IC-NRLF BOUGHT FROM Hearst Fountain Donation NINE , R T E T A L! BOOKS The Story of a Quest through a Myriad Books and Days to Find the Book of the Heart which is Humanity by Published in Los Angeles at 4993 Pasadena Avenue Copyright 1 920 by Will Levington Comfort C77 To M. M. S. 831909 THE FLOOR OF THINGS I HAVE always wanted to be happy ; it is every man's business, the quest behind everything. To-day I can see a thread which marks the path of my pursuit of happiness running back to the beginning, through books and days. . . . The first book I ever read was Grimm's Fairy Tales, a story there called The Foster Brother. It filled me with a kind of madness of joy, so that I thought it must be evil to love anything that way. Yet I determined to fight for- ever for my right to this dissipation. After that came the boy books from the public library, often twice a week, on parents' and friends' cards, to say nothing of the big traffic of the paper covers . . . lighting an oil lamp to read in the middle of the night . . . secret cougees where another boy and I lay cramped and suffocated to consume Nick Carter, Deadwood Dick, Old Sleuth thousands. The things with hard covers, which we were permitted to read openly, were milder productions, but little more real Henty, Fosdick, Alger, Oliver Optic, George Manville Fenn and the like. Then the High School period : Education ended for me after three years of that, and romance gradually entered into BOOKS AND DAYS the world of physical adventure. F. Marion Crawford's big list became as one novel, and heretical science began to disin- tegrate the stout hangovers of orthodox religion in my blood. Those days make me think somehow of a visit long after- ward to Saint Anne de Beaupre's, way up beyond Quebec, and the great pile of crutches and splints and bandages gath- ered there at that place of healing. The odor comes back faintly from the distance days good to look upon in the clear- ing perspective of one's past, but hateful and intolerable, the mere thought of living them again. When I first read of the "pursuit of happiness" in the Constitution, I thought that grown-ups must know all about it, but to me at first, it looked questionable to be happy. I had early been told that I would meet my Maker when I died. "God help me," I thought, and tried to produce the best Sabbath countenance, likely an expression blending fear and a desire not to laugh. It was school and a breath of the world that helped me out of the crutched piety of childhood. Again my next step was logical into the sciences. "Europeanism," I have heard this venture called of late. So many have made it that it needed a name. Those hard-headed philosophers sup- plied the natural cleansing for lungs that had breathed too long the thick, dim jungle airs of personal and erotic devo- THE FLOOR OF THINGS tion, but they lacked humor in their thumb-spanned universe and their dogmatic devotion to man-made facts. Darwin, Spencer, Huxley and Tyndall glorious souls im- prisoned in "scientific" minds. But Tyndall could not have been quite satisfied with his materialism, for in his Meditation on the Matterhorn I found one of my first hopes of a way out. His soul breathed for a moment in that. Those were the days in which we walked home from High School three city miles and in changing voices discussed and discarded the gods of our parents. All this time there were masses of fiction, of course, but the other kind of reading was getting a foothold. I remember a few Sunday afternoons when my mother and I read Hia- watha and Evangeline and the Barefoot Boy and Ode to a Waterfowl, together a lingering of emotional beauty about those hours. It was natural to touch Tennyson then, because he was one of the pioneers to pass through the terrific Euro- peanism of his brother scientists. He has told about his struggle memorably in the poem, Locksley Hall. Bravely Tennyson held out against the great material school of his time and held hard, too, against the astral drift of disin- tegrating orthodoxies. Tennyson's later years reveal glimpses of the sage and the saint as well as the artist the artist, in this sense, being the specialist in Beauty, as the saint is spe- BOOKS AND DAYS cialist in Goodness, and the sage in Truth. The three are said to be one at the top. Then the still firmer hand of Wordsworth fine moments of light from his Intimations and Tintern Abbey. They wear well. Carlyle was good to me. There was a time when that was the man of all human deities whom I would have preferred to come to my room and stay three days. I saw him from a great distance wrestling with the Lie. Carlyle is the austere purity of the pines to me ; his gray craggy beauty is a mental image of proportion now. And Emerson I like to contem- plate his work in relation to questing youth everywhere. There comes a time when Emerson must be read. For a little while, at least, the whole school of us passes through his genial class room. His name was anathema in the churches then. I must have gone to him early in secret, for I remember when he was hard reading. The time came when he was the sweet voice in my heart; and he opened up a past far back of the boyhood that was forced to learn the use of the word sin, and was troubled with the thought of an angry God. Rising genera- tions will be far along before they can do without Emerson's wise and gentle ministration. And Thoreau I've taken his clean book in dissolute days, and held fast to it through the THE FLOOR OF THINGS revolts and reactions of a sick and nerve-shot body. There is no better tonic for a man who is morally disrupted than to breathe Thoreau's clean air again. Ruskin had his grim, hon- orable part a man sterile-clean. Also a fellow-American I think I am touching something now that will strike a warm chord in the hearts of many men who are middle-aged the emerging of Elbert Hubbard into our American life. That was a young voice, splendid with its repulsions and attractions. I remember in my earliest news- paper days how the reporters used to talk about him with a copy of The Philistine in hand. First of all he could write then he was making a fight in the lists that certain of us have entered since, some few to win, the many to lose for the time the fight to be ourselves, to say ourselves, to make ourselves fine enough to be used and firm enough not to rock in the lure of passing seasons. It was Elbert Hubbard's earliest period that challenged me and stiffened my spine. Meanwhile, I was becoming more and more engrossed in the writing game, and the big whips of the early twenties were Kipling and Stevenson. Those two working-artists of our time twisted me into their own passages for a while, so that I was more of them than of myself Kipling, a real story teller of the ages, a cosmic boy at twenty-five, but merely an English- man at fifty. His Kim and Dick Heldar made me know Asia. When Earth's Last Picture is Painted is as lovely now as BOOKS AND DAYS ever. There aren't as many book-things as the fingers of one hand, which have stood for twenty years as true and flawless as L'Envoi. . . . Treasure Island even the movies can't spoil our boyish tastes for that; and the Stevenson essays which so roundly pleased our adolescent days! He only meant to do that in Virginibus Puerisque. One of his highest, best things to me, I seldom hear spoken of a long short story, called The Treasure of Franchard. Too much of a cub to be sent as a reporter when the Spanish War began, I went out as a cavalryman. I was a good horse- man, but never a good soldier. With careful reserve from this distance, I may say that single-handed, save for the aid of some Porto Rican rum, I broke more army regulations in one twenty-four hours than ever was equalled. I saw Porto Rico through many bars, and from many mounds of rooty soil, for I dug the sinks for the troop through intricate weaves of palmetto-root with an armed sentry watching me work. Once, as I picked and dug, very weary, a swelling formed on my wrist. I whacked it around so that it became more visible, and demanded the sentry to take me to the troop-doctor. The latter, after examination, permitted me to go to my bunk. This bunk was in a black room with some bad natives and small-pox in the place. The troop accounted me safer in the native prison than under a private guard in camp. There was one hole in the wall, the size of a shaving mirror, about ten THE FLOOR OF THINGS feet from the floor, and in its ray I had three or four great days with Ouida's Under Two Flags and Sienkiewicz's Quo Vadis. The authors are dead, but I hope they know the joy they gave me. How blessedly long those books were, and what a thirst I brought to them! I have an idea that there are big moments in both books, especially in the Pole's tale. But I wouldn't look deep again. They filled me then almost unto the first madness of Grimm, and a lesser measure of the rous- ing impregnation of The Light That Failed. In something of the same setting as Quo Vadis is Ben Hur with a really great fiction moment, prepared for patiently throughout the large part of the novel. It breaks with a crash I cannot forget . . . the dusty paths of Palestine at evening when the Healer touches the lepers by the roadway. A lot of books sell because they are trash, but the opposite is also true occasionally. A real book bulks big of its own intrinsic power. Ben Hur has that, and so has Trilby an utterly different vibration, but a spiritual force. Every form- ing artistic taste of mine was delighted and satisfied by Du Maurier's great book, nor was I a boy at the time. Queerly enough, and here I was different from the crowd, I loved his Peter Ibbetson quite as well. Very early in the twenties, a man gave me Herman Mel- BOOKS AND DAYS ville's Moby Dick. I looked at the Harper imprint of 1850 and read the book again. Here was a big walloping American whom I felt hadn't been given a real show. I set out to give him one all lit with the subject. I did a Sunday newspaper feature on the greatness of Herman Melville and the national shame of forgetting such a lordly male. A Boston paper wrote me coldly that Herman's fame might not yet have reached the middle-west where I thundered, but that the Boston papers usually had something about him every Sunday and had been printing Melville comment for a half-century. Then I found Conrad's Lord Jim, and in highest enthusiasm wrote to McClure's about its greatness. They replied re- servedly, and I met one of the real tragedies of the writing game, that a book like Lord Jim wasn't selling. Years later I found almost the same thrall in Conrad's story, Heart of Dark- ness. One doesn't read words or pages when he finds a real tale. He soars in the soul of the thing a dimension above technique. Away back early I read that great book of the heart, The Story of an African Farm the voice of a real girl ; later I read her Dreams, the work of the girl grown up, and later Woman and Labor, from the, mature pen grown weary. I read Les Miserables first in early boyhood, following the one main thread of Jean Valjean through the maze ; later when THE FLOOR OF THINGS I knew something about books, the novel came to me again. It's a mighty thing, mightily done by one of the first spiritual democrats, a book that touches most lives. I like the other Hugo novels, but none lie broad awake in the meshes of mem- ory like Les Miserables. Balzac, on the contrary, is not a man of a single book. His whole list, like Crawford's, means one book to me, and one of the best on earth, culminating in Sera- phita, which in sixty or seventy pages tells the great story of Swedenborg. This is a story that needs badly to be known. Dickens is a man of marvelous sketches a writer of certain pages rather than books, and Tolstoi was really writing one story all the time the story of his own spiritual unfoldment. Tolstoi's past-fifty problems are the problems of the children of the New Age to-day. The greatest thing he did was to go out alone to find union, even in the last hours of the flesh, with his own Master, whose Sermon on the Mount he had tried to put into perfect speech for twenty years. I always smile at the way the Associated Press men and other correspondents followed with telegraph wires the steps of the aged Russian on his last journey. They sought to be on the ground for the Meeting. . . . Tolstoi was on the Cross for the rest of us most of the time, and that's the first and most intensely real function of the writer-man. In one of those years between twenty and twenty-five, Wai- BOOKS AND DAYS ter H. Page saw some short things of mine which he said had promise. He asked me to let him see a book some time. I couldn't wait to put on the last chapter; couldn't wait for a decision by mail, but followed the thing on to New York. The publisher took me in to him one hot afternoon and refused the book in the softest possible terms. He was genuinely ten- der, and he told me afterward, when I could see how- right he was, that he never saw a man sweat as I did while he let me down and out. He gave me a real book that day one I have loved to give to boys since, Bob, Son of Battle. THE LIFTING SPINE II THE LIFTING SPINE I HAVE never been a saint, and yet the idea grew upon me through childhood and youth that the Plan of the Universe was a lot bigger and more perfect than I could have made it. Most men are butting their idea of the Universe against a greater Plan that won't give. One must bring some reverence to the Plan before it begins to un- fold, before the spirit of the Plan appears. I had a talk with a lawyer in a small town, and must have spoken of the "spirit" of something once or twice, for he stopped me, saying : "What do you mean by spirit? Do you mean what the preachers are talking about every Sunday?" I hastened to explain it wasn't exactly what I meant ; that I meant the hidden and in- vincible loveliness in all men and things. Everything was changed when I began to get the first glimpse beyond the three-score and ten arrangement. It grew upon me in the same way as that the structural plan of the universe was better than my idea of it. I began to see that to have a philosophy or any adequate explanation of life, one must hypothecate a before and after. In writing, I had found subject matter on the pages forming before me day after day that I didn't know I knew ! Anyone may say with a warm BOOKS AND DAYS smile that those writings were not important. They were to me, because they were bigger than I was when I sat down to the desk. This phenomenon opened up a psychological problem that has not ceased to work since. Did I have a Self that was greater than my mind, or was this particular and passionately developed aptness for writing used in certain fine moments as a vehicle for some one wiser than I, outside? Sometimes I inclined to one view again to the other. In any case I didn't handle the problem. And there were other questions: how about dreams; how about the difference between myself and others? How about this passion for writing in itself? How could my fervent inarticulate love for certain faces be ex- plained? I had not heard of the continuity of consciousness beyond death. I certainly am not preaching any dogmatic view of what happens after death, nor do I undertake to tell how we come and go. I wouldn't touch reincarnation at all, except that it's a basic thing in a writing about books, the quest of which is to find Happiness what they meant by that magic phrase, "pursuit of happiness," in the Constitution. Now, one may know a bovine calm of the senses, but the thing I mean must transcend accident, disease and death, or I pass it up. Moreover, I don't expect to meet the Big Chief THE LIFTING SPINE the minute the body dies. You couldn't end a story as obvi- ously as that, and the scheme of the Universe includes all tales and tellers. Even as a child, I found it hard to adhere to the conviction that I could be patched up to meet the Father directly after this adventure, as a sick actor might be massaged and stimulated to keep his appointment with the gathered crowd. There was a neighbor once who had brooded over a mortgage for forty years, yet he expected to be trans- lated to the Absolute at the end of this great tribulation and become one of the Lords of the Holy Universe. How such a conception of the Father and the Human Spirit can stand and endure in the presence of the earth and the solar system, the infinite stars and their invisible planets but one does not have to look up! He need only feel the fluttering phenomenon of his own heart, or look at his own knees, or the ploughed lands, or breathe them after a rain; at the grain coming forward like the song of returned soldiers ; at the leaf, at the clay-lump, the ant under the clay, the grain of sand used as a building block by the ant. I have felt instants of happiness of late, and seen glimpses. I know that I shall arrive and that you shall arrive, but anyone is hopelessly bogged until he perceives a nobler vista than three-score and ten. The trail at this point is a defile with a big rock fallen in the center of it. You can get your infantry BOOKS AND DAYS by; even the cavalry can scrape past against the walls, but you can never get your big guns through until you blast the rock. In other words, you must surmount the dogma that one organic body is enough to prepare you for heaven or hell. The East has always held to its visions of the Long Road of Life. Children of the New Race, which is the first blend of the East and West to walk the earth, are, in the main, born with an understanding of this principle, and need only to be reminded. Children of the New Race what I mean by that will leak out presently, if you don't know already. Look well into your own family and you may find one. I was in a room with four people the other evening, and we discussed the inevitable turning from the old to the new. It transpired that the whole four had made this turning under the influence of one author Marie Corelli the Romance of Two Worlds having performed the trick in three cases. The point is too big for comment. I, too, have sat under the art- lamps and cackled at Marie Corelli's sort of art, but I'm inter- ested of late in the art that whips thousands of lives out of the old and into the new. Mostly this turning point of life involves Theosophy, or Christian Science, or New Thought, but about this time I went out to the little wars. In the first Russo-Japanese campaign, I did much traveling with a really THE LIFTING SPINE big man, named Grant Wallace, who was ten years older than I. In junks, in steamer bunks, on many hatches, afield in blankets at night, Grant opened up my mind. It hurt. It came fast. He was in and out and around all I knew. It made me glad and mad at the same time. I had to go apart for hours to catch up. In one of these departures, I went through the city of Chifu, at least the inner native quarter. Grant's most recent talk was straining my faculties at the time. It was not only unassimi- lated, but still alive in my mind. This within, and the stench and horror of the native city playing from without, made the incident queer, to say the least. I walked in a hush of time and space all around me a dream. I went back at dark to Mrs. Cabot's English boarding- house on the cliffs above the harbor and wrote the story of the afternoon. Grant was in the room. I read it to him and he said it was good. Roswell Field of The Chicago Evening Post said it was the best newspaper story that came out of that war in Asia. At least I was told this. I never saw the Chifu story in print that I can remember. Still I didn't know anything about the thing explicitly called reincarnation, though a friend in The Detroit Free BOOKS AND DAYS Press told me I was writing it. This was James Barr, brother of Robert Barr. He referred to some articles I was doing for the Sunday paper, and what he had to say, he whispered. Re- incarnation was a thing to whisper, down town, in those days. He gave me a letter to a theosophical society and went to a meeting that same night. There was a red light at the door that is, a red pane with a light behind. I held the letter of introduction in my hand, and saw, behind the curtains, a circle of middle-aged men and women very silent. The leader took the letter and vanished. I heard them say that James Barr had sent a message to them. They thought I was the messen- ger-boy. That was straightened out, when I lingered. I thought, of course, that I was going into some spiritist seance, but when I finally got in, I found a group of serious and friendly people talking about God in a new way and very much interested and genial about it not at all cracked. Now, I am not a theosophist; in fact, many good theoso- phists think I have gone far astray of late, but I took a deep drink of what they had twenty years ago and found it good. Theosophy is the study of God mainly from an ancient and Asiatic view-point. It flooded into me like a heavy spring rain over a dry river-bed; and with it came one of the big moments of amazement of life. It had to do with books again. Even in nineteen hundred THE LIFTING SPINE the majority o people in the West was cut off from the many of the East, as from another planet. I had been reading all my life many thousands of books, and yet I had never touched anything like this. Here were Besant, Sinnet, Lead- beater three who could write yet they had a new language, a new intonation, new flora and fauna. If they had written badly, I would have been able to hold on to myself, but when I found them capable of style, yet capable of forgetting it, and at the same time opening up Asia for me, as my two journeys there had not done by any means I had to let go. It was the Grant Wallace experience again. They had me off my feet. BOOKS AND DAYS III UNDER THE WHITE LAMP OOKS come mysteriously to a man as he unfolds. You pick up the things you are ready for. Many times a book destined to mean a life-realization lies unopened for years in a man's library. The moment comes for its taking forth. Or a friend brings the right book. I have said many times that there is no need to go out in search for the right thing to read. The other half of the same mystery is that a book cannot de- liver its message to you, no matter how much you read, until you give yourself to it in readiness. There's a book here that throws light on the meaning and symbolism of the Apostle's Creed; another that illuminates the Revelation of Saint John. The churches have struggled to explain these matters, but have not touched these two books which would help so much. Yet these are not rare parchments nor isolated volumes. They are emphatically in the world, but the churches that need them most bring against them preconceived opinion en masse ; from such the magic lies concealed. There is an occult saying that a man's master is always ready when the man is but that the man must go half way to meet him. This going forth to find the master signifies again the reverence and re- UNDER THE WHITE LAMP ceptivity which must be brought to a great book before it unfolds. The study of oriental philosophy and literature cleaned up my behaviour for a time. I did without meat, read theo- sophical literature five or seven hours a day, and incidentally wrote a long story which I believed would prepare the nup- tials of the East and the West. I was thin and white and brittle from the deep burns of enthusiasm. There was a wise critic who handled an earlier book of mine. He said that Comfort was always intoxicated either with the Idea of God, or Romance, or Plain Alcohol. Early days, at least, furnished reason for this report. I hadn't been selling anything. Besant Sinnet Leadbeater had spoiled my work for the markets. They were in my stuff. Magazine editors who had been watching a young man who could write field action with some "punch," were snorting now over the copy all shot to pieces with a new religion. As a matter of truth about this influence, I explain that I sold more stories at twenty-two than I did at twenty-seven. I took the long story manuscript to New York after seven austere months. Having placed it on the prospective pub- lisher's desk, I went further about the Lord's business by calling on a group of young mystics under Harold Percival up Lenox way. They were wonderful young men one a jewel- BOOKS AND DAYS salesman, another a broker, another a surgeon all doing "down-here" tasks with excellence, as I understood, and all far deeper students than I. Under their white lamp my story was told how I meant to sink the East into the West through a literature of the East and West. They listened and admired. I was very happy. They suggested that I eat meat that I would do better work if I did.* They represented that it was a mistake to think that a man should neglect the world, just because he was called of God. They explained that they had tried it ; that whole schools of yogis had tried it in India ; that it meant retracing after going a certain distance ; that the mere fact that we carry a hundred odd pounds apiece should be sufficient suggestion that we make flesh do well here in the dimension it belongs to. They were genuinely fine in explain- ing my disease. I found Grant Wallace in New York. We sat down together in a studio in Lower Fifth Avenue on the floor, just as we would have done on Japanese matting. Many hours. I told him a lot that Percival's young men had told me about divine laws and how I was going to put this new stuff into America into American fiction how this was my job, how clearly I saw it. I know of no more gentle heart than Grant's. I forgot *I tried this out afterward, but of course it proved a mistake. Those young questers under Percival have doubtless found it so. UNDER THE WHITE LAMP during the stretches of our communion that it was he who had first brought me these things. He didn't remind. He listened and laughed and patted my knee, and when we were exhausted, we rolled into a blanket together quite as before. . . . Dickie Barrie joined us the next day, Port Arthur Barrie Dickie on a shoestring, when I parted from him in Japan come back famous, having lived and loved Nogi, and camped and ridden for many months with brave old Frederick Villiers. Grant had a desk at The Sun. Barrie had a desk in every magazine office in New York and was selling all he wrote at from five to fifty cents the word. Barrie fled, but I pinned Grant, making the picture over and over again of impregnat- ing my country with the Asiatic consciousness. "But don't forget your humor," Grant said. "Humor, man," I answered. "This is a serious matter." "I know, only don't go about it seriously. You see, a man can ride right up to the Throne on humor " Always gentle, this Grant. All I could repeat was that it wasn't in the cards for me to fail. . . . You see, I didn't allow that anybody else was to help in the redemption work. I was going to do it alone. My country needed it badly. Meanwhile, in New York, I waited for the report on the manuscript. After two or three days with Grant, I called at BOOKS AND DAYS the editor's office and was told kindly that the manuscript was spoiled by a deluge of unbaked philosophy. Those were friends of mine in that office. Will Irwin was there, but it was Viola Roseboro who was delegated to impart to me how rotten my stuff was getting. No one could have done it more sweetly. ... I couldn't get the humor working without help then. I went out in the street and began to drift. I ended up in the Battery with some soldiers met in Porto Rico long since. . . . The days were hot, the drift hotter. Grant was looking for me, but I was far singing along on the old rum-trail after seven months of abstinence, seven months of winnowing out the blood and iron. The "white line" took me like a storm. I saw as I never saw before. I saw everything, but I could not feel fast enough. I lost the manuscript. I lost the sol- diers. I lost Grant and Dickie Barrie. The drift took me from one end of Manhattan to the other. A bar-tender gave me a nickel to get from West Farms to the studio in Lower Fifth Avenue, but I was so dry after making the touch that I took a drink and started to walk. That was the smallest glass of beer in the world. On the way I remembered my friends under the white lamp. "I will arise and go to my friends," I said. They took me in. I shall always remember that. A few days before I was their guest all clean and white, telling UNDER THE WHITE LAMP them quietly how I meant to change the world. I had even seen the advantage of knowing less than they did, as I began the big task for cannot the neophyte teach the many better than the master who may have forgotten the initial steps so far behind him? And now I was more like a thing swept up from the streets, after three or four days of drift unwashed, unshaven, half-mad from deep drink, the one-eyed crocodile of the Aquarium pictured in my fancy, every time I closed my eyes. And their house was so clean. A soiled man who has been clean has no front in the presence of cleanliness. Even they could not contain the extremes I was made of. ... They gave me alcohol to drink, water to bathe in, and clean sheets to lie between but I could not rest. The crocodile came even there. The vague God I had erected was very far indeed, but not so far as I thought. I see that now. BOOKS AND DAYS IV LOVE AND DEATH MAN has a surface and a secret consciousness. It is like a vast estate which we cultivate field by field. Mainly men only open their kitchen-gardens, but the artist dimly apprehends glades and glens, and if he is lucky and balanced enough he finds certain sun-washed silent hills. That fine group of lyric poets Byron, Burns, Poe, Shelley, Keats opened up sick swamps and found them too hard to drain, yet they were continually going back to them, dwelling in a kind of helpless wonder upon those fevered margins, until the murk and illness of the bottomlands was like a shadow in their eyes, even when they sought the eminences of their own being. The mystic has been called many things, but he is really the man of a single transcending secret that there is one light in himself, and in every one of us, which, if developed, is capable of raying out over all our lands. He finds that there is no recess nor abyss of his nature too deep or dark or fearsomely tenanted for this light to cleanse and sweeten. He learns that by developing this light, he is working from his own highest point, also from the central point of his own being; that its ray can penetrate the thickest forest and dif- LOVE AND DEATH fuse its light into the blackest ravine, leaving a cathedral won- der there. He sees his estate as one, and as he integrates and masters his possessions, his central light becomes a land-mark over all the province, and the neighboring planters use his light to order their own possessions. Now it's a hard fact nailed that this light in every one of us is the secret of happiness; the "pursuit of happiness" through books and days is at first the quest and then the quick- ening of this light. It's every man's property, and the few who have touched it, know the "amplitude of time" and "laugh at the thing called death." Balzac wrote of it, "To live in the presence of great truths and eternal laws . . . that is what keeps a man patient when the world ignores him, and calm and unspoiled in the world of praise." The secret was just touched for a moment at a time in cer- tain books up the years. I don't mean in the sacred writings ; that's the business of such books. We are so familiar with many of the sacred sayings and their pointings of the ways that they have become a patter upon our minds. To say that Truth leads men to happiness tells the whole story, but it doesn't mean everything to us, in the midst of detached affairs Down Here. It has been said too many times ; we're hardened to the impact of it. I mean that I touched the secret for an occasional instant up the years in the books of feverish young BOOKS AND DAYS questers in our midst the ones who write or paint or play as they hurry on. I read a story of Guy de Maupassant's. I may not remember the tale exactly for it was long ago, but of the spirit I am sure. A young man and woman met, and in the sudden power of each other, forgot all the stresses and bondages of life which were already upon them. They vanished in a cloud of scandal. Thirty or forty years afterward, an old Frenchman who had known the man and woman at the time of their dra- matic meeting, was traveling somewhere in the mountains and came upon a cabin where an aged pair lived alone in the wil- derness. . . . They were silent together, full of peace and wistfulness. The woman joined the man in the hard tasks of their rocky garden; the externals of life were utterly simple, yet the traveler found between the two, something that all the world had not shown him before. Sometimes when he spoke, sitting between them at the hearth, the man would lift his eyes and turn them slowly to the woman whose gaze would meet his for a moment steadfastly, without any effort at communication, but with a calm and understanding that involved all life and seemingly all the past." There was a fearlessness in their eyes that unmistakably intimated a working knowledge of the long ascending slopes ahead, infinitely beyond the little mystery LOVE AND DEATH of death, so close to one or both. Their love was the first and last fact of their lives, so that the traveler wondered at their happiness in the imminence of what men call the end. . . . That story is one that means Romance to me. As I recall, the traveler went his way, before he remembered the old story of the two who had fled together, and that he had seen the end of the scandal. De Maupassant called his story, Happiness. Years ago, in Detroit, there was a beloved city editor, named Harry Hetherington. He touched many of us younger men from time to time, and most of us profited by the big things which he could not say. One night he gave me Andreieff's The Seven Who Were Hanged. It was a psychological study of certain young revolutionists awaiting death, and others who were in the death-chamber with them. A remarkable story, and to me there was one culminating moment one of those moments in books and days which leave a man different. . . . A man and woman standing together at the last mo- ment, and their look past the world and the flesh and the gray dawn directly into the Essential Loveliness of each other. They saw something that life here below mostly conceals from us. They discovered that instant the Romance that goes on and on ; that the door just ahead of them, which had looked so dark, swung really into a freer dimension. They knew, BOOKS AND DAYS standing together, that they belonged to a bigger world than they had dreamed of ; that they belonged to those about them in the death-cell, to the guards who brought death to them, to the teeming suffering myriads outside most of all that they belonged to each other. I never could get past the need of building something be- tween real lovers that will help them over the barrier called Death. To me the very awakening of the love-energy seems to demand that. The countless deaths of soldier-lovers afield in the recent war would seem to demand that the higher octave of Romance be touched, at least, if not played upon. Certainly there have been many men and women whose stately mourning for one gone has brought to them a faint intimation of nearness; moments in which the heavens were flung back ever so little. It has always seemed to me that there could be no contentment in a real love story in the midst of the in- finite chances of life and death, if the love thing itself would not open something beyond the petty span of things as seen in the flesh. . . . One of the finest romantic moments I ever lived in a book was in Maeterlinck's chapter, The Nuptial Flight in The Life of the Bee. s There was one night away up in the gallery of a Detroit theater, when I read a little pamphlet called, Hindu Meta- LOVE AND DEATH physics, and an old shell in my brain cracked open. I knew then that we were mainly doing things in detachment in Eu- rope and America; that so-called Science was but a study of parts, like Darwin's segment of evolution, which the great man considered in his superb concentration to be the whole stretch of man's progress. I found that in India they had a word called "prana," which we haven't even English for ; that they mean by it, the quality in air which cannot chemically be analyzed, but without which no plant or man or animal can live. It was demonstrated to me that we move and have our being in the atmospheric cushion which rests upon the crust of the planet, because it contains this quality named "prana" the breath within the breath. The little pamphlet was crowded with matters as revelatory as this, quite a number of which statements have since been demonstrated in our Western world. I swung again in that reading altogether loose from the ground, and renewed my burning boyish allegiance to all that was of the Orient. It was a long time after that before I learned that the East has merely been doing what we haven't; that the East has been holding to the synthesis, while we have been at work in analysis ; that the East has clung to the whole, while we have been doing the lonely cold work with the parts; in fact, that BOOKS AND DAYS the East is little better off than we are, but that both East and West have ineffable gifts each for the other on every plane of being. It was long before I came in from eccentric yearnings and gropings to realize that the man who finds intimations of immortality in the primrose on his path, is working quite as importantly in the big scheme of things, as the sage on the roof of the world, who has opened his skylights to commune with a passing Stranger, too lustrous for mere man's optic nerves to delineate. In fact, the intimations of immortality are quite as significant in the primrose as in the archangel; and it is as truly essential for us to perceive the majesty in miniature as to expand our souls to contain celestial con- figurations. I can find the dear care of being and the love- tokens of an awakening spirit quite as evident in Amiel's Journal and Jeffery's Story of my Heart as in the Mahabarata or The Book of Job. It is but a step farther, and just as sure a step, to perceive the emerging prophets in the lives of those tortured lyric poets ; to know that Poe and Burns, Byron, Shelley and Keats were just as surely making their patterns straight, as the apparently more ordered questers in the monasteries of Vindya or High Himalaya. In fact, the mysticism of the man, Slocum, who built his boat of pasture-oak, and sailed it alone around LOVE AND DEATH the waters of the world, communing with his God in the great voyage; and Appleseed Johnny, who planted orchards ahead of the pioneers, and John Brown, whose soul is still marching on such mysticism is as magic to one who sees, as that of the lofty devotees who have transmuted every passion and desire and appetite into one great Yearning for union with their Lords. . . . In fact, I see the austere yogis coming down from the hills to toil and endure the low vibrations of the plains and cities, quite as surely as we of the west shall later fix our knowledges and cool our distractions in the mountains of the spirit. It is good to go to the mountains, but just as good to make one's place at the water-levels. Zarathustra goes up, but comes down again. Moses and the Lord Christ go up into the mountains, but come down again, covering their faces from the many, until they get adjusted to the pressures of the plain. Peter, James and John wanted to build their tent upon the Mount of Transfiguration, but their Master smiled and led them down again. It is the abysses as well as the peaks which make the scenery of the Himalayas; matter as well as spirit for the experiments of our laboratories; the East and West which make our world. The value of woman is that she is unlike man. Her glory is ruined by the man who tries to possess her and make her BOOKS AND DAYS like himself. It is only when he sets her free that she comes to him gladly with effulgence in her eyes. In fact, it is only the free woman who can give herself. In all their fighting alone and apart man and woman, catholic and protestant, heart and mind, mystic and occultist, East and West, have gathered together great treasures and powers, each for the completion of the other. . . . The New Race sees the globe in one piece, night and day as parts of the same movement, the Innermost and the Uppermost one; the doctrines of Immanence and Emana- tions, as the systole and diastole of one Quest. Plato and Aris- totle are not forever incompatibles, any more than Baptist and Congregational in the weaving tolerance of the New. FIGHTING BACK V FIGHTING BACK ERGSON and Eucken and Ouspensky, three Euro- pean middlemen whose great work lies between the East and West, between the Old and the New, might have hurried me back into the Western balances, but I did not read them at the time of my thrall for things Eastern. I remember a book at that time, a book about women, by the brilliant young apostate, Weininger. Its flashing subtleties and sophistries carried me deeper into the drift, but the actual needs for life in the world, sooner or later brought me back. The fact is, I never would have been able to make the spiritual 'and the natural, or the East and West, work together at all in one body, if it had not been for the needs of daily bread. The struggle is pictured well in my numerous journeys to New York from some haven of quiet in the middle-west. The big town had hurt me so many times that it came to mean Hell. I would go there with a book manuscript in a confi- dence that required no return ticket, thoroughly warmed and self-psychologized, after months of bearing work in my own atmosphere, all personal magnetism and thought-force inno- cently enveloping the story which the nearest editor would deliver from me, leaving the author little more alive than his still-born. BOOKS AND DAYS It was hard for me not to blame the people and place of these parturitions. Broke, I would have to find work on a newspaper in order to get straightened out, after the months of concentration on the "priceless" task. In fact, I frequently had to go to work in New York in order to negotiate trans- portation to the particular garden-spot of the middle-west, where another novel cried for birth. In the midst of peace and production again, I would slowly and surely lose the memory of Hell ; I would forget all that New York had taught me last about keeping my stuff within the range of the public mind. Increasingly, as the weeks drove on, I would follow my own tastes as to what a novel should be, and lose the clutch of actuality which the market demanded. Left alone too long in the shop, I always drifted out of touch with the American spirit. So the struggle of those years was less to make my stuff good enough for the market stand- ard, than to keep it down within the reach of the many with all the wings of metaphysics tugging from above. But New York always broke these pinions. The editors remarked that I did physical adventures rather well, but got maudlin over spiritual adventures. I fought back, but the harder I fought, the farther I was pushed from the chahce of getting across. I hated hard, but hate spoils everything. The man who hates has a sick spot on his mental surface. Hate comes back to the hater. Yet FIGHTING BACK it is energy. Hatred isn't so alarming as impotence. The great hater is potentially the great lover. The man who loves sees the object more in the real sense and less in the critical and personal sense. The man who hates sees the object alto- gether in the critical and personal, and misses the super-per- sonal reality. It is impossible to hate anyone whom you really understand. If you had come the same road of the one you hate, you would be as he is. It is the opposite to hatred which is the key to understanding and the clue to the thing we are after, which is Happiness. A man who neither loves nor hates is sick spiritually. That indifference called Moksin by the Hindus has been well tried out. If pushed too far, it results in atrophy of a deeper vitality than that which has to do with the body. I have hated indi- viduals and countries and societies and editors and myself. Finally I indulged the dissipation in hating abstractions, like Ignorance. The queer thing about hating Ignorance is that you are called back to the hatred of it in the individual. If you hate Ignorance in the individual man, you tighten his trouble and attract him to you with his slowly-rising hos- tility. There is nothing to that. A man watches it work for a little while; then comes back to the changeless truth that the main trouble with the hater is his own insides. As he cleanses and corrects these, understanding is gained which BOOKS AND DAYS makes hatred impossible. Driven to the last ditch by the hound of heaven, a man is forced to love something, a girl, a phantom, a family, a friend, a dog or the dank earth will get him right there. One of the last things I hated was the Old in everything. I had given my allegiance to the phantom called the New Race, but I didn't get the phantom to stand still and be en- fleshed until I reached calm on the subject of the elders, whom I had called "the bearded generation." One sees later that the Old is the essential matrix in which the New is born. It is well to consider that the Law works both ways. Love comes back to the lover, and now we are touching the quest again. . . . We are shut off from each other in detachment, but we really all want the same thing. Everyone whom we have learned to trust tells the same story Hermes, Orpheus, Gautama, Jesus, Lao-tse, Zoroaster, Socrates, our own Walt Whitman and his great disciple, Edward Carpenter. Personally and nationally we want the same thing. It is only the illusion of detachment which makes us see it differ- ently. What is essentially good for America is good for New South Wales. The same is true in every commercial and romantic contract. Two men prosper in business so long as they are out after the same thing; man and woman pull to- gether, just so long as they lose the pain of their own wants FIGHTING BACK and aim as one to a single goal beyond. In the higher romance it becomes absolutely essential to work together toward one spiritual point. The increase of force rends two beings who have breathed Open Country together and fall back into the tight dimension of me-and-mine. These things are hard to see in detachment. The pith of them has to be accepted on faith until it can be seen, but every effort a man makes to hold to it is moral calisthenics of a fine type. It is in the great expansions of life, in moments of high happiness or hard-driven from pain, that most of us get our first glimpses of the truth which heals. BOOKS AND DAYS VI A FEW FINE THINGS I AM writing this now in a room practically devoid of books making no effort to remember. The names of my big moments of reading come one by one without external reference. I may forget many; could hardly hope to touch all. In early days, again and again, I have said about some forgotten volume, "This is the best book I ever read." I know I said this about Bulwer Lytton's Zanoni, and possibly about his Strange Story; still earlier, of a cer- tainty about Camille and Three Musketeers. For a time I was right to dwell in Thomas Hardy's thin watery lights and deep windless glooms, but the Waverley novels and I have yet to meet at the exact right time. I never drew unqualified inspiration from Shakespeare, though I have often tried the plays and sonnets. One thinks at the same time of Bacon, from whose ethical essences I have taken real profit ; but even more from the balanced coun- sels of the noble Roman, Aurelius, tough-fibered and fine- fibered enough to be an Emperor and remain a man. In the same thought comes to me the spiritual faculties kindled within from the self-mastery of the slave, Epictetus. That little volume I kept warm a long time against my hip. Some of Browning's things I have actually found intact in A FEW FINE THINGS my memory from much conning; but I have always wished that he had been a poor man, compelled to meet the markets for daily bread. That would have forced him to make words work better. In spite of this, he pulled a love from me that made him unfold for my inner consciousness. He knew some- thing of what a lover means which the world has still to learn. I would have adored the lover in Dante for one single page of his great heart story, and when I read that Beatrice said to him: "I will make you forever a citizen of that Rome whereof the Christ is a Roman " I could hold no more of sheer Romance ! Many of the great moments of the great ones, I learned through their disciples of Goethe from Carlyle; of Socrates from Plato ; of H. P. B., who still has much for young America, from Annie Besant. For a time the disciples looked so bright in the foreground that I missed the looming masters behind them, but one's eyes straighten with the years. For a long time I hated Paradise Lost because of its seeming orthodox adhesions, but, as I loosened the adhesions from my own mind, I came to realize that Milton was blind on the outside for a very good reason ; that he had caught something of the Big Story of the Gulf which the best men of the here and now will do well to look at again. Moreover, as Mencken says, "he could write like hell." BOOKS AND DAYS I have taken more worth from Coventry Patmore's two stanzas called Departure, than from all the Shakespeare plays ; more, I think, of the throb of life from The Ballad of Reading Gaol. As a little child I was thrilled "to a peak" when a room- ful began to sing: "Mine eyes have seen the glory of the Coming of the Lord " Oscar Wilde touched the same vibration in the Ballad, and this is the very core-vibration of the "Marseillaise." ... I wonder that more people do not know one of the loveliest things ever made in America, the "Hymn to the Marshes," by Sidney Lanier a countryman of ours who saw the great Writ- ing on the ground which is the Western way the same Writ- ing which the Easterns read in the Stars. STARS AND BEES VII STARS AND BEES LOVE the men in books and life who are groping f r the same things as we are. They called Blake and Bohme mad, but cults are forming today and books are written about them. They pushed their skylights open a bit. They couldn't bring down all they saw, but we treasure the words which they formed in open consciousness. The more we know, the less vague appear their words, and the more we realize that theirs was a magnificent madness. In the white fire of their awakened faculties, they looked down from the mystery and saw more than flesh in faces. They saw the sons of God in the eyes of passing men. No trouble to be a Democrat after that, for the heresy of separateness is forever broken. That fine living Irishman, A. E., has told the same over and over again: "This mood hath known all beauty, for it sees O'erwhelmed majesties In these pale forms, and kingly crowns of gold On brows no longer bold, And through the shadowy terrors of their hell The love for which they fell " BOOKS AND DAYS A. E. is talking about men the men of the street. And more he is getting it down, so that those of us who haven't time to make poetry or dream dreams for a living, are unable to get away from the things he sees the same that all the great ones have seen. It's the work of the workmen of the New Age to bring it down to matter straight to make the dream come true in matter, so that even the man who runs must catch his breath and remember his birthright. The war has done much to make the myriads stop and look and listen. So many who have lost the dearest thing here want to know what is on the Other Side. The Spoon River man gave me an extension of conscious- ness ; and young and old in this settlement have passed around James Stephens' Crock of Gold, looking at the world differently before and after. The breath quickens in the same passage of thought to Algernon Blackwood's stories. Here are three big workmen of the transition. ... I have read James Op- penheim's little verses called Annie in the same evening with some of the finest pages of rhythmic print ; and Alfred Henry Lewis' Wolfville Stories to the same group who believe Ro- main Rolland's Jean Christophe to be one of the highest best productions of any artist any time. Every day that big French- man shows his light in the world, which is to say that he helps to uncover the light intrinsic in all men. Ellen Key's Love and Marriage was a real book to me ten years ago, and one STARS AND BEES of the strangest and most potent things which I ever held in hand was the Poems of Aleister Crowley. Much enlightenment came to me from The Perfect Way, The Aquarian Gospel, Hartman's Paracelsus and Magic, White and Black. The last has been the final object dropped a hun- dred nights before turning off the reading lamp. There were two winters when I read very little besides Astronomy, and almost as long when the prime interest of life to me was Bees in books and fields. I used to own walls of volumes, but I could do with nine now, not counting the Bible, which is the book of all for our day. Yes, I would keep these and let the others go nine great little books of the world to me. Sometime I want them in leather on India paper so that the whole nine could be held in one hand The Yoga Sutras of Patanjali,* Imitation of Christ, Bhagavad Gita, Voice of the Silence, Light on the Path, Impersonal Life, Thus Spake Zarathustra, Leaves of Grass and Towards Democracy. *Chas. Johnston's edition preferably. BOOKS AND DAYS VIII THE MYSTIC ROAD GODAY I can see innumerable intimations of the larger consciousness breaking through the minds of the many, little touches of the real in fiction and moving picture, sentences of deep reality, themes which contain actual correspondences of spirit and matter. Out of an old drawer, recently, I plucked forth a much worn copy of Bucke's Cosmic Consciousness. It had literally been read to pieces and was bound away like letter-sheets sacred to someone's beloved. Breathlessly, ten years ago, I went about making those revelations my own. It was the main subject and object in those days to break with a crash into the larger field of con- sciousness. I remember how the term World-man shook me, when it first appeared on copy of mine. "Ahead on the road are the World-men" that little sentence looped over into Canaan like an announcement that we were coming. It meant all that "worldly man" does not. That enthusiasm was all very well, though I have learned since that Enlightenment comes as it is earned; that a man is very far from it when he is "fixing" to arrive; that it cannot come, in fact, to fit the mind's conception, because the mind works in three-space and It works in four. All this self-con- THE MYSTIC ROAD scious stuff is part of the mountain of matter which must be renounced, before the Day breaks and the shadows disappear. One makes his body ready to endure an incredible increase of power. This making ready is the conquest of the mind and feelings. One may have Enlightenment, if he pays the price and this price looks steep in the beginning. It means to give up every whim, habit, eccentricity, failing, appetite and predilection. It means, if one is called, to give up money, name, house, lover, child. It means to be ready to become as nothing in the eyes of men. The Book of Job is one story of the coming of En- lightenment. One laughs at the need of celibacy and austerity, before one is called, but head-on in the dark, one finds himself in the midst of restraints and denials which would have looked like fanaticism to himself a while back. The time comes when he forgets that he is being restrained and denied. He refuses to make a single mind-image of his reward. For a long time he appears less than he was, as a mind-power and as a man among men. This is because he has repudiated all that he knew on the plane of generation, and is not yet ready to use the wisdom, love and power of the Self. This is a sorry time. Bucke's book was good for me, but I do not believe that real Enlightenment, or Illumination, as he called it, comes in the BOOKS AND DAYS way he pointed out. I think it is more like a wick being turned up, the slightest fraction of a turn at a time. Each turn is an extension of consciousness. It never fails to come the instant the poor man-trained objective consciousness gets decent and healthy enough to stand it. There are many tests and ordeals. One must learn to dis- criminate between his mind which thinks, and the Voice within which knows. This is delicate work, and after learning to hear the Voice, one must know no other god before it. Enlighten- ment steals in like the Dawn, which it is, after the long dark- ness of preparation and purification. It comes softly as one puts on courage to do bravely in details and to keep the bravery hid. In fact, it is questionable to me if a flash of illu- mination in a mind not ready, is not a great misfortune. . . . Very recently there came a memorable volume Mysticism, by Evelyn Underbill, who wrote a wise introduction for Songs of Kabir, Tagore's best book to me. Mysticism was like find- ing greatly done, what one hoped to grow to do. I read the haunting names of martyrs and mystics whose words I had long searched for Suso, Tauler, Brother Lawrence, Ruys- broec, Eckhart, Swedenborg, Catherine of Siena, Catherine of Genoa, Mme. Guyon, Santa Theresa. . . . Twenty-five years ago I used to walk home from school with a lad named Cameron. There was much time for talk. THE MYSTIC ROAD You may hardly believe it, but Cameron knew something about most of these names. For years I remembered his story of the terrible austerities of "the blessed Henry Suso." No one else had ever uttered these names in my hearing, but I knew I should come to them again. Here was a valuable synthesis of all the ecstasies and actions, sayings, confessions, renunciations, exaltations, contemplations and rigors of that Holy Company. . . . The intellectualists keep us coherent; they keep us fit and lean and efficacious. They are like the friends a man meets afield men he learned to love, riding side by side, fight- ing back to back but the mystics are like the women who wait at home. They are impassioned to say exactly what they mean. That is their service. They are free from world forms ; they dare to be themselves; finally they reach and begin to sustain, through this freedom of soul, the Larger Conscious- ness which is the desired aim of all good workmen. In that freedom, the simplest mind is greater than the subtlest savant. BOOKS AND DAYS IX THE BOOK OF THE HEART E end of much reading is an emerging into life. It has dawned upon me with amazement of late that I have practically ceased to read books ; that this wasn't a whim or a mood, rather that the great world of books had dropped away; life itself closer, more intense and revealing. Intimate human documents of personal correspondence have become consummately attractive. Letters set me free out of the prison house of self. That's the key to our pursuit. I do not write to get answers, yet I have found the answers to be more involving and real than formal lines of print. Any- thing that sets one free, that draws forth his best from different angles, speeds the way to Open Country. There is more to these relations established through letters than mere pages of writing, and there is no limit to the work that one can do. A. E., in his Candle of Vision, has told something about the use of real powers which not one in a million understands. It is said that only one in fifteen units of heat comes out into the room from the average open fire-place the rest up the chim- ney. People in the world waste their powers as an open fire- place wastes heat. "Yet the fire-light is dear. . . . We read books and we go to plays ; we travel from mountain to shore to forget ourselves. Happiness is the loss of the THE BOOK OF THE HEART sense of self. You may try in a thousand ways to get by this conclusion, but steadily it will be brought back to you, face to face at the end, until there isn't a quibble or a wobble left. It is the loss of the self to find the Self. A page of typewritten copy driven straight to one mind if possible with the carrying force of great-heartedness is often taken and held entire by that other, so that it becomes a tablet. Neither the one who receives nor the one who sends is the same again ... It seems to me that priceless docu- ments of the human heart writings that have not found print, yet which contain the profoundest truths of life come to my table from day to day around the world. Continually before me are pages ruddy and strong with life. Their vibration is a part of my strength intimate human pages, spiritual self- revelations. . . . All life is in human association. Books pass, but we never pass men. We read a myriad of books, to open at last the Book of the Heart which is Humanity. VOL. ONE THE MYSTIC ROAD The First Nineteen ' of the Will Levington Comfort Letters A Temporary Edition in Paper at One Dollar ' '* The world needs to know that a great love story is the story of an Initiation. * * * The inter-attraction of man and woman calls forth the highest potency of love in this Place; therefore it involves the strongest energy we have to work with for spiritual unfoldment. The real romance of man and woman, is not entered upon until organic desire is mastered. The beautiful possibilities of generation, not to mention the next step of regeneration, are not dreamed of in a mind which is at the mercy of sensuous passion. Since one cannot know the full power of his passion until the love nature is awakened,, he cannot enter the ordeals of conquest alone. It would follow that two who love and fulfill the Law are therefore involved in the highest possibilities of mystical attainment, and that they form a center of radiant regenerative force in the world. * * * WILL LEVINGTON COMFORT 4993 PASADENA AVENUE LOS ANGELES, CALIFORNIA GayJord Bros., Inc.! Makers Stockton, Calif W. JAN. 21. 1908 ' 831909 THE UNIVERSITY OF CALIFORNIA LIBRARY