackawanna Railroad, not to be 
 outdone by its rivals, advertises that 
 "Miss Phoebe Snow" may now travel 
 from Thirty-third Street to Buffalo, 
 and to do that must go down into the 
 earth and under the North River to 
 make her start. 
 
 All of this underground business 
 sounds dingy and dirty, but in reality 
 there is much that is clean, bright and 
 attractive about New York's under- 
 ground world. The new Pennsylvania 
 
336 
 
 THE HUMAN INTEREST LIBRARY 
 
 Station, to which reference is made by 
 way of illustration, covers more terri- 
 tory than any other building ever con- 
 structed at one time in the history of 
 the world. From beneath its wonder- 
 ful dome trains pass out under the 
 North River to start on their 2000 
 mile trip into the west, and other 
 trains travel eastward far beneath the 
 surface of Manhattan Island, then out 
 under the East River into Lonr^ Island. 
 Wonderful and beautiful as the 
 Pennsylvania Station is, it has a fair 
 rival in the new Grand Central Sta- 
 tion, only recently opened to the public. 
 Practically every skyscraper in New 
 York City, and they are numbered by 
 the hundreds, adds its quota to the 
 "underworld" population of the city. 
 Before the greater structures — those 
 that rear their way thirty, forty and 
 fifty stories into the air — are really 
 started, their foundations are sunk far 
 down into the living rock which forms 
 practically all of Manhattan Island. 
 In many cases very comfortable apart- 
 ments are to be found forty or fifty 
 feet below the street surface, and there 
 families are raised, children growing to 
 maturity without ever having known 
 the comforts of a home above ground. 
 Practically all of the great news- 
 papers of New York City have their 
 batteries of presses below the surface 
 of the earth. Some of them, notably 
 the Herald, so arrange their windows 
 as to make their pressrooms visible 
 from the sidewalks, malcing them show 
 places that attract tens of thousands. 
 In the great hotels of New York the 
 mechanical departments are all far 
 beneath the street surface. These de- 
 partments are well worth visiting, and 
 in most cases the hotel proprietors are 
 only too glad to permit their kitchens, 
 bakeshops, furnace rooms, engine- 
 rooms, and laundries to be inspected. 
 These places ordinarily are the clean- 
 est in the entire hotel. 
 
SS7 
 
338 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 SB^ 
 
 Then, too, in most of the more ex- 
 pensive hotels the grillrooms are below 
 stairs. On these rooms and in these 
 rooms fortunes are spent by the 
 proprietors and their patrons. A few 
 years ago fashionable New York re- 
 fused to put its feet below the street 
 level. Now it goes willingly into the 
 basement, there to nibble at delicacies 
 and sip vintage wines for which it pays 
 exorbitant prices, the while listening 
 to high - salaried cabaret performers 
 who are assisted in their performances 
 by world-famous orchestras. 
 
 Many of New York's greatest 
 department stores are connected di- 
 rectly with the subways, as are also 
 some of its newer theaters. A party 
 once visiting in New York, lived for a 
 fortnight in one of the most fashionable 
 and most expensive hotels in the city, 
 spent most of their time shopping, 
 sight-seeing and theater-going, and 
 only once during the entire fourteen 
 days passed into the open air of the 
 
 outside world. From their rooms in 
 the hotel they were dropped by ele- 
 vator to the level of the sul)way. 
 Through the subway they went to 
 department stores, theaters, restau- 
 rants, museums and even to church. 
 When they started for home they went 
 by subway from their hotel to the 
 Grand Central Station and did not 
 get out into sunlight until their train 
 had well started on its journey. 
 
 ^Yhile the underground development 
 of New York has progressed farther 
 than that of any other city, yet the 
 inevitable tendency, wherever popula- 
 tion becomes congested and land 
 values high, is to utilize the subter- 
 ranean areas for business purposes. In 
 I^ondon, where the skyscraper has never 
 found favor, a very marked devel- 
 opment downward is now in progress. 
 The new County 
 Hall, which is slow- 
 ly assuming shape 
 and substance 
 
 ONE OF TH£ EXPENSIVE GRILL ROOMS FAR BELOW THE STREET LEVEL IN NEW YORK 
 
SJ^O 
 
 WE HUMAN INTEREST LIBRARY 
 
 on the south side of the Thames 
 Embankment, is one of the many new 
 buildings in London remarkable for 
 their underground space, and every 
 year sees extensive additions to the 
 underworld of London, where the ab- 
 normal demands on space have evolved 
 the underground man. 
 
 Paris, too, has a highly interesting 
 underground life. Unique among 
 cities in many respects, in none is it 
 so remarkable as in its great sewer 
 system, which for years furnished 
 hiding places for criminals and secret 
 passageways utilized by many for 
 transit between different parts of the 
 city. Now the subways of Paris have 
 
 become the most popular means of 
 travel in the French capital. There 
 are eight subway lines in all, and their 
 popularity is due to the small expense 
 of traveling, the quick and efficient 
 service, and the convenient system of 
 "change" stations permitting transit 
 from any one part of the city to any 
 other for the same price. 
 
 Boston and Philadelphia have pro- 
 gressive and impressive subterranean 
 railway systems for passenger traffic; 
 but New York, where every inch of 
 excavation must be blasted out of 
 solid rock, has however, developed the 
 human mole to a greater degree than 
 any of them. 
 
 STE>NVS//KV LINE 
 
 DIAGRAM SHOWING THE DIFFERENT SUBTERRANEAN PASSAGES AND TUNNELS EXCAVATED AT 
 THE GRAND CENTRAL STATION BY NEW YORK'S HUMAN MOLES 
 
BOOK OF EXGL\h:i:Rl\G AXD rXDUSTliV 
 
 341 
 
 SPAN OF THE NEW BRIDGE OVER HELL GATE, NEW YORK 
 
 FOOTPATHS IN THE AIR 
 
 NO one can say who built the 
 first bridge. Nature herself 
 would no doubt be man's first 
 teacher. Man would find a path 
 across a chasm by clinging to a twisted 
 vine; or he would see a ready-made 
 bridge consisting of a fallen tree-trunk 
 across a stream. Those were the first 
 bridges, and they were the sort which 
 would have to be made for hundreds 
 of years. 
 
 One day a genius arose, wdio dumped 
 high heaps of stone in a line across a 
 stream, and on the top of these placed 
 slabs of slate or stone or fallen trees. 
 Then, a long, long while afterwards, 
 came real bridges. The Romans were 
 the first to learn how to make these. 
 They built splendid bridges on arches, 
 some of w^hich exist today. 
 
 A great reform was made in bridge- 
 building by John Rennie, an engineer 
 and architect. It had been customary 
 to make the arches very high, so that 
 the roadway sloped sharply up on one 
 side, and very sharply down on the 
 other. But Rennie made his arches, 
 not like the half of a circle, but like 
 the half of an egg, cut lengthwise. 
 
 There still exists a famous single- 
 arch bridge of the old type, the famous 
 bridge at Pontypridd, Wales. 
 
 When the eighteenth century was 
 drawing to a close, men began to 
 
 build bridges of cast iron. But engi- 
 neers soon found that, though cast 
 iron can bear great pressure, it will 
 not bear much pull. It cannot be 
 easily crushed by a w^eight, but it can 
 soon be snapped by weights which 
 pull at the two ends. So then they 
 used wrought iron, which cannot easily 
 be pulled apart. That served until 
 steel came into use in the nineteenth 
 century. 
 
 It is over the Hudson River in New 
 York and over the St. Lawrence in 
 Canada that man has gained his 
 greatest victories in spanning wide 
 expanses of water with gigantic steel 
 roadways. It must not be forgotten 
 that Great Britain has many fine 
 examples of the bridge-builder's art; 
 the Royal Albert Bridge at Saltash, 
 the Britannia Bridge over the Menai 
 Strait, and the Forth Bridge, whose 
 span of 1700 feet has yet to be 
 eclipsed, may be quoted as daring 
 and remarkable bridge-building feats. 
 
 The first great bridge built of 
 wrought iron was the Britannia 
 Bridge, in North Wales. The builder 
 was Robert Stephenson. He made a 
 huge square tube of iron — iron at the 
 top, iron at the sides, iron at the 
 bottom, and through this tube of 
 iron the trains pass. To increase the 
 strength of the bridge he made the 
 
OLD-FASmONED BRIDGES IN PICTUUESQUE LANDS 
 
 This picture gives us an idea of what our bridges were like once upon a time. Here is one built on piers made of 
 nothing but logs. On top there is a roadway of timber. This is the bridge at Sringar, the beautiful old capital of Cashmere, 
 Northern India. The houses recall the bridges of old-time London with their shops and dwellings. 
 
 This rough-aiid-riady bridge serves for fishermen to 
 pass to a rock oft the coast of Antrim, Ireland. It con- 
 si 3ts only of strong ropes and staves of wood. In stormy 
 weather it sways and needs courage to cross. 
 
 Tight-rope walkers should like this bridge. It is made 
 up of three ropes. Two of the ropes serve as handrails; 
 the third is the footpath. It crosses a river in India 
 which has many modest suspension bridges like it. 
 
 This Is the sort of big bridge that we see where the single arch and cantilever are not used. It is the Iwakuni Bridge 
 In Japan, a bridge ot wood and stone, in (our spans. Only small ships can pass under it, and the roadway is as steep as 
 a awltcbback ladder, and la tumished with 200 steps. Horses and carts cannot go over it. 
 
 S42 
 
BEGINNING TO B IT I L D A GREAT BRIDGE 
 
 
 
 
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 This shows us liuw the weight of a bridge is liistriluilrd; ii lUu-tiuu- wliai IthLl;! -Iiuil'l. i - rail tlie cantilever prin- 
 ciple. These two men are sitting on chairs, each holding two sticlis. The outside sticlvs are fastened to weights, and 
 cannot move. The inner sticlis are fixed to the chairs, and from their tops another sticli is stretched, bearing a weight of 
 112 pounds. Yet the men feel no weiglit, and they represent two pairs nf cantilevers. 
 
 This is a caisson, like a great hollow chamber, inside which men can work to set tip the foimdations of a bridge. The 
 caisson is here floated into position for the building of the Forth Bridge. The huge steel lulxs reach down to the bottom 
 of the water, and men work inside them without danger, as if in a workshop. 
 
 This shows the caisson in position, sinking in the water. It is about 70 feet wide at the bottom. Thuugh upon at the 
 lop, it has water-tight floors inside, and at the bottom there is a chamber 70 feet wide and 7 feet high, lighted by electric 
 lamps. In wblcb the men. breathing air sent down in tubes, can work safely 
 
 34S 
 
THE INTERIOR WORKSHOP UNDER THE WATER 
 
 This shows us the Inside of a caisson while the men are working. We can see the tubes leading down from the top to 
 the working chamber at the bottom. Inside one tube is a ladder by which the workers climb up and down. Other men 
 bring down material and take up the broken rock which has been dug. Another tube brings down air for the men to breathe. 
 If the bed of the river is muddy the mud is forced away by the compressed air. Water is kept out of the chamber by com- 
 pressed air which la made to press with greater force than the water. From top to bottom the caisson is 60 feet deep and 
 Inside It Is like engineering works. 
 
 S44 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 Si5 
 
 iron at the top and bottom tube- 
 shaped, instead of soUd, because it 
 would better stand the pull of the 
 
 weight. 
 
 The great iron tubes in which the 
 train crosses the water 
 
 These tubes are built on huge col- 
 umns of masonry, one built on an 
 island half-way across the water, and 
 the others on the land at the sides. 
 As ships were constantly passing, it 
 was impossible to put up great scaffolds 
 on which to build up the ironwork. 
 So Stephenson had the two tubes, 
 nearly 500 yards long, built in four 
 sections on shore. When all was 
 ready the big tubes were floated on 
 many boats, and ferried out to the 
 the towers. 
 
 As the tide went out the boats 
 gradually sank, and the tubes, weigh- 
 ing 5000 tons each, came to rest in 
 grooves prepared for them in the 
 masonry. Then the boats were 
 drawn awav and the enormous masses 
 
 of iron were hoisted up to the proper 
 height, 100 feet above the water, by 
 great engines. 
 
 The finest of all bridges is the great 
 steel cantilever bridge. A cantilever 
 is copied from the oldest of simple 
 bridges. If two trees lean over the 
 water from different sides of a stream 
 we have only to run a plank from the 
 end of one trunk to the end of the 
 other, to make a simple cantilever 
 bridge. That is one way of applying 
 it. The other is to consider the 
 cantilever a bracket. Secured firmly at 
 one end, a bracket will bear a shelf 
 with a heavy weight of books, and the 
 steel cantilevers forming a bridge are 
 merely huge brackets. The best ex- 
 ample is the great Forth Bridge. 
 
 The Forth Bridge was designed by 
 Sir John Fowler and Sir Benjamin 
 Baker. They had to cross two swift 
 channels of water. There is an island in 
 the middle, but on each side of it there 
 flows a channel of water deep and swift. 
 
 MODERN STEEL, BRIDGE ACROSS THE RHINE AT COLOGNE 
 
THE GREAT FORTH BRIDGE SECTION BY SECTION 
 
 When the rock had been prepared for the foundation of the Forth Bridge, strong masonry was built from the rock 
 below the water up to the top. Then huge pillars of hollow steel, such as we see here, were put up for the cantilevers, and 
 were fastened down to the masonry with enormous steel bolts. They are 34.3 feet high, but so strong that neither the 
 weight and vibration of great trains nor the force of storms can break them. 
 
 The giant jiiUars having been made fast, the cantilevers began to grow out from them. Kach of these is really a 
 double cantilever. They stand like brackets back to back. Perfectly balanced, they stood firm while the engineers 
 built out Into the air Irom them, as if they were brackets fixed to the walls, bearing heavy shelves. 
 
 S46 
 
BOOK OF ENGINEERING AND INDUSTRY 3J^7 
 
 and 1700 feet broad. It was impos- crossed carrying the main cable of 
 
 sible to sink piers in these channels, the bridge, which is 200 yards long, 
 
 so the central pier was founded on the and the greatest engineering wonder 
 
 island, and two others built nearer in South Africa, 
 
 the shores. The Tower Bridge, in London, is 
 
 The cantilevers, of which there are 800 feet long. When a ship is too high 
 
 three pairs, carry the bridge across to pass under, great machines cause 
 
 the two wide stretches of water, the roadway to open in the middle. 
 
 They are each 1360 feet long, and the The two halves are pulled up, working 
 
 three, stretching out towards each on enormous hinges, and the ship 
 
 other, leave a space of 350 feet to be passes through. 
 
 covered between the ends of the first The Saltash Bridge which spans the 
 
 and second, and a similar space be- Tamar is 2200 feet long, the two main 
 
 tween the ends of the second and third, spans over the river being each 455 
 
 Here ordinary steel girders are used, feet long. The height of the central 
 
 In order that ships may pass under it, pier from its foundation to the top is 
 
 the bridge is made 150 feet above high 240 feet, and the railway track is 
 
 tide, and its top parts are 361 feet carried 110 feet above the level of the 
 
 above the water. water. Obtaining the foundations for 
 
 The cantilever bridge plan has since the pier was a particularly dangerous 
 
 been used for many other bridges, piece of work. A huge caisson was 
 
 One on this plan crosses Niagara at a sunk in midstream, in which, provided 
 
 great height above the water. The with compressed air, the men toiled for 
 
 cantilever is used in suspension bridges two years. In the winter storms the 
 
 also. Huge columns are erected on unwieldy cylinder rocked so violently 
 
 land, and from them chains or wire despite its heavy weights and chains, 
 
 ropes are stretched across the gulf, that leakages occurred, and it was only 
 
 carrying a roadway. by beating hasty retreats that the men 
 
 How KITES AND ROCKETS ARE USED FOR cscapcd drowuiug. The two gigantic 
 
 BUILDING GREAT BRIDGES spaus wcrc built Complete upon the 
 
 The best suspension bridge in Eng- shore and floated out into position, 
 
 land is at Clifton. This is 702 feet and then graduallv raised to the 
 
 across, and 31 feet wide. It is more desired height, three feet at a time at 
 
 than 200 feet above the River Avon, each end by means of hydraulic presses. 
 
 and it is said that the first string For the finest and latest examples 
 
 attached to the rope which pulled of the bridge-builders' skill we have to 
 
 across the cable was sent over by a go to New York. Here, in space of a 
 
 kite. single square mile we have the three 
 
 A more unusual way was adopted greatest suspension bridges in exist- 
 
 for starting the great bridge across ence — the Brooklyn, the Manhattan, 
 
 the River Zambesi, in South Africa, and the Williamsburg bridges, while 
 
 The bridge is the highest in the world, some three miles above the last- 
 
 400 feet above the water, and runs named there now towers Blackwell's 
 
 from cliff to cliff; so they had to fire Island Bridge. They are rightly re- 
 
 a rocket fastened to the end of a cord, garded as among the wonders of the 
 
 The rocket took the cord across, the engineering world. They vary from 
 
 cord was used for hauling across a 6000 to 7000 feet in length, with a 
 
 wire, and the wire was used to pull central span of from 1400 to 1500 feet, 
 
 over a small cable. On this a truck and carry four tracks for railways, two 
 
THE WONDERFUL ROAD THAT A MAN CAN OPEN 
 
 The Tower Bridge is the most beautiful in London. It is like the old-fashioned draw-bridge which castles and fortresses 
 had, only much larger and stronger. It is called a bascule bridge, "bascule" meaning "balancing." This picture shows 
 what happens when the great roadway opens for big ships to pass along the Thames. Each half rests on a pivot and is 
 balanced by an enormous weight at the tower end. When the bridge is to be opened a man pulls a lever which drives 
 water at great pressure through a pipe and so turns a series of cog wheels. The wheels move a number of curved frame- 
 works with cogs and the two halves of the road each weighing 730 tons, turn slowly on their pivots. The roadway at the 
 top is always in use and is for foot passengers. 
 
 348 
 
BOOK OF ENGINEERING AND INDUSTRY 349 
 
 or more for cars, a couple of roadways 15| inches, and a breaking strain of 
 
 for vehicles, and various sidewalks about 12,000 tons. The roadway is 
 
 for pedestrians, while the towers 85 feet wide. The engineers declare 
 
 reach a height of 300 feet and more that the "natural life" of the bridge 
 
 above the water, the aerial pathway is 20,000 years. 
 
 being some 130 feet above the surface After the Brooklyn Bridge came the 
 
 of the river. Williamsburg structure, which was 
 
 The Brooklyn Bridge took thirteen erected in seven years at a cost of 
 
 years to build, and cost $16,000,000. $20,000,000. It has a total length of a 
 
 It was designed by John A. Roebling, mile and 1920 feet, including a main 
 
 the builder of the Niagara Falls sus- span of 1600 feet, and two shore spans 
 
 pension bridge and others. While of 600 feet. The four cables are each 
 
 engaged in the preliminary work he 19 inches in diameter, and are built 
 
 met his death. He was succeeded by up of 37 strands, each strand contain- 
 
 his son, William A. Roebling, who in ing 208 wires, each 3020 feet long, 
 
 turn was injured by a fire in one of Figure this out and we get 19,000 
 
 the caissons and became a permanent miles of wire, possessing a weight of 
 
 invalid. He was removed to a resi- 5000 tons. The towers of this bridge 
 
 dence on the heights of Brooklyn, rise 335 feet above the water level, 
 
 where, with indomitable resolution, he and are built of steel. Somewhat 
 
 watched the details of construction similar in design is the Manhattan 
 
 from his window by the aid of a tele- Bridge. The wire consumed here 
 
 scope, and, assisted by his wife, totals 23,000 miles, while no less than 
 
 directed the progress of the work to its 40,000 tons of steel were used in the 
 
 successful completion. erection of this single aerial pathway. 
 
 It is impossible to point to any large More wonderful still, from an en- 
 bridge the erection of which has not gineering point of view, is New York's 
 demanded its toll of human life. The latest structure, Blackwell's Island 
 recently completed Blackwell's Island Bridge. In length and weight it rivals 
 Bridge cost 67 lives; some 70 brave men and in carrying capacity also surpasses 
 were killed in the Quebec disaster in the famous Forth Bridge. Its trusses 
 1907, when that partially completed are the heaviest ever built. There are 
 structure suddenly collapsed after two main spans of 1182 and 984 feet 
 three years had been spent upon it, respectively, springing from two piers 
 and some 15,000 tons of steelwork had erected on a mid-channel island, 
 been placed and bolted in position. From end to end the bridge measures 
 
 With its approaches the Brooklyn 3725 feet, and, together with the 
 
 Bridge is a mile and a furlong in length, approaches, the total length is swelled 
 
 There is a central river span of 1595J to 7358 feet. 
 
 feet from tower to tower, two land In its erection the somewhat un- 
 spans from towers to anchorages, and usual course of pinning its members 
 the land approach on either side. This together, at points of intersection, was 
 aerial roadway is held in place by adopted, instead of riveting them, 
 cables, four in number. They each The truss members of the super- 
 contain 5296 steel wires reaching from structure were not built up bit by bit 
 anchorage to anchorage, on either side near the site, but put together by the 
 of the river, a distance of 3752 feet, manufacturers and forwarded entire 
 This gives a total of 14,000 miles of on cars or groups of cars, and pinned 
 wire. Each cable has a diameter of as the erection proceeded. A very 
 
ONE OF THE FAMOUS SUSPENSION BRIDGES 
 
 Copyright by Underwood and Underwood. 
 
 Brooklyn Bridge is one of the biggest suspension bridges in the world. It crosses the East River, to connect New Yorli 
 with Brooklyn The whole length of the bridge is more than a mile, and its distance across the water is 1600 feet. Cables 
 pass over the towers and from these other cables hang down to support the roadway. 
 
 We might here fancy ourselves on .some .strange pier, but it is the Brooklyn Bridge, 
 bridge for foot-passengers, for trains, and for other vehicles. 
 
 350 
 
 There are separate roads on this 
 
BOOK OF ENGINEERIXa AM) IXDUSTHY 
 
 351 
 
 pretty bit of pinning it Avas too — the 
 objects to be connected being bars and 
 girders, some weighing 120 tons; the 
 pins, cylinders of steel, some 16 inches 
 in diameter and 10 feet long; the 
 thimble, a 5-ton battering ram. And 
 this work had to be done })artly at a 
 lieight of 300 feet above a deep, swift 
 current, navigated by steamers, 
 barges, ferries, and sailing ships, with 
 the bitter winds raging furiously. 
 
 In the erection of this l)ridge, as 
 stated, G7 lives were lost. Curiously 
 enough, the great majority of these 
 fatal accidents occurred among the 
 sailors who had been engaged by the 
 contractors because of their ability 
 to climb. As a matter of fact, the 
 successful modern bridge-builder must 
 possess other qualifications than that of 
 climbing. He must know something 
 of steel, possess a clear head, and be 
 ever on the alert. 
 
 But all this is to be changed. A 
 bridge is being constructed which will 
 have one base in the heart of Bronx 
 Borough, just north of New York City, 
 and the other at the Pennsylvania 
 Station, Long Island City. It will 
 span the East River. At Long Island 
 City the tracks will run into the 
 Pemisylvania Tunnel under the East 
 River, and the trip to New Jersey under 
 New York City and the Hudson River 
 will be imbroken. This bridge is not 
 ])eing built by eiiner the Pennsylvania 
 or the New Haven. 
 
 The builders are the New York Con- 
 necting Railroad. Their six miles of 
 railroad will form the final link in an 
 unbroken line from Musgrave, Nova 
 Scotia, to Key West, Florida. 
 
 The bridge will be of span and via- 
 duct structure. It will have four 
 tracks. The route will begin near One 
 Hundred and Forty-Second Street, th(^ 
 lironx, and giadually rise until at 
 lironx Kill it will be about sixty-fi\(> 
 feet above the Ka«t River. At this 
 
 })oint the river separates the Bronx 
 from Randall's Island. The bridge 
 here will be of the lift type; that is, 
 each half of the bridge rises from the 
 horizontal in a vertical i)lane so that 
 ships may pass betweeu. 
 
 The large stone j)ier in the middle 
 of the Bronx Kill will separate the 
 channels for east-bound and west- 
 bound shij)s. At present the channel 
 is very shallow and can be used only for 
 rowboats and small launches, but the 
 War De])artment intends to dredge the 
 channel to the same depth as the 
 Harlem River, so that vessels will be 
 able to pass from the Hudson River to 
 the Ship Canal in the Harlem River, 
 and thence through the Bronx Kill 
 imder the bridge into Long Island 
 Soimd, and return the same way. 
 
 Another bridge on this long structure 
 spans the East River at Little Hell 
 Gate, as the estuary between Ward's 
 Island and Randall's Island is called. 
 The water at this point has a rock 
 bottom so shallow that it cannot be 
 })lied by very large boats. The bridge 
 here will be of the riveted-truss type 
 and will have five spans between 
 Ward's Island and Long Island. 
 From this point to the span over 
 Hell Gate, the waterway between 
 Ward's Island and Randall's Island, 
 the line will be placed on a steel 
 viaduct built on masonry piers. 
 
 The arched bridge over the East 
 River at Hell Gate will be of the 
 braced-steel type and will cross the 
 river in a single span 1017^ feet 
 between the towers. The clearance 
 at high water will be the same as that 
 of the Brooklyn Bridge and the others 
 over the river — 135 Teet. 
 
 The abutments will have a base of 
 granite masonry surmounted by towers 
 of molded concrete, which will support 
 the heaviest girders. This structural 
 steel will be much liea\ iei- than thai 
 used in the Firth of Forth Bridge. 
 
35S 
 
 THE HUMAN INTEREST LIBRARY 
 
 THE PRODUCTION OF TEA, COFFEE AND COCOA 
 
 IN the days of Shakespeare tea 
 cost from $30 to $50 a pound, 
 and coffee and cocoa were practi- 
 cally unknown. It was about the 
 middle of the seventeenth century 
 that the three famous beverages, that 
 "cheer but not inebriate," came into 
 use among the richer classes of Euro- 
 pean society. The London coffee- 
 houses, in which gathered the wits, 
 poets, and politicians of London, in 
 the days of Dryden and Congreve, 
 Addison and Pope, were the centers of 
 national life for many years. And 
 from them sprang the clubs, around 
 which many of the social, literary, 
 and political activities of the civilized 
 world are now grouped. 
 
 Very likely the new beverages 
 greatly helped to foster all kinds of 
 sociability, for the reason that they 
 stimulated the mind wuthout leading 
 to the brawls and quarrels of tavern 
 life. And the fact that they were 
 at first rare and expensive was no 
 doubt one of the reasons why they 
 became extremely fashionable. To- 
 wards the end of the seventeenth cen- 
 tury, the duty on tea in England was 
 $12.50 a pound. So a "dish of tea" 
 was a costlier thing than a glass of 
 good wine. Human nature being 
 
 what it is, everybody was eager to 
 drink the new beverage. The East 
 India Company began to send to 
 China for tea. At first they had 
 more of the new commodity than they 
 could dispose of. But, as is often the 
 case, the supply created the demand, 
 and at the end of the eighteenth cen- 
 tury the English-speaking races were 
 second only to the Mongolian races in 
 their love of tea. 
 
 But as the consumption was then 
 only about two pounds of tea a year 
 per head of the population, small beer 
 and milk still remained the common 
 beverages of the working classes. 
 Cheap spirits, especially gin, were 
 drunk by many poor women, with 
 dreadful results. At the present time, 
 practically all the civilized races have 
 abandoned the breakfast drink of 
 more or less intoxicating liquors for 
 one of the three exotic stimulants that 
 modern methods of industry have 
 greatly cheapened in price, and often 
 improved in quality. All the British 
 races have become inveterate tea- 
 drinkers. The Russians have acquired 
 the same taste; and the very heavy 
 duty on teas does not prevent the 
 Russian working classes from adopting 
 the same beverage as the well-to-do 
 
BOOK OF ENGINEERING AND INDUSTRY 353 
 
 classes of their country. In Germany, adventurers who conquered the blood- 
 Holland, and other parts of Northern thirsty Aztecs. The cacao-tree flour- 
 Europe, and in the ITnited States, ishes in Central America and the 
 coffee has become the general morning tropical regions of Southern America, 
 stimulant; while the French and the But the native Indians who collected 
 Mediterranean peoples waver between the beans of the tree that Linnaeus 
 coffee and chocolate as a breakfast enthusiastically named "the food of 
 beverage. the gods" — an appellation it still bears 
 The COFFEE GROWING COUNTRIES in botany — were too slow, casual, and 
 
 This national difference in taste has unscientific workers. So the Portu- 
 
 had a considerable influence on the guese introduced the valuable tree into 
 
 agricultural and industrial develop- their African possession of San Thome, 
 
 ment of the tea plant, the coffee where, by means, unfortunately, of 
 
 shrub, and the cacao tree. In spite slave labor, more cocoa was lately 
 
 of the fact that all these plants are of produced than in any other center of 
 
 tropical or semi-tropical origin and the industry. At present, however, 
 
 habit, the European nations interested our principal supply of cacao comes 
 
 in their products have attempted for from Ecuador. 
 
 centuries to cultivate them. Here the the tea plantations of assam and 
 
 progress of European science, and ceylon 
 
 particularly the science of botany, has But the most surprising of all the 
 
 had a large influence; and the peoples shif tings of the production of the 
 
 possessing tropical colonies or depend- breakfast-table beverages is that ac- 
 
 encies have often won a commanding complished by the British. For more 
 
 advantage over the original culti- than a thousand years the tea indus- 
 
 vators. In some cases this was an try was entirely in the hands of the 
 
 inevitable consequence of the widen- Chinese. The origin of their suprem- 
 
 ing demand throughout Europe for the acy in the production of the most 
 
 new commodities. For instance, all refreshing of drinks is lost in the mists 
 
 the coffee consumed in Europe used to of their legendary ages. It is quite 
 
 come from the province of Yemen, in possible that three thousand and more 
 
 Southern Arabia. But as the number years have passed since they took to 
 
 of coffee-drinkers increased, it was cultivating the tea shrubs that flourish 
 
 practically impossible for the Arabians naturally in India, Burma, and other 
 
 to cope with the demand. They still neighboring lands swept by the wet 
 
 retain the trade with Egypt and monsoons. The Chinese were a skilful, 
 
 Turkey, and provide a little Mocha patient and ingenious race, backed by 
 
 coffee for Europe. But in order to the traditions of an ancient civiliza- 
 
 obtain a beverage that was both good tion; and their knowledge of the 
 
 and cheap, the Dutch and the Portu- preparation of tea was for a long time 
 
 guese and the Germans have had to carefully kept from the foreigner, for 
 
 migrate to Java and Brazil, and there it was one of the main sources of the 
 
 develop immense coffee plantations national wealth. 
 
 for the benefit of the white races. But some botanists succeeded in 
 
 Where chocolate comes from studying the tea plant, and found it 
 
 A similar thing has happened in was an evergreen shrub of the same 
 
 regard to cocoa and chocolate. As is family as the camellia, that is well 
 
 well known, cocoa was introduced into known for its beautiful flowers. Then 
 
 Europe from Mexico by the Spanish it was discovered, in 1820, that the 
 
354 
 
 THE HUMAN INTEREST LIBRARY 
 
 tea plant was growing wild in Assam, 
 and the wild plant was sent to the 
 director of Kew Gardens, near Lon- 
 don, for examination. Unfortunately, 
 the director would not believe in the 
 plain evidence submitted to him; and 
 he dashed the hopes of the men who 
 thought of establishing tea ])lanta- 
 tions in India, by stating that the 
 Assam shrub was not a true tea plant. 
 It was not until 1840 that the facts of 
 the matter were clearly and firmly 
 proved, to the discredit of the director 
 of Kew Gardens. 
 
 The Assam Tea Company was 
 then formed, and by developing the 
 scientific cultivation of the fine native 
 Indian tea it has now paid its share 
 holders nearly 750 per cent on their 
 capital. 
 
 Introduced into Ceylon after the 
 coffee plantations of that island were 
 destroyed by a harmful microscopic 
 fungus, the wild tea plant of Assam 
 has now enabled the Ceylon planters 
 alone to excel the tea exports of the 
 whole of the Chinese Republic. When 
 the tea industrv of India, Cevlon, 
 Burma and the Shan States is con- 
 trasted as a whole with the export tea 
 trade of China and Japan, the swiftly 
 won supremacy of the British planter 
 is seen to be tremendous. The British 
 possessions do more than double the 
 export tea trade of China; and for 
 some years a good many million 
 pounds of Indian and Ceylon tea of 
 poor cjuality have been imported into 
 China. 
 
 The Japanese, who recently con- 
 trolled practically all the tea trade 
 with the United States, are also be- 
 ginning to feel very keenly the com- 
 petition of the British tea planter. 
 They are now so hard pressed that 
 they are giving up the struggle, and 
 the taste for fine Indian and Ceylon 
 teas is now rapidly spreading through- 
 out North America. 
 
 The best of all teas 
 
 Only the plantations on the island 
 of Formosa seem to be safe from the 
 scientific attack of British botanists 
 and planters. Formosan tea — known 
 in the market as Oolong — has a curious 
 and special flavor which tea-blenders 
 prize. With the exception of For- 
 mosan tea and the mate tea of South 
 America, India and Ceylon now pro- 
 duce teas of every practical variety. 
 The choicest kind of Indian hill- 
 grown teas are excelled by nothing 
 that China exports, and for blends of 
 cheap, strong, pure leaf the planta- 
 tions of Ceylon are unrivaled. The 
 Chinese themselves have had to go 
 to India and study the science of the 
 tea industry in order to learn to handle 
 in a clean and efficient manner their 
 own produce. The Indian tea plant 
 has been introduced into Java, and 
 there cultivated. Java is now com- 
 bining with India and Ceylon in 
 sending the refuse of their factories to 
 Chinese ports. 
 
 The amazing agricultural victory 
 Avhich has been won against the 
 experienced Chinese was achieved by 
 three concurring factors. These factors 
 were modern science, personal enter- 
 prise, and modern power machinery. 
 Modern science, in the persons of a 
 few botanists, discovered the wild tea 
 plant of Assam, and thus provided 
 I)lanters with a stronger and more 
 productive shrub than the highly 
 cultivated })lant of the Chinese. The 
 leaf of the Assam shrub is twice the 
 size of that of the Chinese plant; and 
 when it is grown in the still, steaming 
 heat of Ceylon and other tropical 
 regions, it produces two crops where 
 the Chinese plant only gives one 
 picking. Such are the natural ad- 
 vantages of the plant that men of 
 science discovered. The tea-planter 
 l^egan by adopting the Chinese meth- 
 ods of cultivation, for which the wild 
 
CULTIVATION OF THE TEA PLANT IN CEYLON 
 
 PLANTING A YOUNG TEA SEEDLING IN RECLAIMED LAND 
 
 COOLIES HOEING ON A TEA PLANTATION 
 
 J6S 
 
356 
 
 THE HUMAN INTEREST LIBRARY 
 
 plant was unsuited. Again botanists 
 came to his aid, and taught him how 
 to treat the Indian shrub in a maimer 
 that best favored its growth. 
 
 Having thus learned to make the 
 very best of his natural advantages, 
 the planter then became a man of 
 enterprise. He called upon engineers 
 to provide him with power machinery 
 for dealing with the tea leaves that 
 the natives picked for him. This was 
 a very wise act, and it required some 
 foresight to conceive it. For the sup- 
 ply of native hand labor grew abundant 
 and remarkably cheap, and it would 
 have been easy to carry out all the 
 
 CHINESE FATHER AND SON CARRYING TEA 
 
 operations of preparing the tea leaf 
 by means of manual work. But the 
 tea-planters aimed at preparing an 
 article that should be exceptionally 
 clean, and treated with the utmost 
 precision in every process, so that 
 large quantities could be regularly 
 turned out possessing identical quali- 
 ties. So they began to use machinery ; 
 and the malpractices of a large class of 
 
 their rivals in China further helped 
 them to secure the world's market. 
 Tea growing in china 
 
 In the green-tea districts of China 
 practically every cottager has his own 
 little tea-garden. It supplies the 
 wants of the family, and brings in a 
 small but very useful amount of 
 money. The picking begins about the 
 middle of April. The first crop con- 
 sists of scarcely expanding leaf buds, 
 and the tea made from them is costly 
 and exquisite. It is chiefly used in 
 gift offerings at marriage. The pluck- 
 ing of the bud is liable to injure the 
 plants, but usually the abundant 
 spring showers renew the strength of 
 the shrub, and in two or three weeks 
 it is ready for the second picking. 
 This is the most important of the 
 season; but when the plant has again 
 recovered, the third and last gathering 
 is begun. This, however, produces an 
 inferior variety of tea. The instru- 
 ments used by the Chinese in preparing 
 the tea leaf are very simple. 
 
 Quite a large proportion of the tea 
 that comes from China is manufac- 
 tured in the huts and sheds of the 
 peasantry. Round, shallow pans of 
 thin iron are built, several together, 
 in a brickwork furnace. The fireplace 
 is at one end, the rough chimney at 
 the other, so that the flue runs beneath 
 the row of pans. When the leaves are 
 brought from the garden they are 
 placed in a drying-house, which is 
 often the cottage itself. The furnace 
 is then lighted, and the leaves are 
 thrown into the heated pans, and con- 
 tinually stirred by the cottager and 
 his family. The heat causes the leaves 
 to crack and exude their sap, and in 
 about five minutes they grow soft and 
 pliable. They are then placed upon 
 bamboo tables, and the workers take 
 up handfuls of the leaves, and knead 
 them in much the same fashion as a 
 baker works dough. The object of 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 357 
 
 this process, that lasts about five 
 minutes, is to twist the leaves and 
 press out the sap and moisture, which 
 escapes through the chinks in the 
 surface of the table. 
 
 The moisture that still remains in 
 the leaves is then gotten rid of very 
 gradually and gently by taking the 
 rolled leaves and spreading them out 
 thinly and evenly upon a screen of 
 bamboo, and there exposing them to 
 the action of the air. The state of the 
 weather determines this stage of the 
 manufacture, but in no case is the 
 screen exposed to hot sunshine. For 
 this would evaporate the moisture too 
 quickly, leaving the tea crisp and 
 coarse, and unfit for the next process. 
 This consists in replacing the soft and 
 pliant leaves in the drying-pans over 
 a slow, steady fire. The tea must not 
 be scorched or burned. So one worker 
 looks carefully after the fire, while the 
 others bend over the pans and begin 
 to mix and stir the leaves with their 
 hands. 
 
 As the heat increases, small bam- 
 boo whisks are used, the leaves 
 being thrown against the sloping sides 
 of the pans and allowed to roll back to 
 the bottom. Under this treatment 
 the tea, gradually parts with its mois- 
 ture, and twists and curls; and after 
 about an hour it is taken from the 
 pans, and sorted and packed. 
 
 This is the process of making green 
 tea. Black teas are allowed to stand 
 longer in the open air, usually for two 
 or three days. During this time they 
 undergo a fermentation which does 
 not take place in the manufacture of 
 green teas. In the firing or final 
 drying of black tea, great care must 
 be taken to keep the heat steady. 
 Usually the grandfather of the family, 
 having the most experience, tends to 
 the furnace, while his descendants 
 keep the leaves constantly stirred in 
 the pans. 
 
 Why some tea is green and some 
 
 BLACK 
 
 The scandal over the manufacture 
 of Chinese teas occurred at Canton, 
 where the green teas were mainly 
 exported. In order to increase the 
 color and brilliancy of the leaves, they 
 were treated with gypsum and Prussian 
 blue — a highly poisonous product. 
 The tea-tasters at the London market, 
 who had to sample very large numbers 
 of consignments of these teas, were at 
 times liable to attacks of poisoning. 
 These were at first put down to heavy 
 tea-drinking, and few tasters now 
 swallow much of the beverages they 
 sample. But chemical analysis proved 
 that it was the poisonous coloring 
 matter used by the Chinese that pro- 
 duced the serious illnesses. 
 
 No doubt at the present day the 
 green teas of China are generally pre- 
 pared for the foreign markets in this 
 manner. But the injury to the repu- 
 tation of the Chinese tea manufac- 
 turers has not yet been fully repaired. 
 The malpractices have greatly helped 
 to advance the prestige of the cleanly 
 and scientifically prepared teas of 
 India and Ceylon. In 1885, China 
 exported 283,833,466 pounds of tea. 
 In 1909 she only marketed abroad 
 199,792,400 pounds. 
 Tea culture in British india 
 
 There are about half a million acres 
 of tea plantations in India, the greater 
 part of which are in Eastern Bengal 
 and Assam. In Ceylon, somewhat 
 under four hundred thousand acres of 
 land are planted with the tea shrub, 
 and the value of the richly productive 
 plantations has recently been further 
 enhanced by interplanting them with 
 rubber-trees. The average size of an 
 estate is about three hundred acres; 
 and though there has been a tendency 
 of late years to group several planta- 
 tions under one working staff, to 
 reduce working and managing ex- 
 
35S 
 
 THE HUMAN INTEREST LIBRARY 
 
 penses, a large number of estates are 
 of comparatively small size, and di- 
 rected by British planters resident on 
 the land. 
 
 Yet a good many planters are now 
 only the servants of some company, 
 instead of being, as they used often to 
 be, the actual owners of the estates. 
 An enormous labor supply of 400,000 
 coolies is necessary to run the Ceylon 
 plantations. The Tamils of Southern 
 India form the principal recruits. 
 Entire families of men, women and 
 children are collected in their villages 
 and transported to Ceylon. The 
 majority are fairly good workers, and 
 return home with an amount of savings 
 that often enable them to rise in life, 
 but some are so pleased with the good 
 wages they earn that they settle down 
 permanently by the tea plantations. 
 
 In opening out a new tea garden, 
 the coolies begin by clearing and hoe- 
 ing and trenching a piece of the jungle. 
 This forms a nursery. It is carefully 
 fenced to prevent damage from cattle 
 or wild animals, and planted with seed, 
 which has been sprouted in seed-beds. 
 Then it is covered with thatching to 
 protect it from the scorching sun. In 
 the meantime, the site of the future 
 plantation is being cleared and hoed, 
 and roads and drains are made through 
 it. Stakes are then placed in the soil, 
 about four feet apart, marking the 
 rows in which the young tree plants are 
 to be grown. The plants are taken from 
 the nursery, when about a foot high, 
 and very carefully planted in the lines 
 of holes prepared for them. The 
 planter has then to wait for three years 
 for any return on the young plantation, 
 and he has to bear a considerable 
 running expense for the incessant 
 labor needed to keep down the vigorous 
 tropical weeds. He has to endure also 
 the hot, stagnant, steaming heat of 
 the jungle, which is so vital a necessity 
 to the Indian tea plant that when 
 
 Chinese methods of cultivating were 
 first adopted the native shrub refused 
 to grow properly. 
 
 How THE TEA LEAVES ARE CLASSIFIED 
 
 When grown in accordance with 
 their native habit, the plants at the 
 end of three years begin to send out an 
 abundance of young leaf shoots, known 
 as tiie "flush." The plucking is then 
 carried out at regular intervals, and 
 from time to time the bushes are 
 pruned. This not only keeps the; 
 growth of the plant within bounds, and 
 allows the plucking being done easily, 
 but it promotes the growth of abundant 
 flushes. In the colder climate of China 
 and Japan, the flushing ceases in the 
 winter. In Ceylon, however, it con- 
 tinues throughout the year, and the 
 flush is ready for picking every ten or 
 twelve days. Upon the size of the leaf 
 when picked depends the quality of 
 the tea. In fine plucking, the bud at 
 the top of the shoot and the two young 
 leaves just below it are taken. In 
 medium plucking, three lea ves are taken 
 with the bud. In coarse plucking, four 
 leaves and the bud are gathered. 
 
 The teas known as Pekoes are made 
 from the fine plucking. Flowery Pekoe 
 consists of the youngest leaf. Orange 
 is made from the second leaf, and 
 Pekoe from the third leaf. From the 
 larger leaves Souchongs and Congous 
 are prepared, and there is also a mix- 
 ture of young and old leaves which is 
 known as Pekoe-Souchong. In ]>ur- 
 chasing tea it is best to buy one of 
 the Pekoes, because the quality of the 
 beverage made from the youngest 
 leaves is finer and more wholesome; 
 and, besides, a less quantity of tea 
 is needed in the teapot. All the 
 money lavished on the advertisements 
 of cheap, coarse teas made from large 
 old leaves will not alter this fact. 
 Curing tea by machinery 
 
 Gathered into baskets by women, 
 and taken into the factory, the flush 
 
THE PREPARATION OF TEA FOR THE MARKETS 
 
 TIERS OF TRAYS ON WHICH THE TEA LEAVES ARE TOUGHENED BY EXPOSURE TO THE AIR 
 
 MODERN MACHINERY EMPLOYED IN SORTING TEA 
 
 369 
 
360 THE HUMAN INTEREST LIBRARY 
 
 is weighed, and then thinly spread out about two hours — the leaf is fired in the 
 on shelves of canvas or wire mesh, drying-machines, and all other fer- 
 placed one above the other, where the mentation is arrested by the heat, 
 leaf naturally withers in good weather Besides checking the fermentation, 
 in about eighteen hours. The with- the firing process removes all the 
 ered leaves are then shot into the moisture without driving off the 
 rolling-machines, where they are essential oil and other constituents 
 bruised to allow their juices to become that give a tea most of its value, 
 mixed, and they are also curled or There are many types of firing- 
 twisted. From the rolling-machine machines. But all of them act by 
 the tea falls in yellow clinging masses sending a current of hot, dry air 
 into a roll breaker, that breaks up the through the damp, fermented leaf, and 
 masses and drops the tea into a sifter, making it dry and brittle. After 
 where the coarser leaves are separated being fired the tea is taken to the 
 from the younger, finer growth. sorting room, and sifted by a machine 
 Then comes the important process through a series of moving sieves of 
 of fermentation. On its success largely varying sizes of mesh. The siftings 
 depend the quality and character of the are classed as Flowery Orange Pekoe, 
 tea. As we have already explained, Orange Pekoe, and Pekoe No. 1. 
 green tea that was formerly so popular These are unbroken teas. But the 
 is manufactured by omitting the coarser leaves, which do not shoot 
 fermentation process, but all black through the meshes, are transferred to 
 teas are fermented. This is accom- breaking-machines, and broken up and 
 plished by putting the rolled leaf in passed through the sieves. They form 
 drawers or on mats, which are placed the products known as Broken Orange 
 one above the other so as to permit Pekoe, Pekoe No. 2, and so on. The 
 the air freely to enter and work on the tea dust is shipped separately as 
 bruised leaves. During the fermenta- "dust" and "fannings." The green 
 tion the leaf emits a peculiar odor, and teas are sifted in a similar manner into 
 changes color; and when the right a descending scale of quality, rep re- 
 gradation of copper-brown tint has sented by Young Hyson, Hyson No. 1, 
 been attained — which usually takes Hyson No. 2, Gunpowder, and Dust. 
 
 THE COFFEE PLANT AND COFFEE PRODUCTION 
 
 THE coffee trade of Great Britain as it ripens, turns from a dark green 
 
 is much inferior in importance to a deep crimson. The outer portion 
 
 to its tea trade. In Germany of the fruit somewhat resembles that 
 
 and America on the other hand, it is the of an ordinary cherry, and inside the 
 
 national breakfast beverage, and so it is pulp are the two beans, of a greenish- 
 
 in Holland. The Arabian coffee plant gray tint, that form the coffee of 
 
 is a shrub that grows to a height of commerce. Besides the Arabian 
 
 about fifteen feet. It has been found coffee plant, there are about eighty 
 
 wild in Abyssinia, and there are good known varieties of the shrub, but only 
 
 grounds for supposing that this region two of them are cultivated in consider- 
 
 of Africa was the natural home of the able quantity. One is found on the 
 
 plant. The flowers are white in color West Coast of Africa, and is called 
 
 and exquisitely fragrant, and from Liberian coffee. By reason of the fact 
 
 them is born the coffee cherry, which, that it is more resistant to disease, and 
 
WHERE THE FRAGRANT COFFEE-BERRY TR GROWN 
 
 A cup of coffee begins its existence as a tiny shrub. When six months old it is transferred with others to the plantations 
 and in three years grows to between six and ten feet high. It then bears fruit, and does so for about twenty years. The 
 fruit is something like dark red cherries, but, instead of containing one stone, there are two seeds, or berries, of a light, 
 (reen or yellow color. Here we see the coffee being picked. 
 
 S61 
 
362 
 
 THE HUMAN INTEREST LIBRARY 
 
 more vigorous in growth than the 
 Arabian coffee plant, it has gradually 
 won for itself a place in the Orient. 
 
 The third variety of coffee plant 
 is the Maragogipe, discovered in 1870 
 near the town of that name in Brazil. 
 It is very hardy and twice as large as 
 the Arabian plant, and its berries are 
 double the size of the latter. It com- 
 mands a very good price, and it is a 
 special favorite in Germany, but our 
 best judges are disinclined to allow 
 that the quality of its infusion is in 
 any .way superior to that of the Mocha 
 coffee berry. Experiments are still 
 being made with the numerous other 
 varieties in the hope of finding a kind 
 especially fitted for cultivation in 
 different regions. 
 
 How BRAZIL DOMINATES THE COFFEE 
 MARKET 
 
 The Brazilians now exercise over the 
 coffee market a greater influence than 
 even the British planter exercises over 
 the tea market. They produce at 
 least three-fourths of the beans, and 
 with little or no effort their planters 
 could flood the market. They refrain 
 at present from so doing, in accordance 
 with an agreement which was drawn 
 up to prevent a continual over-supply 
 from lowering the price of the produce. 
 In the State of Sao Paulo, Brazil, 
 where the most important plantations 
 are established, the average yield is 
 1500 lbs. of berries from a thousand 
 trees. But by clearing new land in the 
 jungle and planting trees there the 
 extraordinary return of 10,000 lbs. is 
 obtained from the same number of 
 trees. It is this immense reserve of 
 productive force which enables Brnzil 
 to maintain her commanding position. 
 
 A hot, moist, tropical climate, with 
 a high rainfall, and a rich, well- 
 drained soil at a height of two thousand 
 feet above sea level, is best for a coffee 
 plantation. For though excellent 
 coffee can be grown in dry regions, the 
 
 crop is usually very small. In a moist 
 climate, no nursery is used, for the 
 seeds are planted directly in the fields, 
 at a distance of from ten to fifteen feet 
 apart. In Brazil, catch-ciops of 
 maize and beans are cultivated be- 
 tween the young shrubs. They not 
 only yield a good return, but serve 
 to shelter the coffee from the sun. In 
 some countries, permanent shade-trees 
 are often planted; this is not done in 
 Brazil or Jamaica, but it is said to be 
 absolutely necessary in Porto Rico. 
 Gathering the coffee crop 
 
 As a rule the coffee shrub first flowers 
 in its third year, bearing then only a 
 small crop. It is in the fifth year that 
 the planter reaps the full fruit 
 of his labor. A coffee estate in full 
 flower is a very beautiful sight, but 
 its glory quickly passes. The setting 
 of the fruit occurs within twenty-four 
 hours; then seven months and more 
 are necessary to ripen it. The dark 
 red cherries are stripped from the 
 branches by hand in Brazil, but in 
 Arabia they are allowed to fall off 
 naturally on to a cloth spread beneath 
 the tree. This ensures only quite 
 ripe fruit being collected, and is no 
 doubt one reason for the excellent 
 qualities of Mocha coffee. The 
 Arabians also keep to the old-fashioned 
 method of spreading out the cherries 
 on stone drying-grounds, and exposing 
 them to strong sunlight. In two or 
 three weeks the pulp dries, and is then 
 removed by pounding the fruit in a 
 mortar. In Brazil, the wet method of 
 preparation is cominggenerally into use. 
 
 The cherries are put into pulping- 
 machines, that consist of a thing like a 
 huge nutmeg-grater revolving close to 
 a curved metal plate. Between the 
 grater and the plate there is no room 
 for the cherries to pass, and they are 
 ground to pulp. The mixture of pulp 
 and seeds travels into a vat full of 
 water that is kept agitated by machin- 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 363 
 
 ery. The heavy seeds settle to the bot- 
 tom, while the lighter pulp is removed 
 by an overflow of water. The beans 
 are drawn oflP by another stream of water 
 into a large sieve, and from there 
 they are taken to a fermentating vat. 
 
 They ferment for perhaps two days, 
 until the pulpy layer that clings to the 
 bean is removed . The beans are then 
 sent into another vat, through which a 
 shallow stream of water runs; and 
 there they are trampled by the bare 
 feet of the working people, and rin- 
 sed and raked by machinery until the 
 parchment coverings are quite clean. 
 
 During this washing process the 
 beans which have not developed 
 properly rise up and float on the sur- 
 face, and they are collected for 
 making inferior coffee. 
 Removing the parchment from the 
 
 BEAN 
 
 After washing, the beans are dried, 
 either by sunlight or artificial heat. 
 
 and then their silver parchment skin 
 is peeled off by machinery. The 
 machines are of various ty])es, but 
 the essential operation of all of them 
 is to crack the parchment without 
 damaging the bean. 
 
 The light pieces of skin are removed 
 by a winnowing fan, and another rub- 
 bing and winnowing instrument gets 
 rid of the silver skin, leaving the beans 
 clean and in the condition of ordinary 
 unroasted coffee. 
 
 Some central American States, 
 however, such as Costa Rica and 
 Guatemala, and other countries 
 with a tropical climate, send us 
 their coffee with the skin on; this is 
 known in the trade as parchment 
 coffee. It is done partly to save 
 the planters from the expense of 
 erecting machinery, but mainly be- 
 cause freshly husked coffee is of a 
 brighter and more attractive color 
 than the other sort. 
 
 PRODUCTION AND USES OF COCOA AND CHOCOLATE 
 
 SEVERAL populous nations, and 
 the Germans in particular, seem 
 now to be becoming cocoa and 
 chocolate drinkers instead of coffee 
 drinkers. In the United States there 
 has been an increase of 70 per cent in 
 four years in the consumption of cocoa 
 products. In Germany for the same 
 period, the increase was 61 per cent; in 
 France, 21 per cent; in the United 
 Kingdom, 11 per cent. No doubt 
 much of this remarkably large and 
 sudden increase is due to the growing 
 popularity of the various kinds of 
 chocolate sweet meats. But it must 
 also be attributed in part to a 
 growing taste for cocoa beverages at 
 the expense of the morning cup of 
 coffee that the Americans, Germans, 
 and French used to prefer. The 
 fact that the product of the cacao- 
 tree is a food-drink as well as a stimu- 
 
 lating beverage is no doubt partly 
 responsible for its increasing popular- 
 ity. But the main factor in the matter 
 is, we think, the recent improvements 
 which have variously been made in 
 the machine processes of its manu- 
 facture. 
 
 Cocoa is naturally somewhat too 
 fatty a beverage, and the ground 
 kernels are also somewhat insoluble. 
 So the modern manufacturer has been 
 faced with the difficult task of reducing 
 the fat of the kernels, and making the 
 ground powder rapidly soluble in 
 boiling water. Thus the manufacture 
 of cocoa, in a fine and con^•enient 
 form, has involved certain chemical 
 and mechanical problems far more 
 difficult of solution than the problems 
 of tea and coffee manufacture. 
 This is the reason of the long delay 
 in the widespread popularity of 
 
WHERE THE CHOCOLATES COME FROM 
 
 ^«S?f. 
 
 These are the cocoa-beans as they arrive at the factory in this country. They grow in large pods, looking like cucum- 
 bers, on trees in the West Indies, in the hottest parts of America, and in Africa. The pods, seen on the right, have to be 
 opened, and the beans are taken out and dried. On the left of the picture we see the beans. 
 
 If we taste the cocoa-bean in its natural state it Is far from palatable. So It Is improvea by a thorough roasting. ThiB 
 picture shows a man roasting the beans. 
 
 8M 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 365 
 
 the "food of the gods," which 
 Cortes, the conqueior of Mexico, 
 introduced into Europe in 1528, when 
 he returned to the Court of Spain. 
 For many years the Spaniards closely 
 guarded the secret of chocolate prepara- 
 tion, which they learned from the 
 Mexicans, but in 1606 an Italian dis- 
 covered the process of roasting the 
 beans, and revealed it to the rest of 
 Europe. 
 
 The French started to grow cocoa in 
 Martinique in 1679, about the same 
 time that the Spaniards began to 
 cultivate it in the Philippine Islands. 
 The British also took to planting 
 cacao-trees in the West Indies and 
 Guiana. 
 Laying out a cacao plantation 
 
 The cacao-tree sometimes grows to 
 a height of forty feet, but in cultivation 
 from fifteen to twenty -five feet are the 
 usual limits of size of fully grown trees. 
 There are many wild varieties, some of 
 which are coming into cultivation. 
 Yet the cacao-tree proper, which is a 
 native of the tropical regions extending 
 from Mexico to Brazil, still supplies 
 the greater quantity of beans for cocoa 
 and chocolate making. The small red 
 flowers are curiously carried on the 
 trunk or main branches. They are 
 succeeded by pods of a cucumber shape, 
 that turn from green to red as they 
 ripen — a process which takes about four 
 months. The trees are usually raised in 
 nurseries, and planted out in warm, low- 
 lying, sheltered plantations. It is best 
 for the trees to be protected from the 
 tropical sunlight, and the planters are 
 finding a new and large source of profit 
 in the use of rubber-trees as a shelter. 
 When the trees are three or four 
 years old they begin to flower; and 
 after they have once produced fruit, 
 regular crops may be obtained, with 
 proper -are, for fifty or more years. A 
 cacao plantation is thus a valuable 
 property; and where rich jungle soil is 
 
 The cocoa tree belongs to a family of trees called by a 
 Greek name meaning "food for the gods." This picture 
 is a very close view of the cocoa-pods growing out of the 
 stem of a tree in a plantation in Ecuador, the chief country 
 where this tree is grown. It needs a very hot climate, a 
 deep, rich soil, and abundant moisture. 
 
FROM GRINDING MILL TO CHOCOLATE MOLDS 
 
 When roasted and broken up, the bean will make either cocoa to drink or chocolate to eat. Here chocolate is being 
 made for famous shops, so the baked bean is ground in mills. The beans come out of these in the form of powder, and 
 fine sugar is afterwards mixed with it to give the chocolate a pleasant taste. 
 
 Now we have the substance of the chocolate, but, as it is still a powder, it must be melted by great heat into liquid 
 paste, so that glrlg can pour it into molds, which will make it, when cool, into pretty shapes. 
 
 366 
 
BOOK OF ENGIXEERIXa AND INDUSTRY 
 
 367 
 
 available, a skilful planter, possessing 
 an adequate supply of labor, can often 
 make a large fortune in a few years. 
 
 Gathering and roasting the great 
 BROWN beans 
 
 The ripe pods are gathered by means 
 of a hand-knife, and the pods are then 
 broken and the beans removed, and 
 allowed to ferment in vats until they 
 acquire a cinnamon-red color. It is in 
 the process of fermentation that skill 
 and experience are of vital importance. 
 Certain microbes in the vats or fer- 
 menting sacks attack the embryo of the 
 bean, and kill it; and then fermenting 
 agents, known as enzymes, diffuse 
 through the dead tissues, and alter the 
 composition of the bean. The process 
 lasts from nine to twelve days, and 
 shrinks and toughens the skin, and 
 alters the color and taste of the kernel. 
 When the required color and aroma 
 are obtained, the beans are stirred and 
 scrubbed under running water, and 
 made clean and smooth, and spread out 
 on drying-floors, and dried either by 
 sunlight, hot water, or steam-pipes. 
 Then, packed in sacks, they are read\' 
 for the market. 
 
 After buying the beans in this state, 
 however, some manufacturers submit 
 them to further fermentation. This is 
 done by soaking the beans in water for 
 two days, and drying them off in a 
 mild heat. The beans then usually 
 pass through a sorting and cleaning 
 machine, that rocks them through a 
 series of sieves of varying mesh, and 
 winnows away the dirt and hollow 
 beans by means of a power-driven fan. 
 It is necessary to sort the beans, so that 
 the next process of roasting, which 
 is an operation of great delicacy and 
 far-reaching effect, may be perfectly 
 performed. It does not do to roast a 
 small bean with a large bean. For 
 though they may be naturally of the 
 same quality, they will differ very 
 considerably after the same treatment. 
 
 By arranging the beans according to 
 size, the manufacturer is able to sub- 
 mit them to a varying roasting process 
 that tends to keep them of even quality 
 throughout. The roasting is done on 
 a large scale by means of machines, 
 through which hot air or gas is circu- 
 lated with a forced draft. Th(^ 
 roasting process, whether conducted 
 over an open fire or in a machine, 
 develops the aroma of the beans, 
 changes their coloring matter, and 
 renders their starch granules soluble. 
 
 After roasting, the beans are rapidly 
 cooled down on a cooling-machine; 
 and, while still slightly warm, they are 
 passed between rollers that break the 
 husks and collect and fan and clean the 
 nibs. In adulterated cocoa or choco- 
 late, however, some of the roasted 
 husk is left to be ground up with the 
 nibs. But honest manufacturers not 
 only keep the nibs perfectly pure, but 
 pass them through another machine, 
 which extracts the hard, gritty germ 
 which will impart a coarse flavor to the 
 finished product. 
 Final preparation for the market 
 
 When free from their husk and germ, 
 the nibs are milled or ground. In 
 milling they are heated as they fall 
 on the milling-stones; and by reason 
 of their large percentage of fat they are 
 reduced by the heat to a liquid state, 
 and melted and ground together. The 
 cacao flows out from the mill in a warm 
 mass and then solidifies in pans. Thus 
 are formed the blocks of raw cacao, 
 which are ready to be mixed with 
 sugar and flavoring matter for the 
 manufacture of chocolate, or to be 
 remelted and sent through a hydraulic 
 press for the extraction of their fat. 
 Some years ago it was a general prac- 
 tice to add a considerable amount of 
 starch — obtained from potatoes, 
 wheat, arrowroot — to the raw cacao. 
 This was done to balance the natural 
 amount of cocoa fat. 
 
368 
 
 THE HUMAN INTEREST LIBRARY 
 
 ..«...*., ^^&^ 
 
 POURING MOLTEN METAL ON THE CASTING-TABLE IN A PLATE GLASS WORKS 
 
 MARVELS OF GLASS-MAKING 
 
 ONCE upon a time some Phoe- 
 nician merchants beached 
 their galley at the mouth of 
 the river Belus, in Palestine, and 
 prepared to cook their meal on the 
 sands. Finding no stones on which 
 to set their cooking-vessel above the 
 fire, they brought some blocks of 
 natron from the galley for this pur- 
 pose. When the repast was over, 
 and the fire was cold, they went to 
 take up the blocks of natron, and 
 found that these had melted in the 
 fire, and combined with the fine 
 river-sand to form a strange and won- 
 derful transparent substance. 
 
 It was thus that the first and most 
 important step in the art of glass- 
 making was discovered by these ad- 
 venturous merchants from Sidon. For 
 the natron that they used to support 
 their cooking-vessel was an impure 
 form of carbonate of soda, and the 
 fire, blown perhaps to a great intensity 
 by the sea-wind, melted the soda and 
 sand together and produced a glass- 
 like material. 
 
 The Phoenicians were a very intelli- 
 gent race; they experimented with 
 
 the inferior glass they had discovered, 
 and at last found that by adding a 
 certain quantity of manganese they 
 could produce a marvelous material 
 of crystal clearness that could be 
 made into a variety of objects. 
 
 Such, according to traditional re- 
 searches in the matter, was the acci- 
 dental origin of one of the most won- 
 derful things of human manufacture. 
 In the last twenty-five years so many 
 marvels have been discovered that 
 men have had their sense of wonder 
 dulled by continual excitement. We 
 can now create strange rays that can 
 make many substances transparent to 
 our vision, and we are so proud of 
 these new wonders that we lose sight 
 of equally marvelous things of every- 
 day use that surround us. Yet the 
 discovery of glass is just as extraordi- 
 nary an achievement of human genius 
 as the discovery of x-rays and radium. 
 When men were able to manufacture 
 in a large way a firm, solid material 
 that was transparent to light, the 
 destinies of the human race were 
 altered. Mankind became possessed 
 of faculties undreamed of by the most 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 369 
 
 imaginative of wizards; for glass was 
 an instrument of tremendous power, 
 that enabled man to open the two gates 
 of infinity — the infinity of the outer 
 universe of space, the infinity of the 
 inner universe of life. 
 
 How INDUSTRY GIVES EYES TO SCIENCE 
 
 Glass is the tool by means of which 
 man controls light. It enables him 
 to flood his dwelling-place with the 
 cheerful and vital radiance of the sun, 
 placing him beyond the chances of the 
 weather, doubling his powers of work, 
 and keeping down the germs of dis- 
 ease that undermine his health. It 
 is glass that renews his faculty of 
 vision when his eyesight grows dim. 
 It is glass that enables him to con- 
 struct a multitude of finer and more 
 delicate senses, by which he penetrates 
 to the bounds of the universe, dissolv- 
 ing a flaming star on the confines of 
 space into its original elements, and by 
 which he discovers the secret and in- 
 visible forms of life in the dust be- 
 neath his feet. And the wonderful 
 pictures that print themselves upon 
 the sensitive plate of a camera are 
 obtained by means of lenses of glass. 
 
 Without the chance discovery of 
 the process of glass-making, man 
 could never have grown to his full 
 stature. There would have been no 
 hope of his ever obtaining a large con- 
 trol over the resources of nature, for 
 it is simple truth that glass is the 
 grand foundation of modern science. 
 
 The time when glass was worth its 
 weight in gold 
 
 For many centuries glass-making 
 was mainly a fine art of an exquisite 
 kind. Even when the Book of Job 
 was written glass was worth its weight 
 in gold; and the Phoenicians seem to 
 have traded glass beads as jewels 
 among the savages of Northern Eu- 
 rope. It used to be thought that the 
 ancient Egyptians, at an early epoch, 
 anticipated the discovery made by 
 
 the merchants of Sidon, for a drawing 
 of two workmen, apparently engaged 
 in glass-making, has been discovered 
 in a toint of the eleventh dynasty. 
 But the best authorities now agree 
 that the drawing represents some 
 other process of manufacture. 
 
 The Sidonians certainly held for a 
 long time the monopoly in glass-mak- 
 ing, and they spread the use of the 
 new material throughout the Mediter- 
 ranean. But gradually a knowledge of 
 the secret of its manufacture extended 
 to Italy, Spain, and Gaul, and the 
 Romans especially became admirable 
 artists in glass. 
 
 The ROMAN CHEAPENING OF GLASS— 
 FROM TABLE USE TO WINDOW USE 
 
 As a matter of fact, wealthy Romans 
 used to pay extraordinary prices even 
 for small glass vases of exquisite work- 
 manship. They were esteemed above 
 vessels of wrought gold. Table-glass 
 of fine and elaborate shape was at 
 first the principal glass industry of the 
 Roman Empire, but mosaic work, 
 made by combining bits of colored 
 glass into a pictorial design, was soon 
 developed in a variety of beautiful 
 ways. 
 
 But the practical Romans at last 
 found the cheaper process of making 
 window-glass; and just as their em- 
 pire was falling under the attacks of 
 the Northern barbarians, the use of 
 common glass for lighting purposes 
 was extended. A small pane in a 
 bronze frame may be seen at Pompeii, 
 and fragments of window-glass have 
 been picked up from the ruins of 
 Roman villas in England. Glass of 
 this kind was cast on a stone, and was 
 usually very uneven and full of de- 
 fects; and though it was capable of 
 transmitting light, it must have al- 
 lowed only an imperfect view of ex- 
 ternal objects. Very likely this de- 
 fective method of manufacture was 
 one of the causes why the builders of 
 
ART GLASSWARE MADE DURING THE LAST 1500 YEARS 
 
 Rock crystal ewer, Italian, sixteenth century 
 
 Glass bowl with cover, Venetian, sixteenth century 
 
 Vase, Roman, lourtli century 
 
 Wineglass, Venetian, sixteenth cen- Goblet, Venetian, sixteenth century 
 tury. 
 
 Examples of glassware made In the twentieth century at the Whitefriars Glass Works, London 
 SPECIMENS OF BEAUTIFUL WORK IN GLASS FROM A WIDE RANGE OF TIME AND PLACE 
 
 370 
 
BOOK OF ENGINEERING AND INDUSTRY 371 
 
 the early Christian churches adapted In the creation of the now famous 
 
 the lovelier mosaic work in colored Jena glass, was discovered the barium 
 
 glass for the purpose of lighting and glass which combines the superb 
 
 beautifying their sacred buildings. optical qualities of flint glass with the 
 
 The SECRETS OF GLASS-MAKING DEARER "seful properties of ordinary crown 
 
 TO THE VENETIANS THAN LIFE glass. It would be iicccssary to go too 
 
 Alongside this general development far into the subject of lens construction 
 
 of glass-making, there continued, chiefly to explain at length the possibilities 
 
 in Venice, the more ancient traditions opened up to the optician by the in- 
 
 of the art of making exquisite table- vention of the newer varieties of glass, 
 
 glass and other vessels of use and But one of the consequences of the 
 
 beauty. Like the Sidonians, the glass- work of Schott and Abbe was that 
 
 makers of Venice carefully guarded Germany became for awhile supreme 
 
 the secret processes by means of in the manufacture of the best kinds 
 
 which they obtained a practical mo- of scientific instruments in which 
 
 nopoly of fine glass-work. If any glass plays an important part, 
 
 workman transported his craft into a The finest microscope objectives, 
 
 foreign country, an emissary was sent the finest photographic lenses, and the 
 
 by the State to assassinate him. Two best telescope glasses are all based 
 
 men from Muranc, the little island at upon the German invention of Jena 
 
 Venice where the glass-makers still glass. And though at the present 
 
 live, were induced by the Emperor time glasses of the newer types are 
 
 Leopold of Belgium to migrate to his produced in French and English manu- 
 
 dominions, but they were killed by the factories in quantity and quality at 
 
 order of the Council of Ten. least equal to the output of the Jena 
 
 Any artisan caught attempting to works themselves, these great optical 
 
 go to foreign parts was sent to the achievements stand as a lasting monu- 
 
 galleys. In 1550 eight glass-makers ment of the pioneer work of Schott 
 
 from Murano were engaged by the and x\bbe. 
 
 English government to found a fine- As a matter of fact, these two re- 
 glass manufactory at Crutchett Friars, markable men arrived at their dis- 
 in London. But they were so afraid coveries by quite primitive methods. 
 of assassination by the emissaries of They merely tried everything likely 
 the Council of Ten that they tried to to make a useful ingredient in a glass 
 run away, and were imprisoned in the mixture, until they obtained the kind 
 Tower, from which place they sent a of transparency which they needed, 
 petition for mercy to the Council. They were compelled to use the ancient 
 The Government of Venice tried to method of trial and error, or rule of 
 excuse their policy of maintaining thumb. For too little is yet known 
 the glass monopoly by murder, by about the scientific aspects of glass- 
 alleging that the workmen who re- making to enable a more foreseeing 
 mained at Murano were thrown out process of research to be usefully em- 
 of work for two and a half months a ployed. Men of science, indeed, are 
 year by the spread of glass factories in not yet agreed upon the fundamental 
 Spain and Flanders. Undoubtedly, problems of glass-making. Glass is 
 they frightened their migrating ar- still an unknown world, and its nature 
 tisans sufficiently to conserve the and its constitution have yet to be 
 Murano industry, and transmit its discovered. So it is regarded at 
 methods to us. present as a structureless solid, with 
 
372 
 
 THE HUMAN INTEREST LIBRARY 
 
 the same lack of arrangement in the 
 grouping of its molecules as is found in 
 water. 
 
 It is a congealed liquid, in which the 
 process of congealing involves no 
 change of structure, but merely brings 
 about a gradual stiffening of the liquid 
 until it behaves like a solid. And the 
 strange thing is that the ingredients 
 out of which glass is made are not 
 reduced to their liquid or molten state 
 of combination simply by heat. It 
 is the chemical dissolving action that 
 they produce on each other which is 
 the main factor. For instance, in 
 ordinary process of glass-making, suit- 
 able proportions of sand, carbonate of 
 lime, and carbonate of soda are mixed 
 together by machinery, and shut into 
 a vessel of fireclay enclosed in a gas 
 furnace. The heat of the furnace first 
 sets the mixture working. For by the 
 mere action of the heat the carbonate 
 of soda melts, and the carbonate of 
 lime loses its carbonic acid, and is 
 burned into caustic lime. Thus is 
 produced a mass consisting of grains of 
 sand and grains of decomposing car- 
 bonate of lime, all cemented together 
 by the melted soda. By this time, 
 however, the sand acquires a strong 
 acid action; it attacks the carbonate of 
 lime, and, moreover, does more than 
 the heat of the furnace can by attack- 
 ing and decomposing the carbonate of 
 soda. The final result is the complete 
 expulsion of all carbonic acid, and the 
 formation of compounds of lime and 
 sand and soda and sand, which remain 
 in the finished glass in a condition 
 partly of mutual chemical combina- 
 tion and partly of mutual solution. 
 
 Where salt-cake is used to make 
 glass, neither the action of the heat nor 
 the dissolving power of the sand is 
 sufficient to bring about the rapid de- 
 composition of the soda. So carbon 
 has to be introduced in the form of 
 coke or charcoal or anthracite coal, 
 
 and this supply, assisted by the carbon 
 already in the gases of the furnace, pro- 
 duces the desired effect. 
 
 The original glass made by nature 
 in volcanic processes 
 
 It may not be generally known that 
 one very curious kind of glass is some- 
 times manufactured by purely natural 
 forces. This takes place in a volcanic 
 eruption, in favorable circumstances, 
 where the intense heat sets up chemical 
 actions on various substances, that fuse 
 together into an impure, semi-trans- 
 parent glass known as obsidian. It 
 varies in color from gray to black, and 
 has been used in making works of art 
 by the Egyptians, Romans, and 
 Mexicans. 
 
 So what we do in a glass-furnace, 
 after all, is merely to imitate some of 
 the chance processes of volcanic action. 
 But by selecting our materials, and 
 using them in proportions that do not 
 occur in Nature, we produce something 
 that conduces in a remarkable degree 
 to progress in knowledge and art, in 
 health and comfort and luxury. The 
 vitriable element in glass is practically 
 always sand. The purest sand used 
 only to be obtained from a deposit at 
 Fontainebleau, near Paris, but an 
 equally good material is now found at 
 Lippe, in Germany. 
 
 The chemical ingredients of differ- 
 ent KINDS OF GLASS 
 
 When the standard of quality is 
 relaxed, a great number of sand de- 
 posits become available ; and the manu- 
 facturers of each district rely on more 
 or less local supplies. Finally, for the 
 manufacture of the cheapest class of 
 bottles, sands containing considerable 
 traces of iron and other substances are 
 often used. Flint glass used to be 
 made by grinding flints to powder; and 
 sandstone and certain other rocks are 
 still sometimes treated in this manner. 
 But crushing stone is an expensive 
 ajid difficult process, and in practice 
 
BOOK OF ENGINEERING AND INDUSTRY 373 
 
 only certain kinds of feldspar are widely In recent years the ancient craft of 
 used instead of sand. Their value is the glass blower has been transformed 
 due to the fact that they not only to a considerable extent into a factory 
 contain the acid but also the alkali process by the use of ingenious ma- 
 necessary in glass-making. chines and metal molds into which the 
 
 More usually, however, the alkali is molten glass is driven by steam or 
 
 obtained in a separate form from the compressed air. But in the production 
 
 acid of the sand. Various alkalies, such of the finest optical glass the method 
 
 as carbonate of soda and sulphate of of manufacture remains strangely 
 
 soda, are produced in the famous primitive. A single pot of fireclay is 
 
 English alkali-works, which have built into a furnace heated by coal 
 
 almost a universal monopoly in the or gas. When the pot is red-hot, the 
 
 manufacture of these chemicals, raw material is slowly shoveled in 
 
 The Germans, on the other hand, have small quantities into its mouth, and 
 
 a similar monopoly of the potash it is ten hours after the last charge 
 
 industry; and, having swept the old has been added that the furnace is 
 
 sea-weed burners out of existence, they driven to its highest temperature. It 
 
 supply most of the potash used in is kept at this temperature for twenty 
 
 making potash glasses. Recently, hours, and then the molten glass is 
 
 however, millions of tons of potash stirred for another fifteen hours or 
 
 have been discovered in the Mohave more. This is done by means of a rod 
 
 Desert in Arizona and California. of fireclay, balanced on an iron beam 
 
 How PRIMITIVE METHODS HOLD THEIR above the fumace, with a wooden 
 
 OWN IN THE FINEST GLASS-WORK handle uiovcd by a workman clad in 
 
 In addition to the alkali basis of an asbestos dress, 
 
 glass, there is a considerable number of The heat is terrific, but the stirrer 
 
 other substances that are largely em- must not relax his efforts for a minute, 
 
 ployed. For instance, lime is used for The work is so trying and arduous that 
 
 the production of all varieties of plate it has to be performed in short shifts, 
 
 and sheet glass, as well as for bottles On it depends the ultimate success of 
 
 and certain kinds of pressed glass and the operation. The constant and pro- 
 
 blow^n glass. And, as we have already longed stirring is necessary to remove 
 
 seen, the famous flint glass of England from the glass the transparent threads 
 
 i. is based upon lead. In Jena glass, and veins which are invariably found 
 a preparation of the silver-like metal in ordinary glass. For the different 
 I of barium is of importance, and zinc ingredients have a tendency to separ- 
 I and magnesia and aluminum are used ate, and rise or sink in the pot, accord- 
 [in the manufacture of special glasses ing to their comparative lightness or 
 I for scientific purposes, where special weight. It is this process of separation 
 I properties are required. By using an that produces the common defects of 
 ! electric furnace or an intense oxygen glass, and it is only partly prevented 
 : flame, quartz is now melted down into by keeping the whole molten mass of 
 a valuable glass. Unlike ordinary the bath in a state of gentle but con- 
 kinds of glass, the fused quartz is tinual agitation. While the stirring 
 • transparent to the invisible ultra- goes on, the temperature of the furnace 
 violet rays of light, and it is largely is allowed to diminish. The result is 
 coming into use for scientific purposes, that the fluid gradually stiffens, until 
 and for the medical treatment of the fireclay rod can only be moved 
 certain diseases. with great difficulty. The rod is then 
 
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 H 
 
 H 
 O 
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 o 
 
 in 
 
 O 
 
 
 o 
 < 
 
 >^ 
 
 o 
 
 Q 
 W 
 
 Ph 
 P 
 
 >H 
 
 P^ 
 
 w 
 w 
 
 374 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 375 
 
 T^emoved, and the furnace allowed to 
 cool for another five hours. 
 
 The cooling is stopped, and the 
 whole furnace is sealed up with brick- 
 work and fireclay, and the glass is left 
 to anneal gradually for one or two 
 weeks. The pot is then drawn out, 
 usually in a cracked condition, and is 
 broken away by the aid of a hammer. 
 In especially favorable circumstances, 
 the whole of the glass may have cooled 
 into a solid lump, but it is more usual 
 to find it broken into fragments. 
 These are picked over, and the pieces 
 that are found to be absolutely clear are 
 used in making the finest kind of lens. 
 The manufacture of glass bottles 
 
 At the other extreme of the glass 
 industry is a huge tank furnace, heated 
 by producer gas, which turns out with 
 punctual regularity the material from 
 which bottles are shaped by machin- 
 ery in millions every year. The tank 
 is built of large blocks of fireclay, in the 
 shape of an oblong basin, over which 
 plays an intense flame of aerated gas. 
 The raw materials are thrown into 
 the furnace at the square end of the 
 tank, and the gas flows uninter- 
 ruptedly down the furnace to the colder 
 semi-circular end of the tank that is 
 ])ierced with working holes. 
 
 The workman thrusts an iron rod 
 through one of these holes, and twirls 
 around it a charge of the sticky fluid, 
 which he drops into the machine. The 
 liquid glass flows into a mold, from 
 which it receives the shape of the neck 
 of a bottle; and while it still retains its 
 liquidity, a plunger makes a hole 
 through it, and a stream of compressed 
 air sweeps into this hole and blows the 
 glass out, shaping the shoulder of the 
 bottle. The glass is now growing 
 decidedly stift', and it passes into a 
 finishing mold, where it is blown by 
 powerful air pressure into its final 
 shape, though in some cases another 
 macliine is needed to form the inden- 
 
 tation at the base. By pressing a 
 lever the workman then releases all 
 the molds, thus leaving the bottle 
 completely finished and entirely free. 
 Two men and a boy work the whole 
 machinery: one man gathers the glass 
 from the tank, another works the levers 
 that bring the molds into action, and 
 the boy carries the finished bottles to 
 a kiln where they are annealed by 
 passing on trucks down a tunneJ that 
 is hot at one end and cold at the other. 
 
 How PLATE GLASS IS MADE 
 
 The tank furnace is also used for 
 making plate glass. It is by no means 
 uncommon for a single furnace to have 
 a weekly output of a hundred and 
 fifty tons of glass. The glass is with- 
 drawn from the furnace by means of 
 huge iron ladles, holding two hundred 
 pounds of burning fluid, and carried 
 by slings attached to trolleys running 
 on an overhead rail. But a workman, 
 covered in thick felt, with his face 
 protected by a mask, in which there 
 are eyeholes glazed with green glass, 
 has to guide the ladle to the tank, and 
 twist it into the fiercely hot molten 
 glass. He then jerks off the threads 
 and sheets of stiffening fluid that hang 
 to it, and attaches the handle of the 
 ladle to the overhead trolley. He next 
 has to bear all his weight on the handle, 
 to draw the whole ladle up from the 
 molten bath in the furnace and out 
 through the working hole in the tank. 
 The operation only takes a few seconds 
 to perform, but while it lasts the ladler 
 is exposed to terrible heat, as an intense 
 flame shoots through the working hole 
 and curls up under the hood of the 
 furnace. 
 
 Aided by a boy, the ladler then runs 
 the charge of glass to an iron table, and 
 there he empties out the molten liquid 
 in front of a massive iron roller. Im- 
 pelled by steam power, the roller 
 passes over the glass, flattening it into 
 a soft, red-hot sheet that has to remain 
 
S76 
 
 THE HUMAN INTEREST LIBRARY 
 
 on the iron table to cool and harden 
 before it can be safely removed. The 
 sheet is then taken on a stone slab 
 into a long, low tunnel, hot at one end 
 and cold at the other, and down this 
 tunnel it very slowly passes, cooling 
 and annealing, ready for cutting in the 
 cutting-room. 
 Making ordinary sheet glass 
 
 Ordinary sheet glass is also made in 
 a tank furnace. Sometimes three in- 
 dependent furnaces are connected with 
 each other by small openings through 
 which the fused materials flow, refining 
 as they flow. By this means a finer 
 glass is produced, which has many of 
 the properties of polished plate glass. 
 The process of making sheet glass is 
 very interesting. It is done by three 
 groups of workmen — the pipe- 
 warmers, the gatherers, and the 
 blowers. The pipe-warmer heats a 
 blowing-pipe, formed of an iron tube, 
 about four and a half feet long, pro- 
 vided at one end with a wooden handle 
 and a mouthpiece, and at the other end 
 with a thick cone. After heating the 
 pipe, the warmer blows through it, to 
 see that the passage is clear, and then 
 places the thick end in the tank of glass. 
 Then the gatherer intervenes. With a 
 knack born of long experience, he 
 collects a quantity of glass round the 
 butt-end of the pipe, by twisting it 
 slowly in the molten fluid. 
 
 Cooling his first gathering, the 
 gatherer dips the pipe in again and 
 collects more glass, doing this with a 
 skill that prevents any air-bubbles 
 forming between the cool-glass and the 
 fresh gathering. The pipe is then 
 rotated across an iron trough filled 
 with water. This helps to cool the 
 pipe itself and stifl'en the glass; and 
 again the gatherer takes the 
 pipe to the tank and collects more of 
 the molten fluid. In some places the 
 process is repeated five times; and the 
 care and skill with which the operations 
 
 of gathering are carried out largely 
 determine the quality of the glass. 
 Any want of regularity in the shape 
 of the gatherings inevitably leads to 
 variations of thickness in different 
 parts of the sheet, while a careless 
 gatherer introduces bubbles and other 
 markings in the finished product. 
 When the gatherings have been well 
 done, the cooling glass forms a round 
 mass, with the nose end of the pipe 
 
 Rough-grinding plate glass on a rotating table 
 
 Pulishiim plaU- t;l:i«s with It-lt-uuvored disks 
 
 at its center. By means of special 
 shaping instruments the glass is then 
 molded into a sort of bottle, the neck 
 of which fits over the nose of the blow- 
 pipe. 
 Blowing out the sheet of glass 
 
 At this point the blower begins his 
 work. He works on a stage, with some 
 small furnaces, called blowing-holes, 
 in front of him, or sometimes the stage 
 is erected against the main melting 
 furnace. It is simply a platform 
 placed over a pit, called the blower's 
 pit. The glass-maker first heats the 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 377 
 
 bulb of glass in one of the blowing- 
 holes, and then swings the pipe with 
 a pendulum movement in the pit. 
 Purely by its own weight, the half- 
 remelted glass cylinder at the end of the 
 pipe begins to elongate itself. Any 
 tendency to collapse is checked by 
 the blower blowing with his mouth 
 through the pipe, which he also at 
 times rotates. The operation of heat- 
 ing and lengthening the cylinder is 
 repeated until the glass is equally dis- 
 tributed on all sides, forming a long 
 tube, hanging by a thin neck from the 
 blowpipe and closed at the lower end 
 with a rounded dome. This rounded 
 end is then opened by heating it till 
 it is soft enough for a circle to be cut 
 out with a pair of shears. Again the glass 
 is heated, and hung downwards in the 
 pit and twisted rapidly by the blower. 
 The soft glass at the lower end im- 
 mediately opens out under the whirling 
 action, which the blower continues 
 until the soft end straightens out in 
 agreement with the rest of the glass 
 tube. 
 
 When cooled and broken from the 
 blow-pipe, the tube is split open by a 
 hot iron or a diamond. It is then placed 
 on a smooth slab in a hot kiln, where 
 it grows soft enough to be flattened out 
 on the slab by means of a wooden tool. 
 Then, like other ordinary glasses, it is 
 moved through a long tunnel, and 
 annealed by being exposed to a change 
 of temperature from hot to cold. It 
 will be thus seen that the usual manu- 
 facture of sheet glass is a long, compli- 
 cated, and laborious process, needing 
 workmen of high skill. Various ma- 
 chines have recently been invented to 
 do the work and cheapen the cost of 
 the glass, but none of them is yet as 
 perfect in achievement as are the hands 
 of the gatherer and the blower. 
 
 In the finest kinds of sheet glass, the 
 tank furnace is not used. The in- 
 gredients are put into pots, and a num- 
 
 ber of these are set in what is called 
 a pot furnace, and exposed to the flame 
 of aerated gas. The method is more 
 costly than that of the tank furnace; 
 the fuel consumption is greater, and 
 the output smaller. On the other 
 hand, the composition of glass can be 
 more accurately calculated in a pot 
 furnace than in a tank furnace, as the 
 
 Engr;iving a tumbler by means of a copper wheel and 
 emery-powder. 
 
 molten fluid is better protected from 
 contamination by the furnace gases or 
 dropping matter. It is also possible 
 to melt thoroughly in pots materials 
 which could not be made to combine in 
 the open basin of a tank. In flint 
 glass especially the molten material 
 must be put in a closed pot, to protect 
 it from the reducing action of the 
 furnace gases. 
 
 How LAMP CHIMNEYS AND DRINKING 
 GLASSES ARE MADE 
 
 All the best hollow glassware is in 
 many ways costlier to manufacture 
 than tank-fused glass. A good deal 
 of hollow glassware, however, has been 
 cheapened by means of machines in 
 which molds are used. A lamp chim- 
 ney, for instance, is made in the same 
 
HOW A FRAGILE WINE GLASS IS SHAPED 
 
 The blower first collects some mol- By blowing through the pipe he He next molds the big bubble into 
 
 ten glass from the furnace on the forces the soft glass into the form of the smooth bowl by rolling it on an 
 end of his pipe. a big bubble. iron table. 
 
 He then casts on sutflcient molten metal to form the The workman next marks a circle round the bowl with 
 stem which he fashions with iron tools and afterwards adds moistened iron pincers and breaks free the glass by a 
 the foot similarly. smart tap on his pipe. 
 
 The top of the glass is well heated in the 
 furnace and is sheared to the required height. 
 
 The glass is now carefully removed from its holder and taken lo the 
 annealing oven where it Is cooled very gradually to obviate brittlenes? 
 
 S78 
 
BOOK OF ENGINEERING AND INDUSTRY 
 
 379 
 
 way as the bottle, being blown in a 
 mold with a flat bottom and a domed 
 top, both of which are subsequently cut 
 oft'. Molds are also employed in 
 making electric light bulbs, and many 
 of the cheaper kinds of tumblers and 
 glasses. 
 
 Yet the old-fashioned glass-blower 
 still produces the finest varieties of 
 hollow glassware. At his best he is a 
 craftsman of the old school, with a true 
 feeling for the artistic qualities of his 
 material. His implements are few and 
 simple. He sits on a rough wooden 
 bench, on which there are two project- 
 ing side-rails. On these rails he rolls 
 his pipe, and close to him on the bench 
 is a small rod and some shears and 
 pincers, together with a flat board 
 and a small slab of stone or metal. 
 Gathering some melted glass on his 
 l)ipe, he blows it into a small bulb, 
 and lengthens the bulb by gently 
 swinging it at the end of the pipe. 
 Having obtained the shape he wants, he 
 presses the bulb on the stone slab, and 
 so gives it a flat bottom. He then 
 breaks the bulb off the ])ipe by means 
 of a hot wire, and sends the article to be 
 annealed by gradual chilling. The 
 rough edge is afterwards rounded oft' 
 by the aid of a blowpipe flame, and a 
 glass tumbler of perfect shape is ready 
 for use. 
 
 Such is one of the simplest examples 
 of the glass-blower's craft. For more 
 artistic work he makes use of the pasty 
 qualities of cooling glass. By raising 
 or lowering the temperature of his 
 material, he makes it now stiffer and 
 now more fluid. He distends it by 
 blowing, or he draws it out by swinging 
 his pipe, and molds it with the aid of 
 rods and tongs; or he holds it aloft 
 and lets it fall in festoons under its ow^n 
 weight. With all these manijjula- 
 tions at his disposal, the glass-blower 
 of the old school works the glass to his 
 will, and fashions it into objects of 
 
 great variety and beauty. Every- 
 thing that he makes is original, having 
 little of the regularity of size and 
 shape of machine-nuide articles. For 
 there is a natural variability in the 
 curves and festoons made by the glass- 
 blower, so that it is impossible for him, 
 in his best work, ever to repeat himself. 
 In the machine work that now com- 
 petes with the beautiful things made 
 by the glass-blower, two dift'erent 
 methods are used. In one, the glass 
 is blown by compressed air into the 
 various molds; in the other the mate- 
 rial is pressed into shape by means 
 of a mechanical plunger. The articles 
 molded in these two ways, however, 
 lack the fine fire-polish possessed by 
 glass that is allowed to cool freely from 
 the molten state. An attempt to 
 produce a similar brilliance of surface 
 on molded and pressed wares is often 
 made by exposing them, in their 
 
 ^ '-if''- 1 
 
 Polisliing a large cut-glass bowl on :i wuudeu wheel 
 
 finished form, to the heat of a furnace. 
 This softens the surfaces and gives 
 them a new brilliancy. But as the 
 process cannot be carried out without 
 softening the entire article, great skill 
 is required to prevent serious deforma- 
 
S80 THE HUMAN INTEREST LIBRARY 
 
 tion, and all sharp corners and angles particularly as the coloring elements 
 
 tend to be melted and rounded off. can be employed in almost any com- 
 
 Imitation cut glass is easily detected bination to produce exquisitely gradu- 
 
 by the blunting effect of angles and ated tints. Even stained glass-work of 
 
 corners produced during the reheating the finest quality is no longer a lost 
 
 process. art. Modern craftsmen have at their 
 
 Molded articles can also be dis- disposal materials quite as excellent 
 
 tinguished by the slight projections as those employed in the thirteenth 
 
 caused by the pressed glass getting century. 
 
 in the fine interstices between the The jewel-like splendor of the best 
 
 various parts of the hinged molds, ancient glass was for many years un- 
 
 Probably it is in order to hide these attainable, owing to a curious cause, 
 
 defects that so much machine-made Modern glass was too good for the 
 
 glass is over-decorated with grooves purpose. It was so transparent that 
 
 and spirals and ribbings. the light passed through it, instead of 
 
 Colored and stained glass bringing out the interest and mystery 
 
 At present, the wonderful color of the glass itself. It was found that 
 
 resources of the glass-maker are, in a the ancient stained glass was very 
 
 great many cases, hopelessly mis- badly made, with an irregular surface 
 
 applied. But in the hands of a fine and an extraordinary number of 
 
 designer few other materials are ca- internal defects — airbells, veins and 
 
 pable of yielding results equal in beauty even bits of foreign matter. But 
 
 to that of colored glass. Many of the these things scattered and twisted and 
 
 coloring agents are cheap, as only a reflected back the light, until the rays 
 
 minute quantity is needed to produce appeared to emanate from the body 
 
 lovely, delicate, and jewel -like tints, of the glass itself, which thus seemed 
 
 Indeed, the sole difficulty involved in to shine with an internal light of its 
 
 the use of several important coloring own. So, by having his glass made 
 
 substances is that so little of them is very badly, the modern worker in 
 
 needed that it is hard to weigh exactly stained glass has been able to equal 
 
 the amount that is required. The the lovely effects of the ancient 
 
 range of colors is practically unlimited, masters of his craft. 
 
MEMORY TESTS ON VOLUME TWO 
 
 BOOK OF EARTH AND SKY 
 
 Why did men once think the earth was flat? 9 
 
 How do we know that the earth is round? 1 1 - 
 12 
 
 What composes the suns family? 13-14 
 
 How did the sun originate? It 
 
 What is the difference between a fixed star 
 and a planet? 17 
 
 What are the distances of the planets from 
 the sun? 18 
 
 What is a comet? 18 
 
 What are shooting stars? 20 
 
 How was the earth made? 21-22 
 
 What is the law of gravitation and who dis- 
 covered it? 23 
 
 Who was Herschel and what did he do? 23 
 
 How did the moon originate? 26 
 
 How was the earth's crust formed? 28 
 
 What is the origin of rocks? 29; Minerals? 30 
 
 How did animal remains get into the rocks 
 and rock formations? 31-33 
 
 How much of the earth's surface is land? 34 
 
 What do fossils teach? 34 
 
 How did animals in the past ages differ from 
 those of to-day? 35 
 
 How were animals distributed over the earth? 
 3.5-36 
 
 How do we know when animal life began? 
 36-37 
 
 How is the face of the earth changed from 
 time to time? 39 
 
 What is a glacier, and why does it move? 40 
 
 What is meant by a geological fault? 41 
 
 How does the fire break through the crust of 
 the earth? 41-44 
 
 Do land and water areas interchange? 44 
 
 Were America and Europe ever connected by 
 land? How? 45 
 
 What was the "lost continent?" 45 
 
 What resemblance between alchemists and 
 astrologers? 47 
 
 What difference between astrology and as- 
 tronomy? 47 
 
 What advances were made in astronomy by 
 Copernicus and Galileo? 49-50 
 
 What is meant by the solar system? 52 
 
 What are nebulae? How do they differ from 
 stars and constellations? 52-53 
 
 What is the shape of the path of a comet? 53 
 
 What causes the brightness of the moon? 54 
 
 Why do we see but one .side of the moon? 55 
 
 Why do we know the moon better than other 
 phinets? 55-56 
 
 Why does not the surface of the moon change 
 like that of the earth? 59 
 
 What is the path of the moon round the earth? 
 59 
 
 Why should we know the principal constella- 
 tions in the sky? 61 
 
 How were the constellations and stars named? 
 62 
 
 Why cannot we understand the real bright- 
 ness of the stars? 66 
 
 How are the distances of stars determined? 66 
 
 Do we know the weight of stars? 67 
 
 Where do heat and light come from? W^hat 
 are they? (i8-70 
 
 What is air? 72 
 
 Could we live without oxygen? 73 
 
 What is water? 75 
 
 What are atoms and molecules? 74 
 
 How do the chemical elements combine to 
 produce water? 75-76 
 
 Who was Lavoisier, and what great scientific 
 discovery did he make? 79-80 
 
 BOOK OF NATURE 
 
 Name six important species of the cat family 
 
 82 
 
 92 
 
 How have animals changed? 84 
 Describe the first bird. 86 
 What animals live on ants? 88 
 Which are the strongest animals in the world? 
 I 
 
 How does the lion get his supper? 92 
 What animal is trained to hunt the antelope? 
 
 96 
 
 What are the habits of the Polar bear? 98 
 Are there any wild dogs today? Where? 100 
 What are the birds of most gorgeous plumage? 
 
 102-103 
 
 How many kinds of humming-birds are 
 
 there? 105 
 
 What birds build the most remarkable nests? 
 
 106 
 
 Where is the Ij^re-bird found? 107 
 
 What bird brings up its young in prison? 108 
 
 Where do we find the quetzal? 109 
 
 What are the chief hunting birds? 112-117 
 
 Whv are birds valuable to farm and orchard? 
 
 119-124 
 
 What is the manner of living among birds? 
 
 122-123 
 
 Where does the mocking-bird live, what is its 
 
 size and what are its habits? 125 
 
 What are the habits of the night hawk? 127 
 On what does the bob white feed? Where 
 
 does it live? 133 
 
 How and why do bees swarm? 134-137 
 How are the cells of bees formed? 139 
 What is the province of the worker bee? 140 
 How does the grasshopper deposit her eggs? 
 
 142 
 
 How does the carpenter bee construct its 
 
 house? 146 
 
 How does a mother spider protect her young? 
 
 147 
 
 What are infusoria and what are their uses? 
 
 152-154 
 
 How does the starfish feed? 161 
 
 Why is the sperm whale called the "tiger of 
 
 the deep?" 162-163 
 
 What is meant by intelligent plants? 165-166 
 What causes a leaf to change color? 166 
 What wonderful powers does the sundew 
 
 possess? 170-172 
 
 MARVELS OF MODERN MECHANISM 
 
 How were X-rays discovered? By whom? 
 175 
 
 What are cathode rays? 175-177 
 
 How are X-ray pictures made? 179-180 
 
 381 
 
How and by whom was radium discovered? 
 183 
 
 How may radio-activity be demonstrated? 
 184 
 
 How is radium produced? 185-186-187 
 What kind of rays are emitted by radium? 188 
 What is the spinthariscope? 189 
 To what extent is radium effective in the treat- 
 ment of disease? 191-192 
 
 How were moving pictures, or animated pho- 
 tography, discovered? 195-196 
 
 Who were the chief improvers of moving 
 picture mechanism? 196 
 
 How are moving picture plays staged? 197 
 How are the "impossible" pictures obtained? 
 202-205 
 
 How did men first tell the time? 206 
 What are the dimensions of Big Ben? 207 
 What devices were used for measuring time 
 in the early ages? 209-211 
 
 What was the mystery of Stonehenge and its 
 association with time measurement? 212 
 
 How does the mariner find his location? 216 
 How was the law of the pendulum discovered? 
 218 
 
 Who invented the weight clock? 218 
 What makes the clock's wheels go round? 219 
 How does electricity drive a clock? 221 
 How is a telegram sent and received? 223-225 
 How is an ocean cable made and laid? 228-233 
 What is wireless telegraphy? 233-234 
 How are electric waves set in motion? 234 
 W^hat are high frequency currents? 234 
 What kind of instruments are necessary to 
 send and receive wireless messages? 237 
 
 How is a wireless message sent and received? 
 238-239 
 
 How are large guns constructed? 244-249 
 What are the steps in the manufacture of 
 rifles? 249-251 
 
 How are cartridges and shell made? 251-253 
 How are shot made? 255 
 In how many different ways may the princi- 
 ple of the inclined plane be adapted? 256 
 
 What are the six sources of mechanical power? 
 257 
 
 What is man's value as a human machine? 259 
 What are the fiv-e sources of energy on the 
 earth? 260 
 
 What is a catalyser? 268 
 
 BOOK OF ENGINEERING AND 
 INDUSTRY 
 
 What was the French Panama Canal Com- 
 pany? 271 
 
 How was the right of the United States to 
 build the Panama Canal obtained? 271 
 
 Who was the chief engineer who finished the 
 construction of the Panama Canal? 273 
 
 When were the waters turned into the Panama 
 Canal? 273; The first boat to pass through 
 the Gatun locks? 273 
 
 What were the greatest obstacles in the con- 
 struction of the canal? 274 
 
 What is the commercial value of the canal? 
 278 
 
 What saving in distance is effected by the 
 opening of the canal? 278-279 
 
 What rental does the United States pay for 
 canal zone? 283 
 
 What is the cost of a modern ocean liner? 284 
 
 What was the first steamboat built? 285 
 
 What was the first steamship to cross the 
 Atlantic? 285, 289 
 
 Who were the chief inventors in connection 
 with early steam navigation? 286 
 
 What was Fulton's place among the early 
 inventors of steamboats? 287 
 
 How is a great steamship constructed? 289- 
 293 
 
 What are some of the wonders of a modern 
 battleship? 296-300 
 
 What is the strongest ship in the world and 
 for what used? 300 
 
 How is armor-plate manufactured? 302-305 
 
 What and where was the first lighthouse? 306 
 
 Where was the first American lighthouse 
 built? 308 
 
 What is the tallest lighthouse tower in the 
 United States? 312 
 
 How are lighthouses lighted? 312-313 
 
 What are the chief fog signals now in use? 315 
 
 How are life-saving bells fixed ar worked? 
 317 
 
 What was the beginning and present extent 
 of water power development at Niagara Falls? 
 320 
 
 How is the power diverted from the Falls, 
 conserved, and distributed? 320-325 
 
 What European waterfalls are used for power 
 purposes? 325 
 
 What is the history and present effectiveness 
 of the Keokuk dam power plant? 326-329. 
 
 What are the reasons to be assigned for 
 underground structures? 330. 
 
 What cities lead in elevated and underground 
 railways? 330. 
 
 What is the longest underground aqueduct in 
 the world? 333. 
 
 What are the dimensions of the Jawbone 
 siphon? 334. 
 
 What is the estimated underground popula- 
 tion of New York? 335. 
 
 Who was the first great reformer in bridge 
 building? 341. 
 
 What was the first great iron bridge built? 
 341. 
 
 How is a caisson built? 344. 
 
 How does the cantilever bridge rank? 345. 
 
 What are the most notable bridges in New 
 York? 347. 
 
 Of what type is Tower Bridge, London? 
 348. 
 
 What are the chief coffee producing countries? 
 353. 
 
 Why is some tea black and some green? 
 357. 
 
 How are tea leaves classified? 358. 
 
 How are chocolate and cocoa produced? 
 363-367. 
 
 How is glass made? 368-380. 
 
 How are bottles made? 375. 
 
 How is a. wine glass shaped? 378. 
 
 How are colored and stained glass effects 
 obtained? 380. 
 
 S82 
 
INDEX TO VOLUME II 
 
 Actors, In moving pictures, 199. 
 
 Aeroplane, in warfare, 261, 264 
 265, 267. 
 
 Afte, of earth, 44. 
 
 Air, action on rocks. 30; elements of. 
 72; relation to earth, 24; what It 
 Is, 71. 72,73. 
 
 Alchemists, 47, 4S. 
 
 Aldebaran, 62. 
 
 Alftol. 62. 
 
 .Mpha Rays, 188. 
 
 America, once connected with Eu- 
 rope, 45. 
 
 Anemone, sea, 155, 159. 
 
 Animal Life, beginnings of. 36. 
 
 Animal Remains, in rocks, 31, 32, 
 33. 
 
 Animals, animal power, 259. 260; 
 bat, 89; cheetah, 82; civet. 97: 
 cougar, 96; development of animal 
 life, 84, 85: distribution of, 35; ele- 
 phant, 91; ermine, 96; fox, 99, 
 100; greatanimal world, 84; grizzly 
 bear, 95; how the Hon gets his sup- 
 per, 92; how they come into the 
 world, 85; how those of past ages 
 differed from those of today, 35; 
 how we find those that lived long 
 ago, 86: how we know about ex- 
 tinct monsters, 89: hyena, 95; 
 ichthyosaurus, 87; jackal, 99, 100; 
 Jaguar, 82, 96; leopard, 82, 94; life 
 in ocean depths, 152; Hon, 90; lords 
 of the wild kinsdom, 93; lynx, 82; 
 many great destroyed by Ice age, 
 89; marten, 96; members of cat 
 family, 82; mongoose, 97; myloden, 
 89; otter, 96; panther, 96; polar 
 bears. 95, 97, 98. puma, 82, 96; 
 reptiles, flying aragons, birds and 
 man, 84; sables, 97; sloths, 87; 
 some monsters of the past, 85; 
 stoat, or ermine, 96; that live on 
 ants, 88: three strongest things in 
 animal world, 92; tiger, 90, 93, 94; 
 use of, 89; weasels, 96: what causes 
 their extinction, 36; wild in their 
 homes, 90; wolf, 98. 99, 100. 
 
 SEE ALSO NAMES OF INDIVIDUAL 
 ANIMALS 
 
 Animated Photography, develop- 
 ment of, 195: how discovered, 195; 
 see moving pictures, 194. 
 
 Anode, 175. 
 
 Ant Eaters, 88. 
 
 Ants, Industry of, 143. 
 
 Apparatus, X-ray, 174, 179. 
 
 Appendix, X-ray picture of, 181. 
 
 Apertvx or Kiwi, 87. 
 
 Aqueducts, jawbone siphon, 334; 
 Los Angeles, 333: New York, 333; 
 Soledad siphon, 335. 
 
 Archaeopteryx, or oldest bird, 86. 
 
 Arcturus, 62. 
 
 Areas, land and water Interchange, 
 44; water and land of earth, 34. 
 
 Argon. 72. 
 
 Arm, X-ray picture of bones, 181. 
 
 Armor, how plates are hardened, 302; 
 how the plates are cast, 302; manu- 
 facture of, 302, 305. 
 
 Armor-plate, 302, 305: ballistic test 
 of, 305; Barbette of "Texas," 305; 
 carbonizing of, 305; reaming ma- 
 chine, 304; sawing machine, 303: 
 steel Ingot, 303. 
 
 Art glassware, 370. 
 
 Astrologers, 47, 48. 
 
 Astronomy, early discoveries and 
 discoverers. 49; how It developed, 
 47, 48. 
 
 BEE ALSO STARS, CONSTELLATIONS, 
 
 8KT, MOON, SON, COMETS, MILKY 
 
 WAY 
 
 Atomic theory, 14. 
 
 Atoms, 74; how they mix, 76; radio- 
 activity of, 189; theoretical dif- 
 ference between ordinary and radio- 
 active matter, 176. 
 
 Ball, great upon which we live, 9. 
 
 Banded cotlnga, 109. 
 
 Barbette, of battleship "Texas," 304. 
 
 Barn swallow. 128. 
 
 Basalt, 29. 
 
 Bat, 89. 
 
 Battle, with sperm whale, 164. 
 
 Battleship, a modern dreadnaught 
 fully equipped, 297, Z9S, 299; cross- 
 section ol, showing interior, 298, 
 299; guns of, 296, 297; men neces- 
 sary for, 296; munitions ot, 296; 
 tour of, 296, 300; working chamber 
 of, 297; Barbette of -Texas," 304; 
 U. S. squadron at Hampton Roads, 
 284: wonders of a, 296. 
 
 SEE ALSO SHIP BUILDING 
 
 Beacons of the sea, 306: buoys, 313, 
 314; fog horns, fog signals, 315: 
 light vessels, 314: life saving bells. 
 317. 
 
 Bears, grizzly, 95; polar, 95, 97. 
 
 Becquerel, Henri, experiments with 
 radium, 183. 
 
 Bee, bodily structure of. 140; drone, 
 136: growth of in cell, 136; how 
 wings are hooked together, 135; 
 pollen pocket of, 135: queen, 136; 
 tongue of, 135; wings of, 135. 
 
 SEE ALSO INSECTS 
 
 Bees, Carpenter, 144, 146; how they 
 work, 137; Industry of, 143; life 
 of In hive, 138, 139; solitary homes 
 of, 146; swarming of, 134; what 
 happens In a hive, 134. 
 
 SEE ALSO INSECTS, BEE 
 
 Beetle, how mother makes a cradle, 
 148; water, 150. 
 
 Beginning, of animal life, 36; of the 
 earth, of the sun, 14. 
 
 Bell-bird, 109, 110. 
 
 Bells, life-saving, 317. 
 
 Beta rays, 188. 190. 191. 
 
 Big Ben, 207. 
 
 Big Dipper, 62. 
 
 Birds, Apteryx or kiwi, 87; arch- 
 aeopteryx, or oldest bird, 86; as 
 Insect destroyers. 119; banded 
 cotlnga, 109; barn-owl, 131, 132; 
 barn swallow, 128; beauty birds of 
 foreign lands, 107; Bell-bird, 109, 
 110; bluebird, 124; blue jay, 126: 
 bobolink, 125; bobwhite, 133; brew- 
 er's blackbird, 125; buzzards, 117; 
 care of, 124; cassowary, 121; cat- 
 bird, 128: chatterers, 110; chick- 
 adee. 128; cock of the rock, 109, 
 110; condor, 115; Cooper's hawK 
 130; crow, 122; crow, common, 
 126; description of familiar, 124; 
 dinosaurs, 87; dodo, 86; do .ny 
 woodpecker, 133; eagle, 112, 113, 
 114; emu, 121; English sparrow, 
 129; falcons, 117; family of vul- 
 tures, 117; farm and orchard, 119; 
 first cousins of the ostrich, 121; 
 flamingoes. 111; flicker, 127; foes 
 of, 124; Gorget Bird of Paradise, 
 103, 104: great Bird of Paradise. 
 102. 103, 104; gray parrot, 107, 108. 
 110; handsomest In the world, 103; 
 hawk owl, 122; hawks, 120, 122; 
 hornbllls, 107, 108; house wren, 
 128; how they seek safety. 101; 
 hummingbird. 103, 104, 105: hunt- 
 ing birds, 112; Indian starling, 110; 
 Jackdaw, 122; Java sparrow. 103. 
 106; kaka parrot, 107, 108, 110; 
 kllldeer, 130; kingbird, 132; king- 
 fisher. 110: kites. 117; laughing 
 Jackass, 107, 108, 110; love birds, 
 107, 108; lyre-bird. 106; manakin. 
 109, 110; manner of living, 122; 
 meadowlarks, 126: mocking bird, 
 125; mourning dove, 130; nests 
 and eggs, 123; nlghthawk. 127; 
 night-Jar, 109: noted for their 
 beauty, 101; of Paradise, 101, 102, 
 103; osprey, 114; owls. 120, 122; 
 peacock. 107. 108: Pharaoh's 
 chickens, 115: purple martin, 129; 
 quetzal. 109. 110; red-tailed hawk, 
 129; red-winged blackbird, 126; 
 Rhea. 121; Robin. 124; rose- 
 breasted grosbeck. 125; ruffed 
 grouse, 132; satin bower-bird, 103, 
 106; screech owl, 132; some that 
 hunt for beasts, 118: sparrow 
 family, 120; sparrow hawk. 129 
 Toucan, 107, 108; trogon, 110 
 twelve-wired Bird of Parad'se, 103 
 104; umbrella bird, 109, 110 
 upland plover, 130; vultures, 114 
 waxwlng, 109; weaver, 101, 106 
 what the first looked like, 86; what 
 they eat. 122, 123; with strange 
 
 feathers. 109; yellow-belUed sap- 
 sucker. 127. 
 
 SEE ALSO NAMES OF INDIVIDUAL 
 BIRDS 
 
 Blackbird, Brewer's. 125; red- 
 winged, 126. 
 
 Blackwell's Island Bridge, 349. 
 
 Bladderwort. how It traps insects, 
 170. 
 
 Bluebird, 124. 
 
 Bobolink, 125. 
 
 Bobwhite, 133. 
 
 Bombs, air, 261. 
 
 Boston, congestion In, 330; light 
 house. 308. 
 
 Bottles, how made, 374. 375. 
 
 Brazil, production of cocoa beans. 
 365; production of coffee, 362. 
 
 Brewer's blackbird. 125. 
 
 Bridges. Blackwell's Island. 349; 
 Britannia, 341: Brooklyn, 347. 349. 
 350; caisson, 343; cantilever, 345: 
 early construction of. 341; foot- 
 paths In the air, 341; Forth, 345, 
 346: how the building Is begun, 
 343; Inside workshop of caisson. 
 344: Manhattan. 347; modern 
 steel across the Rhine at Cologne, 
 345; new bridge over Hell Gate, 
 New York, 341, 351; of John 
 Rennle, 341; of Stephenson, 341: 
 old-fashioned in picturesque lands, 
 342; Saltash, 347; suspension, 347, 
 349, 350, 351; Williamsburg. 347. 
 349. 350. 
 
 Brightness of the Stars, what It 
 means, 66. 
 
 Brooklyn Bridge, 347, 349, 350. 
 
 Bruno, Giordano, discoveries of. 
 martyrship of. theory of the stars, 
 50. 
 
 Buzzards, 117. 
 
 Bullets, how cast, 252; shape of 
 In cartridges, 252. 
 
 Bumble-bees. 144. 
 
 Cables. At the bottom of the Atlan- 
 tic. 227; cross-section, 228; how 
 Joined at sea, 231; how raised and 
 lowered, 232; how ship lays it, 230; 
 telegraph, 226. 227. 228, 229, 230, 
 231, 232. 
 
 SEE ALSO TELEGRAPH, TELEGRAPHY 
 
 Cablegrams, 233. 
 
 Caisson, 343; Inside of, 344. 
 
 Camera, cinematograph, 196; mov- 
 ing picture, 196. 
 
 Canals, Panama, 271. 
 
 Cancer, radium treatment, 192. 
 
 Cantilever bridges, 345. 
 
 Capital, nvested in moving picture 
 production, 197. 
 
 Carpenter bees, 144 ; wonderful home 
 of, 146. 
 
 Cartridges, automatic loading of. 
 252; how head Is formed, 252; 
 manufacture of, 251, 252, 253. 
 
 SEE ALSO SHELLS 
 
 Cassiopeia, 62. 
 
 Cassowary, 121. 
 
 Castor and Pollux. 66. 
 
 Catbird, 128. 
 
 Cathode, 175. 
 
 Cathode Rays, explanation of, 175. 
 
 Ceylon, cultivation of tea. 354. 355. 
 
 Chalk, how formed, 154. 
 
 Chatterers, 110. 
 
 Cheetah, 82 ; how It Is made to hunt 
 the antelope, 96. 
 
 Chemical affinity, 77, 78. 
 
 Chemical compound, 74. 
 
 Chemical elements, 71, 72, 73: argon. 
 72; nitrogen. 72; oxygen. 72; 
 radium, 186. 
 
 Chemical mixture, 71, 72, 73; sym- 
 bols, 77. 
 
 Chemistry, of Are, 78. 
 
 Chicago, congestion In. 330; sub- 
 ways. 331. 
 
 Chickadee, 128. 
 
 China, cultivation of tea. 353, 354. 
 356. 357. 
 
 Chlorophyll, how It changes color In 
 leaves, 166; movement In granules, 
 167. 
 
 Chocolate, where It comes from, 353. 
 
 Chocolates, where they come from, 
 364. 
 
INDEX TO VOLUME II 
 
 1 
 
 cinematograph, camera used, 196. 
 
 SEE ALSO MOVING PICTURES 
 
 Civet, 97. 
 
 Classification, of guns, 249. 
 
 Clematis, wild, 168. 
 
 Cleric-Maxwell, James, discoveries- 
 in vfireless telegraphy, 233, 234. 
 
 Cliffs, fossil remains in, 153. 
 
 Climbing plants, examples of, 168. 
 
 Clocks, Baylonian water-clock, 216; 
 Big Ben, 207; candle clock and 
 hour-glass, 217, 218; clock at Green- 
 wich, England, which gives stand- 
 ard time, 206: corrected by tele- 
 graph, 213; driven by electricity, 
 221; electric world-clock, 222; 
 first clock the heavens, 206; how 
 regulated by the stars, 213, 214, 
 215; invention of weight^clock, 
 218; law of the pendulum, 218. 219; 
 limits of accuracy, 211 ; mechanism 
 of, 219; what makes the wheels go 
 round, 219. 
 
 SEE ALSO TIME 
 
 Cock of the Rock, 109, 110. 
 
 Cocoa, a cacao plantation, 365; pro- 
 duction and use of, 363; produc- 
 tion of, 352; the cacao tree, 365. 
 
 Cocoa Beans, from grinding mill to 
 chocolate molds, 366; gathering 
 and roasting, 367; how prepared, 
 364; preparation for market, 367; 
 
 Coffee, Arabian plant, 360; countrlea 
 that grow It, 353; how crop is 
 gathered, 362; how grown, 361; 
 preparation of bean for market, 
 363; production in Brazil, 362; 
 production of, 352; the fruit, 360. 
 
 Combustion, true nature of, 80; 
 what it is, 80. 
 
 Comet, 18; journey of, 53; path 
 of, 53. 
 
 Composition, of water, 73. 
 
 Condor, 115. 
 
 Conservation, of radium, 193. 
 
 Constellations, 65; Big D'.pper, 62; 
 Cassiopeia, 62; Great Bear, 62; 
 map of in Autumn and Winter, 65; 
 map of In Spring, 63; map of in 
 Summer, 64; names of, 62; nam- 
 ing of, 61; Northern Crown, or 
 Corona Borealls, 60; Orion. 62; 
 Perseus, 62; Pleiades, 62; study of, 
 60. 
 
 SEE ALSO STARS, SKY 
 
 Construction of bridges, 341, 351. 
 
 Cooper's hawk, 130. 
 
 Coral, builders, 154, 155; how it is 
 
 built up, 154, 155; Insects, how they 
 
 work, 154, 155. 
 Cordouan Lighthouse, 307, 310. 
 Corona Borealls, 60. 
 Cougar, 96. 
 Could a Man tumble off the earth? 
 
 10. 
 Craters 10. 
 
 Crlcketl mother and family, 147. 
 Crookes, Sir William, discoveries In 
 
 connection with X-rays, 175. 
 Crow, 122; common, 126. 
 Crust of earth, 27; changes In, 39; 
 
 how earth's is split, 43; how made. 
 
 28; story of the rocks, 32, 33. 
 
 SEE ALSO EARTH 
 
 Curie, Madam, discoveries Inradlum, 
 
 183, 185. 
 Curing tea, 358. 
 
 D 
 
 Darwin, Charles, on glaciers, 39. 
 Dslta rays, 190, 191. 
 Development of animals, 84, 85; of 
 
 animated photography, 195; of 
 
 steamships, 284. 
 Diatom, 160. 
 Dinosaurs, 87. 
 Discovery, of animated photography, 
 
 195. 
 Distances, betweenthe world's ports, 
 
 279, 280; of the stars, 66; table 
 
 of, affecting the world's sea traffic, 
 
 279. 
 
 SEE ALSO PANAMA CANAL 
 
 Dodo, 86. 
 Dove, mourning, 130. 
 Downy woodpecker, 133. 
 Drilling machine, 257. 
 Dry dock, 327. 
 
 Eagle, 112, 113. 114. 
 
 Earth, age of, 44; air, water and flre, 
 71; American and Europe once 
 connected, 45; as it is today, 27; 
 before it was Inhabited, 57; burn- 
 ing flre Inside, 38; changes in struc- 
 ture of, 29; changing crust of. 39; 
 changing from age to age, 32; 
 could a man tumble off, 10; crust 
 of, 27; distance of moon, 54: dis- 
 tribution of animals, 35; energy 
 from its rotation, 260, 261, 263, 
 264; first men who tried to sail 
 around, 12; formation of minerals, 
 30; fossils, 34, 35; geology of, 28; 
 great ball upon which we live, 9; 
 heat and light, 68 ; heat energy of, 
 260,261,262 ; hot tide that once rolled 
 over, 25; how crust was made, 
 28; how earthquakes and volca- 
 noes change the earth's face, 40: 
 how it was made, 21; how men 
 found It was round, 12; how moun- 
 tains and boulders tell its story, 39; 
 how old it is, 29; how we know it Is 
 round, 11; lost continent, 45; made 
 of same matter as sun, 22; may 
 once have been pear-shaped, 24; 
 men who thought it was flat, 9; 
 mystery of the underworld, 9; 
 once a globe of gas, 24, 25; path 
 of moon round, 59; relation to air, 
 24, 25; rock structures, 29: size 
 compared with universe, 51 ; size of, 
 27; story of, 13; viewed from 
 moon, 58, 59; water and land areas 
 of, 34; what men thought about 
 the sun, 10; when Its spinning be- 
 gan, 16. 
 
 SEE ALSO VOLUME 1 
 
 Earth and Sky, 7. 
 
 Earwig, guarding her young, 147. 
 
 Eddystone lighthouse. 306. 307; in- 
 terior, 307. 
 
 Edison, Thomas A., improvements in 
 animated photography, 196. 
 
 Eggs, Birds', 123: of bumble-bees, 
 144; of insects, how hatched, 142, 
 143; of water-beetle, 150. 
 
 Eiffel Tower, electric world-clock of. 
 222. 
 
 Electricity, discoveries of Clerk- 
 Maxwell and Hertz, 233, 234; gen- 
 erated from waterfalls, 319, 325; 
 high frequency currents, 234: how 
 It drives clocks, 221; sending a 
 telegram, 223, 224, 225. 
 
 SEE ALSO TELEGRAPHY, WIRELEaS 
 
 Electric Waves, how set In motion, 
 
 234, 235, 240, 241. 
 Electrons, 177. 
 
 Elements, chemical, 71; of air, 72. 
 Elephant, 91. 
 Elevated railways, 330. 
 Emu, 121. 
 
 Energy, flve sources of, 260. 
 Engineering, elevated railways, 330 
 
 how bridges are built, 341, 351 
 
 marvels of underground. 330 
 
 Panama Canal, 274. 
 
 SEE ALSO BRIDGES, UNDERGROUND 
 ENGINEERING 
 
 English, daisy, 168; sparrow, 129 
 
 •■Ermack" strongest ship In the 
 world, 300, 301. 
 
 Europe, once connected with Amer- 
 ica, 45. 
 
 European water power, 325. 
 
 Falcons, how taught to catch other 
 
 birds, 117. 
 Faults, geological, 40; geological, 
 
 what causes them, 41. 
 Fire, chemistry of, 78, 79; how it 
 
 comes out of the earth, 42; inside 
 
 the earth, 38: what it is, 71, 72, 73. 
 Fishes, phosphorescent, 158, 159. 
 Fitch, John, steam navigator. 286. 
 Flamingoes, 111. 
 Flicker, 127. 
 Flowers, hours when they open, 170; 
 
 why they burst open, 169. 
 Fog, signals, 315. 
 Foghorns, 315 
 Food products, water In, 79. 
 Foot, X-ray picture of, 181. 
 Forests, as sources of power. 260. 
 Forth bridge, 345, 346. 
 Fortilcations, 267, 268. 
 Fossils, what they teach. 34. 
 Fox, 99, 100. 
 
 S 
 
 French Panama canal company. 271- 
 Frog, X-ray picture of skeleton, 181. 
 Fuel, as source of power, 260, 268. 
 Fulton, Robert, first steamboat, 287. 
 
 Galileo, discovery of the moons. 17; 
 invented telescope, 49. 
 
 Gamma rays. 190, 191. 
 
 Gary, Blasco, de, steam navigation, 
 286. 
 
 Gatun locks, 272; first boat to pass 
 through, 273. 
 
 Geology, study of earth, 28: how re- 
 lated to botany and other sciences, 
 30, 31. 
 
 Glaciers, 39, 40. 
 
 Glass-making, among the Venetians, 
 371; art glassware of 1500 years, 
 370; chemical Ingredients used, 372; 
 colored and stained glass, 380; 
 grinding and polishing, 376; his- 
 tory of, 368, 369; how a wine glass 
 !a made, 378: how bottles are 
 made, 374, 375; how plate glass Is 
 made, 375; how sheet glass is made, 
 376; Introduced into England, 371; 
 Jena glass, 371. lamp chimneys 
 and drinking glasses, 377: ma- 
 chinery superseding handwork, 374; 
 marvels of, 368: methods used, 373: 
 polishing cut-glass, 379; processes 
 of, 371, 372. 
 
 Gnats, Eggs of, 148. 
 
 Goethals, Colonel, chief engineer of 
 Panama Canal. 273. 
 
 Granite, 29. 
 
 Grasshopper, how it deposits Ita 
 eggs, 142. 
 
 Gravitation, 23; force of upon 
 moon, 57. 
 
 Great, ball upon which we live, 9. 
 
 Great Bear, 62. 
 
 Grouse, ruffed, 132. 
 
 Guns, assembling the parts, 246; 
 breech mechanism, 248; how class- 
 ified, 249: how forged and turned, 
 246 ; Krupp siege guns, 263 ; machin- 
 ing large guns, 244; manufacture of. 
 244, 262, 263; steel used in their 
 construction, 244; three stages in 
 growth of, 247; typea used in 
 warfare, 245: used in warfare, 244. 
 
 SEE ALSO RIFLES 
 
 H 
 
 Hand, radiograph of structure, 174. 
 Hawk, Cooper's, 130; red-tailed. 129: 
 
 sparrow, 129. 
 Hawk Owl, 122. 
 Hawks, 120, 122. 
 Heat, what it is, 68. 
 Heat and Light, 68; theory of, 69. 
 Heavens, the first clock, 206. 
 Hell Gate bridge, 341, 351. 
 Herschel, makes a list of stars, 23. 
 Hertz, Heimrlch Rudolf, discoveries 
 
 in electric waves, 234. 
 Honeysuckle, how It unfolds, 169. 
 Hops, 168. 
 Hornbills, 107, 108. 
 Hour-Glass, 217, 218. 
 How A grasshopper deposits its eggs, 
 
 142. 
 How Animals came Into the world, 
 
 85. 
 How Animals of past ages differed 
 
 from those of today, 35. 
 How armor-plates are made, 302, 305. 
 How a root seeks moisture. 166. 
 How atoms mix, 76. 
 How bees work, 137. 
 How birds live, 122. 
 How birds seek safety, 101. 
 How bridges are built, 341, 351. 
 How chalk is made, 154. 
 How earthquakes and volcanoes 
 
 change the earth's face, 40. 
 How flre comes out of the earth, 42. 
 How lighthouses are built and main- 
 tained, 306 to 313. 
 How long It would take a train to 
 
 reach the planets, 19. 
 How men found the earth is round, 
 
 12, 
 How moving picture plays are staged 
 
 197. 
 How old the earth is, 29. 
 How telegraph cables are made and 
 
 laid, 228, 229, 230, 231, 232. 
 How earth's crust is spilt, 43. 
 How the earth was madCt 21. 
 
INDEX TO VOLUME II 
 
 How fhe lion gets his supper, 92. 
 
 How the root of a plant grows, 165, 
 166. 
 
 How time is measured, 206. 
 
 How water is formed, 75, 76. 
 
 How we know about extinct monsters 
 of the animal kingdom, 89. 
 
 How we know the earth Is round, 11. 
 
 How we look at another world, 46. 
 
 How we send a telegram, 223, 224, 
 225. 
 
 How wings of a bee are hooked to- 
 gether. 135. 
 
 How wireless telegraphy Is accom- 
 plished, 233 to 242. 
 
 Hulls, Jonathan, steamship naviga- 
 tion, 286. 
 
 Hunting Birds, 112. 
 
 Huxley, Thomas H., on fossils, 34. 
 
 Hydrogen, 75. 
 
 Hydraulic Press, as source of power, 
 258. 
 
 Hyena. 95. 
 
 Ichthyosaurus, 87. 
 
 •"Imperator," 290: a floating Rltz- 
 Carlton, 295; equipment of, 293; 
 magnificence of, 295; maiden voy- 
 age of, 294. 
 
 India, cultivation of tea, 357. 
 
 Indian Starling, 110. 
 
 Induced radio-activity, 191. 
 
 Industry, engineering and, 269; 
 of ants, 143; of bees. 143. 
 
 Infusoria, in the sea, 152; what be- 
 comes of dead, 152. 
 
 Insects, bumble-bees, 144; carpenter 
 bees, 144; earwig guarding her 
 young 147; gnats and mosquitoes, 
 148; how a beetle mother makes a 
 cradle, 148; how they guard their 
 young, 141; industry of ants and 
 bees, 143; many kinds of homes 
 made by, 144; mother mole cricket 
 and her family, 147; mother spider 
 carrying her young, 147; mothers 
 that are short-lived, 143: Scarab, 
 150; solitary bees, 146; spider 
 hatching eggs, 142, 143: wasps, 
 144; water-beetle, 150; water 
 spider, 148. 
 
 SEE ALSO BEE3 
 
 Intrenchments, construction of, 267 
 268. 
 
 Inventors, Edison, Thomas, A . 196; 
 Fitch, John, 286; Fulton, Robert, 
 286, 287; Gary, Blasco de, 286; 
 Hulls, Jonathan, 286: Lumiere, 
 196; Papin, Denis, 286; Rumsev, 
 James, 286: Scottish, 288: Syming- 
 ton, William, 288. 
 
 Jackal. 99, 100. 
 Jackdaw, 122. 
 Jaguar, 82, 96. 
 Java Sparrow, 103, 106. 
 Jupiter, planet of, 17. 
 
 Keokuk dam, distribution of power, 
 327; Riant power house, 328: in- 
 dustrial value of, 329; lock and dry 
 dock, 327; turbines used, 328; 
 what it is and what it does, 326 to 
 329; wonderful lock gates, 329. 
 
 SEE ALSO POWER 
 
 Kllauea Ughthouse, 313. 
 
 Klildeer, 130. 
 
 Kingbird, 132. 
 
 Kingfisher, 110. 
 
 Kites, good and evil work of. 117. 
 
 Koppernlk, or Corpernicus, Nicolas, 
 
 work in Astronomy, 49. 
 Krupp Siege Guns. 263. 
 
 Laughing Jackass, 107. 108. 110. 
 
 Lavolssier. discovered true nature of 
 combustion, 79, 80. 
 
 Law of gravitation, discovery of, 23. 
 
 Leaves, ciiange in color, 166; why 
 they fold up, 169. 
 
 Leopard, 82, 94. 
 
 Lesseps, Count Ferdinand de, con- 
 nection with Panama Canal, 271. 
 
 Lever, as a source of mechanical 
 power, 257, 258. 
 
 Life Saving bells, 317. 
 
 Light, how lighthouses are supplied, 
 312, 313; planetary, 51; what It 
 Is, 68. 
 
 Lighthouses, 306. 313; ancient, 306; 
 Boston light, 308: Kddystone, 306, 
 307; famous shore lights, 312; first 
 American, 308: how lighted, 312; 
 interior structure of, 307; Kilauea, 
 313; location and construction of, 
 309; Minot's ledge, 310; Navcslnk, 
 powerful liglit of, 313: number In 
 Great Britain, 307; Pharos, 306; 
 reflectors, lenses and prisms used, 
 313; Sandy Hook, 308, 309- St. 
 George Reef, 312; Tillamook Rock 
 Light, 311; tower of Cordouan. 307, 
 310; troubles from ice, birds and 
 sand, 312; white shoal light. 311. 
 
 Lion. 90, 9.3: how he gets his supper, 
 92: lords of the wild kingdom, 93; 
 mountain, or puma. 96; roar of, 92; 
 strength of, 92; tongue of, 92. 
 
 SEE ALSO ANIMALS, NATURE 
 
 Locks, Keokuk dam, 327, 329; Gatun 
 272; wonderful gates at Keokuk, 
 329. 
 
 London, behind the face of Big Ben, 
 207; bridges of, 347, 348; conges- 
 tion in, 330; subways in, 330, 331; 
 tower bridge, 347, 348. 
 
 Los Angeles, aqueducts, 333. 
 
 Lost Continent, 45. 
 
 Love Birds, 107. 108. 
 
 Lumiere. improvements In animated 
 photography, 196. 
 
 Lyell, Sir Charles, geological dis- 
 covery, 39. 
 
 Lvnx 82 
 
 Lyre-bird, 106, 107, 108. 
 
 M 
 
 Magnitude, of stars, 62. 
 
 Man, as a machine, 259. 
 
 Manakin, 109. 110. 
 
 Manhattan bridge, 347. 
 
 Manufacture, of ammunition, 249; 
 of armor, 302, 305; of guns, 244; 
 of rifles, 249; of shells, 251, 252, 253. 
 
 Map, of constellations and stars in 
 autumn and winter, 65; of con- 
 stellatinns in summer, 64; of stars 
 in spring, 63. 
 
 Mariner, how he tells the time, 216. 
 
 Marten, 96. 
 
 Martin, purple, 129. 
 
 Marvels, of glass-making, 368; of 
 mechanism, 173; of plants, 165, 
 172; of underground engineering, 
 330. 
 
 Matter, mystery of, 176. 
 
 Meadowlarks, 126. 
 
 Measurement, of power of X-rays, 
 180; of time, 206. 
 
 Mechanics, principle of power in the 
 inclined plane, 256. 
 
 Mechanism, of clocks, 220; marvels 
 of, 173. 
 
 Medical, uses of radium, 191. 
 
 Meteors. 20. 
 
 Mexico, production of cocoa beans, 
 365. 
 
 Minerals, how formed, 30. 
 
 Mines, submarine, 259, 260, 262. 
 
 MInots ledge lighthouse, 310. 
 
 Mixture, chemical, what is meant 
 by it, 71. 
 
 Mocking Bird. 125. 
 
 Molecules. 74; of water, 75. 
 
 Mongoose. 97. 
 
 Moon, 54: best known of planets, 
 55; discovery of by Galileo, 17; 
 distance from earth, 54; earth 
 viewed from, 58, 59; force of 
 gravitation upon. 57: how flung 
 oft from Earth, 26; light of com- 
 pared with sun, 54: path of round 
 the Earth, 59; photograph of, 56; 
 shadows from, 57; side men have 
 not seen, 55 ; why a dead planet. 54 ; 
 why subject to fewer changes than 
 the earth, 59. 
 
 SEE ALSO SK.r, TELESCOPE 
 
 Mosquitoes, how they are propa- 
 gated, 148. 
 
 Mother love in the Insect world, 141. 
 
 Motography, 197. 
 
 Mountains and boulders, how they 
 tell the story of the earth, 39. 
 
 Mourning Dove, 130. 
 
 Moving pictures, actors In, 199; 
 capital Invested In production of, 
 197; celluloid negative, 196; cine- 
 matograph camera, 196; future 
 posslbllites, 197 ; how local color Is 
 
 secured, 200: how plays are staged, 
 197; how realism is attained, 199; 
 how scenes are produced inside 
 studios, 201; how the "impossible" 
 Is done, 202, 203, 204, 205; how 
 tricks are done, 203, 204, 205; Im- 
 provements of Edison and Lumiere, 
 196; mechanism of camera, 196; 
 motography, 197; picture stage 
 settings, 199: Professor Starr on, 
 194; Selig studios for making, 198; 
 stage for production of, 195; stag- 
 ing for "The Yankee Spy," 200; 
 tricks in, 203, 204, 205. 
 
 SEE ALSO CINEMATOGRAPH, ANI- 
 MATED PHOTOGRAPHY, MOTOG- 
 RAPHY 
 
 Muybrldge, Edward, moving picture 
 
 inventions, 196. 
 Mystery, of lowest forms of sea life, 
 
 162; of matter, 176. 
 
 N 
 
 Names, of constellations, 62. 
 
 Naming, constellations, 61. 
 
 Nature's Wonderful family, 83. 
 
 Navesink lighthouse, powerful light 
 of, 313. 
 
 Navigation, conquest of the sea, 284. 
 
 Nebulse, of Orion, 53; star, 52; what 
 they are, 21, 22, 23. 
 
 Nests. Bird's, 123. 
 
 Newton, Sir Isaac, advances science 
 of Astronomy, 50: discovery of law 
 of gravitation, 23. 
 
 New York, Bridges of, 341, 347, 349, 
 350, 351; elevated railways, 330; 
 subways, 330, 331, 333; water 
 tunnels and aqueducts, 333. 
 
 Niagara Falls, Birdseye view, show- 
 ing power plants, 318; gigantic 
 turbine used in power plant, 322; 
 how power is carried to distant 
 cities 321; how power is generated 
 and controlled, 323; how the Falls 
 are harnessed, 321; power produced 
 by plants, 320. 
 
 SEE ALSO POWER, POWER PLANTS 
 Nighthawk, 127. 
 Nightjar, 109. 
 Nitrogen, 72. 
 Northern Crown, or Corona-Bore- 
 
 alis, 60. 
 Number, of stars, 67. 
 Nummulltes, how they have built 
 
 mountains. 154. 
 Nutation. 165. 166. 
 
 O 
 
 Observatory, at Greenwich, 222; at 
 
 Paris, 222. 
 Ocean, Animal life in, 152; bed of, 
 
 how explored, 160; living light In, 
 
 158, 159. 
 Orchids, Mexican, 171. 
 Orion, 62: nebula of, 53. 
 Osprey, 114. 
 Otter, 96. 
 
 Owl, barn-owl, 131, 132; screech, 132. 
 Owls, 120, 122. 
 Oxygen, 72: necessary to life, 73. 
 
 Palaeontology, what It teaches, 34. 
 Palisades, const' uction of, 267. 
 SEE ALSO FORTIFICATIONS, 
 
 INTRENCHMENTS 
 
 Panama, city of, 281 ; finances of, 
 283; Hay-Bunau-Varilla treaty' 
 271; Independence guaranteed by 
 U. S. 273; map of, 281; resources. 
 283. 
 
 Panama Canal, acquisition of fran- 
 chise by U. S., 271; bed in which 
 two seas met, 276; Colonel Goe- 
 thals, chief engineer, 273: distances 
 saved, 278, 279; first boat to pass 
 through Ine locks, 273; French 
 company, 271; Gatun locks, 272; 
 giant shovels used, 275; prodigious 
 landslides, 274; severing the two 
 Americas, 271; trip through. 274; 
 triumph of engineering, 274; turn- 
 ing in the waters, 273; walla 
 through which the seas flowed, 277: 
 what It means, 278: wonderful 
 steps up which ships climb, 270. 
 
 SEE ALSO ENGINEERING 
 
INDEX TO VOLUME II 
 
 Panama Canal Zone, map of, 281, 
 283; rental paid by U. S., 283. 
 
 Paris, congestion in, 330; electric 
 world clock in Eiffel Tower, 222; 
 how burrowed with subways and 
 excavations, 332 ; observatory of, 
 222; subways in, 331, 332. 
 
 Parrots, gray parrot, 107, 108. 
 
 Peacock, 107, 108. 
 
 Pebble!^, secrets locked in, 153. 
 
 Pekoe teas, 358. 
 
 Pendulum, law of, 218, 219. 
 
 Perseus, 62. 
 
 Phantoscope, 195. 
 
 Pharaoh's chickens, 115. 
 
 Pharos lighthouse, 306. 
 
 Philadelphia, congestion in, 330. 
 
 Phosphorescent fishes, 158, 159. 
 
 Photography, by X-rays, 180. 
 
 Photograph, of moon, 56. 
 
 Pictures, moving, 194. 
 
 Pitchblende, 184. 
 
 Planets, 13; d-istance from sun, 18; 
 how long it would take a train to 
 reanh, 19; how they differ from 
 stars, 17; revolving about the sun, 
 15; why so called, 17. 
 
 SEE ALSO 8KT, TELESCOPES 
 
 Plants, change in color of leaves, 166 ; 
 creeping and climbing, 167; English 
 daisy, 168; examples of climbing, 
 168; hops, 168; hours when flowers 
 open, 170; how a root seeks mois- 
 ture, 166; how the bladderwort 
 raps insects, 170; how the root 
 grows, 165, 166; nutation, 165, 
 166; one that breaks the rules, 171; 
 peculiarities of sundew, 170; sensi- 
 tive, habits of, 167; some intelli- 
 gent, 165; Venus's flytrap, 169; 
 weapons of, 170; what chlorophyll 
 does, 166; why flowers burst open, 
 169; why some leaves fold up, 169; 
 wild clematis, 168: wisdom dis- 
 played by root tips, 165. 
 
 Plate glass, how made, 375. 
 
 Pleiades, 62. 
 
 Plover, upland, 130. 
 
 Polar Bear, what it eats, 97, 98. 
 
 Pole star, 62. 
 
 Polonium, 185. 
 
 Power, animal, 259, 260; develop- 
 ment of at Niagara Falls, 319 to 
 325; electric, how measured and 
 sold, 325; generated by Keokuk 
 dam, 326 to 329; how European 
 waterfalls have been harnessed, 
 325 Keokuk dam, 326 to .328;. 
 
 BEE ALSO NIAGARA FALLS, KEOKUK 
 DAM 
 
 Power Plants, history of at Niagara 
 Falls, 319, 320; Keokuk dam, 326; 
 view of at Niagara Falls, 318. 
 
 Price of radium, 193. 
 
 Principle of inclined plane, 256. 
 
 Procession, oi worlds, 8. 
 
 Procyon, 66. 
 
 Production, of cocoa, coffee and tea. 
 352. 
 
 Puma, 82, 96. 
 
 Purple martin, 129. 
 
 Quetzal, 109, 110. 
 
 R 
 
 Radiant energy, of the sun, 68, 69. 70. 
 
 Radio-Activity, how demonstrated, 
 184: induced, 191; how measured, 
 186; of an atom of radium, 189. 
 
 Radiographs, of hand, 174. 
 
 Radium, character of radiation, 188; 
 conservation of, 193; emanation, 
 191; extraction from ores, 187; 
 how discovered, 183; how it differs 
 from other elements, 186: master 
 energy of, 183; measuring radio 
 activity, 186; medical uses of, 191: 
 P'llonium, 185; price of, 193; 
 production of, 185, 187; properties 
 of, 186, 187; rays of, 188, 190, 191; 
 sources of, 184, 185, 187; stand- 
 ardization of, 193; therapeutic 
 application, 191; treatment of can- 
 cer, 192; treatment of rheuma. 
 tism, 192. 
 
 Radium Ores, chemical treatment, 
 187; fractionization, 188: mechan- 
 ical preparation of, 187. 
 
 Radium rays. 188, 190, 191; sepa- 
 ration of, 190. 
 
 Rays, Alpha rays, 188; Beta rays, 
 188, 190, 191; Cathode, 175; 
 Delta rays, 190, 191; Gamma rays, 
 188, 191; Radium, 188, 190, 191; 
 separation of radium rays, 190; 
 X discovered, 175, 176. 
 
 Red-tailed hawk, 129. 
 
 Red-winged blackbird, 126. 
 
 Rennie, John, bridges of, 341. 
 
 Rhea, 121. 
 
 Rheumatism, Radium treatment of, 
 192 
 
 Rifles, 249; hardening the steel, 251; 
 how rifled, 249; lining up the 
 sights, 251, 254; making wooden 
 parts, 251; proving them, 250; 
 steel used in manufacture of, 249; 
 straightening the barrels, 249, 250; 
 testing for accuracy, 254; testing 
 for action and accuracy, 250, 251. 
 
 SEE ALSO GUNS, SHELLS 
 
 Rifle Barrels, steps In manufacture, 
 
 249, 250. 
 Robin, 124. 
 Rocks, action of air and water, 30; 
 
 animal remains in, 31; basalt, 29; 
 
 different strata, 37; granite, 29; 
 
 origin of, 29; structure and origin 
 
 of, 29: value of to man, 37; what 
 
 they tell us, 31 ; wonder story of, 32 
 
 33. 
 
 SEE ALSO EARTH 
 
 Roebling, John A., Brooklyn bridge, 
 
 349. 
 Roentgen, William Konrad, discover 
 
 of X-rays, 175, 176. 
 Root, how it seeks moisture, 166; of 
 
 plants, how it grows, 165, 166. 
 Rose-breasted Grosbeak, 125. 
 Ruffed grouse, 132. 
 Rumsey, James, steam navigation, 
 
 286. 
 Rushlight holder, 209. 
 
 Sables, 97. 
 
 Saltash bridge, 347. 
 
 Sand, shell-forms in, 151. 
 
 Sandy Hook lighthouse, 308, 309. 
 
 Satin bower bird, 103, 106. 
 
 Scarab, 150. 
 
 Screech owl, 132. 
 
 Screw, as a mechanical power, 258. 
 
 Sea , beacons of, 306 ; conquest of, 284 . 
 
 Sea-Anemones, 155, 159; forms of, 
 156, 157, 159; how they grow and 
 live, 157, 159. 
 
 Sea-cucumber, 161. 
 
 Sea-Life, Arctic whale, 163: Diatom, 
 160; Infusoria, 152; mystery of 
 lowest forms, 162; rorqual, or sul- 
 phur bottom, 163: sea-cucumber, 
 161; specks of, 160; sperm whale, 
 162; starfish, 161; tiger of the 
 deep, 162. 
 
 Secrets, locked in pebbles, 153. 
 
 Selig, how their scenes are produced, 
 200; moving picture studio, 198; 
 Zoo used in producing moving pic- 
 ture scenes, 202. 
 
 Sensitive plants, habits of, 167. 
 
 Shadows, thrown by the moon, 57. 
 
 Shells, how shot-gun shells are made, 
 253; manufactureof, 251,252, 253; 
 Primers. 253. 
 
 Shell-sand, beautiful forma of, 151. 
 
 Ship, how it shows the earth is round, 
 11, 12; strongest in the world, 300, 
 301. 
 
 Shipbuilding, 284. 
 
 Shot, how made, 255; how sorted 
 and sized, 255; Winchester tower, 
 254. 
 
 Shrapnel, 264. 
 
 Siphon, jawbone, 334; Soledad, 335. 
 
 Size, of stars, 67. 
 
 Sky, and earth, 7; comets, 18; depths 
 of space, 61; heat and light, 68; 
 meteors, 20; moon, 54: proces.sion 
 of worlds, 8: stars and constel- 
 lations, 60; sun and its family, 13; 
 sun and planets, 15: time when sun 
 and earth were atoms, 14; worlds 
 in, 47. 
 
 SEE ALSO HEAVENS, SUN, MOON, 
 STARS, CONSTELLATIONS, 
 PLANETS 
 
 Sloths, 87. 
 
 Smeaton, John, lighthouse builder, 
 
 307. 
 Solar system, what it is, 52. 
 
 Solitary Bees, how they build homes. 
 
 146. 
 Souchong teas, 358. 
 
 Sources of radium, 184, 185. 
 
 Sparrow, English, 129. 
 
 Sparrows, 120. 
 
 Sparrow-hawk, 129. 
 
 Sperm Whale, "tiger of the deep." 
 162; battle with, 163, 164; char- 
 acteristics as a warrior, 163; how 
 captured, 163; what it produces, 
 163. 
 
 Spider, mother carrying her young, 
 147; water spider, 148. 
 
 Spiders, how some carry their eggs. 
 148; wonderful way in which cer- 
 tain hatch their eggs, 142, 143. 
 
 Spintharoscope, how it shows radio- 
 activity of an atom, 189. 
 
 Squirrel, X-ray picture of skeleton, 
 181. 
 
 Stage, for moving pictures, 195; how 
 moving pictures are staged, 197; 
 how realism is attained in movint; 
 pictures, 199; how scenes are pro- 
 duced Inside .studios, 201 ; settings 
 for moving pictures, 199. 
 
 Standardization, of radium, 193. 
 
 Starr, Frederick, on moving pictures, 
 194. 
 
 Starfish, r61; frame of, 156. 
 
 Stars, Aldebaran 62; Algol, 62; Arc- 
 turus, 62; as guides to travelers. 
 48; brightness of, 66; Castor and 
 Pollux, 66: distance of, 66; Dubhe 
 and Merak, 62; early views about. 
 60; how list of was made, 23; how 
 time is measured by, 214, 215; 
 magnitude, 62; map of constel- 
 lations in autumn and winter, 65: 
 map of constellations in summer. 
 64; map of in spring, 63; number 
 of, 67; Pole star, 62; Procyon, 66: 
 Sirius, 62; size of, 67; study of, 60: 
 their countless number, 52; Vega, 
 62: weight of, 67; what men once 
 thought about them, 48. 
 
 SEE ALSO SKY 
 
 Steam engine, as a source of power, 
 260. 
 
 Steam navigation, building an ocean 
 liner, 289; Scottish inventors, 288: 
 Denis Papin, 286; first steamship to 
 cross the Atlantic, 289; Fitch, John, 
 286; Gary, Blasco de, 286; Rum- 
 sey, James, 286. 
 
 SEE ALSO SHIPS, BATTLESHIPS 
 
 Steamship navigation, Fulton, Rob- 
 ert, 280. 
 
 Steamship, first to cross the At- 
 lantic, 289. 
 
 Steamships, building an ocean liner. 
 289; 'Clermont," 285; develop- 
 ment of, 284; " Ermack," strongest 
 in the world, 300, 301; from the 
 caravel of Columbus to the " Im- 
 perator," 290; "Great Western," 
 289; immense culinary equipment 
 necessary for voyage, 296; 'John 
 Fitch," 285; maiden voyage of the 
 "Imperator," 294; •'Mauretanla," 
 building of, 291; "Oceanic," 285: 
 "Savannah," 285, 289; Symington. 
 William, 288; types in the develop- 
 ment of, 285; " Vaterland," siie of. 
 291; "Vaterland," under construc- 
 tion, 292. 
 
 SEE ALSO STEAM NAVIG.ITION 
 BATTLESHIPS 
 
 Steel, u.sed for guns, 244; used for 
 rifles, 249. 
 
 Stephenson, Robert, bridges built 
 by, 341, 345. 
 
 Stoat, 96. 
 
 Stonehenge, 211, 212. 
 
 Submarine Boat, 256, 2.';7. 258. 
 
 Submarine Mine, 259, 260. 
 
 Subways, 330. 
 
 Sun, and its family, 13; and planets, 
 15; atomic theory of origin, 14; 
 distance from planets, 18; how time 
 was measured by, 209; made of 
 same matter as the earth, 22; radi- 
 ant energy of, 68, 69, 70, 260, 261: 
 what men once thought about it, 
 10. 
 
 SEE ALSO SKY, TELBSCOPE 
 
 Sundew, how it digests insects, 172; 
 
 peculiarities of, 170. 
 Sundial, 200, 210, 211; why it does 
 
 not keep true time, 213. 
 
INDEX TO VOLUME II 
 
 Suspension Bridge, 347. 349, 350, 
 351. 
 
 Swallow, 128. 
 
 Swarming of Bees, 134. 
 
 Svmington, William, steam naviga- 
 tion, 288. 
 
 Table of Distances in the World'* 
 
 sea traffic, 279. 
 
 Tea, best, 354; cultivation of In 
 Ceylon, 355; cultivation in China, 
 356; cultivation in India, 357; cur- 
 ing by macliinery, 358; how leaves 
 are classitted. 358; Pekoes, 358; 
 preparation for marltet. 359; pro- 
 duction of, 352; Souchongs, 358; 
 why some is green and some black, 
 357. 
 
 Telegram, how received, 225; how 
 recorded, 225, 226; how sent, 223, 
 224, 225. 
 
 Telegraph, battery, coil, and wires. 
 224. 
 
 Telegraph cables, 226, 227, 228, 229, 
 230, 231, 232. 
 
 Telegraph key, 224. 
 
 Telegraph Sounder, 224. 
 
 Telegraph Wires, 226, 227, 228, 229, 
 230, 231, 232. 
 
 Telegraphy, correction of time by, 
 213; wireless, 233. 
 
 SEE ALSO TELEGRAM, CABLE, WIRE- 
 LESS 
 
 Telescope, in measurement of time, 
 215; Invented by Galileo, 49. 
 
 Theory of heat and light, 69. 
 
 Tiger, 90, 93, 94; how it hunts its 
 prey, 94; of the deep, sperm whale, 
 162. 
 
 Tillamook Rock lighthouse, 311. 
 
 Time, Babylonian water-clock, 216; 
 clock that gives, 206; early records 
 of the heavens, 208; early recording 
 devices, 217; electric clocks, 221; 
 how corrected by telegraph, 213; 
 how its measurement developed, 
 208, 209, 210; how measured by 
 Druids, 211; how measured by the 
 sun, 209; how the mariner finds his 
 location, 216; law of the pendulum, 
 218; limits of accuracy, 211; mea- 
 surement by early nations, 208, 209, 
 210; measured by the stars, 214, 
 215; measure by transit instrument, 
 215; measurement of. 206; mech- 
 anism of clocks and watches, 220; 
 Stonehenge. 211, 212. 
 
 SEE ALSO CLOCKS, TELESCOPE 
 
 Tongue, of bee, 135. 
 
 Torpedoes, in warfare, 261, 262; 
 sky, 262. 
 
 Torpedo Tubes, 258. 
 
 Toucan, 107, 108. 
 
 Tower bridge, London, 347, 348. 
 
 Transit instrument, its use in measur- 
 ing time, 215. 
 
 Trogon, 110. 
 
 Turbines, used at Keokuk dam, 328; 
 used at Niagara Falls, 322, 323, 324. 
 
 U 
 
 Umbrella bird, 109, 110. 
 Underground engineering, subwa8,y 
 
 330; why necessary, 330. 
 Underground Life, department 
 
 stores, 339; in big cities, 330 to 340; 
 
 newspaper plants, 336; New York. 
 
 335 to 340; of great hotels. 336, 
 
 339; railway stations, 337, 338. 
 
 SEE ALSO ENGINEERING 
 
 United States, Acquisition of Pana- 
 ma Canal franchise, 271; battle 
 ships at Hampton Roads, 284. 
 
 Upland Plover, 130. 
 
 Uranium, 184, 185. 
 
 "Vaterland" Size of, 291; under 
 
 construction, 292. 
 Vega, 62. 
 
 Venus's flytrap, 169. 
 Vessels, lighthouse, 314. 
 Volcanoes, 10. 
 Vultures, 114; family of, 116. 
 
 W 
 
 War, newest instruments of, 256. 
 
 Wasps, 144, 145; how the mother 
 protects herself from other Insects, 
 145. 
 
 Watch, primitive, 209. 
 
 Watches, mechanism of, 220. 
 
 Water, action on rocks, 30; compo- 
 sition, 73; how it is formed, 75. 76: 
 in food products, 79; molecules of, 
 75; what it is. 71, 72, 73. 
 
 Water and Land, areas of the earth, 
 34. 
 
 Waterfalls, European, 325; Niagara, 
 319. 
 
 Water Power, European waterfalls. 
 325; Keokuk dam, 327; Niagara 
 Falls, 319 to 324. 
 
 Water Spider, Homes of, 149. 
 
 Waxwing, 109. 
 
 Weapons, of plants, 170. 
 
 Weasels, 96. 
 
 Weaver Birds, 103: home of, 101. 
 
 Weight, of stars, 67. 
 
 Whale, Arctic, 163; rorqual or sul- 
 phur bottom, 163; sperm, 163. 
 
 What Birds eat, 123. 
 
 What causes "faults" In earth's 
 structure, 41. 
 
 What causes the extinction of ani- 
 mals, 36. 
 
 What combustion Is, 80. 
 
 What fossils teach, 34. 
 
 What happens in a hive of bees, 134. 
 
 What heat is, 68. 
 
 What is the use of animals, 89. 
 
 What light is, 68. 
 
 What men once thought about the 
 
 stars, 48. 
 What nebulae are, 21, 22. 
 What palaeontology teaches, 34. 
 What the rocks tell us, 31. 
 When the spinning of the earth began. 
 
 16. 
 Where Chocolate comes from, 353, 
 
 364. 
 Where coffee comes from, 353. 
 Where tea comes from, 353, 354. 
 White Shoal lighthouse, 311. 
 Why the moon is a dead planet, 54. 
 Why the moon is subject to fewer 
 
 changes than the earth, 59. 
 Wild animals in their homes, 90. 
 Wild kingdom, lords of, 93. 
 Williamsburg bridge, 347, 349, 3,50 
 Windmills, as sources of power, 261. 
 Wireless stations, 236. 
 Wireless telegraphy, how messages 
 
 are sent and received, 237, 238, 239; 
 
 how waves are set in motion, 234, 
 
 235, 240, 241; humane uses of, 242; 
 
 instruments used, 237, 238, 239; 
 
 Inventors of, 233, 234; station on 
 
 Long Island, 243; Trans-Atlantic 
 
 messages, 240, 241. 
 Wolf, 98. 
 Wolves, 99, 100. 
 Woodpecker, downy, 133. 
 World, great ball upon which we 
 
 live, 9. 
 Worlds, In the skies, 47; procession 
 
 of, 8. 
 World's sea trafllc, distances In con- 
 nection with, 279. 
 Wren, 128. 
 
 X-Rays, Anode, 175; apparatus for 
 examining the human body, 179; 
 cathode, 175; discoveries of Pro- 
 fessor Crookes, 175; effects upon 
 operators, 178; experiments of Sir 
 J. J. Thompson, 176; how discovery 
 was made, 175, 176; how operators 
 may be protected, 178; how they 
 reveal injuries and diseases, 178; 
 measurement of power of, ISO; 
 medical value of, 177; photography 
 by, 180; Professor Bragg's theory, 
 177; radiograph of hand, 174; 
 range of medical application, 182; 
 senses of pictures by, 181. 
 
 SEE ALSO HADIUM 
 
 Yellow-bellied sapsucker, 127. 
 
 Zeppelins, 264, 265, 266, 267. 
 Zodiac, 65. 
 
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