''^. ^s* ^^ A It- ^ LIBRARY OF THE University of California. GIFT OK LiVMr^ Class I t N ^^ ^ PRICE 5 CENTS m Price Ten Cents. 50 CENTS A YEAR III ARCMITECTVRAL ILLVSTRATION ' (I) ^ NOV. 1 8 9 iE>^9»^^^E'^^*aP^^!««« advance Subscriptions, $20.00 i i i m J^c _ 13 EXCHANGE STREET, BOSTON ^^ IV THE BROCHURE SERIES. ^ ^be Hrcbitectural IRcpiew. p lpubli5bc^ leiobt times a \)cai\ Snnual Subscription, $5.00. Single Copies, 75 cents. C. F. Mckim. The aims and purposes of the Akchitectiral Review are so inijiortant to the profession and others who take interest in the advancement of archi- tecture in this country that 1 sincerely trust it will meet with the recognition which it deserves. Permit us to thank you for the excellent work you are doing for our profession in the serious and interesting character of your Review. It is broad and scholarly, and we always look forward with much pleasure to each successive issue. Carrere & Hastings. Eames & Young. Permit us to compliment you upon the high character of the Archi- tectural Review from an artistic point of view and also to express our appreciation of the thoroughness with which all illustrations and subjects are treated which make them of especial interest to the profession. In our judgment, the verdict in your paper on the merits of a design is worth more than that of any architectural publication here or in England. It is certainly most desirable that a paper so much looked up to by the best designers of the country should have as wide a circulation as possible. Cope & Stewardson. Bruce Price. The Architectural Review is in every way worthy of the suppori of the profession. It is more than a review, it is an authority. The other periodicals give us current work and show us what is being built everj'where. You by your selections show us what is best of it all. Pursue this course, and your publication must have great weight. Every architect will sooner or later be a subscriber. In these days of the superficial as well as the purely commercial, it is a pleasure to find amongst so many which demand our attention one in which discrimination is exercised and a standard set both in its subject matter and illustration that commands the attention and approval of the best members of the profession; and it should receive their support both as subscribers and contributors to its illustrations Ferrv & Clas. Alfred Stone. I have been a subscriber of your Review from the d.iy of its first issue as Technology Review, and would consider it a re.il loss if I was to miss a single issue of the Architectural Review, which fills a position which no other publication occupies because of the high quality of its reproductions of drawings and photographs, but much more because of the high character of its editorial columns and those scholarly criticisms of current work. I do not see how any one in the active practice of his profession can be content not to be on its list of subscribers, and to lovers of architecture it is a most charming and helpful aid towards keeping one in touch witli the hi-hes! criticism. Zo IRcw Subscribers wbosc or^crs arc received before Jamiarv I, tbe last IRuniber of tbe current Doluiue (iv) will be sent tree. (See pace i.r.) 13 EXCHANGE STREET BOSTON ^Jg THE BROCHL'RE SERIES. BATES&GUILDCOMPANY.-PUBLICATIONS^l '* 1 ^ss % lE^be Brocburc Scries, Contents for ^* January. Byzantine Carved Panels. 3februar^. Normandy Churches. /IRarcb. Porch of the Erechtheion. English Parish Churches. Mas. Italian Brick and Terra-Cotta. June. Italian Decorated Ceilings. 5uls. Normandy Half Timber Work. Bugust. Court Yard, Palazzo Veccio. September. Renaissance Iron Grilles. ©ctober. Florentine Palaces. IWofember. Italian Cornices. December. Colonial Chairs. lasT. January. Interiors of Versailles. 3Februar\). Cathedral of Or\ icto. /Ifiarcb. Pavements from Siena. Bpril. Caps from S. Spirito, Florence. /Iftav?. Ruins oi Pompeii. 5une. Triumphal Arches. 5ulv. Florentine Capitals. aiuiu6t. Interiors of Chateau Elois. September. Choir Stalls of Perugia. ©ctcber. Details of Staircase, Blois. IHovember. Public Libraries. December. Fonts and Pulpits, Siena. Published Monthly. 50c. a year. The jears of iSy6 and 1S97, unbound, 50 cents each. Bound in stamped buckram, special design, $1.25 each. Volume One, 1895, sent postpaid for $2.50. IS^EXCHANGE STREET. BOSTON ^M VI THE BROCHURE SERIES. BATES&GUILDCOMPANY|PUBLICATIONS^^, abc ilftumclpal Brcbitecturc of :i6o6ton, '91 to '95. $30.00. ^rXn This Monograph of the work of Mr. Edmund M. Wheelwright (City Archi- tect of Boston, Mass., from 1891 to 1S95), compiled and edited bv Prof. Francis W. Chandler of the Massachusetts Institute of Technology, compVises a detailed description of the design, planning, construction, sanitation, cost, etc., etc., of the buildings, — more than eighty in number, — designed by Mr. Wheel- wright during his term of office. It is fully illustrated with plans, working and detail drawings and with heliotype plates, 15 bv 20 inches in size, from photographs by Soderholtz. No archiiect needs to be told of the success which has attended Mr. Wheelwright's administration ot the office of City Architect in Boston. Many of the buildings he has designed have become models of their kind. For architects who undertake public work of any description, and for commissioners and other officials entrusted with the erection of public buildings, this is an invaluable reference-book. It is divided into two parts; the first devoted entirely to Schoolhouses, the second describing Hospitals, Institutions, Buildings for Police and Fire Departments, etc., etc. In arrangement, typography and illustration the w^ork is an exemplar of book-making. Construction Details, bs 3f. 1U. GbanMcr. $10.00. An important work for office reference, and for draughtsmen and students, by Prof. Francis W. Chandler, head of the Architectural Department of the Massachusetts Institute of Technology. This is the only collection of plates of its kind showing the best modern usages in American methods of building construction. Twenty-five plates, printed in colors, inclosed in a portfolio. The plates show the different details of house building that enter into the every-day routine of an architect's work. The details are drawn in plan, elevation or isometric view, in large enough scale to show the construction clearly. They are figured, and are further explained by notes printed with the dr.wing. The drawings illustrate the best methods of construction, and embody the opinions of building experts, who have been widely consulted. Z\iz jfive ©rC»ers of Brcbitecture. Dignola. $5.00. The best edition in English. Seventy-two steel engraved plates (mounted on cloth guards), drawn by J. A. Leveil, and printed by Gamier Freres, Paris. Notes translated by Thomas R. Kimball, with an added glossary of French terms, and many translator's notes referring to other authorities and enlarging upon points merely alluded to in the French edition. This edition is, there- fore, even more complete and valuable than the original. The Gamier edition is the authority and the adopted text-book in the leading architectural schools of Europe and America, including the Ecole des Beaux-.Arts, Pans, and the Massachusetts Institute of lechnology, Boston. Professor Chandler of the latter school says: " The first duty of an architectural student is to become acquainted with the Five Orders of Architecture. 1 know of no better treatise than the Gamier Freres edition of Vignola. It is a work that is as useful in office practice as for the student." Hrcbitcctural Compositions, b^ Ibcnrv? p. IRirbv?. $10.00. A collection of facsimiles 15 by 20 inches, from pen-drawings of imaginary cathedrals, chateaux, palaces, country and city mansions, hotels, railroad- stations, details, etc., treated in a picturesque and masterly style that makes them unique among architectural sketches. Printed on cream-tinted paper made expressly lor this work, and enclosed in a cloth portfolio. Mr. Kirby's wonderful pen-drawings need no introduction to architects. For ten years he has had no equal as a delineator of buildings by means of a few bold touches, which show the essentials with the least possible labcjr. His drawings have a freshness, sparkle and vigor that are entirely their own. Hitherto Mr. Kirby's published work has suffered from too great reduction; and to give these dr.iwings their full value, we have reproduced them upon plates of a size which has made it possible to retain the peculiar boldness and freedom of the originals. l*\. ^ ^ la^EXCHANGEJTREET, BOSTON ^Jg THE BROCHURE SERIES. Vll ^,^TES&GUILDCOMPANY;PUBLICATIONS^, m U>: Contract IRccorD JSooft, b^ Walter J. painc. $6.00. A compact, comprehensive, well-arranged office memorandum book, — the fruit of many years' experience in the practice of architecture, — for recording the operations of various contracts and sub-contracts which an architect, engineer or mill-architect is commissioned to supervise; with the supplementary agree- ments, in favor of or against the contractor, which commonly enter such accounts. Any entry properly made in this record book will be found so tabulated that a glance will disclose its exact condition, whether the work is progressing with due dihgence on the part of the contractor, whether a payment is due, and the amount of any charges or credits to be deducted or added; and all without being obliged to refer to the contract or other papers. Each book contains space for recording i6i building operations, or in all 438 contracts. Regular account-book size, substantially bound, printed on linen ledger paper. in 5)ctail3 cX decorative Sculpture: jprcncb auMitaiian iRcn, Bacb $2.50. Each series consists of fifty 7 by 9-inch photographic reproductions of care- fully chosen sculptured details, such as capitals, panels, pilasters, friezes, finials, balusters, etc., taken from the most notable examples of Italian and French Renaissance architecture respectively. Each set is put up in a separate portfolio and enclosed in a box of appropriate design. " This work will be found particularly acceptable, as it gathers material from the fountain-head, and presents someof the best features used in decorations when this style received its impetus from Brunelleschi, Bramante, San Gallo, and other master minds principal forms used at that time." The entire collection covers the A»l6-! a:\velve pencil Sftetcbes, bs C. lb. mooOburr. $3.00. Two sets each containing six facsimile reproductions of pencil sketches by Charles Herbert Woodbury. Printed on cream-tinted paper and put up in paper fascicles. This is a second and larger series of reproductions, of the same size as the original drawings, and is even more perfect than the set issued several years ago, which is now entirely exhausted. These reproductions include a number 'of the earlier drawings, as well as some later and very interesting European sketches. As models for architeclural sketching they are invaluable. Criticising Mr. Woodbury's earlier work, the lioston TranscriH says: "No one equals Mr. Woodbury in his knowledge of how to use with best effect the soft lead pencil; his sketches are full of color, of tone, of light; they are thoroughly artistic, and nothing that we have seen lately approaches them for qualiiy." Brcbitectural ipbotograpbs, 25 cents eacb; per Doj., $2.00. A set of twenty-nine copyright photographs, 6j/2 by S>^ inches in size, of some of the best modern architectural work, taken with'especial regard to the requirements of architects. Complete sets will be sent on approval, the actual number of prints purchased being charged at the dozen rate, except when less than one dozen are selected. Twenty-nine subjects: Madison Square Garden, New York (McKim, Mead & White), nine views: Exchange Building, Boston (Peabody & Stearns), cornice: Jordan Building, Boston (Winslow Jfc Wetherell), two views: Ames Building, Boston (Shepley, Rutan & Coolidge), two views: Corner Charles and Beacon Streets, Boston (McKim, Mead & White), two views; Hotel Renaissance, New York (Clarence Luce), cornice ; Pope Building, Boston (Peabody & Stearns), two views; Shoe and Leather Exchange, Boston (Hartwell & Richardson), cornice; Taylor Building, Boston (Hartwell & Richardson), two views; Building on South Street, Boston (Chamberlin & Whidden), cornice; Fisk Building, Boston (Peabody & .Stearns), uppier portion: Insurance Building, Boston, upper portion and cornice; Auchmuiy Building, Boston (Winslow & Wetherell), cornice. 13 EXCHAN GE^ STREET BOSTON ^M "WS^ C^j Vlll THE BROCHURE SERIES. JGrocbure Series Competitions. Competition "- B." A well-known firm of Boston publishers have placed in the hands of the Editor of The 15rociii;re a prize of $15.00, for the best cover design for a forthcoming novel. The title of this novel is "A Volunteer of Dauphignv ;" its scene is laid in France and Italy during the 161I1 century. The designs should be made for printing in two colors, or for one color and gold. If the prize-winning drawing suits the need of the Publishers of the novel, it will be i;sed ; in any case the prize will be paid to the competitor submitting the best drawing "». --Ii8"> ► - yiiv- -- E 3 ^ Front Cover = PC 1 ConMtione, The design is to be drawn in black ink on white paper, on a sheet that shall measure 11 in. x 14 in. over all. The drawing itself must conform exactly in plan to the diagram herewith printed, and must observe precisely the indicated measurements That is, the drawing for the back of the book and that for the front cover must be drawn in juxtaposition ; the drawing for the front cover to measure 7 in. x 11 J^; in. ; the drawing for the back of the volume to measure 1% in. X iiX in. No design for the back cover is desired. A rough sketch in color should accompany the design showing suggestions for three colors; i.e., the cloth and two printings. HcttcriUG* The design must bear the title of the book, "A Volunteer of Dauphignv," on both the front cover and the back of the volume; the words •' A Novel " beneath the title on the front cover; and must pro- vide spaces for the name of the author and the name of the publishers. In these spaces the designer is at liberty to insert supposititious names. 1RulC6 6ovcnuiu3 tbc Coiupctition. 1. All drawings in Competition "B" must be received on or before January 15, 1S9S, at the otllce of Bates bi. Guild Company, 13 Exchange St., Boston. 2. Each drawing is to be signed with pseudonvm, the name and address of the contribu- tor to be sent in a sealed envelope, bearing on the outside tiie pseudonym only, and enclosed with the drawing. These envelo]ies will not be opened until after the award has been made. 3. Each drawing must be forwarded in a pasteboard roller. 4. The Editor reserves the riglit to publish in The Brociii'RE Seriks any of the designs submitted; the winning design to become the property of the publishers. Other designs will be retin-ned only when ten cents postage for tliat purpose is ench)sed in the envelojies with the address. 5. .\ii\- deviation from the above rules on contiitions will disqualifv the competitor. Prize for tlie Winning Design iS 15.00 v-^5, 'I'iie result of Comjietition '-l!" will be announced in the February 1S9S issue of The T^ r.i' icMi i< 1. Si.Kiiis 5? THE BROCHURE SERIES. ggr)iJDi3r>DDr>r>i300i3i3r)r>i3r)0r>r>Dr>ciaciciciaaaciciaaciaaciciaaaaaaa^ g The New York Library Competition g ^ Resulted in a choice of the design submitted by Messrs. Carrcre & Hastings, w ^ while the design by Messrs. Howard & Cauldwell was placed second- ^ S BOTH DESIGNS H ^ will be published very fully (plans, elevations ^ ^ and sections) in Number 8, of Volume iv, of ^ rr rr The Architectural Review g "H" (READY DECEMBER 20, 1897). fj n t; This number will have an extra quota of plates, to allow the requisite space for the proper ^ publication of these important drawings. The two principal elevations of Messrs. Carrere w & Hastings' design will be given double gelatine plates, similar to our publication of the ^ Sloane House, by the same architects, and our more recent publication of the Hotel tJ TT Renaissance, by Messrs. Howard & Cauldwell. The other drawings will have proportion- ^ ately adequate reproduction. ^ p^ ALL THESE PLATES i a ^ ^ are from large negatives taken under our personal supervision, the small photographic y^ Q, prints furnished to the press in general being in no way satisfactory for a paper like ^ Q the Review. Q S THIS NUMBER WILL ALSO CONTAIN O Q, In addition to the regular editorial and critical departments, two important articles : — Q, Q r 7 r ^ j;^ A REVIEW OF AMERICAN ARCHITECTURE IN 1897, by Mr. ROBERT D. ANDREWS ; Q^ Q and STYLE AND ARCHITECTURAL SYMPATHY IN LEADED GLASS, by OTTO HEINIGKE ; Q^ Q^ the latter profuselv illustrated. Q^ Q, ^ a g THE NUMBER WILL BE SENT FREE g Q, to new subscribers for 1898, whose orders are received on or before Jan. 10, i8g8. _Q, a a a — a 8 The Architectural Review g £X 75 cents a copy. Published Semi-Quarterly. $5.00 per } ear. Q^ S BATES & GUILD COMPANY, PUBLISHERS, Boston, Mass. % THE BROCHURE SERIES. A NEW EDITION of \ ^ Dainty t m AND 9 ♦ a Year's Subscription to I ..,„„ SHAKESPEARE'5 \ ♦ Complete Works . | ♦ McCIure's Mag:azine | For Big'ht Dollars cciothj, or Sixteen Dollars (Leather). • ^Ve have just issued the best low priced edition of Shakespeare that has 2 appeared, which we are oH'ering with a year's subscription to McClure's % on unusually liberal terms. ^ i A REAL SHAKESPERIAN LIBRARY. To each play is added a reprint q ♦ of the old histories, stories, ballads, etc., of wdiich the best scholars consider 9 ♦ Shakespeare made use. This valuable and extremelv interesting matter has % ♦ never before been issued except in high priced editions, and adds about 2000 % ♦ pages to what is usually given. ♦ ♦ 2 BINDING. The volumes are bound in the best manner, attractive and J { strong, and the paper is excellent. Flexible cloth at $S.oo, and full flexible J A leather, gilt top, $16.00. They are sewed to open without breaking at the J ^ back, may be carried in the pocket, and lie oj^en in the hand. 5 The TEXT is the best and most reliable, edited from the first folio. ♦ The EDITOR is HENRY MORLEY, the distinguished scholar. Besides $ introductions to each phiy, he has written a general preface, giving a critical Q estimate of the works of this greatest figure in all literature. # The FRONTISPIECES are reproductions of the most famous of all t Shakespeare pictures — the Boydell paintings. J Doubleday & McClure Co. \ Write for special terms of easy payment. 9 Cash Orders filled for: — ♦ $7-12 '« ^i^i^- 235 WASHINGTON STREET, t 1 $14.42 in ieatrrer. BOSTON. ^ ♦ 2 Remittances may be sent to the Bates & (iuild Co. 9 ♦ 1 / -^rjfs. THE BROCHURE SERIES. Ubc ©nc3inal IRotunba of tbc ITlniversit^ of IDiroinia was built by Thomas Jefferson, and is supposed to be one-third the scale of the Pantheon. The building, together with a large addition which was made in recent years, was burned about two years ago. The only part of the original building now shown is the main circular wall of the rotunda, which shows in the photograph. The work of remodelling the building was entrusted to Messrs. McKim, Mead & White, who remodelled the porticoes and dome, added two new terrace rooms and developed the architectural scheme, of which the south front is shown in the illustration. All of the plain and ornamental cement work on this building, as well as the three large buildings at the opposite end of the lawn, was done by us. On the rotunda we made the cement balustrades, steps and bulkheads, the large columns shown in the photograph, the pavings, the Keene's Cement circular balustrade on the interior, and the colonnades which connect the terraces. Nearly all of our work at the University of Virginia is of an ornamental character; some of it light and intricate, some of it heavy. XTbC /IDillS IbOUSC in New York, designed by Mr. Flagg, shows an entirely different class of our work — fireproofing with expanded metal, concrete floors, solid partitions, etc. Ht tbe Xarge SUtjar IReflnerg in Long island city, we are building the heavy tloors of the sugar warehouses and the manufacturing plant. ■ffn tbe :l6iUGbamptOn Cit)? 1l3all we are doing the ornamental and expanded metal work, the partitions and the fireproofing. ®U Boston Common we did a good part of the paving over the Subway. XTbe above gives a fair IDea of tbe class of work we are Doing. CorresponSence ITnviteJ) from Brcbttects. Estimates jfurnisbeD. lllj^lilj^ll^l I '"'^ Contractors tor Incorporated under 1I^i0b==(5ra^e the laws of the C'OUCVCtC s'::,;:; ;::;„,. concvcte /iDasourg. Company, ''' ^■"" ^"•""•' mew i^orh cit^. .I.i5^. CONGRESSIONAL LIBRARY, WASHINGTON, D.C. Smithmeyef & Pelz : Edw P. Casey, Architects. '■i'%J9^'i'y TJIE J3 ROC J HIRE SERIES. \i«'-:^.'*'"r^.^«^r>.^ ■.=^.^V i?:^-- ^ Artistic Hardware* ^ ^ ■^n^. ^u J%^. l^ I Tt)e derqarid for tl^e beailtiful in Hard- Ware triiT\rqirigs is Well supplied by ^ Sargent & Company, of New York, and New Haven, Conn., wt|ose goods are artistic iri desigri, rigt\t ir| proportions, arid rr|ade for ilsefiilriess as Well as beaUty. Tl^e corqbiriatiori of tt^ese qualities Witl| careful WorKrqarisl]ip produces trinqrqirigs tl:\at coriforrq to tl\e requirerr|er\ts of rqodern taste. Ot\ tY\e following pages are sl^own four groups of Sargent's Hrtistic ' Hardware. Tl|ese four designs, as Well as inany otl)ers, are beautifully illustrated and fully described in a new booK recently issued, a copy of whiicl] will be sent to flrctiitects Upon application to Sargent Sl Co,, at trieir New YorK office. ■>yr^ '<^f^ '^^9) 'Ur»i ■•yr»!i"yr»i''yr*'>^.-»^"'yr»5"'yr»i"'yc»)''yr#!i''yr»!i'-yr»5''yr^'>yr^N >.-.^--^^^4g- ^,:^ _i JHLr. XVI r//^ BROCHURE SERIES. R. T. Design. — Sargent's Artistic Hardware, R. Design. Sargent's Artistic Hardware. ^^ ■■^Miw^^^^-^^-'^^'im^*. THE BROCHURE SERIES. xvii Heavy Bevel. — Sargent's Artistic Hardware. R. G. Design. — Sargent's Artistic Hardware. .^m^^..^^^-L^'S^. ^Hsim^-^-mi., xviu T//B BROCHURE SERIES. ¥mi¥¥¥¥¥¥¥¥I¥¥¥II¥im^m^ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ ¥ SARGENT'S EASY SPRING A LL Knob Locks having thenameSargent&Co. on the case, have Sar- gent's Easy Spring, which enables the Latch Bolt to work very freely, so that the door does not have to be slammed, nor stand ajar, but latches gently as it is closed. This is accomplished by using a good stiff spiral spring, with a long leverage for the Latch Bolt, and a direct pull for the Knob, thus producing the desirable com- £"05/ on the Latch Bolt, Firm on the Knob. The Spring is arranged to work in a direct line, and is so placed that it stands clear from all obstruction and avoids all friction. It cannot rub on the case, and it is impossible for it to bow or to get out of position. Working in a direct line, and so short a distance, without friction, gives great durability — no springs to be replaced, nothing to get out of order. bi nation of ¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥¥ ^"V Vi MARK SKINNER MEMORIAL LIBRARY, MANCHESTER, VT. Stickney &. Austin, Architects, Boston and Lowell. TWlt- MILLICENT LIBRARY, FAIRHAVEN, MASS. Chas. Brighann, Architect, Boston, Mass. nu/»ARD WHITTEMORE MEMORIAL LlbRARv, ImAUGATUCK, CONN. McKim, Mead Sc White, Architects, New York. LIBRARY AT PETERSHAM, MASS. Stone, Carpenter & Willson, Architects, Providence, R.I. LIBRARY AT SALISBURY, CONN. Stone, Carpenter & WiHson, Architects, Providence R.I. PUBLIC LIBRARY, TOLEDO, OHIO. E. O. Failis, Architect, Toledo. REDWOOD LIBRARY, NEWPORT, R.I. AMES MEMORIAL LIBRARY NORTH EASTON, MASS. H. H. Richardson. Architect. ■^^\:-^M^^^