MUSIC LIB M 1945 H559S 1884 HILLS, WILLIAM HENRY STUDENTS' SONGS com- prising™ NEWEST AND MOST POPULAR COLLEGE SONGS AS NOW SUNG AT HARVARD, YALE..., ETC. COMP. &ED. BYW.H. HILLS, HARVARD C LA SE OF 188Q THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES MEREDITH WILLSON LIBRARY STANLEY RING COLLECTION MUSIC LIBRARY senss* COMPRISING THE NEWEST AND MOST POPULAR COLLEGE SONGS AS NOW SUNG AT HARVARD, YALE, COLUMBIA, CORNELL, JOHNS HOPKINS, DARTMOUTH, AMHERST MICHIGAN, VASSAR, BROWN, VVELLESLEY, PRINCETON, WILLIAMS BOWDOIN, WESLEYAN, TRINITY, LAFAYETTE BOSTON, TUFTS, UNION, ETC COMPILED AND EDITED BY WILLIAM H. HILLS, HARVARD CLASS OF 1880 CAMBRIDGE, MASS MOSES KING, PUBi^ISHER HARVARD SQUARE PREFACE TO THE TWENTY-SIXTH THOUSAND. Before the publication of " Students' Songs," there was no collection of college-music including the songs which have had their origin, and become popular, within the last ten or fifteen years. All exist- ing coUections were out of date. The new songs, of which a great number had sprung into life, were nowhere to be found in print. They were known to comparatively few ; and it was inevitable, that, unless they were put in permanent form, they would soon be forgotten, and lost forever. The first edition of "Students' Songs " was prepared in iSSo, with a view to preserving these songs, and making them accessible to all. The success of the book was immediate. The demand exceeded the supply, and the sale of the entire edition of six thousand copies in less than four months showed how urgently the need of some such collection had been felt. The second edition of " Students' Songs " was in reality an entirely new book. It contained none of the songs comprised in the first edition, but was made up of other wholly new songs, equal in merit and popularity. Like its predecessor, it had a most remarkable sale. The whole edition of five thousand copies was speedily exhausted ; and for over a year — during which the book was out of print, owing to the inability of the compiler, through pressure of other duties, to prepare a new edition — the demand continued unabated. The third edition of " Students' Songs," published in May, 1S83, comprised nearly all the songs of both the first and second editions, together with more than twenty pages of wholly new music, including all the latest college-songs of the day. In less than six months the edition of five thousand copies was exhausted ; and a new edition, in which the plates were revised and corrected, was required. And now, in August, 1884, as every copy of all previous editions has been sold, a still further edition of five thousand copies has been printed ; and it is hoped that they will aid in making college and home life more happy by their jolly music and their unique songs. Most of the songs, and their music, which the book contains, are copyrighted, and to be found in no other collection. The compiler has only to add an expression of thanks to the public for the continued favor which has beeii accorded to " Students' .Songs." Much of its popularity is due to Mr. Frederick R. Burton (Harvard, '82), who has rendered valuable services in the jjreparation of the book. W. H. H. Boston, Mass., Sept. 1, 1884. Copyright, 1880, iSSi, 1883, and 1884, By WILLIAM H. HILLS. Fkanklin Hkkss: Kani>, Avrky, and Company, Boston. DPI i)i/;sfDEY^8i0o! 3 8 J °pp«:T\,^dC •i^kcy, '^'0570/^, '/V\/N^^.' /^A3>. INDEX OF TITLES. PAGB Annkx Maid, The 34 Adka Lee 43 Bagpipes, The 52 Beautiful Ballad of Waska Wee 36 Bold Fisherman, The 50 BuLi^DoG, The 59 Ching-a-Ling-Ling 16 Climbing, Climbing, Climbing 7 Clotilda. — A Serenade 53 Cockles and Mussels 53 Dear Evelina, Sweet Evelina 20 Drinking Song 39 Drink, Puppy, Drink 11 DuKK OF York, The. — March 31 Fair Harvard 10 Farewell Forever 44 Forsaken am II 45 Fra Diavolo 35 Gee I Whoa I Dobbin 1 57 Gin Sling 45 H, SO, 49 HalicoI Calico I 54 Horrible Tale, A 22 In Heaven above 49 I've lost my Doggy 53 I wish I WERE A 60 Japanese Love Song 18 Jingle, Bells 32 Lady in Crape, The 47 Maid op County Perth 58 Maid of York Beach, The 52 rAGE Ma-ri had a Little Lamb 30 Meerschaum Pipe ~ 51 Mermaid, The ■ . V] Merry Chink, Chink, Chink, The 46 Michael Roy 2$ Midshipmite, The 12 Mush, Mush 40 My Bonnie 29 My Lady 43 My Love at the Window 15 My Susanna 38 Naughty Clara j4 Oh I Give me a Home by the Sea 5 Q- A- X- 60 Over the Garden Wall 24 Peanut Song 23 Poco's Daughter, The 33 Polly-Wolly-Doodle 42 Quilting Party, The 41 Serenade 58 Spanish Guitar, The 21 Tally-Ho I 14 There is a Tavern in the Town ..... 8 Three Flies, The. — Ballad 53 Three Little Kittens. — Chant 60 Two Roses, The 25 'Way up on the Mountain-top-Tip-Top .... 28 Wellesley College Song 48 Who Can Tell? 55 "Yale Men Say." — Marching Sons 17 Young Lover, The 37 STUDENTS' SONGS. I Piano, OH! GIVE ME A HOME BY THE SEA. Words and Music by E. A. Hosmer. Con spirito. ^^ fc^^ -A fer- ^ P^^^^^^^ -^- 1. Oh! give me a home by the sea, 2. At morn when the sun from the east, 3. At eve when tlie moon in heriiride, Where wild waves are crest - ed with foam, Where Comes man - tied in crim-son and gold. Whose Rides queen of the soft summer niglit. And fc^ S :^ ^^^EEn± ^^ -m—^ shrill winds are car - ol - ing free, hues on tlie billows are east, gleams on the murmur - ing tide, As o'er the blue waters they Which spark - les with splendor un With floods of her sil-ver - y T ^ii^. -*- -0- -m- -0- -0- -0- -^ -^ -ff^ ' -it ^^ ^ f 6 OH! GIVE ME A HOME BY THE SEA. Concluded. come ; For I'd list to the o-cean's loud roar, . . . And joy in its stormi - est tol(j; Oh! then by the shore would I stray, . . . And roam as thehalcy - on light ; Oh ! earth has no beauty so rare, . . . Kc place that is dearer to ^ -A & • ^^^ ^ -•— r V V-^ ^=E? a= fz-fz^^-n-fi ^=^- ^^^ -T — • . • • — 5 — 5 — ! — te- B -s- -J— -— 1£=^ — ?^ — ^ — , -;- T T T ,F -#- [-^4-h*- :^^p4 _* * ^ ^ ^ g^ > * ^ I* zp= ^^i g-ir^^ I fc^ &^S^ glee, . . . Nor ask in this wide world for more, . . free, . . . From en - vy and care far a - way, . . me, . . . Then give me so free and so fair, . . Than a home by the deep heaving At my home by the deep heaving A home by the deep heaving ^n^ =^^S = |3: 5i^^^^^W~^ I ^^ t ^ ^^frfr^ ^- i S rS^^ ^^ m $ fcr Chorus. o o i i=fefc^ * :g - JL ci sea. A home, . ... a home, sea. a home by the heav - ing ^^J^^^^^^I^^Z^ ^ ^ ^ - y "1 D.C. i 7f 3£ ^ A home, a home. •-.' -0-' • J.^- ii- a home by the heavinji sea. B.C. H ^^^^ ^^ f^ CLIMBING, CLIMBING, CLIMBING. ^ Tempo di valse. mf lirp: S i 1. O - ver the hills a maid doth dwell, 2. O - ver the bills she comes to-night, Fair - er than the rose, My lore so sweet and fair ; iid^ ^^^ To Her ^;-^-:g=i -« — «- 1^3 ■*-« fc^=^ m/" i^ai d -eS"^ S i^ -*-^ -s-is :3; i fer ^ESi^^E^^; thee I'll sing, my fair - - y belle, From morn till eve - ning's close, eyes are bright with laugh - ing light. The moon - light glints her hair. fer '^EE^l ^H^^i ^EEI^E^ E^=t3EE|: ig=|r i^ — K -0 0- • — '-0 • •- :^ d i ^ ^ =r Yodel. La la yij - del la yii - del la yii -del la la la la yij - del la yo - del la la la la la la 111, 1 ^ OE^ -iM- ^n-J _2 d ^ I = -i — »— a*- -(=^ ^^ ^f^ -r- Climb - ing,climb - ing,climb - - ing Vocal or instrumental accompaniment. in - ver the mount -ains high -si J 1 — 0—1 — 0—i — 0—i — 0—\ « — S—C 0—0—L. — ^— CZI — — 0—\l la la la la la la la la la la la la la la la la zum zum zum zum zum zum zum zum .a^ ^ -(=- -s*- ■ar yo - del la yii - del la yii - del la la la la la la la I I J I , -fS>- J . la la la la la. I r^j. r^, H«=^ < j - 1 ^^ f= ^ Climb • ing, climb - ing.climb ifc^ J I I I ^ I I u ing - ver the mount - ains high. molto rit. J— J. •— I • •— I • «— I « <— I g *-_! ^ «— L« a_l_,^^_ U la la m^^ zum la la la la la la zum zum zum la la la la la la la la. zum zum zum. as i -^z Copyright, 1883, liy Wm. II. Hills. ! THERE IS A TAVERN IN THE TOWN. Andante. «=?=& m i: -^ _*_* ^- ■%: t ^ ^ T t t— i^ I — » >c===!h===gi:p-=g==8=T=g=pzJz=::g=^=^: J — Ph #— I — »-\ — C^— I — •— ^ — m-\ — 0—\ — U 1 ta^BtMJ ! Ill I n^ I I n L i I tamUataB ss -•- -^ -•- +U -•- t: 4= t T ^ -^ i Si^a. It- ^-A^- m m • ri -*- lit r izz|i^— ■: J^ nm^ -^ -^ r-r m p Shouted. ^-=^^=^ Z^IZ^ =«fc 1. There is a tav-crn in the town, in the town, And there ray dear love sits liim 2. He left me for a dam - sel dark, dam - sel dark, Each Fri - day night tlicy used to 3. Oh ! dig my grave both wide and deep, wide and deep. Put tomb - stones at my head and ■■■*- -»■ -*- -B- -S-^^ ^i^t f> .it- -* -4- -i—i — • •— -^-^-^ m- ^^^ =4- ir^ down, sits him down. And drinks his wine 'mid spark, used to spark. And now my love, once feet, head and feet, And on my breast carve a tur \^m I laugh - ter free. And true to me, Takes tie dove, To g i-=m^f^f-i i=3 i ^^ -=r E Chorus. -A N- ^.lE^iE:^ESES=i m ncv - er, ncv - er thinks of me. that dark dam - sel on his knee, sig - ni - fy I died of love. Fare thee well, for I must leave thee, Do not Coprrighl, 1881, by Wm. II. IIlLLs, THERE IS A TAVERN IN THE TOWN. Concluded. 9 i i^^^ -fN — ^- ^JEJ^-t^ ^^= mi N_J 1= Tt W -P^ P.H 1 U=^ V V V — w- let the part- ing grieve tliee,And re • mera-ber that the best of friends must part, must part. A- ff^Ff=W^:-^1^^^^^^ W^ -t -=r S==P N s \ -N IN N- :^-J=^=^- ^ Ji=± *E ^ dieu, a - dieu, kind friends, a - dieu, a - dieu, a - dieu, I can no lon-ger stay with i :j=j^ ?i^^---r^1f| l=|^|-ir-i; g I* f -=1- ir -^ -^ p- -^ -^ — V- -p — S- p=^^^p=^j^j; poco rit. ^ you, stay with you, I'll hang my harp on a weep-ing wil - low tree, And poco rit. I?^-- ^=f v^v -•- m^ * t^ -r -N fV- 1^:^ 1st. and 2d. -* *- I may the world go well with thee. i thee. :j — r :a 11=^ ^ ^= Pi^r^ g^ i ^ ■^ ^^^ 10 FAIR HARVARD. Andante, mf -V- ^ E^ 1. Fair Har-Tanl ! tliy sons to thy ju - bi - lee throng. And with bless - ings sur- ren- der thee 2. To thy bowers we were led in the bloom of our youtli, From the home of our in - fan ■ tile ^^ =P=P= :t=ir o er, years, By these fes - ti - val rites, from tlie age tliat is past, To the age that When our fa-thers had warned,and our moth-ers had prayed,And our sis- ters IS wait had blest, ■ ing be - thro' their f^33=i=S=d= -A — H W- &— &- ::s=^ fore. O rel - ic and type of our an - ces-tor's worth.That has long kept their mem- o - ry tears ; Thou then wert our pa- rent, the nurse of our souls, We were mould- ed to man- liood by . I J ^m^ S^iEfc feE^fcEg m ^-, warm, First flow'r of their wil- der- ness! star of their niglit.Calm ris-ing thro' change and thro' storm ! thee. Till freightedw-ith trcasure-tlio'ts friendsliips,andhopes,Thou did'st launch us onI)es-ti - ny 's sea. 3 When, BR pilgrims, wo come to revisit thy halls. Til what kinilliiiKn the seaBon gives liirth ! Tliy nhftdcit ari' more noothing, thy Bunlight more dear. Than (Icwcnd on Icmk privilrgcd cnrlh; For the good and the gnat, in their beautiful prime, Tliroiigli thy precinctn liiive inuHingly troi! ; An they ginhil their npiritu or deepened the streams 'I'liiit make glad the fair city of (iod. 4 Farewell ! be thy destinies onward and bright ! To tliy children the lesson still give. With freedom to think, and witli ])atience to bear, And for right ever bravely to live. Let not nmss-ciivered ernir moor thee at its side. Ah the world on truth's current glides by ; Be the herald of light, and the bearer of love. Till the stock of the I'uritans die. Moderato. mf DRINK, PUPPY, DRINK. 11 — N- m ^^ :i=3= ^-^^i ^ ^N^ -^ — -u— *- -t-t 1. Here's to tlie fox in his eartli be-low the rocks!And here's to the line that we 2. Here's to the horse, and the ri - der too, of eourse.And here's to the ral- ly o' the 3. Here's to the gap, and the tim - ber tliat we rap. Here's to tlie white thorn and the 4. Oh, the pack is stauncli and true,now they run from scent to view, And its wortli the risk to life and limb and 8ves. i ^^3: -u— 1»- fol - low, hunt,boys, black.too ; neck.boys ; And Here's a And To here's to the hound with health to ev - 'ry friend, who here's to the pace that see them drive and stoop 'till g A his nose up - on the ground.Though can Strug - gle to the end. And puts life in - to the chase, And the they fin - ish with "Whowhoop" For-ty -A- ^ ff m- m Chorus. i^ -fv— ^ '^^ -b-t» mer - ri - ly we whoop, and we hoi- loa. here's to the Tally Ho in front.boys. fence that gives a moment to the pack,too. min-utes on the grass without a check,boys. Then drink,pup-py,driiik,And let ev- 'ry pup- py drink.That is a ^m i=^ i~t -r-^~ 5*-? / -* — ^ ^z Sves. 3E :tfc e - nough to lap and to swal-low, For he'll grow in - to a hound, So we'll HJ^ -isi- --i^^- L«E £ ^E /?* -o i "VT" ^i^^i^a lEt E^j^ s pass the bot - tie round,And mer - ri - ly we*U WHOOP,*and we'll hoi - loa! hoi loa ■ Falsetto shriek ad lib 12 THE MIDSHIPMITE. Words by Fred. E. Weatheklt. Con spirito.L. Music bv Stephen Adams. gEE =s=^= mf ^^^m ife^=t i^ ^^=^--S: h= ^: ^^ -^—^ — I- tji^ ^ -»- :^=^ m -=1- \^ b i -A N- A IV =^=^ f -*~ i ~ i. 1. 'Twas in 'fif - ty five, on a win - ter's night, W^^=^ m ^ m v^ a=:^z v; 1 -v-w- ^ 4^-t- ^ — N- lE --^i=. itzdz i Cheer- i - ly, my lads, yo Iio ! We'd got the Koosh - an lines in sight, Wlien 3^ 3S ^ -0 — ^ / -•- -tet- F=^ P m i= ^= ^ m =l^=te =?H^-^ — » ^ i-* i i^=3t jZZff ^^^=i -• — #- l' > up comes a lit - tie mid - sliip-niite, Clieer-i-ly, my lads.yo ho! "Who'll go a- shore to -s- iJW - X B- X -^- 5^ iS e^ ^^ JTl/" :^ « — »- -« — S^H- i • — ^ t »: ^^= »^^^^ ^r 3^^ ^ * night," lays he, "An' spike their guns a - long wi' me ?""Wliy,bIe88 ce, sir, cornea ^^ -*- ^ f^ -X — ^» ^^ ^ ^ THE MIDSHIPMITE, Concluded. CHORUS. 13 ± E^^ -i=i- «P= -M ^- long," says we, Cheer-i - ly, my lads, yo ho! Cheer - i ly, "ly lails, yo I 5EEg i^Ei ^ =^J^=B' n ^ -# ^ -pt- ^ ^EB / ^= :i S -i^- tempo. i ;M= -^- ^^5=^ s rail. Chorus. ^ »=g ho! With a long, long pull. An' a strong, strong pull. fiz:^ 1^ ^^^^ t=i^ rail. T T p m^ ^•- ^E ? f -^? — s- -^ lie i fv-=1— •= ^ Gai - ly, boys, on make her go I An' we'll drink to - night To the Mid • • ship ^ ^ ^ rallr~==i: ft m ^i=i ; f voce. I 1 S — ??— TJ S -» f f s — S— -• S — Jf- f= ^ -& Last time. i N=^ -« — S- niite. Sing- ing Cheer - i - ly, lads, yo ho ! y a X s Last time. « X i t^ // ^^ J TSt 1 X s "yr- »Kr- n- 2 We launch'd the cutter and shoyed her out, CHO. Cheerily my lads, yo ho ! The lubbers might ha' heard us shout, As the Middy cried, " Now, my lads, put about !" cno- Cheerily my lads, yo ho ! We made for the guns, an' we ramm'd thera tight. But the musket shots came left and right, An' down drops the poor little Midshipmite. Cho. 3 " I'm done for now ; good bye ! " says he, CHO Steadily, my lads,yo ho ! " You make for the boat, never mind for me !" " We'll take ee' back, sir, or die," says we, CHO. Cheerily my lads, yo ho ! So we hoisted him m, in a terrible plight, An' we pull'd ev'ry man with all his might. An' we sav'd the poor little Midshipmite. Cho. 14 TALLY HO ! Allegro. 1. On the nine - teenth of March, in 2. We met on Scrag - gy moun • tain the year fif at Barney Brek ty - three, lin's inn, We Where ^^ £ had a re - ere ■ a - tion in our coun-tree; Just four and twen - ty gen- tie -men came ev - ery man his whis-key took that shivered in his skin ; At six o- 'clock old Bil- ly's horn re - i f ^ -i — 5 i ^=^ d down from Bal - ly Box, On four and twen - ty hor - ses. In search of a fox. sound - ed in our ears, And ev - ery man his sad - die took 'mid four and twenty cheers. i ^ mt^^^ m $ i Chorus. m JUJ J'--¥=^ repeat accel. i ia s — ^ Tal - ly ho ! hark- a-way ! Tal- ly lio ! liark- a- way ! Tal- ly ho ! hark- a-way, my boys, a-way ' hark- a-way. P^^^^^wp^^^^p 4 i ^=^= 3 When Sir Reynard was started he made straiglit for the hollow Where none hut the huntsmen and the blooded nags dare follow ; From six to twelve ho led the pack 'mid hedge and ditch H\il>liine, But lost bin way in Dolly'i Brae for purely loss of time. — Clio. When Mr. Fox was caught at last, he laid him down to die, And while the dogs were kept at bay he muttered with a sigh, " To him that cleared that five-barred gate, and first dis- mounted hero, I leave my tail and coat of mail for four-and-twenty year. — Cho. MY LOVE AT THE WINDOW. lo Tempo di Valse. feEifed m=^m ^mm^ HASSES J{ JJ -p-^-*- ^^¥=^'- 1. I see my love at the win - dow,'"')!', look.iook! I gee my love at the 2. Oh, there she is at the win - (low. Oh, there she is at the 3. She throws a kiss from the win - dow, She throws a kiss from tlie BASSES, win-dow, look, window, win-dow. m. wmm ^^« ^ "^ ^i^^m b^ mf ^m^ 3= 5t m ^^ look.look! I see my love at the win Oh, there she is at the win She throws a kiss from the win dow, Look ! you can see her now. dow. Look ! you can see her now. dow. Look ! you can see her now. i^# feg -S"«- ^^=^^- «: -H •!- w. m m^^ U r— r- ^ i^ Yodel. ^I Z^^ "^n£ ^: ii^ -^, -^ — p—p--^ v^ La la la la Vocal accompaniment. la la la la la la la la la la la la la la Zum zum zum zum zum ztmi a: 3 $ tt&=t /2_.! , a • B.C. H G U- e V=^^~:^=W- --^ la la la la la la la la la la la la. ^m D.C. I^E^I^ la la la la ~* *" la la la la la la la la la la la. zum zum. i i I kW: ^ Copyright. 1983, by Wm. H. Hills. 16 CHING-A-LING-LING. i mf Qrazioso. fc^ :*=?: m ^=tsz lE^^ 1. We rev - el in song, in Spain we be - long, 2. We charm and en - trance all men in the dance, Far o'er the o - cean, when Come tliey from near us, or i -Jr-N- S^E^EE^^ ife-zS Lu - ci - fer's star Shines clear in the east. We re - turn from the feast To the come they from far ; We dance and we glide, While loud, far and wide, Sounds the -^:^;-U 5fe± ?^ fcn-^ E^E Allegretto. t f^- :s=s -ttN N r^ :« — =1- ■#-T- =^ »-tr ' m m ^J^ tune of our light gui - tar. Ha! Ha! Ching-a-ling-a-ling!cliing-a-ling-a-ling ! Ha' Ha ! Ha! i^i^i^^^ ^^*i^ £=-g ii i ^ ^ ! ? r1N ^— &■ p^^-y^f ^^^^^ ^--^ ■ 9 * i-Z|if^^ Ha ! Thene were the words which we heard from a • far : Ching-a-ling - a-ling ! chingaling a-ling : feLyj=fe=i^iEi CHING-A-LING-LING. Concluded. 17 "YALE MEN SAY."— MARCHING SONG. Tew.po di marcia. ff^l ^-^ s 1. Yale men say their crew is sure to win, Let them 1 T 1 - ~ a . ■wjg— ^ — •■ -^^ ff m f -0- ^ — N— z> — ^- -*— = • •— ; ^- — P, ? — 1^ ^^ i- 1- -s — -»- talk and put up all their tin; ::^;1M-A- i^^^^r^^ We will bet all the mon-ey we have in -J— • — • — — •-— tJ ^^^m 3^ -• — .»■ m -jt—^—ji—w ^ *J i \ X =§=fi — 4-J^— j ^ EES^^E^^ 'i- -^ V — u- riew That we'll show four miles of rud - der to the crack New Ha - ren crew. ^ ^ 3EEi ^t-^ s =«=i= ^=i^=^ -• — *- i^ i i p£ =»: -^ — •- f^E^^E Coiiyriglit, 1883, by Wm. H. Hills. 18 JAPANESE LOYE SONG. Words by W. Yardley Tempo rubato-:^: Music by Cotsford Dick. |tV^ -d- =^ =P^^- :|^ E?=?i -N-^ '"/ ■t' -•- -•- 0=w=r- A Sf^i =P=p: =P=P»: IJCI3C |J^ ~p~~r fe:*E nczjc :b=P: :^»=i:»=ii: :»=rfi: 1. Me once -y time a - go. Knew nice- y lit - tie man, He name him- self -ey Pea Cue 2. Lit- tie mis - sy, laugh- y guess, So hap-py as she am, " Ask pap- py dear- y Cliang Fi 8va,. He loT- ey mis - sy so, Yum pap- py nod - dy yes. She call her name-y Fan)"HoAv Him sweet as jol - ly jam, And i^^ =P=P: ^ 5** S^ Wf i Piu lento. ^=^e^3E^ ?=PS= ^ do - ey niissey, well? "Chin • Chin, ber - ry mummy nice,Chow- Chow. He kiss- ey lit - tie miss- y, (She Uni lov- ey lit - tie dove -y, Um call her name- y Fan) I,it - tie duck- y lit - tie Fan, Pit - ty. miss • ey which he love- y much- pop - sy, wop- sy, tid - dy, ic - ey 80, kle sing, Lit -tie And JAPANESE LOVE SONG. Concluded. 19 5 — U — iS — 5 — 5 — p 1 ?F=£ ^^ =^-=/-J^-/- mis-sy when lie kis • sy, "Go a - way um naughty man," Rut uni nauglity, naughty man, dov - ey say she love - y, For her fin -ger bring a ring, For her fin - ger bring a ring, P^ ^ 1^- -#- a tempo. ^:~^ E^-^ ^ P i m ^ J^^e^eeI '^^^E^^-^E^ ^m^$^- But um nauglity, naughty man, For her fln - ger bring a ring, But um naughty man a - way um wouldn't For her fin - ger bring a Ching a ring a m. f p ^ go, go go ! ring Ching ring ! Tip Top Whip Top Sing So Hi, Tip Top etc. Hum Top Sing So Lo; fe fc:^ mf 1st ending. V Last ending. ±=53S ^-* -•— !V -4.-5-H--^g=^ ^=:^z±=:fc 5.^5^ i § • -"^-^^ ' -— *- ... Chip Chop Cherry Chop up to the very top ; Tumble down lo Sing So. ^ So. 20 DEAR EVELINA, SWEET EVELINA. Allegretto. ::1= :=t ^ig j Way down in the mead- ow where the li - ly first blows, Where the whul from the j fond Et - e - li - na, tlie sweet lit - tie dove, The pride of the ( She's fair as a rose, like a lamb she is meek. And she nev - er was 1 most grace - ful curls hangs her ra - ven • black hair. And she nev - er m ^ai ^v-*- mf ir^ir -m s - -E5«i V^- ^- =5t ^- ^- i 3E ^f^ TT^ m -»— ii rose; i ruf moun- tains ne er val - ley, the .... known to put paint re - quires .... fles the her Lives cheek ; In the girl that I love, per - fum - er^- there. t: m zd.1 f=r d= m -25*- M Chorus.y 1^ ^=1= -^ -^-* -A r •T^-?r ^ * ^- ~ji=tt -*— •— ^- Dear Ev - e - li - na, sweet Ev - e - li - na. My love for thee sliall nev - er, nev-er die ; i ^^=^=^; W=^ m -*#—*• — I i * ** ^ ^» — *•- / ^5E 1^ i^r=i=t t=di irr ^ ^ -vi ^: ^9 — «- ir ■3*- n< i t^fe: -•— r- 3: lt=t :# — ^ -^?-=i- Dear Ev - e - li - na, sweet Ev - e - li - na, My love for thee shall nev - er, nev-er die. jP- f ^ jA^^^-^i^rm^ ^=t=t f Irl Ti dr d=^ I ^ ^- 3^ ^ 3 Evelina and I one fine evening in June 4 Three years have gone by, and I've not got a diillar. Took n walk all alone by the light of the moon, Evelina still lives in that green grassy holler, Tlie pliinetH all »hone, for the heavens were clear, Although 1 am fated to marry her never. And I felt round the heart most tremendously queer. — Clio. I've sworn that I'll love her for ever and ever. — Ciio. THE SPANISH GUITAR. 21 M, Moderato. mf ^m &^^ ;^^^^=: ^fe g^ p^E^ -7i=^ ■^t- 1. When I was .a stii- dent at Ca - diz, I'm uo long- er a stu- dent at Ca - diz, I played on the Span-ish Gui-tar chinglching! I But I play on the Span-isli Gui-tar clunglcliing! And -A^- ^£z&^ nif ^pjj ^^^ m^ jy J. -SI— - sS j-tk -^—v- g^i used to make love to the la - dies, still I am fond of the la - dies, =* ^^ m^i I think of tliem now when a - far, ching ! ching ! Though now I'm a liap- py pa - pa, ching ! ching ! Si 1=]: Chorus. P r—i^- m^ JV--N1 -N &, N ^ SEiE N N- =J:rti: itrti: --i=--t- Eing!ching!ching!Ring!ching!ching!Ring out ye bells, oh, ring out ye bells, oli, ring out ye bells 1 m. ¥t- J=t rtfc M= =P=::t Repeat chonis snfily. m -N — »>F =H^-=^ ES Ring!ching!ching!ring!ching!chmg!ring out ye bells, As I play on the Span- ish gui - tar, chinglching! ^S^ i|=!t -| : M: =^ ^ OopyrlgDi 1883 bv w'm. H. Hills 22 A HORRIBLE TALE. i Andante dolorosa. More doloroso. 5=F#^ -^- f '■I The Oh ! a lior • ri ■ ble tale I pa • ri - ent was so i still more doloroso. ;fe^ ¥ liave to tell. Of sad dis - as - ters that be - fel A fam • i - lee grim a guf-fin He nev - er liked no fun nor nuf-fin, And he nev • er made that the ^=^ r r r * * * •- m ^^E^l ^3 ^ ^ =t =1: =t =t -•- -•- -•- -•- -»- As much doloroso as possible. ^?F=P ^ rit=&-=i: -=l--5^ N N once re - sid - ed Just in the ve - ry same thor-ough-f are as I did. least - est en - deav-or To crack a joke, not wliat - sura - dev ■ er. ^ ^ r^ w w > — ^ s m fM>-4 T -:t $ Chorus, prestissimo. poco cres. m >i IV -^ &- -^ ^- --M=^- For, oh ! it is such a hor - ri - ble tale, 'Twill make your fac - es all turn pale; Your ' ^i^^E$EE^t^EE$ =^^th ::M^ Ef: 1'.',:?^ #-^- i m. eyes with grief will be o - ver • come, Twee - die twad - die twid-dle twiddle twum. e ^^^^^^m i ^7 1 m g J^3: 3ES^ I A HORRIBLE TALE. Concluded. 23 2. Tlioy nev-cr saw no conipa-ncc, Tliougli tlioy was a most rospcctablo fa-nii-lee And ev'ry boy anil ev'ry gall Grew liy-po-con iler-i-acal. They tliouglit tliey had all sorts of sorrers, And conjuri'd u|) all kinds of horrors, Each had a face as loii^' as a ladder, And was frightened into fits if they see their own shadder. 8. They sat with the cur-tains drawn down tight. On pur-pose for to keep out the liglit, Fa-ther, nio-ther, sister, and brotlier. Ne-ver spoke a single word to one another. Well, at last this doleful, dismal lot. So dreadful mel-an-cho-ly got, That an end to theirselves they did agree, Just as soon as they could settle upon which end it was to be. 4. First the father into the garden did walk. And cut his throat witli a lump of chalk; Then tlie mother an end to herself she put, By a-hanging of herself in the water butt ; Then the sister went down on her bended knees. And smothered herself with a toasted cheese : But the brother who was a determined young feller, Went and poisoned himself with his uraberella. Tlien tlie little baby in the cradle, 8hot itself dead with the silver ladle. While the servant girl seeing what they did. She strangled herself with the saucepan lid ; The miserable eat, by the kitchen tire. Swallowed a portion of the fender and did expire : And a tiy on the ceiling — tliis case was the wust' un. Went anfl blowed itself up with siiontaneous combus- tion. Then in there walked the auctioneer Who did with the furniture disappear, And the broker's man, — this ain't no fable, — Made himself away with a three-legged table ; Wlien the walls saw this, their sides they splits. The windows cracked themselves to bits; And so universal was the slaughter rate. There was nothing left at all l)ut an unpaid water rate. Moral. So here's a moral if you choose, Don't never give way to the blues. Or you may come to the dreadful ends, Qf these my melancholy friends. For ain't it now a norrible tale, Hope it's made your faces all turn pale. Your eyes with grief is overcome, Tweedle, twaddle, twiddle twaddle twum! Energetically, ad lib. PEANUT SONG. ^^fe m I Oh ! ye fel - lers that have pea - nuts And give your neigh- bor I't have an - y of my pea - nuts When your pea-nuts are none; gone, -•- Yer When shan't have an - y of my pea - nuts, When your pea - nuts are gone. i — 1^ z4 — 4 — i z ^m i -:^-- Oh! Oh! Oh! Oh ! Oh! 7. Oh ! 8. Oh ! 9. Oh ! all ye fellers all ye fellers all ye fellers all ye fellers all ye fellers all ye fellers all ye fellers all ye fellers etc. that have that have that have that have that have that h.ave that have that have Spokes. sherry chicken, and give your neighbor none, etc. pickled persimmons, and give your neighbor none, etc. huckleberry pot-pie, and give your neighbor none, etc. soft, sweet, soda-crackers, and give your neighbor none, etc. nice, sour, Messina oranges, and give your neighbor none, etc. Mrs. Winslow's soothing syrup, and give your neiglibor none, etc. ripe, ricli, red strawberry short-cake, and give your neighbor none, etc. California clam chowder and oysters on the half-shell, and give your neighbor none. Not if I knows myself. Copyriglit. 18S3. by Wm. II. Hills. 24 OVER THE GARDEN WALL. TVords by IIarrt Hunter. Music by G. D. Fox. Vii-nce. m i=^ e£1 1. Oh, my love stood un - der the wal • nut tree, 2. But her fath- er stamped and her fath - er raved, O • ver the gar - den wall, O - ver tlie gar - den wall, She And ^=± ^1 =<=*: P ^ ^r r ^1 #5 & --^ -zt -± h i i=^ 4ft whis-pered and said she'd be true to ine, like an old mad - man he be - haved, O - ver the gar - den wall. She'd O - ver the gar - den wall. She ^=S=E3 i^:^: *S.=^ -i—9r ^—4 i m ^=E -X J r # $ ^^ rSt =N^Ht: ;^ Et^ii beau - ti - ful eyes, and beau - tl - ful hair. She vjas not ver - y tall, so slie stood on a chair, And made a bou-quet of ro - ses red, Butim-me-di- ate - ly I popped up my head. He ^ t t t t r^ 5 t T— t- n tr-'5 E^E -r -^ m ■It 55 -•--#-* ' ::^=t ^ i man - y gave me T a time liave I kissed her there, a buck - et of water in - stead, ^f ZM=:ti-. -X -i - * t o o -:r^- ver the ver the gar gar * t den wall. den wall. W —4— "rr OYER THE GARDEN WALL. Concluded. 25 Chorus. ^^^^^ ^^ fe=«t ::i^=3z Ov-er the gar-den wall, The sweetest girl of There ne-ver were yet such eyes of jet, And y=^t^ ^ ■•"jS!" "I 3: -•- -0-0- -9 — S~S— -0f--0B-0fr -'f- P=^=^- *=it i 8= 8=F=Fp=F=F=r !^^^ |g^ :1^=i: i^ HCTfC :if^ r^-^- I you may bet I'll nev-er for- get The night our lips in kiss -es met, 0-ver the gar-den wall. £: £= -F-V-t^ ^^ i^t =^ ^Sl ^S M=t 3 One (lay I jumped down on tlie other side, Over tlie garden wall, And she bravely promised to be my bride, Over the garden wall ; But she screamed in a friglit, "Here's father, quick! 1 have an impression he's bringing a sticK." But I brought tlie impression of half a brick, Over the garden wall. — Cho. I. 4 But where there's a will there's always a way. Over the garden wall, There's always a night as well as a day. Over the garden wall ; We liadn't much money, but weddmgs are cheap, So while the old fellow was snoring asleep. With a lad and a ladder, she managed to creep Over the garden wall. — Cho. THE TWO ROSES. Andante, mf Wekner. bank two ro • leaves of white 3. Like her cheeks the blush 1. On a 2. Thus in ses fair, ar - rayed, iug ray. i Wet with Not a Which the I ^ morn - mg speck to bud en show - ers, dim them, clos - - es, ?^ t= :^S5t P ^^ S ^-=^= I ieee^^Jee^^eP?^^^^^ — I — v-^ Gemmed with dew, in fra-grance grew, So I find the spot - less mind Bright - er far than you they are ; P . ^ l&^^ETz As I, pen - sive, full of care. Which a - doms my spot - less maid. But her charms, if I should say, 4— EfeEEjl Gathered two sweet In - no - cen - ce's You'd be jeal - ous, INI N If 3^£ *i «i 1^ mf -£ • P-0- ^^E ^ *=? i flow - ers. em • blem. ro - ses. m s^ 1 \r Tell me, Tell me. Tell me, mf — V-^ — 0- ro ro ses, ses, ses. etc, etc. ly tell, If my fair one loves me well. ■^ "^ i 26 MICHAEL ROY. ^ Allegretto, mf 5^- > N ^— »*•,- 1. In Brook -lyn ci - ty there lived a maid, And she was known to •2. She fell in love with a char - coal man, Me - Clos - key was his 3! Jlc - Clos - key shout-ed and hol-lered in vain, For the donk - ey would - n't -• — « Her His And he -S- ^ =^ -^- -JV— fV— N- -• — •- ^ ^ f > ^— &. ' ^ ■ ^ U- -ii^ii a ~y~r 5=t^ atzi S= -^-^ -A— IS — pv— n- ^t=i- moth-er's name was Ma - ri Ann, And hers was Ma - rl fiwht-ing wei. & — d— I accel. ^ ritard. ^ ^jiB ^^Ea fE^Fg^N ^epETE^^E F^^^N ^a Mer -ri - ly now we roll.roll, roll, roll, roll, roll, Mcrri-ly now we roll, roll, o - ver the deep blue sea. m Mer -ri - ly now we roll,roU roll, roll, roll, roll, Merri-ly now we roll, roll, o - ver the deep blue sea. i# rr tf^ ^^ N^ =?=t ^^^1 2 Little Jaiky Horner, A-sitting in a ciirner, I'.atiiig a Christmas pie ; He stuck in his thnnOi, And pulled out a pUmi, And said, "What a big boy am I !" Clio. Lot us all, ele. I'opyrlKliI, IHSl, liy Wm. II. lllLLS 3 Old Motlicr Hubbard, She went to tlii' cupboard, To get liiT poor dog a bone; But when shu got Ihcro, Tile cupboard was b.'ire, And so the poor doggy had no Cho. Let us all, etc. MY BONNIE. 29 Piano. i Andante. 3; i^ i^3i '^/ 5^WP ^fc qi=:)i= ^=^ -•- -#- -#- Eg^S^ 5^ ^ hP^ ^- in Dolce. -=-•- ?^ It ' 1. My Bon-nie is o - ver tlie o - eeaii, 2. Oil! blow, ye winds, - ver the o - cean, My Bon-nie is o - ver the sea; .... My And blow.ye winds,o - ver the sea ; . . . . Oh ! mf ^- -*■ -t- -*- -^ -^ -r -9- -*--*- -#--*- ^.,.3! __-^ ^m i i =1: ^. i 1 i^^ SE* Bon-nie is o - ver the o - cean, . . . blow, ye winds, o - ver the o - ecan, . . . Oh ! bring back my Bon-nie to me. And bring back my Bon-nie to me. V -s m 1 f ■^- ^- ^ Chorus. AIR. i -^n ^ ^•./" ^E^E^^ ^D.a i s t-' n^ -4-« X Bring back,bringback,Bring back my Bonnie to me,to me, Bring back, bring back,Oh!bring back my Bonnie to me. a) FIR.'^T texoe. P^gi 9 J. 3 ffrf-fzifagrgM^ n m =F=Pr '—»—»- -t9- rr-rr-^t ^2Z — ^ itzzt -f 0- T I 9 w r r FIRST BASS. Bring back,bringback,Bring backmyBonnie to rae,to me,Bringback,bring back,Oh!bring back my Bonnie to me. /J REcnxD HASf?. crw. . . . _ p — ^ •■T f ii =1=^ ■Smt 3^ :^ di il POf'- Last night as I lay on my pillow, Last night as I lay on my bed, Last night as I lay on my pillow, I dreamed that my Bonnie was dead. Cho. Bring back, etc. The winds have blown over the ocean. The winds have blown over the sea, The winds have blown over the ocean. And brought back my Bonnie to me. Cno. Bring back, etc. Copyriclit, ISSl.by Wm. H. Hills. 30 MA-RI HAD A LITTLE LAMB. f Allegro confuoco. ¥M ^ ^ ^- \ — N-r i Oh! ■(And Ma - ri had a lit - tie lamb, Lit - tie lamb, lit - tie lamb. Ma - ri had a lit - tie lamb, It's ev - 'ry-wherethatMa-ri went, Ma-ri went, Ma-ri went, Ev-'ry-w here that Ma- ri went, That followed her to school one day, School one day, school one da}-,It followed her to school one day.Which made the children laugh and play,Laugh and play, laugh and play,It made the children laugh and pl'a v. To ^ ^ ^ I ^ ! i^ K 1 ! ! ^ !< I k K ^ ^ ', K IV K 1^ ^ Ik it ?t=?t: g^ ^EfE IS— N- =ii=S= :^ -^- 1. 1 2. Unison. m Bleatiai/. ■HN — N — s — ri—A- iszis;:^! ^ :?^-J\— a:::? -a^^g- i7 fleece [omit] was fo»i;Vl was white a - gainst as snow, the rule. [o»i?q lamb was sure to go. [o»n7] see a Iamb at school. Bleating of the lamb, Bleating of the lamb, Ba-a ■ a -ah! Ba- ^ / k/ a - a - ah ! Ba - a - a - ah ! Ba - a - a - ah ! 1 m mz ^ i p m { 5 '' Oh ! ain't I glad h to get out the wil - der - ness, Get out the wi l - der - n ess, .. ^ .. .. >. 3. V P^ HM^-f 5^ P — ^- m -• — ^ — •- ^ ^ r'" =5= ^ get out the wil-der-ness. Ain't I glad to get out the wil-der-ness, Lean-ing m 1^=^ ■5*- the lamb. -- N, I -• m • • • — » — ■-»• ^r $ -J- e^^ -A — K C -A — « •- m Rip! slap! set 'em up a - gain,Witli a bum, jing,jing. With a bum, jing, jing ; Kiji > > ^ ^ ^ ^ slap! > ^^^^^PP^if^fPPPP ■t^-' set em up ^ ^ a - gain,With I bum,jing,jing, heigh -o! With a bum,jing,jing,AVith a 1ium,jing,jing, Coiiyilsht, ISSI.liy Wm. II. Hills. MA-RI HAD A LITTLE LAMB. Concluded. ol ti 1 1 e — I 1 1 1 « ' — i-e 1- h- Grass-liop-per a - whist - li - ing, " God save the Ki - i - ing," Li - to - ri - a, Li - to • ri - a, i ^=t^ m= i -A — &i- v=^ m^ =J=:^= ^=S= ggiE B g^5=^^ i^^^^g ^ a^J^b..=^ i Swee- de -le - we - tchu - hi - ra - sa, Li - to sc N— ^— fs N- ^S— K b 1/ 1/ I ri - a, Li - to • ri - a, Swee - de- le - we-dum-bum. ^— S- -it-M - 9—i^—i^ f=^ -V. — v—\ y -v'^ V V accel. f ^^i^^^^^^^^^Q ^ Whoop ! de - du - dah, du - di ■ u - di - u - dah, du - di - u - di - u - dah, du - di - u - di - u - dah, i ^' — f^ — ^-^^ — $> — S' — ^ — f^ ^-^-^ ^^■■ ^ :3=i=t // ?^ ^^i^ E^ /y/^""- i Whoof!! de - du - dah, du - di - u - di - u - dali, du - di -A & — t ^ — r-^ — & — ^ — &1 — ^ — ^— ^-^ — ^- ^^ ^Ei^m^^ m u - di - u - dah, WHOOP!!! — *. N N N. H- I THE DUKE OF YORK. March. m f [May be sung as a two-part round by shouting in the words "And," and "Oh! the."] ^ ^ J — * — The no - - ble Duke of York, He had ten thous - and wlien tliey were up, they were up, up, up ! And wlien tlicy were down, tliey were m m ^fii B.C. ad iiifin. m :i=S= :|^ men, He marched them up a hill one day. Then marched them down a-gain ! AND down,down,down !And when they were on - ly half-way up,They were neith-cr up nor down !()H ! THE -»-F. -I — r= ^ m Copyriuht, 1891, by W'm. II. lllLLS. 3-2 Allegro, rnf JINGLE, BELLS. £^^E ii m ^ — ^ :s::j>. :a=#= ^ l!5=f: ^m tj 1. Dashing thro' the snow, 2. A day or two a - go 3. Now the ground is wliite ; In a one-horse o - pen sleigli ; O'er the fields we go, I thouglit I'd take a ride. And soon Miss Fan-nie Bright Was Go it wliile you're young; Take the girls to-night. And m ^ -=•-* ^^ 3=*:: mf -Ti'—ir 1^^ T ^ f-r-^ -N— ^ 1 1 Laughing all the way; Bells on bob-tail ring seat - ed by my side. The horse was lean and lank ; sing this sleigli-ing song. Just get a bob-tail'd bay, -^ — v- Mak-ing spir - its bright ; Wliat Mis-fort -uneseem'd his lot; He Two-for - ty for his speed ; Then i;r =5=8= ^^ ^^E =S=i: ^ g ^ 5zE fe=r Chorus.*/ S S ^^^ ^E|E :t=t= t *i fun it is to ride and sing A sleigh-ing song to- night! got in - to a drift- ed bank.Andwe, we got up- sot. hitch him to an o-pensleigh,And crack! you'll take the lead. Jin - gle, bells ! jin - gle, bells ! I te^ ^s=^= ^ S ~*~T -i — J-J- -S^=i- -i—i-0- -4 4 4- ^- f ^ ^ T rt i ?=t: -«— *- t - Sl^^ U ^=:^=g: -V — >"- Jin - gle all the way ! Oh! what fun it is to ride In a one-horse o - pen sleigh ! l ^ii e^^^ i ?-^^— -^- -* — 4 -» m m- J=J=5*=t: ^ -w — i-i- -•— # @ gji^ p^ 33 ^^ i fe^ =*=^ i 5C3: I * -....r^-j; *^3c: I^^^B :t= :f=t tn :t V— / 12=1: Jin-gle,bells! jin-gle,bells ! Jin-gle all the way ! Oh ! what fun it is to ride In a one-horse open sleigh ! ^e 1^1 f •A^fOmpftnlM by Jingling glnMcn. Copyright, IB57, by 0. Ditaok A Co. By penuisBlon. Words by C. W. Bradley. THE POCO'S DAUGHTER. ^m^i 33 Melody by J. D. Ueddino.' f ^- ^- -^. .^. .^. 1. A po - CO lived oiiBriglitonStrc'ct.To get lum bread and beef to eatllc would tlie verdant stuilents ciieat.Down 2. Now to tills po-co's shop one day A Sopli-oiiiore did wend his wayTo sell his coat.tliat he might pay Ilig 3. The maid con - sent - ed, when she saw The po -co sleeping on the floor;But all too soon lier bliss was o'er.Kor ritard. ^. a tempo. ^-=^- i=^^^=r zts=^ Pifei^ g=ti=fc by CliarlesRiver's wa - ter. To keep his home- stead clean and neat He bad a maiden rare and sweet, She'd board-bill for the quarter. But when he saw the maiden gay, Said he,"I love thee,charniingfay!Then oh! he woke.and caught her. Kis hair stood up at the sight he saw, For just behind the kitchen doorTliere ^ wm 5^ ^ T^ "-sis'- ^r— r ^ :fc=^ ^=^=S -«^ — S-^— ^ ?F^ 9-= tr 3-=2 ^- mm^- p^ Chorus.,,// > :s=S=:p=i(=iif: S^^^e^ big black eyes and little white feet, Kat-ri - na, the po-co's daughter. Po-co, Po-co! keep thine eyeOn the skip in -to my arms, I pray,Thou love-ly po-co's daughter." () Poco, Po-co! etc. stood that wicked Soph - o - Tnore, A- kiss-ing of his daughter. Po-co, Po-co! etc. Ijl ^ ^ IcrpE s dark-haired girl, for she is sly, Or you'll be sor-ry by and by, you ev • er had a daughter. I ^.=* '-X ^- A- -J^- 3^ ^- IS s=s= 1=^ J-i- -•-'^- i i For very wrath his nose grew blue, He did not know what he did do. But straightway seized the wicked two, The Sophy and his daughter. He sewed tliem up in meal-bags two, AVhich to the river's bank he drew. And then the naughty pair he threw. Into Charles River's water. Cho. — Poco bold ! thou did'st anni- Hilate tlie maid, and she did die ; And you were sorry, by and by, You ever had a daughter. Copyright- 1891, by Wm. ^—i :5*= ^ 5 Long rears have fled, but still at night, O'er Brigliton Street a ghost in white, An airy Sophomnric sprite, Doth seek his Pocorina. And when, alone, at dead of niglit. You come from Carl's, a little tight. You'll see him in the pale moon-light, A-kissing of Katrina. Cho. — O Poco bold! thou did'st annl- Hilate the maid, ami she did die; But still o'er Harvard Square doth fly The spirit of Katrina. H. Hills. 34 Con anima. mf Solo. THE ANNEX MAID. Choevs. jJ 1S^ m o.mf ^ & 1. "Wliere aie you go-ing, 2. "What to do there, my pret-ty maid?" Heave a my pret-ty maid ? " Heave a > way! way ! Heigh - ho ! Heigli - ho ! Heigh- Heigh ho ! "I'm ho ! "I'm i -^-^ -•— *- ^^ ^SA -y^—^ -»^*^ go-ing to the An - nex, sir," go-ing to be cul - tured, sir," she said, "And I come from the Ri-o Gran slie said, "And I come from the Ri-o Gran m. de," de," t^j^^-'^w-mw Chorus, ff 1 go-mg go-ing to the An - nex, sir," to be cul- tared, sir,' she said, "And I come from the Ri - o Gran - de." slie said, "And I come from the Ri - o Gran • de." ^^f^^. ^ m^ ^ 1 *=ff T '^ i ^ ?=5= 3 "What are your studies, my pretty maid ?" Heave away! Heigho! Heigho ! "Chinese and Quaternions, sir," slie said, "And I come from the Rio Grande." Giro. — Heave away! etc. "Tlien wlio will marry you, my pretty maid ?" Heave away! Ileiglio ! Heigho! "Cultured girls don't marry, sir," she said, "And I come from the Rio Grande." Clio. — Heave away ! etc. Copyright, 1891, by Wm. 11, Hills. FRA DIAYOLO. Moderato. mf a=* ^. ^m 85 m 1. The fes-tal (lay lias come, Ami l)n'f;litly beams the morning ; Tlie sim peeps forth afresh, Our 2. Come,join in mirth and song, With young liearts fondly beat-ing Sip pleasure while we may. For M 'z:^±z mf f f^'^^^^^*^=^ ^ ^i tj%' }^*f^^^ m 'I^^E^ s -^ a*: 3= ? ^*~r Chorus. Unison. aEa^Ea EEESE gp^g^S^^ a^^f^gl f ZI^ te ^ festal (lay adorn - ing, Ilurrali! Hurrah! The festal day has comelHurrah ! Hurrah ! The festal day lias come, earthly joys are fleeting, Allegro vivace, f "^^^^M^m P =t*: *Upsee,upsce,tra-la - la - la, Upsee,upsee,tra-Ia - la - la, Upsee,upsee,tra-la - la - la,The festal day has corac.I hear the boots,tIie boots,the boots,the b-b-b-b-b-b-boots,FraDia-vo-lo,the Rob-ber ! FraDi - a - vo-lo,tlie Robber ! I 3 5 -•- • ^* hear the boots,tlie boots,the boots tlie b-bb-b-b-b-boots,FraDi - a - vo- lo, the Rob- her. Coming (Jown the stairs. I ±3t ^ -^4- E^^ :f=i= ^^^^^^ CopjTight, 18St,l)y Wm. II. Hills. 36 BEAUTIFUL BALLAD OF WASKA WEE, Melody by J. D. Kedding. Con moto. mf -^V-\- Words from Scriener's Mokthlt. -N— >r-rH N— ^ -P ■A- -+- PP --^=±^hl -^ ^ '^ ■*—*- Her voice This Turk Xow sim - Then tliislior- Now tlie Mi - was ■ ish pie rid, ka sweet man Was sly do as a ban - go - lin ; a tur - ban liad, ka Sing - ty Wee, old Turk - isli man was won - drous wise. Her mouth was This Turk-ish So good to Be - clared he'd He opened his small man hear, die moutli. as the head was sly so sweet on the Eng and slmt of a and to ■ lish his pin ; Her bad; He see, Re - plan, "And eyes : "The eyes whis • solved so," wid ran pered be- said ow's •- up, her chin ran down; Oh, she was the belle of Yeddo town. Now lovely Was-ka un - to Miss Was - ka Wee: "O fly with me to my own Turk- ee! O fly with me to my hind her bash - ful fan To be eiglitieth wife to thisTurkishman ; But tlio' lier heart was he, "my bright-wingedbird,Thou'lt have for tliy fortune the wid -ow's third "Then flew the maid to the third, daughter, will be What-ev - er the law will al-low to thee."Then flew the maid to the ^ -zi- i ^-^ ^E t==\- i=fc: -N-!V #— *• -N-N ^»=i P ff f It -^-^ Sing - ty Wee, So own Turk-ee! And full of glee. She Mi - ka - do, And Court of good to hear, and sweet to robes of gold I'll give to hung her head and said to told the plan of her Turk-isli see, The fair -est maid in all Jap -an. Fell thee — A gir-dle of pearls and love for life, If he: "If thoushould'st dle,my Turk-ish beau. Oh, beau," And now,"saidslie,"the whole thou'st heard.How i— «|- Lords, Where every man wore a brace of swords, And bade them name what sum would be hers When her ^^^^^^M ^ M =p=rF=F •-•■ =S^-N -N-\ ^ BH3=r^ ^s ¥^ =t=u dead in love with a Turkish man. The fair-est maid thou wilt be my eightieth wife." "A girdle, etc. where would poorWaska Singly go?" "If thou, etc. mucli willit be, this widow's third '""And now," etc. Turk should go to liia fore-fa - thers. And bade, etc. in all Jap • an. Fell dead in love with a 3 § 3= Copyrlahl, 1881, by Wm. H. Hiils. BEAUTIFUL BALLAD OF WASKA WEE. Concluded. 3" t=t: ^ ^^^-"* 1 ■ — F=* m^^ f * gpa Turkish man. The fair - est maid in J. Jap - an, Fell dead in love with a Turkish man. 6 They sat in council from dawn till night, And sat again till niorninj,' liH:ht, — Figured, and counted, :aul weighed, to see What an eightieth widow's tliird would be. And the end of it all, as you well might know, Was nought but grief to the Turkish beau; For lovely Waska Singly Wee Said : "Go back alone to your old Turkee '■" Ziemlich langsam mid zart. , FIRST TEJsOR. ™/ mm THE YOUNG LOVER. PP Tnos. KoscHAT, Op. 21. mf a w^^^^^^ ■ SECOND TEXOR. 1. Dear -est love, be coy, Shun each woo-ingboy [ls« Bnss.] 2. I have known thee,dear,Now full many a year ! [ls< Cus.s.] ^ Et±: f=^ FIRST BASS. 4^ SECOND p.iSS. tempo. f ■ f I* — f» — p- For the boys .... are . . . wild! For the boys,youknow, are vc - ry wild! In the fields .... we played In the fields together oft we played poco rit. But a 'iMid the ^ E^5 =S=8i P y it > rit. mf a ff 5 m ^Sfz ^ ^ ]/ •^ 1/ u ^ lone to me Mayst thou friend-ly be. When I come to woo thee, dar - ling child! For I heath - er sweet, Where the lambs would eat. Have I roamed with thee, a lit - tie maid. Now that IS ^ ^ ^ . ff '^ g^ g --4 " — " ' " — ■-"---- — ' ^— cri^^- ^^^'^^^l ^^^^^ _ ff ^ K N 1- m r-* J-^ — d P P — ts-^ ^ 1 P • 1 m . a r~ tempo. -==z ^.j^_ I' z. p PP poco rit. love thee so ! As -^— ^ all N P ht ^ ^ 1/ U i/ 1/ i^ 1/ one else, I know! Thv love-ly [ls( iJ<;,ss.l Thy love-ly tie maid no more Thou art tlie \\%t Bass.\ Thou art the mf ^ -•- • - 1 F •— Ef^^ -^ — t — I 1 n im - age stays with me. Came a im - age everstays with me. loveliest girl in town! Though thy loveliest girl in all the town I -^EE^ =5=f fe^ PP poco rit.^ ^ a tempo, p rit. f rit. molto. //' -f-r yt, — h W k/ U "-h '', — 1^ >« »' ^ — ^ ^ ^~ — if 1*" heart can H 1^ i/ u dan - ger nigh.For thee I'd glad - ly die ! God knows it well, who in my heart can see. moth-ersigh.Though all the world deny. My heart will break, if thou art not mme own! '\ a tempo. ^ . rit. —=== \ / tsrit. molto. C p " Copyrlglit. IRSi.l.y \Vm. II. Hills. an -^ E3E i 38 MY SUSANNA. Moderato. mf m^^. w^ *-7- g=3=fe=l=-^ IjZ^pZ 1. r bad a dream the oth - er night, When eve - ry thing was still, 2. Su - san - na, she's the girl for Die, I love her as my life ; ^^- dream 't I saw Su asked her on - ly -•-; — ^•■ ^ ' m «- mf Ir^S- ^ P^^- g=.N=^ ^f=n i ^-=^- -*■>—•- -¥-K Ttzrt -t t) (^ san- na dear A - coming down the hill ; A buckwheat cake was in her niouth.A tear was in her ves-ter-day If she would be my wife; She said she lov - ed another man, She did -n't know his mm -i — f^m — • • — « — c^ -tr- Su - 83', the ap - pie of my eye ! Tra, la, la, la, la, la, la, Tra, la, la, la. She's the ^ m=i- f ^^sc: P i -t Copyrlghl. H«l. l>y \Vn. II. II11.1.S. MY SUSANNA. Concluded. 39 7^-^ — zi-zi-d *- ^m ^m :fc=J=»= ^^i=i=i-- -A— 1 '' prettiest lit - tie yal-ler gal, north or south, I ev - cr did -^^^m^^ m=r^^^ i>y- 1 ^^m^ 3 i I ±=X--- t DRINKING SONG. Con spirito. ff ^ ^-=^ Pf^ =J^=J. Words and Music by F. R. Bubton. Heed less of SI 1. Fill once again to - geth - er IDrain every flow-ing cup! Heed-less of time o^ \\- cnth - e r. w m ^¥=*- BASSES. ■r- weath time Heedless of time or 1- r — F Heed less of cr, Heedless of eve - ry thought. ±=gi ^^^ N ;j ^ 3^ ztt^^ :fat «* ^ ?=Ef=^ I time . . . or . . . weather I ^^^^ \ Heedless of eve - ry thought. J less J- of I eve time. ry . thought. 1 -U= ^- :fe=l time Heed J- ?^ r or . . . weath - - er, . . . Heed - less o? eve - - ry . . . thought. less of time, Heedless of time or wcatli - er. ^1 -it—v - ■^ '^^^M ■£-^Uft-^ -f2_ E^ ^ r m m Heedless of time or weather, Heedless of every thought ; Heed less of f=^=^'^^ -»* Heed less of time or weath f= .N ^ -! Jtfc -f— •- er, Heedless of time or weatli - er. 1. Heedless of every thought. \ s ^ K /TV :3z£ ^ 2. Heedless of every thought. fv 1^ 1^ J^ I Fine. m^ -t^— ; tfc ( eve - i [OmiV] ^ t ry thought. Wliy [Omit.] ?^^ iN^ ^ * ^^ ^— ^-^ i ^ eSeJ llsi ry -4- thought. sliould the dim Here-af-ter Swal E=N^ ffrf # rr' Heedless of eve - ry thought. Heedless of eve - ry thought. 1^ I ^ ^ IB 4- D.C. alfine. low the Present up ! Sto - ry, and song,aud laugh - ter : Else-where can jov be sought ? ^ ' ' l^ SS^»^= 3?:: i / y 1/ / Copyriglit, Issl.by'n'M. II. HILLS. 40 MUSH, MUSH. i Andante, mf S J=J^ hJ-J ■ j^i^_^^ ^ ^ ^T=?= feto^ t^ 1. Oh/twas there I lamed ra - din' an' wri-tin,' AtBillyBrackett's wherelwintto school; me we had mon-y a scrimmage, An' div-il a copy I wrote; 2. Oh.'twas there that I larned all me court-in' O'thelissons I tuck in the art!. . Con-nor, she lived jist for-ninst me, An' tin-der lines to her I wrote ; And 'twag There was Till If ye ^ ^^ SeS ^ ^=1= mf ^^ ^t* ** 1^ -P-p!- ■• r r -p— p- -p— F- iEi i =!= fcfc 7^i=i t— there I lamed howlin' and figh - tin' Wid me schoolmasther, Mis - ter 0' Toole, Him an' ne'er a gos-soon in the Til - lage Dared thread on the tail o' my — Cu - pid, the blackguard, while sportin' An ar - row dhrur straight through me heart. Miss Judy 0' dare say wan Aard word a - gin her, I'U thread on the tail o' yer — =^=5= ^1^ X W-. -*—-zA- -P--P wm 3= CJ ^— * m I J=nJ: •25*- -P-P- -f^-1!^ ^- Chorus. I 2. t ^ W=i=S=^' za — *" Mush,mush,mush, tu - ral - i - ad - dy ! Sing,mu8h,mush,mush,tu - ral - i - a ! . . . m There was If ye PS ^=1= }-*T*^S^ :il-»f- ** ** ^^ I ^ r-T- r^~!^ S ^ 1 — ^ ne'er a gos - soon in the vil - lage Dared thread on the tail o' me coat ! dare say wan hard word a - gin her, I'll 'thread on the tail o' yer coat! XJ r-Tm=i ^- iE? m ^=^ "^^5 -^J T-xi::^ ^ ^- 3. But a blackguard, called Micky Maloney, Came an' sthole her afflctiong away ; Fur he'd money an' I hadn't ony So I sint him a ohnllcnge nixt day. In the A. M. we met at Killarncy, The Shannon we crossed in a boat; An' I lathered him wid me sliillaly. Fur he throd on the tail o' me — Cho. Cgpyrlght, 1880, by Wm. H. Hills. Oh, me fame wint abroad tlirough the nation, An' folks came ii-flockin' to see ; An' they cried out, widout hesitation : "You're a fightin' man, Billy McGce !" Oh, I've claned out the Finnigan faction, An' I've licked all the Murphys afloat ; If you're in fur a row or a raction, Jist ye tliread on the tail o' my — Cho. THE QUILTING PARTY. 41 Andante. _i2 I ^-^ -^— •- ^ JtZt 1. In the sky the bright stars ght-tered, 2. On my arm a soft hand rest-ed, On the bank the pale moon slione ; Rest - ed light as o - cean foam ; And 'twas And 'twa; ^^ ^ wm m^ ^^^m^^m w J J - 1^ ^T^ ^ ^M ^ IS ^ dHr :p=i= -^^^ ^^ -t^— u'— V- -t)i — u- from from AuntDi - nah's quilting AuntDi - nah's quilting par-ty, I was see par-ty, I was see ing Nel-lie ing Nel-lie home, home. Chorus, nif ^^ P-J— J^^N^ SE ^ :F=t I was see - ing Nel - lie home, I was see - ing Nel - lie home ; And 'twas ^ ^ i^ -z^ ^ =p ^ -si- i ^ i s 1^- ^ ± t ;ts from Aunt Di - nah's quilt - ing ^ 1 par - ty, was see -^ X ing Nel - he home. ^ i ^^5 m -k repeat pp. mi ms: 3Z ^ On my lips a whisper trembled, Trembled till it dared to come ; And 'twas from Aunt Dinah's quilting party, I was seeing Nellie home. On my Ufe new hopes were dawning, And those hopes have lived and grown ; And 'twas from Aunt Dinah's quilting party, I was seeing Nellie home. 42 POLLy-WOLLY-DOODLE. Allegro, solo. ^m t :=i-^H-^^^^ ^ m -v-v V ^ ' I'-' l 1. Oh, I went down South.f or to see my Sal ; Sing, "Pol-ly -wol-ly- doo-dle" all the day ! My 2. Oh.my Sal, she am a maid - en fair; Sing, "Pol-ly -wol-ly- doo-dle" all the day ! With ^ :t=)= I I I T— P ^ -W- >- -W- * * :t i: i ^ _p — .-_ Chorus./ „ Chobus. s N n N . . unorus._ nT=f I ^ """""" I "I t'^ ... . Sal - ly am a spunk-y gal, Sing,"Polly-wol-ly-doo-dle"aU the day ! Fare-well ! . . . Fare - ciir-ly eyes and laugh-ing hair, SiDg,"Pol-ly-wol-ly-doodle" all the day! Bass. Fare thee weu I Fare thee weu I Fare Owe rs= 5 m -*—* t t jt ^ -*■ m ^ i^T^ r - r S: i^L^=u=i^m-u=^ i -m- I 1. U — •— -<=^ ^^^p— '—— ^Sr^S-p-r well ! . . . Fare-well,my f ai-ry fay ! Oh,I'm off to Louisi - an - a, for to see my Su-sy An-na^ Singing, well ! Fare thee well ! ^ I I I :g= I I I : r I I | ^ 1 | =^ ^~^ * ^E^ S ^ -ZJt- ^ ^ p '^^ U.L U J-J-U A— ^ P ^— « -#—•—• — « < — •■ f^ T^rD "l -r^f-D ^ *Tol-ly-wol-ly-doo-dle"aU the day ! Fare - well ! . . . Fare - well ! . . . Fare - well, my fai-ry Bass. Fare thee well 1 Fare thee well 1 Fare thee welt I Faro ttiee well I P n-J J I - J-;l -*—*- tttt ^ Iftr tttt *^~r Copyright, 1880, liy Wu. II. Hills. POLLY-WOLLY-DOODLE. Concluded. 43 #tg^Eg^ # #j ^^ E±^ ^^ft ^E^EJ^ aa Ttr fay! . Oh! I'm off to Louisi - an - a, for to see my Su - sy Aii-na,Singing/*Polly-wol-ly- doodle/'all the day. fay I fairy fay 1 ^=m^^^^ m I :^ m ^ i 1 -z?- t- 3 Oh ! I came to a river, an' I couldn't get across ; Sing, "Polly," etc. An' I jumped upon a nigger, an' I tho't he was a hoss ; Sing, " Polly," etc. — Cho. 4 Oh ! a grasshopper sittin' on a railroad track, A-pickin' his teef wid a carpet tack. — Cho. 5 Oh! I went to bed, but it wasn't no use ; My feet stuck out for a chicken roost. — Cho. 6 Behind de barn, down on my knees ; I thought I heard that chicken sneeze. — Cho. 7 He sneezed so hard wid de 'hoopin'-cough, He sneezed his head an' his tail right off. — Cho. And so on ad infin. AURA LEE. Dolce, p A ndante. mf ores. ^^^W^Fj^^CJid^-R^ Used by permission of John Chdrch & Co. MY LADY. mf ores. lrit.2. ^^1^=^ S^S t'— t'-v- 1. I hear, I hear, 2. I see, I see, 3. I lore, I love, 4. 'Ti3 love, 'tl9 love. I hear my la - dy, ha! ha! ha! I hear, I hear, I hearmy la - dy,ha!ha ! I see my la - dy, ha! ha! ha! I see, I see, I see my la - dy,ha! ha! I love my la - dy, ha! ha! ha ! I love, I love, I love my la - dy.ha ! ha ! 'tia love that makes the world go roimd, Tis love, 'tis love, 'tis love that makes the world go ha! ha! ha! ha! ha ! ha ! ha ! ha ! ha! ha! ha! ha! round, world go round. Copyright, 1830, hy Wm. H. Hills. 44 FAREWELL FOR EVER. Words by H. B. Faknie. Music by Michael Co.nnellt FlASO. All night thro' thy slumbers my passionate numbers Have tlirill'd to tliy dream ing heart, My heart wildly beating would liear thee repeating Thy vow,thou art mine alone : Till drawn And far . M ^ I j - ^izS ^=t-«-«i: S^^ m mm-, — r-4 I I Tgzl^ 9 ial m s ■al— S- d \ » * "■ aai ^^ 4i»U- ijzj: 1: -^ ^m ^^fe ElE^^ =^:* ^ i^N^ poco agitato. *5rf> i i f e2=t:J Se it i #- by my sorrow,Thou wak'st with the morrow.To know that this hour we part. . o'er the billow.My dream-haunted pillow Shall bring thee a-gain,raine own, The dews of last night are One touch on my hand.one ? 1 d — d--^ ^ ^^ »»^ ^^d»-± -*- ^m w i Fed. poco agitato. ? J-^^<-^ W^ t ^ ritard. A-N-^-^-— 3=V-K '5»- dry on the plain, Yet on my cheeks tears are falling like rain. Oh I . kiss on my brow, Over! and tliou art a memory now. Farewell for ever, Farewell to thee! :5;'->^'- -J^'-te T 53: eS^ : i 5»- — 't# — =^*? j-T-l^: ir^- =qid==--pi , 1 ^ 1 i l Jii I Ji ^H^'~^"^~ l * "^ "^ TJr^ ^ nf ^ ^f -•- i ^^ P padiih.'y y.c. I F=^ 3 *-Ti< ^ :S3t ^5 ^i :1S=*=K^ =^ !>*■-, Mountains may sever, man - y a lea! Brighttho'oTirdreaming.'Twasnotto be, Farewell.my own, totheel ^^^ ^^r^l^!^^^r^§E^^Fi^^ iH ± ^ F± -♦t- i ^ I FORSAKEN AM I! 4o EngliabVorda by LUDWIQ. Firqt and Second Tenor. THUS KOSCHAT. T- =«=q^?:== for - sak S^^i^ It 3: u 1. For - sak - en, for - sak - en, 2. A raouud's iu that churchyard. Fair buds o'er ■•--1— T- — !—•-*■ ^ a ,j 2^-4-v It PP First and Second r r am I ! Like a stone by the road-side. All it break, And there sleeps my darl - ing, Ane* ^ J^s f^l^^^^^in rir -•=^ I -Si 3t= moil pass me by; will not a- wake; 1 — r --• — •- i^"^ll£ t=t=t -1- .._(S^- -4— L— t 1 T -S--2-S; 1 T ._^* :t=;t ..If- ^?^ I go to a graveyard, No hope my hearts cheers, There sad - ly I Each day do I stay there. To weep by the stone. And bit - ter - ly EIE :d=I 5^g^^ 8-?-?- £#-•- -0- Et^E ^,-.. It :;pi leJi^l 92 kneel rae. And shed bit - ter tears, feel there That on earth I'm a - lone. It d=i5EJ: There sad - ly I kneel me. And shed bit - ter tears. And bit - ter - ly feel there That on earth Tm a - lone. ■50 N ^^^^JP^ .iri,i)t^i»^_zfzJ'L^?: ?-?- T- i I J i^tii=J: 4-, 4=^=^= -- GIN-SLING. Am—" Good old colony times." 1. In good old col - o - ny times. When we lived un - der the king. Each Sat - ur - day night we 2. And Senior, and Junior, and Soph, And Freshman, and tu - lor, and prof. When once they be - gan. they 3. And Hoi -lis used to roar. And Stoughton used to sing, While the rollicking rabble lay 4. But times are changed since then. And life's a dif - fer - ent thing. And gone are the good old ^ ,- ^ _^_ _^ I- . J -r*- -'- • -*- ' ' i!iti Xz It i^li =?= It i==t It -'>— ^Sst m used to nev - er un - der col - o - get left the ny ±^ 13= — ^^"-T * *- tight, A - pour - ing down gin - sling, off, A - pour - ing down gin - sling, table, A - pour - ing down gin -sling, times. When we liv'd under the king. Fife ^ -•{(: -*-?- A - pour - ing down gin - sling. A - pour - ing down gin - sling. A - pour - ing down gin - sling. When we liv'd un -der the king, r*j -•- -0- -»- -•- -&- A - A - A - When we r r m pour-ing down gin-sling, pour-ingdown gin-sling, pour-ing down gin-sling, liv'd un-der the kin Each Sat-ur-day night. We used to get tight, A - pouring down gin-sling. When once they be - gan. They nev-er feft off, A - pouring down gin-sling While the rollicking rabble Lay un-der the table, A - pouring down gin-shng. But gone are the good old col - o- ny times, When we liv'd under the king. li^^^^g^^j^iii^^fe 46 i Alhffro mf THE MERRY CHINK, CHINK, CHINK. Words and Music by G. W. Hcnt. ^ -^^- A- f=^ p w=r- -A-5: T^-»-#— •^^P^ :^=^ it—i^ -iint ^ f P- 5 \> ^ V V- V-^ V — 'tt- 1. Some Elng of charming woman, Some sing in praise of drink, I'll sing of what we all a -dore.And that's the mer-ry chink. You may r^ ^i-^mf^ tJ ■ J'li^M ^ ^a^ig^E^ ^ call it fll-thy In - ere, Vou may call It fll-thy dross, But up a treeyou'resureto beWhen you've to mourn its loss. m ^rf I I W 5^E^g ^ Chorus. S i ^ ^ r^ ±=± ^ ^ ^==3^ •i-^H^ f- -*— * TE=X For there's nothing half so Jol - ly as the chink .chink ^hink, Nothing half bo handy as the chink.chlnk, chink. You may t :t-4^jr_ I I I J-Hi-J -m — f « • 4 rgrr^r s=c 5= i ^ ^ ^ S t:^ 1 wife, You may do wlth-out a drink, But you can't do with-ont the merry chink. chink,chlnk. do without §=t±:t=t± ]- | f 1-l i ■ L^ i Lt^ i ^^^^ i j= ^^N^^jfei J . A rof;iilf>li llltln darling lond Knrli.'inlmcnt to vour life; Tonr (.iinirlisfl wntilil be complete, If mIh-M Im-.oiiic your wife! Tow.'inl-* lilif-^ iii.i^UT Ciipltl Blindly Irudn you to the brink, Wbrrc ho very oftnn drops you If you haven't sot the '^' cidnk."— Cbo. 3. And whorf^ would bo our darllngn, Oh I wbiilrvcr \\oiild Ihoy do? There'll Ik? xm IcilWiior pimlcn, Nor uniiK - -f- I All hail to the College Beau - ti - f ul ! All hail to tlie na - vy - blue ! All hail to the College Beau-ti-ful! All hail to the brave and bright All hail to the College Beau-ti-ful! All hail to the ALTOS. sacred All hail to the girls who are She has taken her place in the walls! Where.sinkinga-way in the J— t ^^^^E^ T- T- ^ \ \ i I ^ =^ ft=5t ^^ ±i tJ I I ^-- 4— U grazioso. EJE -^ =1= ^- -!^ — ^ -H m •- i^rr — =t= X gath'ring pearlsFrom'the shells that are o - pen to few! From the shells upcast by the ebb - ingPast On the swift-sandaled raceWhere the strong man smiles in his might, Oh, shin-inga-risethe lights in her eyes,And her shad-owy gray. Aye, the sun's last ra-di-ance falls! Where first on the lake the daybeams awake,Aiid the P ^= 1 — l ~~T 4- ^ E^ -A — ^ r ^-n-fV-f-Hi I I ^m 4=1: J^-=. X=X *=5:Si f^ w^^mrm ^ 5—*- ^ shores where ,faitliful and true, . hands are hot for the prize. . Spring's white mana - cles break. . An earnest band.with the grop-ing hand.Are seeking the jewels from . Now fast and far let the race be tried! She runs in her weakness and . But flushed in waking or pale in rest, With leaves on her hair or with :j=^rHrH=d=d=i=?tiJr ^=j=j=;^i^:^ = -H ' -g4-j^ ^ -1 ^^ -1 =1=4 S5 Maestoso. ■X- -^-J l j J J ^~ •^ ^E ^ ff^n. 3= £ 42- II I I I I I ' ' '^'■^ '^*'' un-der the sand;And spreading a-broad through the breadth of the landThe name of the nary blue,And spreading a - . he in hispride. But run as they will, they will run side by side,And share in the victors right. But run as they snows on her breast ; For - ev - er the fair - est,and noblest.and best.AU hail to her sa - cred walls ! Forev - er the f |r^- .t ! Q=^g^ ^5 I I Chorus. ■3^ X (...norus. Ill I -0- s>- -0 beauti - ful ^ i ••--ts ft r T B=i F=f= doff I I [ f broad through the breadth of the land.The name of the na - vy- blue. AUhail to the College, hail will, theywillrunside by side. And share in the vie -tor's right. fair - est, and no-ble8t,andbe8t, All hail to her sa - cred walls! AU ^^^ T- t^- i -f y ^jj h^-j-^^=j=Mf=f hail to the royalthrone.Wlience her heartwithin her burning, Silver - voiced, far-eyed Learning looks /^ "if up- mfH^^^^f^^^^^^^ ^ s t=i^ Copyright. 1879, bf C. H. MoR. *-« > T-r-F- -f- ^ f f f i ^^M. f^-*- •p— I* ^m I m r^f=^ r-r AiB— 'TAe Menagerie." Ha S O^. Words by Miss M. C. Eno, Class of '80, Wellesley College. ^ ^ N — ^— N t zQz ^ i^J' J^yJ zj^^ m ^^1^ ^ 1. Directions. You take a fewpiec-es of zinc. And put in your gen - er - a - tor, Add 2. Observations. The ac - tion was not ver-y brisk.When I put inH, SO«,SoI 3. Conclusions. As I wiped up the ac - id and zinc, And swept up the glass from the floor, I con- m ^ ^ ^^g j i Chorus. / ?r-^ ^ N ^ N N ^=F=r 3E » dim =b= ifcat wa - ter,then plug in the cork, And pour in H i S O 4, And pour in H « S «, And tried ni-tric ac - id to see If the tiling wouldn't bubble up more.If the thing wouldn't bubble up more.If tlie clud • ed I'd stick to directions, And try my own methods no more. And try my own methods no more.And m •p~~T ^Lh(L_4- jz^ ^ fCTTTT l t-^ I £ * t' ^t=tfc 1- pour in H J S O «, Add wa- ter, then plug in the cork. And pour in H t SO,, thing wouldn't bubble up more.So I tried ni -trie ac - id to see If the thing wouldn't bubble up moro. try my own methods no more,I con - clud-ed I'd stick to di-rections, And try my own methods no more Copyright. 1S80, by Wm. H. Hills. 50 THE BOLD FISHERMAN. Tempo di valse. mf Words and Music by G. \V. Hdnt. 1. There once was a bold Fish-er-man, Who sail'd forth from Billingsgate, To catch the mild 2. First he wrig - gled, then he strig-gled, In the wa - ter so bri-ny - o, He bel - low'd and he 3. His ghost walked that ni-i-ight, To the bed - side of his Ma- 7-^ Jane ; He told her how §feS m fco^^^S y^^ -''— '^ '^^^ -^ ^S-^& po - gy, And the shy mack - er - el. But when he arrove off Pim-li-co, The stormy wind, it did be- yel - lowed Out for help, but in vain ; Then down did he gently gli - i - ide, To the buttom of the sil-v'ry dead he was,"Then," says she,"I'Il go mad !" " For since my dovey is so dead," says she, "i\ll jo - o - oy from me "has ^ zU^^izmi ^- B* B* t n -A— >f- ^ *,—''- M—^. V— I**— g— i<- @^iP -^-^- ii:^ rfc: Chant ad lib. ■N £■— 5'— *-— tr £^pz zc - gin to blow. And his lit-tle boat, it wib-ble wob-ble so. That slick o-ver-board he fell. Spoken. All among the Conger eels, and the Dover soles, and the kippered Herrinj^s, and the Dut«h plaice, and the Whitebait, and the Blackbait, and the Tittlebats, and the BricbbatB, and the MuUibobs, and the Pummy -jobs, singing: ti - i - ide, But pre-vi-ous-ly to that he cri-i-ied, "Fare - well. Ma - ry Jane!' to the terra Jirma at the bottom of the aqua pura, he simply took a cough. lozenge, and murmured : . . fled," says she," I'll go a rav-ini; lun-i - ac !" says she. And she went star - ing mad. .Spoken. She thereupon tore her best chignon to smithereens, danced the *'Can-Can" on the top ot'the water-butt, and joined the Woman's Rights Associ- ation, and IVequently edilies the angelic members thereof by softly chanting a song of plaintive memory, viz. : Spoken. N\"hen hecame -r- Chorus. / B I -*-r- Twin - kic doo - die - dum, Twin - kle doo - die - dum, That's t!v! Twin - kle doo - die - dum. Twin - kle doo - die - dum. That's the high - ly in re - frain of ter - est - ing the gen - tie Twin ■ kle doo - die - dum, Twin - kle doo - die - dum, That's the kind of soul - in - spir - ing ^=^= f^ :-iE 11 :c-dr tizzii THE BOLD FISHERMAN. Concluded. .01 B.C. MEERSCHAUM PIPE. Espressivo. nif Hi :^3— N- ^-rr1^5- -jd=iz '■^ itTtzJz !■•-■•-«--•■ \ — — ZZ "* 1. oil, who will smoke my meerschaum pipe, . . . Oli, who will smolje my meerschaum pipe Oh, BASSES: Meerschaum pipe, basses: Meerschaum pipe, Unison. ff 3=: -•—»- U^i -#— P— 1 7S-' who will smoke my raeer-schaum pipe. When I am far a-wav ? basses: Al-lieBazan! BAD MAN!!! ^ ^:JJ is* *** *** -••-•♦-.•^ w-^^-^ :$. t tt fefi^t 4. — t-i - 2. Oh, who will wear my casfroff boots ? Allie Bazan ! Johnnie Moran ! 3. Oh, who will hoist my green umbrell ! Allie Bazan ! Johnnie Moran ! Mary McCann ! 4. Oh, who will go to see my girl ? Allie Bazan, Johnnie Moran, Mary McCann, Kazecazan ! 5. Oh, who will take her out to ride ^ Allie Bazan, Johnnie Moran, Mary JleCann, Kazecazan, Yucatan ! • Repeat this strain ouce for second stanza, twice for third, etc. Copyright, 1881, by 6. Oh, who will squeeze her snow-white hand 1 Allie Bazan, Johnnie Moran, Mary McCann, Kazecazan, Yucatan, Kalamazoo ! 7. Oh, who will trot her on his knee ? Allie Bazan, Johnnie Moran, Mary McCann, Kazecazan, Yucatan, Kalamazoo, Michigan ! 8. Oh, who will kiss her ruby lips ? Allie Bazan, Johnnie Moran, Mary McCann, Kazecazan, Yucatan, Kalamazoo, Michigan, BAD MAN ! ! ! t For last stanza only. Wm. II. Hjlls. 52 THE MAID OF YORK BEACH. Allegro, mf ~^— N- ;'EiE5^ tsz • ^ Si ^-*- y—'/- ±a!; W^^^=W- 1. Oh, sometime to come, I remember it well, Tins! ting! 'Way down on York Beach a maiden did dwell; Ting! ting! She ^ mf *— ^ — ^— J— *- ^?r=lfcg= -r^^-i^^ rrvTs r:>. ^^S^Egg i^ g^Efe^ tZIJC Vi/\i/ >>i/ ■^33 » • r^ • r»- ' — ;;^ r» ^ r^ • ^•-^ — ^ • — ■ — a — » w -* a — * f - r* ' — i — a • iT— » ir "• * — » - - -»~ — } — e /Tv/JV ' r-t — ^ — ^ — ^ — K— N raK. fe1^=?-^ — (^ — j'^ — [^ — l'^^ — 1— J^ ■■^■.|^ s, !^ , ^-"^^r^ ^_;^zE^^:j • • ! ■* i^ tt 4 4 4 ^ '- s S 4 ' p p 4 4 4 4^ dwelt vith her father and mother serene,Her age .( 1 1 — 1 1 , — . — ^_^ i^'^r*-*-'-^ r+ "^ — i — < — n* — t was red, and her hair was nineteeu,Ting-a-ting Iting! ting! ting! ting > 1— 1 > ^- ! ting! Tlng-a-tingl ling! [tiug! -• — i^-^ — «- r i^ t. 4 i i 1 1 hi 7 1 7 h" f'd 7 1* — ^ — • - ^^ ^^ ^ '- ti-^=;— -^ — t— « '- '-^ 1^ -^ h tr-' ti==^^ a 2. Now close to this maiden her lover did dwell, Ting! ting! He was cross-legged in both eyes, and knock-kneed as well, Ting ! ting ! Said he, "Fly with me by the light of yon star. For you are the eye of my apple, yon are ! " Ting-a-ting ! ting I etc. 3. She answered him simply, " My heart knows no fear, Ting ! ting ! See the passion I feel by this glittering tear. Ting! ting! Let us rfe-part to-night, ere my father discerns. The love of the fervor that in each of us burns." Ting-a-ting ! ting ! etc. 4. Now when the old par-i-ent heard of the raid, Ting I ting I He quickly did open the knife of his blade, Ting! ting! And went with his thi'oat at the lover's fond steel. Saying, " I'll cure you both of this 'passion you feel.' " Ting-a-ting! ting! etc. 5. Now this lover sank down, and reposed in his gore. Ting! ting! And the fond maiden's fair tears availed her no more! Ting ! ting! What a tragedy, now, for a maiden so fair, Whose age it was red, and nineteen was her hair I Ting-a-ting ! ting ! etc. Solo. Vert/ nasally. THE BAGPIPES. rfe^ Note.— Ab the soloi-tt reache.'* the clinmx of the Bwell in the last meaaure, tljc chorus, diminuendn-infj, turn on their heels and scatter in all tlircctinns, thus illustrntinR the iicculiar die-away ilinsipation of sound characteristic of the bag-pipes. Meanwhile the HololHt, holding his note, stands facmg the audience, and puts an added volume of twang into his Ihiish, as though he had, willi an effort, squeezeil his bag flat. Copyright 1881, by 'Wm. TI. Hills. i Andante, mf Se THE THREE FLIES. Ballad. i^ :^ — &■ — &■ — ^ 53 ::^ 1. There were three flies, once on a time, De - ter-inined for to travel und change their clime; For ihej ^^E^ ^^^^ f^^m^^^^^f^ M—fr -^--^=6^16!= didn't care a hang for their father, nor their mother, Nor their uncle, nor their aunt, nor their Bister,nor their brother. ■\t=3z iii^ Iz5^i -^— i i^ . The first was a yellow one, the second was blue. The third was a green one to the view. And away they flew with a " hi-ho-hum," Singing as they went, " Glory hallelu-jah-runi !" . They hadn't gone far, when the yellow one cries, '' Look down, my boys ! a supper I spies ; " But the blue one answered, " Upon my word, 1 can see nothing but an old dead bird." "An old dead bird! there's good in that; I'm sure it looks uncommon fat ; And I hope as how I may go to Davy, If I don't have some of that rich gravy." , But the others too dainty were by half — Now I can't sing, if you do laugh. — Take a lesson from a fly. And never give way to /«x-ur-T . Away then flew the other two, John-i-y Green and Jack-i-y Blue, They flew on far, and did not stop. Till they came opposite a butcher's shop. . " Oh ho ! " says Blue-bottle, " Here's a treat ! I'm particularly fond of butcher's meat." " Then," says Greeny, " off' I go, For I don't care for meat, you know." 8. Ofl^by himself the other one flowed. And into a grocery shop he goed. And there he played some very merry rigs. For he walked into the sugar, and he pitched into the figs. 9. The day very hot, he took a whim. Into the treacle-pot for to have a swim, And without considering, in he goes. Not even stopping for to take ofli' his clothes. 10. The other two passed by the door. They heer-ed a voice they'd heer-ed before ; And flying nearer to the spot. They lighted on the treacle-pot. n. And there they found him, almost dead. And unto him Blue-bottle said, — " Oh ! Greeny ! Greeny ! all our arts can't save ye ; You'd much better ha' partaken of our butcher's meat and gravy. Moral. 12. Take a lesson from o-fiy, And never give way to luxur-^. And all young folks inclined to roam. Take mv advice, and stay at home ! I'VE LOST MY DOGGY. Con dohyre. '^s^mw F= fi5^ •r tzx I've lost my dog-gy. Who's seen my bow-wow? Poor little doggy! Bow-wow-wow-wow I Bow-wow-wow-wow! SSsai^ ?='ir* L^— ^_*- ow- wow- wow ! H" I I Jn unison. 1 1 I CLOTILDA. A Serenade. [This is to be sung over and over, the pitch being raised a whole tone at each repetition.] Clo-til - da! Clo - til - da ! My heart you be - wil -der !* (Stamp! stamp! Clap!clap!) tGood-nignt! * Acted. t Shouted. Copyright 1881, by Wm. II. HlLLS. 54 HALICO! CALICO! ifoderato. rfi-rk-p p— N— N N— N— 1>, ^- M^-z=^^ —• • -0—0 • •'— _^^_N_A— 1 -^-#— «_*_•_?_ tW '^-H- i -^ r — ^ 1 1. As Chorus. — Sing 2. What I weat by a red - her-ring pond, , Ha - li - CO, ca - li - CO, lung - i - dor-glav, shall we do with the red -her-ring's fins'? I saw a lit - tie dog Set your dog on your dog, Make 'em all up in - to 1 i; ' ' = 1 i for - ty feet long, let your dog lay. Fresh - man pins ; W^^ —^-4-^—^*-* — •— • — '—•- -^—^--^—7 4 «!- =^^=S=^=J=^ J -i--5--5--5- •J--5--J- 11 II -J- ■#■•*■ ■*■-•• 1 1 1 1 ^ J liL-fcu « ^1 f '\ 1 * 1 ' •t 1 •f ' •* ^ •< ^ * 2-^H^8 ' -^ '-^ '- -i ^-~] ^ -^ ■ — ^ '— 1^ I 1- k- Chorus. D.C.) -Hi' IC JziC — « — — — — — 0- -V- -/— / (1) For - ty feet long, and fif- ty feet square, And if that is -n't so, why, then, I was - n't there. (2) Fresh - man pins for the Freshman that sins. And that's what we'll do with the red - her-ring's fins ^ 31 ^E± s i m I 2. accei -^ (t. -y-— y- ■-y- {Cho.) Setyour dog on yourdog, ros - in your bol - li - wog. Tumble up, tur-nip head, Fly a - way, gin gerbread, =5=5z 3ES= fefef r r-0~r ^ f > #- Chant ad lib. xr t^-v — y P u* k* 1/- -• 0—0 1- ■V — y— y- -1/ ^ K*- (C'/iO.) Get on your mus-cle - 0, Don't you de-ceive me so, Shilly-pap-poodle my other dorg a - Bou-li-wag-gy-o! ^^=3E3E . Wliftt shall we do with the rcd-hcrring's heart? Make it all up into Freshman tart; Freshman tnrt for the Freshman that's smart, And iliat's what we'll do with the red-herring's heart. Clio. — Sing, Ilalici), calico, etc. 4 What shall we do with the red-hcrnng's scales? Make 'em all up into Freshman flails; Freshman flails for the Freshman that quails, And tliat's what we'll do with the red-herring's scales. Clio. — Sing, Ilalico. calico, etc. Copyright 1881, li>- Wm. 11. llai.9. COCKLES AND MUSSELS. 55 Andante, mf SE* -f— ''^U s ^ £gg=a 1. In Dub-Iin City where the girls they are so pretty, 'Twas there I first met with sweet Molly Ma-lone; She 2. She was a fish-monger and that was the wonder. Her father and mother were fishmongers too ; They 3. Shedied ofthefaver, and noth -ing could save her, And that was the end of sweet Molly Ma-lone; But her ^ t ^- =g=g=^^ drove a wheelbarrow thro' streets broad and narrow, drove wheelbarrows thro' streets broad and narrow, ghost drives a barrow thro' streets broad and narrow, Crying, "Cockles and mussels, a - live, all a - live !" Crying, "Cockles and mussels, a - live, all a - live !" Crying, "Cockles and mussels, a -live, all a -live!" [I ^^ 3 tr-*- ^ ' m^- T^n ^ 1= 3? 1^ =1: Chorus. i^rit. ^vii r^' ^^^^^ §=£ g-r rm -?■—&" A - live, a - live A - live, a- live Crying,"Cocklesand mussels, a - live, all a-live!" ^ 3^E ? 5. =t -a- -^ . ■* WHO CAN TELL? Catch. Air — " Tkret blind mice." FiNB. ^ &^ -P-n I 1. Why D.C. Who 2. How D.C. Who the can much can Fresh, tein sport, tein etc. Why Who How the can much Fresh, tell? sport, Why the Who can How much Fresh, tein sport. ^ a i t: -p-n- When - Soph - e'er they hear, • o - mores have, When ■ Soph - - e'er they hear, - o - mores have. When - e'er they hear, Soph - o - mores have. The In D.C. ^ I s ±=t: -r^ ■f -^—n V-v- -'ai-r '-^=^^%v Tt^ ^ . / . ^ =^ tramping of feet in the dead of night.Springontof bed In a fearful fright. And se-ciire their doors so wondrously tight, dlv - ing in - to all sorts of 8ciape9,ln"8alt - ing"of Fre8h,and"curlng" of grapes.In the "gobbling of gobblet8"aDd narrow escapes* How much more, || Ter. Of Junior time, || Ter. With thoughts far away from the book in hand, la spent in the castles of airy land. Where celestial beauties bewitchingly stand. Who can tell ? || Ter. 4 What success, || Tex. Seniors have, II TV. By practice of "Science," and practice of "Arts" Through making of love, and breaking of hearts In becoming a prey to "Cupidine"darts, Who can tell ? li Ter. 56 Words by Hlxtek Moderate.. NAUGHTY CLARA. Melody by Knowles. 1. My head's in a whirl thro' a sweet lit -tie girl; 2. Her hair is as bright as the sweet sun - light, 3. Oh what can I do, where can I go to, >l ?=n]z "O-tr^r-- P — ' — --ro- ller sweet lit - tie name is Her cheek as fair as th3 For this haughty, naugh - ty — N- p£ 1^1 it^-^ "7~T 7 - 7 f 7 -W-9- -r-?- P -?->- 1 — -^ ^ J S ' d - Cla - ra, There ne er was a maid such a dear lit - tie jade, There ne'er was a dawning, But to speak of love to my own lit - tie dove. Is sure to fair one, _ If I take her a rose she turns up her nose. And says she la - dy fair - er. set her yawn - ing. ne'er could bear me. But she's such a teaze, that I never can please. And I swear by her eyes, I swear by the skies, I And if we go out there's a bo-ther a - bout, Her quite alarm'd swear by the stars taking my arm I'm get-ting, a - hove me, when walking, She nev-er seems right from But she does'nt care for the And in between whiles up-on ■* * «h'- lt:i — J — 2- ^ — **«: ^^ :i{t "T~TT' -?-y- f I t -*--'?' y f r i NAUGHTY CLARA. Concluded. / :^ :t- '-^ ^m morning till night, Un-less she is co-quetting. more I swear, The more she does - 'nt love me. oth-ers she smiles, And with them will ^- Ejr^ 3^ --K 1 r be talk-ing. ? r I ■ " f~? -?-C- i= -J^ Oh I Oh! Oh I m -i. — *. PE % ■^— ?- L ; 7 r 1_, 7, r ?— y-'=ip=?=¥= -- / il 5 25 *- 2t 3±: T Naughty, Naughty, Cla - ra! how can you serve me so?. Tt-"-^ I'll go to De - me- -^r- -«*-7 1 \ ? ;=i X 2fc ^ ^1 t--#— h- iffi :tt ^:X ^—f—f - ^ t=t P J J - ^ ]T:t=t 3 ^ 1^" ^ • ~~F "-^ -1^-^ ra - ra, If you tell me to go!. I'll chmb up all the moun_^ains, I'll swim o'er i * i=l: Ti-r I t- -(S. ^^ :^=zti^ ^^ IS •— (* :^ fa=-f^-=f^g|yq=^=i|q={=t ^ -^ .^ i t±3t E^ ^ ap r i AC. S ^ fcbtfcrr f S i^: 3^ ^: ^:* i* all the seasT7. . If you will on - ly love me dear, I'll do just what you please . '. . tfc X X X ^ i^^y- ^ 13= -&-r- l?n-i-2-S s:i:=t • — * -s<- s a^ ^ -4—4 * •-! 1 • •-! rr^irrpr^t^^^^ hB— ¥■ g^ ?=fT ^«^«^ ^^ ^^ GEE! WHOA! DOBBIN! Andante, 'p -Js — N — s Vs. fc— V — ^ a — ^ — ^ — — m — • -i — • — • — • ~ ~ — '-•-i— 9-Vf—i — 8 — » — j— F* — * -f-*— * — *— F* * f *■ i *_ * ^ -•= — • — #- E^ Gee ! Whoa ! Dobbin ! Drive on de wag-in ! Gee ! Whoa ! Dobbin ! oh ! Dobbin! Gee! Whoa! Dobbin, Gee! Whoa! S|^^=N^'-''-'-^-^ S— P W- S^5i -» # # Copyngbt. iys3. by Wm. H. Hills. i tH— c— i:^— i?- 1^ bS SERENADE Andante con espress. Music by F. R. Bcrton. ^0=0- -s* 3:: &= gis Words by Barrt Cornwall. ^ I N =^=r- A - wake ! the star - ry mid - night hour Hangs charm'd and pauseth in its flight; In its own sweetness A - wake ! soft dews will soon a - rise, From dai - sied mead, and thorny brake; Then,Sweet,undoud those SIS. ^ I K sleeps the flow'r,And the birds lie hushed in deep de - light; And the birds lie hushed in deep de - light. A- east - em eves. And like the ten - der morn- ing break! And like the ten - der morning break ! A- :«?: --^- ^^-- =t=g^ --L- =N= -I- =^ s- tt -^ w m Ml :^zz=-. ff. rit. ^ 3E^ m ± :;:t gt^ ■ wake ! a-wake ! a - wake ! Look forth, my love, for love's sweet sake ; Look forth, my love, for love's sweet sake. • wake ! a-%vake ! a - wake ! Dawn forth, my love, for love's sweet sake ; Dawn forth, my love, for love's sweet sake. >^<^: N- ^^ ^=^=i: ^■. It ± 4^=^- A- zizzi^ «Sl;ri=S: -^ Awake! within the musk-rose bower, I watch, pale flower of love, for thee ; Ah ! come and show the starry hour, II : What wealth of love thou hid'st from me. Awake ! awake ! awake ! II ; Show all thv love, for love's sweet sake. :j| Awake ! ne'er heed, though listening night Steal music from thy silver voice : Uncloud thy beauty, rare and bright, ||:And bid tlie world and me rejoice. :|| Awake! awake! awake! ||: She comes, — at last, for love's sweet sake ! MAID OF COUNTY PERTH. . Andante. Chorus. I love, I love, I love, h ^ ^ ,N > N > nt. "VTl J r love, I l<>ve, I care not whatthn wnrld may say.I lovo . . / 1 love, 1 love, I lovi' till breatlii.ita'ei»a - wav,I love. . . I love It 18 my fooil both night and (lay, . j . I love I love niy ilarliiij; bride. I ^^ . . •!^^^^^^^ I love, I love, I love, ^ Copyright, 1S81, by Wm. H. Hats. Moderatu. mf SOLO. FIKST TENOR. THE BULL-DOG. 59 the :t=t ?=S- OLci KIKSI IT.NOK. bull - dog on the bank, bull ■ dog stooped to catch liitn, SOLO. SKCOKD B.\SS. • — n- ■' Oh ! the Oh! the J ^^^=^ ^fctE^= And the bull - frog in tlie pool, And the snnp ■ per caught his paw, attacca il chor. f Chorus. Alkf/ro. wmmm^m bull- dog on the bank, bull- dog stooped to catch him, SOLO. SECOND BASS, ^t ad lib. ::^ AIR. Oil ! the bull . dog on the Oh ! the bull • dog stooped to iEE^ i±S: -ii-- And the bull-frog in the pool. And tlie snapper caught his paw. bank, And the bull-frog in the pool. The bull - dog called the bull-frog, A green old wa • ter - fool. catch him,And the snap-per caught his paw, The polly-wog died a laugh-ing, To see him wag his jaw. |v f^ J" ^ ,, , . ^_,_ . ,_ , .—•-_. , ^ _ , ^s 5:.^=^: _tzt r|3f -f-LU- V=^ m L/ 1/ .^_g,^_^ ii ^^Ei^-pipp p ^ Sing-ing tra la la la j la la la, . . sing - ing tra la la la ( la la la, . . . Sing- i leil - i - o, . . I leil - i - o, ... E^ > 4 4' repeat pp ' 3 a . _ 3 3 3 ic jyvui,/^ /^ ...__ 1 _ 1 _ t _ 1 _ 1_ _? •- ._ ^__, I- I_ I , t„ 1„ T" T„ 1., I„ +-«1^ I«l^ «.»1»1»f1« 1„ 1- tra la la la la la, sing-ing tra la la la la la, Tra la la la, tra la la la ^-,^^4^ ^ r tra la la ( la la la. 1 leil - i ^^m^^^^^^ -j r-^—^ - ^-f^ -g -1/ b u b i 3 Says tlie monkey to tlie owl - " Oil ! what'U you have to drink ? "Wliy, since you are so very kind, I'll take a bottle of ink." 4 Oh ! the bulldog in the yard, And the tom-cat on tlie rnof. Are practising the Highland Fling, And singing opera bouffe. 5 Says the tom-cat to the dog • " Oh ! set your ears agog. For Jules about to tete-ii-tete With Komeo, incog. 6 Says the bull-dog to the cat " Oh ! what do you think they're at ' They're spooning in the dead of night • But Where's the harm in that ''' 7 Pharaoh's daughter on the bank. Little Moses in the pool, Pharaoh's daughter on tlie bank. Little Jloses in the water, Pharaoh's daughter on the bank. Little Moses in the pool. She fished him out with a telegraph pole. And sent him oft" to school. 60 Solemnly. THREE LITTLE KITTENS. Chant. -- =t: m 1. Once on a time there were three little kittens, who lived together, in a basket of saw - dust ; ic: -&- r^^- i After 3d stanza. |3i^3i T :^_jy. Said the first little kitten iin - to the two other lit- ( " If 3-ou don't get ) Why, I =F^ - tie cats, i out of this get) must ; " That's so ! * ^ 13= _l 1 — JO — U \Vith :i vigorous nod of affirmation. 2. Now these three little kittens (pretty ones) | lived togetlier | in the basket of saw-aw-dust ; Said the second little kitten | unto | the two other little cats, " If you don't just get out of this, | Why, I must ! " 3. Still, the three pretty little kittens (such was their imperturbability) | continued to live together | in the baslvct of saw-aw-dust ; Said the third little kitten | unto | the two other little cats, ] " If you don't just get out of this, | Why, I shall BcsT ! ! " That's so. I WISH I WERE A—. i Con espress. ^^=^ m^:- ZZj^l — N- 0-0- '-- *-- -f- -J 1 — *— F*^ — * — " — 0- J) Fine. m 1. I wish I were a D.c. I'm a June-bug, rhi - nos -o - rhe - cus, and I'm a bee - tie, And could wear an iv - 'ry tooth-pick on my nose ; I can buzz and butt my head a-gainst the wall. « r— S zczc — \ — -U +- » — • — •- t^zzfeii m i c--^ D.c. — *— 5— *- But oh I I am — J — ^1—-^ — 0-\-^ — I — P — ^— 1--^ 1 — — I — ' — • — # a - las ! I can - not Be a rhi - nos ■ rhi - nos -o - rhe - cus. ty§=zi r7p— r-^i -^ #■ * ♦ j:i ^^y— y— y— b^' — 2. I wish I were an elephanti-us, And could pick the co-coa-nuts off with my nose! But oh ! I am not ! alas ! I cannot ! Be an el-c-phan — el-e-))han-ti-us ; I'm a cock-roach, and I'm a water-bug, I can wander round the musty old lead jiipes. itipE V^lZ-CZ-y ■0 1 :=ti -■F=F ^^1 y— y — y — y- .•?. I wish I were a hippo-pot-a-mus. And could swim the broad Euphrates, and eat grass! But oh ! I am not ! alas I cannot ! Be a hip-po-po — hip-po-pot-a-mus ; I'm a grass-hopper, and I'm a katydid, j I can play the fiddle with my left hind leg, ] I — (coyly) can play the violin with my lkkt uiiAii limh. A hckskp marrh 12. A. X. E£ ^ ztjri— S S N s -0--0- m^^mm F- 'Oh! my! Omega Lam- bda Chi ! We meet to - night to eel - o - brate our O- me- ga Lambda Chi. Copyright, 1881, by Wm. II. Ilii,i8. gEAUTIFUL ENGRAVINGS, finely finished and carefully chosen, and very suitable for the decoration of rooms, when neatly framed; also for portfolios, and to be studied us types of art. They contain the finest works of the ancient ITALIAN and GERMAN masters, and also the very choicest of modern FRENCH and BRITISH Pictures. They are printed with black ink, on heavy bevelled plate paper, 10 x 24 inches in size, and are sold for the remarkably low price of FIFTY CENTS EACH. (A FEW OF EXTRA LARGE SIZES ARE ONE DOLLAR EACH.) They have come very generally in use for the adornment of library and parlor walls. There is now a wide variety of subjects, including the masterpieces of ancient and modern art, reli(?iou3 pictures. Madonnas, domestic scenes, landscapes, battle-pieces, deer, dogs, and horses, and many others. No lovelier present could be devised than one (or a pair) of these lovely pictures neatly framed. Call at the Heliotype Art-Gallery, 215 Tremont Street Boston. THE SUBJECTS INCLUDE Dogs, Deer, Calves. Birds, by Landseer, Douglas, Riviere. Saints, Madonnas, and Religious Subjects, by Ra/jhael, Murillo, Correggio, and others. Magnificent Greek and Latin Scenes, by Cabanef, Aubert, Bouguereaiij and others. Rural Landscapes, Farm Scenes. Harvest and the Seasons, by Aima-Tadema, Turner, Corot, and others. Domestic Groups, Fireside Episodes, and Bits of Home-Life, by Meyer Von Brenmn, Millais, Lefebure, and others. Horses, Sheep, and Cattle, by Rosa Bonheur, Chialiva, Schreyer Celebrated Portraits, by Gainsborough. Durer, Van Dyck. Reproductions of Famous Recent Works of Carolus Duran, Bastien-Lepnge, Holnian Hunt, De NeuuHle, Dubufe. Makart, Millais, Meisonnier, Fromentin, and other illus- trious contemporary artists. ^^DESCRIPTIVE CATALOGUES of 40 pages, describing each picture, sent free by mail to any one. Heliotypes sent, securely wrapped and postpaid, on receipt of price. JAMES R. OSGOOD & CO.'S HELIOTYPE ART-GALLERY, 213 AND 215 TREMONT STREET. BOSTON. "^ang in catljctiraljs Dim anD baist, U\l)tvc tl)c majcjstic organ roUcti Contrition from it0 moutl)?j of gold." *^* Musical ambition can reach no higher than to a mastery of the organ.^j^* An experience of forty years in the best classes of instruments, for the most judicious classes of patrons is the basis of the unsurpassed reputation of the George Woods Parlor Organs. These organs are guaranteed to excel, although offered at moderate prices, m the great requisites of TONE, MUSICAL EFFECTS, BEAUTY OF EXTERIOR, AND DURABILITY. Their actions are so carefully adjusted as to insure both softness and brilliancv, and the cases of even the cheapest styles are very tasteful and elegant. They all have the beautiful Fan Tremolo, and ihe sweet, soft stops' " Dulcetta " and " Delicato," found in iio other organs. Thev are sold at prices which will suit any reasonable inquirer. SEND FOR A CAT.\LOGUE TO THE GEORGE WOODS COMPANY, OFFICE AND MANUFACTORY AT MIDDLEBORO'. MASS. Boston Salesroom . . 608 WASHINGTON STREET. Ey-The GEORGE WOODS PIANOS are strictly flrst-class instruments. TOSEPHGILLOTTS ^v't>wf-a ^^VS/5 ;^^>5>^ THE MOST PERFECT OF PENS. >1^ ?^fe POR PineWRITING, N?? 1-303-170- ^^. \^" ^"t^"" 'S^Oq -V ^- Jqq ' //Vg, all hands.; Y 0^ t^° «5-sv>^ ^^V' SOLD BY ALL DEALERS THROUGHOUT THE WORLD. Wholesale Warehouse, 91 John Street, New York. University of California SOUTHERN REGIONAL LIBRARY FACILITY Return this material to the library from which it was borrowed. D 000 030 481 6 5>=' '•<» ■■«, . ^'j^ ww^f^.>^ uiii < I.