(J J 
 
 0^(^. ...• 
 
 Preiieiifed bij 
 Dcfle received 
 
 Vrom on Art jinxrriliiii'j Unles /,„■ th- thireniuicil of the Sliilf lAhrary, 
 ;mi.w.<( Mmrl, ill,, ISCt. 
 
 Sf.itiipn- 11. Tlio I.ilinirian shall cause to 1)P kept a register of 
 all books issucil ail. I iituincil: and all books lakfii by tlic lucmlicrs 
 of the Li'gislatuiv, or Its officers, shall ho returned at the i-lose of 
 the session. If any porson in.jiire or fail to retiiin any Iiook taken 
 from the l.iliraiy. he shall tbifeit and pay bi the Lihiaiian, for the 
 heiietit of the l-ihrary. three times the value thereof: ami l.efor<' 
 the Controller shall issue his warrant in favor of any niemher or 
 officer of thi' I,ij.'islature. or of this State, for his jier diem, allow- 
 ance, iir salary, he shall he sitisfic(l that siiih member or officer 
 has retnrniil all books taken out of the Library by him. and has 
 settb-d all ace lunts for injuiin;; such bo-dis nv otherwise. 
 
 Skc. 1''. B'loks may be taken from the Library by the m<>mbers 
 of the l,ejrislalnre and its offic( i-s diirini; tlii' session of the .same, 
 and at any lim • l.y the C.vernor and the otbcers of the Kxecntive 
 l)epai1m"nt ot this Stale, wiio are re.inirc<l to keep their ollici'S at 
 Ihi' seat of -oviTiiment. the .lustices of lhi> Supreme (.'oiirt, the 
 .\ttornev-(;eiiei-.il. and the 'I'luslees of the Library.
 
 l/'X.'^
 
 ^,l I'f 
 
 ^i'i 
 
 i^S^ 
 
 *>r^;-
 
 CATALOGUE /^ 
 
 CASTS, BUSTS, RELIEFS. 
 
 AND ILLUSTRATIONS OF THE 
 
 ^Iiool Df ^^A%\\ and ^i^\m\\\ %i^, 
 
 MUSEUM OF ART 
 
 MELBOURNE PUBLIC LIBRARY. 
 
 ^1 "^ 
 
 BY AITTHORITY : 
 
 JOHN FERRES, GOVERNMENT PRINTER, MELBOURNE. 
 
 1865.

 
 PRE F AC E 
 
 TO THE COLLECTION OF CASTS OF STATUES, BUSTS, AND BAS RELIEFS IN THE 
 
 MUSEUM OF ART. 
 
 What tho' no marble breathes, no canvas glows. 
 From ev'ry pomt a ray of genius flows ! 
 Be mme to bless tlie more mechanic skill 
 That stamps, renews, and multiplies at will ; 
 And cheaply circulates thro' distant climes 
 The fairest relics of the purest tunes. 
 Here from the mould to conscious being start 
 Those livmg forms, the miracles of Art ; 
 Here chosen gems imprest on sulphur shine, 
 That slept for ages in a second mine. 
 
 Rogers. 
 
 The religious thought and feeling of the inhabitant.s of Greece exercised a powerful 
 eifect on Sculpture. Greece may be considered the country in which the art achieved 
 its highest perfection. 
 
 The rude block of stone, the distorted trunk of a tree, the composite monsters pol- 
 luted by pagan rites, claimed no reverence from a people endowed with a fancy so rich, 
 an imagination so fertile. 
 
 To adore the elements or the vivifying powers of nature in their abstract vagueness, 
 however suited to those content with the illusory contemplation of what they were unable 
 to define, did not satisfy the sensibility of a nation gifted with a genius so active. 
 
 Li the development of the exponents of their belief the Greeks lent to tradition a 
 graceful and engaging credulity. 
 
 By interweaving the fictions handed do-mi to them from their ancestors their 
 mythological system became extremely complicated. Heroes and Heroines, associated 
 with different alleged manifestations of the Gods, renowned for acts of valor, for 
 having introduced civilising arts, wise laws, or useful inventions, were raised above 
 the rank of mere mortals to celestial honors. 
 
 1710G5 
 
 a 2
 
 At an early period the Greeks gave foiTQ to tlie great divinities to which they 
 ascribed the government of the universe, also to the subordinate powers beUeved to 
 superintend and direct the particular affairs of mankind. 
 
 These forms were at first invested with atti'ibutes, physical and intellectual, superior 
 to those conferred on man ; next with a majesty and dignity emblematical of the Divine 
 nature ; lastly, in them was embodied the jierfection of human symmetry, to which was 
 impai'ted an ideal grace and beauty. 
 
 Exhibited in temples, halls, aud public places, or enshrined in private sanctuaries, 
 they warmed the beholder to a sense of devotion more intelligible than could have been 
 aroused by the mysterious relics of a barbarous antiquity. 
 
 Inspired by her handmaidens, Poetiy and Painting, and chastened by the enlightened 
 criticism of successive generations, who by familiarity from infancy with such sublime 
 works had been schooled to a correct judgment, Sculpture eventually, as it were, breathed 
 life into the marble figure, and touched into motion the complex group. 
 
 The history of Greek Sculpture may be divided into three periods : — 
 
 The Dtedalian. 
 
 That of Pericles ; or, the Heroic. 
 
 That of Alexander the Great. 
 
 The First ranged over several centuries, from B.C. 1200 to B.C. 550. Deities and 
 Heroes were the subjects which chiefly engaged the attention of the Sculptor. 
 
 Materials used were clay, wood,* stone, marble, metals of various kinds. Opening 
 the eyes, separating the feet, liberating the arms, and extending the limbs marked the 
 works of this age as different from those of the primitive Egyptian stiff aud formal 
 style, according to Avhicli ihe eyes Avere closed, the feet placed together, and the arms 
 held by tlie sides, indicating a representation of the dead rather than of the living 
 person. 
 
 The names of some Statuaries distinguished in this era have been preserved. For 
 what is known respecting them and the others alluded to, the reader is referred to the 
 numerous writings upon Art, ancient and modern, collected in the Library. 
 
 Amongst the Sculptors are Daedalus, the Athenian ; Smilis, of Crete ; Eugrammus, 
 who, with Euchir and Diopus, followed the fortunes of Damaratus (father of Tarquin, 
 eventually King of Rome) in his flight from Corinth to Etruria, B.C. 664, and gave a 
 new direction to Etruscan art. Theodorus, son of Rlia;cus, and brother of Telecles, 
 to whom credit is given for the invention, B.C. 600, of casting in moulds, although as it 
 had Ix'on practised long before by the Phoenicians, B.C. 100o,| all justly due to him may 
 be the honor of liaving inti-oduccd the practice into Greece. Malas, his son Micciades, 
 
 * The fig, sycamore, cedar, olive, ebony. Winck. i. 31. f 1 I^gs vii. 45.
 
 his grandson Anthermus, with Bupalus and Athenis, his sons, sustained for nearly a 
 century the reputation of the Isle of Chios. 
 
 Dipoenus and Scyllis, Cretans, who, according to Pliny, were the first to distinguish 
 themselves as Sculptors in marble, left their native island and were established, about B.C. 
 590, at Sicyon, a town near Corinth, for ages the resort of Ai-tists. Endoeus, of Athens, 
 was their pupil. 
 
 Glaucus, about B.C. 570, made the important discovery of the mode of soldering 
 metals, at which time Theodoras, grandson of him above named, obtained renown as a 
 statuary in bronze. 
 
 Perillus, about B.C. 566, fabricated for Phalaris, of Agrigentum, a Brazen Bull, the 
 well-known instrument of torture used by that tyrant, of Avhich the inventor was the 
 first victim. TectjBUS and Angelion flourished about B.C. 548. Doryclidas and Medon, 
 his brother, were of Sparta. The works of these Artists were distributed through 
 Greece and its islands, and found their way to the colonies on the continent of Asia, 
 and eventually to Italy. 
 
 Pliny states that Augustus placed in the Temjjle of the Palatine Apollo, at Rome, 
 some statues by Bupalus and Athenis, adding that they wi'ought in Parian marble called 
 lychnites, because quarried by the light of Xv-)(^i'oq, a link or torch. 
 
 It is not probable that many productions of this school are now in existence, at 
 least in a perfect state. 
 
 No representatives of the period are in this collection. 
 
 The Second combined with the grosser figures invented in the time of fable, as well 
 as with the loveliness of female grace, the stateliness of heroic proportion developed into 
 sublimity in gods and demigods. It extended from B.C. 550 to B.C. 390, and rose to the 
 highest eminence after the memorable repulse of the Persian, Xerxes, b.c. 480. Pericles, 
 being established in power at Athens, about b.c. 460, undertook to reconstruct the temples 
 destroyed by the invader, and to embellish the capital of his contemplated confederation 
 of the States of Greece, — a bond to unite which would have been the religion professed 
 byaU. 
 
 With the illustrious Phidias (pupil of Ageladas) as his director of works, he built the 
 Parthenon, the temple of the virgin goddess Athene — Minerva of the Romans — of which 
 the architects were Callicratcs and Ictimis ; the Propyltca, of which Mnesicles was the 
 architect ; the Odeum, a theatre for musical performances, and the Temple of Eleusis, 
 on which Coroebus, Metagenes, and Xenocles were employed. 
 
 These buildings Avere adorned by Alcamenes and Agoracritus, instructed by Phidias, 
 and others of the same school. To the statuaries already named may be added Poly- 
 clitus, Calamis, and Myron ; Crysothemis and Eulitidas, of Argos ; Amphicrates, 
 Agasias or Ilegesias, Menaschmus, and So'idas, of Naupactus.
 
 Gold, ivory, silver, many varieties of bronze and mixed metals, and the finest kinds 
 of marble were employed. Statues made of the fii'st two when used in combination were 
 called chrys-elephantine ; when various marbles were used for the pm-pose of producing 
 variety of color, either to represent the hair, di'apery, or ornaments, they were called 
 polylithic; when that effect was accomplished by painting they were caRed polt/chromic. 
 Eyes made of silver, crystal, glass, and paste were not unfrequently inserted, and this 
 singular practice, so sti'angely at variance with our notions of pm*e taste, prevailed dm-ing 
 the meridian splendor of the art. Wax, plaster, pitch, amber, aromatics, and costly 
 perishable and combustible substances were also employed, according to the caprice of 
 the artist or the extravagance or ostentation of the person for whom he wrought. The 
 working of metals with sharp instruments, beating out, and embossing them with punches 
 after they had been partially cast, was styled the Toreutic art. 
 
 The impetus given to Art by these extensive operations was much stimulated by the 
 refinement thus produced, and matei'ially influenced by the scientific study of Homer, 
 whose jioems had been collected by Pisistratus. The frequent representations of the 
 tragedies of JEschylus, Sophocles, and Em'ipides, who flourished at this time, gave also 
 to the community an elevation of sentiment reflected in the severe and simple grandem' 
 of design, the majesty of conception, the force, power, and delicacy of execution, which 
 form the characteristics of the fii'st division of this period. 
 
 Amongst the cotemporaries and immediate successors of the above-named Artists, 
 were Ctesilaus, Naucydes, of Ai-gos, Pythagoras, of Ehegimii, in Italy, successful in a 
 contest with Myron ; Calamis, Phradmou, and Callimachus, inventor of the Corinthian 
 column ; Theocosmus, Dinomenes, Lycius, Canachus, and Patrocles, Avho, with others of 
 greater or lesser fame, followed in the com-se of time. 
 
 Statues in the Museum, said to be of the Heroic period, are — No. 3, the Amazon ; 
 Nos. 26 27, the Discolwli ; Nos. 36 37, the Gladiators. Eespecting Nos. 32, the Fates, 
 41, the Horse's Head, 42, Ilissus, 61, Theseus, and the rest of the Elgin marbles, there is 
 no doubt. 
 
 The Third period may be extended so as to include from B.C. 390 to B.C. 146. 
 
 Moved by the success of the celebrated painters, Pamphilus, Zeuxis, Parrhasius, and 
 Apellcs, impressed by the subtle disquisitions of the Philosophers, and acted on directly 
 by the increase of national wealth and luxury, Sculptors now bestowed more attention on 
 the graceful flow of outline, on the skilful arrangement of the hair, on the becoming dis- 
 position of di-apery. The ideal of human beauty was now produced in its perfection. 
 
 To the study of Iwlduess and grandeur, to the heroic spirit and religious eaniest- 
 ness of the preceding age, succeeded the imitation of Nature, heightened by the 
 charms of animated expression, emiched by the excellence and highly-wrought finish of 
 execution.
 
 The great works of the early part of this period were the Temple of Minerva, at 
 Tegea, in Ai'cadia, the largest and most magnificent in the Peloponnesus, and the 
 Mausoleum. The former was built under the direction of Scopas, of Paros, whose 
 Venus — removed subsequently to the Temple of Mars, in Rome dedicated by Brutus 
 Callaicus, — was pronounced by Pliny to have surpassed in excellence even that of Praxiteles. 
 The latter, a Sepulchi-e, reared b.c. 352, at Halicamassus (the modem Budrum), by 
 Artemisia, Queen of Caria, in honor of her husband, was decorated by the same Scopas, 
 and by Bryaxis, Timotheus, and Leochares, Athenians, each of whom, as it is supposed, 
 undertook the execution of^e bas-reliefs on one side of the frieze of the peristyl^feome 
 
 of which were added, in 1846, to the vast collection in the British Museum. 
 
 Next in order of time and repute came Lysijipus,* respecting whom Alexander the 
 Great published an edict that no other person should represent him in bronze, as he had 
 also directed in favor of Apelles, the painter, with regard to his portrait, and of Pyrgoteles,f 
 the lapidary, with respect to engraving his figure on gems. The school of Lysippus, at 
 Sicyon, was continued under Euthy crates, Daippus and Bedas, his sons ; Lysistratus, his 
 brother; Chares, Phoenix, Eutychides, Phanis, and Tisicrates, his pupils; while at Athens 
 flourished Pi'axiteles, with his sons, Cejihisodotus and Timarchus ; Euphranor, skilled 
 also as a painter, and memorable as a writer upon Ai*t ; and ApoUodorus, father of 
 Cleomeues, to whom the Venus de Medici was for some time attributed. 
 
 They were followed by Pyromachus, to whom commentators on Pliny give the credit 
 of being the author, in bronze, of the figure kno-\vn as the Dying Gladiator; an#Silaniou, 
 whose statue of Sappho, styled by Cicero " so perfect, so elegant, so elaborate," is 
 enumerated amongst the spoils of Verres. 
 
 The intestine troubles which continued to distract Greece, after the death of Alexander, 
 drove many distinguished artists forth to seek protection and encouragement fi-om the 
 Ptolemies of Egypt, the Seleucidae of Asia, and the kings and people of Sicily. Wlien 
 Carthage fell beneath the arais of Seipio, and Corinth was destroyed by Mummius, the 
 Art treasures of both cities were transferred to Rome, which began to absorb the wealth 
 and attract the talent of other countries. 
 
 With these important events this period may be said to have closed. 
 
 Statues in the Museum assigned to this era are Nos. 6 and 7, Apollos; No. 12, The 
 Boxers; No. 14, The Boy and Goose; Nos. 33 and 34, Fauns; and Nos. 62, 63, 64, 65, 
 66, Venuses. 
 
 The history of Sculpture under the Romans may, for convenience, be made to embrace 
 from B.C. 146 to a.d. 180. 
 
 * Edicto vctuit, ne qiiis se prater Apellem 
 
 Fiiifjeret, aut alius Lysippo duceret a;ra 
 
 Fortis Alexandri vulluin simulaiitia. 
 
 IIoK. Ep. ii. 1. 239. 
 I Pliny vii. 37 ; xxxvii. 1-4.
 
 Architecture, the construction of roads to enable them to extend and retain their 
 conquests, aqueducts, theatres, and vast arenas for the exhibition of their cruel 
 sports, instituted to amuse and finallj employed to enthrall the people, engrossed this 
 warlike race. They may be regarded as admirers of art, rather than as a nation 
 producing artists fi'om amongst themselves. Unlike the Greeks, who forbade the practice 
 of Sculpture by any but persons of gentle birth, and who annexed to the study of its rules 
 a proti'acted and expensive training, the Eomans considered the arts of war and govern- 
 ment* their chief pursuit ; they esteemed most highly the military distinctions which 
 led to the principal civil preferments, and they willingl^^^rrendered to others the 
 supremacy in those accomplishments which required more^mely-organized perceptions, 
 more discriminating habit of thought, more cultivated and polished manners than they 
 themselves could boast. Thus it was that they delegated the practice of most of the fine 
 arts, as well as of the allied employments, to captives brought from abroad to swell the 
 pomp of successive triumphs, or to slaves expressly educated for the purpose. 
 
 Genius, repressed in this servile condition, refused to display itself in such vigor as 
 when, in the full enjoyment of liberty, it had been courted and honoured by the great; 
 accordingly, it has been observed that the Romans seem to have contented themselves at 
 first with copies of those remarkable statues which had not been transported to the 
 capital. These were not in all instances rendered with strict fidelity to the originals, and 
 a trifling deviation from the model was accepted as a compensation for the absence of the 
 inventivefaculty. 
 
 As taste ripened a more generous spirit grew up, and the enfranchisement of the 
 Artist led to the emancipation of the intellect, and a consequent improvement in the style 
 of Art. 
 
 StiU the creative power, the embodiment of the workings of fancy and of the 
 imagination, are not to be expected at the hands of a people eminently practical in their 
 social, political, and religious institutions. Portraiture exact in minute detail, imitation 
 unenlivened by any departure from the actual and the real, mark this period. 
 
 The magnificence of the buildings erected in the age of the early Cajsars, of the Flavian 
 family, of Hadrian, and the Antonines, and the unprecedented splendor of the public 
 shows, gave ample occupation to Aitists ; but the spirit thus aAvakened soon degenerated 
 in consequence of the growing effeminacy of manners, and Artists were degraded into 
 ministers of the pride, caprice, and wanton luxury of profligate Emperors. 
 
 * Exciulent alii spirantia mollius aera; 
 Credo equidem, vivos ducent de marniore vultus ; 
 Orabuiit causas melius, coelique meatus 
 Describcnt radio, ct surcrentia sidcra dicent. 
 Tu reu'cre imperio populos, Komane memento ; 
 Haj tibi sunt artes ; pacisque imponcre morcm, 
 Parccre bubjectis ct debellare superbos. 
 
 VxKO. JEn., vi. 847.
 
 There is considerable difficulty in fixing with precision the works expressly due to 
 this period. 
 
 To inscribe on the plinth of the statue of an illustrious foreigner of a former age 
 the name of a Roman warrior or statesman was, according to Cicero, a reprehensible 
 act of frequent occurrence; and Suetonius informs us of a still nitre violent appropriation 
 by Caligula, who collected antique statues of gods, famous for their beauty and the 
 veneration paid to them, removed the heads and replaced them with his own. He 
 carried his destructiveness still further, as he demolished or dispersed the statues of many 
 distinguished personages set up in the public places in Rome ; while Nero exceeded him 
 in barbarism, for in his progress through Greece he overturned the statues which had 
 been erected in honor of victors at the different national games. 
 
 The best known sculptors of this epoch are Posidonius and Coponius, who embellished 
 the theatre of Pompey ; Pasiteles, master of Stephauus, and Menelaus, his pupil ; 
 Arcesilaus, who produced the Venus Genetrix, placed in his Forum by Julius Caesar ; 
 Thaletiou, a freedman of Maecenas; Chimarus, who made the shrine and statue of Germa- 
 nicus; Zenodorus, who executed the colossal figure of the Sun, 120 feet high, intended to 
 represent Nero, which was put in front of his golden house; Agesander, Athenodorus and 
 Polydoi-us, authors of the Laocoon, of which many reproductions were knoA\Ti to exist. 
 
 ApoUodorus, of Athens, superintended the erection of Trajan's colunon, enriched with 
 bas-reliefs, showing powerful forms in natural and appropriate attitudes. Zeno, of Caria, 
 Papias and Arista^us, of Cyprus, flourished under that emperor, who revived the art, then 
 hastening to its decline. 
 
 The names of many of these persons sufficiently denote the foreign extraction of those 
 who bore them. 
 
 Statues in the Museum ascribed to this period are No. 5, Antinous ; 16, Canephora ; 
 17, Castor and Pollux ; 19, Cupid and Psyche ; 31, Flora ; 35, Germanicus ; 46, Lao- 
 coon ; 55, Pudicitia. 
 
 The period of primitive Christian Sculpture may be briefly passed by, inasmuch as 
 unfortunately the Museum does not yet possess any of its curious and suggestive 
 productions. 
 
 Drawing his inspiration from the pure sources of Holy Writ, absorbed by a devout 
 enthusiasm, the chief aim of the early Christian Sculptor was a pious illustration of his 
 subject, rather than a display of technical dexterity or an adlierence to the rules of Art. 
 
 The oppression to which he was exposed by reason of his creed resti-icted the exercise 
 of his abilities in a great measure to sepulchral and monumental works usually executed 
 in relief. 
 
 Still a rare gleam of intellect occasionally shines through some of these simple and 
 truthful labours, and although instances occur in which the mythology of ancient times 
 
 b
 
 is strangely intermixed with the new religion, the innocence, sincerity, and tenderness of 
 motive of the designer may well disarm criticism on the homely nature of the execution. 
 
 Upon the change of the seat of government from Rome to Constantinople, the 
 Emperor Constantine was soon impressed with the irresistible conviction that the prin- 
 cipal impediment to making the city of his choice surpass all others in magnificence was 
 the decline of Art. 
 
 Unable to resuscitate the expired genius of a foimer time, he imitated the rapacity of 
 his predecessors ; in order to heighten the splendor of his new " Colonia," the noblest and 
 most favored daughter of old Rome, he denuded all other pai'ts of the empire of their 
 fairest ornaments. 
 
 Trophies of memorable wai's, the statues of gods and heroes, of sages and poets, were 
 transported to Byzantium, so that " nothing seemed wanting except their souls to animate 
 the astonishing resemblances of these illustrious beings." * Of these statues not fewer 
 than 427 were assembled in the temple dedicated to St. Sophia, f the Divine Wisdom. 
 
 The oriental character being unsuited to the severe study of Sculpture, Art took in the 
 East a new direction ; while Italy, reduced to the humiliating position of a power of 
 secondary dignity, became a prey to successive wild invaders, whose only regard for 
 works of Art was a superstitious di'ead of injuring such as their ignorance invested with a 
 power of enchantment or sorcery. | 
 
 For more than 600 years — from the time of Hannibal — no foi'eign enemy had insulted 
 the walls of Rome. Alaric was the first who in her hour of weakness dared to aspire to 
 the conquest of the eternal city. 
 
 He led his Visigoths from his conquests in Macedonia and Illyria, besieged thrice, 
 and finally, a.d. 410, took and sacked the city, 1163 years after its foundation. 
 
 Genseric, A.D. 455, crossed with his Vandals from Africa, and plundered Rome of 
 what had been left after or accumulated since the former pillage ; and an avenging 
 Nemesis gave to Carthage, at the hands of a barbarian, born on the shores of the Baltic, 
 the spoils of her ancient and remorseless foe. In his heroic resistance to the furious 
 assaults of Vitiges, a.d. 537, pent within the sepulchre of Hadrian, which, in his extre- 
 mity, he converted into a forfress, Belisarius hurled upon the heads of the besiegers the 
 statues with which that remarkable structure had been decorated ; and the defenders of 
 the capital thus reluctantly became the destroyers of its choicest and most esteemed 
 ornaments. 
 
 Under such rude shocks as these the arts succumbed. They suffered still more, how- 
 ever, from the utter exhaustion of the human mind in the regions where they had formerly 
 
 * Cedrenus, 369. Byzan. Script. t Codinus, Ex. 8. Byzan. Script. 
 
 J The singularity of this cxcei)tion was not admitted by the Iconoclasts at a later period, under 
 Leo III., the Isaurian, about a.d. 730, and his successors.
 
 flourished, from the obliteration of all refined sentiment and the destruction of the whole 
 spiritual and ideal world of antiquity to which they had been so much beholden. 
 
 Then closed on them the obscurity of that long and dreary interval of many hundred 
 years, during which the Sculptor rarely showed his skill, except when associated with 
 the Architect. Mi 
 
 The Sculptor's hand produced on such occasions the accessory embellishments for 
 those vast and elegant structures which remain monuments of the architectural ability 
 and the exquisite taste of Ecclesiastics, the only depositaries of learning in a rude and 
 uncouth age. 
 
 About the fifteenth century a fresh life was infused into the arts. 
 
 The recovery of manuscripts of many of the classical authors; the circulation and study 
 of these, facilitated by the invention of Printing ; the exhumation of some of the noble 
 statues, buried for centuries beneath ruins ; the improved condii^n of society in the 
 principal states of Europe ; the increase of wealth and the enlight^ed patronage of men 
 of letters and of Ai'tists, contributed to a development of the human intellect in literature 
 science, and the fine arts, as rapid as it was remarkable and brilliant. 
 
 An enumeration of the great masters, preceding and of the time of the Medici family, 
 is needless. Their world-renowned names are imperishable : they live in their works. 
 These combine the vigor of the pagan era and the spirituality of the new belief which 
 displaced the old merely human ideal. 
 
 Statues and Reliefs which belong to this period are No. 20, Cupid ; No. 45, Julian 
 de Medici ; and Holy Family, relief, by Michael Angelo Buonarotti ; No. 48, Mercury, 
 by John of Bologna ; Boys, in relief, by Flamingo and Donatelli ; with Panels of the 
 Gates of the Baptistry at Florence, by Ghiberti. 
 
 From that period to the present the transition has been gradual. Temporary fluc- 
 tuations have occijrred, according as the eminence or success of some particular master 
 has captivated the public and directed the course of his admirers or imitators. 
 
 Comment upon the work of the contemporary Sculptor it is not proposed to submit. 
 A decision upon it involves not only an acquaintance with the history of his ai-t in its 
 former phases, but of that of Architecture, with which it has so often acted in unison, and 
 that of Painting, to which it is so closely allied. 
 
 It demands that a just allowance should be made for the embarrassments which impede 
 attempts to render in the spirit of the antique, yet without slavish copying, subjects taken 
 from the remote history of people, whose manners, customs, habits, were so different from 
 ours ; or those di'awn from an extinct mythology, the mysterious origin of which is in so 
 many of its recesses unknown, forgotten, or misimderstood. It requires, also, that con- 
 sideration should be shown on account of the obstacles which encumber efforts to imper- 
 sonate Christian virtues or abstract ideas, the rendering of which is completely arbitrary. 
 
 b 2
 
 It enjoins moreover, an insight, thorough and exact, into the influences which so 
 fi-equently fetter genius and confine the Sculptor to the duty of pourtraying the common- 
 places of living human passion, and the unpicturesque incidents of modem days. 
 
 Regarding the Sculptor as the expositor of man's thought and belief, the visitor to this 
 collection, small and rufliraentary though it be, may fonn his own opinion as to what has 
 been in different ages esteemed the faithful rendering of the grand, the sublime, the 
 beautiful, the true. 
 
 Statues and Eeliefs in the Museum by sculptors of modern times are Nos. 18, Cupid; 
 24, Diana ; 28, Dorothea ; 29, Eve at the Fountain ; 38, Graces ; 39, Greek Slave ; 
 40, Hercules and Omphale (as the restorations and additional figure entitle Flaxman to 
 the merit of having converted a mutilated torso into a complete group) ; 43, Innocence ; 
 47, Mercury; 50, Mother and Child; 51, Musidora; 52, Narcissus; 53, Perseus; 58, St. 
 George and the Dr^un ; 59, Tambourine Girl ; 60, Terpsichore ; 67, 68, 69, Venuses ; 
 70, Venus and Cupid; and reUefs by Flaxman, Gibson, and Thorwaldsen. 
 
 The foregoing observations are presented with a diffidence much increased in conse- 
 quence of the difficulty which has been experienced in the endeavours to reconcile conflicting 
 chronological statements advanced, and the contrariety of view entertained by the learned 
 writers consulted during the preparation of the Catalogue. 
 
 The authorities referred to have been verified, so that eri^ors, which a more abundant 
 leisure might have escaped, may be corrected; and omissions, necessary to avoid prolixity, 
 or which the absence of means of obtaining information has caused,* may be supplied by 
 the diligent and indulgent reader. 
 
 It would be ungracious to conclude without adverting to the fact that the Trustees 
 owe to the generosity of friends formerly resident here, as well as of others but incidentally 
 connected with the country, many of the interesting objects which the Museum contains. 
 
 These represent more than £800 expended in the purchase ; but as furnishing means 
 of enlightened gratification and material instruction in the practical branches of art-manu- 
 facture and design, and also as affording testimony of the kind support of the givers, they 
 possess an enduring worth much exceeding their mere money value. 
 
 The pleasure originally afforded to the donoi'S in presenting them to the institution for 
 the benefit of the community, will doubtless be enhanced by the knowledge that the use- 
 fulness of their well directed liberality is thoroughly appreciated by the public of 
 Victoria. 
 
 * One may well exclaim with the polished scholar and learned antiquarian, that " it is pity there is 
 not something liie a public register to preserve the memory of such statues as have been found from 
 time to time, and to mark the particular places where they have been taken up, which would not only 
 prevent many fruitless searches for the future, but might often give a considerable light into the 
 quality of the place, or the design of the statue." — Addison, " Travels in Italy."
 
 Sfijusli^its 4 M M^^^W^ fi^Min Ittr^arj. 
 
 BY A PROCLAMATION, PUBLISHED IN THE " VICTORIA GOVERNMENT GAZETTE," 
 20th JULY, 1853, BEARING DATE, 
 
 " Colonial Secretary's Office, 
 
 "Melbourne, 19th July, 1853. 
 
 " His Excellency the Lieutenant-Governor has been pleased to appoint 
 
 (a) " His Honor Mr. Justice BiUiRY. 
 
 (b) " The Honorable William Foster Stawell, Esquu^e, Attorney-General. 
 
 (c) " The Honorable James Frederick Palmer, Esquire, Speaker of the House 
 
 of Assembly. 
 
 {d) " The Honorable Hugh Culling Eardley Childers, Esquu-e, Collector of 
 H.M. Customs. 
 
 " David Charteris Macarthur, Esquire. 
 
 (e) " The Honorable Sir Francis Murphy, Speaker of the House of Assembly. 
 
 " Trustees of the Melbourne Public Library." 
 
 (a) Now Sir Redmoxd Bakry. 
 
 (6) Now Sir Williaji Foster Stawell, Chief Justice of tlie Supreme Court. 
 
 (c) Now Sir James Frederick Palmer, President of the Legislative Council. 
 
 ((f) Now ^Member of Parliament for Pontefract (England). 
 
 (e) In the place of the Hon. Hugh Culling Eardley Childers, resigned. 
 
 toff of tlx^ ^ihmm |ubli([ 3h\mj 
 
 Librarian ... ... ... ... Augustus Tulk, Esquire, 
 
 Sub-Librarian ... ... ... Henry Sheffield, Esquh'e. 
 
 Clerk ... ... ... ... ... Mr. William Cleary. 
 
 First Assistant ... ... ... Mr. George Brockw ay. 
 
 Second „ ... ... ... ... Mr. Robert Curtis. 
 
 Third ,, 
 
 First Attendant ... ... ... ... John Hodges. 
 
 Second „ ... ... ... George Hopkins. 
 
 Third „ 
 Fourth „
 
 p:ancp ©oti^i trg laiiUamj^nt 
 
 IN AID OF THE 
 
 MELBOURNE PUBLIC LIBRA.RY. 
 
 FOE THE BUILDING. 
 
 1854 
 1855 
 1858 
 1863 
 1864 
 
 Expended 
 Lapsed ... 
 
 50,994 11 4 
 
 885 8 8 
 
 £ s. d. 
 
 10,000 
 
 10,000 
 
 20,000 
 
 8,000 
 
 3,880 
 
 51,880 
 
 51,880 
 
 FOR THE PURCHASE OF BOOKS. 
 
 1853 
 
 1854 
 1855 
 1856 
 1857 
 1858 
 1859 
 1860 
 1861 
 1862 
 1863 
 1864 
 
 Expended in Books 
 Lapsed ... 
 
 34,285 8 
 6,214 11 
 
 3,000 
 3,000 
 3,000 
 3,000 
 5,000 
 5,000 
 5,000 
 2,000 
 3,000 
 3,000 
 3,500 
 2,000 
 
 40,500 
 
 40,500 
 
 FOR THE PURCHASE OF WORKS OF ART. 
 
 1859 2,000 
 
 1862 Donations of the value of ... ... ... ... 800 
 
 £2,800
 
 ^d\m of a §i;qui;f)t 
 
 INTRODUCED INTO A WILL OR CODICIL BY ANY PERSON DESIROUS TO LEAVE 
 A DONATION OR LEGACY IN FAVOR OF THE INSTITUTION. 
 
 / hereby Give and Bequeath unto the Trustees for the time being of the 
 Melbourne Public Library, all and singular my 
 
 1. Arms. 
 
 
 19. 
 
 Medals. 
 
 2. Autographs. 
 
 
 20. 
 
 Mezzotints. 
 
 3. Books. 
 
 
 21. 
 
 Music and Musical Instruments. 
 
 4. Busts. 
 
 
 22. 
 
 Objects of Natural History. 
 
 5. Cabinets, 
 
 
 23. 
 
 Pamphlets. 
 
 6. Cameos. 
 
 
 24. 
 
 Paintings in OH, Body, Water, 
 
 7. Charts. 
 
 
 
 or other color. 
 
 8. China. 
 
 
 25. 
 
 Photographs. 
 
 9. Coins. 
 
 
 26. 
 
 Porcelain. 
 
 10. Drawings in 
 
 Pencil, Pen, Chalk, or 
 
 27. 
 
 Prints. 
 
 other Material. 
 
 28. 
 
 Sculpture. 
 
 11. Engravings. 
 
 
 29. 
 
 Seals. 
 
 12. Etchings. 
 
 
 30. 
 
 Sketches. 
 
 13. Gems. 
 
 
 31. 
 
 Statues. 
 
 14. Intaglios, 
 
 
 32. 
 
 Stereoscopic Views. 
 
 15. Jewellery. 
 
 
 33. 
 
 Surveys. 
 
 16. Lithographs. 
 
 
 34. 
 
 Tracings. 
 
 17. Manuscripts. 
 
 
 35. 
 
 Vases. 
 
 18. Maps. 
 
 
 36. 
 
 Weapons. 
 
 Casts, Moulds, or Imitations, in Ivory, Gold, Silver, Bronze, or other Metal, Glass, Porcelain, Plaster, 
 Clay, Terra Cotta, or other material, of Nos. 4, 6, 8, 9, 13, 14, 15, 19, 26, 28, 29, 31, 35.* 
 
 The same to be placed in the Public Library, and to be there kept by the said Trustees, 
 for the use of the public, subject to the genei-al regulations of the Institution. 
 
 * Note.— Any one or more of the aljove-enunierated objects may be selected, as occasion may require. 
 
 Or,
 
 Or, 
 
 / Give and Bequeath unto the Trustees of the Melbourne Public Library 
 
 for the time being, the sum of Thousand Pounds, to^ be paid to them within 
 
 Twelve months after my decease, and to be by them invested ivith all convenient speed 
 in the purchase of Books on the subject of 
 
 1. Constitutional History. 
 
 2. Political Economy. 
 
 3. Travels [or as the case may 6e]. 
 
 Such Books to be strongly bound in [red, or green, or purple, or other] Leather, and 
 Stamped loith my Crest [or Arms], and kept in the Library for the use of the public, 
 subject to the general regulations of the Institution. 
 
 Or, 
 
 / Give and Bequeath unto the Trxistees of the Melbourne Public Library 
 
 for the time being, the sum of Thousand Pounds, to be paid to them within 
 
 Twelve months after my decease, and to be by them, with all convenient speed, 
 invested in Government Securities of Victoria. 
 
 And I do direct that the said Trustees shall receive the interest payable upon 
 such Securities, and invest the same, from time to time, in the purchase of Books o?i 
 
 the subject of 
 
 1. History; or in the purchase of 
 
 2. Water Color Drawings of Living British Artists. 
 
 3. Ancient Coins. 
 
 4. Maps or Charts \_or a^ the case may be'] . 
 
 Or, in the payment of one or more competent persons to deliver a course of not less 
 
 than — Lectures during the year, at such time and place as the 
 
 Trustees may appoint, ifpo?i the subject of or 
 
 npo7i such subjects as the said Trustees may direct.
 
 G A L L £ R 
 
 (i R O U N
 
 r L A N 
 
 C R [ f l^ 
 IITERATURL 
 
 Plan
 
 "Morjis on Ihij S}n<[ %}!^b. 
 
 A.. 
 
 ADAMS (Edward). The Polychromatic Ornament of Italy. 4to, 1 vol. Lond., N.D. 
 
 AGINCOURT (Seroux D'). History of Art, by its Monuments, from its decline in the 
 4th century to its restoration in the l6th. Folio, 1 vol. Lond., 1847. 
 
 ALBANI (Francisco). Picturce in ^de Verospia. Folio, 1 vol. Rome, 1704. 
 
 ALT (Rudolf). Malerische Ansichten von Wien. 4to, 1 vol. Wien, N.D. 
 
 ANTIQUARIAN ETCHING CLUB PUBLICATIONS^ 
 
 4to., Vols. I.-V. Lond., 1849-53. 
 ARESTI (Joseph). 
 
 L Ancient Ornamental Alphabets. 8vo, 1 vol. Lond., N.D. 
 
 2. Lithozoographia ; or, Aquatinta stippled gradations produced upon drawings 
 washed or painted on stone. 8vo, 1 vol. Lond., 1857. 
 
 ART. British Sculptors, Sculpture, and our Public Monuments (Notes on). 
 
 Lond., 1861. Pamp. Eng., vol. V. New Ser. 
 ART UNION. A Monthly Journal of Fine Arts. Edited by S. C. Hall. 
 
 4to, 7 vols. Lond., 1839-48. 
 ART JOURNAL. 4to, 14 vols. Lond., 1849-62, 
 
 ARUNDEL SOCIETY. 4to and 12mo, 6 vols. Lond., 1854-56. 
 
 1. Bezzi (G. a.) Vasari's Life of Giovanni Angelico da Fiesole. Translated. 
 
 1 Vol. 
 
 2. Descriptive Notice of the Drawings, Tracings, Models, and Miscellaneous 
 
 Publications of the Arundel Society, exhibited in the Crystal Palace, 
 November, 1855. 1 vol. 
 
 3. Layard (Austin Henry). 
 
 (i.) Frescoes, by B. Pinturicchio, at Spello. 
 (ii.) Madonna and Saints in Fresco, by O. Nelli. 
 (ill.) Martyrdom of St. Sebastian in Fresco, by P. Perugino. 4to, 1 vol. 
 
 4. (i.) Giovanni Sanzio and his Fresco at Cagli. 
 
 (ii.) D. Ghirlandaio and his Fresco of the Death of St. Francis. 4to, 1 vol. 
 
 5. Ruskin (John). Giotto and his Works in Padua. 4to, 1 vol. 
 
 6. Wyatt (Matthew Digby), Notices of Sculpture in Ivory ; and Oldfield (E.), 
 
 Catalogue of Specimens of Ancient Ivory Carvings in various Collections. 
 
 4 to, 1 vol. 
 
 A
 
 B. 
 
 BARRE (L.) Herculanum et Pompei. Recueil General des Peintures, Bronze?, 
 Mosaiques^, etc., decouverts jusqu' a ce jour, graves par H. Roux. 
 
 4to, 8 vols. Paris, 1861-62. 
 BARRE SWIL (Charles Louis) et DAVANNE (M.) Chimie Photographique. 
 
 2ud ed. 8vo, 1 vol. Paris, 1859. 
 
 BARRY (James, Professor of Painting, R.A.) Works, containing his Correspondence 
 
 from France and Italy with Edmund Burke, his Lectures on Painting, &c., with 
 
 some account of his Life and Writings. 4to, 2 vols. Land., 1809. 
 
 BARTSCH (Adam.) Le Peintre Graveur (avec les seize dessins copies faites d'apres 
 les estampes tres-rares de differents maitres). 12mo, 22 vols. 
 
 Vols. L-Y. — Pays-Bas. New ed. Leipzig, 1854. 
 
 Yols. YI.-XI. — Yicux maitres AUemands. Vienna, 1808. 
 
 Yol. XII. — Les clair-obscurs des maitres Italiens. Vienna, 1811. 
 
 Yol. XIII. — Yieux maitres Italiens. Vienna, 1811. 
 
 Yols. XIV., XY. — Marc-Antoine et son ecole. Vienna, 1813. 
 
 Yols. XYI.-XXI.— Pcintres Italiens. Vienna, 1818-21. 
 
 Yol. XXIL— Dessins. N.D. 
 
 BERG (Jon. Aug.) Sverige Framstiildt i Taflor 96 Litograficr i Tontryck. 
 
 Oblong Iblio, 2 vols. Goteh., N.D. 
 
 BERGMAN (Cakl Joiian). Gotland och Wisl)^ i Tailor. 
 
 Oblong folio, 1 vol. Stock., 1858. 
 
 BERMUDEZ (Juan Agustin Cean), Dicciouario Historico de los Profesores de las 
 Bellas Artes en Espaua. 12mo, 6 vols. Madrid, 1800. 
 
 BLACKWOOD (Lady Alicia). Scutari, the Bosphorus, and Crimea. 24 sketches. 
 
 Folio, 1 vol. Venfnor, 1857. 
 BLAXC (CiiAiJLEs). riistoiy of the Painters of all Nations. 4to, 1 vol. Land., 1855. 
 
 BOISBAUDRAN (Horace Lecoq de). Education de la Memoire Pittoresque. 
 Application aux Arts du Dessiu. 2nd ed, 8vo, 1 vol. Paris, 1862. 
 
 BOISSER^E COLLECTION. German and Flemish Paintings of the 14th, 15th, and 
 16th centuries. Folio, 4 vols, 
 
 BRAY (Anna Eliza). Life of Thomas Stothard, R.A., with Personal Reminiscences. 
 
 4to, 1 vol. Loud., 1851. 
 
 BRETON (Ernest). Pompeia decritc et dessinee suivie d'une Notice sur Herculanum. 
 
 2nd ed. 8vo, 1 vol, Paris, 1855. 
 BRITISH MUSEUM. 
 
 1. Desci-iption of the Ancient TerracoKas in the British Museum, bv T. Combe. 
 
 4to, 1 vol Lond., 1810. 
 
 2. Catalogue of the Ancient Marbles, with Engravings, in the British Museum. 
 
 4to, 11 vols. Land., 1812, 1861. 
 
 3. Catalogue of the Greek and Etruscan Yases in the British Museum. 
 
 Yol I. 8vo, 1 vol. Land., 1851. 
 
 BR0:MLEY (Henry). Catalogue of Engraved British Portraits, from Egbert the Great 
 to the Present Time ; with an Ajipendix, conlaining the Portraits of such 
 Foreigners as may claim a ])lace in the British Series. 
 
 4to, 1 vol. Loud., 1793.
 
 BRONGNIART (Alexandre). Traite des Arts Ceramiques, corrige et augmente, par 
 Alpliouse Salvetat. 
 
 2°'i« ed. 8vo, 2 vols., avec uii Atlas, 4to, 1 vol. Paris, 1854. 
 
 BROWN (Richard). Principles of Practical Perspective ; or, Scenograpliic Projection. 
 
 2nded. 4to, 1 vol. I.ond., 1835. 
 BRUCE (M.) Hong Kong illustrated in a Series of Lithographs. 
 
 Folio, 1 vol. Lond. 
 BRULLIOT (Francois). Dictionnaire des Monogrammes, Marques Figurees, Lettres, 
 Initiales, Noms Abreges, etc., avec lesquels les Peintres, Desshiateui's, Graveurs 
 et Sculjjteurs ont designe leurs Noms. 
 
 New ed. 4to, 1 vol. il/^mzW?, 1832-34. 
 
 BRYAN (Michael). Biograjihical and Critical Dictionary of Painters and Engravers, 
 
 with Cyphers, Monograms, and Marks used by each Engraver, and List of 
 
 their Principal Works. 4to, 2 vols. Lond., 1816. 
 
 BURCHETT (R.) Practical Perspective. 8vo, 1 vol. Lond., 1859. 
 
 BURNET (JoHx\). 
 
 1. Practical Hints on Portrait Painting. Illustrated by Examples from the 
 
 Works of Vandyke and other Masters. 4to, 1 vol. Lond., 1850. 
 
 2. Turner and his Works, Avith Memoir by Peter Cunningham. 
 
 Folio, 1 vol. Lond., 1852. 
 BUSSCHER (Edmond de). 
 
 L Album et Description du Cortege des Comtes de Flandre. 
 
 8vo, 2 vols. Gand., 18,52, 1853. 
 2. Ruincs de I'Abbaye de Saint Bavou. 3'"° ed. Folio, 1 vol. Gand., 1854. 
 
 O. 
 
 CAEMI (Antonio). Delle Arti del Disegno e Dcgli Artisti nello Provincie Lombardia 
 dal 1777 al 1862. Exhib. Inter.,' 1862, vol. VI. 8vo, 1 vol. 3Iilano, 1862. 
 
 CANOVA (Antonio). Works of, engraved by H. Moses, with Memoir by Count 
 Cicognara. Folio, 3 vols. Lond., 1824. 
 
 CARTER (John). 
 
 1. The Ancient Architecture of England ; including the Orders during the 
 
 British, Roman, Saxon, and Norman Eras, and under the Reigns of Heniy 
 III. and Edward III. New ed. Folio, 1 vol. Lond., 1837. 
 
 2. Specimens of Ancient Sculpture and Painting in England, from the Earliest 
 
 Period to the Reign of Henry VIII. 
 
 New ed. Folio, 1 vol. Lond., 1838. 
 CAVE (Marie Elisabeth). Cours du Dessin sans Maitre. 
 
 Folio, 1 vol.^ Paris, N.D. 
 
 CELLINI (Benvenuto). Vita scritta da iui mcdcsimo restituita alia Lezione Originale 
 
 dal Dottor Francesco Tassi. 8vo, 3 vols. Firenze, 1829. 
 
 CHATTO (W. A.) and JACKSON (John). Treatise on Wood Engraving, Histori- 
 cal and Practical. 8vo, 1 vol. Land., 1839. 
 CHEVREUL (Michel Eugene). The Principles, Harmony, and Contrast of Colors, 
 and their Application to the Arts and Sciences. Translated by C. Martel. 
 
 2ud ed. 8vo, 1 vol. Land., 1855. 
 CICERI (Eugene). Cours progressif de Paysage. Folio, *1 vol. i'a/vV, 1857. 
 
 A 2
 
 CICOGNARA (Leopold). Storia della Scultura dal suo Risorgimento in Italia sino al 
 Secolo di Napoleone. Folio, 3 vols. Vicenza, 1813-18. 
 
 CLAUDE (Gelee, dit LE Lorrain). Liber Veritatis ; or, a Collection of 200 Prints after 
 the Designs of Claude le Lorrain, executed by Richard Earlom. 
 
 Folio, 3 vols. Lond., 1777-1819. 
 
 COLLINS (W. Wilkie). Memoirs of William Collins, -with selections from his 
 Journals and Correspondence. 8vo, 2 vols. Lond., 1848. 
 
 CONSONI (N.) Cartoons from the Vatican. Folio, 1 vol. Lond., N.D. 
 
 COQUEREL (Athanase, junior). Fine Arts in Italy in their Religious Aspect. 
 Translated by Edward and Emily Higginson. 8vo, 1 vol. I^ond., 1859. 
 
 CORREGGIO (Antonio de' Allegri) and PARMEGIANO (Girolamo Francesco 
 Maria Mazzola). Sketches of the Lives of. Svo, 1 vol. Lond., 1823. 
 
 CROOKES (William). Handbook to the Waxed Paper Process in Photography. 
 
 8vo, 1 vol. Lond., 1857. 
 
 CROWE (J. A.) and CAVALCASELLE (G. B.) The Early Flemish Painters : 
 
 Notices of their Lives and Works. Svo, 1 vol. Lond., 1857. 
 
 CRYSTAL PALACE, SYDENHAM. The Guide and Handbooks to. 
 
 12mo, 5 vols. Lond., 1854. 
 
 CUMBERLAND (Richard). Anecdotes of Eminent Painters in Spain, 16th and 17th 
 centuries. 2nd ed. 12mo, 2 vols. Lond., 1787. 
 
 CUNNINGHAM (Allan). 
 
 1. Lives of the British Painters, Sculptors, and Architects. 
 
 12mo, 6 vols. Lond., 1839. 
 
 2. Life of Sir David Wilkie : his Journals, Tours, and Critical Remarks on 
 
 Works of Art. Svo, 3 vols. Lond., 1848. 
 
 DAHLBERG (E.) Beskrifning opvcr Stiider, Egendomar, Minnesmarken upptagne, uti 
 Suecia Antiqua et Hodicrna, Oblong folio, 1 vol. Stock., N.D. 
 
 DAVIES (Edward). Life of Murillo, compiled from Various Authors. 
 
 Svo, 1 vol. Lond., 1819. 
 
 DAVIS (Dr. Nathan). Carthage and her Remains ; being an Account of the Excava- 
 tions and Researches on the Site of the Phcenician Metropolis in Africa and 
 other adjacent places. Svo, 1 vol. Lond., 1861. 
 
 DELAMOTTE (Philip H.) 
 
 1. Practice of Photography. 3rd ed. 12mo, 1 vol. Lond., 1856. 
 
 2. Oxymel Process in Photography. 12mo, 1 vol. I^ond., 1856. 
 
 DE QUINCY (Quatremere). On Lnitation in the Fine Arts. Translated liy J. C. 
 Kenl 8vo, 1 vol. Lond., 1837. 
 
 DOUCE (Francis). The Dance of Death, exhibited in Engravings on Wood; with a 
 Dissertation on Macaber and Hans Holbein. Svo, 1 vol. Lond., 1833. 
 
 DRAWING and SINGING. Some of the Advantages arising from the study of. 
 
 Vict. Pamp., vol. XL. 
 DRESSER (Christopher, Ph. D.) Art of Decoiative Design. 
 
 Svo, 1 vol. Lond., 1862. 
 
 DUBOIS (Amp.roise). Galerie de la Rcine dilc dc Diane a Fontainebleau, peinte par, 
 
 en M.DC. Folio, 1 vol. Paris, 1858.
 
 DXJPLESSIS (George). Histoire de la Gravure en France. 8vo, 1 vol. Paris, 1861. 
 
 DUPPA (Richard, LL.B.) and DE QUINCY (Quatremere). 1. Life of Michel 
 Angelo. 2. Life of RatFaello. Translated by William Hazlitt. 
 
 12n]0, 1 vol. Lond., 1846. 
 DU SOMMERARD (Alexandre). Les Arts au'Moyen Age. 
 
 Folio, 5 vols,; 8vo, 5 vols. Paris, 1838-46. 
 
 DYCE (Wiluam). Introduction to the Drawing-Book of the School of Design, 
 published 1842-3. Lond., 1854. Education Rep., vol. III. 
 
 E. 
 
 ELLIS (Sarah). Morning Call (The). A Table Book of Literature and Art. 
 
 8vo, 4 vols. Lond., N.D. 
 
 ENGLEFIELD (Sir Henry). Vases from the Collection of Drawn and Engraved 
 by H. Moses. 4to, 1 vol. Lond., 1848. 
 
 EPISCOPIUS (Jan de Bisschop). Signorum Veterum Iconcs. Paradigmata Graphices 
 variorum Artificum. Folio, I vol. Haf/ue, 1671. 
 
 ETEX (Antoine). Cours Elementaire de Dessin applique a 1' Architecture, a la 
 Sculpture, etc. 4to, 1 vol., and folio, 1 vol. Paris, 1849. 
 
 EVANS (Rev. G. W. D.) The Classic and Connoisseur in Italy and Sicily; with an 
 Appendix containing an abridged Translation of Lanzi Storia Pittorica. 
 
 8vo, 3 vols. Lond., 1835. 
 
 F. 
 
 FAU (Dr. J.) Anatomy of the External Forms of Man, intended for the use of Artists, 
 Painters, and Sculptors. Edited, with additions, by Robert Knox. 
 
 8vo, 1 vol., and atlas, fol., 1 vol. — 2 vols. Lond., 1849. 
 FERGUSSON (James). 
 
 1. Illustrations of the Rock Cut Temples of India. 
 
 8vo, 1 vol. ; folio, 1 vol. Lond., 1845. 
 
 2. Picturesque Illustrations of Ancient Architecture in Hindostan. 
 
 Folio, 1 vol. Lond., 1848. 
 
 3. The Palaces of Nineveh and Persepolis Restored : an Essay on Assyrian and 
 
 Persian Architecture. 8vo, 1 vol. Lond., 1851. 
 
 FLAXMAN (John). 
 
 1. Compositions from the Iliad of Homer. Engraved by T. Piroli and William 
 
 Blake. Folio, 1 vol. Lond., 1805. 
 
 2. Compositions from the Odyssey of Homer. Engraved by Parker and Neagle. 
 
 Folio, 1 vol. Lond., 1805. 
 
 3. Compositions from the Works, Days, and Theogony of Hesiod. Engraved 
 
 by William Blake. Folio, 1 vol. Lond., 1817. 
 
 4. Compositions from the Tragedies of JEschylus. Engraved by T. Piroli and 
 
 Frank Howard. Folio, 1 vol. L^ond., 1831. 
 
 5. Compositions from the Divine Poem of Dante Alighieri. Engraved by T. 
 
 Piroli. Folio, 1 vol. Lond., 1807.
 
 6 
 
 FLAXMAN (John), {continued) — 
 
 6. Compositions of the Acts of Mercy. Engraved by F. Chevin. 
 
 Folio, 1 vol. Lond., 1831. 
 
 7. Anatomical Studies of the Bones and Muscles, for the use of Artists. 
 
 Engraved l)y II. Land#eer, with Two Additional Plates and Explanatory 
 Notes by W. Robertson. Folio, 1 vol. Lond., 1833. 
 
 8. Lectures on Sculpture. 2nd ed. 8vo, I vol. Lond., 1838. 
 
 FORREST (Lieut.-Col.) Picturesque Tour along the rivers Ganges and Jumna. 
 
 Folio, 1 vol. Lo7id., 1824. 
 
 FRANKS (ArGUSTL'S Wollaston). Book of Ornamental Glazing Quarries. Collected 
 and Arranged from Ancient Examples. 8vo, 1 vol. Oxford, 1849. 
 
 FURIETTI (JosEPHUS Alexander). De Musivis ad S. S. Pati-em Benedictum XIV. 
 Pontificem Maximum. 4to, 1 vol. Roma, 1752. 
 
 FUSELI (Henry). Twelve Lectures on Painting, delivered at the Royal Academy; 
 with Additional Observations and Notes. 4to, 1 vol. I^ond., 1830. 
 
 a. 
 
 GALLERIES. 
 
 1. Bilder-Gallerie im Belvidei^e zu Wien, von Carl Haas. 
 
 4to, 4 vols. Vienria, 1821-28. 
 
 2. Catalog der Koniglichen Gcmaldc-Gallerie zu Dresden. 
 
 12mo, 1 vol. Dresden, 1848. 
 
 3. Catalogue des Tableaux de la Pinacotheque Royale a Munich. 
 
 i2mo, 1 vol. Munich, 1860. 
 
 4. Catalogue du Musee d'Anvers. 12mo, 1 voL Anvers, J^.D. 
 
 5. Catalogue de la Galcrie de Tableaux Impcrialc-Royale au Belvedere a Vienne 
 
 de E. Engert. 12mo, 1 vol. Vienne, 1859. 
 
 6. Description de la Glyptotheque de Louis L, Roi de Baviere. 
 
 12mo, 1 vol. 3Iimich, N.D. 
 
 7. Dresde, les Principaux Tal)]eaux, (190) de la. Lithographies d'apres les 
 
 Originaux; avec les Explications Historiques et Concernant I'Art, Publiees 
 ])ar Francois Hanfstaengl. Folio, 2 vols. Dresden, 1836. 
 
 8. Dulwich Gallery. Fifty Coloi-ed Plates. Folio, 1 vol. No title page. 
 
 9. Ex])lication des Ouvrages de Peiiiturc, Sculpture, Gravure, etc., des Artistes 
 
 vivants exposes au Palais des Champs Elysees, Mai 1, 1861. 
 
 12mo, 1 vol. raris, 1861. 
 
 10. Florence du Palais Pitti i)ar Mongez. Folio, 4 vols. Paris, 1790-1807. 
 
 11. Galeria Reale de Firenze Illusti'ata da G. Pelli. 
 
 8vo, 13 vols. Firenze, 1817. 
 
 12. Galeries Historiques de Versailles. Presented to the Puldic Library by 
 
 Napoleon III., Emperor of the French. Folio, 13 vols. Paris, 1838. 
 
 13. Galeries Historiques de Versailles, par Gavard, Publiees par Ordre du Roi 
 
 Louis Philippe, 10 vols. ; avec une I^stoire de France, ])ar Jules Janin, 
 servant de texte Explicatif aux Peintures et Sculptures de cette Galerie, 
 4 vols. ; et un Supplement, 6 vols. Folio, 20 vols. Paris, 1837-44. 
 
 14. Musee Napoleon. Publiee par Antoine Michel Filhol et redigee par Joseph 
 
 Lavallee. 8vo, 10 vols. Paris, 1804-15.
 
 GALLERIES {continued) — 
 
 15. Museo Borbouico (Real.) 4to, 15 vols. Napoli, 1824-1856. 
 
 16. National Gallciy. Eugiavings from Pictures in tlie. 
 
 Folio, 1 vol. Lo7id., 1840. 
 
 17. National Gallery. Engravings from. 4to, 2 vols. Lojid., N.D. 
 
 18. Royal Gallery of Art, Ancient and Modern. Engravings from the private 
 
 collections of H.M. the Queen and II.R.Il. Prince Albert and the Art Heir- 
 looms of the Crown. Edited by S. C. Hall. Folio, 4 vols. Loud., N.D. 
 
 19. Vaticano descritto et illustrato da Erasmo Pistolesi. 
 
 Folio, 8 vols. Roma, 1829. 
 
 20. Vernon Gallery of British Art. Edited by S. C. Hall. 
 
 4to, 4 vols. Lond., 1850-54. 
 
 GALT (John). Life, Studies, and Works of Benjamin West, Pi'esident R A., composed 
 from materials furnished by himself. 8vo, 1 vol. Loud., 1820. 
 
 GILCHRIST (Alexander). 
 
 1. Life of William Etty. 8vo, 2 vols. Loud., 1855. 
 
 2. Life of William Blake, with selections from his Poems, &c., illustrated from 
 
 Blake's own Works in lacsimile. 8vo, 2 vols. Loud., 1863. 
 
 GILLRAY (James). Caricatures of ; with an Historical and Descriptive Account, by 
 T. Wright and R. H. Evans. 
 
 New ed. Folio, 2 vols.; 8vo, 1 vol, Lond., 1851. 
 
 GLOVER (Henky). Twelve Hours Road Scraping in Melbourne, scraped from the 
 Streets and sketched on Stone. Oblong, 1 vol. Mclb., N.D. 
 
 GOETHE (Johann Wolfgang). Theory of Colors. Translated by Sir C. L. Eastlake. 
 
 8vo, 1 vol. Loud., 1840. 
 
 GRAHAM (Maria). Life of Nicholas Poussin. 8vo, 1 vol. Lond.,\'62Q. 
 
 GRAVINA (Domenico Benedetto). II Duomo di Monreale illustrato e riportato in 
 Tavole Cromolitografiche. Fas. 1 to 8. Folio, Pal., 1860. 
 
 GREENLAND. Kaladlit Assilialiait ; or. Woodcuts Drawn and Engraved by Green- 
 landers. 4to, 1 vol. Godthaab, 1860. 
 
 GUIZOT (Francois Pierre Guillaume). The Fine Arts: their Nature and Rela- 
 tions. Translated, with the assistance of the author, by George Grove, with 
 Illustrations by George Scharf. 8vo, 1 vol. Lond., 1853. 
 
 GRUNER (Louis). 
 
 1. Ornamental Art, with Text, by Emil Braun. 
 
 Folio, 1 vol.; 4to, 1 vol. L^ond., 1850-53. 
 
 2. Decorations de Palais et d'Eglises en Italic, peintes a Fresque ou executees 
 
 en Stuc dans le Cours du XVe""= et du XVI^""^ Siecle. 
 
 Foho, 1 vol. Paris, 1854. 
 
 H. 
 
 IIADFIELD (II. II.) On Perspective. 8vo, 1 vol. Lond., N.D. 
 
 HAMERTON (Philip Gilbert). A Painter's Camp in the Highlands, and Thoughts 
 about Art. 8yo, 2 vols. Cambridge, 1862.
 
 8 
 
 HAMILTON (Sir William). 
 
 1. Collection of Engravings from Greek and Etruscan Vases. Published by 
 
 W. Tischbein. Folio, 4 vols. Naples, 1791. 
 
 2. Outlines from Greek, Roman, and Etruscan Vases. 
 
 1st ed. 4to, 1 vol. Lond., 1804. 
 
 3. Another copy. 2nd ed. 8vo, 1 vol. Lond., 1814. 
 HARDWICH (T. Frederick). 
 
 1. Manual of Photographic Chemistry. 4th ed. 12mo, 1 vol. Lond., 1857. 
 
 2. Another copy. 5th ed. 12mo, 1 vol. Lond., 1859. 
 HARFORD (John S.) 
 
 1. Life of Michael Angelo Buonarroti; also, Memoirs of Savonarola, Raphael, 
 
 and Vittoria Colonna. 2nd ed. 8vo, 2 vols. Lond., 1858. 
 
 2. Illustrations of the Genius of Michael Angelo Buonan-oti, by Canina, C. R. 
 
 Cockerell, and John Hai-ford. Folio, 1 vol. Lond., 1857. 
 
 HAY (David Ramsay). 
 
 1. Original Geometrical Diaper Designs ; accompanied by an Attempt to De- 
 
 velope and Elucidate the Principles of Oinamental Design. 
 
 Oblong folio, 1 vol. L.ond., 1844. 
 
 2. First Principles of Symmetrical Beauty. 8vo, 1 vol. Edin., 1846. 
 
 3. Nomenclature of Colours, applicable to the Arts and Natural Sciences, &c, 
 
 2nded. 8vo, 1 vol. Edin., IS^6. 
 
 4. The Laws of Harmonious Colouring, adapted to Interior Decorations. 
 
 6th ed. 8vo, 1 vol. Edin., 1847. 
 
 5. The Geometric Beauty of the Human Figure Defined. 
 
 4 to. 1 vol. Edin., 1851. 
 
 6. The Science of Beauty, as Developed in Nature and Applied in Art. 
 
 8vo, 1 vol. Edin., 1856. 
 
 HAYDON (Benjamin Robert). Lectures on Painting and Design, with Designs 
 drawn by himself. 8vo, 2 vols. Lond., 1844-46. 
 
 HAZLITT (William). Criticisms on Art. 
 
 Newed. 12mo, 2 vols. Lo7id., 1843, 1844. 
 HOGARTH (William). 
 
 1. The Works of. Illustrated by John Ireland ; with a Supplement compiled 
 
 from his Original MSS. 8vo, 3 vols. 7.oW., 1793-1 b04. 
 
 2. The Works of, from the Original Plates, restored by Heath ; to which are 
 
 prefixed a Biogni])hical Ess-ay on the Genius and Productions of Hogarth, 
 and Explanation of the Subject of the Plates, by fJolin Nichols. 
 
 Folio, 1 vol. Lo7id., 1822. 
 
 3. Another Edition, Incomplete. Folio, 1 vol. N.D. 
 
 HOLBEIN (Hans). Icones Veteris Testament! ; Illustrations of the Old Testament 
 engraved on Wood, from Designs by Hans Holbein. 
 
 12mo, 1 vol. Lond., 1830. 
 HOLLAND (John). Memorials of Sir Francis Chantrey. 8vo, 1 vol. Lond., 1851. 
 
 HOPE (Thomas). 
 
 1. Houi-ehold Furniture and Interior Decorations. 
 
 Folio, 1 vol. L.ond., 1807. 
 
 2. Costume of the Ancients, New ed. Hvo, 2 vols. Lond., 1841.
 
 HORNE (Rev. Thomas Haktwell). Landscape Illustrations of the Bible, from 
 Original Sketches taken on the spot. 8vo, 3 vols. Lond., N.D. 
 
 HOUBRAKEN (James) and VERTUE (George). Heads of Illustrious Persons of 
 Great Britain, with their Lives, by Thomas Birch. 
 
 Folio, 1 vol. Lond., 1747. 
 
 HUGUES (P. F.), ((lit D'lIANCARVILLE). Recherches sur les Arts de la Grece. 
 
 4to, 2 vols. Lond., 1785. 
 
 HUNT (F. Knight). The Book of Art, Cartoons, Frescoes, &c., as applied to the 
 Houses of Parliament and to Buildings in general ; with an Historical Notice 
 of the Exhibitions in Westminster Hall, and Directions for Painting in Fresco. 
 
 4to, 1 vol. Lond., 1846. 
 
 HUNT (Robert). 
 
 1. Researches on Light in its Chemical Relations. 
 
 2nd ed. 
 
 2. Manual of Photography. 4th cd. 
 
 3. Another copy. 
 
 5th ed. 
 
 8vo, 1 vol. Land., 1854. 
 8vo, 1 vol. Lond., 1854. 
 
 8vo, 1 vol. Lond., 1857. 
 
 J. 
 
 JAMESON (Axna). 
 
 1 . Beauties of the Court of Charles H. 
 
 2. Handbook to the Public Galleries of Art. 
 
 3. Companion to Private Galleries of Art. 
 
 4. Memoirs of the Italian Painters. 
 
 4to, 1 vol. Lond., 1833. 
 
 8vo, 2 vols. Lond., 1842. 
 
 8vo, 1 vol. L.ond., 1844. 
 
 12mo, 1 vol. Lond., 1845. 
 
 5. Memoirs and Essays, Illustrative of Art, Literature, and Social Morals. 
 
 8vo, 1 vol. Lond., 1846. 
 
 6. Legends of the Monastic Orders. 2nd cd. 8vo, 1 vol. Lond., 1852. 
 
 7. Legends of the Madonna. 
 
 8vo, 1 vol. Lond., 1852. 
 
 8. Common-place Book of Thoughts, Memories, and Fancies. 
 
 8vo, 1 vol. Lond., 1854. 
 
 9. Sacred and Legendary Art. 3rd ed. 8vo, 2 vols. Lond., 1857. 
 
 JARVES (James Jackson). Art Hints. Architecture, Sculpture, and Painting. 
 
 8vo, 1 vol, Lond., 1855. 
 
 JAY (L. J.) Recueil de Lettres sui- la Pcinture, la Sculpture, et I'Arclutecture, ecrites 
 
 par les plus grands Maitres et les plus iUustres Anuiteurs qui nient paru dans 
 
 CCS trois Arts de])uis le 15". Siecle jusqu' au 18°. Publiees a Rome par 
 
 Bottari en 1754; traduites et augmentees do beaucoup de Lettres, etc. 
 
 8vo, 1 vol. Paris, 1817. 
 JONES (Owen). 
 
 1. Designs for Mosaic and Tessellated Pavements ; with an Essay on their 
 
 Materials and Structure by F. O. Ward. Folio, 1 vol. Lond., 1842. 
 
 2. Grammar of Ornament. Illustrated by Examjiles from various Styles of 
 
 Ornament. Folio, 1 vol. Lond., 1857. 
 
 3. Psalms of David, Illumiuated. Folio, 1 vol. Lond., N.D. 
 
 B
 
 10 
 
 JONES (Owen) and HUMPHREYS (Henry Noel). The niuminated Books of tlie 
 Middle Ages. Folio, 1 vol. Lond., 1849. 
 
 JUST (P.) Appeal in favor of the employment of Painting and Sculpture, iu decorating 
 the Houses of Parliament, &c. Melb., 1856. Vict. Pamp., vol. I. 
 
 K. 
 
 KING (Rev. Charles William). Antique Gems: their Origin, Uses, and Value, as 
 Interpreters of Ancient History, and as Illustrative of Ancient Art; with Hints 
 to Gem Collectors. 8vo, 1 vol. Lond., 1860. 
 
 KUGLER (Franz Theodor). 
 
 1. Handbook of Painting. Gennan, Flemish, Dutch, Spanish, and French 
 
 Schools. Edited by Sir E. Head, Bart. 8vo, 2 vols. Lond., 1854. 
 
 2. Handbook of Painting. The Italian Schools. Edited by Sir C. Eastlake. 
 
 8vo, 2 vols. Lond., 1855. 
 
 L. 
 
 LABARTE (Jules). Handbook of the Arts of the Middle Ages and Renaissance, as 
 applied to the Decoration of Furniture, Arms, Jewels, &c. 
 
 8vo, 1 vol. Land., 1855. 
 LABORDE (Alexandre, Comte). 
 
 1. Description d'un Pave en Mosai'que, dans la ville D'ltalica. 
 
 Folio, 1 vol. Paris, 1802. 
 
 2. Monumens de la France. Folio, 2 vols. Paris, 1816-36. 
 
 LACROIX (Paul) et SERRfi (Ferdinand M.) Le Moyen Age ct la Renaissance, 
 Histoire et Description des Moeurs et Usages du Commerce et de I'liidustrie, 
 etc., en Europe. 4to, 5 vols. Paris, 1848-51. 
 
 LAWRENCE GALLERY. Series of Facsimiles of Original Drawings by Raftaelle da 
 Urbino and Michael Angelo Buonarotti, selected from the collection formed 
 by Sir Thomas Lawrence, Pres. R.A. Folio, 1 vol. Lond., 1841-53. 
 
 LECONTE (Emile). Melanges d'Ornemens divers: Recueil destine aux Peintres- 
 Decorateurs et aux Fal)riques dans tons les genres. 
 
 Folio, 2 vols. Paris, 1838. 
 
 LEFORT (M. J.) Chimie des Couleurs: pour la Peinturc a I'Eau et a ITIuile. 
 
 8vo, 1 vol. Paris, 1855. 
 
 LENOIR (Alexandre). Museo des Monumens Frant^ais. 8vo, 8 vols. Pa n>, 1800-21. 
 
 LEPSIUS (Carl Richard). Denkmliler aus TEgypten und JE<hioj)icn nach den 
 Zeichnungen der von Seiner Majestiit dem Kcinige von Preussen Friedrich 
 Wilhehn iV. nach di(!sen Liiiulcru gesendeten und in den Jahren 1842-5 
 ausgefdlirten wissenschaftlich(!n Expeditiou. Folio, 12 vols. Berlin, 1849-56. 
 
 LESLIE (Charles Roi'.ert). Autobiographic;!! Recollections, with Selections from 
 his Correspondence. Edited by Tom Taylor. 12mo, 2 vols. Lond., I860.
 
 11 
 
 LESSING, (GoTTHOLD Ephraim). 
 
 1. L.iocoon; or, the Limits of Poetry and Painting. Translated by William 
 
 Ross. 8vo, 1 vol. Lond., 1836. 
 
 2. Another Translation, by C. E. Beasley. 12mo, 1 vol. Lond., 1853. 
 
 LINDSAY (Alexander William Crawford, Lord Lindsay). Sketches of the 
 History of Christian Art. 8vo, 3 vols. Lond., 1847. 
 
 LIVERSEGE (Henry). Engravings from the Works of. Folio, 1 vol. Lond., N.D. 
 
 LORIMER (Peter, D.D.) The Scottish Refoimation: a Historical Sketch, with 
 twenty-five illustrations by Bu'ket Foster. 8vo, 1 vol. Land., 1860. 
 
 M. 
 
 MALCOLM (James Peller). Historical Sketch of the Art of Caricaturing, with 
 Graphic Illustrations. 4to, 1 vol. Lond., 1813. 
 
 MANCHESTER. Catalogue of the Art Treasures of the United Kingdom, collected at 
 Manchester in 1857. 12mo, 1 vol. Manchester, 1857. 
 
 MARTEL (Charles). The Principles of Form in Ornamental Art. 
 
 2nd ed. 8vo, 1 vol. Lojid., 1856. 
 
 MARVY (L.) Sketches from English Landscape Painters ; with Short Notices by W. 
 M. Thackeray. 4to, 1 vol. Lond., N.D. 
 
 MARTIN (Jajies). The Photographic Art : its Theory and Practice ; including its 
 Chemistry and Optics, &c. Originally compiled by M. Sparling ; revised and 
 corrected to the Present Date. 8vo, 1 vol. Lond., 1859. 
 
 MERRIFIELD (Mrs.) Original Treatises, dating from 12th to 18th centuries, on the 
 Arts of Paiutmg. 8vo, 2 vols. Zo«<i., 1849. 
 
 MICHAEL ANGELO. Frescoes in the Sistine Chapel, engraved by J. Linnell. 
 
 Folio, 1 vol. Loud., N.D, 
 
 MORGAN (Lady). Life and Times of Salvator Rosa. 8vo, 2 vols. Lond, 1824. 
 
 MORLEY (Henry). Life of Bernard Palissy, the Potter. 8vo, 2 vols. Zo?z(/., 1852. 
 
 MULLER (Karl Otfried). Ancient Art and its Remains ; or, a Manual of the 
 Archaeology of Art, Translated by J. Lei tch. 8vo, 1 vol. Zo??^/., 1847. 
 
 MURRAY (John). The Truth of Revelation Demonstrated by an Appeal to Existing 
 Monuments, Sculptures, Gems, Coins, and Medals. 
 
 2nded. 8vo, 1 vol. Lond., 1840. 
 
 N. 
 
 NEWTON (Charles Thomas) and PULLAN (R. P.) History of Discoveries at 
 Halicarnassus, Cnidus, and Brauchidic. 
 
 8vo, 2 vols. ; and folio, 1 vol. Lond., 1862. 
 
 NEWTON (Frank). Catalogue of the Victorian Exhibition of Art, held at the Exhi- 
 bition Building, December, 1856. Mdb., 1856. Vict. Pamp., vol. IV. 
 
 B 2
 
 12 
 
 NICHOLS (John). Biographical Anecdotes of William Hogarth. 
 
 3rd ed. 8vo, 1 vol. Lond., 1785. 
 
 NICHOLS (J. B.) Anecdotes of William Hogarth, wi-itten by himself; with Essays on 
 
 his Life, &c. 8\^o, 1 vol. Lond., 1833. 
 
 NIMROD. Sporting, embellished by large Engravings and Vignettes, illustrative of 
 
 British Field Sports. Folio, 1 vol. J.ond., 1838. 
 
 O. 
 
 OAIvELEY (Richard Banner). The Pagoda of Ilallibeed. Illustrated by Fifty-six 
 Photographic Views, with Descri^jtive Letter-press. 
 
 Foho, 1 vol. Lond., 1859. 
 
 O'NEIL (A.) Dictionary of Spanish Painters ; comprehending simply that part of their 
 Biography connectetl with the Arts, from the 14tli to the 18th century. 
 
 8vo, 2 vols. Lond., 1833. 
 
 0TT£ (JoACHni). Landscape Photography, by the Calotype, Wet Collodion, Collodio- 
 Albumen, Gelatine, and Wax Paper Processes. 12mo, 1 vol. Lond., N.D. 
 
 OTTLEY (William Young). Origin and Early History of Engraving upon Copper 
 and Wood, with an Account of Engravers and their Works. 
 
 4to, 2 vols. Lond., 181G. 
 
 P. 
 
 PAINTEES IN WATER COLOURS (Exhil)ition of the). Fifty-seventh. 
 
 Lond., 1861. Catalogue of London Exhibitions. 
 
 PALEY (F A.) Illustrations of Baptismal Fonts ; with an Introduction. 
 
 8vo, 1 vols. Lond., 1844. 
 
 PELLATT (Apsley). Curiosities of Glass Making ; with Details of the Processes and 
 Productions of Ancient and Modern Glass Manufacture. 
 
 4to, 1 vol. Lond., 1849. 
 
 PENLEY (Aaron). The English School of Painting iu Water Colors ; its Theory and 
 Practice. Folio, 1 vol. T^ond., N.D. 
 
 PHOTOGRAPHIC NEWS ALMANAC. 4th ed. 8vo, 1 vol. Lond., 1860. 
 
 PHOTOGRAPHY. 
 
 \. Photographic Views in Ancient Egypt. Folio, 1 vol. 
 
 2. Photogra})hic Views in Egypt and Syria. Folio, 2 vols. 
 
 PICTORIAL ILLUSTRATIONS OF SCIENCE AND ART. 
 
 4 to, 1 vol. I^ond., N.D. 
 
 PISANO (NiCCOi-A uiid Giovanni). Do Rcliquienschrcine dcr Katlu'(h-ale zu Gratz. 
 
 Folio, 1 vol. IVien, 1858. 
 
 POCND (D. J.) Ainiual Gift B(jok : Drawing-room Poi-trait Gallery of Eminent 
 Persons. Folio, 1 vol. Lond., 1859. 
 
 POUSSIN (Nicolas). Travaux d'Hcrculc, pour la Decoration de la Grande Galeric 
 du Louvre ; 2"''° Partie, publiee ])ar E. Gattcau d'apres l<»s dessins (l(! son Cabi- 
 net, et graves par A Gclee. Oblong folio, 1 vol. Paris, 1850.
 
 13 
 
 PRENDEVILLE (Jasies) and MAGINN (Dr.) Facsimiles of the Poniatowski Gems. 
 
 4to, 2 vols. Loud., 1857-59. 
 
 PRIESTLEY (Joseph, LL.D.) Theory and Practice of Perspective. 
 
 2nd ed. 8vo, 1 vol. Lond., 1780. 
 
 PUGIN (AuGUSTiN Welby). 
 
 1. Glossary of Ecclesiastical Ornament and Costume. Compiled from Ancient 
 
 Authorities and Examples. 4to, 1 vol. Lond., 1846. 
 
 2. Floriated Ornament : a series of Thirty-one Designs. 
 
 4to, 1 vol. Lond., 1849. 
 
 REDGRAVE (Richard). 
 
 1. On the Necessity of Principles in Teaching Design. Lond., 1853. 
 
 2. Manual of Colour, with a Catechism. 3rd ed. 1859. 
 
 3. Report on Design : prepared as a Supplement to the Report of the Jury of 
 
 Class 30, of the Exhibition of 1851, 
 
 Lond., 1852. Kensington (S.) Museum, vol. V. 
 REIIBERG (Frederick). Drawings faithfully copied from Nature, at Naples, and, 
 with peimission, dedicated to the Right Hon. Sir William Hamilton. 
 
 4 to, 1 vol. N.D. 
 REYNOLDS (Sir Joshua). 
 
 1. The Works, containing his Discourses, Journey to Flanders and Holland, 
 
 &c,; with Life, by Edmond Malone. 4th ed. 8vo, 3 vols. Lond., 1809. 
 
 2. Notes and Observations on Pictures, chiefly of the Venetian School ; also, 
 
 Rev. W. ]\Iason's Observations on Sir Joshua's Method of Colouring. 
 Edited by William Cotton. 8vo, 1 vol. L^ond., 1 859. 
 
 3. Gleanings from his Diary, &c., by W. Cotton. 8vo, 1 vol. L^ond., 1856. 
 
 4. Engravings from the Works of. Folio, 4 vols. No Titlcpage. 
 
 RICHARDSON (Jonathan, Senr. and Junr.) Account of some of the Statues, Bas- 
 reliefs, Drawings, and Pictures in Italy. 8vo, 1 vol. Lond., 1722. 
 ROBERTS (David). 
 
 1. The Holy Land, vSyria, Idumea, Arabia, Egypt, and Nubia; with Descrip- 
 
 tions by the Rev. George Croly. Folio, 3 vols. T^ond., 1843. 
 
 2. Egypt and Nubia; with Historical Description l)y William Brockedon. 
 
 Folio, 3 vols. Lond., 1846. 
 ROBINSON (John Charles). 
 
 1. Manual of Elementary Outline Drawing, to be used with the Course of Flat 
 
 Examples. Stag(^ 1. 1853. 
 
 2. Introductoiy Lecture on the Museum ol' Ornamental Art. 
 
 Lo7id., 1854. Kens. (S.) Mus., vol. XV. 
 
 3. Notice of Works of Medieval and Renaissance Sculpture. 
 
 Lond., 1860. Kens. (S.) Mus., vol. XVIIL 
 
 4. Inveutoiy of the Objects forming the Collections of the Museum of Orna- 
 
 mental Ai't at South Kensington. 
 
 Lond., 1861, 1864. Kens. (S.) Mus., vol. XVH.
 
 14 
 
 ROBINSON (John Charles), {continued) — 
 
 5. Catalogue of the Circulating Collection of Works of Art selected from the 
 
 Museum at South Kensington. Lond., 1861. Kens. (S.) Mus., vol. XVIL 
 
 6. Catalogue of the Special Exhibition of Works of Art on Loan at the South 
 
 Kensington Museum. Part I. Lond., 1862. Kens. (S.) Mus., vol. XVIL 
 
 7. Italian Sculptures of the Middle Ages and Period of the Revival of Ai't. 
 
 Fifty Photographs from the Kensington Museum. 
 
 Folio, 1 vol. Land., 1862, 
 
 8. Treasury of Ornamental Art. Photographed from the Originals, and Drawn 
 
 on 'Stone by F. Bedford. 4to, 1 vol. Lond., N.D. 
 
 ROSA (Salvator.) Serie di 85 Disegni incise da Carlo Antonelli. 
 
 Folio, 1 vol. Roma, 1780. 
 
 ROYAL ACADEMY. 
 
 1 . Catalogue of the Exhibitions of the Royal Academy of Arts. 
 
 4to, 8 vols. Lond., 1769-1860. 
 
 2. The Exhibition, 1861. Catalogue of Exhibitions. 
 
 RUSKLN (John). 
 
 1. Modem Painters. 8 vo, 3 vols. Z owe/., 1848-56. 
 
 2. The Stones of Venice. 8vo, 3 vols. Land., 1851-53. 
 
 3. Seven Lamps of Architecture. 8vo, 1 vol. Lond., 1855. 
 
 4. Lectures on Architecture and Painting, delivered at Edinburgh, November, 
 
 1853. 8vo, 1 vol. Lond., 1855. 
 
 5. The Two Paths : being Lectures on Art and its Application to Decoration 
 
 and Manufacture, delivered in 1858-59. 12mo, 1 vol. Lond., 1859. 
 
 6. (i.) Notes on Pictures exhibited in the Rooms of the Royal Academy, &c. 
 
 (ii.) Notes on the Turner Gallery at Marlborough House. 
 
 8vo, 1 vol. Lond., 1856-58. 
 RUSSELL (William Howard). Memorial of the Marriage of H.R.H. Albert Edward 
 Prince of Wales, and H.R.H. Alexandra Princess of Denmark : the various 
 Events and the Bridal Gifts, illustrated by Robert Dudley. 
 
 Folio, 1 vol. L^ond., 1863. 
 
 RYALL. Portraits of Conservative Statesmen. Folio, 1 vol. Lond., N.D. 
 
 S. 
 
 SAINT JOHN (Bayle). The Louvre. 8vo, 1 vol. Zo»(/., 1855. 
 
 SANDS and KENNY, Australian Keepsake, 1855: Landscape Scenery, illustrating 
 Sydney, I'uT'amatta, Port Jackson, &c. 01)long 4to, 1 vol. iSydney, 1855. 
 
 SCOTT (William B.) Ornamental Designs for Furniture and House Decoration, 
 selected from the Works of the best French und Genniui Ornamentalists, with 
 a Treatise on Perspective. Folio, 1 vol. Edin., N.D. 
 
 SCOTT (William B.) Antiquarian Gleanings in the North of England, being Examples 
 of Antique Furniture, Plate, &c. 4to, 1 vol. Lond., N.D. 
 
 SCOTT (Sir Walter). A Series of Fifty Engravings to the Waverley Novels. 
 
 Folio, 1 vol. Edin., 1852.
 
 15 
 
 SENEFELDER (Alois). Complete Course of Lithography; to which is prefixed a 
 History of Lithography, traushited from the German by A. S. 
 
 4to, 1 vol. Lond., 1819. 
 SERLALS. 
 
 Bohn's Illustrated Library. 
 
 12. Didron; 14. Holbein; 15. Homer; 31. M. Angelo. 
 
 Scientific Library. 
 
 7. Chevreul: 18. Lectures on Painting; 26. Stanley. 
 Standard Library. 
 
 26. Lanzi; 41. Reynolds; 53. Vasari. 
 
 SHAKSPEARE (William). Plates (twenty-two) Illustrative of the Plays of 
 Shakspeare, engraved by Bartolozzi, &c., from designs of Henry Bunbury. 
 
 Folio, 1 vol. Lond., 1794. 
 
 SHAW (Henry). 
 
 1. Encyclopaedia of Illuminated Ornaments. Folio, 1 vol. Lond., 1833. 
 
 2. Specimens of Ancient Furniture. Folio, 1 vol. Lond., 1836. 
 
 SHEE (Martin Archer). Life of Sir Martin Archer Shee. 
 
 8vo, 2 vols. Lond., 1860. 
 
 SILLIG (Julius). Dictionary of the Artists of Antiquity: Architects, Engravers, 
 Painters, Sculptors, &c.; with Three Chronological Tables. Translated by 
 the Rev. H. W. WiUiams; and a History of the Fine Arts by E. H, Parker. 
 
 8vo, 1 vol. Loud., 1836. 
 SMITH (John Thomas). NoUekens and His Times; comprehending a Life of that 
 Sculptor and Memoirs of Coutemjwrary Artists. 
 
 2nd ed. 8vo, 2 vols. L^07id., 1829. 
 SOANE (Sir John). Description de la Maison et du Musee. (French and English.) 
 
 4to, 1 vol. Lond., 1835. 
 
 SPENCE (Joseph). Poly metis: Enquiry concerning the agreement between the Roman 
 
 Poets and Ancient Ai-tists. Folio, 1 vol. Lond., 1747. 
 
 STANFIELD (Clarkson). Coast Scenery. 4to, 1 vol. Lond., 1836. 
 
 STAPPAERTS (F.) Monuments d'Ai-chitectui'e et de Sculpture en Belgique. 
 
 Folio, 2 vols. Brussels, N.D. 
 
 STEREOSCOPIC MAGAZINE. Gallery of Landscape Scenery, Architecture, 
 
 Antiquities, and Natural History. 8vo, 3 vols. Lond., 1858, 1860, 1862. 
 
 STIRLING CASTLE. Collection of Heads engraved after the Carved Work from the 
 Roof in the King's Room, at Stirling Castle. 4to, 1 vol. Edin., 1817. 
 
 STIRLING (William, M.P.) 
 
 1. Annals of the Ai-tists of Spain. 8vo, 3 vols. Zowf/., 1848. 
 
 2. Velasquez and his Works. 12mo, 1 vol. Lond., 1855. 
 
 STOTHARD (Charles A.) Monumental Effigies of Great Britain. 
 
 Folio, 1 vol. Lond., 1817. 
 STUART (James) and REVETT (Nicholas). Antiquities of Athens. 
 
 Folio, 4 vols. Lond., 1762-1830.
 
 16. 
 
 SUTTON (Thomas). 
 
 1 , The Calotype Process : a Handbook to Pliotography on paper. 
 
 8vo, 1 vol. Lond., 1856. 
 
 2. A Dictionary of Photography: the Chemical Articles of A. B. C, by John 
 
 Worden. Illustrated with Diagrams. Svo, 1 vol. Lond., 1858. 
 
 SWEDEN. Upsala Sigtuna-Gripshohn. Folio, 1 vol. Paris, N.D. 
 
 T. 
 
 TASSIE (James). Descriptive Catalogue of a Collection of Ancient and Modern En- 
 graved Gems, taken from the most celebrated Cabinets. 
 
 4to, 2 vols. Lond., 1791. 
 
 TAYLOR (Baron Isidor Severin Justin) and NODIER (Charles). Voyages 
 Pittoresqnes de I'Ancienne France. Folio, 18 vols. Paris, 1820-57. 
 
 Vols. I., II.— La Haute Normandie. 2 vols. 1820-25. 
 
 Vol. III.— La Franche Comte. 1 vol. 1825-29. 
 
 Vols. IV., v.— L'Auvergne. 2 vols. 1829-33. 
 
 Vols. VI. -IX. — Le Languedoc ; comprenant le Ilaut et Bas Languedoc, le Rnnssillon, 
 le Rouerge, le Quercy, et le Vivarais. 4 vols. 1833-42. 
 
 Vols. X.-XIL— La Picardie. 3 vols. 1835-45. 
 
 Vols. XIII.-XV.— La Brctagne. 3 vols. 1845. 
 
 Vol. XVI.— Le Dauphine. 1vol. 1854. 
 
 Vols. XVIL, XVIIL— La Champagne. 2 vols. 1857. 
 
 TAYLOR (To:m). Life of Benjamin Robert Ilaydon, from his Autobiography and 
 Journals. 2nd ed. 8vo, 3 vols. Lond., ]85S. 
 
 TAYLOR (William Benjamin Sarsfield). Origin, Progress, and Condition of the 
 Fine Arts in Great Britain and Ireland. 8vo, 2 vols. Lond., 1841. 
 
 THOMSON (James) The Casth^ of Indolence ; with Illustrations by William Rimer. 
 
 Folio, 1 vol. Lond., 1845. 
 
 THORIGNY (F.) Le Calvados Pittoi-es(|ue et Monumental ; Textc juu- lionuechose, 
 
 etc., sous la directiou de G. Maucel. Folio, 1 vol. Caen, 1847. 
 
 THORNBURY (Walter). 
 
 1. British Artists, from Hogartli to Turner. 8vo, 2 vols. Lond., 1861. 
 
 2. Life of Josc]»!i ^lalhii'd AV. Tiinici', Ix.A., fonndi'd on Letters and Papers 
 
 funiisiied ])v liis ii-jeiids. 8 vo, 2 vols. Lond., 1862. 
 
 TINGRY (P. l'\) Vaniisli('i''s Guide; being a Practical as -well as Theoretical Treatise 
 on tlie Art of making and a])plying A'arnishes, not only to Paintings, but 
 also to other P>ranches of the Arts. 3rd ed. 12nio, 1 vol. Lond., 1832. 
 
 TIZIAN. Die Ileiiige Familie, gemiilde von Tizian gestoclien von T. Benedetti. 
 
 FoHo, 1 vol. Wicn, 1860. 
 
 U. 
 
 UWINS (Mrs.) Memoirs of Thomas Uwins. 8vo, 2 vols. Zowr/., 1858.
 
 17 
 
 VASARI (Giorgio). Le Vite de' Piu Eccellenti Pittori, Scultori ed Arclutetti. 
 
 4to, 3 vols. Bologna, 1647. 
 
 VAUX (W. S. W.) Plandbook to the Antiquities of the British Museum. 
 
 8vo, 1 vol. Land., 1851. 
 
 VERSAILLES. Lidicateur des Tableaux et Sculptures du Musee de Versailles. 
 
 32mo, 1 vol. Versailles, N.D. 
 
 VTNCI (Leonardo da). Treatise ou Painting. Translated and Digested bj John 
 Erancis Rigaud, with the Life of the Author and Critical Account of his WorUs, 
 by John William Brown. 8vo, 1 vol. Lond., 1835. 
 
 WAAGEN (GusTAv Friedrich, Ph.D.) 
 
 1. Peter Paul Rubens, his Life and Genius. Translated by R. R. Noel, and 
 
 Edited by Mrs. Jameson. 8vo, 1 vol. Lond., 1840. 
 
 2. Treasures of Art in Great Britain ; being an Account of the Chief Collec- 
 
 tions of Paintings, Drawings, Sculptures, Illuminated MSS., &c., &c. 
 
 8vo, 3 vols. Lond., 1854. 
 WALKER (Alexander). Beauty Illustrated by an Analysis and Classification in 
 Woman, illustrated with Drawings from Life by Henry Howard. 
 
 8vo, 1 vol. Lond., 1852. 
 
 WALPOLE (Horace, Earl of Orford). Works of. 4to, 8 vols. Lond., 1800-20. 
 
 WARING (J. B.) Manchester Art Treasures. Edited by J. B. Waring. 
 
 Folio, 1 vol. Lond., 1858. 
 
 WARREN (Henry). Artistic Anatomy of the Human Figure. 
 
 8th ed. 12mo, 1 vol. Lond, 1860. 
 
 WEALE (John). Divers Works of Early Masters in Cln-istian Decoration, with 
 Examples of Ancient Painted and Stained Glass. Folio, 2 vols. Lond., 1846. 
 
 WEALE'S SERIES. 
 
 1. On Perspective. By George Pyne. 
 
 2. On Painting and Coloring. By G. Field. 
 
 3. On Glass Staining. By Dr. M. A. Gessert. 
 
 4. On Photography. By Dr. G. C. H. Ilalleur. 
 
 WEDGWOOD (JosiAs). Catalogue de Camees, Litaglios, Medailles, Bas Reliefs, 
 Bustes et Petitcs Statues, accompagne d'une Description de Diverses Tablettcs, 
 Vases, etc., le tout fabriquc en Porcelaine et Torre Cuitc. 
 
 • 8vo, 1 vol. Lond., 1788. 
 
 WESTALL (William). Views of Australian Scenery. Obi. 4to, 1 vol. Lond., 1814.
 
 18 
 
 WESTWOOD (John Obadiah). Palseographia Sacra Pictoria; being a series of 
 Illustrations of the Ancient Versions of the Bible copied from illuminated 
 MSS., between the fourth and sixteenth centuries. 4to, 1 vol. Lo7id., N.D. 
 
 WILKINSON (Sir John Gardner, D.C.L.) 
 
 1. Manners and Customs of the Ancient Egyptians, including their Private 
 
 Life, Government, Laws, Arts, Manufactures, Eeligiou, and Early History, 
 derived from a Comparison of the Paintings, Sculptures, and Monuments 
 still existing with the Accounts of Ancient Authors. Illustrated with 
 Drawings of those Subjects. 8vo, 6 vols. Lond., 1837-4L 
 
 2. On Color and on the Necessity for a diffusion of Taste, with Remarks ou 
 
 Laying Out Geometrical Gardens. 8vo, 1 vol. Lond., 1858. 
 
 WILLIAMS (D. E.) Life and Correspondence of Sir Thomas Lawrence. 
 
 8vo, 2 vols. Lond., 1831. 
 
 WILLIAMS (J. Butler). Manuel of Model-Drawing from Solid Forms, under the 
 Sanction of the Council of Education. 8vo, 1 vol. L.ond., 1843. 
 
 WILSON (Richard). Etchings from the Works of. 4to, 1 vol. Lond., 1825. 
 
 WESrCKELMANN (Jean). Histoire de I'Art chez les Anciens. 
 
 4to, 3 vols. Paris, 1803. 
 
 WINSTON (Charles). Inquiry into the Difference of Style observable in Ancient 
 Glass Paintings, especially in England; with Hints on Glass Painting. 
 
 8vo, 2 vols. Oxford, 1847. 
 
 WISEMAN (Cardinal Nicholas). Points of Contact between Science and Art. 
 
 8vo, 1 vol. Lond., 1863. 
 
 WORDSWORTH (Christopher, D.D.) Greece: Pictorial, Descriptive, and Historical; 
 and a History of the Charactei'istics of Greek Art. Illustrated by George 
 Scharf, Jun. 8vo, 1 vol. Land., 1 853. 
 
 WORLIDGE (Thomas). Select Collection of Drawings from Antique Gems. Etched 
 after the Manner of Rembrandt. 8vo, 2 vols. Lond., 1768. 
 
 WORNUM (Ralph Nicholson). 
 
 1. The Epochs of Painting Characterised : a Sketch of the History of Painting, 
 
 Ancient and Modern, showing its (jiradual and Various Development from 
 the Eai'liest Ages to the Present Time. 12mo, 1 vol. Lond., 1847. 
 
 2. Another and Revised Edition. 12mo, 1 vol. Lond., 1859. 
 
 3. Analysis of Ornament : the Characteristics of Styles : an Introduction to the 
 
 Study of the History of Ornamental Art. 8vo, 1 vol. Lond., 1856. 
 
 4. Catalogue of Ornamental Casts, Third Division, Renaissance. 
 
 Lond., 1854. Kens. (S.) Mus., vol. XX. 
 
 5. Account of the Library of the Division of Ai't at Marlborough House. 
 
 Lond., 1855. Kens. (S.) Mus., vol. XVIII. 
 
 WORTHEN (W. E.) Appleton's Cyclopicdia of Drawing ; comprising Geometrical 
 Projection, ^lechanical, Ai'chitectural, and Topogi'aphical Drawing, Perspective, 
 and Isometry. 8vo, 1 vol. Neio York, 1857. 
 
 WRIGHT (Thomas) and JONES (Rev. IT. LoxdiKviLLE). INIemoiials of Cambi-idge : 
 Views of the Colleges, Hulls, and Public Buildings. Engraved by Le Keux ; 
 with Historical and Descriptive Accounts, 8vo, 2 vols. Lond., 1847.
 
 19 
 
 WYATT (Mattheav Digby). 
 
 1. Art of niumiuating, as practised in Eui'ope from the Earliest Times. 
 
 4to, 1 vol. Lond., 1860. 
 
 2. Goomctrieal Mosaics of the Middle Ages. Folio, 1 vol. Lond., 1848. 
 
 3. Industrial Arts of the Nineteenth Century. Folio, 2 vols. Lond., 1851. 
 
 4. Metal Work and its Artistic Design. Folio, 1 vol. Lond., 1852. 
 
 5. The Crystal Palace Views. Folio, 1 vol. Lond., 1854. 
 
 Y. 
 
 YOUNG (Rev. Edward) Pre-EafFaelitisra ; or, an Enquiiy into some Newly-asserted 
 Principles connected with the Philosophy, Poetry, Religion, and Revolution of 
 Ai-t. • 8vo, 1 vol. Lond., 1857. 
 
 YULE (Capt. Henry). Mission to the Court of Ava. Photographs. 
 
 Folio, 1 vol. Lond., 1858. 
 
 c 2
 
 20 
 
 BILLS, DEEDS, &c. (ORIGLNALS AND COPIES). 
 
 BILL OF RIGHTS. CORONATION OATH. Written by J. M. Meek. On Rollers. 
 
 COMMISSION TO COL. CHOMLEY, during the Rebellion. 
 
 DEED OF RECOVERY, 29 Charles IL, July 4, 1678. 
 
 GARIBALDI (General). Letter of Thanks from, to the Sword of Honor Committee, 
 Melbourne, August, 1861. (Original.) 
 
 HABEAS CORPUS. Written by J. M. Meek. On Rollers. 
 
 LIST OF PERSONS who Signed the Port Phillip Anti-Shipwreck Petition in 1847. 
 Presented to the Trustees by James Ballingall, Esq. 
 
 MAGNA CHARTA. Written by J. M. Meek. On Rollers. 
 
 MEEK (J. M.) Historical and Descriptive Atlas of Continental and Insular Australia 
 (Specimen of Penmanship). On Rollers. 
 
 PARDON (A General) for Edward Long, gent., with Seal of James I. attached (1603). 
 
 PRIMITIVE OR ASSYRIAN ALPHABET (and Comparative Table of Alphabets). 
 
 " THE PORT PHILLIP." A Copy of, No. 6, published by John Pascoe Fawkner, 
 Feb. 5, 1838. 
 
 TURKISH FIRMAN. 
 
 VICTORIAN PHONETIC SOCIETY. Phonographic Short-Hand Alphabet. On 
 Rollers. 
 
 WILL OF ALEXANDER CRAMPTON, of Doddenham, in Suffolk. May 18, 1588. 
 (30 Eliz.) 
 
 MANUSCRLPTS (FACSIMILE LITHOGRAPHS OF). 
 
 FRAMED. 
 
 CONFESSION OF FAITH (Church of Scotland). 
 MAGNA CHARTA. 
 
 WAPvRANT TO EXECUTE KING CHARLES. (2 copies.) 
 WARRANT TO EXECUTE QUEEN MARY. 
 
 NEWSPAPER OF EARLY DATE. 
 
 "LONDON TIMES" of the 6th November, 1805, containing an account of the 
 Glorious and Decisive Victory over tiie Combined Fleet, and Death of Lord 
 Nelson.
 
 ^imte of ^hkt^^. 
 
 1. ACIIlLLfiS. 
 
 Original in the Louvre, Paris. 
 Found at 
 Sculptor 
 
 Height, 6 feet 11 inches. 
 
 llestorations : hngers of right hand, left fore arm, extremities of toes. 
 Son of Peleus (King of the Myrmidons in Thessaly) and of Thetis. Killed at the 
 siege of Troy, B.C. 1184, by Paris, son of Priam and Hecuba, whose elopement with 
 Helen, wife of Meuelaus, King of vSparta, led to the Trojan War. 
 
 See Homer Iliad ; Virgil ^lineid, vi. o7 ; Ovid Metam., xii. 
 
 2. ADONIS. 
 
 Original in the Vatican, Rome. 
 
 Found A.D. 1780, on the Via Labicana. 
 
 Sculptor 
 
 Height, 5 feet 8 inches. 
 
 Restorations : both arms, right leg, top of nose, by Albracini, 
 Different accounts of the parentage of this youth are given by ancient wi'iters. He 
 was beloved by Venus, who accompanied him in liuntin|*||Jie was killed by a wild boar. 
 He is identified, with the Syrian Thammuz of Ezekiel viii. 14. 
 
 While smooth Adonis from his native rock 
 Ran purple to the Sea, supijosed with blood 
 Of Thammuz yearly wounded. 
 
 Milton, Par. Lost, i. 450. 
 
 See Hesiod ; ApoUodorus, iii. 14; Ovid Met., x. ; Hyginus Fab.; Theocritus, 
 Id. XV., XXX.; Bion, Id. i.; Lucian de Dea Syria; Shakspeare, Venus and Adonis. 
 
 3. AMAZON. Presented to the Trustees by John Werge Howey, Esq. 
 
 Original in the Vatican. 
 
 Found at the Villa Mattel, Rome. 
 
 Sculptor, Polyclitus flourished B.C. 450. 
 
 Height, 6 feet 2 inches. 
 
 Restorations : the arms. 
 The Amazons were a race of warrior women who inhabited the territory of the 
 Caucasus. Some believe that the name means that they Avere not nursed at the l)reast, 
 or were without br(>asts, or because each had her riglit breast cut off that it might not 
 impede the drawing of the bow ; others that it is derived from the Caucasian woi-d for 
 Artemis, the Moon, of which Deity they were the priestesses, and suggest that the injury 
 to the breast may be accounted for by the laceration of the body in the paroxysms of 
 their religious orgies. This is supposed to be a copy from one of the bronze statues 
 placed in the Tem]de of Diana at Ephesus, spoken of by Pliny. In order of merit they 
 stood thus : that of Polyclitus, first ; of Phidias, second ; of Ctesilaus, third ; of Cydon, 
 fourth ; of Phradmon, fifth. 
 
 Diodorus Sic, ii. 45, iii. 52 ; Plutarch, Theseus; Pliny, xxxiv. 19; Wiuckelmann, 
 
 ii. 241. 
 
 4. ANATOMICAL STATUE. 
 
 Sculptor, Houdon.
 
 22 
 
 5. ANTINOUS. 
 
 Original in Capitol at Rome. 
 
 Found at Hackiaii's Villa, Tivoli. * 
 
 Sculptor 
 
 Height, 6 feet 6 inches. 
 
 Eestorations : the head, right leg from below the knee, left foot, two fingers 
 of right hand, left forearm. 
 A Bithynian youth, page of the Emperor Hadrian, dro-wned in the Nile a.d. 131. 
 The Emperor, inconsolable for his loss, rebuilt the city of Besa, and called it Antino- 
 opoUs. He caused him to be em-oUed amongst the gods, gave his name to a star, erected 
 temples for his honor in Egypt, Greece, and at his Tibm-tine villa, and set up statues of 
 him in many places. 
 
 See Spartian Hadrian, 1 4 ; Diou Cassius, Ixix. 1 1 ; Pausauias, viii. 9 ; II Vaticano, iv. 74 ; 
 
 Merivale, vii, 
 
 6. APOLLO. THE BELVEDEEE. 
 
 Original in the Vatican. 
 
 Found A.D. 1503, at Capo d'Anzio, the ancient Antium, birthplace of Nero, 
 
 embellished by him at vast expense. 
 Sculptor: probably Calamis, B.C. 440, or Praxiteles, B.C. 364. II Vaticauo, 
 
 iv. 252. 
 Height, 7 feet 2 inches. 
 Restorations: left hand, by Giovann-angelo Montorsoli, bom a.d. 1507. The 
 
 rio-ht aiTB and leg are antique, but have been attached, as Winckelmami 
 
 remarks, vol. ii., p. 427, not too skilfully ; also i. 485. 
 Son of Jupiter and Latona, one of the great Divinities of the Greeks. 
 
 Or view the Lord of the unerring bow, 
 
 The God of Ufe, and poesy, and light ; 
 The Sun in human limbs arrayed, and brow 
 
 All radiant from his triumph in the fight, 
 The ghl(||: hath just been shot the arrow bright 
 
 With an immortal's vengeance ; in his eye 
 And nostril beautiful disdain, and might 
 
 And majesty, flash their full lightnmgs by, 
 Developmg in that one glance the l)eity. 
 
 Bykon, Childe Harold, iv. 161. 
 
 I tiu-n my glance, and lo ! 
 The Archer-God speeds vengeance from his bow : 
 Not as when oft, amid his Delian glade. 
 The Lord of Beauty knelt to mortal maid ; 
 Not as when winds were hush'd and waves lay mute, 
 Listing and lidl'd beneath his silver lute ; 
 But like the terrors of an angry sky — 
 Clouds on his brow and lightning in his eye. 
 The foot advanced, the hauglity lips a])art. 
 The voice just issuing from the swelling iieart, 
 The breathing scorn, yet 'mid that scorn ai)pear 
 No earthlier i)assions mix'd witli luunan fear — 
 The god speaks from the marble not the less 
 Than when lieav'n brightens with his loveliness ; 
 And o'er each limb th' enamor'd Graces play, 
 Leave wrath its pride, but steal its gloom away. 
 
 Bllwer. 
 
 God of the silver bow, fi-om thee 
 
 The race of hapless ISiobe 
 
 Received just punishment, to teach 
 
 The sin of prouil and imjiious speech : 
 
 Thine arrows quell'd huge Tityos' lust 
 
 And stern Achilles laid in du.st 
 
 Beneath tlie battlemented town 
 
 Of yet unconquered llion. 
 
 llou.vcii, lib. iv. ode 6, By Lord Ravcnsworth. 
 
 See Homer, iii. 1 ; Hcsiod, Theog.; Herodotus, ii. 156; Cicero de Nat. Deor., 
 
 iii. 23 ; Mlillcr Dorians ; Flaxman.
 
 23 
 
 7. APOLLO SAUROKTONOS, the Lizard Killer. 
 
 Original in the Louvre. 
 
 Found, A.D. 1770, in the Palace of Caesars, Rome. 
 Scul2)tor, Praxiteles. Original probably in bronze. 
 Height, 5 feet li inches. 
 Restorations : right hand from above -wrist. 
 Supposed to represent the God when in his early youth, banished from heaven for 
 having slain the Cyclop Steropes, one of the companions of Vulcan, he passed some 
 time in the service of Admetus, King of Thessaly. 
 
 Valerius Flaccus, Argon., v. 445j Pliny, xxxiv. 19, 10; Martial, xiv. 170; Wiuckel- 
 
 mann, ii. 267, 338. 
 
 8. APOLLLN^O ; or, the Lycian. 
 
 Original in the Royal Gallery, Florence. 
 Found at • 
 Sculptor 
 
 Height, 4 feet 6 inches. 
 
 Restorations : this statue was broken in pieces some years since by the fall upon 
 it of Vanilyke's portrait of the Emperor Charles V., of Spain. Restored 
 by Bartolini. 
 
 Lo a youth -was seen my floor to tread, 
 Chaste laurels nodding round his wreatlied head ; 
 No form so fair adorn'd the age of gold, 
 No form so fair could spring from human mould. 
 Loose o'er his tapering neck the ringlets flew, 
 That breathing myrtle dropp'd with Tyrian dew ; 
 White as the moon did his complexion show, 
 And tintmg crimson flush'd his skin of snow, 
 As girls with purple amaranths lilies thread, 
 As apples pale catch Autumn's streaky red. 
 
 TiBULLUs, iii. 364. By Elton. 
 
 See Lucian, Anacharsis ; Galerie de Firenze, ii. 1 54. 
 
 9. ARIADNE. Presented to the Trustees by George James, Esq. 
 
 Original in 
 
 Found at 
 
 Sculptor 
 
 Height, 4 feet 10 inches. 
 
 Restorations 
 Daughter of Minos, King of Crete. For her adventures with Theseus and Bacchus, 
 see Hesiod, Theog., 949; Plutarch, Theseus; Ovid, Metam., viii. 178, Heroides, 10; 
 Catullus Epithal. of Peleus and Thetis. 
 
 10. ARISTIDES. 
 
 Original at Naples. 
 
 Found at Herculaneum in the Villa of the Papyri. 
 Sculptor 
 
 Height, 6 feet 8 inches. 
 
 Restorations ' 
 
 An Athenian General and Statesman called the Just ; banished from Athens through 
 the envy of the Democratic party. 
 
 Herodotus, lib. viii. 79; Plato, Gorgias.; Plutarch; Museo Borbonico, i. 50. 
 
 11. BACCHUS and AMPELUS. Presented to the Trustees by Lachlan Mackinnou, Esq. 
 
 Original in the British Museum. 
 
 Found A.D. 1772, at La Storta, eight miles from Rome. 
 
 Sculptor 
 
 Height, 4 feet 10-^ inches, including the plinth, 3| inches. 
 
 Restorations : tlie Avhole of the right arm of Bacchus. 
 Bacchus, the god of wine, son of Ju])iter and Seniele. Ampelus his companion, a 
 Phrygian youth, thro^^^l from the back of a bull and killed. His body was changed into 
 a vine. See Homer, Hymn v. ; Cicero de Nat, Deor., iii. 23. ; Ovid, Fasti, iii. 409.
 
 24 
 
 12. BOXERS (The), or Lottatori, or Wrestlers, or Pancratiasts. 
 
 Original in the Royal Gallery, Florence. 
 Found A.D. 1535 or 1583, near the Lateran, at Rome. 
 Sculptor, Praxiteles or Scopas — if either. 
 Height, 2 feet 1 1 1 inches. 
 
 Restorations : the head of each ; left arm, right leg from knee, left foot of 
 uppermost figure ; right arm, right leg from above knee of lowermost. 
 Supposed to represent Phjedimus and Tantalus, sons of Niobe, slain by Apollo, and 
 to have formed part of the group of Niobe and her children, which occu|)ied the tympanum 
 of the pediment of the temple of Apollo, at Rome, in which was set up by Sosius, about 
 B.C. 60, the statue of Apollo, in wood, brought from Seleucia, and called the Apollo 
 Sosianus. Mengs is of opinion that these are imitations of statues made at a period when 
 taste was brought to the greatest perfection amongst the Greeks. One of the proofs 
 adduced to displace the idea that these are boxers is, that in the statues of professional 
 ])ugilists the cartilage inside the ear is generally crushed and flattened as if by blows. 
 The ears of these figures are perfect. 
 
 See Anthol. Gr. ; Ausonius, Her. Ep., 27, 28, 29 ; Ovid, Metam., vi., the Story of 
 Niobe; Pliny, xiii. 5, xxxvi. 4 ; and the account by Propertius, Elegy, ii. 31, 
 of the opening of the Portico of the Temple ; Winckelmann, ii. 237. 
 
 13. BOY (extracting a thorn). 
 
 Original in Villa Albani, Rome. A repetition is in the Royal Gallery, Florence. 
 
 Found at 
 
 Sculptor 
 
 Height, 2 feet 4 inches 
 
 Restoration 
 
 14. BOY and GOOSE. 
 
 Original in the Capitol of Rome. 
 
 Found, A.D. 1789, at Roma Vecchia, the ancient Pagus Lemonius, on the Via 
 
 Appia. 
 Sculptor, Bocthus, a Carthaginian. See Virgil, Culox, 66. ; Cicero in Vcrr. 
 
 V, 14 ; Pliny, xxxiii. 55, xxxiv. 19. 
 Height, 2 feet 9 inches. 
 Restorations 
 
 15. BUDDHA, or Sakya. 
 
 From Rangoon, Burmah. 
 Carved in wood. 
 
 16. CANEPHORA. 
 
 I. Presented to the Trustees by Mrs. Gcnei'al Barry. 
 II. By Sir William A'Beckett. 
 Original in the British Museum. 
 Found, A.I). 1766,'at tlic Villa Sti'ozzi, near Rome, close to the tomb of Cecilia 
 
 Metella, wife of Crassus. 
 Sculj)t()rs, Criton and Nicolaus of Athens. They flourished in the time of 
 Cicero, al)Out n.c. 60, Winckehnaiui, ii. 377 ; or, in ihe time of the Auto- 
 nines, about A.D. 150, Miillei', 204. 
 Height, 7 feet 3^ inches, including the modius or basket on tlie head. 
 Restorations: the lower right arm, left foot, and a small poi'tion of the upper 
 pai"t of the modius. 
 The Canephora^ were maidens of tlie highest rank at Athens, who assisted at the 
 sacred festivals held in honor of Pallas Athene (Minerva), and bore u])on their heads 
 baskets containing ofli'rings to the Goddess ; two of these, of "mai'vellous beauty," the 
 Avoi'k of Polvclitiis, are einirncrated by Cicero amongst the art treasures of which 
 V'erres des2)oiled the city of Mcssana in Sicily. Cicero, Oration against Verres, v. 3.
 
 25 
 
 In the description of the ancient marbles in the British Museum, Part I., it is said that 
 "this is evidently an architectural statue, one of the Caryatides, which supported the 
 portico of an ancient buildiiifj," probably a tomb. The Caryatides were intended to 
 represent either the virgins who celebrated the worship of Diana Caryatis, or females of 
 Caryge, a town in the Peloponnesus, which took the part of the Persians at the time of 
 the invasion of Xerxes, u.c. 480. It was taken alter a proti-acted siege ; the men were 
 put to the sword, the women reduced to slavery. To commemorate the victory buildings 
 were erected, the columns of which were in the form of women robed in the style of the 
 captives. 
 
 Moore playfully alludes to them in his fifth fable for the Holy Alliance: — 
 
 ' Tis like that sort of painful wonder 
 Whicii slender columns, hihorin": under 
 
 Enormous iirelies, <;;ive beholders ; 
 Or those poor Caryatides, 
 Condemned to smile and stand at ease ^ 
 
 With a whole house upon their shoulders. 
 
 Male figures used for similar purposes were called by the Greeks Atlantes, from Atlas, 
 who, according to the early mythology, supported the heavens on his shoulders, and was 
 metamorphosed by Perseus, by means of the head of Medusa, into the mountain chaiii in 
 Korth Africa, which still bears his name. Pliny, xxxvi. 4 ; Ovid, Metam., iv. 630. 
 
 The Romans called them Telamones from Telamou, another name given to Atlas. 
 
 Vitruvius, 6, 9. 
 
 17. CASTOR AND POLLUX. 
 
 Original in 
 Found at 
 Sculptor 
 
 Height, 4 feet 1 1 inches. 
 Restorations 
 Called the Dioscuri, sons of Jupiter and Leda, twin -brothers of Helen and 
 Clytemnestra. 
 
 See Homer, Hymn xiii. ; Theocritus, Idyll xxii. ; Horace, Od. i. 12; Cic. de Nat. 
 Deor. iii. 21; Statius Tlicbais, v. 440; iMacaulay's Lays, Lake Regillus ; 
 Max JNIiiller's Lectures. 
 
 18. CUPID (in bronze). Presented to the Trustees by John Airey, Esq. 
 
 Height, 2 feet. 
 Son of Venus. Lucian, Dial, Deor, xii. xix. ; Virgil, Cu'is 133. 
 
 19. CUPID and PSYCHE. 
 
 Original in the Capitol, Rome. 
 
 Found on the Aventine Hill, Rome. 
 
 Sculptor 
 
 Height, 4 feet 1 inch. 
 
 Restorations : nose, chin, right hand, left foot of Cupid. 
 
 But far above in spangled sheen 
 Celestial Cupid her fam'd son advanc'd, 
 Holds his dear Psyche sweet entranc'd, 
 After her wanderino; labours long 
 'Till free consent the gods among 
 Make her his eternal bride. 
 
 MiLTO\, Comus. 
 
 See Apulcius ]\Ietam. ; INIrs. Tighe, Cui)id and Psyche, of which Moore sings — 
 
 Tell me the witching tale again, 
 
 Tor never has my heart or ear 
 Hung on so sweet, so pure a strain ; • 
 
 So I) are to feel, so sweet to hear.
 
 26 
 
 20. CUPID. 
 
 Original in 
 
 Sculptor, Michael Angelo. 
 
 Height, 3 feet. 
 
 21. CYPARISSUS. Presented to the Trustees by James Malcohn, Esq. 
 
 Original in 
 Found at 
 Sculptor 
 
 Height, 4 feet 8 inches. 
 Restorations 
 A youth of the isle of Cea, one of the Cyclades. He inadvertently killed his favorite 
 fawn. Overwhelmed with grief he was transformed into a cypress-tree. 
 
 'Twas when the summer sun at noon of day, 
 « Througli glowing Cancer sliot his burning ray ; 
 
 'Twas then the fav'rite stag in cool retreat, 
 Had sought a shelter from tlie scorching heat. 
 Along the grass his weary limbs he laid. 
 Inhaling freshness from the breezy shade, 
 When Cyparissus, with his pointed dart, 
 Unknowmg pierced Mm to the panting heart. 
 
 Ovid. Metam., x. 10, 6. 
 
 22. DEMOSTHENES. Presented to the Trustees by Molesworth Greene, Esq. 
 
 Original in Vatican. 
 
 Found near Villa Aldobrandini, at Frascati. 
 Sculptor 
 
 Height, 6 feet o inches. 
 Restorations : the hands and the scroll. 
 A renowned orator and statesman, born about B.C. 385. His most splendid orations 
 were delivered to excite his countrymen, the Athenians, against the encroachments of 
 the Macedonians undei* Philip, Alexander, and Antipater. To prevent falling into the 
 hands of the latter he took poison and died, u.c. 322. 
 
 See Lucian, Encomium Dem. ; Plutarch ; II Vaticano. 
 This statue appears to embody the ideas conveyed by the lines of Milton describing 
 Satan — 
 
 As when of old some orator renown'd 
 
 In Athens or free Rome, where eloquence 
 
 Flourish'd — since mute — to some great cause address'd, 
 
 Stood in himself collected ; while each part. 
 
 Motion, each act won audience ere the tongue 
 
 Sometimes in highth began, as no delay 
 
 Of preface brooking, through his zeal of right — 
 
 So standing, moving on to liighth uj) grown. 
 
 The Tempter, all imjiassion'd, thus began. 
 
 Paradise Lost, xi. 670. 
 
 To Demosthenes, as well as to Pericles, Hyperides, and others, all;;sion is made in the 
 lines — 
 
 Thence to the famous orators repair 
 Those ancient, whose resistless eloquence 
 Wielded at will that fierce; democratic. 
 Shook the arsenal, and fulmined over Greece, 
 To Macedon and Artaxerxes' throne. 
 
 Milton, Paradise Regained, iv. 270. 
 
 23. DIANA. Called "a la Riclie." 
 
 Original in Louvre, Paris. 
 Found at 
 Sculptor 
 
 Height, 6 feet o inches. 
 
 Restorations : part of right arm and both hands, by Giovannangelo Montorsoli. 
 Sister of Apollo; identified with the Greek Artemis, the Egyptian Bubastis, the 
 Phoenician Astarte, the Moon.
 
 27 
 
 With these hi troop 
 Came Astoreth, whom the IMicenicians call'd 
 Astarte, Queen of Heaven, witli creseent liorns. 
 
 Milton, Par. Lost, i. 437 ; Jeremiah, vii. 18 ; 1 Kings, xi. 5. 
 
 See Ilomcr, TTymn. xxv.; Ilesiod, Tlieog. ; Callimachus; Herodotus, ii. 137, 156 ; 
 Ovid, Met., ix. 687. 
 
 24. DIANA. Prescuted to the Trustees by M. C. E. Labilliere, Esq. 
 
 Original in 
 
 Sculptor, G. M. Benzoni. 
 
 Height, 4 feet lOj inches. 
 
 Chaste Goddess, guardian of the woods 
 And Lycia's mountain solitudes, 
 In threefold power adored. 
 
 HoK., lib. iii. ode 22. 
 
 Catullus, 34. 
 
 25. DIANA (robing). 
 
 Original in Louvre. 
 Found at Gabii. 
 Sculptor 
 
 Height, 5 feet 4 inches. 
 
 Restorations : nose, right hand, left sleeve, left elbow, right foot to ankle, half 
 of left leg. 
 
 But mild the beauties of Diana were. 
 
 And all her charms serene and sweetly fair ; 
 
 Her brother's looks adorn her radiant face. 
 
 Her cheeks and sparkling eyes express his grace. 
 
 The same she were, did not her sex alone 
 
 A difference cause and make the virgin known : 
 
 Her arms are naked to th' admiring eye, 
 
 And in the wind her careless tresses fly. 
 
 Claudian, Kape of Proserpine. 
 
 26. DISCOBOLUS (standing). 
 
 Original in Vatican. 
 
 Found at Colombaro, on the Appian Way, eight miles from Rome, at a Villa, 
 
 supposed that of the Emperor Gallienus. 
 Sculptor, Naucydes, boru at Argos ; flourished B.C. 400. 
 Height, 5 feet 6 inches 
 Restorations : none. 
 
 Luciau ; Pliny, xxxiv. 19. 
 
 27. DISCOBOLUS (throwing quoit). 
 
 Original in the British Museum. 
 
 Found A.D. 1 79 1 , in the grounds of the Conte Fede, in that portion of Hadrian's 
 villa, Tivoli, called the Pinacotheca. 
 
 Sculptor: supposed to be an ancient copy, in marble, from the work in brass by 
 Myron, l)orn at Eleutherje, in Greece, B.C. 480. 
 
 Height: to top of head, 4 feet 4^ inches; to top of quoit, 5 feet 2^ inches. 
 
 Restorations : left hand, by Albani ; head, broken off and rejoined. Other 
 representations of this figure, in somewhat differing attitudes, are in the • 
 Massimi collection at Rome, in the Vatican, in the Louvre, and in the 
 Feversham collection in England. It is objected that the head has not been 
 correctly re-adjusted. In the other reproductions it is turned back, as 
 descril)ed by Lucian : — " The statue is known to all " " What statue," 
 said I, "do you mean ?" "That beautiful one which you see as you enter 
 the hall, made by Demetrius." "The Discobolus, I suppose, bending as 
 if about to cast the discus, and loohhig back at the per.-on who gives it to 
 him, with one leg bent as if about to I'aise himself erect in the act of 
 throwing." "No," snid he, "that is one of the works of Myron." 
 See Cicero ad Heren., iv. 6 ; Quintilian, lib. ii. 13 ; Statins, vi. 645 ; Pliny, xxxiv. 
 19; Lucian, Philopseud., 18; Barry, Lectures, vol. i. 479. 
 
 D 2
 
 28 
 
 28. DOROTHEA. Presented to the Trustees by Henry Moor, Esq. 
 
 Original in tlie collection of the Marquis of Lansdowne. 
 Sculptor, John Bell. 
 Height, 3 feet 11 inches. 
 
 This exclamation was distinctly overheard by the priest and his company, who, concluding that 
 the person who spoke must be liard by, arose to make further enquiry, and had not gone twenty 
 paces when, behind the fragment of a rock, they perceived a boy sittuig under an ash-tree, in the 
 habit of a peasant, wliose face, as he stooped to wash his feet in a broolc that murmured by him, they 
 could not then survey Their approach they managed with softness and silence, while his whole 
 attention was employed in bathing his legs, which seemed two crystal pillars produced among the 
 pebbles in the rill They were surprised at the whiteness and beauty of his feet, which they could not 
 believe had been formed to tread the clods and follow the cattle or plough, as his dress would have 
 seemed to indicate ; and the curate, who went foremost, finding himself still unperceived by the youth, 
 made signs to the rest to crouch down or hide themselves behind a neiglibouring rock. This being done, 
 all three stood gazing attentively at the apparition, which was clad in a double-skirted grey jacket, 
 girt about the middle with a white napkin, and wore breeches and hose of the same cloth, with a grey 
 hunting cap on his head, the hose being pulled up to the middle of the leg, which actually seemed of 
 white alabaster. Having washed his delicate feet, he wiped them with a handkerchief, which he took 
 out of his cap, and in so doing lifted up his head, showing to the bystanders a face of such exquisite 
 beauty that Cardenio said, in a whisper to the curate, " Since that is not Lucinda, it can be no earthly, 
 but some celestial being." The youth taking off his cap and shaking liis licad, a large quantity of hair, 
 that Apollo himself might envy, flowed down his shoulders, and discovered to the spectators that the 
 supposed peasant was no other than a woman, the most deUcate and handsome that the curate and the 
 barber had ever beheld. 
 
 Don Quixote, Part I., Book TV., chap. i. 
 
 29. EVE (at the fountain). 
 
 Original at tlie Bristol Museum. 
 Sculptor, Baily. 
 Height, 2 feet 7 inches. 
 
 But Eve, 
 
 Undecked save with herself ; more lovely fair 
 Than wood nymph or tlie fairest goddess feigned 
 Of three that in Mount Ida naked strove. 
 Stood to entertain her guest from heaven ; no veil 
 She needed, virtue-proof ; no thought infirm 
 Altered her cheek. 
 
 Milton, Paradise Lost, v. 380. 
 
 That day I oft remember, when from sleep 
 I first awak'd and found myself repos'd 
 Under a sliade on flowers, much wondering where 
 And what I was, whence thither brought, and how. 
 Not chstant far from thence a murmuring sound 
 Of waters issued from a cave, and spread 
 Into a liquid plain, then stood unmov'd 
 Pure as the expanse of Heaven ; I thither went 
 With unexperienced tliought, and laid me down 
 On the green bank, to look into the clear 
 Smooth lake, that to me seemed another sky. 
 As I bent down to look, just oppo-ite 
 A shape within tiie watery gleam appear'd, 
 I Bending to look on me : I started back. 
 
 It started back ; but pleased I soon return'd, 
 I'leased it return'd as soon with answering looks 
 Of sympatliy and love. There I had fix'd 
 Mine eyes till now, and i)ln'd with vain desire. 
 Had not a voice thus warn'd me : What thou seest, 
 What there thou seest, fair creature, is thyself; 
 With thee it came and goes : but follow me. 
 And I will bring thee where no shadow stays 
 Thy coming, and thy soft embraces, he 
 Whose image thou art ; him thou shalt enjoy 
 Inseparably thine, to him shalt hear 
 ^Multitudes like thyself, and thence be called 
 Mother of human race. 
 
 Paradise Lost, iv. 449.
 
 29 
 
 30. EUTERPE. 
 
 Original in Vatican. 
 
 Found in the Gardens of the Quirinal, Rome. 
 
 Sculptor 
 • Height, 4 feet 6 inches. 
 
 Restorations 
 One of the nine Muses, daughters of Jupiter and Mnemosyne: — 
 
 Calliope, who jn-esided over Epic poetry. 
 Clio „ History. 
 
 Erato „ Love poetry 
 
 Euterpe „ Lyric poetry. 
 
 Meli)omene „ Tragedy. 
 
 Polyhymnia „ The sublime hymn. 
 
 Terpsichore „ Dance and song 
 
 Thalia „ Comedy. 
 
 Urania „ Astronomy. 
 
 See Hesiod, Theog., 77. 
 3L FLORA. 
 
 Original in the Capitol. 
 
 Found A.D. 1744, in the ruins of Hadrian's Villa, at Tivoli. 
 Sculptor • 
 
 Height 
 
 Restorations : left hand. 
 The Latin Goddess of Spring and Flowers, identified with the Greek nympli Chloris, 
 wife of Zephyrus. 
 
 32. FATES. The. 
 
 Original in the British Museum. 
 
 Found at Athens. 
 
 Sculptor of the school of Phidias. 
 
 Height of two, 3 feet 1 1 inches ; one, 4 feet 5 inches. 
 
 Restorations : none. 
 These, with Nos. 41, 42, and 62, are taken from the Elgin marbles, brought from 
 Athens by Lord Elgin, who obtained them while Ambassador at Constantinople, in the 
 beginning of the present century. His collection was purchased for the use of the 
 public, A.D. 1815. These figures formed portion of the majestic cempositiou iu the 
 eastern pediment of the Parthenon, the temple erected in honor of (Athene) Minerva, 
 intended to represent the birth of the goddess when she sprung full grown, and 
 completely armed, from the brain oP (Zeus) Jupiter. Paus. i. 24. In the centre 
 was seated the ruler of Olympus ; on his left hand, likewise seated, was (Here) 
 Juno ; on his right stood (Ilephaistos) Vulcan, leaning on the axe with which he 
 had opened the head of Jupiter. Philosticon. Close to him stood the Virgin Goddess; 
 opposed to her was (Poseidon) Neptune ; on the extreme right is (Hyperion or 
 Helios), the Sun, the heads of the horses of his chariot ai)pear rising impetuous 
 above the sea ; close to him is the figure of Theseus, No. 62 ; a name accepted 
 in the description of the ancient marbles in the British Museum, iii. 3, though it 
 is there said that "Some authorities of great weight are nevertheless disposed to 
 consider it as Hercules. The lion's skin on which he reposes, and his position 
 immediately above some of his label's in the Metopes, wari'ant this." 
 
 On the extreme left is the chariot of Night descending into the western ocean, the 
 horses' heads visible, one of which, supposed to have been touched by the master-stroke 
 of Phidias himself, is No. 41. Next in order are these figures. No. 32. According to 
 the authority cited above, an adjustment of them forms a group supposed with great 
 probability to represent (Moirai) the Fates, accustomed to attend upon the occasion 
 of a birth. They are Clotho, sitting a{)art, expressiv^of vigorous youth, Lachesis, 
 supporting another, of sedate middle age, Atroj)<)s, in repose, of tlie languor of declin- 
 ing life. The winged Victory at their side is balanced by Lis, messenger of the gods,
 
 30 
 
 who conveys intelligence of the birth to (Demeter) Ceres and (Persephone) Proserpine, 
 seated by Theseus on the confines of Olympus. Conjecture supplies the remaining 
 objects. 
 
 No, 42 is called Ilissus, the Deified impersonation of the river which ran through the 
 southern plain of Attica. This figure stood on the extreme right of the western pediment 
 of the same temple in Avhich was represented the victoiy of the goddess over Neptune in 
 tlieir contest for the sovereignty of the soil of Athens. Those who favor the opinion that 
 No. 62 is meant for Hercules, suggest that this figure is with more probability that of 
 Theseus than of the river god. 
 
 An account of the remainder of the Elgin marbles, of which the Trustees possess a 
 complete scries, is postponed until it can be arranged in a manner which will render the 
 description intelligible. 
 
 33. FAUN (the Dancing). Two copies. 
 
 Original in the Royal Gallery, Florence. 
 
 Found at 
 
 Sculptor, attributed to Praxiteles. 
 
 Height, 4 feet 6 inches. 
 
 Restorations : the head and arms, by Michael Angelo Buonarotti. 
 
 34. FAUN. Usually called the Rondinini Faun, because placed in the Rondinini Palace 
 
 in the Corft, at Rome. 
 Original in the British Museum, entered in the Catalogue as statue of a satyr, 
 
 playing on the crotala, or cymbals. 
 Found at 
 Sculptor 
 Restorations (attributed to Michael Angelo) : the torso is the only portion 
 
 really antique. 
 Height, 5 feet S inches. 
 
 35. GERMANICUS. By some supposed to be a figure of Mercury. 
 
 Original in the Louvre. 
 Found 
 
 Sculj)tf)r, probably Chimarus. 
 Height, 5 feet 1 1 inches. 
 
 Restorations : thumb and forefinger of right hand. 
 Son of Nero Claudius Drusus, nephew of tlie Emperor Tiberius, brother of the 
 Emperor Claudius, father of the Emperor Caligula and of Agrippiua, mother of the 
 Emperor Nero. A distinguished general; born B.C. 15, died a.d. 19. 
 Clarac, Winckel, ii., 405. 
 
 36. GLADIATOR (Dying.) 
 
 Original in tlie Capitol, Rome. 
 
 Found in the gardens of SaUust, at Rome. 
 
 Sculptor, supposed to be Ctesilaus, cotemporary of Phidias, p,.c. 440; or by 
 
 Pyromachus, i5.c. 240, in bronze, of whicli the original is a copy. 
 Height, 2 feet 8 inclies. 
 Restorations : right hand, said to be ])y INIichael Angelo Buonarotti. 
 
 Behold ! where, in his nerv'd and naked niiglit, 
 
 Hushes the circus champion to the fight ; 
 
 Stretches the jjaunt arm in its sweeping length ; 
 
 Starts from each limb the eloquence of strength ; 
 
 On the l)ent brow pride, power, and contjuest reign ; 
 
 From the curved lij) the spirit breathes disdain ; 
 
 And all the savage, in his sternest mood, 
 
 Speaks from the form unawed and unsubdued. 
 
 Where 'iqkl yon puny race of courts can be. 
 
 Son of tlie woods! the cham])ion meet for thee? « 
 
 The strife is o'er. Ev'n as a broken bow, 
 Nerveless and spent, the Terrible lies low !
 
 31 
 
 He leans upon his hand — the lion crest 
 
 Bows to the dust ; and from the untam'd breast 
 
 Falls, droj) by drop, life's tide ; tlie e^'e is dim ; 
 
 And o'er the l)Ufkler droojjs the giant limb ; 
 
 And death is on tiie migiity. Aye, thou proud 
 
 And guilty city, let thy ruthless crowd 
 
 Pour o'er their prey the mockery of their mirth ; 
 
 Blood with those echoes calls forth from the earth ; 
 
 And lleav'n full soon shall answer. 
 
 BULWER. 
 
 I see before me the Ghuliator lie : 
 He leans upon his hand — his manly brow 
 Consents to deatli, but conijuers agony, 
 And his drooped head sinks gradually low — 
 And through his side the last drops, ebbing slow 
 From the red gash, fall heavy, one by one. 
 Like the first of a thunder shower ; and now 
 The arena swims around him — he is gone 
 Ere ceased the inhuman shout which hailed the wretch who won. 
 
 He heard it, but he heeded not — his eyes 
 Were with his heart, and that was far away : 
 He recked not of tiie life he lost, nor prize. 
 But where his rude liut by the Danube lay, 
 There were his young barbarians all at play, 
 There was their Dacian mother — he, their sire, 
 Butchered to make a Koman holiday — 
 All this rushed with his blood — Shall he expire 
 And unavenged ? — Arise, ye Goths, and glut your ire. 
 
 Bykon, Cbilde Harold, iv. 140. 
 
 Supported on his shorten'd arm he leans, 
 Prone, agonizing ; with incumbent fate 
 Heavy declines his head ; yet, dark beneath 
 The suffering feature, sullen vengeance lowers. 
 Shame, indignation, unaccomplished rage ; 
 And still the cheated eye expects his fall. 
 
 Thomson, Liberty, iv. 157. 
 
 This statue, altliongh usually known as that of a gladiator, and invested accordingly 
 with many charming poetical associations, is supposed to be that of a herald. Ingenious 
 conjecturers suggest Polyphonies, herald of Laius King of Thebes, killed by G^dipus, 
 with his master; or, Copreas, herald of Eurystheus, massacred by the Athenians; or, 
 Anthemocritus, an Athenian herald, killed by the Megareans (Paus. i. 9). Men who 
 engaged in single combat are mentioned in Athenasus, iv. 41, as known in early 
 times in Greece ; but they do not appear to be of the class known in Italy as 
 gladiators, first composed of captives in war, slaves, and condemned malefactors. Reasons 
 adduced in support of this view are that the Greeks wore the beard until the age 
 of Alexander tlie Great, who suggested that his Macedonian soldiers should shave 
 (Athenneus, xiii. 18; Plutarch; Apoph. Bas., 180). This figure is represented beardless. 
 Gladiators did not carry a trumpet nor wear a cord round the neck, as heralds in the 
 Olympic games were used to do. There is, however, more probability in the suggestion 
 that it represents a Celtic or l)arbarian soldier or messenger wearing the Toripies, or 
 collar. Gladiators were first exhibited at Rome, A.u.c. 490, n.o. 264. Ctesilaus flourished 
 about 176 years before that time. If this statue be his work it cannot represent a Roman 
 gladiator. 
 
 Val. Max. iii. 4, 7; Winck. ii. 241, note to French ed. 
 
 37. GLADIATOR (The Fighting, or Borghese). 
 Original in the Louvre, Paris. 
 
 Found A.D. 1503 at Capo d'Anzio, the ancient Antium. 
 Sculptor, Agasias, or Ilegesias, son of Dositheus, of Ephesus, flourished 490 
 
 B.C. 
 
 Height, from left foot to head, 5 feet. 
 Restorations : right arm and right ear.
 
 32 
 
 Of ra^ring aspect, rush'd impetuous forth 
 The (iladiator Pitiless his look, 
 And each keen sinew braced, the storm of war, 
 IlutHing, o'er all his nervous body frowns. 
 
 Thomson, Liberty, iv. 152. 
 
 Notwithstanding the commonly received opinion that this figure represents a gladiator, it 
 has been suggested that it should rather be considered to be that of a foot soldier contending 
 with a horseman. A conjecture is offered that it is intended for Achilles fighting with 
 Penthesilea, Queen of the Amazons, who assisted the Trojans, and was slain by him. 
 
 See Winckelmanu ii. 434. Thiersch. 
 
 38. GRACES. Aglaia, Euphrosyne, and Thalia. 
 
 Original in the collection of the Duke of Bedford (?). 
 
 Sculptor, Canova, born at Passagno in Italy, a.d. 1757, died a.d. 1822. 
 
 Height, 5 feet 2^ inches. 
 
 Eurynome, from ocean sprung, to Jove 
 
 The beauteous Graces bore, inspiring love, 
 
 Aglaia and Euphrosyne the fair, 
 
 And thou, Thalia, of a graceful air. 
 
 " Hesiod. Theog., 907. 
 Daxighters of Jove, 
 From them flow all the decencies of life. 
 Without them nothing pleases. Virtue's self 
 Admired not loved : and those on whom they smile, 
 Great though they be, and wise, and beautiful, 
 Shine forth with double lustre. 
 
 KOGERS. 
 
 See Pindar, Olymp. xiv. ; Horace, Od. i. 4, iii. 21. 
 
 39. GREEK SLAVE. ' Presented to the Trustees by Major- General Valiant. 
 
 Original in 
 
 Sculptor, Hiram Power. 
 
 Height, 5 feet 2 inches. 
 
 40. HERCULES and OMPHALE. Presented to the Trustees by Charles Hotson 
 
 Ebden, Esq. 
 Original in the London LTniversity. 
 Sculptor — the torso of Hercules was restored by Flaxman. He added the figure 
 
 of Omphale. 
 Height, Hercules, 6 feet ^ inch ; Omphale, 6 feet 1 inch. 
 The history and labors of the demigod, Hercules, are known. Omphale was Queen 
 of Lydia ; to her Hercules submitted himself as a slave for three years in order to 
 expiate his crime of having murdered Iphitus. 
 
 Plut. Theseus; Luciau Dial., Deor., xiii,; Horn. Od., xxvi. 14. 
 
 41. HORSE'S HEAD. 
 
 School of Phidias, Athens. See No. 32. 
 
 42. ILISSUS. 
 
 School of Phidias, Athens. See No. 32. 
 
 43. INNOCE^X'E. Presented to the Trustees by Henry Arthur Smith, Esq. 
 
 Original in collection of — Pearce, Esq. 
 Sculptor, John Hcniy Foley. 
 Heiglit, 5 feet. 
 
 44. JASON. 
 
 Original in the Louvre. For some time known as Cincinnatus. 
 
 Found A.D. 1814, at Tivoli. 
 
 Scul])tor 
 
 Heiglit, 4 feet 8^ inches. 
 
 Restorations : right hand and part of arm, left arm. The liead is not of the 
 same marble as the rest of the figure, possibly supplied from another 
 statue. It is said, also, that the ploughshare was added.
 
 33 
 
 Son of ^son, descendant of ^olus. Pelias, brother of ^son, ruled in lolcus. 
 He was warned by an oracle that one of the ^olidje would kill him. He ordered 
 their destruction. Jason alone escaped. The oracle again warned Pelias to beware 
 of a man with but one sandal. On the invitation of Pelias, Jason attended a sacrifice to 
 Neptune. In crossing the River Amaurus, on the bank of which he lived as a husband- 
 man, he lost one of his sandals. Pelias, alarmed, sent him on an expedition to Colchis, to 
 bring the golden fleece. He sailed in the ship Argo. His success and ultimate return 
 Avith Medea, and the death of Pelias, are described differently by the numerous authors 
 who treat of this uncertain portion of history. 
 
 ApoUodorus, i. 9 ; Ovid. Met., vii. ; Winckel., ii. 390. 
 
 45. JULIAN DE MEDICI. Presented to the Trustees by John Fitzgerald Leslie 
 
 Foster, Esq. 
 Original placed on the mausoleum erected to his memory by Pope Clement VH., 
 
 in the Church of St. Lorenzo, Florence. 
 Sculptor, Michael Angelo. 
 Height, 5 feet 7^ inches. 
 Duke of Nemours, youngest son of Lorenzo the Magnificent and brother of Leo X. 
 Bom, 1478; died, 1516. 
 
 46. LAOCOON. 
 
 Original in the Vatican. 
 
 Found A.D. 1506, in baths of Titus, Rome. 
 
 Sculptors, Agesander of Rhodes with Athenodorus his son, and Polydorus, 
 supposed to be his son also. They flourished, according to Winckelmann, 
 lib. ii. 289, in the time of Alexander the Great, about B.C. 330 ; according 
 to Lessing and Thiersch, in the time of Titus, about a.d. 76. 
 
 Height of Laocoon, 5 feet 9g inches, to top of hand 6 feet lOi inches; of elder 
 son, 3 feet lOg inches; younger son, 3 feet 7-g inches. 
 
 Restorations : the right arm, in terra cotta, by Bernini ; the arms and hands of 
 each of the sons by Cornacchiui. A head of the principal figure is in the 
 collection of the Due d'Aremberg, at Brussels, said by some to have 
 belonged to the original. 
 
 See Pliny, Hist. N. xxxvi. 4 ; II Vaticano, iv. 214 ; Goethe; Spence Polymetis. 
 
 Laocoon, Neptune's priest by lot that year, 
 
 With solemn pomj] then sacrificed a steer ; 
 
 Wlien, dreadful to behold, from sea we spy'd ] 
 
 Two serpents, rank'd abreast, the seas divide I 
 
 And smoothly sweep along the swelling tide. ' 
 
 Their flaming crests above the waves they show, 
 
 Their bellies seem to burn the seas below ; 
 
 Their speckled tails advance to steer their course, 
 
 And on the somiding shore the flying billows force. 
 
 And now the strand and now the plain they held, 
 
 Their ardent eyes with bloody streaks were fill'd ; , 
 
 Their nimble tongues they brandish 'd as they came, 
 
 And lick'd their hissing jaws that sputtered flame. 
 
 We fled amazed. Their destinVl way they take, 
 
 And to Laocoon and his children make. 
 
 And first around the tender boys they wind, 
 Then with their sharpen 'd fangs tlieir limbs and bodies grind, 
 The wretched fatlier, running to their aid 
 Witli ])ious haste but vain, they next invade ; 
 Twice round his waist their wnuling volumes roll'd 
 And twice about his gas])ing throat they fold ; 
 The priest thus doubly chok'd their crests divide. 
 And towering o'er his head in trimnph ride. 
 With both his hands he labors at the knots, 
 His holy fillets the blue venom blots ; 
 His roaring fills the flitting air around. 
 
 Thus when an ox receives a glancing wound 
 He breaks his bands, the fatal altar flies, 
 And \ni\\ loud bellowings breaks the yielding skies. 
 
 ViKGiL, ^En., Ub. ii. 200. By Dryden.
 
 34 
 
 Terrible ! IMark and Tremble !— Fold by fold 
 
 See round the writhing sire the enormous serpents roll'd ; 
 
 Mark the stern pang — the clench'd despairing clasp — 
 
 The A^ld limbs struggling with that fatal grasp, 
 
 The deep convulsion of the labouring breath — 
 
 The intense and gathering agony of death. 
 
 Yet 'mid the mortal's suffering still is view'd 
 
 The haughty spirit shaken — not subdu'd : 
 
 Tho' nature faint, tho' every fibre burst, 
 
 Scath'd, stifled, crush'd, let vengeance wreak its worst ; 
 
 Pate — terror — Hell — let loose your powers of ill. 
 
 Wring the rack'd form — the soul can scorn you stUl. 
 
 BULWER. 
 
 At last her utmost masterpiece she found 
 That Maro flrcd. The miserable sire 
 Wrapt with his sons in Fate's severest grasp ; 
 The serpents, twisting round, their stringent folds 
 Inextricable tie. Such passion here. 
 Such agonies, such bitterness of jiain, 
 Seem so to tremble through the tortured stone 
 That the touch'd heart engrosses all the view. 
 
 Almost unmark'd the best proportions pass 
 That ever Greece beheld ; and seen alone. 
 On the rapt eye the imperious passions seize : 
 The father's double pangs, both for himself 
 And sons convids'd ; to Heaven his rueful look, 
 Imploring aid and half accusing, cast ; 
 His fell despair, with indignation mix'd, 
 As the strong-curling monsters from his side 
 His full extended fury cannot tear. 
 
 More tender touched, with varied art, his sons 
 All the soft rage of younger passions show : 
 In a boy's helpless fate one sinks oppressed ! 
 While, yet impierced, the frighted other tries 
 His foot to steal out of the horrid twme. 
 
 Thomson, Liberty, iv., 185. 
 
 Or, turning to the Vatican, go see 
 Laocoon's torture dignifying pain — 
 A father's love and mortal's agony 
 With an immortal's patience blending : vain 
 The struggle ; vain, against the coilmg strain 
 And gripe, and deepening of the dragon's grasp, 
 The old man's clench ; the long-envenom'd chain 
 Rivets the living links — the enormous asp 
 Enforces pang on jjang, and stifles gasp on gasp. 
 
 BvRON. Childe Harold, iv. 160. 
 
 47. MERCUEY. 
 
 Original in the collection of the Prince of Augustenberg. A second was exe- 
 cuted for Lord Asliburton. 
 
 Sculptor, Thorwaldsen, born at Copenhagen, a.d., 1770, worked for many years 
 at Rome, died at his birthplace, a.d. 1844. 
 
 Height, 5 feet 5| inches. 
 
 Mercury, great Atlas' son 
 
 Skill'd with persuasive voice to tame 
 Fierce men from savage nature won 
 To learn th' arena's graceful game : 
 
 1 sing tliec, messenger of love. 
 
 Inventor of tlio tuneful lyre. 
 Cunning to hide wliate'er tliy love 
 Of theft and frolic may accjuire. 
 
 HoK., lib. i., ode 10 ; see lib. iii., ode 11. 
 
 Homer, Hymn, by Shelley; ApoUodorus, 310. 
 
 48. MERCURY. Presented to the Trustees by Mrs. Williams. 
 
 Original in the Royal Gallery, Florence. 
 
 Sculptor, .John of IJologna, boru at Douay, a.d., 1524, died at Florence, a.d. 1608. 
 
 Height, 4 feet 3 inches.
 
 35 
 
 Maia of Atlas born and mighty Jove, 
 Join'd in tlie sacred bands of mutual love 
 From whom behold the glorious Hermes rise 
 A god reuown'd, the herald of the skies. 
 
 Hesiou. Theog., 938. 
 
 49. MINERVA GIUSTINIANI. Presented to the Trustees by Major-General Sir 
 ^ Edward Macartliur, C.B. 
 
 Origiual in the Vatican. 
 
 Found at 
 
 Sculptor 
 
 Height 
 
 Restorations 
 
 50. MOTHER and CHILD, or Maternal Affection. Presented to the Trustees by 
 
 William Fletcher, Esq. 
 Origiual in the collection of Joseph Neeld, Esq. 
 ^ Sculptor, Edward H. Baily. 
 
 " Height, 2 feet 11 inches. 
 
 51. MUSIDORA. Presented to the Trustees by Mrs. Moor. 
 
 Original in the Exhibition of 1850. 
 Scul])tor, James Legrew. 
 Height, 5 feet. 
 An imaginary person introduced by Thomson in his poem of the Seasons. 
 
 Lo, conducted by the laugliing Loves, 
 This cool retreat his Musidora sought. 
 Warm in her cheek the sultry season glowed ; 
 And, rob'd in loose array, she came to bathe 
 Her fervent limbs in the refresliing stream. 
 
 Suumier, 1286. 
 
 52. NARCISSUS. Presented to the Trustees by Mrs. Westby. 
 
 Origiual in the collection of Her Majesty the Queen, at Osborne. 
 Sculptor, William Tlieed. 
 Height, 4 feet 1 1 inches. 
 This youth, son of Cephissus and the nymph Liriope, fell in love with his imao-e 
 reflected iu a fountain, pined, and died. His body was transformed into the flower which 
 bears his name. 
 
 For him the Naiads and the Dryads moiu*n, 
 Whom the sad echo answers in her turn ; 
 And now the sister njnnphs prepare his urn, 
 When, looking for his corpse, they only found 
 A rising stalk with yellow blossoms crown'd. 
 
 Ovid, Met. iii. 508. 
 
 53. PERSEUS. 
 
 Origiual in Vatican. 
 
 Sculptor, Canova, born at Passagno in Italy, A.D. 1757; died a.d. 1822. 
 Height, 7 feet 6 inches. 
 Son of Jupiter and Danae. Banished from and afterwards regained the kingdom iu 
 Argos. He undertook to ])ring to Polydectes, King of Scripluis, the head of Medusa, 
 which possessed the ])roperty of converting into stone whosoever looked upon it. Medusa 
 was the only mortal of the three Gorgons, daughters of Phorcys and Ceto ; their names 
 were, Stheno, Euryale, and Medusa. 
 
 See Hesiod, Theog., 276; Ovid, Metam., iv. 617. 
 
 54. POLYHYMNIA. Presented to the Trustees by William Kaye, Esq. 
 
 Original iu the Vatican. 
 Found at 
 Sculptor 
 
 Height, 5 feet 10 inches. 
 Restorations. 
 See Euterpe. 
 
 E 2 .
 
 36 
 
 55. PUDICITIA. Presented to tlie Trustees by Miss Barry. 
 
 Original in Vatican, Rome. 
 
 Found 
 
 Sculptor 
 
 Height, 6 feet 5 inches. 
 
 Restorations 
 An impersonation of modesty deified and worshipped in Greece and at Rome, wherS 
 she had two sanctuaries — one erected to Pudicitia Patricia, in the Forum Boarium, near 
 the temple of Hercules, the other to Pudicitia Plebeia, in the Vicus Longus. This figure 
 has been supposed to represent Livia, wife of Augustus, died a.d. 29; or Sabina, wife of 
 Hadrian, died a.d. 137; but there is no sulficient authority for either position. Spence, 
 in his Polymetis, assumes that it is intended for Juno Matrona. Winckelmann asserts 
 that it resembles the Muse Melpomene, as is displayed by the cothurnus. 
 
 Winckelmann, ii. 392; Pans., i. 17; LiA'y, x. 23. 
 
 56. SLAVE (The Listening). KnowTi as the AiTotino or Remoleur, or the Whetter ; 
 
 also, as the Spy. / 
 
 Original in the Royal Gallery, Florence. 
 Found at 
 Sculptor 
 Height, 3 feet. 
 
 Restorations : fingers of each hand, and the portion of the knife between the 
 right hand and the Avhetstone. 
 The conjectures respecting this statue are various. By some it is supposed to represent 
 the soothsayer Accius or Attus jSTavius, who carried into execution the idea in the mind of 
 King Tarquin, and severed, by command of the king, the whetstone on Avhich he was 
 sharpening his razor. — Livy, i. 36. By others, the slave who overheard the plot into 
 which the two sons of Junius Brutus entered for the restoration of Tarquin. Some 
 suggest that it is meant for the slave who overheard the conspiracy of Catiline ; others, 
 for the Scythian slave, commanded by Apollo to flay Marsyas Avhen vanquished by the 
 god in a musical contest. See Hobhouse ; notes to 4th canto of Childe Harold. While 
 Lanzi asserts that the man is no other than Licinus, the celebrated barber of Julius Caesar. 
 The instrument in his hands does not seem veiy suitable for either operation. 
 
 Cicero de Nat., Deor., ii. 3, iii, 6. 
 
 57. SOPHOCLES. Presented to the Trustees by Colonel Bai-ry, R.A., C.B. 
 
 Original in the Latcran, Rome. 
 
 Found at Terracina. 
 
 Sculptor 
 
 Height, 6 feet 8 inches. 
 
 Restorations 
 Greek Tragic Poet : born at Colonus, close to Athens, B.C. 495, died B.C. 401. He 
 wTOte 113, or according to other accounts, 130 plays, of which seven only are extant. 
 They are "Antigone," "Electra," " Trachinite," " CEdipus Tyrannus," "Ajax," "Philoc- 
 tetes," " Oedipus Coloneus." 
 
 58. ST. GEORGE AND THE DRAGON (in bronze). Presented to the Trustees 
 
 by Alexander Mollison, Esq. 
 Height, 3 feet 4 inches. 
 
 59. TAMBOURINE GIRL. Presented to the Trustees by James Purves, Esq. 
 
 Original at 
 Sculptor, Danton. 
 Height, 4 feet 8^ inches. 
 
 60. TERPSICHORE. The Muse of Dance and Song. 
 
 Original in Gallery of Count Sommariva at Paris. 
 Sculptor, Canova. 
 Height, 5 feet 6;^ inches. 
 See Euterpe.
 
 37 
 
 61. THESEUS. 
 
 Son of ^geus, King of Athens. 
 
 School of Phidias, Athens. See No. 32. 
 
 Plutarch, Thes.; Apol., 316. 
 
 62. VENUS ANADYOMENE (rising from the sea). Presented to the Trustees by 
 
 Edward William Jeffi'eys, Esq. 
 Original in Vatican, Rome. 
 
 Found at Salone, by the Spring of Aqua Vii'gme, about eight miles from Rome. 
 Sculptor, 
 
 Height, 2 feet 7| inches. 
 Restorations 
 The Goddess of Beauty, mother of Cupid, identified with the Aphrodite of the 
 Greeks, Mylitta of the Babylonians, Alitta of the Arabians, and Mitra of the Persians. 
 
 See Homer, Hymn; Herod, i. 131 ; Lucretius, i. ; Ovid. Fasti, iv. 15, 62,143. 
 
 Till now swift circling a Avhite foam arose 
 From that immortal substance, and a njniiph 
 Was quicken 'd in the midst, the trifling waves 
 First bore her to Cythera's heavenly coast ; 
 Then reach'd she C3T)rus girt with flowing seas, 
 • And forth emerg'd a goddess in the charms 
 
 Of awful beauty. Where her delicate feet 
 Had press'd the sands, green lierbage flow'ring sprang. 
 Her Aphrodite gods and mortals name 
 The foam-born goddess, and her name is kno'wn 
 As Cytherea with the blooming wreath, 
 For that she touch'd Cytliera's flowery coast ; 
 And Cypris, for that on the Cjqiriau shore 
 She rose amidst the multitude of waves. 
 And Philomedea from the source of life. 
 
 Hesiod. Theog., 190. 
 
 63. VENUS DE MEDICI (two copies). 
 
 Original in the Royal Gallery, Florence. 
 
 Found at Hadrian's Villa, Tibur. 
 
 Sculptor : said to be Praxiteles. The name Cleomenes on the pedestal is 
 
 generally supposed to be a forgery. 
 Height, 5 feet. 
 
 Restorations : right arm, the whole left arm from the elbow downward. 
 
 The original, of which that in the Florentine Gallery may be a copy, was sold by the 
 
 Sculptor to the people of Cnidus, in Caria. It stood with a Venus by Phidias, a Cupid 
 
 by Praxiteles, a Diaiia by Cephisodotus, and a group of Mars and Cupid, now in the 
 
 Villa Ludovisi, in the Portico of Octavia, dedicated by Augustus to his sister. It was 
 
 removed with the statues of Minerva of Lindus, in Rhodes, and of Juno, of Samos, to 
 
 Constantinople. All three, with other works of art of inestimable value were destroyed 
 
 by fire in the reign of Justinian, on the occasion of the riots between the Biyeroi, or 
 
 Blue faction, and the Upaaiyoi, or Green faction, A.p. 532. The figures on the Dolphin 
 
 at the base are (Eros and Anteros) Cupids, sons of Venus. • 
 
 Phny, xxxvi. 4 ; Gibbon, Dec. and Fall, xl., and authorities there cited. 
 
 Hor. Odes. iv. 1, 5 ; Cicero de Nat. Deor., 71. 
 
 The Queen of Love arose, as from the deep 
 She sprung, in all the melting pomp of charms. 
 Bashful she bends, her well-taught look aside 
 Turns in enchanting guise ; where dubious mix 
 Vain, conscious beauty, a dissembled sense 
 Of modest shame and slippery looks of love. 
 The gazer grows enamored ; and the stone, 
 As if exultuig in its conquest, smiles. 
 
 Thomson, Liberty, iv. 175. 
 
 There, too, the goddess loves in stone, and fills 
 The air around with beauty ; we inhale 
 The ambrosial aspect, which, beheld, instils 
 / Part of its immortality : the veil
 
 38 
 
 Of heaven is half undrawn ; within the pale 
 We stand, and in that form and face behold 
 What mind can make, when Nature's self would fail ; 
 And to the fond idolaters of old 
 Envy the innate flash which such a soul could mould : 
 
 We gaze and turn away, and know not where, 
 Dazzled and drunk with beauty, till the heart 
 Keels with its fulness ; there — for ever there — 
 Cliain'd to the chariot of triumphal art. 
 We stand as captives, and would not depart. 
 Away ! there need no words, nor terms precise, 
 The paltry jargon of the marble mart, 
 Where pedantry gulls folly — Ave have eyes : 
 Blood — pulse — and breast, confirm the Dardan shepherd's prize. 
 
 Bykon, Cliilde Harold, iv. 49, 50. 
 
 64. VENUS or DIONE. 
 
 Original iu the British Museum. 
 
 Found A.D. 1776, at baths of Claudius, at Ostia, by Mr. Gaviu Hamilton. 
 
 Sculptor 
 
 Height, 6 feet 11 1 inches, including the plinth, 4| inches. 
 
 Eestorations : left ann, right hand, tip of nose. ^ 
 
 It has not been detei-mined whether this be the statue of Venus or of the female 
 Titan Dione, daughter of Tethys, who, according to various ■s\Titers, was the mother of 
 Venus by 'Jupiter. See Hesiod. Theog., 353 ; Homer 111. v. 370. 
 
 65. VENUS GENETRIX. 
 
 Original iu the Louvre. 
 
 Found at 
 
 Sculptor, Praxiteles ? This is supposed to be the di'aped Venus of Cos, which 
 
 the inhabitants purchased fi'om him. 
 Height, 5 feet 4 inches. 
 Restorations : 
 
 66. VENUS VICTRIX, called Venus of Milo. 
 
 Original in the Louvre, Paris. Presented by the Marquis de Riviere. 
 Found A.D. 1 820, at Milo, an island in the -^gean Sea, the ancient Melos. 
 Sculptor, Scopas. 
 Height, 6 feet 8 inches. 
 She received from Paris the prize for her superior loveliness in her contention with 
 Juno and Minerva, on Mount Ida. 
 
 Euripides, Iph. in Aul., 1290; Lucian, Dial. Deor., xx. 
 
 Idalian Aphrodite beautiful, 
 Fresh as the foam new bathed m Paphian wells, 
 With rosy slender fingers backward drew. 
 From her warai brows and bosom her deep hair 
 • Ambrosial, golden round her lucid throat 
 
 And shoulder ; from the violets lier light foot 
 Slione rosy-wliitc, and o'er lier rounded form, 
 Between the shadows of the vine-bunches, 
 . Floated the glowing sunlights, as she moved. 
 
 Tennyson, .^none, 
 
 67. VENUS. 
 
 Oi-iginal in tlic Pitti Palace, Florence. 
 
 Scidi)t()r, Canovn, l)orii at Passagno in Italy, A.D. 1757, died A.D. 1822. 
 
 Height, 5 feet 6 inches. 
 
 68. VENUS. Presented to the Trustees by Charles Edward Bright, Esq. 
 
 Original at 
 S(nd|)tor, Gibson. 
 Height, 5 feet 6^ inches.
 
 39 
 
 69. VENUS, Presented to the Trustees by William Mitchell, Esq., R. Thompson, Esq., 
 
 J. Richardson, Esq. 
 Original 
 Sculptor, Thonvaldsen, born at Copenhagen, a.d. 1770, worked for many years 
 
 at Rome, died at his birth-place, a.d. 1844. 
 Height, feet | inch. 
 
 70. VENUS and CUPID (in Parian marble.) Ait Union Prize. Presented to the 
 
 Trustees by the Rev. W. Wade. 
 
 71. YOUTH invoking the Celestial Gods. 
 
 Original in Berlin. 
 Found in the River Tiber at Rome. 
 Sculptor 
 
 Height, 4 feet 3| inches. 
 Restorations 
 The invocation of the infernal Deities was performed with the palms of the hands 
 turned dovm, and the other ceremonies were conducted in the like inverted order. 
 
 Virgil ^n., ii. 153, 688 ; ix. 16; vi. 235-254.
 
 40 
 
 (ljln;0nalor|i(;al guinanricjin^nt 4 i\^ ^^^ of ^lalu^a, 4^, 
 
 OF THE HEROIC PERIOD, FROM B.C. 550 TO B.C. 390. 
 
 No. 3, The Amazon; 26, 27, the Discoboli; 36, 37, the Gladiators; 32, 41, 42, 61, 
 Elgin Marbles. 
 
 OF THE PERIOD OF ALEXAISTDER THE GREAT, FROM B.C. 390 TO B.C. 146. 
 
 Nos. 6, 7, Apollos; 12, the Boxers; 14, Boy and Goose; 33, 34, Fauns; 62, 63, 64, 
 65, 66, Venuses. 
 
 OF THE ROMAN PERIOD, FROM B.C. 146 TO A.D. 180. 
 
 No. 5, Antinous ; 16, Cancphora ; 17, Castor and Pollux; 19, Cupid and Psyche; 31, 
 Flora; 35, Germanicus; 46, Laocoon; 55, Pudicitia. 
 
 ANTIQUES, THOUGH OF UNCERTAIN DATE. 
 
 No. 1, Achilles; 2, Adonis; 8, Apollino ; 9, Ariadne; 10, Aristides ; 11, Bacchus and 
 Ampelus ; 13, Boy Extractins; Thorn; 21, Cyparissus ; 22, Demosthenes; 23, 
 Diana a la Biche; 25, Diana Robing; 30, Euterpe; 44, Jason; 49, Minerva Gius- 
 tiniaui ; 54, Polyhymnia; 56, Listening Slave; 57, Sophocles; 71, Youth Invok- 
 ing Gods. 
 
 OF THE FIFTEENTH AND SIXTEENTH CENTURIES. 
 No. 20, Cupid ; 45, Julian de Medici ; 48, Mercury, by John of Bologna. 
 
 Holy Family, by Michael Angelo Buonarotti ; Boys, by Donatelli, Flamingo ; Gates, by 
 Ghiberti. 
 
 OF :SIODERN TBIES. 
 
 18, Cupid ; 24, Diana ; 28, Dorothea ; 29, Eve at tlie Fountain ; 38, Graces ; 39, Greek 
 Slave; 40, Hercules and ()ni])hale; 43, Innocence ; 47, Mercury; 50, INIother and 
 Chihl; 51, Musidora; 52, Narcissus; 53, Perseus; 58, St. George and the Dragon; 
 59, Tambourine Girl ; 60, Terpsichore ; 67, 68, 69, Venuses ; 70, Venus and 
 Cu})id. 
 
 Flaxman, Gibson, Thorwaldsen.
 
 (![.afrffi of lufjffi. 
 
 1. ALBERT (Prince). The illustrious Prince Consort, husband of Her Most Gracious 
 
 Majesty Victoria. 
 Bom at Rosenau, 26th August, 1819. 
 Died at Windsor, 14th December, 1861. 
 
 2. ANGELO (BuoNAROTTi Michel). Architect, sculptor, painter. 
 
 Born at Castel Caprese, Tuscany, 6th March, 1474. 
 Died at Rome, 17th February, 156^. 
 
 3 APOLLO. 
 
 Original in the British Museum. This bust was obtained by Mr. Townley, firom 
 Cardinal Alexander Albani, in the year 1773. 
 
 4. ARISTOTLE (Philosopher). Preceptor of Alexander the Great. 
 
 Born at Stagira, Thrace, B.C. 384. 
 Died at Chalcis, Eubcea, B.C. 322. 
 
 5. AUGUSTUS (Caius Julius C^sar Octavianus, the young). First Roman 
 
 Emperor. 
 Born at Velitri^ (Consulate of Cicero), B.C. 63. 
 Died at Nola, 19th August, a.d. 14. 
 Presented to the Trustees by Master Jefireys. 
 
 6. BACON (Francis, Lord Verulam ; Viscount St. Albans). La-\vj^er, statesman, 
 
 philosopher ; Lord High Chancellor of England in the reign of James I. 
 Born in London, 22nd January, 1561. 
 Died in the Earl of Ai'uudel's house, at Highgate, April, 1626. 
 
 7. BARRY (Sir Redmond, Kut., one of the Judges of the Supreme Court, Victoria). 
 
 By Charles Summers, Escj. In Carrara marble. 
 
 8. BROUGHAM (Henry, Lord). British statesman. 
 
 Born at Edinburgh, September, 1778. .< 
 
 9. BRUNEL (Sir Marc Isabibard, Knt.) Engineer ; invented block-making machinery 
 
 in Portsmouth Dockyard ; designed and executed the Thames Tunnel, and 
 many other works of great ingenuity and usefulness. 
 
 Born at Hacqueville, in Normandy, a.d. 1769. 
 
 Died A.D. 1849. 
 
 10. BUFFON (George Louis le Clerc, Comte de). Naturalist. 
 
 Born at Montbard, in Burgundy, 7th September, 1707. 
 Died 16th April, 1788. 
 
 11. BURKE (Edmund). Philosopher, statesman, and orator. 
 
 Born at Dublin, January, a.d. 1730. 
 Died at Beaconsfield, 9th July, 1797. 
 
 12. BURNS (Robert). Poet. 
 
 Born at Ayr, 25tli Januaiy, a.d. 1759. 
 Died at Dumfries, 21st July, 1796.
 
 42 
 
 13. BYEON (George Gordon, Lord). Poet. 
 
 Born at London, 22nd January, 1788. 
 Died at Missolonghi, 19tli April, 1824. 
 Sculptor, Baily. 
 
 14. C^SAR (Caius Julius). 
 
 Born at Rome, 12th July, B.C. 100. 
 
 Assassinated in Senate House, Rome, 15th March, B.C. 44. 
 Original in British Museum, purchased in 1818. Li Luni marble. 
 
 15. CHARLES L King of England and Scotland. 
 
 Born at Dunfermline, 19th November, 1600. 
 Beheaded 30th January, 1649. 
 
 16. CHATHAM (William Pitt, Earl of). Statesman and orator. 
 
 Born in Cornwall, loth November, 1708. 
 Died at London, 11th May, 1778. 
 
 17. CICERO (Marcus Tullius). Roman statesman and orator. 
 
 Boni at Arpinum, B.C. 106. 
 Assassinated near Formiae, B.C. 42. 
 
 18. CLYTLE. The bust of, from the antique in the British Museum, in Parian. 
 Presented by William Taylor Copeland, Esq., Alderman, M.P., of London. 
 
 19. COWPER (William, Poet). 
 
 Bom at Berkhampstead, Herts,, 26th November, 1731. 
 Died at Dereham, in Norfolk, 2oth April, 1800. 
 
 20. CROMWELL (Oliver, Protector of England). 
 
 Born at Huntingdon, 25th April, 1599. 
 Died at London, 3rd September, 1658. 
 
 21. CUVIER (Georges Leopold Chretien Frederic Dagobert). NaturaUst. 
 
 Bom at Moutbeliard, 1769. 
 Died at Paris, 1832. 
 
 22. DEMOSTHENES. Greek orator. 
 
 Born at Athens, B.C. 382. 
 
 Died in the Temple of Neptune, at Calauria, b.c. 322. 
 Original in the British Museum ; purchased in 1818. 
 
 23. DLiNA (Robing). 
 
 24. DIOGENES. Cynic philosopher. 
 
 Bom at Sinope, in Pontus, B.C. 412. 
 Died at Corinth, B.C. 323. 
 This bust was bequeathed to the British Museum by the late R. Payne Knight, Esq. 
 It is in Pentelic marble. 
 
 25. DRYDEN (John). Poet. 
 
 Born at Akhvinckle, 9th August, 1631. 
 Died at London, 1st May, 1700. 
 
 26. ELDON (John Scott, Earl of). Lord Chancellor of England from 1801 to 1806, 
 
 and from 1807 to 1827. 
 Born at Newcastle, 4th June, 1751. 
 Died at London, 13tli January, 1838. 
 
 27. FLAXMAN (John). Sculptor. 
 
 Bom at York, 6th July, 1755. 
 
 Died at London, 7th December, 1826.
 
 43 
 
 28. FOX (Charles James). Statesman and orator. 
 
 Born at Loudon, 24th January, 1749. 
 Died at Loudon, 13th September, 1806. 
 
 29. FRANKLrN" (BEXJAmx). American philosopher and statesman. 
 
 Born at Boston, Massachusetts, 6th^anuary, 1706. 
 Died at Philadelphia, 17th April, 1790. 
 
 30. GOETHE (Johann WolfCxAng Von). Poet. 
 
 Born at Frunkfort-on-the-Maine, 28th August, 1749. 
 Died at Weimar, 22nd March, 1832. 
 
 31. HANDEL (George Frederic). Musical composer. 
 
 Bom at HaUe, in the Duchy of Magdeburg, Lower Saxony, 24th February, 
 
 1684. 
 Died at London, 13th April, 1759. 
 
 32. HADEIANUS (P. ^lius). Fourteenth Roman Emperor. 
 
 Bom at Rome a.d. 76. 
 Reigned a.d. 117 to a.d. 138. 
 Original in the British Museum. Found at Hadi'ian's Villa, near Tivoli. 
 
 33. HARVEY (William). Physician. 
 
 Bom at Folkstone, Kent, 2nd April, 1578. 
 Died at London, 3rd June, 1658. 
 
 34. HE ALES (Hon. Richard). 
 
 Bom at London, 1822. 
 Died at Melboume, 1864. 
 
 35. HOMER. Poet. 
 
 Flom-ished B.C. 1019 to b.c. 984. 
 Original found at Baite, A,^. 1780. 
 
 36. HUNTER (John). Anatomist. 
 
 Bom at Calderwood, 1728. 
 
 Died at Loudon, in St. George's Hospital, 16th October, 1793. 
 Original by Chantry. 
 
 37. INNOCENCE. Bust of, in Parian. 
 
 Presented to the Trustees by Captain Lonsdale. 
 
 38. JOHNSON (Samuel, LL.D.) Lexicographer. 
 
 Bom at Lichiield, 1709. 
 Died at London, 1784. 
 
 39. JONES (Inigo). Architect. 
 
 Bom at London, 1572. 
 
 Died at London, 21st July, 1652. 
 
 40. LINN^US (Carl von Linne). Naturalist. 
 
 Bom at Rashult, Province of Smaland, Sweden, 13th May, 1707. 
 Died at Hammarby, near Upsal, 11th January, 1778. 
 
 41. LOCIO: (John). PhUosopher. 
 
 Bom at Wrington, in Somersetshire, 29th August, 1632. 
 Died at Gates, in Essex, 28th October, 1704, 
 
 42. MALE HEAD. Name unknoA\Ti, probably one of the Homeric heroes. 
 
 Found in that part of Hadi'ian's Villa called the Pantanella, by Gavin Hamilton, 1771. 
 
 43. MACAULAY (Lord). Historian and Essayist. 
 
 Bom at Rothley Temple, Leicestershire, 1 800. 
 Died at London, 1860. 
 
 r 2
 
 44 
 
 44. MILTON (JoHx), Poet. 
 
 Born in London, 9th December, 1608. 
 Died in London, 8th November, 1674, 
 
 45. MIRANDA. In Parian marble. 
 
 Sculptor, W. G. MarshaU, R.A. • 
 
 46. NAPOLEON BONAPARTE (the First). Emperor of France. 
 
 Born at Ajaccio in Cortiica, 15th August, 1769. 
 Died at St. Helena, 5th May, 1821. 
 
 47. NELSON (Horatio, Athniral). 
 
 Born at Buruham Thorpe, Norfolk, 29th September, 1758. 
 Killed at the Battle of Trafalgai', 21st (October, 1805. 
 
 48. NERO (Lucius Domitius Nero Claudius Caesar). Fifth Roman Emperor. 
 
 Born at Antium, a.d. 37. 
 Killed at Rome, a.d. 68. 
 The original was brought from Athens by Dr. Askew, 1740. 
 
 49. NEWTON (Isaac). Philosopher and astronomer. 
 
 Born at Woolsthorpe, Lincolnshire, 25th December, 1642. 
 Died at Kensington, London, 20th March, 1727. 
 
 50. PALLADIO (Andrea). Architect. 
 
 Born at Vicenza, a.d. 1518. 
 Died at Vicenza, a.d. 1580. 
 
 51. PEEL (Su- Robert). Statesman. 
 
 Born at Bury, 5th February, 1788. 
 Died at London, 2nd July, 1850. 
 
 52. PERICLES. Athenian Statesman. 
 
 Born (supposed) early part of fifth century B.C. 
 Died at Athens, B.C. 429. 
 Original found about a mile fi-om Tivoli, in the Pianella di Cassio, 1781. 
 
 53. PITT (WiLLUi3i). Statesman. 
 
 Born at Hayes, Kent, 28th May, 1759. 
 Died at Putney, 23rd January, 1806. 
 
 54. PLATO. Grecian philosopher. 
 
 Bora at jEgina, B.C. 430. 
 Died at Athens, B.C. 348. 
 
 55. RAFFAELLE or RAPHAEL (Raffaeulo Sanzio da Urbixo). Painter. 
 
 Bom at Urbino in the Couti-ada del Monte, 6th April, 1483. 
 Died at Rome (on his birthday), 6th April, 1520. 
 
 56. ROBINSON (G. A.) Protector of the Aborigines, Victoria. 
 
 Born 
 
 57. RUSSELL (Earl). Statesman. 
 
 Bora in London, 18th August, 1792. 
 
 58. SCHILLER (Friedrk ii). German poet. 
 
 Born at Marbach, in Wurtemberg, 10th November, 1759. 
 Died at Weimar, 9th May, 1805. 
 
 59. SCOTT (Sir Walter). Poet and novelist. 
 
 Born at Ediiil)urgh, 15th August, 1771. 
 Died at Abbotsford, 21st September, 1832.
 
 45 
 
 60. SEASONS. Four busts, in marble, representing Spring, Summer, Autumn, Winter, 
 
 on pedestals of Portuguese marble. 
 Sculptor, Benzoni. Presented to the Trustees by Peter Davis, Esq. 
 
 61. SENECA (Lucius Ann^us). Eoman philosopher and statesman. 
 
 Born at Cordova, in Spain, A.D. 2. 
 
 Put to death at Rome, by order of Nero, a.d. 65. 
 
 62. SEVERUS (M. Aurelius Alexander). Lnperator. 
 
 Born at Arce, a.d. 205. 
 Died A.D. 235. 
 
 63. SHAIiSPEARE (William). Poet. 
 
 Born at Stratford-upon-Avon, 23rd April, 1564. 
 
 Died at Stratford-upon-Avon (on his birth day), 23rd April, 1616. 
 
 64. SOCRATES. Grecian philosopher. 
 
 Born at Athens, B.C. 468. 
 Put to death by poison, at Athens, B.C. 398. 
 • 
 
 65. SOPHOCLES. Greek tragic poet. 
 
 Born at Colonos, near Athens, B.C. 495. 
 Died at Athens, B.C. 405. 
 Original in the British Museum. Found near Gensano, 17 miles from Rome, 1775. 
 
 66. STEPHENSON (George). Civil engineer. 
 
 Born at Wylam, Northumberland, April, 1781. 
 
 Died at Tapton House, Chesterfield, 12th August, 1848. 
 
 67. THOMSON (Jaiies). Poet. 
 
 Born at Ednam, Roxburghshire, 1700. 
 Died at Kew, 1748. 
 
 68. TRAJANUS (M. Ulpius). Roman Emperor. 
 
 Born in Italica, in the Spanish j^rovince of Boetica, a.d. 53. 
 Died at Selinus, in Cilicia, a.d. 117. 
 Original in the British Museum. Found- in the Campagna of Rome, in the year 
 1776. 
 
 69. VERUS (Lucius Aurelius). Roman Emperor. 
 
 Born at Rome a.d. 130. 
 Died at Altinum, a.d. 169. 
 
 70. VICTORL^ (Her Most Gracious Majesty Queen). 
 
 Born at Kensington Palace, 24th May, 1819. 
 
 71. VICTORIA (Her Most Gracious Majesty Queen). Li Parian. 
 
 Presented to the Trustees by Captain Lonsdale. 
 
 72. VIRGIL (PuBLius Virgilius Maro). Roman poet. 
 
 Born at Andes, near Mantua, 1 5th October, B.C. 70. 
 Died at Bruudusium, 22nd September, B.C. 19. 
 
 73. VOLTAIRE (Francois Marie Arouet de). 
 
 Born at Chatenay, near Paris, 1694. 
 Died at Paris, 30th May, 1778. 
 
 74. WASHINGTON (George). President of the United States. 
 
 Born in Westmoreland, Virginia, 22nd February, 1732. 
 Died at Mount Vernon, 14th December, 1799.
 
 46 
 
 75. WATT (Ja3ies). Engineer. 
 
 Bom at Greenock, 19th January, 1736. 
 Died at Heathfield, 19th August, 1819. 
 Original by Chantry. 
 
 76. WELLLNGTON (Arthtjk Wellesley, Duke of). Soldier and statesman. 
 
 Bom at Dangan Castle, Ireland, 1st May, 1769. 
 Died at Walmer Castle, 14th September, 1852. 
 
 77. WREN (Sir Christopher). Architect. 
 
 Bom at East Knoyle, Wilts, 20th October, 1632. 
 Died at Hampton Court, 25th February, 1723. 
 
 78. XENOPHON. Greek soldier and philosopher. 
 
 Bora at Athens, B.C. 450. 
 
 Died at Elis, near Olympia, B.C. 360.
 
 SijtS4ft^* 
 
 CLASS I. 
 
 Roman Diptychs of Mythological Character. 
 
 Nature of the Object. 
 
 a Both leaves (pro- 
 bably of the 2nd 
 century). 
 
 b Both leaves (about 
 the 3rd or 4th cen- 
 tuiy), now the 
 book-cover of the 
 Office des Fous. 
 
 c Both leaves. 
 
 Subject of the Sculpture. 
 
 1. iEsculapius and Telesphorus. 
 
 2. Hygieia and Cupid. 
 
 1 . The Progress of Bacchus. An allegorical 
 composition, probably of astronomical 
 import. 
 
 2. Diana Lucifera, with various attendant 
 figures. A composition of similar cha- 
 racter to the preceding. 
 
 1. Muse, with a lyre. Apparently a Roman 
 lady in an ideal character. 
 
 2. Portrait of an unknown author. 
 
 Possession of the Original. 
 
 Fejervary Collec- 
 tion. 
 
 Public Library of 
 
 Sens. 
 
 Treasury of the Ca- 
 thedral of Monza. 
 
 CLASS n. 
 
 Roman and Byzantine Diptychs of Historical Character. 
 
 Nature of the Object. 
 
 a One leaf. 
 
 b Both leaves. 
 
 A. — Diptychs of Personages believed to be Imperial. 
 Subject of the Sculpture. 
 
 Three seated figures, perhaps the Emperor 
 Philip the Ai-ab and two other digni- 
 taries, presiding at the sa3cular games 
 of the millennial era of Rome, a.d. 248 ; 
 below, men fighting with stags in the 
 amphitheatre. 
 
 1. Standing figures of a lady and a boy, 
 probably the Regent Galla Placidia and 
 her son Valentinian III. ; the diptych 
 being, in this case, executed about a.d. 
 428. 
 
 2. Warrior, standing, perhaps Aetius, or 
 possibly Bonifucius. 
 
 Possession of the Original. 
 
 Fejervary Collec- 
 tion. 
 
 Treasury of the Ca- 
 thedi'al of Monza.
 
 48 
 
 Nature of the Object. 
 
 c One leaf. 
 
 d Both leaves. 
 
 B. — Diptychs of Consuls, with their names inscribed. 
 
 Subject of the Sculpture. 
 
 Standing figure of Flavins Felix (Consul of 
 the West, a.d. 428), inscribed FLavii • 
 FELICIS • Viri • Clarissimi • COMitis • 
 AC • MAGistri. 
 
 1. Seated figure of Clementinus (Consul of 
 the East, a.d. 513), with the insignia of 
 his office ; beside him, Rome and Constan- 
 tinople personified ; above, busts of the 
 Emperor Anastasius and the Empress 
 Ariadne, Avith a cross between them; 
 below, the distribution of largesses ; in- 
 scribed FLavius • TAVRVS • CLEMEN- 
 TINVS • ARMONIVS • CLEMENTI- 
 NVS, with KAHMeNTINOY in a mono- 
 gram. 
 
 2 Same subject, inscribed Vir • ILlustris • 
 COMes • vSACRarum • LARGitionum- 
 EXCONSule • PATRICius • ET • CON- 
 Sul • ORDINarius. 
 e One leaf. ■ Ornaments and inscriptions in honour of 
 
 Petrus (Justiuianus), (sole consul, a.d. 
 516). On a label at the top, FLavius- 
 PETRus • S ABB ATius • IVSTINIANus 
 ■ Vir iLlustris; and in a circular panel in 
 the middle the following hexameter, al- 
 luding to the destination of the diptych 
 MVis^ERA • PARVA • QVIDEM • 
 PRETIO- SED • HONORIBus • ALMA. 
 
 Seated figure of Anastasius (Consul of the 
 East, A.D. 517), with the usual consular 
 insignia ; below, men given to bears in 
 the am])hitheatre ; inscribed FLavius • 
 ANA8TASIVS • PAVLus • PRObVS • 
 SAVINIANVS • POMPeius • ANAS- 
 Tasius. 
 
 1. Bust of Philoxenus (Consul of the East, 
 A.D. 525), with a female bust (perhaps 
 that of Rome) underneath ; and Ijetweeu 
 them the following inscription : FLavius- 
 THEODORVS • FILOXENVS - SOTE- 
 RICVS • FILOXENVS VIR • ILLVS- 
 Tris ; on the unsculptured area, the first 
 verse of a dedicatory distich to the 
 Senate, in Greek iambics. 
 
 2. Similar sid)iect, with the inscription 
 COMes • DO^IESTicus EX MAGIS- 
 TRO • Militnm • I'ER • THRACIAm • 
 ET • CONSVL • ORDINARius, and the 
 second verse of the distich. 
 
 / One leaf. 
 
 g Both leaves. 
 
 Possession of the Original. 
 
 Bibliotheque Lnpe- 
 riale, Paris (Cabi- 
 net desAntiques). 
 
 Fejervary Collec- 
 tion. 
 
 Bibliotheque Impe- 
 riale, Paris (Cabi- 
 net desAntiques). 
 
 Kunstkammer, Ber- 
 lin. 
 
 Bil)liotheque Impe- 
 riale, Paris (Cabi- 
 net desAntiques). 
 
 C. — Diptychs of Consuls, witli no names inscribed. 
 
 h Both leaves, 1. Consul standing, Avith ihc Mappa Cir- Treasury of the Ca- 
 
 ccnsis, between two other ])ersoiiages ; thc(h'al of Hal- 
 above, the Emperor seated, Avith attcn- berstadt. 
 daiit figures ; below, a group of captives, 
 with their armour.
 
 49 
 
 Nature of the Object. 
 
 i One leaf. 
 
 Subject of the Sculpture. 
 
 2. Similar subject. 
 
 Consul, probably of the imperial family, 
 seated between the figures of Rome and 
 Constantinople ; above, a laurel crown 
 suspended. 
 
 Possession of the Original. 
 
 Bibliotheque Impe- 
 riale, Paris (Cabi- 
 net desAntiques). 
 
 CLASS ni. 
 
 Ecclesiastical Diptychs anterior to a.d. 700. 
 
 Nature of the Object. 
 
 a One leaf (4th or 
 5 th century). 
 
 b Both leaves (pro- 
 bably of the 6th 
 century). 
 
 c Both leaves (per- 
 haps originally a 
 consular diptych 
 of the oth or 6th 
 century ; subse- 
 quently altered, 
 and converted into 
 a cover to an An- 
 tiphonarium of St. 
 Gregory's, alleged 
 to have been pre- 
 sented by him to 
 Queen Theodo- 
 linda). 
 
 Subject of the Sculpture. 
 
 Angel, with a cruciferous globe and a 
 sceptre ; on a label above, in raised 
 letters, a Greek iambic verse, of which 
 the sense is uncertain, being probably 
 part of a s^tence completed on the lost 
 leaf of the diptych. 
 
 1. Virgin and Child enthroned with two 
 angels. 
 
 2. Christ seated between St. Peter and St. 
 Paul. 
 
 1. Standing figure, in the Roman consular 
 robes, but the hair exhibiting the eccle- 
 siastical tonsure, the Mappa Circensis 
 transformed into a Sudarium, and the 
 staff surmounted by a cross ; above, 
 SanCtuS GREG*^Rius; and, in the blank 
 space, this distich : — 
 
 GEEGORIVS . Pra?SVL • MEEITIS • eT • 
 
 NOMIXE • DIGXA^S • 
 VNDE . GENVS . DVCIT • SVMMVM • CON- 
 
 SCENDIT • HONOREM. 
 
 2. Similar figure, but without the tonsure, 
 and bearing the inscription DAVID 
 REX. 
 
 Possession of the Original. 
 
 British Museum, 
 (collection of An- 
 tiquities). 
 
 Kunstkammer, Ber- 
 Im. 
 
 Treasury of the Ca- 
 thedial of Monza. 
 
 Nature of the Object. 
 
 a Cover of a Gospel 
 of the 6 th century 
 (both sides). 
 
 CLASS IV. 
 Book Covers, anterior to a.d. 700. 
 
 Subject of the Sculpture. 
 
 1, In the centre the Agnus Dei executed 
 in jewellery ; above, the Nativity ; at 
 the sides, six subjects from the Gospels ; 
 below, the massacre of the Innocents ; 
 at the angles, heads and symbols of St. 
 Matthew and St. Luke. 
 
 Possession of the Original. 
 
 Treasury of the Ca- 
 thedral of Milan.
 
 50 
 
 Nature of the Object. 
 
 b Cover of an Evau- 
 geliaire (both 
 
 sides). 
 
 c Panel from a book 
 cover (perhaps 
 Greek). 
 
 d Panel from a cover. 
 
 e Panel from a cover. 
 
 Subject of the Sculpture. 
 
 2. In the centre a Cross in jewellery; 
 above, the Adoration of the Kings ; at 
 the sides, six subjects from the life of 
 Christ ; below, the Marriage-feast at 
 Cana ; at the angles, heads and symbols 
 of St. Mark and St. John. 
 
 1. In the centre, the Virgin and Child 
 enthroned, with two angels ; at the sides, 
 the Annunciation, Visitation, the meeting 
 of St. Joseph and St. Mary (?), and their 
 Journey to Bethlehem ; above, two angels ; 
 below, Christ entering Jerusalem. 
 
 2. In the centre Chi-ist enthroned between 
 St. Peter and St. Paul ; at the sides, 
 Christ healing the blind man, the para- 
 lytic, the woman with an issue of blood, 
 and the Centurion's servant ; above, two 
 angels ; below, Christ and the Samaritan 
 woman, and the raising of Lazarus. 
 
 Crucifixion, with St, Marv, St. John, and 
 soldiers ; the sun and moon in the form 
 of Apollo and Diana ; below, the women 
 visiting the tomb. 
 
 Baptism of Christ with the Jordan per- 
 sonified. 
 
 Ascension of Christ. 
 
 Possession of the Original. 
 
 Bibliotheque Im- 
 periale, Paris. 
 
 Fejervary Collec- 
 tion. 
 
 Kunstkammer, Ber- 
 lin. 
 
 Fejervary Collec- 
 tion. 
 
 CLASS V. 
 Diptychs and Book Covers of the Eighth, Ninth, and Tenth Centuries. 
 
 Nature of the Object. 
 
 a Diptych (both 
 
 leaves). 
 
 Panel from a book 
 book 
 
 cover. 
 
 Side of 
 
 cover. 
 
 d Side of 
 cover. 
 
 book 
 
 Subject of the Sculpture. 
 
 washing his disciples' feet, 
 before Pilate, the hanging of 
 antl the soldiers beside the 
 
 1. Christ 
 Christ 
 Judas, 
 tomb. 
 
 2. Mary ^Magdalene and Mary the mother 
 of James visiting the tomb (following 
 the descrij)tion of St. Matthew, xxviii. 
 1-4), Christ appearing to them, Christ 
 presenting himself to the eleven, and 
 the incredulity of St. Thomas. 
 
 Christ standing holding a book. 
 
 In the centre, Christ standing on the lion 
 and adder, around this twelve small 
 subjects from the life of Christ. 
 
 In the centre, Christ seated, delivering the 
 keys to St. Peter (?), whilst on the 
 other side of the Saviour an angel is 
 applying a live coal to the lips of Isaiah ; 
 above, a pile of edifices (pei'haps Sion); 
 below, Christ preaching in the Temple ; 
 round the edije, animals and flowers. 
 
 Possession of the Original. 
 
 Treasury of the Ca- 
 theih-al of Milan. 
 
 Bodleian Library, 
 Oxford. 
 
 Museum of Orleans.
 
 51 
 
 Kature of the object. 
 
 e Panel from a book 
 cover. 
 
 f Panel from a book 
 cover. 
 
 g Coverofanfivange- 
 liai'c (both sides). 
 
 h Panel from a book 
 cover. 
 
 i Panel from a book 
 cover. 
 
 k Coverofanfivange- 
 liaire belonffiug; to 
 Charles le Chauve, 
 A.D. 840-877 (both 
 sides). 
 
 I Panel from a book 
 
 m .Panel from a book 
 cover. 
 
 n Panel from a book 
 
 cover. 
 o Panel from a book 
 
 cover. 
 
 Subject of the Sculpture. 
 
 Christ with the evangeKstic symbols, and 
 two allegorical figures beneath his feet, 
 representing Earth and Ocean. 
 
 Crucilixion, with personifications of the 
 Church and the Synagogue at opposite 
 sides of the cross, the serpent at its foot, 
 and the dead rising from their sepul- 
 chres ; below, the women visiting the 
 tomb. 
 
 1. Crucifixion; above, the Evangelists, and 
 the sun and moon ; to the left of the 
 cross the figures of the Synagogue with 
 her banner, and of Jerusalem ( ?) with a 
 tuiTcted crown; at its foot, the Church (?) 
 seated between Earth and Ocean. 
 
 2. Mary Magdalene, Mary the mother of 
 James, and Salome visiting the tomb ; 
 Christ and the two disciples going to 
 Emmaus ; and Christ appearing to the 
 eleven. 
 
 David enthroned amidst his attendants, dic- 
 tating Psalms to four scribes. 
 Judgment of Solomon. 
 
 1. Christ in glory, giving keys to St. Peter 
 and a book to St. Paul ; below, an alle- 
 gorical figure, with the combined attri- 
 butes of Earth and Ocean. 
 
 2. Virgin and Child enthroned. 
 Crucifixion, with the Yu'gin and St. John ; 
 
 above, the sun and moon veiling their 
 faces. 
 Crucifix, with the four Evangelistic sym- 
 bols. 
 
 Christ and the adulterous woman. 
 
 Same subject ; or perhaps the healing of 
 the crippled woman. 
 
 Possession of the Original. 
 
 Bodleian Library, 
 Oxford. 
 
 Unknown. (From 
 a cast in the 
 possession of M. 
 CaiTaud). 
 
 Bibliotheque Impe- 
 riale, Paris. 
 
 Louvre. 
 
 Louvi'e. 
 
 Bibliotheque Impe- 
 riale, Paris. 
 
 British Museum. 
 (Collection of 
 MSS.) 
 
 Fejervary Collec- 
 tion. 
 
 M. Micheli. 
 
 CLASS VI. 
 
 Miscellaneous Objects anterior to a.d, 1000, 
 
 Nature of the Object. 
 
 Figure in alto-re- 
 lievo (5th or 6th 
 century). 
 
 Circular box (pei^- 
 haps a scrinium 
 or a pyxis). 
 
 Piece of a box. 
 
 Subject of the Sculpture. 
 
 A Consul seated in the sella curulis. 
 
 A lion hunt. 
 
 A man addressing two youths. Possibly 
 an unideal repix'sentation of the return 
 of the prodigal son (?). 
 
 Possession of the Original. 
 
 A. Foimtaine, Esq. 
 
 Treasury of the Ca- 
 thedral of Sens. 
 
 Eev. Walter Sneyd. 
 
 G 2
 
 52 
 
 Nature of the Object. 
 
 d Ornament of a hair- 
 comb. 
 
 e Situla, or vessel for 
 holy water. 
 
 Subject of the Sculpture. 
 
 Two lions and a tree, inscribed (in later 
 characters) ^(i5(EE(B^ S 1153-^$. 
 (Comb of St. Loup, who was Bishop of 
 Sens about a.d. 623.) 
 
 The handle decorated with grotesque ani- 
 mals. The body encircled with live con- 
 tinuous arches ; under one of them the 
 Virgin and Child and two angels, of 
 whom one holds a model of the vessel 
 itself; under the others, the four Evan- 
 gelists ; round the edge the following 
 distich (proving the vessel to have been 
 dedicated by Godfrey, Archbishop of 
 Milan, A.D. 973-78, on the occasion of 
 the visit of the Emperor Otho) : 
 
 VATES-AMBEOSn • GOTFRED Vs -D AT TIBI- 
 SanCtE- 
 
 VAS -VEXIENTE • SACRAm • SPARGENDVm. 
 CESARELYm-PHAm- 
 
 Possession of the Original. 
 
 Treasury of the Ca- 
 thechal of Sens. 
 
 Treasury of the Ca- 
 thedi'al of Milan. 
 
 CLASS vn. 
 
 Carvings of the Greek School of vat-ious periods, posterior to the age of Justinian. 
 
 Possession of the Original. 
 
 Kunstkammer, Ber- 
 
 Nature of the Object. 
 
 a Two pieces from a 
 casket. 
 
 b Panel from a book 
 
 cover. 
 c Panel from a book 
 
 cover. 
 d Panel from a book 
 
 cover. 
 
 e Ecclesiastical Dip- 
 tych (both leaves). 
 
 Subject of the Sculpture. 
 
 1. Joseph quitting his father under the 
 guidance of an angel, and Joseph taken 
 up from the pit and sold to the Ish 
 maelites, who are mounted on camelo- 
 pards. 
 
 2. The steward searching the sacks of 
 Joseph's brethren, and the meeting of 
 Jacob and Joseph. 
 
 Crucifixion with numerous figures ; the 
 
 soldiers in Byzantine armour. 
 Ascension ; Christ seated on a rainbow, 
 
 within an aureole supported by angels. 
 The Day of Pentecost ; above, the Twelve 
 Apostles ; below, the Gentiles addressed 
 in their own tongues. 
 Each leaf has four compartments, the sub- 
 jects of which are explained by inscrip- 
 tions in barljarous Greek : — 
 1. (a.) The Annunciation, inscribed: TO 
 X6P6 {to Xalpe, the address of the 
 angel), and Visitation, inscribed : O 
 ACITACMO (6 aatvaGnoq, the saluta- 
 tion of jNIary to Elizabeth). 
 (b.) Tbe nativity, I rGNIICH (// 
 
 yivvrjctuS). 
 (c.) Tlie Baptism of Christ, I 
 BAVnTHCHC (>/ BaTrrtfftf). 
 
 hn. 
 
 Kunstkammer, Ber- 
 lin. 
 
 Kunstkammer, Ber- 
 lin. 
 
 Kunstkammer, Ber- 
 lin. 
 
 Treasury of the Ca- 
 thedral of Milan.
 
 53 
 
 Nature of the Object. 
 
 / Triptych (with the 
 exterior of the 
 right wing). 
 
 g Tablet, probably 
 executed on tlie 
 marriage and coro- 
 nation of Roma- 
 nusIV.,A.D.1068, 
 and now part of 
 the cover of an 
 Evangeliaire. 
 
 h Panel from a l)Ook 
 cover. 
 
 i Panel from a book 
 cover. 
 
 k Tablet of uncertain 
 application. 
 
 Subject of the Sculpture. 
 
 (d.) The Presentation in the Temple, 
 I VnOHANTH (}/ viTaTZixvrr]cic, or 
 vTravT^aiQ, the meeting of the Holy 
 Family with Simeon antl Anna). 
 2. (a.) The Crucifixion, with the words 
 addressed by Christ to St. Mary and 
 St. John (John xix. 26, 27). 
 (b.) The women visiting the tomb, 
 
 inscribed lu TA<&0 (o rafoc). 
 (c.) The Resurrection of Christ and 
 of the righteous dead, I ANACTACI 
 (j/ aj'aoracrtc). 
 (d.) Mary Magdalene and Mary the 
 mother of James, embracing the 
 feet of Christ (Matt, xxviii. 9), 
 inscribed, TO XEPexe {to Xalpere, 
 the word with which He addressed 
 them). 
 On the central tablet the Crucifixion ; above, 
 the archangels Michael and Gabriel ; 
 beside the cross, St. Mary and St. John; 
 at its foot, St. Constautine (the Great) 
 and St. Plelena ; on the left wing, heads 
 of St. John Baptist, St, Paul, St. Ste- 
 phen, St. Chrysostom, and St. Cosmas ; 
 on the right, heads of St. Elias, St. Peter, 
 St. Pautaleemon, St. Nicolaus, and St. 
 Damianus — all with their names in- 
 scribed in Greek. Over St. Mary are 
 the Avords, lAG O VC C8 ; over St. 
 John, lAb H M^P C8 (John loc. cit); 
 on the cross above the Saviour, the 
 words (in Greek), "Jesus Christ the 
 King of Glory;" below (in a Greek iambic 
 verse), " As man (literally flesh) Thou 
 hast suffered; as God, after suffering. 
 Thou redeemest ;" on the exterior of 
 the right wing, a cross with the inscrip- 
 tion (in abbreviated Greek), "Jesus 
 Christ conquers". 
 Christ standing on a scabellum, which 
 forms the apex of a cupola resembling 
 that of St. Sophia at Constantinople, and 
 crowning Romanus IV. (Diogenes) and 
 Eudocia Dalassena; over the Emperor, 
 PWMANOC BACIAEVC PUJMAILJN ; 
 over the Empress, EVAOKIA BACIAIC 
 rUJMAIWN. 
 St. John Baptist standing, with a scroll 
 
 inscribed lAG , k.t.X. (John, i. 29). 
 Christ enthroned, with part of a mutilated 
 
 Greek inscription. 
 Virgin and ('liild on a gorgeous throne, with 
 two angels above, inscribed (in cursive 
 Greek) probably by its ancient proprie- 
 tor, Allones, servant of the Martyr. 
 
 Possession of the Original. 
 
 Bibliotheque Impe- 
 riale, Paris (Cabi- 
 net des An- 
 tiques). 
 
 Bibliotheque Impe- 
 riale, Paris. 
 
 Fejervary Collec- 
 tion. 
 
 Bodleian Library, 
 Oxford. 
 
 Le Comte Auguste 
 De Bastard.
 
 54 
 
 Nature of the Object. 
 
 I Panel from a book 
 
 cover. 
 m Panel from a book 
 
 cover. 
 n Panel from a book 
 
 cover. 
 o Side of a book 
 
 cover. 
 
 p Ornament from the 
 centre of a Trip- 
 tych (Russo- 
 Greek). 
 
 Subject of the Sculpture. 
 
 Christ's triumphant Entry into Jerusalem. 
 
 Christ standing under a canopy between 
 
 the Virgin and St. John Baptist. 
 Half-length figure of Christ, with a cross 
 
 behind his head in lieu of a nimbus. 
 Elaborately designed foliage, and sixteen 
 
 medallions with heads of the canonical 
 
 Prophets. 
 The Glorification of the Virgin and Child, 
 
 amidst a multitude of angels and saints, 
 
 minutely executed. 
 
 Possession of the Original. 
 
 A. Fountaine, Esq. 
 
 Rev. Walter Sneyd. 
 
 Louvre, 
 
 Bibliotheque Impe- 
 riale, Paris. 
 
 Soaue Museum. 
 
 CLASS VIIL 
 
 Ornaments of a Casket of the Greek School, of uncertain age., in the Treasury of 
 
 the Cathedral of Sens. 
 
 A. — Twelve Panels from the sides, each contaming tlu-ee tiers of subjects. 
 
 (Loivest tier.) David rescuing his flocks from a wolf. 
 
 {3Iiddle tier.) Joseph relating his di'eam to his brethren, whose flocks are seen 
 behind. 
 
 ( Upper tier.) Two peacocks. 
 
 David killing a lion and a bear. 
 
 Joseph's brethren conspiring together, and stripping him. 
 
 Two lions. 
 
 Jesse passing his seven sous before Samuel. 
 
 Joseph's brethren casting him into a pit. 
 
 Two peacocks. 
 
 Samuel anointing David. 
 
 Joseph's brethren bargaining with the Ishmaelites. 
 
 Tavo lions. 
 
 David summoned by a messenger from Saul (?). 
 
 The completion of the bargain for the sale of Joseph (?). 
 
 Two peacocks. 
 
 Saul making David his annour-])earer (?). 
 
 Uncertain sul>ject ; perhaps Jose])h Ijrought to Potiphar, misplaced. The upper 
 space is occuped by the fastening of the casket. 
 
 vSamuel ])ringing David to Saul ; a subject not in the scriptural account, but deter- 
 mined by the Greek inscription written in ink on the ivory. 
 
 Joseph's ])retliren bringing his coat to Jacob. 
 
 A gryplion killing an ox. 
 
 David killing Goliath. 
 
 The Ishmaelites selling Joseph to an agent of Potiphar. 
 
 A gryphon tearing off the leg of an ox. 
 
 David returning with the head of Goliath. 
 
 Joseph brought I)efore Poti))har and his Avife. 
 
 A lion killing a deer. 
 
 Saul casting a javelin at David. 
 
 Joseph and P()li])har's wife. 
 
 A gryplion killing a snake. 
 
 a 
 
 1, 
 
 
 2, 
 
 
 3, 
 
 b 
 
 1. 
 
 
 2. 
 
 
 3. 
 
 c 
 
 1. 
 
 
 2, 
 
 
 3. 
 
 d 
 
 L 
 
 
 2, 
 
 
 3. 
 
 e 
 
 1, 
 
 
 2. 
 
 
 3. 
 
 f 
 
 1. 
 
 1- 
 
 2. 
 
 3. 
 h 1. 
 
 2. 
 
 3. 
 i 1. 
 
 2. 
 
 3. 
 k 1. 
 
 2. 
 
 3.
 
 55 
 
 / 1 . David cuttino; the skirt of Saul's robe. 
 
 2. Potiphar'.s wife showing Joseph's gai-ment to her husband. 
 
 3. A lion killing a goat. 
 
 m 1. David restoring the skirt of Saul's robe. 
 
 2. Potiphar reproaching Joseph (?). The upper space is occupied by the fastening 
 of the casket. 
 
 B. — Twelve Panels from the pyramidal top of the Casket. 
 
 n Joseph tried, and sentenced to prison. 
 
 o Joseph fettered in the j^rison. 
 
 p Joseph interpreting the dreams of the chief butler and baker. 
 
 q Pharaoh's dream of the fat and lean kine. 
 
 r Joseph taken out of prison. 
 
 s Joseph interpreting Pharaoh's vision. 
 
 t The steward searching the sacks of Joseph's brethren. 
 
 u Judali defending his brethren from the charge of stealing Joseph's cup. 
 
 V Jacob journeying to Egypt. 
 
 10 Joseph meeting Jacol) ; above, a group of uncertain meaning, perhaps an awkward 
 
 representation of the killing of a fatted calf in honor of Jacob's arrival. 
 
 X Joseph entertaining his father and brethren. 
 
 y Joseph riding in his chai'iot, and crowned by his guardian angel. 
 
 CLASS IX. 
 Carvings oj the Italian School, all probably of the Fourteenth Century. 
 
 Subject of the Sculpture. Possession of the OriginaL 
 
 The Angel appearing to the Shepherds, and M. Micheli. 
 
 Nature of the Object. 
 
 a Piece from a Re- 
 table. 
 
 b Piece from a Re- 
 table. 
 
 c Piece from a Re- 
 table. 
 
 d Piece from a Re- 
 table. 
 
 e Part of a casket. 
 
 / Parts of a casket 
 (eleven pieces, ar- 
 ranged in two 
 series), 
 
 g Part of a casket ; 
 pei'haps the same 
 as the preceding. 
 
 h Parts of a casket ; 
 perhaps the same 
 (six pieces, ar- 
 ranged in two 
 series). 
 
 i Parts of a casket ; 
 perhaps the same 
 (two pieces). 
 
 k Triptych. 
 
 their adoration of Christ. 
 Last Supper. 
 
 M. Micheli. 
 
 The Annunciation. Above, a vision of M. Micheli. (?) 
 
 angels, holding the promised Infant ; in 
 
 the background, a maid with a distaff. 
 
 Baptism of Christ. M. Micheli. 
 
 A king or officer addressing his attendants. M.R.Hawkius,Esq. 
 
 Scenes from an unknown legend. E. Hawkins, Esq. 
 
 Allegorical figure of Geometry. 
 
 1. Faith, Hope, and Charity. 
 
 2. Temperance, Justice, and Prudence. 
 
 Two men holding shields. 
 
 E. Hawkins, Esq. 
 E. Hawkins, Esq. 
 
 E. Hawkins, Esq. 
 
 In the central portion the Virgin and Child, Bodleian Library, 
 between St. Leonard and another saint ; Oxford, 
 
 in the wings, St. John Evangelist (?) and 
 St. Lawrence
 
 56 
 
 Katiiro of the Object. 
 / Triptyfli. 
 
 m Two vf'w/H 
 Tiiptych. 
 
 of 
 
 Snljject of the ScnlptTire. 
 
 Iij tljr- centre, Virgin and Child, between 
 St. Catherine and St. Agatha (?); in the 
 wingH, St. Peter and St. Paul. 
 
 1. The angel Gabriel, the Adoration of the 
 Magi, St. George, and three other saints. 
 
 2. 'i'hf; Virgin Annunciate and legendary 
 io|jif;-.entations of" various saints. 
 
 Poaaeasion ot the Origiu. 
 
 M. Micheli. 
 M. Micheli. 
 
 CLASS X. 
 
 French, English, and German Schools, Eleventh and Twelfth Centuries. 
 
 Nature of the Object. 
 
 a Leaf of an occlesias 
 
 tical Diptych. 
 
 h Tablet. 
 c Tablet. 
 
 d Tablet. 
 
 c Two })anels from a 
 casket. 
 
 f Panel from a casket. 
 fj Tablet. 
 h Side ofa book cover. 
 
 i Leaf of an ecclesias- 
 tical Diptych. 
 
 k I'ancI from a book 
 
 cover. 
 / Panel fi'om a book 
 
 cover. 
 
 m Panel fiom a book 
 
 cover. 
 n Chess piece. 
 
 Subject of the Sculptttre. 
 
 Above, the Annunciation ; in the midille, 
 the meeting of St. Joseph and St. Mary ; 
 };elow, the Nativity ; upon the upper and 
 lower edges, the remains of an inscription 
 referring apparently to the annals of some 
 bishopric. 
 
 Visit of the Women to the tomb, and Christ 
 appearing to them. 
 
 Part of a larger subject. Above, Christ in 
 glory, with the Beatified; below. Expul- 
 sion of the money-changers from the 
 Temple. 
 
 The meeting of Abner and the servants of 
 Ish-bosheth with Joab and the servants 
 of David, at the Pool of Gibeon {vide 2 
 Samuel ii., 12-27), inscribed LACU- 
 GABAON. 
 
 1. Christ in glory Ijctween two angels, 
 and St. Peter and vSt. Paul. 
 
 2. Crucifixion ; with two soldiers, and St. 
 jNIaiy and vSt. John. 
 
 Two a])Ostles or evangelists ; above, the zo- 
 diacal signs of Libra and Scorpio. 
 
 Twelve apostles, in two rows, with their 
 names and emblems. 
 
 Ascension of Christ ; at the foot of the 
 mountain a half-length figure of the Pro- 
 phet Ilabakkuk. 
 
 Below, the Nativity ; in the middle, angels 
 apj)earing to the shepherds ; above, the 
 Baptism of Christ. 
 
 St. John the Evangelist. 
 
 St. Matthew with his Gospel open ; upon 
 it the words of ch. xx. 8, VOCAOPE- 
 RARIOS ET K EDE LLI • MERCEDE 
 (sic). 
 
 The Annunciation ; or perhap.s, Christ in 
 the garden with Mary Magdalene (?). 
 
 Bishop seated in a chair. 
 
 PossessioQ of the Origiu. 
 
 W. :Maskell, Esc, 
 
 Louvre. 
 Louvre. 
 
 Louvre. 
 
 Rev. Walter Sncl. 
 
 Kunstkammer, Er- 
 
 lin. 
 Kunstkammer, Bc- 
 
 lin. 
 J. B. Nichols, E,^. 
 
 British Musem 
 (Collection i 
 Antiquities). 
 
 Louvi-e. 
 
 British Musem 
 (Collection A' 
 MSS.) 
 
 Kunstkammer, Br- 
 
 lin. 
 W. MaskeU, Es(
 
 57 
 
 CLASS XL 
 
 French, English, and German Schools, Thirteenth ajid Fourteenth Centuries. 
 
 Sacred Subjects. 
 
 Nature of the Object. 
 
 a Devotional tablet. 
 
 b Devotional tablet. 
 
 c Devotional tablet. 
 
 d Devotional tablet. 
 e Pair of devotional 
 tablets. 
 
 f Devotional tablet. 
 g Pair of devotional 
 tablets. 
 
 h Pair of devotional 
 tablets. 
 
 i Devotional tablet. 
 
 k Devotional tablet 
 (probably English). 
 
 I Panel from a box. 
 
 m Pair of devotional 
 
 tablets. 
 n Centre - piece of a 
 
 small Triptych. 
 
 o Piece from a box. 
 p Devotional tablet. 
 q Devotional tablet. 
 r Devotional tablet. 
 
 Subject of the Sculpture. 
 
 Below, the Presentation in the Temple ; 
 above, Christ and the Virgin in glory. 
 
 Below, Adoration of the kings; above, Coro- 
 nation of the Virgin. 
 
 Below, Adoration of the shepherds; above, 
 the Resurrection. 
 
 Virgin and Child, with two angels. 
 
 1. Virgin and Child, glorified by angels. 
 
 2. Crucifixion, with the Virgin, St. John, 
 and angels. 
 
 Virgin and Child, glorified by angels. 
 
 Six compartments : — (a.) Judas bajgaining 
 with the priests, and his seizure of 
 Christ, (b.) Christ before Pilate, Pilate 
 washing his hands, and the blindfolding 
 of Christ, (c.) The hanging of Judas, 
 the Flagellation and Bearing of the cross. 
 (d.) The Crucifixion and Deposition. 
 (e.) The Anointment of Christ, and Visit 
 of the women to the tomb, (f.) The 
 ResuiTection, and "Noli me tangere." 
 
 \. Below, the Betrayal of Christ ; above, 
 the Crucifixion. 
 
 2. Below, the Flagellation ; above, the De- 
 position from the cross. 
 
 Three compartments: (a.) The three Kings 
 (part of an adoration, extending over a 
 companion tablet), (b.) Five Apostles, 
 (c.) Christ seated in judgment. 
 
 Above, the Coronation of the Virgin ; below, 
 St. John the Evangelist ; over the cano- 
 pies, the armorial bearings of John Gran- 
 dison. Bishop of Exeter (a.d. 1327-69); 
 
 Nativity ; in the background, angels ap- 
 pearing to the shepherds. 
 
 1. Adoration of the Magi. 
 
 2. Crucifixion. 
 
 Nativity ; upon the edges of the ivory, out- 
 side the hinges of the wings, arabesque 
 ornaments. 
 
 The, Descent into Hades, within a small 
 quatrefoil. 
 
 Above, the Entombment; below, the women 
 visiting \\\q, tomb. 
 
 St, John Ba])tist, St. Christopher, and St. 
 James the Greater. 
 
 Four coinpartments : (a.) The Crucifixion. 
 (b.) Christ appearing to Mary Magda- 
 lene ; beside him, St. James the Greater, 
 (c.) St. Lawrence, St. Peter, and St. Paul. 
 (d.) St. Stephen, St. James the Greater, 
 and St. James the Less. 
 
 Possession of the Original. 
 
 John Lentaigne, 
 
 Esq., M.D. 
 W. MaskeU, Esq. 
 
 W. Maskell, Esq. 
 
 B. Hertz, Esq. 
 Albert Way, Esq. 
 
 J. G. Nichols, Esq. 
 Le Comte de I'Es- 
 calopier. 
 
 Bibliotheque Impe- 
 riale, Paris. 
 
 M. Sauvageot. 
 
 A. J. Beresford 
 Hope, Esq. 
 
 British Museum 
 (Collection of 
 Antiquities). 
 
 W. Maskell, Esq. 
 
 Fejervary Collec- 
 tion. 
 
 A.. J. Beresford 
 Hope, Esq.
 
 58 
 
 CLASS xn. 
 
 French, English, and German Schools, Thirteenth and Fourteenth Centuries. 
 
 Secidar Subjects. 
 
 Nature of the Object. 
 
 a Mirror-case (both 
 sides). 
 
 h One side of a mir- 
 ror-case. 
 
 c One side of a mir- 
 ror-case. 
 
 d One side of a mir- 
 ror-case. 
 
 e One side of a mir- 
 ror-case. 
 
 f One side of a mir- 
 ror-case. 
 
 g One side of a mir- 
 ror-case. 
 
 h Three pieces from 
 a box. 
 
 i Cover of a box. 
 
 k Diptych, or wi'it- 
 ing tablet (both 
 leaves). 
 
 I Writing tablet. 
 
 Subject of the Sculpture. 
 
 1 . Four groups of lovers under trees. 
 
 2. Similar subject. 
 
 Ginevra eloping with Sir Lancelot ; around 
 
 the edge, four monsters. 
 Siege and capture of the Castle of Love ; 
 
 around the edge, statuettes of lions. 
 
 A lady and gentleman playing at 
 draughts, two other persons looking on; 
 round the edge, four monsters. 
 
 A lady and her lover, with an attendant, 
 hal^rking ; around the edge, four mon- 
 sters crouching. 
 
 A lady and gentleman coursing a hare. 
 
 Knight presenting a heart to a lady; on 
 the edge, four leaves. 
 
 1. Pyramus accosting Thisbe and her 
 companion. 
 
 2. Pyramus addressing Thisbe on the city 
 wall, and Thisbe concealing herself from 
 the lion. 
 
 3. Death of the lovers. 
 
 Four compartments : in the two central, a 
 tournament ; on the right, the siege of 
 the Castle of Love, with a knight below 
 preparing to discharge a basket of flowers 
 from a balista ; on the left, a lady 
 eloping with a knight. 
 
 \. Under a canopy, a lover gathering 
 flowers, which his lady makes into a 
 ■\\Tcath. 
 
 2. Under a similar canopy, a lady and 
 gentleman riding to a hawking party. 
 
 A lady and gentleman hawking. 
 
 Possession of the Original. 
 
 Louvre. 
 
 Fejervary Collec- 
 tion. 
 
 Museum of Orna- 
 mental Ai't, Maii- 
 borough House. 
 
 M. Sauvageot. 
 
 Rev. W. Sneyd. 
 
 W. Maskell, Esq. 
 W. Maskell, Esq. 
 Rev. W. Sneyd. 
 
 Museum of Bou- 
 logne. 
 
 British Museum 
 (Collection of 
 Antiquities). 
 
 M. Sauvageot. 
 
 CLASS xnL 
 
 French, English, and German Schools, Thirteenth and Fourteenth Centuries. 
 
 Statuettes. 
 
 Nature of the Object. 9 
 
 a and b 
 
 Subject of the Sculpture. Possession of the Original. 
 
 St. Mary and St. John (two figures from a Louvre. 
 
 Crucifixion.) 
 
 The Virgin seated ; in her lap, the infant B. Hertz, Esq. 
 
 Christ, holding a bird. 
 
 The Vugin standing with the infant Christ, Museum of Troyes.
 
 69 
 
 CLASS XIV. 
 Italian, French, English, and German Schools, Fifteenth and Sixteenth Centuries. 
 
 Natuie of the Object. 
 
 a Devotional tablet. 
 b Mirror-case (both 
 sides. 
 
 c. One side of a mir- 
 ror-case. 
 
 d Basso-relievo. 
 
 € Devotional tablet. 
 /Pax. 
 
 g Piece from a casket 
 (?) (Italian). 
 
 h Devotional tablet. 
 
 i Devotional tablet, 
 originally a com- 
 panion to the pre- 
 ceding. 
 
 h Tablet (German). 
 
 I Panel from a book- 
 cover (German). 
 
 Possession of the Original. 
 
 A. Fountaine, Esq. 
 
 Subject of the Sculpture. 
 
 Adoration of the kings. 
 
 1. Siege and capture of the Castle of 
 Love. 
 
 2. Tournament. 
 
 Round the edges of each, four monsters 
 
 crouching. 
 A lady and gentleman in a garden, inscribed M. Sauvageot. 
 
 a^h '^ix^ (probably as intended for 
 
 a present). 
 Vu-gin and Child, with cattle below (part W. Maskell, Esq 
 
 of an Adoration of the Shepherds). 
 The penitence of St. Jerome. 
 Virgin and dead Christ (" Pieta"). 
 
 Procession of figures, of uncertain meaning, 
 
 including apparently Joshua, Samson, 
 
 and Judith. 
 Genealogy of Christ (the " Jesse Tree"). 
 The Virgin in glory, surrounded by objects 
 
 emblematical of her perfections, with 
 
 various legends. 
 
 Flagellation of Christ. 
 
 Christ receiving drink from the righteous ; 
 with the inscription, DEDISTIS MIHI 
 BIBERE (Matt. XXV. 35) ; above and 
 below, allegorical figures. 
 
 J. G. Nichols, Esq. 
 Fejervaiy Collec- 
 tion. 
 Louvi'e. 
 
 Albert Way, Esq. 
 Rev. Walter Sneyd. 
 
 W. Maskell, Esq. 
 
 Museum of Orna- 
 mental Ai't, Marl- 
 borough House. 
 
 CLASS XV. 
 Facsimiles withdrawn from the Arundel Collection. 
 
 Nature of the Object. 
 
 C. 13. Statuette. 
 
 D. 13. Statuette. 
 
 E. 6. 
 
 Subject of the Sculpture. 
 
 Virgin and Child. 
 Virgin and Child. 
 Gritfin. 
 
 E. 1^ Part of a box Nativity. 
 (13th or 14th cen- 
 tury). 
 
 N. 11. Devotional Crucifixion and adoration of the Magi, 
 tablet (double). 
 
 N. 13. Devotional Annunciation and Nativity, 
 tablet (double). # 
 
 N. 14. Devotional Death of Blessed Virgm. 
 tablet (double). 
 
 P. 11. Diptych. Consul seated. 
 
 Possession of the Original. 
 
 Rev. W. Sneyd. 
 W. Maskell, Esq. 
 
 W. Maskell, Esq. 
 
 W. Maskell, Esq. 
 
 W. MaskeU, Esq. 
 
 Fejervaiy collec- 
 tion. 
 
 H 2
 
 60 
 
 Nature of the Object. 
 
 P. 13. Diptych of Jus- 
 tinianus. 
 
 P. 45. Ornament of 
 a book-cover. 
 
 P. 48. Devotional 
 tablet. 
 
 P. 49. Devotional 
 tablet. 
 
 P. 54. Min-or-case. 
 
 P. 55. Mirror-case. 
 
 P. 68. Greek tal)let. 
 
 P. 77. Russo-Greek. 
 
 P. 86. Statuette. 
 
 P. 93. Part of Trip- 
 tych (three divi- 
 sions). 
 
 P. 95. Greek tablet. 
 
 107. Devotional tablet. 
 
 Devotional tablet. 
 
 Subject of the Sculpture. 
 
 Ornaments and inscriptions. 
 
 Crucifixion. 
 
 Virgin and Child, 
 
 Virgin and Child. 
 
 Hawking party. 
 
 Hawking party. 
 
 Crucifixion. 
 
 Death of the Blessed Virgin. 
 
 Madonna and Child, seated, canopied. 
 
 1. Betrayal. 
 
 2. Scourging and bearing the cross. 
 
 3. Entoml)ment and meeting Mary. 
 Christ, twelve apostles, and two angels. 
 Virgin and Child. 
 
 Dead Christ. 
 
 Possession of the Original 
 
 Bibliotheque Impe- 
 
 riale, Paris. 
 Library of the 
 
 British Museum. 
 C.P. Co. 
 
 C.P. Co. 
 
 M. Sauvageot. 
 M. Sauvageot. 
 Louvre. 
 C.P. Co. 
 B. Hertz, Esq. 
 Bibliotheque Impe- 
 riale, Paris (?). 
 
 Louvre (?).
 
 ($ItiiDm0-Iitliof)i;aplui, fiitfliianinrifi, lliotofjiiaphs, ^, 
 
 PUBLICATIONS AND WORKS OF THE ARUNDEL SOCIETY. 
 CHROMO-LITHOGRAPHS. 
 
 1. View of the Interior of the Arena Chapel, Padua, in 1306. By Giotto. 1856. 
 
 2. The Martyrdom of St. Sebastian, from the fresco, by Pietro Perugiuo, at Panicale. 
 
 1856. 
 
 3. 4. Christ among the Doctors, from the fresco, by Pinturicchio, at Spello. 1857. 
 
 5. Virgin and Cliild, with Saints and Angels, from a fresco of Ottaviano Nelli, in the 
 
 Church of S. Maria Nuova, at Gubbio. 1857. 
 
 6. The Nativity, from a fresco, by Pinturicchio, at Spello. 1857. 
 
 7. St. Catherine borne by Angels to the Tomb, from the fresco, by Luini, Brera 
 
 Gallery, Milan. 1858. 
 
 8. Madonna and Child, from a fresco, by Leonardo da Vinci, Church of S. Onofrio, 
 
 Rome. 1859. 
 
 9. Madonna and Saints, with the Resurrection of Our Lord, from the fresco, by 
 
 Giov. Sanzio, at Cagli. 1859. 
 
 10. Death of St. Francis of Assisi, from the fresco, by Ghirlandaio, in the Church of 
 
 S. S. Triuita. I860. 
 
 11. Two heads in fac-simile of the original, from the above fresco, by Ghirlandaio. 1860. 
 
 12. The Fall, by Filippino Lippi ; the Expulsion, by Masaccio ; from the fresco in the 
 
 Brancacci Chapel at Florence. 1861. 
 
 13. The Tribute Money. By Masaccio. * 1861. 
 
 14. St. Peter Preaching, and St. Peter Baptizing. By Masalino. . 1861. 
 
 15. Two Heads from the fresco of the Tribute Money. 1861. 
 
 16. St. Peter and St. John healing the Cripple, and St. Peter raising Petronilla. By 
 
 Brancacci, from the fresco in the Brancacci Chapel of the Carmine, at Florence. 
 
 1862. 
 
 17. Head from the fresco of the Raising of Petronilla. 1862. 
 
 18. St. Peter in Prison visited by St. Paul, and St. Peter delivered from Prison, from the 
 
 fresco in the Brancacci Chapel of the Church of the Carmine, Florence. 1862. 
 
 19. Head from the above. 
 
 20. Marriage of St. Cecilia, from a fresco in the Chui-ch of St. Cecilia, at Bologna, by 
 
 Francesco Franci. 1863. 
 
 21. Augustine Preaching, from a fresco by Benozzo Cozzoli. 1863. 
 
 22. The Annunciation, from a fresco, in the Cathedral of Spello, by Pinturicchio. 1863. 
 
 23. The Annunciation, from a fresco, by Fra Angelico, in the Convent of St. Mark's, 
 
 at Florence. 1863. 
 
 24. The Madonna del Sacco, from the fresco, by Andrea del Sarto, in the Cloister of 
 
 the Annunciation of Floi-ence. 1863. 
 
 25. Dante. Portrait of. By Giotto. Discovered in 1841, in the Bargello, at Florence. 
 
 1863. 
 
 26. Duplicate of ditto. 
 
 27. The letter C. Colored in fac-simile, from the Choral Books of St. Mark's, at 
 
 Florence, and the Piccolomini Library, Siena. 
 
 28. The letter L. Colored in fac-simile, from the Choral Books of St. Mark's, at 
 
 Florence, and in the Piccolomini Library, Siena.
 
 62 
 
 ENGRAVINGS. 
 From the frescoes by Fra Angelico, in the Chapel of Nicholas V., in the Vatican. 
 
 alms. 
 
 St. Laureuce distributing 
 
 1850. 
 St. Stephen before the Council. 
 
 1851. 
 St. Buonaventura. 1851. 
 St. Matthew. 
 
 1849, 
 1850, 
 
 St. Lawi-euce before the Emperor Decius. 
 
 1851, 1852. 
 St. Stephen distributing alms. 1862. 
 The Pieta. Fi'om the fresco by Giotto, 
 
 3. St. Buonaventura. 1851. in the Chapel of S.M. dell' Ai'ena, at 
 
 4. St. Matthew. I Padua. 1851, 1852. 
 
 LITHOGRAPHS. 
 
 1. St. Tommaso. Fra Angelico. 1850-51. 
 
 2. Head of a Saint, from a fresco at Gubbio, in the Church of S. M. Nuova, by 
 
 Ottaviano Nelli. 1857. 
 
 3. Head of the Virgin. By Ottaviano Nelli. 1857. 
 
 OUTLINE DRAWINGS. 
 
 1-10. Ten outline drawings of portions of the five figures in the Martyrdom of St. Sebastian. 
 
 PHOTOGRAPHS. 
 
 1. Christ Bearing the Cross. Tintoretto. | 2. Christ Before Pilate. Tintoretto. 
 Three other subjects. Tintoretto. 
 
 10. 
 
 1. 
 2. 
 3. 
 
 4. 
 5. 
 6. 
 
 7. 
 8. 
 9. 
 
 10. 
 11. 
 12. 
 13. 
 14. 
 15. 
 16. 
 17. 
 18. 
 
 TRACINGS. 
 
 Head of Christ, from the fresco, by Pinturicchio, at Spello Cathedi-al. 1857. 
 
 Head of a Shepherd, worshipping, from the fresco of the Nativity, by Pinturicchio, 
 
 at Spello. 1858. 
 
 Head of an Angel, from the fresco of the nativity, by Pinturicchio, at Spello. 
 The Angel Gal)ricl, from the fresco of the Annunciation, by Pintui'icchio. 
 The Virgin Mary, from the above. 
 Portrait of Pinturicchio, from the above. 
 
 St. Catherine, from a fresco by B. Luini, in the Brera Gallery, Milan. 
 Head of the Virgin, from a fresco, by Leon, da Vinci, from the Ai'ena Chapel. 
 Head of the Virgin, from a fresco, by Leon, da Vinci, in the Monastery of S. Onofrio, 
 
 at Rome. 1859. 
 
 Head of an Angel, supposed to be a portrait of Raffaelle, from a fresco, by Giovanni 
 
 Sanzio, at Cagli. 1859. 
 
 "WOOD ENGRAVINGS. 
 Series from the frescoes of Giotto, iUustratmg the Lives of the Virgin and our Lord, 
 
 1858. 
 
 1858. 
 1859. 
 
 The Rejection of Joachim's Offering. 
 
 fJoachim retires to the Sheepfold. 
 
 The Angel ai)peai-s to Anna. 
 
 The Sacrifice of Joachim. 
 
 The Vision of Joachim. 
 
 The Meeting at the Golden Gate of 
 
 Joachim and Anna. 
 The Birth of the Virgin. 
 The Presentation of the Virgin. 
 The Rods are brought to the High 
 
 Priest. 
 Watching of the Rods. 
 The Betrothal of tlu^ Virgin. 
 The Virgin returns to her House. 
 The Angel G:ibriel. 
 The Virgin Annunciate. 
 The Salutation. 
 The Nativity. 
 
 The Wise Men's Offerings. 
 The Presentation in the Temple. 
 
 19. The Flight into Egypt. 
 
 20. The Massacre of the Innocents. 
 
 21. The Young Christ in the Temple. 
 
 22. The Baptism of Christ. 
 
 23. The Marriage in Cana. 
 
 24. The Raising of Lsizarus. 
 
 25. The Entry into Jerusalem. 
 
 26. The Expulsion from the Temple. 
 
 27. The Hiring of Judas. 
 
 28. The Last Su])per. 
 
 29. Tlie Washing of the Feet. 
 
 30. The Kiss of Judas. 
 
 31. Christ before Caiaphas. 
 
 32. The Scourging of Christ. 
 
 33. Christ bearing his Cross. 
 
 34. The Crucifixion. 
 
 35. The p]ntombment. 
 
 36. The Resurrection. 
 
 37. The Ascension. 
 
 38. The Descent of the Holy Spirit.
 
 63 
 
 BOOK. 
 
 An Alphabet of Capital Letter?, from the Italian Choral Books of St. Mark's and the 
 Duomo, at Florence ; and the Piccolomiui Library, Siena ; with one letter 
 (attributed to Fi-a Augelico) colored in fac-simile. Folio, 1 vol. Loiid., 1862. 
 
 ENGRAVrXGS (COLORED). 
 1. Four colored engravings, or paintings in oil : — ^ 
 
 a Van Eyck: God the Father. 
 b Albert Durer: St. Paul, St, Mark, 
 St. John, and St. Peter. 
 
 c Meister Wilhelm: St. Catherine, 
 
 St. Hubert, and St. Guirin. 
 d Melem : Christ beariuo; the Cross. 
 
 2. Limoges painted enamel oval Dish. " The Apocalypse," by Martial Couitois. Pamted 
 
 by F. W. Andi-ew. 
 
 3. Limoges painted enamel portrait of Charles IX. of France. Painted by L. Limousiu, 
 
 A.D. 1573. 
 
 4. Saracenic enamel glass bowl Lamp, from a Mosque at Cairo, of the 14th century. 
 
 5. A Triptych, German Champ-Leve Enamel. " The Crucifixion, &c." of the 13th century. 
 
 6. Set of engravings from the Boisseree collection, containing 11 a, bound in 4 volumes. 
 
 ENGRAVINGS (FRAMED). 
 
 Presented to the Trustees. 
 1. Allied Generals and their Staff before 7. Melbourne in 1845. 
 
 Sebastopol, with key to same. By 
 Henry Sewell, Esq. 
 
 2. Church of England Grammar School. 
 
 3. Erinnerung zu Berlin. 
 
 4. Golden Point, Ballarat. 
 
 5. Lunatic Asylum, West Riding (2 copies). 
 
 By Sir Redmond Barry. 
 
 6. Melbourne in 1839. 
 
 8. „ 1855 (2 copies). 
 
 9. „ 1856. 
 
 10. „ 1863. 
 
 1 1 . Prince's Bridge, opening of. 
 
 12. Proof of Noel Raton's Pursuit of Plea- 
 
 sure, by Thomas Russell, Esq. 
 
 13. St. Helena, the Island of. 
 
 14. Wesley Church, Melboui'ne. 
 
 LITHOGRAPHS. 
 
 1. Basket of Fruit. 
 
 2. Extinct Animals of Great Britain. 
 
 grams of (10). Patterson. 
 
 I 3. Maiys (The Three). 
 Dia- 4. Physiological Maps (9). Day and Son. 
 I 5. Zoological Diagrams (6). Waterhouse. 
 
 PHOTOGRAPHS. 
 
 Bound, 19 vols. (1 vol. of Engravings bound uniform.) 
 England and Scotland (Cathedrals and Abbeys in). Folio, 1 vol. 
 
 1. 
 2. 
 3. 
 4. 
 5. 
 6. 
 7. 
 8. 
 9. 
 10. 
 
 11. 
 12. 
 13. 
 14. 
 
 15. 
 
 Stonehenge. 
 
 Bury St. Edmunds. Norman Tower. 
 
 Canterbury Cathedral. Baptistiy. 
 
 „ Norman staircase. 
 
 „ Preaching of St. Augustine. 
 
 Chichester Cathedral. Interior. 
 Ely Cathedral. Galilee Porch. 
 
 Lichfield Cathedral, 
 west front. 
 
 Side entrance. 
 
 Llandaff Cathedral. North door. 
 Salisbmy Cathedral. Nave, from the 
 west galleiy. 
 „ Cloisters. 
 
 16. Wells Cathech-al. Oriel window, 
 
 Vicar's Close. 
 
 1 7. York Minster. West portico. 
 
 18. Castle Acre Priory. 
 
 19. Colchester. St. Botolph's Priory. 
 
 20. Fountain's Abbey. The Great Tower. 
 
 21. Glastonbury Abbey. 
 
 22. Melrose Abbey. 
 
 23. Ri^ aulx Abbey. North transept. 
 
 24. ,, The choir, looking west. 
 
 25. Rivaulx Abbey. 
 
 26. St. Osyth's Priory, Essex. 
 
 27. Tintern Abbey. Exterior, south side. 
 
 28. „ North transept. 
 
 29. „ Choir arcade. 
 
 30. Whitby Abbey. 
 31.
 
 64 
 
 England, with Views in Wales (Cities and Colleges in). Folio, 1 vol. 
 
 10. 
 11. 
 12. 
 
 Westminster. 
 
 „ Westminster Hall entrance, 
 
 „ Somerset House, river front. 
 
 Liverpool. St. ^George's Hall. 
 Cambridge. The Round Church. 
 
 „ Emmanuel College. 
 
 „ St. John's College, new 
 
 buildings. 
 
 „ Sidney College. 
 
 „ The Fitzwilliam Museum. 
 
 „ The Public Library. 
 
 13. Oxford. The High street. 
 
 14. „ Magdalen College, Cloister 
 
 Tower. 
 
 15. „ Merton College. 
 
 16. „ The New Museum, N.W. 
 
 angle. 
 
 17. Ipswich. Wolsey's Gate. 
 
 18. Salisbury. The Market Cross. 
 
 19. Wales. South Stack Rocks, Holy- 
 
 head. 
 
 20. „ Coast of; Holyhead Moun- 
 
 tains. 
 
 21. „ Head of Llyn Peris. 
 
 England — Palaces, Castles, and Seats 
 
 1 . Ai'undel Castle. Keep and Clock Tower. 
 
 2. „ Tomb of Robert Fitzalan 
 
 3. Blickling Hall. 
 
 4. Carisbrooke Castle. 
 
 5. Chatsworth. 
 
 6. Cossey Hall. 
 
 7. Durham Castle. 
 
 8. Eltham Palace. 
 
 Folio, 1 vol. 
 
 9. Hampton Court. 
 
 10. Hengrave Hall. 
 
 1 1 . Hever Castle. 
 
 12. Kenilworth Castle. 
 
 13. Penshurst Place. 
 
 14. Raglan Castle, from the Entrance Gate. 
 
 15. „ Principal Entrance Tower. 
 
 16. „ The Donjon. 
 
 France and Belgium. Folio, 
 By Baldus and Bisson. 
 
 1 vol. 
 
 10 
 11 
 12 
 13 
 14 
 15 
 16 
 
 1. Paris. View of the Louvi-e and the 
 
 River. 
 
 2. „ Louvre, Pavilion de I'Horloge, 
 
 Pavilion Sully, Pavilion Turgot. 
 
 3. ,, Louvi-e, Gallery of Henry II. 
 
 4. „ Hotel de Ville. 
 
 5. „ Place de la Concorde. 
 
 6. ,, 0])posite Notre Dame. 
 
 7. „ Notre Dame, Trois Portes. 
 
 8. „ Notre Dame, Porte Meri- 
 
 dioiiale. 
 
 9. „ Tour de St. Jacques de la 
 
 Houchcrie. 
 
 ,, Eglise des Invalides. 
 
 ,, Church of St. Vincent de Paul. 
 Amiens Cathedrale, Porte de la Vierge. 
 Avignon. Palace of the Popes. 
 
 Blois. Escalier de Francois I. 
 Bourges Cathedrale, Porte de St. Jean. 
 
 Italy. 
 
 17. Chartres Cathedrale, Porche Gauche. 
 
 18. Lyons. General view. 
 
 19. Moissic Cloitre. 
 
 20. Orleans Cathedrale. 
 
 21. Rheims Cathedrale, Portail Principal, 
 
 Cote Gauche. 
 
 22. „ Trois Portes. 
 
 23. Rouen. Eglise de St. Oueu. 
 
 24. „ Palais de Justice, Escalier. 
 
 25. „ Palais de Justice, Tourelle. 
 
 26. .St. Trophime, Cloitre. 
 
 27. „ Porte. 
 
 28. Stj-asbourg Cathedi-ale, Porte Princi- 
 
 pale. 
 
 29. Tours Cathedrale. Portail Principal. 
 
 30. „ Porte de St. Sym- 
 
 phorien. 
 
 31. Belgium. Grand Maison des Bateliers. 
 
 32. „ Louvain, Hotel de Ville. 
 
 33. „ Ypres, Hotel de Ville. 
 
 1. General View of Florence. 
 
 2. Florence Cathedral. Side view. 
 
 3. ,, Principal entrance, 
 
 north side. 
 
 4. Campanile del Dnomo. 
 
 5. Florence. The Baptistry. 
 
 Folio, 1 vol. 
 6. Florence. 
 
 The first door in bronze, by 
 Andrea Pisano. 
 
 Ghiberti Pri. Door, Cathe- 
 dral. 
 
 Door to Ba])ti?try. 
 
 Church of S. Maria Novella.
 
 65 
 
 Italy (continued) — 
 
 10. 
 
 Florence. Church of S. Miniato, 
 
 26. 
 
 Sienna. 
 
 Panorama of the Piazze del 
 
 11. 
 
 j> 
 
 Place of the Grand Duke. 
 
 
 
 Campo, with the Torre della 
 
 12. 
 
 s> 
 
 The Ohl Palace. 
 
 
 
 Maugia. 
 
 13. 
 
 J> 
 
 Cortile of the Old Palace. 
 
 27. 
 
 55 
 
 La Cattedrale. 
 
 14. 
 
 5J 
 
 Logjijia dei Lanzi. 
 
 28. 
 
 55 
 
 „ Side view. 
 
 15. 
 
 5) 
 
 Pitti Palace, from the Boboli 
 
 29. 
 
 55 
 
 The Archbishop's Palace. 
 
 
 
 Gardens. 
 
 30. 
 
 55 
 
 Palace of the Signoria. 
 
 16. 
 
 5> 
 
 Strozzi and Loggia Corsi. 
 
 31. 
 
 5) 
 
 Palace of the Signoria, with 
 
 17. 
 
 5> 
 
 Cortile of the Palazzo di 
 
 
 
 the Torre del Mangia. 
 
 
 
 Podesta. 
 
 32. 
 
 55 
 
 Buonsignori Palace. 
 
 18. 
 
 Lucca 
 
 Church of St. Michael. 
 
 33. 
 
 55 
 
 Cortile of the Grottanelli 
 
 19. 
 
 Monza 
 
 Catliedral. 
 
 
 
 Palace. 
 
 20. 
 
 Pavia 
 
 Certosa. Principal front. 
 
 34. 
 
 Spoleto. 
 
 Aqueduct de Longobardi. 
 
 21. 
 
 ) 
 
 Cloister of the Cells. 
 
 35. 
 
 Todi Cathedral. 
 
 22. 
 
 Pisa. 
 
 Cathedral and Leaning Tower, 
 
 36. 
 
 „ Door of S. Fortunate Church. 
 
 
 
 from the west. 
 
 37. 
 
 Verona. 
 
 Amphitheatre, exterior. 
 
 23. 
 
 5J 
 
 The Baptistry. 
 
 38. 
 
 5J 
 
 Cathedral. 
 
 24. 
 
 JJ 
 
 The Pulpit in the Baptistry, by 
 Pisano. 
 
 39. 
 
 55 
 
 Bronze Doors of the Church 
 of S. Zeno. 
 
 25. 
 
 55 
 
 Church of the Spina. 
 
 40. 
 
 Vicenza. 
 
 Basilica. 
 
 10. 
 
 11. 
 
 12. 
 
 13. 
 
 14. 
 15. 
 16. 
 
 17. 
 18. 
 19. 
 20. 
 21. 
 22. 
 23. 
 24. 
 
 Italy — Rome. Folio, 4 vols. 
 
 By Macpherson. 
 
 Vol. I. 
 Arch of Constantine, south facade. 
 „ north fa(^ade, 
 
 ,, north fa(,adc, including the Meta Sudans, and a portion of the 
 
 convent of S. Bonaventura. 
 Fountain of Trevi. 
 
 Portion of the Forum of Nerva, sometimes called the Temple of Pallas. 
 Wanting. 
 
 Columns of the Forum of Nerva, and the Arch called L'Arco dei Pantani. 
 The Three Columns at the foot of the Ca])itol, formerly styled the Temple of Jupiter 
 
 Tonans, and the Arch of Septimius Severus. 
 The Eight Columns at the foot of the Capitol, formerly styled the Temple of Concord, 
 
 and now tlie Temple of Vespasian, or Temple of Saturn. 
 Wanting. 
 The Eight Columns at the foot of the Capitol, formerly styled the Temple of Concord, 
 
 seen fi'om one side. 
 Temple of Venus, and Rome, with distant view of the Roman Forum, taken from the 
 
 Coliseum. 
 Excavations of the Julian Basilica, including a view of the various Temples in the 
 
 P'orum, with the Artih of Titus in the distance. 
 Base of the Column in the Forum of Trajan. 
 Foi'um Romauum, looking towards the Capitol. 
 
 „ General view taken from the Clivus Capitolinus, including the 
 
 principal Temples and the Arch of Titus. 
 Temple of Vesta and House of Rienzi. 
 Wanting. 
 
 Tem])le of Vesta and the Fountain. Taken in summer. 
 Forum of Trajan, 
 Wanting. 
 
 View of the Ponte Rotto, with the new Suspension Bridge. 
 Fa(,-ade of the Church of St. John, Lateraii. 
 Ruin, called the Temple of Minerva Medica.
 
 66 
 
 25. Garden-Front of the Villa Medici, built from the design of Michael Angelo, on the 
 
 Pincian Hill. 
 
 26. The Porta Maggiore and the Tomb of the Baker. 
 
 27. Arch of Titus, Roman Forum. 
 
 28. „ has relief in the interior, representing the procession of the seven- 
 
 branched candlestick, 
 
 29. Equestrian Bronze Statue of Marcus Aurelius, standing in the square of the Capitol. 
 
 30. Wanting. 
 
 31. The CoHseum, with the Arch of Constantine. 
 
 32. „ with distant Latin and Alban Mountains, and Church of St. John, 
 
 Lateran. 
 
 33. „ portion of the Interior Wall. 
 
 34. Castle and Bridge of St. Angelo, with the Vatican in the distance. 
 
 35. Castle of St. Angelo. 
 
 36. Garden in the Vatican, styled " della Pigna," containing the marble base of a column 
 
 dedicated to Antoninus ; architecture of Braraante. 
 
 37. Bas-reHef representing Funereal Games, being one side of the base of the Antonine 
 
 Column, in the garden of the Vatican. 
 
 38. „ representing the Apotheosis of Antoninus and Faustina, on other side of 
 
 Antonine Column, in the garden of the Vatican. 
 
 39. Church of Santa Pudeuziana, the titular church of Cardinal Wiseman. 
 
 40. Foinitain of the Piazza Barberini, taken in winter. 
 
 41. Basilica of Constantine, formerly called the Temple of Peace, in the Forum. 
 
 42. Interior in the Vatican, styled the Hall of the Philosophers. 
 
 43. Church of Santa Maria Maggiore. 
 
 44. Temple of Venus and view of Rome, including the Meta Sudans and the Capitol. 
 
 45. Tomb of Cecilia Metella, with distant view of Rome. 
 
 46. Wanting. 
 
 47. Temple of Fortuna Virilis and the House of Rienzi. 
 
 48. Cloisters of St. Paul, the Basilica, outside the walls of Rome. 
 
 49. Wanting. 
 
 Vol. II. 
 
 50. Base of the Obelisk and Fountain in the Piazza Navona. 
 
 51. Church of the Trinita de' Monti. 
 
 52. Front of a Gothic Church, at Vicovaro, near Tivoli. 
 
 53. Church of S. Maria, in Cosmedin, called the "Bocca della Verita." 
 
 54. Arch of the Consul DolabcUa, on the Celian hill. 
 
 55. View of the Capitoliiie Hill, from the foot of the Aventiue. 
 
 56. View of the Aventine, from the Tarpeian Rock, 
 
 57. Wanting, 
 
 58. St. Peter's, from the Janiculum Hill. 
 
 59. „ with the In([uisition, 
 
 60. „ Piazza. 
 
 61. Wanting. 
 
 62. Wanting. 
 
 63. Group of Stone Pines, in the Villa Doria, 
 
 64. Cypresses, planted by Michael Angelo, in the Cloisters of S. Maria dcgli Angeli. 
 
 65. Wanting. 
 
 66. Arch of Scptimius Sevorus, in the Roman Forum. 
 
 67. View of tlie Cloacii Massima, Temple of V(>sta, Church of the Bocca della Verita. 
 
 68. The Tln-ee Columns, foi-mcrly called the Temple of Jupiter Sfator, with the Temples 
 
 of Pe;ice, Antoninus iuid Fjiustina, &c. 
 
 69. View of tlie Lake, in the Villa Doria, 
 
 70. House of Lucrczia ]>orgiii, near the Church of San Pieiro in \iiic(ili. 
 
 71. Painting, by Enghert, rei)resenting the Arrest of the Family of Manfred by order of 
 
 Charles d'Anjou. 
 
 72. WantiuK.
 
 67 
 
 73. Bas-relief, by Gibson, Phaeton guiding the Chariot and Horses of the Sun. 
 
 74. Last Judgment, in the Sistiue Chapel, taken from an unpublished drawing, after 
 
 Michael Angelo. 
 
 75. Wanting. 
 
 76. Ai'ch of the Goldsmiths, sometimes called the Little Arch of Septimius Severus, in 
 
 the Forum Boarium. 
 
 77. Statue of Livia, called also the Pudicitia in profile, in the Braccio uuovo, Vatican 
 
 Museum. 
 
 78. The Sleeping Ariadne, formerly called the Cleopatra, Hall of the Philosophers, 
 
 Vatican. 
 
 79. Guido painting Beatrice Cenci in prison, the day preceding her execution, from a 
 
 painting by'Ratti. 
 
 80. The Bull-Slayer, Hall of the Animals, Vatican. , 
 
 81. Wanting. 
 
 82. The Nile and its Tributaries, Vatican. 
 
 83. The Roman Campagna, near Frascati Railway. 
 
 84. View of the Tombs on the Via Appia. 
 
 85. Marriage of Cupid and Psyche. 
 
 86. Venus, front view. 
 
 87. „ in profile. 
 
 88. „ back view. 
 
 89. Phocas' Column, excavated to the base. 
 
 90. Front View of the Livia of the Vatican, commonly called the Pudicitia. 
 
 91. The Three Columns in the Forum, formerly called the Temple of Jupiter Stator, and 
 
 now the Temple of Minerva Chalcidica. 
 
 92. The same, on the other side. 
 
 93. Ulysses, by Macdonald. 
 
 94. The Piazza del Popolo, looking from the Corso. 
 
 95. Wanting. 
 
 96. The Quirinal Hill, with the Obelisk and Horses. 
 
 97. Statue of Moses, by Michael Angelo, in the Church of S. Pietro in vincoli. 
 
 98. The Fountain of the Doge, in the Cortile of the Venetian Palace. 
 
 99. Statue of Sabrina, by Caldwell. 
 
 100. View of the Alban Mountains, fi-om the Church of S. Pietro in Montorio. 
 
 Vol. III. 
 
 101. View on the Campagna, four miles from the Lateran Gate, on the Naples road. 
 
 102. Wanting. 
 
 103. View of the Claudian Aqueduct. 
 
 104. Easter Benediction at St. Peter's. 
 
 105. Cupid and the Nymphs, from a painting, by Wider. 
 
 106. Statue of the Indian, by Crawford. 
 
 107. Church of Capo Croce, near Frascati. 
 
 108. Porta Furba. Frascati road. 
 
 109. Wanting. 
 
 110. Palace of the Caesars on the Palatine. 
 
 111. Arch of Septimius Severus, looking from the Forum. 
 
 112. Arch of Janus Quadrifrons. 
 
 113. Sibyl's Temple at Tivoli, interior. 
 
 114. Wanting. 
 
 115. Temple of the Sibyl, Tivoli. 
 
 116. „ seen from the bridge. 
 
 117. „ from the opposite of the ravine. 
 
 118. Large Waterfall. 
 
 119. Cascatelle at the Villa of Miecenas. 
 
 120. Temple styled "della Tosse." 
 
 121. Cypresses in Villa d'Este. 
 
 I 2
 
 68 
 
 122. The Ravine, with Temple of the Sibyl and Grotto of Neptune. 
 
 123. Castle of Tivoli. 
 
 124. Aqueduct near Castel Madama. 
 
 125. Ponte Lucano, with the Tomb of Plautius. 
 
 126. Valley of the Anio, with the Upper and Lower Cascatelle, Maecenas' Villa, and 
 
 distant Campagna. 
 
 127. Palazzo Altoviti, on the Tiber. 
 
 128. Pyramid of Caius Cestius and the English Bnrying-ground. 
 
 129. Madonna and Child, from the Original Painting, by Sasso Ferrate. 
 
 130. Cathedi"al of Orvieto. 
 
 131. „ central doorway. 
 
 132. „ side door on the left with bas-reliefs. 
 
 133. Bas-reliefs, illustrative of the Life of Christ. 
 
 134. Bas-relief of the Last Judgment, Paradise and Hell. 
 
 135. Etruscan Gateway at Perugia. 
 
 136. Wanting. 
 
 137. Church of St. Bernardino at Perugia. 
 
 138. Temple of Clitumuus. 
 
 139. Falls of Terni. 
 
 140. View of the Valley and Town of Narni. 
 
 141. Royal Palace at Caprarola. 
 
 142. Facade of the Church of S. Maria at Toscanella. 
 
 143. Principal Doorway of the Church of S. Maria, at Toscanella. 
 
 144. Group from a Fresco by Luca Signorelli, at Orvieto. 
 
 145. Cupid and Silenus. 
 
 146. Piazza del Popolo, looking south. 
 
 147. Wanting. 
 
 Vol. IV. 
 
 148. Horses of the Capitol, from the Palazzo Caffarelli. 
 
 149. View over Rome, from the Palatine Hill. 
 
 150. Bas-relief of the Biga, Arch of Titus. 
 
 151. Window in the house of Lucrezia Borgia. 
 
 152. Piazza and Fountain of tlie Tartarughe. 
 
 153. Tomb of Cecilia Metclla, from the road "Via Appia." 
 
 154. The Cloaca Maxima. 
 
 155. Valley of Egeria. ^ 
 
 156. Elms in the Valley of Egeria. 
 
 157. Grotto of Egeria. 
 
 158. I'orta San Lorenzo. 
 
 159. Statue of Minerva Medica. 
 
 160. Statue of Demostiienes. 
 
 161. Statue of Silenus holding Bacchus. 
 
 162. Statue of tlie Livia of the "Braccio Nuovo." 
 
 163. Theatre of Mmcellus, from the Piazza lATontanara. 
 
 164. Phocas' Column and Temples in the Forum, with restoration of the remains of the 
 
 School of Xanthus. 
 
 165. Broken Arches in fho Coliseum. 
 
 166. fJulian Ikisilicu, hxtking towards the Taliulai-ium. 
 
 167. Poi'ta S. Paolo, from within, and the I'yramid of Caius Cestius. 
 
 168. Temple of Antoninus and Faustina. 
 
 169. Distant View of Rome and the liaths of Caracalla, from St. John, of the Latin Gate. 
 
 170. Ruins of the Baronial Stronghold at Nepi, tlie hunting seat of Lucrezia Borgia. 
 
 171. Valley of tlie Tiber at Ponte Felice, near Borghettaccio, between Civita Castellana 
 
 and Otricoli. 
 
 172. Bridge of Augustus, at Nai'iu, from the modern l)ridge. 
 173. 
 
 174. Temple of Clitumuus.
 
 69 
 
 175. Town and Castle of Assisi, from the Capuchin Convent, 
 
 176. General View of Assisi, from Santa Maria degli Augeli. 
 
 177. Church of S. Ruffiuo, Cathedral of Assisi. 
 
 178. Temple of Minerva, in the Forum of Assisi. 
 
 179. Church of S. Francesco, at Assisi, from the Via Superba. 
 
 180. ,, from the lower Piazza, near the gate. 
 
 181. ,, Doorway or Portico of the Middle Church, or 
 Crypt. 
 
 182. Fortress at Perugia, built by Pope Paul III., showing an ancient Etruscan gateway. 
 
 183. Corso at Perugia, with the Palazzo Comniuuale. 
 
 184. Fountain of the Pisani, at Perugia, looking towards the Duomo. 
 
 185. Street View in Norcia, after the earthquake, from the Casa Cipriani. 
 
 186. Principal Street near the Upper Gate of Norcia, after the eartlujuake. 
 
 187. Pahxzzo Communale and Chuich of St. Benedict in the Great Sc^uare at Norcia, 
 
 after the earthquake. 
 
 188. Tomb of Scipio. 
 
 189. VicAV. 
 
 Italy — Venice 
 
 1 . Panorama of Venice. 
 
 2. Ducal Palace and Church of St. George. 
 
 3. ,, taken from the Prisons. 
 
 4. Porto della Carta. Entrance to the 
 
 Ducal Palace. 
 
 5. Palazzo Cavalli. The property and 
 
 residence of the Duke of Bordeaux. 
 
 6. Palazzo da Doro. 
 
 7. Palazzo Vendramini. 
 8. 
 
 9. San Marco. 
 
 10. „ Southern fa(;'ade. 
 
 11. ,, and the Ducal Palace. 
 
 12. The Church della Saluti. 
 
 13. Puteal Cornaro Palace at San Samuele. 
 
 14. Entrance to the Vice-regal Palace. 
 
 15. Door of the Pisani Palace, Piazza, St. 
 
 Stephano. 
 
 16. Detail of Window, Palace Bondumiei'o. 
 
 17. Entrance to the Arsenal. 
 
 18. Piazzetta of San Marco. 
 
 19. Palazzo Cavalli and Church della Saluti. 
 
 Folio, 1 vol. 
 
 20. GWant's Staircase. 
 
 21. Rialto. 
 Bridge of Sighs. 
 Church of St. Giorgio. 
 Murano. Church of Santa Maria a 
 
 Douato. The Apse. 
 Church of the Frari. The Apse. 
 Iron Gates of the Loggia, beneath the 
 
 Campanile of San INIarco. 
 Bronze Horses of San Marco. 
 Detail of Bronze Standard. 
 Angle of the Ducal Palazzo. 
 Fisherman presenting the Ring to the 
 
 Doge. Painting. P. Bordone. 
 
 31. Rato d'Europa. 
 
 32. The Family of Darius. By P. Veronese. 
 
 In the Pisani Palace. 
 Christ in Glory. 
 The Assumjition. By Titian. 
 Ritratti della Famiglia Pisani. By 
 
 Titian. 
 
 22 
 23 
 24 
 
 25 
 26 
 
 27 
 28 
 29 
 30 
 
 33. 
 34. 
 35. 
 
 Spain, Greece, Turkey, and Malta. 
 
 Clifford, Robertson, and Beato. 
 
 Folio, 1 vol. 
 
 1. Grenada. Torre del Sino. Alhambra. 
 
 2. Salamanca. St. Stephens. 
 
 3. „ Door of Cathedral; details. 
 
 4. ,, Toire del Claval. 
 
 5. Segovia. Alcazar. The Moorish Tower. 
 
 6. Seville. Door of the Alcazar. 
 
 7. Toledo. Puerta del Sol. 
 
 8. „ Santa Ci'uz. 
 
 9. „ Cathedral. Silver plate. 
 
 10. „ Door of Lions. 
 
 1 1 . Zannova. Cathedial Door. 
 
 12. „ „ Details. 
 
 13. Athens. The Parthenon, exterior. 
 
 14. „ „ » Propyhea, interior. 
 
 15. Athens. Tlw Parthenon, front. 
 
 16. „ The Erechtiu'um. 
 
 17. „ „ _ Caryatides. 
 
 18. ,, Temple of Theseus. 
 
 19. „ Temple of Ju[)iter Olympus, 
 
 Acropolis in the distance. 
 
 20. ,, Arch of Hadrian. 
 
 21. Sunium Temi)le. 
 
 22. Coustantino])le. INIosque of St. Sophia. 
 
 23. „ Kiosk and Mosque of Sultiui 
 
 Mahmoud, at Tophane. 
 
 24. „ Mosque of Sultan Mahmoud 
 
 at Tophane.
 
 70 
 
 25. Constantinople 
 
 26. 
 
 27. 
 
 Fountain in Mosque 
 of Sultan Mahmoud. 
 Fountain of Mahmoud. 
 New Palace. 
 
 Greece, etc. (continued) — 
 
 28. Constantinople. Impl. Gate of Seraglio. 
 Obelisks in the Hippodrome. 
 
 29. 
 30. 
 31. Malta. 
 
 Walls near the Seven Towers. 
 Strada Vescovo. 
 
 Switzerland and America. Folio, 1 vol. 
 Bisson and other artists. 
 
 Castle of Chillon. 
 The Grimsel Hotel. 
 Martigny. 
 Clock at Biile. 
 Heidelberg Castle. 
 Falls of Niagara. 
 
 1. 
 
 Alps. Scene in the. 
 
 
 8. 
 
 2. 
 
 
 
 9. 
 
 3. 
 
 Glacier of Grindehvald. 
 
 
 10. 
 
 4. 
 
 The Finster Aarhorn. 
 
 
 11. 
 
 5. 
 
 Great St. Bernard. 
 
 
 12. 
 
 6. 
 
 Lake of Geneva 
 
 
 13. 
 
 7. 
 
 Ville de Sion. 
 
 
 14. 
 
 
 Palestine 
 
 AND Egypt 
 
 
 
 Frith 
 
 , &c. 
 
 1. Jerusalem. View of. 
 
 2. „ Area ofthe Temple, Mosque 
 
 of Omar. 
 
 3. „ Old wall of the Temple; 
 
 Wailing place of the Jews. 
 
 4. „ Part of the walls and gar- 
 
 den of Gethsemane. 
 
 5. „ Pool of Siloam. 
 
 6. Bethany. Village of. 
 
 7. Bethlehem. Convent of the Nativity. 
 
 8. Mount Horeb. 
 
 9. Mount Serbal. Sinai. 
 
 10. Cairo, from the Citadcd. 
 
 11. „ Street of the Citadel ; street view 
 
 No. 1 ; street of the Uolbarakman. 
 
 Folio, 1 vol. 
 
 1 2. „ Mosque of the Citadel. 
 
 13. Cairo. Moscjueof the Citadel, Fountain 
 
 in the Court. 
 
 14. „ The Mocattam with the Mosque 
 
 of Omar. 
 
 15. „ Mosque ofthe Sultan Hassan. 
 
 16. „ Mosque of the Mahmoudie. 
 
 17. „ Tomb of the Caliph, No. 2. 
 
 18. „ Tomb of the Mamelukes with 
 
 the Mocattam. 
 
 1 9. „ Tomb of the Mamelukes. 
 
 20. Egypt. The Sphynx and Great Pyramid. 
 
 21. ,, The Three Pyramids. 
 
 22. ,, Sakkara Pyramid. 
 
 23. Dashour. Brick Pyramids. 
 
 Arms and Armour in Windsor Castle. Folio, 1 vol. 
 British Museum (for the Trustees of the). Folio, 1 vol. 
 
 1. 
 2. 
 3. 
 
 4. 
 
 5. 
 6. 
 
 /. 
 
 8. 
 
 9. 
 10. 
 11. 
 12. 
 13. 
 14. 
 15. 
 16. 
 17. 
 18. 
 
 Figure, by Fra Angelico. 
 Pietrus Arretinus, by Marc Antonio. 
 Extacy of St. Francis, by Baroccio. 
 The Virgin Enthroned, l)y Fra Barto- 
 
 lomeo. 
 Sultana, by G. liellini. 
 Mahomet II., by G. Bellini. 
 St. John the Baptist and a Bishop, by 
 
 G. Bellini. 
 MaiTJiigc of St. Catherine, by Correggio. 
 Fcniah' Head, by Francia. 
 Pi-oiil(", by A. (iaddi. 
 Increihdity of St. Thomas, by Garofalo. 
 Figure, by F. Lip])i. 
 Crucitixion, l)y Mantegni. 
 Angel with Violin, by P. Perugino. 
 Head of an Old Man, by P. Perugino. 
 Studies by KatTaclle. Virgin and Child. 
 Study by KatUu'Ue. Three nude figures. 
 A nude fiKure. 
 
 19. Infants, by Kaffaelle. 
 
 20. Lucrctia, „ 
 
 21. Female Head, „ 
 
 22. Study of a nude figure seated, with the 
 
 arms raised above the head. Raf- 
 faelle. 
 
 23. Study of a Female, by A. del Sarto. 
 
 24. Holy Family, by Titian. 
 
 25. St. Jerome, ])y Titian. 
 
 26. Profile, ))y E. da Xhwl 
 
 27. Head of an Old IMan, by L. da Vinci. 
 
 28. Julius Caisju-. 
 
 29. Naming of St. John tli(> Ba})tist, by 
 
 Albert Durer. 
 
 30. ]\Ian on Horseback, by Albert Durer. 
 
 31. Lioness, by Ilembrandt. 
 
 32. Landscape, by Kembrandt. 
 
 33. Magdalen, by Mabcuse. 
 
 34. Infant, by P. dc Clianipagne. 
 
 35. Study for Crucifixion, by Memling.
 
 71 
 
 Drawings by Holbein. 
 
 Portraits of Persons at the Court of 
 
 Heniy VIII. Folio, 1 vol. 
 
 Edward Stanley, Earl of Derby. 
 
 Francis Rust«el, Earl of Bedford. 
 
 Brooke, Lord Cobham. 
 
 Lord Vaux. 
 
 Judge More, Sir Thomas More's father. 
 
 Tho. More, Lord Chancellor. 
 
 John ]\Iore, Sir Thomas More's son. 
 
 Phil. Melancthon. 
 
 Name unknown. 
 
 Gawin Curow, Knight. 
 
 S. George, of Cornwall. 
 
 Sir John God.^alve. 
 
 Harry Guldeford, Knight. 
 
 Philip Hobbie, Knight. 
 
 John Poines. 
 
 N. Poines, Knight. 
 
 Tho, Strange, Knight. 
 Charles Winlifield, Knight. 
 Clinton. 
 Thomas Parrie. 
 Peskemeer, a Cornish gent. 
 William Sharinton. 
 Weutworth. 
 
 L Edward, Prince. 26. 
 
 2. Edward, Prince of Wales. 27, 
 
 3. Edward VL 28. 
 
 4. Anna Boleyn. 29. 
 
 5. Duchess of Suffolk. 30. 
 
 6. The Lady of Richmond. 3 1 . 
 
 7. Lady Surrey. 32. 
 
 8. Lady Ratclif. 33. 
 
 9. Lady Vaux. 34. 
 
 10. Lady Audley. 35. 
 
 11. M. Souch. 36. 
 
 12. Lady Eliot. 37. 
 
 13. Lady Lister. 38. 
 
 14. Lady Parker. 39. 
 
 15. Lady Heuegham. 40. 
 
 16. Lady Meutas. 4L 
 
 17. Lady Hobbei. 42. 
 
 18. Lady Borow. 43. 
 
 19. Lady (name unknown). 44. 
 
 20. Waramus, Ai'chbishop of Canterbury. 45. 
 
 21. John Colet, Dean of St. Paul's. 46. 
 
 22. William, Marquis of Northampton. 47. 
 
 23. Tho., Earl of Surrey. 48. 
 
 24. Thomas, Earl of Surrey. 49. 
 
 25. Earl of Surrey. 
 
 iTALiAJi Painting and Sculpture. Folio, 1 vol. 
 
 1. Madonna, by Giovanni Bellini. 
 
 2. Painting, by Perugiui, in the Uffizj Gallery, Florence. 
 
 3. The Lord's Supper, a fresco, by Raphael, in the Convent of S. Onofrio. 
 
 4. Painting, by Raphael, in the Uffizj Gallery. 
 
 5. Painting, by Perugini, in the Uffizj Gallery. 
 
 6. The Lord's Supper, a fresco, by Andrea del Sarto, in the Convent of S. Salvi. 
 
 7. Head, by Leonardo da Vinci. 
 
 8. Apollo, in the Gallery of Florence. 
 
 9. Mercury, in the Gallery of Florence. 
 
 10. The Three Graces, Sienna. 
 
 11. The Group of the Astyanax, side view, by Bartolini, Florence. 
 
 12. The same, front view. 
 
 13. Statue of Nicolo Machiavelli, by Bartolini, Florence. 
 
 14. Rape of the Sabiues, by Giovanni Bologna, Florence. 
 
 15. Equestrian Statue of Cosmo L, by Giovanni Bologna, Florence. 
 
 16. Bronze Statue (Florence), by Giovanni Bologna, Florence. 
 
 17. The Four Mooi-s, a group, in marble, Ijy Giovanni Bologna, Leghorn. 
 
 18. The Dying Ajax, Florence. 
 
 19. Statue of Venus, by Canova, in the Pitti Gallery. 
 
 20. Perseus, by Benvenuto Cellini, Florence. 
 
 21. The Descent from the Cross, after a bas-relief by Michael Angelo. 
 
 22. Colossal Statue of David, by Michael Angelo, Florence. 
 
 23. Statue of S. Giorgio, by Michael Angelo, Florence. 
 
 24. Monument to Lorenzo and Giuliano Medici, by Michael Angelo. 
 
 25. Monument to Lorenzo do Medici, Florence. 
 
 26. Bacchus, by Sansovino. 
 
 27. Statue of Coleoni, equestrian. 
 
 Engravings after paintings in the Loggie of the Vatican. 
 
 Folio, 1 vol. 
 
 Raffiielle and his Pupils.
 
 72 
 
 1. 
 
 2. 
 3. 
 4. 
 5. 
 6. 
 
 7. 
 8. 
 9. 
 
 10. 
 11. 
 12. 
 13. 
 14. 
 1.5. 
 16. 
 17. 
 18. 
 
 1. 
 2. 
 3. 
 
 4. 
 5. 
 6. 
 
 7. 
 
 8. 
 
 9. 
 10. 
 11. 
 
 12. 
 
 J3. 
 14. 
 
 15. 
 
 IG. 
 
 17. 
 18. 
 19. 
 
 South Kensington Museum. 
 
 Photographs from Drawings by Raffaelle, in the Louvre, Paris, and two others. 
 
 Folio, 1 vol. 
 
 Finding the Cup in Benjamin's Sack. Pen and ink drawing. 
 
 Passage of the Red Sea. In the Loggie of the Vatican. 
 
 Moses on Mount Sinai receiving the Tables. In the Loggie of the Vatican. 
 
 Salutation of tlie Virgin. 
 
 Virgin and Child. 
 
 Virgin and tlie Three Marys lamenting over the Body of Christ, accompanied by 
 
 St. John and St. Joseph, of Arimathea. 
 Christ's Charge to Peter. 
 
 Chi-ist Seated in Glory, with the Virgin Mary, St. John, and two others. 
 St. Catherine of Alexanih'ia. Original di-awing for the picture now in the National 
 
 Gallery. 
 Battle of Constantino against Maxentius. 
 Repulse of Attila. 
 Pope Julius II. borne in his chair. 
 Deiuuiciation of Apelles. 
 
 Mother and Child, and the Head of an Old Man. 
 Studies for figure of Bramante, in the " Dispute of the Sacrament." 
 Study of Male Model. 
 Head of a Man, by Michael Angelo. 
 Head of a Child. 
 
 South Kensington Museum. 
 Photographg, from Specimens lent by the Queen and private persons. Folio, 1 vol. 
 
 National Art Competition Medallion, 
 
 by A. Vechte. 
 Carved ivoiy Book-cover, from the 
 
 Lou\Te. 
 Carved oak Chest, front, French gothic 
 
 work, circa 1480. 
 Carved oak Chest, French gothic work, 
 
 circa 1480. 
 Wrought ii"on Lock, French flamboyant 
 
 gothic work, circa 1490. 
 Limoges enamel Plaque "Entombment," 
 
 circa lo20. 
 Triptych in Limoges enamel, by PieiTC 
 
 Raymond, 1543. 
 The same. 
 Tlie same. 
 
 Limoges enamel Ewer, circa 1550. 
 Buhl Cabinet, or Knee-hole Table. 
 
 Frencli, circa 1700. 
 Vase, in ivoiy and ormolu. Period, 
 
 Louis XVI. 
 Boxwood Carving. 
 Burettes. Sacrainental Ewers. Flemish, 
 
 15fli century. 
 Chimney-piece, from Antwerp, circa 
 
 1550. 
 Hercules and Cacus; model in wax, by 
 
 Michael Angelo. 
 The same. 
 The same. 
 Hand, in terra cotta; model by Michael 
 
 Anirelo. 
 
 20. The same. 
 
 21. The same. 
 
 22. Italian enamelled Pix, 15th century. 
 
 23. Majolica Ewer, circa 1490. 
 
 24. Enamelled Terra Cotta, attributed to 
 
 Lucca della Robbia, circa 1500. 
 
 25. Ewer. Venetian enamelled, circa 1 500. 
 
 26. Lavello or Fountain, in Istrian marble, 
 
 circa 1500. 
 
 27. Wood Engraving, from " Songe de Poli- 
 
 ])hile," 1546. 
 
 28. Another. 
 
 29. Vase, in rock crystal. Italian cinque- 
 
 cento work. 
 
 30. Cup, ditto. 
 
 31. Tazza, ditto. 
 
 32. Vase, ditto. 
 
 33. Spoons and Forks, in rock crystal, 
 
 mounted in gold, and set with rubies. 
 Italian cinque-cento. 
 
 34. Stirrup, gilt bronze. Italian cinque- 
 
 cento. 
 
 35. Italian Cassone, or Marriage Coffer, 
 
 circa 1550. 
 
 36. Another. 
 
 37. Chalice, in silver gilt, with enamelled 
 
 ))laques, 16lh centuiy. 
 
 38. Portable Altar, side. German, 13th 
 
 century. 
 
 39. „ top. „ 
 
 40. INIedal, in bronze. Pope Adrian VI. 
 
 German Avork.
 
 73 
 
 South Kensington Museum (continued) — 
 
 41. Horn, in carved ivory. German work, 
 
 1520. 
 
 42. Statuette, in ivory. 
 
 43. „ Virgin and Child, 
 14th century. 
 
 44. Ivory Coffer, top, circa 1330. 
 
 45. Ivory Casket, front, 1350. 
 
 46. Ivory Casket, back, 1350. 
 
 47. „ fi-ont. 
 
 48. „ back. 
 
 49. „ side. 
 
 50. Carved ivory Coiferet, 14th century. 
 
 51. Chinese Mirror. 
 
 Photographs, Unbound. 
 
 Wilkie Photographs, Avith duplicates 42 
 
 Hogarth 9 
 
 West 6 
 
 Guicliiacio 
 Gerard Douw 
 
 Photographs of Six of the Cartoons of Raffaelle, at Hampton Court. 
 
 Christ's Charge to Peter. 
 Paul Preaching at Athens. 
 Elymas the Sorcerer struck Avith Blind- 
 ness. 
 
 The Death of Ananias. 
 
 Peter and John at the Beautiful Gate of 
 
 the Temple. 
 The Sacrifice at Lystra. 
 
 MISCELLANEOUS ENGRAVINGS. 
 
 Skeleton of a Man and male Gorilla 1 
 
 Soulages Chimney Piece ... ... 1 
 
 Holoptychius Nobilissimus, Fossil Fish 1 
 Dinornis Elephantopus ... ... 1 
 
 Women of the Bible ... ... 1 
 
 Oxford Celebrities. One hundred and 
 eighty portraits of Eminent Men 
 connected with the University of 
 Oxford, fi-om Alfred dovm to Wel- 
 lington (with key) ... ... 1 
 
 Eminent Scots. One hundred and 
 fifty-seven authentic portraits. 
 Published for the Centenary Com- 
 memoration of Robert Burns' birth, 
 January 2oth, 1859 (with key)... 1 
 Munich. Photographs in ... 5 
 
 Mary Stuart, Queen of France and 
 Scotland, and Henry, Lord Darn- 
 ley, her husband, from a rare 
 eno;i"avino; 
 Water Nym])hs 
 Florence. Views in. 
 Florence. Sculpture. 
 
 Rape of the Sabines. John of 
 
 Bologna 
 Alexander Dying ... 
 
 Niobe. Uffizi 
 
 Perseus. Benvenuto Cellini 
 St. David. Michael Angelo ... 
 Mercury, by John of Bologna 
 Venus de Medici 
 Venice. Bnildings, &c., in ... 
 
 London Stereoscopic and Photographic Company. 
 International Exhibition, 1862. 
 
 Views of the Interior (marked I)... 36 | Views of the Sculpture (marked S) 
 
 PHOTOGRAPHIC VIEWS. 
 
 1 
 
 1 
 
 11 
 
 51 
 
 Barwon River, Fyansford, Geelong. 
 
 Dryden Rocks, Woodend. 
 
 Lai Lai Falls. 
 
 Lerdederg Creek, Bacchus Marsh. 
 
 Moorabool Falls, near Ballan. 
 
 Natives' Camp, on the Yarra. 
 
 Native Women, old. 
 
 „ young. 
 
 Natives, gi-ouj) of. 
 
 Oriental Bank, Queen-street, Melbourne. 
 Tree, gum. 
 
 „ tea. 
 Werribee River, Maddingley, Bacchus Marsh. 
 „ gorge of. 
 
 You Yang, a view of rocks near. 
 ,, a view of cave near. 
 
 VOLUNTEER ENCAINIPJIENT, SUNliURY, 
 
 Easter, 1864. 
 General View of Encampment. 
 Group, Officers of the Staff. 
 
 „ Officers of the Staff, &c., &c. 
 
 ,, Officers and Non-Commissioned 
 Officers. 
 
 „ Royal Artillery. 
 Group, Volunteers. 
 Guard, Camp. 
 Jackson's Creek.
 
 74 
 
 PHOTOGRAPHIC 
 
 Mallam and King's Store and Canteen Tents. 
 
 Ballarat West Station. 
 
 Barker's Creek Viaduct. 
 
 Castlemaine Station. 
 
 Coliban Viaduct. 
 
 Harcourt Station. 
 
 Jackson's Creek Viaduct. 
 
 Kyneton Station. 
 
 Moorabool Viaduct. 
 
 Sandlinrst Station. 
 
 Taradale Viaduct (2 copies). 
 
 VIEWS (continued)— 
 
 FRAMED. 
 
 6 Dryden Rocks. 
 
 1 Exterior of the Melbourne Public Library. 
 
 I Interior of the Melbourne Public Library. 
 
 I I Views of Neckinger Mills, Bermondsey, 
 
 Bevington's. 
 1 View of Volunteer in Uniform. 
 
 SHELLS, ETC. 
 
 Geological specimens. 
 Shells. ( 
 
 ) 10. 
 
 PORTRAITS. 
 
 Presented to the Trustees. 
 
 Abercombie (the Hon. A.) (Engraving, framed). By 
 
 Barkly (Sir Henry). (Photograph, framed.) By Augustus Tulk, Esq. 
 
 Franklin (Sir John). (Engraving.) By C. B. Wild, Esq. 
 
 Hume (David). (Engraving, framed.) By 
 
 Maund (Dr.) (Oil painting, by N. Chevalier ; framed.) By Miss Maund. 
 
 Robinson (G. A.) Protector of the Aborigines. (Engraving, framed.) 
 
 STEREOSCOPIC VIEWS. 1864. 
 
 
 ENGLAND. 
 
 
 Berkshire. 
 
 
 Devonshire (continued) — 
 
 
 Eton (College, &c.) 
 
 1-4 
 
 Lyndale ... 
 
 ... 8-10 
 
 Maidenhead (Boyne Hill Church^ 
 
 5 
 
 Lynmouth 
 
 11,12 
 
 Reading Abbey 
 
 6 
 
 Lynton (Castle Rock) ... 
 
 13 
 
 Windsor 
 
 7-13 
 
 Pomeroy Castle 
 
 14, 15 
 
 Cambridgeshire. 
 
 
 Durham. 
 
 
 Cambridge 
 
 1-7 
 
 Durham Castle ... 
 
 ... 1,2 
 
 Ely Cathedral 
 
 1-14 
 
 Durham Cathedral ... 
 
 3-7 
 
 Chester 
 
 1-16 
 
 Essex. 
 
 
 Cumberland. 
 
 
 Chingford Chui'ch 
 
 1 
 
 Borrowdale ... 
 
 1 
 
 Gloucestershire. 
 
 
 Bowder Stone ... 
 
 2 
 
 Bristol (Cathedral, &c.) 
 
 1-15 
 
 Buttermere ... 
 
 3,4 
 
 Clifton 
 
 ... 16,17 
 
 Calder Abbey 
 
 5-12 
 
 Cheltenham ... 
 
 18-20 
 
 Cockermouth Castle 
 
 13-17 
 
 Hampshire. 
 
 
 Keswick (Crosthwaite Church)... 
 
 18, 19 
 
 Netley Abbey 
 
 ... 1-5 
 
 Lodore (Inn and Cascade) ... 
 
 20,21 
 
 New Forest (Rufus' Stone).. 
 
 6,7 
 
 Ulleswater (Lyulph's Tower) ... 
 
 22 
 
 Southampton 
 
 ... 8-10 
 
 Derbyshire. 
 
 
 Winchester (Cathedral, &c.) 
 
 11-16 
 
 Bakewell Road 
 
 1 
 
 Kent. 
 
 
 Buxton ... 
 
 2-5 
 
 Barfreston Church 
 
 I 
 
 Castleton (Peak Cavern) 
 
 6 
 
 Broadstairs ... 
 
 2 
 
 Darley Church ... 
 
 7 
 
 Canterbury (Cathedral, &c.) 
 
 ... 3-23 
 
 Dovedale 
 
 8-14 
 
 Charlton House 
 
 24, 25 
 
 Haddon Hall 
 
 15-19 
 
 Cobham ... 
 
 ... 26,27 
 
 Hardwicke Hall 
 
 20-23 
 
 Dover (Castle, &c.) 
 
 28-31 
 
 Malvern ... 
 
 24 
 
 Greenwich (Hospital, &c.) 
 
 ... 32-38 
 
 Matlock 
 
 25-28 
 
 Hever Castle 
 
 39,40 
 
 Monsal Dale 
 
 29 
 
 Ightham Moat-house 
 
 41 
 
 Tissiiigton Hall 
 
 30 
 
 Margate 
 
 42,43 
 
 VV^ingfield Manor House. . . 
 
 31 
 
 Peiishurst Place 
 
 ... 44-46 
 
 Devonshire. 
 
 
 Pounds Bridge 
 
 47 
 
 Chatsworth House ... 
 
 1 
 
 Hamsgate 
 
 ... 48,49 
 
 Exeter (Cathetiral, &c.) 
 
 2-7 
 
 Tunbridge Wells 
 
 50-54
 
 75 
 
 STEREOSCOPIC VIEWS 
 
 Lancashire. 
 
 
 Furness Abbey ... ... ..» 
 
 Lytham (St. Cuthbert's Church) 
 Liucohishire. 
 
 1-7 
 
 8 
 
 Croyhmd Abbey auil Bridge 
 Boston Church 
 
 1-3 
 
 4-6 
 
 Lincohi ... 
 
 7-10 
 
 Lincohi Cathedral ... 
 
 11-24 
 
 London and Westminster ... 
 
 1-66 
 
 Monmouthshire. 
 
 
 Raglan Castle 
 
 1-6 
 
 Tintern Abbey ... 
 
 7-35 
 
 Viaduct at Great Crumliu ... 
 
 36,37 
 
 Norfolk. 
 
 
 Norwich... 
 
 1-23 
 
 Norwich Cathedral ... 
 
 24-36 
 
 Oxburgh Hall 
 
 37 
 
 Somerleyton Hall ... 
 
 38 
 
 Nor tham p ton sh ire . 
 
 Peterborough Cathedral 
 
 7 
 
 Northumberland. 
 
 
 Kirkstone Pass 
 
 1 
 
 Oxfordshire. 
 
 
 Henley-on-Thames 
 Oxford (Colleges, &c.) 
 Shropshire. 
 Tong Church 
 
 1,2 
 
 3-68 
 
 1 
 
 Somersetshire. 
 
 
 Bath (Abbey Church, &c.)... 
 Bathampton Church 
 Cheddar 
 
 1-3 
 
 4 
 5,6 
 
 Claverton Chui'ch 
 
 7 
 
 Wells (Cathedral, &c.) 
 Widcombe Old Church ... 
 
 8-11 
 12 
 
 Staffordshire. 
 
 
 Alton Towers 
 
 1-10 
 
 Lichfield Cathedral 
 
 11-16 
 
 Tutbury Castle and Church 
 
 17, 18 
 
 Woottou Lodge ... 
 
 19 
 
 Suffolk. 
 
 
 Bury St. Edmunds (Abbey, &c.) 
 Lowestoft (St. John's Church) 
 
 1-4 
 
 5 
 
 Surrey. 
 
 Guildford 
 
 1,2 
 
 Waverley Abbey 
 
 3,4 
 
 Sussex. 
 
 
 Battle Abbey 
 
 1-4 
 
 . — England (continued) — 
 
 Sussex {continued) — 
 
 Bay ham Abbey ... 
 
 Bodiam Castle 
 
 Brighton... 
 
 Fairlight (The Lover's Seat) 
 Hastings... 
 
 Hurstmonceux Castle 
 
 Pevensey Castle... 
 
 St. Leonard's on the Sea 
 
 Winchelsea 
 Warwickshire. 
 
 Charlecote House 
 
 Compton Winyate 
 
 Coventry 
 
 Kenilworth (Castle, &c.) 
 
 Stratford ( Church, Shakspeare's 
 house, &c.) 
 
 Sutton Coldfield Church 
 
 Tachbrook Church 
 
 Warwick (Castle, &c.) 
 Westmoreland. 
 
 Ambleside 
 
 Brathay 
 
 Grasmere 
 
 Great Langdale and the Pikes 
 
 Rydal (Mount, &c.) 
 
 Windermere (Lowwood Inn) 
 Wiltshire. 
 
 Devizes (Church, Castle, &c.) ... 
 
 Old Sai'um ... 
 
 Potterne ... 
 
 Stonehenge ... 
 Yorkshire. 
 
 Beverley (Minuter, &c.) 
 
 Bolton (Abbey, &c.) 
 
 Brimham (Rocks, &c.) ... 
 
 Byland Abbey 
 
 Easby Abbey 
 
 Fountains Abbey 
 
 Helmsley Castle... 
 
 Hull (Trinity Church) 
 
 Kirkstall Abbey 
 
 Knaresborough Castle 
 
 Richmond ( Castle, &c.) . . . 
 
 Riveaulx Abbey 
 
 Tattershall Castle 
 
 York (Minster, &c.) 
 
 5 
 
 6-10 
 
 11-14 
 
 15 
 
 16-25 
 
 26-29 
 
 30,31 
 
 32 
 
 33-37 
 
 1 
 
 2,3 
 
 4-6 
 
 7-16 
 
 17-23 
 24 
 25 
 
 26-31 
 
 1-5 
 6,7 
 8,9 
 
 10 
 .. 11-14 
 
 15 
 
 1-4 
 
 5 
 
 .. 6,7 
 
 8-10 
 
 .. 1-10 
 
 11-30 
 .. 31-34 
 
 35-37 
 .. 38-42 
 
 43-66 
 
 ,. 67,68 
 
 69 
 
 ,. 70-77 
 
 78-81 
 . 82,83 
 
 84-98 
 
 99 
 
 100-109 
 
 Isle of Man 
 
 Avoca (Vale of) 
 
 Carrig-a-Druid Castle ... 
 
 Carrick-a-Rede (The Rope Bridge) 
 
 Cashcl (Ruins of) 
 
 Drogheda (Viaduct over the Boyne) 
 
 ISLANDS. 
 
 
 1-13 1 Isle of Wight 
 
 ... 1-22 
 
 IRELAND. 
 
 
 1 
 2 
 3 
 
 4 
 5 
 
 Dublin 
 
 Dungan Castle 
 Giant's Causeway 
 Glengaiiff, near Killarney... 
 Holy Cross Abbey 
 
 6-8 
 
 9 
 
 10,11 
 
 ... 12,13 
 
 14 
 
 K 2
 
 76 
 
 STEREOSCOPIC VIEWS.— Ireland (continued)— 
 
 Howth Castle 
 Jerpoint Abbey 
 Kilcrea 
 
 Kilkenny Castle 
 Kingstown ... 
 Maynooth Castle 
 
 Dean (Lord Jeffery's Monument) 
 Dryburgh Abbey 
 Edinburgh Craigleith Quarry 
 Jedburgh Abbey, &c. ... 
 Kelso Abbey 
 
 Aberglaslyn 
 Beaumaris Castle ... 
 Beddgelert Bridge 
 Carnarvon Castle ... 
 Chepstow Castle 
 Conway (Castle, &c.) 
 Denbigh Castle 
 
 Miscellaneous 
 Portraits. 
 
 1. Brewster (Sir David). 
 
 2. Brougham (Lord). 
 
 3. Gladstone (Rt. Hon. W. E.) 
 
 4. Gough (J. B.) 
 
 5. Kossuth (Louis). 
 
 15 
 
 Monasterboice (Ruins of) ... 
 
 23 
 
 16, 17 
 
 „ ■ (St. Boyne's Cross) 
 
 24 
 
 18 
 
 Muckross Abbey 
 
 25-29 
 
 19,20 
 
 Queenstown and Cork Harbour 
 
 30 
 
 21 
 
 The Scalp, County of Wicklow . . 
 
 31 
 
 22 ' 
 
 
 
 SCOTLAND. 
 
 
 1 
 
 Lincluden 
 
 16 
 
 2-5 
 
 Melrose Abbey... 
 
 17-26 
 
 6 
 
 New or Sweetheart Abbey 
 
 27 
 
 7-13 
 
 Realities of the Waverley Novels 
 
 102 
 
 14, 15 
 
 
 
 WALES. 
 
 
 1,2 
 
 Dolbaderu Tower ... 
 
 28 
 
 3,4 
 
 Glen Lledr 
 
 29 
 
 5 
 
 Meuai and Britannia Bridge 
 
 . 30-33 
 
 6,7 
 
 Penrhyn Park (Entrance) 
 
 34 
 
 8-12 
 
 Snowdon (Summit) 
 
 . 35, 36 
 
 13-26 
 
 Yale Crucis Abbey 
 
 37 
 
 27 
 
 Welsh Village (A) 
 
 38 
 
 MISCELL 
 
 ANEOUS. 
 
 
 14 
 
 Portraits. 
 
 6. Mackay (Charles). 
 
 7. Piccolomini. 
 
 
 
 Crystal Palace. Views in 
 
 93 
 
 
 Exhibition (International, 1862) 
 
 152 
 
 . 
 
 Great Eastern. The (views of) . 
 
 19 
 
 Germany and Switzerland. 
 
 Views on the Upper Rhine, &c. 
 Hungary. 
 
 View of Prague ... 
 Italy. 
 
 Como, Florence, ^lilau, Pudui 
 Pavia 
 
 Naples ... 
 
 Pisa 
 
 Rome 
 
 Sicily 
 
 CONTINENTAL, ETC. 
 
 Italy {continncd) — 
 97 Verona ... 
 
 Venice 
 1 Greece. 
 
 Athens ... 
 1, Turkey. 
 
 11 Constantinople 
 21 Holy Land 
 7 Egypt and Nubia 
 115 China 
 32 Japan 
 
 COLONIAL, ETC. 
 
 Canada 12 
 
 Victoria. 
 
 Sunbury Encampment. View of 1-3 
 
 „ View in Jackson's Creek 4, 5 
 
 ,, The Cam]) Kitchen ... 6 
 New South Wales. 
 
 Botany Bay (South Head of) ... 1 
 
 „ La Perouse's Monument 2 
 
 „ Captain Cook's „ 3-6 
 
 New South Wales (continued)- 
 
 Cockatoo Island, &c. 
 
 Darling Harbor 
 
 Hungry Flat, WoUombi... 
 
 Nepean River. Views on .. 
 
 Sydney. Views in 
 
 Viirious Views 
 America. 
 
 United States 
 
 o 
 27 
 
 11 
 
 18 
 44 
 83 
 41 
 16 
 
 9 
 10-16 
 17-21 
 22-25 
 
 42 
 
 1 Card with description. | 
 
 ALETHOSCOPE. 
 
 8 Flat views. 
 
 4 Curved views.
 
 Jntiiodinjtion to ^uinji, (Pi^dalfi, S:i{. 
 
 The medal, faithful to its charge of fame, 
 Through climes and ages bears each form and name, 
 In one short view subjected to oiir eye 
 Gods, emperors, heroes, sages, beauties lie. 
 
 Pope. 
 
 Coins* — the use of which has superseded the primitive operations of barter — have been 
 likened to words in the language of commerce, not as being intended to designate any 
 particular object, or class of objects, for which they are accounted an equivalent, but as 
 measures of certain amounts of value applicable alike to all commodities. 
 
 Before the metals were adopted as representatives of the value of exchangeable 
 articles, and until they became sufficiently abundant to supply the want of a circulating 
 medium, different communities employed different things for the purpose which money 
 now serves. Cattle, corn, tobacco, sugar, peltry, leather, fish, salt, nails, shells have 
 been in turn the standard to which value was referred."]" 
 
 We see that the precious metals, gold and silver, are mentioned in the earliest history 
 of the eastern nations, and the latter is called " current money with the merchant." 
 
 However, there is reason to believe that neither then,| nor for many ages after the 
 time of Abraham, was money coined or stamped, but beaten or moulded into pieces or 
 rings, its value w^as ascertained by weight. Such rings are represented on ancient 
 Egyptian monuments, and have been found in countries inhabited hj the Celtic races. 
 
 * Lord Coke, whose derivations are sometimes whimsical enough, deduces the word com a 
 CM(/e?ic?o, because it is cut. He says, 1st Inst., 207a., in French coine means a corner ; in ancient times 
 money was sqiiare with corners. [See tlie Japanese coins in the Museum.] Some say, he continues, 
 it is from koIvoq, common for all thmgs. Money he derives a monendo, not only because he tliat hath 
 it is to be warned providently to use it, but because it admonishes of the the issuer and the value. 
 Others derive it from Juno Moneta, in whose temple, at Rome, the mint was established. Livy, vii. 28; 
 Ov. Fas. vi. 183. The Latin word nummiis, as his Lordship says with becoming gravity, is utto tov 
 vofiov, because it proceeds from the law not from nature. Pecimia is from pecus, cattle, for all 
 wealth consisted originally ui cattle. 
 
 The early Roman coins had on the obverse the head of Janus, on the reverse the prow of a ship 
 (Ov. Fast., i. 229); and we learn from Mucrobius, Saturn i. 7, that tlie boys of Rome diverted them- 
 selves in their generation with the exciting game of j)itch and toss, and cried " heads or ships," as oiu* 
 youngsters now-a-days indulge themselves, and cry "heads or tails;" or the youth of Amsterdam, 
 " pop-of wapeut je," head or weapons, i.e., the coat of amns on tiie reverse. 
 
 t Smith's "Wealth of Nations," cap. iv. J About b.c. I9U0; Gen. xx. IG, xxiii. 16, xxiv. 35.
 
 78 
 
 Witliout attempting to determine whether the first coinage occuiTed at Argos, under 
 Phidon, about B.C. 748 ; or at ^gina*; or amongst the Lydians,f it is probable that the 
 invention cannot be fixed at a period more remote than B.C. 800. 
 
 The study of numismatics embraces many subjects of enquiry. Regarding the coin 
 as a manufactured article — it opens an investigation into the physical geography of the 
 country from which it comes, whether the metal of which it is composed be found within 
 its confines or imported from abroad ? If the foi-mer, what were the minerals it con- 
 tained how and to what extent the mines were worked, the metals fused, refined, or 
 adulterated? If the latter — as at Tyre,| Rhodes, Syracuse, and other commercial 
 entrepots where coining was extensively carried on — whence they were brought, and in 
 exchange for what commodities ? 
 
 As a symbol representing the gradations in the scale of value — it suggests the neces- 
 sity for an acquaintance with the management of the public mints and the political 
 
 * Strabo, 376, Grote, Greece, ii. 432. f Herodotus, i. 94. 
 
 t A comprehensive account of the trade of Tyre, called " A Merchant of the People for Many 
 Isles," is given by Ezekiel xxvii. 
 
 About B.C. 580, she imported from — 
 Verse. 
 21. Arabia and Kedar 
 
 6. Bashan 
 
 6. Chittim 
 
 18. Damascus ... 
 
 19. Dan and Javan 
 
 15, 20. Dedan 
 
 7. Egypt 
 
 7. Elishah, isles of 
 
 19. Javan, see Dan. 
 
 17. Judah and Israel 
 
 5. Lebanon 
 
 22. Kaamah and Sheba 
 
 5. Senir 
 
 16. Syria 
 
 14. Togarmah 
 
 12. Tarshish 
 
 13. Tubal 
 
 She exported to — 
 
 23. Asshur, Cannch, Chilmad, 
 
 Eden, Ilaran, Sheba ... 
 
 18. Damascus 
 
 She cmployed- 
 
 Rams, lambs, goats. 
 
 Oak for oars. 
 
 Ivory. 
 
 Wine of Helbon, white wool. 
 
 Bright iron, cassia, calamus. 
 
 Ivory, ebony, precious clothes for 
 
 chariots. 
 Fine linen with broidered work. 
 Blue, purple. 
 
 Wheat of Mmnith and Pannag (millet 
 or spice ?), honey, oil, balm. 
 
 Cedar for masts. 
 
 Spices, precious stones, gold. 
 
 Fir trees for sliipboards. 
 
 Emeralds, purple, and embroidered 
 work, fine linen, coral, agate. 
 
 Horses, mules. 
 
 Silver, iron, tin, lead. 
 
 The persons of men, and vessels of 
 brass. 
 
 ( Blue clothes, broidered work, chests 
 \ (of cedar bound with cords) of rich 
 i apparel. 
 
 The multitude of wares of home 
 manufacture. 
 
 Of Gebal. 
 
 9. Caulkers 
 
 G. Carpenters and workers in ivory Ashur. 
 
 8. Mariners Arvad and Zidon. 
 
 12, 13. Merchants Javan, Meshech, Tarshish, Tubal. 
 
 10 11. Soldiers Arvad, Gammad, Lud, Persia, Phut.
 
 79 
 
 economy of the times, subjects which, with others akin to them, cannot be considered 
 devoid of attraction, when they have engaged the pens of such writers as Gibbon, Hume, 
 Smith, Grote, Boeckh, and others. 
 
 As works of art — coins, medals, and seals invite attention to the knowledge of the 
 metallurgist, the taste and ingenuity of the designer of the effigy, the skill of the engraver. 
 In them and in such gems, cameos,* intaglios, niellos, and cai'vings as have engaged a 
 Pyrgoteles, a Chromios, a Gnaios, an Admon, a Dioscorides, an Albert Durer, a Benve- 
 nuto Cellini, we may at the same time admire the excellence of the workmanship, and 
 fonn an idea of the degree of refinement attained by the society amongst which such 
 works were produced. 
 
 As aids to history — they possess a peculiar use. General laws which have governed 
 ancient societies, exceptional transgressions of those laws which have given rise to political 
 convulsions, codes of philosophy, systems of political economy, are not to be expected 
 from them. 
 
 Still a series of medallions, medals, coins, and gems may be regarded as a band of 
 laconic and suggestive commentators, giving evidence of facts of which they were contem- 
 porary witnesses. They have lived through time, surviving the perishable productions 
 of deceased authors ; they speak unprejudiced by ignorance or the influence of interest or 
 faction, and they may be relied on as far as they extend, with as much confidence as can 
 be reposed in most human testimony, to supplyj omissions, confirm floubts, to reconcile 
 the conflict, to correct the extravagance, or to silence the mendacity of careless, credulous, 
 or unscrupulous writers. 
 
 From them we may learn particulars of pagan mythology which would have been, 
 without them, unknown ; for representations of Divinities and personifications of allego- 
 rical character, thus perpetuated, afford a fuller illustration of the Deities worshipped and 
 of the rites practised than has been preserved in books. 
 
 The portraits of illustrious men and women are thus preserved, and we are made as 
 famiUar with their features as with those of our friends produced by the process of photo- 
 graphy. Costume and ornament, domestic habits and indulgences, may be studied from 
 them as from a modern magazine of fashion. Temples, the Deities in whose honor they 
 were founded and the great men by whom consecrated ; public buildings, with statements 
 
 * Cameo or camaieu is a general name given to anaglyptics or anaglyphies, cut in relief so as to 
 appropriate to different parts of the work different colored layers or veins of wliicli some precious 
 stones — the onyx, sardonyx, agate, calcedony — are composed, or of such as are colored by artificial 
 means. Shells of certain molluscous fish are also used for the purpose. The derivation usually 
 accepted is camehuia or camebuia, the Oriental term to signify an onyx. Intaglio is a diaglyphic 
 or engraving cut on a gem, from the Italian intagliare, to cut. Niello resembles damascene work ; it 
 is made by enchasing silver and lead into other metals or into wood. 
 
 t A portion of the history of Bactria, from b.c. 100, is derived altogether from coins.
 
 80 
 
 of the date when built, and their uses ; representations of works of art, the originals of 
 which have been destroyed ; the position and insignia of towns and their people, their 
 productions or the staples of trade, punning or equivocating emblems,* are depicted and 
 inscribed on them. 
 
 Military exploits, the conquest or enfranchisement of kingdoms or provinces, the con- 
 federations or treaties entered into, events worthy of being commemorated, are thus 
 recorded; and chronology is by them enabled to pronounce with authority on many 
 classes of occurrences. 
 
 It is well, however, that tlie numismatist should be guarded against the difficulties 
 and deceptions which surround the study. These arise in some cases fi-om errors in the 
 minting, from the fabulous character of the devices, unintelligible in the absence of a clue 
 to their meaning, fi-om the indistinctness of the figures and legends, from the archaic and 
 forgotten languages of the inscriptions, and the difficulty of deciphering or explaining 
 them ; frequently, also, from the remoteness and iniprol)al)ility of the conjectures respect- 
 ing their signification, which, put forward with boldness and supported by learning, are 
 calculated to captivate and mislead. 
 
 Other fruitful causes of confusion arise from coins having been reissued at diffijrent 
 times, a new dief having been stamped upon one side or upon both without obliterating 
 the old die; also by the issue at some periods — as dui'lng the reigns of Titus, Domitian, 
 Nerva, Trajan — of'coins Ijeariug insignia of a diffident age j — such as the badges § of the 
 families of the ^milii, the Horatii, the Manlii, the Marcelli — either in compliment to 
 them or to revive the recollection of ancient Roman valor and simplicity, and as was 
 done in like mannei-, with perhaps other motives, in Sicily, Africa, and Byzantium. 
 Forgeries! also, ])otli fraudulent and excused on commercial grounds, or for military 
 reasons, in ancient and modern times, have been extensive and successful. 
 
 * On tlie coin of ^Ictapontuni was an ear of corn ; of Cyrcne, a ])lant of siliihium ; of Seliniis, a 
 sprig of parsley (SeXTi/ov); of ]{liO(lcs, a rose; of Sicily, the tri(iuftra, or tln-co logs, like the modern 
 heraldic emblem of the Isle of Man. 
 
 f Money coined by Vespasian, at Antiocli, ])eforc he assmned the purple, was restampcd, it is sup- 
 posed, by Barchochebas, the Jewish insurgent, in the reign of Ilatkiaii. 
 
 J These were called Restituti. § Niebiihr, Lect. on H. of U., iii. 317; Vopisc. An., 38. 
 
 II Julius Caesar, in his first consulship, purloined 3,000 pounds weight of gold from the treasury and 
 substituted for it gilt brass. — Suetonius, Jul. C;x>s., .54. Caracalhi issued spurious money with which 
 to pay the stipend to tlie barbarians pensioned by liim ; they discovered the deception, and sent it 
 back to Home. — Dio. Cas. Ixxvii. 14. In the third centiuy the silver coinage was debased, as in 
 Ireland, by Queen Elizabeth, and in Prussia, in the seven years' war. — Xieb. Lect. iiL 317. And the 
 wit and sarcasm levelled by Swift, in his "Drapier's Letters," against George AVood, "hardwareman 
 and bankrupt," wlio coined halfpence for circulation in Ireland, liave been surpassed by the irony 
 and invective of Aristophanes, directed against Dionysius, of Athens, who went by the name of 
 6 xoXkowc, "the man of brass." — Aristoph. Frogs, 72.5; Ecdesiaz. 816; Aristotle Khet., iii. 2; Atbenajus, 
 XV. 9, Devrieu and Weber, of Florence; Galli, of Rome; Cogonier and I^a Iloche, of tlie south 
 of France; Carleron, of Holland -, and Capraro, of Smyrna, have been amongst the most successful
 
 81 
 
 The prerogative of coining usually resides in the monarch,* or chief executive 
 power in the state. 
 
 On Roman coins the letters S.C. denote that the money was issued by the decree of 
 the Senate. That body appears to have retained that privilege with respect to the copper 
 coinage even after the institution of the Imperial authority, though not as regarded the 
 coinage of gold and silver. The coins of families owe their origin to a singular arrange- 
 ment. When the erection of a public building or carrying out of a particular public 
 service was entrusted to a pro-consul, praetor, quajstor, or gedile, a sum of money suffi- 
 cient for the purpose was voted. The senate then made a grant of a corresponding 
 weight of bullion, and the triumiM.ri monetales, or masters of the mint, stamped it with 
 the titles and emblems of the officer. f These coins are devoid of one feature, the absence 
 of which the chrouologist and the historian lament, they rarely present a date. 
 
 Colonies, tributary states, and cities were allowed to enjoy the privilege of coining ; 
 but it seems that the Romans insisted on payment of the tribute being made in money 
 of the commonwealth or of the empire, and not in the currency of their vassals.| 
 
 Great Britain has already permitted one of her Australian dependencies to issue gold 
 coin, from a branch of the Royal Mint established at Sydney, in New South Wales. 
 
 Leave to establish another branch in Melbourne has been applied for. Should Her 
 Majesty the Queen be graciously pleased to sanction this exercise of Her Royal prero- 
 gative here, it is probable that a new impulse may be given to the study of numismatics 
 in our community. 
 
 imitators in modern times. The Pillar dollar of Mexico and the Maria Theresa dollar have been 
 reproduced by private manufacturers for the purposes of trade in the East, the Oriental nations being 
 so averse to change as to prefer coins bearmg the familiar effigies on them to others. The Germans, 
 in ancient times, like Eastern nations of the present age, preferred silver to gold. — Tacitus de Mor. 
 Ger. c. 5. Wellington adopted in France, a.d. 1814, an expedient similar to one which he had 
 resorted to previously in India. He established a secret mint, at which he melted down British 
 sovereigns and coined Napoleons; thus the loss on exchange was saved and the difficidties arising 
 from the repugnance of the people of the country to take* foreign money were evaded. — Napier, 
 "Peninstdar War," vi. 518. 
 
 * One of the charges preferred against Wolsey, to be found in Lord Coke's 4th Institute, 94, is 
 given by Shakespeare, who makes Suffolk taunt the Cardinal — 
 
 " That out of mere ambition you have caus'd 
 Yom- holy hat to be stamp'd on the King's coin." 
 
 Hen. VIII., iii. 2. 
 The illegal act here is the stamping; for prelates and monasteries — York, Canterbury, Dxu-ham, Win- 
 chester, St. Edmundsbury, &c., &c. — were allowed by charter or usage to coin money. They had 
 the profit of the coinage, but no power to institute either the alloy, denomination, or stamp. — 
 Hale, P. C, 191. 
 
 f Niebuhr, Hist, of Rome, iii. 552. 
 
 X A memorable illustration of this is given in Matt. xx. 20; the corroborating evangelists, Mark, 
 xii. 16, Luke, xx. 24, use the same words. On the corns of Judea were the pot of manna, the vine, 
 the sheaf of corn, the palm, but they bore no "image or superscription." — Calmet Frag., 28. 
 
 L
 
 82 
 
 Of Seals it will be observed there is a rather extensive collection ; they are chiefly 
 British, and are divided into regal, those of corporations, lay or ecclesiastic, and of 
 families. 
 
 In days when an ability to write was confined to but few persons, the seal took the 
 place of the signature of the name to attest the authenticity of the document, and at all 
 times the acts of persons, filling or associated in a corporate capacity, can be vouched 
 only by affixing the seal of office or the common seal. 
 
 It is not proposed to enlarge at the present time on the subject. The use of seals is 
 of great antiquity, but the Romans do not appear to have had recourse to them for 
 public purposes as other nations have done. • 
 
 Many of the seals of corporate bodies in this country are engraved with consider- 
 able skill. It will be observed with satisfiiction, that all those of the municipalities 
 recently created bear upon them, in addition to their own appropriate insignia, the Royal 
 Arms of England.* 
 
 * The Parts of a Coin are — 
 
 The ]VIiLLiNG (of modern use), the edge, the 
 RIM, the SIDES— of these the obverse bears the 
 head or name of the monarch, the insignia or 
 name of the state or city, and the chief de- 
 vice and inscription ; the reverse bears the coat 
 of arms, or the value, or the secondary inscrip- 
 tion. 
 
 The Field is the space mioccupied by device or 
 inscription. 
 
 The Exergue is tlie space on the reverse below 
 the main dence. 
 
 The Syjihol is an object in the field of a coin, 
 
 neither a letter nor a monogram. 
 The Mint INIark. 
 A coin is Sukfrappe when a new die has been 
 
 struck on an old coin, the older impression 
 
 bemg still in part legible like a Piilimpsest MS. 
 Double struck when one of the dies has shifted 
 
 so as to make a double impression. 
 A Mule when it presents two observe or two 
 
 reverse types, or when the obverse and reverse 
 
 types do not correspond.
 
 Mlarjif) |lejatin0 ta (^mm, ^hhh ^ 
 
 A. 
 
 ACADEMIE EOYALE DES INSCRIPTIONS ET DES BELLES LETTRES. 
 
 Histoire dc 1', depuis son Establissement jusqu'a present avec des Memoires de 
 Litteniture tirez des Registres. 4to, 51 vols. Paris, 1736-1856. 
 
 ADDISON (Right Hon. Joseph). Works of. Edited, with Notes, by Bishop Hurd. 
 
 8vo, 6 vols. Lond., 1811. 
 
 AINSLIE (General). Illustrations of the Anglo-French Coinage; taken from the Cabinet 
 of an F.S.A., with Supplement; also, Catalogue of tlie Coins and Medals of the 
 late General Aiuslie, sold June, 1840. 4to, 1 vol. Lo?id., 1830-47. 
 
 AKERMAN (John Yonge). 
 
 1. Descriptive Catalogue of Rare and Unedited Roman Coins, from the earliest 
 
 period to Constantinus Paleologos. 8vo, 2 vols. Lond., 1834. 
 
 2. Archaeological Index to Remains of Antiquity of the Celtic, Romano-British, 
 
 and Anglo-Saxon periods. 8vo, 1 vol. Lond., 1847. 
 
 B. 
 
 BAYER (Francis Perez). De Numis Ilebraeo-Samaritanis. 
 
 4to, 1 vol. Valent., 1781. 
 BOYNE (William). Tokens issued in the Seventeenth Century, in England, Wales, 
 and Ireland, by Cor[)orations, Merchants, Tradesmen, &c. 
 9 8vo, 1 vol. Lond., 1858. 
 
 BRITISH MUSEUM. 
 
 1. Description of the Anglo-Gallic Coins in the British Museum. 
 
 4to, 1 vol. Lond., 1^26. 
 
 2. Nummi Veteres Civitatnm, Regum, Gentium et Provinciarum, Londini in 
 
 Museo Ricliardi Knight asservati, ab ipso Ordine Geographico descripti. 
 
 4to, 1 vol. Lond., 1830. 
 
 BUDE (Guillaume). Libri V. de Asse et partibus ejus, post duas Parisienses Impres- 
 siones Castigati. 8vo, 1 vol. Ven. Aldus, 1522. 
 
 BURN (Jacob Henry). Descripti\e Catalogue of London Tokens, current in the 
 Seventeenth Century, presented to the Corporation Library by H. B. H. 
 Beaufoy. 2ud ed. Bvo, 1 vol. Land., 1855. 
 
 C. 
 
 CARDONNEL (Adam de). Numismata Scoti?e; or, a Series of the Scottish Coinage 
 from the reign of William the Lion to the Union. 4to, 1 vol. Edin., 1786. 
 
 CARD WELL (Edward, D.D.) Lectures on the Coinage of the Greeks and Romans. 
 
 8vo, 1 vol. Oxford, 1832. 
 
 L 2
 
 84 
 
 COMBE (Charles). Nummorum Veterum Populorum et Urbium qui in Museo Gul. 
 Hunter asservantur Descriptio figuris illustrata. 4to, 1 vol. Lond., 1782. 
 
 COOKE (William). Medallic History of Imperial Rome, fi-om the first Triumvirate to 
 (ilonstantine the Great. 4to, 2 vols. Lond., 1781. 
 
 DONALDSON (Thomas Levertox). 
 Medals of Classic Antiquity. 
 
 D. 
 
 Architectura Numismatiea ; or, Architectural 
 8vo, 1 vol. Lond., 1859. 
 
 E. 
 
 ECKHEL (Joseph). Dbctrina Numorum Veterum ; et Addenda ex Ejusdem Auto- 
 grapho Postumo. 4to, 8 vols. Vindob, 1792-1828. 
 
 EDWARDS (Edward). The Napoleon Medals: a complete series of the Medals struck 
 in France, Italy, Great Britain, and Germany, 1804-1815 ; engraved by the 
 process of Achilles Collas, with Historical and Biographical Notices. 
 
 "Folio, 1 vol. Lond., 1837. 
 
 ENCYCLOPEDIAS passim. 
 
 ENGLAND (Rev. Thomas R.) Memoir of an Antique Medal, lately found at Friar's 
 Walk, near Cork, Ireland. Land., 1819. Msh Pamp., vol. I. 
 
 F. 
 
 FLLESSBACH (Dr. Ferdinand). Miinz-Sammlung seit dem Westphalischen Frieden 
 bis zum 1800 gepriigten Gold-und Silbermiinzen siimmtlicher Lander mid 
 Stiidte. 8vo, 1 vol. Leips., 1856. 
 
 Gr. 
 
 GRASSE (Dr. J. G. Th.) Handbuch der Alten Numismatik von den iiltesten Zeiten 
 
 ^ bis auf Constantin d. Gr. 8vo, 1 vol. Leips., 1854. 
 
 GREEN (B. G.) A Numismatic Atlas of Ancient History. Folio, 1 vol. Lond., 1829. 
 
 H. 
 
 HAWKINS (Edward). The Silver Coins of England Arranged and Described, with 
 Remarks on British Money i)revious to the Saxon Dynasties. 
 
 8vo, 1 vol. Lo7id., 1841. 
 
 HEARNE (Thomas). Collection of Curious Discourses, written V)y eminent Antiqua- 
 rians upon several Heads in our English Antiquities. 
 
 8vo, 2 vols. Lond., 1771. 
 
 HU:MPIIREYS (Henky Noel). The Coinage of the British Empire and her Depen- 
 dencies iiom the earliest period. New ed. 8vo, 1 vol. Lond., 1861. 
 
 HUSSEY (Roi'.eiit). Essay on the Ancient Weights and Money, and the Roman and 
 Greek Liquid Measures; with an Appendix on the Roman and Greek Foot. 
 
 8vo, 1 vol. Oxford, 1836.
 
 85 
 
 LINDSAY (John). 
 
 1. The Coinage of Ireland, with some Account of the Ring Money. 
 
 4to, 1 vol. Cork, 1839. 
 
 2. The Coinage of the Heptarchy. 4to, 1 vol. Cork, 1842. 
 
 3. The Coinage of Scotland, and of Scottish Coins found in Ii-eland. 
 
 4to, 1 vol. Cork, 1845. 
 
 4. The History and Coinage of the Parthians; with Descriptive Catalogues and 
 
 Tables. Elustrated with a complete set of Engravings of Coins. * 
 
 4to, 1 vol. Cork, 1852. 
 
 M. 
 
 MACPHERSON (Duncan, M.D.) Antiquities of Kertch, and Researches in the Cim- 
 merian Bosj)horus. Folio, 1 vol. Lotid., 1857. 
 MADDEN (Fkedekk K W.) Handbook of Roman Numismatics. 
 
 12mo, 1 vol. Lond., 1861. 
 MARTIN (Leopold C.) and TRUBNER (Charles). The Current Gold and Silver 
 Coins of all Countries: their Weight and Fineness, and their Intrinsic Value in 
 English Money, with Facsimiles of the Coins. 8vo, 1 vol. Land., 1863. 
 
 MILLIN (AuDiN Louis) et MILLINGEN (Jacques). Histoire Metallique de Napo- 
 leon ou Recueil des Medailles et des Monnaies qui ont etc frappees depuis la 
 Premiere Campagne de TAi'mee d'ltalie jusqu'a la fin de son Regue. 
 
 Folio, 1 vol. Paris, 1854. 
 MUDIE (James). Historical and Critical Account of a Series of National Medals. 
 
 4to, 1 vol. Lond., 1820. 
 
 MUNZKUNDE (Neueste). Abbildung und Beschreibung der jetzt coursireuden Gold- 
 
 und Silbermiiuzen. 8vo, 2 vols. Leips., 1853. 
 
 MURRAY (John). The Truth of Revelation Demonstrated by an Appeal to existing 
 
 Monuments, Sculptures, Gems, Coins, and Medals. 
 
 2nd ed. 8vo, 1 vol. Land., 1840. 
 
 P. 
 
 POSTE (Beale). 
 
 1. Britannic Researches. New Facts and Rectifications of Ancient British 
 
 History. 8vo, 1 vol. Lond., 1853. 
 
 2. Coins of Cunobeline and of the Ancient Britons. 8vo, 1 vol. Lond., 1853. 
 PRINSEP (Henry T.) Note on the Historical Results deducible from Recent Disco- 
 veries in Afghanistan. 8vo, 1 vol. Lond., 1844. 
 
 R. 
 
 RUDING (Rogers). Annals of the Coinage of Great Britain and its Dependencies, 
 from the earliest period to the reign of Victoria. 
 
 3rd ed. 4to, 3 vols. Lorid., 1840. 
 
 S. 
 
 SCHUBERT (General T. F. de). Monnayes Russes depuis le Czar Joan Wasiliewicz 
 Grozny! jusqu'a I'Empereur Alexandre II., 1547-1855. 
 
 8vo, 2 vols.; and Atlas, folio, 1 vol. L.eips., 1857. 
 SERIALS. Bohn's Scientific Library. Humphreys (II. N.) Coin Collector's Manual. 
 
 2 vols.
 
 86 
 
 SMITH (Charles Eoach). 
 
 1. Collectanea Antiqua: Etchings and Notices of Ancient Remains, Illustrative 
 
 of the Habits, Customs, and History of Past Ages. 
 
 8vo, 5 vols. Lo7id., 1848-61. 
 
 2. Illustrations of Roman London. 4to, 1 vol. Lond., 1859. 
 SMITH (Henry Ecroyd). Reliquiae Isurianae: Remains of the Roman Isurium (now 
 
 Aldborougli, near Boroughbridge, Yorkshire). Illustrated. 
 
 4to, 1 vol. Lond., 1852. 
 SMITH (William, LL.D.) 
 
 1. Dictionary of Greek and Roman Biography and Mythology. 
 
 8vo, 3 vols. Lond., 1849. 
 
 2. Dictionary of Greek and Roman Antiquities. 
 
 2nd ed. 8vo, 1 vol. Land., 1853. 
 
 3. Dictionary of Greek and Roman Geography. 8vo, 2 vols. Zo??y/., 1854-61. 
 
 4. Dictionary of the Bible, comprising its Antiquities, Biography, Geography, 
 
 antl Natural History. 8vo, 2 vols. Lond., 1860. 
 
 SOCIETIES. Arclueological. 
 
 1. Archa^ologia (The). Miscellaneous Tracts relating to Antiquity, published 
 
 l>y the Royal Society of Antiquaries of J^ondon. 
 
 4to, 40 vols. L^ond., 1804-60. 
 
 2. Arclia;ologia iElianu. Miscellaneous Tracts relating to Antiquity, published 
 
 by the Society of Antiquaries of Newcastle-upon-Tyne. 
 
 4to, 4 vols.; 8vo, 5 vols. Ne%vcasfle-npon-Tyne, 1822-61. 
 
 3. Archa-ologia Cambi'cnsis : A Record of the Anticjuities of Wales and its 
 
 Marches, and the Journal of the Cambrian Arclueological Association. 
 
 8vo, 18 vols. Lond., 1846-62. 
 
 4. Archasologia Scotica. Transactions of the Society of Antiquaries of Scot- 
 
 laiul. 4to, 4 vols. Edin., 1792-1831. 
 
 5. Archajological Institute of Great Bi'itain and Ireland. Memoirs of. 
 
 8vo, 2 vols. Lond., 1851-53. 
 (i.) History and Antiquities of Wiltshire and Salisbury, 
 (ii.) Ilistoiy iiiid Antiquities of Bristol and the Western Counties. 
 
 6. Archaeological Irish Society. Publications of the. 
 
 4to, 15 vols. Dublin, 1841-51. 
 
 * 7. Archaeological Journal, published under the direction of the British Arcluro- 
 
 logical Association. 8vo, 18 vols. L^ond., 1845-62. 
 
 8. Ai-chaM)logical Society of Kilkeiuiy. 8vo, 6 vols. Didjiin, lH'io-6l. 
 
 9. Archa;ology. Ulster Journal of 4to, 8 vols, nelfasf, 1853-60. 
 
 10. Arclieologie de la France. Annales Archeologiques diri<rees par Didrou 
 
 Aine. 4 to, 19 vols. '7*am, 1844-59. 
 
 11. Asiatic Society (The Royal) of Great Britain and Ireland. 
 
 (i.) Transactions of 4to, 3 vols. Lond., 1827-35, 
 
 (it.) Journal of. Folio, 1 vol.; 8vo, 16 vols. Lond., 1834-56. 
 
 12. Numismatic Society. Chronicle and Journal of the. 
 
 8vo, 24 vols. Lo?id., 1836-62. 
 
 WILSON (Horace Hatman). Arriana Antiqua: a Descriptive Account of the Anti- 
 quities and Coins of Aifghanistan ; with a Memoir on tlic Buildings called 
 Topes, by C. Masson. 4to, 1 vol. Lond., 1841. 
 
 WRIGHT (T.) Arclupological Album ; or, Museum of National Antiquities. Edited by 
 T. Wright; with lllustiations by F. W. Fairholt. 4lo, 1 vol. L.ond., 1845.
 
 ^m^ ^\uh\% ^l^wtb, c^mls, and Jmpi;cfiJiionfj of <^ij^alfi. 
 
 PRESENTED TO THE TRUSTEES BY VARIOUS DONORS. 
 
 AMERICA, NORTH. 
 
 UNITED STATES. 
 
 Silver. 
 2 dimes. 
 1 half dime. 
 1 twouty-five cents. 
 1 teu cents. 
 1 five cents. 
 
 1 three cents. 
 Copper. 
 
 2 cents, 1848, 1851. 
 
 WEST INDIES. 
 
 3 silver bits. 
 
 AMERICA, SOUTH. 
 Silver. 
 
 1 five reals; Repub, Argent., 1846. 
 
 1 real; Repnb. New Granada. 
 
 1 two reals; Repub. Peru. 
 Copper. 
 
 4 forty cents; Brazil. 
 
 1 med. cent; Chili, 1843. 
 
 1 forty cents; Uruguay, 1844. 
 
 BELGIUM. 
 Silver. 
 
 1 half franc, 1838. 
 Copper. 
 
 1 five cents. 
 WJiite metal. 
 
 2 ten cents. 
 
 BRAZIL. 
 
 3 copper, 1767, 1823. 
 
 CHINA. 
 
 31 brass, perforated. 
 
 DENMARK. 
 
 Silver. 
 
 1 sixteen skiUing, 1858. 
 Base metal. 
 
 1 four skilling. 
 
 2 one and a quarter skilling. 
 
 1 one skilling. 
 
 EAST INDIES. 
 
 EAST INDIA COMPANY. 
 
 Silver. 
 
 2 two annas. 
 Copper. 
 
 1 half pice. 
 
 5 half cents, 1 845. 
 
 3 quarter cents, 1845. 
 1 five cash. 
 
 1 half anna. 
 1 (4). 
 
 NATIVE COINS. 
 
 1 1 silver. 
 
 4 copper. 
 
 ENGLAND. 
 
 ANGLO-SAXON. 
 
 1 skeatta, Ethilred. 
 
 1 „ Northumbrian. 
 
 EDWAKD II. 
 
 Silver. 
 
 2 shillings. 
 
 EDWARD III. 
 
 Silver. 
 
 3 groats, slightly difierent. 
 
 EDWARD IV. 
 
 Silver. 
 
 1 shilling. 
 
 2 groats.
 
 88 
 
 ENGLAND {continued)— 
 
 EDWARD VI. 
 
 Silver. 
 
 3 shillings. 
 1 sixpence. 
 
 MART. 
 
 Silver. 
 
 1 sixpence. 
 
 ELIZABETH. 
 
 Silver. 
 
 1 two-shilling piece. 
 
 4 shillings, 1561, &c. 
 
 5 sixpences, 1564-94. 
 1 two-penny piece. 
 
 1 penny piece. 
 
 1 three-farthing piece. 
 
 JAMES I. 
 
 Silver. 
 
 2 shillings. 
 
 2 sixpences, 1624, &c. 
 
 CHARLES I. 
 
 Silver. 
 
 1 twopence. 
 Copper. 
 
 1 brass coin. 
 
 1 copper mite. 
 
 CHARLES II. 
 
 Silver. 
 
 2 crowns, 1672, 1676. 
 
 1 groat, 1679. 
 
 2 threepences, N.D. 
 2 twopences, 1679. 
 
 2 pennies, 1676, 1678. 
 Copper. 
 
 3 farthings, 1674, 1675. 
 
 JAMES II. 
 
 Silver. 
 
 1 sixpence, 1686. 
 
 2 threei)ences, 1686, 1687. 
 1 twopence, 1687. 
 
 1 penny. 
 
 WILLIAM AND MARY, 
 
 Silver. 
 
 1 halfcrown, 1689. 
 1 shiUing, 1693. 
 
 WILLIAM III. 
 
 Silver. 
 
 1 crown, 1690. 
 2' sixpences, 1696. 
 1 twopence, 1701. 
 
 ENGLAND {continued) — 
 
 Copper. 
 2 pennies. 
 
 1 halfpenny, 1697. 
 
 2 farthings, 1699, 1702. 
 
 ANNE. 
 
 Silver. 
 
 3 halfcrowns, 1707, 1708, 1710. 
 2 shillings, 1702, 1711. 
 
 1 threepence, 1709. 
 
 GEORGE I. 
 
 Silver. 
 
 2 shillings, 1718, 1723. 
 Copper. 
 
 1 farthing, 1719. 
 
 GEORGE II. 
 
 Silver. 
 
 2 halfcrowns, 1745, 1750. 
 
 3 shiUings, 1745-58. 
 
 2 sixpences, 1758. 
 1 penny, 1750. 
 
 Copper. 
 1 penny. 
 
 7 halfpennies, 1720, &c. 
 
 8 farthings, 1739, 1770. 
 
 GEORGE III. 
 
 Gold 
 
 1 guinea, 1777. 
 Silver. 
 
 3 shillings, 1787. 
 1 sixpence, 1787. 
 
 1 fourpence, 1786. 
 
 3 threepences, 1762, 1800. 
 7 pennies, 1766, 1820. 
 
 Copper. 
 
 2 dou])le pennies, 1797. 
 1 penny. 
 
 6 halfpennies, 1773, 1805, &c. 
 
 4 farthings, 1773, &c. 
 
 GEORGE IV. 
 
 Gold 
 
 1 double sovereign, 1823. 
 Silver. 
 
 2 twopences, 1822. 
 
 2 pennies, 1822, 1827. 
 Copper. 
 
 2 fai-things, 1826. 
 
 WILLIAiM IV. 
 
 Silver. 
 
 1 fourpence. 
 
 1 twopence, 1831.
 
 89 
 
 ENGLAND {continued)— 
 
 Copper. 
 
 1 penny, 1834. 
 1 halfpenny, 1831. 
 
 VICTORIA, 
 
 Silver. 
 
 1 crown, 1847. 
 
 I three halfpence, 1843. 
 
 Copper. 
 
 3 half farthing?, 1842-44. 
 
 DATE UNKNOWN. 
 
 9 silver. 
 
 14 copper. 
 
 FRANCE. 
 
 Silver. 
 
 3 two franc!=, 1812-50. 
 
 4 francs, 1808-1848. 
 
 8 half francs, Louis XV., 1670-1846. 
 
 Copper. 
 
 3 two sous, Louis XVI. 
 
 1 ten cents, Nap. I. 
 
 2 five cents, 1856, 1855. 
 
 1 sou ; Louis XVL, 1784. 
 1 sou, ancient. 
 
 GERMANY. 
 Silver. 
 
 1 dollar, Maria Theresa, 1 780. 
 
 2 six kreuzer; Austria. 
 1 six kreuzer; Baden. 
 
 1 twelve kreuzer. 
 
 4 two and a ha'f groschen. 
 
 15 one groschen. 
 
 3 half groschen; Prussia. 
 
 1 one-twelfth thaler; Hanover. 
 
 1 schilling; Hamburg. 
 
 1 schilling, 1738. 
 
 1 thaler; Prussia. 
 
 1 thaler; Reipub. Noriinb, 1759. 
 
 1 mark, 1762. 
 
 Copper, Base Metal. 
 
 19 kreuzers, &c.; Austrian. 
 
 4 six kreuzer. 
 
 4 three kreuzer. 
 
 9 one kreuzer. 
 
 1 half kreuzer. 
 
 5 one pfeimig. 
 
 2 two pfenuige. 
 
 GERMANY {continued)— 
 
 1 six pfennige. 
 1 one-sixth thaler. 
 1 heUer. 
 
 GREECE. 
 
 Silver. 
 
 1 tetradiachm; Alexander. 
 
 1 tetradrachm ; Rhodes, with head of 
 
 Sappho. 
 1 didrachm; Corinth, IVIinerva; reverse, 
 
 Pegasus. 
 1 triol)olon; Arcadia. 
 1 triobolon; Pallene. 
 
 1 triobolon; Sicyon. 
 
 Brass. 
 
 5 tomi, &c. 
 
 IONIAN ISLANDS. 
 
 2 copper mites. 
 
 ITALY. 
 
 Silver. 
 
 2 liras; Napoleone, 1808, 1814. 
 2 liras; Car. Felix, 1826, 1827. 
 I ten soldi; Napoleone, 1813. 
 
 1 five soldi; Napoleone, 1812. 
 
 2 carlinis; G. 10, 1846, 1855. 
 
 2 five bajocchi; Clement and Innocent. 
 
 Copper. 
 
 1 twenty baiocchi; Rome, 1860. 
 4 ten baiocchi; Rome, 1859-62. 
 1 five baiocchi; Rome, 1858. 
 1 three baiocchi; Rome, 1849. 
 1 one centesimo; Venice, 1849. 
 1 five centesimi; Venice, 1849. 
 
 1 three centesimi; Venice, 1849. 
 
 2 moneta spicciola; Lomb. Ven., 1862. 
 
 JAPAN. 
 
 Silver. 
 1 ichibu. 
 1 yih-shoo. 
 
 NETHERLANDS. 
 
 Silver. 
 
 1 three gulden, 1764, 
 1 coin; Utrecht, N.D. 
 1 ten cents, 1 849. 
 
 3 five cents, 1850-55. 
 Copper. 
 
 12 various. 
 1 small coin; Ovoryssel, 1762. 4^ 
 
 1 half stiver; Ind."Bat., 1825.
 
 90 
 
 PORTUGAL. 
 Silver. 
 
 1 five hunch'ed reis. 
 1 eiglitj reis. 
 
 Copper. 
 1 reis. 
 
 ROMAN. 
 Silver. 
 
 1 Faustina. 
 
 1 Gordiauus. 
 
 1 Trebouianus Gallus. 
 
 Brass. 
 
 1 Julius Caesar. 
 1 Cassar Augustus. 
 
 1 Tiberius. 
 
 2 Xero. 
 
 1 Claudius Caesar. 
 
 1 Trajauus. 
 
 2 Hadrianus. 
 
 2 Autoniuus Pius. 
 
 1 Faustina. 
 
 2 Victoriuus. 
 
 2 Tetricus, sen. 
 1 Tetricus, jun. 
 1 Licinius. 
 
 RUSSIA. 
 Gold. 
 
 1 five rubles. 
 
 Silver. 
 1 poltina. 
 1 ruble. 
 
 1 twenty-five copecks. 
 
 2 twenty f()]>ecks. 
 
 3 fifteen copecks. 
 3 ten copecks. 
 
 1 five copecks. 
 
 Copper. 
 
 1 five copecks. 
 
 1 three copecks. 
 5 two copecks. 
 
 2 one copeck. 
 2 denga. 
 
 1 poluzski. 
 
 SCOTLAND. 
 
 Silver. 
 
 1 croT^vTi ; Mary and Ilcnry Darnley, 1 566. 
 1 crowTi; James VI., 1.370. 
 
 SPAIN. 
 G9ld. 
 
 1 coin, Joanna et Carolus. 
 
 SPAIN (continued)— 
 Silver. 
 
 1 pillar dollar, 1759. 
 5 two reals, 1711, 1807. 
 4 one real, 1732, 1777. 
 
 SWEDEN. 
 
 Silver. 
 
 1 one-eighth; R. Sp., 1831. 
 I thirty-second; R. S., 1853. 
 1 ten ore, 1 859. 
 
 Copper. 
 4 tAvo ore. 
 1 one ore. 
 4 one C. 
 
 1 two- thirds skilling. 
 1 daler, 1718. 
 
 TURKEY. 
 
 2 silver. 
 6 copper. 
 
 TOKENS. 
 
 AUSTRALASIA. 
 
 35 coppei", various. 
 
 CANADA. 
 
 6 copper, vaz'ious. 
 
 EXGL.VND. 
 
 226 copper; London and provincial. 
 
 UNITED STATES. 
 
 1 NcAv York, copper. 
 
 PAPER MONEY. 
 
 1 assignat de x livres. 
 
 1 bill for threepence ; Pennsylvania, 
 
 April 10, 1777. 
 1 one doHar note; L^nitcd States, July 
 
 11, 1862. 
 1 promissory note, five shillings ; J. 
 
 Hutchinson, Sydney, 181 — . 
 1 promissory note, two shillings and 
 
 sixpence ; J. Johnson, Sydney, 
 
 April 20, 1813. 
 1 promissorv note, one shilling; Sydney, 
 
 May 10, 1813.
 
 91 
 
 MEDALLIONS AND MEDALS. 
 
 BRITISH. 
 
 Her Majesty the Queen. 
 
 Albert, H. R. H. riiiice, I80L 
 
 Princess Royal, in commemoration of lier 
 
 marriage. 
 Canning, Right Hon. George. 
 Charles II., the Restoration. 
 CoMen, Richard. 
 
 Lonaou Coal Exchange, Opening of. 
 London Exhibition, 1851, case containing 
 
 five medals. 
 Loudon Punch. 
 Melbourne Exhibition, 1855. 
 Nelson, Admiral. 
 
 Victoria, Kangaroo Office, Melbourne. 
 Victoria Exhibition Seal. 
 Victoria Exhibition Medal. 
 Wellington, Duke of, Funeral, 1852. 
 
 MEDALLIONS, &c. {continued)— 
 
 FOREIGN. 
 
 Austria, Emperor of, Francis Joseph. 
 
 Balloon, Alexander Pauliwytsch. 
 
 Berliner Turn Fest. 
 
 Die Ti-eue des Heeres, 1849. 
 
 Dirschau Festival. 
 
 Garibaldi, Giuseppe. 
 
 Head, male. 
 
 Head, female. 
 
 Heiu'icus Haiti Rex., 1811. 
 
 Napoleon s'embarque a Rochefort, Juillet 
 
 8, 1815. 
 Napoleon and Victoria, 1856. 
 Peter the Great, Equestrian Statue of. 
 Wellington, Duke of; Ilisp. et Lusit. res- 
 
 tituit, 1811. 
 
 SEALS. 
 Hercules, full length. 1 Female head. 
 
 M 2
 
 Jmjjuiissians nf |loman ^oins. 
 
 ARRANGED CHRONOLOGICALLY. 
 
 1 Pompeius. 
 
 2 Julius Caesar. 
 16 Augustus. 
 
 1 Augustus and Tiberius, 
 1 Agrippa. 
 
 1 Livia. 
 
 5 Tiberius. 
 
 5 Drusus, sen. 
 
 2 Drusus, jun. 
 1 Antonia. 
 
 1 Gcrmanicus. 
 4 Agrippina, sen. 
 
 6 Caius Caligula. 
 4 Claudius. 
 
 1 Britaunicus. 
 13 Nero. 
 4 Galba. 
 1 Otho. 
 
 7 Vitellius. * 
 29 Vespasianus. 
 
 1 Flavia Domitilla. 
 
 23 Titus. 
 
 1 Julia. 
 
 24 Domitianus. 
 
 2 Domitia. 
 9 Nerva. 
 
 32 Trajanus. 
 
 2 Plotina. 
 
 3 ]\Iai(tiana. 
 2 Matidia. 
 
 74 lladrianus. 
 
 4 Sabina. 
 
 4 L. ylillius Caisar. 
 
 1 Antinous. 
 
 71 AntoninuS Pius. 
 
 2 Antoninus Pius and 
 
 Marcus Aurelius. 
 
 1 Antoninus Pius and 
 
 Faustina. 
 19 Faustina I. 
 29 Marcus Aurelius. 
 8 Faustina II. 
 
 2 Arnrnis Vcrus and 
 
 Commodus. 
 
 11 Lucius Verus. 
 
 3 Lucilla. 
 32 Commodus. 
 
 2 Commodus and Verus. 
 
 1 Commodus and Marcia. 
 
 1 Commodus and Crispina. 
 
 2 Crispina. 
 
 2 Pertinax. 
 
 1 Didius Juliauus. 
 1 Manila Scantilla. 
 1 Didia Clara. 
 1 Clodius Albinus. 
 5 Septimius Severus. 
 
 3 Julia Domna. 
 7 Caracalla. 
 
 1 Plautilla. 
 
 5 Geta. 
 
 7 Macrinus, 
 
 1 Diadumenianus. 
 
 4 Elagabalus. 
 1 Julia Paula. 
 
 1 Aquilia^evera. 
 
 1 Annia Miustina. 
 
 2 Julia Soaemias. 
 
 1 Julia Maesa. 
 
 14 Severus Alexander. 
 
 3 Severus Alexander and 
 
 Julia Mamaea 
 
 3 Julia Mamaea. 
 
 2 BarV)ia Orbiana. 
 
 4 Maximinus I. 
 
 1 Paulina. 
 
 2 Maximus. 
 
 2 Gordianus Africanus I. 
 
 2 Gordianus Africanus II. 
 
 Balbinus. 
 
 3 Pupienus. 
 
 10 Gordiaiuis Pius III. 
 
 2 Tranquillina. 
 13 Philippus 1. 
 
 3 Otacilia Severa. 
 
 1 Otacilia, Philippus I., II. 
 1 PhilipiMis 11. 
 
 6 Trojuuus Decius. 
 
 3 Etruscilla. 
 
 1 Herennius Etruscus.^ 
 
 1 Hostilianus. 
 
 6 Trebonianus Gallus. 
 
 5 Volusianus. 
 
 1 ^milianus. 
 
 4 Valerianus I. 
 
 1 Valerianus and GaUieuus. 
 1 Mariuiana. 
 
 10 Gallieuus. 
 
 3 Cornelia Salonina. 
 3 Salouinus. 
 
 1 1 Postumus. 
 
 1 Claudius Gothicus. 
 
 2 Aurelianus. 
 1 Florianus. 
 2 , Probus. 
 
 1 Numerianus. 
 
 1 Carinus. 
 
 3 Diocletianus. 
 
 2 Maximianus I. 
 
 3 Coustantius I. 
 
 1 Maximianus II. 
 
 1 Licinius. 
 
 4 Constantinus Magnus. 
 
 2 Constantinus Magnus 
 
 Urbs Roma. 
 2 Constantinus Magnus 
 
 Constantinopolis. 
 2 Constantinus II. 
 2 Constans. 
 
 1 Constantius II. 
 
 2 Magnentius. 
 1 Decentius. 
 
 1 Constantius GaUus. 
 
 1 Julianus. 
 
 2 Valens. 
 
 1 G rati an us. 
 
 1 Ilonorius. 
 
 I I'riscus Attains. 
 
 1 Zeno. 
 
 1 Isjiac Angelus, Bulla of. 
 
 3 Alexander.
 
 JmjruJiBions of ^^nK 
 
 GREAT SEALS OF ENGLAND. 
 
 L Offa ; Paris, 757. 
 
 2, 3. Cainwolf, King of Mercia ; British 
 
 Museum, 838. 
 4. Edgar ; Paris, 959. 
 5-8. Edward the Confessor; 1042, Paris; 
 
 1060, British Museum. 
 9-12. WiUiam 1. ; October 14tli, 1066 ; 
 
 Paris, 1085. 
 13, 14. William II. ; September 9th, 1089, 
 
 Durham Cathedral. 
 15, 16. Henry I.; August 1st, 1100, Bri- 
 
 tisli Museum. 
 17, 18. Henry I. ; British Museum. 
 19, 20, 20a, 21, 22. Stephen ; December 
 
 2iid, 1135 ; Due. Lane. 
 23-26. Henry IL ; October 25th, 1154; 
 
 Devielle, Rouen ; Due. Lane. 
 26a. Henry, titular king ; New Coll, 
 27-30. Richard I. ; July 9th, 1189. 
 31,32. John; April 6th, 1199; Winch. 
 
 Coll. 
 33-38. Henry III. ; October 19th, 1216, 
 
 St. John's College, Cambridge ; 1259, 
 
 Canterbury Cathedral. 
 39, 40. Edward I. ; November 16th, 1272. 
 41, 42. Edward IL ; July 7th, 1307. 
 43, 44. Edward III. ; Seal A* ; January 
 
 28th, 1327. 
 45, 46. Edward III. ; Seal B, 1327 ; first 
 
 used October 4th. 
 47, 48. Edward III. ; Seal B, 1338 ; first 
 
 used July lOtli, 12 E. III. 
 49, 50. Edward III. ; Seal D, 1340 ; first 
 
 used February 8th, 14 E. III. 
 51, 52. Edward III. ; Seal E, 1340 ; first 
 
 used June 22nd, 14 E. III. ; St. 
 
 John's College, Camln'idge. 
 53, 54. Edward III. ; Seal F," 1340 ; first 
 
 used December 1st, 14 E. III.; 
 
 Trinity Hall, Cambridge. 
 55, 56. Edward III. ; Seal G, 1360 ; first 
 
 used May 14th, 14 E. IIL ; Trinity 
 
 Hall College, Cambridge. 
 57, 58. Edward III. ; Seal G No. 2, 1371; 
 
 Norwich Corporation. 
 
 59, 60. Richard II. ; Seal F No. 2, 1377 ; 
 
 Lincoln Cathedral. 
 6^62. Richard II. ; Seal G No. 2, June 
 
 • 2nd ; New College, Oxon, 1377. 
 63, 64. Henry IV. ; Seal G No. 4, Sep- 
 tember ■29th, 1399. 
 65, 66. Henry IV. ; Seal I, 1399. 
 67, 68. Henry V. ; Seal G No. 4, March 
 
 20th, 1412 ; Caius College. 
 69, 70. Heniy V. ; Seal I ; Corpus Christi 
 
 College, Cambridge. 
 71, 72. Henry VL; Seal G No. 4, August 
 
 31st, 1422 ; Corpus Christi College. 
 73, 74. Henry VI. ; Seal I, 1422 ; New 
 
 College, Oxon. 
 75-78. Henry VI. ; Seal K, 1454; and after 
 
 his restoration ; King's College, Cam- 
 bridge. 
 79-80. Edward IV. ; Seal H, 1460 to 
 
 March, 1470. 
 81, 82. Edw^ard IV.; SealGG, 1460 to 1470. 
 83, 84. Edwar.l IV. ; Seal L, 1 1 E. IV., 
 
 to the end of his reign. 
 85, 86. Edward IV. ; Seal M, 1 1 E. IV., 
 
 to tlie end of his I'eign. 
 87, 88. Edward V. ; Seal L, April 9th, 
 
 1483 ; Corpus Christi College. 
 89, 90. Richard III. ; Seal L No. 2, June 
 
 22nd, 1483. 
 91, 92. Henry VII. ; Seal MM, August 
 
 22nd, 1485. 
 93, 94. Ilenrv VII. ; Seal N, 1485. 
 95, 96. Henry VIII. ; Seal MM, April 
 
 22nd, 1509 ; Trinity Hall College. 
 97, 98. Henry VIII. ; 1532 ; Caius Col- 
 lege, Cambridge. 
 99-102. Henry Vl'lL ; Seal D, 1541; 
 
 Caius College, Cambridge. 
 102a, 102a*. Henry VIIL ; Golden Ln- 
 
 pression ; Dean and Chapter, W^est- 
 
 minster. 
 103, 104. Edward VI. ; January 28th, 
 
 1546 ; New^ College, Oxon. 
 105, 106. Mary (Queen); July 6th, 1553; 
 
 Corporation, Leicester.
 
 94 
 
 GEE AT SEALS OF ENGLAND (coutinued)— 
 
 107, 108. Philip and Mary. 
 
 109-1 12. Elizabeth ; November 17th, 1558; 
 
 Caius College, Cambridge; and 1571. 
 113, 114. James L ; March 24th, 1602. 
 115-122. Charles I.; 1625 ; March, 1627; 
 
 1640 and 1643. 
 
 123. The Commonwealth ; 1648. 
 
 124. The Commonwealth; "In the fii-st 
 
 year of fi-eedom." 
 
 125. Oliver Cromwell ; 1648. 
 
 126. Oliver Cromwell ; 1651. 
 
 127. The Commonwealth ; 1651. 
 
 128. The Commonwealth; "In the third 
 
 year of freedom." m^ 
 
 129-130. Oliver Cromwell ; 1651; William, 
 
 Stradliug, Bridgenorth. 
 131, 132. Richard Cromwell ; 1651. 
 133-140. Charles II.; January 30th, 1648; 
 
 Pembroke College, Caml)ridge, 1648 ; 
 
 and 1653. 
 141, 142. James IL ; Februaiy 6th, 1685. 
 
 143, 144. William and Mary ; 1688 ; Cor- 
 poration, Saffi'on Walden. 
 
 146, 147. William III. ; 1695 ; St. John's 
 College, Cambridge. 
 
 148-151. Anne ; March 8th, 1702; Caius 
 College, Cambridge ; after the union 
 with Scotland, 1707. 
 
 155, 156. George I. ; August 1st, 1714. 
 
 157, 158. George II. ; June 11th, 1727; 
 Cambridge Anticjuarian Society. 
 
 159-162. George IIL; October 25th, 1760; 
 Trinity College, Cambridge. Stolen, 
 and afterwards defaced ; see pick 
 mark upon the seal. 
 
 163-165. George IIL ; 1780, 1792. 
 
 166. George III. ; plaster cast, brought from 
 
 Holland. 
 
 167, 168. George IV. ; matrix, 1820. 
 169, 170. William IV. ; matrix, 1830. 
 171, 172. Victoria. 
 
 ENGLISH QLT:ENS. 
 
 1 , Matilda, Queen of Henry I. 
 
 2. Empress ]Maud. 
 
 3. Isabella, first Queen of John. 
 
 4, 5. Isabella, second Queen of John. 
 6, 7. Eleanor, Queen of Ilenrj' IIL 
 
 8, 9, 10. Eleanor, Queen of Edward I. 
 11, 12. Margaret, second Queen of 
 
 Edward I. 
 13, 14. Isabella, Queen of Edward IL 
 
 15. Philippa, Queen of Edwai'd IH. 
 
 16. Isabella, Queen of Richard II. 
 
 17. 18. Elizabeth, Queen of Edward IV. 
 
 19. Catherine Parr, sixth Queen of Henry 
 
 VIII. 
 
 20. Elizal)eth, Princess, afterwards Queen. 
 
 21. 22. Henrietta Maria, Queen of Chas. I. 
 23, 24. Catherine, Queen of Charles H. 
 25. Mary, Queen of James IL 
 
 FROM THE BARONS' LETTER TO POPE BONIFACE VIIL 
 
 A.i). 1301 ; Chapter House, Westminster. 
 
 6. 
 7. 
 
 8. 
 
 9. 
 
 10. 
 11. 
 12. 
 
 13. 
 
 John, Earl of Surrey and Wan-en. 
 Thomas, Earl of Lancaster. 
 Monthermer, Earl of Gloucester and 
 
 Hertford. 
 Bohuii (Humphrey), Earl of Hereford 
 
 and Essex, and Constalile of England. 
 Bigod (Roger), Earl of Norfolk, and 
 
 Lord Marshal of England. 
 Beauchamp (Guy), Earl of Warwick. 
 Fitz-Alan (Richard), Earl of Ai-undel. 
 Valence (Aymer de). Lord of INIon- 
 
 tiniaco. 
 Lancaster (Henry dc). Lord of Mune- 
 
 mue. # 
 
 Hastings (John), Lord of Bergavenny. 
 Percy (Henry de), Loid of To|)cliffe. 
 IVIortimer (Edmund), Lord of Wigge- 
 
 moie. 
 Fitz- Walter (Robert), Lord Wodeham, 
 
 14. St. John (John de). Lord of Haunak. 
 
 15. Vere (^Hugh de). Lord of vSwancscombe. 
 
 16. Bruce (William de). Lord of Gower. 
 
 1 7. INlontalt (Rol)ert de). Lord of Hawardyn. 
 
 18. Tateshall (Robert de). Lord of Buck- 
 
 ingham. 
 
 19. Grey (Reginald de). Lord of Ruthyu. 
 
 20. Grey (Henry de), Lord of Codnor. 
 
 21. Bardolph (Hugh de), Lord of Wir- 
 
 megaye. 
 
 22. Tonnv (Robert de). Lord of Castro- 
 
 Matildis. 
 
 23. Roos (William de), Loi-d of Hamlake. 
 
 24. Clifford (Robert), Keej)er of Appleby 
 
 Castle. 
 
 25. Malo-Lacu (Peter de). Lord of Mul-* 
 
 greve. 
 
 26. Kyme (Philip), Lord.. 
 
 28. Molum (John de). Lord of Dunster.
 
 95 
 
 FROM THE BARONS' LETTER TO 
 
 29. St. Amaud, (Almaric), Lord of Wj- 
 
 dehay. 
 
 30. Zouche (Alan do), Lord of Aslibj. 
 3L Ferrers (William de), Lord of Groby. 
 
 32. Verdon (Theobald de), Lord of Webbley. 
 
 33. Furuival (Thomas de), Lord of Sheffield. 
 
 34. Multoii (Thomas de), Lordof Egremout, 
 
 35. Latimer (William de). Lord of Corby. 
 
 36. Berkely (Thomas), Lord. 
 
 37. Fitz-Wariuc (Fulke), Lord of Whit- 
 
 tington. 
 
 38. Segrav^e (John), Lord. 
 
 39. Eyucourt (Edmund), Lord of Thnr- 
 
 garton. 
 
 40. Corbett (Peter), Lord of Cans. 
 
 41. Cantilupe (William), Lord of Ravens- 
 
 tliorpe. 
 
 42. Beauciuimp (John de), Lord of Hache. 
 
 43. Mortimer (Roger de). Lord of Peu- 
 
 ketlyu. 
 
 44. Fitz-Reginald (John), Lord of Blakeuy. 
 
 45. Neville (Ralph), Lord of Raby. 
 
 46. Fitz Alan (Brian), Lord of Bedale. 
 
 47. Marshall (William), Lord of Heugham. 
 
 48. Himtercombe (Walter), Lord. 
 
 49. Martin (William), Lord of Camesio. 
 
 50. Tyes (Henry de), Lord of Chilton. 
 5L Delawarr (Roger), Lord of Isefeld. 
 
 52. Ripariis (John de). Lord of Angre. 
 
 53. Lancaster (John de), Lord of Grisdale. 
 
 54. Fitz-Fayne (Robert), Lord of Lanwor. 
 
 55. Tregoz (Henry), Lord of Goring. 
 
 56. Pipard (Ralph), Lord of Linford. 
 
 57. Fauconberg (Walter), Lord. 
 
 58. Le Strange (Roger), Lord of EUesmere. 
 
 59. Le Strange (John), Lord of Knockyn. 
 
 60. Chaworth (Thomas), Lord of Norton. 
 
 61. Beauehamp (Walter), Lord Elcester. 
 
 62. Talbot (Richard), Lord of Eccleswall. 
 
 63. Bottetourte (John de), Lord of Meu- 
 
 disham. 
 
 65. Pointz (Hugh), Lord of Corimalet. 
 
 66. Welles (Adam), Lord. 
 
 SEALS OF THE 
 
 48, 49. Percy (William de). 
 
 50. Percy (Henry de), 1296. 
 
 51, 2. Percy (Henry), Lord of Topclive, 1301. 
 
 53. Percy (Robert de Mclitus), 1319. 
 
 54. Beatrice, wife of Robert de Percy, 1317. 
 
 55. Percy (Agnes de). 
 
 56. Percy (Henry), 1333. 
 
 57. Percy (Henry de). 
 
 58. Percy (Henri), Seigniore de. 
 
 59. Percy (Heiirv), Earl of Northumber- 
 
 land, 10, R.'n. 
 
 POPE BONIFACE VIH. (continued)— 
 
 67. Montague (Simon), Lord. 
 
 68. Sullee (John), Lord. 
 
 69. Moels (John), Lord of Caudebury. 
 
 70. Stafford (Edmund), Lord. 
 
 71. Lovel (John), Lord of Dacking. 
 
 72. Hastings (Edmund), Lord of Inch 
 
 Maliomo. 
 
 73. Fitz-William, Lord of Grimtliorpe. 
 
 74. Scales (Robert), Loi'd of Newselles. 
 
 75. Touchet (W^iam), Lord of Leven- 
 hales. 
 
 77. Havering (John), Lord of Grafton. 
 
 78. De la Warde (Robert), Lord of Alba- 
 Aula. 
 
 79. Segrave (Nicolas), Lord of Stowe. 
 
 80. Teyes (Walter), Lord of Stangrave. 
 
 82. Haehe (Eustace), Lord. 
 
 83. Peche (Gilbert), Lord of Corby. 
 
 84. Paynell (William), Lord of Fracington. 
 
 85. Knovill (Hugh), Lordof Blancminster. 
 
 86. Strange (Fulke), Lord of Corsham. 
 
 87. Pinkney (Henry), Lord of Weedou. 
 
 88. Hudlestone (John), Lord of Aneys. 
 
 89. Huntiugfield (Roger), Lord of Bra- 
 
 denham. 
 
 90. Fitz-Heury (Hugh), Lord of Ravens- 
 
 worth. 
 
 91. Breton (John), Lord of Sporle. 
 
 92. Carew (Nicholas), Lord of Molesford. 
 
 93. Roche (Thomas), Loi'd. 
 
 94. Money (Walter), Lord of Thornton. 
 
 95. Thweng (John, son of Marmaduke), 
 
 Lord of Plorc^ne. 
 
 96. Kingston (John), Lord. 
 
 97. Hastang (Robert), Lord of Desiree. 
 
 98. Grendon (Ralph), Lord. 
 
 99. Leyburne (W^illiam), Lord. 
 
 100. Grey stock (John), Lord of Morpath. 
 
 101. Fitz-John (Matthew), Lord of Stoke- 
 
 ham. 
 
 102. Meynhill (Nicholas), Lord of \^aierle- 
 ton. 
 
 103. Paynell (John), Lord of Otteley. 
 
 PERCY FAMILY. 
 
 60. Percy (Thomas), 17, R. H. 
 
 61, 62. Percy (Henry), Earl of Nortlium- 
 
 berland, 1435. 
 
 63,64. Percy (Henry), Earl of Northum- 
 berland, 19 II. VlIL 
 
 65, 66. Percy (Henry), Earl of Northum- 
 l)erland, 20 II. YIIL 
 
 67. Percv (Henry), Earl of Nortli umber- 
 
 land 26 II. YIIL 
 
 68, 69. Pen-y (Algernon), Earl of Nortli- 
 
 umberland and Lord Admiral.
 
 96 
 
 SEALS OF THE PLANTAGENETS. 
 
 94, 95. Plantagenet (Geoffrey), Earl of 
 Anjou; M.Devielle, Rouen; 1127. 
 
 96. Plantageuet (Constance), Avife of Geof- 
 
 frey, and Duchess of Brittany. 
 
 97, 98. Plantagenet (Galfrida), Duke of 
 
 Brittany and Earl of Richmond. 
 99. Plantagenet (John), Duke of Bedford, 
 1414. 
 
 100. Plantagenet (Richard Bourdeaux), 
 
 Earl of Chester, 1377. 
 
 101, 102. Plantagenet (Edward), Earl of 
 
 Chester, 1272. 
 
 103. Plantagenet (Lionel), Duke of 
 
 Clarence, 1361. 
 
 104. Plantagenet (Thomas), Duke of 
 
 Clarence, 1412. 
 
 105. 106. Plantagenet (Richard), Duke of 
 
 Cornwall, 1226. 
 107, 108. Plantagenet (Richard), Earl of 
 Cornwall, 1275. 
 
 111. Plantagenet (John Eltham), Duke of 
 
 Cornwall, 1328. 
 
 112. Plantascnet (Henry), Duke of Corn- 
 
 wall, 1400. 
 
 113. Plantagenet (Heuiy), Lord of Mon- 
 
 mouth and Earl of Derby, 1327. 
 
 114. Plantasenet (Henry), Earl of Derby, 
 
 1327. 
 
 115. 116. Plantagenet (Henry), Earl of 
 
 Derl)y, 1395, 1396. 
 117, 118. Plantagenet (Thomas), Duke of 
 Gloucester, R. II. 
 
 1 19. Plantagenet (Thc||ias), Duke of (ilou- 
 
 cester, 1394. 
 
 120, 121. Plantagenet (Humphrey), Duke 
 
 of Gloucester, 5 Ileniy VL 
 
 122. Plantagenet (Richard), Duke of Glou- 
 
 cester, 1473. 
 
 123. Plantairenet (Woodstock, Edmund), 
 
 Earl of Kent, 1324. 
 
 124. J'lantagenet (Joan), Countess of Kent, 
 
 1437. 
 
 125. 126. Plantagenet (Edmund), Earl of 
 
 Lancaster, 1267, 1279. 
 127, 128. Plantagenet (Thomas), Duke of 
 
 Lancaster, 1295. 
 129, 130. Plantagenet (Thomas), Earl of 
 
 Lancaster, 1,301. 
 
 131. Plantagenet (Thomas), Earl of Lan- 
 
 caster, 1314. 
 
 132. Plantagenet (Henry), Earl of Lancas- 
 
 ter, 1333. 
 
 133. Plantagenet (Henry de), son of Henry, 
 
 Earl of Lancaster, 1345. 
 
 135. Plantagenet (Henry), Earl of Lancas- 
 
 ter, 1347. 
 
 136, 137. Plantagenet (John Gaunt), Duke 
 
 of Lancaster, 1 379. 
 
 138. Plantagenet (BuUeubroke, Henry), 
 
 Duke of Lancaster, 1379. 
 
 139. Plantagenet (Henry), Duke of Lancas- 
 
 ter, 1356. 
 
 140. Plantagenet (John), Duke of Lancas- 
 
 ter, 1365. 
 
 141. 142. Plantageuet (John), Earl of 
 
 Morton. 
 143, 144. Plantagenet (Henry), Duke of 
 Normandy, afterwards Henry II. 
 
 145. Plantagenet (John Gaunt), Earl of 
 
 Richmond, 1360. 
 
 146. Plantagenet (Henry), Earl of Rutland, 
 
 1395. 
 
 147. Plantagenet (Margaret), Countess of 
 
 Salisbury. 
 
 148. 149. Plantageuet (William), Earl of 
 
 Surrey; and counter seal, 1202. 
 
 151, 152. Plantagenet (John), Earl of Sur- 
 
 rey; and counter seal, 1301. 
 
 152, 153. The same, restored. 
 
 154. Plantagenet (John de Warren), Earl 
 
 of Surrey, 1319. 
 
 155. Plantagenet (John de Warren), Earl 
 
 of Surrey, 1338. 
 
 156. Langley (Edmund), Duke of York, 
 
 1396. 
 158, 159. Plantagenet (Edward), of Car- 
 
 naryon, I'rince of Wales, 1 298. 
 160-67. Plantagenet (Edward), Prince of 
 
 Wales, 1326, 1339. 
 169-71. Plantagenet (Edward), Pritice of 
 
 Wales, 1350. 
 
 1 72. Plantagenet ( Henry), Prince of Wales. 
 
 1 73. Pkuitagenet (Edward), Duke of Somer- 
 
 set, 1448. 
 
 1 74. Plantagenet ( Edward), Duke of Somer- 
 
 set and Lord High Admiral, 1527. 
 
 COUNTIES (ENGLAND). 
 
 IJEDFOIlDSniRE. 
 
 I. Bedford, Town. 
 3. ,, Mayor's. 
 
 5, 6. Bissemede, St. Maiy's Priory. 
 
 19, 20. Newcnhani, St. Paul's I'riory. 
 
 UKKKSIIIKK. 
 
 1. Abingdon, Town. 
 
 5. „ St. Mary's, John, Abbot. 
 
 15. Reading, Town. 
 
 20. Walliny-ford, Common.
 
 97 
 
 COUNTIES (ENGLAND), (coutinued)- 
 
 
 BERKSHIRE {continued) — 
 
 
 CHESHIRE {continued) — 
 
 24. 
 
 Windsor, Borough. 
 
 
 o. 
 
 Chester, Mayor's. 
 
 25. 
 
 „ Castle. 
 
 
 6. 
 
 „ Staple. 
 
 26. 
 
 „ Mayor of. 
 
 
 13. 
 
 „ Ilemy, Al)bot St. Werberghs 
 
 27. 
 
 „ College. 
 
 
 27. 
 
 Coiigletou, Town. 
 
 28. 
 
 „ St. George's 
 
 Chapel. 
 
 29. 
 30. 
 
 Macclesfield, Borough of. 
 
 „ Grammar school. 
 
 BUCKINGHAMSHIRE. 
 
 2. Aiiker\vyke, St. Mary Magdaleu Nun- 
 nery. 
 13. Bittlesden, Giffard, Abbot of. 
 29. Tykeford, St. Mary's Cell. 
 
 CAMBRIDGESHIRE. 
 
 5, 6. Cambridge, Town. 
 
 9. 
 
 J5 
 
 Mayoralty. 
 
 10, 11. 
 
 5) 
 
 University. 
 
 12-14. 
 
 )5 
 
 Chancellor's, 1580. 
 
 15. 
 
 JJ 
 
 Vice-Chancellor of. 
 
 16. 
 
 JJ 
 
 Cains College. 
 
 17. 
 
 )J 
 
 Christ Coll., Master of. 
 
 18-20. 
 
 JJ 
 
 Clare Hall. 
 
 21. 
 
 J! 
 
 Corpus Christi College. 
 
 22. 
 
 JJ 
 
 Emanuel College. 
 
 23-25. 
 
 JJ 
 
 Jesus College. 
 
 26-28. 
 
 JJ 
 
 St. John's College. 
 
 29. 
 
 JJ 
 
 St. Catherine's Hall. 
 
 30. 
 
 JJ 
 
 „ Master of. 
 
 31, 32. 
 
 JJ 
 
 King's College. 
 
 33, 34. 
 
 JJ 
 
 Magdalen College. 
 
 35-37. 
 
 JJ 
 
 Pembroke College. 
 
 38. 
 
 JJ 
 
 „ Master of. 
 
 39-41. 
 
 JJ 
 
 Queen's College. 
 
 43, 44. 
 
 JJ 
 
 Trinity Hall College. 
 
 45. 
 
 JJ 
 
 „ Master of. 
 
 46. 
 
 JJ 
 
 „ Stephen 
 Gardiner. 
 
 47. 
 
 JJ 
 
 God's House. 
 
 48. 
 
 JJ 
 
 St. Mary's and Rade- 
 gund's Nunnery. 
 
 53. 
 
 JJ 
 
 St. Michael's Hospital. 
 
 54. 
 
 JJ 
 
 Hall of the Annunciation. 
 
 55. 
 
 JJ 
 
 Vicar's Custodes. 
 
 60, 61. 
 
 Ely, 
 
 St. Peter's and St. Etheldi-e- 
 da's Cathedral. 
 
 74, 75. 
 
 JJ 
 
 Hugh Northwold. 
 
 77. 
 
 JJ 
 
 not named. 
 
 82. 
 
 JJ 
 
 Thomas, 1374. 
 
 90. 
 
 JJ 
 
 Francis. 
 
 93. 
 
 JJ 
 
 Archdeacon of. 
 
 100. Wi 
 
 sbeac] 
 
 1, Town. 
 
 CHESHIRE. 
 
 1, 2. 
 
 County Palatine. 
 
 3. Boughton, St, Mary's Hospital. 
 
 32. Stockport, Borough. 
 
 CORNWALL. 
 
 1. Stannary. 
 
 2. Cockett, Henry, Prince of Wales. 
 4. Admiralty. 
 
 6, Bodmin, Town, 
 
 11, Lauuceston, St, Stephen's Priory. 
 14. „ Town. 
 
 18. Loo, East town. 
 
 25. Saltash, Town. 
 
 28. Truro, St. Martin's Convent. 
 
 29. „ Friars, Preachers. 
 
 CUMBERLAND. 
 
 1. Carlisle, St. Mary's Cathedral. 
 
 2 a. 
 14. 
 19. 
 
 City 
 John Kite, 1520. 
 Lauercost ; St. Mary Magda- 
 len's Monastery. 
 
 DERBYSHIRE. 
 
 1. Ashbum, Free Grammar School, 
 19, Wirksworth 
 
 DEVONSHIRE, 
 
 Ashburton, Borough (old). 
 
 „ „ (not so old), 
 
 Barnstaple, Borough. 
 „ Bridge. 
 
 12. Buckfastleigh, St. Mary's Abbey. 
 14. Bydeford, Towti. 
 Dartmouth, Town. 
 
 „ Seneschal. 
 
 Exeter, City. 
 „ Mayor's. 
 „ Staple, 
 
 „ Cathedral (very old). 
 Another, nearly as old, 
 
 „ about temp, H, III, 
 
 20, 
 22, 
 28, 
 29, 
 •30 
 32 
 33 
 34 
 
 44. Exeter, Osbert, Bishop of, 1074. 
 46. „ Robert Chichester, 1128. 
 
 50, 51. Exeter, John the Chanter, 1186. 
 52. „ „ small, 1106. 
 
 60. „ Walter Stapleton, Lord 
 
 Treasurer, 1307. 
 
 62, 63. „ John Graiidison, 1327. 
 67. „ Edmund Lacy, 1420. 
 
 N
 
 98 
 
 COUNTIES (ENGLAND), (continued)- 
 
 DEVONSHiRE {continued) — 
 
 69. Exeter, Richard Redman, 1495. 
 
 72. ,, St. John's Hospital. 
 
 75. „ Thomas Dean, Prior of St. 
 James's. 
 
 81. „ Vicar's College. 
 
 92, 93. Pitton. St. Mary's Priory. 
 
 99. Plymouth, Mayor's. 
 106. Tavistock, St. Mary's and St. Rumon's 
 
 Abbey. 
 112. Torriugton, Town. 
 114. Totnes, Town of. 
 
 DORSETSHIRE. 
 
 Blandford, Town. 
 
 liridport „ 
 
 14. Dorchester, Corporation. 
 
 „ Mayor, Bailiffs, and 
 
 Burgesses. 
 Grimstouc and Yetmiuster Preben- 
 dary. 
 23. LjTne Regis, Town. 
 26. Poole, Town. 
 
 Shaftesbury, St. Mary's or St. Edward's 
 
 Abbey. 
 Weymouth, To^^^l. 
 Melcombe, „ 
 
 „ Admiralty, 
 
 4. 
 
 6. 
 13, 
 15. 
 
 22. 
 
 35 
 
 46 
 48 
 53 
 
 1. 
 
 2. 
 3, 
 
 5. 
 
 6, 
 
 8. 
 9. 
 
 10. 
 
 11. 
 
 DURHAM. 
 
 Barnard Castle, Town. 
 Durham, City (in silver). 
 
 4. 
 
 7. 
 
 12. 
 
 
 13. 
 
 
 14. 
 
 
 15. 
 
 
 16. 
 
 
 18, 
 
 19. 
 
 20, 
 
 21. 
 
 22, 
 
 23. 
 
 24, 
 
 25. 
 
 Catheih-al Seal, St, Cuthbert, 
 680. 
 
 Cathedral, an imitation in cop- 
 per of St. Cuthbert's seal. 
 
 Cathedral, Christ and St.Mary. 
 
 Cathedral, counter. 
 
 William Carih^fo, Lord Chief 
 Justice, lO.SO. 
 
 Ralf Flambard, Lord Trea- 
 surer, 1099. 
 
 Walter Rufus, Lord Chan-" 
 cellor, 1128. 
 
 William St- Barbara, 1143. 
 
 Hugh Pudsey, 1154. 
 
 Philip of Pictavia, 1197. 
 
 „ counter. 
 
 Richard Marisco, Lord Chan- 
 cellor, 1217. 
 
 Anotlier and countei-, 1217. 
 
 Richard Poore, 1227. 
 
 Nicholas Fc'-ham, 1241. 
 
 Walter Kirkhani, 1250. 
 
 26, 
 
 27. Du 
 
 28. 
 
 
 29, 
 
 30. ',', 
 
 31. 
 
 
 32, 
 
 33. " 
 
 34. 
 
 
 35, 
 
 36. " 
 
 37. 
 
 
 38. 
 
 
 39-42. „ 
 
 43, 
 
 44. „ 
 
 45, 
 
 46. „ 
 
 47, 
 
 48. „ 
 
 49, 
 
 50. „ 
 
 51, 
 
 52. „ 
 
 53- 
 
 5Q. „ 
 
 57. 
 
 )5 
 
 58. 
 
 J5 
 
 59, 
 
 60. „ 
 
 61- 
 
 63. „ 
 
 64. 
 
 55 
 
 65, 
 
 66 „ 
 
 67, 
 
 68. „ 
 
 69, 
 
 70. „ 
 
 71. 
 
 55 
 
 72. 
 
 55 
 
 73. 
 
 55 
 
 74. 
 
 55 
 
 75. 
 
 55 
 
 76. 
 
 55 
 
 77. 
 
 55 
 
 78. 
 
 55 
 
 79. 
 
 55 
 
 80. 
 
 55 
 
 81. 
 
 55 
 
 82. 
 
 55 
 
 83. 
 
 55 
 
 84. 
 
 55 
 
 85. 
 
 55 
 
 86. 
 
 5! 
 
 87. 
 
 55 
 
 88. 
 
 55 
 
 89. 
 
 55 
 
 90. 
 
 55 
 
 91. 
 
 55 
 
 92. 
 
 55 
 
 93. 
 
 55 
 
 DURHAM {continued) — 
 
 Durham, Robert Stichel, 1260. 
 
 Robert de Insula, 1274. 
 
 Ajithony Beck, Patr. of Jeru- 
 salem, 1283. 
 
 Large, 1306. 
 
 Richard Kellowe, 1311. 
 
 Another. 
 
 Ludowick Beaumont, Bishop, 
 1317. 
 
 Another. 
 
 Robert Graystones, 1333. 
 
 Richard Bury, Bishop, 1333. 
 
 Thomas Hatfield, Secretary, 
 1345. 
 
 Thomas Hatfield, 1345. 
 
 John Fordham, Lord Trea- 
 surer, 1381. 
 
 John Fordham. 
 
 Walter Skirlawe, 1388. 
 
 Walter Skirlawe, 1388. 
 
 Thomas Langley, Cardinal 
 and Lord Chancellor, 1406. 
 
 Another. 
 
 Thomas Langley, 1406. 
 
 Robert Nevil, 1438. 
 
 Lawrence Booth, Lord Chan- 
 cellor, 1457. 
 
 William Dudley, 1476. 
 
 Sedis Vacantis. 
 
 Cuthbert Tunstal, Bishop, 
 1530. 
 
 Cuthbert Tunstal, Bishop. 
 
 Richard Barnes, 1577. 
 Bertram Prior, 1189. 
 Richard Claxton, Prior, 1283. 
 John, Prior, 1310. 
 John, Prior, 1345. 
 Oliver, Prior. 
 John Fosser, Prior, 1347. 
 John, Archdeacon. 
 William Luda, Archdeacon, 
 Stephen, Archdeacon, 1313. 
 Thomas, Archdeacon, 1322. 
 John, Archdeacon, 1335. 
 William, Archdeacon. 
 Vicars-General, 1351. 
 Vicars-General, 1375. 
 William, official seal. 
 Church Leases, 1374. 
 Church Leases, official seal. 
 Se(juesti"ation seal, 1474. 
 Sequestration seal. 
 Commissary seal, 1312, 
 Arualdi, Trejisurer, 1310.
 
 99 
 
 COUNTIES (ENGLAND), (continued)- 
 
 DURHAM (conti?iued) — 
 
 94. Durham, Rudulp Bertham, Dean. 
 
 95. „ Chaucellor. 
 
 96. 97. „ St. Giles. 
 
 98. Gateshead, Jioroup;h. 
 
 99. „ King James's Hospital. 
 100, 101. Hartlepool. 
 
 102. „ Mayor's. 
 
 103, 104. Kypier, St. Giles' Hospital. 
 
 105. Langcestre, Collegiate Church of. 
 
 106. Stockton. 
 
 ESSEX. 
 
 1 1 . Chick, Monastery of St. Peter and St. 
 
 Paul. 
 17, 18. Colchester, Town. 
 19. „ Bailiffs of. 
 
 30. „ Guild of St. Helen's. 
 
 37. Hatfield Regis, Priory, St. Mary. 
 
 41. Maldon, Town. 
 
 42. „ Priory. 
 
 51. Saffron Walden, Priory, St. Mary and 
 St. James. 
 
 56. Thoby Priory, St. Mary and St. 
 
 Leonard. 
 
 57. Tilsey Priory, St. Mary's. 
 
 61. Waltham Abbey, William, Abbot of. 
 
 62. „ Reginald, Abbot of. 
 
 GLOUCESTERSHIRE. 
 
 3. Bristol, Borough. 
 
 8. „ Mayor's. 
 13. „ St. Augustine Priory. 
 39. Gloucester, Friars Preachers of. 
 
 43. Hayles Abbey, St. Mary's and All 
 
 Saints. 
 
 44. Lanthony Priory, St. Mary and St. 
 
 John. 
 
 HAMPSHIRE. 
 
 1. Alverstoke, Seal of the Men of. 
 25. Newton (Francheville), Town. 
 27, 28. Poi-tsmouth, Town. 
 
 38, 39. Southampton, Town. 
 42. „ Town. 
 50. „ Staple. 
 
 55. „ Prepositors. 
 
 67. Southwick Priory, St. Mary's, counter. 
 
 68. „ St. Mary. John, 
 
 Prior of. 
 70, 71. Twynham, Priory, or Christ Church. 
 74. „ Town. 
 
 77. Winchester, Mayor's. 
 
 78. „ Counter. 
 80-82. „ Cathedral. 
 
 HAMPSHIRE {continued) — 
 
 85, 86. Winchester, Richard Toclive, alias 
 More, Bishop, 1174. 
 
 87. „ Godfrey de Lucy, Bishop, 
 
 1189. 
 
 97. „ College. 
 
 HEREFORDSHIRE. 
 
 10. Euras Heraldi, Priory, St. Michael's. 
 
 1 1. Hereford, City. 
 
 17. „ Cathedral. 
 
 25,26. „ RicharddeSwinefeld, Bishop, 
 
 1282. 
 27. „ Adam de Orleton, Bishop, 
 
 1217. 
 
 HERTFORDSHIRE. 
 
 2. St. Alban's Abbey. 
 
 4. „ Simon, Abbot of. 
 
 11. Hertford, Borough. 
 
 HUNTINGDONSHIRE. 
 
 1. Godmanchester, Town. 
 
 2, 3. Huntingdon, Priory, St. Mary. 
 8. „ Tov/n. 
 
 12. St. Neot's Priory. 
 
 9. 
 
 10, 
 12. 
 13, 
 15. 
 16. 
 17. 
 18. 
 19. 
 20. 
 
 21. 
 
 22, 
 24. 
 
 25, 
 26, 
 
 28, 
 
 30, 
 32, 
 
 KENT. 
 
 Aylesford, Wliitefriars. 
 Bilsington, Priory, St. Mary. 
 4, 5. Boxley, Abbey, St. Mary. 
 Bradsole, Abbey, St. Mary and St. Ra- 
 
 digund's. 
 Bradsole, Abbey, Henry, Abbot. 
 Bromleigh, William de Wiklewood, 
 
 Rector of. 
 11. Canterbury, City. 
 „ Private. 
 14. „ Mayor's. 
 „ Staple. 
 
 „ Chamberlain's. 
 
 „ Eastern division of city. 
 „ Anselm, Archbishop, 1093. 
 
 Ralf, 1114. 
 „ William Corbois, Arch- 
 
 bishop, 1122. 
 „ Theobald, Archbishop, 
 
 1138. 
 23. „ Thomas A'Becket, 1162. 
 
 Richard, 1171. 
 25a. „ Hubert Walter, 1193. 
 27. „ Stephen Langton, 1206. 
 
 29. „ Rlchaid Wcatherhead, 
 
 1229. 
 31. „ Edmund, 1234. 
 
 33. „ Bonilace of Savoy, 1244. 
 
 N 2
 
 100 
 
 COUNTIES (ENGLAND), (continued)— 
 
 
 
 KENT (continued) — 
 
 
 
 KENT 
 
 {continued) — 
 
 34, 
 
 35. 
 
 Canterbury, Robert Kilwarby, 1272. 
 
 102. 
 
 Canterbury, Abbo't of St. Gregory's, 
 
 36, 
 
 37. 
 
 „ John Peckham, 1278. 
 
 
 
 
 1200. 
 
 38. 
 
 
 Robert Winchelsej, 1293. 
 
 103. 
 
 
 5> 
 
 Hugh, Prior, St. 
 
 39. 
 
 
 „ Simon Mej)ham, 1327. 
 
 
 
 
 Gregory's, 1263. 
 
 40, 
 
 41. 
 
 „ Joliu Stratford, 1333. 
 
 104. 
 
 
 5> 
 
 Henry, Prior, St. 
 
 42. 
 
 
 John OiFord. 
 
 
 
 
 Gregory's, 1277. 
 
 43. 
 
 
 „ Thomas Bredewardin, 
 
 105. 
 
 
 J5 
 
 Monastery, St. Sepulchre's. 
 
 
 
 1349. 
 
 106. 
 
 
 5» 
 
 Augustine Friars. 
 
 44. 
 
 
 Simon Islip, 1349. 
 
 107. 
 
 
 ?J 
 
 Minor Friars. 
 
 45. 
 
 
 „ Simon Langham, 1366. 
 
 108, 
 
 109. 
 
 5J 
 
 Eastbridge Hospital, 1328. 
 
 46. 
 
 
 „ Simon Sudbury, 1375. 
 
 110, 
 
 111. 
 
 J5 
 
 Jesus Hospital. 
 
 48, 
 
 49. 
 
 „ William Courtuay, 1381. 
 
 112, 
 
 113. 
 
 5J 
 
 St. John's Hospital. 
 
 50. 
 
 
 Thomas FitzAllen, 1396. 
 
 114. 
 
 
 5J 
 
 Maynard, Spittel Hospital. 
 
 51. 
 
 
 „ Henry Chichley, 1414. 
 
 115. 
 
 
 55 
 
 St. Nicholas and St. 
 
 5lA. 
 
 John Stafford, 1443. 
 
 
 
 
 Catherine Hospital. 
 
 52. 
 
 
 „ Thomas Bourchier, 1454. 
 
 116- 
 
 -119. 
 
 55 
 
 Poor Priests' Hospital. 
 
 53. 
 
 
 „ William Warham, 1504. 
 
 120. 
 
 
 55 
 
 Aged Priests' Hospital. 
 
 55, 
 
 57. 
 
 ,, Thomas Cranmer, 1533. 
 
 121. 
 
 
 55 
 
 Dean of. 
 
 58. 
 
 
 ,, William Laud, 1633. 
 
 124. 
 
 
 55 
 
 Richard Clifford. 
 
 59- 
 
 -61, 
 
 \ 
 
 125. 
 
 
 
 John Head. 
 
 63, 
 
 66, 
 
 [ j Cathefh'al, or Christ 
 j " 1 Church. 
 
 126. 
 
 
 55 
 
 Archbishop Court. 
 
 to 
 
 69. 
 
 127. 
 
 
 55 
 
 Commissary-General. 
 
 70. 
 
 
 „ Prior of Christ Church, 
 1243. 
 
 128. 
 
 
 55 
 
 Commissary, Ai'chbishop- 
 ric. 
 
 71. 
 
 
 „ Roger, Prior of Christ 
 
 129. 
 
 
 55 
 
 Henry Cooper. 
 
 
 
 Church, 1243. 
 
 130. 
 
 
 55 
 
 Commissary-General. 
 
 72. 
 
 
 „ Nicolas, Prior of Christ 
 
 131. 
 
 
 55 
 
 Consistorial Court of. 
 
 
 
 Church. 
 
 132. 
 
 
 55 
 
 Curates' Office. 
 
 73. 
 
 
 „ Henry, Prior of Christ 
 Church. 
 
 133. 
 
 
 55 
 
 Probate Commissioners, 
 1439. 
 
 74. 
 
 
 „ Robert Hathbrand, Prior 
 
 134. 
 
 
 55 
 
 Prerogative Court of, 1555. 
 
 
 
 of Christ Church, 1366. 
 
 135, 
 
 136. 
 
 55 
 
 Prerogative Court of, 1563. 
 
 75. 
 
 
 „ William, Prior of Christ 
 
 137, 
 
 138. 
 
 55 
 
 Vicars-General. 
 
 
 
 Church, 1476. 
 
 139, 
 
 140. 
 
 Cliff, 
 
 Rectory. 
 
 76. 
 
 
 William, Prior of Christ 
 
 141. 
 
 Cobham, C 
 
 oUege. 
 
 
 
 Church, 1486. 
 
 142- 
 
 ■144. 
 
 CumbAvell Priory, St. Mary 
 
 77. 
 
 
 „ Bone seal, found in Cathe- 
 
 
 
 Magdalen. 
 
 
 
 dral tower. 
 
 145, 
 
 146. 
 
 Deal, 
 
 Mayor's, 1699. 
 
 78. 
 
 
 „ William Geldefore, Prior 
 ofChrist Church, 1281. 
 
 147- 
 
 -149. 
 
 Dertford, Nunnery St. Mary, and 
 Margaret. 
 
 79. 
 
 
 „ Almoner of Christ Church. 
 
 150, 
 
 151. 
 
 Dover 
 
 , Town. 
 
 80, 
 
 81. 
 
 „ Official seal of Christ 
 
 152- 
 
 -154. 
 
 55 
 
 Mayor's. 
 
 
 
 Church. 
 
 155. 
 
 
 55 
 
 Harboi'. 
 
 82- 
 
 -89. 
 
 „ Priory, St. Aufrustiue. 
 
 156. 
 
 
 55 
 
 Castle, and Admiral of 
 
 90, 
 
 91. 
 
 „ Robert, Prior, St. Augus- 
 
 
 
 
 Cinque Ports. 
 
 
 
 tine, 1243. 
 
 157- 
 
 -160. 
 
 55 
 
 Monastery, St. Martin's. 
 
 92, 
 
 93. 
 
 Roger, Abbot, 1243. 
 
 161. 
 
 
 55 
 
 William, Dean of St. 
 
 94. 
 
 
 „ Abbot,St.Augustine,1244. 
 
 
 
 
 Martin, 1290. 
 
 95. 
 
 
 1263. 
 
 162. 
 
 
 55 
 
 Richard, Prior, 1362. 
 
 96, 
 
 97. 
 
 „ Thomas, Abbot, St. .Au- 
 
 163. 
 
 
 55 
 
 Rolxirt, Prior. 
 
 
 
 gustine. 
 
 164. 
 
 
 55 
 
 llosjtital, St. Mary's or 
 
 98. 
 
 
 „ Treasurer of St. Augus- 
 
 
 
 
 God's House. 
 
 
 
 tine. 
 
 165. 
 
 
 55 
 
 SIGILLVM ROBERTI 
 
 99- 
 
 -101 
 
 „ Priory, St. (George's. 
 
 
 
 
 DVNNI.
 
 101 
 
 COUNTIES (ENGLAND), (continued)- 
 
 166, 167. 
 
 168, 169. 
 
 170. 
 
 171-173. 
 
 174. 
 
 175. 
 
 176. 
 
 177. 
 
 178. 
 
 179. 
 
 KENT (contifiued) — 
 
 Faversham, Toavti. 
 ,, Mayor's. 
 
 Port. 
 
 Abbey, Jesus Christ. 
 Gurrie, Abbot. 
 Nicolas, Abbot. 
 Peter, Abbot, 1200. 
 
 Folkstone, Town. 
 „ Mayor's. 
 
 „ Prior, St. Mary and St. 
 
 Eanswith. 
 
 180. „ Port. 
 
 181, 182. Fordwich, Barons'. 
 
 1 83. „ Mayor's. 
 
 1 84. Herbaldowu, Hospital, St. Nicholas. 
 
 185. Hythe, Town. 
 
 186. „ Mayor's. 
 
 187. Langham, Priors. 
 
 187, 188. „ (W.) Priory, St. Mary. 
 189-193. Leeds, Priory, St. Mary, and St. 
 
 Nicholas. 
 194-196. Lesne (Westwood), Abbey, St. 
 
 Mary and St. Thomas 
 
 the Martyr. 
 
 197. „ Privy seal. 
 
 198. „ Mark, Al)bot, 1309. 
 
 199. Lvdd, Town. 
 
 200. ■'„ Bailiff's. 
 
 201. „ Archbishop of Canterbury, 
 
 seal of Jurisdiction. 
 202-204. Maidstone, Town. 
 
 205. „ Mayor's. 
 
 206, 207. „ College, All Saints. 
 
 208. Mailing Priory, St. Mary. 
 
 209. Muttinden Priory, Holy Trinity. 
 
 210. 211. Ospringe Hospital, St. Mary's. 
 
 KENT {continued) — 
 
 230. Rochester, John Poynet, 1550. 
 
 231-233. 
 
 234. 
 
 235. 
 
 236. 
 
 237, 238. 
 
 239. 
 
 240, 241. 
 
 242, 243. 
 
 244 
 
 245 
 247 
 249 
 
 Cathedral, St. Andrew's. 
 „ „ for Receipts. 
 
 „ Simon, Abbot of, 1200. 
 „ Vicars-General. 
 Romney, Town. 
 
 „ New Town. 
 „ Mayor's. 
 „ Marsh. 
 Saltwood Church, Jurisdiction of. 
 246. Sandwich, Town. 
 248. 
 
 Mayor's. 
 
 Comptroller of the 
 Port. 
 250. ,, Hospital, St. John's. 
 
 251-253. „ Hospital, St. Bartho- 
 
 lomew's. 
 
 254. „ Hospital, St. Mary's. 
 
 255. ,, Grammar School. 
 
 256. Seven Oaks, Elizabeth, Lady of. 
 
 257. „ Grammar School. 
 
 258. Sheppy Nunnery, St. Maiy's, and 
 
 Sexburga. 
 
 259. Strode Hospital, St. Mary's. 
 
 260. Sutton Valence, Rural Dean. 
 
 261. 262. Tenterden, Town. 
 263, 264. „ Mayor's. 
 
 265. Tunbridgc Priory, St. Mary Magdalen. 
 
 266. Tunbridge Wells Grammar School. 
 266a. Wingham, Officiality of. 
 
 267. Wye College, St. Gregoiy and St. 
 
 Martin. 
 
 268. Dover, St. Martin dividing his cloak 
 
 Avith the beggar. An iron die with 
 a Avood handle. 
 
 LANCASHIRE. 
 
 212. 
 213, 
 
 Usprmge, Kural IJean. 
 214. Rochester, City. 
 
 1. 
 
 Boulton, Corporation. 
 
 215. 
 
 
 „ " Mayor's. 
 
 14. 
 
 Liverpool, Borough. 
 
 216. 
 
 
 „ Admiralty. 
 
 Ua 
 
 L. Lancaster, Town. 
 
 217. 
 
 
 „ Fishery, 
 
 16, 
 
 1 7. Preston, Town of. 
 
 218. 
 
 
 „ Castle. 
 
 20. 
 
 Wlialley, Abbey of St. Mary's. 
 
 219. 
 
 
 „ Bridge. 
 
 22. 
 
 Wigau, Boix)ugh. 
 
 220. 
 
 Another, 
 
 1576. 
 
 
 
 221. 
 
 Rochester, Walter, Bisho}), 1147. 
 
 
 LEICESTERSniRE. 
 
 222. 
 
 55 
 
 Gundolph, Bishop, 1077. 
 
 3. 
 
 Burton Lazar, St. Lazarus Hospital. 
 
 223. 
 
 5> 
 
 Gilbert Glanville, 1185. 
 
 19- 
 
 -20. Leicester, St, Mary de Beatis 
 
 224, 
 
 225. „ 
 
 Richard de Woudover, 
 
 
 Abbey. 
 
 
 
 1238. 
 
 31. 
 
 „ Trinity Hospital. 
 
 226. 
 
 )j 
 
 Richard de Weudover. 
 
 40. 
 
 Ulvescroft, St. Mjuy's Priory. 
 
 227. 
 
 5> 
 
 Laurence de St. Martin, 
 1251. 
 
 
 LINCOLNSHIRE. 
 
 228. 
 
 55 
 
 Walter de Merton, 1274. 
 
 2- 
 
 -6. Bardney, St. Peter's and St. Paul's 
 
 229. 
 
 55 
 
 John Low, 1444. 
 
 
 Abbey.
 
 102 
 
 COUNTIES (ENGLAND), (continued)— 
 
 LINCOLNSHIRE {continued) — 
 
 14. Boston, Borough of. 
 
 36. Grantham, Burgesses of. 
 61. Lincoln, City. 
 
 70, 71. „ St. Mary's Cathedral. 
 
 77. „ Alexander, 1123. 
 
 88,89. „ Richard Gravesend, 1 258. 
 
 91. „ John D'Alderby, 1300. 
 
 92. „ Henry de Burghersh, 1320. 
 152, 153. Stamford, Borough. 
 
 154. „ St. Michael's Priory. 
 
 165. Thorueholm, St. Maiy's Priory. 
 
 166. Great Grimsby, Town. 
 
 MIDDLESEX. 
 
 11, 12. London, City. 
 
 13, 14. „ Lord Mayor, 
 
 14. „ Another, found in 
 
 France. 
 16. „ Port of. 
 
 27, 28. „ Fulco Basset, Bishop of, 
 
 1244. 
 34. „ John de Chishul, Bishop 
 
 of, 1273. 
 
 37. „ Radulf Stratford, Bishop 
 
 of, 1339. 
 49. „ Edmund Bonner. Bishop 
 
 of, 1540. 
 56-58. „ St. Paul's Cathedral. 
 
 78-81. „ St. Bartholomew's, 
 
 Priory. 
 
 83. „ St. Bartholomew's, 
 
 Friar's. 
 
 84. „ St.MarjLeBoneChurch. 
 91_97, I J St. John's Priory, 
 
 100. j " I Clerkenwell. 
 
 102. „ Arnold Prior, St. John's. 
 
 108. „ St. Mary's Priory. 
 
 115. „ St. Helen's Priory. 
 
 123. „ Temple Church, 
 
 125. „ St. Thomas Chapel on 
 
 Bridge. 
 
 139. „ Crossed or Crutchcid 
 
 Friai's. 
 
 146. „ St. Bartholomew's Hos- 
 
 pital. 
 
 157. „ St. Mary's Hospital, 
 
 Crippicgate. 
 
 162. „ St. Thomas Hospital. 
 
 164. „ Bakers' Company. 
 
 165. „ Chandlei's' Company, 
 174. „ Six Clerks' Ollice. 
 
 176. „ Mint. 
 
 177. „ Eastland or Spanish 
 
 Merchants. 
 
 MIDDLESEX (continued) — 
 
 179. Syon, St. Margaret Monastery, near 
 
 Brentford. 
 187-189. Westminster, St. Peter's Abbey. 
 193. „ St. Peter's Chapel. 
 
 202. „ Exchequer. 
 
 NORFOLK. 
 
 7. Bromholm, Priory. 
 
 15, Castle Rising, Trinity Hospital. 
 
 24. Horsham, Priory. 
 
 33, 35. Langley, Abbey. 
 
 36, 37. Lynn, Town. 
 
 41,42. Norwich, Bailiffs. 
 
 50-53. „ Cathedral. 
 
 111. Thetford, Town. 
 
 123, 124. Westacre, Priory. 
 
 130. Yarmouth, Mayor's. 
 
 131. „ Friars, Preachers of, 
 
 132. 133. „ Town. 
 
 NORTHAMPTONSHIRE. 
 
 6. Chacomb, Priory. 
 
 8. Daventry, Town. 
 
 18. Northampton, Town. 
 
 19. „ Mayor's. 
 
 20. „ Staple. 
 
 3 1 , 32. „ St. James' Abbey. 
 
 33. „ St. John's Hospital. 
 
 46, 47. Peterborough, Cathedral. 
 50. Peterborough, Thomas Dove, Bishop. 
 59. Sulby Abbey. 
 
 NORTHUMBERLAND. 
 
 1. Alnwick, Town. 
 
 8. Brinkbum, Priory. 
 
 17. Northumberland, William Beversly, 
 Archdeacon. 
 
 21. 22. Newcastle, Town. 
 
 23. „ Mayor's. 
 26. 
 
 39, 40. Newminster, Abbey. 
 
 NOTTING HAMSHIRE. 
 
 9. Nottingham. 
 
 17. Ncwstead, Abbey. 
 33. Retford. 
 35. Newark. 
 
 OXKOUDSHIRE. 
 
 16. Oseney Abbey, St. Mary. 
 
 17. Oxford, St. Fridswid. 
 
 18. 19. „ Christ Church. 
 21. „ Caviiuliti! Friars. 
 
 24. „ Chancellor, official. 
 
 25. „ Chancellor of University.
 
 103 
 
 COUNTIES (ENGLAND), (continued)— 
 
 26. 
 27. 
 28. 
 30. 
 31. 
 32. 
 33. 
 34. 
 
 35. 
 
 37. 
 38. 
 39. 
 40. 
 
 41. 
 42, 
 44, 
 46. 
 47. 
 48. 
 57, 
 
 5, 
 7. 
 
 11. 
 
 16. 
 
 21. 
 
 30. 
 
 33. 
 
 34. 
 
 36, 
 
 1. 
 
 2. 
 
 3. 
 
 6. 
 
 7. 
 
 9. 
 18. 
 19. 
 23. 
 24. 
 50, 
 52. 
 53. 
 54. 
 67. 
 70. 
 78. 
 124, 
 
 11. 
 20. 
 
 OXFORDSHIRE {continued) — 
 
 Oxford, Mayor's. 
 
 „ Proctor's. 
 
 „ „ of the University. 
 
 „ Chancellor, University. 
 
 „ All Souls College. 
 
 „ Baliol Qollege. 
 
 „ Brazeunose College. 
 
 „ Brazeunose College and Gover- 
 nors of Middletou School. 
 
 „ Canterbury College. 
 
 „ Cardinal's „ 
 
 „ Durham „ 
 
 „ King's „ 
 
 „ Lincoln „ 
 
 „ Magdalen „ 
 
 43. „ Merton „ 
 
 45. „ Oriel „ 
 
 „ Queen's „ 
 
 „ Stapeldon Hall „ 
 
 „ Winchester „ 
 58. Barford Town. • 
 
 SHROPSHIRE. 
 
 6. Bridgenorth, Town. 
 
 „ Friars, Preachers. 
 
 Haghmon Abbey. 
 Ludlow, Burgess. 
 Oswestry. 
 
 Shrewsbury, Linendrapers' Company. 
 Much Wenlock, Town. 
 Wenlock Convent. 
 37. „ St. Milburgh Monastery. 
 
 SOMERSETSHIRE. 
 
 Athelney, Abbey. 
 
 „ Benedict, Abbot of. 
 
 „ Abbey. 
 Bath, Joceline, Bishop. 
 
 >j 
 
 „ and Wells, Robert, Bishop, 
 
 „ „ Gilbert, Bishop, 1559. 
 
 „ Cathedi-al, 
 
 „ Town. 
 Bridge water. 
 51, Glastonbury, Abbey. 
 
 „ St. John's Hospital. 
 
 Ilchester. 
 
 Ilminister, Grammar School.* 
 Wells, Cathedral. 
 
 „ John Godelle, Dean. 
 Yeovil. 
 125. Wells, City seal. 
 
 STAFFORDSIHRE. 
 
 Litchfield, Dean and Chapter. 
 Saudwell, Priory. 
 
 STAFFORDSHIRE (continued) — 
 
 22. Stafford. 
 
 26. Tamworth. 
 
 27. Litchfield. 
 
 SUFFOLK. 
 
 1. Beccles. 
 
 5. Bury St. Edmund's, Abbey. 
 6, 7. „ Great. 
 
 10, „ Abbey. 
 
 11, 12. „ Sampson, Abbot. 
 21. Dunwich, Ethelwald, Bishop of. 
 
 26. „ Town, 
 
 29, Eye, 
 
 32, Heringfleet, Priory. 
 
 33. Ipswich, l^iory, St. Peter, and St. Paul. 
 38a, b. „ Town. 
 
 68. Wangford, Hundred. 
 
 SURREY. 
 
 1, 2. Bermondsey, Priory. 
 3. Chertsey, Abbey. 
 
 6. Croydon, Hospital. 
 
 7. Kingston upon Thames. 
 10, 11. Merton, Priory, 
 
 21, Southwark, St, Saviour's School. 
 
 SUSSEX. 
 
 3, 4, Battle Abbey, 
 
 12, 13. Boxgrove, Abbey. 
 
 15. Chichester, Town. 
 
 16. „ Cathedral, 
 
 22. „ Robert, Bishop. 
 
 29. Hastings, New Priory, St. Trinity. 
 
 30. „ Town. 
 30a. „ Mayor's. 
 
 31. 32. Lewes, Priory. 
 
 33. Pevensey, Town. 
 
 34. „ Port. 
 
 38, 39. Robertsbridge, Abbey. 
 43. Sele, Priory of St. Peter's. 
 
 WARWICKSHIRE. 
 
 3. Binningham, Town. 
 
 4. „ Grammar School. 
 
 13, 14. Coventry, Priory. 
 
 18. „ Richard, Bishop, 1161. 
 
 43, Knoll, Chapel. 
 
 44. „ Guild, St. John Baptist. 
 
 58. Peculiar Jurisdiction, Stratford-on- 
 
 Avon. 
 
 59. Warwick, St. Sepulchre. 
 
 65. „ Town, 
 
 66. Sutton Coldfield. 
 
 WE STMOREL AND. 
 
 1, 2. Appleby. 
 6. Kendal.
 
 104 
 
 4. 
 
 8, 
 16. 
 21. 
 
 2lA 
 
 31. 
 42. 
 45. 
 
 4. 
 
 7, 
 
 4, 
 27, 
 45, 
 51. 
 54. 
 55. 
 56. 
 63. 
 68, 
 74. 
 85. 
 
 WILTSHIRE. 
 
 Devizes. 
 
 9. Heytesbuiy, Hospital. 
 May den Bradley Priory. 
 Salisbuiy, Mayor. 
 City. 
 „ Weavers of. 
 Wilton, Nunnery. 
 ,, Town. 
 
 WORCESTERSHIRE. 
 
 Evesham, Town. 
 8. „ Prioiy. 
 
 YORKSHIRE. 
 
 5. Beverley, Towti and Burgesses. 
 28. Cottingham, Priory. 
 45a. Halifax, Grammar School. 
 Hemsworth, Holgate's Hospital. 
 Kingston upon Hull. 
 
 „ Mayor's. 
 
 „ Admiralty. 
 Kirkham, Priory. 
 69. Leeds. 
 Middleham, Vicar. 
 Pockliuo-ton, Grammar School. 
 
 COXJNTIES (ENGLAND), (continued)— 
 
 YORKSHIRE (continued) — 
 86, 87, 89. Pontefract. 
 88. „ St. John's Priory. 
 
 1, 2. Llewellen, Prince of Wales. 
 3, 4. Owen Glendower, Great seal. 
 
 5. Another, Privy seal. 
 
 BRECKNOCKSHIRE. 
 
 6. Brecknock, St. John's Priory. 
 
 CARDIGANSniUE. 
 
 7. Cardigan, W., Archdeacon. 
 
 CARMARTHENSHIRE. 
 
 8. Carmarthen, Town. 
 
 9. „ Staple. 
 
 CARNARVONSHIRE. 
 
 10. Carnarvon, Town. 
 
 11. Bangor, Robert, liishop, 1200. 
 
 12. ,, Aniaiius, Bishop, 1267. 
 
 13. „ Caducan, Bishop, 1303. 
 
 14. „ John, Abbot. 
 
 DENHIGIISIHRE. 
 
 15. Denbigh, Burgesses. 
 65, 66. Rhuthyn. 
 
 FLINTSHIRE. 
 
 16. St. Asiipii, (iriflidi, Archdeacon. 
 
 17. ,, Consistoral Court. 
 
 100. 
 
 Salla 
 
 y,Ab 
 
 bot. 
 
 105. 
 
 Sheffield. 
 
 
 119, 
 
 120. 
 
 York 
 
 5 City. 
 
 121, 
 
 122. 
 
 >> 
 
 Town. 
 
 127. 
 
 
 )5 
 
 Maybr's. 
 
 139, 
 
 140. 
 
 5J 
 
 Walter, Acchbishop, 1265. 
 
 148, 
 
 149. 
 
 )5 
 
 John, Archbishop, 1352. 
 
 151. 
 
 
 5J 
 
 Alexander Neville, 1373. 
 
 154, 
 
 155. 
 
 5J 
 
 Henry, Archbishop, 1406. 
 
 156. 
 
 
 5J 
 
 Another, 1425. 
 
 157. 
 
 
 J> 
 
 William, Archbishop, 1453. 
 
 159. 
 
 
 JJ 
 
 Thomas, 1518. 
 
 163, 
 
 164. 
 
 55 
 
 Tobias Mathew, 1606. 
 
 175. 
 
 
 55 
 
 Robert, Dean, 1323. 
 
 184. 
 
 
 55 
 
 St. Peter's. 
 
 189. 
 
 
 55 
 
 St. Mary's Abbey. 
 
 190. 
 
 
 55 
 
 St. Mary's. 
 
 201. 
 
 
 55 
 
 St. Mary's and H. Angels 
 College. 
 
 204. 
 
 
 55 
 
 St. Mary's Hospital, 
 adjoining Fossgate. 
 
 207. 
 
 
 55 
 
 Trinity Hospital, Fossgate. 
 
 WALES. 
 
 GLAMORGANSHIRE . 
 
 18. Cardiff, Custom House. 
 
 19. „ Neath, Port. 
 
 20. „ Garthbury, Port. 
 
 21. „ Swansea, Port. 
 
 22. Cowbridge, Town. 
 
 23. Kidwelly, Town. 
 
 24. 25. Llandaff, Cathedral. 
 
 William, Bishop, 1185. 
 Henry, Bishop. 
 
 „ 1196. 
 
 26, 27. 
 28, 29. 
 30, 31. 
 
 oJ, oo. ,, ,, ,, 
 
 34, 35. „ William, Bishop, 1219. 
 
 36, 37. „ Elias, Bishop, 1234. 
 
 38. „ William, Bishop, 1244. 
 
 39. „ Another, 1278. 
 
 40. „ John, Bishop, 1323. 
 
 41. „ Thomas, Bishop, 1399. 
 
 42. „ Robert de Mare, Arch- 
 
 deacon, 1385. 
 43-45. Margan, Abbey. 
 
 46. * „ Abbot. 
 
 47. 47 a. Ncalh, Town. 
 
 48. „ Abl)ot. 
 61. „ Abbey. 
 
 49. Swansea, Corporation. 
 
 50. „ Bnigess. 
 
 51. 52. „ St. Mary's. 
 
 53. „ St. David's Hospital.
 
 105 
 WALES (continued)- 
 
 MONTGOMERYSIIIRE. 
 
 54. Ystrat Marchel, St. Mary's Abbey. 
 
 PEJIBROKESHIRE. 
 
 55. Pembroke, St. David's Cathedral. 
 
 56. „ St. David's, Henry, Bishop, 
 
 1334. 
 
 PEMBROKEsmRE (continued) — 
 
 57. Pembroke, St. David's, Adam, Bishop, 
 
 1365. 
 
 59. „ St. David's, official, Bishoprick. 
 
 60. Haverford, St. Mary and St. Thomas 
 
 Priory. 
 
 62. St. Dogmael Priory. 
 
 63, 64. Tenby, Town. 
 
 GREAT SEALS OF SCOTLAND. 
 
 1. Duncan ; 1094-98. 
 
 2. Edgar; 1098-1107. 
 
 3. 4. Alexander L ; 1107-24. 
 
 5, 6. David I. ; Edinburgh Charter. 
 
 7, 8. Malcolm IV. ; Panmure Charters, 
 
 1153, 1165. 
 9, 10. William L; 1165-1214; Meh-ose 
 TuUerton. 
 
 1 1, 12. Alexander II. ; 1214-49 ; Mel- 
 rose Charters. 
 
 13, 14. Alexander IIL ; 1249-85; Mel- 
 rose Charters. 
 
 15, 16. Guardians of Scotland; 1286-92; 
 Thomas Thomson. 
 
 17, 18. John Baliol ; 1292-96 ; Gen. 
 Reg. House. 
 
 19,20. Robert I (Bruce); 1306-29; Mel- 
 rose Charters. 
 
 21, 22. Robert L; 1230; Melrose Charters. 
 
 23, 24. David H. ; 1239-1371 ; Meh-ose 
 Charters. 
 
 25, 26. David II. 
 
 27, 28. Edward; 1329-55; Chapter House, 
 Westminster. 
 
 29, 30. Robert IL ; 1371-90; Brit. Mus. 
 
 31, 32. Robert III. ; Melrose Charters. 
 
 33, 34. Robert III. ; 1390-1406 ; Chapter 
 House, Westminister. 
 
 35, 36. James I. ; 1406-36 ; Lord Pan- 
 mure. 
 
 37, 38. James IL ; 1436-60; Morton 
 Charters. 
 
 39, 40. James III. ; 1460-88 ; Sir Wil- 
 liam Gordon. 
 
 41, 42. James IV. ; 1488-1513 ; Morton 
 Charters. 
 
 43, 44. James v., 1513-42; Chapter House, 
 Westminster. 
 
 45,46. Mary; 1542-67; Cosmo Innes. 
 
 47, 48. Mary ; 1 554 ; Morton Charters. 
 
 49. Francis and Mary ; 1559. 
 
 51,52. Mary; 1564; Morton Charters. 
 
 53, 54. James VL ; 1567, 1625 ; Morton 
 Charters. . 
 
 55, 56. Charles I. ; 1625-49 ; Napier 
 Charters. 
 
 57, 58. Charles I. ; 1630 ; W. E. Ayton. 
 
 59, 60, 60a. Oliver Cromwell ; 1653-58; 
 Elibank Charters. 
 
 61, 62. George L ; 1714. 
 
 62a. George II. 
 
 63, 64. George II. ; 1727. 
 
 PRIVY SEALS OF THE KINGS AND QUEENS OF SCOTLAND. 
 
 66, Ei-mengard, Queen of William the Lion, 
 
 1220. 
 
 67, 68. Alexander III., 1260. 
 
 69. John Baliol, 1302. 
 
 70. Robert I., 1317. 
 
 7 1 . Signet of Robert I. 
 
 72. David II., 1339. 
 
 73. Baliol (Edward), 1350. 
 
 74. Signet of Edward Baliol, 1350. 
 
 75. Robert 1 1., 1386. 
 
 76. Euphemia, Queen of Robert II. , 
 
 1375. 
 
 77. Robert IIL, 1390. 
 78 James I., 1429. 
 
 79. Joan Beaufort, Queen of James I., 
 
 1434. 
 
 80. James IL, 1429. 
 
 81-83. Mary, Queen of James U. 
 
 84, 85. James IV., 1506. 
 
 86-88. Margaret, Queen of James IV., 
 
 1526. 
 89-96. Mary Queen of Scots, 1564. 
 
 97. James VI., 1588. 
 
 98, 99. Anne, (Jucen of James VL, L615.
 
 106 
 
 COUNTIES (SCOTLAND). 
 
 ABERDEENSHIRE. 
 
 2a. Causes of Aberdeen. 
 
 3. Aberdeen, St. Mary's Abbey. 
 
 4, 5. „ • Dean and Chapter. 
 6, 7. „ John, Bishop, 1220. 
 
 8. „ Bishop. 
 
 9. „ William Deyn, Bishop, 
 
 1345. 
 
 10. „ Alexander Kinninmound, 
 
 Bishop, 1354. 
 10a. „ Gilbert Greenlaw, Bishop, 
 
 1398. 
 10b. „ William, Bishop, 1484. 
 
 IOd. „ William, Bishop, 1532. 
 
 IOe. „ William, Bishop, 1546. 
 
 IOf. „ Adam, Bishop, 1635. 
 
 IOg. Brechin, Chapter. 
 IOg*. Back of Brechin, Chapter. 
 
 11. Aberdeen, Thomas, Dean. 
 
 12. „ HerveyRabeth, Dean, 1290. 
 
 13. „ AdainTyngyha,Dean,1371. 
 
 14. „ Henry, Abbot. 
 
 15. „ College of St. Mary. 
 
 16. Deer, Adam, Abbot. 
 
 17. 18. Monymusk, Priory of St. Mary. 
 
 ANGUSSHIRE. 
 
 19. Arbroath, Common seal of the Burgh. 
 
 20. „ John Jameson, Commen- 
 
 dator. 
 21,22. „ Abbey of St. Thomas the 
 
 Martyr. 
 
 23. „ Matthew, Moidc. 
 
 24. Brechin, City. 
 
 24a. „ Patrick, Bishop, 1354. 
 
 25. „ eTohn Ilepbourn, Bishop, 
 
 1451. 
 25a. „ George, Bishop, 1454. 
 25b. „ John, Bishof), 1466. 
 25c. „ William, 1500. 
 25d. „ Alexander, 1566. 
 25e. „ Andrew, Bishop, 1606. 
 25f. „ Andrew, 1619. 
 25g. „ David, 1619. 
 25ii. „ J:un(^s, 1684. 
 25i. „ Thomas, Oflicial. 
 25k. „ Official. 
 
 26. Coupar, Abbey, St. Mary's. 
 
 27. „ Abbot's. 
 
 27a. „ Donald, Abbot. 
 27 b. „ Monastery. 
 
 28. Dundee. 
 
 28a. „ Martin, Bishop, 1352. 
 28n. „ Uob.rt, liisliop, 1473. 
 28c. „ Arthur, 1675. 
 
 AYRSHIRE. 
 
 29, 30. Kilwilling, Abbey, St. Mary. 
 30a. „ Abbot's, 1360. * 
 
 BERWICKSHIRE. 
 
 31. Berwick, Mayor's. 
 
 32. ,, Guardians'. 
 
 33-35. „ For Lands beyond the Tweed, 
 temp. Edward III. and 
 Henry IV. 
 
 35a. North Berwick, Town. 
 
 36. „ St. Mary's Convent. 
 
 37. „ Monastery,Holy Trinity. 
 
 38. „ Friars Minor, St. Mary. 
 38a. St. Bothan's Priory. 
 
 39. Coldingham, Monastery, St. Mary. 
 
 40. Lauder, Official, for the Justiciary, 1442. 
 40a. „ Official, for the Justiciary, 1511. 
 40b. Linlithgow, Priory. 
 
 CAITHNESSHIRE. 
 
 41. 41a. Caithness, St. Mary. 
 
 41b. „ John de Gamery, 1 360. 
 
 CL ACKM AN ANSHIRE . 
 
 42. Cambuskenneth, Abbey, St. Mary. 
 
 43. „ John, Abbot of St. Mary's. 
 43a. „ Abbot. 
 
 43b. „ Official, of the Abbot. 
 
 43c. „ St. Mary's. 
 
 CROMARTYSHIRE. 
 
 44. Cromarty, Cocket seal, and for Inver- 
 
 ness. 
 
 DUMFRIESSHIRE. 
 
 44a. Lincluden, Provost. 
 44b. Dumfries, Town. 
 
 EDINBURGHSHIRE. 
 
 Edinburgh, Cocket. 
 
 „ Burgesses, 1566. 
 
 „ ' „ for Causes, 
 
 1581. 
 „ Corporation, 1392. 
 
 „ Barony of Portsburgh. 
 
 „ St (jriles' Chapter. 
 
 „ Holyrood, or St. Cross 
 
 Monastery. 
 „ Holyrood, or St. Cross 
 
 Monastery, 146i. 
 „ Holyrood, or St. Cross 
 
 Monastery, 1298. 
 „ Holyrood, or St. Cross 
 
 Monastery, 1591. 
 „ Holyrood, Abbot's seal. 
 
 45, 
 47, 
 48. 
 
 46. 
 
 47a 
 
 48a* 
 48c. 
 48d 
 49, 
 
 B. 
 
 49a 
 
 49b 
 
 
 49c 
 
 
 50. 
 
 
 51, 
 
 52. 
 
 •
 
 107 
 
 COUNTIES (SCOTLAND), (continued)— 
 
 EDINBURGHSHIRE {continued) 
 
 52a. Edinburgh, Holyrood, John, Abbot of. 
 
 53. 
 
 54. 
 
 55. „ 
 
 5Q. 
 
 Vice Caunonicum of. 
 Commendutor, 1555. 
 Ploly Trinity. 
 Chapter seal for Causes, 
 1637. 
 56a, b. „ Holyrood, Abbot of, 1 264. 
 
 57. „ Friars Preachers, 1519. 
 
 58, „ Trinity College. 
 
 59. „ Register House, 1392. 
 
 60, 61. Newbottle, St. Maiy's Monastery, 
 
 1358. 
 
 62. Another, 1386. 
 
 63. Another, 1371. 
 
 64. Newbottle, Abbot's, 1223. 
 
 65. „ Counter seal of the Monastery. 
 
 66. „ Patrick Tri pany. Abbot, 1 40 1 . 
 
 67. „ Thomas, Abbot, 1445. 
 67a. Seton (John), Provost, 1536. 
 
 68. Tweedale Cross Church Hospital. 
 
 69. Court of Justiciary of the Forth. 
 260. Lasswade, John of Dallieith, Vicar. 
 
 70-72. St, 
 74. 
 74a. 
 75. 
 
 76, 77. 
 78, 79. 
 80. 
 81. 
 82, 83. 
 
 83a, 83b. 
 84, 85. 
 
 86, 86a. 
 
 87. 
 
 89. 
 90. 
 
 91. 
 
 92. 
 93. 
 
 93a. 
 94. 
 
 FIFESHIRE. 
 
 Andrew's, Common City. 
 Causes of City. 
 Robert, Bishop, 1152. 
 Ernaldus, Bishop, 1159. 
 Richard, Bishop, 1 1 59. 
 1163. 
 Roger, Bishop elect, 1188. 
 Roger, Bishop, 1188. 
 William Mai voisine, Bishop, 
 
 1202. 
 Gamcline, Bishop, 1255. 
 William Eraser, Bishop, 
 
 1279. 
 William Lamberton, Bishop, 
 
 1298. 
 James Bennet, Bishop, 
 
 1328. 
 William Handel, Bishop, 
 
 1341. 
 Walter Trail, Bishop, 1385. 
 Henry Wardlaw, Bishop, 
 
 1404. 
 James Kennedy, Bishop, 
 
 1440. 
 Another, 1456. 
 Patrick Graham, Bishop, 
 
 1469. 
 William, Bishop, 1478. 
 Will. Schives, Archbishop, 
 
 1480. 
 
 
 
 FIFESHIRE (continued) — 
 
 95. 
 
 St. 
 
 Andrew's, James Stewart, Arch- 
 
 
 
 
 bishop, 1499. 
 
 96. 
 
 
 >> 
 
 Alexander Stewart, Arch- 
 bishop, 1509. 
 
 97. 
 
 
 5> 
 
 Andrew Foreman, Arch- 
 bishop, 1518. 
 
 98, 
 
 98a 
 
 • J) 
 
 James Bethune, Archbishop, 
 1522. 
 
 99. 
 
 
 »> 
 
 David Bethune, Archbishop, 
 
 1544. 
 
 99a 
 
 B, 
 
 1" 
 
 f David Cardinal Beaton, 
 1 Bishop, 1539. 
 
 99c, 
 
 D. 
 
 100. 
 
 
 5J 
 
 John Hamilton, Arch- 
 bishop, 1546. 
 
 100 a 
 
 
 5> 
 
 John, Bishop, 1548. 
 
 100b 
 
 
 
 John Douglas, 1572. 
 
 100c. 
 
 
 George, Bishop, 1606. 
 
 101. 
 
 
 >5 
 
 John Spottiswood, Arch- 
 bishop, 1615. 
 
 102. 
 
 
 J5 
 
 James Sharp, Archbishop, 
 1661. 
 
 103. 
 
 
 55 
 
 Official, of the Bishopric. 
 
 103a. 
 
 
 55 
 
 Official. 
 
 104- 
 
 106 
 
 5J 
 
 Priory. 
 
 106b. 
 
 
 55 
 
 James, Commendator. 
 
 106c. 
 
 
 55 
 
 Friai" Preachers. 
 
 106d. 
 
 
 55 
 
 Vicar-General. 
 
 107. 
 
 
 55 
 
 Pi'iory. 
 
 108. 
 
 
 55 
 
 Henry, Abbot. 
 
 109. 
 
 
 55 
 
 John, Prior, 1178. 
 
 109a. 
 
 
 55 
 
 John, Prior, 1266. 
 
 110. 
 
 
 55 
 
 John Hepburn, Prior, 1504. 
 
 110a. 
 
 
 55 
 
 Ranulf, Archdeacon. 
 
 111. 
 
 
 55 
 
 Choristers, 1527. 
 
 112. 
 
 
 55 
 
 St. Saviour's Priory. 
 
 113. 
 
 
 55 
 
 Friar Preachers. 
 
 114. 
 
 
 55 
 
 1519. 
 
 115. 
 
 
 55 
 
 Black Friars, 1559. 
 
 116. 
 
 
 55 
 
 University. 
 
 117. 
 
 
 55 
 
 Walter Stewart, Rector of 
 the University, 1514. 
 
 118. 
 
 
 55 
 
 St. Leonard's Co'llege, 1527. 
 
 118a. 
 
 
 55 
 
 St. Salvator's College. 
 
 11 SB, 
 
 c. 
 
 55 
 
 St. Leonards. 
 
 119. 
 
 
 55 
 
 Cocket. 
 
 11 9a. 
 
 
 55 
 
 Counter. 
 
 120. 
 
 Balmerino, St. Mary's Abbey. 
 
 1 20a, 
 
 120b. 
 
 Cupar, in Fife. 
 
 121, 1 
 
 22, 
 
 122a Dunfermline, Cocket. 
 
 122 b. 
 
 Dunfe 
 
 rmline. Abbot. 
 
 123, 124 
 
 
 „ Holy Trinity Monas- 
 
 
 
 
 tery. 
 
 125. 
 
 
 
 „ Patrick, Abbot. 
 
 126. 
 
 
 
 „ Ralph, Abbot. 
 O 2
 
 108 
 
 COUNTIES (SCOTLAND), (continued)— 
 
 FlFESHiRE (continued) — 
 
 126a. Dunfermline, Inchcolme, Abbot. 
 126b, 126c. „ Monastery. 
 
 127. In verkei thing, Cocket. 
 127a. Lindores, St Mary's Abbey. 
 127b. „ Thomas, Abbot. 
 
 FORFARSHIRE. 
 
 130c. Montrose, Friar Preachers. 
 
 HADDINGTONSHIRE. 
 
 131. Dunbar Monastery. 
 
 132. Haddington, St. Mary's Monasteiy. 
 132a. „ Chapter of the Abbey of 
 
 St. Mary. 
 132b. „ Causes. 
 
 INVERNESSHIRE. •< 
 
 133. Inverness, Cocket, and for Cromarty. 
 133a. „ Friar Preachers. 
 
 133b, c. „ Town. 
 
 KIRKCUDBRIGHTSHIRE. 
 
 120c. Dundrennai), Abbot. 
 
 128. „ Abbey. 
 
 129. Galloway, Thomas, Bishop, 1314. 
 
 130. Sweet Heart, St. Mary, Convent. 
 
 1.5.39. 
 130b. Sweet Heart, Abbot of. 
 
 LANARKSHIRE. 
 
 134. Blantyre (Will.), Commendator, 1595. 
 
 135. Glasgow, Common. 
 
 136. 136a, I 36b, 136c. Glasgow, Chapter. 
 136i). Glasgow, Official. 
 137,138. 
 139. 
 140, 
 140a. 
 141. 
 
 142, 143. 
 144. 
 144a. 
 145-147. 
 
 147a. 
 148. 
 
 149. 
 150. 
 
 151. 
 152. 
 
 Cathedral, 1315. 
 
 „ Seal of Causes, 1581. 
 
 Joceline, Bishop, 1174-99. 
 
 Florentius, Bishop elect, 
 
 1202. 
 Walter, Bishop, 1208-1233. 
 Will. Bonningtou, Bishop, 
 
 1233. 
 Robei't Wiseheart, Bishop, 
 
 1270. 
 Robert, Bishop, 1314. 
 John Wiseheart, Bishop, 
 
 1 3 1 9. 
 fjohn Lindsay, Bishop, 1325. 
 Walter Wardlaw, liishop, 
 
 1368. 
 Will. Lander, Bishop, 1408. 
 Andi-ew Muirhead, Bishop, 
 
 1455. 
 
 LANARKSHIRE (continued) 
 
 152a. Glasgow, John, Bishop, 1473. 
 Robert, Bishop, 1480. 
 1500. 
 Gavin Dunbar, Bishop, 
 
 1524. 
 James Bethune, Bishop, 
 1551. 
 
 152b 
 
 152c. 
 
 153, 
 
 153a. 
 
 154, 
 
 154 a. 
 
 154b. 
 
 154d, e 
 
 154f. 
 
 155. 
 
 156. 
 157. 
 158. 
 159. 
 160. 
 
 }" I 
 
 James, Bishop, 1573. 
 Will., Bishop, 1585. 
 Andi-ew, Bishop, 1661. 
 John Carrick, Chancellor, 
 
 1371. 
 Simon, Archdeacon. 
 Will., Dean. 
 Robert Foreman, Dean. 
 Friar Preachers, 1519. 
 Lanark, Town. 
 
 LINLITHGOWSHIRE. 
 
 161. Common, 1689. 
 
 162. 162a. Torphichen, Chapter. 
 
 MORAYSHIRE. 
 
 130d. Forres. 
 
 163. Kynlos, Regality of. 
 
 164. „ Monastery. 
 
 165. „ Robert, Abbot. 
 
 166. „ Thomas, Abbot. 
 
 167. 168. Moray Cathedral. 
 
 169, 170, 170a. Moray, Brice Douglas, 
 Bishop, 1203. 
 
 171. 171a. Moray, John Pilmore, Bishop, 
 
 1325. 
 
 171b. „ Alexander, Bishop, 1362. 
 
 171c. „ John, Bishoj), 1437. 
 
 17 Id. „ James, Bishop, 1460. 
 
 171e, i7lK. „ Andrew, Bishop, 1482. 
 
 17lG. „ Elgin, Bishop. 
 
 172. „ Patrick Hepburn, Bishop, 
 
 1535. 
 
 173. „ John Guthrie, Bishop, 
 
 1623. 
 
 174. Pluscardine, St. Andrew's Convent, 
 
 1453. 
 
 1 75. „ Alexander, Prior. 
 
 NAIRNSHIRE. 
 
 176. Nairn, Common, 1476. 
 
 ORKNEY'S. 
 
 176*. Orkneys, Peter, Bishop, 1270. 
 
 176a. „ Thomas, Bishop, 1422. 
 
 176b. „ R«)l)ert, Bishop, 1540. 
 
 1 76c. „ Andr<!w, Bishop, 1634. 
 
 176d. „ Chapter of St. Magnus.
 
 109 
 
 COUNTIES (SCOTLAND), (continued)— 
 
 ROXBURGHSHIRE. 
 
 PEEBLESSHIRE. 
 
 176*. Peebles, Official Seal of the Port. 
 176e. „ Town. 
 
 PERTHSHIRE. 
 
 126d, Inchmahome, Town. 
 177, 178. Abernethy, College. 
 178a. Culross, Town. 
 
 179. „ St. Mary and St. Serf, Col- 
 
 legiate Church. 
 1 79a. „ A Counter or Privy Seal of 
 the Monastery. 
 
 180. Dunblane, Common. 
 
 180a. „ Simon, Bishop, 1170. 
 
 180b, c. „ Abraham, Bishop, 1214. 
 
 181. „ Will., Bisiiop, 1290, 1307. 
 
 182. „ James, Bishop, 1486. 
 
 183. 184. Dunkeld, Chapter 
 184a. 
 185. 
 186. 
 
 188a. „ 
 1S8b. „ 
 188c. „ 
 188d. 
 
 Chapter. 
 
 Commissioners, 1598. 
 
 Richard, Bishop, 1200. 
 
 Matthew, Bishop, 1289. 
 
 John, Bishop, 1352. 
 
 Nicholas, Bishop, 1402. 
 
 Robert, Bishop, 1550. 
 189, 190. InchafFery, St. John's Church. 
 190a. „ Abbot. 
 
 192. Perth, Prior of the Preaching Fi"iars, 
 
 1519. 
 193-195. Scone, St. Trinity and St. 
 Michael's Church, 1590. 
 
 194a. 
 
 Abbot. 
 
 196. 
 
 Philip, Abbot. 
 
 197. 
 
 Patrick Hepburn, Com- 
 
 
 mendator, 1536. 
 
 RENFREWSHIRE. 
 
 198, 199. Paisley, Common. 
 
 200. 
 
 Abbot. 
 
 201. 
 
 James Hamilton, Master, 
 
 
 1603. 
 
 201a, 201b. „ 
 
 Chapter of St James 
 
 
 and Mi ran. 
 
 201c. 
 
 Robert, Abbot of St. 
 
 
 James', &c. 
 
 20 Id. Renfrew, 
 
 Town. 
 
 ROSSHIRE. 
 
 202. Ross, Robert, Bishop, 1280, 1296. 
 202a, 202b. Ross, Alexander, Bishop, 1357. 
 202c. Ross, John, Bishop, 1485. 
 
 203. Dryburgh, St. Mary's Abbey. 
 203a. „ Roger, Abbot, 1220. 
 
 204. „ Thomas, Abbot, 1551. 
 205,206. „ Abbot. 
 
 207. „ John, Abbot, 1404. 
 
 208. „ Abbot, 1500. 
 
 209. „ James, Commendator. 
 
 210. Jedburgh, St. Mary's Abbey. 
 
 211. „ John Horel, Abbot. 
 2 1 1 A. „ John, Abbot. 
 
 212. „ Andrew, Commendator. 
 
 213. 214. Kelso, St. Mary's Abbey. 
 214a, b. „ Monastery of St. Mary's. 
 215-117. „ St. Mary's Abbey. 
 
 218. „ Abbot. 
 
 219. „ Henry, Abbot of St. 
 
 Mary's, &c. 
 219a. Lochlevcn, Abbot of St. Serf 
 220,221. Melrose, St. Mary's Monastery, 
 
 1499. 
 222, 223. „ Abbot. 
 
 224. Reginald Ridpath, Monk. 
 
 225. Melrose, Henry, Abbot, 1446. 
 225a. „ Andrew, Abbot, 1539. 
 
 226. „ Cocket. 
 
 SELKIRKSHIRE. 
 
 227. St. Mary's Monastery, 1426. 
 
 STIRLINGSHIRE. 
 
 228. 229. Stirling, Common. 
 ! 230. „ Privy. 
 
 231. „ St. Mary's Monastery. 
 
 WIGTONSHIRE. 
 
 130a. Glenluce, Monastery. 
 
 ISLE OF BUTE. 
 
 250, 251. Rothc-ay. 
 
 ISLE OF MANN. 
 
 254, 255. Soder, Mark, Bishop, 1275. 
 
 256. „ Andrew, Bishop, 1606. 
 
 257. „ Robert, Bishop, 1671. 
 259. Landoii, Ralph, Dean of 
 
 261. Molle, Will de Sprouston, Vicar. 
 
 scotch seals unnamed. 
 19, 22a, 25, 28a, 56b, 99, 148, 206. 
 
 1, 2. Oliver Cromwell. 
 3, 4, Charles 11. 
 
 GREAT SEALS OF IRELAND. 
 
 5, 6, 7. Anne. 
 8, 9. George III. 
 Seal of the Exchequer.
 
 110 
 
 GREAT SEALS OF FRANCE, SPAIN, ETC. 
 
 1. Chilperic HI., 716. 
 
 2. Eudes. 
 
 3. Charlemagne, 779. 
 
 4. 5. Louis VII.; the first time the Fleur- 
 
 de-Lis appeared on the Great Seal. 
 6, 7. St. Louis IX., 1226 
 8, 9. Sancho IV., Spain, 1294. 
 10, 11. Eric, Denmark, 1296. 
 12, 13. Ferdinand, Infant Castille and Leon, 
 1310. 
 
 14, 15. Denis, King of Portugal, 1358. 
 16, 17. John of Ghent, Castille and Leon. 
 1 8-2 1 . Charles IV., Empereur of Germany, 
 1378. 
 
 22. George, King of Bohemia, 1464. 
 
 23. Frederick William, March. Brandenb. 
 
 24. Joseph II., Emperor of Gennany, 
 
 1767. 
 
 25. 26. Napoleon, Empereur des Fran^ais. 
 
 QUEENS OF FRANCE, ETC. 
 
 35. Jeanne, Countess of Thoulouse, 1260. 
 
 36, 37. Margaret, Countess of Valois, 1296. 
 38, 39. Jeanne, Queen of Philip IV., 1300. 
 
 41. Clementina, Queen of Louis X., 1317. 
 
 42, 43. Jeanne de Burgundy, 1335. 
 
 44. Jeanne, Duchess of Burgundy, 1340. 
 
 45, 46. Jeaime, Queen of Philip XII. 
 47. Jeanne, Queen of Charles V., 1366. 
 
 48 Isabella, Queen of Charles V., 1395. 
 
 49. Blanche, Queen of Philip VI., 1371. 
 
 50. Renee d'Anjou, Due. of Bar., 1429. 
 
 5 1 . Mary, Queen of Louis XII. 
 
 52. Jeanne, Queen of Navarre, 1284. 
 
 53. Blanche, Queen of Sicily, 1 299. 
 
 54. Margaret, Queen of Sicily, 1292. 
 
 ASSYRIAN SEALS. 
 56 Casts of Assyrian Seals.
 
 iBIi;4tii0tj)ji}s, li;0n2es, &4. 
 
 Christ led forth ; from the original by 
 Albert Durer. 
 
 Christ bearing His Cross ; from the origi- 
 nal by Albert Durer. 
 
 Cuirass, Front and Baek. Nieuwerkerke 
 Collection. 
 
 Dish, with Figure of a River God. 
 
 Ewer, Venetian, from the Soulages Col- 
 lection, 
 
 Head of Christ, from the original by Canova. 
 
 Knocker (Door), Italian, 15th century. 
 „ Venetian (original). 
 
 Lions (Two). 
 
 Portrait in Relievo, from the original by 
 
 Jean Goujon. 
 Salver, Italian " Temperantia." 
 
 „ Venetian. 
 Shield (The Augsberg), from the original 
 by G. Sigmann. 
 „ Italian, from the original, attributed 
 toiienvenuto Cellini. 
 Victorian Exhibition, Great Seal of, by 
 Charles Summers, 
 
 ELECTROTYPES (GILT). 
 Salver, with Scroll in relief. I Salver, Moresque, 
 
 PEWTER SILVERED AND PARCEL GILT 
 
 Italian, cinque 
 
 Cellar (Salt), star shaped 
 
 cento. 
 Plates (Embossed Pewter), IGth century 
 
 (Three). 
 Saracenic- Damascened Box. 
 
 Saracenic Damascened Vase and Cover, 
 Tankard (Embossed), from the original by 
 
 Francois Briot, 
 Tazza (Silver Gilt). Italian, cinque cento. 
 
 (Stiis^. 
 
 Goblet (German), painted at Nuremburg, | Tazza, with Cupids on Goats, 
 
 GLASS AND METAL. 
 Case Knife, Fork, and Spoon, Moorish pattern.
 
 112 
 
 (Plsif^nanitoua. 
 
 Apotheosis of Augustus, cameo, from the original, in the Imperial Library, Paris. 
 Three Imitations Roman cameos. 
 
 1. The Soulages chimney piece. 
 
 2. Venetian firedogs. 
 
 3. Tankard of fictile ivory (gilt), from the 
 
 original by B. Strauss. 
 
 4. Boys in fictile ivory, in frame, after 
 
 Fiamingo. 
 
 5. The Virgin. 
 
 6. Cast of stone hammer found in N. Wales. 
 
 7. Cast of spear mould. 
 
 Presented to the Trustees. 
 
 A Group of Skeleton Flowers on a Pedestal, enclosed in a glass case. By Miss Char- 
 lotte Barry. 
 
 Ivory. Two specimens of Shot buried in, showing Diseased Structure. By Messrs. 
 BcAdngton. 
 
 Jasper, Red, from the Goulbum. By Allan Hughan, Esq. 
 
 Marble, from Old London Bridge, with Pyramid in Roman brick. 
 
 Maw's Improved Electro-Machine. By Dr. Toynbee. 
 
 Nile, Key of. By Mrs. Aircy. 
 
 Runic Stone. Facsimile of the American Runic Stone which in 1824 was found by the 
 Grecnlander, Pelinut, on the island of Kiiigiktorsoate, in Baffin's Bay, under 
 72° 55^ northern latitude, situated almost across off the Lancaster Sound. 
 Inscription: " Erling Siglivatson and Biarne Thordson and Enride Oddson, 
 Saturday previous to Gagnday (the 23rd April), erected these Varder (heaps of 
 stone as token of the stay there) and grubbed the soil (or cut the inscription), 
 1135." By Charles Christian Rafh, Esq., Secretary of the Royal Society of 
 Northern Antiquaries of Copenhagen. 
 
 Sarcophagi in Sienna marble, from Rome (Two). By Colonel Smith. 
 
 Scipio Conielius, C, N., E. Tomb of, in Sienna marble. By Mrs. Barry. 
 
 Tympanum for Deafness. By Dr. Toynbee. 
 
 Vase, Algerian alabaster. By Neville Bagot, Esq. 
 
 White Elephant, Worshipped by the Laos, north of Cochin China. By Count Scala.
 
 Jntiiaduiitian to tlti| ©bjc^c^ts of (^tr}\m\i{ %\\i 
 
 E'i jiiol Si!i)tTET£ fiicrddi'y aeicro}, w Kepafirje^' 
 
 KAMINOS n KEPAMIS.— Homer. 
 
 If ye deal freely, my fiery friends, 
 As ye assure, I'll sing and serve your ends. 
 Pallas, vouchsafe, thou here invok'd access: 
 Impose thy hand upon this forge and bless 
 All cups these artists earn, so that they may 
 Look black still with their depth ; and every way 
 Give all their vessels a most sacred sale. 
 
 Pope. 
 Or thus rendered by CowrER : — 
 
 Pay me my price. Potters ! and I will sing. 
 Attend, Pallas ! and, with lifted arm, 
 Protect their oven : let the cups and all 
 The sacred vessels blacken well, and, bak'd 
 Witli good success, yield them both fair renown 
 And profit.* 
 
 It has been ascertained that kaolin,f a clay suitable for the manufacture of porcelain,| 
 abounds in Victoria in quantities almost inexhaustible. 
 
 These vast stores continue to invite the application of capital and labor to an industry 
 in effect but an expansion of the simple potter's art. That has already established itself, 
 and produced excellent tiles, pipes, terra cotta, and earthenware of different kinds, which, 
 at the International Exhibition of 1862, bore a favorable comparison with those made 
 in other countries, and which ought to remunerate the producer, when the expenses and 
 loss incident to the imi)()rtatiou of articles so bulky and so fragile are taken into account. 
 
 * These playful verses are fomid amongst the F.pigrammata of Homer. It is said that certain 
 potters, seeing Homer at a distance, and having heard much of his wisdom, called to him and promised 
 to make him a present of some of their wares and of such other matters as they could afford if he 
 would sing to them. Whereupon he improvised the twenty-tliree lines of this little poem. 
 
 f Kaolin and Petuntse are names in the Chinese language for felspathic granite rock, in different 
 stages of decomposition. " Shekao" is a kind of gypsiim, and " Haochc" a species of chalky stone, in 
 appearance resemblmg soap. All are used in making diiferent kinds of porcelain. 
 
 J The name is said to be derived from the Portuguese word porcelana, Avhich signifies a marine 
 shell, t/ie cowrie, either because the lucid appearance of the interior is like that of the pottery or 
 because it was imagined tluit the ware was composed of that material. Porcelana also means a little 
 pig, a term also ai)plied to a cup. 
 
 P
 
 114 
 
 As the manufacture of the more delicate descriptions of porcelain employs for its 
 perfection the economic resources of chemistry and science, and for its embellishment 
 courts the assistance of the arts of sculpture and painting, it is obviously desirable that 
 illustrations of the practical working of the manufacture, and also of the history of the 
 art, should be assembled in a museum established for public instruction. 
 
 In many particulars the potter's art is full of interest. It is one of the earliest of those 
 cultivated by every people which has emerged from the purely savage state. Holy writ 
 abounds in direct and metaphorical allusions to it, which attest its antiquity.* Its frail pro- 
 ductions, incapable of resisting any rude treatment, are yet, when protected from accidental 
 or premeditated injur}^, as imperishable as the hardest gems, and thus become invaluable 
 records in aid of historical research. More enduring than many kinds of stone and 
 than many metals,t which crumble to decay or corrode by the alternating influences of 
 certain climates, which arc defaced or overturned by the destroying hand of man or 
 allowed to perish by his neglect, these, whether entire or in disconnected fragments, 
 remain truthful witnesses of the domestic manners of people long since passed away, 
 of the limits of empire, and (like the fossil remains of shells, plants, and animals) of the 
 physical changes Avhich the earth itself has undergone. 
 
 The sequence of the reigns of the Chinese Emperors and the succession of dynasties 
 can be fixed by the marks upon ancient porcelain, which denote the distinguishing 
 appellations assumed by the sovereigns on their accession to the throne. 
 
 The early and, for the period, adventurous navigation and extended commerce of that 
 singidarly inventive people is proved by the discovery of some of their pottery in 
 Egyptian sepulchres. it 
 
 By the like testimony we may verify the assertions respecting the grandeur and 
 extent of the ancient Assyrian cities, which disparaging criticism has regarded as 
 incredible ; and note the resemblance in iDhysioguomy and bodily structure between the 
 foi-mer occupants of difterent regions and of those avIio inhabit them at this day. 
 
 The glazed brick or tile, inscribed with cuneiform characters or with symbolic 
 hieroglyphs, confinns the description of the magnificence of Babylon. The curious 
 
 * Job, ii. 8 ; Psalm, ii. 9 ; Isaiah, Ixiv. 8, xlv. 9 ; Jeremiah, xviii. xix. ; 1 Chron., iv. 23, gives an 
 enumeration of tlie potters who dwelt amongst plants and hedges. Matt, xxvii. 10, informs us that 
 the potter's field, near Jerusalem, was bought with the thirty pieces of silver returned by Judas 
 into the treasury. At Athens, tlie quarter of the city inhabited by potters, was called " Ceramicus." 
 Fictile vase painting was a distinct art. Numa founded a college of potters at Rome. Pliny, xxxv. 50; 
 Juvenal, vi. 340. The most stupendous collection of old crockery extant is that of which the Monte 
 Testacio is composed ; it forms a huge mound, dignified with the title of one of the hills of Rome, 
 and stands outside the gate of S. Paolo, near the pyramid of Caius Ccstius. 
 
 •j- In this like the nionmnent of Horace — 
 
 Quod non iniber edax, non Aquilo impotcns 
 Possit diruere, aut innumerabilis 
 Amiorum series et fiiga temporum. 
 
 Odes, iii. 30, 3. 
 
 Chemical tests show that the coloring matter Mhicli forms the deep blue glaze of the Egyptian 
 porcelain, probably 3,000 years old, is tiie oxide of cobalt, the knowledge of the use of which, lost for 
 many centuries, has been revived within a comparatively recent period. 
 
 X Wilkinson's Ancient Egyptians, iii. 106.
 
 115 
 
 similarity of the ornaincntal patterns — sucli as the honeysuckle, the Grecian fret the 
 Vitruvian scroll, found pervading Chinese, Bhuddist, Grecian, Etruscan,* Roman, and 
 even Mexican pottery, and on the granite vessels of the Toltecks,f of the Mosquito 
 shore — supports the reasonableness of the theory which derives them all from a common 
 origin. 
 
 The cineraiy urns and funereal vases and the domestic vessels | peculiar to the 
 Greeks, placed in sepulchres by them, give evidence of a distinctive nationality pre- 
 served through many centuries, and even for a period which extends long after that 
 people had lost a separate political existence. Athcuteus, in his " Deipnosophists," 
 devotes a book (xi.) to the subject of drinking cups, and gives the names of 143 vax-ieties, 
 many of which were made by the potter. He says also that Lysippus, the statuary, 
 wishing to gratify Cassander, conceived the ambition of inventing some peculiar kind of 
 utensil in earthenware, on account of the extraordinary quantity of Mendean wine 
 exported from Cassandi-ia. He accordingly took great pains with that study, and col- 
 lecting a number of goblets of every imaginable fashion, and taking a portion of the 
 pattern of each, he made one of his own design. 
 
 In the tumuli, barrows, or mounds scattered over the face of the earth, from the 
 heart of Asia westward to Great Britain, and northward to Upsala in Sweden, found also 
 on the continent of America, earthenware vessels have been discovered, which, in accord- 
 ance with ])revailing conformity in the rites of sepulture, contained milk, or oil, or wine, 
 honey, or blood, fruits, or corn. § 
 
 The march of the Roman legions can be traced by the size, shape, and stamps on the 
 bricks used in buildings erected by their industrious colonists, and by remains of utensils 
 for domestic purposes or for ornament, found along the southei'u shores of the Mediter- 
 ranean ; from the province of Upper Egypt through the Asiatic possessions ; from the 
 Pillars of Hercules throughout Spain and Gaul to that point of Gennauy where the 
 career of the eagles was arrested by Armiuius, and to the furthest spot to Avhich they 
 were carried in the British islands. || 
 
 * Etruria ! next beneath tliy magic hands 
 Glides the quick wheel, the plastic clay expands ; 
 Nerved with fine touch, thy fingers (as it turns) 
 Mark the nice bounds of vases, ewers, and urns ; 
 Round each fair form in lines immortal trace 
 Uncopied beauty and ideal grace. 
 
 l^AitwiN, Veg. c. ii., I. 291. 
 f Archseologia, vol. v. 318. Humboldt, Res. in Amer. ii. 90. 
 \ XrtKvQoi, aopoi, XapvaKic, Spoirai, apSdvia. 
 
 § Vide Virgil ^n. iii. 62, vi. 212, for the account of the obsequies in memory of Polydorus and of 
 Misenus. Roman vessels, known as the catina, crater, cymba, lachrjonatoria (to hold tears or 
 perfumes), oUa, obrendarimn, ossuarium, patera, patella, simpulum, simpuvimn, testa, urna, unguen- 
 taria, and also coins, lamps, pieces of furniture, and ornaments of every variety, have been found in 
 tombs. The celebrated Barberini, now better known as the Portland Vase, was found in a sarco- 
 phagus discovered about three miles from Rome, on the road to Frascati. The sarcophagus is in 
 the Capitol, at Rome, and was for a tune supi)osed to have contained the remains of Alexander 
 Severus and Mammea, liis mother. Its sides are covered with bas reliefs, admirably worked; the 
 subjects arc taken from " Homer's Iliad." 
 
 II Archaeologia, vol. v. 282 ; Claudian de Bello Getico, 41G, m Pr. Cons. Stilich., 247. 
 
 p 2
 
 116 
 
 In like maimer the progress of the Saracens and other conquering races may be 
 mapped out in the old world, and of the Aztecs and Peruvians in the new ; while the 
 original contour of the earth's surface, in places where mankind formerly congregated, 
 can be ascertained by portions of pottery brought up from great depths, and the specula- 
 tions of the geologist or historian have been assisted and corrected by the enquiries of the 
 antiquarian addressed to ascertain the age of earthen vessels exhumed from the alluvial 
 deposit of the Nile.* 
 
 Independent, however, of such studies, a comprehensive collection of objects of the 
 Ceramic Art has its marked beneficial and practical uses. It will serve to show for what 
 purposes the clays which we possess are best adapted ; and as each specimen affords an 
 instance of the kind of material used, the mode of jireparation adopted, the national or 
 characteristic style of ornament applied, each displays a variety of inventive ingenuity, 
 manufacturing skill, and artistic taste in difterent stages of progressive improvement, ready 
 for adoption or modification by our artificers. 
 
 The small collection at present in the Museum is composed chiefly of Donations. Mr. 
 Dalgety, still connected in interest with this country, kindly placed One hundred pounds 
 at the disposal of the Trustees in 1862. This sum was expended in procuring from 
 Alderman Copeland an Illustrative Series of the mode of preparing the clay of Stafford- 
 shire, mixed with the several ingredients employed in the course of manufacture, together 
 Avitli types of some of the choice varieties of European porcelain. To these are added 
 others, the gift of Mr. Childers ; and the excellent imitations of ancient Etruscan Vases, 
 presented by Captain Clarke. 
 
 Copies of the Madonnas of Raphael and Murillo, the Flora of Titian, of the Judith of 
 Riedel, acquired l)y ])urchase, show the degree of excellence to which this description of 
 art manufacture has been carried at Munich. 
 
 A combination of the excellence of the mechanic's handicraft, and of the graceful 
 elegance of the artist's taste in ornament, is shown in a few pieces, the joint labor of 
 Wedgwood and Flaxman. 
 
 It is knoAvn that the sand used in some of Wedgwood's work was imported from 
 Australia. May we not hope that, at no very distant future, ukmi may ))(! found in 
 Victoria who may turn to as good account the material which lies unnoticed beneath our 
 feet.f 
 
 For th(! information of those interested in the subject, a list of the works in the Library 
 treating on jiottery, and a chronological table of the discovery of the different kinds of 
 ware, are given. 
 
 * Lyell on tlic Anti(|aity of INIun, cap. iii. 
 
 t This would be a liajipy verification of the prediction uttered more than one hundred years ago — 
 Pcrhafjs tliy art may track the circling world, 
 Where'er thy Britain has her sails luvfurl'd, 
 While wond'ring China shall with envy sec, 
 And stuo^) to borrow her own arts from thee. 
 
 " Gentleman's Magazine," xxvii. 5G4.
 
 (^hi;0n0lo()iral i^ablij nf (S[^rfim\i[ |ii[t 
 
 B.C. 
 
 2698. Pottery* made in China. 
 
 2255. Chun the Emperor reigned, f^aid to have been a potter before be was elevated to 
 the tliroue ; in this good fortune resembling Agathocles, King of Sicily, 
 15.C. 316. Dio. Sic. xix. 35. 
 2130 or 2007. Babylon embellished with enamelled bricks, by Semiramis. 
 1900 to 1800. Egyptian potters in operation. 
 1500. Supposed invention of the Greek pottery. 
 1200. Potter's wheel, f probably in use in Greece. 
 1000. Pottery of this date at the least has been found in cities of Mexico, Yucatan, and 
 
 Central America. 
 900. Potteries of Samos in operation. 
 507. Etruscan vases produced. 
 434 to 284. Grajco-Etruscau vases. 
 418. Campauian vases made in Greece, Southei'n Italy, and Greek colonies. 
 
 A D. 
 
 150. Roman lustrous pottery made. 
 
 711 to 780. Arabian varnished pottery made by the Saracens in Spain. 
 1115. ]VIajolica,J brought to Pisa from Majorca. 
 1154. Supposed first introduction into Europe of porcelain. § 
 1277. Porcelain tower erected near Nankin. 
 
 1300. Plumbiferous and stanniferous glazes made in Persia, Spain. 
 1415. Lucca della Robbia made enamelled ware at Florence. 
 1475. Ware made at Faenza. 
 
 1511 to 1540. Majolica made at Arezzo, Flaminio, Gubbio, Pesaro, Urbino. 
 1518. The Portuguese introduce porcelain largely into Europe by way of the Cape of 
 
 Good Hope. 
 1540. Flemish stoneware. 
 
 * Pottery is opaque, glazed or unglazeil. 
 
 f The potter's wheel is mentioned by Homer, II. xviii. GOO, who (k)urislied probably about b.c. 900 ; 
 hy Jereniiah, xviii. 3, who wrote about n.v. 600, and by Aristojjhane.'^, in the Eeelesiazusae, brought on 
 the stage u.e. 392. It has supplied a subject for illustration to Shakespeare, who makes Talbot say — 
 "My tlioughts are whirled like a potter's wheel." 
 
 First part of Henry VI., i. 5. 
 As well as to the son of Siraeh, who compiled Eeeles. From xxxviii. 29, 30 it appears that lead was 
 employed to produce a glaze about b.c. 200. 
 
 J Majolica is a soft paste covered with a metallic glaze or enamel, and opaque. 
 
 § Porcelain is a hard paste covered with a vitreous glaze, and semi-transparent.
 
 118 
 
 1 544. Choice white paste ware made at Deruta. Faience* was made at Nocera, Rimini, 
 Forli, Imola, Spello. 
 
 1 547. Faience of Henry II., France. 
 
 1555 to 1600. Bernard Palissy made enamelled faience in France ; faience made at Delft, 
 in Holland. 
 
 1574 to 1631. Majolica made at Castel Durante. 
 
 1603. Faience of Nevers, France. 
 
 1695. French soft porcelain, St. Cloud. 
 
 1706. Bottcher'sf fii'st Saxony porcelain; 1710 to 1760, made at Meissen. 
 
 1720. Porcelain made at Vienna. 
 
 1725. Fine faience, with s-ilcx, made in England. 
 
 1736. Manufactory of Capo di IMoute established at Naples by Charles III. 
 
 1741. Very fine soft porcelain, pate tendre, made at Sevres. 
 
 1759. Manufactory established at El Buen Retire by Charles HI. of Naples, on his acces- 
 sion to the throne of Spain. 
 
 1763. Wedgwood made fine earthenware. 
 
 1770. Hard porcelain made at Sevres. 
 
 1800. Spodc brought soft English porcelain to perfection. Introduction of phosphate of 
 lime and boracic acid. 
 
 1830. Fine faience brought to perfection, StaflTordshire. 
 
 1842. Invention of the ceramic statuary at Alderman Copeland's works, Stoke-upon- 
 Trent, by Thomas Battam, F.S.A. 
 This was followed by imitations at several manufactories in the Staffordshire potteries, 
 
 under the name of Parian, Carrara, &c. 
 
 * Faience includes all irlazed cartlienware. The name is probably derived from Faenza, a town 
 near Bologna. 
 
 f It is somewhat amusing to note that the application of the kaolin of Aue, in the Erzgebirge, to 
 the manufacture of porcelain arose from Bottcher's complaining of the weight of his wig. On enquiry, 
 he found that it had been powdered with " Schnorr's white earth," discovered a.d. 1715, used as a 
 substitute for flour. This suggested the idea that the adulterating compound must be of mineral 
 origin. It was tested, and the long desned material was found.
 
 ^Horlifi on tlti> €t\\mm^ ^i;l 
 
 Aia:EMAN (John Young). 
 
 1. An Archaeological Index to Remains of Antiquity of the Celtic, Romano- 
 
 British, and Anglo-Saxon Periods, 8vo, 1 vol. Lo7id., 1847. 
 
 2. Remains of Pagan Saxondom. 4to, 1 vol. Lond., 1855, 
 
 ALLIES (Jabez). Ancient British, Roman, and Saxon Antiquities, and Folk-lore of 
 
 Worcestershire. • 2nd ed, 8vo, 1 vol. Lond., 1852. 
 
 ANTIQUARIAN and Architectural Year-Book. 8vo, 1 vol. Lond,, 1845. 
 
 B. 
 
 BAJARDI (Ottavio Antonio). Autichita di Ercolano. 
 
 Folio, 3 vols, Naples, 1 762-65. 
 BIRCH (Samuel), History of Ancient Pottery. 8vo, 2 vols. Lond., 1858. 
 
 BOTTA (Paul Emile) and FLANDIN (Eugene Napoleon), 
 
 Monuments de Ninive decouverts et decrits par P, E, Botta, mesures et 
 dessines par E. Flandin, publics par ordre du Gouvernement, 
 
 Folio, 5 vols. Paris, 1849-50. 
 Tome I., II. Architecture et Sculpture, 
 „ HI., IV. Inscriptions, 
 „ V, Texte, 
 
 BOTTA (Paul Emile), Letters on the Discoveries at Nineveh, with a Plan, Plates, 
 and Inscriptions. 8vo, 1 vol. Lond., 1850. 
 
 BRITISH MUSEUM, Catalogue of the Greek and Etruscan Vases in the British 
 Museum, 8vo, 1 vol, Lond., 1851. 
 
 BRONGNIART (Alexandre). Traite des Arts Ceramiques, corrige et augmente par 
 Alphonse Salvetat, 2iid ed, 8vo, 2 vols.; and Atlas, 1 vol. Paris, 1854. 
 
 BUCKMAN (Prof.) and NEW:VIARCH (C. H.) Illustrations of the Remains of 
 Roman Art in Cirencester. 4to, 1 vol. Lond., 1850, 
 
 E. 
 
 ENCYCLOPiEDIAS passitn. 
 
 ENGLEFIELD (Sir Henky). Vases from the Collection of. Drawn and Engraved by 
 H. Moses, 4to, 1 vol. Land., 1848.
 
 120 
 
 EXHIBITION OF 1851, LONDON. 
 
 1. The Catalogue of the Great. 8vo, 4 vols. Lond., 1851. 
 
 2. The Eeports of the Juries. 8vo, 1 vol. Lond., 1852. 
 
 3. Prospectuses of Exhibitors. 8vo, 16 vols. Lond., 1851. 
 
 4. Lectures on the Eesults of the Great Exhibition of 1851. 
 
 12mo, 2 vols. Lond., 1852. 
 EXHIBITION OF 1862, LONDON, passim. 
 
 F. 
 
 FAUSSETT (Bryan). Inventorium Sepulchrale : an Account of Antiquities dug up 
 at Gilton, Kingston, &c., in the County of Kent. Edited by Charles Roach 
 Smith. 4to, 1 vol. Lond., 1856. 
 
 H. 
 
 IIA3IILT0N (Sir William). 
 
 1. Collection of Engravings from Greek and Etruscan- Vases. Published by 
 
 W. Tischbein. Folio, 4 vols. NajAcs, \1't)\. 
 
 2. Outlines from Greek and Etruscan Vases. Isted. 4to, 1 vol. Lond., 1804. 
 
 3. Another coj)y. 2nd ed, 8vo, 1 vol. Lond., 1814. 
 
 J. 
 
 JULIEN (Stanislas). Histoire ct Fabrication de la Porcolaine Chinoise, Ouvrage tra- 
 duit du Chinois, accompagne de Notes et dAdditions, par M. Alphonse Salvetat; 
 et Augmente d'un Meiiioire sur la Porcelaine du Japon, traduit du Japonais, par 
 Dr. lioifinaun. 8vo, 1 vol. Paris, 1856. 
 
 L. 
 
 LA YARD (Austin Henry). 
 
 1. Nineveh and its Remains; with an Atlas of Plates. 
 
 3rd ed. 8vo, 2 vols.; folio, 1 vol. Lond., 1849. 
 
 2. Discoveries in the Ruins of Nineveh and Babylon ; with an Atlas of Plales. 
 
 8vo, 2 vols.; folio, 1 vol. Lond., 1853. 
 
 LEE (John Edward). Delineations of Roman Antiiputies found at Caerleon and the 
 Neighbourhood. 4to, 1 vol. Lond., 1845. 
 
 M. 
 
 MACPIIERSON (Duncan, M.D.) Anticjuities of Kertch, and Researches in the 
 (Cimmerian Bospborus ; with Remarks on the Etbnograj)bical and Physical 
 History of the Crimea. 4to, 1 vol. Lond., 1857. 
 
 MARRYAT (Josei'Ii). History of Pottery and Porcelain, Medianul and Mod(>rn. 
 
 2ud ed. 8vo, 1 voi, Lond., 1857.
 
 121 
 
 MONTFAUCON (Bernaed de). L'Antiquite Expliquee et Representee en Figures. 
 
 Folio, 10 vols. Paris, 1724. 
 MORLEY (Henry). Life of Bernard Palissy, the Potter. 8vo, 2 vols. Loud., [852. 
 
 NEVILLE (Hon. Richard Cornwallis). Saxon Obsequies Illustrated by Ornaments 
 and Weapons discovered in a Cemetery near Little Wilbraham. 
 
 Folio, 1 vol. Lond., 1852. 
 
 P. 
 
 PITT(W.) Histoi-y of StafTordshire. 8vo, 1 vol. io»rf., 1817. 
 
 ROBINSON (John Charles). Treasury of Ornamental Art. 4to, 1 vol. Loud., N.D. 
 
 S. 
 
 SERIALS. Bohn's Illustrated Library. 41. Pottery, Guide to the knowledge of 
 
 2 vols. 
 SMITH (Charles Roach). 
 
 1. Collectanea Antiqua : Etchings and Notices of Ancient Remains, Illustrative 
 
 of the Habits, Customs, and History of Past Ages. 
 
 8vo, 5 vols. Lond., 1848-61. 
 
 2. Blustrations of Roman London. 4to, 1 vol. Lond., 1859. 
 SMITH (Henry Ecroyd). ReliquifB Isurianas. 4to, 1 vol. Lond., 1852. 
 
 SMITH (WiLLiAii, LL.D.) Dictionary of Greek and Roman Antiquities. 
 
 2nd ed. 1 vol. Lond., 1853. 
 SOCIETIES AND CLUBS. Archaeological and Historical. 
 
 1 . Archseologia (The) ; or. Miscellaneous Tracts Relating to Antiquity. Pub- 
 
 lished by the Royal Society of Antiquaries of Loudon. 
 
 4to, 40 vols. Lond., 1804-60. 
 
 2. Archseologia j9^1iana. Tracts published by the Society of Antiquaries of 
 
 Newcastle-upon-Tyne. 
 
 4to, 4 vols; 8vo, 5 vols. Neivcastle-ripon-Tyne, 1822-61. 
 
 3. Archaeologia Cambrensis : A Record of the Antiquities of Wales and its 
 
 Marches, and the Journal of the Cambrian Archaeological Association. 
 
 8vo, 18 vols. Lond., 1846-62. 
 
 4. Archaeologia Scotica. Transactions of the Society of Antiquaries of 
 
 Scotland. 4to, 4 vols. Edi7i., 1792-1831. 
 
 5. Archaeological Institute of Great Britain and Ireland, Memoirs of. 
 
 8vo, 2 vols. Lond., 1852. 
 
 (i.) History and Antiquities of Wiltshire and Salisbury, 
 (ii.) History and Antiquities of Bristol and the "Western Counties. 
 
 Q
 
 122 
 
 SOCIETIES AND CLUBS (continued)— 
 
 6. Archaeological Irish Society. Publications of the, from the Commencement 
 
 in 1841 to its Amalgamation with the Celtic Society in 1853. 
 
 4to, 15 vols. Dublin, 1841-51. 
 
 7. Archaeological Journal of the British Archaeological Association and Institute 
 
 of Great Britain and L'eland. 8vo, 18 vols. Lond., 1845-62. 
 
 8. Annales Archeologiques dirigees par Didron. 
 
 4to, 19 vols. Paris, 1844-59. 
 
 9. Asiatic Society (The Royal) of Great Britain and Ireland. Journal of. 
 
 Folio, 1 vol.; 8vo, 19 vols. Lo7id., 1834-62. 
 
 U. 
 
 URE (Andrew, M.D.) 
 
 1. Dictionary of Ai'ts, Manufactures, and Mines, containing a Clear Exposition 
 
 of their Principles and Practice. 4th ed. 8vo, 2 vols. Lond., 1853. 
 
 2. Another edition. Edited by Robert Hunt. 
 
 5th ed. 8vo, 3 vols. Lond., 1860. 
 
 VAUX (William S.vndys W.) 
 
 1. Nineveh and Persepolis : Historical Survey of Ancient Assyria and Persia, 
 
 with Account of Recent Researches in those Countries. 
 
 2ud ed. 8vo, 1 vol. Lond., 1850. 
 
 2. Handbook to the Antiquities in the British Museum. 
 
 8vo, 1 vol. Lond., 1851. 
 
 A7^. 
 
 WELLBELOVED (Charles). Eburacum ; or, York under the Romans. 
 
 8vo, 1 vol. York, 1842. 
 
 WILKINSON (Sir John Gardner, D.C.L.) Manners and Customs of the Ancient 
 Egyptians, including their Private Life, Government, Laws, Arts, Manu- 
 factures, Religion, and Early History, derived from a Comparison of the 
 Paintings, Sculptures, and Monuments still Existing with the Accounts of 
 Ancient Authors. Illustrated with Drawings of those Subjects. 
 
 8vo, 6 vols. L.ond., 1837-41. 
 
 WRIGHT (Thomas). An^ha^ological Album ; or. Museum of National Anticpiities. 
 Edited by T. Wright ; with Illustrations by F. W. Fairliolt. 
 
 4to, 1 vol. Lond., 1845.
 
 Jllufitr^atian^ 4 th^ (S[^nmii[ %i{i 
 
 PRESENTED TO THE TRUSTEES BY FREDERICK GOXNERMAN DALGETY, ESQ. 
 
 Materials, Colors, &c., used in the manufacture of China, Earthenware, and Ceramic Statuary, at 
 Alderman W. T. Copeland's Works, Stoke-upon-Trent, Staftordshire. 
 
 la. Ball of blue clay, from Dorsetshire 
 lb. Ball of blue clay, from Dorsetshire, 
 
 sifted and cleaned. 
 2. China clay, fi'om Cornwall. 
 Sa. Limestone. 
 3b. Limestone, ground, and now called 
 
 whiting. 
 4a. Coraish stone. 
 4i. Cornish stone, ground. 
 5a. Spanish feldspar. 
 ob. Spanish feldspar, ground. 
 5c. Spanish feldspar, calcined in china 
 
 oven. 
 6a. Swedish feldspar. 
 6b. Swedish feldspar, ground. 
 7a. Gravesend flint. 
 
 7b. Gravesend flint, calcined and ground. 
 8a. Calcined bones. 
 8b. Calcined bones, ground. 
 9. CuUctt, or pounded glass. 
 
 10. Borax. 
 
 11. Red lead. 
 
 12. Wliite lead. 
 
 13. Bufi" body clay. 
 
 14. Rockingham, or red body clay. 
 
 15. CroA\Ti or earthenware body. 
 
 16. Best china body. 
 
 17. Statuary body. 
 
 18. Best earthenware glaze. 
 
 19. Common ware glaze. 
 
 19a or 27. Chma glaze. 
 
 20a. Earthenware plate bisque. 
 
 20b. Common ware, called cream color 
 
 bisque. 
 21a. Earthenware plate, glost or glazed. 
 
 21. Cream color plate, glost or glazed. 
 
 22. Colors used in printing upon earthen- 
 
 ware, comprising — 
 I. Yellow. 
 II. Pink. 
 
 III. Mazai'inc blue. 
 
 IV. Flowing blue. 
 
 V. Camilla blue, light. 
 VI. Saxon blue. 
 VII. Queen's color. 
 xiu. Dark green, called lily green. 
 IX. Light green. 
 X. Dark brown. 
 XI. Albert brown. 
 XII. Light brown. 
 XIII. Raven black. 
 23.' Copper plate engraved. 
 
 24. Processes of printing on earthenware, 
 
 compri.sing — 
 I. Tissue paper, with 2)rint on it. 
 II. Plate with ])rint transferred. 
 
 III. Plate with ])apcr half washed off. 
 
 IV. Plate hardened to drive oft' oil. 
 V. Plate half dipped in glaze. 
 
 25. Tile with colored prints. 
 
 Q 2
 
 124 
 
 26. China plate bisque, and pierced by 
 
 hand when in clay. 
 
 27. China glaze. 
 
 28. China plate glost. 
 
 29. Tile with enamelled color. 
 
 30. Tile with vai'ious stages of gilding. 
 
 31. Tile with painted flowers. 
 
 32. Plate, painted landscape and gilt. 
 
 33. Statuary figure, as taken out of mould 
 
 when cast, and fired merely to keep 
 it together to show how it is in the 
 clay state. 
 
 34. Statuaiy figure, finished and fixed up 
 with mounted pedestal. 
 
 Illustrations of groimd-layiug. 
 
 Plate stencilled for panel. 
 Plate oiled ready for dusting. 
 Plate dusted with color. 
 Plate with stencil washed off, ready for 
 kihi. 
 
 Eoman. 
 
 1 Vase dug up near Dunmow, Essex. 
 
 2 Tiles, from Repton, Derbyshire. 
 
 3 Tiles, from Easton. 
 
 Etruscan. 
 
 2 Lamps, from Herculaneum ; Greco- 
 Italian. 
 
 2 Vases, Greece ; Italian reproduction. 
 Unbumt vase, with plates. 
 
 Spanish. 
 
 3 Tiles, from Seville. 
 
 Rhenish. 
 
 Grey beard jug, brown stone. 
 
 Oriental. 
 
 No. 1. Plate. 
 
 2. Plate Chinese. 
 
 Old Sevi-es. 
 
 Pate tendrc, cup and saucer. 
 
 Furstenburgh. 
 
 Ducal manufacture, 1750. 
 
 1. Plateau. 
 
 2. Figure. 
 
 Dresden. 
 
 1. Figure. 
 
 2. Cup and saucer. 
 
 " Capo del monti " cup and saucer. 
 
 Berlin. 
 
 Cup and cover, with saucer. 
 
 SPECIMEXS. 
 
 Vienna. 
 
 Cup and saucer. 
 
 Early Staffordshire. 
 Painted plate. 
 
 Wedgwood varnished basket. 
 Wedgwood varnished enamelled plate. 
 
 Holland. 
 
 Delft shaving plate. 
 Enamelled dish, a.d. 1500. 
 
 Early Wedgwood. 
 
 Cup and saucer, jasjier. 
 
 Modern. 
 
 Two flower vases. 
 
 Spode. 
 
 1 Red and black vase and cover. 
 1 Jaspar vase and cover. 
 
 Ionian. 
 
 3 Water bottles. 
 
 French. 
 
 1 Plate Watteau, enamelled and jewelled, 
 
 style of early Sevres. 
 
 English. 
 
 Cup and saucer, jewelled in mineral 
 
 colors. 
 Cup and saucer, egg shell, modern, gilt 
 
 after Venetian style. 
 Limoges Plateau. 
 
 2 Ice pails, as examples of flower painting.
 
 125 
 
 English, {continued) — 
 
 1 Large vase landscape and rose du Barry 
 
 ground. 
 1 Vase and cover, dark green. 
 
 1 Covered cup and stand, turquoise. 
 
 2 Small vases, rose du Barry. 
 1 Stone jug. 
 
 1 Statuary figure " Sabrina," after Mar- 
 shall. 
 
 1 Scent jar. 
 
 1 Rose plateau and cover, decorated in 
 the style of Lucca del Robbia. 
 
 SPECIMENS (continued) — 
 
 English {co7itinued) — 
 1 Slab, mauve ditto. 
 1 Chelsea figure. 
 1 Pierced plate, white china. 
 1 Plate of gilt and painted flowers, two 
 moulds in four pieces each. 
 
 Foreign Plates. 
 
 1 Denmark. 
 
 2 China. 
 
 1 Prussian, Sauerbrukker. 
 1 Tureen, Wurtemburg. 
 
 Tiles, Tesserae, Encaustic, and Venetian. A series of. Presented to the Trustees by 
 Messrs. Miuton, Holies, and Co. 
 
 5 Vases, after the Etruscan. | 14 Plates (Viennese). | Dish with cover (Viennese). 
 Presented to the Trustees by Capt. Clarke, R.E. 
 
 Bust of Clytie, in Parian (reduction from the antique in the British Museum), with 
 black pedestal. Presented to the Trustees by Alderman Copeland, of Loudon. 
 
 Chocolate Girl. Painting on Porcelain. Presented to the Tiustees by Alfi-ed Taddy 
 Thompson, Es({. 
 
 Aventurine. Four examples of, for brooches. Presented to the Trustees by Charles 
 Bright, Esq. 
 
 Illustrations of Painting on Porcelain, from Munich : — 
 
 1. Judith, after Riedel. 
 
 2. Flora, after Titian. 
 
 3. Madonna, after Murillo. 
 
 Terra cotta. 
 11 figures and one vase. 
 
 4. Madonna, after Raphael (the Bridge- 
 water). 
 
 Salviati. 
 Calcedony vase. 
 
 Venice. 
 Calcedony cup and small bottle. 
 
 Vase, Venetian (imitation of marble).
 
 6Us4(inanii0US. 
 
 Presented to the Trustees. 
 
 Book Chain, from St. Nicholas' Chvirch. 
 
 Chinese Ginseng, Piece of. 
 
 Chinese Pagoda. By Capt. Mogeuson, Ship Dannevirke. 
 
 Egyptian Mummy Jar, containing Ashes of the Sacred Bu-d Ibis. 
 
 Egyptian Mummy Legs (Two). By Lieut.-Col. Ross. 
 
 Egyptian Scarabaeus. By Mrs. Airey. 
 
 Flint Celts (three), and two Flint Spear Heads, from Denmark. By Charles "Christian 
 Rafn, Esq. 
 
 Lyre Bird. By ]\Irs. Daintree. 
 
 New Zealand Worm Plant. By Joseph Hopkins, Esq. 
 
 Tridacna Shells (two), from the Island of Batavia. By J. Peet, Esq. 
 
 Skins : Five Sheets of Specimens of Sheep, Calf, and Horse, in different stages of manu- 
 facture. By Messrs. Bevington. 
 
 Sword, Russian. By Miss Maund. 
 
 Transparency, representing the Death of Mr. Beveridge, at Swan Hill, who was murdered 
 by the Swan Hill Blacks, 1847. By Richard Sutcliffe, Esq. 
 
 Casts of Fossil Animals (Five). By John Duerdin, Esq. 
 
 Casts, Ilemmiiig's, Reduced from the Parthenon. 
 
 MODELS. 
 
 Dublin. 
 
 Jerusalem. By Henry Thompson, Esq. 
 
 St. Paul's Island. By the Imperial Geo- 
 graphical Society of Vienna. 
 
 MEDALS. 
 
 His Excellency Sir Henry Barkly. I Victoria Offering to Britannia. 
 
 His Excellency Charles Joseph La Trobe, I Victoria Exhibitiou Seal.
 
 Jnti;odai;tiou Jo lliij <i^(;lvooI of Sc,jji5ir. 
 
 Thine in the dearest design of industry. 
 
 Shakespeake. 
 
 The establishment of a School of Design in connection with the Museum of Ai't has 
 been for a long time in the contemplation of the Trustees. 
 
 In consequence of the pressure of demands for works of more immediate necessity, 
 arising from the rapid occupation of a vast territory in a state of nature, the people of 
 Victoria have hitherto been dependent to a considerable extent upon the artizans of 
 Europe and elsewhere for many of the superior descriptions of furniture, for objects of 
 house decoration, domestic ornament, and other matters which display the development 
 of taste as applied to art manufacture. 
 
 Many of the grosser wants are now in a gre£|,t measure supplied, it is time therefore to 
 invite the skilled workmen (of whom so large and efficient a body exists amongst us), and 
 also the young mechanic entering on the study and practice of his calling, to the means 
 organised for their especial instruction and benefit. 
 
 None will more readily admit than they will that a knowledge of the rules of art, 
 Avhich lead to the combination of elegance and usefulness, can be best imparted by the 
 presence of those agencies which convey at once to the mind of the artizan palpable ideas 
 of the thing which he wants to fashion into shape ; while his experience teaches him that 
 a power of applying such knowledge with expedition and neatness can give to an object, 
 composed of the commonest materials, an attractive style and character, and a positive 
 value, exceeding those Avhich ill-governed or misdirected labor expended on costly 
 substances can eai'n for the producer. 
 
 By easy access to a comprehensive collection, illustrating the various branches of art 
 on which he is employed, the man gifted with a quick eye, with a diligently schooled 
 habit of observation, with a hand obedient to the du-ection of well-grounded judgment, 
 will be saved much unprofitable toil.. 
 
 Notions only faintly, irregularly, or grotesquely defined in his imagination may, by 
 p the correcting force of pure types and models, assume a form consistent and harmonious.
 
 128 
 
 The assemblage of successful results, represented in casts, moulds, and illustrated 
 works of art, must assist in economising the waste of inventive energy, and in regulating 
 the deviations of untutored skill. 
 
 However, it is not in the ornamental manufactures alone that the influence of such a 
 school will make itself felt. The alliance of this with all the bi-anches of the graphic and 
 plastic arts is so intimate, that what instructs the practitioner in one will inform the 
 student in the others also ; and as the relations of the artist and of those who acquire or 
 take delight in his productions are reciprocal, it is obvious that the personal success of 
 the individual must ultimately lead to the improvement and refinement in taste of the 
 general public. 
 
 The Trustees have been materially assisted in their efforts by the generosity of Mr. 
 Murphy, foiTnerly a resident in Melboui-ne. In the year 1862 he presented to them for 
 the use of this community a collection of casts and moulds, similar to those used in the 
 South Kensington Museum ; these were prepared by Mr. Brucciaui, of Great Russell 
 street, London, and it is due to him to mention that, on being infonned that they were 
 intended for public instruction in Victoria, he made a large reduction in the price usually 
 charged for them, and he himself bore the expense of packing them for the voyage. 
 
 A list of books in the Library treating on the subject of Art and Design is subjoined.
 
 ^oMm 4 Hlodcls and Jllustrafioiis of ^rt 
 
 FOR THE SCHOOL OF DESIGN. 
 
 PEESENTED TO THE TRUSTEES BY JAMES MURPHY, ESQ. 
 
 I. — CASTS OF STATUES. 
 
 Anatomical statue, by Houdon. 
 Dancing Faun. 
 
 „ gii'l, with wreath. 
 Discobokis, of Myron. 
 
 ,, Naucydes. 
 
 Gladiator, fighting. 
 Hercules. 
 Venus de Medici. 
 „ torso of. 
 
 II. — CASTS OF BUSTS AND MASKS. 
 
 Bust of Apollo. 
 
 „ Augustus, the young. 
 
 „ Clytie. 
 
 „ Diana, robing. 
 
 „ Diomede. 
 
 „ Moses. 
 
 Bust of Venus of Milo. 
 Mask of children of Niobe. 
 
 „ Juno. 
 
 ,, Madonna. 
 
 „ Moses. 
 
 III. — CASTS. 
 
 3 Anatomical arm, foot, leg. 
 
 1 „ ,, from nature. 
 
 2 Ears, large. 
 2 Ears, small. 
 
 2 Eye and nose of Bacchante. 
 
 1 ,, ,, Hadrian. 
 
 2 „ „ Jupiter. 
 2 „ „ Laocoon. 
 
 1 Foot of Famese Hercules, 
 
 2 Feet. 
 
 3 Hands, child's. 
 
 1 „ „ with stick. 
 
 1 „ St. Peter. 
 
 1 „ compasses, with. 
 
 1 „ di'awing. 
 
 1 „ resting. 
 
 1 „ scroll, with. 
 
 Hand, male, clenched. 
 „ „ stone, in. 
 ,, „ stick, with. 
 ■ „ „ throwing. 
 
 „ female, bracelet with. 
 1, „ ,, cushion, on. 
 
 1 „ „ nature, from. 
 
 2 Groups of hands, four. 
 
 2 „ „ female. 
 
 9 Casts of liands and feet. 
 
 1 Leg, from nature. 
 
 Nose and mouth of 
 
 Adonis Hadrian 
 
 iEsculapius Juno 
 
 Antinous Lucius Verus 
 
 Caracalla Venus d' Aries.
 
 130 
 
 IV. — CASTS OF ANIMALS. 
 
 3 Anatomical. 
 1 Cow. 
 
 1 Dog. 
 
 2 Goats. 
 
 2 Greyhound's legs. 
 1 Griffin. 
 
 1 Horse. 
 
 2 Horse's legs. 
 1 Lion. 
 
 1 Lion's l^pad, from Nature. 
 1 Lioness. 
 1 Stag. 
 
 V. CASTS AND GROUPS OF FRUIT, FLOWERS, SHELLS, AND LEAVES. 
 
 Casts. 
 3 Apples. 
 1 Bean and leaf. 
 
 1 Citron. 
 
 2 Dock leaf. 
 
 1 Gourd bottle. 
 1 Gourd, giant. 
 
 1 Melon. 
 
 2 Oranges. 
 
 2 Pears. 
 1 Pine. 
 
 3 Pomegranates. 
 1 Shaddock. 
 
 1 Thistle leaf. 
 
 Groups. 
 
 1 Apples, large. 
 
 1 Apples, small. 
 
 1 Blackberries. 
 
 1 Fern, funeral. 
 
 Foliage, by Sansovino. 
 
 1 Gourd rock. 
 
 1 Grapes. 
 
 1 Lemon. 
 
 1 Lily. 
 
 1 Pear. 
 
 1 Plums. 
 5 Shells. 
 
 2 Stalks. 
 
 1 Vine and branch. 
 
 1 Vine and leaf. 
 
 1 Vine and leaf, large. 
 
 VI. — BUILDING ORNAMENTS. 
 
 Architraves, 
 
 3 From gate of Baptistry, Florence, by 
 Ghiberti. 
 
 1 From gate of St. Denis. 
 Friezes. 
 
 1 From Erechtheum, Athens. 
 
 2 „ Ghil)crti gate. 
 1 „ Paiiathenaic. 
 
 1 „ Trajan's Forum. 
 Mouldings. 
 
 1 From Erechtheum. 
 
 2 „ St. Ste[)hen's, Westmiuster. 
 1 Temple of Mars Ultor, leaf. 
 
 1 Trajan's pillar, em'iched. 
 Ornaments. 
 
 1 Acanthus leaf, from temple of Jupiter 
 
 Stator. 
 1 „ St. Eustache. 
 
 1 „ small. 
 
 1 „ scroll. 
 
 Ornaments. 
 
 1 Capital, Byzantine. 
 
 1 „ Stone Church, Kent. 
 
 1 „ Temple Church. 
 
 1 Finial, Lincoln Cathedral. 
 
 4 Rosettes. 
 
 1 Rosette, from antique. 
 
 1 „ from Brescia diamond. 
 
 2 ,, from Scii)io's tomb of, small. 
 1 „ Trajan, scroll of. 
 
 Scrolls. 
 
 1 Florentine, with swan. 
 
 1 Iron. 
 
 1 Lysicrates. 
 
 1 Trajan Forum, from, largo. 
 
 1 ,, [)ortion of. 
 
 1 Nest of scroll of i)ilastcrs, from the 
 
 Villa Medici. 
 Spandril, from Stone Church, Kent. 
 Stele, or column tops. 
 
 2 From Alhambra. 
 1 ,, Bonn. 
 1 ,, Chateau il'Anct. 
 1 Florentine, with swan. 
 
 -PANELS. 
 
 1 From Ghiberti Gate. 
 
 3 ,, Martinengo Toml). 
 
 2 Small tracery.
 
 131 
 
 VIII. — PILASTERS. 
 
 1 From Alhambra. 
 1 „ Bonn. 
 4 „ Florence. 
 6 „ Louis XII. 
 1 „ Louis XV. 
 
 Toml> of. 
 Tomb of. 
 
 2 From Madeleine. 
 
 4 Portions from Madeleine. 
 
 1 Section from Madeleine. 
 
 1 „ Villa Medici, Rome. 
 
 PRESENTED TO THE TRUSTEES BY HENRY SILVER AND CO., 
 
 3 and 4, Bishopsgate Street Within, London. 
 
 COLLECTION OF EBONITE. 
 
 1. Mass square of indiarubber 
 
 2. Three pieces of imitation wood 
 
 3. Corrugated buffer ring 
 
 4. Round buffer ring 
 
 5. Buffer and bearing springs 
 
 6. Indiarubber washer and rings 
 
 7. Indiarubber tubing 
 
 8. Sample of a piece of cellular mat 
 
 9. CauAas and rubber pieces 
 
 ] 0. Vulcanised indiarubber packing 
 
 11. Canvas and rubber rings ... 
 
 12. Imperial bands (one card of) ... 
 
 13. Ebonite bracelet and chains (six 
 
 boxes) 
 
 14. Ebonite union joint for pipe 
 
 15. Photographic Ijath, tlippcr, and tray 
 
 16. Sheet of indiarubber, masticated ... 
 
 17. Ebonised tubing elbows 
 
 1 8. Whip and pai-asol handles (one each) 
 
 19. Paper knife 
 
 20. Ebonite tubing 
 
 21. Vulcanised hose 
 
 22. Ebonite ear trumpet 
 
 23. Ebonite stethoscope 
 
 24. Caustic holder 
 
 25. Syringe 
 
 1 
 
 26 
 
 3 
 
 27. 
 
 1 
 
 28. 
 
 1 
 
 29. 
 
 ^ 
 
 30. 
 
 10 
 
 31. 
 
 2 
 
 32. 
 
 1 
 
 33. 
 
 7 
 
 34. 
 
 4 
 
 35. 
 
 6 
 
 36. 
 
 10 
 
 37. 
 
 
 38. 
 
 6 
 
 39. 
 
 1 
 
 
 3 
 
 40. 
 
 1 
 
 41. 
 
 1 
 
 42. 
 
 2 
 
 43. 
 
 1 
 
 
 2 
 
 44. 
 
 1 
 
 45. 
 
 1 
 
 46. 
 
 1 
 
 47. 
 
 1 
 
 48. 
 
 1 
 
 
 Pessary ... ... ... ... 2 
 
 Ebonite bottle 1 
 
 Ebonite funnel ... ... ... i 
 
 Small bore powder tube ... 1 
 
 Cup 1 
 
 Two pistol handles ... ... 2 
 
 Rifle sight protectors ... ... 6 
 
 Hurst's rifle protectors ... ^18 
 
 Electrical bell ... ... ... 1 
 
 Two pulley sheaves ... ... 2 
 
 Peuli older ... ... ... i 
 
 Ebonite cases ... ... ... 3 
 
 Cup 1 
 
 Mahogany box, with saw-like in- 
 strument inside ... ... ... I 
 
 Doyley ring ... ... ... 1 
 
 Cube of indiarubber ... ... 1 
 
 Ebonite eye sights ... ... 2 
 
 Ebonite international medal, gained 
 
 by M. Silver (on card) ... 2 
 
 Galvanic battery ... ... ... 1 
 
 Submarine telegraph cable ... 1 
 Insulated wire coils (six sorts) ... 6 
 Section of aerial cable ... 1 
 Caoutchouc, four sticks, with insu- 
 lated wire ... ... ... 4 
 
 R 2
 
 Jllufitiiations 4 fittntolojg. 
 
 COLLECTION OF CURIOSITEES FROM THE FIJI ISLANDS. 
 
 AiTOMTOot and tapioca. Specimens of. 
 
 Beads. String of native. 
 
 Bracelets. Pair of (mother-of-pearl). 
 
 Cannibal fork. 
 
 Cava boAvl. 
 
 Cava. Cloth for straining. 
 
 Cava, smoked ; and white Cava, sun-ch'ied. 
 
 Specimens of. 
 Carti-idge box. Ornamental. 
 Cloth, native. Printed piece of 
 Cdtoanut water bottles (2). 
 Cocoanut fibre. Specimens of, for making 
 
 rope. 
 Conch shell. 
 Female dress. Native. 
 Female fishing costume. 
 Fox. Skin of native flying. 
 Kaurie gum (used for lights). 
 Kaurie gum. White. 
 Kuee band. 
 Native umbrella. 
 
 Native axe head. 
 
 Native fishing line. 
 
 Native canoe. Model of, with paddles and 
 
 water scoop. 
 Native spoon. 
 Native wigs (2). 
 Native sun-shade. 
 Necklace. White. 
 Nose flute. 
 
 Sassafras. Specimen of. 
 Shells. Pair of (covered with coral). 
 Shells. Pair of (mother-of-pearl). 
 Tappa, Avhite (or cloth). Piece of. 
 Tappa. Specimens of, in the state of 
 
 preparation. 
 Tappa beater, with material for stamping 
 
 the tappa cloth. 
 Turtle. Part of inner shell of. 
 Wasp's nest (made in an oJffice at 
 
 Louka). 
 Whisk. Black fly. 
 
 AUSTRALIA. 
 
 Presented to the Trustees by A. Hughes, Wm. Thomas, and Herman Beckler, Esqrs. 
 
 Aborijrinal Guarditms. 
 
 1 Head and neck ch'ess of the Portland 
 natives. 
 
 1 Fishing net. 
 
 2 Fishing baskets. 
 1 Woman's dress. 
 
 1 Stone tomahawk. 
 
 4 Boomerangs. 
 
 5 Sliields. 
 8 Spears. 
 3 Clubs. 
 
 1 Jug. 
 
 FIJI ISLANDS. 
 
 Presented to the Trustees by J. B. Franklin, Esq. 
 
 13 Clubs. 
 13 Waddies. 
 
 2 Water bottles. 
 
 I Wooden pillow. A collection of shells.
 
 133 
 
 FIJI ISLANDS. 
 
 Presented to the Trustees by the Rev. Thomas Williams, late a Missionaiy 
 
 to Fiji Islands. 
 
 Aged woman's dress (lekie). 
 
 Baskets (2). 
 
 Branch of a trident spear. 
 
 Child's dress (lekie). 
 
 Clay beaters (3) used by potters. 
 
 Club. 
 
 Cocoanut yang-gona cup. 
 
 Fan. 
 
 Fishing net. 
 
 Hand club (ai kola). 
 
 Kilt, worn by both men and women. 
 
 Knife for pruning bananas. 
 
 JNIau's common dress. 
 
 ^losquito curtain. 
 
 Mosquito whip (roiroi). 
 
 Priest's comb. 
 
 Piece of cloth fi-om Flutuna. 
 
 Speai'. 
 
 Specimens of the manner in which the 
 
 Fijian carpenters sew the pltmks of 
 
 their canoes. 
 Specimens of sinnet for lashing timbers. 
 Specimen of fishing line. 
 Specimen of fibre fi'om cocoanut husk. 
 Sail needle (a human bone). 
 Turban or head dress. 
 Water vessels (small and large). 
 Yang-gona. Piece of (methysticimi root). 
 Yang-gona cava bowl. 
 
 HEBRIDES (NEW). COLLECTION OF ARTICLES FROM. 
 
 Presented to the Trustees by the Rev. A. Paton. 
 
 Bags, plaited by the natives. 
 
 Bow and arrows, tipped with human bones, 
 
 poisoned. 
 Comb, also usjed as a fork. 
 Club arrow, for killing birds. 
 Dress of a chief of the islands of Aniteum 
 
 and Tanna. 
 Dress of a heathen female on the island of 
 
 Tanna. 
 Fish spears (2). 
 
 Household god, from the island of Tanna 
 
 (a stone). 
 Killing stone. 
 
 Native money (shells^ large and small). 
 Teeth of the chiefs cooked and eaten, 
 
 April 3rd, 1861. 
 Trumpet, native (a large shell). 
 War spear, large, tipped Avith human bones, 
 
 poisoned. 
 Yan god, from the island of Tanna (a stone). 
 
 INDIAN ARMS, ETC., ETC. 
 
 Presented to the Trustees by the late Viscount Canning, late Governor-General 
 
 of India. 
 
 53 Muskets (matchlocks). 
 
 1 1 Musket barrels. 
 
 2 IMuskets (peculiar construction). 
 
 12 Blunderbusses. 
 9 Pistols. 
 
 11 Spears. 
 2 Battle-axes. 
 
 10 Knives. 
 
 61 Cavalry swords. 
 
 2 Swords (long), steel gauntlet handles. 
 10 Powder fiasks. 
 12 Sliiekls (])ropared leather), 
 
 7 Bows (bamboo). 
 30 Ai-rows (bamboo, tipped with steel). 
 
 4 Wooden staves (carved). 
 
 SAVAGE ISLAND (lat. 19° S., long. 169° W., Pacific Ocean). 
 
 Presented to the Trustees by A. Brown, Esq. 
 
 6 Spears.
 
 134 
 
 TAHITI. 
 
 Presented to the Trustees by William O'Brien Smith, Esq 
 
 Piece of cloth, manufactured from the bark I Iron-wood sword, 
 of trees. | Piece of coral. 
 
 TASMANIA. 
 
 Presented to the Trustees by Richard Sutcliffe, Esq. 
 Waddy, taken from the chief of the blacks on their surrender to Governor Arthur. 
 
 VICTORIA. 
 
 Presented to the Trustees by John Hogan, Esq. 
 
 1 Boomerang. 
 
 1 Lee angle. 
 
 2 Shields. 
 
 1 Native-made opossum 
 
 rug. 
 8 Spears. 
 
 3 Spears, jagged. 
 1 Waddy. 
 3 Wimmeras.
 
 list 0f laintinjfj 
 
 EXHIBITED IN THE TEMPORARY TICTURE GALLERY, 
 
 IN THE NORTH WING OF THE LIBRARY. 
 
 1. ROSEBUD OF ENGLAND. Painted by Baxter. 
 
 2. ROSE OF ENGLAND. Painted by Baxter. 
 
 3. LA BELLE YSEULT. Painted by Bedford. 
 
 " Then the king (Anguish, of Ireland) for great favor made Sir Tramtrist 
 (Trii^tram) to bee put in his daughter's ward and keeping, because .?hee was a noble 
 surgion. And so when she had searched his wound, found in the bottom of his 
 wound that there was poyson, and within a little while she healed him, and there- 
 fore Tramtrist cast great love to La Beale Isoude, for she was at that time the fliirest 
 lady of the world, and there Sir Tramtrist learned her to harpe, and she began to 
 have a great fantesie unto Sir Tramtrist." — Wright, Hist, of K. Arthur, vol. ii. 17. 
 
 4. SCENE ON THE ICE AT STOCKHOLM. Painted by Cederberg. 
 
 Presented to the Trustees by F. Cederberg, Esq. 
 
 5. BUFFALO RANGES (OVENS DISTRICT). Painted by Chevalier. 
 
 6. PORTRAIT OF DR. MAUND. Painted by Chevalier. 
 
 Presented to the Trustees by Miss Maund, 
 
 7. DEPARTURE OF THE PILGRIM FATHERS. Painted by Cope. 
 
 " The conditions iSiving been mutually agreed on betwixt the company, the 
 merchants and the Leyden agents returned with the two vessels to Delft Haven, the 
 port of Leyden. On their arrival, all needful preparations were speedily made ; and 
 on the twenty -first day of July, 1620, the whole congregation met for humihation 
 and prayer, when Mr. Robinson preached, with deep emotion, from Ezra viii. 21, 22. 
 After the solemnities of the day were closed, the members of the church 
 who were to remain at Leyden ' feasted us that were to go,' observes Mr. Winslow, 
 'at our pastor's house, l)eiiig large, where we refreshed ourselves, after tears with 
 singing of psalms, making joyful melody in our hearts, as Avell as with the voice, 
 there being many of the congregation very expert in music; and indeed it was the 
 sweetest melody that ever mine ears heard. After this they accompanied us to Delft 
 Haven, where we were to embark, and there feasted us again ; and after prayer, per- 
 formed by our pastor, where a flood of tears was poured out, they accompanied us to 
 the ship, but were not able to speak one to another for the abundance of sorrow to 
 part. But we only going aljoard (the ship lying to the quay and ready to set sail, the 
 wind being fair) we ga\e them a volley of small shot and three i)ieces of ordnance, 
 and so, lifting uj) our lurtids to each other, and hearts for each other to the Lord our 
 God, we departed, and found his presence with us in the midst of our manifold 
 straits He cai-ried us through.' . . . The pilgrims luul a prosperous A^oyage to 
 Southampton, whei'c the MayJIoicer was awaiting them." 
 
 Works of Robinson, the Pilgrim Father, vol. i. 41, 46, 47.
 
 136 
 
 8. BUNYAN IN PRISON. Painted by Folingsby. 
 
 Bimyan, John, bom at Elstow, near Bedford, in 1628, was indicted and com- 
 mitted to Bedford Jail, November 12th, 1660, as a "common upholder of several 
 unlawful meetings and conventicles, to the great disturbance and distraction of the 
 good subjects of this kingdom." He had by his wife four children, one of whom, 
 named Mary, was blind. This daughter, he said, lay nearer his heart whilst he was 
 in prison than all the rest ; and that the thought of her enduring hardship would be 
 sometimes almost sufficient to break his heart. He is here I'epi'esented with his 
 daughter Mary by his side, preaching to his fellow-prisoners. He might have had 
 his liberty if he would have engaged not to preach any more ; but Bunyan was too 
 sincere in his purpose, and too deeply impressed with the reality of his call to the 
 work to enter into any such engagement. He remained, in consequence, a prisoner, 
 as he expressed it, for conscience sake till 1672. Prisons were then very different 
 places, and prisoners very differently treated to what they are now ; but Bunyan 
 seems on the whole to have met with as much consideration as was compatible with 
 imprisonment at all. From the first he used to preach in the jail, then crowded with 
 persons in custody for attending at a conventicle. For the maintenance of his family 
 he was allowed to make tagged thread-laces; he had the free use of his "prison 
 libraiy," the Bible and the Book of Martyrs, and of wi-iting materials. During the 
 later years of his imprisonment he was permitted to go into the town as often as he 
 pleased. On one occasion he even made a journey to Londou, though for permitting 
 that the jailer received a severe censure. He died in London, of a fever, 1688, 
 aged 60. 
 
 The lines on the wall are — 
 
 Doth the owle to them appeare, 
 AVhich put them all mto a feare; 
 Will not the man in treble crown 
 Fright the owle unto the ground. 
 
 9. FERN GATHERER. Painted by Herdman. 
 
 10. HORSES, PIGS, &c. Painted by Hering. 
 
 11. DEPART DU FIANCE. Painted by KoUer. 
 
 12. WATERGATE BAY. Painted by Mogford. 
 
 13. SCENE ON THE HUDSON. Painted by Sonntag. 
 
 Presented to the Trustees liy John R. Ricards, Esq. 
 
 14. FRENCH ARTISTS IN A SPANISH POSADA. Painted by Vibert. 
 
 15. ITALIAN FAMILY. Painted by Williams. 
 
 ENGRAVENGS. 
 
 1. ALLIED GENERALS WITH THEIR STAFF BEFORE SEBASTOPOL. 
 
 By Barker. Presented to the Trustees by Henry Sewell, Esq. 
 
 2. PURSUIT OF PLEASURE. By Baton. 
 
 Presented to the Trustees by Thomas Russell, Esq, 
 
 JOIIS FERRES, GOVERNMENT PRINTER, MELBOURNE.
 
 university 0' CaWom> ^^j^Y 
 
 SOUTHERN BE°«ON*^„'-;«:fcA «>024-1388 
 MS HUg"'" *''rKu™ierial to the library
 
 A 000 033 400 
 
 i