'//.'///.'////,■/////, A = =^ r- f-^ A^ =^ CO - c ■ ^^^ — < -I- — — 8 » ?>;, ' THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES Zbc Cantcrbuiv^ ipocts. Edited i;y William Sharp. SYDNEY DOBELL. » FOR FULL LIST OF THE VOLUMES IN THIS SERIES, SEE CATALOGUE AT END OF BOOK. w, HE POEMS OF SYDNEY IJDOBELL: SELECTED, WITH AN INTRODUCTORY MEMOIR, BY MRS. DOBELL. LONDON : WALTER SCOTT, LIMITED, PATIiRNOSTER SQUARE. NEW YORK: 3 EAST FOURTEEN fil STREET. CONTENTS, Introductory Memoir . A Musing on a Victory Isabel From " The Roman " Crazed The Snowdrop in the Snow The Harps of Heaven Sonnets Written in 1S55 — The Future The Army Surgeon Czar Nicholas Home, in War-Time . FAGB vii 3 7 10 38 48 52 56 57 58 59 us '-U IV CONTENTS. Sonnets Written in i2>ss—contimced~- Warning America America The Common Grave Esse et Posse Good Night in War-Time Lyrics from "England in Time of War"- Desolate The Market- Wife's Song The Little Girl's Song He is Safe Lady Constance The Milkmaid's Song The German Legion Woe is Me The Young Man's Song Dead-Maid's- Pool The Sailor's Return An Evening Dream From " A Shower in ^Var-Time A Hero's Grave CONTENTS. Lyrics from "England in Time of War"— continued — l-AOE In War-Time • - • ■ 121 Home, Wounded . • • • 126 A Nuptial Eve - • ■ • 136 Alone . • • • " 139 Farewell . • ■ ■ " 140 Sleeping and Waking . - ■ • 144 " He Loves and He Rides Away "' . 145 The Captain's Wife . ■ • • 151 Grass from the Battle-field 155 The Ghosts' Return . - • ■ 167 Afloat and Ashore . • • • 169 Daft Jean . • • • • 172 " When the Rain is on the Roof" 174 The Orphan's Song . - • • 182 Tommy's Dead 187 " She Touches a sad string of Soft Recail 191 From " Balder " ... ■ 193 The Magyar's New-Year-Eve . 275 Love . . . • • . 278 An Autumn Mood . 291 VI CONTENTS. PAGE On a Recently Finished Statue 296 The Convalescent to her Physician 297 On the Death of Mrs. Drowning . 298 To 1862 299 To 1862 ..... 300 A Queen's Speech 301 To a Friend in Bereavitment 302 John Bohun Martin 303 To Tochterchen 304 Fragment of a Sleei'-Song 305 Ballad ..... 307 Lord Robert .... 309 Fragment of Ballad 313 Snow-Drops .... 314 New Year's Eve .... 316 "->0' ■£^ 3ntrot)uctoii> riDcmoir. 3utrot)uctoii> riDeinoir. YDNEY DOBELL was born at Cranbrook, in Kent, on the 5th of April 1824. He died at Barton End House, Nailsworth, Glouces- tershire, August 22nd, 1S74. Though he lived into his fifly- first year, his literary fame was achieved before he was thirty, and his literary labours well-nigh closed with his thirty-fifth. What he has left of completed work is, therefore, the product of comparative youth. But the mass of memoranda contained in his note-books testifies to the amount and to the importance of work planned for that future of restored health to which he always hopefully looked forward. From both father and mother Sydney Dobell [The biogi'aphical jiortion of this Introductory Note is chiefly extracted from the Memorial Notice preceding the collected edition of Sydney Dobell's Poems, edited by John Nichol, M.A., Oxon, LL.D., in 1875.1 viii INTRODUCTORY MEMOIR. inherited literary and speculative tastes. His father, John Dobell, the descendant of a younger branch of an old Sussex family, was the author of a remarkable book, entitled " Man unfit to govern Man." His mother, a woman of great force and originality of character, between whom and Sydney, her eldest-born, the attachment was of singular intensity, was a daughter of Samuel Thompson, well known in the earlier part of this century as a leader of political reform in the city of London, and as the founder of a "Church" intended to be on the primitive Christian model. Both parents had strong prepossessions in favour of home education, and not one of their ten children was sent to school or college. In 1835 John Dobell removed with his family to Cheltenham, where, till his death, he carried on the business of a wine-merchant. From the time he was twelve, Sydney was an energetic and indefatig- able help to his father — a man of delicate health and nervous temperament. At the same time, the boy, with some assistance from tutors, pursued his own studies with a zeal greatly in excess of his physical strength. Later on, to these studies was added that of the law, there being at that time some idea of his qualifying for the bar. His attempts at verse date from his fifth year ; but after he had entered his teens these efforts v.-ere ambitious. A number of his early pieces were published in the local papers, he was encouraged by the favourable notice of the poet Campbell, and in his eighteenth year completed a drama entitled " Napoleon." INTRODUCTORY MEMOIR. ix In the early summer of 1839 he became engaged to Emily Fordham, daughter of George Fordham, of Sandon-Bury, Cambridgeshire. The engage- ment was, of course, a long one, and the enchanted times of his youth were those seasons when, visiting Miss Fordham's home, the old Manor- House of the village, he left town and business behind him, and plunged into the pure pleasures of a thorough country life. In 1844 he married, and, for the thirty years that followed till his death, his wife was his inseparable companion, intimately sharing his thoughts, hopes, and aspirations. After his marriage — (and it is well to note that the income on which the young people began was very slender, and their installa- tion of the most modest) — Sydney Dobell continued for some years an active superintendence of his father's business. At the beginning of 1847 he was laid aside by long and severe illness — rheumatic fever — from the effects of which he never completely recovered, though all his important literary work was done afterwards. In 1848 — his father having given up to him a branch business lately established in Gloucester — he went to live at the village of Hucclecote, two or 'three miles from that city, on the old Roman road ; and here, in a little study, looking over fields and orchards to the hills, great part of "The Roman '' was written. Another change of residence was, however, soon necessary, and, late in this same year, he moved to Coxhorne House, Charlton X INTROD UCTOR V MEMOIR. Kings, near Cheltenham — which house he held for five years. "The Roman" was the outcome of the poet's enthusiasm for Italy and the Italian cause. This enthusiasm always remained, among many modifi- cations and changes of opinion, a link between his earlier and later politics. One of the latest frag- ments found in his handwriting, "Mentana,"* bears witness to his undiminished and even passionate sympathy with the Italian struggle. It breaks off with these lines : — " That Italy who, tho' she hath been hewu In pieces, — as when the demons hew An Angel, whose immortal substance, true To his Eternal Image, is not slain, I5ut from a thousand faleliions rears again. Still undivided by division. His everlasting beauty, whole and one,— When sounds the trump at wliicli the nations i-ise Sliall lift her unseamed body to the skies. And in her flesh see God — " . . . In 1850, with the publication of "The Roman" — the success of which was rapid and unmistak- able — a new phase of life seemed to open before Sydney Dobell. The book, doubtless, owed some- thing of its popularity to its subject. It is not too much to say that, since Byron " woke one morning to find himself famous," no young poet of this century had achieved so great and so unexpected a success. If this sudden notoriety had no disturbing effect upon him, it was not that he cared for none of these * Page 419, Collected Edition. INTRODUCTORY MEMOIR. xi things. He greatly valued and desired power over the minds of other men. But he was pre-eminently one of those for whom this life is inseparable from the life hereafter ; weighted, therefore, with such a sense of deep and wide responsibilities as precludes danger of any " intoxication of success." For him, to use his own words, " To-day Washed Adam's feet and streams away Far into yon Eternity." It was about this time that he published in The Palladium an article on " Currer Bell," which led to an interesting correspondence between him and Miss Bronte.* In August of this year a visit to North Wales afforded him his first experience of anything wild or grand in nature, and, in the following year, he made a tour in Switzerland. For evidence of how he was impressed by the Alps and Alpine valleys the reader can turn to the description of Chamouni, extracted from " Balder," in the present volume. The earlier part of 1852 was spent at Malvern : during his stay there he had some pleasant walks and talks with Tennyson, Carlyle, and Dr. Westland Marston, whose acquaintance he had previously made. The later part of this year and the first three months of 1853 were passed in London, where he met, and had more or less intercourse with, Robert * Tliis article, and the correspondence to which it gave rise, is printed in The Life and Letters of Sydney Dohell. xii INTRO D UCTOR V MEMOIR. Browning, Ruskin, Holman Hunt, Emmanuel Deutsch, Mazzini, and other men of eminence in literature or art. In April he returned to Coxhorne, but only for a brief rest. Coxhorne had to be given up. " Balder " was finished in a cottage-lodging on Amberley Hill, and soon after its completion he went to Scotland, where the three next years were spent ; the winters chiefly in Edinburgh, the summers in various parts of the Highlands.* At the close of 1853, "Balder," part ist, was published. Of the scheme of this book its author had written to a friend that he felt, at last, to have found scope for all his powers. Standing, as it does, alone, when, in the writer's mind, it was little more than an introduction to the Great Epic he hoped to write, it is not difificult to perceive why, though containing his deepest thought and noblest poetry, it failed to achieve popularity, or even to be generally understood. The plan of the book was unfortunate. It was pitched on too great a scale, and demanded more than the energy of one life for its accomplishment. During the years passed in Scotland, he came into contact with most of the best and brightest spirits of the time and place, and formed many life-long friendships. In 1855 he issued, in conjunction with Alexander Smith, a small volume of sonnets on the Crimean War, and, in 1856, stirred by the same * It should, perhaps, be saiil, that these frequent changes of residence had, almost invariabl)-, for their object, the search of fresh advice or fresh treatment for his wife, always an invalid. INTRODUCTORY MEMOIR. xiii theme, he published the collection of lyrics, entitled " England in time of War." Before finally leaving Edinburgh, in April 1857, he delivered a lecture "On the Nature of Poetry" at the Philosophical Institution. But his health had now begun seriously to give way, and symp- toms of chest delicacy made residence in a milder climate desirable. The four following winters were spent at Niton, in the Isle of Wight, the summers in Gloucestershire, at Cleeve Tower, Birdlip, and other beautiful and elevated spots among the Cotswolds. t- From this time, regular literary work being for- bidden by his physicians, he found himself cut off from his most cherished and congenial occupation. It was characteristic of Sydney Dobell that he immediately turned his energies into other channels of usefulness. He had always wished to prove that a poet might be a thoroughly capable " man of affairs," and that the poetic or ideal faculty, rightly cultivated and employed, should assist instead of impeding practical life. It was one of the articles of his creed, not merely that a good man of business may be a gentleman, but that in order to be the one, in any thorough sense of the word, he must be the other. He now planned and superintended the organisation of a new and ultimately extensive branch of the business in which, for so many years of his youth, he had actively taken part. In doing this he was one of the first in England to introduce and apply the system of Co-operation which has since been widely extended. He held that every mercantile firm should be a kind of Commonwealth, b xiv INTRODUCTORY MEMOIR. in which the advancement of one ensures the advancement of all, and his efforts were always directed towards the realisation of this idea. These years, therefore, during which he was withheld from any continuous imaginative or philosophical writing, were fruitful of good work in other ways. All who knew Gloucester at that time knew Sydney Dobell as, in every sense of the word, a good citizen, warmly seconding every movement for the promotion of the best interests of the town. With 1862 increased stress of ill-health made it needful for him to spend the winters abroad — in the south of France, in Italy, and in Spain — but the summers of these years were still spent in Gloucestershire. His letters of this period show the vivid interest with which ha studied the characteristic life, the social and political aspects, of the countries he visited. He acquired new languages rapidly, and soon found it possible to converse easily with the people among whom he was living. It is scarcely necessary to say how well the author of " The Roman" loved Italy, and he must have exulted in seeing, as achieved facts, the freedom and unity of which, in the enthusiasm of youth, he had sung. For Spain he had a profound admira- tion, and he always expressed the strongest faith in some future revival of her ancient glories. Mean- while there was no weakening of his concern in all that affected his own country. In addition to many smaller contributions, in prose and verse, to various periodicals, he published, in 1865, a INTRODUCTORY MEMOIR. xv pamphlet on the then burning question of Parlia- iTientary Reform— a pamphlet written in the spirit of the Liberal-Conbervatism to which he latterly adhered. In this he' advocated a system of graduated sutTrage and plurality of votes in pro- portion to the status and responsibilities of each voter — a view to which the majority of our gieat thinkers have inclined. After 1866 the consequences of an accident met with in Italy made further foreign travel impos- sible. Rest from all brain-work was more and more insisted on by his physicians as an absolutely indispensable condition of recovery. But it need hardly be said, that, in his, as in ail similar cases, to live without breathing would have been as easy as to live without strenuous thinking. Among the writings of this time are many letters to the current journals on various questions of the hour, besides the pamphlet, " Consequential Damages," suggested by the American difficulty, and the " War Saga "— " England's Day." In the summer of 1869, when trying a recently purchased horse, the animal reared and fell over with and on him. The indirect etiects of this second accident were peculiarly disastrous, as he was never again able to resume the constant out- door exercise which had hitherto been the chief means towards his restoration. In 1 87 1 he went to live at Barton End House, in a beautiful district above the Stroud Valley. The last three years of his life were spent there, under the almost constant pressure of disabling illness. With the spring of 1874 came a train of xvi INTRODUCTORY MEMOIR. circumstances involving for him more than one shock of peculiar pain, and necessitating mental wear and tear of a kind for which he was absolutely unfit : the constitution, which had gallantly struggled through so much, was thus vanquished at last. The illness, long held in abeyance, assumed an acute form, and before the end of August he had passed to his rest. The story of a life thus prematurely closed, of powers thus fettered from their due exercise, would seem to be incomplete without some additional detail as to the character of a man who, by those who knew him best, was held to be greater than any work he was permitted to complete. This may be the more needful because, at the time of the publication of " Balder," many of the critics persisted in identifying its author with his morbid and dreamy hero. This was a singularly perverse mistake — for Sydney Dobell was one of the most healthy-minded and sagaciously practical of men. Far from being a cynic, or misanthrope, he "loved his kind " in no mere theoretic sense, his instincts were pre-eminently social, he encouraged every opportunity of intercourse with his fellows of what- ever class ; and whether it was a labourer breaking- stones by the road-side, or a cultured fellow- passenger on a journey, with whom occasion led to some brief converse, he never departed from these chance encounters without leaving an impression of brightness and sympathetic kindliness not soon to be forgotten. His sense of humour, of which little or no trace appears in his writings, was INTRODUCTORY MEMOIR. xvii nevertheless always keen, and remained so to the last. His almost boyish delight in hearing or tell- ing a "good story" is remembered with something of pathos by those who were with him in his later days of hopeless illness. He was too genial, in spite of his own simplicity of taste, to be an ascetic : and " plain living and high thinking " did not hinder him from exercising towards others a refined and generous hospitality. His charities might, without exaggeration, be called, in proportion to his means, munificent. His practice accorded with the theory expressed in " Balder" : — " Charitable tliey Who, be their having more or less, so have That less is more than need, aiirt more is less Thau the great heart's good- will." Simple to the verge of austerity in his own life, charity, in its various forms, was his one extrava- gance. Not only of pecuniary aid, but of his scanty leisure and scantier strength he was always lavish. He was a most careful critic, keenly perceiving defects of imagination or faults of style, but at once penetrating with sometiines over- generous recognition to the essential excellence of book, picture, political creed, or popular enthusi- asm. As to his political views, many dicta of his so-called Toryism are now accepted by acknow- ledged Liberals ; but his philosophy, political as well as religious, started from a loftier standpoint and took an ampler range than that commonly appreciaied by the ordinary newspaper reader or writer. xviii INTRODUCTORY MEMOIR. A thinker pre-eminently, he, nevertheless, keenly relished all manly exercises and country sports — seldom so valued by one whose resources are so independent of them. He was loved to enthusiasm by all children and young people with whom he came in contact ; he had a rare power of not only amusing, but of insensibly arousing and elevating them. The gentleness of his counsel and the kindness of his sympathy will not be forgotten by those who were privileged to know him in this relation. He was brilliant in conversation — having at his command not only acute reasoning power, but endless variety of unexpected illustration, and it was to be noted that he was never niggardly of his resources, but poured out of his treasures, .lew and old, without weighing the importance of the i-ccipienc Wnen his life had become limited to a monotony that most men would have found unbearable, he still breathed an atmosphere of fresh and vital thought and feeling — of undimin- ished interest in all that was transacting itself in the outer world — of vivid sympathy in everything affecting the welfare of his fellows. To the last nothing could blunt the edge of his delight in the natural loveliness surrounding him — the changing phases of which he never tired of watching from his windows, when he was no longer able to go out doors. Of the resources of the intellect so mysteriously held back from what seemed its fitting work, perhaps only a few, even of those who knew him best, can judge ; but his life evidenced, as no words or work could have done, the vitality of his faith. INTRO D UCTOR V MEMOIR. xi x at once enlightened and deeply reverent — faith that was never shaken by the temptations of the intellect, nor weakened by years of disappointment and deprivation. No pressure of suffering was able to exhaust his cheerfulness, nor to wear out the sweetness of his patience. In him innate brightness and elasticity had been strengthened and elevated by spiritual culture into something beyond and above the result of mere temperament. To the last moment of his conscious life he remained bravely submissive, *' trusting not God the less for an unanswered prayer." Some critical estimate of Sydney Dobell as a poet seems to be called for in introducing a selection of his poems to a wider public. " Mr. Dobell's true place among the English poets of this century," says Professor Nichol, " seems to us, in spite of manifest faults which critics will variously estimate, to be a high and permanent one. He belonged to the spasmodic* school, with which he was, during his residence in Edinburgh, topographically associated, in virtue of defects shared with men indefinitely his inferiors. Of these the chief were occasional violencies and frequent involutions of expression, recalling the conceits of Donne and others of the so-called metaphysical school of the seventeenth century ; a * This epithet " spasmodic, " originally applied by Carlyle to Byron, was, afterwards, used by Professor A ytouii to describe the school of younger poets among whom Sydney Dobell, Philip Bailey, and Alexander Smith were prominent. X X IN TROD UCTOR Y MEMOIR. tantalising excess of metaphor, a deficient sense of artistic proportion, and a weakness, latterly outgrown, for outrt's ' fine things.' . . . Though unequal, his verse at its best is in strength and delicacy seldom surpassed by that of any of his contemporaries ; his imagery, though redundant, is remarkably clear and incisive. But the great merit of his work is that it is steeped in that higher atmosphere towards which it is the aim of all enduring literature to raise our spirits. . . . " ' Balder' is not likely to become popular in our generation ; to most readers it will remain a portent ; but, in spite of flagrant defects, it has stamina for permanence, and will keep its place in our literature as a mine for poets." The following remarks are by Dr. Westland Marston*: — "... 'The Roman,' with its noble fervour of tone and wealth of illustration, proved that we had amongst us a new poet, whose genius was dedicated, not chiefly to the expression of personal feeling, or to the treatment of domestic themes, but to the worship of liberty and the defence of a glorious but enslaved country. The sympathy which, in the first poem, he showed with the larger interests of human life, is indeed discernible in all the more important works that subsequently proceeded from his pen. " His patriotism and love of orderly freedom, are, * Cliiefly extracted from a letter contributed to " The Life and Letters of Sydney Dobell," published in 1878. INTRODUCTORY MEMOIR. xxi of course, obvious in ' England in time of War, and in his 'Sonnets on the War.' In both, while they present many phases of the experience of individuals, the love of country and the hatred of oppression may be recognised as pervading motives. " In ' Balder,' the ethical purpose of the poet is less immediately apparent. Its influence, however, is not the less real. Primarily, the poem was designed to show the egotism of the intellect as contrasted with that of the heart. . . . "... I will not attempt to draw the line beyond which analysis of human disease ceases to be desirable in poetry. Of this poem of ' Balder ' it may, at all events, be affirmed, that it enters into and reveals states of being and suffering which, however rare, are still real, and such as may, in large measure, consist with noble qualities in the persons delineated. Even those who protest most strongly against the analysis of diseased conditions of mind might surely find the highest claims to admiration in the number of separate poems which the plan of ' Balder ' allows it to enclose as in a frame. Just, as in dealing with thoughts and emotions, it was, perhaps, the speciality of the writer to seize in them what is most subtle and latent, to catch their most delicate nuances ; so, in his treatment of external nature, nothing seems to me so individual as his power to arrest and retain (hose aspects which are the most elusive and difficult of definition. Grandeur and breadth of utterance, as all his readers know, lay easily within his grasp when occasion called (or them, but xxii IN TROD UCTOR Y MEMOIR. exquisite fineness of perception and expression was, probably, his most characteristic faculty. " Purely imaginative, far beyond the correctness of mere literal painting, for instance, is his description of Winter. Weird are the touches that give to the stern season an almost supernatural personality : — " ' More and more the observance Of the astonished year is turned and turned Upon the Solitary, and the leaves Grow wan with conscience, and a-sudden fall Liege at his feet, and all the naked trees Mourn audibly, lifting appealing arms. Which, when he knew, as a pale smoke that grows Keeping its shape, he rose into the air And froze it, and the broad land blanched with fear And every breathless stream and river stopped. And through him, walking white and like a ghost With grim unfurnished limbs, the cold light passed And cast no shade.' "The exquisite description of the fairies is in the vein of Shakespeare's description of ' Queen Mab,' and it is hardly too much to say that it may mate \vell with that triumph of delicate imagination. The power of language to define the minute can hardly have a better ilkistration than the lines : — " 'The emerald wing Of Slimmer beetle is a barge of state ; Her cock-boat, red and black, the painted scale Of lady-fly, aft in tlie fairy wake, Towed by a film, and tossed perchance in storm, When airy martlet, sipping of the pool, Touches it to a ripple that stirs not The lilies. INTROD UCTOR Y MEMOIR. xxiii Neither liave fear To scare them drawing nigh, nor with thy voice To roll their thunder. Thy wide utterance Is silence to the ears it enters not, Eaising the attestation of a wind. No more.' " Of a bolder but not less profound conception is the image that embodies the awfulness and the immemorial existence of the Alps, and informs the murmurs of Nature with a human burden : — " ' Eound whose feet Are wrapped the shaggy forests, and whose beards Down from the great height unapproachable Descend upon their breasts. There, being old, All days and years they maunder on their thrones IMountainous mutterings, or thro' the vale Roll the long roar from startled side to side. When wlioso lifting up his sudden voice, A moment speaketh of his meditation And thinks again.' " J^ine is the whole passage — wonderfully fine the use of the word ' sudden,' so expressive of the abrupt ' roar ' which disturbs the subdued murmurs or the awful silence of Nature. "Of Sydney Dobell's power of description and grandeur and subtle beauty of imagery the lines quoted furnish sufficient evidence. His power not only closely to observe nature, but, so to speak, to humanise, so that its objects stand, in many instances, as types of our states and feelings, may be seen almost continuously. Thus the Ash Tree, in 'Dead Maid's Pool,' while described with the most minute and graphic touches as a natural xxiv INTRODUCTORY MEMOIR. object, may also be recognised as a symbol of human desolation and remorse. Here is an extract from it : — " ' Thou art wizen aiul white, asli tree; Other trees have gone on, Have gathered and grown, ITave hourgeoned and borne, Thon hast wasted and worn. Thy knots are all eyes ; Every knot a dumb eye, That has seen a sight And heard a cry. Thy leaves are dry : The summer has not gone by But they're withered and dead, Like locks round a head That is bald with a secret sin, Tliat is scorched by a hell w^iUiin, Thy skin Is withereil and wan Like a guilty man ; It was ihin, Aye, silken and thin, It is honghed And ploughed Like a murderer's skin. Tliou hast no shoots or wands, All thy arms turn to the deep, All thy twigs are crooked, Twined and twisted, Fingered and fisted. Like one who liad looked On wringing hands Till his hands were wrung in his sleep.' INTROD UCTOR Y M EMOIR. xxv " Let the reader, again, carefully peruse the lyric, " ' In the Spring twilight, in the coloured twilight,' and say if the exquisite description there of the youth of the year do not intimately correspond to the youth of man, with its opening receptivity to beauty and delicate tenderness of emotion. And here is a piece of grand description of the Mer de Glace which can scarcely be excelled : — " ' Cold crested tides And cataracts more white than wintry foam Eternally in act of the great leap That never may be ta'en, these till the gorge And rear upon tlie steep uplifted waves Tmniovable, that proudly feign to go, — And on the awful ramparts of the rock Bind forward, as in motion.' — " For his power over the supernatural, let the reader turn not only to the ballad, 'Keilh of Ravelston,' but, also, to a passage in ' liaider,' beginning : — " 'One can be brave At noon, and with triumphant logic clear The demonstrable air, but ne'ertheless Sometimes at Hallow-e'en when, legends say, The things tliat stir among tlie rustling trees Are not ail mortal, and tlie sick wliite moon Wanes o'er the season of the sheeted dcail, We grow unreasonable and do quake With more than the cold wind.' " And here is an instance of that delicate and suggestive perception which is a characterstic of the writer : — XX vi INTRODUCTORY MEMOIR. " ' Loveliness Is precious for its essence ; time and space Make it nor near, nor far, nor old, nor new, Celestial uor terrestrial. Seven snowdrops Sister the pleiads, the primrose is kin To Hesper, Hesper to the world to come.' " Of the writer's tendency, at times, to avoid set and substantial description, and to furnish, in pre- ference, hints to the imagination, many other proofs might be cited. No poet, perhaps, has ever shown more of that subtle instinct which teaches us that at certain intense points of feeling (whether they relate to external beauty or to human experience) to realise strictly is to limit, to define sharply is to degrade. Of work full of the highest suggestion, but in some degree purposely indefinite, the poem ' Dead Maid's Pool,' already referred to, is a special example. The story of terror is not actually told, but the germ from which it may be derived, with the climate and atmosphere — so to speak — under which it must inevitably, though gradually, shape itself, is so presented to the mind as to lead irresist- ibly to a ghastly inference far more powerful to the imagination than would have been circumstantial detail. " With a mind that, on certain occasions, recoiled, even to a fault, from realistic precision of state- ment, it is not surprising that the poet should have relied unusually upon implication to indicate designs which he forbade himself to mark out with formal directness. INTRO D UCTOR V MEMOIR. xxvii "That the author of 'Balder' could not only be realistic, but that in his realism he could make tune serve his purpose to the utmost, will hardly be doubted by those who have read his poems on familiar subjects. The song of 'The Betsey-Jane,' for instance, moves in a rhythm that has in it the whistle of the wind and the buoyancy of the wave ; while the ' Song of the Chasseur^ in its appropri- ate variety of metre, is a wonderful identification of sentiment with melody. The description of battle in 'An Evening Dream,' though in a yet higher strain, is equally successful as an example of emo- tion cojiveyed by rhythm. The poems included in the title, ' England in time of War,' express almost every legitimate feeling which war can arouse — patriotism, heroism, exultation, and suffering, while the expression of those feelings is dramatically modified by the individualities of the persons represented, and even by their positions in life. Dealingnovvwith the emotionsof a high-born woman, now with those of a Scottish peasant or a market- wife, or again with the vivacity of a French chasseur^ or the tameless spirit of a British tar, or with the weird solemnity of a haunted life, as in 'Keith of Ravelston ' — the width and impartiality of his sympathy, and the thorough identification of himself with his subject, are remarkably exhibited. " Of the far greater number of these lays it may, I think, be affirmed, that they are not more remark- able for their dramatic character, their passion, and their felicity of expression, than for a rhythm happily conformed to their leading ideas and sentiments. . . xxviii INTROD UCTOR V MEMOIR. "... How many high qualities, rarely indeed combined, were united in his generous nature : the richest taste and judgment, with the widest appreciation of what is best in various forms of art ; earnestness of purpose, with spontaneous humour ; fine adherence to convictions, with the sweetest courtesy to opponents ; exquisite refine- ment, with a sympathy that was never checked by fastidious scruples. Prompt to recognise genius in his contemporaries, liberal to all men, it is not too much to say that he carried into letters the chivalry that is the glory of arms. With an almost religious reverence for the vocation of the Poet, the senti- ment fiob/esse oblige seemed to influence his entire conduct and to n\ake his life the illustration of his ideal." SELECTIONS FRO.U S^^ne^ Dobeirs poeine. IP c in 0. A MUSING ON A VICTORY. (1847.) Down by the Sutlej shore, Where sound the trumpet and the wild tum-tum, At winter's eve did come A gaunt old northern lion, at whose roar The myriad howlers of thy wilds are dumb, Blood-stained Ferozepore ! In the rich Indian night, And dreaming of his mate beyond the sea. Toil-worn but grand to sight. He made his lair, in might, Beneath thy dark palm-tree, And thou didst rouse him to the unequal fight — And woe for thee ! For some of that wild land Had heard him in the desert where he lay; A MUSING ON A VICTOR Y. And soon he snuffs upon their hurtling way, The hunters — band by band ; And up he gat him from the eastern sand And leaped upon his prey. Alas for man ! Alas for all thy dreams, Thou great somnambulist, wherein, outlawed From right and thought, thou workest out unawed Thy grand fantastic fancies ! Thro' the flood. The pestilence, the whirlwind, the dread plain Of thunders — thro' the earthquake and the storm. The deluge and the snows, the whirling ice Of the wild glacier, every ghastly form Of earth's most vexed vicissitudes of pain, — Thro' worlds of fire and seas of mingled bloods Thou rushest, dreadful as a maniac god ; And only finding that thou wert not sane When some great sorrow thunders at thy brain And wakes thee trembling by a precipice. Alas for thee, thou grey-haired man that still Art sleeping, and canst hold thy grandchild high That he may see the gorgeous wrong go by Which slew his father ! And for thee, thou bright Inheritress of summer-time and light, Alas for thee, that thy young cheek is flush'd With dreaming of the lion and the foe, Tho' it had been yet paler than the snow Upon the battle-hill, if once had gush'd. But once before thee, even the feeblest flow Of that life's blood that swept in floods below. Alas ! that even thy beauty cannot break The vampyre spell of such a war-dream's woe,— A xM USING ON A VICTORY. Alas ! tho' waking might have been to know Things which had made it sweeter not to wake. Alas for man ! — poor hunchback — all so proud And yet so conscious ; man that stalks divine Because he feels so mortal, speaking loud To drown the trembling whisper in his heart, And wildly hurrying on from crowd to crowd, In hope to shun the faithful shapes that start ANlierever lake doth sleep or streamlet shine In silent solitudes. When once in youth Fresh from the spheres, and too severely wise, Truth drew the face he longed yet feared to view, Stung with the instinct that confessed it true He dashed the tablets from her sacred hand ; She drops her singing robes and leaves his land ; And Fiction, decent in the garb of Truth, ^Vhile lurking mischief lights her lambent eyes, Seizes the fallen pencil, and with grave Historic features paints the lies we crave. So war became a welcome woe. The grass Grows tear-bedewed upon a lonely grave, And we plant sad flow'rs and sweet epitaphs, And every grief of monumental stone, Above a single woe ; but let men sleep In thousands, and we choose their hideous heap For Joy to hold his godless orgies on. Is it that some strange law's unknown behest Makes gladness of the greatest woes we have And leaves us but to sorrow for the less ? Even as in outward nature light's excess Is blindness, and intensest motion rest ; Or is it not— oh conscious heart declare — That the vast pride of our o'erwrought despair A MUSING ON A VICl^ORV. Seeing the infinite grief, and knowing yet We have no tears to pay such deep distress, Grown wild, repudiates the direful debt, And in its very bankrupt madness laughs ? — Yet when this Victory's fame shall pass, as grand And griefless as a rich man's funeral, Thro' nations that look on with spell-bound eye. While echoing plaudits ring from land to land, Alas ! will there be none among the good And great and brave and free, to speak of all The pale piled pestilence of flesh and blood, The common cold corruption that doth lie Festering beneath the pall ? Alas ! when time has deified the thought Of this day's desperate devilry, and men (Who scorn to inherit virtue, but will ape [shape "Their sires, and bless them, when they sin) shall A graven image of the thought, and then Fall down to worship it — will no one dare, While nations kneel before the idol there. To stand and tell them it is Juggernaut? Alas for man ! if this new crime shall yield To truth no harvest for the sighs it cost ; If this crowned corpse, this pale ensceptred ghost That stalks, Ferozepore, from thy red field Robed as a king, shall all unchallenged pass Down the proud scene of Time. Alas, alas ! If there are some to weep and some to pray. And none to bow their humbled heads and say, Low sighing, — There hath been a mortal strife ; And thirteen thousand murdered men lie there. And day and night upon the tainted air Blaspheme the Lord of Life. ISABEL. (1847.) In the most early morn I rise from a damp pillow, tempest-tost, To seek the sun with silent gaze forlorn, And mourn for thee, my lost Isabel. That early hour I meet The daily vigil of my life to keep, Because there are no other lights so sweet, Or shades so long and deep, Isabel. And best I think of thee Beside the duskest shade and brightest SUO, Whose mystic lot in life it was to be Outshone, outwept by none, Isabel. Men said that thou wert fair : There is no brightness in the heaven aboVe, There is no balm upon the summer air Like thy warm love, Isabel. ISABEL. Men saw that thou wert bright : There is no wildness in the winds that blow, There is no darkness in the winter's night Like thy dark woe, Isabel. And yet thy path did miss Men's footsteps : in their haunts thou hadst no joy ; The thoughts of other worlds were thine in this ; In thy sweet piety, and in thy bliss And grief, for life too coy, Isabel. And so my heart's despair Looks for thee ere the firstling smoke hath curled ; Wliile the rapt earth is at her morning pray'r. Ere yet she putteth on her workday air And robes her for the world, Isabel. When the sun-burst is o'er. My lonely way about the world I take, Doing and saying much, and feeling more. And all things for thy sake, Isabel. But never once I dare To see thine image till the day be new. And lip hath sullied not the unbreathed air. And waking eyes are few, Isabel. Then that lost form appears Wliich was a joy to few on earth but me : ISABEL. \ In the young light I see thy guileless glee, In the deep dews thy tears, Isabel. So with Promethean -loan In widowhood renewed I learn to grieve ; Blest with one only thought— that I alone Can fade : that thou thro' years shalt still shine on In beauty, as in beauty art thou gone. Thou morn that knew no eve, Isabel. In beauty art thou gone ; , . , , As some bright meteor gleams across the night. Gazed on by all, but understood by none, And dying by its own excess of light, Isabel. ^ lo From THE ROMAN. opening Song. Sing lowly, foot slowly, oh why should we chase The hour that gives heaven to this earthly embrace? To-morrow, to-morrow, is dreary and lonely ; Then love as they love who would live to love only ! Closer yet, eyes of jet, — breasts fair and sweet 1 No eyes flash like those eyes that flash as they meet ! Weave brightly, wear lightly, the warm-woven chain, Love on for to-night if we ne'er love again. Fond youths I happy maidens ! we are not alone ! Bright steps and sweet voices keep pace with our own. Love-lorn Lusignuolo, the soft-sighing breeze. The rose with the zephyr, the wind vnth the trees. While Heaven, blushing pleasure, is full of love-notes, Soft down the sweet measure the fairy world floats. [VlTTORlo Santo (the Roman, disguised as a Monk) speaks to the people.\ I pray you listen how I loved my mother, And you will weep with me. She loved me, nurst me, And fed my soul with light. Morning and Even Praying, I sent that soul into her eyes. From THE ROMAN. ll And knew what Heaven was though I was a child. I grew in stature, and she grew in goodness. I was a grave child ; looking on her taught me To love the beautiful : and I had thoughts Of Paradise, when other men have hardly Look'd out of doors on earth. (Alas 1 alas ! That I h^ve also learn'd to look on earth When other men see heaven.) I toil'd, but ever As I became more holy, she seem'd holier ; Even as when climbing mountain-tops the sky Grows ampler, higher, purer as ye rise. ■ • * • • " Her name is Rome. Look round, And see those features which the sun himself Can hardly leave for fondness. Look upon Her mountain bosom, where the very sky Beholds with passion : and with the last proud Imperial sorrow of dejected empire, She wraps the purple round her outraged breast, And even in fetters cannot be a slave. Look on the world's best glory and worst shame. You cannot count her beauties or her chains, You cannot know her pangs or her endurance. You, whom propitious skies may hardly coax To threescore years and ten. Your giant fathers Call'd Atlas demigod. But what is she, \Vho, worn with eighteen centuries of bondage, Stands manacled before the world, and bears Two hemispheres— innumerable wrongs. Illimitable glories. Oh, thou heart That art most tortured, look on her and say If there be anything in earth or heaven. In earth or heaven— now that Christ weeps no longer- So most divinely sad. 12 From THE ROMAN. ViTTORIO Santo to Framesca. There was a song that in my wanderings I heard in other years. A wayward song That caught the murmur of the waterfall, By which I sang it. But no matter. 'Twill P'ind its way where the brawny words of manhood Might be too rude. I would, my poor disciple, I had some foot more fit than an arm'd heel To tread the dwelling of thy woman's soul. And while we commune, daughter, — for alas, A patriot militant has no to-morrows — Hear this first lesson. It may be remember'd When I am not. Stern duties need not speak Sternly. He who stood firm before the thunder, Worshipp'd the still small voice. Let the great world That bears us — the all-preaching world — instruct thee That teacheth every man, because her precepts Are seen, not heard. Oh, worship her. Fear not Whilst thou hast open eyes, and ears for all The simplest words she saith. Deaf, blind, to these. Despair. That worst incurable, perchance Some voice may heal hereafter, but none here. For before every man, the world of beauty, Like a great artist, standeth day and night. With patient hand retouching in the heart God's defaced image. Reverence sights and sounds. Daughter ; be sure the wind among the trees Is whispering wisdom. . . . Now assist me, lute. There went an incense through the land one night. Through the hush'd holy land, when tired men slept The haughty sun of June had walk'd, long days. Through the tall pastures which, like mendicants, Frojn THE ROMAN. 13 Hung their sere heads and sued for rain : and he Had thrown them none. And now it was high haytime, Through the sweet valley all her flowery wealth At once lay low, at once ambrosial blood Cried to the moonlight from a thousand fields. And through the land the incense went that night, Through the hush'd holy land when tired men slept. It fell upon the sage ; who with his lamp Put out the light of heaven. He felt it come Sweetening the musty tomes, like the fair shape Of that one blighted love, which from the past Steals oft among his mouldering thoughts of wisdom. And SHE came with it, borne on airs of youth ; Old days sang round her, old memorial days. She crown'd with tears, they dress'd in flowers, all faded — And the night-fragrance is a harmony All through the old man's soul. Voices of eld, The home, the church upon the village green, Old thoughts that circle like the birds of Even Round the grey spire. Soft sweet regrets, like sunset Lighting old windows with gleams day had not. Ghosts of dead years, whispering old silent names Through grass-grown pathways, by halls mouldering now. Childhood — the fragrance of forgotten fields ; Manhood — the ?<«forgotten fields whose fragrance Pass'd like a breath ; the time of buttercups. The fluttering time of sweet forget-me-nots ; The time of passion and the rose — the hay- time Of that last summer of hope ! The old man weeps. The old man weeps. His aimless hands the joyless books put by ; As one that dreams and fears to wake, the sage With vacant eye stifles the trembling taper, Lets in the moonlight — and for once is wise. 14 From THE ROMAN. There went an incense through the midnight land, Through the hush'd holy land where tired men slept. It fell upon a simple cottage child, Laid where the lattice open'd on the sky, And she look'd up and said, Those flowers the stars Smelt sweet tg-night. God rest her ignorance ! There went an incense through the land one night, Through the hush'd holy land when tired men slept ; It pass'd above a lonely vale, and fell Upon a poet looking out for signs In heaven and earth, and went into his soul. And like a fluttering bird among sweet strings. Made strange yliolian music wild and dim. A haggard man, silent beneath the stars. Stood with bare head, a hasty step withdrawn From a low tattered hut, wherefrom the faint Low wail of famine, like a strange night-bird. Cried on the air. He had come forth to give His dying child, his youngest one, repose. " Father," it said, " you weep, I cannot die." There went an incense through the land that night, Through the hush'd holy land when tired men slept ; It came upon his soul, and went down deep. Deep to his heart, and threw the new-made hay Upon the coals of fire that ember'd there. And by the rising flame came pictures fair. Of old ancestral fields that strangers till, And patrimony that the spoiler reaps. Then falls the flame upon the pallet near. And forward on the canvas of the nigh t. To the wild father's eye, lights up that landscape Of love and health and hope which yesterday The poorest crumbs of the oppressor's feast Might buy. Oh God ! how coarse a crust may be Frotn THE ROMAN. 15 The bread of life. He breathes the night-balm in, And breathes it back the red-hot smoke of vengeance ! There was a lonely mother and one babe, — A moon with one small star in all her heaven — Too like the moon, the wan and weary moon, In pallor, beauty, all, alas ! but change. Through six long months of sighs that moon unwaning Had risen and set beside the little star. And now the little star, whom all the dews Of heaven refresh not, westers to its setting, Out of the moonlight to be dark for ever. O'er the hush'd holy land where tired men sleep. There went an incense through the night. It fell Upon the mother, and she slept — the babe, It smil'd and dream'd of paradise. Oh, prince's daughter, if In some proud street, leaning 'twixt night and day From out thy palace balcony to meet The breeze — that tempted by the hush of eve, Steals from the fields about a city's shows. And like a lost child, scared with wondering, flies From side to side in touching trust and terror, Crying sweet country names and dropping flowers — Leaning to meet that breeze, and looking down To the so silent city, if below With dress disorder'd and dishevell'd passions Streaming from desperate eyes that flash and flicker Like corpse-lights (eyes that once were known on high, Morning and night, as welcome there as thine). And brow of trodden snow, and form majestic 1 6 From THE ROMAN. That might have walk'd unchallenged through the skies, And reckless feet, fitful with wine and woe, And songs of revel that fall dead about Her ruin'd beauty —sadder than a wail— (As if the sweet maternal eve for pity Took outthe joy, and, with a blush of twilight, Uncrovvn'd the Bacchanal) — some outraged sister Passeth, be patient, think upon yon heaven. Where angels hail the Magdalen, look down Upon that life in death and say — My country ! Song of Insurgents. ( Chanting as they march. ) Who would drone on in a dull world like this ? Heaven costs no more than a pang and a sigh ; Dash off the fetters that bind us from bliss, Fair fall the freeman who foremost shall die ! Death's a siesta, lads, take it who can ! Wave the proud banners that wave for Milan I Chanted in song, and remember'd in story, Sunk but to rest— like the sun in the wave- Grandly the fallen shall sleep in his glory. Proudly his country shall weep at his grave, And hallow like relics each clod where there ran The blood of that hero who died for Milan ! Holy his name shall be, blest by the brave and free. Kept like a saint's day the hour when he died ! From THE ROMAN. 17 The mother that bore him, the maid that bends o'er him, Shall weep, hut the tears shall be rich tears of pride. Shout, brothers, shout for the first falling man, Shout for the gallant that dies for Milan ! Long, long years hence, by the home of his truth. His fate, beaming eyes yet unborn shall bedew. Beloved of the lovely, while beauty and youth Shall give their best sighs to the brave and the true ! On, spears ! spur, cavaliers ! Victory our van, Fame sounds the trumpet that sounds for Milan ! Francesca's Soliloquy. I will but live in twilight, I will seek out some lone Egerian grove. Where sacred and o'er-greeting branches shed Perpetual eve, and all the cheated hours Sing vespers. And beside a sullen stream. Ice-cold at noon, my shadowy self shall sit, Crown'd with dull wreaths of middle-tinted flijwers ; With sympathetic roses, wan with weeping For April sorrows ; frighten'd harebells, pale With thunder ; last, half-scented honeysuckle. That like an ill-starr'd child hides its brown head Through the long summer banquet, but steals late To wander through the fragments of the feast. And glad us with remember'd words that fell From guests of beauty ; sunburnt lilies, grey . Wind-whispering ilex, and whatever leaves And changeling blossoms Flora, half-asleep. Makes paler than the sun and warmer than the moon ! Was ever slave so dark and cold as I ? O02 J8 From THE ROMAN. Ah cruel, cruel night ! the very stars Put me to shame ! I sjnir my soul all clay With thought of tyrants, woes and chains, and curse As oft ray pallid and ill -blooded nature, That will not rage. Oh for some separate slave To pity every vassal by ! Some tyrant By whom I might set down of all oppressors That they are thus and thus ! Oh that some liand, Oh that some one hand, faint and fetter-wrung. Would thrust its clanking wrongs before my eyes, And I could bleed to break them I And thou ! country ! Thou stern and awful god, of which my reason Preaches infallibly, but which no sense pears witness to — I would thou hadst a shape. Jt might be dwarf, deform'd, maim'd, — anything, So it was thine ; and it should stand to me For beauty. And my soul should wait on it, And I would train my fancies all about it, Till growing to its fashion, and most nurtured \Vith smiles and tears they strengthen'd intq loye. But — Santo— this indefinite dim presence i cannot worship. O thou dear apqstle, Oh what a patriot could Francesca be \ithoii wert Rome ! Oh what a fond disciple Should his tongue have whose only eloquence Was praise of thee ! To what a pile of vengeance One look of retribution in thine eye Were torch enough ! Be still, my heart, be still ! Ah wilful, wilful heart, dost thou refuse? Nay, be appeased — I bid thee silence, lest Consenting cheeks attest how well thou sayest ! foo late, too late. Nay, do you crave, you blushes, pscort of spoken passion, to interpret From THE ROMAN. 19 Your beauties to the moon, which, pale with love And watching for the never-coming night, Mistakes them for som^ ros)' cloud of dawn, And ends her vigil ? Heart, have all thy will ! Santo, I love thee ! Oi'ENiNG OF Sixth Scene. The Monk. This is the spot. From hence my eye unseen Commands their cottage. Hither have I fared Five times at this same hour, and five times learn'd To love my nature better. Here I stood, And felt, when passing gales in snatches bore me Their evening tallc, as if some wayward child Had pelted me with flowers. She is a poet. Or in or out of metre. Rome must have her. A mother too, 'tis well ; then there is one thing The poet will serve. Ah ! art thou forth to-day, Thou little tyrant, that shalt rule for me? My faith ! a lovely boy ! holy St. Mary ! Hark how he carols out his royalty, And, born a sovereign, rules and knows it not. The father must be mine too ; he hath l)one And sinew, and — if the eye's gauge deceive not — A soul as brawny. Heavy deeds demand Such carriers. I will win or lose this night. Let me draw near. Children sporting. The girl hides among myrtles, and sings. Girl. Whither wingest thou, wingest thou, winny wind ; 20 Fro77i THE ROMAN. V/liere, winny wine], whore, oh where? Boy (singing). My sister, my sister, I flit forth to find, My sister, my sister, the orange-flow'r fair ! Girl. Since thy songs thy soft sister seek, What woiildst with her ? say, oh say. Boy. Oh, to pat her pearl-white cheek. And court her with kisses all day ! [chord The Mother. Husband ! the music in my soul would Most sweetly with thy voice. Take down thy lute. The. Father. Nay, Lila : Lid me not do violence To this calm sunset. List that golden laughter, Hark to our children ! There is music like The hour. From each to each the heart can pasf. And know no change. The Mother. Sing me a song about them, Kind husband. Sing that song I made for thee. When once, on a sweet eve like this, we watch'd As now our joyous babes — I blessing them. Thou marvelling, with show of merry jest, How they could be so fair. Song. Oh, Lila ! round our early love, Wiiat voices went — in days of old ! Some sleep, and some are heard above. And some are here — but changed and cold ! Wliat lights they were that lit the eyes That never may again be bright ! Some shine where stars are dim ; and some Have gone like meteors down the night. From THE ROMAN. 21 I marvell'd not to see them beam, Or hear their music round our way; A part of life they used to seem, But these — oh whence are they ? Ear hath not heard the tones they bring Lip hath not named their name, Like primroses around the sjjring. Each after each they came. I should not wonder, love, to see In dreams of elder day, The forms of things that used to be. But these — oh whence are they ? Dost thou remember when the days Were all too short for love and me, And we roam'd forth at eve in rays Of mingled light from heaven and thee ? One gentle sign so often beam'd Upon us with such favouring eyes. That every vow we plighted seem'd A secret holden with the skies. Now sometimes, in strange phantasy, I think, if stars could leave their sphere, And won by the dear love of thee. Renew the constellation here. And shine here with the tender light That ghnted through the olden trees, They would come silently and bright, And one by one, like these. 22 From THE ROMAN. How can a joy so pure and free Have sprung from tears and cares? I have no beauty — and for thee, Thou hast no mirth like tlieirs. Vet with stranjje rir;lit each takes his rest^ Even when he will, on thy fair breast, Nor doubts nor fears nor prays. The daisy sniilius; on the lea Comes not with kindlier trust to be Beloved of Ajjril days. I look into their laughin}^ eyes, They cannot have more light than thiile— ~ Ijut treasured by teii thousand ties, Mine own I know thee, Lila mine. Wistful I gaze on them and say, — Fond, checking with a doubtful sigh The pride that swells, I know not why — These, these, oh whence are they ? The Monk. Thou little child, Thy mother's joy, thy father's hope — thou bright, Pure dwelling where two fond hearts keep their gladness — Thou little potentate of love, who comest With solemn sweet dominion to the old, Who see thee in thy merry fancies charged With the grave embassage of that dear past. When they were young like thee — thou vindication From THE ROMAN. 2^ Of God — thou living witness against all men "SVho have been babes — thou everlasting promise Which no man keeps — thou portrait of our nature, Which in despair and pride we scorn and worship — Thou household-god, whom no iconoclast Hath broken, — if I knew a parent's joys, If I were proud and full of great ambitions. Had haughty limbs that chafed at ill-borne chains, If I had known a tyrant's scorn and felt That vengeance though bequeathed is still revenge, I would pray God to give me such a son ! 'Tis the purblind Dim sense of after years that makes our monsters. The earth hath none to children and to angels. Eyes weak with vigil, sear'd with scalding tears, Betray us, and we start at death and phantoms Because they are pale. And the still-groping heart Incredulous by over much believing — Walking by sight dreads the unknown, and clings Even to familiar sorrow, and loves more The seen earth than the unseen God. The Campagna. Here and there Rude heaps, that had been cities, clad the ground With history. And far and near, where grass Was greenest and the unconscious goat browsed free, The teeming soil was sown with desolations, As though Time — striding o'er the field he reap'd — Warm'd with the spoil, rich droppings for the gleaners Threw round his harvest way. Frieze, pedestal, I'illars that bore through years the weight of glory. 24 From THE ROMAN. And take their rest. Tombs, arches, monuments, Vainly set up to save a name, as though The eternal served the perishable ; urns, Which winds had emptied of their dust, but left Full of their immortality. In shrouds Of reverent leaves, rich works of wondrous beauty Lay sleeping — like the children in the wooil — Fairer than they. Columns like fallen giants, The victor on the vanquish'd, stretch'd so stern In death, that not a flower might dare to do Their obsequies. And some from sweet Ionia With those Ionia bore to Roman skies Lay mingled, like a goddess and her mother, Who wear, with difference, the co-equal brighlli\es:> Of fadeless youth. The plain thus strew'd with age- Flovverd in the sunshine of to-day, and bore me The Present and the Past. But there were som Proud changeless stones that stood up in the sun, And with their shadowy finger on the plain Drew the same mystic circle day by day, And these I worshipp'd. Honouring them, becau-e It needs must be they knew the sense that sign Bore in the language of Eternity ; And fearing them for that dark hand which ever — When I drew near their awful face at noon. And, spent with wondering, sank down unconscious, And slept upon the turf — came back at even And cast me shuddering out. So days wore on, And childhood. And the shade of all these ruins Fell on my soul. And he, my pride, grew up. With, and without me. And we were such brothers As day and night. We met at morn and eve. Each sun uprose to find us hand in hand. Frotn THE ROMAN. 25 And see a tender parting. Each first star Led back the shades and us. lie flush'd with conquest, Rich in the well slain antelope, and all That feathery wage youth loves to take for labour ; I laden with new thoughts. Pale, travel-worn, Spent with fierce exercise and faint with toil, I, who— the shepherd of the plain would tell you— Since sunbrcak upon one same broken column Sat like a Caryatid. So youtli was mine, And seasons crown'd it manhood. Music. An art Lightly esteem'd, but which to name divine Is not the tilial rapture of a son, Since in the change of time it hath not changed ; Indigenous to all the eaith. A spirit Evoked by many, but a bound familiar To no magician yet. The equal tenant Of loftiest palace and of lowliest cot, Treading the rustic and the royal floor To the same step and time. In every age, With all the reverence that man claims as man, Preaching to clouted clown, and with no more To throned kings. The unrespective friend — In such celestial wise as gods befriend — By turns of haughtiest monarch, humblest swain ; And, with impartial love and power, alike Ennobling prince and peasant. Giving all, Receiving never. What else makes a god ? What human art looks so divine on earth ? And, as you tell us, seraphs in high heaven Find nothing worihicr. 26 From THE ROMAN. Song. The poet bends above his lyre and strikes — No smile, no smile of rapture on his face ; The poet bends above his lyre and strikes, No fire, no fire of passion, in his eye ; — The poet bends above his lyre and strikes, No flush, no prophet's tlush, upon his cheek ;— Calm as the grand white cloud where thunders sleep. Like a wrapt listener — not in vain to listen — Feeling the winds with every sense to catch Some far sound wandering in the depths of space. The poet bends above his lyre and strikes. The poet bends above his lyre and strikes. Ah lieaven ! I hear ! Again. Ah Heaven, I hear ! Again : — the vacant eyes are moist with tears ! Again : — they gleam with vision. Bending lower, Crowding his soul upon the strings. — Again. Hark, hark, thou heart that leapest ! Ye thrill'd fibres ! ' See the triumphant minstrel in the dust, To his own music. Hark I Angels in heaven Catch it on golden harps ! Down float their echoes Richer than dews of Paradise. Inspired, Tuning each chord to the enchanted key, The poet sweeps the strings and wakes, awe-stricken, The sounds that never die. From hill to hill They vibrate round the world of time, as deep Calleth to deep. But note like this stirs not The wind of every day. And 'tis the car To know it, woo it, wait for it, and stand Amid a Babel deaf to other speech. From THE ROMAN. 27 That makes a poet. And from ear like this, That troubling of the air which common men Call harmony, falls unrespectcQ off. As balls from a charm'd life. Hear yet again A better parable. The good man hears The voice in ^vhich God speaks to men. The poet, In some wrapt moment of intense attendance, The skies being genial and the earthly air I'ropilious, catches on the inward ear The awful and unutterable meanings Of a divine soliloquy. Soul-trembling With incommunicable things, he speaks At infinite distance. So a babe in smiles Repeats the unknown and unknowable ■Joys of a smiling mother. The Winters Night. And she stood at its father's gate, At its father's gate she stood, With her baby at her breast ; 'Twas about the hour of rest — There were lights within the place- The old moon began to sink (Long, like lier, upon the wane), It grew dark ; she drew her hood Close about her pallid face ; At the portal down she sate, Where she will not si* again. " Little one," she slowly said, iiending low her lowly head. 28 Froin THE ROMAN. " In all this wide world only thee, And my shame, he gave to me. When thou earnest 1 did think On that other gift of his — Hating that I dreaded this. Thou art fair — but so was he ; 'Tis a winning smile of thine, — ■ Ah ! what fatal praise it is ! — One such smile once won all mine. Little one, I not repine, It befits me well to wait My lord's will, till I be dead— Once it was a gentler will ! " With that, a night-breeze full chill Shook some dead leaves from the linic; At the sad sound, loud and burly Like a warder went the blast Round about the lordly house ; Hustled her with menial wrath, Much compelling forth her cast, Wlio was all too fain to go ; She sank down upon the path — She cower'd lower, murnmring lev.-, " What was I that I should earn, For I loved him, more return Than I look'd for of the sun, Wlien he smiled upon me early In our merry milking-time ? " Then was silence all ; the mouse Rustled with the beechen mast, The lank fox yelp'd round, the owl Floating, shriek'd pale horror past ; Strange and evil-omen'd fowl From THE ROMAN. 29 Croak'd about her, and knew not. Round her had the last hat fed. " Little one," she said, " the cot Wliere I bore thee was too low For a haughty baron's bride. Little one, I hope to go WTiere the palace-halls are wide ; When thou prattlest at his knee, Wilt thou sometimes speak ofnic? Tell him, in some eve," she said, " Where thou knowest I shall be. When he hears that I am grand, In those mansions ever fair, Will he look upon me there As a lady of the land, And think no more in scorn Upon thee and on the dead ? " All below the garden banks. Where the blighted aspens grew. Faded leaves faint breezes blew, As in pity, round her. Then Low whisjiering in her plaintive plight, Her shivering babe she nearer nurst. " 'Tis a bitter night," said she, "Little one, a dreary^night. Little shalt thou bless the first I'ass'd upon thy father's ground. Aye ! cower closer in thy nest. Birdie ! that didst never build. There is warmth enough for thee. Though the frost shall split the tree Where it rocks." " Little one," she said again, " Babe," she said, " my little son, Thou and I at last must part ; 30 From THE ROMAN. There is in my freezing heart Only life enough for one. ]}y the crowing of the cocks Early steps will tread the way, Could mine arms but wrap thee round' Till the dawning of the day ! " Silent then she seem'd to pray. Then she spoke like one in pain, " Little one, it shall be done, I will keep thee back no more ; It were sweet to go together. If thou couldst be mine alone ; As it is I must restore Treasure not mine own. All the gift and the sweet thanks Will be over by to-morrow. He must weep some tears to see \Vliat at morn they will bring in Where she dared not living come. He will take thee to his home, And bless the mother in the child. Little one, 'tis sweet to me. Who once gave him all I had — Hoped it duty, found it sin — Once more to give all, but now Take no shame, and no more sorrow Than a dealh-pang sets at rest." Closer then her babe she prest. Chiller sank the wintry weather. Once again the owl cried near, Once more croak'd the strange night-bird From the stagnance of the fosse Lorn pale mists, like winding gear. Hung about her and look'd sad ; Then the blast, that all this whi'P From THE ROMAN. 31 Sliimber'd by a freezing fountain, Burst out rudely, like a prince From a midnight revel rushing. In his train a thousand airs, Each ambitious of his guilt, Each as cruel, cold, and wild. Each as rugged, chill, and stark. Hurtled round their leader crushing All the fretwork of the dark ; Frosty palace, turret, and tower, Mosque and arabesque, mist-built By winter-fairies. Then, grown gross With the license of the hour, They smote the mother and the child ! Dark night grew darker, not a smile Came from one star. The moon long since Had sunk behind the mountain. At the mirkest somewhat stirred The sere leaves, where the mother sate ; For a moment the babe cried, Something in the silence sigh'd, And the night was still. Oh fate ! What hadst thou done ? Oh that hard sight Which morn must see ! When Winter went About the earth at dawn, he rent His locks in pain, and cast grey hairs Upon it as he past. So when Maids, poor mother, wail thy lot — Mournful at the close of day — By that legendary spot Oft they tell us, weeping, how Hoar frost lay on thy pale brow \Mien they found thee, and was not Paler than the clay. 32 From THE ROMAN. Song. Oh maiden ! touch gently the rose overblown, And think of the mother thy childhood hath known ; Smile not on the buds that exult from her stem, Lest her pallor grow paler that thou lovest them. From their beauties, oh maid, each bright butterfly chase, 'Till his duties are paid to that dew-faded face. And forbid the gay bee one deceitful sweet tone. Till his vows are all said to the rose overblown. Sorrow, oh maid, is more grateful than bliss. Rosebuds were made for the light breeze to kiss. And woo how thou wilt in the soft hope to see Some bright bursting blossom that blooms but for thee, Weep thy fond wish, thou shalt look up to find Thy tears worn as gems to beguile the next wind. Turn then thine eyes to the rose overblown, Speak of its place in a tremulous tone, Sigh to its leaves as they fall one by one. And think how the young hopes the heart used to own Are all shedding fast — like the rose overblown. Yes, turn in thy gloom to the rose overblown, Reverently gather each leaf that hath gone, Watch every canker and wail every strealc, As thou conntest the lines on thy mother's dim cheek ; Twilight by twilight, and day after day, Keep sweet attendance on sweeter decay. Wlien all is over weep tears — two or three — • And perchance long years hence, when the grass grows o'er thee, Fond fragrant tribute to days long by-gone, Shall be shed on thy grave by some rose overblown. 'From THE ROMAN. 33 Song. Brother, there is a vacant spot within our holy band, And poorer is our eaithly lot by one strong heart and hand ; Yet, brother, it were ill to weep, when life hath been sq drear, That we are left alone to keep its painful vigil here. 'Twere ill if thou hast trod the way to count the labouring hours. Or mourn that sorrow fill'd thy cup with hastier hand than ours. Sleep softly by thy bending tree, till death's long sleep be o'er, That thou canst not remember, we remember thee the more. Sleep softly, — that thine heart hath pass'd through all death's deep distress, [it less. To such calm rest as now thou hast, shall make us dread Sleep softly, brother, sleep. But oh, if there are hopes more blest Than sleep, where seasons come and go about a dream- less rest ; If we may deem this grave a shrine which summer rites observe, Where autumn pours the votive wine, and white-robed winters serve ; If we may think that those who now sit side by side with God, Have sent for thee to ask thee how we tread the path they trod ; Oh, brother, if it be not sin when God hath broke the chain Of earthly thought, to bind thee in its fever'd links again, 003 34 Frow THE ROMAN. This much of aVl that earth did know, and all (hat life halh given, The sadness of our love below bequeathes thy bliss in heaven ; Remember what the bounden bear, though thou for aye art free, And speak of us as kindly there, as here we think of thee. The Monk. But, Roman, Shall we obey the living or the dead ? '* The powers that be ! " By what sign will ye know 'YXx^ powers that be? My friends, we are the fools Of eyesight and the earthly habitudes Which cannot look aloft. Walking the plank Of life o'er the abyss, we fear to glance Or upward to the stars, or downward to the grave. Our souls, yoke-strain'd, in attitude of toil Bend earthward. Oft the 7<«worshipp'd angel passeth Wliile we, with eyes fix'd on the ground from which We came, adore his footsteps in tlie sand. And God, this while, is in the heaven of heavens ! The Monk. When the Baptist Call'd to repentance, did he weigh the dust And measure out the sackcloth ? Let a prophet Wait upon silence. Who can hold his peace Hath said his message. Things that once have dwelt In heaven will make that prison, a man's heart, Glad to release them. Let the seer see And he will cry. From THE ROMAN. 35 The Silence of Desolation. Absolute calm, A silence like the silence of the desert, Silence beyond repose, lone, lifeless, stagnant, Muter than any grave. Silence too dc.id For living tongue to name. Silence more placid Than peace or night or death (for these are strings Unstruck but to be stricken) ; idiot silence, Sterile, and blank, and blind. A breathless pause In heaven and earth ; held till the moving thought Seems turbulence, this human nature grows Unseemly on us, our life's common functions Impertinent and gross, and conscious cheeks Excuse the beating heart with blushes. Silence As of a hstening world. Such strange defect. Such lean and hungry quiet, such keen sense Of absence grown efi'ectual, that the ear Faints as for breath, and even the very substance Of latent sound seems dead. Alas! for language. We sing the healing darkness of sweet night, But for Egyptian darkness that was felt Have names no blacker. \Vhen j^?< speak of silence, 'Tis as the sweet content of voiceless woods After the nightingale — as the home-genius Sole watching by the sleep of happy babes With finger at her lip, and shows of stillness, Meanwhile the sleeper smileth and the air Stirs with dream-music. When /use the word Think of some other silence. In that other I woke. 36 Frcm THE ROMAN. The Coliseum. In my short rest From imminent heights, the dust of slow decay — Sands from the glass of time shaken of winds — Crumbs from the feast of desolation— strew'd My slumbering face upturn'd. The Gorgon Sleep Made them a shower of stones. My wondering eyes O'er-charged with sense, in shuddering unbelief Unclose upon the lone inane expanse Of summer turf, from which the mouldering walls Shut not the sunshine ; like a green still lake Girt by decaying hills. Urging my gaze Round the tremendous circle, arch on arch, And pile on pile, that tired the travell'd eye, I saw the yawning jaws and siglitless sockets (iape to the heedless air. Like the death's-head Of buried empire. And the sun shone through them With calm avoidance that left them more dark, And pleasured him with some small daisy's face Grass-grown. As though even from the carrion of gods. The instinct of the living universe Held heaven and earth aloof. All through the lorn Vacuity winds came and went, but stirr'd Only the flowers of yesterday. Upstood The hoar unconscious walls, bisson and bare, Like an old man deaf, blind, and grey, in whom The years of old stand in the sun and murmur Of childhood and the dead. From parapets Where the sky rests, from broken niches — each More than Olympus, — for gods dwelt in them, — Below from senatorial haunts and seats Imperial, where the ever-passing fates Wore out the stone, strange hermit birds croak'd forth From THE ROMAN. 37 Sorrowful sounds, like watchers on the height Crying the hours of ruin. '-.AXTien tiie clouds Dress'd every myrtle on the walls in mourning With calm prerogative the eternal pile Impassive shone with the unearthly light Of immortality. When conquering suns Triumph'd in jubilant earth, it stood out dark With thoughts of ages : like some mighty captive Upon his deathbed in a Christian land, And lying, through the chant of Psalm and Creed Unshriven and stern, with peace upon his brow, And on his lips strange gods. Rank weeds and grasses, Careless and nodding, grew, and asked no leave, Where Romans trembled. Where the wreck was saddest Sweet pensive herbs, that had been gay elsewhere, With conscious mien of place rose tall and still. And bent with duty. Like some village children Who found a dead king on a battle-field, And with decorous care and reverent pity Composed the lordly ruin, and sat down Grave without tears. At length the giant lay. And everywhere he was begirt with years. And everywhere the torn and mouldering Past Hung with the ivy. For Time, smit with honour Of what he slew, cast his own mantle on him, TJiat none should mock the dead. % VtS' 38 CRAZED. {First priiilcu in the ^^ AlhemTuiii" oj November 2},, 1850.) " The Spring again bath started on the course Wherein she seeketh Summer thro' the Earth. I will arise and go upon my way. It may he that tlie leaves of Autumn hiil His footsteps from me ; it may be the suows. " He is not dead. There was no funeral ; I wore no weeds. He must be in the Earth. Oh where is he, that I may come to him And he may charm the fever of my brain. " Oh Spring, I hope that thou wilt be my friend. Thro' the long weary Summer I toiled sore ; Having much sorrow of the envious woods And groves that burgeoned round me where I came, And, when I would have seen him, shut him in. "Also the Honeysuckle and wild bine Being in love did hide him from my sight ; The Ash-tree bent above him ; vicious weeds Withheld me ; Willows in the River-wind Hissed at me, by the twilight, waving wands. CRAZED. 39 "Also, for I have told thee, oh dear Spring, Thou knowest after I had §unk outworn In the late summer gloom till Autumn came, I looked up in the light of burning Woods And entered on my wayfare when I saw Gold on the ground and glory in the trees. " And all my further journey thou dost know ; My toils and outcries as the lusty world Grew thin to winter ; and my ceaseless feet In vales and on stark hills, till the first snow Fell, and the large rain of the latter leaves. "I hope that thou wilt be my friend, oh Spring, And give me service of thy winds and streams. It needs must be that he will hear thy voice, For thou art much as I was when he woo'd And won me long ago Reside the Dee. " If he should bend above you, oh ye streams. And anywhere you look up into eyes And think the star of love hath found her mate And know, because of day, they are not stars ; Oh streams, they are the eyes of my beloved ! Oh murmur as I murmured once of old. And he will stay beside you, oh ye streams, And I shall clasp him when my day is come. " Likewise I charge thee, west wind, zephyr wind. If thou shalt hear a voice more sweet than thine About a sunset rosctree deep in June, Sweeter than thine, oh wind, when thou dost leap Into the tree with passion, jnitting Ijy The maiden leaves that rutlle round their dame, ^o CRAZED. And singest and art silent, — having dropt In pleasure on the bosom of the rose, — Oh wind, it is the voice of my beloved ; Wake, wake, and bear me to the voice, oh wind I " Moreover, I do think that the spring birds Will be my willing servants. Wheresoe'er There mourns a hen-bird that hath lost her mate Her will I tell my sorrow — weeping hers. "And if it be a Lark whereto I speak, i i She shall be ware of how my Love went up Sole singing to the cloud ; and evermore I hear his song, but him I cannot see. "And if it be a female Nightingale That pinelh in the depth of silent woods, I also will complain to her that night Is still. And of the creeping of the winds And of the sullen trees, and of the lone Dumb Dark. And of the listening of the stars. What have we done, what have we done, oh Night ? ' ' Therefore, oh Love, the summer trees shall be My watch-towers. Wheresoe'er thou liest bound I will be there. For ere the spring be past I will have preached my dolour through the land, And not a bird but shall have all my woe. — And whatsoever hath my woe hath me. ' ' I charge you, oh ye flowers fresh from the dead, Declare if ye have seen him. You pale flowers, Why do you quake and hang the head like me ? " You pallid flowers, why do ye watch the dust And tremble ? Ah, you met him in your caves, And shrank out shuddering on the wintry air. CRAZED. 41 "Snowdrops, you need not gaze upon the ground, Fear not. He will not follow ye ; for then I should be happy who arri doomed to woe. " Only I bid ye say that he is there, That I may know my grief is to be borne, And all my Fate is but the common lot." She sat down on a bank of Primroses, Swayed to and fro, as in a wind of Thought That moaned about her, murmuring alow, "The common lot, oh for the common lot." Thus spake she, and behold a giist of grief Smote her. As when at night the dreaming wind Starts up enraged, and shakes the Trees and sleeps- "Oh early Rain, oh passion of strong crying, Say, dost thou weep, oh Rain, for him or me ? Alas, thou also goest to the Earth And enterest as one brought home by fear. " Rude with much woe, with expectation wild, So dashest thou the doors and art not seen. ^Vhose burial did they speak of in the skies ? " I would that there were any grass-green grave Where I might stand and say, ' Here lies my Love ; ' And sigh, and look down to him, thro' the Earth. And look up, thro' the clearing skies, and smile." Then the Day passed from bearing up the Heavens, The sky descended on the Mountain tops Unclouded ; and the stars embower'd the Night. 42 CRAZED. Darkness did flood the Valley ; flooding her. And when the face of her great grief was hid, Iler callow heart, that like a nestling bird Clamoured, sank down with plaintive pipe and slow. Her cry was like a strange fowl in the dark : "Alas Night," said she ; then like a faint ghost, As tho' the owl did hoot upon the hills, " Alas Night." On the murky silence came Her voice like a white sea-mew on the waste Of the dark deep ; a-sudden seen and lost Upon the barren expanse of mid-seas Black with the Thunder. " Alas Night," said she, "Alas Night." Then the stagnant season lay From hill to hill. But when the waning Moon Rose, she began with hasty step to run The wintry mead ; a wounded bird that seeks To hide its head when all the trees are bare. Silent, — for all her strength did bear her dread- Silent, save when with bursting heart she cried, liike one who wrestles in the dark with fienillow of the water weed. Left her a cleaner bed. Any least leaves that fell with little plashes. And sinking, sinking. Sank soft and slow, and settled on her lashes, 007 98 DEAD-MAID'S-POOL. And did what was so meet for her, Them I do not curse. See, see up the glen. The evening sun agen ? It falls upon the water, It falls upon the grass, Thro' the birches, thro* the firs, Thro' the alders, catching gold. Thro' the bracken and the brier, Goes the evening fire To the bush-linnet's nest. There between us and the west, Dost thou see the angels pass ? Thro' the air, with streaming hair, The golden angels pass ? Hold, hold ! for mercy, hold ! I know thee ! ah, I know thee 1 I know thou wilt not pass me so — The grey old woman is ready to go. Call nie to thee, call me to thee, ]\1y daughter I oh, my daughter I 99 THE SAILOR'S RETURN. This morn I lay a-dreaming, This morn, this merry morn, When the cock crew shrill from over the hill, I heard a biigle horn. And thro' the dream I was dreaming, There sighed the sigh of the sea, And thro' the dream I was dreaming, This voice came singing to me. *' High over the breakers, Low under the lee. Sing ho The billow, And the lash of the rolling sea ! " Boat, boat, to the billow, Boat, boat, to the lee ! Love, on thy pillow. Art thou dreaming of me ? "Billow, billow, breaking. Land us low on the lee ! For, sleeping or waking. Sweet love, I am coming to thee ! " High, high, o'er the breakers, Low, low, on the lee, Sing ho ! The billow That brings me back to thee ! " lOO AN E VENING DREAM. I'm leaning where yon loved to lean in eventides of old, The sun has sunk an hour ac;o behind the treeless wold, lu this old oriel that we loved how oft I sit forlorn, Gazing, gazing, up the vale of green and waving corn. The summer corn is in the ear, thou knowest wliat I see Up the long wide valley, and irom seldom tree to tree, The serried corn, the serried corn, the green and serried corn, From the golden morn till night, from the moony night till morn. 1 love it, morning, noon, and night, in sunshine and in rain, For being here it^eems to say, "The lost comeback again." And being here as green and fair as those old fields we knew. It says, "The lost when they come back, come back unchanged and true." But more than at the shout of morn, or in the sleep of noon. Smiling with a smiling star, or wan beneath a wasted moon, I love it, soldier brother ! at this weird dim hour, for then The serried ears are swords and spears, and the fields are fields of men. Rank on rank in faultless phalanx stern and still I can discern, AN EVENING DREAM. loi Phalanx after faultless phalanx iu dumb armies still and stern ; Army on army, host on ho^, till the bannered nations stand, As the dead may stand for judgment silent on the o'er- peopled land. Not a bayonet stirs: down sinks the awful twiliglit, dern and dun, On an age that waits its leader, on a world that waits the suu. Then your dog — I know his voice — cries from out the courtyard nigh, And my love too well interprets all that long and mournful cry ! In my passion that thou art not, lo ! I see thee as thou art, And the pitying fancy brings thee to assuage the anguished heart. "Oh my brother 1" and my bosom's throb of welcome at the word, Claps a hundred thousand hands, and all my legions hail thee lord. And the vast unmotioned myriads, front to front, as at a breath, Live and move to martial music, down the devious dance of death, Ah, thou smilest, scornful brother, at a maiden's dream of war ! And thou shakeat back thy locks as if — a glow-worm for thy star — I dubbed thee with a blade of grass, by carthlight, in a fairy ring, Knight o' the garter o' Queen Mab, or lord in-waiting-to her king. Brother, in thy plumed pride of tented field and turrcted tower, I02 AN EVENING DREAM. Smiling brother, scornful brother, darest thou watch with me one hour ? Even now some fate is near, for I shake and know not why, And a wider sight is orbing, orbing, on my moistened eye, And I feel a thousand flutterings round my soul's still vacant field, Like the ravens and the vultures o'er a carnage yet nnkilled. Hist ! I see the stir of glamour far upon the twilight wold, Hist ! I see the vision rising ! List ! and as I speak behold ! These dull mists are mists of morning, and behind yon eastern hill, The hot sun abides my bidding : he shall melt them when I will. All the night that now is past, the foe hath laboured for the day. Creeping thro' the stealthy dark, like a tiger to his prey. Throw this window wider ! Strain thine eyes along the dusky vale ! Art thou cold with horror ? Has thy bearded cheek grown pale ? 'Tis the total Russian host, flooding up the solemn plain, Secret as a silent sea, mighty as a moving main ! Oh, my country ! is there none to rouse thee to the rolling sight ? Oh thou gallant sentinel who has watched so oft so well, must thou sleep this only night ? So hath the shepherd lain on a rock above a plain, Nor beheld the flood that swelled from some embowelled mount of woo, AVaveless, foamless, sure and slow, Silent o'er the vale below, Ai\' EVENING DREAM 103 Till nigher still and nighcr comes the seethe of fields ou fire, And the thrash of falling trees, and the steam of rivers (lry» And before the burning flood the wild things of the wood Skulk and scream, and fight, and fall, and flee, and lly. A gun ! and then a gun ! F the far and early sun Dost thou see by yonder tree a fleeting redness rise, As if, one after one, ten poppies red had blown, And shed in a blinking of the eyes 1 They have started from their rest with a bayonet at each breast. Those watchers of the west who shall never watch again ! 'Tis nought to die, but oh, God's pity on the woe Of dying hearts that know they die in vain ! Ticyond yon backward height that meets their dying sight, A thousand tents are white, and a slumbering army lies. " Brown Bess," the sergeant cries, as he loads her while he dies, "Let this devil's deluge reach them, and the good old cause is lost." He dies upon the word, but his signal gun is heard. You ambush green is stirred, yon labouring leaves arc tost. And a sudden sabre waves, and like dead fiom opened graves, A hundred men stand up to meet a host. Dumb as death, with bated breath. Calm u|(stand that fearless band, And the dear old native land, like a dream of sudden sleep. 1 04 AN E VENING DREA M. Passes by each manly eye that is fixed so steru and dry On the tide of battle rolling up the steep. They hold their silent ground, I can hear each fatal sound Upon that summer mound which the morning sun- shine warms, The word so brief and shrill tiiat rules them like a will, The sough of moving limbs, and the clank and ring of arms. "Fire ! " and round that green knoll the sudden war- clouds roll, And from the tyrant's ranks so fierce an answ'ring blast Of whirling death came back that the green trees turned to black, And dropped their leaves in winter as it passed. A moment on each side the surging smoke is wide, Between the fields are green, and around the hills are loud, But a shout breaks out, and lo ! they have rushed upon the foe, As the living lightning leaps from cloud to cloud. Fire and flash, smoke and crash, The fogs of battle close o'er friends and foes, and they are gone ! Alas, thou bright-eyed boy ! alas, thou mother's joy ! With thy long hair so fair, thou didst so bravely lead thcni on ! I faint with pain and fear. Ah, heaven ! what do I hear ? A trumpet-note so near ? What are these that race like hunters at a chase ? Who are these tliat run a thousand men as one ! What are these that crash the trees far in the waving rear? Al^ EVENING DREAM. 105 Fight oil, thou young hero ! there's help upon the way ! Tlie light horse are coming, the great guns are coining, The Highlanders are coming ; — good God, give us the day 1 Hurrah for the brave and the leal ! Hurrah for the strong and the true ! Hurrah for the helmets of steel ! Hurrah for the bonnets o' blue-1 A run and a cheer, the Highlanders are here I a gallop and a cheer, the light horse are here ! A rattle and a cheer, the great guns are here ! With a cheer tliey wheel round and face the foe ! As the troopers wheel about, their long swords are out, With a trumpet and a shout, in they go ! Like a yawning ocean green, the liuge host gulphs them in, But high o'er the rolling of the flood, Tlieir sabres you may see like lights upon the sea When the red sun is going down in blood. Again, again, again ! And the lights are on the wane ! Ah, Christ ! I see them sink, light by light, As the gleams go one by one when the great sun is down, And the sea rocks in foam beneath the night. Aye, the great sun is low, and the waves of battle flow O'er his honoured head ; but, oh, we mourn not he is down, For to-morrow he shall rise to fill his country's eyes. As he sails up the skies of renown ! Ye may yell, but ye shall groan ! Ye shall buy them bone for bone ! Now, tyrant, hold thine own ! blare the trumpet, peal the drum 1 From yonder hill-side dark, the storm is on you ! Hark! Swift as lightning, loud as thunder, down they come 1 io6 AN EVENING DREAM. As on some Scottish shore, with mountains frowning o'er, The sudden tempests roar from the glen, And roll the tumbling sea in billows to the lee, Came the charge of the gallant Highlandmen ! And as one beholds the sea tho' the wind he cannot see. But by the waves that flee knows its might, So I tracked the Highland blast by the sudden tide that past O'er the wild and rolling vast of the fight. Yes, glory be to God ! they have stemmed thi foremost flood! I lay me on the sod and breathe again f In the precious momenjts won, the bugle call has gone To the tents where it never rang in vain, And lo I the landscape wide is red from side to side, And all the might of England loads the plain ! Like a hot and bloody dawn, across the horizon drawn, While the host of darkness holds the misty vale, As glowing and as grand our bannered legions stand, And England's flag unfolds upon the gale ! At that great sign unfurled, as morn moves o'er the world When God lifts His standard of light, With a tumult and a voice, and a rushing mighty noise, Our long line moves forward to the fight. Clarion and clarion defying. Sounding, resounding, replying, Trumpets braying, pipers playing, chargers neighing. Near and far The to and fro storm of the never-done hurrahing. Thro' the bright weather banner and feather rising and falling, bugle and fife Calling, recalling — for death or for life — Our host moved on to the war. While England, England, England, England, England I AN E VENING DREA M. 1 07 Was blown from line to line near and far, And like the morning sea, our baj'onets you might see, Come beaming, gleaming, streaming, Streaming, gleaming, beaming, Beaming, gleaming, streaming, to the war. Clarion and clarion defying, Sounding, resounding, replying, Trumpets braying, pipers playing, chargers neighing, Near and far The to and fro storm of the never-done hurrahing. Thro' the bright weather, banner and feather rising and falling, bugle and fife Calling, recalling — for death or for life— Our long line moved forward to the war. io8 From A SHOWER IN WAR-TIME. Rain, rain, sweet warm rain, On the wood and on the i>lain ! Rain, rain, warm and sweet, Summer wood lush leafy and loud. With note of a throat that ripples and ring^. Sad sole sweet from her central seat, Bubbling and trilling, Filling, filling, filling The shady space of the green dim place With an odour of melody. Till all the noon is thrilling, And the great wood hangs in the balmy dj.\ Like a cloud with an angel in the cloud, And singing because she sings ! In the sheltering wood, At that hour I stood ; I saw that in that hour Great round drops, clear round drop-;, Grew on every leaf and flower. And its hue so fairly took And faintly, that each tinted elf Trembled with a rarer self. Even as if its beauty shook With passion to a tenderer look. * Rain, rain, sweet warm rain. On the wood and on the plain I A SHOWER IN WAR-TIME. 109 Kain, rain, warm and sweet, Summer wood lush leafy and loud, With note of a throat that ripples and rings, Sad sole sweet from her central seat, Bubbling and trilling, Filling, filling, filling The shady s[iace of the green dim place With an odour of melody, Till all the noon is thrilling. And the great wood hangs in the balmy day. Like a cloud with an angel in the cloud, And singing because she sings ! Then ont of the sweet warm weather There came a little wind sighing, sighing : Came to the wood sighing, and sighing went in, Sighed thro' the green grass, and o'er the leaves brown, Sighed to the dingle, and, sighing, lay down, While all the flowers whispered together. Then came swift winds after her who was flying, Swift bright winds with a jocund din. Sought her in vain, her boscage was so good, And spread like baflfled revellers thro' the wood. Then, from bough, and leaf, and bell. The great round drops, the clear round drops, In fitful cadence drooped and fell — Drooped and fell as if some wanton air Were more apparent hero and there, Sphered on a favourite flower in dewy kiss, Grew heavy with delight and dropped with bliss. Rain, rain, sweet warm rain. On the wood and on the plain ; Rain, rain, still and sweet, no A SHOWER IN IV A R- TIME For the winds have hushed again, And the nightingale is still, Sleeping in her central seat. Rain, rain, summer rain, Silent as the summer heat. Doth it fall, or doth it rise ? Is it incensft from the hill. Or bounty from the skies ? Or is the face of earth that lies Languid, looking up on higli, To the face of Heaven so nigh That their balmy breathings meet ? Rain, rain, summer rain. On the wood and on the plain : Rain, rain, rain, uutil The tall wet trees no more athirst, As each chalice green doth fill, See the pigmy nations nurst Round their distant feet, and throw The nectar to the herbs below. The droughty herbs, without a sound, Drink it ere it reach the ground. Rain, rain, sweet warm rain, On the wood and on the plain, And round me like a dropping well. The great round drops they fell and fell. I say not War is good or ill ; Perchance they may slay, if they will. Who killing love, and loving kill. A SHO li 'ER JN WA R- TIME. 1 1 1 Whether our bloodsheds flow or cease, I know that as the years increase, The flower of all is human peace. "The flower." Vertumnus hath repute O'er Flora ; yet methinks the fruit But alter ego of the root ; And that which serves our fleshly need, Subserves the blossom that doth feed The soul which is the life indeed. Nor well he deems who deems the rose Is for the roseberry, nor knows The roseberry is for the rose. And Autumn's garnered treasury, But prudent Nature's guarantee That Summer evermore shall be, And yearly, once a-year, complete That top and culmen exquisite Whereto the slanting seasons meet. Whether our bloodsheds flow or ceasp, I know that, as the years increase, The flower of all is human peace. "The flower." Yet whether shall we sow A blossom or a seed ? I know The flower will rot, the seed will grow. By this the rain had ceased, and I went forth From that Dodona green of oak and beech. 112 A SHOU ER IN WAR-TIME. But ere my steps could reach The hamlet, I beheld along the verge A. flight of fleeing cloudlets that did ur<;o Unequal speed, as when a herd is driven By the recurring pulse of shoutings loud. I saw ; but held the omen of no worth. For by the footway not a darnel stirred, And still the noon slept on, nor even a biid Moved the dull air ; but, at fach silent hand, Upon the steaming land The hare lay basking, and the budded wheat Hung slumberous heads of sleep. Then I was 'ware that a great northern cloud Moved slowly to the centre of the heaven. His white head was so high That the great blue fell round him like the wide And erniined robe of kings. He sat in pride Lonely and cold ; but methought when he spied From that severe inhospitable height The distant dear delight, The melting world with summer at her side, His pale brow mellowed with a mournful light, And like a marble god he wept his stony tears. The loyal clonds that sit about; his feet, All in their courtier kinds, Do weep to see him weep. After the priceless drops the sycophant winds Leap headlong down, ami cbase, and swirl, and swoop Beneath the royal grief that scarce may reach thu ground. To see their whirling zeal, Unlikely things that in the kennel lie Begin to wdieel and wheel ; The wild tarantula-will spreads far and nigh, And spinning straws go spiral to the sky, A SHOWER IN IVAR-T/ME. 113 And leaves long dead leap up and dance their ghastly round. And so it happened in the street 'Neath a broad eave I stood and mused again, And all tlie arrows of the diiving rain Were tipped with slanting sleet. I mused beneath the straw pent of the brirkcd And sodded cot, with damp moss mouldered o'er, Tlie bristled thatch gleamed witli a carcanet. And from the inner eaves the reeking wet Dripped ; dropping more And more, as more the sappy roof was sapped, And wept a mirkier wash that splaslied and clapped The plain-stones, dribbling to the flooded door. A plopping ])ool of droppings stood before. Worn by a weeping age in rock of easy grain. O'erhead, hard by, a pointed beam o'erlapped, And from its jewelled tip The slipping slipping drip Did whip the iillipiied pool whose hopping plashes ticked. Let one or thousands loose or bind, That land's enslaved whose sovran mind Collides the conscience of mankind. And free — whoever holds the rood — Where Might in Kiglit, and Power in Good, Flow each in each, like life in blood. If England's head and heart were one, Where is that good beneath the sun Her noble hands sliouM leave nndone ! ooS 114 A SHOWER IN WAR- TIME. Small unit, hast thou hardiness To bid mankind to battle ? Yes. The worm will rout tliem, and is lesw. The world assaults ? Nor fight nor fly. Stand in some steadfast truth, and eye The stubborn siege grow old and die. My army is mankind. My foe The very meanest truth 1 know. Shall I come back a conqueror ? No. Wouldst light ? See Phosphor shines coufest, Turn thy broad back upon the west ; Stand firm. Tlio world will do the rest. Stand firm. Unless thy strength can climb Yon alp, and from that height sublime See, ere we see, the advancing time. Act for to-day ? Friend, this " to-day " Washed Adam's feet and streams away Far into yon Eternity. ITS A HERO'S GRAVE. O'er our eveniii|j fire the smoke is like a pall, And funeral banners hang about the arches of the hall, In the f,'able end I see a catafalque aloof, And night is drawn up like a curtain to the girders of the roof. Thou knowest why we silent sit, and why our eyes are dim, Sing us such proud sorrow as we may hear for him. Reach me the old harp that hangs between the flags he won, I will sing what once I heard beside the grave of such a son. . ^ly son, my sou, A father's eyes are looking on thy grave, Dry eyes that look on this green mound and see The low weed blossom and the long grass wave, Without a single tear to them or thee. My son, my son. "Why should I weep ? The grass is grass, the weeds Aro weeds. Tlie emmet hath done thus ere now. 1 tear a leaf; the green blood that it bleeds Is cold. What have I here? Where, where art thon, My son, my son ? ii6 A HERO'S CRAVE. On which tall trembler shall the old man lean ? Which chill leal" shall lap o'er him when he lias On that bed where in visions I have seen Thy filial love ? or, when tliy father dies, Tissue a finj^ored thorn to close his childless eyes ? Aye, where art thou ? lieu tell me of a fame Walking the wonderinp; nations ; and tliey say, When thro' the shoutinj,' jioofile thy great name Goes like a chief upon a battle-day, They shake the heavens with glory. Well-away ! As some poor hound that thro' thronged street and square Pursues his loved lost lord, and fond and fast Seeks what he feels to be but feels not where, Tracks the dear feet to some closed door at last, And lies him down and lornest looks doth cast, So I, thro' all the long tumultuous days, Tracing thy footstej) on the human sands, O'er the signed deserts and the vocal ways Pursue thee, faithful, thro' the echoing lands, Wearing a wandciing stalf with trembling hands : Thro' echoing lands that ring with victory, And answer for the living witii the dead, And give me marble when I ask for bread, And give me glory when I ask for thee — It was not glory I nursed on my knee. And now, one stride behind thee, and too late, Yet true to all that reason cannot kill, I stand before the inexorable gate And see thy latest footstep on the sill, And know tliou canst not coine, but watch and wait thee still. A HERO'S GRAVE. 117 " Old man ! " — Ah, darest thou ? yet thy look is kind. Didst thou, too, love him ? " Thou grey-headed sire, Seest thou this path which from that grave doth wiud Far thro' those western uplands higlier and higher, Till, like a thread, it burns in the great lire "Of sunset ? The wild sea and desert meet Eastward by yon unnavigable strand. Then wherefore liath tlie How of human feet Left this dry runnel of memorial sand Meandering thro' the summer of the land ? " See where tlie long immeasurable snake, Between dim hall and hamlet, tower and shed, Mountain and mountain, precipice and lake. Lies forth unfinished to this final head. This green dead mound of the unfading dt-ad ! " Do they then come to weep thee ? Do they kiss Thy relics ? Art thou then as wholly gone As some old buried saint ? My son, my son. Ah, could I mourn thee so ! Such tears were bliss ! "Old man, tliey do not mourn wiio weep at graves liko this." They do not mourn ? What ! hath the insolent foe Found out my child's last bed ? Who, who, are they That come and go about him ? I crj', " Who ? " I am his father— I ;— I cry " Who ? " " Aye, Gray trembler, I will tell thee who are they. " The slave who, having grown up strong and stark To the set season, feels at length he wears Bonds that will break, and thro' the slavish dirk Shines v\ ith the light of liberated years, And still in chaius doth weep a freeman's tears. Ii8 A HERO'S GRAVE. *' The patriot, while the unebbed force that hurled His tyrant throbs within his bursting veins, And, on the ruins of a hundred reigns, That ancient heaven of brass, so long unfurled, Falls with a crash of fame that fdls the world, And thro' the clangour lo the unwonted strains Of peace, and, in the new sweet heavens upcurlcd, The sudden incense of a thousand plains. "Youth, whom some mighty flasli fiom heaven hath turned In his dark highway, and who runs forth, shod "With flame, into the wilderness untrod, And as he runs his heart of flint is burned, And in that glass he sees the face of God, And falls upon his knees — and morn is all abroad. " Age, who hath heard amid his cloistered ground The cheer of youth, and steps from echoing aisles, And at a sight the great blood with a bound Melts his brow's winter, which the free sun smiles To jewels, and ho stands a young man crowned With glittering years among a young world shouting round. "Girls that do blush and tremble with delight On the St. John's eve of their maidenhood ; When the unsummered woman in her blood Glows through the Parian maid, and at the sight The flushing virgin weeps and feels herself too bright. " He who first feels the world-old destiny, The shaft of gold that strikes the poet still, And slowly in its victim melts away. Who knows his wounds will heal but when they kill, And drop by vital drop doth bleed his golden ill. A HERO'S GRAVE. it^ "All whom the everpassing mysteries Have rapt above the region of our race, And, blinded by the glory and the grace, Break from the ecstatic sphere — as he who dies In darkness, and in heaven's own light doth rise, Dazed with the untried glory of the place Looks up and sees some well-remembered face, And thro' the invulnerable angels flies To that dear human breast and hides his dazzled eyes. " All who, like the sun-ripened seed that springs And bourgeons in the sun, do hold profound An antenatal stature, which the round Of the dull continent flesh hath cribbed and wound Into this kernelled man ; but having found Such soil as grew them, burst in blossomings Not native here, or, from the hallowed ground. Tower their slow height, and spread like sheltering wliigs, Those boughs wherein the bird of omen sings High as the palms of heaven, while to the sound Lo kingdoms jocund in the sacred bound Till the world's summer fills her moon, and brings The final fruit which is the feast and fate of kings. " And darest thou mourn ? Thy bones are left behind. But where art thou, Anchiscs 1 Dost thou see Him who once bare the slow paternity. Foot-burnt o'er stony Troy 1 So, thou, reclined Goest thro' the falling years. Here, here where we Two stand, lies deep the flesh thou hast so pined To clasp, and shalt clasp never. Verily, Love and the worm are often of one mind ! God save them from election I Pity tliee ? True he lifts not thy load, but ho hath signed And at his beck a nation rose up free ; 120 A /ZERO'S GRAVE. Thy wounds his living love may never bind, But at the dead man's touch posterity Is healed. To thee, tliou poor, and halt, and blind, He is a stall' no more : but times to be Lean on his monumental memory As the moon on a mountain. Thou shalt find A silent home, a cheerless hearth : but he Shall be a hre which the enkindling wind, Blowing for ever from eternity. Fans till its universal blaze hath sinned The yule of thankful ages, Pity thee ? A son is lost to thine infirmity ; Poor fool, what then ? A son thou hast resign fi To give a father to the virtues of mankind," 121 IN WAR-TIME. An Aspiration of the Spirit, LuRD Jesus, as a little child, Upon some high ascension day When a great people goes to pay Allegiance, and the tumult wild Roars by its thousand streets, and filJa The billowy nation on the plain, As roar into the heaving main A thousand torrents from the hills, Caught in the current of the throng Is drawn beneath the closing crowd, And, drowning in the human Hood, Is whirled in its dark depths along ; And low under the ruthless feet. Or high as to the awful knees Of giants that he partly sees. Blinded with fear and faint with heat, :Siindless of all but what doth seem. And shut out from tlie ui'per light, Maddens within a monstrous niglit Of limbs tliat crush him like a dream ; 12?. IN WAR-TIME. And wbci) liis strength no more can stand, And while he sinks in his last swound, Is lifted fiom the deadly ground, And led by a resistless hand. And thro' the opening agony Goes on and knows not where, beside The mastery of his guardian guide, Goes on, and knows not where nor why, Till, when the sky no more is hid. Between the rocking heads he sees A mount that rises by degrees Above them like a pyramid, And on the summit of the mount A vacant throne, and round tlie throne Bright-vestured princes, zono by zone. In circles that he cannot count, And feels, at length, a slanting way, And labours by his guardian good Till forth, as from a lessening wood, They step into the dazzling day, And from the mount he sees below The marvel of the marshalled plain, And what was tumult is a reign. And, as he climbs, the princes know His guide, and fall about his feet. Before his face the courtiers fall, And lo ! it is the Lord of all, And on his throne he takes his seat j IN WAR-TIME. 123 And, while strong foars transfix the boy, The mighty people far and near Throw uj) ujjon the eye and ear The flash and thunder of their joy, And, round the royal flag unfurled, In sequent love and circling awe The legions lead their living law, And what was Chaos is a World : So, Lord, Thou seest this mortal me, Deep in Titanic days that press Incessant from unknown access To issues that I cannot see. Caught in the current stern and strong I sink beneath the closing crowd, And drowning in the awful flood Am whirled in its dark depths along, Struggling with shows so thronged and thrust On these wide eyes which bruise and burn, And flash with half-seen sights, or turn To that worse darkness thick with dust, That mindful of but what doth seem, And hopeless of the upper light, I madden in a monstrous night Of shapes that crush me like a dream. Then when my strength no more can st.iini; And while I sink in my last s wound, Lo ! I am lifted from the ground, And led by a resistless hand ; 124 -^A' WAR-TIME. And thro' the opening agony Go on and know not where, beside The mastery of ray guardian guide, Go on, and know not where or why ; Nor, tho' I cannot see Thy brow, Distrust the hand I feel so dear, Kor question bow Thou wert so near, Xor ask Thee wliither goest Thou, Nor whence Thy footsteps first began. Whence, Lord, Thou knowest : whither, Lord, Thou knowest : how Thou knowest. Oh AVord Tliat can be touched, oh Spoken Man, Enough, enough, if Thou wilt lead, To know Thou knowest ; enough to know That darkling at Thy side I go, And this strong hand is Thine indeed. Yet by that side, unspent, untrod. Oh let rae, clinging still to Thee, Betuccn the swaying wonders see The throne upon the mount of God. And — tho' they close before mine cj'c, And all my course is choked and shut — Feel Time grow stee{)er under foot, And know the final height is nigh. And as one sees, thro' cambered straits Of forests, on his forward way, Horizons green of coloured day, Oh let me thro' the crowding Fates IN WAR-TIME. r.cliold the light of skies unseen, Till on tliat suJilen Capitol I step forth to the sight of all That is, and shall be, and hath been, And Thou, Kiii^, .sli;ilt take Tliine own ^friuniphant ; and. Thy place I'ultilled, The flaw of Nature shall be healed, And joyous round Thy central throne I see the vocal ages roll. And all the human universe Like some great symphony rehearse The order of its perfect whole ; And seek in vnin where once I fell. Nor know the anarcliy I knew In those congenial motions due Of this great work where all is well, And smile, with dazzled wisdom dumb, — Remciubcring all I said and sung— That man asks more of mortal tongue Than skill to say, " T!iy kingdom come. 'mf^ r 126 HOAIE, WOUNDED Wheel me into the sunshine, Wheel me into the shadow, There must be leaves on the woodbine, Is the king-cup crowned in the meadow ? Wheel me down to the meadow, Down to the little river, In sun or in shadow I shall not dazzle or shiver, I shall be happy anywhere, Every breath of the morning air Makes me throb and quiver. Stay wherever you will, By the mount or under the hill, Or down by the little rivur : Stay as long as you please, Give me only a bud from the trees, Or a blade of grass in morning dew, Or a cloudy violet clearing to blue, I could look on it for ever Wheel, wheel thro' the sunshine. Wheel, wheel thro' tlio shadow ; There must be odours round the pinO; There must be balm of breathing kuie Somewhere down in the meadow. HOME, WOUNDED. 127 Must I choose ? Then anchor me there Beyond the beckoning poplars, where The larch is snooding her flowery hair With wreaths of morning shadow. Among the thicket hazels of the brake Perchance some nij^htingale doth shake His feathers, and the air is full of song ; In those old days when I was young and strong, He used to sing on yonder garden tiee, Beside the nursery. Ah, I remember how I loved to wake, And find him singing on the self-same bough (I know it even now) Where, since the flit of bat, In ceaseless voice he sat, Trying the spring niglit over, like a tune, Beneath the vernal moon ; And while I listed long, Day rose, and still he sang, And all his stanchless song, As something falling unaware. Fell out of the tall trees he sang among, Fell ringing down the ringing morn, and rang— Rang like a golden jewel down a golden stair. Is it too early ? I hope not. But wheel me to the ancient oak, On this side of the meadow ; Let me hear the raven's croak Loosened to an amorous note In the hollow .shadow. Let me see tlie winter snake Thawing all his frozen rings On the bank where the wren sings. 128 HOME, HOUNDED, Let me hear the little bell, Where tlie red-wing, top-mast high, Looks towards the northern sky, And jangles liis farewell. Let us rest by the ancient oak, And see his net of shadow, His net of barren shadow. Like those wrestlers' nets of old, Hold the winter dead and cold, Hoary winter, white and cold, While all is green in the meadow. And when you've rested, brother mint. Take me over the meadow ; Take me along the level crown Of the bare and silent down, And stop by the ruined tower. On its green scarp, by and by, I shall smell the flowering thyme, On its wall the wall-flower. In the tower there used to be A solitary tree. Take me there, for the dear sake Of tliose old days wherein I loved to He And pull tlie melilote. And look across the valley to the sky. And hear the joy that tilled the warm wide lioiir Bubble from the thrush's throat. As into a shining mere Rills some riilet trebling clear, And speaks the silent silver of the lake There mid cloistering tree-roots, year by year, Tlie hen-thrush sat, ai.d he, her lief and dear, Among the boughs did make HOME, WOUNDED. 129 A ceaseless music of her married time, And all the ancient stones grew sweet to lieai , And answered liim in the unspoken rhjme Of gracious forms most musical That tremble on the wall And .trim its age with airy fantasies That flicker in the sun, and hardl)' seem As if to 1)0 lieliold were all, And only to our eyes They ri^^e and fall. And fall and rise, Sink down like silence, or a-sudden streasii As wind-blown on the wind, as streams a weddint^'-i liinie But you are wheeling me wliile I dream, And we've almost reached the meadow ! You may wheel me fast thro' the sunshine, You may wheel me fast thro' the shadow. But wheel me slowly, brother mine. Thro' tlie green of tlie sappy meadow ; For the snn, these days have been so fine, Must have touched it over with celandine, And the southern hawthorn, I divine, Sheds a muffled shadow. There blows The first primrose, Under tlie bare bank rosea: There is but one. And the bank is brown, But soon the children will come down. The ringing children come singing down. To flick their Ea.-it«^r posies, And they'll spy it out, my beautiful, Among the bare brier-roses; QQ9 I30 HOME, WOUNDED. And when I sit here again alone, The bare brown bank will be blind and dull, Alas for Easter posies ! But when the din is over and gone, Like an eye that opens after pain, I shall see my pale flower shining again : Like a fair star after a gust of rain I shall see my pale flower shining again ; Like a glow-worm after the rolling wain Hath shaken darkness down the lano I shall see my pale flower shining again ; And it will blow here for two months more, And it will blow here again next year, And the year past that, and the year beyond ; And thro' all tlio years till my years are o'er I shall always find it here. Shining across from the bank above, Shining i;p from the pond below, Ere a water-fly wimple the silent pond, Or the first green weed appear. And I shall sit here under the tree, And as each slow bud uncloses, I shall see it brighten and brighten to me, From among the leafing brier-roses, The leaning leafing roses. As at eve the leafing shadows grow, And the star of light and love Dravveth near o'er lier airy glades, Draweth near thro' her heavenly shades, As a maid thro' a myrtle grove. And the flowers will multiply, As the stars come blossoming over the sky, The bank will blossom, the waters blow. Till the singing children hitherward hie To gather May-day posies ; HOME, WOUNDED. 131 And the bank will b&bare wherever they go, As dawn, the primrose-girl, goes by, And alas for heaven's primroses ! Blare the trumpet, and boom the gnn, But, oh, to sit here thus in the sun, To sit here, feeling ray work is done, While the sands of life so golden run, And I watch the children's posies, And my idle heart is whispering "Bring whatever the years may bring, The flowers will blossom, the birds \\\\\ sing; And there'll always be primroses." Looking before me here in the sun, I see the Aprils one after one, Primrosed Aprils one by one, Primrosed Aprils on and on, Till the floating prospect closes In golden glimmers that rise and rise, And perhaps are gleams of Paradise, And perhaps — too far for mortal eyes- New years of fresh primroses, Years of earth's primroses. Springs to be, and springs for me Of distant dim primroses. My soul lies out like a basking hound, A hound that dreams and dozes ; Along my life my length I lay, I fill to-morrow and yesterday, I am warm with the suns that have long since set I am warm with the summers that are not yet. And like one who dreams and dozes Softly afloat on a sunny sea. Two worlds are whispering over me, 133 HOME, WOUNDED. And there blows a wind of roses From the backward shore to the shore before, From the shore before to the backward shore, And like two clouds tliat meet and pour Each thro' each, till core in core A single self reposes, Tlie nevermore with the evermore Above me mingles and closes ; As my soul lies out like the basking hound; And wherever it lies seems happy ground, And when, awakened by some sweet sound, A dreamy eye uncloses, I see a blooming world around. And I lie amid primroses — Years of sweet primroses, Springs of fresh primroses. Springs to be, and springs for me Of distant dim primroses. Oh to lie a-dream, a-dream. To feel I may dream and to know you deem My work is done for ever, And the palpitating fever That gains and loses, loses and gains. And beats the hurrying blood on the brunt of a thousand pains Cooled at once by that blood-let Upon the parapet ; And all the tedious taskM toil of tlie difficult long endeavour Solved and quit by no more fine Than these limbs of mine, Spanned and measured once for all By that right hand 1 lost, Bought up at so light a cost HOME, WOUNDED. 133 As one bloody fall x On the soldier's bed, And three days on the ruined wall Among the thirstless dead. Oh to think my name is crost From duty's muster-roll ; That I may slumber tho' the clarion call, And live the joy of an embodied soul Free as a liberated ghost. Oh to feel a life of deed Was emptied out to feed That fire of pain that burned so brief a wliile — That fire from which I come, as the dead come Forth from tho irreparable tomb. Or as a martyr on his funeral pile Heaps up the burdens other men do bear Thro' years of segregated care, And takes the total load Upon his shoulders broad. And steps from earth to God. Oh to think, thro' good or ill, AVhatcver I am you'll love me still ; Oh to think, tho' dull I be, You that are so grand and free, You that are so bright and gay, "Will pause to hear me when I will. As tho' my head were grey ; And tlio' there's little I can say, Each will look kind with honour while he hears. And to your loving ears My thoughts will halt with honourable scars, And when my dark voice stumbles with the weight Of what it doth relate 134 HOME, WOUNDED. (Like that blind comrade — blinded in the wars- Who bore the one-eyed brother that was lame), You'll remember, tis the same That cried " Follow me," Upon a summer's day ; And I shall understand with unshed tears This great reverence that I see, And bless the day — and Thee, Lord God of victory 1 And she, Perhaps oh even she May look as she looked when I knew her In those old days of childish sooth. Ere my boyhood dared to woo her. I will not seek nor sue her, For I'm neither fonder nor truer Than when she slighted my love-lorn youth. My giftless, graceless, guinealess truth. And I only lived to rue her. But I'll never love another, And, in spite of her lovers and lands, She shall love me yet, my brother ! As a child that holds by his mother. While his mother speaks his praises, Holds with eager hands. And ruddy and silent stands In the ruddy and silent daisies, And hears her bless her boy, And lifts a wondering joy. So I'll not seek nor sue her, But I'll leave my glory to woo her. And I'll stand like a child beside, And from behind the purple pride I'll lift my eyes unto her, HOME, WOUNDED. 135 And I shall not be. denied. And you will love her, brother dear, And perhaps next year you'll bring me here All thro' the balmy April-tide, And she will trip like spring by my side, And be all the birds to my ear. And here all three we'll sit in the sim, And see the Aprils one by one, Primrosed Aprils on and on, Till the floating prospect closes In golden glimmers that rise and rise, And perhaps are gleams of Paradise, And perhaps, too far for mortal eyes, New springs of fresh primroses, Springs of earth's primroses, Springs to be and springs lor me, Of distant dim primroses. -^^i* 136 A NUPTIAL EVE. On, happy, happy maid, In the year of war and death She wears no sorrow ! By her face so young and fair, By the happy wreath That rules her hap]iy hair, She might be a bride to-morrow ! .She sits and sings within her moonlit bower, Her moonlit bower in rosy June, Yet, ah, her bridal breath, Like fragrance from some sweet night-blowing flower. Moves from her moving lips in many a mournful tuna I She sings no song of love's despair, She sings no lover lowly laid, No fond peculiar grief Has ever touched or bud or leaf Of her unblighted spring. She sings because she needs must sing : She sings the sorrow of the air Whereof her voice is made. That night in Britain hovvsoe'er On any chords the fingers strayed, They gave the notes of care. A dim sad legend old Long since in some pale shade Of some far twilight told. She knows not when or where, She sings, with trembling hand on trendiling lute- strings laid : — A NUPTIAL EVE. 137 The murmur of the mourning ghost That keeps the shadowy kine, " Oh, Keith of Ravelston, _ The sorrows of thy line ! " Ravelston, Ravelston, The merry path that leads Down the golden morning hill, And thro' the silver meads ; Ravelston, Ravelston, The stile beneath the tree, The maid that kept her mother's kine, The song that sang she ! She sang her song, she kept her kine, She sat beneath the thorn When Andrew Kcitli of Ravelston Rode thro' the Monday morn. His henchmen sing, his hawk-bells ring, His belted jewels shine ! Oh, Keith of Ravelston, The sorrows of thy line ! Year after year, where Andrew came, Comes evening down the glade. And still there sits a moonshine ghost Where sat the sunshine maid. Her misty hair is faint and fair, She keeps the shadowy kine; Oh, Keith of Ravelston, The sorrows of thy line I 138 A NUPTIAL EVE, I lay my hand upon the stile, The stile is lone and cold, The burnie that goes babbling by Says nought that can be told. Yet, stranger ! here, from year to year, She keeps her shadowy kine ; Oh, Keith of Ravelston, The sorrows of thy line ! Step out three steps, where Andrew stood- Why blanch thy cheeks for fear ? The ancient stile is not alone, 'Tis not the burn I hear ! She makes tier immemorial moan, She keeps her shadowy kine j Oh, Keith of Ravelston, The sorrows of thy line 1 ^ 139 ALONE. There came to me softly a small wind from the sea, And it lifted a curl as it passed by me. But I sang sorrow and ho the heavy day ! And I sang heigho and well-away ! Again there came softly a small wind from the sea, And it lifted a curl as it passed by me. And still I sang sorrow and ho the heavy day ! And I sang heigho and well-away ! Once more there came softly that small wind from the sea, And it lifted a curl as it passed bv me. I hushed my song of sorrow and ho the heavy day, And I hushed my heigho and well-away. Then, when I was silent, that small wind from the sea, It came the fourth time tenderly to me ; To me, to me, Sitting by the sea, Sitting sad and solitary thinking of thee. Like warm lips it touched me — that soft wind from the sea, And I trembled and wept as it passed by mc. I40 FAREWELL. Hear me, hear me, now ! By this heaven less pure than thou^ Fare thee well ! By this living light, Less bright, Pare thee well ! By the boundless sea Of mine agony, Fare thee well ! That unfathomed sea Which must roll from me to thee, Must roll from thee to me, Fare thee well ! ];y the tears that I have bled for thee, Farewell ! By the life's-blood I will shed for thee, Farewell ! By that field of death and fear Where I'll fight with sword and spear The fight I'm fighting here, P'are thee well ! By a form amid the storm, Fare (hee well ! By a sigh above the cry, Fare thee well ! FAREWELL. 141 By the war-cloud and the shout That shall wrap me round about, But can never shut thee out, Fare thee well ! By the wild and bloody close, -WHien I loose this hell of woes, And these fires shall eat our foes, Fare thee well ! By all thou'lt not forget, Fare thee well ! By the joy when first we met. Fare thee well ! By the mighty love and pain Of the frantic arms that strain What they ne'er shall clasp again, Fare thee well ! By the bliss of our first kiss, Fare thee well ! By the locked love of our last, Till a passion like a blast Tore the future from the past. Fare thee well ! By the nights that I shall weep for thee, Farewell ! By the vigils I shall keep for thee. Farewell ! By the memories that will beam of tliee. Farewell ! By the dreams that I shall dream of thee, Farewell 1 142 FAREWELL. By the passion when I wake Of this heart that will not break. That can bleed, but cannot break^ Fare thee well ! By that holier woe of thine, Fare thee well ! By thy love more pure than mine, Fare thee well ! By the days thou shalt hold dear for me, The lone life thou shalt bear for me, The grey hairs thou shalt wear for me, Farewell ! By thy good deeds offered up for me, Farewell 1 When thou fillest the wanderer's cup for me, Farewell ! When thou givest the hungry bread for me, Farewell ! When thou watchest by the dead for me, Farewell ! By the faith of thy pure eyes, By the hopes that shall arise Day and night to the deaf skies, Fare thee well ! By that faith I cannot share. Fare thee well ! By this hopeless heart's despair, Fare thee well ! FAREWELL. >43 By the days I have been glad for thee, The years I shall be sad for thee, The hours I shall be mad for thee, Farewell i 144 SLEEPING AND WAKING. I HAD a dream — I lay upon thy breast, In that sweet place where we lay long ago : I thought the morning woodbine to and fro With playful shadows whipped away my rest, And in my sleep I cried to thee, too blest, " Rise, oh my love, the morning sun is bright, Let us arise, oh love, let us arise ; The llowers awake, the lark is in the skies, I will array myself in my delight. And we will — " and I woke to death and night 1 145 ''HE LOVES AND HE RIDES A WA K" 'TvvAS in that island summer where They spin the morning gossamer, And weave the evening mist, That, underneath the hawthorn-tree, I loved my love, and my love loved me, And there we lay and kissed, And saw the happy ships upon the yielding sea. Soft my heart, and warm his wooing. What we did seemed, while 'twas doing, Beautiful and wise ; Wiser, fairer, more in tune, Than all else in that sweet June, And sinless as the skies That warmed the willing earth thro' all the languid noon. Ah, that fatal spell ! Ere the evening fell I fled away to hide my frightened face. And cried that I was born, And sobbed with love and scorn. And in the darkness sought a darker place, And blushed, and wept, and blushed, and dared not think of morn. oio 146 HE LOVES AND HE RIDES AWAY. Day and night, day and night. And I saw no light, Night and day, night and day, And in my woe I lay And dreamed the dreams they dream who cannot sleep: My speech was withered, and I could not pray ; My tears were frozen, and I could not weep. I saw the hawthorn rise Between me and the skies, I felt the shadow was from pole to pole, I felt the leaves were shed, I felt the birds were dead, And on the earth I snowed the winter of my soul. Like to the hare wide eyed. That with her throbbing side Pressed to the rock, awaits the coming cry, In my despair I sate And wailed for my fate ; And as the hunted hare returns to die, And with her latest breath Regains her native heath. So, when I heard the feet of destiny Near and more near, and caught the yelp of death, Toward the sounding sea, Toward my hawthorn-tree, Under the ignorant stars I darkly crept : " There," I said, " they '11 find me dead, Lying within my maidenhead." And at my own unwonted voice, I wept ; And for my great heart-ache, Within a little brake HE LOVES AND HE RIDES AWAY. 147 I lay me weary down and weary slept, Nor ever oped mine eyes' till Morn had left the lake. Her morning bath was o'er, And on the golden shore She stood like Flora with her floral train, And all her track was seen Among the water)' sheen, That blushed, and wished, and blushing wished again. And parted still, and closed, with pleasure that had been. Oh the happy isle, The universal smile That met, as love meets love, the smile of day, And touched and lit delight Within the common light, Till all the joy of life was ecstasy. And morn's wild maids ran each her flowery way. And shook her dripping locks o'er hill, and dale, ami lea! "At least," I said, " my tree is sear and blight. My tree, my hawthorn-tree ! " "With downcast pyes of fear I drew me near and near, Dazed with the dewy glory of the hour, Till under-foot I see A flower too dear to me : I pause, and raise my full eyes from the flower, And lo ! my hawthorn-tree ! As a white-limbed may. In some illumined bay, 148 HE LOVES AND HE RIDES A J FA K Flings round her shining charms in starry rain, And with her body bright Dazzles the waters white, That fall from her fair form, and flee in vain, Dyed with the dear unutterable sight, And circle out her beauty thro' the circling main, So my hawthorn-tree Stood and seemed to me The very face that smiled the summer smile : All lesser light-bearers Did light their lamps at hers — She lit her own at heaven's, and looked the while A purer, sweeter sun, Whence beauty was begun, And blossomed from her blossoms thro' the blossoming isle. Then I took heart, and as I looked upon Her unstained white, I said, " I am not wholly vile." Thus my hawthorn-tree Was my witness unto me, And so I answered my impleading sin Till blossom-time was o'er, And with the autumn roar Mine unrebuked accuser entered in. And I fell down convinced, and strove with shame no more. Some time after came to me. An image of the hawthorn-tree, And bore the old sweet witness ; and I heard, And from among the dead I lifted up my head. HE LOVES AND HE RIDES AWAY. 149 As one lifts up to hear a little bird, And finds the night is past and all the east is red. Small and fair, choice and rare, Snowy pale with moonlight hair, My little one blossoms and springs ! Like joy with woe singing to it. Like love with sorrow to woo it, So my witty one, so my pretty one, sings ! And I see the white hawthorn-tree and the bright •summer bird singing thro' it. And my heart is prouder than kings ! While I look on her I seem Once again in the sweet dream Of that enchanted day, When, underneath the hawthorn-tree, I loved my love and my love loved me : And lost in love we lay, And saw the happy ships upon the yielding sea. While I look on her I seem Once again in that bright dream, Beautiful and wise : Wiser, fairer, more in tune, Than all else in that sweet June, And sinless as the skies That warmed the willing earth thro' all the languid noon. Like my hawthorn-tree, She stands and seems to me The very face that smiles the summer smile ; All lesser light-bearers Do light their lamps at hers — ISO HE LOVES AND HE RIDES AWAY. She lights her own at heaven's, and looks the while A sweeter, purer sun, Whence beauty is begun, To blossom from that blossom thro' the blossoming isle. Thou shalt not leave me, child ! Come weather fierce or mild, My babe, my blossom ! thou shalt never leave me ! Life shall never wean us, Nor death shall e'er have room to come between us. And time may grieve me but shall ne'er bereave me, Nor see us more apart than he hath seen us. For I will fall with thee, As a bird from the tree Falls with a butterfly petal whitely shed, And falling — thou and I — I shall not dread to die. But like a child I'll take my flower to bed. And when the long cold death-night hath gone by. In the great darkness of the sepulchre I'll feel and find thee near. My babe, my white, white blossom ! And when the trumpet cries, I shall not fear to rise, But wear thee o'er the spot upon my bosom, And come out of my grave and bear the awful eyes. 151 ^FHE CAPTAIN'S WIFE. I DO not say the day is long and weary, For while thou art content to be away, Living in thee, oh Love, I hve thy day, And reck not if mine own be sad and dreary. ■ I do not count its sorrows or its charms : It Hes as cold, as empty, and as dead, As lay my wedding-dress beside my bed When I was clothed in thy dear arms. Yet there is something here within this breast Which, like a flower that never blossoms, lieth, And tbo' in words and tears my sorrow crieth, I know that it hath never been exprest. Something that blindly yearneth to be known. And doth not burn, nor rage, nor leap, nor dart ; But struggles in the sickness of my heart. As a root struggles in a vault of stone. Now, by my wedding ring, I charge thee do not move That heavy stone that on the vault doth lie ; I charge thee be of merry cheer, my love, 152 THE CAPTAIN'S WIFE. Nor ever let me know that thou dost sigh, For, ah ! how light a thing Would shake me with the sorrow I deny ! I am as one who hid a giant's child In her deep prison, and, from year to year, He grew to his own stature, fierce and wild, And what she took for love she kept for fear. Oh, thou enchanter, who dost hold the spells Of all my sealed cells, Oh Love, that hast been silent all too long, A little longer, Love, oh, silent be ; My secret hath waxed strong, My giant hath grown up to angry age ; Do thou but say the word that sets him free, And, lo I he tears me in his rage ! I do not say the day is sad and dreary, For while thou art content to be away, Living in thee, oh Love, I live thy day. And reck not if mine own be wan and weary. I look down on it from my far love-dream, As some drowned saint may see with musing eyes Her lifeless body float adown the stream, While she is smiling in her skies. But do thou silence keep ! For I am one who walketh on the ledge Of some great rock's sheer edge : I walk in beauty and in light, Self-balanced on the height : A breath ! — and 1 am breathless in the deep. THE CAPTAIN'S WIFE. 153 Oh, my own Love, I warn Thy grief to be as still as'they who tread The snow of alpine peak. And see the pendulous avalanche o'erhead Hang like a dew-drop on a thorn ! I charge thee silence keep ! My life stands breathless by her agony, (3h, do not bid her leap ! I am as calm as air Before a summer storm ; The ocean of my thoughts hath ceased to roll ; This living heart that doth not beat is warm ; I think the stillness of my face is fair ; The cloud that fills my soul Is not a cloud of pain. 15eware, beware ! one rash Sweet glance may be the flash That brings it raving down in thunder and in rain ! No, do not speak : Nor, oh ! let any tell of thy pale cheek, Nor paint the silent sorrow of thine eye. Nor tell me thou art fond, or gay, or glad ; For, ah ! so tuned and lightly strung am I, That howsoe'er thou stir, I ring thereby. Thy manly voice is deep, But if thou touch from sleep The woman's treble of my shrill reply, Ah, who shall say thine echoes may not weep? A jester's ghost is sad, The shades of merriest (lowers do mow an