mmmmmmmm^s^^ THE MAKING OF AN ENGLISHMAN t I CONSTABLE'S SHILLING SERIES Pocket Size. Boards. 1/- net each. The Authors represented in this Series include — MARIE CORELLI GEORGE DU MAURIER MARY JOHNSTON ROBERT W. CHAMBERS GEORGE GISSING H. G. WELLS BERNARD SHAW MAUD DIVER MRS. GEORGE WEMYSS HENRY SYDNOR HARRISON SIR OWEN SEAMAN HAROLD BEGBIE EDWARD NOBLE HI LAI RE BELLOO G. S. STREET AND * GEORGE MEREDITH Complete List of Titles supplied on application. THE MAKING OF AN ENGLISHMAN BY W. L. GEORGE AUTHOR OF '«H« CITY OF LIGHT," "ISRAEL KALISCH," " THE SECOND ■LOOMING," "A BED OF ROSES," ETC. LONDON CONSTABLE AND COMPANY LIMITED Firtt publithed January 1914. Reprinted February, March, 1914. Publithed in ConttabU't Shilling Library 1917. TO THE SMALL FRENCH BOY WHO IN 1894 FIRST CALLED ME JOHN BULL AND TO THE YOUNG ENGLISHMAN WHO IN 1902 FIRST ADDRESSED ME AS FROGGY I DEDICATE THIS BOOK 50728: % CONTENTS PART I CHAP. I RULE, BRITANNIA » II HAIL ! FRANCE, AND FAREWELL III INTRODUCTIONS IV MISS MAUD HOOPER V BARBEZAN AND CO. VI THE HEART OF ENGLAND I'ACJE 1 12 40 58 72 106 PART II I EDITH LAWTON II HAMBURY .... Ill BETROTHED TO AN ENGLISH GIRL 139 174 210 PART III I THE ENCOUNTER WITH THE SPIRIT . II HIE ENCOUNTER WITH THE BROTHER III THE ENCOUNTER WITH THE FATHER IV THE ENCOUNTER WITH THE BETROTHED V AFTER THE ENCOUNTERS 221 252 270 279 289 viii CONTENTS PA-RT IV CHAF - I STANLEY, CADORESSE AND CO. ... 333 II RECONSTRUCTION ..... 352 III THE LAST LAP 3g9 IV AN ENGLISHMAN'S HOME 390 # THE MAKING OF AN ENGLISHMAN PART I CHAPTER I RULE BRITANNIA The dark young man who had just come out of Holy- well Street, a little uncertain, as if he had lost his way, crossed the Strand with hesitation. He drew back as some hansoms came careering towards him, made as if to return to the pavement, then ran across to St. Clement Dane's. He paused awhile on the island, looked at the faintly red sky over the Cecil. There was dubiousness in his movements, the dubiousness of the stranger in a large town, who is anxious to find his way and because of liis pride reluctant to ask it; there was interest too, the stranger's revealing interest in houses with unfamiliar faces, in the traffic which in foreign lands so perversely clings to the wrong side of the street. At last he seemed ulster resolution as he turned eastwards. Some minutes had elapsed since the booming of the quarter from the bells of the nearest church, and as the young man stopped again to look at the Griffin, he seemed to the endless confirmation of the surrounding chimes. They came muffled and faint after their long from St. Paul's and Westminster, shrill from Mnstan's and the Chapel Royal; the chimes seemed and aloof, detached in aristocratic fashion from limbic of the omnibuses and the sharper clip-trop- 2 THE MAKING OF AN ENGLISHMAN trop of t horses. The dark young man walked slowly, his eyes and e*y aware of all this un- familiarity and its intimations of unpenetrated mysteries. There were church bells and horses in his own country, but these had an undefinable personality of their own, not to be gauged by a difference in the casting of the metal or in the hands that controlled the beasts. And there were other sounds too, in this not over busy Fleet Street of the night, sounds which bore witness to the transitory importance of something that hung over the town. There were no crowds. Indeed, the omnibuses rolled westwards, empty inside, and but half-loaded on the top. But every street corner had its newsboy, aggressive and raucous, shouting incomprehensible extracts from the Echo and the Star under the dim gas-lamp. And the newsboys, bent double under their loads of rosy papers, fleeted past with an air of urgency. There was excite- ment in the air, a little fever, as if everybody w r ere thinking of something that had just happened and of its reactions upon something infinitely more important which might happen soon. And because every Londoner was thus oppressed his town was oppressed; all these people, hurrying or strolling, those screaming boys, fixed, statue-like policemen, those few whose cookshops and public-houses were still open, carried, closely wedded with their cares and their merriment, a common pre- occupation. The dark young man was influenced by this atmosphere and knew its causes. He must needs have been blind and deaf not to have felt some excitement in this town, where all day he had seen men and women buy the same papers three times over in the hope of finding news which would bear out or give the lie to the dirty placard he now stared at. The placard roughly stuck on the stones at the corner of Fetter Lane bore the words : FALL OF MAFEKING The newsvendor had long deserted his afternoon pitch, gone back to the office to bring the false promises RULE BRITANNIA 8 of fresh quires, but the placard remained as a dirty memento of disaster, to be trodden on by angry boots, dumbly stared at by passers-by as they tried to believe it was not true. All through that Friday afternoon the stranger had listened to the wild rumour of the streets, the march of Plumer, his defeat, the death of Baden-Powell, the suicide of Eloff, all those mad untruths which rise from the battlefield like dis- turbed crows. He was stirred, he could hear in spirit those guns that roared and rumbled so many thousands of miles away, and he could smell the smell of battle, dust, sweat and hot rifle grease. A stranger and un- linked with this England, he could not drive from his mind the familiar photographs of those long, mud-coloured lines of young men, face upon the ground in the shallow trenches. He thought with pleasure of the brown lines, thrilled, choking a little as a man chokes when moved to an exultation in which are pity and some fear. For him the Boer enemy was the shadowy foe of the Kriegspiel, not real as the brothers of those real men among whom he walked. He had no interest in the struggle but he had to share in it, as he could not have watched a brown dog fight a white one without favouring one of the two colours. Though detached he was a partisan, and because he had eaten bread in England and heard her men speak, perhaps because England was quietly folding him in her clumsy, good-natured arms, he was for England and against the vicrldeur. He wondered why he did not, for the sake of his own republican tricolour, desire the victory of the vicrldeur : that question he could not solve ; he merely thought of the thin brown line and stood dumb with those English in front of the dirty placard on the stones. II The young man reached Ludgate Hill, looked awhile at the railway bridge, at St. Paul's, dazzling white in the 4 THE MAKING OF AN ENGLISHMAN moonlight and split in two by the black spire of St. Martin Ludgate. He turned back, and, as again he approached the Griffin, a premature clock chimed half- past nine. The stranger stopped. On the opposite pavement he could see three men and a girl, who looked up to the upper windows of a building. That moment had an undefinable quality of hush, as if the world were an audience waiting for the curtain to rise on a play the title of which they did not know. There was nothing to arrest these people's attention, nothing to make them stop, save, perhaps, the secret influence of some event which winged towards them as they waited. The silence grew heavier, then broke. From far down one of the lanes the mouths of which frame the emptiness over the river, the stranger heard a sound. The other watchers heard it too, turned about, strained towards it, as if they could hardly believe in its reality. But the seconds passed, and they knew that this was real. They heard it, the faint voice : " Hip — hip — hip — hurrah 1 " The four watchers suddenly became a little knot of people. The sound rose up again, and now unmistakable as if it were the voice not of three or four men but of many scores. " Hip — hip — hip — " roared the phantom in the lane, " — hurrah ! " And then the silence died. As if some magician had struck into life the very stones, they seemed to spurt men and women in solid black lumps, from every porch, from every lane, from the lit-up warmth of every public-house. A hundred windows burst into brilliance and as suddenly were obscured by clusters of men and girls. The phantom in the lane roared again, rival roars rose up ; then the shouts merged in one steady, throbbing sound. It was the sound of cheering, and it grew as the news spread rapid as a stain of oil from their centre in Fleet Street to the farthest suburbs, the sound of cheering without rhythm or measure, of cheering so uncontrollable that the " hurrahs " of it covered the preliminary " hips," the sound of rival songs, of " Rule Britannia " and of " God save the Queen," and of all the things in London fit to RULE BRITANNIA 5 make a noise — pianos, horns, trays and kettles far away, of whistles too. As the youth leaned back against the wall, wedged in among a shouting, incomprehensible crowd, he could discern in the roar the sharp quality of those whistles. At the upper windows of a newspaper office appeared two men who carried a white linen band. It was un- rolled, and the roar grew yet more massive as the crowd read three words, roughly scrawled : MAFEKING RELIEVED Official London had quickened. The desert of Fleet Street seemed to have sucked in all who were within the periphery of its voice, as swiftly and as invincibly as an electro- magnet collects iron filings when the current passes. As minutes piled on minutes, tense and fleet as seconds, London emptied itself into the streets from drawing- room, theatre and kitchen ; the ever-new miracle of the Press repeated itself, as if the editors had foreseen the event, for already the tricolour poster of the Evening News war edition was in the hands of boys, who could be seen fighting their way out of the lanes among the greedy crowd. While some snatched at and stole the precious sheets, others thrust silver into the boys' hands. The crowd swayed, unable to move, crushed itself against the other crowds that had formed as magically at the ion House and Charing Cross. Here and there, cd among the people, was a four-wheeler or an omnibus, whose horses were too listless to take fright. . but unperceived; London had forgotten anted only to sing, to cheer, to embrace. But a <>se must have formed, a restlessness have come, he crowds suddenly felt the desire to move. It was re of panic, the desire that dictates fright, . if exultant desire to do solemn, triumphant to line up and as soldiers to march to nowhere, 6 THE MAKING OF AN ENGLISHMAN just to march and to feel the earth tremble under the trample of rhythmic steps. The Fleet Street crowd, bound together by the alternation of the national s and of " The Absent-Minded Beggar," began to move towards the West, and I . . , III Yes, I ! I, who sit at a square knee-hole desk as I write these lines, one of those English desks the Americans have invented, it was an incredible other I who marched with those Englishmen to that Trafalgar Square ... to Trafalgar Square where stands the monument of the admiral who crushed my countrymen. It was not then incredible, but it is now incredible that I can have been what I was, that there was a roll in the " r's " of Trafalgar. For I have lost the " r's," and the feeling of Trafalgar, lost the feeling of Waterloo, lost them so completely that like a born Londoner I have forgotten the blood and smoke that soil those rich names and that they awake in my mind no idea save " open space " and " railway station." On the table is a top-hat. It is an ordinary top-hat, and that is extraordinary : it is absolutely impersonal, unoriginal, affords no key to the one who wears it; its brim is neither very curly nor very flat, its crown neither very high nor very low ; it is the sort of top-hat everybody wears, the sort of top-hat which has a steady thousand brothers between Piccadilly Circus and Hyde Park Corner. I would not know it in a crowd, and I am glad, because — well, that would never do ! It is positively an English top-hat ! And because it is an English top-hat, and because everything in this room into which has crept a faint ness of London fog is English, so English that it is old English, because I see English papers, English chintz, and English books, and English china, and an English typewriter (made in America) on a Sheraton table (made in Germany), RULE BRITANNIA 7 I am glad that all this is English, so English that even rica and Germany are succeeding in being English, just as I, the Frenchman, am English. I am glad, and when I think of the young man who marched to Trafalgar Square, with a swollen, bounding heart under the waistcoat he had bought in the Boulevard Imartre, I am amazed. It is I, yes, I am sure of it when I look at his photograph. Or it was I. It was a young man of twenty, dark, with black eyes and rather d eyebrows, hair that ought to have been shorter, !l-cut mouth enough, shaded by a long but rather thin black moustache. Other documentary evidence, my military book, tells me that he had an " ordinary " forehead, an " average " chin, that he had no " stigmata." And my present figure leads me to believe that he stood about five feet nine in his boots, never having been measured otherwise, that he was fairly broad and that his hands and feet were rather small. A fair portrait tins, but no work of art. It lacks life, inspiration, and I suspect that no effort of mine will endow it with either, for I don't know him any more. lands in a world I have left behind; he is my ghost and he wears the surprising clothes that ghosts wear; (where do they get them?). I understand him perfectly and I don't sympathise with him, for I can't feel as he I see him; he walks, smiles, speaks; he makes jokes and he makes love; he has political ideas, and lards of honour, and habits, and nasty envies, and bubbling generosities. He is quite the most wonderful m the world, but he is not I. land has poured him into another man. I have called him " the stranger," and I have done . for he is a stranger even to me. I know well enough why those Englishmen impressed him, but it is ordinary that they no longer impress me. I gather if he could rise again it is I, the Englishman, would impress him, and that I would cast over him the critical, I look of the Englishman. The roast beef of old England has done its work well ! 8 THE MAKING OF AN ENGLISHMAN IV As we marched towards the West I bought a whistle for a shilling. And from Wellington Street onwards I blew it to exhaustion, blew it with a fine sense of martial demonstration, tossing the squeal of it into the slaty night in honour of the great race which had produced Gladstone, Cromwell and Shakespeare. I remember those who walked to the right and left of me; there was a working-man of some sort, who maintained upon me the stare of a squinting eye and exhaled one of those subtle, penetrating trade smells which blend so curiously with the aroma of beer; the other was an elegant old gentleman with the clipped white moustache and the brick-coloured cheeks of the retired soldier. Neatly pinned across his shoulders was a tricolour newspaper placard. And the backs and heads in front ! how high were the heads held, and how square the shoulders ! One back seemed to own no head, for it was humped, and so bowed that I could not see beyond it. But a hand belonging to that body held up on a stick a bowler decorated with strawberry leaves. The English hunch- back, carrying his ducal headgear, had his share in the glory of the night. We marched onwards, and I could not hear a word spoken, though mouths opened towards ears, for the roar of us, and our whistling and blowing of horns, and the tramping of our feet engulfed anything that we might personally feel. There was no I, and as we reached Trafalgar Square, where I linked arms with the odorous working-man and the elegant old gentleman, there 'was no They. There was nothing save an enormous exultant We, a We too big for classes and nationalities, a hurrying, intoxicated We, bursting with relief and self-complacency. Round and round Trafalgar Square, where the tide of us had swept the corners clear and swallowed up those people who projected from the pavement, almost in step as we sang— RULE BRITANNIA 9 " And when they ask us how it's done, Wo proudly point to every one Of England's soldiers of the Queen. . ." Round and round Trafalgar Square, past the National Gallery, the black windows of which confessed that the dians were shamefully in bed, past the two hotels, their windows blocked with people assembled to cheer id to wave Union Jacks, past the full mouth of Whitehall, down the hill of which I could see whole fleets of omnibuses, stalled, helpless and loaded, with i lowing clusters of men and women. Round and round Trafalgar Square, with throats full of ridges choked by dust, and with sweat upon our very eyelashes. Upon the parapet of the Square sat half-a- dozen girls together, who wore all of them dusty black coats ; as I passed I could see they were singing, for their mouths all worked together, and they swayed together from right to left and back. For us they waved their dirty handkerchiefs, and then they were dragged from the pet and patriotically kissed, ind and round Trafalgar Square. The working-man, who still maintained upon me the stare of his squinting eye, dumbly pointed to a four-wheeler, stranded in Pall Mall East, among the seethe of our overflow. On the roof stood a man in evening clothes with a woman in a low . Hands in hands and face to face, they danced a furious dance, leaping up and down like puppets on a wire; the man's white tie had flown loose, and as the woman danced her earrings left behind them little striae of light. Some of her fair hair had escaped, the man had lost his hat ; they danced in abandoned joy. And round and round Trafalgar Square. And round and round again. met some mounted police and split upon them like i a breakwater. We streamed north, up Charing o came, those who faced us turned 1 was still linked with the old gentleman, :ri nncd inanely now and hung wearily upon my arm, I the working-man. In front I could still see 10 THE MAKING OF AN ENGLISHMAN the hunchback : his stick had bored a hole in his bowler; he carried the hat with the strawberry leaves upon the crook and had decorated it further by sticking into the hole his Kruger-headed pipe. As we passed I could hear the singing better, thanks to the echo of the wails. And, drunkenly excited, I too sang to them that Britons never, never would be sla From the windows of the Alhambra peered clusters of girls' heads, for all the ballet was there — golden curls, and black curls, and red curls, and gorgeous loose manes ; I had a vision of the Alhambra as an extraordinary animal with two flashing eyes of incandescent burners and a hundred white arms outstretched. From the roof of one of the theatres they were firing a toy cannon as fast as they could load it. At Shaftesbury Avenue we were stopped by a cube of policemen, and, before we could break down their puny resistance, we heard the fifes and drums. We heard them faintly from the north, and suddenly they .burst in upon us, leading the Endell Street Boys' Brigade. Fife and drum in front, the boys marched past as if truly British Grenadiers; they resolved themselves into bright, smiling faces, glittering buttons and neat dummy rifles. " Whene'er we are commanded To 8torm.the palisades, Our leaders march with fusees, And we with hand-grenades ; We throw them from the glacia, About the foemen's ears Sing tow, row, row, row, row, row, row, To the British Grenadiers." The boys vanished, were seized and hoisted on shoulders ; as we poured on towards the north I could hear the determined band struggling to play on as the crowd bore it aloft. And so through the Carnival of Friday night and of the next day. Carnival ! I carry for ever in my memory the vision of the Union Jacks on long bamboo poles, of RULE - BRITANNIA 11 the paper hats, the B.P. buttons and the patriotic handkerchiefs. Did I not act my part in all of it? Defend an English girl in Piccadilly from the patriotic ticklers ? and see near Marble Arch a great and patriotic fight outside a public-house? And I raised my hat to Kirk, the butcher, who waved his sheets from his bedroom window because he had nothing else to wave. For two days they fought and made love and drank, and rode decorated bicycles, and mobbed Volunteers in so friendly a spirit that these took to riding in cabs. I have confused memories of two nights when I could hardly sleep, for they were rioting in Oxford Street and letting off fireworks; for they were rioting in the soul of me, the Frenchman, as I lay in bed all a-throb with the triumph of these English, trying to sleep and too tired to do so, too excited to do aught but thrill at the animal splendour of them, unable to repress my habituated lips as they hummed : M And when they ask us how it's done, Wo proudly point to every one Of England's soldiers of tiio Queen. . " CHAPTER II HAIL! FRANCE, AND FAREWELL There has always been an England for me, and though I am or was a Frenchman, I have always been as con- scious of England as of France. For, all through my childhood, I heard the words Angleterre and Anglais occur often in my father's conversation; no doubt I heard him alternately revile and belaud those English, who mattered so very much to the Bordeaux shipbroker he was. If every port in the world is somewhat English, then Bordeaux is almost a colony of the new Carthaginians, those Carthaginians who are Romans too; there is an atmosphere of England about the names of many who sell stores and sails and coal, and caulk the bottoms of the ships, which affects the old, while the young are subject to football and Charles Dickens. We are com- plex, we Bordelais, for we are dark, vivid, noisy ; we twist our moustaches before we have any to twist, and strut every one like a Cyrano de Bergerac in mufti : yet, and perhaps because our city would decay if an earthquake were to lift it from the waters, we have the greedy spirit of commercial England, her vigour and her obstinacy. We like the rough games of the North ; we drink spirits as readily as wine; we cash the sovereign at sight and make a profit on the deal. It is this peculiar atmosphere created an England in my mind, an England represented in early days by a Consul who, said my father, was a cochon. That Consul 1 I never saw him, never knew his name, but I felt him to be the grey eminence behind that cardinal of ours, 12 HAIL! FRANCE, AND FAREWELL 18 the harbour-master; he did not mean anything precise, for he did not mean soldiers, and it is difficult to realise who is who if he does not mean soldiers when you are a very little boy. He was just an influence, something solemn and potential with which you could do anything you chose if you owned it, something like a tableful of money. I have never seen a tableful of money, and I suppose I never shall, for I have little use for money, being so much fonder of those things which money buys ; why then the British Consul was always associated in my mind with a table covered with coins from edge to edge is a little mysterious, unless there be in the very far back of my brain some phrases now forgotten which have marked its lobes, phrases in which " Consul," and " francs," played equal parts. It is certain that this secret power must have meant money, and that England must have shared its glory. As I grew up, England very much meant money, and now I, an Englishman of sorts, still find it very difficult to prevent the golden sovereign from eclipsing the pale sun of the isle. In those early days I became aware of England as of something that was partly real : not so real, of course, as the housemaid, Eulalie, or as the dog, a black, golli- woggy dog, or as the Chinese box with the eight corners hich chocolate seemed mysteriously to grow by night. No, England was real to me in the sense that God and the wood of the Sleeping Beauty are real to a small boy; it was an undefined country, but it was emphatically somewhere. I once asked my father where ind was. I must have been about six years old. d by his side in a black velvet suit with a lace collar hich I was very proud, for it was one of the first Lof Fontlroi ever seen in Bordeaux; besides, ir said that the Parisians, those people of Olympus, not the like. I watched the bii^ ships steam down de towards the sea, and while my father talked, iinnally did, I thoughl that the big ships were the fat, painted ducks which Eulalie set afloat to e me in the flooded kitchen sink. " U Angletcrre I > 14 THE MAKING OF AN ENGLISHMAN shouted ir^r father. I remember nothing else. I see him, not as he was then but as he was in late years, and set that older figure upon the wharf. It is a tall, corpulent man, still darker than I am, who wears a silk hat upon massive black curls; he has choleric dark eyes, his nose is aggressive; his mouth and chin are hidden in a thick mat of hair that runs up to his brown ears. Through the lobe of each ear a fine gold circlet has been drawn. I shut my eyes and I see my father, arm outstretched towards the North, pointing with his stubby brown finger across the Girondc to the opposite shore. He talks, he talks, he shouts, he glares at me kindly; by periphrase and crackling Gascon adjective he tries to enlighten me, and I listen to him unmoved, well accustomed to the roaring of the metallic Southern throats. For I feel beyond that stubby finger the unknown country : it is distant, for the half mile of Gironde water is my ocean. But I feel the mysterious country, and because it is beyond the water it is a romantic land. The rest of the episode is foggy, but memories of a white garden-wall enable me to reconstruct it. I feel that I looked at the wall anxiously, for it was very high, not less than six feet, and wondered whether, if I stood on the top, I should see the country to which went the ships. I have also an impression of opera glasses, delicate things studded with red and green stars, which usually reposed in the sacred drawer with my mother's black silk dress, her Indian multi-coloured shawl and the little dancing shoes with the high heels, shoes so small that, when I once stole in and put them on, I found they were not much too large for me. I think Little Lor 1 Fontlroi stood on the wall, and with the jewelled opera glasses vainly swept the northern horizon. The last impression of the adventure is one of physical pain, of maternal brutality no doubt, for my mother's hand is narrow and long; its fingers are delicate as the limbs of a decrhound, but they must have been very hard. HAIL! FRANCE, AND FAREWELL 15 II Some years elapsed before I knew that I was a French- man, a subject of the Republic, for there was a dis- tinguishing quality about this English dream, a dream made up of fantastic anticipations; it was a quality ol romantic realism : I saw England not as she was, but as she might be. I have said that England was to my mind the toy that my model railway was to my hands, for the unconsidered fragments of conversation which fall into the greedy ears of a little boy impress him indirectly. They do not evoke definite pictures, but they lay trains of thought ; the word " unconstitu- tional," used by my father when I was eleven, never meant anything to me, but it lodged in some part of me, irritated me into questions to Eulalie which yielded no intelligible answers, into profound reflections which perpetually oscillated between England, the moral inkiness of lies and the existence of a Divine Spirit. Likewise, in earlier days, England set me thinking and making cosmic pictures with ships, fogs, elephants and plum-pudding. This was not, after all, so bad a synthesis of England; I have always been synthetic rather than analytic; I have always wanted to construct, and if I analysed at all it is because I wanted elements with which to create the lovely imaginative. The imaginative ! I have loved it as much as the logical. It was my French mother, the thin girl who came from Tours in the early days of the Third Republic to marry that noisy southerner, my father, gave me the 1 . She came, prim, narrow, economical, dutiful ;>ious, with a neat little ordered mind, a mind very a bookcase. On one shelf she kept family history, >ns and customs; another, a large one, con- ed devotional works, which were not exactly religious the other shelves were crammed with books <>f / he Care of the Child, How to I . Home Finance. I think I understand my mother fairly well— .-is well, that is, as a man can under- 16 THE MAKING OF AN ENGLISHMAN stand a woman —and I have never felt there was on the shelves of her brain, one romance or one book of verse. And yet, sometimes, when I bubble with emotion, 1 myself whether there was not, is not (for my mother lives) just one book, a bold, sinful, delicious book of passion, which she pulls out guiltily at night, to read a few pages. If there be such a book in her library, I am sure she craftily hides it behind the others; it must be her own and beautiful secret, which would cease to be beautiful if I set eyes on it. I like to remember her as she was in the 'nineties : demure, cruelly neat. She invariably wore black, much to my father's annoyance, save on orgiastic da)'s, when a wedding, a christening, or a visit to the theatre demanded grey or dark blue. I am sure that she was very unhappy in grey, that she thought she looked like a cockatoo. She was quiet, hard and incredibly efficient : Eulalie, a half negroid Bordelaise, might roar in the kitchen, stamp, vow that she would leave rather than reduce in the stew the percentage of oil, but my mother's thin pipe pierced through Eulalie's coppery clamour, and in the end the percentage of oil was reduced. If, in her rage, Eulalie smashed a dish, my mother would deduct the cost of it from her wages and solemnly hand her, with the balance of the money, the hardware merchant's receipt. I owe you such shrewdness as I have, maman, and I have always loved you more than my father, even though he did jog me up and down on his enormous knee, take me to the wharf and teach me to tell which ships were loading for the Brazils and which were about to beat round the Horn or the Cape to the China seas. Not even the ten-franc piece he gave me on my twelfth birthday can outweigh the subtle atmosphere of your love — and of mine, for are you not maman? The mysterious French ma-man who had so much love left to give her little boy because she took to herself a stranger when she took a husband. If, with love, my mother gave me the logical my HAIL! FRANCE, AND FAREWELL 17 father, with love, gave me the imaginative. He had brought it ashore from the phosphorescent seas which swell below the Line; as a seaman he began, and as a seaman he ended, though he tried very hard to be a ship- broker. Everybody knew it, and nobody called him Monsieur Cadoresse : they called him le capitaine. He was, says a dirty old piece of paper in my dispatch-box, born in Bordeaux in 1838. Another dirty paper records that in 1879 he married Marie Lutand; others show that I was born in 1880, that four years later my sister Jeanne came into the world. My father vanishes with the last paper, for he was drowned in 1893. He merely passed through my life, and I shall have little more to say of him, for his burly ghost never disturbs me; this means that he never s me, for my father's ghost would not slink by in the unobtrusive English way : his ghost would come on a high wind, shout like the spirit of Pantagruel and borrow all the chains in purgatory for the pleasure of rattling them. He was probably a happy enough man, for he managed to be so busy as not to have time to think. A sea-captain at thirty, he impulsively bought up the ying ship-broking firm of Barbezan & Co., and ebulliently boomed it into such prosperity that he was able, at the age of forty-one, to abandon his loves, his gambles, his fights and his drinking companions for the sake of his slim Marie. I have not been told the story of those heroic days, and therefore can do no more than guess at them, for the London agency of Barbezan & Co. founded with " young Lawton " a few months re I was born. I am conscious of the growth of the Ion agency, a little of the decay of the Bordeaux firm. My father must have been failing, or "young Lawton " must have been too strong for his old French now that the activities of my father did not I the firm, and he too knew it, for, in the last year was being taken from him by e bold young English hands, the sea began to call 18 THE MAKING OF AN ENGLISHMAN It called Him, and then it took him. On a sunny May morning I went with my mother and little Jeanne to see the quondam shipbroker sail on a great four-master. The twenty-five years of his inaction had unfitted him for command, but the young skipper was kind; he understood that old Capitaine Cadoresse must be allowed to stand by his side on the bridge and to shout a few orders to the monkey-like sailors. I shall never forget his peculiar figure, as the little busy tug contemptuously towed out the big ship which was taking rolling-stock to La Martinique. I suppose he was ridiculous, for he refused to wear the blue serge of the Englishman ; he stood, legs wide apart, his frock-coat flapping about him, his silk hat on the back of Ins curly black hair; a streak of red silk under his waistcoat showed that he wore a sash. He sailed out with his ship, a replica of one of those fat Marseilles sea-captains who helped Napoleon in the 'sixties to vie with England in the Levantine seas. He went down with the great four-master probably on an uncharted rock. Ill And so away with my father. He fell like a leaf in my path, and like a leaf blew away. He did not leave us poor, for my mother was bought out by " young Lawton " for a lump sum and an annuity. " Young Lawton " came from England, and that was an exciting affair. I was called into the drawing-room, which always made me feel nervous and respectful because it had a strange smell, the smell of rooms which are seldom opened. I remember it — a sweet, faintly-scented smell, with a touch of rot in it. When I walked into the drawing-room on that June morning, the sun was streaming on the stiff Empire sideboard and couch, on the prim garnet cushions, the arranged footstools ; but a morbid fancy seized me : my mother sat on the couch, dressed in black, and " young Lawton " stood with his shoulders against HAIL! FRANCE, AND FAREWELL 19 the black marble mantelpiece, dressed in black too; my sister Jeanne and I paused inside the door, two small figures in new mourning. It was then the smell seized me and I was sure that it was the smell of a fresh grave. So deeply did this strike me that I hardly answered when Mr. Lawton spoke to me. It was some minutes before I realised him as a tall, slim man, who was not at all young as I understood the word; he was then thirty-eight. But soon he interested me, and I tried not to laugh (feeling that I ought not to laugh until my father had been dead at least a month) though his French was rather bad. " Well, young man," he said gravely, " and what do they teach you at school ? " I did not know what to say, so replied : " Everything." Lawton laughed, and one look at my mother's shocked face made me realise that these English had no heart. Or no manners. But I liked his amazing face, for it was regular, clean-shaven and kindly; of course his was a secretive, economical laugh, not the good roar of the South. Still — it was friendly, and I liked to think that he might laugh louder. I vaguely admired his reserve. And I liked his smooth, fair hair, like the coat of a well- groomed horse, his slim build, his calm blue eyes. Also I had never seen such brilliancy of polish on any French collar. " Everything," he repeated after me ; " well, that's r than nothing, which is what they teach us in nd." I looked at him suspiciously. Surely he would not say that if it were true. Then, being my mother's son, I cut the knot : " Don't you know anything, then ? " I asked, miled. " No, not much." surprised me. This could not be true. But •f knowing things and not letting people see it? " Don't you want to know things? " I asked. doing things that matters, not knowing how to do them." I pondered this for some time; it was an interesting 20 THE MAKING OF AN ENGLISHMAN idea, an idea quite outside the curriculum. But there was a flaw : " If knowing things doesn't matter, why do you say it is better for me to learn everything than nothing, as they do in England ? " My experience of thirteen years told me that at this stage my father, or any ordinary human being, would have struck the table with his fist, shouted at me, told me to hold my tongue. But Mr. Lawton did not move a ringer, nor raise his voice ; he looked at my mother and said: " This child is amazing." Then my mother gave us the ancient French hint to go away by telling us to go into the kitchen and see whether she was there. I was not to see Mr. Lawton again for many years, but I believe that I thought of him all the time. He was just the incredible Englishman, a creature of stone, incapable of anger or satisfaction. His extraordinary ideas did not appeal to me, for he contradicted one sentence by another; how did England get rich if she did not know what she thought? To do, instead of to know: that was interesting, but do what? Mr Lawton had drawn an impressionist picture of England. In half-a-dozen sentences he had shown me the viscera of his country: self-confidence, contempt for learning, muddle-headedness and the habit of infinite success. Fortunately, or perhaps unfortunately, some of the blanks were filled in later by Dickens, Walter Scott, Kipling and Conan Doyle. IV They came later, these English writers, as I worked my way up at the Lycee. I have little to say of my schooldays : I learned, and then again I learned. Later on I took degrees. To this day I am faintly surprised when an Englishman talks of his school, as if it were the only school, for I am quite sure that there is as little difference between the Lycee ?t Bordeaux and the Lycee HAIL! FRANCE, AND FAREWELL 21 at Lille as there is between the workhouse at Dover and the workhouse at York. My school treated me as if I were a goose doomed to produce pdte de foie gras. The games which seem to make English schools illustrious and competitive, we played them, but we played them after school : we did not, as they do in England, steal the school time from the games. When I read the memoirs of other men I find it difficult to understand how it is they remember so, well the faces and the sayings of every master and of eveiy boy; there is a minuteness in their evocation which makes me suspicious, for those years at school, between the ages of ten and fourteen, seem to me so futile, are indeed so futile, that I can hardly see them. Or I lack the mental telescope. I was a prize boy and, every year, I staggered down the red cloth of the platform stairs, with half-a- dozen books on my arm, and several crowns of laurel drooping over my nose. I cannot sketch those prize- giving days : I might say that the head master had a beard, that old Gargaillc was fat, but that is all — and I might say that I learned things, but I have forgotten ii, I have forgotten even the curriculum. The truth is that school was an unemotional affair because my memory enabled me to learn readily and to recite facts with parrot-like facility. I did not know the thrill of rivalry, the agony of defeat. I remember very much better a magnolia in the park, which flowered every year and far into the autumn. Every morning I passed that tree. It was loaded with blossoms so large that my two hands could not cover one of them. Thoy were white, flushed with pink, and rufllcd like the short hers of a swan's rump. One day, when no keeper was about, I drew one bloom down, very tenderly so as not to hurt it : the sun had warmed it, and it felt soft and firm like a woman's cheek. I buried my lips in it, and it softly breathed into my lungs its insidious, heady Q times I think I kissed that heavy blossom, [] I, when the winter came and the tree 1 stark naked, this caress of my first love. 22 THE MAKING OF AN ENGLISHMAN It was emotion called me then, emotion about to sing its swan-song when Chaverac died. Chaverac 1 Perhaps I have never loved anybody as I loved Chaverac. I so openly worsliipped him, and he so obviously accepted my homage, that our form ceased to call us Cadoresse and Chaverac, but invented for us the joint name of Chavor- esse. I cannot even now believe that he was an ordinary person, this boy, one year my senior, for I could not have so loved.him and hated him unless he had had some quality. Or I am too fatuous to think so : to this day I am sure that every woman I have looked on with favour possessed some charm which no other woman had, and I am almost as assured of Chaverac's matchlessness. Chaverac was, when I first saw him, fourteen years old, short, dark, curly-headed, like any Gascon, or rather, he would have been curly-headed if his hair had not been close clipped. Set in his brown skin, his red lips seemed dark; they smiled over splendid white teeth, but it was his eyes held me — deep, greenish eyes with brown specks. I liked to think that his eyes were like pools of water in the sun and that the specks were the shadows of the leaves of overhanging branches. We had become friends simply, fatally. In those days I had lost the asscrtiveness of earlier years, I was shy, unpopular, and therefore became shyer and more unpopular. One morning I had been bullied by three or four big boys and stood smarting, too proud to cry, against the brick wall of the play-yard. I wanted to cry, not so much because I had been pinched, because my arms had been wrenched, or because I had been jeered at, as because my unready tongue had cloven to my palate. I was logical then, not ebullient. Now they had gone, and a flood of gorgeous invective was rising in me. How great it would have been if it had burst at the right moment 1 Chaverac, who had never before spoken to me, came close, examined me and said : " You've got a funny face." That is how one offers comfort when one is fourteen. But Chaverac had helped me, relieved the congestion : HAIL! FRANCE, AND FAREWELL 23 my pent-up invective burst from me. Chaverac listened to the end and said placidly : " Those fellows are pigs." That was just like Chaverac. He understood then as he always did, and it is not wonderful that I could always talk to him. With me he always smiled, remained unrufllcd ; he was willing to be worshipped and willing to be hated ; he was critical, always interested and never fired. At the age of fourteen he was a Laodicean, a man of the world, and as such he drew from me naught save what suited him : calm, light and debonair, he was the elective affinity of my impulsive roughness. We were French both of us, but in those days I had all the passion and he all the acumen of our race. I need not dilate upon the adventures of that year, for nothing of any kind befell us. Ours was the in- articulate companionship of boys ; I do not think he wanted to confide to me anytliingof his hopes, and certainly I did not know how to do so myself. Chaverac lived within himself, liked well enough to see me kneeling at Iirine, but was content to hear me talk of Gargaille, of the merits of Dunlop or Clincher tyres, of Lawton the amazing Englishman. He did not feel the need to do more than stimulate my conversation. I still think that : i joyed the sense of mastery it gave him to know he was the only person to whom I talked freely. My intercourse with Chaverac was therefore made up of vast outpourings of facts, of small ambitions, and imate desires. If it was magic to meet him on the 1, to take tea (that is bread, fruit and sweet ;-) in Madame Chaverac's cold flat near the Quin- to tell him in the play-yard how I had got full :• composition, it must have been because I was arching for love. Having no idol, I had to :e one. But I could make no heroism, and Chaverac would no doubt bo to-day almost forgotten of mc if his '1 not worked in me a mental revolution. W ih keen cyelists, and I think I must with- draw, unsay Hi i i could ever have forgotten this com- 24 THE MAKING OF AN ENGLISHMAN panion of my leisure. For who save Chaverac could scorch so hard as to catch up with a passing motor-i And who save Chaverac could sit in the sun and mend a puncture without complaining? And who save Chaverac would have romantically refused to carry a lamp, but decorated his handle-bars with Chinese lanterns? It interested him to be romantic, I bcl Yet I might have forgotten if he had not died, for his death became horribly intermingled with my happiness. One Sunday morning we had cycled some ten n south, along the Garonne. It was hot, and we had stopped on the crest of a hill, while Chaverac wiped his forehead. " Hot," he said. " Yes, hot," I replied. It was good to think that we should both be hot. We looked down upon the river as it glistened between the meadows like a stream of hot metal and, as we looked, I wondered what Chaverac thought. He did not seem much concerned with the sweep of the river or the purple vineyards, which rippled down terrace after terrace from our feet to the water's edge. He was not for nature, Chaverac, he was for me and for what nature meant to me; he was content to make me his aesthetic vicar. So, while he still placidly wiped his round, dark head, I looked my fill of the ruly river, its little burden of barges, pleasure boats ; I looked at the excursion steamer, which seemed no larger than a launch, and was crowded with a thousand black, ant-like things. Beyond the vineyards and the Garonne were the meadows, the tall poplars, the atrocious villas which the builder was beginning to shoot forth into the country. Beyond curtains of trees, in the north-west, was the denseness, the shadow that concealed Bordeaux. A smoke- stack was sharply outlined in* the clear air, and thus graceful. I enjoyed a sense of peace and of attainment, for we had painfully climbed this hill, pushing our bicycles; below us lay the broad white road that circled round it : I could see two bends in it, far below. We stood side by side, saying nothing but content, for we were HAIL! FRANCE, AND FAREWELL 25 alone, as two can be on a peak, and by knowing each other knowing all. It was because his eyes covered and warmed me with their definite look of understanding that I knew Chaverac to be my good companion, the being who for me alone had emerged from chaos. Up the other side of the hill a cyclist was coming towards us. I could see him grow as he rose, his cap ridiculously fore-shortened and his attenuated feet almost invisible. I watched him a little resentfully, for he was intruding, coming uncalled into a world which I could share with none other than Chaverac ; he grew and I saw him, an absurd figure with a cap that was too small, squat calves which no benevolent trousers hid. He had, and I saw it as he raised his face ids me, the general air of roughness of men who suddenly swerve across the path of bewildered old ladies, race motor-cars, do all the things we did, but in uglier fashion. The man stopped by our side, mopping his forehead, then looked at us as if wondering whether two boys could help him. " I say," he asked Chaverac at last, " what's the best road to La Sauve ? " " Straight on until you come to the bridge," said Chaverac, pointing to the hot white road. ** Ah ! There's no short-cut, I suppose ? " I looked at the man and suddenly felt a queer, insane hatred of him. I hated his flaccid, white face, his rosacia-touched cheeks and the straggling black bar of •loustache. I hated him because he was inadequate and unconscious of his inadequacy. And his cap, his !l cap, his squat, stockinged cah " No, there's no short cut," said Chaverac. He was polite ; he always was polite, unruflled, even when talk- I o men of this kind, creatures that should be mocked I felt I must speak, spit some insult at him. " Unless," I said, with a savage ring in my voice (and it surprised me), u unl< >vn there." I pointed of the hill, through the purple Uic river. The man looked at me, 26 THE MAKING OF AN ENGLISHMAN amazed and angry, like a bull which glares at the sun on leaving the toril; it pleased me to see the angry glow in his eyes, to feel that a flick of my tongue had done this, pierced the silly sufficiency which clothed his flaccid, white face. But I was frightened by it too, as one is frightened when one has mischievously pushed a lever and the machine begins to work. " What ? " said the man. " What do you say ? What do you mean ? Do you take me for an imbecile ? hein ? '" I said nothing, but looked at him in a conflict of emotions. I hated him and his ugliness, the mean, stupid satisfaction which could not laugh at itself because too uncertain and weak, but I despised myself because my joke was feeble. True, I had hurt him, and that was good, but how weak had been my sling and how despicable my game. Also I feared him as red rose in his white cheeks. " Hein ? " he said again, and lashed himself into fury. 44 I ask you a civil question and you — you answer me as if I were an imbiciU. I am not an imbe'cile" he re- peated so angrily that I felt intimately that he knew himself to be one; "it is you the imbecile" He took a step towards me. " Imbe'cile ! " he muttered again. And, as his right hand moved I involuntarily stepped back. I was driven back, I was afraid of him even though I despised him. 44 Ah ? " he sneered, showing yellow, irregular teeth. But I had stepped back and, very subtly, his self-esteem had suddenly regilded him. He did not strike, but shrugged his shoulders and turned to go down the hill. Only once did he turn towards the spot where I re- mained, frozen and horribly humble. " Imbecile ! " he cried and with unimaginative emphasis : " Sacrt imbecile I " Soon the white road swallowed him. Then he reappeared in the first bend, passed through it and was again swallowed up, reappeared in the last bend. I saw liim turn his head towards me, his absurd little head, under the cap that was too small. It was too far to see his lips, but for me they moved, and the invisible medium that linked our warring spirits conveyed to me HAIL! FRANCE, AND FAREWELL 27 his monotonous, inaudible insult: "Imbicilef SacrS (mbicile t " Chaverac had not said anything. He had watched the scene with phlegm. Indeed, there was almost amusement in his brown-flecked green eyes; he smiled jovially rather than ironically. " Chaverac," I faltered. But I stopped, I could say no more. I was overwhelmed, raging; I knew that my underlip trembled and that again there was welling up in me that frightful torrent of abuse which swells in the breast of the impotent. Oh ! if only the man could come back — I felt hot at the idea of the words I would use. I saw myself, too, smashing my fist into that putty-coloured face, tearing at that straggling black moustache. I was blood-lusty and Chaverac knew it, watched me with his queer air of critical pleasure in the sensations of others, watched me as if he were a vivi- sectionist observing the effects of a drug. Then I leapt to my bicycle and threw all my weight into the pedals, so that they might carry me more swiftly from the horrid spot. There was a shadow between Chaverac and me. It was nothing at first, a trifling obstacle, an awkwardness such as parts master and dog when the man has trodden on the dog's foot and it returns, whining and wagging its tail, protesting while it is caressed that the pain was nothing. Chaverac had ultimately caught me up on that fatal day and had tactfully left the subject alone; he had diverted the conversation to some inoffensive topic, such as tyres, and Bowdcn brakes, borne with my sullen silence, made jokes, pushed the memory into some far corner of his brain. At first I felt grateful, loved him for it. But he could not wash out the past; he knew and I knew that I ought to have struck the man, at least cd him. I ought to have in (lifted on him injury for injury, and my honour would have been clear, or I 28 THE MAKING OF AN ENGLISHMAN could have hurt him more than he had hurt me and have been a hero. Because I had wantonly and stupidly wounded him I ought to have wounded him again. I had not done so, and this because I had been afraid, afraid of gibes and blows, afraid because he was a man and I a boy. There was no hiding it, I had behaved like a coward. I knew it. Chaverac, too, knew that I was a coward. Each knew that the other knew, and it was intolerable to share the secret. We made desperate efforts, Chaverac and I, to shoulder our burden. We struggled so desperately for our old intimacy that we saturated it with gall. We looked suspiciously into each other's eyes, suspected traps. If I wanted, as I did in those days, to talk of Vaillant and Caserio and the other Anarchists, I held back, and the sweat of fear rushed to my brow, for Anarchism meant killing and courage, and I was a coward. I had had my chance and lost it. And Chaverac, too, suffered, even though his teeth still flashed in forced smiles ; he dared no longer ask me to cycle with him, for he knew what a joint expedition must recall to me. We chose our subjects; then we spoke less, for now we had to think before we spoke for fear that we should open a wound. At -last we hardly spoke at all, but walked homewards side by side, defensively silent. I no longer put my hand on his arm, for I uneasily felt that he might be sullied by my coward's touch. We had terrible dialogues. " Good-morning." " Good-morning." " Hot, isn't it ? " " Yes." That was all we had to say, we who had chattered, remembered, planned. Everything was going, for every- thing was poisoned and was withering. It was terrible to meet, to see in each other's eyes a pity that was turn- ing into fear. We had to meet, for we could not even part : the memory held us, it was our secret, the gnawing thing set canker in our affection. To part, to HAIL! FRANCE, AND FAREWELL 29 avoid these looks, would have been the heavenly relief that follows on the amputation of a ruined limb, but we could not part, because we did not dare; we could not break the link, for to break it would have been to confess, either that the one remembered or that the other understood. We could know, but we could not confess. How the horror would have ended if time had not stepped in as a surgeon rather than a healer, I do not know; in insults, recrimination perhaps, in some ex- hibition of rancour, when he would have told me that I was a coward and that he despised me, when perhaps I would have struck him as I ought to have struck my enemy, unless — and this was another horror — unless again I proved myself a coward. I hated him because d loved him. I could have borne disgrace before another, I could not bear it before him. But time helped us and the world helped us. They altered the hour at which a private tutor expected me; they developed in the history master an interest in Chavcrac which kept him back for a few minutes after the lesson, while I escaped alone; they even strengthened friend- ships we had both flouted in the days when we were one. I know that, as I hurried away while Chavcrac 6poke to the history master, the voice of the past screamed to me that I should wait, but I hurried away with Adam's averted face, for I had fallen. Strengthened by accident, our parting grew more tc. We missed each other, mistook places of meet- ing, discovered urgent engagements on Thursday after- noons and Sunday mornings. Our fellows observed the difference, taunted us, asked whether " Chavoresse " I. Ah ! that was the true suffering, this public exhibition of our distress. The steadfast cruelty of the boy scented out at once that something was amiss, us with quips and questions, hunted us from :se we feared its jeers. We were oute; use we were butts, and yet we could not w<> Ishmaelites madly Qg from one another in the desert. Even our families 30 THE MAKING OF AN ENGLISHMAN tortured us, tortured us with questions, surmises as to absurd quarrels, made barbarous attempts to bring to- gether two boys who could only sit face to face, tongue- tied, full of hostility. Time passed, and with it some of the pain, for the boys grew tired of their game and our parents forgot our tragedy. There was nothing left save an awful emptiness where there was not yet room for hatred, nothing but strangling constraint. All had gone — pleasure, peace and interests. I skulked where I had walked merrily. Later only did the past goad me yet further, when Chaverac had become so intimately associated with it that he bore some of the blame, when I began to hate him, to grow hot with rage when I saw him, to shiver with passion when I thought of what he had seen. My mother had forgotten. She knew only that I was moody and fierce-tempered. The doctor ordered me a sedative. I lay under my cope of lead. One Thursday evening when I had been out alone, my mother took me into the drawing-room. The smell of the grave was in it still; formal and black-clad, she was a worthy messenger. " I have something to tell you," she said. *' Ah I " I said listlessly, though her tone was grave. 14 You must be prepared — it is dreadful " 41 What is it ? " I asked in a choked voice. I knew — I knew — Chaverac 44 He was cycling — he slipped — he slipped under a dray." 44 Is he dead ? " I can still hear my flat voice. 44 Yes — oh ! — oh ! — what is the matter ? What is the matter with you ? " I see my mother's face now as I write, the fear and surprise in her eyes; I see her outstretched hands with spread fingers. She was pale, almost grey, but I know that warm blood had rushed to my cheeks, that relief had burst from me in a great sigh. I was free — free — alone in possession of my shameful secret. How lights must have danced in my eyes 1 HAIL! FRANCE, AND FAREWELL 31 VI I do not shrink from this confession. That which is, is. My story shows how singularly the materialistic child of twelve had evolved into the morbid, intro- spective boy of fourteen. But that boy had yet to grow into a youth and into a man, to undergo other shocks, change again as swiftly as the wind, gain and lose con- victions, adopt attitudes and be moulded by those atti- tudes until they became part of his character. The death of Chaverac meant more to me than relief from an obsession. It snapped the links that bound me to my fellow man, it made love, emotion, detestable. His death restored to the throne logic and materialism. I had given my soul and, circumstance aiding, my gift had been flung back to me, soiled and unknowable, I had done with the soul. When I was sixteen I had done with faith. I was thrown back upon my brain, and sudden interest in my work rose up ; unfettered by emotion I turned to the intellect. I decided to be rich, powerful, hard. I decided these things in the abstract, I hen looked for a peg on which to hang them : that peg turned out to be England. VII I have said that I never forgot Lawton; indeed, irilliancc of his linen collar hung for years before my dazzled eyes. That white collar meant England, very much as the magnolia meant France. It meant more, f*>r it was one thing to try and be intellectual and hard, her to be like Lawton; I had the young gener- osity of the South, and if it could not out in friendship ist out in admiration for something, in an ideal, years between fifteen and eighteen were crowded tudy, by the dull memorising of facts; I gained nothing from my education save information and, if ;is had not helped me, I should have been an intolerable prig. But they helped me, in the indirect 32 THE MAKING OF AN ENGLISHMAN way in which youths help one another, by support mixed with chaff, for they were not all unsympathetic to my ever more vivid English dream. I remember three of them especially, at the financial school. We were then all four seventeen, keen, com- bative, different in some way known to none save our- selves from the hundred others who mean nothing to me now. Those others have mostly vanished; some have left behind them names without faces, Dubourg, Arbeillan, Valaze; and some have faces without names, dark, southern faces mostly; and yet others are nothing save a brown suit or a white hat. But the chosen three will never quite die for me ; there was Luzan, a well of intelli- gent and bubbling gaiety, who thought argument was a sort of mental catch-as-catch-can. Luzan writes to me once a year or so to this day, and tells me that my views are idiotic ; whenever I change them they are still idiotic. There was Lavalette, the best dressed young man in Bordeaux : he is now the best dressed man in Paris, but he is not a mere fop ; he has a discriminating if desultory appreciation of the arts and (this endears him) an un- discriminating but sedulous love for England. As for Gobot — I have lost sight of fat, jolly Gobot, with the round, pink face, the piggy, intelligent eyes, and the booming voice. Ours was a heterogeneous company, for Luzan was the mocker, the puck, the miniature Anatole France — Lavalette was the old French grace blended with the new French chic — Gobot embodied all the solidities, stupidities and shrewdnesses of the bourgeois. And I ? I was the hot, restless spirit who felt quite sure that he was cold and judicial. Of course, we never played games, we had a better thing to do, and that was to talk. I do not suppose we over- looked anything in those two years, neither faith, nor woman, nor politics, nor the histories of our families, . their weddings and their scandals. We were perfectly frank and perfectly unashamed ; we were not cribbed nor shy — indeed, we affected more liberty of view than we possessed. We were atrociously bad form and it was HAIL I FRANCE, AND FAREWELL 33 splendid. One conversation, especially, I remember, at the end of my second year, when we finally settled la question anglaise, as we called it in pompous imitation of the diplomatic jargon. " Those English," said Gobot, " are nothing but land- grabbers. That Fashoda affair — why, if we'd had a decent fleet we'd have sailed up the Thames and bombarded London instead of letting Marchand die in a swamp." "Which swamp," said Luzan, maliciously, "takes the form of promotion, the Ligion d'Honneur and a triumphant reception in Paris." " Marchand morally died in the swamp," said Gobot stodgily, " killed by the Englishmen. He'll never be a general, the Government wouldn't dare. Our Govern- ment never has the insolence of the English ; the English have that one quality and it's useful to them." " Oh I " I protested, " the English aren't so bad " " Who stole Egypt ? " cried Gobot. 44 And who let the Germans crush Napoleon III ? " asked Luzan. He smiled wickedly, and I knew he was g with the sincere Gobot. " You're right, Luzan, and who killed the other .leon? shut him up in an island? and who set >pe on him and never fought at all ? " " Pardon, Gobot," said Lavalette, smoothly, " there was Waterloo." 44 Waterloo 1 " roared Gobot. His fat, pink face became red, and his piggy eyes began to flash. " Speak of it ! why it was the Prussians won Waterloo, the English sent hardly anybody with their Wellignetonne. England r fights, she sends money to hire armies, just as she men for her own, and then she swindles everybody i the war's over. Who stole India? the English. who stole Canada? the English. And who talked Iping the Balkan Christians and let the Turk have English. Land of Liberty, you say, Cador- esse? Did the English help Poland? No 1 we helped bile the English were filling their pocket with ucrica. And wasn't it the English fought China 34 THE MAKING OF AN ENGLISHMAN to keep up the opium trade? the poison trade? And wasn't it the English who taught the Indians to drink themselves to death ? Hypocrites, liars, bible-mongers," roared Gobot. " They don't send out missionaries, they send out commercial travellers. And all the women drink." We were silent as Gobot suddenly laid before us the result of the elaborate history we are taught ; as his voice rose I felt a foreigner in my own country, for I had no share in this smouldering fury of the French, who have always found in their way a rich island nation, a nation grabbing islands merely to prevent other nations from travelling freely, a people always ready to lend money to their enemies, to side, in the holy name of splendid isola- tion, with anybody whom they could exploit. As Gobot went on, raucous, and therefore weakly absurd, I suddenly saw him as small, thought of him as one of Kipling's monkeys whom the other animals would not notice. " All the same," said Lavalette, patting his perfectly oiled head, " they are the only people who know what a gentleman is." We discussed the gentleman, as expounded by me ; he was a queer creature, as I took him from my reading, mainly a person who hunted the fox, and told lies to save the honour of women. We discussed Protestantism and whether it was better than the Catholicism we all of us practised, but did not believe in. Gobot was still raging historically, for Luzan had him well in hand and was drawing him back and back, from treaty to treaty and defeat to defeat; they had got to Blenheim, and by and by would get to Agincourt, to Crecy. Meanwhile, as we all four walked slowly round and round the little park, Lavalette and I were better employed on English litera- ture, which we could both read in the text. " Those two," said Lavalette, tolerantly, " they don't understand ; what's the use of talking to people who read Walter Scott in French? " I looked approvingly at Lavalette. I do not think anybody else had ever so wholly satisfied my aesthetic tastes. He was then nearly six feet tall, very slim, and, HAIL! FRANCE, AND FAREWELL 35 because narrow-chested, graceful as a reed. His long neck carried a well-poised and very long head ; his mouth was small and rather full-lipped : it made me think of a tulip. Rut better than his glossy black hair, his delicate hands, which he exquisitely manicured, I remember the sorrowful gaze of his grey eyes. Immense eyes with the opalescent whites ! how kindly you appraised and dis- counted my crudities ! " They do not know," said Lavalette, " and that's why they talk. Why, the way they hate the English shows they don't understand them; also it shows that they are inferior to them, for one never hates an equal, one respects him." " That's true," I said ; " boxers shake hands before they fight." " They do. That's the English way. You find it in all the books, in Kipling, in Conan Doyle; you find phrases like * playing the game ' and ' not hitting a man when he's down.' " " You don't find it in Dickens," I said. A long pause ensued while we thought this out. "No," said Lavalette at last, "you don't. And I've read him through, almost. That's curious." " What's curious ? " asked Gobot from behind. We told him. He did not know Dickens well, having only David Copperficld in French, but pointed out perhaps Dickens did not play games. hat's why," Luzan suggested ; " games make a difference." Then we all four spoke together, Gobot because he always talked and Luzan because he always contradicted; but 1 and I had got hold of something and were " That's the answer," I said at last; " the Englishman liar animal I his temperament has been altervrl by games, lie thinks life is like football." " With rules and rights — " said Lavalette. ant in the playing field — " said Luzan, with a sniff. 86 THE MAKING OF AN ENGLISHMAN 44 A Protestant everywhere," I said, as if illumined. " He's always ruled by something, by a code, a habit. That's why he had a Parliament first, that's why he docs not fight duels — " " He wants to save his skin," growled Gobot. 44 Are duels dangerous ? " Luzan asked, thus diverting Gobot from the attack. Lavalette and I walked on, full of Vnew realisation ; this idea of the rule of games being made the rule of life was fascinating ; one felt one had suddenly come upon the meaning of this cold, restrained English life. Of course, it was restrained, for the people respected the rules. I think we discussed England for the rest of the after- noon ; Lavalette persisted in being literary, in comparing Walter Scott with Dumas. 4t No fire," he said, 44 except in Ivanhoe, but elegance. Now Dumas brawls in taverns. His cardinals are braggarts and his kings are merely vulgar. Of course, Walter Scott is a bore, but such a gentlemanly bore." I think we understood Walter Scott pretty well, the severity of his courts and the highfalutin sexlessness of his historical romances ; and Conan Doyle, too, we under- stood. His Englishman was Sherlock Holmes, the cold, hard, shrewd and brave man, and Watson — how English was this splendid, stupid Watson who could listen and do what he was told. Dickens we suspected as an oddity and a sentimentalist, but he made London seem romantic and very comfortable. As for Kipling, Lavalette and I almost gave him up, or rather we gave up his passionate, poetic side, tried to draw from him a picture of another Englishman, the calm Anglo-Indian, so haughty, so efficient, and so brave. We created an Englishman from anything that came handy. It was, on the whole, a fairly good lay-figure. VIII And so, through these early years, when the world was dawning, I saw life as a map divided up into diverse HAIL! FRANCE, AND FAREWELL 37 countries ; one was the land of art, another the home of business, a third was marked " love." The first interested me in rather stereotyped fashion : my affection for the arts rested upon my rebellion against our graveyard drawing-room; the second drew me a little more, for it mixed up with England : commerce and liberalism in ideas made up for me the soul of the island. As for love — well, I am French, so I did not suppose there was more to know about it than I did know when I was eighteen. Love had not stolen upon me softly like spring into an English hedge; it had come flaunting, brazen and mercenary in the train of the senior rowdies of the school. If I suspected now and then, when I thought of Agnes and David Copperfield, that it had some fugitive charms not to be found in Bordeaux, I thrust back the idea. Intellect was the real thing, woman^ was the pastime. I knew all about her and all about love. I knew nothing about either, and I might never have known if I had not come to these islands where love burns with a clear, white flame, a flamo which docs not scorch as does that of the French brazier, but beautifully and intimately warms. IX Then Mafeking. But I have told Mafeking. " Land-grabbing again," said Gobot when I came back; " cochons." I smiled in an exasperating and superior manner. I knew. X Unroll again, film of my life, and show me my dead self ht. you show me a young man in a white smock, sweeping the barrack-yard : the army. Then g man in a small room at Montauban, in red belt and bayonet lie on the bed; his lips lish irregular verbs: "throw, ... blow, blew, blown — ": idealism. The . in full regimentals, with half-a-dozen 38 THE MAKING OF AN ENGLISHMAN more of his kind; they are at the brasserie, have had a little too much to drink; the young man holds upon his knee the tolerant singing girl who goes round with the plate : seeing life. ...... We sat in the drawing-room, my mother on the right of the black marble mantelpiece, Jeanne on the left, I by the table. I noticed that our three chairs marked the three angles of an equilateral triangle. The magic of the prim room seemed to compel geometry in attitudes. It possessed the one fender on which I had never put my boots, and I had never smoked in it. I tried, that morning, for the regiment had given me assurance, but there was no zest in the performance, or the damp air of the room had affected the saltpetre. I looked at my mother, slim, pretty and black-clad ; at my beetle-browed sister, realised our group as a family council, a dry, loveless thing, fitly held by the stiff Empire couch and the garnet-coloured footstools. The room smelled of death, and suddenly I knew how glad I was to say good- bye to this hardness and formality, to go to England, free, living England. " And so you are going to-morrow, Lucien," said my mother. " I hope it is for the best." " Oui, maman" I said, thinking of the morrow. " Your father always wanted you to go into the branch. I had hoped you might stay here and go into the house ; still " My mother paused ; she had never been able to realise the change, to accept that " the house " was in London, that the Bordeaux firm was the branch. For her, the Bordeaux firm was still august, dominant, as in the days of my father and his frock-coats. " Still I suppose Monsieur Lawton knows best. You'll write to me, Lucien." " Oui, maman." I knew I ought to have said more, but life and adventure waited. " You will get on, of course. Your father always hoped HAIL! FRANCE, AND FAREWELL 39 to leave you the house. Monsieur Lawton knows that it understood; so you must work hard, Lucien. You are very fortunate, for we are not dependent on you : Jeanne will have a little money, and we shall marry her soon." I glanced at Jeanne, who sat playing with her fingers. She was rather a pretty girl, small and thin like my mother, demure, but she had under heavy black brows my father's splendid eyes. She did not move when my mother calmly announced her intention to " place her " with some man. " There's no hurry about that," my mother resumed. " Jeanne's only eighteen. Have you packed ? No ? Well, you must do it to-day. And mind you take brandy for the crossing. Your thick socks will come home to- night." I was going to thank her formally when she suddenly did something she had never done before : she sighed, and allowed one large tear to roll down her cheek. " Maman ! " I cried. And before I could hesitate I had broken the coldness, I had thrown my arms round her we were both crying, while Jeanne sobbed as she knelt by my mother's side and held my hand. I was ty-two, " an old soldier," and I wept. But, even as I pt and promised my mother to write every week and ra every summer, I could hear the roar of the English nd. XI The cliffs of Folkestone stood up, white and green, ly like the French cliffs, yet unlike. The wet, green country, the oast-houses and the hop- fields were left behind. Townlet after townlet, deceiving promising London, then dwindling into fields again. . smokestacks, building plots. The mist had thickened, was becoming yellow. 1 ' in their gardens, then the bronze in the moist, yellow air, the Houses of Parlia- mding out like black bluffs against the pale CHAPTER III INTRODUCTIONS " This is it, Mr. Cadoresse," said Mrs. Hooper. She had preceded me and now stood in the middle of the room, while I remained on the threshold. I had a moment's hesitation, for this was the first time I had seen an English bedroom ; the hotel at which I stayed during Mafeking week and the semi-public rooms of the Lawtons' house had not prepared me for the homely feeling of this sleeping place. For a reason I shall always feel and never quite understand there is a difference between a bedroom in an English house and one in a French flat ; if the Englishman's house is his castle, his bedroom is his keep. But Mrs. Hooper was talking again in gentle tones : " I hope you'll be quite comfortable, Mr. Cadoresse. Anything you want — there's the bell near the bed. I suppose you'll be wanting to get ready for dinner, so I'll leave you if you've got everything." " Thank you," I said. " I don't want anything. A fire, perhaps." It was October and I felt chilly. When I left Bordeaux the magnolias were loaded with blooms. Here the air was misty and raw. " If you like, Mr. Cadoresse, though we don't generally light fires before November." " Oh ! it doesn't matter, it doesn't matter," I said. I felt reproved. I had broken some law. I wanted to apologise, to explain abundantly, but I found that Mrs. Hooper had gone, quietly, without adding another word ; 40 INTRODUCTIONS 41 she impressed me by her negativeness. She wore no notable clothes : a dark blouse and skirt, so far as I re- member; she dressed her grey hair neither very tight nor very fancifully; she did not gesticulate, nor welcome me warmly, nor appear churlish; she did not call me "Sir" in propitiating manner, nor was she familiar; she was neither servant nor hostess. I have met many Englishwomen like her : the number of things Mrs. Hooper was not and did not was amazing. But I did not think about her very long : my room interested me. My room had an air of permanence, for I would then have been embarrassed to find other quarters in a private house, A stranger, I was like a shipwrecked sailor for whom the desert island becomes home. Against the wall furthest from the window was a black and brass bed; before the window stood a small table, covered with an old red cloth and bearing a swivel-mirror; a marble- topped washstand with a yellow-tiled splasher, a mahogany chest of drawers at the foot of the bed, and three mahogany chairs made up,' with a brown-painted hanging cupboard, the furniture of the room. All these pieces of furniture struck me as too small, too compact ; they left the room bare, save for thin red curtains at the window ; the room felt too light, too airy. I missed the heavy canopy which shut me in when I slept in my French home, the blue eiderdown, the darkness, the comfortable thickness of the stuffs. And yet Mrs. Hooper had not attained the sanitary >r of modern English houses; I was spared the urn that chills the feet and the distempered walls chill the heart. At least she had laid down an old ad-brown carpet, which was probably not very well >t; on the yellowish rosebud-decorated wall she had hung three engravings: "The Peacemaker," "In the :n of Eden," and " The Jubilee Procession," while !, blue and gold text tried to induce me to remember that the Lord was my Shepherd and that I should not however, I did not dislike the room, C 2 42 THE MAKING OF AN ENGLISHMAN and I was introspective enough to realise that I would get used to it, that the dog can, after a while, sleep well in the cat's basket. It was nearly seven. I began to unpack my clothes, to lay them out on the bed, hurriedly, for my evening clothes, my smoking as I still called them, seemed scattered among the others, while my shirts, French laundered, had mostly had a bad time on the journey. When, at last, I was ready, I realised that I somehow fell short of the Lawton ideal. I was a neat, dark, slim youth, not ill-looking, but my ready-made black tie did not content me ; my shoes were well enough, but I had that day seen a fashion-plate in a newspaper which proved that on these occasions Englishmen wore pumps; and, in some undefinable way, my linen did not reach the Lawton standard. It never did quite reach it until four years had elapsed, when a sympathetic man told me that I should send it to a French laundry. Incredible ! At last I stood in front of the mirror, in the midst of the quantity of clothing two small trunks can discharge, critically considering the candidate for the English quality. I found I had not greatly changed since that historic night when I marched down Shaftesbury Avenue with a thrilled heart, while (and I reminiscently hummed the refrain) the Englishmen sang : ** And when they ask us how it's done, We proudly point to every one Of England's soldiers of the Queen." " Pas raaZ," I said aloud to the figure. I liked the arch of my eyebrows and the increasing thickness of my mous- tache. Good dark eyes, too, but I suddenly determined to get my hair cut the very next day. Still, the hair would have to pass for that evening, so I opened the door and, as half-past seyen struck, followed a pungent smell of cooking to the ground floor. I passed between the red-papered walls to" the hall, which was decorated with a pair of buffalo horns, a gaunt hatstand and a print of the Ileenan v. Sayers fight. Then INTRODUCTIONS 43 I hesitated in front of the doors, for nothing told me which was the dining-room. To open the wrong door would be annoying, because it would make me look a fool. I should not have been in the least bashful if, on opening the wrong door I had found Mrs. Hooper in a bath, but I could not have borne being made ridiculous. Suddenly I heard muffled peals of laughter; a door opened, the laughter became shrill, and a young girl, running out, nearly rushed into my arms. I do not think I shall forget that first picture. She came, light, bounding, and she is fixed in my mind upon one foot, a Diana Belvedere ; she was laughing still, and I could see the quiver of the light on her brown curls, the white glitter of her teeth, and the sparkle of her dark eyes. But, as I looked, her expression and her attitude changed. The eyes were cast down, long lashes lay on full, faintly blushing cheeks ; the mouth smiled no more, and I saw nothing now but the very pretty and very prim English miss. We stood face to face for two seconds, while I searched my brain for a suitable English sentence and some qualification of the rule that in England you must be introduced, and as I searched I thought I had never seen anything so delightful. But the English miss, eased the strain, threw me a glance which took me in from forehead to shoe, smiled and, with much dignity, passed me by. As she went she murmured : " Good evening, Mon- sieur " (alas ! she pronounced it approximately " Mersser ") and, with persistent dignity, climbed the first three or four steps of the stairs. Then dignity seemed to desert her, and she ran upstairs, on sole and heel, loud and y as a boy. This did not kill the charm but intensi- t by making its elements incongruous. I had no time to think more of her, for the room she had come out of was i a bedroom; at least I could see a bed in i I boldly turned the handle of the other door. Three people looked at me with extreme calm. I lit of the calm of fish. One of them was Mrs. as I had seen her half-an-hour before; the other 44 THE MAKING OF AN ENGLISHMAN was a girl, younger than the other, not at all pretty, but still worthy of a glance, for she had flaxen hair, china-blue eyes and a milk-white skin; the third, an elderly man, I judged to be Mr. Hooper. He was a small, thin person, as undecided in colouring as his wife; his mild eyes made me think at once of the younger girl, obviously his daughter; he stood leaning against the mantelpiece where burned no fire (of course, not in October), in a black frock-coat the silk lapels of which were not very fresh. Mr. Hooper was rather bald, looked about fifty; he seemed so mild, so genial, so unruffled, that I wondered whether an immense aggressiveness lay under his mask. I had not time to analyse further, for I was struggling with an internal rage. I, Lucien Cadoresse, was wearing the wrong clothes, was being ridiculous. I thought of running from the room, of putting on my tweed suit again, but then I should have been more ridiculous. It was a ghastly situation and I nerved myself to bear the chorus of protest. But there was no chorus; Mrs. Hooper said : " Allow me to introduce you to my husband, Mr. Cadoresse, and to my daughter Louise." Mr. Hooper said : " Glad to have the pleasure " ; Louise, or Lulu as she was called in ordinary circum- stances, mumbled and blushed. Then the girl I had met in the hall came in, now quite demure, was introduced to me as " My daughter Maud." Fully mustered, the family was doubtless going to protest against my clothes. But Mr. Hooper said : " Very cold for the time of year," and rubbed his hands. 41 Much colder than in Bordeaux," I replied, expecting this to lead up to an allusion to my bare shirt front. But Mr. Hooper began to question me on " the meteoro- logical conditions in the South of France," as he called them. I satisfied him as well as I could, which cannot have been completely, for Mr. Hooper had one of those thirsts for miscellaneous information found mainly in the City of London and in the North Country, which INTRODUCTIONS 45 nothing can ever assuage. Of indifferent health, too poor to indulge in games, bound to daily labour which he was not vigorous enough to realise as uncongenial, Mr. Hooper had developed a desultory acquaintance with every branch of knowledge, from Sanskrit to wood- carving; he knew some French, a little more than no German; he could quote six Latin tags and one Greek one, but he couldn't spell that one; he was fond of history, that is history a Vanglatie, as it is expounded in A Favourite of Henry XXIX, and the like ; he knew where was Taganrog, for he had had to look it up, but could not at once locate Moscow on the map ; he liked to know how many dollars went to the pound and was quite content not to know how many gulden went to the pound. Mr. Hooper's mind was an unlimited patchwork quilt of ideas and facts; occasionally the ideas clashed and the facts did not dovetail, but those little imperfections did not interfere with the progress of the quilt. He never looked for a piece with which to fill a hole when the facts did not accord : a new piece always went end-on to the others and the mental quilt grew larger and larger ; it would have smothered him in time if he had not con- tinually lost bits of it, which made it majaa^cable. Mr. Hooper loved a fact. In later days I repeated to him the joke in Tlie Man from Blankley's, to the effect that the area of the Great Pyramid is exactly equal to that of Trafalgar Square. He did not laugh, but with great f he fact to the quilt. While, that evening, Mr. Hooper entertained me with a schedule of compared temperatures which showed that isotherms had escaped his attention, I examined the room and its inhabitants. The dining-room was em- phatically an English room; it had red paper, well covered with inferior oil-paintings of still life and steel s of British regiments holding the pass or the it be. Opposite the window was a large 1'board, awkwardly carved, on which stood a cheap tantalus, some siphons and the bread platter; there was also a bottle of ready-made dressing. The 46 THE MAKING OF AN ENGLISHMAN mantelpiece carried an elaborate oak overmantel, on which were accumulated brass ash-trays, little china pigs, and some Goss, two bronze candlesticks which did not match, some prospectuses and letters. Into the looking-glass were pushed two or three cards, one of them an invitation to a Conservative meeting at a titled lady's house. This I know, for it stayed there many weeks. Yet the room did not displease me; it was cold, the chairs were ugly, the carpet felt thin and the table appointments seemed common, the plate dirty under the glaring gas, but it was comfortable, it was untidy. I had left formality in France, and I knew it when those people spoke to me so quietly, without trying to enter- tain me, when they refrained from commenting on my evening clothes. Mr. Hooper said : " The dinner is late, my dear." Mrs. Hooper said : " The girl will bring it up in a minute, Alfred." I looked at Lulu, who at once blushed, then at Maud. Maud's eyes met mine with a boldness that suggested either absolute innocence or deliberate challenge; I found out later that it contained a little of each : that mixed quality is an English monopoly. I looked her full in the eyes, which I could now see were dark-brown, analysed her in detail ; she stood the test very well, and it was singular to find her almost a woman and so much of a boy, for her figure was slim and straight, and yet I foresaw that within two or three years it would show all the gracious curves of maturity. Under my cool inspection, which took in the thin brown stuff of her blouse and the low dressing of her hair, she remained composed, but at last she smiled at me from the corners of her mouth, and looked down at her feet. My heart was beating a little when the gong was struck in the hall and the little maid entered, carrying the soup. T regret we cannot offer you hordoovers," said Mr. Hooper archly, " but radishes are not in season. We might have had some sardines, though ; Ethel, where are those sardines you opened for breakfast on Tuesday ? " INTRODUCTIONS 47 " You know you had the last of those this morning. Alfred," said Mrs. Hooper. " Besides, sardines don't keep when the tin's open." ">Ielon," said Mr. Hooper. " How can you, Alfred ! Melon in October ! Mr. Cadoresse will have to live as the English live," said Mrs. Hooper, " and of course we can't expect him to like our cooking." " Oh, I'm sure it is excellent," I said, as I tasted the soup. It seemed excellent, for I had never before tasted clear soup devoid of grease; this particular soup was just oily water, but it was strange, and therefore good. " I want everything that is English." " You shall have it," said Mr. Hooper. " I flatter If we are a true British household, though of course we are not prejudiced people. Oh, no, we are quite cosmopolitan, Mr. Cadoresse. I remember once, when I in France " I listened while Mr. Hooper gave me in detail the list of the dishes he had partaken of at the " IIoteMc France," at Ncuchatel in 1896. Meanwhile the two girls were carrying on an animated conversation in low tones. " Yes," said Lulu, " there she was, Mother, with the pink hat on she wore on Sunday." " Orange, you mean," said Maud. " When I say pink I mean pink," Lulu replied. \ nd when you mean orange you say pink," said Maud, sprightly if a little acid. I'ink," said Lulu. Her china-blue eyes were bovine ir obstinacy. " S'pose you think I can't tell pink from orange," said Maud. And you wouldn't believe it, the whole thing only cost two francs," said Mr. Hooper. " Now in Soho it's . but I don't care for those places. I always is are not quite nice." kc the last won! n inverted commas; ued dutifully and I joined in, feeling it I tunc to do. 48 THE MAKING OF AN ENGLISHMAN When the roast leg of mutton was brought in, on a dish that was too large and flooded with warm brown water, Mr. Hooper carved, remarking V " Mutton thick, beef thin." The girls were still wrangling. " Fathead," Lulu muttered. Maud looked at me with a faint smile that clearly said : " See how I suffer " and replied : " Think I'm colour- blind?" I thought I should take the opportunity and said : " The brilliance of your eyes, Mademoiselle, demon- strates that there is no justification for the accusation." There was a pause, during which Lulu blushed at the compliment addressed to her sister, but Maud did not blush : she made a bread pill and gave me a little smile. Mrs. Hooper said : " Now, Mr. Cadoresse, no French compliments. You will turn my young ladies' heads." " My head's all right, Ma," said Maud. " May be it is, and may be it isn't," said Mrs. Hooper, fondly gazing at the curly brown head, which I judged to be unruly. I was helped to baked potatoes, caked with grease, to nameless green food, which had apparently been moulded and then cut into slabs. The water jug was handed me without question, and I missed the usual wine. " How did you leave your dear mother, Mr. Cadoresse ? " asked Mrs. Hooper. " Mr. Lawton said she was very sorry to part with you." " Oh, very," I said. " She's not thinking of coming over to England ? " " No, I don't think so," I replied. " Well, I'm not surprised. It seems so easy travelling, sitting in a railway carriage and doing nothing, but it does tire one so. Why, I remember when I went to Paris with your pa, girls, I was that tired I had to lie in bed for two days, and you'll never believe it, butyyour pa had gone along to the bathroom the first morning when I heard a knock at the door. I thought it was bim and said, ' Come INTRODUCTIONS 49 in,' and in came the waiter with my breakfast. I don't think that's usual, is it, Mr. Cadoresse ? " " Oh, quite," I replied. " He would come to the bath- room if you rang." There was a short silence which showed me that I had gone too far, and the position was not eased by Maud, who suddenly burst into a fit of giggles, which recurred at frequent intervals. " Stop it, Maud," said Mrs. Hooper; " silly." " Can't, Ma," the girl gasped. " Well, if you can't," said Mrs. Hooper, resignedly, " we'd better change the subject. Yes, I was that , Mr. Cadoresse, I couldn't even go and see that church ; you know — the church they call the little cakes after " " The Madeleine ? " I said at random, for I do not know Paris well. 44 Yes, Madeline. But I went to the shops." " Ah ! " said Lulu softly. 44 I'd love to go to Paris and see the shops." 44 They are lovely shops, aren'J they, Mr. Cadoresse ? " said Maud, who was recovering. 44 Oh 1 I'd love to go to Paris." 44 You must wait for your honeymoon," said Mr. ;>er, facetiously. 44 Don't see why," said Mrs. Hooper. 44 They're no better than White-ley's, I'll be bound." While stewed apples and custard were being served, a mahogany, were dotted about. On a shelved black bracket stood an elaborate tea-set, which was never s, on the mantelpiece, an imitation Sevres clock, out of ord< t, 1>< Iwcen two tall blue jars filled the walls were framed photo- graph Burne-Jones, also portraits of the a. In th< " i 11 " stood the cottage piano, the back d in a piece of Japanese printed cotton. I was 52 THE MAKING OF AN ENGLISHMAN chilled by the rigidity of it ; while Mrs. Hooper sat down by the mantelpiece and began to embroider a table- cloth, the two girls nudged and whispered on the settee. I was very uncomfortable, for I had had no coffee ; it the first time in my life I had had no coffee after dinner. Perhaps because of that I moved restlessly about the room, went to a table in a corner on which were heaped albums and books. I opened some of them at random, looked at photographs of ugly old people whom I did not know ; albums and books were dusty, as if seldom opened, but they interested me, and I noted titles, unknown authors. I found Ships that Pass in the Night, and Under Two Flags, some sixpenny editions of Merriman. Mr. Hooper came in, said good-night. This, he re- gretted to say, was the Debating Club night. He was expected to move the vote of thanks after the debate. Quite an important paper : " Machiavelli." I promised to come on another occasion. Mrs. Hooper embroidered steadily, I dared not smoke, I heard the girls whisper mysteriously : " Of course, I wasn't taking any," Maud confided. Mumble from Lulu. M No fear ! " vigorously from Maud. " Maud, my dear," said Mrs. Hooper, " won't you show Mr. Cadoresse your picture postcards ? " Maud did not seem unwilling. She took from the small cabinet under the shelved bracket a large cloth-bound album, laid it on the book-table after pushing away the "dusty literature, and sat down. . I came and stood beside her while she began with pretty demureness to make me look at every card. " That's from Gib," she said, '* and here's another from* Malta. I put 'em all together cos they/came from my cousin Tom. He's in the navy." I detected some pride in her speech and became absurdly jealous of Tom. " We always thought he'd go for a soldier," she added, " but he didn't. There's another he sent from Bombay with a nigger on it. Old Funny-hat I call him.'! INTRODUCTIONS 53 There was an interval during which " old Funny-hat " and " going for a soldier " were explained. My English irood, but it wasn't exactly English, and it did not de this kind of phrase. Indeed, my early inter- course with Maud was one long (and usually inadequate) _ iish lesson. 44 Here are some from France. Oh, I get a lot of those from pa's friends — Paris, Dieppe, Troovil " I was not listening to her. Leaning over as she turned the pages, I looked at the delicate white neck on which clustered the brown curls, at the small hand which pointed at the cards. She must have known, for she chattered on, giving me no opportunity to speak, and from time to time she looked up at me, with a faint smile on her lips and a soft but arch look in her humid brown eyes. Because she was a stranger she was adorable. Then I :ht of coffee. 44 I get 'em from everywhere. You could have sent me one from Border if I'd known you before you came " 44 You silly kid," said Lulu, looking up from the pink evening paper; "you couldn't know him before he came, could you ? " f 44 One has to mind one's P's and Q's with Miss Clever, Mr. Cadoresse," said Maud to me. Angry, she was .hie, for she flushed. 41 Don't bother Mr. Cadoresse, dear," said Mrs. Hooper, who still embroidered; 44 perhaps he's seen enough." 44 Oh," I protested, 44 it's very interesting. Show me some of Spain, Miss Hooper. I've been there." ud looked up at me; there was in her eyes appeal, triumph and gratitude. 44 Here's one of Saint Sebasting," ud. And as she pointed with the right hand she laid her left hand on the tabic, as if by inadvertence, so near that I, could feel the warmth of it. The minutest d them. Yet it was a distance, and hands do not touch it matters very little whether hem a yard or the tenth of an inch. I r to look at the card. 54 THE MAKING OF AN ENGLISHMAN " Bullfights," I said with an effort. And, as I moved, our hands touched. They touched very softly, but definitely. The whole side of her hand was against mint-, and this was very wonderful. We did not move. For some seconds we were silent while each could feel the beating of the other's blood. " I shouldn't care to see a bullfight," said Maud, smoothly. "Jlorrid, messy things. And it's so cruel to the horses. We wouldn't have 'em in England. Our Dumb Friends, S.P.C.A., all that sort of thing, you know." She chattered on while I stood by her side, quite unable to speak, my throat dry and my cruel desire for coffee quite forgotten. She chattered as if she were perfectly cool, while my hand felt numb and rigid. And still she did not take away her own. These English girls, do they know when men touch their hands ? Suddenly she shook her brown curls, moved her hand ; the spell was broken. She laughed, and I gave a heavy sigh. " You're not saying anything. Penny ? " "Penny?" Explanations. Then Mrs. Hooper suggested that Maud should sing. She went to the piano. She played a rollick- ing, rhythmic tune, a tune of the " Waiting at the Church " type ; not one word did I understand, but I knew that I wanted to beat time while I watched the white throat swell and the brown curls dance staccato. " Very pretty," said Mrs. Hooper, after Maud had sung in an unexpected fit of sentimentalism, "Good Bye"; " very pretty. Lulu, you might run upstairs and find me my other reel of red cotton." Maud began to improvise a melody of her own — a gay, splashy thing, very much like the first tune she had played. " How long that girl is," Mrs. Hooper murmured. Maud broke down in her impromptu, began again in another key. Mrs. Hooper went to the door. " Can't you find it, Lulu ? " she called up the staircase. INTRODUCTIONS 55 Then, after a pause : " It's in the top drawer — oh, never mind, I know where it is " Mrs. Hooper had gone. I was alone with Maud, alone with a young girl. It was impossible. How could one be alone roth a young girl — but then I remembered English liberty. Of course. Maud looked at me round the corner of the piano. In the bad light I could see her smile. " Baby can't see. Baby blind," she said in another and a different language. "Baby go quite blind if Frenchman don't light other candle." I leaped rather than walked to the piano, but my hand shook so that the match missed the wick. " Shaky hand. Late nights, naughty, naughty," said d. I looked down at her, and she smiled at me. I bent towards her, and still she smiled without moving. My hand went out, groped on the keys of the piano, found her fingers and grasped them. " Ouch," she murmured; "you're hurting." But her smile had not vanished, and a very faint, pleasant scent came from her hair. Without a word I slipped my arm round her shoulders and kissed her, trembling a little, clumsily, half on the lips and half on the cheek. She remained passive for a second, then drew back. low then, saucy," she said, but she was still smiling. When Mrs. returned with Lulu and the red >n, the two candles were lit and Maud was banging at a noisy tune. IV I found sleep difficult. I had stood a long time at the looking into the desolate little garden. The fog . and under the rays of the moon I could see 'he wall the dim shadow of a faded rose, while • f Michael mas daisies reared up, straggling gaunt, in the si tered llower bed. Many I not forgotten that I had had 56 THE MAKING OF AN ENGLISHMAN no coffee, and now that my excitement was past the desire seized me again. Indeed, I am not sure that my memory of the epic kiss was not tainted with the gnawing need. When I think of coffee I feel like an opium-eater. If ever I am sent to gaol I shall go mad. I did not at once think of the kiss, for I am a sybarite ; I like to recreate my impressions one by one and as they formed, and I like to give them climaxes followed by flat periods ; I like them to pass through my mind like a well- ordered play. And I want my climaxes to be larger and larger and more significant, so that I may ring down the curtain upon my dream-play, while I bow with actor and author and clap my hands in the royal box. So I resolutely thought about the old Hoopers. I had not, I felt, analysed them very well, and how could I? I had none of the English measures with which to appraise them, I could estimate them only according to French values. But the prestige of England clung to them ; I was enormously impressed by their calm, by their dis- regard of my views and their regard for my comfort. I was paying twenty-seven and six for board and lodging, and it seemed as if I were paying my money for hospitality. Mr. Hooper was more evident than his wife; I was surprised by the generality of his interests, by his spare- ness and his youth. In a rigid, unimaginative way he was still studying politics, he took trouble to know some- thing of my people, he was seeking. True, when he captured an idea he slew it and embalmed it. Butterfly hunter ! But still, he was inquiring, he wanted to know, and there was romance even in the despair of his dry quest. His wife troubled me more ; I saw her as gentle, refined, courteous ; I gathered that she had no power of action, but much power of resistance. Nothing would break Mrs. Hooper : if an earthquake had precipitated Westminster Abbey into the Thames I felt she would have remarked : " What extraordinary weather we're having — I wonder where I put that bodkin." Obviously she could control Lulu, who had left no impression on me INTRODUCTIONS 57 at all, except that she was sulky, but could make nothing of Maud ; I could see that she loved Maud, thought her an infant prodigy, that Maud's singing was more than an elegant accomplishment, that it was a family rite. While I watched Maud's full white throat swell, I had also noticed Mrs. Hooper's head nod in time, and seen her smile at me when the songs ended. " There ! what do you say to that ? " was in every smile. But evidently Mrs. Hooper did not greatly care whether she controlled Maud or not. The girl could do no wrong, and — perhaps this English aloofness extended to the family circle. Perhaps they let each other alone, just as they let the stranger alone. The whole evening seemed to be a lesson in non-intervention. Mr. Hooper had gone without explaining in great detail where he was going to, when he would be back; Lulu had read a novelette without being asked what it was and whether it was interesting; and when Maud could not cease giggling because I had made an undesirable joke, Mrs. Hooper had said, " If you can't stop, we'd better change the sub- ' It was so amazing that I hesitated to conclude that the English do not care what happens. One thing, though, I felt assured of : Mrs. Hooper would certainly care if anything happened to Maud. liberty of theirs must be limited by some custom or rule, and I felt sure that she would not condone the intrigue into which I was entering. Of course, this was trigue. . " You haven't done badly," I remarked to the elegant figure in the looking-glass ; " you've started a love affair, ly got to go on." I felt certain that I had nothing to do but go on. Of itful and hot-blooded ; I shouldn't much trouble with a girl like that, for she was ready iy man's arms, and if she wasn't — I laughed new all about women and their ways. :L, r I did not have, and that was one of hesitation i eh men are not made like CHAPTER IV MISS MAUD HOOPER I If there were in London no Oxford Street it would have to be invented, for without it straying groups of foreigners would prove a perpetual nuisance to Streatham and Hornsey. I was introduced to Oxford Street by the inside of a hat, which advertised the fact that it had been bought there; in later years the street became definite, thanks to a chromo taken from a Christmas number. That grateful chromo showed " Oxford Circus on Christ- mas Eve," a wonderful vision of carriages, splendid horses driven by liveried coachmen, enormous policemen, and gay young women with rosy cheeks, mostly dressed in furs, followed by dandies who did not disdain to carry parcels. There was a fox-terrier, too, for fox-terriers were fashionable in those days, and " bits of blood " in the shafts of hansoms ; burly Pickwickian coachmen obviously made jokes (of course, bus-drivers did). There radiated from this early product of the three-colour process a jollity, an irresponsible love of food, drink, light. Indeed, I was a little disappointed because London did not turn out to be as like a Christmas card as I expected : but I was not very disappointed, for it had another magic. It had the magic of Oxford Street. It was not that Oxford Street was so very broad, for it would be lost in the Champs-Elysees, or so very beautiful : it was for me more than a fine street — it was an English person. The Americans had not yet got hold of it, smirched it with facades of new brick and stucco, or Portland stone; its houses were not very high, and they were houses, not warehouses. I liked the shops and their poor show of 53 MISS MAUD HOOPER 59 plate-glass, the crude display of their wares; it was interesting to compare our idea of showing off boots, which is to put three patent-leather pairs in a nest of green velvet, with the hundreds of boots, the festoons of boots, the bewildering array of shoes for the road and shoes for the bed, of slippers and top-boots, of dandified pumps, and rough, spiked hoofcases for the golfer and the football-player; I could stand and gloat over this kind of show ; it was enormous, Falstaffian ; it suggested large appetites, needs and the fulfilment of needs. Oxford Street was more English than Bond Street because it was not modish ; it did not receive the clothes of the French and Viennese, the enamel of the Russians, the promiscuous patents of America; beyond a little Italian glass and some Indian goods, the latter pardonable, after all be- cause colonial, its wares were English. They were rather dear, neither beautiful nor ugly; they were abundant, and most of them would last for ever. For ever ! that feeling still clings to Oxford Street, to those undefiled portions which threaten to crash down into the road, and it is incredible that they will ever so crash. They have always been there, those shops which intrude into the houses, and I guess their intimacies, their corridors, the clumsy steps which join house with house until an em- porium arises. Above the drapers are the ghosts of dead kitchens, of the parlours and the best bedrooms; and are doorsteps on which once stood grave merchants, \ng the Morning Post, to know what they should think of Mr. Pitt. I still have, as I walk that street, the sense of the illimitable which is bound up in the streets that run from On one side I can feel the rich places, their '»ke Poges and its churchyard, "Wiltshire, rolling I and the open sea; on the other I wind with Oxford Street, through business and slum, to locks, the Thames that is like the tongue of the sea, .. with, upon its breast, the big ships ■ dian spices, and furs, and bales of wool. Over all and, as it flaps, making in 60 THE MAKING OF AN ENGLISHMAN the wind sharp sounds like the slam of a loose door, is the Union Jack. Eternal England, that no revolutions ruffle, who return to regimes discarded because you never discard that spirit of order and power which lies under the regimes, you are like Oxford Street. You are indirect, you do not drive through international life as did the bolder Rome; while Rome built those roads which despise rivers and mountain, you built Oxford Street and its vassals from the Bank to Shepherd's Bush, tortuous, broken by angles, here wide and there narrow, inconvenient but per- sistent ; you give way to the obstacle — then surround it ; you fight no battles with the soil, and yet you conquer it, indomitably driving your road, quite careless of beauty and content if the road can serve, unwilling to take a path other than that of least resistance. You erect no monument, you are too busy being a monument. Con- scious of ancestors, you do not strive to have ancestors, and because you are too big to be conscious you are ancestral. II Almost every day I walked along Oxford Street, from my home with the Hoopers in St. Mary's Terrace, along the Edgware Road, until I reached Fenchurch Street, the bewildering City which housed Barbezan & Co. So much did it bewilder me that I confided my impressions to the not very sympathetic Maud. But she was not entirely un- sympathetic, indeed, she was,,for an English girl, strangely curious of my affairs; I would not have talked of them with her if she had readily responded to more amorous moods, but I was ready enough to share with her the impressions I accumulated so rapidly that they hurt : not to talk is always dreadful for a southerner, and I think I would rather talk about anything than not talk at all. For Maud was proving a puzzle to me. When I went to my room and acted the dream-play, which ended in the adventurous kiss, I thought I saw quite clearly the sequelae of the deed. I thought of other kisses, less MISS MAUD HOOPER 61 rapid, more reciprocal; I imagined responses, had no difficulty in conjuring up a softer and yet mysteriously aggressive Maud, who would tell me that she loved me, that I had but to ask to be given. I had no doubts at all : a girl who so openly attacked me the first evening could not be difficult to win. I was not in love with her; if she occupied my mind at all, she was merely one of my comforts. She was the woman sent by the kindly Providence of Lovers to fill, for the time being, a certain part of my life. She was charming, provoking and — convenient. It was thus with a degree of confidence that I threw one arm round her shoulders when, the next evening, I met her on the first floor land- ing, outside the bathroom where she had washed her hands. Just before I did it she was smiling; she looked deliciously demure, for her eyes were half-closed, and her attitude, as she rubbed against each other her still moist palms, was almost quakerish. But as I touched her, her expression changed. She put out both hands against my shoulders, pushed me away : " Now then, Mr. Frenchman, none of your monkey tricks." I laughed, tried to break her resistance. Coquetry, of course. But there was something else in the coquetry — nacy, I supposed, for we fought silently on the landing for some moments. I was the stronger, drew her to me, but she bent her head down, pushed the curls into my face. I kissed the warm brown hair, and, as I did so, she half freed herself, and I saw this was not coquetry, for she was flushed and the pretty mouth had set in a ht line. M Let me go," she whispered ; " leave go, can't you ? I i think I want you messing me about? No fear ! " She wrenched herself free, and I looked at her in amazem- "Crumpling my blouse," she grumbled, as she patted it. "Wl i take me for? Rag doll? or what?" " But, Maud " I faltered. 62 THE MAKING OF AN ENGLISHMAN " Not so much of your Mauds, Mr. Frenchman. Have a shave and try Miss Hooper." I was puzzled by the seemingly irrelevant advice to M have a shave," and, while I thought, took her hand. She did not withdraw it, looked at me with a faint smile. " Sorry you spoke, aren't you ? Well, you needn't look sulky about it." " I am not sulky," I said. " Yes, you are. Cross old bear. Baby quite frightened." I understood that I was forgiven, but I knew better than to accept forgiveness : the only way to gain absolute forgiveness from a woman is at once to offend again. So, without another word, I pulled Maud towards me ; there was a slight show of resistance, soon vanquished. But, before I could kiss her, her lips rested a second on my cheek, firm and cool, and she escaped : " No more, Mr. Frenchman," she said, with some dignity; " I'm not out for choe'lates, just had grapes." She ran down the stairs, laughing, and I went to my room. I had something to think about : Why had she repulsed me ? Then kissed me ? then repulsed me again ? Coquetry I had met before, but not this kind of coquetry ; I knew the methods practised by my own countrywomen, by which man is encouraged, discouraged, then heartened, and the French rack is no kinder than the English : but in those cases there had been no prefacing caress. With the first kiss came the downfall of the defence, the acquies- cent rout and capture of the defender. It was not so here : apparently an English girl, or at least English Maud, could with impunity hold the hand of the man who attracted her, even clasp him in her arms ; she could rely on her own powers of resistance. Strictly speaking, I did not " learn about women from *er " ; I learned about her from other and later women. I understood her much better after parting from her and was surprised to find her different from her old self when I met her again. Maud was a very ordinary English type, a type to be found in none save Anglo-Saxon countries; she was unawakened in the passionate sense, and I do not MISS MAUD HOOPER 68 think that the kiss of Prince Charming himself could have roused her from her sleep. She could attain a passionate stage, to maintain the metaphor, akin to somnambulism, but she was never awake. She was made up of two strands, one positive and the other negative. The first was the strand of interest, money, adornment, cheap excitement, eager vanity, and there are many splendid mates, English, Latin and Slav, who have such a strand in their composition : la Dame aux Camelias was so made, and Cleopatra somewhat. But it was Maud's negative strain made her different from any Latin, Teu- tonic or Slav woman I have ever met. Her capacity for resisting caresses, for showing that she did not want them, her ability to live without love, without emotion, her self-contained and neutral attitude, I have met these traits again and again and believe in their reality only because of their recurrence. Paradoxically enough, Maud, or I will say the Maud- type, is aggressive. It prepares for seduction by clothing itself as little as it may, by using the powder, the rouge, and the scent of the man-huntress; it ogles, it rustles, it drops its voice to tender murmurs, it invites, it clamours for capture — no, not capture, pursuit. For the array for seduction is not the prelude of desired defeat : the in- •on is to restrict to a sham fight the reality of the ^ement. The Maud-type is the exact counterpart of the fowler, the man whom victory bores when it is in Bight — victory, that is, in the accepted sense. The victory of the Maud-type consists in instigating attack, defeating it and instigating it again ; if the victim shows signs of ust be cajoled, and minor privileges may be If it be clear that he is almost disgusted, that 11 not attack the main position, an outpost is suddenly evacuated ; he occupies it, surprised, advances and is at once I, as if he had been ambushed. But the ■»e never intends him to win : the struggle is real, and if the victim suddenly perceives that he is being tricked and retires in anger he is immediately forgotten lurry presents itself. My intercourse with 64 THE MAKING OF AN ENGLISHMAN Maud was made up of these continual strategic advances and retreats. So determined was she to hold me, for purposes she hardly defined to herself, that I was often surprised by the extent of the concessions she would make to achieve her object. She had moods in which minor surrenders and acquiescences were so many that my triumph seemed assured — but were they moods or policies? I do not pretend that such girls are entirely devoid of emotional feelings, but these are buried very deep; there is gold in some abysses of the sea, and it is therefore untrue to say that there is no gold there : but nobody has ever been able to dive deep enough to secure it. There were days when Maud would of herself take my arm in a quiet street, others when she spontaneously offered caresses; she seemed to yield, but she never yielded. I do not think she wanted to, and I am not sure that she could. She had a fierce dislike of love in its robe of red and flame ; she understood it solely in the flirtatious pink and tinsel of musical comedy. She was afraid of it, because she felt it to be brutal, big, and earnest. She did not want anything to be earnest, she wanted things gay, comic. But she would make con- cessions to me so that I might continue to flatter her by pursuing her, so that I should pay. The Maud-type knows one thing very well — that man must pay, and pay for nothing save exasperation. It does not consider, as does its analogue in America, that man is bound by chivalry and disinterested courtesy to supply candies, novels, ice- cream and seats at the theatre ; but it does consider that man must supply the English equivalents of those things on a limited pleasure contract. It wants them so desper- ately that it sometimes gives more than it intended, and in later life it often takes for granted that it must give everything for greater delights, such as the use of a motor-car, fine clothes, and Brighton holidays, but throughout it does not want to give. It wants to take. If it can take everything for nothing, good; if every- thing for something, unfortunate; if it must take some- thing for everything, it docs so resignedly. Between MISS MAUD HOOPER 65 Maud and me there was an ever open contract which we never signed ; she never taught me to bargain, for I am of those who give heartily and take greedily, asking no questions : she was all implicit bargain. Ill In the name of English liberty. Maud was sent with me . on the eve of my entry into Barbezan & Co., so that I might find in romantic Oxford Street the shops I needed. "Funny sort of shirt you've got on," said Maud; 4t stew 'em in tea in Border, don't they? " ired her we did not stew shirts in tea. " Well, I only asked. And, of course, you've got to j our cuffs sewn on. No, you can't get a ready- made tie here. Can't tie it ? Don't be silly, I'll show you, Frenchy; anybody can see you aren't sailors over there." 44 My father was a sea-captain," I said, rather curtly, for this annoyed me. " Well, he might have taught you to make knots. My cousin Tom — he*s in the navy, you know — he taught me. Of course, your hat's too small." 44 Perhaps that is because my hair is too thick," I ted, with an attempt at sarcasm. u 1 get a haircut," said Maud, w T ho did not lve the irony; ' 4 but even then it's sizes too small. Boots, too ; you don't want a point to them, if you t going to pick your teeth with them, and you're just bursting out of your glov< you," I said, for the criticism was galling. Now you're being nasty. Well, do what you like. I don't mind if you look like a picture postcard. You're ffs, one of the kid-gloved Dandy Fifth, I don*t thii kick on mc, began to gaze intently into I a window full of bead necklaces. I was still angry, but her irritation killed mine, and I could sec under the> cluster of hex brown curls a gleam of white neck which 66 THE MAKING OF AN ENGLISHMAN moved me to repentance. I took her by the elbow and made her .turn towards me. She smiled a little. 44 Now you're sorry, aren't you ? Leave go of my arm and say so." I apologised, and being humbled was forgiven. But I was also subjugated, the outfit was taken out of my hands. " He wants a couple of blue ties," she explained to the shopman. 44 Excuse me," I said, 44 as I am dark " 44 That's all right. You put' him up those two in poplin. . . . Oh, no, don't trouble, he's a Frenchman, he doesn't know. And now you just run along to the linen department, tea-caddy." Tea-caddy ! I, Cadoresse, for her 4 * caddy " and then 44 tea-caddy." 44 You know what I told you : ju^t as tight. round the neck as you can stick it, and cuffs sewn on, and five and six's the price, with a bob off for six. You can get half-a- dozen coloured ones while you're about it, and mind you don't get mauve, 'cos it washes out third time." 44 1 don't like coloured shirts," I said. 44 Well, you've got to like 'em. I'm not going about with a blooming mute." . r This was Maud in her element, enjoying the new and amusing sensation of dressing a young man. The occu- pation did not show her up at her worst, for she had somehow learned how a man should dress; at least she had the instinct which, left to itself, makes for flashiness, but, when educated, ends in correctness. She had, for men, the sharp ideas of fashion which she derived from the rapt contemplation of popular actors; they in- fluenced her enormously. She could not have said whether trousers should be pegtop, whether collars should be double or Wing, but she responded to influence so well that she spontaneously rejeeted-the thing that was not the thing of the day : when it became the thing of the ,£ay she as spontaneously suggested that I should adopt it. The triumph of clothes was attained when she could say of a passing man : 44 This is It. v ' MISS MAUD HOOPER' 67 I was difficult to fit at the hatter's. " Xo wonder. I often think, you're barmy on the ipet," Maud commented, who had then known me for a week. " S'pose they were clearing a job line the day you got your head. Still, you aren't worse than pa, with the bald bit at the back under the brim." I found her good company, this cheerful, energetic girl ; she was less managing than adventurous ; amused by the " spree," she threw all her energy into an occu- pation which she would have voted a nuisance if it had i habitual. She was so pleased because she was doing something new that she did not reprove me when icezed /her hand behind the liftman's back. She even pouted at me the imitation of a kiss. While charm- ing, she remained competent, or rather voracious ; she was bent on extracting rebates for quantities ; she asked iiop-soiled goods, as if she were a thrifty French house- wife. But thrift was not the motive ; she displayed the street-arab acuteness of those who systematically make a show on small means. At last I was equipped. I had been in four shops, and an undoubtedly English wardrobe was travelling towards <>om. I suggested lunch. '•• Wbat'll ma say?" said Maud, doubtfully. Then: '• Who cans ? We'll say we waited while they wondered what it was 'd blown in. An' if she doesn't like it she can lump it." "Lump it?" "1 her thing." I accepted the unintelligible explanation, and we luneh at. It was past one o'clock. lighl of November made the grey pave- fly opal< stent \\ i Iks of nocturnal mois- D was not shining, but I could feel it was shining behind the colourless haze, and though (1 for a moment whether, in Bordeaux, it was j on the red and purple leaves of the I did Dpi fed homesick. Pot was this not pulsating, land; jolly, warm i ? A green Atlas i!y trotting ; the omnibus 68 THE MAKING OF AN ENGLISHMAN rolled as it went, like a big, fat forester, or some enormous bloated scarab. Busy, sturdy England, and pretty, white-necked English girl, I . . . " Penny," said Maud as usual. " I was thinking of restaurants" I lied, having learned her laiYguage. "Oh, we don't want a ristorang; too nobby; you come along." Maud led me to one of those shops where people have tea at one o'clock and fried eggs at four. Four or five companies maintain many hundreds of them, and I re- member that it struck me as splendid that there should be hundreds of these shops ; it was ,& large idea, it con- veyed a notion of national appetite ; and the uniformity of the arrangement, the levelling of Bond Street and Chiswick, held a suggestion of democracy. The more uniform things are, the more they arc part of a civilisation. "You better have a Kate and Sidney," said Maud; " it's English, quite English you know. Hi ! Miss." The black-clad, slim Miss responded sulkily to the shrill cry, smiled when I looked at her. English girls still smile when I look at them, even when I hardly notice them : my e} f e has habits. " You needn't keep a glowing orb on her," said Maud, as the girl left, charged to bring us a " steak and kidney pudding, with boiled, and half a veal an' ham pie, and two coffees." " I didn't bring you here to make goo-goo eyes . . . codfish." " Oh ! but she was so pretty, Maud," I said, innocently. " All the English girls are pretty. She had hair like the sunshine — not like yours, of course; that is like the nuts in September." " Been kissing the Blarney Stone, Frenchy. But you don't come it over me like that, even if I haven't got hair like the moonshine or whatever you call it. Pretty ! It's a lot you know about it ; why she's just a job lot of broomsticks. And you should give up that habit, looking at girls with that ' take me away and bury me near mother ' look of yours." MISS MAUD HOOPER 69 " Look at that one with the green eyes and red hair," I said, mischievously. w Carrots t" ^ And those two, the dark ones. They can't be ; ish " " S'pose I'm not English," Maud snapped. She was angry, provoked by my open admiration for the others. leaned her elbows on the table, propped her face upon her hands ; two dimples appeared in the rosy cheeks. I bent across the table. " You're the Rose of England," I said ; " not the Rose of England I thought I would find, you know, the White Rose. You're the beautiful warm red rose, and your eyes are like brown crystals, your hair is like mahogany, and it shines like it, and your mouth is like red velvet round two rows of pearls." "My!" said Maud, smiling; " you can tell the tale, Where did you learn English ? " " I've always been learning English, I knew we should ( ." M Tell me another." M I really did." km't say ' I really did,' you dummy, say * honest.' I tell you what, Caddy, you talk too well, you give your- self away." It was true; it was the grammatical excellence of my d my foreignness : it has cost me years of at labour to learn to speak as badly as the English. I began to eat my first steak and kidney pudding : I do not think I have ever tasted anything so delicious as that first pudding; 1 rem* -ml >er the tender consistency of net, the solid quality of the gravy, and the thrill thai expected steak suddenly discovered And I suppose that, after the oil of my fathers, ligation of potatoes flavoured with nothing but warm water. While Maud daintily pecked at the and ham pie, Dibbling like a bird, she talked in- intly, just then of her people. " Oh, pa," to a question; " the 70 THE MAKING OF AN ENGLISHMAN dad's all right. He's a dignified old cock, but you mustn't mind him, even if he will go on about his talky- talkies. You just tell him a little bit out of Answers once a week and he'll be happy like the larks in May." " What does he do ? " " He's in the City, like you ; the same sort pi job ; that's how he got hold of you from a fellow in Barbezan. We've been wanting a lodger. Oh, but don't let mother catch you saying that : you're a paying guest, you know ; ma's so genteel " Maud began to laugh, and I laughed too when she ex- plained the distinction. I liked this-'brusque, laughing girl", for I saw she had no snobbery ; at least she never showed signs of it except when she met the " skivvy " in the hall on best hat days. Then Maud was " quite the lady." " They're all right," she summed up, " but they're a bit full of themselves. Lor', you wouldn't believe the row there was when I said I'd go to the 'Cademy last spring. It wasn't genteel. I'm going to be an actress, you know." " Is there a conservatory here ? " I asked, translating at random, " I don't know what you mean by a conservatory. I go to Madame Tinman's — Mother Tinman they call her in the profesh ! You've heard of her. What ! not heard of Mother Tinman ? What did they teach you in Border? Anyhow, I go there four times a week. Singing and dancing's my line ; » singing's what I like : " Oh, mother dear, sing mc to ileep And beg the angels my soul keep . . ." she humme^. " What d'you say to stewed fruit next?" While we ate the stewed fruit she expatiated on her work at Mother Tinman's, and I wondered at her small appetite, for she had left half her pie; few French girls would have done that. She seemed enthusiastic, and I dimly realised that to this peculiar education of hers was due the difference which existed between her and her parents, and stodgy Lulu. Taken at sixteen from the MISS MAUD HOOPER 71 rigid gentility of Mrs. Hooper's home, from the limita- of a budget of some two hundred and fifty a year, she had been plunged into the artificial atmosphere of the outer stage. At Mother Tinman's, I found out by degrees, singing lessons were given by professionals who were resting, and while voice production of a kind was taught to w the voiceless as well as to the gifted, the pupils were well fitted to earn money. " You should hear old Bella Billion," said Maud : " ' Never you mind if you can't go up to D,Vshe says, 1 you just keep your eye on the man in the stage box. One wink for him and a nice goo-goo for the gallery^boy. Twirl your sunshade, twirl away, tooraloo, and never you mind the words so long, as you've the limelight on your pearlies; the chorus's the thing, my gal; you sing it to the gallery boy until he shouts it back at you. And let him know you've got a knee^and frillies that weren't washeti in printer's ink. Up and down, me dear, an' round an' round, goo-goo, tooraloo, that's how you do the trick, my gal.' Lor', it's enough to give you a fit on the mat." P don't think that for many months I understood Maud and the jolly looseness of her talk, but there is no' forgetting that extraordinary language of hers; its >ulary is not very large. Bella Billion and her the talk of cars and of trips to Maidenhead, of f a hundred a week and the indiscretions of peers, all this had created in Maud's pretty head an amazing confusion. Gentility, propriety, all the English starch had already been taken out of her by coarse English < visibility. But, and this was amazing, personal (I. I laid my hand upon hers, pressed pointed finders. (1 as she snatched her hand away. Why did we go so freely ? I wondered. Matchmaking ? no doubt, since marriage leads to love, they say, more rarely than love 1<> m And English Utterly too. ish liberty, how difficult it was to understand you ice. CHAPTER V BARBEZAN AND CO. I The old firm received me well enough. The office was large and rich; it occupied a whole floor in a new Fenchurch Street skyscraper, and conveyed an impression of well-oiled machinery. Letters were numbered and sorted by the office boy into baskets, one of which was known as the basket because it stood on Mr. "Lawton's clesk; after Mr. Lawton had dealt with them they were distributed by Mr. Hugh, mechanically acknowledged in polite, stiff letters which began by " Sir " and ended " yours obediently." I never heard of one unacknow- ledged letter. They passed into obscurer baskets, were collected by a junior clerk, who checked their numbers, traced any that Mr. Lawton had held up in defiance of his own rules. At last they went to the card-index, an innovation which rather clashed with our formality, to the files. We never lost a letter, forgot one entry. We were never short of brown paper and string. The extraordinary part of it was that this caused no fuss. How things got done in that noiseless, swift way, between ten and five, I can explain only by saying that we never talked about work. We talked of other things, and accordingly these grew confused, but work was done in silence and seemed to demand no conferences. I believe silence is England 1 . and I bore many a snub before I acquired the habit. I had not been in Barbezan a week before I began to learn that I, the foreign correspondent, must do my own jobs, " What is the address ? " I asked Mr. Hugh Lawton, who 72 BARBEZAN AND CO. 73 had handed me a slip bearing, with the notes for a letter, the name ' Marillot.' " And the whole name ? " M You must look it up." " Yes — but do those ships dock at Pauillac? " " I cannot tell you." I was minded to ask whether the tons referred to were " short " or "long," but refrained, for Mr. Hugh had already turned away and, in his cold, precise voice, was telling Purkis he would need supplementary bills of lading for the Florabel shipment. I realised, as I watched the smooth back of his head, that I had been thrown into the water, that nobody wanted to know whether I could swim, that I would have to find all this out. I might drown — but then, if I struggled I would not drown; such is the English way of teaching people to swim. Magic English business, when I think of you to-day, I have my boyish impression of England as wealth; your wheels revolve silent and steady, grinding out gold, without waste of material or time; you pass from father to son, you endure for ever, and you are a concern so sacred that you must be shielded from the prying eyes of woman. There are three kinds of Englishmen who • fit rust no secrets to their wives: Cabinet Ministers, nasons and business men, and as the latter are more numerous than the other two classes they set the tone for tip ir rare. The English business man is most interest- confronted with a new appliance or a new idea; he sniffs it like a dog who is offered a piece, let us say, of wild boar, or some other outlandish food; he feels it hut novel ; it must be looked at, smcllcd, ! in the air to see whether it falls properly : and hai At List it may be nibbled, then lily eaten. Then the two, dog and Englishman, sit id declare each in his own way that he has hungered for tin, tor years, that he has made special efforts to procure it and that he is not in the least afraid of !fy. 'Hi -w Phi!,! i| the calculator. Purkis, when I lirst knew him, was elderly : I met him in Moor- I) 2 74 THE MAKING OF AN ENGLISHMAN gate Street last week and he is as elderly as ever, but not a day older though ten years have elapsed. On the calcu- lator occasion he appeared to me as a short man, with a square face and sparse brown hair in which ran some silver streaks. Small and very delicate* hands contrasted with his bulky body, especially in his familiar attitude, when he leaned his shoulders against the mantelpiece and crossed his hands upon his rather aggressive paunch. Purkis looked so broad, then, that I had to think of a frog. That was the attitude he adopted when a new idea arrived in Fenchurch Street. Purkis would examine it with suspicious grey eyes, clench his little hands upon his large stomach and say : " What are we coming to next ? " or "I don't know anything about it." The first formula meant that Purkis was willing to tolerate the intruder; the second that he didn't want to know anything about it. Remove the bauble. Purkis had said " I don't know anything about it "to the German canvasser who now stood in front of him, amiably blink- ing behind his gold-rimmed glasses and quite unaware that Purkis had pronounced sentence, that all he had to do was to take the calculator out and hang it. " Ver' goot thing," he * remarked, genially. "It will do all calculations." The German turned from the impassive Purkis to me, in whom he divined interest : " You say figures. I multiply." I made up a terrific sum, a multiplication of five or six figures by five or six more, behind which trailed treacherous decimals, the sort of multiplication I hope never to have to effect. The Grerman threw me a gratified glance : "Ver' simple, ver' simple," he muttered. deftly seized lever after lever, pulled each one down to the indicator figure while my fantastic multiplicand appeared in the upper frame, lie smiled at the machine from under his yellow moustache, seized the lever; hall a dozen rasping sounds, click, moi another click, rasp, rasp, rasp. The German drew ,back, pointed triumphantly at the BARBEZAN AND CO. 75 machine ; he evidently looked upon the product as a work of art. " So ! " he said, triumphantly. " How do\you know it's right ? " asked the calm voice of Mr. Hugh, who had come in. The German drew himself up, as if tempted to hand the questioner a card and a cartel, then decided to clear the machine's reputation. " I prove it now," he said. He looked at Purkis defiantly, solemnly handed me a slip on which he had written the multiplicand. A quick shift of the levers, the product became a dividend, the multiplier a divisor; the lever was rotated towards the operator and, preceded by a tornado of clicks, the quotient suddenly showed the figures of the written multiplicand. It was exactly like a conjuring trick. " Ver' simple," he declared, as a cherubic smile illumined his rosy face. " That's rather ingenious," said Mr. Hugh, and began to linger the levers. " It might be handy for those long statements of gross weights. What do you think, Purkis?" " J don't know anything about it, Sir." " Oh, I egsplain — £' the German protected. " No, I understand. How much docs it cost? " M Twenty-six pounds — " Ml right. Send in the bill." While the German wreaked his ve~ngeance on Purkis tplaining to him everything that might be done with a calculator, 1 was able to meditate on the swollen rash- • business methods. Twenty-six pounds! ish mini ich, but — I found this out later, do not like small i ; if the German had wanted twenty-ox shillings he would have had no order; would have been nothing tmpressive in his new I don't know anythiu it," said Purkis iu> t ii (, rmaf] i !' ; t h • oili"<'. He did • thai h i ii \ tiling about it, 76 THE MAKING OF AN ENGLISHMAN and he never will ; he will do the gross weights state- ments himself with a pencil, but he will not touch the calculator; no junior has ever used it in his presence without being told to take the damned thing into the waiting-room. The calculator may grow old and decayed ; it may even get out of order and thus become thoroughly respectable, but Purkis will never recognise it : in his own phrase, " that would never do." Certainly Hugh Lawton was of a different type. He had recently come down from Oxford (in those days I said " up ") with a pass degree and, though he has never told me so, I now know from a chance reference to " notions " that he had been through Winchester. Hugh Lawton was then twenty-three or four, and so very much of a young Roman that some uninformed girls called him " The Greek God." Six feet tall, broad-shouldered, slim-hipped, with a high, white forehead, calm, blue eyes, a nose on the bridge of which there was but little thick- ness of skin, he attracted attention even in this England, whose sons are the sons of Apollo; he had a long, thin- lipped mouth, a resolute chin; his large white hands were always in good condition, though never manicured. Upon his loose limbs clothes hung so easily that I was re- minded again of a Roman statue whose toga and limbs are hewn of one piece. Indeed, it was pathetic to see him stand next to Purkis : there was such sharp contrast between their trouser knees. I do not want to dwell upon Hugh Lawton's clothes, though they were a bitterness to me in those early days ; he had his father's recipe for white collars, and his ties, always faint in shade, must have been specially made for him, as I never managed to match them. But his clothes were significant because they expressed him, very much, I suppose, as mine revealed my own individuality. It is not enough to say that Hugh never appeared with a red tie or a purple shirt: 'it was impossible for him to do so; it could not have occurred to him to buy such things. The things he did buy were so neutral tli;it they were, in a sense, a negation rather than an assertion of BARBEZAN AND CO. 77 attire; like most Englishmen of his class he was dressed, while I was got up. He could do nothing so positive as get himself up. I have never yet seen signs of his doing anything positive. The strength of Hugh Lawton lay in his abstentions. He did not speak much, he did not gossip, he did not plead or urge ; * twice only in his intercourse with me did he lay down views, and they turned out to be those of bis class. But if he did not obtrude himself he did not draw back ; he stood, as his nation has stood in every part of the world, until the world, tired of wondering whether it would go away, let it stay. In the more familiar atmo- sphere of his father's house he laid down views from time to time, and this does not go counter to what I have said of his silence and the two breaks that took place in it : the dinner-table and drawing-room remarks were hardly views, they were statements, and ex parte statements only in so far as they were repetitions of equally motiveless statements taken from his newspaper. Though a Liberal is no Liberal partisan: he was a Liberal because his father supported the Liberals, a Liberal by right of birth. How Hugh Lawton came to tolerate Liberalism I do not yet. know, unless he tolerated it because he accepted conditions as they were. His indifference was foreign to tli spirit of rank-and-file Liberalism*; I never frit that he approved of the Liberal creed, but I am quite sun- that lie did not disapprove of it; certainly he had not attained acceptance of his party's theories lint of scepticism. Certainly! I do not know that I dai for Hugh Lawton must have had lifr; he must have had, hreause I never found that he had a public one; I never knew him to his admiration for a movement not comprised Within tin- party Creed; he had many friends but I do not know whether he eared for them; I have never been re thai he fell in love, though he paid moderate impartial attentions to many friends of his sisters. II earn: M neutral; some mental modesty 78 THE MAKING OF AN ENGLISHMAN must have concealed — what? And when I speculate on this problem I am carried away by my prejudices; I think of another Hugh Lawton, out for adventure^ in the shining armour of idealism, and of yet another, with flushed face and glowing eyes, intent upon the pursuit of some base passion. What did he do ? Secretly drink ? Smoke opium or gamble near Tottenham Court Road? Pursue some strange loves ? I don't know. I shall never know; it is impossible that there was nothing behind that rigid face — no desire, no hope, no lust. But how is one to find out ? His tastes were not evidence, for they were not definite. He saw, I believe, most plays as they came out, one night the latest " Girl," the other some gloomy importation from Sweden; if a play was produced at, say, the Hay- market, he went ; if it was produced at the Court he did not. It did not matter what the play was, it mattered what the theatre was, who the players were/ I think he read a few books, not many, but the contrasts wtere amazing; he shrank neither from the Life of Gladstone nor from paper- backed novels which were finally stolen and enjoyed by the housemaid. He liked games : that is, he played them, but he displayed no enthusiasm. He neither ate much nor drank much, nor smoked much, but he did not openly dis- approve of teetotallers and non-smokers. Infrequently he swore, but without conviction. I believe he did not swear because he was irritated, but because most men swore;. The mystery of Hugh Lawton is the mystery of England, and it is insoluble; no steps are taken to guard it, but I suspect it is guarded by the immense inarticulate of the English. They do not feel the need to explain themselves; if others explain them they do not protest. Perhaps they do not understand, and perhaps they do not care. But in those days I felt this English mystery as a reserve of power; I knew that Hugh Lawton would never give himself away, never lav himself open to attack ; he was the tortoise, typical of his race, able to hear all blows on its shell and resolved on one thing^only : that it would never, never, never put out its head. BARBEZAN AND CO. 79 I admired, and I still admire Hugh Lawton. I admire him impersonally as a statue, an opera or a principle, a thing the appeal of which is inherent to itself and not dependent on clamorous expression. Though I do not completely understand him, I feel him to be fixed. He is permanent, he is like the Oxford turf, mown, watered, and rolled for three hundred years ; a western civilisation has made of him a finished product, and it may be that his existence is a presage of defeat : breeding cannot go higher, but it can go lower. Too much he towers over the underman, and too unconscious is he to be the overman ; he is the finest product of the average of his . the apogee of the commonplace, and with him land stands in apotheosis. i II Hugh Lawton stood as a banner, dignifying Barbezan . ; his commercial training was less than mine, but he had common sense : that is to say he was so afraid of committing himself that he was never likely to do N the wrong thing : whether he was likely to do the right one •pen to quesl ion. lie was, at^hat time, head of the here I suspect Barker did the work, witli lit 1 1 < - Merton, the junior, while I took over the cor- indence in French and German under the kindly rule of old Purkis. (They called him old Purkis when tttered t he office at the age of twenty-five.) Old Puikis, who loved only one thing in (he world, his garden at Pcnge (he really did live at Penge though he called it bad mad' friend of Farr, his second, be too loved, in order, his garden at Hornsey, then his nan. then his wife, who was the most leifll] woman in the world. Fait was about thirty; h< bad a round, v with two black currants stuck in fol Msc in the world. I think I disliked him at first rigfaJ because black hairs grew perpendicularly from his wide nostrils. Then Farr saw men If, and that J found hard to forgive, 80 THE MAKING OF AN ENGLISHMAN as hard as it had been to forgive Chaverac, the witness of my cowardice. After I had been a month in the office Farr saw me, one afternoon, putting on my hat. I forget where I was going to. He called me back. " Oh, Cadoresse," he said with hesitation, " as you're going out, do you mind paying this cheque in ? It's five to four and the sergeant's out, while Lord knows where Tyler is. You don't mind, do you? " I hesitated, for it did not seem to me right that the foreign correspondent should do commissionaire's work. One must preserve one's dignity. Still, I took the cheque without a word and went out with an air of erectness intended to convey that I was condescending. When I reached the bank I looked at the cheque, a large one, for over two thousand pounds and, though I knew that a cheque already endorsed and crossed with the name of the bank was of no use to me, it pleased me to be handling even the dummy of so large a sum. I pushed the cheque and paying-in book under the cashier's little railing; he glanced at the cheque, turned it over, made a tick on the foil as he tore out the slip, and pushed the book back with a mumbled " all right." I waited. A liveried commissionaire gently pushed me to show that he had his business to do. At last the cashier looked up. " Yes ? " he said. " I am waiting for a receipt." "Receipt?" He had blue eyes, and they bulged under his raised white eyebrows. " Yes, a receipt for this cheque." I showed the paying- in book. " We don't give receipts." « But " I faltered. rry up," the commissionaire remarked. " Hanks don't give receipts/' said the old man sulkily. '" Here." II<- held out his hand for the book the com- missionaire was putting through the bars. The push became harder. I found myself being edged along BARBEZAN AND CO. 81 the counter. I remember protesting again, being pushed still further away, for two clerks had hurried in as four was about to strike. I left the bank more dismayed than angry, for I had not seen the commissionaire leave, with or without a receipt; besides, nothing showed that he had paid in cheques ; while I did my own short business I remember the oppression of the affair; I wondered whether this were serious, what Barbezan & Co. would say; at any rate I could swear I had paid the cheque in. I rehearsed my speech to be delivered in the witness-box; it was a fine, manly speech ; I squared my shoulders as I delivered it. When I returned to the office my heart was beating, and I laid the book in front of Farr, pale but determined. 44 They did not give me a receipt," I faltered. 14 \ receipt? What do you want a receipt for? " " Is it not right we should have a receipt ? " 44 What do 'you want a receipt for? " The stupid repetition angered me. I hated the white hoe and the rigid black hair. 44 We fill up a form in France and we always have a pt," I said, obstinately. 44 Well, we aren't in France." 44 It is a curious way to do business," I persevered. 44 Oh, don't be a silly fool." In the moment of silence that followed I felt my cheeks grow very hot. He had insulted me! And in that moment the whole of the scene on the hill, so many years unrolled on the film that obscured my eyes. Never Main ! At least this time I would be no coward. Vyhile, with extreme dignity, I took out my card-case, I had a vision of this low fellow neatly spitted on my sword. The point. I fgs I had had for breakfast, to be hailed with " Hullo, socialism," if I wore my favourite red tie, to be told not to go for my landlady with a fork if the peas were hard. ff ! Amazing island in English reserve, right to 1 and reciprocal insult. Englishmen could not ate that which they do if they were not phlegmatic, •hatic. I have not yet found out why an Englishman who will not venture to ask you how much you earn a will address \<>n as " gold bug " if you buy a sixpenny paper. We Frenchmen don't chaff: we dare did, we should be fighting all day. I do not like chaff now — it makes me a little uncomfortable, quite sure that I know the ring of it; but I have accepted that the duel is ! noilgh for me that the Engjjsh should chaff their difft hould be settled by list or writ : c;ni do no «TOng, So determined was I already in this thai 1 ed to the detested Fair, ation did qtol ; it spread over the BBoe and entertained it for weeks, it bed Hugh Lawton, who dded to the end of a letter I. : "I it duel, I '. It's not done, • n't done." 84 THE MAKING OF AN ENGLISHMAN Well, if it wasn't done I wouldn't do it. I might not, in Rome, do as the Romans did, but in London I would certainly do as the English did. Was I not going to be an Englishman ? a real, beef-eating, beer-drinking, sport- ing Englishman ? A fury of Anglicisation came over me. I watched Barker furtively as he worked, for he was very well dressed/ and as I was still far too proud to ask for the address of his tailor, I covertly examined his coat when he went out to wash. The result was not quite a success, for I chose an aggressive Donegal tweed, and, as I felt my clothes were too tight, had it made several sizes too large. It fitted me as a sack does a potato. I was nicknamed the teddy-bear. Then I had my hair cut very short. " 'Ello, Dartmoor," said Maud, playfully, when I came home. I realised that I talked too much : I became wooden. I even thought of shaving off my little black moustache, but Maud would not hear of it. I was going to be English, one of these splendid calm people, whose temper was so easy that insult could rebound from them ; I was going to be silent, self-reliant, purposeful, in brief Olympian. And I was going to speak English like an Englishman. In those days I overdid it, for I was not content with continually noting idioms, looking up new words and grammatical rules : I wanted to obliterate from English the intruding Latin, I was as enthusiastic as the German who substituted " Fernsprecher " for " telephone." You v/ill picture me, then, at six o'clock, in a deserted office and quite unmindful of Maud ; I have a French dictionary and an etymological dictionary and I translate from a newspaper : " Our constitution, derived from the customs of ancient England, is a monument which no Cabinet will venture to destroy — " Latin ! good enough for the English, but not for a would- be Englishman. I remember my patriotic translation : " Our laws, which have come down to us from our fathers, are a tower that no henchman of the King will dare to cast down — " BAR]3EZAN AND CO. 85 The word " tower " was a great trouble to me ; " hench- men of the King " was, I felt, a subterfuge made necessary by the non-delegation of the powers of the moot; yet it could pass, while tower could not. But there seemed to be no Anglo-Saxon idea of monument, and the Eliza- bethans were so woefully foreign. The Elizabethans were not good enough for me, and I had not yet discovered Miles Coverdale. My enthusiasm was damped by another of those little incidents which make up the history of my first months with Barbezan. I had come to London well primed with commercial phrases, my tongue glib with " yours to hand of the 8th inst.," and " as per contra," and the other barbarisms, but I began to rebel. I did not like these sentences, which could be translated almost word for word into any one of the atrocities the world chooses to call business forms. I decided to redeem the unliterary City, and I decided to be original. It is digressing to tell what I suffered because I was not allowed to be original or distinguished, but I digress as docs a sheep in a new and succulent pasturage, where it town ids a tender shoot before it has munched the a just bitten off ; they are too rich, those English fields.. I suffered from obscurity because I had never Jmown it before ; as a child I had recited fables to admir- B a boy I had stacked my prizes in the draw- room and exacted tribute whenever the graveyard was (1 ; and then it had been youth, more academic modish clothes, minor prowess in athletics. I do not think I had ever hit a tennis ball over the net without looking whether the performance was • vtd. Jr J. as Hugh Lawton said, this was n<»t done. And though the avarice of this country when d of it, galled me, 1 accepted it as a harsh but beneficent tome ; was it not the custom of this northern Rome to give no credit, to recognise naught duty done? But I had to swallow my tonic, and it was nasty. If 86 THE MAKING OF AN ENGLISHMAN the draught contained in the duel was unpleasant, oti as bad and worse, had to be swallowed too. The famous Saxon business letter was one of those. I have forgotten the bulk of it, but I believe that in my enthusiasm I began by telling our correspondent, who had asked for a r -rebate on Barbezan's commission, that " We begged to acknowledge his writing of the fourth of last month " ; I then went on to " We must say, in answer, that we cannot grant that our share in the yield of the business is over great — " I assured him at the. end, having been in- structed to say that our " charges were so inadequate as barely to balance our working expenses," that " our share was so small as to be less than our need." I was called into Mr. Lawton's private room. He sat at a large knee-hole desk — a handsome man, then close on fifty and very like Hugh. In front of him was my remarkable screed. " Qu'est-ce que e'est qy,e cela, Cadoresse ? " he asked, taking it up. " That is the letter to Burland & Co.," I said. "Yes," he said after a pause; "that's all very well. But why ' our share in the yield of the business is not over great ? ' Why not 4 the commission is in ' accordance with current practice ' ? " This did not sound like a very good phrase, even in City Latin English. But I ignored that, fell back on my main defence : " Mine," I said, carefully choosing my words, " is written in Saxon, in Gothic alone." " In Gothic alone," gasped Mr. Lawton. Then he began to laugh, while I stood in front of the desk, very mortified and rather angry. " But what do you want to write Gothic for? You'll be making up charter-parties in black-letter by and by." " Gothic, or Saxon," I said, and paused reverently, " is a wonderful tongue, Mr. Lawton, it is so full of mean- ing, so concise — " " Concise," said Mr. Lawton, wickedly, " is not Saxon. You are falling from grace." BARBEZAN AND CO. 87 But I was too excited to feel his shaft. I wanted to tell him how much I loved the word " craft " and hated "art," how inferior " remarkable " was to "wonder- ful " j I was making a bad case, I was carried away by analogy; in my mistaken philological zeal I branded as Low Latin honest Prankish words which had strayed into French. I buttressed my view with Shakespeare, the Bible and Fletcher (whom I had never read); I stuttered in vain <*f forts readily to find Saxon equivalents of " psychology " and " retrograde." I tried to make him feel my craving to be English, historically English. He listened up to the end, without interrupting me, holding his chin in his left hand. Then he looked up at me with amusement in his eyes. " So you're going to be the John Bright of Fenchurch Street ? I'm sorry for you, Cadoresse, you'll have a rotten 1 1 1 j t< -. But, really, are you only a silly ass or are you pulling my leg? What are you doing? " I blushed and confessed that I had noted the idiom in* my pocket-book, for inquiry. " Well, you're trying, anyhow," he said, laughing again. " But you'd better not go too far. I'm afraid you're plus anglais que les Anglais, Cadoresse." Th«* lett< r was r« written. But, a week later, I received an invitation to dine at Lancaster Gate, of which I shall have something to say; that was a very good ending to the affair; at hast it seemed good until Muriel Lawton quietly asked me whether I was the " Girondin Ancient m." «: IV I had reprcssscd my desire to talk of Maud, though tonally arch about a certain Dora whom iroured for lunch, while Tyler and Merton frequently exchanged within my hearing views, on women where biblical BUbftantivefl and Stuart adjectives curiously with modern Cockney. Prudence or reserve pre- ed me from doing lik . nothing is, after all, 88 THE MAKING OF AN ENGLISHMAN so interesting to talk about as women, especially con- quered women. But then I had not conquered Maud. Three months had elapsed, and I did not seem to have advanced much beyond the /stage I attained the first evening, though our opportunities were many, while the tolerance that surrounded us was almost incompre- hensible. Lulu did not trouble us, any more than she troubled anybody else; the sulky flaxen-haired girl had not in three months exchanged with me more than a dozen sentences beyond daily salutations. Lulu seemed to live in a dream, and I realised that this was a dream of romance induced by her fierce appetite for novelettes. If I met Lulu in the hall she was either coming in or going out with Bella's Millions or Daisy and the Duke; some- times she was coming in with a bundle of these things, which she bought in the Edgware Road at the rate of seven for sixpence ; and though they evidently served her as a drug, she was not ashamed of them. Perhaps they were a habit rather than a drug, and they bred in me another habit, that of thinking of her (infrequently) in her studious attitude : china-blue eyes and mouth open, absolute inexprcssiveness ; she seldom laughed or wept; she read. And then she forgot. This I know, for Lulu left novelettes behind her like a trail ; I found them on the dining-room sideboard, in the drawing- room, in other places the most remarkable of which was not the bath-room. So I ventured to experiment, to steal a novelette from the new set she had left on a chair and substitute an old one, which happened to be clean. I told Maud, but she remained unmoved. " Bless you," she said, " she'll never know." Certainly she showed no sign of knowing, for she read the old novelette right through. Maud was not afflicted with the same disease : her reading, in addition to the Daily Graphic (discarded a few months later for the Mirror) was made up mainly of the Era, which she went through from title to printer's name and of the Sporting and Dramatic, in which sin- held a sixth share with "five other members of the Tinman Academy. BARBEZAN AND CO. 89 M We draw for it once a week," she confided to me; " comes in handy for cutting out ; got Sarer Bernard out of it this time, stuck her in the looking-glass." I found out that Maud had plastered the wall-paper in her corner of the bedroom with pictures of a number of actors and actresses and especially of comedians. One picture postcard, too valuable to be put in the album, was signed " Yours sincerely, Dan Leno." " He did 'em for the lot of us this summer, when old Tinman took us to his special." This is hearsay, for I had never entered the bedroom Maud shared with Lulu, and I never entered it to the end. I once caught Maud on the threshold before dinner, but as I moved she slammed the door in my face and did not speak to me that evening. Truly Mr. and Mrs. Hooper were justified in their trust ; the}' accepted that Maud and 1 were great friends, could afford to let us wrangle and talk all the evening in the dining-room. The family never assembled in the drawing-room after the first evening. " You don't mind, Mr. Cadoresse, do you ? " said Mrs. Hooper. " I think the dining-room's so much more homey." I agreed, and for my part, never put my evening clothes on again to dine at St. Mary's Terrace. We settled very comfortably in the dining-room, where Mrs. Hooper on working tea-cloths and table-centres, to be given away in due course on birthdays and Christmases ; Lulu lly read of peers, honest maidens and motor-car elopements (1 wonder whether they elope in aeroplanes in the modern novelette); Mr. Hooper was out three ■ < i !;. to my room. But Maud, on finishing the noisy i, banging an accompaniment to a monotone of her own composition : I don't care, I don't care. Let him go to I air, it care, I don't care. Let him go to Parcc-Mayfair. ne two minutes I bore with this nonsense, which 94 THE MAKING OF AN ENGLISHMAN V grew louder and louder and more purposeful. I knew it as half-defiance, half-signal. It made me tingle; I felt like a bull that becomes angrier with every thrust of the banderillas. " Stop it," I shouted as I strode to the piano. The laughing eyes were fixed upon me, the red mouth was open, and I could see the 'white throat swell as she screamed her idiotic refrain. And her gibe was so subtly aphrodisiac that I did not know how much her youth and grace drew me. I hated her, despised her ; I wanted to seize and twist her firm neck, shake her, kick her; and a sense of degradation mixed with my delight as I clasped both arms round her, lifted her off the stool : I don't care, I xlon't care, *** Let him go to Paree-Mayfair . . ' . Maud screamed as I carried her to the sofa. And then, for some moments, there was silence while I caressed her with a ferocity born of my baulked hunger for her. She laughed on a high note; she did not struggle though I knew I was painfully crushing the hand I held, though a heavy curl fell across my face as I bent to kiss her. ^She did not return the kisses I pressed upon her eyelids, her neck, her lips ; she remained quiescent in 'my grasp, as if aware tn*at she would struggle in A^ain, as if conscious that the brute must dominate awhile until fluting reason can be heard. But as I held her I was revengeful rather than joyous, for I knew that hers was but a partial surrender, that she was paying in small favours for attentions and pleasures, that I would never break the steely barrier of her coldness, that on my exceeding the limits formulated by her sex-policy I would be repulsed and dismissed. Oh, in her own language, she wouldn't give herself away. She sat on my knees, one arm round my neck, limp and half-smiling; she seemed tired, as if some content had come to her out of the wooing my prudence had rest raim <1. But there was no heat of excitement in the hand I held : it was firm, cool, able no doubt to carry without tremor a BARBEZAN AND CO. 95 • glass brimful of water. She would not spill a drop. And I knew bitterly that my eyelids were moist, as if something inside me had cried out with pain and had tried very hard to weep. She sat up and away from me at last, pushed up her flying hair. " My ! " she said; " you're a bit of all right, you are." - A very little grudging admiration filtered to me through the phrase, but she eluded me as I tried to clasp her again. " No," she said, firmly. " Never no more again, Mister. One might think you were barmy on the crumpet the way you go on, pulling a girl aboiic like a rag doll. If that's the way they do it in Border I'm not surprised you got the hoof. No," she added, a note of anger in her voice d her hand ; " it's closing time, house full. Keep off the grass, I tell you," she cried as she stood up, " and talk sensibly or " W '.- talked sensibly. I tried to tell Maud what I did at the office; I described old Purkis, Farr and the per- pendicular hairs. "Don't be dirty," was her comment on my description of Farr; Tyler and Barker gained^*o appreciation, but she seemed interested in Hugh Lawton. " Sounds like a bit of a toff." Oh, Maud, if I had met you ten years later would you !i >t have said Hugh Lawton was a k'nut ! She pestered me with questions. How old was lie? s Ik- like? But exactly? Yes, she did like 'em fair. Was lie his father's partner? Would he be? Id I? SI iih rested in everything that was did not know that there was anything rial. She did i j she spooned. She- She could not feel f hat sltt had put her foot in it. Shedidnol believe in God; she could fear hell. II'- a shadow on her mental i' his ties in the >n Arcadt\ while I bought mine in Cheapside, bo i he young m«-n who houghs thf t lie conversation, for the preoccupation of clothes, after all these years, still hangs stifling over the ion. I was again wearing the wrong clothes. I always was, and to this day I am never safe in this country wearing of the black is governed half by rules and hall by intuitions; whether I choose tails or dinner tie and waistcoat or White, I am never sure I shall be in the majority. Now clothes is the one in the world in which Frenchman who is trying i Englishman docs not want to be original. ,\Vh< : ol trying to become an Englishman, he does •niial, and I have vivid memories of a white ir, now unfortunately lost, before I red at it bewildered, as if they were Hottentoti confronted with a motor-car. But, that night, my trouble was not confined to my tie, which was blark. One seat away was Kdwanl Kent, a 108 THE MAKING OF AN ENGLISHMAN short, fair young man, who looked as if he shaved three times a day; his tailcoat was moulded into him, his tie and waistcoat sat, precise and intolerably white, on his plump body; Mr. Lawton too, wore tails, but for mysteri- ous reasons a black waistcoat, while Hugh, to make my unease complete, had dared a dinner jacket with a white waistcoat' and tie. I judged this to be modish, but remained cheerless, for one thing was quite clear : I was not white enough. When, in later days, I tried to be white enough, I was generally too white ; I could never grade entertainments, gauge the difference between dinners " Class A (family and two intimates)," and dinners " Class B (four strangers)," and dinners " Class C (un- limited ostentation)." Nor could I distinguish between the livery of the master of the house, that of youth, that of the guest— between the livery for food, the livery for song, the livery for the dance. In Hugh's 'Varsity phrase, I managed to dress either as a " cad " or as a " bounder." He never said this of or to me, as that would not have been like Hugh, but such was his classification ; for Hugh there were only the dressed, the underdressed, the over- dressed. It took me four years of labour to enter the " dressed " class frequently : English syntax was much easier. But, that night, as I rolled anxious eyes from the chattering Mrs. Lawton to the shy Edith, when " cad " and " bounder " were unknown terms, I felt like a waiter or a mute. I hardly knew what I said, as I glared at the opposition clothes, though little seemed to be expected of me save to listen. Mrs. Lawton had nothing to say, but she said it very prettily ; in my per- turbation her gossip was very comforting. " You must dislike this weather very much," she said, " after the South. I know what it's like, for I simply can't stand London after the middle of January. I simply have to go to the Rivi< "Riviera?" I said blanklf, quite unable to connect this word with the Cote d'Azur. " Yes, the Riviera. I generally go to Cannes, or Men tone, though that's getting impossible now the THE. HEART OF ENGLAND 109 Germans have found it out. Of course, there's Monte Casio, but there's too much noise, too many people; what I want is a quiet place, just to sit in the sun " Mrs. Lawton developed at immense length her idea of a quiet life ; I smiled as much as I could, I tried to smile with my ear,* I suppose, and I do not remember what she took to be a quiet life. I have a vague feeling that its quietude was rather eventful. Meanwhile I inspected the guests, Hugh and Mr. Lawton, who were as rigid and polite outside as inside the office, and then my cheerful il)our. Mrs. Lawton was pleasing enough. She looked about thirty-seven or eight, but at the time was actually forty-three, for she had the Englishwomen's •t of looking much less than their age, probably be- cause they do not grow up ; she was dark-haired, buxom, and her colour, though a little ruddy over the cheek- bones, was agreeable. I i^iled to find upon her face a trace of powder or rouge, and regretted it a little, for the loveliest features in the world are set off by the subtle wickedness of these artifices; yet I liked her, her gaiety, and her triangular eyes. It was Mrs. Lawton's eyes made one look at her twice ; to say they were triangular is the only way of saying that the eyelids drew close together at the outer corners of the sockets, while they parted a littlr wider near tli This gave the grey-green pupils an astonished, batten-like air. Mrs. Lawton's eyes were well-bred to ask questions, but they always seemed a littlr surprised when information was volunteered. She had given those eyes to her daughter Muriel, who now Iniost opposite to me, and Showed exactly what her mother had been twenty years before. Indeed, had 1 net been the taller, and had not her shoulders been rather thin, she could well have passed for her mot ter. Muriel did not return my scrutiny, for she leaned ham< dly t ..wards Edward Kent, who now sat stroking his little fat chin, while his inanieiired hand played with •_,dass of hock. 1 could hear his thin, piping voice, the conversation whicl 1 him invitations to dinner. 110 THE MAKING OF AN ENGLISHMAN " I really am, I really am,*' he protested. " You think I never do anything, Miss Lawton, because I never have anything to do. Now that's where you're wrong. It is the lazy people are the busy people because they are so unused to work that what they must do takes an awful long time." " Paradoxes," said Muriel, raising a pretty, thin shoulder. " That is to say, truths. Truth, you see, lives in a well, and you don't know that when you see the well. It's the same with paradox : you find truth in it, but you must haul her out." " Mr. Kent," said Muriel, " you are tiring me out." " You should take more exercise, then " " Oh, spare us, Mr. Kent," said Mrs. Lawton, suddenly forgetting me and the Riviera and leaning over towards the entertainer, " and tell us what happened at Caux." For several minutes I was left out ; while I ate the thin slices of saddle of mutton and found out I liked it with red currant jelly, I saw that Louisa Kent was fiirting with Hugh. She was very pretty, I thought, with her dark hair, her rosy colour; she had her brother's little fat chin, but on her it was charming instead of being faintly ridiculous. She was talking quickly, in tones too low for me to understand what she said ; perhaps she did not want to be overheard, though there was nothing in the placid smile which flickered about Hugh's beautiful lips to show that he cared. It was extraordinary, but evidently Muriel and Louisa were " making up " to the men, and these did not even swell as conquerors, they basked in the sunshine that was their due. Indeed, no man seemed to think of the women, except Mr. Lawton, whom I could hear gently talking to Edith about Brussels, which he seemed to know well. " Oh, you must ask Mr. Cadoresse," he suddenly said, with a laugh. I turned in time to catch the faint smile and the quick, shy look of the girl. THE HEART OF ENGLAND 111 " Yes ? " I said. " Can I be of service to Mademoi- selle « Oh " She paused, blushed. " It's only father. He says that it's not Bwar der lar Camber. He wants me to roll my r's like — like " " Like me," I said. Edith blushed so hotly that her neck and shoulders grew pink, and I thought her pretty. Insignificant, of course, as blue eyes and fair hair make a girl, but pretty. " Oh — I didn't mean — I didn't say that — I really didn't." Her eyes were downcast and I wondered whether there were tears in them. I felt I had been clumsy, that I had trodden on a little flower. " Cambrrr," I said, reassuringly. She looked up at me, smiled, shook her head. " Try," I suggested. " Cambrrr." But she would not try. She sat smiling and blushing, nervously tapped on a fork with thin, white fingers that trembled. M My little girl mustn't be shy," murmured Mr. Lawton. There was a new gentleness in the eyes that were rathe? like 1 " I'm not shy, father," she murmured, but again blushed. " No ? Then will the little girl say Cambrrr to her fath.i-V " y laughed together. Her father ! Her grand father rather. I looked across to Muriel, who was still wrapped up in Edward Kent. That was a girl ! and nlv I thought of Maud, her bold brown eyes. I wished she could see me then, "among the upper ten," as she would have s;iid. and I felt a little disappointed people spoke slowly, in modulated voices. They b ty, not ragging. . Lawton again turned to me. Did I like London? O oottrse I had seen all the sights, the To wer ? N<>! that been to the Tower, she owned. Did I like" the 1 1 replied. I had plenty to say, but I could 112 THE MAKING OF AN ENGLISHMAN not talk of the things I cared for, the office, my schooling, my home, the Hoopers. Mrs. Lawton made no com- ments, and her questions were not indiscreet ; she seemed to want to know only what I thought in general, not what I thought in particular. I wanted her to lay hands on my private life. I invited her to do so. " I am quite happy in my rooms," I said, irrelevantly; " the people are very nice to me, and it is amusing because there are two young girls in the house." " Oh, yes," said Mrs. Lawton, " and it's very handy for the Underground. Don't you think it's easy to get about in London ? " " Very easy," I said. " Yes, I like it very much ; and the City too. I like the men I meet. There is one of the clerks, Mrs. Lawton, whose clothes are an education, they are so good, though he does buy them in the City; he " " Ah," said Mrs. Lawton, " the City is a wonderful place. Have you seen the Lord Mayor's coach ? " The conversation went on in that way, I struggling to figure my own life, Mrs. Lawton inertly bent on com- pelling me to sink it in the life of the crowd. I wanted her to tear at my personality — but that isn't done : she didn't do it. I was angry because I was baulked, I sulked, allowed Mrs. Lawton to say what she liked, interposing a minimum of " yeses " and " noes." She did not mind. She was there to talk to me from half -past seven to nine ; if I was silent she would talk a great deal ; if I had a great deal to say, she would gracefully listen ; if I made unusual or improper remarks she would misunderstand them and suavely lead me back to the safeties of the Royal Family or the London police. While she talked 1 examined the furniture. The dining-room was what is called hand- some, for there was a red paper over a white dado, a Bplendid mahogany sideboard; I could feel a thick Turkey carpet under my feet and see expensive-looking oils on the walls. But — the revelation came suddenly — it was the Hoopers' dining-room; the wallpaper was the same, except that it had probably cost four and sixpence a piece THE HEART OF ENGLAND 113 instead of two shillings, and the sideboard was the same. True, there were no cruets nor salad-dressing bottles on it, but there was the tantalus. And the oils ! There were bad oils on the Hoopers' red walls ! I seemed to under- stand the Lawtons, the Lawton breed, the " Terraces " and " Places " and " Gardens " and " Gates " which are full of Lawtons, Lawtons all alike, who buy the same things at different prices. As I looked at this furniture and those who sat among it I understood : they had tried to be like everybody else, and they had brought it off. That was why they were Good People. 44 In the house I live in," I tactlessly said, " they have red paper in the dining-room." " They say brown is coming in," replied Mrs. Lawton. 44 I have seen it up at Egerton Jones'. What do you think of our big shops ? " I told Iter vaguely, and as I did so, listened to the conversation of the others. Kent was telling the story I have since heard in many forms, of the judge who was rude to the counsel for the defence and at last pointed to r, remarking : " It doesn't matter what you say, it goes in here and comes out on the ot her side." 44 No doubt, my Lord," Kent narrated smoothly ; 44 there is nothing to stop it." If the circle began to laugh, and before the laughter subsided Kent was talking mixed hockey; he did not spoil his effect, I heard Muriel protest against a charge of whacking tin men's shins, Mr. Lawton gravely remon- i. for whom the Steinway wasn't good M I couldn't eital in that lit tie e of having studied with Marsay if i » 8 7 " I t il pianis! I to beeoine m; Mr>. Lawton had turned . I addressed Edith. •■ 1 - e I aid. "Oh, \ (1 Edith; 44 she's been 114 THE MAKING OF AN ENGLISHMAN to Dresden and she's studied in Paris under Marsay. Now she's going to give her first recital and I'm sure she'll be a success, though she says nobody cares for the piano. She looks so well, too, on the platform ; don't you think she's very pretty ? " " Very," I said. " And you, do you play the piano ? " " A little— oh, it's nothing." Edith had blushed and stammered. Curious, she coidd chatter of Louisa Kent without a trace of shyness. but a single reference to her own affairs deprived her of all self-possession. I went on talking to her, gently, as to a child, and little by little she became able to speak to me, not freely but adequately. " I like it in Brussels," she confided. " I'm going to stay at least two years, to be finished as they say." " Well, I hope they will not finish you completely, as you are only just commenced — begun I mean." " Begun ! " Muriel almost screamed across the table, and then exploded into giggles. " What did I tell you about the Ancient Briton, Edith ? " " Muriel, my dear," said Mrs. Lawton reproachfully, but she smiled. Mr. Lawton laughed. " Your laurel -wreath as a student of Gothic is on your* head, Cadoresse." "Mr. Kent," said Muriel, faintly; "never say fork again — say prong." " I will say prong — I will say ' Je prong ' to please you." I glared fiercely at the red paper, which was no redder than my ears. They were laughing at me, all of them, English pigs, because they couldn't speak their own language. I did not reply to Mrs. Lawton 's gentle apolo- gies and requests tint I should not mind chaff. Chaff ! they call insults chaff ! Under that calm, that decorum, lies a desire to wound ; hypocrites, they never lose their self-control save when the foreigner gives them an opening. I ate my ice angrily, barely replying when Mrs. Lawton asked me questions; Hugh had smiled, and Louisa had giggled when Mr. Lawton explained the joke. THE HEART OF ENGLAND 115 " I think" it's rather a shame," said Edith's gentle voice, but I did not warm to her. I hated them all. I had barely regained my composure when Mrs. Lawton rose; there was a scuffle of chairs, a rustling of skirts as the conversation suddenly ebbed away. As I thrust my chair aside I had the mortification of seeing Kent dart past me and open the door, next to which he stood with bent head while the ladies filed out. I was gloomily conscious that I, who was nearest to the door, should have done this, but the realisation did not prey upon me, for I was too interested in Kent's sudden act of courtesy, following as it did upon his indifference to the women during dinner. But then door-opening is done. We drew together at the table ; we were already drinking port when the coffee came, and after the coffee we returned to port. The conversation was languid. Mr. Lawton asked me whether I was getting used to London; this question was beginning to be wearisome but I took it up. 44 Yes," I said. " I don't feel a stranger. Everything i easy here, for you don't have to know people long, and the fog is so amusing." 44 Oh, I say, that's a bit thick," said Kent. 44 Kent ! Another one of those and I throw you out," said Hugh. I went on, unaware of Kent's detestable pun. I said that London in the fog was romantic, that the buildings lifted up in it until they looked like Laputa floating in tin clouds. 44 You're a | id Mr. Lawton. 44 This'll never do in Fenchureh Street, Cadoresse; you'll be seeing romance in a bill of lading if you go on. Now a real Englishman lik<- yon OUghl t<> like nothing but hard fact, know facts, thousands of them " I iv< thousand," I cried. And after I had laughed I told Mr. Lawton about Mr. Hooper and Five Thousand Facts and Fancies. He listened to me, faintly smiling, no doubt because I had laughed ; lie did not seem to think Hooper so very odd. 116 THE MAKING OF AN ENGLISHMAN " Oh, well," he summed up ; " you don't know whether h«" facts won't come in handy one day." I suggested that Hooper would be better off reading the paper and acquiring political views. This did not displease Mr. Lawton, and soon he was talking suavely of the Conservative Government, to which he was opposed. At first he did npt interest me much, and I listened with one ear to Kent and Hugh, who discussed with gravity the correct strapping of skis. What their difference of opinion was I do not know, but they seemed full of intensity. 44 Of course, no one can tell how long this will go on," said Mr. Lawton. "A Government which comes in in the middle of a war may do anything it likes when the war's over ..." Hugh and Kent were still engrossed, disagreeing as to the respective merits of Norwegian and Swiss ski-running, but I did not hear the end of their debate, for Mr. Lawton had gripped my attention. "This Education Bill, for instance. Well, I don't mind religious education, far from it; but I don't think it fair that the Nonconformists should share the cost of keeping up Church schools." I asked for an explanation and received it. It was a clear, moderate exposition; without a gesture, without ^raising his voice, Mr. Lawton figured for me the dual system of English education, the Church schools and the Board schools, made me understand the grievance of the Dissenters. " So you see, that is all the trouble. I think it wrong that people should pay to have taught a creed they do not practice. And I can say it, I think, as I am a Church- man myself." " What ! " I cried. I could hardly believe him ! How could a man who professed a creed grant that other creeds had rights? " Yes," said Mr. Lawton. " I am a Churchman, and I am re^ady to pay for Church teaching, but I cunix that Nonconformists should pay for it too. They are free to believe what they choo THE HEART OF ENGLAND 117 " Should not your religion dominate ? Why don't you burn them ? " "" We did, once upon a time," said Mr. Lawton gently, " but we're wiser now. And we never burned them enthusiastically. After all, a man may believe what he chooses." " I can hardly understand it." " You couldn't, you're French. I suppose you're a Roman Catholic and " " I'm an atheist," I said, roughly. 44 Oh ... of course, you're free to believe what you >se (the fetish phrase !). There are lots of agnostics in this country." True, in moderate England the atheists are all agnostic. Mr. Lawton continued mildly to dilate on religious free- dom. I was amazed ; he seemed so ready to allow people i ve their own souls ; he seemed so devoid of rancour. He was certain of nothing except that men should be free. I did not, before I met him, understand that for the English ■veral ways of reaching heaven. And he could discuss politics without excitement; he did not interrupt me when I opposed him, he did not anticipate my questions, or shout, or call anybody a traitor or a hireling. Hugh and Edward Kent heard us, no doubt, hut did not seem to want to thrust their views upon us; they talked indolently now of the hotels of Vermala and Caux. •• Have some more port, Cadoresse," said Mr. Lawton. I m out another glassful, then returned the deeaiiter to him. ., no — not that way — jpyc it to me, Cadoresse." a shout. The three men had burst into animated protests; they were almost excited. I looked at them, dumbfounded, th< decanter in my hand. Hugh 1 1, while Kent, with outstretched hand, Seemed taut with excitement. And there was a Hush on Mr. La wt on's I v>i that pray, nol Ilia' .id in a loud voice. J5ut what had I done, what had I done? AH three explained together, interrupted one another, offered 118 THE MAKING OF AN ENGLISHMAN explanations, seemed ready to consult history books to seek out the origin of the tradition. 44 The way of the sun, the way of the sun," said Mr. Lawton ; c Vgive it to Kent." As we rose to go to the drawing-room I was still trying to understand : politics, religion, these things could be viewed temperately, but there might be a riot if the port went from right to left instead of left to right. (I am not yet quite sure which way it does go.) And these are the sons of John Hampden ! We lingered in the hall, looked at the hunting pictures. Kent asked Mr. Lawton where he had picked them up, while Hugh offered to show him the two new ones he had temporarily hung in the morning-room. I was impatient, for I wanted to join the ladies. But we lingered again on the stairs, and Hugh resumed his argument with Kent as to the Swiss hotels. At last we sauntered into the drawing-room, as if we were indifferent to the women. The three men certainly seemed careless ; they smiled but faintly as each one moved towards an empty seat, idly sat down; it was cruelly significant that Muriel and Louisa Kent should both have in their eyes a gleam of interest for Kent and Hugh who so languidly came to them. And it was, perhaps, their languor partnered me for a while with Muriel, while Louisa succeeded in capturing Hugh. Mr. Lawton had deliberately chosen Edith, and soon I could hear Mrs. Lawton laugh at Kent's jokes? Were they jokes? or was it some artificial quality? I exclaimed as I sat down, for the seat was very low. 44 Did I leave a needle there? " Muriel asked. 44 Oh, no, but this chair is so low. But it's quite comfortable, very soft." 44 Don't you have soft chairs in France? " 44 No, hardly ever. Fine straight chairs — Louis XV, Louis XVI, Empire — you know wii.it I mean." 44 I don't," said Muriel. 44 I'm awfully ignorant." She laughed again, and I had to admire her dark hair, her white skin, her extraordinary triangular eyes. ".Tell me what a French drawing-room is like." THE HEART OF ENGLAND 119 I described our graveyard, Empire sideboard, garnet footstools and all. " It doesn't sound comfortable," said Muriel. " Don't you like this better? " She nodded towards the chintz- covered settee, now occupied by Kent and Mrs. Lawton. I examined the detail of the room and found it singular. With the exception of three mahogany chairs, Chippendale I believe, there was not a piece of furniture into which one could not sink. The settee looked like a swollen bed red with pink-flowered chintz; Mr. Lawton half dis- appeared in a similarly covered grandfather, while the others lounged on padded tapestry. Under my feet I could feel a thick carpet; I could guess that the green velvet curtains were very soft. But I liked the room, white walls, the water colours, the small gilt mirror over the mantelpiece, the flowered cushions. I liked it and 5 Iiy of it. I said, " much better, but . . ." it?" " Hut ... a drawing-room, you know . . ." " Oh, it's hardly a drawing-room ; we sit in it half the day." .Veil, that's it," I blurted out; " it doesn't feel official. Now if you had white and gold walls . . ." tad kept it neat?" said Muriel, and smiled rather wickedly. I found my eyes straying to a little stool on which was a piece of unfinished fancy work, to the brass fender ing papers had fallen in a pink and i heap. Muriel followed the direction of my looks, .'. herself back in her chair j her slim white shoulders shook as she laughed. " M aid in a loud voice. " Mr. Cadoresse itidy. He lays we leave the papers about ash on the Moor; he says " M I " I eried in iuueh distress. " I assure you, ■ "I you didn't," Mr- Lawton interposed. " T Muriel, and no more will you if you're wise." 120 THE MAKING OF AN ENGLISHMAN I recovered my ground, apologised for nothing, quite honestly reviled the French gilt chairs, our stiffness and stuffiness. I warmed, I converted myself, I felt almost sure that a drawing-room need not be a holy. I tried not to be angry with Muriel, to remember that the English chaff, and succeeded, for she was charming now, though her eyes often roved towards Kent. " I am bored with the theatre," said Kent ; " it's so uniform. If only the frivolous plays were deep and the serious plays were skittish I'd go and see one every night." " Don't you think Mr. Kent very clever? " said Muriel. " Very amusing," I said, observing that this was the first personality I had heard that evening, and wondering what it implied. " What does he do ? " " He's a barrister. It's a pity. I'm sure he would have preferred a fellowship at Cambridge." I obtained a vague idea of the meaning of " fellow," gathered that Kent's capacities were mainly academic. It was intolerable that this pretty girl should praise another man to me. So I spoke of my own career, of my course in economics, political finance, international law. " How very clever of you," said Muriel, respectfully. " You must have been a swat," said Hugh. "A swat?" " A mugger. A hard worker." " I suppose so. I was seventh of my year." I pre- tended to be modest, but I happened to know this formula; I was very proud of the achievement. " Good for you," said Kent ; " when I was at Harrow I only wanted to be a blood." " Out of two hundred and eighty-five," I added, without even feigned modesty. There was a short pause during which everybody seemed to be looking at me. Then Hugh laughed a little shrilly. " Lord ! I was sent down." " Hugh ! How can you ? " Tli' chorus of protests through which I gathered that Hugh had not been sent down, that he had come down THE HEART .OF ENGLAND 121 with an adequate degree. I wondered why he should belittle himself. I did not do so. While Muriel continued to talk, of a play I think, I remember that a very distant memory came to me, a memory of a handsome middle- aged man who stood in a Bordeaux drawing-room in front of a small black-clad boy, and told him that in England people didn't know anything. He, too, had belittled himself, and I threw side-glances at Mr. Lawton, the open-minded advocate of popular rights, wondered why he, too, hid his merits. Muriel refused a cigarette from Kent, with an osten- is " Not in public." " Do you smoke in private ? " I asked. M Rather. Then father hasn't got to know." "But he does know? " " Oh, of course, but he's not supposed to." T<> know and not to know. Well, I suppose it made life easier. Muriel vowed it did, pleaded for peace against clarity. I was ready enough to be convinced. ;id, of course, I always have my whisky and soda in bed." I looked at her, shocked; I could not believe that she :s, thai her lovely lips were soiled with spirits and tobacco : but the inner Frenchman -in me spoke : " Y- . II.: sh ladies all drink." It was too late to call if back, My remark was retailed all round, and at intervals 1 was made the butt of the evejii d if I drank to my fiancie only with mine by Muriel to drain a bumper of wassail with tilery, told by Mrs. Lawton that she adored methylated spirits. d nul Buffer as mueli as usual. I was getting hard- tnng to understand the English; I H a black eye or anything I Mn: loWTJ ;it the piano, played some Henry VIII ces, while Hi . I. nrton I >ld me what plays I ought to s< ■ I disdain of the music, assured me that "blast men scored, for they expected so little that 122 TPIE MAKING OF AN ENGLISHMAN everything amused them." I talked to Hugh, exclusively of myself and uninterrupted. It was getting late when, , at last, Edith was pushed to the piano by her father, made in my honour to sing a French song. It was the pretty little lay of a conscript's bride, tripping, sentimental, where village rhymed with courage, amour with retour. She was like a shepherdess of Dresden china. Her blue eyes were misty and as she sang her neck swelled towards me, a little as that of a slow-moving swan. I looked at Muriel, at her slim shoulders, her strange eyes. II I walked home slowly along Oxford Terrace towards Edgware Road. The dull light of the gas lamps was reflected in the black varnish of the wet pavement. As I walked, undisturbed, save when a cab splashed through the puddles, I tried in vain to relate these people \o one another, to analyse them and of their elements to make a whole. They were all different, as half a dozen French people would have been different, and yet had that something common for which the French group would have had a national equivalent.; Kent's bland brilliance, Hugh's calm, the frankness and liberalism of Lawton . . . discords, and yet over all, a concordance of behaviour, manners, therefore morals. The men were linked to the women, to the garrulous and discreet Mrs. Lawton, to shy Edith, to g$y, audacious Muriel. I thought most of the things I could not see, of their reticences. Yes, that was the link : they all held back. At the corner of a side street I stopped to let a four- wheeler pass. The old driver, who looked in the night like a bundle of rugs, pulled up in front of me. "Got a light, mister? " I handed him my matchbox, and as he lit his pipe, observed : " It has been raining, has it not? " 3 " Mum," he grumbled, " yes. Not much in it for me. Ain't a night for old ladies." THE HEART OF ENGLAND 123 I made a polite sound. The old cabman puffed at his pipe, declared that times weren't wfyat they had been, wondered what they would be soon. " I suppose you're going home," I said, as he did not whip up. " Shouldn't be hanging about if I wasn't. Been out since ten this morning." He paused. Then : " Well, mustn't keep the missus wailing, or she'll have the poker ready for me." He clucked, shook the reins, and as the old horse leisurely strained at the harness, added humorously, " No, it wouldn't do; mustn't let the turtle soup get cold." He, too, was an Englisliman. But was he ? And as I thought of the old cabman I felt less certain of his nation- ality. Heat and cold, money, food, a wife, those were his thoughts ; was there anything to show that his moral outlook, his standard of art, his hopes for a future of ease and peace, differed from those of any cabman who at thai time sat on his box in Bordeaux, Naples or Berlin? Those classes are all alike, can know nothing but the primitive : they have no time; they must eat, love, die, and that is a big business. Some may be gay and others dour, some bait the bull in the plaza and others back cocks for a WBger, but the varnish upon their souls is very thin. And . the intellectuals, the artists, they are linked by the fineness of mental tilings as the lower folk arc linked by the material ; it is a Swinburne for a Baude- Spinoza for a Descartes, a Dostoievsky for a StendhaL They, too, are alike, think alike. □ the highest and the lowest lies the nation. The nation is made up of those who have leisure and mon< h to think not too much of material things, and yet no spirit to transcend these. The. nation lies ! he plebeian and the intellectual patrician. As I walked away towards the Kdgware Road, where the poor were making merry in as cheap and ron< < ■ausc she would like to have it to humiliate Id associates, to rise, and she probably nursed a dim equivalent of lex talionis. To marry a " toff " would be When she said, "Ain't I good enough? " poke with the voice of all the girls of her class whom aristocrat yed on, and almost said, "An eye for an eye, a tooth tor a tooth." I could not protest, for : Id riot off : I eouKl only say : darling, I love you," and she, " You can tell the ire thai the Lawton girls made up tl . and Bhe was darkly jealous of the adniira- nad convicted me of feeling for Muriel and her triangular ey out," she said ; M triangular you call it, as if a gl I'd have an eye like that. Shape of a d;, il, anyhow, so you look out." Then she would i ere protests that she 128 THE MAKING -'OF AN ENGLISHMAN i was much prettier, repulse my .advances, later woo me back and, when successful, repulse me again. She feared Muriel, for she had to confess she " sounded all right," but laid no stress on Edith. She knew the sort : been sent to the cleaners too often, like Lulu, and got all the colour washed out. Maud annoyed me when she attacked the Lawton girls. I was not in love with either, but they were apart from Maud as fremi me, and when she sneeered at their " quite the lardy " manners I felt like a devout Catholic who sees an irreverent tourist try to enter a mosque with his boots on. IV Maud had matter for her questions. As the months passed and the English summer shyly- sidled into the country, I went more often to the Lawtons, on Sunday afternoons, on Mrs. Lawton's at-home day, not then abolished by fashion, a little to the houses of their friends. For I was still a curiosity and, as such, well received. " One never knows what you'll say next," said Mrs. Raleigh, the comfortable wife of Colonel Raleigh. " When you begin to talk, Mr. Cadoresse, I'm always afraid that it's going to be quite dreadful." " Do you mind it's being dreadful ? " I asked, audaciously, for I resisted Mrs. Raleigh no more than I resisted any other woman. I must, loving them all, suggest to all women that I love them. Audacity is the path to love. " Well . . . no," said Mrs. Raleigh, " perhaps I don't. It's refreshing to hear you talk of the latest society divorce as if it were an everyday sort of affair, but you oughtn't to." "Why?" d " qh, how can I tell you ? ... We don't do it. Of course, we know these things happen, but " " But you think they only happen in the papers? " " You're too sharp for me, Mr. Cadoresse," said Mrs. Raleigh, with a mock sigh. She leaned back in her chair, THE HEART OF ENGLAND 129 smiling at me with her very good teeth; she was forty- five, but her wavy brown hair, her fine skin and bright blue eyes were still attractive. If only she had worn proper stays ! But those Englishwomen are always unconsciously insuring against temptation. " Still," she added, " you oughtn't to talk like that. It's silly of you to say we think those things only happen in the papers. We know all about them, but we don't think it necessary to discuss them ; there are lots of things wc don't discuss " " For instance ? " " If you think you're going to entrap me into discussing things with you by telling you which are the ones I won't you're wrong, Mr. Cadoresse; I'm not to be caught like that. No, there just are things we don't dis- cuss publicly — we don't see why we should ; they're quite unnecessary. Why should, we trouble about the un- ant things ? They do none of us any good and they do harm, while there are so many pleasant ones." My conversations with Mrs. Raleigh generally ended in this way. She was not narrow, she was almost racy sometimes, but there were things she liked to have illusions about. This led me to talk seriously to her, which generally made her laugh and say, " Oh, of course, you're a French- man, you can't understand." That phrase always exasperated me. I didn't want to be a Frenchman, so I tried to understand ; it was not easy, even with faith to help me. On those occasions I generally lost my head and shouted. If'Colonel Raleigh and Gladys were present I ma ber ridiculous, for my careful pronuncia- tion failed me. On one occasion Colonel Raleigh tactfully inter 1 tried to change the subject by making me talk of th her I si ill had friends there, and in my excitement I managed i<> tell him that I ' t al Tours, in a regiment of dragons." Leigh left the room, declaring that if he art would . Raleigh and lys apologised. 1 quite unnerved, and that was the day I referr d to the ik tablecarpet." Tiny did F 130 THE MAKING OF AN ENGLISHMAN not chaff me mercilessly, and indeed Gladys, whose precise, pale face and quiet manner had designed her for a schoolmistress, promised to drill me in the mysteries of the words which end in " ough." I think they liked my absurdity, the occasional incongruity of my frock- coats and brown boots, my unexpected accents and the general strangeness of my point of view. And yet I did not want to be strange ; I had done everything I could to be an Englishman; I knew London well, had even explored several suburbs; I had learned to like English beer, to open the door for a lady, to say that Fiona (the Lawton's Scotch terrier) "ought to be shown at Cruft's. I had even- begged a morning to see the Boat Race, which was very dull, and had taken part in Boat Race Night, which was very mild. I was an oddity, outside them. " You are not one of us," said every lineament of Colonel Raleigh. I admired the old soldier, knew the tale of the fort he had held near Chitral, knew that he could not cheat at cards, or give a woman away, or wear the wrong hat : but I could not connect him with my own old colonel, who was fat, took snuff, and whose amorous adventures were the talk of our regiment. Colonel Raleigh was not very human, or rather he was no longer human. He was an officer and a gentleman. There were others, too : Bessie Surtces, dark and madonna-like, except when she was in Switzerland and purposely fell into the snow when a curate or a school- master were near enough to pick her up. And Dicky Bell, tall, upright, bird-like, who was ashamed of his grammar school, and Archie Neville, who dressed on nothing a year. They whirled about me, all of them, amiable, dignified, and well- washed, asking me general questions . about French customs and tolerating the answers, revealing themselves but slowly and reluctantly. Chaos still reigned in my mind. It was many months before I knew that Bessie Surtees was trying to make me propose to her because this was one of her habits, and that she had a brother in the army THE HEART OF ENGLAND 131 for whose sake her father had mortgaged his life insurance. They refused themselves, and even Dicky Bell, who talked, gave me little more than a hint of severely regulated affairs of the heart. They wanted to talk of theatres, games, politics (a little), France, but not of themselves and me. And yet I loved them, because, in their own word, they were " decent." I might inwardly rage and long to ask questions, though I knew they would evade them, but I knew that Bessie Surtees never told a lie, while Dicky Bell spent half his evenings drilling boys at a settle- ment for the fun of the thing. And Archie Neville, who was not sure that twenty-five francs went to the pound, was poor because he had shouldered a dead father's debts. Simple and simply fine, they were hard to themselves, these Romans. These people made me think of their own houses, houses*, of the Queen's Gate type. No man can live in those houses unless he has five thousand a year, and yet no man gilds his door, which he could well afford to do. They take it coolly, all of them, and never talk about it. That sort of thing gives one the measure of the English quality. V Into the midst of England fell, every week, a letter from my mother, a letter she wrote every Friday and will write every Friday until one of us dies.^ It was written in the fine sloping hand the French call English and the English Italian, with violet ink on cheap white paper. lwavs filled foul I o more, no less, as if she kept on those shelves which I like to put up in her brain, rv marked " News for Lucicn," and every week took out just enough notes to make up- my ration. Her letters followed a Ian : 1. Hopes that my health was good. 2. Her health and Jeanne's. 8. Hopes that I was doing well in business, feOC and warnings IKm, at k and loud clothes). ! my Saint's 132 THE MAKING OF AN ENGLISHMAN day the four sections were reduced owing to pressure on space, for congratulations were included. At Easter I received a flaming heart, or chromolithographed angels. On the anniversary of my father's death came the yearly reference to him, a hope that all was well with his soul, and this formula : "I shall go and lay flowers upon his grave to-morrow. As this is the month of May, the flowers are beautiful." Dear mother, I know you bargain with the flower-seller for those flowers, try to make her abate her price by telling her that they are for the dead ; you loved my father economically, but you loved him dutifully, for he was your husband and could not do quite wrong, as you love me cautiously, for I am your son and cannot do quite right. Your letters are written in another planet, where people do extraordinary things, where Jeanne goes up for her Brevet Ele?ne?itaire, where the vine has bad years and M. de Pouvonac stands as a Catholic Republican for the Bordeaux Town Council. In those days you were incredibly remote by the side of this English knowledge I had so greedily been sucking in; I began to see you and the things that surrounded you as toys with which little foreign children played. For the English held me by maintaining me in the middle of their whirlpool. Their faces flash past me as I think of them, and I cannot remember where I saw them, these people ; some of them are dead, some gone, some merely older and friendly; one of them will endure for ever, and for ever beautiful and young. Among them is even the black face of a dog. It is the face of Fiona, the Aberdeen whom I saw for the first time as she sat on the mat outside the dining- room door when 1 entered the house of the Law! As I took off my coat she surveyed me with unemotional calm, as befitted her staid portliness; she winked round brown eyes at me from under her shaggy eyebrows; she did not growl, or stand up; she moved so little as she watched me that the dull sheen on her coat seemed fixed. Fiona was Scotch, therefore more closely allied to the true English than the soft people of the South. THE HEART OF ENGLAND 133 She seldom hurried ; when she wanted a door opened she scratched it with indomitable obstinacy; if she required sugar she sat up and monotonously waved her front paws. She never barked except for a purpose. She never loved anybody nor hated anybody, but she could show her liking by a small wriggle of her twisted tail. Amiable, self-centred, resolute, limited, brave enough to three cats together, Fiona was an English dog. Other scenes and people too, dinner-parties, Sunday afternoon calls, Saturdays at Ranelagh, the River, all splotched with white, and pink, and blue, the Strangers' Gallery, and restaurants and English taverns, the Horse Guards, the meet of the Four-In-Hand Club, the inside of the Stock Exchange (a dangerous expedition), the ritual fish lunch at Simpson's — these things rise up and all blur together into chaotic early impressions of slow, steady men, youths with all the purpose of their lives in their strong arms and legs, and girls with lily-petal skins. I love them; I like to think of them because they can live without care for age or fate, because for them life is so like cricket that an ugly deed is " not cricket." Cricket ! I was bent on being English and mastered the rules of the game; I grew so enthusiastic that I ran out of the oflice on certain afternoons to buy a paper and see what was the state of the score at Lord's. I watched football matches, sagely preferred Rugby to Association (at the beginning; later I thought more of soccer than rugger). I found with melancholy that I !d to take up the game, was by Muriel tactfully directed towards tennis. Oik tennis-party, a very early one, I remember best. and the Ral longed to a club near Souj they p! atatiously on They rejoiced in the sin until a little guilt <1 as a guest, I figure myself, lookir • rkin my white garments, collarless*. unfortn! in blue silk. Partnered by Muriel, I pj od Glad igh, rather badly. I think ii and I were a study in contrasts, for he seemed 134 THE MAKING OF AN ENGLISHMAN slow, almost lazy, struck swift and very low balls towards the bottom of the court, while I leapt into the air, struck wildly and savagely, aiming straight at Hugh's feet or at Gladys's left. I am sure I would have fouled if one could foul at tennis, for I wanted to win, to extract admiration from the little crowd, Colonel and Mrs. Raleigh, Eorth, Mrs. Lawton, who seemed amused by the per- formance. With them was a girl I have never seen again, a Miss Fox-Kerr. But the game was going against us. Having led off by winning my service and Gladys's we began to lose ground, were beaten four times in succession. Muriel ran in vain, begging me at times not to hit all the balls into the neighbours' court. I recovered a little, made a few lucky shots, looking every time towards the spectators to see whether I was watched. I felt angry because the relaxed look on Miss Fox-Kerr's long face told me that her attention was fleeting. But she was watching me all the same, for she smiled, said something to Edith which made her giggle. My wounded pride translated itself into wilder hitting, while Hugh's long arm worked like a machine. At last came the crucial ball of the last game, a swift return from Hugh. ... I heard a cry of " Back I " from Muriel. ... I struck, heard the sharp " splack " of the baft against the net ribbon. I also heard a con- temptuous " Pff " come from Miss Fox-Kerr, saw her lips purse up. I said nothing in reply to the cry of " Game and," for my soul was full of hatred, I could not trust myself to speak in presence of this girl. I have learned to be a sportsman now, to take my beatings and my chaff, to win without strutting, but I think I hate her still, this dim girl, before whom I was a fool, who knew I was a fool and did not conceal it. She is in my little museum, by the side of Chaverac who saw me exposed as a coward. And alf goes fleeting : Edith, who in those days appeared only three or four times a year when the Brussels finislnng school made holiday; Muriel, with whom I had a timid flirtation, who good-humouredly accepted innocent kisses when Edward Kent's superior fascination palled on her. THE HEART OF ENGLAND 135 Maud even, that continual irritant, is less vivid, for her attractiveness wore a little thin as I grew accustomed to the exasperation her presence and her inaccessibility- provoked in me. Besides, a new feeling was born in me, a curious feeling towards women which had no roots in my Latin temperament. Very slowly I had ceased to. look upon women as toys; England was beginning my sentimental education. I had been prepared for my evolution by Barkers lecture on good women and bad, by his analogous but less strict division of men into good and bad. He had not shaken me at the moment, but he had sown in my mind the seed of a new flower called purity, which blooms more readily under the pale English sky than in our own fierce sun. He did not influence my conduct, but he made it possible for my conduct to change ; I was ready to modify my standards, then, when Hugh suddenly opened to me. We sometimes, in search of exercise, walked westwards from Fen church Street to Marble Arch, an incongruous and not unfriendly couple. I liked Hugh, and though we never had much to say to each other when we had ex- hausted skysigns, the play, and the contents of the evening r, it pleased me to walk with this handsome figure. evening, as we jostled through the press in Cheapside, 1 broke off in a sentence to exchange smiles with a young furl as sli us; I even turned to look back at her : it was harmless, even from the English point of view, for nil I wanted was to gratify my own vanity, to see he, too, looked back. But, after this, I had for some minutes the conversation to myself; Hugh did not say a word until we reached Holborn, when he suddenly <1 my comments on The Chinese Honeymoon* 44 Look heie, C aid, haltingly; "you know, you oughtn't to do that." 44 Do* what ! rls in the street. I wish you wouldn't." 'I threw him a quick | The admonition had disphascd me, but il ontenoe had surpi and moved me a little, for Hugh had never before con- 136 THE MAKING OF AN ENGLISHMAN nectcd himself with me, and now he was trying to express personal interest, to drag himself out of his unemotional Enstfishness. "Why?" I asked, gently. " It's jiot done. But it's not that only," he added, hurriedly, as if dimly aware that this reason was not enough ; " it's not what a decent sort of chap does. You see, that kind of thing's rather cheap ; if you get snubbed you feel very small, and if you don't, well, you ought to." " But how is one to know people one wants to if one can't get introduced ? " " Oh, you know I don't mean that," said Hugh, rather acidly. " Those aren't the people you might get intro- duced to; I don't set up for a saint, but a man's got to keep away as much as he can from that sort of thing. He wants to forget all about it, keep his head clear for the things that matter. He can't be big unless he's straight." " Galahad," I said, ironically. M Who's Galahad ? " " A man in a book." Hugh was Galahad sans le savoir, then. " Never mind, go on." 44 Oh, I'm not going in for pi -jaw, but believe me, Cadoresse, I'm right and you're wrong, even if you are cleverer than mc." I protested, though I did think myself cleverer than this fine fellow, whose clear blue eyes seldom held the animation of an idea. But he did not pursue this side issue, for he apparently knew that he was not very clever and accepted the fact without demur, while he was bent on reforming me. 44 That sort of thing," he began again after some minutes of silence, during whicli I waited anxiously for what he would say; 44 it's all right for . . . well, ail sorts of people . . . the fellows at the office. . . . They do that sort of thing on the pier at Hastings ... by the bandstand, all that. But somehow a fellow like you can't. Of course, I know you're French and it makes a difference, but you're in England and you've got to choose . . ." THE HEART OF ENGLAND 137 We walked along Oxford Street and I said very little wliile he floundered, trying to say what he thought, drawing back because he was afraid of preaching,* and sometimes quite unable to express himself because he so seldom did express an idea. But his lecture came down to THE CREED OF A PUBLIC SCHOOL BOY 4i I believe in the gentlemen of England. I believe that I must shave every morning and every morning take a bath, have my clothes made to order, in such wise that no man shall look at them twice. I believe in the Church, the Army, the Navy, the Law, and faithfully hold it to be my duty to maintain myself in my caste if Fate has called me to a walk in life other than these. I believe that I must have a decent club. I believe that I must not drink to excess, nor be a teetotaller. I believe in my father's politics. I believe that I must not tell lies, nor cheat at cards, nor apply the letter of the law in games. I believe that I must perjure myself to save a woman's reputation, even if she has none, respect all women, except those who are not respect- able, for they are outlawed ; I believe that I must !d my passions in check, feci shame when they me and yield only in secret, because I am a gentleman of England. And, above all, that which I believe I must never tell." It moved me very much to hear Hugh telling, violating for my sake the canons of his reserve, compelling himself terfere, because it m straight thing," "the handsome thing." When he had done I was silent for g time, so long that we did not exchange a word until M Arch, where our roads diverged. Then h suddenly spoke again : "• You know ... I don't want you to think . . . well, I of thiir '1 believe it if yon tti 1" . . . p i ni wrong. I can't be • right, only I've always taken all that for - 138 THE MAKING OF AN ENGLISHMAN granted ... so I don't want you to feel . . . hurt . . . or anything . . ." I shook hands with him, hard. " That's all right, Lawton ; I understand. It's very good of you ; I feel ..." " Good-night, good-night," he said, hurriedly, and walked away from me. He could not bear my thanks, for they made him see that he had " given himself away " ; he disliked the idea of preaching, disliked the half-apology his heart had dictated, disliked my quick, over-emotional response. He walked away, very fast, as if he were escaping from some menace. Perhaps he was afraid that I was going to kiss him outside the Tube Station. Unaccountably, much of his spirit entered into me ; the samurai began in my heart to struggle with the voluptuary; I saw more grace, less seduction, I saw grounds for respect, and self- respect, decencies, 7 knightlinesses, all kinds of lofty but appealing fetishes. The samurai did not triumph, and has not yet triumphed, perhaps, but he fought hard for the dignity of my soul; he was often beaten, on those nights when I paced my little room, avoiding the sickening sight of " In the Garden of Eden " and " The Jubilee Procession," on others when a sudden gentleness came over Maud and she was all allure. But I tried, for you can be a Frenchman and just be a Frenchman, a German, and that is enough ; but what's the good of being an Englishman unless you can be an English gentleman too ? PART II CHAPTER I , E D I T il LA\fTON Suddenly I became aware of Edith., I had been in England just two years. Across the dissolving view of my impressions she had flitted from time to time, a fair, gracious tittle figure. Flitted ! Hardly; while bolder actors held the stage she had stood in the wings, watching the play, shyly peeping from behind the scenery, showing in the shadow her pale golden head, her tender blue eyes. And if ever I looked at the figure it blushed, soon with- draw, as a dryad might shrink away from the gaze of a sat yr. I had seen her only during the short holidays of the an school, at that first dinner, then again at the tennis ., some afternoons at her mother's house, not ten in all. She had never math red; she had been , like the white walls and tin- flowered cushions of the drawing-room; she had talked to me a little more readily after the tennis-party, tor site had resented the inptuous " Pff " with which tyiss Fox-Kerr branded me. I knew this, for we had exchanged a few words ernoon. ■' I lay badly/ 1 I loomily watching mortified and hunched-up in in; the colours of which I was not led to use, M 5Ton d y badly." said Edith; " you only want practice." 130 140 THE MAKING OF AN ENGLISHMAN " No doubt," I replied. I was curt, for that was not the remark I wanted. 44 You play quite as well as Miss Fox-Kerr, anyhow." I threw Edith a side-glance. Why had she picked out the girl who had insulted me ? But Edith's reply to my next sentence made her attitude clear. " She does not seem to think so," I suggested. There was a pause. Then Edith said, inconsequently : " I think it's rather a shame." I made no comment, but I understood her; I looked at the slim white fingers that grasped the racket, thought I "should like to kiss them, to kiss them not so much because I wanted to kiss them, as because such a gesture would express my gratitude. But one does not in public kiss the hands of shy English girls ; I said nothing, because I should have said something emotional, and I knew already this was not done. Bufe*^ when Edith returned to Brussels, and whenever she came back, I did not forget. Now and then, when I sat in my room alone, Hecate sent me a graceful empusa. The ghost always said the same thing : " It's rather a shame." I must not exaggerate : I did not so very often think of Edith while she was at school, for the claims of new common things, of England, of my business, of Maud, of others, of Muriel, tended to fill my mind. My relation to Muriel was peculiar, for the girl did not set out to fascinate me, being more drawn towards Edward Kent and, in his absence, to others amongst whom I did not greatly count. Yet she was friendly, and, while treating me as a friend, treated me as a man : that is, as a creature susceptible of becoming a lover. She did not admit me as a lover, but she did not consider it impossible I might become one, for she was light enough and, so far, untouched enough by love to make no emphatic distinctions between men. Ours was a comradeship, an amittt amoureuse. "Hello! what's to-day's tie? Valenciennes? Poirt d'Alencon ? " 44 It isn't lace," I said, roughly. 41 It looks rather like it. Now Mr. Cadoressc, if I were you I'd go in for Irish; it's more solid, more manly." EDITH LAWTON 141 " You know quite well I never wore a lace tie. A little insertion " 44 I'll be fair. It isn't lace to-day. It's more like the Mediterranean." 11 Do you want me to wear black? " k " X". of course not." Muriel grew serious, ceased to chaff me. "Don't be obstinate; go to any place you like in Jermyn Street and ask them to sell you the tie they've sold most of during the past month, and you'll be all right." It was Muriel, in her kindliness, anglicised my clothes as soon as she became friendly enough to criticise me to my face. She also gravely taught me the things to do. " You've got to be smart," she said. "A man's got no right not to be smart. It's the only way he has of looking pretty. Now he mustn't look like a mute, and he mustn't overdo it. You did overdo it with that suit of yours, the teddy-bear, Hugh called it " '" Well, I saw it in the window," I said, flushing. 44 If a suit is exposed for sale, the buyer is exposed to ridict 44 I will bet that sentence is one of Kent's." " What if it is? " Muriel threw me a rather spiteful glance, then relented, not displeased by my suggestion Kent condescended to be brilliant for her sake. 44 It's true. Now listen, Mr. Cadoresse. . . ." I owe a great deal of my education to Muriel; she was fundamentally dashing; she classed people by their unes and places of residence. In her own words, 1 no use for people whose fare to the City was ice M j the did pise these people : she DOied t hem. It was Muriel explained to me that »urt wasn't right; bui that the Welcome Club l> oo1 to go to the seaside on Sunday League hilling for tea in Bond dthout, thai I bad better pave no club than join one v, bich had no waiting I 14 And d v off," she said. 44 It isn't done. You tell people how well yon did «>i or what a 142 THE MAKING OF AN ENGLISHMAN lady-killer you arc, or that you can pull twenty miles without feeling it." " Well, I can," I said, sulkily, as I thought of a wonderful Sunday with Maud between Hampton Court and Staines. " There you go again. Don't say it." " I suppose you think I'm a bounder." " If I did, I wouldn't say so. I wouldn't talk to you." I unbent. I even took her hand, told her she was very sweet to me, tried to kiss her; she resisted me at first, but soon surrendered, with a serene indifference which ought to have told me .she valued me no more than the others. Like most English girls Muriel did not care vety much whether one man or another made advances to her ; if she invited his attentions it was to satisfy her vanity. She liked me, was amused by my Frenchness, the un- certain temper she so often had to soothe; she found an obscure maternal pleasure in training me. She was not in love with me, and I could not fall in love with her because I knew she did not care. Thus my heart was free when Edith returned for good. This was in October. I had not seen her for six montlis, for the Lawtons had settled at Ostend in August, and she suddenly struck me as new. She was eighteen and had grown a good deal ; this I judged early, for I did not know I would find her as I entered the drawing-room on a Sunday afternoon, when the air was still warm and glowing. She stood at the open window, and had evi- dently not heard the maid announce mc, for she had one hand upon the window bolt and was looking out towards the Gardens. As I came in and stood watching her, Fiona turned, came towards me, faintly wagging her tail, stopped a yard away and, lying on her back, gazed at me with unebullient friendliness. I could see Edith's profile, the pale gold of her h;iir, now " up " and dressed in soft coils, the low forehead, the small, straight nose, the little pink mouth with the serious air. Upon the boll. Kay her slender, white hand; as she stooped I observed, detached as if I looked at a statue, the* long curves of her arms and EDITH XAWTON 143 shoulders, the noble straight line of her back. Upon the carpet Fiona lay and rubbed herself, grunting a little with content ; very lightly her tail went " swish, swish '* •across the pile. >th turned round, saw me. But she did not blush bright as I expected ; a faint flush, no more, rose to her ks. She smiled, came towards me, her hand frankly outstretched. " How do you do, Mr. Cadoresse ? I didn't hear you come in." " How do you do ? " I released her hand, which I had held just that fraction of time which expresses significant instead of emotional salutation. She did not seem disturbed, sat down on the e, indicated a chair with a movement so gracious that it chilled me a little, until I realised, which I did within a lew minutes, that Edith the child had become a woman. She was a woman, though but eighteen, having forced towards maturity by association with the bolder Belgian and German girls. She was conscious ■ d self-conscious, M What were you looking at? " I asked, as I bent down a behind the ear. ■ 1 don't know. The motors, and the people in the Gardens. They're sitting down, some of them, as if it midsummer.* 1 "As if it v. ed upon me. How those English glish ! But I resisted the impulse to correct and : M I boo," I said, "like looking at people. They're all so difiVn : " ^ ! Edith, softly, "they're all different. All mething different, wanting something different," I Watched h< r. This interest of hers in people, it w;is t . Edith was not prici as Maud would I which Muriel could not help doing. T: a gentle reflective in hex preoccupation. " S tin y have lives ? " I suggested ; " that 144 THE MAKING OF AN ENGLISHMAN they're not ready-made goods produced by the hundred million?" "Of course." She laughed. "I like to think they have wonderful lives, arid some of them dreadful lives — " She paused abruptly. " Oh, well, it's none of my busi- ness. Mother '11 be down in a minute." I think she had broken the spell with intent, for she seemed embarrassed, hurried. You too, Edith, you were afraid in that first minute of " giving yourself away." Or instinct watched over you. Mrs. Lawton dicf not come down for some time, as I was an early caller and she was not ready. So I went on talking to Edith and scratching Fiona's ear. Edith had become a little aloof after she had expressed a little more of her soul than she intended, and now I did most of the talking; at times she interjected a leading question. " I suppose you had a good time this summer ? " ' As it happened I had been to Pontaillac, where my mother had taken a small Villa for the season. I described Pontaillac, the haunts of the Bordeaux smart set, the little woods, the vine-clad hills. " And you see the Gironde," I said. " It's lighter than the sea ; it looks grey, while the sea is green. Across the estuary you can see the cliffs, and it is so hot that some- times there is a mirage and another line of cliffs seems to sit upside down on the top of the rea^ones." " How lovely ! " said Edith, without excitement. She induced me to talk of the open cafes, the petits chex-aur, which had not in those days been superseded by la boule ; of the extraordinary clothes, notably the red trousers the Bordelais like to wear at the seaside. She said it rather like Ostend, asked whether I did not think all seaside places were alike. " Hardly," I said. " There's nothing like the English . nothing so dull. Worthing, for instance." Then I plunged, looked her straight in the eyes and said, " I've , to Worthing, on a Sunday League trip." " How jolly ! " said Edith. And her smile meant that she thought it jolly. EDITH LAWTON 145 It amused and pleased me that she did not snub me as Muriel had done when I mentioned this inexpensive pleasure. The keynotes of this and of other conversations I had with Edith were always the same : frankness and fresh- ness, mixed with sudden reserves. She was the young girl, who is modest and bold, not la jeune frile, who is curious and furtive. She was afraid of the. things she did not understand, and became shy and silent whenever I spoke of anything that verged on the " naughty," as the English say. Naughty ! you have to be English to be " naughty "; if you are French and " naughty " you are bad. II I talked a good deal with Edith during the next few months. Ours was a paradoxic relation : absolute but limited frankness; that is to say, the things we could discuss we discussed without reserves, while we ignored I hers. She frequently fell to my share, for Hugh was being more and more closely hemmed in by Louisa Kent and watched by Bessie Surtees, while Muriel, who was not jealous, was quite equal to enjoying simultaneously Dicky Bell and Neville or any men she could ich from Gladys Raleigh. Muriel made no piratical efforts : she was an Autolycus — she gathered rather than stole. So very often I found that I talked to Edith for an hour at a time, and there was about her a fragrance of h which slowly began to charm me. I did not love but I ft 1 i pleasure in h< r society, a gentle, pleasure As We talked I found myself nt ally as w< 11 as physically, realising and hn r toy-like daintiness. But I suspected that under the toy-like exterior was some strength, not that noble strength ol action which is ^ven to so few women, but the strength of uncomplaining endurance. She almost I xprrssrd it oner when I asked her whether i not bore her to drive in t he Park with Mrs. Lawton's mother. 146 THE MAKING OF AN ENGLISHMAN " Well," she said, " it's not very amusing; she's funny, she's always losing her spectacles, or her handkerchief. Or she wants to stop and look at the children feeding the ducks, or playing. She made me get out yesterday and tackle five dirty li^le boys who were picnicking " " Picnicking ! "^1 cried; "in December." " Yes. Small boys will do that sort of thing. They had a sham camp fire and a sentry to watch for the park- keeper — anyhow, Grannie made me ask them all their names and whether they were Hurons or Iroquois, which, of course, they didn't know, and give them a penny each to buy rifles. We had quite a little crowd before I had done. I felt " " Silly ? " I suggested out of mere mischief. " Of course I felt silly," said Edith, with sweet severity. " One does hate to be looked at. Still, she likes it, and what does it matter? " I gave vent to a little Nietzscheanism. ' " Well, perhaps you're right, but one has to bear a few things in life, hasn't one? " Edith looked at me with so soft an expression in her blue eyes that I wanted to agree with her, but as I did not reply she went on : " It wouldn't be good for one, would it, to do everything one liked ? " " It would be very pleasant." " Yes, I suppose it would be nice. But if one always did what one liked one would become so selfish, one wouldn't remember how to do anything for anybody. Perhaps it isn't good for one to be too happy." " Puritan," I said. " I wonder whether I am ? " Edith looked reflectively at her slim hands. " I don't think so, though; I like to enjoy myself, only I want other people to enjoy themselves too." Edith was not telling the truth : at heart she dis- trusted pleasure; she loved it, but she was never sure that it was not sinful. Ten generations of Protestant ancestors had given her an attitude almost incompre- hensible to a Roman Catholic, that is a Pagan, such as I. But the gentle severity of it. her rectitude and sim- EDITH LAWTON 147 plicity, appealed to me as the pretty Quaker maidens have ever appealed to the most hardened adventurers. And I was far from being hardened; I had loved often and lightly, but seldom grossly ; that is, I had always managed to introduce into the most commonplace adventures a strain of romantic idealism. I wondered, after this conversation, whether Edith were more capable of idealism than of enthusiasm. I was not sure, for it is not often a human creature can feel intensely in one way only; I ought to have known her better, to have understood hdw fettered and canalised is the English faculty for romance. I ought to have guessed that' Edith sometimes thought of love and marriage, if never of love alone; that she had visions of a very respectful lover, very strong and very gentle, very brave, very generous, upright, God-fearing, and reason- ably addicted to the virile habits of tobacco, oaths and drink. A sort of Launcelot, this, not Hugh's Galahad; a Launcelot with a commission in the Guards. It is true that Edith did not help me much. She was all implications; she never revealed herself, never tore body off to show me her soul. But that is not the way of the soulful. Besides, I had not often the oppor- tunities I needed to cross-examine hery to drive her by syllogism and inference into positions which would compel bet to conf< bs; though we talked long we seldom talked alone : rival coin intruded upon ours or throat- ; to do so, so that I could not produce the atmosphere in w I and women tell one another the things that malt iotisly enough, in those days I never won- I whether ti anything to be drawn from b ; already, no doubt, I suspected thai Edith must be as other an extraordinary field where grew Bowers oi imp* ision, desire and r : I must have suspected that sfa n things t j>( i s for him or prance round with the grocer for the s.'ikc of the Signor." 1 laughed, for Maud had gauged "Signor" Colley's . but tin- subtle quality of "spotting a winner" g un' " tended to show that Saunders, the h adway. I was not indifferent, '1 I chafed, for the brown eyes had never been so bright . the small pointed h rm and cool, but I had . dared not be called sulky, as Maud applied sulkiness in return and always beal me at the game. If I did oof allow myself to be wooed back after 150 THE MAKING OF AN ENGLISHMAN having been practically insulted she sometimes refused to speak to me for several days. " Such a spirited girl," said Mrs". Hooper, fondly. When this happened I fell back on Mr. Hooper, who had completely failed to educate me in the tenets of Conservatism, though he had taken me to his club, in a back street off the Harrow Road, to be properly grounded by his fellow members and occasional speakers from the headquarters of Unionist, naval and military societies. I had no precise politics in those days, I had nothing but an unappeasable thirst for information which made me read, in the Tube, at lunch and in the intervals of work, indigestible chunks of oratory, emasculated Liberal ideas in the Tory papers, and garbled Conservatism in the Radical press. For two years I had every day been reading the paper, skipping sports, murders and law reports; I had abandoned foreign affairs, for was I not going to be an Englishman? Tariff Reform and Free Trade pamphlets, booklets on the land question, licensing, the iniquities and virtues of the House of Lords, the rights of Chinamen, all this jostled in my head, slowly ordering itself, mixed with the history politicians use, tags about Magna Charta, Cromwell, Burke, Phoenix Park, Gladstone and the paper duty, Disraeli and prim- roses. I suppose I knew as much about politics as the ordinary man, perhaps more, for I wanted to know, while he merely had to. But Mr. Hooper failed to move me, no doubt because the Lawtons were Liberals ; if Lawton, Hugh and their women had been repellent to me I should have been a Tory Democrat, which is the rough equivalent of the FrenVch Radical I was. But the Lawtons were the great English and conkl do no wrong. I did not, however, despise the Conservatives, for they too were English and could not be quite wrong. Thus Mr. Hooper retained hopes of saving my political soul. Sometimes, at the club, he spoke. I can see him, a thin, bald little figure, with a melancholy blue eye. He stands upon the low platform, holding tight the lapels of his frock- coat : EDITH LAWTON 151 14 — The Free Traders are always saying — er — that the tariff would raise prices. Now, gentlemen, I don't think anybody can say what will happen — er — under — under the new system. Of course they might, the prices I' mean — but then if we were getting more for our work it wouldn't matter. Of course, there are all sorts of ways, like Layshell Mobil " Then Mr. Hooper would throw back his mind to Five Thousand Facts and Fancies, or some other book of the kind, and expound L'fichelle Mobile, that cunning re- ciprocal scale of prices and duties, becoming eloquent anl ling-smack under little sail. She saw me, stopped, and as she smiled I mumbled of the fineness of the day, for I was stirred by the surprise of the meeting. I, Cadoresse, man of the world, hero of thirty affairs of the heart, stood almost abashed because a Dresden Shep- herdess was prettily smiling. She said she had been lunch- ing with two girls who had that morning been examined at Burlington House, and now she was going home. I detained her, talked quickly and idly, of Hugh, the big poulterer opposite, Fiona, anything that came to me, so that I might think how to prolong a meeting which Edith lly but firmly trying to cut short. Then an idea struck me. " Look here," I said ; " I suppose you are in no hurry. Have you seen the Claude Moncts? " " No — you mean the painter? " " Yes, Monet, the impressionist. They are showing him just there." I indicated with a nod a gallery over the way. " You must come. He's wonderful." " I'd love to, but " " The show will be closed in three days," I lied ; " now have nothing to do, have you ? " '.<>, but — " Edith paused. Evidently she wanted n : ta king one of the house n to a public spectacle? This was not like the ling, amu-in-arm si roll, with Maud, for we b other, dignified, careful that our elbon i -h. It was a cold companionship, ii.it of a king and queen who sit on a common throne, but 01 but, after all, we were only iit y. 154 THE MAKING OF AN ENGLISHMAN It was a small show, the series of twelve (or is it twenty?) rustic bridges spanning the reed -grown rivulet. I have forgotten the details, remember only the atmo- sphere of the pictures, for all represent an absolutely similar subject, and all differ in lighting and weather. Their colour, though, I remember well, their faintnesi and suggestion of transience and the baldness of that suggestion : for in those days, when Post-Impressionists had not yet slain Sisley, when Futurism was swathed in the veils of the future, the Impressionists were still im- pressive. We stoppepl in front of the third. There the bridge stood in the grey morning, a black shadow on a sky which, a few minutes earlier, had been as black. The reeds hung dejected and damp in the whitish mist that rose from the river. 44 What do you think of it ? " I asked. Edith did not reply for a moment, then said : " It looks very cold, doesn't it ? " " Yes, but do you like it ? " " Yes, I suppose I do, because it makes me feel cold — melancholy." I listened with a mixed feeling. This was not exactly stereotyped art criticism, which of course interested me, but it was, I thought, too subjective. " But don't you think it beautiful ? " 44 1 don't know. Yes. It is pretty."^- " I think it beautiful," I repeated, emphasising the adjective. 44 Why, look at the light, so pale and so watery. I've seen it like that, very early, when I was mounting guard on the fortifications." 44 You mean when you were on sentry-go," Edith corrected. 44 Of course, I've never been up so early, but that doesn't matter, does it ? If it makes me feel it must be like that ? " 44 1 suspect, Miss Lawton," I said, after another re- flective pause, 4t that you know a good deal about pictur 44 Oh, no, no, I don't," cried Edith, with an air of distress. 44 When we were at Brussels they took us to the Wiertz EDITH LAWTON 155 now and then, but I don't really know anything. I really don't. Only, I want to feel something." wrangled amicably over the next two. I had an expert air, I liked to use the words " background," " fore- ground, " " masses ; " I liked to hear myself say " tclair- age." Suddenly I saw myself as I was and said (to myself): " Prig." Edith, I felt, was the truer apprcciator of us two, for she wanted to feel, not to judge. She did not measure pictures by a standard of quality, as do the men who cannot understand them ; while they have for them a set of units, equivalents of pints and yards, such women as Edith, who know nothing and understand everything, have a standard of emotion. " That one," she said ; " it's lovely." " Yes," I replied. " It looks as if it were painted with crushed opals and with the powder of those mauve pebbles, like old, dull glass, that you find on the sea- r ith said nothing, and I went on criticising the picture, enthusiastically, for it held all the flush of a wet dawn. I was literary, a little artificial, but at the bottom of the artifice was some truth, and I wondered whether Edith lacked artifice because no admiration was in her to in- it. I doubted her < suddenly, she " Muri< I just like that." W P< chape b the picture," I spitefully suggested. "j(»ii, do, Muriel wouldn't come here." Edith gave a frank laugh and, as I joined in, my chilled feeling pc <• in the domain of the very little th'n h matter so much. Accomplices. at she artistic?" 11 No, I shouldn't say so. Her dressmaker's rather smaker is your si Ivation." Edith 1' the next picture a:, she spoke the two curt wor< turned away from me a very little, 156 THE MAKING OF AN ENGLISHMAN a significant couple of inches, and a slight rigidity had come into the set of her shoulders. I felt I had said the wrong thing. I still had to learn what family loyalty means, but at that moment I began to realise dimly that Edith could have said " Muriel is a beast," while, if I had said " Muriel is a beast," Edith would have replied : " How dare you speak of My sister like that ? " Con- scious of the snub, I talked more briskly, compelled her to stop in front of the other studies, delicate phantasies in blue, and others, full of twilight, where the leaf was heavy and green. Little by little Edith seemed to forgive ; she answered me, and, at last, when we stood before the last picture, we were once more side by side. " That's the best," she said, decisively. " I like all that colour; it's sunshine. It's pretty — " Then, her eyes twinkled as she added : " Beautiful, as you say." " It is beautiful," I said, aggressively. " But why don't you say ' beautiful ' ? " " I don't know — it seems " "What?" 44 Well, you know — exaggerated. We say things are pretty, or lovely " 44 Or nice ? " " Yes — nice — I mean, at school we used to say ' nice ' a lot, but they say I mustn't now. Like 4 horrid.' " 44 But do they say you mustn't say 4 beautiful ' ? " 44 One mustn't exaggerate," said Edith, with an air of gentle obstinacy. And further than that I could not draw her. Apparently " beautiful," save when it was used by a long-haired pianist, was the word of a gushing schoolgirl which womanly Edith ought not to be. I was inclined to pursue the subject, to get to the bottom of this modesty of Edith's ears. 44 I know what you mean," I said; 44 it was like that at my school. If anybody tried to recite poetry properly everybody laughed at him." 44 One mustn't show off. Still — I don't mean one ought not to recite properly." EDITH LAWTON 157 " But not like an actor ? " M No, of course not. That would be showing off." " But do good actors show off ? No, of course not. Then oughtn't one to recite Shakespeare like an actor ? " " There's something between," said Edith. I knew what she meant, something between Kean and a gabbling child, something moderate, English. And J therefore felt that she was right. We were still standing in front of the sunlit picture ; there were only four people in the gallery just then : another young couple, who whispered in a corner, so near the picture that they cer- tainly could not see it, an old gentleman who pains- takingly looked at each study through a handglass held in front of his spectacles, and a quick, angular woman with a notebook. SJie was too busy to notice us ; a journalist probably, making notes for an article. We were not looking at the picture, but covertly at each other. " Yes," I said, reflectively, " that did bother me at school. But, of course, you remember better; you :'t left it so long ago." • No," said Edith. " I liked it, you know,"- She began speaking of the Belgian school, some girls, Caroline de Wocsten, a certain Henrictte, who recurred. " We I to see the Prince, riding in the Avenue Louise, in t .orning." M Did*ou smile at him? " " Of c< did, all of us, he was so handsome. < line bought a picture postcard of him and hid it in did get into trouble when Madame Bcaujour d it, with a poem on the back. It began : ice Albert je vous adoro, la vio et pour la mort. . ." W i 1 :. d 1 : Sdith looked almost melai though hex head, thrown back, showed a white tli elled with laughter, as she thought Id tini( s ! not so very old. Th< \ weren'1 good verse, were they? But then s only a I \teen now." 158 THE MAKING GF AN ENGLISHMAN " Well," I said, " you're not much older." "I'm eighteen," said Edith, very staid. " And what about you ? " I paused before I replied, for the question pleased and surprised me. " Not quite twenty-five." " I suppose that does feel old," said Edith. We were silent for some moments. Then we heard the chimes of St. George's Church. A quarter past four. " I must go," said Edith, hurriedly. " Yes," I said, " but not yet. It is time to go and have tea." " Oh, no, I couldn't— I really couldn't." " Well, you might ask me to go back to Lancaster Gate to have it." " You can if you like. Do come." " But do you know if anybody else will be at home ? " " No, I don't think so. Still " ' "Well, then, you may as well come with me to the Carlton." " Oh, no, no ; not the Carlton." Edith seemed frightened, as I expected, and I watched the success of my ruse, for I guessed that, by giving her the shock of the Carlton, I could make any other place appear innocent. " No," I said, smilingly machiavellian ; "we'll go to Mrs. Robertson's. Come along." I think I took her elbow for a moment to urge her on, and at once released it so as not to frighten her. She was blushing a little and did not speak much as we went through Mrs. Robertson's passage and up the stairs, but ^he seemed unnaturally self-possessed when she sat down, so self-possessed that I realised she was nervous. I could see her, as I ordered tea, look quickly to the right and left in case some one should know her. But the week-end calm already hung pver the dignified tea-shop, which has now followed many Victorian dignities into the grave; there was nothing to disturb her, for one couple had so arranged their seats as to turn their backs upon us, while the family up from the country seemed too busy with EDITH LAWTON . 159 topics of its own to trouble about its. A tall, melancholic voung man, who was evidently waiting" for somebody, broke the tedium of his watch over the door by frequent, if discreet glances at Edith, but on the whole we were unobserved; besides, I made some business of ordering the tea, complications of toasted scones and their degree of toasting, so as to give Edith time to settle thoroughly into the faintly compromising slough. And then, as we rather silently drank our tea, I looked at her, established in the large chintz-covered armchair. She sat up very straight. The blue hat and the pale golden hair stood out against a green curtain. The moon of her face looked like a delicate rose, soft by the side of those vivid roses which sprawled over the chintz. Her open coat showed her plain white blouse, revealed by the slimness of her that the child had not long been expelled and the woman installed. One ungloved hand lay upon the table, and the rosy finger-tips played idly with the lace edge of the teacloth. She looked up, and suddenly was mischievous : " I shan't be able to tell anybody I came here, you •v." "Of course not," I said, smoothly; "though I don't know wh; " You do know why, Mr. Cadoresse," she said, and I vere. " You of all people, a Frenchman. rich girls don't even go out alone." 1 the French system, was all for Edith did not differ from me; she, too, thought it silly that girls should be watched. : it then, perhaps the French know what they're ed. "They may be right and we liberalism charmed mc, and I repressed the desire to teH her thai she had not faced the question, that : i girls could not be allowed En liberties, lacking English innocence. We spoke guardedly of chaperonage, of marriage in France, and Edith showed some indignation when I told her that my sister Jeanne 160 THE MAKING OF AN ENGLISHMAN had but poor chances because her dot was only fifty thousand francs. 44 Two thousand pounds,'/ she said. " It seems a lot — but don't you think it dreadful ? One doesn't want to marry for money." I agreed, though in my heart I differed. I did not state the case for the French marriage, the restf ulness of it, its ease and secureness. I did not want to oppose Edith, to shock her, annoy or frighten her; she was with me so simple and so frank that I did not want to lay hard hands upon her dreams. And, thanking my star for so much good fortune, I did not try to detain her when she rose to go. We parted at Bond Street Station. " Good-bye," she said, as we shook hands ; " thank you for a very pleasant afternoon." My spirit rebelled against the conventional phrase, but again came the mischief : "I don't know what I shall say at home if they're back." I still had in mine the hard-impressed illusion of her firm, gloved hand. And in my mind was the conscious- ness that we shared a secret, she and I. A guilty one. I carried with me the feeling that I had had an adventure by the side of which coarse realities did not seem real, for visions are sometimes keener than concrete things; a dream may be more vivid than a material object which the eye can overlook. t She had been so simple, had confided in me as readily as her reserve would let her; she had become a significant figure in my life. She was imprinted upon my brain no longer as the younger Miss Lawton, but as Edith. In her home she was not the .same ; she did not avoid me, but she did not deliver herself into my hands ; she was, like Muriel, my good comrade. As I grew familiar with the house and its tenants I accepted this comradeship so foreign to my nature. Before three years had passed I was then so angUcised that I was able to look upon women less as women than as human beings. My thoughts no longer leapt so quickly to their pretty faces; I found in their society the mixed and purely English feeling EDITH LAWTON 161 - which makes of girls and boys gathered together a large family. I could still admire Muriel, her challenging eyes, and Louisa Kent's rosy skin ; I meant what I said when I told Bessie Surtees she looked like an Italian Madonna, but an element had been obscured in my imagination; I was less disturbed, less preoccupied by these young women than I would have been in earlier days. I came to England ready to pursue even a Lulu Hooper, to accept her ridiculous taste for novelettes, unable to look upon any woman, young or old, beautiful or ugly, without keen consciousness of her womanhood. But now some strange scales had grown upon my eyes, for I could chaff and bear chaff from the graceful and the fair without being pro- voked by conflict ; I could let Muriel re-tie my black bow into a more modish shape without leaning forward to breathe the suavity of her dark hair. They were comrades, all of them. It was comrade Muriel pushing past me into the drawing-room, butting me with her shoulder as she passed and telling* me good- humouredly to get out of the way; and comrade Gladys (though precise) fearlessly touching my hand as she helped me to set up a ping-pong net ; it was comrade Bessie with the deep eyes, comrade Edith too. There were no roughnesses of contact between us, for I feared to touch her, just as if she actually were a Dresden Shepherdess, so much that, at a Cinderella, she had to beg* me not to hold her as if she were a meringue. ' There was comrade- ship even between me and Maud, when there was not sulkiness or fierce allure, an incomprehensible capacity for wrangling, contradicting each other, for throwing small objects at each other under the meek, protesting ;>er. I he English fog getting into my blood? I carried with me no disquiet as I went to my work, which I did well enough, inspired by the comparatively speedy rise of my salary to a hundred and sixty a year. I was still foreign correspondent, but I was now framing my letters and submitting them to Mr. Lawton instead of merely taking his instructions. I enjoyed a hearing 162 THE MAKING OF AN ENGLISHMAN when I had something to say. Merton and Tyler no longer presumed to chaff me, and sometimes I lunched with Barker in the chop-houses I affected because they had bills of fare and not menus. It was in the chop- houses, and especially in the Meccas and Caros where I drank my necessary coffee, that Barker criticised my criticisms of England. " You silly old josser," served him usually as a begin- ning. " You don't know what you're talking 'about. You're always gassing about our .being cold and never letting ourselves go ; one might think you never read the police news, or that you'd never seen anybody tight. You should come down our way, you should; I'd show you something when they turn 'em out of the pubs. They come out like a lot o' sheep, laughing and singing like — jackasses, and kissing and going on anyhow; there's always a fight going on round the corner, all about nothing, only to let off steam, which you say we haven't got. And if you like to come on a bit further I'll show you Clapham Common about eleven; that'll open your eye, Froggy; you haven't got a monopoly of that sort of thing in gay Paree. Now I'll tell you something. One night I was walking home across the Common -" Handsome, gay Englishmen like Barker always end by telling one stories in which they have figured as frightful dogs. The stories are too disgusting to be true. Englishmen so much' dislike bragging that they can brag only of the things they have not done. I put up par- ticular instances of English coldness. " Well, what about it? " Barker commented. " What do you want old Purkis to Do? Want him to run round shrugging his shoulders and singing Mon Dew ? . And what about it if he does work in the garden ? " I tried to put into words the immense contempt I felt for gardens, for this sordid growing of smutty flowers; it was difficult to express, for I did not know how to say without seeming a prig that men should keep their brains busier than their muscles. The innocent priggishness of the early days was smothered in self-consciousness. EDITH LAWTON 163 44 Dunno what you're driving at," said Barker at last. "I like a bit of a garden; / indulge in geoponics," he added, playfully. " You talk of old Purkis ! Why, his place at Penge " 44 Sydenham," I suggested. "Bit of swank, Sydenham. It's Penge, I tell you; but what was I talking about? Oh, yes, old Purkis's garden. You should see it in the summer time, it's lovely." 44 But oh, in the winter time, in the winter time," I quoted from Maud. 44 Never you mind the winter time. In the summer it's all over honeysuckle, and sweet peas and crimson ramblers. Why, he's got a pergola . . ." Barker talked on inexhaustibly of gardens and garden- ing, for which he had early acquired a taste by working in his landlady's flower-beds. When 44 Mrs. Right came along"- he was not found unready. He bought a dog and began to satiate, on a space ten yards by twenty, his English passion for the land. Barker was the raisonneur of the English play; he explained old Purkis, his crabbed of his garden; he mitigated Farr by representing him as a decent man, fond also of his garden, sound in his ics and proud of his son. He had a broad tolerance for the futile 44 sprees " of Merton and Tyler, their shilling poplin ties and their shock-socks. lk Dunno what you want," was his continual grumble. h£ would expound the creed of the plain man living beyond the four-mile radius : THE CREED OF A MIDDLE-CLASS MAN 44 I believe in the suburbs of London. I believe they are enough for me. I believe that I must shave nd take a bath every morning, unless I have overslept myself, Wear dark suits as is seemly in the City. I believe in drawing-rooms for the use of calL rs, semi-d< t ached villas, nasturtiums in season and with aristocratic, if distant relatives. I believe that public-school bo rsitymen (who must not be called Varsity men), and commissioned 164 THE MAKING OF AN ENGLISHMAN officers are snobs. I believe that the West End is a gilded haunt of vice. I believe in sober worship once a week, regular payments to the clergy. I believe in temperance, saving an occasional bust, a spree, a night on the tiles (when the wife is in the country), but even 'then ^1 believe I mustn't go too far. I believe in a bit of fun with a lady now and r then, being a dog and all that, so long as there's no harm in it. I believe that I am a gentleman and must be genteel, not too toney though, for it must not be said that I swank. And I believe enough to be saved with. I believe that my wife loves me and that I must reward her by insuring my life ; ' I believe that my sons should be clerks and that my daughters should wait until clerks marry them. I believe that, when I die, the neighbours must approve of my funereal pageant. I believe tfiat I must be honest, that I must not swear in mixed company, that I must visit the upper classes whom I despise. I balieve that I am the backbone of England. I am a middle- class man." Barker loved to expound his creed. It seemed ridi- culous that this well-groomed young fellow with the delicate mouth and the fine grey eyes should be a Puritan, but the blood of the Covenanters still flows through the English veins : that is really blood, not water. Still, there were impulses in him upon which I played; he liked to hear me brag of and unveH my conquests, invent adventures for his benefit* this exercise filled him with subtle, sinful delight. " Shut up," he would say at last. But Barker's 41 shut up " meant very little more than a woman's " don't" Sometimes, not often, I talked. to him of the Lawtons, for whom, as represented by Mr. Law ion, Hugh and shadowy " young ladies," he harboured mixed feelings : envy, admiration and hatred. A sort of mental sandwich. But I never spoke of Edith. EDITH LAWTON 165 IV For Edith was stealing upon me, gently, softly, as the dawn steals up into the wet English skies, so subtle that one hardly knows it has come until one realises suddenly that the sun has risen. She came a little nearer when Hugh's engagement leaked out, for love is contagious among the young. If this engagement of Hugh's were love, of course, for I say advisedly that it leaked out; it was not proclaimed by an interested family, nor did it burst forth outrageously and irresistibly like a water- spout from the sea. Murie^told me, between an appre- ciation of the art of George Alexander and her plans for r on the South Coast. When I ventured to ask •when Hugh wouldfcmarry Louisa Kent, Muriel said : " I don't know. Year or two." Evidently nobody had made any plans; those two had not been affianced, they had " got engaged." The Lawtons did not seem much more moved than if Hugh kad contracted the measles : measles and engagements gave a little trouble in the house, but in due course, as mild have been cured by lying in bed, the- nt would be remedied by marriage. I did not li much more emotional. " I hear I aril to congratulate you," I said. "Thanks, awfully." lie paused, then added, shame- • Don't let it out at the office." 1 could promise a discretion which seemed king of his father's chances at Ham- bury, whieli I Liberal interest. As Liked, I « ! her he eared for Louisa, when and where he had proposed to her. \\r had alwa\ r< (1 wi! n Bhe was in Hie house. eli ; lie must, be, for Mrs. t's house in Thurloe Plat I comfort, not wealth. 1 priced nee at a hundred t flrn — what was this love, ■ n? I should have expected from Hugh some splenetic fits, some 166 THE MAKING OF AN ENGLISHMAN attitudes of devotion, some rages. But no. If a post- man knocked at the door when I Was there, Hugh did not start up. He was attentive to Louisa, but he seemed equally attentive to Gladys Raleigh or to any other girl. And Louisa? A shade more triumphant, perhaps; she was a trifle more proprietorial in her attitudes, more secure in her " I say, Hugh " than she had been in her " What do you think, Mr. Lawton ? " I wondered whether she had proposed to him. As I looked at the steady brown eyes, the firm-set rosy lips, I grew almost sure that she had not felt the cost of the first step. I soon had an opportunity of finding out. For now Edith was beginning to haunt me. Her picture did not obtrude itself upon me, as did sometimes the dashing figure of Maud ; I did not walk with an ache in my heart, but I was disturbed by " something " that was about me, a vague, enveloping atmosphere, like an undefinable scent I might, have brought with me in my clothes and suddenly perceived when the wind blew towards me, then forgotten, then noticed again. The Dresden Shep- herdess did not follow me, but I could never be sure that, when I looked up from my desk, rested my pen, I would not see her slim figure before me. I might, at immense pains, be explaining to a French merchant that the bottomry bond he held on the brig Augustine-ThSrese was irrecoverable, the unfortunate ship having gone down with all hands off Vigo, when the slim figure would appear. I would lean back, look unseeing at the grey frontages of Fenchurch Street, evoke her, dressed in light blue or faint pink . . . with little knots of roses frilling the skirt ... a palely pink face, tender blue eyes, smooth hair of very old, worn silvergilt. I would try to dispel the vision, mutter fiercely " bottomry . . . bottomry . . . nous regrettons. . . ." But my thoughts would wander. I found myself saying, writing, " barratry " instead of " bottomry," thinking of her gentle presence, until it so insisted that I surrendered, gave myself up to an undefinable day-dream. Little Dresden Shepherdess, your hands hung idly by your sides, long and lax as sprays EDITH LAWTON 167 of fern, and when you smiled the bud of your mouth bloomed so sweetly as to be sad. Your eyes were like the mist in melancholy, when the sun is about to pierce it in merriment. My heart did not compel me to seek her, but I wanted to find her, and soon it was not enough to speak to her while Louisa played. Bach to soothe her ridiculous brother and the indifferent Hugh, or while Muriel threw spells over Bell or Archie Neville ; I wanted Edith alone, to speak to her of herself. I surprised myself in a big Oxford t shop, at six, throwing quick glances at every fair girl — on the chance; I began to walk home along the water Road, which meant a quarter of an hour's delay — on the chance, but I never met her. I grew exasperated ; I began to be angrily conscious that my office hours, ten to five-thirty, cut me off from the possibilities of intercourse. At last Edith precipitated the crisis ; in reply to a question she said : 11, I don't think women as good as men." "Why? "I asked. " I'll tell you some other time," she said. And I could drive her no further, for Muriel, Hugh and Louisa came to claim me, to make me play bridge, a new accomplish- ment of mine. When I was dummy I looked at Edith : d upon a large cushion she looked up at her father, i her in low tones. Her blue eyes were full of sv I decided to make an opportunity 'me closer to h< sr, to haunt the neighbourhood until Id force my society iipon her. • a familiar of Lancaster Gate and the Bayswatcr Road, on weekdays between half-past six and t unlay afternoons, at odd times on Sundays. Waiting lH>red me, but racked my nerves, for I to be O it !hc corner of the street ild be seen by other members of the household ; I saw Hugh or Mr. Lawton come home, or i stop at the door and disgorge Mrs. Lawton with Edith, but her mother or her t accompanied her. I became naturalised to the 168 THE MAKING OF AN ENGLISHMAN district, knew the mews, the public-house; I expected the postman, the boys who deliver the late editions of the papers ; the servants of other families seemed like old friends, and one housemaid began to look forward to my appearance, to smile up from the basement with an in- viting air. ' And if the policeman had not often been changed I should certainly have been cautioned against loitering with intent to steal. I was ready for him, however, with a confession and half-a-crown. I had hardened, and though I hardly knew what I wanted, I was determined to have it if I had to wait for weeks. I did not have to watch for more than ten days. I knew I should not have to, for Easter had come ; thus I could watch for two and a half days, during which Edith would certainly come out alone, for the family had not left for the South Coast ; Muriel, had gone on a visit in the country, while Hugh and his father went out early to goljL Edith would riot always be with her mother. I was not wrong. At ten o'clock on Easter Monday the familiar door opened and Fiona came bounding down the steps, leaping at sparrows and barking as the sharp air sizzled through her coat. Behind her came Edith; she paused on the step, and I could feel my heart beating. The presence of Fiona meant that her mistress intended to walk in the Park; I felt exultant, as a poacher who, approaching his trap, hears an animal rattle it. She turned to the right ; I followed cautiously, allowed her to cross into the Gardens, which she did slowly, for she carried Fiona across the road by the scruff of her neck. I ran a hundred yards westwards, entered the Gardens by the little gate, doubled back. For one deadening moment I thought I had lost her. Then, suddenly, I saw her, coming towards me, who sauntered on as coolly as I could. " Hullo, Fiona," I said, bending down to the little beast, who snuffed my trousers and burrowed at my hand with her wet nose. Then, successfully affecting sur- prise : " Good morning, Miss Lawton." " Oh, good morning. Isn't it fine ? " EDITH LAWTON 169 " Very. And so cold ! I don't appreciate it as much as Fiona does." "Oh, she's Scotch; she likes it." I talked of the habits of Aberdeens, and, having turned by degrees until I faced westwards, moved step by step, drawing Edith on. By imperceptible gradations we began to walk side by side, slowly, then quickly, as if we had set out together. Edith, realising her entanglement, but finding nothing to urge against it, was embarrassed and rather silent. " Tell me," I said suddenly, " what did you mean the other night, when you said that men were better than women ? " " Oh, I hardly know," she reflected. " It's so difficult to find words. I feel somehow that we're so small, so busy doing nothing, that it's men who are making the roads in India, and .fighting, and inventing things, and writing books, while we ... we sit at home and wait." A slight weariness was in her young voice. 44 That does not make them better," I said. " Oh, yes, it does. They're doing things." 44 Working in offices, ten to five-thirty." 44 WeD, even that. I couldn't. Father wouldn't have me as a typist, would he? I'd make too many takes." We laughed together, and I wanted to say that it would it In t white fingers with copying ink, but I knew better than to pay compliments, even I understood her attitude; it was achieveni' nl admi] I with life ? " 1 asked, bluntly. "What funny questions you ask! No, noi exactly boxed, 1 ;i ' to do; I skate and read a lot, and ut. Still . . ." "Still? " 44 Wf\ good of it .-,11?" 14 1 Uitabfc in youth,' 1 I said, rather senten- tious! v. u \\ hat do y< to do? " 44 I don't know. Something different from what I do." 170 THE MAKING OF AN ENGLISHMAN " Fall in love ? " I said suddenly. I had not planned that remark. Edith flushed, called Fiona, who came to us, bright- brown-eyed, quivering with excitement as she guessed that her mistress was going to throw a stone. The stone was thrown into the rough grass, and Fiona went search- ing ; as she nuzzled among the crisp blades her tail wagged rhythmically, upright, as if translating all the excitement of her little black body. I watched Edith covertly, for the loss of the stone had defeated her object. The flush was not yet dead on her cheeks. " What else is there to do but fall in love ? " I said. "I don't know. Well, I suppose I shall get married some day." " Married 1 " I cried. " But that's not love." Edith began to laugh, at her ease again now that I seemed absurd. " Of course it is. Oh, you are odd, you Frenchmen ; you have such complicated ideas. We fall in love here and we get married, and there you are." " And there you are ! " I said, a little bitterly. " Yes, and there we are in France. Of course, I don't' say one shouldn't get married, but marriage is only — well, regis- tration of a fact. While love " I think that for several minutes I spoke of love, and I spoke of it as never before ; the old, gross shell had fallen away, and I seemed to know love as the angels «iay know it. I painted for her love so fine that the lover could hardly bear it ; I said it was not good unless it was for- bidden; that it was shy, mysterious, secret, that it (led if grasped too hard. " It comes . . . like a shadow, and it lies across your path . . . and if you obscure the sun it is gone. . . . You do not know that it is there, until it is, and if you have seen it once you never forget it. Love is the only thing that matters : we make money to gain the one we love, we want fame so that she may be proud, and we are pure so that she may have peace." " Peace," said Edith, softly. EDITH LAWTON 171 44 Love is not the bird that rides in the storm — I do not know its name — the bird that flies over the waves. It is more like the beautiful peacock in the garden that struts and flaunts its tail. It does not lose its feathers if they are real and not placed upon a jay. It is the only thing that lasts and makes things last. . . . For you may have everything, and yet you have nothing if you have no one to whom to giw ■." " One docs want to give," said Edith. " I always feel with my mother ..." But I would not be turned, I let my speech blaze into rhetoric, I said of love things I do not believe, but they seemed true in that quiet avenue, as the wind hissed in hare branches. We walked slowly, she silent and I stirred. The people that passed were not people, but shapes ; young couples and old couples, and family parties, a few soldiers with their girls, they went by as unobtru- sively as the scenery round the revolving stage at Drury . As if by common accord we stopped near the Dutch garden, where a shower of almond blossom had fallen into the grass amon^fhe crocuses. The crocuses stood erect, white, yellow and purple, jangled wreaths of iridescent tears. I bent down, ae of the fallen almond blossoms, gave them to Edith. She looked at the soft, almost fleshy flowers as they nestled in her grey-gloved hand. I was not to hem again for many long years, and then they were dry, crumpled, as if they had been crushed, and I thought ;i faint scent of suede glove. Silently walked towards Kensington, then to the Achilles hen Edith tried bravely to talk of some friends staying at the Hyde Park Hotel. Hut her v rambling, her sentences disconnected, as We had nod spoken of ourselves, •i of immortal filings, and we could not • nsciousness of the unspoken, which perhaps we could not have expressed, stood rating and linking us, a little ironic olution never to ide. And, strangely 172 THE MAKING OF AN ENGLISHMAN enough, there ran through my embarrassed ravishment a strain of anger; I called myself a sentimental fool, told myself that I had been inflated, rhetorical ; I threw glances at Edith, who did not raise her eyes, and hated her because she made me idealistic, romantic, because she made me slough gross tastes, gross desires, filled me with a religious worship for abstract loveliness. Ah, if it had been her loveliness, it would have been different : but her influence upon me was not to draw me to her; she inflamed me for what she represented rather than for what she was. And then I wondered whether I had been clumsy, frightened her by the sudden violence of my impersonal romanticism. I tried to talk, and as we walked towards Marble Arch we almost succeeded in discussing whether Mayfair were not stuffy. " All those mews . . ." said Edith. " Yes," I said, " mews . . . everywhere." We had nothing else to say, for we dared not talk of the only thing we could talk of. We separately patted Fiona, disturbing her in Her* favourite occupation of snuffing the soil, we looked at watches, we commented on the cold. But I think neither of us was unhappy when, on reaching Marble Arch, we parted. The phrase I had in my mind would not come. " Good-bye," said Edith. She raised to mine blue eyes in which was no anger, but a shyness new to me. And in my own, I think there was shyness too. That night in my room I looked at " In the Garden of Eden," clerk and typist in the Park. I tried to scoff at myself, but my sense of humour failed me. I spoke the phrase a month later, driven to it by my obsession of her, by my certainty .that I must see her, if only to be sure that I wanted to. " Will you meet me to-morrow at three ? " I said in a low voice. She did not reply. Louisa played a minuet, a minuet for the Dresden Shepherdess. I repeated my question. " I can't," she whispered. And 1 saw fear in her eyes. EDITH LAWTON 173 " You're not engaged. Are you ? " " M>— but " " To-morrow — three o'clock — at Prince's main en- trance — nobody ever goes there on Saturdays." She did not reply. I saw her fingers tremble. "Don't you want to? " And it was I trembled, for -lie might say " No." She looked at me, still with frightened eyes, as if saying : u \Vhy do you- torture me — frighten me ? I am such a little girl, please, please don't." But I was in no mood for mercy : indeed, I began to understand it was her help- lessness, her delicate weakness made to me this incredible appeal. I hardened my gaze, suggested, commanded now with a harsh voice that sued no more. " To-morrow," I said, assured of victory. Edith looked down rather than nodded, as if I had laid a yoke upon her neck. CHAPTER II HAMBURY Even aliens felt it coming, and I sooner than my fellows, for I longed to shed my alienage, this election the result of which everybody foresaw. Even the Germans who, in the City, paint their brains with khaki, knew that the Liberals would win, and went loudly boasting, but conscious that they would have to eat the leek and the thistle and the shamrock too, while^the rose wilted by the side of the primrose. And I am sure that my Liberalism was enhanced by the knowledge that my side would win ; had the result been in doubt I do not suppose that, at twenty-five, I could have taken a judicial view. I should have been for armies, for Imperial Preference, because it was imperial. The Englishman of my dreams was not the Radical with whom I began to mix ; I distrusted his whiskers, or his smooth legal cheeks, his fondness for oppressed nationalities and his taste for ginger ale; I did not feel that the real Englishman could care much about Chinamen, and I was sure that the last thing he would do would be to close the public-houses. My wonderful Englishman was short, stout, ruddy; he had plenty of grey hair, a Roman nose, stubby hands and a fierce look in his blue eyes, when it was not a tender one. He insisted, this phantom, on wearing a low, glossy top-hat with a curly brim, comfort able for driving, breeches and top-boots, a riding coat and, over his capacious paunch, a red vest. He never said much at a time, and then it was " Bless my soul ! " or " Tally ho ! " or " Damnation," In those days he often said : " The 174 HAMBURY 175 country's going to the dogs." He ate enormously, beef, boiled potatoes and Yorkshire pudding, also " greens M (said to be vegetable); he drank beer in imperial pints, and plenty of crusted port, which was bad for his toe and impelled it towards niggers, Germans, reform feeders, revivalists and artists in general. He was ruined every year by bad crops, but rode to hounds; he denounced the local authorities if they suggested he should be rated five shillings to feed school children, but sent two guineas and a tear to free-meal clubs. He suspected halfpenny papers and read them, believing every word they said, and grew very angry in a general, bullish way. Bullish ! it was John Bull I was in love with, and no wonder, for he was the most absurd and charming person I had ever met. I delighted in his gross joviality, his childish glee, his irrepressible brutality and his shamefaced emotion. He seemed, in that crucial year, to have waked up and to be trying to get into the skin of the English, to remind them that Falstaff was not dead : he was having a bad time. For old John Bull had been asleep for many years, and he could not believe these were his grown-up sons : Bullenstein, on the Stock Exchange, and Mr. Bull-Bull, K.C., who had taken a hyphen with silk; and he particularly disliked General Cannon Bull because the warrior was always hanging about and shout- " Hullo, Bull ! wake up. Can't you hear the bugle? You're wanted in the barrack square." John Bull had gone to sleep comfortably in 1886, a Tory. later he found that the prodigy of Rip Winkle had been " speeded up " by his Americanised rs and that he was a mere Unionist. He also dis- red t hal he Owed two hundred and fifty millions, which piled up v while he snored, that he hadn't got much in exchange if all those tales about Chinamen in gold mines were true; to make confusion complete he b actually going to introduce tariffs, i hich mighl interfere with his trade. I >hn Hull's blood boHj its boiling point is not low, but when it boils it seldoms stops until the hunt- 176 THE MAKING OF AN ENGLISHMAN ing-crop has been broken on somebody; if the hunting- crop acts as a boomerang, recoils on John Bull's nose, he growls and strikes again. His trade ! He wanted to protect his navy, his religion and his women, in order, and to keep cool about it, but he wasn't going to have them monkeying with his trade. So John Bull threw savage glances at Bullenstein, Bull- Bull, K.C., and General Cannon Bull, flung them a few Elizabethan adjectives and substantives and looked about him for a body in which to materialise. He had to materi- alise if he wanted to vote, and he passionately believed that there was a vast difference between blue ballot-papers and buff. I think he glanced at the Socialists and Labour men, but made few remarks ; indeed, nothing is recorded of these save scattered words : " Sharing out — loafers — sandals and nut-sandwiches — free-love — " He had then but one place on which to lay his bullet head, for elimina- tion left only the Liberals. Elimination was his way of deciding; he picked out and discarded the worst, then the bad, then the inferior, and developed enormous enthusiasm for the survivors. This is what John Bull called " compromise " or " making the best of a bad job." He was not getting what he wanted, though he never asked for more than he wanted, and was quite willing to take less if allowed to grumble ; the Liberals were not giving him his desire, and he hated them, but they were riot trying to give him what he did not want, and he began to love , them. He discovered in Edwardian Liberalism the creed he was longing for, the great creed which is called Letting Well Alone. The Liberals were Not going to interfere with Free Trade ; they were going to put back education where it Was when he went to sleep ; they promised also to restore in South Africa labour conditions as they Had Been. " Not 1 Was 1 Had Been ! " said John Bull, cheerfully ; " I like those words." He had heard rumours he did not care for : " Home Rule," which aroused troublesome memories, and " Land,*' which always made him very angry, but these words were only whispered, while the roar of " Not I Was I Had HAMBURY 177 Been ! " filled his ears. As he liked' the roar very much he did not trouble about the whispers and beamed upon those who roared, his youngest sons, Ebenezer Holyoake Bull, and Bull (of the Watermeadows) ; he told Macbull that he had always thought him a clever fellow, O'Bull that he had a sense of humour, and went so far as to shake hands with Llewellyn Bull, after buttoning up his pockets as a matter of habit. He went over to the Whigs. It is true that there were no Whigs, but something of their subtle essence hung about the Liberals, an essence which, snuffed by John Bull's broad nostrils, reminded him of Cromwell, Hampden, ship-money, democratic arson at Bristol ; he had been fond of the Whigs once upon a time, of their way of letting well and ill alone, of their factories, counting-houses and (a long time ago) public-houses. Their tricks in* Egypt, South Africa and Ireland had an- noyed him, but he was so afraid of the Tories, because they n minded him of sheep suffering from the rabies, that he said : " I'm for the Whigs." When told there were no Whigs he flung himself into a terrific passion and declared, characteristically enough, that even if there were no Whigs he'd vote for them all the same. He wasn't going to argue about it, lie was for the people who were going to let things he Whigs, and he was going over to the Whigs. d I with him. I did not take them quite as he did, for 1 was a Frenchman and believed that people intended when they said they were going to do them; to lei bad things alone, nor, for the matter of tli ad I had rooted in my mind that, as anything that was must be bad, one could not go wrong if one broke up institutions. I was for the new law l I was the new law; I would have accepted ion if it had b ated as progress. Thus Tariff rm did not seduce me because I had been used to it 'K' : 1 been born under Free Trade, thus hipped it ; had 1 natural born Englishman ght have shouted "Down with it!" but I was a ! peal to me, for I was a crude revolutionary. I wanted to smash, not to build. 178 THE MAKING OF AN ENGLISHMAN It was not the cry of " Not ! Was ! Had Been ! " which appealed to me then. While John Bull folded the Liberals to his arms because he took them for the Conservatives, I hailed them as the iconoclasts. I read the pamphlets which poured upon me when i became a subscriber to their official publications ; I chuckled over cartoons where Cabinet Ministers appeared as foxes, rabbits and mad hatters. The Liberals were the people for me : they were going to " give one " to the capitalists, and another to the Church (d has les calotins /), to take votes from the powerful — and there was a rumble in their machine, a rumble I could just hear; in those days the rumble sounded faintly like : " Down with the Lords ! " I did not know that the rumble would eventually develop into a mighty roar, that I would stand on a cart near Peckham Rye and be cheered while I referred to the Lords as " the gilded scum of the earth, titled ruffians, hangers- .on of the chorus — " as is our political way down South, but even as a rumble it thrilled me. The Liberals had a bold air of activity which pleased me; they were against abuses, they did not dislike foreigners, they were going to turn the country upside down and make of it a better place : I honestly wanted it to be a better place, and as it could be made such by smashing all the old things I decided to be a Liberal. I wanted votes,, land, houses for everybody, but I mainly wanted to take the votes, the land and the houses from somebody. It was, I felt, going to be a great big rag. Besides, Air. Lawton and Hugh were Liberals. And Edith was a Liberal. I had to be loyal. II I joined a Liberal Club, which proved a temporary cause of estrangement between Mr. Hooper and me. He made no remark when I aggressively told him that I had abandoned the primrose ; he sighed, as if to say that good grain often fell on stony places. Sometimes, when HAMBURY 179 he returned from his own and purer political association, he found me obstinately reading The Life of Gladstone, or a booklet on land taxation : then he would sit down in the armchair by the grate, and do nothing for a while, as if this sight took the strength out of him. If I looked up I found his mild blue eye fixed upon me and un- mistakably signalling: "The pity of it." This filled me with malignant joy, and I went so far as to murmur 44 hear, hear," and 44 good " as I read the poisonous gospels. Soon I provoked him sufficiently to make him •k me. 44 All that sort of thing," he said generally, " it's all talk. You People, you only want to upset things ; and don't want to do what the country's crying out for. Why, look at the unemployed ! How arc you going to find work for them ? With all our home market swamped ? and everybody leaving the land because they can't make hing out of it. No wonder they emigrate, all the best of them; they're not going to stay here and starve. There's much too many of us, that's what it is, but we've got to feed them somehow." Mr. Hooper rubbed the bald part of his head with his I kerchief, peeping at me from under it, and I was struck by the pathos ol his attitude; here he was with a whole handle of problems : trade, agriculture, overcrowding, and the conflict was so complete that he regretted in the same breath < in mi at ion and the increase in the population. 44 Well," I said, "tariff reform won't settle all that, will it do 44 Work for all," said Mr. Hooper, delivering a swift blow, I quoted Austrian and Italian figures of appalling un- 1 h, we don't count tJiem" said Mr. Hooper, airily. "What about Germany?" He quoted most reassuring figur< unemployment. Then I quoted absolutely enormous figures of American unemployment, calmly picking out a period during which brike and confining myself to lilding t 180 THE MAKING OF AN ENGLISHMAN Mr. Hooper, shaken for a moment, retorted, " What about tinplates ? " " Well, what about tinplates ? " I asked, angrily. " Going," said Mr. Hooper, gloomily. " Oh ? Cotton is going too, I suppose ? and wool is gone ? " " Yes," said Mr. Hooper, with ghoulish delight. Then there was a rumble of figures and I grew excited, Mr. Hooper talkative. " It's all been stolen from under our noses, and the foreigner's coming in and taking our markets. Now I was talking to a man I know, he's a traveller in brasswork, he is, fenders and fire-irons, that sort of thing. Do you know what he said ? Well, he said that in half the places he used to book orders they said there was nothing doing, that they were buying in Germany — cheaper ! " cried Mr. Hooper, with restrained, passion in his voice. " Cheaper ! do you hear ? And there's all your Liberal lot going round and saying that if we have Tariff Reform everything '11 cost more. It's a shame, that's what it is." " But how do they manage to make them cheaper in Germany ? " " Sweating," said Mr. Hooper, with infinite contempt. « Why " " Then Tariff Reform means sweating ? " " It means nothing of the kind. In America a brick- layer gets a pound a day." " In France he gets three shillings." " I'm not talking of France," said Mr. Hooper, with a stately air. " No, you were talking about Germany, where you say there's Tariff Reform sweating " " I did not, Mr. Cadoresse." " Now, Mrs. Hooper, I appeal to you," I said. " Oh, don't ask me," said Mrs. Hooper, without raising her eyes from her fancy work; " I don't understand politics. You tell Mr. Cadoresse, Alfred." We " told " each other with increasing energy, we feinted when cornered, we found figures and we tortured facts. HAMBURY 181 We proved Spanish theory by German practice. We whirled in the midst of tariffs, Socialism and credit; we completely tied each other up in the payment for imports by exports ; our talk became simultaneous, expanded, sucked in the waste of money on drink, housing, the hiring of barristers by the poor, tramps, betting — we touched peers, skimmed the divorce court — we slung heavy names at each other. I shouted " Gladstone," Mr. Hooper fluted " Disraeli." I laughed as I observed Lulu, a novelette in her lap, and her mouth so wide open that I could see her palate. \\ C grew silent suddenly, and I saw Mr. Hooper wipe his head again, very carefully, as if he had sworn to leave none of it unwiped. I pictured him again, pathetic, like a wretched little cork tossed on a stormy sea, rather a in spate ; nothing was so near our debate as a turgid river, flinging refuse into the air. Mr. Hooper took thought, then closed the discussion : " All that sort of thing," he said, generally; "it's all talk. You People, you only want to upset things ; and you don't want to do what the country's crying out for." d an exact replica of his opening speech ! We had argued in a circle, then. And for one moment I wondered whether I, too, had argued in a circle. But this did not trouble me long, for I felt sure I could break f any circle, however charmed. I f. It strong primed by the literal ure issued at my club. Th. library we owed to a pious founder, Clogg, sometime a Borough Councillor. The aged pensioner who kept it, d " fought under William Kwart," prac- ai8 shelves an extraordinary religion, Clogg- ch he \v;is high priest and sole adept. He ii took a i without coni iring sotto voce with Mr. (Hogg's spirit. When j id told him I wanted b Q,hesmi] tie, thin-lipped ; under his white eyebrows 1 sparkled. d to the young generation, then with a rapid f tone : " What would you like »n, sir?" And! e a suggestion, 182 THE MAKING OF AN ENGLISHMAN he murmured : " No, Mr. Clogg, really no, we can't start a boy like that on Progress and Poverty — now, come, Mr. Clogg, really — well, if you think so, Mr. Clogg " He interrupted his conversation with the ghost and offered me a disreputable-looking copy of Progress and Poverty. Evidently the shade of the Borough Councillor had prevailed. The old librarian's name was Smith, but the club called him Cloggie behind his back ; he was well over seventy and would have been very tall if his back had not been bent as a boW; his stoop compelled him to thrust his brownish face forward as he talked, which he always did at some length, for he had the rapid, yet mellifluous flow of the practised speaker. But, alas, Cloggie was no longer as lucid as on that great day in 1882, when he had stood at the back of the orchestra in the Grand Theatre (which he sometimes located in Birmingham and sometimes in Wolverhampton) and held Gladstone's hat and overcoat. " There I stood," said Cloggie, " for one hour and a half, and I could hear Him rolling away like a trombone, and I couldn't hear what He said 'cos they were cheering every five minutes, but it was splendid, I can tell you — and I couldn't feel my legs any more, what with standing up and what with the excitement, and people shoving me to see Him. And then the cheering at the end. I couldn't hear myself shout, though I could fetch a good howl then, being a bit of a boy. And then He came along, quick, you know, with His eyes all alight, and His chin waggling up and down in that collar of His, and laughing because they were all crowding round Him, all Birmingham, and trying to get hold of His hand. * Where's my coat ? ' He shouts, and I can tell you I was proud when I stepped along with it, saying ' by your leave,' and seeing them make way for me as if I were the King's messenger. And then, when I was putting it on Him, trembling all over I was, He turns and looks me in 1h<* eye — looking like an eagle. He says to me : ' What's your name ? ' He asks. * Smith, sir,' I said (and I nearly said Your Majesty). ' Smith ? * says William Ewart; 'that's a good name. Go and tell HAMBURY 183 all the Smiths of Wolverhampton to hammer privilege on the anvil of democracy.' You should have heard them shout when He said that." The old man stopped, choked with emotion. " Yes," I said, " that must have been fine." " Fine ! Why, Mr. Clogg and I used to talk about Him for hours and hours. Don't believe me if you like, but Mr. Clogg knew Him." Yes, he had dinner with Him in 1887 — " Cloggie worked his psychic switch, and suddenly I heard him wrangle respectfully with the dead : " I remember quite well, Mr. Clogg — it was 1887 — when you were standing for St. Anne's Ward — oh — um — well, in the spring of 1886 — well, perhaps you're right, Mr. Clogg." Cloggie switched Mr. Clogg off and announced, with an air of relief : " 1886, I mean." The adorable Cloggie did, however, more than amuse me; he liked my being a boy, that is under sixty, for he was himself always "a bit of a boy" in any story anterior to 1890 or so; he decided to educate me, so I often forsook the smoke-filled clubroom to go and sit with Cloggie, and be catechised. Cloggie was bent on my being thorough; it was he lent me Morley's Life speeches of John Bright, Mill on Libmty. . to his great chagrin, to make me take away the four volumes of Sir Spencer Walpole's History of Twenty" five Years. I was, said Cloggie, wilful and would do no good. But the blue eyes, that twinkled under the aid he didn't mean that, and that the old man, wl; ly was either dead or in distant colonies, had found in me a sort of grandson. So he let me browse in the succulent p I:. Clogg had left d him, nibble at Bagehot, Adam Smith and Mazzini (who was almost erjual to Hun); and he forgave my Might horn Walpole when I appeared with a compact but ilox J. \{. Green. And sometimes he would press mysteriously, a very old pamphlet. "Read that,* 1 he whispered. "It's grand, grand." It was usually some contemporary of the Repeal of the r Duty. But Cloggie felt it would strengthen my 184 THE MAKING OF AN ENGLISHMAN faith. He was not wrong, for I read with fierce enthusiasm in the Tube, at home, when Maud was out, while I dressed, in the street as I walked. I could not read while I shaved, but soapmarks on my Life of John Lord Russell show that I read while I lathered my face. And sometimes Cloggie would emerge from his book-lined bunk and sit in the clubroom, cheerfully blinking, while his wonderchild hurled the principles of Liberalism, in almost faultless English marred by a fairly strong foreign accent, at an unoffending speaker who had come from Headquarters to expound Franchise or Poor Law Reform. - Ill And that is how it came about that I contested Ham- bury. That is, I soon began to feel that it was I, and not Mr. Lawton, who was going to stand for that shapeless slice of country where the old merchant suburbs of London, the villas of the clerks, workmen's dwellings and a few scattered farms have made an evolving little world of their own. Hambury, which I could reach from Euston in twenty minutes, began in the south by being urban, grew neo-urban a little further, then died in the fields ; here and there it burst into smoke-stacks, while a pest of building plots, sown with sardine tins and old boots, had spread to every corner ; even the elms, judging from the notice boards, were to be let on lease. And, not far from brooks and hedges, when one stood on a hillock, one could see companies of navvies breaking the roads so that the tramways, whose terminus was still in the south, could crawl nearer to the fields and strangle them with snaky steel tracks. It was on such a hillock that we stood, Edith and I, on a Saturday afternoon in November, for we were both of us " nursing " the constituency. We were not nursing it very loyally that afternoon, for I had not called at the office of the Liberal Association, while Edith had pleaded a second engagement and escaped from Mrs. Murchison's garden party in time to reach, by devious HAMBURY* 185 ways, this place where there were no votes and therefore no risks. It was warm, for the Indian summer still lingered, as if reluctant to forsake the peaceful fields; the sun, veiled by faint mists, coloured tenderly the western sky, and there still was heat in its oblique rays. Indeed, something of the gladness of summer enfolded us, though the heavy dews had risen, blunted the sharp f outlines of the branches; a faint but pungent smell of dead leaves was carried on the light wind, and, in a hedge, I could see a large spider, moving very slowly in its web, spiritless as if it knew that winter and death were coming. But we were alive, full of that quiet life which sometimes assures us of an immortality of which we are not aware in our more hectic turbulences. We stood, very content with each other, for I knew that everything of £dith, • date grace, and the repose of her small gloved hands, filled me with a sense of rest : she stroked my soul, and it purred. And I had begun to gather as she looked at me, now a little more eloquent, that my dark face, my alert black eyes, my moustache and its audacity suggested to her something lurid which my words did not belie; for her I was the unexpected, the danger, the creature without rules or canons, who was exploring her world and daring to question it. She was, I felt, deliciously afraid of me. I liked to lei J she was afraid of me, and to think njoyed hex f " Isn't it. jolly? " she said. M I n't it?" We remained silent for some moments, registering imp! and I wondered whether in h< t mind I with the landscape as much as she did in mn M You know," ! iily, " I like you better I haO in London." •Thanks." She smiled rather archly. "Am I so dful in town | M You're charming. Bat here, you're different because th<- ! nt. You're sensitive, you see, life chameleon. 5 ir of the place. And I like 186 THE MAKING OF AN ENGLISHMAN this colour better than that of London. It's all so restful and so simple; life seems so easy ; I think of milkmaids, and calling the cattle home. Listen — that's a cow bell." " I'm sorry," said Edith, resolutely; " it's a tram." " Tush ! " I was angry. " How can you talk of trams ? Trams ! They murder the world — they and the railways. It isn't like sedan chairs, and chaises, and hansoms; even motor-cars and motor-buses are better; all those things don't leave a trail of steel lines and posts and signals to remind you what a beastly world we're making. Trams ! If I go to hell when I die and they want to do their worst, they'll put me in an L.C.C. garage. Oh, you laugh — but don't look that way, Edith, where there are men. Look there, towards the skyline, where the sky's blushing and making the cows look black." I took her by the arm, and she yielded, turned towards the west. On the crest of the long, low hill, a cow stood outlined, snuffing towards the sunset with her raised snout. She was flat and, though dun-coloured probably, black against ^emptiness. " She's lovely," Edith murmured. " What is she doing, I wonder ; do you think she's saying her prayers ? Perhaps she is, saying : * Oh, sunshine — send me green fields and let the hay smell sweet — and let my baby calf grow up until it's too late for him to become veal — oh, sunshine, give him long life, so that he may be beef.' " We both laughed together, but grew serious again, and I held her arm closer, moving my fingers slowly, taking in with all my hand its delicate, but firm outline. " That's not the end," I said. " She's also praying : ' Oh, sunshine, let my hide be golden and glossy, my eye deep as a pool and my muzzle soft as velvet — so that the black bull with a gaze like hot coals, who paws the ground and throws steam from his nostrils, shall look at me while I stumble by — and make me shiver and yet draw nearer ;;sl pass ' " Edith drew her arm away with a jerk. " You are silly. And I've already told you not to call me Edith." HAMBURY 187 " Why not ? You can call me Lucien if you like. You did, once." " That was an accident. And then you laughed at me because I pronounced it Loosian." " Call me Loosian. I love it, please, Edith." M No," said Edith, firmly. " It's wrong. What would people think, if I called you Lucien? And I don't want to call you Lucien." I managed just in time not to tell her that she liked calling me " Lucien," that she had done it twice in her entence, for the pleasure of it. For I was not sure of her, I was not quite sure that I wanted to be sure of her. 44 NObody would know," I murmured. " Any more than they know we're here." . " But if they did ? " Edith looked at me with appealing eyes. " Wouldn't it be dreadful ! I know I oughtn't to vou here — if father knew he'd be so angry." " But he doesn't know." " lie dorsn't. But don't you see that because I know ■ uldn't like it I can't feel it's right. A thing doesn't become right because it isn't found out, does it? " I was compelled to own that it didn't, then turned on her. 44 But you wouldn't like him to know, would you, if it made him unhappy? You'd hide rather than hurt him." 41 1 suppose 1 would," said Edith. " Of course I couldn't hurt him. I sec what that means; I mustn't meet you again." " Edith," I said, reproachfully, again laying my hand n hex arm; 44 but then you'd be hurting me." am I to do ? " she cried out, and there was i y in hex voice. 4t If I go <>n meeting you like ; B pig — and if I 1 1 11, they won't Le1 na- if I don't come you say you'll be miserable." ili could n. ,t bejftl to hurt her father or me, and it to hex mind th.it hex father might not care or that I might not. suffer. She took us as we seemed, and in this, I think, was h< r attraction : she simply red in what, she saw; unflinchingly honest, she 188 THE MAKING OF AN ENGLISHMAN believed others were honest, and now she suffered because her life was no longer without a secret. I tried to comfort her, for I had at every meeting to dispel her scruples and her fears ; I reminded her that we did not often come together. " Why should you worry ? We've only met four times, by arrangement I mean; once at Prince's, and twice in Battersea Park, and once at Kew." " And once on Primrose Hill — five times," she said softly; "you've forgotten, and " She stopped abruptly, and we looked at each other. She blushed, and at once we knew that the quality of our relation had changed : it was she, not I, who had remembered, and she had unguardedly acknowledged that those meetings — mattered. We began to talk feverishly, both together; she interrupted my protestations with commonplaces, and the forced tone in her voice told me that she was hold- ing back an emotional impulse. And I, Cadoresse the adventurer, was afraid. I helped her, and soon we were talking of Mrs. Murchison, and Chike, the progressive grocer. We laughed ; I even recited a limerick. The strain ceased, and quite gravely we were able to discuss my rdle in the election. " Father's awfully pleased with you," Edith confided. " He says you're frightfully keen ; he hasn't told you, I suppose, but he's going to ask you to come down and help for ten days when the election comes. You'll come, won't you ? " " Will you ? " " Of course I will." " Then, of course," I said, significantly. " Oh, I don't w^nt you to put it like that. You really are keen, are/i't you ? " " Of course I'm keen. I don't say I believe in the programme, the whole of it, but I think on the whole it's the best." "I'm so glad," said Edith, "I wouldn't like you to do it because — because — on account of me. I want things put right, you know." HAMBURY 189 Edith became sociological. The end, not the means, interested her; she wanted everybody happy, sober, working, each man in his little house, with a garden and some flowers in front. 44 I'd give anything for that," she murmured, and as I looked at her pure, rosy face, I knew she was speaking the truth. We had left the hillock and walked through a field, then into a straggling wood. We climbed the low hill and looked over the crest where the cow had stood, towards the clustering villas of Hamburyville, the new suburb o£ the old town. Little streamlets of bluish smoke rose from the chimneys. A mile away we could_see the tiny station and its model engine, and dots on the high road : the return of the Stock Exchange. 44 They're coming home," she said ; 44 it's getting late." ** Oh, not yet, not yet," I murmured. I drew her away, made her walk homewards by a devious way. It was half-past five, and the sun had set. We hardly spoke, but slowly, reluctantly went towards Hambury. We stopped for a long time, leaning on some palings, while invisible cows in the valley sent towards us, as I hey shambled towards their stable, the music of their bells, ,11 VI said. "I was right. There still are cowbells." , which has now engulfed Hambury, had not yet stamped them out. And so, softly, as we waited, the tinkled, some crystalline and gay, and others mourn- ful, and yet others deep and portentous. I looked at the slim giri, her seriou cd on the sky; I imagined her dream of imp le hope for all those poor and d, who had soiled their lives with cupidities and envies. And there was such wist fulness in those eyes, such undefined, greedy loi I those creatures that breathed, that I Leaned forward, with words upon my • I, made my mouth twitch. But Edith ** Come," she said, t4 we must go, for the night is '•(.ming." Wt i pari vvhere a few lights shone in the wind'. 190 THE MAKING OF AN ENGLISHMAN " You will come again," I said. " I oughtn't to." " But you will ? You will, Edith— little Edith, you will?" " ^Perhaps." The eyes were veiled under the delicate, veined lids. " Say 4 I will write next time.' " She laughed nervously. " Oh, I couldn't -write." " Then how shall I know? How shall we meet? " She was silent. Then at length, very low, as if frightened : " Very well." I took her hand. " Good-bye, Edith." " Good-bjfe." " No, not good-bye. ' Good-bye, Lucien \" She looked towards the ground, obstinately silent. " Good-bye, Lucien," I repeated. She shook her head. " No." I held her hand, pressed it without speaking. At last she looked up, and I saw her lips tremble, form "No" — But, quite suddenly and spontaneously, I think, I heard her blurred, hoarse " Good-bye, Lucien " ; her slim fingers pressed mine, while I bent down, and with my lips touched the glove on her unresisting hand. IV I had two whole months to think of Edith, to define my intentions to myself, for I heard, ten days later, that she had caught a chill and was in bed, then that she had been sent to Brighton for a month, in charge of an old aunt, for the Liberals had come into temporary power and the election was upon us : her niother could not be spared. Mrs. Lawton and Muriel were almost every day in Hambury, canvassing, smiling and making friends by means of. condescensions and expensive furs. But I think I knew that I wanted my slim English girl only when I thought of her as ill, of her golden hair flowing on the pillow, of her little listless hands. My HAMBURY 191 pity kindled my love, for Edith had not the strong body which arouses contempt when it is sick; so like a flowering white convolvulus was she that I loved her first in her greatest weakness, as I might tenderly have raised the fallen plant and helped it to cling once more to the more robust ivy. I loved her. I loved her in spite of myself, for love of Edith involved marriage, and my old tradition held me enough to urge that a Frenchman does riot marry at twenty-five; also it reminded me that Edith would have no dot, that my income was a hundred and sixty a year : it laughed at me. But I laughed at it, for England had breathed her spirit in me, wiped out some of my grossness, some of my mercenary spirit. I was ready to take Edith poor and weak, to be poor and weak with her, to bow before her, the beautiful and pure, if only she would take my humble forehead between her smooth white hands. If I had thought of her, in the very early days, when she ceased to be a figment and became a woman, as the road I might follow to a partner- ship in Barbezan & Co., I had now forgotten such imaginings. My quest of the Golden Girl was at end, y, delicious quest during which the knight upon the mad meets such as Maud, Lottie and their like, and knightly speeds on. While the months oozed away, my love crept back upon itself, for I could not see Edith, or write to h'er, and dared but seldom question Hugh; 1 to such expedients as to alternate between h^r father, mother, sister and brother, so that my interest might not arouse suspicion, to question casually even Loui . who stung me with the remark that Edith little thing." I think I hfl I suffered that madness oi isolation which always lieu I have lost the treasure I had or do not yet see the treasure to come. I fastened on the ided me, all of them tOO busy with <>f Barbezan were Christmas holidays and had no eye for the 192 THE MAKING OF AN ENGLISHMAN alien; and Maud preferred to me, to Saunders, the auctioneer, and to " Signor " Colley, a new friend, " a real gent who'd been introduced to her at Tinman's," a certain Bert Burge. I had not seen Bert Burge, but I knew he had something to do with the halls : as Maud was " on him like a bird," while he was " gone on her," she found a reason to be out of the house nearly every evening. " So high-spirited," said Mrs. Hooper, with her air of mournful prjde. I was thrown back on Hambury, for now four weeks only separated us from the test. I had conceived a passion for Hambury, and, ten days before Christmas, I solemnly informed Mr. Lawton that I intended to devote myself to " The Cause," to give Hambury every night and every Saturday. " Thank you," he said ; " it's very decent of you." Bare thanks ! English thanks, or rather recognition of my sense of duty. I wanted more, and I wanted tribute. I did not have tribute, but a more precious gift was waiting for me that night : it was a letter in an unknown hand, addressed in good round writing, almost childish in its carefulness. The Brighton postmark made my heart pound against my side, and I could feel it still as I read, feel it long after I had nnishea learning the words : " Dear Mr. Cadoresse, " I thought you would like to know that I am much better. I suppose you know I have been ill. Only a chill, but I had a high temperature. I oughtn't to write to you but — (several words scratched out)^— I didn't want you to think I had forgotten to write before we met again. 1 do want to come back, but they won't let me until next month, or they won't let me canvass — -and I do want to canvass ; it'll be such fun. You would like Brighton (but how silly of me, you know it), for the sea is so blue, it's like turquoise ;• you'd think of something much prettier to compare it with, but I feel HAMBURY 193 stupid. How is Mr. Chike and have you converted Mrs. Chike ? " Yours sincerely, " Edith Lawton. " P.S. — Of course you mustn't write to me. It isn't safer I went to my room to read the letter again. I read it five or six times ; the letter was Edith, shy, affectionate ; it tried to say what she meant and shrank from at the last moment. It thrilled me, its spontaneity and the fact that it was spontaneous; I kissed the letter and rejoiced because it carried no scent. The innocent underlining, the literary timidity which made her eschew similes, all this was Edith. It was all she, the boyish anticipation of the election rag, the mild scoff at the progressive grocer, the fear lest her silence should have hurt me; that was Edith, and exquisite, but more precious to me was the Edith in relation to me implied in the scratched-out words, which I made out with a dfying-glass to be " I wanted to." She had wanted to write to me, and she had dared to do it, but she had not dared to wanted to — just as her postscript implied that she wanted me to reply, though she dared not let me. Sweet fugitive, I knew what you meant, h you did not say it, and I, who ever loved the loved your shrinkings. And I thought of her by the turquoise sea. nst the western wind she stands upon the whit- ! 1 for whom the blast is too rude. Is muffled in white wool, she rules the straying gold of her hair, and the wind furls her skirts about her, js to and its soft, cold bosom. The wind kisses into vividness the roses of her cheeks and tints with purple her mouth that pouts as a split. ny, and a Might her eyes arc dim with One 'ie turqu and it is jealous of her eyes' blue dept B 194 THE MAKING OF AN ENGLISHMAN And on again to the comedy of elections which so re- calls the fights of dirty little boys who roll in the London gutter; to meetings, canvassings, lies, proofs and smart retorts ; to charges of unfairness and appeals for the play- ing of the game ; to fine prejudice too, to noble fanaticism, to generosities and unselfish hopes; to impracticable cures for evils, to truthful promises and self-abnegation ; to all that incoherence and turbidness of purpose out of which comes, after all, stumbling and halting, some mercy and a little justice. Every night at half-past six, I reported at the central, committee-room. I came out with a bundle of canvass cards, sometimes alone and sometimes' as escort of Muriel or Mrs. Lawton, when they had to visit certain quarters of the old town reputed to be " dangerous." For Hambury was getting on in the world : the merchants had deserted the old houses for modern detached residences, so that Hambury had had to turn the early- Victorian homes, among which was occasionally a fine, square Georgian house, into tenements. It was among these tenements I had to take ^tfuriel, who wrinkled her nose at the smell of man — food — washing, to stand by her side and look confidently at the big, truculent navvies who were laying the tram- lines towards the blessed fields, while she recorded their opinions, and said the weather would improve if the Liberals got in. We were splendidly efficient; we wasted no time on argument, for Hambury was unmanageable : since the redistribution its electorate had grown from about eight thousand to twenty-seven thousand. Thus all the can- vassers could do was to ascertain where was the strength, so that it might be polled. " It's simple enough," said Muriel ; " we found that out when father stood for Bowley. In these big divisions it's not worth while arguing : poll your strength and you win; at Bowley we polled seventy-nine per cent., which was jolly bad; if we'd polled eighty-five we'd HAMBURY 195 have got home. You don't want to turn a vote. Just poll your own." \Yhether this was or was not democratic government did not seem to trouble Muriel much; I remember her during that month as a completely cynical girl, intent only on winning; her dash had been transmuted into a ceaseless and businesslike activity, her talk of theatres and dances into a rhapsody of half-a-dozen words : " doubt- ful — removed — ours — theirs — meeting — canvass." We raced each other along opposite sides of a street, waving ironically across the road when we had gained a couple of canvassed houses; we learned to work at top-speed with a blunt pencil, slippery canvass cards and uncertain electric lamps ; we talked only of elections, and we never kissed. Tacitly Muriel had abandoned me to Edith, and I, being now so little of a Frenchman, accepted her attitude. Hambury was a centre of chaos, for I seemed not only to be always canvassing, always rushing into the com- mittee-rooms for further supplies of cards, to find there a buzzing group of women, who checked lists of voters, addressed envelopes, scrapped the dead, always catching trains and omnibuses to lose myself in Balham or Rich- mond while I tracked removals, or stewarding at meetings, or whirling in a motor-car in an aimless, distraught way, going to a place I didn't know, with a message I didn't understand, to meet a man who did not appear. The fog of the election was like the fog of war, and I, a private, did not know what I was doing. But one thing ild feel : the splendid English organisation. The professional showed amazing mastery of the f the Corrupt Practices Act, and of the topography of Hambury; the constituency was covered, area by area; cai allotted and marshalled; meet Id in si at a time, speakers . men imported from London, :^n<[ at scheduled points, emptied (A ti and whisked off again by other to do service twenty miles away. Our colours 196 THE MAKING OF AN ENGLISHMAN were everywhere; our cars, decked with red ribbons, and posters, let their engines race and roar in the market- place, so that Hambury should know we were there, mob us, stand open-mouthed and mentally promise votes to the authors of the fine to-do. And figures crowd about me : Hepson, the agent, who, on being informed that one of our cars had killed an old woman at Broughton remarked : " That's all right. Broughton 's a quarter of a mile over the bound- ary " — and Mrs. N Mill, a sweet-faced old piano-teacher, a Roman Catholic, who burned a candle every morning at the shrine of her favourite saint while praying for our triumph — and Wing, his friend Mayne, both Young Liberals, who 'ad a bit on ole Lawton and 'ud give three to one agin the other blighter. They crowd, some of them just names — Rennie, Morrison. Miss Festing — and some nameless faces, ascetic faces of old men with side- whiskers, and the sly, fat muzzle of a publican who saw the point of being the one Radical innkeeper, and very young, boyish and girlish faces, rosy, blue-eyed; faces of children who wept for favours and occasionally paraded with our poster pinned on their backs. And others : Lady Bondon, the wife of Sir Thomas Bondon, our opponent, a large, red lady, with an enormous black silk bust and a voice which Sir Thomas must have learned to respect in his — no, her own house. There is Hugh lecturing me because I had called Sir Thomas a blackguard.^. " He's not that — he's on the other side, but " " If we're right the other side must be blackguards." " Oh, no — he's entitled to think as he likes, and one mustn't mind. You know, Cadoresse, in England political enemies can be personal friends." " Hypocrisy." " Not exactly; of course an M.P. may feel a bit sore when he's being slanged in the House by the chap he T8 golf with, but he mustn't say so. One's got to play the game and keep a stiff lip when one gets one in the ey HAMBURY 197 It struck me as a little artificial, but the Englishman always plays the game, and thinks everybody ought to do so. I think Muriel carried the attitude to its extreme development when she told me that fox-hunting was all right because the fox had a chance to get away. " Not like pigeon shooting," she said, scornfully, " or hunting carled stags. That's not sport, but the fox has got a chance — he likes a run." Well ! And there is Chike, the progressive grocer; five foot two, or three at most, marvellously active and apologetic, running like an overgrown rat about the streets, with his little brown eyes racing towards the point of his long nose, and a general air of timid, incredibly swift scuttle. " Hullo, Chikey," screamed the urchins as he ran ; " look out, 'ere She is." And then Chike would leap as he ran, and shake wild, Futile little fists at the boys, for She was Mrs. Chike, Primrose Dame, thirteen stone in weight, and deter- mined that her husband should not disgrace himself with our Low lot. Everybody knew that she thrashed Chike, that she locked him up as soon as the shop was closed " to keep him out of trouble." But Chike was much more than nimble : he developed extraordinary cunning, once dived right under her vast person, when she d t he door, and rushed out more like a rat than ever, like a rut that a cat is chasing. He had his revenges too. " I got even with In ,; lay," he excitedly related. 14 I was trackin' removals 'cos I 'ad time, bcin' early So when I got me first, I scs to meself, 'ere's a chance, ses I : III telephone the ole gell to cheer 'er up. So I telephoi hi' you should 'ave 'card Vr. I telephoned 'er again i 4 Got another, Maria,' says I. *Whi — ycr dirty tyl 'Ah, like to kl } I. And I telephoned 'er when I ,L r "t another — an' she 'ad to answer, 'cos ihe couldn't tell it wasn't a customer — so I telephoned t for luck. Cost me eight pence altogether, 198 THE MAKING OF AN ENGLISHMAN but it was worth it, but "— Chike rubbed his head significantly — " she did go on awful when a' got 'ome." Yet the contest seemed to breed no ugliness. We did not always tell the truth, but I seemed to miss the atmosphere of violence in which French politicians breathe ; I looked in vain for the inspiring red, white and blue posters which, when Frenchmen are polling, stare at us from every wall : LIAR ! Voters ! Do not be deceived by a Candi- date WHOM I DO NOT CONDESCEND TO NAME, a Man who has sold to the Jews such honour as he derives from nis illegitimate parentage. . . . or — I CHALLENGE That Hireling of the Church to say he did not suddenly receive elghty thousand Francs. (Did you say Panama ? Hush!). . . ■> That is what I called electioneering, and I told Hepson so, but he merely laughed and said that in* England no man was a traitor until he was in office. I felt that my attempts to " ginger up " our leaflets were coldly received. Reluctantly I decided to help win this election like a gentleman : our French way is a much bigger rag. VI And at last Edith came. In ten days the people of Hambury would go to the poll. She came, and in the first handshake she gave me, which lingered a little, she said : " Here I am.'* And her blush, her quickly averted glance repeated : " Here I am," added, " What are you going to do with me ? " I did not know what I was going to do with her. Perhaps I did not know what I was going to do with my- HAMBURY 199 sell, unless I intended to place myself in the hands of the Providence of Lovers, beg it to make or mar me as it would. All I knew was that the shy girl thrilled me because she was no longer so shy with me : I was as Christopher Columbus landing on the shores of America; I had not explored a continent, but I had set my foot within its boundaries. This inner life of mine was one of storm, for the tender bordered ever on the businesslike; we perpetually drifted to the personal while we canvassed, and then again we would be driven away from the open gates by preoccupation of an illegible name on a card, the facetious howl of some small boy, or meetings with other canvassers. Those other canvassers ! How intolerably^ bright and metallic was the surface with which they coated their jadedness, their sickness of the whole affair; made jokes "out of cold feet, lost pencils, electors removed to another corner of the borough, things that are quite tragic in January. We met Dicky Bell, his brown eyes beady with excitement because he had found a street of seventeen " Fors," one " Against " and one *' Doubtful." He announced the result at the top of his voice, shouted " Hooray ! Hoo-blastedray," apolo- I to Edith with a " Beg pardon, election fever," and ran away to the central committee-room for new An Englishman excited. And sometimes we saw Neville, patiently plodding from door to door, lis hat to tii< suspicious wives of the rail waymen, and gaining p by the sheer pathos of his innocent B. Neville could suffer rebuffs in silence, cover curly fair hair, and squaring his weak chin as well as he could, go on to the next house, humbly, stod: .still al work on his father's debts. . palling for cards, 1< ailc,ts, window- our supporters, notices of meetings, all of them : Louisa, with Hugh in hex train, and Kent, who had given op e " when you were polite the poor knew you were being rude," and Gladys Raleigh, and Bessie Surtees, and the local enthusiasts, Wing, 200 THE MAKING OF AN ENGLISHMAN Mayne, all red tie and three-inch collar; Mrs. Mill, always a little prayerful; the sly, fat Radical innkeeper, and Chike, scuttling past, with a glance of apprehension for every big woman. Wc talked, we argued, we contra- dicted, we told each other the way, we clamoured for notes to be made that Thompson wouldn't come unless we sent an electric, that O'Kelly wanted Home Rule for his vote, and would Mr. Lawton go and blarney him? that Smith was engaged up to five minutes to eight, that Emmett could speak and wouldn't, while Morrison would speak and couldn't — Fog ! And in the midst was Mr. Lawton, neat, not too smart, in perpetual conference with Hepson, gravely forbidding us to give the children pennies, cautioning us against treating when treated, reminding us that to give favours was a corrupt practice-t— I see his tired, handsome face as he sits with Hepson. " Ward four is very bad, you must double the open- airs there, Hepson — and I can't speak at the Drill Hall at eight fifteen if I'm to be at St. Catherine's Schools at nine — you must recall that poster, it's too thick — the Burglars' Cabinet, I mean — Lord Wynfleet will lend two cars for the day " Fog ! And then Mr. Lawton, in the market-place, on a dray. He speaks slowly, hands clasped behind him, without notes, his face lit up by a naphtha flare. I hear his steady voice : " And because we are free we intend to remain free. We will not have to lead us the men who have stolen our schools, who have placed our women and our children in the hands of the liquor trade, who have sat upon the fence when we asked whether they would tax our food, who have not even had the courage to lie. No, English- men, you must never again trust them, never allow them to enslave your trade any more than to enslave Chinamen " And I hear the roar that rises from hundreds of faces, white, ghastly under the flares, stained by the hundred black holes of their open, roaring throats. The sound HAMBURY 201 rises, beats upon the four facades of the market-place, drowns the feeble oratory in the other corner where Sir Thomas Bondon is being heckled, for Lawton has hit home. They sing, these open throats : There is a golden Rand, Far, far away. Millionaires say they can't pay Uore'n a bob a day ; There Chinese toil all day And, toiling, sadly say : Chinee-man ho likee be Far, far sway. VII But one night we were lost, in that fateful ward four. Having set out with hazy ideas of our destination we could not find Molton Street; questions to the natives ised our confusion, for the Hamburyites did not know their way, they found it by instinct. We were told to the left for Granby Street while the Granby ■ plate showed opposite in the light of a gas-lamp; we missed turnings, retraced our steps, sought for villas in dark little streets where llickered the window lights of stationers, tobacconists and cheap confectioners, of • •-houses which Liberals dared not enter. Directed iare, we suddenly arrived on the banks of the Ham. M ! ':u rick of this," I said, stopping. " Aren't you? " 41 Well, I am rather tired, Edith. "Still " I looked at her, smiling, her eyes blade in the bad light, I wistfully determined to go on. M Only one day more-," she said, bravely trying to » ■\ ! I detected a hoarseness in my Victory? Yes, for Lawton — but did the word .in vt hin II I. up tor I'D minutes, Shall we? I go al "All right, M said Edith. 202 THE MAKING OF AN ENGLISHMAN We walked along the tow-path. The night was dark; between the gas-lamps we could not see each other's ~~faces. The river flowed very slowly, and, here and there, where rubbish had accumulated, a film of dust made sheets of shimmering grey satin. We went silent, and very close together, elbows touching and intimately conscious of solitude. Then, near a light, we found an old stone bench. " Rest in Peace, Wanderer, and in Peace Depart. 1787," said the inscription. We both smiled ; Edith traced the letters with her finger. " Come," I said. " Let us sit down for a little." Edith did not reply, sat down, and as she did so, shivered, for the night was cold. " I'm glad you've come back," I said at last. " It was a long time since you wrote." " I ought not to have," she said, in a low voice. Her face was averted. " But " " But you wanted to," I suggested. And so gently had I spoken that, after a while, she sighed and said : " I suppose I did." r " I wanted you to come back, Edith, dreadfully. Without you it was dark. But now — everything is different. When I'm with you I feel alive, I want to be great. Oh, I know, I'm nobody " " You mustn't say that," replied Edith, " or you'll never be anything. And I — I want you to be something." "What?" " I don't know — I want — oh, I can never talk to you, Lucien, you — you talk so qucerly — you frighten me." She shivered. " You are cold," I said. And for the first time I laid my arm across' her shoulders, held her gloved hand. She did not resist; indeed, I fancied that she rested against my shoulder, that her slim fingers clasped mine. And t§iter, as I drew her closer, I found her cheek against my shoulder, light as a leaf upon a stream. As I looked down I could see some loose strands of pale hair, the HAMBURY 203 blunted edge of her foreshortened nose. She was so near that I could feel her breathe, so near that an inclina- tion of my head would have brought my lips to her eye- lids, and the desire of it began to hang behind me, urging me on, pressing my head down with soft, ghostly hands. But some other instinct held me back, some obscure aestheticism which forbade that I should spoil with a concrete caress this minute most exquisite, because it was the first. " What am I doing? " said Edith, at last, to herself rather than to me. Then : " I ought to be away, out there, where the lights are " "No, no," I said thickly; "stay here, stay here. There is nothing out there. If all Hambury were to become air we should be here both of us — little Dresden Shepherdess, that is what I call you; when I hold you like this I know that life is good." " Life is good," said Edith. And later : " I'm not so frightened as I was. I was frightened, vou know." " Of what ? " " I don't know. You're so dark — you seem so fierce — you look at me with your black eyes. They glow like — and you're French. I hardly know what you mean sometimes, when you talk about- pictures — and you're il. Oik know what you mean." '• !', it you know," I murmured, holding her now so uld feel against my side the hurried beating of her heart. M I try to Understand. Bat you're not like the other men I know! they say what I expect." She lau: . " It's so easy with them, while with you, I'm ."mid that I'll not understand, when you say ; LOUt their heads — or other things — about ieal thin- M I never say cynieal things about you." '* No— you thin! I'm a baby." '* S u oof feel like a child, as I hold you so close ? " 204 THE MAKING OF AN ENGLISHMAN " You oughtn't to," she said, weakly. Then : " Yes — I suppose I do . . . And I don't mind." The light grew, for the heavy clouds that shrouded the moon were slowly drifting towards the east. A white glow oozed through them where the hidden planet hung. I released Edith's hand, let my hand glide along her arm, to the slim shoulder that trembled, until my fingers touched her cheek. A shiver, a long shiver that shook her whole body passed through her, and as she pressed her head on my shoulder, while I caressed her cheek, soft and smooth as the flesh of an orchid, the cloud became as a film of grey gauze, let the deathly pale rays of the moon silver the hair of my beloved. We sat, thus linked, for a long time, I think, and I was so ravished that I listened to the chimes of Hambury Church with such indifference as may feel a prisoner for life, when the hours ring out. We did not speak, we had nothing to say, but I knew, as I felt my knees tremble, that every- thing had been said, that nothing was left for us to do save to put that everything into words. " We must go," she said, without moving. " We must go," I repeated. But at last the chimes sounded ten o'clock. We started up. " Oh— what shall we do ? " cried Edith. I was holding her hands, drawing her towards me. " Edith — Edith — my darling " I murmured, in a voice so thick, so muffled that I could hardly form my words. " Oh, we must go — we must go " she whispered. She let me draw her against me, clasp her close, but she averted her face, buried it into my coat. As she freed herself I knelt down and, holding palms upward the little hands, pressed two kisses into the openings of the gloves — two long, tremulous kisses upon the scented suede and the smooth, cold palms. Together we turned back, and our hands did not unclasp until we saw before us the glaring naphtha lamps of the market- square. _ HAMBURY 205 VIII And the next night I spoke. Canvassing was over, so I hung near the most eastern of our two Roman Street platforms, while Edith exchanged dignified and com- pulsorily democratic pleasantries with Mayne, who was now giving four to one agin the other blighter. He could afford to, though we had to pull down a majority of sixteen hundred and to reckon with a new vote of six thousand, mainly in Hamburyville ; for our canvass showed that we ought to win by at least fifteen hundred, and on this night, the eve of the poll, a jovial, singing, hear-hearihg crowd was perpetually expanding from our platforjn into the High Street, then swirling back as the tramways cleft through it to a fierce accompaniment of bell-ringing. Twenty yards away a struggling mob was shout in g down Sir Thomas Bondon's men, and a shrill crowd of •eliiidi m, decked out in our red favours, screamed and whist led them into inaudibility. n't it great? " I said. " Great/' said Edith, excitedly. We were against the platform and, over our heads, the Headquarters man, Federation, I think, boomed out . eloquent phrases that stimulated the crowd into cheering, fired off the morning paper's epigrams, spurted personalities to which the crowd responded. "The Tories scuttled when we talked Tariffs. Shall . ? " roared the crowd. 44 Will you have Hambury boots made by Chinese "NO, NO— to 'ell with 'cm." Phrase by phrase the speaker lashed them, striking .it the ('■ until at last the mob it into the sottg : ro is a goldon Rand, Far, far aw.iy. . . But something was wrong, for he bent down to the chairman : 206 THE MAKING OF AN ENGLISHMAN " I can't go on — voice going," he said, hoarsely. " Oh, try, sir, try," said the chairman. It was one of the ascetic-looking, whiskered old men. " Five minutes," said the speaker; " spoken six times to-day." He wiped his face with his handkerchief. I heard the old man muttering, " What's to be done ? What's to be done ? " Then my heart began to beat, a little vein to shiver in my left temple. The blood was thick in my head — I remember imposing my help on the old man — -and Mayne* advising me to " give 'em 'ell," and Edith, with a mouth that trembled and tried to smile. And then I was on the platform, speaking in a raucous vojee that did not belong to me, terrified, excited — saying things I did not know I knew, to a great, white sheet of faces full of black mouth-holes — and when the wind blew the stench of the burning naphtha. I spoke. I heard a roar of approval. What had I said ? Ah, yes — I had forgotten the election, plunged into the future — I had said that dukes were not two a penny, but certainly two for a fully-paid share — I began to describe Protection in France, my country — sugar at fivepence halfpenny a pound — suits cheap at sixty shillings — bread at twopence a pound — I saw Edith, deadly white, with three black stains for eyes and mouth — and Majme, grinning. " Down with 'em — down with 'em," roared the crowd. I spoke, and on, and on, growing clearer, calmer now, smiling back at Edith, pointing an excited finger at her. " They say that England's going to the dogs — it will, if we get the tariff, for then we'll EAT the dogs." ( \\< >ar.) For twenty minutes I spoke, and I saw Edith clap her hands with the others, though the idd chairman put up a deprecating hand as I ended on my " rouser." " I've come all the way from France, boys, a thousand miles, to tell yqu that England's the place for men — (cheers) — that England is your privilege and your trust. (Blank silence.) To. ask you not to let it.be chained and starved and enslaved by a gang of blackguard manufacturers allied with drunken squires." (Roar.) HAMBURY 207 When at last I came down into the crowd, flushed, mobbed by the friendly, hot bodies, I was glad, if a little ashamed of my violence, for was not this violence the only expression I could give to my love for this land of freedom and silent passions, seldom unleashed ? And Edith had slipped her bare hand into mine, gripped me convulsively. I heard her voice : kt It was splendid — splendid " Was it splendid? Was this not Darkest England I saw ? This England of elections where men yawned vid " Principles of Liberty," and shouted if you said " Pretty Fanny? " England, must you -wallow in the mud sometimes, because you are a buffalo? But I crushed down my suspicions, told myself this great force could not be fine or gentle ; I pictured the progress of England as that of some Roman warrior on a chariot, racing the wind, brutal but conquering, and magnificent, winning the race, winning. I filled my ears with the thunder of t^he hoofs. ^ And in tne midst .of chaos we polled. Twelve hours of terrific noise, the hooting of the cars, the songs, the bands. For there were bands to bring up the two hundred s on the blue-decked vans of Hardafort's brewery, Lead the Liberal reds from the boot-factory, and the band of tin- Ancient Order of Elephants, doubtful one; the temperance interest wore red for v the day; I flowed to the ward four schools an orange-decked drum, and interrupted polling for while they settled the Home Rule tion with (lie rest of the Irish interest. One d: nost continuous din, for the tramways tinning, crammed to the doors with people who speechified in defiance of bye-laws, a day when spin bine lit up Ilambury, so that a passing its (juilt of i i reamers and favours for the tODC of Harlequin. I seemed to be running all the tin tiling at the same e to make sure thai Thomson had polled, or helping bed-ridden old 1 into a car; also I bundled our 208 THE MAKING OF AN ENGLISHMAN people into the Bondon cars, having stripped off my favour and bluffed the Tory chauffeur. I ate standing up in the central committee-room, beside Edith, who trembled with excitement, and Hugh who smoked, with splendid calm, consecutive pipes, while Louisa in vain tried to hustle him into activity. Some little things jut out, like church-spires out of a fog. Cloggie, who came up at six, saying that he had polled his shrfre, Cloggie, anxious, bright-eyed, whispering of the Repeal of the Paper Duty and the greatness of the late Mr. Clogg — and Neville, as resigned and mild as ever, progressing saintlike in ward four, escorted by twoscore dirty little boys who threatened to put him in the Ham — and Chike. Chike ! I did not see him until ten minutes to eight. I stood wearily with Edith at the entrance of the schools in ward three. Only ten minutes more ! There was nothing more to be clone, for we had either won or lost. A few yards away, watching the door, was a very big woman with a red face, over which fell some rumpled grey hair. 44 Mrs. Chike," I whispered to Edith. 44 Watching for him." Edith laughed merrily, then murmured, 44 Poor Mr. Chike. What a shame ! " 44 He won't poll," I said; 44 she's locked him up in the coal-eellar, I expect, and she's watching to be sure he doesn't escape." We laughed again, both of us, looking into each other's eyes; I was full of the intimacy of love. And I knew now that Edith felt that intimacy. Yet I left her, for I wanted to go into the station and, for the first time, see the actual voting. An excited crowd surged in it, mobbed the clerks, snatched the slips and filled them in at the desks, maintaining the secrecy of their choice by ostentatious hunchings of their shoulders and squarings of their elbows. It amused me, this seriousness, and it enhanced the splendour of hard, steady England. There was a swirl in the crowd, caused by four big HAMBURY 209 men and a load. I heard protests, an " All right, guvnor." In a cleared space lay a large case marked Hardafort Brewery Company, Ltd. 11 What the devil " said one of the clerks as he stood up. There was a breathless moment as the lid slowly rose and there peeped out the long, ratlike nose and beady of Chike. Then a roar of laughter and cheers as the progressive grocer unfolded his little limbs, proudly strode up to the table and proclaimed : " Chike, Thomas Albert, 5 Fullerton Street." " She kept an eye on me, she did — but she didn't think of looking inside the empties when my pals came for 'em — she thought I was "in the store-room gettin' some more when they carried me out. Lor' ! " — he re- moved some straw from his hair, — " it was 'ot in there." " It'll be 'otter outside, ole man," said Mayne; "you bet she saw the van and twigged it — she'd 'ave stopped it if the police 'adn't been there." " Lor' ! " said Chike, apprehensively, and peeped out of the window into the night. " Any'ow, a've done me little bit for ole Lawton." " Four to one agin the other blighter," said Mayne, automatically. CHAPTER III <* BETROTHED TO AN ENGLISH GIRI/ I " Are you going to the count? " said Edith. I shook my head. " No, they'll only let three people in. Your father is- taking Hugh and Kent." " Then there's nothing to do but wait." " Two hours and a half at least. Where shall we go to?" " Oh, we can't go anywhere — I'd better find Muriel and mother. Mother's at Roman Street, I fnink." " Edith ! " J drew nearer, spoke in a whisper, though the voices of the crowd would have allowed of ordinary speech, in a deliciously guilty whisper. " Don't go- come with me. We have time; you won't be missed; everybody's so excited. Come with me — we'll go to the old bench near the Ham. Look, there are the stars all over the sky, like silver-headed nails." " I mustn't," she said, but weakly. " Go and find your mother," I suddenly commanded. 44 Tell her you want some air, that you're going to find Bessie and that you'll be back in an hour " "Rut " " Rut of course you won't find Ressie. You'll take the tram to Four Trees Corner; it's quite near the river, and I'll wait for you there. We can't go together; everybody knows you. And — if you've got a thick coat, wear it." Edith looked at me, still hesitating; I drew closer to her, gripped her hand. " It may be our last chance for a long time, little Edith." I left her before she could reply, and as I sat in the 210 BETROTHED TO AN ENGLISH GIRL 211 tramway among the men who were returning from the poll, I was barely conscious of their computations of chances, their stories and oaths; even the obsessing song : There is a golden Rand, Far, far. away. . . formed but a background to my thoughts. For I knew that this was the Day. V As she looked up at me, with a little fear in her misty eyes, a tremble in her mouth, I knew that Edith had come to me — no, that I had snatched up her light frame and sat it in my heart upon a throne. She would come, I knew it, she would have to come, for she could not help it, I wanted her so much that she could not escape. I ached for her. Half-an-hour later we sat' together on the stone bench. She was buried in a thick motor-coat; her head was hooded but hat less, so that under the rough blue frieze and the pale hair her face was in a shadow, broken only by the depths of her darker eyes. I held in mine her isting hand. We had been sitting in silence for I, at first linked and peaceful, then restless, I s at Edith I wanted suddenly to her, crush her in my arms, mutter into her frightened ears an avowal so (i-ry as to frighten her more. For I Knew the quality of this love of mine; it was infinitely tender and worshipping and yet it was cruel, it wanted 1 to hold. I loved her for her fear of me; I wanted her to lay upon my altar a broken and contrite heart so that I, I and no other, should heal it and make 41 I whethej: we've won," she s; ally. 41 Oh " I surprised myseli by the anger in my 44 What does if D What dors . anything on are here^ you, with me? I've i everythi you, my sweet." And now I surpri If by my own gentleness. 212 THE MAKING OF AN ENGLISHMAN " My sweet, my sweet," I murmured, and without con- scious intention laid my arm across her shoulders, drew her closer to me, pillowed her hooded head so that my cheek rested on the harsh stuff. She did not resist. For a very long time, I think, we did not speak; both, I feel, were assured that the irremediable, the delicious irreparable was achieved. Then again : '" Edith, my darling — I said it might be our last chance for a long time. It isn't true, it could not be true. For you haven't come to me just to go away. Have you, my sweet? " The hooded head shook on my shoulder. " I've found you — you're precious — you're like the scent of violets- " Edith raised- her head, looked at me, and our faces were serious. " Lucien, I " She faltered, then hurriedly : " Oh, Lucien, don't look at me like that, I'm afraid — I — I too " " Edith," I said, very slowly, detaching the two syllables, tremulous, wondering. " Oh — you don't know what you're doing — other men have said things to me, things — nice things — but you, Lucien, oh, I don*t know, I don't understand. When you look at me like that you make me tremble and yet I'm glad. What am I saying? What am I saying? " There was a ring of sorrow, shame in her last words. It stirred me so deeply that I suddenly turned her towards me, sat almost face to face to her, my hands on her shoulders, looked into her eyes, and mine, I know, told my need of her. The hood fell, her upturned face shone white in the light of th§ moon, and her eyes were veiled. " Edith," I said at last ; " my little girl. My beautiful — I love you." I saw a little tremor convulse her lips, but she did not move. . " I love you," I said hoarsely. " I've loved you for a year. That day when we stood among the almond BETROTHED TO AN ENGLISH GIRL 213 blossom, I wanted to ask you whether you'd be my wife — my darling, my darling." Still she did not reply. My insistent hands drew her towards me, and I trembled as she yielded, trembled as she lay close against my breast. I inclined my head, laid my cheek upon hers. And my phrases were broken now by the intensity of my emotion. " My darling, my love — say you will come to me — say you'll not leave me — I love you- — I can't be without you — my Edith, my little girl " She did not speak, but I felt our faces move, yet^ without parting, as if they clung together, as if they could not bear to part. Slowly they moved, and I trembled, as my lips brushed the smooth cheek. Then I was looking at her lowered eyelids, while my hands knotted round her and, as if answering, she held up for my kiss her parted lips. Soon I had drawn her across me, seated her upon my knees. And now she lay, nestled in my arms, with her head upon my shoulder, silent but breathing fast. I could feel upon my face her warm, fragrant breath. My s travelled from her forehead, where a few golden .< lline A 1 quality toffs, but he's a gentleman, he is, and tin re's no flies on him. No, don't you try that on," she eried, barring the passage with bed arms as I tried to go upstairs; " you've got mi me this time I've had enough of your :. uck, all your 1 ngabQUl star.s, and ffo and all your beastly goings-on. D'you think I don't it's what? " And thin, f terrible mini:' . I aw thai Maud did !.• bat, thai she knew it with a terrible clarity which had so far been spared me, that she had 216 THE MAKING OF AN ENGLISHMAN leapt to the heart of fact while I wandered over London in my desperate loneliness, that nothing was too pitiful for her to make it ugly. But — but, what was this ? " I know all about you, Caddy ; while you've been messing round me you've made goo-goo eyes at the Lawton girl. I know her. The one with a face like a drv-cleaned sheep " " Silence ! " I was deafened by my own voice and, trembling, I stood in front of Maud with a raised, clenched first. And she stood there too, afraid but laughing, hysterically, as if she could not stop. Then I heard a mild voice, felt at last the cold air from the open door, realised that some of her words and my reply must have reached the ears of Mr. Hooper, who stood at the door. I heard stirrings in Lulu's room, and Mrs. Hooper, in a red-flannel dressing- gown, appeared at the top of the stairs. " What's this ? " Mr. Hooper was saying. " What's the meaning of this ? I can't have you quarrelling with my daughter in the middle of the night." " Quarrelling ! " screamed Maud. " I'm just telling him off, the " " Maud ! " cried Mrs. Hooper, as if she had been stabbed. " Oh, Mr. Cadoresse, what have you been doing?" " Mind your own business, ma," said Maud, savagely. " I cannot allow you to speak to your mother like that," said Mr. Hooper. " I'll say what I like. And if you don't like it you can do the other thing." Maud stamped, again gave her hair and hat that intoxicated shove. The door of her room opened, and, very cautiously, Lulu put her head out. I saw her vacant, frightened eyes, discovered that she put her hair in curlers. And, suddenly, irresistibly, I began to laugh, and I laughed more as I looked at Mr. Hooper, severe and shocked, at the tearful figure in the red dressing-gown. " You seem to be enjoying yourself," said the tragic Hooper. % BETROTHED TO AN ENGLISH GIRL 217 " Oh " I gasped at last, " it's just like one of Lulu's novelettes." There was a crash as Lulu slammed the door. Maud threw me a sulky look. " Oh — so it's Lulu too, is it? Not even Miss Lulu? " laud," said Mr. Hooper, with sudden force. " Go to your room. I'll settle this with Mr. Cadoresse." 44 Shan't." 44 Do you want me to put you there and lock you in ? " Mr. Hooper took a step forward, and Maud, after throw- liim a look of defiance, shrugged her shoulders and walked away. There was another slam. 44 Alfred, Alfred," moaned Mrs. Hooper, " shall I come down?" So. Go to bed." " Very well, Alfred." Then, as he opened the dining- room door, " You might turn down the light, Alfred, if you're going to be long," But Mr. Hooper was past economy. In silence he lit hut the door. We stood face to face on either Ol the table. 14 Now, Mr. Cadoresse, I am waiting for an explanation." I considered the dining-room, the common sideboard, bad oils. The only remark I could think of was : " Why do you keep the salad dressing in a bottle? " M Well ? " M There's no explanation." 44 No explanation ? When I find a gentleman quarrelling in ti. - in the hall, with my daughter— at mid- night? I heard her say things which, I trust, are not true " This little shocked man in the shabby frock-coat, whose bin. re no longer mild, did not seem ridiculous. I bad an English imp.. 44 I am le such a noise," I said. 41 ^ i.ut why was there a noise? I am entitled to knov 4 * Well/' I s;u 'l' botly, 44 if you do want to know, Maud is jealou 218 THE MAKING OF AN ENGLISHMAN 44 Jealous ? My daughter jealous of you ? May I ask what your relation is with her, that she should be jealous ?" 44 There's no relation." "Indeed?" Mr. Hooper was not ironical. I saw, as he stroked his bald patch, that he was honestly trying to understand the mystery. I determined to help him. 44 Look here, Mr. Hooper, here is the truth. When I first came here, I — I admired your daughter, I told her so — and -she did not seem to mind. But she did not — respond " 44 Respond ? You mean that she did not care for you?" 44 That's it," I said, realising that my original intentions would never occur to him. 44 All this going on behind my back ! But why is she jealous if she does not care for you? " Then I lost control of my tongue. I, Lucien Cadoresse, betrothed to the perfect Edith, was 7 not going to be catechised by this futile creature. In one breath I gave him my opinion of Maud, suppressed the details of my pursuit of her, but painted her as a philanderer, a harpy. Mr. Hooper did not speak for at least a minute. Then : 44 1 accept your explanation for what it is worth. I make no inquiries as to my daughter's conduct. Good- night." But I was not going to let the matter rest there. If I had still been a Frenchman I wouldi have spared him nothing; I would have given him every detail of my vain but degrading courtship — I would not have let him ignore the existence of Bert Burge ; I would have flung into his face my knowledge of his desire that Maud should marry Saunders, or 44 Signor " Colley, or me, or anybody. Yet, some new cleanliness, decency invaded me; I had been French enough to attack Maud generally while defending myself : that was done, but now I was English enough to 44 play the game " — not to give her away. 44 One moment," I said. 44 You will not be surprised, Mr. Hooper, if I say that I^nust leave your house." BETROTHED TO AN ENGLISH GIRL 219 Mr. Hooper looked at me with an expression of mingled dismay and resignation in his mild eyes. A compromised daughter and a lost " paying guest " in a quarter of an hour 1 " Well," he said, reluctantly, " I suppose if you feel " Then, with an access of dignity : " Perhaps that will be the best thing to do." A note of genuine regret came into his voice : " We shall be sorry to lose you." And I respected him. He had found dignity. This absurd, elderly clerk, despite his shopman's frock-coat, his petty mind, found it in that wonderful reserve of the ish, in their repose. Somehow Mr. Hooper could the music even when it consisted in such a tune as venty-seven bob a week." " I shall pay a full week and leave to-morrow," I said. W shook hands silently, and I think we were both sorry that our ease should be broken into by one whom even her father could not hold blameless. As I went to my room there intruded into my regret a feeling that I was not blameless either, that I had not played in the encounter the part of a Galahad. Borne on the pinions of my love, I hated m\ -s. If for ever having pursued such a one- as Maud, and others of her kind. I knotted my hand rj I felt slf-contempt rather than remorse. out into the hlaek garden, and as I raised my Minds I was filled with the thought that comes idom to men, so often to w< -men when at last they I mourn the loss of the tot freshness which they to (lie beloved : " Oh — why was it so ? Why 1 you not he the tot, the only one? Why, my could you. riot have come before, first of all, e all, alone of all women, my Edith? " IV I ti face down upon my bed. Edith! As Ice the pillow from which my breath .ply into my face, the ugliness of the past half-hour disappeared as a dissolving view. I ceased to 220 THE MAKING OF AN ENGLISHMAN think of Maud and her harsh vulgarity, of her irrelevant mother and sister, of Hooper and his dignity. The Hoopers became as actors on a stage ; the ugliness of their association receded until, on the blank screen of my mind, there was room for the ever-better denned figure of the Dresden Shepherdess. Little Edith, I saw you in that minute. The acute clarification of my mind recreated you as you were, your cheek upon the pillow, your mouth as an open rose, and your hair spread about you as if a cornfield had been turned to molten, flowing gold. I felt admitted. I had penetrated all the arcana of England ; I was as other men and more, for I loved, was loved. \ Love had pointed the way. And as I lay in my beatitude I felt something upon my face, something fine that troubled me, clung to my eyes and lips; I tried to brush it away, but it clung, almost defiantly. I seized it at last. It was a hair. But, as I negligently pulled at it, it seemed very long — and suddenly I knew whose it was. I leapt from the bed, gripping the* precious token with two fingers, lit the gas. I placed the hair upon my outspread black coat, where it lay, very long, glittering. Oh, wonderful golden hair, you were She. Fine, pale and yet delicately brilliant, you were the North, its imagination, its melan- choly and its shy tenderness. You came to me, to whom the South had given naught save the crude glare of the sun and the bibulous ecstasy of passion, you came soft and grateful as the dew, master of all beauty and wist- f illness. You were fine as a razor edge, and as a razor edge you were the bridge over which I, the faithful, would glide into Paradise. PART III CHAPTER I THE ENCOUNTER WITH THE SPIRIT I When I look back upon the early months of my engage- ment I wonder how it came about that I accepted so calmly my new condition. These three and a half years of England must have anglicised me more than I knew : I had long intended to become an Englishman, to marry an English girl, and now that I had come closer to the English ideal the fact of being betrothed to an English girl was not so extraordinary as I had expected. True, triumph had come, nay efforts had been successful; I knew that I was going to do more than marry a daughter of the greatest race, but the feeling was not baptismal, as I had expected : it was confirmatory. I think that several facts militated against the abstract triumph of England through an English girl. In earlier . when the I i rl was a hypothetical figure, : I knew only that she would be fair and pure, the marrying of her was coldly idealistic; in those days the merely one part of my broader career, rentual naturalisation, a partnership — a in Parliam< rri ; the girl did not exist and was therefore i Edith came, and she was not the English the pale pink cheeks, and the fair hair of the menial picture, but •ill. She was not an English girl, sh<- wa just, Edith, whom I would ha L, I think, if sh<- had been an American 221 222 THE MAKING OF AN ENGLISHMAN or a Russian, if only she had still been Edith. I forgot her great English quality because she ceased to be a representative of her country; she herself assumed the purple, and it was her I loved. Moreover, three and a half years of upward strivings, of intercourse with the English, of attempts to speak, dress, think like them, of watching their games, reading their books and courting their votes, had worked a change in me. Though still a Frenchman with a marked foreign accent, I had gained repose. I spoke less and not so-loud ; I had my hair cut shorter, but not too short; I did not wear a bowler with a morning coat and no longer bought aggressive " teddy-bear " suits. I was beginning not to say, not to do : I was becoming English. * Nobody will ever know how much concentration was required of me by the English attitude, for I was secretive; my labours were done in the dark, as I always wanted to emerge suddenly and surprise the English by my identification with them : the French frog wanted to swell in the dark until he became a John Bull. The frog often thought he would burst in the process of swelling. I have still a black copy-book which might have been tear-stained if I had filled it as a small boy, so impossible did it seem to me to remember the English said association, not association, that villages had no mayors, and that St. James and Moses, when possessively inclined, were St. James's in the former case, Moses' in the latter. But I clung to my book, my passport to Eden, read it almost every day as a priest, eager for Paradise, reads his breviary ; when it grew and threatened to become as all-pervading as Mr. Hooper's Five Thousand Facts and Fancies, I found it more precious, more necessary. For it was the record of my efforts and glowed with mem- ories, memories of a snub due to my having pronounced Caius College " Kayus," of triumph when I alone, in a wide company, had known the statusof a Bishop Suffragan. The black book was my record, and I was proud to think that I no longer made everyday entries of new errors. One week I learned nothing, which was wonderful ; the following I made one mistake, but I was human enough THE ENCOUNTER WITH THE SPIRIT 223 to cheat myself and to forget to enter it. I am still uncomfortable when I remember that occasion, but it is too late to atone : I have forgotten my blunder and can do no more than hope that I would not make it again. So far did I go in my neophyte fury that I altered my voice. This had too long been high and, when I was excited, shrill ; Barker and Merton would, on those occa- sions, compare it to tin whistles and bicycle bells, not very good similes, which humiliated and angered me. I began to study the^ English voice. It is deep, low, and there is about it a muffled quality, a quality of average- ness that is national ; it is neither so high, produced from the anterior palate, as is French, nor so throaty as German. I determined to lower my pitch, to produce from the posterior palate with a little " head " influence taken from Hugh's Oxford voice. A bad cold made the change easy, /or I emerged from it with a new, low voice, which I ascribed to " a permanent lesion of. the vocal cords." The new, low voice had nothing to do with lesions : it l>een manufactured in seven evenings, after mid- night, in quiet squares. After I "had guiltily accepted ympathy of everybody who heard me, I found that tile new voice was popular; Muriel called it " wood-wind " and preferred it to my former " brass band," and Edith said that she didn't care what instrument it recalled so long as its tune did no! alter. • Edith was franker than she had been. She no r feared me so much and could afford to laugh at me a lit i, as a man plays with his very big dog; though less articulate than I wished she was abl- now to say what she meant, to be gracefully arch, irect and cril It did not hurt me overmuch i she criticised me, for she had always ready on my arm an anesthetic hand. But tl re infrequent Ii'. l'.\c for inc was made up of shynesses .cious r< and exquisite reticences; under the Ughl of day it wilted like a violet ugh1 us closer than would I, avowal <>r any 01 intimate are tl iong which one i^ t<> live. 226 THE MAKING OF AN ENGLISHMAN " I wish I were buying'it for us," I whispered behind the shopman's unobtrusive back ; " it would tie us up." ' " Tie us up? " said Edith, genuinely puzzled. 14 Yes — I hardly know how to say it, but things like chintz, which one has chosen together, which one lives with, which are — the witnesses — you see ? " " Yes, I see," said Edith, softr^. " The chintz is not you, and not me, it's We, it becomes We. It becomes so usual that one can't think of oneself outside it. It's like an atmosphere which two people need to breathe. If we had that chintz we could never part " " Until it wore out and I went to buy chintz with somebody else " " Yes — but never again the same chintz." "No," said Edith, with sudden gravity*; " never the same." And, behold, as I write I see not the pink rosebuds on white of that very early purchase, but a newer chintz, green leaves on a black ground. Shall I rejoice or sorrow because one never buys the same chintz twice? Edith enjoyed the furnishing even more than I did. We had grave discussions as to whether we should buy anew sitting-room table or the second-hand and ponderous Victorian tripod. The first was cheap, but the second was in the hands of a diplomatic German Jew who had drawn blushes into Edith's cheeks by persistently calling her " Madam." And she calculated cretonne widths for curtains, achieving unexpected (and invariably incorrect) results when trying to determine whether foUr-feet width at three and nine was cheaper for seven-feet curtains than three-feet width at two and eight. She sat at a table in a Clapham A.B.C., scribbling upon the back of a letter, and I laughed as she despairingly pushed the hair away from her wrinkled forehead. Her one regret was that she would never see the rooms. When invited to come alone, or to bring Muriel, Hugh, everybody, she shook her head. " No — I couldn't. I couldn't come alone, could I ? THE ENCOUNTER WITH THE SPIRIT 227 And if I brought the others, they'd think — well, they'd think it funny of me, they'd suspect. And you don't want them to do that? " There was a note of appeal in her voice. " No, they mustn't, not yet; they shall soon." " Not yet. Oh, please, not yet." There was appeal in her eyes now. I asked " why? ", but I knew. Edith had something to hide, felt guilty, and she hugged her guilt because of the romance it carried. Incapable of the dishonest, she clung to the secret; if questioned she would have con- fessed, but, unquestioned, she liked to bask in private knowledge, to feed her imagination with pictures which her mother could not see. Her mind was in search of romance ; starving, it seized upon anything that touched me, gilded it, and, having gilded it, hid it as a magpie hides a spoon. She hardly knew that she did this; I had to construct from my own inferences her delicate mental sensuality. " I don't know why," she said ; " it wouldn't be the same if they knew.* They mightn't like it — I couldn't bear that. And if they liked it — - — " "You'd be glad, darling?" " Oh-.— glad, glad." The blue eyes shone, but not quite gaily, and I suddenly felt a fear seize me that they wouldn't like it, that she knew it, that we were both blinding ourselves to the truth. " Yes, I'd be glad, but if they did like it, they'd — talk — make jokes " I closed my hand upon hers, crushed it, the pencil and the envelope within my larger fist, II They shan't know, my sweet, not un£il you choose." I almost added : M Don't be afraid. I shan't stab the picture you have painted," but I felt that she would think th J, that she would be disturbed and ion whether she were " being silly." Silly, little Edith," I thought, and, as I thought, grew old; " you will not always find it easy to be silly." No, I would tell them later, when my position was better assured. Should I, by haste, spoil tin- glamour of early when haJ for hands? No; 228 THE MAKING OF AN ENGLISHMAN rriy precocious sybaritism told me already that this was the most wonderful experience in the world, that I must not urge on love to its fulfilment, for here was the time when it tried its wings. Rather would I let it perch upon my wrist, smile at its awkwardness and find it graceful; I would have everything love can give, its doubts, its timidities, its half avowals; I would have its romance, its sentimentality and its languor. When the time came for love to fulfil itself I would open my arms to it, but not an emotion should be stolen from me : an emotion marks for evermore, and comes again nevermore. I was no Goth to hurry it. Ill Reasons other than these rather neurotic delicacies helped to hold me back from a blazoning forth of my passion. I saw the Lawtons with new eyes : these people were not so strange because I could conceive of a time when they would no longer be strangers, and, as I under- stood them better, I found points of difference where I had found, if not similarities, at least an absence of dissirnilarities. I knew them to be aloof, self-centred, "islands in an island," but, I had not taken the measure of the hatred they felt for interference, of the protection they afforded to the rights of their souls. Muriel, perhaps, awakened me first from my dreams. " I like Neville," she said ; " he's a good sort." " Yes, and rather handsome." " Handsome ? Well, I suppose he is, in a pocket Adonis sort of way. Wavy hair, blue eyes and not too much chin — it's a smart face, rather. But I don't mean that; he's decent, you know, having taken on his father's debts, the old rotter ! " She gave me a full history of the " old rotter," who was apparently not much worse than his " rotter " an- cestors. Neville was* the last of his line : great-grandson of a country gentleman who rode to hounds, diced and put up a hundred guineas for cricket matches; grandson THE ENCOUNTER WITH THE SPIRIT 229 of a fashionable Harley Street physician, who would have his horses and money to pay for his son's Grand Tour, and son of a commercial agent who lived at Brixton so as to be able to afford a car, he was on the step of the social stair below which is the working-class. The last of his line, loaded with its follies and devoid of the energy, the life-lust which had made them possible. "That's just it," Muriel summed up; " they're .going down, those Nevilles, and Archie's got nothing in him, except to be decent. He's got no spirit and he wants to do the handsome thing : that's enough to smash him up, for he's not strong enough to afford it." " What will become of him? " " How do I know ? - He might have a stroke of luck." I Fe might get married to a clever woman," I suggested. " He might. Of course, he'd be easy to manage, he's a pussy-cat." The mysteries of feminine classifications were unveiled; M pussy-cat," meek, kindly and pretty; the ugly, leering men were " toads," and I fastened the word re " worms " too, creatures as mild as "-the pussy cats," but in every case nasty; creeping, timals. AMI." I said at last, "why'don't you marry the hi dun him into a Blue Persian." The " triangular," grey-green eyes turned away from riel replied, and her voice; was thin and cold: "I without any hurry, she began to l.i it no longi r of the thin ice I had broken. I bhii her. I was snub! Hugh where he would i he married I '" \ v . Mi te for sports I'd live in the country, if I " I'm sure you would like a ride in the morning and you could get up from Epsom or I Hugh. " Yc> he town, I don't, do you ? " 230 THE MAKING OF AN ENGLISHMAN " I'm sure I don't know," said Hugh. " Of course, you'd like some parts better, wouldn't you ? Kensington ? " " Got nothing against it," said Hugh. * " Or Hampstead, though it's far out." " Perhaps it is," said Hugh. " But I hear they're going to build a new tube. Have you heard that ? " " Can't remember," said Hugh. I went on at great length, analysed the merits of Bayswater; " I'll tell you the name of a good agent," I volunteered, remembering the melancholy man who had given Maud and me an order to view. " Thanks," said Hugh. There was a silence, and I gathered that Muriel was looking at me coldly, that Mr. Lawton, who leaned against the mantelpiece, was staring over my head. On Edith's face I could see a very slight perturbation ; I knew there was something wrong, but what? And the Lawtons did not tell me : Mr. Lawton was the first to speak again, asked me whether I thought the Licensing Bill went far enough'. I might never have known what I had done, for the Lawtons never told : it was not for them to interfere with me by telling me. By degrees only, and from Edith did I gather what I did. 44 You see — they're like that — if you're interested they think — well, I hardly like to say, only it feels like inter- fering." Edith, too, could not tell ; it was only because she loved me that she hinted. Yet she helped me to see the English resenting my interest in their affairs, the influence I wanted to acquire over their course; she showed me that Hugh might not know where he wanted to live, but he didn't want me to tell him; he did not want my help to find a house-agent; he had far rather make a bad bargain and make it himself than suffer intrusion into his business. And that remark to Muriel was dreadful : it was, Edith regretfully confessed, enough to wreck the chances of the match, for Muriel was going to marry her man herself, not to be taken by the hand THE ENCOUNTER WITH THE SPIRIT 231 and given unto him until the wedding-day. Sometimes Lgrew angry. " I think they're very conceited," I said. " No, no, they really aren't," Edith pleaded ; " it's not that. I hardly understand them myself, but they aren't. They don't brag, do they? " I had to agree they did not brag, remembering Hugh's account of his career at Oxford, but maintained my position. " It's not conceit," said Edith, " but they don-'t like to be corrected, told things. They want to be let alone; you should hear Hugh sometimes, not often, when he's alone with me ; he says he's an awful duffer in business. not, is he ? " 44 Oh — no," I said. Then I found a very slight frigidity in Edith's voice. I had not been enthusiastic enough : therefore I had criticised. " Of course he's not a duffer," she said. " But he says he is, and he means it ; he doesn't think he's any good." M Then why won't he be helped? Docs he think I'm a duffer?" 44 Of course not," said Edith, indignantly; " he thinks a lot of you. He says you're smart; he's said it several ." Hut then why won't he let me tell him something I ? " I asked, and was still in the fog. 44 I don't know. He's like that, perhaps we're all like that. We want to be let alone — perhaps we don't want to be improved. Silly, isn't it ? " \\ '<■ laughed together, and the chill passed away. "I'll tell you how I see it, Edith," I summed up). 41 The English are always saying, 44 I'm not mtfbh, but, I ood as you." ths chief preoccupation, in those days, was that I :<1 make upon her people so good an impression that, when the time came, our engagement would be agreed to. She was always coaching me, at our stolen meetings ■ "NOW, mind, don't tell father that the Liberals ape bound to break up into Moderates and Radicals. Oh, 232 THE MAKING OF AN ENGLISHMAN yes, I know it's true, that you've got a dozen parties in France, and perhaps it's true that we'll have them here too, but he's — well, I can't tell you," but he doesn't like it." " Has he said anything? " ** He hasn't; you don't expect him to, do you? " " How are you to tell if he doesn't say something? " " Oh, Lucien, how silly you are." Edith squeezed my arm as we sat together in one of those secluded corners of Kcw Gardens where lovers go to. " We don't say things, I suppose, at least not like you." " I suppose not," I said, rather gloomily, and I realised that there were portions of the English psychology which I had not explored. I am not sure that I have even now explored it all, that I know the subtle reactions of national upon personal characteristics. In those days I was haunted by the problem : " How does one become popular among the English ? " " Oh, you're doing it very well," said Edith, cheerfully. " I'm sure they like you ; even if you do rub them up the wrong way sometimes. You see," she added, with a sweet, confidential smile, " they know you're French." " Indeed ? " I was rather angry. " They make allow- ances for me ? You mean they don't expect me to behave properly ? " " Lucien ! " - " I understand," I said, in a hard voice, "I seem to remember things — I remember what Muriel said when I tpld her that I didn't see why one might bet on a soccer match but not a rugger match. Do you know what she said? " I went on, more angrily than ever. " She said : 4 Oh, you can't understand, you're French.' That . is to say, she looks down upon me, she thinks I don't think as a gentleman " " She doesn't." There was a shrill note in Edith's voice, and I felt that I was on the edge of a quarrel, for the sweet face was inflamed, the lips were compressed. I had touched sacred things. " She doesn't mean any- g of the kind. Of course, you can't feel like — being French, you " THE ENCOUNTER WITH* THE SPIRIT 233 44 Ah, you too, Edith ! " I laughed bitterly. " You too. You. feel I'm an intruder, you think I can't see things properly because I can't see them as you do." I knew I was hurting her, but I had to go on. 44 What am I, after all ? I'm a stranger, a foreigner — a dirty foreigner as they call. us in the City. Do you think I don't take baths ? I suppose you think I eat frogs — you're looking for my wooden shoes " 44 Lucien ! " But the pathetic note in her voice did not move me, I was too angry to respect the tears in her eyes. 44 What do you want? A flat-brimmed topper? Or shall I shrug my shoulders and scream 4 Mon Dieu ' ? Shall I? Yes — look — look,^ watch me shrugging my .shoulders." , ^ As I write I am two men. The writer is calm, almost taciturn, owns a bulldog and this morning's Times — but the other, the dead one, is a dark young Frenchman who stands in Kew Gardens, near the plantation ; he faces a slim, golden-haired girl, blue-clad against the grey-blue sky. And while she clasps her -hands together, while E roll down her flushed cheeks, he shrugs his shoulders again and again, waves his hands; he grins, he laughs maniacally, he is maddened by his sense of injury, by his sense fk exclusion, he feels like a pariah dog driven away with stones and sticks from the homes of men. And all that because he is not an Englishman, because the BngMsh won't accept him for one. 1. . Lucien," Edith wailed. She put out a trem- bling hand. My shoulders st ill .work, d convulsively; I could not stop. I hey shrugged naturally, and I laughed. I Id not restrain the hysterical ring of my laughter. I thrust the hah away from my forehead, the movement of my shoulders beean id suddenly I saw myself became cool, then conscious that I had done rrible thing: I had hurl her, for Ihc first time made her cry. i i li — I,** I Altered, " [—what have I done?" hand was still extended. I l<