MR- RUSKIN'S -REMINISCENCES. Mr. Ruskin has just published Chapter XII. of " Praeterita," under the title of "Roslyn Chapel." The drawings he made in 1835, he says, " were really interesting to artists," and on the strength of such promise he was promoted to take lessons in water-colours. The six lessons in Newman-street ran on into perhaps eight or nine, during which Copley Fielding taught me to wash colour smoothly in successive tints, to shade cobalt through pink madder into yellow ochre for skies, to use a broken scraggy touch for the tops of mountains, to represent calm lakes by broad strips of shade with lines of "light between them to produce dark clouds and rain with twelve or twenty successive washes, and to crumble burnt umber with a dry brush for foliage and foreground. With these instructions, I succeeded in copying a drawing which Fielding'made before me, some twelve inches by nine, of Ben Venue and the Trosachs, with brown cows standing in Loch Achray, so much to my own satisfaction that I put my work up over my bed-room chimney-piece the last thing at night, and woke to its contemplation in the morning with a rapture, mixed of self- complacency and the sense of new faculty in which I floated all that day, as in a newly discovered and strongly buoyant species of air. In a very little while, however, I found that this great first step did not mean consistent progress at the same pace. I saw that my washes, however careful or multitudinous, did not in the end look as smooth as Fielding's, and that my crumblings of burnt umber became uninteresting after a certain uumber of repetitions. With still greater discouragement, I perceived the Fielding processes to be inapplicable to the Alps. My scraggy touches did not to my satisfaction represent aiguilles, nor my ruled lines of shade, the Lake of Geneva. The water- colour drawing was abandoned, with a dim under-current of feeling that I had no gift for it,— and in truth I had none for colour arrangement, — and the pencil outline returned to with resolute energy. Up to this time Mr. Ruskin had never seen a Turner drawing, and he scarcely knows whether to lay to the score of dulness or prudence the tranquillity in which he copied the engravings of the Rogers vignettes, without so much as once asking where the originals were. The facts being that they lay at the bottom of an old drawer in Queen Anne-street, inaccessible to me as the bottom of the sea, and that, if I had seen them, they would only have destroyed my pleasure in the engravings, my rest in these was at least fortunate ; and the more I consider of this and other such forms of failure in what most people would call laudable curiosity, the more I am disposed to regard with thank fulness, and even respect, the habits which have remained with me during life, of always working resignedly at the thing under my hand till I could do it, and looking exclusively at the thing before my eyes till I could see it. On a tour to Yorkshire and the Lakes in 1837, at eighteen, he "felt for the last time the pure childish love of nature which Wordsworth so idly takes for an intimation of immortality." It is a feeling only possible to youth, for all care, regret, or knowledge of evil destroys it ; and it requires also the full sensibility of nerve and blood, the conscious strength of heart, and hope. In myself, it has always been quite exclusively confined to wild — that is to say, wholly natural places, and especially to scenery animated by streams, or by the sea. The sense of the freedom, spontaneous, unpolluted power of nature was essential in it. The feeling cannot be described by any of us that have it. Wordsworth's "haunted me like a passion " is no description of it, for it is not like, but is, a passion j the point is to define how it differs from other passions — what sort of human, pre-eminently human, feeling it is that loves a stone for a stone's sake and a cloud for a cloud's. I was different, be it once more said, from other children even of my own type, not so much in the actual nature of the feeling, but in the mixture of it. I had, in my little clay pitcher, vialfuls, as it were, of Wordsworth's reverence, Shelley's sensi- tiveness, Turner's accuracy, all in one. A snowdrop was to me, as to Words- worth, part of the Sermon on the Mount ; but I never should have written sonnets to the celandine, because it is of a coarse yellow, and imperfect form. With Shelley, I loved blue sky and blue eyes, but never in the least confused the heavens with my own poor little Psychidion. And the reverence and passion were alike kept in ilicir places by the constructive Turnerian element ; and I did not weary myself in wishing that a daisy could see the beauty of its shadow, but in trying to draw the shadow rightly, myself. But so stubborn and chemically inalterable the laws of the prescription were, that now, looking back from 1886 to that brook-shore of 1837, whence I could see the whole of my youth, I find myself in nothing whatsoever changed. Some of me is dead, more of me stronger. I have learned a few things, forgotten many ; in the total of me, I am but the same youth, disappointed and rheumatic. [For liist of Works published see the back of the Wrapper.] miiW$ Btm$&& Mhmt§. ESSAYS, LETTERS FROM ABROAD, TRANSLATIONS and FRAGMENTS. LONDON: WILLIAM SMITH, 113, FLEET STREET. BY PERCY BYSSHE SHELLEY. EDITED BY MRS. SHELLEY. Bradbury fa Evans,] MDCCC'XLV. [Printers, Whitefrinrs. [PRICE FIVE SHILLINGS.] 46 A LIST OF BOOKS PUBLISHED BY EDWARD MOXON. ROGERS'S POEMS. A New Edition. In one volume, illustrated by 72 Vignettee, from Designs by Turner and Stothard, price 16*. boards. ROGERS'S ITALY. A New Edition. In one volume, illustrated by 56 Vignettes, from Designs by Turner and Stothard, price 16*. boards. ROGERS'S POEMS; AND ITALY. In two pocket volumes, illustrated by numerous Woodcuts, price 10*. cloth. CAMPBELL'S POETICAL WORKS. A New Edition. In one volume, illustrated by 20 Vignettes from Designs by Turner, and 37 Woodcuts from Designs by Harvey. Price 20*. boards. CAMPBELL'S POETICAL WORKS. In one pocket volume, illustrated by numerous Woodcuts, price 8*. cloth SHELLEY'S POETICAL WORKS. Edited by Mrs. Shelley. In one volume, 8vo, with Portrait and Vignette, price 10*. 6d. cloth. SHELLEY'S ESSAYS AND LETTERS FROM ABROAD. Edited by 'Mrs. Shelley. A New Edition. Price 5*. dfyxxltt} SLaro&'a Wtoxfc*. LAMB'S WORKS. A New Edition. In one volume, 8vo, with Portrait and Vignette, price 14*. cloth. THE ESSAYS OF ELIA. A New Edition. Price 5*. CURIOSITIES OF LITERATURE. Thirteenth Edition. In one volume, 8vo, with Portrait, Vignetterand Index, price 16*. cloth. MISCELLANIES OF LITERATURE. In one volume, 8vo, with Vignette, price 14*. cloth. contents :— 1. LITERARY MISCELLANIES. I 3. CALAMITIES OP AUTHORS. 2. QUARRELS OF AUTHORS. 4. THE LITERARY CHARACTER. 5. CHARACTER OF JAMES THE FIRST. A LIST OF BOOKS PUBLISHED BY EDWARD MOXON. -+- HAYDN'S DICTIONARY OF DATES, AND UNIVERSAL REFERENCE, Relating to all Ages and Nations ; comprehending every Remarkable Occurrence, Ancient and Modern— the Foundation, Laws, and Governments of Countries — their Progress in Civilisation, Industry, and Science— their Achievements in Arms; the Political and Social Transactions of the British Empire — its Civil, Military, and Religious Institutions— the Origin and Advance of Human Arts and Inventions, with copious details of England, Scotland, and Ireland. The whole comprehending a body of information, Classical, Political, and Domestic, from the earliest accounts to the present time. Third Edition. In one volume, 8vo, price 18*. cloth. KNOWLES'S (JAMES) PRONOUNCING AND EXPLANATORY DICTIONARY OF THE ENGLISH LANGUAGE. Founded on a correct development of the Nature, the Number, and the Various Properties of all its Simple and Compound Sounds, as combined into Syllables and Words. A New Edition. Medium 8vo. Price 10*. 6d. cloth. BY THE AUTHOR OF " TWO YEARS BEFORE THE MAST." DANA'S SEAMAN'S MANUAL; Containing a Treatise on Practical Seamanship, with Plates ; a Dictionary of Sea Terms ; Customs and Usages of the Merchant Service ; Laws relating to the Practical Duties of Master and Mariners. Second Edition. Price 5*. cloth. HINTS ON HORSEMANSHIP, TO A NEPHEW AND NIECE. By Colonel Georce Greenwood, late of the Second Life Guards. Price 2s. Gd. CICERO'S LIFE AND LETTERS. The Life by Dr. Middleton ; The Letters translated by Wm. Melmoth and Dr. Heberden. In one volume, 8vo, with Portrait and Vignette, price 16*. cloth. THE WISDOM AND GENIUS OF THE RIGHT HON. EDMUND BURKE; Illustrated in a series of Extracts from his Writings and Speeches ; with a Summary of his Life. By Peter Burke, Esq., of the Inner Temple, Barrister at Law. Post 8vo, 10$. 6d. cloth. SHELLEY'S (MRS.) RAMBLES IN GERMANY AND ITALY, IN 1840, 42, AND 43. In two volumes, post 8vo, price 21s. cloth. TALFOURD'S (MR. SERJEANT) VACATION RAMBLES, AND THOUGHTS ; Comprising the Recollections of Three Continental Tours in the Vacations of 1841, 42, and 43. Second Edition. Post 8vo. Price 10*. 6d. cloth. FULLERTON'S (LADY GEORGIANA) ELLEN MIDDLETON. A TALE. Second Edition. In three volumes. Price 31*. Gd. cloth. A LIST OF BOOKS PUBLISHED BY EDWARD MOXON. BASIL HALL/S FRAGMENTS OF VOYAGES AND TRAVELS. A New Edition. In one volume, 8vo, price 12s. cloth. LIFE IN THE SICK-ROOM: ESSAYS. By An Invalid. Second Edition. Post 8vo. Price 8*. boards. $oetrg. TENNYSON'S POEMS. 2 vols. 12s. bds. HOOD'S POEMS. In 2 vols. 12s. boards. MILNES'S POEMS. 4 vols. 20s. boards. TRENCH'S JUSTIN MARTYR, and other Poems. Price 6s. boards. POEMS from Eastern Sources. Price 6s. boards. BROWNING'S PARACELSUS. Price 6s.bds. SORDELLO. Price 6s. 6d.bds. PATMORE'S (Coventry) POEMS. 5s. bds. BARRETT'S (MISS) POEMS. 2 vols. 12s. clotb. In 24mo. TALFOURD'S (SERJEANT) TRAGEDIES. 2*. 6d. TAYLOR'S PHILIP VAN ARTEVELDE. 2*. 6d. EDWIN THE FAIR,&c. 2s. 6rf. BARRY CORNWALL'S SONGS. 2s. 6rf. LEIGH HUNT'S POETICAL WORKS. 2s. 6d. PERCY'S RELIQUES. 3 vols. Price 7s. til LAMB'S DRAMATIC POETS. 2 vols. 5s. KEATS POETICAL WORKS. 2s. 6d. SHELLEY'S MINOR POEMS. 2s. 6d. ef)*ap (BHitiom of ^opulut mtotk^ SHELLEY'S ESSAYS AND LETTERS FROM ABROAD. Price 5*. SEDGWICK'S LETTERS FROM ABROAD. Price 2s. 6d. DANA'S TWO YEARS BEFORE THE MAST. Price 2*. 6d. CLEVELAND'S VOYAGES AND COM- MERCIAL ENTERPRISES. Price 2s. 6d. ELLIS'S EMBASSY TO CHINA. 2s. 6rf PRINGLE'S RESIDENCE IN SOUTH AFRICA. Price 3*. 6d. THE ESSAYS OF EL I A. Price 5s. HUNT'S INDICATOR AND COMPANION. Price 5s. THE SEER; or, Common-places Refreshed. Price 5*. SHERIDAN'S DRAMATIC WORKS. With an Introduction. By Leigh Hunt. Price 5*. LAMB'S LIFE AND LETTERS. Price 5s. LAMB'S ROSAMUND GRAY, &c. 2s. 6d. TALES FROM SHAKSPEARE. Price 2s. 6d. ADVENTURES OF ULYSSES. To which is added, MRS. LEICESTER'S SCHOOL. Price 2s. HALL'S VOYAGE TO LOO-CHOO. 2s. 6rf. TRAVELS IN SOUTH AMERICA. Price 5*. CAMPBELL'S POETICAL WORKS. 2s. 6rf. LAMB'S POETICAL WORKS. Price Is. 6d. BAILLIES (JOANNA) FUGITIVE VERSES. Price 1*. SHAKSPE ARE'S POEMS. Price Is. [BRADBURY AND EVANS, PRINTERS, WHITEFRIARS.] Digitized by the Internet Archive in 2008 with funding from Microsoft Corporation http://www.archive.org/details/essayslettersfroOOshelrich ESSAYS, LETTERS FROM ABROAD, ETC. ETC. " That thou, O my Brother, impart to me truly how it stands with thee in that inner man of thine ; what lively images of things past thy memory has painted there ; what hopes, what thoughts, affections, knowledge, do now dwell there. For this, and no other object that I can see, was the gift of hearing and speech bestowed on U9 two." — Thomas Carlyle. ESSAYS, LETTERS FROM ABROAD, TRANSLATIONS AND FRAGMENTS. BY PERCY BYSSHE SHELLEY. EDITED BY MRS. SHELLEY. " The Poet, it is true, is the son of his time ; hut pity for him if he is its pupil, or even its favourite ! Let some beneficent deity snatch him when a suckling from the breast of his mother, and nurse him with the milk of a better time ; that he may ripen to his full stature beneath a distant Grecian sky. And having grown to manhood, let him return, a foreign shape, into his century ; not however to delight it by his presence, but dreadful like the son of Agamemnon, to purify it." — Schiller. A NEW EDITION. LONDON : EDWARD MOXON, DOVER STREET 1845. LONDON : BRADBURY AND EVANS, PRINTERS, WHITE FRIARS. PREFACE BY THE EDITOR. This volume has long been due to the public ; it forms an important portion of all that was left by Shelley, whence those who did not know him may form a juster estimate of his virtues and his genius than has hitherto been done. We find, in the verse of a poet, " the record of the best and happiest moments of the best and happiest minds."* But this is not enough — we desire to know the man. We desire to learn how much of the sensibility and imagination that animates his poetry was founded on heartfelt passion, and purity, and elevation of character ; whether the pathos and the fire emanated from transitory inspiration and a power of weaving words touchingly ; or whether the poet acknowledged the might of his art in his inmost soul ; and whether his nerves thrilled to the touch of generous emotion. Led by such curiosity, how many volumes have been filled with the life of the Scottish plough-boy and the English peer ; we welcome with delight every fact which proves that the patriotism and tenderness expressed in the songs of Burns, sprung from a noble and gentle heart ; and we pore over each letter that we expect will testify that the melancholy and the unbridled passion that darkens Byron's verse, flowed from a soul devoured by a keen susceptibility to intensest love, and indignant broodings over the injuries done and suffered by man. Let the lovers of Shelley's poetry — of his aspirations for a brotherhood of love, his tender bewailings springing from a too sensitive spirit — his sympathy with woe, his adoration of beauty, as expressed in his poetry ; turn to these pages to gather proof of sincerity, and to become acquainted with the form that such gentle sympathies and lofty aspirations wore in private life. The first piece in this volume, " A Defence of Poetry," is the only entirely finished prose work Shelley left. In this we find the reverence with which he regarded his art. We discern his power of close reasoning, and the unity of his views of human nature. The language is imaginative but not flowery ; the periods have an intonation full of majesty and grace ; and the harmony of the style being united to melodious thought, a music results, that swells upon the ear, and fills the mind with delight. It is a work whence a young poet, and one suffering from wrong or neglect, may learn to regard his pursuit and himself with that respect, without which his genius will get clogged in the mire of the earth : it will elevate him into those pure regions, where there is neither pain from the stings of insects, nor pleasure in the fruition of a gross appetite for praise. He will learn to rest his dearest boast on the dignity of the art he cultivates, * " A Defence of Poetry." PREFACE. and become aware that his best claim on the applause of mankind, results from his being one more in the holy brotherhood, whose vocation it is to divest life of its material grossness and stooping tendencies, and to animate it with that power of turning all things to the beautiful and good, which is the spirit of poetry. The fragments* that follow form an introduction to "The Banquet" or "Symposium" of Plato — and that noble piece of writing follows ; which for the first time introduces the Athenian to the English reader in a style worthy of him. No prose author in the history of mankind has exerted so much influence over the world as Plato. From him the Fathers and commentators of early Christianity derived many of their most abstruse notions and spiritual ideas. His name is familiar to our lips, and he is regarded even by the unlearned as the possessor of the highest imaginative faculty ever displayed by man — the creator of much of the purity of sentiment which in another guise was adopted by the founders of chivalry — the man who endowed Socrates with a large portion of that reputation for wisdom and virtue, which surrounds him evermore with an imperishable halo of glory. With all this, how little is really known of Plato ! The translation we have is so harsh and un-English in its style, as universally to repel. There are excellent abstracts of some of his dialogues in a periodical publication called the "Monthly Repository;" and the mere English reader must feel deeply obliged to the learned translator. But these abstracts are defective from their very form of abridgment ; and, though I am averse to speak disparagingly of pages from which I have derived so much pleasure and knowledge, they want the radiance and delicacy of language with which the ideas are invested in the original, and are dry and stiff compared with the soaring poetry, the grace, subtlety, and infinite variety of Plato. They want, also, the dramatic vivacity, and the touch of nature, that vivifies the pages of the Athenian. These are all found here. Shelley commands language splendid and melodious as Plato, and renders faithfully the elegance and the gaiety which make the Symposium as amusing as it is sublime. The whole mechanism of the drama, for such in some sort it is, — the enthusiasm of Apollodorus, the sententiousness of Eryximachus, the wit of Aristophanes, the rapt and golden eloquence of Agathon, the subtle dialectics and grandeur of aim of Socrates, the drunken outbreak of Alcibiades, — are given with grace and animation. The picture presented reminds us of that talent which, in a less degree, we may suppose to have dignified the orgies of the last generation of free-spirited wits, — Burke, Fox, Sheridan, and Curran. It has something of license, — too much indeed, and perforce omitted ; but of coarseness, that worst sin against our nature, it has nothing. Shelley's own definition of Love follows ; and reveals the secrets of the most impassioned, and yet the purest and softest heart that ever yearned for sympathy, and was ready to give its own, in lavish measure, in return. " The Coliseum" is a continuation to a great degree of the same subject. Shelley had something of the idea of a story in this. The stranger was a Greek, — nurtured from infancy exclusively in the literature of his progenitors, — and brought up as a child of Pericles might have been; and to heighten the resemblance, Shelley conceived the idea of a woman, whom he named Diotima, who was his instructress and guide. In speaking of his , plan, this was the sort of development he sketched ; but no word more was written than appears in these pages. "The Assassins" was composed many years before. The style is less chaste; but it is * Small portions of these and other essays were published by Captain Medvvin in a newspaper. Generally speaking, his extracts are incorrect and incomplete. I must except the Essay on Love, and Remarks on some of the Statues in the Gallery of Florence, however, as they appeared there, from the blame of these defects. PREFACE. warmed by the fire of youth. I do not know what story he had in view. The Assassins were known in the eleventh century as a horde of Mahometans living among the recesses of Lebanon, — ruled over by the Old Man of the Mountain ; under whose direction various murders were committed on the Crusaders, which caused the name of the people who perpetrated them to be adopted in all European languages, to designate the crime which gave them notoriety. Shelley's old favourite, the Wandering Jew, appears in the latter chapters, and, with his wild and fearful introduction into the domestic circle of a peaceful family of the Assassins, the fragment concludes. It was never touched afterwards. There is great beauty in the sketch as is stands; it breathes that spirit of domestic peace and general brotherhood founded on love, which was developed afterwards in the " Prometheus Unbound." The fragment of his "Essay on the Punishment of Death" bears the value which the voice of a philosopher and a poet, reasoning in favour of humanity and refinement, must possess. It alleges all the arguments that an imaginative man, who can vividly figure the feelings of his fellow-creatures, can alone conceive ; * and it brings them home to the calm reasoner with the logic of truth. In the milder season that since Shelley's time has dawned upon England, our legislators each day approximate nearer to his views of justice ; this piece, fragment as it is, may suggest to some among them motives for carrying his beneficent views into practice. How powerful— how almost appalling, in its vivid reality of representation, is the essay on " Life ! " Shelley was a disciple of the Immaterial Philosophy of Berkeley. This theory gave unity and grandeur to his ideas, while it opened a wide field for his imagination. The creation, such as it was perceived by his mind — a unit in immensity, was slight and narrow compared with the interminable forms of thought that might exist beyond, to be perceived perhaps hereafter by his own mind; or which are perceptible to other minds that fill the universe, not of space in the material sense, but of infinity in the immaterial one. Such ideas are, in some degree, developed in his poem entitled "Heaven:" and when he makes one of the interlocutors exclaim, " Peace ! the abyss is wreathed in scorn Of thy presumption, atom-born," he expresses his despair of being able to conceive, far less express, all of variety, majesty, and beauty, which is veiled from our imperfect senses in the unknown realm, the mystery of which his poetic vision sought in vain to penetrate. The " Essay on a Future State" is also unhappily a fragment. Shelley observes, on one occasion, " a man is not a being of reason only, but of imaginations and affections." In this portion of his Essay he gives us only that view of a future state which is to be derived from reasoning and analogy. It is not to be supposed that a mind so full of vast ideas concerning the universe, endowed with such subtle discrimination with regard to the various modes in which this does or may appear to our eyes, with a lively fancy and ardent and expansive feelings, should be content with a mere logical view of that which even in religion is a mystery and a wonder. I cannot pretend to supply the deficiency, nor say what Shelley's views were — they were vague, certainly ; yet as certainly regarded the country beyond the grave as one by no means foreign to our interests and hopes. Considering his individual mind as a unit divided from a mighty whole, to which it was united by restless sympathies and an eager desire for knowledge, he assuredly believed that hereafter, as now, he would form a portion of that * " A man, to be greatly good, must imagine intensely and comprehensively ; he must put himself in the place of another and of many others ; the pains and pleasures of his species must become his own."— A Defence of Poetry. PREFACE. whole — and a portion less imperfect, less suffering, than the shackles inseparable from humanity- impose on all who live beneath the moon. To me, death appears to be the gate of life ; but my hopes of a hereafter would be pale and drooping, did I not expect to find that most perfect and beloved specimen of humanity on the other shore ; and my belief is, that spiritual improvement in this life prepares the way to a higher existence. Traces of such a 'faith are found in several passages of Shelley's works. In one of the letters he says, " The destiny of man can scarcely be so degraded, that he was born only to die." And again, in a journal, I find these feelings recorded, with regard to a danger we incurred together at sea : — " I had time in that moment to reflect and even to reason on death ; it was rather a thing of discomfort and disappointment than terror to me. We should never be separated ; but in death we might not know and feel our union as now. I hope — but my hopes are not unmixed with fear for what will befal this inestimable spirit when we appear to die." A mystic ideality tinged these speculations in Shelley's mind; certain stanzas in the poem of " The Sensitive Plant " express, in some degree, the almost inexpressible idea, not that we die into another state, when this state is no longer, from some reason, unapparent as well as apparent, accordant with our being — but that those who rise above the ordinary nature of man, fade from before our imperfect organs ; they remain, in their " love, beauty, and delight," in a world congenial to them — we, clogged by "error, ignorance, and strife," see them not, till we are fitted by purification and improvement for their higher state.* For myself, no religious doctrine, nor philosophical precept, can shake the faith that a mind so original, so delicately and beautifully moulded, as Shelley's, so endowed with wondrous powers and eagle- eyed genius — so good, so pure — would never be shattered and dispersed by the Creator ; but that the qualities and consciousness that formed him, are not only indestructible in themselves, but in the form under which they were united here, and that to become worthy of him is to assure the bliss of a reunion. The fragments of metaphysics will be highly prized by a metaphysician. Such a one is aware how difficult it is to strip bare the internal nature of man, to divest it of prejudice, of the mistakes engendered by familiarity, and by language, which has become one with certain ideas, and those very ideas erroneous. Had not Shelley deserted metaphysics for poetry in his youth, and had he not been lost to us early, so that all his vaster projects were wrecked with him in the waves, he would have presented the world with a complete theory of mind ; a theory to which Berkeley, Coleridge, and Kant, would have contributed ; but more simple, unimpugnable, and entire, than the systems of these writers. His nerves, indeed, were so susceptible, that these intense meditations on his own nature, thrilled him with pain. Thought kindled imagination and awoke sensation, and rendered him dizzy from too great keenness of emotion ; * " But in this life Of terror, ignorance, and strife, Where nothing is, but all things seem, And we the shadows of the dream : It is a modest creed, and yet Pleasant, if one considers it, To own that death itself must be, Like all the rest, a mockery. That garden sweet, that lady fair, And all sweet shapes, and odours there, In truth, have never passed away ; *Tis we, 'tis ours are changed— not they. For love, and beauty, and delight, There is no death, nor change ; their might Exceeds our organs, which endure No light, being themselves obscure." PREFACE. ix till awe and tremor possessed him, and he fled to the voice and presence of one he loved to relieve the mysterious agitation that shook him.* He at one time meditated a popular essay on morals ; to show how virtue resulted from the nature of man, and that to fulfil its laws was to abide by that principle from the fulfilment of which happiness is to spring. The few pages here given are all that he left on this subject. The fragment marked as second in these " Speculations on Morals " is remarkable for its subtlety and truth. I found it on a single leaf, disjoined from any other subject. — It gives the true key to the history of man ; and above all, to those rules of conduct whence mutual happiness has its source and security. This concludes the essays and fragments of Shelley. I do not give them as the whole that he left, but as the most interesting portion. A Treatise on Political Reform and other fragments remain, to be published when his works assume a complete shape. I do not know why Shelley selected the "Ion" of Plato to translate. Probably because he thought it characteristic ; that it unfolded peculiar ideas, and those Platonic, with regard to poetry ; and gave insight into portions of Athenian manners, pursuits, and views, which would have been otherwise lost to us. We find manifestation here of the exceeding partiality felt by the Greeks, for every exhibition of eloquence. It testifies that love of interchanging and enlarging ideas by conversation, which in modern society, through our domestic system of life, is too often narrowed to petty objects, and which, from their fashion of conversing in streets and under porticoes, and in public places, became a passion far more intense than with us. Among those who ministered exclusively to this taste, were the rhapsodists ; and among rhapsodists, Ion himself tells us, he was the most eminent of his day ; that he was a man of enthusiastic and poetic temperament, and abundantly gifted with the power of arranging his thoughts in glowing and fascinating language, his success proves. But he was singularly deficient in reason. When Socrates presses on him the question of, whether he as a rhapsodist is as well versed in nautical, hippodromic, and other arts, as sailors, charioteers, and various artisans 1 he gives up the point with the most foolish inanity. One would fancy that practice in his pursuit would have caused him to reply, that though he was neither mariner nor horseman, nor practically skilled in any other of the pursuits in question, yet that he had consulted men versed in them ; and enriching his mind with the knowledge afforded by adepts in all arts, he was better qualified by study and by his gift of language and enthusiasm to explain these, as they form a portion of Homer's poetry, than any individual whose knowledge was limited to one subject only. But Ion had no such scientific view of his profession. He gives up point after point, till, as Socrates observes, he most absurdly strives at victory, under the form of an expert leader of armies. In this, as in all the other of Plato's writings, we are perpetually referred, with regard to the enthusiastic and ideal portion of our intellect, to something above and beyond our sphere, the inspiration of the God — the influence exercised over the human mind, either through the direct agency of the deities, or our own half-blind memory of divine knowledge acquired by the soul in its antenatal state. Shelley left Ion imperfect — I thought it better that it should appear as a whole — but at the same time have marked with brackets the passages that have been added ; the rest appears exactly as Shelley left it. Respect for the name of Plato as well as that of Shelley, and reliance on the curiosity * See p. 62. x PREFACE. that the English reader must feel with regard to the sealed book of the Ancient Wonder, caused me to include in this volume the fragment of " Menexenus," and passages from " The Republic." In the first we have another admirable specimen of Socratic irony. In the latter the opinions and views of Plato enounced in " The Republic," which appeared remarkable to Shelley, are preserved, with the addition, in some instances, of his own brief observations on them. The rest of the volume is chiefly composed of letters. " The Journal of a Six Weeks' Tour," and " Letters from Geneva," were published many years ago by Shelley himself. The Journal is singular, from the circumstance that it was not written for publication, and was deemed too trivial for such by its author. Shelley caused it to be printed, and added to it his own letters, which contain some of the most beautiful descriptions ever written. The Letters from Italy, which are addressed to the same gentleman as the recipient of the Letters from Geneva, are in a similar spirit of observation and remark. The reader can only regret that they are so few, and that one or two are missing. The eminent German writer, Jean Paul Richter, says, that " to describe any scene well, the poet must make the bosom of a man his camera obscura, and look at it through this." Shelley pursues this method in all his descriptions ; he always, as he says himself, looks beyond the actual object, for an internal meaning, typified, illustrated, or caused by the external appearance. Adoring beauty, he endeavoured to define it ; he was convinced that the canons of taste, if known, are irre- fragable ; and that these are to be sought in the most admirable works of art ; he therefore studied intently, and with anxious scrutiny, the parts in detail, and their harmony as a whole, to discover what tends to form a beautiful or sublime work. The loss of our beloved child at Rome, which drove us northward in trembling fear for the one soon after born, and the climate of Florence disagreeing so exceedingly with Shelley, he ceased at Pisa to be conversant with paintings and sculpture ; a circumstance he deplores in one of his letters, and in many points of view to be greatly regretted. His letters to Mr. and Mrs. Gisborne, and to Mr. Reveley, the son of the latter by a former marriage, display that helpful and generous benevolence and friendship which was Shelley's characteristic. He set on foot the project of a steam-boat to ply between Marseilles and Leghorn, for their benefit, as far as pecuniary profit might accrue ; at the same time that he took a fervent interest in the undertaking, for its own sake. It was not puerile vanity, but a nobler feeling of | honest pride, that made him enjoy the idea of being the first to introduce steam navigation into the Gulf of Lyons, and to glory in the consciousness of being in this manner useful to his fellow- creatures. Unfortunately, he was condemned to experience a failure. The prospects and views of our friends drew them to England, and the boat and the engine were abandoned. Shelley was deeply disappointed ; yet it will be seen how generously he exculpates our friends to themselves, and relieves them from the remorse they might naturally feel for having thus wasted his money and disappointed his desires. It will be remembered that Shelley addressed a poetical letter to Mrs. Gisborne, when that lady was absent in England ; and I have mentioned, and in some measure described her, in my notes to the poems. " Mrs. Gisborne had been a friend of my father in her younger days. She was a lady of great accomplishments, and charming from her frank affectionate nature. She had a most intense love of knowledge, a delicate and trembling sensibility, and preserved freshness of mind after a life of considerable adversity. As a favourite friend of my father, we had sought her with eagerness, and the most open and cordial friendship subsisted between us." PREFACE. xi The letters to Leigh Hunt have already been published. They are monuments of the friendship which he felt for the man to whom he dedicated his tragedy of " The Cenci," in terms of warm and just eulogium. I have obtained but few to other friends. He had, indeed, not more than one or two other correspondents. I have added such letters as, during our brief separations in Italy, were addressed to myself ; precious relics of love, kindness, gentleness, and wisdom. I have but one fault to find with them, or with Shelley, in my union with him. His inexpressible tenderness of disposition made him delight in giving pleasure, and, urged by this feeling, he praised too much. Nor were his endeavours to exalt his correspondent in her own eyes founded on this feeling only. He had never read " Wilhelm Meister," but I have heard him say that he regulated his conduct towards his friends by a maxim which I found afterwards in the pages of Goethe — " When we take people merely as they are, we make them worse ; when we treat them as if they were what they should be, we improve them as far as they can be improved." This rule may perhaps admit of dispute, and it may be argued that truth and frankness produce better fruits than the most generous deceit. But when we consider the difficulty of keeping our best virtues free from self-blindness and self-love, and recollect the intolerance and fault-finding that usually blots social intercourse ; and compare such with the degree of forbearance and imaginative sympathy, so to speak, which such a system necessitates, we must think highly of the generosity and self-abnegation of the man who regulated his conduct undeviatingly by it. Can anything be more beautiful than these letters ? They are adorned by simplicity, tenderness, and generosity, combined with manly views, and acute observation. His practical opinions may be found here. His indignant detestation of political oppression did not prevent him from deprecating the smallest approach to similar crimes on the part of his own party ; and he abjured revenge and retaliation, while he strenuously advocated reform. He felt assured that there would be a change for the better in our institutions ; he feared bloodshed, he feared the ruin of many. Wedded as he was to the cause of public good, he would have hailed the changes that since his time have so signally ameliorated our institutions and opinions, each acting on the other, and which still, we may hope, are proceeding towards the establishment of that liberty and toleration which he worshipped. " The thing to fear," he observes, " will be, that the change should proceed too fast — it must be gradual to be secure." I do not conceal that I am far from satisfied with the tone in which the criticisms on Shelley are written. Some among these writers praise the poetry with enthusiasm, and even discrimi- nation ; but none understand the man. I hope this volume will set him in a juster point of view. If it be alleged in praise of Goethe that he was an artist as well as a poet ; that his principles of composition, his theories of wisdom and virtue, and the ends of existence, rested on a noble and secure basis ; not less does that praise belong to Shelley. His Defence of Poetry is alone sufficient to prove that his views were, in every respect, defined and complete ; his faith in good continued firm, and his respect for his fellow-creatures was unimpaired by the wrongs he suffered. Every word of his letters displays that modesty, that forbearance, and mingled meekness and resolution that, in my mind, form the perfection of man. " Gentle, brave, and generous," he describes the Poet in Alastor : such he was himself, beyond any man I have ever known. To these admirable qualities were added, his genius. He had but one defect — which was his leaving his life incomplete by an early death. that the serener hopes of maturity, the happier contentment of mid-life, had descended on his dear head, to calm the turbulence of youthful impetuosity — that he had lived to see his country advance towards freedom, and to enrich the world with his own virtues and genius in their completion of experience and power ! When PREFACE. I think that such things might have been, and of my own share in such good and happiness ; the pang occasioned by his loss can never pass away — and I gain resignation only by believing that he was spared much suffering, and that he has passed into a sphere of being, better adapted to his inexpressible tenderness, his generous sympathies, and his richly gifted mind. That, free from the physical pain to which he was a martyr, and unshackled by the fleshly bars and imperfect senses which hedged him in on earth, he enjoys beauty, and good, and love there, where those to whom he was united on earth by various ties of affection, sympathy, and admiration, may hope to join him. Putney, December. 1839. CONTENTS. «. PAGE A DEFENCE OF POETRY 1 ESSAY ON THE LITERATURE, ARTS, AND MANNERS OF THE ATHENIANS— A FRAGMENT 15 PREFACE TO THE BANQUET OF PLATO . . . 18 THE BANQUET— TRANSLATED FROM PLATO 19 ON LOVE 41 THE COLISEUM— A FRAGMENT . 42 THE ASSASSINS— FRAGMENT OF A ROMANCE . 45 ON THE PUNISHMENT OF DEATH . . . . . . . . . .52 ON LIFE . . 55 ON A FUTURE STATE 57 SPECULATIONS ON METAPHYSICS. I. The Mind 59 II. What Metaphysics are — Errors in the usual Methods of considering them 60 III. Difficulty of Analysing the Human Mind 60 IV. How the Analysis should be carried on 61 V. Catalogue of the Phenomena of Dreams 61 SPECULATIONS ON MORALS. I. Plan of a Treatise on Morals .62 II. Moral Science consists in considering the Difference, not the Resemblance, of Persons . 66 ION ; OR, OF THE ILIAD— TRANSLATED FROM PLATO . . . . 67 MENEXENUS; OR, THE FUNERAL ORATION— A FRAGMENT . . . . 73 FRAGMENTS FROM THE REPUBLIC OF PLATO . 75 ON A PASSAGE IN CRITO # * . . 78 xiv CONTENTS. PAGB JOURNAL OF A SIX WEEKS' TOUR 79 LETTERS FROM GENEVA 90 JOURNAL AT GENEVA.— GHOST STORIES 101 LETTERS FROM ITALY :— LYONS. I. To Leigh Hunt, Esq. 104 MILAN. II. To T. L. P., Esq .104 III. To T. L. P., Esq 105 IV. To T. L. P., Esq . 107 LEGHORN. V. To T. L. P., Esq. • 107 BAGNI DI LUCCA. VI. To Mr. and Mrs. Gisborne 107 VII. To William Godwin, Esq 108 FLORENCE. VIII. To Mrs. Shelley 109 VENICE. IX. To Mrs. Shelley 110 PADUA. X. To Mrs. Shelley . . Ill ESTE. XI. To T. L. P., Esq . . Ill FERRARA. XII. To T. L. P., Esq 113 BOLOGNA. XIII. To T. L. P., Esq. . . 114 ROME. XIV. To T. L. P., Esq 117 NAPLES. XV. To T. L. P., Esq 118 XVI. To T.. L. P., Esq 121 XVII. To T. L. P., Esq . . 124 XVIII. To T. L. P., Esq. . 128 XIX. To Mr. and Mrs. Gisborne . 129 CONTENTS. LETTERS FROM ITALY, continued :— LEGHORN. XX. To T. L. P., Esq Tso XXI. To Leigh Hunt, Esq. ... 131 XXII. To Leigh Hunt, Esq 13] XXIII. To Leigh Hunt, Esq 1 32 FLORENCE. XXIV. To Mrs. Gisborne 133 XXV. To Henry Reveley, Esq 134 XXVI. To Mr. and Mrs. Gisborne 135 XXVII. To Mr. and Mrs. Gisborne 135 XXVIII. To Leigh Hunt, Esq. 136 XXIX. To Mrs. Gisborne I37 XXX. To John Gisborne, Esq ... 137 XXXI. To Henry Reveley, Esq 138 XXXII. To Leigh HuxNT, Esq 139 XXXIII. To Leigh Hunt, Esq 139 XXXIV. To Henry Reveley, Esq. 140 XXXV. To Mr. and Mrs. Gisborne 140 XXXVI. To John Gisborne, Esq 141 Remarks on some of the Statues in the Gallery of Florence . . . .141 PISA. XXXVII. To Mr. and Mrs. Gisborne 144 XXXVIII. To Mr. and Mrs. Gisborne 144 XXXIX. To John Gisborne, Esq 144 XL. To Mr. and Mrs. Gisborne 145 XLI. To Mrs. Shelley 146 LEGHORN. XLII. To Mrs. Shelley 146 PISA. XLIII. To the Editor of the "Quarterly Review" 147 XLIV. To John Gisborne, Esq 147 XLV. To Henry Reveley, Esq 148 XLVI. To Henry Reveley, Esq. 148 BAGNI DI PISA. XLVII. To Mr. and Mrs. Gisborne 148 XLVIII. To John Gisborne, Esq . . 148 XLIX. To Mr. and Mrs. Gisborne . 149 L. To Mr. and Mrs. Gisborne 149 CONTENTS. LETTERS FROM ITALY, continued .— FLORENCE. PAGE LI. To Mrs. Shelley 150 BOLOGNA. LII. To Mrs. Shelley . 150 RAVENNA. LIII. To Mrs. Shelley . . 150 LIV. To Mrs. Shelled . . ' . . 151 LV. To Mrs. Shelley 153 LVI. To Mrs. Shelley . 154 LVII. To Mrs. Shelley . .154 PISA. LVIII. To Leigh Hunt, Esq. 154 LIX. To Horatio Smith, Esq 156 LX. To John Gisborne, Esq , . • . . 157 LXI. To J. Severn, Esq. . . . . 158 LXII. To John Gisborne, Esq. 159 LXIII. To * *, esq 160 LERICI. LXIV. To Mrs. Shelley 161 LXV. To Horatio Smith, Esq 161 LXVI. To * *, Esq 163 PISA. LXVII. To Mrs. Williams 163 LXVIII. To Mrs. Shelley . ... . .164 ESSAYS, LETTERS FROM ABROAD, ETC. ETC. A DEFENCE OF POETRY. PART I. According to one mode of regarding those two classes of mental action, which are called reason and imagination, the former may be considered as mind contemplating the relations borne by one thought to another, however produced ; and the latter, as mind acting upon those thoughts so as to colour them with its own light, and composing from them, as from elements, other thoughts, each containing within itself the principle of its own integrity. The one is the rb iroieiv, or the principle of synthesis, and has for its objects those forms which are common to universal nature and exist- ence itself ; the other is the rb \oyt&iv, or principle of analysis, and its action regards the relations of tilings, simply as relations ; considering thoughts, not in their integral unity, but as the algebraical representations which conduct to certain general results. Reason is the enumeration of quantities already known ; imagination is the perception of the value of those quantities, both separately and as a whole. Reason respects the differences, and imagination the similitudes of things. Reason is to imagination as the instrument to the agent, as the body to the spirit, as the shadow to the sub- stance. Poetry, in a, general sense, may be defined to be " the expression of the imagination : " and poetry is connate with the origin of man. Man is an instrument over which a series of external and internal impressions are driven, like the alterna- tions of an ever-changing wind over an iEolian lyre, which move it by their motion to ever-chang- ing melody. But there is a principle within the human being, and perhaps within all sentient beings, which acts otherwise than in the lyre, and produces not melody, alone, but harmony, by an internal adjustment of the sounds or motions thus excited to the impressions which excite them. It is as if the lyre could accommodate its chords to the motions of that which strikes them, in a determined proportion of sound ; even as the musician can accommodate his voice to the sound of the lyre. A child at play by itself will express its delight by its voice and motions ; and every inflexion of tone and every gesture will bear exact relation to a corresponding antitype in the pleasurable impressions which awakened it ; it will be the reflected image of that impression ; and as the lyre trembles and sounds after the wind has died away, so the child seeks, by prolonging in its voice and motions the duration of the effect, to prolong also a consciousness of the cause. In relation to the objects which delight a child, these expressions are, what poetry is to higher objects. The savage (for the savage is to ages what the child is to years) expresses the emotions produced in him by surrounding objects in a similar man- ner ; and language and gesture, together with plastic or pictorial imitation, become the image of the combined effect of those objects, and of his apprehension of them. Man in society, with all his passions and his pleasures, next becomes the object of the passions and pleasures of man ; an additional class of emotions produces an augmented treasure of expressions ; and language, gesture, and the imitative arts, become at once the repre- sentation and the medium, the pencil and the picture, the chisel and the statue, the chord and the harmony. The social sympathies, or those laws from which, as from its elements, society results, begin to develop themselves from the moment that two human beings coexist ; the A DEFENCE OF POETRY. future is contained within the present, as the plant within the seed ; and equality, diversity, unity, contrast, mutual dependance, become the princi- ples alone capable of affording the motives accord- ing to which* the will of a social being is deter- mined to action, inasmuch as he is social ; and constitute pleasure in sensation, virtue in senti- ment, beauty in art, truth in reasoning, and love in the intercourse of kind. Hence men, even in the infancy of society, observe a certain order in their words and actions, distinct from that of the objects and the impressions represented by them, all expression being subject to the laws of that from which it proceeds. But let us dismiss those more general considerations which might involve an inquiry into the principles of society itself, and restrict our view to the manner in which the imagination is expressed upon its forms. In the youth of the world, men dance and sing and imitate natural objects, observing in these actions, as in all others, a certain rhythm or order. And, although all men observe a similar, they observe not the same order, in the motions of the dance, in the melody of the song, in the combinations of language, in the series of their imitations of natural objects. For there is a certain order or rhythm belonging to each of these classes of mimetic representation, from which the hearer and the spectator receive an mtenser and purer pleasure than from any other : the sense of an approximation to this order has been called taste by modern writers. Every man in the infancy of art, observes an order which approximates more or less closely to that from which this highest delight results : but the diver- sity is not sufficiently marked, as that its grada- tions should be sensible, except in those instances where the predominance of this faculty of ap- proximation to the beautiful (for so we may be permitted to name the relation between this highest pleasure and its cause) is very great. Those in whom it exists in excess are poets, in the most universal sense of the word ; and the pleasure resulting from the manner in which they express the influence of society or nature upon their own minds, communicates itself to others, and gathers a sort of reduplication from that com- munity. Their language is vitally metaphorical ; that is, it marks the before unapprehended rela- tions of things and perpetuates their apprehension, until the words which represent them, become, through time, signs for portions or classes of thoughts instead of pictures of integral thoughts ; and then if no new poets should arise to create afresh the associations which have been thus dis- organised, language will be dead to all the nobler purposes of human intercourse. These similitudes or relations are finely said by Lord Bacon to be " the same footsteps of nature impressed upon the various subjects of the world * " — and he considers the faculty which perceives them as the storehouse of axioms common to all knowledge. In the infancy of society every author is necessarily a poet, because language itself is poetry ; and to be a poet is to apprehend the true and the beautiful, in a word, the good which exists in the relation, subsisting, first between existence and perception, and secondly between perception and expression. Every original language near to its source is in itself the chaos of a cyclic poem : the copiousness of lexicography and the distinctions of grammar are the works of a later age, and are merely the catalogue and the form of the creations of poetry. But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting ; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain pro- pinquity with the beautiful and the true, that partial apprehension of the agencies of the in- visible world which is called religion. Hence all original religions are allegorical, or susceptible of allegory, and, like Janus, have a double face of false and true. Poets, according to the circum- stances of the age and nation in which they appeared, were called, in the earlier epochs of the world, legislators, or prophets : a poet essentially comprises and unites both these characters. For he not only beholds intensely the present as it is, and discovers those laws according to which pre- sent things ought to be ordered, but he beholds the future in the present, and his thoughts are the germs of the flower and the fruit of latest time. Not that I assert poets to be prophets in the gross sense of the word, or that they can foretell the form as surely as they foreknow the spirit of events : such is the pretence of super- stition, which would make poetry an attribute of prophecy, rather than prophecy an attribute of poetry. A poet participates in the eternal, the infinite, and the one ; as far as relates to his conceptions, time and place and number are not. The grammatical forms which express the moods of time, and the difference of persons, and the distinction of place, are convertible with respect to the highest poetry without injuring it as poetry ; and the choruses of iEschylus, and the book of Job, . and Dante's Paradise, would afford, more * De Augment. Scient., cap. 1, lib. iii. A DEFENCE OF POETRY. than any other writings, examples of this fact, if the limits of this essay did not forbid citation. The creations of sculpture, painting, and music, are illustrations still more decisive. Language, colour, form, and religious and civil habits of action, are all the instruments and materials of poetry ; they may be called poetry by that figure of speech which considers the effect as a synonyme of the cause. But poetry in a more restricted sense expresses those arrangements of language, and especially metrical language, which are created by that imperial faculty, whose throne is curtained within the in visible nature of man. And this springs from the nature itself of language, which is a more direct representation of the actions and passions of our internal being, and is suscepti- ble of more various and delicate combinations, than colour, form, or motion, and is more plastic and obedient to the control of that faculty of which it is the creation. For language is arbitrarily pro- duced by the imagination, and has relation to thoughts alone ; but all other materials, instru- ments, and conditions of art, have relations among each other, which limit and interpose between conception and expression. The former is as a mirror which reflects, the latter as a cloud which enfeebles, the light of which both are mediums of communication. Hence the fame of sculptors, painters, and musicians, although the intrinsic powers of the great masters of these arts may yield in no degree to that of those who have employed language as the hieroglyphic of their thoughts, has never equalled that of poets in the restricted sense of the term ; as two performers of equal skill will produce unequal effects from a guitar and a harp. The fame of legislators and fomiders of religions, so long as their institutions last, alone seems to exceed that of poets in the restricted sense ; but it can scarcely be a question, whether, if we deduct the celebrity which then* flattery of the gross opinions of the vulgar usually conciliates, together with that which belonged to them in their higher character of poets, any excess will remain. We have thus circumscribed the word poetry within the limits of that art which is the most familiar and the most perfect expression of the faculty itself. It is necessary, however, to make the circle still narrower, and to determine the distinction between measured and unmeasured language ; for the popular division into prose and verse is inadmissible in accurate philosophy. Sounds as well as thoughts have relation both between each other and towards that which they represent, and a perception of the order of those relations has always been found connected with a perception of the order of the relations of thoughts. Hence the language of poets lias ever affected a certain uniform and harmonious recurrence of sound, without which it were not poetry, and which is scarcely less indispensable to the communication of its influence, than the words themselves, without reference to that peculiar order. Hence the vanity of translation ; it were as wise to cast a violet into a crucible that you might discover the formal prin- ciple of its colour and odour, as seek to transfuse from one language into another the creations of a poet. The plant must spring again from its seed, or it will bear no flower — and this is the burthen of the curse of Babel. An observation of the regular mode of the recur- rence of harmony in the language of poetical minds, together with its relation to music, produced metre, or a certain system of traditional forms of harmony and language. Yet it is by no means essential that a poet should accommodate his language to this traditional form, so that the harmony, which is its spirit, be observed. The practice is indeed conve- nient and popular, and to be preferred, especially in such composition as includes much action : but every great poet must inevitably innovate upon the example of his predecessors in the exact structure of his peculiar versification. The distinc- tion between poets and prose writers is a vulgar error. The distinction between philosophers and poets has been anticipated. Plato was essentially a poet — the truth and splendour of his imagery, and the melody of his language, are the most in- tense that it is possible to conceive. He rejected the measure of the epic, dramatic, and lyrical forms, because he sought to kindle a harmony in thoughts divested of shape and action, and he forbore to invent any regular plan of rhythm which would include, under determinate forms, the varied pauses of his style. Cicero sought to imitate the cadence of his periods, but with little success. Lord Bacon was a poet.* His language has a sweet and majestic rhythm, which satisfies the sense, no less than the almost superhuman wisdom of his philo- sophy satisfies the intellect ; it is a strain which distends, and then bursts the circumference of the reader's mind, and pours itself forth together with it into the universal element with which it has perpetual sympathy. All the authors of revolutions in opinion are not only necessarily poets as they are inventors, nor even as their words unveil the permanent analogy of things by images which participate in the life of truth ; but as their periods are harmonious and rhythmical, and contain in themselves the elements of verse ; being the echo * See the Filum Labyrinthi, and the Essay on Death particularly. b 2 A DEFENCE OF POETRY. of the eternal music. Nor are those supreme poets, who have employed traditional forms of rhythm on account of the form and action of their subjects, less capable of perceiving and teaching the truth of tilings, than those who have omitted that form. Shakspeare, Dante, and Milton (to confine ourselves to modern writers) are philosophers of the very loftiest power. A poem is the very image of life expressed in its eternal truth. There is this difference between a story and a poem, that a story is a catalogue of detached facts, which have no other connexion than time, place, circumstance, cause and effect ; the other is the creation of actions according to the unchangeable forms of human nature, as existing in the mind of the Creator, which is itself the image of all other minds. The one is partial, and applies only to a definite period of time, and a certain com- bination of events which can never agam recur ; the other is universal, and contains within itself the germ of a relation to whatever motives or actions have place in the possible varieties of human nature. Time, which destroys the beauty and the use of the story of particular facts, stripped of the poetry which should invest them, augments that of poetry, and for ever develops new and wonderful applica- tions of the eternal truth which it contains. Hence epitomes have been called the moths of just history ; they eat out the poetry of it. A story of particular facts is as a mirror which obscures and distorts that which should be beautiful : poetry is a mirror which makes beautiful that which is distorted. The parts of a composition may be poetical, without the composition as a whole being a poem. A single sentence may be considered as a whole, though it may be found in the midst of a series of unassimilated portions ; a single word even may be a spark of inextinguishable thought. And thus all the great historians, Herodotus, Plutarch, Livy, were poets ; and although the plan of these writers, especially that of Livy, restrained them from de- veloping this faculty in its highest degree, they made copious and ample amends for their subjec- tion, by filling all the interstices of their subjects with living images. Having determined what is poetry, and who are poets, let us proceed to estimate its effects upon society. Poetry is ever accompanied with pleasure : all spirits on which it falls open themselves to receive the wisdom which is mingled with its delight. In the infancy of the world, neither poets them- selves nor their auditors are fully aware of the excellence of poetry : for it acts in a divine and unapprehended manner, beyond and above con- sciousness ; and it is reserved for future genera- tions to contemplate and measure the mighty cause and effect in all the strength and splendour of their union. Even in modern times, no living poet ever arrived at the fulness of his fame ; the jury which sits in judgment upon a poet, belonging as he does to all time, must be composed of his peers : it must be impanneled by Time from the selectest of the wise of many generations. A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds ; his auditors are as men entranced by the melody of an unseen musician, who feel that they are moved and soft- ened, yet know not whence or why. The poems of Homer and his contemporaries were the delight of infant Greece ; they were the elements of that social system which is the column upon which all succeeding civilization has reposed. Homer em- bodied the ideal perfection of his age in human character ; nor can we doubt that those who read his verses were awakened to an ambition of becom- ing like to Achilles, Hector, and Ulysses : the truth and beauty of friendship, patriotism, and persevering devotion to an object, were un veiled to the depths in these immortal creations : the sentiments of the auditors must have been refined and enlarged by a sympathy with such great and lovely impersonations, until from admiring they imitated, and from imitation they identified them- selves with the objects of their admiration. Nor let it be objected, that these characters are remote from moral perfection, and that they can by no means be considered as edifying patterns for gene- ral imitation. Every epoch, under names more or less specious, has deified its peculiar errors ; Revenge is the naked idol of the worship of a semi-barbarous age ; and Self-deceit is the veiled image of unknown evil, before which luxury and satiety lie prostrate. But a poet considers the vices of his contemporaries as the temporary dress in which his creations must be arrayed, and which cover without concealing the eternal proportions of their beauty. An epic or dramatic personage is understood to wear them around his soul, as he may the ancient armour or the modern uniform around his body ; whilst it is easy to conceive a dress more graceful than either. The beauty of the internal nature cannot be so far concealed by its accidental vesture, but that the spirit of its form shall communicate itself to the very disguise, and indicate the shape it hides from the manner in which it is worn. A majestic form and graceful motions will express themselves through the most barbarous and tasteless costume. Few poets of the highest class have chosen to exhibit the beauty of their conceptions in its naked truth and splen- dour ; and it is doubtful whether the alloy of A DEFENCE OF POETRY. costume, habit, &c, be not necessary to temper this planetary music for mortal ears. The whole objection, however, of the immorality of poetry rests upon a misconception of the man- ner in which poetry acts to produce the moral im- provement of man. Ethical science arranges the elements which poetry has created, and propounds schemes and proposes examples of civil and do- mestic life : nor is it for want of admirable doc- trines that men hate, and despise, and censure, and deceive, and subjugate one another. But poetry acts in another and diviner manner. It awakens and enlarges the mind itself by rendering it the receptacle of a thousand unapprehended combinations of thought. Poetry lifts the veil from the hidden beauty of the world, and makes fami- liar objects be as if they were not familiar ; it reproduces all that it represents, and the imper- sonations clothed in its Elysian light stand thence- forward hi the minds of those who have once con- templated them, as memorials of that gentle and exalted content which extends itself over all thoughts and actions with which it coexists. The great secret of morals is love ; or a going out of our own nature, and an identification of ourselves with the beautiful which exists in thought, action, or person, not our own. A man, to be greatly good, must imagine intensely and comprehensively ; he must put himself in the place of another and of many others ; the pains and pleasures of his spe- cies must become his own. The great instrument of moral good is the imagination ; and poetry ad- ministers to the effect by acting upon the cause. Poetry enlarges the circumference of the imagina- tion by replenishing it with thoughts of ever new delight, which have the power of attracting and assimilating to their own nature all other thoughts, and which form new intervals and interstices whose void for ever craves fresh food. Poetry strength- ens the faculty which is the organ of the moral nature of man, in the same manner as exercise strengthens a limb. A poet therefore would do ill to embody his own conceptions of right and wrong, which are usually those of his place and time, in his poetical creations, which participate in neither. By this assumption of the inferior office of interpreting the effect, in which perhaps after all he might acquit himself but imperfectly, he would resign a glory in a participation in the cause. There was little danger that Homer, or any of the eternal poets, should have so far mis- understood themselves as to have abdicated this throne of their widest dominion. Those in whom the poetical faculty, though great, is less intense, as Euripides, Lucan, Tasso, Spenser, have fre- quently affected a moral aim, and the effect of their poetry is diminished in exact proportion to the degree in which they compel us to advert to this purpose. Homer and the cyclic poets were followed at a certain interval by the dramatic and lyrical poets of Athens, who flourished contemporaneously with all that is most perfect in the kindred expressions of the poetical faculty ; architecture, painting, music, the dance, sculpture, philosophy, and we may add, the forms of civil life. For although the scheme of Athenian society was deformed by many imperfections which the poetry existing in chivalry and Christianity has erased from the habits and institutions of modern Europe ; yet never at any other period has so much energy, beauty, and virtue, been developed ; never was blind strength and stubborn form so disciplined and rendered subject to the will of man, or that will less repugnant to the dictates of the beautiful and the true, as during the century which preceded the death of Socrates. Of no other epoch in the history of our species have we records and fragments stamped so visibly with the image of the divinity in man. But it is poetry alone, in form, in action, or in language, which has rendered this epoch memorable above all others, and the storehouse of examples to everlasting time. For written poetry existed at that epoch simultaneously with the other arts, and it is an idle inquiry to demand which gave and which received the light, which all, as from a com- mon focus, have scattered over the darkest periods of succeeding time. We know no more of cause and effect than a constant conjunction of events : poetry is ever found to co-exist with whatever other arts contribute to the happiness and perfection of man. I appeal to what has already been esta- blished to distinguish between the cause and the effect. It was at the period here adverted to, that the drama had its birth ; and however a succeeding writer may have equalled or surpassed those few great specimens of the Athenian drama which have been preserved to us, it is indisputable that the art itself never was understood or practised accord- ing to the true philosophy of it, as at Athens. For the Athenians employed language, action, music, painting, the dance, and religious institutions, to produce a common effect in the representation of the highest idealisms of passion and of power ; each division in the art was made perfect in its kind by artists of the most consummate skill, and was disciplined into a beautiful proportion and unity one towards the other. On the modern stage a few only of the elements capable of express- ing the image of the poet's conception are em- ployed at once. We have tragedy without music A DEFENCE OF POETRY. and dancing ; and music and dancing without the highest impersonations of which they are the fit accompaniment, and both without religion and solemnity. Religious institution has indeed been usually banished from the stage. Our system of divesting the actor's face of a mask, on which the many expressions appropriated to his dramatic character might be moulded into one permanent and unchanging expression, is favourable only to a partial and inharmonious effect ; it is fit for nothing but a monologue, where all the attention may be directed to some great master of ideal mimicry. The modern practice of blending comedy with tragedy, though liable to great abuse in point of practice, is undoubtedly an extension of the dra- matic circle ; but the comedy should be as in King Lear, universal, ideal, and sublime. It is perhaps the intervention of this principle which determines the balance in favour of King Lear against the ffidipus Tyrannus or the Agamemnon, or, if you will, the trilogies with which they are connected ; unless the intense power of the choral poetry, es- pecially that of the latter, should be considered as restoring the equilibrium. King Lear, if it can sustain this comparison, may be judged to be the most perfect specimen of the dramatic art existing in the world ; in spite of the narrow conditions to which the poet was subjected by the ignorance of the philosophy of the drama which has prevailed in modern Europe. Calderon, in his religious Autos, has attempted to fulfil some of the high conditions of dramatic representation neglected by Shakspeare ; such as the establishing a relation between the drama and religion, and the accom- modating them to music and dancing ; but he omits the observation of conditions still more im- portant, and more is lost than gained by the sub- stitution of the rigidly-defined and ever-repeated idealisms of a distorted superstition for the living impersonations of the truth of human passion. But I digress. — The connexion of scenic exhibi- tions with the improvement or corruption of the manners of men, has been universally recognised : in other words, the presence or absence of poetry in its most perfect and universal form, has been found to be connected with good and evil in con- duct or habit. The corruption which has been imputed to the drama as an effect, begins, when the poetry employed in its constitution ends : I appeal to the history of manners whether the pe- riods of the growth of the one and the decline of the other have not corresponded with an exactness equal to any example of moral cause and effect. The drama at Athens, or wheresoever else it may have approached to its perfection, ever co- existed with the moral and intellectual greatness of the age. The tragedies of the Athenian poets are as mirrors in which the spectator beholds him- self, under a thin disguise of circumstance, stript of all but that ideal perfection and energy which every one feels to be the internal type of all that he loves, admires, and would become. The ima- gination is enlarged by a sympathy with pains and passions so mighty, that they distend in their con- ception the capacity of that by which they are con- ceived ; the good affections are strengthened by pity, indignation, terror and sorrow ; and an exalted calm is prolonged from the satiety of this high exercise of them into the tumult of familiar life : even crime is disarmed of half its horror and all its contagion by being represented as. the fatal con- sequence of the unfathomable agencies of nature ; error is thus divested of its wilfulness ; men can no longer cherish it as the creation of their choice. In a drama of the highest order there is little food for censure or hatred ; it teaches rather self- knowledge and self-respect. Neither the eye nor the mind can see itself, unless reflected upon that which it resembles. The drama, so long as it con- tinues to express poetry, is as a prismatic and many- sided mirror, which collects the brightest rays of human nature and divides and reproduces them from the simplicity of these elementary forms, and touches them with majesty and beauty, and mul- tiplies all that it reflects, and endows it with the power of propagating its like wherever it may fall. But in periods of the decay of social life, the drama sympathises with that decay. Tragedy becomes a cold imitation of the form of the great masterpieces of antiquity, divested of all harmo- nious accompaniment of the kindred arts ; and often the very form misunderstood, or a weak attempt to teach certain doctrines, which the writer considers as moral truths ; and which are usually no more than specious flatteries of some gross vice or weakness, with which the author, in common with his auditors, are infected. Hence what has been called the classical and domestic drama. Addi- son's " Cato " is a specimen of the one ; and would it were not superfluous to cite examples of the other ! To such purposes poetry cannot be made subservient. Poetry is a sword of lightning, ever unsheathed, which consumes the scabbard that would contain it. And thus we -observe that all dramatic writings of this nature are unimaginative in a singular degree ; they affect sentiment and passion, which, divested of imagination, are other names for caprice and appetite. The period in our own history of the grossest degradation of the drama is the reign of Charles II., when all forms in which poetry had been accustomed to be ex- pressed became hymns to the triumph of kingly A DEFENCE OF POETRY. power over liberty and virtue. Milton stood alone illuminating an age unworthy of him. At such periods the calculating principle pervades all the forms of dramatic exhibition, and poetry ceases to be expressed upon them. Comedy loses its ideal universality : wit succeeds to humour ; we laugh from self-complacency and triumph, instead of plea- sure ; malignity, sarcasm, and contempt, succeed to sympathetic merriment ; we hardly laugh, but we smile. Obscenity, which is ever blasphemy against the divine beauty in life, becomes, from the very veil which it assumes, more active if less dis- gusting : it is a monster for which the conniption of society for ever brings forth new food, which it devours in secret. The^drama being that form under which a greater number of modes of expression of poetry are sus- ceptible of being combined than any other, the connexion of poetry and social good is more ob- servable in the drama than in whatever other form. And it is indisputable that the highest perfection of human society has ever corresponded with the highest dramatic excellence ; and that the corrup- tion or the extinction of the drama in a nation where it has once flourished, is a mark of a corrup- tion of manners, and an extinction of the energies which sustain the soul of social life. But, as Machiavelli says of political institutions, that life may be preserved and renewed, if men should arise capable of bringing back the drama to its princi- ples. And this is true with respect to poetry in its most extended sense : all language, institution and form, require not only to be produced but to be sustained : the office and character of a poet participates in the divine nature as regards provi- dence, no less than as regards creation. Civil war, the spoils of Asia, and the fatal pre- dominance first of the Macedonian, and then of the Roman arms, were so many symbols of the extinction or suspension of the creative faculty in Greece. The bucolic writers, who found patronage under the lettered tyrants of Sicily and Egypt, were the latest representatives of its most glorious reign. Their poetry is intensely melodious ; like the odour of the tuberose, it overcomes and sickens the spirit with excess of sweetness ; whilst the poetry of the preceding age was as a meadow-gale of June, which mingles the fragrance of all the flowers of the field, and adds a quickening and harmonising spirit of its own which endows the sense with a power of sustaining its extreme de- light. The bucolic and erotic delicacy in written poetry is correlative with that softness in statuary, music, and the kindred arts, and even in manners and institutions, which distinguished the epoch to which I now refer. Nor is it the poetical faculty itself, or any misapplication of it, to which this want of harmony is to be imputed. An equal sen- sibility to the influence of the senses and the affec- tions is to be found in the writings of Homer and Sophocles : the former, especially, has clothed sen- sual and pathetic images with irresistible attrac- tions. Their superiority over these succeeding writers consists in the presence of those thoughts which belong to the inner faculties of our nature, not in the absence of those which are connected with the external : their incomparable perfection consists in a harmony of the union of all. It is not what the erotic poets have, but what they have not, in which their imperfection consists. It is not inas- much as they were poets, but inasmuch as they were not poets, {hat they can be considered with any plausibility as connected with the corruption of their age. Had that corruption availed so as to extinguish in them the sensibility to pleasure, pas- sion, and natural scenery, which is imputed to them as an imperfection, the last triumph of evil would have been achieved. For the end of social corrup- tion is to destroy all sensibility to pleasure ; and, therefore, it is corruption. It begins at the ima- gination and the intellect as at the core, and distri- butes itself thence as a paralysing venom, through the affections mto the very appetites, until all be- come a torpid mass in which hardly sense survives. At the approach of such a period, poetry ever ad- dresses itself to those faculties which are the last to be destroyed, and its voice is heard, like the footsteps of AstrEea, departing from the world. Poetry ever communicates all the pleasure which men are capable of receiving : it is ever still the light of life ; the source of whatever of beautiful Or generous or true can have place in an evil time. It will readily be confessed that those among the luxurious citizens of Syracuse and Alexandria, who were delighted with the poems of Theocritus, were less cold, cruel, and sensual than the remnant of their tribe. But corruption must utterly have destroyed the fabric of human society before poetry can ever cease. The sacred links of that chain have never been entirely disjoined, which descend- ing through the minds of many men is attached to those great minds, whence as from a magnet the invisible effluence is sent forth, which at once con- nects, animates, and sustains the life of all. It is the faculty which contains within itself the seeds at once of its own and of social renovation. And let us not circumscribe the effects of the bucolic and erotic poetry within the limits of the sensi- bility of those to whom it was "addressed. They may have perceived the beauty of those immortal compositions, simply as fragments and isolated portions : those who are more finely organised, or B A DEFENCE OF POETRY. born in a happier age, may recognise them as epi- sodes to that great poem, which all poets, like the co-operating thoughts of one great mind, have built up since the beginning of the world. The same revolutions within a narrower sphere had place in ancient Rome ; but the actions and forms of its social life never seem to have been perfectly saturated with the poetical element. The Romans appear to have considered the Greeks as the selectest treasuries of the selectest forms of manners and of nature, and to have abstained from creating in measured language, sculpture, music, or architecture, any thing which might bear a par- ticular relation to their own condition, whilst it should bear a general one to the universal consti- tution of the world. But we judge from partial evidence, and we judge perhaps partially. Ennius, Varro, Pacuvius, and Accius, all great poets, have been lost. Lucretius is in the highest, and Virgil in a very high sense, a creator. The chosen deli- cacy of expressions of the latter, are as a mist of light which conceal from us the intense and exceed- ing truth of his conceptions of nature. Livy is instinct with poetry. Yet Horace, Catullus, Ovid, and generally the other great writers of the Vir- gilian age, saw man and nature in the mirror of Greece. The institutions also, and the religion of Rome, were less poetical than those of Greece, as the shadow is less vivid than the substance. Hence poetry in Rome, seemed to follow, rather than ac- company, the perfection of political and domestic society. The true poetry of Rome lived in its institutions ; for whatever of beautiful, true, and majestic, they contained, could have sprung only from the faculty which creates the order in which they consist. The life of Camillus, the death of Regulus ; the expectation of the senators, in their godlike state, of the victorious Gauls ; the refusal of the republic to make peace with Hannibal, after the battle of Cannae, were not the consequences of a refined calculation of the probable personal advan- tage to result from such a rhythm and order in the shows of life, to those who were at once the poets and the actors of these immortal dramas. The imagination beholding the beauty of this order, created it out of itself according to its own idea ; the consequence was empire, and the reward ever- living fame. These things are not the less poetry, , quia carent vate sacro. They are the episodes of that cyclic poem written by Time upon the memo- ries of men. The Past, like an inspired rhapsodist, fills the theatre of everlasting generations with their harmony. At length the ancient system of religion and manners had fulfilled the circle of its revolutions. And the world would have fallen into utter anarchy and darkness, but that there were found poets among the authors of the Christian and chivalric systems of manners and religion, who created forms of opinion and action never before conceived ; which, copied into the imaginations of men, became as generals to the bewildered armies of their thoughts. It is foreign to the present purpose to touch upon the evil produced by these systems : except that we protest, on the ground of the prin- ciples already established, that no portion of it can be attributed to the poetry they contain. It is probable that the poetry of Moses, Job, David, Solomon, and Isaiah, had produced a great effect upon the mind of Jesus and his disciples. The scattered fragments preserved to us by the biographers of this extraordinary person, are all instinct with the most vivid poetry. But his doc- trines seem to have been quickly distorted. At a certain period after the prevalence of a system of opinions founded upon those promulgated by him, the three forms into which Plato had distributed the faculties of mind underwent a sort of apothe- osis, and became the object of the worship of the civilised world. Here it is to be confessed that " Light seems to thicken," and « The crow makes wing to the rooky wood, Good things of day hegin to droop and drowse, And night's black agents to their preys do rouze." But mark how beautiful an order has sprung from the dust and blood of this fierce chaos ! how the world, as from a resurrection, balancing itself on the golden wings of knowledge and of hope, has reassumed its yet unwearied flight into the heaven of time. Listen to the music, unheard by outward ears, which is as a ceaseless and invisible wind, nourishing its everlasting course with strength and swiftness. The poetry in the doctrines of Jesus Christ, and the mythology and institutions of the Celtic con- querors of the Roman empire, outlived the dark- ness and the convulsions connected with their growth and victory, and blended themselves in a new fabric of manners and opinion. It is an error to impute the ignorance of the dark ages to the Christian doctrines or the predominance of the Celtic nations. Whatever of evil their agencies may have contained sprang from the extinction of the poetical principle, connected with the progress of despotism and superstition. Men, from causes too intricate to be here discussed, had become insensible and selfish : their own will had become feeble, and yet they were its slaves, and thence the slaves of the will of others : lust; fear, avarice, cruelty, and fraud, characterised a race amongst whom no one was to be found capable of creating in form, language, or institution. The moral A DEFENCE OF POETRY. anomalies of such a state of society are not justly to be charged upon any class of events immediately connected with them, and those events are most entitled to our approbation which could dissolve it most expeditiously. It is unfortunate for those who cannot distinguish words from thoughts, that many of these anomalies have been incorporated into our popular religion. It was not until the eleventh century that the effects of the poetry of the Christian and chivalric systems began to manifest themselves. The prin- ciple of equality had been discovered and applied by Plato in his Republic, as the theoretical rule of the mode in which the materials of pleasure and of power produced by the common skill and labour of human beings ought to be distributed among them. The limitations of this rule were asserted by him to be determined only by the sensibility of each, or the utility to result to all. Plato, following the doc- trines of Timseus and Pythagoras, taught also a moral and intellectual system of doctrme, compre- hending at once the past, the present, and the future condition of man. Jesus Christ divulged the sacred and eternal truths contained in these views to mankind, and Christianity, in its abstract purity, became the exoteric expression of the eso- teric doctrines of the poetry and wisdom of anti- quity. The incorporation of the Celtic nations with the exhausted population of the south, im- pressed upon it the figure of the poetry existing in their mythology and institutions. The result was a sum of the action and reaction of all the causes included in it ; for it may be assumed as a maxim that no nation or religion can supersede' any other without incorporating into itself a portion of that which it supersedes. The abolition of personal and domestic slavery, and the emancipation of women from a great part of the degrading restraints of antiquity, were among the consequences of these events. The abolition of personal slavery is the basis of the highest political hope that it can enter into the mind of man to conceive. The freedom of women produced the poetry of sexual love. Love became a religion, the idols of whose worship were ever present. It was as if the statues of Apollo and the Muses had been endowed with life and motion, and had walked forth among their worshippers ; so that earth became peopled by the inhabitants of a diviner world. The familiar appearance and pro- ceedings of life became wonderful and heavenly, and a paradise was created as out of the wrecks of Eden. And as this creation itself is poetry, so its creators were poets ; and language was the instru- ment of their art : " Galeotto fu il libro, e chi lo scrisse." The Provencal Trouveurs, or inventors, preceded Petrarch, whose verses are as spells, which unseal the mmost enchanted fountains of the delight which is in the grief of love. It is impos- sible to feel them without becoming a portion of that beauty which we contemplate : it were super- fluous to explain how the gentleness and the eleva- tion of mind connected with these sacred emotions can render men more amiable, more generous and wise, and lift them out of the dull vapours of the little world of self. Dante understood the secret things of love even more than Petrarch. His Vita Nuova is an inexhaustible fountain of purity of sen- timent and language : it is the idealised history of that period, and those intervals of his life which were dedicated to love. His apotheosis of Beatrice in Paradise, and the gradations of his own love and her loveliness, by which as by steps he feigns him- self to have ascended to the throne of the Supreme Cause, is the most glorious imagination of modern poetry. The acutest critics have justly reversed the judgment of the vulgar, and the order of the great acts of the "Divine Drama," hi the mea- sure of the admiration which they accord to the Hell, Purgatory, and Paradise. The latter is a perpetual hymn of everlasting love. Love, which found a worthy poet in Plato alone of all the ancients, has been celebrated by a chorus of the greatest writers of the renovated world ; and the music has penetrated the caverns of society, and its echoes still drown the dissonance of arms and superstition. At successive intervals, Ariosto, Tasso, Shakspeare, Spenser, Calderon, Rousseau, and the great writers of our own age, have cele- brated the dominion of love, planting as it were trophies in the human mind of that sublimest victory over sensuality and force. The true rela- tion borne to each other by the sexes into which human kind is distributed, has become less mis- understood ; and if the error which^onfounded diversity with inequality of the powers of the two sexes has been partially recognised in the opinions and institutions of modern Europe, we owe this great benefit to the worship of which chivalry was the law, and poets the prophets. The poetry of Dante may be considered as the bridge thrown over the stream of time, which unites the modern and ancient world. The distorted notions of invisible things which Dante and his rival Milton have idealised, are merely the mask and the mantle in which these great poets walk through eternity enveloped and disguised. It is a difficult question to determine how far they were conscious of the distinction which must have sub- sisted in their minds between their own creeds and that of the people. Dante at least appeal's to wish to mark the full extent of it by placing to A DEFENCE OF POETRY. Riphseus, whom Virgil calls justissimus unus, in Paradise, and observing a most heretical caprice in his distribution of rewards and punishments. And Milton's poem contains within itself a philosophical refutation of that system, of which, by a strange and natural antithesis, it has been a chief popular support. Nothing can exceed the energy and magnificence of the character of Satan as expressed in "Paradise Lost." It is a mistake to suppose that he could ever have been intended for the popular personification of evil. Implacable hate, patient cunning, and a sleepless refinement of de- vice to inflict the extremest anguish on an enemy, these things are evil ; and, although venial in a slave, are not to be forgiven in a tyrant ; although redeemed by much that ennobles his defeat in one subdued, are marked by all that dishonours his conquest in the victor. Milton's Devil as a moral being is as far superior to his God, as one who perseveres in some purpose which he has conceived to be excellent in spite of adversity and torture, is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy, not from any mistaken notion of inducing him to repent of a perseverance in enmity, but with the alleged design of exasperating him to deserve new torments. Milton has so far violated the popular creed (if this shall be judged to be a violation) as to have alleged no superiority of moral virtue to his God over his Devil. And this bold neglect of a direct moral purpose is the most decisive proof of the supremacy of Milton's genius. He mingled as it were the elements of human nature as colours upon a single pallet, and arranged them in the composition of his great picture according to the laws of epic truth ; that is, according to the laws of that principle by which a series of actions of the external universe and of intelligent and ethical bem^s is calculated to excite the sympa- thy of succeeding generations of mankind. The Divina Commedia and Paradise Lost have con- ferred upon modern mythology a systematic form ; and when change and time shall have added one more superstition to the mass of those which have arisen and decayed upon the earth, commentators will be learnedly employed in elucidating the religion of ancestral Europe, only not utterly for- gotten because it will have been stamped with the eternity of genius. Homer was the first and Dante the second epic poet : that is, the second poet, the series of whose creations bore a defined and intelligible relation to the knowledge and sentiment and religion of the age in which he lived, and of the ages which fol- lowed it : developing itself in correspondence with their development. For Lucretius had limed the wings of his swift spirit in the dregs of the sensible world ; and Virgil, with a modesty that ill became his genius, had affected the fame of an imitator, even whilst he created anew all that he copied ; and none among the flock of mock-birds, though their notes were sweet, Apollonius Rhodius, Quin- tus Calaber, Nonnus, Lucan, Statius, or Claudian, have sought even to fulfil a single condition of epic truth. Milton was the third epic poet. For if the title of epic in its highest sense be refused to the iEneid, still less can it be conceded to the Orlando Furioso, the Gerusalemme Liberata, the Lusiad, or the Fairy Queen. Dante and Milton were both deeply penetrated with the ancient religion of the civilized world ; and its spirit exists in their poetry probably in the same proportion as its forms survived in the un- reformed worship of modern Europe. The one preceded and the other followed the Reformation at almost equal intervals. Dante was the first religious reformer, and Luther surpassed him rather in the rudeness and acrimony, than in the boldness of his censures of papal usurpation. Dante was the first awakener of entranced Europe ; he created a language, in itself music and persua- sion, out of a chaos of inharmonious barbarisms. He was the congregator of those great spirits who presided over the resurrection of learning ; the Lucifer of that starry flock which in the thirteenth century shone forth from republican Italy, as from a heaven, into the darkness of the benighted world. His very words are instinct with spirit ; each is as a spark, a burning atom of inextinguishable thought ; and many yet He covered in the ashes of their birth, and pregnant with a lightning which has yet found no conductor. All high poetry is infinite ; it is as the first acorn, which contained all oaks potentially. Veil after veil may be undrawn, and the inmost naked beauty of the meaning never exposed. A great poem is a fountain for ever over- flowing with the waters of wisdom and delight ; and after one person and one age has exhausted all its divine effluence which their peculiar relations enable them to share, another and yet another succeeds, and new relations are ever developed, the source of an unforeseen and an unconceived delight. The age immediately succeeding to that of Dante, Petrarch, and Boccaccio, was characterized by a revival of painting, sculpture, and architecture. Chaucer caught the sacred inspiration, and the superstructure of English literature is based upon the materials of Italian invention. But let us not be betrayed from a defence into a critical history of poetry and its influence on society. Be it enough to have pointed out the A DEFENCE OF POETRY. U effects of poets, in the large and true sense of the word, upon their own and all succeeding times. But poets have been challenged to resign the civic crown to reasoners and mechanists, on another plea. It is admitted that the exercise of the imagination is most delightful, but it is alleged, that that of reason is more useful. Let us examine as the grounds of this distinction, what is here meant by utility. Pleasure or good, in a general sense, is that which the consciousness of a sensitive and intelligent being seeks, and in which, when found, it acquiesces. There are two kinds of pleasure, one durable, universal and permanent ; the other transitory and particular. Utility may either express the means of producing the former or the latter. In the former sense, whatever strengthens and purifies the affections, enlarges the imagination, and adds spirit to sense, is useful. But a narrower meaning may be assigned to the word utility, confining it to express that which banishes the importunity of the wants of our animal nature, the surrounding men with security of life, the dispersing the grosser delusions of superstition, and the conciliating such a degree of mutual for- bearance among men as may consist with the motives of personal advantage. Undoubtedly the promoters of utility, in this limited sense, have their appointed office in society. They follow the footsteps of poets, and copy the sketches of their creations into the book of common fife. They make space, and give time. Their exertions are of the highest value, so long as they confine their administration of the concerns of the inferior powers of our nature within the limits due to the superior ones. But whilst the sceptic destroys gross superstitions, let him spare to deface, as some of the French writers have defaced, the eternal truths charactered upon the imaginations of men. Whilst the mechanist abridges, and the political economist combines labour, let them be- ware that their speculations, for want of corre- spondence with those first principles which belong to the imagination, do not tend, as they have in modern England, to exasperate at once the ex- tremes of luxury and want. They have exemplified the saying, " To him that hath, more shall be given ; and from him that hath not, the little that he hath shall be taken away." The rich have become richer, and the poor have become poorer ; and the vessel of the state is driven between the Scylla and Charybdis of anarchy and despotism. Such are the effects which must ever flow from an unmitigated exercise of the calculating faculty. It is "difficult to define pleasure in its highest sense ; the definition involving a number of apparent paradoxes. For, from an inexplicable defect of harmony in the constitution of human nature, the pain of the inferior is frequently connected with the pleasures of the superior portions of our being. Sorrow, terror, anguish, despair itself, are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle ; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself. And hence the saying, " It is better to go to the house of mourning, than to the house of mirth." Not that this highest species of pleasure is necessarily linked with pain. The delight of love and friendship, the ecstacy of the admiration of nature, the joy of the perception and still more of the creation of poetry, is often wholly unalloyed. The production and assurance of pleasure in this highest sense is true utility. Those who produce and preserve this pleasure are poets or poetical philosophers. The exertions of Locke, Hume, Gibbon, Voltaire, Rousseau,* and their disciples, in favour of oppressed and deluded humanity, are entitled to the gratitude of mankind. Yet it is easy to calculate the degree of moral and intellectual improvement which the world would have exhibited, had they never lived. A little more nonsense would have been talked for a century or two ; and perhaps a few more men, women, and children, burnt as heretics. We might not at this moment have been congratulating each other on the abolition of the Inquisition in Spam. But it exceeds all imagination to conceive what would have been the moral condition of the world if neither Dante, Petrarch, Boccaccio, Chaucer, Shakspeare, Calderon, Lord Bacon, nor Milton, had ever existed ; if Raphael and Michael Angelo had never been born ; if the Hebrew poetry had never been translated ; if a revival of the study of Greek literature had never taken place ; if no monuments of ancient sculpture had been handed down to us ; and if the poetry of the religion of the ancient world had been extinguished together with its belief. The human mind could never, except by the intervention of these excitements, have been awakened to the invention of the grosser sciences, and that application of analytical reason- ing to the aberrations of society, which it is now attempted to exalt over the direct expression of the mventive and creative faculty itself. We have more moral, political and historical * Although Rousseau has heen thus classed, he was essentially a poet. The others, even Voltaire, were mere reasoners. 12 A DEFENCE OF POETRY. wisdom, than we know how to reduce into prac- tice ; we have more scientific and economical knowledge than can be accommodated to the just distribution of the produce which it multiplies. The poetry in these systems of thought, is con- cealed by the accumulation of facts and calcu- lating processes. There is no want of knowledge respecting what is wisest and best in morals, government, and political economy, or at least, what is wiser and better than what men now practise and endure. But we let "/ dare not wait upon i" would, like the poor cat in the adage." We want the creative faculty to imagine that which we know ; we want the generous impulse to act that which we imagine ; we want the poetry of life : our calculations have outrun conception ; we have eaten more than we can digest. The cultivation of those sciences which have enlarged the limits of the empire of man over the external world, has, for want of the poetical faculty, proportionally circumscribed those of the internal world ; and man, having enslaved the elements, remains himself a slave. To what but a cultivation of the mechanical arts in a degree disproportioned to the presence of the creative faculty, which is the basis of all know- ledge, is to be attributed the abuse of all invention for abridging and combining labour, to the exas- peration of the inequality of mankind ? From what other cause has it arisen that the discoveries which should have lightened, have added a weight to the curse imposed on Adam ? Poetry, and the principle of Self, of which money is the visible incarnation, are the God and Mammon of the world. The functions of the poetical faculty are two- fold ; by one it creates new materials of know- ledge, and power and pleasure ; by the other it engenders in the mind a desire to reproduce and arrange them according to a certain rhythm and order which may be called the beautiful and the good. The cultivation of poetry is never more to be desired than at periods when, from an excess of the selfish and calculating principle, the accu- mulation of the materials of external life exceed the quantity of the power of assimilating them to the internal laws of human nature. The body has then become too unwieldy for that which animates it. Poetry is indeed something divine. It is at once the centre and circumference of knowledge ; it is that which comprehends all science, and that to which all science must be referred. It is at the same time the root and blossom of all other systems of thought ; it is that from which all spring, and that which adorns all ; and that which, if blighted, denies the fruit and the seed, and withholds from the barren world the nourish- ment and the succession of the scions of the tree of life. It is the perfect and consummate surface and bloom of all things ; it is as the odour and the colour of the rose to the texture of the elements which compose it, as the form and splen- dour of unfaded beauty to the secrets of anatomy and corruption. What were virtue, love, patriot- ism, friendship — what were the scenery of this beautiful universe which we inhabit ; what were our consolations on this side of the grave — and what were our aspirations beyond it, if poetry did not ascend to bring light and fire from those eternal regions where the owl- winged faculty of calculation dare not ever soar ? Poetry is not like reasoning, a power to be exerted according to the determination of the will. A man cannot say, " I will compose poetry." The greatest poet even cannot say it ; for the mind in creation is as. a fading coal, which some invisible influence, like an inconstant wind, awakens to transitory brightness ; this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures are unprophetic either of its approach or its depar- ture. Could this influence be durable in its original purity and force, it is impossible to pre- dict the greatness of the results ; but when com- position begins, inspiration is already on the de- cline, and the most glorious poetry that has ever been communicated to the world is probably a feeble shadow of the original conceptions of the poet. I appeal to the greatest poets of the present day, whether it is not an error to assert that the finest passages of poetry are produced by labour and study. The toil and the delay recommended by critics, can be justly interpreted to mean no more than a careful observation of the inspired moments, and an artificial connexion of the spaces between their suggestions by the intertexture of conventional expressions ; a necessity only im- posed by the limitedness of the poetical faculty itself ; for Milton conceived the Paradise Lost as a whole before he executed it in portions. We have his own authority also for the muse having "dictated" to him the " unpremeditated song." And let this be an answer to those who would allege the fifty-six various readings of the first line of the Orlando Furioso. Compositions so produced are to poetry what mosaic is to painting. This instinct and intuition of the poetical faculty is still more observable in the plastic and pictorial arts ; a great statue or picture grows under the power of the artist as a child in the mother's womb ; and the very mind which directs the A DEFENCE OF POETRY. 1 3 hands in formation is incapable of accounting to itself for the origin, the gradations, or the media of the process. Poetry is the record of the best and happiest moments of the happiest and best minds. We are aware of evanescent visitations of thought and feeling sometimes associated with place or person, sometimes regarding our own mind alone, and always arismg unforeseen and departing unbidden, but elevating and delightful beyond all expression: so that even in the desire and the regret they leave, there cannot but be pleasure, participating as it does in the nature of its object. It is as it were the interpenetration of a diviner nature through our own ; but its footsteps are like those of a wind over the sea, which the coming calm erases, and whose traces remain only, as on the wrinkled sand which paves it. These and corre- sponding conditions of being are experienced prin- cipally by those of the most delicate sensibility and the most enlarged imagination ; and the state of mind produced by them is at war with every base desire. The enthusiasm of virtue, love, patriotism, and friendship, is essentially linked with such emotions ; and whilst they last, self appears as what it is, an atom to a universe. Poets are not only subject to these experiences as spirits of the most refined organisation, but they can colour all that they combine with the evanescent hues of this ethereal world ; a word, a trait in the representation of a scene or a passion, will touch the enchanted chord, and reanimate, in those who have ever experienced these emotions, the sleeping, the cold, the buried image of the past. Poetry thus makes immortal all that is best and most beautiful in the world ; it arrests the vanishing apparitions which haunt the interluna- tions of life, and veiling them, or in language or in form, sends them forth among mankind, bearing sweet news of kindred joy to those with whom their sisters abide — abide, because there is no portal of expression from the caverns of the spirit which they inhabit into the universe of things. Poetry redeems from decay the visitations of the divinity in man. Poetry turns all things to loveliness ; it exalts the beauty of that which is most beautiful, and it adds beauty to that which is most deformed ; it marries exultation and horror, grief and pleasure, eternity and change ; it subdues to union under its light yoke, all irreconcilable things. It trans- mutes all that it touches, and every form moving within the radiance of its presence is changed by wondrous sympathy to an incarnation of the spirit which it breathes : its secret alchemy turns to potable gold the poisonous waters which flow from death through life ; it strips the veil of familiarity from the world, and lays bare the naked and sleeping beauty, which is the spirit of its forms. All things exist as .they are perceived ; at least in relation to the percipient. " The mind is its own place, and of itself can make a heaven of hell, a hell of heaven." But poetry defeats the curse which binds us to be subjected to the accident of surrounding impressions. And whether it spreads its own figured curtain, or withdraws life's dark veil from before the scene of things, it equally creates for us a being within our being. It makes us the inhabitants of a world to which the familiar world is a chaos. It reproduces the common uni- verse of which we are portions and percipients, and it purges from our inward sight the film of fami- liarity which obscures from us the wonder of our being. It compels us to feel that which we per- ceive, and to imagine that which we know. It creates anew the universe, after it has been annihi- lated in our minds by the recurrence of impressions blunted by reiteration. It justifies the bold and true words of Tasso : Non merita nome di creatore, se non Iddio ed it Poeta. A poet, as he is the author to others of the highest wisdom, pleasure, virtue and glory, so he ought personally to be the happiest, the best, the wisest, and the most illustrious of men. As to his glory, let time be challenged to declare whether the fame of any other institutor.of human life be comparable to that of a poet. That he is the wisest, the happiest, and the best, inasmuch as he is a poet, is equally incontrovertible : the greatest poets have been men of the most spotless virtue, of the most consummate prudence, and, if we would look into the interior of their lives, the most for- tunate of men : and the exceptions, as they regard those who possessed the poetic faculty in a high yet inferior degree, will be found on consideration to confine rather than destroy the rule. Let us for a moment stoop to the arbitration of popular breath, and usurping and uniting in our own per- sons the incompatible characters of accuser, wit- ness, judge and executioner, let us decide without trial, testimony, or form, that certain motives of those who are " there sitting where we dare not soar," are reprehensible. Let us assume that Homer was a drunkard, that Virgil was a flatterer, that Horace was a coward, that Tasso was a madman, that Lord Bacon was a peculator, that Raphael was a libertine, that Spenser was a poet laureate. It is inconsistent with this division of our subject to cite living poets, but posterity has done ample justice to the great names now referred to. Their errors have been weighed and found to 14 A DEFENCE OF POETRY. have been dust in the balance ; if their sins " were as scarlet, they are now white as snow :" they have been washed in the blood of the mediator and redeemer, Time. Observe in what a ludicrous chaos the imputations of real or fictitious crime have been confused in the contemporary calum- nies against poetry and poets ; consider how little is, as it appears — or appears, as it is ; look to your own motives, and judge not, lest ye be judged. Poetry, as has been said, differs in this respect from logic, that it is not subject to the control of the active powers of the mind, and that its birth and recurrence have no necessary connexion with the consciousness or will. It is presumptuous to determine that these are the necessary conditions of all mental causation, when mental effects are experienced unsusceptible of being referred to them. The frequent recurrence of the poetical power, it is obvious to suppose, may produce in the mind a habit of order and harmony correlative with its own nature and with its effects upon other minds. But in the intervals of inspiration/and they may be frequent without being durable, a poet be- comes a man, and is abandoned to the sudden re- flux of the influences under which others habitually live. But as he is more delicately organised than other men, and sensible to pain and pleasure, both his own and that of others, in a degree unknown to them, he will avoid the one and pursue the other with an ardour proportioned to this difference. And he renders himself obnoxious to calumny, when he neglects to observe the circumstances under which these objects of universal pursuit and flight have disguised themselves in one another's gar- ments. But there is nothing necessarily evil in this error, and thus cruelty, envy, revenge, avarice, and the passions purely evil, have never formed any por- tion of the popular imputations on the lives of poets. I have thought it most favourable to the cause of truth to set down these remarks according to the order in which they were suggested to my mind, by a consideration of the subject itself, instead of observing the formality of a polemical reply ; but if the view which they contain be just, they will be found to involve a refutation of the arguers against poetry, so far at least as regards the first division of the subject. I can readily conjecture what should have moved the gall of some learned and intelligent writers who quarrel with certain versi- fiers ; I confess myself, like them, unwilling to be stunned by the Theseids of the hoarse Codri of the day. Bavius and Meevius undoubtedly are, as they ever were, insufferable persons. But it be- longs to a philosophical critic to distinguish rather than confound. The first part of these remarks has related to poetry in its elements and principles ; and it has been shown, as well as the narrow limits assigned them would permit, that what is called poetry, in a restricted sense, has a common source with all other forms of order and of beauty, according to which the materials of human life are susceptible of being arranged, and which is poetry in an uni- versal sense. The second part will have for its object an appli- cation of these principles to the present state of the cultivation of poetry, and a defence of the attempt to idealize the modern forms of manners and opinions, and compel them into a subordina- tion to the imaginative and creative faculty. For the literature of England, an energetic development of which has ever preceded or accompanied a great and free development of the national will, has arisen as it were from a new birth. In spite of the low- thoughted envy which would undervalue contem- porary merit, our own will be a memorable age in intellectual achievements, and we live among such philosophers and poets as surpass beyond compa- rison any who have appeared since the last national struggle for civil and religious liberty. The most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry. At such periods there is an accumulation of the power of communicating and receiving intense and im- passioned conceptions respecting man and nature. The persons in whom this power resides, may often, as far as regards many portions of their nature, have little apparent correspondence with that spirit of good of which they are the ministers. But even whilst they deny and abjure, they are yet compelled to serve, the power which is seated on the throne of their own soul. It is impossible to read the compositions of the most celebrated writers of the present day without being startled with the electric life which burns within their words. They measure the circumference and sound the depths of human nature with a comprehensive and all-penetrating spirit, and they are themselves perhaps the most sincerely astonished at its mani- festations ; for it is less their spirit than the spirit of the age. Poets are the hierophants of an un- apprehended inspiration ; the mirrors of the gigan- tic shadows which futurity casts upon the present ; the words which express what they understand not ; the trumpets which sing to battle, and feel not what they inspire ; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world. ESSAY ON THE LITERATURE, THE ARTS, AND THE MANNERS OF THE ATHENIANS. The period which intervened between the birth of Pericles and the death of Aristotle, is undoubt- edly, whether considered in itself,- or with refer- ence to the effects which it has produced upon the subsequent destinies of civilised man, the most memorable in the history of the world. What was the combination of moral and political circum- stances which produced so unparalleled a progress during that period in literature and the arts ; — why that progress, so rapid and so sustained, so soon received a check, and became retrograde, — are problems left to the wonder' and conjecture of posterity. The wrecks and fragments of those subtle and profound minds, like the ruins of a fine statue, obscurely suggest to us the grandeur and perfection of the whole. Their very language — a type of the understandings of which it was the creation and the image — in variety, in simplicity, in flexibility, and in copiousness, excels every other language of the western world. Their sculptures are such as we, in our presumption, assume to be the models of ideal truth and beauty, and to which no artist of modern times can produce forms in any degree comparable. Their paintings, according to Pliny and Pausanias, were full of delicacy and harmony ; and some even were powerfully pathe- tic, so as to awaken, like tender music or tragic poetry, the most overwhelming emotions. We are accustomed to conceive the painters of the sixteenth century, as those who have brought their art to the highest perfection, probably because none of the ancient paintings have been preserved. For all the inventive arts maintain, as it were, a sympathetic connexion between each other, being no more than various expressions of one internal power, modified by different circumstances, either of an individual, or of society ; and the paintings of that period would probably bear the same rela- tion as is confessedly borne by the sculptures to all succeeding ones. Of their music we know little ; but the effects which it is said to have produced, * Shelley named this Essay, " A Discourse on the Man- ners of the Ancients, relative to the subject of Love." It was intended to be a commentary on the Symposium, or Banquet of Plato, but it breaks off at the moment when the main subject is about to be discussed. whether they be attributed to the skill of the composer, or the sensibility of his audience, are far more powerful than any which we experience from the music of our own times ; and if, indeed, the melody of their compositions were more tender and delicate, and inspiring, than the melodies of some modern European nations, their superiority in this art must have been some- thing wonderful, and wholly beyond conception. Their poetry seems to maintain a very high, though not so disproportionate a rank, in the com- parison. Perhaps Shakspeare, from the variety and comprehension of his genius, is to be considered, on the whole, as the greatest individual mind, of which we have specimens remaining. Perhaps Dante created imaginations of greater loveliness and energy than any that are to be found in the ancient literature of Greece. Perhaps nothing has been discovered in the fragments of the Greek lyric poets equivalent to the sublime and chivalric sensibility of Petrarch. — But, as a poet, Homer must be acknowledged to excel Shakspeare in the truth, the harmony, the sustained grandeur, the satisfying completeness of his images, their exact fitness to the illustration, and to that to which they belong. Nor could Dante, deficient in con- duct, plan, nature, variety, and temperance, have been brought into comparison with these men, but for those fortunate isles, laden with golden fruit, which alone could tempt any one to embark in the misty ocean of his dark and extravagant fiction. But, omitting the comparison of individual minds, which can afford no general inference, how superior was the spirit and system of their poetry to that of any other period. So that, had any other genius equal in other respects to the greatest that ever enlightened the world, arisen in that age, he would have been superior to all, from this cir- cumstance alone — that his conceptions would have assumed a more harmonious and perfect form. For it is worthy of observation, that whatever the poets of that age produced is as harmonious and perfect as possible. If a drama, for instance, were the composition of a person of inferior talent, it was still homogeneous and free from inequali- ties ; it was a whole, consistent with itself. The 16 ON THE LITERATURE, ETC., OF THE ATHENIANS. compositions of great minds bore throughout the sustained stamp of their greatness. In the poetry'of succeeding ages the expectations are often exalted on Icarean wings, and fall, too much disappointed to give a memory and a name to the oblivious pool in which they fell. In physical knowledge Aristotle and Theophras- tus had already — no doubt assisted by the labours of those of their predecessors whom they criticise — made advances worthy of the maturity of science. The astonishing hivention of geometry, that series of discoveries which have enabled man to command the elements and foresee future events, before the subjects of his ignorant wonder, and which have opened as it were the doors of the mysteries of nature, had already been brought to great perfec- tion. Metaphysics, the science of man's intimate nature, and logic, or the grammar and elementary principles of that science, received from the latter philosophers of the Periclean age a firm basis. All our more exact philosophy is built upon the labours of these great men, and many of the words which we employ in metaphysical distinc- tions were invented by them to give accuracy and system to their reasonings. The science of morals, or the voluntary conduct of men in relation to themselves or others, dates from this epoch. How inexpressibly bolder and more pure were the doc- trines of those great men, in comparison with the timid maxims which prevail in the writings of the most esteemed modern moralists. They were such as Phocion, and Epammondas, and Timoleon, who formed themselves on their influence, were to the wretched heroes of our own age. Their political and religious institutions are more difficult to bring into comparison with those of other times. A summary idea may be formed of the worth of any political and religious system, by observing the comparative degree of happiness and of intellect produced under its influence. And whilst many institutions and opinions, which in ancient Greece were obstacles to the improvement of the human race, have been abolished among modern nations, how many pernicious superstitions and new contrivances of misrule, and unheard-of complications of public mischief, have not been invented among them by the ever- watchful spirit of avarice and tyranny. The modern nations of the civilised world owe the progress which they have made — as well in those physical sciences in which they have already excelled their masters, as in the moral and intel- lectual inquiries, in which, with all the advantage of the experience of the latter, it can scarcely be said that they have yet equalled them, — to what is called the revival of learning ; that is, the study of the writers of the age which preceded and immediately followed the government of Pericles, or of subsequent writers, who were, so to speak, the rivers flowing from those immortal fountains. And though there seems to be a principle in the modern world, which, should circumstances analogous to those which modelled the intellectual resources of the age to which we refer, into so harmonious a proportion, again arise, would arrest and perpetuate them, and consign their results to a more equal, extensive, and lasting improvement of the condition of man — though justice and the true meaning of human society are, if not more accurately, more generally understood ; though perhaps men know more, and therefore are more, as a mass, yet this principle has never been called into action, and requires indeed a universal and almost appalling change in the system of existing things. The study of modern history is the study of kings, financiers, statesmen, and priests. The history of ancient Greece is the study of legislators, philoso- phers, and poets ; it is the history of men, compared with the history of titles. What the Greeks were, was a reality, not a promise. And what we are and hope to be, is derived, as it were, from the influence and inspiration of these glorious genera- tions. Whatever tends to afford a further illustration of the manners and opinions of those to whom we owe so much, and who were perhaps, on the whole, the most perfect specimens of humanity of whom we have authentic record, were infinitely valuable. Let us see their errors, their weaknesses, their daily actions, their familiar conversation, and catch the tone of their society. When we discover how far the most admirable community ever framed, was removed from that perfection to which human society is impelled by some active power within each bosom, to aspire, how great ought to be our hopes, how resolute our struggles. For the Greeks of the Periclean age were widely different from us. It is to be lamented that no modern writer has hitherto dared to show them precisely as they were. Barthelemi cannot be denied the praise of industry and system ; but he never forgets that he is a Christian and a Frenchman. Wieland, in his delightful novels, makes indeed a very tolerable Pagan, but cherishes too many political prejudices, and refrains from diminishing the interest of his romances by painting sentiments in which no European of modern times can possibly sympa- thise. There is no book which shows the Greeks precisely as they were ; they seem all written for children, with the caution that no practice or sentiment, highly inconsistent with our present manners, should be mentioned, lest those manners ON THE LITERATURE, ETC., OF THE ATHENIANS. 17 should receive outrage and violation. But there are many to whom the Greek language is inacces- sible, who ought not to be excluded by this prudery from possessing an exact and comprehensive con- ception of the history of man ; for there is no knowledge concerning what man has been and may be, from partaking of which a person can depart, without becoming in some degree more philoso- phical, tolerant, and just. One of the chief distinctions between the manners of ancient Greece and modern Europe, consisted in the regulations and the sentiments respecting sexual intercourse. Whether this difference arises from some imperfect influence of the doctrines of Jesus Christ, who alleges the absolute and uncon- ditional equality of all human beings, or from the institutions of chivalry, or from a certain funda- mental difference of physical nature existing in the Celts, or from a combination of all or any of these causes, acting on each other, is a question worthy of voluminous investigation. The fact is, that the modern Europeans have in this circumstance, and in the abolition of slavery, made an improvement the most decisive in the regulation of human society ; and all the virtue and the wisdom of the Periclean age arose under other institutions, in spite of the diminution which personal slavery and the inferiority of women, recognised by law and opinion, must have produced in the delicacy, the strength, the comprehensiveness, and the accuracy of their conceptions, in moral, political, and meta- physical science, and perhaps in every other art and science. The women, thus degraded, became such as it was expected they would become. They possessed, except with extraordinary exceptions, the habits and the qualities of slaves. They were probably not extremely beautiful ; at least there was no such dis- proportion in the attractions of the external form between the female and male sex among the Greeks, as exists among the modern Europeans. They were certainly devoid of that moral and intellectual loveliness with which the acquisition of knowledge and the cultivation of sentiment animates, as with another life of overpowering grace, the lineaments and the gestures of every form which they inhabit. Their eyes could not have been deep and intricate from the workings of the mind, and could have entangled no heart in soul-enwoven labyrinths. Let it not be imagined that because the Greeks were deprived of its legitimate object, they were incapable of sentimental love ; and that this passion is the mere child of chivalry and the literature of modern times. This object, or its archetype, for- ever exists in the mind, which selects among those who resemble it, that which most resembles it ; and instinctively fills up the interstices of the imperfect image, in the same manner as the imagination moulds and completes the shapes in clouds, or in the fire, into the resemblances of whatever form, animal, building, &c, happens to be present to it. Man is in his wildest state a social being : a certain degree of civilisation and refinement ever produces the want of sympathies still more intimate and complete ; and the gratification of the senses is no longer all that is sought in sexual connexion. It soon becomes a very small part of that profound and complicated sentiment, which we call love, which is rather the universal thirst for a communion not merely of the senses, but of our whole nature, intellectual, imaginative and sensitive ; and which, when individualised, becomes an imperious neces- sity, only to be satisfied by the complete or partial, actual or supposed, fulfilment of its claims. This want grows more powerful in proportion to the development which our nature receives from civilisation ; for man never ceases to be a social being. The sexual impulse, which is only one, and often a small part of those claims, serves, from its obvious and external nature, as a kind of type or expres- sion of the rest, a common basis, an acknowledged and visible link. Still it is a claim which even derives a strength not its own from the accessory circumstances which surround it, and one which our nature thirsts to satisfy. To estimate this, observe the degree of intensity and durability of the love of the male towards the female in animals and savages ; ajld acknowledge all the duration and intensity observable in the love of civilised beings beyond that of savages to be produced from other causes. In the susceptibility of the external senses there is probably no important difference. Among the ancient Greeks the male sex, one half of the human race, received the highest 'culti- vation and refinement ; whilst the other, so far as intellect is concerned, were educated as slaves, and were raised but few degrees in all that related to moral or intellectual excellence above the condi- tion of savages. The gradations in the society of man present us with a slow improvement in this respect. The Roman women held a higher consi- deration in society, and were esteemed almost as the equal partners with their husbands in the regu- lation of domestic economy and the education of their children. The practices and customs of mo- dern Europe are essentially different from and in- comparably less pernicious than either, however remote from what an enlightened mind cannot fail to desire as the future destiny of human beings. ON THE SYMPOSIUM, OR PREFACE TO THE BANQUET OF PLATO. a fragment. The dialogue entitled " The Banquet," was selected by the translator as the most beautiful and perfect among all the works of Plato*. He despairs of having communicated to the English* language any portion of the surpassing graces of the composition, or having done more than present an imperfect shadow of the language and the sen- timent of this astonishing production. Plato is eminently the greatest among the Greek philosophers, and from, or, rather, perhaps through him, his master Socrates, have proceeded those emanations of moral and metaphysical know- ledge, on which a long series and an incalculable variety of popular superstitions have sheltered their absurdities from the slow contempt of man- kind. Plato exhibits the rare union of close and subtle logic, with the Pythian enthusiasm of poetry, melted by the splendour and harmony of his periods into one irresistible stream of musical impres- sions, which hurry the persuasions onward, as in a breathless career. His language is that of an immortal spirit, rather than a man. Lord Bacon is, perhaps, the only writer, who, in these parti- culars, can be compared with him : his imitator, Cicero, sinks in the comparison into an ape mocking the gestures of a man. His views into the nature * The Republic, though replete with considerable errors of speculation, is, indeed, the greatest repository of impor- tant truths of all the- works of Plato. This, perhaps, is because it is the longest. He first, and perhaps last, main- tained that a state ought to be governed, not by the weal- thiest, or the most ambitious, or the most cunning, but by the wisest; the method of selecting such rulers, and the laws by which such a selection is made, must correspond with and arise out of the moral freedom and refinement of the people. of mind and existence are often obscure, only be- cause they are profound ; and though his theories respecting the government of the world, and the elementary laws of moral action, are not always correct, yet there is scarcely any of his treatises which do not, however stained by puerile sophisms, contain the most remarkable intuitions into all that can be the subject of the human mind. His excellence consists especially in intuition, and it is this faculty which raises him far above Aristotle, whose genius, though vivid and various, is obscure in comparison with that of Plato. The dialogue entitled the " Banquet," is called EpcoTiKos, or a Discussion upon Love, and is sup- posed to have taken place at the house of Agathon, at one of a series of festivals given by that poet, on the occasion of his gaining the prize of tragedy at the Dionysiaca. The account of the debate on this occasion is supposed to have been given by Apollodorus, a pupil of Socrates, many years after it had taken place, to a companion who was curious to hear it. This Apollodorus appears, both from the style in which he is represented in this piece, as well as from a passage in the Phsedon, to have been a person of an impassioned and enthusiastic disposition ; to borrow an image from the Italian painters, he seems to have been the St. John of the Socratic group. The drama (for so the lively distinction of character and the various and well-wrought circumstances of the story almost entitle it to be called) begins by Socrates persuad- ing Aristodemus to sup at Agathon's, uninvited. The whole of this introduction affords the most lively conception of refined Athenian manners. [unfinished.] THE BANQUET. SEtanslatetr from $lato. THE PERSONS OF THE DIALOGUE. APOLLODORUS, A FRIEND OP APOLLODORUS, GLAUCO, ARISTODEMUS, SOCRATES, AGATHON, PH^DRUS, PAUSANIAS, ERYXIMACHUS, ARISTOPHANES. DIOTIMA, ALCIBIADKS. Apollodorus. I think that the subject of your inquiries is still fresh in my memory ; for yester- day, as I chanced to be returning home from Pha- leros, one of my acquaintance, seeing me before him, called out to me from a distance, jokingly, " Apollodorus, you Phalerian, will you not wait a minute ? " — I waited for him, and as soon as he overtook me, " I have just been looking for you, Apollodorus," he said, " for I wish to hear what those discussions were on Love, which took place at the party, when Agathon, Socrates, Alcibiades, and some others, met at supper. Some one who heard it from Phoenix, the son of Philip, told me that you could give a full account, but he could relate nothing distinctly himself. Relate to me, then, I entreat you, all the circumstances. I know you are a faithful reporter of the discussions of your friends ; but, first tell me, were you present at the party or not ? " " Your informant," I replied, " seems to have given you no very clear idea of what you wish to hear, if he thinks that these discussions took place so lately as that I could have been of the party." — " Indeed I thought so," replied he. — " For how," said I, " Glauco ! could I have been present ? Do you not know that Agathon has been absent from the city many years ? But, since I began to converse with Socrates, and to observe each day all his words and actions, three years are scarcely past. Before this time I wandered about wherever it might chance, thinking that I did something, but being, in truth, a most miserable wretch, not less than you are now, who believe that you ought to do anything rather than practise the love of wisdom." — "Do not cavil," interrupted Glauco, " but tell me, when did this party take place J " " Whilst we were yet children," I replied, " when Agathon first gained the prize of Tragedy, and the day after that on which he and the chorus made sacrifices in celebration of their success." — " A long time ago, it seems. But who told you all the circumstances of the discussion 1 Did you hear them from Socrates himself \ " « No, by Jupiter ! But from the same person from whom Phoenix had his information, one Aristodemus, a Cydathenean, — a little man who always went about without san- dals. He was present at this feast, being, I believe, more than any of his contemporaries, a lover and admirer of Socrates. I have questioned Socrates concerning some of the circumstances of this nar- ration, who confirms all that I have heard from Aristodemus." — " Why, then," said Glauco, " why not relate them, as we walk, to me ? The road to the city is every way convenient, both for those who listen and those who speak." Thus as we walked, I gave him some account of those discussions concerning Love ; since, as I said before, I remember them with sufficient accuracy. If I am required to relate them also to you, that shall willingly be done ; for, whensoever either I myself talk of philosophy, or listen to others talking of it, in addition to the improvement which I conceive there arises from such conversation, I am delighted beyond measure ; but whenever I hear your discussions about monied men and great proprietors, I am weighed down with grief, and pity you, who, doing nothing, believe that you are doing something. Perhaps you think that I am a miserable wretch ; and, indeed, I believe that you think truly. I do not think, but well know, that you are miserable. . Companion. You are always the same, Apollo- dorus — always saying some ill of yourself and others. Indeed, you seem to me to think every one miserable except Socrates, beginning with your- self. I do not know what could have entitled you to the surname of the " Madman," for, I am sure, you are consistent enough, for ever inveighing with bitterness against yourself and all others, - except Socrates. Apollodorus. My dear friend, it is manifest that I am out of my wits from this alone — that I have such opinions as you describe concerning myself and you. Companion. It is not worth while, Apollodorus, to dispute now about these tilings ; but do what I c 2 20 THE BANQUET OF PLATO. entreat you, and relate to us what were these discussions. Apollodorus. They were such as I will proceed to tell you. But let me attempt to relate them in the order which Aristodemus observed in relating them to me. He said that he met Socrates washed, and, contrary to his usual custom, sandalled, and having inquired whither he went so gaily dressed, Socrates replied, " I am going to sup at Agathon's ; yesterday 1 avoided it, disliking the crowd, which would attend at the prize sacrifices then celebrated ; to-day I promised to be there, and I made myself so gay, because one ought to be beautiful to approach one who is beautiful. But you, Aristodemus, what think you of coming uninvited to supper ? " "I will do," he replied, u as you command." " Follow then, that we may, by changing its application, disarm that proverb, which says, To the feasts of the good, the good come wtiinvited. Homer, indeed, seems not only to destroy, but to outrage the pro- verb ; for, describing Agamemnon as excellent in battle, and Menelaus but a faint-hearted warrior, he represents Menelaus as coming uninvited to the feast of one better and braver than himself." — Aristodemus hearing this, said, " I also am in some danger, Socrates, not as you say, but according to Homer, of approaching like an unworthy inferior the banquet of one more wise and excellent than myself. Will you not, then, make some excuse for me ? for, I shall not confess that I came unin- vited, but shall say that I was invited by you." — " As we walk together," said Socrates, " we will consider together what excuse to make — but let us go." Thus discoursing, they proceeded. But as they walked, Socrates, engaged in some deep contem- plation, slackened his pace, and, observing Aris- todemus waiting for him, he desired him to go on before. When Aristodemus arrived at Agathon's house he found the door open,, and it occurred, somewhat comically, that a slave met him at the vestibule, and conducted him where he found the guests already reclined. As soon as Agathon saw him, " You arrive just in time to sup with us, Aristodemus," he said ; " if you have any other purpose in your visit, defer it to a better opportunity. I was looking for you yesterday, to invite you to be of our party ; I could not find you anywhere. But how is it that you do not bring Socrates with you ? " But he turning round, and not seeing Socrates behind him, said to Agathon, " I just came hither in his company, being invited by him to sup with you." — "You did well," replied Agathon, "to come ; but where is Socrates % " — " He just now came hither behind me ; I myself wonder where he can be." — " Go and look, boy," said Agathon, u and bring Socrates in ; meanwhile, you, Aristo- demus, recline there near Eryximachus." And he bade a slave wash his feet that he might recline. Another slave, meanwhile, brought word that Socrates had retired into a neighbouring vestibule, where he stood, and, in spite of his message, re- fused to come in. — " What absurdity you talk ! " cried Agathon ; "call him, and do not leave him till he comes." — " Let him alone, by all means," said Aristodemus ; " it is customary with him some- times to retire in this way and stand wherever it may chance. He will come presently, I do not doubt ; do not disturb him."—" Well, be it as you will," said Agathon ; " as it is, you boys, bring supper for the rest ; put before us what you will, for I resolved that there should be no master of the feast. Consider me and these my friends, as guests, whom you have invited to supper, and serve them so that we may commend you." After this they began supper, but Socrates did not come in. Agathon ordered him to be called, but Aristodemus perpetually forbade it. At last he came in, much about the middle of supper, not having delayed so long as was his custom. Agathon (who happened to be reclining at the end of the table, and alone,) said as he entered, " Come hither, Socrates, and sit down by me ; so that by the mere touch of one so wise as you are, I may enjoy the fruit of your meditations in the vestibule ; for, I well know, you would not have departed till you had discovered and secured it." Socrates, having sate down as he was desired, replied, " It would be well, Agathon, if wisdom were of such a nature, as that when we touched each other, it would overflow of its own accord, from him who possesses much to him who pos- sesses little ; like the water in the two chalices, which will flow through a flock of wool from the fuller into the emptier, until both are equal. If wisdom had this property, I should esteem myself most fortunate in reclining near to you. I should thus soon be filled, I think, with the most beautiful and various wisdom. Mine, indeed, is something obscure, and doubtful, and dreamlike. But yours is radiant, and has been crowned with amplest reward ; for though you are yet so young, it shone forth from you, and became so manifest yesterday, that more than thirty thousand Greeks can bear testimony to its excellence and loveliness." — " You are laughing at me, Socrates," said Aga- thon ; " but you and I will decide this controversy about wisdom by and by, taking Bacchus for our judge. At present turn to your supper." After Socrates and the rest had finished supper, I and had reclined back on their couches, and the THE BANQUET OF PLATO. 21 libations had been poured forth, and they had sung hymns to the god, and all other rites which are customary had been performed, they turned to drinking. Then Pausanias made this kind of proposal. " Come, my friends," said he, " in what manner will it be pleasantest for us to drink ? I must confess to you that, in reality, I am not very well from the wine we drank last night and I have need of some intermission. I suspect that most of you are in the same condition, for you were here yesterday. Now, consider how we shall drink most easily and comfortably." " 'Tis a good proposal, Pausanias," said Aristo- phanes, " to contrive, in some way or other, to place moderation in our cups. I was one of those who were drenched last night." — Eryximachus, the son of Acumenius, hearing this, said : " I am of your opinion ; I only wish to know one thing — whether Agathon is in the humour for hard drink- ing?" — "Not at all," replied Agathon ; "I confess that I am not able to drink much this evening." — " It is an excellent thing for us," replied Eryxima- chus — " I mean myself, Aristodemus, Phsedrus, and these others — if you, who are such invincible drinkers, now refuse to drink. I ought to except Socrates, for he is capable of drinking everything or nothing ; and whatever we shall determine will equally suit him. Since, then, no one present has any desire to drink much wine, I shall perhaps give less offence if I declare the nature of drunken- ness. The science of medicine teaches us that drunkenness is very pernicious : nor would I choose to drink immoderately myself, or counsel another to do so, especially if he had been drunk the night before."— " Yes," said Phsedrus, the Myrinusian, interrupting him, " I have been ac- customed to confide in you, especially- in your directions concerning medicine ; and I would now willingly do so, if the rest will do the same." All then agreed that they would drink at this pre- sent banquet not for drunkenness but for pleasure. "Since, then," said Eryximachus, "it is decided that no one shall be compelled to drink more than he pleases, I think that we may as well send away the flute-player to play to herself ; or, if she likes, to the women within. Let us devote the present occasion to conversation between ourselves, and if you wish, I will propose to you what shall be the subject of our discussion." All present desired and entreated that he would explain. — " The exordium of my speech," said Eryximachus, " will be in the style of the Menalippe of Euripides, for the story which I am about to tell belongs not to me, but to Phsedrus. Phsedrus has often indig- nantly complained to me, saying — 'Is it not strange, Eryximachus, that there are innumerable hymns and pseans composed for the other gods, but that not one of the many poets who spring up in the world has ever composed a verse in honour of Love, who is such and so great a god ? Nor any one of those accomplished sophists, who, like the famous Prodicus, have celebrated the praise of Hercules and others, have ever celebrated that of Love ; but what is more astonishing, I have lately met with the book of some philoso- pher, in which salt is extolled on account of its utility, and many other things of the same nature are in like manner extolled with elaborate praise. That so much serious thought is expended on such trifles, and that no man has dared to this day to frame a hymn in honour of Love, who being so great a deity, is thus neglected, may well be sufficient to excite my indignation. , " There seemed to me some justice in these complaints of Phsedrus ; I propose, therefore, at the same time, for the sake of giving pleasure to Phsedrus, and that we may on the present occa- sion do something well and befitting us, that this God should receive from those who are now pre- sent the honour which is most due to him. If you agree to my proposal, an excellent discussion might arise on the subject. Every one ought, according to my plan, to praise Love with as much eloquence as he can. Let Phsedrus begin first, both because he reclines the first in order, and because he is the father of the discussion." " No one will vote against you, Eryximachus," said Socrates, " for how can I oppose your propo- sal, who am ready to confess that I know nothing on any subject but love 1 Or how can Agathon, or Pausanias, or even Aristophanes, whose life is one perpetual ministration to Venus and Bacchus ? Or how can any other whom I see here ? Though we who sit last are scarcely on an equality with you ; for if those who speak before us shall have exhausted the subject with their eloquence and reasonings, our discourses will be superfluous. But in the name of Good Fortune, let Phsedrus begin and praise Love." The whole party agreed to what Socrates said, and entreated Phsedrus to begin. What each then said on this subject, Aristode- mus did not entirely recollect, nor do I recollect all that he related to me ; but only the speeches of those who said what was most worthy of re- membrance. First, then, Phsedrus began thus : "Love is a mighty deity, and the object of admiration, both to Gods and men, for many and for various claims ; but especially on account of his origin. For that he is to be honoured as one of the most ancient of the gods, this may serve as a testimony, that Love has no parents, nor is there 22 THE BANQUET OF PLATO. any poet or other person who has ever affirmed that there are such. Hesiod says, that first ' Chaos was produced ; then the broad-bosomed Earth, to be a secure foundation for all things ; then Love.' He says, that after Chaos these two were produced, the Earth and Love. Parmenides, speaking of generation, says : — * But he created Love before any of the gods.' Acusileus agrees with Hesiod. Love, therefore, is universally ac- knowledged to be among the oldest of things. And in addition to this, Love is the author of our greatest advantages ; for I cannot imagine a greater happiness and advantage to one who is in the flower of youth than an amiable lover, or to a lover than an amiable object of his love. For neither birth, nor wealth, nor honours, can awaken in the minds of men the principles which should guide those who from their youth aspire to an honourable and excellent life, as Love awakens them. I speak of the fear of shame, which deters them from that which is disgraceful ; and the love of glory which incites to honourable deeds. For it is not possible that a state or private person should accomplish, without these incitements, anything beautiful or great. I assert, then, that should one who loves be discovered in any dishonourable action, or tamely -enduring insult through cowardice, he would feel more anguish and shame if observed by the object of his passion, than if he were observed by his father or his companions, or any other person. In like manner, among warmly attached friends, a man is especially grieved to be discovered by his friend in any dishonourable act. If then, by any con- trivance, a state or army could be composed of friends bound by strong attachment, it is beyond calculation how excellently they would administer their affairs, refraining from any thing base, con- tending with each other for the acquirement of fame, and exhibiting such valour in battle as that, though few in numbers, they might subdue all mankind. For should one friend desert the ranks or cast away his arms in the presence of the other, he would suffer far acuter shame from that one person's regard, than from the regard of all other men. A thousand times would he prefer to die, rather than desert the object of his attachment, and not succour him in danger. " There is none so worthless whom Love cannot impel, as it were, by a divine inspiration, towards virtue, even so that he may through this inspir- ation become equal to one who might naturally be more excellent ; and, in truth, as Homer says : The God breathes vigour into certain heroes — so Love breathes into those who love, the spirit which is produced from himself. Not only men, but even women who love, are those alone who wil- lingly expose themselves to die for others. Alces- tis, the daughter of Pelias, affords to the Greeks a remarkable example of this opinion ; she alone being willing to die for her husband, and so sur- passing his parents in the affection with which love inspired her towards him, as to make them appear, in the comparison with her, strangers to their own child, and related to him merely in name ; and so lovely and admirable did this action appear, not only to men, but even to the Gods, that, although they conceded the prerogative of bringing back the spirit from death to few among the many who then performed excellent and honourable deeds, yet, delighted with this action, they redeemed her soul from the infernal regions : so highly do the Gods honour zeal and devotion in love. They sent back indeed Orpheus, the son of CEagrus, from Hell, with his purpose unfulfilled, and, showing him only the spectre of her for whom he came, refused to render up herself. For Orpheus seemed to them, not as Alcestis, to have dared die for the sake of her whom he loved, and thus to secure to himself a perpetual intercourse with her in the regions to which she had preceded him, but like a cowardly musician, to have con- trived to descend alive into Hell ; and, indeed, they appointed as a punishment for his cowardice, that he should be put to death by women. "Far otherwise did they regard Achilles, the son of Thetis, whom they sent to inhabit the islands of the blessed. For Achilles, though informed by his mother that his own death would ensue upon his killing Hector, but that if he refrained from it he might return home and die in old age, yet preferred revenging and honouring his beloved Patroclus ; not to die for him merely, but to disdain and reject that life which he had ceased to share. Therefore the Greeks honoured Achilles beyond all other men, because he thus preferred his friend to all things else. * * * * * " On this account have the Gods rewarded Achil- les more amply than Alcestis ; permitting his spirit to inhabit the islands of the blessed. Hence do I assert that Love is the most ancient and venera- ble of deities, and most powerful to endow mortals with the possession of happiness and virtue, both whilst they live and after they die." Thus Aristodemus reported the discourse of Phsedrus ; and after Phaedrus, he said that some others spoke, whose discourses he did not well remember. When they had ceased, Pausanias began thus : — " Simply to praise Love, O Phaedrus, seems to me too bounded a scope for our discourse. If THE BANQUET OF PLATO. 23 Love were one, it would be well. But since Love is not one, I will endeavour to distinguish which is the Love whom it becomes us to praise, and having thus discriminated one from the other, will attempt to render him who is the subject of our discourse the honour due to his divinity. We all know that Venus is never without Love ; and if Venus were one, Love would be one ; but since there are two Venuses, of necessity also must there be two • Loves. For assuredly are there two Venuses ; one, the eldest, the daughter of Uranus, born without a mother, whom we call the Uranian ; the other younger, the daughter of Jupiter and Dione, whom we call the Pandemian ; — of neces- sity must there also be two Loves, the Uranian and Pandemian companions of these goddesses. It is becoming to praise all the Gods, but the attributes which fall to the lot of each may be distinguished and selected. For any particular action whatever, in itself is neither good nor evil ; what we are now doing — drinking, singing, talking, none of these things are good in themselves, but the mode in which they are done stamps them with its own nature ; and that which is done well, is good, and that which is done ill, is evil. Thus, not all love, nor every mode of love is beautiful, or worthy of commendation, but that alone which excites us to love worthily. The Love, therefore, which attends upon Venus Pandemos is, in truth, common to the vulgar, and presides over transient and fortuitous connexions, and is worshipped by the least excellent of mankind. The votaries of this deity seek the body rather than the soul, and the ignorant rather than the wise, disdaining all that is honourable and lovely, and considering how they shall best satisfy their sensual necessities. This Love is derived from the younger goddess, who partakes in her nature both of male and female. But the attendant on the other, the Uranian, whose nature is entirely masculine, is the Love who inspires us with affection, and exempts us from all wantonness and libertinism. Those who are inspired by this divinity seek the affections of those who are endowed by nature with greater excellence and vigour both of body and mind. And it is easy to distinguish those who especially exist under the influence of this power, by their choosing in early youth as the objects of their love those in whom the intellectual faculties have begun to develop. For those who begin to love in this manner, seem to me to be preparing to pass their whole life together in a community of good and evil, and not ever lightly deceiving those who love them, to be faithless to their vows. There ought to be a law that none should love the very young ; so much serious affection as this deity enkindles, should not be doubtfully bestowed ; for the body and mind of those so young are yet unformed, and it is difficult to foretell what will be their future tendencies and power. The good voluntarily im- pose this law upon themselves, and those vulgar lovers ought to be compelled to the same observ- ance, as we deter them with all the power of the laws from the love of free matrons. For these are the persons whose shameful actions embolden those who observe their importunity and intemperance, to assert, that it is dishonourable to serve and gratify the objects of our love. But no one who does this gracefully and according to law, can justly be liable to the imputation of blame. ***** " Not only friendship, but philosophy and the practice of the gymnastic exercises, are represented as dishonourable by the tyrannical governments under which the barbarians live. For I imagine it would little conduce to the benefit of the gover- nors, that the governed should be disciplined to lofty thoughts and to the unity and communion of stedfast friendship, of which admirable effects the tyrants of our own country have also learned that Love is the author. For the love of Harmodius and Aristogiton, strengthened into a firm friend- ship, dissolved the tyranny. Wherever, therefore, it is declared dishonourable in any case to serve and benefit friends, that law is a mark of the depravity of the legislator, the avarice and tyranny of the rulers, and the cowardice of those who are ruled. Wherever it is simply declared to be honourable without distinction of cases, such a declaration denotes dulness and want of subtlety of mind in the authors of the regulation. Here the degrees of praise or blame to be attributed by law are far better regulated ; but it is yet difficult to determine the cases to which they should refer. " It is evident, however, for one in whom passion is enkindled, it is more honourable to love openly than secretly ; and most honourable to love the most excellent and virtuous, even if they should be less beautiful than others. It is honourable for the lover to exhort and sustain the object of his love in virtuous conduct. It is considered honour- able to attain the love of those whom we seek, and the contrary shameful ; and to facilitate this attain- ment, opinion has given to the lover the permission of acquiring favour by the most extraordinary devices, which if a person should practise for any purpose besides this, he would incur the severest reproof of philosophy. For if any one desirous of accumulating money, or ambitious of procuring power, or seeking any other advantage, should, like a lover, seeking to acquire the favour of his beloved, employ prayers and entreaties in his •2-1 THE BANQUET OF PLATO. necessity, and swear such oaths as lovers swear, and sleep before the threshold, and offer to subject himself to such slavery as no slave even would endure ; he would be frustrated of the attainment of what he sought, both by his enemies and friends ; these reviling him for his flattery, those sharply admonishing him, and taking to themselves the shame of his servility. But there is a certain grace in a lover who does all these things, so that he alone may do them without dishonour. It is commonly said that the Gods accord pardon to the lover alone if he should break his oath, and that there is no oath by Venus. Thus, as our law declares, both Gods and men have given to lovers all possible indulgence. ***** " The affair, however, I imagine, stands thus : As I have before said, love cannot be considered in itself as either honourable or dishonourable : if it is honourably pursued, it is honourable ; if dishonourably, dishonourable : it is dishonourable basely to serve and gratify a worthless person ; it is honourable honourably to serve a person of virtue. That Pandemic lover who loves rather the body than the soul, is worthless, nor can be constant and consistent, since he has placed his affections on that which has no stability. For as soon as the flower of the form, which was the sole object of his desire, has faded, then he departs and is seen no more ; bound by no faith nor shame of his many promises and persuasions. But he who is the lover of virtuous mariners is constant during life, since he has placed himself in harmony and desire with that which is consistent with itself. "These two classes of persons we ought to distinguish with careful examination, so that we may serve and converse with the one and avoid the other ; determining, by that inquiry, by what a man is attracted, and for what the object of his love is dear to him. On the same account it is considered as dishonourable to be inspired with love at once, lest time should be wanting to know and approve the character of the obj ect. It is considered as dishonourable to be captivated by the allurements of wealth and power, or terrified through injuries to yield up the affections, or not to despise in the comparison with an unconstrained choice all politi- cal influence and personal advantage. For no circumstance is there in wealth or power so invaria- ble and consistent, as that no generous friendship can ever spring up from amongst them. We have an opinion with respect to lovers which declares that it shall not be considered servile or disgraceful, though the lover should submit himself to any species of slavery for the sake of his beloved. The same opinion holds with respect to those who undergo any degradation for the sake of virtue. And also it is esteemed among us, that if any one chooses to serve and obey another for the purpose of becoming more wise or more virtuous through the intercourse that might thence arise, such willing slavery is not the slavery of a dishonest flatterer. Through this we should consider in the same light a servitude undertaken for the sake of love as one undertaken for the acquirement of wisdom or any other excel- lence, if indeed the devotion of a lover to his beloved is to be considered a beautiful thing. For when the lover and the beloved have once arrived at the same point, the province of each being distinguished ; the one able to assist in the cultivation of the mind and in the acquirement of every other excellence ; the other yet requiring education, and seeking the possession of wisdom ; then alone, by the union of these conditions, and in no other case, is it honourable for the beloved to yield up the affections to the lover. In this ser- vitude alone there is no disgrace in being deceived and defeated of the object for which it was under- taken ; whereas every other is disgraceful, whether we are deceived or no. ***** " On the same principle, if any one seeks the friend- ship of another, believing him to be virtuous, for the sake of becoming better through such inter- course and affection, and is deceived, his friend turning out to be worthless, and far from the possession of virtue ; yet it is honourable to have been so deceived. For such a one seems to have submitted to a kind of servitude, because he would endure anything for the sake of becoming more virtuous and wise ; a disposition of mind eminently beautiful. " This is that Love who attends on the Uranian deity, and is Uranian ; the author of innumerable benefits both to the state and to individuals, and by the necessity of whose influence those who love are disciplined into the zeal of virtue. All other loves are the attendants on Venus Pandemos. So much, although unpremeditated, is what I have to deliver on the subject of love, Phsedrus." Pausanias having ceased (for so the learned teach me to denote the changes of the discourse), Aristo- demus said that it came to the turn of Aristophanes to speak ; but it happened that, from repletion or some other cause, he had an hiccough which pre- vented him ; so he turned to Eryximachus, the physician, who was reclining close beside him, and said — " Eryximachus, it is but fair that you should cure my hiccough, or speak instead of me until it is over." — "I will do both," said Eryximachus; "I will speak in your turn, and you, when your hiccough has ceased, shall speak in mine. Mean- THE BANQUET OF PLATO. 25 while, if you hold your breath some time, it will subside. If not, gargle your throat with water ; and if it still continue, take something to stimulate your nostrils, and sneeze ; do this once or twice, and even though it should be very violent it will cease." — "Whilst you speak," said Aristophanes, "I will follow your directions." — Eryximachus then began : — " Since JPausanias, beginning his discourse excel- lently, placed no fit completion and development to it, I think it necessary to attempt to fill up what he has left unfinished. He has reasoned well in defining love as of a double nature. The science of medicine, to which I have addicted myself, seems to teach me that the love which impels towards those who are beautiful, does not subsist only in the souls of men, but in the bodies also of those of all other living beings which are produced upon earth, and, in a word, in all things which are. So wonderful and mighty is this divinity, and so widely is his influence extended over all divine and human things ! For the honour of my profession, I will begin by adducing a proof from medicine. The nature of the body contains within itself this double love. For that which is healthy and that which is diseased in a body differ and are unlike : that which is unlike, loves and desires that which is unlike. Love, therefore, is different in a sane and in a diseased body. Pausanias has asserted rightly that it is honourable to gratify those things in the body which arje good and healthy, and in this consists the skill of the physician ; whilst those which are bad and diseased, ought to be treated with no indulgence. The science of medicine, in a word, is a knowledge of the love affairs of the body, as they bear relation to repletion and evacuation ; and he is the most skilful physician who can trace those operations of the good and evil love, can make the one change places with the other, and attract love into those parts from which he is absent, or expel him from those which he ought not to occupy. He ought to make those things which are most mimical, friendly, and excite them to mutual love. But those things are most inimical, which are most opposite to each other ; cold to heat, bitter- ness to sweetness, dryness to moisture. Our pro- genitor, iEsculapius, as the poets inform us, (and indeed I believe them,) through the skill which he possessed to inspire love and concord in these contending principles, established the science of medicine. " The gymnastic arts and agriculture, no less than medicine, are exercised under the dominion of this God. Music, as any one may perceive, who yields a very slight attention to the subject, originates from the same source ; which Hera- clitus probably meant, though he could not express his meaning very clearly in words, when he says, 1 One though apparently differing, yet so agrees with itself, as the harmony of a lyre and a bow.' It is great absurdity to say that a harmony differs, and can exist between things whilst they are dis- similar ; but probably he meant that from sounds which first differed, like the grave and the acute, and which afterwards agreed, harmony was pro- duced according to musical art. For no harmony can arise from the grave and the acute whilst yet they differ. But harmony is symphony : sym- phony is, as it were, concord. But it is impossible that concord should subsist between things that differ, so long as they differ. Between things which are discordant and dissimilar there is then no harmony. A rhythm is produced from that which is quick, and that which is slow, first being distinguished and opposed to each other, and then made accordant ; so does medicine, no less than music, establish a concord between the objects of its art, producing love and agreement between adverse things. "Music is then the knowledge of that which relates to love in harmony and system. In the very system of harmony and rhythm, it is easy to distinguish love. The double love is not distin- guishable in music itself ; but it is required to apply it to the service of mankind by system and harmony, which is called poetry, or the composi- tion of melody ; or by the correct use of songs and measures already composed, which is called disci- pline ; then one can be distinguished from the other, by the aid of an extremely skilful artist. And the better love ought to be honoured and pre- served for the sake of those who are virtuous, and that the nature of the vicious may be changed through the inspiration of its spirit. This is that beautiful Uranian love, the attendant on the Ura- nian muse : the Pandemian is the attendant of Polyhymnia ; to whose influence we should only so far subject ourselves, as to derive pleasure from it without indulging to excess ; in the same manner as, according to our art,^e are instructed to seek the pleasures of the table, only so far as we can enjoy them without the consequences of disease. In music, therefore, and in medicine, and in all other things, human and divine, this double love ought to be traced and discriminated ; for it is in all things. " Even the constitution of the seasons of the year is penetrated with these contending princi- ples. For so often as heat and cold, dryness and moisture, of which I spoke before, are influenced by the more benignant love, and are harmoniously and temperately intermingled with the seasons, 1 1 26 THE BANQUET OF PLATO. they bring maturity and health to men, and to all the other animals and plants. But when the evil and injurious love assumes the dominion of the seasons of the year, destruction is spread widely abroad. Then pestilence is accustomed to arise, and many other blights and diseases fall upon ani- mals and plants : and hoar frosts, and hails, and mildew on the corn, are produced from that exces- sive and disorderly love, with which each season of the year is impelled towards the other ; the motions of which and the knowledge of the stars, is called astronomy. All sacrifices, and all those things in which divination is concerned, (for these things are the links by which is maintained an in- tercourse and communion between the Gods and men,) are nothing else than the science of preser- vation and right government of Love. For im- piety is accustomed to spring up, so soon as any one ceases to serve the more honourable Love, and worship him by the sacrifice of good actions ; but submits himself to the influences of the other, in relation to his duties towards his parents, and the Gods, and the living, and the dead. It is the object of divination to distinguish and remedy the effects of these opposite loves ; and divination is therefore the author of the friendship of Gods and men, because it affords the knowledge of what in matters of love is lawful or unlawful to men. " Thus every species of love possesses collec- tively a various and vast, or rather universal power. But love which incites to the acquirement of its objects according to virtue and wisdom, possesses the most exclusive dominion, and prepares for his wor- shippers the highest happiness through the mutual intercourse of social kindness which it promotes among them, and through the benevolence which he attracts to them from the Gods, our superiors. " Probably in thus praising Love, I have unwil- lingly omitted many things ; but it is your business, O Aristophanes, to fill up all that I have left in- complete ; or, if you have imagined any other mode of honouring the divinity ; for I observe your hiccough is over." " Yes," said Aristoplfanes, " but not before I applied the sneezing. I wonder why the harmo- nious construction of our body should require such noisy operations as sneezing ; for it ceased the moment I sneezed." — " Do you not observe what you do, my good Aristophanes 1" said Eryxima- chus ; " you are going to speak, and you predispose us to laughter, and compel me to watch for the first ridiculous idea which you may start in your discourse, when you might have spoken in peace." — " Let me unsay what I have said, then," replied Aristophanes, laughing. * Do not watch me, I en- treat you ; though I am not afraid of saying what is laughable, (since that would be all gam, and quite in the accustomed spirit of my muse,) but lest I should say what is ridiculous." — " Do you think to throw your dart, and escape with impunity, Aris- tophanes 1 Attend, and what you say be careful you maintain ; then, perhaps, if it pleases me, I may dismiss you without question." "Indeed, Eryximachus," proceeded Aristo- phanes, " I have designed that my discourse should be very different from yours and that of Pausanias. It seems to me that mankind are by no means penetrated with a conception of the power of Love, or they would have built sumptuous temples and altars, and have established magnificent rites of sacrifice in his honour ; he deserves worship and homage more than all the other Gods, and he has yet received none. For Love is of all the Gods the most friendly to mortals ; and the physician of those wounds, whose cure would be the greatest happiness which could be conferred upon the human race. I will endeavour to unfold to you his true power, and you can relate what I declare to others. * You ought first to know the nature of man, and the adventures he has gone through ; for his nature was anciently far different from that which it is at present. First, then, human beings were formerly not divided into two sexes, male and female ; there was also a third, common to both the others, the name of which remains, though the sex itself has disappeared. The androgynous sex, both in appearance and in name, was common both to male and female ; its name alone remains, which labours under a reproach. " At the period to which I refer, the form of every human being was round, the back and the sides being circularly joined, and each had four arms and as many legs ; two faces fixed upon a round neck, exactly like each other ; one head between the two faces ; four ears, and every thing else as from such proportions it is easy to conjec- ture. Man walked upright as now, in whatever direction he pleased ; but when he wished to go fast he made use of all his eight limbs, and pro- ceeded in a rapid motion by rolling circularly round, — like tumblers, who, with their legs in the air, tumble round and round. We account for the production of three sexes by supposing that, at the beginning, the male was produced from the sun, the female from the earth ; and that sex which participated in both sexes, from the moon, by reason of the androgynous nature of the moon. They were round, and their mode of proceeding was round, from the similarity which must needs subsist between them and their parent. " They were strong also, and had aspiring THE BANQUET OF PLATO. 27 thoughts. They it was who levied war against the Gods ; and what Homer writes concerning Ephi- altus and Otus, that they sought to ascend heaven and dethrone the Gods, in reality relates to this primitive people. Jupiter and the other Gods debated what was to be done in this emergency. For neither could they prevail on themselves to destroy them, as they had the giants, with thunder, so that the race should be abolished ; for in that case they would be deprived of the honours of the sacrifices which they were in the custom of receiv- ing from them ; nor could they permit a conti-. nuance of their insolence and impiety. Jupiter, with some difficulty having desired silence, at length spoke. 'I think,' said he, 'I have con- trived a method by which we may, by rendering the human race more feeble, quell the insolence which they exercise, without proceeding to their utter destruction. I will cut each of them in half ; and so they will at once be weaker and more useful on account of their numbers. They shall walk upright on two legs. If they show any more inso- lence, and will not keep quiet, I will cut them up in half again, so they shall go about hopping on one leg.' "So saying, he cut human beings in half, as people cut eggs before they salt them, or as I have seen eggs cut with hairs. He ordered Apollo to take each one as he cut him, and turn his face and half his neck towards the operation, so that by contemplating it he might become more cautious and humble ; and then, to cure him, Apollo turned the face round, and drawing the skin upon what we now call the belly, like a contracted pouch, and leaving one opening, that which is called the navel, tied it in the middle. He then smoothed many other wrinkles, and moulded the breast with much such an instrument as the leather-cutters use to smooth the skins upon the block. He left only a few wrinkles in the belly, near the navel, to serve as a record of its former adventure. Immediately after this division, as each desired to possess the other half of himself, these divided people threw their arms around and embraced each other, seek- ing to grow together ; and from this resolution to do nothing without the other half, they died of hunger and weakness : when one half died and the other was left alive, that which was thus left sought the other and folded it to its bosom ; whether that half were an entire woman (for we now call it a woman) or a man ; and thus they perished. But Jupiter, pitying them, thought of another contri- vance. * * * In this manner is generation now produced, by the union of male and female ; so that from the embrace of a man and woman the race is propagated. "From this period, mutual love has naturally existed between human beings ; that reconciler and bond of union of their original nature, which seeks to make two, one, and to heal the divided nature of man. Every one of us is thus the half of what may be properly termed a man, and like a pselta cut in two, is the imperfect portion of an entire whole, perpetually necessitated to seek the half belonging to him. ***** * Such as I have described is ever an affectionate lover and a faithful friend, delighting in that which is in conformity with his own nature. Whenever, therefore, any such as I have described are impetu- ously struck, through the sentiment of their former union, with love and desire and the want of com- munity, they are unwilling to be divided even for a moment. These are they who devote their whole lives to each other, with a vain and inexpressible longing to obtain from each other something they know not what ; for it is not merely the sensual delights of their intercourse for the sake of which they dedicate themselves to each other with such serious affection ; but the soul of each manifestly thirsts for, from the other, something which there are no words to describe, and divines that which it seeks, and traces obscurely the footsteps of its obscure desire. If Vulcan should say to persons thus affected, ' My good people, what is it that you want with one another 1 ' And if, while they were hesitating what to answer, he should proceed to ask, 'Do you not desire the closest union and singleness to exist between you, so that you may never be divided night or day ? If so, I will melt you together, and make you grow into one, so that both in life and death ye may be undivided. Con- sider, is this what you desire I Will it content you if you become that which I propose V We all know that no one would refuse such an offer, but would at once feel that this was what he had ever sought ; and intimately to mix and melt and to be melted together with his beloved, so that one should be made out of two. " The cause of this desire is, that according to our original nature, we were once entire. The desire and the pursuit of integrity and union is that which we all love. First, as I said, we were entire, but now we have been dwindled through our own weakness, as the Arcadians by the Lacedemonians. There is reason to fear, if we are guilty of any additional impiety towards the Gods, that we may be cut in two again, and may go about like those figures painted on the columns, divided through the middle of our nostrils, as thin as lispse. On which account every man ought to be exhorted to pay due reverence to the Gods, that we may escape so severe a punishment, and obtain those ■_>;: THE BANQUET OF PLATO. things which Love, our general and commander, incites us to desire ; against whom let none rebel by exciting the hatred of the Gods. For if we continue on good terms with them, we may discover and possess those lost and concealed objects of our love ; a good-fortune which now befalls to few. ***** " I assert, then, that the happiness of all, both men and women, consists singly in the fulfilment of their love, and in that possession of its objects by which we are in some degree restored to our ancient nature. If this be the completion of feli- city, that must necessarily approach nearest to it, in which we obtain the possession and society of those whose natures most ultimately accord with our own. And if we would celebrate any God as the author of this benefit, we should justly cele- brate Love with hymns of joy ; who, in our present condition, brings good assistance in our necessity, and affords great hopes, if we persevere in piety towards the Gods, that he will restore us to our original state, and confer on us the complete hap- piness alone suited to our nature. " Such, Eryximachus, is my discourse on the subject of Love ; different indeed from yours, which I nevertheless entreat you not to turn into ridicule, that we may not interrupt what each has separately to deliver on the subject." " I will refrain at present," said Eryximachus, " for your discourse delighted me. And if I did not know that Socrates and Agathon were pro- foundly versed in the science of love affairs, I should fear that they had nothing new to say, after so many and such various imaginations. As it is, I confide in the fertility of their geniuses." — " Your part of the contest, at least, was strenuously fought, Eryximachus," said Socrates, "but if you had been in the situation in which I am, or rather shall be, after the discourse of Agathon, like me, you would then have reason to fear, and be reduced to your wits' end." — " Socrates," said Agathon, " wishes to confuse me with the enchantments of his wit, sufficiently confused already with the ex- pectation I see in the assembly in favour of my discourse." — " I must have lost my memory, Aga- thon," replied Socrates, " if I imagined that you could be disturbed by a few private persons, after having witnessed your firmness and courage in ascending the rostrum with the actors, and in calmly reciting your compositions in the presence of so great an assembly as that which decreed you the prize of tragedy." — " What then, Socrates," retorted Agathon, "do you think me so full of the theatre as to be ignorant that the judgment of a few wise is more awful than that of a multi- tude of others, to one who rightly balances the value of their suffrages % " — " I should judge ill indeed, Agathon," answered Socrates, " in thinking you capable of any rude and unrefined conception, for I well know that if you meet with any whom you consider wise, you esteem such alone of more value than all others. But we are far from being entitled to this distinction, for we were also of that assembly, and to be numbered among the rest. But should you meet with any who are really wise, you would be careful to say nothing in their pre- sence which you thought they would not approve — is it not so?" — "Certainly," replied Agathon. — " You would not then exercise the same caution in the presence of the multitude in which they were included ? " — " My dear Agathon," said Phse- drus, interrupting him, "if you answer all the questions of Socrates, they will never have an end ; he will urge them without conscience so long as he can get any person, especially one who is so beau- tiful, to dispute with him. I own it delights me to hear Socrates discuss ; but at present, I must see that Love is not defrauded of the praise, which it is my province to exact from each of you. Pay the God his due, and then reason between yourselves if you will." "Your admonition is .just, Phsedrus," replied Agathon, " nor need any reasoning I hold with Socrates impede me : we shall find many future op- portunities for discussion. I will begin my discourse then ; first having defined what ought to be the subject of it. All who have already spoken seem to me not so much to have praised Love, as to have feli- citated mankind on the many advantages of which that deity is the cause ; what he is, the author of these great benefits, none have yet declared. There is one mode alone of celebration which would com- prehend the whole topic, namely, first to declare what are those benefits, and then what he is who is the author of those benefits, which are the subject of our discourse. Love ought first to be praised, and then his gifts declared. I assert, then, that although all the Gods are immortally happy, Love, if I dare trust my voice to express so awful a truth, is the happiest, and most excellent, and the most beau- tiful. That he is the most beautiful is evident ; first, Phsedrus, from this circumstance, that he is the youngest of the Gods ; and, secondly, from his fleetness, and from his repugnance to all that is old ; for he escapes with the swiftness of wings from old age ; a thing in itself sufficiently swift, since it overtakes us sooner than there is need ; and which Love, who delights in the intercourse of the young, hates, and in no manner can be induced to enter into community with. The ancient proverb, which says that like is attracted by like, applies to the attributes of Love. I con- THE BANQUET OF PLATO. 2fl cede many things to you, Phcedrus, but this I do not concede, that Love is more ancient than Saturn and Jupiter. I assert that he is not only the youngest of the Gods, but invested with ever- lasting youth. Those ancient deeds among the Gods recorded by Hesiod and Parmenides, if their relations are to be considered as true, were pro- duced not by Love, but by Necessity. For if Love had been then in Heaven, those violent and san- guinary crimes never would have taken place ; but there would ever have subsisted that affection and peace, in which the Gods now live, under the influence of Love. " He is young, therefore, and being young is tender and soft. There were need of some poet like Homer to celebrate the delicacy and tender- ness of Love. For Homer says, that the goddess Calamity is delicate, and that her feet are tender. ' Her feet are soft,' he says, * for she treads not upon the ground, but makes her path upon the heads of men.' He gives as an evidence of her tenderness, that she walks not upon that which is hard, but that which is soft. The same evidence is sufficient to make manifest the tenderness of Love. For Love walks not upon the earth, nor over the heads of men, which are not indeed very soft ; but he dwells within, and treads on the softest of existmg thhigs, having established his habitation within the souls and inmost nature of Gods and men ; not indeed in all souls — for wherever he chances to find a hard and rugged disposition,- there he will not inhabit, but only where it is most soft and tender. Of needs must he be the most delicate of all things, who touches lightly with his feet, only the softest parts of those things which are the softest of all. " He is then the youngest and the most delicate of all divinities ; and in addition to this, he is, as it were, the most moist and liquid. For if he were otherwise, he' could not, as he does, fold himself around everything, and secretly flow out and into every soul. His loveliness, that which Love pos- sesses far beyond all other things, is a manifestation of the liquid and flowing symmetry of his form ; for between deformity and Love there is eternal contrast and repugnance. His life is spent among flowers, and this accounts for the immortal fairness of his skin ; for. the winged Love rests not in his flight on any form, or within any soul the flower of whose loveliness is faded, but there remains most willingly where is the odour and radiance of blossoms, yet unwithered. Concerning the beauty of the God, let this be sufficient, though many things must remain unsaid. Let us next consider the virtue and power of Love. * What is most admirable in Love is, that he neither inflicts nor endures injury hi his relations either with Gods or men. Nor if he suffers any thing does he suffer it through violence, nor doing anything does he act it with violence, for Love is never even touched with violence. Every one willingly administers everything to Love ; and that which every one voluntarily concedes to another, the laws, which are the kings of the republic, decree that it is just for him to possess. In addition to justice, Love participates in the highest temper- ance ; for if temperance is defined to be the being superior to and holding under dominion pleasures and desires ; then Love, than whom no pleasure is more powerful, and who is thus more powerful than all persuasions and delights, must be excellently temperate. In power and valour Mars cannot contend with Love : the love of Venus possesses Mars ; the possessor is always superior to the possessed, and he who subdues the most powerful must of necessity be the most powerful of all. " The justice and temperance and valour of the God have been thus declared ; — there remains to exhibit his wisdom. And first, that, like Eryxi- machus, I may honour my own profession, the God is a wise poet ; so wise that he can even make a poet one who was not before : for every one, even if before he were ever so undisciplined, becomes a poet as soon as he is touched by Love ; a suffi- cient proof that Love is a great poet, and well skilled in that science according" to the discipline of music. For what any one possesses not, or knows not, that can he neither give nor teach another. And who will deny that the divine poetry, by which all living things are produced upon the earth,.is not harmonized by the wisdom of Love 1 Is it not evident that Love was the author of all the arts of life with which we are acquainted, and that he whose teacher has been Love, becomes eminent and illustrious, whilst he who knows not Love, remains for ever unregarded and obscure ? Apollo invented medicine, and divination, and archery, under the guidance of desire and Love ; so that Apollo was the disciple of Love. Through him the Muses discovered the arts of literature, and Vulcan that of moulding brass, and Minerva the loom, and Jupiter the mystery of the dominion which he now exercises over Gods and men. So were the Gods taught and disciplined by the love of that which is beautiful ; for there is no love towards deformity. " At the origin of things, as I have before said, many fearful deeds are reported to have been done among the Gods, on account of the dominion of Necessity. But so soon as this deity sprang forth from the desire which forever tends in the universe towards that which is lovely, then all blessings descended upon all living things, human and divine. 90 THE BANQUET OF PLATO. Love seems to me, O Phsedrus, a divinity the most beautiful and the best of all, and the author to all others of the excellences with which his own nature is endowed. Nor can I restrain the poetic enthusiasm which takes possession of my discourse, and bids me declare that Love is the divinity who creates peace among men, and calm upon the sea, the windless silence of storms, repose and sleep in sadness. Love divests us of all alienation from each other, and fills our vacant hearts with over- flowing sympathy ; he gathers us together in such social meetings as we now delight to celebrate, our guardian and our guide in dances, and sacrifices, and feasts. Yes, Love who showers benignity upon the world, and before whose presence all harsh passions flee and perish ; the author of all soft affections ; the destroyer of all ungentle thoughts ; merciful, mild ; the object of the ad- miration of the wise, and the delight of gods ; possessed by the fortunate, and desired by the unhappy, therefore unhappy because they possess him not ; the father of grace, and delicacy, and gentleness, and delight, and persuasion, and desire ; the cherisher of all that is good, the abolisher of all evil ; our most excellent pilot, defence, saviour and guardian in labour and in fear, in desire and in reason ; the ornament and governor of all things human and divine ; the best, the loveliest ; in whose footsteps everyone ought to follow, celebrating him excellently in song, and bearing each his part in that divinest harmony which Love sings to all things which live and are, soothing the troubled minds of Gods and men. This, Phsedrus, is what I have to offer in praise of the divinity ; partly composed, indeed, of thoughtless and playful fan- cies, and partly of such serious ones, as I could well command." No sooner had Agathon ceased, than a loud murmur of applause arose from all present ; so becomingly had the fair youth spoken, both in praise of the God, and in extenuation of himself. Then Socrates, addressing Eryximachus, said, " Was not my fear reasonable, son of Acumenus ? Did I not divine what has, in fact, happened, — that Agathon's discourse would be so wonderfully beautiful, as to pre-occupy all interest in what I should say ? " — " You, indeed, divined well so far, Socrates," said Eryximachus, "that Agathon would speak eloquently, but not that, therefore, you would be reduced to any difficulty." — a How, my good friend, can I or any one else be otherwise than reduced to difficulty, who speak after a discourse so various and so eloquent, and which otherwise had been sufficiently wonderful, if, at the conclu- sion, the splendour of the sentences, and the choice selection of the expressions, had not struck all the hearers with astonishment ; so that I, who well know that I can never say anything nearly so beautiful as this, would, if there had been any escape, have run away for shame. The story of Gorgias came into my mind, and I was afraid lest in reality I should suffer what Homer describes ; and lest Agathon, scanning my discourse with the head of the eloquent Gorgias, should turn me to stone for speechlessness. I immediately perceived how ridiculously I had engaged myself with you to assume a part in rendering praise to Love, and had boasted that I was well skilled in amatory mat- ters, being so ignorant of the manner in which it is becoming to render him honour, as I now perceive myself to be. I, hi my simplicity, imagined that the truth ought to be spoken concerning each of the topics of our praise, and that it would be suffi- cient, choosing those which are the most honourable to the God, to place them in as luminous an arrangement as we could. I had, therefore, great hopes that I should speak satisfactorily, being well aware that I was acquainted with the true found- ations of the praise which we have engaged to render. But since, as it appears, our purpose has been, not to render Love his due honour, but to accumulate the most beautiful and the greatest attributes of his divinity, whether they in truth belong to it or not, and that the proposed question is not how Love ought to be praised, but how we should praise him most eloquently, my attempt must of necessity fail. It is on this account, I imagine, that in your discourses you have attri- buted everything to Love, and have described him to be the author of such and so great effects as, to those who are ignorant of his true nature, may exhibit him as the most beautiful and the best of all things. Not, indeed, to those who know the truth. Such praise has a splendid and imposing effect, but as I am unacquainted with the art of rendering it, my mind, which could not foresee what would be required of me, absolves me from that which my tongue promised. Farewell then, for such praise I can never render. " But if you desire, I will speak what I feel to be true ; and that I may not expose myself to ridicule, I entreat you to consider that I speak without entering into competition with those who have preceded me. Consider, .then, Phsedrus, whether you will exact from me such a discourse, containing the mere truth with respect to Love, and composed of such unpremeditated expressions as may chance to offer themselves to my mind»" — Phsedrus and the rest bade him speak in the manner which he judged most befitting. — " Permit me, then, Phsedrus, to ask Agathon a few . questions, so that, confirmed by his agreement THE BANQUET OF PLATO. 31 with me, I may proceed." — " Willingly," replied Phsedrus, " ask." — Then Socrates thus began : — ¥ I applaud, dear Agathon, the beginning of your discourse, where you say, we ought first to define and declare what Love is, and then his works. This rule I particularly approve. But, come, since you have given us a discourse of such beauty and majesty concerning Love, you are able, I doubt not, to explain this -question, whether Love is the love of something or nothing % I do not ask you of what parents Love is ; for the inquiry, of whether Love is the love of any father or mother, would be sufficiently ridiculous. But if I were asking you to describe that which a father is, I should ask, not whether a father was the love of any one, but whether a father was the father of any one or not ; you would undoubtedly reply, that a father was the father of a son or daughter ; would you not ? " — " Assuredly." — " You would define a mother in the same manner ?" — " Without doubt." " Yet bear with me, and answer a few more ques-- tions, for I would learn from you that which I wish to know. If I should inquire, in addition, is not a brother, through the very nature of his relation, the brother of some one ?" — " Certainly." — " Of a brother or sister is he not ?" — " Without question." — " Try to explain to me then the nature of Love ; Love is the love of something or nothing | " — " Of something, certainly." " Observe and remember this concession. Tell me yet farther, whether Love desires that of which it is the Love or not I " — " It desires it, assuredly." — " Whether possessing that which it desires and loves, or not possessing it, does it desire and love ? " — " Not possessing it, I should imagine." — " Observe now, whether it does not appear, that, of necessity, desire desires that which it wants and does not possess, and no longer desires that which it no longer wants : this appears to me, Agathon, of necessity to be ; how does it appear to you \ " — " It appears so to me also." — " Would any one who was already illustrious, desire to be illustrious ; would any one already strong, desire to be strong ? From what has already been conceded, it follows that he would not. If any one already strong, should desire to be strong ; or any one already swift, should desire to be swift ; or any one already healthy, should desire to be healthy, it must be concluded that they still desired the advantages of which they already seemed possessed. To destroy the foundation of this error, observe, Agathon, that each of these persons must possess the several advantages in question, at the moment present to our thoughts, whether he will or no. And, now, is it possible that those advantages should be at that time the objects of his desire ? For, if any one should say, being in health, 1 1 desire to be in health ; ' being rich, * I desire to be rich, and thus still desire those things which I already possess,' we might say to him, 'You, my friend, possess health, and strength, and riches ; you do not desire to possess now, but to continue to possess them in future ; for, whether you will or no, they now belong to you. Consider then, whether, when you say that you desire things present to you, and in your own possession, you say any- thing else than that you desire the advantages to be for the future also in your possession.' What else could he reply ? " — " Nothing, indeed." — " Is not Love, then, the love of that which is not within its reach, and which cannot hold in security, for the future, those things of which it obtains a pre- sent and transitory possession ? " — " Evidently." — " Love, therefore, and every thing else that desires anything, desires that which is absent and beyond his reach, that which it has not, that which is not itself, that which it wants ; such are the things of which there are desire and love." — " Assuredly." " Come," said Socrates, " let us review your concessions. Is Love anything else than the love first of something ; and, secondly, of those things of which it has need \ " — " Nothing." — " Now, re- member of those tilings you said in your discourse, that Love was the love — if you wish I will remind you. I think you said something of this kind, that all the affairs of the gods were admirably disposed through the love of the things which are beautiful ; for there was no love of things deformed ; did you not say so \ " — " I confess that I did." — " You said what was most likely to be true, my friend ; and if the matter be so, the love of beauty must be one thing, and the love of deformity another." — " Cer- tainly." — "It is conceded, then, that Love loves that which he wants but possesses not \ " — " Yes, certainly." — " But Love wants and does not pos- sess beauty \ " — " Indeed it must necessarily follow." — " What, then ! call you that beautiful which has need of beauty and possesses not ? " — " Assuredly no." — "Do you still assert, then, that Love is beautiful, if all that we have said be true ? " — "Indeed, Socrates," said Agathon, " I am in danger of being convicted of ignorance, with respect to all that I then spoke." — " You spoke most eloquently, my dear Agathon ; but bear with my questions yet a moment. You admit that things which are good are also beautiful ? "— " No doubt."—" If Love, then, be in want of beautiful things, and things which are good are beautiful, he must be in want of things which are good?" — "I cannot refute your arguments, Socrates." — " You cannot refute truth, my dear Agathon : to refute Socrates is nothing difficult. 82 THE BANQUET OF PLATO. "But I will dismiss these questionings. At present let me endeavour, to the best of my power, to repeat to you, on the basis of the points which have been agreed upon between me and Agathon, a discourse concerning Love, which I formerly heard from the prophetess Diotima, who was profoundly skilled in this and many other doctrines, and who, ten years before the pestilence, procured to the Athenians, through their sacrifices, a delay of the disease ; for it was she who taught me the science of things relating to Love. " As you well remarked, Agathon, we ought to declare who and what is Love, and then his works. It is easiest to relate them in the same order, as the foreign prophetess observed when, questioning me, she related them. For I said to her much the same things that Agathon has just said to me — that Love was a great deity, and that he was beautiful ; and she refuted me with the same reasons as I have employed to refute Agathon, compelling me to infer that he was neither beautiful nor good, as I said. — 'What then,' I objected, '0 Diotima, is Love ugly and evil 1 ' — ' Good words, I entreat you,' said Diotima ; ' do you think that every thing which is not beautiful, must of necessity be ugly ? ' — ' Certainly.' — ' And every thing that is not wise, ignorant ? Do you not perceive that there is some- thing between ignorance and wisdom ? ' — ' What is that % ' — * To have a right opinion or conjecture. Observe, that this kind of opinion, for which no reason can be rendered, cannot be called knowledge ; for how can that be called knowledge, which is without evidence or reason ? Nor ignorance, on the other hand ; for how can that be called igno- rance which arrives at the persuasion of that which it really is % A right opinion is something between understanding and ignorance.' — I confessed that what she alleged was true. — ' Do not then say,' she continued, ' that what is not beautiful is of necessity deformed, nor what is not good is of necessity evil ; nor, since you have confessed that Love is neither beautiful nor good, infer, therefore, that he is deformed or evil, but rather something intermediate.' " ' But,' I said, * love is confessed by all to be a great God.' — ' Do you mean, when you say all, all those who know, or those who know not, what they say ? ' — ' All collectively.' — ' And how can that be, Socrates I ' said she laughing ; * how can he be acknowledged to be a great God, by those who assert that he is not even a God at all ? ' — ' And who are they % ' I said. — ' You for one, and I for another.' — ' How can you say that, Diotima % ' — ' Easily,' she replied, * and with truth ; for tell me, do you not own that all the Gods are beautiful and happy \ or will you presume to maintain that any God is otherwise % ' — * By Jupiter, not I ! ' — ' Do you not call those alone happy who possess all things that are beautiful and good \ ' — * Certainly.' — 'You have confessed that Love, through his desire for things beautiful and good, possesses not those materials of happiness.' — ' Indeed such was my concession.' — ' But how can we conceive a God to be without the possession of what is beautiful and good?' — 'In no maimer I confess.' — 'Observe, then, that you do not consider Love to be a God.' — ' What, then,' I said, ' is Love a mortal I ' — ' By no means.' — ' But what, then ? ' — ' Like those things which I have before instanced, he is neither mortal nor immortal, but something intermediate.' — ' What is that, Diotima % ' — * A great daemon, Socrates ; and every thing dsemoniacal holds an intermediate place between what is divine and what is mortal.' " ' What is his power and nature ? ' I inquired. — 'He interprets and makes a communication be- tween divine and human things, conveying the •prayers and sacrifices of men to the Gods, and communicating the commands and directions con- cerning the mode of worship most pleasing to them, from Gods to men. He fills up that inter- mediate space between these two classes of beings, so as to bhid together, by his own power, the whole universe of things. Through him subsist all divi- nation, and the science of sacred things as it re- lates to sacrifices, and expiations, and disenchant- nents, and prophecy, and magic. The divine nature cannot immediately communicate with what is human, but all that intercourse and converse which is conceded by the Gods to men, both whilst they sleep and when they wake, subsists through the intervention of Love ; and he who is wise in the science of this intercourse is supremely happy, and participates in the dsemoniacal nature ; whilst he who is wise in any other science or art, remains a mere ordinary slave. These daemons are, indeed, many and various, and one of them is Love. "'Who are the parents of Love V I inquired. — ' The history of what you ask,' replied Diotima, ' is somewhat long ; nevertheless I will explain it to you. On the birth of Venus the Gods celebrated a great feast, and among them came Plenty, the son of Metis. After supper, Poverty, observing the profusion, came to beg, and stood beside the door. Plenty being drunk with nectar, for wine was not yet invented, went out into Jupiter's garden, and fell into a deep sleep. Poverty wishing to have a child by Plenty, on account of her low estate, lay down by him, and from his embraces conceived Love. Love is, therefore, the follower and servant of Venus, because he was conceived at her birth, and because by nature he is a lover of all that is beautiful, and Venus was beautiful. And since THE BANQUET OF PLATO. 33 Love is the child of Poverty and Plenty, his nature and fortune participate in that of his parents. He is for ever poor, and so far from being delicate and beautiful, as mankind imagine, he is squalid and withered ; he flies low along the ground, and is homeless and unsandalled ; he sleeps without cover- ing before the doors, and in the unsheltered streets ; possessing thus far his mother's nature, that he is ever the companion of Want. But, inasmuch as he participates in that of his father, he is for ever scheming to obtain things which are good and beautiful ; he is fearless, vehement, and strong ; a dreadful hunter, for ever weaving some new con- trivance ; exceedingly cautious and prudent, and full of resources ; he is also, during his whole existence, a philosopher, a powerful enchanter, a wizard, and a subtle sophist. And, as his nature is neither mortal nor immortal, on the same day when he is fortunate and successful, he will at one time flourish, and then die away, and then, accord- ing to his father's nature, again revive. All that he acquires perpetually flows away from him, so that Love is never either rich or poor, and holding for ever an intermediate state between ignorance and wisdom. The case stands thus : — no God phi- losophizes or desires to become wise, for he is wise ; nor, if there exist any other being who is wise, does he philosophize. Nor do the ignorant philo- sophize, for they desire not to become wise ; for this is the evil of ignorance," that he who has neither intelligence, nor virtue, nor delicacy of sentiment, imagines that he possesses all those things sufficiently. He seeks not, therefore, that possession, of whose want he is not aware.' — 1 Who, then, Diotima,' I enquired, ' are philo- sophers, if they are neither the ignorant nor the wise % ' — < It is evident, even to a child, that they are those intermediate persons, among whom is Love. For Wisdom is one of the most beautiful of all things ; Love is that which thirsts for the beautiful, so that Love is of necessity a philosopher, philosophy being an intermediate state between ignorance and wisdom. His parentage accounts for his condition, being the child of a wise and well- pro- vided father, and of a mother both ignorant and poor. " * Such is the dsemoniacal nature, my dear Socrates ; nor do I wonder at your error concern- ing Love, for you thought, as I conjecture from what you say, that Love was not the lover but the beloved, and thence, well concluded that he must be supremely beautiful ; for that which is the object of Love must indeed be fair, and delicate, and perfect, and most happy ; but Love inherits, as I have declared, a totally opposite nature.' — ' Your words have persuasion in them, stranger,' I said ; < be it as you say. But this Love, what advantages does he afford to men ?' — ' I will pro- ceed to explain it to you, Socrates. Love being such and so produced as I have described, is, indeed, as you say, the love of things which are beautiful. But if any one should ask us, saying ; Socrates and Diotima, why is Love the love of beautiful things ? Or, in plainer words, what does the lover of that which is beautiful, love in the object of his love, and seek from it V — ( He seeks,' 1 said, interrupting her, t the property and posses- sion of it.' — ' But that,' she replied, * might still be met with another question, What has he, who possesses that which is beautiful I ' — ' Indeed, I cannot immediately reply.' — * But if, changing the beautiful for good, any one should enquire, — I ask, O Socrates, what is that which he who loves that which is good, loves in the object of his love V — * To be in his possession,' I replied: — * And what has he, who has the possession of good V — * This question is of easier solution : he is happy.' — l Those who are happy, then, are happy through the pos- session ; and it is useless to enquire what he desires, who desires to be happy ; the question seems to have a complete reply. But do you think that this wish and this love are common to all men, and that all desire, that that which is good should be for ever present to them V — ' Certainly, common to all.' — * Why do we not say then, Socrates, that every one loves ? if, indeed, all love perpetually the same thing ? But we say that some love, and some do not.' — * Indeed I wonder why it is so.' — c Wonder not,' said Diotima, 'for we select a particular species of love, and apply to it distinctively the appellation of that which is universal.' " ' Give mean example of such a select applica- tion.' — e Poetry ; which is a general name signifying every cause whereby anything proceeds from that which is not, into that which is ; so that the exercise of every inventive art is poetry, and all such artists poets. Yet they are not called poets, but distin- guished by other names ; and one portion or species of poetry, that which has relation to music and rhythm, is divided from all others, and known by the name belonging to all. For this is alone properly called poetry, and those who exercise the art of this species of poetry, poets. So, with respect to Love. Love is indeed universally all that earnest desire for the possession of happiness and that which is good ; the greatest and the subtlest love, and which inhabits the heart of every living being ; hut those who seek this object through the acquire- ment of wealth, or the exercise of the gymnastic arts, or philosophy, are not said to love, nor are called lovers ; one species alone is called love, and those alone are said to be lovers, and to love, who seek the attainment of the universal desire through 54 THE BANQUET OF PLATO. one species of love, which is peculiarly distinguished by the name belonging to the whole. It is asserted by some, that they love, who are seeking the lost half of their divided being. But I assert, that Love is neither the love of the half nor of the whole, unless, my friend, it meets with that which is good ; since men willingly cut off their own hands and feet, if they think that they are the cause of evil to them. Nor do they cherish and embrace that which may belong to themselves, merely because it is their own ; unless, indeed, any one should choose to say, that that which is good is attached to his own nature and is his own, whilst that which is evil is foreign and accidental ; but love nothing but that which is good. Does it not appear so to you V — ' Assuredly.' — * Can we then simply affirm that men love that which is good V — * Without doubt.' — f What, then, must we not add, that, in addition to loving that which is good, they love that it should be present to themselves V — ' Indeed that must be added.' — ' And not merely that it should be present, but that it should ever be pre- sent ?' — * This also must be added.' " ' Love, then, is collectively the desire in men that good should be for ever present to them.' — * Most true.' — f Since this is the general definition of Love, can you explain in what mode of attaining its object, and in what species of actions, does Love peculiarly consist V — * If I knew what you ask, O Diotima, I should not have so much wondered at your wisdom, nor have sought you out for the pur- pose of deriving improvement from your instruc- tions.' — 1 1 will tell you,' she replied : * Love is the desire of generation in the beautiful, both with relation to the body and the soul.' — ' I must be a diviner to comprehend what you say, for, being such as I am, I confess that I do not understand it.' — * But I will explain it more clearly. The bodies and the souls of all human beings are alike pregnant with their future progeny, and when we arrive at a certain age, our nature impels us to bring forth and propagate. This nature is unable to produce in that which is deformed, but it can produce in that which is beautiful. The intercourse of the male and female in generation, a divine work, through pregnancy and production, is, as it were, something immortal in mortality. These things cannot take place in that which is incongruous ; for that which is deformed is incongruous, but that which is beautiful is congruous with what is immortal and divine. Beauty is, therefore, the fate, and the Juno Lucina to generation. Wherefore, whenever that which is pregnant with the generative princi- ple, approaches that which is beautiful, it becomes transported with delight, and is poured forth in overflowing pleasure, and propagates. But when it approaches that which is deformed, it is contracted by sadness, and being repelled and checked, it does not produce, but retains unwillingly that with which it is pregnant. Wherefore, to one pregnant, and, as it were, already bursting with the load of his desire, the impulse towards that which is beau- tiful is intense, on account of the great pain of retaining that which he has conceived. Love, then, O Socrates, is not as you imagine the love of the beautiful.' — * What, then \ ' — ' Of generation and production in the beautiful.' — * Why then of gene- ration V — * Generation is something eternal and immortal in mortality. It necessarily, from what has been confessed, follows, that we must desire immortality together with what is good, since Love is the desire that good be for ever present to us. Of necessity Love must also be the desire of immortality.' "Diotima taught me all this doctrine in the discourse we had together concerning Love ; and in addition, she enquired, 'What do you think, Socrates, is the cause of this love and desire ? Do you not perceive how all animals, both those of the earth and of the air, are affected when they desire the propagation of their species, affected even to weakness and disease by the impulse of their love ; first, longing to be mixed with each other, and then seeking nourishment for their offspring, so that the feeblest are ready to contend with the strongest in obedience to this law, and to die for the sake of their young, or to waste away with hunger, and do or suffer anything so that they may not want nourishment. It might be said that human beings do these things through reason, but can you explain why other animals are thus affected through love V — I confessed that I did not know. — 'Do you imagine yourself,' said she, 'to be skilful in the science of Love, if you are ignorant of these things V — ' As I said before, O Diotima, I come to you, well knowing how much I am in need of a teacher. But explain to me, I entreat you, the cause of these things, and of the other things relating to Love.' — 'If,' said Diotima, 'you believe that Love is of the same nature as we have mutually agreed upon, wonder not that such are its effects. For the mortal nature seeks, so far as it is able, to become deathless and eternal. But it can only accomplish this desire by generation, which for ever leaves another new in place of the old. For, although each human being be severally said to five, and be the same from youth to old age, yet, that which is called the same, never contains within itself the same things, but always is becoming new by the loss and change of that which it possessed before ; both the hair, and the flesh, and the bones, and the entire body. THE BANQUET OF PLATO. 35 « « And not only does this change take place in the body, but also with respect to the soul. Man- ners, morals, opinions, desires, pleasures, sorrows, fears ; none of these ever remain unchanged in the same persons ; but some die away, and others are produced. And, what is yet more strange is, that not only does some knowledge spring up, and another decay, and that we are never the same with respect to our knowledge, but that each several object of our thoughts suffers the same revolution. That which is called meditation, "or the exercise of memory, is the science of the escape or departure of memory ; for, forgetfulness is the going out of knowledge ; and meditation, calling up a new memory in the place of that which has departed, preserves knowledge ; so that, though for ever dis- placed and restored, it seems to be the same. In this manner every thing mortal is preserved : not that it is constant and eternal, like that which is divine ; but that in the place of what has grown old and is departed, it leaves another new like that which it was itself. By this contrivance, O Socrates, does what is mortal, the body and all other things, partake of immortality ; that which is immortal, is immortal in another manner. Wonder not, then, if every thing by nature cherishes that which was produced from kself, for this earnest Love is a tendency towards eternity.' " Having heard this discourse, I was astonished, and asked, 'Can these things be true, O wisest Diotima V And she, like an accomplished sophist, said, f Know well, O Socrates, that if you only regard that love of glory which inspires men, you will wonder at your own unskilfulness in not having discovered all that I now declare. Observe with how vehement a desire they are affected to become illustrious and to prolong their glory into immortal time, to attain which object, far more ardently than for the sake of their children, all men are ready to engage in many dangers, and expend their fortunes, and submit to any labours and incur any death. Do you believe that Alcestis would have died in the place of Admetus, or Achilles for the revenge of Patroclus, or Codrus for the kingdom of his posterity, if they had not believed that the immor- tal memory of their actions, which we now cherish, would have remained after their death ? Far other- wise ; all such deeds are done for the sake of ever- living virtue, and this immortal glory which they have obtained ; and inasmuch as any one is of an excellent nature, so much the more is he impelled to attain this reward. For they love what is immortal. " < Those whose bodies alone are pregnant with this principle of immortality are attracted by women, seeking through the production of children what they imagine to be happiness and immortality and an enduring remembrance ; but they whose souls are far more pregnant than their bodies, conceive and produce that which is more suitable to the soul. What is suitable to the soul ? Intelligence, and every other power and excellence of the mind ; of which all poets, and all other artists who are creative and inventive, are the authors. The greatest and most admirable wisdom is that which regulates the government of families and states, and which is called moderation and justice. Whosoever, there- fore, from his youth feels his soul pregnant with the conception of these excellences, is divine ; and when due time arrives, desires to bring forth ; and wandering about, he seeks the beautiful in which he may propagate what he has conceived ; for there is no generation in that which is deformed ; he embraces those bodies which are beautiful rather than those which are deformed, in obedience to the principle which is within him, which is ever seeking to perpetuate itself. And if he meets, in conjunc- tion with loveliness of form, a beautiful, generous and gentle soul, he embraces both at once, and immediately undertakes to educate this object of his love, and is inspired with an overflowing persua- sion to declare what is virtue, and what he ought to be who would attain to its possession, and what are the duties which it exacts. For, by the inter- course with, and as it were, the very touch of that which is beautiful, he brings forth and produces what he had formerly conceived ; and nourishes and educates that which is thus produced together with the object of his love, whose image, whether absent or present, is never divided from his mind. So that those who are thus united are linked by a nobler community and a firmer love, as being the common parents of a lovelier and more endearing progeny than the parents of other children. And every one who considers what posterity Homer and Hesiod, and the other great poets, have left behind them, the sources of their own immortal memory and renown, or what children of his soul Lycurgus has appointed to be the guardians, not only of Lacedsemon, but of all Greece ; or what an illus- trious progeny of laws Solon has produced, and how many admirable achievements, both among the Greeks and Barbarians, men have left as the pledges of that love which subsisted between them and the beautiful, would choose rather to be the parent of such children than those in a human shape. For divine honours have often been rendered to them on account of such children, but on account of those in human shape, never. " * Your own meditation, O Socrates, might perhaps have initiated you in all these things which I have already taught you on the subject of 36 THE BANQUET OF PLATO. Love. But those perfect and sublime ends, to which these are only the means, I know not that you would have been competent to discover. I will declare them, therefore, and will render them as intelligible as possible : do you meanwhile strain all your attention to trace the obscure depth of the subject. He who aspires to love rightly, ought from his earliest youth to seek an intercourse with beautiful forms, and first to make a single form the object of his love, and therein to generate intellectual excellences. He ought, then, to consider that beauty in whatever form it resides is the brother of that beauty which subsists in another form ; and if he ought to pursue that which is beautiful in form, it would be absurd to imagine that beauty is not one and the same thing in all forms, and would therefore remit much of his ardent preference towards one, through his perception of the multitude of claims upon his love. In addition, he would consider the beauty which is in souls more excellent than that which is in form. So that one endowed with an admi- rable soul, even though the flower of the form were withered, would suffice him as the object of his love and care, and the companion with whom he might seek and produce such conclusions as tend to the improvement of youth ; so that it might be led to observe the beauty and the con- formity which there is in the observation of its duties and the laws, and to esteem little the mere beauty of the outward form. He would then conduct his pupil to science, so that he might look upon the loveliness of wisdom ; and that contem- plating thus the universal beauty, no longer would he unworthily and meanly enslave himself to the attractions of one form in love, nor one subject of discipline or science, but would turn towards the wide ocean of intellectual beauty, and from the sight of the lovely and majestic forms which it contains, would abundantly bring forth his concep- tions in philosophy ; until, strengthened and con- firmed, he should at length steadily contemplate one science, which is the science of this universal beauty. " ' Attempt, I entreat you, to mark what I say with as keen an observation as you can. He who has been disciplined to this point in Love, by con- templating beautiful objects gradually, and in their order, now arriving at the end of all that concerns Love, on a sudden beholds a beauty wonderful in its nature. This is it, Socrates, for the sake of which all the former labours were endured. It is eternal, unproduced, indestructible ; neither sub- ject to increase nor decay : not, like other things, partly beautiful and partly deformed ; not at one time beautiful and at another time not ; not beau- tiful in relation to one thing and deformed in re- lation to another ; not here beautiful and there deformed ; not beautiful in the estimation of one person and deformed in that of another ; nor can this supreme beauty be figured to the imagination j like a beautiful face, or beautiful hands, or any portion of the body, nor like any discourse, nor any science. Nor does it subsist in any other that lives or is, either in earth, or in heaven, or in any other place ; but it is eternally uniform and consistent, and monoeidic with itself. All other things are beautiful through a participation of it, with this condition, that although they are subject to production and decay, it never becomes more or less, or endures any change. When any one, ascending from a correct system of Love, begins to contemplate this supreme beauty, he already touches the consummation of his labour. For such as discipline themselves upon this sys- tem, or are conducted by another beginning- to ascend through these transitory objects which are beautiful, towards that which is beauty itself, pro- ceeding as on steps from the love of one form to that of two, and from that of two, to that of all forms which are beautiful ; and from beautiful forms to beautiful habits and institutions, and from institutions to beautiful doctrines ; until, from the meditation of many doctrines, they arrive at that which is nothing else than the doctrine of the supreme beauty itself, in the knowledge and con- templation of which at length they repose. " * Such a fife as this, my dear Socrates,' ex- claimed the stranger Prophetess, * spent in the contemplation of the beautiful, is the life for men to five ; which if you chance ever to experience, you will esteem far beyond gold and rich gar- ments, and even those lovely persons whom you and many others now gaze on with astonishment, ■ and are prepared neither to eat nor drink so that you may behold and hive for ever with these objects of your love ! What then shall we imagine to be the aspect of the supreme beauty itself, simple, pure, uncontaminated with the intermix- ture of human flesh and colours, and all other idle and unreal shapes attendant on mortality ; the divine, the original, the supreme, the monoeidic beautiful itself? What must be the fife of him who dwells with and gazes on that which it becomes us all to seek ? Think you not that to him alone is accorded the prerogative of bringing forth, not images and shadows of virtue, for he is in contact not with a shadow but with reality ; with virtue itself, in the production and nourish- ment of which he becomes dear to the Gods, and if such a privilege is conceded to any human being, himself immortal.' THE BANQUET OF PLATO. 37 " Such, O Phsedrus, and my other friends, was what Diotima said. And being persuaded by her words, I have since occupied myself in attempting to persuade others, that it is not easy to find a better assistant than Love in seeking to communi- cate immortality to our human natures. Where- fore I exhort every one to honour Love ; I hold him in honour, and chiefly exercise myself in amatory matters, and exhort others to do so ; and now and ever do I praise the power and excellence of Love, in the best manner that I can. Let this discourse, if it pleases you, Phsedrus, be considered as an encomium of Love ; or call it by what other name you will." The whole assembly praised his discourse, and Aristophanes was on the point of making some remarks on the allusion made by Socrates to him in a part of his discourse, when suddenly they heard a loud knocking at the door of the vestibule, and a clamour as of revellers, attended by a flute-player. — " Go, boys," said Agathon, " and see who is there : if they are any of our friends, call them in ; if not, say that we have already done drinking." — A minute afterwards, they heard the voice of Alcibiades in the vestibule excessively drunk and roaring out : — " Where is Agathon ? Lead me to Agathon !" — The flute- player, and some of his companions, then led him in, and placed him against the door-post, crowned with a thick crown of ivy and violets, and having a quantity of fillets on his head. — " My friends," he cried out, "hail ! I am excessively drunk already, but I '11 drink with you, if you will. If not, we will go away after having crowned Agathon, for which purpose I came. I assure you that I could not come yesterday, but I am now here with these fillets round my temples, that from my own head I may crown his who, with your leave, is the most beautiful and wisest of men. Are you laughing at me because I am drunk ? Ay, I know what I say is true, whether you laugh or not. But tell me at once, whether I shall come in, or no. Will you drink with me ? " Agathon and the whole party desired him to come in, and recline among them ; so he came in, led by his companions. He then unbound his fillets that he might crown Agathon, and though Socrates was just before his eyes, he did not see him, but sat down by Agathon, between Socrates and him, for Socrates moved out of the way to make room for him. When he sat down, he embraced Agathon and crowned him ; and Agathon desired the slaves to untie his sandals, that he might make a third, and recline on the same couch. " By all means," said Alcibiades, "but what third com- panion have we here 1" And at the same time turning round and seeing Socrates, he leaped up and cried out : — " Hercules ! what have we here \ You, Socrates, lying in ambush for me wherever I go ! and meeting me just as you always do, when I least expected to see you ! And, now, what are you come here for ? Why have you chosen to recline exactly in this place, and not near Aristophanes, or any one else who is, or wishes to be ridiculous, but have contrived to take your place beside the most delightful person of the whole party?" — "Agathon," said Socrates, f see if you cannot defend me. I declare my friendship for this man is a bad business : from the moment that I first began to know him I have never been permitted to converse with, or so much as to look upon any one else. If I do, he is so jealous and suspicious that he does the most extra- vagant things, and hardly refrains from beating me. I entreat you to prevent him from doing any- thing of that kind at present. Procure a recon- ciliation : or, if he perseveres in attempting any violence, I entreat you to defend me." — "Indeed," said Alcibiades, " I will not be reconciled to you ; I shall find another opportunity to punish you for this. But now," said he, addressing Agathon, " lend me some of those fillets, that I may crown the wonderful head of this fellow, lest I incur the blame, that having crowned you, I neglected to crown him who conquers all men with his discourses, not yesterday alone as you did, but ever." Saying this he took the fillets, and having bound the head of Socrates, and again having reclined, said : " Come, my friends, you seem to be sober enough. You must not flinch, but drink, for that was your agreement with me before I came in. I choose as president, until you have drunk enough — myself. Come, Agathon, if you have got a great goblet, fetch it out. But no matter, that wine- cooler will do ; bring it, boy !" And observing that it held more than eight cups, he first drank it off, and then ordered it to be filled for Socrates, and said : — " Observe, my friends, I cannot invent any scheme against Socrates, for he will drink as much as any one desires him, and not be in the least drunk." Socrates, after the boy had filled up, drank it off ; and Eryximachus said : — " Shall we then have no conversation or singing over our cups, but drink down stupidly, just as if we were thirsty 1" And Alcibiades said : — " Ah, Eryxima- chus, I did not see you before ; hail, you excellent son of a wise and excellent father !" — " Hail to you also,' ' replied Eryximachus, " but what shall we do ?" — " Whatever you command, for we ought to submit to your directions ; a physician is worth a hundred common men. Command us as you please." — " Listen then, " said Eryximachus : ;jb THE BANQUET OF PLATO. " before you came in, each of us had agreed to de- liver as eloquent a discourse as he could in praise of Love, beginning at the right hand ; all the rest of us have fulfilled our engagement ; you have not spoken, and yet have drunk with us : you ought to bear your part in the discussion ; and having done so, command what you please to Socrates, who shall have the privilege of doing so to his right-hand neighbour, and so on to the others." — " Indeed, there appears some justice in your pro- posal, Eryximachus, though it is rather unfair to induce a drunken man to set his discourse in com- petition with that of those who are sober. And, besides, did Socrates really persuade you that what he just said about me was true, or do you not know that matters are in fact exactly the reverse of his representation I For I seriously believe that, should I praise in his presence, be he god or man, any other beside himself, he would not keep his hands off me. But I assure you, Socrates, I will praise no one beside yourself, in your presence." " Do so, then," said Eryximachus ; "praise Socrates if you please." — " What !" said Alcibiades, " shall I attack him, and punish him before you all ?" — " What have you got into your head now," said Socrates ; " are you going to expose me to ridicule, and to misrepresent me! Or what are you going to do ?" — " I will only speak the truth ; will you per- mit me on this condition V — " I not only permit, but exhort you to say all the truth you know," replied Socrates. " I obey you willingly," said Alcibiades ; " and if I advance anything untrue, do you, if you please, interrupt me, and convict me of misrepre- sentation, for I would never willingly speak falsely. And bear with me if I do not relate things in their order, but just as I remember them, for it is not easy for a man in my present condition to enume- rate systematically all your singularities. " I will begin the praise of Socrates by comparing him to a certain statue. Perhaps he will think that this statue is introduced for the sake of ridi- cule, but I assure you that it is necessary for the illustration of truth. I assert, then, that Socrates is exactly like those Silenuses that sit in the sculp- tors' shops, and which are carved holding flutes or pipes, but which, when divided into two, are found to contain withinside the images of the gods. I assert that Socrates is like the satyr Marsyas. That your form and appearance are like these satyrs, I think that even you will not venture to deny ; and how like you are to them in all other things, now hear. Are you not scornful and petulant ? If you deny this, I will bring witnesses. Are you not a piper, and far more wonderful a one than he ? For Marsyas, and whoever now pipes the music that he taught ; for that music which is of heaven, and described as being taught by Marsyas, enchants men through the power of the mouth. For if any musician, be he skilful or not, awakens this music, it alone enables him to retain the minds of men, and from the divinity of its nature makes evident those who are in want of the gods and initiation. You differ only from Marsyas in this circumstance, that you effect without instruments, by mere words, all that he can do. For when we hear Pericles, or any other accomplished orator, deliver a discourse, no one, as it were, cares any thing about it. But when any one hears you, or even your words related by another, though ever so rude and unskilful a speaker, be that person a woman, man or child, we are struck and retained, as it were, by the discourse clinging to our mind. u If I was not afraid that I am a great deal too drunk, I would confirm to you by an oath the strange effects which I assure you I have suffered from his words, and suffer still ; for when I hear him speak, my heart leaps up far more than the hearts of those who celebrate the Corybantic myste- ries ; my tears are poured out as he talks, a thing I have seen happen to many others beside myself. I have heard Pericles and other excellent orators, and have been pleased with their discourses, but I suffered nothing of this kind ; nor was my soul ever on those occasions disturbed and filled with self-reproach, as if it were slavishly laid prostrate. But this Marsyas here has often affected me in the way I describe, until the life which I lead seemed hardly worth living. Do not deny it, Socrates ; for I well know that if even now I chose to listen to you, I could not resist, but should again suffer the same effects. For, my friends, he forces me to confess that while I myself am still in want of many things, I neglect my own necessities, and attend to those of the Athenians. I stop my ears, therefore, as from the Syrens, and flee away as fast as possible, that I may not sit down beside hun and grow old in listening to his talk. For this man has reduced me to feel the sentiment of shame, which I imagine no one would readily believe was in me ; he alone inspires me with remorse and awe. For I feel in his presence my incapacity of refuting what he says, or of refusing to do that which he directs ; but when I depart from him, the glory which the multitude confers overwhelms me. I escape, therefore, and hide myself from him, and when I see him I am overwhelmed with humi- liation, because I have neglected to do what I have confessed to him ought to be done ; and often and often have I wished that he were no longer to be seen among men. But if that were to happen, I well know that I should suffer far greater pain ; so THE BANQUET OF PLATO. SI that where I can turn, or what I can do with this man, I know not. All this have I and many others suffered from the pipings of this satyr. a And observe, how like he is to what I said, and what a wonderful power he possesses. Know that there is not one of you who is aware of the real nature of Socrates ; but since I have begun, I will make him plain to you. You observe how passionately Socrates affects the intimacy of those who are beautiful, and how ignorant he professes himself to be ; appearances in themselves exces- sively Silenie. This, my friends, is the external form with which, like one of the sculptured Sileni, he has clothed himself ; for if you open him, you will find within admirable temperance and wisdom. For he cares not for mere beauty, but despises more than any one can imagine all external pos- sessions, whether it be beauty or wealth, or glory, or any other thing for which the multitude felici- tates the possessor. He esteems these things and us who honour them, as nothing, and lives among men, making all the objects of their admiration the playthings of his irony. But I know not if any one of you have ever seen the divine images which are within, when he has been opened and is serious. I have seen them, and they are so supremely beautiful, so golden, so divine, and wonderful, that every thing which Socrates com- mands surely ought to be obeyed, even like the voice of a God. ***** * At one time we were fellow-soldiers, and had our mess together in the camp before Potidsea. Socrates there overcame not only me, but every one beside, in endurance of toils : when, as often happens in a campaign, we were reduced to few provisions, there were none who could sustain hunger like Socrates ; and when we had plenty, he alone seemed to enjoy our military fare. He never drank much willingly, but when he was compelled, he conquered all even in that to which he was least accustomed ; and what is most astonishing, no person ever saw Socrates drunk either then or at any other time. In the depth of winter (and the winters there are excessively rigid), he sus- tained calmly incredible hardships : and amongst other things, whilst the frost was intolerably severe, and no one went out of their tents, or if they went out, wrapt themselves up carefully, and put fleeces under their feet, and bound their legs with hairy skins, Socrates went out only with the same cloak on that he usually wore, and walked barefoot upon the ice ; more easily, indeed, than those who had sandalled themselves so delicately : so that the soldiers thought that he did it to mock their want of fortitude. It would indeed be worth while to commemorate all that this brave man did and endured in that expedition. In one instance he was seen early in the morning, standing in one place wrapt in meditation ; and as he seemed not to be able to unravel the subject of his thoughts, he still continued to stand as enquiring and dis- cussing within himself, and when noon came, the soldiers observed him, and said to one another — { Socrates has been standing there thinking, ever since the morning.' At last some Ionians came to the spot, and having supped, as it was summer, bringing their blankets, they lay down to sleep in the cool ; they observed that Socrates continued to stand there the whole night until morning, and that, when the sun rose, he saluted it with a prayer and departed. " I ought not to omit what Socrates is in battle. For in that battle after which the generals decreed to me the prize of courage, Socrates alone of all men was the saviour of my life, .standing by me when I had fallen and was wounded, and preserving both myself and my arms from the hands of the enemy. On that occasion I entreated the generals to decree the prize, as it was most due, to him. And this, O Socrates, you cannot deny, that while the generals, wishing to conciliate a person of my rank, desired to give me the prize, you were far more earnestly desirous than the generals that this glory should be attributed not to yourself, but me. " But to see Socrates when our army was de- feated and scattered in flight at Delius, was a spectacle worthy to behold. On that occasion I was among the cavalry, and he on foot, heavily armed. After the total rout of our troops, he and Laches retreated together ; I came up by chance, and seeing them, bade them be of good cheer, for that I would not leave them. As I was on horse- back, and therefore less occupied by a regard of my own situation, I could better observe than at Potidsea the beautiful spectacle exhibited by Socrates on this emergency. How superior was he to Laches in presence of mind and courage ! Your representation of him on the stage, Aris- tophanes, was not wholly unlike his real self on this occasion, for he walked and darted his regards around with a majestic composure, looking tran- quilly both on his friends and enemies ; so that it was evident to every one, even from afar, that whoever should venture to attack him would en- counter a desperate resistance. He and his com- panion thus departed in safety ; for those who are scattered in flight are pursued and killed, whilst men hesitate to touch those who exhibit such a countenance as that of Socrates even in defeat. " Many other and most wonderful qualities could 40 THE BANQUET OF PLATO. well be praised in Socrates ; but such as these might singly be attributed to others. But that which is unparalleled in Socrates, is, that he is unlike, and above comparison, with all other men, whether those who have lived in ancient times, or those who exist now. For it may be conjectured, that Brasidas and many others are such as was Achilles. Pericles deserves comparison with Nestor and Antenor ; and other excellent persons of various times may, with probability, be drawn into com- parison with each other. But to such a singular man as this, both himself and his discourses being so uncommon, no one, should he seek, would find a parallel among the present or the past generations of mankind ; unless they should say that he resem- bled those with whom I lately compared him, for, assuredly, he and his discourses are like nothing but the Sileni and the Satyrs. At first I forgot to make you observe how like his discourses are to those Satyrs when they are opened, for, if any one will listen to the talk of Socrates, it will appear to him at first extremely ridiculous ; the phrases and expressions which he employs, fold around his exterior the skin, as it were, of a rude and wanton Satyr. He is always talking about great market- asses, and brass-founders, and leather-cutters, and skin-dressers ; and this is his perpetual custom, so* that any dull and unobservant person might easily laugh at his discourse. . But if any one should see it opened, as it were, and get within the sense of his words, he would then find that they alone of all that enters into the mind of man to utter, had a profound and persuasive meaning, and that they were most divine ; and that they presented to the mind innumerable images of every excellence, and that they tended towards objects of the highest moment, or rather towards all, that he who seeks the possession of what is supremely beautiful and good, need regard as essential to the accomplish- ment of his ambition. " These are the things, my friends, for which I praise Socrates." ***** Alcibiades having said this, the whole party burst into a laugh at his frankness, and Socrates said, " You seem to be sober enough, Alcibiades, else you would not have made such a circuit of words, only to hide the main design for which you made this long speech, and which, as it were care- lessly, you just throw in at the last ; now, as if you had not said all this for the mere purpose of dividing me and Agathon ? You think that I ought to be your friend, and to care for no one else. I have found you out ; it is evident enough for what design you invented all this Satyrical and Silenic drama. But, my dear Agathon, do not let his device succeed. I entreat you to permit no one to throw discord between us." — "No doubt," said Agathon, " he sate down between us only that he might divide us ; but this shall not assist his scheme, for I will come and sit near you." — " Do so," said Socrates, " come, there is room for you by me." — "Oh, Jupiter!" exclaimed Alcibiades, "what I endure from that man ! He thinks to subdue every way ; but, at least, I pray you, let Agathon remain between us." — " Impossible," said Socrates, " you have just praised me ; I ought to praise him sitting at my right hand. If Agathon is placed beside you, will he not praise me before I praise him ? Now, my dear friend, allow the young man to receive what praise I can give him. I have a great desire to pronounce his encomium." — " Quick, quick, Alcibiades," said Agathon, " I cannot stay here, I must change my place, or Socrates will not praise me." — Agathon then arose to take his place near Socrates. He had no sooner reclined than there came in a number of revellers — for some one who had* gone out had left the door open — and took their places on the vacant couches, and everything became full of confusion ; and no order being observed, every one was obliged to drink a great quantity of wine. Eryximachus, and Phaedrus, and some others, said Aristodemus went home to bed ; that, for his part, he went to sleep on his couch, and slept long and soundly — the nights were then long — until the cock crew hi the morning. When he awoke he found that some were still fast asleep, and others had gone home, and that Aristophanes, Agathon, and Socrates had alone stood it out, and were still drinking out of a great goblet which they passed round and round. Socrates was disputing between them. The beginning of their discussion Aristo- demus said that he did not recollect, because he was asleep ; but it was terminated by Socrates forcing them to confess, that the same person is able to compose both tragedy and comedy, and that the foundations of the tragic and comic arts were essentially the same. They, rather convicted than convinced, went to sleep. Aristophanes first awoke, and then, it being broad daylight, Agathon. Socrates, having put them to sleep, went away, Aristodemus following him, and coming to the Lyceum he washed himself, as he would have done anywhere else, and after having spent the day there in his accustomed manner, went home in the evening, ON LOVE. What is love ? Ask him who lives, what is life ? ask him who adores, what is God ? I know not the internal constitution of other men, nor even thine, whom I now address. I see that in some external attributes they resemble me, but when, misled by that appearance, I have thought to appeal to something in common, and unburthen my inmost soul to them, I have found my language misunderstood, like one in a distant and savage land. The more opportunities they have afforded me for experience, the wider has appeared the interval between us, and to a greater distance have the points of sympathy been with- drawn. With a spirit ill fitted to sustain such proof, trembling and feeble through its tenderness, I have everywhere sought sympathy, and have found only repulse and disappointment. Thou demandest what is love ? It is that power- ful attraction towards all that we conceive, or fear, or hope beyond ourselves, when we find within our own thoughts the chasm of an insufficient void, and seek to awaken in all things that are, a com- munity with what we experience within ourselves. If we reason, we would be understood ; if we imagine, we would that the airy children of our brain were born anew within another's ; if we feel, we would that another's nerves should vibrate to our own, that the beams of their eyes should kindle at once and mix and melt into our own, that lips of motionless ice should not reply to lips quivering and burning with the heart's best blood. This is Love. This is the bond and the sanction which connects not only man with man, but with every thing which exists. We are born into the world, and there is something within us which, from the instant that we live, more and more thirsts after its likeness. It is probably in corre- spondence with this law that the infant drains milk from the bosom of its mother ; this propensity develops itself with the development of our nature. We dimly see within our intellectual nature a miniature as it were of our entire self, yet de- prived of all that we condemn or despise, the ideal prototype of every thing excellent or lovely that we are capable of conceiving as belonging to the nature of man. Not only the portrait of our external being, but an assemblage of the minutest particles of which our nature is composed * ; a mirror whose surface reflects only the forms of purity and brightness ; a soul within our soul that describes a circle around its proper paradise, which pain, and sorrow, and evil dare not overleap. To this we eagerly refer all sensations, thirsting that they should resemble or correspond with it. The discovery of its antitype ; the meeting with an understanding capable of clearly estimating our own ; an imagination which should enter into and seize upon the subtle and delicate peculiarities which we have delighted to cherish and unfold in secret ; with a frame whose nerves, like the chords of two exquisite lyres, strung to the accompani- ment of one delightful voice, vibrate with the vibra- tions of our own ; and of a combination of all these in such proportion as the type within demands ; this is the invisible and unattainable point to which Love tends ; and to attain which, it urges forth the powers of man to arrest the faintest shadow of that, without the possession of which there is no rest nor respite to the heart over which it rules. Hence in solitude, or in that deserted state when we are surrounded by human beings, and yet they sympathise not with us, we love the flowers, the grass, and the waters, and the sky. In the motion of the very leaves of spring, in the blue air, there is then found a secret correspondence with our heart. There is eloquence in the tongueless wind, and a melody in the flowing brooks and the rustling of the reeds beside them, which by their incon- ceivable relation to something within the soul, awaken the spirits to a dance of breathless rapture, and bring tears of mysterious tenderness to the eyes, like the enthusiasm of patriotic success, or the voice of one beloved singing to you alone. Sterne says that, if he were in a desert, he would love some cypress. So soon as this want or power is dead, man becomes the living sepulchre of him- self, and what yet survives is the mere husk of what once he was. * These words are ineffectual and metaphorical. Most words are so — No help ! THE COLISEUM. & ^fragment. At the hour of noon, on the feast of the Passover, an old man, accompanied by a girl, apparently his daughter, entered the Coliseum at Rome. They immediately passed through the Arena, and seek- ing a solitary chasm among the arches of the southern part of the ruin, selected a fallen column for their seat, and clasping each other's hands, sate as in silent contemplation of the scene. But the eyes of the girl were fixed upon her father's lips, and his countenance, sublime and sweet, but motionless as some Praxitelean image of the greatest of poets, filled the silent air with smiles, not reflected from external forms. It was the great feast of the Resurrection, and the whole native population of Rome, together with all the foreigners who flock from all parts of the earth to contemplate its celebration, were assembled round the Vatican. The most awful religion of the world went forth surrounded by emblazonry of mortal greatness, and mankind had assembled to wonder at and worship the creations of their own power. No straggler was to be met with in the streets and grassy lanes which led to the Coliseum. The father and daughter had sought this spot immediately on their arrival. A figure, only visible at Rome in night or soli- tude, and then only to be seen amid the desolated temples of the Forum, or gliding among the weed- grown galleries of the Coliseum, crossed their path. His form, which, though emaciated, displayed the elementary outlines of exquisite grace, was enve- loped in an ancient chlamys, which half concealed his face ; his snow-white feet were fitted with ivory sandals, delicately sculptured in the likeness of two female figures, whose wings met upon the heel, and whose eager and half-divided lips seemed quiver- ing to meet. It was a face, once seen, never to be forgotten. The mouth and the moulding of the chin resembled the eager and impassioned tenderness of the statues of Antinous ; but in- stead of the effeminate sullenness of the eye, and the narrow smoothness of the forehead, shone an expression of profound and piercing thought ; the brow was clear and open, and his eyes deep, like two wells of crystalline water which reflect the all-beholding heavens. Over all was spread a timid expression of womanish tenderness and hesitation, which contrasted, yet intermingled strangely, with the abstracted and fearless character that predo- minated in his form and gestures. He avoided, in an extraordinary degree, all communication with the Italians, whose language he seemed scarcely to understand, but was occa- sionally seen to converse with some accomplished foreigner, whose gestures and appearance might attract him amid his solemn haunts. He spoke Latin, and especially Greek, with fluency, and with a peculiar but sweet accent ; he had apparently acquired a knowledge of the northern languages of Europe. There was no circumstance connected with him that gave the least intimation of his country, his origin, or his occupation. His dress was strange, but splendid and solemn. He was forever alone. The literati of Rome thought him a curiosity, but there was something in his manner unintelligible but impressive, which awed their obtrusions into distance and silence. The country- men, whose path he rarely crossed, returning by starlight from their market at Campo Vaccino, called him, with that strange mixture of religious and historical ideas so common in Italy, 11 Diavolo di Bruto. Such was the figure which interrupted the con- templations, if they were so engaged, of the strangers, by addressing them in the clear, and exact, but unidiomatic phrases of their native lan- guage : — * Strangers, you are two ; behold the third in this great city, to whom alone the spectacle of these mighty ruins is more delightful than the mockeries of a superstition which destroyed them." " I see nothing," said the old man. " What do you here, then ?" " I listen to the sweet singing of the birds, and the sound of my daughter's breathing composes me like the soft murmur of water — and I feel the sun- warm wind — and this is pleasant to me." " Wretched old man, know you not that these are the ruins of the Coliseum ?" — " Alas ! stranger," said the girl, in a voice like mournful music, " speak not so — he is blind." — The stranger's eyes were suddenly filled with tears, and the lines of his countenance became relaxed. " Blind !" he exclaimed, in a tone of suffering, which was more than an apology ; and seated himself apart on a flight of shattered and THE COLISEUM. 43 mossy stairs which wound up among the labyrinths of the ruin. " My sweet Helen," said the old man, " you did not tell me that this was the Coliseum ?" " How should I tell you, dearest father, what I knew not ? I was on the point of enquiring the way to that building, when we entered this circle of ruinp, and, until the stranger accosted us, I remained silent, subdued by the greatness of what I see." " It is your custom, sweetest child, to describe to me the objects that give you delight. You array them in the soft radiance of your words, and whilst you speak I only feel the infirmity which holds me in such dear dependence, as a blessing. Why have you been silent now V* " I know not — first the wonder and pleasure of the sight, then the words of the stranger, and then thinking on what he had said, and how he had looked — and now, beloved father, your own words." " Well, tell me now, what do you see ?" " I see a great circle of arches built upon arches, and shattered stones lie around, that once made a part of the solid wall. In the crevices, and on the vaulted roofs, grow a multitude of shrubs, the wild olive and the myrtle — -and intricate brambles, and entangled weeds and plants I never saw before. The stones are immensely massive, and they jut out one from the other. There are terrible rifts in the wall, and broad windows through which you see the blue heaven. There seems to be more than a thousand arches, some ruined, some entire, and they are all immensely high and wide. Some are shattered, and stand forth in great heaps, and the underwood is tufted on their crumbling summits. Around us lie enormous columns, shattered and shapeless — and fragments of capitals and cornice, fretted with delicate sculptures." — * It is open to the blue sky \ " said the old man. "Yes. We see the liquid depth of heaven above through the rifts and the windows ; and the flowers, and the weeds, and the grass and creeping moss, are nourished by its unforbidden rain. The blue sky is above — the wide, bright, blue sky — it flows through the great rents on high, and through the bare boughs of the marble rooted fig-tree, and through the leaves and flowers of the weeds, even to the dark arcades beneath. I see — I feel its clear and piercing beams fill the universe, and impregnate the joy-inspiring wind with life and light, and casting the veil of its splendour over all things — even me. Yes, and through the highest rift the noonday waning moon is hanging, as it were, out of the solid sky, and this shows that the atmosphere has all the clearness which it rejoices me that you feel." " What else see you \ " " Nothing." « Nothing I " " Only the bright-green mossy ground, speckled by tufts of dewy clover-grass that run into the interstices of the shattered arches, and round the isolated pinnacles of the ruin." " Like the lawny dells of soft short grass which wind among the pine forests and preci- pices in the Alps of Savoy I " " Indeed, father, your eye has a vision more serene than mine." " And the great wrecked arches, the shattered masses of precipitous ruin, overgrown with the younglings of the forest, and more like chasms rent by an earthquake among the mountains, than like the vestige of what was human workmanship — what are they % " " Tilings awe-inspiring and wonderful." "Are they not caverns such as the untamed elephant might choose, amid the Indian wilder- ness, wherein to hide her cubs ; such as, were the sea to overflow the earth, the mightiest monsters of the deep would change into their spacious chambers % " " Father, your words image forth what I would have expressed, but, alas ! could not." " I hear the rustling of leaves, and the sound of waters, — but it does not rain, — like the fast drops of a fountain among woods." "It falls from among the heaps of ruin over our heads — it is, I suppose, the water collected in the rifts by the showers." " A nursling of man's art, abandoned by his care, and transformed by the enchantment of Nature into a likeness of her own creations, and destined to partake their immortality ! Changed into a mountain cloven with woody dells, which overhang its labyrinthine glades, and shattered into toppling precipices. Even the clouds, inter- cepted by its craggy summit, feed its eternal fountains with their rain. By the column on which I sit, I should judge that it had once been crowned by a temple or a theatre, and that on sacred days the multitude wound up its craggy path to spectacle or the sacrifice It was such itself ! * Helen, what sound of wings is that % " * Nor does a recollection of the use to which it may have heen destined interfere with these emotions. Time has thrown its purple shadow athwart this scene, and no more is visible than the broad and everlasting character of human strength and genius, that pledge of all that is to be admirable and lovely in ages yet to come. Solemn tem- ples, where the senate of the world assembled, palaces, triumphal arches, and cloud-surrounded columns, loaded with the sculptured annals of conquest and domination— what actions and deliberations have they been destined to enclose and commemorate ? Superstitious rites, which in their mildest form, outrage reason, and obscure the moral sense of mankind ; schemes for wide-extended murder, 44 THE COLISEUM. " It is the wild pigeons returning to their young. Do you not hear the murrfiur of those that .are brooding in their nests ?" "Ay, it is the language of their happiness. They are as happy as we are, child, but in a different manner. They know not the sensations which this ruin excites within us. Yet it is plea- sure to them to inhabit it ; and the succession of its forms as they pass, is connected with asso- ciations in their minds, sacred to them, as these to us. The internal nature of each being is sur- rounded by a circle, not to be surmounted by his fellows ; and it is this repulsion which constitutes the misfortune of the condition of life. But there is a circle which comprehends, as well as one which mutually excludes, all things which feel. And, with respect to man, his public and his private happiness consist in diminishing the cir- cumference which includes those resembling him- self, until they become one with him, and he with them. It is because we enter into the medita- tions, designs and destinies of something beyond ourselves, that the contemplation of the ruins of human power excites an elevating sense of awfulness and beauty. It is therefore that the ocean, the glacier, the cataract, the tempest, the volcano, have each a spirit which animates the extremities of our frame with tingling joy. It is therefore that the singing of birds, and the motion of leaves, the sensation of the odorous earth beneath, and the freshness of the living wind around, is sweet. And this is Love. This is the religion of eternity, whose votaries have been exiled from among the multitude of man- kind. O Power !" cried the old man, lifting his sightless eyes towards the undazzling sun, " thou which interpenetratest all things, and with- out which this glorious world were a blind and formless chaos, Love, Author of Good, God, King, Father ! Friend of these thy worshippers ! Two solitary hearts invoke thee, may they be divided never ! If the contentions of mankind have been their misery ; if to give and seek that happiness which thou art, has been their choice and destiny ; if, in the contemplation of these majestic records of the power of their kind, they see the shadow and devastation, and misrule, and servitude; and, lastly, these schemes Drought to their tremendous consumma- tions, and a human being returning in the midst of festival and solemn joy, with thousands and thousands of his enslaved and desolated species chained behind his chariot, exhibiting, as titles to renown, the labour of ages, and the admired creations of genius, overthrown by the brutal force, which was placed as a sword within his hand, and, — contemplation fearful and abhorred ! — he himself a being capable of the gentlest and best emotions, inspired with the persuasion that he has done a virtuous deed ! We do not forget these things. * * and the prophecy of that which thou mayst have decreed that he should become ; if the justice, the liberty, the loveliness, the truth, which are thy footsteps, have been sought by them, divide them not ! It is thine to unite, to eternize ; to make outlive the limits of the grave those who have left among the living, memorials of thee. When this frame shall be senseless dust, may the hopes, and the desires, and the delights which animate it now, never be extinguished in my child ; "even as, if she were borne into the tomb, my memory would be the written monument of all her nameless excellences !" The old man's countenance and gestures, radiant with the inspiration of his words, sunk, as he ceased, into more than its accustomed calmness, for he heard his daughter's sobs, and remembered that he had spoken of death. — " My father, how can I outlive you ?" said Helen. " Do not let us talk of death," said the old man, suddenly changing his tone. " Heraclitus, indeed, died at my age, and if I had so sour a disposition, there might be some danger. But Democritus reached a hundred and twenty, by the mere dint of a joyous and unconquerable mind. He only died at last, because he had no gentle and beloved ministering spirit, like my Helen, for whom it would have been his delight to live. You remember his gay old sister requested him to put off starving himself to death until she had returned from the festival of Ceres ; alleging, that it would spoil her holiday if he refused to comply, as it was not permitted to appear in the procession immediately after the death of a relation ; and how good-tem- peredly the sage acceded to her request." The old man could not see his daughter's grateful smile, but he felt the pressure of her hand by which it Was expressed. — " In truth," he continued, " that mystery, death, is a change which neither for ourselves nor for others is the just object of hope or fear. We know not if it be good or evil, we only know, it is. The old, the young, may alike die ; no time, no place, no age, no foresight, exempts us from death, and the chance of death. We have no knowledge, if death be a state of sensation, of any precaution that can make those sensations fortunate, if the existing series of events shall not produce that effect. Think not of death, or think of it as something common to us all. It has hap- pened," said he, with a deep and suffering voice, " that men have buried their children." " Alas ! then, dearest father, how I pity you. Let us speak no more." They arose to depart from the Coliseum, but the figure which had first accosted them interposed itself : — " Lady," he said, " if grief be an expiation THE ASSASSINS. 45 of error, I have grieved deeply for the words which I spoke to your companion. The men who an- ciently inhabited this spot, and those from whom they learned their wisdom, respected infirmity and age. If I have rashly violated that venerable form, at once majestic and defenceless, may I be for- given ? " " It gives me pain to see how much your mistake afflicts you," she said ; " if you can forget, doubt not that we forgive." " You thought me one of those who are blind in spirit," said the old man, " and who deserve, if any human being can deserve, contempt and blame. Assuredly, contemplating this monument as I do, though in the mirror of my daughter's mind, I am filled with astonishment and delight ; the spirit of departed generations seems to animate my limbs, and circulate through all the fibres of my frame. Stranger, if I have expressed what you have ever felt, let us know each other more." " The sound of your voice, and the harmony of your thoughts, are delightful to me," said the youth, "and it is a pleasure to see any form which expresses so much beauty and goodness as your daughter's ; if you reward me for my rude- ness, by allowing me to know you, my error is already expiated, and you remember my ill words no more. I live a solitary life, and it is rare that I encounter any stranger with whom it is pleasant to talk ; besides, their meditations, even though they be learned, do not always agree with mine ; and, though I can pardon this difference, they cannot. Nor have I ever explained the cause of the dress I wear, and the difference which I perceive between my language and manners, and those with whom I have intercourse. Not but that it is painful to me to live without communion with intelligent and affectionate beings. You are such, I feel." THE ASSASSINS. 8 dfrajjment of a Romance. CHAPTER I. Jerusalem, goaded on to resistance by the inces- I sant usurpations and insolence of Rome, leagued ! together its discordant factions to rebel against | the common enemy and tyrant. Inferior to their ! foe in all but the unconquerable hope of liberty, ! they surrounded their city with fortifications of | uncommon strength, and placed in array before | the temple a band rendered desperate by patriotism | and religion. Even the women preferred to die, | rather than survive the ruin of their country. When the Roman army approached the walls of the sacred city, its preparations, its discipline, and its numbers, evinced the conviction of its leader, that he had no common barbarians to subdue. At the approach of the Roman army, the strangers withdrew from the city. Among the multitudes which from every nation of the East had assembled at Jerusalem, was a little congregation of Christians. They were remark- able neither for their numbers nor their importance. They contained among them neither philosophers nor poets. Acknowledging no laws but those of God, they modelled their conduct towards their fellow-men by the conclusions of their individual judgment on the practical application of these laws. And it was apparent from the simplicity and severity of their manners, that this contempt for human institutions had produced among them a character superior in singleness and sincere self- apprehension to the slavery of pagan customs and the gross delusions of antiquated superstition. Many of their opinions considerably resembled those of the sect afterwards known by the name of Gnostics. They esteemed the human understanding to be the paramount rule of human conduct ; they maintained that the obscurest religious truth re- quired for its complete elucidation no more than the strenuous application of the energies of mind. It ap- peared impossible to them that any doctrine could be subversive of social happiness which is not capa- ble of being confuted by arguments derived from the nature of existing things. With the devoutest submission to the law of Christ, they united an intrepid spirit of inquiry as to the correctest mode of acting in particular instances of conduct that occur among men. Assuming the doctrines of the Messiah concerning benevolence and justice for the regulation of their actions, they could not be persuaded to acknowledge that there was apparent in the divine code any prescribed rule whereby, for its own sake, one action rather than another, as fulfilling the will of their great Master, should be preferred. The contempt with which the magistracy and priesthood regarded this obscure community of 46 THE ASSASSINS. speculators, had hitherto protected them from persecution. But they had arrived at that precise degree of eminence and prosperity which is pecu- liarly obnoxious to the hostility of the rich and powerful. The moment of their departure from Jerusalem was the crisis of their future destiny. Had they continued to seek a precarious refuge in a city of the Roman empire, this persecution would not have delayed to impress a new character on their opinions and their conduct ; narrow views, and the illiberality of sectarian patriotism, would not have failed speedily to obliterate the magnifi- cence and beauty of their wild and wonderful con- dition. Attached from principle to peace, despising and hating the pleasures and the customs of the dege- nerate mass of mankind, this unostentatious com- munity of good and happy men fled to the solitudes of Lebanon. To Arabians and enthusiasts the solem- nity and grandeur of these desolate recesses pos- sessed peculiar attractions. It well accorded with the justice of their conceptions on the relative du- ties of man towards his fellow in society, that they should labour in unconstrained equality to dis- possess the wolf and the tiger of their empire, and establish on its ruins the dominion of intelligence and virtue. No longer would the worshippers of the God of Nature be indebted to a hundred hands for the accommodation of their simple wants. No longer would the poison of a diseased civilisation embrue their very nutriment with pestilence. They would no longer owe their very existence to the vices, the fears, and the follies of mankind. Love, friendship, and philanthropy, would now be the characteristic disposers of their industry. It is for his mistress or his friend that the labourer conse- crates his toil ; others are mindful, but he is for- getful, of himself. " God feeds the hungry ravens, and clothes the lilies of the fields, and yet Solomon in all his glory is not like to one of these." Rome was now the shadow of her former self. The light of her grandeur and loveliness had passed away. The latest and the noblest of her poets and historians had foretold in agony her approach- ing slavery and degradation. The ruins of the human mind, more awful and portentous than the desolation of the most solemn temples, threw a shade of gloom upon her golden palaces which the brutal vulgar could not see, but which the mighty felt with inward trepidation and despair. The ruins of Jerusalem lay defenceless and uninhabited upon the burning sands ; none visited, but in the depth of solemn awe, this accursed and solitary spot. Tradition says that there was seen to linger among the scorched and shattered fragments of the tem- ple, one being, whom he that saw dared not to call man, with clasped hands, immoveable eyes, and a visage horribly serene. Not on the will of the capricious multitude, nor the constant fluctuations of the many and the weak, depends the change of empires and religions. These are the mere insen- sible elements from which a subtler intelligence moulds its enduring statuary. They that direct the changes of this mortal scene breathe the decrees of their dominion from a throne of darkness and of tempest. The power of man is great. After many days of wandering, the Assassins pitched their tents in the valley of Bethzatanai. For ages had this fertile valley lain concealed from the adventurous search of man, among mountains of everlasting snow. The men of elder days had inhabited this spot. Piles of monumental marble and fragments of columns that in their integrity almost seemed the work of some intelligence more sportive and fantastic than the gross conceptions of mortality, lay in heaps beside the lake, and were visible beneath its transparent waves. The flower- ing orange-tree, the balsam, and innumerable odo- riferous shrubs, grew wild in the desolated portals. The fountain tanks had overflowed ; and, amid the luxuriant vegetation of their margin, the yellow snake held its unmolested dwelling. Hither came the tiger and the bear to contend for those once domestic animals who had forgotten the secure servitude of their ancestors. No sound, when the famished beast of prey had retreated in despair from the awful desolation of this place, at whose completion he had assisted, but the shrill cry of the stork, and the flapping of his heavy wings from the capital of the solitary column, and the scream of the hungry vulture baffled of its only victim. The lore of ancient wisdom was sculptured in mystic characters on the rocks. The human spirit and the human hand had been busy here to accomplish its profoundest miracles. It was a temple dedi- cated to the God of knowledge and of truth. The palaces of the Caliphs and the Csesars might easily surpass these ruins in magnitude and sumptuous- ness : but they were the design of tyrants and the work of slaves. Piercing genius and consummate prudence had planned and executed Bethzatanai. There was deep and important meaning in every lineament of its fantastic sculpture. The unintelli- gible legend, once so beautiful and perfect, so full of poetry and history, spoke, even in destruction, volumes of mysterious import, and obscure signifi- cance. But in the season of its utmost prosperity and magnificence, art might not aspire to vie with nature in the valley of Bethzatanai. All that was wonderful and lovely was collected in this deep seclusion. The fluctuating elements seemed to have been THE ASSASSINS. 47 rendered everlastingly permanentin forms of wonder and delight. The mountains of Lebanon had been divided to their base to form this happy valley ; on every side their icy summits darted their white pinnacles into the clear blue sky, imaging, in their grotesque outline, minarets, and ruined domes, and columns worn with time. Far below, the silver clouds rolled their bright volumes in many beautiful shapes, and fed the eternal springs that, spanning the dark chasms like a thousand radiant rainbows, leaped into the quiet vale, then, lingering in many a dark glade among the groves of cypress and of pahn, lost themselves in the lake. The immensity of these precipitous mountains, with their starry pyramids of snow, excluded the sun, which overtopped not, even in its meridian, their overhanging rocks. But a more heavenly and serener light was reflected from their icy mirrors, which, piercing through the many-tinted clouds, produced lights and colours of inexhaustible variety. The herbage was perpetually verdant, and clothed the darkest recesses of the caverns and the woods. Nature, undisturbed, had become an enchantress in these solitudes : she had collected here all that was wonderful and divine from the armoury of her omnipotence. The very winds breathed health and renovation, and the joyousness of youthful courage. Fountains of crystalline water played perpetually among the aromatic flowers, and mingled a freshness with their odour. The pine boughs became instruments of exquisite contrivance, among which every varying breeze waked music of new and more delightful melody. Meteoric shapes, more effulgent than the moonlight, hung on the wandering clouds, and mixed in discordant dance around the spiral fountains. Blue vapours assumed strange lineaments under the rocks and among the ruins, lingering like ghosts with slow and solemn step. Through a dark chasm to the east, hi the long perspective of a portal glittering with the unnumbered riches of the subterranean world, shone the broad moon, pouring in one. yellow and unbroken stream her horizontal beams. Nearer the icy region, autumn and spring held an alternate reign. The sere leaves fell and choked the sluggish brooks ; the chilling fogs hung diamonds on every spray ; and in the dark cold evening the howling winds made melancholy music in the trees. -Far above, shone the bright throne of winter, clear, cold, and dazzling. Sometimes there was seen the snow-flakes to fall before the sinking orb of the beamless sun, like a shower of fiery sulphur. The cataracts, arrested in their course, seemed, with their transparent columns, to support the dark- browed rocks. Sometimes the icy whirlwind scooped the powdery snow aloft, to mingle with the hissing meteors, and scatter spangles through the rare and rayless atmosphere. Such strange scenes of chaotic confusion and harrowing sublimity, surrounding and shutting in the vale, added to the delights of its secure and voluptuous tranquillity. No spectator could have refused to believe that some spirit of great intelli- gence and power had hallowed these wild and beau- tiful solitudes to a deep and solemn mystery. The immediate effect of such a scene, suddenly presented to the contemplation of mortal eyes, is seldom the subject of authentic record. The coldest slave of custom cannot fail to recollect some few moments in which the breath of spring or the crowding clouds of sunset, with the pale moon shining through their fleecy skirts, or the song of some lonely bird perched on the only tree of an imfrequented heath, has awakened the touch of nature. And they were Arabians who entered the valley of Bethzatanai ; men who idolized nature and the God of nature ; to whom love and lofty thoughts, and the apprehensions of an uncorrupted spirit, were sustenance and life. Thus securely excluded from an abhorred world, all thought of its judgment was cancelled by the rapidity of their fervid imaginations. They ceased to acknowledge, or deigned not to advert to, the distinctions with which the majority of base and vulgar minds con- trol the longings and struggles of the soul towards its place of rest. A new and sacred fire was kindled in their hearts and sparkled in their eyes. Every gesture, every feature, the minutest action, was modelled to beneficence and beauty by the holy inspiration that had descended on their searching spirits. The epidemic transport communicated itself through every heart with the rapidity of a blast from heaven. They were already disembodied spirits ; they were already the inhabitants of paradise. To live, to breathe, to move, was itself a sensation of immeasurable transport. Every new contemplation of the condition of his nature brought to the happy enthusiast an added measure of delight, and impelled to every organ, where mind is united with external things, a keener and more exquisite perception of all that they contain of lovely and divine. To love, to be beloved, suddenly became an insatiable famine of his nature, which the wide circle of the universe, comprehending beings of such inexhaustible variety and stupendous magni- tude of excellence, appeared too narrow and confined to satiate. Alas, that these visitings of the spirit of life should fluctuate and pass away ! That the moments when the human mind is commensurate with all j that it can conceive of excellent and powerful, ! should not endure with its existence and survive its 48 THE ASSASSINS. most momentous change ! But the beauty of a vernal sunset, with its overhanging curtains of em- purpled cloud, is rapidly dissolved, to return at some unexpected period, and spread an alleviating melancholy over the dark vigils of despair. It is true the enthusiasm of overwhelming trans- port which had inspired every breast among the Assassins is no more. The necessity of daily occu- pation and the ordinariness of that human life, the burthen of which it is the destiny of every human being to bear, had smothered, not extin- guished, that divine and eternal fire. Not the less indelible and permanent were tne impressions com- municated to all ; not the more unalterably were the features of their social character modelled and determined by its influence. CHAPTER II. Rome had fallen. Her senate-house had become a polluted den of thieves and liars ; her solemn temples, the arena of theological disputants, who made fire and sword the missionaries of their in- conceivable beliefs. The city of the monster Con- stantine, symbolizing, in the consequences of its foundation, the wickedness and weakness of his successors, feebly imaged with declining power the substantial eminence of the Roman name. Pilgrims of a new and mightier faith crowded to visit the lonely ruins of Jerusalem, and weep and pray before the sepulchre of the Eternal God. The earth was filled with discord, tumult, and ruin. The spirit of disinterested virtue had armed one- half of the civilised world against the other. Mon- strous and detestable creeds poisoned and blighted the domestic charities. There was no appeal to natural love, or ancient faith, from pride, super- stition, and revenge. Four centuries had passed thus, terribly charac- terised by the most calamitous revolutions. The Assassins, meanwhile, undisturbed by the surround- ing tumult, possessed and cultivated their fertile valley. The gradual operation of their peculiar con- dition had matured and perfected the singularity and excellence of their character. That cause, which had ceased to act as an immediate and over- powering excitement, became the unperceived law of their lives, and sustenance of their natures. Their religious tenets had also undergone a change, corresponding with the exalted condition of their moral being. The gratitude which they owed to the benignant Spirit by which their limited intelligences had not only been created but redeemed, was less frequently adverted to, became less the topic of comment or contemplation ; not, therefore, did it cease to be their presiding guardian, the guide of their inmost thoughts, the tribunal of appeal for the minutest particulars of their conduct. They learned to identify this mysterious benefactor with the delight that is bred among the solitary rocks, and has its dwelling alike in the changing colours of the clouds and the inmost recesses of the caverns. Their future also no longer existed, but in the blissful tranquillity of the present. Time was measured and created by the vices and the miseries of men, between whom and the happy nation of the Assassins, there was no analogy nor comparison. Already had their eternal peace com- menced. The darkness had passed away from the open gates of death. The practical results produced by their faith and condition upon their external conduct were singular and memorable. Excluded from the great and various community of mankind, these solitudes became to them a sacred hermitage, in which all formed, as it were, one being, divided against itself by no contending will or factious passions. Every impulse conspired to one end, and tended to a single object. Each devoted his powers to the happiness of the other. Their republic was the scene of the perpetual contentions of benevolence ; not the heartless and assumed kindness of commer- cial man, but the genuine virtue that has a legible superscription in every feature of the countenance, and every motion of the frame. The perverseness and calamities of those who dwelt beyond the mountains that encircled their undisturbed posses- sions, were unknown and unimagined. Little em- barrassed by the complexities of civilised society, they knew not to conceive any happiness that can be satiated without participation, or that thirsts not to reproduce and perpetually generate itself. The path of virtue and felicity was plain and unimpeded. They clearly acknowledged, in every case, that conduct to be entitled to pre- ference which would obviously produce the greatest pleasure. They could not conceive an instance in which it would be their duty to hesitate, in causing, at whatever expense, the greatest and most unmixed delight. Hence arose a peculiarity which only failed to germinate in uncommon and momentous conse- quences, because the Assassins had retired from the intercourse of mankind, over whom other motives and principles of conduct than justice and benevolence prevail. It would be a difficult matter for men of such a sincere and simple faith, to estimate the final results of their intentions, among the corrupt and slavish multitude. They would be perplexed also in their choice of the means, where- by their intentions might be fulfilled. To produce THE ASSASSINS. 48 immediate pain or disorder for the sake of future benefit, is consonant, indeed, with the purest religion and philosophy, but never fails to excite invincible repugnance in the feelings of the many. Against their predilections and distastes an Assas- sin, accidentally the inhabitant of a civilised com- munity, would wage unremitting hostility from principle. He would find himself compelled to adopt means which they would abhor, for the sake of an object which they could not conceive that he should propose to himself. Secure and self-enshrined in the magnificence and pre-eminence of his con- ceptions, spotless as the light of heaven, he would be the victim among men of calumny and persecu- tion. Incapable of distinguishing his motives, they would rank him among the vilest and most atrocious criminals. Great, beyond all comparison with them, they would despise him in the presumption of their ignorance. Because his spirit burned with an unquenchable passion for their welfare, they would lead him, like his illustrious master, amidst scoffs, and mockery, and insult, to the remunera- tion of an ignominious death. Who hesitates to destroy a venomous serpent that has crept near his sleeping friend, except the man who selfishly dreads lest the malignant reptile should turn his fury on himself? And if the poisoner has assumed a human shape, if the bane be distinguished only from the viper's venom by the excess and extent of its devastation, will the saviour and avenger here retract and pause entrenched behind the superstition of the indefea- sible divinity of w man ? Is the human form, then, the mere badge of a prerogative for unlicensed wickedness and mischief I Can the power derived from the weakness of the oppressed, or the igno- rance of the deceived, confer the right in security to tyrannise and defraud \ The subject of regular governments, and the disciple of established superstition, dares not to ask this question. For the sake of the eventual benefit, he endures what he esteems a transitory evil, and the moral degradation of man disquiets not his patience. But the religion of an Assassin imposes other virtues than endurance, when his fellow-men groan under tyranny, or have become so bestial and abject that they cannot feel their chains. An Assassin believes that man is emi- nently man, and only then enjoys the prerogatives of his privileged condition, when his affections and his judgment pay tribute to the God of Nature. The perverse, and vile, and vicious — what were they ? Shapes of some unholy vision, moulded by the spirit of Evil, which the sword of the merciful destroyer should sweep from this beautiful world. Dreamy nothings ; phantasms of misery and mis- chief, that hold their death-like state on glittering tin-ones, and in the loathsome dens of poverty. No Assassin would submissively temporize with vice, and in cold charity become a pander to falsehood and desolation. His path through the wilderness of civilised society would be marked with the blood of the oppressor and the ruiner. The wretch, whom nations tremblingly adore, would expiate in his throttling grasp a thousand licensed and vene- rable crimes. How many holy liars and parasites, in solemn guise, would his saviour arm drag from their luxu- rious couches, and plunge in the cold charnel, that the green and many-legged monsters of the slimy grave might eat off at their leisure the lineaments of rooted malignity and detested cunning. The respectable man — the smooth, smiling, polished villain, whom all the city honours ; whose very trade is lies and murder ; who buys his daily bread with the blood and tears of men, would feed the ravens with his limbs. The Assassin would cater nobly for the eyeless worms of earth, and the carrion fowls of heaven. Yet here, religion and human love had imbued the manners of those solitary people with inexpres- sible gentleness and benignity. Courage and active virtue, and the indignation against vice, which becomes a hurrying and irresistible passion, slept like the imprisoned earthquake, or the lightning shafts that hang in the golden clouds of evening. They were innocent, but they were capable of more than innocence ; for the great principles of their faith were perpetually acknowledged and adverted to ; nor had they forgotten, in this uninterrupted quiet, the author of their felicity. Four centuries had thus worn away without producing an event. Men had died, and natural tears had been shed upon their graves, in sorrow that improves the heart. Those who had been United by love had gone to death together, leaving to their friends the bequest of a most sacred grief, and of a sadness that is allied to pleasure. Babes that hung upon their mothers' breasts had become men ; men had died ; and many a wild luxuriant weed that overtopped the habitations of the vale, had twined its roots around their disregarded bones. Their tranquil state was like a summer sea, whose gentle undulations disturb not the reflected stars, and break not the long still line of the rain- bow hues of sunrise. CHAPTER III. Where all is thus calm, the slightest circum- stance is recorded and remembered. Before the sixth century had expired one incident occurred, :A\ THE ASSASSINS. remarkable and strange. A young man, named Albedir, wandering in the woods, was startled by the screaming of a bird of prey, and, looking up, saw blood fall, drop by drop, from among the in- tertwined boughs of a cedar. Having climbed the tree, he beheld a terrible and dismaying spectacle. A naked human body was impaled on the broken branch. It was maimed and mangled horribly ; every limb bent and bruised into frightful distor- tion, and exhibiting a breathing image of the most sickening mockery of life. A monstrous snake had scented its prey from among the mountains — and above hovered a hungry vulture. From amidst this mass of desolated humanity, two eyes, black and inexpressibly brilliant, shone with an unearthly lustre. Beneath the blood-stained eye-brows their steady rays manifested the serenity of an immortal power, the collected energy of a deathless mind, spell-secured from dissolution. A bitter smile of mingled abhorrence and scorn distorted his wounded lip — he appeared calmly to observe and measure all around — self-possession had not deserted the shat- tered mass of life. The youth approached the bough on which the breathing corpse was hung. As he approached, the serpent reluctantly unwreathed his glittering coils, and crept towards his dark and loathsome cave. The vulture, impatient of his meal, fled to the mountain , that re-echoed with his hoarse screams. The cedar branches creaked with their agitating weight, faintly, as the dismal wind arose. All else was deadly silent. At length a voice issued from the mangled man. It rattled in hoarse murmurs from his throat and lungs — his words were the conclusion of some strange mysterious soliloquy. They were broken, and without apparent connection, completing wide intervals of inexpressible conceptions. " The great tyrant is baffled, even in success. J°y • joy ! to his tortured foe ! Triumph to the worm whom he tramples under his feet ! Ha ! His suicidal hand might dare as well abolish the mighty frame of things ! Delight and exultation sit before the closed gates of death ! — I fear not to dwell beneath their black and ghastly shadow. Here thy power may not avail ! Thou createst — 'tis mine to ruin and destroy. — I was thy slave — I am thy equal, and thy foe. — Thousands tremble before thy throne, who, at my voice, shall dare to pluck the golden crown from thine unholy head ! " He ceased. The silence of noon swallowed up his words. Albedir clung tighter to the tree — he dared not for dismay remove his eyes. He remained mute in the perturbation of deep and creeping horror. " Albedir ! " said the same voice, " Albedir ! in the name of God, approach. He that suffered me to fall, watches thee ; — the gentle and merciful spirits of sweet human love, delight not in agony and horror. For pity's sake approach, in the name of thy good God, approach, Albedir ! " The tones were mild and clear as the responses .of iEolian music. They floated to Albedir's ear like the warm breath of June that lingers in the lawny groves, subduing all to softness. * Tears of tender affection started into his eyes. It was as the voice of a beloved friend. The partner of his childhood, the brother of his soul, seemed to call for aid, and pathetically to remonstrate with delay. He resisted not the magic impulse, but advanced towards the spot, and tenderly attempted to remove the wounded man. He cautiously descended the tree with his wretched burthen, and deposited it on the ground. A period of strange silence intervened. Awe and cold horror were slowly succeeding to the softer sensations of tumultuous pity, when again he heard the silver modulations of the same en- chanting voice. " Weep not for me, Albedir ! What wretch so utterly lost, but might inhale peace and renovation from this paradise ! I am wounded, and in pain ; but having found a refuge in this seclusion, and a friend in you, I am worthier of envy than compassion. Bear me to your cottage secretly : I would not disturb your gentle partner by my appearance. She must love me more dearly than a brother. I must be the playmate of your children ; already I regard them with a father's love. My arrival must not be regarded as a thing of mystery and wonder. What, indeed, but that men are prone to error and exaggeration, is less inexplicable, than that a stranger, wandering on Lebanon, fell from the rocks into the vale ? Albe- dir," he continued, and his deepening voice assumed awful solemnity, " in return for the affection with which I cherish thee and thine, thou owest this submission." Albedir implicitly submitted ; not even a thought had power to refuse its deference. He reassumed his burthen, and proceeded towards the cottage. He watched until Khaled should be absent, and conveyed the stranger into an apartment appro- priated for the reception of those who occasionally visited their habitation. He desired that the door should be securely fastened, and that he might not be visited until the morning of the following day. Albedir waited with impatience for the return of Khaled. The unaccustomed weight of even so transitory a secret, hung on his ingenuous and unpractised nature, like a blighting, clinging curse. The stranger's accents had lulled him to a trance of wild and delightful imagination. Hopes, so visionary and aerial, that they had assumed no THE ASSASSINS. 51 denomination, had spread themselves over his in- tellectual frame, and, phantoms as they were, had modelled his being to their shape. Still his mind was not exempt from the visitings of disquietude and perturbation. It was a troubled stream of thought, over whose fluctuating waves unsearchable fate seemed to preside, guiding its unforeseen alter- nations with an inexorable hand. Albedir paced earnestly the garden of his cottage, revolving every circumstance attendant on the incident of the day. He re-imaged with intense thought the minutest recollections of the scene. In vain — he was the slave of suggestions not to be controlled. As- tonishment, horror, and awe — tumultuous sym- pathy, and a mysterious elevation of soul, hurried away all activity of judgment, and overwhelmed, with stunning force, every attempt at deliberation or inquiry. His reveries were interrupted at length by the return of Khaled. She entered the cottage, that scene of undisturbed repose, in the confidence that change might as soon overwhelm the eternal world, as disturb this inviolable sanctuary. She started to behold Albedir. Without preface or remark, he recounted with eager haste the occurrences of the day. Khaled's tranquil spirit could hardly keep pace with the breathless rapidity of his narration. She was bewildered with staggering wonder even to hear his confused tones, and behold his agitated countenance. CHAPTER IV. On the following morning Albedir arose at sun- rise, and visited the stranger. He found him already risen, and employed in adorning the lattice of his chamber with flowers from the garden. There was something in his attitude and occupation singularly expressive of his entire familiarity with the scene. Albedir's habitation seemed to have been his ac- customed home. He addressed his host in a tone of gay and affectionate welcome, such as never fails to communicate by sympathy the feelings from which it flows. " My friend," said he, " the balm of the dew of our vale is sweet ; or is this garden the favoured spot where the winds conspire to scatter the best odours they can find 1 Come, lend me your arm awhile, I feel very weak." He motioned to walk forth, but, as if unable to proceed, rested on the seat beside the door. For a few moments they were silent, if the interchange of cheerful and happy looks is to be called silence. At last he observed a spade that rested against the wall. " You have only one spade, brother," said he ; "you have only one, I suppose, of any of the instruments of tillage. Your garden ground, too, occupies a certain space which it will be necessary to enlarge. This must be quickly remedied. I cannot earn my supper of to-night, nor of to- morrow ; but thenceforward, I do not mean to eat the bread of idleness. I know that you would willingly perform the additional labour which my nourishment would require ; I know, also, that you would feel a degree of pleasure in the fatigue arising from this employment, but I shall contest with you such pleasures as these, and such pleasures as these alone." His eyes were somewhat wan, and the tone of his voice languid as he spoke. As they were thus engaged, Khaled came to- wards them. The stranger beckoned to her to sit beside him, and taking her hands within his own, looked attentively on her mild countenance. Khaled inquired if he had been refreshed by sleep. He replied by a laugh of careless and inoffensive glee ; and placing one of her hands within Albedir's, said, " If this be sleep, here in this odorous vale, where these sweet smiles encompass us, and the voices of those who love are heard — if these be the visions of sleep, sister, those who lie down m misery shall arise lighter than the butterflies. I came from amid the tumult of a world, how dif- ferent from this ! I am unexpectedly among you, in the midst of a scene such as my imagination never dared to promise. I must remain here — I must not depart." Khaled, recovering from the ad- miration and astonishment caused by the stranger's words and manner, assured him of the happiness which she should feel in such an addition to her society. Albedir, too, who had been more deeply impressed than Khaled by the event of his arrival, earnestly re-assured him of the ardour of the affection with which he had inspired them. The stranger smiled gently to hear the unaccustomed fervour of sincerity which animated their address, and was rising to retire, when Khaled said, " You have not yet seen our children, Maimuna and Abdallah. They are by the water-side, playing with their favourite snake. We have only to cross yonder little wood, and wind down a path cut in the rock that overhangs the lake, and we shall find them beside a recess which the shore makes there, and which a chasm, as it were, among the rocks and woods, encloses. Do you think you could walk there 1" — " To see your children, Khaled ? I think I could, with the assistance of Albedir's arm, and yours." — So they went through the wood of ancient cypress, intermingled with the brightness of many-tinted blooms, which gleamed like stars through its romantic glens. They crossed the green meadow, and entered among the broken chasms, beautiful as they were in their investiture e2 52 ON THE PUNISHMENT OF DEATH. of odoriferous shrubs. They came at last, after pursuing a path which wound through the intri- cacies of a little wilderness, to the borders of the lake. They stood on the rock which overhung it, from which there was a prospect of all the miracles of nature and of art which encircled and adorned its shores. The stranger gazed upon it with a countenance unchanged by any emotion, but, as it were, thoughtfully and contemplatingly. As he gazed, Khaled ardently pressed his hand, and said, in a low yet eager voice, " Look, look, lo there !" He turned towards her, but her eyes were not on him. She looked below — her lips were parted by the feelings which possessed her soul — her breath came and went regularly but inaudibly. She leaned over the precipice, and her dark hair hanging beside her face, gave relief to its fine lineaments, animated by such love as exceeds ut- terance. The stranger followed her eyes, and saw that her children were in the glen below ; then raising his eyes, exchanged with her affectionate looks of congratulation and delight. The boy was apparently eight years old, the girl about two years younger. The beauty of their form and counte- nance was something so divine and strange, as overwhelmed the senses of the beholder like a delightful dream, with insupportable ravishment. They were arrayed in a loose robe of linen, through which the exquisite proportions of their form appeared. Unconscious that they were observed, they did not relinquish the occupation in which they were engaged. They had constructed a little boat of the bark of trees, and had given it sails of interwoven feathers, and launched it on the water. They sate beside a white flat stone, on which a small snake lay coiled, and when their work was finished, they arose and called to the snake in melodious tones, so that it understood their lan- guage. For it unwreathed its shining circles and crept to the boat, into which no sooner had it entered, than the girl loosened the band which held it to the shore, and it sailed away. Then they ran round and round the little creek, clapping their hands, and melodiously pouring out wild sounds, which the snake seemed to answer by the restless glancing of his neck. At last a breath of wind came from the shore, and the boat changed its course, and was about to leave the creek, which the snake perceived and leaped into the water, and came to the little children's feet. The girl sang to it, and it leaped into her bosom, and she crossed her fair hands over it, as if to cherish it there. Then the boy answered with a song, and it glided from beneath her hands and crept towards him. While they were thus employed, Maimuna looked up, and seeing her parents on the cliff, ran to meet them up the steep path that wound around it ; and Abdallah, leaving his snake, followed joyfully. ON THE PUNISHMENT OF DEATH. & ^Fragment The first law which it becomes a Reformer to propose and support, at the approach of a period of great political change, is the abolition of the punishment of death. It is sufficiently clear that revenge, retaliation, atonement, expiation, are rules and motives, so far from deserving a place in any enlightened system of political life, that they are the chief sources of a prodigious class of miseries in the domestic circles of society. It is clear that however the spirit of legislation may appear to frame institutions upon more philosophical maxims, it has hitherto, in those cases which are termed criminal, done little more than palliate the spirit, by gratifying a por- tion of it ; and afforded a compromise between that which is best ; — the inflicting of no" evil upon a sensitive being, without a decisively beneficial result in which he should at least participate ; — and that which is worst ; that he should be put to torture for the amusement of those whom he may have injured, or may seem to have injured. Omitting these remoter considerations, let us inquire what Death is ; that punishment which is applied as a measure of transgressions of indefinite shades of distinction, so soon as they shall have passed that degree and colour of enormity, with which it is supposed no inferior infliction is com- mensurate. And first, whether death is good or evil, a punishment or a reward, or whether it be wholly indifferent, no man can take upon himself to assert. That that within us which thinks and feels, con- tinues to think and feel after the dissolution of the body, has been the almost universal opinion of mankind, and the accurate philosophy of what I may be permitted to term the modern Academy, ON THE PUNISHMENT OF DEATH. ,:■) by showing the prodigious depth and extent of our ignorance respecting the causes and nature of sen- sation, renders probable the affirmative of a pro- position, the negative of which it is so difficult to conceive, and the popular arguments against which, derived from what is called the atomic system, are proved to be applicable only to the relation which one object bears to another, as apprehended by the mind, and not to existence itself, or the nature of that essence which is the medium and receptacle of objects. The popular system of religion suggests the idea that the mind, after death, will be painfully or pleasurably affected according to its determinations during life. However ridiculous and pernicious we must admit the vulgar accessories of this creed to be, there is a certain analogy, not wholly absurd, between the consequences resulting to an indi- vidual during life from the virtuous or vicious, prudent or imprudent, conduct of his external actions, to those consequences which are con- jectured to ensue from the discipline and order of his internal thoughts, as affecting his condition in a future state. They omit, indeed, to calculate upon the accidents of disease, and temperament, and organisation, and circumstance, together with the multitude of independent agencies which affect the opinions, the conduct, and the happiness of indi- viduals, and produce determinations of the will, and modify the judgment, so as to produce effects the most opposite in natures considerably similar. These are those operations in the order of the whole of nature, tending, we are prone to believe, to some definite mighty end, to which the agencies of our peculiar nature are subordinate ; nor is there any reason to suppose, that in a future state they should become suddenly exempt from that subor- dination. The philosopher is unable to determine whether our existence in a previous state has affected our present condition, and abstains from deciding whether our present condition will affect us in that which may be future. That, if we continue to exist, the manner of our existence will be such as no inferences nor conjectures, afforded by a consideration of our earthly experience, can elucidate, is sufficiently obvious. The opinion that the vital principle within us, in whatever mode it may continue to exist, must lose that conscious- ness of definite and individual being which now characterises it, and become a unit in the vast sum of action and of thought which disposes and ani- mates the universe, and is called God, seems to belong to that class of opinion which has been designated as indifferent. To compel a person to know all that can be known by the dead, concerning that which the living fear, hope, or forget ; to plunge him into the pleasure or pain which there awaits him ; to punish or reward him in a maimer and in a degree incalculable and incomprehensible by us ; to dis- robe him at once from all that intertexture of good and evil with which Nature seems to have clothed every form of individual existence, is to inflict on him the doom of death. A certain degree of pain and terror usually accompany the infliction of death. This degree is infinitely varied by the infinite variety in the tem- perament and opinions of the sufferers. As a mea- sure of punishment, strictly so considered, and as an exhibition, which, by its known effects on the sensibility of the sufferer, is intended to intimidate the spectators from incurring a similar liability, it is singularly inadequate. Firstly, — Persons of energetic character, in whom, as in men who suffer for political crimes, there is a large mixture of enterprise, and forti- tude, and disinterestedness, and the elements, though misguided and disarranged, by which the strength and happiness of a nation might have been cemented, die hi such a manner, as to make death appear not evil, but good. The death of what is called a traitor, that is, a person who, from whatever motive, would abolish the government of the day, is as often a triumphant exhibition of suffering virtue, as the warning of a culprit. The multitude, instead of departing with a panic-stricken approbation of the laws which exhibited such a spectacle, are inspired with pity, admiration and sympathy ; and the most generous among them feel an emulation to be the authors of such flat- tering emotions, as they experience stirring in their bosoms.. Impressed by what they see and feel, they make no distinction between the motives which incited the criminals to the actions for which they suffer, or the heroic courage with which they turned into good that which their judges awarded to them as evil, or the purpose itself of those actions, though that purpose may happen to be eminently pernicious. The laws in this case lose that sympathy, which it ought to be their chief object to secure, and in a participation of which consists their chief strength in maintaining those sanctions by which the parts of the social union are bound together, so as to produce, as nearly as possible, the ends for which it is instituted. Secondly, — Persons of energetic character, in communities not modelled with philosophical skill to turn all the energies which they contain to the purposes of common good, are prone also to fall into the temptation of undertaking, and are pecu- liarly fitted for despising the perils attendant upon ; consummating, the most enormous crimes. Murder, : 54 ON THE PUNISHMENT OF DEATH. rapes, extensive schemes of plunder, are the actions of persons belonging to this class ; and death is the penalty of conviction. But the coarse- ness of organisation, peculiar to men capable of committing acts wholly selfish, is usually found to be associated with a proportionate insensibihty to fear or pain. Their sufferings communicate to those of the spectators, who may be liable to the commission of similar crimes, a sense of the light- ness of that event, when closely examined, which, at a distance, as uneducated persons are accus- tomed to do, probably they regarded with horror. But a great majority of the spectators are so bound up in the interests and the habits of social union that no temptation would be sufficiently strong to induce them to a commission of the enormities to which this penalty is assigned. The more powerful, and the richer among them, — and a numerous class of little tradesmen are richer and more powerful than those .who are employed by them, and the employer, in general, bears this relation to the employed, — regard their own wrongs as, in some degree, avenged, and their own rights secured by this punishment, inflicted as the penalty of whatever crime. In cases of murder or mutilation, this feeling is almost universal. In those, therefore, whom this exhibition does not awaken to the sympathy which extenuates crime and discredits the law which restrains it, it pro- duces feelings more directly at war with the genuine purposes of political society. It excites those emotions which it is the chief object of civili- sation to extinguish for ever, and in the extinction of which alone there can be any hope of better institutions than those under which men now mis- govern one another. Men feel that their revenge is gratified, and that their security is established by the extinction and the sufferings of beings, in most respects resembling themselves ; and their daily occupations constraining them to a precise form in all their thoughts, they come to connect inseparably the idea of their own" advantage with that of the death and torture of others. It is manifest that the object of sane polity is directly the reverse ; and that laws founded upon reason, should accustom the gross vulgar to asso- ciate their ideas of security and of interest with the reformation, and the strict restraint, for that purpose alone, of those who might invade it. The passion of revenge is originally nothing more than an habitual perception of the ideas of the sufferings of the person who inflicts an injury, as connected, as they are in a savage state, or in such portions of society as are yet undisciplined to civilisation, with security that that injury will not be repeated in future. This feeling, engrafted upon superstition and confirmed by habit, at last loses sight of the only object for which it may be supposed to have been implanted, and becomes a passion and a duty to be pursued and fulfilled, even to the destruction of those ends to which it originally tended. The other passions, both good and evil, Avarice, Remorse, Love, Patriotism, present a similar appearance ; and to this principle of the mind over-shooting the mark at which it aims, we owe all that is eminently base or excel- lent in human nature ; in providing for the nutri- ment or the extinction of which, consists the true art of the legislator.* Nothing is more clear than that the infliction of punishment in general, in a degree which the refor- mation and the restraint of those who transgress the laws does not render indispensable, and none more than death, confirms all the inhuman and unsocial impulses of men. It is almost a prover- bial remark, that those nations in which the penal code has been particularly mild, have been dis- tinguished from all others by the rarity of crime. But the example is to be admitted to be equivocal. A more decisive argument is afforded by a consi- deration of the universal connection of ferocity of manners, and a contempt of social ties, with the contempt of human life. Governments which derive their institutions from the existence of cir- cumstances of barbarism and violence, with some rare exceptions perhaps, are bloody in proportion as they are despotic, and form the manners of their subjects to a sympathy with their own spirit. The spectators who feel no abhorrence at a public execution, but rather a self-applauding superiority, and a sense of gratified indignation, are surely excited to the most inauspicious emotions. The first reflection of such a one is the sense of his own internal and actual worth, as preferable to that of the victim, whom circumstances have led to destruction. The meanest wretch is impressed with a sense of his own comparative merit. , He is * The savage and the illiterate are but faintly aware of the distinction between the future and the past ; they make actions belonging to periods so distinct, the subjects of similar feelings ; they live only in the present, or in the pastj as it is present. It is in this that the philosopher excels one of the many ; it is this which distinguishes the doctrine of philosophic necessity from fatalism ; and that determination of the will, by which it is the active source of future events, from that liberty or indifference, to which the abstract liability of irremediable actions is attached, according to the notions of the vulgar. This is the source of the erroneous excesses of Remorse and Revenge ; the one extending itself over the future, and the other over the past ; provinces in which their sug- gestions can only be the sources of evil. The purpose of a resolution to act more wisely and virtuously in future, and the sense of a necessity of caution in repressing an enemy, are the sources from which the enormous super- stitions implied in the words cited have arisen. ON LIFE. one of those on whom the tower of Siloam fell not — he is such a one as Jesus Christ found not in all Samaria, who, hi his own soul, throws the first stone at the woman taken in adultery. The popular religion of the country takes its designa- tion from that illustrious person whose beautiful sentiment I have quoted. Any one who has stript from the doctrines of this person the veil of fami- liarity, will perceive how adverse their spirit is to feelings of this nature. ON LIFE Life and the world, or whatever we call that which we are and feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being. We are struck with admi- ration at some of its transient modifications, but it is itself the great miracle. What are changes of empires, the wreck of dynasties, with the opi- nions which supported them ; what is the birth and the extinction of religious and of political systems to life I What are the revolutions of the globe which we inhabit, and the operations of the ele- ments of which it is composed, compared with life ? What is the universe of stars, and suns, of which this inhabited earth is one, and their motions, and their destiny, compared with life ? Life, the great miracle; we admire not, because it is so mira- culous. It is well that we are thus shielded by the familiarity of what is at once so certain and so unfathomable, from an astonishment which would otherwise absorb and overawe the functions of that which is its object. If any artist, I do not say had executed, but had merely conceived in his mind the system of the sun, and the stars, and planets, they not existing, and had painted to us in words, or upon canvas, the spectacle now afforded by the nightly cope of heaven, and illustrated it by the wisdom of astronomy, great would be our admiration. Or had he imagined the scenery of this earth, the mountains, the seas, and the rivers ; the grass, and the flowers, and the variety of the forms and masses of the leaves of the woods, and the colours which attend the setting and the rising sun, and the hues of the atmosphere, turbid or serene, these things not before existing, truly we should have been astonished, and it would not have been a vain boast to have said of such a man, " Non merita nome di creatore, sennon Iddio ed il Poeta." But now these things are looked on with little wonder, and to be conscious of them with intense delight is esteemed to be the distinguishing mark of a refined and extraordinary person. The multitude of men care not for them. It is thus with Life— that Avhich includes all. What is life ? Thoughts and feelings arise, with or without our will, and we employ words to express them. We are born, and our birth is unremembered, and our infancy remembered but in fragments ; we live on, and in living we lose the apprehension of life. How vain is it to think that words can penetrate the mystery of our being ! Rightly used they may make evident our ignorance to ourselves, and this is much. For what are we ? Whence do we come ? and whither do we go ? Is birth the commencement, is death the conclusion of our being ? What is birth and death ? The most refined abstractions of logic conduct to a view of fife, which, though startling to the apprehension, is, in fact, that which the habitual sense of its repeated combinations has extinguished in us. It strips, as it were, the painted -curtain from this scene of things. I confess that I am one of those who am unable to refuse my assent to the conclusions of those philosophers who assert that nothing exists but as it is perceived. It is a decision against which all our persuasions struggle, and we must be long convicted before we can be convinced that the solid universe of external things is " such stuff as dreams are made of." The shocking absurdities of the popular philosophy of mind and matter, its fatal consequences in morals, and their violent dogmatism concerning the source of all things, had early conducted me to mate- rialism. This materialism is a seducing system to young and superficial minds. It allows its dis- ciples to talk, and dispenses them from thinking. But I was discontented with such a view of things as it afforded ; man is a being of high aspirations, " looking both before and after," whose * thoughts wander through eternity," disclaiming alliance with transience and decay ; incapable of imagining to himself annihilation ; existing but in the future and the past ; being, not what he is, but what he has been and shall be. Whatever may be his true and -final destination, there is a spirit within him at enmity with nothingness and dissolution. This is the character of all life and being. Each is at once the centre and the circumference ; the point 56 ON LIFE. to which all things are referred, and the line in which all things are contained. Such contem- plations as these, materialism and the popular phi- losophy of mind and matter alike forbid ; they are only consistent with the intellectual system. It is absurd to enter into a long recapitulation of arguments sufficiently familiar to those in- quiring minds, whom alone a writer on abstruse subjects can be conceived to address. Perhaps the most clear and vigorous statement of the intel- lectual system is to be found in Sir William Drummond's Academical Questions. After such an exposition, it would be idle to translate into other words what could only lose its energy and fitness by the change. Examined point by point, and word by word, the most discriminating in- tellects have been able to discern no train of thoughts in the process of reasoning, which does [ not conduct inevitably to the conclusion which has been stated. What follows from the admission 1 It esta- blishes no new truth, it gives us no additional in- sight into our hidden nature, neither its action nor itself. Philosophy, impatient as it may be to build, has much work yet remaining, as pioneer for the overgrowth of ages. It makes one step to- wards this object j it destroys error, and the roots of error. It leaves, what it is too often the duty of the reformer in political and ethical questions to leave, a vacancy. It reduces the mind to that freedom in which it would have acted, but for the misuse of words and signs, the instruments of its own creation. By signs, I would be understood in a wide sense, including what is properly meant by that term, and what I peculiarly mean. In this latter sense, almost all familiar objects are signs^ standing, not for themselves, but for others, in their capacity of suggesting one thought which shall lead to a train of thoughts. Our whole life is thus an education of error. «* Let us recollect our sensations as children. What a distinct and intense apprehension had we of the world and of ourselves ! Many of the cir- cumstances of social life were then important to us which are now no longer so. But that is not the point of comparison on which I mean to insist. We less habitually distinguished all that we saw and felt, from ourselves. They seemed as it were to constitute one mass. There are some persons who, in this respect, are always children. Those who are subject to the state called reverie, feel as if their nature were dissolved into the surrounding universe, or as if the surrounding universe were absorbed into their being. They are conscious of no distinction. And these are states which pre- cede, or accompany, or follow an unusually intense and vivid apprehension of life. As men grow up this power commonly decays, and they become mechanical and habitual agents. * Thus feelings and then reasonings are the combined result of a multitude of entangled thoughts, and of a series of what are called impressions, planted by reiteration. The view of life presented by the most refined deductions of the intellectual philosophy, is that of unity. Nothing exists but as it is perceived. The difference is merely nominal between those two classes of thought, which are vulgarly distin- guished by the names of ideas and of external objects. Pursuing the same thread of reasoning, the existence of distinct individual minds, similar to that which is employed in now questioning its own nature, is likewise found to be a delusion. The words 7, you, they, are not signs of any actual difference subsisting between the assemblage of thoughts thus indicated, but are merely marks employed to denote the different modifications of the one mind. Let it not be supposed that this doctrine con- ducts to the monstrous presumption that I, the person who now write and think, am that one mind. I am but a portion of it. The words / and you, and they are grammatical devices invented simply for arrangement, and totally devoid of the intense and exclusive sense usually attached to them. It is difficult to find terms adequate to express so subtle a conception as that to which the Intellectual Philosophy has conducted us. We are on that verge where words abandon us, and what wonder if we grow dizzy to look down the dark abyss of how little we know. The relations of things remain unchanged, by whatever system. By the word things is to be un- derstood any object of thought, that is any thought upon which any other thought is employed, with an apprehension of distinction. The relations of these remain unchanged ; and such is the material of our knowledge. What is the cause of life % that is, how was it produced, or what agencies distinct from life have acted or act upon life \ All recorded generations of mankind have wearily busied themselves in inventing answers to this question ; and the result has been, — Religion. Yet, that the basis of all things cannot be, as the popular philosophy alleges, mind, is sufficiently evident. Mind, as far as we have any experience of its properties, and beyond that experience how vain is argument ! cannot create, it can only perceive. It is said also to be the cause. But cause is only a word expressing a certain state of the human mind with regard to the manner in which two thoughts are apprehended to be related to each other. If any one desires to ON A FUTURE STATE. 57 know how unsatisfactorily the popular philosophy employs itself upon this great question, they need only impartially reflect upon the manner in which thoughts develop themselves in their minds. It is infinitely improbable that the cause of mind, that is, of existence, is similar to mind. ON A FUTURE STATE. It has been the persuasion of an immense majority of human beings in all ages and nations that we continue to live after death, — that apparent termination of all the functions of sensitive and intellectual existence. Nor has mankind been contented with supposing that species of existence which some philosophers have asserted ; namely, the resolution of the component parts of the mechanism of a living being into its elements, and the impossibility of the minutest particle of these sustaining the smallest diminution. They have clung to the idea that sensibility and thought, which they have distinguished from the objects of it, under the several names of spirit and matter, is, in its own nature, less susceptible of division and decay, and that, when the body is resolved into its elements, the principle which animated it will remain perpetual and unchanged. Some philo- sophers — and those to whom we are indebted for the most stupendous discoveries in physical science, suppose, on the other hand, that intelligence is the mere result of certain combinations among the particles of its objects ; and those among them who believe that we live after death, recur to the interposition of a supernatural power, which shall overcome the tendency inherent in all material combinations, to dissipate and be absorbed into other forms. Let us trace the reasonings which in one and the other have conducted to these two opinions, and endeavour to discover what we ought to think on a question of such momentous interest. Let us analyse the ideas and feelings which constitute the contending beliefs, and watchfully establish a discrimination between words and thoughts. Let us bring the question to the test of experience and fact ; and ask ourselves, considering our nature in its entire extent, what light we derive from a sustained and comprehensive view of its compo- nent parts, which may enable us to ass'ert, with certainty, that we do or do not live after death. The examination of this subject requires that it should be stript of all those accessory topics which adhere to it in the common opinion of men. The existence of a God, and a future state of re- wards and punishments, are totally foreign to the subject. If it be proved that the world is ruled by a Divine Power, no inference necessarily can be drawn from that circumstance in favour of a future state. It has been asserted, indeed, that as goodness and justice are to be numbered among the attributes of the Deity, he will undoubtedly compensate the virtuous who suffer during life, and that he will make every sensitive being, who does not deserve punishment, happy for ever. But this view of the subject, which it would be tedious as well as superfluous to develop and expose, satisfies no person, and cuts the knot which we now seek to untie. Moreover, should it be proved, on the other hand, that the mysterious principle which regulates the proceedings of the universe, is neither intelligent nor sensitive, yet it is not an inconsistency to suppose at the same time, that the animating power survives the body which it has animated, by laws as independent of any super- natural agent as those through which it first be- came united with it. Nor, if a future state be clearly proved, does it follow that it will be a state of punishment or reward. By the word death, we express that condition in which natures resembling ourselves apparently cease to be that which they were. We no longer hear them speak, nor see them move. If they have sensations and apprehensions, we no longer participate in them. We know no more than that those external organs, and all that fine texture of material frame, without which we have no expe- rience that life or thought can subsist, are dissolved and scattered abroad. The body is placed under the earth, and after a certain period there remains no vestige even of its form. This is that contem- plation of inexhaustible melancholy, whose shadow eclipses the brightness of the world. The common observer is struck with dejection at the spectacle. He contends in vain against the persuasion of the grave, that the dead indeed cease to be. The corpse at his feet is prophetic of his own destiny. Those who have preceded him, and whose voice was delightful to his ear ; whose touch met his like sweet and subtle fire ; whose aspect spread a visionary light upon his path — these he cannot meet again. The organs of sense are destroyed, 58 ON A FUTURE STATE. and the intellectual operations dependent on them have perished with their sources. How can a corpse see or feel ? its eye» are eaten out, and its heart is black and without motion. What inter- course can two heaps of putrid clay and crumbling bones hold together ? When you can discover where the fresh colours of the faded flower abide, or the music of the broken lyre, seek life among the dead. Such are the anxious and fearful con- templations of the common observer, though the popular religion often prevents him from confessing them even to himself. The natural philosopher, in addition to the sensations common to all men inspired by the event of death, believes that he sees with more certainty that it is attended with the annihilation of sentiment and thought. He observes the mental powers increase and fade with those of the body, and even accommodate themselves to the most transitory changes of our physical nature. Sleep suspends many of the faculties of the vital and intellectual principle ; drunkenness and disease will either temporarily or permanently derange them. Madness or idiotcy may utterly extinguish the most excellent and delicate of those powers. In old age the mind gradually withers ; and as it grew and was strengthened with the body, so does it together with the body sink into decrepitude. Assuredly these are convincing evidences that so soon as the organs of the body are subjected to the laws of inanimate matter, sensation, and perception, and apprehension, are at an end. It is probable that what we call thought is not an actual being, but no more than the relation between certain parts of that infinitely varied mass, of which the rest of the universe is composed, and which ceases to exist so soon as those parts change their position with regard to each other. Thus colour, and sound, and taste, and odour exist only relatively. But let thought be considered as some peculiar sub- stance, which permeates, and is the cause of, the animation of living beings. Why should that sub- stance be assumed to be something essentially dis- tinct from all others, and exempt from subjection to those laws from which no other substance is exempt % It differs, indeed, from all other sub- stances, as electricity, and light, and magnetism, and the constituent parts of air and earth, severally differ from all others. Each of these is subject to change and to decay, and to conversion into other forms. Yet the difference between light and earth is scarcely greater than that which exists between life, or thought, and fire. The difference between the two former was never alleged as an argument for the eternal permanence of either, in that form under which they first might offer themselves to our notice. Why should the difference between the two latter substances be an argument for the prolongation of the existence of one and not the other, when the existence of both has arrived at their apparent termination \ To say that fire exists without manifesting any of the properties of fire, such as light, heat, &c, or that the principle of life exists without consciousness, or memory, or desire, or motive, is to resign, by an awkward dis- tortion of language, the affirmative of the dispute. To say that the principle of life may exist in dis- tribution among various forms, is to assert what cannot be proved to be either true or false, but which, were it true, annihilates all hope of exist- ence after death, in any sense in which that event can belong to the hopes and fears of men. Sup- pose, however, that the intellectual and vital principle differs in the most marked and essential manner from all other known substances ; that they have all some resemblance between them- selves which it in no degree participates. In what manner can this concession be made an argument for its imperishability ? All that we see or, know perishes and is changed. Life and thought differ indeed from everything else. But that it survives that period, beyond which we have no experience of its existence, such distinction and dissimilarity affords no shadow of proof, and nothing but our own desires could have led us to conjecture or imagine. Have we existed before birth ? It is difficult to conceive the possibility of this. There is, in the generative principle of each animal and plant, a power which converts the substances by which it is surrounded into a substance homogeneous with itself. That is, the relations between certain elementary particles of matter undergo a change, and submit to new combinations. For when we use the words principle, power, cause, &c, we mean to express no real being, but only to class under those terms a certain series of co-existing pheno- mena ; but let it be supposed that this principle is a certain substance which escapes the observation of the chemist and anatomist. It certainly may be; though it is sufficiently unphilosophical to allege the possibility of an opmion as a proof of its truth. Does it see, hear, feel, before its combina- tion with those organs on which sensation depends ? Does it reason, imagine, apprehend, without those ideas which sensation alone can communicate ? If we have not existed before birth ; if, at the period when the parts of our nature on which thought and life depend, seem to be woven together, they are woven together ; if there are no reasons to suppose that we have existed before that period at which our existence apparently commences, SPECULATIONS ON METAPHYSICS. 59 then there are no grounds for supposition that we shall continue to exist after our existence has apparently ceased. So far as thought and life is concerned, the same will take plaee with regard to us, individually considered, after death, as had place before our birth. It is said that it is possible that we should con- tinue to exist in some mode totally inconceivable to us at present. This is a most unreasonable pre- sumption. It casts on the adherents of annihila- tion the burthen of proving the negative of a ques- tion, the affirmative of which is nonsupported by a single argument, and which, by its very nature, lies beyond the experience of the human understand- ing. It is sufficiently easy, indeed, to form any proposition, concerning which we are ignorant, just not so absurd as not to be contradictory in itself, and defy refutation. The possibility of whatever enters into the wildest imagination to conceive is thus triumphantly vindicated. But it is enough that such assertions should be either contradictory to the known laws of nature, or exceed the limits of our experience, that their fallacy or irrelevancy to our consideration should be demonstrated. They persuade, indeed, only those who desire to be persuaded. This desire to be for ever as we are ; the reluct- ance to a violent and unexperienced change, which is common to all tfie animated and inanimate com- binations of the universe, is, indeed, the secret persuasion which has given birth to the opinions of a future state. SPECULATIONS ON METAPHYSICS. I. — THE MIND. I. It is an axiom in mental philosophy, that we can think of nothing which we have not perceived. When I say that we can think of nothing, I mean, we can imagine nothing, we can reason of nothing, we can remember nothing, we can foresee nothing. The most astonishing combinations of poetry, the subtlest deductions of logic and mathematics, are no other than combinations which the intellect makes of sensations according to its own laws. A catalogue of all the thoughts of the mind, and of all their possible modifications, is a cyclopedic history of the universe. But, it will be objected, the inhabitants of the various planets of this and other solar systems ; and the existence of a Power bearing the same relation to all that we perceive and are, as what we call a cause does to what we call effect, were never subjects of sensation, and yet the laws of mind ; almost universally suggest, according to the various disposition of each, a conjecture, a persuasion, or a conviction of their existence. The reply is simple ; these thoughts are also to be included in the cata- logue of existence ; they are modes in which thoughts are combined ; the objection only adds force to the conclusion, that beyond the limits of perception and thought nothing can exist. Thoughts, or ideas, or notions, call them what you will, differ from each other, not in kind, but in force. It has commonly been supposed that those distinct thoughts which affect a number of persons, at regular intervals, during the passage of a multitude of other thoughts, which are called real, or external objects, are totally different in kind from those which affect only a few persons, and which recur at irregular intervals, and are usually more obscure and indistinct, such as hallucinations, dreams, and the ideas of madness. No essential distinction between any one of these ideas, or any class of them, is founded on a correct observation of the nature of things, but merely on a considera- tion of what thoughts are most invariably sub- servient to the security and happiness of life ; and if nothing more were expressed by the distinction, the philosopher might safely accommodate his language to that of the vulgar. But they pretend to assert an essential difference, which has no foundation in truth, and which suggests a narrow and false conception of universal nature, the parent of the most fatal errors in speculation. A specific difference between every thought of the mind, is, indeed, a necessary consequence of that law by which it perceives diversity and number ; but a generic and essential difference is wholly arbitrary. The principle of the agreement and similarity of all thoughts, is, that they are all thoughts ; the principle of their disagreement consists in the variety and irregularity of the occasions on which they arise in the mind. That in which they agree, to that in which they differ, is as everything to nothing. Important distinctions, of various degrees of force, indeed, are to be established between them, if they were, as they may be, sub- jects of ethical and oeconomical discussion ; but that is a question altogether distinct. By considering all knowledge as bounded by 60 SPECULATIONS ON METAPHYSICS. perception, whose operations may be indefinitely combined, we arrive at a conception of Nature in- expressibly more magnificent, simple and true, than accords with -the ordinary systems of complicated and partial consideration. Nor does a contem- plation of the universe, in this comprehensive and synthetical view, exclude the subtlest analysis of its modifications and parts. A scale might be formed, graduated according to the degrees of a combined ratio of intensity, duration, connection, periods of recurrence, and utility, which would be the standard, according to which all ideas might be measured, and an uninterrupted chain of nicely shadowed distinctions would be observed, from the faintest impression on the senses, to the most distinct combination of those impressions ; from the simplest of those combinations, to that mass of knowledge which, including our own nature, constitutes what we call the universe. We are intuitively conscious of our own ex- istence, and of that connection in the train of our successive ideas, which we term our identity. We are conscious also of the existence of other minds ; but not intuitively. Our evidence, with respect to the existence of other minds, is founded upon a very complicated relation of ideas, which it is foreign to the purpose of this treatise to anatomise. The basis of this relation is, undoubtedly, a peri- odical recurrence of masses of ideas, which our voluntary determinations have, in one peculiar direction, no power to circumscribe or to arrest, and against the recurrence of which they can only imperfectly provide. The irresistible laws of thought constrain us to believe that the precise limits of our actual ideas are not the actual limits of possible ideas ; the law, according to which these deductions are drawn, is called analogy ; and this is the foundation of all our inferences, from one idea to another, inasmuch as they resemble each other. We see trees, houses, fields, living beings in our own shape, and in shapes more or less analogous to our own. These are perpetually changing the mode of their existence relatively to us. To ex- press the varieties of these modes, we say, we move, they move ; and as this motion is continual, though not uniform, we express our conception of the diversities of its course by — it has been, it is, it shall be. These diversities are events or objects, and are essential, considered relatively to human identity, for the existence of the human mind. For if the inequalities, produced by what has been termed the operations of the external universe were levelled by the perception of our being, uniting, and filling up their interstices, motion and mensuration, and time, and space ; the elements of the human mind being thus abstracted, sensation and imagination cease. Mind cannot be considered pure. II. — WHAT METAPHYSICS ARE. ERRORS IN THE USUAL METHODS OF CONSIDERING THEM. We do not attend sufficiently to what passes within ourselves. We combine words, combined a thousand times before. In our minds we assume entire opinions ; and in the expression of those opinions, entire phrases, when we would philoso- I phise. Our whole style of expression and senti- ment is infected with the tritest plagiarisms. Our words are dead, our thoughts are cold and bor- rowed. Let us contemplate facts ; let us, in the great study of ourselves, resolutely compel the mind to a rigid consideration of itself. We are not content with conjecture, and inductions, and syllogisms, in sciences regarding external objects. As in these, let us also, in considering the phenomena of mind, severely collect those facts which cannot be dis- puted. Metaphysics will thus possess this conspi- cuous advantage over every other science, that each student, by attentively referring to his own mind, may ascertain the authorities upon which any assertions regarding it are supported. There \ can thus be no deception, we ourselves being the depositaries of the evidence of the subject which we consider. Metaphysics may be defined as an inquiry con- cerning those things belonging to, or connected with, the internal nature of man. It is said that mind produces motion ; and it might as well have been said, that motion pro- duces mind. III. — DIFFICULTY OF ANALYZING THE HUMAN MIND. If it were possible that a person should give a faithful history of his being, from the earliest epochs of his recollection, a picture would be pre- sented such as the world has never contemplated before. A mirror would be held up to all men in which they might behold their own recollections, and, in dim perspective, their shadowy hopes and fears, — all that they dare not, or that daring and desiring, they could not expose to the open eyes of day. But thought can with difficulty visit the intricate and winding chambers which it inhabits. It is like a river whose rapid and perpetual stream flows outwards ; — like one in dread who speeds through the recesses of some haunted pile, and SPECULATIONS ON METAPHYSICS. 61 dares not look behind. The caverns of the mind are obscure, and shadowy ; or pervaded with a lustre, beautifully bright indeed, but shining not beyond their portals. If it were possible to be where we have been, vitally and indeed — if, at the moment of our presence there, we could define the results of our experience, — if the passage from sen- sation to reflection — from a state of passive per- ception to voluntary contemplation, were not so dizzying and so tumultuous, this attempt would be less difficult. IV. — HOW THE ANALYSIS SHOULD BE CARRIED ON. Most of the errors of philosophers have arisen from considering the human being in a point of view too detailed and circumscribed. He is not a moral, and an intellectual, — but also, and pre-emi- nently, an imaginative being. His own mind is his law ; his own mind is all things to him. If we would arrive at any knowledge which should be serviceable from the practical conclusions to which it leads, we ought to consider the mind of man and the universe as the great whole on which to exercise our speculations. Here, above all, verbal disputes ought to be laid aside, though this has long been their chosen field of battle. It imports little to inquire whether thought be distinct from the objects of thought. The use of the words external and internal, as applied to the establish- ment of this distinction, has been the symbol and the source of much dispute. This is merely an affair of words, and as the dispute deserves, to say, that when speaking of the objects of thought, we indeed only describe one of the forms of thought — or that, speaking of thought, we only apprehend one of the operations of the universal system of V. — CATALOGUE OP THE PHENOMENA OF DREAMS, AS CONNECTING SLEEPING AND WAKING. 1. Let us reflect on our infancy, and give as faithfully as possible a relation of the events of And first I am bound to present a faithful pic- ture of my own peculiar nature relatively to sleep. I do not doubt that were every individual to imitate me, it would be found that among many circumstances peculiar to their individual nature, a sufficiently general resemblance would be found to prove the connection existing between those pecu- liarities and the most universal phenomena. I shall employ caution, indeed, as to the facts which I state, that they contain nothing false or ex- aggerated. But they contain no more than certain elucidations of my own nature ; concerning the degree in which it resembles, or differs from, that of others, I am by no means accurately aware. It is sufficient, however, to caution the reader against drawing general inferences from particular instances. I omit the general instances of delusion in fever or delirium, as well as mere dreams considered in themselves. A delineation of this subject, however inexhaustible and interesting, is to be passed over. What is the connection of sleeping and of waiving % 2. I distinctly remember dreaming three several times, between intervals of two or more years, the same precise dream. It was not so much what is ordinarily called a dream ; the single image, unconnected with all other images, of a youth who was educated at the same school with myself, pre- sented itself in sleep. Even now, after the lapse of many years, I can never hear the name of this youth, without the three places where I dreamed of him presenting themselves distinctly to my mind. 3. In dreams, images acquire associations pe- culiar to dreaming ; so that the idea of a particular house, when it recurs a second time in dreams, will have relation with the idea of the same house, in the first time, of a nature entirely different from that which the house excites, when seen or thought of in relation to waking ideas. 4. I have beheld scenes, with the intimate and unaccountable connection of which with the ob- scure parts of my own nature, I have been irre- sistibly impressed. I have beheld a scene which has produced no unusual effect on my thoughts. After the lapse of many years I have dreamed of this scene. It has hung on my memory, it has haunted my thoughts, at intervals, with the per- tinacity of an object connected with human affec- tions. I have visited this scene again. Neither the dream could be dissociated from the landscape, nor the landscape from the dream, nor feelings, such as neither singly could have awakened, fi*om both. But the most remarkable event of this nature, which ever occurred to me, happened five years ago at Oxford. I was walking with a friend, in the neighbourhood of that city, engaged in earnest and interesting conversation. We suddenly turned the corner of a lane, and the view, which its high banks and hedges had concealed, presented itself. The view consisted of a windmill, standing in one among many plashy meadows, inclosed with stone walls ; the irregular and broken ground, between the wall and the road on which we stood ; a long low hill behind the windmill, and a grey covering <;-2 SPECULATIONS ON MORALS. of uniform cloud spread over the evening sky. It was that season when the last leaf had just fallen from the scant and stunted ash. The scene surely was a common scene ; the season and the hour little calculated to kindle lawless thought ; it was a tame uninteresting assemblage of objects, such as would drive the imagination for refuge in serious and sober talk, to the evening fireside, and the dessert of whiter fruits and wine. The effect which it produced on me was not such as could have been expected. I suddenly remembered to have seen that exact scene in some dream of long * FRAGMENTS SPECULATIONS ON MORALS I. PLAN OF A TREATISE ON MORALS. That great science which regards nature and the operations of the human mind, is popularly divided into Morals and Metaphysics. The latter relates to a just classification, and the assignment of distinct names to its ideas ; the former regards simply the determination of that arrangement of them which produces the greatest and most solid happiness. It is admitted that a virtuous or moral action, is that action which, when considered in all its accessories and consequences, is fitted to pro- duce the highest pleasure to the greatest number of sensitive beings. The laws according to which all pleasure, since it cannot be equally felt by all sensitive beings, ought to be distributed by a volun- tary agent, are reserved for a separate chapter. The design of this little treatise is restricted to the development of the elementary principles of morals. As far as regards that purpose, meta- physical science will be treated merely so far as a source of negative truth ; whilst morality will be considered as a science, respecting which we can arrive at positive conclusions. The misguided imaginations of men have ren- dered the ascertaining of what is not true, the principal direct service which metaphysical science can bestow upon moral science. Moral science itself is the doctrine of the voluntary actions of man, as a sentient and social being. These actions depend on the thoughts in his mind. But there is a mass of popular opinion, from which the most enlightened persons are seldom wholly free, into the truth or falsehood of which it is incumbent on us to inquire, before we can arrive at any firm conclusions as to the conduct which we ought to pursue in the regulation of our own minds, or towards our fellow-beings ; or before we can ascertain the elementary laws, according to which these thoughts, from which these actions flow, are originally combined. The object of the forms according to which human society is administered, is the happiness of the individuals composing the communities which they regard, and these forms are perfect or imper- fect in proportion to the degree in which they promote this end. * This object is not merely the quantity of happi- ness enjoyed by individuals as sensitive beings, but the mode in which it should be distributed among them as social beings. It is not enough, if such a coincidence can be conceived as possible, that one person or class of persons should enjoy the highest happiness, whilst another is suffering a disproportionate degree of misery. It is necessary that the happhiess produced by the common efforts, and preserved by the common care, should be distributed according to the just claims of each individual ; if not, although the quantity produced should be the same, the end of society would remain unfulfilled. The object is in a compound proportion to the quantity of happiness produced, and the correspondence of the mode in which it is distributed, to the elementary feelings of man as a social being. The disposition in an individual to promote this object is called virtue ; and the two constituent parts of virtue, benevolence and justice, are cor- relative with these two great portions of the only true object of all voluntary actions of a human being. Benevolence is the desire to be the author * Here I was obliged to leave off, overcome by thrilling horror. This remark closes this fragment, which was written in 1815. I remember well his coming to me from writing it, pale and agitated, to seek refuge in conver- sation from the fearful emotions it excited. No man, as these fragments prove, had such keen sensations as Shelley. His nervous temperament was wound up by the delicacy of his health to an intense degree of sensibility, and while his active mind pondered for ever upon, and drew con- clusions from his sensations, his reveries increased their vivacity, till they mingled with, and made one with thought, and both became absorbing and tumultuous, even to physical pain. — M. S. SPECULATIONS ON MORALS. 63 of good, and justice the apprehension of the manner in which good ought to be done. Justice and benevolence result from the ele- mentary laws of the human mind. CHAPTER I. ON THE NATURE OF VIRTUE. Sect. 1. General View of the Nature and Objects of Vir- tue. — 2. The Origin and Basis of Virtue, as founded on the Elementary Principles of Mind.— 3. The Laws which flow from the nature oT Mind regulating the application of those principles to human actions. — 4. Virtue, a possible attribute of man. We exist in the midst of a multitude of beings like ourselves, upon whose happiness most of our actions exert some obvious and decisive influence. The regulation of this influence is the object of moral science. We know that we are susceptible of receiving painful or pleasurable impressions of greater or less intensity and duration. That is called good which produces pleasure ; that is called evil winch pro- duces pain. These are general names, applicable to every class of causes, from which an overbalance of pain or pleasure may result. But when a human being is the active instrument of generating or diffusing happiness, the principle through which it is most effectually instrumental to that purpose, is called virtue. And benevolence, or the desire to be the author of good, united with justice, or an apprehension of the manner in which that good is to be done, constitutes virtue. But, wherefore should a man be benevolent and just ? The immediate emotions of his nature, especially in its most inartificial state, prompt him to inflict pain, and to arrogate dominion. He desires to heap superfluities to his own store, although others perish with famine. He is pro- pelled to guard against the smallest invasion of his own liberty, though he reduces others to a condi- tion of the most pitiless servitude. He is revenge- ful, proud and selfish. Wherefore should he curb these propensities ? It is inquired, for what reason a human being should engage in procuring the happiness, or re- frain from producing the pain of another ? When a reason is required to prove the necessity of adopting any system of conduct, what is it that the objector demands ? He requires proof of that system of conduct being such as will most effectu- ally promote the happiness of mankind. To demonstrate this, is to render a moral reason. Such is the object of Virtue. A common sophism, which, like many others, depends on the abuse of a metaphorical expression to a literal purpose, has produced much of the confusion which has involved the theory of morals. It is said that no person is bound to be just or kind, if, on his neglect, he should fail to incur some penalty. Duty is obligation. There can be no obligation without an obliger. Virtue is a law, to which it is the will of the lawgiver that we should conform ; which will we should in no manner be bound to obey, unless some dreadful punishment were attached to disobedience. This is the philosophy of slavery and superstition. In fact, no person can be hound or obliged, without some power preceding to bind and oblige. If I observe a man bound hand and foot, I know that some one bound him. But if I observe him returning self-satisfied from the performance of some action, by which he has been the willing author of extensive benefit, I do not infer that the anticipation of hellish agonies, or the hope of heavenly reward, has constrained him to such an act.* ***** It remains to be stated in what manner the sensations which constitute the basis of virtue originate in the human mind ; what are the laws which it receives there ; how far the principles of mind allow it to be an attribute of a human being ; and, lastly, what is the probability of persuading mankind to adopt it as a universal and systematic motive of conduct. BENEVOLENCE. . There is a class of emotions which we instinct- ively avoid. A human being, such as is man con- sidered in his origin, a child a month old, has a very imperfect consciousness of the existence of other natures resembling itself. All the energies of its being are directed to the extinction of the pains with which it is perpetually assailed. At length it discovers that it is surrounded by natures susceptible of sensations similar to its own. It is very late before children attain to this knowledge. If a child observes, without emotion, its nurse or its mother suffering acute pain, it is attributable rather to ignorance than insensibility. So soon as the accents and gestures, significant of pain, are referred to the feelings which they express, they awaken in the mind of the beholder a desire that they should cease. Pain is thus apprehended to be evil for its own sake, without any other necessary reference to the mind by which its existence is perceived, than such as is indispensable to its per- ception. The tendencies of our original sensations, indeed, all have for their object the preservation of our. individual being. But these are passive * A leaf of manuscript is wanting here, manifestly treat- ing of self-love and disinterestedness — M. S. 64 SPECULATIONS ON MORALS. and unconscious. In proportion as the mind acquires an active power, the empire of these ten- dencies becomes limited. Thus an infant, a savage, and a solitary beast, is selfish, because its mind is incapable of receiving an accurate intimation of the nature of pain as existing in beings resembling itself. The inhabitant of a highly civilised com- munity will more acutely sympathise with the sufferings and enjoyments of others, than the inha- bitant of a society of a less degree of civilisation. He who shall have cultivated his intellectual powers by familiarity with the highest specimens of poetry and philosophy, will usually sympathise more than one engaged in the less refined functions of manual labour. Every one has experience of the fact, that to sympathise with the sufferings of another, is to enjoy a transitory oblivion of his own. The mind thus acquires, by exercise, a habit, as it were, of perceiving and abhorring evil, however remote from the immediate sphere of sensations with which that individual mind is conversant. Imagination or mind employed in prophetically imaging forth its objects, is that faculty of human nature on which every gradation of its progress, nay, every, the minutest, change, depends. Pain or pleasure, if subtly analysed, will be found to consist entirely in prospect. The only distinction between the selfish man and the virtuous man is, that the imagination of the former is confined within a narrow limit, whilst that of the latter embraces a comprehensive circumference. In this sense, wisdom and virtue may be said to be inseparable, and criteria of each other. Selfishness is the offspring of ignorance and mistake ; it is the portion of unreflecting infancy, and savage soli- tude, or of those whom toil or evil occupations have blunted or rendered torpid ; disinterested benevolence is the product of a cultivated imagina- tion, and has an intimate connexion with all the arts which add ornament, or dignity, or power, or stability to the social state of man. Virtue is thus entirely a refinement of civilised life ; a creation of the human mind ; or, rather, a combination which it has made, according to elementary rules contained within itself, of the feelings suggested by the relations established between man and man. All the theories which have refined and exalted humanity, or those which have been devised as alleviations of its mistakes and evils, have been based upon the elementary emotions of disinterest- edness, which we feel to constitute the majesty of our nature. Patriotism, as it existed in the ancient republics, was never, as has been supposed, a cal- culation of personal advantages. When Mutius Scsevola thrust his hand into the burning coals, and Regulus returned to Carthage, and Epicharis sustained the rack silently, in the torments of which she knew that she would speedily perish, rather than betray the conspirators to the tyrant ;* these illustrious persons certainly made a small estimate of their private interest. If it be said that they sought posthumous fame ; instances are not want- ing in history which prove that men have even defied infamy for the sake of good. But there is a great error in the world with respect to the selfishness of fame. It is certainly possible that a person should seek distinction as a medium of personal gratification. But the love of fame is frequently no more than a desire that the feelings of others should confirm, illustrate, and sympathise with, our own. In this respect it is allied with all that draws us out of ourselves. It is the "last infirmity of noble minds." Chivalry was likewise founded 'on the theory of self-sacrifice. Love possesses so extraordinary a power over the human heart, only because disinterestedness is united with the natural propensities. These propensities them- selves are comparatively impotent in cases where the imagination of pleasure to be given, as well as to be received, does not enter into the account. Let it not be objected that patriotism, and chi- valry, and sentimental love, have been the fountains of enormous mischief. They are cited only to establish the proposition that, according to the elementary principles of mind, man is capable of desiring and pursuing good for its own sake. JUSTICE. The benevolent propensities are thus inherent in the human mind. We are impelled to seek the happiness of others. We experience a satis- faction in being the authors of that happiness. Everything that fives is open to impressions of pleasure and pain. We are led by our benevolent propensities to regard every human being indif- ferently with whom we come in contact. They have preference only with respect to those who offer themselves most obviously to our notice. Human beings are indiscriminating and blind ; they will avoid inflicting pain, though that pain should be attended with eventual benefit ; they will seek to confer pleasure without calculating the mischief that may result. They benefit one at the expense of many. There is a sentiment in the human mind that re- gulates benevolence in its application as a principle of action. This is the sense of justice. Justice, as well as benevolence, is an elementary law of human nature. It is through this principle that men are impelled to distribute any means of pleasure which * Tacitus. SPECULATIONS ON MORALS. 65 benevolence may suggest the communication of to others, in equal portions among an equal number of applicants. If ten men are shipwrecked on a desert island, they distribute whatever subsistence may remain to them, into equal portions among themselves. If six of them conspire to deprive the remaining four of their share, their conduct is termed unjust. The existence of pain has been shown to be a circumstance which the human mmd regards with dissatisfaction, and of which it desires the cessa- tion. It is equally according to its nature to desire that the advantages to be enjoyed by a limited number of persons should be enjoyed equally by all. This proposition is supported by the evidence of indisputable facts. Tell some ungarbled tale of a number of persons being made the victims of the enjoyments of one, and he who would appeal in favour of any system which might produce such an evil to the primary emotions of our nature, would have nothing to reply. Let two persons, equally strangers, make application for some benefit in the possession of a third to bestow, and to which he feels that they have an equal claim. They are both sensitive beings ; pleasure and pain affect them alike. CHAPTER II. It is foreign to the general scope of this little Treatise to encumber a simple argument by con- troverting any of the trite objections of habit or fanaticism. But there are two ; the first, the basis of all political mistake, and the second, the prolific cause and effect of religious error, which it seems useful to refute. First, it is inquired, " Wherefore should a man be benevolent and just 1" The answer has been given in the preceding chapter. If a man persists to inquire why he ought to promote the happiness of mankind, he demands a mathematical or metaphysical reason for a moral action. The absurdity of this scepticism is more apparent, but not less real than the exacting a moral reason for a mathematical or metaphysical fact. If any person should refuse to admit that all the radii of a circle are of equal length, or that human actions are necessarily determined by motives, until it could be proved that these radii and these actions uniformly tended to the produc- tion of the greatest general good, who would not wonder at the unreasonable and capricious asso- ciation of his ideas ? The writer of a philosophical treatise may, I imagine, at this advanced era of human intellect, be held excused from entering into a controversy with those reasoners, if such there are, who would claim an exemption from its decrees in favour of any one among those diversified systems of obscure opinion respecting morals, which, under the name of religions, have in various ages and countries pre- vailed among mankind. Besides that if, as these reasoners have pretended, eternal torture or happi- ness will ensue as the consequence of certain actions, we should be no nearer the possession of a standard to determine what actions were right and wrong, even if this pretended revelation, which is by no means the case, had furnished us with a complete catalogue of them. The character of actions as virtuous or vicious would by no means be determined alone by the personal advantage or disadvantage of each moral agent individually con- sidered. Indeed, an action is often virtuous in proportion to the greatness of the personal calamity which the author willingly draws upon himself by daring to perform it. It is because an action pro- duces an overbalance of pleasure or pain to the greatest number of sentient beings, and not merely because its consequences are beneficial or injurious to the author of that action, that it is good or evil. Nay, this latter consideration has a tendency to pollute the purity of virtue, inasmuch as it consists in the motive rather than in the consequences of an action. A person who should labour for the hap- piness of mankind lest he should be tormented eternally in Hell, would, with reference to that motive, possess as little claim to the epithet of vir- tuous, as he who should torture, imprison, and burn them alive, a more usual and natural con- sequence of such principles, for the sake of the enjoyments of Heaven. My neighbour, presuming on his strength, may direct me to perform or to refrain from a par- ticular action ; indicating a certain arbitrary pe- nalty in the event of disobedience within his power to inflict. My action, if modified by his menaces, can in no degree participate in virtue. He has afforded me no criterion as to what is right or wrong. A king, or an assembly of men, may publish a proclamation affixing any penalty to any par- ticular action, but that is not immoral because such penalty is affixed. Nothing is more evident than that the epithet of virtue is inapplicable to the re- fraining from that action on accoimt of the evil arbitrarily attached to it. If the action is in itself beneficial, virtue would rather consist in not re- fraining from it, but in firmly defying the personal consequences attached to its performance. Some usurper of supernatural energy might 66 SPECULATIONS ON MORALS. subdue the whole globe to his power ; he might possess new and unheard-of resources for enduing his punishments with the most terrible attributes of pain. The torments of his victims might be in- tense in their degree, and protracted to an infinite duration. Still the « will of the lawgiver " would afford no surer criterion as to what actions were right or wrong. It would only increase the pos- sible virtue of those who refuse to become the instruments of his tyranny- II. — MORAL SCIENCE CONSISTS IN CONSIDERING THE DIFFERENCE, NOT THE RESEMBLANCE, OF PERSONS. The internal influence, derived from the consti- tution of the mind from which they flow, produces that peculiar modification of actions, which makes them intrinsically good or evil. To attain an apprehension of the importance of this distinction, let us visit, in imagination, the pro- ceedings of some metropolis. Consider the multi- tude of human beings who inhabit it, and survey, in thought, the actions of the several classes into which they are divided. Their obvious actions are apparently uniform : the stability of human society seems to be maintained sufficiently by the uniformity of the conduct of its members, both with regard to themselves, and with regard to others. The labourer arises at a certain hour, and applies himself to the task enjoined him. The functionaries of government and law are regularly employed in their offices and courts. The trader holds a train of conduct from which he never deviates. The ministers of religion employ an accustomed language, and maintain a decent and equable regard; The army is drawn forth, the motions of every soldier are such as they were expected to be ; the general commands, and his words are echoed from troop to troop. The do- mestic actions of men are, for the most part, un- distinguishable one from the other, at a superficial glance. The actions which are classed under the general appellation of marriage, education, friend- ship, &c, are perpetually going on, and to a super- ficial glance, are similar one to the other. But, if we would see the truth of things, they must be stripped of this fallacious appearance of uniformity. In truth, no one action has, when considered in its whole extent, any essential re- semblance with any other. Each individual, who composes the vast multitude which we have been contemplating, has a* peculiar frame of mind, which, whilst the features of the great mass of his actions remain uniform, impresses the minuter lineaments with its peculiar hues. Thus, whilst his fife, as a whole, is like the lives of other men, in detail, it is most unlike ; and the more sub- divided the actions become ; that is, the more they enter into that class which have a vital influence on the happiness of others and his own, so much the more are they distinct from those of other men. ." Those little, nameless unremembered acts Of kindness and of love," as well as those deadly outrages which are in- flicted by a look, a word — or less — the! very refraining from some faint and most evanescent expression of countenance ; these flow from a profounder source than the series of our habitual conduct, which, it has been already said, derives its origin from without. These are the actions, and such as these, which make human fife what it is, and are the fountains of all the good and evil with which its entire surface is so widely and impar- tially overspread ; and though they are called minute, they are called so in compliance with the blindness of those who cannot estimate their im- portance. It is in the due appreciating the general effects of their peculiarities, and in cultivating the habit of acquiring decisive knowledge respecting the tendencies arising out of them in particular cases, that the most important part of moral science consists. The deepest abyss of these vast and multitudinous caverns, it is necessary that we should visit. This is the difference between social and indi- vidual man. Not that this distinction is to be con- sidered definite, or characteristic of one human being as compared with another, it denotes rather two classes of agency, common in a degree to every human being. None is exempt, indeed, from that species of influence which affects, as it were, the surface of his being, and gives the specific outline to his conduct. Almost all that is ostensible sub- mits to that legislature created by the general re- presentation of the past feelings of mankind — im- perfect as it is from a variety of causes, as it exists in the government, the religion, and domestic habits. Those who do not nominally, yet actually, submit to the same power. The external features of their conduct, indeed, can no more escape it, than the clouds can escape from the stream of the wind ; and his opinion, which he often hopes he has dispassionately secured from all contagion of prejudice and vulgarity, would be found, on ex- amination, to be the inevitable excrescence of the very usages from which he vehemently dissents. Internally all is conducted otherwise ; the effi- ciency, the essence, the vitality of actions, derives its colour from what is no ways contributed to from any external source. Like the plant, which while it derives the accident of its size and shape from the soil in which it springs, and is cankered, ION ; OR, THE ILIAD. c>7 or distorted, or inflated, yet retains those qualities which essentially divide it from all others ; so that hemlock continues to be poison, and the violet does not cease to emit its odour in whatever soil it may grow. We consider our own nature too superficially. We look on all that in ourselves with which we can discover a resemblance in others ; and con- sider those resemblances as the materials of moral knowledge. It is in the differences that it actually consists. ION; OR, OF CranslateO THE ILIAD; from $lato. Socrates and Ion. Socrates. — Hail to thee, Ion ! from whence returnest thou amongst us now ? — from thine own native Ephesus ? Ion. — No, Socrates ; I come from Epidaurus and the feasts in honour, of ^Esculapius. Socrates. — Had the Epidaurians instituted a contest of rhapsody in honour of the God ? Ion. — And not in rhapsodies alone ; there were contests in every species of music. Socrates. — And in which did you contend ? And what was the success of your efforts ? Ion. — I bore away the first prize at the games, O Socrates. Socrates. — Well done ! You have now only to consider how you shall win the Panathensea. Ion. — That may also happen, God willing. Socrates. — Your profession, Ion, has often appeared to me an enviable one. For, together with the nicest care of your person, and the most studied elegance of dress, it imposes upon you the necessity of a familiar acquaintance with many and excellent poets, and especially with Homer, the most admirable of them all. Nor is it merely because you can repeat the verses of this great poet, that I envy you, but because you fathom his inmost thoughts. For he is no rhapsodist who does not understand the whole scope and intention of the poet, and is not capable of interpreting it to his audience. This he cannot do without a full comprehension of the meaning of the author he undertakes to illustrate ; and worthy, indeed, of envy are those who can fulfil these conditions. Ion. — Thou speakest truth, Socrates. And, indeed, I have expended my study particularly on this part of my profession. I flatter myself that no man living excels me in the interpretation of Homer ; neither Metrodorus of Lampsacus, nor Stesimbrotus the Thasian, nor Glauco, nor any other rhapsodist of the present times can express so many various and beautiful thoughts upon Homer as I can. Socrates.— I am persuaded of your eminent skill, Ion. You will not, I hope, refuse me a specimen of it ? • Ion. — And, indeed, it would be worth your while to hear me declaim upon Homer. I deserve a golden crown from his admirers. Socrates. — And I will find leisure some day or other to request you to favour me so far. At present, I will only trouble you with one question. Do you excel in explaining Homer alone, or are you conscious of a similar power with regard to Hesiod and Archilochus ? Ion. — I possess this high degree of skill with regard to Homer alone, and I consider that suffi- cient. Socrates. — Are there any subjects upon which Homer and Hesiod gay the same things ? Ion. — Many, as it seems to me. Socrates. — Whether do you demonstrate these things better in Homer or Hesiod ? Ion. — In the same manner, doubtless ; inasmuch as they say the same words with regard to the same things. Socrates. — But with regard to those things in which they differ ; — Homer and Hesiod both treat of divination, do they not ? Ion. — Certainly. Socrates. — Do you think that you or a diviner would make the best exposition, respecting all that these poets say of divination, both as they agree and as they differ ? Ion. — A diviner probably. Socrates. — Suppose you were a diviner, do you not think that you could explain the discrepancies of those poets on the subject of your profession, if you understand their argument \ Ion. — Clearly so. Socrates. — How does it happen then that you are possessed of skill to illustrate Homer, and not Hesiod, or any other poet in an equal degree 1 Is the subject-matter of the poetry of Homer different from all other poets'? Does he not principally f 2 ea ION ; OR, THE ILIAD. treat of war and social intercourse, and of the distinct functions and characters of the brave man and the coward, the professional and private per- son, the mutual relations which subsist between the Gods and men ; together with the modes of their intercourse, the phsenomena of Heaven, the secrets of Hades, and the origin of Gods and heroes ? Are not these the materials from which Homer wrought his poem ? Ion. — Assuredly, Socrates. Socrates. — And the other poets, do they not treat of the same matter ? Ion. — Certainly : but not like Homer. Socrates. — How ! Worse 1 ; Ion. — Oh ! far worse. Socrates. — Then Homer treats of them better than they ? Ion. — Oh ! Jupiter ! — how much better ! Socrates. — Amongst a number of persons em- ployed in solving a problem of arithmetic, might not a person know, my dear Ion, which had given the right answer ? Ion. — Certainly. Socrates. — The same person who had been aware of the false one, or some other ? Ion. — The same, clearly. Socrates. — That is, some one who understood arithmetic 1 Ion. — Certainly. Socrates. — Among a number of persons giving their opinions on the wholesomeness of different foods, whether would one jperson be capable to pronounce upon the rectitude of the opinions of those who judged rightly, and another on the erroneousness of those which were incorrect, or would the same person be competent to decide respecting them both ? Ion. — The same, evidently. Socrates. — What would you call that person ? Ion. — A physician. Socrates. — We may assert then, universally, that the same person who is competent to deter- mine the truth, is competent also to determine the falsehood of whatever assertion is advanced on the same subject; and, it is manifest, that he who cannot judge respecting the falsehood, or unfitness of what is said upon a given subject, is equally incompetent to determine upon its truth or beauty % Ion. — Assuredly. Socrates. — The same person would then be competent or incompetent for both ? Ion.— Yes. Socrates.— Do you not say that Homer and the other poets, and among them Hesiod and Archi- lochus, speak of the same things, but unequally ; one better and the other worse ? Ion. — And I speak truth. Socrates. — But if you can judge of what is weD said by the one, you must also be able to judge of what is ill said by another, inasmuch as it expresses less correctly. Ion. — It should seem so. Socrates. — Then, my dear friend, we should not err if we asserted that Ion possessed a like power of illustration respecting Homer and all other poets ; especially since he confesses that the same person must be esteemed a competent judge of all those who speak on the same subjects ; inasmuch as those subjects are understood by him when spoken of by one, and the subject-matter of almost all the poets is the same. Ion. — What can be the reason then, Socrates, that when any other poet is the subject of conver- sation I cannot compel my attention, and I feel utterly unable to declaim anything worth talking of, and positively go to sleep % But when any one makes mention of Homer, my mind applies itself without effort ^to the subject ; I awaken as if it were from a trance, and a profusion of eloquent expressions suggest themselves involuntarily ? Socrates. — It is not difficult to suggest the cause of this, my dear friend. You are evidently unable to declaim on Homer according to art and know- ledge ; for did your art endow you with this faculty, you would be equally capable of exerting it with regard to any other of the poets. Is not poetry, as an art or a faculty, a thing entire and one ? Ion. — Assuredly. Socrates. — The same mode of consideration must be admitted with respect to all arts which are severally one and entire. Do you desire to hear what I understand by this, Ion ? Ion. — Yes, by Jupiter, Socrates, I am delighted with listening to you wise men. Socrates. — It is you who are wise, my dear Ion ; you rhapsodists, actors, and the authors of the poems you recite. I, like an unprofessional and private man, can only speak the truth. Ob- serve how common, vulgar, and level to the com- prehension of any one, is the question which I now ask relative to the same consideration belonging to one entire art. Is not painting an art whole and entire \ Ion. — Certainly. Socrates. — Did you ever know a person compe- tent to judge of the paintings of Polygnotus, the son of Aglaophon, and incompetent to judge of the production of any other painter ; who, on the sup- position of the works of other painters being exhi- bited to him, was wholly at a loss, and very much inclined to go to sleep, and lost all faculty of ION; OR, THE ILIAD. 69 reasoning on the subject ; but when his opinion was required of Polygnotus, or any one single painter you please, awoke, paid attention to the subject, and discoursed on it with great eloquence and sagacity ? Ion. — Never, by Jupiter ! Socrates. — Did you ever know any one very skilful in determining the merits of Daedalus, the son of Metion, Epius, the son of Panopus, Theo- dorus the Samian, or any other great sculptor, who was immediately at a loss, and felt sleepy the moment any other sculptor was mentioned ? Ion. — I never met with such a person certainly. Socrates. — Nor, do I think, that you ever met with a man professing himself a judge of poetry and rhapsody, and competent to criticise either Olympus, Thamyris, Orpheus, or Phemius of Ithaca, the rhapsodist, who, the moment he came to Ion the Ephesian, felt himself quite at a loss, utterly incompetent to judge whether he rhapso- dised well or ill. Ion.— I cannot refute you, Socrates, but of this I am conscious to myself : that I excel all men in the copiousness and beauty of my illustrations of Homer, as all who have heard me will confess, and with respect to other poets, I am deserted of this power. It is for you to consider what may be the cause of this distinction. Socrates. — I will tell you, O Ion, what appeal's to me to be the cause of this inequality of power. It is that you are not master of any art for the illustration of Homer, but it is a divine influence which moves you, like that which resides in the stone called Magnet by Euripides, and Heraclea by the people. For not only does this stone possess the power of attracting iron rings, but it can com- municate to them the power of attracting other rings ; so that you may see sometimes a long chain of rings, and other iron substances, attached and suspended one to the other by this influence. And as the power of the stone circulates through all the links of this series, and attaches each to each, so the Muse, communicating through those whom she has first inspired, to all others capable of sharing in the inspiration, the influence of that first enthu- siasm, creates a chain and a succession. For the authors of those great poems which we admire, do not attain to excellence through the rules of any art, but they utter their beautiful melodies of verse in a state of inspiration, and, as it were, possessed by a* spirit not their own. Thus the composers of lyrical poetry create those admired songs of theirs in a state of divine insanity, like the Corybantes, who lose all control over their reason in the enthu- siasm of the sacred dance ; and, during this super- natural possession, are excited to the rhythm and harmony which they communicate to men. Like the Bacchantes, who, when possessed by the God draw honey and milk from the rivers, hi which, when they come to their senses, they find nothing but simple water. For the souls of the poets, as poets tell us, have this peculiar ministration in the world. They tell us that these souls, flying like bees from flower to flower, and wandering over the gardens and the meadows and the honey-flowing fountains of the Muses, return to us laden with thi sweetness of melody ; and arrayed as they are in the plumes of rapid imagination, they speak truth. For a poet is indeed a thing ethereally light, winged, and sacred, nor can he compose anything worth calling poetry until he becomes inspired, and, as it were, mad, or whilst any reason remains in him. For whilst a man retains any portion of the thing called reason, he is utterly incompetent to produce poetry or to vaticinate. Thus, those who declaim various and beautiful poetry upon any subject, as for instance upon Homer, are not enabled to do so by art or study ; but every rhapsodist or poet, whether dithyrambic, encomiastic, choral, epic, or iambic, is excellent in proportion to the extent of his participation in the divine influence, and the degree in which the Muse itself has descended on him. In other respects, poets may be sufficiently ignorant and incapable. For they do not compose according to any art which they have acquired, but from the impulse of the divinity within them ; for did they know any rules of criticism according to which they could compose beautiful verses upon one subject, they would be able to exert the same faculty with respect to all or any other. The God seems pur- posely to have deprived all poets, prophets, and soothsayers of every particle of reason and under- standing, the better to adapt them to their employ- ment as his ministers and interpreters ; and that we, their auditors, may acknowledge that those who write so beautifully, are possessed, and address us, inspired by the God. [Tynnicus the Chalcidean, is a manifest proof of this, for he never before composed any poem worthy to be remembered ; and yet, was the author of that Psean which every- body sings, and which excels almost every other hymn, and which he, himself, acknowledges to have been inspired by the Muse. And, thus, it appears to me, that the God proves beyond a doubt, that these transcendant poems are not human as the work of men, but divine as coming from the God. Poets then are the interpreters of the divinities — each being possessed by some one deity ; and to make this apparent, the God designedly inspires the worst poets with the sublimest verse. Does it seem to you that I am in the right, Ion ? Ion. — Yes, by Jupiter ! My mind is enlightened 70 ION; OR, THE ILIAD. by your words, O Socrates, and it appears to me that great poets interpret to us through some divine election of the God. Socrates. — And do not you rhapsodists inter- pret poets ? Ion. — We do. Socrates. — Thus you interpret the interpreters ? Ion. — Evidently. Socrates. — Remember this, and tell me j and do not conceal that which I ask. When you !fe- claim well, and strike your audience with admi- ration ; whether you sing of Ulysses rushing upon the threshold of his palace, discovering himself to the suitors, and pouring his shafts out at his feet ; or of Achilles assailing Hector ; or those affecting passages concerning Andromache, or Hecuba, or Priam, are you then self-possessed ? or, rather, are you not rapt and filled with such enthusiasm by the deeds you recite, that you fancy yourself in Ithaca or Troy, or wherever else the poem trans- ports you ? Ion. — You speak most truly, Socrates, nor will I deny it ; for, when I recite of sorrow, my eyes fill with tears ; and when of fearful or terrible deeds, my hair stands on end, and my heart beats fast. Socrates. — Tell me, Ion, can we call him in his senses, who weeps while dressed in splendid gar- ments, and crowned with a golden coronal, not losing any of these things ? and is filled with fear when surrounded by ten thousand friendly persons, not one among whom desires to despoil or injure him ? Ion. — To say the truth, we could not. Socrates. — Do you often perceive your audience moved also 1 Ion. — Many among them, and frequently. I, standing on the rostrum, see them weeping, with eyes fixed earnestly on me, and overcome by my declamation. I have need so to agitate them ; for if they weep, I laugh, taking their money ; if they should laugh, I must weep, going without it. Socrates. — Do you not perceive that your au- ditor is the last link of that chain which I have described as held together through the power of the magnet ? You rhapsodists and actors are the middle links, of which the poet is the first — and through all these the God influences whichever mind he selects, as they conduct this power one to the other ; and thus, as rings from the stone, so hangs a long series of chorus-dancers, teachers, and disciple's from the Muse. Some poets are in- fluenced by one Muse, some by another ; we call them possessed, and this word really expresses the truth, for they are held. Others, who are inter- preters, are inspired by the first links, the poets, and are filled with enthusiasm, some by one, some by another ; some by Orpheus, some by Musseus, but the greater number are possessed and inspired by Homer. You, Ion, are influenced by Homer. If you recite the works of any other poet, you get drowsy, and are at a loss what to say ; but when you hear any of the compositions of that poet you are roused, your thoughts are excited, and you grow eloquent ; — for what you say of Homer is not derived from any art or knowledge, but from divine inspiration and possession. As the Corybantes feel acutely the melodies of him by whom they are inspired, and abound with verse and gesture for his songs alone, and care for no other ; thus, you, Ion, are eloquent when you expound Homer, and are barren of words with regard to every other poet. And this explains the question you asked, wherefore Homer, and no other poet, inspires you with eloquence. It is that you are thus excellent in your praise, not through science, but from divine inspiration. Ion. — You say the truth, Socrates. Yet, I am surprised that you should be able to persuade me that I am possessed and insane when I praise Homer. I think I shall not appear such to you when you hear me. Socrates. — I desire to hear you, but not before you have answered me this one question. What subject does Homer treat best \ for, surely, he does not treat all equally. Ion. — You are aware that he treats of every- thing. Socrates. — Does Homer mention subjects on which you are ignorant ? Ion. — What can those be % Socrates.— Does not Homer frequently dilate on various arts — on chariot driving, for instance \ if I remember the verses, I will repeat them. Ion. — I will repeat them, for I remember them. Socrates. — Repeat what Nestor says to his son Antilochus, counselling him to be cautious in turning, during the chariot race at the funeral games of Patroclus. Autos 5e K\iv6i}i>cu iv-rrAeKTq) iv\ 8i<£p
'fls Hu roi irXJifAVT) ye Sodcrfferai &Kpov Ik4