uc-nrlf B 3 327 323 _ . : £. ■ s\-_ ^ ' 2. J !.u£JI^^ *"* Florence TCOMERY BY THE SAME AUTHOR. In crown 8vo. in uniform cloth binding, elegant. THROWN TOGETHER. 6s. MISUNDERSTOOD. 5s. THWARTED. 5s. THE TOWN CRIER. 5s. Also, the ILLUSTKATED EDITION of MISUNDERSTOOD, With 8 full-page Illustrations by George du Mauri er. In fcp. 4to. 7s. 6d. To be obtained of all Booksellers. WILT) MIKE LONDON : miNTED BY SPOTTISWOODE AND CO., NEW-STEEET SQOASB AND PARLIAMENT STUEET ! A, WILD MIKE AND HIS VICTIM BY THE AUTHOR OF 'MISUNDERSTOOD' LONDON KICHARD BENTLEY AND SON NEW BTJKLINGTON STREET $JttbIisbcrs in Orbinarn ia ^)rr Iftajcstg 1875 All rights reserved Pnf\ Mr TO HAEVIE FARQUHAR, ESQ. TREASURER OF THE VICTORIA HOSPITAL FOR SICK CHILDREN GOUGH HOUSE, CHELSEA THE FOLLOWING STOEY is DEDICATED 212 PEEP ACE. The following story is not a continuation of the 'Town Crier Series,' nor is it intended for children. F. Q August, 1875. CONTENTS. PART I. CHAPTER I. Listening for a Step upon the Stair PAGE 1 II. "When Night is Darkest Dawn is Nearest 15 III. The Beautiful Vision at Tim's Bedside 25 IV. Victoria Hospital 41 V. Realised Joys, and Dreams Come True at Last 49 PART IT. VI. A Winter's Night in Kensington Gardens VII. The Question which finds no Answer VIII. The Beautiful Vision again IX. The Old, Old Story X. Working in the Dark XI. At Last ! XII. For her Sake . Conclusion. 65 75 91 103 115 123 131 PART I. CHAPTER I. LISTENING FOR A STEP UPON THE STAIR r. CHAPTER I. All through the long winter of 1874-5 has little Tim Collins been laid up in an attic of one of the crowded houses in the poorer parts of Brompton. Such a long winter it has been ! Never, the doctors tell us, has there been so much illness about. Never, within our own memory, has the list of deaths in the Times been so loner. Wonderful the havoc that has been made among the very old and the very young. And if it has been like this with the rich, what must have it have been with the poor? Especially with the children. 4 LISTENING FOR A STEP In the warm, luxurious nurseries of the rich it has been difficult enough to keep out the cold draughts of air that would find their way in everywhere. Every sort of device that ingenuity could contrive to keep out the bitter wind has been tried and failed. Sand-bags, cotton-wool, list, curtains over the doors ; one and all have been insufficient. Yet, with all this care, and in spite of being- kept in-doors day after day, the children have cauovht cold, and some have been in bed and had the doctor. Then what pains and attention have been bestowed upon them ! What toys their fathers have brought home to them to prevent their being dull ! How their mothers have sat by their bed- sides day after day, reading them fairy-tales, telling them stories, and showing them pictures. Their nurses have dressed dolls and made UPON THE STAIR. 5 paper-boats all day long, and been up and down half-a-dozen times in the night to give them lozenges or make them orange-ade. It has been like this with the sick children of the rich, but how has it been with the sick children of the poor ? This is the question little Tim shall answer ; this is the story I am going to tell. He knows, and he shall tell you what it is to be ill in that noisy, crowded garret, which he and his mother share with a drunken Irish- woman and her family of five wild, rough children. We will lift the veil which in this great metropolis hangs between us and our poor neighbours, and hides from our view what is going on so near. And behind it we shall see the sick child lying, as he lies day after day. His father is dead, and his mother cannot stay with him to take care of him ; for on her 6 LISTENING FOR A STEP earnings all depends. From morning till night she is away at the steam-laundry, toiling to make enough to keep herself alive, and to provide for her sick hoy a few of the many things of which he stands so sorely in need. So all day long he lies there, quiet and lonely ; too weak to move, too patient to com- plain, and too brave to cry. Quiet and lonely did I say ? Yes ; lonely always, but quiet only some- times. For there are times in the day when the Irish children rush in from school, and their mother returns from her charing. Then the babies cry, the big ones quarrel, and the mother scolds at the top of her voice. Through and through his aching head goes the noise and the babel, and he is glad to get under the bed-clothes and to cover up his ears to escape from it. Poor little Tim is much in awe of the big, rough woman. She is violent- tempered and UPON THE STAIR. 7 seldom sober, and her way of treating her own children often makes him tremble at her approach. But he is more in awe of the children still \ or, rather, of one of them — the eldest, a big, tawny-haired boy who goes by the name of Wild Mike. No one can manage Wild Mike. His mother's hard words and harder blows have no effect upon him. He is the terror of all the children in the street; a born bully, reckless and cruel. In Tim's healthy days Wild Mike was always his tormentor ; now that he is ill he is completely in the cruel boy's power. Mike waits till Tim is alone, and then takes from the terrified child his biscuits, his lozenges, the orange he has to suck when he is thirsty, and makes off before anyone can come. Ah! little does Tim's mother dream, as she toils away at the laundry, of all her sick 8 LISTENING FOR A STEP child suffers at the hands of that cruel, rough boy. Little does she dream that the hardly- procured luxuries which she has placed so carefully by her boy's side before she left him, the worsted shawl she has spread so tenderly over him, are removed the moment her back is turned. She strides along, in the teeth of the east wind, rejoicing that she has deprived herself of that shawl — for at least her child is warm though she is cold — little dreaming that it is tied round Wild Mike's throat. And she will never find it out ; for Mike, a coward at heart, like all bullies, will put it back exactly where he found it, before there is a chance of her return ; and he has stood over little Tim, and threatened him with all the dreadful things that he will do to him the next time he catches him alone, if he dares to tell her. They were a wild, bad set of people amidst whom Tim and his mother dwelt ; and only UPON THE STAIR. 9 the direst necessity would have compelled her to live among them. She had been trying to get another habita- tion just before the beginning of Tim's illness : but his having fallen ill so suddenly had pre- vented her carrying out her intentions. So his sufferings have been sadly and need- lessly aggravated by the cruel treatment he has all the time received, and of which his mother knows nothing. But Wild Mike's visits to his bedside are only periodical, like the presence of the mother and the rest. For the most part of the day Tim is quite alone ; and if it were not that the room is warmer when they are all there he would rather be so. For when they are all out, and the room is empty, no tongue can describe how he suffers from the cold. The door is always left open by the last child who goes out of the room, and the window is broken. There are cold draughts rushing in io LISTENING FOR A STEP everywhere. Tim is never really warm till his mother returns at night, shuts up the door, stuffs up the window, and gets into bed with him. How he longs for her return ! How he thinks of it, dreams of it, patiently waits for it! Such a safe, protected feeling comes over him in her presence ; such joy at feeling her so near ! The thought of that home-coming is what keeps him happy : is the one bright spot in the darkness of his day. What a life for a child to lead ! Cold, sick, and very lonely. Not a toy nor a picture-book to beguile him. Nothing to amuse him all the long, weary day. Nothing to distract him from his pain. Nothing to think of but how his head swims and his bones ache and his cough tears him to pieces. UPON THE STAIR. II Nothing to do but to lie and wonder how soon the day will be over and his mother return to him again. To lie there watching for her coming, and counting the minutes as they slowly pass by. Listening, listening ever for the sound of her step upon the stairs. Waiting and wearying for her footfall long before there is a chance it can be heard. Almost as soon as her parting kiss is given, and ere the echo of her receding footstep has quite died away, he begins to listen. Hark I that footstep ! is it coming ? Will it climb the stair ? Steps on the stair there are many, coming and going, all day long. Steps so many and so various that only the ear of love could distinguish one among them all. Bough steps, hurried steps, unsteady steps, steps faltering and slow ; steps worn and weary 12 LISTENING FOR A STEP with the burden of life they have to carry, belonging to hearts more worn and weary still. Tramp, tramp, their confused and varied tread- ing sounds in his ears all day long. Tramp, tramp, yet ever seeks he to distin- guish the one he loves, the one he knows so well. Sometimes their familiar sounding soothes him into sleep at last. Towards evening, snatches of oblivion beguile the weary time. And then bright dreams and fancies scare all his pain away. Come with me now this evening, and for a moment look upon the child. See how he lies there, dreaming, pain and sorrow cheated of their power. He is dreaming of a toy-shop window, and a lighted Christmas-tree. In his dream he sees a little figure (which is himself) leaning against the window, and wist- fully gazing in. UPON THE STAIR. j 3 . Clearly before him are rising the joys that have never been his. Armies of red tin soldiers are passing before him now ! Heaven be thanked for that Heaven-sent dreaming, brief and broken though it be ! For tramp, tramp, soon sounds through his. uneasy slumber, and he is roused from his- happy dream. To wake in the foggy twilight, deepening; into darkness again. Poor child ! bereft of his fancies, fresh from a dream of joy ; does sorrow come down upon his spirit as the darkness comes down into the room ? No ! For now that it is dark she will be coming ! Her step will be heard very soon ! Hark ! up the stair ascending, it is coming, at last, at last ! . . . Someone stands upon the threshold, some- one advances to the bed. 14 LISTENING FOR A STEP. The sight lie has wearied and longed for, is before him now. See how his eyes are glowing ! How radiant his wan, weak smile ! Oh ! Sight to the child so glorious ! What is there in thee which we cannot see ? To eyes by love illumined is vouchsafed a vision to which ours are quite, quite blind. We judge of its power and of its beauty only by its effect on him. For he sees what makes his heart beat loudly, and irradiates his countenance with a gleam of joy. And we see nothing but a faded woman, with the stamp of care upon her weary brow. CHAPTER II. WHEN NIGHT IS DARKEST DAWN IS NEAREST 17 CHAPTER II. Tim never tells his mother of his troubles. Perhaps he fears to, for she is strong and vigorous, and her maternal instincts are strong and vigorous too. If the lioness in her were roused, Wild Mike's fate would be a rough one ; and there have, at times, been passages between the two,, which the sick child would be sorry to see re- peated. Or it may be that, in the joy of her return to him, the memory of his troubles flees away. There are other things of which he does not tell her, because it would grieve her so. He never tells her how hard he tries to wake c 18 WHEN NIGHT IS DARKEST her at night, when she is sleeping by his side, and how his poor little voice is unheeded. For he has nights of horror, and dreams in which the fears of the day return with terror tenfold. And when he wakes in the thick darkness, trembling and panic-stricken, he longs for the sound of her voice. Often his terrified cry is heard in the night : c Mother ! wake up and speak to me. Wake up and give me your hand.' But, young and very wearied, she sleeps heavily and sound. His piteous voice does not reach her, and she answers him not a word. The Irishwoman, more wakeful, calls out to him harshly to hold his tongue, and go to sleep ; and at the sound his heart beats louder, and he cowers closer to his mother's side. But still, in spite of its terrors, the night passes only too quickly. He grieves when it is over and the fo™y day begins. DA WN IS NEA REST. 19 For then she must rise and leave him — leave him to his lonely clay. We need not linger on this part of his his- tory, week after week going by the same. Pass we on to a day yet darker, but the darkest before the dawn. It was at abont three o'clock one afternoon at the end of February that a thick yellow fog- came quite suddenly on. The Irish children and their mother got home safely, though with difficulty, and very late. But, alas ! for poor little Tim ! He waited and wearied for a footstep that never came at all. The night fell, and his mother had not re- turned. Other people in the house began at last to wonder, and to get uneasy as to what could have befallen her. By-and-by news came from below — news, in its meaning to the child, of a length and c 2 2 o WHEN NIGHT IS DARKEST breadth of woe immeasurable, embodied in one short sentence : — 6 Knocked down by a cart in the fog, and carried to St. George's Hospital.' Let us drop the curtain we have lifted, over the days that followed, and hide the despair of the child. Why should we paint his desolation when each one can imagine it so well ? Daily he drooped ; and the little strength he had, slowly ebbed away. Some of the women from below came in and out, and did what they could for him. But they felt it would be of no avail. His frail little body grew weaker, for his spirit was broken. 4 He has no heart,' they said, ' to get well.' The doctor was sent for at last, who came and looked at him, and listened to his cough, and shook his head. DA I VN IS NEA RES T. 2 1 Iii another place, lie said, and under other circumstances, the child might get well ; but as it was ! . . . As it was, he drew the coverings closer round him, gave him an orange and some lozenges to suck when his cough was ' trouble- some,' and said that was all he could do for him. The real remedies were beyond his power to prescribe. Pure air and sunlight, a properly ventilated apartment, quiet, warmth, and cleanliness ; care, attention, and strengthening food; the touch of skilful hands, the sound of kind voices ; an atmosphere of gentleness, kindness, and regu- larity : such were the aids that alone could restore the child. In default of these, he gave him, as we have already said, an orange and some lozenges, and went his way. The women, who had collected to hear the doctor's verdict, stood round the 22 WHEN NIGHT IS DARKEST % bed, talking freely, giving it as their opinion that it would be better he should die, and that it 4 wouldn't be long first.' That if his mother died in the hospital, or was a cripple all her life, the child would be much better gone ; for what was to become of him if he lived ? Then they went away too. Tim is alone again — alone with his weak- ness and his pain. In mortal terror too ; for Wild Mike will return directly, now that the doctor's visit is over, to see if he has left anything good behind . Tim, with his heart beating wildly, is listen- ing for his noisy step upon the stair. He has got his orange under his pillow, and his box of lozenges squeezed up tight in his left hand; but he knows he has no chance of retaining either if Mike is determined to take them away. But some minutes elapse, and no Mike DA IVN IS NEAREST. 23 appears ; so, his fear having temporarily sub- sided, he begins to think of what he heard the women say. He knows what they meant very well. Death, in the homes of the poor, is a very familiar subject. Yes, he knows what it means very well. His father, so his mother had often told him, had been fetched away by the angels. They came down one summer evening and carried him away. Will they come and fetch him too ? Hark ! a step upon the staircase, coming up the stair. Soft and slow is the footstep, and a rustling softer still. The rustling ceases on the threshold. A silence follows, for the footsteps pause for a minute ere they gently sound in the room. And now T the rustling is close at hand. Something is bending over him — something 24 WHEN NIGHT IS DARKEST, &?c. is touching his hair — and he opens his eyes with a smile. His thoughts are all of the angels, and he thinks the angel who came to fetch his father must be come to fetch him now. So, when his glance rests upon the fair face looking down upon him ; when his eye travels on to the soft hair circling round her brow ; when his starved heart drinks in the sorrowing pity that is shining in the blue eyes that are gazing so tenderly at him, he feels no fear, no surprise. He only holds out his wasted arms and whispers : ' Are you God's angel, and have you come to take me away ? ' CHAPTER III. THE BEAUTIFUL VISION AT TIM'S BEDSIDE 27 CHAPTER 111. His visitor — a beautiful lady who has coine straight from his mother's' bedside in St. George's Hospital to satisfy that poor mother's longing to know how her boy is faring — gently shakes her head ; and, kneeling beside him, she whispers such a message from that mother, that his sad eyes faintly sparkle, and then fill with tears of joy. For he hears that she is alive and well ; that she sends him her love and her blessing ; and that she hopes at some time, not too far distant, to return to him again. That she longs to know if he is better, and thinks of him by night and by day. 28 THE BEAUTIFUL VISION Having delivered her message, the lady rises. Gazing long at him, and then all round the wretched place in which she finds him, she is wondering what her answer is to be ! Better ? he is not better, and under his present cir- cumstances she feels that better he will never be. For the air is heavy and foul, the bed is uneasy, he is shivering with the cold from which his coverings are too scant to protect him ; he appears to have no food and no medicine ; and he is all alone ! Standing by him without speaking, she is revolving a plan for his deliverance in her head, and wondering how quickly she will be able to carry it out, for she feels there is no time to lose. 6 1 am not an angel,' she said at last, softly, ' but still I will carry you away.' ' What, then,' he whispered wistfully — so AT TIM'S BEDSIDE. 29 taken up with his idea that he hardly heard the last words of her sentence — ' are yon,' he added, j list touching with his little wasted hand the soft fur and velvet of which her dress was composed, ' the Queen ? ' ' No,' she said, smiling. ' I am a woman who loves little children, that's all.' He slightly shook his head. 6 You're never a woman,' he said. ; I know better than that.' 'Why not? ' she questioned. ' Women don't never wear the like of this,' he answered, his hand still straying over the velvet and fur. 6 Well, a lady, perhaps ! ' ' Ah ! that's more like,' he said, ' but a very grand lady, ain't you ? A kind of a princess, like, or something of that.' 1 Have you never seen a lady before ? ' she enquired, without directly replying to his question. 30 THE BEAUTIFUL VISION 4 Never so close,' lie answered. * I've seed 'em, don't yon know, in their carriages, or getting out at the shops, but never so as I could touch 'em.' And with a pleased look lie played again with the velvet and fur. ' But it ain't only the clothes,' he added, in a whisper, ' it's it's ' 'It's what?' she asked, looking down upon him with a smile. He gazed up at her, but did not answer. He could not express it, but he knew in himself that the being before him was as different in every way to the women he was accustomed to, as were her garments to those he was accustomed to see worn. Her lovely colouring, her soft eyes, her general appearance, the harmony of the details of her dress ; all this combined made a fair picture to him, and begat in him a faint idea of inward goodness as expressed by ex- ternal beauty. AT TIM'S BEDSIDE. 31 For if the outward covering were so fair what must the inward grace and glory be! 4 Why do you come here ? ' he said, sud- denly, as if it jarred upon him to see. her in such a place. ' I came,' she said, < to give you the mes- sage from your mother, and to see for myself how you were.' ' But why ? ' he persisted. ' Why ? ' she repeated, puzzled. 4 I mean,' he said, ' you are such a grand, smart lady, and mother says they don't care for us poor.' 'Who does she say they care for?' she enquired. 6 Only their own selves,' w r as the reply. She looked grieved at his words. She felt so sorry the mother should inculcate such a doctrine, and still more so that she should believe in it herself. 3 2 THE BEAUTIFUL VISION But it is the inevitable result to those who only see the rich in the distance. Say what we will, the fact remains, that to the poor, the sight of the rich in their luxury, in sharp contrast to their own want, must ever create in their minds an idea of selfishness, and breed in their hearts bitter feelings of envy and dislike. But once let the rich draw near to the poor, once let the poor believe in the human tenderness and sympathy of the rich, the first impression will be lost, the common ties of our common humanity will draw class to class, and envy and dislike will flee away. But the rich must draw very near; near as Tim's beautiful visitor has been to the bed- side of his mother in the hospita 1 , near as she is standing by his wretched bedside now. The lady's thoughts reverted to the grateful look on the poor woman's face as she had that day seen it, and her brow cleared. AT TIM'S BEDSIDE. 33 She took little Tim's hand in hers. 6 Dear child,' she whispered, ' your mother will not say so now.' ' What is the matter ? ' she added hastily, or she felt his grasp on her tighten, and a look of terror overspread his face. She looked all round the room, and, seeing no cause for fear, she asked him what it was he was afraid of. His look of terror did not abate ; he held her tighter, and whispered ' Wild Mike.' ' A dog ? ' she questioned. ' Oh, no.' ' A man, then ? ' 4 Oh, no.' ' A boy, perhaps ? ' He held her tighter than ever : he nod- ded his head. 1 What does he do to frighten you so ? ' ' I mustn't tell. I don't dare tell.' 'Why not?' D 34 THE BEAUTIFUL VISION ' I don't know what he won't do to me, if I tell.' c No one shall hurt you while I am here,' she said, soothingly, ' so tell me all about it.' c Ah ! but when he catches me alone,' gasped little Tim. 6 What ? ' she said quickly. ' I think he'll kill me,' whispered Tim. A look of indignation shot out of her blue eyes ; her colour came and went for a moment ; but she only said, ' Don't be afraid. Trust me, he shall not touch you. Now tell me all about it.' Whether it was the quiet of the room, or the soothing sense of human kindness and human protection ; or whether it was an undefined trust in the power of anything so beautiful, that em- boldened little Tim to tell of his long-hidden troubles, I do not know. But he allowed the sad story to be drawn from him, and almost before he was aware of it, he had told it all. ■ But don't beat him for it,' he implored, AT TIM'S BEDSIDE. 35 when lie had finished. ' I couldn't bear to have Mm beat.' The lady gave the required promise with a sad smile ; and hardly had she done so, than Tim turned ashy white, and, clinging to her con- vulsively, he whispered : ' He is coming ! Here he is ! ' Gently disengaging herself from his grasp, she rose from her seat, and turned round to con- front the intruder. Wild Mike was advancing into the room, with an expression of greedy satisfaction in his •eyes, and his whole air that of the bully intent upon his prey. ' Now, then ! ' he said, in his loud, rough tones, ' now, then ! where's the ' He started back, as he came face to face with Tim's beautiful visitor. There is a scene in ' Faust ' where the si