AT LOS ANGELES GIFT OF C. G. De Garxno TOfltfcomB QRifeg NEGHBORLY POEMS SKETCHES IN PROSE AND INTERLUDING VERSES AFTERWHILES PIPES O' PAN (Prose and Verse) RHYMES OF CHILDHOOD FLYING ISLANDS OF THE NIGHT GREEN FIELDS AND RUN NING BROOKS ARMAZINDY A CHILD-WORLD HOME-FOLKS OLD-FASHIONED ROSES (English Edition) THE GOLDEN YEAR (English Edition) POEMS HERE AT HOME BUBAIYAT OF DOC SIFERS CHILD-RHYMES WITH HOOSIER PICTURES RILEY LOVE-LYRICS (Pictures by Dyer) SKETCHES IN PROSE AND OCCASIONAL VERSES JAMES WHITCOMB RILEY INDIANAPOLIS THE BOWEN-MERRILL COMPANY PUBLISHERS Copyright 1891, 1897, 1900, 1901, BY JAMES WHITCOMB RILEY ps 36 190 TO UNCLE MART 4CG631 CONTENTS SKETCHES IN PROSE PAGB God Bless Us Every One 6 AN ADJUSTABLE LUNATIC 51 BAN, THE 199 BELLS JANGLED 47 ECCENTRIC MR. CLARK 203 FAME 99 JAMES? 5 NEST-EGG, A 131 OLD MAN, THE 249 REMARKABLE MAN, A 105 TALE OF A SPIDER 147 " THE BOY FROM ZEENY " 229 TOD 75 WHERE Is MARY ALICE SMITH? 181 JAMESY GOD BLESS US E VERT ONE ''God bless us every one!" prayed Tiny Tim, Crippled, and dwarfed of body, yet so tall Of soul, -we tiptoe earth to look on him, High towering over all. He loved the loveless world, nor dreamed indeed That it, at best, could give to him, the while, But pitying glances, when his only need Was but a cheery smile. And thus he prayed, ''God bless us everyone!" Enfolding all the creeds within the span Of his child-heart; and so, despising none, Was nearer saint than man. I like to fancy God, in Paradise, Lifting a Jinger o'er the rhythmic swing Of chiming harp and song, with eager eyes Turned earthward, listening The Anthem stilled the Angels leaning there Above the golden walls the morning sun Of Christmas bursting flower-like with the prayer, "God bless us every one I" JAMESY ONE week ago this Christmas day, in the little back office that adjoins the counting-room of the "Daily Journal," I sat in genial conversation with two friends. I do not now recall the theme of our discussion, but the general trend of it suggested, doubtless, by the busy .scene upon the streets I remember most distinctly savored of the mellow ing influences of the coming holidays, with per haps an acrid tang of irony as we. dwelt upon the great needs of the poor at such a time, and the chariness with which the hand of opulence was wont to dole out alms. But for all that we were merry, and as from time to time our glances fell upon the ever-shifting scene outside, our hearts grew warmer, and within the eyes the old dreams glimmered into fuller dawn. It was during a lull of conversation, and while the philanthropic mind, perchance, was wandering amid the outer throng, and doubtless quoting to itself "Whene'er I take my walks abroad," that our privacy was abruptly broken into by the grimy apparition of a boy of ten; a ragged little fellow not the stereotyped 7 JAMESY edition of the street waif, but a cross between the boot-black and the infantine Italian with the violin. Where he had entered, and how, would have puz zled us to answer; but there he stood before us, as it were, in a majesty of insignificance. I have never had the features of a boy impress me as did his, and as I stole a covert glance at my compan ions I was pleased to find the evidence of more than ordinary interest in their faces. They gazed in attentive silence on the little fellow, as, with uncovered, frowzy head, he stepped boldly for ward, yet with an air of deference as unlocked for as becoming. "I don't want to bother you gentlemens," he began, in a frank but hesitating tone that rippled hurriedly along as he marked a general nod of in dulgence for the interruption. "I don't want to bother nobody, but if I can raise fifty cents and I've got a nickel and if I can raise the rest and it ain't much, you know on'y forty-five and if I can raise the rest I tell you, gentlemens," he broke off abruptly, and speaking with italicized sincerity "I want jist fifty cents, 'cause I can git a blackin'-box fer that, and brush and ever' thing, and you can bet if I had that I wouldn't haf to ast nobody fer nothin' ! And I ain't got no father ner mother, ner brother ner ner no sisters, neether; but that don't make no difference, 'cause 8 JAMESY I'll work at anything yes, sir when I can git anything to do and I sleep jist any place and I ain't had no breakfast and, honest, gentlemens, I'm a good boy I don't swear ner smoke ner chew but that's all right on'y if you'll jist make up forty-five between you and that's on'y fifteen cents apiece I'll thank you, I will, and I'll jist do anything and it's coming Christmas, and I'll roll in the nickels, don't you fergit if I on'y got a box 'cause I throw up a 'bad' shine ! and I can git the box fer fifty cents if you gentlemens'll on'y make up forty-five between you." At the conclusion of this long and rambling appeal, the little fellow stood waiting with an eager face for a response. A look of stoical deliberation played about the features of the oldest member of the group, as with an air of seriousness, which, I think, even the boy recognized as affected, he asked: "And you couldn't get a box like that for say forty cents ? Fifty cents looks like a lot of money to lay out in the purchase of a blacking-box." The boy smiled wisely as he answered : "Yes, it might look big to a feller that ain't up on prices, but /think it's cheap, 'cause it's a second hand box, and a new one would cost seventy-five cents anyhow 'thout no brushes ner nothin'l" In the meantime I had dropped into the little JAMESY fellow's palm the only coin I had in my posses sion, and we all laughed as he closed his thanks with: "Oh, come, Cap, go the other nickel, er I won't git out o' here with half enough!" and at that he turned to the former speaker. "Well, really," said that gentleman, fumbling in his pockets, "I don't believe I've got a dime with me." "A dime" said the little fellow, with a look of feigned compassion. "Ain't got a dime? Maybe I'd loan you this one!" And we all laughed again. "Tell you what do now," said the boy, taking advantage of the moment, and looking coaxingly into the smiling eyes of the gentleman still fum bling vainly in his pockets. "Tell you what do: you borry twenty cents of the man that stays behind the counter there, and then we'll go the other fifteen, and that'll make it, and I'll skip out o' here a little the flyest boy you ever see! What do ye soy?" And the little fellow struck a Pat Rooney attitude that would have driven the origi nal inventor mad with envy. "Give him a quarter!" laughed the gentleman appealed to. "And here's the other dime," and as the little fellow clutched the money eagerly, he turned ; and in a tone of curious gravity, he said : 10 JAMESY "Now, honest, gentlemens, I ain't a-givin' you no game about the box 'cause a new one costs seventy-five cents, and the one-I've got I mean the one I'm a-goin' to git is jist as good as a new one, on'y it' s second-hand ; and I'm much oblige', gentlemens honest, I am and if ever I give you a shine you can jist bet it don't cost you nothin' !" And with this expression of his gratitude, the little fellow vanished as mysteriously as he had at first appeared. "That boy hasn't a bad face," said the first speaker "wide between the eyes full forehead good mouth, denoting firmness altogether, a good, square face." "And a noble one," said I, perhaps inspired to that rather lofty assertion by the rehearsal of the good points noted by my more observant compan ion. "Yes, and an honest, straightforward way of talking, I would say," continued that gentleman. "I only noted one thing to shake my faith in that particular, and that was in his latest reference to the box. You'll remember his saying he was 'giving us no game' about it, whereas, he had not been accused of such a thing." "Oh, he meant about the price, don't you re member?" said I. "No," said the gentleman at the counter, ii JAMESY "you're both wrong. He only threw in that re mark because he thought I suspected him, for he recognized me just the instant before that speech, and it confused him, and with some reason, as you will see: On my way to supper only last night, I overtook that same little fellow in charge of an old man who was in a deplorable state of drunkenness; and you know how slippery the streets were. I think if that old man fell a single time he fell a dozen, and once so violently that I ran to his assistance and helped him to his feet. I thought him badly hurt at first, for he gashed his forehead as he fell, and I helped the little fellow to take him into a drug-store, where the wound, upon examination, proved to be nothing more seri ous than to require a strip of plaster. I got a good look at the boy, there, however, and ques tioned him a little ; and he said the man was his father, and he was taking him home ; and I gath ered further from his talk that the man was a con firmed inebriate. Now you'll remember the boy told us here a while ago he had no father, and when he recognized me a moment since and found himself caught in one 'yarn,' at least, he very natur ally supposed I would think his entire story a fab rication, hence the suspicious nature of his last re marks, and the sudden transition of his manner from that of real delight to gravity, which change, 12 JAMESY in my opinion, rather denotes lying to be a new thing to him. I can't be mistaken in the boy, for I noticed, as he turned to go, a bald place on the back of his head, the left side, a 'trade-mark,' first discovered last evening, as he bent over the prostrate form of his father." "I noticed a thin spot in his hair," said I, "and wondered at the time what caused it." "And don't you know?" I shook my head. "Coal-bins and entry floors. That little fellow hasn't slept within a bed for years, perhaps." "But he told you, as you say, last night, he was taking the old man home?" "Yes, home! I can imagine that boy's home. There are myriads like it in the city here a cellar or a shed a box-car or a loft in some old shop, with a father to chase him from it in his sober in terludes, and to hold him from it in unconscious shame when helplessly drunk. 'Home, Sweet Home ! ' That boy has heard it on the hand-or gan, perhaps, but never in his heart you couldn't grind it out of there with a thousand cranks." The remainder of that day eluded me somehow ; I don't know how or where it passed. I suppose it just dropped into a comatose condition, and so slipped away "unknelled, uncoffined and un known." '3 JAMESY But one clear memory survives an experience so vividly imprinted on my mind that I now recall its every detail : Entering the Union Depot that evening to meet the train that was to carry me away at six o'clock, muffled closely in my over coat, yet more closely muffled in my gloomy thoughts, I was rather abruptly stopped by a small boy with the cry of: "Here, you man with the cigar; don't you want them boots blacked ? Shine 'em fer ten cents! Shine 'em fer a nickel on'y you mustn't give me away on that," he added, dropping on his knees near the entrance, and mo tioning me to set my foot upon the box. It was then too dark for me to see his face clearly, but I had recognized the voice the instant he had spoken, and had paused and looked around. "Oh, you'll have plenty o' time," he urged, guessing at the cause of my apparent hesitation. "None o' the trains on time to-night on'y the Panhandle, and she's jist a-backin' in won't start fer thirty minutes," and he again beckoned, and rattled a seductive tattoo on the side of his box. "Well," said I, with a compromising air, "come inside, then, out of the cold." " 'Ginst the rules cops won't have it. They jist fired me out o' there not ten minutes ago. Oh, come, Cap; step out here; it won't take two JAMESY minutes," and the little fellow spat professionally upon his brush, with a covert glance of pleasure as he noted the apparent success of the manoeuvre. "You don't live here, I'll bet," said the boy, set ting the first boot on the box, and pausing to blow his hands. "How do you know that? Did you never see me here before ?' ' "No, I never see you here before, but that ain't no reason. I can tell you don't live here by them shoes 'cause they've been put up in some little pennyroyal shop, that's how. When you want a 'fly' shoe you want to git her put up somers where they know somepin' about style. They's good enough metal in that shoe, on'y she's about two years off in style." "You're posted, then, in shoes," said I, with a laugh. "I ort to be," he went on, pantingly, a brush in either hand gyrating with a velocity that jostled his hat over his eyes, leaving most plainly exposed to my investigative eye the "trade-mark" before ^alluded to; "I ort to be posted in shoes, 'cause I ain't done nothin' but black 'em fer five years." "You're an old hand, then, at the business," said I. "I didn't know but maybe you were just starting out. What's an outfit like that worth?" "Thinkin' o' startin' up?" he asked, facetiously. '5 JAMESY "Oh, no," said I, good-humoredly. "I just asked out of idle curiosity. That's a new box, ain't it?" 11 New!" he repeated with a laugh. "Put up that other hoof. New? W'y, if that box had ever had eyes like a human it would a-been a-wearin' specs by this time; that's a old, bald-headed box, with one foot in the grave." "And what did the old fellow cost you?" I asked, highly amused at the quaint expressions of the boy. "Cost? Cost nothin' on'y about a' hour's work. I made that box myse'f, 'bout four year ago." "Ah!" said I. "Yes," he went on, "they don't cost nothin'; the boys makes 'em out o' other boxes, you know. Some of 'em gits 'em made, but they ain't no good ain't no better'n this kind." "So that didn't cost you anything?" said I, "though I suspect you wouldn't like to part with it for less than well, I don't know how much money to say seventy-five cents maybe would anything less than seventy-five cents buy it?" I craftily interrogated. "Seventy-five cents! W'y, what's the matter with you, man? I could git a cart-load of 'em fer seventy-five cents. I'll take yer measure fer 16 JAMESY one like it fer fifteen, too quick!" and the little fellow leaned back from his work and laughed up in my face with absolute derision. I pulled my hat more closely down for fear of recognition, but was reassured a moment later as he went on : "Wisht you lived here; you'd be old fruit fer us fellows. I can see you now a-takin' wind and we'd give it to you mighty slick now, don't you fergit!" and, as the boy renewed his work, I think his little, ragged body shook less with industry than mirth. "Wisht I'd struck you 'bout ten o'clock this morning!" and, as he spoke, he paused again and looked up in my face with real regret. "Oh, you'd a-been the loveliest sucker of 'em all! W'y, you'd a-went the whole pot yerse'f !" "How do you mean?" said I, dropping the cigar I held. "How do I mean? Oh, you don't want to smoke this thing again after it's a-rollin' round here in the dirt!" "Why, you don't smoke," said I, still reaching for the cigar he held behind him. "Me? Oh, what you givin' me?" "Come, let me have it," I said sharply, draw ing a case from my pocket and taking out another cigar. '7 JAMESY "Oh, you want a light " he said, handing me the stub and watching me wistfully. "Couldn't give us a fresh cigar, could you, Cap?" "I don't know," said I, as though deliberating on the matter. "What was that you were going to tell me just now ? You started to tell me what a 'lovely sucker' I'd have been had you met me this morning. How did you mean ?' ' "Give me a cigar and I'll tell you. Oh, come, now, Cap; give me a smoker and I'll give you the whole game. I will, now, honest!" I held out the open case. "Nothin' mean about you, is they?" he said, eagerly taking a fresh cigar in one hand and the stub in the other. "A ten-center, too oh, I guess not!" but, to my surprise, he took the stub be tween his lips, and began opening his coat. "Guess I'll jist fat this daisy, and save 'er up for Christ mas. No, I won't, eether," he broke in suddenly, with a bright, keen flash of second thought. "Tell you what I'll do," holding up the cigar and gaz ing at it admiringly; "she's a ten-center, ain't she?" I nodded. "And worth every cent of it, too, ain't she?" "Every cent of it," I repeated. "Then give me a nickel, and she's yourn 'cause if you can afford to give this to me fer nothin', 18 JAMESY looks like I ort to let you have it fer half-price;" and as I laughingly dropped the nickel in his hand he concluded, "And they's nothin' mean about me, neether!" "Now, go on with your story," said I. "How about that 'game' you were 'giving,' this morn- ing?" "Well, I'll tell you, Cap. Us fellers has got to lay for every nickel, 'cause none of us is bondhold ers ; and they's days and days together when we don't make enough to even starve on. What I mean is, we on'y make enough to pay fer agger- vatin' our appetites with jist about enough chuck to keep us starvin'-hungry. So, you see, when a feller ain't got nothin' else to do, and his appetite won't sleep in the same bunk with him, he's bound to git onto somepin' crooked and git up all sorts o' dodges to git along. Some gives 'em one thing, and some another, but you bet they got to be mighty slick now, 'cause people won't have 'or phans,' and 'fits,' and 'cripples,' and 'drunk fath ers,' and 'mothers that eats morphine,' and 'white swellin',' and 'consumption,' and all that sort o' taffy! Got to git 'er down finer'n that! But / been a-gittin' in my work all the same, don't you fergit! You won't ever blow, now?" "How could I 'blow,' and what if I did? I don't live here," I replied. '9 JAMESY "Well, you better never blow, anyhow; 'cause if ever us duffers would git onto it you'd be a spiled oyster!" "Go on," said I, with an assuring tone. "The lay I'm on jist now," he continued, drop ping his voice and looking cautiously around, "is a-hidin' my box and a-rushin' in, sudden t-like, where they's a crowd o' nobs a-talkin' politics er somepin', and a-jist startin' in, and 'fore they know what's a-comin' I'm a-flashin' up a nickel er a dime, and a-tellin' 'em if I on'y had enough more to make fifty cents I could ^buy a blackin'- box, and wouldn't have to ast no boot o' my grandmother! And two minutes chinnin' does it, don'tyou see, 'cause they don't knownothin' 'bout blackin'-boxes ; they're jist as soft as you air. They got an idy, maybe, that blackin'-boxes comes all the way from Chiny, with cokeynut whiskers packed 'round 'em; and I make it solid by a-say- in' I'm on'y goin' to git a second-hand box see? But that ain't the pint it's the Mr. Nickel I' al ready got. Oh ! it'll paralyze 'em ever' time ! Sometimes fellers'll make up seventy-five cents er a dollar, and tell me to 'git a new box, and go into the business right.' That's a thing that always rattles me. Now, if they'd on'y growl a little and look like they was jist a-puttin' up 'cause the first one did, I can stand it; but when they go to pat- 20 JAMESY tin' me on the head, and a-tellin' me 'that's right,' and 'not to be afeard o' work,' and I'll 'come out all right,' and a-tellin' me to 'git a good substan tial box while I'm a-gittin',' and a-ponyin' up handsome, there's where I weaken I do, honest!" And never so plainly as at that moment did I see within his face and in his eyes the light of true nobility. "You see," he went on, in a tone of voice half courage, half apology, "I' got a family on my hands, and I 'jist got to git along somehow ! I could git along on the square deal as long as mother was alive 'cause she'd 'work but ever sence she died and that was winter 'fore last I've kindo' had to double on the old thing all sorts o' ways. But Sis don't know it. Sis she thinks I'm the squarest muldoon in the business," and even side by side with the homely utterance a great sigh faltered from his lips. "And who is Sis?" I inquired with new interest. "Sis?" he repeated, knocking my foot from the box, and leaning back, still in the old p'osition, his hat now lying on the ground beside him, and his frowzy hair tossed backward from the full, broad brow "Who's Sis?" he repeated with an upward smile that almost dazzled me "W'y, Sis is is w'y, Sis is the boss girl and don't you fergit it!" No need had he to tell me more than this. 21 JAMESY I knew who "Sis" was by the light of pride in the uplifted eyes; I knew who "Sis" was by the exultation in the broken voice, and the half-defiant tossing of the frowzy head; I knew who "Sis" was by the little, naked hands thrown upward openly; I knew who "Sis" was by the tear that dared to trickle through the dirt upon her ragged brother's face. And don't you forget it! that boy down there upon his knees ! there in the cinders and the dirt so far, far down be neath us that we trample on his breast and grind our heels into his very heart; O that boy there, with his lifted eyes, and God's own glory shining in his face, has taught me, with an eloquence be yond the trick of mellow-sounding words and met aphor, that love may find a purer home beneath the rags of poverty and vice than in all the great warm heart of Charity. 1 hardly knew what impulse prompted me, but as the boy rose to his feet and held his hand out for the compensation for his work, I caught the little dingy palm close, close within my own, and wrung it as I would have wrung the hand of some great conqueror. The little fellow stared at me in wonderment, and although his lips were silent, I can but believe that had they parted with the utterance within his heart my feelings had received no higher recogni- 22 JAMESY tion than the old contemptuous phrase, "Oh, what you givin' me?" "And so you've got a family on your hands?" I inquired, recovering an air of simple curiosity, and toying in my pocket with some bits of change. "How much of a family?" "On'y three of us now." "Only three of you, eh? Yourself, and Sis, and and " "The old man," said the boy, uneasily; and after a pause, in which he seemed to swallow an utterance more bitter, he added, "And he ain't no good on earth!" "Can't work?" I queried. "Won't work," said the boy, bitterly. "He 'won't work he won't do nothin' on'y 'budge' ! And I haf to steer him in ever' night, 'cause the cops won't pull him any more they won't let him in the station-house more'n they'd let him in apar- ler, 'cause he's a plum goner now, and liable to 'croke' any minute." "Liable to what?" said I. "Liable to jist keel over wink out, you know 'cause he has fits, kindo' jimjams, I guess. Had a fearful old matinee with him last night! You see he comes all sorts o' games on me, and I haf to put up fer him 'cause he's got to have whiskey, and if we can on'y keep him about so full he's a 23 JAMESY regular lamb ; but he don't stand no monkeyin' when he wants whiskey, now you bet ! Sis can handle him better'n me, but she's been a losin' her grip on him lately you see Sis ain't stout any more, and been kindo' sick-like so long she humors him, you know, more'n she ort. And he couldn't git on his pins at all yisterday morning, and Sis sent fer me, and I took him down a pint, and that set him a-runnin' so that when I left he made Sis give up a quarter he saw me slip her; and it jist happened I run into him that evening and got him in, or he'd a-froze to death. I guess he must a-kindo' had 'em last night, 'cause he was the wildest man you ever see saw grasshoppers with paper-collars on, and old sows with feather- duster tails, the durndest programme you ever heerd of! And he got so bad onc't he was a-goin' to belt Sis, and did try it: and I had to chug him one or he'd a-done it. And then he cried, and Sis cried, and I cri , I Dern him ! you can bet yer life / didn't cry!" And as the boy spoke, the lips quivered into stern compression, the little hands gripped closer at his side, but for all that the flashing eye grew blurred and the lids dropped downward. "That's a boss shine on them shoes." I was mechanically telling over in my hand the three small coins I had drawn from my pocket. 24 JAMESY "That is a nice job!" said I, gazing with an unusual show of admiration at the work, "and I thought," continued I, with real regret, "that I had two dimes and a nickel here, and was think ing that, as these were Christmas-times, I'd just give you a quarter for your work." "Honest, Cap?" "Honest!" I repeated, "but the fact is the two dimes, as I thought they were, are only two three- cent pieces, so I have only eleven cents in change, after all." "Spect they'd change a bill fer you 'crost there at the lunch-counter," he suggested with charming artlessness. "Won't have time there's my train just coup ling. But take this I'll see you again sometime, perhaps." "How big a bill is it you want changed?" asked the little fellow, with a most acquisitive ex pression, and a swift glance at our then lonely surroundings. "I only have one bill with me," said I nervously, "and that's a five." "Well, here then," said the boy, hurriedly, with another and more scrutinizing glance about him "guess I can 'commodate you." And as I turned in wonder, he drew from some mysterious re cess in the lining of his coat, a roll of bills, 25 JAMESY from which he hastily detached four in number, returned the roll ; and before I had recovered from my surprise, he had whisked the note from my fingers, and left in my hand instead the proper change. "This is on the dead, now, Cap. Don't you ever cheep about me havin' wealth, you know; 'cause it ain't mine that is, it is mine, but I'm a There goes your train. Ta-ta!" "The day before Christmas," said I, snatching his hand, and speaking hurriedly, "the day before Christmas I'm coming back, and if you'll be here when the 5:30 train rolls in you'll find a man that wants his boots blacked maybe to get married in, or something anyway he'll want a shine like this, and he'll come prepared to pay the highest market price do you understand?" "You jist tell that feller fer me," said the boy, eclipsing the twinkle of one eye, and dropping his voice to an inflection of strictest confidence, "you jist tell that feller fer me that I'm his oyster!" "And you'll meet him, sure?" said I. "I will," said the boy. And he kept his word. My ride home was an incoherent fluttering of the wings of time, in which travail one fretful hour was born, to gasp its first few minutes helplessly; then moan, roll over and kick out its legs and 26 JAMESY sprawl about; then crawl a little stagger to its feet and totter on ; then tumble down a time or two and knock its empty head against the floor and howl ; then loom up awkwardly on gangling legs, too much in their own way to comprehend that they were in the way of everybody else; then limp a little as it worried on drop down ex hausted moan again toss up its hands shriek out, and die in violent convulsions. We have all had that experience of the car- wheels had them enter into conversation with us as we gaily embarked upon some pleasant trip, perhaps ; had them rattle off in scraps of song, or lightly twit us with some dear one's name, or even go so far as to laugh at us and mock us for some real or fancied dereliction of car-etiquette. I shall ever have good reason to remember how once upon a time a boy of fourteen, though greatly under sized, told the conductor he w r as only ten, and al though the unsuspecting official accepted the state ment as a truth, with the proper reduction in the fare, the car-wheels called that boy a "liar" for twenty miles and twenty miles as long and tedi ous as he has ever compassed in his journey through this vale of tears. The car-wheels on this bitter winter evening were not at all communicative. They were sullen and morose. They didn't feel like singing, and 27 JAMESY they wouldn't laugh. They had no jokes, and if there was one peculiar quality of tone they pos sessed in any marked degree it was that of sneer ing. They had a harsh, discordant snarl, as it seemed, and were spiteful and insinuating. The topic they had chosen for that night's con sideration was evidently of a very complex and mysterious nature, and they gnawed and mumbled at it with such fierceness, and, withal, such sel fishness, I could only catch a flying fragment of it now and then, and that, I noticed, was of the coarsest fibre of intelligence, and of slangy flavor. Listening with the most painful interest, I at last made out the fact that the inflection seemed to be in the interrogative, and, with anxiety the most in tense, I slowly came to comprehend that they were desirous of ascertaining the exact distance be tween two given points, but the proposition seemed determined not to round into fuller significance than to query mockingly, "How fur is it? How fur is it ? How fur, how fur, how fur is it ?' ' and so on to a most exasperating limit. As this sense less phrase was repeated and reiterated in its grow ing harshness and unchanging intonation, the re lentless pertinacity of the query grew simply agonizing, and when at times the car door opened to admit a brakeman, or the train-boy, who had everything to sell but what I wanted, the empha- 28 JAMESY sized refrain would lift me from my seat and drag me up and down the aisle. When the phrase did eventually writhe round into form and shade more tangible, my relief was such that I sat down, and in my fancy framed a grim, unlovely tune that suited it, and hummed with it, in an undertone of dismal satisfaction: 1 'ffoztf fur how fur Is it from here From here to Happiness?" When I returned that same refrain rode back into the city with me ! All the gay metropolis was robing for the banquet and the ball. All the windows of the crowded thoroughfares were kind ling into splendor. Along the streets rolled lordly carriages, so weighted down with costly silks, and furs, and twinkling gems, and unknown treasures in unnumbered packages, that one lone ounce of needed charity would have snapped their axles, and a feather's weight of pure benevolence would have splintered every spoke. And the old refrain rode with me through it all as stoical, relentless and unchangeable as fate and in the same depraved and slangy tone in which it seemed to find an especial pride, it sang, and sang again : "How fur how fur Is it from here From here to Happiness?" 29 JAMESY The train that for five minutes had been lessen ing in speed, toiled painfully along, and as I arose impatiently and reached behind me for my over coat, a cheery voice cried, "Hello, Cap! Want a lift? I'll he'p you with that 'benjamin' " ; and as I looked around I saw the grimy features of my little hero of the brush and box. "Hello!" said I, as much delighted as surprised. "Where did you drop from?" "Oh, I collared this old hearse a mile or so back yonder," said the little fellow, gayly, standing on the seat behind me and holding up the coat. "Been a-doin' circus-business on the steps out there fer half an hour. You bet I had my eye on you, all the same, though." "You had, eh?" I exclaimed, gladly, although I instinctively surmised his highest interest in me was centred in my pocket-book. "You had> eh?" I repeated with more earnestness. "Well, I'm glad of that, Charlie or, what is your name ?' ' "Squatty," said the boy. Then noticing the look of surprise upon my face, he added soberly: "That ain't my 'sure-enough' name, you know; that's what the boys calls me. Sis calls me Jamesy." "Well, Jamesy," I continued, buttoning my collar and drawing on my gloves, "I'm mighty glad to see you, and if you don't believe it, just , 30 JAMESY go down in that right-hand overcoat-pocket and you'll find out." The little fellow needed no second invitation, and as he drew forth a closely-folded package the look of curiosity upon his face deepened to one of blank bewilderment. "Open it," said I, smiling at the little puzzled face; "open it it's for you.' "O, here, Cap," said the boy, dropping the package on the seat, and holding up a rigid finger, "you're a-givin' me this, ain't you?" "I'm giving you the package, certainly," said I, somewhat bewildered. "Open it it's a Christ mas present for you open it." "What's your idy o' layin' fer me?" asked the boy with a troubled and uneasy air. "I've been a-givin' you square business right along, ain't I?" "Why, Jamesy," said I, as I vaguely compre hended the real drift of his thought, "the package is for you, and if you won't open it I will," and as I spoke I began unfolding it. "Here," said I, "is a pair of gloves, a little girl, about your size, told me to give to you, because I was telling her about you, over where I live, and it's 'a clear case,' " and I laughed lightly to myself as I noticed a slow flush creeping to his face. "And here," said I, "is a 'bang up' pair of good old-fashioned socks, and, if they'll fit you, there's an old woman 3 1 JAMESY that wears specs and a mole on her nose, told me to tell you, for her, that she knit them for your Christmas present, and if you don't wear them she'll never forgive you. And here," I continued, "is a cap, as fuzzy as a woolly-worm, and as warm a cap, I reckon, as you ever stood on your head in; it's a cheap cap, but I bought it with my own money, and money that I worked mighty hard to get, because I ain't rich; now, if I was rich, I'd buy you a plug; but I've got an idea that this lit tle, old, woolly cap, with earbobs to it, and a snapper to go under your chin, don't you see, won't be a bad cap to knock around in, such weather as this. What do you say now ! Try her on once," and as I spoke I turned to place it on his head. "Oomh-ooh !" he negatively murmured, putting out his hand, his closed lips quivering the little frowzy head drooping forward, and the ragged shoes shuffling on the floor. "Come," said I, my own voice growing curi ously changed ; "won't you take these presents? They are yours; you must accept them, Jamesy, not because they're worth so very much, or be cause they're very fine," I continued, bending down and folding up the parcel, "but because, you know, I want you to, and and you must take them; you must!" and as I concluded, I 32 JAMESY thrust the tightly- folded parcel beneath his arm, and pressed the little tattered elbow firmly over it. "There you are," said I. "Freeze onto it, and we'll skip off here at the avenue. Come." I hardly dared to look behind me till I found myself upon the street, but as I threw an eager glance over my shoulder I saw the little fellow fol lowing, not bounding joyfully, but with a solemn step, the little parcel hugged closely to his side, and his eyes bent soberly upon the frozen ground. "And how's Sis by this time?" I asked cheerily, flinging the question backward, and walking on more briskly. " 'Bout the same," said the boy, brightening a little, and skipping into a livelier pace. "About the same, eh? and how's that?" I asked. "Oh, she can't get around much like she used to, you know; but she's a-gittin' better all the time. She set up mighty nigh all day yisterday" ; and as the boy spoke the eyes lifted with the old flash, and the little frowzy head tossed with the old defiance. "Why, she's not down sick?" said I, a sudden ache of sorrow smiting me. "Yes," replied the boy, "she's been bad a long time. You see," he broke in byway of explana tion, "she didn't have no shoes ner nothiiT when 33 JAMESY winter come, and kindo' took cold, you know, and that give her the whoopin' -cough so's she couldn't git around much. You jist ort to see her now! Oh, she's a-gittin' all right now, you can bet! and she said yisterday she'd be plum well Christmas, and that's on'y to-morry. Guess not!" and as the little fellow concluded this exultant speech, he circled round me, and then shot forward like a rocket. "Hi! Jamesy!" I called after him, pausing at a stairway and stepping in the door. The little fellow joined me in an instant. "Want that shine now?" he inquired with panting eager ness. "Not now, Jamesy," said I, "for I'm going to be quite busy for a while. This is my stopping- place here the second door on the right, up-stairs, remember and I work there when I'm in the city, and I sometimes sleep there, when I work late. And now I want to ask a very special favor of you," I continued, taking a little sealed packet from my vest: "here's a little box that you're to take to Sis, with my. compliments the compli ments of the season, you understand, and tell her I sent it, with particular directions that she shouldn't break it open till Christmas morning not till Christmas morning, understand! Then you tell her that I would like very much to come 34 JAMESY and see her, and if she says all right, and you must give me a good 'send-off,' and she'll say all right if 'Jamesy' says all right, then come back here, say two hours from now, or three hours, or to-night anyway, and we'll go down and see Sis together what do you say?" The boy nodded dubiously, "Honest must I do all that, sure enough?" "Will you?" said I; "that's what I want to know"; and I pushed back the little dusky face and looked into the bewildered eyes. ''Solid?" he queried, gravely. " 'Solid,' " I repeated, handing him the box. "Will you come?" "W'y, 'course I will, on'y I was jist a-think- in' " "Just thinking what," said I, as the little fel low paused abruptly and shook the box suspi ciously at his ear. "Just thinking what?" I re peated; "for I must go now; good-bye. Just thinking what?" "O, nothin'," said the boy, backing off and staring at me in a phase of wonder akin to awe. "Nothin', on'y I was jist a-thinkin' that you was a little the curiousest rooster /ever see." Three hours later, as I sat alone, he came in upon me timidly to say he hadn't been home yet, having "run acrost the old man jist a-bilin', and 35 JAMESY had to git him corralled 'fore he dropped down somers in the snow; but I'm a-gittin' 'long bully with him now, he added, with a deep sigh of re lief, " 'cause he's so full he'll haf to let go purty soon. Say you'll be here?" I nodded silently, and he was gone. The merry peals of laughter rang up from the streets like mockery. The jingling of bells, the clatter and confusion of the swarming thorough fares flung up to me not one glad murmur of de light; the faint and far-off blaring of a dreamy waltz, blown breeze-like over the drowsy ear of night, had sounded sweeter to me had I stood amidst the band, with every bellowing horn about my ears, and the drums and clashing cymbals howling mad. I couldn't work, I couldn't read, I couldn't rest ; I could only pace about. I heard the clock strike ten, and strike it hard ; I heard it strike eleven, viciously; and twelve it held out at arm's length, and struck it full between the eyes, and let it drop stone dead. O I saw the blood ooze from its ears, and saw the white foam freeze upon its lips ! I was alone alone ! It was three o'clock before the boy returned. "Been a long while," he began, "but I had a fearful time with the old man, and he went on so when I did git him in I was most afeared to leave 36 JAMESY him ; but he kindo' went to sleep at last, and Molly she come over to see how Sis was a-gittin' ; and Sis said she'd like to see yozt if you'd come notv, you know, while they ain't no racket goin' on." "Come, then," said I, buttoning my coat closely at the throat, "I am ready"; and a moment later we had stepped into the frosty night. We moved along in silence, the little fellow half running, half sliding along the frozen pavement in the lead ; and I noted, with a pleasurable thrill, that he had donned the little fuzzy cap and mittens, and from time to time was flinging, as he ran, admiring glances at his shadow on the snow. Our way veered but a little from the very centre of the city, but led mainly along through narrow streets and alley-ways, where the rear ends of mas sive business blocks had dwindled down to insig nificant proportions to leer grimly at us as we passed little grated windows and low, scowling doors. Occasionally we passed a clump of empty boxes, barrels, and such debris of merchandise as had been crowded pell-mell from some inner stor age by their newer and more dignified compan ions ; and now and then we passed an empty bus, bulging up in the darkness like a behemoth of the olden times ; or, jutting from still narrower pas sages, the sloping ends of drays and carts innum erable. And along even as forbidding a defile as 37 JAMESY this we groped until we came upon a low, square, brick building that might have served at one time as a wash-house, or, less probably, perhaps, a dairy. There was but one window in the front, and that but little larger than an ordinary pane of glass. In the sides, however, and higher up, was a row of gratings, evidently designed more to serve as ven tilation than as openings for light. There was but one opening, an upright doorway, half above ground, half below, with little narrow side-steps leading down to it. A light shone dimly from the little window, and as the boy motioned me to pause and listen, a sound of female voices talking in an undertone was audible, mingled with a sound like that of some one snoring heavily. "Hear the old man a-gittin' in his work?" whispered the boy. I nodded. "He's asleep?" "You bet he's asleep!" said the boy, still in a whisper; "and he'll jist about stay with it that- away fer five hours, anyhow. What time you got now, Cap?" "A quarter now till four," I replied, peering at my watch. "W'y, it's Christmas, then!" he cried in muf fled rapture of delight ; but abruptly checking his emotion, he beckoned me a little farther from the door, and spoke in a confidential whisper. 38 JAMESY "Cap, look here, now; 'fore we go in I want you to promise me one thing 'cause you can fix it and she'll never drop ! Now, here, I want to put up a job on Sis, you understand!" "What!" I exclaimed, starting back and star ing at the boy in amazement. "Put up a job on Sis?" "O, look here, now, Cap ; you ain't a-goin' back on a feller like that!" broke in the little fellow, in a mingled tone of pleading and reproof; "and if you don't help a feller I'll haf to wait till broad daylight, 'cause we ain't got no clock." "No clock!" I repeated with increased bewil derment. "Oh, come, Cap, what do you say? It ain't no lie, you know; all you got to do'll be to jist tell Sis it's Christmas as though you didn't want me to hear, you know; and then she'll git my 'Christ mas Gift ! ' first, you know ; and, oh, lordy ! won't she think she's played it fine!" and as I slowly comprehended the meaning of the little fellow's plot I nodded my willingness to assist in "putting up the job." "Now, hold on a second!" continued the little fellow, in the wildest glee, darting through an opening in a high board fence a dozen steps away, and in an instant reappearing with a bulky parcel, which, as he neared me, I discovered was a paper 39 JAMESY flour-sack half filled, the other half lapped down and fastened with a large twine string. "Now this stuff," he went on excitedly, "you must jug gle in without Sis seein' it here, shove it under your 'ben,' here there that's business! Now when you go in, you're to set down with the other side to'rds the bed, you see, and when Sis hollers, 'Christmas Gift,'' you know, you jist kindo' let it slide down to the floor like, and I'll nail it slick enough though I'll p'tend, you know, it ain't Christmas yet, and look sold out, and say it wasn't fair fer you to tell her, and all that ; and then I'll open up suddent-like, and if you don't see old Sis bug out them eyes of hern I don't want a cent!" And as the gleeful boy concluded this speech, he put his hands over his mouth and dragged me down the little, narrow steps. "Here's that feller come to see you, Sis!" he announced abruptly, opening the door and peering in. "Come on," he said, turning to me. I fol lowed, closing the door, and looking curiously around. A squabby, red-faced woman, sitting on the edge of a low bed, leered upon me, but with no salutation. An old cook-stove, propped up with bricks, stood back against the wall directly opposite, and through the warped and broken doors in front sent out a dismal suggestion of the fire that burned within. At the side of this, prone 40 JAMESY upon the floor, lay the wretched figure of a man, evidently in the deepest stage of drunkenness, and thrown loosely over him was an old tattered piece of carpet and a little checkered shawl. There was no furniture to speak of ; one chair and that was serving as a stand sat near the bed, a high hump-shouldered bottle sitting on it, a fruit-can full of water, and a little dim and smoky lamp that glared sulkily. "Jamesy, can't you git the man a cheer er somepin' ?" queried a thin voice from the bed; at which the red-faced woman rose reluctantly with the rather sullen words: "He can sit here, I reckon," while the boy looked at me significantly and took up a position near the "stand." "So this is Sis?" I said, with reverence. The little, haggard face I bent above was beau tiful. The eyes were dark and tender very tender, and though deeply sunken were most childish in expression and star-pure and luminous. She reached a wasted little hand out to me, saying simply: "It was mighty good in you to give them things to Jamesy, and send me that mo that that little box, you know on'y I guess I I won't need it." As she spoke a smile of perfect sweetness rested on the face, and the hand within my own nestled in dove-like peace. The boy bent over the white face from behind JAMESY and whispered something in her ear, trailing the little laughing lips across her brow as he looked up. "Not now, Jamesy; wait awhile." "Ah!" said I, shaking my head with feigned merriment, "don't you two go to plotting about me!" "Oh, hello, no, Cap!" exclaimed the boy, as- suringly. "I was on'y jist a-tellin' Sis to ast you if she mightn't open that box now honest! And you jist ask her if you don't believe me /won't listen." And the little fellow gave me a look of the most penetrative suggestiveness ; and when a moment later the glad words, "Christmas Gift! Jamesy," rang out quaveringly in the thin voice, the little fellow snatched the sack up, in a par- exysm of delight, and before the girl had time to lift the long dark lashes once upon his merry face, he had emptied its contents out. tumultuously upon the bed. "You got it onto me, Sis!" cried the little fel low, dancing wildly round the room; "got it onto me this time ! but I'm game, don't you fergit, and don't put up nothin' snide! How'll them shoes there ketch you? and how's this fer a cloak? is them enough beads to suit you? And how's this fer a hat feather and all? And how's this fer a dress made and ever'thing? and I'd a-got zcorsik 42 JAMESY with it if he'd a on'y had any little enough. You won't look fly ner nothin' when you throw all that style on you in the morning! Guess not!" And the delighted boy went off upon another wild ex cursion round the room. "Lean down here," said the girl, a great light in her eyes and the other slender hand sliding from beneath the covering. "Here is the box you sent me, and I've opened it it wasn't right, you know, but somepin' kindo' said to open it 'fore morn ing and and I opened it." And the eyes seemed asking my forgiveness, yet filled with great bewilderment. "You see," she went on, the thin voice falling in a fainter tone, "I knowed that money in the box that is, the bills I knowed them bills, 'cause one of 'em had a ink-spot on it, and the other ones had been pinned with it they wasn't pinned together when you sent 'em, but the holes was in where they had been pinned, and they was all pinned together when Jamesy had 'em 'cause Jamesy used to have them very bills he didn't think / knowed, but onc't when he was asleep, and father was a-goin' through his clothes, I happened to find 'em in his coat 'fore he did ; and I counted 'em, and hid 'em back ag'in, and father didn't find 'em, and Jamesy never knowed it. I never said nothin', 'cause somepin' kindo' said to me it was all right ; and somepin' 43 JAMESY kindo' said I'd git all these things here, too on'y I won't need 'em, ner the money, nor nothin'. How did you get the money? That's all!" The boy had by this time approached the bed, and was gazing curiously upon the solemn little face. "What's the matter with you, Sis?" he asked in wonderment; "ain't you glad?" "I'm mighty $*&+ Jamesy," she said, the little, thin hands reaching for his own. "Guess I'm too glad, 'cause I can't do nothin' on'y jist feel glad; and somepin' kindo' says that that's the gladdest glad in all the world. Jamesy!" "Oh, shaw, Sis! Why don't you tell a feller what's the matter?" said the boy, uneasily. The white hands linked more closely with the brown, and the pure face lifted to the grimy one till they were blent together in a kiss. "Be good to father, fer you know he used to be so good to us." "OSis! Sis!" "Molly!" The squabby, red-faced woman threw herself upon her knees and kissed the thin hands wildly and with sobs. "Molly, somepin' kindo' says that you must dress me in the morning but I won't need the hat, 44 JAMESY and you must take it home fer Nannie Don't don't cry so loud; you'll wake father." I bent my head down above the frowzy one and moaned moaned. "And you, sir," went on the failing voice, reaching for my hand, "you you must take this money back you must take it back, fer I don't need it. You must take it back and and give it give it to the poor." And even with the utter ance upon the gracious lips the glad soul leaped and fluttered through the open gates. 45 BELLS JANGLED BELLS JANGLED I lie low-coiled in a nest of dreams; The lamp gleams dim i' the odorous gloom, And the stars at the casement leak long gleams Of misty light through the haunted room Where I lie low-coiled in dreams. The night-winds ooze o'er my dusk-drowned face In a dewy flood that ebbs and flows, Washing a surf of dim white lace Under my throat and the dark red rose In the shade of my dusk-drowned face. There's a silken strand of some strange sound Slipping out of a skein of song: j Eeriely as a call unwound From a fairy-bugle, it slides along In a silken strand of sound. There's the tinkling drip of a faint guitar; There's a gurgling flute, and a blaring horn Blowing bubbles of tune afar O'er the misty heights of the hills of morn, To the drip of a faint guitar. And I dream that I neither sleep nor wake Careless am I if I wake or sleep, For my soul floats out on the waves that break In crests of song on the shoreless deep Where I neither sleep nor wake. 49 AN ADJUSTABLE LUNATIC AN ADJUSTABLE LUNATIC "AN 'adjustable lunatic'?" "Yes, sir, an adjustable lunatic you may know I don't make a business of insanity, or I wouldn't be running at large here on the streets of the city." It was on the morning of St. Patrick's Day. I had been drifting aimlessly around the city for hours, tossed about by the restless tide of human ity that ebbed and flowed in true sea-fashion at the Washington and Illinois street crossing. The few friends I had been fortunate enough to fall in with prior to the parade I had been unfortunate enough to lose in the flurry and excitement attend ing that event; and, brought to a sudden anchor age at the Bates House landing, I found myself at the mercy of a boundless throng that held not one familiar face. It was a literal jam at that juncture, and anxious and impatient as I was to break away, I was forced into a bondage which, though not exactly agreeable, was at least the source of an experience that will linger in my memory fresh and clear when every other feature of the day shall have faded. 53 AN ADJUSTABLE LUNATIC I had been crowded into a position on a step of the stairway that gave me a lean upon the balus trade and placed me head and shoulders above the crowd; and. although I comprehended the help lessness of my position, I was, in a manner, thank ful for the opportunity it afforded me to study the unsuspecting subjects just below. As my hungry eyes went foraging about from face to face they fell upon the features of an individual so singularly abstracted in appearance and so apparently oblivi ous to his surroundings, that I mentally congratu lated him upon his enviable disposition. He was a slender man, of thirty years, perhaps; not tall, but something over medium height; he had dark hair and eyes, with a complexion much too fair to correspond ; was not richly dressed, but neatly, and in good taste. Instinctively I wondered who and what he was ; and my speculative fancy went to work and made a lawyer of him then a minister an artist a musician an actor and a dancing-master. Sud denly I found my stare returned with equal fervor, and tried to look away, but something held me. He was elbowing his way to where I stood, and smiling as he came. "I don't know you," he said, when, after an almost superhuman effort, he had gained my side, to the discomfiture of a brace of mangy little boot- 54 AN ADJUSTABLE LUNATIC blacks that occupied the step below "I don't know you personally, but you look bored. I'm troubled with the same disease and want com pany as the poet of the Sierras wails, 'How all alone a man may be in crowds ! ' ' Something in the utterance made me offer him my hand. He grasped it warmly. "It's curious," he said, "how friends are made and where true fellowship begins. Now we've known each other all our lives and never met before. What d'ye say?" I smiled approval at the odd assertion. "But tell me," he continued, "what conclusion you have arrived at in your study of me ; come, now, be frank what do you make of me?" Although I found myself considerably startled, I feigned composure and acknowledged that I had been speculating as to who and what he was, but found myself unable to define a special char acter. "I thought so," he said. "No one ever reads my character no one ever will. Why, I've had phrenologists groping around among my bumps by the hour to no purpose, and physiognomists driving themselves cross-eyed ; but they never found it, and they never will. The very things of which I am capable they invariably place beyond my capacity; and, with like sageness, the very things I can't do they declare me to be a master 55 AN ADJUSTABLE LUNATIC hand at. But I like to worry them ; it's fun for me. Why, old Fowler himself, here the other night, thumbed my head as mellow as a May,. apple, and never came within a mile of it! Some characters are readable enough, I'm willing to ad mit. Your face, for instance, is a bulletin-board to me, but you can't read mine, for I'm neither a doctor, lawyer, artist, actor, musician, nor any thing else you may have in your mind. You might guess your way all through the dictionary and then not get it. It's simply an impossibility, that's all." I laughed uneasily, for although amused at the quaint humor of his language, a nervous fluttering of the eyes and a spasmodic twitching of the corners of his mouth made me think his manner merely an affectation. But I was interested, and as his conversation seemed to invite the interroga tion, I flatly asked him to indulge my curiosity and tell me what he was. "Wait till the crowd thins, and maybe I will. In the meantime here's a cigar and here's a light as Mr. Quilp playfully remarks to Tom Scott 'Smoke away, you dog you !' ' "Well, you're a character," said I, dubiously. "Yes," he replied, "but you can't tell what kind, and I can tell you the very trade you work at." 56 AN ADJUSTABLE LUNATIC I smiled incredulously. "Now don't look lofty and assume a profes sional air, for you're only a mechanic, and a sign- painter at that." Although he spoke with little courtesy of ad dress, there was a subtle something in his eye that drew me magnet-like and held me. I was silent. "Want to know how I became aware of that fact?" he went on, with a quick, sharp glance at my bewildered face. "There's nothing wonder ful about my knowing that ; I've had my eye on you for two hours, and you stare at every sign board you pass, worse than a country-jake ; and once or twice I saw you stop and study carefully some fresh design, or some new style of letter. You're a stranger here in the city, too. Want to know how I can tell ? Because you walk like you were actually going some place ; but I notice that you never get there, for continually crossing and recrossing streets, and back-tracking past show- windows, and congratulating yourself, doubtless, upon the thorough business air of your reflection in the plate glass. Come, we can get through now; let's walk." I followed him unhesitatingly. To say that I was simply curious would be too mild ; I was fas cinated, and to that degree I actually fastened on his arm, and clung there till we had quite escaped 57 AN ADJUSTABLE LUNATIC the crowd. "I like you, some way," he said, "but you're too impulsive ; you let your fancy get away with your better judgment. Now, you don't know me, and I'm even pondering whether to frankly unbosom to you, or give you the slip ; and I'll not leave the proposition to you to decide, for I know you'd say 'unbosom' ; so I'll think about it quietly for a while yet and give you an unbiased verdict. We walked on in silence for the distance, per haps, of half a dozen blocks, turning and angling about till we came upon an open stairway in an old unpainted brick building, where my strange com panion seemed to pause mechanically. "Do you live here?" I asked. "I stay here," he replied, "for I don't call it living to be fastened up in this old sepulchre. I like it well enough at night, for then I feast and fatten on the gloom and glower that infest it; but in the normal atmosphere of day my own room looks repellent, and I only visit it, as now, out of sheer desperation." If I had at first been mystified with this curious being, I was by this time thoroughly bewildered. The more I studied him the more at a loss I was to fathom him ; and as I stood staring blankly in his face, he exclaimed almost derisively: "You give it up, don't you ?" 58 AN ADJUSTABLE LUNATIC I nodded. "Well," he continued, "that's a good sign, and I've concluded to 'unbosom': I'm an adjustable lunatic." "An 'adjustable lunatic'!" I repeated, blankly. And after the remarkable proposition that ushers in the story, he continued smilingly: "Don't be alarmed, now, for I'm glad to assure you of the fact that I'm as harmless as a baby- butterfly. Nobody knows I'm crazy, nobody ever dreams of such a thing and why? Because the faculty is adjustable, don't you see, and self-con trolling. I never allow it to interfere with busi ness matters, and only let it on at leisure intervals for the amusement it affords me in the pleasurable break it makes in the monotony of a matter-of- fact existence. I'm off duty to-day in fact, I've been off duty for a week ; or, to be franker still, I lost my situation ten days ago, and I've been hu moring this propensity in the meanwhile ; and now, if you're inclined to go up to my room with me the windows are both raised, you see, and you can call for help should occasion require ; people are constantly passing if you feel inclined, I say, to go up with me, I'll do my best to entertain you. I like you, as I said before, and you can trust me, I assure you. Come." If I were to attempt a description of the feel- 59 AN ADJUSTABLE LUNATIC ings that possessed me as I followed my strange acquaintance up the stairway, I should fail as ut terly as one who would attempt to portray the ex perience of lying in a nine-days' trance, so I leave the reader's fancy to befriend me, and hasten on to more tangible matters. We paused at the first landing, my companion unlocking a door on the right, and handing me the key with the remark: "You may feel safer with it. And don't be frightened," he continued, "when I open the door, for it always whines like somebody had stepped on its knob," and I laughed at the odd figure as he threw the door open and motioned me to enter. It was a queer apartment, filled with a jumbled array of old chairs and stands; old trunks, a lounge, and a stack of odd-shaped packages. A frowzy carpet thrown over the floor like a blanket, and a candle-box spittoon with a broken lamp- chimney in it. A little swinging shelf of dusty books, with a railroad map pasted just above it. A narrow table with a telegraph instrument at tached, and wires like ivy-vines running all about the walls; and scattered around the instrument was an endless array of zinc and copper scraps, and bits of brass, spiral springs, and queer-shaped little tools. A flute propped up one window, and near it, on another stand, a cornet and an old 60 AN ADJUSTABLE LUNATIC guitar; a pencil sketch half finished, and a stuffed glove with a pencil in its fingers lying on it ; a spirit-lamp, a lump of beeswax, and a hundred other odds and ends, betokening the presence of some mechanical, musical, scientific genius. "It's a bachelor's room," said the host, noting my inquisitive air. "It's a bachelor's room, so you'll expect no apologies. Sit down when you're through with the industrial, and turn your atten tion to the art department." I followed the direction of his hand, and my eyes fell upon a painted face of such ineffable sweetness and beauty I was fairly dazed. It was not an earthly form, at least in coloring, for the features seemed to glow with beatific light. The eyes were large, dark, and dewy, thrown upward with a longing look, and filled with such intensity of tenderness one could but sigh to see them. The hair, swept negligently back, fell down the gleam ing shoulders like a silken robe, and nestled in its glossy waves the ears peeped shyly out like lily- blooms. The lips were parted with an utterance that one could almost hear, and weep because the blessed voice was mute. The hands were folded on a crumpled letter and pressed close against the heart, and a curl of golden hair was coiled around the fingers. "Is it a creation of the fancy?" I asked. 61 AN ADJUSTABLE LUNATIC "Well, yes," he answered, with a dreamy drawl. "I call it fancy, when in a normal state; but now," he continued, in a fainter tone, "I will designate it as a portrait." And oh, so sad, so hopeless and despairing was the utterance, it seemed to well up from the fountain of his heart like a spray of purest sorrow. "Who painted it?" I asked. " 'Who painted it?' " he repeated, drowsily " 'who painted it?' Oh, no; I mustn't tell you that; for if I answered you with 'Raphael,' you'd say, 'Ah, no! the paint's too fresh for that, and he's been dead for ages.' 'Who painted it?' No, no, I mustn't tell you that!" "But are you not an artist? I see an easel in the corner there, and here's a maulstick lying on the mantel." "I an artist? Why, man, what ails you? I told you not ten minutes since that I was an ad justable lunatic; and don't you see I am? You can't mislead me nor throw me off my guard. When it comes to reason or solid logic, don't you find me there ? And here again, to show the clear ness of my judgment, I remove the cause of our little dissension, and our friendly equanimity is restored " and he turned the picture to the wall. I could but smile at the gravity and adroitness of his language and demeanor. 62 AN ADJUSTABLE LUNATIC "There," said he, smiling in return ; "your face is brighter than the day outside; let's change the topic. Do you like music?" "Passionately," I responded. " Will you play ?" "No; I will sing." He took the guitar from the table, and, with a prelude wilder than the "Witches' Dance," he sang a song he called "The Dream of Death," a grievously sad song, so full of minor tones and wailing words, the burden of it still lingers in my ears: "O gentle death, bow down and sip The soul that lingers on my lip; O gentle death, bow down and keep Eternal vigil o'er my sleep; For I am weary and would rest Forever on your loving breast." His voice, as plaintive as a dove's, went trailing through the rondel like weariness itself ; and when at last it died away in one long quaver of ecstatic melody, though I felt within my heart an echoing of grief "Too sweetly sad to name as pain," I broke the silence following to remind him of his having told me he was not a musician. "Only a novice," he responded. "One may twang a lute and yet not be a troubadour. By the 63 AN ADJUSTABLE LUNATIC way," he broke off abruptly, "is that expression original with me, or have I picked it up in some old book of rhyme? Oh, yes! How do you like poetry?" He sprang to his feet as he spoke, and without awaiting an answer to his query went diving about in a huge waste-basket standing near the table. "It's a thing I dislike to acknowledge," he went on, "but I don't mind telling you. The fact is, I'm a follower of Wegg and sometimes 'drop into poetry as a friend,' you understand ; and if you'll 'lend me your ears,' I'll give you a specimen of my versification." He had drawn up a roll of paper from the debris of the basket, and unrolling it with a flourish, and a mock-heroic air of inspiration, he read as follows : "A fantasy that came to me As wild and wantonly designed As ever any dream might be Unraveled from a madman's mind, A tangle-work of tissue, wrought By cunning of the spider-brain, And woven, in an hour of pain, To trap the giddy flies of thought ." He paused, and with a look of almost wild en treaty he pleaded: "You understand it, don't you?" 64 AN ADJUSTABLE LUNATIC I nodded hesitatingly. "Why certainly you do. The meaning's the plainest thing in it. What's your idea of its meaning? tell me! Why don't you tell me!" "Read it again that I may note it carefully." He repeated it. "Why," said I, "it appears to me to be the in troduction to a poem written under peculiar cir cumstances, and containing, perhaps, some strange ideas that the author would excuse for the reason of their coming in the way they did." "Right!" he exclaimed, joyously; "and now if you'll give me your most critical attention, and promise not to interrupt, I'll read the poem entire." "Go on," I said, for I was far more eager to listen than I would have him know. "And will you excuse any little wildness of gesture or expression that I may see fit to introduce in the rendition?" "Certainly," said I, "certainly; go on!" "And you won't interrupt or get excited ? Light another cigar; and here's a chair to throw your feet across. Now, unbutton your coat and lean back. Are you thoroughly comfortable ?" "Thoroughly," said I, impatiently "a thou sand thoroughlies." "All right," he said; "I'm glad to hear you say it ; but before I proceed I desire to call your 65 AN ADJUSTABLE LUNATIC attention to the fact that this poem is a literary orphan a foundling, you understand?" "I understand; go on." And with a manner all too wild to be described, he read, or rather recited, the following monstrosity of rhyme: " I stood beneath a summer moon All swollen to uncanny girth, And hanging, like the sun at noon, Above the centre of the earth; But with a sad and sallow light, As it had sickened of the night And fallen in a pallid swoon. Around me I could hear the rush Of sullen winds, and feel the whirr Of unseen wings apast me brush Like phantoms round a sepulchre; And, like a carpeting of plush, A lawn unrolled beneath my feet, Bespangled o'er with flowers as sweet To look upon as those that nod Within the garden-fields of God, But odorless as those that blow In ashes in the shades below. " And on my hearing fell a storm Of gusty music, sadder yet Than every whimper of regret That sobbing utterance could form, And patched with scraps of sound that seemed Torn out of tunes that demons dreamed, 66 AN ADJUSTABLE LUNATIC And pitched to such a piercing key, It stabbed the ear with agony, And when at last it lulled and died, I stood aghast and terrified. I shuddered and I shut my eyes, And still could see, and feel aware Some mystic presence waited there; And staring, with a dazed surprise, I saw a creature so divine That never subtle thought of mine May reproduce to inner sight So fair a vision of delight. " A syllable of dew that drips From out a lily's laughing lips Could not be sweeter than the word I listened to, yet never heard. For, oh, the woman hiding there Within the shadows of her hair, Spake to me in an undertone So delicate, my soul alone But understood it as a moan Of some weak melody of wind A heavenward breeze had left behind. " A tracery of trees, grotesque Against the sky, behind her seen, Like shapeless shapes of arabesque Wrought in an Oriental screen; And tall, austere and statuesque She loomed before it e'en as though The spirit-hand of Angelo Had chiselled her to life complete, With chips of moonshine round her feet. 67 AN ADJUSTABLE LUNATIC And I grew jealous of the dusk, To see it softly touch her face, As lover-like, with fond embrace, It folded round her like a husk: But when the glitter of her hand, Like wasted glory, beckoned me, My eyes grew blurred and dull and dim- My vision failed I could not see I could not stir I could but stand, Till, quivering in every limb, I flung me prone, as though to swim The tide of grass whose waves of green Went rolling ocean-wide between My helpless shipwrecked heart and her Who claimed me for a worshipper. " And writhing thus in my despair, I heard a weird, unearthly sound, That seemed to lift me from the ground And hold me floating in the air. I looked, and lo! I saw her bow Above a harp within her hands; A crown of blossoms bound her brow, And on her harp were twisted strands Of silken starlight, rippling o'er With music never heard before By mortal ears; and, at the strain, I felt my Spirit snap its chain And break away, and I could see It as it turned and fled from me To greet its mistress, where she smiled To see the phantom dancing wild And wizard-like before the spell Her mystic fingers knew so well." 68 AN ADJUSTABLE LUNATIC I sat throughout it all as though under the strange influence of an Eastern drug. My fancy was so wrought upon I only saw the reader mistily, and clothed, as it were, in a bedragoned costume of the Orient. My mind seemed idle steeped in drowse and languor, and yet peopled with a thou sand shadowy fancies that came trooping from chaotic hiding-places, and mingling in a revelry of such riotous extravagance it seemed a holiday of elfish thought. I shook my head, I rubbed my eyes, arose be wildered, and sat down again; arose again and walked across the room, my strange companion following every motion with an intensity of gaze almost mesmeric. "You fail to comprehend it?" he queried. I shook my head. "You can almost grasp it, can't you?" "Yes," I answered. "But not quite?" "Not quite." "Does it worry you?" "Yes." "Think it will cling to you, and fret you, vex you, haunt you?" "I know it will." "Think you'll ever fully comprehed it?" "I can't say," I replied, thoughtfully. "Per- 69 AN ADJUSTABLE LUNATIC haps I may in time. Will you allow me to copy it?" "What do you want with it?" "I want to study it," I replied. "And you're sure you don't understand it, and it worries you, and frets you, and vexes you, and haunts you ? Good ! I'll read you the final clause now; that may throw a light of some kind on if," and, opening the scroll, again he read: " What is it? Who will rightly guess If it be ought but nothingness That dribbles from a wayward pen To spatter in the eyes of men? What matter! I will call it mine, And I will take the changeling home And bathe its face with morning-shine, And comb it with a golden comb Till every tangled tress of rhyme Will fairer be than summer-time: And I will nurse it on my knee, And dandle it beyond the clasp Of hands that grip and hands that grasp, Through life and all eternity!" "Now what do you think of it?" he asked with a savageness that startled me. "I am more at sea than ever," I replied. "Well, I wish you a prosperous voyage ! Here's the poem ; I've another copy. 'Read and reflect,' 70 AN ADJUSTABLE LUNATIC as the railroad poster says, but don't you publish it at least while I'm alive, for I've no thirst for literary fame I only write for home-use; but you're a good fellow, and I like you for all your weak points, and I trust the confidence I repose will not be disregarded. Come!" He had opened the door and was holding out his hand for the key. I gave it to him and followed out mechanically. He left the door ajar and followed to the bottom of the stairs. "And now if you'll pardon me," he said, "I'll say good-bye to you here ; I've some packing to do and ought to be at it." "Why, you're not going to leave the city?" I asked. "Well, no, not to-day; but the jig's up with me here, and it's only a question of time I can't hold out much longer as our rural friend re marks, 'Money matters is mighty sceerce' ; and if I don't pull out shortly I'll have to 'fold my tent like the Bedouin and silently plagiarize away!'" "If I could be of any assistance to you " I began, but he checked me abruptly with, "Oh, no, I don't require it, I assure you ; I've two dol lars to your one, doubtless. Thank you just the same, and good-bye. Here's my card; it's not 7 1 AN ADJUSTABLE LUNATIC my name, however, but it'll answer; I'll not see you again, though you should live to be as bald as a brickyard, for, my dear young friend, I'm going away. Good-bye, and may all good things over take you!" He gripped my hand like a vice, and turning quickly, went skipping up the stairway two steps at a time. "Good-bye ! " I called to him, sorrowfully ; then turned reluctantly away, examining the card he had given me, which, to my astonishment, was not his card at all, but a railroad ticket entitling the bearer to a ride from Danville, Illinois, to York, Pennsylvania; this fact I remember quite distinctly, as I read it over and over, revolving in my mind the impression that this was but another instance of his eccentricity, or perhaps a trick by which I might be victimized in some undreamed of way. But upon second thought I concluded it to be simply a mistake, and so turned back and called him to the window above and explained. He came down and begged my pardon for the trouble he had given me, took the ticket, thanked me, and said good-bye again. "But," said I, "you haven't given me your real card in exchange." "Oh, no matter!" he said smilingly. "Call me Smith, Jones, or Robinson, it's all the same; 72 AN ADJUSTABLE LUNATIC good-bye, and don't forget your old friend and well-wisher, the Adjustable Lunatic." And even thus he vanished from sight forever. The remainder of the day and half of the night I spent in studious contemplation of the curious composition, but without arriving at any tangible conclusion. I am still engaged with my investiga tion. Sometimes the meaning seems almost within my mental grasp ; but, balancing, adjusting, and comparing its many curious bearings I find my judg ment persistently at fault. It has puzzled and bewildered me for weeks. No line of it but can ters through my brain like a fractious nightmare ; no syllable but fastens on my fancy like a leech, and sucks away the life-blood of my every thought. I am troubled, worried, fretted, vexed, and haunted ; and I write this now in the earnest hope that wiser minds may have an opportunity of making it a subject of investigation, and because one week ago to-day my eyes fell upon the following spe cial telegram to the Indianapolis "Journal": PERU, IND., April 12. An unknown man committed suicide in the eastward-bound train on the Wabash road, just below Waverly, at about n o'clock this morning. He had in his possession, besides the revolver with which he shot himself, a ticket from Danville, Illinois, to York, Pennsylvania, a gold watch, $19 in money, a small valise, and some letters and other papers which indicated his name to be George S. Cloning. 73 AN ADJUSTABLE LUNATIC He was shot twice in the region of the heart, and his revolver showed that between the first and last shots two cartridges missed fire. 74 TOD TOD STODDARD ANDERSON was the boy's name, though had you made inquiry for Stoddard Ander son of any boy of the town in which he lived and I myself lived there, a handy boy in the dim old days you doubtless would have been informed that nobody of that name was there. Your juve nile informant, however, by way of gratuitous in telligence, might have gone on to state that two families of the name of Anderson resided there, "Old Do-good" Anderson, the preacher, and his brother John. But had you asked for "Tod" Anderson, or simply "Tod," your boy would have known Tod ; your boy, in all likelihood, would have had especial reasons for remembering Tod, although his modesty, perhaps, might not allow him to inform you how Tod had "waxed it to him more'n onc't" ! But he would have told you, as I tell you now, that Tod Anderson was the preach er's boy, and lived at the parsonage. Tod was a queer boy. Stoddard Anderson was named in honor of some obscure divine his father had joined church 77 TOD under when a boy. It was a peculiar weakness of the father to relate the experience of his early conviction ; and as he never tired of repeating it, by way of precept and admonition to the way ward lambkins of his flock, Tod mastered its most intricate and sacred phraseology, together even with the father's more religious formulas, to a degree of perfection that enabled him to preside at mock meetings in the hayloft, and offer the baptismal service at the "swimmin'-hole." In point of personal or moral resemblance, Tod was in no wise like his father. Some said he was the picture of his mother, they who could remember her, for she fell asleep when Tod was three days old, with her mother-arms locked around him so closely that he cried, and they had to take him away from her. No. Death had taken her away from him. It needs now no chronicle to tell how Tod thrived in spite of his great loss, and how he grew to be a big, fat, two-fisted baby with a double chin, the pride and constant worry of the dear old grand mother into whose care he had fallen. It requires no space in history's crowded page to tell how he could stand up by a chair when eight months old, and crow and laugh and doddle his little chubby arms till he quite upset his balance, and, pulling the chair down with him, would laugh and crow 7 8 TOD louder than ever, and kick, and crawl, and sprawl, and jabber; and never lift a whimper of distress but when being rocked to sleep. Let a babyhood of usual interest be inferred then add a few more years, and you will have the Tod of ten I knew. O moral, saintlike, and consistent Christian, what is it in the souls of little children so antagon istic to your own sometimes? What is it in their wayward and impulsive natures that you cannot brook? And what strange tincture of rebellious feeling is it that embitters all the tenderness and love you pour out so lavishly upon their stubborn and resentful hearts ? Why is it you so covetously cherish the command divine, "Children, obey your parents," and yet find no warm nook within the breast for that old houseless truth that goes wail ing through the world : "A boy's will is the wind's will, And the thoughts of youth are long, long thoughts"? Tod went to school the thriftless Tod ! not wholly thriftless, either; for, although he had not that apt way of skimming like a swallow down the placid rills of learning, he did possess, in some mysterious strength, a most extraordinary knack of acquiring just such information as was not taught at school, and had no place within the busy hive of knowledge. 79 TOD Tod was a failure in arithmetic. Tod couldn't tell twice ten from twice eternity. Tod knew ab solutely nothing of either Christopher Columbus or the glorious country he discovered expressly for the use of industry and learning, as the teacher would have had him implicitly believe. Tod couldn't tell you anything of John Smith, even, that very noted captain who walks cheek by jowl with the dusky Pocahontas across the illimitable fancy of the ten-year-old school-boy of our glori ous republic. Tod knew all about the famous Captain Kidd, however. In fact, Tod could sing his history with more lively interest and real ap preciation than his fellow-schoolmates sang geog raphy. The simple Tod once joined the geo graphical chorus with : " I'd a Bible in my hand v As I sailed, as I sailed, And I sunk her in the sand, As I sailed." And Tod not Captain Kidd had a ringing in his ears as he sang, as he sang, and an overflow of tears as he sang. And then he ran away from school that afternoon, and sang Captain Kidd, from A to izzard, in the full hearing of the "In dustrial Hive," to the very evident amusement of "the workers," and the discomfiture of the ruler of "the swarm." 80 TOD The teacher called on the good minister that evening, and after a long talk on the back porch, left late in the dusk, wiping his eyes with one hand, and shaking the other very warmly with the preacher. And Tod slipped noiselessly along the roof above them, and slid down the other side, and watched the teacher's departure with a puz zled face. Tod was at school next morning long before the call of "Books" ; in fact, so early, that he availed himself of his isolated situation to chalk the handle of the teacher's pointer, to bore a gimlet-hole in the water-bucket, to slip a chip under one corner of the clock in order to tilt it out of balance and time, and in many more ingenious ways to con tribute to the coming troubles of the day. The most audacious act, however, was to climb above the teacher's desk and paste a paper scrap over a letter "o" in the old motto, "Be good," that had offered him its vain advice for years. As one by one these depredations met the teacher's notice through the day, the culprit braced himself for some disastrous issue, but his only punishment was the assured glance the teacher always gave him, and the settled yet forbearing look of pain upon his face. In sheer daring Tod laughed aloud a hollow, hungry laugh that had no mirth in it but as suddenly subsided in a close investi- 81 TOD gation of a problem in mental arithmetic, when the teacher backed slowly toward his desk and stood covertly awaiting further developments. But he was left again to his own inclinations, after having, with a brazen air of innocence, solicited and gained the master's assistance in the solution of a very knotty problem, which it is needless to say he knew no more of than before. Throughout the remainder of the day Tod was thoughtful, and was evidently evolving in his mind a problem far more serious than could be found in books. Of his own accord, that evening at the close of school, he stayed in for some mysterious reason that even his own deskmate could not comprehend. When, an hour later, this latter worthy, from the old barn opposite, watched Tod and the teacher hand in hand come slowly down the walk, he whispered to himself with bated breath: "What's the durn fool up to, anyhow?" From that time Tod grew to be a deeper mys tery than he could fathom, inasmuch as some strange spirit of industry fell upon him, and he became a student. Though a perverse fate had seemingly decreed that Tod should remain a failure in all branches wherein most school-boys readily succeed, he rapidly advanced in reading ; and in the declama- 82 TOD tory art he soon acquired a fame that placed him high above the reach of competitors. Tod never cried when he got up to "speak." Tod never blanched, looked silly, and hung down his head. Tod never mumbled in an undertone, was never at a loss to use his hands, nor ever had "his piece" so poorly memorized that he must hesitate with awkward repetitions, to sit down at last in wordless misery among the unfeeling and derisive plaudits of the school. Tod, in a word, knew no such word as fail when his turn was called to entertain his hearers either with the gal lant story of the youthful "Casabianca," "The Speech of Logan," or "Catiline's Defiance." Let a scholar be in training for the old-time exer cises of Friday afternoon, and he was told to speak out clear and full not hang his head not let his arms hang down like empty sleeves, but to stand up like a king, look everybody in the face, as though he were doing something to be proud of in short, to take Tod for his model, and "speak out like a man" ! When Tod failed to make his appearance with his usual promptness one Friday afternoon, and the last day of the term, there was evidence of general disappointment. Tod was to deliver an oration written especially for that occasion by the teacher. The visitors were all there the school 83 TOD committee, and the minister, Tod's father, who occupied Tod's desk alone when "Books" was called. The teacher, with his pallid, care-worn face, tiptoed up and down the aisles, bending oc casionally to ask a whispered question, and to let the look of anxious wonder deepen on his face as the respectful pupils shook their heads in silent re sponse. But upon a whispered colloquy with the minister, his face brightened, as he learned that "Tod was practising his oration in the wood-house half an hour before the ringing of the bell." A boy was sent to bring him, but returned alone, to say that he had not been able to find any trace of him. "Oh, he'll be here in time enough," said the teacher apologetically to the sad-faced minister. "He's deeply interested in his effort for this after noon, and I'm certain he wouldn't purposely dis appoint me." The good man in reply shook his head resignedly, with a prayerful flight of the eyes indicative of long-suffering and forbearance. The opening services of singing and prayer. No Tod. First class in arithmetic called examined. No Tod. Second class, ditto ; still no Tod. Primary class in ditto, composed of little twin sisters, aged six, with very red hair and very fair skin, and very 84 TOD short dresses and very slim legs. Tod failed to join his class. The long-suffering minister was ill at ease. The exercise failed in some way to appease the hunger of the soul within. He looked out of the open window nervously, and watched a saucy little sap- sucker hopping up and down a tree; first up one side and then down the other, suddenly disappear ing near the roots, and as suddenly surprising him with a mischievous pecking near the top fork. He thought of his poor, wayward boy, with a vague, vague hope that he might yet, in some wise ruling of a gracious Providence, escape the gallows, and with a deep sigh turned to the noisy quiet of the school-room ; he did not even smile as he took up Tod's geography, opened at the boy's latest work, a picture of the State seal, where a stalwart pioneer in his shirt-sleeves hacked away at a gnarled and stubborn-looking tree, without deign ing to notice a stampeding herd of buffalo that dashed by in most alarming proximity. The non chalance of the sturdy yeoman was intensified by Tod's graphic pen, which had mounted each plunging monster with a daring rider, holding a slack bridle-rein in one hand, and with the other swinging a plug-hat in the most exultant and defi ant manner. This piece of grotesque art and others equally suggestive of the outcropping genius 85 TOD of their author, were put wearily aside, only serv ing, as it seemed, to deepen rather than dissolve the gloom enshrouding the good father's face. And so the exercises wore along till recess came, and with it came the missing Tod. "I'm in time, am I? Goody!" shouted Tod, jumping over a small boy who had stooped to pick up a slate-pencil, and stopping abruptly in front of the teacher's desk. "Why, Tod; what in the world!" Tod's features wore a proud, exultant smile, though somewhat glamoured with a network of spiteful-looking scratches ; and his eyes were more than usually bright, although their lids were blue, and swollen to a size that half concealed them. His head, held jauntily erect, suggested nothing but boyish spirit; but his hair, tousled beyond all reason, with little wisps of it glued together with clots of blood ; his best clothes soiled and torn ; a bruised and naked knee showing through a straight rent across one leg of his trousers, conveyed the idea of a recent passage through some gantlet of disastrous fortune. It was nothing, Tod said, only on his way to school he had come upon a blind man who played the riddle and sold lead-pencils, and the boy who had been leading him had stolen something from him; and Tod had voluntarily started in pursuit 86 TOD of the fugitive, only to overtake him after a pro longed chase of more than a mile. "And now I've got you out o' town," said the offender, wheeling suddenly upon him, "I'll jist meller your head fer you!" After a long pause, in which Tod's face was hidden from the curious group about him, as the teacher bent above him at the back steps pouring water on his head, he continued: "Didn't think the little cuss was so stout! Oh! I'm scratched up, but you ought to see him! And you ought to hear him holler ''Nuff!' and you ought to see him hand over three boxes of pens and them penholders and pencils he stol'd, and a whole bunch o' envelopes ; there's blood on some of 'em, and the blind man said I could keep 'em, and he give me a lead- pencil, too, with red in one end and blue in the other. Father, you sharpen it." Tod never spoke better in his life than on that memorable afternoon so well indeed did he ac quit himself that the good old father failed to censure him that evening for the sin of fighting, and perhaps never would have done so had not the poor blind man so far forgotten the dignity of his great affliction as to get as drunk as he was blind two evenings following, and play the fiddle in front of the meeting-house during divine serv ice. TOD It was in the vacation following these latter- mentioned incidents that an occurrence of far more seriousness took place. Tod had never seen a circus, for until this event ful epoch in our simple history the humble little village had never been honored with the presence of this "most highly moral and instructive exhibi tion of the age." When the grand cavalcade, with its blaring music and its richly caparisoned horses, with their nodding plumes and spangles, four abreast, drawing the identical "fiery chariot" Tod had heard his father talk about ; when all the highly painted wagons with their mysterious con tents, and the cunning fairy ponies with their lit tle, fluffy manes and flossy tails when all this burst upon Tod's enraptured eyes, he fell mutely into place behind the band-wagon, with its myriad followers ; and so, dazed, awe-stricken and en tranced, accompanied the pageant on its grand triumphal march around the town. Tod carried water for the animals; Tod ran errands of all kinds for the showmen ; Tod looked upon the gruff, ill-tempered canvas-hand with an awe approaching reverence. Tod was going to the show, too, for he had been most fortunate in exchanging his poor services of the morning for the "open sesame" of all the dreamed-of wonders of the arena. Tod would laugh and whisper to 88 TOD himself, hugging the ticket closely to his palpitat ing side, as he ran about on errands of a hundred kinds, occupying every golden interlude of time in drawing the magic passport from his pocket and gloating over the cabalistic legend "Complimen tary," with the accompanying autograph of the fat old manager with the broad, bejewelled ex panse of shirt-front, and a watch-seal as big as a walnut ; while on the reverse side he would glut his vision with an "exterior view of the monster pa vilion," where a "girl poised high in air on a cord, in spangled dress," was kissing her hand to a mighty concourse of people, who waved their hats and handkerchiefs in wildest token of ap proval and acclaim. Nor was this the sole cause of Tod's delight, for the fat man with the big watch- seal had seemed to take a special fancy to him, and had told him he might bring a friend along, that his ticket would pass two. As the gleeful Tod was scampering off to ask the teacher if he wouldn't go, he met his anxious father in a deep state of distress, and was led home to listen in agony and tears to a dismal dissertation on the wickedness of shows, and the unending punish ment awaiting the poor, giddy moths that fluttered round them. Tod was missed next morning. He had retired very early the evening previous. "He acted strange-like," said the good grandmother, TOD recalling vaguely that he hadn't eaten any supper, "and I thought I heard him crying in the night. What was the matter with him, Isaac?" Two weeks later Tod was discovered by his distracted father and an officer, cowering behind a roll of canvas, whereon a fat man sat declaring with a breezy nonchalance that no boy of Tod's description was "along o'this-'ere party." And the defiant Tod, when brought to light, emphatic ally asserted that the fat man was in no wise blamable ; that he had run away on his own hook, and would do it again if he wanted to. But he broke there with a heavy sob ; and the fat man said: "There! there! Cootsey, go along with the old 'un, and here's a dollar for you." And Tod cried aloud. The good minister had brought a letter for him, too, and as the boy read it through his tears he turned homeward almost eagerly. " DEAR TOD," it ran: "I have been quite sick since you left me. You must come back, for I miss you, and I can never get well again without you. I've got a new kink on a pair of stilts I've made you, but I can't tell how long to make them till you come back. Fanny comes over every day, and talks about you so much I half be lieve sometimes she likes you better than she does her old sick uncle; but I can stand that, because you deserve it, and I'm too old for little girls to like very much. It'll 90 TOD soon be the Fourth, you know, and we must be getting ready for a big time. Come home at once, for I am waiting. "To Stoddard Anderson, from his old friend and teacher." Tod went home. He hastened to the teacher's darkened room. The dear old face had gown pale so very pale! The kindly hand reached out to grasp the boy's was thin and wasted, and the gentle voice that he had learned to love was faint and low so very low, it sounded like a prayer. The good minister turned silently and left the two old friends together; and there were tear-drops in his eyes. And so the little, staggering life went on alone. Some old woman gossip, peering through the eye of a needle on the institution known as the "Ladies' Benevolent Sewing Society," said that "it 'peared to her like that boy of the preacher's jest kep' a-pinin' and a-pinin' away like, ever sence they fetched him back from his runaway scrape. She'd seen him time and time again sence then, and although the little snipe was inno cent-like to all appearances, she'd be bound that he was in devilment enough ! Reckoned he was too proud to march in the school p'cession at the teacher's funer'l; and he didn't go to the meetin'- house at all, but putt off to the graveyard by his- 9 1 TOD se'f; and when they got there with the corpse, Tod was a-settin' with his legs a-hangin' in the grave, and a-pitchin' clods in, and a-smilin'. And only jest the other evening," she continued, "as I was comin' past there kindo' in the dusk-like, that boy was a-settin' a-straddle o' the grave, and jest a-cryin' ! And I thought it kindo' strange-like, and stopped and hollered : 'What's the matter of ye, Tod?' and he ups and hollers back: 'Stumpt my toe, durn ye!' and thinks I, 'My youngster, they'll be a day o' reckonin' fer you!' " The old world worried on, till July came at last, and with it that most glorious day that wrapped the baby nation in its swaddling-clothes of stripes and stars and laid it in the lap of Liberty. And what a day that was ! and how the birds did sing that morning from the green tops of the trees when the glad sunlight came glancing through the jewelled leaves and woke them ! And not more joyous were the birds, or more riotous their little throbbing hearts to "pipe the trail and cheep and twitter twenty million loves," than the merry children that came fluttering to the grove to join their revelry. O brighter than a dream toward the boy that swung his hat from the tree-top near the brook swept the procession of children from the town. And he flushed with some strange ecstasy as he 92 TOD saw a little girl in white, with a wreath of ever green, wave her crimson sash in answer to him, while the column slowly filed across the open bridge, where yet again he saw her reappear in the reflection in the stream below. Then, after the dull opening of prayer, and the more tedious exercises following, how the woods did ring with laughter; how the boys vied with one another in their labors of arranging swings and clearing un derbrush away preparatory to a day of unconfined enjoyment; and how the girls shrieked to "see the black man coming," and how coquettishly they struggled when captured and carried off by that dread being, and yet what eagerness they displayed in his behalf! And "Ring" men and women even joining in the game, and kissing one anoth er's wives and husbands like mad. Why, even the ugly old gentleman, with a carbuncle on the back of his neck, grew riotous with mirth, and when tripped full length upon the sward by the little widow in half-mourning, bustled nimbly to his feet and kissed her, with some wicked pun about "grass" widows, that made him laugh till his face grew as red as his carbuncle. That bashful young man who had straggled off alone, sitting so un comfortably upon a log, killing bugs and spiders, like an ugly giant with a monster club how he 93 TOD must have envied the airy freedom of those "old boys and girls" ! Then there was a group of older men talking so long and earnestly about the weather and the crops that they had not discovered that the shade of the old beech they sat beneath had stolen silently away and left them sitting in the sun, and was even then performing its refreshing office for a big, sore-eyed dog, who, with panting jaws and lolling tongue, was winking away the lives of a swarm of gnats with the most stoical indifference. And so time wore along till dinner came, and women, with big open baskets, bent above the snowy cloths spread out upon the grass, arranging "the substantiate" and the dainties of a feast too varied and too toothsome for anything but epicu rean memories to describe. And then the abandon of the voracious guests ! No dainty affectations no formality no etiquette no anything but the full sway of healthful appetites incited by the ex- hilarant exercises of the day into keenest rapacity and relish. "Don't you think it'sgoin' to rain?" asked some one, suddenly. A little rosy-gilled gentleman, with the aid of a chicken-leg for a lever, raised his fat face skyward, and after a serious contem plation of the clouds wouldn't say for certain whether it would rain or not, but informed the un- 94 TOD fortunate querist, after pulling his head into its usual position and laying down the lever to make room for a bite of bread, that "if it didn't rain there 'd be a long dry spell" ; and then he snorted a mimic snow-storm of bread-crumbs on his vis a-vis, who looked wronged, and said he "guessed he'd take another piece of that-air pie down there." It was looking very much like rain by the time the dinner things were cleared away. Anxious mothers, with preserve-stains on their dresses, were running here and there with such exclama tions to the men-folks as "Do hurry up!" and "For goodness sake, John, take the baby till I find my parasol," and "There, Thomas, don't lug that basket off till I find my pickle-dish!" Already the girls had left the swings, which were being taken down, and were tying handker chiefs over their hats and standing in despairing contemplation of the ruin of their dresses. Some one called from the stand for the ladies not to be at all alarmed, it wasn't going to rain, and there wasn't a particle of danger of ; but there a clap of thunder interrupted, and went on growling menacingly, while a little girl, with her hair blown wildly over her bare shoulders, and with a face, which a moment before glowed like her crimson scarf, now whiter than her snowy dress, ran past the stand and fell fainting to the ground. "Is 95 TOD there a doctor on the grounds?" called a loud voice in the distance, and, without waiting for a response "For God's sake, come here quick; a boy has fallen from the swing, and maybe killed himself!" And then the crowd gathered round him there, men with white faces, and frightened women and little, shivering children. "Whose boy is it?" "Hush; here comes his father." And the good minister, with stark features and clinched hands, passed through the surging throng that closed be hind him even as the waves on Pharaoh. Did I say all were excited ? Not all ; for there was one calm face, though very pale paler yet for being pillowed on the green grass and the ferns. "You mustn't move me," the boy said when he could speak; "tell 'em to come here." He smiled and tried to lift and fold his arms about his father's neck. "Poor father! poor father!" as though speaking to himself, "I always loved you, father, only you'd never believe it never believe it. Now you will. I'll see mother, now mother. Don't cry I'm hurt, and I don't cry. And I'll see the teacher, too. He said I would. He said we would always be together there. Where's Fanny? Tell her tell her " But that strange 96 TOD unending silence fell upon his lips., and as the dying eyes looked up and out beyond the sighing tree-tops, he smiled to catch a gleam of sunshine through the foolish cloud that tried so hard to weep. 97 FAME FAME ill Once, in a dream, I saw a man, With haggard face and tangled hair, And eyes that nursed as wild a care As gaunt Starvation ever can; And in his hand he held a wand Whose magic touch gave life and thought Unto a form his fancy wrought, 'And robed with coloring so grand, It seemed the reflex of some child Of Heaven, fair and undefiled A face of purity and love To woo him into worlds above. And as I gazed, with dazzled eyes, A gleaming smile lit up his lips As his bright soul from its eclipse Went flashing into Paradise. Then tardy Fame came through the door And found a picture nothing more. ii And once I saw a man, alone, In abject poverty, with hand Uplifted o'er a block of "stone That took a shape at his command 101 FAME And smiled upon him fair and good A perfect work of womanhood, Save that the eyes might never weep, Nor weary hands be crossed in sleep, Nor hair, that fell from crown to wrist, Be brushed away, caressed and kissed. And as in awe I gazed on her, I saw the sculptor's chisel fall I saw him sink, without a moan, Sink lifeless at the feet of stone, And lie there like a worshipper. Fame crossed the threshold of the hall, And found a statue that was all. And once I saw a man who drew A gloom about him like a cloak, And wandered aimlessly. The few Who spoke of him at all, but spoke Disparagingly of a mind The Fates had faultily designed: Too indolent for modern times Too fanciful, and full of whims For talking to himself in rhymes, And scrawling never-heard -of hymns, The idle life to which he clung Was worthless as the songs he sung! I saw him, in my vision, filled With rapture o'er a spray of bloom The wind threw in his lonely room; And of the sweet perfume it spilled He drank to drunkenness, and flung IO2 FAME His long hair back, and laughed and sung And clapped his hands as children do At fairy tales they listen to, While from his flying quill there dripped Such music on his manuscript That he who listens to the words May close his eyes and dream the birds Are twittering on every hand A language he can understand. He journeyed on through life, unknown, Without one friend to call his own, He tired. No kindly hand to press The cooling touch of tenderness Upon his burning brow, nor lift To his parched lips God's freest gift No sympathetic sob or sigh Of trembling lips no sorrowing eye Looked out through tears to see him die. And Fame her greenest laurels brought To crown a head that heeded not. And this is fame! A thing, indeed, That only comes when least the need: The wisest minds of every age The book of life from page to page Have searched in vain; each lesson conned Will promise it the page beyond Until the last, when dusk of night Falls over it, and reason's light Is smothered by that unknown friend Who signs his nom de plume. The End. 103 A REMARKABLE MAN A REMARKABLE MAN IN the early winter 1875, returning from a rather lengthy sojourn in the Buckeye State, where a Hoosier is scrutinized as critically as a splinter in the thumb of a near-sighted man, I mentally re solved that just as soon as the lazy engine dragging me toward home had poked its smutty nose into the selvedge of my native State, I would disem bark, lift my voice, and shout for joy for being safely delivered out of a land of perpetual stran gers. This opportunity was afforded me at Union City a fussy old-hen-of-a-town, forever clucking over its little brood of railroads, as though worried to see them running over the line, and bristling with the importance of its charge. The place is not an attractive one, stepping from the train in the early dusk of a December evening; in fact, the immediate view of the town is almost entirely concealed by a big square-faced hotel, standing, as it were, on the very platform, as though its "runners" were behind time, and it had come down to solicit its own custom. A walk of 107 A REMARKABLE MAN sixty steps, however, gave me a sweeping view of the main business street of the city; and here it was, by one of those rare freaks of circumstance, that I suddenly found myself standing face to face with an old friend. "Smith!" said I. "Correct!" said he, and all lacking to complete the tableau was the red light. And now, as my story has more to do with a more remarkable man than either Smith or myself, I shall hasten to that notable only introducing humbler personages as necessity demands. That night was a bragging, blustering, bullying sort of a night. The wind was mad stark, star ing mad; running over and around the town, howling and whooping like a maniac. It whirled and whizzed, and wheeled about and whizzed again. It pelted the pedestrian's face with dust that stung like sleet. It wrenched at the signs, and rattled the doors and windows till the lights inside shivered as with affright. The unfurled awnings fluttered and flapped over the deserted streets like monstrous bats or birds of prey; and, gritting their iron teeth, the shutters lunged and snapped at their fastenings convulsively. Such a night as we like to hide away from, and with a good cigar, a good friend, and a good fire, talk of soothing things and dream. My friend and I were not so isolated, however, upon this occasion; for 1 08 A REMARKABLE MAN the suddenness of the storm had driven us, for shelter, into "Bowers's Emporium"; and, seated in the rear of the spacious and brightly illuminated store, we might almost "dream we dwelt in mar ble halls," were it not for the rather profuse dis play of merchandise and a voluminous complement of show-cards, reading "Bargains in Overcoats," "Best and Cheapest Underwear," "Buy Bowers's Boots!" etc. The clerks were all idle, and employing their leisure in listening to a "fine-art" conversation, casually introduced by my friend remarking the extraordinary development of the bust and limbs of a danseuse on a paper collar-box ; and after de ploring the prostitution to which real talent was subjected, and satirizing the general degeneracy of modern art, he had drifted back to the rare old days of Hans Holbein, Albert Diirer, and that guild. And while dwelling enthusiastically upon the genius of Angelo, I became aware that among the listeners was a remarkable man. It was not his figure that impressed me, for that was of the ordinary mould, and rather shabbily attired in a tattered and ill-fitting coat of blue, sadly faded and buttonless ; a short-waisted vest of no particu lar pattern, fastened together by means of a loos ened loop of binding pulled through a button-hole, and held to its place by a stumpy lead-pencil with 109 A REMARKABLE MAN a preponderance of rubber at the end ; the panta loons very baggy and fraying at the bottoms, as though in excessive sympathy with a pair of coarse, ungainly army shoes that wore the appear ance of having been through "Sherman's march to the sea." Not remarkable, I say, in these particulars, for since "tramping" has arrived at the dignity of a profession, such characteristics are by no means uncommon ; but when taken in conjunction with a head and face that would have served as model for either Abraham, Isaac, or Jacob, in patriarchal cast of feature and flow of beard, it is no wonder that my fancy saw in the figure before me a re markable man. He stood uncovered, and in an eager listening attitude, as though drinking every syllable to the very dregs. His eyes were large and lustrous, and with that dreamy, far-off look peculiar to that quality of mind that sees what is described, even though buried inPompeiian ruins, or under the pyramids of Egypt. He met my rather scrutinizing gaze with a friendly and forgiving expression adding an in tuitive affinity by a nestling of the palms one within the other and a genial friction indicative of warm impulse and openness, yet withal suggesting a due subservience to my own free will to accept no A RKMARKABLE MAN the same as token of genuine esteem and admira tion. I thought I read his character aright in fancying, "Here is a man of more than ordinary culture and refinement," and I determined, if it were possi ble, to know him better. When I took an early opportunity to refer to him for information he re sponded eagerly, and in so profuse and elegant a style of diction that I was surprised. He referred to Angelo as "that master whose iron pencil painted language on lips of stone, and whose crudest works in clay might well outlive the marble monuments of modern art." He glanced from one topic to another with a grace and ease that not only betokened a true mastery of the language, but an inexhaustible fund of informa tion; nor was it long ere my "stock in hand" had dwindled down to the insignificant "yes-and-of- course" verbosity that is not worth the giving away. He dwelt with particular fondness upon literature ; frequently referring to me as to works I most admired, and pointing out the beauties and excellence of old authors Shakespeare, Milton, Pope, Dryden, and a host of others long dead and gone, but whose works live on eternally. All these, as they were successively reviewed, he quoted in a manner that evinced a thorough knowl edge of their worth. in A REMARKABLE MAN At last, after no little artifice and strategy, I drew him to his own history, which, as he pro ceeded with, grew fantastically interesting. His father, passing rich, had educated him for the ministry; but the profession didn't suit him or, rather, he didn't suit the profession; for, to be frank, he was rather inclined in his younger days to be a "graceless dog" ; and so, when it became evident that he must shift for himself, more at the instigation of literary friends than from any ambi tion or choice, he had entered the journalistic field, beginning at the bottom of the ladder the bot tom and gradually rising from the compositor's case to the very rung of editorial success when there came a crash, a flaw in the grain, my boy, a flaw in the grain and that flaw Well, no matter! The noblest minds had toppled from the height, and crumbled to the merest debris of pauper intellect. The grandest tomb the finger of the nation could point out was glutted with such food. Did he not remember poor Prentice, and, in memory, recall him now as vividly as though but yesterday, entering the sanctum of the Louisville "Journal," with the old-time greeting: "Ah, Charles; ready for work, I see. Well, here am I punctual as Death." And then, after a good stiff brandy, which he could hardly raise to his lips with both trembling hands, poor George! 112 A REMARKABLE MAN how he would dictate, so rapidly that he (Charles) could scarcely put it down, although a clever hand at writing in those days. Served as amanuensis for five years, and transcribed with his own hand, "'Tis Midnight's Holy Hour," at ten o'clock in the morning, and had the poem entire ready for the compositor at half-past. At such times it was nothing uncommon for George to say, "Well done, thou Good and Faithful ! the big end of the day is left you to transcribe as your pleasure may dictate. Only bear in mind, I shall expect a little gem from your individual pen for to-morrow's issue!" "And do you write?" I broke in abruptly. "I used to write," he answered, as though loath to make the acknowledgment "that is, I some times rode Pegasus as a groom might ride his master's horse but my flights were never high never high!" "For what reason, may I inquire? Surely you had no lack of inspiration with such men as Pren tice about you?" "Ay, there's the rub!" he sighed, with a nega tive shake. "The association of great men does not always tend to develop genius ; the more espe cially when one's subservient position revolution izes him into a mere machine. Yet I found some time, of course, for verse-making; and, chiefly "3 A REMARKABLE MAN owing to the kindly encouragement of Mr. Pren tice, I 'gave to the world, ' as he was pleased to say, many little poems ; but those of them that survive to-day are vagrants, like myself, and drifting about at the mercy of the press." Here the old man sighed heavily and mechanically fumbled his pencil. I was growing deeply interested in the strange character before me, and although the faces of the group smiled at me significantly, I was not to be beguiled from my new acquaintance. "There is a question," said I, "I would like to ask you, since from actual experience you are doubtless well informed upon it: I have often heard it argued that the best productions of au thors poets in particular are written under the influence of what they are pleased to term 'inspi ration' ; can you enlighten me as [to the truth of that assertion?" "I can say in reply," said the old man, with his unwavering eyes fixed upon mine "I can say in reply that the best productions of authors poets in particular are written under the influence of what they are pleased to term 'inspiration.' I have seen it proved." "How proved?" I asked. "Listen. Take, for example, an instance I will cite: A man worn and enfeebled by age, whose 114 A REMARKABLE MAN eyes are dimmed to sightlessness almost; whose mind, once clear and vivid as the light of day, is now wavering and fickle as the wind : and yet at times this influence comes upon him like an ava lanche, and as irresistible ; a voice cries, 'Write ! write ! write ! ' nor does he know, when he has obeyed that summons, what his trembling hand has written. Further, that this is divine inspira tion, his fragmentary productions will oftentimes be in the exact manner and diction of writers long since passed away; and I am satisfied they are produced at the direct dictation of the departed. I know this !" "You astonish me," said I, in unfeigned won der; "you say you know this how do you know it?" "Because I am the man." Although the assertion, in my mind, was simply preposterous, there was a certain majesty in the utterance that held me half in awe. I looked upon him as one might look upon some curious being from an unknown world. He was moving now pacing grotesquely up and down a little space of half a dozen steps, and wheeling, at the limits of his walk, as nimbly as the harlequin in the panto mime, and repeating, as though to himself, "I am the man; I am the man." "Well, sir," said I, forcing myself into an air "5 A REMARKABLE MAN of indifference I did not feel "well, sir, not for a moment questioning your own belief as to this strange influence which may possess you at times, you will pardon me for expressing the vaguest scepticism, since I have never been so fortunate as to witness an actual demonstration." He was about to interrupt me, but I continued coolly, "By what circumstance is this influence introduced or how produced is it " He broke in on me with a keen little pang of a laugh that almost made me shudder. "You are my convert," he exclaimed excitedly. "Quick! Give me paper give me paper!" But before I could take my note-book from my pocket he had hurriedly snatched a scrap of wrapping-paper from the counter, and bending over it, was writing with great rapidity. His manner was decidedly singular. In the oc casional pauses he would make he would lean his forehead in the palm of his left hand, with the fingers dancing nervously upon the bald spot on the summit of his head, while with the hand that held the pencil he kept up a continued rotary movement in the air. Then he would suddenly pounce down upon the paper before him as though in a perfect frenzy of delight, and line after line would appear as if by magic, each succeeding one preluded by that sharp little yelp of a laugh : and 116 A REMARKABLE MAN ere three minutes had elapsed, he had covered both sides of the paper. He then threw down his pencil, as though reluctantly, pushed me the scrap and motioned me to read. I was at first completely mystified, for what I had confidently expected to be rhyme was prose ; but ere I had examined it far I was as highly grati fied as at first disappointed. The writing, al though so recklessly scrawled, was quite legible, and here and there gave evidence of more than ordinary grace and elegance ; the punctuation, so far as I was able to judge, seemed perfect in every part; and, in fact, the entire production bore the appearance of having been executed by a skillful hand. I copy it verbatim from the original scrap, which now lies before me : By this time they had come upon the figure of the old hag, seated by the roadside, and, in harsh, cracked voice, crooning a dismal ballad. " By God's rood," quoth the knight, in a burst of admiration, " did I not tell thee 'twas some fair princess, decoyed from her father's castle and thus transformed, through the despicable arts of some wicked enchanter; for thou hast but to perk an ear to have the sense of hearing bathed and overflowed with melody. Dost thou not also note rare grace and sweetest dignity voiced, as it were, from the very tatters that en- clothe her form?" " Indeed thou mayest," said the squire; "for I have heard it said 'rags may enfold the purest A REMARKABLE MAN gold.' Yet in this instance I am restrained to think it more like the hidalgo's dinner 'very little meat and a good deal of table-cloth.'" "Hold thy peace, bladder- head," exclaimed the knight, "lest I make thee gnaw thy words with loosened teeth. Listen what liquid syllables are spilled upon the atmosphere: " ' My father's halls, so rich and rare, Are desolate and bleak and bare; My father's heart and halls are one, Since I, their life and light, am gone. ' O, valiant knight, with hand of steel And heart of gold, hear my appeal: Release me from the spoiler's charms, And bear me to my father's arms.' The knight had by this time thrown himself from his steed, and with lance reversed and visor doffed he sank upon his knees in the slime and ooze of the dike, exclaim ing: "Be of good heart, fair princess! Thy succor is at hand, since the Fates have woven thee the pearl of pearls into the warp and woof of my great destiny. Nay, nay! No thanks! Thy father's beaming eye alone shall be my guerdon, for home thou shalt go, even though I must needs truckle thee thither on a barrow." "Good," said I, grasping the old man by the hand. "Hail, Cervantes!" "Cervantes? Cervantes?" he mused, as though bewildered; "why, what have I been writing? Is it not poetry?" "Yes," I replied enthusiastically, "both prose 118 A REMARKABLE MAN and poetry, and that of the rarest school. Read for yourself." I handed him the scrap, but he pushed it from him with a gesture of impatience. "I told you once I could not read it, nor do I know what I have written. Read it aloud." Although I hastened to comply, I did it with a decided air of incredulity as to the belief that he did not already know every word of it, and even closed with the gratuitous comment that I felt assured the quotation was perfect in every par ticular. "Quotation!" repeated the old man, commiser- atively; "quotation! Were you as well versed in such works, my son, as you led me at first to pre sume, you would know at once that not a single line of that occurs in 'Don Quixote,' although I do grant that I am the humble instrument through which the great Cervantes has just spoken." With this remark, delivered in a half-rebuking, half- compassionate tone, he stood milking his beard and blinking at the chandelier. I acknowledged my error, and asked pardon for the insinuation, which I begged he would believe was not intended to offend ; and that, upon second thought, I was satisfied that no such matter did exist in the printed history, which fact I have since proved by a thorough investigation. 119 A REMARKABLE MAN It required, however, considerable inventive tact and show of admiration to counteract the effect of my indiscreet remark ; and not was this effectually accomplished until I had incidentally discovered a marked resemblance of his brow to Shakespeare's, which, by actual measurement, I found to corre spond to a fraction with the measurement of the mask of that illustrious bard, as furnished by an exhaustive article I had seen a short time previous in one of our magazines. This happily brought about the result I so much longed for, as I was extremely desirous of a fur ther opportunity in which to study the character of this remarkable man. "Ah, Shakespeare!" said he, in a burst of genuine eloquence, "there was a mind the gods endowed with wisdom ages have yet to learn ; for bright and lustrous as it shines to-day the Morning Star of human intellect its glittering purity has yet a million million dawns, each brighter than the last. Its chastened rays are yet to blaze and radiate the darkened ways Hold ! My pencil ! Quick quick ! ' ' He snatched at the paper wildly, and bending over it, began writing with a vindictiveness of ef fort that was alarming. He slashed the /'s and stabbed the punctuation-points savagely. The writing continued, interspersed occasionally with a pause in which he would flourish his pencil like 120 A REMARKABLE MAN a dripping sword, only to be plunged again and again into the quivering breast of its victim. Fi nally he dashed it down, pushed the paper from him as one would spurn a vanquished enemy, and sank, limp and exhausted, into a chair. I snatched up the paper eagerly, and read : Falstaff. I call him dog, forsooth, because he snarls Snarls, d'ye hear? and laves his rabid fangs In slobber-froth that drips in slimy gouts Of venomous slander. Out upon the curl He sets his mangy foot upon the sod, And grass grows rank and withers at the touch, And tangles into wiry thatch for snakes To spawn beneath. The very air he breathes Becomes a poison gas, and generates Disease and pestilence. Would he were here, That I might whet my sword against his ribs, Although his rotten, putrid soul unhoused Would breed a stench worse than my barber's breath. The dog! The damnable Pistol. Hist! here he comes! God's body! master, has he overheard, 'Tis cock-crow with thy ghost! {Enter Poins.) How now, my Jack Prince ass of Jacks, methought I heard thee bray. 121 A REMARKABLE MAN Falstajf. Ay, well and marry! for this varlet here Deserves more brays than praise, the scurvy dog! Good lack! thou might'st have heard me call him dog A pebble's toss from this; but now that thou art come, My dagger-points of wrath do melt away Before thy genial smile as icicles Might ooze to nothingness at summer noon. That other flask, you dog! and have a care Thou handle it more gently than the first, Lest I, as thou didst it, thy noddle burst." Although expecting something after the Shake spearian school, I was not prepared for this, and in reading it aloud I actually found myself endeav oring to imitate the stage manner of Hackett, whom years ago I had seen in "King Henry IV" at the old Metropolitan, Indianapolis. "Ah!" said the old man, "you are more familiar with that, I see. Tell me, have you ever seen those lines in 'Shakespeare'?" There was such a look of conscious triumph in his face, so self-satisfied an expression, that I although half believing I was in some way being duped could but reply that I was most thoroughly convinced the lines did not occur in any of the works of that great master. "They do not," said the old man, briefly. 122 A REMARKABLE MAN "But how," said I, "is it possible for you to so perfectly imitate his style, not only in language, but theme, expression, force, character, grotesque- ness" "Stop, my son; stop!" he broke in. "Must I again remind you that it is not imitation : I take no credit to myself how dare I when in writing thus my individual mind is gone, simply chaotic? It is not imitation; it is Shakespeare." I could venture no further comment without fear of offending, and he already stood as though hesi tating to depart. "Stay, then," said I, "until I see a further ex ercise of this marvellous power you possess. Here, sit down, rest awhile ; you seem almost ex hausted." "I am nearly so," he replied, "but there is no rest for me until this influence is entirely subsided. No rest for me yet; no rest! no rest!" He was again pacing his old walk, now like a weary sentinel, and I thought as I gazed upon him, "What riddle of the human kind is this?" Over and over again came the question ; and over and over an old rhyme I had somewhere read, mockingly responded " Rain, rain, and sun! a rainbow in the sky! A young man will be wiser by and by; An old man's wit may wander ere he die." 123 A REMARKABLE MAN And lulled by the mild monotony of this, I was fast drifting into a dreamy train of thought, when the old man halted suddenly, and with one elbow leaning on the counter and his head resting on his hand, he began humming a tune a strangely sweet and tender air; low, and just a little harsh at first and indistinct, but welling softly into cadence wonderfully rich and pure ; then quaver ing again in minor swoons of melody so delicately beautiful I can but liken the effect produced to that ethereal mystery of sound unravelled from the zithern by a master hand, "A slender thread of song in saddest tune." I had leaned forward with my own head resting in my hand, that I might the better listen, and was not aware, until the song abruptly ended, that the old man had been writing as he sang. "There," said he, handing me the scrap, "you have heard the tune; here are the words, per haps." It may have been a very foolish thing, it may have been weak and womanish, yet as my eyes bent over it and read, the lines grew curiously blurred toward the last ; nor did I guess the cause until a tear a great ripe tear-drop fell upon my hand. And, reader, could I present the song to you just as it came to me, with all the strange sur- 124 A REMARKABLE MAN roundings the stranger experience of the hour; the solemn silence of the group ; the wailing of the wind outside as though the world, weary of itself, could only sigh, sigh, sigh! could I pre lude it with that low, sweet murmuring of melody that haunts me even now, your own eyes needs must moisten as you read : THE HARP OF THE MINSTREL. The harp of the minstrel has never a tone As sad as the song in his bosom to-night, For the magical touch of his fingers alone Cannot waken the echoes that breathe it aright; But oh! as the smile of the moon may impart A sorrow to one in an alien clime, Let the light of the melody fall on the heart, And cadence his grief into musical rhyme. The faces have faded, the eyes have grown dim That once were his passionate love and his pride; And alas! all the smiles that once blossomed for him Have fallen away as the flowers have died. The hands that entwined him the laureate's wreath And crowned him with fame in the long, long ago, Like the laurels are withered and folded beneath The grass and the stubble the frost and the snow. Then sigh, if thou wilt, as the whispering strings Strive ever in vain for the utterance clear, And think of the sorrowful spirit that sings, And jewel the song with the gem of a tear. "5 A REMARKABLE MAN For the harp of the minstrel has never a tone As sad as the song in his bosom to-night, And the magical touch of his fingers alone Cannot waken the echoes that breathe it aright. I had read the lines over to myself, and al though recognizing many touches decidedly like those of the famous author of Lalla Rookh, I was not wholly satisfied with the production ; and it struck me with peculiar force that an ethereal composition would surely not be so lavishly tinct ured with unutterable sorrow aside from being far inferior to a hundred earthly songs of Moore's. So, with this argument for my weapon, I deter mined to conquer the superstition that had almost overpowered me. I had noticed, too, in both former instances a singular fact: The old man, though so ready to fend off all comment that might reflect a single ray of praise upon himself, listened with more of the air of a critic than one whose interest was merely that of curiosity, and still when the fragmentary productions were read aloud, a look of more than ordinary satisfaction would lighten up his eyes. These facts, hastily reviewed, determined me upon a course of action I had instant opportunity to adopt. "Read it aloud," said the old man, impatiently; "read it aloud!" I complied with more than usual enthusiasm, 126 A REMARKABLE MAN reading verbatim from the copy, until I came to the repetition of the first four lines, which I thus transposed, or, rather, paraphrased. " The harp of the minstrel has never a note As sad as the song in his bosom expressed, And the magical touch of his fingers afloat Drifts over the echoes that sleep in the breast!' 1 This I was careful to deliver without emphasis or mark of any kind by which he might discover any imposition on my part. As I closed I stole a hasty glance at his face, and was gratified to find it wear ing a rather startled expression : not only did his features betray a puzzled and questioning air, but his hand was mechanically extended, as though reaching for the paper in my own. "Do you want to see it?" I asked suddenly, handing him the scrap. "Yes, I Oh, no no," he broke in, dropping his hand, and his face coloring vividly ; but turning again as quickly, he added: "Yes, give it to me. Where are the others? I must be going." "Why must you go?" I asked, still retaining the scrap; "I had hoped " ' 'I am going ! " he interrupted, brusquely, snatch ing up the scraps that lay upon the counter, and reaching for the one I still held. "Give me the poem. I will trouble you no longer." 127 A REMARKABLE MAN "Allow me to retain it, I beg of you," said I, with a significant smile, and the slightest tinge of sarcasm in my voice. "Let me keep it as a befit ting memento of the 'inspiration' I have seen so potently exercised." His face was pale with anger as he replied : "I will not. When you want rhyme write it yourself. You can at least write doggerel." "Very neat," said I, laughing. "We under stand each other, so let's be friends. Here is my hand and a dollar besides. Give me the other scraps I want them all." I took them from him as he clutched at the bill, which he smothered in his palm, and turned away without a word. "Here, Charley," called one of the bystanders, "half of that's enough for you to-night." The door slammed violently and he was gone. "Old Cain will have that dollar in just five minutes," continued the man. "And who's Old Cain?" I asked. "Keeps the doggery just over the line." "Old Charley" M is a well-known character in Union City his home, in fact, although he often disappears for long periods, but, as my informant remarked, "always turns up again like a bad penny." His story of his early life is at least based upon 128 A REMARKABLE MAN the truth, but now so highly colored it is a de cidedly difficult matter to detect that simple ele ment. Originally he was a printer, but early abandoned that vocation for another, and that in turn for an other, and so on, until by easy gradations he had become, as the old saw has it, "Jack of all trades and master of none." Among his many accomplishments he is a mu sician of considerable skill plays the flute, violin, and guitar all quite passably ; is a great reader, a fine conversationalist which accomplishment I personally vouch for. But chief of all his accom plishments is that of writing clever imitations of the old authors and poets. These productions he prepares with great care, commits them to mem ory, and is ready to dispose of them by as ingeni ous a method. And yet, although he be a vagabond ; although his friends such as they are are first to call him sot; although the selfish world that hurries past may jostle him unnoticed from the path ; and al though he styles himself a "graceless dog," in all candor, and in justice to my true belief, I call him a remarkable man. 129 A NEST-EGG A NEST-EGG BUT a few miles from the city here, and on the sloping banks of the stream noted more for its plenitude of "chubs" and "shiners" than the gamier two- and four-pound bass for which, in season, so many credulous anglers flock and lie in wait, stands a country residence, so convenient to the stream, and so inviting in its pleasant exterior and comfortable surroundings barn, dairy, and spring-house that the weary, sunburnt, and dis heartened fisherman, out from the dusty town for a day of recreation, is often wont to seek its hos pitality. The house in style of architecture is something of a departure from the typical farm house, being designed and fashioned with no re gard to symmetry or proportion, but rather, as is suggested, built to conform to the matter-of-fact and most sensible ideas of its owner, who, if it pleased him, would have small windows where large ones ought to be, and vice versa, whether they balanced properly to the eye or not. And chimneys he would have as many he wanted, and no two alike, in either height or size. And if he 133 A NEST-EGG wanted the front of the house turned from all pos sible view, as though abashed at any chance of public scrutiny, why, that was his affair and not the public's; and, with like perverseness, if he chose to thrust his kitchen under the public's very nose, what should the generally fagged-out, half- famished representative of that dignified public do but reel in his dead minnow, shoulder his fishing- rod, clamber over the back fence of the old farm house and inquire within, or jog back to the city, inwardly anathematizing that very particular local ity or the whole rural district in general. That is just the way that farm-house looked to the writer of this sketch one week ago so individual it seemed so liberal, and yet so independent. It wasn't even weather-boarded, but, instead, was covered smoothly with some cement, as though the plasterers had come while the folks were visit ing, and so, unable to get at the interior, had just plastered the outside. I am more than glad that I was hungry enough, and weary enough, and wise enough to take the house at its' first suggestion ; for, putting away my fishing-tackle for the morning, at least, I went up the sloping bank, crossed the dusty road, and con fidently clambered over the fence. Not even a growling dog to intimate that I was trespassing. All was open gracious-looking 134 A NEST-EGG pastoral. The sward beneath my feet was velvet- like in elasticity, and the scarce visible path I fol lowed through it led promptly to the open kitchen door. From within I heard a woman singing some old ballad in an undertone, while at the threshold a trim, white-spurred rooster stood poised on one foot, curving his glossy neck and cocking his wattled head as though to catch the meaning of the words. I paused. It was a scene I felt restrained from breaking in upon, nor would I, but for the sound of a strong male voice coming around the corner of the house : "Sir. Howdy!" Turning, I saw a rough-looking but kindly featured man of sixty-five, the evident owner of the place.' I returned his salutation with some confusion and much deference. "I must really beg your pardon for this intrusion," I began, "but I have been tiring myself out fishing, and your home here looked so pleasant and I felt so thirsty and" "Want a drink, I reckon," said the old man, turning abruptly toward the kitchen door, then pausing as suddenly, with a backward motion of his thumb "jest foller the path here down to the little brick that's the spring and you'll find 'at you've come to the right place fer drinkin'- '35 A NEST-EGG worter ! Hold on a minute tel I git you a tumbler there're nothin' down there but a tin." "Then don't trouble yourself any further," I said, heartily, "for I'd rather drink from a tin cup than a goblet of pure gold." "And so'd I," said the old man, reflectively, turning mechanically, and following me down the path. " 'Druther drink out of a tin er jest a fruit- can with the top knocked off er er er a gourd," he added in a zestful, reminiscent tone of voice, that so heightened my impatient thirst that I reached the spring-house fairly in a run. "Well-sir!" exclaimed my host, in evident de light, as I stood dipping my nose in the second cupful of the cool, revivifying liquid, and peering in a congratulatory kind of way at the blurred and rubicund reflection of my features in the bottom of the cup, "well-sir, blame-don! ef it don't do a feller good to see you enjoyin' of it thataway! But don't you drink too much o' the worter! 'cause there're some sweet milk over there in one o' them crocks, maybe; and ef you'll jest, kindo' keerful-like, lift off the led of that third one, say, over there to yer left, and dip you out a tinful er two o' that, w'y, it'll do you good to drink it, and it'll do me good to see you at it But hold up ! hold up!" he called, abruptly, as, nowise loath, I bent above the vessel designated. "Hold yer 136 A NEST-EGG bosses fer a second! Here's Marthy ; let her git it fer ye." If I was at first surprised and confused, meet ing the master of the house, I was wholly startled and chagrined in my present position before its mistress. But as I arose, and stammered, in my confusion, some incoherent apology, I was again reassured and put at greater ease by the compre hensive and forgiving smile the woman gave me, as I yielded her my place, and, with lifted hat, awaited her further kindness. "I came just in time, sir," she said, half laugh ingly, as with strong, bare arms she reached across the gurgling trough and replaced the lid that I had partially removed. "I came just in time, I see, to prevent father from having you dip into the 'morning' s-milk,' which, of course, has scarcely a veil of cream over the face of it as yet. But men, as you are doubtless willing to admit," she went on jocularly, "don't know about these things. You must pardon father, as much for his well- meaning ignorance of such matters, as for this cup of cream, which I am sure you will better relish." She arose, still smiling, with her eyes turned frankly on my own. And I must be excused when I confess that as I bowed my thanks, taking the proffered cup and lifting it to my lips, I stared 137 A NES.T-EGG with an uncommon interest and pleasure at the donor's face. She was a woman of certainly not less than forty years of age. But the figure, and the rounded grace and fulness of it, together with the features and the eyes, completed as fine a specimen of physical and mental health as ever it has been my fortune to meet; there was something so full of purpose and resolve something so wholesome, too, about the character something so womanly I might almost say manly, and would, but for the petty prejudice maybe occasioned by the trivial fact of a locket having dropped from her bosom as she knelt; and that trinket still dangles in my memory even as it then dangled and dropped back to its concealment in her breast as she arose. But her face, by no means handsome in the com mon meaning, was marked with a breadth and strength of outline and expression that approached the heroic a face that once seen is forever fixed in memory a personage once met one must know more of. And so it was, that an hour later, as I strolled with the old man about his farm, looking, to all intents, with the profoundest interest at his Devonshires, Shorthorns, Jerseys, and the like, I lured from him something of an outline of his daughter's history. "There're no better girl 'n Marthy!" he said, 138 A NEST-EGG mechanically answering some ingenious allusion to her worth. "And yit," he went on reflectively, stooping from his seat in the barn door and with his open jack-knife picking up a little chip with the point of the blade "and yit you wouldn't believe it but Marthy was the oldest o' three daughters, and bed I may say bed more ad vantages o' marryin' and yit, as I was jest goin' to say, she's the very one 'at didn't marry. Hed every advantage Marthy did. W'y, we even hed her educated her mother was a-livin' then and we was well enough fixed to afford the educatin' of her, mother allus contended and we was be sides, it was Marthy' s notion, too, and you know how women is thataway when they git their head set. So we sent Marthy down to Indianop'lus, and got her books and putt her in school there, and paid fer her keepin' and ever' thing; and she jest well, you may say, lived there stiddy fer better'n four year. O' course she'd git back ever' once-an-a-while, but her visits was allus, some-way-another, onsatisfactory-like, 'cause, you see, Marthy was allus my favorite, and I'd allus laughed and told her 'at the other girls could git married ef they wanted, but she was goin' to be the 'nest-egg' of our family, and 'slong as I lived I wanted her at home with me. And she'd laugh and contend 'at she'd as lif be an old maid as not, 139 A NEST-EGG and never expected to marry, ner didn't want to. But she had me sceart onc't, though ! Come out from the city one time, durin' the army, with a peart-lookin' young feller in blue clothes and gilt straps on his shoulders. Young lieutenant he was name o' Morris. Was layin' in camp there in the city somers. I disremember which camp it was now adzackly but anyway, it 'peared like he had plenty o' time to go and come, fer from that time on he kep* on a-comin' ever' time Marthy 'ud come home, he'd come, too ; and I got to noticin' 'at Marthy come home a good 'eal more'n she used to afore Morris first brought her. And blame ef the thing didn't git to worryin' me! And onc't I spoke to mother about it, and told her ef I thought the feller wanted to marry Marthy I'd jest stop his comin' right then and there. But mother she sorto' smiled and said somepin' 'bout men a-never seein' through nothin' ; and when I ast her what she meant, w'y, she ups and tells me 'at Morris didn't keer nothin' fer Marthy, ner Marthy fer Morris, and then went on to tell me that Morris was kindo' aidgin' up to'rds Annie she was next to Marthy, you know, in pint of years and experience, but ever'body allus said 'at Annie was the purtiest one o' the whole three of 'em. And so when mother told me 'at the signs pinted to'rds Annie, w'y, of course, I hedn't no 140 A NEST-EGG particular objections to that, 'cause Morris was of good fambly enough it turned out, and, in fact, was as stirrin' a young feller as ever I'd want fer a son-in-law, and so I lied nothin' more to say ner they wasn't no occasion to say nothin', 'cause right along about then I begin to notice 'at Marthy quit comin' home so much, and Morris kep' a-comin' more. Tel finally, one time he was out here all by hisself, 'long about dusk, come out here where I was feedin', and ast me, all at onc't, and in a straight-for'ard way, ef he couldn't marry Annie; and, some-way-another, blame ef it didn't make me as happy as him when I told him yes ! You see that thing proved, pine-blank, 'at he wasn't a-fishin' round fer Marthy. Well-sir, as luck would hev it, Marthy got home about a half-hour later, and I'll give you my word I was never so glad to see the girl in my life ! It was foolish in me, I reckon, but when I see her drivin' up the lane it was purt' nigh dark then, but I could see her through the open winder from where I was settin' at the supper-table, and so I jest quietly ex cused myself, p'lite-like, as a feller will, you know, when they's comp'ny round, and I slipped off and met her jest as she was about to git out to open the barn gate. 'Hold up, Marthy,' says I; 'set right where you air; I'll open the gate fer you, 141 A NEST-EGO and I'll do anything else fer you in the world 'at you want me to!' " 'W'y, what's pleased you so?' she says laugh- in', as she druv through slow-like and a-ticklin' my nose with the cracker of the buggy-whip. 'What's pleased you?' " 'Guess,' says I, jerkin' the gate to, and turn- in' to lift her out. " 'The new peanner's come?' says she, eager- like. . " 'Yer new peanner's come,' says I, 'but that's not it.' " 'Strawberries fer supper?' says she. "'Strawberries fer supper,' says I; 'but that ain't it.' "Jest then Morris's hoss w r hinnied in the barn, and she glanced up quick and smilin' and says, 'Somebody come to see somebody?' " 'You're a-gittin' warm,' says I. " 'Somebody come to see me? she says, anx- ious-like. " 'No,' says I, 'and I'm glad of it fer this one 'at's come wants to git married, and o' course I wouldn't harber in my house no young feller 'at was a-layin' round fer a chance to steal away the "Nest-egg," ' says I, laughin'. "Marthy had riz up in the buggy by this time, but as I helt up my hands to her, she sorto' drawed 142 A NEST-EGG back a minute, and says, all serious-like and kindo' vvhisperin' : " 'Is it Annie?' "I nodded. 'Yes,' says I, 'and what's more, I've give my consent, and mother's give hern the thing's all settled. Come, jump out and run in and be happy with the rest of us ! ' and I helt out my hands ag'in, but she didn't 'pear to take no heed. She was kindo' pale, too, I thought, and swallered a time er two like as ef she couldn't speak plain. " 'Who is the man?' she ast. " 'Who who's the man,' I says, a-gittin' kindo' out o' patience with the girl. 'W'y, you know who it is, o' course. It's Morris,' says I. 'Come, jump down! Don't you see I'm waitin' ferye?' " 'Then take me,' she says; and blame-don! ef the girl didn't keel right over in my arms as limber as a rag! Clean fainted away! Honest! Jest the excitement, I reckon, o' breakin' it to her so suddent-like 'cause she liked Annie, I've some times thought, better'n even she did her own mother. Didn't go half so hard with her when her other sister married. Yes-sir!" said the old man, by way of sweeping conclusion, as he rose to his feet "Marthy's the on'y one of 'em 'at never married both the others is gone Morris went all through the army and got back safe and H3 A NEST-EGG sound 's livin' in Idyho, and doin' fust-rate. Sends me a letter ever' now and then. Got three little chunks o' grandchildren out there, and I' never laid eyes on one of 'em. You see, I'm a-gittin' to be quite a middle-aged man in fact, a very middle-aged man, you might say. Sence mother died, which has be'n lem-me-see moth er's be'n dead somers in the neighberhood o' ten year. Sence mother died I've be'n a-gittin' more and more o' Marthy's notion that is, you couldn't ever hire me to marry nobody! and them has allus be'n and still is the 'Nest-egg's' views! Listen! That's her a-callin' fer us now. You must sorto' overlook the freedom, but I told Mar- thy you'd promised to take dinner with us to-day, and it 'ud never do to disappint her now. Come on." And ah! it would have made the soul of you either rapturously glad or madly envious to see how meekly I consented. I am always thinking that I never tasted coffee till that day; I am always thinking of the crisp and steaming rolls, ored over with the molten gold that hinted of the clover-fields, and the bees that had not yet permitted the honey of the bloom and the white blood of the stalk to be divorced ; I am always thinking that the young and tender pullet we happy three discussed was a near and dear rela- 144 A NEST-EGG tive of the gay patrician rooster that I first caught peering so inquisitively in at the kitchen door ; and I am always always thinking of "The Nest-egg." '45 TALE OF A SPIDER TALE OF A SPIDER FIRST I want it most distinctly understood that I am superstitious, notwithstanding the best half of my life, up to the very present, has been spent in the emphatic denial of that fact. And I am painfully aware that this assertion at so late a date can but place my former character in a most un enviable light; yet for reasons you will never know, I have, with all due deliberation, deter mined to hold the truth up stark and naked to the world, with the just acknowledgment, shorn of all attempt at palliation or excuse, that for the best half of my life I have been simply a coward and a liar. Second From a careful and impartial study of my fellow-beings, I have arrived at the settled conviction that nine men of every ten are just as superstitious as myself; yet, with the difference, that, for reasons / know, they refuse to openly acknowledge it, many of them dodging the admis sion even within their own ever curious and ques tioning minds. V . Third Most firmly fixed in this belief and in- 149 TALE OF A SPIDER tuitively certain of at least the inner confidence and sympathy of a grand majority of those who read, I throw aside all personal considerations, defy all ridicule all reason, if you like for the purpose wholly to devote myself to the narration of an actual experience that for three long weeks has been occurring with me nightly in this very room. You should hear me laugh about it in the daytime ! Oh, I snap my fingers then, and whistle quite as carelessly and scornfully as you doubtless would; but at night at night and it's night now I grow very, very serious somehow, and put all raillery aside, and all in vain here argue by the hour that it's nothing in the world but the baleful imaginings of a feverish mind, and the convulsive writhings of a dyspeptic fancy. But enough! Even forced to admit that I'm a fool, I will tell my story. Although by no means of a morbid or misan thropic disposition, the greater portion of my time I occupy in strict seclusion, here at my desk for only when alone can I conscientiously indulge cer tain propensities of thinking aloud, talking to my self, leaping from my chair occasionally to dance a new thought round the room, or take it in my arms, and hug and hold and love it as I would a great, fat, laughing baby with a bunch of jingling keys. TALE OF A SPIDER Then there are times, too, when worn with work, and I find my pen dabbling by the wayside in sluggish blots of ink, that I delight to take up the old guitar which leans here in the corner, and twang among the waltzes that I used to know, or lift a most unlovely voice in half-forgotten songs whose withered notes of melody fall on me like dead leaves, but whose crisp rustling still has power to waken from "the dusty crypt of dark ened forms and faces" the glad convivial spirits that once thronged about me in the wayward past, and made my young life one long peal of empty merriment. Someway, I've lost the knack of wholesome laughter now, and for this reason, maybe, I so often find my fingers tangled in the strings of my guitar ; for, after all, there is an in definable something in the tone of a guitar that is not all of earth. I have often fancied that de parted friends came back to hide themselves away in this old husk of song that we might pluck them forth to live again in quavering tones of tender ness and love and minor voices of remembrance that coax us on to heaven. Pardon my vagaries. I'm practical enough at times; at times I fail. But I must be clear to-night; I must be, and I will. This night three weeks ago I had worked late, though on a task involving nothing that could pos- TALE OF A SPIDER sibly have warped my mind to an unnatural state, other than that of peculiar vvakef ulness ; for al though physically needful of rest, I felt that it was useless to retire ; and so I wheeled my sofa in a cosey position near the stove, lighted a cigar (my chum Hays had left me four hours previous), and flinging myself down in languid pose best suiting the requirements of an aimless reverie, I resigned all serious complexities of thought and was wholly comfortable. The silence of the night without was deep. Not a footstep in the street below, and not a sound of any living earthly thing fell on the hearing, though that sense was whetted to such acuteness I could plainly hear the ticking of a clock some where across the street. All things about the room were in their usual order. My letters on the desk were folded as I answered them, and filed away; my books were ranged in order, and my manuscripts tucked out of sight and mind, and no scrap of paper to re mind me of my never-ended work, save the blank sheet that always lies in readiness for me to pounce upon with any vagrant thought that comes along, and close beside it the open inkstand and the idle pen. I had reclined thus in utter passiveness of mind for half an hour, perhaps, when sud- TALE OF A SPIDER denly I heard, or thought I heard, below me in the street, the sound of some stringed instru ment. I rose up oh my elbow and listened. Some serenader, I guessed. Yes, I could hear it faintly, but so far away it seemed, and indistinct, I was uncertain. I arose, went to the window, raised it and leaned out; but as the sound grew fainter and failed entirely, I closed the window and sat down again; but even as I did so the mysterious tones fell on my hearing plainer than before. I listened closely, and though little more than a ghost of sound, I still could hear, and quite audibly distinguish, the faint repeated twanging of the six open strings of a guitar so plainly, indeed, that I instinctively recognized the irritating fact that both the "E" and "D" strings were slightly out of tune. I turned with some strange impulse to my own instrument, and I must leave the reader to imagine the cold thrill of sur prise and fear that crept over me as the startling conviction slowly dawned upon my mind that the sounds came from that unlooked-for quarter. The guitar was leaning in its old position in the corner, the face turned to the wall, and although I confess it with reluctance, full five minutes elapsed before I found sufficient courage to approach and pick it up ; then I came near dropping it in abject terror as a great, fat, blowzy spider ran across my hand 153 TALK OF A SPIDER and went scampering up the wall. What do you think of spiders, anyhow? You say "Woohl" I say you don't know anything about spiders. I examined first the wall to see if there might not be some natural cause for the mysterious sounds some open crevice for the wind, some loosened and vibrating edge of paper, or perhaps a bristle protruding from the plaster but I found no evidence that could in any way afford an an swer to the perplexing query. An old umbrella and a broom stood in the corner, but in neither of these inanimate objects could I find the vaguest explanation of the problem that so wholly and en tirely possessed me. I could not have been mistaken. It was no trick of fancy no hallucination. I had not only list ened to the sounds repeated, over and over, a dozen times at least, but I had recognized and measured the respective values of the tones, and as I turned, half in awe, took up the instrument and lightly swept the strings, the positive proof for the conviction jarred as discordantly upon my fancy as upon my ears. The two strings, "E" and "D," were out of tune. I will no longer attempt the detail of my per turbed state of curiosity and the almost dazed con dition of my mind ; such an effort would at best be vain. But I sat down, doggedly, at last; and '54 TALE OF A SPIDER in a spirit of indifference the most defiant I could possibly assume, I ran the guitar up to a keen, ex ultant key, and dashed off into a quickstep that made the dumb old echoes of the room leap up and laugh with melody. I was determined in my own mind to stave off the most unwholesome in fluence that seemed settling fog-like over me ; and as the sharp twang of the strings rang out upon the night, and the rich vibrating chords welled up and overflowed the silence like a flood, the em bers of old-time enthusiasm kindled in my heart and flamed up in a warmth of real delight. Sud denly, in the midst of this rapturous outburst, as with lifted face I stared ceilingward, my eyes again fell on that horrid spider, madly capering about the wall in a little circumference of a dozen inches, perhaps, wheeling and whirling up and down, and round and round again, as though laboring under some wild, jubilant excitement. I played on mechanically for a moment, my eyes riveted upon the grotesque antics of the insect, feeling insunctively that the music was producing this singular effect upon it. I was right; for, as I gradually paused, the gyrations of the insect as sumed a milder phase, and as I ceased entirely the great, bloated thing ran far out overhead and dropped suddenly a yard below the ceiling, and, pendent by its unseen thread, hung sprawled in '55 TALE OF A SPIDER the empty air above my face, so near I could have touched it with the lifted instrument. And then, even as I shrank back fearfully, a new line of speculation was suggested to my mind: I arose abruptly, leaned the guitar back in the corner, took up a book, and sat down at the desk, leaving the silence of the room intensified till in my nerv ous state of mind I almost fancied I could hear that spider whispering to itself, as above the open pages of the book I watched the space between it and the ceiling slowly widening, till at last the ugly insect dropped and disappeared behind the sofa. I had not long to wait; nor was my curious mind placed any more at ease, when, at last, faint and far-off sounding as at first, I heard the eerie twanging of the guitar though this time I could with some triumphant pleasure note the fact that the instrument was in perfect tune. But to thor oughly assure myself that I could in no way be mistaken as to the mysterious cause, I arose and crept cautiously across the carpet until within easy reach of the guitar. I paused again to listen and convince myself beyond all doubt that the sounds were there produced. There could possibly be no mistake about it. Then suddenly I caught and whirled the instrument around, and as I did so the 156 TALE OF A SPIDER spider darted from the keyboard near the top, leaped to the broom-handle, and fled up the wall. I tried no more experiments that night, or rather morning for it must have been three o'clock as I turned wearily away from the exasperating con templation of the strange subject, turned down the lamp, then turned it up again, huddled myself into a shivering heap upon the sofa, and fell into an uneasy sleep, in which I dreamed that / was a spider of Brobdingnagian proportions, and lived on men and women instead of flies, and had a web like a monster hammock, in which I swung myself out over the streets at night and fished up my prey with a hook and line thought I caught more poets than anything else, and was just nib bling warily at my own bait, when the line was suddenly withdrawn, the hook catching me in the cheek, tearing out and letting me drop back with a sullen plunge into the great gulf of the night. And as I found myself, with wildly staring eyes, sitting bolt upright on the sofa, I saw the spider, just above my desk, lifted and flung upward by his magic line and thrown among the dusky shad ows of the ceiling. "Hays," said I to my chum, in the early morn ing, as he came in upon me, sitting at my desk, and gazing abstractedly at an incoherent scrawl of '57 TALE OF A SPIDER ink upon the scrap of paper lying before me "Hays," said I, "what's your opinion of spiders?" "What's my opinion of spiders?" he queried, staring at me curiously. "What's your opinion of spiders?" I repeated with my first inflection for Hays is a young man in the medical profession, and likes point, fact, and brevity. "What I mean is this," I continued: "isn't it generally conceded that the spider is en dowed with a higher order of intelligence than in sects commonly?" "I believe so," he replied, with the same curi ous air, watching me narrowly; "I have a vague recollection of some incident illustrative of that theory in Goldsmith's 'Animated Nature,' or some equally veracious chronicle," with suggestive em phasis on the word "veracious." "Why do you ask?" And, although half assured I would be sneered at for my pains, I went into a minute re- countal of my strange experience of the night, winding up in a high state of excitement, doubt less intensified by the blandly smiling features of my auditor, who made no interruption whatever, and only looked at me at the conclusion of the dream with gratuitous -compassion and concern. "Well!" said I, uneasily, taking an impatient turn or two across the room. . . . "Well!" I re peated pausing abruptly and glaring at the shrugged 158 TALE OF A SPIDER shoulders of my stoical companion, "why don't you say something?" "Nothing to say, I suppose," he answered, turning on me with absolute severity. "You never listen to advice. Two months ago I told you to quit this night business it would wreck you phys ically, mentally, every way. Why, look at you!" he continued in pitiless reproof, as I flew off on another nervous trip around the room. "Look at you ! a perfect crate of bones no 'get-up' in your walk no color in your face no appetite no any thing but a wisp of shattered nerves, and a pair of howling-hungry eyes that do nothing else but stare." "It wouldn't seem that you did have much to say, upon the point, at least," I interrupted. "Never mind my physical condition ; what do you think of my spider?" "What do I think of your spider!" he repeated contemptuously; "why, I think it's a little the thinnest piece of twaddle I ever listened to ! And I think, further" "Hold on, now!" I exclaimed, a trifle warmed, but smiling; "I knew you'd have to sweat awhile over that: but hold on hold on! I have only told you the minor facts of the strange occurrence ; the most startling and irrefutable portion yet re mains. Now, listen ! What I have already told '59 TALE OF A SPIDER you I pledge you on my honor is pure truth. I can offer nothing but my word for that. But I will close now don't interrupt me, if you please: As I awakened from that dream, I saw that spider jerked from above the desk here just as a small boy might whip up a fish-line jerked by his own thread, of course. Well, and I got up at once came to the desk like this, feeling instinctively that that infernal spider had some object in lower ing itself among my letters ; and I found this scrap of paper, which I'll swear I left last night without one blot or line of ink or pencil on it. I found this scrap of paper with this zigzag line which you can see was never made with human hand scrawled across it, and the ink was yet wet when I picked it up. Now, what do you say?" He took the scrap of paper in his hand half curiously, and then, as though ashamed of having betrayed so great a weakness, threw it back upon the desk with scarce a look. "What do you say?" I repeated, in a tone of triumph. "Well," he replied, "it is barely possible you did see a spider in this last instance, and I must confess that it is a much easier matter for me to imagine a spider dropping by accident into your inkstand and leaving the trail of his salvation across your writing-paper, than it is for me to 1 60 TALE OF A SPIDER fancy the fantastic insect plucking the strings of your guitar. In fact, the first part of your story won't do at all. I don't mean to intimate that your veracity is defective not at all. But I do mean that you have overworked yourself of late, and that your brain needs rest. "But," said I, pushing the scrap of paper to ward him again, "you don't seem to recognize the fact that that ugly scrawl of ink means something. Look at it carefully; it's writing." He again took the paper in his hand, but this time without a glance, and ere I could prevent him he had torn it in a half-dozen pieces and flung it on the floor. "What do you mean?" I cried, resentfully, springing forward. "Why, I mean that you're a babbling idiot," he answered, in a tone half anger, half alarm; "and if you won't look after your own condition I'll do it for you, and in spite of you! You must quit this work quit this room quit everything, and come with me out in the fresh air for a while, or you'll die; that's what I mean!" Although he spoke with almost savage vehem ence, I recognized, of course, the real promptings of his action, and smiled softly to myself as I gathered up the scattered scraps of paper from the carpet. 161 TALE OF A SPIDER "Oh, we'll not quarrel," said I, seating myself patiently at the desk, and dipping my finger in the paste-cup "we'll not quarrel about a little thing like this; only if you'll just wait a minute I'll show you that it does mean something." "There!" said I, good-naturedly, when I had deftly joined the fragments in their proper places on a base of legal cap; "now you can read it; but don't tear it again, please." I think I was very white when I said that, for my com panion took the paper in his hand with at least a show of interest, and looked at it long and curiously. "Well, what is it?" he asked, laying it back upon the desk before me : ' 'I am really very soriy , but I am forced to acknowledge that I fail to find anything exactly tangible in it." "Look," said I; "You see this capital that begins the line; the first letter? It's a 'Y,' isn't it?" "Yes; it looks a little like a 'Y' or a