LIBRARY THE UNIVERSITY OF CALIFORNIA SANTA BARBARA PRESENTED BY Douglas Warner Boobs bp -Benjamin EanU ECONOMIC HISTORY SINCE 1763. Cambridge, 1889; 5th ed., New York, 1911. SELECT BIBLIOGRAPHY OF ECONOMICS. Cam- bridge, 1895. LIFE, UNPUBLISHED LETTERS AND PHILO- SOPHICAL REGIMEN OF THE THIRD EARL OF SHAFTESBURY. London, 1900. BIBLIOGRAPHY OF PHILOSOPHY. Two vols. New York, 1905. MODERN CLASSICAL PHILOSOPHERS Boston, 1907. THE CLASSICAL MORALISTS. Boston, 1909. THE CLASSICAL PSYCHOLOGISTS. Boston, ign. THE CLASSICAL PSYCHOLOGISTS THE CLASSICAL PSYCHOLOGISTS SELECTIONS ILLUSTRATING PSYCHOLOGY FROM ANAXAGORAS TO WUNDT COMPILED BY BENJAMIN RAND, PH.D. HARVARD UNIVERSITY BOSTON NEW YORK CHICAGO HOUGHTON MIFFLIN COMPANY Rtocrisi&e press Cambribgc COPYRIGHT, 1912, BY BENJAMIN RAND ALL RIGHTS RESERVED LIBRARY UNIVERSITY OF CALIFORNIA SANTA BARliAilA PREFACE "THE CLASSICAL PSYCHOLOGISTS" is a companion volume in the field of psychology to the author's " The Classical Moral- ists" in the sphere of ethics, and also to his " Modern Classical Philosophers "in the domain of philosophy. Its aim is to pre- sent in a series of selections some of the most essential features of the psychological doctrines which have appeared from Anax- agoras to Wundt. The book is thus virtually a history of psy- chology, not derived from an ordinary description of systems, but based upon extracts from original sources and upon trans- lations of the authors themselves. Such a work, it is hoped, may prove adapted for colleges and universities as a text-book of reading accompanying courses of lectures in general psychology, and may become a necessary requirement of study made of all students before entering upon the study of the special divisions of existing psychology. The general reader, moreover, will find it an interesting volume of original material of the great psychologists from the earliest to the most recent times. From Aristotle's u De Anima " there is reproduced at the outset the first extant history of psychological theories. With the name of Anaxagoras, who emphasizes the Nous as present in all things, but with insight as to its different forms in mind and matter, it was thought the work might fittingly begin. Em- pedocles is mentioned, who maintains that like is known by like, and that perception is due to elements in us coming in contact with similar elements outside. Democritus is also in- cluded, who believes the soul to consist of atoms, the peculiar fineness, smoothness, and mobility of which cause perception and thought. The second selection is taken from the Theaetetus of Plato, which Professor Jowett describes as the oldest work in psychology that has come down to us, and which here con- tains the contending Sophistic and Socratic views on the nature vi PREFACE of perception. In it Protagoras affirms that the individual man is the measure of all things, whereas Socrates seeks to conduct Theaetetus by means of the dialogue to the acceptance of a universally valid knowledge. Although Plato's psychological views are scattered through various dialogues, the Republic best contains his treatment of the fundamental problem of the relation of soul and body. There is consequently printed from it, his presentation of the three faculties of the soul, of the correlation of the faculties, and of the soul's immortality. In Aristotle we have the greatest psychologist of the ancient world, and the one who first treated psychology as a separate science. To the introductory account of earlier theories by him, with which this work began, is here added a description from the " De Anima" of his own doctrines. His conceptions of the essence of the soul, and its relation to the body as form to mat- ter, of the various activities of the five senses and the common sense, and of the functions of sensation, imagination, and thought, are given in full, as their importance demands. From Diogenes Laertius' " Lives and Opinions of Eminent Philoso- phers" is drawn the psychology of the Stoics, in which the ani- mating principle of the soul is described as a warm breath within us, with a resultant trichotomy of body, soul and spirit. From Diogenes Laertius is likewise taken the Epicurean psychology, in which the soul is conceived to be a bodily sub- stance composed of exceedingly fine atoms, which are allied in nature to air and fire, and are diffused throughout the whole body. Lucretius in the didactic poem on "The Nature of Things," whereby Hellenistic thought was transferred to Rome, follows next with a description, like that of Epicurus, of sen- sation as everywhere occurring in the body; but he regards the mind as the directing principle "holding the fastnesses of life. " From the "Enneades" of Plotinus, who was the most eminent of the Neoplatonists, is reproduced the theory of emanation, in which the soul is deemed the image and product of the Nous, just as the Nous is of the One. In the mediaeval period, Tertullian, one of the greatest of the early Christian fathers, sets forth in the extracts presented from PREFACE vii his "Treatise on the Soul," the corporeal nature of the soul, its simplicity, its source in the breath of God, its rationality, and its immortality. Gregory of Nyssa, who wrote in the latter part of the fourth century, here argues in the " Endowment of Man," that the intellect pervades all parts of the body alike, but has in itself a divine beauty, since it is created in the image of the most beautiful. Augustine, in whom the Patristic period reached its culmination, emphasizes in his work "On the Trinity," self-consciousness as the distinguishing characteristic of the mind arising from its immateriality, and regards memory, understanding, and particularly will, as its most important fac- ulties. Thomas Aquinas, who represents scholasticism in its full development, returns in the "Summa Theologica" to the Aristotelian doctrine of the rational soul as the essential form of the body, and contends as against Augustine for the superi- ority of reason to will. The modern period is introduced with chapters from Thomas Hobbes' "Human Nature," in which the founder of empirical psychology reduces all mental processes to motions. An ample presentation is given of Descartes' "The Passions of the Soul," of which Professor David Irons says that "it would be difficult indeed to find any treatment of the emotions much superior to it in originality, thoroughness, and suggestiveness." Spinoza, who teaches in " The Ethics" that the soul and body are not two distinct substances, but that thought and extension are two of the many attributes of the one real being, seeks to prove by the mathematical method in the part reproduced, that the order and connection of ideas are identical with the order and connection of things. From Leibnitz' "Philosophical Works" selections have been made in which he presents his theory of monads, and likewise illustrates the interaction of soul and body after the manner of two clocks so constructed as to run in perfect harmony. Christian Wolff, whose name is chiefly associated with the faculty psychology, designates in those sections of the " Rational Psychology" here chosen, the vis repraesentiva as the fundamental force and sufficient ground for everything that takes place in the soul. viii PREFACE English empirical psychology is next traced through Locke, Berkeley, and Hume. From Locke's "Essay on the Human Understanding" there is given, as Locke believes, " the true history of the beginning of human knowledge," wherein all our ideas are derived from sensation and reflection. Berkeley's "Essay towards a new Theory of Vision" is reproduced with desirable fullness, as it contains his noted research into the differ- ence between the ideas of sight and touch, wherein he draws the striking inference that the visible world is a visible lan- guage, which we learn to translate into the tactual experience that the visible phenomena naturally signify. Hume in the chapters from the " Treatise of Human Nature" would resolve all perceptions of the human mind into "impressions" and "ideas," differing only in force and liveliness, and also would derive our conception of necessary connection solely from the experience of the constant association of certain objects. Hartley was the chief precursor of English associational psy- chology, although preceded as he confesses by the modest Gay, and from the "Observations on Man" are reprinted his two principal doctrines of vibrations, and of association. Charles Bonnet, the Swiss, and an early founder of physiolo- gical psychology, in the "Analytical Essay upon the Faculties of the Soul" of which his own "Abstract" has been in part translated, lays stress throughout on the dependence of psychical phenomena upon physical conditions, and considers the divers- ity of mental perceptions as really due to the different struc- tures of the various sensory fibres. The French psychologist Condillac, in the chapters from the "Treatise of Sensations," views all psychical functions as transformations of sensations, and graphically illustrates his theory by the endowment of a marble statue with the different senses of man in succession. From Reid, founder of the Scotch School of common sense, those portions of the "Essays on the Intellectual Powers of Man" are given in which he analyzes the fundamental acts of sensation and perception, contending that the former is confined to the soul, but that the latter implies a belief in the existence of an external world. Brown's eloquent "Lectures on the Philo- PREFACE ix sophy of the Human Mind," published after his death, contains a most subtle and brilliant analysis of muscular sensations, the inclusion of which, it is believed, must add substantial value to the pages of this work. With Herbart's " Textbook of Psychology" begins scientific psychological research, in which from the intensive relations of ideas and the laws of their change it is sought to derive the pos- sibility and necessity of applying mathematics to psychology. In Beneke's " Textbook of Psychology as Natural Science" a profound German psychologist seeks to reduce all psychical phenomena to four " fundamental processes." Drobisch, who may be regarded as one of the distinguished representatives of mathematical psychology, presents in his " Empirical Psychol- ogy," the dynamics of ideas as the fundamental principle of ex- planation of psychical phenomena. Maine de Biran, whom Cousin thought the first metaphysician of the nineteenth cent- ury, has written some most instructive chapters in his " Essay upon the Foundations of Psychology," wherein he treats of voluntary effort as the primordial fact of our psychical life, analyzing it into the two distinct but inseparable elements of will and resistance of our own body, from which he derives the beginning of personality. The revival of English associational psychology is to be found in the chapters, taken from James Mill's "Analysis of the Phenomena of the Human Mind"; but its fullest fruition ap- pears in the laws of association reproduced at considerable length from Bain's " The Senses and the Intellect." The cardi- nal feature of Spencer's " Principles of Psychology " is here pre- sented in the evolution of mind " from an indefinite incoherent homogeneity to a definite coherent heterogeneity." The selec- tion from Johannes Mueller's "Elements of Physiology" will render more accessible his very important account of the gen- eral laws of sensation. A fitting place is naturally given also to Lotze's theory of " local signs" as embodied in his " Outlines of Psychology." In more recent psychology, translations from Weber's a The Sense of Touch and the Common Feeling" of his well known x PREFACE Law, and from Fechner's " Elements of Psychophysics " of his " Measurement of Sensation," are indispensable contributions in the domain of psy chophysics, being the experiments of the former, well described by Professor E. B. Titchener, as "the founda- tion stone of experimental psychology," and the interpretation of the latter as the erection in large measure of " a whole build- ing." The Young-Helmholtz theory of color vision has been translated from Helmholtz's " Manual of Physiological Optics, " which is regarded as the most important work that has yet ap- peared on the physiology and physics of vision. " The Funda- mental Principles of a Theory of Light Sensation" by Hering will serve also to supplement those of Helmholtz, as a necessary foundation for the study of the more recent valuable contribu- tions which have been made to this subject. From Mach's " Analysis of Sensations" is reproduced his theory of space per- ception, preceded by an account of the self intuition of the ego, which " every student of psychology should know." Stumpf's " Tone Psychology" contains a theory of tonal fusion, written by a recognised authority in this domain. The remarkable chapter of William James entitled "The Stream of Conscious- ness " is taken from his introductory " Psychology. " Then fol- lows the James-Lange theory of emotions, in which a novel doc- trine is set forth by both writers with unusual brilliancy of style. Most characteristic and authoritative chapters from Wundt's "Principles of Physiological Psychology" on the problem of physiological psychology, and from his " Outlines of Psychology" on volition and apperception, conclude the work. The outline of the selections in the preceding paragraphs traces the attempt, here made for the first time, to present his- torically in a single volume original texts containing funda- mental theories of the classical psychologists, alike in ancient, mediaeval, and modern times. The study of psychology as pur- sued to-day in several important divisions might suggest the desirability of a work of recent material from these various do- mains. An historical volume of the character of this book was, however, deemed not only more in harmony with the other works of the author's series, but also as much more necessary for the PREFACE xi use of students before entering upon investigations in special fields. Whilst a chronological order has been followed in gen- eral, slight variations have made it possible to group psycho- logists somewhat according to their schools, and the emphasis, moreover, in the most recent period, has been placed on the selection of those important laws and theories which have al- ready taken on a classical importance. The selections have been given with sufficient fullness, it is hoped, always to repro- duce the author and subject in an intelligible and connected way. Authorities will differ concerning the choice of authors and subjects. In this matter important advice has been re- ceived from the psychologists alike of Harvard University and also of other large American Universities. Although such valu- able opinion always has been carefully considered, the responsi- bility for the final decision naturally rests upon the editor. Thirteen authors appear in this work in selections trans- lated for the first time into English. To my colleague Pro- fessor Edward Kennard Rand, of the classical department of Harvard University, I am indebted for the translation from the Latin of "The essence and nature of the soul" contained in Christian Wolff's " Rational Psychology"; and to Dr. Herbert Sidney Langfeld of the Harvard Psychological Department for the translation from the German of " The measurement of sen- sation" in Gustav Fechner's ''Elements of Psychophysics." The translations from the Greek of Gregory of Nyssa, from the Latin of Thomas Aquinas, from the French of Charles Bonnet and Maine de Biran, and from the German of Friedrich Ed- uard Beneke, Moritz Wilhelm Drobisch, Ernst Heinrich Weber, Heinrich von Helmholtz, Ewald Hering, Carl Stumpf, and Carl Lange in the text of H. Kurella, have been made by the author of this work. In French Professor Irving Babbitt and Dr. C. J. Ducasse, and in German Prof. W. G. Howard and Dr. J. Loewenberg of Harvard have made valuable suggestions. My thanks for permission to reprint selections of various psy- chologists are also due to the publishers and translators whose names will be found at the beginning of the respective chapters accompanying the titles of the works thus utilized. The book xii PREFACE will best attain its desired aims if its representative selections shall serve to inspire the perusal of the complete works of the classical psychologists, and if it shall aid in any measure to maintain the importance and prestige of classical psychology. BENJAMIN RAND. EMERSON HALL, HARVARD UNIVERSITY. CONTENTS ANCIENT I. ANAXAGORAS (500-428 B.C.), EMPEDOCLES (490-430), DEMOCRITUS (460-370) From ARISTOTLE'S DE ANIMA i-io Translated from the Greek by R. D. Hicks. BOOK I. CHAP. I. INTRODUCTION OF ARISTOTLE . . i BOOK I. CHAP. II. EARLY PSYCHOLOGICAL THEORIES . 5 II. PROTAGORAS (480-411), SOCRATES (469-399) From PLATO'S THEAETETUS 11-26 Translated from the Greek by Samuel Walters Dyde. THE NATURE OF PERCEPTION II III. PLATO (427-347) THE REPUBLIC 27-44 Translated from the Greek by J. L. Dames and D. J. Vaughan. BOOK IV. THE THREE FACULTIES OP THE SOUL. . . 27 BOOK VI. THE CORRELATION OF THE FACULTIES . . 36 BOOK X. THE SOUL'S IMMORTALITY 41 IV. ARISTOTLE (384-322) PSYCHOLOGY 45-83 Translated from the Greek by William Alexander Hammond, BOOK II. THE FACULTIES OF THE SOUL. CHAP. I. The Definition of the Soul 45 CHAP. II. The Principle of Life 47 CHAP. III. The Various Meanings of the Soul ... 51 CHAP. IV. The Soul and Final Cause 52 CHAP. V. Sensation and Thought 56 CHAP. VI. Sense Qualities 59 BOOK III. SENSATION, IMAGINATION AND THOUGHT. CHAP. I. The 'Common Sensibles' 60 CHAP. II. The 'Common Sense' 62 CHAP. III. Imagination 66 CHAP. IV. The Theory of Reason 70 CHAP. V. Active and Passive Reason 73 CHAP. VI. Thought and Truth 73 CHAP. VII. Thought and its Object 75 CHAP. VIII. Ideas and Images 77 xiv CONTENTS CHAP. IX. Reason and Desire 78 CHAP. X. Psychology and Conduct 80 CHAP. XI. The Moving Principle 82 V. ZENO (356-264) From DIOGENES LAERTIUS' LIVES AND OPIN- IONS OF EMINENT PHILOSOPHERS .... 84-88 Translated from the Greek by Charles D. Yonge. BOOK VII. THE PSYCHOLOGY OF THE STOICS .... 84 VL EPICURUS (341-270) From DIOGENES LAERTIUS' LIVES AND OPIN- IONS OF EMINENT PHILOSOPHERS . . . 89-96 Translated from the Greek by Charles D. Yonge. BOOK X. THE EPICUREAN PSYCHOLOGY 89 VH. TITUS LUCRETIUS CARUS (95-51) ON THE NATURE OF THINGS 97-105 Translated from the Latin by H. A. J. Munro. BOOK III. THE MIND 97 VIII. PLOTINUS (205 A.D.-270) ENNEADES 106-115 Translated from the Greek by Thomas Taylor. VII. THE SOUL 106 VIII-IX. THE INTELLECT 113 PATRISTIC AND MEDIAEVAL IX. QUINTUS SEPTIMIUS FLORENS TERTUL- LIANUS (160-220) A TREATISE ON THE SOUL 116-124 Translated from the Latin by Peter Holmes. CHAP. IV. THE SOUL CREATED 116 CHAP. V. THE SOUL'S CORPOREAL NATURE ... 117 CHAP. X. THE SOUL'S SIMPLICITY . 118 CHAP. XII. THE MIND AND THE SOUL 120 CHAP. XVI. THE SOUL'S RATIONALITY 122 CHAP. XXII. RECAPITULATION 123 X. GREGORY OF NYSSA (331-394) THE ENDOWMENT OF MAN 125-131 Translated from the Greek by Benjamin Rand. CHAP. XII. THE LOCATION OF THE INTELLECT ... 125 CONTENTS xv XI. SAINT AUGUSTINE (354-430) ON THE TRINITY 132-13? Translated from the Latin by Arthur West Haddan. .BOOK X. CHAP. X. THE NATURE OF MIND .... 132 BOOK X. CHAP. XI. MEMORY, UNDERSTANDING, AND WILL . 135 XII. THOMAS AQUINAS (1225-1274) SUMMA THEOLOGICA 138-146 Translated from the Latin by Benjamin Rand. QUESTION LXXVI. RATIONALITY THE ESSENTIAL FORM IN MAN 138 QUESTION LXXVI. THE RELATION OF SOUL AND BODY 143 QUESTION LXXXII. THE SUPERIORITY OF REASON TO WILL 145 MODERN XIII. THOMAS HOBBES (1588-1679) HUMAN NATURE 147-167 CHAP. I. INTRODUCTION 147 CHAP. II. SENSE AND ITS MAIN DECEPTION 148 CHAP. III. IMAGINATION AND DREAMS 153 CHAP. IV. THOUGHT 156 CHAP. VI. KNOWLEDGE AND BELIEF 160 CHAP. VII. THE PASSIONS 163 CHAP. XII. THE WILL 165 XIV. REN DESCARTES (1596-1650) THE PASSIONS OF THE SOUL 168-190 Translated from the French by Henry A. P. Torrey. XV. BARUCH DE SPINOZA (1632-1677) THE ETHICS 191-207 Translated from the Latin by George Stuart Fullerton. PART II. OF THE NATURE AND ORIGIN OF THE MIND. (Prop. I-XXIII, XLVIII-XLIX.) 191 XVI. GOTTFRIED WILHELM VON LEIBNITZ (1646-1716) PHILOSOPHICAL WORKS 208-228 Translated from the French by George Martin Duncan. XI. A NEW SYSTEM OF NATURE, AND OF THE INTERACTION OF SUBSTANCES, AS WELL AS OF THE UNION WHICH EXISTS BETWEEN THE SOUL AND THE BODY. 1695 2O8 xvi CONTENTS XIV. SECOND EXPLANATION OF THE SYSTEM OF COMMUNI- CATION BETWEEN SUBSTANCES. 1696 218 XXXII. THE PRINCIPLES OF NATURE AND OF GRACE. 1714 220 XVII. CHRISTIAN VON WOLFF (1679-1754) RATIONAL PSYCHOLOGY . . . 229-231 Translated from the Latin by Edward Kennard Rand. THE ESSENCE AND NATURE OF THE SOUL 229 XVIII. JOHN LOCKE (1632-1704) AN ESSAY CONCERNING HUMAN UNDERSTAND- ING 232-255 BOOK I. CHAP. I. INTRODUCTION 232 BOOK II. OF IDEAS. CHAP. I. Of Ideas in General 234 CHAP. II. Of Simple Ideas 236 CHAP. III. Of Simple Ideas of Sense 237 CHAP. IV. Idea of Solidity 239 CHAP. VI. Of Simple Ideas of Reflection 240 CHAP. VII. Of Simple Ideas of both Sensation and Re- flection : 241 CHAP. VIII. Some Further Considerations concerning our Simple Ideas of Sensation 242 CHAP. IX. Of Perception 246 CHAP. XII. Of Complex Ideas 249 BOOK IV. OF KNOWLEDGE CHAP. I. Of Knowledge in General 253 XIX. GEORGE BERKELEY (1685-1753) AN ESSAY TOWARDS A NEW THEORY OF VISION 256-278 XX. DAVID HUME (1711-1766) A TREATISE OF HUMAN NATURE 279-3" BOOK I. OF THE UNDERSTANDING. PART I. OF IDEAS, THEIR ORIGIN, COMPOSITION, CON- NEXION, &c. SECTION I. Of the Origin of our Ideas 279 SECTION II. Division of the Subject 285 SECTION III. Of the Ideas of the Memory and Imagina- tion 286 SECTION IV. Of the Connexion or Association of Ideas 287 SECTION V. Of Relations 200 SECTION VI. Of Modes and Substances 292 PART III. OF KNOWLEDGE AND PROBABILITY. SECTION I. Of Knowledge . 294 CONTENTS xvii SECTION II. Of Probability; and of the Idea of Cause and Effect V 297 SECTION XIV. Of the Idea of Necessary Connexion . . 302 XXI. DAVID HARTLEY (1705-1757) OBSERVATIONS ON MAN, HIS FRAME, HIS DUTY, AND HIS EXPECTATIONS 313-330 PART I. INTRODUCTION 313 CHAP. I. The Doctrines of Vibrations and Association in General 315 SECTION I. The Doctrine of Vibrations, and its use for explaining the Sensations 316 SECTION II. Of Ideas, their Generation and Associa- tions 320 XXII. CHARLES BONNET (1720-1793) ABSTRACT OF THE ANALYTICAL ESSAY UPON THE FACULTIES OF THE SOUL 33*-34o Translated from the French by Benjamin Rand. XXIII. ETIENNE BONNOT DE CONDILLAC (1715-1780) TREATISE ON SENSATIONS 341-360 Translated from the French by Frederick C. de Sumichrast. CHAP. I-III, VI-VII. FIRST NOTIONS, WILL AND PERSON- ALITY OF A MAN LIMITED TO THE SENSE OF SMELL . . 34! XXIV. THOMAS REID (1710-1796) ESSAYS ON THE INTELLECTUAL POWERS OF MAN 361-373 ESSAY II. OF THE POWERS WE HAVE BY MEANS OF OUR EXTERNAL SENSES. CHAP. V. Of Perception 361 CHAP. XVI. Of Sensation 367 XlV. THOMAS BROWN (1778-1820) LECTURES ON THE PHILOSOPHY OF THE HU- MAN MIND 374-394 PART II. OF THE EXTERNAL AFFECTIONS OF THE MIND. CHAP. V. SECTION I. The Muscular Sensations . . . 374 \\ V\\ CHAP. V. SECTION II. Space Perception 380 PART III. OF THE INTELLECTUAL STATES OF THE MIND. CHAP. I. SECTION II. Simple and Relative Suggestion . 389 xviii CONTENTS XXVI. JOHANN FRIEDRICH HERBART (1776- 1841) A TEXT-BOOK IN PSYCHOLOGY 395-415 Translated from the German by Margaret K. Smith, PART I. FUNDAMENTAL PRINCIPLES. CHAP. I. The Condition of Concepts, when they act as Forces 395 CHAP. II. Equilibrium and Movement of Concepts . . 397 CHAP. III. Complications and Blendings 400 CHAP. IV. Concepts as the Source of Mental States . 408 CHAP. V. The Co-operation of Several Masses of Con- cepts of Unequal Strength 411 CHAP. VI. The Connection between Body and Soul . . 413 XXVII. FRIEDRICH EDUARD BENEKE (1798- A TEXT-BOOK OF PSYCHOLOGY AS NATURAL SCIENCE ................ 416-431 Translated from the German by Benjamin Rand. CHAP. I. FUNDAMENTAL PROCESSES OF PSYCHICAL DE- VELOPMENT ............... 416 CHAP. II. THE FUNDAMENTAL NATURE OF THE HUMAN SOUL ................. 424 CHAP. III. THE RELATION or THE SOUL AND THE BODY . 426 XXVIII. MORITZ WILHELM DROBISCH (1802- 1896) EMPIRICAL PSYCHOLOGY ACCORDING TO THE METHODS OF NATURAL SCIENCE .... 432-447 Translated from the German by Benjamin Rand. FIFTH SECTION. THE FUNDAMENTAL EXPLANATION OF THE PSYCHICAL LIFE. III. THE DYNAMICS OF IDEAS AS A PRINOTLE or EXPLANA- TION OF PSYCHICAL PHENOMENA. 138. Interdependence of Psychical Phenomena ... 433 139. The Unity of the Soul as a Bond of Connection of Psychical Phenomena ........... 433 140. The Refutation of the Faculty Concept . . . 435 141. Ideas as States and not Powers of the Mind . . 437 142. The Freedom and Inhibition of Ideas .... 439 143. The Inhibition of Opposing Ideas ...... 440 144. The Origin of Feelings and Desires ..... 442 145. The Equilibrium and Movement of Ideas . . . 443 146. The Stages in the Formation of the Spirit . . . 445 CONTENTS xix IX. FRANCOIS PIERRE GONTHIER MAINE DE BIRAN (1766-1824) ESSAY UPON THE FOUNDATIONS OF PSYCHO- LOGY ... 448-462 Translated from the French by Benjamin Rand. CHAP. I. FACTS or THE INNER SENSE 448 CHAP. II. THE ORIGIN OF EFFORT, AND OF PERSONALITY 455 'XXX. JAMES MILL (1773-1836) ANALYSIS OF THE PHENOMENA OF THE HUMAN MIND . 463-482 CHAP. III. THE ASSOCIATION OF IDEAS 463 XXXI. ALEXANDER BAIN (1818-1903) THE SENSES AND THE INTELLECT 483-504 BOOK II. THE INTELLECT 483 CHAP. I. Retentiveness Law of Contiguity . . . 486 CHAP. II. Agreement Law of Similarity .... 490 CHAP. III. Compound Association 496 CHAP. IV. Of Constructive Association 504 XXXII. HERBERT SPENCER (1820-1903) THE PRINCIPLES OF PSYCHOLOGY 505-529 PART II. THE INDUCTIONS OF PSYCHOLOGY. CHAP. II. The Composition of Mind 505 XXXIII. JOHANNES MUELLER (1801-1858) ELEMENTS OF PHYSIOLOGY 530-544 Translated from the German by William Baly. BOOK V. OF THE SENSES. The General Laws of Sensation 530 XXXIV. RUDOLF HERMANN LOTZE (1817-1881) OUTLINES OF PSYCHOLOGY 545-556 Translated from the German by George Trumbull Ladd. CHAP. IV. THE INTUITIONS OF SPACE 545 XXXV. ERNST HEINRICH WEBER (1795-1878) THE SENSE OF TOUCH AND THE COMMON FEELING 557-56i Translated from the German by Benjamin Rand. WEBER'S LAW 557 xx CONTENTS XXXVI. GUSTAV THEODOR FECHNER (1801- 1887) ELEMENTS OF PSYCHOPHYSICS 562-572 Translated from the German by Herbert Sidney Lang f eld. VII. THE MEASUREMENT OF SENSATION 562 XIV. THE FUNDAMENTAL FORMULA AND THE MEASURE- MENT FORMULA 565 XXXVII. HERMANN VON HELMHOLTZ (1821- 1894) A MANUAL OF PHYSIOLOGICAL OPTICS . . . 573-581 Translated from the German by Benjamin Rand. THEORY OF COLOR VISION 573 XXXVIII. EWALDHERING (1834- ) THEORY OF LIGHT SENSATION 582-596 Translated from the German by Benjamin Rand. FUNDAMENTAL PRINCIPLES OF A THEORY OF LIGHT SENS- ATION 25. Prefatory Remarks 582 26. The Nature of the Psychophysical Processes ... 585 27. Visual Sensation as Psychical Correlate of Chemical Processes in the Visual Substance 587 28. The Deduction of Various Corollaries 592 29. The Weight of Visual Sensations 595 XXXIX. ERNST MACH (1838- ) CONTRIBUTIONS TO THE ANALYSIS OF THE SENSATIONS S97~6i8 Translated from the German by C. M. Williams. THE SENSATIONS AS ELEMENTS 597 THE SPACE-SENSATIONS 611 XL. CARL STUMPF (1848- ) THE PSYCHOLOGY OF TONE 619-632 Translated from the German by Benjamin Rand. 19. THE DEGREES OF TONAL FUSION 619 20. THE CAUSE OF TONAL FUSION 629 XLI. WILLIAM JAMES (1842-1910) PSYCHOLOGY 633-671 CHAP. XI. THE STREAM OF CONSCIOUSNESS .... 633 CHAP. XXIV. EMOTION 655 CONTENTS xxi XLII. CARL GEORG LANGE (1834-1900) THE EMOTIONS 672-684 Translated from the German of H. Kurella by Benjamin Rand. THE MECHANISM OF THE EMOTIONS 672 XLIII. WILHELM WUNDT (1832- ) PRINCIPLES OF PHYSIOLOGICAL PSYCHOLOGY 685-696 Translated from the German by Edward Bradford Titchener. INTRODUCTION. i. The Problem of Physiological Psychology .... 685 3. Prepsychological Concepts 691 OUTLINES OF PSYCHOLOGY 697-726 Translated from the German by Charles Hubbard Judd. II. PSYCHICAL "COMPOUNDS. 14. Volitional Processes 697 III. INTERCONNECTION OF PSYCHICAL COMPOUNDS. 17. Apperceptive Combinations 711 INDEX 727 THE CLASSICAL PSYCHOLOGISTS ANAXAGORAS EMPEDOGLES (500-428 B.C.) (490-430) DEMOGRITUS (460-370) FROM ARISTOTLE'S DE ANIMA Translated from the Greek * by R. D. HICKS BOOK I CHAPTER I INTRODUCTION OF ARISTOTLE COGNITION is in our eyes a thing of beauty and worth, and this is true of one cognition more than another, either because it is exact or because it relates to more important and remarkable objects. On both these grounds we may with good reason claim a high place for the enquiry concerning the soul. It would seem, too, that an acquaintance with the subject contributes greatly to the whole domain of truth and, more particularly, to the study of nature, the soul being virtually the principle of all animal life. Our aim is to discover and ascertain the nature and essence of soul and, in the next place, all the accidents belonging to it; of which some are thought to be attributes peculiar to the soul itself, while others, it is held, belong to the animal also, but owe their existence to the soul. But everywhere and in every way it is extremely difficult to arrive at any trustworthy con- * From 'ApwTOTAot>j Utol *vxv. Reprinted from Aristotle's De Anima, translated by R. D. Hicks. Cambridge, University Press, 1907. 2 INTRODUCTION elusion on the subject. It is the same here as in many other enquiries. What we have to investigate is the essential nature of things and the What. It might therefore be thought that there is a single procedure applicable to all the objects whose essential nature we wish to discover, as demonstration is appli- cable to the properties which go along with them : in that case we should have to enquire what this procedure is. If, however, there is no single procedure common to all sciences for denning the What, our task becomes still more difficult, as it will then be necessary to settle in each particular case the method to be pursued. Further, even if it be evident that it consists in de- monstration of some sort or division or some other procedure, there is still room for much perplexity and error, when we ask from what premisses our enquiry should start, for there are dif- ferent premisses for different sciences; for the science of num- bers, for example, and plane geometry. The first thing necessary is no doubt to determine under which of the summa genera soul comes and what it is; I mean, whether it is a particular thing, i.e. substance, or is quality or is quantity, or falls under any other of the categories already determined. We must further ask whether it is amongst things potentially existent or is rather a sort of actuality, the distinc- tion being all-important. Again, we must consider whether it is divisible or indivisible; whether, again, all and every soul is homogeneous or not; and, if not, whether the difference be- tween the various souls is a difference of species or a difference of genus: for at present discussions and investigations about soul would appear to be restricted to the human soul. We must take care not to overlook the question whether there is a single definition of soul answering to a single definition of animal; or whether there is a different definition for each separate soul, as for horse and dog, man and god: animal, as the universal, being regarded either as non-existent or, if existent, as logically pos- terior. This is a question which might equally be raised in re- gard to any other common predicate. Further, on the assump- tion that there are not several souls, but merely several different parts in the same soul, it is a question whether we should begin ARISTOTLE'S DE ANIMA 3 by investigating soul as a whole or its several parts. And here again it is difficult to determine which of these parts are really distinct from one another and whether the several parts, or their functions, should be investigated first. Thus, e.g., should the process of thinking come first or the mind that thinks, the process of sensation or the sensitive faculty? And so everywhere else. But, if the functions should come first, again will arise the question whether we should first investigate the correlative objects. Shall we take, e.g., the sensible object before the fac- ulty of sense and the intelligible object before the intellect? It would seem that not only is the knowledge of a thing's essential nature useful for discovering the causes of its attri- butes, as, e.g., in mathematics the knowledge of what is meant by the terms straight or curved, line or surface, aids us in dis- covering to how many right angles the angles of a triangle are equal: but also, conversely, a knowledge of the attributes is a considerable aid to the knowledge of what a thing is. For when we are able to give an account of all, or at any rate most, of the attributes as they are presented to us, then we shall be in a posi- tion to define most exactly the essential nature of the thing. In fact, the starting point of every demonstration is a defini- tion of what something is. Hence the definitions which lead to no information about attributes and do not facilitate even conjecture respecting them have clearly been framed for dia- lectic and are void of content, one and all. A further difficulty arises as to whether all attributes of the soul are also shared by that which contains the soul or whether any of them are peculiar to the soul itself: a question which it is indispensable, and yet by no means easy, to decide. It would appear that in most cases soul neither acts nor is acted upon apart from the body: as, e.g., in anger, confidence, desire and sensation in general. Thought, if anything, would seem to be peculiar to the soul. Yet, if thought is a sort of imagination, or not independent of imagination, it will follow that even thought cannot be independent of the body. If, then, there be any of the functions or affections of the soul peculiar to it, it will be possible for the soul to be separated from the body : if, on the 4 INTRODUCTION other hand, there is nothing of the sort peculiar to it, the soul will not be capable of separate existence. As with the straight line, so with it. The line, qua straight, has many properties; for instance, it touches the brazen sphere at a point; but it by no means follows that it will so touch it if separated. In fact it is inseparable, since it is always conjoined with body of some sort. So, too, the attributes of the soul appear to be all conjoined with body: such attributes, viz., as anger, mildness, fear, pity, cour- age; also joy, love and hate; all of which are attended by some particular affection of the body. This indeed is shown by the fact that sometimes violent and palpable incentives occur with- out producing in us exasperation or fear, while at other times we are moved by slight and scarcely perceptible causes, when the blood is up and the bodily condition that of anger. Still more is this evident from the fact that sometimes even without the occurrence of anything terrible men exhibit all the symp- toms of terror. If this be so, the attributes are evidently forms or notions realised in matter. Hence they must be denned ac- cordingly: anger, for instance, as a certain movement in a body of a given kind, or some part or faculty of it, produced by such and such a cause and for such and such an end. These facts at once bring the investigation of soul, whether in its entirety or in the particular aspect described, within the province of the natural philosopher. But every such attribute would be differ- ently denned by the physicist and the dialectician or philoso- pher. Anger, for instance, would be denned by the dialectician as desire for retaliation or the like, by the physicist as a ferment of the blood or heat which is about the heart: the one of them gives the matter, the other the form or notion. For the notion is the form of the thing, but this notion, if it is to be, must be realised in matter of a particular kind; just as in the case of a house. The notion or definition of a house would be as follows: a shelter to protect us from harm by wind or rain or scorching heat; while another will describe it as stones, bricks and tim- ber; and again another as the form realised in these materials and subserving given ends. Which then of these is the true phy- sicist? Is it he who confines himself to the matter, while ignor- ARISTOTLE'S DE ANIMA 5 ing the form? Or he who treats of the form exclusively? I an- swer, it is rather he who in his definition takes account of both. What then of each of the other two? Or shall we rather say that there is no one who deals with properties which are not separable nor yet treated as separable, but the physicist deals with all the active properties or passive affections belonging to body of a given sort and the corresponding matter? All attri- butes not regarded as so belonging he leaves to someone else: who in certain cases is an expert, a carpenter, for instance, or a physician. The attributes which, though inseparable, are not regarded as properties of body of a given sort, but are reached by abstraction, fall within the province of the mathematician: while attributes which are regarded as having separate exist- ence fall to the first philosopher or metaphysician. But to return to the point of digression. We were saying that the attributes of the soul are as such, I mean, as anger and fear, inseparable from the physical matter of the animals to which they belong, and not, like line and surface, separable in thought. CHAPTER II EARLY PSYCHOLOGICAL THEORIES IN our enquiry concerning soul it is necessary to state the problems which must be solved as we proceed, and at the same time to collect the views of our predecessors* who had anything to say on the subject, in order that we may adopt what is right in their conclusions and guard against their mistakes. Our en- quiry will begin by presenting what are commonly held to be in a special degree the natural attributes of soul. Now there are two points especially wherein that which is animate is held to differ from the inanimate, namely, motion and the act of sensa- tion : and these are approximately the two characteristics of soul handed down to us by our predecessors. There are some who * Aristotle introduces here the first extant history of psychological theo- ries. 6 ANAXAGORAS maintain that soul is preeminently and primarily the cause of movement. But they imagined that that which is not itself in motion cannot move anything else, and thus they regarded the soul as a thing which is in motion. Hence Democritus affirms the soul to be a sort of fire or heat. For the "shapes" or atoms are infinite and those which are spherical he declares to be fire and soul : they may be compared with the so-called motes in the air, which are seen in the sunbeams that enter through our win- dows. The aggregate of such seeds, he tells us, forms the consti- tuent elements of the whole of nature (and herein he agrees with Leucippus), while those of them which are spherical form the soul, because such figures most easily find their way through everything and, being themselves in motion, set other things in motion. The atomists assume that it is the soul which imparts motion to animals. It is for this reason that they make life de- pend upon respiration. For, when the surrounding air presses upon bodies and tends to extrude those atomic shapes which, because they are never at rest themselves, impart motion to animals, then they are reinforced from outside by the entry of other like atoms in respiration, which in fact, by helping to check compression and solidification, prevent the escape of the atoms already contained in the animals; and life, so they hold, continues so long as there is strength to do this. The doctrine of the Pythagoreans seems also to contain the same thought. Some of them identified soul with the motes in the air, others with that which sets these motes in motion : and as to these motes it has been stated that they are seen to be in incessant motion, even though there be a perfect calm. The view of others who describe the soul as that which moves itself tends in the same direction. For it would seem that all these thinkers regard motion as the most distinctive characteristic of the soul. Everything else, they think, is moved by the soul, but the soul is moved by itself: and this because they never see anything cause motion without itself being in motion. Similarly the soul is said to be the moving principle by Anaxagoras and all others who have held that mind sets the universe in motion; but not alto- gether in the same sense as by Democritus. The latter, indeed, ARISTOTLE'S DE ANIMA 7 i absolutely identified soul and kind, holding that the presenta- tion to the senses is the truth : hence, he observed, Homer had well sung of Hector in his swoon that he lay 'with other thoughts.' Democritus, then, does not use the term mind to de- note a faculty conversant with truth, but regards mind as iden- tical with soul. Anaxagoras, however, is less exact in his use of the terms. In many places he speaks of mind as the cause of goodness and order, but elsewhere he identifies it with the soul: as where he attributes it to all animals, both great and small, high and low. As a matter of fact, however, mind in the sense of intelligence would not seem to be present in all animals alike, nor even in all men. Those, then, who have directed their attention to the motion of the animate being, conceived the soul as that which is most capable of causing motion: while those who laid stress on its knowledge and perception of all that exists identified the soul with the ultimate principles, whether they recognised a plu- rality of these or only one. Thus Empedocles compounded soul out of all the elements, while at the same time regarding each one of them as a soul. His words are "With earth we see earth, with water water, with air bright air, but ravaging fire by fire, love by love, and strife by gruesome strife." In the same man- ner Plato in the Timaeus constructs the soul out of the ele- ments. Like, he there maintains, is known by like, and the things we know are composed of the ultimate principles. In like manner it was explained in the lectures on philosophy, that the self-animal or universe is made up of the idea of One, and of the idea-numbers Two, or primary length, Three, pri- mary breadth, and Four, primary depth, and similarly with all the rest of the ideas. And again this has been put in another way as follows : reason is the One, knowledge is the Two, because it proceeds by a single road to one conclusion, opinion is the number of a surf ace, Three, and sensation the number of a solid, Four. In fact, according to them the numbers, though they are the ideas themselves, or the ultimate principles, are neverthe- less derived from elements. And things are judged, some by reason, others by knowledge, others again by opinion and others 8 EMPEDOCLES by sensation: while these idea-numbers are forms of things. And since the soul was held to be thus cognitive as well as capable of causing motion, some thinkers have combined the two and denned the soul as a self-moving number. But there are differences of opinion as to the nature and number of the ultimate principles, especially between those thinkers who make the principles corporeal and those who make them incorporeal; and again between both of these and others who combine the two and take their principles from both. But, further, they differ also as to their number: some assuming a single principle, some a plurality. And, when they come to give an account of the soul, they do so in strict accordance with their several views. For they have assumed, not unnaturally, that the soul is that primary cause which in its own nature is capable of producing motion. And this is why some identified soul with fire, this being the element which is made up of the finest parti- cles and is most nearly incorporeal, while further it is preemi- nently an element which both moves and sets other things in motion. Democritus has expressed more neatly the reason for each of these facts. Soul he regards as identical with mind, and this he makes to consist of the primary indivisible bodies and considers it to be a cause of motion from the fineness of its par- ticles and their shape. Now the shape which is most susceptible of motion is the spherical; and of atoms of this shape mind, like fire, consists. Anaxagoras, while apparently understand- ing by mind something different from soul, as we remarked above, really treats both as a single nature, except that it is preeminently mind which he takes as his first principle; he says at any rate that mind alone of things that exist is simple, unmixed, pure. But he refers both knowledge and motion to the same principle, when he says that mind sets the universe in motion. Thales, too, apparently, judging from the anecdotes related of him, conceived soul as a cause of motion, if it be true that he affirmed the loadstone to possess soul, because it at- tracts iron. Diogenes, however, as also some others, identified soul with air. Air, they thought, is made up of the finest parti- cles and is the first principle: and this explains the fact that the ARISTOTLE'S DE ANIMA 9 soul knows and is a cause of motion, knowing by virtue of being the primary element from which all else is derived, and causing motion by the extreme fineness of its parts. Heraclitus takes soul for his first principle, as he identifies it with the vapour from which he derives all other things, and further says that it is the least corporeal of things and in ceaseless flux ; and that it is by something in motion that what is in motion is known; for he, like most philosophers, conceived all that exists to be in motion. Alcmaeon, too, seems to have had a similar concep- tion. For soul, he maintains, is immortal because it is like the beings which are immortal; and it has this attribute in virtue of being ever in motion: for he attributes continuous and unending motion to everything which is divine, moon, sun, stars and the whole heaven. Among cruder thinkers there have been some, like Hippon, who have even asserted the soul to be water. The reason for this view seems to have been the fact that in all ani- mals the seed is moist: in fact, Hippon refutes those who make the soul to be blood by pointing out that the seed is not blood, and that this seed is the rudimentary soul. Others, again, like Critias, maintain the soul to be blood, holding that it is sentience which is most distinctive of soul and that this is due to the nature of blood. Thus each of the four elements except earth has found its supporter. Earth, however, has not been put for- ward by anyone, except by those who have explained the soul to be derived from, or identical with, all the elements. Thus practically all define the soul by three characteristics, motion, perception and incorporeality; and each of these char- acteristics is referred to the ultimate principles. Hence all who define soul by its capacity for knowledge either make it an ele- ment or derive it from the elements, being on this point, with one exception, in general agreement. Like, they tell us, is known by like; and therefore, since the soul knows all things, they say it consists of all the ultimate principles. Thus those thinkers who admit only one cause and one element, as fire or air, assume the soul also to be one element; while those who admit a plurality t of principles assume plurality also in the soul. Anaxagoras alone says that mind cannot be acted upon and has nothing in com- io DEMOCRITUS mon with any other thing. How, if such be its nature, it will know anything and how its knowledge is to be explained, he has omitted to state; nor do his utterances afford a clue. All those who introduce pairs of opposites among their principles make the soul also to consist of opposites; while those who take one or other of the two opposites, either hot or cold or some- thing else of the sort, reduce the soul also to one or other of these elements. Hence, too, they etymologise according to their the- ories; some identify soul with heat, deriving tyv from &lv, and contend that this identity accounts for the word for life; others say that what is cold is called soul from the respiratory process and consequent "cooling down," deriving ^-vxn from ^v-^iv. Such, then, are the views regarding soul which have come down to us and the grounds on which they are held. PROTAGORAS SOCRATES (480-411) (469-399) FROM PLATO'S THEAETETUS Translated from the Greek* by SAMUEL WALTERS DYDE THE NATURE OF PERCEPTION SOCRATES THEAETETUS Steph. 152. Soc. . . . Knowledge is perception, you say? Theaet. Yes. Soc. This is surely no trifling matter, for you have likely given, though in other words, the definition of Protagoras. He says that man is the measure of all things (jravrmv ^p^^drmv fterpov avdpwTrov), both of the existence of things which exist, and the non-existence of things which exist not (r&v pev OVTOJV, &>? ecrri, TOJV Se pr] OVTCOV, to? OVK eo-riv). Have you never read that? Theaet. Yes, many a time. Soc. Does he not mean that things exist for me as they ap- pear (aivTjTai') to me, and for you as they appear to you, since you and I are men? Theaet. So he says, at any rate. Soc. As it is highly probable that a wise man does not talk nonsense, let us look for his meaning. Sometimes when the wind is blowing on all alike is not one of us cold and another not, or one slightly and another exceedingly cold? Theaet. No doubt. Soc. In that case shall we say that the wind in itself (avrb e'' eavTo) is cold or not cold? Or shall we agree with Protagoras that it is cold to him who is cold and not to him who is not? Theaet. Protagoras seems to be right. * From nXdrwi'as GeairijTos. Reprinted from The Theaetetus of Plato, trans- lated by S. W. Dyde. Glasgow, 1899. 12 PROTAGORAS Soc. Then it is to each as it appears to him? Theaet. Yes. Soc. And what appears is perceived? Theaet. Truly. Soc. Then in the case of such things as heat and cold appear- ance ((fravrao-ia) and perception are one and the same. Every such thing, I daresay, exists as it is perceived? Theaet. That would seem to be so. Soc. And perception of reality (roO 01/1-09), since it is know- ledge, can never be false? Theaet. So it appears. Soc. Then charmingly keen-witted was it of Protagoras to hint darkly at these things to us of the common crowd, while telling the truth to his disciples in secret. Theaet. What do you mean by that, Socrates? Soc. I shall tell you of a by no means contemptible theory to the effect that nothing exists purely by itself (CLVTO icaff* CIVTO), nor can you rightly give anything an exclusive name. If you speak of the large, you suggest the small, if of the heavy, you suggest the light, and so on. Nothing, be it either an attribute (TIW?), or a kind of thing (OTTOLOVOVV) , exists alone (ei/o?). Moreover, it is inaccurate to speak of existence as the result of motion, collision and combination, since nothing really exists, but everything is always in process of change (yiyverai). On this point the whole array of wise men, except Parmenides, are agreed, Protagoras, Heraclitus, Empedocles, also the most famous names in both kinds of poetry, in comedy Epicharmus, and in tragedy Homer. When Homer says: Ocean and mother Tethys are the parents of the gods, he means that all the gods have sprung from ceaseless movement (por)? re KOI /aircrew) . Do you not think that this was his view? Theaet. Yes. Soc. Could we contend with this mighty host, whose captain is Homer, without laying ourselves open to ridicule? Theaet. It would be a risk, Socrates. Soc. Yes indeed, Theaetetus, since there are good proofs that what appears to be and comes into existence is produced by PLATO'S THEAETETUS 13 motion, and what does not exist and perishes is produced by rest. For example, heat and fire, which produce and nourish everything else, are themselves produced by friction, which is motion. Is not that the source of fire? Theaet. Yes. Soc. And has not the race (yevos) of animals sprung from the same source? Theaet. It has surely. Soc. Why, what else? Is not the fashion (etaivd/jva) are for him real? PLATO'S THEAETETUS 19 Theaet. I hesitate to tell you, Socrates, that I do not know what to say, because you reproved me a moment ago for giving this answer. Yet I cannot, indeed, argue that madmen and dreamers think truly, some in supposing that they are gods, and others in dreaming that they have wings and are flying. Soc. Do you not perceive that in these cases, especially in dreams and madness, a rejoinder may be made of this nature? Theaet. Of what nature? Soc. You have doubtless often heard it asked: What proof would you give, if you were questioned at this moment whether we are sleeping and dreaming all this discussion, or awake and conversing about a waking thought? Theaet. Truly, Socrates, it would be hard to prove it, for sleep and waking are equally real, and one is the counterpart of the other. There is nothing to prevent our supposing that we are now talking together in our sleep. And when in dreams we seem to be telling our dreams, such a state strangely resem- bles our waking life. Soc. It is not hard, you see, to carry on the dispute, when it may be doubted even whether we are asleep or awake. If we divide time about equally between sleep and waking, in each period our souls are maintaining that their present opinions (Soy/jiaTa) are true. Thus for one half of our days we say that some opinions are true, and for the other half that different opinions are true. Yet we hold fast by both. Theaet. Clearly. Soc. Does not the same argument apply to diseases and mad- ness, except only that the time is not divided equally? Theaet. True. Soc. And is the truth to be determined by length or shortness of time? Theaet. That would be absurd. Soc. Can you by any other way clearly show on which side the truth is? Theaet. I think not. Soc. You shall hear, then, what is said about this by those who determine that what seems (TO. SOKOVVTO) to anyone to be 20 PROTAGORAS true is true for him. They would put some such question as this to you, "O Theaetetus, can two things entirely different have the same quality (Swapis') ? " Their question, let us understand, is of things not partially but wholly different. Theaet. Things utterly different cannot possibly have a quality or anything else the same. Soc. Must we confess that these things are therefore un- like? Theaet. I should say so. Soc. Suppose that a thing happened to become like or unlike itself or another thing, shall we say that what is made like be- comes the same, and what unlike different? Theaet. We must. Soc. We said before, did we not, that the active elements were many and infinite, and likewise the passive elements? Theaet. Yes. Soc. And if a thing combines with different things, the pro- ducts will be different? Theaet. Surely. Soc. Let us apply this to you or me or anything, Socrates sick and Socrates well, for example. Shall we say that these are like or unlike? Theaet. Am I to take Socrates sick as one separate whole, and Socrates well as another? Soc. You understand exactly; that is what I mean. Theaet. They are unlike doubtless. Soc. And different because unlike? Theaet. Necessarily. Soc. And will you say the same of Socrates asleep or in the other states we mentioned? Theaet. I would. Soc. Then would I not be affected by any active element in nature differently in sickness and in health? Theaet. How could it be otherwise? Soc. Would not the active element and I, the patient, pro- duce a different result in each case? Theaet. Certainly. PLATO'S THEAETETUS 21 Soc. The wine I drink when I am in health appears to me sweet and pleasant? Theaet. Yes. Soc. It follows from our previous admissions that the active and passive elements, when they unite, produce sweetness and the sensation of sweetness. The sensation arising from the patient renders the tongue percipient, and sweetness moving in the wine and arising from it meets the healthy tongue, and causes the wine both to be and to appear sweet. Theaet, That is the consequence of what we formerly ad- mitted. Soc. But when-I am sick, does not the object affect a person who, because unlike, is really different? Theaet. Yes. Soc. In that case Socrates and the drinking of the wine pro- duce a different result, the sensation of bitterness in the tongue and bitterness moving in the wine. The wine becomes not bitterness but bitter, and I become not perception but per- ceiving. Theaet. Certainly. Soc. There is no other thing, from which I shall ever receive the same perception. The perception of different things is different, and makes him, who perceives, of another nature and another man. Nor does the object, which affects me, produce the same result and become the same object, when it comes into contact with another person. When objects produce different results in contact with different subjects, they become of an- other nature. Theaet. It is true. Soc. The object and I will not become what we are inde- pendently of each other. Theaet. By no means. Soc. I must become percipient of something when I perceive, for it is impossible in perceiving to perceive nothing. And when the object becomes sweet or bitter or something else, it must do so for some one, since to become sweet and yet sweet for no- body is not possible. 22 SOCRATES Theaet. Assuredly not. Soc. We must conclude that the object and I are or become only one for the other. Necessity couples us to each other, but does not couple our joint existence to any other thing or even to ourselves. Each is bound simply to the other. Accordingly when a thing is said to be or become, it must be spoken of as for or of or in regard to something. The argument, which we have traversed, points out that no one must say, or permit anyone else to say, that' any thing is or becomes wholly of itself (avro J 5 * "\ aVTOVJ. Theaet. No, by no means, Socrates. Soc. When anything, which affects me, exists for me and no other person, is it not perceived by me and no other? Theaet. That is evident. Soc. Then my sensation is true for me since it is inseparable from my existence. As Protagoras says, I am judge both of the existence of what is for me and the non-existence of what is not. Theaet. That seems to be the case. Soc. If I am infallible and sure-footed in my judgments con- cerning being (ra ovra) and becoming (ra yiyvoneva) , how can I fail to know that of which I am the percipient (OMT^T^S)? Theaet. Not in any way. Soc. Right noble, then, was your decision that knowledge was nothing else than perception. Homer and Heraclitus with their crew, who say that all things flow and are in a state of motion, and the all-wise Protagoras with his view that man is the measure of all things, and Theaetetus, who concludes from these theories that knowledge is sensation, are all of one accord. Is that not true, O Theaetetus? Shall we call this result the young child at whose birth I have assisted? Or what do you say? Theaet. It must be so, Socrates. Steph. iS4b. Soc. Once again, Theaetetus, address yourself to our former inquiry. You answered that knowledge was sensible percep- tion, did you not? PLATO'S THEAETETUS 23 Theaet. Yes. Soc. If some one were to put this question to you, With what does a man see white and black colours and with what does he hear high and low tones? you would say, I think, with his eyes and ears. Theaet. I should. Soc. To handle names and terms freely and without critical minuteness is often a mark of wide culture, and though the opposite is as a rule churlish, it is sometimes, as in the present instance, a necessity. For I must indicate a want of exactness in this very answer. Reflect, is it more correct to say that it is with the eyes (b$6a\noldvTa0eyndT rdv iv 0tX- offoQlq. evdoKi/j.i}ffdi>Twv pifiXla. Slua. Reprinted from Diogenes Laertius's Lives and Opinions of Eminent Philosophers, translated by C. D. Yonge. Lond., 1853. DIOGENES LAERTIUS' LIVES 85 sensible, and some are not. Those they call sensible, which are derived by us from some one or more senses ; and those they call not sensible, which emanate directly from the thought, as for instance, those which relate to incorporeal objects, or any others which are embraced by reason. Again, those which are sensible, are produced by a real object, which imposes itself on the intelligence, and compels its acquiescence; and there are also some others, which are simply apparent, mere shadows, which resemble those which are produced by real objects. Again, these favrda-icu are divided into rational and irra- tional; those which are rational belong to animals capable of reason ; those which are irrational to animals destitute of reason. Those which are rational are thoughts ; those which are irrational have no name; but are again subdivided into artificial and not artificial. At all events, an image is contemplated in a different light by a man skilful in art, from that in which it is viewed by a man ignorant of art. By sensation, the Stoics understand a species of breath which proceeds from the dominant portion of the soul to the senses, whether it be a sensible perception, or an organic disposition, which, according to the notions of some of them, is crippled and vicious. They also call sensation the energy, or active exer- cise, of the sense. According to them, it is to sensation that we owe our comprehension of white and black, and rough and smooth: from reason, that we derive the notions which result from a demonstration, those for instance which have for their object the existence of Gods, and of Divine Providence. For all our thoughts are formed either by indirect perception, or by similarity, or analogy, or transposition, or combination, or oppo- sition. By a direct perception, we perceive those things which are the objects of sense; by similarity, those which start from some point present to our senses ; as, for instance, we form an idea of Socrates from his likeness. We draw our conclusions by analogy, adopting either an increased idea of the thing, as of Tityus, or the Cyclops; or a diminished idea, as of a pigmy. So, too, the idea of the centre of the world was one derived by analogy from what we perceived to be the case of the smaller 86 ZENO spheres. We use transposition when we fancy eyes in a man's breast; combination, when we take in the idea of a Centaur; opposition, when we turn our thoughts to death. Some ideas we also derive from comparison, for instance, from a compari- son of words and places. There is also nature; as by nature we comprehend what is just and good. And privation, when for instance, we form a notion of a man without hands. Such are the doctrines of the Stoics, on the subject of phantasia, and sensation, and thought. XXXVII. They say that the proper criterion of truth is the comprehension, {fravracria ; that is to say, one which is derived from a real object, as Chrysippus asserts in the twelfth book of his Physics; and he is followed by Antipater and Apollodorus. For Boethius leaves a great many criteria, such as intellect, sensation, appetite, and knowledge; but Chrysippus dissents from his view, and in the first book of his treatise on Reason, says, that sensation and preconception are the only criteria. And preconception is, according to him, a comprehensive physical notion of general principles. But others of the earlier Stoics admit right reason as one criterion of the truth ; for in- stance, this is the opinion of Posidonius, and is advanced by him in his essay on Criteria. LXIIL The Stoics also say that the mind is divisible into eight parts; for that the five organs of sensation, and the vocal power, and the intellectual power, which is the mind itself, and the generative power, are all parts of the mind. But by error, there is produced a perversion which operates on the intellect, from which many perturbations arise, and many causes of in- constancy. And all perturbation is itself, according to Zeno, a movement of the mind, or superfluous inclination, which is irrational, and contrary to nature. Moreover, of the superior class of perturbations, as Hecaton says, in the second book of his treatise on the Passions, and as Zeno also says in his work on the Passions, there are four kinds, grief, fear, desire, and pleasure. And they consider that these perturbations are judg- ments, as Chrysippus contends in his work on the Passions; for covetousness is an opinion that money is a beautiful object, and DIOGENES LAERTIUS' LIVES 87 in like manner drunkenness and intemperance, and other things of the sort, are judgments. And grief they define to be an irra- tional contraction of the mind, and it is divided into the follow- ing species, pity, envy, emulation, jealousy, pain, perturbation, sorrow, anguish, confusion. Pity is a grief over some one, on the ground of his being in undeserved distress. Envy is a grief, at the good fortune of another. Emulation is a grief at that be- longing to some one else, which one desires one's self. Jealousy is a grief at another also having what one has one's self. Pain is a grief which weighs one down. Perturbation is grief which narrows one, and causes one to feel in a strait. Sorrow is a grief arising from deliberate thought, which endures for some time, and gradually increases. Anguish is a grief with acute pain. Confusion is an irrational grief, which frets one, and pre- vents one from clearly discerning present circumstances. But fear is the expectation of evil ; and the following feelings are all classed under the head of fear : apprehension, hesitation, shame, perplexity, trepidation, and anxiety. Apprehension is a fear which produces alarm. Shame is a fear of discredit. Hesitation is a fear of coming activity. Perplexity is a fear, from the im- agination of some unusual thing. Trepidation is a fear accom- panied with an oppression of the voice. Anxiety is a fear of some uncertain event. Again, desire is an irrational appetite; to which head, the following feelings are referrible : want, hatred, contentiousness, anger, love, enmity, rage. Want is a desire arising from our not having something or other, and is, as it were, separated from the thing, but is still stretching, and attracted towards it in vain. And hatred is a desire that it should be ill with some one, accompanied with a certain continual increase and exten- sion. Contentiousness is a certain desire accompanied with deliberate choice. Anger is a desire of revenge, on a person who appears to have injured one in an unbecoming way. Love is a desire not conversant about a virtuous object, for it is an at- tempt to conciliate affection, because of some beauty which is seen. Enmity is a certain anger of long duration, and full of hatred, and it is a watchful passion, as is shown in the following lines: 88 ZENO For though we deem the short-liv'd fury past, 'T is sure the mighty will revenge at last.* But rage is anger at its commencement. Again, pleasure is an irrational elation of the mind over something which appears to be desirable; and its different species are enjoyment, rejoicing at evil, delight, and extrava- gant joy. Enjoyment, now, is a pleasure which charms the mind through the ears. Rejoicing at evil (eVi^at/ae^a/aa), is a pleasure which arises at the misfortunes of others. Delight (rejoi/ri?) that is to say turning (r/oo/ri?), is a certain turning of the soul (TrporpoTTij T ^v%^ ( rt\ whence by integration <0=p ( _ -=) This equation contains the germ of manifold investigations which penetrate the whole of psychology. It is indeed so simple that it can never really occur in the human soul, but alMnvestiga- tions into applied mathematics begin with such simple presupposi- tions as only exist in abstraction e.g., the mathematical lever, or the laws of bodies falling in a vacuum. Here merely the influence of the help is considered, which, if everything depended upon it alone, would bring into consciousness during the time t a quantity w from IT. Besides, if we take into consideration the single circum- stance that n meets with an unavoidable arrest from other con- cepts, then the calculation becomes so complicated that it can be only approximately solved by an integration of the following form : It is self-evident that it much more nearly expresses the facts which are to be observed experimentally. 26. The foregoing contains the foundation of the theory of mediate reproduction, which, according to ordinary language, is derived from the association of ideas or concepts. Before pur- suing this further we must mention immediate reproduction - i.e., that reproduction which by its own force follows upon the yielding of the hindrances. The ordinary case is that a concept gained by a new act of perception causes the old concept of the same or of a similar object to rise into consciousness. This occurs when the concept furnished by the new act of perception presses back everything present in consciousness opposed to the old concept, which is similar to the new one. Then, without further difficulty, the old concept rises of itself. From this are to be observed the following conditions, which are to be found by calculation, of which, however, no idea can be given here: 4 o 4 JOHANN FRIEDRICH HERBART a. In the beginning the rising is in proportion to the square of the time, if the new act of perception occurs suddenly; but to the cube of the time, if the latter (as is usual) is formed by a gradual and lingering act of apprehension. b. The course of the rising is adjusted principally to the strength of the concept furnished by the new act of perception in proportion to the opposing one which it has pressed back; but the individual strength of the rising concept only has influence under special conditions. It can, as it were, only use this strength in the free space which is given to it. c. The rising concept blends as such with the concept, similar to it, furnished by the new act of perception. Since it does not rise entirely, however, the blending is incomplete. d. The fact that immediate reproduction is not limited entirely to the old concept of exactly the same kind, but ex- tends to the more or less similar so far as to receive partial free- dom from the new act of perception, is of special importance. The whole reproduction may be indicated by the name of vaulting (or arching). In the case of a long duration, or of a fre- quent repetition of a new act of perception, a second important process, which we call tapering (or pointing), follows. The pe- culiarity of this latter consists in the fact that the concepts which are less similar are again arrested by the concepts received through the new act of perception, as the old concepts bring with them into consciousness others which are opposed to the new, so that finally the concept that is entirely homogeneous finds itself alone favored, and forms, as it were, a tapering sum- mit where the highest point of the vault (or arch) was hereto- fore. 27. Where the circumstances allow, with this immediate reproduction is united that mediate reproduction mentioned in 25. The concept P, mentioned above, is reproduced immedi- ately (i.e., without the mediation of others), then the free space allowed it may be regarded as that r (spoken of in 25) or as a force which strives to raise the II blended with it to its point of blending p. A TEXT BOOK IN PSYCHOLOGY 405 NOTE. As the free space gradually increasing (and again decreasing) is given, we must for the present observation regard ( ri\ r in the formula W=P as a variable quantity, and indeed \i e n/ as a function of that quantity upon which the propositions in 26 depend. 28. The most important applications of the previous theories are, if with different remainders r, r f , r", etc., of one and the same concept P several II, II', n", etc., are united, by which, for the sake of brevity, we may assume the remainders of the lat- ter, viz., p, p', p", to be equal; also, II, II', etc., may be equal. A concept acts upon several united "with it in the same series according to the time in which its remainders (by which it is united with those others according to quantity] stand. NOTE. In order to avoid diffuseness, this most important law is here only very incompletely expressed in words. We recognize it ( -rt\ better and more clearly in the formula given: w = p ( ), if VI & 1 J/ instead of one r we substitute different smaller and greater, r, r', r", etc. But the more exact calculation mentioned in 25 shows that the n, n', n", etc., blended with them, not only rise, but sink again, as it were, to make place for each other, in and the order of r, r', r", etc. 29. Here is discovered the ground of the genuine reproduc- tion or of memory so far as it brings to us a series of concepts in the same order in which they were first received. In order to comprehend this, we must consider what union arises among several concepts that are successively given. Let a series, a, b, c, d, be given by perception; then, from the first movement of the perception and during its continuance, a is exposed to an arrest from other concepts already in conscious- ness. In the mean time, a, already partially sunken in con- sciousness, became more and more obscured when b came to it. This b at first, unobscured, blended with the sinking a; then followed c, which itself unobscured, united with b, which was becoming obscured, and also with a, which was still more obscured. Similarly followed d, to become united in different 4 o6 JOHANN FRIEDRICH HERBART degrees with a, b, c. From this arises a law for each of these concepts that states how, after the whole series has been, for a time, removed out of consciousness, upon the re-emergence of one of the concepts of such a series into consciousness, every other concept of the same series is called up. Let it be assumed that a rises first, then it is united more with b, less with c, and still less with d; backward, however, b, c, and d are blended collectively in an unobscured condition with the remainders of a; hence a seeks to bring them all again into an unobscured condition [i.e., into full consciousness]. But a acts the most quickly and strongly upon b, more slowly upon c, still more slowly upon d, etc., by which close investigation shows that b sinks again, while c rises, even as c sinks when d rises; in short, the series follows in the same order as first given. On the con- trary, let us assume that c is originally reproduced, then c acts upon d and the following members of the series exactly in the same way as was indicated in the case of a i.e., the series c, d, etc., unfolds gradually in the order of its succession. On the contrary, b and a experience quite another influence. The unobscured c was blended with their different remainders. Then c acts upon them with its whole strength, and without delay, but only to call back the remainders of a and b united with it, to bring a part of b and a smaller part of a into consciousness. Thus it happens that when we remember something in the mid- dle of a known series, the preceding part of the series presents itself all at once in a lessened degree of clearness, while the por- tion following comes before the mind in the same order as the series it brings with it. But the series never runs backward ; an anagram from a well-comprehended word never originates without intentional effort. 30. Several series may cross one another, e.g., a, b, c, d, e, and ct, ft, c, 8, e, in which c is common to the two series. If c were reproduced alone, it would strive to call up d and e as well as o and e. If, however, b comes into consciousness first, then the first series comes decidedly forward on account of the united help of b and c, yet the oppositions among the members of both series, in this case, have each their own influence. A TEXT BOOK IN PSYCHOLOGY 407 We may remark that, to the simple type or model here given, a variety of complicated psychological occurrences may be adjusted. The same c can be held as the common point of inter- section for many hundred series. On account of the manifold oppositions in these series, the common c may cause none of the members to rise perceptibly, but so soon as b and a come for- ward, determining c more closely, the indecision will disappear, and the uppermost series will really come before the mind. 31. The foregoing depends upon the difference presupposed in the remainders r, r', r", etc. (28) . But in order that this dif- ference may have its influence, the concept to which these re- mainders belong must come forward sufficiently into conscious- ness. Let it be granted that it is arrested to such a degree that its active representation amounts to no more than that of the smallest among the remainders r, r', r", etc., then it works equally on the whole series of concepts blended with it so that a vague total impression of all comes into consciousness. The reason for this is explained in sections 27 and 12. The re- mainders are not different parts severed from one and the same concept; hence if a little of the latter is in consciousness, we must not first question whether this little may be one and per- haps quite the smallest among those remainders, but we must assume that it really is so, although at the same time it may be a part of every other greater remainder. If the active concept gradually rises into consciousness, then the remainders, from the smaller to the greater, one after the other, gain a special law of action. By this the above vague impression of the whole rises, in which lies a whole series of concepts, and these are gradually developed out of one another. NOTE. Here, among others, must be compared the phenomena resulting from exercise and skill; that, moreover, not every course of thought repeats faithfully the series constructed; and upon that is based, in part, the ground of the inequalities in the quantities II and p (25), with whose possible difference we can not deal further here. Additional facts may be deduced from the following. 32. If free-rising concepts (of which mention was made in the closing remarks of the last chapter) should blend in regular 4 o8 JOHANN FRIEDRICH HERBART gradation, they would be subject to other laws of reproduction which originate out of the blending, and are distinguished and determined according to their differences. Upon occasion, like- wise arises a process of construction and formation of series which differ from the form of analogous concepts in case the latter are given and then sink out of consciousness. From this may be explained the conflict between things as we perceive them and as we think them, as well as the tendency to regard them otherwise than as they first present themselves; conse- quently the modifying action of the self-activity upon that which lies before- the perception. This may be observed espe- cially in the case of children who can have no set purpose in the matter. CHAPTER IV. CONCEPTS AS THE SOURCE OF MENTAL STATES 33. ONE of the objections against mathematical psychology is that mathematics defines only quantity, while psychology must especially consider quality. It is now time to meet this objection, and to collect the explanations of those mental states which the foregoing presents. Here we must first remark that the peculiar striving of con- cepts for representation (n) never appears immediately in con- sciousness, for, just so far as concepts change into striving, they are removed out of consciousness. Also, the gradual sinking of concepts can not be perceived. A special instance of this is, that no one is able to observe his own falling asleep. So far as it represents or conceives, the soul is called mind; so far as it feels and desires, it is called the heart or disposition (Gemuth.) The disposition of the heart, however, has its source in the mind in other words, feeling and desiring are conditions, and, for the most part, changeable conditions of concepts. The emotions indicate this, while experience, upon the whole, con- firms it: the man feels little of the joys and sorrows of his youth; but what the boy learns correctly, the graybeard still knows. The extent, however, to which a steadfast disposition A TEXT BOOK IN PSYCHOLOGY 409 and, above all, character can be given, will be shown later in the explanations of the principles above presented. 34 < JFirst 4 _there is a blending of concepts not only after the arrest (22), but quite a different one Jbetfojg-.it, provided the degree of opposition (15) be sufficiently small. A principle of aesthetic judgment lies in this. Pleasant feelings in their nar- rowest sense, together with their opposites, must be regarded as analogous to these aesthetic judgments i.e., as springing from the relation of many concepts which do not assert them- selves individually, but rather which perhaps, for psychological reasons, can not be perceived when separated. NOTE. In carrying out this investigation, the series of tone relations upon which music depends may be presented as a subject of experiment. Among simple tones, the degree of arrest (the inter- val of tones), entirely alone and without means, determines the aesthetic character of its relation. It is also certain that the psycho- logical explanation (widely different from the acoustical) of all har- mony is to be sought in the difference between the degrees of arrest, and that it must be found there. The necessary calculations for this are, for the most part, to be found in the second volume of the Konigs- berg Archives for Philosophy. Of the somewhat extensive investiga- tions, only the principal ones which experience decidedly confirms can be given here: When the forces, into which concepts, through their similarity and their contrasts, separate one another, are equally strong, there arises disharmony. If, however, one of these forces be opposed to the others in such a relation that it is driven to the statical thres- hold (16) by them, then a harmonious relation will prevail. 35. Second, a principle of contrast is to be found in the com- plexes (22), which we here consider complete. The complexes a+a and b + ft are similar, provided a:a = b:fS; if not, they are dissimilar. Let the degree of arrest between a and b equal p, and that between a and /3 equal IT. Now, if in similar com- plexes, p = TT, then, and then only, will the individual concepts be arrested, exactly as if they had not been in any combina- tion; also no feeling of contrast arises, inasmuch as the arrest is successful only when the opposing forces bring the feeling of 410 JOHANN FRIEDRICH HERBART contrast with them ; but, in every variation from the case pre- sented, the less opposed concepts are affected by their com- bination with the other two, but in this very way a part of the arrest will be withheld from the latter; consequently, notwith- standing the opposition, something remains in consciousness that resists, and in this lies the feeling of contrast. If rr, then the contrast between a and b will be felt, not that between a and ft. If TT>/>, the case is reversed. When ir = O, the con- trast between a and b is the greatest. 36. Third, a complex a + a is reproduced by a concept furn- ished by a new act of perception similar to a (26). Now, when a, on account of its combination with a, comes forward, it meets in consciousness a concept opposed to it, ft. Then a will be at the same time, driven forward and held back. In this situa- tion, it is the source of an unpleasant feeling which may give rise to desire, viz., for the object represented by a provided the opposition offered by ft is weaker than the force which a brings with it. This is ordinarily the case; desires are excited by a remem- brance of their object. When the remembrance is strengthened by several incidental concepts, the impulses of desire are re- newed. As often as the opposing concepts (i.e., concepts of the hindrances which stand in the way of the longing) attain pre- ponderance, they produce a painful feeling of privation. 37._Fourth, a concept comes forward into consciousness by its own strength (perhaps reproduced according to the method described in 26), at the same time being called forward by several helping concepts (24). Since each of these helps has its own measure of time in which it acts (according to the formula in 25), then the helps may strengthen one another against a pos- >- sible resistance, but they can not increase their own velocity, y jThe movement in advancing takes place only with that velo- city which is the greatest among several concepts meeting to- gether, but it is favored by all the rest. This favoring is part of the process which takes place in consciousness, but^in no wayjs it anything represented or conceived. Hence it can only be called a feeling without doubt a feeling of pleasure. A TEXT BOOK IN PSYCHOLOGY 411 Here is the source of the cheerful disposition, especially of joy in successful activity. Here belong various movements, instigated from without, which do not accelerate but favor one another as in the case of dancing and music. Of the same char- acter is the action according to several centering motives, and such too is the insight based on understanding several reasons which confirm one another. 38. In general, it may be observed that feelings and desires have not their source in the process or act of conception in gen- eral, but always in certain particular concepts. Hence there may be at the same time many different feelings and desires, and these may either agree or entirely disagree one with the other. CHAPTER V. THE CO-OPERATION OF SEVERAL MASSES OF CONCEPTS OF UNEQUAL STRENGTH 39. FROM the foregoing, it may, in a way, be perceived that after a considerable number of concepts in all kinds of combina- tions is present, every new act of perception must work as an excitant by which some will be arrested, others called forward and strengthened, progressing series interrupted or set again in motion, and this or that mental state occasioned. These mani- festations must become more complex if, as is usual, the con- cept received by the new act of perception contains in itself a multiplicity or variety, that at the same time enables it to hold its place in several combinations and series, and gives them a fresh impulse which brings them into new relations of opposi- tion or blending with one another. By this, the concepts brought by the new act of perception are assimilated to the older concepts in such a way as to suffer somewhat after the first excitation has worked to the extent of its power, because the old concepts on account of their combinations with one another are much stronger than the new individuals which are added. 40. If, however, already very strong complexes and blend- ings with many members have been formed, then the same rela- 4 i2 JOHANN FRIEDRICH HERBART tion which existed between the old and the new concepts may be repeated within between the old concepts. Weaker concepts, which, according to any kind of law, enter into consciousness, act as excitants upon those masses before mentioned, and are received and appropriated by them (apperceived) just as in the case of a new sense-impression; hence the inner perception is analogous to the outer. Self-consciousness is not the subject of discussion here, although it is very often combined with the above. 41. In what has been said, lies that which experience con- firms, viz., that the innejLDerception is never a passive appre-^ Jhension, JDut always (even against the will) active. The apper- ceived concepts do not continue rising or sinking according to their own laws, but they are interrupted in their movements by the more powerful masses which drive back whatever is op- posed to them although it is inclined to rise; and in the case of that which is similar to them although it is on the point of sink- ing, they take hold of it and blend it with themselves. 42. It is worth the trouble to indicate how far this difference among concepts which we might be inclined to divide into dead and living may be carried. Let us recall the concepts on the statical threshold (16). These are, indeed, in effect nothing less than dead; for, in the condition of arrest in which they stand, they are not able by their own effort to effect anything whatever [toward rising into consciousness]. Nevertheless, through the combination in which they stand, they may be reproduced, and, besides, they will often be driven back in whole heaps and series by those more powerful masses, as when the leaves of a book are turned hurriedly. 43. If the apperceived concepts or at least some of them are not on the statical threshold, then the apperceiving con- cepts suffer some violence from them; also the latter may be subject to arrest from another side, in which case the inner per- ception is interrupted ; through this, uncertainty and irresolu- tion may be explained. The apperceiving mass may be, in its turn apperceived by A TEXT BOOK IN PSYCHOLOGY 413 another mass; but for this to occur, there must be present several concept masses of distinctly different degrees of strength. Hence it is somewhat seldom that the inner percep- tion rises to this second power [the apperception of appercep- tion], and only in the case of philosophical ideas is this series considered as one which might be prolonged into infinity. CHAPTER VI. A GLANCE OVER THE CONNECTION BETWEEN BODY AND SOUL 44. UP to the present chapter, concepts have been considered as present in the soul without any question concerning their origin or concerning foreign influences. This has been done for simplicity. Now, sense-perception in part and physiological influences in part, together with concepts already present, must be considered. 45. Even from experience it may be assumed that each act of perception of any considerable strength requires a short space of time for its creation; but experience and meta- physics at the same time teach that by delaying longer, the strength of the perception in no way increases in proportion to the time, but, the stronger the perception already is, so much the less does it increase, and from this it follows, by an easy calcula- tion, that there is a final limit to its strength which the at- tained concept very soon reaches, and above which even by an infinite delay the same perception will not be able to rise. This is the law of diminishing susceptibility, and the strength of the sense-impression is quite indifferent in regard to this limit. The weakest sense-perception may give the concept quite as much strength as the strongest, only it requires for this a somewhat longer time. 46. Every human concept really consists of infinitely small elementary apprehensions very unlike one another, which in the different moments of time during the continuance of the act of perception were created little by little. However, if dur- ing the continuance of the perception an arrest caused by old opposed concepts did not occur, these apprehensions would be 4H JOHANN FRIEDRICH HERBART all necessarily blended into a single, undivided total force. For this reason the total force will be perceptibly less than the sum of all the elementary apprehensions. 47. In early childhood a much larger supply of simple sense- concepts is generated than in all the following years. Indeed, the work of the after-years consists in making the greatest possible number of combinations from this supply. Although this susceptibility is never entirely extinguished, yet, if there were not a kind of renewal of it, the age of manhood would be more indifferent and more unfruitful in sense-impressions than it really is. Though concepts on the statical threshold are quite without influence for that which goes on in consciousness (16), they can not weaken the susceptibility to new perceptions similar to themselves. Hence this receptivity would be completely re- established if the earlier ratio of arrest were not quite changed by the new acts of perception, and a certain freedom to repro- duce themselves directly given to the older concepts (26). When this happens, the receptivity decreases. The greater the number of old concepts of the same kind present in conscious- ness this means usually the longer one has lived so much greater is the number of concepts which upon a given occasion enter at the same time into consciousness ; and thus with years the renewal of receptivity diminishes. 48. The above statements refer not only to concepts of exactly the same kind, but to all whose degree of opposition is a fraction. This can not be developed here, since in the foregoing nothing exact could be said of the difference between the degrees of opposition. 49. It is to be especially observed that the influence of the body upon psychical manifestations is shown in three ways its repression (Druck), its excitation (Resonanz), and its co- operation in action. Upon this are the following preliminary remarks: 50. Physiological repression arises when the accompanying conditions, which should correspond to the changes in the soul, ran not follow without hindrance; hence the hindrance will also A TEXT BOOK IN PSYCHOLOGY 415 be felt as such in the soul because the conditions of each affect both. This repression is often merely a retarding force, to suit which the mental movements must proceed more slowly, as is the case with slow minds that consume time and are stupefied by quick changes. Often, however, repression is similar to an arresting force, and as such it can be mathematically calculated, as when it increases the number of opposed concepts by one or more. By it all active concepts may be driven to the statical threshold; and here we have the explanation of sleep. In this case it would be a deep and complete sleep. 51. Physiological excitation (Resonanz) arises when the accompanying bodily conditions change more quickly or become stronger than would be necessary to merely cause no hindrance to the mental movements. Then the soul, again in response to the body, will act more quickly and more vigor- ously. The soul must also share the resulting relaxations of the body, as in intoxication and passion. 52. The co-operation of the soul and body in external action can not originally proceed from the soul, for the will does not know in the least what influence it really exerts upon the nerves and muscles. But in the child exists an organic necessity for movement. At first the soul accompanies this and the active movements arising from it, with its feelings. The feelings, how- ever, become connected with perceptions of the members moved. If, in the result, the concept arising from such a percep- tion acts as a means of arousing desire (16), then the feeling connected with it arises, and to this latter as accompanying bodily condition belong all those phenomena in the nerves and muscles by which organic movement is actually determined or defined. Thus it happens that concepts come to appear as a source of mechanical forces in the outer world. FRIEDRIGH EDUARD BENEKE (1798-1854) A TEXTBOOK OF PSYCHOLOGY AS NATURAL SCIENCE Translated from the German * by BENJAMIN RAND CHAPTER L FUNDAMENTAL PROCESSES OF PSYCHICAL DEVELOPMENT 22. First fundamental process. Sensations and perceptions are formed in the human soul in consequence of impressions or excitations which come to it from without. The usual view is that we receive the external impressions primarily through the bodily organs, and only thereafter do they pro- ceed to the soul by means of the nerves and of the brain. But of this our self-consciousness, which we have designated ( i) as the only fundamental source for psychological knowledge, gives no hint whatever. The excitation of the bodily organs presents itself to us as an effect concomitant with the formation of the sensory impressions, or as running parallel with it; and we must regard as a false inference if one endeavors in the man- ner indicated to place the same in causal connection therewith. There is no scientific justification ( 47 ff.) for this assumption as it is ordinarily made. Furthermore nothing is in the least gained thereby for the doing away with the offensive dissimilarity be- tween external objects and the soul. For we are still even as little able to conceive how a psychical seeing, hearing, etc., can arise from a material vibration of the nerves, or of the brain, as how the soul itself can be immediately excited by external im- pressions into the formations of sensations. Let anatomy and * From F. E. Beneke's Lehrbuch der Psychologic als N aturwissenschafl. Berlin, 1833; bearb. von J. G. Dressier, 4 Aufl. ib., 1877. PSYCHOLOGY AS NATURAL SCIENCE 417 physiology, therefore, explain and establish the results of observation in their domain. In psychology we hold firmly to the fact that our self-consciousness says nothing about any such mediation. 23. The creation of sensations and perceptions necessarily presupposes: (i) certain external elements (excitations, impres- sions) which are received and appropriated by our soul; and (2) certain inner forces, or faculties, by which it receives and ap- propriates these elements. These forces, which, like the excita- tions aforesaid, show themselves at the first glance to be mani- fold, or to form several characteristic systems, we style sensory faculties, just because they respond to external excitations; and, furthermore, we call them original faculties (Urvermogen) of the soul, in so far as we are unable to derive them from any- thing else. It is to be observed, however, that the sensory excitations so soon as they are received and appropriated are transformed likewise into psychical elements. We attribute to the sensory faculties in respect to this process a higher or lesser degree of sensitiveness to excitation. By means of this variable degree the extent of the excitation received, or the vividness of the sensation, is shown to be conditioned from within. 24. Second fundamental process. The human soul is con- stantly acquiring original faculties. Of this innermost life-pro- cess, by which alone the soul is able to continue its life, we ob- tain knowledge only from the fact, that from time to time the original faculties become exhausted. There is in other words an inability to form sensory perceptions, or to carry on activities, which demand new and original faculties, and these remain for a subsequent more or less extended use. As an explanation of this phenomenon the effect indicated proves to be the most plausible hypothesis. We cannot, indeed, determine more ex- actly the nature of this process, not merely because it wholly escapes consciousness, but also because among all other pro- cesses of which we are conscious there is none analogous to it. An indication of the circumstances under which this process occurs, and occurs more perfectly, we reserve for later consider- 4 i8 FRIEDRICH EDUARD BENEKE ation ( 335) on account of this very obscurity, and in order to make use in fuller measure of the results of observation. 25. The original faculties are essentially volitions so long and so far as they have not as yet adopted excitation for their completion ; that is to say, they strive for this fulfilment as for a complement intended for them by their nature. We also term this striving " tension." This character appears especially in the uneasiness which develops if they have accumulated unused in rather a large number. This is an uneasiness which as experience shows can mount to any conceivable degree, and can lead even to despair of life and to suicide. Moreover, the use of the original faculties is by no means restricted to the formation of sensations and perceptions. On the contrary, attaching them- selves to inner formations they become effective for the same excitations and for achievements of the most varied sort. Es- pecially do they form in this way the fundamental active prin- ciple in all action as well as in all psychical products. 26. Third fundamental process. The combination of facul- ties and excitations, such as are originally grounded in sensa- tions and perceptions, and maintained in their reproductions, reveals sometimes a firmer and sometimes a less firm inter- penetration of these two classes of elements. A more accurate observation now teaches us, that when elements are less firmly united and therefore mobile, they can be transferred in the greatest variety of combinations from one psychical formation to another. In all psychical developments at every moment of our lives there is an active striving towards a balancing or equalizing of the mobile elements in them. In a preliminary way we may give as examples of this fact the increase of in- tensity, which all the operations of our mind experience through the emotions of joy, of enthusiasm, of love, of anger, etc.; as well as upon the other hand, the depressions of the same, through sorrow, fear, etc. 27. Our self-consciousness constantly exhibits a change, which sometimes mounts to an appalling variety and rapidity. But this change does not extend so far as at first glance it appears to do, and moreover chiefly effects only the excited PSYCHOLOGY AS NATURAL SCIENCE 419 state. For every psychical product that thus became formed in the human soul with any degree of perfection persists, even after it has disappeared from consciousness or from the sphere of excited psychical development, in the unconscious or inner being of the soul, out of which it can later enter into the con- scious psychical development or be reproduced. We term that which persists in an unconscious state, with reference to the psychical development which continues unconsciously to exist, "a trace"; and in reference to those developments which are either constructed upon this basis, or which proceed therefrom, " a rudiment." (There is prefigured or predisposed in the same a presentation of imagination, a sensation, etc.) Every such trace consists therefore of two elements: faculty and excitation. 28. We know indeed these traces or rudiments only by means of the reproductions thereof. We are, nevertheless, per- fectly certain of them, because of the fact that these reproduc- tions, where no hindrance occurs, always take place not only qualitatively, but also quantitatively, in the strictest agree- ment with the earlier psychical formations. The kind of the excitation and the strength of the faculty (the two elements out of which every trace was formed) return to consciousness in the same way, as at their coalescence they conditioned the devel- opment of the trace. In fact, strictly speaking, even this per- sistence of the trace needs no explanation, since there is repre- sented in it only the universally evident fact, that what has once come into existence continues until it is destroyed through the agency of special causes. What, therefore, is here subject to explanation is not the continued subsistence, but only the transition into unconsciousness of what previously had been conscious; and this is easily comprehended from the aforesaid process of balancing. Inasmuch as the conscious developments balance or transfer in every direction, so far as an immediate combination takes place, those elements which are not firmly appropriated by them and are mobile, it follows, that such a depression must take place in them that they become uncon- scious forms or mere traces ( 30) . , 29. In reference to the presentation of these traces, which, 420 FRIEDRICH EDUARD BENEKE as they are essentially unconscious cannot be made immedi- ately by means of these themselves, we must hold absolutely to the effects which have led to their assumption. These traces hence have no actual place of existence. As is the soul in general, so also all its parts are nowhere; for self consciousness, which is our single source of knowledge, contains with itself immediately, and by itself, (without the addition of perceptions of the external senses), nothing, whatever of spatial relations. The traces are also united to no bodily organ. For the intuitive notions of space, and the transformations thereof, which run parallel to the psychical developments, are in the strictest sense merely parallel to them, that is to say, synchronous, or at best always synchronous. They can thus in no wise be made essential to them , to say nothing of being postulated as their substantial basis (43 ff.). The trace is what comes between the production of a psychical activity, (e.g., a sensory percep- tion), and its reproduction, (e.g., as recollection). Since both of these acts are psychical we may also conceive of the trace only in psychical form. We are, nevertheless, in general able to acquire very definite ideas of it, since the fundamental condi- tions for this conception are given us in any case on two sides, and not infrequently, (when there traces are manifoldly repro- duced), on several sides. 30. Faculties and excitations exist in the traces in the rela- tively constant combination, which they have entered into with one another ( 26). Since nothing can escape from the faculties, the loss by which the previously conscious or aroused develop- ments become mere traces, must effect the received excitations; and so far as this loss occurs, to that extent is the faculty filled by them again emptied or free. In so far all traces are as such volitions (Strebungen) ; that is to say, the original faculties given in them strive for the recovery of that which they have lost, or for the renewed attainment of consciousness. 31. The certainty, which we receive by a strict comparison of facts concerning this inner persistence, is, likewise, in two respects, invaluable for the perfecting of general psychological knowledge. First, because we apply them in a progressive 421 direction. Since all previous developments of the soul, so far as they have not again been destroyed, continue to exist in the inner being of the soul, it follows, that this must, or (what is the same thing) the forces or faculties of the soul must, consist of traces of the earlier aroused developments. We can, therefore, perceive these faculties not merely from their effects, (which lead only to a summary or rough determination), but likewise from their causes too, or from the conscious developments pre- ceding them. Since now these latter separate in far greater extension and far more decidedly, (in hundreds of cases and more) , we thus derive by this means for the perception of their nature and organisation the same advantages as those which magnifying glasses afford when applied to external nature. Secondly, we can furthermore turn to account the doctrine of inner persistence in a retrogressive construction. This matter has been provisionally discussed (21). If we have clearly re- cognised in a certain series of developments the manner in which the traces are formed, we can thus disregard that which is added to these in our thoughts, and, since we continually repeat this, can at last attain to a knowledge of the original nature of the soul. 32. How far this persistence extends in reference to the quality of the developments, and the length of time, can scarcely be established with perfect certitude from the fore- going experiences. We know of the inner persistence only through the reproductions ( 28). But from the fact that something has not heretofore been reproduced, and even now cannot be reproduced, it does not immediately follow that the same is not yet present, nor even that it is not capable of repro- duction. Experiments which have been made in this matter in violent fevers and injuries, etc., have shown, that what one has believed to have long disappeared, because it has never been reproduced under the ordinary conditions of reproduction, was raised into consciousness and psychical activity under unusual conditions of production. The presumption, therefore, is great, that in general whatever has once formed a part with any degree of completeness of our soul is never again lost. 422 FRIEDRICH EDUARD BENEKE 33. Since the persistence of the traces consists in nothing except the continuance of whatever has once attained exist- ence, the perfection in general of the traces must also be dependent upon the perfection with which the developments have originally been formed. In the sensations and perceptions, therefore, it would depend upon the perfection with which the excitations have been appropriated. We ascribe to the sensory original faculties in this connection a higher or lower degree of strength. 34. In the innermost soul traces remain of this transference of mobile elements from one psychical form to another, and thereby are established, in the same manner as all permanent combinations, even the combinations of incompatible forma- tions into groups and series: the combinations between the qual- ities of a thing, between the spatial and temporal coincidence, and the connection between causes and effects. These are, there- fore, by no means to be regarded merely as ideal relations, but to be viewed, just as much as the single presentation, as some real abiding existence in the inner being of the soul. 35. Fourth fundamental process. Identical formations of the human soul, and similar ones according to the measure of their likeness, attract one another, or strive to enter into closer relations with each other. This presents itself to our observa- tion so frequently, not merely in its products but also in its occurrence, that it needs no further explanation. Familiar examples are such as, the witty combination of ideas, the forma- tion of similies and judgments, the fusion of similar feelings and endeavors, etc. If now in these examples the coalescing formations are only partly similar to one another, this attrac- tion, as is confirmed in the most evident manner by a stricter analysis of the facts in various cases, must take place between formations which are totally similar with still greater strength, and decisiveness. Nevertheless, the more critical observation shows that in all these attractions only a coalition of similar formations, but still no permanent combination or fusion of them is affected. Rather the process of balancing must enter in_a complementary way for these latter, just as it must enter PSYCHOLOGY AS NATURAL SCIENCE 423 in permanent combinations between dissimilar, formations. This balancing process reveals itself as active here with most remarkable strength, so that the blending gains a higher degree of intimacy, since a specially favorable basis is prepared for it by the indicated attraction (91). 36. The process of formation is of exceptional importance, especially for the judgment of quantitative development. If we suppose one and the same sensation, presentation, desire, etc., to be frequently produced, the traces remaining therefrom enter not only into relation with one another, but they also coalesce owing to their complete similarity into one total form- ation. And such formation appears to us as one to that degree in which we cannot become at all aware immediately of its com- plexity (qualitative), but only by means of its augmentation (quantitative). The strict conception and application of this will lead us to a number of highly significant conclusions, which have heretofore escaped the notice of science, because it has only very inaccurately taken these results into account. 37. All the processes explained in the preceding paragraphs are of such an elementary character, and of so great universal- ity, that scarcely one even of the simplest developments of our matured soul could be pointed out, in which they do not alto- gether, and even repeatedly, collaborate. But they show them- selves active in very different relations of combinations and degree; and thus there is indeed nothing that prevents one from indicating this or that single fundamental process as the conditioning cause for this or that effect, when its agency is particularly conspicuous above the others. A more exact observation teaches, that these processes can occur with very various degrees of rapidity and vivacity. And since these processes, (at least so far as there is no external condition), manifest themselves uniformly in all developments, which take place in a human being within the range of a certain funda- mental system, we are justified in deriving them in so far from the original faculties, and in attributing to the latter in respect thereof a higher or lower degree of animation as a pri- mordial quality. 424 FRIEDRICH EDUARD BENEKE CHAPTER 1 L THE FUNDAMENTAL NATURE OF THE HUMAN SOUL 38. If we summarize first of all the most general character- istics concerning the nature of the human soul which result from our preceding exposition, it presents itself to us: (i) as a perfectly immaterial being ( 22 and 29), consisting of certain fundamental systems, which not only in themselves, but also in combination with each other, are most intimately one, or constitute one being ( 26) ; (2) as a sensory being, i.e., the ele- mentary forces of the soul are capable of certain stimulations from without by excitations, which are assimilated and retained by these forces ( 22 f.). To these must still be added: (3) the forces of the soul gain by this assimilation a more positive organisation, and in this they enter upon manifold closer com- binations with one another, partly by means of the fusion of similar forms into one total form ( 35 f.), and partly by means of the combination of dissimilar forms into groups and series (34). (4) But the forces and faculties of the soul have also an original determinateness, which is twofold: the original de- terminateness of the fundamental systems to which they be- long, and the original determinateness of certain degrees of strength ( 33), and vivacity ( 37), and sensitiveness of stimulus ( 23). Observation teaches us that every degree of any one of these fundamental conditions can occur together with any degree of the others. 39. For a more exact determinateness we must compare human souls with the souls of lower animals. If we compare that which appears in the latter as the effect of the psychical, with that immediately perceived in us and the effects thereof, the most striking characteristic of human souls appears to be, that they are spiritual, (that is to say, if for the present we formulate this superiority in its greatest universality and as it immediately appears), souls, which are capable of a clearer, more definite, and more comprehensive consciousness, and which necessarily develop such consciousness up to a certain point of time, although some in greater, others in lesser perfec- PSYCHOLOGY AS NATURAL SCIENCE 425 tion. The question now arises, what we have to regard as that which fundamentally conditions this superiority. 40. We here first encounter a view which was especially in the last century, and even in our time has been again, pro- pounded. According to it, the original forces of human souls are said to be in and of themselves entirely similar to those of the lower animals, and the spiritual character of the human soul is derived solely from the more excellent bodily organisation with which this is united. In support of this view three things have been especially emphasized: first, the possession of hands by which man is enabled to change the position and form of ob- jects, and thus become acquainted with an incomparably greater number of these qualities; secondly, the possession of speech, which makes possible a manifold expression of acquired ideas, etc., as well as a more extended and more perfect reten- tion of them; and, thirdly, the slower growth owing to a longer period of childhood, in consequence of which there is a more varied accumulation and elaboration of ideas. 41. The reasons specified in the preceding paragraph con- cerning the spiritual character of the human soul in no wise give a perfectly satisfactory explanation. From the greater mass of heterogeneous ideas which are acquired through the medium of the hands and speech, there would result in and for itself only a greater throng of them, and as a consequence rather a more rapid and more complete obliteration of the single idea. It is just as difficult to perceive from the slower growth of the body how it should transform the unspiritual into something spiritual without the addition of another positive factor. We have on the contrary to regard the slower formations of the body not as a cause, but as a consequence of spiritual devel- opment, which constantly exerts a certain modification upon the bodily development. The higher perfection of the human soul, therefore, cannot be in such wise merely externally condi- tioned, but must be a perfection that is internally and qualita- tively conditioned, and which affects the innermost nature of the psychical original faculties themselves. 42. Of the three fundamental characteristics of the original 426 FRIEDRICH EDUARD BENEKE faculties as designated ( 38), the susceptibility of excitation occurs not merely in many of the lower animals in like perfec- tion with man, but also in case of some of them in greater per- fection than in man. Vivacity occurs with men as with the lower animals in very many degrees. But what is peculiar and essential to human souls is a higher power of susceptibility and of appropriation of the excitation, as well as a greater force of inner persistence of the developments founded thereupon. By means of this more perfect inner persistence, there is made possible in the psychical developments of men an infinite in- crease of strength, of clearness, and of capacity of coalescence. In combination therewith, but also only in combination there- with, the hands, the speech, and the longer period of childhood are, to be sure, of no little significance for the development of 'the human soul. We can best designate this superiority of man over the lower animals by ascribing to the former a spiritual sensuousness. Besides the superiority of the higher energy of the original faculties there is another in which the possession of speech and hands are ranked only as single constituents. This is the more individual and more definite determinateness, and in consequence of that, the more definite separation of the different elementary systems, both as to the qualities of the several susceptibilities and activities, and as to the combi- nations and interweavings. CHAPTER III. THE RELATION OF THE SOUL AND THE BODY 43. THERE is still need of a more exact determination con- cerning the relation of the soul to the body. We have already remarked ( i), that these are very definitely separated in the perception (Auffassung), and the knowledge based thereupon; since to the knowledge of the soul everything belongs that we perceive by means of self-consciousness, and to the knowledge of the body everything by means of the external senses. We must leave to metaphysics the deeper determination of their real relation. We have here only to do with the question, PSYCHOLOGY AS NATURAL SCIENCE 427 how they must stand to one another for the purposes of psy- chology. 44. Transferring the contrary kinds of knowledge men- tioned in the foregoing paragraphs to the real, without due consideration those who have set as their task a strictly philo- sophical knowledge, in most cases have represented the soul and the body as being in their innermost nature opposed to one another. And from this the most remarkable hypotheses have been evolved ; since upon the other hand the experience of every moment presents their immediate union in one and the same being, and also their immediate interaction and co-operation. 45. When on the contrary there was set as a task no deeper philosophical knowledge, but there was in mind only the prac- tical application, which a synthesis of both rendered desir- able for a common knowledge, it has been attempted in most cases to refer the psychical developments to the bodily; indeed, some have gone so far as quite generally to designate the former as mere products of the bodily organization peculiar to man. This is the fundamental view of materialism. But the history of psychology shows, that never at any time has it been possible, either to explain or to construct from the material the very least of the developments of the soul. And not only so, but it can also admit of no doubt, that this will be just as little pos- sible in the entire future. Both kind of ideas are much too dis- similar for this. In whatever way we may determine and combine the material forms and processes, we never attain to anything that has even the remotest resemblance to a thought, or to any other psychical product. 46. What has given rise to the materialistic view indicated in the preceding paragraph is only the greater distinctness and definiteness, which the presentations of the bodily have over those of the psychical for those unused to self-examination. But this advantage is nevertheless purely subjectively grounded (in the nature of the presentation) ; and the transfer- ence of it to the objective, or real, can be in no wise justified. And as a subjective advantage it is to be regarded not even as essentially necessary, but only as accidental and temporary; 428 FRIEDRICH EDUARD BENEKE since in a practice continued for some time and intelligently conducted, an equally great, indeed a still greater, clearness and defmiteness can be gained for the perception of psychical products and results. 47. To this must be added, that we are able to observe ( 13) the developments of our soul far more immediately and more intimately. This, in connection with what has been remarked in the preceding paragraph, enables us to develop the knowledge of the psychical forms and processes to such great definiteness, exactness, and acuteness, that the knowledge of the bodily stands far in the background. Indeed, we can foresee with the highest probability, that a completeness of under- standing and construction for the bodily, such as we already have for the psychical, can never be gained (granted the highest possible perfection of magnifying glasses, etc.) even approximately. Even regardless of reasons of inner truth, it appears from the standpoint of the products of knowledge it- self as far more desirable, that, in direct opposition to the materialistic view, we should be able to conceive and to construct the bodily according to the forms and the laws of the psychical. 48. The problem which presents itself ( 44) in the appar- ently opposed fundamental natures of the soul and body can be solved after deeper reflection (Aufassung) very simply, in that, we also perceive our own body, as everything else corporeal, only by means of the impressions upon our senses, and, there- fore, not immediately as in the case of the soul, where the powers and developments are apprehended as they are in them- selves. But there correspond certain forces to the perceptions of our own body as its being (in itself) , which as they effect those sensory perceptions, permit still many other results to proceed from themselves. And the opposition in our observations of the two kinds of developments can arise just as well from the differ- ence in the faculties of perception, as from the difference of the perceived objects and events. That this difference is not so great as it appears is already in the highest degree probable, even (we can truly say) certain, from the fact, that there exists PSYCHOLOGY AS NATURAL SCIENCE 429 no kind of bodily developments which cannot become con- scious under certain circumstances, and which as conscious can- not be immediately perceived by us. But in that event it be- comes psychical ( i and 43) ; as it stands also in fact in this case to the positively psychical developments entirely in the same relations of reciprocal aid, of combination, and of opposi- tion, as the psychical developments stand to one another. Such a transformation of a thing most ordinarily to be con- ceived as non-psychical into one to be conceived as psychical, would be unthinkable, if in their fundamental nature they were opposed. On the contrary we are led to conclude that both kinds of forces must stand very close to one another in their innermost nature ; and no artificial hypotheses ( 44) are necessary for the explanation of their intimate relationship and reciprocal action. What through the senses we learn of the human body, or what we commonly term the body, we have to view only as external signs or representatives of the innermost nature of the body, which, like the soul, consists of certain forces and their develop- ments, that are indeed distinct from those of the soul, but are nevertheless essentially of the same kind. 49. On the other hand, it must be added, that the different fundamental systems of the soul also do not develop con- sciousness in equal perfection, but rather in very significant gradations. And they show the gradations in all relations parallel, as we observe between the positively psychical developments and the bodily developments raised to the psychical. Thus the difference between the soul and the body stands forth still more definitely than a mere difference of degree. They even approach so near to one another that no real line of separation can be drawn between them in the living man, and in general they are not farther separated than the dif- ferent psychical fundamental systems from one another. A real separation between soul and body takes place first only at death. 50. In any event we are justified according to the conclu- sions reached, to include the bodily, so far as it develops 430 FRIEDRICH EDUARD BENEKE consciousness, in our science, and to make the attempt to dis- cover whether its developments, and especially its action upon the soul, may not be construed according to the laws, which have come to light for the positive psychical developments from the facts observed by our self-consciousness. It furthermore immediately appears from this, that we have throughout to suppose no other bond for the connection of soul and body, than that by which the psychical systems themselves are united. 51. Even the most general survey of the bodily develop- ments permits no doubt concerning the fact, that the four fund- amental laws which have been established for the psychical, likewise have their application as determining and regulating the bodily, though to be sure with some modifications. The bodily forces also need support from without, and they strive after and appropriate it; and in them, too, life is propagated from within by means of continual acquisition of new homo- geneous faculties or forces. In them also, received stimuli are balanced with reference to the formations which stand in rela- tion therewith ; and the developments deprived in this way of excitation continue to exist in the forms of traces or forces, which thereafter enter as rudiments into future developments. Finally, in them too, a reciprocal attraction between homo- geneous developments manifests itself. They enter into closer relation, or even totally fuse with each other. As a result of all this there is formed that which one terms (favorably or unfav- orably etc.) the bodily constitution. What is lacking to the bodily developments in all these relations, is only a more inde- pendent development of elementary acts and forces, which distinguish psychical development ( 42). They coalesce too with less regard to distinctions; and the forms of organisation have therefore no such definite determination (47). 52. It is thus obvious, that the recognised fundamental laws prove effective for the interaction between soul and body, and the rudiments remaining from these. Here only the adjust- ment of the mobile elements and the attraction of the homo- geneous formations come into consideration. By means of the former all transferences and influences which proceed from the PSYCHOLOGY AS NATURAL SCIENCE 431 soul to the body, or from the body to the soul, are determined : especially in the first direction every bodily doing or action produced by the soul, as well as the involuntary manifestations of the emotions, etc. ; and in the second direction the manifold aids which the psychical development experiences from the bodily, and by means of which the soul as it were constantly feeds upon the bodily. The attraction in relation to those things homogeneous, shows itself operative especially in the distribu- tion of the tones from the one to the other, and in the associa- tions between similarly toned psychical and bodily develop- ments. Moreover, these are operative in various forms, e.g., in passions and other emotions, for the production of balancings among the corresponding bodily developments, when psychical developments meet, which by their firmer forms of organiza- tion, or otherwise, are prevented from balancing. Thus blushing accompanies shame and anger, etc.; tears of emotion accom- pany the unexpected proofs of love, and deserved but long with- held marks of distinction, etc. From all this it follows, that we have to conceive the bodily life as subordinated to the psychi- cal; whereas materialism affirms that the life of the soul is only an intensified bodily; and that as an independent existence in man there is no soul. MORITZ WILHELM DROBISGH (1802-1896) EMPIRICAL PSYCHOLOGY ACCORDING TO THE METHODS OF NATURAL SCIENCE Translated from the German* by BENJAMIN RAND FIFTH SECTION: THE FUNDAMENTAL EX- PLANATION OF THE PSYCHICAL LIFE III. THE DYNAMICS OF IDEAS AS A PRINCIPLE OF EXPLANATION OF PSYCHICAL PHENOMENA 138. TEE INTERDEPENDENCE OF PSYCHICAL PHENOMENA IN the explanation of psychical phenomena it is most neces- sary, that their connection and interdependence be not ne- glected in the consideration of their diversity, because other- wise we should set up unavoidable hindrances to any theory seeking for unity. Of this character is particularly the assump- tion of an original two- or threefold division of the activity of the mind, which is supposed to rest upon the qualitative differ- ence of inner phenomena. After the detailed examination of the latter we should still find impossible to place in one and the same category as regards their origin, ideas, feelings, and de- sires; on the contrary, we must rather regard the lack of inde- pendence, and even actual dependence of the forms of the latter two kinds of phenomena upon the ideas, as an indication that these in some way lie at their foundation, and that they are capable of being made comprehensible as derived states. In- * From M. W. Drobisch's Empirische Psychologic nach nalurwissenschafticher Methode, Hamburg und Leipzig, 1842; 2te Aufl. 1898. EMPIRICAL PSYCHOLOGY 433 deed, so many earlier psychologists have sought to prove this, that we may say the atomistic trichotomy of the soul was first introduced by Kant and his school. If now the uselessness of abstract powers of the mind has been made clear in what has preceded, no one can desire to revert, either to a general faculty of ideas, or to any specific kinds of it, under the names of sense, imagination, understanding, etc. On the contrary, the ever increasing specialisation of these fac- ulties, which becomes necessary if one somewhat more than superficially considers inner experience, shows that we cannot pursue this method with success, but have to take one directly opposed. This consists in supposing each single idea itself as an independent state of the mind, and accordingly an indefinitely large number of such states. If now to each one of these a power is ascribed as cause, we thus acquire, to be sure, instead of a moderate number of faculties of the mind, an almost un- limited number of individual powers of the mind. We do not fail to perceive that we are thereby still further, and in a far more hazardous way, removed from the unity of the soul, than is the case with the theory of faculties. But if we do not suc- ceed in comprehending the unity of ten or twenty faculties, the failure consequently is essentially not greater if a thousand or ten thousand powers of forming ideas appear hard to combine. Nevertheless this would only be a lamentable consolation, which we are far from claiming. Therefore, either we must seek so to justify that hypothesis, that it no longer controverts the unity of the soul, or this principle is not adequately estab- lished, and must be given up. Let us then first test somewhat more closely this demand for the unity of the soul, as the pos- sessor of the powers of the mind. 139. THE UNITY OF THE SOUL If it must be conceded that the powers of the mind, as causes of its states, are not objects of inner observation, it holds still more true of the mind itself, as the possessor of those powers. For self-consciousness by no means reveals to us the mind, on 434 MORITZ WILHELM DROBISCH the contrary, shows only the empirical I, from which through abstraction of its changing content the pure I is first at- tained; but which, for that very reason, is an empty and really formal idea. The identity of our psychical being is, therefore, by no means immediately guaranteed as a fact by the identity of our self -consciousness, and it is merely upon inferences that this conviction is based. Without deeper metaphysical argu- mentation the following observations can be made upon this subject. All our ideas have a tendency to become united, to exchange their multiplicity for unity, and they actually coalesce, so far as the contradictions of their contents do not prevent. Our sensu- ous perception, as well as our intellectual conception, is a con- stant process of unification, either through the percept, or the concept; therefore, every theoretical science involves the effort to reduce the principles of explanation to the lowest possible number. The fact, that only a few ideas can enter our conscious- ness at once, shows to be sure at first glance, that they displace, suppress, therefore, as it were, expel one another; but also on the other hand, that they are not able to avoid one another, but are held together by an attractive force. The same thing like- wise appears in associations, these quite involuntary and art- less combinations of simultaneous ideas. It is, therefore, pos- sible to attribute similar attractive and repellant forces to ideas, after the analogy of the physical-chemical hypothesis of attrac- tions and repulsions of elements. But leaving out of considera- tion the fact, that here attraction and repulsion must be ascribed simultaneously to the same elements of psychical life, which beyond controversy is inconceivable (the physicist attributes attraction to the molecules, and transfers repulsion to the sur- rounding sphere of heat), there is furthermore this difference, that the elements of bodies have an independent existence, so that the existence of the body depends upon that of its ele- ments, which become thereby the constituents out of which it is composed. Nevertheless, it will not occur to anyone to affirm that the mind is composed of its ideas, and that these have also EMPIRICAL PSYCHOLOGY 435 existence apart from the mind. The mind, in which they are, and because they are in it, which has no constituents (for what apart from ideas, could otherwise be its constituents?), and is consequently simple, must moreover itself be assumed to be the principle of unity. This also leads to the same conclusion, that the body is external to the mind, but ideas, feelings, and desires, are within it. The mind is, therefore, in a middle ground between outer and inner experience, as the unit of mea- sure belonging to no experience of things and states of the external and internal world. With a measure one can in- deed measure ; but one cannot wish to measure it itself, or it ceases to be a measure. One can indeed distinguish the parts in it; but these are only accidental parts, and not essential con- stituents. 140. THE REFUTATION OF THE FACULTY CONCEPT If accordingly the hypothesis of the unity of the soul appear to us reasonably established, so that we have to think of it as having strict simplicity of being, because otherwise a new prin- ciple of unification would be needed, the question is all the more seriously renewed, how the other hypothesis of an un- limited number of states of the mind is supposed to be com- patible with it. There corresponds to every individual sensa- tion a simple idea as a state of the mind, and combined ideas originate from these as their elements. Shall we endow the mind with as many faculties as it has simple ideas? And if not, what else shall we do? In order to decide this question, it is ne- cessary first to determine, what must be understood by facul- ties. If we oppose activity to it, as reality to possibility, the entire concept of faculty is at bottom an empty thought, which can signify nothing other, than that after an activity has origin- ated we can then add in thought, that nevertheless the possi- bility must have been present for it beforehand. But this possi- bilty is also only a mode of forming ideas in the mind of the thinker, and is nothing in the things themselves; for we should 436 MORITZ WILHELM DROBISCH thereby conceive an actual possibility, which is a gross ab- surdity. In this merely logical sense we will not want to have the con- cept of possibility taken, but we seek to express thereby, that an activity is existent in the germ (potentia), and only awaits the opportunity to develop into actuality (actu). We cannot, indeed, strictly mean thereby, that the activity is retained wholly as it afterwards manifests itself, only in a concentrated undeveloped condition in the mind, so that, therefore, e.g., the sensuous ideas before they appear in consciousness through stimulation of the senses, dwell in the mind in the same way as they abide in the recesses of the memory, after they have be- come forgotten. This would make every excitation of ideas from without a mere appearance, and would therefore be a view compatible only with the most thoroughgoing idealism. This is rather what we mean, that, just as the seed-corn, in order to germinate and develop, requires earth, air, moisture, and warmth, but nevertheless these potencies can still bring into development only a seed-corn, but by no means a stone, or even a blossom; so likewise a diversified capacity for forming ideas, is to be understood as belonging to the mind, by virtue of which, if certain external conditions are associated therewith, an actual formation of ideas take place in it. If we would discuss this concept metaphysically we should put the question, whether the multiplicity of capacities har- monises better with the demanded unity of the soul, than a multiplicity of actual powers; or whether the soul, if it origin- ally carries in itself as the mode of its existence such a multi- plicity of capacities, would be strictly regarded anything more than a system of the same, therefore, a compound, and what then must be deemed the significance of these capacities apart from this compound? But this may be left out of the present discussion. Possibly one might think of seeking aid through the analogy of physics, by saying that the activity is still united to the capacity, latent, and becomes free through development under the cooperation of external conditions. To this suggestion we EMPIRICAL PSYCHOLOGY 437 should oppose the observation, that latent heat or electricity presupposes the free ; that this latter is the first and original, the former only the secondary and derived condition. Latent activ- ities of the mind may therefore indeed be termed ideas stored in memory beyond consciousness; but the ideas originating according to common conviction through sensory impressions if, as becoming free, they are to be viewed as previously bound, would have to be taken as platonic remembrances out of a pre- vious existence, and their sensuous origin would have to be a vain delusion. To prove this latter has up to now been impos- sible for any scepticism, or any idealism. 141. IDEAS AS STATES AND NOT POWERS OF THE MIND According to the foregoing every return to faculties, or power of forming ideas, in whatever way we may conceive these, ap- pears to lead to no acceptable result. We must, therefore, at- tempt to obtain another point of view of ideas, which without being content to regard them as mere inner phenomena, ex- plains both their existence, and promises to make conceivable, as coming from them, feelings and desires. In this attempt the comparison with physical science affords us the safest guidance. If the physicist says that this body possesses the capacity to be- come more heated, luminous, electrical, magnetic, to resound, to enter into many chemical combinations, etc., he does not mean by that, that the body possesses certain faculties or dormant powers, which under certain conditions can awaken and produce those phenomena, but he signifies thereby only certain disposi- tions or qualities of the body, whether these may have their location in the bulk of its matter, in its mechanical composi- tion, or in the relation of the quality of its matter to that of some other body. If we here speak of a force as the cause of such a physical condition of a body, it is not transferred to this, but is established outside of it, and the body appears only as a thing which is placed in a certain condition, to which we do not on that account ascribe peculiar powers; or would we attribute to a 438 MORITZ WILHELM DROBISCH heavy body a power to fall, to the resonant a power to sound? How far even the older physics was from any such theory as this, its hypothesis of a force of inertia shows. It did not attribute to a mobile body a power of movement, but a power to resist movement. The new physics, on the other hand, dis- cards both, and views rest and motion as states which are alike accidental to the bodies, but if they are placed in them, they continue unchanged until a removal or modification of the same ensues. The thought of the capacity of bodies for these states drops entirely as idle and unfruitful. To heed this example of physics might now be by far the most profitable method for psychology. It has been already remarked above, that in our immediate consciousness the form- ing of ideas appears neither as an actuality, nor a capacity of the mind, but only as a happening in it. Accordingly, in harmony with experience, we will designate the ideas as states of the mind, and can affirm at least of the sensuous ideas, which form the basis of all others, that the mind is placed in these states by means of external causes through the agency of the organs of sense, which, like the produced motion of a body, continues un- changed so long as they are not removed or modified by addi- tional inner or outer causes. We consequently lay claim to the principle of permanence (the law of inertia) for these states, and regard the mind as existence in itself, barren of ideas, and accordingly also of feelings and desires, which, on account of its simplicity, can attain to those states only through the manifold relations of its quality to the qualities of the things with which it stands in relation, comparable to chemical affinity. The nature and mode in which exterrial things affect the mind, the conditions of the production of any idea, remain partly physiological and partly metaphysical problems. But since it is assumed, that the manifoldness of the relations of the individual mind to the external causes of its simple ideas cre- ates likewise a manifold constitution in the latter, the question how the unity of the mind is consistent with the multiplicity of its inner happenings has at least in general no more difficulties. One and the same number can enter into infinitely numerous EMPIRICAL PSYCHOLOGY 439 relations, and the exponent of the relations is in every case a different one. With such exponents the ideas may be compared ; and with the common fundamental unit (the first member) of them, the mind itself may be compared. But if one desires more than comparisons, one has then to do with metaphysics, which has to discuss this question in the systematic relation of concepts. For the immediate purpose it suffices to observe that the formation of ideas must be conceived not from the point of view of a manifestation of power of the mind, but as a state of the same, or as a happening befalling it. The ideas must not be compared with powers, but with movements of the mind; and if a sensuous image is desired, they can best be compared with the oscillations of a body, otherwise externally at rest. 142. THE FREEDOM AND INHIBITION OF IDEAS The facts of the changing attention and of the disappearance of ideas from consciousness, as well as their reappearance in it, reveal clearly, that ideas although themselves only states of the mind, nevertheless are capable of having in their turn dif- ferent states of their own. These are the states of freedom and of inhibition of ideas. An idea will then be free, if simultaneously there be represented no others of opposite quality, but only of a like or dissimilar constitution. But if opposed ideas occur sim- ultaneously, a diminution of that freedom takes place, which can be termed inhibition. For as experience adequately shows, ideas do not mutually suppress one another, not even when some of them become forgotten for they can be again aroused under certain conditions but they are merely brought into a state in which they cease wholly or in a certain degree to be ideas; but for all that are neither destroyed, nor suffer a diminution of their being, which rather assumes only another form. This is the form of striving. In the same degree namely, in which vividness or the con- scious clearness of an idea diminishes, in that degree a resist- ance to this violent state and a striving to free itself there- from arises in it. Under such circumstances the idea certainly 440 MORITZ WILHELM DROBISCH becomes a force, but one which is directed against a definite hindrance obstructing its freedom. It ceases at once to be a force so soon as that hindrance disappears, and it has attained again its natural uninhibited state. In this striving is found the principle for the explanation of desire ; it would, however, be rash if one were to affirm this striving to be in general the desire itself. For manifestly no idea could disappear from conscious- ness, unless its return were desired; and all ideas, which we any time have had and have long since forgotten, would have to be desired, and consequently press for return into conscious- ness. Of this, however, we do not observe the least, and we are not even aware of any such pressure on the part of the ideas, from which our attention is momentarily diverted. A conscious and an unconscious striving must therefore be distinguished, and the conditions of this distinction must be investigated. 143. THE. INHIBITION OF OPPOSING IDEAS In fact our inhibited striving is to be conceived as at one time united with the feeling of pressure, and as at another time without any such feeling. This indicates an essential difference in the inhibition, according as this occurs before or after the complete balancing of the opposing striving of ideas. The former is combined with a feeling of obstruction, the latter is free therefrom, and can be termed an equilibrium of ideas, which takes place within or without consciousness, according as the balanced ideas are in part only, or wholly inhibited. Ideas which are not yet in equilibrium will possess a striving after it; for only the balanced condition can have a point of rest, and the inhibition connected with it will be that which under the given circumstances imposes upon the ideas the least proportionate pressure. More precise determinations of this state, the condi- tions of equilibrium of ideas, cannot be developed without the aid of mathematics. Ideas in equilibrium are united in general neither with feelings nor with desires; but both accompany the still unbalanced ideas. Feelings and desires as distinct from ideas are inconceivable. They lack a definite representable EMPIRICAL PSYCHOLOGY 441 what, a quale; nevertheless they are actually in consciousness. They must, therefore, be found in it as the manifold changeable how of presentation. Wherein now does this consist, and how do they differ from one another? By what means do I know of my desires? Do I perceive an act of desire immediately? Not at all, I certainly feel only the state of desire, but still distinguish therefrom the feeling which accompanies it. The desire destroys the calm, the equilibrium of the mind, or to speak more cor- rectly, the equilibrium of its ideas. If I have a feeling of this equilibrium, a change in it will be a feeling of disturbance. The feeling of psychical equilibrium is precisely similar to that of bodily health. Of both there exists no positive feeling. The body as well as the mind is in a state of equilibrium when one has no feeling of its activities, just as a machine in which there is the least possible friction makes but little noise. Desires and feelings are, therefore, the indices of the deviation from the state of equilibrium of ideas. It is to be remembered if we wish to comprehend their differ- ence, that desires are the activity, feelings the passivity of the mind. Now desire is the striving of that idea, whose content is desired, against obstructions, which have their ground it is true outside of the mind, but nevertheless must be felt by it, since otherwise the striving idea, which always abides in the mind, would find no obstruction. Obstructions are, therefore, at least in the broadest sense of the term, themselves ideas. But whilst the hindrances obstruct, they react against the striving idea, and thereby become unpleasant. This latter idea presses and is pressed ; in it is the seat of desire ; in its obstructions is the seat of the unpleasant feeling of resistance united therewith. The overcoming striving of an idea against such obstructions is therefore the desire of its content; and the succumbing resist- ance of what is opposed is therefore the painful feeling, which is constantly united with the postponement of the attainment of what is desired. The former is the striving, the latter is the suffering of the one desiring. The desire is, therefore, not felt only in the idea of the desired thing, also not alone in that which resists it, but in both at the same time, and in their rela- 442 MORITZ WILHELM DROBISCH tion, which is none other than the disturbance of the preceding equilibrium. But the striving idea, however, does not itself alone possess the power for this disturbance, but gains it only through union with an internal or external perception related to it, which reproduces and lifts above the point of equilibrium, and which therefore appears as the external cause of the origin, or the reawakening of desire. The desire appears herewith as a progressing or retrogressing movement of ideas; if we regard the maximum of their clearness as the goal or culminating point. But the mind itself is thereby immediately neither active, nor passive. It is both, only mediately, in so far, that is to say as its ideas are found in these states. 144. THE ORIGIN OF FEELINGS AND DESIRES This is the first, and, to be sure, only a very meagre outline of the origin of feelings and desires, of which a further and more exhaustive explanation would demand a more exact and more varied development of the explanatory principle postulated as its basis, than is here possible and consistent with the desired ami. Nevertheless, it is at least possible to add the following corollaries. (1) Just as the idea striving against abstractions causes desire, the idea retreating reluctantly from consciousness causes repugnance. For manifestly the content represented in it is the object of repugnance, but the energy of the repugnance is contained in the ideas opposed to this idea, which repel and gradually suppress it; the stronger the resistance of the reced- ing idea, so much the stronger is the emotion of abhorrence. (2) Feelings of oppression can also arise without desire and abhorrence, that is to say, without a progressive or retrogres- sive movement of ideas. For granted an idea is in itself too weak to continue in consciousness when opposed by many stronger ones, and thus to be in equilibrium with them, it can nevertheless happen by the following means, that it is asso- ciated with an idea of a dissimilar content, which affords the support demanded for equilibrium with the others. The EMPIRICAL PSYCHOLOGY 443 memory-image of the room which I occupied many years ago as a schoolboy is itself not capable of continuing beside the intuitions of the present; but if by a related perception the damp, musty smell is reproduced, which at that time made its occupancy not the most agreeable, then the image emerges with full vividness and continues in my consciousness. But nevertheless, any such recollection always demands a certain effort, and this consists in the fact that the retained idea is in a pressed position between the opposed ideas seeking to sup- plant it, and those dissimilar which afford to it the necessary support. Hence arises a feeling of oppression. (3) An idea, finally, can also arise notwithstanding opposing hindrances, that is to say, when this rising occurs under the protection of a stronger idea entirely homogeneous with it, which removes the obstacles in its way, and thereby makes for it a free path. Then the obstacles disappear as if dispelled by magic, like the impotent spectres of the night before the light of day. Under such circumstances the rising idea possesses more elasticity than it can expend, and the character of its move- ment creates a feeling of pleasure. With these corollaries we must here be content, for the condi- tions under which the feelings of the good and the beautiful arise, lie too deep to permit of being here developed with any clearness. 145. THE EQUILIBRIUM AND MOVEMENT OF IDEAS The concepts of freedom and inhibition, of equilibrium and movements, of striving and resistance of ideas, developed with the sharpest lines of differentiation, must henceforth, solely and alone, take the place of the theory of the abstract faculties of ideas, feeling, and desire, as explanatory principles. But they serve, moreover, to supplant the more special faculties sub- ordinated to these in a manner more conformable to experi- ence. Our entire analysis of psychical phenomena must have demonstrated, that association and reproduction are the keys 444 MORITZ WILHELM DROBISCH which open the portals of the inner life of the soul. But the principles themselves henceforth can be proved to be derived from others lying deeper. For association is the result of the unity of the soul, by means of which all the states of the latter, so far as their contrasts admit it, unite and enter combinations under all circumstances. But reproduction rests in part imme- diately upon associations, and in part upon the concepts of free- dom and inhibition of ideas. In general the apparent manifestation of the faculties of the mind rests upon combinations, aggregations of ideas in the large, which we can style with Herbart masses of ideas (Vors- tellungsmassen) , which developed with more or less regularity are interwoven out of series, and series of series; and move- ments and transformations of these masses of ideas appear in place of the activity of the faculties. The individual faculties are distinguished in part formally by the different kind of the formation of the masses in which they have their location ; and in part materially by the kind of ideas which make up the mate- rial of the mass. By means of the latter we can understand the so frequently occurring partiality of memory, of imagination, and of the understanding. Memory, therefore, we may ascribe to our mind in so far as it possesses ideas, which still bear the characteristics of their first origin, and which return to consciousness, out of which they have been crowded by others, according to the same temporal order as that in which they originated, in that train of recol- lected thought which is conformable to the laws of memory. Imagination we can ascribe to our mind in so far as it pos- sesses ideas, in which the characteristics of their first sensuous origin are obliterated, which therefore no longer occupy a definite place among other after images of former perceptions, and are no longer reproduced in the temporal sequence of the same. But the most manifold combinations are entered upon, according to all the laws of association, which enable it to perform even as manifold reproductions, and to give them that easy mobility, by which the making of more and more numer- ous combinations of surpassing novelty is rendered possible. EMPIRICAL PSYCHOLOGY 445 Understanding belongs to our mind in so far as there exists in it masses of ideas whose combinations, independent of all accidental circumstances of their encounter, are completely adapted to the nature of their content, and therefore corre- spond to the relations of things ; it may be, that, as in theoretical understanding, this content is sharply separated in conceptual definitions, or, as in the practical understanding, is rightly recog- nised only in relation to the content of another idea. Our mind possesses will, in so far as it has masses of ideas, whose content represent what is willed, and whose striving exercises a decisive control over other ideas and combinations of ideas. The mind is rational, if the moral insight has become the kernel and centre of the mass-of-ideas ruling all others. But man as a natural creature is called rational in so far as adapta- tions have been made in his physical organisation, which makes possible the development of moral insight, and the attainment of it to power, but do not prevent it as in the case of the lower animals. Finally with momentary perceptions the mind possesses sensibility. 146. THE STAGES IN THE FORMATION OF THE SPIRIT With this explanation and limitation of the apparent faculties of the mind the view can now be united, which discerns the different stages in the formation of the spirit. Indeed it is ob- vious, that thereby the transformations must at the same time be considered, which affect the body in its different periods of life, and which without doubt favor and support the psychical processes. But after the subtraction of these bodily condi- tions there remain nevertheless always a series of purely psychical transformations residual, resting chiefly upon the changes which take place in the combinations of ideas. Ideas are barren of connection and therefore purely sensuous in their first origin in the newborn child, but after a short time 446 MORITZ WILHELM DROBISCH those associations have already been formed which are neces- sary to memory, and a little later that desire appears, which not always the need of food, but often only the sight of the nurse calls forth. In the boy, it is true, highly manifold com- binations of ideas have been formed, and we must concede to him memory and imagination, understanding and will, in very many spheres of his capacity for forming ideas. But neverthe- less, sensibility, memory, and imagination still dominate in him, to which his fondness for sweetmeats, his love of sightseeing and curiosity, his ability for learning by heart, his joy in narratives of adventure, his desire for sport, sufficiently testify. The youth begins to feel : the scattered ideas concentrate in him to form a more abiding and more powerful empirical self, by which he not only acquires power over his actions and thereby be- comes responsible, but also learns to guide his imagination in poetic composition, and to formulate his thought in reflection. With higher self-consciousness the inner world opens before him, and with it the finer feeling for the beautiful in nature, art, poetry, and the other sex. Still experience is lacking, which gives maturity to the understanding. This manhood gives with increasing needs and cares, for the supplying of which under- standing must serve; but the execution of its decisions de- mands energy of the will, and the duties to society and to the family, a moral content of the will. Self-control must, therefore, now be present in constant increase, and a constant, true, and reasonable activity towards the outer world must take the place of youthful vacillation. With self-control reason is finally acquired, the strength of which must increase in the same meas- ure as that in which sensuous impressionability, the power of desires and passions, decrease. Thus the combinations among ideas become greater in num- ber, and more perfected in the course of life, and as a result of it restrain and control its movements. The stress of emotions and passions give place to more mature considerations ; absentmind- edness and the flightiness of imagination yield to the sharp attention and many sided circumspectness of reflection; know- ledge tempers the disquietude of doubt; and when this know- EMPIRICAL PSYCHOLOGY 447 ledge can go no further, faith succeeds to its function. The entire development of the mind progresses always towards a more and more harmonious form, and its activity towards a more and more peaceful movement. But there are not newly awakening faculties of the mind which produce this change of phenomena; but there are always only the ideas, their com- binations and movements, ideation and its states, by means of which they become intelligible. FRANCOIS PIERRE GONTHIER MAINE DE BIRAN (1766-1824) ESSAY UPON THE FOUNDATIONS OF PSYCHOLOGY Translated from the French* by BENJAMIN RAND CHAPTER I. FACTS OF THE INNER SENSE I SHALL characterise from the present this inner sense (sens intime) in a more explicit manner under the name of sense of effort, .of which the cause or productive force becomes self, by the single fact of the distinction which is established between the subject of that free effort, and the object which resists im- mediately through its own inertia. I say immediately, in order to announce here in advance another very essential distinction, that I believe myself authorized to set up between the resist- ance or relative inertia of one's own body, which yields to or obeys voluntary effort, and the absolute resistance of the for- eign body, which may be invincible. . The sense of effort has not been designated until now by its specific name, precisely because it is the innermost, or the nearest to ourselves, or rather because it is ourselves. If one should demand at this stage to be made acquainted with it by a more detailed exposition, I should reply, that each of our senses defines itself by its exercise. If there were, for example, one born paralytic who had never acted voluntarily to move * From Maine deBiran's Essai sur les fondements de la psychologic (1812), in his (Enures intdites, publics par Ernest Naville, Paris, 1859, torn. I. MAINE DE BIRAN 449 his b'mbs or to set in motion foreign bodies, supposing that such a person, which appears impossible to me, could have had the least degree of intelligence, there would be no more possibility to make him understand by language what effort is, than there is to explain to one born blind what color and the sense of sight are. Nevertheless, as one explains not the sense or the phenomenon of vision, but rather the conditions, in- struments, and physical or organic means, which serve to effect it, it will perhaps not be useless to analyse also physically the instruments and means of exercise of the internal sense of effort, in order to learn the better to circumscribe its domain by distinguishing it from that of an external sense with which it might be confused. I shall therefore enter upon some con- siderations which appear to me important. This study, foreign as it is to the proper analysis of the phe- nomena of the inner sense, which excludes everything that be- longs to the province of external observation, will be included more expressly in the object of another portion of this work, where we shall be occupied more particularly with the relation of the phenomena of physical or organic nature than with those of psychology; but I cannot proceed without giving the follow- ing physiological hints as indispensable to my actual purpose. 1 . The organs of sensation with which the physiologists have heretofore been exclusively occupied, appear confined to the cerebral nervous system, distinguished by a well known ob- server l under the title of the Nervous system of animal life. The sense of effort, here in question, is limited by that part of the muscular system, which the action of the will expressly sets in play, and which physiology distinguishes also under the title of a System of the voluntary muscles of the animal life. 2. In the natural and original state of the sentient being there is no affection felt in any part whatsoever of its organism, nor any object perceived externally, except in so far as the nerv- ous extremities are at first excited by some cause foreign to the self, and as this first impression is uninterruptedly trans- mitted by the sensory nerves which receive it as far as the 1 Cf. Bichat's works: De la vie el la mart and Anatomic Physiologique. 450 THE FOUNDATIONS OF PSYCHOLOGY centre of the brain, where perception is supposed to occur, although we are profoundly ignorant of what takes place in the nerves and the brain whenever an impression is felt or per- ceived. Nevertheless, daily experience proves that such percep- tion is always preceded or accompanied by the organic condi- tions which we have just mentioned. But in the exercise of the sense of effort something more takes place. Let us first suppose that the muscular organ be excited by an external cause, or by a stimulus adapted to set in play that vital property that the physiologists name irritability or sensory organic contractility; or again, let us suppose that a movable part may be aroused or strongly agitated by an external force, there will indeed clearly result from it a particular impression, which one may call muscular sensation or sensation of move- ment, but which could not be confused with that mode of our activity which we designate by the term of willed effort. In fact, this muscular sensation is subject to the same laws or organic conditions which determine the general sensory func- tions; it is always an impression received and transmitted to the brain, where it is felt as a passive mode foreign to the will or to the self. But in effort such as we perceive and reproduce at each instant, there is no excitation, no foreign stimulus, and nevertheless the muscular organ is set in play, the contraction effected, the movement produced, without any cause other than this inner force which is felt or immediately perceived in its exercise, and also without any sign being capable of repre- senting it to the imagination or to some sense other than its own. Let us however represent this force in exercise by an image, and, by placing ourselves for a moment at the physiological point of view, let us suppose that it be localised in the centre of the brain. When the effort is made, this central spring to the release of which there is referred by a sort of imaginary fiction the feeling of our activity, will be said to enter into action of it- self. 1 I adopt this last expression, as a material sign of voluntary effort, or of an action which is neither actually compelled nor 1 An expression of M. Cabanis in his great work upon the Rapports du physique et du moral de I'homme. MAINE DE BIRAN 451 provoked by any sensory impression coming from without, nor even produced in any part of the nervous system outside the centre. The first motor determination being thus begotten in the centre, is immediately transmitted by the nerves to the muscular organ. This is contracted, or extended; its specific irritability is set in action, as it could be by a foreign stimulus. But, whereas, in this last case, the simple passive muscular sensation commences at the external organ in order to termi- nate at the centre which receives it; here the active motor stimulus commences in the centre where the cause resides, which, after having performed the contraction or movement, perceives as effect by means of the nervous transmission the muscular impression which it originates in the beginning. I here discover the symbol of complete action, the physiological signs of which I must endeavor to analyse more expressly; be- cause, it is upon these signs alone that the analysis can here be based, since every action of the will is truly indivisible and instantaneous as known through the inner sense. In considering, therefore, this action from the point of view of physiology, I distinguish two elements, or two moments, in which it is accomplished. To the first corresponds the simple motor determination or the release of the central spring affecting the nerves. However, that part of the action, thus limited -to the nervous system, does not appear to be accom- panied by a particular internal perception; but supposing there were such perception, and that it were not such as to be neces- sarily confused with that of resistance or inertia of the con- tracted muscle, which accompanies or immediately follows it, one still could not regard it as the symbolical sign of individual- ity or of the self, which can begin to know itself, or to exist for itself, only so far as it can distinguish itself as subject of effort from an object which resists. Thus the kind of obscure per- ception which would correspond to this incomplete action which is performed from a single centre upon a homogeneous nervous system, would be still only a vague and confused feel- ing of existence, to which perhaps some species of animals are limited. To the second moment corresponds that which takes 452 THE .FOUNDATIONS OF PSYCHOLOGY place in the motor system, from the instant when the muscle contracts, until the effect of the contraction is transmitted or carried to the centre, where the muscular sensation then takes on this characteristic of reduplication which constitutes the inner consciousness of effort, inseparable from a resistance, or the inner consciousness of the self which knows itself by dis- tinguishing itself from the resisting object. Let us now pass from the symbol or the sign to the thing sig- nified, and compare the internal facts with the hypotheses or the physiological facts. We know, from a very constant experience, that the sentient being can never give to itself by any exercise of its activity, those agreeable or disagreeable impressions which affects it in spite of itself; that it is not the artisan nor the creator of those sensations or of those images which come into existence, suc- ceed one another or disappear, without any concurrence of its will, or even against its desire. We know, moreover, from the observation of sentient nature, and from the various experi- ments of physiologists, that there exist sure and constant means to set in play the animal sensitivity by appropriate excitations, and to draw from the sentient being all the signs of the affections, of pain, or of physical pleasure, that one makes it undergo. The internal sense of effort on the other hand can be set in play only by this force, which is interior and sui generis, that we call will, and with which what we call our self is com- pletely identified. The power of effort, or the ability to commence and to con- tinue any series of movements or of actions, is a fact of inner sense as evident as that of our existence itself. There is no for- eign force to which that power is necessarily subordinated. Observe thus, how powerless all the external or artificial means may be which would tend to imitate the results of that acting force, or to reproduce and to provoke the signs of its manifes- tation. If you apply a stimulus, either directly upon a muscle, or upon the trunk, or the nervous centre which send ramifica- tions to it, you of a certainty bring about contractions, sensed in the li ving, and purely organic in the dead. In regard to the MAINE DE BIRAN 453 will of man, or the power of effort, it dwells in independence in the innermost being, beyond all reach of any excitation from without. Neither the inducements of pleasure, nor the goads of pain, are capable of irresistibly compelling it. When it exer- cises itself, all physiological laws are disturbed; all the ex- ternal signs of sensitivity or of contractility are uncertain, and can be quiescent or deceptive. How powerless, for example, the most excruciating pain over the will of a Mucius Scevola? Before it yields, the arm which it holds motionless upon the burning coals will be reduced to ashes. Is not then the force which thus dominates sensibility and rules it by its own laws, which compels the body to stop or to rush forward, even when its instinct urges it to flight, a force that is specific and sui juris. But still we cannot speak of that moral force guided by motives which can render effort sublime. Before motives to act exist, there is surely a power of movement or of action ; be- fore this movement has become means, it has first been itself the aim or proper end of the willing. Finally it is necessary that the self shall have begun to exist for itself, or to circumscribe itself in its own domain, before extending over nature its constitutive force. Thereby are justified those considerations which might appear to us somewhat too minute, and to others too closely allied to this materialism which they are calculated to attack in its first foundation. For us, therefore, who are here occupied only with a primi- tive fact of the inner sense, the will is as yet only the power of effort. We have just characterised this force through the signs, or the first conditions, or the instruments of its exercise. We now need to seek by analysis, what may be the origin of this exercise, and that of the individual personality which cannot be separated from it. But before entering upon this analysis, let us summarise the consequences of what precedes. i . The primitive fact of the inner sense is none other than that of a voluntary effort, inseparable from some organic resistance, or from some muscular sensation of which the self is cause. This fact is thus a relation of which the two terms are distinct with- 454 THE FOUNDATIONS OF PSYCHOLOGY out being separated. In order that they should be separated, it would be necessary, under the physiological hypothesis taken as a symbol, that the immediate action exerted from the centre upon the motor nerves be accompanied by a particular internal perception, distinct and separate from the muscular sensation ; but therefore, the same internal perception would consist in an- other relation still more inner, between the hyperorganic force exerted from the centre and the nerves upon which it immedi- ately acts. It would be, therefore, the nervous inertia which would replace in that case the muscular inertia, and the charac- ter of the primitive fact would not be changed. 2. The essential character of the primitive fact consists in that, that neither one nor the other of the terms of the funda- mental relation is constituted in necessary dependence upon the impressions from without. Hence the knowledge of the self can be separated in its principle from that of the external universe. 3. The effort-cause, or the self has the internal consciousness of its existence as soon as it can distinguish this cause, which is itself, from the effect or from the contraction referred to the organic object, which is no longer itself, and which it places outside. 1 4. The primitive fact which necessarily serves as the point of departure to science, therefore resolves itself into a primary effort, where analysis is still able to distinguish two elements: a hyperorganic force naturally in relation with a living resistance. 5. The idea or reflexive abstract notion of force is later deduced from the fact, or from the primitive feeling of effort. In following an inverse course and starting from the idea of absolute force, all the metaphysicians, up to and inclusive of Locke, have displaced the origin of science. They have desired to deduce the actual and the real from the possible: that was to begin in darkness. We do not fear to lose ourselves in darkness by seeking at present how effort can begin to be willed, what the origin is of this primary action, of this free will, which is the primary condi- 1 We shall see that this outside is not external extensity, nor even the form of space, such as the Kantians conceive it, as inherent to sensibility. MAINE DE BIRAN 455 tlon of the consciousness of one's self, and, consequently, of all other consciousness. We have a thread which guides us in these researches, and which, if it does not lead to the absolute truth which we seek, enables us at least not to lose ourselves in ideal regions, whence there would be no outlet or means to retrace our steps. CHAPTER II. THE ORIGIN OF EFFORT, AND OF PERSONALITY IF it were true, as philosophers who have attempted to derive everything from desire think, that will were nothing other than desire, which itself is confused with a first need of the organised living being ; if it were true, or conformed to the facts of the inner sense, that instinctive determinations, re- garded as completed sensations, embraced judgment, desire, or will ; if finally it were true, that the very first movement made by each of us had been accompanied by will, it would be very useless to seek, I do not say, the origin of that absolute force identical with the soul, or of that which stands for it in all sys- tems, but the origin of the feeling of its exercise, or of the effort with which the ego identifies itself. This origin indeed would be confused with the first rudiments of life, and would be traced back to the organic germ which possibly exists before fecunda- tion. If this system were that of nature, it would turn out I have pursued up to the present only a chimera, and all the precise distinctions I have sought to establish would disappear like vain shadows. The obligation is thus imposed upon me to make it evident that my present researches have a real object, or that there may be an origin of voluntary effort or of the self, posterior in order of time to the birth of the sentient being, to the first instinctive determinations, to the needs, and even to the desire, which differ from the will, properly so called, as passion differs from action. I am going at the outset to place myself anew at the physi- ological point of view, and upon the very ground of the philosophers who have assimilated or confounded in the origin, 456 THE FOUNDATIONS OF PSYCHOLOGY everything that I believe should be distinguished or even separated, in order to have a science of principles. If the dis- tinctions that I establish turn out to be confirmed by physio- logy itself they are doubtless likely to receive in consequence more weight and value in the eyes of those to whom I take the liberty of opposing them. According to the principles of a physiologist, 1 who was gifted with the genius of experiment rather than with the talent for classification, one is justified in the recognition of three modes, or three kinds of muscular contractility, which are distin- guished among themselves in the same manner as the causes which produce or determine the contractions. The first kind is a simple organic property inherent to the muscular fibre, and which has been known since Haller by the term irritability. We have no need to know up to what point the nervous influence contributes to set it in action, because this property, simply vital, happens to be outside of the object of our researches. V/hat is of importance to us, is to recognise the truly distin- guishing characteristics in the sentient contractility, which may also be called animal, and a contractility properly voluntary. Let us seek, therefore, to specify clearly the physiological char- acteristics of these two kinds. Both of them expressly relate to cerebral influence, but under very different conditions, and it is not permissible to confuse them even physiologically. Affective impressions excited in the nervous system by for- eign or inner causes, being transmitted to the brain or to some other of the partial centres, determine those powerful reactions which tend to set in play the locomotor organs: hence the ani- mal contractions and all the instinctive movements. I have just spoken of partial centres as of points of reaction, because it is not proved that it is the direct influence of a single centre which determines always the instinctive locomotion of animals as of the foetus, and several analogies tend to prove the opposite. Supposing, what appears to be contradicted by many physiolog- ical observations, that a single centre determines solely by its reaction the kind of movement which is in question here, at 1 Cf. Bichat's Rcckerchcs pkysiologiqucs sur la vie ct la mart. MAINE DE BIRAN 457 least it is true that this centre plays in that case a passive or merely sympathetic role influenced, as it is, by the impres- sions of the internal or external nervous organs which are the true determining causes of these animal contractions. But in the contraction that is strictly voluntary, it is clearly in a single centre that the action commences which, without being provoked or compelled by any foreign impression, is transmitted directly to the organs of movement by the inter- mediary of the nerves. We find here the only true sign of vol- untary effort, such as we have characterised it. As the voluntary contraction thus differs from the animal contraction, so likewise the will, the individual and free power of effort and movement, differ from appetite, need, and all feel- ings of discomfort, of disquietude, etc. which have been arbi- trarily united under the general term of will. Here both the psy- chological and physiological points of view perfectly correspond. The sympathetic reaction of the centre, which occasions the animal contractions or the instinctive movements, is the sign of aflective desire very improperly called will. The action, com- mencing in a single centre, which occasions the voluntary movement that is in the power of the individual to make or not to make, is the proper sign of an impelling will. The general faculty in question from the first physiological point of view, is not only subordinated to, but identical with the sensibility con- sidered as the principle or the cause which determines animal movement. It is, therefore, not necessary to seek any other origin for it than that of life itself of the organised being, which feels only so far as it is moved, and which moves only as far as it feels. In this case, it is conditionally true to say that the first of all movements has been accompanied by desire or by will, and that the instinctive determinations, being sensations as the others, include judgment, desire, etc. The individual faculty which is in question in the second point of view, far from being subordinate to the sensibility, is most often in opposition to it; and we have already seen that it has its peculiar and primor- dial laws, outside the circle of all affective impressions. The experience of the inner sense suffices to assure us in fact 458 THE FOUNDATIONS OF PSYCHOLOGY that, in the cases in which movements of any kind are com- pelled and abruptly incited by violent appetites, passions, or too emotional excitations of the sensibility, we ourselves move, or rather our body moves without our leave, without, or even against the explicit orders of the will, which is oppressed and as it were nullified, by the very fact that sensibility predomin- ates or rules exclusively. How could it therefore be possible that the same affective impressions, which destroy the control of the will, and absorb or hamper that power, even when it is already fully established, would originally serve to develop it and to set it in exercise? How is it possible to suppose that the being, which begins to live, can perceive or feel its own movements, and begin to derive therefrom some knowledge, when we ourselves are completely ignorant alike of the cause and of the effect of those movements, in the midst of the dis- turbance of the affections which provoke or even prevail over them? How finally could the very principle, which obscures and so often extinguishes in us the light of consciousness, have been the first source of it? We are, therefore, justified in saying from our present stand- point, that the first movements, which are determined by ap- petite or organic need, or even accompanied by desire, differ as much from will properly so-called, as the peculiar and direct action exerted from a single centre differs from all sympathetic reactions. Thus, the first acts of this nascent will, explained in its principles, differ from the blind determinations of instinct, which precedes them in the order of time, but without serving them in their origin. There is then occasion to seek by an explicit analysis of primitive facts, what is the order of progress or of conditions which may have produced the first exercise of the individual power of effort, and with it the first feeling of the self ; that which is equivalent to asking what is the law, eithei physiological or psychological, of the transition from instinctive movements, to voluntary and free movements, accompanied by effort. As long as the organic centre, to which physiologists refer motor determination, only reacts in consequence of the impres- MAINE DE BIRAN 459 sions which it receives from diverse sensitive organs with which it is in relation, the movements thus produced, not being capa- ble of being perceived or felt as distinct from their producing causes, cannot even begin to be voluntary. For if distinct per- ception is not anterior, as I believe, to any exercise whatever of the will, neither can this latter in its turn precede any degree whatsoever of perception; and although it may be true to say, that the thinking being cannot begin to know save in so far as he begins to act and to will, it is none the less true, in the ordin- ary phrase, that one cannot expressly will that of which one has no knowledge. If one appears to revolve here in a vicious circle, the reason is, that as a result of having failed to recognize the truly prim- itive fact, one wishes to distinguish or separate two acts which are reduced to one in this fact, and that one already applies the law of succession, or like the Kantians, the complete form of time, to the first term of every succession, at the origin of all time. Through the indeterminate order of the progress of being, simple in the vital stage, but destined to become double in the human stage, 1 a period arrives when the exclusive rule of instinct tends to end or to be united to another order of faculties. Al- ready the impressions begin to become less vivid, less general, less tumultuous; habit has blunted their edge which was at first strongly affective; the appetites are less pressing, the move- ments less brusque, less automatic; the organs of locomotion begin to harden, their special irritability diminishes; they yield less promptly to every external cause of contraction. Thus, on the one side, these organs have contracted habits in repeated instinctive locomotion, and they are disposed in such way to comply with more facility to the new contractions that the will is to impose upon them; on the other hand, the motor centre has also acquired in reacting such determinations that it is capable of entering spontaneously into action, by virtue of that general law of habit, in consequence of which a living organ 1 Homo simplex in vitalitate, duplex in humanitale, says Boerhaave energet- ically, and with profound truth. 460 THE FOUNDATIONS OF PSYCHOLOGY tends to renew of itself the impressions or the movements that a foreign cause has a number of times aroused in it, or in consequence of which makes it own the dispositions of another organ with which it has sympathetically shared. When the centre thus accomplishes movements by its own and initial action, the latter take a wholly different character, and become spontaneous, instead of being instinctive as they were at the outset. Now this spontaneity is still not the will, or the power of effort, but it immediately precedes it. By virtue of the spontaneity of action of the centre, which is the imme- diate term or proper instrument of the hyperorganic force of the soul, that force, which could neither perceive nor distinctly feel the instructive movements, begins to feel the spontaneous movements which no emotion troubles or disturbs. But it can- not begin to feel them thus as produced by its immediate in- strument, without appropriating to itself their power. As soon as it feels that power, it exerts it by accomplishing that move- ment itself. As soon as it effects it, it perceives its effort with the resistance, it is a cause for itself, and in relation to the effect that it produces, with freedom, it is the self. Thus personality begins with the first complete action of a hyperorganic force which is for itself, or as self, only in so far as it knows itself, and which begins to know itself only in so far as it begins to act with freedom. The problem is not to know what that force is in itself, how it exists, or when it begins absolutely to exist, but when it begins to exist as an identical person, as self. Now it exists for itself only in so far as it knows itself, and it knows itself only in so far as it acts. Although the primitive fact, of which we seek to determine the source, seems to escape, in that source itself, from every kind of experiment, and presents itself only as an hypothesis, we can nevertheless discover some examples adapted to explain, up to a certain point, the origin of personality, such as we have just established it. i. In sleep of the mind or of the self, it occurs sometimes that one is awakened with a start in consequence of movements, of words or of voices, produced by a spontaneity resembling that MAINE DE BIRAN 461 which serves originally as intermediary between instinct and will. At the very instant of this sudden awakening, the indi- vidual feels these movements, not accompanied with effort as they are in the state of waking, but with a feeling of power to make them, which is, in this case, the memory of that effort. It is in this way that he appropriates to himself in their result those spontaneous movements that he has not determined in their principle, and that conscious appropriation characterises solely the perfect awakening. Therefore, in the origin of person- ality, spontaneous movement awakens the soul, causes to arise in it, as it were, the presentiment of a power which determines the first voluntary effort, and with it the first knowledge. 2. In the newborn infant, and even during a certain period after birth, the locomotion and voice are set in action only by instinct. The infant frets and cries because it suffers, and in so far as it is affected by simple needs or appetites. As long as this purely sensitive state continues, will and apperception can- not exist ; for how can you suppose that the first cries of pain, the first automatic movements, are acts of a faculty of will and of judgment already in exercise, unless you admit these faculties as innate or unconditioned? Without doubt the cries of an infant have a significance or a natural sense, but that is for an intelligent being capable of understanding or of interpreting it, and not for the infant reduced to sensations and to animal con- tractions. But apart from the exclusive domain of the affec- tions, of the needs or appetites of instinct, the infant still cries and frets by virtue of the determinations or of the habits con- tracted by the motor centre and by the organs of movement or of the voice. These movements then spontaneous are veritable sensations. Soon they will be perceived, willed and trans- formed by the infant itself, into involuntary signs of which it will make use in order to call for aid. Behold the first stage of man, duplex in humanitate, the first sign of nascent personality. The transition sought for is then accomplished. But how could it have been possible, if the movements had always been the pro- ducts of an instinctive and sympathetic reaction, carried away k and repelled by vivid emotions, and finally if there had not 462 THE FOUNDATIONS OF PSYCHOLOGY been an intermediary mode of motility such, that sensation, distinct from the movement performed, be accompanied by a feeling of power, and gives rise consequently to the exercise of the will? Such is the order or the series of progress; such is the transition from instinct to spontaneity, and from that to the will, which constitutes the person, the self. The animal rapidly passes beyond the first two degrees; man alone can attain to the third, but he attains it only progressively, accord- ing to certain laws or conditions, that philosophy should seek to know in order to find the principles and origin of science. If we have not been able to dispel all the clouds which conceal that origin, we have at least shown how, and in what sense, it is necessary to admit an assignable origin of personality; how or by what procedure of analysis, one can hope to find it identi- fied, not with the first sensation of a passive substance, but with the first action of a hyperorganic force. JAMES MILL (1773-1836) ANALYSIS OF THE PHENOMENA OF THE HUMAN MIND* CHAPTER III. THE ASSOCIATION OF IDEAS "To have a clear view of the phenomena of the mind, as mere affections or states of it, existing successively, and in a certain series, which we are able, there- fore, to predict, in consequence of our knowledge of the past, is, I conceive, to have made the most important acquisition which the intellectual inquirer can make." Brown, Lectures, i. 544. THOUGHT succeeds thought; idea follows idea, incessantly. If our senses are awake, we are continually receiving sensa- tions, of the eye, the ear, the touch, and so forth ; but not sensa- tions alone. After sensations, ideas are perpetually excited of sensations formerly received; after those ideas, other ideas: and during the whole of our lives, a series of those two states of con- sciousness, called sensations, and ideas, is constantly going on. I see a horse: that is a sensation. Immediately I think of his master: that is an idea. The idea of his master makes me think of his office; he is a minister of state: that is another idea. The idea of a minister of state makes me think of public affairs ; and I am led into a train of political ideas; when I am summoned to dinner. This is a new sensation, followed by the idea of dinner, and of the company with whom I am to partake it. The sight of the company and of the food are other sensations; these sug- gest ideas without end ; other sensations perpetually intervene, suggesting other ideas : and so the process goes on. In contemplating this train of feelings, of which our lives consist, it first of all strikes the contemplator, as of importance * London, 1829; new ed., with notes illustrative and critical by Alexander Bain, Andrew Findlater, and George Grote, edited with additional notes by John Stuart Mill, ib. 1869, vol. i. 464 JAMES MILL to ascertain, whether they occur casually and irregularly, or according to a certain order. With respect to the SENSATIONS, it is obvious enough that they occur, according to the order established among what we call the objects of nature, whatever those objects are; to ascer- tain more and more of which order is the business of physical philosophy in all its branches. Of the order established among the objects of nature, by which we mean the objects of our senses, two remarkable cases are all which here we are called upon to notice; the SYNCHRON- OUS ORDER and the SUCCESSIVE ORDER. The synchronous order, or order of simultaneous existence, is the order in space; the successive order, or order of antecedent and consequent exist- ence, is the order in time. Thus the various objects in my room, the chairs, the tables, the books, have the synchronous order, or order in space. The falling of the spark, and the ex- plosion of the gunpowder, have the successive order, or order in time. According to this order, in the objects of sense, there is a synchronous, and a successive, order of our sensations. I have SYNCHRONICALLY, or at the same instant, the sight of a great variety of objects; touch of all the objects with which my body is in contact; hearing of all the sounds which are reaching my ears ; smelling of all the smells which are reaching my nostrils ; taste of the apple which I am eating; the sensation of resistance both from the apple which is in my mouth, and the ground on which I stand; with the sensation of motion from the act of walking. I have SUCCESSIVELY the sight of the flash from the mortar fired at a distance, the hearing of the report, the sight of the bomb, and of its motion in the air, the sight of its fall, the sight and hearing of its explosion, and lastly, the sight of all the effects of that explosion. Among the objects which I have thus observed synchron- ically, or successively; that is, from which I have had synchron- ical or successive sensations; there are some which I have so observed frequently; others which I have so observed not fre- quently: in other words, of my sensations some have been fre- PHENOMENA OF THE HUMAN MIND 465 quently synchronical, others not frequently; some frequently successive, others not frequently. Thus, my sight of roast beef, and my taste of roast beef, have been frequently SYNCHRONICAL; my smell of a rose, and my sight and touch of a rose, have been frequently synchronical; my sight of a stone, and my sensa- tions of its hardness, and weight, have been frequently syn- chronical. Others of my sensations have not been frequently synchronical: my sight of a lion, and the hearing of his roar; my sight of a knife, and its stabbing a man. My sight of the flash of lightning, and my hearing of the thunder, have been often SUCCESSIVE; the pain of cold, and the pleasure of heat, have been often successive; the sight of a trumpet, and the sound of a trumpet, have been often successive. On the other hand, my sight of hemlock, and my taste of hemlock, have not been often successive: and so on. It so happens, that, of the objects from which we derive the greatest part of our sensations, most of those which are ob- served synchronically, are frequently observed synchronically; most of those which are observed successively, are frequently observed successively. In other words, most of our synchron- ical sensations, have been frequently synchronical; most of our successive sensations, have been frequently successive. Thus, most of our synchronical sensations are derived from the objects around us, the objects which we have the most frequent occa- sion to hear and see; the members of our family; the furniture of our houses; our food; the instruments of our occupations or amusements. In like manner, of those sensations which we have had in succession, we have had the greatest number repeatedly in succession; the sight of fire, and its warmth; the touch of snow, and its cold; the sight of food, and its taste. Thus much with regard to the order of SENSATIONS; next with regard to the order of IDEAS. As ideas are not derived from objects, we should not expect their order to be derived from the order of objects; but as they are derived from sensations, we might by analogy expect, that they would derive their order from that of the sensations; and this to a great extent is the case. 466 JAMES MILL Our ideas spring up, or exist, in the order in which the sensa- tions existed, of which they are the copies. This is the general law of the "Association of Ideas"; by which term, let it be remembered, nothing is here meant to be expressed, but the order of occurrence. In this law, the following things are to be carefully observed. 1. Of those sensations which occurred synchronically, the ideas also spring up synchronically. I have seen a violin, and heard the tones of the violin, synchronically. If I think of the tones of the violin, the visible appearance of the violin at the same time occurs to me. I have seen the sun, and the sky in which it is placed, synchronically. If I think of the one, I think of the other at the same time. One of the cases of synchronical sensation, which deserves the most particular attention, is, that of the several sensations derived from one and the same object; a stone, for example, a flower, a table, a chair, a horse, a man. From a stone I have had, synchronically, the sensation of colour, the sensation of hardness, the sensations of shape, and size, the sensation of weight. When the idea of one of these sensations occurs, the ideas of all of them occur. They exist in my mind synchronically; and their synchronical existence is called the idea of the stone; which, it is thus plain, is not a single idea, but a number of ideas in a particular state of combina- tion. Thus, again, I have smelt a rose, and looked at, and handled a rose, synchronically; accordingly the name rose suggests to me all those ideas synchronically ; and this combination of those simple ideas is called my idea of the rose. My idea of an animal is still more complex. The word thrush, for example, not only suggests an idea of a particular colour and shape, and size, but of song, and flight, and nestling, and eggs, and callow young, and others. My idea of a man is the most complex of all; including not only colour, and shape, and voice, but the whole class of events in which I have observed him either the agent or the patient. 2. As the ideas of the sensations which occurred synchron- PHENOMENA OF THE HUMAN MIND 467 ically, rise synchronically, so the ideas of the sensations which occurred successively, rise successively. Of this important case of association, or of the successive order of our ideas, many remarkable instances might be ad- duced. Of these none seems better adapted to the learner than the repetition of any passage, or words; the Lord's Prayer, for example, committed to memory. In learning the passage, we repeat it; that is, we pronounce the words, in successive order, from the beginning to the end. The order of the sensations is successive. When we proceed to repeat the passage, the ideas of the words also rise in succession, the preceding always sug- gesting the succeeding, and no other. Our suggests Father, Father suggests which, which suggests art; and so on, to the end. How remarkably this is the case, any one may convince him- self, by trying to repeat backwards, even a passage with which he is as familiar as the Lord's Prayer. The case is the same with numbers. A man can go on with the numbers in the pro- gressive order, one, two, three, &c. scarcely thinking of his act; and though it is possible for him to repeat them backward, be- cause he is accustomed to subtraction of numbers, he cannot do so without an effort. Of witnesses in courts of justice it has been remarked, that eye-witnesses, and ear-witnesses, always tell their story in the chronological order; in other words, the ideas occur to them in the order in which the sensations occurred; on the other hand, that witnesses, who are inventing, rarely adhere to the chrono- logical order. 3. A far greater number of our sensations are received in the successive, than in the synchronical order. Of our ideas, also, the number is infinitely greater that rise in the successive than the synchronical order. 4. In the successive order of ideas, that which precedes, is sometimes called the suggesting, that which succeeds, the sug- gested idea ; not that any power is supposed to reside in the ante- cedent over the consequent; suggesting, and suggested, mean only antecedent and consequent, with the additional idea, that such order is not casual, but, to a certain degree, permanent. 4 68 JAMES MILL 5. Of the antecedent and consequent feelings, or the suggest- ing, and suggested; the antecedent may be either sensations or ideas; the consequent are always ideas. An idea may be excited either by a sensation or an idea. The sight of the dog of my friend is a sensation, and it excites the idea of my friend. The idea of Professor Dugald Stewart delivering a lecture, recalls the idea of the delight with which I heard him ; that, the idea of the studies in which it engaged me; that, the trains of thought which succeeded; and each epoch of my mental history, the succeeding one, till the present moment; in which I am en- deavouring to present to others what appears to me valuable among the innumerable ideas of which this lengthened train has been composed. 6. As there are degrees in sensations, and degrees in ideas; for one sensation is more vivid than another sensation, one idea more vivid than another idea; so there are degrees in associa- tion. One association, we say, is stronger than another: First, when it is more permanent than another: Secondly, when it is performed with more certainty: Thirdly, when it is performed with more facility. It is well known, that some associations are very transient, others very permanent. The case which we formerly men- tioned, that of repeating words committed to memory, affords an apt illustration. In some cases, we can perform the repeti- tion, when a few hours, or a few days have elapsed; but not after a longer period. In others, we can perform it after the lapse of many years. There are few children in whose minds some association has not been formed between darkness and ghosts. In some this association is soon dissolved; in some it continues for life. In some cases the association takes place with less, in some with greater certainty. Thus, in repeating words, I am not sure that I shall not commit mistakes, if they are imperfectly got; and I may at one trial repeat them right, at another wrong: I am sure of always repeating those correctly, which I have got perfectly. Thus, in my native language, the associa- tion between the name and the thing is certain; in a language PHENOMENA OF THE HUMAN MIND 469 with which I am imperfectly acquainted, not certain. In ex- pressing myself in my own language, the idea of the thing sug- gests the idea of the name with certainty. In speaking a lan- guage with which I am imperfectly acquainted, the idea of the thing does not with certainty suggest the idea of the name; at one time it may, at another not. That ideas are associated in some cases with more, in some with less facility, is strikingly illustrated by the same instance, of a language with which we are well, and a language with which we are imperfectly, acquainted. In speaking our own language, we are not conscious of any effort; the associations between the words and the ideas appear spontaneous. In endeavouring to speak a language with which we are im- perfectly acquainted, we are sensible of a painful effort : the associations between the words and ideas being not ready, or immediate. 7. The causes of strength in association seem all to be re- solvable into two; the vividness of the associated feelings; and the frequency of the association. In general, we convey not a very precise meaning, when we speak of the vividness of sensations and ideas. We may be understood when we say that, generally speaking, the sensation is more vivid than the idea; or the primary, than the secondary feeling; though in dreams, and in delirium, ideas are mistaken for sensations. But when we say that one sensation is more vivid than another, there is much more uncertainty. We can distinguish those sensations which are pleasurable, and those which are painful, from such as are not so; and when we call the pleasurable and painful more vivid, than those which are not so, we speak intelligibly. We can also distinguish degrees of pleasure, and of pain; and when we call the sensation of the higher degree more vivid than the sensation of the lower degree, we may again be considered as expressing a meaning tolerably precise. In calling one IDEA more vivid than another, if we confine the appellation to the ideas of such SENSATIONS as may with preci- sion be called more or less vivid ; the sensations of pleasure and 470 JAMES MILL pain, in their various degrees, compared with sensations which we do not call either pleasurable or painful ; our language will still have a certain degree of precision. But what is the meaning which I annex to my words, when I say, that my idea of the taste of the pine-apple which I tasted yesterday is vivid; my idea of the taste of the foreign fruit which I never tasted but once in early life, is not vivid? If I mean that I can more cer- tainly distinguish the more recent, than the more distant sensa- tion, there is still some precision in my language; because it seems true of all my senses, that if I compare a distant sensa- tion with the present, I am less sure of its being or not being a repetition of the same, than if I compare a recent sensation with a present one. Thus, if I yesterday had a smell of a very peculiar kind, and compare it with a present smell, I can judge more accurately of the agreement or disagreement of the two sensations, than if I compared the present with one much more remote. The same is the case with colours, with sounds, with feelings of touch, and of resistance. It is therefore sufficiently certain, that the idea of the more recent sensation affords the means of a more accurate comparison, generally, than the idea of the more remote sensation. And thus we have three cases * of vividness, of which we can speak with some precision: the case of sensations, as compared with ideas ; the case of pleas- urable and painful sensations, and their ideas as compared v 'th those which are not pleasurable or painful; and the case of the more recent, compared with the more remote. That the association of two ideas, but for once, does, in some cases, give them a very strong connection, is within the sphere of every man's experience. The most remarkable cases are probably those of pain and pleasure. Some persons who have experienced a very painful surgical operation, can never after- wards bear the sight of the operator, however strong the grati- tude which they may actually feel towards him. The meaning is, that the sight of the operator, by a strong association, calls up so vividly the idea of the pain of the operation, that it is itself a pain. The spot on which a tender maiden parted with her lover, when he embarked on the voyage from which he PHENOMENA OF THE HUMAN MIND 471 never returned, cannot afterwards be seen by her without an agony of grief. These cases, also, furnish an apt illustration of the superior- ity which the sensation possesses over the idea, as an associating cause. Though the sight of the surgeon, the sight of the place, would awaken the ideas which we have described, the mere thought of them might be attended with no peculiar effect. Those persons who have the association of frightful objects with darkness, and who are transported with terrors when placed in the dark, can still think of darkness without any emotion. The same cases furnish an illustration of the effect of recency on the strength of association. The sight, of the affecting spot by the maiden, of the surgeon by the patient, would certainly produce a more intense emotion, after a short, than after a long interval. With most persons, time would weaken, and at last dissolve, the association. So much with regard to vividness, as a cause of strong asso- ciations. Next, we have to consider frequency or repetition; which is the most remarkable and important cause of the strength of our associations. Of any two sensations, frequently perceived together, the ideas are associated. Thus, at least, in the minds of English- men, the idea of a soldier, and the idea of a red coat are asso- ciated ; the idea of a clergyman, and the idea of a black coat; the idea of a quaker, and of a broad-brimmed hat; the idea of a woman and the idea of petticoats. A peculiar taste suggests the idea of an apple; a peculiar smell the idea of a rose. If I have heard a particular air frequently sung by a particular per- son, the hearing of the air suggests the idea of the person. The most remarkable exemplification of the effect of degrees of frequency, in producing degrees of strength in the associa- tions, is to be found in the cases in which the association is pur- posely and studiously contracted; the cases in which we learn something; the use of words, for example. Every child learns the language which is spoken by those around him. He also learns it by degrees. He learns first the names of the most familiar objects; and among familiar objects, 472 JAMES MILL the names of those which he most frequently has occasion to name; himself, his nurse, his food, his playthings. A sound heard once in conjunction with another sensation; the word mamma, for example, with the sight of a woman, would produce no greater effect on the child, than the conjunc- tion of any other sensation, which once exists and is gone for- ever. But if the word mamma is frequently pronounced, in conjunction with the sight of a particular woman, the sound will by degrees become associated with the sight; and as the pronouncing of the name will call up the idea of the woman, so the sight of the woman will call up the idea of the name. The process becomes very perceptible to us, when, at years of reflection, we proceed to learn a dead or foreign language. At the first lesson, we are told, or we see in the dictionary, the meaning of perhaps twenty words. But it is not joining the word and its meaning once, that will make the word suggest its meaning to us another time. We repeat the two in conjunction, till we think the meaning so well associated with the word, that whenever the word occurs to us, the meaning will occur along with it. We are often deceived in this anticipation; and finding that the meaning is not suggested by the word, we have to renew the process of repetition, and this, perhaps, again, and again. By force of repetition the meaning is associated, at last, with every word of the language, and so perfectly, that the one never occurs to us without the other. Learning to play on a musical instrument is another remark- able illustration of the effect of repetition in strengthening associations, in rendering those sequences, which, at first, are slow, and difficult, afterwards, rapid, and easy. At first, the learner, after thinking of each successive note, as it stands in his book, has each time to look out with care for the key or the string which he is to touch, and the finger he is to touch it with, and is every moment committing mistakes. Repetition is well known to be the only means of overcoming these difficulties. As the repetition goes on, the sight of the note, or even the idea of the note, becomes associated with the place of the key or the string; and that of the key or the string with the proper finger. 473 The association for a time is imperfect, but at last becomes so strong, that it is performed with the greatest rapidity, without an effort, and almost without consciousness. In few cases is the strength of association, derived from repe- tition, more worthy of attention, than in performing arithme- tic. All men, whose practice is not great, find the addition of a long column of numbers, tedious, and the accuracy of the oper- ation, by no means certain. Till a man has had considerable practice, there are few acts of the mind more toilsome. The reason is, that the names of the numbers, which correspond to the different steps, do not readily occur; that is, are not strongly associated with the names which precede them. Thus, 7 added to 5, make 12; but the antecedent, 7 added to 5, is not strongly associated with the consequent 12, in the mind of the learner, and he has to wait and search till the name occurs. Thus, again, 12 and 7 make 19; 19 and 8 make 27, and so on to any amount; but if the practice of the performer has been small, the association in each instance is imperfect, and the process irksome and slow. Practice, however; that is, frequency of repetition ; makes the association between each of these antece- dents and its proper consequent so perfect, that no sooner is the one conceived than the other is conceived, and an expert arith- metician can tell the amount of a long column of figures, with a rapidity, which seems almost miraculous to the man whose faculty of numeration is of the ordinary standard. 8. Where two or more ideas have been often repeated to- gether, and the association has become very strong, they sometimes spring up in such close combination as not to be distinguishable. Some cases of sensation are analogous. For example; when a wheel, on the seven parts of which the seven prismatic colours are respectively painted, is made to revolve rapidly, it appears not of seven colours, but of one uniform colour, white. By the rapidity of the succession, the several sensations cease to be distinguishable; they run, as it were, together, and a new sensation, compounded of all the seven, but apparently a simple one, is the result. Ideas, also, which have been so often conjoined, that whenever one exists in the 474 JAMES MILL mind, the others immediately exist along with it, seem to run into one another, to coalesce, as it were, and out of many to form one idea; which idea, however in reality complex, appears to be no less simple, than any one of those of which it is com- pounded. The word gold, for example, or the word iron, appears to express as simple an idea, as the word colour, or the word sound. Yet it is immediately seen, that the idea of each of those metals is made up of the separate ideas of several sensations; colour, hardness, extension, weight. Those ideas, however, present themselves in such intimate union, that they are con- stantly spoken of as one, not many. We say, our idea of iron, our idea of gold; and it is only with an effort that reflecting men perform the decomposition. The idea expressed by the term weight, appears so perfectly simple, that he is a good metaphysician, who can trace its com- position. Yet it involves, of course, the idea of resistance, which we have shewn above to be compounded, and to involve the feeling attendant upon the contraction of muscles; and the feeling, or feelings, denominated Will ; it involves the idea, not of resistance simply, but of resistance in a particular direction; the idea of direction, therefore, is included in it, and in that are involved the ideas of extension, and of place and motion, some of the most complicated phenomena of the human mind. The ideas of hardness and extension have been so uniformly regarded as simple, that the greatest metaphysicians have set them down as the copies of simple sensations of touch. Hartley and Darwin, were, I believe, the first who thought of assigning to them a different origin. We call a thing hard, because it resists compression, or sepa- ration of parts; that is, because to compress it, or separate it into parts, what we call muscular force is required. The idea, then, of muscular action, and of all the feelings which go to it, are involved in the idea of hardness. The idea of extension is derived from the muscular feelings in what we call the motion of parts of our own bodies; as for exam- ple, the hands. I move my hand along a line; I have certain PHENOMENA OF THE HUMAN MIND 475 sensations; on account of these sensations, I call the line long, or extended. The idea of lines in the direction of length, breadth, and thickness, constitutes the general idea of extension. In the idea of extension, there are included three of the most complex of our ideas; motion; time, which is included in motion; and space, which is included in direction. We are not yet prepared to explain the simple ideas which compose the very complex ideas, of motion, space, and time; it is enough at present to have shewn, that in the idea of extension, which appears so very simple, a great number of ideas are nevertheless included; and that this is a case of that combination of ideas in the higher degrees of association, in which the simple ideas are so inti- mately blended, as to have the appearance, not of a complex, but of a simple idea. It is to this great law of association, that we trace the forma- tion of our ideas of what we call external objects; that is, the ideas of a certain number of sensations, received together so frequently that they coalesce as it. were, and are spoken of under the idea of unity. Hence, what we call the idea of a tree, the idea of a stone, the idea of a horse, the idea of a man. In using the names, tree, horse, man, the names of what I call objects, I am referring, and can be referring, only to my own sensations; in fact, therefore, only naming a certain num- ber of sensations, regarded as in a particular state of combina- tion; that is, concomitance. Particular sensations of sight, of touch, of the muscles, are the sensations, to the ideas of which, colour, extension, roughness, hardness, smoothness, taste, smell, so coalescing as to appear one idea, I give the name, idea of a tree. To this case of high association, this blending together of many ideas, in so close a combination that they appear not many ideas, but one idea, we owe, as I shall afterwards more fully explain, the power of classification, and all the advan- tages of language. It is obviously, therefore, of the greatest moment, that this important phenomenon should be well understood. 9. Some ideas are by frequency and strength of association 476 JAMES MILL so closely combined, that they cannot be separated. If one exists, the others exist along with it, in spite of whatever effort we make to disjoin them. For example; it is not in our power to think of colour, with- out thinking of extension; or of solidity, without figure. We have seen colour constantly in combination with extension, spread as it were, upon a surface. We have never seen it except in this connection. Colour and extension have been invariably conjoined. The idea of colour, therefore, uniformly comes into the mind, bringing that of extension along with it; and so close is the association, that it is not in our power to dissolve it. We cannot, if we will, think of colour, but in combination with extension. The one idea calls up the other, and retains it, so long as the other is retained. This great law of our nature is illustrated in a manner equally striking, by the connection between the ideas of solidity and figure. We never have the sensations from which the idea of solidity is derived, but jn conjunction with the sensations whence the idea of figure is derived. If we handle anything solid, it is always either round, square, or of some other form. The ideas correspond with the sensations. If the idea of solidity rises, that of figure rises along with it. The idea of figure which rises, is, of course, more obscure than that of extension; be- cause, figures being innumerable, the general idea is exceed- ingly complex, and hence, of necessity, obscure. But, such as it is, the idea of figure is always present when that of solidity is present; nor can we, by any effort, think of the one without thinking of the other at the same time. Of all the cases of this important law of association, there is none more extraordinary than what some philosophers have called, the acquired perceptions of sight. When I lift my eyes from the paper on which I am writing, I see the chairs, and tables, and walls of my room, each of its proper shape, and at its proper distance. I see, from my win- dow, trees, and meadows, and horses, and oxen, and distant hills. I see each of its proper size, of its proper form, and at its proper distance; and these particulars appear as immediate PHENOMENA OF THE HUMAN MIND 477 informations of the eye, as the colours which I see by means of it. Yet, philosophy has ascertained, that we derive nothing from the eye whatever, but sensations of colour; that the idea of extension, in which size, and form, and distance are included, is derived from sensations, not in the eye, but in the muscular part of our frame. How, then, is it, that we receive accurate information, by the eye, of size, and shape, and distance? By association merely. The colours upon a body are different, according to its figure, its distance, and its size. But the sensations of colour, and what we may here, for brevity, call the sensations of extension, of figure, of distance, have been so often united, felt in conjunc- tion, that the sensation of the colour is never experienced with- out raising the ideas of the extension, the figure, the distance, in such intimate union with it, that they not only cannot be separated, but are actually supposed to be seen. The sight, as it is called, of figure, or distance, appearing, as it does, a simple sensation, is in reality a complex state of consciousness; a sequence, in which the antecedent, a sensation of colour, and the consequent, a number of ideas, are so closely combined by association, that they appear not one idea, but one sensation. Some persons, by the folly of those about them, in early life, have formed associations between the sound of thunder, and danger to their lives. They are accordingly in a state of agita- tion during a thunder storm. The sound of the thunder calls up the idea of danger, and no effort they can make, no reasoning they can use with themselves, to show how small the chance that they will be harmed, empowers them to dissolve the spell, to break the association, and deliver themselves from the tor- menting idea, while the sensation or the expectation of it remains. Another very familiar illustration may be adduced. Some persons have what is called an antipathy to a spider, a toad, or a rat. These feelings generally originate in some early fright. The idea of danger has been on some occasion so intensely excited along with the touch or sight of the animal, and hence 478 JAMES MILL the association so strongly formed, that it cannot be dissolved. The sensation, in spite of them, excites the idea, and produces the uneasiness which the idea imports. The following of one idea after another idea, or after a sensa- tion, so certainly that we cannot prevent the combination, nor avoid having the consequent feeling as often as we have the antecedent, is a law of association, the operation of which we shall afterwards find to be extensive, and bearing a principal part in some of the most important phenomena of the human mind. As there are some ideas so intimately blended by association, that it is not in our power to separate them; there seem to be others, which it is not in our power to combine. Dr. Brown, in exposing some errors of his predecessors, with respect to the acquired perceptions of sight, observes: "I cannot blend my notions of the two surfaces, a plane, and a convex, as one sur- face, both plane and convex, more than I can think of a whole which is less than a fraction of itself, or a square of which the sides are not equal." The case, here, appears to be, that a strong association excludes whatever is opposite to it. I cannot associate the two ideas of assafcetida, and the taste of sugar. Why? Because the idea of assafcetida is so strongly associated with the idea of another taste, that the idea of that other taste rises in combination with the idea of assafcetida, and of course the idea of sugar does not rise. I have one idea associ- ated with the word pain. Why can I not associate pleasure with the word pain? Because another indissoluble association springs up, and excludes it. This is, therefore, only a case of indissoluble association; but one of much importance, as we shall find when we come to the exposition of some of the more .complicated of our mental phenomena. 10. It not unfrequently happens in our associated feelings, that the antecedent is of no importance farther than it intro- duces the consequent. In these cases, the consequent absorbs all the attention, and the antecedent is instantly forgotten. Of this a very intelligible illustration is afforded by what happens in ordinary discourse. A friend arrives from a distant country, PHENOMENA OF THE HUMAN MIND 479 and brings me the first intelligence of the last illness, the last words, the last acts, and death of my son. The sound of the voice, the articulation of every word, makes its sensation in my ear; but it is to the ideas that my attention flies. It is my son that is before me, suffering, acting, speaking, dying. The words which have introduced the ideas, and kindled the affec- tions, have been as little heeded, as the respiration which has been accelerated, while the ideas were received. It is important in respect to this case of association to remark, that there are large classes of our sensations, such as many of those in the alimentary duct, and many in the nervous and vascular systems, which serve, as antecedents, to introduce ideas, as consequents; but as the consequents are far more interesting than themselves, and immediately absorb the atten- tion, the antecedents are habitually overlooked; and though they exercise, by the trains which they introduce, a great influ- ence on our happiness or misery, they themselves are generally wholly unknown. That there are connections between our ideas and certain states of the internal organs, is proved by many familiar in- stances. Thus, anxiety, in most people, disorders the digestion. It is no wonder, then, that the internal feelings which accom- pany indigestion, should excite the ideas which prevail in a state of anxiety. Fear, in most people, accelerates, in a remark- able manner, the vermicular motion of the intestines. There is an association, therefore, between certain states of the intes- tines, and terrible ideas; and this is sufficiently confirmed by the horrible dreams to which men are subject from indigestion ; and the hypochondria, more or less afflicting, which almost always accompanies certain morbid states of the digestive organs. The grateful food which excites pleasurable sensations in the mouth, continues them in the stomach; and, as pleasures excite ideas of their causes, and these of similar causes, and causes excite ideas of their effects, and so on, trains of pleas- urable ideas take their origin from pleasurable sensations in the stomach. Uneasy sensations in the stomach, produce analogous effects. Disagreeable sensations are associated with 4 8o JAMES MILL disagreeable circumstances; a train is introduced, in which, one painful idea following another, combinations, to the last degree afflictive, are sometimes introduced, and the sufferer is alto- gether overwhelmed by dismal associations. In illustration of the fact, that sensations and ideas, which are essential to some of the most important operations of our minds, serve only as antecedents to more important conse- quents, and are themselves so habitually overlooked, that their existence is unknown, we may recur to the remarkable case which we have just explained, of the ideas introduced by the sensations of sight. The minute gradations of colour, which accompany varieties of extension, figure, and distance, are insignificant. The figure, the size, the distance, themselves, on the other hand, are matters of the greatest importance. The first having introduced the last, their work is done. The conse- quents remain the sole objects of attention, the antecedents are forgotten; in the present instance, not completely; in other instances, so completely, that they cannot be recognized. ii. Mr. Hume, and after him other philosophers, have said that our ideas are associated according to three principles; Contiguity in time and place, Causation, and Resemblance. The Contiguity in time and place, must mean, that of the sen- sations; and so far it is affirmed, that the order of the ideas fol- lows that of the sensations. Contiguity of two sensations in time, means the successive order. Contiguity of two sensations in place, means the synchronous order. We have explained the mode in which ideas are associated, in the synchronous, as well as the successive order, and have traced the principle of con- tiguity to its proper source. Causation, the second of Mr. Hume's principles, is the same with contiguity in time, or the order of succession. Causation is only a name for the order established between an antecedent and a consequent; that is, the established or constant antece- dence of the one, and consequence of the other. Resemblance only remains, as an alleged principle of association, and it is necessary to inquire whether it is included in the laws which have been above expounded. I believe it will be found that we PHENOMENA OF THE HUMAN MIND 481 are accustomed to see like things together. When we see a tree, we generally see more trees than one; when we see an ox, we generally see more oxen than one; a sheep, more sheep than one; a man, more men than one. From this observation, I think, we may refer resemblance to the law of frequency, of which it seems to form only a particular case. Mr. Hume makes contrast a principle of association, but not a separate one, as he thinks it is compounded of Resemblance and Causation. It is not necessary for us to show that this is an unsatisfactory account of contrast. It is only necessary to observe, that, as a case of association, it is not distinct from those which we have above explained. A dwarf suggests the idea of a giant. How? We call a dwarf a dwarf, because he departs from a certain standard. We call a giant a giant, because he departs from the same standard. This is a case, therefore, of resemblance, that is, of frequency. Pain is said to make us think of pleasure; and this is con- sidered a case of association by contrast. There is no doubt that pain makes us think of relief from it; because they have been conjoined, and the great vividness of the sensations makes the association strong. Relief from pain is a species of pleasure; and one pleasure leads to think of another, from the resem- blance. This is a comp'ound case, therefore, of vividness and frequency. All other cases of contrast, I believe, may be ex- pounded in a similar manner. I have not thought it necessary to be tedious in expounding the observations which I have thus stated; for whether the reader supposes that resemblance is, or is not, an original prin- ciple of association, will not affect our future investigations. 12. Not only do simple ideas, by strong association, run together, and form complex- ideas: but a complex idea, when the simple ideas which compose it have become so consolidated that it always appears as one, is capable of entering into com- binations with other ideas, both simple and complex. Thus two complex ideas may be united together, by a strong association, and coalesce into one, in the same manner as two or more sim- ple ideas coalesce into one. This union of two complex ideas 482 JAMES MILL into one, Dr. Hartley has called a duplex idea. Two also of these duplex, or doubly compounded ideas, may unite into one; and these again into other compounds, without end. It is hardly necessary to mention, that as two complex ideas unite to form a duplex one, not only two, but more than two may so unite; and what he calls a duplex idea may be compounded of two, three, four, or any number of complex ideas. Some of the most familiar objects with which we are ac- quainted furnish instances of these unions of complex and duplex ideas. Brick is one complex idea, mortar is another complex idea; these ideas, with ideas of position and quantity, compose my idea of a wall. My idea of a plank is a complex idea, my idea of a rafter is a complex idea, my idea of a nail is a complex idea. These, united with the same ideas of position and quantity, compose my duplex idea of a floor. In the same manner my complex idea of glass, and wood, and others, compose my duplex idea of a window; and these duplex ideas, united to- gether, compose my idea of a house, which is made up of vari- ous duplex ideas. How many complex, or duplex ideas, are all united in the idea of furniture? How many more in the idea of merchandise? Now many more in the idea called Every Thing? ALEXANDER BAIN (1818-1903) THE SENSES AND THE INTELLECT* THE INTELLECT WE now proceed to view the Intellect, or the thinking func- tion of the mind. The various faculties known as Memory, Judgment, Abstraction, Reason, Imagination, are modes or varieties of Intellect. Although we can hardly ever exert this portion of our mental system in separation from the other ele- ments of mind Feeling and Volition, yet scientific method requires it to be described apart. The primary, or fundamental attributes of Thought, or In- telligence, have been already stated to be, Consciousness of Difference, Consciousness of Agreement, and Reieniiveness. The exposition of the Intellect will consist in tracing out the work- ings of these several attributes; the previous book containing the enumeration of all that we at first have to discriminate, identify, and retain. (i.) The first and most fundamental property is the Con- sciousness of Difference, or DISCRIMINATION. To be distinc- tively affected by two or more successive impressions is the most general fact of consciousness. We are never conscious at all without experiencing transition or change. (This has been called the Law of Relativity.) When the mental outburst is characterized mainly by pleasure or pain, we are said to be under a state of feeling. When the prominent circumstance is discrimination of the two distinct modes of the transition, we are occupied intellectually. There are many transitions that give little or no feeling in the sense of pleasure or pain, and that are attended to as transitions, in other words, as Differences. * London, 1855; 4th ed., 1894. 484 ALEXANDER BAIN In states of enjoyment or suffering, we cannot be strictly devoid of the consciousness of difference; but we abstain from the ex- ercise of the discriminating (and the identifying) function, and follow out the consequences of a state of feeling as such, these being to husband the pleasure and abate the pain, by voluntary actions. (2.) The fundamental property of Intellect, named RETEN- TIVENESS, has two aspects, or degrees. First. The persistence or continuance of mental impressions, after the withdrawal of the external agent. When the ear is struck by a sonorous wave, we have a sensation of sound, but the mental excitement does not die away because the sound ceases; there is a certain continuing effect, generally much feebler, but varying greatly according to circumstances, and on some occasions quite equal to the effect of the actual sensation. In consequence of this property, our mental excitement, due to external causes, may greatly outlast the causes themselves; we are enabled to go on living a life in ideas, in addition to the life in actualities. But this is not all. We have, secondly, the power of recover- ing, or reviving, under the form of ideas, past or extinct sensa- tions and feeling of all kinds, without the originals, and by mental agencies alone. After the impression of a sound has ceased entirely, and the mind has been occupied with other things, there is a possibility of recovering from temporary oblivion the idea, or mental effect, without reproducing the actual sound. We remember, or bring back to mind, sights, and sounds, and thoughts, that have not been experienced for months or years. This implies a still higher mode of retentiveness than the previous fact; it supposes that something has been engrained in the mental structure; that an effect has been produced of a kind that suc- ceeding impressions have not been able to blot out. Now, one medium of the restoration to consciousness of a particular past state, is the actual presence of some impression that had often THE SENSES AND THE INTELLECT 485 occurred in company with that state. Thus we are reminded of a name as ship, star, tree by seeing the thing; the previous concurrence of name and thing has led to a mental companion- ship between the two. Impressions that have frequently ac- companied one another in the mind grow together, so as to become at last almost inseparable : we cannot have one without a disposition or prompting to renew all the rest. This is the highest form of the Retentive, or plastic, property of the mind. It will be exemplified at length under the title of Association by Contiguity. (3.) The remaining property of Intellect is consciousness of AGREEMENT. Besides the consciousness of difference, the mind is also affected by agreement rising out of partial difference. The continuance of the same impression produces no effect, but after experiencing a certain impression and passing away from it to something else, the recurrence of the first causes a certain shock or start, the shock of recognition; which is all the greater according as the circumstances of the present and of the past occurrence are different. Change produces one effect, the effect called discrimination ; Similarity in the midst of change produces a new and distinct effect; and these are the two modes of intellectual stimulation, the two constituents of knowledge. When we see in the child the features of the man, we are struck by agreement in the midst of difference. This power of recognition, identification, or discovery of likeness in unlikeness, is another means of bringing to mind past ideas; and is spoken of as the Associating, or Reproductive principle of SIMILARITY. We are as often reminded of things by their resemblance to something present, as by their previous proximity to what is now in the view. Contiguity and Similarity express two great principles or forces of mental reproduction; they are distinct powers of the mind, varying in degree among individuals the one sometimes preponderating, and some- times the other. The first governs Acquisition, the second Invention. The commonly recognized intellectual faculties, enumerated by Psychologists with much discrepancy, in so far as they do 4 86 ALEXANDER BAIN not involve Feeling and Volition, are resolvable into these three primitive properties of Intellect Discrimination, Re- tention, Similarity. The faculty called Memory is almost exclusively founded in the Retentive power, although some- times aided by Similarity. The processes of Reason and Abstraction involve Similarity chiefly; there being in both the identification of resembling things. What is termed Judgment may consist in Discrimination on the one hand, or in the Sense of Agreement on the other: we determine two or more things either to differ or to agree. It is impossible to find any case of Judging that does not, in the last resort, mean one or other of these two essential activities of the intellect. Lastly, Imagina- tion is a product of all the three fundamentals of our intelli- gence, with the addition of an element of Emotion. CHAPTER!. RETENTIVENESS LAW OF CONTIGUITY i. THIS principle is the basis of Memory, Habit, and the Acquired Powers in general. Writers on Mental Science have described it under various names. Sir William Hamilton terms it the law of "Redintegration," regarding it as the principle whereby one part of a whole brings up the other parts, as when the first words of a quotation recall the remainder, or one house in a street suggests the succeeding ones. The associating links called Order in Time, Order in Place, and Cause and Effect, are all included under it. We might also name it the law of Association proper, of Adhesion, Mental Adhesiveness, or Ac- quisition. The following is a general statement of this mode of mental reproduction. Actions, Sensations, and States of Feeling, occurring to- gether or in close succession, tend to grow together, or cohere, in such a way that, when any one of them is after- wards presented to the mind, the others are apt to be brought up in idea. THE SENSES AND THE INTELLECT 487 There are various circumstances or conditions that regulate and modify the operation of this principle, so as to render the adhesive growth more or less rapid and secure. These will be best brought out by degrees in the course of the exposition. As a general rule, Repetition is necessary in order to render co- herent in the mind a train or aggregate of images, as, for exam- ple, the successive aspects of a panorama, with a sufficient degree of force to make one suggest the others at an after period. The precise degree of repetition needed depends on a variety of causes, the quality of the individual mind being one. 4. In regard to the conditions that regulate the pace of our various acquisitions, some are general, others are special to individual kinds. The general conditions are these: I. A certain amount of Continuance, or Repetition of the matter to be learned, is requisite : and the greater the continu- ance, or the more frequent the repetition, the greater the pro- gress of the learner. Deficiency in the other conditions has to be made up by a protracted iteration. II. The Concentration of the mind is an important condi- tion. This means physically that the forces of the nevous sys- tem are strongly engaged upon the particular act, which is pos- sible only by keeping the attention from wandering to other things. It is well known that distraction of mind is a bar to acquirement. There are various modes of attaining the desired concentra- tion. It is a voluntary act, prompted by present and by future pleasures and pains. The greatest of all motives to concentration is a present enjoyment of the work in hand. Any exercise possessing a special charm detains us by immediate attraction ; everything else is neglected so long as the fascination lasts. This is the inherent power of the will in its immediate and most efficient manifestation a present pleasure furthering a present action. It explains the great influence of what is called the Taste for a special pursuit. The taste or fascination for music, for science, for business, keeps the mind of the learner exclusively bent 488 ALEXANDER BAIN upon the subject; and the pace of acquisition is proportionally rapid. Next to present enjoyment, is associated, or future, enjoy- ment; as when we devote ourselves to something uninteresting or painful in itself, but calculated to bring future gratification. This is, generally speaking, a less urgent stimulation, as being the influence of pleasure existing only in idea. There may, however, be all degrees of intensity of the motive, according to the strength of the ideal representation of the pleasure to come. It is on this stimulation, that we go through the dry studies necessary to a lucrative profession or a favourite object of pursuit. The young are insufficiently actuated by prospective pleasure, owing to their inferior ideal hold of it; and are there- fore not powerfully moved in this way. A third form of concentration is when present pain is made use of to deter and withdraw the mind from causes of distrac- tion, or matters having an intrinsically superior charm. This is the final resort in securing the attention of the volatile learner. It is an inferior motive, on the score of economy, but cannot be dispensed with in early training. By an artificial appliance, the subject is made comparatively the most attractive. So with the use of future pains ; the same allowance being made for the difference in their character, as for pleasures existing only in prospect. Mere Excitement, whether as pleasure or as pain, or as neither, is a power of intellectual concentration. An idea that excites us very much persists in the mind, even if painful; and the remembrance of it will be stamped in consequence. This influence will be especially noticed, a few pages hence. It is not uncommon, in stating the general conditions of Reten- tiveness, or memory, to specify the vividness or intensity of an impression; thus, we readily remember such effects as an intense odour, a speech uttered with vehemence, a conflagration. This, however, resolves itself into the concentration of mental and nerv- ous force, due to the emotional excitement. Apart from the feel- ings, an idea may be more or less distinct and clear, but is not properly more or less intense. If an inscription is legible with ease, THE SENSES AND THE INTELLECT 489 it is everything that the intellect demands; the adventitious aid of glaring characters, as when, at a public illumination, a sentiment is written in gas jets, is a species of excitement, securing an inordinate amount of attention or concentration of mind. If we compare an object sharply defined with another whose lineaments are faded and obscure, there is a wide difference in the hold that the two would severally take on the memory; but such impressions differ in kind, and not simply in degree. The names 'vivid' and 'intense' are scarcely applicable except by a figure. Without a decisive difference or contrast, the mind is not impressed at all; everything that favours the contrast favours discrimination, and also depth of impression. All this, however, is pre-supposed, as a fact or property of the Discriminating function of intellect; and is not to be repeated as appertaining to the Retentive function. III. There appears to be specific to each individual a certain degree of General Retentiveness, or a certain aptitude for acquirement generally. We find a great inequality in the progress of learners placed almost exactly in the same circum- stances. Sometimes the difference refers only to single depart- ments, as mechanical art, music, or language; it is then refer- able to special and local endowments, as muscular sensibility, the musical ear, and so forth. Often, however, the superiority of individuals is seen in acquirement as a whole, in which form it is better regarded as a General power of Retentiveness. 5. We shall advert, as we proceed, to the modifying circum- stances of a local kind peculiar to each class of acquisitions. As respects the present class, Movements, the special condi- tions seem to be as follows : (i.) Bodily Strength, or mere muscular vigour, must be regarded as favouring acquisition. Not only is it an indication of a large share of vitality in the muscles, which is likely to attend their acquired aptitudes; it also qualifies for enduring, without fatigue, a great amount of continuance or practice of the operations required. (2.) Distinct from mere muscular power is Spontaneity, or the active temperament; meaning the natural proneness to copious muscular activity. This must be regarded as a pro- 490 ALEXANDER BAIN perty, not of the muscular tissue, but of the nerve-centres on the active side of the brain. Hence there is a likelihood, if not a certainty, that the endowment is accompanied with a greater facility in the association of movements. Observation accords with the view. It is usually men of abounding natural activity that make adroit mechanics, good sportsmen, and able com- batants. (3.) Of still greater importance is Muscular Delicacy, or Discrimination, which is not necessarily involved in either of the foregoing heads, although more allied to the second. The power of discriminating nice shades of muscular movement is at the foundation of muscular expertness in every mode. We have abundant proof that, wherever delicacy of discrimination exists, there exists also a special retentiveness of that class of impressions. The physical groundwork of the property is the abundance of the nerve elements fibres and corpuscles out of which also must spring the capacity for varied groupings and fixed associations. Physical vigour in general, and those modes of it that are the counterparts of mental vigour in particular, must be reckoned among the conditions of Retentiveness. Other things being the same, acquisition is most rapid in health, and in the nourished and fresh condition of all the organs. When the forces of the system run strongly to the nervous system in general, there is a natural exuber- ance of all the mental manifestations; and energy of mind is then compatible with much bodily feebleness, yet not with any circum- stances that restrict the nourishment of the brain. CHAPTER II. AGREEMENT LAW OF SIMILARITY Present Actions, Sensations, Thoughts, or Emotions tend to revive their LIKE among previous Impres- sions, or States. i. CONTIGUITY joins together things that occur together, or that are, by any circumstance, presented to the mind at the same time; as when we associate heat with light, a falling body THE SENSES AND THE INTELLECT 491 with a concussion. But, in addition to this link of reproductive connexion, we find that one thing will, by virtue of Similarity, recall another separated from it in time, as when a portrait recalls the original. The second fundamental property of Intellect, termed Con- sciousness of Agreement, or Similarity, is a great power of mental reproduction, or a means of recovering past mental states. It was noticed by Aristotle as one of the links in the succession of our thoughts. As regards our knowledge, or perception, of things, the conscious- ness of Agreement is second only to Discrimination, or the con- sciousness of Difference. When we know a thing, we do so by its differences and its agreements. Our full knowledge of red, is our having contrasted it with all other colours, and our having compared it with itself and with its various shades. Our knowledge of a chair is made up of our experiences of the distinction between it and other articles of furniture, &c., and of the agreement between it and other chairs. Both modes are involved in a complete act of cognition, and nothing else (except, of course, the Retentiveness implied in the one and the other) is necessary. Our knowledge of man is the sum of the points of contrast between a man and all other things, and the sum of the points of identity on comparing men with one another. Our increase in knowledge is constantly proceeding in both directions: we note new differences, and also new agreements, among our experiences, object and subject. We do not begin to be conscious till we have the shock of difference; and we cannot make that analysis of our conscious states, called the recognition of plurality, combination, or complication, till we discover agreements, and refer each part of the impression to its like among our previous impres- sions. To perceive is, properly, to recognize, or identify. 2. Some preliminary explanation of the kind of relationship subsisting between the two principles of Contiguity and Simi- larity, is requisite in order to guard against mistakes, and especially to prevent misapprehension, as to the separate exist- ence of the two modes of action in the mental framework. When the cohesive link between any two contiguous actions, or images, is confirmed by a new occurrence or repetition, 492 ALEXANDER BAIN obviously the present impression must revive the sum total of the past impressions, or reinstate the whole mental condition left on the occasion immediately preceding. Thus, if I am dis- ciplining myself in the act of drawing a round figure with my hand any one present effort must recall the state of the mus- cular and nervous action, or the precise bent acquired at the end of the previous effort, while that effort had to reinstate the con- dition at the end of the one preceding, and so on. It is only in this way that repetition can be of any avail in confirming a physical habit, or in forming an intellectual aggregate. But this reinstatement of a former condition by a present act of the same kind, is really and truly a case of the operation of the associating principle of similarity, or of like recalling like; and we here plainly see, that without such recall, the adhesion of contiguous things would be impossible. Hence it would appear, that all through the exposition of Contiguity, the principle of Similarity has been tacitly assumed; we have everywhere taken for granted, that a present occurrence of any object to the view recalls the total impression made by all the previous occur- rences, and adds its own effect to that total. But, by thus tacitly assuming the power of anything present to reinstate the past impressions of the same thing, we restrict ourselves to those cases where the reinstatement is sure and certain, in fact to cases of absolute identity of the present and past. Such is the nature of the instances dwelt upon in the pre- vious chapter: in all of them, the new movement, or the new image, was supposed precisely identical with the old, and went simply to reinstate and to deepen an impression already made. We must, however, now pass beyond this field of examples, and enter upon a new class where the identity is only partial, and is on that account liable to be missed; where the restoration, instead of being sure, is doubtful; and where, moreover, the reinstatement serves higher purposes than .the mere iteration and deepening of the impression already made. In all mental restorations whatsoever, both Contiguity and Similarity are at work; in one class, the question is as to the sufficiency of the contiguous bond, the similarity being sure; in another class, the THE SENSES AND THE INTELLECT 493 question is as to the sufficiency of the attractive force of the likeness, the contiguous adhesiveness being believed certain. If I chance to meet with a person I have formerly seen, and endeavour^ to remember his name, it will depend upon the goodness of a cohesive link whether or not I succeed ; there will be no difficulty in my recalling the past impression of his per- sonal appearance through the force of the present impression; but having recalled the full total of the past impressions, I may not be able to recover the accompaniment of the name; the con- tiguity may be at fault, although the similarity works its per- fect work of restoring to me my previous conception of the per- sonal aspect. If, on the other hand, I see a man on the street, and if I have formerly seen a portrait of that man, it is a ques- tion whether the living reality shall recall the portrait; the doubt hangs not upon the contiguity, or coherence of the parts and surroundings of the picture, if it could be recovered, but upon the chance of its being recovered. Where things are identical, the operation of similarity, in making the present case revive the former ones, is so certain that it is not even mentioned; we talk of the goodness of the cohesive bond be- tween the revived part and its accompaniments, as if contigu- ity expressed the whole fact of the restoration. To make up for this partiality of view, which was indispensable to a clear expo- sition, we now embrace, with the like partial and prominent consideration, the element that was left in a latent condition; and allow to sink, into the latent state, the one that has hitherto been made exclusively prominent. 3. In the perfect identity between a present and a past impression, the past is recovered and fused with the present, instantaneously and surely. So quick and unfaltering is the process that we lose sight of it altogether; we are scarcely made aware of the existence of an associating link of similarity in the chain of sequence. When I look at the full moon, I am in- stantly impressed with the state arising from all my former impressions of her disc added together; so natural and neces- sary does this restoration seem, that we rarely reflect on the principle implied in it, namely, the power of the new stimulus 494 ALEXANDER BAIN to set on the nervous currents, with all the energy acquired in the course of many hundred repetitions of the same visual im- petus. But when we pass from perfect to imperfect or partial identity, we are more readily made aware of the existence of this link of attraction between similars, for we find that some- times the restoration does not take place; cases occur where we fail to be struck with a similitude; the spark does not pass be- tween the new currents and the old dormant ones. The failure in reinstating the old condition by virtue of the present stimu- lus, is, in the main, ascribable to imperfect identity. When, in some new impression of a thing, the original form is muffled, ob- scured, distorted, disguised, or in any way altered, it is a chance whether or not we identify it; the amount of likeness that remains will have a reviving power, or a certain amount of rein- stating energy, but the points of difference or unlikeness will operate to resist the supervention of the old state, and will tend to revive objects like themselves. If I hear a musical air that I have been accustomed to, the new impression revives the old as a matter of course; but if the air is played with complex har- monies and accompaniments, it is possible that the effect of these additions may be to check my recognition of the piece; the unlike circumstances may repel the reinstatement of the old experience more powerfully than the remaining likeness attracts it; and I may find in it no identity whatever with an air previously known, or even identify it with something alto- gether different. If my hold of the essential character of the melody is but feeble, and if I am stunned and confounded with the new accompaniments, there is every likelihood that I shall not experience the restoration of my past hearing of the air intended, and consequently I shall not identify the perform- ance. 4. The obstructives to the revival of the past through simili- tude, may be classed under the two heads Faintness and Diversity. There are instances where a new impression is too feeble to strike into the old-established track of the same impres- sion, and to make it alive again; as when we are unable to iden- tify the taste of a very weak solution, or to discern an object in THE SENSES AND THE INTELLECT 495 twilight dimness. The most numerous and interesting cases come, however, under the other head Diversity, or mingled likeness and unlikeness; as when we meet an old acquaintance in a new dress, or in circumstances where we have never seen the same person before. The modes of diversity are countless, and incapable of being classified. We might, indeed, include under diversity the other of the two heads, seeing that faintness implies diversity of degree, if not of any other circumstance; but I prefer considering the obstruction arising from faintness by itself, after which we shall proceed to the larger field of exam- ples marked by unlikeness in other respects. 5. The difficulty or facility in resuming a past mental condi- tion, at the suggestion of a present similitude, will plainly de- pend upon the hold that the past impression has acquired ; it is much easier to revive a familiar image than an unfamiliar, by the force of a new presentation. We shall, therefore, have to keep this circumstance in view, among others, in the course of our illustration of the law of Similarity. It has to be considered how far natural character that is, a primitive endowment of the intellect, enters into the power of reviving similars, or of bringing together like things in spite of the repulsion of unlike accompaniments. There is much to be explained in the preferences shown by different minds, in the objects that they most readily recall to the present view; which preferences determine varieties of character, such as the scien- tific and the artistic minds. The explanation of these differ- ences was carried up to a certain point under the Law of Con- tiguity; but, if I am not mistaken, there is still a portion referable to the existence of various modes and degrees of sus- ceptibility to the force of Similarity. From all that I have been able to observe, the two energies of contiguous adhesion, and of attraction of similars, do not rise and fall together in the char- acter; we may have one feeble and the other strong, in all pro- portions and degrees of adjustment. I believe, moreover, that there is such a thing as an energetic power of recognizing simi- larity in general, and that this is productive of remarkable con- sequences. Whether I shall be able to impress these convictions 496 ALEXANDER BAIN upon my readers, will depend upon the success of the detailed exposition of this noted peculiarity of our intellectual nature. CHAPTER III. COMPOUND ASSOCIATION i. HITHERTO we have restricted our attention to single threads or indivisible links of association, whether of Contig- uity or Similarity. It remains for us to consider the case where several threads, or a Plurality of links or bonds of connexion, unite in reviving some previous thought or mental state. No new principle is introduced here; we have merely to note, what seems an almost unavoidable effect of the combined action, that the reinstatement is thereby made more easy and certain. As- sociations that are individually too weak, to operate the revival of a past idea, may succeed by acting together; and there is thus opened up to our view a means of aiding our recollection, or invention, when the one thread in hand is too feeble to effect a desired recall. It happens in fact, that, in a very large num- ber of our mental transitions, there is present a multiple bond of association. The combinations may be made up of Contiguities alone, of Similarities alone, or of Contiguity and Similarity mixed. Moreover, we shall find that in Emotion and in Volition there are influences either assisting or obstructing the proper intel- lectual forces. In the reviving of a past image or idea, it is never unimportant, that the revival gratifies a favourite emo- tion, or is strongly willed in the pursuit of an end. We must endeavour to appreciate, as far as we are able, the influence of these extra-intellectual energies within the sphere of intellect; but, as they would rarely suffice for the reproduction of thought, if acting apart and alone, we are led to look at them chiefly as modifying the effects of the strictly intellectual forces, or as combining elements in the composition of associations. The general law may be stated as follows : Past actions, sensations, thoughts, or emotions, are re- called more easily, when associated either through con- tiguity or through similarity, with more than one present object or impression. THE SENSES AND THE INTELLECT 497 COMPOSITION OF CONTIGUITIES 2. We begin with the composition of contiguities. Instances might be cited under all the heads of the first chapter; but a less profuse selection will suffice. There will, however, be a gain in clearness by taking Conjunctions and Successions separately. Conjunctions. For a simple example of a compound con- junction, we may suppose a person smelling a liquid and iden- tifying the smell as something felt before, but unable to recall to mind the material causing it. Here the bond between an odour and the odorous substance is too feeble for reproducing the idea or the name of the substance. Suppose farther that the person could taste the liquid without feeling the odour, and that in the taste he could recognize a former taste, but could not remember the thing. If, in these circumstances, the con- currence of the two present sensations of taste and smell brought the substance to the recollection, we should have a true instance of composite association. If one of the two links is fully equal to the restoring effect, there is no case under the present law; in order to constitute a proper example, each should be insufficient when acting singly. Although there can be no doubt as to the fact of such revivals, we might easily sup- pose it otherwise. Combination is not strength under all cir- cumstances. A gallon of water at 40, cannot yield a spoonful at 41. Ten thousand commonplace intellects would not make one genius, under any system of co-operation. The mul- tiplication of unaided eyes could never equal the vision of one person with a telescope, or a microscope. We have seen that the complex wholes around us in the world, are held together in the recollection by the adhesive force of Contiguity; such objects as a tree, a human figure, a scene in nature, cannot continue in the mind, or be revived as ideas, until frequent repetition has made all the parts coherent. After the requisite iteration, a complex object, such as a rural village, may be revived by the presence of a single portion of it, as some street, or building, or marked locality. But, if the village is one 498 . ALEXANDER BAIN not very well known, that is, if the notion of it is not very firmly aggregated in the mind, the traveller just entering may be not ready to identify it by the first thing that strikes him ; he may require to go on till several other objects come in view, when probably their joint impression will be able to bring up the whole, in other words, will remind him what village he is now entering. So in regarding objects as concretes, or combinations of many distinct qualities, an orange, for example, which affects all the senses, a fixing process makes the different sensations hold together in one complex idea. Here, too, there is room for the joint action of associating links in recalling an image to the mind. I have already imagined a case of this description, where the united action of smell and of taste was supposed to revive the idea of the concrete object causing them, either being of itself insufficient for the purpose. 5. Successions. I have dwelt at length, in a previous chap- ter, on the contiguous association of successions of various kinds. Here, too, in the circumstance of imperfect adhesion, the recovery may be due to a composite action. I have wit- nessed a series of events, and these are, in consequence, associ- ated in my mind. In endeavouring to recall the series from the commencement, a link fails, until some other association, such as place, or person, contributes an assisting thread. There is one succession that contains the whole of our experi- ence, that is, the Order of Time, or the sequence of events in each one's own history. If all the minutiae of this succession were to cohere perfectly in the mind, everything that we have ever done, seen, or been cognizant of, could be recovered by means of it. But although all the larger transactions, and the more impressive scenes, of our personal history, are linked in this order with a sufficient firmness, yet for smaller incidents the bond is too weak. I cannot remember fully my yesterday's train of thoughts; nor repeat verbatim an address of five minutes' length, whether spoken or heard. Things related in the order of time are, strictly speaking, experienced only once, and we usually require repetition to fix any mental train. It THE SENSES AND THE INTELLECT 499 constantly happens, therefore, that we are in search of some reinforcing connexion to help us in recovering the stream of events, as they occurred in the order of time. We seek for other conjunctions and successions to enable us to recommence after every break. Experience teaches us, that the only way of making up a defective adhesion is to compass in our minds some other con- nexion, or to get at the missing object through a new door. The inability to recollect the next occurring particular of a train that we are in want of, stimulates a great effort of volition, and the true course for the mind to take is to get upon some chain or current that is likely to cross the line of the first near the break. At every moment of life, each person stands immersed in a complicated scene, and each object of this scene may become a starting point for a train of recollections. All the internal feelings of the body; everything that surrounds us and strikes the eye, ear, touch, taste, or smell ; all the ideas, emotions, and purposes occupying the mind; these form so many begin- nings of trains of association passing far away into the remot- est regions of recollection and thought; and we have it in our power to stop and change the direction as often as we please. From some one of these present things, we must commence our outgoings towards the absent and the distant, whether treading in single routes, or introducing composite action. 6. Language. The recall of names by things, and of things by names, gives special occasion for bringing in additional links to aid a feeble tie. When we have forgotten the name of a per- son, or of an object, we are under the necessity of referring back to the situation and circumstances where we have heard the name, to see if any other bond of connexion will spring up. Often we are unable, at the moment, to recover the lost sound by any means; but, afterwards, an auxiliary circumstance crosses the view, and the revival is effected. Many of our recollections, thoughts, conceptions, and imag- inings, are an inextricable mixture of language and ideas of things. The notions that we acquire through oral instruction, Soo ALEXANDER BAIN or from books, are made up in part by the subject matter purely, and in part by the phraseology that conveyed it. Thus, my recollection of a portion of history is made up of the train of words, with the train of historical facts and scenes, as I might have seen them with my own eyes. So in many sciences, there is a combination of visual or tactual notions with language. Geometry is a compound of visible diagrams with the language of definitions, axioms, and demonstrations. Now, in all these cases, recollection may depend, either on the associations of words, or on those of visual and other conceptions, or on a com- pound of both. If I listen to a geographical description, there is, in the first place, a train of words dropping on my ear; and, by virtue of a perfect verbal cohesion, I might recall the whole description and recite it to another party. In the second place, there is a series of views of objects of mountain, river, plain, and forest which I picture in my mind and retain inde- pendently of the language used to suggest them. Were my pic- torial adhesion strong enough, I could recall the whole of the features in the order that I was made to conceive them, and leave aside the language. The common case, however, is that the recollection is effected by a union of both the threads of cohesion ; the pictorial train is assisted by the verbal, and the verbal by the pictorial, as may happen. COMPOSITION OF SIMILARITIES 7. The influence of the multiplication of points of likeness, in securing the revival of a past object, is liable to no uncer- tainty. It is only an extension of the principle maintained all through the discussion of the law of similarity, that the greater the similitude, and the more numerous the points of resem- blance, the surer is the stroke of recall. If I meet a person very like some one else I have formerly known, the probability of my recalling this last person to view is increased, if the likeness in face and feature is combined with similarity of dress, of speech, of gait, or of any still more extraneous points, such as occupation, or history. Increase of resemblance extensively, THE SENSES AND THE INTELLECT 501 that is by outward connexions, has the same power as increase of resemblance intensively, in rendering the restoration of the past more certain. It might admit of a doubt whether four faint links of contiguous adhesion would be equal to one strong link, but it would be against our whole experience of the workings of similarity, to doubt the utility of multiplying faint resem- blances, when there was no one sufficiently powerful to effect the revival. At the same time, we must admit that much more is contributed to the chances of reinstatement by intensifying one point of likeness, than by adding new ones of a faint char- acter. By raising some single feature almost up to the point of identity, we should do more good than could be done by scat- tering faint and detached likenesses over the picture. This, however, is not always in our power; and we are glad to find, that, when the similarity, in any one particular, is too feeble to suggest the resembling past, the existence of a plurality of weak resemblances will be the equivalent of a single stronger one. On this view, I might set forth the workings of composite similarities, from the various classes of examples gone over in the preceding chapter. In all very complicated conjunctions, as, for example, a landscape, there may be a multiplication of likenesses, unable to strike singly, but, by their concurrence suggesting a parallel scene. Hence, in endeavouring to recall resembling things, we may proceed, as in Contiguity, by hunt- ing out new collaterals, on the chance of increasing the amount of similitude, and, with that, the attractive power of the pres- ent for the absent. If I am endeavouring to recall to mind some historic parallel to a present political situation, suppos- ing one to exist and to have been at some former time impressed on my mind, there may be a want of any single salient like- ness, such as we admit to be the most effective medium of reinstatement; and I must, therefore, go over in my mind all the minute features of the present, to enhance, in this way, the force of the attraction of similitude for the forgotten parallel. 8. The case noticed at the conclusion of the preceding head, S 02 ALEXANDER BAIN namely, the combination of language with subject-matter in a mixed recollection, is favourable to the occurrence of com- pound similarity. If an orator has to deal with a special point, the conduct of an individual, for example, which he wishes to denounce by a cutting simile, his invention may be aided by some similarity in the phrases descriptive of the case, as well as in the features of the case itself. If one who has at a former time read the play of (Edipus, now commences to read Lear, the similarity is not at first apparent, but long before the conclu- sion there will be a sufficient accumulation of features of simili- tude, in dramatic situation and in language, to bring CEdipus to mind without any very powerful stretch of intellectual force. So, in scientific invention; a fact described in language has a double power of suggestion; and if, by good luck, the fact has a likeness to some other fact, and the description resembles the language that accompanied that other when formerly present to the mind, there is so much the more chance of the revival taking place. MIXED CONTIGUITY AND SIMILARITY 9. Under this head, there are several interesting examples. If any one, in describing a storm, employ the phrase ' a war of elements,' the metaphor has been brought to mind partly by similitude, but partly also by contiguity, seeing that the com- parison has already been made. The person that first used the phrase came upon it by similarity; he that used it next had con- tiguity to assist him; and, after frequent repetition, the bond of contiguity may be so well confirmed, that the force of similarity is. entirely superseded. In this way, many things that were originally strokes of genius, end in being efforts of mere adhesive recollection; while, for a time previous to this final consummation, there is a mixed effort of the two suggest- ing forces. Hence Johnson's remark on the poet Ogilvie, that his poem contained what was once imagination, but in him had come to be memory. In all regions of intellectual exertion industry, science, THE SENSES AND THE INTELLECT 503 art, literature there is a kind of ability displayed in taking up great and original ideas and combinations, before they have been made easy by iteration. Minds unable for the highest efforts of origination may yet be equal to this second degree of genius, wherein a considerable force of similarity is assisted by a small thread of contiguity. To master a large multitude of the discoveries of identification, a power of similarity short of the original force that gave birth to them, is aided by the con- tiguous bond that has grown up, during a certain number of repetitions of each. 10. A second case is, when a similarity is struck out in cir- cumstances such as to bring the absent object into near proxim- ity in some contiguous train. Thus, a poet falls upon a beautiful metaphor, while dwelling in the region where the material of the simile occurs. In the country, rural comparisons are most easily made; on ship-board, nautical metaphors are naturally abundant. If we chance to be studying by turns two different sciences that throw much light on each other, we are in the best position for deriving the benefit of the comparison. When we know the most likely source of fertile similitudes for some difficult prob- lem, we naturally keep near that source, in order that we may be struck with the faintest gleam of likeness, through the help of proximity. A historian of the ancient republics cultivates a familiarity with all the living instances of the republican sys- tem. Now that physical science is largely indebted to mathe- matical handling, the physicist has to maintain his freshness in mathematics. It is not safe to trust to an acquisition of old date, however pertinacious the mind be in retaining the subject in question-. The great discoveries of identification that aston- ish the world and open up new vistas of knowledge, have doubt- less often been helped by the accidental proximity of the things made to flash together. For illustration's sake, we might sup- pose Newton in the act of meditating upon the planetary at- traction, at the time that the celebrated apple fell to the ground before his eyes; a proximity so very close would powerfully aid in bringing on the stroke of identification. 504 ALEXANDER BAIN CHAPTER IV. CONSTRUCTIVE ASSOCIATION By means of Association, the mind has the power to form new combinations, or aggregates, different from any that have been presented to it in the course of experience. i. THROUGHOUT the whole of the preceding exposition, we have had in view the literal resuscitation, revival, or reinstate- ment of former actions, images, emotions, and trains of thought. No special reference has been made to the operations known by such names as Imagination, Creation, Constructiveness, Orig- ination; through which we are supposed to put together new forms, or to construct images, conceptions, pictures, and modes of working, such as we have never before had any expe- rience of. Yet the genius of the Painter, the Poet, the Musi- cian, and the Inventor in the arts and sciences, evidently im- plies a process of this nature. Under the head of Similarity, we have had to recognize a power tending to originality and invention, as when in virtue of the identifying of two things lying far apart in nature whatever is known of the one is instantly transferred to the other, thereby constituting a new and instructive combination of ideas. Such was the case when Franklin's identification of electricity and thunder, led to the application of the Leyden jar to explain a thunderstorm. The power of recalling like by like, in spite of remoteness, disguise, and false lures, enters into a very large number of inventive efforts, both in the sciences and in the arts. But we have now to deal with constructions of a higher order of complexity. There are discoveries that seem nothing short of absolute creations, as the whole science of Mathematics; while, in the Fine Arts, a frieze of the Parthe- non, a Gothic cathedral, a Paradise Lost, are very far beyond the highest stretches of the identifying faculty taken by itself. Nevertheless, the intellectual forces operating in those crea- tions, are no other than the associating forces already discussed. The new combinations grow out of elements already possessed by the mind, and brought to view according to the laws above laid down. HERBERT SPENCER (1820-1903) THE PRINCIPLES OF PSYCHOLOGY* PART II. THE INDUCTIONS OF PSYCHOLOGY CHAPTER II. THE COMPOSITION OF MIND 64. IN the last chapter we incidentally encroached on the topic to which this chapter is to be devoted. Certain apparently-simple feelings were shown to be compounded of units of feeling; whence it was inferred that possibly, if not probably, feelings of other classes are similarly compounded. And 'n thus treating of the composition of feelings, we, by implication, treated of the composition of Mind, of which feel- ings are themselves components. Here, however, leaving speculations about the ultimate composition of Mind, we pass to observations on its proximate composition. Accepting as really simple those constituents of Mind which are not decomposable by introspection, we have to consider what are their fundamental distinctive characters, and what are the essential principles of arrangement among them. 65. The proximate components of Mind are of two broadly- contrasted kinds Feelings and the Relations between feel- ings. Among the members of each group there exist multitud- inous unlikenesses, many of which are extremely strong; but such unlikenesses are small compared with those which dis- tinguish members of the one group from members of the other. Let us, in the first place, consider what are the characters which all Feelings have in common, and what are the characters which Relations between feelings have in common. * London, 1855; 2d ed. ib. 1870; 3d ed. ib. 1881; 5th ed. 1890. 5o6 HERBERT SPENCER Each feeling, as we here define it, is any portion of conscious- ness which occupies a place sufficiently large to give it a per- ceivable Individuality; which has its individuality marked off from adjacent portions of consciousness by qualitative con- trasts; and which, when introspectively contemplated, appears to be homogeneous. These are the essentials. Obviously if under introspection, a state of consciousness is decomposable, into unlike parts that exist either simultaneously or succes- sively, it is not one feeling but two or more. Obviously if it is indistinguishable from an adjacent portion of consciousness, it forms one with that portion is not an individual feeling but part of one. And obviously if it does not occupy in conscious- ness an appreciable area, or an appreciable duration, it cannot be known as a feeling. A relation between feelings is, on the contrary, characterized by occupying no appreciable part of consciousness. Take away the terms it unites, and it disappears along with them ; having no independent place no individuality of its own. It is true, that, under an ultimate analysis, what we call a relation proves to be itself a kind of feeling the momentary feeling accom- panying the transition from one conspicuous feeling to an adjacent conspicuous feeling. And it is true that, notwith- standing its extreme brevity, its qualitative character is appre- ciable; for relations are (as we shall hereafter see) distinguish- able from one another only by the unlikenesses of the feelings which accompany the momentary transitions. Each relational feeling may, in fact, be regarded as one of those nervous shocks which we suspect to be the units of composition of feelings; and, though instantaneous, it is known as of greater or less strength and as taking place with greater or less facility. But the con- trast between these relational feelings and what we ordinarily call feelings, is so strong that we must class them apart. Their extreme brevity, their small variety, and their dependence on the terms they unite, differentiate them in an unmistakeable way. 1 1 It will perhaps be objected that some relations, as those between things which are distant in Space or in Time, occupy distinguishable portions of con- THE PRINCIPLES OF PSYCHOLOGY 507 Perhaps it will be well to recognize more fully the truth that this distinction cannot be absolute. Besides admitting that, as an element of consciousness, a relation is a momentary feeling, we must also admit that just as a relation can have no existence apart from the feelings which form its terms, so a feeling can exist only by relations to other feelings which limit it in space or time or both. Strictly speaking, neither a feeling nor a rela- tion is an independent element of consciousness: there is throughout a dependence such that the appreciable areas of consciousness occupied by feelings, can no more possess indir vidualities apart from the relations which link them, than these relations can possess individualities apart from the feelings they link. The essential distinction between the two, then, appears to be that whereas a relational feeling is a portion of conscious- ness inseparable into parts, a feeling ordinarily so-called, is a portion of consciousness that admits imaginary division into like parts which are related to one another in sequence or co- existence. A feeling proper is either made up of like parts that occupy time, or it is made up of like parts that occupy space, or both. In any case, a feeling proper is an aggregate of related like parts, while a relational feeling is undecomposable. And this is exactly the contrast between the two which must result if, as we have inferred, feelings are composed of units of feeling, or shocks. 66. Simple feelings as above defined, are of various kinds. To say anything here about the classification of them, involves some forestalling of a future chapter. This breach of order, however, is unavoidable; for until certain provisional groupings have been made, further exposition is scarcely practicable. Limiting our attention to seemingly-homogeneous feelings as primarily experienced, they may be divided into the feelings which are centrally initiated and the feelings which are peri- sciousness. These, however, are not the simple relations between adjacent feelings which we are here dealing with. They are relations that bridge over great numbers of intervening feelings and relations; and come into existence only by quick transitions through these intervening states, ending in the consoli- dation of them. 508 HERBERT SPENCER pherally initiated emotions and sensations. These have widely unlike characters. Towards the close of this volume evidence will be found that while the sensations are relatively simple, the emotions, though seeming to be simple are ex- tremely compound; and that a marked contrast of character between them hence results. But without referring to any essential unlikeness of composition, we shall shortly see that between the centrally-initiated feelings and the peripherally- initiated feelings, fundamental distinctions may be established by introspective comparison. A subdivision has to be made. The peripherally-initiated feelings, or sensations, may be grouped into those which, caused by disturbances at the ends of nerves distributed on the outer surface, are taken to imply outer agencies, and those which, caused by disturbances at the ends of nerves distributed within the body, are not taken to imply outer agencies; which last, though not peripherally initiated in the ordinary sense, are so in the physiological sense. But as between the exterior of the body and its interior, there are all gradations of depth, it results that this distinction is a broadly marked one, rather than a sharply marked one. We shall, however, find that certain dif- ferential characters among the sensations accompany this dif- ference of distribution of the nerves in which they arise; and that they are decided in proportion to the relative superficiality or centrality of these nerves. In contrast with this class of primary or real feelings, thus divided and subdivided, has to be set the complementary class of secondary or ideal feelings, similarly divided and subdivided. Speaking generally, the two classes differ greatly in intensity. While the primary or originally-produced feelings are relatively vivid, the secondary or reproduced feelings are relatively faint. It should be added that the vivid feelings are taken to imply objective exciting agents then and there acting on the peri- phery of the nervous system; while the faint feelings, though taken to imply objective exciting agents which thus acted at a past time, are not taken to imply their present action. We are thus obliged to carry with us a classification based THE PRINCIPLES OF PSYCHOLOGY 509 on structure and a classification based on function. The divi- sion into centrally-initiated feelings, called emotions, and peri- pherally-initiated feelings, called sensations; and the subdivi- sion of these last into sensations that arise on the exterior of the body and sensations that arise in its interior; respectively refer to differences among the parts in action. Whereas the division into vivid or real feelings and faint or ideal feelings, cutting across the other divisions at right angles as we may say, refers to difference of amount in the actions of these parts. The first classification has in view unlikenesses of kind among the feel- ings; and the second, a marked unlikeness of degree, common to all the kinds. 67. From the classes of simple feelings we pass to the classes of simple relations between feelings, respecting which also, something must be said before we can proceed. In default of an ultimate analysis, which cannot be made at present, cer- tain brief general statements must suffice. As already said, the requisite to the existence of a relation is the existence of two feelings between which it is the link. The requisite to the existence of two feelings is some difference. And therefore the requisite to the existence of a relation is the occurrence of a change the passage from one apparently- uniform state to another apparently-uniform state, implying the momentary shock produced by the commencement of a new state. It follows that the degree of the change or shock, constituting in other words the consciousness of the degree of difference between the adjacent states, is the ultimate basis of the dis- tinctions among relations. Hence the fundamental division of them into relations between feelings that are equal, or those of likeness (which however must be divided by some portion of consciousness that is unlike them), and relations between feel- ings that are unequal, or those of unlikeness. These last fall into what we may distinguish as relations of descending inten- sity and relations of ascending intensity, according as the tran- sition is to a greater or to a less amount of feeling. And they HERBERT SPENCER are further distinguishable into relations of quantitative un- likeness, or those occurring between feelings of the same nature but different in degree, and relations of qualitative unlikeness, or those occurring between feelings not of the same nature. Relations thus contemplated simply as changes, and grouped according to the degree of change or the kind of change, sever- ally belong to one or other of two great categories which take no account of the terms as like or unlike in nature or amount, but which take account only of their order of occurrence, as either simultaneous or successive. This fundamental division of relations into those of co-existence and those of sequence, is, however, itself dependent on the preceding division into rela- tions of equality between feelings and relations of inequality between them. For relations themselves have to be classed as of like or unlike kinds by comparing the momentary feelings that attend the establishment of them, and observing whether these are like or unlike, and, as we shall hereafter see, the relations of co-existence and sequence are distinguished from one another only by process of this kind. . 68. Having defined simple feelings and simple relations, and having provisionally classified the leading kinds of each, we may now go on to observe how Mind is made up of these elements, and how different portions of it are characterized by different modes of combination of them. Tracts of consciousness formed of feelings that are centrally* initiated, are widely unlike tracts of consciousness formed of feelings that are peripherally initiated ; and of the tracts of con- sciousness formed of peripherally-initiated feelings, those parts occupied by feelings that take their rise in the interior of the body are widely unlike those parts occupied by feelings that take their rise on the exterior of the body. The marked unlike- nesses are in both cases due to the greater or smaller porpor- tions of the relational elements that are present. Whereas among centrally-initiated feelings, the mutual limitations, both simultaneous and successive, are vague and far between; and whereas among peripherally-initiated feelings caused by inter- THE PRINCIPLES OF PSYCHOLOGY 511 nal disturbances, some are extremely indefinite, and few or none definite in a high degree; feelings caused by external disturb- ances are mostly related quite clearly, alike by co-existence and sequence, and among the highest of them the mutual limita- tions in space or time or both, are extremely sharp. These broad contrasts, dependent on the extent to which the elements of feeling are compounded with the elements of relation, cannot be understood, and their importance perceived, without illus- trations. We will begin with those parts of Mind distinguished by predominance of the relational elements. Remembering that the lenses of the eye form a nonsentient optical apparatus that casts images on the retina, we may fairly say that the retina is brought more directly into contact with the external agent acting on it than is any other peripheral expansion of the nervous system. And it is in the tracts of con- sciousness produced by the various lights reflected from objects around and concentrated on the retina, that we find the ele- ments of feeling most intimately woven up with the elements of relation. The multitudinous states of consciousness yielded by vision, are above all others sharp in theirmutual limitations; the differences that occur between adjacent ones are extremely definite. It is further to be noted that the relational element is here dominant under both of its fundamental forms. Some of the feelings simultaneously limit one another with great dis- tinctness, and some of them with equal distinctness succes- sively limit one another. The feelings caused by actions on the general surface of the body are marked off clearly, though by no means so clearly as those which arise in the retina. Sensations of touch initiated at points on the skin very near one another, form parts of consciousness that are separate though adjacent; and these are distinguishable not only as co-existing in close promixity, but also as distinct from kindred sensations immediately preceding or immediately succeeding them. Moreover the definiteness of their mutual limitations, in space if not in time, is greatest among the sensations of touch pro- ceeding from parts of the surface which have, in a sense, the greatest externality the parts which, like the tips of the 512 HERBERT SPENCER fingers and the tip of the tongue, have the most frequent and varied converse with outer objects. 1 Next in the definiteness of their mutual limitations come the auditory feel- ings. Among such of these as occur together, the relations are marked with imperfect clearness. Received through unculti- vated ears, only a few simultaneous sounds are vaguely sepa- rable in consciousness; though received through the ears of a musician, many such sounds may be distinguished and identi- fied. But among successive sounds the relational components of mind are conspicuous. Differences between tones that follow one another, even very rapidly, are clearly perceived. But the demarcations are less decided than those between contrasted sensations in the field of vision. Passing to the sen- sations of taste, we see that these, less external in their origin (for it is not in the tip of the tongue, but over its hinder part and the back of the palate, that the gustatory nerves are dis- tributed), are comparatively indefinite in their relations. Such distinctions as may be perceived between tastes that co-exist are comparatively vague, and can be extended to but two or three. Similarly, the beginnings and ends of successive tastes are far less sharp than the beginnings and ends of the visual impressions we receive at every glance; nor can successive tastes be distinguished with anything like the same rapidity as successive tones. Even more undecided are the mu- tual limitations among sensations of smell, which, like the last, originate at a considerable distance from the surface (for the nose is not the seat of smell : the olfactory chamber, with which the nostrils communicate, is seated high up between the eyes). Of simultaneous smells the discrimination is very vague; and probably not more than three can be separately identified. Of smells that follow one another, it is manifest that they begin and end indefinitely, and that they cannot be experienced in rapid succession. 1 The tongue is a much more active tactual organ than at first appears. The mechanical impressions it receives are not limited to those given by the food which it manages during mastication; but at other times it is perpetually explor- ing the inner surfaces of the teeth, which are to it external bodies. THE PRINCIPLES OF PSYCHOLOGY 513 We come now to the peripherally-initiated feelings set up by internal disturbances. Among these the most superficial in origin and most relational as they exist in consciousness, are the sensations of muscular tension. Though, except when making vigorous efforts, these are but feeble; though such as are present together mutually limit one another in a very vague way; and though their beginnings and ends are so blurred that a series of them is but indistinctly separable into parts ; yet they are juxta- posed and contrasted to the extent implied by discriminations and recognitions of them discriminations and recognitions so partial, however, as frequently to require indirect verifications. It should be added that the relations among muscular feelings are variable in abundance and distinctness. They are most con- spicuous when the feelings come from muscles that are small, and in perpetual action, as those which move the eyes, the fin- gers, and the vocal organs; and least conspicuous when the feelings come from muscles that are large or centrally seated, or both, as those of the legs and of the trunk. Pass- ing over abnormal feelings of pain and discomfort due to dis- turbances of nerves distributed within the limbs and body, among which the small proportion of the relational element is manifest, it will suffice if we come at once to the feelings origin- ating in parts that are remotest from the external world, and which, at least relational, are most distinguished from those we set out with. Hunger is extremely vague in its beginning and end. Commencing unobtrusively and ceasing gradually, it is utterly unlike those feelings which, closely contiguous in time, make one another distinct by mutual limitation. Neither is it appreciably marked out by co-existing feelings; its position among simultaneous states of consciousness is indeterminate. And this indefiniteness of relation, both in space and time, characterizes other visceral feelings, both normal and ab- normal. Of the centrally-initiated feelings, or emotions, much the same has to be said as of the last. Their beginnings and endings in time are comparatively indefinite, and they have no definite localizations in space. That is to say, they are not limited by HERBERT SPENCER preceding and succeeding states of consciousness with any pre- cision; and no identifiable bounds are put to them by states of consciousness that co-exist. Here, then, the relational element of mind is extremely inconspicuous. The sequences among emotions that can occur in a given period, are comparatively few and indeterminate; and between such two or three emo- tions as can co-exist it is impossible to distinguish in more than a vague way. 69. Further and equally important distinctions obtain between the tracts of consciousness thus broadly contrasted, and they are similarly caused. Presence of the relational ele- ments, seen in the mutual limitations of feelings, simultaneous and successive, is accompanied by the mutual cohesion of feelings; and absence of the relational elements, seen in the indeterminate boundaries of feelings in space and time, is accompanied by their incoherence. Let us re-observe the tracts of consciousness above compared. The sharply-defined patches of colour that occur together in a visual impression, are indissolubly united held rigidly in juxtaposition. And successive visual feelings, such as are produced by transferring the gaze from one object to another, have a strength of connection that gives a fixed consciousness of their order. Thus the visual feelings, above all others dis- tinguished by the sharpness of their mutual limitations, are absolutely coherent in space and very coherent in time. Between sensations of touch given by an object grasped, the cohesion is not so great. Though the two feelings produced by two points felt simultaneously by a finger, hold together so that they cannot be removed far from one another in con- sciousness; yet the bond uniting them has much less rigidity than the bond uniting the visual feelings produced by the two points; and when the feelings are more than two, their connections in consciousness are loose enough to permit of much variation in the conception of their relative positions. Still the strength of links between co-existing feelings of touch is considerable; as is also that between successive feelings of the THE PRINCIPLES OF PSYCHOLOGY 515 same kind. Among the simultaneous feelings caused by simultaneous sounds, especially if they are not in harmony, the defect of cohesion is as marked as the defect of mutual limitation. But among the successive feelings produced by suc- cessive sounds, we find that along with distinct mutual limita- tions there go decided mutual cohesions. Sequent notes, or articulations, cling together with tenacity. Much less clearly bounded by one another as are tastes, simultaneous and successive, they are also comparatively incoherent. Among co-existent tastes there are no connections like those between co-existent visual feelings, or even like those between the sounds produced at the same instant by a band ; and tastes do not hold together in sequence as do the tones of cadence. Of smells the like is true. Along with vagueness in the bound- ing of one by another there goes but a feeble linking together. The feelings accompanying muscular actions have cohesions that are hidden in much the same way as are their limitations. The difficulty of observing the mutual limitations of muscular feelings, is due to the fact that each muscle, or set of muscles, passes from a state of rest to a state of action or from a state of action to a state of rest, through gradations that occupy an ap- preciable time ; and that, consequently, the accompanying feel- ing, instead of beginning and ending strongly, shades off at both extremes. Being thus weak at the places where they are con- tiguous, these feelings are incapable of strong cohesions. Indeed, if we except those which accompany great efforts, we may say that they are altogether so faint compared with most others that their relations, both in kind and order, are necessarily inconspicuous. Their cohesions are in a great degree those of automatic nervous acts; and are by so much the less the cohe- sions of conscious states. Those very vague feelings which have their seats in the viscera, may, as before, be exem- plified by hunger. Here where we reach such extreme inde- finiteness of limitation, both in space and time, we reach an extreme want of cohesion. Hunger does not suddenly follow some other into consciousness; nor is it suddenly followed by some other. Neither is there any simultaneous feeling to which 516 HERBERT SPENCER it clings. The relational element of Mind is almost absent; holding only in a feeble degree with some tastes and smells. Lastly^ among the centrally-initiated feelings, or emotions, the same connection of characters occurs. When emotions co-exist, they can scarcely be said to hold together: the bond between them is so feeble, that each may disappear without affecting the others. Between sequent emotions the links have no appreciable strength : no one is attached to another in such way as to produce constancy of succession. And though be- tween emotions and certain more definite feelings which pre- cede them, there are strong connections, yet these connections are not between emotions and single antecedent feelings, but between emotions and large groups of antecedent feelings; and even this cohesion, very variable in its strength, may entirely fail. 70. A further trait in the composition of Mind, dependent on these correlated traits, may next be set down. We have seen that tracts of consciousness formed of feelings produced by external disturbances, are mostly distinguished by predomi- nance of the relational element, involving clearness of mutual limitation and strength of cohesion among the component feelings; and we have seen that, contrariwise, the feelings pro- duced by internal disturbances, peripheral and central are mostly distnguished by comparative want of the relational element, involving proportionate defect of mutual limitation and cohesion. We have now to observe that the tracts of con- sciousness thus broadly contrasted, are, by consequence, broadly contrasted in the respect that, in the one case, the component feelings can unite into coherent and well-defined clusters, while, in the other case, they cannot so unite. The state of consciousness produced by an object seen is composed of sharply-outlined lights, shades, and colours, and the co-existent feelings and relations entering into one of these groups form an indissoluble whole. To a considerable degree, successive visual feelings cling together in defined groups. As most of them are caused by moving objects more or less com- THE PRINCIPLES OF PSYCHOLOGY 517 plex, it is difficult to trace this clustering of them in sequence apart from their clustering in co-existence. But if we take the case of a bird that suddenly flies past close to a window out of which we are looking, it is manifest that the successive feelings form a consciousness of its line of movement so defined and coherent that we know, without having moved the eyes, what was its exact course. The clustering of auditory feelings, comparatively feeble among those occurring simul- taneously, is comparatively strong among those occurring suc- cessively. Hence the consolidated groups of sounds which we know in consciousness as words. Hence the chains of notes which we remember as musical phrases. The clustering of tactual feelings in relations of co-existence, though by no means so decided as the clustering of co-existent visual feelings, either in the extent or complexity of the clusters or the firmness with which their components are united, is nevertheless consid- erable. When the hand is laid on some small object, as a key, a number of impressions may be distinguished as separate though near, one another; but while their mutual relations are so far fixed that approximate limits within which they exist are known, they do not constitute anything like such a fixed and defined group as those given by vision of the key. This imper- fect clustering in co-existence is accompanied by imperfect clus- tering in sequence. The successive feelings produced by a fly creeping over the hand, hold together strongly enough and definitely enough to constitute a consciousness of its general movement as being towards the wrist or from the wrist, across fr >m right to left or from left to right; but they do not form a consciousness of its exact course. Tastes unite only into very simple and incoherent clusters in co-existence; while in sequence they scarcely unite at all. And the like is true of smells. Such capability of clustering as is displayed by the peri- pherally-initiated feelings caused by internal disturbances, oc- curs among those accompanying the movements of muscles. But, along with the comparative vagueness of limitation and want of strong cohesion which characterize these feelings, there Si8 HERBERT SPENCER goes a comparative indistinctness of the clusters. Though the nervous acts of which muscular motions are results, combine into groups with much precision, yet the combination of them, at first feeble, becomes strong only by repetition. And as the repetition which makes the combination strong, makes it to the same extent automatic, the concomitant feelings become less and less distinct, and fade from consciousness as fast as they unite. How, in muscular acts, complete clustering and uncon- sciousness go together, is seen in the fact that consciousness impedes clustered muscular acts. After having many times gone through the series of compound movements required, it is possible to walk across the room in the dark and lay hold of the handle of the door so long, that is, as the movements are gone through unthinkingly. If they are consciously made, failure is almost certain. Of the further class of feel- ings initiated within the body, including appetites, pains, &c., it is scarcely needful to say that there is among them no forma- tion of coherent groups. Their great indefiniteness of limita- tion and accompanying want of cohesion, forbid unions of them, either simultaneous or successive. Obviously the emotions are characterized by a like want of combining power. A confused and changing chaos is produced by any of them which co-exist. In fact, the absence among them of capacity for uniting, is as marked as its presence among those visual feelings with which we set out. 71 . We come now to more complex manifestations of these general contrasts. In tracts of consciousness where the rela- tional element predominates, and where the clustering of feel- ings is consequently decided, the clusters themselves enter into relations one with another. Grouped feelings, together with the relations uniting them, are fused into wholes which, com- porting themselves as single feelings do, combine with other such consolidated groups in definite relations; and even groups of groups, similarly fused, become in like manner limited by, and coherent with, other groups of groups. Conversely, in tracts of consciousness where the relations are few and vague, nothing of the kind takes place. THE PRINCIPLES OF PSYCHOLOGY 519 It is among the visual feelings, above all others multitudin- ous, definite, and coherent in their relations, that this com- pound clustering is carried to the greatest extent. Along with the ability to form that complex consciousness of lights, shades, and colours, joined in relative positions, which constitute a man as present to sight, there goes the ability to form a con- sciousness of two men in a definite and coherent relation of position there goes the ability to form a consciousness of a crowd of such men; nay, two or more such crowds may be mentally combined. The aggregate of definitely- related visual feelings known as a house, itself aggregates with others such to form the consciousness of a street, and the streets to form the consciousness of a town. Though the com- pound clustering of visual feelings in sequence is not so distinct or so strong, it is still very marked. Numerous complicated images produced by objects seen in succession, hang together in consciousness with considerable tenacity. There is little, if any, clustering of clusters among the simultaneous auditory feelings. But among the successive auditory feelings there are definite and coherent combinations of groups with groups. The fused set of sounds we call a word, unites with many others such into a sentence. In some minds these clus- ters of clusters of successive sounds again cluster very defin- itely and coherently: many successive sentences are, as we say, accurately remembered. And similarly, musical phrases will cling together into a long and elaborate melody. Among the tactual feelings this compound clustering is scarcely trace- able, either in space or time; and there is not the remotest approach to it in the olfactory and gustatory feelings. For form's sake it is needful to say that these higher degrees of mental composition are entirely wanting among the inter- nally-initiated feelings. Only among those which accompany muscular motion is there any approach to it; and here the compound clustering, like the simple clustering, entails pro- gressing unconsciousness. 72. One more kindred trait of composition must be set 520 HERBERT SPENCER down. Thus far we have observed only the degrees of mutual limitation, of cohesion, and of complex combining power, among feelings within each order. It remains to observe the extent to which feelings of one order enter into relations with those of another, and the consequent amounts of their mutual limitations and of their combining powers. To trace out these at all fully would carry us into unmanageable detail. We must confine ourselves to leading facts. Feelings of different orders do not limit one another as clearly as feelings of the same order do. The clustered colours pro- duced by an object at which we look are but little interfered with by a sound: the sound does not put any appreciable boundary to them in consciousness, but serves merely to di- minish their dominance in consciousness. Neither the combined noises which make up a conversation at table, nor the impres- sions received through the eyes from the dishes on the table, are excluded from the mind by the accompanying tactual feel- ings and tastes and smells, as much as colours are excluded by colours, sounds by sounds, tastes by tastes, or one tactual feeling by another. Of sensations arising within the body, and still more of emotions, it may be said that, unless intense, they dis- turb but slightly the sensations otherwise arising. It would almost seem as though a sensation of colour, a sensation of sound, and a pleasurable emotion produced by the sound, admit of being superposed in consciousness with but little mu- tual obscuration. Doubtless in most cases two simple feelings, or two clustered feelings of different orders, put bounds to one another in time if not in space: there is an extremely rapid extrusion of each by the other rather than a continuous pres- ence of either. But it is manifest that these alternating ex- trusions, partial or complete, by feelings of different orders, are less distinct than the extrusion of one another by feelings of the same order. It is a correlative truth that feelings of different orders cohere with one another less strongly than do feelings of the same order. The impressions which make up the visual conscious- ness of an object, hang together more firmly than the group of THE PRINCIPLES OF PSYCHOLOGY 521 them does with the group of sounds making up the name of the object. The notes composing a melody have a stronger ten- dency to drag one another into consciousness than any one, or all of them, have to drag into consciousness the sights along with which they occurred: these last may or may not cohere with them; but the following of one note by the next is often difficult to prevent. Similarly, though there is considerable cohesion between the visual sensations produced by an orange and the taste or smell of the orange, yet it is quite usual to have a visual consciousness of an orange without its taste or its smell arising in consciousness; while it is scarcely possible to have before the mind one of its apparent characters unaccompanied by other apparent characters. A further fact of moment must be added. The feelings of different orders which enter into definite relations and cohere most strongly, are those among which there is a predominance of the relational elements; and there is an especial facility of combination between those feelings of different orders which are respectively held together by relations of the same order. Thus the co-existent visual feelings, most relational of all, enter into very definite and coherent relations with co-existent tact- ful feelings. To the group of lights and shades an object yields to the eyes, there attaches itself very strongly the group of im- pressions produced by touching and grasping the object. Next in order of strength are the connections between sensations received through the eyes and those received through the ears ; or rather between clusters of the one and clusters of the other. But though the feelings clustered in co-existence that form the visual consciousness of anything, are linked with much strength to the feelings clustered in sequence that form the consciousness of its name; yet, probably because the feelings forming the one cluster not only differ in kind from those form- ing the other but are held together by relations of a different order, the cohesion of the two clusters is not so strong. As we descend towards the unrelational feelings we find that this com- bining power of class with class decreases. Between tastes and smells and certain visceral sensations, such as hunger and 522 HERBERT SPENCER nausea, there is, indeed, a considerable aptitude to cohere. But after admitting exceptions, it remains true on the average that the extremely un-relational states of consciousness of different orders, connect but feebly with one another and with the extremely-relational states of consciousness. 73. Thus far we have proceeded as though Mind were composed entirely of the primary or vivid feelings, and the relations among them; ignoring the secondary or faint feelings. Or if, as must be admitted, there has been a tacit recognition of these secondary feelings in parts of the foregoing sections which deal with the relations and cohesions of feelings in sequence (since in a sequence of feelings those which have passed have become faint, and only the one present is vivid) ; yet there has been no avowed recognition of them as components of Mind different from, though closely allied with, the primary feelings. We must now specially consider them and the part they play. The cardinal fact to be noted as of co-ordinate importance with the facts above noted, is that while each vivid feeling is joined to, but distinguished from, other vivid feelings, simul- taneous or successive, it is joined to, and identified with, faint feelings that have resulted from foregoing similar vivid feelings. Each particular colour, each special sound, each sensation of touch, taste, or smell, is at once known as unlike other sensa- tions that limit it in space or time, and known as like the faint forms of certain sensations that have preceded it in time - unites itself with foregoing sensations from which it does not differ in quality but only in intensity. On this law of composition depends the orderly structure of Mind. In its absence there could be nothing but a perpetual kaleidoscopic change of feelings an ever-transforming pre- sent without past or future. It is because of this tendency which vivid feelings have severally to cohere with the faint forms of all preceding feelings like themselves, that there arise what we call ideas. A vivid feeling does not by itself constitute a unit of that aggregate of ideas entitled knowledge. Nor does a single faint feeling constitute such a unit. But an idea, or unit THE PRINCIPLES OF PSYCHOLOGY 523 of knowledge, results when a vivid feeling is assimilated to, or coheres with, one or more of the faint feelings left by such vivid feelings previously experienced. From moment to moment the feelings that constitute consciousness segregate each be- coming fused with the whole series of others like itself that have gone before it ; and what we call knowing each feeling as such or such, is our name for this act of segregation. The process so carried on does not stop with the union of each feeling, as it occurs, with the faint forms of all preceding like feelings. Clusters of feelings are simultaneously joined with the faint forms preceding like clusters. An idea of an ob- ject or act is composed of groups of similar and similarly- related feelings that have arisen in consciousness from time to time, and have formed a consolidated series of which the members have partially or completely lost their individuali- ties. This union of present clustered feelings with past clustered feelings is carried to a much greater degree of complexity. Groups of groups coalesce with kindred groups of groups that preceded them; and in the higher types of Mind, tracts of con- sciousness of an excessively composite character are produced after the same manner. To complete this general conception it is needful to say that as with feelings, so with the relations between feelings. Parted so far as may be from the particular pairs of feelings and pairs of groups of feelings they severally unite, relations themselves are perpetually segregated. From moment to moment relations are distinguished from one another in respect of the degrees of contrast between their terms and the kinds of contrast between their terms; and each relation, while distinguished from various concurrent relations, is assimilated to previously-experienced relations like itself. Thus result ideas of relations as those of strong contrast or weak contrast, of descending intensity or ascending intensity, of homogeneity of kind or heterogeneity of kind. Simultaneously occurs a segregation of a different species. Each relation of co-existence is classed with other like relations of co-existence and separated from relations of co-existence that 524 HERBERT SPENCER are unlike it; and a kindred classing goes on among relations of sequence. Finally, by a further segregation, are formed that consolidated abstract of relations of co-existence which we know as Space, and that consolidated abstract of relations of sequence which we know as Time. This process, here briefly indicated merely to show its congruity with the general process of composition, cannot be explained at length : the elucidation must come hereafter. 74. And now having roughly sketched the composition of Mind having, to preserve clearness of outline, omitted de- tails and passed over minor qualifications; let me go on to indi- cate the essential truth which it is a chief purpose of this chap- ter to bring into view the truth that the method of composi- tion remains the same throughout the entire fabric of Mind from the formation of its simplest feelings up to the formation of- those immense and complex aggregates of feelings which characterize its highest developments. In the last chapter we saw that what is objectively a wave of molecular change propagated through a nerve-centre, is sub- jectively a unit of feeling, akin in nature to what we call a nerv- ous shock. In one case we found conclusive proof that when a rapid succession of such waves yield a rapid succession of such units of feeling, there results the continuous feeling known as a sensation; and that the quality of the feeling changes when these waves and corresponding units of feeling recur with a dif- ferent rapidity. Further, it was shown that by unions among simultaneous series of such units recurring at unlike rates, countless other seemingly-simple sensations are produced. And we inferred that what unquestionably holds among these primary feelings of one order, probably holds among primary feelings of all orders. To what does this conclusion amount, expressed in another way? It amounts to the conclusion that one of these feelings which, as introspectively contemplated, appears uniform, is really generated by the perpetual assimila- tion of a new pulse of feeling to pulses of feeling immediately preceding it: the sensation is constituted by the linking of each THE PRINCIPLES OF PSYCHOLOGY 525 vivid pulse as it occurs, with the series of past pulses that were severally vivid but have severally become faint. And what, otherwise stated, is the conclusion that compound sensations result from unions among different concurrent series of such pulses? It is that while the component pulses of each series are, as they occur, severally assimilated to, or linked with, preced- ing pulses of their own kind, they are also severally combined in some relation with the pulses of concurrent series; and the compound sensation so generated is known as different from other compound sensations of the same order, by' virtue of some speciality in the relations among the concurrent series. Consider now, under its most general form, the process of composition of Mind described in foregoing sections. It is no other than this same process carried out on higher and higher platforms, with increasing extent and complication. As we have lately seen, the feelings called sensations cannot of them- selves constitute Mind, even when great numbers of various kinds are present together. Mind is constituted only when each sensation is assimilated to the faint forms of antecedent-like sensations. The consolidation of successive units of feeling to form a sensation, is paralleled in a larger way by the consolida- tion of successive sensations to form what we call a knowledge of the sensation as such or such to form the smallest separa- ble portion of what we call thought, as distinguished from mere confused sentiency. So too is it with the relations among those feelings that occur together and limit one another in space or time. Each of these relations, so long as it stands alone in expe- rience with no antecedent like relations, is not fully cognizable as a relation: it assumes its character as a component of intelli- gence only when, by recurrence of it, there is produced a serial aggregate of such relations. Observe further that while each special sensation is raised into a proixmate constituent of simple thought only by being fused with like predecessors, it becomes a proximate constituent of compound thought by simultaneously entering into relations of unlikeness with other sensations which limit it in space or time; just as we saw that the units or pulses that form simple sensations by serial union 526 HERBERT SPENCER with their kind, may simultaneously help to form complex sen- sations by entering into relations of difference with units of other kinds. The same thing obviously holds of the relations themselves, that exist between these unlike sensations. And thus it becomes manifest that the method by which simple sen- sations, and the relations among them, are compounded into states of definite consciousness, is essentially analogous to the method by which primitive units of feeling are compounded into sensations. The next higher stage of mental composition shows us this process repeating itself. The vivid cluster of related sensations produced in us by a special object, has to be united with the faint forms of clusters like it that have been before produced by such objects. What we call knowing the object, is the as- similation of this combined group of real feelings it excites, with one or more preceding ideal groups which objects of the same kind once excited ; and the knowledge is clear only when the series of ideal groups is long. Equally does this principle hold of the connexions, static and dynamic, between each such special cluster and the special clusters generated by other objects. Knowledge of the powers and habits of things, dead and living, is constituted by assimilating the more or less complex relations exhibited by their actions in space and time with other such complex relations. If we cannot so assimilate them, or parts of them, we have no knowledge of their actions. That the same law of composition continues without definite limit through tracts of higher consciousness, formed of clusters of clusters of feelings held together by relations of an extremely involved kind, scarcely needs adding. 75. How clearly the evolution of Mind, as thus traced through ascending stages of composition, conforms to the laws of Evolution in general, will be seen as soon as it is said. We will glance at the correspondence under each of its leading aspects. Evolution is primarily a progressing integration; and throughout this chapter, as well as the last, progressing inte- THE PRINCIPLES OF PSYCHOLOGY 527 gration has thrust itself upon us as the fundamental fact in mental evolution. We came upon it quite unexpectedly in the conclusion that a sensation is .an integrated series of nervous shocks or units of feeling; and in the further conclusion that by integration of two or more such series, compound sensations are formed. We have lately seen that by an integration of succes- sive like sensations, there arises the knowledge of a sensation as such or such; and that each sensation as it occurs, while thus integrated with its like, also unites into an aggregate with other sensations that limit it in space or time. And we have similarly seen that the integrated clusters resulting, enter into higher integrations of both these kinds; and so on to the end. The significance of these facts will be appreciated when it is remembered that the tracts of consciousness in which integration is undecided, are tracts of consciousness hardly included in what we commonly think of as Mind ; and that the tracts of consciousness presenting the attributes of Mind in the highest degree, are those in which the integration is carried furthest. Hunger, thirst, nausea, and visceral feelings in general, as well as feelings of love, hatred, anger, &c., which cohere little with one another and with other feelings, and thus integrate but feebly into groups, are portions of consciousness that play but subordinate parts in the actions we chiefly class as mental. Mental actions, ordinarily so called, are nearly all carried on in terms of those tactual, auditory, and visual feel- ings, which exhibit cohesion, and consequent ability to inte- grate, in so conspicuous a manner. Our intellectual operations are indeed mostly confined to the auditory feelings (as inte- grated into words) and the visual feelings (as integrated into impressions and ideas of objects, their relations, and their motions). After closing the eyes and observing how relatively- immense is the part of intellectual consciousness that is sud- denly shorn away, it will be manifest that the most developed portion of perceptive Mind is formed of these visual feelings which cohere so rigidly, which integrate into such large and nu- merous aggregates, and which re-integrate into aggregates im- mensely exceeding in their degree of composition all aggregates 528 HERBERT SPENCER formed by other feelings. And then, on rising to what we for convenience distinguish as rational Mind, we find the integra- tion taking a still wider reach. The ascending phases of Mind show us no less conspicu- ously, the increasing heterogeneity of these integrated aggre- gates of feelings. In the last chapter, we saw how sensations that are all composed of units of one kind, are rendered hetero- geneous by the combination and re-combination of such units in multitudinous ways. We have lately seen that the portions of consciousness occupied by the internal bodily feelings and by the emotions, are, as judged by introspection, relatively very simple or homogeneous: thirst is not made up of contrasted parts, nor can we separate a gust of passion into many distin- guishable components. But on passing upwards to intellectual consciousness, there meets us an increasing variety of kinds of feelings present together. When we come to the auditory feel- ings, which play so important a part in processes of thought, we find that the groups of them are formed of many compon- ents, and that those groups of groups used as symbols of pro- positions are very heterogeneous. As before however with integration, so where with heterogeneity, a far higher degree is reached in that consciousness formed of visual feelings, which is the most developed part of perceptive Mind. And much more heterogeneous still are those tracts of consciousness dis- tinguished as ratiocinative tracts, in which the multiform feelings given us by objects through eyes, ears, and tactual organs, nose, and palate, are formed into conceptions that answer to the objects in all their attributes, and all their activities. With equal clearness does Mind display the further trait of Evolution increase of definiteness. Both the centrally- initiated feelings and the internal peripherally-initiated feel- ings, which play so secondary a part in what we understand as Mind, we found to be very vague very imperfectly lim- ited by one another. Contrariwise, it was shown that the mutual limitations are decided among those peripherally- initiated feelings which, arising on the outer surface, enter THE PRINCIPLES OF PSYCHOLOGY 529 largely into our intellectual operations; and that the visual feelings, which enter by far the most largely into our intel- lectual operations, are not only by far the sharpest in their mutual limitations, but form aggregates that are much more definitely circumscribed than any others, and aggregates be- tween which there exist relations much more definite than those entered into by other aggregates. Thus the conformity is complete. Mind rises to what are universally recognized as its higher developments, in propor- tion as it manifests the traits characterizing Evolution in gen- eral (First Principles, 98-145). A confused sentiency, formed of recurrent pulses of feeling having but little variety of kind and but little combination, we may conceive as the nascent Mind possessed by those low types in which nerves and nerve-centres are not yet clearly differentiated from one an- other, or from the tissues in which they lie. At a stage above this, while yet the organs of the higher senses are rudimentary and such nerves as exist are incompletely insulated, Mind is present probably under the form of a few sensations, which, like those yielded by our own viscera, are simple, vague, and inco- herent. And from this upwards, the mental evolution exhibits a differentiation of these simple feelings into the more numer- ous kinds which the special senses yield; an ever-increasing integration of such more varied feelings with one another and with feelings of other kinds; an ever-increasing multiformity in the aggregates of feelings produced ; and an ever-increasing dis- tinctness of structure in such aggregates. That is to say, there goes on subjectively a change "from an indefinite, incoherent homogeneity to a definite, coherent heterogeneity;" parallel to that redistribution of matter and motion which constitutes Evolution as objectively displayed. JOHANNES MUELLER (1801-1858) ELEMENTS OF PHYSIOLOGY Translated from the German* by WILLIAM BALY BOOK V. OF THE SENSES THE GENERAL LAWS OF SENSATION THE senses, by virtue of the peculiar properties of their several nerves, make us acquainted with the states of our own body, and they also inform us of the qualities and changes of external nature, as far as these give rise to changes in the condi- tion of the nerves. Sensation is a property common to all the senses; but the kind ("modus"} of sensation is different in each: thus we have the sensations of light, of sound, of taste, of smell, and of feeling, or touch. By feeling, or touch, we under- stand the peculiar kind of sensation of which the ordinary sen- sitive nerves generally as, the nervus trigeminus, vagus, ' glosso-pharyngeus, and the spinal nerves, are susceptible; the sensations of itching, of pleasure and pain, of heat and cold, and those excited by the act of touch in its more limited sense, are varieties of this mode of sensation. That which through the medium of our senses is actually perceived by the sensorium, is indeed merely a property or change of condition of our nerves; but the imagination and reason are ready to interpret the modi- fications in the state of the nerves produced by external influ- ences as properties of the external bodies themselves. This * From J. Miiller's Handbuch dcr Physiologic des MenscTtcn fiir Vortesungen, 2 Bde. Coblenz, 1834-40. Reprinted from J. Miiller's Elements of Physiology, translated by William Baly. London, 1837-42, vol. n. ELEMENTS OF PSYCHOLOGY 531 mode of regarding sensations has become so habitual in the case of the senses which are more rarely affected by internal causes, that it is only on reflection that we perceive it to be erroneous. In the case of the sense of feeling or touch, on the contrary, where the peculiar sensations of the nerves perceived by the sensorium are excited as frequently by internal as by external causes, it is easily conceived that the feeling of pain or pleasure, for example, is a condition of the nerves, and not a property of the things which excite it. This leads us to the consideration of some general laws, a knowledge of which is necessary before entering on the physiology of the separate senses. I. In the first place, it must be kept in mind that external agencies can give rise to no kind of sensation which cannot also be produced by internal causes, exciting changes in the condition of our nerves. In the case of the sense of touch, this is at once evident. The sensations of the nerves of touch (or common sensibility) are those of cold and heat, pain and pleasure, and innumerable modifications of these, which are neither painful nor pleasur- able, but yet have the same kind of sensation as their element, though not in an extreme degree. All these sensations are con- stantly being produced by internal causes in all parts of our body endowed with sensitive nerves ; they may also be excited by causes acting from without, but external agencies are not capable of adding any new element to their nature. The sensa- tions of the nerves of touch are therefore states or qualities proper to themselves, and merely rendered manifest by exciting causes external or internal. The sensation of smell also may be perceived independently of the application of any odorous sub- stance from without, the nerve of smell being thrown by an in- ternal cause into the condition requisite for the production of the sensation. This perception of the sensation of odours with- out an external exciting cause, though not of frequent occur- rence, has been many times observed in persons of an irritable nervous system ; and the sense of taste is probably subject to the same affection, although it would be always difficult to deter- mine whether the taste might not be owing to a change in the 53 2 JOHANNES MUELLER qualities of the saliva or mucus of the mouth ; the sensation of nausea, however, which belongs to the sensations of taste, is certainly very often perceived as the result of a merely internal affection of the nerves. The sensations of the sense of vision, namely, colour, light, and darkness, are also perceived inde- pendently of all external exciting cause. In the state of the most perfect freedom from excitement, the optic nerve has no other sensation than that of darkness. The excited condition of the nerve is manifested, even while the eyes are closed, by the appearance of light, or luminous flashes, which are mere sensa- tions of the nerve, and not owing to the presence of any matter of light, and consequently are not capable of illuminating any surrounding objects. Every one is aware how common it is to see bright colours while the eyes are closed, particularly in the morning when the irritability of the nerves is still considerable. These phenomena are very frequent in children after waking from sleep. Through the sense of vision, therefore, we receive from external nature no impressions which we may not also experience from internal excitement of our nerves; and it is evident that a person blind from infancy in consequence of opacity of the transparent media of the eye, must have a per- fect internal conception of light and colours, provided the retina and optic nerve be free from lesion. The prevalent notions with regard to the wonderful sensations supposed to be experienced by persons blind from birth when their sight is restored by oper- ation, are exaggerated and incorrect. The elements of the sen- sation of vision, namely, the sensations of light, colour, and darkness, must have been previously as well known to such persons as to those of whom the sight has always been perfect. If, moreover, we imagine a man to be from his birth surrounded merely by external objects destitute of all variety of colours, so that he could never receive the impressions of colours from without, it is evident that the sense of vision might neverthe- less have been no less perfect in him than in other men; for light and colours are innate endowments of his nature, and require merely a stimulus to render them manifest. The sensations of hearing also are excited as well by internal ELEMENTS OF PSYCHOLOGY 533 as by external causes; for, whenever the auditory nerve is in a state of excitement, the sensations peculiar to it, as the sounds of ringing, humming, &c. are perceived. It is by such sensations that the diseases of the auditory nerve manifest themselves; and, even in less grave, transient affections of the nervous sys- tem, the sensations of humming and ringing in the ears afford evidence that the sense of hearing participates in the disturb- ance. No further proof is wanting to show, that external influences give rise in our senses to no other sensations, than those which may be excited in the corresponding nerves by internal causes. II. The same internal cause excites in the different senses dif- ferent sensations; in each sense the sensations peculiar to it. One uniform internal cause acting on all the nerves of the senses in the same manner, is the accumulation of blood in the capillary vessels of the nerve, as in congestion and inflamma- tion. This uniform cause excites in the retina, while the eyes are closed, the sensation of light and luminous flashes; in the auditory nerve, humming and ringing sounds; and in the nerves of feeling, the sensation of pain. In the same way, also, a narcotic substance introduced into the blood excites in the nerves of each sense peculiar symptoms; in the optic nerves the appearance of luminous sparks before the eyes; in the auditory nerves, " tinnitus aurium;" and in the common sensitive nerves the sensation of ants creeping over the surface. III. The same external cause also gives rise to different sensa- tions in each sense, according to the special endowments of its nerve. The mechanical influence of a blow, concussion, or pressure excites, for example, in the eye the sensation of light and colours. It is well known that by exerting pressure upon the eye, when the eyelids are closed, we can give rise to the appear- ance of a luminous circle ; by more gentle pressure the appear- ance of colours may be produced, and one colour may be made to change to another. Children, waking from sleep before day- light, frequently amuse themselves with these phenomena. The light thus produced has no existence external to the optic nerve, 534 JOHANNES MUELLER it is merely a sensation excited in it. However strongly we press upon the eye in the dark, so as to give rise to the appearance of luminous flashes, these flashes, being merely sensations, are incapable of illuminating external objects. Of this any one may easily convince himself by experiment. I have in repeated trials never been able, by means of these luminous flashes in the eye, to recognise in the dark the nearest objects, or to see them bet- ter than before; nor could another person, while I produced by pressure on my eye the appearance of brilliant flashes, perceive in it the slightest trace of real light. A mechanical influence excites also peculiar sensations of the auditory nerve; at all events, it has become a common saying, " to give a person what will make his ears ring," or " what will make his eyes flash fire," or "what will make him feel "; so that the same cause, a blow, produces in the nerves of hearing, sight, and feeling, the different sensations proper to these senses. It has not become a part of common language that a blow shall be given which will excite the sense of smell, or of taste; nor would such sayings be correct; yet mechanical irri- tation of the soft palate, of the epiglottis and root of the tongue, excites the sensation of nausea. The actions of sonorous bodies on the organ of hearing is entirely mechanical. A sudden me- chanical impulse of the air upon the organ of hearing produces the sensation of a report of different degrees of intensity accord- ing to the violence of the impulse, just as an impulse upon thi organ of vision gives rise to the sensation of light. If the action of the mechanical cause on the organ of hearing be of continued duration, the sound is also continued; and when caused by a rapid succession of uniform impulses, or vibrations, it has a musical character. If we admit that the matter of light acts on bodies by mechanical oscillation (the undulation theory), we shall have another example of a mechanical influence, producing different effects on different senses. These undulations, which produce in the eye the sensation of light, have no such effects on other senses; but in the nerves of feeling they produce the sensation of warmth. ELEMENTS OF PSYCHOLOGY 535 The stimulus of electricity may serve as a second example, of a uniform cause giving rise in different nerves of sense to different sensations. A single pair of plates of different metals applied so as to include the eye within the circle, excites the sensation of a bright flash of light when the person experimented upon is in a dark room; and, even though the eye do not lie within the cir- cle, if it be not distant from it, as, for example, when one of the plates is applied to one of the eyelids, and the other to the interior of the mouth, the same effect will be produced, owing to a part of the current of electricity being diverted to the eye. A more intense electric stimulus gives rise to more intense sensations of light. In the organ of hearing, electricity excites the sensation of sound. Volta states that, while his ears were included between the poles of a battery of forty pairs of plates, he heard a hissing and pulsatory sound, which continued as long as the circle was closed.* Ritter perceived a sound like that of the fiddle G at the moment of the closure of the galvanic circle. The electricity of friction, developed by the electrical ma- chine, excites in the olfactory nerves the odour of phosphorus. The application of plates of different metals to the tongue, gives rise to an acid or a saline taste, according to the length of the plates which are applied one above, and the other beneath the tongue. The facts detailed with regard to the other senses are sufficient to show that these latter phenomena cannot be attributed to decomposition of the salts of the saliva. The effects of the action of electricity on the nerves of com- mon sensation or feeling, are neither the sensation of light, of sound, of smell, nor of taste, but those proper to the nerves of feeling, namely, the sensations of pricking, of a blow, &c. Chemical influences also probably produce different effects on different nerves of sense. We have, of course, but few facts illustrating their action on these nerves; but we know that in the sensitive nerves of the skin they excite the different kinds of common sensation, as the sensations of burning, pain, and heat; in the organ of taste, sensations of taste; and, when vola- tile, in the nerves of smell, the sensations of odours. Without * Philos. Transact. 1800, p. 427. 536 JOHANNES MUELLER the infliction of great injury on the textures, it is impossible to apply chemical agents to the nerves of the higher senses, sight and hearing, except through the medium of the blood. Chem- ical substances introduced into the blood act on every nerve of sense, and excite in each a manifestation of its properties. Hence the internal sensations of light and sound, which are well known to result from the action of narcotics. IV. The peculiar sensations of each nerve of sense can be excited by several distinct causes internal and external. The facts on which this statement is founded have been already mentioned; for we have seen that the sensation of light in the eye is excited: 1. By the undulations or emanations which from their action on the eye are called light, although they have many other actions than this; for instance, they effect chemical changes, and are the means of maintaining the organic processes in plants. 2. By mechanical influences; as concussion, or a blow. 3. By electricity. 4. By chemical agents, such as narcotics, digitalis, &c. which, being absorbed into the blood, give rise to the appearance of luminous sparks, &c. before the eyes independently of any external cause. 5. By the stimulus of the blood in the state of congestion. The sensation of sound may be excited in the auditory nerve: 1. By mechanical influences, namely, by the vibrations of sonorous bodies imparted to the organ of hearing through the intervention of media capable of propagating them. 2. By electricity. 3. By chemical influences taken into the circulation; such as the narcotics, or alterantia nervina. 4. By the stimulus of the blood. The sensation of odours may be excited in the olfactory nerves : 1. By chemical influences of a volatile nature, odorous substances. 2. By electricity. ELEMENTS OF PSYCHOLOGY 537 The sensation of taste may be produced: 1. By chemical influences acting on the gustatory nerves either from without or through the medium of the blood; for, according to Magendie, dogs taste milk injected into their blood-vessels, and begin to lap with their tongue. 2. By electricity. 3. By mechanical influences; for we must refer to taste the sensation of nausea produced by mechanically irritating the velum palati, epiglottis, and root of the tongue. The sensations of the nerves of touch or feeling are excited: 1. By mechanical influences; as sonorous vibrations, and contact of any kind. 2. By chemical influences. 3. By heat. 4. By electricity. 5. By the stimulus of the blood. V. Sensation consists in the sensorium receiving through the medium of the nerves, and as the result of the action of an external cause, a knowledge of certain qualities or conditions, not of external bodies, but of the nerves of sense themselves; and these qualities of the nerves of sense are in all different, the nerve of each sense having its own peculiar quality or energy. The special susceptibility of the different nerves of sense for certain influences, as of the optic nerve for light, of the auditory nerve for vibrations, and so on, was formerly attributed to these nerves having each a specific irritability. But this hypothesis is evidently insufficient to explain all the facts. The nerves of the senses have assuredly a specific irri- tability for certain influences; for many stimuli, which exert a violent action upon one organ of sense, have little or no effect upon another: for example, light, or vibrations so infinitely rapid as those of light, act only on the nerves of vision and common sensation; slower vibrations, on the nerves of hearing and common sensation, but not upon those of vision; odorous substances only upon the olfactory nerves. The external stim- uli must therefore be adapted to the organ of sense must be "homogeneous:" thus light is the stimulus adapted to the 538 JOHANNES MUELLER nerve of vision; while vibrations of less rapidity, which act upon the auditory nerve, are not adapted to the optic nerve, or are indifferent to it; for if the eye be touched with a tuning-fork while vibrating, a sensation of tremours is excited in the con- junctiva, but no sensation of light. We have seen, however, that one and the same stimulus, as electricity, will produce dif- ferent sensations in the different nerves of the senses; all the nerves are susceptible of its action, but the sensations in all are different. The same is the case with other stimuli, as chemical and mechanical influences. The hypothesis of a specific irrita- bility of the nerves of the senses for certain stimuli, is therefore insufficient; and we are compelled to ascribe, with Aristotle, pe- culiar energies to each nerve, energies which are vital quali- ties of the nerve, just as contractility is the vital property of muscle. The truth of this has been rendered more and more evident in recent times by the investigation of the so-called "subjective" phenomena of the senses by Elliot, Darwin, Rit- ter, Goethe, Purkinje, and Hjort. Those phenomena of the senses, namely, are now styled " subjective," which are pro- duced, not by the usual stimulus adapted to the particular nerve of sense, but by others which do not usually act upon it. These important phenomena were long spoken of as "illusions of the senses," and have been regarded in an erroneous point of view; while they are really true actions of the senses, and must be studied as fundamental phenomena in investigations into their nature. The sensation of sound, therefore, is the peculiar "energy" or "quality" of the auditory nerve; the sensation of light and colours that of the optic nerve; and so of the other nerves of sense. An exact analysis of what takes place in the production of a sensation would of itself have led to this conclusion. The sensations of heat and cold, for example, make us acquainted with the existence of the imponderable matter of caloric, or of peculiar vibrations in the vicinity of our nerves of feeling. But the nature of this caloric cannot be elucidated by sensation, which is in reality merely a particular state of our nerves; it must be learnt by the study of the physical properties of this ELEMENTS OF PSYCHOLOGY 539 agent, namely, of the laws of its radiation, its development from the latent state, its property of combining with and pro- ducing expansion of other bodies, &c. All this again, however, does not explain the peculiarity of the sensation of warmth as a condition of the nerves. The simple fact devoid of all theory is this, that warmth, as a sensation, is produced whenever the matter of caloric acts upon the nerves of feeling; and that cold as a sensation, results from this matter of caloric being ab- stracted from a nerve of feeling. So, also, the sensation of sound is produced when a certain number of impulses or vibrations are imparted, within a certain time, to the auditory nerve: but sound, as we perceive it, is a very different thing from a succession of vibrations. The vibra- tions of a tuning-fork, which to the ear give the impression of sound, produce in a nerve of feeling or touch the sensation of tickling; something besides the vibrations must consequently be necessary for the production of the sensation of sound, and that something is possessed by the auditory nerve alone. Vision is to be regarded in the same manner. A difference in the in- tensity of the action of the imponderable agent, light, causes an inequality of sensation at different parts of the retina : whether this action consists in impulses or undulations, (the undulation theory,) or in an infinitely rapid current of imponderable mat- ter, (the emanation theory,) is a question here of no importance. The sensation of moderate light is produced where the action of the imponderable agent on the retina is not intense; of bright light where its action is stronger, and of darkness or shade where the imponderable agent does not fall ; and thus results a luminous image of determinate form according to the distribu- tion of the parts of the retina differently acted on. Colour is also a property of the optic nerve; and when excited by external light, arises from the peculiarity of the so-called coloured rays, or of the oscillations necessary for the production of the impres- sion of colour, a peculiarity, the nature of which is not at present known. The nerves of taste and smell are capable of being excited to an infinite variety of sensations by external causes) but each taste is due to a determinate condition of the 540 JOHANNES MUELLER nerve excited by the external cause; and it is ridiculous to say that the property of acidity is communicated to the sensorium by the nerve of taste, while the acid acts equally upon the nerves of feeling, though it excites there no sensation of taste. The essential nature of these conditions of the nerves, by virtue of which they see light and hear sound, the essential nature of sound as a property of the auditory nerve, and of light as a property of the optic nerve, of taste, of smell, and of feel- ing, remains, like the ultimate causes of natural phenomena generally, a problem incapable of solution. Respecting the na- ture of the sensation of the colour "blue," for example, we can reason no farther; it is one of the many facts which mark the limits of our powers of mind. It would not advance the ques- tion to suppose the peculiar sensations of the different senses excited by one and the same cause, to result from the propaga- tion of vibrations of the nervous principle of different rapidity to the sensorium. Such an hypothesis, if at all tenable, would find its first application in accounting for the different sensa- tions of which a single sense is susceptible; for example, in ex- plaining how the sensorium receives the different impressions of blue, red, and yellow, or of an acute and a grave tone, or of painful and pleasurable sensations, or of the sensations of heat and cold, or of the tastes of bitter, sweet, and acid. It is only with this application that the hypothesis 'is worthy of regard: tones of different degrees of acuteness are certainly produced by vibrations of sonorous bodies of different degrees of rapidity ; and a slight contact of a solid body, which singly excites in a nerve of common sensation merely the simple sensation of touch, pro- duces in the same nerve when repeated rapidly, as the vibra- tions of a sonorous body, the feeling of tickling; so that possibly a pleasurable sensation, even when it arises from internal causes independently of external influences, is due to the rapidity of the vibrations of the nervous principle in the nerves of feeling. The accuracy of our discrimination by means of the senses depends on the different manner in which the conditions of our nerves are affected by different bodies; but the preceding con- 541 siderations show us the impossibility that our senses can ever reveal to us the true nature and essence of the material world. In our intercourse with external nature it is always our own sensations that we become acquainted with, and from them we form conceptions of the properties of external objects, which may be relatively correct; but we can never submit the nature of the objects themselves to that immediate perception to which the states of the different parts of our own body are sub- jected in the sensorium. VI. The nerve of each sense seems to be capable of one deter- minate kind of sensation only, and not of those proper to the other organs of sense; hence one nerve of sense cannot take the place and perform the function of the nerve of another sense. The sensation of each organ of sense may be increased in intensity till it become pleasurable, or till it becomes disagree- able, without the specific nature of the sensation being altered, or converted into that of another organ of sense. The sensation of dazzling light is an unpleasant sensation of the organ of vi- sion ; harmony of colours, an agreeable one. Harmonious and discordant sounds are agreeable and disagreeable sensations of the organ of hearing. The organs of taste and smell have their pleasant and unpleasant tastes and odours; the organ of touch its pleasurable and painful feelings. It appears, therefore, that, even in the most excited condition of an organ of sense, the sens- ation preserves its specific character. It is an admitted fact that the sensations of light, sound, taste, and odours, can be experienced only in their respective nerves; but in the case of common sensation this is not so evidently the case, for it is a question whether the sensation of pain may not be felt in the nerves of the higher senses, whether, for example, violent irritation of the optic nerve may not give rise to the sensation of pain. This question is difficult of solution. There are fila- ments of the nerves of common sensation distributed in the nerves of the other organs of sense: the nostrils are supplied with nerves of common sensation from the second division of the nervus trigeminus in addition to the olfactory nerves; the tongue has common sensibility as well as taste, and may retain 542 JOHANNES MUELLER the one while it loses the other; the eye and organ of hearing likewise are similarly endowed. To determine this question, it is necessary to institute experi- ments on the isolated nerves of special sense themselves. As far as such experiments have hitherto gone, they favour the view that the nerves of sense are susceptible of no other kind of sen- sation than that peculiar to each, and are not endowed with the faculty of common sensibility. Among the well-attested facts of physiology, again, there is not one to support the belief that one nerve of sense can assume the functions of another. The exaggeration of the sense of touch in the blind will not in these days be called seeing with the fingers ; the accounts of the power of vision by the fingers and epigastrium, said to be possessed in the so-called magnetic state, appear to be mere fables, and the instances in which it has been pretended to practise it, cases of deception. The nerves of touch are capable of no other sensation than that of touch or feeling. Hence, also, no sounds can be heard except by the auditory nerve; the vibrations of bodies are perceived by the nerves of touch as mere tremours wholly different in its nature from sound; though it is indeed even now not rare for the differ- ent modes of action of the vibrations of bodies upon the sense of hearing, and upon that of feeling, to be confounded. With- out the organ of hearing with its vital endowments, there would be no such a thing as sound in the world, but merely vibrations; without the organ of sight, there would be no light, colour, nor darkness, but merely a corresponding presence or absence of the oscillations of the imponderable matter of light. VII. // is not known whether the essential cause of tlie peculiar "energy " of each neme of sense is seated in the nerve itself, or in the parts of the brain and spinal cord with which it is connected; but it is certain that the central portions of the nerves included in the encephalon are susceptible of their peculiar sensations, inde- pendently of the more peripheral portion of the nervous cords which form the means of communication with the external organs of sense. ELEMENTS OF PSYCHOLOGY 543 The specific sensibility of the individual senses to particular stimuli, owing to which vibrations of such rapidity or length as to produce sound are perceived, only by the senses of hearing and touch, and mere mechanical influences, scarcely at all by the sense of taste, must be a property of the nerves them- selves; but the peculiar mode of reaction of each sense, after the excitement of its nerve, may be due to either of two conditions. Either the nerves themselves may communicate impressions different in quality to the sensorium, which in every instance remains the same; or the vibrations of the nervous principle may in every nerve be the same and yet give rise to the percep- tion of different sensations in the sensorium, owing to the parts of the latter with which the nerves are connected having differ- ent properties. The proof of either of these propositions I regard as at present impossible. . . . VIII. The immediate objects of the perception of our senses are merely particular states induced in the nerves, and felt as sensa- tions either by the nerves themselves or by the sensorium; but inas- much as the nerves of the senses are material bodies, and therefore participate in the properties of matter generally occupying space, being susceptible of vibratory motion, and capable of being changed chemically as well as by the action of heat and electricity, they make known to the sensorium, by virtue of the changes thus produced in them by external causes, not merely their own condition, but also properties and changes of condition of external bodies. The in- formation thus obtained by the senses concerning external nature, -varies in each sense, having a relation to the qualities or energies of the nerve. Qualities which are to be regarded rather as sensations or modes of reaction of the nerves of sense, are light, colour, the bitter and sweet tastes, pleasant and unpleasant odours, pain- ful and pleasant impressions on the nerves of touch, cold and warmth: properties which may belong wholly to external na- ture are "extension," progressive and tremulous motion, and chemical change. All the senses are not equally adapted to impart the idea of 544 JOHANNES MUELLER "extension" to the sensorium. The nerve of vision and the nerve of touch, being capable of an exact perception of this property in themselves, make us acquainted with it in external bodies. In the nerves of taste, the sensation of extension is less distinct, but is not altogether deficient ; thus we are capable of distinguishing whether the seat of a bitter or sweet taste be the tongue, the palate, or the fauces. In the sense of touch and sight, however, the perception of space is most acute. The retina of the optic nerve has a structure especially adapted for this perception; for the ends of the nervous fibres in the retina are, as Treviranus discovered, so arranged as to be at last perpen- dicular to its inner surface, and by their papillar extremities form a pavement-like composite membrane. On the great num- ber of these terminal fibrils depends the delicate power of dis- criminating the position of bodies in space possessed by the sense of vision ; for each fibre represents a greater or less field of the visible world, and imparts the impression of it to the sens- orium. The sense of touch has a much more extended sphere of ac- tion for the perception of space than has the sense of vision ; but its perception of this quality of external bodies is much less ac- curate; and considerable portions of the surface of the body or skin are in many instances represented in the sensorium by very few nervous fibres; hence, in many parts of the surface, impressions on two points considerably removed from each other are, as E. H. Weber has shown, felt as one impression. Although the senses of vision, touch, and taste are all capable of perceiving the property of extension in space, yet the quality of the sensations which give the conception of extension is different in each of these senses ; the sensation in one is an image of which the essential quality is light; in another, a perception of extension with any of the modifications of the quality of touch, between pain, cold, heat, and pleasure; in the third, a perception of extension with the quality of taste. RUDOLF HERMANN LOTZE (1817-1881) OUTLINES OF PSYCHOLOGY CHAPTER IV. THE THEORY OF LOCAL SIGNS 27. Metaphysic raises the doubt, whether space is actually extended and we, together with 'Things,' are contained in it; whether just the reverse the whole spatial world is not rather only a form of intuition in us. This question we for the present leave one side, and in the meantime take our point of departure from the assumption, pre- viously alluded to, with which we are all conversant. But since Things in space can never become the object of our perception by virtue of their bare existence, and, on the contrary, become such solely through the effects which they exercise upon us, the question arises: How do the Things by their influence upon us bring it to pass, that we are compelled mentally to represent them in the same reciprocal position in space, in which they actually exist outside of us? 28. In the case of the eye, nature has devised a painstaking structure, such that the rays of light which come from a lumin- ous point are collected again at one point on the retina, and that the different points of the image, which originate here, as- sume the same reciprocal relation toward one another as the * From H. Lotze's Grundzilge der Psychologic : Dictate aus den Vorlesungen. Lpz. 1881; 3 Aufl. 1884. Reprinted from H. Lotze's Outlines of Psychology: Dictated Portions of the Lectures. Translated and edited by George T. Ladd. Boston: Ginn & Co. 1886. 546 RUDOLPH HERMANN LOTZE points of the object outside of us, to which they correspond. Without doubt, this so-called 'image of the object,' so care- fully prepared, is an indispensable condition of our being able mentally to present the object in its true form and position. But it is the source of all the errors in this matter to believe that the bare existence of this image, without anything else, explains our idea of the position of its parts. The entire image is essentially nothing but a representative of the external ob- ject, transposed into the interior of the organ of sense; and how we know and experience aught of it, is now just as much the question as the question previously was, How can we per- ceive the external object? 29. If one wished to conceive of the soul itself as an ex- tended being, then the impressions on the retina would, of course, be able to transplant themselves, with all their geo- metrical regularity, to the soul. One point of the soul would be excited as green, the other red, a third yellow; and these three would lie at the corners of a triangle precisely in the same way as the three corresponding excitations on the retina. It is also obvious, however, that there is no real gain in all this. The bare fact that three different points of the soul are excited is, primarily, a disconnected three-fold fact. A know- ledge thereof, however, and therefore a knowledge of this three- foldness, and of the reciprocal positions of the three points, is, nevertheless, by no means given in this way: but such know- ledge could be brought about only by means of a uniting and relating activity; and this itself, like every activity, would be perfectly foreign to all predicates of extension and magnitudes in space. 30. The same thought is more immediately obvious if we surrender this useless notion of the soul being extended, and consider it as a supersensible essence, which, in case we wish to bring it at all into connection with spatial determinations, could be represented only as an indivisible point. On making the transition into this indivisible point, the OUTLINES OF PSYCHOLOGY 547 manifold impressions must obviously lose all the geometrical relations which they might still have upon the extended retina, - just in the same way as the rays of light, which converge at the single focus of a lens, are not side by side with one another, but only all together, in this point. Beyond the focus, the rays diverge in the same order as that in which they entered it. No- thing analogous to this, however, happens in our consciousness; that is to say, the many impressions, which were previously side by side with one another, do not actually again separate from each other; but, instead of this, the aforesaid activity of mental presentation simply occurs, and it transposes their images to different places in the space that is only 'intuited' by it. Here, too, the previous observation holds good : The mental presentation is not that which it presents; and the idea of a point on the left does not lie on the left of the idea of a point on the right; but of one mental presentation, which in itself has no spatial properties whatever, both points are merely themselves so presented before the mind, as though one lay to the left, the other to the right. 31. The following result now stands before us: Many im- pressions exist conjointly in the soul, although not spatially side by side with one another; but they are merely together in the same way as the synchronous tones of a chord; that is to say, qualitatively different, but not side by side with, above or below, one another. Notwithstanding, the mental presenta- tion of a spatial order must be produced again from these impressions. The question is, therefore, in the first place, to be raised : How in general does the soul come to apprehend these impressions, not in the form in which they actually are, to wit, non-spatial, but as they are not, in a spatial juxta- position? The satisfactory reason obviously cannot lie in the impres- sions themselves, but must lie solely in the nature of the soul in which they appear, and upon which they themselves act sim- ply as stimuli. 548 RUDOLPH HERMANN LOTZE On this account, it is customary to ascribe to the soul this tendency to form an intuition of space, as an originally inborn capacity. And indeed we are compelled to rest satisfied with this. All the 'deductions' of space, hitherto attempted, which have tried to show on what ground it is necessary to the nature of the soul to develop this intuition of space, have utterly failed of success. Nor is there any reason to complain over this matter; for the simplest modes of the experience of the soul must always merely be recognized as given facts, just as, for example, no one seriously asks why we only hear, and do not rather taste, the waves of air. 32. The second question is much more important. Let it be assumed that the soul once for all lies under the necessity of mentally presenting a certain manifold as in juxtaposition in space; How does it come to localize every individual impression at a definite place in the space intuited by it, in such manner that the entire image thus intuited is similar to the external object which acted on the eye? Obviously, such a clue must lie in the impressions them- selves. The simple quality of the sensation ' green ' or ' red ' does not, however, contain it; for every such color can in turn ap- pear at every point in space, and on this account does not, of itself, require always to be referred to the one definite point. We now remind ourselves, however, that the carefulness with which the regular position on the retina of the particular excita- tions is secured, cannot be without a purpose. To be sure, an impression is not seen at a definite point on account of its being situated at such point; but it may perhaps by means of this definite situation act on the soul otherwise than if it were else- where situated. Accordingly we conceive of this in the following way: Every impression of color r for example, red produces on all places of the retina, which it reaches, the same sensation of red- ness. In addition to this, however, it produces on each of these different places, a, b, c, a certain accessory impression, a, y3, 7, which is independent of the nature of the color seen, and de- OUTLINES OF PSYCHOLOGY 549 pendent merely on the nature of the place excited. This second local impression would therefore be associated with every im- pression of color r, in such manner that ra signifies a red that acts on the point a, r/3 signifies the same red in case it acts on the point b. These associated accessory impressions would, accord- ingly, render for the soul the clue, by following which it trans- poses the same red, now to one, now to another spot, or simul- taneously to different spots in the space intuited by it. In order, however, that this may take place in a methodical way, these accessory impressions must be completely different from the main impressions, the colors, and must not disturb the latter. They must be, however, not merely of the same kind among themselves, but wholly definite members of a series or a system of series; so that for every impression r there may be assigned, by the aid of this adjoined 'local sign,' not merely a particular, but a quite definite spot among all the rest of the impressions. 33. The foregoing is the theory of 'Local Signs.' Their fundamental thought consists in this, that all spatial differ- ences and relations among the impressions on the retina must be compensated for by corresponding non-spatial and merely intensive relations among the impressions which exist together without space-form in the soul ; and that from them in reverse order there must arise, not a new actual arrangement of these impressions in extension, but only the mental presentation of such an arrangement in us. To such an extent do we hold this principle to be a necessary one. On the contrary, only hypotheses are possible in order to answer the question, In what do those accessory impressions requisite consist, so far as the sense of sight is concerned? We propose the following conjecture: In case a bright light falls upon a lateral part of the retina, on which as is well known the sensitiveness to impressions is more obtuse than in the middle of the retina, then there fol- lows a rotation of the eye until the most sensitive middle part of the retina, as the receptive organ, is brought beneath this 550 RUDOLPH HERMANN LOTZE light: we are accustomed to style this the "fixation of vision" upon the aforesaid light. Such motion happens involuntarily, without any original cognition of its purpose, and uniformly without cognition of the means by which it is brought about. We may therefore reckon it among the so-called reflex motions, which originate by means of an excitation of one nerve, that serves at other times for sensation, being transplanted to motor nerves without any further assistance from the soul and in ac- cordance with the pre-existing anatomical connections; and these latter nerves being therefore stimulated to execute a definite motion in a perfectly mechanical way. Now in order to execute such a rotation of the eye as serves the purpose previ- ously alluded to, every single spot in the retina, in case it is stimulated, must occasion a magnitude and direction of the aforesaid rotation peculiar to it alone. But at the same time all these rotations of the eye would be perfectly comparable mo- tions, and, of course, members of a system of series that are graded according to magnitude and direction. 34. The application of the foregoing hypothesis (many more minute particular questions being disregarded) we con- ceive of as follows: In case a bright light falls upon a lateral point P of a retina, which has not yet had any sensation of light whatever, then there arises, in consequence of the connection in the excitation of the nerves, such a rotation of the eye as that, instead of the place P, the place E of clearest vision is brought beneath the approaching stimulus of the light. Now while the eye is passing through the arc PE, the soul receives at each instant a feeling of its momentary position, a feeling of the same kind as that by which we are, when in the dark, informed of the position of our limbs. To the arc PE there corresponds then a series of constantly changing feelings of position, the first member of which we call TT, and the last of which we call e. If now, in a second instance, the place P is again stimulated by the light, then there originates not simply the rotation PE for a second time, but the initial member of the series of feeling OUTLINES OF PSYCHOLOGY 551 of position TT, reproduces in memory the entire series associated with it, ire ; and this series of mental presentations is independ- ent of the fact that at the same time also the rotation of the eye PE actually follows. Exactly the same thing would hold good of another point R; only the arc RE, the series of feelings pe, and also the initial member of the series, p, would have other values. Now finally, in case it came about that both places, P and R, were simultaneously stimulated with an equal intensity, and that the arcs PE and RE were equal but in opposite directions to each other, then the actual rotation of the eye PE and RE could not take place; on the other hand, the excitation upon the places P and R is nevertheless not without effect ; each pro- duces the series of feelings of position belonging to it, re- spectively, 7T and pe. Although therefore the eye does not now move, yet there is connected with every excitation of the places P and R the mental presentation of the magnitude and of the qualitative peculiarity of a series of changes, which conscious- ness or the common feeling would have to experience, in order that these excitations may fall upon the place of clearest vision, or, according to the customary expression, in the line of vision. And now we assert that to see anything ' to the right ' or ' to the left ' of this line of vision means nothing more than this, to be conscious of the magnitude of the achievement which would be necessary to bring the object into this line. 35- By the foregoing considerations nothing further would be established than the relative position of the single colored points in the field of vision. The entire image, on the contrary, would still have no place at all in a yet larger space; indeed, even the mental presentation of such a place would as yet have no existence. Now this image first attains a place with reference to the eye, the repeated opening and closing of which, since it can become known to us in another way, is the condition of its existence or non-existence. That is to say, the visible world is in front before 552 RUDOLPH HERMANN LOTZE our eyes. What is behind us not merely has no existence what- ever for us, but we do not once know that there is anything which should be called 'behind.' The motions of the body lead us further. If the field of vision in a position of rest contains from left to right the images a be, and we then turn ourselves to the right upon our axis, a van- ishes, but d appears on the right, and therefore the image bed, cde, def, . . . xyz, yza, zab, abc, succeed in order. As a result of such recurrence of the images with which we began, the two following thoughts originate; namely, that the visible world of objects exists in a closed circuit of extension about us, and that the alteration of our own position, which we perceive by means of the changing feelings of position while turning, depends upon an alteration of our relation to this immovable world of objects, that is to say, upon a motion. It is easily understood that the mental picture of a spherical extension originates from the aforesaid mental picture of a closed horizon by means of repeatedly turning in a similar way in various other directions. 36. But, nevertheless, this spherical surface also would always have only a superficial extension no intimation would as yet exist of a depth to space. Now the mental presentation, to the effect that something like a third dimension of space in general exists, cannot origin- ate of itself, but only through the experience which we have in case we move about among the visible objects. From the mani- fold displacements which the particular visual images experi- ence, in a manner that is tedious to describe but very easy to imagine, we gain the impression, that each line in an image originally seen is the beginning of new surfaces which do not coincide with that previously seen, but which lead out into this space, now extended on all sides, to greater or less distances from the line. Another question to be treated subsequently is this: By what means do we estimate the different magnitudes of the distance into this depth of space? OUTLINES OF PSYCHOLOGY 553 37. The crossing of the rays of light in the narrow opening of the pupil is the cause of the image of the upper points of the object being formed beneath, that of the lower points above on the retina; and of the whole picture having therefore a position the reverse of the object. But it is a prejudice on this account to consider seeing in inverse position to be natural, and seeing in upright position to be mysterious. Like every geometrical property of the image, so this one of its position, too, on passing into consciousness, is completely lost; and the position in which we see things is in no way prejudiced by the aforesaid position of the image on the retina. Now, however, in order that we may be able to ascribe to objects a position at all, in order therefore that the expressions 'above,' 'below,' 'upright,' and 'inverted,' may have a mean- ing, we must have, independent of all sensation by sight, a men- tal picture of a space in which the entire content of the field of vision shall be arranged, and in which 'above' and 'below' are two qualitatively opposite and, on this account, not exchange- able directions. The muscular feeling affords us such a mental presentation. 'Below' is the place toward which the direction of gravity moves; ' above,' the opposite. Both directions are distinguished perfectly for us by means of an immediate feeling; and, on this account, we are never deceived even in the dark about the posi- tion and situation of our body. Accordingly we see objects 'upright' in case the lower points of the object are reached by one and the same movement of the eyes simultaneously with those points of our own body which are 'below' according to the testimony of the aforesaid muscu- lar feeling; and the upper points by a movement which, accord- ing to the same testimony, renders visible simultaneously the upper parts of our own selves. Now it is exactly such agreement that is secured in our eye, in which the axis lies in front of the sensitive retina, by means of the inverted position of the retinal image. In an other eye in which the sensitive surface should be placed in front of the axis, and yet the greatest sensitiveness also should appear in the 554 RUDOLPH HERMANN LOTZE middle portion of that surface, the retinal image would have to stand upright to serve the same purpose. 38. The final and valid answer to the question, why we have single vision with two eyes, is not to be given. As is well known, it does not always happen. The rather must two im- pressions fall on two quite definite points of the retina in order to coalesce. We see double, on the contrary, if they fall on other points. Naturally, we shall say: The two places which belong together would have to impart like local signs to their impressions, and thereby render them indistinguishable; but we are not able to demonstrate in what manner this postulate is fulfilled. Physiology, too, in the last analysis, satisfies itself with a mere term for the fact; it calls 'identical' those places in both retinas which give one simple impression, and 'non- identical' those which give a double impression. 39. Irritations of the skin we naturally refer at once to the place of the skin on which we see them acting. But in case of their repetition, when we are not able to see them, we have no assistance from remembering them; for the most ordinary stimuli have already in the course of our life touched all pos- sible places of the skin, and could therefore now as well be re- ferred to one place as to another. In order that they may be correctly localized, they would have at every instant to tell us anew where they belong; that is to say, there must be attached to the main impression (impact, pressure, heat or cold) an auxiliary impression which is independent of the latter and, on the contrary, dependent on the place of the skin that is irritated. The skin can supply such local signs; for since it is connected without interruption, a single point of it cannot be irritated at all, without the surrounding portion experiencing a displacement, pulling, stretching, or concussion of some kind. But, further, since the skin possesses at different places a different thickness, different tension or liability to displacement, extends some- times above the firm surfaces of the bones, sometimes over the OUTLINES OF PSYCHOLOGY 555 flesh of the muscles, sometimes over cavities; since, moreover, the members being manifold, these relations change from one stretch of skin to another; therefore the aforesaid sum of sec- ondary effects around the point irritated will be different for each one from the remainder; and such effects, if they are taken up by the nerve-endings and act on consciousness, may occa- sion the feelings so difficult to describe, according to which we distinguish a contact at one place from the same contact at another. It cannot be said, however, that each point of the skin has its special local sign. It is known from the investigations of E. H. Weber, that on the margin of the lips, the tip of the tongue, the tips of the fingers, being touched in two places (by the points of a pair of compasses) can be distinguished as two at an interval of only \ line ; while there are places on the arms, legs, and on the back, which require for making the distinction a distance between them of as much as 20 lines. We interpret this in the following way. Where the structure of the skin changes little for long stretches, the local signs also alter only a little from point to point. And if two stimuli act simultaneously, and accordingly a reciprocal disturbance of these secondary effects occurs, they will be undistinguishable ; on the contrary, in cases where both stimuli act successively, and therefore the aforesaid disturbance ceases, both are still frequently distinguishable. On the other hand, we know nothing further to allege as to how the extraordinary sensitiveness for example of the lips is occasioned. 40. The preceding statement merely explains the possibil- ity of distinguishing impressions made at different places; but each impression must also be referred to the definite place at which it acts. This is easy for one who sees, since he already possesses a pic- ture of the surface of his own body; and, on this account, he now by means of the unchanging local sign, even in the dark, translates each stimulus which he has once seen act on a definite place, to the same place in this picture of the body that is men- r 556 RUDOLPH HERMANN LOTZE tally presented before him. One born blind would be com- pelled to construct such a picture first by means of the sense of touch; and this naturally is accomplished through motions of the tactual members and by estimating the distances which they would have to travel in order to reach from contact at the point a to contact at the other point b. It is to be considered, however that these motions which in this case are not seen are perceivable only by so-called muscular feelings; that is to say by feelings which in themselves are merely certain species of the way we feel, and do not of themselves at all indicate the motions which are in fact the causes of them. Now it cannot be described, how it is that this interpretation of the muscular feelings actually originates In the case of those born blind; but the helps which lead to it are very probably found in the fact, that the sense of touch as well as the eye can receive many impressions simultaneously, and that, in case of a movement, the previous impression does not vanish without trace and have its place taken by a wholly new one; but that, in the manner previously alleged, the combinations abc, bed, etc., follow one another, and therefore some part in common is always left over for the next two impressions. By this alone does it seem possible to awaken the idea that the same occur- rence, from which the series of changeable muscular feelings originates for us, consists in an alteration of our relation to a series of objects previously existent side by side and to be found arranged in a definite order; it consists, therefore, in a motion. 5 41. It is questionable whether the mental picture of space which one born blind attains solely by the sense of touch will be altogether like that of one who sees; it is rather to be assumed that a much less intuitable system of mental presentations of time, of the magnitude of motion, and of the exertion which is needed in order to reach from contact at one point to that at another, takes the place of the clear, easy, and at once all-com- prehending intuition, with which he who sees is endowed. ERNST HEINRIGH WEBER (1795-1878) THE SENSE OF TOUCH AND THE COMMON FEELING WEBER'S CONCERNING THE SMALLEST PERCEPTIBLE DIFFERENCES OF WEIGHTS WHICH WE CAN DISTINGUISH BY THE SENSE OF TOUCH, OF THE LENGTH OF LINES WHICH WE CAN DISTIN- GUISH BY SIGHT, AND OF TONES WHICH WE CAN DISTINGUISH BY HEARING THE smallest perceptible difference between two weights, which we can distinguish by the feeling of muscular exertion, appears according to my experiments to be that between weights which stand approximately in the relation of 39 to 40: that is to say, of which one is about 1-40 heavier than the other. By means of the feeling of pressure, which two weights make upon our skin, all we are able to distinguish is a differ- ence of weight that amounts to only 1-30, so that the weights accordingly stand in the relation of 29 to 30. * From Der Taslsinn und das GemeingefUhl in R. Wagner's Handworlerbuch der Physiologic, Braunschweig, 1846, iii, 2; [separately,] Leipzig, 1849; ib., 1851; ib., 1905. t The first formulation of what is known as Weber's Law was made by Weber in 1834 in a monograph entitled De tactu. It reads as follows: " In comparing objects and observing the distinction between them, we per- ceive not the difference between the objects, but the ratio of this difference to the magnitude of the objects compared. If we are comparing by touch two weights, the one of 30 and the ether of 29 half-ounces, the difference is not more easily perceived than that between weights of 30 and 29 drachms. . . . Since the dis- 558 ERNST HEINRICH WEBER If we look at one line after another, any one who possesses a very exceptional visual discrimination can according to my experiments discover a difference between two lines whose lengths are related as 50 : 51, or even as 100 : 101. Those who have a less delicate visual discrimination distinguish lines, which are separated from one another by 1-25 of their length. The smallest perceptible difference of the pitch of two tones, (which are really in unison), that a musician perceives, if he hears two tones successively, is according to Delezenne 1 1-4 Komma (81-80) 1-4. A lover of music according to him distin- guishes only about 1-2 Komma (81-80) 1-2. If the tones are heard simultaneously we cannot, according to Delezenne's experiments, perceive such small tonal differences. 1-4 Komma is nearly the relation of 321 1322, but 1-2 Komma is nearly the relation of 160:161. tinction is not perceived more easily in the former case than in the latter, it is clear that not the weights of the differences but their ratios are perceived. . . . Experience has taught us that apt and practised o's sense the difference be- tween weights, if it is not less than the thirtieth part of the heavier weight, and that the same o's perceive the difference not less easily, if drachms are put in the place of half-ounces. " That which I have set forth with regard to weights compared by touch holds also of lines to be compared by sight. For, whether you compare longer or shorter lines, you will find that the difference is not sensed by most o's if the second line is less by a hundredth part. . . . The length in which the distinction resides, therefore, although [in the case of lines of 50 and 50.5 mm.] it is twice as small [as it is in the case of lines of 100 and 101 mm.], is nevertheless no less easily apprehended, for the reason that in both cases the difference of the compared lines is one hundredth of the longer line. " I have made no experiments upon comparison of tones by the ear. [Dele- zenne, however, determined the j. n. d. of the b of 240 vs.] As this author does not say that this difference is discriminated less easily in deeper, more easily in higher tones, and as I have never heard that a difference is more easily perceived in higher tones, ... I imagine that in audition also not the absolute difference between the vibrations of two tones, but the relative compared with the number of vibrations of the tones is discriminated. " The observation, confirmed in several departments of sense, that in ob- serving the distinction between objects we perceive not the absolute but the rela- tive differences, has again and again impelled me to investigate the cause of this phenomenon; and I hope that when this cause is sufficiently understood, we shall be able to judge more correctly regarding the nature of the senses " (172 ff.). Translation in E. B. Titchener's Experimental Psychology, ii, part ii, p. xvi. 1 Delezenne in Recueil des Travaux de la sac. des sci. de Lille, 1827. THE SENSE OF TOUCH 559 I have shown that the result in the determinations of weight is the same, whether one takes ounces or half ounces; for it does not depend upon the number of grains that form the increment of weight, but depends on the fact that this incre- ment makes up the thirtieth or fiftieth [should be fortieth] part of the weight which we are comparing with the second weight. This likewise holds true of the comparison of the length of two lines and of the pitch of two tones. It makes no difference whether we compare lines that are, say, two inches or one inch long, if we examine them successively, and can see them lying parallel to each other; and yet the extent by which the one line exceeds the other is in the former case twice as great as in the latter. To be sure, if both lines lie close together and parallel, we compare only the ends of the lines to discover how much the one line exceeds the other; and in this test the question is only how great that length of line which overlaps the other really is, and how near the two lines lie to one another. So too in the comparison of the pitch of two tones, it does not matter whether the two tones are seven tonal stops [i.e. an octave] higher or lower, provided only they do not lie at the end of the tonal series, where the exact discrimination of small tonal differences becomes more difficult. Here again, therefore, it is not a question of the number of vibrations, by which the one tone exceeds the other, but of the relation of the numbers of the vibrations of the two tones which we are comparing. If we counted the vibrations of the two tones it would be conceivable, that we should pay attention only to the number of vibrations by which one tone exceeds the other. If we fix the eyes first upon one line and afterwards upon a second, and thus permit both to be pictured successively upon the most sensitive parts of the retina, we should be inclined to suppose, that we com- pared the traces of the impression which the first image left, with the impression which the second image made upon the same parts of the retina, and that we thereby perceived how much the second image exceeds the first, and conversely. For this is the way we compare two scale-units: we place one upon the other, so that they coincide, and thus perceive how much 560 ERNST HEINRICH WEBER the one exceeds the other. From the fact, that we do not em- ploy this method which is so very advantageous, it seems to follow, that we are unable to employ it, and that therefore the preceding impression left behind no such trace upon the retina, or in the brain, as would permit of comparison in the manner mentioned with succeeding impressions. That it is possible for us to proceed otherwise in the comparison of the length of two lines appears from the fact, that we can compare two lines, which are longer than we can picture at once in their en- tirety on the most sensitive part of the retina. In this case we must move the eye and thereby cause the different parts of the same line to be pictured successively upon the same parts of the retina. Under these circumstances we must take account of the movement of the eye, and only thus do we form an idea of the length of the lines. Were the impressions of visible things, which we preserve in memory, traces, which the sensuous impressions left behind in the brain, and whose spatial relations corresponded to the spatial relations of the sensuous impres- sions, and were thus so to speak photographs of the same, it would be difficult to remember a figure, which is larger than could be pictured at once wholly upon the sensitive part of the retina. It appears to me, indeed, as if a figure, which we can survey at a single glance, impressed itself better upon our memory and our imagination, than a figure, which we can survey only successively by moving the eyes; but we can never- theless represent also the former by means of the imagination. But in this case the representation of the whole figure seems to be composed by us of the parts which we perceive all at once. If we compare two lines, which are 20 and 21 Linien [i.e. i-io of an inch] long, the latter is 1-20 longer, but the absolute dif- ference of length amounts to i Linie. If, on the other hand, we compare two lines, which are i Linie and 1.05 Linie long, the difference amounts also to 1-20, but the line is only 1-20 longer than the other. Consequently in the latter case the abso- lute difference is 20 times smaller. But 1-20 Linie is a size like a fine pinhole which lies at the very threshold of vision. The smallest possible point that we are able to see, is one whose di- THE SENSE OF TOUCH 561 ameter amounts to 1-20 Lime, and yet one who has a very good visual discrimination can distinguish in respect to their length two lines of which one is 1-20 Linie longer than the other. Two observers, before whom I placed such lines, both distin- guished the longer from the shorter, and their visual discrimi- nation extended even farther. I myself distinguished two lines, whose relative difference of length amounted to 1-20, and of which the one was between 1-17 and 1-18 longer than the other. The apprehension of the relations of whole magnitudes, without our having measured the magnitudes by a smaller scale-unit, and without our having ascertained the absolute dif- ference between them, is a most interesting psychological phe- nomenon. In music we apprehend the relations of tone, without knowing their rate of vibration [i.e., their absolute pitch] ; in architecture, the relation of spatial magnitudes, without hav- ing determined them by inches; and in the same way we ap- prehend the magnitudes of sensation or of force in the com- parison of weights. GUSTAV THEODOR FEGHNER (1801-1887) ELEMENTS OF PSYCHOPHYSICS Translated from the German * by HERBERT SIDNEY LANGFELD VII. THE MEASUREMENT OF SENSATION WEBER'S law, that equal relative increments of stimuli are proportional to equal increments of sensation, is, in considera- tion of its generality and the wide limits within which it is abso- lutely or approximately valid, to be considered fundamental for psychic measurement. There are, however, limits to its validity as well as complications, which we shall have carefully to examine later. Yet even where this law ceases to be valid or absolute, the principle of psychic measurement continues' to hold, inasmuch as any other relation between constant incre- ments of sensation and variable increments of stimulus, even though it is arrived at empirically and expressed by an empir- ical formula, may serve equally well as the fundamental basis for psychic measurement, and indeed must serve as such in those parts of the stimulus scale where Weber's law loses its validity. In fact such a law, as well as Weber's law, will furnish a differ- ential formula from which may be derived an integral formula containing an expression for the measurement of sensation. This is a fundamental point of view, in which Weber's law, with its limitations, appears, not as limiting the application of psychic measurement, but as restricted in its own application toward that end and beyond which application the general * From G. F. Fechner's Elcmenle dcr Psychophysik, Leipzig, 1860; unverand. Aufl. 1889. ELEMENTS OF PSYCHOPHYSICS 563 principle of psychic measurement nevertheless continues to hold. It is not that the principle depends for its validity upon Weber's law, but merely that the application of the law is involved in the principle. Accordingly investigation in the interest of the greatest possible generalization of psychic measurement has not essen- tially to commence with the greatest possible generalization of Weber's law, which might easily produce the questionable in- clination to generalize the law beyond its natural limitation, or which might call forth the objection that the law was general- ized beyond these limits solely in the interest of psychic meas- urement; but rather it may quite freely be asked how far Weber's law is applicable, and how far not; for the three methods which are used in psychic measurement are applicable even when Weber's law is not, and where these methods are applicable psychic measurement is possible. In short, Weber's law forms merely the basis for the most numerous and important applications of psychic measurement, but not the universal and essential one. The most general and more fundamental basis for psychic measurement is rather those methods by which the relation between stimulus incre- ments and sensation increment in general is determined, within, as well as without, the limits of Weber's law; and the development of these methods towards ever greater precision and perfection is the most important consideration in regard to psychic measurement. And yet a great advantage would be lost, if so simple a law as Weber's law could not be used as an exact or at least suffi- ciently approximate basis for psychic measurement; just such an advantage as would be lost if we could not use the Kepler law in astronomy, or the laws of simple refraction in the theory of the dioptric instruments. Now there is just the same diffi- culty with these laws as with Weber's law. In the case of Kepler's law we abstract from deviations. In the case of simple lens refraction we abstract from optical aberration. In fact they may become invalid as soon as the simple hypotheses for which they are true no longer exist. Yet they will always re- 564 GUSTAV THEODOR FECHNER main decisive for the principle relation with which astronomy and dioptrics are concerned. Weber's law may in like manner, entirely lose its validity, as soon as the average or normal condi- tions under which the stimulus produces the sensation are un- realized. It will always, however, be decisive for these particu- lar conditions. Further, just as in physics and astronomy, so can we also in psychic measurement, neglect at first the irregularities and small departures from the law in order to discover and examine the principle relations with which the science has to do. The existence of these exceptions must not, however, be forgotten, inasmuch as the finer development and further progress of the science depends upon the determination and calculation of them, as soon as the possibility of doing so is given. The determination of psychic measurement is a matter for outer psychophysics and its first applications lie within its boundary; its further applications and consequences, however, extend necessarily into the domain of inner psychophysics and its deeper meaning lies there. It must be remembered that the stimulus does not cause sensation directly, but rather through the assistance of bodily processes with which it stands in more direct connection. The dependence, quantitatively considered of sensation on stimulus, must finally be translated into one of sensation on the bodily processes which directly underlie the sensation in short the psycho-physical processes; and the sensation, instead of being measured by the amount of the stimulus, \\till be measured by the intensity of these processes. In order to do this, the relation of the inner process to the stim- ulus must be known. Inasmuch as this is not a matter of direct experience it must be deduced by some exact method. Indeed it is possible for this entire investigation to proceed along ex- act lines, and it cannot fail at some time or other to obtain the success of a critical study, if one has not already reached that goal. Although Weber's law, as applied to the relation of stimulus to sensation, shows only a limited validity in the domain of outer psychophysics, it has, as applied to the relation of sensa- ELEMENTS OF PSYCHOPHYSICS 565 tion to kinetic energy, or as referred to some other function of trie psycho-physical process, in all probability an unlimited validity in the domain of inner psychophysics, in that all excep- tions to the law which we find in the arousal of sensation by external stimulus, are probably due to the fact that the stimu- lus only under normal or average conditions engenders a kinetic energy in those inner processes proportional to its own amount. From this it may be foreseen, that this law, after it has been restated as a relation between sensation and the psycho- physical processes, will be as important, general, and funda- mental for the relations of mind to body, as is the law of gravity for the field of planetary motion. And it also has that simplicity which we are accustomed to find in fundamental laws of nature. Although, then, psychic measurement depends upon Weber's law only within certain limitations in the domain of outer psycho-physics, it may well get its unconditional support from this law in the field of inner psychophysics. These are nevertheless for the present merely opinions and expectations, the verification of which lies in the future. XIV. THE FUNDAMENTAL FORMULA AND THE MEASUREMENT FORMULA Although not as yet having a measurement for sensation, still one can combine in an exact formula the relation expressed in Weber's law, that the sensation difference remains constant when the relative stimulus difference remains constant, with the law, established by the mathematical auxiliary principle, that small sensation increments are proportional to stimu- lus increments. Let us suppose, as has generally been done in the attempts to preserve Weber's law, that the difference be- tween two stimuli, or, what is the same, the increase in one stimulus, is very small in proportion to the stimulus itself. Let the stimulus which is increased be called /3, the small increase J/3, where the letter d is to be considered not as a special mag- nitude, but simply as a sign that dfi is the small increment of $66 GUSTAV THEODOR FECHNER ft. This already suggests the differential sign. The relative stimulus increase therefore is -Q. On the other hand, let the sensation which is dependent upon the stimulus ft be called 7, and let the small increment of the sensation which results from the increase of the stimulus by dft be called dy, where d again simply expresses the small increment. The terms dft and dy are each to be considered as referring to an arbitrary unit of their own nature. According to the empirical Weber's law, dy remains constant when -Q remains constant, no matter what absolute values dft and ft take; and according to the a priori mathematical auxiliary principle the changes dy and dft remain propor- tional to one another so long as they remain very small. The two relations maybe expressed together in the following equation: *-^ where K is a constant (dependent upon the units selected for 7 and ft) . In fact, if one multiplies ftd and ft by any number, so long as it is the same number for both, the proportion remains constant, and with it also the sensation difference dy. This is Weber's law. If one doubles or triples the value of the variation dft without changing the initial value ft, then the value of the change dy is also doubled or tripled. This is the mathematical VJQ principle. The equation dyQ- therefore entirely satisfies both Weber's law and this principle; and no other equation satisfies both together. This is to be called the fundamental formula, in that the deduction of all consequent formulas will be based upon it. The fundamental formula does not presuppose the measure- ment of sensation, nor does it establish any; it simply expresses the relation holding between small relative stimulus incre- ments and sensation increments. In short, it is nothing more than Weber's law and the mathematical auxiliary principle united and expressed in mathematical symbols. ELEMENTS OF PSYCHOPHYSICS 567 There is, however, another formula connected with this formula by infinitesimal calculus, which expresses a general quantitative relation between the stimulus magnitude as a summation of stimulus increments, and the sensation magni- tude as a summation of sensation increments, in such a way, that with the validity of the first formula, together with the assumption of the fact of limen, the validity of this latter formula is also given. Reserving for the future a more exact deduction, I shall attempt first to make clear in a general way the connection of the two formulas. One can readily see, that the relation between the increments dy and dft in the fundamental formula corresponds to the rela- tion between the increments of a logarithm and the increments of the corresponding number. For as one can easily convince oneself, either from theory or from the table, the logarithm does not increase by equal increments when the corresponding number increases by equal increments, but rather when the latter increases by equal relative amounts; in other words, the increases in the logarithms remain equal, when the relative in- creases of the numbers remain equal. Thus, for example, the following numbers and logarithms belong together: Number. Logarithm. 10 I.OOOOOO ii 1.0413927 100 2.OOOOOO no 2.0413927 IOOO 3.OOOOOO IIOO 3.0413927 where an increase of the number 10 by i brings with it just as great an increase in the corresponding logarithm, as the increase of the number 100 by 10 or 1000 by 100. In each instance the increase in the logarithm is 0.0413927. Further, as was already shown in explaining the mathematical auxiliary principle, the increases in the logarithms are proportional to the increases of 568 GUSTAV THEODOR FECHNER the numbers, so long as they remain very small. Therefore one can say, that Weber's law and the mathematical auxiliary prin- ciple are just as valid for the increases of logarithms and num- bers in their relation to one another, as they are for the increases of sensation and stimulus. The fact of the threshold appears just as much in the relation of a logarithm to its number as in the relation of sensation to stimulus. The sensation begins with values above zero, not with zero, but with a finite value of the stimulus the thres- hold ; and so does the logarithm begin with values above zero, not with a zero value of the number, but with a finite value of the number, the value i, inasmuch as the logarithm of i is equal to zero. If now, as was shown above, the increase of sensation and stimulus stands in a relation similar to that of the increase of logarithm and number, and, the point at which the sensation begins to assume a noticeable value stands in a relation to the stimulus similar to that which the point at which the logarithm attains positive value stands to the number, then one may also expect that sensation and stimulus themselves stand in a relation to one another similar to that of logarithm to number, which, just as the former (sensation and stimulus) may be regarded as made up of a sum of successive increments. Accordingly the simplest relation between the two that we can write is 7 = log ft. In fact it will soon be shown that, provided suitable units of sensation and stimulus are chosen, the functional relation between both reduces to this very simple formula. Meanwhile it is not the most general formula that can be derived, but one which is only valid under the supposition of particular units of sensation and stimulus, and we still need a direct and absolute deduction instead of the indirect and approximate one. The specialist sees at once how this may be attained, namely, by treating the fundamental formula as a differential formula and integrating it. In the following chapter one will find this done. Here it must be supposed already carried out, and those who are not able to follow the simple infinitesimal deduction, ELEMENTS OF PSYCHOPHYSICS 569 must be asked to consider the result as a mathematical fact. This result is the following functional formula between stimu- lus and sensation, which goes by the name of the measurement formula and which will now be further discussed: In this formula K again stands for a constant, dependent upon the unit selected and also the logarithmic system, and b a second constant which stands for the threshold value of the stimulus, at which the sensation 7 begins and disappears. According to the rule, that the logarithm of a quotient of two numbers may be substituted for the difference of their logar- ithms, . . . one can substitute for the above form of the meas- urement formula the following, which is more convenient for making deductions. ~ y = K log | ( 3 ) From this equation it follows that the sensation magnitude 7 is not to be considered as a simple function of the stimulus value /3, but of its relation to the threshold value b, where the sensation begins and disappears. This relative stimulus value, is for the future to be called the fundamental stimulus value, or the fundamental value of the stimulus. Translated in words, the measurement formula reads: The magnitude of the sensation (7) is not proportional to the absolute value of the stimulus (/3), but rather to the logarithm of the magnitude of the stimulus, when this last is expressed in terms of its threshold value(b), i. e. that magnitude considered as unit at which the sensation begins and disappears. In short, it is pro- portional to the logarithm of the fundamental stimulus value. Before we proceed further, let us hasten to show that that relation between stimulus and sensation, from which the meas- urement formula is derived, may be correctly deduced in turn from it, and that this latter thus finds its verification in so far as these relations are found empirically. We have here at the same time the simplest examples of the application of the meas- urement formula. 570 GUSTAV THEODOR FECHNER * The measurement formula is founded upon Weber's law and the fact of the stimulus threshold; and both must follow in turn from it. Now as to Weber's law. In the form that equal increments of sensation are proportional to relative stimulus increments, it may be obtained by differentiating the measurement formula, inasmuch as in this way one returns to the fundamental for- mula, which contains the expression of the law in this form. In the form, that equal sensation differences correspond to equal relations of stimulus, the law may be deduced in quite an elementary manner as follows. Let two sensations, whose difference is to be considered, be called 7 and 7', and the corresponding stimuli /3 and ft. Then according to the measurement formula y = K (log ft - log 6) and likewise for the sensation difference or, since log ft - log ft' = log j| From this formula it follows, that the sensation difference 7-7' is a function of the stimulus relation -g, , and remains the same no matter what values ft, $ may take, so long as the relation remains unchanged, which is the statement of Weber's law. In a later chapter we shall return to the above formula under the name of the difference formula, as one of the simplest conse- quences of the measurement formula. As for the fact of the threshold, which is caused by the sensa- tion having zero value not at zero but at a finite value of the stimulus, from which point it first begins to obtain notice- able values with increasing values of stimulus, it is so far con- tained in the measurement formula as 7 does not, according to this formula, have the value zero when ft = o, but when /3 is equal to a finite value b. This follows as well from equation ELEMENTS OF PSYCHOPHYSICS 571 (2) as (3) of the measurement formula, directly from (2), and from (3) with the additional consideration of the fact, that 13 when ft equals b, log T equals log i, and log i = o. Naturally all deduction from Weber's law and the fact of the threshold will also be deductions from our measurement formula. It follows from the former law, that every given increment of stimulus causes an ever decreasing increment in sensation in proportion as the stimulus grows larger, and that at high values of the stimulus it is no longer sensed, while on the other hand, at low values it may appear exceptionally strong. In fact the increase of a large number ft by a given amount is accompanied by a considerably smaller increase in the corre- sponding logarithm y, than the increase of a small number /3 by' the same amount.' When the number 10 is increased by 10, (that is, reaches 20), the logarithm corresponding to 10, which is i, is increased to 1.3010. When, however, the number 1000 is increased by 10, the logarithm corresponding to 1000, namely 3, is only increased to 3.0043. In the first case the logarithm is increased by 1-3 of its amount, in the latter case by about 1-700. In connection with the fact of the threshold belongs the de- duction, that a sensation is further from the perception thres- hold the more the stimulus sinks under its threshold value. This distance of a sensation from the threshold, is represented in the same manner by the negative values of y, according to our measurement formula, as the increase above the threshold is represented by the positive values. In fact one sees directly from equation (2), that when /3 is smaller than b and with it log /3 smaller than log b, the sensa- tion takes on negative values, and the same deduction follows in equation (3), in that r, becomes a proper fraction when @<^b, and the logarithm of a proper fraction is negative. In so far as sensations, which are caused by a stimulus which is not sufficient to raise them to consciousness, are called unconscious, and those which affect consciousness are called 572 GUSTAV THEODOR FECHNER conscious, we may say that the unconscious sensations are represented in our formula by negative, the conscious by posi- tive values. We will return to this statement in a special chap- ter (chapter 18) since it is of great importance, and perhaps not directly evident to everyone. For the present I shall not let it detain me longer. According to the foregoing our measurement formula corre- sponds to experience: 1. In the cases of equality, where a sensation difference remains the same when the absolute intensity of the stimulus is altered (Weber's law). 2. In the cases of the thresholds, where the sensation itself ceases, and where its change becomes either imperceptible or barely perceptible. In the former case, when the sensation reaches its lower threshold ; in the latter case, when it becomes so great that a given stimulus increase is barely noticed. 3. In the contrasting cases, between sensations which rise above the threshold of consciousness and those that do not reach it, in short, conscious and unconscious sensations. From the above the measurement formula may be considered well founded. In the measurement formula one has a general dependent rela- tion between the size of the fundamental stimulus and the size of the corresponding sensation and not one which is valid only for the cases of equal sensations. This permits the amount of sensation to be calculated from the relative amounts of the fundamental stimu- lus and thus we have a measurement of sensation. HERMANN VON HELMHOLTZ (1821-1894) A MANUAL OF PHYSIOLOGICAL OPTICS THEORY OF COLOR VISION HYPOTHESES. The facts to be deduced from the laws of color-mixture, that three constituents of sensation which proceed independently of one another are produced by exter- nal stimulation, have received their more definite and more sig- nificant expression in the hypotheses, which assume, that these different constituents are excited and transmitted in different portions of the optic nerve; but that they simultaneously attain to consciousness, and thereby, so far as they have become excited from the same place of the retina, they are also localized in the same place of the field of vision. Such a theory was first proposed by Thomas Young. 1 The more detailed development of it is essentially conditioned by * From H. von Helmholtz's Handbuch der Physiologischen Opiik. Leipzig, 1856-66; 2te. umgearb. Aufl. Hamb. u. Lpz. 1896. 1 Thomas Young's theory of color vision is as follows: "From three simple sensations, with their combinations, we obtain seven primitive distinctions of colours; but the different proportions, in which they may be combined, afford a variety of traits beyond all calculation. The three simple sensations being red, green, and violet, the three binary combinations are yellow, consisting of red and green; crimson, of red and violet; and blue, of green and violet; and the seventh in order is white light, composed by all three united. But the blue thus produced, by combining the whole of the green and violet rays, is not the blue of the spect- rum, for four parts of green and one of violet make a blue differing very little from green; while the blue of the spectrum appears to contain as much violet as green : and it is for this reason that red and blue usually make a purple, deriving its hue from the predominance of the violet." Thomas Young's A Course of Lec- tures on Natural Philosophy. Lond. 1807, vol. i, p. 440. 574 HERMANN VON HELMHOLTZ the fact, that its author would ascribe to the sensitive nerves of the eye only the properties and capacities, which we positively know as belonging to the motor nerves of men and of animals. We have a much more favorable opportunity to discover these latter by experiment than is the case with the nerves of sensa- tion, since we are able comparatively easily and definitely both to discern and to measure the finest changes of their excitation and excitability by means of the contractions occurring in the muscles, and their changes. What we furthermore have been able to ascertain concerning the structure, the chemical consti- tution, the excitability, the conductivity, and the electrical behavior of the sensitive nerves, harmonises so perfectly with the corresponding behavior of the motor nerves, that funda- mental differences in the nature of their activity are extremely improbable, at least so far as these do not depend upon the other organic apparatus connected with them, upon which they exert their influence. Now we know in regard to motor nerves only the contrast between the state of rest and of activity. In the former state the nerve can remain unaltered a long time without important chemical change or development of heat; and at the same time the muscle dependent upon the nerve remains lax. If we stimu- late the nerve, heat develops in it material changes, electrical oscillations are shown, and the muscle is contracted. In a cut nerve-preparation the sensitiveness is quickly lost, prob- ably on account of the expansion of the chemical constituents necessary for activity. Under the action of atmospheric oxygen, or better still of the arterial blood containing oxygen, the sensi- tiveness is wholly or partially slowly restored, save that these processes of restoration excite contractions of the muscle, or changes of electrical relation in nerve and muscle coincident with the activity. We are acquainted also with no external means which can produce this process of restoration so quickly and intensively, and which can permit it at the same time so suddenly to appear and again to cease, as would be necessary, if this process were to serve as the physiological basis of a powerful sensation occurring with precision. MANUAL.OF PHYSIOLOGICAL OPTICS 575 If we confine our assumptions concerning the development of a theory of cplor vision to the properties belonging with cer- tainty to the nerves, there is presented in fairly secure outline the theory of Thomas Young. The sensation of dark corresponds to the state of rest of the optic nerve, that of colored or white light to an excitement of it. The three simple sensations which correspond to the excite- ment only of a single one of the three nerve systems, and from which all the others can be composed, must correspond in the table of colors to the three angles of the color triangle. In order to assume the finest possible color sensations not demonstrable by objective stimulus, it appears appropriate so to select the angles of the color triangle that its sides include in the closest possible way the curves of the colors of the spectrum. Thomas Young has therefore assumed : 1. There are in the eye three kinds of nerve fibres. The ex- citation of the first produces the sensation of red ; the excitation of the second, the sensation of green; the excitation of the third, the sensation of violet. 2. Objective homogeneous light excites these three kinds of fibres with an intensity which varies according to the length of the wave. The fibres sensitive to red are excited most strongly by light of the greatest wave-length ; and those sensi- tive to violet by light of the smallest wave-length. Neverthe- less, it is not precluded, but rather to be assumed, for the expla- nation of a series of phenomena, that each color of the spectrum excites all the kinds of fibres, but with different intensity. If we suppose in Fig. i the spectrum colors placed horizontally and in their natural order, beginning from red R up to violet V, the three curves may represent more or less exactly the strength of the excitation of the three kinds of fibres: no. i those sensi- tive to red; no. 2 those sensitive to green; and no. 3 those sen- sitive to violet. The simple red excites strongly the fibres sensitive to red, and weakly the two other kinds of fibres; sensation: red. The simple yellow excites moderately the fibres sensitive to red and green, weakly the violet; sensation: red. 576 HERMANN VON HELMHOLTZ The simple green excites strongly the fibres sensitive to green, much more weakly the two other kinds; sensation: green. The simple blue excites moderately the fibres sensitive to green and violet, weakly the red; sensation: blue. The simple violet excites strongly the fibres which belong to it, and weakly the others; sensation: violet. The excitation of all the fibres of nearly equal strength gives the sensation of white, or of whitish colors. Perhaps it may be objected at first view to this hypothesis, that three times the number of nerve fibres and nerve endings must be presumed than in the older assumption, according to which each separate nerve fibre was thought capable of trans- mitting all kinds of chromatic excitations. But I do not believe, that in this connection the supposition of Young is in contra- diction with the anatomical facts. An hypothesis was previ- ously discussed, 1 which explains the accuracy of sight by the aid of a much smaller number of visual nerve fibres, than the number of distinguishable places in the field of vision. The choice of the three fundamental colors seems at first, as we have observed, somewhat arbitrary. Any other three colors might be chosen from which white can be composed. Young was guided probably by the consideration that the colors at the end of the spectrum appear to claim a privileged position. If we were not to select these it would be necessary to take for one of the fundamental colors a purple shade, and the curve which cor- 1 Helmholtz's Hdb. d. Physiol. Optik. 2 Aufl., S. 264. MANUAL OF PHYSIOLOGICAL OPTICS 577 responds to it in the foregoing figure (Fig. i), would have two maxima: one in red, and the other in violet. The single, circumstance, which is of direct importance in the mode of sensation and appears to give a clue for the determina- tion of the fundamental colors, is the apparent greater color- saturation of the red and violet; a thing which also manifests itself, although indeed less markedly, for green. Since we style colors the more saturated the farther they are removed from white, we must expect that great saturation must belong partic- ularly to those colors of the spectrum which produce most purely the simplest sensations of color. In fact, these colors, if they are very pure, have even with inferior brilliancy, some- thing of an intensively glowing, almost dazzling quality. There are especially red, violet, or blue violet flowers, e.g. of the cameraria, whose colors display this characteristic blending of darkness and brilliancy. Young's hypothesis affords for this a simple explanation. A dark color can cause an intensive excita- tion of one of the three nerve systems, while the corresponding bright white causes a much weaker excitation of the same. The difference appears analogous to that between the sensation of very hot water upon a small portion of the skin and lukewarm water striking a greater surface. In particular violet makes upon me this impression of a deeply saturated color. But inasmuch as the strictly violet rays, even when they occur in sunlight, are of slight intensity and are modified by fluorescence, ultramarine blue, which has far the advantage of greater intensity of light, produces an effect ap- proximately equal to it. The strictly pure violet of the spectrum is very little known among the laity, since the violet pigments give nearly always the effect of a slight admixture of red, or appear very dark. For that very reason, the shades of the ultra- marine blue coming near to the violet excite the general atten- tion much more, are much better known, and are designated by a much older name, that of blue, than the violet strictly so called. In addition one has in the deep ultramarine blue of the cloudless sky a highly imposing, well known, and constant example of this color. 578 HERMANN VON HELMHOLTZ In this fact I seek the reason why in former times blue has always been regarded as the one fundamental color. And the more recent observers, like Maxwell and A. Konig, who have sought to determine the composition of color, have also in part returned to it. For both of these had, to be sure, a more definite reason in the above mentioned elevation of the curve of the colors of the spectrum in violet. It should still be mentioned that the Venetian school of painters, which creates effects chiefly by the intense richness of its color, is especially fond of putting in juxtaposition the three colors, red, green, and violet. Furthermore, I decidedly question the opinion expressed by various investigators, that the need of designating primary sensations has manifested itself in the names of the colors, and that these might therefore give a clue for the determination of colors. Our forefathers had before them in colors a domain of vague distinctions. If they wanted to determine sharp degrees of difference they had first of all to look for good old examples of striking shade, which were everywhere known, and any- where observable. The names for red led back to the Sanscrit rudhira = blood, and also "red." From this epvdpos-, rufus, ruber, roth, red, etc. For "blue" the Greeks have 7ro/3i5/oeo 463-480, 505-529, 692, 694. Modes, 192-200, 251, 292-293. Molesworth, Sir William, 147. Molyneux, Mr., 247, 276. Monads, 220-226. Movement, 52, 57, 82, 91, 150, 170, 225, 246, 263, 304, 328, 377, 550, 707. Mueller, Johannes, 530-544, 579, 597- Munro, H. A. J., 97-105. Muscle, 377, 384, 449, 489, 660, 669, 709. Music, 165, 228, 411, 487, 558, 561, 648. Nature, 130, 194, 208-228, 299, 464, 530. Nerve, 316-320, 416, 538, 542, 573-581. Newton, Sir Isaac, 315, 317, 318, 319, 503. Nous, 8, 1 20. Number, 291, 292, 294, 299, 473. Nutrition, 45, 48, 51, 53-56, 79, 81, 224. Object, 69, 84, 85, 230, 361-367, 373- Observation, 249, 305. Odour, 341-360, 368, 497, 535, 600. Ogilvie, 502. Optics, 257, 261, 573-58i. Pain, 49, 87, 98, 101, 109, 152, 241, 285, 313,342-356,530,606,678. Paradise Lost, 504. Parmenides, 12, 213. Parr, Samuel, 313. Perception, 11-26, 54-60, 84, no, 192, 220, 246-249, 338, 361-367, 412, 416, 417, 606, 658, 661. Personality, 212, 333, 359, 455-462, 601-609. Phenomena, psychical, 92, 432-435, 463-480. Philosophy, 16, 209, 290, 297, 300, 462. Physicist, 4, 5, 503, 608, 609. Physiology, 417, 451, 53O-544, 685-691. Piderit, 670. Plants, 47, 48, 52, 54. Plato, 7, 11-44, n6, 117, 118, 122, 123, 182. Pleasure, 49, 75, 90, 152, 163, 165, 228, 241, 314, 342-356, 488, 606. Pliny, 211. Plotinus, 106-115. Power, 148, 229-231, 242, 246, 302- 312- Power, muscular, 489-490. Probability, 294-300. Protagoras, 11-22. Psychology, associational, 313-330, 463-504. Psychology, empirical, 147-167, 232- 312,432-447. Psychology, evolutional, 505-529. Psychology, foundations of, 448-462. Psychology, mathematical, 395-447. Psychology, physiological, 33i~34O, 530-726. Psychology, rational, 229-231. Psychophysics, 53-544, 557-572, 596, 688. Purkinje, 538. Pythagoreans, 6. Qualities, 243-246, 299. Quantity, 294, 408. Rand, Benjamin, 125-131, 138-146, 331-340, 416-462, 557-56i, 573-596, 672-684. Rand, Edward Kennard, 229-231. Rationality, 122-123, 138-142, 653. Reaction, muscular, 708-711. Reason, 70-73, 78-80, 130, 483, 643, 692. Reason, sufficient, 224, 230. Reflection, 234-238, 240-242, 252, 285, 332. Reid, Thomas, 361-373. Relation, 249-255, 290-292, 291-301, 505-510, 523, 621, 648, 650. Relativity, law of, 483. Reminiscence, physics of, 335-336. Repetition, 472, 473, 487. Resemblance, 291, 292, 294, 305, 480, 481. ... INDEX 733 Resistance, 277, 374-389, 396, 397, 448, 462. Retina, 511, 547-55, 559, 573- Rhythm, 628, 645, 651. Ribot, Th., 684. Ritter, 535, 538. Roman, 202. Rudiment, 419-431. Saturation, 577. Schopenhauer, 597. Science, 32, 50, 160-162, 416-431, 597, 609, 689, 690, 694, 695. Seebeck, 587. Selby-Bigge, T., 279. Self, 133, 448-462, 598-608, 635, 640. Self-consciousness, 416, 418, 426, 434. Sensation, 49, 56-66, 85, 86, 94, 108, 230, 234-249, 285,313,316-324,341- 360, 367-373, 463-482, 520, 530, 544, 562-574, 597-6i8, 652, 714. Sensations, auditory, 530, 557-561, 619-632. Sensations, muscular, 374-380. Sensations, olfactory, 71, 157, 318, 322, 341-360, 531-532, 635. Sensations, tactual, 52, 519, 554-561, 606. Sensations, visual, 256-278, 582-596, 718. Sense, inner, 448-462. Senses, 62, 85, 106, 148-162, 192, 236, 336, 361-389, 530-544- Sensibility, 316, 445. Sensorium, 317, 318, 537, 540, 543- Signs, local, 545-556. Sight, 16, 62, 256-278, 476, 557-56i. Similarity, 485-486, 490-496, 502-503. Sleep, 19, 46, 153, 231, 279, 322, 533- Smell, 52, 64, 126, 152, 319, 341-360, 369- Smith, Margaret K., 395-415' Socrates, n-44, 85, 121, 142. Solidity, 238-240, 248, 276, 277, 308, 476. Soul, i-io, 27-46, 84, 106-126, 138- 146, 168-190, 209-219, 229-231,331 340,413-415,424-43*- Sound : 61, 71, 292, 369, 372, 520, 557- 561, 600, 601, 604, 619-632, 652. Space, 74, 239, 248, 274, 291, 513, 544, 545, 548, 552, 556, 621. Space-perception, 380-389, 544, 611- 618. Species, 2, 141, 142, 165. Spencer, Herbert, 505-529, 668, 669, 671. Spinoza, Baruch de, 191-207. Spirit, 210, 226, 227, 445-447, 693-694. Stewart, Dugald, 468. Stimulus, 450, 562-572, 624, 7^6-709, 717. Stoics, 84-88, 117, 228. Striving, 418, 439. Substance, 45, 53, 144, 191-199, 218- 220, 229, 251-252, 290, 292-293. Suggestion, 389-394. Sumichrast, Frederick de, 341-360. Symmetry, 6 1 6, 617. Synergy, specific, 631. Syrians, 139. Synthesis, 720-726. Taine, M., 654. Talent, 726. Taste, 64, 152, 238, 245, 318-324, 371, 498,512,521,530,535,543. Tension, 418. . Tertullian, 116-124. Tethys, 12. Thales, 8, 117. Thaumas, 16. Theaetetus, 11-26. Theodorus, 25. Thomas Aquinas, 138-146. Thought, 3, 56-77, 156-160, 490, 643, 648. Time, 291, 294, 298, 381, 486, 498, 506, 522, 524, 647. Titchener, Edward Bradford, 558, 685- 696. Tone, 557-56i, 619-632. Torrey, Henry A. P., 168-190. Touch, 51, 52, 239-240, 247, 256, 266, 273, 370, 376, 380-389, 5U, 530-531, 557-56i. Traces, 419-423. Treviranus, 544. Truth, 25, 26, 73-75, 93, '59, 160, 161. 734 INDEX Understanding, 135-137, 207, 232-255, 445, 722-726. Unity, 140, 209, 216, 241-242, 607. Valentinus, 121. Van Vloten, J., 191. Vaughan, D. J., 27-44. Vibrations, doctrine of , 3 1 3-330, 339, 53 7. Vibratiuncles, 322. Vis repraesentiva, 231. Vision, 149, 256-278, 521, 542, 550, 573-581. Volition, 81, 179, 183, 205, 206, 240- 241, 483, 486, 496, 606, 697-711. Wagner, R., 557. Weber, Ernst Heinrich, 544,'557-56i, 717, 718. Weber's Law, 557-572, 717, 718. Weight, 474, 559, 561, 595-59$, 720. Will, 78, 88, 125, 135-137, I45-M6, 165-167, 207, 240-241, 314, 334, 356, 446,697-711. Wisdom, 112, 159, 213, 225. Wolff, Christian von, 229-231. Wundt, Wilhelm, 669, 670, 687-726. Yonge, Charles D., 84-96. Young, Thomas, 573-581, 583. Zeno, 84-88, 117, 642. Zenocrates, 117. fiitoettfibe CAMBRIDGE . MASSACHUSETTS U . S . A THE LIBRARY UNIVERSITY OF CALIFORNIA Santa Barbara THIS BOOK IS DUE ON THE LAST DATE STAMPED BELOW. 50m-5,'64(E5474s8)9482 UC SOUTHERN REGIONAL LIBRARY FACILITY A 001 030 655 3