Jill'::' :• i),-i-ui' M I' 1 , . A A ^ 3 5 2 6 ==^ > 4 ^=^== ^ 3 1 .!# UiVJ-iU-' i S JO*'' nwjo' I I n , ', ^Ui ■\.t\u l\Tt. -^ c^A ^^ ' .w ^ iivii : J " i'A^JCFIfr. -■ '?.<:/>, .vlO^- -vj C^' %jnAI\': '■ jj'ijm'-siu-^' v/.?^qAwn-^WN: A •«. -vOP- \9 m 9 k •"3 V X. 'M^""^ ,1 I r w; "n ,'ri-i f . X;OF-CALirO.?,^ ^ - rr£ <_j ^^ •'J lij.-.r.M.u-" "" '^' \ j !■ -; J ; 1 i '■ ' ^NVf!!5RAf;Ya- ^\ir.|iiii\7Cpr/>. ¥ 1 A^' I..L-J )>" ^OinrvD-jo"^"' ^riij'jfj-v-soi^'"^ 'C.';-.uVac:i!-::v^ % ^v, .nxuu,,,,^ ....v.Ul^ ^3 'v/5^3AlMa-3l\V 1^ ^Wf•UNIVERS/A ox-lOSA.S'filfj'.x ^^HIBRARYQ^ .^tl!!"'"'" ~n ^") I— 1 2> ''^ ^ ^ y^^^^^—awi ^ i. 5:^ ^ '^4 - c J o vvWHVCElfj: > r: 1 I ( :JA ^; ' u '^' J : I V J :; u ^v. ^r^u^n.y^^ ^^f-^ ;QFCAL1F0% 03 a::: .Vv^LIBRARYOc^ ^l-lIBRARYOc O CD . — < (See page 87) PROGRESSIVE LESSONS IN ENGLISH FOR FOREIGNERS FIRST YEAR BY MARY JIMPERIEFF GINN AND COMPANY BOSTON • NEW YORK • CHICAGO • LONDON ATLANTA • DALLAS • COLUMBUS • SAN FRANCISCO COI'YIUGHT, 1915, BY MAKY JIMPERIEFF ALL RIGHTS RESERVED 515.5 Ctit gtbenttum 19re<< GINN AND CUMTANV • I'KO- PRIETORS • BOSTON • U.S.A TO MY MOTHER ELEANOR IIMPERIEFF THIS LITTLE BOOK IS DEDICATED IMPORTANT TO TEACHERS The following suggestions are made to help the teacher get the best possible results from the use of this little book. Especially with the first ten or twelve lessons, try this pro- cedure : With the open book before you — but let none of the class have theb books — go over the lesson, acting it, putting its language in the mouths of the pupils. As soon as each sentence has been correctly spoken — not before — write it on the black- board, until the entire lesson is in script. After this have the class read the lesson from the book and then copy from the board as much as each can before dismissal. By having the copying last, all the pupils are given a more nearly equal chance, and are taught English in the most natural order ; that is, first, hearing, under- standmg, and speaking ; then reading ; and finally, writing. In Lesson IV it may seem that some of the action and reading should be simultaneous. But try this first: For the fifth sen- tence place a book in a pupil's hand and say, " I see the book m my pupil's hand"; then get him to say, "I see the book in my teacher's hand," — placing only such emphasis on "pupil" and " teacher " as seems necessary. The fifth, sixth, and seventh sentences should be taught in the same way. Get another pupil to hold the book behind him ; then seem to look for the book and say, " I look, but I do not see the book," etc. Then have the reading. Necessity for similar action before readmg will be found in connection with some of the later lessons. You should therefore read the evening's lesson carefully before the class assembles. VI Act, and insist upon similar action on the part of your pupils. Action, devoid of diffidence and self-consciousness, is essential in imparting the thought of an expression to one for whom that expression, when used disconnectedly, is meaningless. In using the outline given as Lesson I — reference to which should be made as necessary — proceed as follows : Take hold of your head and speak clearly the one word " head." Take hold of your hair, pull it, run your fingers through it, and say clearly " hair." Throw out one arm, run your hand over it, and utter clearly " arm." Run your hand down the leg, from the hip to the foot, and say " leg." When you get to the ankle, touch it and by pantomime intimate that the ankle is to the leg what the wrist is to the arm, but speak only the word '' ankle " now. Be entirely free from diffidence, and do not avoid the laugh which frequently comes with serious effort, for it is not without effect in thought-conveyance. Remember that a part of your work is to overcome the always too great diffidence of the pupils, and this without permitting that freedom which takes liberties. To act without constraint, to risk losing one's balance, without los- ing one's mental equilibrium or dignity, calls for the highest order of intelligence, and is the dramatic essential in giving English to foreigners. When a man already tired with his day's wprk goes to the rigidity of the school bench, it is because he wants to get something for it, and he knows when he is getting it. Until he is given what he needs, the first-year classes in English for foreigners must continue to be the teacher's perplexity. After you have gone over the outline of the body orally, have the class open their books and, in turn, read each word of the outline after you, then spell it after you. When this has been carefully done, your class should be ready for the sentences of the second lesson. vu For the sentence " This is my head," take hold of your head and speak each word distinctly ; that is, bear in mind that to the foreigner " this is my " may be either one word of three syllables or three words of one syllable each. Then, by nods and repetition and such emphasis and bodily assistance as may be necessary, get a pupil to say and act " This is my head." Illustrate the sentence '' My head is on my shoulders " by placing your hand on the table and saying, " My liand is on the table." Or take a book and place it on the table, saying, "The book is on the table." Repeat " My head is on my shoulders," touching your head and your shoulders. If this sentence seems to the class long, give it in this manner : Say " My head," mak- ing that unmistakable little gesture toward yourself which in all languages implies possession, then repeat the action with your shoulders, and the class should soon comprehend and utter " My head is on my shoulders." In teaching " I have two eyes," point to your eye and say " eye." Hold up one finger and say " one," then two fingers and say " two." Point again to your eye while you pronounce " one eye." Point to both eyes and say " two eyes — I have two eyes." Early in the work your words should be few — so far as possible only those which are a part of the lesson and which you will require each pupil to speak, read, spell, and write. At all times, however, do not fail in sufficient expression of commendation and encouragement, carefully and distinctly spoken. It is only at first that the fewness of your words should be marked. With the sentence "My tongue is in my mouth," when "my tongue " and " my mouth" have been made clear, " in " might be illustrated by holding your hand in your pocket or in a drawer of the desk. Act not only " I bow my head " but " Summer is hot " ; fan yourself and say " whew." When you get to the point VIU where you introduce the word "silent," act it by holding up a linger and saying " sh-sh." As early as Lesson XI, the rule " Tc before n is silent " oc- curs. Do not let this tempt you to give lists of words which contain silent letters. That is not your object now. Now you are only taking advantage of evident facts as they offer them- selves. Do not under any circumstances give a word the mean- ing of which is not, or might not be made, perfectly clear either by direct application or by association. Let your language be always pure and simple ; always insist upon complete sentences from your pupils. Never depend upon interpretation, but encourage resourcefulness in direct thought. Even if uiterpretation be correct, it is detrimental, as before freedom of expression can be acquned by the student he must learn to think m the language he desires to speak. Otherwise the constant mental interpretation which must precede expression will retard his progress seriously. Speak clearly, but avoid too great emphasis, and by no means let your voice fall into a singsong tone. If naturally spoken, much of any language carries its own meaning. To overcome dilhculties with ih, drill the class from the start, as occasion offers, on putting the tongue bettveen, not agamst, the teeth (show them your own there). JNIake very plain the difference between the thrust-out hps for n\ and the way in which the lower lip touches the upper teeth for v. This exercise, as an exercise, comes in proper order in the phonics, but should receive this early attention without fail. Devote the first ten minutes of each evening's work to phonics. Give this amount of tune during the first ten evenmgs to the reci- tation of the alphabet. Do not abandon this exercise before every member is able- to recite the alphabet freely from memory and to IX read it backward readily, even though more than ten evenings be required. In Exercise II have the class recite the alphabet, pronouncing the vowels as long, but giving only the value of the consonants ; that is, not hee, see, dee, ef, gee, aich, but 66, with closed lips, ss or kk, dd, ff, gg (hard) or jj, Jth, etc. Devote at least two evenings to this exercise, and review as seems advisable. The selection of words illustrating principles of pronunciation should be made, so far as possible, from lessons studied. Have your pupils look carefully over preceding lessons to find such words as contain the form of consonant or vowel under imme- diate discussion. Do not give more than ten minutes of any evening to phonics, but be sure always to give at least ten. Immediately following phonics give ten minutes to spelling. Of course the first lesson will be read word for word and spelled in like manner. But when ready for the second lesson, as soon as you finish with the alphabet, open to Lesson I. Pronounce a word, not necessarily the first, and expect the pupil sitting in the first seat of the first row to find that word and spell it and pronounce it. If much help from you is necessary, give it. Then another word, from any part of the outlme, and expect the next pupil to find, spell, and pronounce that. When ready for Lesson III, use Lesson II for your spellmg exercise. Give no more than ten minutes to any such exercise. Remember the order: ten minutes to phonics, ten minutes to spelling ; the rest of the time to action work, reading, and copy- ing from the blackboard. If you are expected to enroll new pupils, do not take time to do it as they come in after the recitation has begun ; but have them take seats while you go on with the work of the evening. Then after you have completed your action work and have had the reading, while your class is copying the lesson from the board, mark your attendance and take care of the newcomers. You will have to be on your feet, chalk m hand, during the ex- ercise in phonics and during the action work, but try to remain seated during the spelling, reading, and copying. If you will always call the members of your class by their surnames, witl the prefix " Mr.," " Miss," or " Mrs.," as applicable, you will have little or no trouble with their deportment. Condescension of any nature the foreigner discerns and resents quickly and keenly, despite his apparent stolidity. It is of utmost importance that you read, even study, the lesson before starting for school. Sometimes it w ill be necessary to take with you, by way of illustration, somethmg on which the entire lesson depends — a fruit and vegetable catalogue, a shoe box, a tape measure ; read the lesson to learn what you will need, and make the necessary preparation. Finally, the method herein given will no doubt fail to pleasure up to your ideas of how to teach a language. It is not the way you studied German at high school, for instance. But the mem- bers of your class are not high-school pupils — for the most part far from it. What the foreigner here needs and must have is a workinr/ knowledge of English in the shortest period of time. Give it to him. ENGLISH FOR FOREIGNERS EXERCISE I THE ALPHABET ABCDEFGHI JKLMNOPQR STUVWXYZ a 13 c £1 & J g^ u J J J % 1/ lAT X a b c d e f g h • 1 • J k 1 m n o p q r s t u Y w X y z cu ^ c- cL ty / f I • / i / rriy n o A ^ "i /u d. t w ^ZA iAJ- «■ ^ 1 1 -^-p^ EXERCISE II The English al})hal)et consists of twenty-six letters. abed e f g h i j k 1 m n o p q r s t u y w X y z Five of these twenty-six letters are vowelSo a e i o u EXERCISE III The five vowels may be Long and Short a a e e 1 1 o 6 EXERCISE IV Twenty of the twenty-six letters are consonants. b c d f g li j k 1 m n p q r s t v w x z Y is sometimes a vowel and sometimes a consonant. EXERCISE V Consonants of more than one sound : c, (j, s. § € g g S S EXERCISE VI Combined consonants : cli — three sounds : -eli ch ch qii — sounded like kw ph — sounded like / sli — til — two sounds wli — sounded like hw EXERCISE VII Double vowels : ee ee do 00 EXERCISE VIII Long a Short ( face hand shake back taste ankle take can lace has EXERCISE IX Long e Short 6 me neck he chest we left the desk these smell Long i EXERCISE X Short i right this write sit bite • clinch light listen Long EXERCISE XI Short close • not open drop hold viiob go Long u EXERCISE XII stop Short u you run future knuckles Tuesday up refuse jump 6 EXERCISE XIII Y as a consonant yard you yellow year yet yawn royal young York yes Y as a vowel ike long i Like slKH't i my twenty eye January by pretty July heavy try lady EXERCISE XIV C sounded like s before e, i, and y. Before e Before i Before y fage pencil bigycle §ent gigar cylinder gellar §ipher pliarinaQy Yoige gircle encyclopedia geiling Pagific fangy EXERCISE XV C sounded like k before a, o, n, c, k, I, r, f, and at the end of a word. Before a ' Before o Before u €an ■coat cuff €arry come cucumber €alf collar cup €atcli ■corner cut because second customer 8 C before r, k, I, r, t Before c- accept Before l< account clinch clock Before k< back Before r< chicken crush scratch Before ^ electric October C at the end of words music electric republic Pagific 9 EXERCISE XVI G is sometimes sounded like j when preceding e, 2, and y. Soft g = 0, g. As j before e As j before i vegetable gentleman Germany page hinge gill religion register ginger original As j before y gymnasium physiology theology 10 EXERCISE XVII G always takes the hard sound except some- times before e, i, and i/. Hard g= G, g. Hard fj before a Hard g before e gas get garden finger gate together again geese. began forget Hard (j l)efore i Hard g before o give got girl good giggle go giddy forgot girdle -Mongolian 11 Hard (j before n August figure guarantee tongue gun guess regular synagogue gutter gum EXERCISE XYIII S (unmarked) sharp S soft (like like c cliest nose sole arms this is stei)s goes drops raise 12 EXERCISE XIX (hard) sounded as Ch (soft) soundec k = €h sh = ch school machine scholar Qhicago character ghanclelier Ohristmas ghute cholera machinist Ch (unmarked) sounded as tsh teacher peach church cheese chalk cheek touch reach chair rich 13 EXERCISE XX Qu sounded as kw square quick squint queen quench EXERCISE XXI Ph sounded as/ Philadelphia pharmacy photograph philosophy phonograph 14 ] EXERCISE XXII Sh ashes • shoulder shame lash dish shake wash shut cash hush EXERCISE XXIII Th (unmarked, sharp) Tk (flat) = TJi, tfi thimble this thirty tiiese thumb the month with teeth tlien 15 EXERCISE XXIV Wh sounded as though it were - hw what white ■» where whip which whistle » when wharf -r- while why EXERCISE XXV DOUBLE VOWELS ee ee 00 00 feet been moon book knee breeches school look see too brook sleeve tool good heel fo'ol foot 16 EXERCISE XXVI A before / : broad a = A, a all • • talk • • ball • • walk • • call • • chalk • • tall • • balk • • wall • • Balkan • • EXERCISE XXVII A before r : open a = A, a arm market garden are far large barber part car start 17 EXERCISE XXVIII A before w : broad a = A, a jaw hawk • • gnaw raw • • paw draw • • saw • • law • • yawn flaw • • EXERCISE XXIX When a is followed by a single consonant fol- lowed by silent e, the a is long. act ace at ate ball bale can cane dam » dame 18 tad fade fat fate gamble game hall • • liale hat hate jam James lamb lame land lane man mane pack pace pan pane rag rage rat rate samiile same sand sane tall • • tale tap tape 19 Yan vane vast vase wad wade wag wage wan wane A few exceptions to this rule are : are hare awe have bade mare care pare dare rare fare tare gape ware Usually a vowel is sounded as long when fol- lowed by a single consonant followed by a vowel. This rule applies to ''nation," but not to "na- tional." There are many such exceptions. 20 LESSON I THE BODY Head Hair Face Brow Eyes Eye-brows Eye-lids Eye-lashes Nose Mouth Lips Upper-lip Lower-lip Teeth : one, tooth Tongue 21 Chin Cheeks Ears Neck Throat Shoulders Arms Elbow Wrist Hand Palm Fingers Tlimnb Knuckles Finger-nails Chest Waist 22 Back Hips Legs Knee Ankle Foot : two, feet Heel Toes Toe-nails Sole Teacher. When reading this outline, have each pupil take one word, pronounce it after you and spell it after you; and do not pass over it until botli spelling and pronunciation are given with dis- tinctness and freedom of utterance. Finally have the pupils copy the outline as you have placed it before them on the board. 23 LESSON II This is my head. My head is on my shoulders. I bow my head. I turn my head. I turn my head to the right. I tinn my head to the left. I shake my head. I have two arms and two hands. This is my right hand. This is my left hand. I have two legs and two feet. This is my right foot. This is my left foot. I get up. I stand straight. I bend from the hips. I bow. 24 I have two knees. When I walk, I bend my knees a little. When I kneel, I bend my knees until they touch the floor. * /%^ Ayexzi«g#^^s ■''^ ■''Jmf'^''^fn ^/ / // / Rain is Avater which falls from the clouds. When it is raining we cannot see the sun be- cause of the clouds. We have snow only in the winter ; but we may have rain at any time in all four seasons : Spring Summer Autumn or Fall Winter March, April, and May are the spring months. June, July, and August are the summer months. September, October, and November are the fall months. December, January, and February are the winter months. 101 Summer is hot. Winter is cold. Is it raining? Yes ; it is raining. Is it snowing? Yes ; it is snowing. /' /'■f'/fvi^nif,., VtS-^'fS Is the wind blowing? Yes; the wind is blowing. Is the sun shining? Yes; the sun is shining. In the summer, when the sun is shining, we want to get in the shade. I hold my hand up between the light and the wall. See the shadow of my hand. I shade my eyes with my hand. In the winter, when it is snowing and the wind is blowing, we want to stay in the house. It is warm in the house, because we have a fire to give us heat. 102 A STORY THE WEATHER A man had two daughters. One daughter was married to a gardener. A gardener is a man Avho grows fruit and vegetables; he has a garden. The other daughter was married to a brick- maker. One day the father went to see the daughter whose husband was a gardener. He asked his daughter how everything was with her. She said : '' Everything is all right with us. I only wish it would rain, because the plants need to be watered now." Then the father went to see the daughter who was married to the brickmaker. He asked her how they were getting along. She said : '' We are getting along very well. I only wish the sun w^oukl sliine every day, hot and bright, so that the bricks might dry." The father said : '' Your sister wants rain, and you want sunshine. The weather can never please everybody." 103 LESSON XXXV The door is standing open. I am looking toward the door. I see no one. Now a man appears in' the doorway. He pauses a moment, then he dis- appears. I will watch for him ; he may appear again. I am watching for him. He reappears. He enters the room. He is going to the back part of the room on that side ; I Avill go on this side to meet him. He is coming toward me ; I am going toward him. We approach each other. We meet. We shake hands and say, ''How do you do?" We pass each other and go in opposite direc- tions. I will turn about and follow him. He is going toward the door. I am following him. In the doorway he pauses a moment again and disappears. The door was standing open. I was looking toward the door. I saw no one. Then a man appeared in the doorway. He paused a moment, then he disappeared. I watched for him, think- ing he might appear again. I was watching for 104 him. lie reappeared. He entered the room. He was going to the back part of the room on that side ; I started on this side to meet him. He came toward me ; I went toward him. We approached each other. We met. We shook hands and said, "How do yon do?" We passed each other and went in opposite directions. I turned about and followed him. He w^ent toward the door. I followed him. In the doorway he paused a moment again and disappeared. J( OO^nyCjyiAAAytyoL. — Julius C^sar Teacher. See if you can get a pupil to relate an instance of meeting a classmate on the street. 105 A STORY THE SHEPHERD BOY AND THE WOLF A shepherd is one who takes care of sheep. There was once a shepherd boy w^ho watched a flock of sheep. He was alone most of the time, and he became lonely. There were some people in the village ; but they never went to him excei^t when a wolf came near the sheei^. That was why the boy watched — to see when the wolf came near. Then he would call to the neighbors, and they would run out to kill the woK. If they could not kill him, they could chase him away. The wolf would not be afraid of one boy, but he would be afraid of a number of men. One day this shepherd boy cried out: ''Wolf! Wolf! Come help me! The wolf is killing the sheep." 106 This was not true. There was no wolf near the sheep. It was a lie. The boy was a liar. The men ran out to the boy, but when they saw no wolf, they laughed and went back to their work. Again, another day, the boy cried, ''AYolf! Wolf!" when there was no wolf; and again the neighbors ran out for nothing. This time they did not laugh; they frowned. But the boy laughed; and h^e called them out again. One day the w^olf did come, and the boy cried : ''Wolf! Wolf! Oh, come and help me! The wolf is killing the sheep ! " And this time it was the truth. But the neighbors did not go to helj) him. They could not believe him, because they knew he had lied so often. Always speak the truth. Honesty is the best policy. Nobody believes a liar. Teacher. After the reading, contiuue youi- review. 107 LESSON XXXVI The young man is holding a glass of water in his hand. The glass is transparent. We can see through the glass, because it is transparent. We cannot see through the door. The door is made of wood. Wood is not transparent. Glass is transparent. The young man drinks a little of the water. He spills a little of the water on his hand. Now his hand is wet. He puts the glass on the table. He takes his handkerchief out of his pocket. He wipes his hand with his hand- kerchief. Now his hand is dry. How much glass can you find in this room? Do YOU see any one with eyeglasses? Is water transparent? When we are hungry we eat food. When we are thirsty we drink water. Teacher. Point out all the glass in the room before giving this lesson. Besides the windowpanes and light globes, there may be a glass paper weight, glass beads, or other glass. 108 LESSON XXXVII I crusli a sheet of paper into a ball. I throw it to my friend on the other side of the room. He holds his hands ont to catch it. He does not catch it; he misses it. He picks it up from tlie floor and throws it to me. I catch it and throw it back to him. He tries to smooth it ont, but the paper is crumpled. It will not do to Avrite on. It is full of Avrinkles. My face is smooth. My face has no wrinkles, because I am young now ; but when I am old, my face will be wrinkled. I crushed a sheet of paper into a ball. I threw it to my friend on the other side of the room. He held his hands out to catch it. He did not catch it; he ndssed it. He picked it up from the floor and thrcAV it to me. I caught it and threw it back to him. He tried to smooth it out, but it was crumpled. It would not do to write on. It was full of wrinkles. Teacher. Make a memorandum of the fact that you must have a shoe box in the room for the lesson following. 109 LESSON XXXVIII There is a package on the table. It is wrapped up in paper and is tied with a string. I will open this package and see what it contains. First I pick up the package. It feels light; it is not heavy. Then I untie the string and remove the pai)er. I find that it is a box. I take the cover off the box and see that it is empty. That is why it is so light. I am going to put some things into the box; then it will be heavy. This book is too big; it Avill not go in. This smaller book will go in, but it does not fill the box. I will put the eraser in to help fill the box. I will stand the eraser on end and fill the rest of the box with books and other things. Now the box is full, but I cannot put the cover on. The eraser projects over the top of the box. I will take the eraser out. Now I can get the cover on. I close the box, wrap it up again, and fasten it with the same string. Now the package is heavy. 110 I want to inspect this box, so I will remove the wrapper, empty the box, and sit down here to inspect it. I inspect the box. This box is made of pasteboard. It is white in color and oblong in sha|)e. It is not round ; it is not square ; it is oblong. The cover tits the top of the box. The box has a bottom. I place the box on the desk right side up. I place the box on the desk upside down. I stand the box on end. I lay the box on its side. Teacher. A shoe box, of coui-se, is the prerequisite for this lesson. Ill LESSON XXXIX The young man is holding a coin in his hand. Now he puts his hands back of him. I cannot see into which hand he puts the coin. He is hokling out his closed hands toward me. The coin is in one of his hands. I do not know in which ; I will guess. I guess the coin is in his right hand. He opens his hands. The money is in his left hand. I guessed wrong. I will close my eyes while he hides the coin again. This time I guess it is in his left hand. He opens his hands ; both are empty. The coin is in neither hand. It is not in his right hand, and it is not in his left hand ; it is in neither hand. I take a book in my right hand ; I take a book in my left hand. I have a book in either hand. I put both books down. Now I have no book in either hand. I will close my eyes while the young man hides that coin again. Now I will get up to look for it. 112 What are you doing? I am looking for that piece of money which he hid. Why are you looking for it? Because I want to find it. Here it is ; I have it. Where did you find it? I found it on the teacher's desk. Where is the teacher's desk? The teacher's desk is in tlie front part of the rot)m. It is between our desks and the black- board. Is that desk large? Yes, it is the largest desk in the room. How high is it? I don't know. I can't tell by looking at it. But I can find out by measuring. Here is a foot rule. I will measure the desk with this rule. Teaciiek. Get several coins and a paper bill and point out the difference between a coin and a bill. The action of the young man liolding the coin might be prearranged with the earliest comer that evening. 113 LESSON XL 12 inches = 1 foot (ft.) 3 feet = 1 yard (yd.) 16^ feet = 1 rod 40 rods = 1 furlong 8 furlongs = 1 mile With this rule I can measure the teacher's desk and I can measure the distance between the desk and the door. How high is the desk? How long is the desk? How wide is the desk? How deep is the top drawer? What is the distance between the desk and the door? How far is the door from the window? Which is nearer the door, the desk or the window ? The distance between New York and London is over three thousand miles. How far is your native city from this city? 114 How tall is the teaclier? How tall are you? Who is the taller? Who is the shorter? When you go to a tailor to have a suit of clothes made, he takes your measure. He does not use a foot rule ; he uses a tape measure. Describe this room. What is the size of this room? What is the shape of this room? What does it contain? What is the color of the blackboard? How many desks are there? How many lights are there? How many doors and windows are there? Describe your neighbor. How large a man is he? What is the color of his hair and eyes? What kind of clothes does he wear? Describe his clothes. Teacher. A foot rule or yard stick, a tape measure, and a map are the essentials for this lesson. 115 A STORY THE LION AND THE MOUSE A little mouse was running around one day and did not look to see where he was going. He ran over the face of a sleeping lion. The lion awoke and caught the mouse under his large paw. He was going to crush him. The little mouse begged the lion not to hurt him. The little mouse said he would remember the lion and help him some day if now the king of beasts would be good to him and let him go. The lion laughed and let him go. Some time after this the lion got caught in a trap. The trap was made of ropes. The lion could not break the ropes. He roared. The little mouse heard the lion roar and went to 116 him. Then he jumped on a rope and began to gnaw, and he gnawed, and gnawed, until he gnawed the rope in Iavo. Then the lion got out of the trap. He looked down at the little mouse and said, '' Thank you." The little mouse said, '^You are welcome; but why did you laugh when I said I might help you some day?" Can you tell me why the lion is called the king of beasts? The lion is a large animal, and has a big voice. His voice is a roar. The mouse is a small animal, and has a little voice. Its voice is a squeak. Teacher. Fold your hands and beg ; roar, that is, pronounce " roar " in your deepest tones — r-r-o-a-r-r ; break a string, then show how it may be gnawed in two. Illustrate by action all that can be effectively so illustrated, lieview. 117 LESSON XLI 4 gills = 1 pint (pt.) 2 pints = 1 quart (qt.) 4 quarts = 1 gallon (gal.) 31^ gallons = 1 barrel (bbl.) This is li(|uid measure. This is the way we measure milk and other liquids. Water is a liquid. 16 ounces (oz.) = 1 pound (lb.) 2000 pounds = 1 ton. When I go to the butcher to buy meat, he cuts off what I want and weighs it. He puts it on the scales and tells me how many pounds and ounces it comes to. He weighs the meat with the scales. When I buy coal, the coal man weighs my coal with coal scales. Coal scales are yery large. When I send letters by mail, or packages by parcel post, I must weigh them and j)ut on enough postage. 118 2 pints (pt.) = 1 quart ((it.) 8 quarts = 1 peck (pk.) 4 pecks = 1 bushel (bu.) This is called dry measure. We get our vegetables by dry measure, ^^e also get fruit by dry measure. Sometimes we get fruit and vegetables by count; as cabbages, five cents a head, and oranges, three for ten cents. But we never buy beans or strawberries by count. It would take too long to count them. Twelve units make a dozen. Six units make a half-dozen. '' Unit " means one. Teachku. As many of the actual measuring tins or cups as you can get hold of will aid greatly in teaching this lesson. A picture of a barrel would be helpful. 119 LESSON XLII Teacher. I will send this book to Mr. B . Mr. S , what are you doing? Mr. S. I am sitting at my desk. T. Are you standing? Mr. S. No, I am not standing; I am sitting. T. Come here, please. Mr. S. I will come. T. What are you doing? Mr. S. I am coming to you. T. Take this book, please, and carry it to Mr. B . Mr. S. To Mr. B ? Where is he? T. He is over there. I am pointing to him with my finger. See? Mr. S. Oh, yes, I see. T. What will you do? Mr. S. I will carry this book to Mr. B . T. What are you doing? Mr. S. I am taking this book to Mr. B . T. What did you do? Mr. S. I took the book to Mr. B . 120 T, What did Mr. B do? M7\ S. Mr. B received the book. T. What did Mr. B say to you? Mr. S. He said, '^ Thank you." T. Mr. B , did you receive the book which I sent you? Mr. B. I received it, thank you. T. Who brought the book to you? Mr. B. Mr. S brought me the book. T. Mr. B , now bring that book to me. Mr. B. I will bring this book to you. T. AVill you send it? Mr. B. No, I will not send it. I will bring it. Here is the book. Take it. T. Xo, thank you ; you may keej) it. Mr. B. I will keep it. r. Wliat did you do? Mr. B. I brought my book to you. T. Did you send the book? Mr. B. No, I did not send the book. I brought it myseK. You sent it' to me. Teacher. Watch carefully that the action conforms to the read- ing. Do not permit any laxness in this respect. 121 LESSON XLIII This evening I came home from work at six o'clock. I washed and dressed and had supper. After supper I started for school. I stood on a street corner and waited for a street car. I looked, but I did not see a car. I listened, but I did not hear a car. I walked up and down ; then I went into a store and sat down to wait. Then I thought I heard a car and went out again. I saw two cars coming. I got on the second car, because the first one did not stop. I gave my fare to the conductor. When I wanted to get off, I touched the button. I heard the electric bell ring. The conductor pulled the bell cord, the motorman stopi^ed the car, and I got off and walked to the school building. I ran up the steps and entered the building. I walked down the hall and came into our room. Now I am studying this evening's lesson. 122 Past Present Future came come will come had have will have stood stand Avil stand did do will do listened listen will listen heard hear will hear walked walk will walk went go will go sat sit will sit saw see will see got get will get laughed laugh will laugh rang ring will ring stopped stop will stop ran run will run entered enter will enter thought think will think Teacher. After the reading have the class pick out the verbs, giving the present tense first always. After this column is completed, then arrange as above by adding "Past" and "Future." Do not call the verbs " verbs," but begin by saying, " What did you do first ? Came," etc. See footnote to Lesson XV, p. 50. 123 LESSON XLIV TRADES A man who builds liouses of wood is a carpenter. A carpenter uses a hammer and saw and nails. He cuts the boards with his saw; he drives the nails with his hammer. What is your trade? I am a carpenter. That is a good trade. A man who builds houses of bricks is a bricklayer. A brick- layer uses his trowel ; he puts the bricks together with mortar. Bricklaying is a trade. A man who makes clothes is a tailor. A tailor uses scissors and needle and thread. He cuts the cloth with the scis- sors or shears and sews Avith his needle and thread. He pushes 124 the needle with his thimble. The thimble protects his finger. The thimble keeps the needle from hurting his finger; it protects his finger. Tailoring is a trade. A man who makes machines is a machinist. A machinist uses many tools. He uses a screw driver, for one thing, and too many other tools to mention here. A machinist has a good trade. A man who has learned to make something with his hands is a man who has a trade. What is your trade ? 125 LESSON XLV BUSINESS MEN A man who keeps a store is a business man. He buys and sells. He is a mereliant. He does not make anything with his hands. He does not work at a trade ; he runs a business. He is a business man. A man who keeps a grocery store is a grocer. He is a business man. He buys and sells tea sugar, fruit, spices, canned goods, potatoes, etc. He is a merchant. A person who buys from him is his customer. A man who keeps a butcher shop is a butcher. He buys and sells meat; he is a business man. He knows how to cut meat. If you buy meat from him, you are his customer. A man who keeps a dry-goods store is a mer- chant. He buys and sells coats, suits, hats, shoes, stockings, gioyes, and other furnishings; also woolen cloth, cotton cloth, silks, and many other things. His business is to sell goods. He is a business man. He has many customers. 126 A man who keeps a drug store is a druggist. The druggist is a merchant. He buys and sells drugs or medicines. If you get sick, you may have to be his customer. A man does not have to keep a store to be a business man. If he helps run a bank, he is a busi- ness man. If he keeps a hotel, he is a business man. A man who sells or rents houses is a business man. He deals in real estate. The boy who sells newspapers on the street is a little business man. How many business men do you know? When a woman keeps a store or runs a bank or deals in real estate, she is a business woman. How many business women do vou know? 127 A STORY THE DOG AND HIS PIECE OF MEAT A hungry dog went to a butcher shop one day and got a piece of meat. He did not pay for it. Maybe the butcher gave it to him. He started to go home, carrying the meat in his month. On his way home he. had to cross a bridge. The bridge was over water. The dog stopped and looked into the water over the side of the bridge. He saw a dog with a piece of meat in his mouth. '' Dear me," said the dog to himself, '' look what a nice piece of meat that dog has. I will take it away from him." He opened his mouth to bite the other dog's meat, when — kerplunk ! His own piece fell into the water. 128 Poor dog! He learned something, but his lesson cost him his dinner. The dog in the Avater was not another dog, but his own retiection. He went home a sadder and wiser dog. He had something to think about, but nothing to eat. Look in the mirror and see your reflection. nx>Z to- axM^n. Teacher. Have a little pocket mirror at hand when reading this story. Review. 129 LESSON XLYI PROFESSIONS I am a foreigner. I want to learn English. Therefore I go to evening school. My teacher teaches me to speak and read and write English. School teaching is a profession. School teach- ing is not a trade. How are you? I am not well; I am sick. I have a head- ache, and I have pains in my body. I congh, I sneeze, I blow mv nose. I have a cold. I shall go to see a doctor. The doctor will feel my pulse, listen to my heart and lungs, and look at my tongue. Then he will tell me what to do and perhaps give me some medicine, and I shall get well. The doctor's profession is good. • Last week I had a toothache. I went to a dentist. He looked at my bad tooth. He pulled it. I had to spit blood for a while. Blood is red. 130 Dentistry is not a trade. Dentistry is a profession. My eyes hurt me. I must go to see an oculist. An oculist is a doctor for the eyes. He will look at my eyes. He will tell me if I must wear glasses. When my doctor gives me a prescription, I take it to the druggist at the drug store. When the oculist gives me a prescription for glasses, I take it to the optician. The oculist's profession is good. There are many trades and many professions. How many professional men do you know^? Teacher. Act a toothache ; cough, sneeze, groan. Take a pupil, feel the pulse, look at the tongue, listen to the heart ; act the doctor. 131 LESSON XL VII I go to work every day to earn money. I work for my employer, and he pays me for my work. This money is my wages. I work for my money. This is the honest way to get money. I do not carry all my money in my pocket, because I might lose it, or some bad man might take it from me. Such a man is a thief. He is not honest ; he is dishonest. It is good to work and earn money. It is bad to steal; it is not right; it is wrong. A man who goes into a house to steal is called a burglar. With my wages I pay my rent, buy food, buy clothes, pay for my laundry, and get other things that I want. I earn my wages, then I spend them. I do not spend all of them. I keep some money ; that is, I save it. I put it in the bank. The bank keeps it and pays me interest on it. When they keep my dollar one year, at the end of the year I have one dollar and three cents. That is three per cent interest. 132 My wages are my income. My rent, and food, and clothes, and other things, are my expenses. What I put in the bank is my savings. Some day I may want to travel. When I travel I cannot work. Then I must spend money. We travel by train and steamboat. The trains go overland by rail, and the boats go on the water. I may go to see my people in the old country some day. Teacher. Perliaps you will encounter difficulty in explaining *' burglar." A picture, no matter how crude, would help here. OH'"^!^ c^ ^^f.yj.u,-n.,. ■, nr i\ircl I^'! r it I cnn . 6: 1 V Uii: i i>' ■^ J OJllViU. '•'^CiAirtiiMi^-' -> V: ^ .< ''■tiO:illVj-iO' . f L "1 L I (\c UTcl r r^ C r « 1 1 r (■', n . J JOjnmu ii-i C.U'rn Tr ^ S S n^ %0Jiivj-ja^- L 006 130 908 4 'CJU311VJ'3VI J:?TO^ I VE) i .s? ^OF-CAiIF0% ^ ,^WEUN o >:> ?rt. ..\T.'I?;^AnV/).H ^/: ^ ^^OFC, ^\^E11N!VER% .^MEUNIVER, Aj^lOSANCEl% O UC SOUTHERN REGIONAL LIBRARY FACILITY Vf ;10S-ANCEIFJ> C5 ^^ %0JI1V3J0'»^ ■^AOJnVD-JO'** ^^ >- i^m — n g ^lOSANGElfx^ o CO %a3AINa-3UV^ DC ^OFCAIIFO/?^ ^OF-CALIFO/?^ >-\i iiii(ii vr ^^: ^^WE•UNIVER% o .^lOSMElfx.> •<,^^^ilE