LIBHAtK 
 
 / 
 
 > 

 
 LIBRARY^ 
 
 THE UNIVERSITY 
 OF CALIFORNIA 
 
 SANTA BARBARA 
 
 PRESENTED BY 
 
 Mr. Charles E. Easton

 
 THE 
 
 FIRST THREE BOOKS 
 
 H M E R'S ILIAD, 
 
 ACCORDING TO THE ORDINARY TEXT, AND ALSO 
 WITH THE RESTORATION OF THE 
 
 D I G A M M A, 
 
 TO WHICH ARE APPENDED 
 
 ENGLISH NOTES, CRITICAL AND EXPLANATORY, 
 
 A METRICAL INDEX. AND HOMERIC 
 
 GLOSSARY, 
 
 CHARLES ANTHON, LL.D., 
 
 JAY-PROFESSOR OF THE GREEK AND LATIN LANGUAGES IX COLUMBIA 
 COLLEGE, NEW-YORK, AND RECTOR OF THE GRAMMAR-SCHOOL. 
 
 N E W-Y O R K : 
 HARPER & BROTHERS, a 2 CLIFF- STREET. 
 
 1844.
 
 Entered, according to Act of Congress, in the year 1844, by 
 
 HARPER & BROTHERS, 
 In the Clerk's Office of the Southern District of New- York.
 
 TO 
 
 MAYOR OF THE CITY OT NEW-YORK, 
 
 THE HON, JAMES HARPER, 
 
 ITY OT NEW-YORK, 
 
 in 33ctrfcatctr, 
 
 AS? A TRIBUTE OF RKSPECT FOR THE FAITHFUL DISCHARGE 
 OF PUBLIC DUTIES. 
 
 A TOKF.N OF SINCERE REGARD FOR THE MANY EXCELLENT QUAL- 
 ITIES THAT ADORN HIS PRIVATE CHARACTER, 
 
 AND 
 A MEMORIAL OF OLD AND UNINTERRUPTED FRIENDSHIP, 
 
 BY 
 
 THE EDITOR.
 
 VI PKEFACK. 
 
 best. On some occasions, however, where the sense 
 or metre seemed to require it, alterations have been 
 adopted from other and high authorities ; but in no in- 
 stance has this been done without mention being made 
 of it in the notes. To the regular text succeeds that 
 given by Richard Payne Knight, with the Digamma 
 restored according to his particular view of the sub- 
 ject. So much has been said about the Digamma in 
 connection with the poetry of Homer, and the work 
 of Knight is so rarely met with in this country, that 
 the editor conceives he has rendered no unimportant 
 service to the student, in thus presenting him with a 
 specimen of what has been regarded, by one eminent 
 scholar at least, as a restoration of the ancient orthog- 
 raphy of Homer. Still, however, though in many 
 respects both curious and instructive, it must not be 
 forgotten that this attempt to restore the earlier forms 
 of words is merely the result of individual opinion, and 
 must be received by us with due caution. A very 
 casual examination will not fail to show that the learn- 
 ed English scholar is not consistent in his alterations. 
 Though he writes, for example, rra, 0o, and <j>v for t/>, 
 and KO, %a, and jo for , yet he retains the compara- 
 tively modern letters 77, #, <f>, #, and w ; and, lavish as 
 he has been in his introduction of the Digamma, it may 
 reasonably be doubted whether it ought not to have 
 been inserted by him in many instances which he has 
 passed over in silence. In one or two cases, and in 
 these only, has the editor ventured to deviate from his 
 peculiar orthography ; as, for example, in d-nov for ea- 
 TTOV, &c. Every thing else has been allowed to remain 
 unchanged in this singular specimen of what is conceiv- 
 ed to have been the early form of the Homeric text. 
 The broken numbers, moreover, in the margin, will
 
 PREFACE. Vll 
 
 show how many lines, and, indeed, whole passages, 
 have been rejected by Knight with the most unsparing 
 severity. 
 
 The commentary is a lull one, as every commenta- 
 ry ought undoubtedly to be that professes to give the 
 student a first acquaintance with the language of the 
 Homeric poems. The materials have been drawn 
 from numerous sources, but more especially from the 
 learned labours of Wolf, Heyne, Buttmann, Nagels- 
 bach, and Stadelmann, and contain all that is valua- 
 ble in the works of these eminent scholars for the 
 elucidation of the Homeric text. No notes, it will 
 be perceived, have been given on the Catalogue of 
 the Forces, since this is never read at schools, and 
 any commentary on it would have swelled the vol- 
 ume to too large a size. The arrangement, more- 
 over, by which the Glossary is separated from the 
 notes, cannot but prove satisfactory, since a union of 
 translation and parsing in the compass of one and the 
 same note would have proved both tedious and repul- 
 sive to the learner. In framing the Glossary, care has 
 been taken to give the latest views, as entertained by 
 the best German scholars, relative to Homeric analy- 
 sis, or, to speak more plainly, the parsing of Homeric 
 Greek, and a great deal of old rubbish has according- 
 ly been discarded. The Lexilogus of Buttmann, and 
 his grammatical labours generally, together with those 
 of Kiihner and others, have here proved of peculiar 
 value : very important aid also has been obtained 
 from the excellent Greek and English Lexicon of Lid- 
 dell and Scott, at present in a course of republication 
 in this country, under the editorial care of an excellent 
 American scholar, Mr. Drisler. One feature in this 
 Glossary will, it is conceived, serve to distinguish it in
 
 Vlll 1'REFACE. 
 
 u very marked degree from every Homeric Lexicon 
 that has preceded it in the English language, the in- 
 troduction, namely, of Sanscrit and Linguistic etymol- 
 ogies, the application of \vhich to the Homeric text be- 
 comes doubly interesting in consequence of the an- 
 cient forms of the language which here continually 
 present themselves. In order to render the Glossary 
 useful to those also who may wish to pursue their 
 reading beyond the portion of the Iliad contained In 
 this volume, a full and accurate Index has been sub- 
 joined to it. 
 
 The Metrical Index has been carefully constructed, 
 and with especial reference to the doctrine of the di- 
 gamma, and its bearing on Homeric versification. 
 Should any discrepancies be found to exist between 
 the views taken here of digammated words and those 
 entertained by Knight (and very few, it is conceived, 
 will be so found), the student must in every instance 
 regard the Metrical Index as his safer guide. 
 
 As regards typographical appearance and accuracy, 
 the editor thinks he may confidently assert, that the 
 present volume is fully equal to any thing of the kind 
 that has ever issued from the American press. For 
 this accuracy, as well as for other important aids, he 
 is mainly indebted to his friend and colleague, Mr. 
 Drisler, to whom he has so often had occasion to ex- 
 press his obligations. 
 
 Columbia College, N. Y., August Itt, 1844.
 
 vv 
 
 / s 
 
 t 
 
 H M E R'S ILIAD, 
 
 BOOK I. 
 
 V 
 
 M^viv aeide, &ed, TLijArjiddeu 'A^Ai/o^, 
 OvAOfj,ev7]v, 7] (j,vp? 'A\mot a/lye' eOijtcev, 
 d' I(p0ifj,ovg TJ)v,%d<; "-^^ l Trpoii 
 , avrovc (Je eAupia revise nvveaotv 
 Qluvolai re TTUCJI ^tog 6' irsAeitro t 3ovAi) 
 'E ov 6ij rd rrpwra diaarijrrjv Epiaavre 
 \\.rpeid/]g re, ara$ dvdptiv, K.ai dlog ' 
 
 Tig r' ap oQue detiv epidi tfvve-f 
 Aijrovg nai Aid*; vio$ yap 
 
 ^\ovaov di'd orparbv >pa Kauj'tv, o/isnovro 6e Aaot, 10 
 Ovvena rbv 'Xnvaqv 'i\ri\Lria'' dpr/T^pa 
 'Arpeidrjs 6 yap Jf/.Qe. $odf erri v?jag 'A.^aiuv, 
 \ro6iievog re fiiyarpa, (pepw r' drrepeioi' arrpiva, 
 
 wi' ev %epaiv eK7)66/Mi- 'A-fj/./.wvof 
 eb) dvd OK7]7rrpu>, Kai i/.ioofro dvrac '\^atovg, 15 
 6e juayuara dvu, nocfii'jrope 
 
 'Arpeldai re nai aAAot ev 
 "Tulv ftsv deoi dolsv 'O 
 'V.K-epoai Hpiditoto rroAir, ev d' ol 
 
 Ilalda d' f-{ioi Avaai re oi/*rjv, rd r' arcoiva de^eadcu, 20 
 i.evoi Ato^- fidy knifioAov ' 
 
 / oi /ii ; -dvrcg e 
 \iddaOcu T?' tepf/a, -at ayAad de^flai a-rrpiva-
 
 BOOK I. 
 
 'AAA' ova 'Arpeidy 'Aya/ifijuvovt jjvdave 
 
 'AAAd KaKu)$ d0t, Kparepov d' errt pvdov treAAev 25 
 
 M;/ ae, yt-pov, /cotA^aiv eyu) Trapd , 
 '11 vvv drjdvvovr' // vartpov avng t'dvra, 
 Mv? vv rotov xpaia^ri aKfjirrpov Kal 
 T;)v d' ya> 01) Auaa> npiv.piv K 
 'Hjtierepa) svt ot/cw, ev "Apyeif, r^Aoflt TrdrpT/^, 30 
 
 'larov t-7rof^;oftev7/v, /cat ^/zov Ae^of d^ridwaav 
 'AAA' t0i, JUT/ ju' KpeOt&, oau)~epos tjf /ce verjai. 
 
 "flf ^>ar' tdJeicrev d' 6 yepwv ai kntidero 
 857 d' d/cewv apd i^Zva Trohv<pXoiaC>oio ^a^doar]^. 
 IIoAAd d' e/retr' drrdveftfe /ctwv ?/pd0' 6 yepatdf 35 
 
 'ArrdAAwvi avaicri, rbv r/vKOfiog rt/ce AT/TCJ 
 
 KAi;0i juev, 'ApyvpOTOJ- \ 05- Xpva^v d^idtOrfKag, 
 KtAAav T ^iaOt'7/v, Tevt'dpid re Z0t dvdooeig, 
 ZjuvOev el ore rqi %apievT' ini vr\bv t-peipa, 
 V H et d;) rrort' rot /card niova fJ-rjpi' t/i//a 40 
 
 Tavputv i]d' atytDv, rode jtioi Kpijijvov tt Adwp 
 Tiaeiav Aavaot fjwd dditpva aolai 
 
 n if t^ar' ev%6[j.evo<; rov.S 1 
 Bf/ de war' Ovkvprcoio 
 Td|^' &iJLOiaiv K^G)V dufirjpefaa re (f>apsrprjv 45 
 
 "E/tAay^av d' dp' oi'a-oi err' 
 A.VTOV KtvjjdevTog 6 d' ?/ie VVKTL K 
 "E^er' Irretr' aTrdvevOe veiwv, juerd. d' tov KJJKSV . 
 Aeivr] de Aayy/) yt'i-'er' dpyvpepio fiiplo. 
 Ovprjag [jv .TTptirov T:OJ\;TO. /cat nvvaq dpyouf 50 
 
 Avrdp 7TfiT', avrolai fleXos f.^e-nevKEg 
 BdAA' 2ei dfi -nvpal VEKVUV naiovro 
 
 orparv a> 
 
 Tg 6e.Ka.Tri d' dyop^vdfi KaXeoaaro Aaov ' 
 Tw yap erri 0p<Tt $?7/c i9fid Afiv/caJAEvo^ "Hp?/ 55 
 
 K^dero yap Aavawv, or* pa ^v/jOKOvrag opdro.
 
 BOOK I. 
 
 Ot 6' eTret ovv ijyepdev o/zT/yepeef T' eyevovro, 
 Tolai d' dviordfievog fiere^T] Trodag w/cvf ' 
 
 'Arpeid?/, vvv uju/ie TraAijtz7rAay;0evTa$- dtw 
 r A^> drroyoorfiaeiv, ei /cev -ddvarov ye $t>yotjuev, 60 
 
 Et d/) 6/^oD TroXejjLog -e da//a /cat 
 'AAA' dye d?/ ~iv a \idv-iv epeiopev, ^ tepf/a, 
 V H ai qveiportoXov :at yap T' 6 
 "Of ' eiTTOi, UTI Toaoov e^aaro <bol6o(; ' 
 Etr' ap' oy' et^wAf/f eTn^en^erai, etO' eKaronO^g 65 
 
 Ai /cev Trwf dpvcjv Kvia?]$ ai^uv re 
 
 dvridoag ?}fj,lv drro Aoiyov d 
 
 v Hrot,oy' w^ eZ-a)i f /car' ap' e^ero 
 
 "Of gd^ rd T' edvra rd T' eaaopeva Ttpo T' eovra, 70 
 
 Kai vijeoa 1 ^yf/aar' 'A^atwv "lAtoi' etcrw, 
 "Hv &d uavroavvTji', n]v oi Trope <t>ol6og 
 'O a^iiv ti}0poi'ewv dyop7]oaro /cat 
 
 T i2 'A^tAev, /ceAeat jue, Ait 0t'Ae, 
 ^Ijji'tv 'ATo/.Awvof EKarifaAtTao dvanroq. 75 
 
 Totydp tywv epew ov de ovvdeo^ nai \IQI onooaov 
 T H /iV /zot po^pojv KTreaiv /cat %epaiv dpifeeiv. 
 T H yap otOjtiat dvdpa %o/M0t-HV, 0$ /teya Travruv 
 'Apyetwv ffpartVt, /cat ot 7r^0ovrat 'A^atot. 
 Kpetcrawv yap .JafffAei-f, cire ^waerat,dvJpt X^p^i ' 80 
 
 Et~ ep yap re ^6Aov ye /cat. avT/j/mp /cara-t'^y, 
 'A/./.d ye /cat neromaOev %ei /cdrov, 6^>pa reAeoag, 
 'Kv OTTjOeaotv eotat ai> de ^pdaat, et /tze oauaeig. 
 
 Tov d* d-rrafieiGofisvog Trpoat^?/ rrddaf wKt-f 'AytAAeVf 
 QapOT)oa$ /zdAa etrre t9eo-p67Ttov ort olaOa. 85 
 
 ; ; rip 'A-oAAwva A" O(/.o2', (Lre ar, KdA^av, 
 /uei^of Aavaotat deorrpoiag dva(paiveig, 
 Oirig, iiisv iJwvTOf /cat e ( t ^;0ovt dep/cojue^'oto, 
 lot KoiXij^ rrapd VTjvoi /3apetaf ^etpaf errotaet
 
 B O O K I. 
 
 rdv-uv Aavcwv 01)6" TJV 'Ayajuep'ova / enrTj$-, 90 
 
 vvv TroAAov apiaros 'A^aiwv etr^erai dvai, 
 
 Kai TOTE d// i9dpa7/<7e Kai.rfvda^dvng djuv 
 Ovr' op' oy' ei%avlf/<; E-iuefKt'ETai, oi'd' EKarof 
 'AAA' eve*' dpT/TT/po^, ov ijT^rja' 'Ayajttg^vwv, 
 Oud' d~EAvae -dvyarpa, Kai OVK d-eds^a-' d~oiva. 95 
 
 Tovre/c' ap' aAye' eduitev 'E/c^fioAOf ^d' e~i,6b)Oi 
 OixT oye irpiv Aoijuoio Gapeiag xelpas dtbet-ei, 
 ILpiv y' d-d narpi <bi\u dofizvai ekLKu~i6a 
 'Arrptar^v, dva~oivov, a 
 'Ef Xpvprjv - rare Kev piv LAaoad[ievoi TreTTiOoij-iev. 100 
 
 "Hrot oy' w^ i7rwv /car' ap' tyero roi(Tt d' dveorr] 
 
 EvpvKpeiuv 
 - /ievepg 6e {leya 
 , OCT<T de ot ~v pi 
 Trpwriara Ka/c' ooao/jevog ~pogei-ev 105 
 
 KdKuv, ov ~a>TTOT ;iot TO Kpifi'vov 
 A.lei rot ~d ndic 1 Karl fyiXa (ppeoi, ftav-eveoO 
 'Eo~0A6v d* ovde ri TTW el~eg tTro^ ovd' E-reAe 
 Kai vvv ev Aavaolai deoiTporcew dyopsveig, 
 'Qg df) rovd' Zveicd o<j)iv 'EKiyfidAof dAyfa rev^ei, 110 
 QvvKK 1 eyd) novpr]<; XpvoTjtdog dyAd' qTroiva 
 OVK eOekov di$aaBtu t-d OAV fiovt.oiiai ai-riji' 
 OIKOI txeiv Kai yap pa KhvrtHfwfi<rrpr]S Trpofai~><>r'/a, 
 ~K.ovpi6irjg dXo^ov errei. ov i6h>, sari xepeiw, 
 Ov (Jtyzaf ot'<5e 0v?)v, ovr' dp (bpei'ac, ovre n tpya. 115 
 
 /cat aif t^t'Aa) dojtiSJ'at dA/r, f/ TO) 
 
 i' eyw Aaov ooav tpuei'ai ?) d 
 Avrdp Efioi "y&pctf avrlv' ETOifidoar' , o0pa 
 'Apyetcjv dyspaaTOf tw i~i ovds EOIKEV 
 A.evooerE yap roye TrdvrEf, o /toi ytpag Kp%Tai dAA^. 120 
 
 Tdv <J' 7/u/6eT' K-ura TroddpKtft 610$ 'A\'tAA. 1 - 
 KvdiOTE,
 
 BOOK I. 
 
 ydp rot d&aovai ytpaf fieydOvfioi '2 
 Ov6e TI.TTOV idfiev ^vvrjia Ksifieva, TroAAd 
 'A A Ad rd fiev TroAtwv enpddonev, rd dsdaarat, 125 
 
 Aaot>f d' ow/t srrtotKfi TraAtAAoya raur' eTrayeipeiv. 
 'AAAd ov^iev vvv rijvde && Trpdsf avrdp 'A^atot 
 TptirAr} rerpaTrA?} r' dTTO-i<7op,ev,,al KK Trodi Zei)f 
 AaJat rroAti' Tpoirjv evrei^eov efaAaTrdfat. 
 
 Tov d' aTrajuetfidjuevof Trpo^e^Ty Kpeiw 'Aya/it'/ivwv 1 30 
 M/) d' ovrwf, d^'aOdf rrep ewv, i9eoet; 
 
 vtioj - ou TrapeAet-aeat, ovde |ue 
 
 ;, otiip' avrog S^g yspag, avrdp tjtt' ai;- 
 r H.ffOat dev6fievov, /teAeat de fie Tr/vS' d~o6ovvai; 
 'A/ A' ti juev dwcrovat ytpag ^s^'ddvfiot 'A^atot 135 
 
 "Apoavre^ ard dvfibv, oTn^g dvrd^iov tarat, 
 
 Ei dfi K JU7/ dudJGlV, ya) d KV ai'~dr fev 
 
 "H rtov ?/ Amyrof twv yepag, 7} 'Odi 
 
 "Aw ^Awi/ 6 de ev K^oAai(Trat, ov /cev 
 
 'AAA' 7/rot juev ravra f.teTa(j)paao[.io6a tcai avng' 140 
 
 Kvv d 1 dy 7'7/a ^^Aatvav pvacrojUv tf aAa 
 
 Qeiopev, dv d' avrrjv Xpvaqida K 
 B//(70jtzv etf (Je rtf.dp^df dvr/p J3ovkr]<b6po earw, 
 ' V H Amf , ?/' 'Ido/ievevf, 7) diOf 'Odvo-aevf, 145 
 
 'He ai>, IlT/AetdT/, Trdvrwv eKTrayAorar* dvdptiv, 
 'Exdepyov ikdaoeai iepd pe 
 
 Tov d' ap' vrrodpa Ma>v 
 /iot, dvaideirjv ETnei/iKve, /cep(5aAe60pov, 
 
 r/f rot rrpo^pwv KTTEOIV -Eidrjrai 'A%aitiv, 150 
 
 ' 1 1 or56v eXOe^evai, ifdvdpdoiv l(j)i fid^Eadai ; 
 Ou ydp eyw Tpwwv KI-CK' jjXvdov, al^arrduv 
 AeTpo fia^Tjoonevog eTret. ovrt jtzot airioi elaiv. 
 Ov ydp ~w7ror' ^df/3ovr 7/Aa<Tov oude juev irrTrov^, 
 uJf' TTOT' v <I>6>i7/ eptfidjAa/cf,, ftu-iayeipq, 155 
 
 Trdv d7/A7/(TavT' 77t T} ^dAa /ToAAd 
 A 2
 
 B O O K I. 
 
 Ovped re OKiosvra, ddXaaad ~e 4 7]X 7 i 
 
 'AAAd ooi, & juey' dvaide$, dp? eoTTOfj,ed\ o<bpa ov 
 
 Tifirjv dpvvpevot MeveAdw, ooi re, nvvti-rra, 
 
 ITpdf TpaJwv rdjv ovn fxeTarpenrj oi>d' aAey/^eif 100 
 
 Kat drj pot yepa^, avrog d<f>aip7)oeodat drrei 
 
 *Qi em TroAA' tytoyijaa, Sooav 6e 
 
 Ov [lev ooi TTOTE laov e^w yepag, OTTTTOT' 'A%atoi 
 
 EKTrepoua' evvaiofievov TrroXisdpov 
 d TO /zev TrXelov TroAvai'/cof TroXqpoio 165 
 
 at (Jterrot'CT' drap ?/r TTOTS 6aafj,dg tx^rat, 
 i TO yepaf TroAi) fiel^ov, eyw d' 6/Uyov TS ^t'Aov TS 
 
 d' etjUi 3>6i7]vd\ eet ?} TroAi) tyeprepov eariv 
 Olicad' ? ( uv avvvrfvoi Kopwiaiv ov6e o' 6ta> 170 
 
 'Ev0d(J', dr^uof ewv, dtievog nai rrXovrov dfivgeiv. 
 
 - 
 Tov (5' 7]fj,ei6er' ETTeira aval; dvdptiv 'AyctjUg/ivwv 
 
 4>vye /udA', ef Tot dvpog eneoovrai ovde (f eyarye 
 
 Aiooofiat slveK 1 ifielo pevetv Trap' tjuoiye /cat dAAoi, 
 
 Oi j^e TifiTjoovoi, f.id^tara 6e nrjriera Zevg. 175 
 
 yap Tot ^ptf Te^>tA?/ notefioi. TS fid%ai re. 
 p-epof <r<7t, i9eo^ TTOV aot Toy' <?&) r. 
 o~vv vTjvai re pyg, nai oolg erdpoiaiv, 
 
 avaaae, oedev 6' eyw.ovK dP.6ry^a>, 180 
 Ovd' 66ofiai KOTOV~O$ dTretA^dw de TOJ. JxJe 
 'i2f /*' d(f>aipet~ai Xpvorjtda 4>oZ6o$- 'ArroAAwv, 
 v?/t T' epy KUL^ e/j,oig erdpoiatv 
 a> tie ' dyw ~BpiOT)ida aAAt7rdp^ov, 
 
 v(Je, TO CTOV yepag' o0p' ev t(5;^, 185 
 "Offflrov (fteprepog elpt oeOev, orvyiq 6s KOI d 
 T I7ov fyiot (fidodai, Kal ouoiuOrjfj^vai dvrqv. 
 
 "Q^ <f>dro II^Ag/wvi d' a^oc yvT', &v 6e oi 
 
 Xaaioiai didvdi^a fj,f.pnrjpi^ev, 
 5ye <j)dayavov 6|v epvoodpevos Trapd ftypov 190
 
 BOOK I. 
 
 pev dvaorfiaeiev. b 6' 'ArpEidijr j 
 'He xpXov TfavGEiEV, epijrvoecE re -&v^6v. 
 "Ewf oye ravd' tipfiacvs Kara (frpeva nal Kara 
 "EA/cero d' EK /eoAeoto jiteya %i<j>o$, f/XOE d' 'Adrjvij 
 Ovpavodev rrpo ydp TJKE -ded Aet/'/rwAevo^ "Hp^, 195 
 
 \2,rfj d' OT0ev, av6r]g de KOfi^g eAe IlT/Aetwva, 
 Ota) (patvonEVT), TWV d' dAAwv ot-rtc opdro. 
 0d i u67/(Tev d' 'AYiAftT, juerdd' erpd-er' avriaa d' eyvw 
 IIaAAdd r 'AdTjvairjv deivu de ot ocrae (pdavdev. 200 
 
 Kai jtitv (buvfjoas Ercea ~~Epoevra rcpociyvda 
 
 TiVr' avr', 
 T H ?va vfipiv J 
 'AAA' e/c rot epew, TO de /cat re^seadai otcj, 
 T Hff vrrepotrXlijOt rd%? av nore &v[j.bv oAecrag. 205 
 
 Tov d' at>Te Trpo^seiTTE i9ed yAauKWTrt^ 'Adfjvrj 
 T HA0ov eyw rravaovaa rb abv UEVO^ at KE mdrjai, 
 OvpavoOev irpb de /i' TJKE i9ed Aev/cwAero^ "Hp?/, 
 *A/i0cj opijf i9i;nt6j 0f Aeoftrd Te KT]6o^,Evr] re. 
 'AAA' dye A^y' eptdo^, ^T/de ^t'^o^ e'Aeo X 1 P^' 210 
 
 'AAA' Tyrot erreaiv JJLEV orsidiaov, wg eoerai rcep. 
 T i2de yap et-epeu, rb de ai TereAea^evov ecrrat, 
 Kat Trore Tot rptf roaaa napiaGErai dyAad ddipa 
 "T&piog EiveKa rijode O"i) d' to^eo, neideo d' T}JJ,IV. 
 Trjv 6' dna^LEifto^ievo^ Tcpoge^r] rrdda^ WKV^ 'A^iAAevf 215 
 Xp^ ^ev ofatrepov ye, i?ed, erro^ elpvooaaOac, 
 Kat jtidP.a ~ep i?v/zw Ke%oh(t)uevov w^ yap a^ieLvov. 
 "Of Ke i^eot^ EmrTEidTjrai, pdX,a r' e/zAvov avrov. 
 
 T H, xat err' dpyvpeq K&rcq a^ede %elpa fiapelav 
 *Ai/> d' ef KovAeov woe /ueya ji<t>o$, oud' drdQriaev 220 
 
 77 d' OvAu/iTrdvde 
 
 d' egavng draprrjpotg inieoaiv 
 Arpeidr/v rfpo^EEine, nal ovrcd) A^ye ^dAoto
 
 8 B O O K I. 
 
 Olvo6ape<;, Kvvug o/i/wir' %ejv, Kpadirjv 6' t kdyoio, 225 
 Ovre TTOT' ef rcokeuov dfia Aaw $o>p//\;0//j'ca, 
 O#T Ao^ovd' levai avv dpiori'jeomv \\.^aiojv 
 TtrA^Kaf $1^0) TO de rot K?]p elder at elvat. 
 'II oAi) Awtdv ecrri /card orparov eipvv 'A^aiuv 
 
 ' d-oaipeloOai o^ng oeOev dvriov d-tj. 230 
 
 j3a(7i/let'^, erret ovridavolaiv dvdooetr 
 yap az', % A.rpidij t vvv varara 
 
 CK rot t-pt-w, Kai errt [liyav opicov 
 i /id rode (T/cf/Trrpov, TO /^ev oy-o-e ^t-AAa ai 
 <I>i>crei, erreteJ/) rrpw-a rofjtijv ev opeaai At'AotTrsv, 235 
 
 yd' dvaOrjfa'joei -rrept yap pa e 
 
 'Ev TTaXdn^g <j)opeovcri dutdoTroAoi, olre 
 ITpdf Aidf elpvarai 6 Je ~oi jueya^ eooerai 
 T H TTOT' 'A\;tAAf/of ?ro0^ it-erat vlag 'A^atwv 240 
 
 TOTC d' ovTi dwrjaeai, d%vvfj,evo<; Ttep, 
 evr' av TroAAot v0' "E/CTOpo^ d 
 7ri~~(t)fft ov d' evdoOi -dvpov d[ 
 f, o-' apiorov 'A^atwv oudev ert 
 
 O IlT/Aetdr/f TTOTi de atcr/Tr-pav /SdAfi yait/ 245 
 jjXoiai Treirapfievoy, e^ero 6' avrog 
 cT erepwdev e^jvie' rolai 6s N<rra>p 
 dvdpoyae, Atyvf ITuAiwv dyopynjf, 
 Tov at drro yAtiiaa^f fteXiro^ yXvKiw peev avdrj. 
 TOJ d' ^d?/ duo j^ev yeveal pepoTruv dvOpu-uv 250 
 
 '~E<t>Oiad\ ol oi rrpoodev a/ia rpdtyev 7^6' EJKVOVTO 
 'Ev IIvAa) rjyadtri, fiera dt -pirdroioiv dvaaaev. 
 "O a<j>iv eixppovecjv dyopr/aaTO /fat [isreei-ev 
 
 r Q TTOTTO/, ^ /./t'ya ~ivOo<; 'A%cut6a yalav iicdvei. 
 TI /cev yrjQfjaai Ilpiafioc, Hptdpoio re Traldeg 255 
 
 "AAAoi Te 
 
 Et o<f>)lv Tade TrdvTa rrvOoiaro 
 Ol Trept fj.ev
 
 B o o K i. y 
 
 'AAA.d m6eaO' a[Mf>b) de vewrepw earbv eueio. 
 
 "H.6rj yap nor' eyw Kai dpeiooiv rjereep vulv 260 
 
 'Avdpdoiv G)fii/.rjaa, Kai ovnors fi 1 o?y' ddepi^ov. 
 
 Ov yap red) roiovg Idov dvepag, ovde 
 
 Olov HeipiOoov re, kpvavrd re, Troifteva 
 
 Kaivea T', 'E^ddiov re, Kai dvrideov 
 
 [Qrjasa T' Aiyeidrjv, emeiKeAov ddavdroiaiv.] 265 
 
 Kdprioroi 6fj Kelvoi e~i%6ovib)v rpd<j>ev dvdpuv 
 
 Kdprtarot fisv e<rav, Kai Kaprioroig ij 
 
 Kai per rolaiv eyw /j,e6ouL/.eov e/c ITvAou e 
 TrjhoOev i% d-ir]$ yairiq naXiaavro yap avroL 270 
 
 Kat (jLa%6fii]V Arar' e^t' avrov eyco Keivoioi d' av ovrff 
 Twv, oi vi)v jSporoi etatv e7n%66viot) jua^sotro. 
 Kat ^gv jueu (3ovkeb)v gvviev, rreidovro re juvOa). 
 'AAAd mdeode Kai vmieq eirei TreiOeaQai dutivov. 
 Ah/re (Tj> rovd', aA'a^d^ ?rep ewv, doaipeo Kovprjv, 275 
 'AAA.' ea, aif o/ Trpwra (Jdaav yepag vie$ 'A 
 ]M/}re CTV, HrjkeidT], edeX' epi^Ef^ev 
 'Avri6i7]V ' E-rsi ovrrod' bfiolift tftfwpe 
 I.Ki]~rov^o^ fiaaiAevc, wre Zevg Ki'dog 
 Et de ov Kaprepog eom, tied 6s ae yeivaro fif)~r]p, 280 
 'A /.A' ode (freprepos tarn', et TrXsoreaaiv dvdaaei. 
 <7i> Js Traue reor fj,evo$ avrdp eywye 
 iJ.e6efj.ev %6/.ov, o$ \iiya rrdaiv 
 rceterai Tro/Ujucuo KUKOIO. 
 
 Tov d' oTrajueifiojuei'o^ ~po<;i<p7] Kpeiuv 'Aya/is/^vwv 285 
 
 rard ye -di'ra, yepor, Kara \ioipav 
 "A A A' od' dv)p iOe/.ei ~epi -ndvruv eppevcu 
 Ildrrwv /uev Kpareeiv iOe/.t,7rdi'reaai d' 
 ITaCTi de OTjftaiveiv, a riv' ov -eioeaOai 6iw. 
 Et dg //iv alxfirjTJjv tdeaav $eoi alev i6vre$, 290 
 
 TovvKKa oi npo6sovotv oveidea (.ivdijaaaOac ; 
 
 Tov d' op' vTToCilijdrjv fyieiGero dtoc '
 
 10 BOOK I. 
 
 :/> ffv deiAoY Tf KM otVfdardc 
 Ei dij (fol :rd' p) :*, orri 
 
 ototr 6t] -o, fir) yap htotyc 295 
 
 lijtuuv* ov >'p e}-fcry' er< <rot rre*<TJ<fcu 6f. 
 
 -o de rot epew, ov d' Ivi opeci JdAAeo ayriv 
 Xepot ur orroi j 7<rouu elveca 
 
 ct&coOs 
 
 Tr d 1 d/J.w- a fzoc m ^oy rapd iyt UC/UUVQ, 300 
 
 Tcii . Oif>CMC arsAwr dfjcorroc fuf/o. 
 
 Ei <T a}7 U7yi- mtprjofu, Ivayifuuai fai olde* 
 a roc atua cfv.atror fpwrjfftt -rtpi iovpi. 
 
 y* ^rr6Votffi ua^eaffaiArj'a) 
 
 wrav d* d>-op^r Trapd viTuaiv 'Aj^<Mtir. 305 
 
 - v/jffiac *-<u i-^a^ 1 crac 
 01 TT MnxMrtady c<u oJ^ erdpoimv 
 ifrjc i5" ofMt j-f/a tJoj)i- aAade 
 'Kc i : tT f 
 
 dm df Xptxnpda xaxAxmipgov 310 
 
 d* df>\-6c 617 TroAi-iujri^ 'Odwrc 
 
 -' ai < a6drr- .r i-ypd 
 
 Aaotf d* 'Arpetdiyf aTo/.iiuui'eoAu di-tj}'ci'. 
 OF d' aTeAfiic - '"a?./.ov 
 
 *Epdc 7? aaac ffarott6of 315 
 
 Tai pwv i^d* ai-yuv rrapd ^/ r' ay>o -to 
 
 -7 d* oi>oo. 
 
 "flc ol ficr rd TT i-oi-ro /card (rrparov oi'-d" *A) <wurwv 
 
 - 
 
 :<L/.6i-6ior rf KCU Evpitd-njv -rpor - 
 Tw ot ww ciivKe ecu driw t?fa T 
 
 7*7' 
 ' 
 
 ;TJ 6uq<Jt, itu 
 
 , rb o* ai --<w.
 
 BOOK I. 11 
 
 A Q$- el rrt>v -rrpotei, icparepov (T em p.v8ov ereAAev. 
 f cj d' df icovre ,3dr7jv napd $Zi f ' d/.o^ drpr-yeroto, 
 Mi'pjutdovwv tT Tt re K/.toiaz nai i>fja$ inea9r]v. 
 Tbv <T evpov rropa re K/.Lairj KUI VTJI p.e/.aivij 
 "lluevov ot-tT dpa rai) e Mwy y^07/crev 'A^iAAeuf. 330 
 
 Ta> /xev rap6r]oavrK nai atdo^vu paaiATja 
 -- ~rjv, ovde ri [iiv 77po$e(jxjji'ov ovS 1 kpiovro. 
 > b eyva> f}Oiv ivi <f>peoi, (fov-rjoev re 
 
 Xaipere, KTjpvKsg, Aidf ayyeAoi r]di nai avdp&v, 
 T A<raov IT* OVTI /iot vfiftfc eairiot, dAA' 'Ayo/i/Ltva)v, 335 
 "0 crcpoji Trpotei ~Bpi(r?]i6o^ eiveica Kovprjg. 
 'A/.A' dye, Atc^'e^e^ HarpoKAeis, e^a-ye Kovprjv, 
 Kat (Hfaiv ddf dyr. T<i> d' at-rw fjuiprvpoi earw 
 Hp6$ re T?ewv uandpuv, 7Tpo$ re 9vr]riJv dv0po>T6>v, 
 Kai -pbc rot ^aai/.^ drrTjveoc, el rrore <T avre 340 
 
 Xpeiu c^eto yevrfrcu dftKea s.oiybv dpvvai 
 Tolg a/./.oiq. 'H yap oy' 6s*oijai (f>peoi 
 Oil-tie rt ol6e vorjoai d^a rrpoaaw icat 
 
 - - .,jr of -rapd VTyvai 0601 tiaxeuvrcu. \\.%cuoi. 
 
 r Qf ^xiro IldrpoKAor <5> O(/.GJ i-z-eiQed' eratpw 345 
 'E* d* dyayc K/~iaij]$ Bpiorjida 
 Aa> d' dyv TO) d' avr^c ir^v Trapd 
 "H d 1 dexofa' dua T0ta< yi-v/) Kiev. A.vrdp 'A 
 Aa/rpvaaf erdpvv doap e^ero voodt s.iaoOeic, 
 Qh 1 ' to' d/.oc -o/.irjc, opowr e~i olvo~a ovrov. 350 
 
 HO/./M. 6e firp-pi d>//.g 7/p//craro \dpas opeyvix; 
 
 Mr/rep, e~ei ft' erexe^ ye (UvwOddiov rrep edvra, 
 T/pfr -rip uoi bot/ ;TIOC eyyvaXigai, 
 
 f vi-v d' oude fie rvrBov erioev. 
 
 *H yap ji' 'Arpetd//r erpvupei^ tvuv 355 
 
 - r //.u - 1 yepac, arrbc d-r 
 
 "I2r 0aro dapt%O>v roi- d' tK/.re -rd 
 
 fievdeooiv d/.6c rrapd -arpi yipovri. 
 d' dvedf -ro/.///r a/.o^. 771 r'
 
 12 B O O K I. 
 
 K<zt pa -rdpotfl' avroio Kade^ero 6aKpv^eovrog, 360 
 
 Xttpt T /uv nareps^e 
 
 TKKVOV, ri K&aiei$ ; -i ds oe typevag iKero rrevdog ; 
 ?) nevde vow, iva eldofj^v 
 
 ' -ii] rot ravr' eidu^TnivT 1 dyopevw ; 365 
 
 ' ef Qj]f)i]v, lepfjv TrdAiv 'Hertwvof, 
 /v (5fi 6trrpddo[AV re, /cat 7/yo/Lfv ivOdde, Tid 
 Kai rd [isv ev ddcrcfavro /uerd afiiotv vleg ' 
 'E d' tAov 'Arpetdg ~Kpv07jida, Kahkindpriov. 
 
 av6\ iepevg eKarrjdo^ov 'A-rroAAcovof, 370 
 
 df re -Qvyarpa, (bepw T' d-epeiot' diroiva, 
 
 iv ^epolv KT)66A,ov 'ArroA/.wi'Of 
 t^i) d?'d OK?]~-p(t>, Kai KAIOOSTO Trdvrag 'A^aiovg, 
 'Arpei(5a (5e ^idXia-a 6vb), KOGjiij-opE Aacjv. 375 
 
 *Ev0' dAAoi /^fv Trdvref eevfiTjfijjoav 'A^atot 
 Aidelodai &' iepfia, Kai dyAad de%6ai drroiva 
 ' OVK 'Arpeidg 'Aya/ig/zvovi. rjvdavs i9i'/uaJ, 
 
 d0/et, Kparepov (T e/rt \ivQov erekkev. 
 6' 6 ygpwv TrdAtv a>^ero r TO? o f5' 'A-roAAwv 380 
 v i)KovGv, rri \id\a oi ^t'Aof ?/ev. 
 T H/fe (5' rr' 'Apyeioitrt naicdv fSeXog ol 66 vv 
 
 QvfjCfKOV TTaOOVTpOt ' Ttt d' ETT^KrO fc'7/A 
 
 ITd?'r7/ di'd OTparbv evpijv 'A^atWV. "Aftui 6s: fidvng 
 Ev Ma)f dyopf dfOTTpoTriag 'E/fdrcrto 385 
 
 AvrtV yd) TrpwTOf KE^OHIJV depij // doKeoOai 
 'Arpjva d' 7Ttra %6Aof bdfc.v an!~a tf dvao~a<; 
 
 'HTTtA7/CTV [1V60V, fit I TfTf Aftf//7'0, tOTlV. 
 
 TTJV jut-i' ydp ervv w/t i9o^ t-/lt/c(J7r(: 'A^aioi 
 'Ef Xpv<77/i^ rrriiTTOvati') dynvoi d 6u)pa dvaKTf 390 
 
 'I'//j' (5e rov KMairfBtv Etiav Kt)pvK<; dyovr^ 
 Kovprjv Bptcr^of, r?/r /tot (Jdani 1 r/Vc '.\\nr/<r>i'. 
 d CTV, t dvvapai ye, 7ipiox?o naidoc 7/05-
 
 B U U K I. 13 
 
 'EA0oi)a' Ovkvprrovde Ata Atcrat, tl trore, 61] ri 
 
 *H ETTEi (^vr/aag Kpadi7]v Ato^ ?/ /cat pyw. 395 
 
 IIoAAd/ct yap oeo.Trarpdg evi jieydpotoiv o.novaa 
 
 EvxojJ,Kvr]g, or' tyrjoOa /ceAatve</>et Kpoviuvt 
 
 OiT) ev dOavdrototv det/cea Aotyov a^vvai, 
 
 'Onnore ptv tjvvdjjoai ^OAvfiTnoi.i'jOeAov. aAAot, 
 
 T' ?)dt- Ilocreidawv /cat JIaAAdf 'A0//v?/. 400 
 
 i) rdvy' ikOovoa, i?ed, vrre^voao 
 
 Ka~6y%eipov nakiaaa 1 eg 
 
 "Ov Bpidpeoiv Kakeovoi depi, tivdpeg 66 re T 
 Atyatwv' 6 yap avre J3iy ov irarpbg 
 
 "Og pa Trapd Kpoviuvi icade^ero Kvdei .yatwv 405 
 
 T6v teal vTreStietaav nditapeg -&eoi, ovde r' edqaav. 
 Twv i'Dv /tuv \ivi\<jaoa Trape&o, /cat 
 At /cev TTW<; e0t'A,?/<7iv 7Tt Tpveaoiv dpf/^at, 
 (Je /card npvpvcu; re /cat aju0' aAa eAaat 
 
 g, Iva Trdvreg eavpaivrai fiaoihrjog, 410 
 
 e /cat 'Arpetd?/^ evpvKpetov 'Aya/t^vwv 
 n Hv dr^v, or' apiorov 'A^atwv ovdev enoev. 
 . ^. 
 
 Tov 6' 7]fJ.ei6er' 1 KTreira QK-I^ Kara ddicpv %eovoa 
 "i2 juot, renvov e.[j,6v, ri vv <f erpe0ov, o/vd renovaa ; 
 AtO' otyekeg Trapd vr]vaiv dddupvrog /cat anr]^v 415 
 
 T lla0at t/ret vv rot ataa [tivvvOd rrep, owrt 
 Nvv d' ajua T' (JjnvfJ-opog /cat oifypbg rrept 
 "ErrAeo raj ae a/cg awry re/cov ev ueydpotaiv. 
 Tovro de rot epeovoa errof Att repTrtKepavvw 
 Et/z' avT?7 Trpdf "OA?;^ ov dydvvt^ov, at /ce Tridrjrai. 420 
 'AAAd at) jttev vvv vrjvai rrap^tevof titcvnopoiatv 
 M/'/rt' 'A%aioloiv, TTOAe^ov d' d~o~aveo Trdurrav. 
 Zevg yap e^ 1 'Q/ceavov jtter' djiviiovag AiOto-nfiag 
 
 tfiy; jiierd dalra, a?eot <5' a/m rravref enovro 
 
 de rot aurtf ekevaerai OvXv^nrovde. 425 
 
 Kat TOT' KTreird rot etftt Ato^ TroTt 
 Kept jtwv yovvdoonai, /cat /!t(j 
 
 B
 
 14 B O O K I. 
 
 "Q$ apa ^uvr/aaa' d,7re6fjaero rov d' eAf TT* avrov 
 
 ard $v//6v ev&voio yvvaiKO^, 
 
 pa {My dEKOvro? drn/vptjv. Avrdp 'Odvooevg 430 
 '$ Xpvarjv IKCLVEV aywv tep^v e/card/ifiT/v. 
 Ot d' ore d?) Xinevog TroXvdevOio^ ivrb^ IKOVTO, 
 'laria jj,ev CTretAovro, deoav 6' ev vrjt nehaivq 
 'larbv 6' iorodoicq Trekaaav Trporovotoiv vQevreg 
 KapTraAtjuwf rfjv d' eig opfiov Trpoepeooav eperfiolg. 435 
 'E 6' evvdg 6oA.ov, Kara <5s TTpvpVTjoi' edqaav 
 'EK 6e K.a.1 avrol ftalvov erri prfyfuvt 
 'E/c d' eKar6fi6r]v flrjaav e/c^66A 
 'E de XpvGTj'ts vrjog ftrj TrovroTropoio. 
 
 TTJV [iev eTreir' e-rrl (3<i)[j,dv aywv TTO^v^rjn^ 'Odvoaevs 440 
 Ilarpi 0tAa) ev %poi ridei, nai piv Trpo^eenrev 
 
 T S2 Xpvor), Ttpo /x' enefA^ev avat; dvdpwv ' 
 ITatdd TE act dye/zev, 4>o/6w i9' /ep^v EK 
 'Pegai vrrep Aavat5v, o<jip' tAaaoneada dvaara, 
 r Of vwv 'Apyeioiai Trokvarova K^de' e^Kev. 445 
 
 "2^ 7ra>v ev %p<Ti Ti0et, 6 d' ede^aro 
 Ilatda <f>tt,7)v rot d' w 
 'E^^?/f eorrjoav 
 Xepvtyavro d' eTretra, at 
 Toloiv dg Xpvarjg fieydX' ev^ero %ipa dvao%b)v 450 
 
 t /in;, 'Apyvporot?, 6f Xpvaqv 
 Kt'AAav re aOe7]v, Tevedoio re Ifa dvdaaeig 
 \iiv TTOT' e/^ev rrdpo^ eickveg 
 7a^ juev g/ze, /zeya d' ii/>ao Aaov ' 
 'Hd' Tt at vi)v j^ot rod' grrfxp^vov eeAdwp 455 
 
 "Hd?/ vvv AavaoiCTiv dsiKta Xoiybv afj-vvov 
 
 r i2^ t-^ar' ev^onsvo^ rov d' EKAVE 4>ot6of 'ATroAAwv. 
 Avrdp errei p' svt-avro, Kai ov^o^vrag TrpofidAovro, | 
 Avepvaav /tv -rrpwra, at EO&agav Kai edeipav, 
 
 , Kara re Kvioq dAi^/>av 460
 
 BOOK I. 15 
 
 not^oavreg, erf avrtiv 6' uftoOerrjaav. 
 Kale d' erri o^i^rj^ 6 yepwv, em (T aldo-rra olvov 
 Ael6e veoi tie Trap' avrov fyov TrejWTrwo'oAa %epaiv. 
 Avrdp errei Kara p/p' ettar], nai erTrAdy^v' errdaavro, 
 
 r' apa raAAa, /cat d|</>' 66ekoloiv eneipav, 465 
 e TrepKbpadeus, epvaavro re -ndvra. 
 Avrdp eTrei navaavro TTOVOV, rervKOvro re daira, 
 kaivvvr\ ovde ri $Vju6f idevsro dairog KICTTJ^. 
 Avrdp eKei 716010$ /cat Kdrjrvog et; epov evro, 
 Kovpoi fiev Kprjrfipag eTreorei^avro Trorolo 470 
 
 Nai/itT/crar 6' dpa ndoiv eTrap^d/zevot deTtdeoaiv. 
 Ot 6e iravrjfiepioi fio^y &ebv iXdoKovro 
 KaAov deidovreg Trairjova Kovpoi 'A%aiu>v, 
 
 /caepyov 6 6e (f>peva repTrer' d/covwv. 
 
 (5' rjKXiog naredv, /cat errt Kve<pa^ TjWev, 475 
 
 rdre K.oi[i7)aavro rcapd TTpvpvrjOia vr]6c. 
 
 Kat -or' tTretr' dvdyovro /aerd orparov evpvv 'A%aiu>v 
 
 Totatv d' licuevov ovpov lei e/cdepyof 'ATro/tAwv. 
 
 Ot (J' tffrov arriaavr' 1 , dvd i9' tarta Aev/cd Treraoaav 480 
 
 'Ev d' dvepog Trpfjaev fieoov loriov, dfifbi de Kv^a 
 
 2rtp^/ 7Top(f)vpeov fieydfc la%e, vrjog lovarjg 
 
 "H 6' tdeev Kara Kvfia diaTrpfjaaovaa KsXevOov. 
 
 Avrdp erret p' iKOvro fierd orparov evpvv 'A%ai)V, 
 
 N^a H.EV ot'ye fiekaivav CTT' fjrreipoio epvooav 485 
 
 'Yi/>ou TTt ipafjiddoig, VTTO 6' eppara jua/cpd rdvvooav 
 
 Avroi d' eoKidvavro Kara /cAtataf re veaf re. 
 
 Avrdp 6 u-fjvte vrjvol rraprj^evog u 
 
 Ovre wor' e^f dyoprjv noj^eoKero Kvdidveipav, 490 
 
 Ovre Tror' e^ rfoX^iov dAAd (j)6tvvOeaKe <f>ikov Kr/p 
 Avdi fievw, TToOeeoKe d' diir^v re TrroXeuov re. 
 
 'AAA' ore dTy p' e/c ro?o dvudeKarr) ysver' ^aif, 
 Kai rore d;) Trpof "OAfjUTrov t'aav i?eot alev e6vre$
 
 16 BOOK I. 
 
 a\La, Zet)f d' Tjp%e. Qeng d' ov A^fler' ifa-ftew 495 
 eo>, dAA' r]y' dvedvoero KVfia $aA.doarj<;, 
 'Kept?/ d' dvedr) fieyav ovpavov OvXiJ/mov re 
 Eupei' d' evpvorra Kpovidrjv drep 7Jfj,ei'ov dAAwv 
 'AKpordrg Kopvfiq TroAvdsipddog OvXv/j,7roio. 
 Kat pa TrdpoiO' avrolo naOe&TO, Kai Adfie yoyvcav 500 
 d' ap' VTT' di'^epedivof fiAoycro, 
 At'a Kppvitova avanra- 
 
 Zei> Trdrep, ei rrore (5// ae /ier' dOavdrotaiv ovrjoa 
 "H en-et /) t'pyw, rode /itoi Kpfjrjvov iekdup 
 Tifj,7]a6v fj,oi viov, of wKf/uopwrarof dAP.wv 505 
 
 'ET/.KT' drdp ^<v vCv ye dvaf dvcypwv 'Aya^'/ivwv 
 *H.Tipr)<teV ik&v yap t^ei ytpaf avrdf dirovpag. 
 'AAAd ay Trgp /j' -rFrror, 'O/tv//Tie /ujrisra Zev 
 To0pa d' ~i Tpweaat rt'0t ttpdrog, ooip' dv 'A^atot 
 
 , 6(f)KAk(t)oiv re e ri/zg. 510 
 
 TT/V <5' ovrt Trpof t'0?/ 
 ' anew df/v fjaro Qe~t$ d' d)f fjijjaro yovvuv, 
 ai elpero fievrepov avrtf 
 
 jusv d?/ ^oi v-oa^o Kai Kardvevcov, 
 trret oy roi errt deo^ o^>p' ev etdai, 515 
 
 "Oaaov ya> /ierd Trdaiv drtiiord-r] $0$ etiu. 
 
 T/)v de jut' 
 
 T H d?) Aotyia ep^' 1 , on /.i' K^6o6o7ri]oai, e 
 "HpT/, or' av ^ ipedqatv oveideioic; tTrte 
 'H de Kai av-ug jtt' altv ev ddavdroiai -dEoloiv 520 
 
 , /cat re ^ts (brjat fid^ij Tpueaoiv dp?/yv. 
 ov fiev vvv avn<; u-<'>(jrt\F, /i// oe 
 "Up?/ f-jioi de /ce -avra iiK/.ijffF.rai, otipa Tf 
 E^ d' aye rot K0aAg Karavevao[i,ai, o<f>pa 
 TOVTO yap ef /ze0ev ye /ier' ddardroiai iiKyiarov 525 
 
 TeKfJ,d)p ov yap e/zor a//rdyperoi', ot-d' d-rur)//<n-, 
 Ov6' dre/^VTTjTov, ori KZV Kt'tyaAy Karavevab).
 
 BOOK I. 17 
 
 T H, Kai Kvareijoiv ST' otbpvoi vevoe Kpoviw 
 'Apdpooiat d' apa -^airat K-fppuaavro dvaKrog 
 Kpardf d~' dOavdroto fiEyav 6' e/^Ai^ev "OAvjUTrov. 530 
 
 Toiy' ojf flovXevcavTE dier/zayev 77 fiev errei-ra 
 ~Eig aAa dAro fiadelav drr' alyXijEvrog 'Q/.ruoi; 
 Zevf de eov ~pf dw/ia. Oeoi d' a// a di^re^ dvtarav 
 'Ef edecov o(f>ov arpog Ki-av-iov ovde -i$ tr/.;/ 
 
 farepxpftsvov, a A/,' dvrioi Ka-ar davT$. 535 
 
 6 /^ev erOa KaOe&~' i~i -dpovov ovde /uv "Hp?/ 
 
 ', orf oi ovu<ppdooaro (3ov/Mg 
 tVtf, dvydrijp d/uoio yt-povroc. 
 KpTO(ueifft At'a Kpoi'iwa ~po(:i]vda 
 
 Tig d' ay rot, doP^ou^ra, i^ewz' oviitipdaaaro (3ovXd$ ; 540 
 
 rot 0iAov t'artr, q./.et) drroj'dcr0/v iovra 
 Kptwrodta tppovEovra dtKa^epev ovde ri TW jot 
 -rA7K,a ei~elv e-o UT 
 
 T/)v d' -riiifiCjer' t-eira ~ar?/p rh'dpwi' re 
 "Up?/, /i/) d/) Trdrrnf tuoig t-r/e/.-eo ui'Oorc 545 
 
 Eid/)(Ttv ^aAe-ot rot etrovr', dAo^w Trep i 
 'A/-.A' oj' jwev K' e~itKKg drcoveiiev, ovnc 
 Ovre i9eajv Trporspof rdvy' ticrer^t, oi; 
 n Ov de K' eywv arcdvevOe i9rwv 9c%M[ 
 
 550 
 
 Tov d' j]pei6eT* t~eira ; 3odiT/c Trdrvf a "Hp?/ 
 An'drare Kpovidr], -rrolov rov ;iv6ov 
 Kat Ai7/v ae dpof y' our' dpo;iai, ov~e 
 'A AAa /idA' eu/i/yAo^ 1 rd (f)pd^eai, aaa' i 
 
 d' atvdif dgidotKa Kara Ofn-'rn, nij GE -apei-ij 555 
 ? Ap} fpd-c^a Otrtc, tffydrT/p dAfOio 
 'Hepir) yap ooiye. apt Zero, /.'at AdCe 
 T;; a' diw Karavevcrai t-r/yriy/ov, 
 
 , o/.t-arjc dt- rroAt'af trri vrjvalv ' 
 
 TTJV d* dTTanetdofievos ~pogt:(j>7] ve(f>e^.i]yepera Zevg- 560 
 B2
 
 18 BOOK I. 
 
 Aat/zovtr;, alel [tev 6tecu, ovdi oe 
 
 Tipcat d' l/zTTT/f ovrt dvvfjoeat, dAA' OTTO 
 
 MdAAov efiol eaeai TO de rot Kal piyiov earai. 
 
 Et d' OVTU rovr' eariv, ipol /uAAt 0tAov elvai. 
 
 'AAA' aKEOvoa KdOqao, e/zai d' tTri-eideo {ivOu 565 
 
 M?/ vv rot ov %pai(j[j,iJCFiv oaoi tieoi. ela" 1 iv ' 
 
 r Aooov iovO' ore. KEV roi ddrrrovg ^eZpaf e 
 
 - n i2f e0ar' eddeioev 6s, 
 Kat p' diceovaa Ka0//aro, eTrtyvdjt/i/jaaa QiXov KTjp 
 
 av d' dvd dwjuo Ator i^eot Ovpaviuveg. 570 
 
 d' "H0at<7rof K^vrore^vrjg 7]px' dyopeveiv 
 <j)epwv 
 
 T II d/) Aotyta epya rdd' e<T(TTot, oud' IT' d 
 Et dv) <T<a) eveita T^VT/TWV epidaiverov wde, 
 'Ev df iSeotcrt /coAa6v f-.Xavverov ov8i rt dairb^ 575 
 
 'Eff0A7/f eaoerai r/dof, errei rd ^epeiova vina. 
 M?/rpi d' sya) trapd^Tjut, Kal avrq nep voeovoq, 
 Harpl 0iAw errirjpa (bipew Ait, od>pa ^^ avre 
 NeineirjOi rrar^p, ai>i> d' ^jutv datra rapdi//. 
 Errep yap ' ide^atv 'OAv/trrio^ darspo-Tjrfjg 580 
 
 'Ef kdiuv arvfahijai b yap TroAi) (f>spra-6g iartv. 
 'AAAd <ru rdvy' e~eoai naddTr-eaOai fi 
 AvrtV sTreid' iXaog 'OXvpmog eaaerai f][uv. 
 
 "iif dp' 77 /cat dvat^ag de-nag d/ 
 M^rpt 0t'A^ ev ^etpt riOei, nai \itv Trpo^eetTev 585 
 
 TerAaflt, /tt^rep e/u?7, *at dvdo^eo, Krjdofievfj rrep, 
 
 Trep eovoav, iv 600aA/xotatv tdw/^at 
 rore 6' ovn duvT/do^at, d%vi>nev6g nep, 
 dpyaAeo^ ydp 'OAv/xTtof dvri^epeodai. 
 ydp fie at dAAor' dAefe/^vat ficfiaUJra 590 
 
 Hdv d' ?7|uap fapoprjv, d/ia d' 7/fAt'cj /car 
 KdrrTTECTov ^v A^/ii'w dAtyof d* -t dvpog ivr\fv 
 "Evda /i 2tvr/f di'dpf d^ap KOfiiaavro rreaovra.
 
 BOOK I. 19 
 
 <j)d-o \iddr]OEV de tied AeuKwAevo^ "Hprj 595 
 
 oaaa fie Traidog eds^aro %eipl KurreAAov. 
 Avrdp o roig aAAotcrt deoi^ evdegia ndaiv 
 Oivo%6ei yAVKv veK-rap and Kprj-f/po^ a<f>vaauv. 
 "Atrdearog 6' dp 1 ivtipro yeAto^ fiaicdpeaai dKoloLV, 
 '$.<; Idov "H.<paia~ov did dwjuara Tronrvvovra. 600 
 
 "ft^ rdre [iev npoTrav fjuap eg fjehiov naraSvvra 
 &aivvvT\ ovSe TI -dvubg edevero dairog etarjg, 
 Ov [lev ^dpjutyyof TrepiKaXkeog, r\v e%' 
 MOVCTCWV i9', at detdov dfj,ei66nevai 6n 
 
 Avrdp emi naredv Aa^rrpov <f)dog ^eAtoto, 605 
 
 Oi pev KaKtteiovreg e6av oiKovde 
 
 "H(f>aiarog Troirjoev idvirjai 
 
 Zevg 6e -rrpog ov Ae^of rji' ' 
 
 "Ev6a rrdpog Koifj,dd', ore \uv jX.vK.vq vrrvog licdvoi 6 10 
 
 *Ev0a Kadevd' dva6d$ Trapd 6e
 
 
 BOOK II. 
 
 "AAAoi IIKV pa dsoi re Kai drepec; i~~oKopvaral 
 ~Ev6ov TTavvv^ioi. Ata (5' ova 
 'AA/,' uye fjteppiipit i;a-d Qpev 
 Tm/'/ay, oAt-ag (Jt~ TroAt'a^ t-;u vr\vaiv 'A 
 cJt ; oi /card i9ty/ov upiarr] <f>aivero /J 
 
 en-' 'Arpeidq ^Ayaiitfirori OVAOV oveipov 
 (bb)V7}oa<; l~ea rrrepoevr 
 
 Ba<7' Wf , ou/le oveipe, i^odf t 
 'E/l0cbv t KAioirjv 'Aya/igjuvovof 'A-pei6ao 
 TLdvra /idA' drpe/cetof dyopei;e/iev, 0)5- gTrtreAAw. 10 
 
 t' Kekeve Kaprjitofiouv-ag 'A^a/oi)^ 
 
 yap ev eAoi ToAtv evpvdyviav 
 Tpwwv ou 7'dp er' afj,<j)i(; ' 
 'Addvaroi (bpd^ovrai' K~eyvan\bev yap a- 
 
 ivr] Tpweaai <J //^' i^rrrat. 15 
 
 /3^ (T ap' oveipog, errel ~bv fivOov aicovoev 
 (5' Z/cave T^od^ trrt v//af 'A^a^wv 
 
 BT/ (5' ap' e-' 'Arpeidrjv 'Ayap,8[j,vova ~bv iV ini%avEv 
 
 Eydovr' ev aXiaiy, ~epi d' dfiGpoaiog KK%vd' vnvo?. 
 
 2r^ d' ap' vTep Ke^aAf/f Nr/AT/tw va totKaJc, 20 
 
 Nearopt, TOV pa ftdkiara yepovrwv rl' ' 
 
 T<i if 
 
 , 'Arptof vi:,dai(f>poro, iT 
 Ov ^p?) Travvv^tov eycJav /JovA^dpov av^pa,
 
 BOOK II. 21 
 
 T Qi Aaot T' eTnTsrpd(f)arai, /cat roaaa juep/Aev. 25 
 
 NT 2' d' epedev %vve$ w/ca Ato^ de rot dyyeAof elpi, 
 "Of <rev avevdsv ewv /isya Krjderai ^d' eAeatpet. 
 Quprjjai oe KeAsvae KaptjKOfj-ouvrag 'A^atovf 
 Havovdirj vvv yap KKV ehoig TioXiv evpvdyviav 
 
 ov yap IT' dju0if 'OAvjUTta (Jai^ar' e^ovreg 30 
 oi (^pd^ovrai i^yvap\pev ydp drcavra^ 
 
 Tpweaoi 6e /cr/de' e(p7]rrrai 
 'E/c Atdf. 'AAAd (TV agcriv e^e ^peat, j(i7^(5e ere A^07/ 
 AipstTU), EVT' dv oe fiehifipuv VTTVO$ avrffl. 
 
 r~ "Q$ dpa 0a>v//<Taf d~6/'i<JKTo ~ov d' eAtrr' avrov 35 
 Td <f>poveov~' dvd dv/idv, d p' ov reAf.eadat ty 
 <I>^ yap oy* aipijaeiv Hpid^iov rrokiv fyiari 
 N/jrrfo^- ot'(5t rri //J//, a pa Zei)f fj.i]dero spy a. 
 Qrjaetv ydp er' tyieAAei 1 K ' dAyed re crrora^df re 
 Tpwat re KOA AavaoiCTi did Kparepdg vanivag. 40 
 
 "Eypero (5' e^ vrrvov -&eii) 6e \JLLV d/ 
 "E^ero d' 6pdd)0eig fiaAa/cdv 6 J Zvdvve xir 
 Ka/.or, vrjydreov rrept de ^teya /3aAAero (f>dpog 
 IIoCTCTi d' vrro Ainapolaiv ed//<raro KaAd TredfAa 
 'Af.i<pi d' dp' tZuotaiv /3dAero ^'^o^ dpyvpoqAov. 45 
 
 EtAero de OKiprpov -arpGHov, dtyOtrov aiei 
 I.vv rcJ t6// /card 
 
 /zev pa i9ed ~pore6//CTero ftaicpov 
 
 Kptovaa nai dAAoif a0ai'dro7iv 
 Arrdp 6 K7/pvKfoai. /.tyvoOoyyoiai (ceAevcrev 50 
 
 L/]pvaaetv d}-op/yi'de Kapf]i:ou6i,n'rac 'X^aiovq- 
 LEV EKi'jpvaaov, rot d' ffyeipovro /id/-' w/ca. 
 
 BOJV// dt- -pwrov f^eyaOvnu)!' I^K yepovrutv 
 -opi-i] ~apd rjjt HvAoiyerKog /3acrtAf;of 
 oye ouyiui/.taag vaii'i/i' /jprvvero j3ovAr)V 55 
 
 KAvre, ^>Aoi i9e(of /tot ei'v-i-iov f/X6ev oveipog 
 dtd VVKTO, [idhiara dt Nearopt di'w
 
 22 B O O K I I. 
 
 ~El6og re fj,eye66$ re, $vi\v r' ay^iara 
 
 TT/ d' dp' vnep /c0a/,f^, rcai /Lte Trpdf \ivQov eetnev 
 
 ie, 6at(j>povo$, 'nr-oddpoto ; 60 
 
 T) -navvv%LOV evdeiv flovkrjfiopov avdpa, 
 Aaoi r 1 emrerpd<f>arai, at roaaa iiif 
 
 w/ca Aidf <Je 
 crei) avevdev e&v [leya Krjderai i]6' ekeaipei. 
 
 i ae tcckevae KaprjKOfj-ouvrag 'A^aiovg 65 
 
 Havovdiq vvv yap KEV eXoig ~62t.iv evpvdyviav 
 Tpwwv ov yap KT' d/z^tf 'OAvji/Trta (5w//ar' e 
 'AOdvaroi <f>pd^ovrat i-^yva^ev yap 
 
 Tpc6e<T<7i (Jt - K^cJe' s^T/rrrat 
 
 df d/lAd av oyoiv e%e (ppeaiv, "fif 6 /iV CITTWV 70 
 "fli^er' aTTonrdnevog, sfj,e 6e yhvKvg vTrvog dvrjKev. 
 'A A A' dyr', at KEV TTW^ i9wp^fojUv vmf 'A^atwv. 
 ITpwra d' eywv eTreaiv TreiprjGopat, TJ depig ioriv, 
 Kat (fievyeiv avv vrjvai TtoXvuhrjioi KekevaG) 
 "Tuelg d' dAAo0V aAAo^ ipqrvetv eTTKeooiv. 75 
 
 ^Hroi oy' djf t:rwv /car' ap' ^ETO. Totai d' dvearij 
 Nfiorwp, 05- pa ni'Aoto dva^ ^v rj^iaOoevrog 
 "O o<f>iv Ev<ppove(t)v ayopi]oa-o nal uereenrev 
 
 T i2 <j)iXoi, 'Apyeiuv rjyrjTope^ rjde nsdovres, 
 Ei /^v rig rbv ovstpov 'A^ataiv aAAof eviG-rrev, 80 
 
 df KEV (baluev, nai voo<f)ioiuda jwdAAov 
 ' WEV 05- /uy' apioro$ 'A^atwv ev%erai elvai. 
 ayer', a f TTW^ T9(op^oj!iv vta^ 'A^atwv. 
 
 "flf dpa (j)G)VT)Ga$ /JouAT/f fi ^p% vieadai. 
 Ol (5' eTTavearTjoav, TteiOovro re noifievi Aaaiv, 8& 
 
 ro de 
 
 HErpijs yAa^vp^f am VEOV ep%ouevd(*)v 
 
 Borpvdov de Trerovrat e~ ' dvdeaiv eiapivoloiv 
 
 Ai |tzV T' !v0a dAff TreTrorfjarai, at de re evda 90 
 
 "flf TWV l^vea TroAAd VEWV OTTO /cat
 
 B O O K I I. 
 
 'lAadov eig dyopi'jv fierd 6e o<j)iaiv "Qooa dedijei 
 'Orpvvovo' tKvai, &ibg dyyeAof oi 6' dyepovro. 
 Terprj%ei 6' dyopr). VTTO 6e orevaxL&ro yala 95 
 
 adof d' r\v ivvKa 6e a<6eaf 
 TES Kpf]rvov, el TTOT' di)r)jg 
 ', duovaeiav 6e Atorpe^>wv /JacrtA^wv. 
 d' t'^firo Aao^, eprjrvdev 6e nad' Zdpag 
 Havodftevoi K/layyT/f dvd dt Kpeiuv 'Ayajue^tvajv 100 
 "Ear?; oicfjTrrpov K%(t)v, TO ^v "H^atcrrof /cd/ze 
 "H^aiffro^ jrtt-v dw/te Au KpoJ-'f'am avanri, 
 Avrdp apa Zsvf Jw/ce diaK-dpoj ' 
 'Epuei'af (Je dva^ (Jw/csv IIt : /lo7ri 
 Avrdp 6 cure IleAoi/) (JaJK' 'Arpei', TTOI^KVL Xativ 105 
 
 'Arpeuf de dvijaituv /U-ev Tr 
 Avrdp 6 avre QVROT' 'Ayaftepvovi Aetrre 
 IIoAA^criv vrjaoiai Kai "Apye'i rtavri dvdaaeiv. 
 Tai oy' epeiad[ievo$ 7re' 'Apyeiotoi 
 
 T i2 0iAo<, iipueg Aavaoi, iSepdn-ovre^ "ApT/of, 110 
 
 /ze jtte)'a Kpovidys dry evedrjcre fiapeiq 
 
 ^ irpiv juev //oi v-nea^ero Kai narevevoev 
 
 Nuv de naKTjv dTrdrrjv /3orAev<raro, Kat j 
 
 Av^/cAea "Apyof iKsodai, t~ei rroAi'i' <3Aeaa Aadv. 115 
 
 Ovra> TTOU A ^eAA vTrep^ievsi (biAov elvat, 
 
 "Of dr) TroAAdwv TTOALW KartAvae K.dpr]va, 
 
 'II(J' tri /cat Avaei rov yap Kpdrog iarl nf.yiarov. 
 
 v yap rude y' eari Kai eGao^Kvoiai -rrvOeaOai, 
 OUTCJ To/.ovde rooovde re Aadv 'A^atwv 120 
 
 'Avdpdai ~avporepoiai, reAog d' OVTTW Ti rd^avrat. 
 EJ-fp yap K' eOsAoifisv 'A^atot re Tpwt'^ re 
 "OpKca nia-a raiiovreg dpi6u7)di]uevai d/z^d), 
 
 V Ae^aadat, l(f>eo~ioi oaooi eaaiv, 125
 
 24 B O O K I I. 
 
 (T $ 8eicd6ag 
 
 <J' avdpa ZKaarov ekoipeOa oi 
 
 dendSeg devoia-ro oivo^ooio. 
 Toaaov eyc5 0?^u nXeag sfj.pevai vlag 
 Tpwwv, o'i vaiovai Kara TTTO/UV d/lA' farucovpot 130 
 
 IIo/vAewv e rro/Licjv ey^eaTra/loi avdpeg eaaiv, 
 Ol [is peya TrXd^ovoi, nai OVK 
 'lAiov KKiripcai evvaiopevov -X 
 'Evvea d?) (3e6daai Aidf jueyoAov ivtavroi, 
 Kat (J?) dovpa oeorj-e vetiv, Kai o-rrdpra kekwrai 135 
 At (Jg TTOV rjpe-epai r' aAo^oi at vf]7na TKKVO, 
 Etar' eVt fieydpoig no'tdiynevai a^u 6e epyov 
 
 dicpdavTOV, ov Kivena 6evp' 
 
 )5- av 
 
 avv vrjval (piXrjv eg Trarpida yalav 140 
 
 Ov yap ETC Tpoirjv alprjcronev evpvdyviav. 
 
 "Sif (j>dro rolai de tivubv svl orrjdeaatv opivev 
 Tldai ]Urd TTATjdvv, oooi ov ftovAift ~dnovoav. 
 Kivfjdr] d' dyopfj, a)f Kvpara fiaKpd -dakdaaiig, 
 HOVTOV 'iKapioio, rd fj,sv T' ~Evp6$ re Ndrof re 145 
 
 "Qpop' eTrai^ag rcarpog Ato^ /c V0Aaan'. 
 'fif (5' 6r Ktvijaq Ze<f>vpo<; J3a6i> krjlov e 
 
 t^a)v, ~i r' ^juua da 
 -&>v da' dyop?) Kivi]Qr\. Toi 
 
 TT' eooevovro, -rroduv 6" 1 vnevepOe KOVIJJ 150 
 
 r' deipof.iev7] -rot d' aAA7/ 
 "ATrreoOat vijtii', ^d' s^KEpev elg aAa 
 Ovpov$ T' i^endOatpov avrfj d' ovpavov licev 
 OiKade lefievMV VTTO (J' r/peov 8p/.tara VT/WJ'. 
 
 "Ev0a Kv 'Apyeioiaiv vnspnopa voGrog erv^Orj, 155 
 Et ^ 'AOrjvairjv "Hpr) ~pb$ pvOov Zei-xev 
 
 "i2 TTOTrot, alyio^oio Atdf re/cog, 'Arpvrcjvrj, 
 OvTd) 6f] olicovde (frikrjv eg rrarpida yalav 
 'Apyelot (j>ev^ovrai ! evpea 7'wra
 
 B O O K I I. 25 
 
 Kdd 6i Kev ev^u^v ITptdjua) nal Tpual AtTrotev 160 
 
 'Apyeirjv 'E&evijv, rjg elvEKa rroAAot 'A^mwv 
 
 'Ev Tpoly aTrdAcvTO, (pi/tTjg OTTO -rrarpidog 
 
 'AAA' Wi vvv nara Aadv 'A%aitiv 
 
 Zotf dyavolg eeeoatv epT)~vs (jx^jr 
 
 ]\I?/(J' da VT/af aAaJ' eAKKfiev dfjjpiE/.iaaag. 165 
 
 fi ar' OV^V^TTOW KdpijVuiv dt^aoa 
 
 vi/ag 
 
 KTTSIT' 'Odva^o Ait JIIJTIV drd^avrov 
 
 'Earadr'- oyd' oye VT/O^ evaoekuoio \Lka,ivr\<; 170 
 
 o Kpadiqv nal dv/idv iitavev. 
 7rpo$(p7) yAav/cwrr^ 'A.6rjvr) 
 
 AaepnddTj, noXviiri%av' 'Qdvaaev, 
 OVTCJ dfj otKOvde 0tA?^v f Trarpida yalav 
 <bev!;ad' ev vrjeoai irokvK/Jjiai Treaovreg ; 175 
 
 Kdd 6f. icev ev^wA^v ITpm/iQ :at T 
 'Apyet^v 'EAev^v, 775- eiveica ?roA/loi ' 
 'Ev Tpot'g aTToAoyro, $iM](; d~o arpidog 
 
 vvv /card Aaov 'A^afdiv, ^'d' er' epa> 
 
 v, 180 
 
 Bf/ (Jfi i9ev, drro de x/*.alvav (3dke rrjv d' eKO/uaoev 
 
 T](; 'WaK?]aiog, 05- ot 6rr^dt. 
 
 d' 'ArpEi'Jfw 'Ayuu^iirm'og dvrioq A0a>v 185 
 
 Ae^ard o/ a/c^Trrpov Trarpdii'ov, afydirov diet 
 2vv rai 6?/ /card v^a^ 'A^aiaiv ^aAfo^irojvwv. 
 
 '(^/'-riva juev ftaoiXfja Kal e^o^ov avdpa Kt%Ei7), 
 Tov d' dyavoZ^ KTteeamv t:pr]rvaat7Ke rr 
 
 Aat/xdvt', 01! <TE ot, /ca/cov w^, deidieoeaOaf 190 
 
 'A/./.' avrog re ndOi]Oo, Kal dAAoi'^ tdpve Aaovf. 
 Ov yap TTOJ ad0a ola6\ olog v6o$ \\rpEMVog* 
 
 G
 
 26 B O O K I I. 
 
 Ni)v p,iv Treiparai, rd%a d' tyerai mag ' 
 
 'Ev ftovX'Q d' ov Trdvreg dicovoafiev olov eenrev. 
 
 Mr) TI %oXuoduevog pet-q Kaicov vla$ 'Aftaitiv. 195 
 
 de ueyas'eori &iorpe<j)eog ftaaiXi]oq 
 fj d' EK Atdf earij 0tAfit de e ^rj-iera Zevg. 
 
 "Ov d' av drjfiov T' avdpa tdoi, /3odwvrd T' l<j>vpoi, 
 Tov (T^T-pa) iXdoaaicev, ofionhrjaaaKe re (j,v6<*) 
 
 Aatj6vi', drpe^af ^<ro, ai aAAwv fivdov aicove, 200 
 Oi <7co (pEprepoi elat ov 6' aTrrdAe/Ltof :<u a 
 Oi;re TTOT' ev 7roAe/j evapiO/j,tog, ovr' 
 Ov [lev rrwf TTovreg- Paoikevoonev evddd' ' 
 Xvicoipavirj el$ noipavog e 
 vf, w edw/ce Kpovou naif dy:vAo^?/rea). 205 
 r' ^de i9ejumraf , iva a0i'o /SacriAev^.] 
 
 oye noipaveuv diene orparov ol 6' dyoprjvde 
 eTreaoevovro vetiv drro /cai 
 0)5- ore i)/ia TroAvipAoiafioio 
 w jueydAw ftpefj-erat, a[iapayel de re Trovrog. 210 
 
 "AAAoi juev p' 9ovro, epfjrvdev de naO' t'dpaf. 
 Qepoirrjg d' Irt fiovvog after poeTri^g eKoAwa, 
 "Of p' errea (frpeaiv qaiv aKoa/id re TroAAd re ^d?/, 
 Mai/), drdp oi> /card KOOUOV, epi^euevau (3aoiXevmv, 
 'AAA' ori of etoairo yehoilov 'Apyeioioiv 215 
 
 ^fCTTO^ dt- dv?)p VTTO "lAtov ^ 
 IT/V, ^coAof d' erepov rroda TO) dt' o/ 
 Kvprw, rrf or?]6og ovvoxuicore avrdp vrrepOev 
 <&o!-dg erjv /c0aA?/v, ipeSvf) d' e-rrevijvode Ad^vT/. 
 "E^&arof d' 'A^tA^i' judAiCTr' ^v ^d' 'Odyo^i' * 220 
 Td) ydp veiKeieone ror' aur' ^ Kya\ii\LVovi dtw 
 
 &)^ Aey' 6vida rw d' dp' ' 
 Koreovro, veneooqOev r' Vi 
 Avrdp 6 jua/cpd jSoaiv 'Aya/z/zvova vetKee 
 
 id?/, reo d' atr' Kmi^e^eat rjde %ari&i$ ; 225
 
 R O O K I I. 27 
 
 HXelai rot ^O^KOV nkioiai, -rroAAai 6e 
 
 Elalv ivl KXiatTjg egaiperoi, d$ ~oi 'Am 
 
 Updiriaru 6i6ofiev, vr' dv TtroMedpov 
 
 r H KTI Kai xpvoov etrideveai, ov KE rig oloei 
 
 TpoJ6.)v i~~o6dp(i)v 'lAioy, vlog arcoiva, 230 
 
 "Ov KSV iya) dr^aaq dydyw, TJ ahkog 'A^ewwv ; 
 
 'He yvvaiKa VET/V, Iva nioyeai iv 0iAdr7/Tt, 
 
 "Hvr' avrog aTrovoofo Kario^ai ; ov (J.KV loinev 
 
 'Ap%ov iovra KCKWV emfiaaKejuev vlag 'A^a^wv. 
 
 235 
 
 AvroD tvi Tpo/?/ ypa rr(rcr//v, 6^>pa Idrjrat, 
 
 *H pa Ti 01 %' TjjuEt^ rrpoganvvofiev, r/ /cat OVM' 
 
 r Of nal vvv 'A-^iA^a, j(iy' diteivora <jxZ>-a, 
 
 'Hrt'/z?/(7v t'Awv yap e%et yspa^, avro^ d-ovpag. 240 
 
 'A A Ad jtidA' ot'K 'A^-tA^i %dAo^ <f>peaiv, dAAd 
 
 T H yap dv, 'ArpEtdr/, vDv vcrrara 
 
 eva Aawv, 
 
 iTTjg TO) d' 6ja rrapioraro 6lo^ 'Odvoaeij^^ 
 Kai fiiv vnodpa I6uv ^aAe~a 7/vt aT /^vOa> 2-15 
 
 Qepair' aKpiroftvOe, Xiyv$ -rrsp wv d 
 
 Ov yap ^'a> <70 ^/ui ^epeiorepov ftporov dAAov 
 
 *E[i[iEvai, ooaot dju' 'Arpetrfgf vrro "lAtov ijkdov. 
 
 Tai OVK dv /SacrtATJaf dvd CTTOJU' e^wv dyopevot$ t 250 
 
 Kai <T0iv oveiSed re Trpofapoig, voorov re tyvX 
 
 Ovde ri TTW <rd^>a tdjUv, o~Wf <rrat rddfi pya, 
 
 [Tw vvv 'Arpeidq 'AyttftGfivavi, -KOIIIEVI Aawv, 
 
 r Hoai oveidifyv, on oi fidAa rroAAd didovoiv 255 
 
 *IIpa)f Aavaot'* av dt - Kepro/iEcov dyopEVEtg.l 
 
 'AAA' / TOi pW, TO (? Ka2 TTA(TjliVOI' EOrai, 
 
 Ei ' Iri a' d<f>paivov-a Kix?]OO[iai, &$ vv Trep wds,
 
 28 B O O K 1 I. 
 
 ere T^Aejtzd^oio 7raT7/p /ce/cAr/^evof etfyv, 260 
 
 Et fifj eycj ae Aafiwv OTTO juev </>t'Aa efytara dvcra;, 
 XAatvdv T' T/de ^trwva, rd T' aWd) df 
 Av-bv de tikaiovra i9odf era ryjaf d<f)7]Ob) 
 ayoprjOsv deineoot Tt 
 
 de jurd0pevov ^de /cat a)juw 265 
 6 6' iSvudrft dakepbv 8i oi itKTreoe ddnpv. 
 6' a/juardeaaa [le-rcuppevov e^vTravectrr] 
 ov VTTO xpvaeov 6 8' dp' K&TO, Tap6?/crt;v re 
 
 8', d^pelov id&v, aTro/ndp^aro 8aKpv. 
 Ol 8s, icai d^yv^ievoi rep, err' aurai jJ<Jv yeAaaaav 270 
 r 2de de rtf etrrea/cev Wwv gf n'hr^iov dAAov 
 
 T i2 TrdTrot, ^ (J?) fivpi' '08vooev(; EddXd iopyzv 
 Bof Adf -' t'^dp^wv d) a^df , TrdAe/itdv T xopvoauv 
 Ni)v (Je rode /zey' apiorov EV 'Apyeioioiv epefev, 
 n Of TOV A(i)6rj-7)pa tTredfidAov to%' dyopdwv. 275 
 
 OiS i?^v jittv TrdAiv av~t dvijoei dv/wg d 
 6vi8eioi<; K 
 
 "Qf fydaav i] -^"ki]Qvq di'd de 7rroAiTrop0of ' 
 "Ear?; OKijnrpov e^wv Trapd de yAa^Kwrrif 'A(?//r?/ 
 Eido/zev?; KijpvKi aiwrrdv Xabv dvuyei, 280 
 
 'flf a/za i9' ot rrpwrot re at vararoL 
 MvOov aKovoeiav, Kal Km^paoaaiaro 
 "O <T0iv ti)0pove6JV dyopjjoaro Kal 
 
 'Arpetd?;, vi)v dv; ae, dvaf, ideXovaiv 
 Ildofv eAey^tffTov i9e//evat [ifpo-rreaoi (3poroimv 285 
 
 Ovde TO* K~eXeovaiv vrrda^ecrtv, i/vnep virearav 
 'Ev0dd' eri (Jret^ovre^ OTT' "Apyeo^ /TT-rrofidroto, 
 
 e/crrepoai'T' evrei^eov d~oveeodai. 
 re yap // Tratde^ veapoi Xflpai re yvi'ar/te^, 
 
 tv 68vpovrai olnovde vhoOat. 290 
 
 T H ^v K<U Trdvof SCTTIV dvirjdevTa veeodai. 
 Kot yap T/f i9' ^va /jf/vn /tev6)v drro T/C
 
 B O O K I I. 29 
 
 ovv vrfi TroAvt/uyw, ovrrep ae/./.ai 
 etAewCTtv optvopevr] re ddAaoaa 
 'H/uv d' elvarog ion rrepirpo-ew eviavrb$ 295 
 
 uinvovreooc. Tw ov veaeai^ou' 'A^atovf 
 av rropd vrfvai Kopuvioiv dAAd /cat IJUTTT/C 
 Alo^pov roi drjpov re [j,evetv, Keveov re veeadai. 
 TA^rg, 0t/.oi, ai /^etvar' e^i xporov, 6(f>pa Satifiev, 
 Y K irebv Kd}*.%a$ juavreyerot, ^e /cai OVA-/. 300 
 
 Ey yap d?) rode W^zev evt 0pedi'v eare de 7rdvre<: 
 Mdprvpoi, oC'f //r) Kf/pec e6av davdroio tyepovoai 
 X0i^d re /cat 7rpwi', or' tf AvAt'da VTfe^ 'A^aidiv 
 'H}'Fp-0oi'ro /ca/id ITpm/icj KOI Tpwat <j>epovaai 
 
 d' d/^0t 77-ept Kprjvrjv iepov$ Kara ftwuovg 305 
 
 dOavdroiai reM]saaag e/card^fiaf , 
 Ka/. ?} {TO T/.aravfaroj, o0ev peev dyAadv rdwp 
 
 ,e~)'a ar^iia dpdswv err i vC>ra da<^otvdf, 
 ov p' aurdf 'OAujLtrriof ^e </>oa)fde, 
 vrrat^ag ~p6(; pa rrkardviorov opovaev. 310 
 
 d' ecrav orpovdolo veooaoi, vjjraa reKva, 
 t-rr' d/ipordrw irerd/.oig v~o~ errr^Gjref, 
 'O/crcj, drdp ftrirjjp ivdrrj ?/v, ?/ re/ce reicva. 
 "Ev6' 5ye roD^ eAeeivd Karrjodie rerpiywraf 
 M//r;/p d' d//^>e7rordro 66vpofj.Kvr) <t/.a reva* 315 
 
 T^v d' e/.iAidfj.vog repvyo$ A 
 \r~ap K~i Kara rinv e^aye orpovOolo /eat 
 Tov /zev ttpc^//AOJ' &f]K,ev i9eoc, of- 
 Adav yap p.n> 6r]Ke Kpovov rraic d 
 'lliietg d' earaoreg davpi^niiev, olnv err\0r]. 320 
 
 f i"2^ ouv deti-'d rreAwpa t9ewv etf7/A0' e/cardjufia^, 
 K';x.\;ac d' avrifi 1 erreira deo-po-euv dyopevev. 
 
 tyevecOe, KapTjKouowvreg 'A 
 rod' e0?yve re'pa^ /zeya prjriera 
 
 '/ sorov, uov Kteo$ ovTTor' o/.eirat. 325 
 
 !S2c ovrog icard re/ev' Z<baye orpovdolo Kai avrfjv, 
 '0rw, drdp ftnrjjp h'drr] f]v, rj re/ce re'sva 
 C2
 
 30 B O O K I I. 
 
 "i2f Tjuetg rovaavr' erea TrroXeai^ouev avdi, 
 
 To> denary 6e TrdAtv atp^tfo/^ev Evpvdyvtav. 
 
 Kelvog $' cjf ayopeve rd df) vvv rcdvra TeAetrat. 330 
 
 'AAA' aye [iiuvere uavref, eiiKv^ideg 'A^atot, 
 
 Avrov, etfd/cev aorv fieya Jlptdjuoto e 
 
 Kovd6r]oav dvoavTW VT 
 Mi)0ov tTTaiv?]oavre^ 'Odvaorjog -deioio. 335 
 
 Toicrt de /cat juereetTrfi Teprjvwg imrora Nearwp 
 
 f, 7^ <5?y naioiv eoiKoreg dyopdaode 
 s, olg OVTI jt/eAei 7roAej^m tpya. 
 d?) ovvdeoiai re ical opitia ftfjoerai i]\iiv ; 
 7Tvpl 6rj /3ovkaC re jevoiaro nqded r' dvdptiv, 34-0 
 i T' aKprjTOt not Serial, fa ETTEntOpev 
 yap p' STreeaa' ipidaivopsv, ovde rt 
 dvvdfjieaOa, TTO^VV %povov evOd 
 ov d' t?0' wf rrptv e%wv da-eptiia f3ovX.7]v 
 / 'Apyeioioi Kara Kparepdg vapiva^ 345 
 
 d' t ; a <}>0tvv6eiv, eva /cat dvo, rot KEV 'A^cuutv 
 flovXeiiua' avvoig (T ou/c eooerai avrtiv 
 Ilptv "Apyo^d' ttvat, Trptv /cat Atdf atytd^oto 
 TvG)[ievai Eire tjjevdog vnoa^Emg, ?}e /cat ov^t. 
 3>T][i,i yap ovv naravevoai vTrepuevea Kpovtwva 350 
 
 "Hjttart TCJ, ore vr\vaiv KTT' huwnopoiow 6aivov 
 'Apysloi Tpc5e<T<rt <f>6vov /cat K^pa 
 'AarpaTTTtov eTrtde^t', evaicriua oijaara 
 Ta ft^rtf ?rp<v ETTEiyeaOd) olitovde 
 TLpiv nva Trap Tpwwv dAd^cj /cara/cotjU^O^vat, 355 
 
 TiaaaOat d' 'EAfiv?^ 6pfj,r)aard re orova^dg re. 
 Et dt - rtf /c7rayAcjf eOe^ei oiKovds 
 'AirrEoOb) fa vrjbg evoae^oto jit 
 *O<j>pa npooO' aAAwv $avaroi> /cat TTOT/^OV 
 'AAAa, ava, avrog T' ev firjdeo, resided T' aAAw 360 
 
 Ovrot drrdfiAT/Tov errof eaaerai, orrc KE etrrw
 
 B O O K I I. 31 
 
 Kp?v' avdpag Kara <pv/M, Kara (ppfj-pag, 'Ayaueuvov, 
 
 'i2f (ppf/rpr) (ftprj-p^tv dprjyq, 0DAa 6s (pvXoig. 
 
 Ei de Kev tig Spirts, Kai roi Ttsiduv-ai 'A%aioi, 
 
 Tv(jjarj ETtetO', og #' ffyepovuv Hands, og re vv Aawv, 365 
 
 'Hd' og ' ioO/ibg eqoi Kara o<peag yap 
 
 Fvajaeat 6\ ei at deaireair) no'kiv ova d 
 
 "H dvdpuv KaKorrjrt /cat dtppadir] 
 
 Tov d' aTraneidouevog rrpoge^r] Kpeiw 'A.yaue(J,vw 
 T H judv at>r' tiyop^ viKag, jepov, vlag 'A^atwv. 370 
 
 Ai yap, Zev re rrdrep Kai 'AOrjvaiT] Kai "AiroAAov, 
 Toiovrot de:a //ot ovpfipddnoveg elev 'A^atwv 
 TOJ e ra^' fyivoeie TTOAig Hpidpoio dvaKrog, 
 XepCTiv i-0' rmereprjoiv dAouaa re TrepOo/jievTi re. 
 'AA/M uoi aiyio^og Kpovidyg Zevg dAye' tdw/cev, 375 
 
 "Of /xe jtzer' drcprjKrovg Zpidag Kai vetKea (3d /* Act. 
 Kai yap eyan' 'A^tAeuf rg jua^(radue0' eiveKa Kovpqg 
 'Avribioig errseaatv, eya> d' fjpxov ^akznaiv^v 
 Ei (Je TTOT' ef ye uiav ftov^evoo/iev, avuir' erreira 
 Tpuaiv dvdd^ijaig KOKOV eaoerat, ovS 1 r]6aiov. 380 
 
 Nvv d' Kp%GQ'' STTL deiTTVov, Iva gwdyufisv "Aprja 
 Et> uev rtg 66pv -h]!;do6(t), ev 6' darrida -dsadu, 
 Ey de rig Irrrcoicriv decTrvov 66ru d)Kvrr66eGoir, 
 Ev de rtf dpf.iarog d^lg I6&v TroAe/zoio nedeodu 
 "ftf e navqpepioi arvyep& Kpiv&fied' "Aprj'i. 385 
 
 Oj) yap Travau/J] ye nereaoerat, ovd' 1 rjdatov, 
 Et ^77 vvf ikdovaa dtaKpivsei pevog dvdpwv. 
 
 \\n-idog dfifaGporrig, ~epi d' ey%i' 
 
 'Idpcoffet d rv iTTOf iv^oov ap^ia nraivw. 390 
 
 "Or d ' eyd>v d-rrdvevde fJ-dx^g eOskovra voTjffb) 
 
 Mf//vd^eiv Trapd vrjvai Kopwioiv, ov ol eireira 
 
 "ApKiov soaeirai $>vyeeiv Kvvag f)d' olwovg. 
 
 )'tot de iuey' ia%ov, &g ore Kvfia 
 ore KiVTo Ndrof eA0c5v, 395
 
 D O U K I I. 
 
 pt 0KOEAU) rbv 6' ov-orE Ki'fiara AEI-EI 
 Havroiuv dvEUUV, or' av vO' // ivUa yt-fiovrut. 
 'Ai'ardvref d' optovro, KedaoOt^vreg Kara vf/ac, 
 kiu~vioodv rE /card KAioiag, nai dsl-nvov eAovro. 
 
 d' ii/.'/M pe^e tit-tiv aieiyeverdw, 400 
 
 ayarof re fyvyelv KOI /LUJAOV "Aprjog. 
 A ('rap o /3ot'V Lepevasv ava$ dvdptiv ' A 
 Iliova, ~evTaT?}poi', vneppevei 
 KiKAijOKev 6e yepovrag dpiarif 
 Ne'crropa /it'i' pcJnara nal 'Ido/yerf/a avaura, 405 
 
 Avrdp 7Tir' Ai'avre rfi)u) 
 "E/cro^ rf' aur' 'Odt-af/a, Aii /z//riv 
 Atrd/iaro^ de ot /yAOs /3o/)v dya06f 
 "Iltdse yap ward dvnov dde/^<f>ebv dx; t-oi'tiro. 
 Boyv Je 77epiOT?']oavTO, nai ovAo^vrag dveAovro- 410 
 
 Totatv d' gi^djUEVo^ ue-retyri Kpeiuv ' 
 
 Zei; Kvdiare, /^t-ytare, Kekaivetyeg, alQipi vaiuv, 
 M/) Trpiv ST' rjeXiov dvvai, icai em KVE&CU; eWelv, 
 Hpiv IIK tiara ~prjveg fta/^eeiv IIptd/u.oto uskadpov 
 Aidakoev, ~pf}oai 6s Trvpog &TJIOIO dvperpa, 415 
 
 'E/crdpeov 6s xirtiva Trepi ori]8eaai dai%ai 
 
 ai pa>ya./U'ov o/ue^ (5' au^)' avrbv iralpoi 
 ev Koviqoiv oddl; Xa^oiaro yatav. 
 
 "Q.g ^>ar' oW apa TTW oi eKpaiaive Kpovtwv 
 AA/-' oye de/cro /if v /pa, TTOVOV 6" 1 dasyaprov o^s/lAev 420 
 AvTap 7rei p' ev^avro, Kai ouAo%i}raf pofidAovro, 
 Avepvaav per paira, /cat Zocbat-av KOI edeipav, 
 ~M.i]pov$ T' t^t'ra/ioi 1 , Kara re nvioy exd 
 AiTrn/'^a Trot^aavTff, t:r' au-rcjv d' u 
 Kai rd /iv op a^i^atv dffrvAkoioiv narKKaiov 425 
 
 iT/.ay%va d' dp' d/i eipavreg v-eipe^ov 'Hfaiioroio. 
 Avrdp ETTEL Kara ju/)p' d?7, Kat <T/rAdy^v' trrdrravro, 
 ov T' apa rdAAa ai a//< 
 
 e -?pi<j>padiu<;, ipvaavro rt~ -avra.
 
 B O O K I I. 33 
 
 Avrdp STTEI rravoavro TTOVOV, TCTVKOVTO re dalra, 430 
 Aaivvvr', ovde n -dvpo^ edevero datrbg ita^. 
 Avrdp ETTEI noato^ /cat idrjrvo^ st- epov EVTO, 
 Tolg apa [ivOuv f)p%e Tspijvtog l-rmora Neorwp 
 
 nvdia-e, ava% dvdp&v ' 
 Mr/fe-ri 6fj vvv avdt Aeyajjue^a, /i?/(5' en dqpbv 435 
 
 epyov, 6 6f] i9e 
 aye, KrjpvKsg fiev 'A^atwv 
 Aabv KrjpvooovTeg dyetpovrhiv Kara 
 
 if d' ddpooc (ode Kara orparbv evpijv ' 
 , 60pa KE ddaaov syeipopev 6%vv "Apqa. 440 
 
 uJ' dnidrjaev aval; avdptiv ' 
 Ai'Tiita Krjpvueooi kiyvfydoyyoioi ftskevaev 
 KTjpvaaeiv TrdAe/zovde KapT/KO/idwvTa^ 'A%at.ovg. 
 Oi [lev eKTjpvafJov, rot 6' fjyeipovro \iaK J)Ka. 
 Oi & a\i^f 'Arpeiwva Aiorpg^eef Paaikfjeg 445 
 
 6i)vov Kpivovreg jusrd (Js yAav/cwrr^ 'AOfjvr] 
 AiyiS 1 s^ova' epirinov, dyrjpaov, d6o,vdr7]v re- 
 sKarov -Ovoavot nay^pvoeoi fjepedovrai, 
 , sKarofj-Cioiog 6e sKaarog, 
 
 TTaKfidoaovaa dieoavro Aaov 'A^aidiv 450 
 
 eV (Je odevog tipaev e/ 
 
 Totot d' ac6ap udAejUO^ yAvKtwv yevsr' ^ veeadai 
 'Ev vr\vol yAa</>vp7jj<7 0A?/v e^- rrarpida yaiav. 
 
 'Hvre Ttvp dtd-rjXov em^Aey" aorrerov DATjv 455 
 
 Qvpeog sv Kopvfj)^, vnaQev de re <f>aive~ai avyrj 
 r 2f raiv ep%ofj.s.V(M)v d~b ^a^Kov -dEOTceoioto 
 7Tafj,<f>av6vaa dc 1 aiOspog ovpavby IKEV. 
 
 Ttiv 6\ w^r' opviduv TTETerjvtiv edvsa 
 
 ?) yspdwv ?/ KVKVUV dov^i^odsipwv^ 460 
 
 ev Afitjti&m, Kavarpidv djU0i pee6pa, 
 *EvOa /cat eV0a rroraivrai dyaAAd^eva TtTEpvyeaoiv,
 
 34 B O O K 1 I. 
 
 ^ ofiapayet 6e re 
 "ftf TO)V eOvea rro/lAd vt&v O.TTO nal K^ioidw 
 'Ef neSiov Trpofteovro SKa/mvdpiov avrdp VTTO ^Ocbv 465 
 2//pdaAov Kovddi^e Trodwv avrtiv re nal IT 
 "Eorav J' ev XKL^VL 2/ca/iav(5p(w avB^oev 
 Mvpioi, booa re 0vAAa /cat avOea yiyverai 
 
 ddivduv tOvea 
 
 Atre ard oraQ^ibv Troi^ivrjlov Tj^dcncovaiv 470 
 
 "i2pg ev elapivq, ore re yAayof ayyea devet 
 Tooooi eTTi Tp&eaoi KaprjKo^o 
 'Ev Trediw iccravro, diappaloai 
 
 d', W^T' afa&Ua TrAare' atywv aiTrdAot avdpeg 
 'Pela diaicpiwaiv, errei ice vofiti fjn,yid)Oiv 475 
 
 KKoa^ieov evOa nai evda 
 /ierd de Kpeiuv ' 
 
 "Ape't 6s tyvTjv, orepvov 6s 
 
 vf dyekqfo jugy' ^o^og en^ero Travrwv 480 
 
 o yap re floeacu fj,eraTrpeTTEt, d 
 Tolov ap' 'A.rpeidr]v drjne Zevg jjftari 
 
 eoT, Trapeare re, iar re rrdvra, 485 
 otov aKovopev, ovds ri idpev 
 fjyefidveg Aavawv at nolpavoi rjaav. 
 d' ov/c av yw fivOfjoopai, o 
 Oi>d' t /iO de/ca //V yktiaaai, de/ca 
 4>wv^ d' appTjKroc;, %dhneov 6e fj-oi ?jrop kvdrj 490 
 
 Et ^ 'OAv/ZTrtddfif Movaai, Ai6f alyto^oio 
 Ovyarepeg, \wr\oaiaQ\ ooot vno "IXiov fj 
 'Ap^ovf av vr\&v epew, v^df re npondaa^. 
 
 Boiurtiv [lev TlrjveA.eoJS icai Arj'irog v/ 
 
 re HpoOorjWp re KAovtoj- re 495
 
 B O O K 1 1. 35 
 
 Oi &" 'Tpitjv eveuovro Kai Avkida Tcerpr)eooav, 
 
 2%oiv6v re 2/cd>Adv rs, TTO^VKV^UOV r' ' 
 
 007Tiav, Tpaidv re Kai evpvxopov 
 
 Oi r' du<f>' "Apjti' eve/.iovro Kai EiA<7iov /cat ' 
 
 Oi r' 'EAewv' i^ov fjd 1 "TXrjv Kai nerewva, 500 
 
 , Medeaivd r', eiJK-ifisvov rrroMedpov, 
 , F,v~pT)(Jiv re, TTokvTprjpwd re Qio&rjv, 
 Oi re Kop&veiav Kai Troirjevd' 'AAmprov, 
 Ot - IlXdraiav %ov, ^d' ot FAttTavr' eveuovro, 
 Oi i9' "Tnodr]6a^ el^ov, ivKripevov Trrokiedpov, 505 
 
 "Oy^<7TOV T?', tepov Hooidfjiov dyAadv 
 Ot re TioXvard(f)VAOv 'Apvrjv e%ov, oi re 
 Nitrdv re ^ader/v, 'A.vdrj66va r' ecr^ardaxrov 
 Twv juev rrevrrjKovra veeg KLOV ev de eKaary 
 Kovpoi Boiwraiv e/carov Kai eiKoai ftalvov. 510 
 
 Oi 6' 'AaTrA^dova valov W 'Op%ouevov Mivveiov, 
 7/p^;' 'Aa/cdAa^of ai 
 reKev 'Aaruo^;?/ dd/Ltcj "AKropog ' 
 TLap6evo$ aldoit], v-nepuiov ei$ava6doa, 
 "Aprji /cparepai 6 de oi TrapeAeforo Ad0p?/ 515 
 
 de rpiTjKOvra yAa0vpat vee^ ean^ouvro. 
 
 Avrdp $(t)KT)b)v 2%{Ji'oc oi 
 
 'IQirov fieyadvpov 
 
 Oi Kvrrdpiooov e%ov, ni/'^wvd re Trer 
 Kpiadv re Zaderjv KOI AavAaSa /cai UavoTr^a, 520 
 
 Oi r' 'Avejuaipeiav ai 'Td/i-roAiv dufievefjiovro, 
 Oi r' dpo Trap Trorapov K^itrov dtov evaiov, 
 Ot T AtAaiav ^;ov Tfj]-y^g em KTjfaaoio 
 Tolg (?' dua reaaapaKovra uekaivat vr/eg ercovro. 
 Ol uev <^<j)Kr\wv ari^ag laraaav d/j0t7rovrf 525 
 
 BoiWTWV (i' Ep,7T/,7]V 7r' dpi<TTpd 
 
 Ao/tpaiv <J' fytiiovevtv 'Oi' 
 Mei'wv, ovTi rdaof y 
 'AAAd
 
 3t5 B O (J K I I. 
 
 'Ey%eiq 6' knenaaro Ilavt'AAy/mf nal 'A^aiovg 530 
 
 Oi Kvvov T' eVfi/zovr', 'Orrdevrd re KaAA/apov re, 
 re Zndp&jv re ital Avytid$ epareivd$, 
 re Qpoviov re Boayptov a\Mj)i pseOpa 
 Tw d' a/ta reooapdnwra [ieAaivai vT/gf KTTOVTO 
 Aoitpwv, 01 vaiovat ni'pTfv lept}$ 1&v6oirft. 535 
 
 Ot d' Evfiotav e%o7^ [levea nveiovreg 
 "KaXttida r' Etperpfdv re, 7ro/,7;<7rd(/)7;A6v r9' 'loriaiar, 
 Kr)piv66v T' ec&aAov, Atov T' CUTTI) TrroAte^pov, 
 Ot re Kdpvarov %ov, ^d' ot I,rvpa vaterdaoicov 
 Tdiv av0' i']yefj.6vv' 'EAe^vwp, o^of "Aprjog, 540 
 
 Ta> d' d/x' "Afiovref enovro -&ooi, omdev 
 Aix[j,7]rai, ^e/iadiref opeKryaiv nekiyoiv 
 6b)pr)Ka<; prf^eiv d-ijiw dp.<j>i orfjOeaoiv 
 To) d' d/ia reooapdnovra [Ae/Mivai vf[e$ e-rrovro. 545 
 
 (T dp' 'A0^vaf ct^ov, ivfcripevov nroX.iedpov y 
 ^of /LieyaA^ropof, of TTOT' 'AOfjvT) 
 dvydrrjp rs/ce (5e ^"etdtopof "Apavpa 
 Kdd d' ev 'AOi'ivys eloev, ea> tv Triow VT/O) 
 'Ei-0d(5e ]Uv ravpoiot nai dpveiolg ikdovrai 550 
 
 Kovpot 'Adrjvaiuv, Trepire^o^ievuv evtavrijv 
 Twv av-0' rjyefiovev' vioq Heretio 
 Tw (T OVTTW rtf dfwlog int^OovLot; yever' 
 
 i-~ov<; re Kal dvepat; dG7Ti<5iurag 
 
 epi^ev 6 yap trpoyeveorepoc r]fv 555 
 
 TCJ d' djua Trevrrjicovra pihaivat vrjeg e-xovro. 
 
 (5' e 2aAa/utvof dyev dvonaideica 
 6' dycov tv' 'Athprttlup laravro 
 
 Oi d' "Apyof r' e?%ov, TipvvOd re re 
 
 , 'Aoivijv re, (3a6vv Kara 6Arrov e^ovoag, 560 
 ', 'Htovaf re ai djiiTeAosvr' ' 
 Oi r 5 e%ov Alytvav Mdarjrd re, Koiipoi ?
 
 B O O K I I. 37 
 
 TCJV av6 ffi'epoveve ftof\v dyadog 
 
 Kai ZdeveXog, Ka~avfjog dyaitXzirov tf>i,Aog vlog 
 
 Tolai 6' du' EvpvaXog rpirarog Kiev, iaodeog 0wf, 565 
 
 MrjKtareog viog TaAai'oviJao dvaKrog. 
 
 SvjitrravTWv 6' rfyelro ftw}v dyaOog Atop/dT/s 1 
 
 Toloi 6' a/i' oydwKovra nehatvai vfjeg KTTOVTO. 
 
 Oi de MvK^vof t%ov, evKripevov -rrroXiedpov, 
 'A(()vei6v re Kopivdov, eincnuevag re KAewvdf, 570 
 
 'Opveidg r' eve^ovro, 'A.pai6vper)v r' epareivr/v, 
 Kal Ziicvtiv', 06' ap 1 "A.6pi]orog Trpwr' en6aoiXevev y 
 Oi $' "f7rep7)aiT]v re nai aiTreivfjV Tovoeaoav, 
 ' t%ov, i]6' Alyiov diMbevepov-o, 
 T' dvd Trdvra, itai dfjuf)' 'EA(7;v evpelav 575 
 Tu>v knarbv VT/WV ^PX e Kpeiuv 'Ayafiefivoiv, 
 'ATpeidrjg dfta Twye Tro/lv nXelaroL nal dpiaroi 
 Aaoi errovr' ev 6' avrog idvaero vupo-TTa %aA,Kov 
 Kv6i6b)v, rrdatv 6e fiererrpeTrev jjpueooiv, 
 OvveK 1 apia-og eqv, TroAi) 6e TrAetarovf aye haovg. 580 
 
 Oi d' d%ov Koihrjv AaKedaipova 
 <bdpiv re 2~dpT^v re, oXv-pripwd re 
 Bpvaeidg r' evefiovro ttai Avyeidg epareivdg, 
 Ot r' dp' J AfivK^ag el^ov, "EAof r', e^ 
 Ol re Adav ei%ov, ?)(5' Qlrvhov dfi^eve^ovro 585 
 
 Tc5v oi ddeA^eof ^p%e, /3o7)v dyadog 
 'E^/covra veaiv d~drepds tie d 
 'Ev d' avrbg Kiev yac TrpoOvpiym 
 'Orpvvuv TTohepovde \iakia-a 6e tero 
 Tiaaadcu 'EAev?/f bp\Lr\\iard re arova%d$ re. 590 
 
 O? de IIvAov r' kvK\iovro nal 'Aprjvqv epareivrjv, 
 Kai Qpvov, 'AA^etoio rropov, /cat evurirov Alnv, 
 Kat KvTrapiaofjevra Kai 'Afufrtyeveiav Zvaiov, 
 Kai Hrehebv Kai "EAo^ /cat Awpiov ev0a re Movcrai 
 'Avro/zevat Qd/j,vpiv rov Qpf)'iKa rtavaav doidijg, 595 
 
 iovra Trap' ~Evpvrov 
 D
 
 38 B O O K 1 1. 
 
 "Srevro yap ev^of^evog viKiiaefjiev, efaep dv avral 
 
 hlovoai deidoiev, Kovpai At6f alyto^oto 
 
 At 6e ^o^idjad^evat rrrjpbv deaav, avrdp doidr/v 
 
 QeoireoiTjv dcpehovro, Kal enXeXaQov mQapiarvv 600 
 
 Tow av6' rjyepoveve Tepf]vio$ imrora Netrrwp 
 
 Toi <J' evevrjKOvra yXa<j>vpai veeg KOTC^OUVTO. 
 
 Oi (5' E%OV 'ApKadirjv VTTO Kv^Arjvrjg bpog a'nrv, 
 A.ITTVTIOV rrapd rv[j,6ov, tv j dvepe$ dy^ifia^rai, 
 
 Ol $VOV T' ivjJ,OVTO Kttt 'OpftOflKVOV TToAvjUT/AoV, 605 
 
 'Pinrjv re Erparirjv re Kal qvepoeooav 'E*vion7)v, 
 Kat Teyerjv el%ov nal Mavriverfv epareivrjv, 
 2rvn<j)7]A.6v r' el%ov, nal Happaolrjv ivsfiovro 
 Ttiv TJPX' 'Ayicaioio ndig, Kpeiuv 'Ayanrjvup^ 
 'Egrjitovra vetiv -rroAeef (J' ev vrji kudorij 6 10 
 
 'Apicddeg avdpeg edaivov imordpevoi TroXepi&iv. - 
 Avrog yap ofav dtiicev aval; dvdptiv 'A.yap,e[iv(jv 
 evooetyovg -rrepdav em olvona irovrov, 
 k-xei ov ofa -dakdooia epya ne^rj^ei. 
 
 Ol d' dpa BovTrpdoiov re Kal "HAtda dlav evaiov, 615 
 "Qoaov e0' "TpnivT] Kal Mvpoivog ecr^ardwaa, 
 Ilerprj T' 'Qkevir] Kal 'AXeiaiov evrog iepyei 
 
 av reaoapeg dp%ol eaav 6eKa d' dvdpl e/cdara) 
 enovro -doai, TroAeef 6' epdaivov 'ETraoi. 
 TCJV [iev ap 1 'A/z0^ua^;of Kal Qd^TTiog rjyTjodad^v, 620 
 Yleg, o [iev Krearov, o d' ap' Evpvrov 'Aropf wvof 
 Twv & 'AfiapvyKeidrjg 7yp%e Kparepbg AtwpT/f 
 Twv 6e rerdpTwv ^p^e IloXv^eivog deoetdrj^, 
 Tidg 'Ayaadeveog Avyqiddao dvaKro^. 
 
 Ot 6' eK AovAi^/ofo, 'E^n'dwv a?' tepdd)v 625 
 
 NT/CTWV, a? vaiovat Treprjv aAdf , "H/Udof avra 
 Tdiv av0' Tfyefjidveve Meyjjc, drdAavrof "Kprfi, 
 , or rt/cre Ail 0iAof Irmora 
 
 Tai (5' apz reoaapdnovra fiehaivai vf/eg enovro. 630
 
 B O O K I I. 39 
 
 Av-dp 'Odvooevs ryye Ke^a/lA^vaf fieya6v[iovg, 
 Oi p' 'I0dicr]v el%ov aal N^ptrov 
 Kai KpoicvXei' evepov-o Kai Aiji/aa 
 Oi T Zd/cvvflov l%ov, ^d' ol 
 
 0? T* r/77ipov %ov, ^d' dvTiTTepai' ivsfiovro 635 
 
 T(Dv j^ev 'Odyderevf ^p%e, Ati 
 T<i d' aua ve^ K~OVTO dvudeita 
 
 d' Tfjuro Qoac , 'Avdpai/itovof 
 Oi HAevpaiv' ivi^iovro icai "flAevov ^< 
 XaA/ctcJa T' dy^taAov, KaAvdaivd re Tre-pfjeooav 640 
 Ov yap IT' Oivrjof jueyaA^ropOf 
 OvcJ' dp' er' avrbg CT/V, i9dve de $avdbg 
 Tw d' e/rt TTOVT' ergraAro dvaooefiev 
 Tai <5' d/za reaaapdnov-a [tehaivai vijeg KTTOVTO. 
 
 KP?;TWV d' 'Idojueveu^ dovpi/cAvrdf Tiyepovevev, 645 
 
 Oi Kvo)<rdy r' ei^ov, FdpTT/'va re rei^ioeatrav, 
 AVKTOV, MtA^rdv re ai dpyivdevra Avaaorov, 
 <t>atorov re 'Puridv T, TToAeif evvaierauoag, 
 "AAAoi i9', oi KPT/TT/V aTO|tiTroAiv dpfavefiov-o. 
 Taiv juef dp' 'Idopevevg dovpinXv-rbs Tjyenovevev, 650 
 
 r', drdAavrof 'EvvaAiOJ drdpa^ovrg 
 /i' dydcjovra \ii~kaivai vi\z<; ZTTOVTO. 
 
 o? 1 d' 'HpaKAfiidT/f, ^vf re peyag re, 
 'E 'Pddov Wa v^af dyv 'Podtwv dypto0)v 
 Oi 'Pddov dfKpevsfjLovro did ~pi%a Koafj,j]6evreg^ 655 
 
 Ai'vdov, 'iT/Avadv r at dp^'ivdfivra Kdpeipov. 
 Twv jUfv TAT/rrdAwof dovpiK^vrbq 
 
 TT)I> dyer' e^ 'Erf>vp7/f, rrorafiov OTTO 
 
 aarea rroP^Ad Aiorp</>Wi> aifyuv. 660 
 
 o^ d' ETTEI ovv rpd(f>7] ev jUEydpoj evrrijrry, 
 Avri/ca rrarpof oto (f)ikov fiijrpua Kareura, 
 "Rdj] yrjpdiJKovra \utvpviov, oov 'Aprjog. 
 Atya di v^a^ enql-e, TroAuv d' oy Aadv dyeipag,
 
 40 B O O K 1 I. 
 
 B^ 0evywv erri TTOVTOV d7reiX.7]6av ydp ol dAAoi 665 
 
 Tieeg vluvoi re fti^g 'HpaK^eifjg. 
 
 Avrdp oy' eg 'Podov l$ev dAw/zei'Of, dAya Trdcr^wi', 
 
 Tpixdd de aK?/0ev /ca~a</>vAaddv, r/d' 0tA7/0ev 
 
 'Etc Aid$-, o^re deolat Kai dvOpunoiotv dvdooei. 
 
 Kat a^iv deotreaiov TTAOVTOV Kare^eve Kpovtwv. 670 
 
 av I,vnTj6ev dye rpeig vr/ag 
 yAatT^f f log Xapo-rroio T' 
 v^ 1 , 05- /cdAAiarof df^p ^TTO "lAjov 
 dAAwv Aavacov juer' df-tvpova Hrj 
 'A A A' dAarradvo^ 1 KT/V, iravpog 6e ol f.LTrero Aad^. 675 
 
 Ot (J' dpa TSiavpov r' el%ov, KpdtraOov re Kdaov re, 
 Kai Kwv, EvpvrrvAoio TrdAiv, v-fjaovg re Kakvdvag 
 Twv av <I>et(Ji7r7rd5- - /eai "Avri^of ^y^cdoOrjv^ 
 Qeaoahov vie dvd) 'HpaK^eidao avaitrog 
 
 if tie rpi7)KOvra yAac&vpai vef^ e<7T^da)7'ro. 680 
 
 Nvv av rovf, OCTROI TO Hekaoyucbv "Apyo^ svaiov, 
 Ol T' v AAov, oZ r' 'AAd/T7;v, oi re Tp^tv' evefiovro, 
 Ol r' e^ov <bdir]v ^d' 'EAAdda /caAAiyvvata 
 Mvpfud6ve$ 6e tca^evvro Kai "EAA^rtf ai 'A-xaioi 
 Twv av TrevrrjKOvra vetiv TJV dp^og 'A^iAAevf. 685 
 
 'AAA' oiy' ou nokefioto 
 Ov yap e?/v oc~fC <T0tv 
 Kelro ydp ev vfjeaoi TroddpK7]<; 6lo$ ' 
 Kovprjg x^onevog 'Bpiarjidog r)vK.6[j,oio, 
 Tr/v KK AvpvTjOcrov e^etAero TroAAd fioyrjoag, 690 
 
 Avpvrjaobv 6iarrop6fioa$ ital rei%ea Qr)6rjg 
 Kdd" 6e Mvvrjr' tfiaAev Kai 'EmorpoQov e 
 Tieag EvT/voZb ^eXt]7Tid6ao a 
 
 oye /cetr' d%e(*)v, rd%a 6 J dvarrjaeaOai t/ 
 
 Ot d' et^ov <I>vAd7?v xai TLvpaoov dvOt^oevra, 695 
 
 Tt'juevof, "Iruvd re, prjrKpa 
 r' 'Avrpaiva Me IlreAeov
 
 BOOK II. 41 
 
 av npwreatAaof 'Aprjiog ijyefiovevev, 
 2,d)bg <Jv ~dre d' ijdi] K%ev nd-a jala fj.eAa.iva. 
 ToD de Kal djtz.0?pi;0?)f dAo^of 4>i;Ad/q7 eAeAetTrro, 700 
 Kat ddjuoo r/tureA/jf ~bv <5' enrave Adpdai'Of dv7)p 
 NT/O^ d-oOpt^OKOvra ~okv TTpu-riaTOV 'A^atwv. 
 OvcJe /*V ovd' ot ai'ap\;oi taoi', TroOeov ye |uev dp^ov, 
 "A/ Ad a<f>eag K0(j[ii]oe HoddpKijg, o^og *Ap7]O, 
 
 vid$ TroAVjirjAov QvAaicidao, 705 
 
 yerefj o 6' afia Trpdrepo^ nai d 
 'Ap//i'oc oi'tJs re Aaoi 
 ^, TroOeov ye juei' eodAov eovra 
 Taj (5' a/xa rsaaapaKovra [it/Mivai vijeg K'TTOVTO. 710 
 
 Oi de ^epd^ evefiovro Trapal Eoi6r)tda 
 ~BoiGt]v nai FAa^vpaf Kal vKTipevr]V 
 Ttiv ^p%' 'Ad/Li^roio (f>iho$ rralg tvdena 
 
 ov vrr' 'Adjpjjr^i re/ce dta 
 -i$, ITe/a'ao i^uyaTpwv ttdo^ dpiari]. 715 
 
 Ot <5' apa N7]6b)V7]v Kal Qav^aKi 
 Kai MeAi'fioiav e^ov /cat 'OA^diva 
 Twv (5s <bihoKT?'iTr]g fjpxev TO^WV ev 
 'Errrd vewv eperat (T ev knd(j-r\ -e 
 'Eju6e6a<rav, rd^wv ev eMdref td)i [idxeoOai. 720 
 
 'AA/.' 6 /zev ev VT/CTC.) /cetro ^parep' aAyea 
 A^/uva) ev 7/yaOt ; 7j, 50t jUiv At'-ov fief 
 "E/l/cet [io^Oi^ovTa KUK 
 "Ev^' oye iceir' d\;t'(ov r^a 
 Apyetot Trapd vrjvai <biAOKTT]Tao dvanrog. 725 
 
 OOde /Ltev oid' ot avap%oi eaav, Trd^edv ye /i 
 'AAAa Me'<5wi> Koa^irjoev, 'OtA^of vodog vlog, 
 Tdv p' ere/te^ 'P/'/v?? i-rr' 'OtAf/ii 
 
 Oi <5' et^ov TptKKTjv 
 Ol r' e%ov Oi%aAir]v, rrdAiv Et'pvrov Ot^aAi^Of 730 
 
 Twv at'0' Tjyeiodqv 'Aa/A^Tr<ov dvo 
 D2
 
 42 B O O K I I. 
 
 'I?7T?7p' dya0o>, HodaAeipiog i] 
 Tolg 6e rpir]KOvra yAa^vpal veeg 
 
 Oi d' e%ov 'Opfieviov, ol re uprjVTjv 'Tfrepeiav, 
 Ol T' e%ov 'Aorepiov, Tirdvoio re levied itdpTjva 735 
 TCJV rjp^ EvpvTrvAof, Ei>ai'/zovof dyAabg v/of 
 Tai d' a^a reooapaKOvra fieXaivat vrjeg errovro. 
 
 Ot d' "Apyiaoav %ov, nai TvpruvTjv eve/zovro, 
 re, TrdAtv r' 'OAooCTtrdva Xevicfjv 
 
 veTrroXefiog Hokv~oiTT]<;, 740 
 
 neipi66oio, rbv dddvaro^ TKKero 
 
 ' V7TO ITapi0d(J T/CTO KA 
 
 TO>, ore 4>^paf irioaro 
 d' /c HTJAIOV uoe, aal AidiKeaot 
 
 oZo^-, ajua rwyfi AovrV-, 6^05- "ApT/of, 745 
 
 V7repdv[j,oio Kopuvov Kaiveidao 
 Tolg d' ajua reooapaKOvra \ii"kaivai vfjeg enovro. 
 
 Tovvv$ d' Kv<f)ov fjye 6vtJ ical etKOOi vijag 
 Tai d' 'EviTjveg KTTOVTO, p,V7T~6^,efj,OL re Hepaidoi, 
 Ot -irepi Awdwvj/v dv^eifiepov OIK? edevro, 750 
 
 Ol T' dpfi ijjieprbv Tirapfjaiov Ipy' eve[j,ovro 
 "Og p' eg Hqveibv npotei KaAAippoov vdd)p 
 Ovd' oy IlTjveiti ovfipioyerai dpyvpodivq, 
 'AAAd T \ILV naOvTitpdev eippeei, ^fvr' eXaiov 
 "OpKov yap deivov Sruydf vdarog eanv d~ oppwf. 755 
 
 Mayv^rwv d' rjp^e Upodoog, 1ev6pr)66vog vio$, 
 Oi rrepi Hqveibv Kal Hqhiov eivoaifyvXkov 
 Naia/cov TWV [lev Hp66oog $00$ rjyefiovevev 
 Taj d' c/za reoaapdnovra fiekcuvai vfjeg ETTOVTO. 
 
 Ovroi ap' r^ye^ioveg Aavaaiv /cai Koipavoi fjoav. 760 
 Tff T' ap TOJV 6^' apiarog 7/v, <rv /lot W7T, MoOaa, 
 Avraiv, jjd' ITTTTUV, 01 a^ 'Arpeidqaiv e~ovro. 
 
 fiev pey apiorai eaav 
 Tag 'EvfiTjkog ekavve, Trodakfaf, opvidag
 
 u o o it 1 1. 43 
 
 *Orpi%ag, olereag, orafivXr] em vtirov etaag 765 
 
 Tag iv TL^peiy -&peip' dpyvporo^og 'ATrdAAcov, 
 u drjkeiag , fyobov "Aprjog (popeovaag. 
 v av juey' dpiorog K-TJV TeXafiuviog Atag , 
 
 euf nfjviev o jap uoAt) (f)epraTog f/V, 
 "I?T7roi $', oi (popeeoitov &fjtvftov& II^Aetwva. 770 
 
 'AA/l' 6 //v ev vrjeoai Kopwiai TTovronopoiow 
 KBIT' dnouijviaag 'Aya/ie^von, -noi^ivi Aaaiv, 
 Aaoi de uapd prjyfjiivi -dahdaoijg 
 rep-rrovTO nal alyavitjOLV ievreg 
 iv $' ITTTTOI 6e Trap' dpfiaaiv olmv etcaarog, 775 
 AWTOV epe7rr6[ievoi eXeodpenrov re aekivov, 
 "Eoracav dppara 6' ev rrenvKaaneva Kelro dvdnruv 
 'Ev K^iaiyg ol 6' dp%bv 'Aprjtythov -rrodiovre^ 
 3>oi~(>)v Ivda nai evda Kara arparov, oi>6' i^td^ovro. 
 
 Oi <5' ap' toav, tigei re rrvpi ftO&v -ndoa vefioiro 780 
 Tdla 6' vnearevaxi^e, Ati &g repmitepavvb) 
 Xcoojueva), ore T' d^i Tv^wei' jalav i^idoof] 
 Etv 'Apifioig, oOt (j>aal Tv^eog efifievai evvdg 
 "fl^ dpa rtiv imb TTOOOC jueya oreva^i^ero yala 
 'Ep^Ojttevwv \Loka 6' w/ca dieTrprjoaov -nstiioio. 785 
 
 Tpuaiv d' ayys/lof rjWe Trodfivepog tinea 
 TLdp Af6f aljLO^OLo ovv dyye/iiq 
 Oi 6' dyopdg dyopevov em Hpidpoio 
 Hdvreg dfirjyepeeg, rjpev veoi rjde yepovreg* 
 'Ay^ov (T larafj.evr) 7Tpoge<f>r] nodag &Kea J Iptg 790 
 
 Eiaaro 6e <pQoyy^v vh 
 "Og Tpwwv GKorrbg l 
 
 w ETT' d/cpordra) Alovfjrao yepovrog, 
 
 > , omrore vaixpiv d(f)opiJ:7)Qelev ' 
 Tai [iiv eeioapevrj fiere<f>7) rrodag tiicea *Ipig 795 
 
 T i2 yepov alei rot fj,vdoi <f>ihoi anpiroi eloiv, 
 "Rg TTOT' en' eiprjvrig Tr6Xe[wg 3' dkiaarog opwpev. 
 T H HEV 6?] jtidAa rroAAd \td^a^ elgrjhvdov dvdp&v,
 
 44 B O O K I I. 
 
 'AAA' ovno) roiovde roaovde re Xabv oTT 
 Airjv yap ^vAAotatv eoiKoreg ?/ i^apdOoioiv 
 "Ep^ovraf Tredtoto, jua^r/ad/zevot Trept arrrv. 
 "E/crop, (tot de jt/aAior' fc7Ti~tAAo|Uat, wde ye pe^at 
 IIoAAot yap Kara aarv /ut'ya nptdjuov ImKovpoi, 
 "A A A 77 6' aAAwv yAaJada TrokvOTrepKuv avOp&Truv 
 Toloiv KKaarog dvf/p orjpaiverb), olai nep ap%ei, 
 Tdiv d' ifyyeioOu), K,oa\t,r\oa\i,tvo<; 
 
 Atya (5' eAvcr' dyopfjv im rev^ea 6' kaaevovro. 
 
 Hdvai d' &ityvWTQ rrvhai, etc d' taovro Aadf, 
 
 Ile^bi $' imrfjKg re TroAi'f d' opvpaydog op&pei. 810 
 
 "E<rrt de rt^ TrpOTtdpoiOe -rrohiog ainela KoAwi'T/, 
 'Ev Tredt'w drtdvevOe, Trepidpopog evOa nai evOa 
 Tf/v ?jrot civdpeg Barietav KiicArjaKovaiv, 
 'Addvaroi 6s. re orjfia 7ro?iv0Kdp6[wio M&pivift 
 *Evda rore Tpweg re dieKpiOev ^d' erriKovpoL. 815 
 
 Tpwat jUV riyepoveve fieyag KopvOaiohog "E/crwp, 
 Hpiafj,i.drjg a^a rwys TTOAI) irheloroi nai dpioroi 
 Aaol dupfjoaovro, 
 
 g rrag 
 
 rbv VTT' 'Ayxioq reice Sr 'A^podir?/, 820 
 
 ev KVi ^TL tied /3poTai evvrjdslaa 
 otof, ajUa'TGJye dvw 'Avrrjvopog vie, 
 
 r' 'A/cdia re ^dr ev eldore 
 
 Ol de ZeAemv evaiov viral rcoda veiarov 
 'A(j)veioi, nivovres vdu)p /zt'Aav Aioi'jnoio, 825 
 
 Tpwef TWV avr' ?Jp%e Avdovof dyAadf f/df, 
 Ildvdapof, ai /cat rogov 'ArrdAAwv avrbg tdw/cev. 
 
 Ot d' 'Atiprjoreidv r' et^ov /fat d^juov 'Airatcrov, 
 Kat Iltrveiav e^ov at Trjpeirjg opof atTrv 
 Twv f/p^;' "AdpT/ardf re /cat "A|it0tof Atvo^wpT/l", 830 
 
 Tie duw MepOTrof HepKuaiov, bg rrept Trdvruv
 
 B o o K i r. 45 
 
 *Hi6ee pavroovvag, ovde ovg rcaldag eaaKev 
 Sreifteiv eg irokenov (f)6iofjvopa TW 6e oi ovn 
 HeideoOrjv Kfjpeg yap ayov peXavog davdroio. 
 
 Oi 6' apa TlepKurrjv Kal UpaKnov ducfieveuovro, 835 
 Kal ETJOTOV nal "A.6v6ov e%ov Kai dlav 'A 
 Tdiv av0' 'TpraKidr/g f]p%' " 
 "Aaiog 'TpraKidrj^, bv 'Apia6r]0ev (bspov ZTT~OI 
 Trorafiov drro SeAA^evro^. 
 
 6' dye <j>vAa IleAacryaiv Ey\eoi^puv^ 840 
 oi Adpiaoav epifwAaica vaierdaanov 
 Twv fipx' 'ImroOoo^ re Hv/.aio r\ o^og " 
 fie 6vh) Arjdoio HeXaayov TevTajj,idao. 
 
 Avrdp QpifiKag qy' 'Andpag Kai Heipoog 
 "Oooovg 'EAArigTTOvrog dydppoog evrog eepyet. 845 
 
 Ev(p7]iJ:Og 6' dpxog KIKOW 
 Tidg Tpoi^rjvoio Atorpe^eof Keddao. 
 
 Avrdp HvpaixfUft dye Haiovag d 
 
 'Apvduvog, an' 'Atftov 
 , ov naXkia-QV vdwp eniKidvarai alav. 850 
 
 6' ?'iyelro HvXaiueveog Xdoiov K^p 
 'Ef 'Everaiv, bdev rjfuovuv yevog dyporepdw 
 Oi pa Kvrwpov e%ov, Kai Erjaafiov d|u</>evjuo 
 >t re TLapdemov Trorafibv /cAvrd dwuar' ^ ( .. 
 
 r' Aiyiakov re Kai {nfnftadf 'EpvOivavg. 855 
 
 Avrdp 'A/Uajva)v 'Odiog Kai 
 
 $ 'AAi'6rjg, bdev dpyvpov iorl 
 
 8e Xpopig T]px e Kal - 
 ' OVK olwoioiv epvooaro K^pa 
 
 ' iddur] VTTO xepol Ttod&Keog AlaKidao 860 
 
 'Ev Trora/ioi, b6t rrep Tpwa^ Kepdi^e Kal aA 
 
 ^opKv^- av typvyag i]ye Kal '\<jndvio$ 
 T//A' ef 'AawavtT/f pefiaaav d' VO^UVL nd%eo6ai.
 
 46 B O O K I I. 
 
 av M<r0A?7f T Kai "Avrt 
 Ti TaAofjUveo^, TO) Tvyairj TEKK Aifivrj, 865 
 
 Oi ai bbjovag Tjyov VTTO TJUW/ 
 
 Ndcr-T/f au Kapwv Tjyrjaaro 
 Ol Mityrov %ov, $0ipdiv r' opof d/ 
 Maid7'<Jpov re podg , Mv/cdA^f T' aiTTivd Kdprjva 
 Ttiv fiev dp' 'Afityifiaxog Kai Ndarijg rfyrjadodrjv, 870 
 
 pi/jia^og re, ~So[j,iovog dyAad Tva, 
 ai xpvabv %wv TroAejudvd' iv, ^vr Kovpt] 
 ovde ri ot rdy' inrjpKeoe Avypov 
 
 'Ev TTOTajuai, %pvabv d' 'A^iAfivf eKo/ucroe datfipcjv. 875 
 'wr' d' f]px,ev AVKMV Kai FAav/cof dfiu|t 
 
 K AvKt7/f, AttvOoV aTTO diV/yVTOf.
 
 H M E R'S ILIAD. 
 
 BOOK III. 
 
 Avrdp KTrel K.ba\n]Qtv a/z' rjyefioveffotv KKOGTOI, 
 Tpwef juev /tAayyty T' vo~rj r' laav, upviOeg &$ 
 'Hvre rrep KAayy/) yepdvuv Trekei ovpavodi npo 
 Atr' t'Tret ovv %ei[iti>va <f)vyov nai ddKa^arov ofidpov, 
 KP.ayyg raiys. nerovrat ^TT' 'fticearolo poawv, 
 tTi Hvynaioiai $6vov KOI Krjpa 
 d' dpa raiye naKt^v t-pida Tr 
 Oi 6' op' laav oiyy /.lEvea Trveiovre^ 'A 
 'Ev 
 
 Evr' opeo^ Kopvdrgot Noro^ Kare^evsv ufj,l^ijv, 10 
 
 Uoitieacv OVTI (f>iA.T)V, KAfiTrrg dt' re 
 Tooaov Tiq r' im^evaaei^ oaov r' erri Aaav t 
 r flf apo raiv vrro Ttooai Kovioakog wprvr' d 
 'Ep^o^ievwv /zdA,a cJ' (i/ca diK-pqooov Tredioio. 
 
 Ot (5' ore d^ o'xedov T\aav err' dhki]Xoioiv iovreg, 15 
 Tpwfftv /^ev Trpofuixcfrv 'AAtfavdpo^ i9eoid^ 
 ITap^aAfir/v tifioioiv K%(I)V Kal Kafivka rot-a 
 Kal ^i(f)O^ avrdp 6 dovpe 6i>u KEKopvdfj,Eva ^aA/tai 
 IlaAAwv 'Apyetwv TrpOKaAt^ero rrdvrag dpiarovg 
 '\vri6iov na%eaaa6ai iv aivrj drjioTJj-i. 2t 
 
 T6v (J' <!)$ ovv ivorjaev ' 
 
 Aewv i%dpi] /zsyaAaj erri oufiart 
 Evpwv 7] tAa^ov nepadv TJ aypiov alya
 
 48 B O O K I I J. 
 
 Hetvduv judAo. yap re nareaOisi, etnep av avrov 25 
 
 Zevuvrai -a%e$ re nvveg tfaAepot r' ai^rjoi 
 
 idriv <j>dro yap riaeodai aheirr 
 v avv reveacv aP.ro 
 
 Tov d' tof ouv ivorjaev 'AAeaw5pof deoetdfjs 30 
 
 'Ev Trpo/za^oia/. ^avtVra, KarerrXjj'yTj tyi/iov fjrop 
 *Aij> 6' erapwv et^ tdvog e^d^sro K7/p' d 
 'Qf (T cir rtf re dpaKovra Iduv Tra^ivop 
 Ovpeog EV PT'JWQS, VTTO re rpopog IAAa6 
 "At/; r' dve^aip^aev, a)%po^ re juii/ eZAe rrapeidf 35 
 
 "iif avru; naff 1 dfii Aov Idv TpaJwv dyepc6^;a)v 
 Aei'aaf 'Arpeof v/6v 'AAefavdpof iJeoeid?^. 
 Tov eP ^KTwp ve.LKf.aaev id&v ala^polg E7reootv 
 
 Au^rrapt, etdof aptare, yvvatfiaveg, rj7Tp07revrd f 
 A?0' o^eAef dyovdf r' efj^vai, dyafiog r' drfo/^iadai. 40 
 Kot ACE ro (3ovAoifi7]v, nai nev TroAv ntpdiov ijev, 
 *H o&ra 
 T H TTOV 
 
 4>dvre<: dpiarfja po/tov efipevai, ovve.ua 
 EiJof trr' dAA' OVK ecrri /to? (fipeoiv ovSe rig dA?/. 45 
 *H T0i6f6* twv ev rrovro-opoim veeaaiv 
 Hovrov eTTtTrAwcraf, erdpovg Kpt.i]pag d 
 Mf%0t^ dAAodaTotcrt, yvvatK 1 evetde' d 
 'E^ dirjs yaiqg, vvbv dvdpuv 
 ITarpt re aw /Lteya u^/fa nokrji re -rravri re (J?y/^), 50 
 
 AvgnevKOiv [lev %dpfia, Karrjfairjv 6e ani avrw ; 
 OVK av d^ [isivEias '\pt]i(pi/.ov Mei'eAao?' ; 
 Tvoiift %', oiov 0wr6f e^etf i?aAepi)v TrapaKoiriv. 
 OVK av roi %paiouq KiOapic, rd re dwp' 'A<j)podirr)$, 
 *H re KO/UT/, rd re eMof, or' ev Koviqoi utyeirj^. 55 
 
 'AAAd /xdAa Tpwe^ 6ei6i]fj.ovE<; ?'/ re v ?/J// 
 Adivov eaao xiruva ica/cuv EVE%\ oaoa zopyag. 
 
 Tov S 1 avre rr
 
 B O O K I I I. 40 
 
 *E/crop enel fie /car' alaav eveLKeaag, o'<T vnep alaav 
 
 Aiei rot Kpadirj TreXeicvg <jf eariv a-eiprjs, 60 
 
 "OfT* eloiv did dovpog VTT' dvepoo, of pa re re%vq 
 
 Nrj'iov EKTdfj,vqoiv, o</>sAAet <5' dvdpdf epurjv 
 
 "&g ool evl orrjdeaciv drdpdijrog voog iariv. 
 
 MT; fj.oi daip' epard Trpofape xpvoerjg 'Atipodi-Tjs 
 
 OVTOI a,Tr66/,Tjr' iori i9ewv ipiicvtiea (Jc5pa, 65 
 
 "Oaoa KEV avroL dwatv, g^cjv d' ov/c av rt 
 
 Ni)v avr' t /it' edekeig TroXefii^et 
 
 "AAAovf /^ev Kadioov Tpwa^ /cat 
 
 Avrdp tjti' ev j^eaaw at 'Ap7/i</Aov 
 
 /z0' 'EAsvg ai K,Ti]\iaai Trdai paytoQai 70 
 de e viKr](j^ KpsLaaw re yevrjrai, 
 ' eAwv ev Trdvra yvvalnd re olnaS' dyiaOu 
 Oi 6' dAAot 0iA6r7;Ta nal opma mard rapovreg 
 Naiotre Tpoirjv epiduhaita rot 6e veiaduv 
 
 5- i7nr66orov nai 'A^auSa Kak'kiyvvaiKa. 75 
 
 "E/crwp d' av 
 
 Kai p' eg fieooov i&v Tpu)U)v dveepye 
 Meaaov dovpog eAwv roi J' IdpvvQr^aav 
 Tai rf' inero^d^ovro Kaprjiconouvreg 'Amatol, 
 'lolaiv re nrvaKOftevoi Xdeaai r' 6aAAov. 80 
 
 Avrdp b naitpdv avaev avaj dvdptiv ' 
 
 *lox,Kad\ 'Apyetoi, ^77 |3dAAer, fcovpoi 'A% 
 Zrevrai yap ri errog epeeiv Kopvdai6A.o$ "Eicrup. 
 
 o sa%ovro /m^g, dveu r eyevovro* 
 "E/crcop de jiter' dptftorepoiaiv eenrev 8") 
 
 [lev, pwef /cat 
 
 'AAe^dvfJpoto, rot; eiveita VEIKO^ opuipev. 
 "AAAov?" |UV ne&erai Tpwa^ /cat rrdvrag ' 
 Tti'^ea dA' drcoOiaQai erri 
 Avrov (5' v neaa(i) /cat 'Ap^t^tAov MeveAaov 90 
 
 at Krrj^iaoi Tcdai 
 E
 
 50 B O O K I I I. 
 
 6s KE viKTjaq Kpsioow re yevyrai, 
 Krrjuad' fiAwv sv Ttdvra yvvaiKa re olnad' dys 
 Oi 6' dAAot (frMrijTa Kai opKia -KIOTO, 
 
 "Qg $a0' ol 6' dpa Trdv~e<; aKrjv sysvovro <7tW7r^. 95 
 Total 6s KOI fisresms /3o?/v dyaBd$ MfiVfiAaof 
 
 K/tAi>T vvv Kai /i?o \ia~kLora yap aXyos iicdvei 
 Qvpbv ifiov 0povW 6s 6iaKpiv6rjfievai rj6ij 
 'Apysiovg nal Tpwaf, STTSL Hand TroAAd TrinoaOe 
 
 /ii/f iptdoq KOI 'AAe|dv(5pov eve/c' dp%rj$ 100 
 
 6' OTTTrorspa) -ddvarog Kai fiolpa TeTvurai, 
 TedvaiT) aAAo: 6e 6iaKpir6siT rd^tara. 
 Otoere <J' apv', srepov A.SVKOV, STEpTjv 6s pekaivav, 
 Ty re leal 'HeAta) Ati 6' r)[iei$ otaopxv aAAov. 
 *A^er 6s Hpidftoto (3i7)v, 6^>p' opfa rd^iv^ 105 
 
 Avrdf, errei oi rratdef vnepfaahoi Kai 
 
 A/et d' orrAorepoiv dv(5pc5v $pei>f i]spsOovrat 
 Otf d' 6 yepuv HETeqaiv, apa npooou Kai om'aaw 
 Asvoasi, OTTWf 6%' apiara ffT' dpfiorepoiffi ysvrp-ai. 110 
 
 ot %p7joav %aio re 
 rravoeoOat oi^vpov no^suoto. 
 Kai p' ITTTTOVS [lev Kpv%av enl art^af , *c d' e6av avroi, 
 d T' ^(5vovro, rd /v KarsOevr' em yaiq 
 
 dAAr/Awv, oAiy?; <J' jjv d/i^if apovpa. 115 
 
 fi wpori aarv dvw KrjpvKag 
 
 dpvaf T (frepetv, Hpiapov rs 
 Avrdp 5 TaXOvfuov Trpotei Kpe.iw ' ' 
 N^af cm yXaQvpdg levai, ?j6 J apv' eKs 
 Oiaiuevai 6 6' dp' ov/c dmdrja' 'Ayapepvovi (J/w. 120 
 
 T Ipff d 1 av0' 'EAfiv^ AfiVKwAf 
 ~El6ousvr) yaAdw, 'AvrT/vop/'dao 
 
 Aao6iKT)v, Hptdpoio dvyarptiv cWof dpiorrjv.
 
 BOOK III. 51 
 
 v (T vp' ev /tteyopoj fj 6e fieyav IOTOV v<j>aivev, 125 
 TropQvpeijv TroAEOf (T ivi-naaoev d 
 tTTroddjtitov nai 'A%aiu>v % 
 idev eiveit' rtaa%ov vrr' *Aprjo$ 
 u 6' 
 
 Aevp' Wf, vvfufM <i'A?7, ?va i^sa/teAa Ipyo W?;af 130 
 
 Tpwwv t?' i-TTTodd/jUJv aai 'A^aiutv ^aA/co 
 Ol Trptv e?r' dAA^Aotoi <f>epov TTOAvdanpw 
 'Ev Tredi'w, oAooto AL^CUO^SVOI ?roA^ofo, 
 Oi d^ vvv earac oiyy TroAejuof de TreTravrof 
 'Aarriat Kfickifievoi, Trapd 6' ly^ea pz/cpd Tii^riysv. 135 
 Avrdp 'AAs^avdpo^ K<W ' 
 Map^f r)'^i^oi pa%Tioovrai ~epi oelo 
 Tai d A 
 
 n Qf elrrovoa ded yXvuvv ipepov e/ndate 
 'Avdpo$ re rrporepoto xai ao-ew; i]de. TOKTJUV. 140 
 
 AvriKa 6' dp)'evryoi Ka/.v\pafiev7] odovqaiv 
 'Qp/uar' e/e i9aAa/zofo, repev /card tidicpv ^eovaa 
 OVK oiT], dpa rgyg /rai dfttii-oAot 6tf errovro, 
 
 lirBTJo^ dvyd-Tjp, KAfjue'v?/ re /Sowrrif. 
 d' 7r0' ticavov odi ZKaiai Trvkai fjoav. 145 
 
 Oi <J' d/i^)i Hpiapov Kai Hdvdoov rjds 
 Adfirrov re KAirrtov T?', 'Inerdovd r\ 6$ov " 
 OvKaAsycji' r Kal 'A 
 E?aro dT^oyepovrgf e 
 Tfjpdi 6fj TroAe/zofo Terravjttevoi, dAA' ayopr/rai 150 
 
 rerriyeaatv sot/cdrer, oZre a0' vA^v 
 
 i(pe^6pevoi o~a Xeipioeaaav lelatv 
 Toloi dpa Tpwwv -ffyqrope^ ffvr' erci Trvpya). 
 O? d' a)f ouv eltiovO' 'EAgv^v errt Trvpyov tovtrav, 
 T Ha Trpdf dAA^Aovf errea -xrepoevr' dyopevov 155 
 
 Ov vefisai^ Tp<Da 
 
 ' dfi</>t yvvaml ^oAvv ^-povov dAyto
 
 B O O K 1 1 1. 
 
 'AAAd nal t5^, rot?/ Trep eovo"', ev vqvol veeoOu, 
 
 MT/O" ?}jutv rsKeeaai T' ora'craw Tr^a AiTrotro. 160 
 
 "ftf dp' e0av Hpiapog <5' 'EAe 
 
 7rdpo0' eWovoa, fyiXov re/cof , iet; epeto, 
 Wg Trpdrepdv TE TTOOIV TTTJOV^ re (frikovg re 
 //of am?/ eaai, i^eoi vv juot ainoi eloiv, 
 Ot IIOL e&upHTjoav 7r6Ae/zoi> TToXvdaitpvv 'A%aiu>v 165 
 "ftf /uot /cat rdvd' civdpa neXupiov il;ovonr)Vijc, 
 "O^rig od' eariv 'A^aib^ dvfip rjvg re [teyag re. 
 "Hroi fiev KE^aXq aai fiei^oveg aAAoi eaow, 
 KaAov 5' o&Tto ywv ovrrw tdov 6<f)0afyioloiv, 
 Ovd' ovrw yepapdv ftaoiXfj'i yap dvdpt KOIKEV. 1 70 
 
 Tov d' 'EAsvT^ \ivOoioiv dneidero, 6la 
 Aldolog re poi evci, 0/Ae iicvpKy deivo^ re 
 r 2f ofaXev ddvarog pot ddelv /ca/cd^, OTrTrdrg devpo 
 Ylei aaj eTroprjv, \9dAajuov yvwrov^ r Xnrovoa 
 HalSd re rTjkvyerrjv KOL b\Lf]kLK-ir\v epareivfjv. 175 
 
 'AAAd ray' OI>K eyevovro, TO /cai Kkaiovaa rrr]Ka. 
 Tovro Se roi fpeco, o ^' dvetpeai i]de 
 Oyrdf y' 'Arpfitd^f, evpvicpeiuv 
 'Ajtt^drepov, ftaocXevg r' dyafld^, icparepo^ T' 
 Aa?/p avr' Cjudf ea;e KWumdog, tt TTOT' ?/v ye. 180 
 
 i2^ 0ro TOV yspwv yaaaro, 
 T i2 fidxap \\.rpei6r], //otpT/yevtf, 6X6i6Sa 
 'II pd vu rot TroAAoi dedprjaro Kovpni ' 
 "lldrj Kai $pvyi7]v ei^'fyvQov dfi-x 
 
 Mov TTAeiorovg <Ppvya$, dvepag aioAoTrwAof^, 185 
 
 Oi pa TOT' earparouvro Trap' o^Oa^ 2ayyaptofo 
 
 Kat yap eywv eniKovpo^ e&v fierd roloiv eXe^Orjv 
 
 "H/zaTi TO), OTE T' fjWov 'Atia6veg dvridretpai 
 
 'AAA' oy(T oi TOCTot 7/crav, oaot eXiKUTreg 'A^atoi. 190
 
 B O O K I I I. 53 
 
 kevrepov avr' 'Odv<77/a Idtiv t-peeiv' 6 yepaiog 
 Etrr' aye poi nai rdvde, (/uAov reof , ogrtg od' eariv 
 Kefiakfi 'AyafiKjivovog 'Arpeidao, 
 d' tiuoioiv ids arepvoiaiv IdeoOcu. 
 /*ev oi Kelrai em fcOovi 7rov%,v6oTeip / q, 195 
 
 Avrbg Jt - , T/Aof tj 
 'Apvetti \LLV eyarye etOKb) 
 *Ofr' otajv //eya Traii) 6tep%eTai apyevvduv. 
 
 Tov <5' Tjfieider' trret^' 'EAev?/, Aio^- iityeyavia 
 Ovrog 6' av Aaep-iddrjg, uoAvjUT/rff 'OcJuaCTevf, 200 
 
 "Of rpdtyT) iv 6i)fj,(,) 'WdKrjg, Kpavarjg 7rep eovaift, 
 ~El6(t)g navroiovg re doAovf /cat /zr/dea Trvnvd. 
 
 Tr/v d' avr' 'Avrr/vup TTeirvv^evog avriov 
 T i2 yvvat, ^ /zaAa rovro enog v^epreg eeineg. 
 *Il6r) yap icai tievpo TTOT' rjkvde dlog 'Odvaaevg 205 
 
 2ei) t've/c' dyyeAirjg avv 'Ap7/t'0iAoj 
 
 d' eyw e^eiviaaa Kal KV peydpoiai 
 
 v de ^>v^v k$dr]v nal /u 
 'AAA' ore d^ Tp&eaoiv iv dypo^ivoidiv e/ 
 
 /^ev Mei/eAaof vTrsipe^ev evpeag tifiovg, 210 
 
 d' e^OjUevw, yspapcjrepog TJKV 'Odvaoevg. 
 'AAA' ore d^ fj,v6ov$ Kal prjdea ~daiv ixpaivov, 
 "Ilroi \iiv MeveAaof intTpo^ddrjv dyopevev, 
 Havpa [lev, dAAd /zdAa Atyewf euet ov rroAvjUf^of , 
 Ovd' d(f>auap-oeTT7j(;, el KOL yevei varepog r\ev. 215 
 
 'AAA' ore dv) TroAv/zT/rif dvat^eiev 'Odvaaevg, 
 
 , v-al 6e Ideates, Kara ftOovbg Oft^ara Tr^af, 
 
 d' ovr' OTrtcra) ovre Trponprjveg evcjjwa, 
 'AAA' dare/i0ef e^eaicev, dtdpe'i (fxttri eoiKwg 
 Qairjg KE ^daorov re rtv' efipevai, afypovd r' avrwf 220 
 'AAA' ore dr/ p' 6?ra re [ieydhr]V e ar^deog hi 
 KCU eTTfa vi([)ddeaoiv eotKora xeifiepiycFiv, 
 OVK dv enetr'' 'Odvorji y' eploffeis ftporog dAAof 
 Ou rdre y' wd' 'Odvu^of dyaaodjizd' eldog idovreg. 
 E2
 
 54 B O O K I I I. 
 
 To rptrov avr' Alavra Id&v epeeiv' 6 yepatog 225 
 Tig T' dp' 6d' dAAof 'A^twdf dvj/p j]v(; re [j-eyag re, 
 'Apyfii'wv e^>aA^v ^d' evpeag 
 
 Tov d 1 'EAev?/ TavvireTrAof d/m'Serc, dm ywatittiv 
 Ovrog d' A?af eart TreAaipiof , ep/co^ 'A%at(5v 
 
 d' erspudev svl ~K.pfj-eoai, deog aif 230 
 
 d^i de /ziv Kprjrtiv dyol q 
 iv geiviaoev 'ApT/t^tA 
 ev T^tETepoJ, OTrdre KpijT^dev IKOITO. 
 
 ev ev yvoijjv, Kai r' ovvopa p,v6r]oaifj,7)v 235 
 
 W d' ov Svvafiat ideeiv Koopijrope 
 Kdaropd $' imrodafiov nal TTVJ- dyadbv 
 AvTOKaoiyvrjTG), rc6 jwoi jtii'a yeivaro 
 T H ov^; eoneodTjv AaKedaipovo 
 r H devpv p,ev ETTOVTO veeoa 1 evi TrovTOTropoiaiv, 240 
 
 Nvv avr' ov/c sdeXovai {JM^T]V Karadi^ievai dvdpdiv, 
 Ato%ea deidioreg nal dveitiea rroAA', a pot eortv ; 
 
 aa 
 Aaicedaifiovi avdi, fyikq ev rrarpidt yaiq. 
 
 dvd aarv T?WV <f>epov optcia mord, 245 
 
 "Apve dva> /cat otvov evfaova, Kapnov d 
 'Aa/cai sv aiyeiv 0epe de Kp-rjrfjpa 
 Krjpv^ 'Idalof ^de %pvoia Kv-rreAAa 
 "flrpvvev de yepovra 7rapiardp,evog eneeooiv 
 
 "Opaeo, AaopedovTiddr), nahiovaiv dpiaroi 250 
 
 Tptawv i?' /Tnroddjtiwv ai 'A^ai 
 'Ef Trediov Karad^vai, iv' opxcta rrtard 
 Avrdp 'AAefavdpof ot 'Ajytjtyi A 
 Ma-p^f eyxeiqot jua^aovr' dp/>t yvvaiici 
 Tai de e vuerjoavri yvvrj nai Kri^ad 1 ETTOITO ' 255 
 
 Oi d 1 dA.Aof fahoTijTa Kai opicia TTiard rafiovreg 
 Nat(H//ev Tpoiijv eptCwAa/ta roi d veovrat 
 
 $ /TTTrdfiorov <u 'A^aa'da *caAAtyvvai/ca.
 
 B O O K 1 1 1. 55 
 
 0dro piyrjoev d' 6 yepwv, etceXevae <T rat'pot 
 
 ^evyvvpevai rot 6' orpaAewf imOovro. 260 
 
 "Ai> d' dp' 677 Ilpta^of , /card d' T/vta retvev orrtaaw 
 Hap d ot 
 
 ' ore d?/ p' IKOVTO IJLETO, Tpwaf /cot ' 
 
 drrofiavref :rt xfiova TrovX,v66~eipav 265 
 
 'Ef fieaaov Tpwwv /rat 'A^ataiv e<Trt%da)vro. 
 "flpvvro (T aurtV EireiTa avat- avdpwv 'Ayajugjttvwv, 
 "Av d 1 'Odvcrevf TrohvfirjTig drdp K^pvKe^ dyavoi 
 "OpKia mard tfewv (Tvvayov, Kpr]-7jpt 6e olvov 
 M/eryov, drdp fiaaihevoiv vdup em %eipa K^evav 270 
 'Arpeid^f dg Lpvood^iKvoq ^eipeoai //d^atpav, 
 "H oi rrdp t-ifaog \izya KovXebv alev dwpro, 
 'Apvtiv eK ice^aAewv rd/ive rpi^ag avrdp rrtra 
 
 Toloiv d 5 'Arpetd^f /ieyd/l' sv^ero ^etpaf dvaa^uv 275 
 
 Zeu Trdrtp, "Idrjdev jiiedewv, nvdiare, p^eyiare, 
 
 'He/U6f T?', of Trdvr' 0opdf, /cat Trdvr' i 
 
 Kat IlorojUOi /tai Fata, at oi virevepde 
 
 rivvadov, art? ' irriopKov df 
 pdprvpoi ears, (pv/Maoere d' op/cta mard 280 
 
 Ei jtifiV ev MevfiAaov 'AAfe'^avdpof Ka-aneyvQ, 
 
 7Ti0' 'EAfiVTp e^erw /cat KTTjfiara rravra, 
 d 5 V vrjeaai ve&neda TTovroTropoioiv 
 
 Et d ' 'AAfi^avdpov Kreivij gavdog MfiveAao^, 
 
 e7r0' 'EAfiVT/v /cat /cr^ora Trdvr' aTodowvat, 285 
 d' 'Apytotf aTrortvgjttev, ^/vrtv' lot/cv, 
 at eoaopevoiai /ier' dvdpvrcoiai 
 
 Et d' aV jtiOt Tinrjv TLpia^io^ Hpidpoio re 
 
 Tiveiv OVK 0eA(J<7iv, 'AAe^dvdpoto 
 
 Avrdp ya> Afat erretro fiaxqaofiai eiveifa TTOIVTJS 290 
 
 A v0i uevwv, twf rAof TroAt'/t/oto 
 
 T H, ai drro arojud^ovf dpvtiv rdf.
 
 56 BOOK 111. 
 
 Kat rovf uev KariidqKEv KTTI ^Oovbg dorraipovrag, 
 Qvpov devofievovg drro yap uiivog elke.ro %aAKog. 
 Olvov 6' EK Kprjrijpog dtyvoodftevoi deTrdsaoiv 295 
 
 "E/c^eov, ?}d' ev^ovro $eotf aiEiyEVEryaiv 
 T i2de de rig EITCEOKEV 'A^atwv re Tpwwv re 
 
 Zev Kvdiore, [.teyiarK, /cat dddvarot ds.oi 
 'OTfTcorepoi rcporepoi VTrep bpKia TTTj^vetav, 
 T 2(Je (T0' iyKe<j)aAog ^anddig peot, w^ ode otvof, 303 
 
 Avrtiv Kal rsKew, ako'xoi d' 
 
 n i2f t0av oixi' apa TTCJ a^)fv ineKpaiaive Kpoviuv. 
 Toloi di Aapdavidift lipiapo^ pera pvOov KEI~V 
 
 Kt'/cAvre nev, Tptieg /cat evKV7]^ideg ' 
 "Hrot eywv etjUt rrpori "I/uov jjvepoeooav 30f> 
 
 "At/), 7T OVTTto^ TA7/CTO^' 
 
 ~Mapvdfievov (piXov vibv 
 
 Zevf juev Trot; rdye otde /cat dddvarot deoi 
 
 r O7T7rorepa> -davdroio reAog nenp^KVov eariv. 
 
 T H pa, at ef dt'0pov apvag dero laodeog 0wg- 310 
 
 *Ai> d' ap' efiatv' avrog, Kara d' TJvta retvev 
 IT dp de ot 'AvTTJvwp nepinaXXea (3r)aero Si(ppuv 
 Tw jut-v ap' dipoppoi nporl "lAtov aT 
 
 "Earwp dt Hpidfioio Trd'ig /cat dtof ' 
 Xaipov ^v Trpwrov SteuErpeov, avrdp Ineira 315 
 
 ~pooOev af 
 
 Aaot d' rjprjoavro, deoloi de 
 T 2de de rtf elrceaicev 'A^atwy re Tpciiwv re 
 
 Zeu Trdrep, "IdrjOev /zedewv, /cvdtare, jueytare, 320 
 
 'Orrrrorepof rdde epya //er' d^orepotafv 
 Tov ddf dTfotyOiuevov dvvai 66fiov "Aidog 
 *H/itv d' au <})i%.6rr)ra Kal opma mard yeveadai. 
 
 "Q$ ap' e^av TrdAAev de ueyag KopvOaiokog "Ecrwp
 
 B O O K I I I. 57 
 
 *Ai/> opdcjv Hdpiog de dotig IK KM]pog upovaev. 325 
 
 Oi fiev 7T0' Ifrvro Kara ori%a$, i]x, L d<7Ta> 
 "ITTTCOI depot-nodes Kai nomi^.a rev%e' eiceiro. 
 Avrdp oy' dp,(f>' fyioimv edvaero rev^ea naXd 
 
 fiev Trpwra rrept nvfj^qoiv e-drjuev, 330 
 
 dpyvpioiaiv t-xiofyvpioH; dpapviag 
 Aeurepov ay i9a>p7//ta Trept o-rfjOeoaiv idvvev 
 Olo Kaoiyvf]TOio Av/cdovof ripftoae d' 
 'A^</>i d' ap' u>/j.oiOiv /3dAro ^t 
 XdA/ceov avrdp e~etra odicog fieya re ariOapov re 335 
 Kpari d' :r' t0i9i/iO) Kwe.i\v evrvicrov edrjKev, 
 "I-mrovpiv tieivov de hofyos KadvTtepdev evevev. 
 EtAero d' a/l/ct/uov ey%of, o ot TraAdjug^v dprjpei. 
 "fl^ d' avrwf Meve/.aof 'Ap^t'of evre' edwev. 
 
 Oi d' eTret ovv endrepOev b\itkov 
 'E^ peooov Tpwwi' /cat 'A^aiw 
 Aeivbv tispKOfievoi ddpdog d' %ev eicopowrag 
 Tpwd^ T?' i~ Trodd/iovf /cai &VKvfyuda ' 
 Kot p' eyyvf arrjrijv dia^erp^raJ evt 
 Setovr' sy^etaf, d^r]X,otaiv Koreovre. 345 
 
 HpoaOe 6' 'AA^avdpof Tcpotei doAi^ooKiov ey^og, 
 Kat /3dAev 'Arpetdao /car' darr/da rravroa' eiarjv, 
 Oud' eppr)t;ev %ahic6v dveyvdfji(j>6r] 6e oi al%fiT] 
 *A<7Tt'd' evt Kparepy. 'O de tievrepog &pvvro ^aA/cw 
 'A-Tpcifoft MevfiAaap iTrev^dfievog A Trarpt 350 
 
 Zei; dVa, do^ riaaadai, o \i Trporepog d' iopyzv, 
 Atov 'AAe^avdpov, at e/^y?' VTTO %ep(ri ddpaaoov 
 *O(*>pa rig ippiyrjOi tcai 6i/>iydrwv dvOpwiruv 
 Hetvodd/fov Kad pefai, o ev (ptAorrp-a Trapda^j. 
 
 T H pa, KCI aurreTraAwv Trpotet doAi^da/ctov ey^Of, 355 
 Kai /3dA ITptautdao ar' darrida -dvroa' Ei 
 Aid pev dom'dof ?yA0 QaEivrjg odpifiov e 
 Kai did dupT)K.og rroAydaiddAov y
 
 58 B O O K I I I. 
 
 'AvriKpv tie Trapal AarrdpT/v 
 
 6 (T e/cAtv^?/, not dAevaro K?/pa jtitAatvav. 360 
 
 <j>o$ dpyvpoT/Aov, 
 
 Kopvdog (baAov dfi(f>i 6' dp' avrw 
 d ~ /eat rerpa^Od diarpvtyev cicmae %eipo$. 
 'Arpid7/f (T w^tw^ev Wwv eZf ovpavbv evpvv 
 
 Zev -ndrep, ovrtf creto iJewv dkouTepog aAAof 365 
 
 T H T' edij7/v riaeodai 'AAefavdpov KaKorrjrog 
 Nvv de ^tot sv xeipeaoiv ayrj %i-$o<; ' K de pot eyxog 
 'Ht077 7raAd/ii7/0tv e-voiov, ovS 1 e6aX6v fitv. 
 
 'H, ai KTTaigas Kopvdo^ Xd6ev imrodaaeiT]^, 
 "EAe d' imarpeipag j^er' ivKvr^iidaq 'A.%aiov$ 370 
 
 "Ay^e de /ifv TroAvKecrrof //idf aTroA^v VTTO 
 "Of ot VTT' dv^epeJivo^ ^ev? reraro 
 Kai w ev elpvaaev re, nal acme-ov Tjparo Kvdo$, 
 Et JUT/ dp' 6^1) vd^tre Aidf tfyydrT/p 'A^podfr?/, 
 "H ot p?/fV ifidvra f3oo$ Z0t KTapevoio 375 
 
 KVT/ d rpv(j>dheia a//' 
 Tf}v HKV :m0' ^pw^ | 
 'Pii/*' eTnfiiVTjoas, K0[j,toav d' epirjpeg eralpot. 
 Avrdp 6 d^> sTropovae KaraKTapevac peveaivuv 
 *Ey^i' %aAtoj TOV d' e^pira^ 'A^podtT?/ 380 
 
 'Pfita /zdA', cj^Tfi ^fdf /cdAvT/> d' dp' ^ 
 Kdd d' t(T' v i^aAd/za) evwd, KrjwevTt. 
 Avr?) d' av0' 'EAfiV^v KaAeova' t T^V d' E 
 ITvpya) ^>' vi/>^A&j rrepi d Tpwai dAff ^<rav. 
 Xeipi de veKrapeov iavoii erivage Xaftovaa 385 
 
 eiicvia naXaiyev 
 o/iCf), ^ o/ AaKedai/Aovi 
 
 elpia caAd, /^dAiaro dfi 
 T^ /wv ietaafisvij npo^e<fxt)vee 6V ' 
 
 Aevp' ?0' 'AAfi^avdpd^ <j /taAfit oldvd veeodcu. 390 
 Keivof oy' EV i9aAdjwa) icoi dtvwTotert Aa<m', 
 KdAAet re <TrtA6wv /cat eipaoiv ovdt c (J>ai7j
 
 B O O K 1 1 1. 59 
 
 'Avdpt jjuixsaadfievov rdvy' eA0etv, dAAd %opovde 
 *Ep%eo6', ye %opolo viov AT/yov-a icadieiv. 
 
 *Q <f>d~o ' rq (T apa dvfibv ivl arijOeaaiv opivev 395 
 Kat p' a>f ovv evorjae &ed$ TreptKaAAea deiprjv, 
 2r7/0a t9' Ifiepoevra Kal o^ora fiapfiaipovra, 
 Qdn&rjaev r' dp' eireira, errof r' l^ar' c T' ovofia^ev 
 
 Aai[j,oviT], ri fie ravra kikaiecu rjTtepoTreveiv ; 
 T H TTT] fie trpo-epo) 7roA,twv evvcuofievduv 400 
 
 "A|etf ^ $pvyiri<; fj Myovfrjg epaTeivf}$, 
 Et Tif roi Kal Keldi 0t'Aof fieporrw d 
 ^ vvv (Jtov 'AAe^owJpov 
 edstei OTvyeprjv ifie olnaS > dyeoOai, 
 Tovveica df) vvv devpo 6o^o<ppovsovoa TrapetrrT/f ; 405 
 
 T H<70 Trap' avrbv lovaa, i?ewv d' aTrdst/ce 
 ert trotat Trddeacrtv vTroarpetpeta^ " 
 ' ati TTgpi Kelvov dt^ve, /cat e <f>vA.aaoe, 
 Eigoice <r' ^ dAo^ov TrotrjoeTai, rj oye dovkijv. 
 Kelae (T eywv ou/e elfu vefieaorjrbv 6e KSV etr) 410 
 Keivov TTOpavviovoa ke%og Tpwot 6e p' oniaaui 
 Havai [ivfiTjaovTai e^a> (T d^e' dicpira 
 
 T^v 6e %ok(i)aa[i,evr) Trpoge^vee 67 ' 
 MT/ ft 1 epeOe, a%eTJiir), fii] xdioapevr] oe iiedelu, 
 Ta)^ 6i <r' a7re^0^pw, a>f vvv 1/cTrayA' iQiXqoa, 415 
 
 Me<raa> (T d/i^orepwv pqTiaofiai e%6ea Avypd, 
 Tpwwv <u Aavawv, ai) de ev nanbv olrov 
 
 eavai dpy?)rt (f>aeiv& 
 
 Xddev %)%e de 6aifi(Av. 420 
 
 At <T or' 'AAs^dvdpwo dd/ttov TreptKaAAe' IKOVTO, 
 'Ap/>i7roAot /*ev eTretra t^owf TTI epya Tpdrrovro, 
 "II d' tf vt/>dpo^>ov i?dAo|ov te d?a ywatwv. 
 Tg d 1 dpa dt'^pov eAovaa ^tAo(Uj^etd^ 'A(f>po6irr} 
 
 'AAe|dvdp<MO #ed Ka~iQr}KK (jtepovaa 425 
 
 uddd? 'EAfv?/, Kovpr} Atof atytd^oto, 
 TrdAtv AtAtvacro, rrdatv d' rjviTrane
 
 60 B OO K I I I. 
 
 "HAv 6e$ in oAtyicw &g w^e/lef avroff o 
 'Avdpt 6afj,eig tcparepti, 05- ipbg -nporepog -rootf ijev. 
 'H fj,iv d?/ -npiv y' ev^fi' 'Ap7/i0tAoi> MertAdov 430 
 
 2^ T (3iy Kal 
 'AAA' t'0t vvv 
 
 vavrov. 
 jti^de t;av6ti 
 
 'Avridiov TroXepov no^Kfjii^eiv 7jde p,d^eoOai 4-35 
 
 rdtf VTT 1 avrov dovpi 
 
 oioiv 
 
 ue, yvvai, ^aXe-noloiv oveideai dvpbv ttvinre. 
 p,KV yap MevtAaof evinrjaev oiiv 'AOfjvq 
 Kelvov d' avri t-ya Trapa yap T9eot i<7i a< i\\uv. 440 
 'AAA' ays d?) 0iAd-7/rt rpaTreto/zev evvrjOevre. 
 Ov yap TTwrroTe p,' wde y' epwf (frpEvag a^^e/cdAfi^ev 
 Ovd' ore ae Trpwrov Aanedaipovog k% epa-Eiv7j<; 
 "ErrAeov aprrd^ag iv novTonopoiot vzeooiv, 
 N?y<70> d' ev Kpavd^ efj,iyr]v ^>Ck6rr\-L nai evvy, 445 
 
 "flf aeo vvv epauat, ai /ie yAv/ct)^ ifiepog alpsl. 
 
 T H pa, ai ap^e At^o^de K/WV aja d' 
 Tw jtiV dp' ev rp7]~ol<Ji Karevvaadev 
 
 'ArpetdTyf d' dv' fy/iAov e^otra, i9?/pi i 
 Et TTOV egaOprjoeiev 'AAefavdpov ^odt-a. 450 
 
 'AAA' ovrt^ dvvaro Tpaiwv Khetrtiv r' 
 Aelgai 'AAg^avdpov TOT' ' 
 Ov jtiV yap (/uAoTT/Ti y' eicevOavov, el rig idoiro 
 T Icrov yap a<6iv irdoiv dTrrj^dero Krjpl [teXaivq. 
 Toloi 6e ical i^ereemev avat; dvdpwv 'Aya///^va)v 455 
 
 t Adpdavoi ?)d' e 
 
 jUv dr) ^aiVfiT 5 'ApT/t'^i'Aov MevfiAdoi; 
 d' 'Apy^v 'EAfivryv at T///xaO' a/z' 
 *^E;doT, /cat Ti/j,fjv dTroTivefiev, fjvnv' KOIKKV, 
 *HTE /cat eaaonevoioi |Ur' dvOp&Troioi TCA^rat. 460 
 
 'A.Tpeidrjg im d' r/veov aAAot 'A^atot.
 
 HOMER'S ILIAD, 
 
 ACCORDING TO THE EARLIER ORTHOGRAPHY. 
 
 v - ~~ 
 
 F I A F I A 2 1. 
 
 MHJsIN asetde, Oca, T 
 
 OAo/jevrp, FT/ pvfpt' A^aifoig aAye' eOijuev, 
 IIoAAa^ d' KpOiuofg Trovfxag afidi Trpotarrraev 
 frjpofuv, afrofg 6e FeAwpt' erev^e KVVECTIV, 
 
 ~e -navTOt Atog 6' ereAe/ero flovXrj 
 Fo/o 6f] ra pu-a diaorrjrrjv 
 re, F ova/eg- avJpwv, /rat 
 
 r' op (7^)0/e Oetov eptdt -yavvefrfKE fj,a^eoOat ; 
 /cat Atof Fvtog- Fo yap ftaoi^eft xokuOevg 
 ara orparov upas Kanrjv oAeaovro de XaJot 10 
 Fooy:a rov XpvoeJ^ rjriffiija' aprjrTjpa 
 
 Fo yap 7/A0e 6ofag STTI vafag A_\;at/a)v, 
 re Ovyarpa, fapw r' arrepeioi'' a-oiva, 
 
 Xpvaeut ava OKTjTTTput Kai ekiaoero Travrag A^at/o/c, 15 
 Arpefida 6e jttaAtara, <Jyw Koa/i7/rope Aa/wv 
 
 Arpe/tdai re, /cat aAAot 
 frittv pev 6eoi dcwev, OAvvrrta 
 ~EK7repO(jai TLpiafiofo TTOAIV, nai Fot/ca<J' fineaOat 
 Jlaida 6e pot Av/aat re faXTjv, ra d' anoiva de^eadai, 20 
 FatJaojUEVot Ato^ Fvtov FeKT/fioAov ATroAAwva. 
 
 Ev0' aAAot /u' Travrsg errev&Tjpriaav A^;at/ot, 
 A.i6eeodai 6' tepefa, nai ayAa/a de-^^at a?rotva 
 
 F
 
 62 FIAFIA2 I. 
 
 A A A' OVK Arpefidrjt Ayafiefivovi favdave 
 
 AAAa KOKOJf o0tFfi, Kparepov 6' em pvfdov ereAAev 25 
 
 MT/ <re, yepov, Koikqioiv eyw rrapa vaJat Ki%eib), 
 H vw drjdvjvovr' 77 fvarepov a/rtf fovra, 
 MT; vi> TO* ov %paf0HT]i OKJjnrpov, icai are^a 6eofo. 
 Trjv d' eyw ov Av/crw Trpiv |UiV K<M yrjpaq eneiriv, 
 fr)fj,erepG)i evi foiicui, EV Apyei, rrjXo6t narprjc;, 30 
 
 fiorov eTTOi^of^evrjv, KOI epov Ae^o^ avnaovroav 
 A A A' 161, fj,t] ^ epedcdoe, oa(*)Tepo$ Fa>f e verbal. 
 
 Fwf e^or' 1 <Wi(5<rev d' Fo yepow, KOI eneiOero [ivfdui. 
 BT/ d' anew napa 6iva 7roAv0Aota6o/o ^aAatra^f, 
 IIoAAa d' fiTretr' atravevde KIW rjpad' o yepafo$ 35 
 
 Fava/CTt, TOV ^twcyzof rK AT/TCJ 
 /', apyvporoKO\ Fo^ Xpvar/v afMf)i6s6rjKa^ 
 KiAAav T SaaOeqv, Tevedofo re fi<f>i favaoaeig, 
 S/uvdef ei TTOTE rot xaptevr' em vafov epe<paa, 
 H' d?/ 7roT rot /caro mfova pypi' eicija 40 
 
 Tavpcjf, T^d 5 aiywv, rodfi /zot Kpafrjvov 
 Tifaeiav Aavacu jtta da/cpv/o aoi< 
 
 Fej ^>ar' evftOftevog ' rofo d' eickvfe 4>ot6of ArroAAwv 
 B?7 T /car' OAf/fTro/o K.ap-rjvuv ^eoo/zfivof p, 
 TOKO' tt)fioiai F%WV, afj^rjpe^ea re (f>aperp7]v 45 
 
 E/cAavy<rav d' ap' oiorot TT' ayicjv ^uofj,evofo. 46 
 
 Fd<T-' 7TiT' a7ravv0 vafwv, //era d' fifov efrjuev 48 
 AdVT/ d /cAavy?/ yever' apyvpeofo (3iofo. 
 Ovpefag fiev rrpvrov errw^eTO, xat Kvva$ apyo/f 50 
 A/rap 7Ttr' afrotat /JfiAof F^7rVKf e(j)ifev$, 
 BaAA' <M/ de Trvpcu veicvw KaJovro 6afieiai. 
 
 fevvfrifiap fiev ava orparov toiler o ar^Xa Oeofo 
 Trji denaryt d' ayop?/vd' eicaXeooaro Ao/ov A^tAAf/f 
 yap 7rt ^petr' eQqice 6ea A/KwAvof FT/P?/ 55 
 
 yap Aavawv, Fort pa OvT)OKOvra$ Foparo. 
 Fot d* TTt wv rffepOev, F ofnjyepeeg T' yvovro, 
 Tottrt d' avfiOTa/j.ev of fiere<f>T) rrod 
 
 wv a/Afie -naXivn^av^Oevrat; o</a>
 
 FIAFIA2 I. 63 
 
 aTTOvoffrrjoeEV, ei Kev Bavarov ye (fwyoifiev 60 
 
 Et djj fopoo TroAtytof re daftat Kat ^oipog A%aifof$. 
 AAA' aye dr) rtva fiavriv epeionev, rf fiepefa, 
 H KCU ovetpoiroAov, teat yap r' ovap etc Atof eanv 
 fog Frrot, fort rocfov e^waaro $of6of ArroAAwv 
 Et r' ap' Foy' ev^wA^ eTrifieftfaTai, ei6' eKarovdrj^ 65 
 At ictv Trwf Fapvcjv KVIOTJS aiycjv re reAeiwv 
 BovAT/r' avTiaoavs f^piv ano Aotyov apvfvai. 
 
 Hroi Foy' Fw?- Farrwv, /car' ap' Fedaero* rof<rt (T aveorrj 
 KaA^avf QearopiS^ ot/wvoTroAwv Fo#' aptarof, 
 Fof Fot(5e ra T' eovra, ra T' eaao/ieva, ?rpo T' eovra, 70 
 Kai va/ea' frfyrjaar' A^at/wi/ FiA/fov giaw, 
 FT/V dia juavroain'T/v, TTJV Fot Trope 4>oi6of A?roAAcjv 
 Fo a<fv Fev^povewv ayopefoaro, Kai 
 
 i2 A^tAe/, /ceAeat /^e, Aa 
 MTJVIV ATroAAwvof, Fe/carT/fieAera/'o Fava/crof. 75 
 
 Tot yap eyw Fepew ov rfe ovvdeo, Kai \LOI opooaov, 
 H //ev juoi 7rpo0p<yv FeTretTtv at %epoiv aprfyoeev. 
 H yap 01 f opai avdpa xohuae/iev, Fof jueya -navrwv 
 Apyetfw /cpareei, at Foi TreiOov-ai K%aioi. 79 
 
 Tov d' aTrafj,ei6onevog Trpoae(p7] Trodaf wvf A^tAAe/f 
 Qaporjaav$ jtzaAa, F7re OeoTrpoTttov, fort foidoOa. 85 
 
 Ov |^a yap AuoAAwva, Ait 0tAov, Fwtre (TV, KaA^av, 
 Aavaotcrt Oeo-rrpoTnag ava<f>atveig, 
 daaJoo nat STTC %6ovi tiepKopevofo, 
 Sot ACOtA?/tf Trapa vafcri fiapviag %ipag errotaet, 
 roT^VTravTWv Aavawv ovd" T^V Aya/jiefivova feimjis, 90 
 Fof vvv TroAAov aptarof evt arparwi ev%erai eevai. 
 
 Kat TOTE d?/ dapOTjae, Kai r]vfdae jttavrtf 
 Ovr 1 ap' Foy' ei^wAT 
 AAA' Ffivea' apT/TT/pof, Fov 
 Ovo" arre^vfoe diryarpa, KOI OVK anede%aa-' < afroiva. 95 
 TOOVEK' ap' aAye' (JcjKV F?;6oAof , ?/d' ert dwaet 
 Ovo'' Foye rrptv Aot^o/o (3apvia^ %etpa^ a<f>e%oei, 
 Hpiv y' OTTO rrarpt ^)tAcji dopevai FeAtKWTrtda Kofprjv
 
 64 FIAFIA2 I. 
 
 , aanoivov, ayeev 0' leprjv 
 
 f Kpvarjv TOTE KSV fjiiv fi^aoaajievoi TTeniOoifiw. 100 
 Hroi Foy' Fwf feiTruv ar' ap' FecJaero roioi d' 
 Arptsidrjg evpvKpefuv Aya/z/iva)v 
 
 /iVOf 6e \ity 
 vT\ oaoe 6s [01 nvpi 
 
 ro TTpuTiora Kaic' oooo[tKvog Trpoae/etTrev ' 105 
 Mavrt Kaicw, ov TTOU Trore juot TO npr]jvov 
 rot TO, a/c' eon tyika 0peoi 
 
 d' pude n TTOM Fa a^ Ferro^, ovd' 
 Kat wv ev Aavaotai dsoTrpoTrew ayopefeig, 
 Fa)^ d?7 rood' Feve/ca cr^iv feK7]6oAo$ ahyea rsv^ei, 110 
 Foofe' eyw Kofprjg Xpvoefidos ayAa/' arrotva 
 OVK edekov de^aaodai STTEI TTO^V fiovkofiai afrrfv. 112 
 AAAa /cai fug efleAw dofievat ~a,Atv, et roy' afieivov 116 
 BovAo/i' eyw Aa/ov aaov eopevcu, rf 
 Afrap epoi yepag aJTi%' eroipaaaO', o0pa 
 Apyet/wv ayepaarog ea) 7Ti oi;(5e Fe/ot/tev. 
 Ae/CToere yap roye Travre?-, Fo juoi yepaf ep^erat aAA?/. 120 
 
 Tov d' rjfji,i6er' e-rreira TrodapKTjg dijog 
 A.-pfi6r) Kvfdiare, (piXoKTeavurare 
 
 yap rot duaovn yepag fieyadvfpoi 
 ' ert 7TO) Fid/zev yovvrj'ifa t/iva TroAAa 
 AAAa TO ^v TroA^wv eKoeTrpa6ojj,ev, ra dedaarcu, 125 
 
 Aafofg 6' OVKI fefotice TraAtvAoya ra/r' 
 AAAa av fjtev wv rqvde 6eb)i Trpofeg afrap 
 
 rerpaTrA^t T' anorifoofiev, at ue rroOi 
 Tpofiijv fevTei%eov inaaka-xaKaai. 
 Tov 6' arra/neidofievog -rrpoae^T) Kpefuv Aya^Efivuv 130 
 M?/(J' Fo/rwf, ayadog irep EWV, 6eofuKek' 
 KAfiTrre vowf 7Ti ov TTapeA.vdoeai, ovde pe 
 H' 0Atf, Fo0p' a/rof Ffi^f ypaf, of rap s 
 fr)a6at defopevov ; eAat d /tt TT/vd' aTrodwvat ; 
 AAA' i /uv dwoovrt yepa$ neyadvffioi A^atfoi, 135 
 
 Apaavreg Kara 6vfp,ov, FOTTW^ avrayoiov earai
 
 FIAFIAS I. 65 
 
 Et de jit?/ dwo>VTiv, eyo> de ntv a frog 
 H refov, i}' atfavrog, iwv yepag, 77' Fodvae/o^. 138 
 
 A AA' 7/roi ftev rafra fiKra^paaofieoOa Kai a frig. 1 35) 
 
 d' aye, va/a {.lehatvav fepvaoopev eig FaAa difav, 1-10 
 d' eperaf Kmrrjdeg a"yr]po[Jv, eg d' feKa~ov6?jv 
 , av d' afrrjv Xpvae/tda Ka^nraprjov 
 
 fev$ de r^f ap%o<; avqp f3ovA,r)d>opo$ earw, 
 H' aifavg, if Idojj,evefg, r\ di/o^ Foducroe/f 145 
 
 He av, Il7/Af/td7/, Travrwv e/CTrayAorar' avdpuv, 
 Fo0p' FT/jtztv [enafepyov fi^aaoeac fiepa pEKoavg. 
 
 Tov d' ap' FvTi-odpa F<da>v 7rpoG(p7) Trodag unvg A^tAAe/f 
 S2 juoi, aatdetrjv eTrt/eajiteve, spdaAeo0pov, 
 Iluf rtf rot Trpo^pwv FcTreffiv TTetOrjTai Aftaifw, 150 
 
 H' Fodov eA0e/vai, T/' avdpeai fuf>i 
 Of yap eyw Tpo/wv Fevea' rfkvBov 
 Afivpo na%r]oo[j,evo$ ETTSI ovrt \ioi atrioi evnv. 
 Ov yap Trcjt TTOT' /zaf ftofaq rjXaaav, ofde /tev 
 Ovde TTOT' ev fydifiji epi6wAa/a, ftwriaveiprji, 155 
 
 KapTrov edT/Ay/cravr' 7m?/ |u.aAa TroAAa peTanav 
 Opea re a/cioevra, OaAaaaa re F^^evraa 
 AAAa crot, to jusy' aaideg, Fa/z' feonope6\ [wfrpa ov xatprjig, 
 
 wfievoi RIevAa/a>t, aoi -, Kt/vwrra, 
 Tpo/cjv TWV ovri jUrarp77-', ot;d' aAfiytdaeif 160 
 Kai dy/ juot yepag afrog a<j)aipT)OKoOai aTreikeig, 
 Fwt e:ri TroAA' /^oy7/cra, doaar de /iot Ffffi^ A.%aifw. 
 Ov JUEV aot Trore fetofov Fe^o> yepag, FOTTOT' A^ai/ot 
 Tpo/wv eicTTepOowO' evvaio^ievov TrrohieOpov. 
 AAAa TO |v rrAfitov TroAvaFiKOf 7roAejUoJ"o 165 
 
 juai dt/ETrovr' arap ?;v uore dacrpog 
 TO yepa^ TroAv peidoov, eya) d' oAtyov Te 
 
 WV 7u va/a^, ern/v 
 Is w d' t/it $0t/^vd' erretT/ TroAv faprepov EOTIV 
 Fot/cad' tjuev yavv vajat Kopuvicnv ovde a' ot/w. 170 
 Evflad' artsfiog ea>v, Fa^evof ai TrAovTOV a^vnaeev. 
 Tov d' rj[iL6er' eneira Fava/ff avdpwv Aya/i/tvwi' 
 F 2
 
 60 FIAFIAS I. 
 
 ', et roi dvfpog etreaovrai ovde a 1 ywye 
 Aiaaofjt-ai FO>' ju/o fj,eveev Trap' epoiye Kai aAAo/, 
 Fot jue TiffATjoovTi \HLkiGTO, de fj,T)Tiera A<7/f. 175 
 
 T&xdiaros de jwoi eoai diorpe^ewv /3a<7tAe/wv. 176 
 
 Et |tzAa Kaprepoq eaai, Oeog TTO/O <roi roy' eda)ev. 178 
 ' twv yaw vaSai re or)ig, Kai aoia* ferapoiaiv, 
 
 favaooe oeOev 6' eyw OVK aXeyidav, 180 
 OwT odopai Koreovrog" aireikqofj) 6s TOI 
 Fa)f jtt' (Mpaipee-ai ~Kpvoefida <f>ot6 
 TT/V (iev eya) yaw vafi T' .\LT\L nai efioia 11 ferapoiaiv 
 eyw (Je /c' ayw ~Bpioeft6a Ka^inaprjiov, 
 K^ianpd^ refov yepaf Fo^)p' Fev feidyig, 185 
 Foaov (peprepo^ T\\IL oedev, arvyer/t ds ai aAAof 
 feiafov e^iOL <f>aadai, /cat F ofioi^drjuevat avrr\v. 
 
 Fwf ^zro IlT/A^A/am d' a^o^ yever' ev 6e foi Tjrop 
 STijOeaaiv Xaaiotat diavdi^a fiepfirfpucaev, 
 H' Foye (fraayavov fotcov F epvaaaf^evo^ Trapa f^rjpoo, 190 
 
 avaarrjaeiev, Fo <i' Arpe/fd^v evapticaoi, 
 v TTofoeiev, eprjrvfaece re Ovfpov. 
 Fo To/0' op(iaive Kara fypeva nai Kara Ovffiov, 
 
 Ovpavodev ?rpo yap FT/KE 0a Af/KwAfvo^ F^pT/, 195 
 
 AfHpb) Fojuwf Ovfn<t)t (bikeovraa re, KTjdofievT) re 
 2x77 d* OTTidev, %aav6r)$ 6e KOfirjg feXe HqXefifuva, 
 <t>aivofjLevr], TWV d' aAA.a>v ourtf Foparo. 
 
 v d' A%t Ae/f, jUra d' erpaTrer' afriica d' yvw 
 IlaAAad' A.6r)vaiT)v ddfiiva) dt Foi OCTCT' etyaJEvdrjv 200 
 Kat jtuv <f>b)vi]oav<; fenea nrepoevra Trpoarjvfda 
 
 TiTrr' a/r', atytFo%o/o Atof reao^, rj^rj^ovda^ ; 
 H', Ftva fvdpiv fidrjig Ayapenvovog A.rpefidafo ; 
 AAA' e rot Fepew, TO de ai reheeodai ot/6), 
 FT/if fvTreponA.ifr)iai ratf av TTOTE Ovffiov oXeoaqi. 205 
 
 Tov d' a/Te -npooefenre 6ea yAa/Kwmf A.6Tjvr] 
 HA0ov eyw -rrafoovraa refov nevo$, at e 
 OvpavoBev -rrpo de /*' F?7<ce
 
 FIAFIA2 I. 67 
 
 A[i(f>(t) Fojuwf Ovffiui 0tAeovT<7a re, Kijtiopevr) re. 
 
 AAA' aye, A 7/y' epidog prjde %oi(j)og FeAxeo %etpt 210 
 
 AAA' Tf-ot [eneaiv fj^v oveidioov, Fa>c eoerai Trep. 
 
 Fwde yap ettofepeu, TO de /cat rereheofievov carat 
 
 Kat rrore rot rpig roaa Ttapeaaerai ayAa/a dwpa, 
 
 fv6pio$ feiveiea rrjode ov 6' fio%eo, Ttet6eo 6' 
 
 TT/V d' aTTafiKidouevos Trpoae^r] nodag 
 Xprj uev <j(f>ofirepov ye, Oca, Ferrof epvfoaaOai, 216 
 
 Kai juaAa Trep dvf^iwi /ce^oAwjuevov Fw^ yap afisivov. 
 Fof e deoia' eTrtneidrjr.ai, \iaka T' eAv/ov a/roo. 
 
 H, at CTT' apyvperji K^TTTJL o^ede %eipa> ftapvtav 
 
 (5' ef KovAeov w0ae /zeya %oi<f>og, ov6' a~idr]aev 220 
 
 FT/ <T OAuvrrovd' e6e6r]Keev, 
 Aw/zar' ef aiytfo%ofo AiOf, /uera datfiova^ aAAo/f. 
 
 6' eicaafrts araprrjpoioi 
 Trpoae/eiTre, /cat ov TTW A^ 
 
 Fotvo6apef, Kvvog on^iaB'' e^aw, Kpadirjv d' eAa0o/o, 225 
 Oirre TTOT' eg- 7roAefiov Fajua Aa/ 
 Ovre Xo%ovd' tuevai ycrvv apiorejeaiv 
 TerA^KOf dvffKJi TO de Tot K7;p FeideTat eevat. 
 H rroAa Xafiov eon, Kara arparov evpvv Aftaifuv 
 Awp' anojaipeeadai, FocrTtf <7e0ev avrtov [eimji 230 
 
 At]uo6opo$ /SaatAe/f, erret ovridavoiai favaaaeig 
 H yap av, Arpefidrj, wv fvarara Aa)67/aaio 
 AAA' e TOi Fepew, ai erri fieyav fopicov o^,oofj,ai, 
 Nat jua Tode a/CT/Trrpov, TO juev ov TTOTC 0uAAa at odaofg 
 4>v/aet, e-rreidj] Trpura TO\LT\V ev opeaot AeAotTrev, 235 
 
 Ovd' avad7]A,j]OEi rrept yap pa Fe 
 4>vAAa T Kat (pAofov ' wv afre \LLV Fvtej- 
 Ev TraAajUT^t^ (f>opeovri dt/eaarroAot, Fot T 
 Ilpof Atof ripvfarai Fo de Tot /zeyaf eaaerat Fop/cof 
 H TTOT' A^tAAe/o^ TTO^T/ Ft/ccreTat Fvtaf A^at/wv 210 
 
 FoT/'viravTaf TOt^ d' ov-t dvvrjaeai, a^vvfievo^ nep, 
 Xpafafieev, evr' av rroAAot Fv0' E/t-opof avdpo^ovofo 
 
 ov d' evdodi Ovfpov a/ivKaeu;. 243
 
 68 FIAFIAS I. 
 
 -non tie OKrjnrpov (3aXe yairji 245 
 Xpi>'(70fo~' Fy/AoiCTi Trenappevov fedaero 6' afrog. 
 d' [E-epuOev eu^vife roiai tie 
 avopofos, Xiyvg rcvXiu 
 
 Too Kai GOTO yAwaoT^ [lEkirog y^vKiuv pefev 
 Twt d' r]6rj 6vo pev yeveat, [leporruv av6p<j)~u)i> 250 
 
 He(f>6ia6' 01 foi TTpooOev Fa^i' srpafiev ?^d' eyevovro 
 Ev HvXcJi ayaderji, pera 6e rpiraroia' efavaaaev 
 fo ofav F ev(f)povE(i)v ayopefoaro, Kai fj-ereJeiTrev 
 
 S2 TTOTTOI ! ?] jieya rrevdog A^aiftda yatav fucavei. 
 H KEV yrjOrjaai Hpiafiog, TLpiafj-ofo re rraide^, 255 
 
 AA/loi re Tpofeg jueya /cev ice%apoiaro Ovffiui, 
 Et ofiofiv rade rcavra rrvOocaro iJ,apva,jj.evouv, 
 foi Trepi /zev ftov^rjv Aavawv, -rrept d' care p,a%eoOai. 
 AAAa mOeoO' ' a/z0w de vefurepdj eorov e^efo 
 Hd?/ yap or' eyw at apeiooiv rjercep fvfj.iv 26Q 
 
 Avdpeat f opikfrjaa, Kai ov rrore p,' Foty' adepitioov. 
 Ov yap 7TO) roiof$ fidov ovepaf, ovde Fida>juai, 
 Foioi' IleipiOofov re, Apy/avra re Tcoipeva Aa/wv, 
 Kaivefa r\ E/caadiov re, /cat avndeov TLo^v(pr]fj,ov, 264- 
 Kat juev roioiv eyw fteOonthfeov etc IIvAo/' /U?an', 269 
 T7]A.o6ev e/cf amrjs yaiqg KaXeoavro yap afroi 270 
 Kat \ia'Xf>\i'T]v tear' eju' afrov eyw Ketvotai d' av ovrt^ 
 Twv, Fot vvv fiporoi evnv ETTI^OOVIOI, ^a^eoiro 
 Kai /zev /neo jSovAewv yovvfifev, Treidovro re [ivfOui. 
 AAAa TTtOeaOe Kai vupe^ enei TreiOeaOai aueivov 
 MT/TE ay rovd', ayadog nep ewv, a-ofaipso KoJprjv, 275 
 AAA' e/a', Fw^ Foi rrpwr' edocrav yepa$ fvieg 
 M?/re ov, Il7/Ae/td', 0eA' epidoeuevai 
 
 Avrl6lT)V ETTEl OV 7T00' OjUOiT/f [lEflOpE 
 
 SKT/rrro/o^Of ftaoi^efg, ?WITE Aae/f /cv/dof sdwaev. 
 Et de av Kaprepo^ EOOI, 6ea 6e a' eyi]varo firjrrjp, 280 
 
 AAA' Foye <j>eprepog eariv, enei nXeoveai favaooei. 
 Arpefidr], ov de rrafe refov /j,ei>o$ afrap eyuye 
 Aiooon' A^iAAe/i jti0c/itev ^;oAov, Fo^ /ieya navraiv 
 Fep/eof A^aifoiaiv rcekerai TroAe^o/o KaKofo.
 
 FIAFIAS I. 69 
 
 Tov 6' cnra[j,ei6ofievo(; 7rpoo-e</>7/ Kpefuv Ayajuquvwv '285 
 Nat 6rj rafra ye rravra, yepov, Kara juotpav efeineg. 
 A A/I' Pod' avT/p efleAet rapt navruv eofievai aAAwv, 
 IlavTWV jttev icpareeev eOefai, -navroiv de fai'aoaeev, 
 Ilavrai de o^juatveev Fa rtv' ov TreiOoeoOai ot/a;. 
 Et de fj.iv ai%uT)T7)i> eOeaav 6eoi aifev eovreg, 29vO 
 
 Toova Fot Tcpodeovriv oveidea 
 
 Tov d' ap' fvrrodXrjdrjv rjpeidero difo? 
 H yap e (JetAor re /cat ourtda 
 Et aot ?rav Fepyov Ff7ro/tK(TOjuat, Fort e Fet7rr/tf 294< 
 AAAo de rot Fepew, crv d' evt </>p<7t /3aAAeo arjimv 297 
 Xcpat juv ovrot e^'wye fia^r/aofiai, feivena Kofprjg' 298 
 Twv d' aAAwv, Fa /xot eort Oofqi napa va/t /^eAati'^t, 300 
 Twv OVK av rt (pepotg av/eAwv, a/e/covrof efiefo. 
 Ei d', aye UT/V, TretpT/aat, Ftva yvwwvrt /cat Fotde 
 
 rot Fat//a /ceAatvov spofrjaet nepi dofpi. 
 
 rwy' avrtfiioiai jia^effaajievd) feneeoiv 
 
 Xvfoav d' ayoprjv ?rapa vafotv \^aifd)V. 305 
 
 girt Khiaiag /cat vafaq feiafac 
 Hie, ovv re Mevoiriadrji /cat Fe/ot^ ferapoiaiv 
 A.rpefi6rj^ d' apa va/a Oofrjv FaAade Trpofepvooev, 
 E$- d' epera^ eitpive feiKoaiv, eg d' feita-ov(J7]v 
 BT/<T 0ewt ava de Xpvae/tda /caAAtrrapT/tov 310 
 
 Ffiaaev aywv sv d' ap^og e6r) 
 
 Fot juev eTretr' ava&avreq ETTe-rrXefov Fvypa 
 Aafof$ d' Arpe/td^f cnroXofnaiveaOai awyev. 
 Fot d' aTreAo///atvovTO, /cat e< FaAa Ao/juar' 
 Epdov d' ATroAAwvt re^evToag fenarovfiag 315 
 
 Taupwv ?^d' atywv, irapa 0tv' FaAof arpvyerofo" 
 
 d' ovpavov Ft/ce fe^iaoo^evr] nepi Kairwi. 
 
 Fot jiiev ra TTSVOVTO /cara orparov ovd' Aya/ie/tvw?> 
 ' eptdo^, TT/V Trpwrov cTr^-etA?/*?' A^;tAe/t. 
 AAA' Foye TaAOufitov re /cat Evpf6ar?/i' Trpooefeinev, 320 
 Tu> Fot eaav KTjpvice /cat orpT/pw OspaTrovre 
 /v ITT/Ae/tada/'
 
 70 F1AFIA2 I. 
 
 Xeipog FeAovT' ayepev Hpiaefida 
 
 Et d Ke fit] duTjriv, ey(t) tie icev afrog FeAwpw, 
 
 EA&jv yaw Trkeoveai' TO Fot at ptyiov earai. 325 
 
 Ftof FetTrcjv rrpofifee, Kparepov d' ETU pvfOov 
 To) d' a/eovr' efiaTtjv rcapa Oiv' FaAo^ arpvysro/o, 
 Mvpjtitdovwv <T errt re K^ioiag Kcti vafa$ 
 Tov <J' fevpov napa re KXiotrji KOL vafi 
 frjfjtevov ou<5' crpa rwye Ftdwv yrjdrjaev A^tAAe/f. 330 
 Tw juev rapftrjaavTe, nat, aidopevu ftaai^efa, 
 STTJTTJV, ov6s rt, \u,v Trpoaefiweov, ovS 1 epeovro. 
 Afrap Foy' eyvb) fefrjiaiv evi <j)pea' etyuvrjaev re 
 
 Xcupere, Kiypviceg, AiOf avyekoi, ij6s KOI avdpuv 
 Aoaov tr' OVTI poc vfifie$ enairioi, aAA' Aya/tig/xvwv, 335 
 fog afiofi Ttpofifee Bptaefidog feiveica Kofpr)$. 
 AAA' aye, dt/oyevef narpoaAeef, enaaye Kofprjv, 
 Kai otyofiv 6o<; ayeev T6> (?' a/rw fj,aprvpot, earuv, 
 Hpog re dew /ia/capwv, TTpog re dvqrw avt^pwrrwv, 
 K<w Trpof TOO /JaatAe/of amjveo^ ec nore d' afre, 340 
 Xpg/co efteJo yevqrai afeinea Aoiyov ap,vfvai 
 Toig aAAoia' 77 yap Foy' oAo/7/tat <^peat Ovfet, 
 Ovde n foide voijoat fapa npoaocji /cat omooui, 
 fo7T(>)g foL TTapa vafot aaoc fiaxeoiar' A^cufoi. 
 
 Fwf <^aTO IIaTpoAof de ^>iAwi enenetded' eraipui, 345 
 E d' ayaye Kkioirjs Bptae/tda Kakhnraprjiov, 
 d' ayeev TO) d' afrig irrjv rrapa vafag 
 
 d' a/ovTa' Fa/za Totffi yvv^ iv. A/Tap 
 
 a0ap Ffid<TTo, v 
 
 , Fopawv :ri FoivoTra TTOVTOV. 350 
 IToAAa dfi firjrpt. (f>i^,r]t qprjaaro, %eipa$ opeyvvv$ 
 
 M7/Tp, 7Ti | 
 
 fvnai6pe[ier7)g wv d' ovdfi jU rvrdov erifoev. 
 H yap /i' Arpefidijt; evpvKpescjv Ayafiefivdiv 355 
 
 v FfAwv yap Ffi%i yepa$, afrog anafpavg. 
 0aTO daicpv^efuv rofo d' Av/
 
 FIAFIAS I. 71 
 
 ev (3evdeootv FaAo$- napa ^rarpt yepovrt 
 
 & avedv -no^irjg FaAof, rjvr' o/w^A?/' 
 Kai pa 7Tapoi6' afrofo Kadedaero 6aKpv%efovrog, 360 
 Xeipi re \iiv Karepexoe, Ferro^ T' e(f>ar\ e T' ovopadaev 
 
 TeKVov, TI K^afeis ; n 6e oe fipevag fiKero 
 E/ccrav/do, \ir\ Kefde v<x*)i, ftva 
 Tijv 6e papvaTova%uv Trpoa&f 
 foidoBa- TIT] rot rafra fidviqi TTOVT' ayope/w ; 365 
 
 AAAa ov, si Swaocu ye, Trepicr^eo Traidog fsofo. 393 
 
 EA0ovr' OAuvTTOvde Ata Ai<rat, et Trore (5?y rt 
 H Ferrei wv^aaf Kpadifjv Ato^, ?;e rt fepycji. 395 
 
 yap ae/o, Trarpof evt fteyapoioiv, atcofoa 
 
 , For' etyrjoOa Kekaivefai Kpovifwi 
 Otr] ev adavaroioiv afeiKea Aotyov a\ivvai, 
 
 yavvdrfaai Okwmoi ijOekov oAAof, 
 T' T^dfi IIoaf(Ja/wv, ai IlaAAa^ AdrjvT]. 400 
 
 AAAa 0v rovy' eXdov-oa, Oea, fimeXvfaao deapw, 401 
 Q%' eitaTov%eipov Kateaavra' f fianpov QXwTtov, 402 
 Atyaiwv' Fo yap a/re f3ir)i Fo/o arpo$ afieivw 404- 
 Fo^ pa Trapa Kpovifuvi Kadedaero, Kvfdei yafu>v 405 
 Tov /cat Fv7T(5d(J(7av [iaKape$ deoi, ovd' er' edrjoav. 
 Ta>v vw ^itv \Lvr\GavTGa Trapfedaeo Kai Aa6e yov/wv, 
 At ev Tra)f ede^rjriv em Tpofeatv apijyaai, 
 
 de /cara 7rpv(j,va$ re not a^' FaAa FeAJaat A.%aifof$ 
 ftva Travreg eTra/pwvraf ftaatXeJo^, 410 
 <J' A.rpe^tdrjg evpvtcpefuv Ayojue/ivwv 
 FJ/V afa-Tjv, For' apiarov A^at/wv oudev erifaev. 
 
 Tov d' T)fj.ei6er' metro, Qerig, Kara dafcpv ^eJovroa 
 Q, pot, reicvov epov, n w a' erpetyov aiva reicovroa ; 
 Aid' o0eAe$- -rrapa vafotv ada/cpv/TOf /cat ami]\udv 4 1 5 
 frjadai ETtei w rot aiaa fuwvda trep, ovrt juaAa 6*?/v 
 Nvv d' Fa^a r' unvpopog Kai otScwfpo^ rrept rravrwv 
 ErrAeo rwf ae KaK.i]i atarjt reicov EV neyapotatv. 
 To fro 6e rot fepeovraa Ferrof Aii repntKepavvcji 
 Eijtx' a/r?/ Trpof OAwTrov ayawi^ov, at KE Tndrjrat. 420
 
 72 FIAFIA2 I. 
 
 trv per vvv, vafoi Trapfrjfievog (j/cvnopoioiv, 
 ' A^aifotatv, TTO^EUOO d' arroTra/go Travnav. 
 yap eg Qiceavov JUST' a/^vf/jtovag AiOioTtefas 
 X0td<roc e6r] pera daira, 6eot d' faua Travrfic FETTOVTO. 
 Aode/carT/i dfi rot a/ rtc ekevdoerai OkvvirovSe 425 
 
 Kat TOT' KTreira rot ij!it Ato^ Trort %akito6aTeg da>, 
 Kat fiiv yovfaoofj-ai, aai \LIV Treidaeadat oifu. 
 
 Fwf apa (jxjvrjGav-o' anedi^aaro rov 6' eXm' afroo 
 Xwo|evov Kara dvf^iov, fevdawofo yvvaiKO^, 
 Tr]v pa /3iTji afeicovrog aTrrjfpaov. Afrap fodvaatf^ 430 
 EC Xpvarjv efiicavev, ayw fieprjv feKarovdrjv. 
 fot 6' Fore fir) kifievos 7roAv6V0eoc evroo Ff/covro, 
 FiCTTfa /zev arr/Aavr', sOeoav d' ev va/i 
 F/crrov d' fiorodoKTji TreAaaav, Trporovoioiv 
 KapTTaAf/iwc r^y d' etc Fopjuov rrpoepeaaav eper^ofc' 435 
 E/c d' gvvac e6a/lov, Kara dg Trpv^ivrjai' edrjaav - 
 EK de aat afroi e6aivov em fpr^y^ivi 
 EK d' fKKarovdrjv ftrjoav 
 EK de Xpvoefig ra/oc /3?/ 
 TT/V juev eneir' ETTI (3u)fiov aytov 7roAv//7/rfc Fodf(7<7/c 440 
 ITarpf 0tA&)t v %p<r' eriOee, Kai /uv 
 
 S2 Xpvoef, TTpo jti' 7Tjti7ra Favaac avdpcov 
 ITida r <rot ayjt/v, 4> 
 Peicaai fvnep Aavawv, Fo0p' F i/laooneoOa favatcra, 
 Foe vvv Apyeifoiai -nokvarova Kijde* etyrjKev. 445 
 
 Fwc F7ra)v v %pa' eriOeev Fo d' 
 Haida ^L~kr\v fot 6' a>;a Ofwi K^EITTJV 
 fe^aetrjg earrjoav [evfiurj-ov Trepi flupov. 
 'XipvnrroavTO d' eTTfiira, at oA/o^vrac avfeXovro. 
 Toiaiv 6s Xpvcre/c ueya*,' ev%ero %eipag avaa^uv 450 
 
 XJivBi uef, apyvpo-OK.a\ For Xpvorjv a^ifjedriKag, 
 Kt/lAov T daaOeqv, Tevedofo TE fifa favaaosit;, 
 lldrj fiev TTOT' /ito Trapoc /cAv/c t-v^aap.evofo 
 TiffiT)(jav$ per |U, jtifiya d' irrroao kafov A%aifuv 
 Hd' rt aat wv juot rod' EmKpafqvov Adwp,, 455 
 
 Hd;/ vvv kavaotoiv afeucea Aotyov
 
 FJAFIAS I. 73 
 
 rofo d' e/cAv/g $0160$ A7roAAu>i>. 
 AJrap eirei p' et^eravTO, KCU oJiFojcvrdf 7rpo6aAovTO, 
 Afsepvaav \LKV rrpwra, ai eafyayaav, KO.I edepfav, 
 Mr/po/f r' eKaera/j,ov, Kara re K.viar]L eKaAVTtraav, 460 
 A/TrTV^a TtotTjaavreg, ETT' a/rwv d' w/io0er7/aav. 
 Ka/f P ~t a^tda?]^ fo yepwv, e:ri d' ai6o7ra focvoi' 
 Aeide ve/oi de /rap' afrov fe%ov Tre^TwfioAa ^epofv. 
 AJrap ETTSC Kara juj/p' eKafi], KOI arrAav^v' eiraaavro, 
 
 -' apa T' aAAa, KCU ajti0' odeXotaiv enrjpav, 465 
 re Trepttipadeug, fepvaavro re travra. 
 A/rap 7rei Ttafoavro TTOVOO, rervKovro re Saira, 
 Aaivvvr' ovde n Ovf/Aog edefero dairo$ feiofrjg. 
 Afrap enet iroaiog Kai edrjrvog eng epov fevro, 
 Kospoi (J.ev KpTjrtjpag e-rreare<t>aavro norofo 470 
 
 Nw^i^aav d' apa Ttavroiv, errapxoapevoi derraeaiv. 
 foi 6e 7Tavf7)[j,epioi ^.O^TTTJI Oeov fi^.aaKovro. 47'2 
 
 Hjuof d' rjeAiog Karedv, icai em Kvefiag TjAdev, 475 
 
 A?/ TOT' eitoifiijoavro rcapa rcpv^ivr]OLa vafog. 
 Hfiog d' Tjpiyevei' etyavr] FpododaKTvAo^ 770)$-, 
 Kat TOT' erretr' ai'ayovTO fiera orparov evpvv A.^aifa)v. 
 Toiaiv d' fiK^evov ovpov fifeev feicafepyog ATTOAAWV. 
 Foi ff fiorov ar7jaavr\ ava 6' toria Ae/' eneraaoav 480 
 Ev d' avefiog Trprjdoev fieaov fcariov, apfa de nvfua 
 
 FT/ d' edefev Kara Kvfpa dianprjaoovrffa 
 A/Tap erret p' efiKovro Kara orparov evpvv A%aif(*)v, 
 Na/a jttei 1 Foiye \itkawav STT' Tjneipof efepvaoav 485 
 Afroi d' eoKidvavro Kara K^imag re vafag re. 487 
 
 A/rdp Fo jur/vf/e, vafoi napfrjuevog 
 At/oyevr/^ Il7/A/o?- Fvt^ rroda^ WK 
 ()VT TTOT' etf ayopr/v nM^eaKero Kvfdiaveipav, 490 
 
 OVTE TTOT' f TroAfijUOV aAAa <j)6ivvdeaKe 6tAoi> Kap 
 A/^t fj.ev(jv, TTodeeaKe d' afvfrrjv re Trrohefiov re. 
 
 AAA' Fo- dry p' EK rofo dvudeKarrj yever' 7/0)5-, 
 Kat TOT dr; rrpo^ O^VVTTOV laav Oeot aifev eovreg 494 
 
 G
 
 74 FIAFIA2 I. 
 
 Havreg fapa, Aoefg <5' ijpxs ' Qertg d' ov hrj 
 Haidog Fe/o/', aAA' F^y' avedvfaaro icvf/m 
 Triepir) 6' avedrj peyav ovpavov, OAvvrrov re 
 fevpev d' evpvo-ira Kpovidqv arep F^/zevov 
 AKporarT/t K,opv(f>7)i nokvdetpadog Okvvnofo. 
 
 pa irapoid' afrofo KaOedoero, KO.L Aafie yov/wv 500 
 
 6e%atTt:p7]i d' ap' FVTT' avOepewog FeAovraa, 
 Aiaaofj.evr] Trpoae/eirre Aia Xpovtfwa Favara 
 
 Aae/ Trarep, i Trore d?; ere /^tr' adavaroioiv ovrjca, 
 H FTT, T/ Fepyau, ro<Je jitoi Kpafrjvov eeAdwp 
 
 pot fvtov, Fo^ toKtyzopwraTo^ aAAwv 505 
 
 arap jutv vuv ye FavaKf avdpw Aya/zejwvwv 
 ev FeAwv yap e^ei ytpa?, a frog arrafpavg. 
 ou Trep jittv rifoov, O^vvme, ^Tiera A<re/ 
 <T 7Tt Tpo/(7i Ti0ee Kparog, Fo0p' av A^ai/oi 
 
 6/tiOV TlfOG)VTlV, 00eA/lCi)Tf V T F TlffJ.T]{.. 510 
 
 0aro r?;v d' ovrt Trpoaefir] vefaXTjyepera 
 ' aiceuv drjv fijoro- Qeng 6', fug FaTrraaro 
 Fwf F^T' evne^vfvia, KCU Kipero defrepov afng 
 N7/jUprf j^v d?; jtioi Ff rrocr^fio, ai Karavevaov, 
 H' anofein' e-rrei ov rot ETTI 66eog Fo^p' FV Ffitdw, 515 
 foaov yw |Ta Travruiv artf^oTarf] 6eog 7]fu. 
 
 Trjv 6e fiey' o^Orjaavg npoaefiT] VK^eXrfyepera Aaefg 
 H 6rj Xoijta Fpy', For' /z' ^0odo7r?/aat e(f>r]Oig 
 , For' av jti' epeOTjrtv oveideioiat feirsoatv. 
 itai afrug /i' aifet ev adavaroiat Oeototv 520 
 
 - j(i ^)?;rf fidX 7 ) 1 - Tpofeaiv aprjye'ev. 
 (TV pev vvv afrtg cnrooTi^e, \ii) oe vorjaijt 
 \-r\pr\' spot de Ke ra/ra peXTjoeTai, fcxfipa rc 
 Ei 6' aye, rot ^>aA//t /earavv0o/^<u, Fcx^pa 
 TO/TO yap /cf epeOev ye /ir' aOavarotat peytOTOV 525 
 TfiKjUWp ov yap e/iov Traktvayperov, ovd' aTrarT/Aov, 
 Ov<P areXefrijTov, fort KEV Kd>aA?/i Karavevad). 
 
 H, at KvfaveTjtotv en' ofypvat vevae Kpovt/wv . 
 A.v6poaiai d' apa ^airat eirepofoavro favaicrog 
 Kparog arr' aOavarofo peyav d' f-kekiteoev OXvvnov. 530
 
 FIAFIA2 I. 75 
 
 Tory' f(>)g (SovAt/cravre dierfiayev fij per erretra 
 if FaA' e/aAro ftadviav arr' aiyhrjevrog OAvvrroo, 
 
 dfi Fe/ov Trpo^ dwjua. 9eo d' Fapi rravreg aveorav 
 Fedfajv, <70o/o -narpog evavnov ovde rig erA?/ 
 at eTrepxopevov, aAA' avrioi eorav FaTravrtf. 535 
 
 Fo /zev ev0a Kadedaer 1 e-m dpovof ovde [iiv frjprj 
 
 Ffdovra', Fori Fot yavv^paacraro /3oi>Aaf 
 ApyvpoTredoa Oe~i$, dvyarrjp FoAfo/o yepovrog 
 AJnica KKpronioiat Aia Kpovi/a>va Trpoaijvfda 
 
 Tig <J' aj" rot, 6oXofi7]ra, 0ewv yawtppaaaaro (3ovA.ag ; 
 roi 0iAov effTtv e/ze/' a:ro voofyiv eovro, 541 
 
 a (^poveovra 6tKa6aefiev ovde rt TTGH poi 
 rerXjjicag fenreev Ferro^, Fort 
 
 Travraf epofg eTrtfeXneo [ivfdofg 545 
 
 ^aAfirrot rot EOovd\ ako%u)i irep 
 AAA' Fov jt/fiv ' eniseiKeg aaofeftev, ovng 
 Ovre dew nporepog rov [ eidaerai, ovr' 
 For d' av ya)v arravevOe 6euv edehoifii 
 ]\I// Ti aw ra/ra F/carrra dieipso, firjde jtigraAAa. 550 
 
 TOV (T 7^if6T' 7TiTa jSo/WTTif TTOTViO F^pT/ 
 
 Atvorar Kpovidrj, TTOIOV rov fivfOov efenreg ; 
 Kai Ai/7/v ae apog y' ovr' ipojuat, ot> r ]UraAAw, 
 AAAa //aA' Ffir/CT/Ao^ ro Qpadasai, Faaa' edekrjioda. 
 Nfv 6" atvaif dddot{Ja Kara <ppeva, fir] oe Trapfeinrji 555 
 ApyvpOTTedoa Qertg, Ovyarrjp FaAio/o ypovrof 
 Hepi?/ yap aoty Ttapfe.dae.ro, K.O.I Aafe yov/wv. 
 T?/f a' oi/a) itaravevoai ferrjrv^ov, fug A%ihefa 
 Tifp,7)ai]ig, oXearjig 6e rrohvag ern vafotv A^aifuv. 
 
 TTJV d' a7tanei6onevog npoaetyT) vE(pe^.rjyepera Aoefg 560 
 AaifiovtJ], aifet fiev otfeat, ovde as AT^W 
 TTpTjyaai d' evrrrjg ovri dvvrjoecu, aAA' arro Bvffioo 
 MaAAov Ejitot eaeai, ro de roi Kat piyiov earai 
 Et d' Fo/rw ro/r' eonv, epoc jUAA ^iAov eevai. 
 AAA' aneovraa KaBqao, e^i d' ETTnreideo pvfdtoi 5f>5
 
 76 FIAFIAI I. 
 
 MT; w rot ov ^paja^vnv, fooot Oeoi evr' ev 
 Aacrov iovO\ ore Kev roc acnrrofs xeipcu; etbeib). 
 
 Fwf e</>ar' eddeidoev de flofu-xig norvia frjpr], 
 Kat p' aKeovroa naOTjaro, myvafioavroa <biXov neap. 
 
 av (T ova dw/xa Atof Oeoi ovpavifwef. 570 
 
 (T FT/^atarof ACAvrore^^? 1 W^' ayope/eer, 
 
 H (J?; Xoiyia fepya raS 1 eaoerai, ovd' er' av/ej^ra, 
 Et <J?/ <r^o/' F eve/to Qvijruv epidcuverov FaxJe, 
 Ev <Je deoioi noXofov eAa/verov oi/-(5e rt (Jcurof 575 
 
 eaoerat F^doc, TT ra %epeiora VIKO.I. 
 6' eyw 7Tapa<t>T)fii, KOL af-rji rrep voeovrarji, 
 Harpi (piAUi FTtTfpa <f>epeev Atf, Fo^pa ft7y a/re 
 KeiKeiT]Ti TTOTT/P, yovv 5' frjfiiv daira rapa^orji. 
 EfTrep yap ' e0eAr/riv OAvvTrtof aorepo^fjrijg 580 
 
 E/ff Ffrfewr <rrv<j>e%.iK<jcu Fo yap rroAv ^eprarof EOTIV. 
 AAA,a <rv rovye Ferre70f KaOaTrreodai p, 
 e-KEiQ' tAa/of OAwTTfOf eaoerac 
 op' e07/, ai avafticaavs, de- 
 
 ' ertdee, nat fuv TrpooeSetTrev 585 
 
 KO* avao^eo, Krjdonevrj rrep, 
 MT/ ae, QiXiyv nep eovraav, ev o^>0aAjUOf<rt Ft^wjuai 
 QetvofievrjV rore (T ovri 6m'T]ao}iai, a%vv[>LEvo$ rrep, 
 'Kpafofj.eev apyaAeof yap OAwTrto^ 1 avri(i)epeo6cu. 
 Hdrj yap fie itai aAAor' a^EKOEfisvat ^c/ia/wra 590 
 
 PtTT(T, rroiJof reray^n', arro ftrjXofo OeoTreoiofo 
 Ilav <J' frjpap fapo/jtiyv, Fa/ua (5' T^eAtwi /caraJuvri 
 Kar:re<7ov ev Arjfivui oAtyof d' eri &vf[iO evrjev 
 Ev0a /-te Stvrief avdpef fasfxip KO^uaavro rreaovra. 
 
 fieidrjaev 6e 6ea Ae//ca)Aevo^ fjjpr]- 595 
 
 de, rrafdof ede^CTaro %e*pi /cvrreAAoi'. 
 AJ"rap Fo roif' aAAotat 0eota' evde^ata Travrmv 
 Fotvo^o/ee, yAv/eu vc/crap arro Kprjrijpo^ cuf>vao<jjv 
 
 op' evwpro yeAof naitapeoi Oeoioiv, 
 Ftdov fT)<f>aiarov d/a dw/iara TrotTvv/ovra. GOO
 
 FIAFIA2 I. 77 
 
 ore iiev Trporrav Ffjjuop eg qeXiov Karadvvra 
 
 ov6e TI dvffiog edefero 
 Ov [iev (popnivyog ^eptKaXAeoc, fr t v fetf 
 Mo/cra/wv 0', at afeidov, apeidofievai foxc 
 
 A/rap eiTi Karetiv hap-pav 0a/of r/e^tofo, 605 
 
 Fot \iv KaTKeiovre$ e6av foiitovSe 
 fj]X l Fe/cacrrwi dcjjua TrepucXwros 
 F T)(f>ataTog Troirjae fidviqiat 
 Acre/f de pog Fov A^;of ?/t' 
 EvOa napog Kotpad' ore [itv yhvKv$ fvm>o$ fticavoi. 610 
 G2
 
 HOMER'S ILIAD, 
 
 ACCORDING TO THE EARLIER ORTHOGRAPHY. 
 
 F I A F I A 2 II. 
 
 AAAOI [lev pa 9eoi re nai avepeg F nrnoKopvorai 
 fevdov Travvvxioi, Ata d 1 ov% e%ev fydvpog fwrrvog 
 AAA' Foye ueppripidoe Kara 0pva, fug 
 Tif[j,7]a7]i, ohearji 6e rroXvag em vafotv 
 fr)6e 6e fot Kara dvfpov apiarrj <f>aivero 
 ITe/zTraat TT' A.rpefi67]i Ayajue/xvov' oAo/of oveipov 
 Kai |iv (fxjvrjoavs feirea Ttrepoevra Trpoaijvfda 
 c' 0' oAo/' oveipe, dofag em vafag A%aifd)v 
 
 iTjV Ayafiepvovog Arpefidafo 
 Havra juaA' arpeKeug ayopefefj,ev, Fwf 7rireAAw 10 
 
 Qupr/Koai Fe KeAe/e KaprjKo^aovrag A^aifofg 
 HavovdiTji vvv yap Kev FeAot TroAtv evpvayviav 
 Tpofw ' ov yap er' afifag OXvvma dwjuaS' e^ovTef 
 Adavaroi (fipadoovrai erceyva^-nraev yap fanavrag 
 
 Xiooopevr) Tpofeoi 6e K7]6e' etyaTrrai. 15 
 
 f ^>oro /}?; J' ap' oveipog, enet rov pvfdov aKofaev 
 
 d' eftKave 6ofag em vafag 
 ~Br] d' ap' err' Arpefidqv Ayafiepvova rov 1 
 
 ' ev KAIOITJI, nepi 6' av6poaiog Ke%vd' 
 d' ap' FvTrep Ke<f>akr)g, Nrjkefiui fvu fefotKug, 20 
 Necrropt, rov pa paXiara yepovruv rif Ayajuejuvwv 
 feidaauevog Trpo<re</)wve' oAo/Of oveipog* 
 , Arpefog fvte dafuftpovog, F tmrodapofo ; 
 Ov %pr) Travw%iov fevdeev (3ovA7/0opov ovdpa, 
 Fwf Ao/oi T' TrtTTpa0arat, ai roaa JUS/ZT/AEV. 25
 
 FIAFIAS II. 79 
 
 Nui> d' epeBev yawfsg w/ca Atof de rot avyeXo$ T\\IL. 26 
 a' eneXefoe KapTjKOfiaovra^ A^at/o/f 28 
 
 vuv yap KEV FeAoif rroAjv evpvayvtav 
 Tpo/wv ou yap 7' aiKfrig OXvvma d^fiad 1 eftovres 30 
 AOavaroi (ppadoovrat e-ireyva^rrraev yap 
 frjpT) XtOffOftevrj Tpofeat 6e nr)6e' E^artrai 
 E/c AiOf AAAa av OTJICFIV Fe%e typeoi, n^de as 
 faipeeru, evr' av ae ^eAt^pwv Fv/rvof avfrjiji. 
 
 Fw^ apa (puvTjaavg aTredrjoaro rov (T eAirr' afroo 35 
 Ta fipoveovr' ava 6vffiov t Fa p' ou -ekeeoOat eueAAev. 
 4>?/ yap Foy' fatprjaesv Hpia^ioo oXiv F^/uart neivut, 
 NT/Tto^ ! oude ra Foi(Je', fa pa Acrg/^ nqdero Fepya. 
 07/aeev yap er' eueAAev e~' a/lyea re arova^af re 
 Tpofoi re Kai Aavaoiat dia Kparspa^ fva^tvag. 40 
 
 Eypero d' :? FfTrvoo #77 dfi jutv a/i0%vr' opi^ 
 FfJdro d' op6d)Qev^' fiahaicov d' evdvfve ftiTuva, 
 KaAov, vifl'a-eov rrepi d' a/ //y' 6aAAro tyafpog 
 ITodcri d' FVTTO AiTrapoiaiv edrjoaro KaAa Tredf A/a 
 
 d' ap' o)|uo(7tv j3aAero ^oi(j>og ap^'upo/^Aov 45 
 
 ro de (furjrpov narpofiov afydirov aifei, 
 Taw ro)i e6rj Kara vafag A%aif(,)v ^aAKO^trwvwv. 
 
 pa 0a Trpoaedrjaaro fiafcpov OAyvrrov, 
 (f>afo$ fepeovroa teat aAAoi<r' aOavaroioiv 
 XJ-ap Fo unpriced Xiyv<bOovyoia' enehefaev 50 
 
 K.7)pvaoeev ayoprjvde Kap7]KOfj,aovTa$ A.%aifofg 
 Foi jv eKTjpvooov, rot d' TjyeipovTO /^aA' w/ra. 
 
 v d TrpajTov neyadvffiuv fidae yepovrw, 
 
 Trapa va/f IIvAotyVOf ftaaikefog 
 Foye <7uvaAE<7av, TTVKLVTJV rjpTvfvero f3ov%,r)v 55 
 KAi>T, 0tAo, ^EiOf fzoi evfvnviov rjWev oveipos 
 
 dia wra uaJUora d Nearopi 6ifa)i, 
 fei6o$ re, peyadog re, (pvftjv r\ av%iar' efefoineev. 
 2r?/ d' ap' FfTTEp Ke<j>aXjjg, itai /i 7?po^ pvfdov eftnrev 
 
 , Arpefog fvie daft.^povog, FiT7roda/io/o ; 60 
 
 /3ovA7/0opov avdpa,
 
 80 FIAF1A1 II. 
 
 Ftoi AoJ~Of T' eTTlTKTpCKpaTCU, KOI TOOOd 
 
 d' efiedev yavvfeg o):a AiOf dfi rot avyeAof jpt, 63 
 a' eweAe/ae KapijKonaovrag A^ai^ofg 65 
 
 vt>v yap KEV FeAotf TroAtv evpvayviav 
 Tpo/wv oi yap er' a/Wwf OAvvTrta dw|a0' e^ovref 
 Adavaroi (ppadoovrai erreyva/iTrroev yap Fa~avra 
 
 Tpofeai 6e KrjSe' e0a7rr<u 
 av a7/tOi Fe^;e (ppemv. Fd> Fo juev Fef~<j^ 
 iev o$ cpe 6e yAu/cuf fwrrvcx; avfrjuev. 71 
 AAA' ayer', ai icev TTW^ OuprjKOo^ev fvtag A^at/wv 
 Ilptora d' eyw Fe7r<Tfv TTeipqcopai, fiji de/ug ecrriv, 
 Kat (f>vyeev yaw vafoi TroAv^A^/ieai KtAe/aa) 
 Ff^etf d' aAAoflev aAAof epr/rvfefiev FerreecFiv. 75 
 
 Fwf apa $uvi]aa,vq ftovXijg eicg 7/p^e vEKoOai. Si 
 
 Foi d' eiraveoTTioav, TTEidovro re Ttoipevi Aa/a>v, 85 
 
 SKT/TTTO/O^OI Paoihefeg ensaaefovro 6e Aa/of. 
 Hvre Fe0ve' tavri /zeAiffcra/wv Fadtva/wv, 
 nerp^f e/c yXa<pvp7]g aifu vefov ep^onevasuv, 
 Borpfdov dfi TTErovrai ETT' avdeoi feapivoioiv. 89 
 
 TroAAa vafuv arro at /cAiata/wv 91 
 
 ~po~apoiOe Qa&virjg e(JTi%aovro 
 FiA/adov i5" ayoprjv /i-a dfi a^iat Foaa' 
 at, Ato^ avyEAo^ Foi d' 
 
 d' ayopj], FVTTO dfi arova^idaero yata, 95 
 
 Aa/wv Ftdaovrajv, Fojtzadof d' T/V FWa dfi o<f>ea<; 
 
 fioaovreg epijrvfov, ei rror' 
 ', anofoetav, de diorpefaw 
 
 d' Ffidfffi-o Aa/of, epr/rvfdev de a0' edpag, 
 Hafoapevot K^avyrjg . ava dfi p/a>v AyajU/zvwv 100 
 Ear?/, OKTjTTTpov Ffi^wv, TO /^v pTjtiatOTog nape rev^v. 
 F itf>aia~o<; fj,ev fidwKe Aa Kpovi/wvi favaKTi 
 Afrap apa Acre/f da)e diaropa>t Apyeupovrqi 
 fepfieiag dfi Fava/e^ dw/ffiv ITeAoTrt TrA^ya/tTrn-wt 
 A/rap Foy' a/r IlfiAo 5- daj' Arp/i, rrotjUfivt Aa/ow 105 
 Arpefg de Qvr\aK.av eAtrrev TroAv/apvi
 
 FIAFIA2 II. 81 
 
 A/rap Foy' a/re Gvecrr' Ayafiefivovt henre 
 
 vqaotai Kat Apyet rravrt favaaaeev 
 Foy' epei6oa[tvog, fenea nrepoevra Trpoorjvfda' 
 <tAot, frjpufeg Aavaot, OepaTrovreg Ape/Of, 110 
 
 /zeya Kpovidf/f a/ary/i evedr/oe J3apvi?]t 
 , Fof rrptv juev /itot FvuecT^ero /cat Karevevaev, 
 einrepdoavO' evreixeov aTroveeoOai 
 de KCLKTJV arcaTTjv (3ov Ae/aaro, /cai /ze /ceAe/et 
 
 ' Apyo^ fiKeoOac, enei TroAvv wAeaa Xafov. 115 
 Fo/rcoi TTOO A /LteAAei fvnep^ievei (j>iXov eevai, 
 fog drj uoAAa/wv TroAtwi' areAv/ae Kaprjva, 
 Hd' ert /cai "kvfau rofo yap ttparog sort [leyta-ov. 
 Atcr^pov yap rode y' <m ai eaoonevoim TrvOeodai, 
 Ma f FO/TCJ roiovde rocrovde re Xafov A^at/wv 120 
 
 Trafporepotai reAof d' ov TTOJ Ti netyavrai. 
 EiTrep yap ' g^eAoi/iev A.%aifot re Tpofeg re 123 
 
 Tpo/a$- fifiv kr)>oaoOat, efaoriot foooi eavriv, 125 
 
 fjjfj.ea^ d' eg deicadag diaKoa 
 Tpo/wv d' avdpa Fe/caaroi FeAot/ie0a 
 IIoAAat ev deKadef defotaro 
 Tocov eyw (/>^/ut TrAea^ eapevai fvtag A^aifuv. 129 
 
 Fevvea (J?/ f3e6aavTi AiOf jUgyaAoJ 5 evm/rot, 13-i 
 
 Kai d?7 6opfa oeoijne va/wv, /cat onapra AeAvvrai 135 
 Fat de rro/' f^erepai FaAo^ot, /cat V7]ma reicva, 
 frjarai ev peyapotg Troride^fievat appc de Fepyov 
 A/ruf aicpafavTov, Fo/' Fetve/ca devp' 
 AAA' aye0' w^ av eyw FetTrw, Trei6(t)fj.eda 
 $evya)|uev yavv vafot $i\r]v eg Trarpida yaiav 140 
 
 Ov yap ert Tpo/t^v F aipr^aofiev evpvayviav. 
 
 Fcjf <^aro rotat de Qvf\iov eve orrjdeaaiv opivev. 142 
 KivrjOj] d' ayoprj, Fwf Kvffiara pattpa Qakaaar]<; 
 Ilovro/o fiKapiofo, ra fiev r' evpof re vorof re 
 S2pop', ETrafiKcravg narepog 
 Fuf d' Fore KivrjTi doetyvpog fta6v ^rjftov
 
 82 FIAFIA2 II. 
 
 Aadpog eTraiyidauv, em T' rjfj,vfei a 
 
 Fwf TWV Travra' ayopr] KivrjOrj rot d' aAaAT/r&u 
 
 Na/af erf eaoefovro- Trodwv 6' fvnevepOe KovifT] 150 
 
 Ftarar' afeipofj-evri rot d' aAAr/Aota' eeAe/ov 
 
 faTrreaOat vafuv, 7/d' fe^Kepev stg FaAa dt/av, 
 
 T' efcoenaOaipov afvfrr] d' ovpavov fiicev 
 f ifefievw FVTTO d' fatpeov Fepjuara vafuv. 
 
 Apyeifoiaiv fvTrepfj,opa VOOTO$ erv^dij^ 155 
 Ei jit?/ A.07)vat7)v F 77/977 Trpof pvfdov efenrev 
 
 2 TTOTroi ! aiyifoxofo Atof TCKO^- arpvrwvT/, 
 FO/TO) d?7 Foi/covdg, <f>ikr)v e$ Trarpida ycuav, 
 Apyetfoi (frevyaovrai ETC' evpva vura Oahaaaqs ; 159 
 
 vvv //era Aa/ov A^at/wv ^aA/co^trwvwi', 163 
 ' /ae vafa$ Fa/lad' FeA/cejuev ajti^i/eAiaaa^. 165 
 
 Faf e0ar'' ovd' amdrjoe dea y 
 BT/ de or' OAvvTro/o KapTjvw afiKoavroa, 
 KapTraAtjUWf d' efiKave 6ofa$ eiu vafa^ 
 fevpev ETreiO' Oducre/a, Aif nrjrtv FaraAavrov, 
 FetTraor' oud' Foye vafog fevaeXpofo jueAatv^ 170 
 
 FoTrrer', errei /v a^of tepaSiqv nai dvf/iov fiicavev. 
 Av%ofo d' fioranevr) irpoae(j)T) yAa/KOJrrtf AOrjvrj 
 
 &ifoyeve$ Aafepnadr], TroAv/JT^av' Fodvatre/, 
 Fo/rw d7/ Fofxovde, fahrjv eg jrarpida yaiav, 
 3>evyoead\ ev vafeoi Tro^VK^efteoi TreoovTEg ; 175 
 
 Kor de ev ev^wAT/v Hptapui /cat Tpofoi 
 Apyeifqv FsAevT/v, F?/f feiveica TroAAoi 
 Ev Tpofirjt aTroAovro, ^>iA7;f OTTO -rrarpidog 
 AAA' t0t rvv //era Aa/ov A^af/wv, /ZT/de T' Epofes 
 
 d' ayavotoi ferrsGaiv epTjTvfe fyura Feftacrrov, 180 
 e/ae vafa$ FaAad' FeAKeju 
 Fwf 0a0' o de yovvEfrjue 0eaf Forra 
 BT; de 0e/eev, arro de ^Aatvav /3aAe rr/v d' 
 K.r)pvK$ EfpvfiarT/^ WaKTjaiog, fog foi orrr/deev. 
 
 d' Arpe/tda/ 1 Aya^epvovog avnog eA0wv, 185 
 
 Fot (JK7]TTTpov Tcarpofiov, cufiOiTov, aifsi 
 Tow TOM edjj Kara vafag A%atf<>)v
 
 FIAFIAS II. 83 
 
 Fovrtvo fiev fiaoikefa Kat eaafo^ov avdpa Ki%eiri, 
 Tov 6' ayavoiot feireaaiv eprjrvfoaoKe rrapaaravg- 
 
 Aaipovt', ov oe fefoiKe, KOKOV fug, 6etdiaaeodai 190 
 A A/I' a frog re tcadqao, Kat aAAo/f fi6pvfe Aa/o/f. 
 Ov yap Trcj oaQa foidaO\ foiog voog Arpefitiafo. 192 
 
 Fov d' af drj^ofo T' avdpa Fidot, f3oaovra T' efievpoi, 198 
 Tov OKrjrrrptet ehaGaanev, F ouoKhrjaaaite re [ivfdui' 
 
 A<M/iow', arpeuag frjao, nai aAAwv \ivSQov /co/e, 200 
 Fot ae>"o (peprepot evn ov 6' oTrroAejuof ai aaAxtr, 
 OVTS TTOT' ev Trokeuui evaptd[j,io$, ovr' evf (3ovA.7)i. 
 Ov /zv Trcjf Travreq j3aGiAefcro{iev evdaff A^atfoi 
 OVK ajadov noA.vKoipavij] fevg Koipavog ecrrw, 
 
 g, Fwt (Ja>/C Kpovoo iraif avKvXonqTeo 205 
 Fwf Foye icoipaveuv difeTte orparov Foi d' ayoprjvde 207 
 eTteaaesovTO, vafuv arro /cat 
 ' f^S fore Kvf/Mi TroA,v<f>A.oco6ofo 
 
 jueyaAa (3peuerai, apapayei de re novrog. 210 
 AAAot /zev p' Fedaovr", Tjpr)Tvfdev 6e icad' edpag. 
 
 6' en fiovvog ajuerpo/eTr^f eoAo/a, 
 Ferrsa 0peatv ftjiatv anovfia re TroAAa r FoidV, 
 , arap ov Kara Koopov, epidaeuevai (3ao~iAefaiv, 
 AAA' Fo rt foi feidaairo yeAofiov Apyeifoiaiv. 215 
 
 A%iXefi juaAiar' ?/i', Tjd' Fo<5vCT/i 220 
 
 yap veiKetsoKe. Tor 1 af Ayapefivovi 
 A7/y(Of Afiy' oveidea rut 6' ap' 
 
 Koreovro, veaearj6ev r' evi dvfput. 223 
 
 Arpefidr], reo d' a/r' empefifeai, qde ^aridaeig ; 225 
 IlAeEai rot ^aA/coo K^iaiai, rroAAai 
 Evriv evi KMOL^LO' eicafaiperoi, fag rot 
 Ilpwrtarwi didofiev, vr' av Ttrokiedpov 
 H' Tt /cat ^puao/' e^idefeai, Fov KE rtf Fot(7t 
 Tpo/wv FtTTTrodajuwv FtA/to/*, Fvtof aTrotva, 230 
 
 Fov /CEV yw drjoavg ayayw, 77' aAAof A^at/wv ; 231 
 
 ft TrcTrovEf, a/c' Ay%', A%at/t(5f, ou/c T' A%aifoi, 235 
 Fot/cade :rp yaw vafat vecjjieda- rov 3' efautpev
 
 84- FIAFIAS II. 
 
 Afrof en TposiTji yepa eooepev, fo<ppa 
 
 H pa Ti foe %' Tftiees Trpocra/iv/vouev, ije nai OVKL 
 
 fog nai vvv A^Af/a, Fe/o f/ey' ap^ivova ^>wra, 
 
 Hnfprjaev Ftvtwv yap e%ei yepaf , a/rof aTrafpavg. 24G 
 
 AAAa ^a/l' OVK A^t/,e/i %oAof <ppeaiv, aAAa p^drju^v 
 
 H yap av, A.rpefi6Tj, vvv fvorara AU)6^aa<o. 
 
 Fwf 0aro veiKeiuv A.yaae^ivova, rroi[jva Aa/tov, 
 GepaiTTjf rajt d' w/ca apfioraro At/of F odvaoefg, 
 Kat jutv FvTrodpa Fttiwv ^aAerrwi rjvnrae fivfdcji. 245 
 
 Qepair' atcptrofivfOe, /Uyvf Trep ewv 
 FtCT^eo, jti^d' 0eA' 0^05- 
 Ov yap eya> ae/o d^u ^epeiorepov ]3porov aAAov 
 EtTj^efat, Foaot Fa^' Arpe/id^ta' Fvrro Fi/l/tov ijWov. 
 Td)i OVK av ftaoihej'as ava arojti' Fe^wv ayope/otf, 250 
 Kai a0tv ove^dea re Trpo^epot^, voarov re <f>vAaaooi<;. 25 1 
 AAA' /c rot Fepew, TO de /cat rerfiAea/zevov e<7rat 257 
 Et ' -f a' 
 M7/er' 7rei 
 
 Mr]6' en T^Ae/za^o/o Trar^p K,eKAijfj,evog eitjv, 260 
 
 Et JUT/ eyw a Aa6wv arro 
 XAaivav r' T^de ^iTWva, ra r' aidoi 1 
 Afrov de /cAa/ovra OoJag rrt vafag 
 
 ayoprjOev afeuteoai Tr^rjyrjioir. 
 op' (77" (TKTfTrrpwi (5f fiercuftpevov i]6e KCU <o/zw 265 
 7ev Fo <J' t^ywA}, Oatepov 6e foi enTreoe daupv. 
 ' Fai/iarofivraa fira</>pvo/' eKofvTrai'earTj 
 fimo xpvaeof Fo d' ap' F<Ja-o, rapdijoev re 
 d', a/^pe/ov Ftda>v, anEfiopyaaro daicpv. 
 foi de, nai a^yv^evoi nep, ETT' a/rwi F^dv yfAaaaav 270 
 ds rif Ff7T(Te, Fidwv ^ TTAT/atov aAAov 
 
 /f O0Aa Fe/opyev, 
 
 T' aap%u>i> aya^a^, 7roA/Ltov r nopvaawv. 
 d TO d?2 /tey' aptarov ev Apyeifoioiv epeitaev, 
 
 ^;' oyopa/wv. 275 
 
 oveideiotci feneaoiv.
 
 FIAFIA2 II. 85 
 
 fug fyaaav fij rcATjdvg ava d' Fo nrnAnropdog fodvaoefg 
 
 OK7]7T~pOV [ %G)V ' TTttpa de, yAa/fttoTUf AdrjVTJ, 
 
 feidofievr] nrjpviu, ai&nav Aa/ov awyev, 280 
 
 fdjg fafia 0' ot Trpojrot re /cat fvorarot fvteg A^at/ajv 
 Mv/Oov attofoeiav, nat em(j>paaoato,To j3ovA?/v 
 Fo <70iv Fev^povewv ayopefoaro, nai perefenrev 
 
 Arpe/td?/, wv (% ere, Fava/cf, edskovriv A%aifoc 
 Havraiv e^.ev^iarov Oefievai fiepoTteai j3po-oiatv 285 
 
 Qvde rot efcreXeovTiv fvrroa^eoiv, fyvrrep fvTre 
 TZvdad' en oru^ovTsg an' Apyeo^ F nnrodoT 
 fihftov K7TEp6oavO' evrei^eov anoveeodai. 
 FOJCTTE yap 77 naideg vefapoi, xnpaL re 
 AA/l?/Aot(Tiv odvfpovrai foiKovde vseoOai. 290 
 
 H pr]v KO.I TTOvog EOTIV avifrfdevra veeadat. 
 Kat yap rig feva [n\va juevwv a?ro fr)$ FaAo^o/o 
 ytiyv vafi TroAvdavywt, frjvnep a/eAAat 
 feXfeuvriv, opivo[ivr) TS OaXaooa 
 <i' FevvaTO^ eari Trepirponeuv evcafrog 295 
 
 \LI\IVOVT zai TOM ov vefisaidoofj? 
 
 Trapa vafot nopuvtaiv aAAa /cat 
 Aio%pov TOI dr]pov re ^sveev, KEVEOV re VEsaOa 
 TA^re, 0tAot, /cat ^7/var' errt ^povov, Fo^pa 
 Et Fereov KaA^avf jttavre/erat, ?/e /tat ov/ct. 300 
 
 Fei; yap d?/ roye fidpev evi fipeaiv, eare 6e rravreg 
 Maprypot, Fo/f JUT; KT/pe^ efiav davarofo dtepovraai 
 XOidaa re /cat Trpwtdo', For' e^ A/At(ia vafeg A%aifa)v 
 Hyep0ovro, /caa ITpfaawt /cat Tpo/at (pepovroai, 
 
 J' ajit0t Trept Kprjvrjv fiepofg Kara ftufiofg 305 
 
 adavaroeoi re^rjevraag feKarov6ag, 
 KaA?/t FVTTO TrAaravtarwt, Fo0ev pefev ayhafov Fv/<5wp 
 Ev0' e^av?; /^eya a^a, dpa/cwv grrt vwra 
 2ju,epdaAsoc, rov p' afrog Okvvmog F^e 
 BWJUO/' fvTrafiicaavg npog pa TrAaravtarov opofoev 310 
 Ev0a d' eaav orpovOofo vefooaoi, vrjnia reava, 
 Odcrwt err' a/cporarwt, TrfiraAotcr' 
 
 H
 
 86 FIAFIAS II. 
 
 crop prjTtjp fevarr) ijv, fjj reite reicva. 
 ' Foye rof$ es-eeiva Ka~T]o6ie rerpiyuras 
 
 6' afuf&TToraro otivsponevr) <f>iha reuva 315 
 
 Tijv 6e feAiKaapevos Trrepvyog Aa6ev a^upifa^viav 316 
 (5' FeoTaoref daJfjiadoopev, foiov erv^Orj. 320 
 
 (J' a/rt/c' eTreira OeorrpoTreuv ayope/ev 322 
 
 ' aasot eyeveode, KaprjKopaovreg A%aisoi ; 
 
 rod' (f)T]V -epa$ j^eya iiTj-iera Acrg/f, 
 , orfoire/.eoTov, Fo/o K/Uof ou -or' oAeeraf. 325 
 
 aro Tv' </>aye orpovdofo, Kat afrrjv, 
 Forw, arap JUT/TT/P fevarr] ijv, FT/ rexe Tva* 
 Fwf F?//if roaa/ra Ffira ro^efUKaofiev ajQt,, 
 Tan denaTbti 6s rroXiv f aipqaofiev evpvayviav. 
 
 Ke^vof rwf ayope/e ra d?/ iaf Travra TArai. 330 
 AAA' ay, fjupvsre rravre^, F evK.vTjfj.i6 eg A^aifot, 
 AJrof, eigfoice faorv fieya npiapofo 
 Fwf ^>OT' Apyecfot <T :r' /t/a^o 
 
 ova6^aav, a/v/<ravrwv FVT' A^at/wv. 334 
 d /cat fie-efei~e Teprjviog FtTrrrora Nfarwp- 336 
 TTOTrot ! j; d^ naidat feJoiKoreg ayopefeaOe 
 
 ', Fota' ovrt jUA -noXe^rfia fepya. 
 HT] 6rj yavvdeoicu re Kai Fop/eta /3^7rat fquiv ; 
 
 ($77 /3ovAoi T yvotoro, [J,7j6ea r' av<5pwv, 34-0 
 
 r' a/cpT/roi, xat dr^aiai 
 yap pa FTT<T<T' eptdatvo^isv, ovde TI 
 fsvp[jvai dvvapeoda, TTOAVV %povov evdad' eovreg. 
 
 j, av d* 0' w^ Trptv, F^O>V aare^ea povXrjv, 
 Apyi/oTt, ora uparepag fvoptvag- 345 
 
 <J' /a fflivvdeev, feva nai 6vo, rot. KSV 
 
 /a)vr', OVVCT^ (5' OV 
 Ilptv y' Apyoad' literal, -npiv Kai 
 
 TraEfdof FvTTOCT^ECTtf, 7/ Ktti OUACi. 
 
 yap wv Karavevaai fvirepfievea Kpovifwa 350 
 
 frjfiari TOH, Fore vaJoiv ev UKVTropoioiv ebaivov 
 i, Tpofeoi tf>ovov Kai Krjpa
 
 FIAFIAS II. 87 
 
 eirtde^tTt', evcumpa oquara 
 Tut, p,7j rtf rrptv erreiyeodu foinovde veeadai, 
 ITptv nva Trap Tpo/wv FaAo^wt Karaicoiftrjdrjvai, 355 
 Tisoaodai d' feAevrjg Fopp/^ara re arova%as re. 
 Et df -1$ eKTrayAa)^ eOehei foiKovde veeadai 
 
 fo<t>pa ~po(70' aAAwv Savorov KOI Trorpov 
 
 A/./.a, Fai^a/cf, a/ro^ 0' ev jtz^deo, ~eideo r' aA/.wt. 360 
 
 Oirrot a-ro6Xrjrov Ferrof eaaercu, fort ice 
 
 Kpiv' av6pa$ Kara <pvfXa, Kara <f>p7]rpag, A 
 
 Fa>f <j>pijrpji {pprjrprjoiv aprfyrji, <f>vf}>a 6e 
 
 Ei (Je KEV Fwf epKOTjig KOI roi TreiOwrai 
 
 Fvwae' enetfl' o^ 0' 7/ye/Liovwv icao^, Fo^ re vu Aa/wv, 365 
 
 HtT Fo^ ' eo6fa>$ erjri Kara o<t>ea$ yap 
 
 Tvaxreai (T ei /cat OeaTreairji TTO^IV OVK 
 
 H av6p<jjv KaKOTT]ri, /cat a^padt^ 
 
 Tov d' aTTa[j&t6o[ivog 7rpoae(f>7) 
 H jtwiv a/r' ayop7/t vt/catf, yepov, Fvta^ A^at/wv 370 
 At yap, A<re/ re irarep, KOI AOrjvauj, /cat ATTO/./.OI-', 
 Toto/rot fc/ca jwot yovvdipadfiovs^ eiev 
 Twt /ce ra^;' Tj/Avsoeis TrcAtf ITpta^to/o 
 Xep<7tv Fv</>' Tjiurepiyioiv FaAovraa - rrepQouei'T] re. 
 AAAa ^tot atyt/o^of Kpovtd^f Aae/f aAye' edw/cev, 375 
 Fo^ /i /ter' arrp^/cro/f epidag /cat veiKea /3aAA. 376 
 
 Ni/v (T spread' errt detrrvov, Ftva y(Twaycj/Ltev Ape/a. 381 
 Fev /zv rtf dopv Oift'oaadu, fev 6' aarrtda Oeadu, 
 Fev de rtf Ftrrrotcrtv detrrvov dora) a)/cirrode(Ttv, 
 Fev de rt^ Fap^aro^ a/z0t Ftdwv TroAe/to/o /xedea^cj 
 Fwf ice rrav/T/jtzeptot (Trvyepwt /cptva>/i0' Ape/t. 385 
 
 Ov yap TTa/awA?/ ye nereaoerai, ov& rj6atov. 386 
 
 Ftdpwaet /iev reo reAa^wv apt orrflemv 388 
 
 Ftdpa7t de -0 FtmTOf Fet^tro/ov Fap^ia riratvwv. 390 
 Fov d* av -)'o>v a:rai'v0 fwi^T/c 0Aovra vorjfrc^ 
 Mtjuvadcreev rrapa vajai Kopwiaiv, ov Fot 7rtra 
 ApKiov eaeerat (ftvyeeev Kvva$ T
 
 88 FIAFIA2 II. 
 
 Fo><r e0ar' Apyetfot 6' err' efifa%ov, Fwf Fore nvfpa 
 AKTTJL err' fv~a7]AT]i, Fore K.IVT\TIV voro$ eA0wv 395 
 
 Hpo6Z.7]Ti OKO~SAUI rov (T ov Trore Kvfpara Aet-et, 
 
 ave/zaiv, For' av ev0' 77' ey0a yej'wvrat. 
 rayref <5' opeovro, /cedaaflevref Kara va/ac, 
 Kcnrvcoaav re Kara aXiaiac;, Kai denrvov FeAovro 
 
 d' aAAwt epeJas Oewf ot/etyevero/wv, 400 
 
 Oavarov re (pvyeev nai jitwAov Apefog. 
 Asrap Fo /3o/v ftepefoe favang avdpw 
 Hi f ova, TTevTafeTTjpov, FvTepitevet 
 KtKATyaxev de yepovrag apiorefag 
 Nearopa juev rrpwriara, /ca/ Idopevefa Fava/cra, 405 
 
 AJrap e:reir' AtJavre dfto, /cat Tu/de/of Fi;iov 
 Ferov d' a/0' Odvae/o, Aa /iT/rtv FaraAavroi'. 
 A/ro/aarof de Fot 7/A0e /3o^v ayaOog 'MeveXaJog. 408 
 
 Bo/v de Trepia-TjaavTO, KCLL oA/o^vraf av/eAovro. 410 
 Totoiv d' ev%o[i.evo<; nerefrj] /cpe/cjv Ayapepvuv 
 
 Aae/ nvfdiore, [ieyiare, KeAaive<pe$, aiQe.pi vaiw, 
 MT/ Tptv e;r' 7/eAtov dvfvai, Kai em nve<p 
 ITpiv /ue Kara TrpT/ref /JaAeeev ITpm/io/o 
 AtflaAoev, TrprjOoai de Trvpog dafiofo Ovperpa 415 
 
 feicropeov de ^irwva ?repi orrjdeai dancoai 
 
 FpwyaAeov rroAvef d' a/z0' a/roi' feratpoi 
 ev novifrjiatv odaKg Xadootaro yatav. 
 
 Fwf e0ar' ovd' apa TTW Foi eTrenpafaive Kpovi/wv 
 AAA' Foy' ede^ro juev fupa, TTOVOV d' apeyaprov o(f>e/,/.f.r. 
 A/rap erret p' ei^aavro, /eai oA/o^raf TrpofiaAovro, 4'21 
 Affepvoav jttev Trpwra, /cat ea<f>ayaav /cat ede/pav, 
 Mrjpofg r' eKaera/j-ov, Kara re Kvior/i e/caAv/rraav 
 AtTrrv^a Trot^aavref, err' a/rwv d' Wjuo^er^aav 
 Kat ra /tev op axidoqioiv cujtvkkoiotv KareKaJov 425 
 2?rAav^va d' op' avnetpavrec; finrepfe^ov f7]<paio~ofo. 
 AJrap eTret /cara /z?;p' ea//, ai a-Aav^v' eTraaavro, 
 MtarvAAov T' apa r' aAAa, ai ajU0' odeboioiv e-rreipav, 
 QnrTjaav re Trept^padewf, Fepvaavro re rravra.
 
 FIAFIAS II. 
 
 AJrap emi irafaavro TTOVOO, rervicovro re dacra, 
 Aoivvvr', ovde n Ovfpog edsfero datTOf Feter/^. 
 AJrap erret Troaiog Kat edr/rvog ens epov fevro, 
 Toio' apa {ivfOuv rjpxe Tepjjvtog fmnora Nearwp 
 A-pe/td?7 Kvfdiore, Fava/cf avdpwv Ayapepvov, 
 eri vvv di]d' afOt Aeyw^e^a, /z/^d' en drjpov 435 
 
 a Fepyov, Fo drj Oeo$ 
 A A/I' aye, KTjpviteg p,ev A^ai/ 
 Aa/ov Kqpvoaovreg ayeipovrw Kara vaja<; 
 frjueeg d' faOposot Fwde Kara orparov evpvv A 
 lopev, Fo^)pa e daaaov eyeipofj-ev fonavv Ape/a. 440 
 
 Fwf 0ar' oud' aTTtdrjae favaK.^ avdpuv 
 Atyv<j>0ovyoio' 
 
 Kaptjuofj-aovrag 
 
 Fot /iev EKTjpvaoov, TOI & rjyetpovro 
 Foi d' Oju/)' Arptfiswa 6iorpe<f>eeg ftaotXefef 445 
 
 Qvsvov Kpivovreg p.e~a 6e, y/MSKumg AOrjvrj 
 
 ' eptrif^ov, ayrjpaov, aflavar/p re 
 Fearov Ovaavoi Trav^pvaeoi j^/epe 
 FevrrAe/cee^ Fe/ca-ov6o/t05 > de 
 
 TT/t 7Tai<f>aaaovToa dieaavro Aafov A.%cus<i)i', 450 
 Orpyvovra' i/jvai ev 6e odevo$ upaev Feaara)t 45 1 
 Totot 6' Fa^ap TroAe/iOf y/tv/ua>v yever', ?je veeoOai 453 
 Ev vafeai yXa<pvpr]iai $i"kr\v e^ Trarptda yatav. 
 
 Hvre Trvp afidrj^ov eru^Aeyei acrTreror fvAsijv 455 
 
 ev Kopvtyrjia' fenadev de re <paiverat afyj] 
 TCOV ep^Ojuevwv, arro %aA/co/o Oeo-eaiofo 
 
 navfyavaovraa dt,' aiOepog ovpavov fmev. 
 d', Fa>ar' opvi%6uv nererjwv fedvea TroAAa, 
 
 yepavwv, TJ KVKVW doAt^odeipwv, 460 
 
 ev Aetjtiwvi, Kavorpiof aptyi pefedpa, 
 /cat ev0a Trorwvrai ayaAAojueva Ttrepvyemv, 
 KAavy?/dov 7rpo/ca0idcrovTwv, apapayei de re Aei/zwv 
 Fwf TWV Fe0vea TroAAa va/wv aTO /cat /cAxuta/wv 
 Ef -edtov rrpo%e/ovTO Kaj^avdptov o/rap Fwrro %0wv 465 
 >v H 2
 
 90 FIAFIA2 II 
 
 l/zepdaAeov Kovafitdae Troduv a/rwv re nai ftmruv. 
 Earav d' ev Aetjuwvt Ka/mvdptwt avOeaoevri 
 MvSpioi, foaa re 0vAAa /cat av0ea ytyverat Fwp^t. 
 
 Hvre [iviafojv fadtvafw fedvea ~oAAa, 
 Fatre /cara orafytov ~oi[j,V7]iov rjkaaKOVTiv, 470 
 
 Fw/jT/t feapcvqc, Fore re yAayof avyea 
 Toooi em Tpofeoi KapTjKopaovre^ 
 Ev Tredtwi Ftaravro, dtafpaiai 
 
 Tofg <J', Fwar' atTroAia TrAari;' aiywv anrohoi av6pe$ 
 Pefa dtaicpiveuvTiv, erret Ke vo/zwi fiiyeuvrtv 475 
 
 ro/f FT/ycjuove?- dieKoopeov evOa teat evda, 
 
 ' i/ievai jtzera de, /cpe/a>v AyajuejUi'wv, 
 KCU KefiaXrjV fiKSAo^ Ait Tep~t/cepavva)t, 
 Ape/t de dawv^v, orepvov 6e Iloaetda/wvt. 
 Hure 6o/f ayeX^i jizq'' Kofo%og err Aero Travrcov 480 
 
 Taupof Fo yap re ftofeai i^sranpenet aypofievqioiv 
 Toiov ap' Arpefitirjv OT]KE Aae/f frjfian /cetvwt, 
 e' ev TroAAotat at eKOfo^ov Prjpofeoiv. 
 fenere vvv jtzot, Mo/aat, OAvv:rta dw/mr' e^;ovr<7at 
 yap Seat eare, Trapecrre re, Ftdare re Travra, 485 
 6e Aeof otov a/to/o/zev, oude rt Ftfytev 
 fTyyepoveg Aavawv at KOipavoi r\aav. 
 d' ov av eyw fivfOrjaofiai, ovd' ovopTjvu, 
 Ovd' et juot dea /uev yAaxraat, dea de aro/nar' etev, 
 4>cjV7/ d' a/pT/yrof, ^aA/ceov de juot ?;rop EVEITJ. 490 
 
 Botwrwv jtfev IlT/veAa/of at AeJ"irof 7/p#ov, 494 
 
 Apueot Aa/of re, Hpodofiyvup re, KAovtof re 495 
 
 Fot 0' Tpiqv evKfiovro, /cat AJ~Atda rrerprjevraav, 
 re, 2/ewAov re, 7roAvACV7//iov r' Erewvov, 
 , Tpaiav re, at evpv%opov Mv/caAT/raov 
 Fot r' a^0' Fap/t' evefiovro, /cat EtAetrtov, /cat Epv0paf, 
 Fot r' EAewv' ecr^ov, Tjd' fvhfrjv, /cat Ilerewva, 500 
 
 , Medewva 0', ev/crt/ttevov TrroAte^pov, 
 , FeurpT/atv re, TroAvrpT/pwva re Qia6r)v 
 Fot re Kopwvetav, /scat TrotT/evfl' AAtaprov,
 
 FIAFIAV II. 91 
 
 Foi re Hharaiav fe^ov, 7/d' Foi TXioaavr' evefiovro, 
 Foi 6' T7rodi]6ag eo^ov, F evnrtpevov TtroXiedpov, 505 
 
 Ov%Tjorov 0', lepov HoaidTjiov, aykafov aAaof 
 Foi re rrokvorcufrvhov fapvrjv fe%ov, Foi re Mideiav, 
 ~Siaoav re 6aa6tr]v, AvOrjdova r' .o%araovroav 
 TW fiev TTEVTTjKovra vafe<; KIOV ev 6e fenaorrji 
 Ko/poi Boiwrojv Fe/carov /cat F/COCT' edacvov. 510 
 
 Fot d' A<TTA7/(5ov' evaiov, 16' Opxopevov Mivvaiov 
 JPX' Au/caAa^of /cat IaA^vof, Fvtef Ape/of, 
 s/cfi FaaTV/o^T/, do/xwt A/cropof Adoefidafo, 
 Hapdevog aidoii], fv-epofiov eiaavadavroa, 
 Apefi Kparepw Fo de Fot -napeAe^oaro ^aOpr/f 515 
 
 Totf de TpiTjKovra ykatyvpai vafeg eari%aovTo. 
 
 AJ"rap 4>cj/ce/wv S^edto^ at ErrtcrTpo^of ijpxov, 
 fvieg fupiTofo fieyadvfuofo Na/6oAtda/o 
 Fot Kvrrapiaaov Fe^ov, Ilv^wva re TrerpTjevraav, 
 Kpiaaav re daaderjv, /cat Aa/Atda, /cat Ilavo-e/a, 520 
 Fot r' Avf/iwpetav, /cat Fv/ajttTroAtv ap/>' evepovTO, 
 Fot T' apa uap Trorajuov Krj(f>icf(jov difov evcuov, 
 Fot re AtAatav Fe%ov, Tn/y^t^ eTrt Krjfaaoofo 
 Totg 6' Fajua reaaapaKovra ^eAatvat vafe$ FETTOVTO. 
 Fot /zv $<t)Kefa)v ort^ag tearaoav a^t/fiTrovre^, 525 
 Botcjrwv (T i/7rA7/v err' apiarepa duprjaaovro. NN 
 
 Ao/cpwv d' F ifyefiovefev Fo FtA//of ra^f At/av^, 527 
 Fot JKu/vov r' VE/UOVT', OTrofvra T, KaAAtapov T, 531 
 T, %Kap<i)7]v re, Kai Afyeiat; epareiva$, 
 re, Qpoviov re, Bo/aypto/' a//0t pefedpa 
 Twt d' Fa/za reoaapafcovra pekaivat vafe$ FETTOVTO. 534 
 Foi <J' FV 6otav F%OV pevea 7n>/ovTf A6avrc, 536 
 XaA/ctda T', Eperptav re, noX.vorcufrvXov 6' Eartatav, 
 KrjpivOov r' 0aAov, At/oo T' atrrv TrroXiedpov, 
 Fot T Kapfcrrov Ft^ov, 7/(i' Foi Srt'pa vaieraeoKOV 
 
 dcro^ Ap/of, 540 
 
 ap%of Afiavrcov 
 cT Fa/*' ASavrff FeTrovro 60 fot, omdev /cojuaovrf,
 
 92 FIAFIA2 II. 
 
 t, fiefj,af(t)reg opeyrrjiaiv 
 [pyyaeev dafiuv a^tyi orrjOeaoiv 
 d' Fa/io reaaapanovra fieAaivai vafe$ fe-rcovro, 54-5 
 Foi d' ap' A6r)va<; ea^ov, fevuriftevov irroMsdpov 51-6 
 a/0' 7/ye/zove/', Fi>tof nereo/o, MeveaOe/f. of) '2 
 
 d' Fajita irevTTjKOVTa fie^acvat vafeg feTrovro. 55(i 
 Aifavg d' ex DaAajUfvof ayev duo ai de/ca vafag. 557 
 Fot r' Apyof r' eff^ov, TipvvOa re -et^ioevroav^ 559 
 , A.(jiV7jv re, (3aOvv Kara KO^TTOV fe^ovroag, 560 
 
 iovaf re, /cai a/UTeAoevr' 
 Fot 0' e%ov A.iyivav, Maa?/ra -, nofpoi A 
 Twv d' a/0' v/yejuoye/e /3o?;v ayadog 
 Kat SfleveAof, KaTra^fi/o^ ayaKAeiroo 
 ToiCTi d' Fo/i' Eupu/aAof rpirarog Kte, feiafoOeog ^wf, 565 
 M7//acrre/of Fvtf TaAat/ovida/o 
 Tavvnavrw d' F^yeero /3o7/v 
 Toiai d' Fajiz' Foydcj/covra fiekatvai vafe$ fe-ovro. 
 foi de Mu/c^vaf eo%ov, fevuriftevov irrokieOpov, 
 fa(f>veiov re Kopivdov, f evtcrifj-evag re KAewvaf, 570 
 
 Qpveiag r' evejuovro, HapatOvperjv r' epareivqv, 
 K.at St/cuwv', Fo^' ap' AdpT/aro^ Trpwr' evdaaikefev 
 foi 6' Y~ep7)aeiT]v re, ai atTreivrjV Tovoevroav, 
 r' eo^ov, ^d' Aiyiov a/z^' eve/jovro, 
 T' ava rravra, ai a/i0' fe^iKijv evpviav 575 
 Twv Fetfarov vafuv rjp^e upefuiv Ayap^fj,vd)V 
 Arpefidrjs Fajua rwi ye TroAv TrAetaroi af aptoroi 
 Aafoi FETTOVT' ev d' a/rof edvfoaro vcjpona %akicov, 
 Kv/diawv, Fort Travroi ftereTrpeTrev fj]pofeoiv. 579 
 
 Fot d' ea^ov Koikrjv AaKedaipova Kaieraevroav, 581 
 4>aptv T, I,7raprj]V re, rroAirrpT/pwva re Meooqv, 
 Bpvtrsiaf T' evepovro, nai Afyecag epareiva$, 
 foi T' ap' AjUV/cAaf ecr^ov, FeAo^ r', e^aAov TrrokieOpov, 
 foi re AaFav ea%ov, 7/d' OtrvAov a^' eve^tovro 585 
 
 Twv Fot FadeA0e/of ??p%, /3o?;v ayadoc; MeveX.afo$, 
 F EKOjjKovra va/wv, arrarepde de Ouprjaaovro. 587
 
 FIAFIA2 II. 93 
 
 foi de Hvhov T' evepovro, Kai Aprjvrjv epareivrjv, 591 
 
 Qpvfov, AA^eio/o^ ~opov, nai fevKrirov AITTV, 
 Kai KvTrapiaoTjevra, Kai Afupiyeveiav evaiov, 
 Kai nreAfov, nai FeAof, teat Awpiov evda re Mo/crai 
 Avroftevai Qapvpiv rov Qpeftna rrafaav a/otd^f, 595 
 Oi%aA,iT]Oev tovra, Trap 1 evpvrof Oc^a^iefog 
 2re/TO yap ev^ofievog viKr\<j.\Ltv, enrep av afrai 
 Mo/aai a/etdotev, nojpai Atof aiyifo^ofo 
 fai 6e x,o^oaitvai Trrjpov Oeoav, a/rap afoidrjv 
 
 , ai eKAe&aOov Ki6aptarvv. 600 
 
 Tepr)vco$ fiTTirora Nearwp 
 <J' Jevevr/Kovra yhcupvpai vafe<; eon^aovro 
 foi d' Fe%ov ApicadiTjv, Finro KvAA^VT/f opo^ aiTrv, 
 Trapa rv/^6ov, Ftv' avepeg av%ifia%r]Tai, 
 
 T' eve/zovro, at Op^ievov 7roAr/a?/Aov, 605 
 re, Zrparirjv re, Kai avepoevroav E,viO7Tjfi>, 
 Kai TeyeT/v eo^ov, /cat Ma^riveT/v epareivrjv, 
 S.rv[t<f>T]A.ov T' ea^ov, /cat Happaoirjv evepovro 
 Twv 7/p^;' Avuaiofo iraig, Kpefuv Aya7r?;va)p, 
 
 ra vafw TTokveg d' ev va/t {enaorrji 610 
 
 avtipeg edaivov e-maranevoi 
 yap o0v edwxe FavaK^ avdpwi/ 
 
 ff, irepaesv em foivona -xovrov, 
 cirei ou <r^)t flaAaaam Fepy' e/j-eprjXeev. 
 foi d' apa Bo/Trpaafov re /cat HAtda difav evaiov, 615 
 Foaov e0' YpfjLivTj Kai Hilvpaivog eo^araovraa, 
 ITerpT/ T' QAevi?;, /cai AAetatov evro^- eepyei 
 
 a/ reaoapeg ap%oi eaav, Sena d' avdpt fetfaorcji 
 
 FCTTOVTO 0o/at, iroAve^ d' evfiatvov ETretot. 
 juev ap' A^tjtta^of /cat GaATrto^ frjyTjaaodrjv, 620 
 f, Fo ^tev KTearo/ 5 , Fo d' ap' Evpuro/ 5 , 
 d' AuapvvKefidqs ijp%e Kparepog 
 de rerapruv rjp\e 
 fviog ayaadeveos A/ye/tada/o 
 
 Foi d' : AovAi^o/o, E^a'aJwv 0' lepajw 625
 
 94 FIAFIAS II. 
 
 Twv a/0' rjyefiovefe Meyrjg, farakavro$ ape. ft, 627 
 
 tyvf^efidiyg, fov enters A </>tAof fnrnora 
 
 fog rrore AovAt^iovd' airevaooaro narpi 
 
 Twi (T Fa/ia reaaapanovra jueAatvat vafeg ferrovro. 630 
 
 Fot d' lOanijv eo%ov Kai N^pirov evvoa^vAAov, 632 
 K(M Kpo/cvAet' evjttovro, at AtytAtrra tprj^viav, 
 foi re kaicvvOov fe%ov, rjd' foi 2a/itov aju</)' evepovro, 
 foi T' H:ripo7' Fe^ov, ?;<5' AvrtTTfipoi' evepovro 635 
 
 Twv /zev FoduCToe/^ ??p%e, Ati jUT/riv FaraAavro^ 
 Twi d' Fojua vafeg fe-novro 6vu)6eKa fii^ronapj]ioi. 
 
 Atr6)Awv <T pT/yeero 8o/av^, Avdpcupovos fviog, 
 fot IIAeupwv' eve/iovro, Kai SAsvov, 7/de HvXrjvqv, 
 
 T' av^taAov, KaAvcJwva re Trerp^evraav 6-iO 
 Fajuo reooapaitovra jtteAaivai va/f Ferrovro. 644' 
 
 Kp7/T0>v J' Idopevefs dopfiKkvrog FT/ye/zovs/ev, 645 
 Fot Kvwffov r' 0%of, Toprvva re rei%toevrcrav, 
 AvKrov, MtA^-ov T, :oi apyivoevra Avicaarov, 
 <baiorov re, fpvnov re, TroAio^ FV vatfiraovraaf, 
 AAAot Q\ 01 Kprjrrjv F eicarovrroXiv a/ti0' evepovro. 
 Tuv fj,ev ap' Idofievefg dopfitckvrog frjyefiovefev 650 
 To)t d' Fajua Foydw/covra ^eXaivai vafeg fenovro. 652 
 
 TAT/TroAf/zof d' fj]paK^,ei6r)g, f\vq re [leya? re, 
 E/c FpotJo/' FWO vo/af ayv Fpo&wv ayepb)%(*)v 
 foi fpodov afj.(j)' evepovro 6tarpi%a Koafirj6evre$, 655 
 
 AiViJov, Irjkvaaov re, Kac apyivoevra Kapeipov 
 Twv jv TAT/TToAfijiiof dopfiK^vrog frfyepovefev, 
 fov rene faarvfo^eia ftirji 
 Trjv ayer' f E0vp7/f rrorajuo/' arro 
 HepOoavg faorva TroAAa 6iorpe<j>eu)v aido^uv. 660 
 
 TXrjTToXefjLog 6\ enei <ov rpaQr] ev peyapwi 
 AfriKa Trarpog fefofo fyiXov nyrpofa aareara 
 H6r] yjjpaoicovra AiKVfiviov, odaov Apefo^. 
 Anraa tie vafa$ em^yae TroAvv <T Foy Aa/ov 
 
 em TTOVTOV arrei^Tjoav yap foi oAAoi 665 
 re
 
 FIAFIAS II. 95 
 
 A/rap Foy' f Fpodov tiKoev aAw/ievof , aAya 
 Tpi^Oa 6' efotKTjOev Karacii'/Aadov, ^d' e<piXr]dev 
 E/c Atof, FOOTE Oeoiai /cat avOpu-oioi favaaaet. 669 
 
 d 1 a/ SvfATjdev aysv rpeaf vaJaq feiafa$, 671 
 yAa/fTff 0' rtof XapOTroo re 
 N<pe/f, Fof /caAAiarof av?7p FVTTO F/A/iov 
 TOJV aAAwv Aavawv, 
 AAA' aAaTadvof e^v, Trafpog 6e Foi FeoTrero Aa/of. 675 
 
 Fof d' apa ISioovpov r' ea%ov, Kpartadov re, Kaoov re, 
 Kat Ka/ov, EvpfTruAo/o uoAiv, v^ao/f T 
 Twv a/ ^eid/iTTTro^ r /cat Avrt^o 
 dvw, F^pa^Aetda/o 
 
 rpirjKovra yAcupvpai vafeg ecfri^aovro. 680 
 
 Foi <T AAov, Foi T' AAoTTT/v, Foi re Tp^iv' eve^ovro, 682 
 f r' ecr^ov 4>0i/7/v, T^d' FeAAoda /caAAiyvvai/ca 683 
 a/ irevTrjitovra vafuv rjv ap%0f A^tAAe/f. 685 
 
 AAA' Fcwy' ou 7roAejUO/o 
 Ov yap e?;v, Fctm^ <70iv errt 
 Ketro yap ev vafeai 
 
 Bpfcre/f<5o T/U/CO^O/O, 
 
 Avpv^aao/', gKd/eAAero rroAAa \iQyr\aavq, 690 
 oov 6ia~op6r)oav$, icai 
 Kar de MVV/T' e6aAev icai Erria-po^ov 
 Fvtiaf fevfjjvofo, SeA^-iada/o Fava/crof. 693 
 
 Fot d' ea^ov 4 ) vAa/f7/i', xai HvpaCTOv avde^oevra, 695 
 &7)H7)-po$ re^ievog, Sirwva re, 
 Av^t/aAov T' Avrpwv', 
 TCJV a/ IIpwreaiAa/of Apsfiog 
 Aaa/of cjv TOTE d' ?;d^ F^;EV Kara yaza 
 Too d ar a^idpvcpTjg FaAo^of 4>vAa;/t fiAfAftTrro, 700 
 Kat dopog fiflUTtsikqf rov d' EKTOVE Aapdavo^ av7/p, 
 Na/of a-odpvoKovra TroAv Trpwrtarov A-xaifuv. 
 Ov6e \itv ovS 1 foi aap^oi eoav, TroOeov ye pev ap%ov, 
 AAAa a<f>ea$ Koan^ae -noSapKTjg, odao$ Apefo$, 
 
 705
 
 96 FIAFIA2 II. 
 
 [leyadvffiofo IIpWTatAa/oo, 
 fo-Aorepog yeverji Fo d' apa Trporepog nai apeiwv. 707 
 Twt d' Fa/za reaaapanovra peXatvai vafe$ Fe/rovro. 
 
 Fot Js <J>pa$- evepovro Trapai Boi6r)i6a At/iv^v, 710 
 
 BoifiTfv, /cat FAa^vpa^, at fevKrtjj,evT]V Fm/oA/cov 
 TW ?7p;t;' AdjUT/To/o 0^Aof Traif Fevdeaa vafvv 
 
 /a yvvaitcuv 
 
 , Hekiafo dvyarp&v Fe5of aptorf]. 715 
 
 Fot d 1 apa 
 ~Kat MeAi6oi 
 
 Tuvde 4>iXoK-r]TT]$ qpxev, ronauv fev 
 FeTrra vafw epsrai d' sv feicaarrji rrevnjKOVTa. 719 
 AA/l' Fo juev ev vrjaut tceiro /cparep' aAyea TTOCT^WV, 721 
 i ev ayaderji, foOc [iiv XITTOV fvieg A%aifG)v, 
 [.to^didaov-a KCLIC^I okofotypovog fvfdpoo. 723 
 
 Ovde fj,ev oveJ' F of aap%OL eoav, TroOeov ye IIEV ap^ov, 726 
 AAAa Medwv Koo^rjaev, Fo FtA/e/of voOo$ fviog, 
 Tov p' ere/csv, PT/VT/ FVTTO fthfefi 
 
 Foi d' <7%ov TpiKKTjv, Kai 
 foi & e%ov Ot^aAi^v, TroAtv 
 
 a/5' qyesadTjv AoKAjjmofo dvo Tratde, 
 
 aya6(*), Hoda^eipiog yds Ma^a/wv 
 de rpirjKovra ykatyvpai vafe$ eari^aovro. 
 fot d' Fe^ov Oppeviov, Foi re Kpqvrjv fvnepeiav, 
 foi 6' E%OV Aorepioi 1 , Tiravofo re Ae/a Kapijva 735 
 7/p^;' EfpVTruAof, fevfaiuovog ayAa/o^ Fvto^ 
 d' Fajua reaaapaKovra iiekaivai vafeg Ferrovro. 
 Foi d' Apytaaav Fe^ov, KM FvpTuvrjv evefiovro, 
 Opdr/v, HAa>v?yv re, TroAtv r' OAo/oaaova ^eficrjv 
 Twv a/0' rjyefiovefe fj,everrro^efiog IIoAvTrotTTyc, 710 
 
 HeipiOofofo, TOV adavarog rettero Aas/f 74-1 
 
 tof Fa/ia rwiye Ae/ovre/f, odcrof Ape/of, 74-5 
 
 fvTrepdvffj,ofo Kopwofo Kaivefidafo 
 d' Fajtia reaaapanovra pekaivai vajec; FeTrovro. 
 
 ai feiicoat vafag
 
 FIAFIA2 II. 97 
 
 TOM d' Evtrjveg fe-rrovro, pevt^roAefioi. re Hepaidoi, 
 
 Foi rrpt &b)6(M)vr]v Svo^ei/j^pov Fot/ct' e6evro, 750 
 
 Foi r' a/u<' fifieprov Tiraprjaiov Ffpy' evepovro, 
 
 fog p' II?7V<ov trpofifet AcaAAtpo/ov Fv/dwp 
 
 Ovd' Foye TlyveidJi yovvfitoyerai apyvpodivr/i, 
 
 AAAa T /Lttv KadvTrepOev e-mpefet, IJVT' e/latov 
 
 Fop/co/o yap de^voo Srvyof Fv/rfaro^ evriv a-ofpuyg. 755 
 
 Mayv^rwv d' rjp^e Hpodofog, Tevdprjdovog fvtog, 
 foe Trept Hrjveiov K.O.I II^Atov evvoai(j)VAA.ov 
 Xaieotcov rd)v pev Upodofog Oofog F rf^'efiovefev 
 TCJI d' Fajita reaaapaKovra fie/icuvai vafeg ferrovro. 
 
 fosroi ap' frjyenoveg Aavawv at KOipavoi tjaav. 760 
 Ttf r' ap raw Fo%' apiarog tr\v, av pot evens, Mo/<ra, 
 A/TW7' i]d' Ftrr-cjv, Foi Fa/i' A.rpefi6r]imv fe-ovro. 
 
 FiTTTTOt /zev jwey' apiarai eoav (^rjptjriaiSafo, 
 Tag fevprjAog eAa/ve, Troduneag, opvi%0ag fcjg, 
 foTpiftag, fofereag, OTO^VATJI em vwrov fsiafag 765 
 Tag ev Hifepitji rpe^cr' apyvporoKOog ArroAAwv, 
 rj^viag, (f>o6ov Apefog (bopeovraag. 
 d' a/ |Uy' aptarog srjv TeXan^viog Atfavg, 
 [irjvifev Fo yap TroAu <f>ep~arog 7)ev, 
 01 <j>opeeoKov a\iv} ~jj,ova Hqhesifwa. 770 
 
 AAA' Fo ]^v ev vafeai Kopwvuti TTovronopoiaiv 
 Keir', anonrjvifoavg Ayapepvovi, 7Toifj,evi 
 Arpefidr]i Aa/oi (Je rrapa fpyyiu 
 AiaKoiaiv repnovTO Kai aiyaveqiatv fifevreg, 
 TOKOOIOIV 6' imroi de, Trap' fappaaiv foioiv feKaarog, 775 
 Awrov p7rro/zrot, FfiAfioOpfiTTTOV re oekivov, 
 fearaaav Fap/zara d' Few Tre-rrvKaofj-eva nei-o favanrutv 
 ~Ev K^.iairjia'' Foi d' ap%ov apefiQikov -rrodeovreg 
 <boiraov ev6a Kai evda Kara orparov, ovd' e^a^ovro. 
 
 foi d' ap' toav, fug ei re Trvpt %6w rravroa vefioiro 780 
 Fata d' fvTreorova^idae, Att Fwf repTnuepavvui 
 Xcjouva)t, Fore T' a/u0t Tvtyafefi yatav fi{j.aoarji 
 Y.iv Apifiota\ foQi <pavn TvtyafeJog eopevat evvag" 
 
 I
 
 98 FIAFIA2 II. 
 
 Fwf apa rwv FVTTO nodot /tey' eoTova%i6ae~o yaia 
 Ep^ojtievwv fiaXa 6' w/ca StenpTjooov Trediofo. 785 
 
 Tpofeot d' avyeAof 7/A0e Trodrjvepw; u>Kva ftpu;, 
 Hap Atof atyt/0%0/0, ovv avye/U^i akeyeivrji. 
 Foi (5* ayopag ayope/ov em Hpiafj,ofo Ovpijiaiv 
 Uavre$ Fop/yepeef, 7)fm' vefoi, 7jde yepovreg. 
 A.v%ofo d' fiOTa^svrj npoae(j>7) -noda^ (Java fipig 790 
 
 i2 yepov, atfei rot fivfdot fyikoi aKpirot evrtv, 796 
 
 Fwf TTOT' err' KipiyvTjs woAe/iOf 6' aAi/aaro^ opwpsv. 
 H jtiev d?/ ^zaAa TroAAa /^o^af eiorjkvOov avdpw, 
 AAA," ovrrw rotovde TtxiovJe re Aa/ov orrw-a 
 Aifqv yap fyvkAoiai fefoncore^, ij -naa^aBoLaiv, 800 
 
 Ep^ovrof Tredto/o, fia^Tjoofisvoi Trepi faorv. 801 
 
 Fwf e0a0' Ercop 6' ovrt Oeaf Ferrof Tjyvbyrjoev, 807 
 Anroa d' e/lv/a' ayopijv errt rev^ea d' eaaesov-o. 
 Havroai d' wtyvvvro TrvAai, ex d' eaan-o Aa/of , 
 
 0', imrefeg re - nokvg d' opvpaydos opupeev. 810 
 de rtf rrponapoide TroAio^ anrvia 
 Ev TTfdiWi anavevde, TTepidpopog evda /cat 
 TT/V 7/rot avdpgf Bortemv KIK/.I]OKOVTIV, 
 A.Qavaroi de T CT7//La TroAvoaap^o 
 Ev0a rore Tpo/ef re dieicpiOev ?/d' eniKovpot. 815 
 
 Tpo/at /uev Fr/ye/iove/e [teya$ KopvQcufoXo^ FeTwp 
 Hpiafiidqs fafj,a ruiye rroAv TrAf^crTot ai apiarc* 
 A.afoi OupijaoovTO, fispuforeg ev^eirjiaiv. 
 
 Aapdavfwv a/r' rjpxev, fev<; traig Av^iaafo, 
 Atveiag rov FVTT' Av^iarfi re/ce dt/ 1 A<f>po6iT7], 820 
 
 Id^f ev Kvr t fj,oiai Oca jSporwt evv^evr<Ta 
 OVK OiOf Fajua rwtye duo) Avrj/vopo? Fvte, 
 Ap^eAo^of T' Axajuavf re, ^tax^K ^ ev Fetdore TTavroijg. 
 
 foi de AeAetav evaiov FVTTO* rroda vefarov Idrjg, 
 fa^veioi, Tu/vov-ef Fvdwp /weAav Aiorjnofo, 825 
 
 Tpo/ef TWV o/r' 7/p^;e Avxa/ovof ayAa/of FvfOf , 
 Ilavdapo^, Fwi K<M TOKOOV ArroAAwv afrog edw/cev. 
 
 Fot d' AdpJjaretav T' eo%ov #<w Sijfiov ATTOKJOO,
 
 FIAFIAS II. 99 
 
 Kat TLtrveiav fe%ov, KCU Tj]pei7]$ opog OITTV 
 Twv ^px* Adpr/orog re KCU A/it^t/of AtvoflwpT/Kf, 830 
 
 fvts 6vd) Meporrog HepKuaioE', Foe Kepi -navrw 
 foitiee fiavroavvas, ovd' Fe/o/f 7rai6a$ efaGKev 
 TToAe/nov (frOioqvopa TCJ <5e Fot OVTI 
 K.rjpe$ yap ayov jueAavof Oavarofo' 
 fot r' apa HepKUTTjv KCU UpaKnov aufi evefiovro, 835 
 Kai IT/OTOV Kai A6vf6ov Fe^ov, /cat diSav Apiodrfv 
 
 px' Aatof, op%a[io<; avdpuv, 
 fov Apio6rj6ev <f>epov fnrrrot 
 , fieyakoi, Trorajuo/' arro SeA-AT/evrof. 
 
 ' aye 0v/Aa IlfiAatTywv evxeaipupw, 840 
 Twv, Fot Aafptaoav eptfiwAa/ca vaieraeaicov 
 Twv 7/p^' FtTTTro^o/of re, IIuAato? 1 r', oiJo-of Apefog, 
 fvte 6v(>) Arjdofo ncAaayo/o Tetrra/ztda/o. 
 
 AJrap Qpefinag rjy' A/ta/uav^, at ITetpo/of F?;p<yf, 
 
 F e^,Xr]O7rovrog ayavpofo^ evrog eepyei. 845 
 
 <T ap^of Kt/covwv 
 Tpoidoijvofo diorpefaog Keadafo. 
 AJrap Hvpai%[j,7]g aye Haiova$ 
 
 qkoOev eicg A/ivdcovof, OTT' Ayerto/' efpu pe/ovrof. 849 
 IIa<i)Aayova)v d' FT/yeero nrAatjtzfVEos 1 Xaoiov neap, 851 
 
 Feverwv, Fo0V fjjpiovwv yevo$ ayporepafw 
 Fot pa Kvrojpov Fe^ov, KOI 2?/<Ta/iov a^' eveftovro, 
 A[i(j)i re Hapdeviov TTorapov /cAvra dw/iar' evaiov, 
 Kpw/uvav T', AtytaAov T, at Fi^raT/Ao/f Epvfltvo/^. 855 
 
 A/rap FaAtdaaji'wv Fodto^ /cat ErrtOTpo^o^ r/p^ov, 
 T^Ao0v /cf AAvoTjf, Fo0v apyvpof eon 
 MVCTGJV d Xpo/ztof -, /cat Evvojuoe 
 AAA' OVK ot/wvotcrtv epvfoaro nypa fiekaivav. 859 
 
 Qopicvvg aj ^pvya^ 7^y, at Aa/cavtof Oeofeidr]^ 86 2 
 T7/A' f AaKavi7] pefj-aaav d' Ff a/ztvt 
 MTJIOOIV aj MeodA.T)$ re /cat Avri(f>og 
 Fvt nuAat|ttVOf, TW TvfyaiT) reice Aifivrj, 865 
 
 Fot at M^to^af 7/yov FVTTO
 
 100 FIAFIA2 II. 
 
 Kopwv 
 
 Fot MiAf/rov Fe%ov, $6eip<*)v T' opof 
 Mamvdpo/ 1 re po/af , Mv/caA^f T' anrvtva Kaprjva 
 Twv /Liev ap' Ajtz^t/ia^of ai NaurT/f fqyTjoaadTjv, 870 
 
 , Afuf)i/j,ax,og re, Nojut/ovo^ ay/la/a 
 xat xpvaov Fe%wv TroAe/zovJ' tev, T/VTE 
 
 ! oude ri Foi roy' errrjpneoe Avypov oAe^pov. 873 
 d' ijp%ev AVKIWV, KOI rAa/o$- ojuv/juwi', 876 
 e/c AvKirjs, Xaavdof OTTO divj]fevrog.
 
 H OMER'S ILIAD, 
 
 ACCORDING TO THE EARLIER ORTHOGRAPHY. 
 
 FIAFIAS III. 
 
 AFTAP emi Koonrjdev Fajtt' frjyefioveatv 
 Tpofeg \iev K/MVJTJC r', evorrrji r' taav, opvi^de^ /<>$ 
 Hvre irep KAavyrj yepawv TTfiAei ovpavodi Trpo, 
 
 7r <ov ^et^wv' e(pvyov icai adea^arov o/j,6pov, 
 
 rai Troraovrai err' w/ceavo/o po/a/wv. 5 
 
 Fot d' ap' taav <7iy7/i [levea Trvefovres A^cufoi, 8 
 
 Ev Ovffiui [iefiafuTeg aAe:<Te//ev oAA^Aotatv. 
 
 Evr' opeof Kopv<pr]ioi Norof /care^e/ev Fo^i^A^v, 10 
 
 I10i/i(TiV OVTi <f)l%.r)V, K^7TTT]t 6e T VVKT 
 
 Toaov rtf T' ETTifafaaei, Poaov T' errt Xafav 
 Fa)^ apa rwv Fvrro irotioi KoviaaAo$ copwr' 
 
 fot d' Fore d?/ a\;e<5ov T^aav ?r' aAA^Aotaiv ^ovref, 15 
 Tpofeoi \IKV Trpopaxidaev AJ.eicoav6pog Oeofeidrj^, 
 HapdaAETjv ufioiaiv F%CJV ai a/i7n>Aa roxao. 17 
 
 Tov d' Fa> wv evoTjoev Ape/t^iAof MvAa/of 21 
 
 Ep%ouvov TTpoTrapoidev FojUfA/o/o, fiaKpa (3t6b)vra, 
 
 [evpuv rf Aa</>ov Kepaov, if aypiov ai-ya, 
 TLeivafw \iaka yap re nareadiei, eirrep av afrov 25 
 2a/wvrat ra^Ef re icvve^, Oa?.epoi r' aidorjot 
 Fwc e%aprj Mevehafot; A.teKaav6pov deofeidea 
 OtiOakfioiai ftSuv (ftaro yap nfaaaOai aXirijv 
 AfriKa <J' /Cf Fo^ewv yovv rf%<r' /aAro xapadae. 
 Tov (T Fwf wv evoqaev AXsKoavdpo^ deofeitirjg 30 
 
 12
 
 102 FIAFIA2 III. 
 
 Ev TcpOfia%otai <avevra, KareTr&Tj-yT] <j)ikov 7/rop 
 
 d' Ferapwv eig fedvog e^adaero Kijp 1 aAe/etvwv. 
 d' Fore riq re dpa/covra Fidan> rcakivopaog aTrearrj 
 
 ev (37)oaj]io' FVTTO re rpo/xof eAa6e yvm, 
 T' ave^(i)pr]oev, ca^po^ re jutv FeAAe napeta^ 35 
 
 a/Ti?- a0' optkfov edv Tpo/wv 
 
 Arpe/of Fvtov A^eicoavdpo^ 
 Tov <i' Fe/crwp veiiteaoe fiduv atoxpotai 
 Avarrapt, Fetdof optare, yvvcufiave$, 
 At0' o^eAgf ayovof T' efievat, aya^of T' anoXeoOai. 40 
 Kat xe TO (3ovXoi[ir)v, Kac KEV TroAu Kspdiov r)v, 
 H FO/TW AwfiTyv T' juevat aat FvrroTratov aAAwv. 
 H TTO/O Kav^a^aovri KapjjKOfiaovre^ A^atfoi, 
 
 apiarefa Trpojuov eafievai, Foove/ca aaAov 
 err' aAA' OVK CTTi |3t?/ <f>peoiv, ovde riq aXicrj. 45 
 H roiof rf?/ ewv, ev -rrovroTTopoioi vajeaiv 
 HOVTOV em7Tk<>)aav$, ferapof^ spujpa^ 
 AAodaTTOtCTt, yvvoiK' evfeide' 
 yair)<;, vvov avdpwv ai^j 
 Ilarpi re awt jueya Trvy/za, TroAiari re, -navn re J^juwt, 50 
 
 j^v %op/za, Karrjfairjv de OOL afrui ; 
 ov 6*77 nr)veia$ Ape/i0iAov MeveAa/ov ; 
 
 ;', oto/o <f><*)ro<; fe%eig daXeprjv Trapaicotriv. 
 OVK av roc xpafofiiji Kidapig, ra re dtop' A^podtr^f, 
 FT; re KOJUT/, TO Te Fetdo^, or' ev Kovifrjiai niyeiT)$. 55 
 
 AAAa /taAa Tpofeg ddeidr/^iove^ i] re nev rjtirj 
 Ao/tvov feaao xiruva, naicw Feve^' oao Fe/opya^. 
 
 Tov d' of re Tcpooefeinev AkeKaav6po$ 
 Fetfrop, erret /^e /cor' aiaav eveuceoag, oyd' 
 At/i rot /cpadtr/, TreAe/cvf Fw^, eariv aretpT/f, 60 
 
 Fof etriv dta do/po^, FVTT' avepo$, Fo^ pa re re%V7]i 
 No/tov e/tTa/iVT/riv, o0eAA,ef d' ovdpof epofrjv 
 Fwf roi evt orrjOeooiv arap&rjrog voo$ eartv. 
 MT/ ^ot dcjp' epora Trpo^epe %pvoer]$ AQpodirrjS 
 Ovroi a7ro6A7/r' ecrrt 0ewv epucvfdea, dwpo. 65
 
 FIAFIA2 III. 103 
 
 Nuv d 1 o/r' ei jtt' efleAe^f no^efudae^iev rjde fia^eaOai^ 67 
 AAAo/f /tev KaOtaov Tpofag Kai Travrag A^aifof^, 
 Afrap ]' ev peaavi Kai Ape/K/wAov MeveAa/ov 
 
 pi>' FeAevr/t nai Km\\ia(Ji rcavrai iia%eadai 70 
 *:e VIKIJOIJI, Kpsiaaw re yevrjrai, 
 ' eAwv Fev Travra, yvvaiKa re, foticaff aycafla)- 
 Fot d' aAAof, 6iA.o-t]Ta Kai fopKia mdra Tapovres, 
 Tpofirjv ept6wAaa roi de veeadw 
 f FfT7ro6orov /cat A^atfida KaXTayvvaina. 75 
 
 Fa)f e^a0' EKTP d' oJr' e^aprj fieya fivfdov aKofaav^, 
 Kai p' e^ peaaov iwv, Tpo/wv ave/epye ^oAavyo? 1 . 77 
 Twi d' eneroKaadoovTo KapTjuopaovres Aj^at/ot, 79 
 
 fifoioiv re nrvoKOfisvoi Aa/eoot r' efiaAAov 80 
 
 AJrap Fo panpov afvfoe favaieg avdpuv 
 Apyet/ot, JUT/ /SoAAere, Kofpot 
 yap rt FeTro^ fepeeev Kopv9aifoXo$ Fewreop. 
 * ot d' ea^ovro fia^T]^ aafoi r' eyevovro 
 Fe/crwp de jtier' afuporepoiaiv efenrev 85 
 Ke/cAvrg ^0, Tpofe$, KOI F evKV7j[ii6e<; A.^cufoi, 
 Mv/0ov AAe/tcravdpo/o ro/' Fvea VSIKO$ opwpev. 
 /ceAerat Tpofa$ Kai rcavra^ 
 ' a-nodeodat em %6ovi n 
 AJrov ff ev jue<T<ra)t /cat Apefubikov MeveAa/ov 90 
 
 ev7/i ai K~r)uaat rravrai }ta,'X.aQai 
 de KE VIKJJOTJI, Kpeioouv re yevrjrat, 
 ' eAwv Fev Travro, yuvatxa re, Fotxad 1 ay<T0a> 
 Fot d' aAAot 0iAor7yra at Fop/eta mdra rafj,u)f.iev, 
 
 Fwf e^>aO' ot d' apa Trovre^ a7/v eygvovro OIUTTIJI. 95 
 Totoi d Kai fierefeine $or\v aya6o$ MeveAa/of 
 
 KexAvre vvv at epefo fj.afa.or a yap aAyo^ FiKavet 
 Qvfpov gjov, <j)poveb) de fiianpivdrmevai rjdr] 
 Apyeifof$ Kai, Tpo/o^, errei KaKa TroAAo Tre-rroade 
 
 e^7/f eptdof, at AAexaavdpo/' Feve' op^T/? 100 
 d* OTrorepwt ^avoro^ K<M ftoipa 
 oAAoi de diaKpivdeire ra%iara.
 
 104 FIAFIA2 III. 
 
 foioere Fapv', ferepov Ae/w, ferepijv de 
 TTJL re KCU HeAiwt Aa 6' fijpeeg foioouev aAAov. 
 Ayaere de Upta^o/o /Jt^v, Fo<p' Fop/em rafivrji 105 
 
 Afros, 7rt Fot Tratdef, Fv7Tep6mAot *cat amOrof 
 M// r<f F v-ep>aoi7]t Ato^ Fop/aa di^rfar^rai. 107 
 
 oi d' exapijoav A^aifoi re Tpo/ef re, 111 
 irafaeaOat oidovfpoo TroAeiuo/o. 
 
 v epvKoav em on^ag, e/e d' efiav aJroi, 
 T' EKoedvfovro, ra jtzev naredevr' em yatrji 
 aAAr/Awv, ofayr/ J' ?;v ajj.ff)ig apo/pa. 1 If) 
 
 de Trport FatTTi; drw K7)pVKa$ erre^rrev 
 
 , fapvag re Qepeev, Hpta/iov re 
 Afrap Fo TaA^vfifoi' Trpofifes Kpefw 
 Na/af e~i yXafivpag i/ievcu, KCU Fapv' 
 foiaefievaf Fo d' ap' OVK amdjja' Ayafiepvovt difut. 120 
 
 feidofj.evij yaXafdii, Avrrjvopidaso 
 
 Aafodiicrjv, Hpta.fj.ofo Ovyarpw feidog aptarrjv. 
 
 Trjv d' Fevp' *> jiteyapwt FT; de jur)'av Fmrov Fr</>aivev, 125 
 
 AtTrAoKa, fj.apfj.aper]v rroAvaf d' eveTraooev 
 
 Tpofuv 6' jTTTrodajtwov, /co* A^af/ 
 
 Fo/ Fe^ev Feivg/c' errao^ov FVT' Ape fog rr 
 
 Av%ofo d' fiorafievT] -xpooecpT) Trodag UKVO, 
 
 Aei/p' *&, wfi(f>a <f>iXi], ftva deoneka fepya Fid^ai 130 
 Tpo/wv 0' iTTTToda/wJV, at A^at/wv ^aAKO^trwvwv 
 Fot Trptv TT' aAAj/Aoia' etyepov TroAvda/cpvv Apefa 
 Ev rredtwf, OAofofo XiXaifofievoi -xohepofo 
 foi dr] vvv fearai oiyrji, TroXefwg de rre7ra/r(W, 
 AOTWJI KeK^ui^evoi, ~apa d' fiv^ea juaxpa Tre-tjyev. 135 
 
 Afrap AAenoavdpog KCU Apefi<f)tA.og Mevekafog 
 MaKpT/ta' ev%eir)iai \iaxr\oovrai Trepi oefo 
 Twt de ACC vcKijaavn 0iA^ Keickrjoe' faicotng. 
 
 Fwf feirrovraa 6ea yXvuvv fipepov ev6aXe Ovffj.(ji 
 Avdpog re Trporepoo, at Faarvof, 7/dg roicefuv. 140
 
 FIAFIA2 III. 105 
 
 A-fnica d' apyevvrjici Ka^vTrroapevT] fodovrjiaiv 
 Fop/zaer' EK 0aAojuo/o, repev Kara do/cpv %efovraa 
 OVK oiT], Fajf/ffl TTjtye /cat Oju0t7roAoi dv' fsnovro. 143 
 
 AfTraa d' 7Tr' eftnavov foOt Zitaifai m>Aat rjaav. 14-5 
 
 Fot d' Oft0t HpiafjLov, /cat TiavOofov, rjde 6vjuotT?/v, 
 Aa/Z7rov re, KAvrtov 0', I/cero/ova T', odaov Apefog, 
 OvKaheyw re at Avr?;vwp, 
 frjaro drjfioyspovreg ETTI 2icaifr]i.Gi 
 Trjpat drj Trokefiofo TreiraJ/Lievoi oA.A' ayopefrai 150 
 
 , rerrtvyeai Fe/otKore^, Fotrg a0' vkfrjv 
 tyedaofiEVoi Forra Xeipioevroav Eifsvnv 
 Toiot apa Tpo/wv frjyTfropEg Fevr' CTU Trvpyui. 
 foi d' Fwc v Fetdov FeAevT/v errt rrvpyov tovraav, 
 FT/KO Trpof aAA^Ao/f Ferrea Trrepoevr' ayopefov 155 
 
 Ov vsfiEOig, Tpofag KOI F EVKvrjfj,idag 
 ' afj,(f>i yvvaiKi rroAvv %povov aAyeo 
 aOavarrjiai deqia' ei,$ a>7ra Fe/ot/cev. 
 /cat Fwf, rot?/ Trep COVTCT', ev vafoi 
 
 FT/JUiV TEKEEOl ~' OrriGOU 7TT][l,a XlTTOlTO, 160 
 
 Fwf op' e^av Hpiafjiog 5' FeAevT/v e/caAeaaaro (fiuviji 
 Asvpo TrapoiO' skdovraa, (pihov re/cof, Ftdae' e/ze/o, 
 Fo0pa Ftd/jif rrpo-Epov re TTOOIV, 777/0/5- Te > ^tAo/f re- 
 Ovr/ juot atTi?7 caat, 0eoi vu /ioi airioi evriv, 
 Fot //ot e0op/i7y<7av rroAfijuov rroAvdawpw A.^aifwv 165 
 Fwf /Lioi Kai rovd' avdpa TrfiAwptov EKOovofirjvrjK;, 
 foong Fod' ECTT^V A^af/o^ av?/p 7/r-f TE fisyag re. 
 Hrot jUV K<^aA7/t at [istdooveg aAAot eavriv 
 KaXov d' FO/TW eywv ov TTCO Fidov otydaXnoioiv, 
 Ovd' Fo/rw yepapov (3aaikeft yap avdpi fefoiKEV. 170 
 
 Tov d' FfiAfiVTj pvf6oioiv a[iEi6ero, dt/a yvvaixwv 
 
 AidoiO^ T j^Ot (T<Tt, 0tAfi FfiKUpE, ddfitVOf T' 
 
 Fw^ /uoi o0eAAe Fodeev davarog Kaaoq, FOTTOTE 6evpo 
 fviu aa>i FerrojUT/v, Baka\iov ywrofg re Airrovma, 
 Ilatdo re TT/AvyerT/v, at FojUT/At/aT/v epareiVTjv. 175 
 
 AAAa ray' ov: eyevovro TO /tot Ao/ OVTOU rerrjica.
 
 106 FIAFIA2 III. 
 
 TO/TO tie rot FepEW, Fo jti' avetpeat 
 
 fofrog y' Arpeftdrjg, evpvitpefuv 
 
 A[i<f>OTepov, ftaatXef^ T' ayaOog, Kparepo^ T' 
 
 Aa/7/p a/r' ^05- ecrae /cwamrtdo^, et TTOT' 77^ ye. 180 
 
 Fwf 0aro rov d' Fo yepwv T/yaaaar', e(f)uvrjasv re 
 2 [iaicap A.rpefid7], fioiprj'yeve^ ok6iodai[j,ov ! 
 H pa vi; roi TroAAof ded/z^aro Kofpot 
 Hdr] Kat Qpwyiqv eiorjkvOov ajtiTr 
 
 Ei>0' efidov TrkeiffTofs $pvya<; , avepa$ at/oAoTrwAo/f, 185 
 Aafofg Orpefo$ Kai Mvydovog avrideofo, 
 foe pa TOT' earparaovro nap 1 fo%6a$ Zavyapiofo. 
 Kat yap gywv enticovpos euv pera roiaiv eXe^Or^v. 188 
 AAA' ovd' Fot Totrot 7/(rav, Foaoi FeAtKCjireg- A.%aifot. 190 
 
 Ae/Tepov a/0", O6V<7e/a Ft(Jwv, Kpeeiv' Fo 
 FetTr' aye juot /cat Tovde, (piXov reKog, fo<JTi$ Fod' 
 Metwv jev Kf.^a^rjv Ayajuejiivovof ATpe/fda/o, 
 EvpvTepof d' cojuotatv <Je arepvoiai fideoOai. 
 Tev%ea pev Fot KELTOI em %0ovt iroZ.v6oTet.prjt, 195 
 
 A/TOf de, /CTtAo^ Fwf, 7rt7ra>AeeTai o~Tt%af avdpuv. 196 
 
 Tov <T rjfieider' erreiO' EAev?/, Atof snyeyavia 199 
 
 d' a/ Aa/gpTtadT/f, TroAv/x^Ttf Fodvacre/f, 200 
 rpa(p7] ev dTjjUWt IOanT] Kpavarjg ttK 
 TravToto/f Te doAo/f at fir/dea 
 
 TTJV d' O/T' AvT^vwp TrfiTrvvjuevof avriov 
 fl yvvai, 77 j^aAa TO/TO FeTrof vrj^epreg efeineg. 
 H6r) yap Kat devpo TTOT' ijXvde dt/of Fodvaae/f, 205 
 
 2e/' Ffive/c' avyeXtt]^, yaw Ap/t^>tAwt MeveAa/wt. 
 d' eyw ^o-tvt aaa, at v /zeyapota' 0t A^aa 
 
 (f)vfi]v edaqv /cat ju^dfia uv/eva. 
 AAA' FOTE d?/ Tpofeatv ev aypofievotatv e^tt^der, 
 
 [lev, Mevekafo$ fvrrepfexev evpva$ Wjuo/f, 210 
 )W d' Fd<70jUvw, yepapurepos rjev fodvaaef^. 
 AAA' FOTE dT/ fivfdofg Kai firjdea rravroiv fvfiatvov, 
 Vtrot [iev MVAa/of emTpoxadrjv ayopeSev, 
 Ha/pa |Uv, aAAa /zaAa Atywwf, 7ret ov TroAv/fv/^of. 214
 
 FIAFIAS III. 107 
 
 AAA' Fore dr] TroAvjUT/Tt^ avafiKceiev Fodvaffe/f, 216 
 
 "Lraanev, fvnai de fideans Kara 
 
 I,K7]Trrpov 6' ovr' omav, OVTS 
 
 AAA' ao-efjufcs Fe^eovcev, ajidpu 0a>rt Fe/otKWf 219 
 
 AAA' Fore d?7 FOTTO re [teyaXqv e* arqdeog fiJeev, 221 
 
 K<M FeTreo vi<f>ade<ri fefoiKora %eifiepir]ioiv, 
 
 OVK. av cTreid' Odvoefi y' epiaaeie (3poro$ aAAof. 223 
 
 To rptrov O/T', Atavra Ftrfojf, epeeiv' Fo yepa/of 225 
 TYf T' op' Fod' aAAof A^oi/o^ ovT^p T^vf T /*yaf re, 
 EKff/o^of ApyetJuv /c0aA7 
 
 Tov (T FeAev?/ rovyTrcTrAof ajtietdfiro, (Jt/a 
 Fo/TOf (T At/avf eart TrsAwpto^, Fep/cof 
 I6o[ievef<; d' ferepudev evi Kprjreai, Oeos Fwf, 230 
 
 a\u$n, 6e \t,iv KpT/rwv ayot ayepeOovrai. 
 
 V F 7]fJ.Tep<*)l, FOTTOTC KpT)Tr)6eV flKCHTO. 
 
 Nw (T aAAo/f j^sv Travro^- Fopa> FeAta>7raf A^aifof^ . 234 
 Aofw d' of 6vva{j,at fideeev KoafiTjrope Aa/wv, 236 
 
 Kaoropa 0' nnrodapov, teat tnryg ayaOov 
 A-fTO/cafftyv^ra), TO> |ot jiaa -yjjvaro firj-r 
 H' ov^; eaneoOrjv Aa/cedat/iovo^ e 
 H devpo /Liev Ferrovro vafeo' evi TTOvro-rropoiotv, 240 
 
 <T O/T' ov/c e^eAovrt [io-%f]v Karadvfi^evai avdpwv, 
 
 dioref /eof ovetdea TroAA', Fa jiiot eartv ; 
 ^aro ro/f d' T/d?; naT%ev <pvoi6<jafo$ aia. 243 
 <T ava FCWTV ^swv <^ep<ov fopma Tridra, 245 
 
 Fopve dyw, K<M Fotvov Fevd>pova, Kapnov apofpr}$, 
 ACT/COM v aiyeiui <f>epe d icprjrrjpa 
 Kj]pvK$ Idatof, 7?dg %pvaeia KVTrek& 
 Slrpvvev 6e yepovra napfiOTapevos 
 
 Opveo, Aa/o/^edovrtad?/ icaAeovrtv apioroi 250 
 
 Tpo/wv ^' tTnrodajMOJV, KOI A^at/wv 
 Ef Tredtov Korafi^vai, Fiv' Fop/eta mdra ra\n\Tai 
 A/rap AAe/taavdpof at Apg/f^tAof MeveAo/of 
 Manprjia' ev%eii)ioi fia^jjoovr' afufa yvvaiKi
 
 108 FIAFIA2 III. 
 
 de viKijaavTi yvvrj Kai K-r^ad' ETTOITO 255 
 
 Foi d' oAAof, <f)iXoT7)Ta Kai fopKia mOra r 
 Naioifiev Tpofiijv pi6wAaa rot 6e vsuvrai 
 Apyog eg F iTnrofiorov /eat A^aifida Ka 
 
 fug (f)aro- piyijasv 6' Fo yepwv, e/ce/le/ae d' fsraipofg 
 fimrofg doevyvvfiEvai rot d' ForpaAew^ irtiBovro. 260 
 Av d' ap' e6?/ ITptajuof, Kara d' F?;vt' sreivev 
 Hap Je Fot AvrT/vwp 7rptKaA/U' gfi^craro 
 Ta> (Je <Jta 2/cat/a>v Tredtovd' Fe^ov uicva 
 ' Fore d?; p' efiKovro juera Tpo/ac 
 
 265 
 
 iipvvro d' af-iK? ETTeira favang avdpw 
 
 Av 6' fodvaefg TroAvju^rtf arap K^pvue.^ ayaFoi 
 
 fopKia mdra Oeuv yavvayov, Kpijrrjpi 6e foivov 
 
 Miayov arap fiaoihefoiv Fvdwp CTU %paf ^e/ov 270 
 
 Arpefidijg 6e F epvaaafisvog ^etpeoi fia^aipav, 
 
 fr) fot Trap ^(n(f>eog fieya icovXeov aifev a/opro, 
 
 Fapvwv ex ^>aAa)v rapve rpi^ag ' a/rap tneira 
 
 Kijpviteg Tpo/wv K<M A^at/wv vT\\iav aptorot^. 
 
 Toioiv d' Arpefidrjg peya/C Ev%e-o, x et P a ^ avaa^<^v 275 
 
 uarfip, Idrjdsv /zedfiwr, KvfdiorE, 
 
 0', 05- TTOVT' etfiopaig, Kai Travr' 
 
 apoi, Kai Tata, Kai foi fvrrsvEpOE 
 nofg nfvvoO\ foarig ' emfopKov 
 fiaprupoi EOTE, (^v^aaaere d' Fopata mOra- 280 
 Et />iv KEV MVAa/ov AksKaavdpog KaraTTE</>vr]i, 
 AJrog eneid' E^EVTJV Ffi^firw ai Kri)^a~a -rravra, 
 frjfiEEg d' v vafsai ve^tQa Trovronopoioiv 
 Ei dfi ' AXsKoavdpov KTEIVTJI ftaavdog MsveAofog, 
 Tpofag TTiO' EXevrjv Kai KTrjfiara Travr' aTrodwvaf. 285 
 H, oi 7Ti OTona%ofg fapvw raps vrjAsi %aA,KM 292 
 Kai ro/f j^V KarEdrjKev ETTI xflovog aonaipovrag, 293 
 
 Fotvov d' /c tcptjTijpog a<f>vooafjvoi dEnasmv 295 
 
 Fax5fi de rtf ^EITTEOKEV Aftaifw rs Tpo/wv TE
 
 FIAFIAS III. 109 
 
 Acre/ Kvfdiore, (isytorK, itai adavaroi 6eot aAAot, 
 
 Tcporepot Ft>7rep Fop/eta m][j,7]veiav, 
 (70' evKe<paXo$ ^aftadt^ pefoi, Fw^ fode foivog, 300 
 A/ron 1 , Kdi TKK(JJV FaAo%ot d' aAAot<7t fiiyeiev. 
 
 fug 0av oi>(T apa mo ofav erceiepafaive Kpovt/cjv. 
 Total de &ap6avid7]$ Ilpta/icx; juera pvfdov sfenrev 
 
 Ke/c/lvre /ueo, Tpo/ef, ai fevKV7]fj,ide$ A^aifoi 
 H-oi eywv ^i Trpori fihfiov avepoevroav 305 
 
 ATT^, gTrei ov TTW rAT/CTOji/' sv otyOaXfioioiv fopaodai 
 Mapvapevov fakov fviov 
 
 TTOO roy Foi(5e /cat adavaroi dsoi 
 davarofo re?io$ ne-rrp^evov eartv. 
 H pa, /cat f ditypov fapva? 6e.ro fsiafodeog 0w^ 310 
 Av d' ap' e6aiv' afrog, Kara 6' frjvt' eretvev omcraa) 
 Hap 6e foi Kvrrjvwp Trepi/caAAfi' edr/aaro 6t(j)pov 
 Tw jV ap' arroopofoi report fthfiov anoveovro. 
 de Hpiauofo natg Kai difot; fodvaaefg, 
 
 |UV TTpWTOV (Ji/iTpOV, a/Tap 7TTa 315 
 
 Kvvejji xakKi]pi TraAAov 
 / rrpooOev a 
 
 Aafot (J' 7/p7/aavro, 6eoiat 6s 
 fude 6e n<; feiTceanev A%ai/a>v T Tpo/wv T. 
 
 A(7/ Trarep, IdqOev nedwv, Kvfdiare, ueytare, 320 
 
 FoTTOTEpof rade Fepya //r' au<f)orepoiaiv 
 Tov do? 1 arco(f>diiJ,evov dvfvai dopov Aftdog 
 frjpiv 6' af tpiXorrjra /cat Fop/eta raQra yeveaOai. 
 
 Fwf ap' 0av TraAAev dg jueyaf Kopvdaifo^og Fe/crojp, 
 ATT$- Fopawv Haptog de Oofuig eic KXrjpog opofaev. 325 
 Fot juev sTceid' 1 idaovro Kara ari%ac, [T)%I fettaorui 
 FfTTTroi afepotrcodes /cat rrot/ctAa rev^e' e/cetro. 
 A/rap Foy' au0' Wjttotcrtv edvfoaro rev%ea /caAa 
 At/of AAe/ccravdpof, FeAev?/^ irocrt^ TJU/COJUO/O. 
 K.V7]fj,ida$ fisv rrpwra frepi Kvrj^rjiaiv eOrjuev 330 
 
 KaAa^, apyvpeottrtv errtcr^uptotcr' apapvia$ 
 Ae/repov a/ OuprjKa rrept Grydeooiv edvfvev 
 
 K
 
 110 FIAFIA2 III. 
 
 Fo/o Kaatyvijrofo Avicafovog rjpfiove 6' aJrut 
 A[uf)i d' op' (t)notaiv /3aAero ^tn^of apyvpo/T/Aov, 
 XaA/ceov a/rap eTreira oaKO$ fisya re ari6apov re 335 
 Kpart 6' err' i^difiut Kvverjv fevrv%rov e6r)Kev, 
 fimrovpiv 66eivov tie Ao^o^ nadwrtepOev evevev 
 FeAAcro 6' a^Kiftov ev%os, Fo Fot TTaXafiij<f>iv aprjpeev. 
 fax? 6' a/ra>^ MeveAa/of Ape/to^ evre' edv/vev. 
 
 Fot <T 7Tt wv fexarep6ev Fo/uA/o/o 6upT)%dT]oav, 340 
 E^ fieoaov Tpo/cjv ot A^at/wv eart^aovro, * 
 Adeivov depKOftevoi 6afi6o^ d' Fe^cv etofopaovra<; 342 
 Kat p' evyt> arijrqv diafierpTjrvi evi ^wpcjf, 34-4 
 
 2e*ovr' ev^eta^, ahkrjkotaiv noreovre. 345 
 
 IIpo<70e d' AAcAcffovdpof Trpo/i/ee S 0^.1^00 KLOV ev%o$, 
 Kai /JaAev Arpefitiafo /car' aomtia navrooe Feta/7/v, 
 Ovd' efpijyoev %akKov, aveyva^Qr] 6e Foi 0*^77 
 
 Kpareprji fode 6efrepo$ upwro ^;aAcji 
 MsveAa/of, eTrev^oa^evog A Trarpi 350 
 
 Fava, do^ rifaaod' Fof /x rrporepof a/ca Fopyev, 
 Fo^pa rif av ptyr/rt xai ornriyovcjv avdpwnuv 353 
 
 Xaeivodo^ov /caa penoai, fog av 0iAoT7/ra Trapao^t- 
 
 H pa, ai avTrerraAwv -rrpofifee doAt^oaxtov evj^of, 355 
 Kai /3aAe nptajtuda/o /car' aoTrida Travroae feiaJ'Tjv 
 Ata /uev aamSog r]^.6e <f>afetvi]<; odptpov ev%o$, 
 Kai dia OupijKOS TroAvdaidaAo/ 5 ijpjjpeidaro 
 de Trapai AarrapT/v diafirjoe ^trwva 
 Fo d' eKkivdq, Kai aAe/aaro K7;pa ^eAatvav 60 
 de F epvaaafievog %Oi(f>og apyvpofrj^ov 
 vaa^o/ievof Kopvdog ^>aAov a/j0 d' op' aJrwi 
 Tpi%0a re KOI rerpa^fta 6iarpv(f>ev enTreoe x.eipo$ 
 Arpefidijg d' wt/^wyCTe, Ffdwv if ovpavov evpvv 
 
 Acre/ Trarsp, ovrtf <T/o 0tov oAoFwrepof aAAo^ 365 
 H T' e0a/Lt^v rifaaaOai AAexaavdpov 
 Nvv dg /aot ev %eipeo' efayr] %OL^O^ eic 6e 
 HfiX&r) TrakafiTjQi feruoiov, ovd 1 efiaAov jUi 
 
 H, ica* E-rraJiKoavs Kopvdw; Aafiev
 
 FIAF1A2 III. Ill 
 
 FfiA/ic d' ETTiorpefoavg fieO' tvnvr^itSa^ A^cufofg 370 
 A.v%e de jtwv TroAvKetTTOf fipavg FarraAT/v FUTTO detpT/v, 
 fog Fot Fvrr' avOepe(t)vo$ Fo^e/f reraro rpv(f>aXeiT]$. 
 Kat vv ev efepvaev re, aai aaTrerov Fr/paro Kvfdog, 
 Et fir] ap 1 foicav vorjae Atof Bvyarr]p A^podtrr), 
 FT; Fot fpijyoev ^i^avra ftofog fi<f>i ra/xevo/o 375 
 
 de Tpvd>akeia Faju' FeoTrero 
 
 ' emdivej'oavg, Kopiaav 6' epiTjpe$ feraipoi. 
 
 AJrap Foy' arrf enopofde KaraKrafievat peveaivuv 
 Ev%ei xakicetui rov d' eKafapTraico' Atfrpodirr] 380 
 
 Pe/a juaA', Fware 0eof e/caAvTrme d' op' Tjept 
 KOT d' Feaa' ev QaAa/itwi, FefaxJet, Krjuevri. 
 A/rr; d' o/0' EAev?;i' KaAeovra' te TT/V d' 
 
 0' V7rar/Aa)i Trept de Tpo/fdef FaAtf 7/aav 
 de ve/CTapeoo feavof enva/coe Aa6ovraa 385 
 
 Tpafi de jutv fefiicvia irakafyevei TTpoaefec-rrev 
 EipoKOfj-ut, FT/ Fot Aa/cedat^tovi vaieraovroTji 
 Haiceev sipia icaAa, juaAftrra de |tv 
 TT;^ /Liiv Feidaa/ifiVT/ rrpoae^wt'ee dt/ 5 
 
 Aeup' f0' AAe/(Tavdpof ae /caAet FotKovde veeodat 390 
 Keivof Foy' ev Oakafiui KOI divbtroioi Xe 
 KaAAet re tmAfiwv /cat feapaaiv, ovde e 
 
 \iaxr\G a\ivov rovy' eA0e/iev, oAAa ^opovde 
 ', T/e ^opofo vtfov Ar/yovra Kadttiaeev. 
 
 Fwf ^aro rr/t d* apa dvfpov evt OTTjdeooiv opivsv 395 
 BT; de Koroa^ojuevT/ Feavwt apyr/rt (pafeivui, 419 
 
 2iyTjt iravraas de Tpofida^ hadev T)p%e de datjt/wv. 420 
 
 Fat d' For' AXeicoavSpofo dojitov Trept/caAAe' fcKovro, 
 AjU^tTToAot j^ev eTretra 00/wf e:rt Fepy' erpa-rrovTO, 
 FT; d' ff fvnoopofpov 0aAajttov /ete di/a 
 T//t d' apa dt^pov FeAovraa (^tAojuetdT/f 
 Avrt' AAe/coavdpo/o 0ea Karedrjice fapovroa 425 
 
 rroAtv Atvavr(ra noaiv d' -qvinaTre fivfdc
 
 112 FIAFIAS III. 
 
 TTOAe/io/ 5 Fwf (Mpeteg afrod' 
 Avdpt dapcvg Kparepcji, fog epos rrporepog rroai$ rjev. 
 H \iev 67) Trptv y' ev%e' Ap/t</>tAoo MeveAa/oo 4-30 
 
 2,7)1 T (3t7)i, Kai %ep<H, nai ev%i, (pepTepog eevai 
 idi wv TrpoKafaoaai Ape/(0iAov Mevekafov 
 
 fia^eaaoOai evavrtov aAAa a' eya>ye 
 TIafoaodai weAojuat, pr^de ^oavdui MeveAa/au 
 AVTI&IOV TroAejuov TToAejUfdae/tev, T^de paxeodai 435 
 
 Ae^padecj^, ^T/ TTW^ ra%' FVTT' afrofo dopfi dafj^irj^. 
 TTJV Se napi$ fivdotoiv apeidoftevog rrpooefenrev 
 MT/ /ie, yvvaf, xakenoioiv oveideoi Ovfpov 
 Nvv \ttv yap MeveAa/of ev(,Kr/ae yaw 
 Keivoi' d' ajru; eyw irapa yap 0eoi evn Kat fiyuv. 440 
 AAA' aye ($77 0tAor7/rt rpaneionev evvr}6ev~E. 
 Ov yap TTW TTore jw' Fax5f <j>peva$ 
 FOT ae -nporepov Aa 
 
 fapnaicoavg ev irovTOTropoiot vafeotv, 
 ' v Kpavaiji t\Liyi]v (f>iXorrjn Kat evvrji, 445 
 
 v epoua/, ai /^ yAuKVf fipepog faipei. 
 H pa, /cat 7/p; A%oad twv, Fajua d' F(TTT0' aicoirig- 
 To) ftv op' v rprjToioi Karevvao67]v 
 A.Tpefi6r)s 6' av FojtwA/ov 
 Et TTO/' eoadprjaeiev Akeicoavdpov Beofsidea. 450 
 
 AAA' ovrtf dvvaro Tpo/a>v KATJTUV r' emKovpuv 
 
 AfoicoavSpov TOT' ApE/^Aau MevfAa/wt. 452
 
 NOTES.
 
 NOTES ON THE FIRST BOOK. 
 
 ARGUMENT. 
 
 THE PESTILENCE, AND THE QUARREL BETWEEN ACHILLES AND AGA- 
 MEMNON. 
 
 DURING the War of Troy, the Greeks, having sacked some of the 
 smaller towns of the Troad, and having obtained among the plunder 
 two beautiful female captives, Chryseis and Briseis, allot the for- 
 mer of these to Agamemnon, and the latter to Achilles. Chryses, 
 the father of Chryseis, and a priest of Apollo, thereupon comes to 
 the Grecian camp for the purpose of ransoming his daughter from 
 slavery. He meets, however, with a harsh refusal from Agamem- 
 non, and, on his departure from the presence of the monarch, offers 
 up an earnest prayer for redress and vengeance to the deity whom 
 he serves. His appeal is heard, and Apollo retaliates on the Greeks 
 by inflicting upon the host a destructive pestilence. After this pes- 
 tilence had raged for the space of nine days, Achilles calls a gen- 
 eral assembly of the forces, and bids Calchas, the soothsayer of the 
 Grecian army, declare to the collected people the cause of the plague 
 under which they are suffering. Calchas, after some hesitation, as- 
 cribes the pestilence to Apollo's anger at the refusal of Agamemnon 
 to restore the daughter of Chryses. Thereupon a violent quarrel 
 ensues between Agamemnon and Achilles, which Nestor strives to 
 pacify, but the immediate result of which is the seizure by Aga- 
 memnon of Briseis, the prize of Achilles, out of revenge for the loss 
 of his own captive Chryseis, whom he sends away to her father. 
 Achilles, in anger, withdraws himself and his forces from the rest 
 of the Greeks, and complains to his mother Thetis, entreating her 
 to interest Jupiter in his behalf, and induce him to grant success to 
 the Trojans, that the Greeks may feel the loss of their bravest war- 
 rior. Jupiter, on being supplicated by Thetis, grants her prayer, but 
 thereby incenses Juno, and an angry dialogue ensues between the 
 monarch of Olympus and his spouse, until Vulcan interposes, and 
 dexterously effects a reconciliation.
 
 116 NOTES TO BOOK i. 
 
 The poem opens, in the tenth year of the war, with the visit of 
 Chryses to the Grecian camp. The time occupied by the first book 
 is generally computed at twenty-two days, namely, nine during the 
 plague, one in the assembly of the forces and the quarrel of Achilles 
 with Agamemnon, and twelve for Jupiter's stay among the Ethiopi- 
 ans, at his return from among whom Thetis prefers her request. 
 Consult, however, the note on verse 222. The scene lies at first 
 in the Grecian camp, then changes to Chrysa, the residence of 
 Chryses, and lastly to Olympus. 
 
 1-2. Mijviv ueide #ea, K. r. A. " Sing, goddess, the destructive 
 wrath of Achilles, son of Peleus." The bard invokes Calliope, the 
 muse of epic poetry, to sing, that is, to inspire the poet himself with 
 suitable ability for celebrating, in song, the anger of Achilles and its 
 injurious consequences to the Greeks. The opening of the Iliad has 
 been much admired by both ancient and modern critics, for its boldly 
 hurrying the reader into the very midst of affairs. Observe in //?- 
 vtv the absence of the definite article. In the old epic language, 
 the article, as such, is never expressed. When the forms 6, TJ, TO, 
 &.C., do occur in Homer, they stand for the demonstrative pronoun, 
 this, that, &.C., changing occasionally, in our idiom, into the per- 
 sonal pronoun. (Vid. Excursus 1.) In translating, therefore, from 
 the Homeric language into our own, we are to be guided entirely by 
 the context, as in Latin, with respect to the employment of the Eng- 
 lish definite and indefinite articles. 
 
 Sea. Calliope is meant, the muse of epic poetry, who is called by 
 Hesiod (Thcog., 79) " the most excellent of all," ffpo^speararr) dira- 
 otuv. ovtofiEVTjv. The poetic participle here passes over into an ad- 
 jective, with the active signification of " destructive" or " fatal." 
 
 57 pvpi' 'Axaiolf a/lye* IQnKtv. " Which brought countless suffer- 
 ings upon the Greeks." Literally, " which placed." 'A^aiotf. In 
 Homer's time there was no general appellation for the Grecian race 
 (the term "EAA^vef being one of later origin). The poet, therefore, 
 when he wishes to designate the Greeks collectively, employs the 
 names of some powerful and ruling tribes. The Achaean race bore 
 sway at this period in the Peloponnesus, and they are hence put for 
 the Greeks in general. On other occasions we have Aavaot and 
 'ApyeZbt. 
 
 3-5. ITo^f <F i<f>6ipovc ^^"f- * T - % " Ani * h ur te<l to Hades 
 many valiant souls of heroes." Observe, that by " Hades" a person 
 is here meant, the god of the lower world. So in Virgil (.En, ii.,
 
 NOTES TO BOOK I. 117 
 
 398), "multos Danaum demit timus Oreo." A difference of opinion 
 exists with regard to the meaning of irpoia^ev in this line, many com- 
 mentators translating it "prematurely sent." This, however, is in- 
 correct. The preposition irpo has here in composition the force of 
 " onward," or " forward," and Trpomrrrw has the literal meaning of 
 " to hurl onward," just as in Latin we have proturbare, propellere, 
 protruderc, where pro has no reference whatever to time. Compare 
 verse 435 of this book, irpoipeoaav eper/Ltoif, " they urged forward 
 with oars," and also Apollon. Rhod., i., 386, where the form irpoTrpo- 
 (iia&ftevoi is employed with the double preposition, to denote the 
 strenuous efforts of the Argonauts in pushing forward their ship 
 from the land into the sea. 
 
 ovroif de l^upia, K. r. A. " And made themselves a prey for dogs 
 and all birds," i. e., made their bodies, the pronoun avroi)f being 
 equivalent here, in effect, to auuara avruv. Observe the reflexive 
 meaning of avrovf, the oblique cases of avrof having this force 
 whenever they begin the construction. 
 
 Atof 6' erefaieTo /3ovX^. " And yet the will of Jove was all this 
 while undergoing its accomplishment." This is said parentheti- 
 cally. Notwithstanding the fierce resentment of Achilles, and the 
 disastrous consequences which resulted from it to the Greeks, still 
 the will of Jove, that Troy should fall, was all the while advancing 
 to its accomplishment, and converting the apparently implacable 
 wrath of the son of Peleus into a means for accomplishing its end. 
 The disasters which befell the Greeks in consequence of the with- 
 drawal of Achilles urged his friend Patroclus to the battle-field, 
 and the fall of that friend roused Pelides himself to take up arms 
 once more, and become reconciled to Agamemnon. Then ensued 
 the death of Hector and the fall of Troy. fre^e/ero. Observe the 
 peculiar force of the imperfect in denoting continuance of action. 
 
 6-7. it- ov 6r), K. T. /I. " From that very time when both the son 
 of Atreus, king of men, and the godlike Achilles first stood apart 
 after having quarreled." The words c ov refer back to -xpoicnpev 
 and Tfiixt, and when resolved are equivalent to t/c rot) xpovov 6rj, tf 
 ov. The particle >TI, when joined with an adverb of time, or, as in 
 the present instance, with a clause indicative of it, denotes a pre- 
 cise point of time. Thus, Hesiod says, when you hear the note of 
 the crane, <5^ rare xoprd&tv t?iiKa<; (3oCf, K. r. A., " then is the very 
 time to fodder well," &c. TO. Trpu-a. Wolf distinguishes between 
 ra irpuTa and rairpura, making the former equivalent to res primas, 
 the latter to imprimis. This, however, is denied by Spitzner : r 
 irptira is here poetic for irpurov.
 
 118 NOTES TO BOOK I. 
 
 8-10. rt'f ? up a<f>uc, K. r. A. " And what one, then, of the goda 
 brought them both together, so as to contend in angry words 1" 
 Heyne joins Ipidi in construction with jwetine, but Wolf, with far 
 more propriety, connects it with /ia'^Efftfot, making it define more 
 particularly the idea contained in this latter verb, which in its gen- 
 eral acceptation refers to arms and bloodshed, but here relates 
 merely to an angry collision in words. Some grammarians supply 
 uffTt before fidxtodai, but this is hardly necessary, the infinitive be- 
 ing freely appended to ^vvirinf in order to mark the result. 
 
 ArjToff /cat Atdf vlof. " The son of Latona and Jove," i. e., Apol- 
 lo. This is an answer to the preceding question. We are not, 
 however, to suppose that the muse herself here takes up the strain. 
 The bard still speaks, but after having been inspired by the muse 
 whom he has invoked. 6 yap. "For this (deity)." Observe that 
 6 is not the article, either here or anywhere else in Homer, but the 
 demonstrative pronoun, and equivalent to oi/rof. Compare note on 
 verse 1. (3aaihf}i. Agamemnon. ava arparbv wpae. " Excited 
 throughout the host." O^EKOVTO de TMOL. " And the people kept 
 perishing." Observe the force of the imperfect. By Aoof are 
 meant the various tribes or communities of which the Grecian army 
 was composed. 
 
 1 1-13. OVVEKO. TOV Xpvfftfv, K. T. A. " Because the son of Atreus 
 had treated with indignity that Chryses, the priest." Observe here 
 again the demonstrative force of TOV. It is not the prose article, 
 simply prefixed to a proper name, but denotes that Chryses who 
 plays so important a part in the legend of the Trojan war ; that 
 Chryses, who was, in one sense, the cause of the memorable quar- 
 rel between Achilles and Agamemnon. 
 
 6 yap. "For this (priest)." Avffo^evof rt. "Both to redeem." 
 More literally, " to free for himself," i. e., as a father. Observe the 
 force of the middle. <j>epo>v r" aireptiai' dnoiva. " And bringing a 
 boundless ransom," i. e., an invaluable one. Observe the force of 
 the active in <f>epuv : bringing for another, i. e., for his child. 
 
 14-15. OTtfifjta r' e^uv ev jfpfftV, * r. A. " And having in his hands 
 the fillet of the far-darting Apollo on a golden sceptre," i. e., attach- 
 ed to, or wound around the sceptre at the top. The preposition uvu 
 is found with a dative in the epic language, and also among the 
 lyric writers, and denotes in this construction continuance or rest. 
 The fillet and the sceptre or staff both denote the sacerdotal office, 
 and the former is called the " fillet of Apollo" because accustomed 
 at other times to be worn by Chryses around his brow, as the priest 
 of that god. The following woodcuts represent back and front
 
 NOTES TO BOOK I. 119 
 
 views of the heads of statues from Herculaneum, on which we per- 
 ceive the fillet. 
 
 The earlier editions have tmyz/zar' fy uv > for which H. Stephens 
 substituted a-ip^a. r* f^uv, which has been followed by Heyne and 
 others. It is certainly the preferable reading, and would appear to 
 be confirmed by CTT^/ZO in verse 28. Those commentators are 
 wrong who suppose ore/^uor' to refer to fillets of wool wrapped 
 around a staff or branch after the manner of suppliants. This cus- 
 tom on the part of suppliants was not known in Homeric times, but 
 came in with a later age. Equally erroneous is it, notwithstanding 
 the authority of the minor scholiasts, to make are^a signify "a 
 crown of bay." In the first place, the ornament termed a crown 
 was not as yet known in the time of Homer ; and, secondly, the 
 legend of the metamorphosis of Daphne was subsequent to the po- 
 et's day. Pope's translation, therefore, of a "laurel-crown" is 
 wrong. 
 
 aKTinTpv. The ax^rpov was properly a staff As the staff was 
 used not merely to support the steps of the aged and infirm, but as 
 a weapon of defence and assault, the privilege of habitually carry- 
 ing it became emblematic of situation and authority. Hence we 
 find the sceptre borne in ancient times, not only by kings, princes, 
 and leaders, but also by judges, heralds, priests, and seers. The 
 original wooden staff, in consequence of its application to the uses 
 just described, received a variety of ornaments or emblems. It 
 early became a truncheon, pierced with golden or silver studs 
 (Compare verse 246.) It was also enriched with gems, and was 
 sometimes made of precious metals or ivory. The woodcut on the 
 following page, taken from a fictile vase, and representing ^Eneas 
 followed by Ascanius, and carrying off his father Anchises, who 
 holds the sceptre in his right hand, shows its form as used by kings. 
 
 17-18. /cat uM^oi fVKvf/pidtf 'A^atot'. " And ye other well-greaved 
 Greeks." The greave, or Kvrjfiif (in Latin, or.rca), covered the leg in 
 front, from the knee to the ankle. That the Greeks took great de- 
 light in handsome greaves may be inferred from the epithet employ-
 
 120 
 
 NOTES TO BOOK I. 
 
 ed here and elsewhere, as also from Homer's minuteness in descri- 
 bing some of their parts. (Compare note on book iii., verse 331.) 
 vfth> fiev deal 6oltv, K. r. 7.. " Unto you, indeed, may the gods, who 
 occupy the Olympian mansions, grant to sack the city of Priam, 
 and in safety to come unto your home." More literally, "and hap- 
 pily to come," &c. Observe the opposition between fiiv, in this 
 part of the sentence, and &i in iral&a 6i. Observe, also, the use of 
 the aorist in doiev, ex-epaat, and ineadai, to express the speedy oc- 
 currence of certain wished-for events. 
 
 19-20. iratSa ff tyol Zvoai re, K. r. A. " But both release unto me 
 my child, and receive this ransom." The infinitives hvaai and 6e- 
 XeoBai are here employed as imperatives, a construction which Her- 
 mann regards as a remnant of the old simplicity of the language, in 
 which the action required is expressed by means of the verb used 
 absolutely, without any ellipsis. We have given /.vaai re, with 
 Heyne. The old reading Moars, the penult of which is short, vio- 
 lates the metre, unless we have recourse to the doctrine of the arsis, 
 or caesural pause. Barnes's hvaaofle offends against the sense, in- 
 asmuch as the Greeks are entreated to release for another, not for 
 themselves, and therefore the middle cannot stand here. Clarke 
 reads Ivaairt and dexeaOe, to which no material objection can ex- 
 ist, since the optative /.vaaire will imply the earnest entreaty of 
 Chryses for the immediate release of his daughter, while the change 
 to the imperative in 6ix ea e denies any reluctance in paying the 
 ransom, in case of such release. 
 
 ru uiroiva. Observe here the force of the demonstrative ru, for
 
 NOTES TO BOOK I. 121 
 
 TOVT<I, as indicating a gesture on the part of Chryses, who points at 
 the ransom which he has brought with him. 
 
 21-25. errevijiqftjjaav aideiadai, K. T. /L " Testified by acclamations 
 their assent, both to reverence the priest and to receive the splen- 
 did ransom." Compare, as regards erev^^aav, the explanation 
 of the minor scholiast : per' cv$Tjftiaf ebotiauv. Plato, in his meta- 
 phrasis of this part of the Iliad, has oi (itv id-fai caedovro ical avvy- 
 vovv. tiA/,' oiiK 'Arpe/(5y '\yafiepvovi, K. T. ?,. " But not to the son of 
 Atreus was it pleasing in soul ; on the contrary, he dismissed him 
 rudely, and added thereunto a harsh injunction." Compare, as re- 
 gards the force of /ra/cuf, the explanation of Plutarch (D And. Poet., 
 p. 67, R.) : KdKUf, TOVTEOTtv, aypiuf ical aiBaduf K<U trapu TO irpoaij- 
 KOV. Kpartpbv 6' e-i, K. T. A. Observe here the adverbial force of 
 eiri, " thereunto," or " besides." In the older state of the language, 
 as, for example, in Homer and Herodotus, it is a very common thing 
 to find the preposition and the verb separated by other words. This 
 is not properly a tmesis, that is, the separation of a word used at 
 that time in its compounded form : but the prepositions, at this pe- 
 riod of the language, served really as adverbs, which were put either 
 immediately before or after the verbs. At a later period, however, 
 particularly in Attic, the composition became more firmly estab- 
 lished, and the prepositions were considered as a part of the verb. 
 (Vid. Excursus II.) 
 
 26-28. M// ae Ki^eiu. " Let me not find thee." More literally, 
 "let me not catch thee." Observe the force of the subjunctive. 
 Some commentators supply opa, others dv/.dcaov, before pf/. There 
 is, however, no need of any ellipsis at all The strong emotion of 
 the speaker supplies the place of any verb. fj \>arepov aiirif lovra. 
 "Or hereafter coming again." Afrtf, as a reading, is softer and 
 more Ionic than avdif. /ui? vv TOI ov xP a i a PJi K - T - ? " Lest, in 
 that event, the sceptre and the fillet of the god prove in reality 
 of no avail." Observe the force of vv (shortened from vw), analo- 
 gous to the more prosaic ovv. So, again, rot has here the force of 
 r<i OVTI, " in reality," " in truth." Compare, as regards both these 
 particles, the compound form roiwv, for which, in book vii., 352, we 
 have rui vv. anfi-rpov KM arifj.u.a deolo. By " the sceptre and the 
 fillet of the god" are meant the sceptre, and fillet which he is ac- 
 customed to wear as a priest of the god. Compare note on verse 14. 
 
 29-32. Tyv. " This daughter of thine." Observe the demonstra- 
 tive force of Tqv, which does not here, however, refer to Chryseis 
 as being present, but only near at hand. Or else, and perhaps more 
 correctly, to the maiden as having been just mentioned in her fa- 
 
 L
 
 122 
 
 NOTES TO BOOK I. 
 
 ther's speech. tyu. Emphatic, and therefore expressed. irpiv fuv 
 Kai yijpac. t-xsiaiv. " Sooner upon her shall even old age come," . ., 
 she shall rather remain a captive of mine, even until old age shall 
 come upon her. Compare the explanation of Heyne : " Potius ilia 
 conscnescct apud me in serrili conditioned' This clause is often erro 
 neously translated as follows : "before even old age comes upon 
 her." Such a meaning, however, would require the verb to be in 
 the infinitive. Observe, with regard to e-^eitnv, that t Ifti, " to go," 
 &c., has regularly in the present the signification of the future. 
 
 kv 'kpjel. "In Peloponnesus/' By "Ap^of is here meant, not 
 the city of that name, for this was under the sway of Diomede, but 
 a large portion of the Peloponnesus, including particularly the cities 
 of Mycenae and Tiryns, and constituting, along with many adjacent 
 islands, the hereditary dominions of Agamemnon. 'lirrav txoixo- 
 [itvTjv. " Plying the loom." Literally, " going unto the loom." 
 The reference here is to the upright loom, the management of which 
 required the female to stand, and move about, at one time coming 
 toward, at another receding from it. There was also another kind 
 of loom, at which they sat. The annexed woodcut gives the pic- 
 ture of Circe's loom, in the very ancient illuminated manuscript of 
 Virgil's ^Eneid, preserved at Rome in the Vatican library. 
 
 KCU Ipbv ^fjor avTibuoav. "And preparing my couch." A eu- 
 phemism, involving a much grosser idea. 'A.vn6uaav is equivalent 
 here, as the old grammarians correctly explain it, to evrpe-xi 
 and the phrase AF^OC uvrtdv is precisely analogous to ?,f^of 
 veiv, in book iii., 411, and Od., iii., 403. We must be careful, in this 
 passage, not to translate, as some do, " sharing my couch," a mode 
 of rendering which would make the Greek imply something wished 
 for and desired on the part of the female captive, a meaning direct- 
 ly opposite to the spirit of the context. 'Avridv, with the genitive. 
 Af'^eof, would undoubtedly mean "to partake of," or "share my 
 couch ;" but not with the accusative, as in the present instance. 
 (Buttmann, Lexil., vol. i ., p. 10.)
 
 NOTES TO BOOK I. 123 
 
 'AX/I' Wt. " Go, then." More literally, " (Tarry not, then), but go." 
 The abrupt use of dA/Ui here is intended to mark strong excite- 
 ment. (Tocirepof wf KE virjai. " In order that thou mayest, in that 
 event, depart with greater safety." Observe here the force of KC 
 (analogous to <lv in prose), and consult the remarks of Donaldson 
 on this particle. (iVrw Cratylus, p. 248.) 
 
 33-36. f<5dftfffv <5' 6 yipuv. " That old man thereupon became 
 afraid." Observe, again, the demonstrative force of 6, as equivalent 
 to otTof or CKCIVOS : that same Chryses of whom the bard has just 
 been speaking. UKCUV. " In silence." He utters not his prayer 
 for vengeance until out of hearing of the Grecian host. Hence the 
 remark of the scholiast, in explanation of this silence : iva pr/ UKOV- 
 auaiv oi 7roAf/uot. napu diva Tro?.v<?Xoia6oio &a?M.aoi]c. " Along 
 the shore of the loud-roaring sea." Observe the beautiful onoma- 
 topoeia in no?.v((>Aoia6oio, as imitative of the dashing of the waves 
 and the loud roar of the sea when lashed by tempests. The advo- 
 cates for the Romaic mode of pronouncing the ancient Greek have 
 fallen into a singular error with regard to the Homeric term froAv- 
 faoiff6of, in consequence of their viewing it as an epithet for the 
 sea on all occasions. They enunciate the words in the text as if 
 written polyphlisvto tfudasses, and then add that this expression re- 
 fers to "the gentle laving of the shore by a summer-wave, and not 
 the roaring of a wintry ocean." But what becomes, in that event, 
 of the Homeric <j>2.oio6o{, as indicating the din and roar of battle 1 
 Must we render it " Ihe gentle murmur of the fight!" 
 
 TroAAd ff i-xfiT' inravtvOe KIUV, K. r. A. " And then, going apart, 
 that aged man prayed earnestly to King Apollo, whom the fair-haired 
 Latona bore," t. e.. going to a distance from the Grecian camp. So 
 Plato, in his prose metaphrase of this passage, has unoxuprjaas 
 <P en TOV arpaTOTre6ov. UVO.KTI. A general term of honor here, as 
 indicating one high in power, and applied to many gods. (Compare 
 Donaldson's New Cratylus, p. 417.) TOV. For dv, a usage retained 
 afterward in Ionic Greek. 
 
 37-38. 'Apyv/wrof . " Bearer of the silver bow," . e., the bow 
 adorned with silver. So aurcus areus (Virg., n., xi., 652), as ap- 
 plied to a bow with golden ornaments, such as the ring or handle, 
 &c. 6f \pi>at]v ap<j>i6e6riKaf. " Who hast ever protected Chrysa." 
 Observe here the continued action implied by the perfect, which 
 makes uu6i6?Cr)Kac equivalent, in effect, to " who hast protected and 
 still dost continue to protect." Observe, also, the peculiar mean- 
 ing of the verb itself, "to go around," "to keep moving around," 
 " to guard or protect on all sides." The god keeps watch, as it
 
 124 NOTES TO BOOK I. 
 
 were, over this, his favored city. Xpvoqv. Chrysa, the residence 
 of Chryses, was a town of Troas, on the coast, to the south of Troy, 
 and near the promontory of Lectum. Strabo, however, places it in 
 the innermost part of the Adramyttian Gulf, and hence some are in 
 favor of making two places of this name, an old and a new Chrysa. 
 The city spoken of in the text, wherever it was situate, was famous 
 for a temple of Apollo Smintheus, called Sminthium, a name some- 
 times applied to the town itself. 
 
 Kt'AAap. Cilia was a town of Troas, not far to the northwest of 
 Adramyttium, and lying in what was called Cilicia Thebaica. It 
 also contained a temple of Apollo. Tevt 6016 re Ifyi uvuaoeif. " And 
 (who) rulest powerfully over Tenedos," t e., and who art the tutelary 
 god and powerful defender of Tenedos. The island of Tenedos lay 
 off the coast of Troas, and directly opposite to Troy. It was sacred 
 to Apollo, whose worship appears to have been brought in by a 
 Cretan colony. (Compare Mitller, Gesch. Hell. St., vol. ii., p. 218, seq.) 
 uvuooetf. This verb governs the genitive here, because that case 
 expresses the object which calls forth the activity of the subject. 
 
 39-42. "LftivQev. " O Smintheus." Apollo was worshiped under 
 this appellation in various parts of Asia Minor, but particularly at 
 Chrysa, where he had a temple called Sminthium (I.^.tvBuov'). The 
 origin of the name Smintheus is variously explained. The most 
 common derivation is from the Cretan term apiv6o(, " a rat," 
 Apollo having indicated, by means of field-mice, to the Teucri, when 
 migrating from Crete, the place where they were to settle. The 
 Teucri had been told by an oracle to make their new abode in that 
 place where they should first be attacked by the original inhabitants 
 of the land ; and having halted for the night in a particular spot, a 
 large number of field-mice came and gnawed away the leathern 
 straps of their baggage, and the thongs of their armor. Here, then, 
 says the legend, they fixed their settlement, and hence the deity 
 who had directed their wanderings was called by them Smintheus. 
 Another and better explanation makes Apollo to have derived this 
 name from the rat as the type of primitive night ; and thus the 
 animal in question, when placed in works of art at the base of 
 Apollo's statue, indicated the victory of day over night. 
 
 d wore rot ^api'evr', K. T. A. " If ever, beside other acts of hom- 
 age, I erected unto thee the beauteous temple." 'Em (more literal- 
 ly, "in addition") is here, according to strict Homeric usage, an 
 adverb, and is not to be regarded as merely separated from I papa by 
 tmesis. (Compare note on verse 25.) 
 
 lpn(>a. An erroneous translation of this verb is often given here
 
 NOTES TO BOOK I. 
 
 125 
 
 in the sense of "to adorn," or "to hang with garlands." This, 
 however, is very far from being its meaning in the present passage. 
 The verb ipfyu properly signifies " to cover over," " to roof over," 
 and the literal sense of the text, therefore, is, " if ever I have roofed 
 over for thee a beauteous temple." As, however, the operations of 
 roofing over and completing a structure are nearly identical, the 
 former is here employed to express the latter, and epcipa becomes 
 equivalent to the simple uKodo^aa. It is in this sense that the 
 present passage is understood by Plato in his metaphrasis, where 
 he has kv vaiJv oiKo6o/*7if*aaiv, by Eustathius in his commentary, who 
 remarks, ioreov 6e on TO ipeipa arjfiaivei fiev rb upotyuaa, and by some 
 of the best scholars in modern times. (Compare Ast, ad Plat., Dt 
 Rep., iii., p. 293.) But how can a mere priest be said to erect a 
 temple ! This difficulty, which is noticed by Heyne, may easily be 
 obviated by supposing, as the name itself of the priest would almost 
 appear to indicate, that Chryses combined in his own person the 
 offices of both priest and ruler at Chrysa, a union of dignities often 
 met with in ancient times. Ast thinks that spt^a contains a special 
 reference to the completing of a structure by the erection of the 
 pediment or fastigium, called by the Greeks ue'r<j//a or drrdf, be- 
 cause the pediment of the earliest temples which were dedicated to 
 Jupiter was usually ornamented by an eagle in relief, an instance 
 of which is afforded by the coin represented in the annexed wood- 
 cut. 
 
 "H el 6f, Tore rot, K. r. 7.. " Or if ever, then, (before this), I con- 
 sumed in honor of thee." We have here what is termed the use 
 of 67] in gradation, when a fresh topic is introduced into a discourse. 
 Kara. An adverb. The same remark applies to it as to eni in 
 the previous line. The literal meaning of KOTU tier/a is, " I burned 
 completely," or "entirely," i. c ., "1 consumed." Chryses means, 
 that the choicest parts of the victim were given to the god, and 
 that none were reserved for human purposes. rode poi 
 
 \ : "2
 
 126 NOTES TO BOOK 1. 
 
 " Accomplish for me this desire." The prayer is based 
 on the rude idea entertained of the deity in an early age. The 
 priest enumerates what he has done for the god, and then asks for 
 a recompense. riaeiav Aavaot t/ju duxpva, K. T. 7.. " May the 
 Greeks atone by thy arrows for my tears," i. e., by the slaughter 
 which thy arrows shall inflict. kavaoi. Consult note on verse 2. 
 We have here again a special appellation used in speaking of a 
 whole race. The term Aavao/ is considered by some as equivalent 
 to -yij-yevcif. Thus the scholiast on ^Eschylus (Prom., 568) remarks, 
 oi yap Auptctf T7]v yffu duv Qaaiv. (Compare Haupt, Qucest. ^Eschyl., 
 il, 70.) 
 
 43-45. row (P. " This one thereupon." Br} 6t /car", . r. A. "And 
 he went down from the summits of Olympus." Observe the ad- 
 verbial force of KOTU, and also the idea of motion from a place im- 
 plied in Kapfivuv. Kijp. Accusative of nearer definition. rof. 
 " His fearful bow." The plural of excellence or intensity. a^rjpe- 
 $ia re dtapETpqv. " And his closely-covered quiver." More literal- 
 ly, " and his quiver covered all around." The top or cover of the 
 ancient quiver was called 7r<j//a, and resembled an inverted drink- 
 ing cup, whence the name. 
 
 46-49. 'EK?.ay^av & up' OLOTOI, K. T. A. " And then the arrows rat- 
 tled on the shoulders of him enraged, as he himself moved along." 
 Literally, " he himself having been moved." The arrows rattled 
 on the shoulders of the god as he moved along in anger. avrov. 
 Observe the reflexive force of the oblique case, as it begins the 
 clause ; and compare note on verse 4. 6 6' f/ie i-v/trt COCK wf . " And 
 he moved along like the night." More literally, " and this same 
 deity moved along," &c. A nobly-graphic image. Eustathius in- 
 dulges in a far-fetched explanation, when he makes the present 
 passage a figurative allusion to the thick and vapory appearance 
 of the atmosphere, proceeding from the corruption of the air, during 
 the season of pestilence. The meaning merely is, that the god 
 moved along gloomy of visage, and fearful as the night. So Hesy- 
 chius has, <j>o6fpbf rr/v diav, KaraT^/crt/tof Kaddirep vvi;, 
 
 HETO. f lov irjKE. " And discharged an arrow at them," t. ., at 
 the ships. More literally, " sent an arrow after (i. e., among) them." 
 Clarke supplies v^af after /zero, but the adverbial nature of the latter 
 forbids, of course, any such ellipsis. If we explain this part of the 
 poem physically, the discharge of the arrow marks the beginning 
 of the pestilence, which arose, very probably, from the action of the 
 sun on the stagnant waters in the vicinity of the Grecian camp, and 
 near the mouth of the Siinois. Hence the figurative allusion to the
 
 NOTES TO BOOK I. 127 
 
 arrows of the god, that is, his burning rays. deivij 6e icAayyi? yever', 
 K. r. /.. " And fearful was the twang of his silver bow." Observe, in 
 dpyvpeoio /3wo, the beautiful onomatopoeia, or echo of sound to sense. 
 
 50-52. Ovpqof. The poet here appears as a close observer of 
 nature. In pestilential disorders, four-footed animals are said to be 
 first attacked, from their living more in the open air than man, and 
 being, therefore, more immediately affected by any change in the 
 purity of the atmosphere. (Compare Wolf, Varies. zuHom , //., vol. 
 i., p. 66.) ETTUXCTO. " He attacked." Literally, " he went against." 
 Passow incorrectly refers this to the arrow itself. (Gricch. Hand- 
 tcorl, s. v. enoixopai.) Aiirup inur', avrolai, K. T. "k. " But after- 
 ward, discharging a sharp-pointed arrow at (men) themselves, he 
 kept smiting, and numerous pyres of the dead were continually be- 
 ing burned." An incorrect punctuation of this line makes avrolai 
 apparently violate the rule about the reflexive force of the oblique 
 cases of airo? when beginning a clause. The difficulty, however, 
 is removed, and the rule saved from infraction, by placing a comma 
 after EKEIT', and another after tyieif. 
 
 exeirevicEC- This is commonly rendered " bitter," t. c., deadly or 
 destructive. Buttmann, however, has shown, very conclusively, 
 that the radical idea in ex 7rVK ^ ' s not tnat f bitterness, but of 
 pointedncss. (Lexil., vol. i., p. 18.) BaAA,'. Observe the continued 
 action indicated by the imperfect. dafteiai. Commonly, but er- 
 roneously, rendered " frequent," which makes a tautology with 
 aid . The idea meant to be conveyed is that of funeral piles stand- 
 ing closely together, or, as it were, crowded together. 
 
 53-56. uxero. " Kept going." More freely, " continued to speed 
 their way." KaAeVo-oro. " Summoned." Observe here the pecu- 
 liar force of the middle voice. Achilles takes upon himself the 
 responsibility of summoning the people to an assembly, an idea 
 that harmonizes well with his own impetuous character. T<J yap 
 im ypeal, K. T. A. "For Juno, fair-armed goddess, had suggested 
 it in mind unto this warrior." More literally, " had put it upon his 
 mind unto this one." The preposition k-i with the dative (a case 
 the leading idea of which is rest or continuance) has here in some 
 degree the force of tv. ypeai. Homer, following the idea of a 
 rude and early age, places the region of thought in the breast ; of 
 the head, as the seat of intellect, he knows nothing. The legend of 
 Minerva springing from the head of Jove is of later origin. dijKe. 
 Observe the pluperfect force which the aorist here assumes, and 
 which we often find in similar cases. (Compare Ndgdsback, ad loc. 
 and Kukncr, G. G., 444.)
 
 12S NOTES TO BOOK I. 
 
 yup. The particle yap is twice employed, once in this, and 
 once in the previous line, in order to explain a result arising from 
 two combined causes. Achilles summoned the people because Juno 
 had suggested the idea ; and Juno suggested this idea because she 
 fHt concerned for the Greeks. on pu. "Because, namely." Ob- 
 serve here the explanatory force of the particle pu, corresponding to 
 the Latin nempe, scilicet, or utique. 
 
 57-58. Qi (F eirtl ovv Jtyfpttev, K. r. ?.. " Now when these, then, 
 were collected (from on all sides), and had become assembled to- 
 gether." The particle ovv, if more freely rendered, would be, " in 
 consequence of this summons" Heyne thinks that there is some- 
 thing tautological in the text, if we form fiyepdev from aytipu, and 
 proposes, therefore, to deduce it from eyeipu, " to arouse," making it 
 refer to an arousing, or calling forth, of the people from their pre- 
 vious employments or situations. This, however, is very justly 
 condemned by Wolf, in his Review of Heyne's edition, who re- 
 gards the passage as merely marking the progress of an action from 
 its commencement to its completion. The people are first collected 
 from the various quarters of the camp, and flock in from on all 
 sides, and at last the assembly itself becomes full, and ready to 
 proceed to business. 
 
 Tolai & dvioTufievos, AC. r. A. " Among these (same) thereupon, 
 Achilles, swift of foot, arising, spoke." Observe the force of 6e in 
 this verse. It is by no means expletive, as some suppose, but fol- 
 lows out the idea expressed by the particle 6e in the previous line. 
 Observe also the peculiar meaning of the dative in rolai, equivalent, 
 in fact, to h rovrotf, and compare the remarks of Kuhner on the 
 Daticus localis. (Gr. Gr., 568, 2.) The idea of "among" is still 
 farther expressed by the preposition //era in peTfyrj, though not re- 
 quired to be given in translation. Some editors make rolat depend 
 for its government on this same fteru, but such a construction would 
 not be Homeric, fitru having here merely the force of an adverb. 
 Isa'gelsbach regards TOIOI as the dative of advantage (" for these"), 
 but this is decidedly inferior. Equally objectionable is Passow's 
 explanation, who makes rolai the same here as TOVTOIC. exccri or^v6uif. 
 
 59-60. 'Arpdotj, vvv ufipe, K. r. 7.. " Son of Atreus, I am of opinion 
 that we, having wandered away (from the object of our expedition), 
 will have to go back (to our homes)," i. e., that we having utterly 
 failed in our object, &c. The object of the expedition was, of course, 
 the taking of Troy. Observe, in 7raA<^7rAay^evrac, the use of the 
 passive in a middle sense. This participle is commonly, but erro- 
 neously, rendered " having renewed our wanderings," or " having
 
 NOTES TO BOOK I. 129 
 
 again wandered." In the first place, there were, in fact, no previous 
 wanderings ; and, in the next, the adverb irufav in Homer, whether 
 in or out of composition, has always the meaning of " back," or 
 "away from," analogous to the Latin retro, and never that of 
 "again." This last-mentioned signification is of later date. Con- 
 sult, on the whole passage, the remarks of Doederlein, Lat. Syn. und 
 Etymol., vol. i., p. 92. 
 
 fl KCV duvarov ye Qvyoiptv. " If, perchance, we would escape death 
 at least." The particle KEV is here employed to denote something 
 uncertain and contingent, so that the meaning of the clause, when 
 more fully given, is, " if, (should it so please heaven), we would es- 
 cape," &.C., equivalent to d, -&eov 6i66vrof, <j>vyoi[iev uv tidvaTav, " if, 
 the deity granting this, we might in that event escape." -ddvarov 
 ye. Observe here the limiting force of ye, " if we would escape death 
 at least, since we have not been able to escape war and pestilence." 
 
 61-63. Et 6rj 6pot, K. r. A. "Since, as things now go, both war 
 and pestilence together are subduing the Greeks." Observe that d 
 with the indicative has here the meaning of " since," as denoting 
 certainty, whereas in the previous line, when joined to the optative, 
 it has its usual conditional force. <?;?. This particle here refers to 
 matters as at present existing, and fully determinate in their char- 
 acter. Hence the ease with which it passes, in the next line, into 
 the kindred meaning of " now." dapp. For a literal translation 
 supply another 6a/ip with Aot^rff. The combined effect is expressed 
 by opov, the separate action in producing it, by the verb in the sin- 
 gular. 
 
 aye 6rj. " Come now." nva /J.UVTIV ipcioftcv. " Let us interro- 
 gate some seer," t. e., let us consult, &c. Present subjunctive, for 
 kptupev. fidvriv. The term //uvnf indicates one inspired by the 
 deity, and who, by virtue of such inspiration, unfolds the future to 
 the view. Hence its meaning of seer or prophet. On the other 
 hand, ieptv$ is a priest of some particular deity, who discloses the 
 future from an inspection of the entrails of victims, &c. And again, 
 ovetpoTroAof is an expounder of dreams, who discovers in them an 
 expression of the will of heaven. KO.I yup r" ovap, . r. A. " For even 
 the dream too is from Jove," t. e., even the dream, as well as other 
 signs, is an indication of his will. Observe the peculiar force of t/c, 
 literally " out of," i. e., out of, or emanating from the great source of 
 all knowledge. 
 
 64-67. "Of K' eliroi, OTI roaaov, K. T. A. " Who, in that event, might 
 tell on what account Phoebus Apollo has become so greatly incens- 
 ed." Observe the force of the particle KC, " who, on our asking him."
 
 130 
 
 NOTES TO BOOK I. 
 
 on. Equivalent to the later oY on. ^waaro. The aorist here 
 denotes the having passed into that state which is indicated by the 
 present. 
 
 El T' up' 5/ evxuhrjf, K. r. A. " "Whether, then, this particular deity 
 has a complaint against us, either on account of a vow (unperform- 
 ed) or a hecatomb (unoffered)." There is properly an ellipsis here. 
 The sentence ought to begin as follows : " And let us see whether," 
 &c. of. Observe the force which the particle yi imparts to 6, 
 namely, "this deity for his part," t. e., this same deity. ev^u^f. 
 This genitive, and also IKOTO^^, are commonly supposed to be gov- 
 erned by Ive/ca understood. It is better, however, to make the em- 
 ployment of the genitive here a general one, equivalent, literally, to 
 " in respect of," " by reason of." (Compare Matihiac, 337.) 
 
 \l KEV Trwf upvuv, K. T. A. " If in any way, after having enjoyed 
 the savor of perfect lambs and goats, he may he willing to ward off 
 destruction for us," i. e., from us. The particle al here takes the 
 place of the ordinary el, from its implying a latent wish that things 
 may turn out so. (Consult Hartung, part ii., p. 214.) refaiuv. It 
 was essential that the victim be free from imperfection or blemish 
 of any kind. The same was also enjoined on the Israelites respect- 
 ing the sacrifice of the paschal lamb. (Exod., xii., 5.) KEV (Sovfarat. 
 Not the indicative, as some think, showing it to be very probable 
 that such an offering will propitiate the god ; on the contrary, 
 is the old form for the subjunctive /
 
 NOTES TO BOOK I. 131 
 
 More literally, "having participated in," "having partaken of." 
 (Buttnumn, Lexil.-, s. v.) axo. Used adverbially, according to Ho- 
 meric usage. 
 
 68-73. 'Hroi 5/ f ffwv. " This warrior, indeed, having thus 
 spoken." More literally, " this warrior, indeed, for his part." The 
 particle ?roi is nearly the same in force as piv. The two principal 
 points of difference are that T/TOI is the more poetic term, and that it 
 may stand first in a clause or sentence. (Compare Hartung, vol. 
 ii., p. 358.) oif. Observe the accentuation here, distinguishing 
 this wf (for ovrwf) from the ordinary <if, " as," &c. tear' up 1 ero. 
 No tmesis. Compare note on verse 25. 
 
 QeaTopidijf. " The son of Thestor." o*'. "By far." The term 
 5%a occurs only in Homer, and is used to strengthen the superlative. 
 of fiii) r r' fovro, K. r. ?.. " Who knew as well the things that 
 are, and the things that shall be, and the things that are (gone) be- 
 fore," t. e., the present, future, and past. Observe the peculiar de- 
 monstrative force in TU. as connected with lovra and iaaoptva, " those 
 "things that are," " those things that are to be." So in English, 
 " that which is," " that which is to be." 
 
 Ko2 vrieaa" qyrjffar', K. T. /.. " And was guide for the ships of the 
 Greeks unto Ilium." We must be careful not to connect with 
 fiyrjffaro here any idea of command or authority. The term merely 
 indicates the influence which a seer like Calchas would exercise over 
 such an expedition, in explaining omens, and other signs from on 
 high, and in determining by these means the course of the fleet. 
 *I?.tov. The accusative of motion toward a place, and not depend- 
 ing on clou. nv dtu pavTotrvvriv. " By means of his skill in divina- 
 tion " ijv for krtv. rrjv. "Which." Epic for ijv. 
 
 "O (T$iv kvfyovsuv, K. T. A. " This one, being favorably disposed 
 toward them, harangued and spoke among them (as follows)." 
 Literally, " this one thinking well for them." We have given o ayiv, 
 with Wolf and Spitzner, as supported by the authority of Aristar- 
 chus and the best ancient grammarians ; and have assigned to o the 
 force of ovrof, as usual. (Compare Ustcri, Wolf Varies., vol. i., p. 
 75.) Some make 5, however, Homeric for of (Kiihner, (/ 343) ; and 
 Hcyne and others read at once of a<j>iv. ayopfiaaro. This merely 
 relates to the occasion on which the speech was delivered, namely, 
 in a public assembly ; it was so far, therefore, an ir/opd, or concio. 
 The term pereei-xev, on the other hand, refers to the contents of the 
 speech. 
 
 74-79. Kfreai p.e. "Thou biddest me." Not directly, but impli- 
 edly. uijviv. " The cause of the wrath." epeu. " Will declare
 
 132 NOTES TO BOOK I. 
 
 it." Nagelsbach supplies jrof, in the sense of rcm; but this is un- 
 necessary, since epeu refers back to fi^viv. av 6e avvdeo. " Do 
 thou, however, consider well." More literally, " place (or arrange) 
 the matter carefully in thy own mind." Supply typeaiv. Observe 
 the force of the middle voice : Achilles must do this for himself; he 
 must take the whole responsibility. ofwaaov. We have removed 
 the comma after this verb, in order to connect it immediately with 
 what follows. The old punctuation turns on an erroneous transla- 
 tion of avvQeo. 
 
 f) fj.iv P.OI irfjoQpojv, K. r. 7.. " That thou wilt in very truth prompt- 
 ly aid me with words and hands." More literally, "wilt ward off 
 (danger) for me." In the form % (iiv, the particle fiiv corresponds 
 to the prose form ^v. (Consult Nagelsbach's Excursus on pyv.) 
 irpoippuv. Observe the employment of the nominative with the in- 
 finitive, the reference being to the same individual that forms the 
 subject of the preceding verb. f) yap 6iopai uvdpa xo^uaipw- " For 
 I do assuredly think that I shall anger the man." Observe the force 
 of ff. Some connect it, in translating, with ^oAuCTf//cv, but it unites 
 more naturally with bio^at. x^- ua ^ V - When the subject of the 
 infinitive is the same with that of the preceding finite verb, it is 
 omitted with the former, unless an emphasis be laid upon. it. 
 
 [rf.ya. " With powerful sway." KOJ. oi neiOovrai 'A^atof. " And 
 him the Greeks obey." We have here what grammarians call a 
 Parataxis, the personal pronoun oi taking the place of the relative 
 V, or, in other words, the expression " and him" being employed in- 
 stead of " and whom." In Homer, this construction savors of the 
 simplicity of the early language, when the relative was not as yet 
 generally employed. With later writers, however, it is done either 
 to avoid the too frequent use of the relative, or else to impart addi- 
 tional force to what is said by the sudden turn of expression. 
 
 80-83. icpftoouv yap paoiAtvf, K. r. 7.. ''For a king is the more 
 powerful (of the two) whenever he shall have become incensed 
 against a man of inferior rank." Commentators are divided here in 
 opinion relative to the form ;i;w<Tera<, some regarding it as the simple 
 future, others as the aorist of the subjunctive with a shortened mood- 
 vowel. The latter appears to be the more correct view of the mat- 
 ter, since the reference is merely to a supposed case, which has no 
 connection with the reality at the moment when the words are ut- 
 tered. (Compare Nagelsbach, Stadelmann, Crusius, &c., ad loc.) 
 
 f'nrep yup rtjoAov ye, K. r. A. " For though he may have stifled 
 open wrath, indeed, even on the same day, yet at least afterward also 
 does he retain secret resentment in his breast until he may have
 
 NOTES TO BOOK I. 
 
 133 
 
 fulfilled (its dictates)." The particle ofypa with the aorist of the 
 subjunctive is here equivalent to donee in Latin with the Futurum 
 exaction. (Ndgelsbach, ad loc.) ^6Aov. By ^oAof is meant an out- 
 burst of passion, open resentment ; by KO'TOC, on the other hand, a 
 feeling of secret anger, long harbored in the breast. Compare the 
 Etym. Gud., ^6Aof de oiovel Kivrjaif ^o/.^f, xorof Jc C^'f To ^> xtpiKap- 
 6iov alftarof. aAAd yr. We have given this reading, with Heyne. 
 More recent editors have u?J.d TE. 
 
 ov 6f <j>pdaat. " Do thou therefore consider." Observe here the 
 force of the middle voice. In the active, QpdZu means " to speak to 
 or with another ;" but in the middle, "to or with one's self," t. e., 
 to consider, to deliberate. //e aauaeif. " Whether thou wilt save 
 me (from harm)," i. c., wilt protect me. 
 
 85-88. tiapofioas ftd/.a. " Having taken courage fully." elrre 
 Qtoirpo-KLov, K. T. A. " Explain the heavenly sign, what thou knowest 
 (it to be)." The heavenly sign here meant is the plague, viewed as 
 an indication of the will of the deity. We have given to deoTrpomav 
 the meaning assigned to it by Buttmann, who derives the word from 
 
 of, and irptxu in the sense of aqpaivu. According to this writer,
 
 134 NOTES TO BOOK I. 
 
 therefore, the old expression tfedf irpiuci means " a god sends a 
 sign."- The sign sent was called deoirpoinov, and the interpreter 
 of it tfeoTrpoTTOf . (Buttmann, Lexil., vol. i., p. 19.) 
 
 ov ua yup 'An-o/Awvo. " No ! for by Apollo." The particle rri> 
 makes here, in fact, a double, that is, a stronger negation with 
 ovrtf in verse 88. wre. " And unto whom." To he construed 
 with ei'xopevof. -deoKpomaq uva<j>aivcif. " Revealest his heavenly 
 signs," i. e., explainest their import. The term dconponia is the 
 same in effect as deoirpoiuov. eur.v fwvrof, K. r. A. " While I live 
 and see on earth," i. e., live and enjoy the blessing of sight. Com- 
 pare the Attic &v KOI /3Ac'7rwv, and the Latin vivus vidcnsquc. 
 
 89-91. irapa. ' At." fiapeiac ^etpaf ETtoiaei. " Shall lay heavy 
 hands," t. e., the hand of violence. ovcF f/v etTrj/f. " Not even 
 though thou mention," i. e., not even though thou name as the 
 cause of Apollo's anger. The more common construction in prose 
 would be, ovd' '\yafiifivuv, f/v upa rovrov etTryf. 6f vvv TroAAov 
 upiarof, K. T. A. " Who professes to be at the present time by far 
 the most powerful of the Greeks." We must be careful not to 
 render cv^erat rlvai, " boasts that he is." It is the Latin profitctur 
 esse, and is explained in Plato (Gorg., p. 449, B.) by fTrayytAAcrat, 
 " proclaims himself." We have here the plain and simple man- 
 ners of an early age, where nothing boastful is intended, but an in- 
 dividual merely says of himself what he actually thinks. " I am 
 an inspired singer," says the bard. " I am the representative of 
 Jove," says the monarch. TRM/IOV. Equivalent to iroXv, or the 
 Latin multo, longe. 
 
 92-96. duporioe. " Took courage." More literally, " became 
 encouraged." Compare k^uaaro verse 64. OVT' up'. "Neither, in 
 very truth." The speaker, according to Kuhner, begins an address 
 with our' upa .... ovre, when he opposes some false view of a mat- 
 ter that has just been taken previously. (G. G., 755. Compare 
 Harlung, vol. i., p. 431, 444.) 
 
 ovd' (inehvae tivyarpa. " Nor did he release his daughter." Our 
 form of expression would be, " and whose daughter he released 
 not." TOVVCK' up'. " On this account, namely," i. c., on this very 
 account. The particle upa is here explanatory, and serves, as it 
 were, to recapitulate what has gone before. (Nagdsbach, Excurs., 
 $3.) 
 
 97-100. oW 5-ye irplv, K. T. A. " Nor will this same deity keep 
 away his heavy hands from the pestilence, before, at least, some 
 one give back unto her father the maid of the quick-rolling eye," 
 &c. Observe the repetition of irpiv in order to impart additional
 
 NOTES TO BOOK I. 135 
 
 force to the expression ; literally, " sooner, sooner at least ;" and 
 observe also the force of yc with the second Ttpiv, more freely, " be- 
 fore that, at all events." x ei P a t- Markland conjectured K^paf, hut 
 Xeipac is more correctly preferred by Heyne, Spitzner, and others. 
 The meaning is, that Apollo will not keep off his hands from send- 
 ing the pestilence. Compare the analogous form of expression in 
 the Odyssey (xxii., 316), KQKCJV uiro pf ex f o&ai. 
 
 ano. Used adverbially here, as usual. No tmesis of anodofievai. 
 duftevai. We must supply before this infinitive the indefinite 
 pronoun rivd. Calchas is afraid of naming Agamemnon, though 
 he means him all the while e/U/c(j7rJa. Referring to the quick- 
 glancing, flashing eye, that forms so striking a constituent of female 
 beauty, and is indicative also of youth and spirits. 
 
 uTrpiuTrjv, UVUTTOIVOV. " Without price, without ransom." Two 
 adverbs. The absence of the connecting conjunction is here in- 
 tended to mark how free the surrender must be. (Nagelsback, ad 
 lo'c.) Xpvaqv. Consult note on verse 37. rare nev fj.iv, K. r. X. 
 " Then, perhaps, after having propitiated, we may persuade him (to 
 save),'' i. e., after having propitiated him by the surrender of the 
 maiden, we may prevail upon him, by sacrifices, to remove the 
 pestilence from among us. 
 
 101-105. i)Toi of uf diruv. " This one, indeed, having thus 
 spoken." The particle wf (observe the accent) is here again put 
 for ourwf . roiat. Consult note on verse 58. fievcof de fitja <t>pvec, 
 K. r. ?.. "And his diaphragm, black all around, was greatly filled 
 with anger." By Qplvff is here meant the diaphragm. When the 
 mind is violently agitated by passion, the veins become swollen 
 with blood, and the qpevcf are properly said to be ft&aivai. oaae 
 61 ol Trvpl, K. T. ?.. " And his two eyes resembled blazing fire." 
 Literally, " the two eyes for him." KUK' baaofievo^. " Sternly re- 
 garding." The verb baaofjLai has also the meaning of foreseeing, 
 together with that of prognosticating and foreboding. Hence Butt- 
 mann remarks, that although, in the present passage, the first and 
 most simple signification is certainly that of looking at one sternly 
 or malevolently, yet doubtless 6oaea6ai is chosen as the more ex- 
 pressive word, to show that Agamemnon's look threatened and 
 foreboded evil. (Lexil., . r.) 
 
 106-108. fitivri KOKUV. " Prophet of ills." Compare the explana- 
 tion of Eustat hius : 6 KOKU navTcvofifvof. TO Kpijyoov. " That which 
 was pleasing." The primitive meaning of this term approximates, 
 perhaps, more closely to " good," " useful." We have given 
 "pleasing," however, as more in accordance with the spirit of the
 
 136 NOTES TO BOOK I. 
 
 passage. alei TOL TO. KUK' earl, K. r. A. " Ever are the things that 
 are evil dear in mind unto thee to predict," i. c., ever dost thou 
 take delight in divining what is evil. We have adopted here what 
 appears to be the more natural construction. The common mode 
 of rendering is, " ever unto thee is it dear in mind to predict the 
 things that are evil." According to this latter view, <j>iha is here 
 for f&ov. (Consult Nagelsbach, ad loc.) TO, KUK'. Observe the de- 
 monstrative force of TU. More literally, "those things (that are) evil." 
 
 laOhdv 6' oi'tie ri iru, K. r. X. " Neither hast thou ever as yet ut- 
 tered any favorable prediction, or done aught that was advantageous 
 (for me)." The commonly-received translation of oW ereAeffaaf, 
 " nor brought it to its accomplishment," cannot stand, though 
 sanctioned by the names of Wolf, Heyne, and others ; for how can 
 a diviner be said to accomplish his own prediction ? (Consult 
 Nagelsbach, ad loc.) 
 
 109-115. #f07rporrjv. "Revealing signs from on high," i. c., 
 pretending to reveal them. Consult note on verse 85. (if 6q. 
 "How that, forsooth." The particle 6rj is here ironical, and an- 
 swers to the Latin scilicet. KOVOTIC XpvoTjidoc.. " Of the damsel 
 Chryseis," i. e., offered for her. irrel TroAv povXoftat, K. r. /I. " Since 
 much do I wish to have herself at my home." AVTT'/V is here put in 
 opposition to uiroiva, and answers to the Latin ipsam, not earn. 
 KOI -ydp pa, K. r. A. " For in very truth I prefer her even to Cly- 
 temnestra, my wedded wife." The particle Kal must be joined in 
 construction with the proper name. Trpo6e6ov?.a. Observe the force 
 of the perfect here. Literally, "I have preferred, and I continue to 
 prefer." Kovpidiqc. The Homeric adjective Kovpidio? does not 
 mean "youthful," as many render it, but " wedded," and is opposed 
 to the union between master and slave, or to concubinage. (Butt- 
 mann, Lcxil., s. r.) 
 
 i-rrel ov tOev, K. r. A. " Since she is not inferior to her, either in 
 person or in mien, either, again, in mind, or at all in accomplish- 
 ments," i. e., or in any accomplishments. fOei>. The accentuation 
 of this pronoun in the greater number of editions is erroneously 
 given as WEV. The law is correctly laid down by Spitzner : " Si 
 persona tertiee pronomina 2o, ev, Idev, ad cum ipsum, de quo sermo cst, 
 referuntur, tenor in Us subsistit, sin ad alium qucmpiam pertinent, in- 
 clmatur." In the present instance, therefore, since 6sv refers not 
 to Chryseis, but to Clytemnestra, it becomes an enclitic. 
 
 (Jf/zaf. By deuas appears to be here meant, in strictness, the de- 
 velopement of the frame ; by $vrj, on the other hand, the symmetry, 
 or proportion of the different parts to one another, the natural air
 
 NOTES TO BOOK I. 137 
 
 or carriage. Voss, in his review of Heyne's edition, states the dif- 
 ference between the two terms very accurately : " Wcdcr an Leibcs- 
 wuclts, noch an Btldung," meaning by the latter expression, "an 
 schoncm Vcrhdltmss dieses Wuchses." (Usteri, Wolf Varies, vol. i., p. 
 87.) ovr' dp. The particle dp is here employed to carry on, and 
 give a new view to, the enumeration ; just as we would say in 
 English, " nor then again^lpya. By Ipya are here meant accom- 
 plishments in the Homeric sense of the term, namely, such as were 
 of a domestic nature, especially those appertaining to the loom. 
 
 116-120. d/./,d Koi wf. " And yet even thus," i. ., even though 
 the case stand thus, and she be so beautiful and accomplished. 
 ff)e/.u. " I am willing." Trd/tv. ' Back," i. e., to her father. Con- 
 sult note on verse 59. ro/. "This particular course." Observe 
 the limiting force of yc. povXopai. "I wish rather." This verb, 
 when followed by i], has frequently the force of ^ovJ.ofiai fiuhXov, 
 or the Latin malo. aiirup ipol ycpaf, K. r. A. " But prepare ye 
 straightway (another) reward for me, that I may not alone," &c. 
 The particle aiirup is poetic, and has the same force as u3./.a, or 6e, 
 in prose, denoting a difference and opposition. epoi. Observe the 
 employment of the emphatic form of the pronoun. odpa. For Iva. 
 otof. " Alone." Not to be confounded with olof, "such as." 
 
 fTft oi'de eoiKs. " Since that is not fitting either." Observe the 
 force of ov6l. While, on the one hand, it is not right for Agamem- 
 non to retain a prize that involves the ruin of his followers, so, on 
 the other, it is not fitting either that he alone, the leader of the ex- 
 pedition, should be without a reward. o poi yepaj- fp^c'ai U?./.TJ. 
 " That my prize is going in another direction," i. c., than was orig- 
 inally intended. That another is about to take it from me. The 
 allusion is to the surrender of the daughter into the hands of her 
 father. o. The neuter of the relative <3f stands here, by Homeric 
 usage, for on. (Matlhice, 48C, 3.) u/J.ij. An adverb, and incor- 
 rectly written with the subscript i, as is shown by the Doric form 
 u/./.a. Most adverbs with the dative (or locative) flection express 
 not only the relation of rest (dativus localis), but also the direction 
 whither, as in the present instance. (Kiihner, $ 571, An. 3.) 
 
 122-124. 'A.TpfiAri Kvdiare, ,\. T. X. "Son of Atrens, most con- 
 spicuous for thy station, most greedy of all men." The rapacious 
 spirit of Agamemnon does not destroy his claim to official respect. 
 In the simple language of an early age, both qualities are mention- 
 ed, without any actual clashing of the one epithet with the other. 
 Truf yap rot, K. r. A. "(Why talk in this way ?) for how shall the 
 high-souled Greeks give thee a reward!" i. e., why talk of another 
 M2
 
 138 NOTES TO BOOK I. 
 
 prize 1 for how shall the host be able now to give thee one 1 The 
 particle yap is here, as often elsewhere, elliptical, and refers to 
 something preceding, and to be supplied. 
 
 otxJe ri rcov idpev, K. r. X. " Neither do we at all know of any 
 quantity of presents lying any where in common," i. c., remaining 
 any where undivided. We may supply with n-oAAd either xPW ara 
 or yepa. Observe the very delicate use of the particle oi>6e. Nei- 
 ther, if the Greeks should even deem it right for thee to have an- 
 other prize, are they now possessed of the means of bestowing one. 
 ri. Many editors read oiid' ZTI TTOV. We have given, however, the 
 lection of Spitzner, which is more in accordance with Homeric usage. 
 
 125-126. ?/. TU [iev xohiuv, K. T. 7i. " But those things, indeed, 
 (which) we once obtained by sacking from cities, these have been 
 divided." More literally, " (which) we once sacked from cities." 
 Observe here the peculiar employment of the demonstrative, as sa- 
 voring of the simplicity of the early language before the relative 
 was as yet commonly employed. It is the same as if we were to 
 say in English, "that we plundered, that we have divided." Com- 
 pare the English version of Scripture, "take that thine is." (Matth., 
 xx., 14.) ri 6e6aaTai. Observe that there is no <5f in this clause, 
 answering to ftsv in the preceding one, because fiev has there a 
 strong affirmative force, which is carried out still farther in ru Jc- 
 
 <5* OVK k-neoiKe, K. T. A. " And it is not fitting that the peo- 
 ple heap up these gathered back," t. e., gather these back from their 
 previous possessors, and heap them up preparatory to a second dis- 
 tribution. Observe in cTrayc/pav the force of eiri in composition, 
 " to gather upon," i. e., to heap one upon the other, and compare the 
 German an in anhaufcn. ira?.ftJ>oya. More literally, " selected 
 back." The idea involved is that of going around unto all who had 
 received prizes, picking these out from among their other possessions, 
 and bringing them back to some general place of deposit preparatory 
 to a new division of the same. 
 
 127-129. rftvie tfew irpoef . " Send on this (maiden) out of rever- 
 ence toward the god," i. e., and propitiate the god by so doing. 
 Observe the force of npo in npoe^. " Send forward," " send onward 
 to her home." Compare note on verse 3, Kpoiatyev. axoTiao[j.ev . 
 "Will recompense (thee)." More literally, "will pay thee back." 
 There is no need, when thus translating literally, of our supplying 
 n/veJe here with special reference to Chryseis. The poet merely 
 has in view the general idea of loss sustained by Agamemnon, 
 without any more particular allusion.
 
 NOTES TO BOOK I. 139 
 
 at Ki nodi Zei'f dtJai. " If Jove, perchance, ever grant (unto us)." 
 Observe the employment here of at for , as indicating a latent 
 wish that things may turn out so. Compare note on verse 66. 
 TrdAtv Tpoirjv evreixeov. " The well-walled city, Troy." Not 
 Tpoitif, as we find with TrroMedpov, nor Tpoirjv of three syllables, as 
 Aristarchus and Herodian maintain. (Consult Spttzncr, ad loc.) 
 
 131-132. p}] 6' otTwf, AC. r. ?,. " Now do not thus, godlike Achilles, 
 because thou art an exceedingly clever man, conceal (thy real senti- 
 ments) in mind ; since thou wilt not overreach nor persuade me." 
 The term uya66f is here "clever," or " skilful," not " brave," as it 
 is commonly rendered. nep. Not to be taken here in the sense of 
 quorums, a meaning which it often elsewhere has with the participle, 
 but with the force of valde. It is the same, therefore, as the Latin 
 per, in such expressions as " pergrata perque jucunda," "per mihi 
 minim -cisum est." kuv. To be taken " causaliter." 
 
 /c?.t7rre v6<j. The object of the verb is not named, but may be 
 easily supplied by the mind. The verb /cAeVrw here is the same as 
 furtim oceulto. rrapeP-ewreai. A metaphor borrowed from the race, 
 in which one competitor runs by, or outstrips another. Hence to 
 overreach, to outwit. 
 
 133-134. f] We/.etf, odp' avrbf, K. r. A. " Dost thou wish that thou 
 thyself have a prize, but for me to be sitting thus in want of one 1" 
 The interrogative meaning of ft arises very naturally from its original 
 disjunctive force : "(am I wrong in my surmise), or dost thou wish," 
 &c. ofp' avrbf fyw- The construction of o<f>pa with the subjunc- 
 tive, followed by the accusative with the infinitive, after a verb of 
 wishing like i:6i/.<j, has excited some surprise on the part of com- 
 mentators. The truth is, however, that 6<ppa with fyw is intended 
 to mark the purpose or object in a more emphatic manner than 
 ordinary, and therefore this construction is expressly employed. 
 
 ai'-wf. A difference of opinion exists with regard to the proper 
 form of this adverb. Buttmann, following Damm and Heyne, main- 
 tains that it ought always to be written avruf, with the aspirate. 
 Hermann, on the other hand, is decidedly in favour of avrur with 
 the lenis, and his decision appears the more correct one. In the 
 present passage it means, "thus," or "even as you now see me," 
 and answers to hoc ipso modo in Latin. (Hcrm., Opusc., vol. i., p. 
 308, 341. Buttmann, Lexil., t. t>.) 
 
 135-139. U/.A'. "Well, then." duaovai yepac. Supply poi. 
 apoavTEc Kara #v/*ov, ic. r. A. " Having adapted it to my mind, so 
 that it shall be a full equivalent, fall will be right)." The ellipsis 
 after iarai may be supplied as follows : iravra aAf l!-u. This con-
 
 140 NOTES TO BOOK I. 
 
 struction forms what grammarians call of^ua avavTairodorov. dv- 
 rut-tov. Equal in value to the one which 1 shall have lost ; namely, 
 to Cnryseis. 
 
 yw 6t KEV avrof l\u(iai, K. T. X. " Then, in that event, will I in 
 person, having gone, seize either thine or Ajax's prize, or having 
 taken, will lead away that of Ulysses." Briseis had fallen to the 
 share of Achilles, Tecmessa to Ajax, and Laodice, daughter of 
 Cycnus, to Ulysses. Agamemnon threatens that he will come and 
 bear away any one of these whom he pleases. 17 'Odvffijof dfw &MV. 
 The excitement under which the speaker labors leads him here into 
 a kind of repetition. This is in accordance with the character of 
 early eloquence, where the main idea is continually brought forward 
 and dwelt upon. The change from the middle tl.ufj.ai. to the active 
 &uv is particularly worth observing. 
 
 6 6e KSV Kexol-uaerat. " And that one shall long be angry," i. e., 
 shall have cause for lasting resentment. The exercise of authority 
 on the part of the speaker shall be so galling in its nature as long 
 to be remembered. Observe the continuance of action expressed 
 by the third future. The particle Km has reference to the same 
 particle in the second clause : in case Agamemnon shall have come 
 unto any one, in that event this one shall have occasion long to be 
 angry. ov nev. " Unto whomsoever." 
 
 140-142. utraqpaaofjieada, KOI avrtf. " \Ve will deliberate upon 
 even hereafter." Observe here the force of /w-u in composition, 
 " we will consider among ourselves," i. e., I will take into my own 
 consideration. nai avTic.. Literally, " even again," i. e., at some 
 other time. vjja pt/.aivav. Hcyne refers this to the action of the 
 air and water in blackening the sides of the ship ; but Wolf, with 
 more propriety, to some color or preparation laid over the timbers 
 to protect them from the atmosphere, &c. It was probably a mix- 
 ture of wax and pitch. (Compare Muller, Archaol., $ 320, 3.) 
 
 cpvaaopcv. For kpva^ev. " Let us draw." The ships were 
 drawn up on the shore when a voyage was ended, and drawn down 
 again when one was to be commenced. 6lav. To be rendered here 
 " boundless." Literally, " divine." The idea of boundless extent 
 and vast energy is here transferred from the deity to one of the no- 
 blest of his works. if <F u-yeipopev. "And let us collect and put 
 into it." Observe that uyslpo^ev is for uyeipvpev. The employ- 
 ment of the adverb ff supplies, as it were, the place of a second 
 verb. Compare the explanation of Nagelsbach : " Collectos remiges 
 imponamus in navcm." 1 cTrirjjdif. "As many as are proper." A 
 neuter in -ef, attached adverbially to aytipopcv, here supplies the
 
 NOTES TO BOOK I. 
 
 141 
 
 same sense as its adjective would give if joined to iptra^ in the ac- 
 cusative plural. (Buttmann, Lexil., s. v.) EKO.TOH&TIV. Consult note 
 on verse 315. 
 
 143-145. tfet'o/iev. For dufj.fv. uv 6e firiaopev. "And up let us 
 cause to go," . c., up the sides of the vessel. More freely, " let us 
 put on board." Observe here the causative meaning in fir/ao/iev 
 (which is for ^rjau^sv). In other words, pjjaoptv comes from the 
 old stem-form (3uu, " to cause to go," the middle future of which is 
 borrowed by fiatvu. The signification here given, however, is con- 
 fined to the Ionics and poets avrr/v. " Herself." Referring to 
 Chryseis, who is thus placed in opposition to ixaro^n. df nr. 
 " Some one," i. e., one, whoever he may be. 6tof 'Odvaaivf. Com- 
 pare Glossary verse 7, 6lo$ . 
 
 146-147. fjc (TV. <% Or even thou." EKTrcr/AoTar'. "Most formida- 
 ble." The literal meaning of fxrrayAof is " striking," " terrible," 
 and the root is FKTr?.ayf/vai, the first /I being dropped for the sake of 
 euphony. This would make the primitive form to have been iK-ha- 
 yAof. (Buttmann, G. G., p. 290, Robinson's transl.) The epithet 
 ^KTraj-Aorare is not to be taken here in an ironical sense. It is rather 
 a surly admission of the possession of distinguished qualities. 
 
 D.unctai. For tf.tiaanai. iepa /it'faf. "Having offered sacrifices." 
 More literally, "having performed sacred things." Compare the 
 analogous use of/aeio in Latin : " Quum faciam vituld profrugibus." 
 tVirg, Eclog., iii., 773.)
 
 142 NOTES TO BOOK I. 
 
 148-151. TOV. Depending in construction on npofE^j). vnodpa 
 I6uv. "Having sternly eyed." u poi. "Ah!" The exclamation 
 of one stung with indignation. Observe the accentuation. The in- 
 terjection u has a twofold accent, namely, the circumflex in the 
 sense of calling, &c., that is, before the vocative ; but the acute or 
 grave when employed as an exclamation, that is, before the other 
 cases. uvaioEiTjv ETTIEI^EVE. " Man clothed with shamelessness (as 
 with a garment)." Similar metaphorical expressions are not un- 
 frequent in Holy Writ. Compare Psalm xxxiv., 26; cix., 18, 29, 
 &c. Kfp6a%.e6<j>pov. " Lusting after gain." TOL ITTEOLV. " Thy 
 orders." Literally, " orders for thee." Equivalent to eireai aotf. 
 
 odbv ehOsftEvai. " To go on any expedition," i. e., any plundering 
 expedition. Literally, "to go along the way," i. e., to go maraud- 
 ing, and seizing whatever they may fall in with. We have here one 
 of the usual aspects of early warfare. The other is expressed by 
 uvdpdaiv l$i puxEodai, warfare in the battle-field. Achilles, therefore, 
 asks how any one of the Greeks can willingly engage in either of these, 
 for the sake of a monarch who will always appropriate to himself the 
 best part of the plunder, and even take away from others what be- 
 longs of right to them ; and who, on the other hand, will requite 
 exertions in the battle-field with the basest ingratitude. The view 
 which we have here given of the phrase odov E^defievai is not, how- 
 ever, the one generally adopted. The ancient commentators refer 
 the expression to the going into, or laying an ambuscade ; while 
 some of the more recent German critics, such as Nagelsbach and 
 Stadelmann, give the phrase a general meaning, as applicable to 
 any going forth (" Gang" im allgemeinen), as, for example, an em- 
 bassy. Both these explanations appear inferior. 
 
 152-157. ov yap eyu, K. T. %. " (I will not, for one), for I came 
 not hither," &c. Observe the elliptical force of yap, requiring 
 something to be supplied like what we have here inserted. /not al- 
 TIOI. " In fault toward me," i. e.., the authors of any injury unto 
 me. ov TruTrore. " Never as yet." f/haffav. " Drove they away." 
 ovds ftEv. " Nor yet." The meaning is that they did not even 
 drive away his horses, although these were much more tempting 
 objects of plunder, and more frequently carried off than cattle. 
 
 EpiCuXuKi, fiuTiaveipT). " Deep of soil, nurse of heroes." It is 
 more in accordance with the spirit of the Homeric poems to trans- 
 late the epithets separately from the noun. By Phthia is meant the 
 native district of Achilles in Thessaly, forming part of the larger 
 district of Phthiotis. ETTEI ii fiu^a 7roA/lu, K. T. A. " Since both 
 very many shade-covered mountains, indeed, (lie) between," &c.
 
 NOTES TO BOOK I. 143 
 
 We have given kirti ft, with Spitzner, Thiersch, and Bothe, in pref- 
 erence to fTreirf, the reading of Heyne and Nagelsbach. It is far 
 more emphatic, and avoids, besides, the abbreviation eKeiri, in the 
 middle of a word. (Thiersch, G. G. t 149.) aKioevra. Referring 
 to mountains clothed with forests, and therefore covered with 
 shade ; not mountains casting a shade around them. 
 
 158-160. uA/Ui aoi. Not uM.a. aoi, since aoi has the emphasis. 
 u /tef uvaitief. " truly shameless man." Literally, " greatly 
 shameless." up' eanofiEff. The verb eno/iai is found very frequent- 
 ly, in Homer, in connection with u/m and jueru. In this there is 
 nothing pleonastic, but it is because the primitive meaning of eiru 
 refers, not to any follmeing after another, but to the being employed 
 upon (CTTJ) any matter in obedience to, or under the control or influ- 
 ence of .another. oQpa av x aL PW- The subjunctive is frequently 
 used, although the preceding verb be in past time, when the verb 
 which depends upon the conjunction denotes an action which is 
 continued to the present time. (Matthia, 518, 1.) 
 
 riftTiv upvv/uevoi. " Seeking to obtain satisfaction." By ripy is 
 here meant a penalty, amercement, or fine, which the Trojans were 
 to pay, independently of the restoration of Helen. KWUKO. " Thou 
 dog-faced one." More literally, "dog-eyed." The dog was with 
 the ancients the type of impudence and shameless effrontery. ruv 
 ovn ufTarpcTry, K. r. A. " Which things thou not at all regardest nor 
 carest for." TUV for uv. The literal force of fieraTpineaQai is " to 
 turn one's self toward any thing," " to turn one's self and go after it." 
 
 161-164. KOL 6f;. "And now, forsooth," /uot. To be construed 
 with u;rtAf, not with uyaipriatodai. " Thou threatenest me, to 
 my very face." airof. " That thou, with thine own hands," i. e., 
 that thou in person. Observe the employment of the nominative 
 with the infinitive, and consult note on verse 77. u em. " For 
 which." In later Greek, k& o>. doaav 6i poi, K. r. A. " And the 
 sons of the Greeks gave (it) to me." Commonly, but incorrectly, 
 rendered, " and (which) the sons of the Greeks gave to me." Cru- 
 sius falls into this error, making 66aav Je stand here for o Idoaav. 
 The true principle is stated in the note on verse 79. 
 
 ov firv aoi nore, K. r. A. " Never, indeed, have I a prize equal to 
 thee, whenever the Greeks may have sacked any well-inhabited 
 town of the Trojans," i. e., any town of Troas. Observe here the 
 employment of fyu in the present, in order to bring the action more 
 fully before the eyes. Heyne and others, with less propriety, assign 
 here to lx u a future signification, and make Tpuuv TTTohieQpov refer 
 to Troy itself. aoi laov. According to the usage of the earlier Ian-
 
 144 NOTES TO BOOK I. 
 
 guage, the personal pronoun is here employed, where we would ex- 
 pect the possessive. Compare the somewhat analogous usage in 
 Livy : " Supra Cocliles Muciosque id facinus cssc" (ii., 13) ; and, 
 again, "Jovis Sulisque cquis irquiparari dictatorem" (v., 23). 
 
 165-168. A?.tt TO jj.ev irhclov, K. r. A. "Yet the greater part of 
 harassing warfare my hands despatch ; while if at any time," &c. 
 More literally, " my hands are busied upon." Consult note on verse 
 158. TrAftov. Supply pepof. aol TO yfpaf. " Unto thee (devolves) 
 that prize (which is)." Supply cart with aol. 6/U'yov re <j>iXov T. 
 "One both small and dear," i. e., small, but yet not the less dear 
 on that account. Compare the explanation of Nagelsbach : "Klein, 
 aber nichts deslo wenigcr Heb." Wolf cites Od., vi., 203. 66aif 
 oAtyj? TE fyil.r) TC, a gift small, indeed, but yet acceptable, since one 
 perceives that it is well meant. km/v KCKUIM irofaftifav. To be 
 construed immediately after cyu 6'. 
 
 169-171. vvv 6' elfii Qdiyvd'. " Now, however, I will go to Phthia," 
 i. e, I will return to my home. Consult note on verse 155. elfu. 
 The present indicative of this verb is used in a future sense fre- 
 quently by Homer, and invariably by the Attic writers. FTT 7}. 
 Consult note on verse 156. avv vijvai nopuviaiv. ' With my ships 
 of bending sterns," t. e., of curved or rounded sterns. The sterns 
 of ancient vessels, as may be seen in the representations that have 
 come down to us, were much rounder than the prow. This round- 
 ing was called nopuvTj, from which is formed the adjective Kopwif. 
 Compare Hesychius : icopuvidff. Ka/jTrvl.oirpvpvoi vaef. Consult, 
 also, Koppcn, ad loc. 
 
 oii6e a' otu, K. T. 7.. " Nor do I think that I, being (thus) unhon- 
 ored, will obtain abundance and wealth here for thee." There is 
 considerable doubt respecting the true sense of this passage. Ev- 
 ery thing depends on the question whether the 01 in croi can be 
 elided by apostrophe, since, if the answer be in the affirmative, the 
 translation which we have given will be correct ; whereas, if <f is to 
 be taken for ac, atyvZeiv must he referred to Agamemnon, and <m//of 
 kuv taken either as a nominative absolute, or else in close connec- 
 tion with cyu, the nominative (not expressed) to biu. The weight 
 of authority seems to he in favor of making a' here to be apostro- 
 phized from ffoi, while Bentley and others propose, as a sort of mid- 
 dle course, to read croi olu. (Consult Lobeck ad Soph., Ajac., 191 ; 
 Bu/tmann, Ausf. Spr., 30, 6 ; Hcync ad II., vol. vii., p. 401; 
 Spitzncr, Exf.urs., xiii., ad Horn., II., 2, p. xxxix ; Kuhner, G. G., 
 33, 3.) 
 
 This word, according to Bullmann (Lexil., *. v.), implies
 
 NOTES TO BOOK I. 145 
 
 nothing more than the simple idea of the wealth and abundance in 
 which a person is living. Its adjective is ufvewf. dyvt-eiv. The 
 primitive meaning of u^vcrcru is " to draw," " to draw from a larger 
 into a smaller receptacle ;" hence " to obtain," " to acquire general- 
 ly." If the form a^eadai had been employed, this would have 
 been an argument in favor of a" for ae, and would have referred to 
 Agamemnon ; whereas ufvfriv indicates acquiring or obtaining for 
 another, not for one's self, and must relate to Achilles. 
 
 173-175. oei-ye fiu.'/.', K. r. 7.. " Desert by all means, if thy spirit 
 has been incited (to that course) for thee," i. ., if thy spirit has 
 prompted thee to such a course. Observe here the peculiar force 
 of <pfv-/e, and the contemptuous idea connected with it. /IOA'. Na- 
 gelsbach makes pl/.a equivalent here to not /U>?v, and explains it by 
 " so sehr du magst," i. e., " by all the means in thy power." fyuye. 
 " I, for my part." xdp' Ipotye KOI u/./.oi, K. T. A. " For me, indeed, 
 there are even others present, who will probably honor me." Ob- 
 serve that here mip' is for irdpeioi, as Wolf maintains, and as we 
 have indicated by the accent. Heyne reads Trap' fy/otye, making 
 irap' the preposition, or, Homerically speaking, the adverb, and un- 
 derstanding, of course, eiai. But an ellipsis here is at variance 
 with the strong idea intended to be conveyed. iftoiye. Observe 
 here the force of ye, " for a man such as I am," "for a man of my 
 rank in the host." KE Ti/jir/aovai. The particle xe or aiv (the prose 
 av), when joined with the future indicative, designates as only prob- 
 able that which the future alone would declare decidedly to be about 
 to happen. In the present instance, however, this expression of 
 probability subserves the purposes of irony. Agamemnon says, 
 " There are others, / think, who will honor me," when he knows 
 very well that they will certainly do so. 
 
 176-177. ^tfiorof 6e pat eoai. Not opposed to u7.7.ot\n verse 174, 
 but a continuation of the thought expressed in oiifie a' lyu-ye hiooo- 
 ftat.AioTptQeuv. This epithet designates monarchs as peculiar 
 objects of care unto Jove, and calls in a religious feeling to strength- 
 en their political power. eptf TE <j>i/.ri. Observe that Ipif is here 
 placed first, in order to show that Achilles was fonder of wrangling 
 than even of warfare. This, of course, is intended as a bitter sar- 
 casm. 
 
 178-181. d. "Even if." tfeof TTOV col TO/ sdunev. "Some 
 deity, I think, gave thee this.'' The particle TTOV is here equiva- 
 lent to the prose 6r/Trov, or the Latin opinor. ofjq. For aaif. Mup- 
 ptdoveaoiv uvaaae. " Keep ruling over thy Myrmidons," i. e., keep 
 ruling over thy own immediate subjects, for they alone are worthy 
 
 N
 
 146 NOTES TO BOOK I. 
 
 of having such a prince. Do not think to rule over us here. Ob- 
 serve the employment of the dative here to denote continuance. 
 The Myrmidons were a Thessalian tribe, on the southern borders 
 of that country. 
 
 otdev 6' eyu OVK ufayi&, K. T. 7i. " Thee, indeed, I regard not, 
 nor care for, though angry." The verb odofiai, according to Butt- 
 mann, has for its radical idea that of shyness or timidity. (Lexti., 
 vol. i., p. 270.) u-eu.r/au 66. The particle 6e has here the mean- 
 ing of " still, however." 
 
 182-187. <if. " Since." avv vrji T' tyy, K. r. A. " With both my 
 own ship and my own companions," i. e., in both my own ship. 
 krupoiaiv. His more immediate followers are meant. syu 6s 
 K' uyw, K. T. /I. " But I, having gone myself to thy tent, will in 
 all probability lead away the fair-cheeked Briseis, that prize of 
 thine," i. c., thy own reward. Observe here the difference between 
 ireju^w and K' uyu. The former denotes something that will cer- 
 tainly take place ; the latter, something that will probably be done. 
 Bpiarjida. We have followed custom in calling this female Bri- 
 seis. The true meaning of the term, however, is " the daughter of 
 Brises." Her real name was Hippodameia, and she was made cap- 
 tive by Achilles at the sack of Lyrnessus. (Compare book ii., 689 ; 
 Tzetzes ad Lycophr.. 299.) 
 
 aruyey. "May dread." Literally, "may hate." Compare the 
 remark of Heyne : " Est aulcm arvyelv, hoc loco, simpliciter vercri. 
 Apollon., Lex., cm TOV Qodeladai.'' laov E/ioi (fiuaOat, K. T. A. "To 
 call himself equal to me, and to liken himself openly unto me." 
 Some give a different turn to the first part of this clause, making it 
 refer to the claiming of equal freedom of speech with Agamemnon 
 (kl-loTis f/iol Myeiv. Bekker, Paraphr.). The explanation, however, 
 which we have adopted is far simpler, and is also more in unison 
 with what follows. Compare the following, as given by one of the 
 scholiasts : Quaftai eavrbv tlvat laov E/J.OI. ofioiuOqjievai. The passive 
 with a middle signification. uvrriv. More literally, "to my (very) 
 face." 
 
 188-192. d^of ytver'. " Indignant grief arose." h 66 ol f/rop, 
 K. T. A. " And his heart within, in his hairy bosom, meditated in 
 two ways," i. e., between two courses. Observe the adverbial force 
 of h. ffTTJdecroi Zaatoiffi. A hairy breast is here, as with us, the 
 sign of manhood, and of the full development of physical powers. 
 i) dye. " Whether he." A beautiful use of ye with the demonstra- 
 tive. The heart, within the bosom of the hero, deliberates whether 
 this one, namely, the hero to whom that heart belonged, should
 
 NOTES TO BOOK I. 147 
 
 pursue this course or that. Hence, in such cases, where a kind of 
 recapitulating power is assigned to the pronoun and particle in com- 
 bination, the form dye has somewhat of the force of av~6f. 
 
 rovf /.ev uvaaTTjGEuv. " Should make these, indeed, rise up (from 
 their seats)," i. e., should drive them from their seats. By rovf arc 
 meant the assembled princes and leaders of the host, and the demon- 
 strative becomes, with reference to these, beautifully graphic. 6 <5'. 
 "And whether he." The form 6 6', which seems at first super- 
 fluous after o-ye, is nevertheless required here as a necessary oppo- 
 sition to -ovf ftsv. TIE ytikov navaeuv, K. r. A. " Or whether he 
 should even cause his wrath to cease, and restrain his feelings." 
 Observe the force of the active voice in ^avaeiev. The middle 
 would be, " should cause himself to cease," i. e., should cease. 
 
 193-196. &jf v-ye ravd' uppaive, K. T. A. "While he was deliber- 
 ating upon these things in his mind and in his soul, and was draw- 
 ing," &c. We have adopted here the reading proposed by Bentley 
 (&,) Sye to be pronounced (-V dye), as both simple in its character, 
 and in accordance with the Homeric idiom. The common text has 
 ?wf 6, making an amphibrach. In order to avoid such a foot as this 
 in dactylic measure, Clarke supposes that jf 6 is to be pronounced 
 rapidly, as if forming <JCTU, or uaeo. Heyne, on the other hand, 
 thinks that the pronunciation ought to be wf orraCO', doubling the 
 initial letter of the succeeding word. Knight deduces twf from the 
 ancient digammated form Fof, and contends that the first syllable 
 is sometimes long and sometimes short. Hermann is of opinion 
 that, in such cases as the present, we must read etof, an earlier form 
 for wf, Homer having preferred etwf with its final syllable shorten- 
 ed, to the ordinary wf. (Elem. Doctr. Metr., i., 10, p. 58.) Thiersch 
 coincides in this view of the subject. (G. G., p. 221.) Spitzner 
 endeavors to explain the difficulty on the principle of accentuation 
 (De Vcrs. Grac. Heroic., p. 82), while Wolf ranks all such anomalies 
 under the head of " lectiones lolerabiles" (Praf. ad Horn. Nov. Ed., 
 p. iv.) Williams, again, the author of a treatise on the Versifica- 
 tion of Homer, adopts Bentley's reading, as we have done, and 
 makes this passage one of the sources of argument in favor of his 
 "Theory of the Particles" in Homer. (Vcrsif. of Homer, p. 12, 
 segq.) 
 
 uppatve. The verb opfiaivu, according to Buttmann, always oc- 
 curs with the idea of reflection, of deliberating what to do ; but 
 generally, as might be expected from the stem or root op/udv, ac- 
 companied by a quickness or warmth of feeling. (Lexil., vol. ii., p. 
 7.) Kara <j>p?va /cat nra dvpov. Compare the explanation of the
 
 148 NOTES TO BOOK i. 
 
 scholiast : fypiva (6^.01) rbv ? k o}'id//6v, -&VU.QV 61 TO dvpinov. I Axero. 
 A beautiful use of the imperfect, the prolonged action, which it ex- 
 presses, denoting the calming influence of reflection as it steals 
 over and soothes an excited spirit. This same idea, indeed, appears 
 to be allegorized (if we may talk of allegories in Homer) by the de- 
 scent of Minerva. 
 
 f/Me f *\6i)vr). "That instant, then, came Minerva." Observe 
 the use of the aorist in denoting instantaneous action, and also the 
 force of the particle 6i ("then," "thereupon"). :rpd ?/*. "Sent 
 her forth." Observe the adverbial force of trpo, and compare note 
 on verse 3, and also on verse 25. utidofiivi) re. There ought to be 
 no comma before this clause. Such a stop is erroneously placed 
 there by those who make Krjdfiufvrj govern a genitive (aptyolv or 
 aii-C>v) understood. But verbs of caring are not unfrequenlly join- 
 ed %vith the accusative as transitives, and KTj6ofifvrt, therefore, refers 
 back to ufjKpu along with tyiteovca. (Bernkardy, Wiss. Synt., p. 176 ; 
 Kiihner, 533, 1.) 
 
 197-198. arij i'. " She took her station thereupon." Minerva's 
 descent from the skies, and her entering the tent and taking her 
 station behind Achilles, are instantaneous acts. fav0j?f KOfiy? - " By 
 a lock of his auburn hair." Observe the employment of the genitive 
 as indicating a part. The accusative n^et'uva, on the other hand, 
 shows that the whole man was brought under the influence of the 
 goddess, and his whole attention aroused. olu. "To him alone." 
 TUV 6' d/.Acjv. The particle 6e is here equivalent to yo, and 
 Qaivopevri should, therefore, have a comma, not a colon after it. 
 opuro. " Saw her." Homer always uses the middle of opdu in an 
 active signification. 
 
 199-201. pcra 6' erpu-er'. " And turned around." More literal- 
 ly, " turned himself after," (i. e., in the direction of) the one who 
 was grasping his hair from behind. lyvu. " He recognized." 
 dctvu 61 oi oaae tyaavQiv. " Dreadful, thereupon, did her eyes ap- 
 pear to him," i. c fearfully shone the eyes of the goddess. The 
 ancients assigned to Minerva a bright, piercing, brilliant eye, of a 
 light bluish-gray color, as indicated by the epithet yhavKuirtf. oaae. 
 Supply avT?~/f. The reference is to the eyes of Minerva, not to those 
 of Achilles. Compare, as regards the bright-glowing eyes here as- 
 signed to the goddess, the language of Virgil (JEn., v. 647) : " dtvini 
 signa decoris, Ardcntesque nolate oculos." lirea nrepoevra. " Winged 
 words." The epithet Trrepoevra carries with it not only the idea of 
 swiftness, but also that of flying forth from the lips. uiv xpofrjvda. 
 " He addressed unto her." Observe that 7rpofr/v6a has here two
 
 NOTES TO BOOK I. 149 
 
 accusatives depending upon it, namely, piv and enea. The former 
 of these connects it closely with the adverbial npof. 
 
 202-203. Tin? air'. "Why, then, again 1" TITTT' is here for rt 
 TTort, and answers to the Latin quid tandem, " why, then," " why, 
 pray." The particle avre implies some previous visit on the part of 
 the goddess, probably in some previous moment of excitement on 
 the part of Achilles. rtKOf. " Offspring," i. e., daughter. # Iva 
 ZJy. " Is it that thou mayest see 1" i. e., mayest be a witness unto. 
 As regards the interrogative force of 17, consult note on verse 133. 
 
 204-205. iAA' K rot ipeu. " But I will declare to thee openly." 
 Observe here the force of aXha. It is the same as saying, Grossly 
 indeed has he insulted me, but dearly shall he pay for it. e. Ob- 
 serve the adverbial force of this word. As before remarked, there 
 is no tmesis here ; and yet efepew occurs in book viii., 286. tpiu. 
 The future, from the present elpu, which, in the sense of " I say," is 
 epic. ro <5e Kai reXeeadai btu. " And I think that this (which I am 
 going to declare) will even be accomplished." Observe the demon- 
 strative force of TO. rthieodai. This form of the future occurs 
 also elsewhere, as in book ii., 36, 156, and especially in the Odyssey 
 (i., 201 ; iii., 226 ; iv., 664, &c.). The common text has TeTeM<r6ai, 
 which Heyne, Wolf, and others very properly reject, following in 
 this the authority of Aristarchus. The objection to Tsreteadai is, 
 that it is not common with Homer to use the perfect for the future. 
 The only way of saving rcrfheaOat (and this, too, is a very doubtful 
 process) is, as Heyne remarks, to deduce it from rerl'kop.ai. as a 
 present, changing the place of the accent to the antepenult. 
 
 yf vTTfponZir/at rux' uv, K. r. %.. " By his acts of arrogance shall 
 he at some early period or other, in all probability, lose his life." 
 Observe the combined force of the particles rdja and JTOTE, the for- 
 mer implying that a thing will soon take place, while the latter shows 
 that the particular time is uncertain. Observe also the force of uv 
 with the subjunctive, denoting something uncertain, indeed, but high- 
 ly probable. vTrepoirhiiyai. The idea of arrogance lies at the basis of 
 this word, as is shown by Buttmann (Lexil., vol. ii., p. 215). The 
 plural is employed here, moreover, with reference to various pre- 
 ceding acts of arrogance on the part of Agamemnon, all which goto 
 form the general character of vxtpoTrMa, as expressed by the sin- 
 gular. (Consult Roth, Excurs. ad Tac. Agric., p. 112; and Nagels- 
 bach, Excurs., xx., " Die Metonymischen Plurale.") 
 
 206-208. TOV ff avTe. " Him, then, in turn." i?ea -/hatKiJTri?. 
 " The bright-eyed goddess." The epithet yAawcwTtf indicates prop- 
 erly an eye of a bluish-gray like that of the cat or the owl. The com- 
 N2
 
 150 
 
 T(J KOUK. 1. 
 
 mon translation, however, of " blue-eyed" does not convey its 
 meaning with sufficient clearness, since it does not express the as- 
 sociate idea of brightness. The eye assigned to the goddess of wis- 
 dom among the Greeks was one of a bluish-gray, bright and piercing, 
 the gray colour preponderating over the blue. Compare the remarks 
 of Donaldson on the adjective yAavKof. (New Cratylus, p. 559.) 
 
 fi/.6ov iyu. " I have come this instant." Observe here the force 
 of the aorist in denoting instantaneous action ; and also the emphatic 
 employment of the personal pronoun. iravaovaa TO aovpevof. " To 
 cause this excitement of thine to cease." Consult note on verse 
 192. al KC Ttidrjai. " If, perchance, thou wilt obey (me)." More lit- 
 erally, " wilt persuade thyself (to follow my directions)." Observe 
 the employment of aZ for el, implying a wish, on the part of the god- 
 dess, that Achilles would listen to her monitions. Consult note on 
 verse 66. oiipavodcv. The position of this word in the sentence is 
 worth noting. It is brought in last, in order to add full force, to- 
 gether with the accompanying gesture, to all that precedes. 
 
 210-211. fir]6e ts.Keo. "Nor be drawing." x et P*- ^' ot a mere 
 poetic appendage, as Wolf explains it, but uttered, as the gramma- 
 rians term it, Jti/cn/ajf, that is, Minerva points, while using the 
 word, to the hand of Achilles, as it still rests on the hilt of his sword. 
 u/./.' fjToi l-xeaiv piv uveidiaov, K. r. ?.. il But yet reproach him in 
 words just as it shall be," i. e., just as they shall happen to occur to
 
 NOTES TO BOOK I. 151 
 
 thee. The particle fjroi is here employed to indicate concession. 
 (yH<.'clsf)ach, Excurs., ii , t) 13.) 
 
 212-214. tfrpeu. " Will I declare openly." Compare, with regard 
 to this verb, and also the expression TO 6e, following immediately 
 after, the note on verse 204. KUI Tere/.eofitvov carat. " Shall even 
 be accomplished." Minerva speaks here like a deity, but Achilles, 
 in verse 204, like a mere mortal, who only expresses his opinion as 
 to the future. ttai TTOTE rot, K. ~. /.. " Hereafter, even thrice so 
 many splendid gifts shall be present unto thee," t. e., shall be pre- 
 sented unto thee. Alluding to the future reconciliation of the two 
 chieftains. laxeo. " Restrain thyself." qfi.lv. Referring to her- 
 self and Juno. 
 
 216-218. xpn l* v afyutTtpov ye, K. r. /,. " It behooves me, god- 
 dess, to observe the mandate of you two in particular," i. e., of you 
 two at least, if of no other of the gods. The allusion here is to pre- 
 vious acts of favor shown toward him by these two deities, to whom, 
 of course, he ought to be particularly grateful and obedient. a<j>ui- 
 Tfpov. Formed from the dual afyui, and therefore possessing a dual 
 force. The old grammarians took ffQuirepov, by a strange kind of 
 enallage, as equivalent merely to reov, and referring to Minerva 
 alone ! (Etym. Mag., s. r.) Buttmann thinks that the poet (or re- 
 citer, as he terms him) intentionally chose this form, which the ear 
 so seldom met with, in order to make it at once perceptible that 
 Achilles intended only the two goddesses, who were in this case the 
 sole agents ; although afterward (v. 218), by a very natural transition 
 to a more general mode of expression, he speaks of all the deities 
 collectively. (Lcxil., vol. i., p. 52.) 
 
 dpiiaaaadat. The primitive meaning of epveiv is " to draw ;" in 
 the middle voice, " to draw to one's self," " to draw for one's self," 
 &c. It is thus applied, in its middle signification, to the drawing of a 
 dead body, in battle, toward one's self, to get it into a place of safety, 
 whether it be the body of a friend or a foe. From this idea of drag- 
 ging from amid a crowd of enemies comes the general idea of " to 
 save," whence arises the collateral meaning of " to keep," " to ob- 
 serve," " to watch' 1 that which has thus been dragged away ; and 
 hence we have the more general idea of " to observe, keep, or 
 obey," on any occasion. (Buttmann, Lexil., s. v.) 
 
 Kal fid/.a Trep, K. T. A. " Even though greatly incensed in soul," 
 t. e., however much incensed. u$. For ovruf. uusivov. Supply 
 tori. of us. "Whosoever." fid/.a T' CKAVOV avrov. "Him very 
 readily are they even accustomed to hear.'' Observe the force of 
 the aorist in M.vov, denoting what is accustomed to take place.
 
 152 NOTES TO BOOK I. 
 
 The particular import of re, on the other hand, will best appear from 
 a paraphrase : " In proportion as a man obeys the gods, in that same 
 proportion are they wont to listen to his prayers." (Ha.rtu.ng, vol. i., 
 p. 58, 69.) avrov. This pronoun carries with it here a peculiar 
 force. The construction forms a kind of parataxis, for which in the 
 later language we would have TOVTOV ud?.a T' Zidvov. 
 
 219-222. i}. For tyy. ETT' upyvpEy KWTTJ?. "On his silver hilt," 
 i. e., his silver-decked hilt. The epithet upyvpii) has here the same 
 force as upyvpoij^w, "adorned with silver studs." o^t0e. "He 
 checked." oo-f. "He drove." fyof. The early Greek sword 
 had generally a straight, two-edged blade (ufi^KSf, II., x., 256), 
 rather broad, and .nearly of equal width from hilt to point. 17 9 
 Oiv.i'inrdvde fiefiyKti. "That goddess, however, had gone unto 
 Olympus." Observe here the beautiful use of the pluperfect in de- 
 noting rapidity of action. Achilles drove back his weapon into its 
 sheath, and the goddess that same instant had gone to the skies. 
 
 ueru 6aiuovac, u^Aovf. "To the midst of the other deities." More 
 literally, " among." Observe that in this passage the " terminus ad 
 quern' 1 is indicated in three different ways : unto Olympus, and when 
 she has come there, into the palace of Jove, and then into the midst 
 of the other deities. The ancient critics raise a difficulty here. 
 How, they ask, can Minerva be said to have either come from the 
 skies, or to have gone back to the same and to the society of the 
 other deities, when in verse 423 it is stated that Jupiter had, on the 
 previous day, gone with all the gods into Ethiopia 1 To this some 
 of them reply, that either all the deities of Olympus did not accom- 
 pany Jupiter on this occasion, or else that the gods alone went, and 
 that the goddesses were left behind ! Voss, however, takes a miu-h 
 more reasonable view of the matter. According to this scholar, 
 several days were occupied in sending the ship to Chrysa (v. 308), 
 in purifying the army (v. 313), and in offering up the hecatomb (v. 
 315). It is after this that Achilles is deprived of Briseis (v. 318), 
 and then has the interview with his mother, who informs him that 
 the gods had gone to ^Ethiopia on the previous day. (Voss, Anm., 
 P- 7.) 
 
 223-224. kZavTic.. "Again anew." iiraprrfpotf eneeaacv. "In 
 injurious words," i. e., grossly personal and offensive. The scholi- 
 ast explains the epithet by 0Xa6epoif, ^aAc-oif . /.//j'f^6Jlo<o. Achil- 
 les obeys Minerva, in ceasing from open strife and collision (pJof), 
 but he still goes on giving vent to his angry feelings. 
 
 225-228. olvoSapif. "Man heavy with wine," i. e., drunkard. 
 This epithet refers here more to the habit of intoxication than its
 
 NOTES TO BOOK I. 153 
 
 influence at the moment. Observe in the language of Achilles a 
 picture of the rude manners of a semi-harbarous age. Freedom of 
 speech is ever characteristic of such a state of society, and Plato, 
 therefore, was wrong in blaming the poet for the employment of such 
 language as we find in the text. He ought to have praised him 
 rather for his close adherence to nature. (Plat., Rcpub., in., p. 390, 
 A.) Equally unnecessary, moreover, was the rejection of the whole 
 passage, down to verse 233, by the grammarian Zenodotus. His 
 object appears to have been to shield the poet against the attack 
 made upon him by the philosopher. 
 
 Kvvbf ofifiar' ex uv > * T - * " Having the eyes of a dog, but the 
 heart of a stag," t. e.. impudent in visage, but a coward at heart. 
 The dog, as already remarked, was a type among the ancients of 
 impudence and effrontery. Compare verse 159. ovre irar". " Nei- 
 ther at any time." if irofafiov dupijxO'Jvat.. "To arm thyself for 
 war." The passive in a middle sense. Ao^ovd'. " To an ambus- 
 cade." TEThrjKac dv/tu. " Hast thou dared in soul." Observe 
 the continued action implied by the perfect. The verb r^vat, in 
 such constructions as the present, refers to the taking upon one's 
 self what is beyond one's powers, or contrary to one's nature. Lit- 
 erally, " hast thou endured in soul." TO 6s TOI, K. T. /I. " For this 
 appears to thee to be death," t. e., very death, death itself. K.jjp is 
 here equivalent to tfdvarof. 
 
 229-232. fj. "In very truth." Awtov. Ironical. /card arparbv 
 cvpvv. "Throughout the wide army." (fop* uTroatpelaOcu. "To 
 take away unto thyself the gifts (of that one)," i. e., to appropriate 
 unto thyself. Observe the force of the middle. ofrtf ciiry. In 
 prose orrtf dv elxrj. eiOev UVT'IOV. " In opposition to thee." 
 
 Srifto66pof (Jaadei't. " Thou art a people-devouring king," t. e., a 
 king that lives on, or wastes the property of his people. It is better 
 to supply el here, with Eustathius, than to make this a species of 
 exclamation in the nominative, as is done by Nagelsbach. eirel 
 ovTidavoiaiv avuaaeu;. " Since thou reignest over men of no worth." 
 The particle ?rft serves here to explain what immediately precedes. 
 Thou devourest the substance of thy people, because they are too 
 spiritless to resist thee. ft -yap eh>,' \rpei67j, K. r. A,. " For in very 
 truth (were this not so), thou wouldst now, for the last time, have 
 been insolent." In order to complete the sentence, we may supply, 
 after fj yap, with Eustathius, el fijj ovnfiavoi ijoav o/f uvuaaeif. 
 Achilles means that if the Greeks were not so spiritless, they would 
 soon put a stop to the rapacity of their king. The main idea with 
 the speaker is the insult which he has received, and he therefore
 
 154 NOTES TO BOOK I. 
 
 alludes at once to this, without expressing the collateral idea, " if 
 this were so." 
 
 233-236. a/./: IK rot kpeu. Consult note on verse 204. iirl "In 
 addition." An adverb. Consult note on verse 25. val fid. "Yes! 
 by." aKr/TTTpov. Consult note on verse 15. TO. For o. tyvaei. 
 " Will produce." The meaning of the oath is this : as surely as this 
 sceptre shall never again put forth leaves and branches, so surely 
 shall the absence of Achilles from the battle-field be keenly felt by 
 the Greeks. tneidrj Trpura. " Since first." ropjv. " The trunk," 
 '. e., its parent trunk. nepl yap, K. T. A. " For round about, in very 
 truth, has the brass lopped it of both leaves and bark." Observe 
 that itfpi is here merely adverbial. Observe, also, that the verb 
 IXetyev takes here a double accusative, one of the whole (s), and 
 another of individual parts (<j>v/i?.a re KOI ^Aotdv). When, in addition 
 to the whole object, which receives the operation of the verb, partic- 
 ular specification is also made of a part, in which this operation is 
 immediately and principally shown, both the whole and part stand, 
 as proximate objects, in the accusative. (Rost, G. G., 104, 6.) 
 This construction is called by the grammarians oxvp-a naff ol.ov /cat 
 Hepof. L This pronoun stands here as a neuter, for avro, referring 
 to aKT/nrpov. Homer and Herodotus frequently use it, in all three 
 genders, for the corresponding parts of aiirof. (Matthicr., 147.) 
 
 237-239. vvv avrt fitv. " Now, on the contrary, it." The particle 
 aiire here denotes an opposition to its former state, when it flourish- 
 ed as a branch of the parent tree. Observe that p'tv is for avro. 
 i5t/c<KT7r<Mot. The sceptre which Achilles here holds is not his own, 
 but a herald's sceptre or staff, which the chieftain had taken into his 
 hands when arising to speak. Whoever rose to speak in the gen- 
 eral assembly of the host, received a sceptre or staff from one of 
 the heralds, which he held in hand while delivering his sentiments. 
 (//., 18, 505; 23, 566; Od., 2, 38.) Not every one, however, was 
 allowed to speak in assembly, but only a particular class ; and as 
 these privileged individuals also acted on other occasions as " dis- 
 pensers of justice" (dwcaffTOAot), Achilles here designated them by 
 that particular name, to show that they formed a particular class. 
 
 otre dtpiffTaf, K. T. A. " And who watch over the laws (received 
 by them) from Jove." All human laws, according to the poet, come 
 from Jove, the great source and fountain-head of justice, and kings 
 and rulers receive these from him to watch over and defend. Ob- 
 serve, therefore, the force of n-pdf here with the genitive, and com- 
 pare the following passage of Plutarch, where the same explanation 
 is given to the present text : *<w rovf (JaatXtlf "Oprjpof fyoiv oi>x
 
 NOTES TO BOOK I. 155 
 
 if oude vaff x a '- K '/P ei f> "^'" ^/" ffr ? ircpa TOV At 
 vovraf pvwOai /cat 6uAuacrEi>. ( Fu. Dcme/r., 42.) oZre. Literally, 
 " even who." Observe the force of re in showing the relation of 
 the latter clause to the one that goes hefore : as they are 6iKaain>~A<>i, 
 even so do they watch over, &c. 6 (Se. " And this." fifjar. " Great 
 in its consequences," i. c., fraught with serious consequences to 
 Agamemnon. 
 
 240-244. fi iror'. " Assuredly hereafter," i. e., depend upon it, at 
 some future day. 'A^tA/u/oc trodr;. " A desire for Achilles," i. e., 
 regret for the absence of the warrior from the battle-field. Com- 
 pare the Latin desijerium. Homer uses the feminine form ir-)6r) 
 much more frequently than the masculine -itfuf. (i^i t'^et-of nep. 
 "Though deeply troubled (thereat)." evr <li'. For or' dv. tV 
 "Epof di'J/iopciKwo ^vifOKovrff. " Dying beneath the hand of the 
 man-slaughiei ing Hector." au <5' evtioQi -&vu6v uut'fctc. "And thoa 
 within tliee shall tear thy soul," i. e , and tliy bosom shall be torn. 
 by keen remorse. Observe that ei>6u6i. is here equivalent to KijpoQi. 
 Xuofirvof. "Enraged at thine own self." 
 
 *l;")-249. Tori. l\>r TTfti'if. xP V(Jlol f '/^"" nt-apfisvov. "Pierced 
 through and through with golden nails," t. e., adorned with golden 
 studs. The heads of the nails formed the studs. tro tf aiJroc. 
 The pronoun is here introduced to mark an opposition between the 
 pi T.-.UU of the hero and the act just performed by him. srepudsv 
 {fa/vie. ' Kept raging on the other skie." Observe the force of the 
 imperfect. Aijijf HvMuv tiyopriTi^. "The clear-toned speaker of 
 the Pylians." By the Pylians are meant the subjects of Nestor, 
 who was King of Pylos, in the Peloponnesus. The epithet /.jja'f 
 refers here to the clear and silver tones of age. Among a people 
 like the Greeks, a clear and harmonious enunciation would form, of 
 course, one of the most important requisites of a public speaker. 
 To this, however, was joined, in Nestor's case, the sound experience 
 of a lengthened life. 
 
 TOV Kai UTO -//Maori?, K. T. ?.. " From whose tongue also flowed 
 speech sweeter than honey." Observe that TOV is here for ov. If 
 we place a fuller stop after dyop^rw, then rov will be for TOVTOV; but 
 this appears harsh, on account of the presence of ro> for TOVT^J in the 
 line that follows. KIU. This particle must not be joined with [tefa- 
 rof, but refers back to r^vfiri t r. and is intended to introduce a still 
 farther explanation of that epituet. avfy. Referring not so much 
 to the subject-matter of what he said, as to his voice and its varied 
 intonations. These came, as the poet remarks, more sweetly to 
 the ear than honey is wont to come to the tongue.
 
 100 NOTES TO HOOK I. 
 
 250-252. rw c5' f/dij. "Unto this one already," i. e., during his 
 lifetime. A peculiar usage of the dative, indicating, in fact, the 
 period during which an action is represented to have been going on. 
 (Compare Bernhardy, Wiss. Synt., p. 79.) ^ep6~ur uvOpuiruv. " Of 
 articulate-speaking men." The term fifpafy distinguishes man 
 from the inferior class of creatures. The latter merely utter inar- 
 ticulate cries ; whereas the human voice breaks up and divides off 
 its sounds, so as to form syllables and words. k^Qiaff. " Had 
 passed away." More literally, " had been destroyed," or " had 
 perished," j. e., had fulfilled their allotted time on earth. 
 
 Tpu$n> T/6' fyivovTo. " Had been reared, and had lived." Na- 
 gelsbach regards this as a Hysteron-proteron, for " had lived and 
 been reared." Not so, by any means. The poet refers to the two 
 generations individually. The first of these had been nurtured along 
 with Nestor, and reared with him to manhood. The second came 
 into being about thirty years after his birth, and lived with him as a 
 younger generation. And now he was reigning among a third. 
 Reckoning thirty years, or thereabout, for a generation, Nestor 
 would be over sixty years of age at the commencement of the Tro- 
 jan war. fiETu. TpiTuroiaiv. " Among the men of a third." For 
 the more prosaic fierd Tpirdrri, sell, yevep. 
 
 Ilvhu. There were three places named Pylos, in the Peloponne- 
 sus, all of which contended for the honor of having been the birth- 
 place of Nestor. One was situate about eighty stadia to the east 
 of the city of Elis ; a second was situate in the Triphylian district 
 of the country of Elis ; while the third was on the western coast 
 of Messenia, opposite the island of Sphacteria. The second of these 
 appears to have the best argument in its favor, and is so regarded 
 by Strabo. 
 
 253-258. 5 a<j>iv cv<j>povfuv, K. r. X. Repeated from verse 73. "O 
 itonoi. " O ye gods." We have here a very early term. The an- 
 cient Dryopes are said to have called the gods TTOTTOI, which, when 
 we examine it etymologically, appears to mean nothing more than 
 "fathers." Compare the forms minus, Trojrat, papa, &c., and con- 
 sult Pott., Etymol. Forsch., vol. i., p. 193. f/. "In very truth." 
 yaiav IKUVEI. " Is coming unto the Grecian land." KEV 
 " Would be delighted." fiiya icev Kexopo'taro. " Would 
 greatly exult." el oQuiv rude irdvra, K. r. X. " If they should learn 
 all these things of you two contending together," '. e., if they should 
 hear of your contending in this way. Homer says irevOeaftat n, 
 and TTsvdcadai nvoc iroiovvrof, i. e., bri iroitl. In the present pas- 
 sage he has blended these two constructions together, so that a<j>uiv
 
 NOTES TO BOOK I. 157 
 
 depends on ra6t TTOVTO, and fiapvajievouv is to be resolved, in a free 
 translation, into on, &c. 
 
 ol mpi firv pov/.fi, K. T. A. " (You), who are superior to the rest 
 of the Greeks in counsel, and are superior (to them) in fight," i. c., 
 superior as senators in counsel, and as warriors in the field. We 
 must be careful not to regard ftovfa'/ here as equivalent merely to 
 vovf or dpr/v, intelligence or mental power. puxeoflai. The infini- 
 tive is here employed as a kind of noun. Schajffer cites a similar 
 instance in prose, where the infinitive occurs without an article as 
 a substantive : inrorpe-^ai roi'f uP.Aot'f iTririOfadai rij \L6wj. (Diod. 
 Sic., xx., 68.Schccf. ad Plut., vol. i., p. 183, v. 35.) 
 
 259-262. an<i>u <5e. The particle 6i is here equivalent to yap. 
 i)3ri rror'. " Many a time before this." Compare Stadelmann : 
 " Schon manchmal." rjEKep vplv. " Than even you." This is the 
 reading of the grammarian Zenodotus, which Aristarchus rejected, 
 because, in his opinion, derogatory to Achilles, and for which he 
 substituted ii/ilv, a lection in which he is followed by Spitzner. Na- 
 gelsbach, and others. We have retained vulv, however, with 
 Heyne, as the more spirited reading, and more in .accordance with 
 what follows. Observe that r/t'Trtp is much stronger than the sim- 
 ple f/, and implies that Achilles and Agamemnon are also distin- 
 guished for valour ; as if we were to say, " than you, brave though 
 (Tep) you undoubtedly both are." (Kuhner, 747, 4.) Observe, also, 
 that we have the dative i>fuv, not the nominative r/teff. The reason 
 of this is as follows : r/t-fp vfitv is the same as rji^ep vfilv 6[ii/.u ; 
 but as this is not in accordance with the English idiom, we are com- 
 pelled to render the clause as if the Greek had been riexep vpeTc 
 care olf vvv 6//.(j. (Kuhner, () 748, b.) 
 
 Kal OVTTOTC oly'. " And not even these ever." The particle ye, 
 when it has, as in the present instance, the force of the Latin tel, 
 combines with a preceding negative, and the two then become 
 equivalent to ne quidem. or yap TTU. The particle yup here serves 
 to explain more fully the previous clause, ieai dpcioaiv r/cTrrp v/uv. 
 ot><5e Iduuai. " Nor am I likely to see," t. ., nor do present appear- 
 ances lead me to entertain the belief that I will again see such. 
 Observe here the employment of the subjunctive to indicate likeli- 
 hood or probability. The future would have been too strong, and, 
 in conjunction with the negative, would have meant that he was 
 never again to see such. (Rose., i) 119, (i.) 
 
 263-265 Tleipidoov. Pirithous was son of Ixion and Dia, and 
 monarch of the Lapithae, a Thessalian race. At his nuptials with 
 Hipoodamia arose the famous contest between the Lapithse and 
 
 O
 
 158 NOTES TO BOOK I. 
 
 Centaurs, to which Nestor presently alludes. The other chieftains 
 mentioned in the text were also Lapithae, with the single exception 
 of Theseus. Polyphemus must not be confounded with the Cyclops 
 of that name. He was the son of Elatus. (Compare Apollon. 
 Rhod., i., 40.) Orjasa r' Alye.l6riv. This line is regarded as spurious 
 by Wolf, since it is wanting in most manuscripts, and is mentioned 
 by no scholiast. It is supposed to have been interpolated from He- 
 siod (Scut. Here., 182) by some Athenian, who was anxious to have 
 mention made of his national hero. (Muller, Homerische Vorschule, 
 p. 84, seq.) 
 
 266-270. KupTioroi 6r). "The very bravest." The particle dfj 
 has here what is termed its determinative force, and when joined 
 with an adjective, as in the present instance, denotes that such 
 adjective is to be taken in its fullest possible extent of meaning. 
 (Hartunp, vol. i., p. 280, sr.q. ; Kuhnr.r, 691, 692, C. c ) -Qrjpalv 
 opfOKuoiai. "With the wild race dwelling on the mountains," i. c., 
 the Centaurs. By the term 3>r}paiv (i. c., $r/paiv) are here indicated 
 a wild and savage race of men, inhabiting Mount Pelion, and known 
 in mythic history by the name of Centaurs. Of the form assigned 
 to them by fable, namely, half human, half that of the horse, Horner 
 knew nothing. This appears to have been a later addition. *-KTT- 
 yXwf dxoTieaaav. " In a terrific manner did they destroy them," 
 i. e., did the Lapithae destroy the Centaurs. As regards the form 
 iK7ru.-y7.uf, consult note on verse 146. /cat ph. " And, as I tell 
 you." Observe that /z> is here equivalent to fif/v, which, in this 
 passage, has the force of ua^fp Afyw. rjy/loflev ef UTTIIJC yait\^. 
 " From afar, out of a distant land." An Homeric abundance of 
 terms. We must be careful not to confound the uiriri yaiij of Ho- 
 mer with the 'Atria -ytj of the tragic writers. The former means 
 merely a distant land, whereas the latter denotes the Peloponnesus. 
 There is also a difference between the two terms as regards quan- 
 tity. The Homeric adjective has the initial vowel short, whereas 
 the geographical appellative, 'Arcia, has it long, (fiu/tmann, Lexil., 
 s. v.) Kakioavro. "Called me unto them." Observe the force of 
 the middle. 
 
 271-274. /car' fy' av-ov. " To the best of my power." Literally, 
 " according to myself," i. e., according to the strength I had. Com- 
 pare the scholiast : Kara rrjv r/invT'if tin>rt/uv. Some commentators 
 render this differently, "by rnysrlf," and rpfor. in support of their 
 version, to Kara (r<t>iar, in book ii , :)r,f>. The. two cases, however, 
 are by no means parallel KFi'voim. "With those warr.ors." As 
 nefvof or iKeivos refers generally to an object more or less distant,
 
 NOTES TO BOOK I. 159 
 
 we may see in its use here a reference to those who are now dead 
 and gone ; in other words, to the men of an earlier and more pow- 
 erful day. TWV. For TOVTUV. 
 
 Kai ffiv. "And I can assure you." Observe that ph> is here, 
 again, for fi^v. ftev povtew vviev. " They listened to my coun- 
 sels." /3or/U'ejv for /3ov/la(jv. So, in verse 495, etperpeuv for e<j>er- 
 (ttiuv, as Hrj?.r]iu.6e<j for Hrj^ijiudao. %VVIEV. The common text has 
 i-vviov, for which we have given, with Spitzner, the reading of Aris- 
 tarchus. lM.u KOI v//,uef. " Do you, therefore, also." The parti- 
 cle <i/Uu has here a kind of hortatory force. 
 
 275-276. dyoflof -rrep kuv. " Powerful though thou art." Nagels- 
 bach and Stadelmann, following one of the scholiasts, regard these 
 words as a kind of "captatio benevolenlia," making the meaning to 
 be, " who art a most excellent man ;" so that, according to them, 
 Nestor advises Agamemnon not to commit an act unworthy of him- 
 self. The version which we have given, however, appears much 
 more natural. Compare verse 131. rbvd' uiroaipeo Kovprjv. Ob- 
 serve the double accusative depending on the verb. 
 
 ciW la, (T>f, ol, K. T. ?.. " But let (him retain her), even as the sons 
 of the Greeks first gave (her as) a prize unto him," i. e., let him 
 retain her, since he has the better right to her. Supply avrbv 
 or something equivalent. Some understand avr^v, but a 
 would mean, " let her go." 
 
 277-279. WE?/. " Feel inclined." Equivalent to the Latin indu- 
 cas in animum. Observe that the verb ed&u expresses in particular 
 that kind of wish in which there lies a purpose or design ; conse- 
 quently, a desire of something, the execution of which is in one's 
 own power, or at least appears to be so. (Buttmann, Lexil., s. .) 
 lire! ovTroQ' ofioirjf, K. T. A. " Since a sceptre-bearing king, unto 
 whom Jove has given glory, has never received for his share equal 
 honor (with the rest of men, but an elevation far exceeding theirs)." 
 By TIU.T] is here meant elevation, rank, or standing in society. We 
 have given t'o this passage the explanation of Nagelsbach. Thus, 
 6/uo(??f, scil. TT/ T<JV uP.Awv, aTJ.u. pei&vof. (Compare book v., 441, 
 seq.) Heyne has a different and inferior interpretation, 6/uo^f, scil. 
 TT) TOV 'Aya^CjUvovof rt/zj. " Since no sceptre-bearing king, &c., has 
 ever obtained honor equal to his," i. e., to Agamemnon's. typope. 
 The perfect, not the aorist. <jjre. Compare note on verse 79. 
 
 280-284. de aii xuprfpof iaai, K. T. X. " For if thou art valiant, 
 and (if) a goddess mother brought thee forth, yet is this one here 
 more powerful," &c. Observe the peculiar force of d with the in- 
 dicative, not implying any doubt whatever in the mind of the speak-
 
 160 NOTES TO BOOK I. 
 
 er, but referring rather to what is actually the case : " if thou art 
 valiant, and the son of a goddess, a* we all well know." 7r/.eovtaaiv. 
 The dative is here employed to denote continuance of rule. Com- 
 pare note on verse 180. 
 
 'ArpfiSri, av <5e. For <rv 6e, '\rpsi6rj. The vocative of the proper 
 name is often placed thus before the personal pronoun, for the sake 
 of emphasis. avritp lyuye lioaopai, K. r. A. " For it is I, even I, 
 that entreat thee to lay aside thy wrath in the case of Achilles." We 
 have given a free translation here, in order to show the meaning 
 more clearly. -The more literal version would be : " But I, for my 
 part, entreat," &c. Observe here the force of aiinip, which in- 
 volves in some degree the meaning of yap. So in Latin, we often 
 lind autcm where enim might stand. 'A^tAA^t. More literally, " to,'' 
 or " for Achilles," t. e., for the behoof or advantage of Achilles. 
 The dntivus commodi, or dative of advantage. (Kuhner, 579, 3.) 
 
 fieya tpicof TroAt/uoto KOKOIO. " The great defence against evil 
 war," t. e., the great rampart against the foe. So a shield is called 
 epxof UKOVTUV, "or defence against darts." 
 
 286-291. vat 6rj. "Yes, indeed." yipov. "Aged warrior." 
 Kara polpav. " Rightly." <1AA' off iivijp, K. r. A. Agamemnon ad- 
 mits the correctness of all that Nestor has said, and acknowledges 
 that all would be well were it not for the arrogant and domineering 
 spirit of Achilles. icepl. " Above," i. e., superior to. uparisiv. 
 " To bear rule over." avuaaeiv. " To lord it over." aqfiaiveiv. 
 "To prescribe." a riv' ov ireiaeaOai otu. " In which things I think 
 that some one will not obey him." Observe that u is here the ac- 
 cusative of nearer definition, while in nva Agamemnon alludes to 
 himself, and he uses this form of expression in order not to provoke 
 his antagonist anew by any more direct employment of words. 
 
 Jc. " For if." edeoav. Equivalent to iiroiijanv. rovveKa oi 
 xpoOiovaiv ; " Do they on this account give him the right]" Ob- 
 serve that irpodeavatv is from the simple stem-form 7rpo6iu, whence 
 TrporiOqfu comes. It stands, therefore, for TrporiOeicnv.t 
 
 292-294. inrofaj'iihjv. " Interrupting his speech." Compare the 
 scholiast : fifao^aCjaaf TOV 'Aya/^t//vovof Aoyov, npiv ?/ oiuTri/aai ai>- 
 rof e'tTTuv. TI yap KEV, K. T. A. " (Yes, indeed), for assuredly I should 
 be called both a coward," kc. The particle yup is here, as often 
 elsewhere, elliptical, and refers to something going before and un- 
 derstood. " Yes, indeed," exclaims Achilles, " I have done right 
 in acting as I have, for," &c. ci 6q aol, KUV Ipyov, K. r. A. " If I 
 shall now any longer give way to thee in every affair, whatsoever 
 thou mayest direct," t. c., if I shall yield to thy every command.
 
 NOTES TO BOOK I. 161 
 
 Observe that inte'it-opai is here the future of the indicative, and not, 
 as some pretend, the aorist of the subjunctive, with a shortened 
 mood-vowel. The future is required to express certainty and full 
 determination. The propriety of its employment, moreover, instead 
 of the optative, will plainly appear if we resolve OTTI KSV eiTrr/f into 
 its equivalent cuv ri etTryf. iruv epjov. The accusative of nearer 
 definition. 
 
 295-296. dhXoim 6rj. " Unto others, whosoever they may be." 
 Inasmuch as the particle dq supports and strengthens the meaning 
 of the word with which it is connected, it makes definites still more 
 definite, and indefinites, on the other hand, still more indefinite. 
 In the present case the indefinite nature of uM.oiai is increased by 
 it, and, therefore, the true force of 6rj is, " be they who they may," 
 "whomsoever it may please," &c. (Harlung, vol. i., p. 277. A'a- 
 gdsbach, ad loc.) firj yap ipoiye afyaiv'. "For prescribe not unto 
 me, at least." The particle jup refers back to u^oiatv eirtreMeo, 
 and shows why that was said. otu. " I am resolved." 
 
 297-299. aii 6' evl fatal j3u.7J.to af/aiv. " And do thou lay it up in 
 thy mind." Observe that we have here, not elf $pfva$, but hi with 
 the dative. The meaning intended to be conveyed, therefore, is, 
 that Agamemnon must not only put or cast these things into his 
 mind, but must keep them there. The preposition ev here, with 
 the dative, reminds us, therefore, of Virgil's " tu condita mente 
 tencto." 
 
 Kovprjf. Briseis. ovre TU u^w. " Nor with any one else." TU 
 for nvi. kirti /z' u.<+>i7*eadi yt 66vrtf. " Since, after having given, ye 
 even took her away from me." The true force of ye here is ex- 
 planatory, so that eirei . . . -ye may be rendered more freely, " and 
 that too because," as in Latin, " idquc propterea quod." (Hartting, 
 vol. i., p. 390.) /j.' dfefaaOe. For pc iHp&eade avrrjv. 
 
 300-301. ruv 6' aA/lcjv TUV. " Of those other things, how- 
 ever, of these." We have here in ruv an instance of repeti- 
 tion common to many languages. Sometimes this is resorted to 
 when a long clause intervenes, and it is then done for the sake of 
 perspicuity ; sometimes, as in the present instance, it is made to an- 
 swer the purposes of emphasis. (Kuhner, $ 632.) ovu uv n <j>tpoir 
 avtZuv. " Thou shall not, I think, having taken up, bear any one 
 away." Observe here the indefinite meaning which uv imparts to the 
 optative, and which is made to subserve the purposes of bitter irony. 
 We have expressed it by the words " I think." uvehuv. Indicating 
 the manner ; that is, coming openly, and taking up boldly, in order to 
 carry away. Heyne, following the Venice edition, reads uv 
 02
 
 162 NOTES TO BOOK J. 
 
 making this an instance of the repetition of the particle uv, as it 
 often subsequently occurs in the Attic writers. 
 
 302-303. el 6' aye fzt/v neiptjaat. " But if thou wilt, come indeed, 
 make trial for thyself," i. e., make the experiment in person. Ob- 
 serve the force of the middle voice. With el 6e supply 3ovXei, a 
 common ellipsis. uye HTJV. Wolf places commas on either side of 
 this clause, but Spitzner very correctly removes them. Iva yvuuai 
 KUI aide. " In order that these here also may know," . e., may 
 know the truth of what I say, may see me do what I threaten. 
 ipuqoei irepl dovpi. " Shall stream around my spear." More lit- 
 erally, "shall stream around for my spear." Observe that Trspl, ac- 
 cording to Homeric usage, is an adverb here, not a preposition. 
 
 304-306. <jf fiaxfaaafievu. " After having both contended thus." 
 <jf for ovruf. Buttmann considers /uaxeaaafisvu more in accordance 
 with analogy than paxijaaftevu, the reading of Aristarchus and Wolf. 
 Atiaav 6' ujoprjv. " And dissolved the assembly." As the dual is 
 not a necessary form, the subject of a proposition may be in this 
 number, and the verb in the plural, and vice versa. vfjac eioaf. 
 "Equal ships," i. e., having equal sides, a general epithet for a ship, 
 as indicative of its shape and structure. The ships of the Greeks 
 were drawn up on shore between the two promontories of Sigeum 
 and Rhffiteum, and probably in several rows, one behind the other. 
 Achilles had his ships in the foremost row inland, on the right wing 
 toward Sigeum ; and Ajax, the son of Telamon, had his ships sta- 
 tioned on the left wing of the same row, toward Rhoeteum, while 
 the Athenians are thought to have occupied the centre of this line. 
 The hindermost rosv of all contained the ships of Agamemnon, 
 Ulysses, and Diomede. In front of the ships were the tents, which 
 were, in reality, rude huts, tents of canvass being then unknown. 
 
 307-311. MeiwriuJ??. " The son of Menoetius." Patroclus, the 
 intimate friend of Achilles. Trporpvaasv. "Launched." Literally, 
 " dragged forward," i. e., caused this to be done. if (5* licpivev. 
 "And selected and put into it." Consult note on verse 1-12. 
 tKaTofiGrjv. Consult note on verse 315. ef 6e (3f/as. "And into it 
 caused to go." Consult note on verse M4. dva 6e elaev uyuv. 
 "And up (its side) conducting, seated (therein)." Observe the ac- 
 tive force of elaev, sedcrc feat, or collocuvit. fi> 6' apxbf t6r/. "And 
 in (it) went as commander." TroAi^nf. "The sagacious." A 
 common epithet of Ulysses. 
 
 312-314. j>a6avref. " Having embarked." Literally, "having 
 gone up (the vessel's sides)." i-e-'/.eov rjpa Kt/.ev6a. "Began to 
 sail upon the watery ways," t. e., the watery paths of ocean. Beck
 
 NOTES TO BOOK I. 
 
 163 
 
 maintains that ii-ypof is not a general term for any thing liquid or 
 watery, but that it means something in a tumid state, and which, if 
 touched, will gently recede. If this be correct, vyp6( is the very ad- 
 jective to be employed here. (Beck, Comment, prima de Interpret. 
 Lat. Scriptorum et Monum., &C , Lips., 1791, p. xviii.) 
 
 urroM'ftaivtodai. " To purify themselves," i. e., to perform a lus- 
 tration. The reference is to bodily ablutions, by which both a medi- 
 cal and religious end were answered. The washing of the person 
 would be conducive to health, and would also be a symbol of expia- 
 tion from sin. The Grecian host had become impure by contact 
 with the bodies of the dead, and also by reason of the offence of 
 Agamemnon ; but, as the anger of Apollo had ceased with the sub- 
 mission of the monarch, the people were to be purified, partly as a 
 sanatory measure, and partly that they might be able to engage in 
 the solemn sacrifice to the god. /cat eif Aa Avuar' e6a/J.ov. " And 
 cast the offscourings into the sea." By /.i'i/ara is here meant the 
 water by which the ablution of their persons had been effected. 
 On the present occasion it was thrown into the sea. It was cus-
 
 164 NOTES TO BOOK I. 
 
 ternary also to cast it into rivers, and if neither sea nor river was 
 near at hand, to dig a hole in the earth, and pour it in. (Hase, 
 Class. Altcrthumsk., vol. i., p. 94.) tfoXAov. Observe the force of 
 the imperfect in denoting an act done by many in succession. 
 
 315-317. ip6ov. " They sacrificed." Consult note on verse 147. 
 Tehr/lacaf Kar6[t6af. " Perfect hecatombs," . ., of perfect and 
 unblemished victims. Consult note on verse 66. tKar6fi6af. Ac- 
 cording to the common explanation, a hecatomb was an offering 
 of a hundred oxen ; but it was afterward used to express every 
 solemn sacrifice at which several animals were slain. Thus, one 
 hecatomb, mentioned in the Iliad (vi., 115: ib., 308), consisted of 
 twelve bulls. The hecatomb which Ulysses bore in his galley to 
 Chrysa was probably a still smaller number. That vowed to the 
 Sperchius consisted of fifty sheep. (Hase, Public and Prival.e Life of 
 the Greeks, p. 101.) 
 
 irapa $tV. " Along the shore." Blv' is here the accusative, and 
 the action is so represented by this, as if the acting parties had 
 spread themselves over the shore. Qui sacra faciunt, non in htorc 
 sed per litus vcrsanlur. (Ndgclsbar.h, ad loc.) nviarj ff ovpavbv IKSV, 
 K. r. A. " And the savor went to the sky, whirling itself in the 
 smoke round about it." We have given here the interpretation of 
 Nagelsbach, according to which tfuaaopevj] is middle, not passive ; 
 and Trepi belongs to KOTTV^, not to the participle. As regards the 
 middle meaning here assigned to Ehiaaopevr], compare II., xxi., 11. 
 So, again, with respect to the construction here given to rrcp/, com- 
 pare the phrase ap^i irvpl arf/aai (Od., viii., 434). 
 
 318-325. rairivovTo. "Were busily employed upon these things." 
 The reference is to the process of purification, and after that to the 
 offering up of the hecatombs. TT/V irpuTov. " With which in the 
 first instance." aW bye. "This hero, on the contrary." TU oi 
 iffav. " Who were unto him." TU for u. brpripu depa-xovrt. 
 " Active attendants." 
 
 tpXeoQov nhioiriv. " Go ye two unto the tent." With verbs of 
 going, coming, &c., the accusative of the place whither is often 
 joined, without a preposition. #pof eAovr' uysfitv. " Having 
 taken by the hand, lead away." Observe that eAovr" is for &6vre, 
 and that ye//ev, the infinitive, has here the force of an imperative, 
 instances of which often occur in the poets. (Matihia., 546.) 
 Some editors place a comma after 'A^tXryof, and then make uyifitv 
 equivalent to uarc uyciv, but this wants spirit. 6e KS pj tidtijatv, 
 K. r. X. Compare verse 137. avv TrAeoveoai. "-With greater num- 
 bers." Literally, " with more men." Supply uvdpuai. ro. For <5.
 
 NOTES TO BOOK I. 165 
 
 326-330. Trpoiei. " He sent them onward." Compare note on 
 e, verse 3, and Gloss., verse 25. Kparepbv 6' enl pvOov reA- 
 Compare verse 25. aiaovre. " Reluctant." i3ur^v. For 
 v. Nvppt,66vuv. Consult note on verse 180. ini re ufaaiaf, 
 K. T. X. The adverb km serves here to determine with more pre- 
 cision the direction expressed by the accusative. (Kuhner, t) 545, 
 2.) TOV 6' evpov, K. r. A. Referring to Achilles. ov6' upa ruye 
 iouv, K, T. A. " Nor, in very truth, did Achilles rejoice on having 
 seen these two." 
 
 331-333. TW ftlv TapdrjoavTE, . r. A. " They both stood, having 
 become confused (the instant they beheld him), and continuing to 
 regard the monarch with looks of reverence." Observe the change 
 from the aorist to the present participle, and the peculiar force of 
 each. The former has reference to what took place at the instant, 
 the latter to what was continued. ovSe ri fiiv trpofeQuveov. 
 "Neither did they address aught unto him." Observe the double 
 accusative in ri piv, the latter term being for avrov. cyvu yaiv ivl 
 <j>ptai. " Knew in his own mind (the object of their coming)." 
 
 334-342. x ai P fTf - "Hail," i. e., joy be with ye. The common 
 expression on either accosting or taking leave. Aidf uyyt-Aot jyJi 
 KOI avtipuv. Heralds are called " messengers of Jove," because they 
 are the interpreters of that which Jove has established on earth 
 through the agency of kings. The epithet, therefore, has reference 
 to the supporting of regal authority. So, again (//., viii., 517), they 
 are called Au <j>iXoi, inasmuch as they share in the honor rendered 
 unto kings, which honor the latter derive, along with their power, 
 from Jove. 
 
 pot eitainoi.. " In fault toward me," t. e., blamable in my eyes. 
 o. For 6f. Atoyu'ef Harpo/cActf. " High-born Patroclus." Ob- 
 serve that proper names in -KAOC are often declined like those in 
 -A>7f,and again, those in -KAJ/C like those in -KAOf. Hence TlarpoK^etf, 
 for ndrpoxAc. (Matthia:, 92, 1.) cfyuiv. The dative of the pro- 
 noun of the third person, .differing from that of the second person in 
 being always an enclitic. (Thiersch, () 204, 6.) rw <5' avrv pupTvpoi 
 f.aTuv, K. T. A. " And let these two themselves be witnesses both 
 before the blessed gods," &c., i. e., witnesses of the insult offered 
 to Achilles by Agamemnon. Observe the peculiar force of ru air<j, 
 not "these same persons," but " these very persons themselves," who 
 are made the innocent instruments in carrying into execution the 
 unjust mandates of another. KOI Trpof TOV /3aoi%ijof unrjveof. " And 
 before that hard-hearted king." 
 
 6' aiiTf. " If ever again hereafter." For e'nroTe 6i) avrc,
 
 166 NOTES TO BOOK I. 
 
 not 6e ai>T. These words are generally made to commence a new 
 sentence, which is supposed to break off abruptly after rotf uJlAotf 
 by an aposiopesis. The reading of Wolf, however, which places a 
 comma after uxqvtof, instead of a colon, and which we have adopted 
 in our text, is decidedly preferable. According to this reading, the 
 words elxoTE 6' afire K. r. /. form the endingof the previous sentence, 
 not the beginning of a new one. Wolf is followed by most of the 
 recent editors of Homer. ufivvat. " For the purpose of warding 
 off." The infinitive is here employed to express the object or intent. 
 roif iAAotf. Consult note on iiplv in verse 67. 
 
 342-344. 77 yap 6y' oXoyai, K. r. X. " For, in very truth, this man 
 rages with destructive thoughts," i. c., intends, in his ungovernable 
 excitement, to do things fraught with the most pernicious conse- 
 quences. ovde rt ol6e, K. r. A. " Nor does he at all know how to 
 observe at the same time the future and the past," t r, to make the 
 events of the past the lessons for the future. adm. " In safety," 
 t. c., so far as security can be found in the battle-field. Referring 
 to the taking of all proper steps to secure success, both by personal 
 prowess and sagacious plans. naxtuvrai. We have followed hore 
 the conjecture of Schaffer. The common text has pa^toivTo, but 
 the subjunctive harmonises better with oWc that precedes. Thiersch 
 proposes //o^ovrat, i. e., paxeaovrat. The common reading makes 
 an hiatus before 'A^aiot. 
 
 346-351. ex KXiairjf. " Forth, out of the tent." Observe the ad- 
 verbial force of EK. <5<jjce 6' uyscv. " And gave (her to them) to lead 
 away." avrtf Irrjv. " Went back." irapa vijaf. Consult note on 
 Inl K^.iffiaf in verse 328. ?/ de yvvr). " And she, the woman." 
 avrap 'A^tXAoJf. The particle avrup, according to Kiihner ( 739, 
 3), generally expresses something unexpected, or surprising, &c. 
 On the present occasion, when we should have looked for a calmer 
 and more quiet deportment in the warrior, we are, as it were, taken 
 by surprise on finding him suddenly burst into tears. 
 
 daicpvaaf. " Having burst into tears." These were tears, not of 
 sorrow for the loss of Briseis, but of indignation for the insult which 
 had been offered him in her abduction. Compare verse 355, seq. 
 erdpuv dijtap t^ero, K. r. A. " Forthwith, turned away from his com- 
 panions, seated himself on the shore of the hoary sea, looking upon 
 the dark-hued deep." The genitive Irdpuv depends on voaifii '/.taa- 
 6tlf, which may be more literally rendered, " having gone aside 
 from." (Buttmann, Lexil., vol. i , p. 73.) 
 
 i>fv' ty. Observe here that &iv' is by apostrophe for tfi'va, the 
 accusative, and that it is erroneous to write &iv', which would be for
 
 NOTES TO BOOK I. 167 
 
 titvi, the dative. The accusative diva here depends, not on the ad- 
 verbial ETTI, nor yet on efero merely, but on the combined idea im- 
 plied by both. (Kuhncr, () fi!9, b. Ndgelsbach, ad loc.) a/lof 7ro/U;/f. 
 The reference here is to the sea near the shore, where the dark bil- 
 lows break into foam, the adjective TroAtof denoting properly some- 
 thing that is of a gray color, or a mixture of dark and bright. Its 
 root is found also in the Latin pullus, and palleo. (Pott, Etymol. 
 Forsch., vol. i., p. 120.) oivo-rra XOVTOV. Referring to the appearance 
 of the main ocean, afar off from the land. Observe that olvoira has 
 here the force of p&ava, the early wine, according to Eustathius, 
 having been of a dark hue, approaching to black: on eoiKf TO irak- 
 aiov b olvor ^ttAaf elvat rijv xpoiav. 
 
 7ro/Uu. " Earnestly." xeipaf bpeyvvi;. It was customary, in 
 praying to a deity of ocean, to stretch out the hands in front. 
 
 352-350. ETrei /*' Irenes ye, . r. A. " Since thou didst indeed bring 
 me forth, be ; ng very short-lived." The particle yi here serves to 
 strengthen the idea expressed by the verb : Achilles addressed Thetis 
 as indeed his mother. (Harlung, vol. i., p. 364.) Observe, more- 
 over, that Trep has here the force of valdc, while in the succeeding 
 clause it passes into the kindred meaning of omnino. rtp;v nip pot. 
 6<j>eXhev, K. T. A. " Olympian Jove, the lofty thunderer, ought by all 
 means to have bestowed honor upon me. Now, however, he has 
 honored me not even in a small degree," i. e., as matters now go, 
 however, &c. 
 
 fl yap. " For in very truth." avrof u-xovpaf. " Having taken it 
 away by his own authority." These words form an epexegesis, or 
 additional explanation, to CA<JV, which merely indicates the seizure, 
 without the additional idea implied in avrof. 
 
 357-361. nurvia. ^rijp. "His revered mother." ev jSevdeaaiv 
 uAof. The sea-deities were supposed to dwell amid the depths of 
 .the sea. Trapd Trarpj -yepovrt. "By her aged sire." Alluding to 
 Nereus, one of the earliest of the sea-deities, and the eldest son of 
 Pontus and Terra. He married Doris, and became by her the father 
 of the Nereids, of whom Thetis was one. uvedv. " She emerged." 
 T/VT' ofiix^-rj. The comparison here refers merely to aviSv, the idea 
 expressed by ap;ra/l('//cjf being excluded. xdpotO' OVTOIO. " In front 
 of him." She seated herself in such a way as to be seen fully from 
 the place where her son was sitting. Hence the genitive avroio. 
 Xetpi ri piv Karfpe^, K. r. A. " And she both soothed him with her 
 hand, and said what she wished to say, and uttered it aloud." Com- 
 pare the version of Nagelsbach : " Sic sagte, was sic zu sagen hatte, 
 und sagte es vollig htraus." The words IK r' bvopa&v are often er-
 
 168 NOTES TO BOOK I. 
 
 roneously translated " and called him by name." The incorrectness 
 of this version is sufficiently shown by what immediately follows. 
 Observe, that the comma must be removed from the ordinary text 
 after 90-', because ITO? is the object of both verbs. 
 
 362-363. ri 6e at <j>pfva^ "iKero rrevtfof ; "And why has grief come 
 suddenly upon thee in thy mind !" i. c., upon thy mind. Observe 
 the instantaneous action denoted by the aorist, and also the double 
 accusative connected with the verb. The principle on which this 
 construction is founded has been explained in the note on verse 236. 
 e^avda, (03 Kevde voy. The asyndeton, or absence of the copula- 
 tive, shows the earnest character of the speech. tva eldopev ufi^u. 
 ' That we both may know." Observe the dual subject with the 
 plural verb, and note also that eldopev is for elduuer. 
 
 365-366. oia@a. " Thou knowest (already)." rii] ayopevu. 
 " Why need I tell." Observe the force of the subjunctive. ITUVT. 
 Depending on eitiviy. uxopcff if Qrjdrjv. " We went to Thebe." 
 The reference is to Thebe, a city of Mysia, north of Adrarr.yttium, 
 and called, for distinction' sake, Hypoplacian, because lying at the 
 foot of Mount J'.'akos (v-6 and IlP.dxof). Eetion was king of this 
 city, and was slain in its defence, along with his sons, by Achilles. 
 Eetion was father of Andromache, the wife of Hector. In the 
 Venice edition of Homer, 27 lines, beginning with the 366th, are 
 marked with an obelus, and a scholium on line 365 says that they 
 are interpolated. Knight is of opinion that they were introduced 
 into the text by some inattentive and ignorant rhapsodist, who con- 
 founded the city of Thebe, the native place of Andromache, with 
 Chrysa, the native city of Chryseis. From a discussion of this 
 kind, however, nothing satisfactory can ever be elicited. Chryseis 
 might have been sojourning in Thebe at the time of its capture, or 
 the city of Chrysa might have been sacked by the same force that 
 plundered Thebe. Consult, also, note on verse 369. 
 
 iepT/v xofav. "Sacred crty." Cities, regions, <kc., are often 
 termed " sacred" by the earlier poets, when nothing more appears 
 to be meant than that they are under the protection of some deity 
 or other. Heyne, however, regards iepyv here as equivalent to prat- 
 claram, just as #<>< and <5<of are often used in speaking of any thing 
 superior of its kind. 
 
 367-368. rrjv 6s. " And this (city)." After the Trojans had shut 
 themselves up within their walls, which they did very early in the 
 war, the Greeks were compelled to ravage the adjacent countries in 
 order to obtain subsistence for their numerous forces. In one of 
 these plundering excursions the city of Thebe was sacked. z<u ra
 
 NOTES TO BOOK I. 1G9 
 
 ufv ev ddffaavro, K. r. A. " And these things the sons of tlie Greeks 
 divided fairly among themselves." Observe that the accentuation 
 here is peru atlaiv, not //era a<?ioiv. Enclitic pronouns always be- 
 come independent when orthotone prepositions precede them ; re- 
 taining, then, their natural accent, because, by reason of the prepo- 
 sition, the pronoun is expressed independently, and with an em- 
 phasis. (Gottlins, 47, 3.) 
 
 369-370. en 6' eXov. " And out of them they selected," i. <., as a 
 peculiar reward, independently of his proper share of the booty. 
 Princes and distinguished chieftains always received such. Com- 
 pare Od , xi., 534: NeoTrroAEjUOf polpav KCU yipag eadhbv e^wv knl 
 vT)b$ Ifaivev. Xpvarie d' aiid', K. r. X. The lines that follow this are 
 a repetition of those that occur in the beginning of the poem. It 
 seems probable, remarks Valpy, that these repetitions, so frequent 
 in Homer, are derived from the detached manner in which his po- 
 ems were scattered among the Greeks. Separate parts were doubt- 
 less sung at festivals and public entertainments ; and therefore, to 
 complete the sense, a necessity would frequently arise of fetching 
 introductions and explanatory verses from preceding parts of the 
 poem. The same solution, he adds, may be applied to the recur- 
 rence of many single verses at the beginning of speeches through- 
 out the poem. 
 
 380-38S. TrdXtv u^ero. " Went back." Consult note on verse 
 59, as regards the Homeric force of TTU/UI>. rolo de ev^a/ifvov, K. T. A. 
 " And this one, (on his) having prayed, Apollo heard." TOIO for rof, 
 i. e., TOVTOV. TIKE ff -' 'Apy((H<T, if. r. A. "And he sent a destruc- 
 tive shaft against the Greeks." Observe that the dative here de- 
 pends on the verb, and that im merely marks the direction of the 
 action. Consult Ndgelsbuch, Excurs., xvii., p. 308. 01 6s vv Aaot. 
 " And they, the forces, now." Observe the pronominal force of ol, 
 approximating in our idiom to a personal more than a demonstra- 
 tive meaning, but still radically the latter. Observe, also, the pecu- 
 liar meaning of the particle vv, as if we were to say in a paraphrase, 
 "one can now well imagine that the forces," &c. kxaoavTepoi. 
 " One after another." Compare the scholiast : AloXtK^ Aeftf, rj 
 en-aA/lT/Aip TTVKVorepoi, dAA7rdX/\.^?.ot, ervvejetf. 
 
 ra (Je nr/Xa deolo. " But they, the arrows of the god." ^avrrj. 
 "In every direction." The terminus ad qucm, which is still more 
 fully explained by uva arparov. evpvv. " The wide," t. e., wide- 
 spread. deoTrpoTfiaf. Consult note on verse 87. iiitrit.rjaev fj.v6ov, 
 K. r. X. " He uttered a threat, which in very truth has been ac- 
 complished," i. e., carried into effect. Literally, " he threatened a 
 
 P
 
 170 NOTES TO BOOK I. 
 
 speech," i. e., uttered a threatening speech. 6. Used for the rela- 
 tive Of. 
 
 389-392. TTJV (lev. " The one (female)." Literally, " this (fe- 
 male), indeed." Referring to Chryseis. /.inu-e^. Consult note 
 on verse 98. irsp-xovaiv. "Are escorting." UVOKTI. "To the 
 king," i. e., to Apollo. Consult note on verse 36. T^V 6s novprfv 
 Bpiof/of. " While the other, the daughter of Brises." Literally, 
 " but this one, the daughter," &c. Observe the latent demonstra- 
 tive meaning in TTJV piv and TTJV &i. veov. ' But just now.'' Lit- 
 erally, "lately," or "recently." ~{jv poi doaav. For fjv pot 66aav. 
 
 393-398. ei dvvaaai ye. " If, at least, thou art able." The in- 
 dicative here implies a strong belief on his part that she does pos- 
 sess this ability. ircpiaxeo TratJof t?/of. "Aid thy valiant son." 
 We must write ii)oc, not ei/of. It is the genitive of evf. This ex- 
 pression of self-praise on the part of Achilles is in full accordance 
 with the habits, &c., of the heroic age. The form c//of is supposed 
 to be the genitive of evs or revf, a sister form of eoj, and to have the 
 meaning of " thy." But consult Buttmann's Lcxilogus, s. v. 
 
 d 770Tf dij n. Compare verse 40. uvrjaaf. '.' Thou didst grati- 
 fy." tie Kal. " Or even, also." TTOS./MKL yap aio, n. r. A. " For 
 often, in the halls of my father, have I heard thee boasting, when 
 thou didst say that thou alone, among the immortals, didst ward off 
 unseemly destruction from the dark-cloud-enveloped son of Saturn." 
 Compare the analogous Latin form of expression : audicbam ex. tt, 
 quum diccrcs. aio. Depending on uKovaa. The palace of Peleus 
 is meant, not the ocean-abode of Nereus. Had this latter been in- 
 tended, the Greek would have been Trarpbf calo. Achilles had 
 never been in the ocean-house of Nereus ; and, besides, the separa- 
 tion of Thetis from Peleus is a posthomeric legend. The bard 
 makes no mention of any such divorce. (Consult Spitzner, ad loe.) 
 
 KE/.aive<j>Ei. A striking epithet, applied to the god of rains and 
 tempests, and describing him as enthroned amid darkest clouds, or, 
 as Virgil expresses it, "media mmborum node." (Georg., i., 328.) 
 Compare the explanation of Passow : " in Jiistrc Gncolke gehulun." 
 (Lex., s. r.) olij. Observe the employment of the nominative with 
 the infinitive, the reference being to the same subject with the verb 
 (ItprjcOa) that precedes. As regards the literal force of the dative 
 Kpoviuvi, consult note on verse 67. 
 
 400-404. Ila/./.uc 'A^v^. Neptune and Juno, the latter more 
 especially, were frequently brought into collision with Jove ; but 
 Minerva, the beloved daughter of Jupiter, seldom, if ever. Wolf, 
 therefore, prefers the reading of Zenodotus, who gives $ol6oc '
 
 NOTES TO BOOK I. 171 
 
 7ttjv instead of Ho/lAaf 'AOqvjj. rov / vTrehvaao deapuv. " Didst 
 rescue this same deity from bonds." Observe the force of ye in con- 
 junction with rov: "this deity, indeed," "this particular deity," 
 " this same deity." Observe, also, in vxel.vaao the force of iino in 
 composition, " didst free him from falling under fetters," i. e., under 
 the control of fetters. 
 
 cKaroyxcipov. "The hundred-handed one." Bpiupeuv. "Bri- 
 areus." This name is supposed to mean " the powerful one," and 
 is regarded as a derivative from the adjective ppiapof. It is worthy 
 of observation, that, according to ^Elian (F. H., 11), the Columns 
 of Hercules were called, in the earliest poetry, at arf/hai 'Bptdptu, 
 " the Columns of Briareus.'' /coAeoixn &EOC. Homer often gives 
 two names to objects, one of these being, according to him, the ap- 
 pellation used by the gods, and the other that employed by men. 
 On all such occasions, the so called language of the gods is sup- 
 posed to give the oldest forms of expression, such, for example, as 
 were employed in the earliest poetic legends, wherein the gods 
 themselves were introduced as speakers, and which forms or names 
 became, in process of time, more or less obsolete ; whereas, by the 
 language of men, he means the common or current idiom of his 
 own day. Hence the remark of the scholiast : TO pev npoyevearepov 
 ovoua f Toiif $eoi>f uva<j>fpfi 6 TTOITJTTJC. " The poet attributes the 
 more ancient name to the gods." 
 
 uvdpef 6i re iruvref \iyaiuv'. " But all men also ^Egaeon." Ob- 
 serve here the peculiar force of re. The gods named him Briareus ; 
 and men also gave him a name, but this latter was ^Egaeon. 
 Aiyaiuv'. The gigantic being here alluded to had fifty heads and 
 a hundred hands. His brothers were Gyges and Coitus, each with 
 the same number of heads and hands. With regard to the parent- 
 age of the three, however, ancient legends differ. Hesiod makes 
 them the sons of Uranus and Gea ; whereas Homer would seem to 
 indicate Neptune as their father, an account in which the scholiast 
 agrees, who, in speaking of J2gaeon, remarks, rbv TrarepaTloaeiduva 
 KaTf6pu6evev. Many commentators, however, prefer the pedigree 
 given by Hesiod, and make Neptune to have been merely the father- 
 in-law of JEg&on, the latter having married his daughter Cymopo- 
 leia. (Wolf, Varies, ed. Ust., p. 145.) The three beings here men- 
 tioned are mere personifications of the extraordinary powers of 
 nature, as developed in earthquakes, volcanic eruptions, and the 
 like. 
 
 404-406. 6 yap avre (Sir), K. r. 7,. " For this one, in his turn, was 
 better in strength than his sire." By Trarpof Neptune is meant,
 
 172 NOTES TO BOOK I. 
 
 whether we are to regard him as the father or father-in-law of 
 ^Egaeon. (Consult preceding note.) yap. This particle refers back 
 to nateaaa', and assigns the reason why Thetis called on him for 
 aid. avre. Neptune, in union with the other gods, was more pow- 
 erful than Jupiter ; but Briareus or JEg&on, in his turn, was stronger 
 than Neptune. 
 
 6f pa. " Who, namely," i. ., he, namely. We have here in 
 Greek an instance of the construction so frequent in Latin, where 
 the relative is introduced after one or more intermediate clauses, 
 and takes the place of a personal or demonstrative pronoun. In 
 such cases the particle pa or dpa is added to the relative, in order 
 to indicate recapitulation, and show that the thread of the narrative 
 is resumed. (Kiihner, 800.) Compare Cic., Phil., iv., 5 : " Virtus 
 est una altissimis defixa radieibus : quiz (i. e., haec enim) nunquam 
 vlld ti labefactari potest," &c. Ki<6ei yaiuv. " Exulting in his high 
 renown," '. e., proud of the conspicuous part he was performing. 
 
 TOV nal vnt66eiaav, K. r. "K. " This one the blessed gods even 
 dreaded, nor did they bind (Jove)." Literally, " nor did they also 
 bind." Observe here the peculiar force of re. As, on the one hand, 
 they dreaded Briareus, so also, on the other, they bound not Jupiter : 
 or, in the Latin idiom, " ut ilium mctucbant, ita nee Jovcm vincicbant.'" 
 The legend partially detailed in the text is given more fully by one 
 of the scholiasts. Jupiter, after having obtained the sovereignty of 
 the skies, indulged in a tyrannical exercise of authority, and a sedi- 
 tion in consequence arose among the other gods, who formed there- 
 upon a conspiracy to bind him. Thetis, however, having learned 
 their intentions by means of Nereus, her prophetic sire, hastened to 
 the aid of Jove, attended by Briareus, who terrified the gods from their 
 purpose. Jupiter, as a punishment, suspended Juno by the wrists 
 from the skies, and commanded Neptune and Apollo to work for 
 Laomedon, and build the walls of Troy. 
 
 407-412. KOI /.afie yovvuv. " And take hold of him by the knees." 
 Supply fiiv. Observe in the genitive yovvuv the reference to a part 
 of the entire frame. The usual attitude of suppliants was to clasp 
 the knees of the person addressed with one hand, and to touch his 
 chin or beard with the other. Compare verse 500, seq. at nev 
 iruf. " If, perchance, in any way." Observe the wish that this 
 may happen, implied in the particle al, and consult note on verse 
 66. enl Tp6caaiv iipijl-ai. " To lend aid unto the Trojans." Here, 
 as before, there is no tmesis, but the adverb tiri, though forming 
 one blended idea with the verb, retains, nevertheless, its distinct 
 adverbial signification.
 
 NOTES TO BOOK I. 173 
 
 rovf 6e Kara irpvfivctf, K. r. A. " And to hem in those others, the 
 Greeks, at their sterns, and round about the sea (shore), getting 
 slaughtered (all the while)." As regards the force of fhoai here, 
 consult Buttmann, Lexil., s. v. The sterns of the vessels, as these 
 lay drawn up on the beach, were turned toward the inland parts, 
 and their prows toward the sea. This was always customary after 
 voyages. Achilles, therefore, wishes that the Greeks may be hem- 
 med into the space between the first line of ships and the land. 
 Compare note on verse 306. exavpuvTai. "May enjoy." Ironi- 
 cal. ?/v arrjv. " His evil folly." The term arri appears to imply 
 here a kind of judicial blindness, inflicted on erring mortals, under 
 the influence of which they commit deeds which finally induce their 
 own destruction. (Compare Williams' a Homerus, p. 82.) or*. For 
 ore. ' When." Not for on. 
 
 413-416. Kara tidicpv ^contra. "Pouring down the tear." Ob- 
 serve the adverbial force of Kara. ri vv. " Why, indeed." Anal- 
 ogous to the Latin quidnam. alva. "Unhappily," i. e., in an evil 
 hour. The neuter plural of the adjective is here employed ad- 
 verbially, instead of the regular adverbial form aivtif. 
 
 aid" o^eP.ff Tjadai. " Would that thou wast sitting." The scholiast 
 refers ^adai to an idle and inactive life (<j>rjal 6e on irpofdfftijv uv at 
 u-rrpaxTov piov &oai). Not so, however. The spirit of the wish is 
 contained in uddxpvrov and uTn^uova. eirf( vv rot, K. r. A. " Since, 
 indeed, the fated portion of existence unto thee is for a very short 
 time, and not at all very long." In the old language the same idea 
 is often expressed twice, once affirmatively, and immediately there- 
 after negatively. pivvvda. The adverbs fiivvvda and 6fiv come in 
 here with a sort of adjective force. So we have wf for rofof, in //., 
 iv., 318, and elsewhere; ^nAcTrwf for ^oXen-ov, //., vii., 424, &.c. 
 irfp. Equivalent here to the Latin wide. 
 
 417-420. irepl Truvruv. "Above all." Compare verses 258 and 
 287. In7>eo. " Thou art." Properly speaking, " thou wast and 
 still art." The imperfect of TrAc/tot has very commonly, as here, 
 the force of a present. ro. "Therefore." For rovru, i. e., 6ia 
 TOVTO. KOKT? aloTj. " Unto an evil destiny." rot kpeovaa. " To 
 communicate for thee," i. ., for thy gratification : rot for <rot. dp' 
 avrij. " I myself will go." Compare, as regards the force of dpi 
 here, the note on verse 169. 
 
 dyawtdov. "The very snowy." Homer has here Olympus in 
 
 view merely as a mountain, and therefore describes it as having its 
 
 summit covered with snow. Modern travellers agree in this, and 
 
 portray Olympus as never free from snow at the top. (Dodwdl, 
 
 P2
 
 174 NOTES TO BOOK I. 
 
 Class. Tour, vol. ii., p. 105.) When, however, the poet has Olympus 
 before his imagination as the abode of the gods, all is bright and 
 clear, and no mention whatever is made of a snowy mountain. 
 (Consult Viilcker, Horn. Geogr., p. 6.) 
 
 422-424. firjvi.' 'Axaiolatv. " Indulge thy wrath against the 
 Greeks." More literally, " be angry with the Greeks." ?r 'Queav- 
 bv, fitT" dfivftovaf, &c. " To Oceanus, among the blameless ^Ethio- 
 pians, unto a banquet." As regards the distinction between ef and 
 //era, Voss correctly remarks, that these two prepositions, or rather 
 adverbs, are frequently so employed in connection by Homer, that 
 the former has reference to the place, the latter to the assemblage 
 encountered there. (Kr. BL, i., p. 200.) 
 
 'Q,Kav6v. According to Homer, the earth is a circular plane, and 
 Oceanus is an immense stream circling around it, and from which the 
 different rivers run inland in the manner of bays. Homer terms 
 the Oceanus aipofifrooc, because it thus flowed back into itself. 
 AtfltoTnyaf. Who the Homeric ^Ethiopians were is a matter of 
 doubt. The poet elsewhere speaks of two divisions of them, one 
 dwelling near the rising, the other near the setting of the sun, both 
 having imbrowned visages, from their proximity to that luminary, 
 and both leading a blissful existence, because living amid a flood of 
 light ; and, as a natural concomitant of a blissful existence, blame- 
 less, and pure, and free from every kind of moral defilement. By 
 the Eastern ^Ethiopians, Homer is generally thought to mean the 
 imbrowned natives of Southern Arabia, who brought their wares to 
 Sidon ; and by the Western ^Ethiopians the Libyans. Volcker, how- 
 ever, is in favor of making the legend of the Eastern ^Ethiopians 
 to have arisen from some obscure acquaintance, on the part of the 
 Greeks, with the land of Colchis. (Homcrische Geogr., p. 87, seqq.) 
 
 pera 6alra. The gods here attend a banquet or great festival 
 given by the blameless and pious race of the ^Ethiopians, but wheth- 
 er given by the Eastern or Western race is not stated by the poet. 
 The common text has fieTu 6alra, as we have given it. Wolf 
 and Heyne, however, following Aristarchus, give KOTU. dalra, in or- 
 der to avoid the double ueru. But Kara faira, as Spitzner remarks, 
 can only signify ad r.ibum sibi parandum, which is certainly not the 
 meaning here. Besides, that Homer is not averse to the repetition 
 of prepositions, the following passages will abundantly show. //., 
 xvii., 432 : rw 6' OVT' cty iiti vf/af k-xi n^arvv 'EA/b/ffTroirov r/df'hf.Tijv 
 ic vat. Od., i., 183 : irhtuv kirl olvona TTOVTOV eV uM.odpoovf uvOpu- 
 irovf. //., xxii., 503, seq. : EvSeaK.' iv tenrpoLaiv, iv 
 cvvy ivi fia?,aKy, &C.
 
 NOTES TO BOOK I. 175 
 
 425-427. tiutEKaTij. Supply i](itpa, which is already implied in 
 ^fltfof. TOI. " I assure thee." More literally, " for thee." In both 
 this and the following line, rot must be regarded, not as the ordinary 
 particle, but as the dative of the pronoun, that is, rot for aoi. (.\d- 
 gcisbach, Excurs., ii , p. 178.) /cat roV ITTEITU, rot, K. r. 7.. " And 
 then thereupon will I go, I promise thee, to the brazen-based 
 mansion of Jove." Literally, "will I go for thee." ptv Treiasadai. 
 14 That he will acquiesce." More literally, " that he will persuade 
 himself (to listen to my prayer)." 
 
 429^130. iv&voio -/watKof. " On account of the well-cinctured 
 female," i. e., the female of graceful form. Observe here the em- 
 ployment of the genitive, to denote " in respect of," " on account 
 of." There is no need whatever of supplying tvtKa. rf]v f>a (My 
 ifKovrof, K. T. X. ' Whom, namely, they had taken away by force 
 from him unwilling." More literally, however, " by force in re- 
 spect of him unwilling," t. e., exercised toward him unwilling. 
 Observe that TJJV pa is for fjv pa, and consult note on verse 405. 
 
 431-435. inavev. "Was proceeding, meanwhile." More literal- 
 ly, " was coming." ol f ore 6rj IKOVTO. "And when these now were 
 come." <rrei'?.avro. " They furled." deaav. Supply avra. to-rov 
 d" iarotioKT) ;r^ao-av, K. r. ?.. " And the mast they brought to its 
 receptacle, having lowered it quickly by ropes." By the iarodoKr) is 
 meant the place for receiving the mast when lowered, while by the 
 irpoVovot are indicated the ropes or main-stays passing over the head 
 of the mast and secured at both the prow and stern. Hence, as the 
 mast sank in one direction on being lowered, the stay in the other 
 direction would keep it from descending too rapidly. (Consult Terp- 
 ttra, Anttq. Horn., p. 312.) 
 
 ri/v 6' fif opfiov Trpoipeaaav epsTfiolf. " And they rowed her for- 
 ward with oars into her moorage.'' We have given, with Spitzner, 
 ttpocpeaoav, the reading of several grammarians, instead of the 
 irpotpvoaav of the ordinary text. The verb -xpoepvsiv is not, to im- 
 pel by means of oars, but, to drag forward or launch, as in verse 
 308. According to Eustathius (ad Od., 9, 73), irpoipeaaav was the 
 reading also of Aristarchus. Consult Spitzner's remarks, in oppo- 
 sition to those of Heyne and Voss. 
 
 436-437. fi'va'f. " The sleepers." These were large stones 
 thrown out on the shore, unto which the halsers were made fast 
 from the stern of the ship. Anchors were not known in the heroic 
 ages Kara 6t irpvpvtioi' tiijaav. " And down thereunto they bound 
 the stern fasts." Observe the adverbial force of icard. KOI avroi. 
 Compare the scholiast : ov fiovov ruj- evviif te6aXov, aXAa K<U avrol
 
 170 NOTES TO BOOK I. 
 
 si-idaivov. paivov. The imperfect is here worthy of notice in the 
 midst of so many aorists, and indicates a coming forth of several per- 
 sons in succession. The victims, on the other hand, are driven out 
 in a body ; and so, again, Chryseis comes forth individually, where 
 the aorist is again employed. EJU fayplvi. The adverbial c^i merely 
 denotes the direction of the action that is executed, and as this ac- 
 tion is continued, or, in other words, as they remain some time on 
 the shore, the dative is employed. 
 
 438-441. j3rjcav. "They caused to go." Consult note on verse 
 310. vjjof novTOTTopoio. " From the ocean-traversing ship." TTJV 
 fiev eneir'. "This female thereupon." Trarpt ^<'/U> ev x f p fft - "In 
 the hands of her father." Literally, " in the hands unto her father." 
 
 442-44S. Trpo p' eTrt^ev. " Sent me forth." Compare note on 
 verse 3, irpoiaiptv, and on verse 195, Trpo yup TIKE. pii-ai. Consult 
 note on verse 147. (%>' i^aaopeada. " In order that we may pro- 
 pitiate." The subjunctive, with the mood-vowel shortened. vvv. 
 " Lately." nol.varova nyde'. " Woes productive of many groans." 
 6 de. " The other, thereupon." Consult note on verse 391. roi 
 <5' UKCI. " And they quickly." Literally, " and these quickly." rot for 
 ot. tS-eirif. "In continued order." 
 
 449-450. x P v ty avTO <5' liretTa. "And then they washed their 
 hands." We now enter upon the details of a sacrifice, and the feast 
 consequent thereon. Before the officiating personages touched any 
 thing belonging to the sacrifice, they always washed their hands in 
 lustral water, that is, water consecrated by a religious rite. KOI 
 ov).oxvraf uvcXovTo. " And took up the salted barley-meal." The 
 head of the victim, before it was killed, was in most cases strewed 
 with roasted barley-meal (OV/.OXVTO or ovtoxvrat) mixed with salt ; 
 answering to the mola salsa of the Latins. rolaiv 6e. Consult note 
 on verse 58. pryuX'. " Earnestly." 
 
 451-456. ri.vOi pev, K. T. A. Repeated from verse 37, &c. #<ty 
 piv TT-orc TT-upof. "Already, on one occasion before this." We 
 have retained here the common reading, with Heyne, Wolf, and 
 IS'agelsbach. Spitzner gives 9 [*ev dfj nore. rifiijaas ph> kpe. 
 "Thou didst honor me, indeed." This line is in apposition with 
 the one that precedes, and hence arises the asyndeton, or absence 
 of the connecting conjunction. Observe, also, that riftr/aaf, as 
 shown by the accentuation, and the presence of pi-v and 6e, is the 
 aorist indicative, and not the participle. The latter would have 
 been written ripr/oas, its final syllable being long. j?<5' ITI nal vvv. 
 "And now still farther, also." j?d' is for ^6e, not fi6rj.^6ti vvv.
 
 NOTES TO BOOK I. 177 
 
 "This very instant." More literally, "now, (even) now." The 
 addition of vvv to $67), as Hoogeveen remarks, excludes all delay. 
 
 458-463. avrup kirei pa. "But when then." KOI o&logvrcf Trpo- 
 6<i%nvTo. "And had cast forward the salted meal," i. ., had 
 sprinkled it on the head of the victim. They had held the salted 
 meal in their upraised hands during the prayer of Chryses. Com- 
 pare verse 449. avtpvaav //EV rrpura. " They first drew back (the 
 neck)," i. e., so as to turn the throat upward, the sacrifice being one 
 to a celestial deity. When a victim was offered to a god of the 
 lower world, the throat was turned downward. Kal sa<j>a^av aal 
 I6fipav. " And cut the throats, and flayed (the victims)." /card re 
 Kviai) fKuhvipav. " And covered them completely with fat." Ob- 
 serve the peculiar force of the adverbial Kara. The primitive idea 
 is " down," " down to the very bottom," and hence " completely," 
 "thoroughly." diTtrvxa Trcur/omref. "Having made it double," 
 i. ., having placed upon them double pieces of fat. This was done 
 in order to expedite the burning. Observe that diitrvxa is here the 
 accusative singular of diirrvi;, agreeing with Kviariv understood. 
 Compare Bullmann's Lcxil., p. 208, ed. Fishlakc, and the note of the 
 translator. 
 
 in' avruv 6' ufiodirriaav. "And upon them placed raw pieces." 
 km oxifyf- " On sticks of cleft wood." ax^W for axifr'S- faifa. 
 " Kept pouring a libation." Observe the change from the aorists 
 to the imperfects Kale, falh, l^ov, &c., as denoting continuance of 
 action. Trap' avrov. We should here expect Trap' UVTU. The accu- 
 sative, however, is correct enough, since a kind of motion is, in 
 fact, implied. We translate Trap' avrov, " beside him ;" but the 
 meaning properly is, "having come up to him and placed them- 
 selves by his side." 
 
 nepnuGola. " Five-pronged forks." With these they held down 
 the more important entrails, or if any had, amid the action of the 
 flames, escaped from their places, they restored them to these. 
 This was done to prevent any part of the entrails from falling to the 
 ground, which would have been a most inauspicious omen. 
 
 464-465. avrap, Inti Kara fiijp' CKUTI, K. r. ?.. " But when the 
 thighs were completely consumed, and they had tasted the en- 
 trails." ox^uyxva. By these are meant the lungs, liver, heart, 
 &.C., which were always tasted by those present, before the regular 
 meal commenced on the roasted flesh of the victim. ftiarvXXov T" 
 upa ruAAa, K. T. A. " They then both cut into small pieces the other 
 parts, and pierced them through and through with spits." Observe 
 the peculiar construction in //' bfafolaiv : literally, " they pierced
 
 178 NOTES TO BOOK I. 
 
 them round about with spits," i. e., they pierced them in such a way 
 that the flesh covered the spit all around, or, in other words, lay all 
 around the spit. 
 
 466-468. epvo-avro rt iruvra. "And drew them all off," . e., off 
 from the spits. Observe the middle voice : drew them off for them- 
 selves. TTOVOV. "From their labor," i. ., the toil connected with 
 the details of the sacrifice, and more particularly the preparations 
 for the banquet after the sacrifice. oi;6i TL dvfibs edtvero, K. r. A. 
 " Nor did the feelings (of any one) at all feel the want of an equal 
 banquet," i. e., the banquet was an equal one for all, and all took 
 an equal share of it. (Compare Voss, Kr. Bl., i., p. 207.) Nagels- 
 bach gives a different, but less natural explanation: "Nor did the 
 feelings (i. c., the craving) of any one at all feel the want of food 
 proportioned (to them)," i. e, proportioned to that craving. In other 
 words, the feast was an abundant one, and each one could satisfy 
 his craving for food to his own content. According to this view, 
 we must supply tfty/eJ after efoj/f. 
 
 469-470. tTTEi ff Ipov EVTO. " When they had taken away from 
 themselves the desire." Observe the force of the middle in tvro. 
 KptjTijpaf eTTsffTtycvTo iroToio. "They filled the mixers to the brim 
 with drink." We have followed in this the explanation of Bultmann 
 (Leu/., i., p. 92). There is no allusion whatever to any crowning 
 of the bowl, or encircling it with garlands, but the vessel is suppo- 
 sed to be filled as full as possible, the liquor rising slightly above 
 the brim, and thus forming a kind of cover, or what may be called 
 in poetic language a crown. Observe that by npijTfjpas are meant, 
 not drinking-cups, but large bowls in which the wine was mixed 
 with water, and from which the liquor was then served to the 
 guests. The ancients very seldom drank their wine pure. 
 
 471-4'J3. vupqaav 6' upa Ttuaiv, K. r. A. "And then they distribu- 
 ted unto all, having given a part (unto each) in cups." The ex- 
 pression fTrap^ufievoi 6e-xdtaaiv is commonly rendered, " having be- 
 gun (from the left) in cups." But the erroneous nature of this 
 version has been fully shown by Buttmann, who gives kirapS-ufitvoi 
 the meaning which we have adopted, and deduces it from the pecu- 
 liar force of apxeaffai, as regards religious ceremonies, namely, "to 
 take away," "to take part of," "to take from." The preposition 
 M, moreover, in combination with upxeadai, indicates here the re- 
 lation of the simple upxeaOai to the individuals to whom it is given, 
 or among whom it is divided. (Bullmann, Lcxil., i., p. 110) 
 
 ol if, Kovpoi 'A^aiuv. " And they, the sons of the Greeks." Con- 
 sult note on verse 2. iravrjptpioi. " All day long." Compare
 
 .\UTES TO BOUK I. 17i> 
 
 }, in verse 497. i^uaKovro. " Strove to propitiate." KO^OV 
 . " A beautiful paean." By " paean" is meant a hymn or 
 song, which was originally sung in honor of Apollo, and which 
 seems to be as old as the worship of that deity. Knight considers 
 this verse, and the one that follows, spurious, because nat^uv in 
 Homer is not a paean, but the name of the god of Medicine, who is 
 distinct from Apollo. Heyne also inclines to the opinion that they 
 were inserted by some rhapsodist at a later day, when the names 
 HaiJjuv and Haiuv had become customary designations for Apollo. 
 
 475-478. 7ri fi?.d. " Had come on." 6r) fore Koifinaavro, K. T. ?.. 
 " Then, indeed, they laid themselves down to sleep by the stern- 
 fasts of the ship." The expression napd Kpvpvf,aia forms what is 
 termed "construct pragnans," an instance of which we have al- 
 ready had at verse 463: they went to, and laid themselves down to 
 sleep by, &LC. icai ror' EXCIT' dvuyovro, K. T. %. " Then, thereupon, 
 also they began to get under weigh for the wide-spread army of the 
 Greeks." 'AvuyeaOai is a nautical term, and equivalent to EK TOV 
 ZiftEvof uvaKteeiv, the opposite to which is Kartiyeadai, " to sail into 
 harbor from the main ocean." With avuyovro we must supply rrjv 
 vavv. Observe, also, that as the mast was not yet raised, and the 
 sail not yet spread, the imperfect here denotes the " conatus rcifa- 
 cicnda." 
 
 480487. OTtjaavr'. " Set up." uva &' iaria ACVKU Treraaaav. 
 " And spread on high the white sails." Observe the adverbial force 
 of uvd. ev 6' avtpof irprjae, K. T. 7.. " And the wind streamed pow- 
 erfully %vithin, against the middle of the sail." Observe here the 
 peculiar adverbial force of h : the wind streamed against the sail 
 i such a way that it was therein. dfj.61 <5e areipij. " While at the 
 keel round about," t. e., round about the keel. Observe the adverb- 
 ial force of ufiQi, and note that are/py is properly the locative case, 
 indicating " at" or " in" a place. v?oc lovanf- "The ship proceed- 
 ing on her way," t. ., as the ship proceeded. 
 
 I6ff icard Kv/ja. " Ran along the wave." /zcrd arparov. A more 
 correct reading than the common Kara arparov, and adopted by Spitz- 
 ner. Ulysses and his companions came to the Grecian army, not 
 through it. vfja. fwv olye n&aivav, K. r. ?.. " These same (standing) 
 upon the shore drew the black ship high up on the sands." Observe 
 that ye in olye has here a recapitulating force. The genitive r/Tteipoio 
 denotes the spot to be reached, and from which, in the present in- 
 stance, the motion of drawing commences, while the adverbial kni 
 indicates the direction of the vessel's course toward the shore in 
 obedience to that same motion. When the vessel hae reached the
 
 180 NOTES TO BOOK I. 
 
 shore, the next thing to be done is to draw it high up on the sand : 
 here ini is again employed to denote direction, and we have now 
 the dative in tpa/iudoif, because this is to be a permanent resting-place 
 for the ship. VTTO 6' ep^iaTa /za/cpu ruvvooav. "And they extended 
 long props beneath." These props were placed on each side of the 
 vessel, in order to keep it upright. Grashof, however, thinks that 
 they were long beams, placed lengthways, on each side of the ves- 
 sel, in a line with the keel, and thus keeping the ship erect. This, 
 as he thinks, would allow more space between the different vessels, 
 and more room for fighting. (Das Schiff bei Homer und Hesiod, p. 
 31.) eaxidvavTo. " Scattered themselves." 
 
 488-492. aiiTup 6 (irjvtE. " But that (other) one (meanwhile) kept 
 cherishing his wrath." Observe the demonstrative force of 6, as 
 indicating Achilles, and the continued action expressed by the im- 
 perfect. uKviropoiffiv. We have placed a comma after this word 
 with Wolf, in order to bring in the next line with more force. Ot)re 
 TroT* elf a-/opqv, K. T. X. " Neither at any time did he go to the as- 
 sembly which makes men illustrious," i. e., where men have an op- 
 portunity of acquiring renown by their eloquence and wisdom. 
 (jfiivvdcane fyitov ici/p. " He kept pining away (in) his heart." The 
 minor scholiast makes QQivvdsaKe transitive here, and equivalent to 
 i^ftetpe. It is more Homeric, however, to give it an intransitive 
 signification, and to make Kf/p the accusative of nearer definition. 
 
 avdi fievuv. "Remaining there (where he was)." voQieani. <F 
 uvrriv, K. T. /I. " And he longed for the battle-cry and the war," i. ., 
 he wished some engagement to take place, in order that his absence 
 from the battle-field might be severely felt by the Greeks, especial- 
 ly by Agamemnon, since he firmly believed that they could not 
 conquer without his aid. 
 
 493-497. CK TOW. " From that time." TOIO for TOV (i. e., rotJrov), 
 with an ellipsis of xpovov. SvuSeKurn. Compare verse 425. icai 
 TOTE 6i). " Then, indeed, also." Observe here the force of xai : not 
 only the twelfth morning came, but the gods then also proceeded to 
 Olympus. ufta. "At the same time." fipxt "Led the way." 
 aAX' i]Y uvetivocTO KVfi.a tia/Maaijc. " But this same (goddess) 
 came up unto the wave of the sea," i. e., unto the surface of the 
 sea. We must be careful not to render KVJM daZuoow, as some 
 do, "from the wave of the sea ;" this would require the genitive 
 Compare verse 359, avedv TroAt^c a^of, and Od., v., 337, 
 /U/*v>/f, in both of which cases the genitive is rightly em- 
 ployed, for there the idea is that of emerging from. In the present
 
 NOTES TO BOOK I. 181 
 
 instance, however, Thetis comes forth from the deep waters, unto 
 the waves on their surface (hence the accusative of motion to- 
 ward), and then ascends to the skies. Consult Ndgclsbach, ad he. 
 
 jjepir) 6' uve6t}. " And amid the mist of the morning she ascended." 
 We have adopted the meaning given to i}epir), in this passage, by 
 Voss: "Stieg sie in neblichtcr Fruhe," &c., and which is adopted by 
 Nagelsbach. The common translation is, " early in the morning ;" 
 but, if this be correct and ritpiri be merely a designation of time, it 
 ought to have been mentioned in the first clause, with uvedvaero, 
 and not reserved for the second. According, however, to the ex- 
 planation of Voss, rifpiri can have nothing to do with avedvaero, and 
 belongs, therefore, rightly enough, to uvifnj. The passage, too, in 
 this way, gains vastly in poetic beauty. ovpcvw, Ovtofinov re. 
 First she reaches the sky (ovpavof), and then the summit of the 
 fabled Olympus, which pierces the sky, and rises far upward on the 
 other side of the vault of heaven, into the regions of eternal light. 
 
 498-502. urep ijfievov u/U,wv. " Sitting apart from the rest." 
 uKpordri) Kopv^y. The palace of Jove was on the highest peak of 
 the mountain. KoXvfaipufof OMpiroio. " Of the many-peaked 
 Olympus." Compare the explanation of no7^v6eipuiof, as given by 
 the scholiast : Tro/l/Uif efo^f ^oirof. In the language of poetry, 
 Olympus had thrice three hundred summits assigned to it. Com- 
 pare the scholiast : " rplf <Jt- rpirjKoaiai Kopvfiai vi<f>6evTOf 'OXvpnov." 
 
 tiTT* uvdepeuvof &ovaa. " Having taken him under the chin." In 
 verse 407, mention is made of clasping or taking hold of the knees ; 
 to this is now added the touching of the chin. Hence Pliny re- 
 marks : " Antiquis Grtzcia, in supplicando, mentum altingcre mos erat. 
 (H. N.j xi., 5, 103. Compare also Eurip., Hec., 342.) The genitive 
 avdepttivos depends more on shovaa than on the adverbial into. 
 Thetis took Jove by the chin (trence dvOepetivof, the genitive of 
 part) in such a way that her hand was extended under (VTTO) the 
 same. uvaura, "Monarch of the skies." 
 
 503-506. d KOTC 6i). Consult note on verse 40. /zer" ndavu- 
 rotaiv. " Among the immortals." ripijaov. " Honor." To be taken 
 in a general sense, and equivalent to " make illustrious," " render con- 
 spicuous," " bestow favors upon," &c. uKvpopuraroc aXhu 
 " Is the most swift-fated of all." Equivalent, in fact, to 
 repof uhhtjv, or uKVfiopuraro^ mivruv. The literal meaning, " most 
 swift-fated of others," would appear to us ungrammatical, and yet 
 uM.oi merely excludes an individual of the same kind with the rest, 
 though differing from them in degree, so that the same person may 
 be said both to belong and not to belong to the class in question. 
 
 Q
 
 182 NOTES TO BOOK I. 
 
 We have an imitation of this construction in Tacitus (Agric., 
 34): "Hi cctcrorum Britannorum fugacissimi." eTTAer". Equiva- 
 lent here to sari. Consult note on verse 418. arnp. "For." A 
 similar usage prevails in Latin, where autem sometimes has the 
 force of enim. Thus we may say, as a paraphrase of the present 
 passage, " Honore fdium orna ; est autcm nunc quidem duds injuria 
 privatus honore." (Nagclsbach, ad loc.) 
 
 508-510. dHu av mp piv rlaov. "Do thou, however, hy all 
 means honor him," i. e., do thou certainly extend to him that honor 
 which others have failed to render him. firjriera Zev. " Counsel- 
 ling Jove," i. c., Jove, parent-source of all wise counsels. em Tpu- 
 caoi ridfi Kpurof. " Bestow might upon the Trojans," t. c.. the 
 might that leads to victory. The adverbial iiri here increases the 
 idea of the continuance of that power. It is to be given to the Tro- 
 jans, and to rest upon them for a time. bty&huai re i ripy. " And 
 may advance him in honor." Literally, " may increase him with 
 honor." Compare the Latin, " augere aliquem honore." 
 
 511-513. vftyefyytptTa Zei5f. "The cloud-collecting Jove." us 
 qtyaTo -yovvuv, K. r. "k. " As she touched his knees, so she kept hold- 
 ing, having grown unto them (as it were)." With t^rro supply yovvuv 
 or avruv, though not required in the translation. We have here, in 
 tfnrefyvvia, a singular but bold expression. She clung to the knees 
 as firmly as if she had grown unto them and now formed part of 
 the very frame of Jove. Virgil has a very feeble imitation of this in 
 his " genua amplcxus harcbat." (JEn., Hi., 607.) It must be observed 
 that, in a strict Homeric translation, the particle tif would be demon- 
 strative here in both clauses : " so she touched his knees, so she kept 
 holding." Compare the German idiom, " so viel Kopfe, so viel 
 Sinne," and also the well-known passage in Virgil, " ut vidi, ut peril, 
 ut me malus abstulit error." (Eclog., viii., 41.) 
 
 514-516. vijpepres fiev 6tj fioi vnoaxto. " Promise me now, in- 
 deed, for certain." Observe that plv is here for pfiv. The particle 
 6fi, on the other hand, intimates a wish that no farther delay take 
 place, but that the request be granted at once. KOI Kanivevaov. 
 " And ratify (that promise) with a nod," i. ., and give me some 
 outward sign of such promise. end ov TOI lirt <5e'of. " Since there 
 is no cause for fear unto thee." Observe that deo? here is not 
 metus, but causa mctuemli. KTCI. For lireari. baaov. " How far," 
 i. e., in what degree. UTI^OTUTT} tfedf . " The least honored deity." 
 
 517-519. fii-f bxOijaaf. " Greatly disturbed." According to Butt- 
 mann (Lcxtl., s. v.), the verb bxOiu denotes, in general, every kind 
 of violent emotion at events, actions, and words which strike the
 
 NOTES TO BOOK I. 183 
 
 mind unpleasantly. f; $n Aotyta epf. Assuredly, now, (these will 
 be) mischievous doings." Supply ruff carat, not kari, and compare 
 verse 573, where the full form of expression is given. 5ri. 
 " Since." or" uv u' eptdyatv. " When she shall provoke me." The 
 particle uv implies the possibility of such an event soon taking place, 
 from the known character of Juno. 
 
 520-527. {] de KOI avruf a' aiev VCLKCI. " For she, even thus, is 
 ever taunting me," '. e., even as in the present instance, without 
 any provocation on my part, and in full accordance with her suspi- 
 cious and haughty temper. /cat re (prjai. "And says, also." av-ic 
 uTtoarixe. " Go hack again." vo-nar/. " May perceive it," i. e., may 
 perceive thy visit to the skies. KE uE^aerat. " Will be a care to 
 me, if naught prevent." Observe the force of the particle /re in 
 lessening the certainty implied by the future. d 6' uye. Consult 
 note on verse 302. 1% eptdev ye. " From me, at least." Implying 
 that other gods may have other modes of giving a pledge, but that 
 this is his. ov -yap luov Tra7.ivuyperov, K. T. A. " For that of mine 
 is not revocable, neither accustomed to deceive, nor not to be ac- 
 complished, whatsoever I shall confirm by a nod with my head." 
 Sri. Observe the comprehensive meaning of this term, " whatever 
 it may be," " of what kind soever," &c. It is incorrect, therefore, 
 to refer tubv to riKfiup merely. On the contrary, it relates to what- 
 ever comes from Jove, whatever is ordained by him. 
 
 528-530. j], KOI icvaveyaiv en' b<j>pvai, K. r. "K. " The son of Saturn 
 spoke, and nodded thereupon with his dark eyebrows." When 
 Phidias, the famous sculptor, was asked from what pattern he had 
 framed his noble statue of the Olympian Jove, he answered, it was 
 from the archetype which he found in this line of Homer. Virgil, 
 remarks Valpy, gives us the nod of Jupiter with great magnificence: 
 " Annu\l t ct nutu totum tremcfccit Olympum." But Homer, in descri- 
 bing the same thing, pictures the sable brows of Jupiter bent, and 
 his ambrosial curls shaken at the moment when he gives the nod, 
 and thereby renders the figure more natural and lively. i-xeppuaav- 
 ro. " Streamed one upon the other." Observe the force of eiri. 
 piyav 6' k?J/.i$tv 'OZvfiirav. "And he caused the mighty Olympus 
 to tremble (to its base)." The verb efaKfa here expresses a quick 
 vibratory motion. 
 
 531-535. ditruayev. " Separated." Zrvf At eov Trpvf 6tiua. " But 
 Jove (proceeded) to his own abode." Supply e6ij, which is to be 
 elicited, in fact, out of u7.ro. a<t>ov Trarpbf evavriov. " In the pres- 
 ence of their sire." Observe the genitive here with havriov, the 
 cause of motion, on the part of the assembled gods, coming from
 
 184 NOTES TO BOOK I. 
 
 the entrance of their sire. ptivai eirepxoftevov. " To wait for him 
 approaching." More literally, " coming on." dvrioi. " Before 
 him." 
 
 536-539. wf. "Thus," i. e., under such circumstances. oiide /uv 
 'H/377 Tj-yvoirioEv, K. T. A. " Nor concerning him was Juno ignorant ; 
 having seen, how that," &c. oi avp^puaaaro /Bovhdf. "Had just 
 been concerting plans with him." Observe the force of the aorist, 
 in referring to what has just taken place. uZioio yepovros. " Of 
 the old man of the sea," i. e., of the aged sea-god. Referring to 
 Nereus. Kepropioiat. " In heart-cutting (words)." Supply e;mu. 
 
 540-543. rt'j 6' av. "And who again." 6' av for <5e ci. Nagels- 
 bach, with less propriety, makes it to be for 6% av. 6o?.ourjTa. 
 "Artful one." avfuppuaaaro /Jor/laf. "Concerted plans with thee 
 a moment ago." kovra. Observe the employment of the accusative 
 here, oi being understood, where we would expect the dative, agree- 
 ing with aoi. In Attic Greek this becomes a common usage. 
 KpuKTudia Qpoviovra diKa&pev. " Revolving secret things in mind 
 to come to decisions thereon," i. e., to make secret decisions, to de- 
 cide on things apart from me. e'nreiv pot eTrof orn voqayf. "To 
 declare unto me any plan thou mayest have devised." More lit- 
 erally, " to declare unto me a plan, whatsoever one thou mayest 
 have devised." 
 
 545-550. pi Ay Truvraf epovf, K. T. /I. "Do not, indeed, build any 
 hopes upon (this), that thou shalt become acquainted with all my 
 determinations." Observe the peculiar force of cxi in composition, 
 and compare the explanation of Nagelsbach, " hoffe nicht darauf." 
 xa?.Tfoi rot eaovr', K. r. "k. " They will prove burdensome unto 
 thee, although thou art the partner of my couch," t. e., they will 
 prove too burdensome for thy feebler intellects, as a female, al- 
 though thou art my spouse. The scholiast makes x a ^^oi equiva- 
 lent here to {3ha6epoi, "hurtful," "injurious," but in this way the 
 words ahoxv nep co-var/ lose all their force. 
 
 ti/U,' ov jj.ev K' 7ueiK uKovlfitv. " But whatever one, indeed, it 
 may be fitting (for thee) to hear." With ov supply ptdov. K' e 
 Supply i), so that K' y becomes equivalent to the prose av y. T 
 r(n>Y dffETai. " Shall know this same one sooner (than thou)." 
 Observe the recapitulating force of ji in combination with the pro- 
 noun. pq TI ffv ravra lunara, K. r. A. " Do not thou at all interrogate 
 respecting each of these things, nor be prying into them." After 
 ov fiEv we would expect TOVTOV, but ravra enaara take its place, 
 showing clearly that ov is to be taken collectively. 
 
 551-554. /JouTrtf TTo-rvia "Hpy. "The large-eyed, revered Juno."
 
 NOTES TO BOOK I. 185 
 
 In poetic language, and especially in epic phraseology, two or more 
 epithets are often added to a single substantive, without any con- 
 necting conjunction, when these are merely ornamental epithets, 
 and serve to point out the object more fully to the view. (Kuhner, $ 
 760, m.) ftoiJTrif. A large, full eye was an important ingredient in 
 Grecian beauty, and the epithet pouTrif is well qualified to express 
 this, signifying, literally, " ox-eyed," i. e., one who has large eyes 
 like an ox. The term, moreover, is not confined in Homer to Juno 
 merely, but is applied by him on one occasion to a Nereid (//., 
 xviii., 40), and on two other occasions to two other females. (//., 
 iii., 144 ; vii., 10.) Miiller thinks that it had a special reference 
 originally to the worship of the Argive Juno, and the legend of lo. 
 (Wissensch. MythoL, p. 263.) 
 
 alvorare. " Most dread." noiov rov fivffov e7Tf ; " What kind 
 of word is this thou hast just uttered !" Equivalent to nolov tenrec 
 TOVTOVTOV fivdov; "Of what kind hast thou uttered this very word !" 
 KOI Mqv ae ndpof /, AC. r. A. " Heretofore, at least, I even alto- 
 gether neither interrogate thee, nor pry." Observe here the em- 
 ployment of Kal farjv (literally, " even very greatly") to express a 
 strong and positive assertion. It may be paraphrased by " even as 
 much as thou thyself couldst wish." (Consult Nagelsbach, ad loc.) 
 elpofMi. The present here, as well as in ^era/Uw and Qpd&ai, is 
 not for the perfect, as some explain it, but is purposely employed to 
 bring the whole range of the past before the eyes, and to denote 
 long-continued habit. uAAu ///,' evKrj^of, K. T. A. " But, very free 
 from interruption on my part, thou meditatest on those things, what- 
 soever thou mayest wish." The adjective eu/c^/lof in Homer is 
 nearly equivalent to " tranquil," but only with the idea of freedom 
 from all anxiety, interruption, danger, or other uncomfortable feel- 
 ings. (Buttmann, Lcxil., i., p. 141.) aoo'. Observe that uooa is 
 for uriva. 
 
 555-558. at napEiirri. " May have persuaded thee wrong." Ob- 
 serve here the force of irapd, as showing a deviation from the right 
 way, as in napa fiolpav, napa 66t;av, irapu TU dixaia. Hence ce 
 irapeiTrri may be literally rendered, " May have spoken unto thee by 
 the side of what was right, and not in the same path with it." TTJ a' 
 biu Karavevaat eTr>rv[j.ov. "Unto this one I imagine that thou didst 
 nod assent for certain." 
 
 561-564. tiaipovirj. "Strange one." We have given here the 
 meaning which appears to lie at the basis of daipoviof. The or- 
 dinary translation, "madam," carries with it a ludicrous air. alsl 
 fifv bieat, oi>6i ce Ai?0u. " Thou art ever, indeed, imagining, nor do 
 Q2
 
 186 NOTES TO BOOK I. 
 
 I (at any time) escape thy observation." 6' Ifj.^^. " And yet, after 
 all." ffiTTj]^ is equivalent to iv iruaiv. u/.K UKO -&v/^ov, K. T. A. 
 "On the contrary, thou shall be farther away from my bosom," i. e., 
 more estranged than ever from my affections. Observe that ana 
 here is merely an adverb, "away," and that "from" is implied by 
 the case itself of dvpov. 'rot KOI piyiov. " Even more unpleasant 
 for thee." OVTU. Referring to axo fiv^oH p&M.ov spot laeai. 
 
 566-567. fit] vv TOI ov xpaiafiuoiv, K. T. 7.. " Lest, in that event, 
 as many gods as there are in Olympus prove in reality of no avail 
 unto thee against me coming near, whenever I shall have laid my un- 
 approachable hands upon thee." Consult, as regards the form pi vv 
 rot, the note on verse 28. iaaov lovd'. More literally, "coming near- 
 er," i. e., than I at present am. A difference of opinion exists with 
 regard to iovff in this passage. Buttmann (Lexil., i., 1) maintains 
 that it is not for the accusative singular iovra, agreeing with fie 
 understood, but for iovre the nominative dual, in the sense of the 
 plural, and agreeing with tfeot. This, however, is opposed by 
 Kiihner, Spitzner, and others. Buttmann himself, on a previous 
 occasion (Ausfukr. G. G., i., p. 136, note) was of the same way of 
 thinking. The whole question turns on this, whether we can use 
 after ^pato/ten; the accusative of the concrete object (person or 
 thing) to be warded off, and not merely such general ideas as 6Xc- 
 6pof, tfavarof, &c. Buttmann insists that we cannot, but the op- 
 posite opinion appears the more correct one ; and, besides, even sup- 
 posing Buttmann's position to be correct, still, in the present in- 
 stance, uaaov iovO' is nothing more, in fact, than kus 5Xe6pov Qepov-a. 
 
 569-572. xai pa. "And accordingly." eiriyvuppaaa 6&ov Kfjp. 
 " Having bent her heart (to submission)." u^Oriaav. " Were sore 
 distressed." K^vTOTe^vrjf. "Illustrious artificer," t. e., famed for 
 his skill in the manual arts. To Vulcan, the fire-god, and son of 
 Jupiter and Juno, was ascribed in fable a perfect acquaintance with 
 the working of metals, and with all the secrets of the mechanical 
 arts. iirirjpa <j>epw. " Striving to gratify." Literally, " bringing 
 agreeable things." We have retained kmrjpa, the commonly-re- 
 ceived reading. Buttmann, however, adduces some strong reasons 
 in favour of k-l fipa titpuv, making fipa the accusative of an obsolete 
 nominative rjp. (Lcxil., i., p. 149.) 
 
 573-579. r) 6% holyia, K. r. 7.. Consult note on verse 518. w<Jf. 
 " Thus," t. e., even as you are now doing. Not, " so violently." 
 The Greek for this would be roaov. KO^CJOV khavvsrov. " Excite a 
 disturbance." datrdf iadXijc f/dof. " Enjoyment of the goodly ban- 
 quet." TT TU, xepetova VIK$. " Since these practices, which are
 
 NOTES TO BOOK I. 187 
 
 growing worse and worse, are gaining the ascendancy." Literally, 
 " since these worse things conquer." 6' iyw TrapuQrjfii. " I recom- 
 mend, therefore." KOI airy xsp voeovay. " Although she herself is 
 possessed of intelligence," i. c., has mind of her own, and therefore 
 needs no advice from me. pj avre veiKeiyai, " May not again 
 wrangle (with her)." Observe the force of aiirc : " again," i. c., as 
 he often before has done. aw 6' ftftiv 6alra rapdt-y. " And disturb 
 the banquet for us among ourselves," i. e., our common banquet. 
 Observe the force of <ruv, " among ourselves" or " one another," a 
 meaning arising from the ordinary signification, " together." 
 
 580-585. ffTu^fAt'fat. "To hurl (us)." According to the point- 
 ing we have adopted, which is that of Heyne, Wolf, and Spitzner, 
 there is an aposiopesis after o-n<f>t7.i^at, and we must add, in order 
 to complete the sense, " he can easily do so." Some place a comma 
 after iOt/.r/cnv, and make aru<j>ri.i!-ai the optative, but this weakens 
 the force of the passage. According to our pointing, aTv<j>f?.tf;at is 
 governed by idft.yatv. ^eprarof. "The most powerful." TOV / 
 krcieaoL KaBaKreadai fiaAanoloiv. " Strive to soothe this same one 
 with soft words." The infinitive is here used absolutely for the 
 imperative, without our being under any necessity of having re- 
 course to an ellipsis of (tF/nvTjao or fivroai. Consult note on verse 
 323. avria' i-ecO". "Immediately thereupon." 
 
 Kal uvai jaf, K. r. X. " And, having started up, placed a double cup 
 in the hand of his mother." Literally, " in the hand unto his 
 mother." By 6crraf djpfuofrra&tMi is meant a drinking vessel having 
 a cup at both ends. That this was the form of the vessel in ques- 
 tion is shown by a passage in Aristotle (H. A., 9, 40), where he is 
 describing the cells of bees as having two openings divided by a floor, 
 like /i<?Kii;r/.Aa. 
 
 586-589. TfT/.af)i. " Endure it." avao^eo. "Restrain thyself." 
 tyifyv irep fovvav. The particle irep is here equivalent to valde, 
 whereas with Krjdoftevij, in the previous line, it has the meaning of 
 " though." tv 6$6a}.[j.o/atv. " With my own eyes." The adver- 
 bial ev, as Nagelsbach remarks, here denotes that the scene in 
 question dwells, as it were, within his very eyes, and hence indicates 
 the lasting impression which such a scene would naturally produce. 
 deivo t utvT)v. " Getting beaten." dpya/ieof yap 'OAv/tTtof uvnipt- 
 peadcu. " Since the Olympian (king) is difficult to be opposed." 
 More literally, " to be borne up against." Compare the explanation 
 of Wolf: " dffictlis est, cui resistatur." Some, less correctly, make 
 avTHt>epet?8ai the middle voice. 
 
 590-591. iy<5)7 -/up KOI uAAor'. " For before now also, on another
 
 188 NOTES TO BOOK I. 
 
 occasion." ufaZfyevat. " To aid (thee)." 7ro(% Tcrayuv. " Hav- 
 ing seized me by the foot." Observe in nodof the genitive of a part. 
 Eustathius says that Jove flung him from heaven, as one would 
 fling a hare, or some other animal of the kind, having caught it, 
 namely, by the leg ! The fall of Vulcan from the skies is supposed, 
 by some, to be symbolical of the lightnings descending from the 
 clouds; and he falls on the island of Lemnos, because it is a volcanic 
 isle. The common fable, however, to which the poet here alludes, 
 is told by the scholiast as follows : Hercules, having taken and 
 sacked the city of Troy, was, on his return, driven to the island of 
 Cos by a storm of Juno's raising. This goddess, who hated him 
 bitterly, had contrived to cast Jupiter into a deep sleep, that he 
 might not interrupt her purpose. Jupiter, on awakening, discover- 
 ed the deception, and cast Juno into fetters ; and Vulcan, on at- 
 tempting to loosen these, was discovered by Jupiter, and cast head- 
 long down to Lemnos. 
 
 592-594. TTUV fj/tap. " All day long." Kumrcaov. " I fell down." 
 For Kareireaov. oAt'yof 6' STI tfu/wf kvrjev. "And but little life was 
 yet in me." StVriCf uvdps^. "The Sintian men." According to 
 the common account, the Sintians were a Thracian community, of 
 rude and barbarous habits, who inhabited a district on the banks of 
 the Strymon, north of the Siropaeones. They once occupied, as is 
 said, the island of Lemnos. Miiller makes them Tyrrheni, which is 
 the most probable supposition. d<j>ap Ko/j.iaavro. " Immediately 
 bore away," i. e.,bore to their homes and tended. 
 
 596-598. Tratdof e<5efaro ^ctpt KVKtTO.ov. " Received in her hand 
 the cup from her son." Observe that nai66f is here the Terminus 
 a quo. h>6t!-ia. " In a direction from left to right." Consult 
 Buttmann (Lexil., i., p. 174), who shows that at a banquet there was 
 always a fixed place where they began to pour out the wine, and 
 from this the cup went round in a direction from left to right. 
 Whatever else was done in rotation on these occasions, was done 
 from superstitious motives in the same direction. olvoxon. " Kept 
 pouring out," i. e., the nectar. Kpqrfjpoe. The mixer on this occa- 
 sion contains the pure, undiluted beverage of the gods. Compare 
 Glossary, on fyvaauv, line 598. 
 
 599-604. ua6eoTO 6' up' IvtipTO, K. r. A. " And inextinguishable 
 laughter did thereupon arise among the blessed gods, when they 
 saw Vulcan bustling about throughout the mansion." The verb 
 KOITTVVU, in its original sense, meant " to be out of breath ;" in Ho- 
 mer's time, however, it was softened down into the idea merely of 
 great exertion. (Buttmann, Lexil., i., p. 176.) The gods laughed
 
 NOTES TO BOOK I. 189 
 
 at the clumsy attempt of the lame deity to imitate the graceful move- 
 ments of a Hebe or a Ganymede. 
 
 oil [lev tybpniyyof TrepiKa/.Atof, K. T. ^. " Nor, indeed, of the very 
 beautiful lyre, which Apollo held." The form ov //n> (i. e., ov p/v) is 
 equivalent to u/U,' ovde here. Movtruuv &'. " Nor of the Muses." 
 Literally, "and of the Muses." u/iei66ftevai. "Responsive." More 
 literally, "answering in turn." 
 
 606-611. K.aKK.dovTf. "For the purpose of lying down." 
 oiKovtic. " To his home." Each deity had a separate palace on 
 Olympus. a[i<{>i-yvrific. " Lame of both legs." This lameness was 
 the consequence of his fall, when hurled from the skies by Jupiter. 
 idviyai irpmrideaai. "With knowing mind," t. e., skilful inven- 
 tion. irpof ov faxf- "To his own couch." ivda irupof Koifj.u,(f. 
 " Where before he was wont to lie down/' OTE piv yhvKVf, K. T. "k. 
 " As often as sweet sleep came upon him." Observe here the em- 
 ployment of ore with the optative, to express what takes place re- 
 peatedly or customarily. (Butlmann, G. G., 139, 6.) KaOefd". 
 " He lay down to repose." Observe that aaOevd' does not here mean 
 " he slept," for he is described as still awake at the commencement 
 of the second book, but only " he lay down in order to court repose." 
 Trapd 6i. " And by his side." Knight rejects this last verse as 
 spurious. He regards it as the interpolation of a rhapsodist, who 
 wished to terminate the canto as a particular rhapsody. His argu- 
 ment against it is, that Jove is represented in the beginning of the 
 second book as still awake. An answer to this is given above, in 
 the note on Kadevff. jpixrotfpoi'Of. " Of the golden throne," an ep- 
 ithet applied to Juno as the Queen of Heaven.
 
 NOTES ON THE SECOND BOOK. 
 
 ARGUMENT. 
 
 THE DREAM. THE TRIAL OF THE FEELINGS OF THE ARMY. THE MUS- 
 TER AND CATALOGUE OF THE FORCES. 
 
 JUPITER, in accordance with the prayer of Thelis, determines to 
 distress the Greeks, in order that he may do honor to Achilles, and 
 make his absence from the battle-field more sensibly felt by the 
 host. In pursuance of this resolve, he sends a deceptive vision 
 to Agamemnon, persuading him to lead the army to battle. This 
 leader, who is thus deluded with the hope of taking Troy without 
 the aid of the son of Peleus, having feared lest the army might be 
 discouraged by the absence of that warrior, and the recent plague, as 
 well as by the long continuance of the siege, contrives to make trial 
 of their feelings by a stratagem. He first communicates his design 
 to the princes in council, informing them of his dream, and of his 
 intention to propose a return to the soldiers, at the same time re- 
 questing the assembled leaders to stop the movements of the forces, 
 in case his proposals were embraced by these. Then he assembles 
 the whole multitude, and, on his recommending a return to Greece, 
 they with one voice agree to it, and run to launch the ships. Ulys- 
 ses, however, succeeds in detaining them, the assembly is re- 
 called, several speeches are made on the occasion, and at length 
 the advice of Nestor is followed, which was to make a gerreral mus- 
 ter of the troops, and to divide them into their several nations, 
 tribes, kindred, &c., before they proceeded to battle. This gives 
 occasion to the poet to enumerate all the forces of the Greeks and 
 Trojans in a long catalogue. 
 
 The time employed in this book consists of not quite one day. 
 The scene lies at first in the Grecian camp, and upon the sea- 
 shore : toward the close it changes to Troy.
 
 NOTES TO BOOK II. 191 
 
 1-4. 'AAAot fitv pa, K. r. A. " The rest, then, both gods and men 
 who fight armed from chariots." Observe that uAAot is here equiv- 
 alent to the later oi US.AOI. In Homer, we can only tell from the 
 context when u/.Aot is to be thus rendered, since the article as 
 such is never employed by the poet. pa. A particle here of con- 
 tinuation, and connecting the last line of the preceding book with 
 the first line of the present one. iir-xoKopvorai. Compare the scho- 
 liast -. and TUI> ITTKUV paxofievoi. As fighting from on horseback was 
 not practised in Homeric times, the expression up inxuv is the same 
 as <l<j>' up[taTO. 
 
 A<a 6' OVK ex vfjdvfios vTrvof. Compare the meaning assigned to 
 Kadevtf in the last line of the previous book. aAA' dye pepnripi&. 
 " But this same deity kept pondering." Observe the recapitulating 
 power of yi. uf 'A^t/U/a rifiria-g. "In what way he may honor 
 Achilles, and destroy many at the ships of the Greeks." Since a 
 past tense, ficppipi^e, precedes, we would naturally expect an opta- 
 tive to follow. Instead of this mood, however, we have here the 
 subjunctive, or what grammarians call " conjunctivas dcliberativus." 
 Jove is supposed to say to himself, while deliberating on the objects 
 to be accomplished by him, mif . . . ri^au ; TTCJJ- . . . oKiau ; and this 
 same mood still remains in the narration, after the person is changed, 
 and the direct interrogation altered to the oblique. The optatives 
 rip/oat and oteoai, or, according to another form, Tifit/aei', are here 
 less correctly preferred by some. 
 
 5-7. f/6e 6e. " The following, thereupon." pav^y. " Device." 
 Kctityai CTT" 'ArpeuJj/, K. r. X. " To send upon Agamemnon, son of 
 Atreus." Observe that here 'A-peidy is the dative of disadvantage 
 depending immediately upon the verb, and that the adverbial eiri 
 merely indicates the direction of the action. oiihov ovetpov. "A 
 pernicious dream." Some read 'Oveipov with a capital letter, as if 
 the Dream-god himself were here meant. Not so, however. By 
 dvctpov is to be* understood merely a particular dream, to which, in 
 common with dreams in general, a species of personal existence is 
 here assigned, and which, from the nature of its destination in the 
 present instance, is termed ov7.ov, " pernicious" or " baneful." The 
 epithet ov/lof would be manifestly improper as a general designation 
 for the god of dreams, and would make all dreams more or less per- 
 nicious in their nature. KCU JJ.LV furr/aac, K. T. A. Observe that 
 ^uiv/Jffaf is here intransitive, and that piv depends on Trpofijvda. 
 
 8-10. BUCK' Wt. "Go, speed thee." More literally, "go, go." 
 An expression intended to mark haste. Hence Aulus Gellius (xiii., 
 24) remarks, " Quis tarn obtuso est ingenio, quin inteUigat, ftuaK' Wi,
 
 192 NOTES TO BOOK II. 
 
 ot>/le ovftpc, KM /3u<7/i' 16 1 T I/w rageta, vcrba duo idem significanlia non 
 frustra posita csse K napa7,^?.ov, ut quidam putant, sed horlamcnlum 
 csse acre imperata cclcrita/is." kWuv if K^iaiyv. Observe the asyn- 
 deton here, occasioned by the absence of de. This is owing to the 
 emphatic nature of the command. Hence the scholiast remarks, 
 ro Trperrov (" the emphatic nature") TT/S eynffavacus 6iu TOV uavvfo.Tov 
 QaiveTai. uyopevEjifv. "Utter." The infinitive for the imperative. 
 Consult note on book i., verse 323. cif eirtreA^.u. " As I enjoin." 
 
 11-15. &upf/l;ai e K&eve, K. r. /L "Bid him arm with all energy 
 the long-haired Greeks." Long hair was regarded by the early 
 Greeks as a mark of strength and valor. (Schol. brev., ad loc.) ; and 
 hence the term Kap^/co/zouvrcf becomes in Homer a constant, and, 
 at the same time, a sort of national epithet. Among the later 
 Greeks it was the badge of a free condition, and was forbidden to 
 slaves. (Compare Xr.n., Rep. Laced., xi., 3 ; Arislot., Rhet., i., 9.) 
 navavo'ii). More literally, " with all his might." Compare the ex- 
 planation of Wolf: "cum omni impelu : mit voller Macht." Some 
 translate it " in full force," and so the scholiast has it, TravarparL 
 This, however, is rather the meaning which the word bears in later 
 writers. 
 
 vvv yap KCV eAot. " For now will he probably take," t. e., now has 
 he a chance of taking. Observe that Jupiter does not, as some pre- 
 tend, utter here a direct falsehood, and promise the capture of the 
 city, when no such capture is about at the moment to take place. 
 On the contrary, the language is purposely guarded, the particle Kev 
 with the optative denoting mere contingency, and only as much is 
 said as may lead Agamemnon into error ; such being the design of 
 Jove. Observe, also, that Jove addresses the dream in the drrccta 
 oratio, and hence we have the indicative (bpd&vrai in verse 14. Had 
 the future been employed instead of KEV with the optative, a certain 
 promise would have been made, and Jove would then have been 
 guilty of an untruth. 
 
 ov ir' uu<l>if (ppu&vrai. " No longer think dividedly." More liter- 
 ally, "no longer deliberate (all) around," t. e., in detached groups. 
 or separate parties, each of these differing in opinion from the rest. 
 Observe the force of the middle voice in tj>pu&vTai. eirtyvapipev 
 ujravrac.. "Has bent all (to her will)." Tpueaat k^fjTrrai. "Im- 
 pend over the Trojans." Observe the continued action implied by 
 the perfect, which gives it the force of a present. 
 
 16-22. rov fivdov. " This mandate." Observe the demonstrative 
 force of TOV. (3rj 6' up' in'. " And then it repaired unto." ro*> 6'. 
 " But this warrior." irepi 6' upSpoator Kexvff i>m>of. " And ambro-
 
 NOTES TO BOOK II. 193 
 
 sial sleep was diffused around." By the epithet " ambrosial" is 
 meant the strengthening, healing nature of sleep; and to express 
 this the poet selects an epithet indicative of strengthening, eter- 
 nizing power borrowed from the food of the gods. (Buttmann, 
 Lexil., i., p. 134.) Kexvff. Observe the continued action expressed 
 here by the pluperfect, and which gives it the force of an imperfect : 
 "had been diffused, and still continued diffused." v-xsp ne(f>a%.f/f. 
 "Over his head," i. e., at the head of the sleeper, and bending over 
 him. 
 
 N^/tjyi'w mi ioutuf, Nearopi. " Like to the son of Neleus, to 
 Nestor." Literally, " to the Neleian son." TOV pa fidhiara, K. r. /L 
 ** Whom, namely, Agamemnon was wont to honor most of the elder 
 (chieftains)." Hence the dream assumed his form, in order that 
 what it said might carry more weight with Agamemnon. 
 
 23-25. twJeff 'Arpeo? rue, K. r. 7.. " Sleepest thou, son of Atreus, 
 the warrior, the tamer of steeds 1" We have placed a comma be- 
 fore tiafypovof, thus giving each of the epithets a translation sep- 
 arate from the noun, a construction far more Homeric and spirited 
 than the ordinary one. Observe that Homer here makes Atreus 
 the father of Agamemnon and Menelaus, whereas Apollodorus makes 
 him their grandfather. (Apol/od., iii., 2, 2.) i^iroduftoio. A con- 
 stant epithet in Homer for warriors, from their having so much to 
 do with steeds. At this early period horses were scarce in Greece, 
 and were possessed only by the opulent. u Xaoi r' tmTtTpd<parac, 
 K. T. X. " Unto whom both nations have been intrusted, and things 
 of so much importance are a care." The term Xaoi has reference 
 here to the Grecian army, as composed of so many distinct tribes 
 or communities. 
 
 26-34. vvv & tyiQev S-vvts UKO, " Now, therefore, understand 
 from me quickly," t. e., quickly attend to me. Atof 6e TOI. For At6f 
 yap aoi. uvev6ev euv. " Although away." More literally, "apart," 
 i. e., at a distance from thee. kfaaipei. Supply oe. -&uprj^ai ae, K. 
 T. A. The words of Jove are now repeated by the dream, with a 
 change of person from the third to the second. 
 
 ,- " Keep it," t. e., what I have just told thee. faitic ae ^Orj 
 aipeiru. " Nor let forgetfulness take thee unto itself." Observe 
 the force of the active. KVT' uv. For drav. avriy. " May have 
 released thee (from its influence)." More literally, "may have sent 
 thee away," i. e., may have left thee. 
 
 35-36. TOV 6' l/Uj;' CIVTOV, K. T. A. " And left that warrior there, 
 pondering those things in mind which, namely, were not about to be 
 accomplished." Observe that the verb is here in the plural (ty<vUov), 
 
 R
 
 194 NOTES TO BOOK II. 
 
 where, from the ordinary rule respecting neuters plural, we would 
 expect the singular number. Neuters plural take the verb in the 
 singular when things, not persons, are referred to ; because things 
 are regarded as forming merely one class, and as destitute of indi- 
 viduality ; whereas, when they refer to persons, the verb is put in 
 the plural, because persons are considered separately, not classified 
 together. In the present instance, however, each of the objects 
 which Agamemnon expects to accomplish arises so distinctly and 
 vividly on his view, that a kind of separate personality is given to 
 them, and the verb with which they are connected becomes of the 
 plural number. 
 
 37-40. <f~i yup by alp^aeiv. "For he thought that he will take." 
 More literally, "he said (within his own soul)." The verb typi is 
 often thus used in Homer. Observe, also, that no pronoun is ex- 
 pressed before aipqaeiv, which shows that the reference is to the 
 same person that forms the subject of the preceding verb. Yqiriof. 
 " Child that he was." A constant expression in Homer to denote 
 rashness and folly in coming to any conclusion. oi><5e TV qSr], K. T. 
 A. "Nor did he know those deeds which Jove was really medita- 
 ting." The more prosaic form of expression would be, oi>6e ydy ra 
 ipya a. pa Zei> pr/fisTO. drjafiv ETT', K. T. 2.. " To inflict both sufferings 
 and groans upon the Trojans as well as the Greeks." The adverbial 
 t-Ki is to be taken in close construction with -frrjaeiv. diu xparepuf 
 va/iiva^. " Through mighty conflicts." Observe that 6id is here 
 equivalent to the Latin per, and does not, as the minor scholiast 
 says, supply with the accusative the place of the genitive, namely, 
 diu vauivas for 6iti vajuvuv. 
 
 41-42. e-/pcro. "He awoke." dsin de [iiv, K. r. 2,. "And the 
 divine voice was diffused around him," i. e., the accents of tfle 
 heaven-sent dream still rang in his ear. bpBuddf. " Erect." The 
 literal translation of I&TO i>p&u6cif would be, " having raised him- 
 self, he sat (in that posture)," 6p0u0'f being used in a middle sense. 
 ivivv e. " He put on." The literal meaning presents a much live- 
 lier image, " he got into." 
 
 XiriJva.. The tunic or chiton was the only kind of evdvpa, or un- 
 der garment, worn by the Greeks. Of this there were two kinds. 
 the Dorian and Ionian. The former, as worn by males, was a short 
 woollen shirt without sleeves ; the Ionian was a long linen garment 
 with sleeves. The Dorian seems to have been originally worn in 
 the whole of Greece, and is the one referred to in the text. 
 
 43-44. ^upof. The English term " cloak," though generally adopt- 
 ed as the translation of this term, conveys no accurate conception
 
 NOTES TO BOOK II. 
 
 195 
 
 of the form, material, or use of the garment which it denoted. This 
 was always a rectangular piece of cloth, exactly, or, at least, near- 
 ly square. It was used in the very form in which it was taken from 
 the loom, being made entirely by the weaver. The following cut 
 shows the <j>upoc wrapped around the body to defend it from cold. It 
 is from a very ancient intaglio. 
 
 In the following, which represents a statue of Phocion, a more 
 graceful and convenient mode of wearing this same garment is 
 shown.
 
 196 NOTES TO BOOK II. 
 
 6' imo hnrapotaiv, K- r. A. " And under his white feet he hound 
 the beautiful sandals." In the Homeric age, the sandal consisted 
 of a wooden sole, fastened to the foot with thongs. In later times, 
 however, the sandal must be distinguished from the vTrodrjfia, which 
 was a simple sole bound under the foot, whereas the sandal was 
 then a sole with a piece of leather covering the toes, so that it 
 formed the transition from the vnodTj/xa to real shoes. 
 
 45-47. afi^l 6' up' UJJ.OLOLV, K. r. A. " And then around his shoul- 
 ders he cast the silver-studded sword," i. e., the belt from which 
 hung suspended the sword. The belt was supported by the right 
 shoulder, and hung obliquely over the breast, as may be seen in the 
 following cut, taken from a cameo in the Florentine museum. 
 
 Consult note on book i., verse 15. narpuiov, utidirov 
 alei. " Hereditary, ever imperishable." These epithets are to be 
 translated separately from the noun. Consult note on verse 23. 
 The sceptre is called irarpuiov, because the family-sceptre of the 
 line ; and u^dtrov, because made by Vulcan. Compare verse 101, 
 seqq. Kara vfiai; 'A^aiuv ^^.KO^ITUVUV. " Down to the ships of 
 the bronze-mailed Greeks." Literally, " of the Greeks arrayed in 
 tunics of bronze." 
 
 48-55. 'Hcjf. Aurora, or Eos, the goddess of the dawn, dwelt 
 with her spouse, Tithonus, on the eastern borders of the Oceanus- 
 encompassed earth-plane. She precedes her brother Helios, the 
 sun-god, in a two-horse car (Od., xxiii., 245), and bends her course 
 through the heavens, entering in at the eastern door of the skies, 
 and passing out at the western ; when, together with her brother,
 
 NOTES TO BOOK II. 197 
 
 she descends to the great stream of Oceanus, where a golden ship 
 reconveys them both, with winged speed, to their Eastern home. 
 Her approach to Olympus, as mentioned in the text, means, there- 
 fore, her drawing near to the eastern portal of the heavens. (Voss, 
 Kr. Bl., i., 234.) 
 
 speovoa. " To announce." Future participle. avrup 6. " But 
 that warrior." Equivalent to EKEIVOS, and referring to Agamemnon 
 
 as the chief person in the narrative. ol pev rot 6c . " These, 
 
 indeed .... but those." povTJr) 6e irpurov l&, K. r. A. " And first 
 a council of high-souled elders sat at the ship of Nestor, the Pylos- 
 born king." A question arises here about the true reading. Zeno- 
 dotus, one of the ancient grammarians, was in favor of fiovhiv, 
 making i& (iovXqv signify, " he caused a council to sit," the objec- 
 tion to pov'/.7j being that i& in the active means " to cause to sit," 
 but l^opai in the middle " to sit," and that povhrj Ifr, therefore, would 
 not make sense. In reply to this, it may be urged, that Homer uses 
 Ifc as well in the sense of "to sit" as "to cause to sit," and, in- 
 deed, in the former much more frequently than in the latter. The 
 scholiasts, moreover, inform us that /3ovA^ was the reading of Aris- 
 tarchus, Aristophanes, and of the best copies ; and it has been adopt- 
 ed, also, in modern days, by Heyne, Wolf, Spitzner, and others. 
 
 IltMoiyeve'of/Saort/lvof . Observe the apposition between jBaat^of and 
 the genitive Ncoropof as implied in NeoTopey. This species of apposi- 
 tion takes place in the case of adjectives derived from proper names, 
 if the proper name contained in them is designed to include a defi- 
 nition. (Matlhia, 431, 1.) TTVKIVTJV f/prvveTo fiovhijv. "He ar- 
 ranged a skilful plan." Compare the explanation of Wolf: "er 
 spann den klugen Rath." 
 
 56-59. #of dvcipof. " A divine dream," t. e., heaven-sent. 
 EVVTTVIOV. " In sleep." The neuter of the adjective taken adverb- 
 ially, and equivalent to ewirviuf. ufj.6poair/v dia VVKTO. "During 
 the ambrosial night." The epithet apGpoaiij here applied to vvf is 
 the same, in fact, as u/^porof or udporr], and by " ambrosial night" 
 is therefore meant, according to Buttmann, " divine," or " sacred 
 night." (Lfxii, i., p. 134.) fiu^iara 61 Nearopt 6i<,>, K. T. A. "And 
 especially did it very closely resemble the noble Nestor, in both ap- 
 pearance as well as size and mien." Observe that /iuXurra here is 
 equivalent to the Latin polissimum, and that uy^ttrra is to be taken 
 in close connection with t<JKei. /cat pe irpof pWov hi~ev. Observe 
 that the accusative here denotes the terminus ad quern, and depends 
 in construction on the verb, not on the adverbial Trpof. Consult 
 Ndgeltbach, Excurs., xvi., p. 305. 
 
 R2
 
 198 NOTES TO BOOK II. 
 
 71-75. foe? uiroirTupevof. " Flew quickly away." Literally, " de- 
 parted, having flown away." The verb ot^o/iat is often used thus 
 with a participle, and always, in this connection, indicates rapidity 
 of movement. The meaning here is, that the moment the dream 
 had thus spoken it flew away. UVI/KEV. Consult note on dv^-y, verse 
 34. dW dyer*. " But come, (let us try)." Supply Treipup.tda. In 
 strictness, however, there is no ellipsis here, but xeipu/ufBa, or some- 
 thing analogous, is implied in the context. tfwp^o/uei/. " We may 
 arm." For &uprji;u[tev, the subjunctive with the mood-vowel short- 
 ened. 
 
 TcpuTa ff eyuv, K. T. 2*. " I, therefore, will first, as it is right, try 
 them with words," t. e., I will do this first in order, as it is right 
 that a commander should, and do you then follow me in this. We 
 have given fj, with Buttmann and Spitzner. The more usual ac- 
 centuation is y, but this has in the epic language, as Buttmann re- 
 marks, a reference merely to place, namely, " whither," " where," 
 and cannot mean, as some pretend. " as far as." Agamemnon is 
 apprehensive lest his treatment of Achilles may have alienated from 
 himself the feelings of the host, and diminished their ardor in the 
 prosecution of the war. In order, therefore, to try their minds, and 
 ascertain how they stood affected toward himself and the enter- 
 prise, he intends to propose a return home, and looks to the other 
 chieftains to prevent its actually taking place, by their influence and 
 expostulations, should the army really feel inclined to depart. 
 
 aim VTjval notonhTjiai. " With their many-benched ships," i. e., 
 of many banks of ofts, or benches of rowers. i-pelf a/.toffsv a?.%of, 
 K. T. ?.. " But do you, one from one quarter, another from another, 
 restrain them by your words," i. e., do you, visiting different parts 
 of the host, etc. Observe that eptjrveiv is the infinitive for the im- 
 perative. Consult note on book i., verse 323. 
 
 77-78. 6f pa Uvhoio, K. T. A. " Who was king, namely, of sandy 
 Pylos." The particle pa has here an explanatory power. Com- 
 pare note on book i., verse 56. r/fj.ad6tv-o^. Toward the coast, 
 the soil of Elis becomes sandy. A broad line of sand stretches 
 along the sea, nearly as far as the Triphylian Pylos, which from this 
 circumstance is frequently spoken of by Homer as " sandy." (Mid- 
 ler's Dorians., vol. i., p. 84.) 6 a<j>iv eiiypoveuv, K. T. A. Consult 
 note on book i., verse 73. 
 
 81-82. TJjcviof Kev <j>alfiev, K. T. A. "We would, in all likelihood, 
 pronounce it a falsehood, and rather turn from (than believe) it." 
 Observe the force of KEV with the optative. /uuHov. Nagelsbach, 
 following Nitsch (ad Od., i., 331), makes /zdAAov here signify "the
 
 NOTES TO BOOK II. 191) 
 
 more," or " so much the more." This, however, cannot be correct, 
 since it would imply that there already existed some degree of aver- 
 sion, on the part of Nestor and his colleagues, to the very narrative 
 of Agamemnon, and a want of full reliance on its accuracy. og /*e/ 
 upiffTOf wxerai dvai. Consult note on book i., verse 91. The rank 
 and standing of Agamemnon preclude, according to Nestor, all pos- 
 sibility of deception on his part. 
 
 84r-86. ijpx veeaBai. "He began to depart." oi 6" exavearijaav, 
 K. T. /.. " And they, the sceptre-bearing kings, thereupon arose and 
 proceeded to obey the shepherd of the tribes." Observe the de- 
 monstrative force of oi, though partially concealed in our idiom un- 
 der the form of the personal pronoun. (Consult note on book i., 
 verse 1. xeitiovTo. The rising was an instantaneous act, but 
 the execution of the orders a continued one. Hence in the former 
 case we have the aorist, in the latter the imperfect. iroipevi 7ativ. 
 Agamemnon, not Nestor.^c7r7<7i;ovro. " Came rushing toward 
 them." The tribes, seeing their leaders gathering together, came 
 thronging to the spot. Compare the scholiast : opuvrt^ yd*} avviovras 
 TOVf ev T&ei K.CU. avroi j)K<Ao-J6ovv ajia. 
 
 87-90. r/vre idvea elai, K. T. A. " Even as go the swarms of the 
 closely-thronging bees." Literally, "the nations." The term IQvea 
 is purposely employed here to keep up the comparison, though re- 
 quiring to be softened down in an English version. dot. Observe 
 here the singular verb with the neuter plural ; and also that dpi is 
 here used in the present with a present, and not with a future mean- 
 ing. In Homer this is not unfrequent ; but, in Ionic prose and Attic 
 prose and poetry, dpi as a future regularly occurs, and the excep- 
 tions are very rare. (Passow, s. r.) pei.iaauuv adtvduv. Observe 
 the similarity of termination in these words, and also in epxofj.svui,)v. 
 The object of this is to make the sound an echo to the sense, and to 
 express at once the loud buzzing and the numbers of the bees. 
 
 viov. " Afresh," i. e., in fresh numbers. The spirit of the com- 
 parison lies in this. As the bees came forth continually in fresh 
 numbers, so fresh bands of Greeks keep continually pouring forth 
 from the ships and tents. It is worthy of note, that this is the 
 first simile in Homer. fto-pvSw. " In clusters." Literally, " clus- 
 ter-like." eV uvOeaiv dapivolaiv. " Unto the vernal flowers." 
 Commonly, but erroneously rendered, "over the vernal flowers." 
 The dative here denotes direction, and the adverbial CTTI increases 
 its force. (Staddmann, ad loc. Kiikner, 612, b.) ai fiiv T' ivda 
 afaf, K. T. ?.. " Some have sped their flight in crowds in this direc- 
 tion, others in that." Observe here the peculiar force of the per-
 
 XJOO NOTES TO BOOK II. 
 
 feet in denoting rapidity of movement. Before one swarm of bees 
 has been long observed, it has passed away, and a fresh swarm has 
 taken its place, to be as rapidly succeeded by another. 
 
 91-94. <if TUV edvea noM.u. " So the numerous nations of these," 
 i. e., of the Greeks. r/iovof Tvpomlpoide, K. T. X. " Kept marching 
 in squadrons, in front of the deep shore, to the place of assembly." 
 By the " deep shore" appears to be here meant one of wide extent, 
 or, in other words, extending far inward to the land. Nagelsbach, 
 with less propriety, makes it refer to the deep sand of the sea- 
 shore, "tief sandig." 
 
 'Oaaa dedrjei. " Blazed Rumor," i. e., rumor was rife. A surmise 
 had arisen among the troops that Agamemnon intended to return 
 home, and a rumor, founded upon this, was now travelling in hot 
 haste throughout the numerous host. This is what the poet means 
 when he says that " Rumor blazed," more literally, "burned among 
 them." Rumor, moreover, is here personified, and made the mes- 
 senger of Jove, since rumors, the origin of which ofttimes no one 
 could trace, were wont to be ascribed to the special interposition of 
 the deity. brpvvova' levai. The rumor made them all anxious to 
 attend the assembly, in order to ascertain its truth. oi 6' dyspovro. 
 " And they kept gathering themselves together." Observe the force 
 of the middle voice. 
 
 95-98. TeTpfixe 1 - " Was tumultuous." Observe the use of the 
 pluperfect in an imperfect sense. The assembly had been previous- 
 ly tumultuous, and still remained so. The peculiar meaning of this 
 tense will plainly appear, when we contrast it with KivfjOr) at verse 
 144. There the passive aorist is employed to express the moment 
 of transition from calm to tumult, whereas here rerp^tt marks the 
 continuance of the agitation. (Buttmann's Lexilogus, p. 509, ed. Fish- 
 lake.) Aowv I&VTUV. "As the tribes seated themselves." Geni- 
 tive absolute, not depending on the adverbial viro. 
 
 kp-nrvov. " Strove to restrain." The imperfect is here employed 
 to express the conatus rei faciendce, as the grammarians term it. 
 (Kiihner, 438, 2.) TTOT" UVTJJC o^omr'. "If, at length, they 
 would refrain from clamor," i. e., in order that they might at length 
 refrain, &c. Aior/oe^euv. A standing epithet in Homer for kings, 
 as being under the constant and special care of Jove and the other 
 gods. 
 
 99-101. onovdy. " With difficulty." Commonly, but erroneous- 
 ly, rendered " in haste." Compare the scholiast : (larfov) o 
 
 (71-04771%) oi>x olov (/leyerat), kv ru^ei, dAAa (toyif not 
 TO, uf up' urep airavdijf TU.WGIV fjiija rot-ov 'Qdvaaevf. (Od., xxi.,
 
 NOTKri TO BOOK II. 
 
 409.) kprj-rvOEv <5e naff e6paf. " And were restrained in their re- 
 spective divisions of seats." Observe that by eJptu are here meant, 
 not the individual seats of each, but the divisions of seats assigned 
 to a particular number. Compare Od., iii., 7: evvia d 1 tdpat laav, 
 TTEVTrjKOffioi d* e v iKuaTrj daTo. The adverbial KOTU, therefore, has here 
 not a local, but a distributive force. (Consult Ndgclsbach, ad loc.) 
 
 iivu 6e. " Up, then." aKfjirTpov fyuv. " Holding his sceptre." 
 The sceptre is here the symbol of dominion. This dominion was 
 bestowed on Pelops by Jove, and, as a sign of this bestowal, he re- 
 ceived the sceptre in question from Hermes or Mercury, the mes- 
 senger of the gods. Consult note on book i., verse 15. TO JIEV 
 'Htftaiarof KU/ZC ret^wv. "Which Vulcan, fabricating, had bestowed 
 labor upon," i. e ., which Vulcan had toild at making. Observe that 
 TO is here for 6. 
 
 102-109. "H(t>aiaro<; fiev. "Vulcan, in the first instance." Ob- 
 serve the force of piv in the protasis. avrup dpa Zevf, K. r. A. " But 
 Jupiter hereupon gave it to his messenger, the slayer of Argus." 
 Mercury slew the many-eyed Argus, who had been placed by Juno 
 as a keeper over lo, after the latter had been transformed into a 
 heifer. Observe the force of upa in continuing the heads of a nar- 
 rative. It may be more freely rendered " still farther," or " next in 
 turn." (Consult Nagelsbach, Excurs., iii., t) 14, 15.) 'Epfifiac 6e 
 avaj. " And King Mercury next." avrap 6 avre Ht/lo^. " But he, 
 again, Pelops." More literally, " but this one, again, Pelops." 
 
 Qviar'. For Qveara. The nominative. Masculine words retain a 
 unaltered in the nominative, where euphony or versification requires 
 it : otherwise f is added to the root, and the a is lengthened into 
 17. The form in o remained peculiar to the ^Eolic dialect, the form 
 in TJC to the Attic and common language. (Tkicrsch, 178.) TroA- 
 A^ffi vriaoiai, K. T. A. " To rule over many islands, and all Argos." 
 By Argos is here meant either the whole Peloponnesus, as Heyne 
 and Voss maintain, or else a very large portion of the same. It 
 was so called from the powerful kingdom of the Persidae, which 
 Atreus obtained after the death of Eurystheus. The city of Argos, 
 it must be remembered, was at this period under the sovereignty 
 of Diomede. The islands referred to in the text are supposed to 
 have been those in the Argolic and Saronic Gulfs. It is more than 
 probable, however, that others also are meant. 
 
 kpeiaufievos. " Having leaned." Literally, " having supported 
 himself." lire' 'Apyetoioi perrjvtia. " Spoke words (as follows) 
 among the Greeks." 
 
 110-113. depdnovTEf 'Api/of. "Servants of Mars." A very ap-
 
 202 NOTES TO BOOK II. 
 
 propriate term for warriors, who, as worshippers, figuratively, of the 
 god Mars, are called his attendants, ministers, or servants. The 
 ministers or attendants of any deity were called, in common par- 
 lance, the tJfjouTrovrtf of that deity. UE fiiya UTIJ evedijce j3apsiij. 
 " Has greatly entangled me in a heavy misfortune." More literally, 
 "has greatly bound me in," &c. Observe that fiiya is taken ad- 
 verbially, and qualifies evedqce. 
 
 <Tcr/Uof. " Cruel one," i. e., cruel deity. nplv. " In former 
 days," t. e., in the earlier stages of the war. "Utov exntpoavT', K. T. 
 A. "That I should depart after having sacked the well-walled 
 Ilium." Observe that kK-Kspaavr 1 is here for exnepaavTa, and agrees 
 with ji/e understood before uxovseadai. We must not, as some do, 
 make it stand for the dative eKirepffavri, and refer it back to pot. 
 
 114118. vvv Je KOKT/V UTTUTJJV fiovfavaaro. "Now, however, he 
 has resolved upon an evil deceit." Observe the employment of 
 (BovhevaaTo with an accusative, a construction not frequently met 
 with. dvan^-ia. " Inglorious." This term properly denotes one 
 who has been unfortunate in acquiring renown. iirei uXeca. " Af- 
 ter I have lost." OVTU TTOV Au jUeA/let, . r. /I. " In this way, I sup- 
 pose, is it likely to prove pleasing to Jove, superior in might." Ob- 
 serve here the force of the indefinite TTOV in softening down an as- 
 sertion, and subserving at the same time the purposes of sarcastic 
 complaint. It is equivalent to the Latin ni fallor. 6f 6ij. " Who 
 before now." r/d' eri KOI. " And still also." rof yap npurof, K. T. 
 %.. " For the power of this one is very great," i. ., is supreme. 
 
 119-122. aiaxpov yap. The particle yiip refers back to (W/c/lea, 
 and the context shows in what this inglorious posture of affairs con- 
 sisted. KOI eaaopevoicri irvdeaOai. "Even for posterity to learn." 
 Literally, " even for those about to be." The meaning is that the 
 disgrace of the Greeks will not be confined to the present age, but 
 will be heard of by posterity also. [ttnp OVTU noXcui&iv. " Are thus 
 to no purpose waging." Observe that OVTU here is to be connected 
 in construction with /ii/', not with Toiovde. Such an expression as 
 OVTU Toioade would not be Greek. iravporrpotai. "Fewer in num- 
 ber (than themselves)." reXof 6e, T. X. " For no end has as yet 
 appeared," i. e., no effectual result has yet been made to appear. 
 Observe that 6 is here equivalent to yap, and that we have in this 
 clause a repetition, or, rather, enlargement of the idea contained in 
 (idy. 
 
 124-130. opKia TTiffTu TafiovTef. " Having struck a faithful league." 
 According to Buttrnann (Lcxil., p. 439, erf. Fishl.), opKia means prop- 
 erly a contract or agreement on oath ; and as this is concluded by
 
 NOTES TO BOOK II. 203 
 
 a sacrifice of lambs, the throats of which are cut by the contracting 
 parties (//., iii., 292), this is sufficient to explain the meaning of 
 opma. rapt'iv, without the necessity of supposing that op/ua was used 
 in this single phrase in another sense, namely, as an adjective, bpniu, 
 toil, icpela : particularly as the analogy of the Roman custom, and 
 of the Latin language in the formula fenre fizdus, agrees with it so 
 decidedly ; for Jcrire fcedus is nothing more than fenendd hostid facerc 
 fcedus. 
 
 Tpuac fdv Aet;aa6ai, K. T. /I. " To select the Trojans, on the one 
 hand, as many as are inhabitants of the city ; and if we Greeks, on 
 the other hand, should be distributed in order into decads,'' &c. 
 Observe the force of the middle in Ai^aaQat, " to select for our- 
 selves," t. e., for the purpose of a comparison with ourselves as re- 
 gards number. iyiarioi. Referring to those who have a domestic 
 hearth (iariav l^ovat) in the city, or, in other words, are inhabitants 
 of the same, not mere transient sojourners. ffftslf 6' cf dextidaf, K. 
 T. A. The construction changes here, and is no longer dependent 
 on eixep *' cOcA.oi/tev. Properly speaking, the sentence ought to 
 have run on as follows : e'nrsp ydp K' ideAoifiev apLdu.rjdrifj.evai ufiQu, 
 (nal) Tpuaf pen A$aadai, /}/* 6e didKoa^qdripevai, .... Tpuuv 6 
 inaarov efoaOat . . . xoA.hai KSV, K. r. A. 
 
 oivoxoevciv. "To pour out wine (for us)." KEV. "In that event." 
 Toaaov kyu ^ipi, K. T. A. Reckoning the Greeks at 120,000, or, 
 with Aristarchus, at 140,000, and taking the statement in the text 
 for our guide, namely, that the Greeks were to the Trojans in point 
 of numbers as more than ten to one, we shall find the number of 
 Trojans who were inhabitants of the city to have been less than 
 12,000 or (if we take Aristarchus's estimate) than 14,000. To these 
 we are to add 33,000 allies, making in the whole less than 50,000. 
 The Greeks, therefore, were more than twice as numerous as the 
 combined forces of their opponents ; and hence the disgrace of a su- 
 perior army retiring home from before an inferior one. 
 
 131-135. Ej^effjro/lot av6p<; . In apposition with emKovpoi. iaaiv. 
 Equivalent to the Latin adsuut. ol fie fte-ya irXufrvoi. "Who 
 cause me to wander widely (from my intended purpose)," t. e., who 
 prevent me from achieving the conquest of the city. edeAovra. 
 "Though desirous." 
 
 6i) peftdaat. " Have already gone by." Atof fteyuAov hiavroi. 
 Jove sends all things unto men, even the circle of the year. The 
 kviavTol here meant are the then usual ones of ten months each. 
 ( Wolf, ad loc.) /cat 6i) 6otpa aiarf^e veuv, K. r. A. " And by this time 
 the timbers of the ships have rotted, and the ropes have become un-
 
 204 NOTES TO BOOK II. 
 
 twisted." Observe the art of the speaker. In addition to the dis- 
 grace of returning home without having accomplished their purpose, 
 the danger is hinted at of their attempting to recross the sea in the 
 present decayed state of their shipping. 
 
 oTrdpTct. By this term are properly meant ropes made of Spanish 
 broom (Spartum scopanum, Linn.), the genista of Pliny. The an- 
 cients, however, applied the name to various other plants, also, of a 
 similar kind ; and hence the objection of Varro falls to the ground, 
 who maintained that the Greeks in Homer's time, having no inter- 
 course with Spain, were unacquainted, of course, with the spartum, 
 and that, therefore, in the text of Homer, we must read, not cnrupro, 
 but airaprd, " res saliva." (Aul. Gell., xvii., 3.) tehw-ai. Ob- 
 serve here the plural verb after a plural neuter, according to the 
 earlier usage of the Greek tongue, although in oiarj-e we have the 
 singular. Nagelsbach thinks that this is done merely on metrical 
 grounds. (Excurs., xxi., p. 338.) In this opinion Kiihner coin- 
 cides ( 424, 4). 
 
 136-139. ai 6e KOV, K. r. A. "While they, most probably, both 
 our wives and infant children, sit in our homes expecting (us)." For 
 jj/ifrepm u/lo^ot re K.OJ. VTJ~ to. reava. avruf aKpuavrov. " Is thus un- 
 finished." TTsidupeda Trovref. " (So) let us all obey." The whole 
 speech of Agamemnon is so managed as, under the appearance of 
 recommending a return home, to depict actually in striking colors 
 the difficulty and danger of the undertaking. 
 
 142-146. Tolot 6e dvpbv evl arr/deaaiv, K. r. A. " And he aroused 
 a strong feeling in their breasts unto these, unto all among the 
 throng, as many as had not heard of his scheme," i. e., as many as 
 were not privy to the design which he had avowed before the coun- 
 cil of elders. dahuaarif, TTOVTOV 'Ixapioio. " Of the sea, the Icarian 
 deep." The first of these genitives ($aAu<T<r?/f) has a general refer- 
 ence ; the second, a more special one. Both, however, are in mu- 
 tual apposition. By the " Icarian deep" is meant the sea around 
 Icaria, a small island near Samos. It was a stormy and dangerous 
 part of the ^Egean, especially the strait between the two islands 
 just named. (Tournefort, ii., p. 139, Grrm. transl.) 
 
 rd f*h> r", K. r. A. " Which, indeed, even both the southeast wind 
 and the south are wont to raise." The particle TE is often joined, as 
 here, to the relative clause, in order to show more clearly the agree- 
 ment between two members of a comparison. Hence we may 
 render more freely, in the present instance, " Ay, and these, in 
 truth," for piv is here merely the shortened form offi^v. wpop'. Ob- 
 serve the force of the aorist in denoting what is customary or usual.
 
 NOTKS TO BOOK II. 205 
 
 147-148. KivTjoy. We have given here, with Spitzner, the reading 
 of the Venice manuscript. The common text has Kivyaei, but the 
 propriety of employing the future in a comparison is extremely 
 doubtful. Zt tpvpof. This is commonly translated " the West- 
 wind," but the Zeovpof of Homer, in the Iliad, is evidently the 
 North- north west, and hence he makes it come, along with Boreas, 
 from the regions of Thrace. (II. , ix., 5.) To the inhabitants of 
 Asia Minor, therefore, the Homeric Zephyrus was a cold and etormy 
 wind, since it came to them from the Thracian and Macedonian 
 mountains. In the Odyssey, on the other hand, the wind Zt'pvpof is 
 considered, at one time, as tempestuous ; at another, as mild, and 
 favoring vegetation. (Montbcf, ad loc.) 
 
 0a6v "hriiov. " The thick-standing corn." Adfyjof inar/ifav. 
 " Rushing down upon it impetuous." This serves as a kind of 
 epexegesis to eXduv. Some editions incorrectly read i?.6uv ?.u6pof, 
 disuniting Aufipof from kxaiyifev. kxi T' r/fivei uaTa^veaaiv. " And 
 it bends unto (the blast) with its ears." Observe the force of the 
 adverbial cm. The subject of rjfivsi is not Zepvpoc, but /j'jiov. So 
 sudden a change of subjects, however, is unusual in Homer. The 
 poet, in the two similitudes here given, has judiciously made choice, 
 remarks an anonymous commentator, of the two most wavering 
 and inconstant things in nature to compare with the multitude the 
 waves and the ears of corn. The first alludes to the noise and tumult 
 of the people, in the breaking and rolling of the billows; the second, 
 to their taking the same course, like corn bending one way ; and 
 both to the ease with which they are moved by every breath. 
 
 149-154. d2.ahrjT<f>. "With shouting." Dative of the manner. 
 ecoevovTo. " Began to rush." irotiiJv 6' imiveptte, K. T. A. Con- 
 strue as follows : KOVLTI (F lararo, ueipo/isvij vnsvipfle iroduv. urrTea- 
 6ai. "To lay hold of." aha dtav. Consult note on B. 1, v. 141. 
 ovpovf r' ejeKudaipov. " And they began to clean out the trenches." 
 These received the keels of the galleys, and served to guide them in 
 their descent to the water. ol/cade iepevuv. " Of them desiring to 
 return home." Literally, " of them sending themselves home- 
 ward." Observe the force of the middle voice, and compare the 
 remark of Heyne : iefievuv est dc cupicntibus of/cade ievai. VTTO wquv. 
 "From under the ships." ep/iara. Consult note on book i., verse 
 486. 
 
 155-156. evda Kev 'Apyeiotaiv, K. T. A. " Then would a return 
 have been effected for the Greeks, contrary to fate." The decrees 
 of destiny, according to the Homeric notion, can be put off by human 
 agency, though they can never be finally averted. In the present 
 
 s
 
 206 NOTES TO BOOK II. 
 
 case, the fates had decreed that Troy should fall ; the time, how- 
 ever, for bringing this to pass could have been deferred by the pre- 
 mature departure of the Greeks, and this the poet calls vnipfiopa. 
 d IJLJ] 'AOrivaiTjv, K. T. h. Construe EI "Uprj fuj EEI-EV ftvdov 
 
 157-165. r fl KOKOI. Consult note on book i., verse 254. re/cof. 
 We have placed a comma after this word, with Spitzner, thus 
 separating it from \\Tpvruvrj. According to the common punctua- 
 tion, '\rpv-uvri agrees with re/cof by synesis. This, however, is 
 harsh. '\rpvTuv7j. "Unwearied one." A fine epithet to apply 
 to the goddess of intellect, and indicative of the indomitable en- 
 ergies of the mind. OVTU 6fj. Equivalent to the Latin siccine jam. 
 
 in' evpia vura. " Over the wide surface." More literally, " upon 
 the broad back." /cd<5 6i KF.V evx u ^*iv> K. r. A. " And can they leave 
 behind the Grecian Helen, as a boast unto Priam and the Trojans T" 
 Kd<5 is here for /car, the final consonant being assimilated to the ini- 
 tial one in the following word ; and /cur is an old form for Kara. KEV 
 MTTOISV. Observe the peculiar force here of KV with the optative ; 
 equivalent to " might (i. c., can) they by any possibility leave," &c. 
 
 $&j)f O.TTO Karpidof alrjf. " Away from their native land." Com- 
 pare book i., verse 562 : UTTO tiv/j.ov. 
 
 dXA' WL vvv, K. T. ?.. Before dA/ld we must supply here, in trans- 
 lating, the negative, "No."' Kara. /aov. "Throughout the peo- 
 ple." <rotf ff ayavolf kirieaaw. " With thy own mild words." Ob- 
 serve the emphatic power of aolg. pi& ela. "Nor suffer (them)." 
 We have read cia, with Thiersch, for reasons given in the Metrical 
 Index. The common lection la vitiates the line. d[t<i>ir?.iaaa<;. 
 " Impelled on both sides by oars," but v. Glossary. 
 
 166-171. yAavKUTTtf. Consult note on book i., verse 206. /car' 
 dtfacra. " Having rushed down." /capTra/U/wjf 6' I/cave. This verse 
 is omitted in some manuscripts. Au firjnv drdAavrov. " Equal in 
 counsel to Jove," i. e., a counselor equal in prudence to Jove. 
 oTrrtr". Consult note on verse 152. e Tret piv djof, K. r. A. " Since 
 indignant grief was come upon him in heart and soul." Observe 
 the double accusative with laavev, and compare note on book i., 
 verse 362. 
 
 173-79. 7ro/lty7jav'. " Of many expedients," t. e., inventive, ex- 
 pedient-inventing. TEffovrcf. " Having tumultuously embarked." 
 More literally, " having fallen," i., ., having rushed in dense num- 
 bers. fMT]S" ST' ipuei. "Nor any longer delay." The common text 
 has ftrjde T' epufi, " nor at all delay." In this latter reading, T' is 
 for rt.
 
 NOTES TO BOOK II. 207 
 
 182-186. ^vvirjKt. "Recognized." More literally, " understood." 
 /3i? 6e tfeav. "And he stepped forth to run." The infinitive here 
 denotes the aim or object, and answers to the Latin supine. (Kiihncr, 
 642, e.) x^- a ~ lvav - "His woolen cloak." This was a cloak of 
 twice the ordinary thickness, shaggy on both sides, and worn gen- 
 erally over the pallium for the sake of warmth. /3dAe. Observe 
 throughout this whole account the employment of the aorist, to in- 
 dicate rapidity of movement. eKopiaac. " Took care of," i. e., took 
 up after it had fallen to the ground, in order that it might not be 
 lost. Evpv6u-7jf. Consult Od., xix., 244, &c., where mention is 
 made of him. Agamemnon had also a herald of the same name. 
 II. ,i., 320; ix., 170. 
 
 uvTiof. " Into the presence of." Jeforo ol. " Received at his 
 hands," i. e., from him. The common construction is de^eadai n 
 trapd Tivof ; here, however, we have the dative, by what Kiihner 
 calls a poetic construction. It is, in fact, a branch of the datinis 
 commodi, the act being done for the benefit, or sake of Agamemnon, 
 in order to prevent the return of the Grecian forces to their homes. 
 (Kiihncr, 579, 3.) aurjnTpov irarpuiov. Compare verse 101. 
 
 188-189. bvnva pev paodija, K. T. h. " Whatsoever king, indeed, 
 and distinguished chieftain he chanced to find," i. e., as often as he 
 met with any king, &c. The optative with the relative is used to 
 indicate the recurrence or repetition of an act. (Kiihner, 831, 4.) 
 TOV 6'. " This one, thereupon." Observe that 6 here is not in the 
 apodosis to piv in the preceding clause. This apodosis occurs in ov 
 d" av drifiov, verse 198. eprirvaaaKE. "He checked," t. e., he de- 
 tained while in the act of hurrying to embark. 
 
 190-195. Aaifiovi'. " Strange man !" The term daipovios always 
 carries with it, in Homer, some degree of objurgation, and is to be 
 translated according to the rank or condition of the party addressed. 
 In the present instance, daipovie is rendered by some " Noble sir !" 
 by others, " my good sir !" by others, again, " foolish man !" We 
 have preferred giving it its primitive force, which comprehends, in 
 fact, all these meanings. /cov <jf. " Coward like." Observe the 
 accentuation of f, coming, as it does, after the word on which it 
 depends. tieifiiaaeodai. " To be terrified." In this place alone does 
 this verb occur in a passive sense. Every where else Homer uses 
 it as an active transitive verb, "to terrify." On the present occa- 
 sion it means to be troubled, and tumultuously to prepare for flight. 
 
 otof vuof. "What is the intention." Supply sari. ireiparat. 
 " He is making trial of." rd^a 6' iiperai. " But soon will he 
 smite." The allusion, says an anonymous commentator, is to a
 
 208 NOTES TO BOOK n. 
 
 man first feeling the veins of a horse, when going to hleed him, arid 
 then striking the lancet into him! cv fiov/.t) 6' ov nuvrtf, K. r. ?. 
 Construe ov TTUVTC^ 6e aKovaajiev ulov ieurev kv fiov/.y. \u\ TL xid.u- 
 cuLiEvof, K. r. A. "(Take care) lest he, having hecome incensed, do 
 some injury to the sons of the Greeks." Supply opa, or some equiv- 
 alent term. We have given py TL, with Spitzner, from a Venice 
 manuscript. The common text has p'/n as one word. 
 
 196-197. dvpof 6e. "For the wrath." The particle <5e is here 
 equivalent to yup. diorpiQeof. Consult note on book i., verse 176. 
 TLU.J) 6e. "iiis high office, too." <tfot cite. K.T./.. "And counseling 
 Jove loves him." Observe in these two verses the different mean- 
 ings borne by the particle 6L 
 
 198-206. df/fiov. " Of the common people." poouvra. "Crying 
 aloud," i. e., expressing by loud cries his joy at the idea of return- 
 ing home. AniiiovL'. "Fellow." Consult note on verse 190. 
 uTpriiaf rjao. " Sit quietly," i. c., sit down and be quiet. av 6e. 
 " For thou art." Supply elf . oiire TTOT' ev iroteiiu, K. r. A. " Neither 
 at any time counted in war nor in council," i. e., counted among 
 the brave in war, nor admitted to the council of chieftains. iruf. 
 "By any means." OVK uyadbv no^.vKoipaviij. "The government 
 of the many is not a good thing," . e., a plurality of rulers. Observe 
 that uyaftdv, by a common Greek idiom, in place of agreeing with 
 iroXvKoipaviri, agrees with xPVP a understood. In other words, when 
 the subjects, whether masculine or feminine, express not any par- 
 ticular individual of a class, but merely the general notion, the pred- 
 icative adjective stands in the neuter singular. 
 
 Kpovov Traif dyKvlofiiJTEu. " The son of crafty Saturn," t. e., Ju- 
 piter. The epithet u-yKvXoft^Trif means, more literally, " of crooked 
 counsel," and as Kpovof is nothing more than time (Xpovof), it 
 has reference merely to time as concealing within itself the secrets 
 of the future, and hiding them in the crooked and devious recesses 
 whither no human knowledge or skill can reach. The scholiast, 
 however, merely refers the epithet to his having overreached his 
 father Uranus. 
 
 defiiffraf. " Privileges," i. c., regal authority. c^iaiv. "Among 
 them." Referring to the 'A^atot in verse 203. It requires but a 
 glance to perceive that afyiaiv here is extremely awkward, and not 
 needed in the sentence. Indeed, the probability is that the whole 
 line is spurious, since it is wanting in several manuscripts. If it 
 be thrown out, we must supply paaifavciv with eduns in the previous 
 verse. In a metrical point of view, moreover, the line is objection- 
 able, as may be seen by consulting the Metrical Index.
 
 TO HOOK It. 209 
 
 207-210. uf. "Thus." Observe the accentuation. Kotpaveuv. 
 "Acting as chief," . e., discharging the duties of commander, Aga- 
 memnon having confided his sceptre to him for the time being. 
 die-ire. " Was arranging." Equivalent to 6Uraaas. txEacevovTo. 
 Consult note on verse 86. f/xv- ""With a tumult." wf ore. "As 
 when." For a literal translation we must supply a clause after (if, 
 namely, "as (is the tumult) when." Tros.v<j>fioia6oio. Consult note 
 on book i., verse 34. a^apaytl 6e re Trdvrof. " And the deep even 
 echoes again." 
 
 211-215. epSjTvdtv <5e naff fdpaf. Consult note on verse 99. 
 Qcpairrjf ff Irt povvof, K. T. A. " But Thersites alone, intemperate of 
 speech, was still loudly clamorous." More literally, -'still kept chat- 
 tering." The verb properly refers to the cries of daws or rooks. 
 iifj-erpocnTjc. The true force of this epithet appears from the next 
 line, of p' txta <f>peaiv, K. T. A, which is, in fact, an explanation of 
 its meaning. It is, therefore, not 6 TTOAAU, but 6 u/coo/zu re KOI iru/./.a 
 txtj fi<5wf. 
 
 of p' enea tipealv, K. r. 7.. " Who, namely, knew in his own mind 
 words, both indecorous and many in number, for contending idly, 
 and not according to order, with kings, but (for uttering) whatever 
 might seem to him a subject of laughter to the Greeks." With re- 
 gard to the expression 5f pa, consult note on book i., verse 405. 
 l;rea y<5?. This expression, as here employed, does not refer to a mere 
 theoretic knowledge, but implies, also, an actual use of the terms 
 in question. A similar usage frequently occurs in Homer. Thus, in 
 place of saying "this man is just," the poet has "this man knows 
 what is just." So uypui eidevai, " to know what is savage," i. e., to 
 be savage ; udepiaria sititvat, " to know what is lawless," i. e., to be 
 lawless, &c. e/Hf^urvat. This is merely stated as one of the 
 many results of his being d^erpoe^/f. d?./.d. Depending on ov 
 Kara. KOOUOV. In translating, supply ?.afalv, which is in fact, howev- 
 er, implied in ipi&psvai. eloatro. The optative here denotes repe- 
 tition, so that the clause, when more freely rendered, will be, " to 
 speak out, a* often as any thing appeared to him calculated to excite 
 a laugh among the Greeks." 
 
 216-219. aZffytarof 6e uv-fjp, K. T. A. "He came, moreover, the 
 ugliest man beneath (the walls of) Troy." More freely. " he was, 
 moreover, the ugliest man that came beneath the walls of Troy." 
 0o/.of. "Bandy-legged." Buttmann has discussed the meaning 
 of this term with his usual ability, and has shown that the ordinary 
 signification of " squint-eyed" is utterly untenable. It is most im- 
 probable, as he justly remarks, that a poet, particularly one of na- 
 S2
 
 210 NOTES TO BOOK II. 
 
 ture, should begin a long description with " he squinted, and was 
 lame in one foot," as if these two things belonged to, and were con- 
 nected with each other ; and that at the end of it he should pass to 
 the head, introducing it with an avrup virepQev. (Lcxil., s. v.) 
 
 Kvpru. "(Were) crooked." knl arfjOof MVOXUKOTE. "Drawn 
 together toward his breast." (f>o!-bf. " Pointed." The term means 
 an unusual pointedness of the upper part of the head, but whether 
 more toward the front or back is uncertain. (Bultmann, LexiL, s. v.) 
 ipeSvij e$' EKEVTjvoOe ^dxyrj. "And thin woolly hair lay upon it." 
 Buttmann has well explained the meaning of eirevrjvoOe here. Com- 
 pare also the Homeric Lexicon of Apollonius : ensv^vodsv . EKT/V, 
 ETTEKEITO. Thersites must not be regarded as a mere creation of the 
 poet's. He had an actual existence, and was sprung from no mean 
 ancestors, having been the son of Agrius, who was the brother of 
 Oeneus. He was, consequently, a relation of Diomede's. (Schol. 
 Brev. ad II., ii., 212; Eustath., p. 204; Quint. CaL, i., 764.) Ac- 
 cording to the minor scholia, he assisted at the chase of the Caly- 
 donian boar, but acted cowardly on that occasion, and being pursued, 
 in consequence, by Meleager, fell from a rock, and was reduced to 
 the condition in which he is described by Homer. According to 
 Quintus Calaber, he was slain by Achilles, for ridiculing the sorrow 
 expressed by that hero for the fallen Penthesilea. 
 
 220-224. exOiGTOf <5e /mAjor" T)V. " Especially was he most hate- 
 ful." vetKEieaKE. " He was wont to revile." Observe the iterative 
 force of the imperfect, as explaining the cause of his being exdiarof. 
 TOT' avr' 'A.yafjteftvovi dip, K. T. /I. " On this occasion, however, 
 having cried out in sharp, shrill accents, he kept uttering abuses 
 against the noble Agamemnon." Some of the ancient critics main- 
 tained that the verb he-yew does not occur in Homer in the sense 
 of " to say," " to speak," but rather " to reckon up," " to relate," 
 and, from this, "to announce," "to tell." Buttmann inclines to 
 the same opinion. The only passage where the word at all agrees 
 with the later usage of it is the present one. But as it is used, in 
 every other passage of Homer, in the sense of enumerating, it ap- 
 pears to be selected here to express the long string of abuses which 
 Thersites immediately afterward repeats against Agamemnon. 
 (LexiL, p. 401, Fuhlake's transl.) 
 
 e/c7roy/U>f KOTEOVTO. " Were vehemently incensed (as usual)." 
 The imperfect here denotes what was customary on the part of the 
 Greeks toward Thersites, and also more or less continued. vE/ita- 
 oriQtv T'. " And were filled with sudden indignation." The aorist 
 here expresses a sudden feeling which arose in the breasts of the
 
 NOTES TO BOOK II. 211 
 
 Greeks the moment that Thersites bgan to speak, and which was 
 superadded, in consequence of the attack on so distinguished a 
 chieftain as Agamemnon, to the usual feeling of anger with which 
 his speeches were received. avrup 6. " He, however." The par- 
 ticle avTtip here marks opposition to what immediately precedes. 
 Thersites went on, notwithstanding the anger of the Greeks. 
 
 225-234. rto 6' aiir 1 7ri/j.f^<t>eai, K. r. /L " And what, again, art 
 thou complaining of and wanting!" The train of ideas in this 
 speech of Thersites is as follows : What more wilt thou have, son 
 of Atreus 1 Have we not already given thee booty enough 1 Must 
 we procure for thee still more at the risk of our persons and lives 1 
 Certainly not ! (v. 233). A prince must not expose his people to 
 danger, merely to gratify his own cupidity. Let not, then, this man, 
 ye spiritless Greeks, deprive you of a return to your homes, &c. 
 
 Ejaiperoi. " Selected from the rest." dtdopev. " Are wont to 
 give." In thus translating the present here, we have followed Na- 
 gelsbach. Stadelmann, however, regards it merely as expressing 
 certainty; and refers to Kiihner, $ 437, b. TrpunVru. "First of 
 all." This strengthened form of the superlative is not unfrequent 
 in Homer. # T ' fal x^aov, K. r. 2,. " Or art thou, (amid all these 
 possessions), still in want of gold also!" KE oloei. "Shall, per- 
 chance, bring." Observe the hypothetic meaning of this clause : 
 " shall, in all likelihood, bring, if we remain here as thou wishest." 
 dv Kfv t-yu, K. T. A. The ridiculous vaunt of a coward. KEV 
 uyu-yu. "May have led away (captive)." yvvaiKa vl-rjv. Supply 
 
 f)v T* avrof aTTovoaQi, K. r. A. " And whom thou thyself mayest 
 retain apart (from the rest)." With axovoafi supply TUV uJUwv. 
 Observe that Kariff^eai is the subjunctive with the mood-vowel 
 shortened. ov ftev. For ov prjv. upxov eovra. Supply as. na/cuv 
 em6aaKE/*ev, K. T. 7i. "To lead into evils the sons of the Greeks." 
 More literally, " to make the sons of the Greeks tread (or walk) upon 
 evils." Baivu, in the Ionic dialect, and in the poets, has, besides 
 its ordinary meaning, the causative signification of "I make to 
 go," i. e , bring, lead, involve, carry, &c., a meaning which other- 
 wise belongs to pt,6du. The epic sister-form pdcmu has also both 
 senses. Hence the signification of e^i^aaKSfiev in the present pas- 
 sage. 
 
 235-238. u TreTrovef, K. T. /I. " ye faint-hearted ones ; foul re- 
 proaches (to manhood); Grecian women, no longer Grecian men." 
 In tteyxea we have the abstract for the concrete, like the Latin 
 probrum. The poets are fond of this usage, since it imparts dignity
 
 212 NOTES TO BOOK n. 
 
 and animation to the style. 'A^audcf, owter' \\x ai ' L - Imitated by 
 Virgil : " vere Phrygiee, neque cnim Phrygcs .'" (JEn. , ix., 617.) 
 Olnadt iTfp. The particle ntp is here strongly emphatic. Kuhner 
 ($ 702, 3) renders the words of the text, " tlurchaus nach Hause (nicht 
 bloss hier sitzend)," or, as we would say in English, " to our own 
 home (not staying here)." Nagelsbach, however, with more spirit, 
 translates " Home, home !" 
 
 rovJe. Pointing at Agamemnon. airov cvt Tpoiri, K. r. "k. " Here, 
 in the plain of Troy, to enjoy undisturbed his prizes." Compare 
 the explanation of Passow (Handwort., s. v.): " Sie in ungestorter 
 Ruhe, und Behdglichkcit, geniessen." yepa. Alluding particular- 
 ly to the prize which he had just wrested from Achilles, namely, 
 Briseis. ij p<l T'L ol %' f/fttif, K. r. /L "Whether, then, we also aid 
 him in any respect or not." We have followed Nagelsbach here, 
 in making %" to be, by apostrophe, for nai. Editors generally regard 
 it, indeed, as apostrophized from KC, but this will give a very inferior 
 sense. The true meaning appears to be this : If we Greeks return 
 to our homes, Agamemnon will be left behind with only his imme- 
 diate followers and friends, and then will be able to see whether 
 these latter form his chief strength, or whether we also have, up to 
 the present time, been of some assistance to him in the prosecution 
 of the war. That he thinks, however, we are of no value to him 
 for the purposes of the present expedition, is plainly shown by his 
 treatment of Achilles, a far braver man than himself, &c. 
 
 239-245. nalvvv. " Even but just now." lo. "Than himself." 
 juey* apdvova Qura. Thersites here shows himself in the true 
 character of a worthless demagogue ; for he only praises Achilles, 
 whom he hates in heart, in order to subserve his own base ends. 
 &uv -yap tx l ytpaf* K - T - ^- Compare book i., verse 356. uA/lu^u^' 
 OVK 'AX^ATJI, K. r. A. " But there is not at all any anger in the 
 mind of Achilles ; on the contrary, he is careless (of what concerns 
 himself)-" Literally, " in mind unto Achilles." Observe that /zuAa 
 is here employed to strengthen the negation. r) yap a.v 'ArpeiSr], K. 
 T. A. Compare book i., verse 232. 
 
 veixfLuv. " Railing at." ru ff UKO. TrapioraTo, K. T. A. " But 
 quickly for him the noble Ulysses was standing by his side." Ob- 
 serve the beautiful use of the imperfect. x a ^ 7r V ^viiraTre nvQy. 
 " Rebuked him in severe speech." 
 
 246-251. QepalT 1 uKpcrdfivdc. " Thersites, reckless babbler." The 
 term uKpiropvOoc properly denotes a random talker, one who utters 
 things more or less disconnected, and on which he has bestowed no 
 manner of reflection. Consult Wolf, Varies., ed. Ust., ii., p. 40. /U
 
 NOTES TO BOOK II. 213 
 
 irep iuv u-yopyrfa. " Noisy declaimer though thou art." More lit- 
 ' erally, " very shrill-toned haranguer ttiough thou art." Observe the 
 force of TTf'p in strengthening the meaning of the adjective, and com- 
 pare book i , verse 131. Observe, also, that what is elsewhere the 
 language of praise (book i., verse 2-18), is here converted into that 
 of censure. la^fo. Compare book i., verse 214. ov tyTjfii. Like 
 the Latin nego. ^fpctortpov. "Baser." baooi. "Of as many as." 
 For Toauv baaoi. 
 
 T>. " On this account." Equivalent to diu TOVTO. OVK av fiaa- 
 iAf/as uvu a-op', K. r. ?. " Thou shouldst not harangue, having kings 
 (continually) in thy mouth," i. e., always talking of kings. The op- 
 tative with av is often used as a milder expression of command than 
 the regular imperative or subjunctive. voarov re ^uAatrffotc. " And 
 be on the watch for a return." Literally, " and be watching a re- 
 turn." 
 
 252-256. on-wf larai rude fpya. " How these things are going to 
 be," t. e., how these affairs are going to turn out ; whether well or 
 ill. ev, T/ Ka.K<Jf. " Under favorable, or adverse circumstances." 
 r<f> viiv 'Arpcidy 'Ayafifftvovi, K. T. ?.. Wolf encloses this line and 
 the two that follow within brackets, as an interpolation, and he is 
 evidently correct in his opinion. Spitzner follows his example. The 
 lines in question contain nothing hut what has been said before, and, 
 besides, the r6 at the commencement of verse 254 comes in very 
 awkwardly. Some of the ancient grammarians rejected from verse 
 252 to 256, both inclusive. Nagelsbach thinks that he sees in the 
 text, as it at present stands, the traces of a double recension, and is 
 of opinion that one of these recensions has the lines arranged as 
 follow : 
 
 ov yup kyij do 
 tfiftevai, oaaot up' 'Arpeutyf into 'lAtov ijTJdov. 
 Tci vvv 'PiTpcidij 'Ayafttpvovi, iroi/tKvi /.ad>r, 
 f)oai 6vi6ifav, on. oi fia'/.a TTO^U 6i6oHaiv 
 flputf bavaoi av (5e Kcprofteuv uyopeveic. 
 Ovde ri TTU cil&a I6fitv, OITUC earai rd6e fpya, 
 ft ev, i)t KOKuf voaTr'/aofiev vie? 'A^aiuv 
 d/.X' K rot ipiu. 
 
 float 6vtt&uv. Observe that ycai, though to be rendered here 
 " thou sittest," is not to be taken in too literal a sense, since Ther- 
 sites was standing at the time. Compare Od., viii., 506 ; xi., 82, 
 142. Some, however, make this a ground for rejecting the entire 
 verse. (Crusi'tt*, ad loc.)
 
 214 NOTES TO BOOK II. 
 
 257-264. ci/,2,' l/c TOI kpiu. " But I will declare to thee plainly." 
 Observe the force of the adverbial IK. d K ITI a' aQpaivovra, K. T. A. 
 "If I shall catch thee any longer playing the fool." More freely, 
 " acting senselessly." It is doubtful whether Kixqaopai be here the 
 future indicative, or the aorist subjunctive with the shortened mood- 
 vowel. (Compare Herm. Opusc., iv., 29.) Thiersch is in favor of 
 the latter ; but the former appears the more natural. if vv nep udt. 
 "Just as thou art now in this way (doing)." The particle ~ep qual- 
 ifies cif, not vvv. eneij}. The optative here expresses a wish ; and 
 so, also, in KEK^.IJUEVO^ elrjv. 
 
 el pi kyu ae ha6uv, K. T. /L " If I do not, having seized thee, strip 
 off thy vestments." Observe the adverbial force of uiro. 6vou. 
 Future indicative. rd T" aidiJ u^LKakvTrTsi. " And those which 
 cover thy nakedness." The allusion is to the ^.irpa (mitra), a broad 
 belt or band, worn next io the body, so as to cover the lower part 
 of the abdomen. avrov 6e aQr/au. "And send away thyself." Ob- 
 serve the reflexive force of avrov, as beginning a sentence or clause ; 
 and consult note on book 1., verse 4. nsTrtyyuc u.jopf)6ev. "Hav- 
 ing whipped (thee) from the assembly." The perfect TreTr/tyya has 
 always an active meaning in Homer. 
 
 265271. uf. For ovruf. ff/a/Trrpo 6e /ZEru^pevov, K. r. 7.. The 
 reference here is merely to a single blow on the back. 6 6' IdvuBrj. 
 " The other, thereupon, bent back." More freely, " cowering, bent." 
 He contracted his back, and withdrew himself from under the blow. 
 Compare the Homeric Lexicon of Apollonius : etf rovmou Ka/*<t>6r). 
 daZepov 6s oi s/nreaE 6aKpv. " And the gushing tear fell from 
 him." More literally, "fell out for him." The adjective daXepov 
 carries with it here the idea of a full and gushing tear. The refer- 
 ence to something forcible or strong likewise appears in other in- 
 stances. Thus, the hair is called -&a>.pri, when standing thick and 
 full. So tfayltpdf yoof, " strong lamentation" (Od., x., 457) ; tiafapri 
 "a strong voice." (//., 17,439.) 
 
 6' aifidTotoaa, K. T. %. " And a bloody weal rose up from 
 liis back, beneath the (blow of the) golden sceptre." Observe the 
 force of ef and VTTO, in combination with the verb. The swelling 
 came out of his back under the blow ; and the meaning of v-6 is im- 
 mediately explained epexegetically by the words a/c^rpov vwb xpv- 
 aiov. uTiyyaas 6'. " And having suffered pain." uxpelov I66v. 
 " Having looked foolishly." More freely, " like a fool." The neuter 
 of the adjective is here taken adverbially. In such cases, however, 
 the adjective has not exactly the mere force of the adverb, but rath- 
 er expresses the result of a species of action. Hence u^petov i&lv
 
 NOTES TO BOOK II. 215 
 
 properly means, having displayed, by the contortions of his counte- 
 nance, a silly and puzzled look, as if uncertain what to do, or how 
 to comport himself under the chastisement which he had received. 
 Bernhardy, not unaptly, translates it, " schofel blickend," or, as we 
 would say, " looking miserably." 
 
 uxvvjiEvoi Trcp. Namely, because they were not to return home, as 
 they had hoped. en' avro> rj6v ye'Aaaaav. "Laughed heartily at his 
 mishap." More literally, " on his account." As regards the pecu- 
 liar force of i)6v, consult note on dxpflov I6uv. rtf. "One." Equiv- 
 alent, in fact, to " many a one." ef Trfyaiov uA/W. " To another 
 Dear him," i. e., to his neighbor. 
 
 272^-276. (i KOTTOI. Consult note on book i., verse 254. uvpi' 
 ead^d. "Ten thousand good things." r" k^iip^uv. " In both origi- 
 nating." 7r6/U^6*> re Kopiioouv. " And in arousing the war." 
 Equivalent to the Latin " pugnam excitant." This is Koppen's ex- 
 planation, and is adopted by Stadelmann. Wolf, on the other hand, 
 makes the phrase in question the same as helium adornans, and re- 
 gards 7;6/U/iOf as standing for "Apj/f. The literal meaning, however, 
 " arming the war," accords better with Koppen's idea, and Trofauov 
 will then be the same as Troheuovvraf. 
 
 vvv 6e r6(5c piy apiaroi; K. T. A. " Now, however, he has done 
 this, by far the best thing among the Greeks," i. c., in doing this, 
 lie has achieved his greatest work. Equivalent to vvv 6e rode pe^af, 
 fiey' upiorov ipet-ev. 6f. " In that he." rbv. As before, for TOVTOV. 
 ayopduv. " From his harangues." $/yv. "Assuredly." In Ho- 
 mer, i?j?v is always ironical, as in Attic drjirov. It is very frequently 
 joined with ov, as in the present instance. i?t>//of ayfjvup. " His 
 insolent spirit." 
 
 278-2^3. we 0ucrav i] irXijdvf. " Thus spoke they, the throng." 
 Observe that ;}, though apparently the same with the later article, 
 is, in fact, the pronoun, and is brought in to mark opposition. (Con- 
 sult Kdgelsbach, Excurs., xix., 7, c.) Observe, also, that TthijOiif is 
 taken collectively, and has the verb in the plural. uvu ds earr}. 
 " Up, thereupon, stood." Observe the adverbial force of uvu. napa 
 <5e. "And by his side." eidofievri. "Making herself like." OIUTTUV. 
 More correct than aiunfv with the subscript iota. Consult Wolf, 
 Anal. Lit., ii., p. 49, seq. ; Bultmann, Ausf. Gr. Sp., 105, Anm., 17 ; 
 and Spilzner, ad. loc. 
 
 wf iifia i>' ol npuroi, K. T. A. " In order that the sons of the Greeks, 
 both in front and in the rear, might at the same time hear his 
 speech, and understand his counsel." Wolf regards oi as unneces- 
 sary here, and an instance of irregularity in the use of the articla
 
 216 NOTES TO BOOK II. 
 
 Not so, by any means. It is rather the digammated dative of ov. 
 The &, however, before it, is quite unnecessary, and appears to 
 have been thrust in through ignorance, in order to avoid the appa- 
 rent hiatus in apa oi, which hiatus, however, is removed by the di- 
 gamma. The literal translation will therefore be, ' might hear his 
 speech for him." (Nagelsbach, ad loc.) o afiv evfpovcuv, K. r. A. 
 Compare book i., verse 73, and observe that this line is more imme- 
 diately connected with verse 278. 
 
 284-290. 'Arpwd?, vvv 6fj ae, uva, K. r. ?.. " Monarch, son of 
 Atreus, the Greeks just now desire to make thee the most disgraced 
 among all articulate-speaking mortals." Observe the force of 6rj, 
 as applied, in its sense of exactness, to vvv, the adverb of time, and 
 compare Kuhiier, I) 720, 2, ed. Jelf. xuai.v tteyxiarov . We have 
 given here the explanation of Nagelsbach, which appears to be the 
 only true one. jyvrrep v-earav. "Which they undertook." i. e., 
 which they took upon themselves. In such constructions as the 
 present, where the particle rrep is appended to the relative, it has 
 the same force in reality as in Kaiirep, or with the participle. Hence 
 f/vTrcp vxiarav is the same in effect as fatofrwrtf trep. cKTrcpuavr'. 
 Supply ae, with which this participle agrees. 
 
 ij iraldef veapoi, x'/P^ T yvvalnef. Observe here that re follows 
 after rj, a construction of which instances are found not only among 
 the poets, but also in the prose writers. In antithetical clauses re 
 approaches in sense to #, and hence they are in-terchanged ; either 
 q-Tc, or re-jj- (Kiihner, 734, 3, ed. Jelf.) a/.Aqfoiaiv odvpovrat 
 olxovde viea6ai. " Do they wail unto one another to return home." 
 The infinitive is here employed as the object. This takes place on 
 several occasions, and, among others, with verbs signifying any 
 sensual or mental energy of the subject, or some expression of such 
 energy. (Kiihner, 637.) 
 
 291-294. 73 ftTjv KOI TCOVOS eort, K. r. X. "It is certainly a hard 
 thing (so) to return, after having been exposed to many privations," 
 t. ., to return without having accomplished our object, and after 
 having endured many a hardship. More literally, "for one (so) to 
 return," &c., rtvu being understood with dviqftev-a. The meaning 
 of this much-contested passage turns entirely on veeaftai, which, be- 
 ing repeated from the previous line, becomes, in fact, equivalent to 
 OVTU TToielv, the idea of returning without accomplishing the object 
 of the expedition being implied in the first vieaOai. Observe, also, 
 that f] fiTjv stands opposed to aAAri KOL fft-rj^ in verse 297. 
 
 KCU yap. " And (no wonder) for." &' eva fiijva. " Even a single 
 month." ai<v vi)l xo/.v^v-yu. The preposition ovv is here made by
 
 NOTES TO BOOK II. 217 
 
 some equivalent to trapd, and this latter was even formerly the read- 
 ing usually given in editions, until Wolf brought back avv into the 
 text. It is very evident that xapd must have arisen from a mere 
 interpretation of avv. On the whole, however, Wolf's explanation 
 is the best, which connects vvv vrjl 7roAt<i5}V in construction with 
 (J.EVUV. dteuaiv. "May be hemming in." Consult Bu.ttma.nn, 
 Lexil., s. v. ei&eiv. The prose form of expression would be uv 
 eiTdjCLv. 
 
 295-300. fifilv 6e tlvarof iari, K. T. 7.. " To us, however, while 
 remaining here, it is the ninth revolving year." Observe that irepc- 
 rpoTTfuv is here merely an epithet of eviavrof, and that EOTL irepi- 
 rpo-euv is not to be regarded as a mere circumlocution for the pres- 
 ent indicative. The caesura of the verse is directly opposed to such 
 an idea. ru. "On this account." u/./,a KM Ef-nrijg, K. T. 7.. " But 
 it is, nevertheless, also certainly disgraceful." Observe that rot is 
 here employed in the confirmative sense of the Latin sane, namely, 
 "certainly," "verily," "of a truth." (Kuhner, $ 736, ed. Jclf.) 
 Keveov. " Empty handed,'' i. e., without booty and without success. 
 
 T^-ifTc. " Be patient." More literally, " endure." s-xi xpovov. 
 " For a time," . e., a little while longer. uavrevcrai. "Divines." 
 Observe here the force of the present. Calchas has not retracted 
 the prediction which he made nine years before this, and, therefore, 
 it is said of him here that he still " divines." 
 
 302-307. udpTvpoi. " Witnesses of it," i. e , of the truth of what 
 I am going to say. ovf fir/ Kijpc^, K. -. A. " Whom the Fates of 
 death went not bearing away," i. e., whom the fates have not taken 
 off. The expression edav fyepovaai is a species of circumlocution 
 for fjveyKov, i. e., avripna^av . x6i& re /cat Trpwt'f . " Both yesterday 
 and the day before." A proverbial form of expression, and equiva- 
 lent, in fact, to " very lately." The reference does not appear to be 
 so much to the past years of the war, which would be a harsh ex- 
 planation, as to the recent pestilence. Consult Heync, ad loc. 
 
 ff Pi.ii7.i6a. "At Aulis." Literally, "into Aulis," i. e., into the 
 harbor of Aulis. The Grecian fleet .was detained here a considera- 
 ble time by adverse winds, until the memorable sacrifice of Iphigenia 
 to the offended Diana. a[*j>l Trcpt. " Round about." We often 
 find two prepositions thus joined together in poetry to give a full- 
 ness to the expression. Consult Kuhner, 618, 3. rrfjiaoas ixa- 
 Topfaf. Consult note on book i., verse 315. ayhabv v6up. " A 
 limpid stream." The plane tree stood at a fountain-head or spring, 
 and the water bubbled up from beneath the tree. 
 
 308-313. piya aqfia. "A great sign," i. e., a great omen of the 
 T
 
 218 NOTES TO BOOK II. 
 
 future fortunes of the expedition. inl vtira Ja0<wof. "All blood- 
 red upon the back." A type of the bloody conflict that was ap- 
 proaching. Observe the intensive force of 6a in SaQoivof. TOV p' 
 avrof 'OAty/Tuof, K. r. %. " Which, namely, the Olympian himself 
 had sent forth into the light." By the epithet 'OMfnuo? Jove is 
 meant, and avrof is added to increase the emphasis. inraiZaf. 
 " Having glided from under." pa. " Thereupon." bvOad'. " And 
 there," i. e., in the plane-tree. VTJKIO. TSKVO. "An infant brood." 
 Literally, "infant offspring." VTroireirTjjuTef. " Cowering beneath." 
 OKTU. " Eight in number." 
 
 314-319. efafLvu TerpiytiTaf. " Twittering piteously." Some 
 connect eAeeivu with Kar^aOte, but this is far inferior. U^STTO-UTV. 
 " Kept flying around." TTJV d' E^e^dfievof, K. ~. "k. " And then, 
 having formed himself into a coil, he seized her (also) by the wing, 
 making a loud cry round about." The serpent wound itself into a 
 coil, and then raising its head, and the upper part of its body, made 
 a sudden spring at the parent bird, and caught it by the wing. Ob- 
 serve the force of the middle voice in e/le/UfujUfvof. Krepvyog. The 
 reference to a part requires the genitive. 
 
 Kara e^ayf. " He had eaten up." Observe the adverbial force of 
 Kara. rbv ftev apifyfov, K. T. /I. " The god who had displayed 
 him to view, rendered him very conspicuous, for the son of the 
 crafty Saturn made him a stone," i. e., Jupiter made the serpent 
 very conspicuous as a monument of the occurrence, for he changed 
 him into stone. We have given here the reading of the common 
 text, namely, api&hov, equivalent to upid^'Aov. It is very doubtful, 
 however, whether this be the true reading. Buttmann opposes it 
 with great ability, and thinks that we ought to have some term in 
 its place, meaning " invisible," especially on account of the opposi- 
 tion implied in oa-nep tyyvEv. This would also be in accordance 
 with Cicero's paraphrase of the present passage (de Divin., ii., 30) : 
 
 " Qui luci ediderat, genitor Saturnius, idem 
 Abdidit, et duro firmavit tegraina saxo." 
 
 But, then, a new difficulty arises. If we read ai&hov (i. e., utdrj^ov), 
 we have a term, the analogy that produced which is extremely 
 doubtful. If we write ua^/W at once, we have a form contrary to 
 common usage, which does not allow of a long i in forms coming 
 from <5w. And, lastly, if we take aeid-rj^ov, we can not show that 
 Homer ever did use this form. As for ae/fJeAwv, which i* Homeric, 
 it is too different from any of the readings that have come down to 
 us to allow of its being adopted. The whole question affords a 
 striking example, as Buttmann remarks, how almost impossible it
 
 NOTES TO BOOK II. 219 
 
 is in Homeric criticism, with all our best wishes and exertions, to 
 surmount the difficulties of the standing text. And although it is 
 very evident that upiffl-oc was not originally in this passage in 
 Homer's verse, still we must retain this reading, as the only one 
 which has come down to us grounded on authentic documents. 
 (Lexil., s. v. aidrj^of). It remains but to add, that Knight regards 
 verses 317, 318, and 319 as spurious, and the interpolation of some 
 rhapsodist. 
 
 320-323. olov Tvx8t}. "At what had been done," i. e., had taken 
 place. Olov is here equivalent to on rojov.. <if oiiv 6tiva irel,upa, 
 K. r. A. " When, then, dreadful prodigies had come in the midst of 
 the hecatombs of the gods," i. e., had occurred in the very midst of 
 the sacrifice. Observe that tfecjv must be construed with exaro^af, 
 not with TTf/lwoa, the victims being regarded as the property of the 
 gods. Ku'/.xa? 6' avrin' e;retra. " Calchas, then, thereupon straight- 
 way." -QioTrpoKeuv. " Revealing the signs from on high." riirr' 
 dvu iyevfade. " Why, then, have ye become mute!" We have 
 given uveu, with Spitzner and Buttmann (Lexil., s. v.), instead of 
 the common reading, avey. It is not an adjective, but an adverb, 
 like OVTU, &c. ; and it was so regarded by Aristarchus, as Apollonius 
 informs us. (De Adverb., p. 555, 15, seq.~) 
 
 324-332. rju.lv /*ev. " For us, indeed," i. e., for our special in- 
 struction. Observe that //ev is here for HTJV. 5\}>i/wv, btyirffaarov. 
 The absence of the copulative conjunction renders the clause more 
 emphatic. oov. " Of which." An epic form of ov, arising, accord- 
 ing to the ancient grammarians, from a diaeresis. (Etymol. Mag., 
 p. 614, 34. Spitzner, ad loc.) trt.eof. Referring to the mention of 
 this prodigy among posterity. wf rjfiEi^. " So we." Toaaavr' Irea. 
 Nine years are meant. ru 6tKu.-(,>. Supply eret. re/lrat. "Are 
 on the eve of being accomplished." avTov. " Here." eiaoKev 
 Ww/zcv. "Until we may have taken." More literally, "until what 
 time we may have taken." Observe that eiaonev is for elf o KEV, and 
 compare the Latin idiom : " usque ad id tempus, quo capiamus," &c. 
 
 334336. ffutpdaAeov Kovu6i]aav, K. r. 7i. " Resounded fearfully in 
 consequence of the shouting of the Greeks." More literally, " un- 
 der (i. e., by reason of) the Greeks having shouted." The common 
 text has a comma after Kovu6t)oav, which we have removed, as in- 
 terfering with the sense. Tepjjviof i-x-xora. Ntarwp. " The Gerenian 
 Nestor, the ruler of steeds." Nestor was called " Gerenian" from 
 a city of Messenia, where he was brought up, after Pylos, probably, 
 had been destroyed by Hercules. This place is styled Tepr/vov in a 
 fragment of Hesiod ; Tlpr/va, by Strabo ; Tfptjvia, by Paiisanias ; and
 
 220 NOTES TO BOOK II. 
 
 ij Tsprjvof by the scholiast. ImroTa.. For imroTtjf, a common epithet 
 for heroes. Observe the absence of the copula between this word 
 and Tspfiviof. The reason is that the term Tepnvtof is more of an 
 individual, the other more of a general appellation. 
 
 337-339. u itoTtoi. Consult note on book i., verse 254. % 6r/ irat- 
 alv hiKoref, K. r. A. "Assuredly, now, ye are haranguing like in- 
 fant children," t. e., your conduct, in thus wasting time with idle 
 harangues, resembles that of mere children. The epexegetic clause, 
 olf ovn pikei, K. T. A., shows in what the resemblance actually con- 
 sists. XT/ 6ft avvBeaiai re, K. T. A. " Whither, then, will go for us both 
 agreements and sworn pledges 1" i. e., what, then, will become of our 
 agreements'! &c. According to Buttmann (Lexil., p. 439, cd. Fishl.), 
 opKiov properly signifies a contract or agreement on oath. As it is 
 here, however, joined with avvBeaiai, it appears to refer rather to a 
 pledge connected with an oath. 
 
 340-341. h nvpl 6r), K. T. \. "Into the fire, now, may both the 
 counsels and plans of heroes have dome, and the unmixed libations, 
 and the right hands on which we relied," i. e., away, now, into the 
 fire with the counsels and plans of heroes, &c. We have given 
 here the explanation of Nagelsbach, who regards this passage as a 
 species of unwilling or reluctant wish ; and in this opinion the re- 
 viewer of Crusius's edition of the Iliad concurs. (Jahrb. fur Phil, 
 und Pad., vol. xxxiv., p. 367.) The train of ideas appears to be as 
 follows : Away with the counsels, &c., into the fire ; for they help 
 us no more ; since, in place of acting up to our previous engage- 
 ments, we are wasting our time in idle talking, &c. This expres- 
 sion of a wish certainly suits better the optative (yevotaro), without 
 the hypothetic KE, than if we place an interrogation at the end of 
 verse 341, as is done by Wolf, Heyne, and Voss, and render the op- 
 tative by a future. Observe that the expression iv -irvpi -yevoiaro is 
 merely of a proverbial character, to denote utter destruction. 
 
 airovdal uKprjroi. Libations most commonly consisted of unmixed 
 wine ; but sometimes, also, of milk, honey, and other fluids, either 
 pure or diluted with water. 
 
 342-349. avruf. " To no purpose." <rt> 6e. " Do thou, there- 
 fore." en. " Still, as before." aaTf2<j>e.a POV^TJV. " An unshaken 
 resolve." rovade ff la (j>divv6eiv, K. r. A. " And suffer those to 
 perish, one, and (at farthest) two, whoever may be deliberating 
 apart from the Greeks (there shall be no accomplishment, however, 
 of their designs) to return to Argos, before that we even know," &c. 
 Compare with roi KCV the Latin si qui. Achilles appears to be hint- 
 ed at. Awf. Governed
 
 NOTES TO BOOK 11. 221 
 
 350-356. KdTavfvoai. "Nodded assent." ^/uart TW. "On that 
 day." Observe the demonstrative force of rcj, equivalent here to 
 ticcivv. ttaivov kn'. "Were going on board of." K.f/pa. "Fate." 
 Better with the initial capital, as we have given it, and indicating 
 not so much destruction itself, as a being carrying destruction along 
 with her. dffrpuTrruv ETrid^t'. " By flashing forth lightning to the 
 right." fyaivuv. "By displaying." Verse 353 explains what is 
 meant by /raravewrat in v. 350. 
 
 TW. " Therefore." riaaadai f 'EMvqc, K. r. 2,. " And (before) 
 he has avenged the vexations and the groans (that have been his) 
 on account of Helen." Buttmann (Lexil., p. 439, scqq. ed. Fishl.) 
 makes 'E/Uvj/f here the genitive of the subject, and refers the words 
 of the passage to the vexations and sighs of the repentant Helen. 
 We have preferred, however, to follow Nagelsbach and Stadelmann, 
 in regarding 'EAcv7?f as the objective or causal genitive. The refer- 
 ence is to the toils and privations endured by the Greeks during 
 this long-protracted war, and the idea is well expressed by the scho- 
 liast in the Venice MS., as follows : rtfiupiav Aafoiv uvff uv KCTTE- 
 va^afjiEV nal f[tfptfj.vi)ffa[tev irepl 'EAf vt;?. 
 
 358-361. 7TT<70ej. "Let him lay hold of," . e., for the purpose 
 of dragging it down to the sea. ddvarov KOI Korpov. " Death and 
 fate." Often united by Homer ; as also tfdvarof and popof. avroj- 
 f ev njjSeo. " Both deliberate well thyself." Passow translates 
 this "fassc selbxi tcohl einen Beschluss," i. e., form a resolve thyself. 
 This, however, is inconsistent with Tretfeo r' uAAw. OTTI KEV EITTU. 
 Not equivalent to tdv n eiiru, but " whatsoever I shall say (if thou 
 permit)." 
 
 362-368. Kplv' avdpaf KOTO. $v?ia, K. r. A. " Separate, Agamemnon, 
 the men by tribes, by families." By ^>v?.a are here meant tribes or 
 clans, proceeding each from one common progenitor ; by tipijTpai, 
 on the other hand, the several families or kindreds composing a 
 tribe. Hence Heyne remarks : "Per populos et gentes dispositi pug- 
 narunt hand dubie et antea ; nunc autem in ipsis populis novum discri- 
 men Jit secundum genera scu stirpes ab codem auctore deductas ; et in 
 his itcrum sunt familiae." tif Qpyrpij <pp^rpri<)nv, K. r. A,. The object 
 of this new arrangement is mutual support, the members of the 
 same family and clan aiding one another with the greater zeal, on 
 account of the ties of kindred. /cot rot rret'ftjvrat 'A^atot. " And (if) 
 the Greeks shall obey thee (in this)," i. e., shall carry this plan of 
 thine into full effect. 6f #' tj-yepovuv a/c6f. " Both what one of 
 the leaders is cowardly." Supply tari. ' lyai. " May be." Kara 
 a^saf. " By themselves," t. e., each clan by itself, and each family 
 of the clan also by itself. 
 
 T2
 
 222 NOTES TO BOOK II. 
 
 yvwoeat 6e. " And thou wilt farther know." Observe the em- 
 phatic usage of 6t, after yvuay eTTEiff in verse 365. ft Kal Qea^caii}, 
 K. r. A. " Whether thou art even not going to sack the city by the 
 Divine will, or by the cowardice of men, and their inexperience in 
 war." With deoxEoiri supply J3ov7,ij or poipq.. 
 
 370-373. TI (j.uv avr", K. r. A. " Of a truth, aged warrior, thou 
 again, in the gathering of the people, surpasses! (in sage counsel) 
 the sons of the Greeks." More literally, " in the assembly," i. c., 
 of the forces. Observe the force of avre : thou surpasses! in the 
 public assembly, after having surpassed in the private conclave of 
 the Grecian princes. 04 yap, Zev re Trdrep, is. r. A. " For would 
 that, both father Jove, &c., there were to me," &c., t. c., would to 
 Jove, &c., I had. ru. " In that event." More literally, " by that 
 means." fyuvaetE. The verb j/pvu, when thus applied to cities, re- 
 fers to their sinking in ruins. 
 
 375-379. dAye' idunev. Compare book i., verse 96. 6f //e fiera 
 /3uAAet. " Who hurls me into the midst of." (Compare Kuhner, 
 614, iii.) More freely, "who keeps continually involving me in." 
 y S 1 TIPXOV ^oAeTran'wv. " And I was the first to become angry." 
 Observe here the use of the participle for the infinitive. This con- 
 struction is regular with verbs of beginning, ceasing, &c. Observe, 
 also, that apxeoOai is used with the infinitive, when the notion of 
 the dependant verb is only in intention, not in act. Thus, Thucyd., 
 i., 107, fip^avro Kal TO, fiaapd ffixn 'Adr)vaiot olxodo/Aelv : but oiKodofi- 
 ovvre^ when it is actually begun. (Kuhner, 688, vi., p. 317, cd. Jdf.) 
 
 If ye [liav /3ovfavoojj.tv. " We shall come to the same determina- 
 tion." With fiiav supply povTirjv, and compare the explanation of 
 Nagelsbach : " ita consultare ut sententia in unum conspircnt." The 
 reference is to their becoming reconciled to one another. 
 
 381-384. ETTJ de'nrvov. "To your meal." *The morning meal is 
 here meant. In Homer, the word upiarov uniformly means the 
 early, as dopnov does the late meal ; but deiTrvov, on the other hand, 
 is used for either, apparently without any reference to time. Iva 
 ^vvayufiev *Ap?a. " In order that we may join battle." A concise 
 form of expression, for Iva frvdyovree rovf Aaot>f eyfipufiev 'Aprja. 
 ev 6e dcffBu. " And get ready well," t. e., have it in good order, 
 and ready for action. Compare Passow, Worterb., s. v. riQrjfjn, b. 
 ii., c. ev apparof dfujtif Iduv. " Having looked well about his char- 
 iot," t. e., round about it ; having carefully examined it on all sides. 
 We have given <l/^2f iduv with Spitzner. Heyne, however, who is 
 followed by Buttmann (Lexil., p. 104, ed. Fishl.), is in favor of d//-
 
 NOTES TO BOOK II. 223 
 
 386-393. oil fteTtamreu. "Shall not ensue." More literally, 
 "shall not intervene." diaKpivssi /icvof uvdpuv. "Shall part the 
 wrath of the combatants." itipuaei piv rev TeZapuv, K. r. A. " The 
 strap of the man -protecting shield around the breast of each one 
 shall be moist with sweat ; and (each one) shall be fatigued as to his 
 hand round about the spear." More literally, "on the spear round 
 about." The Greek warrior had two straps or belts passing over 
 his breast, from the shoulder downward ; not, however, crossing 
 each other, but both on the same, that is, on the left side. One of 
 these straps supported the sword ; the other, which was larger and 
 broader, the shield. This second strap or belt lay over the former. 
 Ko/zriTw. Observe the employment of the middle in a passive 
 sense. In reality, however, a middle meaning still lurks here : 
 " shall cause himself to toil." Compare Kukner, $ 364, ed. Jelf. 
 
 titpvd&iv ide^ov-a. " Wishing to linger." ov oi faeiTa upmov 
 iaaelrai, K. r. A. " There shall be nothing thereupon on which he 
 can rely for escaping from the dogs and birds," . e., there shall be 
 nothing to give him any well-grounded hope of escaping, &c. We 
 have rendered apKiov here in accordance with the explanation given 
 to it by Buttmann (Lexil., s. v.). It appears to be equivalent in 
 some degree to Iroifiov. 
 
 394-397. 'Apyelot & pey' trt^ov, K. f. X. " The Greeks, thereupon, 
 began to shout loudly, as when a wave (roars) against a lofty shore, 
 when the south wind, having come, shall put it in motion, against 
 some projecting rock." Observe the ellipsis in Ktfj.a, which is to be 
 supplied by lu^et. Observe also the peculiar boldness of the per- 
 sonification, when a literal translation is given : " as when a wave 
 shouts." -Kpo6^Ti aKonity. This is merely a more special defini- 
 tion of the idea contained in UKTI) e<j>' vtyrjZy, and is epexegetical to 
 that clause. As regards ore nivi'iay, compare book i., verse 80. 
 
 TOV f OVKOTE Kvuara Zeinei rtavroiuv uvepuv, K. r. A. " For this 
 the billows raised by all kinds of winds never leave, when they arise 
 in this quarter or in that," i. c., the billows raised by every wind, 
 no matter from what point it comes. The comma after fai-ei, 
 which appears in the ordinary text, must be removed, since Kvparu 
 is to be joined in construction with navroiuv uvlfiuv. So we have 
 ve$ea apjetr-ao No'rcxo (//., xi., 305) ; and ueAAat navroiuv uvfyuv 
 (Od., v., 304). If we retain the common pointing, Travroiuv avipuv 
 becomes the genitive absolute, and must be rendered, " during all 
 kinds of winds," there being then an ellipsis of OVTUV. This, how- 
 ever, is decidedly inferior. yevwvrat. Referring, of course, to the 
 winds, not to xvfiara. In this latter case, the reading would have
 
 224 NOTES TO BOOK II. 
 
 been -yevrjTai, which some appear to have given anciently, but which 
 the scholiast very properly condemns. 
 
 398-400. bptovTo. " They made a rush." The imperfect of 
 opeopai, and not from opvvpi. Nagelsbach removes the comma 
 after this word, and connects it closely in construction with nedaa- 
 6evTf, so as to imply a rushing onward in scattered order. This, 
 however, is quite unnecessary. Kc.6aa6h>Ts Kara vijaf. " Having 
 dispersed themselves in an instant among the ships." Observe the 
 force of the aorist, and the employment of the passive participle in 
 a middle sense. vfjaf. The ships, it will be remembered, were 
 drawn up on shore, and the huts were in their immediate vicinity. 
 KOTU irt.iaiaf. " Throughout the tents." fpee. " Began to offer 
 sacrifice." Supply lepu. The full form occurs in book i., verse 147. 
 Compare Virgil (Eclog., iii., 77), " Cum faciam vituld pro fru gibus." 
 uAAof 6' uM.v. The meaning is, that each kindred sacrificed to 
 its own tutelary deity. 
 
 402-410. 6 uvaf avdptiv 'Ayape/uvuv. " He, the king of men, Aga- 
 memnon." irevrairripov. "Five years old." And, therefore, in 
 full vigour. KiK?it]ffKv 6L "And he invited (to the sacrifice)." 
 T3.avaxa.iuv. " Of all the Greeks." The name 'Axaioi has a wider 
 Homeric meaning than either 'Apycioi or Aavaoi. Trpuriara. " First 
 of all." AiavTE dvu. " The two Ajaxes." Ajax, the son of Tela- 
 mon, who led the Salaminians ; and Ajax, the son of Oileus, who 
 commanded the Locrians. Tvdeof vlov. Diomede. 
 
 aiTo/wTOf. " Of his own accord." He came, according to Cru- 
 sius, uninvited, because he was the brother of the monarch, and need- 
 ed, therefore, no special summons. Not so. He came of his own 
 accord to aid his brother in the preparations for the sacrifice and the 
 attendant banquet. jBorjv u-ya6o. " Good at the battle-shout," i. e., 
 brave in battle. r>6ee -yup Kara. &vubv, K. r. A. " For he knew in 
 his mind how his brother was toiling," i. e., toiling in the prepara- 
 tions. Literally, " he knew his brother how he was toiling." A. 
 well-known Greek idiom. ovAo^raf dveAovro. Compare book i., 
 verse 449. 
 
 412-418. Ke).aiv((f>E{. "Black-cloud-collecting deity." aWepi 
 vaiuv. Words indicative of residence are commonly used in the 
 dative without a preposition, since this case has for its fundamental 
 signification the idea of space, in which activity, or the power of 
 action, abides. pi Ttplv ETT' ijtkiov dvvat, K. r. A. " Grant that the 
 sun may not go down, and darkness come on, before that I have 
 cast down headlong Priam's palace, wrapped in flames," &e. In 
 these forms of invocation there appears to be an ellipsis of 66s, or
 
 NOTES TO BOOK II. 225 
 
 irotTjaov, or yivotro. eir" fickiov tivvai. The expression 7ri ..... 
 occurs here for the only time in Homer with reference to the setting 
 sun ; and, as kni in this passage is not easy to explain, Nagelsbach 
 recommends that we read VTT' TJ&IOV dvvai, and he compares Od., 
 iii., 335, and Od.,x., 191. nvpbf dtjioio. " With hostile fire." Ob- 
 serve here the genitive of the source whence the action arises, 
 and compare Kuhner, (/ 484, p. 126, ed. Jelf. 
 
 'Eicropeov 6e ^trwva, K. r. A. "And have severed around his 
 breast the tunic of Hector, rent by my brazen spear." Literally, 
 " rent by the brass." The expression x a ^ K V puyaheov serves still 
 farther to explain the meaning of daii-ai. irpriveec kv Koviyoiv. 
 ' Prone in the dust," t. e., stretched out on their faces in the dust. 
 
 419-432. ovff upa iru, K. r. X. "But not yet, thereupon, was the 
 son of Saturn accomplishing it for him." Observe that ixeKpaiaivc 
 stands here without an object, which, when supplied, is generally 
 ie'/.(5wp. Compare book i., verse 41. novov &' dueyaprov oQ&fev. 
 "But increased their severe toil." 
 
 The ensuing lines (421-432) have already occurred in book i., 
 verse 458, scqq., with the exception of a few forms of expression. 
 aftTTELpavrec. " Having spitted." vireipcxov 'H^aiaroio. " They 
 held them over the fire." Observe the continued action expressed 
 by the imperfect. 
 
 433-440. Tep^viof lirnora Ncdrwp. Consult note on verse 336. 
 firjKCTi dy vvv aiidt ^.tyup.e6a. " No longer, at this very time, let us 
 be talking here." Nestor rises from table, at which there had nat- 
 urally been some conversation, and interrupts the speakers by these 
 words. It will be perceived, therefore, that fa-yupeda is here taken 
 absolutely. We have rejected the common reading, firjKen vvv drjd' 
 avdi P.tycjjueftz, and have adopted that of Callistratus from the scholia, 
 as making the best sense. The form 6ijQ' (d^dd) is not Epic (Har- 
 tung, i., 305 ; Kuhner, 693), whereas dq vvv is both an Homeric 
 position of the particles, and gives more force to PTIKSTI. Buttmann 
 recommends ravra in place of avftt, from a comparison of other pas- 
 sages of Homer ; but he is answered by Spitzner, who shows that 
 in these passages ravra refers to actual conversations preceding, 
 whereas on the present occasion no previous remarks have been 
 detailed. (Lcxil., p. 398, ed. Fishl. Spitzncr, ad loc.) It remains 
 but to add, that some translate beyujieOa here, " let us lie," '. e., let 
 us be sitting, or be resting ; but in the whole range of Epic poetry, 
 there never occur in this sense any other parts of 7.eyu except the 
 aorists ?.>, e/lefaro, eAcro. (Buttmann, Lcxil., 1. c.) 
 
 Ip-yov. " The work," i. c., the work of battle. tyyvaM&t. " Puts
 
 226 
 
 NOTES TO BOOK II. 
 
 into our hands." The present shows certainty, and a firm belief 
 that Heaven is on their side. It is recommended by the scholiast 
 on the authority of Aristarchus and Aristophanes. The future e-y- 
 yvafafrt, given in some editions, is inferior. Kr/pvuef psv. Opposed 
 to iy//Etf (5e. x a ^ KO X iT ^ vuv - Consult Gloss, on book 1., verse 371. 
 dyetpovruv. For uyeipiruGav . ddpooi ude. " Thus assembled as 
 we are." Equivalent to uaxep l^ofiEv ddpooi. lo^ev. For lufiev, 
 with the shortened mood-vowel. So eyeipopev for kytipupev. ofvv 
 'Apqa. "The sharp conflict." Literally, " sharp Mars." 
 
 443-447. nqpvaoeiv Trofapovde. " To summon to the conflict." 
 naprjK 0/j.ouvraf 'A^aiovf . Consult note on verse 11. oi [tev sn^pva- 
 aov, K. r. 7.. Compare verse 52. oi 6' du$l 'Arpeiuva, K. T. A. " But 
 they, the Jove-nurtured kings, around the son of Atreus, kept mov- 
 ing to and fro, separating (the forces)," i. e.,the Jove-nurtured kings 
 in attendance at the time on Agamemnon, kept moving rapidly 
 about, and separating the people into tribes and families, according 
 to the suggestion of Nestor. //era 6L " And among them." 
 
 alyid' exova". The segis, properly speaking, was the hide of the 
 goat Amalthea, the animal that had suckled Jupiter. It was, in 
 strictness, peculiar to Jove, but was worn on different occasions by 
 both Apollo and Minerva. The skins of various quadrupeds having 
 been used by the most ancient inhabitants of Greece for clothing
 
 NOTES TO BOOK II. 
 
 227 
 
 and defence, we can not wonder that the goatskin was employed in 
 the same manner; arid the particular application of it which we 
 have now to consider will be understood from the fact, that the 
 shields of the ancient Greeks were in part supported by a belt or 
 strap, passing over the right shoulder, and, when not elevated with 
 the shield, descending transversely to the left hip. In order that a 
 goatskin might serve this purpose, two of its legs would probably be 
 tied over the right shoulder of the wearer, the other extremity being 
 fastened to the inside of the shield. In combat, the left arm would 
 be passed under the hide, and would raise it, together with the shield, 
 as is shown in a marble statue of Minerva preserved in the museum 
 at Naples, which, from its style of art, may be reckoned among the 
 most ancient in existence. 
 
 Other statues of Minerva, also of very high antiquity, and de- 
 rived, no doubt, from some still more ancient type, represent her 
 in a state of repose, and with the goatskin falling obliquely from its 
 loose fastening over her right shoulder, so as to pass round the body 
 under the left arm. The annexed figure is taken from a colossal 
 statue of Minerva at Dresden. 
 
 By a figure of speech, Homer uses the term aegis to denote not 
 only the goatskin, which it properly signified, but, together with it, 
 the shield to which it belonged. By thus understanding the word, 
 it is easy to comprehend both why Minerva is said to throw her fa- 
 ther's aegis around her shoulders (11., v., 738 ; xviii., 204) ; and why, 
 on one occasion, Apollo is said to hold it in his hand, and to shake 
 it so as to terrify and confound the Greeks (7Z., xv., 229, 307, seqq.) ;
 
 228 NOTES TO BOOK n. 
 
 and, on another occasion, to cover with it the dead body of Hector, 
 in order to protect it from insult. By the later poets and artists, 
 the original conception of the aegis appears to have been forgotten 
 or disregarded. They represent it as a breastplate covered with 
 metal in the form of scales, not used to support the shield, but ex- 
 tending equally on both sides, from shoulder to shoulder, as may be 
 seen in the figure on page 150, taken from a statue at Florence : the 
 Gorgon's head occupies the centre, whereas, in the other figures, 
 the serpents of this head are transferred to the border of the skin. 
 
 448-450. T^f ixaTov tivaavoi, K. T. />. " From this a hundred tas- 
 sels, all-golden, hang waving in air, all well twisted, and each of the 
 value of a hundred oxen." More literally, " a hundred tassels, &c., 
 are suspended." Observe the force of the present in rjepiQavrai, as 
 indicating a constant attribute of the aegis, and not merely one con- 
 fined to the occasion of which the poet is speaking. The tense is 
 properly, therefore, the present aorist, and denotes what is always 
 the case. The grammarian Zenodotus, not perceiving the peculiar 
 force of this tense, wrote i/epedovro, in the imperfect ; but, as the 
 scholiast remarks, the imperfect here oi>x dppofrt eiri udavdruv. 
 As the Greeks prided themselves greatly on the rich and splendid 
 ornaments of their shields, they supposed the aegis to be adorned in 
 a style corresponding to the might and majesty of the father of the 
 gods. Hence the golden tassels, which, besides answering the pur- 
 poses of ornament, would serve also to strike terror by their daz- 
 zling motion. 
 
 <rvv TTJ -iratQdaaovaa, K. T. A. " With which, looking fiercely around, 
 she moved rapidly through the people of the Greeks." We have 
 given nai<j>daaovaa here the meaning assigned to it by Passow. The 
 scholiast, indeed, explains it by hdovatuaa, op/^uaa, but this is the 
 meaning which it has with later writers. 
 
 451-453. EKdffTu Kapdiy. " Unto each one in heart," i. e., in the 
 heart of each one. dhhrjKTov. "Without ceasing." d<[>ap. Com- 
 pare book i., verse 594. veeff6at. Taking the place of a substan- 
 tive, though without any article prefixed. 
 
 455-458. ijvre nvp dttiijhov, K. T. /L " As a destructive fire con- 
 sumes an immense forest." We have given uidriXov here the mean- 
 ing which Buttmann assigns to it (Lexil., s. .), and in which he is 
 followed by Passow. The literal signification of didqloe is " invisi- 
 ble," whence, with a causative force, we have " making invisible," 
 and, from this, "destroying," "destructive." ktriy'kiyti. The point 
 of the comparison (summa comparationis) does not lie in envdAejft, 
 but in 0aver<u 01717, the flashing of the rays of light from the armor
 
 NOTES TO BOOK II. 229 
 
 of the Greeks being likened to the glare thrown forth by the burning 
 of some vast forest on a mountain-top. 
 
 <3f TUV ipxofievuv, K. r. A. " So, as these moved along, an all- 
 resplendent brilliance from their admirable brazen armor went to 
 the heavens through the upper air." Observe that TUV epxapevuv 
 is the genitive absolute. xahKov. We have rendered this by the 
 term " brass," in accordance with common usage. The ^a?.6f of 
 the ancients, however, consisted of copper and tin, whereas the 
 modern brass is a combination of copper and zinc. Ixtv. Observe 
 the employment of the aorist to denote a rapid flashing upward of 
 rays of light. 
 
 459-461. TUV 6', war" bpviduv, K. r. A. "And of these just as 
 the numerous nations of winged fowl." Observe the anacoluthon 
 in TUV <5e, the construction being broken off after these words, and 
 resumed at verse 464, when wf TUV takes the place of the T^V 6e 
 with which the sentence opened. lOvea TTO'^M. Observe the beau- 
 tiful personification here, instead of the prosaic " many flocks." We 
 have now a second comparison, the point of which lies in the noise 
 arid various movements both of the numerous flocks of birds, before 
 they alight in order on the ground, and of the Greeks before they can 
 range themselves in battle array. Modern critics much admire the 
 rapid accumulation of figures in the text, no less than five similes 
 following one another in an unbroken series. Wolf, however, con- 
 siders all but the first of these to be mere additions on the part of 
 later rhapsodists, and not in good taste. 
 
 'Amu kv fain&vi. " In the Asian mead." This meadow or marsh 
 was in Lydia, formed by the river Cayster near its mouth, and was a 
 favorite haunt for water-fowl. We have given here the usual read- 
 ing, which is defended by Hermann (ad Hymn, in Apoll., 250), Bult- 
 mann (My/hol., vol. ii., p. 175), and others. Wolf, however, is in 
 favor of 'Aff/'u, as a genitive of 'A<nof or 'Atrtaf, and makes the allu- 
 sion to be to Asius or Asias, a prince who, in early times, reigned 
 over the country around the Cayster, and from whom the mead, ac- 
 cording to him, derived its name. Consult, however, the remarks 
 of Hermann, I. c. 
 
 462-463. cya/lAo//eva. " Exulting,' 1 t. c., making a loud flapping. 
 We have given here the neuter form, the reading of Aristarchus, 
 which is found also in several good manuscripts, that of Venice 
 among the rest, and likewise in the Editio Pnnccps. It agrees with 
 Iftvea, and certainly harmonizes much better with irpoKadi&vruv 
 than dyaAAojuevai, the reading of Spitzner and the ordinary text, 
 would. Besides, dpvif is much more frequently masculine than 
 
 u
 
 230 NOTES TO BOOK II. 
 
 feminine, and when it does appear with the latter gender, some 
 special reason lies at the bottom of it, which can not certainly be 
 found here. K/layyjfddv irpoKadi&vruv. " They setting themselves 
 forward with a loud noise." Supply avruv. We have regarded this 
 as the genitive absolute, and a parenthetic clause. This is certain- 
 ly far more natural than the construction given by some of the 
 scholiasts, and adopted by Nagelsbach and others ; namely, edvea 
 Tro/l/ld bpviOuv, &.C., K/layyjfJov irpOKaOiCovruv, iroTuvrai evda ical evda, 
 &c. This latter mode of construing connects irponadi&vTav at 
 once with opviduv. 
 
 464-468. wf TUV eQvsa iro^a. " So the numerous nations of 
 these," i. c., of the Greeks. Trpo^eovro. "Kept pouring forth." 
 Observe the force of the imperfect. irsdiov 2Kaudv6piov. By the 
 " Scamandrian plain" is here meant the plain that lay between the 
 rivers Scamander and Simois, and wherein most of the battles 
 were fought between the Greeks and Trojans. The River Scaman- 
 der rose in the high grounds at the foot of Mount Ida, and after re- 
 ceiving the Simois, emptied into the Hellespont. Troy stood near 
 the sources of the Scamander. 
 
 avrup i>n6 x^uv, K. T. A. "While the earth beneath resounded 
 fearfully, from the feet of both them and their horses." Observe 
 here the adverbial force of i>no, and also that iroduv is not governed 
 by it, but is the genitive of the terminus a quo, with a causal signifi- 
 cation. fivploi, oaaa re <j>vA%a, K. T. A. " Innumerable, as many as 
 both the leaves and flowers are produced in the spring." Observe 
 that &pi) here means, literally, " in their season." The full expres- 
 sion is given in verse 471, upy h eiaptvfj. The point of the previous 
 comparison was the noise made by the numerous host in arranging 
 themselves in order. In the present one, however, which makes 
 the third, the terlium comparationis is the number of the army. 
 
 469-473. fjLviduv adivuuv. " Of the thickly-swarming flies." Ob- 
 serve here the similarity of ending, as if the sound were meant to 
 be an echo to the sense. Kara aradfibv noi/nv^iov. " At some 
 shepherd's pen." The preposition here properly implies a moving up 
 and down, and throughout. upg iv eiapivy. " In the spring sea- 
 son." Consult note on verse 468. ore re. " And when." More 
 literally, "when, also." SKI Tpuraai. "Against the Trojans." 
 tiiappalaat fiepauTt<;. The point of the comparison lies in these words. 
 As the swarms of flies in the shepherd's pen move rapidly about, 
 desirous of access to the milk through the coverings of the pails, so 
 did the Greeks take their station in the plain, desirous of breaking 
 through the ranks of the Trojans, and, as it were, tasting their
 
 NOTES TO BOOK II. 231 
 
 blood. Hence we must render diappacaat fitfiaure^, " desirous of 
 breaking through (their lines)." 
 
 474.479. rotf 6L " And these." Observe that roi>f stands here 
 without any government, an anacoluthon taking place similar to the 
 one mentioned in the note on verse 459. a'nr6?.ia TrAare'. " Wide- 
 spread flocks of goats." The reference is to flocks feeding in scat- 
 tered order. Compare the scholiast : ort <5ta<rf dacptva vfyovTai. 
 As regards the expression airro'ht.a alytiv, compare aviJv avBoaia (Od., 
 xiv., 101). wf rot>f. " So these." fiera de. " And among them," 
 t. c., Agamemnon was busily employed among the rest in arranging 
 the forces. o/^uara /cat KfQa/.qv. Alluding to his majestic look and 
 bearing. "Apei 6e ^UVTJV. The term &VTJ, here, does not, as some 
 suppose, refer to the entire armor, but merely to the belt. An ex- 
 pression of strength about the flanks was peculiar to the war-god. 
 (Ndgclsbach, ad loc. Compare Miillcr, Archtzol. der Kunst, p. 544, 
 scqq.) aripvov 6c Hoaeiduuvi. To Neptune was assigned by the 
 ancient artists a great breadth of chest, as the god of the broad 
 Ocean. (Compare Midler, p. 503, scqq.) 
 
 480-483. rjvre /3of aycA^t, K. T. A. " As a bull in a herd is 
 greatly eminent above all, for he is even conspicuous among the 
 collected cattle." The term /3ovf denotes a bull or cow, the animal 
 in general. Homer here adds ravpof to it, to denote especially the 
 bull. Compare CTVC miirpof (II., xvii., 21). kv jroAXotcrt. Not to be 
 connected in construction with ripueaoi. Such an arrangement would 
 be un-Homeric. 
 
 486-493. j?,uf 6e /c/lcof olov, K. T. A. "We, on the other hand, 
 hear report alone, nor know we any thing (for certain)." By K/.SOC 
 is here meant the voice of tradition merely as heard in the songs 
 of bards. OVK uv eju iivOfiaofiai. "I could not tell." Some regard 
 fjivdfiaonai here as the aorist subjunctive, with the shortened mood- 
 vowel, because bvopjvu comes after. This, however, is incorrect. 
 The future pvdqaopai expresses certainty under existing circum- 
 stances (uv) that the poet will not be able to tell the whole number 
 of the mighty host; whereas oi'6' ovoprjvu ("nor do I think I can 
 even name") implies less of certainty, and the existence merely of 
 a reasonable doubt, the naming being, in fact, an easier task than 
 the actual enumeration of the strength of the army. 
 
 dppjjKToe. " Not to be broken," i. c., not to be wearied. ^aA/ceov 
 iifioi, K. T. A. " And though there were within me a brazen breast." 
 Passow, less correctly, renders rjrop here "heart." We have fol- 
 lowed Stadehnann. ftvijaaiaff. "Should mention." For ftvqaaivTo. 
 av, K. T. TL. " Hereupon I will tell," &c. Observe that
 
 232 NOTES TO BOOK II. 
 
 aii has here the force of drj. (Hermann, ad Vig., p. 626, cd. Glasg.) 
 Observe, moreover, that the poet enters at once upon the task of 
 enumeration and naming, without apprizing us whether the Muses 
 have heard his prayer, and have bestowed upon him the requisite 
 powers for the attempt. This seems to be implied as a matter of 
 course. 
 
 NOTES ON THE THIRD BOOK. 
 
 ARGUMENT. 
 
 THE OATHS. THE VIEW FROM THE TROJAN RAMPARTS. THE SINGLE 
 COMBAT BETWEEN PARIS AND MENELAUS. 
 
 THE armies being ready to engage, a single combat is agreed upon 
 between Paris and Menelaus, for the determination of the war. 
 Iris is sent to call Helen to behold the fight ; and, under the guise 
 of a Trojan princess, leads her to the walls of Troy, where Priam 
 is sitting with his counselors, observing the Grecian leaders, on the 
 plain below. At his request, Helen gives the aged monarch an ac- 
 count of the most distinguished of these warriors. The kings, on 
 either side, take, after this, a solemn oath to observe the condi- 
 tions of the truce. The single combat then commences, and Paris 
 is worsted ; but when he is on the point of being dragged away 
 alive by his antagonist into the Grecian lines, Venus comes to his 
 aid, snatches him away in a cloud, and transports him to his own 
 apartment. She then calls Helen from the walls, and brings the 
 lovers together. Agamemnon, on the part of the Greeks, demands, 
 meanwhile, the restoration of Helen, and the performance of the 
 articles of the truce, and the book concludes. 
 
 The day, of which a part was occupied with the events of the 
 previous book, still continues throughout the present one. The 
 scene is sometimes in the plain before Troy, and sometimes in Troy 
 itself. 
 
 1-2. aiirap inel Koapijdev, K. r. X. " But when they were arrang- 
 ed, each (army) along with their leaders." By Knaaroi are here 
 meant the respective armies, Grecian and Trojan, as enumerated 
 in the catalogue at the end of the preceding book.
 
 NOTES TO BOOK III. 233 
 
 K. T. 7i. "The Trojans, on their part, moved along with both a 
 clamor and battle-cry." The term K/layy;? here refers to the va- 
 rious noises made among themselves by a host composed of various 
 nations coming on in tumultuous march ; whereas evccn? denotes 
 the battle-cry, in which they all, from time to time, join. The 
 march of the Trojans, it will be perceived, is a noisy one ; that of 
 the Greeks, on the other hand, silent and orderly. We must not, 
 however, infer from this, that the poet means to represent the Tro- 
 jans as a barbarian race ; a mistake into which some of the ancient 
 commentators have fallen. On the contrary, the people of Priam 
 were far more civilized than their opponents, as appears from the 
 language of Homer himself in other parts of the poem. 
 
 opvidef wj. The point of comparison is in K/layyy, not in any al- 
 lusion to the swiftness of the feathered* race, as some erroneously 
 suppose. Observe the accent in wf, as coming after the word (op- 
 vitfef) on which it depends. Literally, " birds-like." It would be, 
 otherwise, <lif opvifef. 
 
 3-6. ijvre irep K^ay-yrj, K. T. A. " As is the clamor of cranes in 
 front of the sky," i. e., high in air ; just this side of the vault of 
 heaven. Compare the scholiast : kv rw vno TU vtyrj Toiry. The suf- 
 fix #t, when appended to nouns, as is at times the case in the Epic 
 language, forms, with the noun, a species of genitive, as in the pres- 
 ent instance, and sometimes an instrumental dative. Hence oiipa- 
 vodt xpo is equivalent here, in some degree, to the later npo ovpavov. 
 (Kuhner, 377, 2, 7.) air'. An anacoluthon. This nominative 
 has no verb with which to agree, since its place is supplied by raiye 
 in the succeeding line. x fl P<-> va - "The wintry-storm," t. e., the 
 cold and stormy season of winter. The reference is to the migra- 
 tion of the cranes to southern climes, at the approach of winter. 
 
 Khayyri raiye Trerovrat, K. T. A. " With a clamor do these wing 
 their way toward the waters of Oceanus." The genitive is em- 
 ployed after verbs signifying a rapid motion toward some object, a 
 construction often met with in Homer. The adverbial eni is mere- 
 ly added here to mark more specifically the line of direction. So 
 in later Greek, where the prepositions have their proper force as 
 governing words, we find the following: TTAEIV ent "Zapov (Thucyd., 
 i., 116) ; kirl Su/adeuv (jtevyeiv (Xen., Cyrop., viii., 2, 1). Compare 
 Kuhner, t) 507, and 633, 1, ed. Jelf. 'QKtuvoto pouuv. Homer's 
 Oceanus is a large river encircling the round plane of the earth. 
 (Consult note on verse 423, book i.) As the flight of the cranes is 
 here from the wintry storm, their line of direction is toward the re- 
 gions of the south. 
 
 U2
 
 234 NOTES TO BOOK III. 
 
 Tlv/ft.aioiai, K. r. A. The warfare between the Pygmies 
 and the Cranes is a well-known fable, respecting which, consult 
 Anthon's Class. Diet., s. v. Pygmaei. <f>6vov xal Ki/pa Qepovoat. 
 Compare book ii., verse 332. 
 
 7-9. rjspiai 6' upa raiye, K. T. ?.. " And so they bear onward be- 
 fore them, early in the morning, pernicious strife." We have given 
 Tjepiai here the meaning for which Buttmann contends, on the au- 
 thority of the ancient grammarians. (Lcxil., s. v. arjp, rjepiof.) The 
 common, but erroneous, translation is, " through the air." Voss 
 renders it, "in the hazy dawn of morning;" respecting which, con- 
 sult Buttmann, /. c. KpotpEpovrai. Observe the force of the middle. 
 
 oi 6' up' loav, K. T. 7.. "But the others thereupon, the Greeks, 
 (namely), went along in silence, breathing rage." Observe the pro- 
 nominal force of oi, with which word 'A%aioi is in apposition. Aulus 
 Gellius, in his explanation of this passage, refers ai-tf to fisvsa TTVE'IOV- 
 Ttf, which Heyne very justly condemns. (Aul. GclL, i., 11.) fj.tfj.a- 
 uTef. This participle occurs here without any copula, since it is 
 merely explanatory of irveiovref, &c. 
 
 10-14. evre Norof /care^evev. " As the south wind is wont to 
 spread." Literally, " is wont to pour." Observe the force of the 
 aorist in denoting what is wont to happen. Observe, also, that evre 
 stands here for the more ordinary r/v-e. This, indeed, is denied by 
 Buttmann, who makes evre the adverb of time, and equivalent to ore, 
 but IJVTE the adverb of comparison, and asserts that they are never 
 used for one another. He therefore proposes to read ijiir" opeoc, 
 making rjin', in scanning, one syllable by synizesis. Spitzner, how- 
 ever, successfully defends the common reading evre in the sense of 
 i?t5re, and denies, from Apollonius (De Adv.,p. 560, 1, seqq.), that f/vre 
 can be contracted into two syllables. 
 
 KKiisTi) 6e re VVKTO^ aiieivu. " But better to the thief than even 
 the night." Because he can steal with a better chance of success 
 amid the mist, since the flocks and herds are at large during the 
 daytime, but shut up during the night. roacov rif T' sTTiXevaaei, K. 
 T. 2.. " And one looks over (only) as great a space as he even 
 throws a stone over," i. e., and one only sees before him to the dis- 
 tance of a stone's throw. Observe the peculiar force of exi here, 
 both in composition and out of it. Literally, "upon." 
 
 <5f upa ruv VTTO, K. T. ?,. " Just so, beneath the feet of these, as 
 they came onward, the eddying dust kept rising," t. e., the dust rose 
 in clouds from beneath their feet as they moved along. There is 
 considerable doubt whether we ought to read here ue/^f or uHtyf, 
 the former being the adjective, the latter the genitive of UE/.AO.
 
 NOTES TO BOOK III. 235 
 
 The adjective occurs nowhere else ; while the expression 
 Aof ue/Uj/f, " the dust of an eddy," . e., eddying dust, can easily 
 be endured. Buttmann, on the other hand, writes ae/l/t^c, con- 
 tracted from dfW^f. (Ausf. Gr., i., p. 172, not.) We have re- 
 tained, however, the common reading with Spitzner and others, 
 though it is an extremely suspicious one. noviaahof. The common 
 form is Koviffaatof, which we have altered with Heyne, Wolf, Spitz- 
 ner, and others. 
 
 iredioio. The genitive of place is almost wholly confined to poet- 
 ry. The place in this construction seems to be conceived of by the 
 speaker as a necessary condition to the notion of the verb, and 
 therefore antecedent to it, whence it in some sort arose. Hence, 
 especially in Epic, we find verbs of motion with a genitive of the 
 way over which the motion proceeds, and which is conceived of as 
 a necessary condition of the motion. There are various other ways 
 of explaining this very difficult construction, one of which is to take 
 the genitive as a partitive. (Kuhncr, 522, ed. Jelf.) 
 
 16-20. Tpualv (iev apofidxi^ev, K. r. h. " For the Trojans, indeed, 
 the godlike Alexander advanced to battle among the foremost com- 
 batants." Paris appears on this occasion as a Trpo^a^of, or Trpopof, 
 a name given to one who fights in the foremost rank. Paris was 
 not without valor, but he was easily intimidated by an opponent. 
 'AA^favdpof. Paris had the name of Alexander given him by the 
 shepherds of Ida, while himself a shepherd, from his defending them 
 against the attacks of robbers. ('AAefavdpof, " man-defender," from 
 ti/lffu, "to defend," and avrjp, "a man.") He had been exposed, 
 when an infant, on Mount Ida, in consequence of a dream which 
 his mother Hecuba had while pregnant of him, and was saved and 
 brought up by one of the shepherds of the mountain. Hecuba 
 dreamed that she had been delivered of a blazing torch, which 
 wrapped in flames both Troy and the woods of Ida. 
 
 napdaMriv. " A panther's skin." Properly an adjective, with 
 dopiiv understood. As regards the irupdafac, consult Dictionary of 
 Antiquities, p. 733. We have here a remnant of an early, and, at 
 one time, very general custom, namely, that of wearing skins or 
 hides for defensive armor. The mode of wearing the lion's skin, 
 for example, is shown in two small bronzes of very high antiquity, 
 and which are copied in the woodcut on the next page. 
 
 KafinvXa r<5?a. The plural of excellence, or the plural for the singu- 
 lar, with the accompanying idea of goodness of quality, and strength. 
 avrap 6. "But he," i. e., he, moreover. The particle avrap is 
 here employed in the beginning of a sentence, to express a rapid
 
 23(5 
 
 NOTES TO KOOK III. 
 
 continuation of the subject, and to serve as a connecting link be- 
 tween npo^u^EV and TrpoKa/Ufero. KeKopvOpEva ^a/l/cu. " Headed 
 with brass." More literally, "tipped with brass." Consult note 
 on book ii., verse 457. npoKa^ero. " Kept challenging." u.vrL6tov. 
 " Face to face." 
 
 21-29. 'Aprifydof. " Dear to Mars." An Homeric epithet for a 
 valiant warrior. fiaxpa fiifitivra. " Striding with long steps." 
 uare "kf.uv c^dpj;, K. T. A. " Even as a lion is wont to rejoice, having 
 lighted upon a large carcass." Observe the force of the aorist in 
 ^up^, as denoting what is habitual or customary. The lion never 
 touches a dead carcass unless driven thereto by severe hunger. 
 Hence the propriety of iretvduv in the text, since, according to the 
 scholiast, Horner uses ati^a in speaking of dead bodies only, the 
 Homeric term for a living one being d^uaf. KEIVUUV. " In his 
 hunger." Literally, " being hungry." The term neivuuv not only 
 explains why he touches the dead carcass, but also why he cares 
 not for hounds or hunters. 
 
 fjM^a. " Greedily." elirep av avrov, K. r. A. " Even though both 
 swift dogs and vigorous youths bestir themselves after him." Ob- 
 serve the force of the middle, in first indicating reflexive action, and 
 then governing an external object, the accusative avrov expressing 
 with reference to what this bestirring of themselves takes place. <3f 
 eAoof. " So Menelaus was rejoiced." 0aro -yap riaeaOai 
 " For he thought that he would take vengeance on the
 
 NOTES TO BOOK III. 237 
 
 wicked one." Observe the force of the middle in (j>uro : literally, 
 ' he said unto himself," i. e., he said within his own breast. n'<rf<r- 
 dai. We have given this reading with Wolf, Heyne, Spitzner, and 
 others, in place of the earlier one riaaadai. It is doubtful, however, 
 after all, whether this last ought not to be retained ; for the aorist, 
 like the perfect, is used to express future events which must cer- 
 tainly happen in the opinion of the speaker or actor. Compare 
 Kuhncr, 403, 2, cd. Jelf. e o^rwv. " From his chariot." 
 
 30-32. Tdv. " This warrior." ev irpofidxoiat. " Among the 
 foremost combatants." Consult note on verse 16. KarEir'kfiyr] . In 
 the compounds of Trljoau, having the sense of " to strike with dis- 
 may or astonishment," the second aorist is written with a in the 
 penult. Here, however, the poet, for the sake of the metre, has rj 
 instead of a. (Buttmann's Irregular Verbs, p. 216, ed. Fishlake.") 
 edvof. "The throng." f^dfero. " He began to retreat." 
 
 33-36. (if 6' or?. " And as when." rra^ivopaof uncarti. " Spring- 
 ing back, removes out of the way." Observe the aorist here em- 
 ployed to express what usually happens in such cases, and, there- 
 fore, as on previous occasions, rendered by the present. viro re 
 rpouof I7.7.af>e yvta. " And trembling seizes on his limbs beneath." 
 Here, as often before, there is nothing that compels us to have re- 
 course to a tmesis. Compare Kuhncr, 619, a. uip f uvexupijatv. 
 " Back he both retreats." This enlarges on inrtart}, where it was 
 merely said that he removes out of the way. Now, however, he 
 makes a full retreat. fuv elJit irapeiu$. On this construction, con- 
 sult note on hook i., verse 236. 
 
 avn^fdv. " Plunged back." Tpuuv dyrpu^uv. "Of the haughty 
 Trojans." Buttmann regards this term as indicating that love for 
 external display which was so characteristic of the Asiatic nations, 
 the word being principally used by Homer as an epithet of Asiatics. 
 (Lezil., t. v. uyrpuxof.) 
 
 39-40. Ai5f napt. " Evil-bringing Paris," i. e., Paris, source of 
 evil unto thee and thine. The prefix 6vf here denotes something 
 hateful, and to be viewed with more or less of aversion and abhor- 
 rence. Hence the translation of " unhappy Paris," given to the 
 term in question by most editors, does not convey the true and full 
 meaning of the word. Compare Eurip., Orcst., 1388, AwcAevac, and 
 Lobcck, Par., p. 545. 
 
 alff 66t?.Ff uyovor r" i-^uevai, K. r. 7. " Would that either thou 
 wert unborn^ or hadst perished unmarried " More literally, " Oh 
 how thou oughtest to be either unborn or to have perished unmar- 
 ried." Observe that 6<t>e%ov (with the augment u^f^ov) is only employ-
 
 238 NOTES TO BOOK III. 
 
 ed where one wishes for a thing which has not taken place, is not now 
 taking place, and is not about to take place. (Hertn. ad Viger., p. 
 756.) uyovof. Some make this term equivalent here to " ad prolem 
 gencrandum inhabilis." Such a meaning, however, can, hardly suit 
 the context. The more usual force of uyovo? is 6 pj yevvuv, or 
 uTEKvof, i. e., " childless," a meaning which Augustus gave it, who 
 is said to have often quoted the line, with a slight change, as ap- 
 plicable to his own domestic troubles : aiff otyehov uya/iof r' epevat, 
 uyovof r' uxohcaOai. Compare Sueton., Vit. Aug., 65. 
 
 41-42. KOI KE TO povAolpijv. " I would both prefer this," i. e., the 
 fulfilment of such a wish. %.tJ6r}v KOI vTroifjiov uTJMv. " A scandal, 
 and an object of angry distrust unto others." We have given 
 VTTO^HOV, with Wolf and Spitzner, as far preferable to the ordinary 
 reading STTO-^IOV, "a spectacle." The former is sanctioned also by 
 the authority of Eustathius, some of the scholiasts, and Apollonius 
 in his Homeric Lexicon. The latter reading was given by Aristoph- 
 anes and Herodian. The idea intended to be conveyed by vTro-^cof 
 is that of one who is regarded by others from under brows contract- 
 ed by angry distrust. 
 
 43-45. fj TTOV. "Assuredly, if I mistake not." These two parti- 
 cles, of which TI is affirmative and KOV conjectural, express a de- 
 gree of probability amounting almost to certainty. They do not 
 coalesce into one word ; if they did, f) would have the acute accent. 
 Kayxahouai. "Will raise the loud laugh." The present has here 
 the force of a future, the certainty of the event's taking place being 
 so strongly established in the mind of the speaker. Compare Kuhner, 
 437. ovveKa xaAov d6o$ In'. " Because a handsome parson is 
 upon thee," i. e., because a handsome exterior is thine. U^KJJ. 
 " Vigor." 
 
 46-51. f) roioade euv. " Didst thou, being such a one." Observe 
 that TI belongs in construction to uviiyef. epiijpae. According to 
 Buttmann (Lexil., s. v. fjpa), the form spir/psf, in epiijpef eraipoi, is 
 nothing more than a metaplasm for epiijpoi, a change very conceiv- 
 able in those times, when forms were not much regulated by an- 
 alogy, and when, consequently, that which was more agreeable to 
 the mouth and ear was frequently preferred to that which was more 
 analogical. /;t0c- " Having intermingled with," . e., having gone 
 among. The passive for the middle. 
 
 ! tt7r/7?c yairje. "From a distant land," i. e., from Greece. Ob- 
 serve that uTrtof is here an old adjective from airo, liko civrt'of from 
 dvTi. We must not confound the urny yairj of Homer with the 
 yij of the Tragic writers. The latter is based on an old legend
 
 NOTES TO BOOK III. 239 
 
 alluded to by ^Eschylus in his Supplicea (t>. 275), and refers to the 
 Peloponnesus, as the residence in early ages of a king named Apis. 
 Besides, the a is short in a-in, whereas in 'Am'a the initial vowel is 
 long. (Bu.ttma.nn, Lcxil., s. v. '\nirj yam.) vvbv uvdpuv alxp.rtru.uv. 
 " Related by marriage unto warrior men." The term w6f properly 
 denotes " a daughter-in-law," like the Latin nurus. Here, however, 
 it is taken in a wider sense, and denotes a female related by mar- 
 riage. The " warrior men" alluded to are the monarch Agamem- 
 non and his immediate kindred. Heyne, however, regards uvdpuv 
 alxurjTduv as the plural of excellence, and refers it to Agamemnon 
 alone. 
 
 Ttarpi re (Tcj, K. T. ?.. The accusatives Tr^ua, ^up/za, and KO.TJJ- 
 ^teiijv, are epexegetical, being added, by a species of apposition, to a 
 preceding predicate, in order to mark a result. They stand, there- 
 fore, for wore elvai rrijfia, &c. KaTntyeirjv. "A source of shame." 
 This term lefers strictly to a casting of the eyes downward through 
 shame. 
 
 52-55. OVK av Jj? peivecaf. " Couldst thou not, then, wait one in- 
 stant for," i. e.. for one instant withstand. Observe the momentary 
 action indicated by the aorist. yvoiijf %'. " Thou wouldst have 
 known, in that event." Observe the force of KC. OVK dv TOI xpcuffy, 
 K. r. A. " The art of playing on the lyre, &c., would not aid thee, 
 whenever thou mightest be mingled in the dust." Observe the dis- 
 tinction here between the subjunctive and optative. The latter in- 
 dicates a result that is more or less doubtful, the former one that is 
 more or less certain. Hector means, that should Paris ever bite the 
 dust, or, in other words, be dashed to the ground by an opponent, 
 he will certainly find his skill on the harp, &.C., of no avail. Com- 
 pare the remark of Hermann, (Opusc., vol. ii., p. 32) : " Sed placuit 
 Gracis, de prascnti futuroee cansilio fere turn optativo uti, si e/ectus 
 dubius esset ; sin minus, potius conjunctiva vtunlur, ut qui rei vere 
 futurce prasentisve notioncm confincdl." niOapif. As no other men- 
 tion is made elsewhere, in the poetry of Homer, of the lyre of Paris, 
 or his performance upon it, some of the ancient commentators read 
 Ki6api in this passage, instead of Kiflapic, by Kidapie being meant a 
 species of tiara with upright peak. Horace, however, speaks of the 
 lyre of Paris, in one of his odes (i., 15, 15), and in all probability 
 derived the allusion to it from the present passage of Homer. Con- 
 sult also Plutarch, Vit. Alex., c. 15. 
 
 56-57. deidqftovef . Supply eiaiv. rj re KEV f)6i), K. r. A. " Other- 
 w ise thou wouldst even before this have put on a stone tunic," j. e., 
 thou wouldst have been stoned to death. Koppen and others un-
 
 240 NOTES TO BOOK III. 
 
 derstand this, less correctly, of being buried in the earth, and cov- 
 ered with a heap of stones, according to the common rites of inter- 
 ment. 
 
 59-63. end pe /car' alaav, K. r. A. " Since thou hast reproached 
 me in accordance with what is fitting, and not beyond what is fit- 
 ting, (I will submit)." Observe the simplicity of the early language 
 in the peculiar phraseology, KOT" alaav, ovd' inrep alaav, and more 
 particularly observe the want of a final clause to the sentence, which 
 we have supplied in a parenthesis. Notwithstanding this ellipsis, 
 however, the colon is required at the end of the line. 
 
 uTEipr/f. " Enduring." This adjective literally denotes some- 
 thing not to be rubbed or worn away, or, in other words, indestruc- 
 tible. It is strictly used of brass or iron, but in the present passage, 
 figuratively, of a heart which nothing can daunt or subdue. 6? r' 
 clai. " Which makes its way." Observe that re here is a remnant 
 of the older language. The relatives in the earliest language were 
 nothing but demonstratives, which, therefore, needed to be joined 
 by re (thus, of re, " and this"). When they themselves obtained a rel- 
 ative force, re was dropped as superfluous ; but in Homer, this had 
 not yet been fully done, and hence it is that ocrrf, #re, ore, &c., are 
 still so frequent in him, while in Attic nothing of this usage re- 
 mained except the particles are, hare, and the phrases oZof re, e<jf 
 tire. 
 
 vif avepof. "Under the hand of a man," i. e., by the power of a 
 man. 5f pu re, K. r. ^,. "Who, namely, may be hewing out by his 
 art a piece of timber for ship-building." The particle pa, appended 
 to the pronoun 6f, serves to make the reference more exact and 
 pointed. Hence of pa will literally be, "just the one who." As 
 regards the particle re, consult note on 6f r" elai, in this same verse. 
 EKrapvriaiv. Some read eKTupvrjaiv, the present indicative, but 
 the subjunctive is the trne mood here, as Hermann conclusively 
 shows. (Opusc., vol. ii., p. 54.) The quality of hardness always 
 remains in the axe, as a permanent quality, and would require the 
 indicative, as explanatory thereof. But this same quality does not 
 display itself, except when some one may proceed to cut any thing 
 with the axe. b$i/.fai 6'. "And increases." Connected with 
 oar' daiv. wf aol hi, K. r. A. " So for thee is the intrepid mind in 
 thy breast," i. e., as unyielding as iron. We have read aoi, with 
 Spitzner, instead of the common rot. 
 
 64-66. pri fj.ot TipoQcpe. " Do not reproach me with." More liter- 
 ally, " do not bring against me," t. e., do not throw into my teeth. 
 By " golden" is here meant nothing more than lovely and
 
 NOTES TO BOOK III. 241 
 
 fair. Wolf incorrectly refers it, with one of the scholiasts, to the 
 golden ornaments supposed to be worn on the neck and arms of the 
 goddess. tituv 6' OVK ui> rtf &.OITO. " For one might not select 
 them of his own free will," i. e., by his own means, or of himself. 
 Equivalent to the Latin arbitno suo. The meaning of the whole 
 passage appears to be this : The gifts of the gods unto men, or, in 
 other words, the endowments of nature, ought not to "be made a 
 subject of reproach unto any one ; they have been bestowed in the 
 good pleasure of the gods, and man had no voice in their selection. 
 
 67-70. vvv avf. "Now, however." Observe the force of avre. 
 The meaning of Paris is this : I have, it is true, retreated among 
 the Trojans from before Menelaus ; but I will return to the fight, 
 and will engage with him if thou wishest. u/.?.ouf IJLEV nadiaov, K. T. 
 A. " Make the other Trojans, indeed, and all the Greeks, to sit 
 down." As the Greeks are here included, the imperative KuBioov 
 implies not so much a command as the result of an arrangement. 
 Observe the force of the active : to cause others to sit down. In 
 the middle, to cause one's self to sit down. aiirap fy*' iv peaau, K. 
 T. A. " But do ye match me and Menelaus, dear to Mars, together 
 in the midst, to fight about Helen and all her possessions." Ob- 
 serve the plural number in avp6d/.leT, as applying, not to Hector 
 merely, but to the other leaders also, both Grecians and Trojans. 
 r.v ficeou. Referring to the open space between the two armies. 
 KTrifiaaL iruai. Helen is said to have brought away with her from 
 Sparta much rich apparel and treasure. 
 
 71-75. oienorepof. " Whichever of us two." upeiaauv. "Supe- 
 rior." eTiMv EV. "Having taken, according to fair agreement." 
 Passow makes ei> here strengthen the meaning of xavra, " all at 
 once," "all together," but this seems inferior. oi <5' uP.Aot, <pt/l6- 
 TTjTa, K. r. A. " But may ye, the rest, having entered into friend- 
 ship, and struck a faithful league, continue to inhabit the very fer- 
 tile plain of Troy, while let them return," <kc. Observe the zeugma 
 in fMrtiTa, &c., where we have the particular notion of " striking," 
 as the general notion of entering into or forming. Compare Kuhncr, 
 $ 895, d., cd. Jdf. Consult, also, note on book ii., verse 124. Tpoirjv. 
 From the epithet fpifohaica, it is evident that the region, not the 
 gity merely, is meant. vaioire. Observe the employment of the 
 optative to express a wish. Ka~/.t.i.yvvaiKa. An epithet, the em- 
 ployment of which well accords with the character of the speaker. 
 'A.\au6a. "Achaea." Literally, "the Achaean land." Supply 
 yijv or x^P av - By this is meant northern Greece, and especially 
 Thessaly ; so that " Argos" and "Achaea," in the language of Ho- 
 X
 
 242 NOTES TO BOOK III. 
 
 mer, stand for all Greece. Consult, as regards Argos, the note on 
 book ii., verse 108. 
 
 76-81. avT 1 . "On his part." xai pa. "And accordingly." 
 uviepye. " He began to keep back." fiecaov 6ovpbs s/.uv. " Having 
 grasped his spear by the middle." Observe the employment of the 
 genitive here, as indicating a part. This verse does not appear in 
 the Venice manuscript, but is defended by Wolf (Praf. ad cd. nov. t 
 p. IIL.) iSpvvOjjoav. "Were made to sit down." Some regard 
 this as the passive for the middle, " seated themselves." t-srofuC- 
 ovro. " Began to direct their bows." lolci re TirvffKofievoi, K. T. 7.. 
 " And, taking aim, were throwing at him with both javelins and 
 stones." 6 aval; uvdpuv. " The hero, the king of men." Observe 
 the pronominal, or demonstrative force of 6. 
 
 83-85. iff%eaff. " Restrain yourselves." More freely, " hold.'' 
 p) f3uA.7.T. When pi is joined with the present of the imperative, 
 it refers to the ceasing from some action already begun. Compare 
 the force of efaHov in verse 80. (Hcrm. ad Vigcr., p. 809.) arev- 
 rai ytip TI Irrof spitiv, K. r. ?.. " For Hector, of the glancing helm, 
 shows by his attitude that he is about to utter some word." The . 
 literal meaning of arrifiat is "to stand on the spot," then " to stand 
 in a place, as if to do something," " to give signs of something by 
 one's attitude and bearing." Kopvda.i67.os. Literally, " moving the 
 helmet quickly." /zer' uptooripotai. " In the midst of both armies." 
 Kuhner, f; 636, 11, ed. Jelf. 
 
 86-95. Ksi&v-e fiev. " Hear from me." fiv&ov. " The proposal." 
 veiKOf. "This quarrel." Referring to the war itself. nil.ETai. 
 " He bids." rev^ea KuX' a-xo&iadat. " To lay aside their fair arms." 
 Observe that the idea of " their" comes from the middle voice. 
 otovf. " Alone," i. e., in single combat. O.KTJV k-yivovro muxy. " Be- 
 came quite still in silence." A pleonasm of frequent occurrence. 
 According to Buttmann, U.KTIV is here an adverbial form from ^aciv, 
 %aivEiv, confirmed by the analogy of aTrpiuTrjv. 
 
 97-102. KK?.vT trvv KOI ifiEio. " Hear now me also." [lii/.ttrra jup 
 aAyoc, K. T. A. " For especially does sorrow come unto my soul." 
 Observe the accusative -frvubv, as denoting motion toward an ob- 
 ject. <t>povsu tie 6iaKpiv6ri[tn>ai, K. T. 2,. " And I purpose that the 
 Greeks and Trojans be from henceforth separated," i. e., be parted 
 as combatants, and reconciled to one another. teal 'A?.e<m5pov 
 EVCK' apx?if. " And on account of the beginning of Alexander," i. e., 
 on account of the conduct of Alexander, which gave a beginning to 
 the whole war. Heyne and others make iipx?is to be in apposition 
 with 'AAefuvfyw, and to govern r^f epidof understood : " and on ac-
 
 NOTES TO BOOK III. 243 
 
 count of Alexander, the beginning of it." This, however, appears 
 less natural and Homeric. The construction which we have given 
 is favored, moreover, by the scholiast in the Ven. MS., namely, tia 
 [levroi rov even' upxf/G cvdeiKwrai on irpOKdTijp&v. (Consult Neue 
 Jahrb.fur Phil., &c., vol. xxxiv., p. 370.) 
 
 Te6vai7). " May he lie dead." Observe the continued meaning 
 expressed by the perfect. Matthia, 500. uAAot <5e 6iaKpiv6elre 
 Tuxtara. " But may the rest of ye be separated very speedily." 
 Observe, as in the previous clause, the employment of the optative 
 to express a wish. 
 
 103-104. olaere 6' upv'. " But bring two lambs." Observe that 
 Zpv' is in the dual, for upve. Some regard olasrs here as the future 
 of the imperative ; but, in reality, all imperatives are more or less 
 future in their character. The true doctrine is laid down by Butt- 
 mann, who regards OICETE in this verse, and afere in the 105th, as 
 aoristic imperatives, used in both Epic and Attic writers. (Ausf. 
 Gr., 96, 10, p. 418, scq. Compare Kuhner, t> 176, 2.) Irepov XEVKOV. 
 " The one a male, of white color." The black is for Earth, the white 
 one for the Sun. OIGOJUEV. The future of <]>tpu. 
 
 105-107. ufere <5e ITpm/^oio /Birjv. " Bring also the powerful 
 Priam." Literally, "the power of Priam." The reference is not to 
 physical strength, but to resources as a monarch. Observe the pe- 
 culiar construction in the text, which is, however, confined to poet- 
 ry. Adjectives denoting the qualities of human beings, animals, 
 &c., are often changed, in this way, into substantives, which gov- 
 ern another substantive in the genitive. opicia rafivij airof. " May 
 strike a league in person." Consult note on verse 73. vTripfyia'Xoi. 
 " Overbearing." The meaning of this term has been very ably set- 
 tled by Buttmann (Lexil., s. v.). Awf opicia. "The league of 
 Jove," i. e., the league in the making of which Jove was invoked ; 
 or, in other words, the league ratified in the name of Jove. 
 
 108-110. aid T/spsOovTat.. " Are ever fluctuating," i. ., turn with 
 every wind. The literal meaning of j}epe6ofiai is to hang, float, or 
 wave in air. Consult note on verse 448, book ii. otf 6' 6 yepuv 
 fje-triaiv, K. r. A. "But in whatsoever things the old man takes a 
 part, he at the same time looks forward and backward, in order 
 that by far the best results may accrue unto both parties." More 
 literally, " between both parties." The old man exercises cautious 
 wisdom. He regards both the past and the future, and derives 
 lessons from the former for duly entering upon the latter. The past 
 shows him, that they who violate solemn engagements are pun- 
 ished ; and hence he avoids such transgression in his own future 
 proceedings.
 
 244 NOTES TO BOOK III. 
 
 113-115. Inxovf pev epv^av crrl (m^af. " They reined back their 
 steeds unto the ranks (of the foot-soldiers)." We have given here 
 the explanation of Buttmann (LexiL, p. 101, ed. Ftshl.), which ap- 
 pears far superior to that of Stadelmann, who makes e-2 or/^af sig- 
 nify "in rows." in 6'. "And forth (from their chariots)." bfoyij 
 6' f/v u[t$l( upovpa. " And around (each pile of arms) there was a 
 little space." Consult the remarks of Buttmann on this passage 
 (Lexil. p. 102, ed. Fishl.). Some erroneously refer dpovpa to the 
 space between the two armies. 
 
 118-124. avTup. "While, on the other hand." upv'. Accusa- 
 tive singular, for dpva. oiaifievai. Consult note on verse 103. 
 T J/wf (5* <u>#'. " But Iris, in the mean time." eidopevij yaAoif). "Mak- 
 ing herself like unto her sister-in-law." The corresponding term 
 to yaAocjf, in the masculine, is daijp. 'A.vT7jvopi6ao 6u.fj.apri. " An- 
 tenor's son's wife." cl^e. "Possessed." More literally, "was 
 holding," t. ., in marriage. Aaodinrjv. We would expect the da- 
 tive \ao&iiv), as agreeing with 6u.fj.apTi., but the accusative is made 
 to depend, by a species of attraction, on TTJV (for TJV) as governed by 
 elxe. 
 
 125-128. TIJV 6'. " And this female." 7} Jc. " For she." vfaivs. 
 Weaving was in those early ages the employment of even the no- 
 blest females. di-xAOKo. Kopfyvpeyv . " A double cloak of bright- col- 
 ored hue." With din^ana some understand ^Aau-av, while others 
 regard it at once as a substantive. The latter mode of parsing is 
 the simpler one. So, again, opinions are divided with respect to the 
 meaning of the term " double." Some make it the same as " with 
 double woof;" others think that the ground was white, and that 
 bright-colored figures were worked upon this. Aristarchus, how- 
 ever, regards the <5/-/la merely as a cloak of double fold, TJV ian 
 dinXf/v afi^ieaaa6ai, and his opinion is probably the true one. (Com- 
 pare Neue Jakrb. fur Phil., vol. xxxiv., p. 370.) 
 
 evsKaaoEv. " She was working in it." The literal meaning is 
 far more graphic and poetical, and, perhaps, ought to be preferred 
 here : " She was sprinkling on it." A beautiful expression, cer- 
 tainly, for skilful and artist-like execution of a work, or, in other 
 words, for light and graceful weaving. 6ev e're/r'. For iavTijg 
 Ivena. Crusius makes it stand for avrijc evena, but the accentuation 
 of IBev shows this to be erroneous. in? "Aprjof xa'Aafuiuv. Old 
 mode of expression for VKO TOV Tro7*ip.ov. 
 
 130-138. vvfupa <j>iAT). " Dear lady." The Epic, or, rather, Ho- 
 meric lonismus forms the vocative here with the final vowel short 
 This term V\>H<J>T) properly denotes a bride or young wife.
 
 NOTES TO BOOK III. 245 
 
 Here, however, it is used in a general sense for a female, though 
 with an accompanying expression of tenderness, which is not found 
 in ywr). dtaK&a Ipya. "The strange doings." Observe that 
 deanel.a does not signify here " divine" or " godlike," as some er- 
 roneously pretend, since, as early as the time of Homer, this sense 
 was confined to the full form tfeofY/ceAoc, so that tff'ff/cfAof was only 
 used in general for " marvelous," " wondrous," " strange," and al- 
 ways of things, as tfcom-cAof always was of persons. 
 
 oi Trplv k ?r' u/Jjloiai, K. r. A.. " They who, before this, were ac- 
 customed to wage the tearful contest, &c., these now sit in silence." 
 We have adopted the punctuation of Spitzner in verse 131, namely, 
 a colon after xabnoxiTuvuv. This will make oi, in verse 132, a 
 species of nominative absolute or anacoluthon, its place being sup- 
 plied by oi in verse 134. daniat ntK}.L(iivoi. " Leaning on their 
 shields," i. e., supporting themselves, while in a sitting posture, 
 against their shields. Observe the employment of the passive for 
 the middle in KEK}.I[ICVOI. napa. " By their sides." Observe the 
 adverbial force of this term. vimiytv. " Stand fixed (in the 
 ground)." Observe the meaning of continuance indicated by the 
 perfect ; and compare the Latin "(kastce) deface sunt." 
 
 avrup. "Meanwhile, however." ru 6e KS viK^aavrt, K. r. A. 
 " And thou wilt ever be called his beloved consort for whichever one 
 shall have conquered." The particle KE points to the condition im- 
 plied in viKTJaavn. Observe, moreover, the peculiar force of the 
 third future /ce/cAjyffy, in expressing the continuance of an action in 
 its consequences and effects. (Kiikncr, 407, 1, ed. Jdf.) ru 
 vucfjaavTi. The dative of advantage. (Kuhner, 597, ed. Jdf.) 
 
 139-141. ytoKvv Ipepov avtpbf, K. r. A. "A pleasing desire both 
 for her former husband," &c. Referring to Menelaus. Observe 
 that dvfyof, ddreof, and TOKJJUV, are all genitives of the object. ap- 
 yewyai Kahinfjapeii) bQovyatv. " Having enveloped herself in a white 
 robe." Observe here the use of the plural for the singular, to indi- 
 cate a long, flowing robe. The material of the bQovr] was generally 
 linen. In the present instance it would seem to have been a sheet 
 of fine linen, wrapped round the person so as to cover the head while 
 it enveloped the body, as is seen in the centre figure of the following 
 group, on the next page. 
 
 142-145. Kara x^ovaa. " Pouring down." Observe the adverbial 
 force of KOTO. OVK olij. " Not alone," i. e., unattended. Females 
 of rank always appear in public, in Homeric times, accompanied by 
 attendants. Such attendants were generally themselves of superior 
 birth. jEfhra was the daughter of Pittheus, king of Troezene, who 
 
 X2
 
 246 
 
 NOTES TO BOOK III. 
 
 gave her in marriage to ^Egeus, king of Athens, unto whom she 
 bore Theseus. She was taken prisoner by Castor and Pollux, the 
 brothers of Helen, when they rescued the latter from the hands of 
 Theseus. ^Ethra, therefore, followed Helen from Greece, and must 
 have been very old at this time, on which account some of the an- 
 cient commentators thought the present line spurious. Among the 
 moderns, Bentley and Heyne are of the same opinion, which is, very 
 probably, the true one. Of Clymene nothing is known. (Consult 
 Heyne, ad loc.) 
 
 S/tam? Ttvhai. " The Scaean gates." This was the name given 
 to the western gate of Troy ; the term, however, literally means 
 "the left." The Greek augur always turned his face northward, 
 and so had the west on his left ; hence the interchange of the two 
 meanings. The Scaean gates faced the Grecian camp. 
 
 146-1-19. ol 6' ufHbl Upiapov, K. r. %. " But Priam and Panthous, 
 &c., and Hicetaon, an offshoot of Mars, and their respective attend- 
 ants, and Ucalegon and Antenor, both discreet, were seated, elders 
 of the people, at the Scaean gates." Observe the construction oi 
 afi$i with a proper name to denote the individual designated, to- 
 gether with his followers. Some, in translating the present pass- 
 age, merely give the proper name without any mention of attend- 
 ants. This, however, is erroneous ; since the employment of oi 
 apfyi with a proper name to denote the person merely without his 
 attendants, &c.,does not occur until the time of the Attic writers. 
 (Kuhner, $ 436, p. 92, ed. Jelf.) 
 
 UuvBoov. Panthous was originally a priest of Apollo at Delphi, 
 whence Antenor, who had been sent to consult the oracle, brought
 
 NOTES TO BOOK III. 247 
 
 him to Troy, where Priam made him priest to the same god. He 
 married the daughter of Clytius, mentioned in the succeeding verse, 
 and became the father of Euphorbus, Polydamas, and Hyperenor. 
 This account of Panthous, however, is generally regarded as a post- 
 Homeric fable. 
 
 Qvp.oiTT)v. Thymcetes, according to Diodorus Siculus (iii., 66), 
 who gives, however, no authority for the truth of the statement, 
 was a son of Laomedon, and, consequently, a brother of Priam. 
 Larnpus, Clytius, and Hicetaon were also sons of Laomedon. (//., 
 XX., 138. Apollod., iii., 12, 3.) Qvna^ijuv re nal 'A.vrjfvup. Virgil 
 makes a passing mention of Ucalegon (Mn., ii., 312). Antenor, son 
 of ^Esyetes, was one of the wisest of the Trojan princes, and rec- 
 ommended again and again, but to no purpose, the restoration of 
 Helen. According to the post-Homeric account, he was suspected 
 of having aided the Greeks in the capture of the city. After the 
 fall of Troy, he led, according to the same authorities, a colony to 
 Italy, and founded Patavium, the modern Padua. 
 
 dripo-ytpovTef. This term marks them as the heads of leading 
 houses among the Trojans. fal I,Kaiyffi vvfyac. They were seat- 
 ed on the ramparts over the gate. Compare verse 153. 
 
 151-155. TeTTiyeaaiv eoiKoref. " Resembling cicadae." Thertrnf, 
 or cicada, is called by some " the balm-cricket." It is formed like a 
 large fly, with long transparent wings, a dark-brown back, and a 
 yellow belly. It is fond of basking at noon on single trees or bush- 
 es, when the male makes a chirping noise, by striking the lower 
 membrane of the wing against the breast. This noise was so pleas- 
 ing to the ear of the ancients, that their poets are always using it 
 as a simile for sweet sounds. On the present occasion, the accents 
 of old men are compared to its cry. 
 
 OTTO faiptosaaav ieiai. " Send forth a delicate voice," i. e., a clear 
 and softly-shrill note. Observe the beautiful use of the term OTTO. 
 as applied to the note of an insect. TOIOI upa Tpuuv JiyrjTopes, K. r. %. 
 " Such leaders of the Trojans, I say, were sitting on the tower," 
 ', e., the tower over the gate, forming part of the line of ram- 
 parts. 
 
 f/Ka. " In a low tone." Literally, "gently." Some of the older 
 editions have uica, " quickly," which is quite out of place here. 
 Eustatbius (p. 397-9) and Apollonius (Lex. Horn.) are both in favor 
 of the former ; and later poets, moreover, employ this adverb in a 
 way precisely similar. (Consult Spttzner, ad loc.) 
 
 156-160. ov vefteaif. " It is no cause of anger," i. ., it is nothing 
 to be wroth about. The term vfyeatc, with which kari is here to be
 
 248 NOTES TO BOOK III. 
 
 supplied, denotes, properly, an angry feeling at any thing unjust or 
 unfitting. alvuf aOavurr/ai -Beys, K. r. A. " Wonderfully in look is 
 she like to the immortal goddesses." Observe here that the accu- 
 sative of nearer definition (WTTO) has elf before it, in order to define 
 more accurately. The literal translation of eif Uma would be " (look- 
 ing) toward her face." (Kuhncr, 579, Obs., ed. Jelf.) 
 
 Kal uf. " Even thus," i. e., though the case be thus, though she 
 be thus peerless in beauty. This is explained more fully, immedi- 
 ately after, by the words roir/ ntp eovaa. vesaOu. " Let her de- 
 part," i. e., we will not oppose her return, but will rather aid in ef- 
 fecting this. nr)6t fcfifjta MKOITO. " And may she not remain behind, 
 as a source of evil." Observe the change from the imperative 
 vsioQu, which expresses their hearty concurrence in her departure, 
 to the language of a wish, as indicated by the optative Td-Koiro. Ob- 
 serve, also, in this latter verb, the force of the middle. 
 
 161-165. sKaAeaoaTo. "Called unto him." Observe the force 
 of the middle. devpo nupoiO' sWovaa, *. r. X. " Having come hith- 
 er, dear child, sit thou in front of me." Observe that k^tlo is here 
 governed by irdpoiO', the connection in the line being interrupted by 
 eWovaa, Qikov reKog, which words come in by a species of hyperba- 
 ton. Idy. Some editions have I6yf, but the former is more Ho- 
 meric. mjovf re. "And marriage-connections." Compare the 
 scholiast : trr)ol- ol nar' iirija^iav avyyevtit;. 
 
 fioi alrirj. " In fault toward me." dtoi vv fioi, K. r. A. " The 
 gods, in truth, are in fault toward me." The particle w expresses 
 here nothing of irony, but indicates, on the contrary, bitterness of 
 feeling. pot ifapftijaav. " Stirred up against me." We have, with 
 Spitzner, regarded lines 164 and 165 as parenthetical. 
 
 166-170. uf fiot, K. T. %. Connected, in fact, with line 163, the 
 two intermediate ones being parenthetical, as just remarked. " In 
 order that thou mayest even mention by name unto me yonder ex- 
 traordinary man ; who this Grecian warrior is, both gallant and 
 large of stature." fieifrvef. "Taller." OVTU yepapov. " Of such 
 stately bearing." fJaadiji avdpi. " A royal person." More literal- 
 ly, "a kingly man." 
 
 171-175. dla ywacii>. "Most divine of women." Literally, 
 " divine one of women." The positive is generally regarded here 
 as employed in a superlative sense. aifoiof re ftoi eoal, K. T. a. 
 " Dear father-in-law, thou art to me an object of both veneration 
 and awe," i. e., thy look fills me with shame and fear. wf oQel.s 
 tfavardf, . T. %. " Oh, would that a wretched death had pleased 
 me !" t. e., had been preferred by me. Observe the peculiar force
 
 NOTES TO BOOK III. 249 
 
 of o<j>eXev in expressing a wish. Literally, "how ought a wretched 
 death to have pleased me!" 
 
 yvurovf re. " And relations." The reference here is especially 
 to her brothers, Castor and Pollux. xaidd rt rri'hvyiTijv, K. r. A. 
 " And my daughter, in the bloom of early life." The daughter here 
 meant is Hermione, the offspring of Menclaus and Helen. We have 
 adopted the meaning assigned by Doederlein to the much-disputed 
 term Ttj/.vycTof. He derives it from tfuP.Aw, riOn).a, &ij?.v, and 
 yevu, and makes it equivalent to $aAe/wf yeyuf, or &a7,tpbs Kara 
 qvoiv. It becomes on the present occasion, therefore, a very striking 
 epithet, and points to Hermione as in the bloom of early life, and 
 just ripening into womanhood, a period when she would most of 
 all need a mother's fostering care, and when that mother, with bit- 
 ter regret, now confesses that she abandoned her. For other mean- 
 ings given to the term in question, consult the remarks of Butt- 
 mann, Lcxil., s. v. 
 
 /cat oftrjXiKirjv tpartivTJv. "And my beloved companions in years," 
 i. e., and the pleasing society of those of the same age. Observe 
 that opTi^iKitiv is here put for o/^At/faf, the abstract for the concrete, 
 or sameness of age for those of the same age. 
 
 176-180. ru/. For ravru. ye, and referring back to verse 173. 
 OVK eyevovro. " Came not to pass." TO xal K^aiovoa TerrjKa. " On 
 which account I even pine away in tears." Observe that TO is here 
 for'o, and that this is equivalent to 6C 5. We have changed to a 
 comma the colon which the common text has after kyevovro. If 
 the colon be retained, TO becomes equivalent to 6ia TOVTO, " on thra 
 account." f/6e /ufToAApf. "And art anxious about." The verb 
 /leTaAAdw has no reference whatever to /itToAAov. It properly de- 
 notes " to inquire after other things" (,UCT' uAAa) than those imme- 
 diately around one ; to be inquisitive, &c. 
 
 ovrof ye 'ATpeidijs- "This one, indeed, is the son of Atreus." 
 Observe the force of ye in connection with ovrof, "this particular 
 one," " this one for his part." d^orepov , fiaaiXevf, K. r. A. "Both, 
 as well a good monarch, as a powerful warrior." Observe here the 
 employment of the adjective up<j>oTepov in the neuter gender, as an 
 adverb. It is classified by Kuhner with those neuter accusatives 
 which denote some particular case or way in which any verbal no- 
 tion operates. ( Kuhner, 579, 4, ed. Jelf.) 
 
 6ar/p avr' epos IOKE, K. T. A. " He was the brother-in-law, more- 
 over, of me, a shameless woman, if ever, indeed, he was." Observe, 
 in the first place, that Kvvu-tdo^ is put in apposition, by an elegant 
 idiom, with the personal pronoun implied in the possessive /*'$-,
 
 250 NOTES TO BOOK III. 
 
 and compare with this the corresponding Latin form of expression, 
 med ipsiua gratia, &c. In the next place, we are not to render the 
 clause TTOT' erjv ye, as some do, " if ever, indeed, there was one," 
 i. ., if ever there was a shameless woman ; nor are we to adopt 
 Schiitz's punctuation and version, el" nor' ITJV ye, "would that he 
 still were so ! once, indeed, he was ;" the meaning of the passage 
 is simply as follows : so oppressed is Helen with shame and grief 
 at her own misconduct, that it appears to her as if she had never 
 merited the appellation of a lawful wife to Menelaus, and as if Aga- 
 memnon had never, in reality, been her brother-in-law. Compare 
 the remark of Hermann (ad Vig., p. 946) : " Cujus formula., qua, 
 perdijficilis cxplicatu cst, hie vidctur sensus csse : si unquam fuit, quod 
 nunc non est amplius, i. e., si rcc.lt did potcst fuissc, quod ita sui fac- 
 tum cst dissimilc, ut fuisse unquam nix credas. Est cnitn htzc locutio 
 dolcntium, non essc quid amplius." 
 
 182-183. b7&L66aiuov. " Fortunate man." v ^" vi5. " Assuredly 
 now." dedpqaTo. "Were made subject," j. e., at the time when 
 thou wast appointed to the chief command of the host. Observe 
 here the employment of the pluperfect as an imperfect. Literally, 
 "had been made subject, and remained so." When the perfect has 
 a present sense, the pluperfect is used as an imperfect. (Kuhner, 
 400, 2, ed. Jelf.) There is no need, therefore, of our reading 6z6- 
 fajvTai, in the perfect, " have been made subject," as some propose. 
 
 184-186. T)6r). "Before now." ^pvyirjv. The Greater Phrygia 
 is here meant, not Phrygia Minor along the Hellespont. The part, 
 however, particularly referred to, is the tract which formed, in later 
 days, a portion of Bithynia, extending along the banks of the San- 
 garius. a^e^oeaoav. This is here a general epithet for Phrygia. 
 In later days, however, the case was altered, and only the region 
 around Apamea was famed for the culture of the vine, the rest of 
 Phrygia having become a grain country. Compare the minor scho- 
 liast, ad loc. 
 
 uvepaf oto/loTw?.ovf. "Men of fleet steeds." According to Butt- 
 mann (Lexil, p. 65, cd. Fishl.), the epithet atoAoruAof refers to the 
 quick and active guiding of horses. So the scholiast explains the 
 term in our text by ra^eif Imrovq e^ovraf. Aaoif 'Orp;;oc, . r. A. 
 Priam went into Phrygia with a body of auxiliaries, to aid Otreus 
 and Mygdon, kings of that country, against the Amazons. Accord- 
 ing to one account, Otreus and Mygdon were brothers of Hecuba, 
 all three being children of Dymas. According, however, to the 
 common account, Hecuba was the daughter of Cisseus, a Thracian 
 prince. The Amazons were defeated on the occasion alluded to in 
 the text.
 
 NOTES TO BOOK III. 251 
 
 187-190. toTparouvro. " Were encamped." "Zayyapioio. The 
 Sanganus rose near a place called Sangia CZayyia) in Mount Ado- 
 reus, a branch of Mount Dindymus, in Galatia, and fell into the 
 Euxine on the coast of Bithynia. The modern name is the Sakana. 
 fie.ro. rolaiv k^ix.0t)v. " Was counted among them." Observe 
 the peculiar meaning here assigned to eAfjfl^v, which it gets from 
 the more literal signification "to lay among," that is, "to count," 
 " tell," or " reckon up." 'Apa&vff. Female warriors, of mythical 
 antiquity. We read of the Amazons of Africa, as well as of those of 
 Asia. The former were the more ancient ; the latter, however, 
 are here referred to. The Asiatic Amazons are said to have dwelt 
 originally on the banks of the Thermodon, in the plains of Themis- 
 cyra, in Pontus ; and from this quarter they made their inroads into 
 Phrygia. Troy is even said, by later writers, to have been taken 
 by them (Hcyne, ad loc.). According to the post-Homeric poets, 
 however, the Amazons, under the command of their queen, Pen- 
 thesilea, came to the assistance of the Trojans against the Greeks. 
 
 u'/./.' ovff ol. For a/./,' oiid' OVTOI. The reference is to the x/.eia- 
 TOVC 4>puyaf mentioned in verse 185. e/j.Kuiref. Consult note on 
 book i., verse 98. 
 
 191-198. deinepov avr'. "A second time, again." T' dye poi 
 KOI Twde. "Come, tell me of this one also." peiuv filv netyaAy. 
 " Shorter, indeed, by a head." We have adopted /ceciaAy, with 
 Spitzner, as preferable to Ke<pa/j'iv, which Heyne reads from Aris- 
 tarchus. It agrees better with the datives that follow immediately 
 after, and is in accordance, also, with the form of expression in 
 verse 168. evpvrepoe de: MiaQai* "But broader to look on," t. e., 
 broader to the view. oi Keirai. "Lie for him." /m'?.ofwf. "Like 
 a ram." Literally, "ram-like." Consult note on verse 2. iirinu- 
 " Moves about among." More freely, " traverses." 
 IJLIV eyuye, K. T. A. " For my part, I liken him to a thick- 
 fleeced ram." The term apveiof properly denotes a young ram just 
 full grown. diEpxirai. " Keeps passing through." 
 
 200-202. ovrof 6' av. "Now this one again," t. c., this one in 
 his turn. Aafpruidqf. Supply sari. iv 6r,p.u 'Wdnqs, K. r. A. " In 
 the land of Ithaca, rocky though it be." Homer often employs 
 c%tof in the sense of a region or country. It is here applied to the 
 island of Ithaca. This island was nigged and mountainous. Com- 
 pare Virgil (^Ew., Hi., 272) : " Scopulos Ithaca:, Laertia regna." 
 66/.ovf. "Wiles." ^6ea mjKvu. "Prudent counsels," j. e., the 
 giving of good advice. 
 
 204-200. u rfvai, rj /xuAa, K. r. A. " lady, assuredly thou hast
 
 252 NOTE3 TO BOOK III. 
 
 uttered in this a very true remark." More literally, " thou hast nt- 
 tered this as a very true word." ydy yap ROT' . " For once, before 
 now." aev tveiC ujjefcw. "In an embassy on account of thee."- 
 Observe that aev is governed here by Ivena, and that the genitive 
 ayyt)uris is to be construed with ;Av0e. The rule for this last ar- 
 rangement is as follows : " All verbs may have a genitive of the 
 antecedent notion whence their action arises." (Kuhner, 481, 1, 
 ed. Jelf.) Buttmann, however, supposes a masculine substantive 
 d}7fA7f, equivalent to uyje/.of, on the authority of some Alexan- 
 drine grammarians, but this seems quite needless, and is ably op- 
 posed by Spitzner. (Buttmann, Lcul., s. v. u~)-ye?j.Ti. Spitzner, ad 
 II., xiii., 252 ) Passow likewise rejects it. (Lex., s. t>. uyyt/.ia.) 
 
 ovv 'Apt)i$i/.u Meve/.uu. Ulysses and Menelaus came as ambas- 
 sadors to Troy, before the expedition was undertaken, and demand- 
 ed the restoration of Helen. Antenor, who was probably connected 
 by the ties of hospitality with several Grecian chieftains, received 
 them into his palace, and was one of those who strenuously ad- 
 vised that their demand be granted. Hence, when Troy was taken, 
 he and his family were spared by the Greeks. (Compare Liv., i., 1.) 
 The embassy, however, proved a fruitless one, and Antimachus, 
 who had been bribed by Paris, even recommended that the two 
 Grecian chiefs should be put to death. (//., xi., 139, seqq.) Ulysses, 
 on another occasion, entered Troy alone, disguised as a mendicant, 
 an account of which is given in the Odyssey (iv., 240, seqq.) by 
 Helen, who is said to have recognized him through his disguise, 
 but who did not betray him. 
 
 207-215. ^AJ?<TO. " Received kindly." Qvrjv iddrrv. " I became 
 acquainted with the genius." fffi^6ev h>. " They were mingled 
 with." OTUVTUV fitv. "While they were standing." Genitive ab- 
 solute. Supply avruv. vTrdptxev. " Overtopped him." afiyu 6' 
 i&pivu. " But, both sitting." Nominative dual absolute. Zeno- 
 dotus, one of the ancient grammarians, was in favor of reading 
 Kpuxvw in the genitive ; but the dual rests here on many ancient 
 authorities, in direct opposition to his opinion. Consult Spitzner, 
 ad loc. 
 
 fivdovf KOI friidta irfiaiv vfaivov. " They began to weave words 
 and counsels for all," i. e., they began to harangue, and to give ad- 
 vice to the Trojans as to the course they should pursue. e-irpo^d- 
 dtfv. "With rapid conciseness." fui7.a /.r/iu(. "In very clear 
 and musical tone." We have rendered this by two epithets, as 
 best expressing, by their united meanings, the true force of the 
 word. The ancients appear to have associated with it in the pres-
 
 NOTES TO BOOK III. 253 
 
 ent passage, the idea of something sweet or pleasing ; and hence 
 Cicero, in his Brutus (xiii., 50), says, " Mcnelaum ipsum dulcem 
 guidcm tradit Homerus, std pauca loqnentem." ovo" aoauaptoeirijf. 
 " Nor one who missed the point," '. e., nor a random talker. yevei 
 vaTtpof. "Younger in age/' Literally, " after (him) by birth." 
 
 2J6-220. avaiffiev. "Sprang up." Observe that the optative 
 with 5rs answers to the English phrase " as often as," &c. arda- 
 KCV, fatal de IdcoKt, K. T. A. The poet here represents Ulysses, in 
 the commencement of a harangue, as standing like one lost in 
 meditation, with his eyes fixed on the ground. Compare the re- 
 mark of Quintilian : " Mire auditurum dicturi euro, delectat, et judez 
 te ipse componit. Hoc pracipit Homerus Ulixis txcmplo, quern sletisse 
 oculis in terram defixis, immotoque sceplro, priusquam illam eloqucntitz 
 procellam e/UTidcret." (xi., 3, 158.) 
 
 anfjitrpov. Consult note on book i., verse 15 tvupa. "He 
 turned." ao-re/i^ff. "Unmoved." uidpei. "Unskilled in art," i. 
 e., inexperienced in the art of addressing an assembly. Qaiw *re 
 ZU.KOTOV, K. T. A. " You would say that he was some one exceed- 
 ingly angry, and devoid of reason, acting as he did." Observe the 
 force of atircjf, literally, "just so," "even so," as referring to the ap- 
 pearance which Ulysses presented at the commencement of his re- 
 marks. The meaning intended to be conveyed by the passage it- 
 self is given as follows by an anonymous commentator : His brow 
 being gathered into wrinkles, as is the case when a man of an ex- 
 pressive countenance collects his thoughts, gave a severity to his 
 look, that might have been construed as a sign of anger ; and his 
 sceptre held motionless, on account of his being absorbed with the 
 subject on which he was about to speak, gave him the air of a man 
 whose mind is perfectly vacant. A. head crowded with ideas, and 
 a head with none in it, are often indicated by similar gestures. 
 
 221-224. d/./.' ore dfj pa. " But when, now, then." Observe the 
 employment here of the particle pa to denote something sudden and 
 unexpected, the change, namely, of manner in Ulysses when he be- 
 gan to speak. let. In some manuscripts we find the optative elij, 
 and it is very doubtful whether this be not the true reading. We 
 certainly want the optative here, just as we have it after ore in verse 
 216, so as to give ore the meaning of " whenever." Compare the 
 remarks of Hermann, Opusc ., vol. ii., p. 37. 
 
 Kai Trea vi^xHeaatv, AC. T. ^,. " And words like wintry flakes of 
 snow." A beautiful image. Compare the remark of Quintilian, re- 
 ferred to in the note on verse 217, where the Roman critic speaks 
 of the " eloquentiae procellam"' of the chieftain of Ithaca. " The pass- 
 
 Y
 
 254 NOTES TO BOOK III. 
 
 age concerning the different eloquence of Menelaus and Ulysses is 
 inexpressibly just and beautiful," remarks Pope. "The close his- 
 toric conciseness of the one is finely opposed to the copious, vehe- 
 ment, and penetrating oratory of the other, which is so exquisitely 
 described in the simile of the snow." 
 
 OVK uv IKCIT', K. r. /L " Not then with Ulysses, certainly, could 
 any other mortal have vied ; not then, indeed, did we wonder so 
 much at the appearance of Ulysses, having looked at him, (as at the 
 words that fell from his lips)." Compare the explanation of Heyne : 
 " Non tarn formam oris mirabamur, quam nunc cloqitentiam." When 
 they saw him standing and looking so strangely at first, they won- 
 dered in their own bosoms, and thought to themselves, What will 
 come from such a one! When, however, they heard him speak, 
 their astonishment was roused in turn by his words, and they for- 
 got entirely the appearance which he had made. 
 
 225-233. TO TpiTov avr'. " Again, in the third place." j?i5f re 
 Hsya<; re. Compare verse 167. efo^oj- 'Apyeiuv. "Eminent above 
 the Greeks." Compare the version of Voss : " Welcher dem Volk vor- 
 ro,gct an Haupt und mdchtigen Schultcrn." 6la yvvaiKtiv. Compare 
 verse 171. Alaf ir&upiof. " The huge and terrible Ajax." The 
 epithet Tre/lwptof, in Homer, refers to what is " huge," " monstrous," 
 &c., with the collateral notion, for the most part, of " terrible." We 
 have rendered it, therefore, on the present occasion, by a double 
 epithet. The allusion is to the Telamonian Ajax. Consult note on 
 book it., verse 406. 
 
 'Idofievevf. King of Crete, who accompanied the Greeks to the 
 Trojan war with a fleet of ninety ships. $eof wf. Consult note on 
 verse 2. OTTOTE IKOITO. "Whenever he came." Compare note on 
 verse 216. 
 
 235-242. ovf KEV ei) yvoiijv, K. r. /I. "Whom I should easily recog- 
 nize, and whose names I could tell." We have given T' ovvofia (i. e., 
 re owo//oO, with Hermann and Spitzner, as more in accordance with 
 Homeric usage than rovvopa, for TO 6vofj.a. (Hermann, ad Vig., 
 p. 708.) KdaTopa #' imrodapov, K. T. A. " Both Castor, the tamer of 
 steeds, and Pollux, good in boxing; my own two brothers." Castor 
 and Pollux were the sons of Tyndareus and Leda, and were, there- 
 fore, uterine brothers of Helen, that is, born of the same mother, 
 Helen being the daughter of Leda and Jove. Hence Apollonius 
 remarks (Lex. Horn., s. v.), avTOKaclyvnroL "Xeyovrai. KUI ol en firjTpof 
 
 piVTIS, Wf ol blOGKOVpOl. 
 
 f] oi'x ^triaOrjv, K. r. /I. We have given here the interrogative 
 V, instead of the common f). The latter wants force. devpu. Hero-
 
 NOTES TO BOOK III. 255 
 
 dian, W. Dindorf, and Spitzner, all give the preference to this form 
 over the ordinary 6evpo. If we read the latter, the final syllable 
 must be lengthened by the arsis. vvv avr'. "Now, however." Ob- 
 serve that ai-re here follows fiiv in place of 6e. This is not unfre- 
 quent in poetry, but never occurs in prose. The common text has 
 vvv 6' air' erroneously. alax fa dtidioTef KOI bvtidta, ic. T. 7.. " Hav- 
 ing shrunk from the disgraces and the many reproaches that are 
 mine," t. ., that attach to me. Observe that ^ot is here what the 
 grammarians call " dativus incommodi." 
 
 243-244. Toiif 6' i]6rj /tare^e, K. T. A. " But them the life-bestow- 
 ing earth already possessed ; there in Lacedaemon, in their own na- 
 tive land." We may render Kare^f more freely, "held in her bosom ;" 
 literally, "held down." Castor and Pollux had fallen in conflict 
 with Lynceus and Idas. Homer here speaks of both brothers as be- 
 ing in the grave ; but, according to the legend mentioned in the 
 Odyssey (xi., 302, seqq.), they shared immortality alternately, being 
 each one day on Olympus, and the other in the lower world. (Apol- 
 lod., iii., 11, 2.) The pathos of these two lines is singularly beauti- 
 ful : the brothers are at rest from their troubles, and forget the dis- 
 grace of their sister in the long sleep of death ; she herself, the 
 author of all this shame, being ignorant of their end. Beautiful, 
 however, as the passage is, the commentators have coldly set them- 
 selves in array against verse 244, and have pronounced it spurious, 
 on account of the hiatus after AaKetiaipovi. Bentley proposes to 
 remedy this by reading either .\aKedalfiovi 6r)6u, or Aaiadaifiov' 
 uvv6e. 
 
 245-249. KT/pvKef ff nva uarv, K. T. X. " But the heralds, mean- 
 while, were bearing through the city the faith- insuring pledges of the 
 gods," i. ., the victims that were to be sacrificed in ratification of 
 the solemn truce. We have elsewhere given opma the more gen- 
 eral meaning of a contract or agreement on oath. In the present 
 passage, however, it is to be taken, as Buttmann remarks, in a 
 somewhat modified and more definite sense, that is to say, in the 
 sense of bodily objects which serve as a pledge or sign of the oath. 
 We find a corresponding usage in the poets who followed Homer; 
 as when, in Pindar, the betrothed Eriphyle is called the opxtov TTIOTOV 
 of future peace, and at 01., 11, 6, the Hymns are the TUOTOV opKiov 
 of future fame. (Buttmann, Lcxil., p. 439, ed. Fishl.) 
 
 cvtfipova. "Gladdening." <i<r*c> iv aiydu. "In a goat-skin bot- 
 tle." Kprjrijpa <fiaeiv6v. " A bright mixer." Observe that Kprjrrjp 
 is not here such a mixer as that which has been mentioned at book 
 i., verse 470. It was now to contain the wine of both parties mixed
 
 256 NOTES TO BOOK III. 
 
 together for libation, and this was to be drawn from it in cups. 
 Compare verse 270. urpvve yspovra. " He urged on the aged 
 monarch." 
 
 250-257. opaeo. " Arise.'' A second aorist imperative middle 
 of opvvfii. (Buttmann, Irreg. Verbs, p. 193, ed. Frshl.') Matthias er- 
 roneously explains it by making the future opau, opeoftai, to be con- 
 sidered as a new theme ; whence opaeo. Kaleovatv. Supply at. 
 lv' opKia mffTu TdftTjre. " In order that ye may strike a faithful 
 league." Consult note on book iii., verse 73. The editions vary 
 here, some having rduuucv, others TUUTITS, or rduqai, or Ttifujrai. 
 We have adopted -UUIJTS, with Spitzner, as more Homeric than 
 Heyne's rdfujai, since Homer uses in this form the active, and not 
 the middle voice. Besides, rd/nrjai is found in only a single manu- 
 script. 
 
 oi (F u/J.ot Qi/.orjjra, K. 7. ?.. Compare verse 73, seqq. rot 6e ve- 
 ovrai. " But let them return." Observe that vtovrai is here the 
 subjunctive, with the shortened mood-vowel, for viuvrai. 
 
 259-263. piyriae. " Shuddered," t. e., at the possibility of his 
 son's falling in the combat with Menelaus. eic&evae ff eraipoif. 
 The accusative traipovr is an inferior reading, and would produce 
 an unpleasant similarity of sound with I-TTOV$ following immediately 
 after. According to one of the scholiasts, moreover, the dative was 
 preferred here by Zenodotus and Aristarchus ; and it is also given 
 by Heyne, Wolf, and Spitzner. In Attic prose, on the other hand, 
 the dative with /cefot'w is very doubtful. The accusative with the 
 infinitive is the common Attic construction. (Kuhner, 589, 3, 
 Obs. 3, ed. Jelf.) 
 
 uv 6' dp' e6t) TIpiaunf. "Up, then, went Priam," f. e., Priam ac- 
 cordingly mounted the chariot. The Dorians and the Epic writers 
 often reject the final vowel of uvd, xapd, Kara, even when the next 
 word begins with a consonant, as in the present case Buttmann 
 thinks that the preposition uv for uvd ought to have no accent, but 
 he is successfully opposed by Spitzner, who reasons from the anal- 
 ogy of ndp from xapd, nor from irori, &c., in favor of giving uv an 
 accent. KOTO. 6' jjvia reivev oTtiaau. " And tightly he drew back 
 the reins." The reins had been fastened, according to custom, to 
 the front part of the margin of the chariot : these he seizes, and 
 pulls them toward himself. In proceeding to battle, the TrapaSdrrjf, 
 or warrior, was superior in rank to the -dtpuiruv, or charioteer; 
 here, however, Priam acts the part of charioteer, and Antenor sits 
 by his side. The latter would seem to have been selected as a 
 companion on the present occasion, because, in addition to the char-
 
 NOTES TO BOOK III. 257 
 
 acter of wisdom which he enjoyed, he was not unknown to the 
 Greeks. Consult note on verse 148. nap 6e oi. " And by his 
 side." 
 
 /3J<Tfro. " Mounted." Observe that irup Sfioero guides us to the 
 term Trapaodrijf, as indicating the one who moves on in the chariot 
 by the side of the charioteer. Observe, also, that pr/aero is the 
 aorist, and only another form for pTjaaro. Indeed, it is the more 
 correct form of the two in Homer. (Buttmann's Irrcg. Verbs, p. 38.) 
 Z/cofu)/. Supply 7TT/.<iv, and consult note on verse 145. e^ov. 
 " Guided." The verb lx u g ets tn ' s meaning from the more general 
 one of " to hold on the course of a thing," " to keep a thing in any 
 given direction." 
 
 265-270. ef Imruv. For etc difypov. fart^o'uvro. Observe the 
 employment of the imperfect to denote slowness of movement. So, 
 again, upwro denotes the slow and dignified rising of Agamemnon, 
 as the Trojans slowly advanced. UK 6' 'Odvacv$ n-oAi/^rtf. The 
 minor scholiast makes uv equivalent here to uviarr). It is much 
 better, however, to regard it merely as a preposition, and to supply 
 upwro from the preceding verse. bpma ntoTd. Compare verse 245. 
 
 olvov fiiayov. " They mixed the wine." Observe that ftiayov 
 does not allude here to any mixing of water with the wine, which 
 was never allowed at a libation, but to the mixing together in the 
 same cup of the wine of the Trojans and that of the Greeks. This 
 union of the wine of the two contracting parties was meant to be 
 symbolical of mutual good faith in observing the league or compact 
 that was formed. Hence we may observe, also, that piayFiv differs 
 from Kepuaai, the latter referring to the mixing of water with wine. 
 
 i'dup iTTi x e 'P a f fyevov. We have now another step in the cere- 
 mony. Water is poured upon the hands, to remove all pollution 
 before entering on the details of the sacrifice. This was always 
 customary. 
 
 271-272. tpvaffu/tevof %tiptaai. fiuxaipav, K. r. 1,. " Having drawn 
 out with his hands his large knife, which was always suspended 
 beside the huge scabbard of his sword." In the heroic ages, the 
 Greeks usually wore a large two-edged dagger or knife (fidxaipa) 
 suspended by the sword on the left side of the body, and used it on 
 all occasions instead of an ordinary knife. Thus, Theseus draws 
 his dagger to cut his meat at table. (Plut., Thes., p. 10, cd. Stcph.) 
 The custom is continued to the present day among the Arnauts, 
 who claim descent from the ancient Greeks. (Dodwell, Tour, vol. 
 i., p. 133.) The accompanying woodcut shows three ancient dag- 
 gers of the kind. 
 
 Y2
 
 258 
 
 NOTES TO HOOK III. 
 
 At a later period, (taxcupa meant a sabre or bent sword, as oppo- 
 sed to #0of, the straight sword. 
 
 273-275. apvuv IK KE<j>a'/.uv, K. r. Tt,. It was customary at sacri- 
 fices, before the animal was killed, to cut a bunch of hair from its 
 forehead, which was thrown into the fire as primiti<z. On the pres- 
 ent occasion, however, the hairs were distributed among the prin- 
 cipal persons present, that all might be parties to the compact, and 
 perhaps, also, that each might preserve his portion of the hairs as a 
 proof of the league that was to be struck. So Priam, one of the 
 two main contracting parties, carries away with him to Troy a por- 
 tion of the victims (verse 310). upiarotf. " To the principal per- 
 sons." jUfyuA' tiixero. " Prayed long and loudly." Observe the 
 force of the imperfect, as indicating the long continuance of the 
 prayer. 
 
 276-277. "Itiqdev peSeav. " Ruling from Ida." Jove had an altar 
 and sanctuary on Gargarus, one of the summits of the range of Ida ; 
 and hence he is supposed to take up his abode here at times, and 
 to look down from this upon the Idean plain. The clouds occasion- 
 ally enveloping the summits of the range, and descending thence 
 with tempests to the country beneath, as well as the lightning that 
 illumined the scene, would seem to have given rise to this popular 
 belief. Thiersch (Gr., 198, 8) makes the ending --&EV equivalent 
 here to -#t, and translates "on this Ida." Usteri gives this the 
 preference, but without any good reason. ( Wolf's Varies., it, p. 213.) 
 
 'He/Uof $'. " And thou, O Sun." Observe here the employment 
 of the nominative for the vocative, the regular form of expression 
 being KOI av, o *H/Ue. The vocative, however, is an unimportant 
 case. It is not at all essential to a language, as may be seen from 
 its not existing in many languages, its place being supplied by the 
 nominative. In the present instance, even though there is a proper 
 vocative form, the nominative is employed in its stead. (Kiihner,
 
 NOTES TO BOOK III. 259 
 
 $ 479, 1, ed. Jelf)os TTUVT' eyopfr. The Sun sees all things in his 
 daily course. 
 
 278-279. teal Uorafiol Kai Tala. Compare verse 104. not ol VTTE- 
 vepde Kafiovraf, K. r. A. " And ye two, who beneath punish men that 
 have ceased from their (earthly) labors, whatsoever one may have 
 sworn a false oath." As the dual number is employed here, the 
 reference must be, of necessity, to Pluto and Proserpina. Else- 
 where, however (//., xix., 259, seq.), the task of punishing the per- 
 jured is assigned to the Erinyes or Furies. Kapovraf. More liter- 
 ally, "those who once labored." Buttmann thinks that Kapovref, 
 when applied to the dead, means those who are still living in an- 
 other state, but deprived of their earthly powers. (Lexil., p. 372, 
 ed. Fishl.) We have given, however, what seems a far more nat- 
 ural interpretation. 
 
 280-287. ears. The imperative, and therefore accented accord- 
 ingly, not the indicative bare. So, also, QvhuaaeTe is the imperative. 
 (Spilzner, ad loc.) KE KaTairefyvi). " Shall chance to slay." /cnj/ttzra 
 Truvra. Compare verse 70. T/xiaf execr' cnroSmvai. " Then (grant) 
 that the Trojans restore." The infinitive is here used for the im- 
 perative, where, according to the common explanation, we may 
 supply 66r, or something equivalent. More correctly speaking, the 
 infinitive is used in forms of wishing or praying, in invocations and 
 entreaties that the person addressed would cause some one else to 
 do something ; the accusative is joined with the infinitive, and the 
 two together stand as the object of a verb, expressing or implying 
 the notion of wishing or desiring ; such as efeAe, or cv^o/iai ; t5of, or 
 iroUt. (Kuhner, t) 67, b, p. 302, ed. Je//.) Observe the force of the 
 aorist in ctTrotiovvai, as denoting immediate restitution. 
 
 ripqv. "A compensation," t. e., an equivalent for the expenses 
 of the war. TJVTIV' lomev. " Whatever it is fitting (that they 
 should pay)." f) re /cat ioao/tEvoiai, K. r. A. " Which may also re- 
 main among men of future ages." More literally, " among men 
 about to be," i. e., which in similar cases shall be paid also by pos- 
 terity. The compensation paid on the present occasion, in case 
 Paris should fall, is to be a precedent in similar cases unto posterity. 
 (iVeuc Jahrb., &c., vol. xxxiv., p. 371.) Barnes, without any neces- 
 sity, proposes f^e^Tai for TreA^rat. 
 
 290-291. avrap e-/u KM l^mra. " I, however, even afterward." 
 The particle aiirup, here as elsewhere, at the beginning of a clause, 
 serves to express a rapid change and continuation of the subject. 
 eluf KE re/lof, K. T. A. " Until I attain the object of the war." Lit- 
 erally, " until I find the end of the war," t. e., the true end.
 
 260 NOTES TO BOOK III. 
 
 292-296. UTTO aroftaxovf rape. *' Cut the throats." We have in 
 UTTO the reading of Aristarchus. Others prefer e-i, and a scholium 
 in the Venice manuscript declares this latter OVK ax a P l f 7P a< S>W- The 
 form atro-e^ivtiv, however, was the one commonly used by the later 
 Greeks in such cases as the present, and was probably also the 
 more Homeric one. -&v/*ov 6cvofj.ivov<;. " Wanting vital power." 
 //c'vof. " Their strength." This, in fact, is the same as -frvftov that 
 precedes, the one being an explanation of the other. f/c^eov. 
 " They poured it slowly forth." 
 
 299-301. omrorepot irporepoi, K. T. A. " Whichever side shall first 
 commit wrong contrary to the pledges." Observe that vnep liter- 
 ally implies an overstepping of certain prescribed limits, and in this 
 way a violation of certain stipulated duties. Some read vtrepopKia 
 as a species of adverb, but Eustathius and the scholiasts more cor- 
 rectly write the two words separately. The adverbial force of virlp 
 is still preserved by this arrangement. ude a<pi cyKE^aAof avrtiv /cat 
 TeKeuv. " Thus for them may the brains of themselves and their 
 children." (5a,utev. " Be enslaved." 
 
 302-313. oiiS' apa nu, K. r. A. "But not yet thereupon did the 
 son of Saturn accomplish it for them." rotai dt-^eru. "And among 
 them." Observe that (IETU. is here still adverbial in force. r/rot kyin> 
 dpi. "I indeed will go." oinru^. "Not at all." Better than 
 ovnu, the ordinary reading. Zcii? ftcv TTOV. " Jove, if I mistake 
 not." 
 
 apvaf -QETO. The grammarians invent various reasons to show 
 why the lambs were carried back by Priam. The best explanation 
 appears to be this : they were carried off either to be interred or 
 cast into the sea. as they could not be eaten, being victims of male- 
 diction. uijjoppoi. " Going back." 
 
 315-318. #upov. " The ground," i. e., the lists. Khrjpovf ev nvvty, 
 K. T. 'A.. Observe the mode here practiced of drawing lots. They 
 are put into a helmet, which is shaken by a third party, who turns 
 away his face at the time, and the person whose lot leaps forth has 
 the first cast with the spear. /fctAAov. "They cast them." Hector 
 cast into the helmet the lot of Paris, and Ulysses that of Menelaus. 
 We have not hesitated here to adopt the emendation recommended 
 by Bothe, namely, /JdWov, instead of the generally received reading 
 Trd/l/lov (" they shook them"). Two persons were not required for 
 shaking the helmet ; and, besides, the poet, in verse 324, says ex- 
 pressly that this was done by Hector. Moreover, the Homeric mode 
 of narrating is not to give the whole account summarily at once, but 
 the individual parts in succession.
 
 NOTES TO BOOK III. 261 
 
 6iriroTEpoc &! " As to which of the two, thereupon." $eoloi 6e 
 Xeipaf avtaxov- We have given here, with Spitzner, the reading 
 and punctuation recommended by Wolf. Heyne follows the gram- 
 marian Nicanor, Aoot 6' fipr/aavro -&eolf, I6e x Ip a uveaxov, the argu- 
 ment urged in favor of this latter heing as follows, namely, that if 
 tfeoff he joined to the second clause, the Greeks will appear to have 
 prayed to one class of deities, and to have held up their hands to 
 another class. The verb apuaOai, however, is elsewhere often used 
 by Homer with the name of a deity to be supplied from what im- 
 mediately goes before. Besides, the form tfeoif avaaxeiv x f ip a f is 
 one of very common occurrence with reference to all the heavenly 
 deities, and is, in fact, nothing more than x f ip a C uvaaxflv df TOV 
 oiipavov. 
 
 321-323. oTTTrorepof rdSe Ipya, K. r. 7,. " Whichever of the two 
 caused these doings between us both," t. e., gave rise, by his con- 
 duct, to this protracted and bloody war. ivvai 66fiov "AttJof elau. 
 "May enter within the abode of Hades," i. e., may descend to the 
 lower world. av. "On the other hand." opxia niara. "A faith- 
 ful league." 
 
 324-325. TruAAev. " Shook the helmet." The accusative of the 
 object (Kwerfv) is to be supplied. di// bpouv. " Looking backward." 
 This was done, lest his eye, if he saw the contents of the helmet, 
 should affect his hand, and he should favor the lot of Paris. K 
 opovaev. " Leaped forth." Observe the adverbial force of CK. 
 
 326-331. 01 IMCV. The Greeks and Trojans. Ifrvro. "Seated 
 themselves." fat CKUUT^, K. T. /I. " Where for each one his light- 
 foated horses stood, and his variegated arms were lying." Observe 
 the zeugma in EKCITO, this verb containing the particular notion of 
 "lying" as the general notion of being in store, standing ready, &c. 
 (Ktlhner, 895, d., ed. Jelf.) 
 
 nvTt[Jil6a<;. A pair of greaves (jcvj^rdtf) was one of the six articles 
 of armor which formed the complete equipment of a Greek warrior. 
 They were made of bronze, of tin, of silver, and gold, with a lining 
 probably of leather, felt, or cloth. The greaves, lined with these 
 materials, as they were fitted with great exactness to the leg, prob- 
 ably required, in many cases, no other fastening than their own 
 elasticity. Often, nevertheless, they were secured by strips, or, as 
 in the present instance, by ankle-rings. The modern Greeks and 
 Albanians wear greaves, in form resembling those of the ancients, 
 but made of softer materials, such as velvet, ornamented with gold, 
 and fastened with hooks and eyes. The following cuts will show 
 the form of the greave.
 
 262 
 
 NOTES TO BOOK III. 
 
 briaijrupioic. " With silver ankle-rings." Some render 
 ima(jnipioif by the term "clasps," but this is less accurate. The term 
 kinatyvpiov properly denotes something laid or placed upon the ankle. 
 
 332-333. devrepov av. "Again, in the second place." dup-qna. 
 " The corselet." 
 
 i)PIJLoo & O.VT&. "For it fitted him." Observe that fjpftoae is 
 here taken intransitively. 
 
 334-339. afi<i>l 6' up' u/*oioi, K. r. A. Compare book ii., verse 45. 
 ft'^of. The fi'dof was straight, two-edged (ufKfrjKtg}, rather broad, 
 and nearly of equal width from hilt to point. aaKOf. A term of 
 frequent recurrence in Homer. The earliest shields were of wick- 
 er work, or wood, covered with one or more ox-hides : if more than 
 one, they were parted by metal-plates, whence the epithets ^c2Afov, 
 Xa?.nf}pec, &c. Kparl 6' sir' i<j>difx.>, K. r. A. The helmet was origi- 
 nally made of skin or leather, whence is supposed to have arisen 
 its appellation KVVEJ], meaning, properly, a helmet of dog-skin, but 
 applied to caps or helmets made of the hide of other animals, and 
 even to those which were entirely of bronze or iron. The five fol- 
 lowing helmets are selected from antique gems, and are engraved 
 of the size of the originals. 
 
 'nnrovpiv. " Decked with a horse-tail," . e., having a horse-hair 
 crest. detvov <5e /lo^of, K. r. A. " And fearfully did the crest nod
 
 NOTES TO BOOK III. 
 
 263 
 
 from above." More literally, "keep nodding," as indicated by the 
 imperfect. a/.Kipov evfof. " His stout spear/' uf 6' OITWC- "And 
 in this same manner." Literally, " and thus, in the same manner." 
 Homer always writes it thus, separated ; but in Attic the form is 
 
 340-347. exuTcpdev ofiitov. " From each side of the throng," i. 
 ., from the throng on either side. The genitive here depends on 
 inurepdev, adverbs of parting, separating, &c., taking the genitive 
 case. (Kuhner, 513, 5.) tfupifoffyffav. " They had armed them- 
 selves.' 1 The passive in a middle sense. ef fj.eaaav. "Into the 
 space between." dsivbv 6spKi>fivoi. " Looking fearfully." e^ev. 
 " Held possession of. 1 ' OEIOVT'. For OCLOVTF, the dual. KOTEOVTE. 
 " Cherishing wrath." 
 
 dol.ixoaniov >yxS- " His long-shadow-casting spear," i. e., his 
 long spear. Some, however, with less probability, and certainly 
 with less of the spirit of poetry, deduce (JoAt^ocvuof from oo^oj-, the 
 shaft or handle of a spear, and make the epithet in question signify 
 "long-shafted," as if for JoArfoo^'Of- KOI /3?.fv '.\rpeidao, K. T. A. 
 "And struck full against the every- way-equal shield of the son of 
 Atreus," i. e., the round shield, equal in every direction from the 
 centre. Hence the scholiast explains it by Kv/i/.oTepij. Observe 
 that both the genitive and accusative are construed with Kara in 
 the signification of "against," but that the accusative denotes a 
 fuller and more direct action on or upon. 
 
 348-350. oi6' eppnS-Ev jaAnov. " But it rent not the brass," t. e., 
 the brazen plate of the shield. Some manuscripts have the nomi- 
 native ^a>u6f, and the meaning will then be, " but the brass rent it 
 not," i. e., the brazen-pointed spear rent not the shield. The scho- 
 liast remarks, that Aristarchus preferred ^aXxov, but that x a ?* K f is 
 better. The accusative, however, is found in most of the manu- 
 scripts, and ought by all means to be preferred to the nominative.
 
 264 NOTES TO BOOK III. 
 
 Heyne says, " Ncc guicguam interest, ulro modo legos ;" but the read- 
 ing <iAA-6f introduces an unnecessary change of the subject, the 
 reference in both of the previous clauses having been to Paris. 
 
 uvEyvafjubBTi 6e ol al^pj, * r. /.. " For the point was bent back 
 unto it in the strong shield," i. c., its point was bent back, &c., the 
 dative oi referring to the spear, and being equivalent here to ey^ci. 
 The meaning of the passage is this, that the spear did not rend or 
 pass completely through the brazen plate of the shield, but merely 
 stuck in it, and had its point bent. 6 <5e <5evrepof, K. r. A. " The 
 other, thereupon, roused himself next with his brazen spear, Men- 
 elaus (namely), the son of Atreus, after having addressed a brief 
 prayer unto Father Jove." Observe the demonstrative force of 6, 
 and also the peculiar beauty of the aorist participle Eirevi-ufievof. 
 
 351-354. riaaadai. " To avenge myself upon.'' 6. The Ionic 
 and Doric relative pronoun for of. pe KOK' iopye. Observe the 
 double accusative with the verb. ddpaaoov. Aristarchus wished to 
 read dap/vai, but dapaaaov is stronger, and shows a more immedi- 
 ate participation in the affair by the deity invoked. b&pa rif ippiygai, 
 K. r. A. " In order that any one even of posterity may shudder to do 
 evil things unto a host, whosoever may have afforded him a friendly 
 reception." More literally, " any one even of late-born men." 
 Observe that eppiya, the perfect of piyiu, has a present signification. 
 (Buttmann, Irreg. Verb., p. 222, cd. Fishl.) 6 KCV. For of KEV. Con- 
 sult note on verse 351. 
 
 355-360. UjUTfTraAwv. " Having poised and drawn backward." 
 The verb uvaxafC/M properly denotes "to swing to and fro." It 
 here refers to the poising and drawing back of the spear, in order 
 to throw it with greater force. Observe that, among the Epic po- 
 ets, the second aorists active and middle frequently have the redu- 
 plication throughout all the moods, and that upTTErrahuv is here for 
 
 6ia fiiv uoTri6of, K. r. 7.. Observe that the line here begins with a 
 tribrach (6l& fuv), which is to be converted into a dactyl (6ld fjv) 
 by the arsis, or stress of the voice on the first syllable. (Compare 
 Hermann, Elent. Doclr. Melr., p. 45.) Bothe, however, insists that 
 the tribrach ought to be retained in the scansion of this verse, but 
 few, if any, will agree with him in opinion. bfyifwv. Hermann and 
 Bekker both think that there is more force of expression in op6pipov, 
 and that the numbers of the line would gain by it ; but the best 
 manuscripts, as also the grammarians, are all in favor of oSpipov. 
 
 Kai Jtd &upr;KOf, K. 7. A. "And was forced through his corselet, 
 wrought with much ingenious art." Observe the employment of
 
 NOTES TO BOOK IIL 235 
 
 the pluperfect in an imperfect sense. It had been forced through, 
 and it remained forced through, t. e., it stood forced through. The 
 scholiast regards the rough and harsh sound of f/pr/peiaro as an echo 
 to the sense, and as indicating the force of the blow : TO fiiaiov r?;f 
 jr^jyy^f TrapaoritJii rift Tpa^si TOV pf/fj.arof.^vriKpv tie irapai hairupt/v. 
 . r. "/.. "And the spear pierced right through his tunic along the 
 flank." Observe that the final syllable of dvrinpv is lengthened by 
 the arsis, and that there is no need, therefore, of Bentley's emenda- 
 tion uvTiKpvf. in7dvdrj. " Bent himself sideways." 
 
 362-363. uvaaxopevof. " Having raised it on high." Supply aiiro, 
 as referring to fi^of. Kopvdof $u/,ov. " The metal ridge of his hel- 
 met." The precise meaning of <&d/.of is involved in great obscurity. 
 Buttmann, after a careful examination of the different Homeric pass- 
 ages in which it occurs, adopts the usual notion, that the faXo? 
 was what was afterward called the xuvof, namely, a metal ridge in 
 which the plume was fixed. (LexiL, p. 521, cd. Fishl.) upql & up' 
 avru, K. r. X. " But straightway, thereupon, shivered round about 
 it into both three pieces and four pieces, it fell from his hand." Ob- 
 serve in this fine passage the echo of the sound to the sense, and 
 how admirably the harsh adverbial forms rpi^dd and Terpo^fld imi- 
 tate, as it were, the crash of the shivered weapon. Observe, also, 
 the quickness of action indicated by both diarpvipev and eiareoe. 
 avru. Referring to the ^d/tof, round about which the splintered 
 fragments fly. Aristarchus preferred airy, referring it to the whole 
 helmet, and Heyne adopts this reading ; but it is sanctioned by no 
 existing manuscript. 
 
 365-368. b/.o6repof. " Is more hurtful," i. e., is the author of 
 greater ill. This is spoken in the spirit of a rude age, when the god 
 who is invoked to aid in the accomplishment of any end is blamed 
 as the author of ill luck in case that end be not brought about. 17 r' 
 k$afj.T)v. " Assuredly I even thought." Consult note on verse 28. 
 TiaeaBai. Consult note on verse 28. Kaxor^rof. " For his wick- 
 edness." The genitive here denotes the cause from which the idea 
 of vengeance or retaliation arises. 
 
 717. We have adopted this form of the second aorist, with Spitz- 
 ner, on the authority not only of certain manuscripts, and of Eusta- 
 thius in his commentary on the present passage, but also on that of 
 Homer himself, who in the sixteenth book, verse 801, has as fol 
 lows : ~uv 6e oi iv xfipeaffiv uyi) 6o7.ixoom.ov ryjoc. Heyue, on the 
 other hand, rejects uyrj in both cases, as a false reading, because 
 the initial vowel in uyu is long, and thinks that the ancient reading 
 was with the digamma, vvv <5e ^ot ev ^epr2v F>T/ f'^of, K. T. A. But 
 
 7
 
 266 NOTES TO BOOK III. 
 
 by far the greater number of passages show the a in u-yr/ to be short, 
 and, in the later poets (as, for example, Theocritus, xxii., 190), it is 
 most certainly shortened. Indeed, the true Homeric form of this 
 aorist can not now be ascertained in some passages, owing to the 
 disappearance of the digamma, which belonged originally to this 
 verb. (Bu.ttm.ann, Irrcg. Verb., p. 5, ed. Ftshl.) 
 
 EK de juot ey^of, K. T. ?. " While my spear was made to start forth 
 from my hand without effect." Literally, <; the spear for me." The 
 adverbial force of e/c is still apparent here, though followed by the 
 genitive Tea?M[Mi(jiiv. 
 
 369-372. Kopi'dof ?,6ev t-KoSaaeirjs. " He seized him by his hel- 
 met with bushy horse-hair crest." Observe the employment of the 
 genitive to indicate the part where the grasp was made. IA/fe. 
 " Began to drag him." Observe the force of the imperfect. dy^e 
 6s /uv, K. T. "k. " But the richly-embroidered strap under his tender 
 throat kept choking him, which had been stretched for him beneath 
 his chin, as the holder of his helmet." The helmet here is fastened 
 beneath the chin with a richly-wrought leathern strap. In a later 
 age there were two cheek-pieces (xapayvaQi.&eq), which were attach- 
 ed to the helmet by hinges, so as to be lifted up and down. They 
 had buttons or ties at their extremities, for fastening the helmet on 
 the head. Compare woodcut on page 263. 
 
 virb deiprjv. Observe the employment of the accusative here, 
 where we would expect the dative. This is called the pregnant 
 construction of the preposition, where the speaker regards the mo- 
 tion which precedes, and which is implied in the succeeding state 
 of comparative rest. (Ktihner, 645, p. 280, ed. Jclf.) VTT" uv6e- 
 peuvof. Explaining more nearly v~6 dsiprjv. 
 
 373-378. Kai f/paro. " And would have gained for himself." 
 More literally, " would have taken up for himself," i. c., would have 
 taken up and carried away as his own. Observe the force of the 
 middle. fa) up' bt-v vor/ae. " Had not thereupon quickly perceived 
 it." ol. " For him," i. c., for Menelaus. to his disadvantage and 
 disappointment. itiavTa /3o6f l<j>t Krafievoio. " The thong of an ox 
 killed by violence," i. e ., the strap made of the hide of an ox so 
 slain. The hide of a beast put to death by violence, and while in a 
 healthy condition, was said to be tougher and fitter for use than 
 that of one which had died of disease or old age. Compare the 
 language of the scholiast : r ~yup TUV fivrjaifiaiuv &uv dsp/tara ua- 
 Bevij earlv, uf uv -n-potiiacbdapevTa into -fjf voaov. 
 
 KELVT) 6? rpv^Meia. " And thereupon the empty helmet." The 
 helmet here stands opposed to the person of Paris itself. Observe
 
 NOTES TO BOOK III. 267 
 
 the hiatus in rpvQafeia up, which is remedied, however, by its oc- 
 curring in the caesura of the line, or, in other words, after the 
 rhythmical pause. There is no need, therefore, of Bentley's rpv<j>a- 
 fair] ; and, besides, the regular Homeric form is rpv^a^eia. firtdi- 
 vr/aaf. " Having whirled it around." The participle, in fact, stands 
 here with a kind of adverbial force, to indicate the manner in which 
 the helmet was flung, and may, therefore, be rendered more freely 
 "with a whirl." KOfiiaav. "Took care of it." Consult note on 
 book ii., verse 183. 
 
 379-382. nvrup 6 u\j> enopovoe. " He, however, rushed back upon 
 him." Observe that 6 refers toMenelaus. TOV 6' e^pn-af 'A<j>po6iTT) 
 " But the latter Venus snatched away." ware. " As (being)," t. e., 
 inasmuch as she was. r/epi iro^y. " In a thick haze." In Homer 
 and Hesiod, the term dr/p stands for the lower air, the atmosphere, 
 thick air or haze surrounding the earth, and opposed to aidqp, the 
 pure upper air ; hence misty darkness, mist, or gloom. (Consult 
 Buttmann, Lcxil., s. v.) K<i6 6' da" iv. " And placed him down in," 
 t. e., seated him in. Bentley and Heyne think /cud 6' flatv more 
 Homeric, omitting the preposition ev ; but they are refuted by Spitz- 
 ner, who shows that with such a verb as elan the preposition must 
 he expressed. With regard to ad, consult note on book ii., verse 
 160. 
 
 383-383. avTT} f aid', K. T. A. " But she herself, on the other 
 hand, went to call Helen." Observe that nateovo' is here the future 
 participle, contracted for nakiaovaa.. Tpuai. "Trojan females." 
 Not the female attendants already mentioned (verse 143), but other 
 Trojan women who had come to the spot to witness the combat. 
 iavov. This genitive depends on Aa&nJera, not on tTivafc, which 
 last has avrrjv understood. ftiv. Put here for Eavrijv. nahaiyevei. 
 " Far advanced in years." Enlarging on the idea contained in yprjt. 
 
 eipoKofiu. " A. wool-dresser." The idea involved in this term is 
 enlarged upon immediately after in fi oi AaKeSaifiovt, K. T. A. vaie- 
 Tauay. "When she lived. "--fjaKEiv elpia KaZa. "Used to prepare 
 beautiful fleeces." Observe here the peculiar ending of the imper- 
 fect, rjOKftv for fjOKsev. If we follow the authority of manuscripts, 
 the final v ought to be omitted here ; but if we take the best ancient 
 grammarians for our guides, we must retain it. (Consult Spitzner, 
 ad loc.)<j>i?.eeaKEv. The imperfect beautifully indicates the long 
 continuance of affection on the part of the aged female. 
 
 391-394. Kelvoe of. " He, that (loved) one." Observe here the 
 peculiar combination of pronouns. Koppen not unaptly compares 
 with this the Latin ille ego. KOI divurolai Tie^eaat. "And the
 
 268 NOTES "TO BOOK III. 
 
 rounded bed." The epithet divuTolat. refers here to a bed the 
 frame-work of which has been rounded off and worked smooth, so 
 that divurbv /If^oj- is the same as ropvurov. Thus, Eustathius re- 
 marks, Amjrotf 6f U.-yei rotf ropvuroif. ariWuv. " Glistening," 
 i. e., bright and fair to the view. Athenaeus (i., 33) incorrectly re- 
 fers Ku.7J.El arihduv to the bright appearance produced by the em- 
 ployment of unguents. The poet merely means it to be taken, in a 
 general sense, for what is bright and fair. fiaxtaoupsvov e/.6eli>. 
 "Had come, after having just contended with." Observe the force 
 of the aorist participle. epxeod". " That he was going." Imperfect 
 of the infinitive. f/e xP^ veov, K. r. A. " Or that he was sitting 
 down, just ceasing from a dance." Observe that ^opdf, in this 
 passage, means a dance, combined with song ; or, in other words, a 
 festal dance. 
 
 395-398. dupov ivl CTt/deaaiv opive. Compare book ii., verse 142. 
 ipepoevra. "Lovely." ^afidrjaiv ? up' tTmra, /c. r. A. Observe 
 that the particle -E is thrice repeated in this line, in order to mark 
 the close connection between the feeling of amazement and the ut- 
 terance given to it in words. 
 
 399-402. &ai/j.ovir], ri fie ravra, K. r. A. " Strange (and fearful) 
 one, why dost thou desire to deceive me in these things ?" Observe 
 that daifjiovirj here implies on the part of the speaker a mixed feeling 
 of reproach and fear. Compare note on book i., verse 561. f) irrj 
 fie vpoTepu, K. r. A. "Wilt thou lead me any where farther on 
 among well-inhabited cities, either of Phrygia or of lovely Maeonia '!" 
 Literally, " in respect of well-inhabited cities." As regards the va- 
 rious modes of reading and construing this passage, consult Spitz- 
 ner, ad loc. el -if rot icai Kcl&i, K. r. A. " In case there is some one 
 there, also, of articulate-speaking men that is dear to thee." Ob- 
 serve the peculiar force of /tat iteidi, "there also," i. e., as well as in 
 other places, and especially here in Troy, where thy Paris dwells. 
 It would seem, from the general tenor of this speech, that Helen 
 takes it for granted she is now about to be delivered up to Mene- 
 laus, in accordance with the terms of the truce, and that Venus is 
 endeavoring to frustrate this by deception on her part, and by lead- 
 ing Helen away to some new favorite in stranger lands. 
 
 Qpvyiije. The Greater Phrygia is meant. Myovirjf. Maeonia 
 was the earlier name of Lydia. In a special sense, though not 
 here, it meant a district of Lydia lying to the east, in the direction 
 of Mount Tmolus. 
 
 403-409. <5^ vfv vinfjaas. " Having just now conquered." Ob- 
 serve that the particle dj?, as has already been remarked, is applied
 
 NOTE3 TO BOOK HI. 269 
 
 in its sense of exactness to words of time (as in the present in- 
 stance to vtv), and thus lays emphasis on the time implied by the 
 word. (Kuhner, 720, 2, ed. Jelf.) rovvena 67} vvv dcvpo, K. T. ?.. 
 " Hast thou, on this account, now, even now, presented thyself 
 hither, meditating wiles!" Observe, again, the force of 6r/ vvv in 
 marking exactness of time. rjao Trap' avrdv iofaa. " Having gone 
 unto him, sit thou down." Equivalent to Wi nap' avrbv nai ijao Trap' 
 
 i?e<jv f uTroeiKe Kt^evBov. "And withdraw from the path of the 
 gods." We have given here the reading of Aristarchus, with Wolf 
 and Spitzner, in place of the common lection, tfewv 6' uxoeurf Kel.ev- 
 Qovf ("and renounce the paths of the gods"), as adopted by Heyne. 
 Consult the remarks of Spitzner, ad loc. [iriff ETI aolai nodeaatv, 
 K. T. A. "And mayest thou no longer turn back with thy feet to 
 Olympus." Observe the employment of the optative to express a 
 wish. 
 
 oi&e. " Be miserable." noL^aerai. For noi^arjrai, the aorist 
 subjunctive, with the shortened mood-vowel. 17 bye dov^nv. " Or 
 until he, for his part, shall have made thee his slave." This repe- 
 tition of the pronoun, in the latter clause of the sentence, has a par- 
 ticular emphasis and elegance. A freer translation will make this 
 more apparent : " until he, such a one as he is, shall have made 
 thee," &LC. Hence it is here employed to denote contempt. 
 
 410-412. icelae 6' eywv OVK dpi, K. r. A. " For thither I am not 
 going and it would be a thing to make one wroth (were I to do so) 
 to prepare his bed." The term Kelffe refers to the apartment of 
 Paris, mentioned in verse 391. Observe, also, the future meaning 
 of the present eifit, and consult note on book i., verse 169. vefiea- 
 OIJTOV 6e KEV CITJ. This clause comes in parenthetically, and may 
 be more freely rendered, "'twere enough to make one wroth." 
 iropovveovaa. There is considerable doubt whether we must read 
 here iropaaveovaa, or Kopavviovaa. The testimony of the ancient 
 grammarians is more in favor of the latter. b-xiaou. " For the 
 time to come." d^e' unptra. "Sorrows crowded together," i. e., 
 a confused mass of troubles, requiring no addition. 
 
 414-417. axerXirj. " Wretched woman." pi] ^oxra^fi')? ffe peBsiu. 
 " Lest, having become angry, I abandon thee." More freely, " lest, 
 in my anger, I abandon thee." rt>f. " As much." o>c vvv lictra-yK 
 ty&riaa.. " As I just now greatly loved thee," i. e., just before the 
 present moment, or, up to the present time. peaau ff afuportpuv, K. 
 r. X. " And (lest I) devise baneful feelings of hatred against thee in 
 the midst of both parties." Observe that /^nVo/zat is the aorist sub- 
 
 Z2
 
 270 NOTES TO BOOK III. 
 
 junctive, with the shortened mood-vowel, for nrjTiaupat. av 66 nev 
 Kdxbv olrov otyat. " For thou vvouldst then perish by an evil fate." 
 
 419-427. Karaaxo^evrj. "Having enveloped herself." Au0ev. 
 " She escaped the notice of Compare the Latin fefellit. fipxe <5e 
 daifiuv. " And the goddess led the way." IKOVTO. Observe the 
 similarity of ending between this line and the succeeding one, form- 
 ing what the grammarians call homxotelcuton. Various reasons 
 have been assigned for its use in the present instance, the best of 
 which appears to be that it is meant to indicate the movements of 
 a large body of persons. d/*0t7roAoi. Those mentioned in verse 
 143. km, Ipya. "To their tasks," i. e., their daily duties. 
 
 ij 6e 6ia yvvaiKuv. " But she, noble one of women." didpov. 
 "A seat." ^iTionfieidrjf. "The smile-loving," i. e., the goddess of 
 smiles and loveliness. Incorrectly rendered, " laughter-loving." 
 iruXiv nhivaaa. " Having averted." More literally, " having turn- 
 ed back." 
 
 428-435. (if w^eAef avroff b7.ic6ai. "Would that thou hadst per- 
 ished there." Literally, " how thou oughtest to have perished 
 there." rj /zev <5i) Ttpiv / evxe'. " Assuredly, indeed, before this, at 
 least, thou wast wont to boast." Qsprepof. Observe the nomina- 
 tive with the infinitive, the reference being to the same person who 
 is the subject of the verb. evavriov. "Against thee." 
 
 iM.d. a" tyuye /cc/loyuat. " But (no), I, for my part, bid thee." Iron- 
 ical. One of the scholiasts speaks of a full stop being placed after 
 K.(.Xop.ai, the effect of which would be to make the infinitives TroAe- 
 fj.i$iv and [tuxeadai have the force of imperatives. 
 
 438-448. fijj p.s dvpbv t-vnrre. " Do not assail me in soul." aiiv 
 'Ad/ivy. " With the aid of Minerva." avrif eyu. " I, in my turn, 
 (shall overcome)." Supply vinqau. Trapti /cot qplv. " With us 
 also," i. e., on our side also. QIAOTTJTI Tpaneiopev evvtjOevTE. " Let 
 us, having retired to the couch, delight ourselves in the endear- 
 ments of wedded love." 
 
 u.fj.<^fKu,7.v^v. " Enwrapt. " ae ITTAFOI/ dpTrafaf . " Having car- 
 ried thee off, I sailed away." sv -pr)Tolai Ka.TEvva.aQev ).exeffffftv. 
 " Lay down to sleep on the perforated couch." The reference here 
 is to holes made in the sides of a couch, through which thongs of 
 leather or cords were passed, in order to support the bed. Some 
 make the term refer to inlaid work, but this is inferior. 
 
 449-453. E^ot'ra. " Was (meantime) wandering." eaaffpjjasiev. 
 "He might espy." (Jeifat. "To point out." ov fj.lv yup <J>MTJJTI, 
 K. r. A. " For they would not, indeed, have concealed him through 
 friendship at all events, if any one had seen him." Observe that
 
 NOTES TO BOOK 111. 271 
 
 there is here in the protasis, or first clause, an ellipsis of i>. The 
 particle uv is omitted with the indicative, when the speaker puts 
 out of sight for the time the conditions and circumstances stated 
 in the protasis, on which the consequent depends, and thus repre- 
 sents the action of the apodosis independently of any such restric- 
 tions, as if it had actually happened ; while the condition in the 
 protasis guards sufficiently against the supposing from this form of 
 expression that it is meant to sprak of the thing as having really 
 happened. This mode of putting the actual in the place of the con- 
 ditional realization is emphatic, and gives a notion of the certainty 
 of the consequent, if the restriction contained in the apodosis had 
 not intervened. Compare Lie., xxxiv., 29 : " Et dtjficilior facta erat 
 oppugnaiio, ni T. Quinctius supervenisset ;" and //or., Od., it., K7, 27 : 
 " Me truncus tllapsus ccrebro sustulerat, nisi Faunus ictum dczlra levas- 
 set." (Kuhner, $ 858, i., p. 476, eil. Jelf.) 
 
 457-401. $O.LVET' 'ApqfyiJiov MeveAiiov. "Shows itself to belong 
 to Menelaus, dear to Mars." Supply elvai. unorivepsv. The in- 
 finitive for the imperative. Consult note on book i., verse 20. r/ 
 re KOI taaopevoiai, K.T.%. Compare verse 287. --2 6' yveov. " Gave, 
 then, plaudits thereunto." Observe the adverbial force of exi, and 
 the continued action indicated by the imperfect, "gave long-con- 
 tinued plaudits, throughout the whole host."
 
 EXCURSUS. 
 
 P 
 
 Excursus I., on the Article ^ 
 
 " II., on Prepositions 2 ' 
 
 ' III., on the Middle Voice 278 
 
 " IV., on the Homeric Suffix or <f>iv 2f 
 
 " V., on the Local Endings S, $&, and it . - -285 
 
 Metrical Index 296 
 
 Glossary . 3I 
 
 Index to Glossary 565
 
 EXCURSUS I. 
 
 THE ARTICLE. 1 
 
 I. THE Article 6, fj, r6, is, in Homer, a Demonstrative Pronoun, 
 "this," "that," having occasionally, however, more through the re- 
 quirements of our own idiom than those of the Greek language, the 
 force merely of a pronoun of the third person, " he," " she," " it." 
 
 II. In other words, it is used in Homer to point out some object 
 as known or spoken of, and to direct the mind of the reader to it. 
 In this case it may be construed either as ode, frfe, rode ; or ovrof, 
 aiiTi], TOVTO ; or exeivof, kneivi), eneivo. Instances of this have oc- 
 curred so frequently in the preceding notes as to render the citing 
 of any on the present occasion a superfluous task. 
 
 III. The demonstrative force is less strong where the pronoun is 
 joined to a substantive without any relative sentence ; but it serves, 
 in this case, to bring the thing definitely before us, as something 
 known, or spoken of before. Thus, II., i., 20, TU anoiva, " this ran- 
 som ;" //., viii., 412, TO ffttijTTTpov, "that sceptre," i. e., the well- 
 known sceptre; 11., iv., 1, oi $toi, those who are gods in opposi- 
 tion to those who are men ; //., vi., 467, ut/> &' 6 irdif, he who is a 
 boy, in opposition to Hector ; II., xi., 637, Ne'arwp 6 yipuv, Nestor, 
 that old man whom every one knows ; Od., xxi., 10, TOV frivbv 
 SvcTrjvov, that unhappy stranger, pointing to Ulysses, &c. 
 
 IV. The instances where 6, 17, ro, has the force of a pronoun of 
 the third person, may all be brought under the demonstrative sig- 
 nification by a more literal mode of translating, so that, as has al- 
 ready been remarked, we give this meaning of he, she, it (Lat. is, ea, 
 id), rather to suit our own idiom, and avoid stiffness in rendering a 
 clause or sentence. Thus, //., i., 47, 6 tile VVKTI eoiKUf, " he went 
 like the night," becomes, when translated more closely, " this god 
 went," &c. So, again, II., i., 221, 17 /3c6f/Kti, " she had gone," t. e., 
 this goddess had gone, &c. This usage is especially frequent in 
 Herodotus. 
 
 1. A"iiAnr, Or. Gr., <) 444, p. 97, td. Jtlf.
 
 274 EXCURSUS I. ON THE ARTICLE. 
 
 V. In the post-Homeric writers, also, 6, #, TO, has frequently a 
 demonstrative force. In Herodotus, the Doric writers, and Attic 
 poets, it is not unfrequently used as in Homer. Thus, JEsch., Suppl., 
 443, fj rolaiv ff Toif Kol.efiov aiptaQai ptyav, nua' 1 ear' uvuyni) : Ibid., 
 1055, 6 ri TOI fjiopaLfiov EGTIV, TO yevoiT' uv : Soph., (Ed. T., 200, TOV 
 (scil. 'Apia) u Zev TTcirep, vnb ati <j>6iaov Kepavvti. So especially with 
 the particles fiev, 6s, yap (6 -yap, r) yup, TO yap, often in tragic wri- 
 ters) ; sometimes, also, with prepositions ; as, Ttpof 6e TOIOI, for xpbf 
 6e ToiJToif Trpdf r<i for Trpof TOVTQ knl TOIOI for em rovroif, &c. 
 
 VI. And even in Attic prose it retained its demonstrative force 
 in the following cases : 
 
 (a.) To, " therefore :" ro ye, Plat. : TO de at the beginning of a 
 sentence, " whereas," very frequent in Plato : 6 p.iv, or 6 6e, oi 6e, 
 al 6s, at the beginning of a sentence very frequently. Thus, 
 Thucyd., i., 81, rotf 6e (Mrj yf) eon TroAA^. Demosth., p. 68, 15, 
 6 (5e TafTa [J.EV (iehfai. So, also, 6 [ii~v , or 6 6e is used, as in Ho- 
 mer, before its substantive, to call attention to it. Thus, Thucyd., 
 vi., 57 : KCU 6 (lev rot'f 6opv(j>6povf TocavriKa diatisvyei 6 'ApiaToyei- 
 TUV. So, again, we have TJ), Ty6c, " here," " on this side," &c. 
 "With prepositions ; as, CK TOV, " hence ;" 6ia TO, " wherefore." 
 To this head, also, belongs the construction h ~oif, sometimes EV 
 Talf, with a superlative ; as, Thucyd., i., 6, tv Toif irpuToi 6e 
 'Adijvaioi TOV aidrjpov KdTedevTo, and the adverbial formulas, Trpb 
 TOV (irpoTov), "before," almost always in the sense of ante illud 
 modo dcfinitum tempus. 
 
 (b.) In the formula TOV KOI TOV, TO KOI TO, " the one or the oth- 
 er," " this or that ;" TO. xal TU, varia, bona et mala. 
 
 (c.) Immediately before a relative sentence, introduced by 6f, 
 6(70f, or oZof, which expresses a periphrasis, either an adjectival, 
 or especially an abstract notion. This idiom is peculiarly Platon- 
 ic. Thus (Plat., Prolog., p. 320, D.), CK yjjs KOI irvpbf /i<favref 
 KOI TUV oaa irvpl /cat yy KcpuvvvTai, &c. 
 
 (d.) In the construction of ol fih>, ol 6e, literally, " these, in- 
 deed," " but those," i. e., some here, some there, &c. This is 
 found in Homer, and is very common in both prose and poetry. 
 The use of the singular, 6 fiev . . . . 6 6i, is post-Homeric. 
 
 (e.) 'O, 17, TO, is used, also, as an attributive with a demonstra- 
 tive force in all the post-Homeric writers. Thus, of objects well 
 known, or mentioned before : Plat. Rep., p. 329, E., TO TOV Qe/tia- 
 ro/cAtovf eii l%ei, 6f TW Sept^t't) (Seriphio isti) "kotdopovptvu tnreKpi- 
 VO.TO : Demos th., p. 850, 19, ffjrci fie TCV uvQpu-rrov (hominem is~ 
 turn), &LC.
 
 EXCURSUS I. ON THE ARTICLE. 275 
 
 The Article 6, 17, TO, as a Relative Pronoun. 
 
 I. In the Homeric dialect, the demonstrative 6, 17, TO, frequently 
 assumes the functions of the relative pronoun, of, y, 6. This idiom 
 may be accounted for by the consideration, that language originally 
 makes no difference of form between principal and dependent sen- 
 tences, but places them separately in similar parallel forms, as if 
 standing in the same independent relations to the speaker. 
 
 II. This use of the article as the relative passed into the Ionic 
 and Doric writers. Thus, Herodotus, iii., 81 : TU piv 'O-uvris CCTTE 
 .... ?.e/,e^0w Ku.fj.ol Tavra. Id., TTOVTUV T<JV 7ieyu apiaTuv, qua. dico. 
 
 III. The Attic, comic, and prose writers do not admit this relative 
 force of the article. The tragedians have adopted it only in the 
 neuter, the oblique cases, and mostly to avoid an hiatus, or lengthen 
 by position a final short syllable of the preceding word. Thus, 
 Soph., (Ed. T., 1379 : 8a.Lfj.6vuv 6' uydtyaff Upu, TUV 6 TravTS.jjfj.uv 
 kyu .... aircoTeprja' tuavTov. 
 
 Meaning and Use of 6, ij, TO, as the Article Proper. 
 
 I. The article 6, 17, ro, lost so much of its demonstrative force, 
 that at last it was used merely to represent the notion expressed by 
 the substantive, when viewed by the speaker as an individual, one 
 of a class, and distinct from all the other members of that class. 
 
 II. This usage of the article properly belongs to the era of Attic 
 prose ; but as not only a single person, but also a whole class, may 
 be considered as an individual, hence there arises a double and 
 seemingly contrary use of the article: 
 
 (a.) The substantive without the article expresses the general 
 notion without any limitation of individuality ; but, with the article, 
 a part of the general notion, an individual member or members 
 of the class, contemplated as such by the speaker ; as, 6 avdpu-xof, 
 "the man whom I am thinking of." 
 
 (b .) A second use of the article derived from the former is, that 
 it expresses the notion of a whole and all its parts conceived of 
 as one individual ; as, 6 uvdpuxos &VTJTOS cart, " the man (the ani- 
 mal man, t. e., all men) is mortal." 1 
 
 1 For a more extended view of the later uses of the article, consult Kiihner, Gr. Gr., 
 t 447, scqq., p. 100, ed. Jclf.
 
 276 EXCURSUS II. ON PREPOSITIONS. 
 
 EXCURSUS II. 
 
 OF PREPOSITIONS. 1 
 
 I. As language expresses not only the order of internal thought, 
 but also the circumstances of external things ; and as the relations 
 in which these things stand to us in respect of their position were 
 too manifold to be sufficiently defined by the simple powers of the 
 cases, it happened that, as men examined into and comprehended 
 the position of external things, some farther mode of expression be- 
 came necessary, and cases of certain words, which, from their orig- 
 inal meaning, were fitted for the expression of these relations, were 
 so frequently used to express them, that at last they were appropri- 
 ated to this function, and lost more or less of their original meaning ; 
 as, uiro, Trapd : while ^aptv, diKrjv, which are, so to say, in the transi- 
 tion state between cases and prepositions, being sometimes used as 
 one, sometimes as the other, will illustrate the mode by which prep- 
 ositions arose. 
 
 II. But though a relation which was implied in the powers of the 
 original cases might be, and generally was, for the sake of clear- 
 ness, expressed by a preposition, yet it does not follow that the orig- 
 inal power of the cases to express this relation was either in the- 
 ory or practice wholly lost ; so that we find the same relation ex- 
 pressed sometimes by the original, more concise, and vivid form of 
 the case, at others by the later and more accurate form of the prep- 
 osition. 
 
 III. Hence may be seen the mistake of explaining the construc- 
 tion of cases by the ellipsis of a preposition, making the preposition 
 the original and most perfect, the case the later and defective form ; 
 thus shutting out from view the real state of the matter, and teaching 
 the student to rest contented with an unphilosophical, pretended ex- 
 planation, instead of leading him to search out the abstract powers 
 of the cases, which were entirely obscured by thus supplying a prep- 
 osition whenever they most really came into play. 
 
 IV. There is a remarkable contrast between the Greek and the 
 modern system of cases. The moderns, always taking a cold, ra- 
 tionalistic view of things, look upon every thing as inanimate, pro- 
 duced, or affected : the Greek language, with fresher, more poetical 
 
 1 KVtner, <> 472, p. 117, ed. Jelf.Id., 614, p. 238, &c.
 
 EXCURSUS II. ON PREPOSITIONS. 277 
 
 spirit, looked on every thing as more or less animate, as an agent, 
 producing or working ; and hence, where in modern languages we 
 find a transitive verb with the accusative of the thing as a patient, 
 the Greeks used an intransitive verb with the genitive of the thing 
 as an agent, representing the action of the verb as proceeding from 
 it. So, where in German the verb horen, to hear, has an accusative, 
 the Greeks used the genitive. In their view, the object entered the 
 mind rather as the antecedent cause than as the coincident effect ; 
 but in some verbs, either the former principle prevailed altogether, 
 or sometimes ; so that we find particular verbs with an accusative, 
 while the other expressions of the same notion have a genitive, or 
 the same verb sometimes with a genitive or an accusative ex animo 
 loqutntis. 
 
 TMESIS IN COMPOUND VERBS. 
 
 I. As prepositions are properly mere local adverbs, the older dia- 
 lects, which commonly used them as such, would naturally place 
 the preposition apart from the verb, in many cases where the Attics 
 always used the compound ; and even where Homer employs the 
 compound in the same sense as the single verb, we are not to sup- 
 pose an actual tmesis wherever we find the verb and the preposition 
 used instead of the compound ; for Homer would use both the old 
 forms of speech, and those which, in his time recently introduced, 
 were, in later periods of the language, universally adopted. We 
 must distinguish the following cases : 
 
 (a.) Where the preposition seems to be separated from the 
 verb, but, in reality, is used alone in its original force of a local 
 adverb ; as, //., iii , 34, v-6 TE Tpopof &%a6e ytua ; //., iii., 135, 
 irapu 6' iyxca. [tempo. nenri-yEV ; II., iv., 63, kni 6' f^ovrat tffot u7,- 
 %oi, &c. The adverbial preposition sometimes, though but rarely, 
 follows ; as, //., xii.. 195, ivupifrv UTT" EVTCO. 
 
 (b.) Where the preposition seems to be separated from the 
 case of a substantive. Here, also, in Homer, the preposition re- 
 tains its adverbial force, and belongs to the verb ; while these two 
 together form one notion, and this, and not the preposition alone, 
 governs the case. Numerous instances of this have already been 
 given in the preceding notes. 
 
 II. The tmesis can not properly be spoken of till, in the later dia- 
 lects, especially the Attic, the preposition coalesced so closely with 
 the verb, that the new word took its place in the language as such. 
 It is found pretty frequently in Herodotus, more rarely in the Attic 
 chorus, and still more rarely in the dialogue, and only where a par- 
 
 A A
 
 278 EXCURSUS III. ON THE MIDDLE VOICE. 
 
 tide is the dividing word, so that the connection between the two 
 parts, or the unity of the compound notion, is not utterly destroyed. 
 In Attic prose, except in one or two singular instances, tmesis is 
 not found. 
 
 EXCURSUS III. 
 
 MIDDLE VOICE. 1 
 
 I. THE Middle voice has a twofold function : 1. It expresses the 
 reflexive and reciprocal notion ; 2. Some parts of the passive notion. 
 
 1. As REFLEXIVE. 
 
 I. The essential sense which runs through the Middle reflexive 
 verb is Self the action of the verb has immediate reference to self. 
 This is the proper generic notion of all middle verbs ; and the par- 
 ticular sense of each middle verb must be determined by discover- 
 ing the relation in which this notion of self stands to the notion of 
 the verb. 
 
 II. There are four relations in which this notion of self may stand 
 to the verb: 1. Genitive. 2. Dative. 3. Accusative. 4. Adjec- 
 tival. 
 
 1. The " Self" stands to the Notion of the Verb as Genitive. 
 
 As, arruffOf, "having pushed away:" airuadnevog, "having push- 
 ed away from one's self," or repulsed. aTroirtp-opai. " I send away 
 from myself." airoasio/iai. "I shake off from myself." napEx- 
 (j.a.1. " I furnish from my own means." a.7roTidffj.ai. " I put away 
 from myself." k^ayyi^ofiat. "I declare from myself," i. e., I 
 promise, &c. 
 
 2. The " Self" stands to the Notion of the Verb as the Dative. 
 
 As, irapaaKevd&jiai.. " I prepare for myself." alpov^ai. " I choose 
 for myself." atyaipovpai. " I take away for myself." alpofiai. "I 
 take up for myself." niaOovftai.. " I hire for myself." uyo^at 
 yvvaiKa. " I take a wife for myself," I marry. jBovfavopai. " I 
 give advice unto myself," I deliberate. Ml-irofiaL //v^ocrwa. " I 
 leave memorials for myself." KaraaTpefopai. " I subdue for my- 
 
 1 Kiihncr, Gr. Gr., <i 362, scqq., p. 13, scq>)., ed. Jclf.
 
 EXCURSUS III. ON THE MIDDLE VOICE. 279 
 
 self." Tide/iai. "I take to myself," I adopt. So, titivat vo/uovf, 
 " to make laws for others ;" -deaden vojiovc, " to make laws by which 
 one's self is hound along with others." 
 
 Hence there is a difference between the active and middle sense 
 of some verbs ; the latter indicating that the action of the verb was 
 performed for one's own benefit, and thence signifying the corre- 
 sponding contrary to the active voice ; as, Ataai, " to set free ;" 
 AvaaoOai, "to ransom." xw aai > " * lend;" xP^ aaa ^ ai t " to bor- 
 row." So, again, xpfjffai, " to give an oracle ;" xp^^odai, " to con- 
 sult an oracle." riaai, " to pay ;" rivaaOai, " to punish ;" the active 
 signifying in these examples the giver; the middle, the receiver. 
 This may arise from the receptive notion proper to the middle verb. 
 
 3. The " Self" stands to the Verb as the Accusative. 
 
 As, ixtridevai, " to place another on ;" eiriTifleadai, " to place one's 
 self on," to attack. XP<* U > "I g' ve r apply another person or 
 thing ;" xpuf* at > " I g' ve or apply myself to a thing. rpenu, " I 
 turn another;" rpeTro/zat, "I turn myself." %.oi>u, "I wash an- 
 other ;" TMvofjLai, " I wash myself," I bathe. une^u, " I keep an- 
 other off ;" aT^Ojuat, " I keep myself off," I refrain. So, andyZaoffai, 
 " to hang or throttle one's self." Tt/Keadai, " to melt one's self away," 
 to pine. tyyvaaOai, "to pledge one's self." <j>o6daOai, "to terrify 
 one's self," to fear. (paivecdat, " to show one's self," to appear. 
 aTra/.Xuffaeadai, " to remove one's self," to depart. 
 
 4. The " Self" stands to the verb as a Pronominal Adjective. 
 
 As, ovofuiZeaflai nald'a, " to call a person his son ;" neipeaOai TTJV 
 KtQahriv, " to shave one's own head ;" viTrreadai rovf nodac,, " to 
 wash one's own feet" (viTrreiv TOVJ- jroriof, " to wash another's 
 feet") ; rvxTeaOai TTJV Ketia/.T/v, " to beat one's own head," &c. 
 
 III. Some middle verbs have the idea of self in more than one of 
 these relations, in which case their sense generally differs accord- 
 ingly ; as, alpofiat (with the accusative), " I raise myself;" but with 
 the dative, " I take on or for myself." Or else the idea is the same, 
 though the several parts of it stand in a different relation ; as, -idffiai 
 (with the accusative), " I apply myself to," I adopt ; TiOtpai (with 
 the dative), "I apply to myself," I adopt; ftcdieffBai, "to remove 
 myself from," followed by a genitive ; [tedieadai, " to remove from 
 myself," followed by an accusative, &c. 
 
 IV. As the person who causes or allows an action to be done is 
 often conceived or spoken of as if he did it himself, this idea is fre-
 
 2?0 Excesses ni. ox THE MIDDLE VOICE. 
 
 quentiy applied to middle verbs, with the addiiioBal notion of its be- 
 ing done for his especial benefit, so that the subject of the verb has 
 a peculiar personal interest and anxietj therein. Thus, dfda 
 
 " to cause to be instructed ;" fttpaoQ, " to caase to be shorn ;* 
 * to give w marriage ;"wwfa00a(,**toeanse to be made;* 
 " to cause a person's name to be entered before the 
 judge," to accuse. 
 
 Y. This sense of causing to he done is generally represented as 
 arising from the power of the middle verb; but we see, both in the 
 Greek and other languages, that it is merely a form of expression, 
 and applied no less to active than to middle verbs, and, therefore, 
 can not be said to arise from the middle verb, though the middle 
 verb somewhat heightens the notion of personal interest in the 
 action. 
 
 VI. Many verbs exist only in the middle voice (Deponent*) ; and 
 though we can not discern the exact relation in which the idea of 
 self stands to the native notion of the verb, as the active form is no 
 longer in existence, yet they mostly express notions in which self 
 is very nearly interested; such as, atppu, *)**, t*pa<, /umyuu, 
 aiotVbvpuu, /MXOJUU, Ac. 
 
 V1L The reflexive sense of the middle voice is often so weak 
 that it is scarcely discernible by us. It frequently consists in the 
 notion of doing an action in which we are especially interested, for 
 our own good or harm, which we do not usually express ; as, fa$*- 
 JKMM o>7ar, for their advantage ;" m^aofans Tr **& " hav- 
 ing made for himself a navy." 
 
 VI1L Hence sometimes the personal pronoun is used with the 
 Middle verb; as Sopk., (Ed. T., 1143, JJUWTW #pc&ufw E*rip., 
 HcL, 1306. rpffov o* oovrjr, &c. And, again, the middle notion is 
 sometimes expieased by the fttne verb and personal pronoun; 
 as. Drmostk., p. XX, Aivapar tartoxnuatv onrru. With some verbs 
 this b always the case; as, mxixnarar covror, not uxexniwrn-n ; 
 bsmarei* enrrw, not iwmi*tiaQmi-,mno4a&f eov 
 
 IX. In the Homeric and post-Homeric dialects, there occur many 
 intransitive verbs, especially those which express a perception of 
 the mind or the senses, either in the middle voice only, or in the 
 middle as wefl as the active ; while the later writers used the form 
 in ; which mail mi the notion that the middle form was origi- 
 nally the proper expression of intransitive and reflexive notions. 
 And when the later forms in u arose, it followed that many intrans- 
 itive verbs were used in both forms without any difference of mean- 
 ing; as, JL, iv, 331, omen /Maf ovnf& dec. So we may account
 
 EXCURSUS III. ON* THE MIDDLE VOICE. 281 
 
 for many verbs having some tenses in the middle form, especially 
 the future ; as, unoiu uKovaopai ; and these almost always express 
 an action of the mind or the senses. The more limited usage of 
 prose generally adopted but one or the other of such forms, or used 
 both with a difference of meaning. Some are found, however, with, 
 both forms, without any such difference, even in Attic prose ; as, 
 Ka/./.iepfu, ofiai ; ei6oni[ieu, oftat ; crparo-rfJei'tj, oftai. 
 
 X. From this intransitive reflexive force of the middle, a great 
 difference of meaning arises between the active and middle senses 
 of some verbs, a secondary sense having been adopted from the re- 
 flexive. The active form signifies an action as objective, that is, 
 without any reference to the subject ; while the middle expresses 
 the same action as subjective, that is, with especial reference to the 
 mind of the subject ; as, anoxclv, to look at ;" ano-elaOai, " to look 
 mentally," to consider. rideatiai, "to place before one's mind," to 
 think. /Mvddvu, "I escape notice;" Aavddvoftai, "I escape my 
 own notice," I forget. dvuv, "to sacrifice;" &iea6ai, "to sacri- 
 fice with some particular object, for one's self," to inspect the entrails 
 in order to ascertain the future. iroulv ~/.6-/ov, "to write a speech;" 
 iroiciaOai Xoyov, 4i to deliver a speech," to harangue. oxevdeiv, "to 
 pour out a libation ;" o-cv6ca6ai, "to make a truce." 
 
 XI. The distinction referred to in the previous paragraph is very 
 marked in those verbs in eiu which, in the active, have merely an 
 intransitive sense of being in a state, while the middle signifies to 
 act the part of such a character, to live in such a state ; as, pAaxevu, 
 "I am idle ;" J/.cutiopai, I behave idly." irowjpti'w, " I am wick- 
 ed ;" Kovjipevofi(u, "I behave wickedly." -o/.irevu, "I am a citi- 
 zen ;" iroAiTevofiat, " I live as a citizen." And.as the middle sense 
 of such verbs is the more complete and expressive of the two, it is 
 more commonly used than the active ; as, tiirpa^s /.tvfodai, axpa-evta- 
 ftai, u.vdpwe\ita6ai, <Scc. ; while others, which only express a state, 
 and not the mental character implied in that state, are used only in 
 the active ; as, -porsvetv, uptarei-uv. So all derivatives from sub- 
 stantives in rvf ; as, jacu.evu. 
 
 XII. The middle derivatives in i^ouat correspond in meaning to 
 those in tvopat ; as, _^aptr7o/w, " I act or speak with grace," &c. 
 oKni^ofuu (from 'Ax/cu, the name of a conceited woman), " I dress 
 finely.'' The derivatives from national names in i^u have no mid- 
 dle form ; as, Aup/,'u, " I live or speak like a Dorian." 
 
 XIII. There is a peculiar reflexive sense appropriated to the mid- 
 dle forms of some verbs, which seems to have arisen from the ar- 
 bitrary usages of language; as, aireiv, "to ask for a gift ;" alrslc6<u, 
 
 A A 2
 
 282 EXCURSUS III. ON THE MIDDLE VOICE. 
 
 " to ask for a loan." yapslv, " ducere uxorem ;" -ya^eiaftai, " nubere." 
 So TEKElv, properly of the mother ; rcKeaBai, properly of the fa- 
 ther, &c. 
 
 Use of the Middle Forms in a Passive Sense. 
 
 I. It is probable that many of the forms usually called passive 
 are, in reality, middle, and that the only real passive forms are the 
 future and aorist. 
 
 II. To prove this, we may observe, 
 
 First. That the passive notion is nearly allied to the reflexive, 
 as in both the subject is represented as receiving some action 
 to itself in the reflexive from itself, in the passive from another ; 
 so that originally, it is probable, no accurate distinction would be 
 drawn between what may be called the accidents of the notion, 
 or state, while the essence of it, the receiving some action on it- 
 - self, remained the same. And the passive notion being con- 
 ceived of as a sort of reflexive, would be represented in the re- 
 flexive form. 
 
 Secondly. Those middle forms (future and aorist) to which 
 there are corresponding forms in the passive, have properly alone 
 a reflexive meaning. 
 
 Thirdly. We see that these are formed from the active by the 
 addition of certain endings, while the really passive tenses are 
 formed differently ; so that it is probable that the other tenses, 
 usually termed passive (present, imperfect, perfect, and pluperfect), 
 formed by the addition of the same endings, and used very fre- 
 quently, indeed, in a reflexive sense, are likewise really reflexive 
 forms ; their use as passives arising from the affinity between the 
 passive and reflexive notions, and the want of proper passive 
 forms. 
 
 As the passive notion of receiving from another became more 
 defined, the form whereby it was already expressed still repre- 
 sented it in most of the tenses ; while for its more accurate defi- 
 nition in past and future time, fresh forms were quickly invented, 
 partly from the middle, partly from the active. So the Sclavonic 
 language has no passive, but uses the reflexive ; and the Sanscrit 
 has a transitive form, and a reflexive, the endings of which lat- 
 ter are used to express the passive, which is distinguished from 
 the reflexive only by the addition ofja to the root of the verb.
 
 EXCURSUS IV. ON THE HOMERIC SUFFIX 0f. 283 
 
 EXCURSUS IV. 
 
 THE HOMERIC SUFFIX 9: or jtv 
 
 I. In the Homeric language, we find, besides the regular case- 
 signs, a small adverbial word, <j>i or $iv, which always attaches it- 
 self to a substantive, and may with propriety, therefore, be termed 
 a suffix. 
 
 II. This suffix, properly and originally, had the meaning of "in a 
 place," or " where," like the Dalivus localis ; but was afterward used 
 to express the other relations of the dative, namely, that of the Da- 
 tirus Instrumental ; and, in connection with prepositions, it could 
 even take upon itself the functions of the genitive. 
 
 III. It appears to have exercised, in the early language, precisely 
 the same office as the Latin ablative ; since it never, like the regular 
 dative, indicated a personal object, and, therefore, was never added 
 to names of persons ; but, like the Latin ablative, appeared either 
 as Local or Instrumental ; and consequently, also, in connection 
 with prepositions, which, in the Latin language, govern an ablative 
 case. Thus, '12,169: KAVTU rev^fa, " at Ilium." Od., xii., 45. 7ro?.i>f 
 6' <lfi(j>' 6are6<piv &lf avtipuv Trudoptvuv, " and a large heap of men rotting 
 upon bones," i. e., upon bones of others who had died before them. 
 oaoE 6aKpv6<j>tv TTifnr/.avro, " his eyes were filled with tears." (Instru- 
 mental case.) vav<j>iv auvveadai, "to ward, off from the ships." In 
 Latin a nambus. 
 
 Remark 1. We find this same suffix in the Sanscrit (namely, 
 Wit, in the plural bhis) as an Instrumental sign ; and also in the 
 Latin ; except that in this latter language bh (the Greek $) changes 
 into b ; just as tcribo corresponds to ypufyu ; bp<f>6c. to orbus, &c. ; 
 and this b becomes not only a mark of the locative, but also of the 
 dative itself, in i-bi, u-bi, ali-bi, utri-bi, si-bi, ti-bi, and in the plural 
 no-bis, vo-bis. So, also, in the third declension, in the ending 
 i-bus. Thus, the Sanscrit mahi (for mabhi) answers to mihi ; and 
 tubhi to tibi. 
 
 Remark 2. This suffix <f>i or $iv is never added to any other case 
 but the Dative and Genitive. The examples commonly ad- 
 duced of the Accusative with this appendage are susceptible of a 
 different explanation. Thus, in Hesiod (Op. et D., 410), ^rjf ava- 
 e? r 1 avpiov far* IwijQtv, we must regard Iwri^iv as taken
 
 284 EXCURSUS IV. ON THE HOMEKIC SUFFIX 04 OT <}>IV. 
 
 adverbially; like elaomao, cf rpic., &c. So, in II., xiii , 307, eiri 
 dei-toQiv T) eif apiartpoyiv, the preposition is here joined, not with 
 the accusative, but the genitive. The example for the Nomina- 
 tive, from Hesiod (Op. ct D., 215), 66bc, 6' eTeprjipi irapt.7.f)ilv, con- 
 tradicts itself; Tpri(j>i is here "contrario modn." (Gbttling, ad loc.) 
 IV. The suffix <f>i or <tnv is found with substantives of all three 
 declensions, and is always appended to the unchanged stem. 
 
 First Declension. It is used here only in the singular : 1. As a Da- 
 tive ; thus, uyeAjfpt, " in a herd;" ayAairi<j>i, "with beauty;" helire 
 dvprjtyi, " he left at the gate ;" ap' f/ot QaivofievyQiv, " along with the 
 dawn showing itself," i. e., together with the first dawn ; /ce#a/i$t 
 v, " to lake by the head." 2. As a Genitive (Latin ablative), utrb 
 id/.faiv, " to send forth from the string" (a nemo) ; ef eiivfjfi 
 &opelv, "to leap from the couch" (e cubili). 
 
 Remark. Some, in order to distinguish the dative here from the 
 genitive, are accustomed to write the former with the i sub- 
 scribed, other critics, however, are of opinion that $L or <piv 
 takes the place of the case-ending or flexion. 
 Second Declension. It is used here in botli the singular and plural: 
 1. Asa Dative; thus, Trap' ai'Tocit, "with him;" CTT' avrofiv, "upon 
 him;" daupvofiv, "with tears." 2. As a Genitive: UTTO -xaaaa/.dQiv, 
 "from a peg ;" EK Ttovropiv, " out of the deep ;" u~' OOTEO^LV, "from the 
 bones." 
 
 Third Declension. It is used here only in the plural, and with a 
 rather small number of neuter substantives, in of, gen. eoc ; and, 
 besides these, with Korv7.ri6uv and vavf ; as. itorvl.i)6ov6<j>iv (with a 
 connecting o) and vaC<pi (like the Sanscrit ndu-b'is). In the case of, 
 those in of, since $i or <j>iv is always added to the pure stem, the 
 ending of must go back to the original form ef. Hence we have 
 o<T0t, /car' opea&i ; atro arriQea^iv. Once in the Iliad (x., 156), 
 VKO Kpdreaijti, " under the head," occurs, as if from a stem */drof, in 
 place of Kpuf. A peculiar form is 'EpeSevaQiv (IL, ix., 568). But 
 here, perhaps, the ignorance of transcribers has excluded the true 
 form ef 'Epefoff^t. 
 
 Since the stem of nouns in of, gen. eof, ended originally in ef, and 
 since the f belongs to this stem, we must be careful not to regard 
 it, as some do, as a mere letter inserted in the form.
 
 EXCURSUS V. ON THE LOCAL ENDINGS $1, $EV, 6e. 285 
 
 EXCURSUS V. 
 
 THE LOCAL ENDINGS 0i, dev, and 6e. 
 
 I. With the use of the suffix <j>i or <j>iv is closely connected that of 
 the local endings tft, dev, and 6e, which, in the Epic language, fre- 
 quently supply the place of the case-inflection ; namely, #t that of 
 the dative ; -&sv that of the genitive ; and tie that of the accusative ; 
 but which, at a later period, were employed merely as terminations, 
 to denote respectively, " in a place," " from a place," and " to a 
 place." For a nearer designation of the meaning, however, in Epic 
 writers, the prepositions are sometimes added. 
 
 II. The suffixes #t and tiev were appended, in the third declen- 
 sion, to the pure stem ; when, however, the stem ended in a con- 
 sonant, a euphonic o was made to intervene between the stem and 
 suffix. The suffix <5e, however, was appended always to the accu- 
 sative form. Thus, we have olno6i, " at home ;" f/u>6i, ' in the morn- 
 ing ;" otKo6sv, "from home;" nurpodev, "from a father;" olnovde, 
 '' homeward ;" uhade, " to the sea ;" <j>vya6e, "to flight." 
 
 III. In 'Ai66a6t, the 6e is appended to the genitive, because the ac- 
 cusative 66fiov is left out. As these suffixes, moreover, supply the 
 place of the case-endings, we sometimes find an adjective added to 
 the noun to which they are appended ; as, KouvtT svvaiopevijv (IL, 
 xiv., 255) ; and, in the often-recurring 6v6e 66/iovde, " to his own 
 abode," the suffix is even repeated with the adjective.
 
 METRICAL INDEX. 
 
 INTRODUCTORY REMARKS. 
 
 1. Digamma. 
 
 I. THE whole subject of the digamma rests on the following re- 
 markable fact. A certain number of words, beginning with a vow- 
 el, especially the pronoun ov, ol, e, and also ddu, IOIKO., slnelv, uvaf, 
 'lAiof, oivof, ot/coc, ep-yov, laof, EKaarof, with their derivatives, have, 
 in Homer, so often the hiatus before them, that, leaving these words 
 out of the account, the hiatus, which is now so frequent in Homer, 
 becomes extremely rare, and in most of the remaining cases can be 
 easily and naturally accounted for. These same words have also, 
 in comparison with others, an apostrophe very seldom before them; 
 and, moreover, the immediately preceding long vowels and diph- 
 thongs are far less frequently rendered short than before other 
 words. 1 
 
 II. From an attentive examination of the subject, the illustrious 
 Bentley was led to conclude that the words before which these 
 deviations from the usual rules of prosody took place, although be- 
 ginning with a vowel, must have been pronounced at least, if not 
 written, as if beginning with a consonant. He recollected that 
 some ancient grammarians mentioned a letter as more particularly 
 used by the ^Eolians, or earlier Greeks, and that its existence might 
 be traced in the changes which some Latin words, derived from the 
 ^Eolic Greek, had undergone ; such as, olvof , vinum ; ?f, vis ; ot/cof, 
 vicus ; jfp, -OCT. 
 
 III. The letter alluded to, which, from its form, has the name of 
 digamma, or double gamma, and which resembled, or, rather, was 
 identical with the Latin F, is yet to be seen in some ancient in- 
 scriptions, and on coins ; and it supplies the data for resolving the 
 cases of metrical difficulty, where the lengthening of a short syllable 
 uniformly takes place before particular words. 
 
 IV. Let us examine some of the instances which are found at 
 the very opening of the Iliad : 'Arpei'ttyf -re uva!; uvdpuv (v. 7). 'Ay- 
 <IIJLE(IVOVL fivSave $i'/u<p (v. 24). 'AToWom UVOKTI (v. 36) . <5 6' i]ie 
 
 1 Buttmann, Avsf. Gr. Spr., p. 27. Buttmann j s Larger Grammar, p. 28, Robin- 
 son's transl. ^faltby's Greek Grndus, p. xi., seq.
 
 METBICAL. INDEX. 287 
 
 WKTI eotKus (v. 47). dapcr/aac /idAa MTC (. 85). In all these 
 cases, according to the practice of the language in the days of At- 
 tic purity, the short vowel ought to have been elided before uvaf, 
 7/vcJave, &c. But if we write Fuva, Fqvdavc, &.C., or fancy the 
 words in question pronounced wuvaf, \\rjv6avt, vewoutug, vtciire, &c., 
 the difficulty will, in a great degree, disappear. 1 
 
 V. So, again, we find that short syllables, terminating in a conso- 
 nant (for example, of and ov), are also often rendered long before 
 the words mentioned above, just as if they were in position, and 
 that, too, in cases where they are not affected by the arsis. This 
 position, therefore, must have been produced by the final consonant 
 of the word and the initial consonant or digamma of the word com- 
 ing after. 
 
 VI. The digamma, therefore, would seem to have been, strictly 
 speaking, a real consonant, with the sound of the Latin F, or, as 
 some think, wA, and to have been regularly used, with the words 
 above mentioned, in Homer's time, when his poems were recited ; 
 but to have been lost in the far later period when these same poems 
 were reduced to writing. 
 
 VII. The gradual disappearance of the digamma from the poetry 
 of Homer is supposed, by some critics, to have commenced in the 
 time of the bard himself, and many words, therefore, may have 
 been sometimes pronounced with it, and sometimes without it. 
 
 VIII. The doctrine of the digamma, however, and its introduc- 
 tion into the text of Homer, still require illustration. For an able 
 examination of the whole subject, the Homeric Grammar of Thiersch 
 may be consulted (p. 295, Sandford's transl.). 
 
 2. The Ictus Mctricus, or Arsis. 3 
 
 I. There are, however, cases of syllables, not merely at the end, 
 but in the beginning and middle of words, where the digamma can 
 not operate, and which must, therefore, be accounted for in a differ- 
 ent manner. Thus, at the end of a word, 
 
 OVTC tfeoff, fiTrtp rif TI vtv tiolvvTai cv(f>puv. (II.. xv., 99.) 
 ol re KvGepvijrai, KCU Ijov oiiiiq. vrjuv. (II., xix., 43.) 
 ty;t iptdofivi:> ITL yup fyov lA/cco Avypa. (Ib., 49.) 
 At the beginning and end ; as, 
 
 <pi/.e KaaiyvijTe Kouiaai ri fie, 66f re fioi irrxovf. (H., v., 359.) 
 
 1. The student can satisfy his curiosity relative to the digramma in the poetry of 
 Homer, by an examination of the first three books of the Iliad, according to the ear- 
 lier orthography, as we have just given them from the text of R. P. Knight. For 
 some remarks on this, consult Preface. 2 ^[altily, Greek Gradus, p. lii., teq.
 
 288 METRICAL INDEX. 
 
 In the middle ; as, 
 
 KCU TO, (Ji> l-~ax.a iravra 6iSf.ioipa.TO 6atuv. (Od., xiv., 434.) 
 
 II. The question naturally arises, Upon what principle are such 
 violations of quantity to be explained 1 Evidently on the follosving : 
 In scanning any verse, the voice naturally rests longer upon the 
 place where a long syllable is necessary than where it may be dis- 
 pensed with. In the heroic verse, we lay greater stress upon the 
 long syllable of the dactyl, and pause more deliberately there than 
 upon either of the short ones. The same preference is naturally 
 given to the first syllable of the spondee, which is equally long as in 
 a dactyl, rather than to the second, which corresponds to the short 
 syllables. 
 
 III. We can not pretend to know any thing about the way in 
 which the contemporaries of Homer pronounced poetry. But, where 
 so much was left to recitation, it is probable that the difference 
 between long and short syllables, or those which occupied respect- 
 ively the places of long and short, would be more marked than 
 at a subsequent age, when refinement might moderate the vehe- 
 mence of intonation, and the readier access to writing superseded 
 the necessity of reciting. Certain, however, it is, that when we 
 perceive short syllables lengthened, and can not have recourse to 
 the aid of a digamma, we find that they occupy the long place of 
 the dactyl. We therefore account for the temporary elongation by 
 considering the place which they occupy in the verse ; and we call 
 it the effect of ictus metricus, or arsis. 1 
 
 IV. Upon this simple principle, then, the greater part of those 
 metrical phenomena which have so much perplexed the commenta- 
 tors on Homer, will be found to receive a satisfactory explanation. 
 Thus, 
 
 avrup iireir' avroiffi /3e|A6f e|7revKCf 0|Z'f|. (H., i., 51.) 
 Here the syllables Aof in /&Aof, and I in tyicif, although short in 
 themselves, are respectively made long, because they each occupy 
 the first or long part of the foot, and, therefore, receive the ictus, or 
 stress of the voice. For the same reason, the initial syllable of 6ia 
 becomes long in the first of the following verses, although it is short 
 (which is its natural quantity) in the second. Thus, 
 6la fj^v | aairidof f]7JdE 0aeiv;/f 56piuov lyxi 
 /cat 6lu | Oupr/KOf 7ro?.v6ai6d?.ov t/p^peiffro. (II., iii., 357-8.) 
 
 1 By the ictus is meant the stress of the voice in reciting, which is brought down 
 on the syllable like a blow. By arsit (ap<ri{) is meant the raising or elevating of the 
 yoice (aipu, " tolio"), in order to give it greater emphasis. The ictus and arrif are 
 considered synonymous in prosotly.
 
 METRICAL INDEX. 
 
 So, again, the first syllable of "Apef appears both long and short 
 in one and the same verse ; as, 
 
 Apff, Ajpef, (3porol.or/e, /niaiyove, TsixeanrfofTa. (II., v., 31.) 
 
 In all the instances above cited, the long and unusual pronuncia- 
 tion is said to be in the arsis, or on the first syllable of the foot, 
 whether dactyl or spondee ; while the short and usual one is said 
 to be in the thesis, that is, to be laid on one of the short syllables of 
 the dactyl. 
 
 3. Of the shortening of Long Vmnds and. Diphthongs at the End of a 
 Word. 
 
 I. Every final syllable, which is long by reason of a vowel or 
 diphthong, can be made short if it stand in the thesis (the thesis 
 being that part of the foot on which the stress of the voice does not 
 fall), provided the next word begins with a vowel or diphthong ; and 
 in Homer and the other epic writers this shorten ing amounts almost 
 to a constant rule. Thus, 
 
 Tifiivfi | hi [SevOecraiv ('Mf Trapu narpl ylpovn. (II., i., 358.) 
 upipti 6fj.\tif tivfiu) tyikfovaa. re KTj6ofj.evt) re. (II., i., 209.) 
 aldeiadai $' Ifprja, KOI uyTiau. \ dc^Bai u\KOiva. (II., i., 23.) 
 K^Mi fifv | 'Apyvpdrof, 6? Xpvarjv a.p$i6ifa)itas. (II., i., 37.) 
 
 IT. The principle on which this depends admits of an easy ex- 
 planation. The i) in iififvij, for example, is equivalent to ft, and one 
 of these epsilons being supposed to be elided before the initial vowel 
 of the following word, the other epsilon remains, of course, short by 
 nature. So, again, the u in apQu is equivalent to two omicrons, one 
 of which it loses before the following vowel in opuf, while the other 
 remains short. In like manner, the diphthongs at in icai and dexdat. 
 and n in /*ev, are supposed each to lose a vowel before the initial 
 vowel in the next word, and the remaining vowel of each diphthong 
 to continue, of course, short. 
 
 III. But it must be observed, that the long vowel, or diphthong, 
 jrttains its natural measure, when that vowel or diphthong falls in the 
 arsis of the foot. The following verses of Homer will sufficiently 
 illustrate this : 
 
 jj[iET\pu hi | oiKtJ iv | 'Ap-yft, rr\7M$i Trdrpj/f. (//., i., 30.) 
 vlcf, b fiev KTSO\TOU, o 6" up' \ Evpvrov \ 'A.KTopiuvof. (II. , ii., 621.) 
 Here, after one of the component vowels of u (namely, one of the 
 two omicrons) has been supposed to be elided in ^//crepu, and a sin- 
 gle short vowel remains, this latter, being in the arsis of the foot, 
 receives the stress of the voice and becomes long again. On the 
 
 Bi
 
 290 METRICAL INDEX. 
 
 other hand, in the foot OIKU Ev, the omega is in the thesis, and hence, 
 after this vowel has lost one of its component omicrons before the 
 e in EV, there is no stress of the voice upon the other omicron, and 
 therefore it remains short. 
 
 So, again, in K-EUTOV, the diphthong ov loses one of its component 
 vowels before the succeeding 6 ; but then the remaining o being in 
 the arsis of the foot, receives the stress of the voice, and becomes 
 long ; whereas, in Evpvrov, the diphthong ov is in the thesis, anil 
 hence, after losing one of its vowels before the initial vowel in the 
 next word, the remaining o continues short, there being no stress 
 of the voice laid upon it. 
 
 BOOK I. 
 
 Line 
 
 1. pjviv acids $e TLifi.7]id\6ea) Ai|A;;of. 
 
 (Hyfajiadeu, 6e.u forming one syllable by synaresis.) 
 4. qpuuv, aijroiif (5e e\7.upia TEVXS KVVEGGIV. 
 
 (eAupia has the digamma, Fe/.upta, which prevents the hiatus, 
 otherwise the E in 6s must be elided, which would, vitiate 
 the line.) 
 
 TE ujva dvdpuv, /cat <5tof 'A^iAA5f. 
 the digamma, Favaf, which prevents the hiatus.) 
 
 14. CTEUfMr' e%uv EV xepaiv EKtjBoAov \ 'A7r6AA|wi>of. 
 
 (The initial vowel in 'A7r6A?,uvof lengthened by the. arsis.) 
 
 15. ^-pvirew uva cr/f^rrrpw, /cat D/iaaero Tavrcf 'Ajotovf. 
 
 (^jOvaEW, EU forming one syllabic by tyrutretit, and then 
 shortened.) 
 
 18. i>/j,Iv | fiev i^tol | 6ouv 'OAVfiTria dujuar 1 l^ovrff. 
 
 (&EOI one syllable, by synarcsis.) 
 
 19. EKTrepaat TLpuifioto -xb\7.lv tv \ 6' otKatf iKecdat. 
 
 (Final syllable in TTOAIV lengthened by the arsis.) 
 21. d6[ievoi AiOf vlbv EK.n661.ov \ ATOAA|uva. 
 
 (Initial syllable of'A~67.Xuva lengthened by the arsis.) 
 24. UAA' OVK 'Arpff'd?; *A.ya\[tiftvovi \ rjv6ave -&V/J.U. 
 
 (f/vdavs has the digamma, Vr/v8avE, preventing the hiatus.) 
 30. rjfieTE\p(f> vl \ OIKU, fa 'Apysi, rr)?M6i xurpnc.. 
 
 (oiKtf) has the digamma, Foku, preventing the hiatus.) 
 36. A;r6AA|uv u\vaKTi, TOV fruKOfior TEKE A.TITU. 
 
 (The initial syllable long in "ATroAP.wvi by the arsis. UVUKTI 
 
 has the digumma, Fdvatcri, preventing the hiatus.) 
 38. Ki'AAav TE ^adinv, Tevedjoio re | Jpi dvitaasif. 
 
 (9: has the digamma, Fi"0<, preventing the hiatus.) 
 45. TO? ufjLOiaiv lx uv a/i0)?pe^eja re (S>ap\erpnv. 
 
 (Final syllable in aunnntbtu Inns? In/ the amis.)
 
 METRICAL INDEX. 291 
 
 Line 
 
 47. ai>Tov KivijdfVTOf 6 6' TJLE \ VVKTL ejot/ccjc. 
 
 (&>twf has the digamma twice, FefoiKuf, the first of the two 
 
 preventing the hiatus.) 
 51. avrup eTjen' avrolat f?eA|6f e|;rT/cef tyidf. 
 
 (/3e/lof, final syllable lengthened by the arsis.) 
 59. 'Arptidj] vtv uft/j.e TroAt^-Aoy^tfevra? o\lu. \ 
 
 (biu, the penult lengthened by the arsis.) 
 70. of jj\6rj TO. r* eovra ru r' ioaouEva Ttpo r' eovra. 
 
 (6f lengthened by the position made with the digamma in 
 
 74. u 'A^i^ev, Kefaai (JLE, Ai|i ^i 
 
 (Ail, final vowel lengthened by the arsis.) 
 
 75. pjvLV 'A7ro/lA(j|vof EK.a\Tr}6ete\~ao a|varoc. 
 
 ('AnoAAuvof, final syllable lengthened by the position made 
 with the digamma in Ff/cor^6eP t erao. uva*crof has the di- 
 gamma, FdvaKTOf, to prevent the hiatus.) 
 
 78. J yap b\io/j.ai | uvdpa xohuaefjLEv, df fiiya TTUVTUV. 
 
 (biop.ai, the vowel i lengthened by the arsis.) 
 
 79. 'Apyet'wv KpaTE\Et Kai \ oi KEWovrat. 'A%aioi. 
 
 (oi has the digamma, Foi, which saves the preceding diphthong 
 from elision, and keeps it, therefore, long.) 
 
 85. iJapcrjjCTaf /itiAa elrce i?eo7rpo7Ti| ov OTL olaBa. 
 
 (& EOT? pun idv, final syllable lengthened by the position with the 
 digamma in Fort. elrre and oloOa also have each the di 
 gamma, FIITTC and Foiada, preventing, in each case, the 
 hiatus.) 
 
 86. ov pi yap \ AtroA^uva Ai\l pt'Aov, | wrf av KdP.^av. 
 
 ('ATToAAuva, the initial vowel lengthened by the arsis. Au, 
 the final vowel lengthened by the same.) 
 
 89. aol Ko'rt.rif Trapu \ vljval /3ap\Eiaf xelpaf frroiaEi. 
 
 (vrjval, to be pronounced as two syllables, by synaresis.) 
 
 90. avpmivTuv Aavauv ov6' rjv '\-ya\fUfivova \ Einnf. 
 
 (EiTjf has the digamma, Fei^f, preventing the hiatus.) 
 92. /cat TOTE 6r] -dupanaE nal \ rjvda \ ftuv-if apiftuv. 
 
 (rjvda to be pronounced as two syllables, by synaresis.) 
 98. irpiv y' UTTO irarpl ^t'Aw 66uE\vai f^,t|/cuTt(Ja Kovpnv. 
 
 (tfiiKuirida has the digamma, Fc/lt<w^tda, which preserves 
 the preceding diphthong from elision, so that the latter is 
 long, as a matter of course, without the aid of the arsis.) 
 104. ;/i7rAavr', | oaae 6i \ oi irvpi Aa/UTrerojwvrt E\IKTI]V. 
 
 (oi has tht digamma. 01. preventing the liatvs. So. also,
 
 292 METRICAL I\DKX. 
 
 Luw 
 
 iinrr/v has the digamma, both at the commencement and in 
 the body of the word, ttsiKTijv, the first of these preventing 
 the elision of the final vowel in Aa/zTrcrowtrt.) 
 108. o0/wv f oi>6i TL JTO el\nf TOf | oi'ff tri'f.tcGnc,. 
 
 (The final syllable in since lengthened by the arsis.) 
 115. ov dejictf ovde tpvriv, ovr' tip' <j>ph>ac, \ OVTE TI \ cpya. 
 
 (spya has the digamma, Ftpya, preventing the hiatus.) 
 119. 'hpysiuv uyepaarof EU end \ ov6s \OIKEV. 
 
 (eoiKEv has the digamma twice, Ff/ot/err, the first of which 
 
 prevents the hiatus with ouds.) 
 
 148. TOV 6' Up' VTr\6&pa i6\uv Trpoc.tojj Trodaf L>KV 'A^i/.J.evf. 
 (iduv has the digamma, Fiduv, preventing the hiatus.) 
 151. $ o&bv tf.di/Lievai, if uvfpuaiv l$i fiu^eaOat. 
 
 (Observe, that as if is by apostrophe for I}E, the third foot in 
 the line, vai rj, is open to no objection, whereas, if we follow 
 the common reading i), the line is faulty, since the third 
 foot is then vai rj, a trochee instead of a spondee, the rj then 
 losing one of its component vowels by elision before the ini- 
 tial vowel of the next word. The earlier form was avdpdai 
 Fr^t, without the v l<pt7.Kva~iK6v.) 
 153. Jevpo pa.xria6iiE\vd<; eirel \ ovn pot alrioi eiaiv. 
 
 (The final syllable in ^taxr/ao^evof lengthened by the arsis.) 
 157. ovpeu re OKioevra, -&uA.\aaau re \ rjxrjeaaa. 
 
 (rjxrjfooa has the digamma, Fj^fffera, preventing the hiatus.) 
 163. oil fj.ev aoi TTOTC laov l^w yepac;, OTnror" 'A^atot. 
 
 (loov has the digamma, Fiaov, preventing the hiatus.) 
 170. olxaff Ifiev aiiv \ vijval nop\uvioiv ovde tf b\lu. \ 
 
 (vrroal to be pronounced as two syllables, by synttresis. The 
 
 penult of biu lengthened by the arsis.) 
 172. TOV T T}/iei6T' C7r|e(ro uv|af uvSptiv 'Aya////vuv. 
 
 (uva^ has the digamma, Favaf, preventing the hiatus.) 
 179. otKad' luv avv \ vt)vai re | ar/f KOI coif sTupotaiv. 
 
 (vrivai to be pronounced as two syllables, by synaresis.) 
 185. avrof luv K.Ziainvo'f, TO aov yfpaf, \ od>p' ev \ eldyf. 
 
 (cWjf has the digamma, Feidfjc, preventing the hiatus.) 
 190. f) bye <f>aoyavov \ b^v ep\vffauuevof irapu pnpov. 
 
 (epvacrdftEvof has the digamma, ffpvaadpEvof, preventing the 
 
 hiatus, the final vowel in 6fi> being short.) 
 192. ^e^oXov iravaEiEv p\riTi>\OEi re Qvuov. 
 
 (According to prosodians, the v in kpijrvu is long before a, 
 and, mclri gratia, before a long syllable ; but short before a
 
 METRICAL INDEX. 293 
 
 Lino 
 
 short syllable, as, kpf/rijov, ipr/Tvcrm. Knight, however, 
 constantly inserts the dtgamma, and hence, in ipijrvfaeie, 
 the v is long by position, and remains short in ipyrvJ-'ov : 
 which appears the more reasonable doctrine.) 
 193. eof 6)-e | rai'6' upfiaive Kara <j>peva KO.I KOTU dvuov. 
 
 (tuf to be pronounced as a monosyllabic, by synceresis.) 
 
 200. Ha/UucP 'At)r/vair/v 6eiv\u 6e oi \ oaae tidavOev. 
 
 (oi has the digamma, foi, preventing the hiatus.) 
 
 201. Kai fj.iv 0<Ji?aaf c^ea nrepoevra Trpoc.\r/i>6a. \ 
 
 (npocr/vtia to be pronounced as a trisyllable, by synaresis.) 
 
 203. 7} Iva | ii6ptv I6\y 'A-ya^ffivovof 'Arpfidao. 
 
 (v6piv has the digamma, Fv6piv, preventing the hiatus.) 
 
 204. uXA' tK rot epeu, TO 6s KOI Tel.eeaOai 6\iu. \ 
 
 (6tu, penult lengthened by the arsis.) 
 216. x?*l p v O(l>uircp6v -ye, de \it, errof | flpvaaaa6ai. 
 
 (e;rof has the digamma, FfVof, preventing the hiatus.) 
 226. OVTE Tror' cf 7r6Ae|//6v d/ia | Xaoi &upT)x6rjvai. 
 
 (iros.cpov, final syllable lengthened by the arsis.) 
 233. <i/lA' l/c TOI epeu, /cat e;r|t [teyav \ bpnov ouovftai. 
 
 (k-rrl, final syllable lengthened by the arsis.) 
 236. ov6' uvaOr/Ai'icrti Ktpl \ -yup fxl e \ ^faA/cof Ihefyev. 
 
 (I has the digamma, Fe, preventing the hiatus.) 
 262. ov -yup TTW roiovf ISov \ dvspaf, \ ovde I6\up.ai. 
 
 (avtpac, initial vowel lengthened by the arsis. Idufiai has 
 
 the digamma, Fidupai, preventing the hiatus.) 
 273. nal fj.iv fiev f)ovZ\fuv t-vvi\ev xeidov-6 re pvdu. 
 
 (fiovteuv to be pronounced as a dissyllable, by synttrcsis.) 
 277. UTITE av, n^Aet'|<5)7, IdeX' e\pi^fievai paathSji. 
 
 (The last syllable of Hrj?.ei6r) coalesces by syncercsis with the 
 initial vowel of edf /.', and the dactyl thus commencing is to 
 be pronounced as follows : dyed-f^.-E. Some read &&' fur 
 ede*.', but the form &&M never occurs in Homer or the oth- 
 er Epic writers.) 
 283. Maaou' 'Axi^rj\l ue6i\uv \okov, of firya nuaiv. 
 
 ('AjtXX?), final syllable lengthened by the arsis.) 
 291. TOVVEKU | oi npoOeovaiv bveiica uvdr/aaadai 
 
 (oi has the digamma, Pot, preventing the hiatus.) 
 296. af/uaiv' oil yap tyu/ in aoi irsiaeadai b\lu. \ 
 (btu has the penult lengthened by the arsis.) 
 305. uvart/TT/v ?.vaav 6' uyopr/v napu \ vr/vaiv *A|^aiwv. 
 
 (virooiv to be pronounced as a dissyllable, by synceresis.) 
 B c2
 
 294 METRICAL INDEX. 
 
 Line 
 
 307. i]it crvv TC MwoiTid|<fy KOI | olf irdpoiaiv. 
 
 (olf has the digamma, folf, preventing the hiatus. The 
 diphthong at in nal. therefore, remains without elision, and 
 long.)_ 
 315. cp6ov 6' | A5ro/./.juvi rc/.j/eucaf e/caro/ifiof. 
 
 ('ATTO/.'/MVI has the initial syllable lengthened by the arsis.) 
 322. EpxcaOov n/iair]v TLr)'/.rilu.\&u 'Axi/jjof. 
 
 (Ilil/.nia&eu, the ending -6eu to be pronounced as one sylla- 
 ble, by synaresis.) 
 325. i'/.duv cn-v TT/.COV \EGGI ~i> \ oi aal fiiyiov carat. 
 
 (ol has the digamma, rot, preventing the hiatus.) 
 330. TJUEVOV owf apa \ ruye 16 ^uv yjj6j)OEv 'A^iAAciic- 
 
 (L6uv has the digamma, fiduv. preventing the hiatus.) 
 333. ai'Tup by' \ eyvu \ yav bvl a>peol, ouvr/ctv rt. 
 
 (T/GIV lias the digamma, rf/av, preventing the hiatus.) 
 
 342. Tolf a/Jj>i fj j yap by' b/*ofi\ai typed &VIL. 
 
 (yap lengthened by the arsis. oAo^cri, the second omicrm 
 lengthened by Ike arsis.) 
 
 343. ovde TL \ oLtie vo\f/aaj. afia TTpoccu nai OTTIGGU. 
 
 (ol6f has the digamma, rolde, preventing the hiatus.) 
 
 344. dinruf ol Trapa \ inrval oo\oi /ia^eui-'rai 'A^atot. 
 
 (VTJVCL, to be pronounced as a dissyllable, by syncrresis.) 
 350. &lv' to' d/.6f 7To/,w/f, 6fi6\uv ETTI \ ulvoTra KOVTOV. 
 
 (olvoTra has the digamma, Foivoxa,, preventing the hiatus.) 
 363. i!-av6a (Oi atv& vu\u, iva \ fi6o{iv ufj.a>u. 
 
 (cldofj.v has the digamma, Feidopev, preventing the hiatut.) 
 370. XpvCT^f f avif, iepevf inarqfo/.ov , 'ATTV/./.\UVO. 
 
 ('ATro/LAwvor, first syllable lengthened by the arsis.) 
 
 373. Same as line 370 ; 'A.Tro/y.ui'Of with first syllable long. 
 
 374. ^ft79 av\a GKT/Trrpu, KOI i'/.ioacro Trtivraf "A^ototif. 
 
 (xpvce<t> to be pronounced as a dissyllable, by syntzrcsis.) 
 378. d/U.' aim 'Arpeidy 'A.ya\fiipvovL \ r/vdave &vfj.il). 
 
 (rp>6avE has the digamma, Vrjv&ave, preventing the hiatus.) 
 381. cvjauevov f/novoev. i-xel pd/M. \ ol <j>i'/^0f fjev. 
 
 (oi has the digamma, Foi, preventing the hiatus.) 
 
 385. ci> ti(5|wf uyopeve &eoTrpoiriaf *E.nd~ot.o. 
 
 (eidiJf fias the digamma, rubier, so that no elision takes place 
 in the preceding diphthong eii.) 
 
 386. OVTIK' eyu Trpurof KC/Mpijv dew \ l/.dan\Eadai. 
 
 initial syllable lengthened by the artit.)
 
 METRICAL INDEX. 295 
 
 L-na 
 
 389. rijv ftev yap env vrjt do\ij e/J.{KUTre 'Axawi. 
 
 (gAi/cwTTCf has the digamma, FfAiKUTff, so that no elision 
 takes place in the final syllable of 1)077.) 
 
 390. ef XpiioTyv TTSfLTTovaiv, uyovai <5e j <5wpa uv.anTi. 
 
 (uva/tTi has the. digamma, ru.vcui~L. preventing the hiatus.} 
 
 394. fAftnV Q-W.vuirovo'e Atj Aiaai, \ el TTOTC 6rj TL. 
 
 (Aiu, Jinal syllable lengthened by the arsis.) 
 
 395. fj STrsi | uvijffae icpadirjv Aiof f/s K.O.L sp-/^. 
 
 (1-xEi has the digamma. Ft : Tet, *o iAai no elision takes place 
 in f/.) 
 
 396. iro/./.ut yu/j fft ; o rrarpof i\vl u.E}dp\oi.ai.v anovaa. 
 
 (svl, Jinal syllable lengthened by the arsis.) 
 
 403. dv Bpidlpfuv Ka/,s\ovai -tfeoi, av&ps^ 6s TS TTOVTE^. 
 
 (Bpiaoeuv psuv pronounced as one syllable, by synccresis.) 
 
 404. Aiyo/uv' o yup arre Jtjy ov { Trarpdf apeivurv. 
 
 (oil has the digamma, For, *o f^ai no elision takes place in 
 
 the Jinal vowel of Jig.) 
 
 409. rovf <5e /taru Trpvfivae re /ca2 | u^0' uAn | i/,<r<u 'A^aiovf. 
 (EAffai A<w <A digamma, Fe/.crat, preventing the hiatus.) 
 
 415. altf* oeAff Trapd j vrfvalv u|i5u/cpvroc at aTn/auv. 
 
 (vTjvoiv pronounced as two syllables, by synaeresis.) 
 
 416. i/crtfai fTE4 vi! rot atua uivvvVd irsp, OVTI uuJAci (5^v. j 
 
 (pd/\.<i, final syllable lengthened by the arsis.) 
 421. u/t/.u ffi fv vfv j vrjvffl Trap\rtfivo<; u/cvrropoiacv. 
 
 (v7iv<ri pronounced as a dissyllable, by syn&resis.) 
 
 430. njv pa 3iij USKOVTO^ liir r/vpuv. \ Avrup 'Odvcro-evf. 
 
 (utnivpuv tfiipuv pronounced as two syllables, by syneeresis.) 
 
 431. ef 'Kpv[crr]v l\jtavev uyuv leprjv ttaT6fj.6rjv. 
 
 (litavev, initial vowel rendered long' by the augment.) 
 
 437. e/c <5e KOI ai/roi fialvov sJTTi prr/luti/i ^aAdiTcrnf. 
 
 (sTrl, final syllable lengthened by the arsis.) 
 
 438. tK 6' e/caroud/?w Jijaav A?66Au J'ATOAAJUVO?. 
 
 ('ATroAAufoc, initial syllable lengthened by the arsis.) 
 444. pesai trrt-p Aavauv, ik>p' | Z/.affo uf<rt?a uvjaxTa. 
 
 (iAaff6,ue(T<?a, initial syllable lengthened by the arsis. <ivarr 
 
 has the digamma, Ftiva/cra, preventing the hiatus.) 
 452. Compare line 38. 
 464. rftfjyfaf ftev kfi s ftsya. \ iP ii-ao Aaov 'A^atwv. 
 
 (e,u, final syllable lengthened by the arsis.) 
 462. Kale f eirl ffxi^ys o yspuv, STI | <? aZt'oTo | olvm. 
 
 (alvov has the digamma, ratvov, preventing the hiatus.)
 
 jyii METRICAL INDEX. 
 
 UM 
 
 472. ot di rravr/ueptoi jj.o7.-xjj -&EOV \ iSM,OK\ovTO. 
 
 (i/.daKOvro, initial syllable lengthened by the arsis.) 
 
 473. KUAOV aj'doi>Tf rtairjova Kovpoi 'A^atoiv. 
 
 (KU'/.OV, initial syllable lengthened by the arsis.) 
 479. rolaiv 6' IKUEVOV ovpov L\EI Kd\cpyof 'ATTOAAWI/. 
 
 (tKuepyoc. has the digamma twice, FeKusEpyoc., the first of 
 
 icluch saces ike preceding diphthong from elision.) 
 485. vija /J.KV olye fu/.aivav ETT' rj~ei\poio ep\vaaav. 
 
 (epvaaav has the digamma,, Ffpvaaav, preventing the hiatus.) 
 488. avrdp 6 pivie \ vnvci 77ap[7/uvof uKvrropotaiv. 
 
 (vnvai pronounced as a dissyllable, by synarcsis.) 
 491. oiirc n-or' t-f ir6fau\5v u/./.ju ^dandeaxe <pi/.ov nijp. 
 
 (iroAeuov, last syllable lengthened by the arsis, and also by the 
 
 pause in the line.) 
 495. irdvTtf uua, Zevf 6' i/pxs, Oertf 6' ov /.fider 1 i(j>\eTfiEuv. \ 
 
 (speTUEUv suv pronounced as one syllable, by synaresis.) 
 502. /.laaouEvr/ Trpofzenrs Ata KpoWjuva avja/cra. 
 
 (uvaura has the digamma, Favoura, preventing the hiatus.) 
 506. CTT/ler' urup jj.iv \ vvv yt dv|af uv6puv 'Ayafteuvuv. 
 
 (uva% has the digamma, Fdva^, preventing the hiatus.) 
 510. vibv fudv riauaiv, b<j>E7./.\uaiv re | TL/J.IJ. 
 
 (k has the digamma, Fc, preventing the hiatus.) 
 515. fj uTtoenr' EKCI ov -a I [t. (5eof | 6<f>p' ei> \ e'tdij. 
 
 (km, final syllable lengthened by the arsis. eldti has the di- 
 gamma, Fci(5a>, which saves the diphthong tv from elision.) 
 518. ft drj | 7\.oiyia \ epY, ore u' ff^oJoTr^uai eQTJaeif. 
 
 (spy has the digamma, Ftpf, preventing the hiatus.) 
 
 528. if, Kal j Kvavf\yoiv erf b<j>pvai vei'ce Kpoviuv. 
 
 (Kvavtyaiv, the initial syllable lengthened by the arsis.) 
 
 529. a/j.6po<jiai d' dpa x a ^~ a t ETtppu\aavTO avjaxrof. 
 
 (uvaKTOf has the digamma, FdvaKTOc., preventing the hiatus.) 
 537. qyvoirjaev I6\ova', on | oi avufypdaoaro /3ov/*df. 
 
 (ot has the digamma, Fot, preventing the hiatus.) 
 539. ovn'/ca Keprouioiai Aia Kpoviuva 7rpof\riii6a. \ 
 
 (^pofijvda t)v6a pronounced as two syllables, by synaresis.) 
 543. Trpo<f>p<M>v rfrX^\ieOf et^jeiv iTrof orrt vojjayf. 
 
 (TET?LTIKU, final syllable lengthened by the position formed by 
 the consonant f and the digamma in Fenrelv.) 
 
 550. pqTt ail | rai!-a l\Kaara tiieipso, [ivde perdX/ia. 
 
 (iKaara has the digamma, Fexaara, preventing the hiatus.) 
 
 551. TOV 6' r/ui6eT' eireira POUTTIC \ TTOTVLO \ "Hpn. 
 
 s the digamma, F^pv, preventing the. hiatus.)
 
 METRICAL INDEX. 297 
 
 Lin 
 659. Tiuyoyc, 6/.ear>c 6e ffo/.jt'af enl \ viivalv 'A\xaiuv. 
 
 (n-oAfOf pronounced at two syllables, by syneeresis. vijvaiv 
 
 also pronounced as two syllables, from the same cause.) 
 573. TJ $TI | Xoiyia j tpya raff caaerai, ovff IT' uvtKTa. 
 
 (epya has the digamma, fepya, preventing the hiatus.) 
 578. irarpl Qity kmijpa <f>ep\eiv A, | 5<j>pa U.T) aiire. 
 
 (6<f>pa has the digamma, F6<j>pa, preventing the hiatus.) 
 583. avTin' inciT* t?.|c2of | 'OAi/iTrtof taaerai fjfj.iv. 
 
 (iAdof, penult lengthened by the arsis.) 
 
 606. et fi.lv KOKKtiovrtf i6av oiK\6v6e IK\O,GTO<;. 
 
 (lnaaros has the digamma, fsKaarof, preventing the hiatus. 
 iduv, final syllable lengthened by the position produced by 
 the 'final consonant v and the digamma in FoiK6v6c.) 
 
 607. r/^t e|KaoT<j> 6u[ia ircpiK^VTOs 'AuQiyVTJetf. 
 
 (SKOOTU has the digamma, FEKUOTU, presenting the hiatus.) 
 609. Zeiif de rrpof bv ^.c^of, rjl' 'QXvuTnos <i<rrepoT?r^f . 
 
 (There is a defect in this line, since, inasmuch as bv has the 
 digamma, For, the preceding irpbf ought to be long by posi- 
 tion, which would vitiate the dactyl. Bentley recommends 
 the rejection of bv from the text, so that the line may run at 
 follows : Zfiir 6e \ irpof fa^Sf | ft' fa.) 
 
 BOOK II. 
 
 1. "AWot UEV pa &eoi re icai \ avepec. \ i-KKOKOpwJTCU. 
 f, initial syllable lengthened by the arsis.) 
 kioi) 6e 7roA|eaf im \ vrjvoiv 'A^atuv. 
 cat as one syllable, by synceresis. vrrvalv pro- 
 nounced as a dissyllable, by syntcresis.) 
 5. f/ie 6e \ oi KOTO, dvubv apiary fyaivero ftovhrj. 
 
 (oi has the digamma, Fot, preventing the hiatus.) 
 8. /3a<7/c' Idi | oy/le 6v\eipe, &out em vijac. 'A^aiuv. 
 
 (ovAc has the digamma, FovAe, preventing the hiatus. An 
 
 hiatus, however, actually takes place between ovXe and ovei- 
 
 pe, which there is nothing to remedy, unless we read, with 
 
 Knight, 6/.o/^, the elided form of the vocative, from 6Ao/"of.) 
 
 11. &uprjl;\a.i t /ctAjeve Kapr/KououvTat 'A^ajovf. 
 
 (^ has the digamma, Fe, so that there is no elision in the 
 
 diphthong preceding.) 
 20. any 6' up' virep Ke&aAijt N7//.|^i l <j | vh i\otKuc. 
 
 (vh has the digamma, fvu, so that no elision take* place in tht
 
 298 METRICAL INDEX. 
 
 Line 
 
 final iuictl of Nty/^i'u. EOIKUC has also the digamma twice, 
 FefoiKuc, the first of which prevents the hiatus with vh.) 
 247 ov %pij iravvvxi\5v ev6\ctv povArjtyopov dvdpa. 
 
 (Kavvvxidv, final syllable lengthened by the arsis.) 
 38. vrjiTioe ' | ovde ru \ ydy, u pa Zeiif \ fjajdero \ ipya. 
 
 (ydrj has the digamma, Fr/d^, preventing the hiatus. Ipya has 
 also the digamma, rspya, preventing the hiatus.) 
 
 43. Ku^ov, | vnyureov trepl \ 6s ueya \ /3aA/lero Qupof. 
 
 (/cd/lov has the first syllable lengthened by the arsis. 6e is 
 also lengthened by the arsis.) 
 
 44. iroaai ff vn\o ~t.ntap\olai,v kdfianro \ KU?M. 7TE6\i7*a. 
 
 (VTTO, final syllable lengthened by the arsis. /caAa, initial syl- 
 
 lable lengthened by the arsis.) 
 58. eldof | re [isyf \66$ re, <pvr/v T' ay^|rra e\(JKei. 
 
 (re lengthened by the arsis. SUKEL has the digamma twice, 
 
 fefuxei, the first of which prevents the hiatus.) 
 71. $X T ' uTTO'7TTufj.e\vdf, eu | 6e y?.v/cif vnvof avrjuev. 
 
 (aTroTTTufievof, final syllable lengthened by the arsis.) 
 74. /cat Qevyeiv cnv \ VTJVGI iro\7wKkri\lai KA\evau. 
 
 (vrjval, two syllables, by synaresis.'xo'XvK'h.filai, penult length- 
 
 ened by the arsis.) 
 77. Neorwp, 6f pa Ilv\^oio uv af r/v j^uaftievrof. 
 
 (dva^ has the digamma, Favaf, preventing the hiatus.) 
 87. jyire | idvea | elai /J.e?*iaauuv a6i.va.uv. 
 
 (idvea has the digamma, fedvea, preventing the hiatus.) 
 90. al uev \ r' evda a/i|f 7T:ror^arat, | al 6e re | vf)a. 
 
 (ufaf has the digamma, Fu/U<r, preventing the hiatus. There 
 is an hiatus, hmcever, in re svOa, which escaped the obser- 
 vation of Bentley, and for which Heyne proposes TOL ev6a.) 
 96. /lauv i^ovruv, b/j.a6of 6' i]v, ewea \ 6e cr^eaf. | 
 
 (<70eaf, one syllable, by syncercsis.) 
 102. "H^aiOTOf uev 6uKt Att Kpovi\uvi dv\aKTi. 
 
 (uvaKTi has the digamma, FUVOKTI, preventing the hiatus.) 
 104. 'Epuei\af 6e av|f (5<5/cev IleAoTrt irhrjiiimry. 
 
 (aval; has the digamma, Fuvaf, preventing the hiatus.) 
 
 108. iro^r/atv vqaoiai /cat "Apyei \ navrl av\laativ. 
 
 (avuaaeiv has the digamma, Favuaaeiv, preventing the hiatus.) 
 
 109. r<p oy' epeiffa.UEV\df e^re' | 'Apyetoioi uT\rivda. \ 
 
 (kpeioduevoc., last syllable lengthened by the arsis. uerrfvSa 
 rjvda pronounced as two syllables, by syneeresis.)
 
 METRICAL INDEX. 299 
 
 Line 
 
 116. OVTU KOV &u UE&AEI viTpuevE\i $i7,ov \ elvai, 
 
 (ii-epuevEl, final syllable lengthened, by the arsis.) 
 
 127. Tpuuv | 6' uvdpa IK\O.OTOV skoiueBa \ oivoxoeveiv. 
 
 (luac-ov and oivo^ofveiv have eac.h the digamma, FEKaarov 
 and FOIVOXOEVELV, preventing in each case the hiatus.) 
 
 128. 7ro/l/lai Kfv dsKudff deujot'aro \ oivoxooio. 
 
 (oivoxooio has the digamma, preventing the hiatus.) 
 J31. irofaeuv | K TroA/wv eyxeaira?.oi uvdpef iaaiv. 
 
 (xoU.iuv pronounced as two syllables, by synaresis.) 
 "137. tlar' iv\l usyu.p\oic. Trortdey/ieixu | auui os \ epyov. 
 
 (EVI, final syllable lengthened by the arsis. epyov has the di- 
 gamma, fepyov, preventing the hiatus.) 
 140. (tevyuuev avv \ vtjvai <pi~A\7jv if ^arpida yaiav. 
 
 (yrjvci pronounced as two syllables, by synatresis.) 
 
 145. TTOVTOV | 'Itiapioio, ru. UEV T" Ev/adf re Norof re. 
 
 (Knight gives 'luapioio the digamma, FiKapiofo, the first of 
 which prevents the hiatus.) 
 
 146. upop' e;r|(itf jaf narpof Ai6f kn V0e/.awv. 
 
 (s-di^af has the antepenult lengthened by the arsis.) 
 150. vfjdf ETT' eaaevovTO, troduv 6' vevepde Kov\ii). \ 
 
 (Kovin, penult lengthened by the arsis.) 
 154. otKade \ ieue^vuv v~c 6' ypeov epuara vnuv. 
 
 (ituivuv has the digamma, Fieuevuv, preventing the hiatus. 
 ifutvuv has also the initial vowel lengthened by the arsis.") 
 158. ovru | 6q oi\Kov6e ois.Tjv ff Trarpida -yalav. 
 
 (olKovtie has the digamma, folubvde, so that no elision takes 
 place in <5)J.) 
 
 164. aotf dyavotf eTrecfftTiv epf/Tvc \ <f>ura K\aarov. 
 
 (EKOOTOV has the digamma, [EKOOTOV, preventing the hiatus.) 
 
 165. uijff Ei\a vij\uf a/ad* j E^KEUEV uu<j>i/uaaa(. 
 
 (v^df, final syllable lengthened by the arsis. The common 
 text has unds la, but this produces an hiatus, which vitiates 
 the line. Knight, accordingly, reads un6' lae (i. ., prjff 
 Ifae), and Bentley fj.riS' eda, but we have preferred to 
 either the emendation of Thiersch, ur]6' eta. Gr. Gr., 220, 
 69.) 
 167. {3ij de /car" QvMunoio Kapijvuv \ ai^\aaa. 
 
 (ui^aaa, initial towel lengthened by the arsis.) 
 169. et'pci* ETTEIT' 'Qdvaija AtjZ fiij\rlv (lrd|Aavrov. 
 
 (&tl, final syllable lengthened by the arsis. urjrlv, the same.) 
 175. ^ev-featf* EV v^eaai Ko?.vK/.ii ~ioi Trejcrovref. 
 
 (no'}.vK.7.7)iai > penult lengthened by the arsis.)
 
 800 METRICAL INDEX. 
 
 Lin* 
 
 180. Compare line 164. 
 
 181. Compare line 165. 
 
 185. aiirbf 6' \\Tpei\decj 'A-/a\UKUvovof uvrioc. /.6uv. 
 
 ('Arpeufctj 5eu pronounced as one syllable, by syncocsi*.) 
 
 186. (5t ; faro | oi <7K//;rjrpoi> Trarpuiov, ufdirov aid. 
 
 (oi has the digamma, Foi, preventing the hiatus.) 
 
 189. rov 6' uyavoif K-ieaaiv ep\r]TV\aaaKE Trapaardf. 
 
 (Compare line 192, look I.) 
 
 190. 6aLjj.6vi', ov CE tjot/ce, KO.K\dv <jf, dfidioaeffffdi. 
 
 (EOIKE has the digamma twice, FE^OIKE, the first of which pre- 
 vents the hiatus. KO.KOV, final syllable lengthened by the 
 arsis.) 
 192. ov yup | TTCJ ffcioa | oiad', oiot. voor 'A.rpeiuvof. 
 
 (olaff has the digamma, Foioff, preventing the hiatus.) 
 
 196. -Svuof | 6i utyas \ earl diorpe^eof f3affi7.fjof. 
 
 (6 lengthened by the arsis.) 
 
 197. ripi ff EK Aiof sffTi, <j>ih\ei SE e \ fiririera ZfVf. 
 
 (e has the digamma, Fe, preventing the hiatus.) 
 
 198. ov d' av di'/fiov \ T' iivdpa I6\oi, poouvTa f id>Evpot. 
 
 (1601 tuts the digamma, Fidoi, preventing the hiatus.) 
 
 205. etf jBaai/.evf, u E^UKE Kpovov rraif ir/KV/.o\utiTtu. \ 
 
 (ayKv'/.ofti]TCj rew one syllable by syn&resis.) 
 
 206. aKf/Trrpov T' r/(5e ^euiaraf lv\a a$i\ol tlaoifievy. 
 
 ( This line violates the metre, since no good reason can be as- 
 signed for the length of the first syllable in aaiai, except the 
 mere necessity of the rerse, which is, in fact, no reason at 
 all. Consult, also, Explanatory Notes, for other objections. 
 The final syllable, however, inaoialis long by the arsis.) 
 211. a/lAot UEV p' E&VTO kp\fjTi<\6cv 6s nad' edpaf. 
 
 (According to some, the v is long here in ip/'/rvdev, because 
 contracted fur eprjrvOnaav. A better reason, however, is, 
 because the digamma intervenes, and produces a lengthening 
 by position with the folloicing 6, namely, EpnTiifdev. Com- 
 pare line 192, book i.) 
 213. of p' ETTca GpEaiv yaiv UKOOUU re XU'A'AU re | yon. \ 
 
 (rjdri has the digamma, F(idr), preventing the hiatus.) 
 
 215. ciX/,' iiri | oi e'tGaiTo yt/.oiiov 'ApytiouHP. 
 
 (oi has the digamma, Fot, presenting the hiatus.) 
 
 216. euuEvai alffxta\TOC <5e uv\i/p VTTO j "IXtov r/Wsv. 
 
 ( This line is faulty on account of the hiatus in (5e avi'/p, which 
 Bentley seeks to remedy by reading 6' up' <iv?/p,
 
 METRICAL INDEX. 301 
 
 6' avopuv. 'Ifaov, however, has the digamma, FiAiw, pre- 
 venting a second hiatus. Knight rejects, as faulty, lines 
 217-219 inclusive.) 
 
 217. po/Udf env, x u ?- d' trcpov rr66a | TO tie oi \ &uu. 
 (oi has the digamma, Foi, preventing the hiatus.) 
 228. TrpuTioru 6ido\uSv ei>r > | uv TTTol.ledpov fP.u//cv. 
 
 (6i6ouv, final syllable lengthened by the arsis.) 
 233. ;/vr" atijrdf 0.776 \ vootyt. Karia^eai ; oi' uev comev. 
 
 (avroc., final syllable lengthened by the arsis.) 
 236. oixade Kip avv \ vnval vf\<Jut6a rovde 6' euuev. 
 
 (vijvai pronounced as two syllables, by synaresis.) 
 239. 6f KOi vvv 'A^t|yl^a, i\n psy' du\eivova <j>ura. 
 
 (so has the digamma, fco, preventing the hiatus. The final 
 
 vowel in to is also lengthened by the arsis.) 
 245. KOI uiv V7r\66pa id\uv ^O/.CTU Tjvi^aTrc uv6(.>. 
 
 (I6(jv has the digamma, preventing the hiatus.) 
 249. lupevai, offffot tip' 'A.Tpi\6nf I-TO | 'Duov qWov. 
 
 ('IXiov has the digamma, Ftf.tov, preventing the hiatus.) 
 252. oi'df TI\TTU au<l>a\l6uv, OTtuf l<rr|at rude \ epya. 
 
 (Id/uv has the digamma, i6utv, preventing the hiatus. So, 
 also, Ipya has the digamma, Fipya, preventing another 
 hiatus.) 
 255. yam bveidiQuv ori \ oi ud'/.a TOA/.U diiovaiv. 
 
 (oi has the digamma, Fot, preventing the hiatus.) 
 261. el pri kyu ae /.a6(jv UTTO \ ucv ifii/'.a \ clfiara Svau. 
 
 (ciftara has the digamma, Ffiuara, preventing the hiatus.) 
 266. Tr^.fj^ev ' b 6' itivuftr/, &a?.e\pbv 6e ol\K7TEoe odupv. 
 (oi has the digamma, Foi, preventing the hiatus.) 
 
 268. aKTJTrrpov into ^pt)(T|Eov 6 ff up' \ e^ero, ruporiaev rt. 
 
 (Xpvaeov must be pronounced as a dissyllable, so that -eon 6 d* 
 up' forms a dactyl. ) 
 
 269. u/.yi'iaas 6' uxp\tlov I6\uv, dirouopl-aTO duKpv. 
 
 (TTiis line is metrically faulty, since iduv has the digamma, 
 Fiduv, and the final syllable of uxpelov ought, therefore, to 
 be long by position, and can not form the second of a dactyl. 
 Bentley suggests uxpelov opuv, or uxpela Fiduv. Many 
 passages occur in which opuv and itieiv appear to be inter- 
 changed, and probably the present one ought to be added to 
 the number. Heyne also inclines toward axptiov opuv.) 
 
 270. oi O"E, KOI uxyi-fievoi irep, in' \ avru \ j/6v yeXaoaav. 
 
 (i/dv has the digamma, 7n6v, preventing the hiatus.) 
 Cc
 
 302 METRICAL INDEX. 
 
 Liue 
 
 271. ude de \ rZf "nr\eai<ev Iduv ef \ KAqaiov a/Jkov. 
 
 (e'nreaKev has the digamma, FeiTrecr/cev, so that rif become* 
 long' by position.) 
 
 272. u 7T07T04, i] 6r) fj,vpi' 'Q6vaaEV<; \ eadXu Ijopycv. 
 
 (eopyev has the digamma, Fe'opyev, preventing the hiatus.) 
 
 274. vvv (5e To\6e us-/ up[iaTov iv 'Apyeioiaiv epet-ev. 
 
 (rode, final syllable lengthened by the arsis.) 
 
 275. 6f TOV ?M&ri\Tijpa kTr\ea6b7.ov 0%' uyopuuv. 
 
 (ireo66?*ov has the digamma, fTrea66/iov, preventing the 
 
 hiatus.) 
 284. 'Arpeidn, vHv \ 6i) ae avjaf, id&ovaiv 'A^atot. 
 
 (dvaf has the digamma, Fuvaf, preventing the hiatut.) 
 
 290. a/J^TiOLOLV b6vpovr\tu olK\6vde veeadai. 
 
 (oiKovde has the digamma, foinovdc, so that no elision take* 
 place in the preceding diphthong.) 
 
 291. TI p]v Kal irovoc kariv dv\lr]\dtvTa veeaQai. 
 
 (avlnOevTa, the i lengthened by the arsis.) 
 
 292. Kal -yap Tif #' eva p/va [ih\uv a;ro j r/f ahoxoio. 
 
 (^f has the digamma, ff/f, preventing the hiatus.) 
 294. xei(iEpi\ai ri\Aeuaiv bp\ivo(t.ivrj re -duhaaoa. 
 
 has the digamma, FetMuoiv, preventing the hiatus. 
 , moreover, must be pronounced as three sylla- 
 bles merely, by synaresis, the syllable fu being contracted 
 into a.) 
 
 297. ao^aAoav ?capa \ vnvffi *op\uviat.v (i/lAa Kal eumtf. 
 
 (vrjvai pronounced as two syllables, by synttresis.) 
 
 301. tv yap | 61] rode \ I6fj.ev evl <f>peaiv iaTE 6e Travref. 
 
 (Iduev has the digamma, Fiduev, preventing the hiatut.) 
 307. Kdhy VTTJO Tr/laravtaTO, bdev peev <iy/.aoi> iidup. 
 (Kd^-y, first syllable lengthened by the arsis.) 
 310. (3uuov tw[uit'|af Trpof pa TrAaruviarov opovaev. 
 (vTrdifaf, antepenult lengthened by the arsis.) 
 315. fi^TJip 6' ufuj>7TOT\a.To b6\vpofj.evri <$>i).a re/tva. 
 
 ( This line is faulty in point of metre, since there is nothing 
 to prevent the hiatus. Bentley suggests auQenoraT' 6Ao^- 
 vpouevn.) 
 319. Auav yap uiv sdnKE Kpovov Ttaie oy/fvAo|/z^ru. | 
 
 ayKvhouiJTsu ru pronounced as one syllable by synaresis, 
 
 so that -ui/Tfu forms a spondee.) 
 329. ru de/caru 6s 7r6A|tv al\p^aouev evpvdyviav. 
 
 (xds.lv, final syllable lengthened by the arsis.)
 
 METRICAL INDEX. 303 
 
 Line 
 
 332. avTov, \ ciooKev UGTV usya Hpidu\oio e%.\u[tev. 
 
 (The pause sates the last syllable of aiirov from elision, or, 
 in other words, prevents the hiatus. \Yith regard to Upi- 
 duoio I/.UUEV, Bcntley suggests Tlpiduoio uAut], i. e., Fal.un, 
 but Knight gives E/.UUEV itself the digamma, F&uftEV.) 
 
 333. uf tyar' 'Apyelot 6e yue'/ | la^ov, \ uuijtl de vijec.. 
 
 (ta^ov, initial vowel lengthened by the arsis.) 
 
 337. w TTOTTOI, TJ 6rj naialv eoinoTEc, \ uyopd\ao6e. 
 
 (uyopdaoQf, initial syllable lengthened by the arsis.) 
 
 338. vrjnidxotc., olf ovn usfai TroA,Eu\T)i.a \ epya. 
 
 (epya ha* the digamma, Fe'pya, preventing the hiatus.) 
 348. Kplv "Apy\oc d' ievai, nplv KOI Atdf aiyto^oio. 
 
 (irpiv lengthened by the arsis.) t 
 
 351. rjuan ru, ore | vrjvalv \ CTT" UKV/j.6poiaiv e6aivov. 
 
 (vrjvalv pronounced as tico syllables, by synteresis.) 
 354. TW pfjTis 7rp?v T7tiyaQ\u olK\6vde veeadai. 
 
 (oiKovds has the digamma, FoiKovds, so that there is no elision 
 of the preceding vowel.) 
 
 357. di TIC. e:K7rd-y^.uf efe'Ajej oiK\6vde vseadat. 
 
 (oiKovde has the digamma, FoiKovde, so that there is no elision 
 in the preceding diphthong.) 
 
 358. a~Tad\u yq \ vjjdf cvaai/.uoio (ieAaivi)f. 
 
 (?lf has the digamma, F^f, preventing the hiatus.) 
 
 360. aAXa, dvjaf, avrof r 1 cv uqdfo, neiBed T' a/l/.cj. 
 
 (avaf has the digamma, Fdvaf, preventing the hiatus.) 
 
 361. OVTOI uiro6^.r)\Tov CTOJ- | eaoerai, orrt KE eZrru. 
 
 (air66hiiTdv, final syllable lengthened by the arsis. e'nru has 
 the digamma, F'rru, and hence ne, not ntv, must precede. 
 The latter form would be long by position, and icould, of 
 course, violate the measure.) 
 
 366. yd' of K' ea6/.o eyai naT\d a^iac. \ yap uaxtovrai. 
 
 (ff^eaf pronounced as one syllable, by synaresis, d a(j>laf form- 
 ing a spondee.) 
 
 367. yvuaeai \ ff, el nai deaireaiij Trd/Uv OIIK dfanrdgeif. 
 
 (yvuoeai pronounced as two syllables, by synttresis, and 
 
 forming a spondee.) 
 373. T KE TUX' *lf*vo-ei ironic. Hpiup\OiO dv\aKTOf. 
 
 (dvaKTOf has the digamma, Fdva/crof, preventing the hiatus.) 
 392. [tiuvdfctv TTOpd \ vrival K0p\uviaiv, \ ov ol 7r|ftTa. 
 
 (vrrvffl pronounced as a dissyllable, by synxresis. ol has the 
 digamma, Fot, so that no elision takes place in the preced- 
 ing diphthong.)
 
 304 METRICAL INDEX. 
 
 Lino 
 
 394. uf I0ar' 'Apyetoi 6e fiiy' \ la^ov, \ uf ore. nvfia. 
 
 (laxov, -initial syllabic lengthened by the arsis.) 
 405. Ncaropa fisv Trpwnora nai 'ltio/j.ev\ija av|a/cra. 
 
 (uva/cra has the digamma, fuvaura, preventing the hiatus.) 
 
 407. EK.TOV 6' air' 'Odvarja At|Z fif/r\lv u,T(l\\avrov. 
 
 (&il and ftrjTiv have each the final syllable lengthened by the 
 arsis.) 
 
 408. avr6fiar\o^ 6i ol \ fjWe /3o7jv uyadbc. Mevt'Aaof. 
 
 (oi has the digamma, Foi, preventing the hiatus.) 
 419. <3f e^ar* ovS' upa \ iru ol n\CKpaiaiv Kpoviuv. 
 
 (ol has the digamma, Pot, so that there is no elision in the 
 
 preceding vowel.) 
 434. 'Arpeidij Kv6\taTe di'|af avdpuv 'Ayafj.Kfi.vuv. 
 
 (avaf has the digamma, Favaf, preventing the hiatus.) 
 436. u{i6a%h\ufteda \ epyov, b 6r/ i9eof h/yvaTii^ei. 
 
 (Ipjov has the digamma, Fepyov, preventing the hiatus.) 
 440. lofiev, | 6<f>pa KE duaaov f-yeipofiev b!-vv "Aprja. 
 (lofiEV, initial vowel lengthened by the arsis.) 
 449. Travrcf ii7r/lfc|ef eKa\r6ft6oi\of 6e e|a<;rof. 
 
 (eiiTr^fKECf, final syllable lengthened by the arsis. EKaarof 
 
 has the digamma, FcKaarof, preventing the hiatus.) 
 454. ev vnv\al yhatyvpriGt ty'ikrjv f jrarp/Az yatav. 
 
 (vijvol pronounced as two syllables, by synaresis ; hence kv 
 
 V7)v forms a spondee.) 
 465. tf irediov irpoxe \OVTO 1iKa\uuvApiov avrup VTTO %6uv. 
 
 ( The final vowel of irpo^Eovro remains short before the OK in 
 the next word, it being impossible otherwise to adapt such a 
 form as SKafiuvtipiov to the measure. To remove such a 
 shortening as the present one, Knight reads Kaftuvdpiov. 
 Consult Anthon's Greek Prosody, p. 6.) 
 407. eo-rav 6' kv faift\uvi 2/ca/z|ai/rfptu avdeftotvn. 
 
 (Consult remarks on previous line.) 
 471. wpr/ ev \ flapivy, ore re yAuyof uyyea 6evet. 
 
 (This line violates the metre, since elapivy has the digamma, 
 Feiapivy, which would make kv long by position. Bentley 
 suggests upy siapivy, i. e., uptj FeiapiVJ}.) 
 
 485. ituEif yap i?eat ^trrr, 7rdp|eoT re, | ?<rre re Trdvra. 
 
 (lore has the digamma, R'ore, preventing the hiatus.) 
 
 486. tjueif 6e K%.EOC, olov uKovoftev, \ oiide n \ I6ucv. 
 
 (Idftev has the digamma, fidfiev, preventing the hiatus.)
 
 METRICAL I.NUKX. 305 
 
 Line 
 
 490. yuvi) 6" appriKToe. xdXK\eov 6 poi \ f/rop kvdr). 
 
 f eov pronounced as one syllable, by synetresis.) 
 
 BOOK III. 
 
 2. Tpoiff ftev Kl.ayyy r' evoy ? laav, opvt\dec, wf. | 
 
 (opvidic,, last syllable lengthened by the arsis.) 
 24. evpuv ff f%a<j>ov Kspa\ov fj \ uypiov al-/a. 
 
 (nepaov, last syllable lengthened by the arsis.) 
 27. uf t^d/37? MevtV-aof "AP.ffavJpov -&eo\eidfa. \ 
 
 (i?eo(5i'a fa pronounced as one syllable, by synitresis, go 
 
 that -eidea forms a spondee.") 
 33. <jf &' ore rtf re 6pu\Kovra <5|cjv KaAivopaoc. uniarr]. 
 
 (i6uv has the digamma, Fi66i', preventing the hiatus.) 
 35. u\l> T uvxupn\aSv, u\xpo( fi fi.iv fi/.e Trapeidf. 
 
 (ve^cjp77Ofv, last syllable lengthened by the arsis.) 
 
 39. dvoTtapt, | tldoc, dpiarc, ywoi/iavef, T/TrepOTrevrd. 
 
 (eldof has the digamma, feldof, preventing the hiatus.) 
 
 40. dff o<f>/.\ec. uyov|6f T' Ifievat, u,-/ap.6^ r" inrdhiadai. 
 
 (o<iE?.ff, last syllable lengthened by the arsis.) 
 44. pavref apiarija Trpopov Ifipevai, orre/ca | nuXov. \ 
 
 (KU^.OV, first syllable lengthened by the arsis.) 
 46. j/ Toi\6f6e i\uv kv iroi'TOTropotai vieaciv. 
 
 ( This line offends against the metre, there being an hiatus in 
 
 rotofde EUV. Bentley suggests TOLOVTOC/ KUV.) 
 65. v Tc <C( '/'| 1 7 Te ! <<5C) <^ r ' fv Koviyai fir/cirif. 
 
 (eWof has the digamma, teidof, presenting the hiatus.) 
 67. 7.ulvov iaaa ^trtJi^a Kattiv ivix', \ baaa e|opyaf. 
 
 (topyaf Aa* /Ae digamma twice, Fe/"op;'oc, /Ac _^; - */ o/ these 
 preventing the hiatus.) 
 
 60. aid TOI upad'iT) Tre).e\KVf af ianv uTeipjjc.. 
 
 (Bentley gives <jf the digamma, Fw<r, which makes the final 
 syllable of rreP.eKVf long by position. Otherwise it will be 
 lengthened by the arsis.) 
 
 61. DOT' dffiv 6tu dovpbc. irrc' \ uvepoc,, \ of pu re rexvy. 
 
 (uvtpof has the initial vowel lengthened by the arsis.) 
 64. pi fioi Sup' eparu n:p6^>f\p xpwltW 'AdpoldiV^f. 
 
 (As xpvotlt has the initial syllable long, we must pronounce 
 -7f, the remainder of the word, as one long syllable, by sy- 
 naretit, making -iijs '\$po- a dactyl.) 
 C 02
 
 306 METRICAL INDEX. 
 
 Line 
 
 72. KTrjaaff Auv EV ndvra yv\vaiKa re \ oiKdd' uyEodu. 
 
 (oiKatf has the digamma, FoiKad', preventing the hiatus.) 
 83. aTEvrai j yap ri err|6f epejetv Kopv6alo?.os 'E/irop. 
 
 (eTrof has the digamma, Fe of, preventing the hiatus. The 
 final syllable of E~df, moreover, is lengthened by the arsis.) 
 89. TEVXECL \ KU/.' uTro\6sadai exl ^dovl ^ov^.vdoTeipy. 
 
 (KUA' lengthened by the arsis.) 
 93. Compare line 72. 
 103. olffETE 6' upv', ETEpov /.EV\KOV, Tp\nv 6e ue/iaivav. 
 
 (favKov, final syllabic lengthened by the arsis.) 
 106. ai'roc, CTJEi ol | TTaldef inrFpoia/.oi nai aTTiaroi. 
 
 (oi has the digamma, Fo, so that no elision takes place in the 
 
 preceding diphthong.) 
 116. 'EKTup | 6e Trpori | uarv 6vu Krjpvicae S.KEUKEV. 
 
 (UOTV has the digamma^ Facrrv, preventing the hiatus.) 
 119. v?/af ETTL -//.ayvpac. iev\ai rjd y \ upv' cKep,ercv. 
 
 (As upv' has the digamma, Fapv', the line, as it at present 
 stands, is faulty, and perhaps we should read 16s upve 
 K&evev, i. e., l&e fupve HE/.EVEV.) 
 
 125. Tjfv 6' evp' kv uevdpu ij \ 6e fteyav \ larbv IHJHUVEV. 
 (6e lengthened by the arsis.) 
 
 128. ovf sdev EIVEK' s-aaxov t'TT* | 'Ap7j\of -r:a/.a[tduv. 
 
 ("Ap^of, initial syllable lengthened by the arsis.) 
 
 129. ayxov 6' ioTauevtj Trpof<f7} n66ac / UKEa j 'Iptf. | 
 
 ('Ipif has the digamma, flpif, preventing the hiatus.) 
 
 130. 6Evp' Wi, vvu6a <j>iAn, Iva \ deand-a \ Ipya I6\nai. 
 
 (epya has the digamma, Fepj-a, and tdrjai the digamma, Fi'dj/at, 
 
 both preventing the hiatus.) 
 140. av6p6f TE 7rpore|poto /cat | aareof ^Je TOKTJUV. 
 
 (This line is faulty, since aareof has the digamma, FacTEOf, 
 and nai can not, therefore, be shortened. It is probable that 
 the true reading is nporepov Kai.) 
 152. dEvdpitft E(f>\^6uEvot OTTO faipioeoaav ulaiv. 
 
 6ev6pe<j pronounced as if written 6Ev6po, and then shortened 
 
 by elision.) 
 158. aivtif udavdrnai i?e^f elf \ uira I\OIKEV. 
 
 (eotKEv has the digamma, ^EOLKEV, preventing the hiatus.) 
 163. oippa i6\7/ TrpoTtpov re xoaiv irqovf re <j>i/.ovc. TE. 
 
 (i6y has the digamma, i6y, preventing the hiatus.) 
 169. KU/.OV 6' ovru Eyuv oi KU l&ov \ b<j>6atyioioiv. 
 
 (I6ov has the digamma, fi6ov, preventing any elision of the 
 preceding vowel, which remains long of course.)
 
 METRICAL INDEX. 307 
 
 Line 
 
 170. ovd' OVTU yepapuv paaiAtji yap \ uvdpi S\OIKEV. 
 
 (EOIKEV has the digamma twice, fefoiKtv, the first of which 
 
 prevents the hia/us.) 
 172. aldolof TE JJ.OL tcai 0iA|e KV\pS 6eiv\6f re. 
 
 (<J>IAE and envpe have each the final syllable lengthened by the 
 
 arsis.) 
 185. Ivda I6\ov irfciarovf $pt'raf. | uvspaf \ alo'Ko'Kufi.ovq 
 
 (I6ov has the digamma, fiSov, preventing the hiatus. uvepaf 
 has the initial syllable lengthened by the arsis.) 
 
 190. U.7.7J ov6' 01 roaoi f/aav, oa\oi e/,i|/cw7ref 'Axaioi. 
 
 (s^iKUTVEf has the digamma, Fe/tiKWTTff, preventing any elision 
 of the preceding diphthong.) 
 
 191. devrepov avr* 'O6v\aija I6\uv kpisiv' 6 yepaiof. 
 
 (I6uv has the digamma, Fiduv, preventing the hiatus.) 
 197. upveiti ftiv ey\uye e\iaKU TrijyeaifiuA/.u. 
 
 (eiaKU has the digamma, fetoKu, preventing the hiatus.) 
 
 203. ~r]v 6' ai'r' '\vrfjvup TiE-vvfiKvof uvTiov\nv6a. 
 
 (nvda pronounced as two syllables, by synaresis.) 
 
 204. u -yvvai, f/ fiu^a \ TOVTO en\of vnuepTEf ienref. 
 
 (cTrof has the digamma, Fenof, preventing the hiatus.) 
 214. nafpa (J.EV, aUu /za/l|u fayf^uf ETTSI oil no^vfivdo^. 
 
 (fid/M, final syllabic lengthened by the arsis.) 
 217. ordanev, inr\at. de l6\effK, KOTO. xQovbc Ofiuara 7rr/i;ac. 
 
 (IdeoKE has the digamma, FWeaxe, preventing the hiatus.) 
 219. U.7.7J uoTefufrec IXEOKEV, aidpei \ <j>url \oiKUf. 
 
 (EOIKUC has the digamma twice, Ff/"ot/cuf, the former of which 
 prevents the hiatus.) 
 
 221. {M,' ore 6ij p' OTTO. \ il [tyd}.\nv in arijOeoc, \ lei. \ 
 
 (TE lengthened by the arsis. lei, first syllable lengthened by 
 the arsis.) 
 
 222. KOI IKE\U. vKJ>d\6edffiv ioiKora xiyupiyotv. 
 
 (Ijrcd, final vowel lengthened by the arsis.) 
 230. Idapcvnif 6' Erspudsv EVI KpyTEaoi, $e|6f wf. | 
 
 (^eof has the final syllable lengthened by the arsis.) 
 
 236. dotw d* oil 6vva\/j.al Uf\etv KOfffOfTVpt ^aCiv. 
 
 (ideeiv has the digamma, ridesiv, preventing the hiatus.) 
 
 237. Kaerropu &' i-mr66a.fj.ov KU} mij uyaBbv ITo/if|(feii/cca. | 
 
 (HotodcvKsa ca pronounced as one syllable, by syna.resis.) 
 
 245. K7Jpv\itcf ft uvu | ucfTV &EUV (fifpov opicia irtard. 
 
 (uarv has the digamma, FdaTv, preventing the hiatus.) 
 
 246. apve 6v\u nal \ olvov iutypova, napirbv apovpnc..
 
 308 METRICAL INDEX. 
 
 UuB 
 
 (olvov has the di gamma, f olvov, so that no elision takes place 
 in the preceding diphthong.) 
 
 248. Kripvt- 'I6al5f f]\6e xpvo\eia KV-^E/./.CI. 
 
 ('I6aldf, -of long by the arsis ; no tyiUOtnt takes place in %pv- 
 aeia; on the contrary, -ciu. KVTT- forms a regular dactyl.) 
 
 249. UTpvvev 6e yt'povra vapia-uu\vdr 7T\aaiv. 
 
 (TrapiaruftEvdf has the final syllable long by position, eneeaaiv 
 
 having the digamma, Feceaciv ) 
 262. Trap 6e ol \ 'Avrijvup -xepiKa/J.ea prjaeTO 6i<j>pov. 
 
 (ol has the digamma, Foi, preventing the hiatus.) 
 267. &PVVTO 6' aiTi'/c" tTrjetra av|af dvdpuv 'AyapeLivuv. 
 
 (avaf has the digamma, Fdvaf, presenting the hiatus.) 
 269. opma KIOTO, ^cuv avvayov, KpJi[Tfjpi 6e \ olvov. 
 
 (olvov has the digamma, Folvov, preventing the hiatus.) 
 
 271. 'Arpe/djr/f 6s ip\vaauuvo ;fiprcu [idxaLpav. 
 
 (epvaoduevoc has the digamma, FEpvoaduevoc, preventing the 
 hiatus.) 
 
 272. % ol | Trap f/peof p:ya KOV).EOV altv uup-o. 
 
 (oi has the digamma, Foi, so that no elision takes place in the 
 
 previous vowel, which remains long of course.) 
 286. TLjj.rjv 6' 'Ap-/eioif a-xoriveuev, \ rjvriv' \OIKEV. 
 
 (This line is faulty, since ioittev has the digamma, and no 
 apostrophe can properly take place in T/VTIVO, while, even if 
 it could, T/VTIV' would still have the final syllabic -iv' long by 
 position. Bentley, therefore, corrects ijv re iomev, . e., 
 ijv re FefoiKcv.) 
 300. u6e o<j>' e-yK<f>a?.oc xapioif peoi \ a>f Me \ olvoc.. 
 
 (otvof has the digamma, Folvoc, preventing the hiatus.) 
 305. firot, f-yuv elu\i Trport \ "IXtov r/vffioeaaav. 
 
 ('IXiov has the digamma, Fil.iov, preventing the hiatus.) 
 308. Zeif usv | TTOV roye | olde /cat utidvarot -Scot aAAot. 
 
 (aide has the digamma, Fo5e, preventing the hiatus.) 
 310. TI pa, /cat ef 6i$p\ov apv\af -&ETO j laodfOf 0uf. 
 
 (6i(j>pdv, final syllable lengthened by the arsis. laodcof has 
 the digamma, Fiaodeof, preventing the hiatus.) 
 
 312. Trap 6e ol \ 'Avryvup nepiKal.l.ta 3riac~o 6'itypov. 
 
 (ol has the digamma, foi, preventing the hiatus.) 
 
 313. ru uev up' a-^>opp\oi rrport | "\7.iov inrovtovTO. 
 
 ('IXiov has the digamma, Fifaov, preventing the hiatus.) 
 319. u6e 6f | rlf etTrjeff/cev 'Axaitiv re Tpcjuv rf. 
 (rtf lengthened by the arsis.)
 
 METRICAL INDEX. 309 
 
 LiM 
 
 321. 6irir6Tcp\oc. raSe \ epya utr' uaoorepoiaiv fdnxtv. 
 
 (/>ya lias the digamma, Fe'pya, preventing- the hiatus.) 
 
 322. TOV dof uTro<f>6iuevov tivvai 66uov \ tiiJof \ tlau. 
 
 (u5of, initial syllable lengthened by the arsis.) 
 
 328. avrup oy' uu$' uuoioiv edvaero rev^ea \ KdXd. \ 
 
 (Ku2.il, initial syllable lengthened by the arsis.) 
 
 329. JiOf 'AAefavjcfpof 'E?.ev\ijt TTOOL^ TJVKOUOIO. 
 
 ('AAtfavJpdf, final syllable lengthened by the arsis.) 
 331. Ku/Uif, | upyvpeoiaiv hnojoptotf dpapvlaf. 
 
 (KuAdf, initial syllable lengthened by the arsis.) 
 338. eZ/lcTo 6' uTiKiuov \ cy^oc 5 | ol Tra^.ufin<j>iv apf/pei. 
 
 (oi has the digamma, foi, preventing the hiatus.) 
 351. ZciJ dvc, dof riaaadai, o us 7rpore/)|of KUK' s\opyev. 
 
 ( Bentley objects to this line as faulty, because lopyev is en- 
 titled, according to him, to the digamma, fiopycv, and 
 therefore KOKU can not lose its final syllable by elision, thus 
 making the line loo long. He proposes, therefore, to read 
 KUK' epce. But, as Heyne remarks, in such words as f.op-ya 
 there are two forms, namely, tfopya, and ttfopya, the first 
 nf which is here employed, and therefore the elision in /caxu 
 t* correct enough. Observe that uva has the digamma, 
 Fiiva, so that no elision takes place in the preceding diph- 
 thong.) 
 357. 6lu uev \ dffTrt'rfof fj7.6f <t>aeiv?ic. o6piuov e^fOf. 
 
 (did, initial syllable lengthened by the arsis.) 
 359. (ivTi\Kpv <5e irap\al 2.a7Ttipr/v diuur/ae XITUVH. 
 
 (uvrtKpv, final syllable lengthened by the arsis.) 
 361. 'A.Tpei6nf 6e epvaouuevoc, f/^of upyvpori'Xov. 
 
 (tpvaouuevof has the digamma, Fepvaaduevof, so that no eli- 
 sion lakes place in 6e.) 
 369. TI KO.I eT|at^|af KopvOof ?.a6ev 'nrirofiacftTif. 
 
 (t'Truifaf, antepenult lengthened by the arsis. 
 375. f/ ol | pr/fcv luuvra ^ojof l<t>\t KTauivoto. 
 
 (ol has the digamma, Fot, so that no elision takes place in j. 
 l<ft has the digamma, Fl<j>i, and therefore /3oof has the final 
 syllable long by position.) 
 381. peia u<DC, uare i?f|of fKu\hinpe 6' up' f/epi iro^y. 
 
 (t?f6f has the last syllable lengthened by the arsis.) 
 384. Tri'pyo ep' vifrnhu ircpj 6e Tpu\al uXic. \ rjaav. 
 
 (u?ut h&s the digamma, FdAtf, preventing any elision of the 
 preceding diphthong.)
 
 310 METRICAL INDEX. 
 
 385. ^rtpt <5e vEKTapi\ov Eav\ov ertvafc 
 
 (lavov has the digamma, Feavov, preventing any elision in the 
 preceding diphthong.) 
 
 386. -yprjc 6i \ uiv t\K\vla 7ra/t<uyevei TrpofmTrev. 
 
 (eiKvia has the digamma, FeiKvla, so that fj.iv is long by po- 
 sition. ) 
 
 387. EtpOKoliKf) i] | ol \aKEdai IJLOV i. vaitraua^. 
 
 (ol has the digamma, Foi, preventing the hiatus.) 
 
 388. f/aiceiv elpia \ KU/M, fiak\iara 6s fj.iv ^^EEOKEV. 
 
 (/coXti has the initial syllable lengthened by the arsis.) 
 390. ievp' 16" 'AZef-avdpoi; ae /caA|ei olK\6vde veeadat. 
 
 (oiKovde has the digamma, foiKovde, preventing any elision 
 
 of the diphthong in nafaL) 
 392. KcM.si TE ori?.6\uv KO.I \ eljtaaiv ' ov6e KE ipairjf. 
 
 (eliiaoiv has the digamma, Feittaaiv, preventing the elision of 
 
 the diphthong nai.) 
 398. &uii6nav r' up' ir\eiTa ln-|of f ^ar 7 IK T" bvopa&v. 
 
 (eTrof has the digamma, Ferrof, preventing the hiatus.) 
 404. viKijoas sSi/.ei <rrvye\pj)v cpe \ oiKa.6' d^cadai. 
 
 (oiKade has the digamma, Fot/cade, preventing the hiatus.) 
 408. a/,7,' aiel irepl Ktlvov bt&e, \ /cat e <j>v%\aaaE. 
 
 (e has the digamma, Fe, preventing any elision in nai.) 
 419. (3% (5e KaraaxofJ.f\vr) iav\(l> up-yfjTi tjtasivu. 
 
 (iavti has the digamma, Feai'w, preventing any elision of the 
 
 previous vowel.) 
 422. uu<j>iiro?i.oi JJ.EV en-ctra i?o|(Df em | epya TpuTTOvro. 
 
 (spy a has the digamma, Yepya, preventing the hiatus.) 
 
 449. 'ATpeidrjf (5' av' duihov eQoira, \ -(hipl E\OLKL>^. 
 
 (eoi/cwf has the digamma twice, FeSoiKuc., the first of which 
 prevents the hiatus.) 
 
 450. el KOV kaaQpi'iGEiEv 'A.7.i!-av\6pov deo\eiSea. \ 
 
 (deoEidsa, -EH to be pronounced as one syllable, by synceresit.) 
 453. oi fiev -yap ftXonfrl y' EKEvdavov, \ eirif I6\oiro. 
 
 (This line is faulty, since tdoiro has the digamma, Fidotro, 
 and eiTif, therefore, has its final syllable, in strictness, 
 long by position. Bcntley, therefore, reads E'LKE Ft'eJotvro, 
 but Heyne prefers Eirif opuro.) 
 
 459. EKdOTE, KOI TlflTjV UTTOTlVEflEV, I TjVTLV' 1\OIKEV. 
 
 (This line is faulty, since EOIKCV has the digamma twice, Fe- 
 /"otKev, the first of which would, of course, prevent any eli- 
 sion in fivriva. We. ought, probably, to read F?jv re
 
 PRELIMINARY REMARKS 
 
 HOMERIC GLOSSARY. 1 
 
 I. FROM the original seat of the human species amid the mount- 
 ains of Asia, the primitive tribes, with a language radically one and 
 the same, migrated in all directions. They brought this language, 
 under different shapes, to various quarters ; to India, where it be- 
 came the Sanscrit ; to Persia, where it became the Zend ; and to 
 the shores of Colchis. The Colchian branch of the still increas- 
 ing population separated, like the others, into many minor branches, 
 which spread through Asia Minor, on to Germany, Thrace, and 
 Greece, and were, from many parts, reunited in Italy. , 
 
 II. From the common origin of these tribes the affinity of their 
 tongues is derived ; an affinity more remote between Sanscrit, 
 Zend, and the languages of the Colchian branch ; more near among 
 these tongues themselves, the Armenian, German, Greek, and Latin. 
 
 III. The Greek tongue was spoken by those families which, hav- 
 ing wandered through Thrace into Greece, united with others that 
 passed over from Asia ; formed with them the Greek nation, and 
 spread, in colonies from the mother-country, over nearly all the 
 coasts of the Mediterranean Sea. 
 
 IV. The Grecian people, although composed of very different ele- 
 ments, early acquired a remarkable unity. The national character 
 and mental improvement which Asiatic settlers, and especially those 
 comprised under the Pelasgian name, introduced into their country, 
 took a deep root by the aid of religious observances, and were wide- 
 ly and impartially diffused through means of Epic song. 
 
 V. Of Pelasgian origin were the states of Argos, Athens, Breotia, 
 Phocis, Eubcea, Dodona, &c. Under the mythic Ion, according to 
 the ordinary, though no doubt erroneous legend, the name of the 
 Pelasgians, on the coast, passed into that of lonians ; under Cecrops, 
 according to another equally fabulous legend, the name of the in- 
 habitants of Attica into that of Athenians. 
 
 VI. As these tribes had a common origin, so they had at first a 
 
 1 TTttmch, Gr. Gr., p. vij.. Snnilforf* trni>.
 
 312 PRELIMINARY REMARKS TO THE HOMERIC GLOSSARY. 
 
 common language, and out of this original tongue the language of 
 Epic poetry arose. We must be careful, however, not to imagine 
 that the early bard, Homer, for example, expressed himself in a mode 
 of speech more or less removed from the ordinary language of the 
 day, and abounding with peculiarities borrowed from different dia- 
 lects. The. dialects had not as yet assumed a separate existence : one 
 common language was still spoken ; and out of this common tongue 
 the earliest Greek poets merely selected according to their wants ; 
 or, in other words, took what they wanted from the variety of act- 
 ual forms which they found already existing. 
 
 VII. When we talk, therefore, of lonicisms, Doricisms, jEolicisms, 
 dec., in the poetry of Homer, we must be merely understood as re- 
 ferring to peculiar forms of expressions, which, after the days of 
 Homer, were retained in particular dialects, and became, as it were, 
 the badges of these ; but which, in the days of Homer, when the dia- 
 lects had not as yet branched forth, still formed parts of the common 
 language of Greece. Of the dialects formed after the time of the 
 bard, the Ionic, as will appear from an examination of the glossary, 
 most closely resembled the ancient Epic style.
 
 HOMERIC GLOSSARY 
 
 FIRST THREE BOOKS OF THE ILIAD. 
 
 BOOK I. 
 
 , accus. sing, of p/i>tf, tof, f/, "wrath." Commonly, 
 5 ' but incorrectly, derived from /ucvw, "to remain," as if indica- 
 ting lasting anger. Better from fiaivopai, " to rave," 2 perf. fj.e(ir)va\ 
 and denoting a furious outburst of passion. Compare the Sanscrit 
 manyus, " wrath," ' vengeance," from the root man. 
 
 *A<Se, 2 pers. sing. pres. imperative act. from aeidu, " to tine." 
 poetic form for the common $6u, which latter is, in fact, contracted 
 from it. Fut. deiau ; fut. mid. dsiaopac. The forms from dei6u al- 
 most exclusively prevail in Homer ; but we have dao/iai in Hymn.. 
 vi., 2, and xxxii., 19. 
 
 6eu, vocative sing, of tfed, uf, r/, "a goddess," feminine form of 
 tJeof. Observe the different accentuation of -Sea, " a view" or 
 "sight." 
 
 nriArjiddeu. Epic and Ionic genitive for llii/.ijiddov, from Uij^tj- 
 iddr/s, ov, 6, which last is itself an Epic form for TLtfieidtit, ov, 6, " the 
 son of Pdcus," a patronymic noun from UrjAevf, Epic and Ionic rjo^, 
 Attic iuf, 6, " Peleus." Observe that u here has only a half, or irra- 
 tional length, as regards accentuation, and therefore the accent is 
 three places back in OfAyiodcw. 
 
 "A^t/l^of, gen. sing, of 'A^Act'f, ^o?, o, " Achilles," Epic and Ionic 
 for 'A^j/.t i'f, jf, o. Observe that 'A^t/levf is the primitive form of 
 the name, and 'A^iAXeuf, a later one. Achilles was the son of Peleus 
 and Thetis ; and was the prince of the Myrmidons, and the hero of 
 the Iliad. 
 
 , _ OvAo/ievr/v, Epic for o^oftevriv, 2 aor. part. mid. of o/.Afw, 
 " to destroy." In the middle, oAAtfiai, " to perish." Here, 
 however, the aorist part, middle is used adjectively, with the active 
 meaning of "destructive" or "pernicious."' (Compare JZsch., Supp., 
 877; Eurip., Phaen.. 1029, &e.) Fut. oAc'ffw , perf. Mena, and with 
 
 Dn
 
 314 HOMERIC GLOSSARY. 
 
 Line 23. 
 
 reduplication oAt>A?*a \ 2 perf. OAOAO, "/ am undone;" fut. mid. 
 6/tor/iai ; 2 aor. mid. wAo^v. 
 
 ?/, nom sing fern, of 6f, f/, 6, "which." 
 
 Mvpia, ace us. plur. neut. of fjvpiof, a, ov, " r.ounlless,'' "unnumber- 
 ed." Accotding to the grammarians, pvpiof, paroxyton, is the in- 
 definite number ; but fivptoc., proparoxyton, is the definite one, 
 namely, "ten thousand." This, however, is comparatively a late 
 distinction. As the original notion of this word is indefinite, and 
 not numerical, it is no doubt akin to the Latin multns, one liquid 
 taking the place of another ; but still nearer to the Gaelic mokr, 
 " great." 
 
 'Axuioic., dat. plur. of 'A^atof, ov, 6, " an Achaan." (Consult note.) 
 Properly an adjective, 'A^otof, u, ov, and hence 'A^atof = " an 
 AcJuean (man)." 
 
 "A/, yea, accus. plur. of uAyof, eoc,, TO, "suffering," pain, whether 
 of body or mind. Homer uses the plural much oftener than the 
 singular. Compare the Latin algor, " shivering," " shuddering," 
 which appears to be the earlier form of the word. 
 
 'Ednnev, 3 sing. 1 aor. ind. act. of -tdnfii, " to place" Ac., fut. 
 dr/cu : perf. rsdfiKa : 1 aor. IBrjKa. This aorist occurs, like the 
 similarly formed SOUKO. and rjita, almost exclusively in the sing, and 
 third pers. plur. On the other hand, idvv, the second aorist, is used 
 in the dual and plural, rarely if ever occurring in the singular. 
 
 T IIoAAuf. accus. plur. fem. of Tro/.Aof, r\, 6v, Ionic and poetic 
 .LINE d. 
 
 for 7ro/u>f, TTOA/.T}, TroAv. " Many. 
 
 Ae. A conjunctive particle, equivalent to " and " generally used, 
 however, to call attention to the fact that the word or clause to 
 which it stands is to be distinguished from something preceding, 
 and usually having an opposing or adversative force, i. e., "but," 
 "while," "on the other hand," a meaning which can easily be 
 traced even here. 
 
 'J00///OVC, accus. plur. masc. of "updlpoc., ov, elsewhere of three 
 terminations also. " Valiant," " strong," " mighty." Homer uses 
 this adjective as of three terminations, in speaking of persons ; but 
 he says ItyOifioi ipvxai, /ce^aAat. Derived, in all probability, direct- 
 ly from i<f>i, " bravely," " strongly," &.C., so that -dipof is a mere 
 termination. 
 
 "ih^af, ace. plur. of ipvxn, yc, TJ, " the soul." Originally, " the 
 breath" (Latin anima), as the sign of life, spirit, &c. From y/i^u, 
 "to breathe." Compare the Sanscrit pavdku, "breath." 
 
 'Ai6i, dat. sing, of "Aic, obsolete nominative of "Aidoc and "Aid*.
 
 HOMERIC GLOSSARY. 315 
 
 Line 35. 
 
 " Hades," the god of the lower world. The Epic writers use 'Al6oe 
 and "Aah as a genitive and dative for 'Aiotjy (the nominative *Atf 
 being, as just remarked, obsolete). The Attics, for "AteJof said $6ov. 
 Common derivation from a,priv.,and idtiv, " to see" as indicating 
 the god of the dark regions below, or the darkness of the lower 
 world itself. But it is probably of Oriental origin. 
 
 Upoia-^ev, 3 sing. 1 aor. indie, act. of npocunru, fut. -uif>u, " to 
 hurl onward," " to hurl." (Consult note.) From npo and IUTTTU, 
 " to hurl," or " send." According to some, iunru is from anru : but, 
 like ftlP.Aw, lil-Tu is probably a causative, formed from a neuter verb 
 of motion. 
 
 j . 'llfxjov, gen. plur. of qpuf, f/puoe, 6, " a hero." It would 
 appear that r/puf was originally applied to any freeman of 
 the ante-Hellenic age. respectable, by birth, or for skill in any pursuit, 
 especially in war : this age was called the Heroic. Compare the Ger- 
 man Herr (" Sir'') in its earliest usage, e. g., in the Nibelungenlied. 
 *Hpa, too, and the Latin herus, hera, seem to belong to the same root. 
 
 'EZupia, accus. plur. of tf.uptov, ov, TO. " A prey." Observe that 
 fkupia, though translated in the notes by the singular, is in reality 
 of plural force, as referring to each dead body in succession. From 
 Wop, eXupof, TO, same signification, and this probably from &elv, 
 " to seize." 
 
 Tff'xe, 3 sing, imperf. indie, act. of Tev^u, wanting the augment, 
 as is often the case in the Epic writers. The full form would be 
 eTevx? Tevxu, " to make," " to prepare ;" fut. revw : perf. re'rev^a : 
 1 aor. erev^a. 
 
 Ki-veaaiv, Epic for nvaiv, dat. plur. of KVUV, xvvof, 6, fj, "a dog." 
 Compare the Sanscrit, cvan, in oblique cases cun (KW-OC, KVV-I, 
 &c.), the Latin can-is, the German hund (i. e., chun-d). In Zend, 
 evan became cpa, with which compare the term cr-iina mentioned by 
 Herodotus (i., 110), and the Russian sabnk. 
 
 j , Oluvolai, Epic for oluvolf, dat. plur. of otuvo?, ov, 6, " a bird." 
 
 Strictly a solitary or lone-flying bird, from olof, " alone," and 
 
 hence especially a bird of prey, a vulture, an eagle. Observe that 
 
 -wvdf is a mere termination, like viuvof from vtdf, Koivuvof from 
 
 KOtVOf. 
 
 Iluai, dat. plur. masc. of n-uf, irdaa, irdv. 
 
 Awf, genitive assigned to ZriJf, " Jupiter," gen. At6f : dat. Aa : 
 accus. Am. These forms, however, come, in reality, from an obso- 
 lete nominative At'f, originally At/ 1 ?, gen. Ai^df, fec. (Kiihner,
 
 316 HOMERIC GLOSSARY. 
 
 Line 5 7. 
 
 'ErcAeftTo, 3 sing, imperf. indie, mid. of rtf.ciu, a strengthened 
 Epic variety of rt?.cu, " to accomplish." Tf/.eu, fut. iau : perf. TITC- 
 AEK. The Epic future is re'ktu (II., viii., 415), and sometimes with 
 <T<T to suit the metre, rtP-fircro (//., xxiii., 559) ; 1 aor. ireXeaaa (ZZ., 
 i., 108). The Epic future mid. re7Jouai has the force of the passive 
 (11., ii., 36), occurring in the infinitive re^eeaffai. 
 
 Bovl.jj, ijf, TJ, "the will." 
 
 j fi A^. A particle, supposed by some to be a shortened form of 
 fjdn, but by others a lengthened form of <5e. It can never 
 stand at the beginning of a sentence (except in Epic, 6ij TOTS, turn TCTO; 
 fit! yup,jam enim), hut generally immediately after the word to which 
 it belongs. It is used to express the exactness, reality, certainly, of 
 the notion of the word or sentence to which it belongs. In many 
 of its significations, it answers to our word just, or sooth, in sooth, 
 forsooth. It is applied in its sense of exactness to words or clauses 
 indicative of time, and signifies "now," "just now," &c. (Consult 
 note.) So, also, it has the force of" then," "even then" &c. 
 
 Ta irpura. Adverbial accusative, " First." Frequently occurring 
 in Homer, and the same in effect as -xpuTa. Some editions read 
 here ra-pura as one word ; and Wolf, being of opinion that Ta-rpura 
 means imprimis, but TO irpuTa, res primas, recalls the former in 
 many parts of the Homeric text. ( Praf., Nov. Edit., p. Ixii.) But 
 he is successfully opposed by Spitzner. 
 
 AiaoT^-r/v. 3 dual, 2 aor. indie, act. of ddaTrifu, " to set apart," 
 " to divide" from fnu. and laTr/pi. In the second aorist, dieaTijv, "I 
 stood apart." Said of two persons at variance, or quarreling 
 
 'EpiaavTe. Nom. dual. 1 aor. part. act. of tpi^u, " to quarrel," 
 "to contend," fut. tptau : perf. 7/pt/ra, which last occurs in owcnr/piKa 
 (Anthol. Philipp., 9, 709, 5) ; 1 aor. rjplaa. Derived from Ipjf, 
 "strife" &c. 
 
 j _ '.\-pctdnc., " Atrides," or " son of Atreus." A patronymic ap- 
 plied to both Agamemnon and Menelaus, who are also both 
 called collectively '\Tpti6ai, Atridce, though in reality they were sons 
 of Plisthenes, and were merely brought up by their grandfather, or, 
 rather, their stepfather Atreus. From 'Arpciif, gen. toe, comes 
 
 f, as from Il^Xevc, t'of, Un^eiSrjc. 
 
 f, gen. uvaxrof, 6, " the king." From a stem UVUKT, with 
 which we may compare the Oriental anak, "great," " powerful." 
 
 'Avfyuv, gen. plur. of UVT/P, gen. iivepoc., dv6p6f. From a stem vsp, 
 with which we may compare the Sanscrit nr (nri), and the Persian 
 ner, "a man."
 
 HOMERIC GLOSSARY. 317 
 
 Line 7-8. 
 
 Atof, 6la, 6lov, "godlike," "noble,' 11 "excellent" "divine." Con- 
 tracted from the less common diioc., which comes from At6f, the gen- 
 itive of Zfvf (or old nom. Atf). Originally written 6ifo<;, with the 
 digamma, the old form of the nom. A<V having been At^f. Com- 
 pare the Sanscrit diw, " air," " Heaven." 
 
 T/f. Interrogative pronoun: rtf, r/f, rt, "icAo," "which," 
 E " what." JEolic nu'f. Compare the Latin ywzs (i. e., kwis, or 
 t/7f), the Sanscrit has, the Gothic hva, &c. 
 
 "Ap. Epic for upa, " then." The particle upa (in Epic /id, which 
 is enclitic, and before a consonant up, as in the present case) is akin 
 to upa, " to join," or "fa," and so implies close connection, with a 
 force more or less illative. In Epic usage, it denotes, 1. Simply im- 
 mediate transition from one thing to another, "then," "straight- 
 way," &c. 2. In enumerating many particulars, "then," "next in 
 order." And also thereupon, &c. 
 
 2<*ue, " them both," accus. dual masc. of the pronoun of the third 
 person ; nom. ; gen. ov, &c. Observe that a$ue is purely Epic, 
 and used by Homer only in the accusative. It does not appear in 
 Attic. (Kuhncr, 331, 4.) The contraction of afyui into otiu is very 
 doubtful, though Antimachus is said to have so used it. (Apollon., 
 de Pro nom ., p. 373.) In //., 17, 531, Wolf has restored, however, 
 <r0u>' A-lavre. 
 
 &e<Jv, gen. plur. of tfeof, ov, 6, " a god." Like forms occur in most 
 of the kindred languages: thus, Sanscrit dtva; Latin deus, divus ; 
 and it is no doubt originally the same as Zct'c, Sdevf, &c. The 
 Laconian atof for tftof is intermediate between deoc. and Zevf. 
 
 "Eptdt. dat. sing, of cptf, gen. Ipidoc., TJ, "strife." Perhaps akin to 
 the Sanscrit rush, with which compare the Latin iras-ci. 
 
 Svi/e, 3 sing. 1 aor. ind. act. of t-vviriui, " to send or bring to- 
 gether," " to match," &c., and Epic for avvrjKa ; fut. Zwrjau ; perf. 
 i-vveiKa. From fuv, old form for avv, and Inui, " to send." Observe 
 that S-vv is the harsher pronunciation for the primitive KVV (compare 
 the Latin cum), and prevailed in the old Attic for the later and more 
 usual avv. The form fvv very seldom occurs in Homer, and only 
 metri gratia. He uses it, however, more frequently in compounds, 
 even where it is not needed by the metre. Hesiod only has it in fw>, 
 l-vuirac., t-vvuvat. In Herodotus all the instances of fvv are dubious. 
 
 MuxtaOat, pres. infin. of the middle deponent fiaxouai, " to fight " 
 " to contend together." Ionic uaxcouai ; fut. uaxeaouat ; Attic fut. 
 ftaxof/j.oi, but not in Homer ; for naxelrai, II., xx., 26, is rather the 
 Ionic present ; 1 aor. iuaxtauunv. 
 
 Do 2
 
 318 HOMERIC GLOSSARY. 
 
 Line 9-10. 
 
 AijTotf, gen. of A.T}TU, Aj?roof contracted Ar/rovc, j], " Latona," 
 LINE 9. Qr e<0) mother of Apollo and Diana, and daughter of 
 Coeus and Phffibe. (Hes., Theog., 406.) Latona typifies primitive 
 night, whence sprang the Sun and Moon (Apollo and Diana) Hence 
 its root may be referred to the same source with that of the Latin 
 lat-eo, "to lie hid," primitive night having all things hidden in its 
 bosom. Compare the Sanscrit lud, " to hide." 
 
 Yt(if, ov, 6, "a son." The Sanscrit root is su (to beget), the same 
 as the Greek <j>vu. Com pare filius, from the old/uo. 
 
 Fdp. A conjunction. From Homer downward the most usual 
 causal, or syllogistic particle, and signifying "for." It may also be 
 rendered "since" (when standing, as it often does, for f/rei). In a 
 question, it has, like nam, the force of "what," "why." It is often 
 explanatory merely, and stands for nempe, " namely." 
 
 'Buffdiji, Epic and Ionic for ftaatfai, dat. sing, of paai/.evc, Epic 
 and Ionic rjoc., Attic ewf, 6, "a king." Compare the Sanscrit bhadilas, 
 "a hero." 
 
 XoAwfei'f , 1 aor. part. pass, of ^oXow, " to make angry," " to incense ;" 
 fut. cjffw ; mid. and passive, ^oAoo^ai, contracted xohov/iai ; fut. ^oAu- 
 cofiai. In passive, "to become incensed." Literally, %okou means, 
 " to stir one's bile," and hence is derived from ^o^of, " bile," "gall." 
 Noi5(7oj>, Ionic and Epic for voaov, accus. sing, of voffof, ov, 
 ' i), "a pestilence," "a malady." Perhaps akin to the San- 
 scrit root nac, " to perish ;" Latin, nec-o, noc-eo. 
 
 'Avu, in Homeric Greek an adverb ; afterward a preposition, gov- 
 erning the dat., and accus. ; but the dative only in Epic and Doric 
 poetry. Radical signification, "tip," "upon," opposed to Kara. 
 With the accus., the common usage, it implies motion upward, 
 from the bottom to the top, i. e., " throughout." Grimm compares 
 uvu with the Gothic ana, " upon," " on," to which add the Latin 
 in, originally, in all likelihood, ini. (Grimm, Deutsche Gramm., vol. 
 iii., p. 252. Pott, Etymol. Forsch., vol. ii., p. 151.) 
 
 SrpaTov, accus. sing, of arparoc., ov, 6, "an army," "a host." 
 
 T Qp<re, 3 sing. 1 aor. indie, act. of opvvpt, "to excite," "to arouse;" 
 fut. opau. Frequently in Homer the Ionic opaaane is used for upae. 
 Middle, opvvpai, " to raise one's self up," " to rise up." 
 
 'Otenovro, 3 plur. imperf. mid. of o^le/cu, a verb formed by the 
 poetic language from the perfect of 6/U.v/u, namely, oJAe/ca. In the 
 active, "to destroy;" in the middle, "to perish." Homer has only 
 the present and imperfect of this verb, the latter without the aug- 
 ment, namely, o/leov and
 
 HOMEKIC GLOSSARY. 319 
 
 Line 10-13. 
 
 Aaot, nom. plur. of ?.ao?, ov, 6, " the people." In Homer (especial- 
 ly the Iliad) and Hesiod, ?.a6f or /.aoi usually means the " soldiery," 
 " troops,'" both of the whole army, and of smaller divisions, mostly 
 including hoth foot and horse, as in II., ii.,809 ; but sometimes Xaof 
 denotes the foot as opposed to the horse. (11., vii., 342.) 
 T Qvvexa. " Because," an adverb. Properly for ov evexa, 
 
 "on account of which," "wherefore." Usually, however, re- 
 flexive, the antecedent rovveKa being omitted, " therefore,'' "since;" 
 hence, in general, "for that," " because." 
 
 Xpvarjv, accus. sing, of Xpi5(T7/f, ov, 6, " Chryses," priest of Apollo 
 at Chryse in Troas, and father of Astynome, or, as she is common- 
 ly called, Chryseis. 
 
 'Hriprjae, 3 sing. 1 aor. indict, act. of anpau, u, fut. you, "to treat 
 with indignity," " to insult." From a, priv , and rifj.au, d, " to honor." 
 
 'ApnTijpa, accus. sing, of upnTTJp, gen. ijpoc., 6, " a priest." Strict- 
 ly, " one tfuit prays," the priest conveying the prayers of the people 
 to the gods. From updo/nai, " to pray." 
 
 y 12 HA$e, 3 sing. 2 aor. indie, act. of ep^o/ztu, "to come," "to 
 go;" fut. Mevaoftai ; 2 perf., with reduplication, fAr/Avfla. 
 The aorist riWov is syncopated from f/%v6ov, which is common in 
 Epic, rare in Tragic poetry. The form fi"kvda of the 2 perf. is non- 
 Attic. 
 
 Goaf, accus. plur. fern, of tfoof, 17, bv, "swift." Probably from 
 tf e'o, " to run." 
 
 'Err/, in Homeric Greek an adverb, afterward a preposition govern- 
 ing the gen., dat., and accus. Radical signification, " upon." With 
 the accusative in the present passage it denotes motion toward, 
 " unto." Compare the Sanscrit api. (Pott, Etymol. Forsch , vol. i., 
 p. 109.) 
 
 NVO<-, Epic and Ionic accus. plur. for vavc., from vijtc, gen. vno^ -. At- 
 tic vavc, gen. veuf. TJ, " a ship." Compare the Sanscrit ndus, and 
 Latin nav-ts. The original form of the nominative was vafc.. 
 j . \va6ftevof, fut. part. mid. of %vu, "to free for another ;" 
 mid. IMOJMOI, " to free for one's self" " to redeem," or " ran- 
 som ;" fut. ^.vaofiai ; perf. pass. teAvpai ; 1 aor. pass. e/U50j;v. 
 
 Qvyarpn, accus. sing, of tfvyurj/p, " a, daughter ;" gen. dvyaTipoc., 
 contracted -dvyarpof ; dat. dvyurcpi, dvyarpi ; accus. dvy&Teaa, but 
 Epic duyarpa ; voc. M/wrep. Homer employs both forms: the tri- 
 syllabic, however, is only used in prose. Of the same root with the 
 Sanscrit duhitri ; the Gothic dauthar ; the German Tochter, and our 
 "daughter."
 
 320 HOMERRIC GLOSSARY. 
 
 Line 13-15. 
 
 Qspuv, pres. part, of <j>fpu, " to bear," fut. oiau ; perf. cvqvoxa. 
 The radical signification, " to bear," is, in fact, the same word with 
 the Greek pepu (ph-cro, bh-ero, bcro) ; the Latin fcro ; the Sanscrit 
 Bhn '. ; Persian Ber, &c. Compare the German buhren, fafiren. 
 
 'ATTfpfi'cia, accus. plur. neut. of uTtepeiaiog, ov, 6, jj, TO, poetic form 
 for u~fipsaiof, " boundless," 'invaluable." 'ATretpsaiof is a lengthen- 
 ed form of d-tpof, which last comes from a, priv., and xeipaf, poetic 
 for Trepaf, "an end," or "limit." 
 
 'A.-oiva, uv, TU, accus. plur. neut. "A ransom." It is used only 
 in the plural ; and, according to Passow, comes from a copulative 
 and Trotv//, and means, " things all one with a TTOIVTJ, or penalty," i. e. f 
 " taken for, or instead thereof." Pott, however, deduces it from UKO, 
 "penalty in full," like the German Ab-bussc. 
 
 a, urof, TO, " a Jillel," from GT(J>U, " to encircle," " to 
 
 encompass," &c. (Consult note.) 
 
 'Ex uv > P res - P art - f /t w i " io have" " to Itold ;" fut. ffo, and in 
 Homer more frequently O^^CTCJ ; perf. ea^nna. 
 
 tV, dat. plur. of x e 'Pi S en - X ei PS' *1> " a hand." Poetic forms 
 and xsipeaat. %eip is the old Latin form Air, equivalent 
 to -cola, " the palm," or hollow of the hand, and occurring in Lucilius 
 (ap. Cic., de Fin., ii., 8). The root is probably to be found in the 
 Sanscrit hri, " to take," or "seize," akin to aipiu, uypcu, dpnu^u, the 
 English grip, &c. 
 
 'En?]66/.ov, gen. sing. masc. of eKT)66?.o, ov, 6, i], "far-darting," 
 "far-shooting ;" an epithet of Apollo, from stsuf , " afar," and j3uX).u, 
 " to dart." 
 
 'ATroAAwpof , gen. of 'Airo/./Mv, uvof, 6, " Apollo," son of Jove and 
 Latona (consult AnTotf, line 9), and brother of Diana. He was 
 born, according to 11., iv., 101, in Lycia (Av/ct'a, i. e., the country of 
 light. Compare the old root /.VK-TI, light, and also luc-co, lux (luc-s), 
 the German licht, and our light). As the god of archery, he is call- 
 ed tKT]66/.of, apyrporofof, &c. Probably the name is of Oriental 
 origin. The Cretan form for Helios, or " the Sun" (H?.Of), was 
 Abdius ('AficAiOf), i. e., 'AeAtof, with the digamma inserted ('A/e/.iOf), 
 with which we may compare the Doric 'An-eA/.wv, for 'A7r6A/luv, 
 and the form Apellinem for Apollincm, as cited by Festus. We have 
 here the Oriental root Bel or Hel, an appellation for the Sun in the 
 Semitic languages. 
 
 LINE 15 ^/ 3VC7< ! J > d at - sing. neut. of^pvcreof, 77, ov, contracted by the 
 
 Attics into ^piiuovf, ^, ovv. Epic form %pvaetof, TJ, ov. 
 
 " Golden." Homer and Hesiod use both ^piiaeof and ^piiffftof, but
 
 HOMERIC GLOSSARY. 321 
 
 Line 15-18. 
 
 never xpvoovs, though the fem. xpvaf/v is still found in the editions 
 of the latter poet. From xpvaof, "gold." 
 
 'Ava. Consult note, and also line 10. 
 
 ZKTj'nTpv, dat. sing, of cKijnrpov, ov, TO, "a sceptre.'" (Consult 
 note.) Doric form GKU-XTOV. Both from atc^rrru, " to lean upon," &c. 
 
 'EXiaccTo, 3 sing, imperf. ind. of middle deponent hiaaopai, " to en- 
 treat," " to beseech ;" fut. faaopai. Another form of the verb is farofiai : 
 1 aor. tMJau/Luiv. Compare the Sanscrit root tut, " to speak out," 
 and the Latin laud-o (primitive meaning " to call loudly on one by 
 name." Aul. GelL, 1, 6), together with the German laut, and our 
 loud. 
 
 'ATpfida, accus. dual of 'Arpfidijf. (Consult verse 7.) 
 ' Observe that the dual a is always long. The dual is not 
 always used where two persons or things are spoken of, but only 
 where such two persons or things are either really a pair, or, in an- 
 imo loqueni-.s, are considered as such. Hence the numeral dvu is 
 sometimes brought in to add precision to the meaning, when the 
 idea of parity stands in need of additional development. The two 
 Atridae are here supplicated at one and the same time, being both 
 present. 
 
 MdP.tara, " most of all." Superlative of the adverb ^dAa, "very," 
 " very much," " exceedingly," &c. 
 
 Koff/ijyrope, accus. dual of Koffpf/Tup, opof, 6, "a leader;" literally, 
 one who marshals or arranges. From Koo-fisu, " to order," " to ar- 
 range." 
 
 Aauv. Consult line 10. 
 
 c., voc. plur. of fVKvrifUf, idoe, 6, >;, " well-greaved." 
 
 ' (Consult note.) From ev, " well," and Kvijfiic,, " a greave," 
 so called because covering and protecting the KV^TI or leg in front, 
 from the knee to the ankle. 
 
 Aotev, 3 plur. 2 aor. optative act., contracted for doirjaav, 
 
 from 6i6u/4t, "to grant," "to give;" fut. 6uffu : pref. detiuKa. 
 
 The verb didufti appears to be reduplicated from the root Ao-, which 
 
 appears in the derivative forms, as also in the Latin do, with whicn 
 
 compare dcdo and dido. 
 
 'OMfnria, accus. plur. neut. of 'OXvpmoc, , ov, 6,ri, TO, " Olympian," 
 of or belonging to Olympus; said of the gods as dwelling thereon, 
 and of their mansions as standing there. From 'O/lf/zTrof, " Olym- 
 pus,'' a mountain in Thessaly, on the northern frontier, near the 
 sea, and the fabled abode of the gods. Consult line 44. 
 
 Aw^ara, accus. plur. of dupa, arof, ro, "a mansion," "an abode." 
 From Seuu, " to bui!d."
 
 322 HOMERIC GLOSSARY. 
 
 Line 19-20. 
 'EK7r?pffai, 1 aor. inf. act. of eicn-tydu, " to sack," " to destroy 
 
 utterly;" fut. furrepffu. From ex, "utterly, 1 ' "thoroughly," 
 and Tffpdu, " to destroy.' 1 '' 
 
 lipiufwio, Epic for npidpov, gen. sing, of Hp'tafiai;, " Priam,'" son of 
 Laomedon, and the last king of Troy. When Hercules took the 
 city during the reign of Laomedon, Priam was in the number of the 
 prisoners, but his sister Hesione redeemed him from captivity, and 
 he exchanged, in consequence, his original name of Podarces for 
 that of Priam, which signifies " bought," or " ransomed," from irpi- 
 afiai, " to buy." 
 
 H6?uv, accus. sing, of no^if, tof, #, " a city.'' The Epic and Ionic 
 genitive is xo?.tof, and the i of the stem is retained through all the 
 cases. The Attic gen. is Trd/Uwf, but in Attic poetry Trd/Uof is also 
 used. Another Epic form is 7rd7.j?of, &c Compare the Sanscrit 
 palli, " a stronghold," " a fortress." 
 
 Ev. An adverb, "well," "in safety," &.c. Strictly speaking, the 
 neuter of erf, an old Epic adjective, meaning " good," " brave," 
 " noble." 
 
 OlnaSe, " homeward," " to one's home." When a long penult is 
 required, oiKovde is employed. (Consult Excursus v., page 285.) 
 
 'iKeadat, 2 aor. infin. mid. of tKveouai, " to come," " to arrive at," 
 " to go ;" fut. It-ouai : 2 aor. iKo^rjv. The verb iKveopai is merely a 
 lengthened form from IKU, which last is the common form in Homer, 
 who only uses the present iKveouai twice (Od., ix., 128; and xxiv., 
 339). But he often has the fut. and 2 aor. 
 j on Tlalda, accus. sing, of Tnuf, 7ra5<5f, o, TJ, '<a child" a son or 
 
 IjlNK *U. 
 
 daughter. The ^Eolo-Doric dialect said iroip for naif, 
 whence the Latin puer. Compare the Sanscrit puira. 
 
 'Euoi. Emphatic form of the dative, for uoi, from tyu, " /." 
 
 Avaai, 1 aor. infin. act. of 'Xvu, " to release," " to free ;" fut. A.VGU ; 
 perf. Ae/liJKa ; 1 aor. l"ki>aa. 
 
 Qttriv, accus. sing. fern, of pt'Aof, 77, ov. This adjective has usually 
 a passive signification, " loved," " helmed," " dear." It soon, how- 
 ever, came to be used as a substantive, like the Latin amicus, " a 
 friend." The poets, especially Homer, use 0'?.of as a paraphrase of 
 the possessive pronoun, my, thy, his, with those things that may 
 safely be assumed to be dear to a person ; and at last it became a 
 regular epithet of many words even when no affection can be im- 
 plied in it. 
 
 'A-rroiva. Consult line 13. 
 
 pres. infin. mid. of dexoftai, "to receive;" fut.
 
 HOMERIC GLOSSARY. 323 
 
 Line 20-24. 
 
 perf. pass. dideyuai. The Ionic form of de^o^at is SeKOfiat ; but not 
 so in Homer. Buttmann traces both dexopat and <3'/cviy/t to the 
 same root dex, with the common notion of sLretcking out the right-hand 
 (3eS;td), either to point, as in dEtnvvfu \ or to welcome, as in de^cy/ai. 
 T . 'A&pnwi, pres. part. mid. of ao/uu. " to reverence," as a de- 
 ponent verb. The form du usually, and in Homer al- 
 ways, appears as a defective. 
 Aidf. Consult line 5. 
 'E/c7?6y/W. Consult line 14. 
 'ATro/Uwva. Consult line 14 
 
 "Evda. "Thereupon.'" An adverb of both time and place. 
 LINE 22. From the pre position h. 
 
 'Jav, 3 plur. 1 aor. indie, act. of eirEvyrjpEu, " to shout as- 
 sent," or ''applause.'''' From em and ev^n^teu, " to applaud." 
 
 A.idela6ai, pres. infin. mid. of the deponent al6so)j.ai, " to 
 ' ' reverence," " to respect ;" Alt. al6eao/j.at (poetic -toaopai and 
 also -riaouai} : perf. pass. 7?<5eo)ucu : 1 aor. pass, ydeadrjv : 1 aor. mid. 
 ydeadftqv. This last is little used except by the poets. An old Epic 
 present is aldo[j.ai, which occurs often in Homer, and once or twice 
 in the tragic writers. 
 
 'leprja, accus. sing. Epic and Ionic for iepsa, from tspevc, ecjf, Epic 
 and Ionic f/of, 6, "a priest." From Itpoc., "sacred." 
 
 'Ay/lad, accus. plur. neut. of uy/lu6f, ?, oi> (and also of, 6v, in The- 
 ognis, and Eurip., Andr., 135). " Splendid," " brilliant," " beautiful," 
 &c. It is an old Epic and Lyric word, being only found twice or 
 thrice in Attic poets, and is akin to alyhr/, " lustre," "glitter," &c. 
 
 Aejftu, Epic syncopated aorist of the infinitive, from de^ofiai, " to 
 receive." Thus, sdeyfir/v, fdffo, edsKTo : infin. dex@ ai ' imperat. Sil-o. 
 These syncopated passive aorists are formed from the simple present 
 of the verb ; and, when that present is the one in common use, they 
 are distinguished from the imperfect and the moods of the present 
 merely by the syncope. Hence they are exactly like the perfect 
 and pluperfect pass, of those verbs, but without the reduplication ; 
 and may therefore be compared, but must not be confounded with 
 them. In meaning, whether active, passive, or middle, they follow 
 their present in juat ; and they belong only to the oldest periods of 
 the language, (ttnttmann's Irreg. Verbs, p. 50, not., cd. Fishlake.) 
 
 'Ayctfteuvovt, dat. sing, of 'Ayaue^tvuv, ovoc, 6, "Agamemnon" son 
 of Plisthenes and brother of Menelaus. He was king of Mycena? 
 and commander of the Grecian forces at Troy. Consult article 
 f, line 7.
 
 324 HOMERIC GLOSSARY. 
 
 Line 24-26. 
 
 "livdave, 3 sing, imperf. indie, act. of dvduvu, "to please-" fut. ddjjau: 
 2 perl', eada : 2 aor. eadov, for which last Homer has sometimes the 
 more poetic form evadov, from the digammatecl e./~a<5ov. The Ionic 
 sdvdavov, moreover, is the strict Homeric form of the imperfect it- 
 self, having been written, before the disappearance of the digamma, 
 kfuvdavov. 
 
 Qvfifl), dat. sing, of -dvuof, ov, 6, " the soul." Observe the difference 
 in quantity between this tft/iof, and $w/of, ov, 6, " thyme." And yet 
 they both would seem to come from the same source, namely, \?vw, a 
 verb indicative of violent motion in general, which is itself akin to the 
 Sanscrit root dhu, " to agitate." Thus, #iy/of, ' the soul," refers to 
 the seat of strong feeling and passion ; while in i?fy/of, "thyme," we 
 see lurking the idea of vapor rapidly ascending, thyme having been 
 commonly used by the ancients in fumigations, and often as fuel in 
 sacrifices, the brushwood of the plant having been employed for this 
 latter purpose. Compare the Latin fumus. (Donaldson's New Cra- 
 lylus, p. 582. Pott, Etymol. Forsch., vol. i., p. 211.) 
 
 'A<jk'ei, 3 sing. Epic imperf. indie, act., from ufyiiu, Epic and 
 E ' Ionic form for u<j>i7jfj,i. It wants the augment, this being 
 often omitted in the Epic and Ionic dialects ; the full form with the 
 augment would be JiyUt Observe that in the Epic, Ionic, and Doric 
 dialects, the forms from verbs in ew and 6u are often employed in 
 the 2 and 3 pers. sing, of the present and imperfect, instead of those 
 from verbs in /u. (Kuhner, 202, 2 ) 
 
 Kparepov, accus. sing. neut. of xparspof, u, ov, "strong," "power- 
 ful," and hence "harsh," "hard-hearted," "rough." From /cpurof, 
 " strength," through upareu, " to be strong," &c. Observe that Kpur- 
 of, poetic Kupr-of, appears akin to the German " hart," and English 
 " hard." 
 
 MiiBov, accus. sing, of fj.v&o^, ov, 6, "o word," "a mandate," &c. 
 If fitdof was in ^Eolic [t66o$, as we find it asserted, we may trace an 
 analogy between this word and the English "mouth." But consult 
 Buttmann, ad Schol. in Od., xxi., 71, p 532. 
 
 'ETE/U.CV, 3 sing, imperf. indie, act. of reM.u, "to make to arise," 
 ' to rail into existence," " to make." Hence ETTI fivdov ere/U.ei', " He 
 made (or uttered) an injunction besides," i. e., "he added thereunto 
 an injunction ;" fut. reA<j; 1 aor. erei^a. Akin to the Sanscrit till, 
 "to move," "to arise." (Eichhoff, Verglcich., p. 209.) 
 
 MJ;. Adverb, " not." Used in cases where the negative 
 
 depends on some previous condition either expressed or 
 
 implied, while ov denies absolutely and independently. It is very
 
 HOMERIC GLOSSARY. 325 
 
 Line 26-28 
 
 frequently employed in clauses containing a command, entreaty, warn- 
 ing, or expressing a wish or fear; in which cases, like the Latin 
 nc, it stands first in a sentence. M>$ also appears as a conjunction, 
 " that . . . not," " lest." (Latin nc.) It is also used as an interroga- 
 tive : 1. In direct questions, with all cases of the indicative; but, 
 like the Latin num, mostly where a negative answer is expected ; 
 as, fj pfi irov cjiiafte ; " surely ye did not say ?" Whereas with oil the 
 answer expected is affirmative. 2. In indirect questions, or when 
 another's question is repeated, py is used in a sense that may be 
 rendered by whether. The Latin ne appears to be only a dialectic 
 variety of pi. 
 
 Tfpoi; voc. sing, of -yipuv, ovroc., 6, "an old man." According to 
 Donaldson, yfpuv is akin to yepac, " the privilege or peculiar gift of a 
 person in authority," i. e., the first share of the booty, and so forth. 
 Hence yipwv (i. e., yepovr-f), a person holding such privilege and au- 
 thority ; an elder or ruler. The same writer thinks that -/fpuv has 
 no affinity whatever with -/ni> a f< " old age." (New Cratylus, p. 376 ) 
 
 Koilyaiv, Epic and Ionic dat. plur. fern, for KoiXais, from KOI^OC, 
 n, ov, "hollow." Compare the Old High German hoi ; the later 
 hohl ; our hollow ; the Latin eal-um, &c. 
 
 NT/vfft, Epic and Ionic dat. plur. of v^vf, vijos, fj, " a ship." Con- 
 sult line 12. 
 
 K^fiw, pres. subjunctive, Epic form for KI^CU, <>, from KIXCU, a 
 supposed form of the present, and taking the place, in the forms de- 
 rived from it,cf the more common KIXUVU: fut. Kixfau. (Buttmann, 
 Jrreg. Verbs, p. 147, cd. Fishlake.) 
 
 Ar/Ovvovra, accus. sing, of pres. part. act. of tiijdvvu, " to 
 
 delay," "to tarry;' 1 fut.-vvu. From 6rj8d, "long," "for a 
 long time." 
 
 "Yarepov, "hereafter," "afterward;" accus. sing. neut. of vartpof , 
 a, ov, " the latter," " later," "following," taken adverbially. 
 
 \vTif, " again," as of time ; " back," " back again," as of place. 
 Ionic and Epic form for ai'dic.. A lengthened form of ov, with which 
 it agrees in most significations. 
 
 'lovra, accus. sing. pres. part, of dpi, " to go," " to come." Epic 
 fut. flaofiat (in the signification " to hasten") ; 2 perf. fjia. 
 
 LINK 28. MJ?. Consult line 26. 
 
 Nw. Epic and shortened form of the enclitic vvv, and equivalent 
 to ovv, " therefore," " thereupon," " in that event." (Consult note.) 
 
 Tot. An enclitic particle, strictly an old dative, for TO, "there- 
 fore," " accordingly ;" often, also, serving to strengthen an asser- 
 
 Es
 
 HOMERIC GLOSSARY. 
 
 Line 28-30. 
 
 tion, "in truth," "in reality," "verily." It very often serves to 
 strengthen other particles, which it usually follows ; as, yup roi, ye 
 rot, T/TOI, nairoi, &c. ; but sometimes rot is put first ; as, rotyap, 
 roivvv, &c. 
 
 Xpaiapn, 2 sing. 2 aor. subj. act., and assigned to ^pcno/teej, a verb 
 not used in the present, but only in certain merely Epic forms ; fut. 
 Xpaiapfjacj ; 1 aor. txp aio l j - r l cfa ; 2 aor. expatapov. Strictly speak- 
 ing, " to ward off" something destructive from one, like dp/tea, with 
 the accus. of the thing and the dat. of the person; but more fre- 
 quently, with the dative of the person only, "to defend" any one; 
 " to help," " to prove of atail," &c. In the present passage, however, 
 it is better to suppose the dative understood, than to make rot stand 
 for aoi, as some do. 
 
 Qcolo, Epic and Ionic (o.*, according to the grammarians, Thessa- 
 lian) form of &eoi>, gen. sing, of i9eof. (Kuhner, 270, 2.) 
 
 Avffu, fut. act. of Ww, "to release," "to free." Observe 
 ' that the active here refers to a freeing for another, namely, 
 the maiden's father; and consult line 13. 
 
 Hpiv. Adverb of time. " Sooner," " before" &c. The Doric form 
 is Trpav, akin to the Sanscrit pro., " before." 
 
 Mt'v. Ionic accus. sing, of the pronoun of the third person, through 
 all genders ; and so for avrov, aiirr/v, avro. More rarely for OVTOVC., 
 avrus, GVTU. In the present passage it stands for ai'TJ/v. The Doric 
 and Attic form is viv, but it is never used in Attic prose. Homer 
 joins fj.lv avTov, " him himself," merely as a stronger form (II., xxi., 
 245) ; but avrbv fj.iv is reflexive, " one's self," for iavrov. The forms 
 IJ.LV and viv belong manifestly to the same stem with Iv, another 
 form of the accusative (compare Hesychius, Iv -. avrov, avrr/v, Kv- 
 Trptoi), with which we may compare the old Latin im and cm for 
 eum, which occur in Festus (Excerpt. Paul. Diac., ed. Lindemann, p. 
 36 and 58), and also the English Aim. 
 
 Tfjpaf, yripaoc,, TO, " old age." Uncontracted form of the genitive, 
 yjyparof (Attic gen. y^puf), dat. ywat (Attic y^pa). Akin to the 
 Sanscrit root ju (jard), "to wear away." (Donaldson's New Cratylus, 
 p. 376.) 
 
 "ETretfftv, 3 sing. pres. indie, act. of Inet/zt, " to come upon," with 
 a future signification, which et//t, " to go," and its compounds, com- 
 monly have in Attic, and occasionally in Epic and Doric. 
 
 'Evt, in Homeric Greek an adverb, afterward a preposi- 
 
 LlNE 30. .. TT. r c < 
 
 tion ; Epic form for ev. 
 "Apyei, dat. sing, of "Apyof, eof, ro. (Consult note.)
 
 HOMERIC GLOSSARY. 327 
 
 Line 30-33. 
 
 T7/lo0i. "Far," "at a distance." Adverb of place, from rj/Xov, 
 " afar." Consult Excursus v., p. 285. 
 
 IIuTprjc, gen. sing, of Karpij, j?f, #, " a native land," Epic and Ionic 
 for Triirpa, of, T). Literally, " one's father-land" from xaTrjp, " a 
 
 'lorov, accus. sing, of torof, ov, o, "<Ae loom." Properly, 
 
 the iar or beam of the loom, which stood upright, instead 
 
 of lying horizontally, as in modern looms. Hence it comes from 
 
 iaTTju'., "to place" " to set up." The vertical loom is still used in 
 
 India, as also at the Gobelins manufactory. 
 
 'E-xoixnfiEvriv, accus. sing. fem. pres. part, of the middle deponent 
 i ; fut. rjaouai, " to go toward," " to approach," and, with 
 OV, "to ply." (Consult note.) From cxi, "unto," and olxouai, 
 " to fro." 
 
 Ae^of, accus. sing. neut. of Ae^of, eof, TO, " a couch." From Aeyw, 
 " to lull to sleep," " to put to bed." 
 
 '.\vri6uaav, accus. sing. fem. pres. part, of CIVTIUU, and lengthen- 
 ed, according to the Epic custom, from dvntiaav. Thus, avnouv, 
 uvTtouoa, for avri&v, uvnuaa. The literal meaning of the verb is 
 " to meet with," &c. ; and thence we have among the secondary 
 meanings, "to busy one'* self with," "to arrange," " to prepare," &C. 
 (consult note) ; fut. dvnu.au ; 1 aor. f/vrluaa. Observe the short 
 penult of the future and aorist, so that these tenses belong equally 
 to avnuGi and UVTIUOU. 
 
 LINE 32. 'I6i, 2 pers. sing. pres. imperative of clui, " to go." 
 
 'Epldi^e, 2 pers. sing. pres. imperative of fpcdifa, " to provoke ;" 
 fut. tau, Attic j ; perf. fipeOiKa. Frequentative form from spedu. 
 
 Zaurepof, comparative of <rof, " safe." The positive, in fact, is 
 found only in the contracted form crwf, auv, 6, tj, TO. The form auog 
 is a lengthened one, and post-Homeric. 
 
 Kf. Consult note. 
 
 Ne'T/tu, 2 pers. sing. pres. subj. of the middle poetic deponent vto- 
 uai, namely, vtuuai, venai, venrai ; hence venat is for vir/, the later 
 form ; whereas the earliest form was vtnaai, which, on dropping 
 the a, became venai. 
 
 "Qf, equivalent to OVTUC., " thus," as indicated by the ac- 
 LlNE 33 ' cent. 
 
 'E<6aro, 3 sing, imperf. indie, middle of fynui, "to say;" namely, 
 iQdunv, IOOCTO, teJaro : fut. (f'/au : 1 aor. tyrjaa. Observe that, from 
 the radical word (j>d<j, come not only 0dof, tyuaic, and <f>aivu, " to 
 thow," but also the whole family of <j>nul, <j>rjua, tyans ; Lat. fama,fari,
 
 328 HOMERIC GLOSSARY. 
 
 Line 33-35. 
 
 Ac., for the first notion in all is to make known or evident, e. g., by 
 words. 
 
 "Eddfiaev, 3 sing. 1 aor. indie, act. of 6ti6u, "to fear." The or- 
 dinary form of the aorist is Idtica, but with the Epic writers, the 
 aorist. when augmented (as in the present case) or compounded, is 
 usually written with <J<5. Thus, -xrpiMtuja. (II., xi., 508), &c. 
 
 'E-fi6rro, 3 sing, imperf. indie, middle of rrelOu, "to persuade;' 1 
 fut.-ffu ; perf. TTf-etKa ; middle TTtldofia'., " to persuade one's self" 
 e. g., to follow the directions of another, '-to obey." 
 
 Bfl, for f&tj, augment dropped, as is often done by the Epic 
 ' and Ionic writers. 3 sing. 2 aor. indie, act. of 3airu, ' to 
 go." 
 
 'Aev. in form a participle, having in the feminine dnem-aa, but 
 used by Homer with a kind of adverbial force, " in silence, 1 ' "stilly" 
 "silently," &c. The dual. uKeovre, occurs, Od ., xiv., 195 ; the plural 
 form never. Akin, perhaps, to the root tac of ttuco. 
 
 Qlva* accus. sing, of tf/f (later ) ; gen. dtvoc., 6. Literally, "a 
 heap," especially said of the sand-heaps on the beach ; and hence, in 
 general, "the shore," "the beach." Compare the German Diinen, 
 and English down*. 
 
 Ho7.v6/j>ia6oto. Epic and Ionic for -o7.vo7.oia6oi; gen. sing. fern, of 
 iroXvf7.oi(tfac., " loud roaring," from Tro/.vf and oAoffffof, " a confused 
 roaring noise." 
 
 Qa/Maaijf, gen. of tfa/aaaa, 17, " the sea." Homer, when he uses 
 it of a particular sea, means by du'/.aaaa the Mediterranean ; for he 
 calls the outer sea 'Deav6f. and means by it a river. Probably 
 from u7.c, " salt," so that tf is a substitute for the aspirate. Com- 
 pare iiua and $uua. 
 
 LINE 3S. Tlo7J.u. accus. plur. neut. of iro?.ve., used adverbially. 
 
 'Airuvevdf , " apart," " afar off," &.C. Adverb, from UTO and uvtvOe, 
 " apart from," " airay." 
 
 Ktwv, pres. part. act. of the poetic verb KIU, " logo." The present 
 is not used in the indicative, but frequently in Homer, &c., we have 
 the optative KIOUU, part. KIUV, moroa, and imperfect ixiov, or, with- 
 out augment, KIOV. Found in no other tenses. 
 
 'Hparo, 3 sing, imperf. indie, of the middle deponent apaopai; ful. 
 aaouat. Ionic qaopat, ''to pray." From upa, j), "a prayer." 
 
 Tepatof, a, ov, " old." Used in Homer (who never has ^paioc.) 
 always of men, with the accompanying idea of dignity. " venerable." 
 Comparative yepairepof ; superl. ycpairarof. Compare the root of 
 Line 26.
 
 HOMERIC GLOSSARY. 329 
 
 Line 36-39. 
 , Epic for tvKouof, ov, "fair-haired." From tv and 
 
 LlXE36 ' top,, the hair." 
 
 Tf'/cr, for treat, augment being dropped, 3 sing 2 aor. indie, act. 
 of r'tKTu, " to bear," &ic. ; fut. rt'iju : fut. mid. rtfouai ; which last is 
 more usual ; perf. TCTUKO. Lengthened from a root TEH-. 
 
 K./.c6i, 2 sing., Epic 2 aor. imperative of /.t'u, ' to hear.'' 
 LIXE 37. (Compare p fjtilt yv(i t ) The present of the imperative is 
 
 K/.t'f, K/.VTU 
 
 Meti, Epic and Ionic for pot, enclitic genitive of cyu. 
 
 'Apyrporoff, voc. sing, of upyt'porofof, icith silver bow." Epithet 
 of Apollo, bearer of the silcer boic.'' From upyvpof, "silver," and 
 TO^OV, " a Low." 
 
 \p\iarrv, accus. sing, of Xpvaij, tjf, ij, ' Chrysa." (Consult note.) 
 
 '.\uoi6t6riKaf, 2 sing. perf. indie, act. of upoifaivu, "to go around," 
 "to protect;" fut. auoifojaofiai ; perf. uuQi6e6T]Ka.. (Consult note.) 
 From itu-ji, "around," and 3aivu, " to go." 
 
 Ku./.av, accus. sing, of Ku./.a, of, n, " Cilia." (Consult 
 note.) 
 
 Zaflgyv, accus. sing. fem. of u0eof, ea, tov, " -eery divine," and Epic 
 and Ionic for a0e'av. From the inseparable particle a, with inten- 
 sive signification, and deof. Another intensive prefix is do, which is 
 commonly regarded as merely a dialectic variety of ^"a, and both arc 
 sought to be derived from did. This, however, is certainly incorrect, 
 since did originally means "through," or, more properly, "asunder" 
 (perhaps connected with oif), and can never, like^tr, have a really 
 strengthening force. Hartung, therefore, regards Ca as a collateral 
 form of uja (u^av), and (i)a as corresponding to the Sanscrit ta-lia. 
 Now sa, in all likelihood, is the same with the a inltnsn-um of the 
 Greeks ; while ha corresponds to 70 or ye, and both words, there- 
 fore, are nearly allied in meaning ; so that out of this ha (70, yc), the 
 form <a (<M may have arisen. (Hartung, vol. i., p. 352. Kuhncr, 
 vol. i., p. 431, not.) 
 
 Tniooio, Epic and Ionic for Tevcdov, gen. of Tevedof, ov, rj, " Tt- 
 nedos." (Consult note.) 
 
 'tyt. Adverb, "powerfully," " with might," &c. In Homer it has 
 the digamma, fioi, and is, therefore, regarded by some as an old 
 poetic dative from if. 
 
 'Avuaatif, 2 sing. pres. indie, act. of avdfftru, " to rule over," " to 
 reign over ;" fut. ava'ju. From uvaf. 
 
 v, voc. sing, of SuivBevf, tuf, 6, " Smintheus," an 
 
 LlNB 39 - epithet of Apollo. (Consult note.) 
 EB!
 
 330 HOMERIC GLOSSARY. 
 
 Line 39-41. 
 
 riore, an enclitic particle, " ever," " at any time," " at some time.' 1 
 But Trore, with the acute on the penult, an interrogative particle, 
 "when" "at what time." 
 
 Tot, Epic, Ionic, and Doric for aoi, dat. sing, of av, hut with this 
 difference, that aoi always retains its accent in Epic, Ionic, and 
 Doric, while rot is always enclitic. 
 
 Xapievra, accus sing. masc. of xapiete, eaaa, ev, "beauteous," 
 "pleasing." From x^P l f> "grace," "beauty," &c. 
 
 Nqov, accus. sing, of vr/of, ov, 6, Epic and Ionic for vadf, ov, 6, "a, 
 temple." From vaiu, " to inhabit." Strictly, any house or dwelling, 
 but, like the Latin cedes (in sing.), limited in use to the dwelling of a 
 god, a temple. 
 
 "Eper/>o, 1 aor. indie, act of epetjxj, "to cover over," "to roof over," 
 "to erect." (Consult note.) The primitive idea involved in eptipu is 
 that of the exclusion of light, as caused by a covering put upon any 
 thing ; and hence the word is probably akin to the Hebrew ercb, or 
 erev, and our " eve-ning." 
 
 LINE 40. Tot, for aoi. Consult previous line. 
 
 TLiova, accus. plur. neut. of iriuv, 6, 17 ; neut. irlov ; gen. iriovos, 
 "fat," " well fed," " sleek." Comparative and superlative, morepof, 
 morarof, as if from irtof, "fat." 
 
 Wiripia, accus. plur. of urjpiov, ov, TO, " a thigh." The singular, 
 however, is, in fact, never used, and is merely given here to show 
 the analogy of formation. From ftijpa rd, a rarer Homeric plural, and 
 this last akin to pnpdf, ov, 6, " the thigh." The old grammarians 
 used to distinguish between pqpia, " thigh bones," and/xTjpoi, "thighs." 
 But this is opposed by Hermann and Nitzsch. 
 
 "EKna, 1 sing. Epic 1 aor. indie, act. of K.O.IU (Attic /caw) ; fut. 
 navau, &c. This form f.Kija supposes, in strictness, a present KTJU, 
 which does not, it is true, actually appear, but still we have the im- 
 perfect CKTJOV among the various readings of Od., ix., 553. (Kuhncr, 
 vol. i., p. 179.) 
 
 'H6e, "and," conjunction, joining two words together just 
 INE ' like /cat, and of frequent occurrence in Homer. Ifij^ev, "as 
 well," goes before, r/6e is " as also," like nai .... /cat. 
 
 AiyiJv, gen. plur. of alf, aiyof, 6, ij, " a goat." From uiaau, " to 
 rush," " to dart," and so, strictly, " a darter," " a springer." 
 
 T66t, accus. sing. neut. of the demonstr. pronoun ode, f/Se, rode, 
 " this," " that " In reality, however, it means " this one here," &c., 
 like the Latin hicce. haccc, hocce. 
 
 Kpyrjvov, 2 sing. 1 aor. imperative act. of icpaiaivu, " to accomplish,"
 
 HOMERIC GLOSSARY. 331 
 
 Line 41-44. 
 
 " to bring to pass, " " to grant,'' and Kpaiaivu itself is a lengthened 
 form of Kpaivu, fut. xpuvu, 1 aor. iKpyva, lengthened form fKpi/nva. 
 Akin to the Sanscrit root ATI, " to make," whence we have also 
 the Latin create. (Pott. Elymol. Forsc/i., vol. i., p. 219.) 
 
 'EcAdup, Epic for l?.6up, TO, " a desire," "a wish," itself a poetic 
 word. Pott regards IMoftat and e/.dup as merely enlarged by the 
 addition of a d-sound, and seeks to trace an analogy between E/.U, !Ao- 
 (tai, and vclle, &c. 
 
 Tiaeiav, 3 plur., 1 aor. opt. .Eolic, of rivu, " to pay a price" 
 ' by way of return or recompense, " to atone for ;" fut riau ; 
 perf. TETiKa , 1 aor. triaa. Not from riu, which is confined to the 
 signification of paying honor. 
 
 'Euu, accus. plur. neut. of e^of, j, 6v, "my," "mine," possessive 
 pronoun of 1 pers. 
 
 Au/cpva, accus. plur. of ddicpv, vof, TO, " a tear." Compare the 
 Latin lacrii-ma, and the Sanscrit acru. 
 
 "Lulai, Epic and Ionic for aolc, dat. plur. of <r6f, mj, aov, " thy," 
 "thine;" possessive pronoun of 2 pers., from av, " thou." 
 
 BfAfffdtv, Epic for fiifaoiv, dat. plur. of /3eAof, eof, TO, "an arrow." 
 Literally, "any thing hurled," "a missile." Akin to /3uA/to, which 
 last appears to have been originally luM.u, or, rather, with the di- 
 gamma, fiu/.'/.u. (Donaldson's New Cratylus, p. 122.) 
 
 LINE 43. "flf t^ar 1 . Consult line 33. 
 
 Evxoftevof, pres. part, of the deponent cv^ofiat, " to pray ;" fut. 
 c'i'//at : 1 aor. nv^uf^rjv. Literally, " to pay one's vows," from ev^fi, 
 " a vmo." 
 
 *E/c/uf, 3 sing, imperf. (with aorist force) indie, act. of K7(.vu, " to 
 hear." Compare the Sanscrit cru, and Latin duo. 
 
 *otfof, ov, 6, Phabus," an epithet of Apollo. Properly an adjec- 
 tive, <f>al6oc. T), ov, "pure," " bright," &.c. Hence " Phoebus" means 
 " the Bright," or " Pure." In no case, however, must Homer's 
 *otfof be taken for the sun-god ('HAtof), for Apollo did not receive 
 this character until much later. Probably from tfwiof, fac, " light," 
 "brightness." (Compare Mullcr, Donans, vol. i., p. 324.) 
 
 Kara, in Homeric Greek, an adverb, "down," afterward a 
 T TW AA 
 
 preposition. 
 
 iroio, Epic and Ionic for 'OA^rrov, gen. sing, of " 
 6, " Olympus," a high mountain on the northern frontier of Thessaly, 
 near the sea, and the fabled abode of the gods. From its peaks being 
 often seen rising above the clouds into the calm ether, it was the old 
 belief that here was an opening in the vault of heaven, closed by a
 
 332 HOMERIC GLOSSARY. 
 
 Line 44-46. 
 
 thick cloud as a door. (//., v., 751.) The highest peak was held 
 to be the seat of Jove ; the surrounding ones belonged each to one 
 of the gods of his court (//., xi., 76, &c.) ; and they only came to the 
 highest when summoned to feast or council. Afterward, philoso- 
 phers placed the gods in the centre of heaven, round the palace of 
 Jove, which was in the very zenith, and to this the name of Olympus 
 was continued. (Voss, ad Virg., Gcorg., iii., 261, p. 586.) 
 
 Kapt'jvuv, gen. plur. of Kuprjvov, ov, TO, " the head," " the. summit." 
 Homer never uses the singular. From Kupi], TO, " the head" 
 
 Xuofttvof, pres. part, of the middle deponent xuouai, " to be in- 
 censed," " to be enraged ;" fut. ^cjcrty/at ; 1 aor. s^uoufitjv. It is merely 
 an Epic word, and akin to xo'f.rf. 
 
 K^p, accus. sing, of nyp; gen. Kfjpof, TO; contracted from Keap, 
 " the heart.'' Observe that Ktap first occurs in Pindar and the tragedi- 
 ans, for Homer always uses Kfjp. Compare nap, the Doric form of 
 Kfjp, with the Latin cor, cordis. 
 
 Tofa, accus. plur. of TO!-OV, ov, TO, " a bow." Homer is 
 ' fond of employing the plural number, which is generally 
 explained hy the plural of excellence, as we have done in the notes. 
 Some, however, see in this plural merely an allusion to the bow as 
 formed of two component parts, namely, two pieces of horn, joined 
 by the Ttrjxvc, or centre piece. Probably from Tvyxuvstv, TV^EIV, " to 
 hit," through the Doric form Toaaas for rvx^v. 
 
 'Quoiaiv, dat. plur. Epic and Ionic, for uuoic, from uuof, ov, 6, 
 "the shoulder." uuoq and the Latin humerus appear to come from 
 the same root. 
 
 'Au<j>rip<j>ia, Epic and Ionic accus. sing. fern, for au<j>rjpe(>>^, from 
 au<t>T)p<f>r}f, ff, "covered all around," "closely covered," from uu<pt, 
 "around," and epeifiu, " to cover." 
 
 QapeTpriv, accus. sing, of dapeTprj, yc, rj, Ionic for QapsTpa, of, "a 
 quiver." From $ipu, "to cany," as carrying the arrows. 
 *E/tAayav, 3 plur. 1 aor. indie, act. of Au ; fut. 
 
 E ' perf. KCKAayya : 1 aor. t?.ayfa : 2 perf. KtK/b?} a, but Epic 
 
 only : " to clash," " to clang" " to rattle," " to make a loud noise." 
 The root nhaZ is found only in the present and imperfect, the other 
 tenses coming from a root n^ay, K~kayy, whence also K^.ayyn. Com- 
 pare our clash, clang, the Latin clango, and the Sanscrit klrad. 
 
 'OioTol, nom. plur. of 6/<rrof, ov, 6, "an arrair." Attic oiaTof, ov. 
 In the later poets, 6i<rrof occurs also with the heterogeneous plural TO 
 oiaTu. Probably from olu, whence olau, the future of ^e/xj, and de- 
 noting, therefore, "that which it borne or shot.''
 
 HOMERIC GLOSSARY. 333 
 
 Line 46-49. 
 
 Xuoftevoio, Epic and Ionic, for ^uo^tvov, from ^wouevof. Consult 
 line 44. 
 
 c, gen. sing. 1 aor. part. pass, of Ktveu, "to move," 
 
 ' " to set in motion ;" fut. Ktvi/au : perf. KEKivjjua. Probably 
 
 from KM, radical form, " to go." 
 
 'Hie, 3 sing. Epic and Ionic imperf. of dpi, " to go," namely fjia, 
 fjUc., jjie, &.C., for yeiv, yeic, yet, &c. The Attics contracted i/ia into 
 ya. Some, less correctly, regard i/ia as the 2 perf., and ytiv as the 
 2 pluperf. (perf. and pluperf. middle), and as used to express both 
 imperfect and aoristic time. 
 
 'EoiKuc, 2 perf. part, of CIKU, "to be like," &C., fut. d$u : 2 perf. 
 loiKa, with the force of a present. Observe that elutj itself does 
 not occur, and is merely given here as a radical lorm. The nearest 
 approach to it is found in the imperfect EIKS, " it appeared proper, 
 orjit." (//., xviii., 520.) 
 
 "E&TO, 3 sing, imperf. indie, mid. of fyw, " I set or place" 
 " another; in the middle e&pai, "I seat myself," "/ *u." 
 The imperfect is here without augment, and aoristic in force : fut. 
 eoovpai. Homer employs merely the present and imperfect. Ob- 
 serve that there is, in reality, no such present as e^u, though, as if 
 from it, we have the transitive tenses elaa, middle eiadptjv, fut. mid. 
 eiffo/j.ai, perf. pass, eipai. 
 
 Nffiv, gen. plural of vyvc, vrioc, r), " a ship" Epic and Ionic for vaiif, 
 vcuf. Observe that vetiv is also the Attic form of the gen. plural. 
 
 'lov, accus. sing, of I6f, ov, 6, " an arrow." Probably from ilvai, 
 i-re, " to go,'' like the Sanscrit ishu, from ish. (Pott, Etym. Fursch., 
 vol. i., p. 269.) 
 
 'Ei}Kcv, 3 sing. Epic 1 aor. indie, act. for #/CF, from irifii, "to 
 tend," " to shoot," " to throw ;" fut. i,au : perf. elna. The root tu is 
 found in aveovra, Herodot., ii., 165. 
 
 Aeivq, nom. sing. fern, of Jctvof, ^, 6v, "fearful," " tcrri- 
 
 T T VR 49 
 
 We." Related to JetAdf, as act. to pass, frightful to fear- 
 
 ful, but often confounded with it. (Porson, ad Eurip., Orest., 767.) 
 K7.ay-\fi, gen. ^f, 17, " a twang," of a bow, "a clang." From K/.U^U. 
 
 Consult line 46. 
 Tsvero, 3 sing. 2 aor. indie, mid. of ytyvo/iat, " to become," " to be" 
 
 &c. For ^YCVCTO, the augment being dropped. Akin to yeivofiai, 
 
 yevvdu, gcno, gigno: Sanscrit jan, " to be born," and yvvj?. 
 
 'Ap-\vpeoio, Epic and Ionic for upyvptov (Attic upyvpov), gen. sing. 
 
 masc. of upyvpfot, a, ov (Attic dpyvpovf, u, ovv), "silver," "of silver." 
 
 From apyvpoc, " silver," which is akin to upyof, aprfc, i. e., the while 
 
 metal.
 
 334 HOMERIC GLOSSARY. 
 
 Line 49-52. 
 
 Kioto, Epic and Ionic for /3iov, from j3ios, oi<, 6, " a bow." Observe 
 the evident analogy of meaning in this word and /3/of, ov, 6, "sup- 
 port," "sustenance," "life," &c., the Greeks, like all rude tribes, 
 living originally by the chase. 
 
 c, Epic for bpeaf, accus. plur. of bpwf, cue,, 6, " a 
 
 mule." Probably from opof, " a mountain," as mules are 
 chiefly used in mountainous countries. 
 
 'ETro^ero, 3 sing, imperf. indie, of middle deponent kiroixopai, " to 
 go toward" or "against" "to attack." From kiri and olxopai ; fut. 
 
 perf. &x r lf jLaL - 
 
 f, accus. plur. of KVUV, KVVOS, 6, ^, "a dog." Consult line 4. 
 accus. plur. masc. of upyof, TJ, 6v, .properly, " sinning," 
 "bright," &c., most frequently, however, in Homer, an epithet of 
 dogs, " swift," " swift-footed" because all swift motion causes a 
 kind of glancing, flashing, or flickering, which thus connects the no- 
 tions of white and swift. 
 
 Ai>T<lp, conjunction, Epic for arup, "but," &c., always at 
 
 T TNE 'll 
 
 the beginning of a sentence, and intended to express an 
 unexpected contrast, or a rapid change and continuation of the sub- 
 ject. From avr' (for av-e) and u/>(for upa). 
 
 Avroiai, Epic and Ionic for avroic, from avrof, 17, 6. 
 Consult line 42. 
 
 accus. sing. neut. of e^eTrev/c?;?, ef, " sharp-pointed," 
 from l^w, and TTEVKT}, " a pine" or "jir-trce" and then any thing made 
 of the wood, &c., of the pine or fir ; hence " a spine of the fir-tret," 
 " any thing pointed," &c. Buttmann makes it appear probable that 
 the radical notion of KVKJ) is not, as usually supposed, that of bitter- 
 ness, but of sharp-pointedncss, the fir being so called either from its 
 pointed shape or its spines. The same root appears in niKpCf ; 
 Latin pugo, pungo, and the English pike, peak. (Lexilogus, s. v. 
 
 'Eoit'f pres. part. act. of io'uiui, " to discharge," " to send against ;" 
 fut. Efyfiau : 1 aor. f<j>TjK.a, Epic eQerjKa. From eni and Infii. 
 
 'BdTiTit , 3 sing, imperf. indie, act. of (3u?J.u, "to smite;" 
 E ' without the augment, for Ifio/t/le : fut. ftaku : perf. fti67inaa ' 
 2 aor. !6aAov. 
 
 Aiei, adverb, "always," "ever," &.c., Ionic and poetic for act. 
 Kuhner deduces aiei from a substantive alov, alfov (Latin avum), 
 like u6eei, and the Doric ot/cet for olntft. (Gr. Gr., 363, Anm. 2.) 
 
 Uvpaf, nom. plur. of Trvpri, ijs, Epic and Ionic for irvpu, uc, rj, "a 
 funeral-pile." From nvp, "fire."
 
 HOMERIC GLOSSARY. 335 
 
 Line 52-55. 
 
 i'wv, gen. plur. of vcitff, vof, 6, " a dead body," " a corpse." 
 Nom. plur VCKVCC, " //i dead.'" The root vc/c appears in the Sanscrit 
 nac, " to perish," and in the Latin ncx, nec-it, and noc-eo. 
 
 Kat'ovru, without the augment, for ixaiovro, 3 plur. imperf. indie. 
 pass, of Ka/u), " to burn ;" fut. Kavau : perf. KSKUVKCI, in composi- 
 tion with Kara, &c. The Sanscrit root is cush, "to be dry," with 
 which compare the fut. nava-u : hence cushka, Latin siccus. 
 
 Qafieiai, nom. plur. fern, of i?a/m6f, a, 6v, " crowdid" "close," 
 " standing closely together.'" From -dafiu, " together" " in crowds" 
 " close," " thick." Akin to ufia, and perhaps derived from it. 
 
 'Evvijuap, adverb, "for nine days." An Epic form. From 
 
 LINE 53. ,-.-,, j > ,, 
 
 evvsa, "nine, and rifiap, "a day. 
 
 'Avi. Consult line 10. 
 
 'iit^cro, 3 sing, imperf. indie, of middle deponent oixopai, "to go" 
 " to make one's icay ;" fut. oix'hooft.ai : perf. cj^j^at: imperfect u^ofiTjv, 
 or, with initial capital, 'Qix<>f*nv. 
 
 K;//a, nom. plur. of Kffi.ov, ov, TO (Attic KUAOV), " a shaft," "an ar- 
 row." Properly, the wooden shaft of an arrow. In Homer, always 
 used of a god's arrows, e. g., of Apollo, i. c., pestilence ; or of Jupi- 
 ter,!. e., tempest. Akin, probably, to Kav?.6c,"ashaft,'' "handle," <kc. 
 
 Qeoio, Epic and Ionic for deov, from tfeof, ov, 6, " a god." Con- 
 sult line 28. 
 
 , dat. sing. fern, of c5arof, tj, ov, " the tenth," and 
 
 ' agreeing with tifitpf understood, and implied, in fact, from 
 
 which precedes : hence n) dcKdriy 6e= "on the tenth (day), 
 however." From <5fa, "ten." 
 
 'AyopqvOf, "to an assembly." Adverbial form of expression, com- 
 pounded of ayopijv (Attic uyopiiv), accus. sing, of uyopi) (Attic ciyopd), 
 " an assembly," and the suffix Jc denoting motion toward. Observe 
 that this suffix, i5e, is regularly appended to the unaltered accusa- 
 tive-form, and is joined only to nouns. In the case of pronouns 
 and adverbs, ae is used in place of 6e ; as, eKci-ae, 6po-oe, u/J.o-ae, 
 avro-ac, &LC. (Kuhner, t) 377, 5.) 
 
 KaAeffffaro, poetic for fxaAe'craro, the augment being dropped ; 3 
 sing. 1 aor. indie, mid. of KO/^U, " to summon," " to call ;" fut. Ka/.eau 
 (usually syncopated by the Attics, and contracted /ca/ui) : perfect 
 
 T __ \aov, accus. sing, of Aa6f, ov, 6, " the people," "the forces." 
 
 'E-i. Adverb. (Consult note.) 
 
 *pcff, dat. plur. of *p;/v, 9pev6f, ?, "the mind." Strictly speaking, 
 means the " midriff" or " diaphragm" (for which, at a later pe-
 
 336 HOMERIC GLOSSARY. 
 
 Line 55-57. 
 
 riod, the term Sidfpa-ypa was employed), i. e., the muscle which 
 parts the heart and lungs from the lower viscera. It then denotes 
 the " heart" and "parts adjoining (he heart," "the breast," like the 
 Latin pr&cordia. This, according to the Homeric idea, is the seat 
 of fear, of joy, of anger, of grief, &c. It is also the seat of the 
 mental faculties, thought, will, understanding, &c. Hence, <t>p?jv 
 becomes equivalent to " the mind." 
 
 6^/ce, for edifice, the augment being dropped, 3 sing. 1 aor. indie, 
 act. of Tidripi, "to place," " to put," "to suggest:'" fut. -&fiau : perf. 
 redsiKa : 1 aor. sdrjKa. 
 
 AevKufavof, ov, "fair-armed," "white-armed," epithet of Juno; from 
 favicof, " white," and uAevq, " an arm." 
 
 Bprj, r/s, Ionic and Epic for Rpn, ac, V, " Juno," queen of the gods, 
 daughter of Saturn and Rhea, and sister and wife of Jove. Ev'idently 
 akin to f/puc, with which compare the Latin herus and hera. Jove 
 will thus be the master, and Juno the mistress (hera) of the skies. 
 (Consult line 4.) 
 
 Kf/deTo, for fKr/dero, the augment being dropped, 3 sing, im- 
 perf. indie, mid. of icfjSu, " to vex;" middle K^6o/u.ai, "to be 
 concerned for," " to care for" (i. e., " to vex one's self") ; fut., with re- 
 duplication, KSKadr/aoftai : 2 perf, in a present sense, niKnoa., " / 
 mourn," " I sorrow." 
 
 Aavauv, gen. plur. of Aavaof. Consult note on line 42. 
 
 Qvf/ffKovrac, accus. plur. masc. pres. part, of dvfiaKv, " to die ;" 
 fut. mid. davovpat : perf. reOvr/Ka. Lengthened form from a root 
 t?at>, which appears in the fut. mid. and in the 2 aor. Idavov. The 
 root &av is akin to &EV in deivu, " to strike," or " wound," and both 
 are related to the Sanscrit han, " to strike," or " wound." 
 
 'OpuTo, for eupuTo, the double augment being dropped, 3 sing, im- 
 perf. indie, mid. of opdu ; fut. OTpofiai (from the root birr) ; perf. eupd- 
 Ka, and without the reduplication, wpd/ca, " to see." Homer has no 
 passive, but always uses the middle in an active signification. In like 
 manner, tyo/tai, the fut. mid., is always active in meaning with other 
 writers likewise. Originally, in all probability, opuu had the digam- 
 rna, for the Sanscrit root is mi, with which compare our ware, a-ware; 
 German wdhrcn, Wehr, wahr ; and Latin verus. 
 
 "U-yepdev, Epic and vEolic for Tiyepdr/aav, 3 plur. 1 aor. in- 
 die, pass, of ayeipu, " to bring together," " to collect ;" fut. 
 ayepu : perf. pass., with Attic reduplication, dyr/yep/iai. From ayw, 
 "to bring together." 
 
 c, Epic and Ionic for opnyepefc, nom. plur. masc. of /ipy-
 
 HOMERIC GLOSSARY. 337 
 
 Line 57-61. 
 
 ytpfjjc, ec, Epic and Ionic for 6unyep?ic, ec, "assembled;" from 6p6c, 
 " together," and a-ycipu, " to collect.'' 
 
 f, pres. part. mid. of aviarrjui : fut. a 
 
 ' " to make to stand up ;" in the middle dviarauai, " to stand 
 vp," "to arise." Observe, however, that the aorist middle is transi- 
 tive ; as, avaarr/aaaBai -xo/.iv, " to raise a city for one's self" (Herod., 
 i., 165), &c. 
 
 Me-t'p)?, 3 sing, imperf. indie, act. of peTutinpt, "to speak among." 
 Only used by Homer in this part of the verb. From //era and (pijut. 
 
 Ildcfaf, accus. plur. of 7rot}f, 7ro<56f, 6, "the foot." The Sanscrit root 
 is pad, " to go,'' hence Sanscrit pad ; Latin pes, ped-is ; English pad, 
 foot ; German fuss, &c., akin to Tredov Sanscrit pada. 
 
 'QKVC, uKcla, <JKV (Epic and Ionic fern, w/cca), " swift," " quick." 
 The word is poetic, and mostly Epic. Akin to the Sanscrit ac, " to 
 pass through," and also to oi-vc, uKtj, UK/*?}, and the Latin acer, acutus. 
 
 LINE 59. 'Aufie, JEolic, Doric, and Epic, for yptig. 
 
 Ila/.a/TrAay^ei'raf, accus. plur. 1 aor. part. pass, of xaltu-Aufa, 
 "to cause to wander back;" 1 fut. Tra/lt/iT/luyfw : passive, in a middle 
 sense, TrafauTr?w.Zouai, " to wander back,'' " to wander away from." 
 From TruAtv, " back," and TT/M^U. Observe that the active is mere- 
 ly given here to complete the form. The only part of the verb 
 found in actual use is xahi/AxXayxOeic., as occurring here and in Od., 
 xiii , 5. 
 
 'Oi'u, Epic active, pres. indie, for olopai, " I think." Observe that 
 this form biu is only used in the first person. 
 
 "Aib, adverb of place, "back," " away from" &c. Akin to 
 ' the Latin abs, through the -Eolic UTCC. 
 
 'A.irovoaT7iaetv, fut. infin. act. of uirovoaTeu, " to return," " to come 
 home ;" fut. ijau. From OTTO, and voarfu, " to return home." 
 
 Kev. Equivalent to the prose dv, so that el KSV is the same as 
 
 UV. 
 
 Gdvarof, accus. sing, of duvaroc, ov, 6, " death." As regards the 
 root &av, consult remarks under i9v7/<T/coi>ra(r, in line 56. 
 
 Qvyotuev, 1 plur. 2 aor. opt. act. of cm'yu, "to escape," "to free." 
 Consult ^eOyf, line 173, where the parts of the verb are given. The 
 root is strictly ouy, as appears in 6v-/etv, covyor, tivyi'i, the Latin fuga, 
 fugio, &e. Akin either to the Sanscrit bhudsh, " inflectere," " cur- 
 vare," with which compare the English budge ; or else to bhi, " to 
 fear." 
 
 'Ofiov, adverb. " together." Strictly, gen. sing. neut. of 
 LlNE 61 - out*. 
 
 FF
 
 338 HOMERIC GLOSSARY. 
 
 Line 61-64. 
 
 , ov, 6, "war." From TreAw (radical form), akin to 
 TroAof, Trofo'u : Latin petto and bellum. 
 
 , 3 sing. pres. indie, act. of 6apuu, " to subdue ;" fut. &apdau : 
 1 aor. sddpaaa : perf. 6e6pj]Ka. A post-Homeric form of the present 
 is 6a/Lni&, which is not found before Euripides, though we have 
 6a/j.aaOeif, as if from <5a//aw, in the Iliad (xvi., 816). Compare the 
 Sanscrit dam, " to be tame ;" Latin dom-are ; English tame; German 
 zahm. 
 
 Aoi/zdf, oil, 6, " a pestilence." Supposed to be akin to l.fpa, "rzn," 
 " destruction" but very unlikely. More probably of the same family 
 with the Latin lue-s, and the Sanscrit lu, " scindcre," "evellere." 
 
 "Aye. Originally, imperative of dyu, but subsequently used 
 as an adverb, like <peps, "come," "come on," &e. 
 
 Twi, accus. sing. masc. of the indefinite TIC, neut. rl, "some one," 
 &c. Compare the -Eolic KIS (for r/f), Latin quis (i. e., icftc.), and 
 Sanscrit kas. 
 
 M.UVTIV, accus. sing, offuivTic., Ionic tof, Attic euf, 6, "a seer," "a 
 soothsayer," " a diviner." The derivation from fiaivo/nai, " to rave," 
 is found as early as Plato (Tim., 72, B.), who distinguishes //uvmf 
 from Trpo<j>r/Tai, the former being persons who uttered oracles in a 
 state of divine phrcnsy ; the latter, the interpreters of those oracles. 
 
 'Epeio/iev, Epic for kpeupw (the mood- vowel being shortened), 1 
 plur. pres. subjunct. of kpeu; Epic present for dpoftat, fpofiai, " to in- 
 terrogate," " to ask," &c. 
 
 'lepTja. Consult line 23. 
 
 'Oveipo~6/Mv, accus. sing, of 6veipoT7o/.of, ov, 6, " an ihter- 
 ' prefer of dreams." Literally, "one occupied with dreams." 
 From ovEipoc,, "a dream," and TTO^CU, " to be conversant with." 
 
 "Ovap, nom. sing, of ovap, TO, "a dream." Opposed to a waking 
 vision, inrap. Only used in nom. and accus. sing., the other cases 
 being supplied from oveipoc. and oveipov, &c. 
 
 Atof. Consult line 5. 
 
 'Eariv, 3 sing, prest. indie, of dpi, "to be." 
 
 LINE 64. "Of KE. For 6f uv. 
 
 EtTrot, 3 sing. 2 aor. opt. act. from a radical form lira, for which 
 <j>rjfii is used as a present ; indicative EITTOV, " I spoke," " I said:" im- 
 perative t'nre : part. el~cjv : infin. e'nrdv. We have also a first aorist 
 elrra, and imperative ti-6v, though the accentuation elxov seems bet- 
 ter. This latter form of the aorist is especially Homeric and Ionic ; 
 but it also frequently occurs in Attic. The future and perfect are 
 supplied by eptu, namely, fut. Inti. perf. f'prina. Observe that the
 
 HOMERIC GLOSSARY. 339 
 
 Line 64-66. 
 
 radical liru may be traced in fT-of. And as elncv is properly a di- 
 gammated word, feirrov, and the root, therefore, strictly speaking, is 
 FeTr, we may trace an analogy between this root Feir, the other form 
 OK (i. e., fon), which appears in ety, "the voice," the JEolic Fd/c, the 
 Latin voc, in vox, voc-is, " the voice," and roc-are, " to call," and, final- 
 ly, the Sanscrit u-atsh, " dicere." 
 
 Toaaov, Epic for roaov, accus. sing. neut. used adverbially, of 
 Too-of, n, ov, Epic TOCTffof, n, ov, " so much," &c. Compare the 
 Latin usage in tantum, and observe that roaaov is here employed 
 without an answering ocaov. 
 
 'Exuaaro, 3 sing. 1 aor. indie, of the middle deponent ^wo^uai, " to 
 be incensed," " to be wroth ;" fut. ^wCTOjuat : 1 aor. EXUGU/ITIV. Akin 
 
 Eire, " whether," answered by eW (i. e., etrc) at the close 
 of the line ; as in Latin, site, .... sivc. 
 
 Et'^cjAtyf, gen. sing, of evjw/l^, //<, r/, "a vow." Akin to ci>xn and 
 ei>xof, in same signification, the root of which ev% (tvic) compare 
 with the Sanscrit uc (another form of wac~), " to pray for," " to de- 
 sire," "to wish." (Pott, Etymol. Forsc/i., vol. i., p. 235, 268.) 
 
 'EmfifyQerac, 3 sing. pres. indie, of middle deponent kniueutiouai, 
 " to have a complaint against one," " to impute to one as matter of 
 blame," fut. eTctfifpiftouai. From kiri and [ifu<j>ouai, " to blame." 
 
 'E,KaTOfi6i]f, gen. sing, of ^aro^fir/, TJC., 77, "a hecatomb." Strictly 
 speaking, an offering of a hundred oxen (from eicaTov, " a hundred," 
 and (3oi>f, "an ox"); but even in Homer the word has lost its ety- 
 mological signification ; and though in the present passage it may 
 still retain that meaning, yet in hook vi , 93, 115, we find a heca- 
 tomb of twelve oxen ; in Od., iii., 59, of eighty-one. Nor does Ho- 
 mer confine it to oxen ; for hecatombs of oxen and rams often oc- 
 cur (//., i., 315 : Od , i , 25) ; nay, we find hecatombs without any 
 oxen, e. g., of fifty rams (//., xxiii., 146). The word eKaTofiSn, there- 
 fore, even in Homer's time, would seem to have signified, in gener- 
 al, " a large sacrifice offered publicly." 
 
 At, Epic and Doric for , " ?/." In Homer, only at ice and 
 
 al Kev , Doric m/cu. It contains, however, a latent ref- 
 
 erence to something wished for or desired, and is therefore akin to, 
 
 if not identical with, of, an exclamation of strong desire, "would 
 
 that /" " that !" (Consult note.) 
 
 II<jf, enclitic adverb, " in any way." On the other hand, nuf, an 
 interrogative adverb, "in what way," "how." 
 
 'Apvuv, gen. plur, " of lambs" The nom. sing, ape (according to
 
 340 HOMERIC GLOSSARY. 
 
 Line 66-67. 
 
 Kuhner, apf/v or uppTjv) is out of use, and its place is supplied by 
 ufjLvoc.. Early authors have, gen. sing, apvof ; dat. apvi ; accus. apva : 
 dual, upve : plural, nom. apvec. ', gen. dpvuv ; dat. dpvdai (Epic ap- 
 vfffai) ; accus. dpvac.. The root appears to be pev, with which we 
 may compare the English ram, while in the first two letters of apvog 
 we detect a sort of resemblance to the Latin ar-ies. 
 
 Kvianf, g en - sing- of Kviarj, Epic for KVIOO., rjf, q, " the steam and 
 odor of fat," which exhales from meat roasting ; especially " the 
 smell or savor of a victim," " the steam of a burnt sacrifice," which 
 ascends to heaven as a grateful gift to the gods. Observe that KVLOIJ 
 and nviaa are the more correct forms for the common Kviaan, Kviaaa. 
 (Draco, de Metr., p. 21, 4, ed. Hermann. Eustath., 1766, 30). From 
 Kvifa, "to irritate," "to nettle," "to chafe," as expressive of the ef- 
 fect produced upon the olfactory nerves by the odor that arises. 
 With the root of wife (i. e., Kvid-au) compare the Latin nid-or, 
 "savor," the Greek VVTT-U, "to prick," and the English nettle and 
 needle. 
 
 Kiyuv, gen. plur. of cZf, aiyoc., 6, TJ, " a goat." (Consult line 41.) 
 TcXe/wv, gen. plur. of reheioc., a, ov, "perfect," "without spot or 
 blemish." Literally, " having reached its end" i. e., complete, perfect. 
 From TeAof, "an end." 
 
 i, 3 sing. pres. subj. mid. of deponent B 
 
 with shortened mood vowel, " to will," "to be willing," 
 "to wish;" fut. f3ov2,jjaopai : perf. /3e(>ov%7]/nai. Observe the follow- 
 ing difference between idsl.u and (3ov%o/Ltai, in that e0e/lu expresses 
 choice and purpose ; but (3ov/iO[tai, a mere inclination toward a thing, 
 a willingness. (Buttmann, Lexil., i., p. 26. Opposed, however, by 
 Donaldson, New Cratylus, p. 561.) Earlier form /36%opai, and in the 
 active (^olic) /?6/k>, whence the Latin volo. A much less satisfac- 
 tory explanation is given by Donaldson (New Cratylus, p. 565, seqq.}, 
 who traces [3ovho/iai to /3ovA^. 
 
 'AvTidaac., 1 aor. part. act. of avriau : fut. uvTiaaa : 1 aor. ijvTiiiaa. 
 (Consult line 31.) " To go to meet" " to go in quest of;" said espe- 
 cially of the gods, "to come (as it were) to meet an offering," i. e., ac- 
 cept graciously of it ; and hence, " to partake of," " to enjoy." 
 
 Aot-yov, accus. sing, of Aotyo'f, ov, 6, "destruction." Akin to Avypdf, 
 ^euya/leof, " mournful," " wretched," and the Latin lugeo, luctus. 
 
 'Auvvai, 1 aor. infin. act. of 6,/j.vvu, " to ward off ;" fut. duvvti : 1 
 aor. f/fivva. The root JJLVV appears akin to that of the Latin mun-ire, 
 man-ia (mun-ia), and to the Sanscrit man, "to check," "to re- 
 strain."
 
 NUMERIC GLOriSARV. 
 
 Line 68-70. 
 
 LINE f>8. *Hrot. (Consult note.) 
 
 Kara. In Homeric Greek an adverb, " down." Subsequently, a 
 preposition. 
 
 'E&ro. Consult line 48. 
 
 'AveaTTj, " stood up," " arose," 3 sing. 2 aor. indie, act. of avioTijftt, 
 " to make to stand up," " to raise up :" fut. uvaorfjau : perf. uvearijua, 
 " / stand up :" 2 aor. uvearriv, ' 1 stood up." From uvu. and larrj/ai, 
 " to place." 
 
 K<i?,x a f> gen. KuA^aiTOf, &c. " Calchas," the Greek seer 
 E at Troy. Supposed to come from /ta^atvw, " to make 
 dark and troublous, like a stormy sea ;" and then " to turn over or 
 revolve in one's mind, to search out," &c. Hence Ku/l^af will sig- 
 nify, strictly, " the Searcher." 
 
 QeaTopidjjc, ov, 6, " the san of Thestor." A. patronymic appellation 
 of Calchas. From Georup, opof, 6, " Thestor" son of Idmon, and 
 father of Calchas. 
 
 OtuvoTroAwv, gen. plur. of oiuvonotof, ov, 6, " an augur," one who 
 is busied with, or observes the flight and cries of birds, in order to 
 draw omens of the future therefrom. Properly an adjective, oiuvo- 
 TroAof, ov. From otuvof, "a bird," and TTO/U'W, " to be conversant 
 with." 
 
 "O^a, " by far," Epic adverb, only found in Homer, where it is 
 pretty frequent, though only as an intensive before superlatives. 
 In its place, later writers have tjo^a. Probably from l^u, " to 
 seize" or "grasp;" for, as Dcederlein remarks, 6%a is to 6xvp6f, as 
 the old German fast, " very," iofest, " fast," "tight." 
 
 'Hi6ij, or ydrj, 3 sing, pluperf. indie, of el6u, " to know," a 
 ' signification, however, which ddu, which properly means 
 " to see," gets, in reality, from its perfect oida, for what one has seen 
 and observed, that one knows, and so ol6a means " / have seen into 
 it," and, consequently, " I know it." The common form of the plu- 
 perfect is y6eiv, r/6ctf (or y6eia6a), ij6ei, &.C., for which the Epic wri- 
 ters said j)6ea, /(5eaf, y6es, &c. The third person ydec becomes here 
 ytiri by contraction, whereas in 11., ii., 409, the uncontracted form 
 occurs. The Attics said y6i), yorjf, ydeiv, and y6ij, but with regard 
 to this last form, namely, the 3d person ydr/, in Attic, strong doubts 
 exist. (Consult Kuhner, 123, Ann., and Buttmann, Ausf. Spracld., 
 vol. i., p. 434, not.) 
 
 'Eovra, Epic and Ionic for ovra, accus. plur. neut. of uv, ovaa, 5v, 
 pres. part, of /', " to be." 
 
 accus. plur. neut. fut. participle of eijit, " to be."
 
 342 HOMERIC GLOSSARY. 
 
 Line 70-73. 
 
 n/. Homeric adverb, "before," "on before." Subsequently, a 
 preposition. 
 
 , Epic and Ionic for vavai, dat. plur. of v>/i'f : gen. 
 
 ' jof, 17, Epic and Ionic for raff, vc<J, fj, " a ship.-'' 
 
 , 3 sing. 1 aor. indie, of middle deponent r/-) softai : fut. 
 1 aor. }) ijaafuiv, "to lead,'' "to be a guide un/o." 
 , accus. sing, of T/.iof, ou, 17, " Ilium," or Troy. Another 
 form is 'l/uov, ov, TO, but if *I/.tof is the form employed by Homer 
 and the poets, with the exception of //., xv., 71, where TO 'l/.iov 
 alone occurs. The later prose writers, on the other hand, usually 
 give TO 'I/./ov the preference. 
 
 EZ<T, more rarely iau, adverb, " to," " un/o," " into," " within." 
 From etf. Is, " into." 
 
 *Hv, accus. sing. fern, of the possessive pronoun, 6f , j?, ov, 
 ' '"" " /<i, Ar," for cof, iff, iov, which last is the Epic and Ionic 
 form. 
 
 t&avTOffvvrrv, accus. sing, of fiavToavvrj, i?f, r), "skill in divination." 
 Properly, " the art of divination." From pdvTif, "a diviner." Con- 
 sult line 62. 
 
 Tijv, Epic and Ionic for f/v, accus. sing. fern, of of, f), b, relative 
 pronoun, " who, which, or that." 
 
 Oi, dat. sing, of the personal pronoun of the third person masc. for 
 ai>Tu, ' on him," ' to him.'' Nom. wanting ; gen. ov : dat. ol : accus. 
 e. Observe that, though the grammars represent the nominative of 
 this pronoun as wanting, yet the ancient grammarians adduce, as an 
 early nominative, the form I or I, with which we may compare the 
 Latin is, ea, id; the Gothic is, si, ita ("he, she, it"), and the San- 
 scrit aj-am, ij-am, id-am. (Kiihncr, 9 334.) 
 
 II6pe, for exope, the augment being dropped, 3 sing. 2 aor. indie. 
 act. from an assumed present Tropu, " to bcstoic," " to grant," " to 
 give." The root in TTOOU appears to be the preposition ~p6 (Doric 
 frop, Tropri), the literal meaning of the verb being " to give forth." 
 With this compare por-rigo, " to stretch forth ;" par-io, " to bring 
 forth ;" por-tio, " a portion," something given forth from a whole, <kc. 
 "O. Consult note. It has the accent because followed by 
 Lu 73 ' an enclitic. 
 
 2^tv, Epic and Ionic for aoiai, dat. plur. of cyels, which is itself 
 the nom. plur. masc. of the personal pronoun of the 3d person, " they." 
 Observe that aoiv is also used for the dat. sing , but much less 
 frequently. 
 
 v, pres. part. act. of efypovia, which is merely assumed
 
 UOMEKIC ULOsSAKY. 343 
 
 Line 73-76. 
 
 as a present, no such form in reality occurring : " Icing fatmobly 
 disposed, 1 ' " meaning well." Observe that ndpovcuv is Epic for 
 evfpoveuv. 
 
 ' AyopqoaTo, for iiyopfiaa-o, the augment being dropped, 3 sing. 1 
 aor. indie, of the middle deponent a-/opdouai : fut. r/aouai, " to har- 
 angue" in full assembly. Properly, " to meet in assembly ." From 
 if/opii, " an assembly.'" 
 
 Mfrtftjm 1 , Epic for jteTtiTrev, 3 sing. 2 aor. of fifru.6ri[u, " to speak 
 among .-" 2 aor. fitrttTtov, ef, e . Consult remarks on eiirov, in line 
 64. 
 
 'A^tP-fii, voc. of 'AjtAeiV, the shortened and earlier form of 
 LINE 74. ^ name o f Achilles ; the longer one being 'AjZ/./.n'c, the /./, 
 being adopted for the requirement of the verse. The same remark 
 applies to 'OAiJcevf and 'O<5i>a<m'f. So AivECf is the earlier form for 
 Aiveiaf, and was retained by the Dorians. 
 
 Ki/.eai, 2 pers. sing. pres. indie, of the middle deponent K&opcu, 
 " to bid," " to urge," " to set in motion," &c. ; fut. nelijaouai : 2 aor. 
 KCK%6pnv and fKeK7.6p.riv. Observe that Kt/.tai is Epic and Ionic for 
 Ke/.cL. Thus, K&.opai, 2 pers. (old form) nt/.caai : (Epic and Ionic) 
 ne/.eai : (Attic) K&et : (common dialect) K&.TJ. 
 
 A', dat. sing, of ZeiJf. Consult remarks on A<Jf, line 4. 
 
 *//., voc. sing. masc. of <pi/.o{, q, ov, "dear," ''belated." Origi- 
 nally an adjective ; afterward used as a substantive, fiZof, ov, 6, " a 
 friend." A similar change takes place with amicus in Latin. Com- 
 pare the Sanscrit pdlas, "a friend." (Eichhoff, Verglcich.,p. 239, n. 
 475.) 
 
 MvdqaaoQai, 1 aor. infin. middle of the deponent fivdiofiai, " to tell," 
 " to mention ;" fut. fiv6fiaopa,i. From pvtioc. Consult line 25. 
 
 'EKaTt]6e%Tcio, Epic for eKartj6e?J-ov, from eKaTr/6f?.TT)f, cf, 
 "far darting." Frome*d<, "afar," and ,3f/of, "a missile," 
 "a dart." Observe that, originally, the genitive singular of mascu- 
 lines in t)f and <if, of the first declension, ended in do. (Kuhner, 
 $ 261, 2.) 
 
 Toiydp, a strengthened form of the enclitic rot ; " therc- 
 ' fore," " accordingly," " so then," &c. Usually employed at 
 the beginning of a speech or clause. 
 
 'Eyciv, Epic and .Eolic for e-yu. 
 
 'Epsu, Epic and Ionic for t/wi, fut. of the rare present elpu, " to 
 speak," " to declare." 'Epu is commonly assigned as a future to 
 eiirelv, with a perf. clprjKa : perf. pass, elp^uai (as if from a form 
 JKU) ; 1 aor. pass. tpprj6rri> and eppedriv, of which the former is the
 
 o-i-i 
 
 Line 76 IS. 
 
 better. There is no form of the present such as Ipu, but Homer has 
 dpu and dpopai, for which the Attics use ^rj^i. 
 
 Zvudeo, Epic and Ionic for avvdov, 2 aor. imperat. mid. of avv-i- 
 6r/ut, " to put together ;" middle crvvTifapai, strictly, " to put together 
 for one's self;'' and so, " to observe a thing," " to take heed to it ;" and 
 hence, " to agree," " to promise," after taking due heed of the proba- 
 ble consequences of an affair. 2 aor. (rvvedfunv : 2 aor. imperat. 
 (old form) avvdeao : (Epic and Ionic) avvQeo : (Attic) avvdov. 
 
 'Ouoaaov, Epic and poetic for fyoaov, 1 aor. imperat. act. of buvvui 
 or bfivvu, " to siccar;" fut. mid. buovfiat: perf., with redupl., buiJfioKa : 
 1 aor. upooa. The future buoau belongs to the impure age. The 
 common future uuovuai proceeds by a very anomalous inflection, as if 
 it were syncopated and contracted from oueaopcu, namely, busaouat, 
 butouai, bpovuai. 
 
 'H [iv, Epic and Ionic for r/ ftrjv, the two particles combined 
 
 ' expressing a strong affirmation, " in very truth" &c. They 
 
 are sometimes employed to introduce the very words of an oath or 
 
 an assertion ; at other times, as in the present case, they are used 
 
 in the oiatio oUiqua. 
 
 UpoQpav, ovoc, b, 13, " willing," " ready," &c., often translated as an 
 adverb, "readily" ''willingly" &c. From -xpb and tiprjv, or Qpovtu, 
 and hence the literal meaning is, " with forward soul." 
 
 'E-ffiv, dat. plur. of i~of, eof, -6, " a word." From a root E-, or, 
 rather, FCTT, which recurs in elnov. Consult line 64. 
 
 Xcpaiv, dat. plur. of x^ipi X Ei p6{, V, " the hand." 
 
 'Ap^eiv, fut. inf. act. of upr/yu, " to assist," " to aid," &c. ; fut. fu. 
 Akin to cipKEo, epviea, arceo, arx, area. (Pott, Etymol. Forsch., vol. 
 i, p. 271.) 
 
 T H. A strengthening and confirming particle, "in truth," 
 
 -l-^INE /o. ,, . j j , .. , .. ,. -. .. [> 
 
 " indeed, " truly, " verily, &c. 
 
 'Oiop.aL, Epic for olouat, deponent verb, " to think," " to be of opin- 
 ion" &c. Radical signification, "to fancy," "to suppose," always 
 of something as yet doubtful ; ' to think and believe," as opposed to 
 knowing : fut. oir/aouai : 1 aor. uqdnv. 
 
 Xo/.wfff/iev, Epic, Doric, and ^olic for ^OAUCTEIV, fut. inf. act. of 
 Xo^oa, " to make angry," " to incense" &c. ; literally, " to stir one's 
 gall or bile;" from ^6Aof, "gall," "bile:" fut. ocrw. The original 
 termination of the infinitive was uevai, and with the mood-vowel, 
 epevai. This was sometimes shortened into un> (i. e., epev), and 
 sometimes into vai. (Kiihner, 123, 21.) 
 
 Meya, neuter sing, of //^yaf, taken adverbially. Consult note, and 
 also remarks on HEI&V, line 167.
 
 HUME1UC GLOSSARY. 345 
 
 Line 7981. 
 
 _ 'Apyeiuv, gen. plur. of 'Apyof, ov, o, " an Argive," i. e., a 
 
 ' subject of the Argive kingdom of Agamemnon ; and as 
 these formed the main part of the army before Troy, hence a Greek 
 generally. Consult note on 'A^afotf, line 2. 
 
 KpaTEci, Epic and Ionic for Kparel, 3 sing. pres. indie, act. of Kpa- 
 Tfu, "to rule over," " (o hold under one's sway ;" fut. Kparrjau : perf. 
 KSKpaTfiKa. From xparof. Consult remarks on tcparepov, line 25. 
 
 Oi, dative plural of the personal pronoun of the third person. Con- 
 sult line 72. 
 
 Ufi6ovTai, 3 plur. pres. indie, mid. of ircidu, " to persuade ;" in the 
 middle, ireidopat, " to obey." Consult line 33. 
 
 Kpeiaauv, ov, gen. ovof, " more powerful,'" " stronger," 
 " mightier," &c. ; later Ionic Kpeaouv, ov ; later Attic Kpeir- 
 ruv, ov. Usually called an irregular comparative of ayaQof : but Kpa- 
 rt'ft from Kpurof, must be reckoned as the root, as if the compara- 
 tive were Kpaiacuv, the superlative Kp<m<m>f being regularly akin 
 also to Kpeiuv, Kpeiovaa. 
 
 XufffTat, regarded by some as the 3 sing. fut. indie, of the middle 
 deponent xuouai, " to be incensed," " to be enraged at ;" fut. -x^aouai. : 
 \ aor. Exuffdpqv. Others, however, take it for the 3 sing. 1 aor. sub- 
 junct., with the shortened mood-vowel, for xuaqrai. The latter 
 opinion is the preferable one. 
 
 Xeprii, dat. sing, of ^epj/c, which is commonly regarded as an old 
 positive, furnishing the irregular comparatives xsipuv and^epawv to 
 KdKof. But in all the passages that occur in Homer, the word seems 
 to have a comparative signification, and no real example with a posi- 
 tive signification can be here found, notwithstanding the opinion of 
 Buttmann (Ausf. Spr., vol. i., p. 273). In all probability, therefore, 
 it was really a comparative in signification from the first, and was 
 originally the same as ^et'pto?, viroxeipios, "inferior," "subordinate," 
 "subject" to another. 
 
 Eiirep,"if,itideed." More literally, "if, at all events." Used 
 also like KOJ. el, " even if," as, for example, in the present 
 passage. 
 
 X6/.ov, accus. sing, of ^6Aof, ov, 6, " wrath," " anger ;" literally, 
 "gail," "bile." 
 
 AvTtjfjtap, adverb, "on the self-same day," "for the self-same day." 
 Equivalent to avdquepov. From avrof and f/uap, "day." 
 
 Kara7r^ii'9, 3 sing. 1 aor. subj. act. of Karaniacu, " to boil down," 
 "to digest thoroughly," "to digest," "to keep under," "to restrain," 
 &c. ; fut. KaraTTsrbu. From Kant, " down," and -neaau, " to boil."
 
 346 HOMERIC GLOSSARY. 
 
 Line 81-85. 
 
 Observe that all the tenses formed from Ttiaau, namely, nt-ipu, perf, 
 pass. Trtirefjfiai, &c., have the TT, and that the present Trt-Trrw, which 
 approaches nearer to those tenses, occurs first in the writers pos- 
 terior to Homer. (Buttmann, Lexil., p. 127, cd. Fish!..) 
 
 MeTomaBev. Adverb. 1. Of place, "from behind," "be- 
 LlNE82 - hind," "backward," "back." 2. Of time, "after," "after- 
 ward," "for the time to come" &c. Used also with the genitive, " be- 
 hind," in the sense of the Latin post. (II., ix., 504.) 
 
 Korov, ace. sing, of KOTO(, ov, 6, "secret resentment," "grudge," 
 &c. The idea implied in /corof is that of secret wrath, boiling fierce- 
 ly within one's bosom, but as yet pent up and without an outlet. 
 Pott, accordingly, compares the Sanscrit kw-athita, "coctus;" kdt- 
 ha, " churning," and the Gothic hvatho, " foam." 
 
 "Oifpa. Adverb of time, and equivalent to the Latin donee, " un- 
 til." At other times a conjunction, marking end or intention, but 
 only used in the Ionic and Doric poets, "that," "in order that." 
 
 T&iaay, Epic for reason, 3 sing. 1 aor. subj. act. of re^eu, " to 
 bring about," " to complete," " to fulfill," &c. ; fut. reAorw : more Attic 
 Tt^.6 : perf. TET&sica : 1 aor. kre^eaa. A strengthened Epic variety 
 is re^etw. From re^of, " an end accomplished." 
 
 "S,TT]di.Gaiv, Epic for ar^Beatv, dat. plur. of arijdoc., eof, TO, 
 ' "the breast." Used by Homer in both sing, and plur. 
 Probably from icrrtjpi, as referring to that which stands up. 
 
 'Eolfft, Epic and Ionic for olc, dat. plur. of e6f, ?, e6v, Epic and 
 Ionic for oc , y, bv, possessive pronoun, " his, her," &c. 
 
 Qpuaac, 2 sing. 1 aor. imper. mid. of (fipd^u, " to speak ;" in the 
 middle, " to consider" (consult note) : fut. <j>puau : 1 aor. Ifypaaa : 
 1 aor. mid. kfypaadfirjv : 2 aor. act. e<j>pa6ov. 
 
 Sawffetf, 2 sing. fut. of craow, " to save :" fut. aauau : 1 aor. kadaca. 
 The present is not found in Homer, except in the contracted form 
 ffuu. From aaoc,, <rwf, " safe." 
 
 f, pres. part, of the middle deponent airaftei- 
 
 ' Sopot, " to answer," " to reply ;" fut. -tyouai. The simple 
 
 verb untiSu means, properly, " to change," " to exchange." In the 
 middle, "to change one with another," "to do in turn or alternately ;" 
 said especially of dialogues, and hence, "to answer, 1 ' "to reply," 
 &c., as in the compound, where OTTO merely strengthens the meaning. 
 ITpofc^v. 3 sing, imperf. indie, act. of Kpoctyn/u, " to speak to," " to 
 address." From -irpof and fyqul. 
 
 t, 1 aor. part. act. of -dapviu, " to be of good cour- 
 
 INE age," " to take courage ;" fut. TJOU. In the new Attic,
 
 HOMERIC GLOSSARY. 317 
 
 Line 85-88. 
 
 dappeu. From Bupoo^, " courage" " confidence," &c. Akin to the 
 English dare, through the old German tharren, tharen, thuren, with 
 which we may compare the Sanscrit dhars, "to venture," "to brave." 
 Eix-e, 2 sing. 2 aor. imperat., from elnov. (Consult line 64.) 
 Qeoirpoiriov, ace. sing, of dtoTtpomov, ov, TO, "a heavenly sign," 
 "an oracle," &c. From $eof, "a god," and Trptrrcj, "to send a sign." 
 (Consult note, and BuUmann, Lexil., vol. i., p. 19.) 
 
 Olatia, 2 pers. sing. 2 perf. of ddu, " to see :" 2 perf. olda, " I 
 know" (i. e., I have seen and observed, and therefore I know). The 
 form olada is made up of old and the Doric ending c6a, and then, 
 according to the general rule, the a of the ending is thrown out, and 
 the 6 changed into a. (Kuhner, 239, Anm., 3.) Bopp considers 
 the Greek suffix #a (or cda) as akin to the Sanscrit ika or dha, with 
 which we may compare the English pronoun of the second person, 
 " thou." 
 
 Ma. A particle used in strong protestations and oaths, 
 ' followed by the accusative of the deity or thing appealed 
 to ; in itself neither affirmative nor negative, but made so by some 
 word added to it, as vai, oil, &c., or, in Attic, merely by the context : 
 " By," " I swear by" &c. According to Donaldson, fid contains the 
 element of the first personal pronoun ; it hears the same relation to 
 jUf-ra that KU or niv does to na-ru, and signifies "with," or " iy," 
 which is our preposition for expressing an oath : the leading idea is 
 that of absolute nearness to the subject. (Nev> Cralylus, p. 253.) 
 
 'QiTe, or are, the dative singular of the relative of, TJ, 5, joined 
 with the particle re. 
 
 KuX^av, voc. sing, of K/l^af, avrof, 6, " Calckas." Consult line 
 69. 
 
 LINE 87. Evo^evop. Consult line 43. 
 
 Aat'ao&rt, Epic and Ionic for Aiivaotf, dat. plur. of Aavaof. Con- 
 sult note on line 42. 
 
 Qeonpomar, ace. plur. of deoTtpoiiia, ac, ^, a term the same in ef- 
 fect as -deofcpoTTiov. Consult line 85. 
 
 'Ava^at'vetf, 2 sing. pres. ind. act. of avafyaivu, "/o reveal." Lit- 
 erally, " to show up ;" fut. uva<j>avu : 1 aor. uvt&Tjva. In the middle, 
 dva<j>aivo[tai, " to come to light," " to appear plainly." 
 
 Ovrif, neut. ovn : gen. ovr/vof, &c. " No one," " nobody :'' 
 neut. " nothing." Answers to the Latin ne ullus, nullus. 
 From oi> and rif. 
 
 'Ejucii, Epic and Ionic for efiov, gen. of kyu. 
 ZUVTOC. , gen. sing. pres. part. act. of &u, " to live ." fut. tj'jau : perf.
 
 liOMEKHJ 
 
 Line 88-9:i. 
 
 l&K.a. The future, 1 aorist (tV/ytra), and perfect are rare, these tenses 
 being supplied in good Attic writers by f3wu. Homer always uses 
 the Ionic wu. Compare the Sanscrit jiv, " to live," f and y chang- 
 ing ; and so, perhaps, also akin to vic-ere, &c. (Pott, Eti/mol. Forsch., 
 vol. i., p. 265.) 
 
 Xtfovi, dat. sing, of %6<Jv, ovof, ?/, ' the earth," "ground." Akin to 
 i, huini, &.C. (Pott, Etymol. Forsch., vol. i., p. 142.) 
 
 o, Epic and Ionic for dfpxoptvov : gen. sing. pres. part. 
 mid. of the deponent tiipKouai (for the active present titpnu only oc- 
 curs in the grammarians), ' to see," " to look." Strictly speaking, 
 used not merely of sight, but of sharp sight, perf., with present sig- 
 nification, dt'Jop/ca : 2 aor edpunov : also in passive form idpdmiv and 
 all in an active signification. Homer uses only part. 
 : imperf. dfpneaKCTo, with aorist edpuKov and perfect. 
 The Sanscrit root is dric, "to see," which we may compare with 
 6pan in idpaicov. 
 
 LINE 89. Koityif, Epic for >cott.aif. Compare KoiZyotv, in line 26. 
 Bapn'of, ace. plur. fern, of fiapvf, eta, ii, "heavy," &c. Compare 
 the Sanscrit guru, Latin gravis, with which (3apv becomes akin, on 
 the supposition that the g has been supplanted by p. So the Latin 
 " bru-tum," respecting which Festus remarks, " brutum antiqui 
 gravem dicebant." 
 
 'Eiroiaei, 3 sing. fut. act. of emijiepu, " to bring upon," " to lay upon," 
 &.C. : fut. eiroiau. 
 
 2t'/t7rdvrwv, gen. plur. masc. of avuiraf, avuiruaa, ovpnav, 
 LINE 90. M togethert ,, all at once &c 
 
 , 2 sing. 2 aor. subj. act. of eirrov. Consult line 64. 
 
 LINE 91. 'Of. Relative pronoun, 6f, //, u. " Who, ichich," &c. ; 
 
 IIo/l?.6v, ace. sing. neut. of the adjective TroAAof, /, 6v : Epic and 
 Ionic for TroAvf, iro7.^, Tro/lt', taken adverbially. (Consult note.) 
 
 Ev^erat, 3 sing. pres. indie, mid. of the deponent evxouat. (Con- 
 sult line 43.) 1. " to pray ;'' 2. "to vow." 3. From the signification 
 of vowing or pledging we have in gen. "to speak confidently, proud- 
 ly of one's self," " to boast ;'' not necessarily, however, of empty 
 boasting, but usually of something which one knows to be matter 
 of glory, and claims as such : hence, often little more than " to pos- 
 sess," " to maintain." 
 
 , for iOupaijac, the augment being dropped, 3 sing. 
 
 INE 2. j aor j n( jj c act ofdaaeu. Consult line 85. 
 
 Hvda, 3 sing, imperf. indie, act. of ai>6du, "to speak," "to say:" 
 fut. J?<TU : Attic (lea. From avtijj, ' a voice."
 
 GLuaeAKY 349 
 
 Lm 92-98. 
 
 v, ov, gen. wor, "Uamtle**" " irreproachable." An Homer- 
 ic epithet, given to all men and women distinguished by rank, ex- 
 ploits, or beauty, yet without any moral reference ; so that, in Od., 
 i , 29, it is given even to ^Egisthos. From a, pnv., and u&uor, 
 blame," which, by an JEolic change, becomes pips*, jost as %etjuvn 
 becomes %t/.vvn. 
 
 LIME 93. Evt*>.r/r. Consult line 65. 
 
 gen. sing, of aoijT^p, " a priett." Consult line 
 
 . .j 
 
 'Hripijae, 3 sing. 1 aor. indie, act. of urtftdu, " to treat vilh indig- 
 nity,'" " to inn*// .-" fut. dnufiou : 1 aor. ririutjia. From a, prn. t and 
 
 TUIOtf* 
 
 .r, 3 sing. 1 aor. indie, act. of ar-o/.iw, "/o relea*e," 
 ' " to free :" fut. tTu. From diro and xw. 
 Consult line 13. 
 
 o, 3 sing. 1 aor. indie, middle of the deponent u-o6txo- 
 ftai, ''to receive," "to take." Ionic airo6inoftai : fat. axxxJcfopzi : 1 
 aor. mid. aTTf^e^dfofv : pert. aito6i6eyfuu. 
 'Airoiva. Consult line 13. 
 
 TovveKa, for rov tvena. i. e., TOVTOV ivtica, "on this ac- 
 count" 
 
 , 3 sing. 1 aor. indie, act. of iiiuui, " to inflict ;" literal- 
 ly, to give ; fut. doxru : 1 aor. Ww*o : perf. 6i6uica. From the root 
 5o, which appears in the derivative forms, as also in the Latin do, 
 Ac, 
 
 'EKTj66'/j}f, "the far-darting one," an epithet of Apollo, and taken 
 substantively. Consult line 21, where it occurs as an adjective. 
 
 'En, adverb, 1. Of the future, "yf," "yet longer," " ttiil." 2. Of 
 the present, " yet," " at yet." Compare the Sanscrit ali, " beyond," 
 " moreover,'' " besides." (Pott, Etym. Fortch., vol. ii., p. 315.) 
 Au0*i, 3 sing. fut. of didufu, 66au, &c. 
 LINE 97. Jlpiv . . . vpiv. Consult note. 
 
 Aoifiolo, Epic and Ionic for /.oiftov, gen. sing, of /xw/xof. Consult 
 line 61. 
 
 f. Consult line 89. 
 
 , 3 sing. fut. act. of ane^u, "to keep away" "to hold of ," 
 &c. ; fut. aott-u. From axo and e% u - 
 
 *t'/4>, dat. sing, of c'/x>c, n, ov, used, according to the cus- 
 " torn of the Epic poets, &c., in place of the possessive pro- 
 noun, " her." Consult line 20. 
 
 &nuevai, Epic, Doric, and ^Eolic for dovvai, 2 aor. inf. act. of ii- 
 Go
 
 350 HOMERIC GLOSSARY. 
 
 Line 98-102. 
 
 <5u/i, " to give," &c. ; another Epic form is 66uev. Consult remarks 
 under ^oAuo-f^ev, line 78. 
 
 'EhiKUKida, accus. sing, of iAiKuxif, idof, TJ, " of quick-rolling eye." 
 Feminine form of EAt'/ru^, wrrof. (Consult note.) From tfaaau, 
 " to roll," and <5^, ' the eye." 
 
 Kovp?j>, Epic and Ionic for /copr/v, ace. sing, of Kovpq, ijf, i], Attic 
 Koprj, i?f, tj, " a maiden," " a girl," answering to the Latin puella. 
 The root of xopn, " a maiden," and Kopoc, " a young man" is the same 
 with that found in /copof, " satiety," " abundance ;" namely, /cop, the 
 idea of "fullness," " healthy development of frame ;" naturally entering 
 into our notion of a full-grown youth or maiden. The root xop it- 
 self appears to be an old Oriental appellation for the " sun," the 
 source of all growth and abundance. (Donaldson, New Cratylus, 
 p. 415.) 
 
 'A.irptuTj/v, adverb (not accus. fern, of unpiarof), " without 
 LINE 99. - .. .., , ,, -o 
 
 price, '-without purchase-money, or ransom. From a, 
 
 priv., and xpiauai, " to purchase." The more analogical form would 
 be uTrpidd^v. (Consult Buttmann, Lcxil., p. 162, ed. Fishl.) 
 
 'A.VUITOIVOV, neuter of the adjective avuiroivof, ov, taken adverbi- 
 ally, "without ransom." From a, priv., and ('nroiva, " a ransom." 
 
 *Ayeii>, pres. infin. act. of u-yu, " to conduct," " to lead," &c. 
 
 'lepijv, accus. sing. fern, of iepoc, rj, 6v, Epic and Ionic for Ispog, a, 
 6v, " sacred." The derivation given by Hemsterhuis is not satis- 
 factory ; namely, from Itjut, " to send forth," in allusion, originally, to 
 a sacred victim allowed to roam at freedom (a^eroc) until the time 
 for sacrificing it arrived. 
 
 '^,Kar6u6m>. Consult line 65. 
 
 LINE 100. Xpvarjv. Consult line 37. 
 
 Kev, Epic and Ionic for av. 
 
 'Ihaaaafievoi, Epic for ihaaauevoi, nom. plur. masc. 1 aor. part, of 
 middle deponent ti.daKouai, rarely ihdouai, " to propitiate ;" fut. iAa- 
 aouai : 1 aor. 17-aaduriv . From tAaof, "propitious," "soothed," "ap- 
 peased." 
 
 HeTriOoiuev, 1 plur., Epic reduplicated, 2 aor. opt. act. of weidu, "to 
 persuade ;" fut. TTCIOU : 2 aor. exidov, with Epic reduplication, ire- 
 
 LINK 101. "Efrro. Consult line 48. 
 
 LINK 102. "Hpuf, uof, 6, "a hero." Consult line 4. 
 EvpvKpe<uv, ovrof, 6, " wide-ruling," a constant epithet of Aga- 
 memnon in Homer. From evpv, neuter of evpvf, taken adverbially, 
 and xpet'w, " to rule."
 
 HOMERIC GLOSSARY. 351 
 
 Line 103-105. 
 
 , pres. part, of the middle deponent uxwuai, 
 ' " to be deeply troubled." Used only in the present and im- 
 perfect. From uxof, ^ pain," "distress," "trouble." Compare the 
 Sanscrit aghan, and the English ache. 
 
 Meveof, gen. sing, of ftevoq, eoc, TO, " anger." Literally, force or 
 strength, in active exercise. 1. As applied to the body, force or 
 strength, as shown in quick movement and exertion. 2. As applied 
 to the mind, denoting force or strength of soul, as acting on the 
 body, and giving rise to hold or passionate exertion ; hence, usually 
 in Homer, " spirit," "warlike rage," "ardor," "passion,'' "wrath," 
 &c. Compare the Sanscrit manas, " spirit," &c. 
 
 Meyo, neut. sing, of the adjective peyac, taken adverbially, "great- 
 ly." 
 
 Qpevec, nom. plur. of <j>pnv, Qpevoc., /, " the diaphragm." Consult 
 remarks on tipeoi, line 55. 
 
 'AftjqiSJ&t*ait nom. plur. fern, of d^t^/laf , p&atva, pehav, " black 
 all around." From upQi and /J.EAOC. (Consult note.) 
 
 o, Epic for empirhavTo, the augment being drop- 
 
 ' ' ped, 3 plur. imperf. ind. pass, of -Klu-7^ui, " to fill ,-" fut. 
 
 1 aor. l-xtyaa. Lengthened from the root 7r?.e, -X7.T), which 
 appears in TrAeof, "full" TT/^CTW, &c. Compare the Sanscrit pul, "to 
 heap up." (Pott, Etym. Forscli., i., p. 364. Eickhoff, Vergleich, p. 239.) 
 
 *Ocr<7f, nom. dual neut., from a supposed nominative oaaof , toe, ro, 
 " an eye." The nom. and ace. dual frequently occur in Homer, who, 
 however, adds the adjective plural (//., xiii., 435, 616). At a later 
 period, a gen. plur. was formed for it, as if of the second declension, 
 oaauv (Hes., Th., 826), also a dative oatroif, oaaoioi. In the singular, 
 Eustathius cites a dat. oaaei, whence grammarians assume a double 
 nominative ro ooaof and 6 ocooc, which, however, do not really oc- 
 cur. Pott connects uaae with the Sanscrit root iksh, " to see," and 
 regards the aa as arising from assimilation, the primitive form hav- 
 ing been OKOE, with which we may compare the Servian otshi, " the 
 eyes." (Etymol. Forsch., p. 269.) 
 
 Aa/uTTf TOUVTI, Epic lengthened form for "kaunsTuvTi, dat. sing. pres. 
 part. act. of ZauTrerdu, "to thine brightly," " to blaze." From Aa/^n-w, 
 " to shine." 
 
 'EiKTr/v, Epic syncopated form for s^Keirr/v, 3 dual, pluperf. indie. 
 of eiKu, " to be like;" an assumed present for the 2 perf. eoina, " I am 
 like ;" pluperf. tuKeiv, " I was like." Compare line 47. 
 
 Ka^xovra, ace. of KdAyof, avrof, 6, " Calcha*." Consult 
 LINE 105.
 
 352 HUMKIC GLOSSARY. 
 
 Line 105-111. 
 
 Hpuriara. " First of all." Ace. plur. neut. of TTpuncTOf, n, ov, 
 taken adverbially. 
 
 Kaxd. " Sternly," "with evil look." Ace. plur. neut. of Ka/f6f, 7, 
 dv, taken adverbially. 
 
 'OffffdjCievof, pres. part, of deponent ooaojiai, " to eye," " /o look at," 
 &c. Only used in the present and imperfect, without augment. 
 From offcre, in relation to which consult line 104. 
 
 Mdvri, voc. sing, of uavnc., Ionic gen. tof, Attic euf, 6, 
 ' " a diviner," " a soothsayer." Consult line 62. 
 
 " Ever as yet." Compound adverb, from TTW, "as yet,' 1 
 and Trore, " ever." 
 
 Kpr/yvov, neut. accus. sing, of Kprjyuof, ov, "good," "useful," 
 "pleasing," &c. Buttmann thinks it probable that this term is de- 
 rived, by an lonicism, from xP^odai, ^p^er^of. 
 
 $/.a, nom. plur. neut. of 6/?.of, n, ov, "dear." (Consult 
 LlNBl07 -note.) 
 
 Qpeai. Consult line 55. 
 
 MavTeveadai, pres. inf. of the middle deponent uavrevouai, " to 
 predict :" fat. aouai. From udvric., " a diviner," " a predicter." 
 
 'E<T0Adv, ace. sing. neut. of eadXoc, n, 6v, "favorable," 
 LINE 108 
 
 ' "good." Equivalent to ayadoc, and a term used merely 
 
 in poetry. According to Hermann, the root was id?.6f, akin to the 
 German edel, " noble," &c. Both, perhaps, may be traced to the 
 Sanscrit edh, " to increase." 
 
 'EreAeffffaf, Epic for ere/.eaaf, 2 sing. 1 aor. indie, act. of 
 " to do," "to accomplish;" fut. re^eou: perf. Terc/UKa. From 
 Consult line 82. 
 
 , pres. part, of deoTrpoTrsu, " to reveal signs 
 
 '' ' from on high." From tfeoTrpoTroj-. Consult line 85. 
 
 f, 2. sing. pres. ind. act. of ayoptvo, " to harangue," " to 
 hold forth;" fut. evau. From ayopd, "a public assembly." 
 
 LIXE 110. 20>. Consult line 73. 
 
 Tevxei, 3 sing. pres. indie, act. of revxu, "to inflict." More liter- 
 ally. " to make," " to bring about ;" fut. rev'fu : perf. TETOVO : 1 aor. 
 irevsa. Nearly akin to rvyxdvu, the notion implied in which has 
 grown out of the passive perfect of revxu : hence, in Epic, the pas- 
 sive forms TETvyfiai, ETerv-yftvv, krvx^r/v, are substantially the same 
 with rvyxdvu, Irvxov ' and the active perfect rerevxa, when taken 
 intransitively, is used exactly like rvyxavu : farther, rev^ctv is mani- 
 festly akin to T'IKTU : German zeugen, " to produce," " to beget." 
 
 LINE 111. OVVSKO. "Because." The antecedent Tovvexa omitted.
 
 HOMERIC ULUSJSAKV. 353 
 
 Line 111-115. 
 
 \pvant6of, gen. sing, of Xpvatjlf, t<5of, ?;, " Chryseis ;" more liter- 
 ally, " the daughter of Chryscs." A female patronymic, from Xpvanf, 
 ov, 6, " Chryses." The real name of the female in question was 
 Aslynome. 
 
 '\y7.aa. Consult line 23. 
 
 "Etff Aov, Epic for jjfftAav, the augment being dropped, 3 
 2 ' plur. imperf. ind. act. of WeAu, ' to be willing," &c. ; fut. 
 
 1 aor. ^Be^rjoa. Observe that cdri.ov here can not be made 
 the imperfect of $EAW, with the augment, because the shorter form 
 tfcAu never occurs in Homer or the other Epic writers. 
 
 Aefa<r0<u, 1 aor. inf. mid. of the deponent dsxouat, " to receive." 
 Consult line 20. 
 
 BouAojuat, 1 sing. pres. ind. of deponent (3ovhouai, " to wish." Con- 
 sult line 67. 
 
 OiKot. " At home" " at my home.' 1 '' Adverb. In reality, 
 ' however, the old locative or dative case of ohoc, the later 
 form of the case being otw. 
 
 K?.vTat/j.vTiaTp7/c_, gen. sing of KXvraiuvrjaTpn, yc, rj, Epic and Ionic 
 for K^.vraiuvrjo-rpa, ac., ?i, "Clytamnestra," wife of Agamemnon, and 
 daughter of Tyndareus and Leda. 
 
 Upofadovha, 1 sing. 2 perf. of a supposed form TrpofiovAo^tu, " to 
 prefer," " to wish rather," which, however, does not occur. (Consult 
 note.) 
 
 f, gen. sing. fern, of Kovpifaoc, if, ov, Epic and 
 
 ' Ionic for novpiiiof, a, ov, " wedded." An Ionic and poetic 
 term, the true force of which is shown by Buttmann (LexiL, s. v.), 
 who refutes the ordinary explanation of "youthful," "wedded in 
 youth." The same grammarian, rejecting the common derivation 
 of the term, namely, from Kotipos, Kovprj, " a youth," " a maiden," 
 hints at a connection with nvpioc, " a lord or master," nvptlv, " to ob- 
 tain," and the German Heurath, " marriage." The same idea is car- 
 ried out by Dcederlein, Lect. Horn., in., p. 9. (Consult note.) 
 
 'AAo^ou, gen. sing, of a/lo^of, ov, %, "a wife," " the partner of a 
 couch." From a copulative and Ae^of, " a couch." 
 
 'E0<?v, Epic gen. sing, for eo, which, again, is Epic for ov, "of her," 
 (i. e., to her, in the present passage), &c. Nom. wanting ; gen. ov : 
 dative oZ : ace. e, &c. (Consult note.) 
 
 Xepeiuv, ov, gen. ovof, Epic for ^eipuv, ov, ovof, "inferior," irregu- 
 lar comparative to /ca/c6f. Supposed to be formed from xfynf, but 
 consult remarks under xtpql, line 80. 
 
 LINE 115. biuac, accus. sing, of <5e//af, TO, "person," "frame," Stc. 
 Go2
 
 354 HOMERIC GLOSSAKY. 
 
 Line 115-118. 
 
 (Consult note.) Used by Homer only in the accus. sing., and re- 
 mains indeclinable in later writers. Observe that 6suaf, when op- 
 posed to <r<jua, means strictly the living body, and ail>//a, a corpse, 
 though deuof itself is sometimes used in the latter signification. 
 The root is the same as that of 6i(iu, " to build." the idea involved 
 being that of building up and developing the human frame. 
 
 &vqv, accus. sing, of ^w?, fa, ij. " mien,"' the natural air and car- 
 riage. From <f>vu. (Consult note.) 
 
 T2. accus. sing. neut. of the indefinite pronoun, rif, r2, " any," &c. 
 Here it means " at a//." 
 
 *Ep;a, accus. plur. of epyov, ov, TO, "work," "accomplishment.'" 
 With the digamma repyov, ^Eolic and Doric Fdpyov (Bockh, Corp. In- 
 tcript. Grtec. fasc., i., p. 29), with which forms compare the German 
 wtrk and wark, and the English work. 
 
 LIXE 116. 'E0E/,<j. Consult line 112. 
 
 Ao/ievtti. Consult line 98. 
 
 'Apeivov, nom. sing. neut. of apdvuv, ov, " better,'' 1 " more advan- 
 tageous." Irregular comparative of ayaJdo^. The original root has, 
 perhaps, been preserved in amanus. 
 
 Aaw, accus. sing, of /,aof, of, 6, " the people." Consult 
 ^e 10. 
 
 v, accus. sing, of <7oof, aori, aoov, " safe " Epic shortened form 
 of ffuof. We have also, in Homer, the form auf, contracted from 
 the obsolete crdoc. which last has been preserved only in the Homeric 
 comparative aauTepof. 
 
 'Eflueroi, Epic, Doric, and ^Eolic for dvac, pres. inf. of ci/u. Con- 
 sult remarks on ^o?^>cr^/v, line 78. 
 
 'A.iro/.f<Tdai, 2 aor. inf. mid. of UKO/MUI, " to destroy ;" middle dffoA- 
 /iVftai, " to perish :" fut. oTro/Lcffw : perf. inrui'/^na -. Attic oTro/uItAc/ca : 
 2 aor. mid. atru/jOfiTrv. From OTTO and O/L/.V/U. 
 
 Tcpaf, accus. sing, of } epaf, oof , TO, never } epo?, arof , ro. 
 
 " In the nom. plur. ycpa, not ^e'para, " a prize,'' " a ^-?/i; q/" 
 
 honor,' 1 '' such, especially, as chiefs and princes received from the spoil 
 before it was divided. The root of the word may be traced in the 
 Sanscrit gri, " to take," or " receive," and is one of common occur- 
 rence in all the languages of the Indo-Germanic family. (Donald- 
 ton, New Cratyliu, p. 376.) 
 
 AVTIKO, "straightway.'''' Adverb. Buttmann (Lexii, *. r., evre, 
 note 1) derives it from ryv OVTTJV lua, assuming an old word I!-, l*of, 
 with the digamma Ftf, and correspondent to the Latin mce, vices. 
 
 e, 2 plur. 1 aor. indie, act. of irot^a^a, " to prepare,"
 
 HOMERIC tJLOSSAEY. 355' 
 
 Line 118-122. 
 "to get ready" fut. uffu. From sroijuof, "ready" probably akin to 
 
 *Opa. " t* order that."' Equivalent here to Iva. A conjunction, 
 marking an end, &c. Consult line 82. 
 
 Otoc "?T owv, " alone." Akin to lor, la, Epic for ?if, fua, " cn,'' 
 and to the Latin wnua, of which the earlier form was cwio*. as ap- 
 pears from oinom for unum, which occurs in the inscription found in 
 the tomb of the Scipios. 
 
 'A'.'fpatrroc, ov, "without a prize," from a priv., and yrpof, 
 
 LOTUS- * apr 
 
 'Eu, Epic and Ionic for u, 1 sing. pres. subj. of slfu, " to be." 
 "Eoiicev, 3 sing. 2 perf. of the obsolete elxu, " to Je fitting."' Lit- 
 erally, " to 6<s &/>: 
 
 ?, 2 plur. pres. indie, of Aroenrw, " to see" u to 6<- 
 
 ' hold." Used by good writers only in the present and im- 
 perfect ; the future Aet-cw, and 1 aor. D^vaa, being very late, if not 
 barbarous. Akin to XVKTJ, 'light;' the Latin luceo and lux, luc-is ; 
 the Sanscrit lok, " to look." or " see/' &e. 
 
 *O, neuter of the relative, of, 7, 6. used for TJ, " fAa//' (Matthias, 
 G. G.,<) 486, 3. Kukner, o 800, <i. J<?(f.) 
 
 "Eaisrat, 3 sing. pres. indie, of epxopat, u to came" or "g'o;" 
 fut. fAfvffouat : perf. >,j;Av0a : Epic 'A^Aow^a, and so always in 
 Homer : 2 aor. y?.v0av f but from Homer downward, and in Attic, 
 more usually i?/.0ov : Doric fjvdav. The root of epjowai, namely, ep%, 
 is akin to the Sanscrit arch, ' to go." The 2 aor., fut., and perf. be- 
 long to a root eAi-tf. or sAtvd, but the Doric form of the 2 aor., name- 
 ly, fivdov, with the digamma pretiied. FTjvdov, shows a striking affin- 
 ity to the old English verb "to wend," a tense of which, namely, 
 ' he went" ic.. supplies a part of the verb " to go." 
 (Consult note.) 
 
 sing, imperf. indie, mid. ofdueiSu, " to change^ 1 
 
 ' to exchange ;" in the middle, ' to tncer." Consult re- 
 
 line 84. 
 
 r, *r, to nrift-fwted. " Literally, " nfficient or aWe tw/A 6b 
 Fran *ovf aad opu, ' to sujfice." 
 
 d?o, dioir, more rarely, of, ov. Literally, "from, sprung from, 
 Mongiatg to, or sacred to Jove." Then said, 1. Of goddesses, - i dirnne, n 
 *&." S. Of illustrious men or women, "noble" " princely, 
 " ktgk-born." Contracted from the less common dttof, and this from 
 Aif, old stem of the genitive Atof of Zf . 
 
 Lxxi 122. 'Arpst'Jjf, vocative of 'Arphff. Coos'ilt line 7.
 
 11U.YIEU1C GLOriSAKV. 
 
 Line 122-126. 
 
 voc. sing, of KvtiiaTof, r/, ov, " most conspicuous for sta- 
 tion." Superlative of Kv6p6f, d, 6i> (formed, in reality, from nvdoc., 
 as alaxi-oTo^, from alaxof). Other meanings are, " most glorious," 
 "most honored,'' "noblest." 
 
 $i/.oKTeavuTa.Te, voc. sing, of (fuTiOKTeavurarof, " most greedy," 
 "most covetous." Superlative of <j>i%oKTeavoc, ov, " loving possessions," 
 from <j>iho and KTCUVOV, " a possession." 
 
 Auaovai. 3 plur. fut. of oiSuui, " to give," " to bestow :" fut. 
 
 T IMP 193 
 
 ' to, &c. Consult line 96. 
 
 Meyutivuoi, nom. plur. masc. of fiEyuOvfio^, ov, " high-souled," 
 "great-hearted." From fieyaf and dvpof. 
 
 liov, enclitic adverb, " any where." With the circumflex, 
 
 T TVP 124. 
 
 TTOV, interrogative, " where ?" 
 
 "l6jj.Ev, 1 plur. syncopated form for ol6a.fi.ev ; 2 perf. of ddu. Con- 
 sult line 70. (Matihia, G. G., 198, 3, vol. i., p. 444, of the Ger- 
 man work.) 
 
 Avvqia, nom. plur. neut. of gvvqioc, ?j, ov, Epic and Ionic for t-vveiof, 
 which, probably, no where occurs, " in common." .From fwoc, " com- 
 mon," &c. 
 
 Keineva, nom. plur. neut. pres. part, of Kelpcu, "to lie." 
 
 LINE 125. Ta. (Consult note.) 
 
 Hohiuv, gen. plur. of 7r6/Uf, tof, ^, Epic and Ionic for iro^if, f, 
 "a city." 
 
 'Eirpudofiev, 1 plur. 2 aor. indie, act. of xepdu, " to sack," " to rav- 
 age," &c. ; fut. mpau : 1 aor. Ixfpaa : 2 aor. iirpudov. In Homer the 
 1 aor. is more frequent. Buttmann traces an affinity between nipQu 
 and irpTjdu, " to burn," as plainly perceptible in the 2 aorist Inpadov, 
 and he instances a parallel case in the old German bernen, " to burn," 
 where a transposition of two letters connects it with brennen, hav- 
 ing the same signification. Other etymologists, however, make 
 iripdu akin to the Latin perdo. 
 
 AedaaTai, 3 sing. perf. ind. pass, of 6acu, " to divide." The form 
 6aiu, however, is merely assumed, since 6ai$u takes its place in the 
 active ; and, besides, the middle tiaiopai is more frequently found in 
 an active sense. Moreover, the 1 aor. tdaiaa, used in the sense of 
 " to feast," from Herodotus downward, though formed from dat'u, 
 belongs, by strict analogy, to daivvfit. The Sanscrit root is da, "to 
 cut off," hence dat^u, daif, gen. tiaiToc., daivv^L, dairpoc, dariopai, and 
 perhaps also akin to (Jd/rrw, and Latin dapcs. 
 
 'ETTCOLKS, 3 sing. 2 perf. of the supposed form eireiKu, 2 
 perf. EireoiKa, ac., e, "it is fitting." From eiri and EOIKO. 
 Consult remarks on EOIKUC, line 47.
 
 HOMERIC GLOSSARY. 357 
 
 Line 126-132. 
 
 Ila/U/l/loya, ace. plur. neut. of Tra/.t'/l/.oyof, ov, "gathered back," 
 " collected back." More literally, " selected back." (Consult note.) 
 From mi/Uv, in Homeric Greek, " back," and /Uyw, " to select." 
 
 'Eira-yeipeiv, pres. inh'n. act. of ETraye'ipa, "to heap up." Literally, 
 "to gather upon." (Consult note.) From inl and dyeipa. 
 
 Ilpoef, 2 sing. 2 aor. imper. act. of Trpoinui, " /o jen<i on,'' 
 LINE 127. ,, <o send forth," or "forward" &c. ; fut. vpofiau: 1 aor. 
 irporjKa, in Homer also xpoeijua : 2 aor. npoqv. From Trpo and fy/zt, 
 
 threefold," used as an adverb, but, in reality, 
 : the dative sing. fem. of roin'kdor, ij, ov, contracted rpnr- 
 /, rpiirhovv. So rpiirZy here is contracted from rptTivloj/. 
 fourfold," used as an adverb, but, in reality, the dat. 
 sing. fem. contracted for Terpairhon, of rerparrAoof, i], ov, contracted 
 Terpairlovc., TtTpaK?.jj, TETpcurlMvv. 
 
 '\iroTiaopEv, 1 plur. fut. indie, act. of unorivu, "to recompense;" 
 fut. ffu. From and and rtvw. 
 
 adverb of time, " erer." The corresponding prose form is 
 
 A<p<Ti, Epic for du, 3 sing. 2 aor. subj. act. of didupi, "to 
 grant," "to give." The third person singular of the sub- 
 junctive has in the Epic language the termination at appended to 
 the regular form ; as, iaryat for lory, 6tJoi for dip. 
 
 Tpoiijv, ace. sing, of Tpoiq, rjc, Epic and Ionic for Tpoaz, f, ?/, 
 " Troy," the city of Priam. 
 
 Ei'7Yoi', ace. sing. fem. of evreixeoc., ov, "well-walled," "well-forti- 
 
 fied," an epithet of Troy. From ev and rft^of, " a wall," " a rampart." 
 
 'EfaAaTrdfat, 1 aor. infin. act. of eaAa7rdw, "to sack," " to storm;" 
 
 fut. fw. From it; and a?,a7rdCu, " <o empty," " ,'o drain," and this last 
 
 from a euphon., and ?.an-dCcj, " <o cm^y ow<," " to plunder." 
 
 Kpeiuv, ovTOf, 6, " the ruler," said usually of kings and 
 
 ' chiefs, but also of the gods. Ionic and poetic for icpeuv. 
 Akin to Kpdf , wpdrof , Kpe'iTruv. Compare the Sanscrit kri, " facere." 
 LINE 131. Hep, enclitic particle, " very." Consult note. 
 'Euv, Epic and Ionic for uv, pres. part, of dpi, " to be." 
 QeofiK/., voc. sing, of &s o*e/'.of, ov, "godlike." From tJcof and 
 like." 
 
 e, 2 sing. pres. imper. act. of K^STTTU, "to conceal ;" 
 
 ' fut. /cXf^u, or, more usually, fut. mid. Kl-t-rfiopai ; perf. 
 
 The root is K?.f7r, which appears in Xe7rof, " a thing 
 itto)t~n," and in the Latin clep-fr-\
 
 358 HOMERIC GLOSSARY. 
 
 Line 132-136. 
 
 No^, Epic and Ionic for vti, dat. sing, of voof, vbov, Attic vo3f , vov, 
 o, " the mind," &c. The root voo appears to be softened down from 
 an earlier one yvu, and from this last come yvuvai, yr/vuaicu, Latin 
 nosco, novi, &c. (Pott, Elymol. Forsck., vol. i., p. 126.) 
 
 ai, 2 sing. fut. ind. of irapepxofiai, Ionic and Epic for 
 Thus, fut. Trapefavaopai : 2 pers. (old form) Tcapsfavoc- 
 aai : (Ionic and Epic) xapsl.Evaeai : (Attic) irap&svaei. " To over- 
 reach." Literally, " to go by," " beside," or " past," " to pass by." 
 LINE 133. *H. Interrogative particle. (Consult note.) 
 *Ej7?f, 2 sing. pres. subj. of e^o, " to have." 
 A.i>-uf. " Thus." (Consult note.) 
 
 T H<r0at, pres. infin. of fyai, " I sit :" imperf. fynv : imper. 
 ' 7/ao, 7/<T0a>, &.c. : infin. qadai : part, ijftevof. This verb, 
 
 though here, in accordance with custom, regarded as a present, is, 
 in fact, a regular perfect passive, from eu, " / seat," and signifies, 
 when strictly considered, " / have been seated," or "placed," so that 
 rjfirjv, in like manner, is a regular pluperfect passive. In the sec- 
 ondary force, / sit, am in a sitting posture, it differs, along with its 
 compound Kudrjfiai, from e^o/nai, Ka6e&/u.ai, " I seal myself," "take my 
 seat." As the transition, however, from the perfect to the present 
 signification is complete, the participle takes the accent, not on the 
 penult (j)fj.evoc_), like the genuine perfect, but on the antepenult (fifif- 
 vof), like the present. 
 
 ^.Evoftevov, Epic for Seopevov : pres. part, of devoftai, Epic for 8io- 
 /nai: deponent pass., with fut. mid, " to want," "to need:" fut. dcfioo- 
 fiai : perf. dederffiai : 1 aor. ederjdqv. 
 
 K&eai, Epic and Ionic for xeAet : 2 sing. pres. indie, of middle de- 
 ponent Ki7.ofi.ai, " to bid," ' to urge ,'' " to exhort," "to command :" fut. 
 Ke7.rinofj.ai : 2 aor. /cf/c7,o^v and fKK/.6ft7}v. Poetic form for Kc'/.nu. 
 Present /ceA<yu : 2 pers. (old form) Kifaaat: (Epic and Ionic) 
 KeAeai : (Attic) KS/.EI. Akin to KC/./M, " to urge on," " to drive on," 
 and to the Latin cello, as appearing in percello and procella. 
 
 'Anodovvai, 2 aor. inf. act. of anodidupi, the Epic form for which 
 is airodopevai. Consult line 98. 
 
 LINE 135. 'AA/,' el fiev, K. T. A. Compare line 123. 
 
 f, Epic and ^Eolic, 1 aor. part. act. of upu, " to 
 
 ' adapt," " to fit :" fut. (Epic and ^Eolic) dpou : 1 aor. fjpaa : 
 2 aor. rip&pov : 2 aor. inf. upupelv, &.c. : fut. Attic, apu. Observe that 
 upu, though here given, is, in fact, a present not in use. It represents 
 one of the most prolific Greek roots, the families apfoxu, upruu, up- 
 TVU, apvu, alpu, v.pnnu.), t'orri/ai, springing immediately from it, the
 
 HOMERIC GLOSSARY. 359 
 
 Line 137-140. 
 
 radical signification being "to join,'' "to fit," both transitive and in- 
 transitive. 
 
 Qvfiov. Consult line 24. 
 
 'Avrdftov, nom. sing. neut. of uvrdftof, a, ov, "fully equivalent, 1 ' 
 " worth just as much.'' 1 From avri, denoting comparison, and uftof, 
 " of like worth," &.C. 
 
 Auuaiv, Epic lengthened form for dtiaiv, 3 plur. 2 aor. subj. act. 
 
 i, 1 sing. 2 aor. subj. mid. of alpeu, "to take," "to seize:" 
 fut. aipiiau : perf. f/pijKa : Ionic apaipr/na: 2 aor. tt/lov : 2 aor. mid. 
 lihoptjv. The root of aipiu is akin to the Sanscrit An', " to seize," 
 whence, also, we have % e 'P> " a hand," and the old Latin Air, togeth- 
 er with the English grip. Again, with the root e/.u, whence we 
 have fiAov, &elv, &.C., we may compare the Sanscrit radical at, " to 
 take," ' : to receive," &c. (Eichho/, Vergleichung, &c., p. 199.) 
 
 Teov, accus. sing. neut. from reof, fi, ov, Epic and Ionic 
 ' for <rof, ari, aov, "thy," "thine." Compare the Latin 
 tuus. 
 
 AlavTOf, gen. sing, of A?af, avrof, 6, " Ajax," son of Telamon, and 
 half-brother of Teucer. He led the Grecian forces from Salamis. 
 There was another Ajax in the Grecian army, the son of Oileus, 
 who commanded the troops of the Locri, and was hence called the 
 Locrian, as the former was styled the Tclamonian. 
 
 'IcJv, pres. part, of dfit, "logo." 
 
 'O6vaf/oc, gen. sing, of 'Odvacve , "Ulysses," earlier form for '0<5v<r- 
 <revf. 
 
 LINE 139. 'Afu, fut. of uyu, " to lead away :" fut. a&j. 
 
 'E/.OV, 2 aor. part. act. of a'ipiu, " to take," " to seize." Consult 
 remarks under fA<j//at, line 137. 
 
 Ke^o/Uj<Tera/, 3 sing. 3 fut. pass, of ^oXou, " to make angry," &c. 
 Consult note, and compare remarks on ^oAuCT^uev, line 78. 
 
 'lnufiai, 1 sing. 2 aor. subj. middle of the deponent lnviofiai, "to 
 come :" fut. l^ofiai : perf. i-ypai : 2 aor. </cd^>?v. lengthened form from 
 IKU, which is the common form in Homer, who only uses the pres- 
 ent invcoftai twice (Od., ix., 128 ; xxiv., 339) ; but he often has the 
 future l^ofj.at, &c. Compare lueiv, when digammated FIKFIV, with the 
 Sanscrit wic, " intrare." (Pott, Etymol. Forsch., vol. i., p. 268.) 
 
 M.eTa(j>pacr6[iea6a, poetic for neradpao-ofieda, 1 plur. fut. 
 mid. of /*Ta<j>pdZo/*ai, " to deliberate upon." Consult note. 
 
 Observe that the ending niaBa, here called poetic, is used, not 
 only by the Epic writers, but also by the T)oric. Ionic, and Attic
 
 360 HOMERIC GLOSSARY. 
 
 Line 140-143. 
 
 poets. It is, in fact, the original and stronger form. (Kuhner, $ 
 123, 15.) 
 
 Avrif, Epic and Ionic for avdif, "again," "hereafter." 
 
 LINE 141. "Aye. Consult line 62. 
 
 N??a, Epic and Ionic for vavv, from vrjvf, vqof, Epic and Ionic for 
 vavf, veuc,, rj, " a ship." 
 
 Me Aatvav, accus. sing. fem. of //eAaf, /ue/lau'a, fj.e2.av, " black.' 1 
 Pott traces an affinity between /^/,af and the Sanscrit mala, "sordes," 
 "lutum."' 
 
 'Rpiioaouev, Epic for epvaupev, the mood-vowel being shortened, 
 1 plur. 1 aor. subj. act. of fpvu, "to draw:" fut. epvcu : 1 aor. dpv- 
 aa, &c. 
 
 *AAa, accus. sing, of u/lf, u%6(, i), " the sea." Often used in Ho- 
 mer and the poets, rare in prose. Not to be confounded with d^f, 
 J/l6f, 6, "salt.'" 
 
 &iav, accus. sing. fem. of 610$, tia, 6lov, " boundless." Literally, 
 " divine." Consult remarks on 610$, line 121. 
 
 e'raf, accus. plur. of epcTric, ov, 6, "a rower" usually 
 
 ' employed in the plural, by both Homer and the Attic wri- 
 ters. From Ipeaau, " to row." 
 
 'ETriTTidef, " as many as are proper," adverb, occurring in this 
 sense in Homer only. The post-Homeric writers, especially the 
 Attics, write it as a proparoxyton, emrr/6ef, and employ it usually in 
 the sense of "on purpose," "advisedly." Latin, consulto, de indus- 
 tria. Hence cunningly, deceitfully, &c. Buttmann derives it from 
 eTt and rudeai, old form for rd6e, "as is necessary for that thing," 
 "for that very purpose." (Lexil., p. 299, ed. Fishl.) 
 
 '\-yeipoucv, with shortened mood-vowel, Epic for dyeipuftev : 1 
 plur. 1 aor. subj. act. of dyeipu, " to collect," " to bring together;" fut. 
 ayepu : 1 aor. rjyeipa. 
 
 'EKaToft6r)v. Consult line 65. 
 
 Qeiouev, Epic for dsu/ufv, and that for d&uev, the mood- 
 ' vowel being shortened : 1 plur. 2 aor. subj. act. 
 
 " to place," " to put ;" fut. tfjfao : perf. reBetKa : 1 aor. ftfy/ca : 2 aor. 
 IQriv. 
 
 "Av. Old form for dvu. 
 
 Xpvanida, accus. of Xpvantf, i6of, %, " Chryseis." Consult line 
 111. 
 
 Ka^nrupnov, accus. sing. fem. of KaMnrdprioc, ov, "fair-cheeked," 
 "beautiful-cheeked." From /ca^of, "fair," "beautiful," and irapnta, 
 Ionic for naneui, " the rjirfk."
 
 HOMERIC GLOSSARY. 361 
 
 Line 144-148. 
 
 Bjjaouev, with the shortened mood-vowel, Epic for ftrjau- 
 uev, 1 plur. 1 aor. subj. act. of j3du, "to cause to go:" Alt. 
 
 1 aor. t6ijaa. (Consult note.) 
 
 El$, fila, Iv, "one." The root is ev, as appearing in the genitive 
 v-6f, and also in the Latin un-us ; the English one, only (i. e., onc- 
 ly) ; the Sanscrit demonstrative e-na (aina) ; the Gothic aina, &c. 
 
 'Apxof, oO, 6, "a commander." From dpxrj, "authority," &c. 
 
 BotA^opof, ov, "counsel-bearing," "counseling." Hence, ai%j 
 (3ov^t](f>6por, " a counsel-bearing man," " a counselor." From /3ot>A)?, 
 " counsel," and (fieou, " to bear." 
 
 "Eo-u, 3 sing. pres. imper. of elui. 
 
 LINE 145. Alar. Consult line 138. 
 
 '16oun-evf, Epic and Ionic fjof and eoc,, Attic ecjf, 6, " Idomeneug," 
 King of Crete, and leader of the Cretan forces against Troy. On, 
 his return home, he found his kingdom in the hands of a usurper, 
 and retired in consequence to Italy, where he founded a city on the 
 coast of Calabria, which he called Sallentia. 
 
 LINE 146. Un/.tidn, voc. of UyleiiiK, ov, "Pelidcs." Consult line 1. 
 
 'EK7ray%6-aTe, voc. sing, of CKTayAorarof, ov, " most formidable." 
 Superlative of eKnayl.or, ov, "striking," ' terrible." Consult note. 
 
 'E,Kuepyov, accus. sing, of 'E/totpyof, ov, 6, " the far-work- 
 ing one." An epithet of Apollo. From /cdf, " afar," and 
 ep-yov. Compare remarks on 'EKt/66?Mf, line 14. 
 
 'Mdaaeai, with shortened mood- vowel, Epic for IXuaarjai : 2 sing. 
 1 aor. subj. mid. of the deponent IXdaKouai, ' to propitiate." (Consult 
 line 100.) Observe that 'rf.uaceai is Epic for lM.ari ; thus, 1 pers. 
 tt.daufuii : 2 (old form) tAuanaat : (Epic and Ionic) i/.daaqai, or t'Xd.a- 
 oeai : (Attic) iXday. 
 
 'lepd, accus. plur. neut. of iepof, TI, 6v, Epic and Ionic for iepoc., d, 
 6i>, "sacred." (Consult note.) 
 
 'Pf'fctf, 1 aor. part. act. of pe^u, " to perform," " to offer up :" fut. 
 pifu : 1 aor. ipega and lppea. Of the passive, only the aor. infin. 
 pex^f/vai is used. According to Buttmann (Lexil., s. v. ^a/.ivof, 5), 
 pts'u is the same word with i-pSu, being formed from it by the trans- 
 position of e and p. Be this as it may, the root ipd of Ip6u is plain- 
 ly akin to ip-y in ipyov ; just as pt'ju, with its root piy, shows an 
 affinity to the English "wreak" 
 
 "Tirodpa, poetic adverb, of frequent occurrence in Homer, 
 
 but always in the phrase vrtodpa ifiuv, " having eyed stern- 
 
 fy." "grimly," "gloomily." From VTTO and 6paK, the obsolete root 
 
 of ItipaKov (2 aor. of 6pKu), so that the original form was probably 
 
 HH
 
 362 HOMERIC GLOSSABY. 
 
 Line 148-153. 
 
 i-xodpai;, and the f was finally thrown away, as the K from yvvai. 
 (T/ucrsch, Gr. Gr., 197, 2.) Lexicographers generally regard vno- 
 cJpaf as a later form of inr66pa, but with evident incorrectness. 
 
 'Avaideir/v, Epic and Ionic for uvaideiav, accus. sing, of 
 uvai6f.it], r/r, jj ; Epic and Ionic for avaidtia, ar, r/, " shame- 
 lessncss." From avaidr/r, "shameless," and this from the negative 
 prefix av and aldur, " sense of shame." 
 
 'E-uiuive, voc. sing. perf. part. pass, of i-xiiwi-ut., Epic and Ionic 
 form for ioivvvpi, " to put on another, as an additional or outer cov- 
 ering :" middle 'nriivvvfjiai, " to put on one's self, as an upper or outer 
 garment." " to clothe one's self." Observe that the form of the perf. 
 part, pass., from itwv/j.i, would be i<beiph>oc. 
 
 Kepdafaotfipoii, voc. sing, of *rep<5a/,e60pwv, ov, "lusting after gain," 
 " whose thoughts turn continually on gain." From Kcp<5a/.tof, " look- 
 ing sharply after one's interests" and this from Ktp<5o<;, "gam," and 
 $D7/v, <i>poveu. 
 
 LINE 150. Toi, Epic, Ionic, and Doric for aoi. 
 
 TIpoopuv. ov, " irith ready mind," "readily," 'willingly." Literal- 
 ly, " with forward soul." From Trpo and <j>pf/v, <f>povtu. 
 
 Heidijrai, 3 sing. pres. subj. middle of xelOu, " to persuade ;" miJ- 
 dle TrctQopai, " to obey." Consult remarks under iireidcTo, line 33. 
 
 'E7M/j.cvai, Epic, Doric, and ^Eolic for i'/.6itv, 2 aor. inf. 
 LlNE 15L act. oftpxopai. Consult lines 78 and 120. 
 
 r J0j. Consult line 38. 
 
 LINE 152. "Evtua, "on account of." 
 
 'H'/.v6ov, 1 sing. 2 aor. indie, act. of tpxo/j.ai. This is the unsyn- 
 copated form, common in Epic, rare in tragic poetry, whence ij'sJQov 
 comes by syncope. 
 
 AIX/J-IJTUUV, Epic for a.ixpT}TCn>, gen. plur. of alxpr/rr/r, ov, 6, ' '/ 
 warrior." Literally, " a spearman." From ni%/j.-r/, " ike point of a 
 spear." 
 
 Tpuuv, gen plur. of T/xif, Tpwor, 6, " a Trojan." Nom. plur. 
 Tpwcc, Tpuuv, ol, " Trojans." From Tp^r, Tpuor, 6, " Tros" the 
 mythic founder of Troy. 
 
 , " hither" an adverb of place. In the Attic, espe- 
 
 d " cially the tragic writers, an adverb of time also, " until 
 none" " up to this time.'' 
 
 l>laxr/cijfitvjr, fut. part. mid. of the deponent fiaxiofiai, " to fight ." 
 fut. ^ajr/ffo/n, and ^z;Kt<7<To//a. Epic and Ionic for puxopai : fut. At- 
 tic paxof'/iai : ptrf. pass, fiefiux^iiai and {itud^tc^o.1 : 1 aor. Epic ifut-
 
 HOMERIC GLOSSARY. 363 
 
 Line 153-156. 
 
 Gin, " not at all," accus. sing. neut. of ovrif . 
 AiTiot, nom. plur. masc. of amof, a, ov, more rarely of, ov, " in 
 fault." From airia, " blame," "fault." 
 
 Bovc, accus. plur. of j3otc, (3o6f, v, r/, "cattle." Contract- 
 LINE 154. ed form f(Jr j yaf The stem is Bo _r- ( . 3o . j iap)) which, with 
 
 the appending of the gender-sign f, becomes ; 3o/V (bac-s), and this, 
 /Joi-r, answering to the Latin bos, in the genitive of which, namely, 
 bov-is, the digamma reappears. (Kithner, 272, 2.) Akin to the 
 Sanscrit go, nom. gou, and through that with the English coic, the 
 change of jJ into a g-sound, and vice versa, being very frequent in 
 the cognate languages. Thus, papi'f and grans: jSavd in Corinna, 
 and 'fWJj, &c. 
 
 'H/.a<7av, 3 plur. 1 aor. indie, act. of iv.awu, "to drive away." 
 Radical signification, " to set in motion," "to dnre," more in bodily 
 than mental relations, especially said of driving flocks : fut. SAUGU, 
 Epic e Auffcrw : 1 aor. //Aaaa, poetic e/.a<ra, and D.aaaa. From eAuu, 
 and this akin to the Sanscrit il, "to arouse," "to set in motion.'' 
 (Eichhoff, Vergletchung, &c., p. 211.) 
 
 "itnrovf, accus. plur. oftrrrrof, ov, 6, "a herse." Through the dia- 
 lectic form tunas we trace its identity with the Sanscrit acra (Latin 
 equus). The Persian esp also is between both. (Pott, Etymol. 
 Forsch., vol. ii., p. 256.) 
 
 LINE 155. Ilorf, -l ever." Enclitic particle of time 
 
 <!>(%, dat. sing, of $8iri, r;f. //, Epic and Ionic for todta, of, rj, 
 " Pkthia," the native district of Achilles in Thessaly, forming part 
 of the larger district of Phthiotis. According to Strabo, the district 
 of Phthiotis included all the southern part of Thessaly as far as 
 Mount CEta and the Maliac Gulf. 
 
 'Ept&j/la/ei, dat. sing, of fpi.6Ma;;, a/cof, o, ;;, "deep of soil." More 
 literally, with large clods of rich, loamy soil, which does not crum- 
 ble away, like sand, under the plough; hence "fertile." "rich- soiled." 
 From cpt, intensive prefix, and ,JwAo^, same as JUAOS, " a clod of 
 earth." 
 
 Bwrtavft'py, dat. sing, of iSuTtaveifttj, Epic and Ionic for 3undvfipa, 
 
 irse of hfrocs." More literally, " man-feeding." An epithet 
 
 of fruitful countries ; as, for example, Phthia. No such adjective 
 
 as iSuTtdvetpof, ov, seems to have been used. From ,Jwrif, fern, of 
 
 j3urrif, and this from POOVCCJ, "tofceil," and 
 
 ui', accus. sing, of \apT<!f, or, 6, "fruit," " produc- 
 
 00 ' tionn vf the earth." Perhaps from the same root as \up<^j, 
 " to make drt/," &c., and Ktlpoof, " any small Jrij bmly ;" and hence, 
 strictly, that irhich is dn/. and so npc.
 
 364 HOMERfC GLOSSARY. 
 
 Line 156-159. 
 
 'EdrjhfjoavTo, 3 plur. 1 aor. indie, of the middle deponent dijMouat, 
 " to injure," " to destroy :" fut. fitiMiGofiai : 1 aor. t6t)faf0fuiv : perf., 
 in a passive signif., dsd^nftai. Akin to the Sanscrit dal, "to hew," 
 "to cleave," &c. (Eichhoff, Vergleich., p. 205.) 
 
 Merafi), "between." Radical signification, "in the midst." Used 
 also of time, " during," " while." From fterd. 
 
 Ovpea, Epic and Ionic for opn, nom. plur. of ovpof, fog, TO, 
 Epic and Ionic for opof, eof, TO, " a mountain." Perhaps 
 from the radical opu, " to arouse," " to make to rise," and hence any 
 thing rising up. 
 
 QdZaacra. Consult line 34. 
 
 'Hxrjeaaa, nom. sing. fern, of Tjxn el ^i coaa, ev, "loud-resounding," 
 " loud-roaring." From fJxSi " a -found," " a noise," &c. 
 
 'AvatJefi voc. sing, of avaidrie, ec, "shameless." From 
 ' the negative prefix dv and aiduc., " shame." 
 
 "Afta, " together with," " along with." Akin to the Sanscrit prepo- 
 sition sam. (Donaldson, Neic Crat., p. 236.) 
 
 'Eo-xoueda, 1 plur. 2 aor. indie, of the middle deponent iTtopai, " to 
 follow ;" imperf. e'nrofinv : fut. tyouai : 2 aor. lairofinv. The active 
 TTU, " to be about or with," belongs solely to the old poetry ; only 
 some compounds, especially dieTru and TrepteTrw, having established 
 themselves in prose. The deponent l^ofiai is the Latin seq-uor, the 
 letter * taking the place of the aspirate, as in v"Kri, sylca ; and q that 
 of p, as in Trt'ropcf (^Eolic for rsaaapef), quatuor. 
 
 "Oypa, " in order that." Conjunction, marking the end or object in 
 view. 
 
 Xa/p7?c> 2 sing. pres. subj. act. of x a ' l P u i " t rejoice," " to be glad ;" 
 fut. ^aip^<Tw : 2 aor. e^upriv : perf., with present signif, /ce^apjy/ca, 
 the usual perfect being Kexdpnpat. 
 
 LINE 159. Tiuqv, accus. of rifir], f/f, r]. (Consult note.) 
 
 'Apvvpevoi, pres. part, of the deponent apvvuai, "to seek to gain," 
 "to gain by one's own exertions" "to acquire." Used only in the 
 present and imperfect, and taking its other tenses from alpo/iai : fut. 
 dpovuat. A lengthened form of alpu, as Tr~dpvvuai is of Trratpu. 
 
 MEVE/UIGJ, dat. sing, of Meve/loof, ov, 6, " Mcnelaus," brother of 
 Agamemnon, and King of Lacedaemon. He was the husband of 
 Helen, whose abduction by Paris gave rise to the Trojan war. 
 
 KWUTTO, voc. sing, of /cwun-^f, ov, 6, " dog-eyed," " dog-faced," i. e., 
 shameless, impudent. The dog was with the ancients the type of 
 shamelessness and effrontery. From KVUV, "a dog," and <ty. "look," 
 " visage," &c.
 
 HOMERIC GLOSSARY. 365 
 
 Line 160-164. 
 
 /, 2 sing. pres. indie, middle of /zerarptTru, "to 
 I.DU. ^ r;t round." In the middle, fj.eTaTpe-rrojj.ai, " to turn one's 
 self round toward any thing" " /o rrc one'* self and go after a thing" 
 and hence " to regard" &c. ; fut, i/io/xat. From ,uera and Tpfiru. 
 
 'A.%e-/i&ic, 2 sing. pres. indie, act. of aheyifa, " fo care /ar," " to 
 trouble one's sc// about a thing." From a^eyw, " to trouble one's 
 self" 
 
 LINE 161. Tepaf. Consult line 118. 
 
 'Adaiprjaeadai, fut. infin. middle of ddaipeu, " to take away," " to 
 take from :" fut. r]au : fut. middle T/aopai. From Homer downward, 
 the middle is more frequent than the active. From U.TCO and alpiu. 
 'ATe/c> 2 sing. pres. indie, act. of dTceiheu, "to threaten:" fut. 
 r}au. The common notion is that of speaking loud, whence, with 
 ?,au, it is referred to r/rcvu. 
 
 1 aor. indie, act. of /zoyew, " to toil :" fut. you. 
 
 ' From po-yof, " toil." Only a poetic verb, the prose form 
 
 being rcovfu. The first syllable of fioy-os shows an affinity to /*ey- 
 af, mag-nus, &c., the idea implied in /wy-of and //6^-tfof, especially 
 the latter, being that of something great placed or laid upon one. 
 
 Ao<rai>, 3 plur. 2 aor. indie, act. for Idoaav, the augment being 
 dropped, from 6ifiu[i(, " to give :" fut. 6ucu : 1 aor. ISuica : 2 aor. 
 Iduv : perf. tieduaa. 
 
 "fief, Epic nom. plur., as from a stem vlf, " a son ." gen. viof : dat. 
 vJi: accus. via : dual vie: plur, nom. wef, &c. The Epic dialect 
 also declines in another way as from a stem vlev$ : gen. vieof : dat. 
 visl : accus. visa, &c. 
 
 'Iffov, accus. sing. neut. of laoc , i\, ov, " equal to," " the 
 163. game ^ observe that the i in this word is always long 
 in Homer, but usually short among the Attics, with whom, there- 
 fore, when it is so, the accentuation is laof, <fec. 
 
 'OTTTCOTS, Epic for 6-6re, " when." 
 
 'EKTcepouoi, 3 plur. 1 aor. subj. act. of EKxepda, "to sack." 
 LINE 164. Consu]t , ine 19 
 
 'Evvai6fievov, accus. sing. neut. of evvaiofievo^, ij, ov, "well-inhabit- 
 ed," "well-peopled." Properly an adjective, and not a participle, 
 since we find no such verb as ei-vaiu or evvaiopai. From tv and 
 vaiu " to inhabit." 
 
 UrohieOpov, ov, TO, " a city." In form a diminutive from TrroXif 
 (old form) for rcohic., but, in usage, equal in general to irofae itself. 
 In the present passage, however, it appears to indicate one of the 
 inferior cities of the land as contra-distinguished from the capital. 
 Hn2
 
 366 HOMEK1C GLOSSAKV. 
 
 Line 165-168. 
 
 nAcn>, accus. sing. neut. of Trleiuv, irfaiov, " the greater 
 E * ' (part)." Literally, " more." Comparative of xo/.vf, 
 "many." Homer, like Hesiod, uses TTAC/CJV or xl.euv, as his verse 
 requires. In Attic prose, on the other hand, x/.eiuv is far the most 
 frequent ; but in the neuter, K/.SOV is more usual, especially as it ap- 
 proaches the adverbial signification. 
 
 noZvulKoe, gen. sing, of 7ro/,udif, t/cof, " harassing." Literally, 
 " with much collision.' 1 '' From TroXvf and dtaau, " to rush," " to dart," 
 &c. 
 
 AtETTovui, 3 plur. pres. indie, act. of dieiru, " to dispatch." 
 
 ' More literally, " to manage," " to be busied upon a thing :" 
 
 fut. Tpu. From f>i<i and trrw. Consult line 158, remarks on ian6fj.r)v. 
 
 'Arop, conjunction, "b~j.t," "yet," "hou-cver," "nevertheless." Like 
 
 the Latin at, it introduces an objection or correction, and always 
 
 begins a sentence. More frequent in poetry than in prose. The 
 
 form avrdp is Epic only. 
 
 Aaa/noc., of, 6, "a division," "a sharing of spoil." From 6aiu, "to 
 divide." Consult remarks on fiedaaTai, line 125. 
 
 'lunTai, 3 sing. 2 aor. subj. mid. of 'iKvsopat, " to come." Consult 
 remarks on lueadai, line 19. 
 
 M<n>, nom. sing. neut. of pel&v, ov, irregular compara- 
 ' tive of ph/as. Homer and the Attics use /m'Cuv, ov, &c., 
 but in Ionic prose we find fte^uv, ov : Doric fj.iafiuv : Bo30tian fizcauv. 
 The root piy-as appears in Latin mag-mis, Sanscrit mah-at, Per- 
 sian mih or meah, German mach-t, English mickle, much, might, &c. 
 
 'O/u-yov, accus. sing. neut. of 6/ltyof, ij, ov, " small." Akin to the 
 Sanscrit laghu, and English light ; and through laghu, with eAo^a'f, 
 and the Latin levis. (Pott, Etymol. Forsch., vol. i., p. 87.) 
 LINE 168. N^af. Consult line 12. 
 
 'ETT^V, Epic and Ionic for endv "whenever.'" Contracted from 
 ewei and TJV, for uv. 
 
 KEKUUU, 1 sing. 2 aor. subj. act., with Epic reduplication, for KO/ZU, 
 from KUfivu, " to become weary," " to be tired or worn out." More lit- 
 erally, " to work," "to labor hard." and then "to work one's self 
 weary ;" fut. mid. Kafj.ovfj.ai, Epic Kafiso/nai : 2 aor. c/caaor : perf. 
 , which Homer mostly uses in the Epic participles KEKfiquf, 
 eKuijiJTa, but also KeK/j-jjoTac.. Pott connects KO.IJ.VU with 
 the Sanscrit ksham, " tolerare," " perpeti." 
 
 HoXefii&v, pres. part. act. of the frequentative verb iro).e/ji(j, " to 
 wage war," " to war :" fut. iau, Doric i!-u, which last is the only fu- 
 ture used by Homer.
 
 HOMKKIt: GLOtiaAKV. 307 
 
 Line 169-174. 
 
 LINE 169. EIJU. Present in a future sense. (Consult note.) 
 
 Qdinvde, "to Phthia." More literally, " Phthia.-wa.rd." Adverb, 
 compounded of the accus. sing, of $6in, Epic and Ionic for $6ia, and 
 the suffix 6c denoting motion toward a place. Consult Excursus 
 V., and also remarks on $6iij, line 155. 
 
 4>fprfpov, nom. sing. neut. of <ppTepo$, a, ov, " better," assigned as 
 an irregular comparative to u-yad6$ : superlative QepraToc. From 
 fyipu, \\kefortis from fcro in Latin. 
 
 LINE 170. Olnade. Consult line 19. 
 
 'Ifj-tv, Epic for ievai, pres. infin. of etui, " to go." Earliest form 
 iuevai. Consult remarks on ^(Mwuf//^, line 78. 
 
 Kopuviaiv, dat. plur. of Kopuvif, i6of, i), "ofbending-stcrns." Hence, 
 in a general sense, ' curved," " bent," &c. In Homer always said 
 of ships. (Consult note.) 
 
 Ot'u. Consult line 59. 
 
 'A.TIUOC., ov, " unhonored," "dishonored." From a, pne., 
 LINE 171. f , 
 and Tiuij. 
 
 'Euv, Epic and Ionic for &v, from elui, " to be." 
 
 'A<j>evoc, TO, " abundance." Consult note. According to the gram- 
 marians, from u~ 6, and Ivof or Ivof, "a year," and hence denoting 
 "annual income," or "produce." Buttmann, however, condemns 
 this etymology, and deduces the word from an old form d$vvc, rla, v, 
 of which, according to him, atyveiof was a lengthened form. (Lexil., 
 p. 177, cd. Fishl.) 
 
 'A<j>vt;eiv, fut. infin. act. of uQvaau, " to obtain." Literally, " to 
 draw," said, properly, of drawing liquids from a larger vessel by 
 means of a smaller : fut. d^i'fw : 1 aor. %<j>vaa, or, Epic and without 
 augment, uyvaaa. Middle, d^vaaouai, " to draic for one' self." 
 
 , 2 sing. pres. imper. of die^/u, " to flee," "to desert :" 
 
 ' fut. (j>ev^o/j.ai, Doric and Attic <f>vi;ovuai : 2 perf. 
 2 aor. e<pvyov. Later authors have also a so-called 2 fut. 0vyu. 
 Compare remarks under qdyoiuev, line 60. 
 
 Mu?.a, adverb. " By all means." Literally, "very," " very much," 
 "exceedingly," &c. 
 
 Tot, for aoi. Epic and Ionic. 
 
 'EneoavTai, 3 sing. perf. indie, pass, of kinaevu, "to set in motion," 
 either against a person, or for the accomplishment of a certain ob- 
 ject (;. c., toward any thing). Hence, " to incite" "to set on," &c. ; 
 perf. pass. eTTfaavuai: pluperf. T(TCTIJ^V, &c. From eni, "against," 
 or " toward," and cevu, " to put in quick motion," " to urge," &c. 
 
 Aiaaofiat, ' to entreat," " to beseech," &c. Middle depo- 
 LINE 174. Consult line 15-
 
 HUMiiKlC GLOSSARY. 
 
 Line 174-179. 
 Epic and Ionic for evexa. 
 , Epic for tpov, gen. of eya>. 
 
 , pres. inf. act. of JJ.EVU, "to remain .-" fut. /zevw : perf. 
 v7//ca : 2 perf. ueuova : 1 aor. fyeiva. The Epic and Ionic future is 
 fteveu. The 2 perf. uEpova occurs only once as a connection of 
 /iivu : every where else it has the meaning of " / desire strong- 
 ly," "/ long or yearn for," "I strive," &c., and conveys the idea 
 of a steadfast, fixed purpose. Compare with fievu the Latin maneo, 
 &c. 
 
 TtfirjaovGi, 3 plur. fut. act. of TIUUU, " to honor :" fut. npj- 
 ' au : 1 aor. erifirjaa, &c. From iv/ii?. 
 
 Mq-iYra, Epic and ^Eolic for ^rier^f, ov, 6, " /Ae counselor," "the 
 adi-iscr." An epithet of Jove, equivalent, in effect, to "all-wise." 
 Formed from pr/ru;, "counsel," "advice," and this last akin to the 
 Sanscrit mati, " thought," " counsel," with which compare the Ger- 
 man inutk. 
 
 'Ex&tffrof, " most hateful," " most odious." Irreg. super- 
 ' lative of exOpog : comparative exOiuv. From l^^of, " ha- 
 
 tred," which Buttmann derives from CK, ef, exrdf, just as the original 
 signification of hostis was a "stranger," one from without. 
 
 'Eaai, Epic and Doric for f or el, " Mow ar/," 2 pers. sing, of 
 eifu. Strictly speaking, tcai is a Doric form, but it is of frequent 
 occurrence in Homer. 
 
 AiorpEpiuv, Epic and Ionic for dio-peptiv, gen. plur. of diorpe^f, 
 t'f, "Jove-nurtured," "cherished by Jove." (Consult note.) From 
 Zfi'f, gen. A40f, and rpepu, " to nurture," &c. 
 
 BatTiP^uv, Epic and Ionic for Paaiteuv, gen. plur. of paaibevc. , "a 
 king." 
 
 LINE 177. Tot for sot'. 
 
 'Epif , gen. tdof , 17, " strife." Probably akin to the Sanscrit rush, 
 Latin iras-ci. 
 
 of, a, 6v, another and perhaps earlier form of Kpa- 
 
 INE ' rtpof, "powerful," "valiant." Commonly regarded as 
 Epic and Ionic for /cparepof. From Kaprof, Epic and Ionic for itpdrof, 
 with which compare the German hart, and English hard. 
 
 'Eaai. Consult line 176. 
 
 Ew, Epic and Ionic for aalf, dat. plur. fern, of a6f, <rfi, aov, 
 LINE 179 
 
 ' " thy" possessive pronoun of the second person. 
 
 'Erupoiav, Epic and Ionic for erdpotf, dat. plur. of frapof, ov, 6, 
 " a follower," " a companion." Epic and Ionic for eralpoc., ov, 6, same 
 signification. Probably from f0of, "custom," &c., or else from the
 
 HOMERIC ULUSSAKY. 369 
 
 Line 179182. 
 
 same root with this, and denoting one accustomed to be with an- 
 other, and, therefore, sure, trusty. 
 
 veaaiv, Epic and Ionic for Mvpuidoaiv, dat. plur. of 
 
 ' Mup/uidwv, 6i>r>f, 6, "a Myrmidon." In the plural Mt>p/- 
 66vef, uv, "the Myrmidons," 1 a warlike people of Thessaly, formerly 
 in JEgina, the subjects of Peleus and Achilles. According to the 
 fabulous account, JEacus, king of J2gina, having lost nearly all his 
 subjects by a pestilence, prayed to Jupiter to repeople his kingdom, 
 and the god accordingly changed a large number of ants, that were 
 moving up the stem of an oak, into human beings. This new race, 
 says the legend, were called Myrmidones, as having sprung from 
 ants (ftvpprjKff), a story founded merely upon the resemblance between 
 the two terms WLvpfuSuv and fivppn!;. Peleus, son of J^acus, hav- 
 ing been banished by his father for having been accessory, along 
 with Telamon, to the death of their brother Phocus, came to Thes- 
 saly, accompanied by a band of Myrmidons, and settled there. 
 The truth is, however, that the Myrmidons were a part of the old 
 Achaean stem, and early settlers in the land, having come in from 
 the north. 
 
 "Avaaae, pres. imperat. of avdaau, " to rule over :" fut. fu. From 
 uvaf, " a king," &c. 
 
 2c0Ev, Epic, poetic, and Attic for oov, gen. of av, " thou." Con- 
 sult Excursus V., on the suffix $ev, and its genitive force. 
 
 'A/Uytyu, " to regard," " to trouble one's self about a thing." Fre- 
 quentative form from uAcyu, same signification. 
 
 "to care for " "to take heed." Deponent verb, 
 
 ' only used in the present and imperfect. The radical 
 meaning of this verb appears to relate to shyness or timidity. 'Odo- 
 fj.cn will then be akin to oaao/j.ai, ororrofiai, " to look at," &c., just as 
 in German we have schev.cn, " to be shy," and schauen, " to look ;" 
 and as a provincialism, moreover, the latter word is used instead of 
 the former. 
 
 Ko-eov-oc, gen. sing. pres. part, of noreu, " to be angry," " to bear 
 one a grudge.'' The middle Koreouai is also used, in the same sig- 
 nification with the active. From /corof, "grudge," "rancor" "ill- 
 will." 
 
 'Airei^au, 1 sing. fut. of UKEI^EU, " to threaten." (Consult line 
 161.) 
 
 LINE 182. 'Eue, emphatic form of the accus. of eyw. 
 
 ' \<<>atpelTai, 3 sing. pres. indie, inid. of u^aipiu, " to take away." 
 Consult line 161.
 
 370 HOMERIC GLOSSARY. 
 
 Line 182-188. 
 XpvaqtSa. Consult line 111. 
 
 "Ayw, 1 sing pres. subjunctive (not indicative) of ayu. 
 LINE 184. 
 
 accus. sing, of Bpicrn'tc., Mof, ij, " Briseis." Literally, 
 " the daughter of Briseus." A female patronymic from Hpiaevf, Epic 
 gen. ijof, foreac, 6, 'Briseus,' according to some a king of the Leleges, 
 in Pedasus, a city of Troas ; more correctly, however, a priest in 
 Lyrnessus. 
 
 Ka/UtTrapTjov. Consult line 143. 
 
 K^iairivde, " to thy tent." Adverb, compounded of the 
 LINE 185. accus Q f K ^ to ' tJ}ii ^ ?> fa Epi c and Ionic for KMat'a, a?, TJ, "a 
 tent" and the suffix 6e denoting motion toward. Consult, as re- 
 gards the true force of itf.iaia, the remarks on Kfaaiaf, line 306. 
 
 "Oaaov, Epic for oaov, " how much,'" accus. neut. of 6<rof, 
 LINE 186. ^ Q ^ taken adverbially 
 
 3?pTspo. Consult line 169. 
 
 LiOev. Consult line 180. 
 
 2rvy7, Epic for arvyri, 3 sing. pres. subj. act. of arvyiu, "to hate," 
 " to dread ;" fut. rjau. Lengthened from a root crvy, whence the 
 derivative tenses used by Homer are formed ; namely, 1 aor. la- 
 TV^O : 2 aor. iarvyov, &.C. 
 
 LINE 187. T Iaov. Consult line 163. 
 
 <bda6ai. pres. infin. middle of ^rtfii, " to say" " to declare" Middle 
 (jxi/nai, " to call one's self" &c. (Consult line 33.) 
 
 'Opoiudripevai, Epic, Doric, and ^Eolic for b/uoiudrjvat, 1 aor. inf. 
 pass., with a middle signification, from dftoiou, "to make like," ''to 
 liken" " to compare ;" fut. ofioiuau. Middle bfj.OLOo[iat, " to liken one's 
 self" " to compare one's self unto another." From 6/zoiOf, "alike." 
 
 'A.VTIJV, " openly," adverb. More literally, "/ace to face, "in front" 
 " over against." From avri. 
 
 4>aro, Epic and Ionic for Ityaro, the augment being dropped, 
 ' 3 sing, imperf. indie, middle of Qryii, " to speak." Middle 
 
 <j>affac : imperf. tyu/Liijv, Epic and Ionic 
 
 TlTj^Eiuvi, dat. sing, of Hn7.eiuv, wvof, 6, "the son of Peleus." Po- 
 etic form of patronymic in place of the more usual n^Amfyf. (Con- 
 sult line 1.) 
 
 "A^of, eof, TO, " indignant grief." Consult remarks on ajvv/zevof , 
 line 103. 
 
 TeveTo, Epic and Ionic for iyivero, the augment being dropped, 3 
 sing. 2 aor. indie, mid. of yivofiai. 
 
 Ol, " unto him," i. e., " his," dat. sing, of the pronoun of the third 
 person : nom. (wanting) : gen or : dat. ol, &c. (Consult line 72.)
 
 HOMERIC GLOSSARY. 371 
 
 Line 188-193. 
 
 'Hrop, TO, " the heart." In Homer always in the nominative or 
 accusative ; but the dative f/Topi occurs in Simonides (7, 7). From 
 //., xxi., 386, ivi <ppeai tftytdf HT/TO, it has been inferred that ??-op has 
 urjui. for its root, and so, like animus and anima, strictly denotes the 
 breath. 
 
 Zrf/6ea<rtv, Epic for ar^decriv, dat. plur. of aTf/doc., fof, TO, 
 " the breast." Probably from larrjui, " that whichstands up." 
 
 Aaaioiot, Epic and Ionic for /.aaioic., dat. plur. neut. 
 iov, "hairy." (Consult note.) Probably akin to falva, x^-dlva, and 
 Latin lana. and l<ena. 
 
 Aiuvdi^a, " two ways." Adverb, from did, dvd, and <5i^a, " in two," 
 "asunder." 
 
 Mepuripi.t;ev, Epic and Ionic for f/ze/j/^piffv, 3 sing. 1 aor. indie, act. 
 of {tep/tripifc, " to meditate," " to ponder." More literally, " to be full 
 of cares;" fut. w. From fifpur/pa, ac, TI, collateral form of pepiuva, 
 " care,'' " trouble," and this from uepuepoc., ov, " care-laden," which 
 last is probably connected with uepi^u, " to divide," and uepoc.. 
 
 v, ov, TO, " a sword." Said to be changed from 
 
 ' aydyavov, and to come from aQd^u, " to slay." 
 'Oft, accus. sing. neut. of 6!-vc, ela, v, " sharp," " keen-edged." 
 Akin, probably, to UKVS, " swift." and denoting that which makes its 
 way swiftly through opposing obstacles. 
 
 'EpvaaufiEvof, Epic for ipvadfievoc, 1 aor. part, middle of epuu, "to 
 draw ;" fut. spvau, Epic epvaau : perf. pass, eipvfiai. Epic and Ionic 
 present eipvu : fut. eipvou, Stc. Middle epvo/tat : fut. aofiai. 
 Mr/pov, gen. sing. of//;/p6f, of, 6, "the thigh." 
 
 v, 3 sing. 1 aor. opt. act. ^Eolic form for dva- 
 
 i, from uvia-ijfii, " to cause to rise up ;" fut. ava- 
 
 Tiau, &c. 
 
 'Evapl^oi, 3 sing. pres. opt. of haptfa, " to slay ;" fut. fw. Proper- 
 ly, " to spoil a slain foe," from ivapa, " the arms of a slain foe." 
 Havaeiev, 3 sing. 1 aor. opt. act. ^Eolic form for 
 
 LINE 192 
 
 from 77avw, " to cause to cease :" fut. au. In the middle 
 
 Travouai, " to cause one's self to cease," " to cease." 
 
 'EpT/rvaeie, 3 sing. 1 aor. opt. act. ^Eolic form for epr/rvaai, from 
 spijTvu, " to check," "to restrain;" fut. au. Akin to ipvu, EpiJKU, 
 
 f'/KJtGJ. 
 
 c, 3 sing, imperf. indie, act. of opuaivu, " to delib- 
 
 ' eiate" (consult note) : fut. opuuvu. Used by Homer only 
 in the present, imperfect, and 1 aor. upuijva, always with the aug- 
 ment. From opudu, " to urge," " to incite."
 
 372 HOMERIC 
 
 Line 194-196. 
 
 "E^KSTO, Epic and Ionic for CIAKSTO, the augment being 
 ' dropped, 3 sing, imperf. indie, middle of e^/cw, " to draw ;" 
 Jut. Ivlfw : 1 aor. e</la, but only among later writers, the derivative 
 tenses being mostly formed from e/Uvu : fut. e/jcvcrw : 1 aor. sl^Kvya : 
 1 aor. pass. til.Kvadnv : perf. pass. EiAnvauai : whereas the present 
 &.KVU itself is only used by later writers. In early Epic, eAueu. 
 Akin to eletv, and also to tifXyeiv. (Donaldson, New Crat., p. 564.) 
 KoAeoto, Epic and Ionic for KOASOV, gen. sing, of Kofaof, ov, 6, "a 
 scabbard," " a sheath." Homer uses both /<o?.eof and the Ionic 
 KovZeos, but in Attic it must always be Ko?,e6f. Akin to KotAof, the 
 German hohl, English hollow. 
 
 AI<J>O, eof, TO, " a sword." Homer usually represents it as large 
 (fjLfya) and sharp, or pointed (6fi>), also as two-edged (d/zd^KEf). It 
 is of brass (#d/Ueov), and hung from the shoulder by a baldric (rf?,a- 
 IJLUV). In Homer, a sword is also called pdayavov and uop. Among 
 later writers, the Ztyof was a straight sword, and the fid^aipa (or 
 Homeric knife) was a sabre. According to the Etymol. Mag., from 
 t-vu, and so vtj>of is said to have been used in some dialects for 
 f/^of. It would seem rather to have come out of the Semitic dialects, 
 and to have some affinity to the Arabic ssaif, " a sword." (Pott, 
 Etymol. Forsch., vol. ii., p. 215.) 
 
 'Aflj/vjy, 7?f, ?/, " Minerva," the goddess of wisdom. The Laconian 
 form of the name, 'Aadva, connects this deity with the Asi of Orient- 
 al and Scandinavian mythology. 
 
 Qvpavodev, "from heaven." Adverb, compounded of ovpa- 
 ' v6f, " heaven," and the suffix iScv, with a genitive force. 
 Consult Excursus V. 
 
 7 H/ce, 3 sing. 1 aor. indie, act. of tripi, " to send :" fut. fjau : perf. 
 eiKa : 1 aor. TJKO,. 
 
 AevKuhevof. Consult line 55. 
 "Hpj/. Consult line 55. 
 
 "A/i^u, ru, ru, -6, and also ol, ai, rd : gen. and dat. djup- 
 ' olv. " Both." Compare the Latin ambo. Both ambo and 
 
 are akin to the Sanscrit oubha, " both." Buttmann traces an 
 affinity also between fyujti, " around," and a^w, the idea of around 
 having become limited, in later writers, to " on two sides," " on both 
 sides." (Lexilogus, p. 96, ed. Fishl.) 
 
 'Opus, " equally," " alike." But opuf, " nevertheless," " notwith- 
 standing." 
 
 , nom. sing. fern. pres. part. act. of ^iAew, " to love :" fut. 
 From ^t'Xof, ij, ov.
 
 HOMERIC; GLOSSARY. 373 
 
 Line 193-199. 
 
 n, nom. sing. fern. pres. part, of Kq6o[tai, " to care for." 
 (Consult line 56.) 
 
 S-n?, Epic and Ionic for earn, 3 sing. 2 aor. intlic. act. of 
 LINE 197. i ffTJ ^^ u to p[ ace .." f u t. arrjau : perf. karnna, " / stand :" 
 2 aor. larriv, " I stood." 
 
 'Orridev, Epic for OTrtutfev, " behind," " a* *Ae iac." Probably from 
 ojrtf, akin to dvoTrtv, /caro-Trtv, [ICTOTUV, btriau, bifte. 
 
 Aavdfjc, gen. sing. fem. of fav06f, ^, ov, "auiurw," "golden-colored." 
 In Homer, Achilles always has fai>0^ ACO//??. The same is also as- 
 signed to females ; and hence, perhaps, as fair, blonde hair was rare 
 in the South, this may have belonged to the ancient ideal of youth- 
 ful beauty. For example, Apollo always has it ; and on the Attic 
 stage it marked princely youths. Perhaps -av66c,, i. e., K-aav-Qoc,, 
 may have some affinity to the German and Swedish sand, and the 
 original meaning of the terra may have been, " of sandy color." 
 
 Krf/n/f, gen. sing, of KOftrj, v(, //, " the hair." Latin coma. 
 
 'E?.e, Epic for At, the augment being dropped, 3 sing. 2 aor. 
 indie, act. of aipeu, "to catch," "to seize:" fut. aipqau: perf. fipnKa : 
 2 aor. M/lov, &c. 
 
 Hr/fatuva, accus. sing, of HnZtiuv, uvof, 6. Consult line 188. 
 
 LINE 198. O?GJ, dat. sing, ofotof, oln, olov," alone." Consult line 118. 
 
 fyaLvofiivt] , nom. sing. pres. part, middle of <j>aivu, " to show :" 
 middle oaivotiai, " to appear" (i. e., " to show one's self") : fut. Qavti : 
 1 aor. i^Tjva -. later perfect Kf&ayKa -. 2 perf. rreonva : fut. mid. fyavov- 
 fiat : 2 aor. pass, eyavriv, &c. Lengthened from the root <j>a, which 
 appears in </>aof, Sanscrit bha, " lucere." (Pott, Etymol. Forsch., vol. 
 i., p. 194.) 
 
 'O,odro, 3 sing, imperf. indie, middle of opdu, " to see." Homer al- 
 ways uses the middle in an active signification : fut. cnpopai, middle 
 in form, but always active in signification : perf. eupdxa, &c. Con- 
 sult, as regards the etymology of the word, line 56. 
 
 ev, Epic for iduuSijaev, augment dropped, 3 sing 
 
 ' 1 aor. indie, act. of dafiBiu, " to be astonished," " to be 
 
 amazed :" fut. you. From i?d/z6of, " astonishment," and this akin to 
 &dnuai and tiavua. 
 
 'ErpcTrcro, 3 sing. 2 aor. indie, middle of TPETTU, " to turn :" fut. 
 Tpeipu : perf. rerpo^a : and later rirpa^a : 2 aor. STpairov : middle 
 rpeiroftai, " to turn one's self :" 2 aor. trpaTrourjv. 
 
 "Eyvw, 3 sing. 2 aor. indie, act. of yiyvuaicu, " to know," fut. mid. 
 yvuoopai ; perf. act. lyvuica : 2 aor. lyvuv. Reduplicated from the 
 root yvof.u (yvuvKu, Latin woco), -yi-yvuaKu. Observe that yvo^u, the 
 
 Ii
 
 374 HOMERIC GLOSSARY. 
 
 Line 199-203. 
 
 root of yiyvuaKu, which appears in uyvot'u, and in vovf, voeu, &c., 
 recur in most of the kindred languages : Latin, nosco, nom : English, 
 know : German, kennen, &c. 
 
 IIa/l?id<5a, accus. sing, of IIa/,/luf, ddof, ?/, " Pallas," an 
 INE ' epithet of Minerva ; hence, in Homer, always 
 
 , or IIaA/.uf 'Adnvain, but after Pindar it is also used alone. 
 Usually derived from 7rdA/lu, " to brandish," hence " the Brandish- 
 er" of the spear or asgis, as goddess of war, although it is not only 
 as such that Minerva is called Pallas in Homer. A more probable 
 derivation is from Trd/'.Aaf, in the most ancient signification of the 
 term, namely, " the maiden," " the virgin," being related to it, as opvif 
 to opvif. 
 
 'A6rivai}]v, accus. sing, of 'A6?]vaiT}, /f, TJ, " Minerva." Another 
 form for 'Adr/vn. Consult line 194. 
 
 Aeivo, nom. dual neut. of detvoe, ri, 6v, " dreadful," "fearful." 
 Consult line 49. 
 
 'Oaae. Consult line 104. 
 
 Qdavdev, Epic lengthened form for fydvdev, and this Epic and Doric 
 for epdvdqaav, 3 plur. 1 aor. indie, pass., in a middle sense, of (patvu, 
 " to show ;" middle <j>aivofiai, " to appear." 
 
 Mtv, Epic and Ionic for OVTTJV. Miv is, in fact, the Epic 
 
 ' ' and Ionic accusative of the pronoun of the 3d person 
 
 through all genders, and hence, though here for O.VTTJV, stands else- 
 
 where for O.VTOV and avro. It is much more rare as 3 pers. plur. for 
 
 avrovf, avrdf, aitrd. Consult line 29. 
 
 "Eirea, Epic and Ionic for fan, accus. plur. neut. of errof, " a word." 
 Consult line 77. 
 
 Tirepoevra, accus. plur. neut. of TTTepoeif, oeaaa, 6ev, " winged." 
 (Consult note.) From irrepov, " a wing." 
 
 Hponi)6a, 3 sing, imperf. indie, act. of Trpof avddu, " to address unto 
 one." From - p6f and aiiddu. 
 
 TtTrr", for rtTrore, " why, then," compounded of the inter- 
 LIVE ''OZ 
 
 ' rogative ri, and the adverbial TTOT-E. It answers to the 
 
 Latin quid tandem. 
 
 Ar/ioxoto, Epic and Ionic for ar/ioxov, gen. sing, of aiyio^o^, ov, 
 " agis-bcaring." An epithet of Jupiter. 
 
 f, TO, " offspring." (Consult note.) 
 
 f, Epic for &7/Zv8af, 2 sing. perf. indie, act. of Ip^ouai, 
 " to come :" fut. eAevaouai : 2 perf. eA^.vda : Epic E^TJXovda. Con- 
 sult line. 120. 
 
 LINE 203. 'T6piv, accus. sing, of i>6pif, euf, ?/, Epic v6pif, tof, "m-
 
 HOMERIC GLOSSARY. 375 
 
 Line 203-207. 
 
 science," "wanton violence, "arising from the pride of strength, passion, 
 &c. Derived, probably, from t'Trtp, as implying an assumption of 
 authority over others. 
 
 "Idy, 2 sing. 2 aor. subj. middle of eidu, " to see," " to witness ;" 2 
 aor. eldov, in Epic often without augment, Idov : 2 aor. mid. eidopnv, 
 in Homer, more frequently, idopriv, without augment. Eldu (I6u) is 
 a radical form wholly obsolete in the present, which is supplied by 
 6pdu. Its tenses form two families, one exclusively in the signifi- 
 cation " to see," and the other " to know." The meaning " to know" 
 comes through the 2 perf. olda, for what one has seen and observed, 
 that one himcs. The root I6u, or, with the digamma, Fidu, has a 
 direct affinity with the Latin video. So, again, fid-u, fold-a, connect 
 themselves with the English " to wit," " wot ;" the German wissen, 
 and the Sanscrit wid, " to know." 
 
 'Arpeidao.. old form of the genitive, for the later 'A.rpci6ov. This 
 genitive form in ao appears to have been the earliest one, and was 
 subsequently contracted into u (by the Dorians into a). This u, 
 again, was made more open by inserting an e before it, and hence 
 we have, in Homer, from the nominative 'Arpsidnc., the two geni- 
 tive forms 'ArpficJao and 'ArpeuJew. 
 
 'Epecj, Epic and Ionic for fp&, fut. of the rare present 
 LINK 204. ^ (o dedare [0 leU &c Consult line 76. 
 
 i, Epic and Ionic for re/.tasaOai, fut. inf. mid., with pas- 
 sive signification, of reteu, " to accomplish ;" fut. act. reAcffu : perf. 
 Terl?.fKa : fut. mid. reAe'ao/zat : Epic and Ionic reXeofiai : Attic re/lou- 
 fiai. Consult line 82, remarks on rc/leaffj/. 
 'Otu. Consult line 59. 
 
 'Htf, or f/r, Epic and Ionic for ale., dat. plur. fem. of the 
 
 3 ' possessive pronoun, of, ?/, 6v, "Azs," " her" "its." Ob- 
 
 serve that the Epic and Ionic form for 6f, f/, ov, itself, is toe,, sfj, eov. 
 
 'fTreponl.ir/ai, Epic and Ionic for virepoTrhiaic., dat. plur. of VTrepo 
 
 KXla, of, ft, "arrogance," "proud confidence," especially in arms. 
 
 From iiTTsp and oTrAa, "arms." 
 
 Tu^a, "soon," " at some early period." Adverb, from ra^vf, eta, v, 
 " swift." 
 
 'Qteaari, Epic for oAean, 3 sing. 1 aor. subj. act. of oAAv/w, "to 
 lose," "to destroy;" fut. bteau : perf, with reduplication, o/Uifo/ca : 
 1 aor. <j?*eaa. 
 
 rAav/cwTTtf, tJof, i), " bright-eyed." (Consult note.) From 
 3 ' yhavKoc,, "shining," "silvery," and cty, "the eye." 
 
 Havoovaa, fut. part. act. of rravw, " to cause to cease." 
 Ll ^ 207 ' Consult line 192.
 
 376 I10MJ2K1C GLOSSARY. 
 
 Line 207-214. 
 
 Mevof, eof, TO, " excitement.'''' Consult line 103. 
 
 At, Epic and Doric for el, " if." Consult line 66. 
 
 HiBrjai, Epic and Ionic for iriQrj, 2 sing. 2 aor. subj. mid. of neidu, 
 " to persuade." Middle Treidopai, "to obey ;'' 2 aor. mid. eirido^v : 2 
 aor. subj. ntOu/tai : 2 pers. (old form) mdriaai : (Epic and Ionic) m- 
 6nai : (Attic) ni6y. 
 
 LINE 203. Ovpav66ev, &c. Consult lines 195, 196. 
 
 LINE 210. "Aye. Consult line 62. 
 
 Aiyye, 2 sing. pres. imperat. of /^yu, " to cease from," " to leave off;'* 
 fut. fw. It occurs also, though less frequently, in a transitive sense, 
 " to still," " to appease," " to stay." Akin to the English " to lay" 
 i. e., " to allay" and probably the same originally as /Icyw, in the 
 signification " to cause to lie down" &c. 
 
 'Epidoc, gen. sing, of epic, tooc, r/, ''strife," "contention." Consult 
 line 177. 
 
 i<j>oc. Consult line 194. 
 
 *E/Ufo, Epic and Ionic for %KOV, 2 sing. pres. imperat. middle of 
 e/Uw, " to draw;" fut. fw. (Consult line 194.) Old form of 2 pers. 
 /Ue<70 : Epic and Io?iic EAKEO : Attic E/.KOV. 
 
 'Oveidiaov, 2 sing. 1 aor. imper. act. of bvEidifu, " to re- 
 
 LlNE 211 
 
 proach," " to abuse ;" fut. iau. From oveidoc., "reproach." 
 The Sanscrit root is nid, " vituperare," so that 6 seems to be eu- 
 phonic. (Pott, Eiymol. Forsch., vol. ii., p. 164.) 
 'Efferoi, Epic for larai. 3 sing. fut. of elfii, "to be." 
 
 'Efrpsu, Epic and Ionic for ejepu, fut. of efrnreiv, " to de- 
 
 clare openly." Homer has only this form; but in later 
 
 writers we find a perfect et-eipijKa ; a perf. and pluperf. pass., and 
 
 also a future middle k^iprjasrai, with a passive signification. From 
 
 ef and epeu. Consult remarks on epe'w, line 76. 
 
 TcTEfaaftevov, nom. sing. neut. of perf. part. pass, of re^eu, " to 
 accomplish ;" fut. rel.eau : perf. TereAc/ta : perf. pass. rcTe'/etT/zai. 
 From Te'Aof, " an end accomplished." 
 
 LINE 213. Toaaa, Epic for rocra, from roaoc, i], ov, "so many." 
 Hapeaaerai, Epic and Ionic for Trdpearai ; 3 sing. fut. ind. of irap- 
 ei/ii, " to be present." From -rrapd. and elfii. 
 'AyAaa. Consult line 23. 
 
 , gen. sing, of v6pig, ioc., rj, Epic and Ionic for vopif , 
 
 LINE 214. ^ ^ Consult line 203. 
 
 , Epic and Ionic for tre/ca. 
 
 , Epic and Ionic for to^ov, 2 sing. pres. imper. middle of 
 t " to hold" " to check" another : in the middle, laxotiai, " to re-
 
 HOMKKIC GLOSSARY. 377 
 
 Line 214-219. 
 
 strain one's self." Observe that tcr^u is, in reality, only a form of 
 t^'w, and is found in the present and imperfect alone. Among later 
 writers it is sometimes used in the general signification of l^w. 
 Formed from the 2 aor. of e^w, namely, laxov. 
 
 JleiOeo, Epic and Ionic for ireiOov, 2 sing. pres. imper. middle of 
 neiOu, "to persuade :" in the middle Treidofiai, " to obey." 1 
 
 Xpj], " it behooves," impersonal verb : imperf. expijv, com- 
 E ' monly without augment, XP'/ V > tne f rni ^XP'i" being rare 
 
 in Attic : fut.^p^cret : infin. xptjvai : part, xpeuv. Strictly, 
 in the sense of ' to deliver an oracle :" thus, XP*1 (scil. 6 $6f), but al- 
 ways used impersonally : " it behooves ;" " it is fated;" " it is neces- 
 sary ;'' " it is meet," &C. 
 
 "Lfyulrepov, accus. sing. neut. of atj>ui-fpof, a, ov, pronominal adjec- 
 tive of the 2 person dual aytii, "o/or belonging to you two." Some- 
 times, also, it appears as the pronominal adjective of the 3 person 
 dual aQus, " of or belonging to them two, or both of them." 
 
 Eipvaaaadai, Epic and Ionic for ipvcaadai, 1 aor. infin. middle of 
 epvu, "to draw:" middle fpvouai, " to obey" 1 (consult note): fut. 
 epvau, Epic and Ionic eipvau : perf. pass, elpvfiai, &c. 
 
 v, accus. sing. masc. of perf. part. pass, 
 
 Adw, " to incense ;" fut. W<TU : perf. pass, tuj^o^uftat : 1 aor. 
 
 pass. e,\-o/.(j07/v. From^o/.of, "gall" " bile," "wrath." 
 "Apeivov. Consult line 116. 
 
 i, 3 sing. pres. subj. middle of eiwTEido/iai, "to 
 
 obey." From kni and nsidu, " to persuade," in the middle 
 " to obey." The preposition expresses the end gained by the per- 
 suasion. 
 
 'Ettoov, 3 plur. imperf. indie., with aoristic signification, of K%va, 
 " to hear." Consult line 37. 
 
 'H, Epic for !0>7, 3 sing, imperf. indie, of &r/ui, "to say." 
 IJ<E ' Observe that fi comes, in reality, from /}///, a shortened 
 
 form of QTiui : thus, yui, yc, f/ffi, &c., imperf. r)v, 7/f, 7), &c. This ij^d 
 arose from <j>7iui in the language of ordinary life, and was used in 
 quick repetitions among the Attic writers. 
 
 ' ' A.pyvpii), Epic and Ionic for dpyvpy, dat. sing. fem. of upywpcof, n, 
 ov, contracted upyvpoff, apyvpij, ap-yvpovv, Epic and Ionic for apyvpeof, 
 a, ov, contr. upyvpovc., a, oi/v, "silver." Consult line 49. 
 
 KtJTTj, dat. sing, of Kuitn, r)f, T/, " a hilt." Literally, " the handle of 
 any thing :" as, for example, of an oar, a torch, &c. From a root 
 nair, which appears in /cujrru, and the Latin cop-to. 
 
 e, Epic for iax^e, 3 sing. 2 aor. indie, act., from eff^fSov, a 
 I i 2
 
 378 HOMKK1U GLOSSARY. 
 
 Line 219-223. 
 
 poetic lengthened form of la^ov, 2 aor. of KX U - I [ i s usually em- 
 ployed, not with the meaning " to have," but in the strengthened 
 signification "to hold," "to keep fast," "to check," &c. The old 
 theory made saxeOov, er^etfov, &c., come from a present cr^eflu, but, 
 according to most modern scholars, this present ax^ u * s a raere 
 fiction. (Consult Ellendt, Lex. Soph., s. v. etKodelv.) 
 
 LINE 220. *Ay. "Back." Consult line 60. 
 
 KcwAeov, Epic and Ionic for /co/leov, accus. sing, of Kovl.coc, ov, 6, 
 Epic and Ionic for /COAEOJ-, ov, 6, " a sheath." Consult remarks on 
 Ko/leof, line 194. 
 
 T fl<7, Epic and Ionic for luce, with augment dropped, 3 sing. 1 aor. 
 indie, act. of udeu, "to drive," "to push," "to thrust;" fut. udrjau, 
 and (as if from a present udu) uau. The other tenses follow the 
 future uau, namely, 1 aor. Zuaa, and, as in the present instance, with- 
 out the augment, uaa : perf. IUKO, : perf. pass, ewapu : 1 aor. pass. 
 
 Si<j>oc,. Consult line 194. 
 
 'Axidriaev, Epic and Ionic for ij-siBriaev, with augment dropped, 3 
 sing. 1 aor. indie, act. of uTriBeu, Epic and Ionic for uTreiOiu, " to dis- 
 obey ;" fut. T]cu. From a, priv., and Treidu. 
 
 LINE 221. 'ABrjvai.Tjc.. Consult line 200. 
 
 e, " to Olympus." Literally, " Olympus-ward." From 
 , Epic and Ionic for 'O/U'/iTOf, and the suffix de denoting 
 motion toward. Consult Excursus V. 
 
 Ee67}Kei, Epic and Ionic for e6s6^Ki, with augment dropped, 3 sing. 
 pluperf. indie, act. of paivu, " to go ;" fut. ftijaofiai : perf. (Se^KO, : 
 pluperf. s6f^Kiv. (Consult note.) 
 
 Au//ara, accus. plur. of 6ufia, arof, TO, "a mansion," "an 
 
 INE 222. abode ,, From dtpu, " to build ;" 2 perf. dedopa. Akin to 
 66fj.of, and the Latin dom-us. 
 
 Alyioxcio. Consult line 202. 
 
 Ac^ovaf, accus. plur. of 6ai/j.uv, ovof, 6, ?/, "a deity," "a god or 
 goddess." Derived by some from dafyiuv, " knowing," " skilled in," 
 and they hold this to have been the first meaning of the word. 
 Others deduce it from daiu, " to divide or distribute," i. e., destinies. 
 Neither etymology, however, appears fully satisfactory. Perhaps 
 tial/MJv may be akin to the Sanscrit damin, or damanas, " a conquer- 
 or," "lord," "master." (Eichhoff, Vergleich., p. 204.) 
 
 'Araprrjpoif, dat. plur. neut. of drapr^poc, a, ov, strength- 
 ened poetic form of uTripo^, a, 6v, " injurious," "hurtful." 
 From aTij, " harm," " mischief," &c.
 
 HOMEU1C ULOdtiAKY. 379 
 
 Line 223-228. 
 
 , Epic and Ionic for f-eaiv, dat. plur. of eiroc, eoc, TO, "a 
 word." 
 
 LINE 224. OVTTW, "not yet." Adverb, compounded of ov and TTU. 
 Aiyye, Epic and Ionic for eAijye, 3 sing, imperf. indie, act. of /bjyu, 
 "*o cease from." Consult line 210. 
 
 Xo/oto, Epic and Ionic for ^oAov, gen. sing, of joAOf, ov, 6, "gall," 
 " bile," "wrath." 
 
 OlvoCapef, voc. sing. masc. of olvoSapfa, If, " one heavy 
 ' E ' with wine," "a drunkard." Compare the Latin vinogravis. 
 
 From olvof, " wine," and ftapvf, eia, v, " heavy." 
 
 Kw6f, gen. sing, of KVUV, KVVOC,, 6, rj, "a dog." Consult remarks 
 on icvveaaiv, line 4. 
 
 Kpadinv, Epic and Ionic for napdiav, accus. sing, of icpadin, j/f, #, 
 for napdiit, af, 57, " the heart." Compare the Sanscrit hrid, the Greek 
 Kpa6-la, Latin cor, cord-is, English heart, Gothic hairto. 
 
 'Eldpoio, Epic and Ionic for e/u^ov, gen. sing, of l/ta^of, ov, 6, f/, 
 "a deer," whether male, "a hart" or "stag," or female, "a hind." 
 Akin to eAa^pof, Latin lec-is, and also fc^ws, leporis, and probably, 
 also, to the German laufen, and English leap. 
 
 LINE 226. Acwi. Consult remarks on Xaoi, line 10. 
 
 Qupjjxftf/vai, 1 aor. inf. pass, of &up^aau, " <o arm," properly with 
 a breastplate or cuirass : then, in general, " to arm," and also " to 
 array," " to harness :" fut. i9wp^fw : 1 aor. pass, eduprjxfyv. From 
 T^upnS, Epic and Ionic for tfwpaf. 
 
 Ad^oveJe, " to an ambuscade." Adverb, compounded of 7*6- 
 ' %<>?> "M ambuscade," and <5e, the suffix denoting motion 
 toward. Consult Excursus V. 
 
 'levai, pres. inf. act. of etui, " to go." 
 
 'ApiGTJieaatv, Epic and Ionic for upiarevaiv, dat. plur. of dpiaTcvc, 
 euc, 6, Epic and Ionic dptaTst^, 1705-, 6, "the bravest." In the plural 
 apivreif, Ionic upic-fjec., " //je bravest chieftains." In these words in 
 cvr, gen. euc, &c., where the v (i. e., the digamma, F) of the stem has 
 fallen away in the course of inflection, the Epic language, and also 
 the Ionic dialect, introduce an 77 instead of e, in order to compen- 
 sate, by the length of the vowel, for the v (or digamma) that has 
 been dropped. (Kuhner, $ 296, 2.) 
 
 , 2 pers. sing. perf. indie, act. of an unused pres- 
 
 ent ~a7.u(j, contracted T/MU, " to endure ;" fut. r 
 
 perf. riT^ijua : 2 aor. er/.^v (as if there were also a present rbi/fii, 
 which there is not). Observe that r7.-du is radically the same as 
 ro7.-fMu, and akin to the Sanscrit tul, Latin, lol-erare, tul-isse, and 
 also (/) latus. Hence, too, rt7.-aiujv, Ta7.-av7ov.
 
 380 HUMER1C GLOSSARY. 
 
 Line 228-232. 
 
 Kijp, gen. KT/p6f, rj, "death." Properly, "the goddess of death ;" 
 also, " the goddess of fate" especially as bringing violent death. 
 Hence, the "fate of death," " death" itself, especially when violent. 
 Observe the difference of accentuation between K?/p, Kjjpof, "fate," 
 and Kt/p, Kf/pOf, "the heart." 
 
 EldsTat, 3 sing. pres. indie, passive of the obsolete radical present 
 eldu, " to see :" passive eldofiai, " to be seen," " to appear." Consult 
 remarks on I6n, line 203. 
 
 AOiiov, nom. sing. neut. of Autuv, ov, gen. ovof, 6, ?/, ru, 
 "more desirable," "more agreeable;" hence, in general, 
 " better." Homer uses it only in the neuter of the nom. and accus. 
 sing., namely, hulov : and he also has a second comparative AwiVepof, 
 ov, only in the neuter. At a later period, huiuv was used generally 
 as a comparative of dyaftof, and, in Attic, Zuiuv, l.uiov, were con- 
 tracted into Atjwv, Awov : superlative huiaros, contracted Aiorof.- - 
 The root appears to be Au, " / will, wish, or desire," a Doric defect- 
 ive verb, the only trace of the older radical /law, "to wish," "to be 
 willing." 
 
 JZvpvv, accus. sing. masc. of evpvf, eta, v, " wide," " wide-spread," 
 " broad." 
 
 i, Epic and Ionic for a&aipeiadai, pres. inf. 
 
 middle of arroaiptu, for utyaipeu, " to take away :" in the 
 middle uiroaipeofiat, for atyaipovfiai, " to take away unto one's self:" 
 fut. u(f>aipj}au : fut. mid. dtyaLpr/aouai. : 2 aor. act. d^ctAov : 2 aor. 
 mid. afyi}M(j.riv. From dno and aipeu. 
 'ZeQev. Consult line 180. 
 
 'AvTiov, " in opposition to," neuter of uvriof, a, ov, taken adverbial- 
 ly, and governing the genitive. From dvri, denoting opposition. 
 EITTT?, 3 sing. 2 aor. subj. act. of dxov. Consult line 64. 
 
 A?;/io6opof, ov, "people-devouring" as referring to a prince 
 ' ' that grinds his people down. (Consult note.) From 6rj- 
 fioe, and fiopd, "food." 
 
 OvTidavolaiv, Epic and Ionic for ovriSavoif, dat. plur. of ovndavof, 
 T/, ov, "of no worth," "cowardly." From ovri(, " nobody," referring, 
 as it were, to a mere collection of nobodies ; -davof being a mere suf- 
 fix, as in TjnsSavof, &c. Some make -davof come from 6dvof, "a 
 gift" "a present," "a thing of value." 
 
 "fffrara, "for the last lime." Accus. plur. neut. of tferrarof, 
 LINE 232. ^ w> it (he ^^,, taken adverbially. The plural is here 
 more emphatic than the singular would have been. 
 
 o, 2 sing. 1 aor. optative middle of the deponent verb /lufiuo-
 
 HOMERIC GLOSSARY. 381 
 
 Line 232-236. 
 
 [tat, "to be insolent toward one" " to insult," " to outrage ;" fut. Tjao- 
 fiai. From TiuSrj, " insult,' 1 " outrage.'" 
 
 Meyav, accus. sing. masc. of piyas, ^eyaA?/, ueya, "mighty," 
 LINE 233. Wmn 
 
 "OpKov, accus. sing, of op/cof, ov, 6, " an oath." Opof was origi- 
 nally equivalent to IpKOf, as opKuvrj to ipKuvv, opxovpof to Zp/tovpof, and 
 so, strictly, " a check," &c., which holds one in from doing a thing ; 
 hence the Latin Orcus, "the bourne from which no traveler re- 
 turns." 
 
 'Ouovuat, 1 sing. fut. indie, middle, with active signification, of 
 oftvvui, or bfivvu, " to swear ;" fut. opovuat, el, EITOI. Consult line 76. 
 
 LINE 234. Ma. Consult line 86. 
 
 S/c^Trpov, ov, TO, " a sceptre." (Consult note on line 15.) From 
 OKTJ-KTU, "to lean upon" the term having originally meant " a staff 
 to lean on." 
 
 $ti/U.a, accus. plur. of <pv/Uov, ov, TO, "a leaf." Homer, like He- 
 siod and Herodotus, always uses the plural. Probably from p;iew, 
 <j>hvu, (ihvu, our bloom, &c. So, too, the Latin folium, Jlos, florere. 
 
 'Ofrvf, accus. plur. of obf, ov, 6, "a branch," "a twig," "a shoot." 
 According to Theophrastus, it is properly the knot or eye from which 
 a branch or leaf springs, answering in this to the Latin nodus. 
 
 Qvaei, 3 sing. fut. indie, act. of <t>vu, "to produce;" fut. 
 LINE 235 
 
 pvo-w : 1 aor. eyvaa. With (j>vu compare the Sanscrit bhu, 
 
 and the Persian bu, " to be," as also the old Latin fuo, whence fui, 
 fueram, fuerim, fuero ; the fuas, fuat of Plautus, and fio; and then, 
 also, fetus, fcenum, fanus, &C. 
 
 Teurjv, accus. sing, of TOUTJ, ^f, ^, "the trunk," or "slump," of a 
 tree ; the part left after cutting. From TEUVU, " to cut." 
 
 "Opfaoi, Epic and Ionic for opeai, dat. plur. of opof, eof, T6, "a 
 mountain." Consult line 157. 
 
 v, 3 sing. perf. act. of falna, " to leave ;" fut. faiipu : perf. 
 1 aor. e^ei-^a : 2 aor. WtTov. The root "ktn is akin to our 
 leave, the Anglo-Saxon laef-an, and Icelandic leif-a. Changing into 
 /U/c through the ^Eolic dialect, it passes into Latin, and becomes, 
 with the n-sound, inserted through euphony, the root of linq-uo. 
 
 'Avaftri?(.iicfei, 3 sing. fut. indie, act. of uvadijheu, " to bloom 
 afresh;" fut. ijau. From avd, "anew," and $j?Ae'u, " to 
 flourish." 
 
 "E, accus. sing, of pronoun of third person. Nom. wanting: gen. 
 ov, &.c. 
 Xa/lof, ov, o, " brass ;" more literally, " bronze," a mixture of
 
 382 HOMERIC GLOSSARY. 
 
 Line 236-241. 
 
 copper and tin, in which case the copper is rendered harder, and 
 formed the chief metal used by the ancients in the arts; whereas 
 our brass, a mixture of copper and zinc, was quite unknown to them. 
 "Efatfiev, 3 sing. 1 aor. indie, act. of /le'Trw, "to lop away" "to 
 strip off," " to remove the outer covering of any thing ;" fut. AET/JU : 1 
 aor. efaipa. 
 
 &A.OIOV, accus. sing, of c4/lotdc, ov, 6, " the bark," " the rind 
 LINE 237- , 
 
 of a tree. 
 
 WLV, Epic and Ionic for aiiro. Consult line 201. 
 Y*f. Consult line 162. 
 
 , Epic for irafaipaif, dat. plur. of Trahafir/, ijc., ft, 
 
 LINE 238. (hg hand ,, Literal i y) , the palm O y the } Mnd 
 
 $opfov<H, 3 plur. pres. indie, of 0opeo>, "to bear," "to carry;" fut. 
 fiau. A collateral form of yepu, frequently employed from Homer 
 downward. Strictly speaking, however, 0opew implies a constant 
 repetition of the simple action of <ptpu, and is therefore very often 
 used in the signification " to wear clothes, armor," &c. 
 
 Ai/cffiCT7r6/lot, nom. plur. of fiixaaTroAoc,, ov, 6, " a dispenser of jus- 
 tice." (Consult note.) From di/cn, "justice," "judgment," and TTO^.EU, 
 " to be conversant with" " to be employed about." 
 
 Qepio-Tac, accus. plur. of tffy/tf, old and Epic genitive defiiaroe, and 
 in Homer the only form ; accus. sing. tfepora : accus. plur. 
 rac : Attic gen. i?f/zirof: accus. dtjj.iv : common Greek, gen. 
 Ionic $/uof, " law." In the plural, iSe/waref, in Homer, are the " sen- 
 tences which have the force of law," and also " existing laws," and " or- 
 dinances" themselves. Probably from the root #e (found in ridnui, 
 &c.), and implying something laid down and established. 
 
 Etpiiarat, Epic and Ionic for elpwrai, 3 plur. perf. indie. 
 LINE 239 
 
 ' pass., in a middle sense, of dpvu, Epic and Ionic for epvu, 
 
 for the meaning of which consult line 216. 
 
 'Eaasrai, 3 sing. fut. of eifii, Epic and Ionic for err-at. 
 "Op;co?. Consult line 233. 
 
 f, gen. sing, of 'A^t/,?iVf. Consult, as regards 
 
 this form of the genitive, remarks on dpio-rrjeaaiv, line 227. 
 
 ri, ?7f, ?f, " desire," " regret for the absence of one." Same as 
 r60of, and of frequent occurrence in Homer. 
 
 "Iferai, 3 sing. fut. of iKveouai., " to come ;" fut. l^o/uai, : perf. lyuai. 
 Consult line 162. 
 
 i, Epic and Ionic for 6vvi/aei, 2 sing. fut. indie, of 
 
 6vva/j.ai, " to be able ;" fut. dwr/aouai, 2 pers. (old form) 
 dvvf/asaai : (Epic and Ionic) Avvf/rreai. : (Attic) Avri/art.
 
 HOMERIC GLOSSARY. 383 
 
 Line 241-245. 
 Consult line 103. 
 
 Xpaiff/tetv, 2 aor. infin. act. of ^pao;w(j, "to aid," " to suc- 
 LINE 242. cor strictly speaking, "toward off something destruc- 
 tive from one." Observe that xp aLa ^ u i in fact, is not used in the 
 present, but only in the following (merely Epic) forms : fut. ^paia- 
 UTJGU : 1 aor. kxpa.iafJLr,aa : and 2 aor. expaicpov. The 2 aor. must be 
 taken as the form nearest the root, to which a fut. and 1 aor. were 
 added by analogy. The derivation from XP" U > xp<*pcu, ^-p^ffrdf, xpn- 
 ai/no(, is clear enough. 
 
 EVTE, Epic adverb, equivalent to ore, " when." Either an old dia- 
 lect form of ore, or, as some think, an Ionic form of OVTE, from OCTTC, 
 like the Latin quum, from qui. 
 
 "E/cropof, gen. sing, of "E/crwp. opoc., 6, " Hector,'''' son of Priam and 
 Hecuba, and leader of the Trojans against the Greeks. The term 
 properly denotes the " holder-fast,'' 1 from f%u, i\fw, and is applied, as 
 an epithet, to Jupiter by Sappho (107); and also to a net, in Leon. 
 Tarenl. 
 
 'Av6po<j>6voto, Epic and Ionic for uvdpoQovov, gen. sing, of avtipo- 
 ijiovof, ov, " man-slaughtering.'' From avrip and <j>6vof, " slaughter. 1 " 
 
 LINE 243. Qvf/aitovTe. Consult line 56. 
 
 niir-uai, 3 plur. pres. subj. of mxTU, "/o/a//;" fut. ireaov/j.a.1 : Ionic 
 TTCffe'o/xat : 2 aor. ITTEOOV : perf. Terrrw/ca. Reduplicated from a root 
 TreT, with which compare the Sanscrit pat, ' to fall." whence ITTECTOV, 
 &c., and the poetic form TTI-VU. Hence, by reduplication, KITTETU, 
 irtTrrw ; as, pi~ru from petru : [ilpvu from fj.evu : y'r/'vopai from "yevu. 
 
 'Evdodi, adverb, " within." Consult Excursus V. 
 
 'Afivfris, 2 sing. fut. indie, of a^vaac), " to tear," " to lacerate ;" fut. 
 
 LINE 244. Xwo/yevof. Consult line 46. 
 
 Qvtiev, " in no respect,"' accus. sing. neut. of ovdeic., taken adverb- 
 ially. 
 
 "Erto-af, 2 sing. 1 aor. indie, act. of -<', " to honor ;" fut. riau : 1 
 aor. erica : perf. pass. reTt/tat. Observe that riu is to pay honor to a 
 person ; whereas rivu is confined to the signification of paying a 
 price, &c. Consult remarks on Ttasiav, line 42. 
 
 LINE 245. 4>dro. Consult line 188. 
 
 IIoTt, Doric for Trpof, and frequent also in Homer, Hesiod, &c. 
 Ilort is akin to Trpori, an old, and especially Epic, form for Trpof, and 
 irpoTi is itself akin to the Sanscrit prati. (Consult Donaldson, New 
 Cratylus, p. 218.) 
 
 Eule, Epic and Ionic for I6a?.e, augment dropped, 3 sing 2 aor.
 
 384 HOMERIC GLOSSARY. 
 
 Line 245-249. 
 indie, act. of /3d/U, "to hurl;" fut. /3a/U> : perf. /3e6?^/ca : 2 aor. 
 
 y, dat. sing, of yairj, /f, %, Epic and Ionic for yaia, ac, tj, " <Ae 
 ground," " the earth." Poetic for yrj. With yala and ala Dcederlein 
 well compares the German Gait and Au, " a country," &c. Donald- 
 son considers the root ya as affording the primary idea of firmness 
 and support, hence the earth as yielding such. (New Crat., p. 403.) 
 s, Epic and Ionic for jpuffeotf, and this for xpv- 
 
 ' crotf, from xpvaeoc, %pvaea, xpiiaeov, contracted 
 Xpvorj, xpvvovvy "golden." From ^pvoor, "gold," which is itself 
 probably of Phoenician origin, from chdruts, " gold." (Pott, Etymol. 
 Forsc/i., vol. i., p. 141.) 
 
 'H/.oiai, Epic and Ionic for r/Aotf, from ^Aof, ov, 6, "a nail;" in 
 Homer never used to fix or fasten, but only for ornament ; hence 
 " a stud" " a nail-head.'' 1 
 
 TleTrap/ilvov, accus. sing. perf. part. pass, of Treipu, " to pierce 
 through and through ;" fut. Trepw : 1 aor. ineipa : 2 aor. e~upov : perf. 
 pass. TTCTrapuai. From iretpaf, poetic for Trepaf, " an end." 
 'E&To. Consult line 48. 
 
 'Erepudev, adverb, "from the other side,'' "on the other 
 :47 ' side." Consult Excursus V. 
 
 3 sing, imperf. indie, act. ofprjviu, ' to rage," "to be wroth;" 
 fut. iffu. A later form is fj.rjvidu. From [tfjvif, " icrath." Consult 
 line 1. 
 
 Neffrwp, gen. opof, 6, " Nestor," son of Neleus, and king of the 
 Pylians. With regard to this people, consult note. 
 
 'HdveTrqf, sc., "sweet of speech," " sweet-speaking." From 
 
 A-iI N E ^4o . r f / .. *, , r 
 
 tjove, " sweet, and errof . 
 
 'Avopovas, 3 sing. 1 aor. indie, act. for r/vopovae, augment dropped, 
 from uvopovu, " to start up ;" fut. ovau. From uvd, " wp," and bpovu, 
 "to move quickly," &c., with which compare the Latin ruo. 
 
 Atyvf, ela, v, "clear-toned." (Consult note.) The root of ?.iyiJf, 
 namely, X/y, would appear to connect it with our English term lig-ht 
 (i. e.., as opposed to a heavy, or rough tone of voice), and also with 
 the Greek eXa^vf (e-yla^-vf), and the Sanscrit lag-hus. 
 
 Hvl.tuv, gen. plur. of IlvZioi, uv, oi, " the Pylians." (Consult note.) 
 'Ayopjfr^f, ov, 6, " a speaker." An haranguer before an dyopd or 
 public assembly. 
 
 c, gen. sing, of -y^uaaa, ?f, ;/, " the tongue." Sup- 
 
 posed to be of the same family with yAwf, y/lw^/v, " any 
 projecting point."
 
 HOMERIC GLOSSARY. 385 
 
 Line 249-251. 
 
 f, gen. sing; of //e/lt, irof, TO, "honey." Akin to the Latin 
 mulceo, mollis, and the English mild. 
 
 FAvKtuv, ov, comparative of -ys.vKvf, eta, v, "sweet." 
 'Pfev, Epic and Ionic for Ippen, and this for ippei ; 3 sing, imperf. 
 indie, of peu, " to flow :" fut. pevoopai : 1 aor. Ippevaa : but in Attic 
 more usually pvTJcopai : 2 aor. pass, tppvrjv, always in active signifi- 
 cation ; and hence is formed the perf. eppvnKa, " to flow" " to stream," 
 " to gush." 
 
 Avdfj, ijc, ?/, " speech." Properly, " the voice" not so much the 
 words as the utterance and tone. (Consult note.) Strictly, ufofj, 
 akin to the Sanscrit rad, " to speak," the f or v being transposed ; 
 as in avgdvu, where we trace a resemblance (through the transposi- 
 tion of the v or w~) with the German wachs-en, " to grow," &c., and 
 the English " to wax." 
 
 Teveai, nom. plur. of yeved, iif, rj, Epic and Ionic -yeveri, 
 
 ??> " a- generation" of which, according to Herodotus, 
 
 three made a century : ysveai rpelc. dvdpuv EKarov ered cart (ii., 142). 
 
 MfpoTrcjv, gen. plur. ot (lipoty, oTrof, 6, "articulate-speaking." Liter- 
 
 ally, "dividing the voice," i. e., speaking, endowed with speech ; and 
 
 hence, always an epithet of men, because articulate speech is the 
 
 characteristic of man among animals. (Consult note.) From pripo- 
 
 fiat, [J.epi&, " to divide," and 6i/>, " the voice." 
 
 'E<pdiaro, Epic and Ionic for iydivro, 3 plur. syncopated 2 
 aor. passive of o6lu, " to destroy" (consult note) : fut. 
 
 fyftiau : 1 aor. l^Biaa : perf. pass. t<p6ifiai : pluperf. tyfiinnv, which, 
 however, is the form also of the syncopated 2 aor. passive. (Kiihner, 
 () 233, 2.) In all verbs whose reduplication passes over into the 
 simple augment, the indicative of these syncopated passive aorists, 
 when it retains its augment, is not to be distinguished, as to form, 
 from the pluperfect ; thus, uppnv, Urufinv, ecai^v, iodipr/v. (Butt- 
 mann, 110, n. 4.) Observe that 6diu is here given as the present, 
 because <j>6ivu is always intransitive in Homer. 
 
 OZ, ol. Observe, here, the difference of meaning : oZ is the rela- 
 tive (6f, rj, 5), whereas oi is enclitic, and the dative of the pronoun 
 of the third person. 
 
 Updadev, " before this." Adverb of time. 
 
 Tpdbn', Epic, Poetic, Doric, and Jiolic for ETpu.<i>naav, 3 plur. 2 
 aor. indie, pass, of rpedtu, " to rear," " to nurture :" fut. dpfyu : 1 
 aor. idpe^a : perf. rerpo^a : 2 aor. pass, trpd^v : I aor. pass. k6p(v- 
 dnv. Radical meaning, " to make thick," "firm," or "solid," then, 
 " to mpt-f fat," " to fatten," &c. Pott connects the root with the 
 
 KK
 
 386 HOMERIC GLOSSARY. 
 
 Line 251-257. 
 
 Sanscrit trip, " to satiate," but it rather comes from the same fami- 
 ly with rptnu, " to turn," and implies the idea of a turning, or coagu- 
 lating, or congealing of a liquid : thus we have yu?M dpfyai, " to cur- 
 dle milk" (Od., ix., 246), and rvpov rpfyeiv, "to thicken cheese." (The- 
 ocrit., xxv., 106.) 
 
 Hv7i(f), dat. sing, of ITii/lof, ov, rj, " Pylos." (Consult 
 LlNE252 ' note'.) 
 
 , Epic and Ionic for riyadea, dat. sing. fern, of T/ya6eoe, 13, 
 ov, for r/yudeof, a, ov, "very divine," "sacred." From ayav, and &iof, 
 " divine." 
 
 TpiTuroiffiv, Epic and Ionic for Tpiruroif, dat. plur. of Tptrarof, rj, 
 ov, lengthened form of rpirof, like /ie'craarof for piaoq. 
 
 "Avaaaev, Epic and Ionic for fjvaaaev, augment having been 
 dropped, 3 sing, imperf. indie, act. of uvaaau, " to reign." Consult 
 line 38. 
 
 LINE 253. "O a<j>iv, K. r. /I. Consult line 73. 
 
 Commonly regarded as an exclamation merely ; 
 
 ' but, in reality, a nom. plural, from an obsolete nom. sing. 
 
 (Consult note.) 
 
 f, cof, TO, "grief," "sorrow." Collateral form of irdd-og, as 
 of fiudog, and so from the same root as ne-novd-a, perfect of 
 
 TTOffJU. 
 
 'AxaiUa, accus. sing. fern, of 'A%aii<;, iSoc., r\, "Achaan." From 
 'Axaiof, <1, ov, "Achaean." 
 
 Taiav, accus. sing, of yaia, af, 57, "land," "country." Consult 
 line 245. 
 
 'IKUVEL, 3 sing. pres. indie, act. of IKUVU, "to come." Epic length- 
 ened form for IKU. 
 
 i, 3 sing. 1 aor. opt. act. of ynQlu, " to be delighted ." 
 
 INE ' fut. yrjBfjaw : perf. yeyj)6a. Akin to yf/6of, Doric yaOoc., 
 
 Latin gaud-ium, gaudeo, &c. 
 . Consult line 19. 
 Consult line 20. 
 Consult line 52. 
 
 o, Epic and Ionic for icexapotvTo, and this, by reduplica- 
 tion, for x ( ip l vTo, 3 plur. 2 aor. opt. middle of x at Pi "' rejoice;" 
 fut. x<upfau : perf. with pres. signification, KExaprjua : 2 aor. middle 
 e%ap6/j.T]v, with reduplication Kex a PP'>] v - 
 
 SpwiV, gen. dual of ov, the pronoun of the 2d person. 
 INE ' Nom. atitii (shortened form a^w), gen. and dat. 
 (shortened form
 
 HOMERIC GLOSSARY. 387 
 
 Line 257263. 
 
 Hvdoiaro, Epic and Ionic for irvtioivro, 3 plur. 2 aor. opt. middle 
 of nvvduvoftat, "to learn," properly, by making inquiries : fut. irevao- 
 pai : 2 aor. mid. firvdofjtjv. According to Ernesti and Pott, akin to 
 irvvtiat;, irvdpfiv, and so, strictly speaking, " to search to the bottom.' 11 
 
 Napvafitvouv, gen. dual, of papvupevo^, pres. part. mid. of pdpvapat, 
 11 to contend," Epic and Ionic for papvapevoiv. 
 
 Tlfpi, "superior to." Homeric adverb. Subsequently, a 
 LINE 258. preposjtion 
 
 MuxeaOat. Consult line 8. 
 
 HidfoOe, 2 plur. 2 aor. imper. middle of ireiflu, "to pcr- 
 LIVE 259 
 
 ' suade:" in the middle, "to obey:" 1 fut. TTE/CTW: 1 aor. Ifreiaa: 
 
 2 aor. fnWov : in the middle, fut. -Kticopai : 2 aor. miBo/iny. With 
 , errWov, compare the Latin fido, fides. 
 
 Consult line 196. 
 
 f/aw, nom. dual, comparative vrwrcpof, of veof, "younger." 
 'Ecrrov, 2 pers. dual of dpi, " to be." 
 'Epeio, Epic and Ionic for spov, emphatic genitive-form of iyu. 
 
 'Aptioffiv. dat. plur. of upsiuv, ov, gen. owe, " braver," "bel- 
 ' ' ter." Assigned as an irregular comparative to aya66f. 
 From the same root with "Apnc, the first notion of goodness being 
 that of manhood, and bravery in war. 
 
 'Qptf.naa, 1 sing. 1 aor. suhj. of 6pi"keu, "to associate with" 
 
 ' ' " to hold converse with :" fut. r/cru. The verb, according to 
 
 its derivation (o/ii^of), denotes, properly, " to be with or in company 
 
 with a large throng," but it soon lost this meaning, and took a more 
 
 general one. 
 
 'Adtpt&v, Epic and Ionic for jjflepi&v, the augment having been 
 dropped : 3 plur. imperf. indie, act. of udepifa, " to slight," " to make 
 light of:" fut. u6epiffu, and also udepi^u: 1 aor. fjOepioa and r/dpi!-a. 
 Probably from a, priv., and depu, " to cherish," i. e., to regard. 
 
 Tofovg, accus. plur. masc. of rofof, v, ov, Epic and Ionic 
 LINE 262. for ^.^ ^ ^ tueh 
 
 '16ov, Epic and Ionic for eltfov, the augment having been dropped ; 
 1 sing. 2 aor. indie, act. of dou, " to see." Consult line 203. 
 
 'Avepaf, Epic and Ionic for uvdpaf, accus. plur. of uvf/p : gen. uv- 
 pof, Epic and Ionic for avtipof, &.c. Consult line 7. 
 
 "\6upat, 1 sing. 2 aor. subj. middle of eldu, "to see." Consult 
 line 203. 
 
 Olov, accus. sing. mas. of oZof, n, ov, Epic and Ionic for 
 
 E ' olof a, ov, " as." Observe that here, in place of olov, we 
 
 would expect olot: f/v, with the proper names following each in the
 
 388 HOMERIC GLOSSARY. 
 
 Line 263-266. 
 
 nominative. In place of this, however, we have the relative in the 
 accusative, depending on l$ov and Wwjuat, and the subject of the 
 relative clause, or, in other words, the proper name, in the same 
 case with the relative, by a species of attraction. (Kuhner, 788. 
 Bernhardy, p. 299, 15.) 
 
 Ueipidoov, accus. sing, of Ueipidoof, ov, 6, " Pirithous." (Consult 
 note.) 
 
 Apvavra, accus. sing, of Apvctf, avrof, 6, " Dryas." A chief of the 
 Lapithae. 
 
 Hotpeva, accus. sing, of Trot/ziyv, e'vof, 6, "a shepherd." In a gen- 
 eral sense, also, " one who keeps, or tends," and hence a king is call- 
 ed " the shepherd of his people," iroipjv Aawv. Probably akin to ns- 
 nafiai, perf. pass, of the unused radical form ndu, " to feed," and also 
 to TTOO, iroirj, "grass," "fodder," &c. 
 
 Katve'a, accus. sing, of Kaivev?, euf, 6, " Caneus." A chief 
 LINE 264. Q ^ ^ L a pj tnae According to a later legend, Caeneus 
 was originally a female, under the name of Caenis, and obtained 
 from Neptune the privilege of changing sex, and of becoming a war- 
 rior, and invulnerable. In this new sex he became celebrated for 
 his valor, in the contest with the Centaurs. Consult the commen- 
 tators on Virgil, JEn., vi., 448. 
 
 'Egddiov, accus. sing, of 'Efd&of, ov, 6, " Exadius," a chief of the 
 Lapithae. 
 
 'Avrideov, accus sing, of avriOeof, q, ov, " equal to the gods." In 
 Homer, a usual epithet of heroes, as distinguished for strength, 
 manly beauty, &c. From avri and tfeoj-. 
 
 n.okv<t>7i[j.ov, accus. sing, of no/U^jj/zof, ov, 6, " Polyphemus," a 
 chief of the Lapithae, and brother of Caeneus. (Consult note.) 
 
 Qrjffea, accus. sing, of Qrjaevf, ewf, 6, " Theseus," son of 
 LINE 265. s> and King of Atheng He was the friend of Piri . 
 
 thoiis, and aided him in his contest with the Centaurs. 
 
 Aiyei6Tjv, accus. sing, of Al-ytidrjf, ov, 6, "son of JEgeus," a patro- 
 nymic appellation of Theseus. From Aiyevf, euf, 6, "JEgeus." 
 
 'EiriecKeXov, accus. sing. masc. of inteiKeAos, ov, "like." From irci 
 and et/ceAof, " like." 
 
 'Adavdroiaiv, Epic and Ionic for adavdroif, dat. plur. of ufluvaro?, 
 i}, ov, and, in later writers, u6uvarof, ov, "immortal." In the plural, 
 aduvaroL, "the immortals" an epithet of the gods. 
 
 i, Epic and Ionic for upaTiaroi, nom. plur. ofxpa- 
 
 Tiorof, TJ, ov, an isolated superlative from xpaTvf, " brave," 
 "strong," "mighty." Consult remarks on Kdprspoc, line 178.
 
 HOMERIC GLOSSARY. 389 
 
 Line 266-271. 
 
 Kelvoi, Epic and Ionic for eiceivot, nom. plur. of evof, sHclvr;, 
 iiceivo, &c. Kelvof is the usual form both in Homer and the Attic 
 poets : .<Eolic KJJVOG : Doric rf/vof. 
 
 'ETTixOoviuv, gen. plur. of emxOovios, ov, "upon the earth," "earth- 
 ly." From kitl, and x^v, " earth.'" 
 TpdQev. Consult line 251. 
 
 "Euav, Epic and Ionic for yaw, the augment having been 
 ' ' dropped, 3 plur. imperf. indie, of dpi, "to be." 
 'Efiaxovro, 3 plur. imperf. indie, middle of the deponent verb uu- 
 " to fight." Consult line 153. 
 
 4?r/paiv, dat. plur. of Qrip, Qrjpof, 6, JEoMc for df/p, 
 
 "a wild creature." In the plural, wpec, " the Centaurs." 
 
 (Consult note.) Hence the Latin fera. 
 
 'OpeoKuoiai, Epic and Ionic for opeaxuoic, dat. plur. masc. of 
 opcaKuof, ov, "dwelling on the mountains." More literally, " lying on 
 the mountains." From opof, "a mountain," and KEU, Kfiu, Kciuai, 
 " to lie." 
 
 'E/CTruy/lwf, "in a terrific manner," "frightfully." Adverb, from 
 lKnay?.oc., with regard to which consult line 146. 
 
 'Avoleaaav, Epic and poetic, for ('nrufaoav, the augment having 
 been dropped and penult lengthened : 3 plur. 1 aor. indie, act. of 
 , " to destroy :" fut. airoteau, poetic (especially Epic) C!TTO- 
 u : Ionic urro^ew, Attic uiro^u : pert'. drroAuAf/ca : 1 aor. airul.eaa, 
 poetic (especially Epic) dxol.eaaa. From UTTO and oP.Av/zt. 
 
 , Epic and Ionic for fieftuptf.ovv, 3 plur. imperf. 
 
 ' indie, act. of [teBopiteu, "to associate with:" fut. 
 
 From UETO. and 6/it/lcw, with regard to which consult line 261. 
 HiiAou, gen. of IlvAof, ov, 17. Consult line 252. 
 
 , "from afar" Adverb, compounded of 
 
 < a far," and the suffix &EV, denoting motion from a place. 
 Consult Excursus V. 
 
 'Anirjc, gen. sing. fern, of uxiof, 77, ov, " distant," "far away." 
 (Consult note.) From dno. 
 
 Taiqc, gen. sing, of -yairj, rjs, 17. Consult line 245. 
 
 Ka/lfCTavro, Epic and poetic for tuaklaavro, 3 plur. 1 aor. indie. 
 middle of /coXcu, " to call ;" fut. /ta/.effcj : Epic and poetic Kaleaau : I 
 aor. eKufaoa, Epic and poetic na^eaaa : 1 aor. mid. tKafaadunv, Epic 
 and poetic Ka7.eaup.riv and Kal.faauuijv. Probably akin to K2.-ouat, 
 and certainly to the old Latin cal-are, and English call. 
 
 LINE. 271. Maxouyv, Epic and Ionic for euaxouriv, the augment
 
 390 HOMERIC GLOSSARY. 
 
 Line 271-278. 
 
 having been dropped, 1 sing, imperf. indie, middle of fj.axop.ai, "to 
 light." Consult line 153. 
 
 Keivoiai, for eKcivoif. Consult line 266 
 
 t, nom. plur. of /Jpordf, oii, 6, "a mortal man," oppo- 
 
 jINE ' sed to addvaroe or #e6f. Often occurs in Homer, who 
 almost always uses it as a substantive. Akin to /uopof, poprof, 
 Latin mori, mors, and Sanscrit mri. 
 'Eiuxdovioi. Consult line 266. 
 
 , Epic and Ionic for paxolro, 3 sing. pres. opt. middle of 
 , Epic and Ionic for //d^o/zai. Consult line 153. 
 LINE 273. MeC, Epic and Ionic for pov, 
 
 BOV^EUV, Epic and Ionic for /JovAwv, gen. plur. of /3ov^, ye, rj, 
 "counsel" "advice," 
 
 gvviev, Epic and Ionic for t-vvisaav, 3 plur. imperf. indie, act. of 
 Zvvin/M, "to listen to." Strictly speaking, " to send" "bring" or 
 " set together ;" metaphorically, " to perceive, hear, listen to" &c. ; fut. 
 S-VVTJGU : 1 aor. ^vvrjKa : perf. fyveiKa : imperfect t-vvinv, itjf, b/ : dual 
 IETTJV : plural t;vvie/j.v, i'ere, IEOCLV, contracted -lev. 
 
 , Epic and Ionic for kneiSovTo, 3 plur. imperf. indie, middle 
 of neidu, " to persuade ;" in the middle, " to obey." 
 LINE 274. nt070. Consult line 259. 
 "Tw^ef, ^Eolic and Epic for v^stf. 
 
 HeideaOai, pres. infin. middle of Kd6u, " to persuade ;" in the mid- 
 dle, " to obey." 
 
 "Apeivov. Consult line 116. 
 
 'Arroaipeo, Epic and Ionic for atyaipov, 2 sing. pres. imper. 
 LINE 275. m - l( j,^ e of anoaipeu, for fyaiptu. Consult line 161. 
 Kovprjv. Consult line 98. 
 
 *Ea, 2 sing. pres. imper. act. of sda, " to let," " to permit ;" 
 LINE 276. fut Wffu . l aor rfafffl _ 
 
 Aoaav. Consult line 162. 
 
 rgjoa?. Consult line 118. 
 
 Tiff. Consult line 162. 
 
 LINE 277. *E0eAe, 2 sing. pres. imper. of e6&u. Consult line 112. 
 
 'Ept&fisvai, Epic, Doric, and ^Eolic for epi&iv, pres. infin. act. of 
 epifa, "to contend:" fut. lau. From epic, "strife." 
 
 Baaihfji, Epic and Ionic for /JaatAei, dat. sing, of /3a<r^lfvf, ^05-, At- 
 tic cwf, 6, " a king." Consult remarks on upiaTr/saatv, line 227. 
 
 'A.vn6iijv, " in direct opposition ;" adv. ; strictly speaking, 
 an accus. fern, of dvri6iof, q, ov, " opposing force to force." 
 From (ivn, and j3ia, "force."
 
 HOMERIC GLOSSARY. 391 
 
 Line 279-284. 
 
 '0/j.oiT/f, Epic and Ionic for ouoias, gen. sing. fern, of fy/otof, 77, ov, 
 Epic and Ionic for opoioc., a, ov, " equal," " like to." From o^df, j?, 
 ov, " one and the same." 
 
 "Eftpope, 3 sing. 2 perf. indie, of peipoftai, " to obtain as one's por- 
 tion:" 2 aor. fyftopov : 2 perf. tfipopa. Observe that of this 2 perf. 
 the third person, tyuope, alone occurs, and every where as a perfect 
 in meaning. The 3 plur. ifipopai/Ti, Doric for eppopaai, is quoted in 
 Hesychius with the interpretation Terevxaai. Perf. pass, elfiapfiai, 
 only as an impersonal, "it is allotted," i. e., decreed by fate: perf. 
 part. pass, eifiappivoc, the feminine of which appears as a noun, but 
 is in reality elliptical, rj dfj.apiJ.ivri (scil. poipa), " that which is allotted," 
 " destiny." 
 
 f, ov, " sceptre-beanng." From GKTJ-KTOV, for aKfjir- 
 
 ' ' rpov, " a sceptre," and t% u - 
 
 K.v6o, eof , TO, " glory," "fame," " renown," or, more freely, " high. 
 office." 
 
 LINE 280. Kuprepof. Consult line 178. 
 
 Teivaro, Epic and Ionic for kysivaro, 3. sing. 1 aor. indie, middle 
 of -yeivofiat, poetic passive form from obsolete active ysivu, for whicli 
 last yevvdu is in use. In the passive, " to be engendered" "to be 
 born;" hence yeivofievof, "one that is born;" often occurring in Ho- 
 mer. In the 1 aor. middle it has an active signification, like yev- 
 vdu, " to beget," " to bring forth." Observe that yevw is the common 
 root of ydvofjLat. and yiyvopai. Compare the old Latin form, geno, 
 which supplies genui to gigno. 
 
 LINE 281. 4>eprepof. Consult line 169. 
 
 TlAeovfffaiv, Epic and Ionic for n^toaiv, and this for Kfaiooiv, dat. 
 plur. of Tr^e'uv, neut. nXeov, for nXeiuv, neut. rr/letov, comparative of 
 TroAvf. Homer, like Hesiod, uses irfaiuv or TT/LCWJ/, as his verse re- 
 quires, and so, also, TrXeioai and irlfovcaat,. 
 
 Have, 2 sing. pres. imperat. act. of -iravu, " to cause to cease." 
 LINE 282. In tfae m j ddle) l( tQ cause onf ,, s se if to cease ,'. e . t to 
 
 cease." 
 
 Me'vof, cof, TO. Consult line 103. 
 LINE 283. \laaofjuii. Consult line 15. 
 
 Mi0e//cv, Epic, ^olic, and Doric for pedeivai, 2 aor. infin. act. of 
 utdLrjfj.1, ll to lay aside :" fut. fiedrjau : 1 aor. //eftj/ca. From //era and 
 InpL. 
 
 "Epof, eof, TO, " an inclosure," " hedge," "fence," " wall." 
 
 Hence, metaphorically, any fence, or defense, " a rampart." 
 
 From epyu, old form of elpyu, "to inclose," " to shut in." Com-
 
 HO.MKK1C 
 
 Line 284-291. 
 
 pare the Sanscrit arc, "to cover," "to shut in," and the Latin 
 arc-co. 
 
 UsAerai, 3 sing. pres. indie, of the deponent TreZopai, "to be." 
 Hence, KeAerai is here equivalent to earl. The original meaning of 
 the verb is, "to be in motion," but this seems to have been soon lost. 
 An active form n^.u occurs, which is much less frequent than 
 x&oiuii. Akin to TVU/./W, 
 
 HoA.fLoio KOKolo, Epic and Ionic for TroAe/zou KOKOV. 
 
 LINE 285. Kpeiuv. Consult line 130. 
 
 LINE 286. Tepov, voc. sing, ofyepuv. Consult line 26. 
 
 Mclpav, accus. sing, of fiolpa, ac., i], properly, "apart," as opposed 
 to the whole : then the part or parti/ which a man chooses, especial- 
 ly in politics : again, the part or portion which falls to one : hence, 
 one's "portion in life," "lot," "fate," &c., and so, eventually, of 
 " that which is one's due," " that which is right" and "fitting." Hence, 
 Kara, fioipav, " rightly." 
 
 'EetTrr?, Epic and Ionic for el-nef, 2 sing. 2 aor. indie, act. d^ov, 
 fiTvef, &.C. 
 
 LIXE 287. 'f^tfifvat, Epic, JEolic, and Doric for elvcu. 
 
 Kpar^etv, Epic and Ionic for Kparslv, pres. infin. of Kpartu, 
 " to bear rule over:" fut. Kparf/au : perf. KKpd-rr/Ka. From 
 npurof, "strength," "might," &c., the original meaning of the verb 
 having been "to be strong, mighty, powerful." 
 
 , Epic and Ionic for iruat, dat. plur. of irdf. 
 rffiaLveiv, " to prescribe," fut. (rrjpuvti, Ionic crjfiavEO : 1 
 
 aor. ic^firjva. From arjfia, " a sign," " a token," &c. 
 
 Tlfiaeadai, fut. inf. middle of ire'iOu, " to persuade .-" in the middle, 
 ireiOo^iai : fut. Trsiaouat, "to obey." 
 
 'Oiu. Consult line 59. 
 
 LINE 290. Miv, for avrov. 
 
 kixwrriv, accus. sing, of al^nT^f, ov, 6, " a warrior." Consult 
 line 152. 
 
 "'EiOsaav, 3 plur. 2 aor. indie, act. of rifhjfti, " to make ;" literally, 
 " to place," i. e., to place before the eyes of all : fut. -drjau : perf. 
 TedeiKa : 2 aor. i&qv. 
 
 A.ih>, poetic form for am, used when the last syllable is to be 
 short. 
 
 TOVVEKO, " on this account." Compounded of TOV (for TOV- 
 LINE 291. , 
 
 TOV) and tvexa. 
 
 Upodtwaiv, 3 plur. pres. indie, act. of -xpodsu, old radical form, 
 whence comes vpo-idtjut : found only once in Homer, namely, in the
 
 HU.MUK1 1 ' GLOSSARY. 393 
 
 Line 29 1-299. 
 
 present passage, "to give one the right to do a thing," "to let" "to 
 permit." 
 
 'Ovet6ta, accus. plur. of oveitiof , toe , TO, " abuse," " disgraceful cal- 
 umnies," Epic and Ionic for bvctdti. Consult remarks on bvtlfaaov, 
 line 211. 
 
 " to utter." Consult line 74. 
 
 ]v, adverb, "interrupting." We have given this 
 
 LINE 292. a( j ver 5 nere tne 5 jg n ifi ca tion most commonly assigned to 
 it, and a defense of which may be seen in Heyne's annotations on 
 the present passage, and also on //., xix., 90. Hermann, however, 
 contends for a very different interpretation (Opusc., v., p. 305). Ac- 
 cording to this latter scholar, the term means properly here " by 
 way of caution." "warning," or "reproof," i. e., with a "warning 
 air." 
 
 LINE 293. Aft/Wf, /, 6v, " cowardly," " a coward." 
 Consult line 231. 
 
 1 sing. pres. opt. pass., Epic and Ionic for Ka^olftnv, 
 from KaXeu, " to call." Consult line 270. 
 
 'Y7re/fo//(u, 1 sing. fut. indie, middle of imeticu, " to yield," 
 "to give way," " to comply :" fut. virti%u, and also VKEii-o- 
 pai. From into and flxw, " to yield." 
 
 'ETrtr^Afo, Epic and Ionic for i-mrfMov, 2 sing. pres. im- 
 LINE 295 
 
 perat. mid. of iinTe/J.u, "to command," " to give 'vrders to." 
 
 Homer uses the middle voice of this verb, here, in the same sense 
 as the active : fut. cTnreAw : perf. en-ire'raA/ca : perf. pass. CTnre'ra^- 
 //at. From k-xi and r^?.?.w, with regard to which last consult line 25. 
 , 2 sing. pres. imper. of ar/fialvu, " to prescribe." 
 
 LINE 296. Consult , jne 289 
 
 Usiaeadai. Consult line 289. 
 
 'Otu. Consult line 59. 
 
 LINE 297. 'Epeu. Consult line 76. 
 
 Qpcai. Consult line 55. 
 
 Bcl?./leo, Epic and Ionic for /?aAAov, 2 sing. pres. imper. middle of 
 /3d/Uw, " to cast," <fec. Consult note, and also line 52. 
 
 Srjfffv, Epic and Ionic for <ratf, dat. plur. fern, of the possessive 
 <r<5f, or], aov, " thy." 
 
 LINE 298. OVTOI, "not, indeed." From ov and the enclitic rot. 
 
 Ma^(To//at. Consult line 153. 
 
 LINE 299. Tu, enclitic for nvi, dative sing, of TIC. 
 
 'A<j>eXea6e, Epic and Ionic for aQetteaOe, the augment having been 
 dropped, 2 plur. 2 aor. indie, mid. of afaipeu : fut. u<f>mp^ffu : perf. 
 2 aor. u$ei?iov. From <\~6 and aljiiu.
 
 394 HOMERIC GLOSSARY. 
 
 Line 300-303. 
 
 Qoy, dat. sing. fern, of doog, fi, 6v, "swift." Probably from 
 LINE 300. a , ,, 
 
 veu, "to run, 
 
 f, 2 sing. pres. opt. act. of<j>epu, "to bear away:" fat. 
 oiau : perf. ivrjvo^a : 1 aor. act. f/veyna : 2 aor. 
 
 wv, 2 aor. part. act. of dvaipeu, " to take up," " to take up and 
 carry off," like the Latin tollo : fut. dvaipqau, &c. From dvd, " up," 
 and aipea, " to take." 
 
 'AsKovrog, gen. sing. masc. of UEKUV, aluovaa, UEKOV, Epic and 
 Ionic for UKUV, dKovca, UKOV, which last is the Attic form : " unwill- 
 ing," "against the will." From a,priv., and KUV, "willing." 'E/cciv 
 appears to be akin to f/caf, "afar," and the idea of distance which 
 this last carries with it has passed over, in the derivative, into that 
 of separation, namely, "one by himself," " one for himself," " each of 
 his own accord." Compare SKu-repos, /caa-rof, and our English each. 
 'Euew, Epic and Ionic for efiov, emphatic genitive of e-yu. 
 LINE 302. "Aye. Consult line 62. 
 
 Hdprjcac, Epic and Ionic for neipaaai, 2 sing. 1 aor. imper. mid- 
 dle of iriipdu, " to make trial :" fut. TTEipuau, Epic and Ionic ireipTjau. 
 Much more frequently, however, used as a deponent, necpdouai, fut. 
 TTEipdaouai : perf. irireipa[j,ai, and Epic and Ionic neneiprifiai. From 
 irelpa, " trial." The Latin and earlier root is yen, as found in peritus, 
 periculum, comperior, &c. ; and this, again, seems to have an affinity 
 to the Greek Kepi, and the Sanscrit pari, in their rarer signification 
 of "going through," "piercing," "boring," i. e., in order to make 
 full trial of a thing. 
 
 Tvuufft, Epic lengthened form of yvuat, 3 plur. 2 aor. subj. act. 
 of ytyvcjff/cw, "to know:" fut. yvwffu, &c. : 2 aor. eyvuv. Consult 
 line 199. 
 
 Atya. " soon," " quickly." Adverb, rare in other poets, 
 ' and never used in prose. 
 
 Kc/Uurov, nom. sing. neut. of /ccAaivdf, #, 6v, "black," "dark." 
 Poetic for u&af, u&aiva, pe?iav. KueTiaf has been assumed by 
 Buttmann as the common radical form of /ce/latvof and pAaf, and 
 in this way the evident connection between the two words may be 
 satisfactorily explained. (Lexil., p. 377, ed. Fishl.) 
 
 'Epurjaei, 3 sing. fut. indie, act. of ipueu, "to stream," " to flow:" 
 fut. yea. The latent idea appears to be that of a quick bursting forth; 
 hence the substantive ipurj, derived from it, refers to any quick, vio- 
 lent motion. From peu, " loflow ;" akin to puofiai, " to rush." 
 
 Aovpi, Epic and poetic for 66pari, dat. sing, of dopv, " a spear ." 
 gen. doparof : Epic and Ionic, dovparog and dovpof : dat. 66pari : Epic
 
 HOMERIC GLOSSARY. 395 
 
 Line 303-306. 
 
 and Ionic, tiovpari and dovpi, Attic dopi, &c., "a spear." Properly, 
 the wooden part, or handle of a spear, but generally used of the 
 whole weapon. Supposed to come from 6epu, " to remove the outer 
 covering of a thing," and hence 66pv will mean, strictly, " a spear- 
 handle, with the bark taken o/from the wood." 
 
 Tiiye, " t/iese two," compounded of TU, nom. dual of 6, rj, 
 ' TO, and the limiting particle ye. 
 
 t, Epic and Ionic for avTidioic, dat. plur. of avrldioc, 17, 
 Alt. a, ov, " opposing." From uvri and j3iu. Consult line 278. 
 
 Maxtaaapevu, Epic for fiaxeffaftevu, nom. dual 1 aor. part, middle 
 of fiuxofJ.u.1, ' to contend ;" fut. fj.axsoofj.ai, Epic fj.axoao/j,at : 1 aor. 
 Epic iftaxeffadnqv. Consult line 153. 
 Epic and Ionic for STTEOIV, dat. plur. of eiroc., eof, TO, " a 
 word," 
 
 v, Epic and Ionic for (iveaT^Tr/v, 3 dual 2 aor. in- 
 
 die. act. of u.viaTi)fu, "to raise up;" but 2 aor., perf. act., 
 &c., "to arise .-" fut. uvaaTtjau : perf. aviarnKa, " I stand up :" 2 aor. 
 UVEOTTJV, " I arose." From uvu, and Zcrr^/u. 
 
 AtVai>, Epic and Ionic for i Xvaav, 3 plur. 1 aor. indie, act. 
 "to dissolve" "to breakup;" fut. Xvau : perf. /le'Avxa : 1 aor. 
 Original signification, " to loose:" akin, therefore, to the Latin luo, 
 and English loose. 
 
 'A.yopfjv, Epic and Ionic for uyopav, accus. sing, of uyopij, 7/f, rj, 
 for dyo/ju, df, TJ, " o assembly." From ayeipu, "to collect together." 
 
 Nijvaiv. Consult line 12. 
 
 accus. plur. of K?uai>], ^f, ;/, Epic and Ionic for 
 
 KXiaia, of, ?/, " a tent." Original meaning, " a place for 
 lying down or reclining," from K/U'vej, " to recline;" then, a hut or any 
 */j^A< dwelling, used as a temporary dwelling-place. In Homer, 
 these Kfaaiai are of two kinds : 1. For use in time of peace : the huts, 
 or cots, in which herdsmen passed the night, sought shelter against 
 rough weather, and kept their stores. This signification of the term 
 is usually found in the Odyssey ; but in the Iliad only once (xviii., 
 509). 2. For use in war : huts, or cots, in which the besiegers lived 
 during long sieges. This is the usual signification in the Iliad, and 
 but seldom occurs in the Odyssey. These war-cabins corresponded 
 in their use to our linen-tents, and, in translating, we call them, as 
 a matter of custom, by the name of " tents ;" but it appears, from //., 
 xxiv., 448, seq., that they were of wood. Hence, also, an army, on 
 breaking up, did not strike the K^iaiat and take them away, but 
 burned them on the spot. (Od., viii., 501.) The tfuatat all together
 
 396 HOMERIC GLOSSARY. 
 
 Line 306-311. 
 
 formed a camp. Among the post-Homeric writers the word 
 came up instead, and K^ioia remained in use only among the poets. 
 'EiVcf, Epic and poetic for iaa.$, ace. plur. fern, of siaoc., ilori, etaov, 
 for Zffof, 77, ov, " equal." (Consult note.) 
 LINE 307. "Hie. Consult line 47. 
 
 MevomdJy, dat. sing, of Mfvoiriudrjf , ov, 6, " the son of Mencsiius," 
 a patronymic of Patroclus. Menoetius, the father of Patroclus, was 
 son of Actor, and one of the Argonauts. (//., xi., 765.) 
 
 Q/f, dat. plur. of the possessive 6f, ?/, ov, the Epic and Ionic form 
 for which is eog, irj, eov, " his," "her." 
 
 'Erapoiow, Epic and Ionic for era'potf. Consult line 179. 
 
 "Ahads, " to the sea." Adverb, compounded of aAf, " the 
 ' sea," and 6e, " toward." Consult Excursus V. 
 
 , Epic and Ionic for -xporipvaev, 3 sing. 1 aor. indie, act. 
 of npoepvu, "to drag forward" "to launch." In Homer, always said 
 of ships, " to move a ship forward," whether by hauling from the 
 beach to the sea, or by means of rowing. In the latter case, how- 
 ever, the dative, t-per^oif, "with oars," is added : fut. Ttpotpvou, Epic 
 xpoepvaou : 1 aor. irpoTJpvaa, Epic and Ionic irpoepvaaa. From npo, 
 "forward," and ipvu, " to drag.' 11 
 
 , accus. plur. of epKTtjc,, ov, 6, "a rower." From 
 
 LINE 309. , , 
 
 epeaau, " to row. 
 
 v, 3 sing. 1 aor. indie, act. of Kpivu, " to select:" fut. 
 1 aor, iKplva : perf. KEKpiKa. Akin to the Sanscrit kri, " to separate," 
 the Latin cerno, crimen, (fee. 
 
 'Ednocriv, Epic for elKoaiv, " twenty." The Doric form is elicaTi, 
 with which compare the Sanscrit vincati, and Latin viginti. 
 'EicaTopdqv. Consult line 65. 
 
 Brjae, Epic for efoycre, the augment having been dropped : 
 .LINE 610. j aor m( ]i c act o f p^ K lo cause ( g ; " f u t. f3ijau : 1 
 
 aor. e6r]aa. (Consult note on line 144.) 
 
 Elffsv, 3 sing. 1 aor. indie, act. usually referred to a pres- 
 LINE 311. ent ^ ^ u ^ u to cause to s - ( to geat ,, but w hi c h does not 
 
 occur ; the tenses that are wanting are supplied from Idpvu. The 
 lonians have also a fut. too/nai, Epic lacopai, and perf. pass, elpai. 
 The Attics, however, have only the 1 aor. mid. eiadpqv, "to found," 
 " erect," in the strict middle sense "for one's self." 
 
 'Ap^of. Consult line 144. 
 
 Uo?iv/i7jTif, tof, 6, ij, "sagacious," " of many counsels." From ;roA- 
 t'f, and fifjrif, " counstl," 1 "advice."
 
 HOMERIC GLOSSARY. 397 
 
 Line 312-315. 
 
 'Ava6uvTtf, norn. plur. 2 aor. part. act. of uvo.6o.ivu, " to 
 ' embark :" fut. uvaGrjaopat : 2 aor. avfGqv. From uvd and 
 Baiva. 
 
 'ErreVAeov, 3 plur. imperf. indie, act. of eirmAeu, " <o tail upon :" 
 fut. ETuir7.tvcop.at,. From eni, and TrMu, "to sail." 
 
 'Y}pa, accus. plur. neut. of vypbc, u, 6v, "humid," "wet," "fluid." 
 (Consult note.) From vu, and akin to vdup. 
 
 K&evda, accus. plur. neut. of K&evdof, ov, #, "a way" "a path." 
 Observe that K&.ev8o is feminine in the singular, but has a poetic 
 neuter plural. From e/.evdu, "to come," " to go." 
 
 'A-o/.vpaiveaOai, pres. infin. mid. of ano?.vfj.atvu, "to purify 
 
 another :" in the middle inrohvpaivofiai, " to purify one's 
 
 self." Commonly regarded as a middle deponent. From UTTO and 
 
 7.vuaivo[iai, "to cleanse one's self" and this last from ?.tyia, "filth re- 
 
 moved by washing," probably from 7.ovu. 
 
 "Avuyev, 3 sing, of an old Epic perfect with a pres. signification, 
 " I command," "bid," "order," which, with the augment, would be 
 jvwyE : thus, uvuya, af, e, or with the augment f/vvya, ac, c. But it 
 is never found with the augment. The tenses, moreover, are very 
 irregular : thus, from the perfect, we have 1 plur. ind. dvuypiv : im- 
 perat. uvu^di, uvuyiru, U.VU-/ETC, and irreg. dvu^Ou, uvu%6e, as if 
 from avuytjfii : pluperf. rjvuyeiv, and, without augment, dvuyeiv, Ion- 
 ic f]vuyea, dec. 
 
 , 3. plur. imperf. indie, mid. of anofopaivu. 
 
 Consult aTTohvuaiveoBat, as given above. 
 
 "A2.a, accus. sing, of uAf, u?.6(, q, "the sea." Observe the distinc- 
 tion between ctAf, ii/U5f, f/, " the sea," and dAf, tiAoc, <5, " salt." 
 
 Avfiara, accus. plur. of /.vfta, arof, TO, "fillh removed by washing," 
 "the washings themselves." Probably from AOVU, " to wash." 
 
 *Ep<5ov, 3 plur. imperf. indie, act. of epdu, " to work," " to 
 ' do," " to accomplish." With iepd, EKarouGas, &c., " to sacri- 
 fice" " to offer up." This verb derives its formations from the obso- 
 lete epyu, fut. epfw : 2 perf. iopya : pluperf., with augment on the 
 second syllable, eupyeiv : 1 aor. eofa. As epyu is entitled to the di- 
 gamma, flpyu, we see at once the affinity between it and the Eng- 
 lish verb work. Observe that /oe'Cu is merely a transposed form of 
 tpdu. 
 
 Consult line 14. 
 
 c., accus. plur. fern, of rc/t^etf, Tt^saaa, refajfv, "perfect." 
 (Consult note.) An Epic adjective, from TE/.EU, "to make perfect," 
 " to make complete," and this from re^oc, " an end," &c. 
 
 LL
 
 398 HOMERIC GLOSSARY. 
 
 Line 315-321. 
 'ExarofiSaf. Consult line 65. 
 
 'Arpvyeroio, Epic and Ionic for arpvyerov, gen. sing. fern. 
 ' of uTpvyETOf, ov, "barren." More literally, "yielding no 
 harvest," from a, priv., and Tpvydu, " to gather in tlie harvest or vin- 
 tage." 
 
 LINE 317. Kviaq, "the savor." Consult line 66. 
 'I/cev, 3 sing, imperf. indie, act. of the Epic form IKU, "to come, 1 ' 
 " to go ;" imperf. IKOV : aor. Zfov, a mixture of the 1 and 2 aor. 
 (Butlmann, Irrcg. Verbs, p. 132, ed. Fishl.) 
 
 'EJuaaoftevr], nom. sing. fern. pres. part, middle of ehioou, "to 
 whirl" fut. f. From eiAe'w, "to turn" "to whirl," "to roll" with 
 the digamma FeiMu, akin to the English wily. 
 
 Kanvu, dat. sing, of Kanvof, ov, 6, "smoke." Originally K^cnrvof, 
 the D-sound having followed the K. So vapor in Latin was originally 
 kvapor. The Greek word drops the v-sound and retains the K, 
 whereas, in the Latin word, the direct reverse to this takes place. 
 (Pott, Etymol. Forsch., vol. ii., p. 205.) 
 
 TLivovTO, Epic and Ionic for errevovro, the augment having 
 ' been dropped ; 3 plur. imperf. indie, of the middle depo- 
 nent irEvouai, " to be busily employed upon a thing," " to toil," " to 
 work." From the root TTEV comes not only trivofiai, but also ntvTif, 
 irsvia, the Latin penuria, &c. Compare the Sanscrit pan, " to han- 
 dle," " to transact," &c. 
 
 LINE 319. A?//. Consult line 210. 
 
 'E7n/7r'Aj7<re, 3 sing. 1 aor. indie, act. of EnairsMu, " to threaten 
 one with a thing," fut. eTraireihqau : 1 aor. iirrjirel^tjo-a. From eiri 
 and atreiTkEu, "to threaten." 
 
 TaWMiov, accus. sing, of TaZdv6io?, ov, 6, " Talthybius," 
 '' ' a herald of Agamemnon's at Troy. He was afterward re- 
 vered as a hero at Sparta. (Herodot., vii., 134. Hoeck, Krela, vol. 
 ii., p. 407.) 
 
 Evpv6a.Ti]v, accus. sing, of ~E.vpv6a.Ttif, ov, 6, " Eury bates," a herald 
 of Agamemnon's at Troy. There was another Eurybates, a herald 
 of Ulysses, who is mentioned in //., ii., 184, and Od., xix., 247. 
 Compare the scholiast : on nal Irepof ~E.vpv6u.Tris, 'Otivaae'uc Kfjpvt;. 
 LINE 321. Tu, nom. dual for u. 
 
 "Effav, Epic and Ionic for f/aav, 3 plur. imperf. indie, of tlfj.1. 
 KripvKE, nom. dual of Krjpv!;, vicof, 6, " a herald." From uripvaau. 
 In general, a public messenger, partaking of the character of an am- 
 bassador, an honorable office in early times. They summoned the 
 assembly (//., ii., 50, &c.), and kept order in it (//., ii., 280, &c.):
 
 HOMERIC GLOSSARY. 399 
 
 Line 321-325. 
 
 they separated combatants (//., vii., 274) : they had especial charge 
 of the arrangements at sacrifices and festivals, and even private en- 
 tertainments (//., iii., 245, &c.) : as public officers they are called 
 dnuioepyoi (Od., xix., 135): their insignia were staves, or wands, 
 cr/w/Tr-pa. From the heroic times their office was sacred, and their 
 persons were inviolable, as being under the immediate protection of 
 Jupiter : hence, they were employed in messages, &c., especially 
 between enemies. Hermes or Mercury was uripv!- of the gods. In 
 later times their functions remained much the same ; but they were 
 then messengers between nations at war. 
 
 nom. dual masc. of oTpnpoc, jj, 6v, Epic and Ionic for 
 of, d, 6v, " active," " quick," " zealous." Akin to brpvvu, " to 
 siir up," " to rouse." 
 
 Qepdnovre, nom. dual of tiepuTruv, ovrof, 6, "an attendant." In 
 Homer and old authors it always differs from dovhoc, as implying 
 free and honorable service, and yet, in Chios, depdnovrts was the 
 name for their slaves. (Arnold, Thucyd., viii., 40.) 
 
 ov, 2 dual pres. imper. of lp%ouai, " to come" " to 
 
 ' g' J (consult line 120) : imper. epxov, epxeaOu, &c. 
 Kltmrjv. Consult line 306. 
 Consult line 1. 
 
 , nom. dual, 2 aor. part. act. of alpeu, " to take :" 
 * ' fut. alpriau : 2 aor. Aov, 2 aor. part. M6v. Consult line 137. 
 
 v, Epic, Doric, and ^Eolic for dyetv, pres. infin. act. of dyw, 
 " to lead away." Consult remarks on ^oAwffe^ev, line 78. 
 
 Bptantda. Consult line 184. 
 
 AWT/CUV, Epic for to, 3 sing. 2 aor. subj. act. of 6i6uui : 2 
 ' aor. indie. Itov : 2 aor. subj. to, tof, to, &c. Observe, 
 however, that this to, <5uf, to, &c., is the result of contraction : thus, 
 6u-u =: to : (56-7/f = tof : to-y = titi, &c. To the uncontracted 
 form, to-??, the syllable ac is added by the Epic language, and hence 
 we have in the text the form toy<u. 
 
 'Ehuuac, 1 sing. 2 aor. subj. middle ofalpeu: 2 aor. indie, middle 
 el^,6fiijv : 2 aor. subj. middle e/Uyu. 
 
 LINE 325. Ufaoveoai. Consult line 281. 
 
 'Pryiov, " more fearful." Literally, " more frosty, or cold" i. e. t 
 more calculated to make one shudder. A comparative, formed, as it 
 were, from plyoc, "frost," " cold." The masculine, piytuv, seems 
 not to occur, but the superlative, fri-yiaroc, is found ; and, therefore, 
 it is better to regard piytov, in the text, as an adjective, and not to 
 take it for an adverb, as some do.
 
 400 HOMERIC GLOSSARY. 
 
 Line 326-332. 
 
 IIpoiEt, 3 sing. Epic imperf. indie, act. from trpoieu, Epic 
 ' and Ionic for irpoir/fu. Consult remarks on aQiei, line 25. 
 Kparepdf J' eiri, K. T. /I. Consult line 25. 
 
 Tu " they two." More literally, " these two." Nom. dual 
 LlNE327 -of6,,},r6. 
 
 e, nom. dual masc. of UEKUV, aeKovaa, aenov, Epic and Ionic 
 for UKUV, uKovaa, HKOV, which last is the Attic form. So de/covre, 
 here, for d/covre, " reluctant." Consult remarks on UKOVTO<;, line 301. 
 Bdrjfv, 3 dual 2 aor. indie, act. Epic for iBJJTijv, the stem- vowel r\ 
 being shortened into a. From fiaiva, " to go :" fut. pijaopai : perf. 
 36j]Ka : 2 aor. e6t)v. 
 
 Jlapa. $lv', K. r. 7.. Consult line 34. 
 
 Mvputtiovuv, gen. plur. of M.vp/ni6uv, ovoc, o, " a Myrmidon." 
 LINE 328. Consult line 180 . 
 
 v, 3 dual 2 aor. indie, middle of iKvtofiat, " to come." Con- 
 sult remarks on 'ncecdai, line 19. 
 
 Evpov, 3 plur. 2 aor. indie, act. of evpioKu, " to find:" fut. 
 ' evpijau : perf. cvpriKa. : 2 aor. evpov. This 2 aor. is often 
 written yvpov in post-Homeric writers, an orthography approved of 
 and applied by Elmsley. 
 
 ?, Epic and Ionic for uTiiala. Consult line 306. 
 
 *H/zevov, " sitting" accus. sing. part, of ijfiai, ycai, 
 
 ' 3 plur. i/vTai : part, ^/zevof : imperf. f/wv, fjao, TJOTO, 3 plur. 
 yvTo (these being in reality, however, a perf. and pluperf. passive of 
 byuac, " to sit" " to lie," &c. Literally, " 7 have been set and I remain 
 set," i. e., I sit.) 
 
 Tuye, compounded of TW, accus. dual masc. of 6, 17, TO, and the en- 
 clitic -ye. 
 
 'Uuv, 2 aor. part. act. of eldu, " to see." Consult line 203. 
 
 Tij0t)ffv, 3 sing. 1 aor. indie, act. of -yr/deu, " to be delighted," " to 
 rejoice." Consult line 255. 
 
 Tap6fjffavT, nom. dual 1 aor. part. act. of rap6eu, " to be 
 LINE 331. " a to be troubled." " to be alarmed:" fut. j?crw. 
 
 From rdp6o(, " alarm," "fright," " terror." 
 
 Aldofifru, nom. dual pres. part, middle of aidofiat, Epic for aldeo- 
 ftai, "to regard with looks of awe," or "reverence." More literally, 
 " to stand in awe of one," " to reverence." 
 
 , Epic and Ionic for eaTqrrjv, the augment having 
 
 been dropped : 3 dual 2 aor. indie, act. of laTrifii, "to 
 
 place :" fut. arfiau : perf. larqica, " I stand :" 2 aor. larriv, " I stood." 
 Upoce<j>uveov, 3 plur. imperf. indie, act. of npo^uveu, " to address :" 
 fut. you. From 7iy>df, " unto," and ^uv^w, " to speak" " to rail."
 
 I10.MKK1C UL.U&5AKY. 401 
 
 Line 332-336. 
 
 'EpsovTo, 3 plur. imperf. indie, middle of f/>w, " to interrogate," " to 
 ask:" middle kptouai.. This f/n'u, fpcouat, is an exclusively Epic 
 form, and must not be confounded with ipeu, kpC>, the fut. of el-irciv. 
 The imperfect, it will be perceived, is here without any augment. 
 The Attic form is tpouai : 2 aor. rjpofirjv : fut. epqoouai. But, though 
 this verb commonly occurs in the lexicons and grammars as a pres- 
 ent, Ipouai, there appears to be no good ground for supposing the 
 existence of such a form. The accentuation of the infinitive is now 
 usually admitted to be that of an aorist, namely, kptaQai. (Carmi- 
 chad's Greek Verbs, p. 117.) 
 
 'O, " he," Homeric for or, and this an old form of the de- 
 LiXE333. monstrative (Kuhner, $ 343.) 
 
 'Eyvo. Consult line 199. 
 
 'Htfffv, or r/atv, Epic and Ionic for ale, dat. plur. fern, of the pos- 
 sessive, 6f, j], dv, "his." 
 
 Quvijocv, 3. sing. 1 aor. indie, act. of tjxweu, "to say," " to speak," 
 fut. tjffu. From <puvr/, "voice," &c. 
 
 trf, 2 plur. pres. imper. act. of^aipu, " to rejoice," "to 
 
 ' be glad:" fut. %aipriau: perf. Kexupijxa. The imperative 
 
 of this verb is used as a common form of greeting, either at meeting, 
 "hail," "velcome;" or at parting, "farcicell." 
 
 "Ayye/.ot, nom. plur. of ayyt/lof, ov, 6, "a messenger." 
 
 nearer." Adverb, and comparative degree of 
 
 a ' uyx 1 * "near." This is the Homeric and Epic compara- 
 tive ; the common form is uyxiov. 
 
 "Ire, 2 plur. pres. imper. of elfti, "to come," "to go:" 2 sing. pres. 
 imp. is Wi. 
 
 f, Epic and ^Eolic for t'/ztff. 
 
 t, nom. plur. of iirainof, ov, "in fault," " blamablc." From 
 i-i, "upon," and airia, " blame," as indicative of blame resting upon 
 one. 
 
 *O, Epic, Ionic, and Doric for 6f, the relative pronoun. 
 5 - Consult EXCURSUS I. p. 275. 
 
 Spwt, accus. dual of av, "thou." This is the Homeric and Ionic 
 form. The Attics, on the other hand, use o<j>6, which some writa 
 with subscript iota, as having risen, according to them, from con- 
 traction. (Kuhner, $ 331, 5.) 
 Ilpoiti. Consult line 326. 
 
 Consult line 184. 
 Consult line 174. 
 Consult line 98. 
 
 Ll.2
 
 402 HOMERIC GLOSSARY. 
 
 Line 337-341. 
 
 337. 'Aye. Consult line 62. 
 
 ef, voc. sing, of dioyevrjc., if, "noble." Literally, "Jove-born," 
 " sprung f ram Jove," i. e., of his race. Frequently, however, a gen- 
 eral epithet, as here, of kings and princes, as ordained and upheld 
 by Jove, and, therefore, " noble" " illustrious," &c. 
 
 Ha-ponXfic, voc. sing., as if from a nominative HaTpoKl.rje, which 
 does not, however, appear. The regular nominative is TldTpn- 
 
 /C?.0f, Oil. 
 
 'Egaye, 2 sing. pres. imper. of efayw, " to lead or bring out." From 
 e and uyu. 
 
 iv, dat. dual of the pronoun of the third person, worn. 
 
 ' (wanting): gen. ov, &c. Observe that afyuiv is here enclit- 
 ic, whereas atiuiv, from av, has the accent, and may be thus told 
 apart from it. 
 
 Adf, 2 sing. 2 aor. imper. act. of didupi, " to give :" fut. 6uau : perf. 
 SiSuxa : 1 aor. IduKa : 2 aor. Iduv . 
 
 Tu, nom. dual masc. of 6, r/, TO. 
 
 A.VTU, nom. dual masc. of airdf, avrrj, avro. 
 
 Mdprvpoi, nom. plur. of pdprvpof, ov, 6, older Epic form for //aprvf, 
 "a witness." Homer uses the singular only in Od., xvi., 423, with 
 the collateral signification of "helper," "protector," but the plural 
 often. 
 
 'Eoruv, abbreviated form for saruaav, 3 plur. pres. imper. of dpi, 
 "to be." Used, also, by the Attic writers. The form ovruv is more 
 rare. 
 
 ~M.aKu.puv, gen. plur. of uuKap, gen. -upo?, 6, rj, "blessed," 
 "happy." Strictly said of the gods, who are constantly 
 called fiaKape; deoi in Homer and Hesiod, in opposition to mortal 
 men ; so that its notion is of everlasting, heavenly bliss. There is a 
 peculiar poetic form, of the feminine gender, fiuKaipa, " the blessed 
 one," an epithet of Latona, in the Hymn to Apollo, 14. 
 
 QVJJTUV, gen. plur. of dvijTOf, y, ov, "mortal," "liable to death." 
 Hence ol &vnToi, " mortals." From the same root with &VTIGKU, as 
 appearing in 2 aor. edavov. 
 
 T <Uft 'A'rv&'f) Epic and Ionic for cnrnvoiif, gen. sing, of axnvfc, 
 ec, "cruel," "harsh," "unfeeling." Supposed to come 
 from ano and i/vifr, "gentle," "pleasing," "attractive," with the di- 
 gamma, FT/VJ??, and hence connected with the root of Ven-us, and 
 the Sanscrit wan, " to desire," "to long for." (Pott, Elymol. Forsch., 
 vol. i., p. 255.) 
 
 LINE 341. Xpeiu, gen. do?, contr. ovc, TJ, Epic and Ionic for
 
 HOMERIC GLOSSARY. 403 
 
 Line 341-345. 
 
 oof, contr. ovc., r/, "want," "need," "desire." Observe that ^pew it- 
 self is only a poetic form, the more common prose expression being 
 Xpeia. 
 
 'Efieto, Epic for iuov, emphatic gen. sing, of iyu. 
 
 TevqTai, 3 sing. 2 aor. subj. mid. of ytyvouai. 
 
 'AKc'a accus. sing. masc. Epic and Ionic for UEIKTJ, from UFIKJJC., cf, 
 " unseemly," for which the Attics employ a'lKrjc, e'f- Probably from o, 
 priv., and EIKU (radical form), "it seemed," "it appeared good." 
 
 Aotyov iiuvvai. Consult line 67. 
 
 , Epic and Ionic for ohoaif, dat. plur. fern, of 6Ao6f, 
 
 ' i), 6v, " destructive." From 6Au, 6Aew, radical forms 
 M<ui, "to destroy." 
 
 QVEL, 3 sing. pres. indie, act. of #vu : fut. -dvau, " to rage." Said 
 literally of any violent motion, "to rush on, or along," as referring 
 to rivers, tempests, &c. ; hence, "to storm," "to rage," as said of a 
 man distraught with passion. The Sanscrit root is dhu, "to agi- 
 tate." 
 
 Olds, 3 sing, of ol6a, a second perfect with the force of a 
 present, " / know" from the radical el6u, " to see," for 
 what one has seen and observed, that one knows. Observe that in 
 olda the augment is thrown aside, like EIKU, 2 perf. EOLKO, Ionic olna. 
 (Bultmann, Irreg. Verbs, p. 77, cd. Fishl.) The verb <5w (iSu, Lat. 
 vid-eo) is obsolete, and its place has been supplied by opdu. The 
 tenses formed from it compose two distinct families, of which one 
 has the meaning of " to see," the other exclusively the meaning of 
 " to know," the latter signification coming from the perfect. 
 
 Norjaai, 1 aor. infin. act. of VOEU, "to observe," "to reflect upon," 
 &c. : fut. VOTJOU : perf. VEVOIJKO, : from voof, contr. vovf, " the mind." 
 
 Ilpdaau, Epic and poetic for npoau, adverb, literally, "forward:" 
 more freely, " as regards the future." From 71736. 
 
 'Onioaa, Epic and poetic for dntau. Adverb, literally, " backward," 
 "behind:" more freely, " as regards the past." 
 
 LINK 344. 'Onnuf, Epic and poetic for OTTUC., "in order that." 
 
 2oot. Consult line 117. 
 
 t, 3 plur. pres. subj. of uaxEouat, Epic and Ionic for ua- 
 i, "to fight." Consult line 8. 
 
 LINE 345. *uro. Consult line 188. 
 
 4>i'Xw. Taken for the possessive pronoun, "his." Consult line 20. 
 
 'ExE-eWero, 3 sing, imperf. indie, mid. of eiriTCEidouai, in the pass- 
 ive, " to be persuaded," in the middle, " to obey." The active ixiirei- 
 0u, " to persuade," " to convince" is rare and late. 
 
 , dat. sing, of iralpog, ov, 6, "a friend," "a companion."
 
 404 HOMK1UC ULOSriARV. 
 
 Line 346-350. 
 , 3 sing. 2 aor. indie, act. of ayu, Epic and Ionic for 
 
 ' ijyaye, the augment being dropped. 
 
 Aw/ce, 3 sing. I aor. indie, act. of didu/u, Epic and Ionic for 
 ' eduKe, the augment being dropped. 
 To. Consult line 338. 
 
 "Irqv, 3 dual imperf. indie, of el/u, " to go," Epic for yeiTTiv or 
 yTTjv. (Kiihner, 215.) 
 
 'Aenovcra, Epic and Ionic for aKovaa, fern, of O.EKUV, -ovaa, 
 ' ov, for UKUV, uKovaa, UKOV. Consult line 327. 
 "Aua, " along with." Consult line 158. 
 
 Kiev, 3 sing, imperf. indie, act. of KIU, " to go," Epic and Ionic for 
 IKLEV, the augment being dropped. The first person of the imperf. 
 is IKLOV, or, without the augment, niov. Kiw seems to belong to lu, 
 the root of dfii, " to go," and from it come Kid6u and KIVSU, and, 
 probably, the Latin do and cieo. 
 
 f, 1 aor. part. act. of iaKpvu, "to weep," "to burst 
 
 into tears." From dtiKpv, "a tear." Consult line 42. 
 
 'Erdpuv, gen. plur. of erapof, ov, 6, " a companion," &c. Consult 
 line 179. 
 
 'A^ap, "forthwith." Adverb, either from &TTTU, or from OTTO and 
 upa. 
 
 "Efrro. Consult line 48. 
 
 Noo-^t, "aside from," " away from." Adverb, shortened, according 
 to the grammarians, from voarofa (Herm., Opusc., i., 222). But this 
 is condemned by Donaldson, who traces an analogy between the 
 first syllable of this word, the Greek vui, and Latin nos, and makes 
 v6a-(j>i mean, properly, "by himself," the leading idea in vui, nos, and 
 voa(-<t>i) being that of " separation," " unity." (New Oratylus, p. 
 168.) 
 
 Aiaadeif, 1 aor. part. pass, (in a middle sense) of hid&pat, " to 
 bend sideways," " to go aside," " to turn away." Buttmann expresses 
 his conviction that hiafrfiai is etymologically akin to /cAivw, just as 
 Kvfyac is to j>e</>of, Khiapoc to /Itapof, &c. (LexiL, vol. i., p. 75, not.) 
 
 LINE 350. Qlva. Consult line 34. 
 
 Consult line 314. 
 
 f, Epic and Ionic for Tro/lmf, gen. sing. fern, of irohioc., fi ov, 
 Epic and Ionic for Tro/Udf, d, ov, " hoary." (Consult note.) 
 
 'Opouv, Epic lengthening for opuv, pres. part. act. of 6puu, "to 
 look," " to see." Consult line 56. 
 
 Olvona, accus. sing, of oivoty, gen. oTrof, 6, " dark-hued." Liter- 
 ally, "wine-colored" having the color or hue of wine. (Consult 
 note.) From olvof, "wine," and oji//, "look," "appearance," &c.
 
 HOMERIC GLOSSARY. 405 
 
 Line 350-354. 
 
 HOVTOV, accus. sing, of Trovrof, ov, o, " the deep," "the open sea." 
 Akin to (3evdof, pddof, f3v66s, "depth," and the Latin fundus. 
 
 IIo/lAu, neuter plur. accus. of noAve, taken adverbially, 
 LINE 351. 
 
 >?, taken as a possessive pronoun, " his." Consult line 20. 
 'Hprjaaro, Epic and Ionic for qpdoaTo, 3 sing. 1 aor. indie, of the 
 middle deponent dpdopai, " to pray :" fut. updaofiai, Epic and Ionic 
 dpj'jffopai, 1 aor. r/paad^v, Epic and Ionic ripriadfiriv. From dpd, " a 
 prayer." 
 
 'Opf-j'vvc, nom. sing. pres. part, of bpeyvvpi, " to stretch out." The 
 more usual form is bpyu : fut. ope^u. Akin to the Latin rego, erigo, 
 porrigo ; German reichen, recken ; and English reach. 
 
 f, 2 sing. 2 aor. indie, act. of TLKTU, "to bring forth:" 
 
 ' fut. T^U, usually r^ofiai : poetic, also, TEnovpai : perf. ri- 
 TOKO. : 2 aor. Ire/cov. Lengthened from a root TEK. 
 
 Wiivvvdddiov, accus. sing. masc. of pivvOddtof, a, ov, "short-lived." 
 From fiivvvBa, "a little," "very little," which is itself to be traced 
 to ftivvf, "little," "small," and Latin minus. 
 
 'O<j>eX%ev, 3 sing, imperf. indie, act. of 60Uu, " to owe," 
 
 LINE 353. IQ be obii?ed ^ &c Tnis verb in tne p rese nt and im- 
 perfect is not rare, in Homer, for the ordinary 6<j>ei?.u, "to owe." 
 We must not, however, confound this o^c'Ww with the old poetic 
 word 6<^A/U>, " to increase," " to enlarge." 
 
 f, "the Olympian," " Olympian Jove," nom. sing. masc. of 
 
 a, ov, " Olympian," " of or belonging to Olympus." From 
 
 " Olympus." Consult line 44. 
 
 iZai, 1 aor. infin. act. of t yy'va'Xi^u, "to bestow." Literally, 
 " to put into the palm of one's hand ;" hence " to put into one's hands," 
 " to grant," "to bestow:" fut. fyytiaAtfu. From kv, and yvakov, "a 
 hollow," " the hollow of the hand." 
 
 "Yijii6pe[teTi}f, " high- thundering," "who thunders on high," 
 
 nom. sing, of M/ufyxyierjfc , t$. From fnpi, " on high," and 
 
 to roar like a thunderbolt." 
 Tvr66v. Adverb, " in a small degree." Probably the accus. sing. 
 neut. of rvrOof, ov, later rvr66f, TI, ov, "little" "small." 
 
 "Eriaev, 3 sing. 1 aor. indie, act. of rtVj, " to honor :" fut. rtau : 
 perf. TfTiKa : 1 aor. irlaa. The verb rivu, " to pay or suffer (the pen- 
 alty of an offence)," forms, like it, a future, riau : \ aor. eriaa : perf. 
 TTIK<I, &c., but the Attics make the i short in all the tenses of this 
 latter verb, and the passive takes a ; as, perfect r^nauai : 1 aor. 
 : whereas riu makes, in the perfect passive,
 
 406 HOMERIC GLOSSARY. 
 
 Line 356-360. 
 
 LINE 356. 'Hriftnaev. Consult line 11. 
 
 'E/Ujc. Consult line 137. 
 
 'Anovpag, Epic 1 aor. part. act. of airavpua, " to take away." A. 
 change of vowel occurs here, of which we meet with no other in- 
 stance elsewhere. No infinitive anovpat is found. Consult the re- 
 marks of Buttmann (Lcxil., s. i>. tnravpuv, 2), who rejects the mode, 
 adopted by some of the old grammarians, of making axovpac, by 
 syncope, for uTrovpiaac, from a<t>opi$a. (Compare, also, Buttmami's 
 Irreg. Verbs, p. 34, ed. Fishl.) 
 
 &aKpv%euv, ovaa, ov, " shedding tears." More literally, 
 
 "pouring forth tears." Of frequent occurrence in Homer, 
 
 and in the later Epics, but only in the participle, as here. Nonnus, 
 
 however, has an imperfect, <5a/cpva. From duKpv, "a tear," and 
 
 %eu, " to pour forth" " to shed." 
 
 Tov 6' K%VE. Consult line 43. 
 
 HoTvta, nom. sing. fern, of TTOTVIOS, > ov > "revered." Often occur- 
 ring in Homer, sometimes as an adjective, and again as a noun 
 equivalent to deanoiva. It has been supposed that irorvia. is the fem- 
 inine of Treaty, just as deairoiva is of deanoTflf. The root may be 
 traced to the Sanscrit pati, " lord," " husband ;" patni, " wife," 
 " lady ;" and both of these to pa, " tueri." Compare the Latin po- 
 tens, potis. (Pott, Elymol. Forsc.h., vol. i., p. 189.) 
 
 LINE 358. 'H/ievy, fern, of ^uevof. Consult line 330. 
 
 BeV0<Tffiv, Epic and Ionic for jiivBeaiv, dat. plur. of /3ev0of, eof, TO 
 (poetic for pu6of, as jrivdo^ for truOos), "depth" especially of the sea. 
 
 TepovTi. Consult line 26. 
 
 Kap7ra/l///uf, " quickly," " speedily." Literally, " with tear- 
 LINE 359. , T, ,., .. . , ,, T-, 
 
 ing speed. From KapTraAifioc, " tearing, " swift. From 
 
 tipTTafo, with which compare the Latin carpo. So rapidus in Latin. 
 'Avetiv, 3 sing. 2. aor. indie, act., assigned, along with the perfect, 
 uvadedvKa, to the middle deponent a.i>a6vo/Ltat, "to emerge," " to come 
 out of." The active, avadvu, is only used in late writers, 
 c, Epic for eiire, "like," "as." 
 
 , tic, i), " a. mist." Derived by Pott from the Sanscrit rrnh, 
 " to pour." 
 
 LINE 360. Ilapoiflf, adverb, "in front of," "before." 
 Ka6e&To, 3 sing, imperf. indie, mid. of xaflefopu, " I seat myself," 
 "I sit down." Observe that KaOefrro is Epic for enudt&TO, the aug- 
 ment having been dropped. Buttmann doubts the existence of 
 such a present as Kade&fiai, and makes eKade&prjv a 2 aor., from KO- 
 ; but this opinion seems to want confirmation
 
 HOMERIC GLOSSARY. 407 
 
 Line 361-366. 
 
 , 3 sing. 1 aor. indie, act. of Karapefa, same as 
 LINE 361. .< to sool h e Literally, "/o cauae to lie down," 
 
 especially, "to pat with the hand-" 1 hence, generally, " to fondle," "to 
 soothe :" fut. /tarapt'fw : 1 aor. Karepc^a. From Kara and pe'fu. 
 
 'Ovopafrv, Epic and Ionic for wvd/mCey, the augment being drop- 
 ped, 3 sing, imperf. indie, act. of ovo/idfa, " to utter, "to name:" fut. 
 bvopuau. From ow/za, " a name." 
 
 , 2 sing. pres. indie, act. of K^aiu, "to weep:" fut. 
 
 ' nhavau (Thcocrit., xxiii., 34), more commonly 
 1 aor. lnhavaa. The Attic form of the present is K/.UW. 
 Hevflof. Consult line 254. 
 
 'Egavda, 2 sing. pres. imper. of ei-avddu, " to speak out :" 
 LINE 363. ,- . T-I u- :> 
 
 fut. 7/erw. From tf and avduu. 
 
 Keide, 2 sing. pres. imper. act. of Kevdu, " to conceal," " to Aide ." 
 fut. KCVOU : perf. KCKevda : 2 aor. lut-Qov. Akin to KVU and nviu. 
 
 N6<t>, Epic and Ionic for vw, dat. sing, of voof, contracted voiif, 
 U /A mind :" gen. voov, vou : dat. i>6<f), vti. 
 
 EWo/^fv, 1 plur. pres. subj. act., with the shortened mood-vowel, 
 for eldupsv, from eldu, " to see," " to know." Consult line 203. 
 "A/^>u. Consult line 196. 
 
 RapvaTEvuxuv, ovaa, ov, " deeply groaning" pres. participle 
 ' of a form fiapvciTevdxu, which, however, does not occur. 
 From fiapvf and areyd^u, " to groan." 
 LINE 305. Olada. Consult line 85. 
 
 Tii), strengthened form for ri, " why ?" Used by Homer, Hesiod, 
 and in Attic comedy. Formed from rt, like ony from on, and eirei?] 
 from 7Tft. 
 
 Tot, Epic and Ionic for aoi. 
 
 'Eidvin, dat. sing. fern, of elduf, tldvia, eidoc, perf. participle, and 
 assigned to olda, " I know." Consult line 203. 
 
 'AyopEt>&>, 1 sing. pres. subjunct. act. ofuyopeva, " to tell " " to de- 
 clare:" fut. evau. From uyopd, "a public assembly," the verb liter- 
 ally meaning to speak in an assembly, though afterward used in a 
 general sense. 
 
 or uxopeOa, 1 plur. imperf. indie, of the middle 
 
 deponent olxo/iat, " to go :" fut. o^/ero//ai : perf. 
 
 accus. sing, of Qrjori, nc, jj, " Thebe." (Consult note.) 
 Homer uses also the plural form Qfj6ai, &c. Later writers mention 
 merely TO Qq6j}f trediov, a fruitful district, south of Ida, and near 
 Pergamus. 
 
 'Itpyv, Epic and Ionic for iepdv, accus. sing. fern, of Itpoc, 17, 6v, 
 Epic and Ionic for ieoof, d, 6v, " sacred" (Consult note.)
 
 408 HOMERIC GLOSSARY. 
 
 Line 366-384. 
 
 'Ucrluvof, gen. of 'Hertwv, gen. wi>of, " Eetion," King of Thebe, 
 and father of Andromache. (Consult note.) 
 
 , 1 plur. 2 aor. indie, act, of 6iairp6u, " to 
 
 ' sack," " to destroy utterly :" fut. tiicnrepau : 2 aor. 
 0ov. From did and nepdu. 
 
 , 1 plur. imperf. indie, act. of dyu, " to bring." 
 
 hither." Adverb of place. Sometimes, also, of time, 
 " //ten," " thereupon." 
 
 o, Epic and Ionic for eduaavTo, 3 plur. 1 aor. indie. 
 
 ^ 
 
 mid. of 6alu, more usually, middle daiojiai, " to divide :" 
 fut. ddaofiai : 1 aor. eda/rd^v. Observe that ddfrfiai is commonly 
 assumed as a present to form some of the tenses of oaiu. 
 LINE 369. XpvarfUa. Consult line 111. 
 
 ov, gen. sing, of lnaTTj663.of, ov, "far-darting." 
 ' From &cuf, " afar," 1 and pdMu, " to hurt," or " dart." 
 
 .Tuvuv, gen. plur. of x a ^ KO X iTuv i uv d o, fi, "array- 
 ed in tunics of brass," " brass clad," " brazen-mailed." 
 From ^aA/cof (consult note on line 236, and X LT ^ V ^ " a tunic," " an 
 under garment." 
 
 f, pres. part, of the middle deporrent ^cjo,uat, " to 
 
 be incensed:' 1 ' fut. x&aofiai : 1 aor. %u<rd/z^v. Akin to 
 
 TLahiv. Consult note on line 59. 
 Toio, Epic and Ionic for TOV. 
 
 Evgaulvov, gen. sing. 1 aor. part. mid. of ev^ouat. Con- 
 LlNE38L suit line 43. 
 
 , 3 sing. 1 aor. indie, act. of O.KOVU, "to hear:" fut. dxov- 
 oofiai: perf. (Attic) aKt/Koa: (Doric) UKOVKCL: (later) I/KOVKO.: 1 aor. 
 ijKovaa. The form UKOVOU first occurs in Alexandrine Greek. 
 
 ^i'Aof, 7}, ov, "dear." Taken here in its ordinary sense, not as a 
 possessive. 
 
 'Hev, Epic for f/v, 3 sing, imperf. indie, act. of eipl, " to be." 
 
 T H/ce, 3 sing. 1 aor. indie, act. of'typi, "to send:" fut. f/aui 
 LINE 382. perfjKa . x aor ^ fl- 
 
 QVTJOKOV, 3 plur. imperf. indie, act. Epic and Ionic for 
 E , the augment being dropped, from $VTJOKU, "to 
 
 die :" fut. davovpai : perf. 
 
 'Eiraaov-epot, nom. plur. masc. of kiraaavTepos, a, ov, " one after 
 another." This word is a comparative only in form, and comes from 
 kni and uoyvrcpof, which is itself formed from uacov.
 
 HOMERIC GLOSSARY. 409 
 
 Line 384-392. 
 
 Tldvrn. Adverb, less correctly written n-dvTp. Doric form 
 ' iravra, not rruvra. From Truf. 
 "Aupi, Epic and ^Eolic for Tjfj.lv. Another JColic form for the same 
 
 LINE 385. E5(jf. Consult line 365. 
 
 'Ayopsve, 3 sing, imperf. indie, act., Epic and Ionic for qyoptve, 
 the augment being dropped ; from uyopsvu. Consult line 365. 
 Qfo-rpoTriaf. Consult line 87. 
 
 Ke/.ofiriv, 1 sing, imperf. indie., Epic and Ionic for EKEM- 
 ' fjLT)v, the augment being dropped ; from the middle depo- 
 nent Kf/.opai, ''to bid," "to exhort.' 1 '' Literally, "to set in motion," and 
 hence of the same family with K&./.IJ. 
 
 'l^uffKcffBai, pres. infin. of middle deponent i/.uoKouai (rarely tAao- 
 uat), " to propitiate :" fut. i7.uaouat. From t/*.aof, "propitious." 
 
 'Arpciuva, accus. sing, of '.\rpeiuv, gen. uvof, 6, "the son 
 ' of Atrcus." A patronymic, the same in meaning as 
 
 Aufev, Epic and Ionic for e/afcv, the augment being dropped, 3 
 sing. 2 aor. indie, act. of l.ap&uvu, "to seize upon,'' "to take posses- 
 sion of:'' fut. ^.jjipopui : perf. eu.rjba, &C. 
 Atya. Consult line 303. 
 
 f , 2 aor. part. act. of uviarnui, &c. 
 
 v, 3 sing. 1 aor. indie, act. ofaireiteu, "to threat- 
 
 LINE 388. ^ ... f[]t ^ &c Con8ult j jne 16 , 
 
 Ters/.eaftevof. Consult line 212. 
 
 'E/.iKw-ef, nom. plur. of &.IKUIJJ, gen. WTTOJ-, 6, " of the quick-rolling 
 eye." Consult note on line 98. 
 
 '\X ai <- Consult line 2. 
 
 LINE 390. Xpvaqv. Consult line 37. 
 
 Ilffixovotv, 3 plur. pres. indie, act. of rrc/^Tu, " to send," " to eteort;" 
 fut. 77f//i/ij : 1 aor. cT7f/ii//u. The perfect uenofi^a is later in origin. 
 Xtor, neuter accus. sing, of ve'of, taken adverbially, " but 
 ' just now." (Consult note.) 
 
 K?.tff/j?0ev. Adverb, "from my tent." Literally, "out of or from a 
 cot or hut." 1 Consult remarks on K/,ioiat, line 306. 
 
 *E6av, Epic and .-Eolic for idnaav, 3 plur. 2 aor. indie, act. of /3al- 
 vu, " to go;" fut. pTjaopai : perf. peGnica : 2 aor. I6rri>. 
 
 Bpiafjoc, Epic and Ionic for Bpiaeuf, gen. sing, 
 LINE 392. l( Brisms Consult note on line 184. 
 
 Aoerav, Epic and Ionic for I6ocav, 3 plur. 2 aor. indie, act. 
 UL, " to give:" fut. <5<i<7u : perf. Jf'Ju/ca : 1 aor. ISuKa: 2 aor. ISuv. 
 
 M M
 
 410 HOMERIC GLOSSARY. 
 
 Line 393-399. 
 
 LINE 393. Avvaaat, 2 sing. pres. indie, of dvvafiai, "to be able," &c. 
 , Epic and Ionic for nepiaxov, 2 sing. 2 aor. imper. mid. of 
 , "to encompass," "to embrace," " to surround :" in the middle, 
 "to hold one's hands around another," and so "to aid, protect, defend," 
 &c. From nspi and e^o. 
 
 'Ef/of, gen. sing. masc. of ei'>f , "valiant," "gallant." This geni- 
 tive, it will be perceived, is irregularly formed. The adverb sv is 
 merely the neuter of this adjective. The Ionic form for eve is i]vq. 
 LINE 394. Ov2,v/inr6v6E. Consult line 221. 
 
 Aiaai, 2 sing. 1 aor. imper. mid. of 7J.aaofj.aL, "to supplicate," "to 
 entreat :" fut. Ziaopai : 1 aor. k^iau.firjv. Consult line 15. 
 
 , 2 sing. 1 aor. indie, act. of bvivnpi, " to gratify," 
 
 LINE 395. ,, ,-, ,, ,, , ,, s c . > , , 
 
 " to profit, "to aid, &c. : lut. OVTJGU : 1 aor. uvr/aa. 
 
 There is no such present as ovrj^i. In the middle, " to have gratifi- 
 cation," " to enjoy aid, help," &C. 
 
 Kpadinv, Epic and Ionic for napdiav, accus. sing, of Kpadirj, for 
 icapdia, of, rj, " the heart." Compare the Sanscrit hrid with the po- 
 etic Kpa6-ia, another form for Kapdia, and also the Latin cor, coni-is, 
 English heart, &c. 
 
 LINE 396. UOA/.UKI, Epic and Ionic for -noUuKif, " often." 
 2eo, Epic and Ionic for aov. 
 
 Meyapotaiv, Epic and Ionic for /j.e-yupoic., dat. plur. of {isyapov, ov, 
 TO, " a hall," " a large room." From pe-yctf. 
 
 , Epic and Ionic for jJKovaa, 1 sing. 1 aor. indie, act. of 
 to hear." Consult line 381. 
 ~Evxofievr/c., gen. sing. fem. pres. participle of svxofiai, " to 
 
 ' boast :" fut. Evfrftai : 1 aor. nv!;dftrjv. Compare line 91. 
 
 , Epic and ./Eolic for Ifyris, 2 sing, imperf. indie. 
 act. of ^rifii, " to say." As regards the ending $a, con- 
 
 sult line 85, remarks on olaOa. 
 
 Ke7(.aiv<j)l, Epic and Ionic for KshaivEtysi, dat. sing. masc. 
 vetyf/c., " dark cloud-enveloped." From Ke7.ai.v6f, " black," " dark," and 
 vfyoe, " a cloud-" 
 
 Kpoviuvi, dat. sing, of Kpovtuv, uvof, 6, "son of Saturn." Another 
 form for Kpovidr/. 
 
 Oln, Epic and Ionic for ola, nom. sing, fem. of oZof, ?;, ov, 
 Epic and Ionic for oZof, a, ov, " alone." Akin to tof, la, 
 Epic for elf, fiia, and also to the Latin unus, old form oinus. 
 
 'A.iKa. Consult line 341. 
 
 LINE 399. AvvAfjnai, 1 aor. infin. aot of >T(Vw, "to hi-nfl," "to bind
 
 HOMEK1C GLOSSARY. 411 
 
 Line 399-404. 
 
 firmly:" fut. you. From vv, for auv, and (Jew, "to bind." As re- 
 gards the employment of $vv for avv, consult line 8. 
 
 "Hdel.ov, 3 plur. imperf. indie, act. of ed&u, " to will," " to wish," 
 " (o be inclined," &c. : fut. TJCW. The synonymous and shorter form, 
 &&u, never occurs in Homer or the later Epic writers. 
 
 *Hpr), Epic and Ionic for 'Hpa, gen. a?, Epic and Ionic j?f, 
 : ' ;/, "Juno." Consult remarks on vpuc, line 4. 
 
 Tloaeitiduv, gen. duvof, 6, Epic and Ionic for Tloacititiv, tivof, 6, 
 " Poseidon," the Latin " Neptune," son of Cronos and Rhea, brother of 
 Jupiter, and god of the seas. TloaeidiJv is in Doric Greek not only 
 Hoaeitiuv, but also Horfiduv. This latter form appears to contain in 
 the first syllable the same root that we find in Torof and Trorapof, 
 and lias the same reference, in all likelihood, to water and fluidity. 
 (Miillcr, Prolcgom., p. 289.) 
 
 na/l/iHf, gen. <i(5of, q, " Pallas," an epithet of Minerva. Consult 
 line 200. 
 
 'A.6nvai7)v. Consult line 200. 
 
 o, Epic and Ionic for vTTfAvau, 2 sing. 1 aor. indie. 
 
 mid. of vxol.vu, "to rescue." Literally, "to loosen," "to 
 
 untie " fut. inrol.vau : 1 aor. vTct'/ivaa : 1 aor. mid. vireAnauftijv, Old 
 form of the second person VTreAvaaao : Epic and Ionic v-e/.vaao : At- 
 tic vnehvau. From vnd and 7.vu. 
 
 '2/ca, "quickly," poetic adverb of uKVf. Very frequent in 
 ' Homer ; never occurring in the tragic writers. Formed 
 from tMi'fi "quick" as ro^a is from ra^i'f. 
 
 'ExaToyxetpov, accus. sing. masc. of iKaToyx fl P f> ov, " hundred- 
 handed." (Consult notes.) From e/carovand ^r/p, the final v of e/ca- 
 TOV being changed to y in order to assimilate with the % that follows. 
 Ma/cpov, accus. sing. masc. of /zaxpof, , 6v, "lofty" "(all." From 
 //d/iof, Doric for fif,Koc, "length," &c. The root of puK-of, [ifju-of, is 
 akin to that of //e'y-af, Latin mag-nus, Sanscrit ma/i-at, Persian mih, 
 or mcah, German macht, &c. 
 
 Bpiupeuv, accus. sing, of Bptdpeuf, gen. ew, 6, " Briarcus." 
 ' ' (Consult note, and compare Buttmann's Lcxilogus, vol. 
 i., p. 231, not., where the name Bptupeuc is made equivalent to the 
 German " Starkicucht.") 
 
 Kateovai, Epic and Ionic for Ka/.ovat, 3 plur. pres. indie, act. of 
 na/.tJ, "to call :" fut. na/.iau : perf. Kf.K/.rjKa. Consult line 54. 
 
 Ai-/aluva, accus. sing, of Aiyaiuv, gen. uvof, 6, " JEgaton ? 
 properly, " the stormy one." From ui$, " a storm," " a tent' 
 pest. 1 ' (Consult note.)
 
 412 HOMERIC GLOSSARV. 
 
 Line 404-409. 
 AVTS. Consult note. 
 
 Bt?, Epic and loaic for pia, from {Hn, t)c., i], Epic and Ionic for f3ia, 
 (if, fj, "strength," "might." 
 
 Ov, gen. sing, of the possessive pronoun of, %, ov, "his, her, its." 
 'Aueivuv. Consult line 116. 
 LINE 405. KaO^s-o. Consult line 360. 
 
 Kvdei, Epic and Ionic for nvdet, dat. sing, of Kvdoc, gen. eof, TO, 
 " high renown," " glory." 
 
 Taiuv, pres. part, of yaiu, " to exult" a radical form seldom used. 
 Homer always employs it in the phrase nvdei yaiuv. Akin to, and 
 perhaps derived from it, are yavpog, " exulting in," yavpiuu, -ydwut, 
 &c. Compare the Latin gaud-eo, &c. 
 
 "XxE66eioav, Epic for viredeiaav, 3 plur. 1 aor. indie, act. 
 
 of VTtodeidu, " to dread." More literally, " to fear secretly," 
 
 " to have a secret dread of :" fat. au. From v-6 and 6ei6a, " to fear.'' 
 
 "Edrjaav, 3 plur. 1 aor. indie, act. of (Jew, " to bind :" fut. dijau : 
 
 perf. 6i 6eKa (but rare) : 1 aor. et5^<ra. 
 
 nom. sing. fern. 1 aor. part. act. of piuvfjaKu, "to 
 
 remind;" fut. fiv^au : 1 aor. tpvrjoa. The middle depo- 
 
 nent, uvu.ofj.ai, is used in the sense of " to remember." MIUVT/OKU is 
 merely a reduplicated form of the radical uvdu, like the Latin me- 
 min-i ; and its root is akin to that of monco, and to the Sanscrit man, 
 "cogilare." (Pott, Etymol. Forsch., vol. i., p. 254.) 
 
 Hape&o, Epic and Ionic for irape&v, 2 sing. pres. imper. of the 
 middle deponent Trope^o/zai, "to sit by the side of one :" fut. 
 [tai. From ?rapu and f^ouat. 
 
 Aa6e, 2 sing. 2 aor. imper. of hau6uvu, " to take hold of:" fut. 
 ouat : 2 aor. lAafiov. 
 
 Tovvuv, Homeric form of the genitive plural of -yovv, TO, "the knee," 
 in place of the ordinary yovuTuv. Ordinary genitive yovarof : Ho- 
 meric yowarof and yow6$. Ordinary nom. plur. ywara : Homeric 
 yovvara and yovva. The form yovv is akin to the Sanscrit jdnu, Lat- 
 in genu, English knee and knuckle. 
 
 'Ettilrjaiv, Epic for edity, 3 sing. pres. subj. act. of eBeXu. 
 LINE403. 
 
 v, Epic and Ionic for Tptiaiv, dat. plur. of Tp<if, gen. u6f, 
 6, " a Trojan." 
 
 'Ap^fat, 1 aor. inf. act. of upijyu, "to lend aid :" fut. upr/l-u: 1 aor. 
 fjpnS-a. Akin, perhaps, to apueo, epvxu, arceo, arx, area. (Pot!, Ety- 
 mol. Forsch., vol. i., p. 271.) 
 
 LINE 409. n/nymzf, accus. plur. of xpiiuvri, rjf, r/. Epic and lonir
 
 HOMERIC GLOSSARY. 413 
 
 Line 409-4 13. 
 
 for irpvftva, /f, 17, " the stern of a ship." Strictly speaking, a fem- 
 inine from Kpvfivof, ri, 6v, "hindmost," and hence npvfj.vr] or irpvfi- 
 va will be equivalent, literally, to xpvfivTt (or novfivu) vai'f, " (he hind- 
 most part of a shtp." Homer has it often in full irpvpvq vi/vf, where 
 \ve might expect the accent to be Trpi'/zio?, oxyton. 
 
 "A/,a. Compare line 314. 
 
 "E/lcrat, 1 aor. infin. act. of ei/.u (more frequently d7.su), "to hem 
 in," "to press hard." Radical signification, " to roll," or " twist tight 
 up." 1 In the active, Homer has only ti/.eu, never etAw. The same 
 poet forms the first aorist and some other parts from the simple 
 stem or root e/,-, thus : 1 aor. lAtra : perf. pass, lehuat, <kc. (Butt- 
 mann, Irreg. Verbs, p. 83, ed. Fishl.) 
 
 f, accus. plur. pres. part. pass, of KTEIVU, " to 
 
 ' slaughter," " to slay :" fut. urevu : Ionic KTUVU, but in Ho- 
 mer always KTCVEU, eeif, ei, &c. : 1 aor. e/cmva : 2 aor. IKTOVOV : 
 perf. EKTova : perf. pass, l/cro/mi, but post-Homeric. Still later are 
 the unattic perf. f.KTuKa and ixTovnKa. Akin to naivu, Ka.ivvfj.ai: 
 Sanscrit kshi, " to destroy." 
 
 'E-avpuvrai, 3 plur. 2 aor. subj. middle of iiravpiaicopai, " to en- 
 toy :" fut. iTravprjaopai : 2 aor. enrivpofujv. Unattic writers have a 1 
 aor. fTravp(i[ir/v, infin. eTravpaodai. No present enavpuu occurs. The 
 supposed root is avpu. 
 
 EacriAfjof. Consult line 9. 
 
 TvcJ, 3 sing. 2 aor. subj. act. of ytyvuaKu, " to know :" fut. 
 : perf. tyvuna : 2 aor. lyvwv. Consult, as re- 
 
 gards the root, line 199. 
 
 *Hv, accus. sing. fern, of of, %, ov, " his, her, its." 
 
 'Ar^v, accus. sing, of UTTJ, gen. j?<r, ij, "evil folly." (Consult note.) 
 The original meaning of the term urrj appears to be " distraction," 
 " bewilderment," "folly," " blindness," " delusion," especially " a judi- 
 cial blindness," sent by the gods, and usually ending in guilt, and al- 
 ways in misery. Hence, in general, "ruin," "bane," "mischief." 
 "Ar>7, personified, is the "goddess of mischief," author of all blind, 
 rash actions, and their results. 
 
 "Erwrev. Consult line 354. 
 
 GeVif, gen. Idof, and Zbf, 17, " Thetis," one of the Nereids, 
 13 ' wife of Peleus, and mother of Achilles. 
 
 Xeovaa, nom. sing. fern. pres. part. act. of %tu, " to pour forth :" 
 fut. ^eiWa). The form of the first aorist, e^mra, from the usual fu- 
 ture, ^eww, though still quoted now and then, is probably not Greek. 
 If x*
 
 414 HOMERIC GLOSSARY. 
 
 Line 413-418. 
 
 The Epic aorist is ^eva, the Attic aorist ^ea. Homer employs the 
 former. We have e^eav, 3 plur. only in 11. , xxiv., 799. 
 
 "Erpetyov, 1 sing, imperf. indie, act. of rpefyu, " to rear," 
 : ' "to nurture:" fut. dpeipu : 1 aor. idpsipa: perf. rirpo^a. 
 Consult line 251. 
 
 Ami, accus. plur. neut. of aivof, i/, 6v, used adverbially, "unhap- 
 pily," "fearfully," &c. The more common adverbial form is aivtif. 
 Texovaa, nom. sing. fem. 2 aor. part. act. of T'IKTU, "to bring forth." 
 Consult line 352. 
 
 Aide, Epic and Doric for tide, "would that!" "0 thai!" 
 '' ' Observe that ?We, with the optative, is said of things pos- 
 sible, but not likely ; but, with the past tenses of the indicative, of 
 things impossible. 
 
 'O<j>e7.cf, Epic and Ionic for tjtic/.ef, the augment being dropped, 
 2 sing. 2 aor. indie, act. of 6<pei/.(j, "to owe:" fut. 6<j>ei^au: 2. aor. 
 uyehov. The phrases eW o^eAcf and wf ope/Uf denote a wish, lit- 
 erally, " how thou oughtest," &c. 
 
 'AduK/rwrof, ov, " without tears." Sometimes used in a passive 
 sense, "unwept," as in Soph., Ant., 881. From a, priv., and daicpvu, 
 "to weep." 
 
 'A.Trfifi.uv, ov, gen. ovof, "uninjured." From a, priv., and irijua, 
 " injury," " harm." 
 
 'Hffftu, pluperf. infin., in sense of an imperfect, from quai, 
 '' ' jjaai, f/arai, &c., pluperf. f]ur]v, quo, TJGTO, &c. These two 
 tenses are commonly assigned, as a perf. and pluperf., to efo/zat, "to 
 sit." 
 
 Alaa, i)f, i], "a fated portion of existence" "one's appointed lot," 
 " destiny," "fate," &c. Akin to alvof, alvsu, Latin aio, asfatum to 
 fari. 
 
 Mivvvda, adverb, " a little," " a very little." (Consult note.) Said, 
 by some, to be, in fact, the accusative of an old nominative, uivvvf, 
 which is to be compared with the old adjective form fuvvf, and the 
 Latin minus. 
 
 AJ?V, adverb, " long," "for a long while." Akin to 6fj, f/drj. 
 f, ov, "swift-fated," "early to die." From 
 
 LINE 417. tl twi ^, a nd //opof, "fate." 
 
 of, a, ov, " to be pitied," " unfortunate." From bi^vg, " wo," 
 "misery." Though the penult of this word is always long in Homer, 
 yet he forms the comparative and superlative, for the sake of the 
 metre, in -wrepof and -urarof , instead of -orepof, -orarof. 
 LINE 418. "Eirfao, Epic and Ionic for snhov, and this for e-foov,
 
 HOMERIC GLUsSAKV. 415 
 
 Line 418-423. 
 
 2 sing, imperf. indie, mid. of ire7.u, for which, however, is much 
 more usually employed the middle deponent xiAouai, " to be." Con- 
 sult line 284. 
 
 \lay, dat. sing, of aiaa, jjy, i\. Consult line 416. 
 TtKov, Epic and Ionic for ireKov, 2 aor. of TLKTU, &,c. 
 MEyupounv. Consult line 396. 
 
 'Epeovaa, nom. sing. fern. fut. participle, belonging to ipeu. 
 Li\E419. consult line ?G. 
 
 Tsp-CKepavvy, " delighting in the thunderbolt." From rtpTru, " to 
 delight,'' 1 and Kfpavvvf, "a thunderbolt.'' 
 LINE 420. Ei/u. Consult line 169. 
 
 'A; uvvi<j>ov, accus. sing. masc. of <iyu.vvi<fro<;, ov, " very snowy." 
 From uyav and viou, "to snotc." 
 
 n>6tjTai, 3 sing. 2 aor. subj. mid. of TrsiBu, "to persuade:'' middle 
 ireiOofiai, " to obey :" fut. irsiaouai : 2 aor. exiOoujjv. 
 
 HapTJuevoc, pres. part, of xuprifiai, " to sit by," or " beside." 
 ' From xapd and qp.ai, with regard to which last consult 
 line 416, remarks under f/adat. 
 
 'Qnvxopoiaiv, Epic and Ionic for uKv~6poif, dat. plur. fern, of UK.V- 
 iropof, ov, "swift-going," "swift ocean- traversing." From UKVC and 
 icopof, li a passing," " a way," &c. 
 
 tiLrjvie, 2 sing. pres. imper. act. of pyviu, "to rage" "to 
 '' ' indulge in wrath against." From ^l/vif, " wrath." Con- 
 
 sult, as regards pijvif, line 1. 
 
 'AjroTrawro, Epic and Ionic for dwiravov, 2 sing. pres. imper. mid. 
 of u7ro;rat>w, " to cause another to cease from a thing." Middle, " to 
 cause onfi'.v self to cease," &c., " to refrain." Frojn UTTO and navu. 
 
 Tlduxav, " altogether," adverb, euphonic form for Kiivzav. From 
 Traf. The more common prose form is ^dvv or wavreAof. 
 
 'Qntavov, accus. sing. oCQKfavof, ov, 6, " Occanus." (Con- 
 sult note.) Probably from UKVC and vdu, " the rapid-flow- 
 
 ing." According to some, however, akin to 'Qyrjv, 'Qyevoc, ' 
 Others, again, make uytviog equivalent to waAatdf. Consult Anthon't 
 Class. Diet., s. v. Oceanus, sub fin. 
 
 'Afivuovaf, accus. plur. of uuvpuv, ov, 6, " blameless." Consult 
 line 92. 
 
 AidioTrijaf , accus. plur. Epic for Aidtoireaf, as if from a nominative 
 AtfioxEvc, gen. A.i6ioireuf, Epic and Ionic AidioTrijog, " an Ethiopian." 
 No such nominative, however, as A.lOio7revf appears, until later au- 
 thors, as Callimachus, actually formed one ; and hence, in Homeric 
 Greek, AWioTrijac. must be assigned, as an irregular accusative, to
 
 416 I10MEK1C GLOSSARY. 
 
 Line 423-428. 
 
 AlBioip, oTrof, o. From aidu, " to burn," and wi/;, " the visage," as in- 
 dicating a sunburned race. (Consult note.) 
 
 Xdi&e, ii, 6v, " of yesterday," and equivalent, properly, to 
 5 ' ;0<7ii>of. It is mostly, however, used, like the adverb 
 
 if, with verbs ; as, x@ l & 1i " he went yesterday ;" x^ 
 " than earnest yesterday." From ,0ef, "yesterday." Observe that 
 xOe? itself is the Sanscrit hyas, with which compare the Latin hcsi, 
 hesilernus, afterward heri and hestcrnus ; as also the German gestern, 
 English yeslr-een, yester-Aay, &c. 
 
 Aatra, accus. sing, of 6aif, gen. <5atr<5f, fj, "a banquet," " a feast," 
 "a meal." From 6ai<*>, "to divide," or "distribute," as referring to 
 each guest's getting his share, and hence the Homeric 6alf etan. 
 
 'Eirovro, Epic and Ionic for d~ovTo, 3 plur. imperf. indie, of the 
 middle deponent s^ojiaL, " to follow." Consult line 158. 
 
 AudeKur??, dat. sing. fern, of dudexaTOf , n, ov, "the twelfth." 
 LINE 425. _ Fromf5( , d/ca 
 
 'El.evacTai, 3 sing. fut. indie, of lpxofj.ai, "to come," or "go:" fut. 
 tAevaoftat : perf. e/b//>.v0a. 
 
 lion, Doric for Trpof, but of frequent occurrence, also, in 
 LINE 426. Homer and Hesiod 
 
 sf, accus. sing. neut. of ^oA/co&mfc, if, " brazen-founded," 
 i. e., standing on brass ; with brazen (i. e., solid) base, or with floor 
 of brass. From ^a/t/cdf and ftaivu. 
 
 Ati, old and Epic form for dCifjia, arof, TO, "a mansion." Observe 
 that dd> is not here by apocope, as the grammarians term it, for dupa, 
 but the old language contained many words in particular cases, 
 which were formed immediately from a verbal root ; besides which, 
 however, other and full forms came into general use. Thus we have 
 <5<j in place of 6u/ta : icpl in place of KpiBrj : a?.0t in place of u7.6irov t 
 &c. (Kuhner, 303, Anm. 4.) 
 
 Tovvdaopai, 1 sing. fut. indie, of the middle deponent yov- 
 i, " to embrace one's knees" i. e., to entreat, to sup- 
 
 plicate: fut. 00/j.at. From yovv, "the knee." 
 Heiaeadat, fut. infin. middle of xsidu, &c. 
 'Oj. Consult line 59. 
 
 'A.Tre6qaro, 3 sing. 2 aor. indie, middle of axotiaivu, " to 
 depart;" fut. uTro6rjaouai : 2 aor. mid. uTT&rjff6fj.Tiv. Ob- 
 serve that the 2 aor. is here formed with the characteristic of the 1 
 aor., namely, a. Some verbs form their 2 aor. in the same way, 
 while others form their 1 aor. with the characteristic of the 2 aor. 
 (Butlmann, 96, note 9.) It was formerly the custom to regard such
 
 HOMERIC GLOSSARY. 417 
 
 Line 428-433. 
 
 forms as ffyocTo, sdvaero, &c., as derived from the future, and as be- 
 ing imperfects with aoristic force, a doctrine not even yet fully aban- 
 doned. (CarmichacVs Greek Verbs, p. 49.) Such a formation, how- 
 ever, is contrary to the analogy of the language. 
 
 'ETiine, 3 sing. 2 aor. indie, act. of faixu, "to leave ;" fut. Zeiipu : 
 2 aor. e'/.iTtov. 
 
 Aiirov, adverb, " there." Originally a neuter genitive of avrof, and, 
 in full, T* avrov roti TOTTOV, " at the very place." 
 
 LINE 429. Xuo/nevov. Consult line 44. 
 
 'Eijijvoio, Epic and Ionic for EV&VOV, gen. sing. fern, of ev&vof, ov, 
 " well-cinctured." (Consult note.) From et> and &vi], "the lower 
 girdle," in female attire. (Mullcr, Archeeol. d. Kunst, t) 339, 3.) 
 
 Bq?, Epic and Ionic for (3i<j, dat. sing, of pir;, rjf, rj, Epic 
 LINE 430 / < ,, / ,.,,-, 
 
 and Ionic for pta, <zf, n, "force, "violence. 
 
 'AeKovrof. Consult line 301. 
 
 'ATTijvpuv, 3 plur. imperf. indie, act. of uiravpau, " to take away," 
 " to wrest from," &c. Observe that the present uxavpdu, though 
 here given, does not, in fact, occur. The early writers mostly fol- 
 low Homer in using the imperfect with a species of aoristic signifi- 
 cation : thus, arcrivpuv, uKrivpdc, tnrrivpa, &c. We have, however, 
 also the aorist forms axovpas and dirovpunevoc. Consult line 356. 
 
 "IKUVCV, 3 sing, imperf. indie, act. of IKUVU, "to come," "to 
 '' ' proceed to," <Scc. An Epic and lengthened form of IKU. 
 
 'EKaTopGijv. Consult line 65. 
 
 \iptvos, gen. sing, of ?.ifirjv, 6, "a harbor," "a haven." 
 LINE 432. ... , ,, 
 
 Akin to Mftnj. 
 
 H.o7.v?>vQio<;, gen. sing. masc. of iro^.v6ev6i)f, if, " very deep." 
 From TTO^VC. and pev6of, " depth." 
 
 'IKOVTO, 3 plur. 2 aor. indie, mid. of the deponent tKveopai, " to 
 come ;" fut. it;o/i.ai : perf. lyftai : 2 aor. mid. iKopijv. Lengthened 
 form of IKU. 
 
 'Icrria, accus. plur. neut. of iartov, ov, TO, " a sail" of a 
 ship. Properly a diminutive, but only in form, of iarof, 
 "a web," and meaning, originally, any web, cloth, or sheet. Homer 
 usually employs the plural form. 
 
 2m'/lavro, Epic and Ionic for earei^avro, 3 plur. 1 aor. indie, 
 middle of areAAw, " to arrange," " to equip" &c. : fut. crfAoi : 1 aor. 
 lard/.a : 1 aor. mid. eareduftTiv. The radical meaning of this verb 
 is, " to set," ' to place," i. e., make to stand up, fix ; especially " to 
 set in order," " to arrange." Then, collaterally, " to furnish," &c. 
 So ffr?Jlfiv vfja, " to rig or Jit out a ship." From the sense of getting
 
 418 HOMERIC GLOSSARV. 
 
 Line 433-436. 
 
 a ship ready, and the like, comes that of "to dispatch on an expedi- 
 tion ;" and, in general, "to dispatch," " to send,' 1 ' 1 &c. In the middle it 
 here, as elsewhere, appears as a nautical term, laria GT&faaBai, " to 
 take in or furl the sails," &c. 
 
 Qsaav, Epic and Ionic for idsaav, 3 plur. 2 aor. indie, act. of ridrjfu, 
 " to place ;" fut. -&TIOU : perf. redeiKa : 1 aor. edrjua : 2 aor. I6nv. 
 From a radical form i?ew, whence Wipi, and, by reduplication, -&i6rjfU, 
 changed, for euphony sake, into Ti6rj/ni. 
 
 'larov, accus. sing. masc. of t'ordf, ov, 6, " the mast of a 
 ' ship." From larn/M, "to place or set upright." Another 
 meaning, which we have seen elsewhere, is, " the bar or beam of the 
 loom," &c. Consult line 31. 
 
 'luTodoKiy, dat. sing, of larodoKn, nc., i), " a receptacle for the mast" 
 " a mast-hold" a piece of wood standing up from the stern, on which 
 the mast rested when let down. From IOTOC., "a mast," and de^ofiai, 
 " to receive." 
 
 Tls/iaaav, Epic and Ionic for sir&aaav, 3 plur. 1 aor. indie, act. of 
 Tre/la'fw, " to bring near," " to cause to approach," " to bring unto." 
 Used, also, in an intransitive sense, "to approach," "to draw wear;" 
 fut. TTcAaCTw : 1 aor. eTriXaaa. From ue/laf, " near." 
 
 Tlporovoiaiv, Epic and Ionic for irpoTovotc,, dat. plur. of irpoTovoc., 
 ov, 6, "a rope, or main-stay," passing over the head of the mast, and 
 secured at both the prow and stern. (Consult note). From irpo, 
 "in front" and reivu, "to stretch." 
 
 'T^evref, nom. plur. 2 aor. part. act. of v^infii, " to let down," " to 
 lower ;" fut. vfyfiou. From vno and ITJ/J.I, "to send." 
 LINE 435. Kapirahifiue. Consult line 359. 
 
 "Op/iov, accus. sing, of op/fof, ov, 6, " a moorage," " an anchorage," 
 " a berth for a ship." Belongs to the root clpu, Latin sero, " to tie," 
 " to fasten," and akin to elpfioc, " a series." 
 
 Hpoepeacav, Epic and Ionic for Trpor/pfaav, 3 plur. 1 aor. indie, 
 act. of Trpoeplaau, "to row fonvard ;" fut. irpoEpfou : 1 aor. irporjpeoa. 
 From Tr/sd, "foncard," and epsaau, " to row." 
 
 ''Eperfj.nl f, dat. plur. of ipf.Tfios, ov, 6, "an oar." In the plural, 
 however, the neuter form per//a, uv, is usual. From epiaau, "to 
 row." 
 
 "Evvuf, accus. plur. of evvrj, ?/f, TJ, " a sleeper" a large stone 
 : ' used to secure a ship in her place. (Consult note.) Orig- 
 inal meaning, " a couch," "a bed;" then, "a bedfellow," "a sleeper," 
 dec. Akin to evftcj. 
 
 *E6a/lov, 3 plur. 2 aor. indie, act. of j3t'Mu, "to cast;" fut. /?o/lu : 
 perf. /36%T]Ka : 2 aor. ttahov.
 
 HOMERIC GLOSSARY. 
 
 Line 436-444. 
 
 accus. plur. neuter of Trpt-fti-rjcia, ov, rd, " Ike stem- 
 fasts," the regies from a ship's stern to fasten her to the shore. 
 The term is, in fact, an adjective, -pvpi-qaiot, a, ov, ' of, or belong- 
 ing to ship's stern ;" so that jrpiy/i-jjffia, in the plural, has itaua, or 
 cxoivia, " ropes," properly understood. From jrpv/uij, " the item of 
 a ship." 
 
 'Edrfvav. Consult line 406. 
 
 Bali-oi, Epic and Ionic for Matvov, 3 plur. imperf. indie. 
 LINK 43 1. ac{ o j s a - lvu ^ to ^ o ." f ut 3f /G ou<u, 6iC. 
 
 , dat. sing, of ptjyuiv, or, rather, pr,yuif, ivof, 6, properly, 
 " the sea breaking on the beach," 1 " breakers," " surf." This meaning 
 is plainly marked in II, xx., 229, and Od., xii., 214. In other places 
 it is needlessly taken to mean " the rugged leach," and as equivalent 
 to paxia, but even pa^ia has only this sense in Attic. Homer al- 
 ways joins it with d/'.o? or ^O/MC^C, in which cases we may render 
 it by the term " edge." 1 Thus, e-i p^yfuvi ^oJjdaa^^ in the present 
 passage may be rendered, " upon the edge of the set." From pqaau 
 or pfryvvfu, " to break.''' 
 
 Bf,<sm; Epic and Ionic for ifajaav, 3 piur. 1 aor. indie, act. 
 LINE 433. Qf ^-^ Consult line 310, remarks on 
 
 B-;. Epic and Ionic for t'tw, 3 sing. 2 aor. indie, act. of 
 LINE 439. , 
 
 paii-u. 
 
 Ilovro-opoio, Epic and Ionic for TOJTOTTO/XW, gen. sing. fern, of 
 , ov, " ocean trarcrsing," 1 " sailing over the deep.'' From 
 , " the deep,"' and trcipa. 
 
 B//w, accus. sing, of Japtif, ov, o, "an altar." Properly, 
 
 " any elevation whereon to place a thing, " a stand," " base," 
 
 " step," &c., but mostly used of erections for sacred purposes, as an 
 
 altar, with steps leading to it, &c. From /3<i, 3aii-u, conveying 
 
 the idea of ascent. 
 
 Ilo/.ifUiric. Consult line 311. 
 
 LIXE 4-11. $i/M. Taken as a possessive. Consult line 20. 
 TiOci, Epic and Ionic for rridet, 3 sing, imperf. indie, act. of rtBfu, 
 .<:<," poetic and Ionic form for ridr,^ used by Homer only in 
 the 3 sing, imperf., eriBei, and, as here, ridei. Never occurs in At- 
 tic Greek. 
 
 LIXE 442. Xpvtn/, voc. sing, of Xpi)cn?f, or, 6, " Ckryses." 
 
 . .; Epic, Doric, and .Eolic for u-yeiv. Consult 
 line 78. 
 
 Tf fiu, 1 aor. infin. act. of pf^u, " to offer up .-*' fut. 
 LIXE 444. j aor , a Consult line 315.
 
 420 HOMERIC GLOSSARY. 
 
 Line 444-450. 
 
 'IbaaopcffOa, Epic for tt.aaupeda, 1 plur. 1 aor. subj. of the middle 
 deponent l^daKouai, " to propitiate :" fut. Qaoofuu. From l/laof, 
 "propitious." 
 
 TloAvarova, accus. plur. neut. of TTOAVOTOVO{, ov, " produc- 
 LINE 445. . , .... _, 
 
 twe oj many groans, "causing many groans. From TTO- 
 
 %vf and (jrevu, "to groan." 
 
 Kjjdea, accus. plur. of KJjdoc., eof, TO, " wo," " sorrow," especially 
 mourning for one dead. From KJjdu, " to trouble," " to distress." 
 
 'EtifjKev, 3 sing. 1 aor. indie, act. of s<j>ii}/j.i, "to send upon," "to in- 
 flict :" fut. tyrjaa : perf. e<j>eiKa : 1 aor. e<j>7JKa. From kiri, "upon" and 
 iTju, " to send." 
 
 'Efc'faro, 3 sing. 1 aor. indie, middle of dixouai, " to re. 
 LINE 446. . 
 ceive. 
 
 Xaipuv, pres. part, of %alpu, "to rejoice." 
 
 Toi, Epic and Ionic for oi, nom. plur. of 6, 57, TO, the old 
 form for which was r6f, rrj, TO, nom. plur. TO*', rat, TO. 
 'flA-a. Consult line 402. 
 
 KAetr^v, accus. sing. fern, of /cAeirdf, ;?, 6v, "splendid." Properly, 
 "renowned," "famous." From Kfaiu, "to celebrate," "to render fa- 
 mous." 
 
 {, adverb, " in continued order," " in a row," " one 
 
 ' after another." Poetic for e%, and this from 1% U ' ^ ut - 
 Ifw, " to hold on," i. e., to continue, &c. 
 
 "Earrjaav, 3 plur. 1 aor. indie, act. of larr)fj.L, " to place :" fut. arfi- 
 
 au : perf. larnica: 1 aor. laTijca, "I placed:" 2 aor. larnv, " I stood." 
 
 'Evdfifirov, accus. sing. masc. of ivdfj.n-o^, ov, "well-built," or 
 
 "fashioned," of stone work. From et> and 6epu, " to build," " to con- 
 
 struct." 
 
 To, Epic and Ionic for ix f P v ' t i >avT j 3 pl ur - 1 aor - 
 
 ' ' indie, of the middle deponent x f P vmro f iai t " to wash one's 
 hands," i. e., with lustral or holy water, especially before sacrifice : 
 fut. ^epiu'i/io^ai : 1 aor. cxfpvi^uuijv. From x ' l P an( ^ viirru, " to 
 wash." 
 
 OvAojvraf, accus. plur. of ov^oxvraL, uv, ai, " bruised or coarsely- 
 ground barley-meal" (mixed with salt), and sprinkled over the head 
 of the victim at a sacrifice. From ou/.al, "coarse barley," and &, 
 " to pour," "to sprinkle copiously." 
 
 'Av&ovTo, Epic and Ionic for avett-ovro, 3 plur. 2 aor. indie, mid. 
 of uvatpeu, "to take up:" fut. avaipj'iou : 2 aor. avel/.ov : 2 aor. mid. 
 aveih6uTjv. From uvu and aipiu, " to lake." 
 
 To, Epic and Ionic for jyi^ero, 3 sing, imperf. indie. 
 
 ' middle of tv^ouat, " to pray." Consult line 43.
 
 HOMERIC GLOSSARY. 
 
 Line 450-460. 
 
 wv, 2 aor. part. act. of dvixu, " to uplift," " to hold up ;" fut. 
 civt'fw and uvaoxriau ' perf. aviaxn Ka : 2 aor. aviaxov. From dvd 
 and l^w. 
 
 Uupof, adverb, "before," "formerly." In form, irdpof 
 INE ' stands between irapd, rrpo, and npo<;, though, in significa- 
 tion, it belongs to npo. 
 
 *E/c/bef, 2 sing, imperf. indie, act., with aoristic signification, of 
 Mu, " to hear ;" a present, however, which does not occur in the 
 Homeric writings. Compare the Sanscrit cru, Latin duo, aus-cul- 
 to, &c. 
 
 Ev!;apevoio, Epic and Ionic for evi-auevov. Consult line 43. 
 
 , Epic and Ionic for m/iTyaaf, 2 sing. 1 aor. indie. 
 
 ' act. of Ttudu, " to honor ;" fut. TIUJJOU : 1 aor. 
 
 "Ii/>ao, Epic and Ionic for fyu, 2 sing. 1 aor. indie, of the middle 
 deponent l^rouai, "to afflict." More literally, " to press hard," "to 
 press down :" fut. tyopai : 1 aor. tyduTjv. Old form of the second 
 person, tyaoo: Epic and Ionic, tyao : Attic, fyu. From the root 
 ZTTO?, " a weight," " a burden," whence comes, also, inou, 
 
 LINE 455. 'EiriKpijjivov. Consult line 41. 
 
 'E&6up. Consult line 41. 
 
 Aavaolaiv. Consult note on line 42. 
 
 Evfavro, Epic and Ionic for nut-avro, 1 aor. middle of ev- 
 LiNE458. ,, 
 
 Xopai, " to pray. 
 
 Hpo6d?.ovTo, Epic and Ionic for TrpoEfidhovro, or, rather, irpov6dXov- 
 ro, 3 plur. 2 aor. indie, middle of Trpo&U/lcj, "to cast forward," "to 
 sprinkle ;" fut. jrpofioAw : perf. Trpo6e6hr]Ka : 2 aor. irpoedal.ov : 2 aor. 
 midd. npoE6ah,6fir]v or Trpov6a2.6fj.nv. 
 
 \bspvaav, Epic and Ionic for avfjpvaav, 3 plur. 1 aor. in- 
 ' die. act. of avepvu, " to draw back ;" fut. avepvau : 1 aor. 
 avrjpvaa. From aw, " back," and spvu, " to draw." 
 
 "Eff(f>a^av, 3 plur. 1 aor. indie, act. of o<j>d&, " to cut the throat" of 
 a victim, " to slay ;" hence, " to offer in sacrifice." The root is prob- 
 ably ofay, as it appears in the 2 aorist, lo^ayov, and in a^ay^, &c. 
 "Edetpav, 3 plur. 1 aor. indie, act. of 6gpu, "to flay," "to skin," 
 said of animals, &c. : fut. 6epu : 1 aor. tdeipa : perf. SidapKa. Com- 
 pare the Sanscrit dri, " to cut asunder." 
 
 Mrjpovc., accus. plur. of uijpoc., ov, 6, " the thigh;" properly, 
 ' the upper, fleshy part of the thigh, the ham. Homer uses 
 the word of animals only in the phrase prjpovg i^ira^ov. Consult 
 line 40, remarks on [ujpia. 
 
 NN
 
 HOMERIC GLOSSARY. 
 
 Line 460-464. 
 
 'Es-erauov, 3 plur. 2 aor. indie, act. of EKTEUVU, "to cut out;" un- 
 poi'f KTfj.vtv, " to cut the bones out of the thighs before offering them :" 
 fut. c/crfjuu : perf. KTTfj.rjKa. From EK, " out," and reuvu, " to cut." 
 
 Kvicy, dat. sing, of Kviaa, r/c,, r/, " the fat" in which the flesh of 
 the victim was wrapped and burned. Consult line 317, where it 
 occurs in its primitive sense of the savor of a burned sacrifice. 
 
 'EKu/.vipav, 3 plur. 1 aor. indie, act. of KOAVTT-U, " to cover ;" fut. 
 Kakvfyu. The root is KOAV^ or KaAurr, which appears in Ka?.v6r/, /ce- 
 
 accus. sing. fern, (agreeing with Kviaav under- 
 : ' stood), from di-irnt;, gen. diTrrvxoc., an adjective of one ter- 
 mination. (Consult note.) From 6 fa, "twice" and KTVGGU, " to fold." 
 'QuodeTTjaav, 3 plur. 1 aor. indie, act. of uuodereu, "to place the raw 
 pieces" cut from a victim, on the thigh bones, when piled in order, 
 and wrapped in the fat membrane : fut. f/au. Only a poetic word. 
 From uuof, " raw," and Tidnfit, " to place." 
 
 Kate, Epic and Ionic for e/cate, 3 sing, imperf. indie, act. 
 LINE 462. () burn ,, Consult ]ine 52 
 
 f, Epic and Ionic for ax't&is, dat. plur. of ox% a (Epic and 
 Ionic axi&i), gen. r/f, )/, " a stick of cleft wood." From <r^iC", " to 
 cleave." 
 
 AWoxa, accus. sing. masc. of aWo^i, gen. on-of, adjective of one 
 termination, "dark-red," as an epithet of wine. From aldu, "to 
 tern," and uip, " look." Consult remarks on AldtoTrf/ac., line 423. 
 
 Acl6e, Epic and Ionic for IZeifie, 3 sing, imperf. indie, act. 
 : ' of fei6a, " to pour a libation :" fut. ^u. Compare the 
 Latin libarc, libatio. 
 
 Neof, nom. plur. of viof, via, veov, Epic and Ionic veoc., virj, viov, 
 "new" " young." In the plural, veoi, and ol veoi. "youths," " young 
 men." The word vioq must have been, originally, vifoq. Compare 
 the Sanscrit nava, Latin nmus, German neu, and English new. 
 
 "Exov, Epic and Ionic for et^ov, 3 plur. imperf. indie, act. of l^u, 
 "to hold." 
 
 Hs/j.7ru6o?.a, aecus. plur. neut. of ireuirudofov, ov, TO, " a five- 
 pronged fork," used, in sacrifices, for stirring the fire, and especially 
 for holding down the flesh in its place. (Consult note.) From KEU- 
 Tre, ^Eolic for TcevTe, "Jive," and 66o/ldf, same as ofe/vof, "a spit," "a 
 prong." 
 
 T&ilpa, uv, -a, " the thighs." Rarer Homeric plural from 
 ' /J.t/p6g, ov, 6, the plural being formed here in the neuter, 
 by a species of metaplasm ; like 6 de<7/u)f, plur. ra Aeouu.
 
 HUMKKIC ULOrfrfAKY. 
 
 Line 464467. 
 
 , accus. plur. of a^d-/x^'ov, ov, TO, " an imeard part," 
 " an entrail." In the plural, ffTrAuyxva are the " inward parts'" or 
 "entrails," t. e., the nobler parts of them, such as the heart, lungs, 
 liver, which remained in sacrifices to he roasted at the fire, and eat- 
 en or tasted by the sacrificers, as a beginning of their feast. From 
 this it will be perceived that the a-?.d-/xva are the viscera thoracis, 
 as distinguished from the bowels, or viscera abdominis. The term 
 is probably akin to atr7J]v, " the milt," or " fplcen." 
 
 'ErrdaavTo, 3 plur. 1 aor. indie, of the middle deponent -xaTEouai, 
 " to eat," " to feed on," and simply " to taste :" 1 aor. k^aodurjv : perf. 
 nt-xaauai. An Epic and Ionic verb. The a in the radical syllables 
 is always short, which at once distinguishes the aorist EiruadurjV, 
 part. Traadu.t vof , of Tra.Tiou.ai, from EirO.adij.riv, Trdaufievo^, aor. of TTUO- 
 ucu, " to get, acquire," &c. 
 
 Mi'tTTVAAoi', Epic and Ionic for luiaTi'/.J.ov, 3 plur. imperf. 
 indie, act. of uiaTvlJ.u, "to cut into small pieces," "to cut 
 up;" always said, in Homer, of cutting up meat before roasting. 
 Akin, perhaps, to uiTv7.of, /uvril.of, and Latin mutilus. 
 
 'OGeXolaiv, Epic and Ionic for bftel.ot?, dat. plur. of ofeAdf, ov, 6, 
 "a spit." 'OfeAdf is merely /3e?.0f, with o prefixed. 
 
 "Eireipav, 3 plur. 1 aor. indie, act. of ireipu, " to pierce through and 
 through ;" fut. irtfiu : 1 aor. ETteipa : 2 aor. lirapov : perf. pass, iretrap- 
 pai. From xtpaf, " an end," " the last or highest point," &,c. 
 
 'QTTTTjaav, 3 plur. 1 aor. indie, act. of OTTTUU, "to roast;" 
 : ' fut. b-rcTTJffu : 1 aor. uimjaa. Akin 
 
 Uepi<j>pa6euf, adverb, " carefully." From TrepiQpatijjf, and this from 
 7repi<!>p<i&uai, " to think about," " to consider on all sides," " to be care- 
 ful about." Consult remarks on Qpdaai, line 83. 
 
 'EpvaavTo, Epic and Ionic for fipvaavTo, 3 plur. 1 aor. indie, mid. 
 of ipvu, " to draic off ;" fut. epvau : 1 aor. fipvca. The Epic and Ion- 
 ic present is elpvu, fut. rlpvcu, &c. 
 
 UavaavTo, Epic and Ionic for knavaavTo, 3 plur. 1 aor. in- 
 die. mid. of iravu, " to cause another to cease." Middle, 
 " to cause one's self to cease," " to cease ;" fut. TTOVCTW, but no perfect 
 active seems to have been used. 
 
 TETVKOVTO, 3 plur. of the reduplicated 2 aor. mid. of TVX<J, " to 
 prepare ;" fut. rrt'fw : 1 aor. erenfa : 2 aor. ZTVKOV, and, with reduplica- 
 tion, TiTVKov : 2 aor. mid. ETVKOUIJV, and, with reduplication, TervKouriv. 
 
 AaiTa, aecus. sing, of dalf, daiTOf, if, "a banquet," lfc a feast," "a 
 meal." From 6aiu, " to divide," "to distribute," i. e., as a share at 
 banquets, &c.
 
 424 HOMERIC GLOSSARY. 
 
 Line 468-472. 
 
 Aatvvvro, Epic and Ionic for Idaivwro, 3 plur. imperf. in- 
 : ' die. middle of daivvfu, " to feast." Literally, "to distrib- 
 ute," assign as a share, especially at meals or banquets : fut. mid. 
 daiaouai. From 6aiu, " to divide," " to distribute." 
 
 'Edeuero, 3 sing, imperf. indie, mid. of the deponent devouai, " to 
 feel the want of" " to be deprived of;" fut. devriaouai. There is also 
 an active form Sevu, but of less frequent occurrence. Observe that 
 devu and dtvouai are Epic and ^Eolic for 6eu and dtouai. 
 
 'Elanf, gen. sing. fem. of liaos, star/, elaov, Epic and poetic length- 
 ened form from loos, ^ ov, " equal" "alike." 
 
 UoaLOf, gen. sing, of Ttoaif, tof, TJ, "drinking." From irivu, 
 LINE 469. &,, to drink 
 
 'Edqruoc, gen. sing, of e6r;TVf, vo, r/, "eating," "food." From l&u, 
 " to eat." 
 
 'E, " away." Adverb in Homer. Afterward a preposition. 
 
 "Epov, accus. sing, of epof, ov, 6, the oldest, but a merely poetic 
 form of Ipuf, "desire," "love." 
 
 "EVTO, 3 plur. 2 aor. indie, middle of tr/ui, "to send," "to send 
 away;" more freely, "to take away;" fut. fjesu : 1 aor. rjKa : 2 aor. 
 mid. tyr/v, IPO. &c. 
 
 Kovpoi, nom. plur. of Kovpof, ov, 6, "a youth," "a boy." 
 Epic and Ionic for ndpoi, from /cdpof, ov, 6. As regards 
 the derivation, consult remarks on Kovprjv, line 98. 
 
 KprjTijpaf, accus. plur. of KptjTqp, f]po$, 6, Epic and Ionic for KpaTt/p, 
 ijpof, 6, "a mixer." (Consult note.) From Kfpdvwpi, " to mix." 
 
 'EireareipavTo, 3 plur. 1 aor. indie, mid. of iTriaretyu, " to fill brim 
 high" (consult note) : fut. eniaTfyu : 1 aor. k-rclarei^a : I aor. mid. 
 e7reoTeTl>u[i.T]v. From eni and are^w, " to crown," &c. 
 
 HoToto, Epic and Ionic for KOTOV, gen. sing, of ITOTOV, ov, TO, 
 "drink." Observe the distinction between this form and KOTOS, ov, 
 6, " a drinking-bout," &c. From mvu, TTUOU, " to drink." 
 
 , Epic and Ionic for svupr/oav, 3 plur. 1 aor. in- 
 
 die. act. of vufj.au, " to distribute ;" fut. vuuqcu : 1 aor. 
 
 From veuu, " to distribute." 
 
 pewi, nom. plur. 1 aor. part, middle of emipxu- (Consult 
 note.) 
 
 AeTraeffffiv, Epic and Ionic for deKaaiv, dat. plur. of dsiraf, aof, TO, 
 "a cup." 
 
 iot, nom. plur. masc. of navriuipios, a, ov, " all day 
 
 long-," " doing a thing all day." From Trdf, " all," and 
 " a day."
 
 HOMERIC GLOSSARY. 425 
 
 Line 472-477. 
 
 MO/ITT^, dat. sing, of noTi-ny, f]f, n, " song." Sometimes said of 
 song and dance combined, in honor of a deity. In the present pass- 
 age, however, it refers to song alone. From /ZE/ITTW, " to sing," &c. 
 'IXdaKovTo, 3 plur. imperf. indie, of the middle deponent i^doKo/^ai, 
 "to propitiate," "to appease;" fut. t/.uffOyuaf. From <Aoof, "propi- 
 tious." 
 
 'AeidovTce, nom. plur. pres. part. act. of det'dw, " to sing," 
 LINE 473. Epjc and Ionjc for ^ . fut ff(j Consu i t i ine L 
 
 Ilatf/ova, accus. sing, of -r^aifjuv, ovof, u, " a paan," " a festal hymn." 
 (Consult note.) From llaidv, an appellation of Apollo as the heal- 
 ing deity ; the burden of the song being irj or tw UULUV, in thanks- 
 giving for deliverance from evil. 
 
 LINE 474. 'EKucpyov, " the far-working one." Consult line 147. 
 
 Teprrero, Epic and Ionic for ereprrero, 3 sing, imperf. indie, pass. 
 ofripnu, " to delight ;" fut. repTpu : 1 aor. Irsp^a. The Greek rep- 
 Tfu is the Sanscrit trip, "gaudere," "satiari." Probably akin to 
 rptipu. 
 
 'H/uof, " when," Epic, Ionic, and poetic adverb. Doric 
 ' ' form J/iof. The Attics employ ore in its place. Not to 
 
 be confounded with j^of, JEol. upog, 
 
 'Htf.LOf, Epic, Ionic, and poetic for r}/Uof, ov, 6, "the sun." 
 KaTfdv, 3 sing. 2 aor. indie, act. of Karadvu, or Karaduvu, " to go 
 down," " to go under ;" fut. naradvau : 1 aor. Kartdvaa : 2 aor. Kare- 
 6vv. From KO~U, " down," and 6uu or dvvu, " to go," &c. 
 
 Kvlipaf, cof, TO, "darkness." In Attic the genitive is Kve<j>ovf : in 
 later writers, also nvi^aro^. Attic dative nve$a, but Epic always 
 KveQai. From ve<t>of , " a cloud," " mist," &c. : akin to yvo<f>o<; and 
 
 o, Epic and Ionic for iKoifir/aavro, 3 plur. 1 aor. 
 : ' indie, middle of KOLJJLUU, "to lull another to sleep." In the 
 middle, "to lull one's self to sleep," "to lie down to sleep:" fut. TJOU. 
 Akin to Keifj.ai, K<Jfia, and Latin cumbo and cubo. 
 Hpv[ivi'i<ria. Consult line 436. 
 
 child of the morning," " daughter of the dawn." 
 
 ' ' Feminine form of 7/pi-yEvrje, and always employed as an 
 epithet of 'Hoif, or "Aurora." From qpi, "early," "at early dawn," 
 and the radical yivu. 
 
 $dvn, Epic and Ionic for tyuvi], 3 sing. 2 aor. indie, pass, in a mid- 
 dle sense, of <j>aivu, " to show another ;" in the middle, " to show oe's 
 *elf," " to appear :" fut. <j>avu : fut. mid. Qavovpat : 2 aor. act. l<pa- 
 N N 2
 
 42t> HU.MKKIL 
 
 Line 477-482. 
 
 vov: 2 aor. pass. EOU.VIJV. Lengthened from the root pa-, which ap- 
 pears in <pdof, "light :" Sanscrit bhd, " lucere." 
 
 'Po6odaK~v/.of, ov, " rosy-fingered," an epithet of 'Hoif, " Aurora," 
 or the morning-red. From podov, "arose," and dd/fru/of, "a finger." 
 
 'Htif, gen. J?6of, contr. yoUf : dat. 7/6t, contr. ?/ol: accus. i/oa, contr. 
 7?(i, "Aurora," " the morning-red," "daybreak," "dawn," &c. In the 
 present passage, Aurora, the goddess of the morning, i. e., the morn- 
 ing personified. 
 
 'Avayovro, Epic and Ionic for uvqyovTo, 3 plur. imperf. in- 
 LiNE478. dic mjdd i e of <i t , 7U (Consult note.) 
 
 "\Kuevov, accus. sing. masc. of inuevof, /, ov, "fair,''' "fa- 
 : ' vorable." Used only in the phrase IKUEVOQ ovpor, " a fair 
 breeze." Probably from /K//df, iKuaivu, "smooth," "softly gliding,'' 
 opposed to a rough, boisterous wind. According to others, who 
 write IKUEVOS with the rough breathing, it comes from invsouai, and 
 denotes a following, and so a favorable wind. Compare the Latin 
 ventus secundus. 
 
 Ovpov, accus. sing, of ovpoc,, ov, 6, "a fair wind or breeze," right 
 astern, and best derived, therefore, from ovpd, "a tail-wind,'' "a 
 stern-wind." 
 
 'let, 3 sing, imperf. indie, act., Epic and Ionic (as from a form if.u), 
 of irjfj.1, " to send." Compare remarks on uoiei, line 25. 
 
 2i-7/(ra>ro, Epic and Ionic for tarr/aavTa, 3 plur. 1 aor. in- 
 die. mid. oflaTTjfii, " to place," "to set up," "to erect." 
 Heraaaav, Epic and Ionic for e-lrarrav, 3 plur. 1 aor. indie, act. 
 of TTETUVVVUI, " to spread," " to expand ;"' Alt. ^reruau : 1 aor. t^eraaa. 
 Akin to Trerouai, ^erapai, " to spread the wings in flight." 
 
 Hpf/aev, Epic and Ionic for sTtpnaev, 3 sing. 1 aor. indie. 
 ' act. of npfjdu, " to blow," " to stream powerfully :" fut. xpr)- 
 
 au : 1 aor. inprjaa. Hence irp^arrip, "a violent icind." 
 
 ?, dat. sing, of ffreipn, qf, ?/, Epic and Ionic for arei- 
 
 IXE ' pa, af, f/, " the keel of a ship." More literally, " the stout 
 beam of a ship's keel," especially the carved part of it, the cutwater. 
 Strictly speaking, the feminine of areipoc, a, ov, "firm," "stout," 
 "solid." 
 
 Hoptivpeov, "dark," nom. sing. neut. of rrop6vpeof, a, ov, Epic 17, 
 ov : Attic TTop<t>vpovf, u, oiiv. The first notion of this adjective was 
 probably of the troubled sea, " dark," "purple," as coming from irop- 
 (jrvpu (probably a reduplicated form of $vpu), " to grow dark," and 
 said especially of the sea ; as in the following : (if ore x-opyvpr/ ireAa- 
 yoq fitya KVUCLTI KU^U, "as when the vast sea grows dark with its
 
 HUMEK1C 
 
 427 
 
 Line 482^88. 
 
 dumb swell" (i. e., with waves that do not break ; opposed to KO/.IJJ 
 u/lf), //., xiv., 16. Afterward used to indicate dark-red, but varying 
 in shade, &c. The common derivation from Tri'p and <j>epu is erro- 
 neous. 
 
 Meyci/.a, neut. accus. plur. of /ut'yaf, taken adverbially. 
 
 'la-xe, 3 sing, imperf. indie, act. of lu,x u > " lo roar;'' fut. iaxr/au: 
 perf. lax.o.. 
 
 'E6efv. 3 sing, imperf. indie, act. of i?e'w, " to run," fut. 
 
 LINE 483. , - 
 
 vevoofiat 
 
 Epic and Ionic for 6ia~puaGovaa, nom. sing. fem. 
 pres. part, of 6ta-pr/aau : fut. tiiapytiu, Epic and Ionic for Jmn-pucr- 
 au, fut. diaxputu, " to accomplish," " to perform." From dm and 
 
 K.E/.sv6nv, accus. sing, of K&evBof, ov, 7/, "a route" "a course" 
 &c. In the plural, ru Ke/.evOa. According to some, from /ce/lAw, c- 
 /(evu : but more naturally from the radical i/.ei'du, " to come or go." 
 'Hxeipoio, Epic and Ionic for fj-eipov, gen. sing, of f/- e 
 
 LINE 485. fl ^ ^ ^ shore -, Lit era iiy, ' the main-land," but in Ho- 
 mer usually said of the land as opposed to the sea. Usually derived 
 from aetpof, "boundless," &C., scil. yrj. 
 
 'Epvaaav, Epic and Ionic for f/pvaav, 3 plur. 1 aor. indie, act. of 
 fpvu, " to drag," " to draw." Consult line 466. 
 
 LI.VE 486. "f\i>of, adverb, " high," " high up." From inpof, "height." 
 ^apudoif, dat. plur. of ^uuaOo^, ov, ij, " sand" especially of the 
 sea-shore; also the sandy shore itself. A poetic form of \l><iu/j.o<;, 
 which last is from tyau, "to crumble away," "to comminute." 
 
 "Epuara, accus. plur. of epuo, arof, TO, "a prop." (Consult note.) 
 Tdwaaav, Epic and Ionic for irdvvaav, 3 plur. 1 aor. indie, act. 
 of ravvu. "to extend;" fut. rairvau : perf. pass, rtro.wau.ai. This 
 verb, like many others in -vu, passes into -vui, as ravvui, whence the 
 passive -avvuai, in 77.. xvii., 393. From a root rav, akin to rev, as 
 in Sanscrit tan, " extendere." Compare reivu, fut. rev-ti, and re'vof, 
 rfvuv, as also the Latin ten-do, ten-co, tcn-us, ttn-or ; the German 
 diinn, and English thin. 
 
 'EovcnJvavro, 3 plur. imperf. indie, mid. of aicio'vr/ui, "to be 
 'scattered." In the middle, " to scatter themselves." A col- 
 lateral form of OKf^uvvvuat. The active aKidvnut seems to remain 
 only in compounds. 
 
 e, Epic and Ionic for tufivic, 3 sing, imperf. indie, act. 
 
 : ' of finviu, "to cherish wrath;" fut. pijviau. From 
 " wrath."
 
 428 HOMERIC GLOSSARY. 
 
 Line 488-495. 
 Consult line 421. 
 
 Consult line 421. 
 LINE 489. Aioyevtif. Consult line 337. 
 
 llrjleof, gen. sing, of Tlnlevf, gen. e'<jf, Ionic ^of, " Pcleus." The 
 Epic poets sometimes, as in the present instance, shorten the final 
 long vowel in the genitive, for the sake of the verse. Thus, Fljz/.e'of, 
 for Hrj/.EUf. 
 
 TluLiaKsro, Epic and Ionic iterative imperfect, 3 per- 
 LINE 490. . , , , . . 
 
 son singular for EXU/.SITO, from Trut.eofj.ai, " to go or 
 
 come frequently to a place." The Ionic, but more especially the Epic 
 dialect, and frequently, in imitation of these, the tragic style, form 
 a peculiar imperfect and aorist form in -CGKOV, -EGKEC, -COKE, and in 
 the middle or passive -etf/c6//??j>, -EOKOV, -EOKETO, to indicate an action 
 often repeated, and hence this is called the iterative form. (Kuhner, 
 $ 110, 1.) 
 
 Kvtiiiiveipav, accus. sing, fern., as if from a masculine in -uvwp, 
 "making men illustrious." (Consult note.) From KVOOC, "renown," 
 and uvrjp. Compare punavzipy, line 155. 
 
 $6ivv6eaKE, 3 sing, imperf. indie, act. : iterative form for 
 
 eydivvde, from <t>6ivi>6u, " to pine away ;" and also transitive, 
 
 "to waste away," "to cause to pine." Observe that yOivvOu is a po- 
 
 etic form for Qdivu, and, as regards the termination -ecr/ce, consult 
 
 line 490. 
 
 Qitov, " his." Taken as a possessive. Consult line 20. 
 
 At'0t. Adverb, shortened from avrodi, " there," " on the 
 spot." Said, also, of time, "forthwith," "straightway." 
 
 3 sing, imperf. indie, act. : iterative form for emfiei, 
 from TTo6u, " to long for ;" fut. usually Ttodqau, also -^o6eaofj.aL : 1 aor. 
 eirddeaa, in Attic usually ~66i]aa. From 7r60of, " a longing." 
 
 'AVTTJV, accus. sing, of avrfi, ^f, fj, " a battle-cry." Homer is fond 
 of joining UVTTJ re TrroAt/idf re, as in the present passage. 
 LINE 494. 'laav, 3 plur. imperf. indie, act. of dfii, " to go." 
 
 , 3 sing, imperf. indie, act. of upxu, "to begin," "to 
 
 LINE 495. - io ia ] ie the 1ea ,i^ &c . f ut 
 
 AqdETO, 3 sing. 2 aor. indie, mid. of Aavduvu, "to escape notice." 
 Middle, " to forget" i. e., to cause a thing to escape one's own no- 
 tice : fut. Mjcu : perf. Ae'/^fla. Middle, favddvoftai, fut. A>?aro//ai : 2 
 aor. ihadopTiv. Lengthened from the root Aa0. Compare Latin 
 lat-eo. 
 
 'EQET/teuv, Epic and Ionic for e^er^wv, gen. plur. of 
 "an injunction." Poetic word, from
 
 HOMERIC GLOSSARY. 429 
 
 Line 496-502. 
 
 'Eov, gen. sing. masc. of the possessive sof, &?, iov, Epic 
 ' and Ionic for 6c, ;}, ov, " fas, her, its." 
 
 'Avetivaero, 3 sing. 2 aor. indie, mid. of avadvopat, " to emerge ;" 
 fut. uvttdvffo/ttM. Consult remarks on inrsStjcfero, line 428. 
 
 'Hepin, " amid Me mi*f o/ Me morning" (consult note) : 
 1 ' nom. sing. fern, of j/fyjof, rj, ov, Epic and Ionic for ulpioc,, 
 
 a, ov, from ar/p, in the sense of "mist," " haze.' 
 
 LINE 498. Evpev. Consult line 329. 
 
 EvpiioTra, accus. sing, of evpvoif), -OTTOC, o, " Me wruZe thundering,' 1 '' 
 from t>/nif, and 61/1, " Me rozce :" better than urfj. If, however, wt/ 
 be adopted as one of the component parts, the term will then signify, 
 "far-glancing," "far-seeing." Voss defends the derivation from ui}>, 
 which must be taken in Orpk. Lith., 18, 60. 
 
 Kpovidr/v, accus. sing, of Kpovcdrjs, ov, 6, " the son of Salurn," i. e., 
 Jove. A patronymic from Kpovof, " Saturn." 
 
 "Arrp. Adverb, construed with the genitive, "apart from." Only 
 poetic. 
 
 Kopv<f>y, dat. sing, of KopvQrj, }f, 77, '' a summit," "a peak." 
 : ' From Kopvf, ' the head," and this from the radical nop, 
 as denoting the sun, with the kindred idea of elevation. 
 
 TlotoSeipudoi;, gen. sing, of TroPturfetpuf, -eiJof, o, " many-peaked." 
 (Consult note.) An epithet of mountains, as here of Olympus, and 
 pointing to the existence of many ridges. 
 
 LINE 500. Udpoiff. Consult line 360. 
 
 KaOe&To, 3 sing, imperf. indie, mid. of Kadi&. Consult line 48. 
 
 Tovvuv. Consult line 407. 
 
 S/ca/j, dat. sing. fern, of anaiac., TI, ov, Epic and Ionic for 
 
 ' OKaiof, ti, ov, " left," and answering to the Latin scavus, 
 
 which last comes from its digammated form <r<ca</"6f. Compare the 
 
 English skew, and low German schief. With OKan) here understand 
 
 ?), dat. sing. fern, of degirepof, rj, ov, Epic and Ionic for 
 iTfpo$, u, ov, lengthened form for deftof, "right." Supply here 
 as in the previous word. 
 
 'AvSepeuvof, gen. sing, of uvdepeuv, -Jivof, o, "the chin," especially 
 the under part. Some derive it from uvdeu, others from u6rjp, " the 
 beard or spike of an ear of corn," whence uv6ept!-, in same significa- 
 tion ; but the former is more probable, since Homer himself uses 
 uvBelv of the sprouting of the beard (Od., xi., 320). 
 
 LINE 502. \icaofiiv7). Consult line 15.
 
 430 HOMERIC GLOSSARY. 
 
 Line 503-510. 
 
 "Ovjjaa, Epic and Ionic for uvrjaa, the augment being drop- 
 
 ped ; 1 sing. 1 aor. ind. act. of bvivri/ii, " to aid," " to prove 
 
 of advantage to" "to help ;" fut. 6vj?crw : 1 aor. uvrjea. Reduplica- 
 
 ted from a root 'ON-, which appears in the derivative tenses and 
 
 forms. 
 
 LINE 504. Kpr/r/vov ti/.8up. Consult line 41. 
 
 Ti/ujaov, 2 sing. 1 aor. imper. act. of riudu, " to honor :" 
 LINE 505. ,. . , - , 
 
 tut. TLfj.rjau : 1 aor. e~t.fj.riaa. from TI/J.TJ, "honor. 
 
 'QKVfj.opuTa.~oc, superlative degree of uicdfiopoc,, and this from UKVC, 
 " swift," and [i6po, "fate." 
 
 'E-'/.e-", 3 sing, imperf. indie, mid. of irehu. Consult line 
 418, and note on the same. 
 
 Miv. Consult line 29. 
 
 LINE 507. Consult line 356. 
 
 LINE 508. ITe/a. Consult note on line 131. 
 
 Tioov, 2 sing. 1 aor. imper. act. of T'LU, "to honor;" fut. TLCU : 1 
 aor. snaa. Not to be confounded with -ivu. Compare line 42. 
 
 '0/.v^.-:iE, voc. sing. masc. of 'O/.vpiuof, ov, " Olympian," an epi- 
 thet of Jove, as monarch of, and dwelling on, Olympus. Sometimes 
 applied, also, to the other deities. Consult line 18. 
 
 MJJTISTO, voc. sing, of PJTIETU, -ac, 6, Epic and ^olic form for firj- 
 Tiirris, ov, 6, " an adviser," " a counselor." In the present passage, 
 however, it has the force of an adjective or epithet, "counseling," 
 " all-wise." From /xrjric, "counsel,"' "advice;" like btiiqrijf, from oQic, 
 and iro/.tij-rjc, from nd'f.iq. 
 
 , adv., "for so long a time." Corresponding to the 
 
 ' relative form bopa. Sometimes it stands absolutely, 
 " meanwhile" the time referred to being before known. 
 
 Tpwfom. Consult line 408. 
 
 Ti6si, 2 sing. pres. imper. act. of ri6iu, "to place." Consult line 
 441. 
 
 Kparof, accus. sing. neut. of /cparof, -tof, TO, "might" "power," 
 "strength." Probably akin, in its poetic form Kuprof, to the Ger- 
 man hart, and English hard. 
 
 Ti-uaiv, 3 plur. 1 aor. subj. act. of TIU, "to honor." 
 LINE 510. Consult line 508 
 
 'O(j>A/M-t.v, 3 plur. pres. subj. act. of b<f>eA?.u, "to increase;" fut. 
 oQeTiti : 1 aor. uysi/.a. An old poetic verb, not to be confounded 
 with 66/-Aw, " to owe." Homer only uses the present and imper- 
 fect active and passive, and ^Eolic opt. aor. bdEHr/ev. Compare 
 line 353
 
 HOMERIC GLOSSARY. 431 
 
 Line 510-513. 
 
 'E, accus. sing, of the pronoun of the third person, without nomi- 
 native, and always enclitic. Frequent in Homer, but rare in Attic, 
 as there the compound iavrov is used for e when the latter is reflex- 
 ive, and otherwise the simple avrov. Consult, as regards the old 
 nominative of t, Anthori's enlarged Greek Grammar, p. 203. 
 
 Ne(f>e%.t]-yfpeTa, nom. sing, of veQetyyeplTii, gen. -af, 6, Epio 
 
 and yEolic for ve^eA^yeprnyf, -ov, 6, " the cloud-collector,' 1 '' 
 
 used here as an epithet, " cloud-collecting" from vcQ&n, a cloud," 
 and dyeipu, "to collect." The genitive-form vfdfXqyeperao, employ- 
 ed by Homer (1L, v., 631, &c.), is from ve^eA^peraf, Doric for 
 
 'AKUV, " in silence," " silently." In form a participle, but 
 ' used by Homer as an adverb, and occurring even with a 
 plural verb ; as, UKSUV taiwade (Od., xxi., 89). We find it also in 
 the dual, aKiovre(Od., xiv., 195), but never in the plural. Although 
 uxeovaa occurs in the Iliad and Odyssey, yet UKSUV stands also with 
 feminines (II., iv., 22). Akin to the Latin taceo. Buttmann suppo- 
 ses an adjective uKaof, "non hiscens" (a, priv., and x^ u < X a ^ vu ' hisco), 
 i. e., silent: then, from the feminine amlav would have come into 
 the Ionic dialect tiKenv and UKJJV, and from the neuter singular UKUOV 
 would be formed OKKUV, according to the analogy of IXaov, Ifauv. 
 (Lexil., p. 73, ed. Fishlake.) 
 
 krjv, adv., "long," "for a loiig time." Akin to fii) and fjSri. 
 
 'Hare, " he sat" 3 sing, imperf. indie, of iiuai, " I sit :" thus, qp/v, 
 r/ao, r/aTo, &c Strictly speaking, however, quai is a perfect, and 
 71/j.rjv a pluperfect of &[iai : and the literal meaning of the former is, 
 " I have seated myself, and remain scaled," i. e., " I sit ;" and of TJftijv, 
 " / had sealed myself, and remained scaled," i. e., " / sat :" fut. idov- 
 fj.a.1. There is no such active as e^u, " to set," " to place ;" though, 
 as if from it, we have the transitive tenses, ilaa, mid. eladfw : fut. 
 mid. tloouai, &c. 
 
 "Hr/'aro, 3d sing. 1 aor. indie, mid. of arrrw, "to attach" "to con- 
 nect ;" in the middle, "to attach one's self to any tiling," " to touch :" 
 fut. uipu : 1 aor. act. ?^>a : 1 aor. mid. fiipu/ir/v. Root probably the 
 same as the Sanscrit ap (compare the Latin ap-iscor), with the copu- 
 lative prefix d = sa : hence, also, cap-io, ap-to ; and hence the Ger- 
 man haften, heftcn. 
 
 LINE 513. "i2f, for ovrur. Observe the accentuation. 
 
 'E^Ero, 3 sing, imperf. indie, mid. of f^w, "to hold," "to have;" in 
 the middle, " to hold one's self to," " to cling to :" fut tfu. 
 
 'F.ii-rtfirrTn. Kpio for rinrFAi'KrTn. nnm sing. frm. pprf. part. act. of
 
 432 HOMERIC GLOSSARY. 
 
 Line 519-518. 
 
 ku<pvu, " to grow on," " to grow unto, 1 ' " to be in," &c., " to be rooted 
 in;" fat. eu<j>vau, &c., from kv and tyvu. 
 
 Elpero, "said,'" "spoke," 3 sing, imperf. indie, mid. of clpu, "to 
 apeak," " to say ;" in the middle, besides these meanings, it signifies 
 " to cause to be told unto one" "to ask." 
 
 ec., "for certain." Properly the neuter sing, of the 
 
 INK ' adjective vyuepTT/c, -e'f, " unfailing," " unerring," but used 
 here, and more frequently, also, elsewhere, as an adverb. From 
 V7}-, negative prefix, and duap-dvu, "to err," "to fail," &c. 
 
 "Y-Koaxeo, 2 sing. 2 aor. imper. of the middle deponent iixiaxveouai, 
 -ovuai, " to promise :" fut. VTroffxnoouai : 2 aor. VTreaxounv : 2 aor. im- 
 per. inroaxov, old form v^6ax fao > Epic and Ionic VTCOCTXEO. Strictly, 
 only a collateral form of inr^o/zat, which accordingly supplies sev- 
 eral of its tenses. 
 
 Karuvevaov, 2 sing. 1 aor. imper. act. of Ka-avsvu, "to nod," espe- 
 cially " to nod assent," " to ratify a promise with a nod ;'' fut. Kara- 
 veiiaouai. From Kara and vtvu. 
 
 c, Epic for aireiTrs, 2 sing. 2 aor. imper. act., from 
 
 atroeiirelv, for curEnrelv, " to refuse." Literally, " to speak, 
 sny, or tell out boldly or bluntly :" from U.TTO and d-elv. 
 
 nom. sing. masc. 1 aor. part. act. of bxBeu 
 
 strictly, " to be heavy laden,'' but only used in a metaphor- 
 ical sense, " to be heavy or big with anger, wrath, grief," &c., ' to be 
 vexed or greatly disturbed in spirit," especially in so far as this is ex- 
 pressed in words (consult note) ; fut. oxOrjcru. An Epic term, prob- 
 ably from uxGof, " a burden," " a heavy load," only differing from 
 axOouai in that this was used strictly of bodily burdens, as well as 
 metaphorically, but o^Weu only metaphorically. 
 
 Aot'yta, nom. plur. neut. of ?.oh/io, -tov, " mischievous." 
 LINE 518. More literally, "pestilent," "deadly:" from ?.ofyof, "ruin," 
 "mischief." 
 
 'ExOodo^ffat, 1 aor. infin. act. of ex^ 0007r ^ u > " ' quarrel with," "to 
 become an enemy to ;" fut. exdooorrrjau : from e^0o(5o7r6f, " hateful," 
 "hostile." According to Buttmann (Lcxil., s. v. e^odoT^crat). the 
 form exSodoKOf comes from Ex@Pf an ^ OTTTU, o^ouai, and signifies, 
 properly, "hostile-looking;" but probably it is only a lengthened form 
 of kxQpbc., like dAAodaTOf, f}ue6air6f, &c., a view which appears to be 
 confirmed by the accent. 
 
 'Etyriacic, 2 sing. fut. indie, act. of tyiyui, " to incite" " to stir up;" 
 fut. eQqau : 1 aor. c^/ca : Ionic and Epic kbtriKa : from eiri and Inui.
 
 HOMERIC GLOSSARY. 433 
 
 Line 519-526. 
 
 LINK 519. 'Hpy. Consult line 400. 
 
 'EptQrjaiv, Epic and Ionic for cpllfy, 3 sing. pres. subj. act. of epeOu, 
 " to provoke" for which its derivative epe6i& is more usually em- 
 ployed. Akin to Ipif. 
 
 'Ovi6eioif, dat. plur. neut. of bveideioc., ov, "reproachful," "injuri- 
 ous:" from bveldoe, "reproach,'" "blame," &c. 
 
 'Exfeaoiv, Epic and Ionic for exeaii>, dat. plur. of ETTOS, eof, TO, " a 
 word." 
 
 f?, 3 sing. pres. indie, act. of VSIKEU, " to taunt," " to 
 
 E ' vex," "to annoy;" and also, "to wrangle with," &c. ; fut. 
 veiKsau. This verb is hardly to be found except in Epic poets and 
 Ionic prose; though the substantive velicoc. is used by the tragic wri- 
 ters, and now and then in Attic prose. 
 
 'Af>7/yeii>, pres. infin. act. of apr/yu, "to aid,"' " to help," &c. ; fut. 
 iipfit-u. Akin to upaso, epiiKU, arceo, an, area. (Pott, Etymol. Forsch., 
 i., 271.) 
 
 'Airoanxt, 2 sing. 2 aor. imper. act. of axoardxu, " to go 
 IXK d ' away ;" especially, " to go back" " to go home ;" fut. a-o- 
 GTfi^u : 2 aor. uTrearixov : from inro and oret^w, " to go." 
 
 No;;u/, 3 sing. 1 aor. subj. act. of vocu, " co perceive," "to ob- 
 serve ;" fut. vorjau, &c. Consult line 343. 
 
 MeAjJorrot, 3 sing. fut. indie, mid. of //t'Au, " to le an object 
 of care ;" fut. uelrjau. Most usually employed in the 3d 
 
 person sing, and plur. of act. pres. p.i7.tt, n&ovat : imperf. tyc^e : fut. 
 
 Hetyaei : inf. pres. and fut. fifkeiv and pcAijasiv. In the present in- 
 
 stance the middle is employed in an active sense for fj.e7.fiau. The 
 
 object is in the nominative, the person in the dative. 
 
 TeAeffCTw, Epic and Ionic for relJou, 1 sing. 1 aor. subj. act. of TE- 
 
 teu, " to accomplish ;" fut. reteau : 1 aor. ET&saa, &C. : from T^of, 
 
 " an end," " an accomplishment." 
 
 UtTtoidrjc., 2 sing. 2 perf subj. act of xeiBu, " to persuade ;" 
 fut. Treiatj : 1 perf. Tre'rreiKa : 1 aor. faciaa : 2 perf. (in- 
 
 transitive), iTCTroiOa, " I trust," " I rely." 
 
 'Efiedsv, poetic genitive for epov, in Homer and the Attic 
 ' writers : never enclitic. 
 
 , TO, Epic indeclinable form for the more usual r/c- 
 INE " ' f^ap, TO, also indeclinable : " a sign," " a token." 
 
 , nom. sing. neut. of nra^.ivdyperof, -ov, " revocable ;" 
 more literally, "capable of being taken back:" from itu'Mv, "back," 
 and aypeu, " to take." 
 
 Oo
 
 434 HOMERIC GLOSSARY. 
 
 Line 526-530. 
 
 'ATTortyXov, nom. sing. neut. of dnaTnhoc,, -6v, " accustomed to de- 
 ceive," "guileful:" from UXUTTI, "deceit," "guile." 
 
 'h.T&ei>Tt)Tov, nom. sing. neut. of drsXevTr/TOf, -ov, " not to 
 be accomplished,''' "not coming to an end or issue :" from a, 
 priv., and Tfhevrdu, " to accomplish." 
 
 Ka-avEvcu, 1 sing. 1 aor. subj. act. of /caravevw. Consult line 514. 
 
 LINE 528. 'H. Consult line 219. 
 
 Kvavfymv, Epic and Ionic for Kvavfaic,, dat. plur. fern, of Kvdveof, 
 a, ov, "dark;" strictly, "dark blue," "glossy blue." From KVOVOC., 
 " a dark-blue substance," used in the heroic age to adorn works in 
 metal, especially weapons and armor. Akin, perhaps, to the San- 
 scrit cjama, "dark," " livid." (Pott, Etymol. Forsch., i., p. 116.) 
 
 'OcjpvaL, dat. plur. of oopve, -vac., i), "the eyebrow." Akin to the 
 Sanscrit bhru, Persian abru, and English brow. 
 
 'Au(>p6aiai, nom. plur. fem. of ufi6p6aioc,, a, ov, " immor- 
 tal," "tlirine," "divinely beauteous;" Strictly, "ambrosial," 
 i. e., of or belonging to ambrosia, the fabled food of the gods, as 
 nectar was their drink. Every thing belonging to the gods is called 
 ambrosial, that is, divine, or divinely beauteous ; their hair, their robes, 
 sandals, anointing oil, voice, and song ; even the fodder and the 
 mangers of their horses. It is said also of all things that appear 
 more than mortal in greatness or beauty, like our terms "godlike," 
 "diemc." From u^dpocia, "ambrosia," with which compare the 
 Sanscrit amrita, or cup of immortality, through the intermediate uu- 
 tpoToc., " immortal." Consult line 598. 
 
 XaiTct, nom. plur. of j<u'r?;, rjf, Jj, " a lock of hair," " long, loose, 
 and flowing hair," used by Homer in both the singular and plural of 
 men's hair, and also of horses' manes. Not used in prose except in 
 the signification of mane (Xen., Eq., v., 5 and 7). Probably akin 
 to x? u > " to pour out," &c. 
 
 'E^eppuaavTo, 3 plur. 1 aor. indie, mid. of the deponent extppuouat, 
 " to flow," "to roll downward upon a thing," "to stream one upon the 
 other." From eiri and piJofj.ai, "to rush," &c. 
 
 of, gen. sing., assigned with the dative apart, accusa- 
 
 ' live Kpura, &c., as a collateral and poetic form of ndpa, 
 " the head." No nominative A-pdf is found except in the grammari- 
 ans. (Cramer, Anecd., iii., 385.) Sophocles has TO Kpura as nom. 
 and aecus. neuter. (Philoct., 1001, &c.) In Homer, also, we have 
 a lengthened genitive and dative Kpuaroc,, Kpdari, and nom. plur. 
 Kpdara, but no nominative Kpaaf is found. Akin to the Sanscrit 
 ciras. "the head." and to h^ traced in tho> Latin cerr-hnim, "the 
 brain."
 
 HOMERIC GLOSSARY. 435 
 
 Line 530-535. 
 
 v, 3 sing. 1 aor. indie, act. of eAeAt'su, "to whirl, spin, or 
 twirl round," "to make to tremble" (consult note) ; fut. e/.e/JS-u : 1 aor. 
 Tj/.e/.ti-a. Poetic form of el.iaau. 
 
 Ater/uaycv, Epic and Ionic (strictly speaking, Doric) for 
 
 ' 6u-(iu}'T)cav, 3 plur. 2 aor. indie, pass., in a middle sense, 
 
 of 6iaru.ff}'u, "to cut in twain," " to separate ;" fut. Jiaiyzjjfcj : 1 aor. 
 
 fiiT[u]!;a : 2 aor. dier/tuyov : 2 aor. pass, dierfiuynv. Epic form for 
 
 6i.ariu.vu, from dui and T/U^/W, "to cut." 
 
 *AATO, Epic syncopated form for u/lero, and this for 7/Atro, 
 LINE 532 
 
 ' 3 sing. 2 aor. indie, mid. of u/J.opai, " to leap," " toplunge;" 
 
 fut. u7.offj.ai : 1 aor. riltipijv : 2 aor. tyoprjv. The first aorist is the 
 usual form in prose, and very rarely occurs in Epic poetry, accord- 
 ing to Kuhner (<) 234, 1). Hermann, on the other hand, maintains 
 that the second aorist of this verb was never used in the indicative 
 (Ad. Soph., 0. T., 1311). 
 
 A<y?.;/evTOf, gen. sing. masc. of aiyXrieic,, caaa, ev, " radiant," 
 "bright." From aiyl.ri, "brightness," &.C., and this akin to ?.do, 
 dyAaof, &C. 
 
 'Eov, accus. sing. neut. from I6f, ijj, ton, Epic and Ionic 
 ' for 6f, f/, ov, possessive pronoun of the 3d person, ' his, 
 
 Epic and Doric for avearijaav, 3 plur. 2 aor. indie, act. of 
 a.viorrifj.1, ' to make to stand up;" fut. avaarijau : 2 aor. uvearrjv, "I 
 stood up," " I arose." 
 
 'Edeuv, gen. plur. of Wo<-, eof, TO, "a seat." The word is 
 rare in prose, and is there, in general, only used of tem- 
 ples ; as, t(5?7 &EUV. Akin to Sanscrit sail, " to set," " to place ;" 
 Latin scd-es ; Lithuanian scd-zin ; Doric Wao^aj (I^Ojua*). 
 
 2ooi>, gen. sing, of ad>6f, a^fi, afov, possessive pronoun " their," 
 like aotTcpof. In later poets, also, aoeor. from opelf. 
 
 "ErA)/, 3 sing. 2 aor. indie, act., as if from a present TAJ^/J, which, 
 however, does not exist. (Pars., Phan., 1740), " to dare" "to ven- 
 ture." Strictly, " to take upon one's self;" hence, " to bear, to suffer, 
 to endure, to dare." The verb TAUW is merely a radical form, never 
 found in the present, this being replaced by the perfect rerA^a, or 
 the verbs roA^du, uvexopai, VTTOJIC'IHJ, &c. 
 
 Meivat, 1 aor. infin. act. of fievu, "to remain," "to await;" 
 LINE 5 5. f(]t ^ . l aQr ^^ 
 
 'AVTLOI, nom. plur. masc. of avriof, a, ov, " opposite," " over 
 against," "in one's presence," "before one." From avri, "over 
 against,'' &e.
 
 436 HOMERIC GLOSSARY. 
 
 Line 535-545. 
 
 "Earav, Epic and Doric for larqaav, 3 plur. 2 aor. indie, act. of la- 
 rqfu, "to place;" fut. ciyou : 2 aor. la-riv, " I stood." Compare 
 
 line 533. 
 LINE 536. Ka0e'ero. Consult line 360. 
 
 , Epic and Ionic for riyvorjaev, 3 sing. 1 aor. in- 
 
 die. act. of u-yvoeu, " to be ignorant of," " not to know ;" 
 fut. d-yvofjao/nai, but also ayvofiau in Isocrates and Demosthenes 
 1 aor. rj-yvorjaa, Epic and Ionic Tjyvofyaa. From a, priv., and vou. 
 
 2v i u0puffcraro, Epic and Ionic for avvs<t>paaaro, 3 sing. 1 aor. indie. 
 of the middle deponent avp<]>puo[iai, "to take counsel with one," "to 
 concert with one ;" fut. cvfi^paaofiat. : perf. avfin((>paafiat,. From avv 
 and (ppu&fiai, "to deliberate," middle voice of ppfw. 
 
 efa, ij, " the silver-footed" a regular Homeric epi- 
 
 ' thet of Thetis ; applied also by Pindar to Aphrodite or 
 Venus. Hence, in later Greek was formed an adjective, apyvpone- 
 fof, -ov. From apyvpoc, "silver," and Tr^Ca, " the foot," originally 
 Doric and Arcadian for Trovf. 
 
 'A/lt'oto, Epic and Ionic for ahiov, gen. sing. masc. of uAtof, a, ov, 
 and also U'AIOC, ov, " of or belonging to the sea." From u/,f, ciA6f, ^, 
 " the sea." 
 Tepovros. Consult line 26. 
 
 Keprofjioiai, Epic and Ionic for Kfpro/uoc, ov, " heart-cut- 
 ' ting." Observe that here KtpTo/ttotai appears without a 
 noun (IrrftTi, kmeaa,") expressed, as if it were the dative of -a Kepro- 
 pa, used as a substantive. Elsewhere, however, the full expres- 
 sion, Kepro/Liioie errfeaa-i, is employed. From KEap, " the heart," and 
 rtfivu, " to cut." 
 
 AoAo/z^ra, voc. sing, of Jo/lo^r^f, ov, o, " crafty-minded" 
 ' "artful." From tJoAof, "deceit," "guile," and pjric, 
 " contrivance," dec. 
 
 'kirovoatyiv, adverb, "far away from" " apart from.' 1 '' 
 LINK 541. From &v6 and ^^ "apart." 
 
 KpvTTTudia, accus. plur. neut. of KpvTTTudioc., a, ov, "secret," 
 ' "clandestine." From KPVKTU&, frequentative form of 
 KpvTTTu, " to hide." 
 
 A/caff//ev, Epic, Doric, and .-Eolic for 6iKa&iv, pres. infin. act. of 
 6iKau, "to decide," &C. ; fut. diKaau. From dinr], "right" &c. 
 LINE 543. Hpoypuv. Consult line 77. 
 Ttrhrjicac. Consult line 228. 
 
 'Eme'ATTEo, Epic and Ionic for ETTI&TTOV, 2 sing. pres. im- 
 per. of FTTie^TTOfiai, middle deponent, and Epic form for
 
 MOMEKIC GLOSSARY. 437 
 
 Line 545-554. 
 
 "to hope," "to build hopes upon." From fai and A?nj, 
 " to hope." 
 
 , fut. infin. act. of the obsolete radical form d6u. 
 
 LINE 546. Consult line 203 
 
 dat. sing, of dAo^of, ov, T), " the partner of one's couch." 
 From a, copulative, and /le^of, "a couch." 
 
 'Eirietxes, nom. sing. neut. of eiueiKijc, ef, "fitting," 
 INK ' "meet," "suitable." From eni and eiKOf, "fair," "rea- 
 sonable," &c. 
 
 'Anovepev, Epic, Doric, and ^Eolic for O.KOVELV. Consult line 381. 
 t, 3 sing. fut. indie, of the radical el6u, "to know." 
 
 I INK 548 
 
 ' This form of the future is rarer than Mijau, and mostly 
 
 Epic : fut. drrouai : perf. olda. 
 
 'E6&uui, Epic and Ionic for cO&u, pres. subj. act. of e6e- 
 
 LiNE549. .^ tt(o be wi n ing; fut iBe^riau : 1 aor. nd&ijoa. The 
 synonymous shorter form tfeAw never occurs in Homer, or the other 
 Epic writers. 
 
 Ate/peo, 2 sing. pres. imper. of the middle deponent dieipo- 
 ' pat, Epic and Ionic for dtefjofiai, " to question thoroughly" 
 " to interrogate closely." From 6id and dpofiai, for Ipo/tai, " to ques- 
 tion." 
 
 Mera/./.a, 2 sing. pres. imper. act. of /^raP.Adw, " to pry," " to in- 
 quire curiously into." Strictly, " to inquire or seek after other things" 
 (/zer" dAAa) ; fut. ueraMiiau. 
 
 Botinic., nom. sing, of Sou-rue., i6o(, f/, "large-eyed;" liter- 
 10 ' ally, " ox-eyed" (consult note), from /?oCf and u^i. The 
 masculine /3ou7r?? is post- Homeric. 
 ILoTvia. Consult line 357. 
 
 Atvorare, voc. sing. masc. of aivorarof, superlative of al- 
 vof, rj, 6v, which last is an Epic form equivalent to dv<5f, 
 " dread," "fear-inspiring," &c. Probably, as 6stv6f comes from 
 detaai, and means something large and terrible ; so aivdf comes 
 from some verb in a similar manner, and has a similar sense. (Bu.lt- 
 mann, Lezil., p. 46, ed. Fishlake.) 
 
 'K.povidn, vo^ sing, of Kpovidqc., ov, o, " son of Saturn," a patro- 
 nymic formed from Kpovof, " Saturn." 
 
 LINE 553. lt.lpofj.ai. Consult remarks on dieipeo. line 550. 
 
 Ev/fjyXof, ov, and (in Apollonius Rhodius) ev7?Aof, 17, ov, 
 
 ^Eolic lengthened form of sKijhor, "quiet," "calm," "gen- 
 
 tle," and also " undisturbfd," "uninterrupted," &c. Nothing to do 
 
 with >, but probably from the same root with IK.UV. The idea im- 
 
 O o 2
 
 438 HOMERIC GLOSSARY. 
 
 Line 554-561. 
 
 plied by Evnri?.of and f/f^Aof, according to Buttmann, is never an ab- 
 sence of motion or labor, but expresses that nothing unpleasant or 
 vexatious (which interrupts labor as well as rest) is produced by 
 trouble or care. (Lexil., p. 280, ed. Fishlatce.) 
 
 $pd&ai, Epic and Ionic fordpd^ei, 2 sing. pres. indie, mid. of (ppdfc, 
 "to speak ;" in the middle " to consider." (Consult line 83, and also 
 note on (ppdaat.) Old form opd^eaai Epic and Ionic ppdZeai : Attic 
 <t>pd&i, &c. 
 
 *A<Tff<z, Ionic for ariva, accus. plur. neut. of oarif, "which," &c. 
 Observe the distinction between this and auca with the soft breath- 
 ing, which is Ionic for nvd, " some," &c., or for riva, interrogative, 
 "whalT (Od., xix., 218.) 
 
 'Ed&yada, Epic, Doric, and ^Eolic for sd&yf, 2 sing. pres. subj. 
 act. o{i6s)M. (Kiihner, 123, 3.) Consult line 549. 
 
 LINE 555. Aivuc, adv. "greatly." From aivoc. Consult line 552. 
 
 Aftdof/ca, Epic for dsdoiKa, 1 sing. perf. indie, act. of 6eldu, " 7 
 fear ;" fut. delau : 1 aor. edeicra, but in Homer always in the Epic 
 form s6dsiaa : perf., (with present signification, " I fear,") dedoiica, also 
 dsdia, with syncopated forms dediuev, dedire, &c. 
 
 HaptiKTi, 3 sing. 2 aor. subj. act. of xapemeiv. Consult note. 
 
 LINE 557. 'Hept'jy. Consult line 497. 
 
 Tlapl^fro. Consult line 407. 
 
 LINE 558. 'Otu. Consult line 59. 
 
 'E-nJrty/ov, neuter of the adjective er^rvpoc, ov, "true," "genuine," 
 taken as an adverb, "for certain," "truly." Poetic lengthened form 
 of tTuuof : as, uraprjjpo^ for aTtjpof. 
 
 Epic for iro/./.ovc, accus. plur. masc. of 
 
 LINE 559. o ^ ) ., many (Kiihner, () 297, 3, b.) 
 
 , Epic and Ionic for daiuovia, voc. sing. fern, of 
 ' ,, t], ov, Epic and Ionic for datpovcof, a, ov : in 
 
 Homer used only in the vocative, in addresses, and always carrying 
 with it some degree of objurgation, but corresponding, at the same 
 time, to the rank or condition of the party addressed : thus, ' strange 
 one," "my good sir," "fellow;" in Attic Greek, ironical, usually 
 " my fine fellow /" like <i pe/.TiffTf. From Herodotos and Pindar 
 downward, "any thing depending on or proceeding from the Deity or 
 Fate." The literal meaning is, " of or belonging to a oaiuuv,'' i. e., to 
 a being from another sphere, and hence, " strange,' 1 ' " wonderful," 
 " astonishing," a? above mentioned. From tiaiuuv. 
 
 'Oieai, 2 sing. pres. indie, of otouat, "to imagine," "to think,'' &c. 
 Old form of the 2d person, oieaai, Epic and Ionic oteat, Attic olei.
 
 HOMERIC GLOrfdARV. 4.39 
 
 Line 561-564. 
 
 A^flu, 1 sing. pres. indie, act. of Mjdu, "to escape observation." 
 Collateral form of l.avddvu, and whence the latter borrows the fut. 
 fyau : perf. Ae^ftz, &c. 
 
 Uprj^ai, Epic and Ionic for Trpal-at, 1 aor. infin. act. of 
 LINE 562. V pj aaUt Epj c and i on i c f or ~paccu, " to do," &c. : fut. 
 TTpufw : 1 aor. ETrpafa, &c. 
 
 'Eftirrjc, adverb, Epic and Ionic for eu-rraf (strictly ev Truest), 
 " wholly," " altogether," " at any rate," " after all," " nevertheless," 
 &c. Of frequent occurrence in Homer, though he usually puts 61 
 or <l?.?.a before it. The adverb fy/Taf never occurs in Attic prose ; 
 but it is found in the tragic writers. When joined with the enclitic 
 Trep, it gains in force, " however much" " ever so much." Besides 
 tyzrraf, Pindar has the exactly equivalent forms CUTTUV and iu-a. 
 
 Avvr/aeai, 2 sing. fut. indie, of dvvapat. Old form 6vvfjaeaai, Epic 
 and Ionic dvvriaeai, Attic dvvqaei. 
 
 'Eacai, 2 sing. fut. indie, of el/ii, " to be." Old form 
 ' eaeaai, Epic and Ionic eaeai, Attic east. 
 'Pt'ytoc, comparative neuter, formed from ptyoc. ("frost," " cold"), 
 and hence literally signifying " more frosty," " colder ;" whence fig- 
 uratively, " more unpleasing," " more painful," &c. The masculine 
 form friyiuv seems not to occur ; but the superlative piyiaroc. does 
 occur. (II., v., 873.) Used also adverbially, " more unpleasantly," 
 " more painfully." 
 
 Me'?.?. vat. " It is very likely to prove." Me'/l/let is here 
 ' the 3 sing. pres. indie, act. of UE/JM, " to be on the point of 
 
 doing something, or of suffering something." This is its radical 
 signification ; fut. ^f/lAj/au : I aor. eueM.jjaa. Homer uses only the 
 present and imperfect. It is often joined with the infinitive, usually 
 of the future, more rarely of the present, still more rarely of the 
 aorist. The word differs from the future proper in this, that ulto.u 
 denotes an action as yet incomplete, rather than wholly future. The 
 usage of uehXu is so varied, that sometimes it can be rendered only 
 by auxiliary verbs, " I will," "would," &c. ; sometimes it expresses 
 mere possibility -, sometimes, as in the present instance, a high de- 
 gree of probability, &c. As the radical sense of ui'f.^u often passes 
 into that of " to have a mind," " to inttnd to do," like 6povTi^u, per- 
 haps fi&Au and u&u belong to the same root ; though Pott would 
 rather refer ut?.?.u to fio^ttv, " to be going to do." Donaldson, again, 
 compares uiv-u, uO.l.-u, and the impersonal ue/. , in the general 
 sense of thinking or caring about a thing, with t, Gothic munan, 
 German meinen, and old Nordish man. (New Craiylus, p. 573. 
 Grimm, i., p. 926.)
 
 440 HOMERIC GLOSSAKV. 
 
 LINE 565. Consult line 512. 
 
 Line 565-571. 
 " in silence," " silently:" Feminine form of 
 
 Kudriao, 2 sing. pres. imper. of KaOr^iai, " to sit ;" inf. 
 imperf. exaft^v. But observe, that Kuftrjuai is in strictness the 
 perf. of Kade&nai. Compare line 512, remarks on f/aro. 
 
 'ETTnreiBeo, 2 sing. pres. imper. mid. of ETuireidouai, " to obey." 
 Old form tirine'ideao, Epic and Ionic ETmreideo, Attic eniireidov. 
 
 ~X.paiou.ua LV, 3 plur. 2 aor. subj. act. of xpaicfieu, "to aid." 
 LINE 566. .-, ,. ,. . 
 Consult line 242. 
 
 LINE 567. 'Acraov. Consult line 335. 
 
 'lovd'. Consult note. 
 
 'AuTTTovf, ace. plur. fern, of aaTrrof, ov, " not to be touched," " unap- 
 proachable," with the collateral notion of terrible strength. From a, 
 priv., and u7TTo/j.ai, "to touch." 
 
 'Epeia, Epic and Ionic for tyu, 2 aor. subj. act. of fy/j^t, "to lay 
 upon;" more literally, to fling upon: 2 aor. subj. t<t>u : uncontracted 
 form <t>u : Epic and Ionic tyeiu, yq, % &c. 
 
 LINE 568. 'Eddeiaev. Consult line 33. 
 Consult line 551. 
 
 ro, 3 sing, imperf. indie, of Ka&rjftai, Epic and Ionic 
 
 ' for EKaQfjaro, the augment being dropped. In strictness, 
 however, it is the pluperfect. Consult remarks on uddqao, line 565, 
 and also on ^oro, line 512. 
 
 'Eiriyvdpiljaaa, nom. sing. fem. 1 aor. part. act. of EKiyvdpnTu, " to 
 fiend," "to bow down;" fut. kinyviifi^u. From kiri and yvd/iTrrw, "to 
 bend." 
 
 "fl^^frav, 3 plur. 1 aor. indie, act. of bxdeu. Consult 
 L INE 570. 
 
 , accus. sing, of 6uua, arof, TO, " a mansion," " an abode." 
 From 6lfiu, "to build:" 2 perf. de-do/i-a. 
 
 Ovpaviuvec, nom. plur. of ovpaviuv, uvof, 6, " the heavenly one," like 
 Ovpavidqc,. In Homer always in the plural, and like the Latin Ccelites. 
 "H^aiorof, 011, 6, " HephcRstus," the Latin " Vulcanus," or 
 LINE 571. y u i can> g Oc j O f fi re< as usc d i n the arts, and hence master 
 or lord of all the arts that need the aid of fire, and so especially of 
 working in metal. Hence the epithet applied to him in this same 
 line of K?t,vTOTt:xvi)c. . He was the son of Jupiter and Juno, and lame 
 from his birth. (//., xviii., 397.) Schwenk makes the name "Hpcuo-- 
 rof to be properly 4>atar6f, with the prefixed q, like l.vyrj, fyvyi] : and 
 <t>aiarog he deduces from $aiu (Qaivu), "to be bright," "to shine;" 
 making it, therefore, signify " the bright one." (Etymol. Andeut., p.
 
 HOMERIC GLOSSARY. 441 
 
 Line 571-577. 
 
 167.) Others see in it a resemblance to the name of the Egyptian 
 god Phthas. (Compare Prichard, Egyptian Mythology, p. 172.) 
 
 KP.vrorf^vT/f, ov, 6, " illustrious artificer," "famous for his art." An 
 epithet of Vulcan, the fire-god. (Consult preceding remarks on 
 *H0ajrof. ) From KAvrdf, "illustrious," "famous," and TC^VJ?, 
 "art," "skill." 
 
 'Hpjf, 3 sing, imperf. indie, act. of apxu, "to begin." Consult 
 line 495. 
 
 '\-yopevetv. Consult line 109. 
 
 'Eninpa, accus. plur. neut. of em'^pof, ov, " agreeable." 
 LINE 572. Thg neuter sjng is found in Lf Scfl (jp r jjom ., 56), and 
 
 the masculine in Em'pedocles, v. 208. Buttmann, however, rejects 
 the word entirely. (Consult note.) From M and ipdu, probably. 
 
 AevxuUvu. Consult line 55. 
 
 LINE 573. Ao/yta. Consult line 518. 
 
 'Avf/cra, nom. plur. neut. of UVCKTOC, 6v, later avcxTOf, TI, ov, " to be 
 endured," " to be borne," " bearable," &c. From dve^o^oi, " to en- 
 dure." 
 
 LINE 574. 26o, nom. dual of personal pronoun av. 
 
 'Epidaiverov, 2 dual, pres. indie, act. of kpidaivu, " to wrangle" " to 
 quarrel" "to contend;" fut. tpiirjou. From tpiz, IptJof, "strife:" 
 epi^M, " to contend." 
 
 KoXwdv, accus. sing, of KO'/MOS, ov, 6, "a disturbance," "a 
 
 ' wrangling." Poetic only. Akin to /toAotof, "a jack- 
 daw:" KaiXoiau, "to scream like a jackdaw ;" and tcohoavpTOf, "noise," 
 " din," &.c. The common root of all these words is, according to 
 Buttmann, to be found in *aA&j, K&.ouai. (Lexil., p. 390, seqq., cd. 
 Fishlake.) 
 
 'EAowerov, 2 dual. pres. indie, act. of l/lawu, " to excite ;" fut. 
 e?.aTu : 1 aor. ffi.uaa : perf. khfauKa, &c. The present e/luw, whence 
 i^uau, &.C., are borrowed, is very rare. The fut. eP.dtru is contract- 
 ed by the Attics into fAu. 
 
 Aatrof. Consult line 467. 
 
 LINE 576. 'EoBMjc. Consult line 108. 
 
 TWoc, tof. ro, "enjoyment," "delight." Akin to ?i6vc, "tweet," 
 and fidouai, " to enjoy," " to delight." 
 
 Xepeiova, nom. plur. neut. of jcpc/ov, ov, Epic and Ionic 
 ov, irregular comparative of KOKOC, formed from the radical 
 " worse," &c. Xcpe/ova is, therefore, for ^et'pova. 
 
 HapaQjjfii, " I recommend ;" properly, I sit by the side of one 
 and urge a thing upon his or her attention. From napd
 
 442 HOMERIC GLOSSARY. 
 
 Line 577-584. 
 
 Noeowfl, Epic and Ionic for voovari, dat. sing. fern. pres. part, of 
 VOEU, "to think," "to exercise intelligence," &C. ; fut. votjau, &c. 
 
 NeiKeinffi, Epic and Ionic for veiny (uncontracted form, 
 T INE 579 
 
 ' veiKEri), 3 sing. pres. subj. act. of VCIKSU, "to wrangle;" 
 
 fut. veiKeau. From vetKOc, " wrangling," " strife," &c. 
 
 Tapdfy, 3 sing. 1 aor. subj. act. of rapdaau, "to disturb;" fut. 
 rapd^u : 1 aor. erdpatfa. Akin to apdaau, pdaau, pfiaau, pfryvvfu. 
 
 LINE 580. 'E6e^yffiv. Consult line 408. 
 
 'AffrepoTTTfr^f, ov, 6, " the flasher-forth-of-the-lightning," " the light- 
 ener." An epithet of Jupiter. From aarepoTcrj, poetic for corpora?, 
 crepe??, " lightning." 
 
 LINE 581. 'E6euv. Consult line 534. 
 
 Srv^e/Ufflu, 1 aor. inf. act. of errv^e/Ufw, " to hurl," " to thrust." 
 Literally, " to strike rucely," " to smite ;" and, in general, " to treat 
 roughly and rudely," " to maltreat ;" fut. arv(f>eM!;a : 1 aor. rn></>/Ufa. 
 From anQehoc, "close," "solid," "hard," "rough;" and this last 
 from arvfyu, "to contract," "draw together," " make firm, solid, hard," 
 &c. 
 
 QepTaroc, nom. masc. superlative, from <j>epu, likefortis from J 'era, 
 in Latin, " most powerful," " mightiest," &c. Another form is <j>epia- 
 TOC, and the comparative is ^eprepof. 
 
 i, pres. infin. of the middle deponent 
 
 f . KB9 
 
 pai, " to soothe." More literally, " to lay hold of," " to 
 fasten upon," and then " to accost," " to address one in words," for 
 the most part in the sense of soothing, and hence most commonly 
 joined with //a/la/coif or fj.i2,ixioi( ensfoai, but sometimes, also, to 
 attack with harsh and angry words (avTifiioif or ^a/leTrotf eTresaai K.a- 
 ddiTTectiai). The post- Homeric writers usually employ it in this lat- 
 ter sense. From nard, and airrofiai, " to touch." 
 
 Ma^ctKoiaiv, Epic and Ionic for uahaKolc, dat. plur. neut. of ^ua/la- 
 xdf, ri, 6v, "soft." Akin in root to /3Aa^, " slack," "inactive," "slug- 
 gish," the letters fj. and (3 being interchangeable. Compare also the 
 Latin moll-is. 
 
 "Raof, ov, "soothed," "appeased," "gracious," and hence 
 LINE 583. Hpj.^^,^ Attic form ifauc., uv. 
 
 'Avaifaf, nom. sing. masc. 1 aor. 'part. act. of avaiaau, 
 ' " to start up" " to spring up ;" fut. uvai^u : Attic dvaaau, 
 avarru. From avu, and ataou, " to move icith a quick, shooting mo- 
 tion," " to shoot," " to rush," &C. 
 
 A^?raf, aof, TO, "a cup," "a goblet." In Homer it is always of 
 gold, and richly wrought ; but, in later writers, of earthenware also. 
 (Anthol.)
 
 HOMERIC GLOSSARY. 443 
 
 Line 584-590. 
 
 , accus. sing. neut. of du<j>u<inr?.hoc., ov, in Homer 
 always joined with de'rraf, " a double cup,'' such as forms a KVTTS/./.OV 
 both at top and bottom. (Consult note.) From duoi and Kv-xtl./.ov. 
 LINE 585. Ti6ei, Epic and Ionic for iriOei. Consult line 441. 
 
 i, poetic syncopated form of the perfect infinitive 
 
 ' active of the radical T'/.U.U, " to endure," which last is never 
 found itself in the present, this being replaced by the perfect Ter^j)- 
 Ka, or the verbs rofyzdw, uvejo/zat, VTTOUEVU, &c. : fut. r^aofuii : perf. 
 rir"h]K.a. : perf. plur. TST^OUEV, rerZare, TET?MOI : dual Ter/.arov : im- 
 perative rerTiadi, rrrAdrw, &c. Consult line 534. 
 
 'Avdaxfo, 2 sing. 2 aor. indie, mid. of dvix u > "to hold up;" fut. 
 avi^u or avaa^au :' perf. avEff^rjKa. In the middle, nvf^Ofiai, " to 
 hold one's stlf vp or upright," and so " to hold or bear up against a 
 thing," " to endure," " to restrain one's self:'' fut. uvet-oftai or ava- 
 : 2 aor., with double augment rjveax^ r > v ' 2 aor. imper. 
 old form dvuaxeao, Epic and Ionic uvda%to. 
 i), nom. sing. fern, of pres. part, of KySofiai, " to be afflict- 
 ed," &c. Consult line 56. 
 
 Qetvouevr/v, accus. sing. fern. pres. part. pass, of deivu, " to 
 beat,' 1 " to strike," " to wound ;" fut. ftevu : 1 aor. fdeiva : 
 2 aor. (sdevov), probably used only in the infin. tieveiv, part. &evuv, 
 subj. i9sr<j, and imper. &eve. Akin to KTCIVU and tiavtiv. 
 'A^vr/ifvoc. Consult line 103. 
 LINE 589. Upairrueiv. Consult line 242. 
 
 'Apya/leof, nom. sing. masc. of upya/.io^ , a, ov, "hard," "difficult." 
 From ot/^YOf, and for a/.yal.e'oc., like ardfiapyoc for <rrd^a?.yof. 
 Compare the German Arg, ^Ergcr. 
 
 'Avrujitpecrdai, pres. infin. pass, of uvTi^epu, " to carry or set 
 against," " to bear up against." In the passive, av-idspopai, "to be 
 bornr. up against," " to be opposed." From iivri and <t>pu. 
 
 *AW.oTf, adverb of time. " at another lime," " on another 
 LINE 590. . 
 
 occasion. 
 
 i, Epic, Doric, and ^olic for u/.e'fetv, pres. inf. act. of 
 o^ffo, " to aid;" more literally, " to ward," "to keep off." Sopho- 
 cles is the only one of the tragic writers who has the word, and 
 Xenophon is the chief authority for it in Attic prose. Another form 
 is /Ufe<j. from which several of the tenses are formed, but which 
 is itself found in the present only (Find., OL, xiii., 12) ; fut. dleS-i'/act. 
 Mf//a<jra, accus. sing. masc. perf. part, of the radical udu, " to de- 
 sire :" perf., with present signification, ulpaa : fut. puaouai: 1 aor. 
 mid. epaoa/inv.
 
 444 HOMERIC GLOSSARY. 
 
 Line 591-593. 
 
 'Ptye, Epic and Ionic for Ippi^e, augment being dropped, 
 ' 3 sing. 1 aor. indie, act. of piirru, " to fling" " to hurl " 
 fut. pitba : 1 aor. eppitya. 
 
 Terayuv, nom. sing. masc. Epic reduplicated 2 aor. part., with no 
 present in use, " having seized." The old grammarians, as far as 
 signification went, rightly recognized rcrayuv as a strengthened po- 
 etic form for haduv ; but its kin to rcivu, perf. Tirana, is justly re- 
 jected by Schneider, and Buttmann (Lexil., s. .), who assume TA- as 
 the root, which also appears in the old Epic imperative TTJ, " take," 
 in the Latin tango, and the English take. 
 
 Bnhov, gen. sing, of pnTioc., of, 6, " a threshold" on which one 
 treads, and hence probably from (3aivu. 
 
 Bfaneaioto, Epic and Ionic for &Eaireaiov, gen. sing. masc. of i?er- 
 ireffiof, a, ov, and also oc, ov, " divine." Strictly and originally said 
 of the voice, "divinely sounding," "divinely sweet." Then, "that 
 can be spoken by none but a god" and so, ''unspeakable" "unuttera- 
 ble." Hence in most of the Homeric passages it has the general 
 signification of tfeiof, "divine." It is also said of any thing "sent, 
 caused, or proceeding from a god," and so, " unspeakable," " awful" 
 "fearful" &c. From tfeof, and ciireiv, lairere. 
 
 'Hjizap, accus. sing, of r][iap, f/uuTOf, TO, poetic form for 
 ijuepa, " day," especially in Homer, though sometimes he 
 also uses r)jj.Kpn. Compare the Hebrew yum. 
 
 4>epo/7v, Epic and Ionic for tfyepoutjv, 1 sing, imperf. indie, pass. 
 of <j>epu, "to bear along," "to carry." 
 
 'He?J<f), Epic and Ionic for #/Uu, dat. sing, of fjfaof, ov, 6, " the 
 sun." The term ^Atof often occurs also in Homer as a proper name 
 for Helios, or the sun-god, though it is often doubtful whether the 
 poet means the sun or the god. Wolf mostly prefers the proper 
 name, because of the fondness which the Greeks had for impersona- 
 tion. In a later age, Helios was identified with Apollo or Phoebus, 
 but certainly not before ^Eschylus. 
 
 KaradvpTi, dat. sing. masc. 2 aor. part. act. of naradvu or aara- 
 Svvu, " to go down," " to go under the ocean," said here of the sun 
 setting ; fut. Karadiiau : 1 aor. aa-ridvaa : 2 aor. naredvv. From 
 Kara, and 6vu or 6vvu. 
 
 Kdirireaov, Epic syncopated form for naTi^saov, 1 sing. 2 
 LINE 593. ,. , , , , . 
 
 aor. indie, act. 01 KaTannrTu, " to fall down; fut. Kara- 
 
 : 2 aor. nareTreaov : perf. KararfiirTUKa. From Kara and TT/TT- 
 ru, " to fall." 
 
 >, dat. sing, of A/7/ivof, ov, f/, " Lemnos" an island in the
 
 HOMERIC GLOSSARY. 445 
 
 Line 593-598. 
 
 .^Egean Sea, between Tenedos, Imbros, and Saraothrace, sacred to 
 Vulcan on account of its volcanic fires. Hence Arjpvtov iritp became 
 proverbial. The modern name of the island is Stalimene. 
 
 'Evijev, Epic and Ionic for ivfjv, 3 sing, imperf. indie, act. of Ivciui, 
 " to be in," " to remain in." 
 
 f, nom. plur. of Stvrtf, toe, 6, " a Sintian." Only 
 
 ' found in the plural, as a proper name for the early inhab- 
 itants of Lemnos. From aivTTjf, "tearing," "ravenous," and this 
 from aivofj.ai, " to tear away," " to seize and carry off as booty ;" for 
 the Sintians are said to have been pirates. (Consult note.) 
 'A<j>ap. Consult line 349. 
 
 KopiaavTo, Epic and Ionic for eKouiaavro, 3 plur. 1 aor. indie, mid. 
 of Kopifc, " to take up and carry away." The middle here denotes 
 that they bore the god to their own homes, and did this with kind- 
 ly feelings ; fut. KO/J.IOU : 1 aor. sKopicra : 1 aor. mid. KOfj.ioupnv. 
 
 Wleidr/asv, Epic and Ionic for tyfidqatv, 3 sing. 1 aor. indie. 
 act. of ftctdua, "to smile;" fut. fieidtjau : 1 aor. f/neidnoa, 
 in which tense Homer always uses it. Compare the Sanscrit s-mi, 
 and English s-mile. (Pott, Etym. Forsch., i., 206.) 
 
 KvTreA/W, ov, TO, "a cup," "a goblet." Strictly speak- 
 ' ing, a diminutive from Kvirn, " a hole," " a holloio." 
 
 'Evde'fm, accus. plur. neut. of svdgftoe, a, ov, used adverb- 
 LINE 597. ia]ly _ From h and d)f r i0f (Consult note.) 
 
 I, Epic and Ionic for wvo^oet, the augment being 
 ' dropped, 3 sing, imperf. indie, act. of oivoxoiu, " to pour 
 nut wine for drinking ;" fut. oivoxotjau. Homer elsewhere uses 
 oet, with double augment. (11., iv., 3.) 
 
 apof, TO, " nectar," the drink of the gods, as ambrosia 
 was their food, according to Homer, Hesiod, and Pindar ; while in 
 Alcman (16) and Sappho, nectar is their food and ambrosia their 
 drink. (Consult Mcinekc, Com. Fragm., iii., p. 198.) Homer's 
 nectar is red (epv6pov), and poured out like wine, and, like it, drunk 
 mixed. At a later period, the term acquired especially the notion 
 of fragrance. Usually derived from ve- (for vn-, " not") and KTCIVU 
 (radical /crdu), " to kill," and so, strictly, like ambrosia, an elixir 
 vitac; but this etymology is very doubtful. Pott deduces it from 
 ve/c-rop, comparing VEK- with the Latin nec-em, and making the term 
 mean necem effugiens. This, however, is rather worse than the 
 other. (Etymol. Forsch., i., 228.) 
 
 f, Epic and Ionic for xpa-r^p, ijpof, 6, " a mixer," Epic and 
 Pr
 
 446 HOMERIC GLOSSARY. 
 
 Line 598-603. 
 
 Ionic form KpnTtjp, ijpos. From Kepavw/M, " to mix." (Consult note 
 on line 470 ) 
 
 'Atyvaauv, nom. sing. masc. pres. part. act. of afyvaau, " to draw," 
 said of liquids taken in this way from a larger vessel into a smaller; 
 as in the present case the mixed or diluted nectar is taken from the 
 crater, with a small ladle or dipper, and poured into the drinking 
 cups. Every thing here is in accordance with human customs ; the 
 nectar is diluted, as wine generally was, and it is then dipped out 
 into cups, as was the common custom at entertainments. 
 
 f, ov, and also n, ov, " inextinguishable," from a, 
 
 ' priv., and odewvpi, " to extinguish." Homer uses the term 
 here in a metaphorical sense, as endless, ceaseless. 
 
 'Evupro, 3 sing. Epic syncopated 2 aor. mid. of faopvv/u, " to 
 arouse ;" fut. evopau : 1 aor. tvupaa. Middle evopvvuai, " to arouse 
 one's self" "to arise;" 2 aor. mid. Kvupuijv, cv&poo, evupro, &c., for 
 kvup6fj,rjv, evupeao, kvupero, &c. From ev and opvvui. 
 
 MaxapeCTdt, Epic and Ionic for fiaKapai, dat. plur. of /uaKap, apof, 
 "blessed," "happy;" strictly speaking, an epithet of the gods, who 
 are constantly called ftdKapec tfeot in Homer and Hesiod, in opposi- 
 tion to mortal men ; so that its true notion is of everlasting and 
 heavenly bliss. When said of men, it indicates the highest degree 
 of human happiness. 
 
 Hot. vovra, accus. sing. masc. pres. part. act. of TTOUTVVO, 
 LINE 600. strict]y> to blow," pu f j e ou ^ O f breath," from haste 
 or exertion; hence, in general, " to hasten" "hurry" "bustle." 
 (Consult note.) Not from irovtu, but formed by reduplication from 
 irvfu, TT^Trvvuai, like iranrdZhu from ircM,w, Trai.fya.aau from $A- (0dof ), 
 iroi<j>vaau from Qvada, and hence its original signification. 
 
 LINE 602. balvvvT", K. T. A. Consult line 468. 
 
 f, gen. sing, of <j>6p/j.iyS;, tyyof, ij, "a lyre," " 
 
 ' phorminx," a species of cithara or lyre, the oldest stringed 
 instrument of the Greek bards, often occurring in Homer, especially 
 as the instrument of Apollo. Strictly speaking, it is the portable 
 cithara, from <j>pu, <f>opu, <f>6pi/j.o^, because it was carried on the 
 shoulder by a strap or belt. 
 
 f, Epic and Ionic for irepiKahhovf, gen. sing. fern, of 
 
 ^f, e'f. " very beautiful." From -rcepi, in its strengthening 
 sense, "very" and /td/Uof, "beauty." 
 
 "Exe, 3 sing, imperf. indie, act. of ^u, " to hold," &c., Epic and 
 Ionic for cZ^e, the augment being dropped.
 
 HOMERIC GLOSSARY. 447 
 
 Line 604-608. 
 wv, Epic and Ionic for povauv, gen. plur. of fwvaa, 
 
 LINE 604. ^ ^ , <a 3f uig _p rOD ably from the radical /idu, "to 
 seek out" "to invent,'" the Muses being merely personifications of 
 the inventive powers of the mind. 
 
 "Afitiov, Epic and Ionic for f/ei6ov, 3 plur. imperf. indie, act. of uei- 
 6u, "to sing." Consult line 1. 
 
 'Om, dat. sing, of oi/>, onof, f), " the voice." From (ITTCJ), t-jrof, Ei- 
 ffel. 
 
 'A/z6o//eva<, nom. plur. fem. pres. part. mid. of apettu. Consult 
 line 84. 
 
 Kare'Jf, 3 sing. 2 aor. indie, act. of Karafivvu or icaTadvu. 
 LZNE 605. ConsuU , ine 5y2 
 
 4>dof, tof, TO, " light," for which we have also the contracted 0<jf, 
 $wTof, and then resolved in nom. and accus. <?6wf : plur. <j>dsa, rarely 
 <j,u- a . Homer uses <j>uof and 0d<jf, never <j>us, and forms the oblique 
 cases from ^>uof only. Pindar has only puoc, and so the tragic wri- 
 ters almost always in lyrics, while in dialogue they have both 0uoc 
 and (t>uf, whereas tytif alone is used in Attic prose. From <puw, ' to 
 shine," " to be bright." 
 
 'HeP.t'oio, Epic and Ionic for faiov, gen. sing, of ///Uof, ov, 6, " the 
 tun." Consult line 592. 
 
 K.aKKeiovrf, nom. plur. Epic for KaraKeiovref, pres. part, of 
 ' iu, desiderative form of KaruKsifiat, " to wish to lie 
 
 down," and hence "/o intend to lie down," "in order to lie down." 
 From Kara and neiu, Epic desiderative from Keluat. 
 
 "E6av. Consult line 391. 
 
 Olxovde, poetic form for okafc. Consult Excursus v. p. 285. 
 
 LINE 607. 'Hji, Epic for y, adverb " where." 
 
 Jle/H/cAvrof, TI, 6v, "famous," "renowned." Strictly, "heard of all 
 around." From ~fpi, "around," and /cAvrof, " heard of," which last 
 from K?.t'w, " to hear." 
 
 'Auctyv7?f, 6, Homeric epithet of Vulcan, " he that halts in both 
 legs," "lame of both legs." From upy'i., " around," and yvtof, "lame." 
 Not from ytitov, " a limb." 
 
 'Idviyci, Epic and Ionic for ti6viaif, dat. plur. fem. part, of 
 olda : thus, (5wf, divla, eicJwf or ei66f. As regards the 
 terminations of the neuter -ur and -6f, consult Anthon's enlarged 
 Greek Grammar, p. 153. 
 
 Hpairi6fo~rnv, Epic and Ionic for TrpaxLoiv, dat. plur. of trpcnridcc, ai ; 
 strictly, " the midri/," "the diaphragm" (equivalent to ^pevff) ; and, 
 since this was deemed the seat of the understanding, hence usually,
 
 448 HOMERIC GLOSSARY. 
 
 Book 2. Line 608-2. 
 
 like <t>pvf, "the understanding," "mind," "skill," &.c. Probably 
 from $pdu, <f>pqv. 
 
 "Ov, accus. sing. neut. of the possessive pronoun 6f, %, ov, 
 ' Epic form EOS, ei/, EOV, which last is more usual in Homer. 
 "Hie. Consult line 47. 
 '\aTEpoTTjjrnf. Consult line 580. 
 
 "Ev6a, relative adverb for 061, "where." In the succeed- 
 ' ing line, however, it occurs as the mere adverb of place, 
 "there," "here," like the Latin hie, ill. From iv. 
 
 Koiuud', Epic and Ionic for knoiuiiTo, 3 sing, imperf. indie, mid. of 
 KOiudu, " to lull Of hush to sleep," " to put to sleep ;" fut. Koifirjau : in 
 the middle, "to lie down," i. e., to put one's self to sleep, to go to 
 rest. Akin to KEiuai, " to lie down ;" Kuua, " deep sleep ;" and the 
 Latin cumbo, cubo. 
 
 'IKUVOI, 3 sing. pres. opt. of IKUVU, "to come." Consult line 254. 
 Kafoi'd', Epic and Ionic for EKudevde, 3 sing, imperf. indie. 
 ' act. of Ka6ev6u, " to lie down to repose" (consult note) ; fut. 
 Ka6tv6rjffu. The Attic forms of the imperfect are cKadevdov and 
 Kadnvdov. 
 
 BOOK II. 
 
 'ImroKopvarai, nom. plur. of InnoKopvaT^, ov, 6, " one who 
 ' fights armed from a chariot ;" literally, " one who arms or 
 equips horses." From iTmof and Kopvaau, "to arm," "to equip." 
 (Consult note.) 
 
 Eiidov, Epic and Ionic for yvdov, 3 plur. imperf. indie act. of 
 INE ' evdu, "to sleep;" fut. fv6f)au. The root is the same as that 
 of lava, UUTU, namely, uu, arjut, aiu, "to breathe." 
 
 llavvvxioi, nom. plur. masc. of navvv^io^, a, ov, and also 05-, oi>, 
 " during the whole night," " all night long." From Trdf, and vvf, " the 
 night." 
 
 "Ex f > Epic and Ionic for el%f, 3 sing, imperf. indie, act. of lx u - 
 Nr t 6vuof, ov, "sweet," "refreshing." For a discussion relative to 
 this term, consult Buttmann's Lexilogus, p. 414, ed. Fishlake. The 
 difficulty is this, that, if we deduce vi/6vuoc, as most do, from r/6vf, 
 and follow at the same time the analogy of the language, the word 
 ought to mean " not sweet," and be derived from V7/, " not," and 7/6vf. 
 Buttmann inclines to the opinion that for vr/6vuof and vfidvuov, 
 wherever they occur in the Homeric text, we ought to read 
 and f/fofiov. Now, as fjdvuo^ was entitled to the digamma,
 
 HOMERIC GLOSSARY'. 449 
 
 Book 2. Line2-ll. 
 
 no difficulty as to hiatus could possibly occur; and even when the 
 digamma had disappeared from the language, the hiatus which then 
 occurred was at first tolerated by the ear of the rhapsodist ; while 
 wherever the v iyes.KvaTinov could be introduced, as in A/a c5* OVK lx f 
 i/6vuot i'xvoc, the later reciters did not scruple to soften the hiatus 
 in this natural manner ; they spoke it fxevfjdvuoc. At a later period 
 again, when the old adjective fjtivuoe was no longer in common use, 
 and the ear knew not how to separate the words in the Homeric 
 passages, whether $x vij6v/iof or fytv f/dvitoc, the error of using vr]- 
 6vuof for t/6vuo<; easily arose. 
 
 ijptZt, Epic and Ionic for tfupplfx&i 3 sing, imperf. in- 
 
 die. of fup/ajpi^u, "to ponder," "to be full of cares," &c. ; 
 
 fut. uepfjtripi^u. From fj.lpfj.ripa, TJ, poetic collateral form of uepiuva, 
 "care,'''' " trouble." 1 
 
 LINE 4. Ilo/e'af. Consult book i., line 559. 
 
 Oii/.ov, accus. sing, niasc. of orAof, TJ, ov, " pernicious," 
 
 " baneful." Epic adjective, from 6A<j, 6/L/iv/ut, " to destroy." 
 Another form is 6/.o6c, of frequent occurrence in both Homer and 
 Hesiod. 
 
 "Oveipov, accus. sing, of ovtipoc., ov, 6, " a dream." The plural is 
 usually the irregular form oveipara. 
 
 LINE 7. ~K.aifj.Lv Quvqaac, K. r. A. Consult book i , line 201. 
 
 Buane, 2 sing. pres. imper. of an obsolete form PUGKU, " to 
 go" akin to i3t6u&, paivu. (Consult note.) Pott compares 
 Sdaxeiv with the Sanscrit gatshtshh, the combination tshh corre- 
 sponding to GK, ax- (Etymol. Forsch., i., 169.) 
 'Idi, 2 sing. pres. imper. of elfii, "to go." 
 Godf. Consult book i., line 12. 
 
 'Arpe/ce'wf, adverb, "truly." From urpeKT/f, " strictly true," 
 " real," " certain." This latter word and its derivatives 
 are rare in Attic, though Euripides has it once or twice, unpidrjc, be- 
 ing used instead. 
 
 'Ayopei'fuev, Epic, Doric, and -Eolic for ayopevciv. Earliest form 
 uyopeveftevai. 
 
 'ErtrtA/o, 1 sing. pres. indie, act. of c7rtreA.7u, "to enjoin." Lit- 
 erally, " to put upon," hence " to lay upon," " to enjoin ;" fut. entre/.u. 
 From tiri and ri'/'t.u. 
 
 Bupf/t-ai, 1 aor. inf. act. of -dupriaau, " to arm ;" properly, 
 " to arm with a breast-plate or cuirass ;" fut. &upiji;<j. From 
 dupiji, Ionic and Epic for i?wpa, " a cuirass," &c. 
 
 KapijKououvrac, accus. plur. Epic lengthened form for Kapnuouuv- 
 Pr2
 
 450 HOMERIC GLOSSARY. 
 
 Book 2. Line 11-20. 
 
 raf, pres. part, of a supposed form KapriKOpdu, " to have long hair," 
 " to let the hair grow long." As there is no such form as Kapr/Kopdu 
 in use, some think that the word ought to be written divisim, name- 
 ly, K0.pt] Kop.au, Kuprj KO[iuvT$, &c. From ndpr/, Epic and Ionic for 
 Kfipa, " the head," and KOJIUU, " to cherish long hair," " to have long 
 hair." 
 
 ^ Tlavavdir/, adverb, "with all energy" "with all one's might" 
 
 &C. From Trdf and atvu, " to urge on," " to drive." Strict- 
 ly, the dative from a noun iravav&iri, not in use, from which, also, we 
 have the accusative TravavdtTjv or Traaavdiijv, in same signification. 
 (ApolL, Rhod., iii., 195.) 
 
 Evpiidyviav, accus. sing. fern, of evpvdyviof, a, ov, " wide-slreeted," 
 "with wide, roomy streets-" an Homeric epithet for great cities ; as, 
 in this case, of Troy. From evpvs and ayviu, "' a street," " a way." 
 'Afj,(jttf, strictly the same with U/J.QI, like uexptf an( l ^XPh 
 but mostly used as an adverb, " around," " all around." 
 (Consult note.) 
 
 QpdfrvTai, 3 plur. pres. indie, mid. of (ppd&, " to speak :" 
 in the middle, " to deliberate," i. e., to speak to or with one's 
 self; fut. <j>pdau : 1 aor. e<j>paaa. 
 
 'Eireyvauipev. Consult book i., line 569, exiyvd/npaaa. 
 
 Kr/dea, nom. plur. of /cr/(5of, eof, TO, " trouble ;" more liter- 
 ally, " care," " concern." Akin to K-fjdu, " to make anxious," 
 " to trouble.' 1 '' 
 
 'E<f>7jTrTai, 3 sing. perf. indie, of e^dnro^ai, " to be hung over," " to 
 impend over." Homer has only e<j>dTTTouai (not k^dirru), and this 
 only in the 3 sing. perf. and pluperf. t^Trrat, tyrjTr-o. From t-i and 
 aTTO^at, " to be connected or fastened to." 
 
 'hKovaev, Epic and Ionic for fjKovaev, 3 sing. 1 aor. indie. 
 LlNE 16- act. of UKOVU. Consult book i., line 381. 
 LIXE 17. Kap;ra/U/zwf. Consult book i., line 359. 
 
 , 3 sing, imperf. indie, act. of Ktxavu, " to find," 
 
 " to come upon," " to light upon." Observe that mxdvu is 
 a present used in the indicative only, the other moods following a 
 collateral form KtxnP 1 ' Homeric subjunctive Kixeiu, optative Kixeiijv, 
 infinitive Kixfivat, participle Kixeic, &c. The Attic form is KL-yxdvu. 
 
 'Au6p6aiof. Consult remarks on uu.6p6ai.aL, book i., line 
 LINE 19. 
 
 o, Epic and Ionic for eKfyvTo, 3 sing, pluperf. indie, pass, of 
 Xeu, " to diffuse," " to pour ;" fut. ^evtrcj : 1 aor. Ixevaa : Attic e^ea : 
 perf. KEXVKO, perf. pass. Kexvuai : pluperf. pass. hKexv^riv, &c. 
 LINE 20. Sr^. Consult book i., line 197.
 
 HOMERIC UJ-OSsiAKY. 451 
 
 Book 2. Line 20-25. 
 
 u, dat, sing. masc. of Nj^i'of, a, ov, " Nelean," " o/ or be- 
 longing to JVetew." Neleus was the son of Neptune and Tyro, and 
 the father of Nestor. (Od., ii., 234.) He was driven from lolcos, 
 in Thessaly, by his brother Pelias, and wandered south into Mes- 
 senia in the Peloponnesus, where he founded Pylos. In a war with 
 Hercules he lost eleven sons ; the twelfth one, Nestor, alone re- 
 mained, his tender years, having saved him ; and he succeeded his 
 father on the throne. (//., xi., 691, scqq.) 
 
 "fh, Epic dative of vide, as if from a stem Tf, gen. vlof, dat. vlt, 
 accus. via : dual vie (distinguished from the vocative singular vie by 
 the accent) : plur. vhf, dat. viuai, accus. vlaf. 
 Consult book i., line 47. 
 
 , dat. sing, of ytarup, opo(, 6, " Nestor" son of Ne- 
 an(1 kjng of the p y jj ans Consult book i., line 247, 
 
 and note. 
 
 TV, Epic and Ionic for crtc, 3 sing, imperf. indie, act. of riu, ''to 
 honor." 
 
 'Eetaufievof, nom. sing. masc. Epic and Ionic for daupevof, 
 1 aor. part. mid. of d6u, " to sec." In the middle, " to make 
 one's self like to," " to liken one's self to ;" fut. elaouai : \ aor. eiffdfjnv. 
 ITpofsouvfe. Consult book i., line 332. 
 Qeior, a, ov, Epic and Ionic n, ov, " divine." From tfeoc. 
 
 'Arpe'of, gen. sing, of 'Ar/Wf, eor, 6 (Attic euf), " Atreus." 
 LINE 23. Consu]t book j ^ line 7 
 
 Aafypovof, gen. sing, of 6at<j>puv, ov, " of warlike mind," " eager for 
 the fray," and hence "icarn'or." From 6ui, "war," "battle," and 
 mind." 
 
 o, Epic and Ionic for iTnrodapov, gen. sing. masc. of JT- 
 irb6ap.o<;, ov, " tamer of steeds." From tr^-of and 6apu.u, " to tame," 
 " to subdue." 
 
 ~Bov/.rio6pov, accus. sing. masc. of I3ov7.n<i>6po^, ov, " counscl- 
 l.ixE 4. -" "counseling," a constant epithet of princes and 
 
 leaders. From fiov'/.r], " counsel," and oepu, " to bear." 
 
 LINE 25. 'Qt, i. e., <L, dat. sing. masc. of 6f, %, o. 
 
 'EKLTtrpuGarai, Epic and Ionic for tiriTeTpafifievoi eiai, 3 plur. perf. 
 indie, pass, of i-irpe7ru, " to confide." Strictly, "to turn oner," "to 
 throw upon ;" fut. f-irpe\i>u : 1 aor. eTrerpe^a : passive fKiTpiirofiai : 
 1 aor. fTTfrpdoBnv : perf. tTriTETpaftfiai. From bri and rpenu, " to 
 turn.'' 
 
 tAfprjfov, 3 sing. 2 perf. act., with present signification, "are a 
 care," for the Attic ftffii^Kt, from peXu, "to be an object of care ;"
 
 452 HOMERIC GLOSSARY. 
 
 Book 2. Line 25-38. 
 
 fut. fj.F7.ficu. After Homer, we now and then find the active 
 and middle fii7.ofj.ai in an active signification, " to care for,' 1 ' " to take 
 care cf," " to tend," 1 like tTmcAf'ouat. 
 
 LINE 26. 'E^cfov, poetic genitive for iuov. 
 
 Swef, 2 sing. 2 aor. imper. act. of l-wir/pi for avvir/ai, " fo u?ufcr- 
 stand." Strictly, " fo senrf, bring, or sc together;" fut. ^vvifaw : 1 
 aor. ^vi'TjKa : 2 aor. ^ut^y. Consult, as regards the interchange of f 
 and a, book i., line 8. 
 
 T Q/ta. Consult book i., line 402. 
 
 'Avevdev, adverb, "away," " apart from." Only poetic, and 
 IXE ' never Attic. From avev, " without." 
 Kf/dc-rai, 3 sing. pres. indie, mid. of Kyfiu. Consult book i., 
 line 56. 
 
 'ETitaipci, 3 sing. pres. indie, act. of k7.eaJ.pu, poetic for i7.ttu, " to 
 take pity upon ," " to have compassion on.'' From !/.Of, "pity," "com- 
 passion." 
 
 , 3 sing. pres. imper. act. of a'tpsu, "to take" "to 
 
 seize upon ;" fut. alpr/au, &C. 
 
 v, ov, " honeyed," " sweet ;" more literally, " honeyed or 
 sweet to the mind." From //'/,{, " honey" and <j>prjv. 
 
 'Avi??, Epic and Ionic lengthened form for elvp. 3 sing. 2 aor. subj. 
 act. of avirjui, "to send aicay," "to release;" fut. avfjau: 1 aor. avrjica: 
 perf. avfiKa : 2 aor. uvrjv, not used in sing, indicative. 
 
 'A7T6^ffero, 3 sing. 2 aor. mid. of urroCaivu, " to depart ;" 
 fut. a.7ro67}aouaL : 2 aor. (nreCrjaopr/v, the 2d aorist being 
 formed with the characteristic (a) of the first. Consult book i., 
 line 428. 
 
 AVTOV, adverb. Originally the genitive of ai'-6f, and, in full, i^ 
 avroii rof TOTTOV, " at the very place, there, here, on the spot." 
 
 Te7.E<rdaL, Epic and Ionic for -t/.easadai. fut. infin. mid. (in 
 a passive sense) of TE/.EU, " to accomplish ;" fut. -e7*au, &c. 
 'EM.c7j.ov. Consult book i., line 564. 
 
 *^, Epic and Ionic for lor/, 3 sing, imperf. indie, act. of 
 0i?/tt, "to say." (Consult note.) 
 'Huari, dat. sing, off/pap. Consult book i., line 592. 
 
 N7j77(0f, a, oi', Epic and Ionic 77, ov, and also Attic of, ov ; 
 strictly, " not speaking" (from negative VTJ- and i-ac), and 
 so precisely equal to the Latin infans, our "infant." Frequently 
 used in Homer, especially with reference to one still unfit to bear 
 arms, i. e., until about the 15th year, as //., ix., 440. Employed 
 also figuratively of the understanding, " child," " childish," " un-
 
 HOMERIC GLOSSARY. 453 
 
 Book 2. Lint 38-43. 
 
 taught," &c., and frequently strengthened in Homer by the addition 
 of pc-/a, as ffeya vff^io^ (II. , xvi., 46, dec.). 
 
 'Hidj;. Consult book i., line 70. 
 
 M.r/6cro, Epic and Ionic for kfj^otro, 3 sing, imperf. indie, of the 
 middle deponent fajdopai, " to meditate ;" fut. urjaouai. From pf/dor, 
 "plan," "resolve," "counsel." 
 
 Qrjaeiv, fut. infin. act. of ridijfii, " to place," " to put," &c. ; 
 LI.VE 39. . 
 
 Consult book i., line 2. 
 
 uf , accus. plur. of arovaxn, 17?, 17, " a groan,''' " a groaning,' 1 
 " a icailmg." From orevd^u. " to groan." 
 
 c, accus. plur. of vauivr/, rj, i), ''a battle." An Epic 
 
 ' word, with which compare the Sanscrit judh-ma, " a bat- 
 tle." (Pott, Etymol. Forsch., i., 252 ) 
 
 o, 3 sing, of the syncopated 2 aor. mid. of r/sipo, " to 
 
 arouse :" in the middle, 'rytiponai, " to arise," " to aicake," 
 
 " to rise from sleep:" 2 aor. fr/fpour/v, syncopated r/ypouT/v, Epic and 
 Jonic (without augment) kypourrv. Some make it an imperfect from 
 iypoftai, which, according to them, is a shortened form for iyfipopai, 
 but this is opposed by Buttmann. (Irreg. Verbs, p. 75. ed. FisluaJ:e.) 
 
 'Auo^^tTo, 3 sing, syncopated pluperfect passive for 
 from iifjL.6i%KU, " to pour around,'" " to diffuse around ;"' fut. ow 
 perf. pass, uudnci^vuai : pluperf. pass. utpQentxi-furv. Some make 
 a syncopated 2 aor. pass., but with less propriety. 
 ^f, Tf, "a voice." 1 In Homer always &ei!j ouoij, ouwj -&euv or 
 &:of. " a divine roice, prophecy, oracle,'' especially such as were con- 
 veyed in dreams, in the flight of birds, &c., and so any sound or to- 
 ken conveying a divine injunction. From the root EII-, ti-x-elv, ty, 
 with a inserted, like <rrp6u6o<-, from yrpe^nj. 
 LIVE 42. 'EsEro. Consult book i., line 4S. 
 
 'OpBudfif, nom. sing. masc. I aor. part, pass., in a middle sense, 
 of bpftou, " to raise ;'' fut. bp6<j<?u. (Consult note.) From op66f, 
 
 . Consult book i., line 582. 
 
 Epic and Ionic for eveovvt, 3 sing, imperf. indie, act. of 
 i*, " to put on ;" strictly, " to go or get into." From kv and dvvo. 
 yiiruva, accus. sing, of \ITUV, CJvof, 6, " a tunic." (Consult note.) 
 It appears to be an Oriental word, in Hebrew Kcthbneth. Gesenius 
 compares cotton. 
 
 ov, accus. sing, raasc. of vrryilrfo^, %, ov, " neicly- 
 
 made." Probably for vei/yurof. from vsof and -y<iu, 
 and snhstitnted for it m'tri .-
 
 454 HOMERIC GLOSSARY. 
 
 Book 2. Line 43-50. 
 *u,oof, eof, TO, "a cloak.'" (Consult note.) 
 
 Ilofffff, Epic for noo'i, dat. plural of irovf, Tro^of, 6, "a 
 LINE 44. /- . ,, 
 fool. 
 
 Amapolaiv, dat. plur. masc. Epic and Ionic for Znrapolf, dat. plur. of 
 /UTra/ao'f, a, 6v, Epic and Ionic q, ov, "while," "bright." Originally, 
 "fatty," "oily," "shiny with oil," &c., as referring to the custom of 
 , anointing with oil in the palastra, after bathing. Then applied, gen- 
 erally, to the healthy look of the human body or skin, " shining," 
 " sleek," answering to the Latin nitidus. So, in the present passage, 
 the reference is to bright, smooth feet, with an allusion, also, to their 
 color, "bright," "white," as above. From /U'rraf, "fat," "oil." 
 
 'Edijffaro, 3 sing. 1 aor. indie, mid. of 6eu, "to bind;" fut. drjau : 
 1 aor. edrjaa : 1 aor. mid. sdr/adurjv. 
 
 TletiiAa, accus. plur. ueut. of tredrtov, ov, TO, mostly used in- the 
 plural (always so in Homer and Hesiod), " sandals," "a pair of san- 
 dals." (Consult note.) From ne6jj, "a covering for the foot," "a 
 fetter," " a tie," &.C. 
 
 "Qfioiaiv, Epic and Ionic for ufiois, dat. plur. of uuof, ov, 6,. 
 " the shoulder." From the same root comes the Latin hu- 
 merus. (Compare Poll, Etymol. Forsch , ii , p. 290 ) 
 
 'Ap-yvpoijAov, accus. sing. neut. of u/syvpdijAOf, ov, "silver-studded" 
 From upyupof, "stiver," and ^Aof, "a nail," "a nail-head," 1 "a 
 stud," the studs being formed by the heads of nails. 
 
 "A<f>6iTov, accus. sing. neut. of u&dtroi;, ov, " imperishable." 
 From a, pne., and <S>6ivu, " to perish." 
 
 LINK 47. Xa/Uo^irwixjv. Consult book i., line 371. 
 
 'Htjf, gen. 7/dof, contracted ijovf, &c., "Aurora,"' goddess 
 LINE 48. (Consult note ^ 
 
 , 3 sing. 2 aor. indie, mid. of Trpofdaivw, " to draw near," 
 " to approach ;" fut. 7rpoc.6>/oouat, &c. Observe that here, as in u-rre- 
 6fjaero, the 2d aorist is formed with the characteristic letter (cr) of 
 the first. Consult line 35 of the present book. 
 
 Zrfvi, dat. sing, of Zsvc., "Jupiter." The forms Znvdf, Zijvi, 
 ' Zijva, &c., are more poetic than Aioc,, A, At'a, &c. 
 
 , Epic lengthened form for <f>uc., which is itself contracted 
 from 0aof, "light." Consult book i., line 605. 
 
 'Epeovaa, nom. sing. fem. Epic future participle act. for spovaa, 
 from ipeu, Epic and Ionic for epu, fut. of the rare present rlpu, "to 
 declare," " to announce." Consult book i., line 76. 
 
 i, Epic and Ionic for nypvi-i, dat. plur. of K^pvi, 
 
 LINE 50. . , , .... 
 I'KOf, . " n hern lii.
 
 HOMERIC GLOSSARY. 455 
 
 Book 2. Line 50-71. 
 
 Aiyv<j>86yyoiffi, Epic and Ionic for Atyvdftfyyojf, dat. plur. of 7.iyv- 
 , or, " clear-voiced." 1 From A/jTfi " clear," " shrill," and pfloy- 
 j')/, " a voice," " a cry." 
 
 Kripvffafiv, prcs. infin. act. of xr/pvaau, " <o summon ;" fut. 
 
 LlXE 51. , r T-, ' r i, I IJ , M 
 
 K7fpv$u. from Knpvs, " a herald, "a eri<r. 
 
 Consult hook i., line 54. 
 KapriKO(j<J(,>vTac.. Consult line 1 1. 
 
 oi/To, 3 plur. imperf. indie, mid. of u-yeipu, "to collect," 
 
 " to in'ng' together ;" fut. j'F/>w : 1 aor. fiytipa. In the mid- 
 dle, d-ycipopai, " /o assemble," " /o come together." From dyw. 
 
 'K"e, 3 sing, imperf. indie, act. of Zfu, "/o *U." (Consult 
 LINE 53. . . 
 note ) 
 
 opsjj. dat. sing. fem. of NF oropioc., >j, ov, Epic and Ionic 
 for Nfffropcof, a, ov, " of or belonging to Nestor." From 
 Ne'tT'Gjp, opor, ti, " J\"es/or." 
 
 f, Epic and Ionic for Hv/.otyevotf, gen. sing. masc. of 
 ef, " Pylos-liorn." From rit'/.of, " Pylos," and yiyvonai. 
 Consult, as regards Pylos, the residence of Nestor, the note on 
 IIvAcj, book i., line 252. 
 
 fjv, accus. sing. fem. of TTVKIVOS, TJ, 6i>, poetic length- 
 
 ened form of TTVKVOC., TJ, 6v ; literally, "close," "compact," 
 'solid." Then, " well put together," "well made," and figuratively, 
 "skillful," " shrcird," &c. 
 
 'Hprvvero, 3 sing, imperf. indie, mid. of aprvvu, " to arrange ;" fut. 
 uprvau, &.c. In the middle, uprvvo^iai, " to arrange for one's self" 
 i. e., to arrange, having some particular object in view. From apu, 
 " to fit," " to adapt." 
 
 Kl.v-e, 2 plur. Epic 2 aor. imper. of K/.J'W, "to hear." Thus, 
 
 KAi>6i, ?.t'ru, &c. Compare ^f/fit, -jvudi, and consult book 
 i.. line 37. 
 
 'Evvirviov, neuter of evvTri'ioc., a, 01; "in sleep," taken adverbially. 
 
 'Ap6poaij]v, Epic and Ionic for (\fi6poalav, accus. sing. fem. 
 
 of iipt6p6atoc., t], ov, Epic and Ionic for 'A//6po<rof, a, ov. 
 From up6poaia, "ambrosia." (Consult remarks on book i., line 529. 
 A/CJ, dat. sing. masc. of <5?of, <5Za, dim', " noble," &c. Consult book 
 i.. line 7. 
 
 'A-YXtara, adverb, superlative of uyxi, "very closely," "very 
 LlXE 58 ' nearly." 
 
 'EuKei, 3 sing. 2 pluperf. act. of the radical e'nu, " to be like :" 2 
 pert", coma, with present signification : 2 pluperf. euxftv, for EO'LKEIV. 
 
 'Qt^fTo, i. e., w^tro, 3 sing, imperf. indie, of the middle de- 
 
 ponent oi^tfim. "to go" or. rather, "to hr STonr." "to have
 
 456 HOMERIC GLOSSARY. 
 
 Book 2. Line 71-79. 
 
 gone" and so opposed to TJKU, " to have come,' 1 ' 1 Ipxopat, "to go or 
 come," being the strict present to each of them : fut. oixqaopai : 
 perf. w^fljwai : Ionic olxipa.i. (Consult note.) 
 
 'A7rorrujUfi>of, nom. sing. masc. 2 aor. part. mid. of ud'nrTapcu, u to 
 fly away," and assigned to urcoTreTOfiai. From uiro and iTrra/iat. This 
 present "nrTafiai, which is the common one in use among the later 
 writers, becomes very suspicious as a form of the older language, 
 although still found in some passages without any various reading. 
 (Parson, ad Eitrip., Med., 1. Buttmann, Irreg. Verbs, p. 205, cd. Fish- 
 lake.) 
 
 \\VTJKSV, 3 sing. 1 aor. indie, act. of aviijpi, " to send away," "to 
 release," &c. (consult note on line 34) ; fut. uvf/au : 1 aor. uviy/ca, &c. 
 Emc for $upr/t;u(tcv (the mood-vowel being 
 
 ' shortened), 1 plur. 1 aor. subj. act. of dupTJoou, " to arm. 
 
 Consult line 11. 
 
 Tftof, accus. plur. of vloc, as if from a stem vt?. Consult line 20. 
 
 LINE 73. 'Eytiv, Epic and ^Eolic for h/u. 
 
 TletpfjaofiaL. Epic and Ionic for TTipuao/j.ai, 1 sing. fut. indie, mid. 
 of iriipdu, " to try ;" fut. Tteipuau. But much more frequently as a 
 middle deponent, neipuopai, fut. netpuaofiai, &c. From Treipa, " a 
 trial," " an attempt," &.C. 
 
 Qtftic, I/, old and Epic genitive Bfyiaros, and in Homer the only 
 form : accus. depiv (jEsch., Agam., 1431), &c. So, too, Homer de- 
 clines the proper name 0/c, Qifnarof : accus. Qefjuara: but Attic 
 Qcfj.iTOf, accus. QEJUV. Common Gr. Be^tdof, Ionic Of/itof, voc 
 BEUI (probably from root 6E-, riQrjiiL), "that which is laid down or 
 established," "/aw," like $e(T//df, not as fixed by statute, but as es- 
 tablished by old usage ; answering to the Latin jus or fas, as opposed 
 to lex : hence, generally, " what is right," "fit," fec. 
 
 IloZvKAri'ial, dat. plur. of rroM>KA.qif, idof, "of many bench- 
 es," "many-benched." From Tro/U'f and K^eif, "a rowing- 
 
 bench," Epic and Ionic 
 
 'Epj/Tveiv, pres. infin. act. of epjjrvu, "to restrain." Con- 
 LINE 75. gult book ; ^ j jne 192 
 
 'HuadoevTOf, gen. sing. masc. of rjpadoetc., oeaaa, oev, 
 " sandy" (consult note), Epic and Ionic for 
 
 from dftadoecc. &c. From upaBos, " sand," and this from u//of, 
 lengthened form a^of. 
 
 f, nom. plur. of ^yjjrup, opof, 6, " a leader," "a com- 
 
 mander ;" often occurring in Homer, who usually joins 
 
 vref, " leaders and guardians," i. e., chiefs in the field 
 and in council. From fjyfouai, "to Jrad"
 
 HOMERIC GLOSSARY. 457 
 
 Book 2. Line 79-88. 
 
 f, nom. plur. of/je'dwv, ovrof, 6, " one who provides for," "a 
 guardian," dec. (Consult remarks on preceding word.) From ptdo- 
 fiai, " to provide for." 
 
 "EvLaxtv, 3 sing. 2 aor. indie, act. of kvi^u, " to tell" " /o 
 declare" a strengthened form of the root or stem of dnelv 
 (ENII-, fvffrw,. like AAK-, AAEK-, and OPF-, optyu). The imper- 
 fect (according to form) is Ivenov : the 2 aor. tviarcov, Ivicrxdv, 
 tvtairu. FvloTTOifit : fut. ivtyu and svunrr/au. Observe that the aorist 
 here, as compared with the present, is, by its long syllable, at vari- 
 ance with general analogy, but still not without example ; as in 
 cair6fiT]v, from Irrofiat. 
 
 v, Epic for falriftcv, 1 plur. pres. optative of Qr/fii, " to 
 
 LINE 81. .. 
 
 say, " to pronounce. 
 
 , 1 plur. pres. optative middle of voaQtfe, " to put 
 away," "to remove;" fut. voa<s>iau. In the middle, voa^ofiai, "to turn 
 away from," " to become estranged." From vooyi, " aieay" " apart.'" 
 LINE 82. Evxerat. Consult book i., line 91. 
 
 i, Epic and Ionic for vfladai, pres. infin. of the mid- 
 
 ' die deponent vso^iai, " to go,'' "to depart," "to come.'" Only 
 used in the present and imperfect. In the present usually, like elut, 
 with future signification : to which, however, the infinitive forms 
 the most frequent exception. The Sanscrit root is ni, " to lead," 
 with which compare the lengthened forms veiaofiai, vdaaopai, via- 
 cofiai. 
 
 , nom. plur. of OKTIUTOVXO^ ov, " sceptre-bear' 
 
 LINE 86. ^ Consult b()ok j _ ( , jne 379. 
 
 , nom. plur. of daart.evc, et>f, Ionic fjof, 6, "a king." 
 'Eneaaevovro, 3 plur. imperf. intlic. mid. of emoevu, "to put. in mo- 
 tion against one." In the middle, k-^iatvofiat, " to advance hastily;" 
 Epic iiri.aannfj.ai : imperf. indie, kntcaevofiiiv. 
 
 'E6i>ta, Epic and Ionic for I6vrj, from I6voc, eof, TO, "a a- 
 LINE 87. ( .. 
 tton. 
 
 ~Mf7.Laau.uv, Epic and Ionic for fj.e7.taaCiv, gen. plur. of p&taaa or 
 p&tTTa, ?/{, r;, "a bee." From jue/U, "honey." 
 
 'Adivtiuv, Epic and Ionic for udivuv, gen. plur. of adivoc.. r/, 6v, radi- 
 cal signification, " close," " thick." Hence, in Homer, " crowded," 
 " thronged," " closely-thronging." From udr/v, " enough," " to one's 
 Jill." 
 
 c, gen. sing, of nirprj, TJC, rj, Epic and Ionic for irirpa, 
 
 88. p ., ; ,, 
 
 of, 77, " a rock. 
 
 T}.a<j>vpfjf, gen. sing. fern, of y^cupvpof, rj, 6v, Epic and Ionic for 
 Qq
 
 458 HOMERIC GLOSSARY'. 
 
 Book 2. Line 88-94. 
 
 y2,a0vp6f, u, dv, "hollow," "hollowed.'" From y/lo^w, " to dig out," 
 " /o holloiD out" &c. 
 
 BorpvJdv, adverb, "in clusters," "cluster-like." From 
 LINE 89. a clutter." 
 
 , 3 plur. pres. indie, of the middle deponent Trero/^at, " /a 
 fly." Original meaning, " to spread the wings to fly ;" Alt. ireTi'jaouai, 
 in Attic prose usually shortened nT^ao/^at, &c. 
 
 'Eiapivoiaiv, Epic and Ionic for elapivolc, dat. plur. neut. of elapiv6f % 
 T/, 6v, Epic and Ionic for eapivuf, rj,6v, "vernal," "of spring." From 
 lap, " spring." 
 
 "Al.tf, adverb, "in crowds," "ingreat numbers," &c. Akin 
 LINE 90. to d7 ^ "thronged." 
 
 , Epic and Ionic for TreKorrivTai, 3 plur. perf. indie, pass. 
 of the deponent rroruo^ai, Epic and Attic poetic form for nirofiai, 
 " to fly," " to wing one's way ;" fat. KOTTJaofiai : perf. TreKOTnuat, with 
 present signification. In Epic we find also noreofiai. 
 LINE 91. NECJV. Consult book i., line 48. 
 
 'H'iovoc. gen. sing. of qiuv, ovoc, fi, "theshore," "a sea-bank," 
 LlNK92 ' "anvcr-bank." 
 
 Ea6eii}f, Epic and Ionic for Badeias, gen. sing. fern, of (3a6vf, ela, 
 v, &c. 
 
 'EffTixouvro, Epic and Ionic lengthened form for karixuvro, 3 plur. 
 imperf. indie, middle of <rrt^aw, " to march" usually in the middle. 
 From oTeixu, ort^cf, trr/^of, the literal meaning of the verb being, 
 " to set or place in rows or ranks." 
 
 'D.adov, adverb, "in squadrons," "in troops." Analogous 
 
 to the Latin turmatim. From IAIJ, "a squadron," "a troop." 
 
 "Oaffa,iif,fi, "rumor." Properly, "a voice," "report," or "rumor," 
 
 which, its origin being unknown, is therefore held divine ; a word 
 
 noised abroad, one knows not how ; hence "Oaaa, Atoj- ayyeAof, ir> 
 
 the present passage. Akin to cnjj, and from it oaaevo^ai. But ob- 
 
 serve, that oaaouai has nothing in common with baaa. 
 
 Aed^ei, Epic and Ionic for ededjjei, 3 sing. 2 pluperf. act. of 6ata, 
 " to light up," " to kindle," and then " to blaze." The Sanscrit root 
 is dah, "to burn," whence, probably, daic, datdoc, "a torch," &c. 
 
 'Orpvvovaa, nom. sing. pres. part. act. of brpiivu, " to urge 
 
 I INE 94 
 
 on," " to encourage ;" fat. 6rpt>vw : 1 aor. uTpi-va. Always 
 with collateral notion of zeal and activity. 
 
 *Ayyp?,of, ov, 6, "a messenger." In general, "one that announces 
 or tells." The preposition avu appears to enter into the first part of 
 this compound (for such it evidently is), while th,e latter part is
 
 HOMERIC GLOSSARY. 459 
 
 Book 2. Line 94-99. 
 
 compared, by Pott, with the root of gallus, the Latin term for the 
 domestic fowl, the reference in either case being to proclaiming or 
 announcing. (Elymol. Forsch., i., 184.) 
 
 'Aycpovro, Epic and Ionic for fjyepov-o, 3 plur. 2 aor. indie, mid. 
 of uyeipu, " to gather together;" fut. dyepu : in the middle, " to gather 
 themselves together" " to assemble :" 2 aor. i/yfpoprjv. From uyu. 
 
 Tsrpr/xfi, Epic and Ionic for ercrp^et, 3 sing. 2 pluperfect 
 of rupaaau, " to disturb," " to stir up," &.?.. ; fut. rapd^u : 
 1 perf. rerdpaxa, "I tazce disturbed:" 2 perf. (intransitive) rtrpnxa, 
 " I am disturbed," " / am in confusion," 1 &c. The common opinion, 
 that TtTpr/xa is perfect of a verb rorixu (from rpr/xvc., " rough 1 '), is re- 
 futed by Buttmann (Lexil., s. r.), after the old grammarians. Later 
 poets, indeed, acted on this opinion, so far as to form a present rp^ej, 
 "to be rough or stiff;" as Nicand., Ther., 521 ; and Apollonius Rho- 
 dius (iii., 1393) uses rerprixa in this signification. The process of 
 formation in rerpr/xa appears to be as follows : rapdaau, by trans- 
 position rpauaau, contracted, with r absorbing the latent aspirate of 
 the p, into dpdeou (Attic) ; fut. dpdZu : perf. rtrpufa : Epic and 
 Ionic rtrprixa. (CarmichaeVs Greek Verbs, p. 278.) 
 
 'Srfvaxi&To, Epic and Ionic for iorevaixi&To, 3 sing, imperf. indie. 
 mid. of OTevaxiZu, "to groan," "to resound." From arevdxu, and 
 with a species of frequentative meaning. 
 
 Jof, ov, 6, ''a loud din," "an uproar," &.c., said espe- 
 
 cially of the confused voices of a large crowd. From buof, 
 6fidf, " the whole," " together," &c. 
 
 Boowv-ff, enlarged Epic form for fiouvrec., nom. plur. masc. 
 ' pres. part. of/3o<iu, " to cry aloud ;" fut. porjau. From J3ofj, 
 
 "a fry,'' " a shout." 
 
 'EprjTvov, 3 plur. imperf. indie, act. of epr/Tvu, " to restrain," " to 
 hold back;" fut. epr/rvau. Akin to tpvu, ipvicu, "to draw," "to keep 
 in" " to check." 
 
 'AtJr^f, gen. sing, of uvrf], f/c, T/, " a clamor," "a cry," " a shout." 
 
 S^o/aro, Epic and Ionic for axolvro, 3 plur. 2 aor. opt. mid. 
 
 LINE 98. Qf ^^ <t (Q hol ^,, (Q reslra j n j n tne middle, " to re- 
 
 strain one's self," " to refrain :" 2 aor. mid. kaxouriv. 
 
 Consult book i., line 176. 
 
 ^, dat. sing, of oxotdrj, fjc, ij, "pains," " trouble," "dif- 
 LIXE 99. ," taken adverbially. (Consult note.) 
 
 'Epr/rvdev. Epic contracted form for t}pr/rvdr/aav, 3 plur. 1 aor. in- 
 die. pass, of epr/rvu, "to restrain." Consult line 97. 
 
 'Edpaf, aecus. plur. of I6pa, af, r/. Epic and Ionic edpr/, w, f/, " a 
 
 s<at." " a i1>ri*!(-n or "air of fa's " (Consult note
 
 460 HOMERIC GLOSSARY. 
 
 Book 2. Line 100-104. 
 
 LINE 100. Kpffov. Consult book i., line 130. 
 
 LINE 101. 'HQaiaToc.. Consult book i., line 571. 
 
 Kufie, Epic and Ionic for ixafie, 3 sing. 2 aor. indie, act. of tcdftvu, 
 " to bestow labor upon," " to labor ;" fut. Kapovpai : 2 aor. l/cn^ov. 
 Lengthened from a root o/i- in the present, this same root appear- 
 ing unlengthened in the other tenses. Bopp compares the Sanscrit 
 root ksham, " to endure," &c. 
 
 Tev^uv, nom. sing. masc. pres. part, of TEVX^, " to fabricate," " to 
 prepare," " to get ready," " to make," &.C. ; fut. rev^u : 1 aor. env^a. 
 Nearly akin to rvyx<ivu, the notion implied in which has grown 
 out of the perf. pass, of ret^w, which represents that which has been 
 made, and so is existing. Hence, in Epic, the forms rerv/^ai, ire- 
 Tv-yfitjv, fTvxfyv, are substantially the same with rvyxo-vu, tn^ov : 
 and the active perfect rerev^a, when used intransitively, is used ex- 
 actly like Tvyxuvu. Farther, Tv%ftv is manifestly akin to TIKTU, and 
 the German zeugcn. 
 
 Aiaxropu, dat. sing, of didxropoc., ov, 6, "a messenger." 
 ' The meaning of this word is disputed. The usual deri- 
 vation is from 6iuyu, according to which it would signify " the con- 
 ductor," " the guide," which would suit //., \., 390, where Mercury 
 releases Mars ; and //., xxiv , 339, where he conducts Priam to 
 Achilles. Most commonly, however, the term is interpreted "the 
 messenger," as if 6 diuyuv raf uyytA/af . Later writers certainly used 
 it in this sense ; as, for example, Callimachus (Fr., 164), of the owl, 
 as Minerva's attendant. Buttmann (Lexil., s. r.) derives it from 
 tiifiKu, as a collateral form of diuKu, and makes it simply equivalent 
 to SHIKOVOS. 
 
 'ApyiKftovTy, dat. sing, of 'Apjei^ovrr/^ , ov, 6, for 'Apyodovevrfa, ov, 
 " the slayer of Argus." (Consult note.) From "Apyof, and tiovtu or 
 (jiovevu, " to slay." 
 
 'Epfieias, ov, 6, Epic for 'Epu?/f, or, 6, " Mercury." As a 
 technical term, any four-cornered post ending in a head 
 or bust was called 'Epufif, such as were frequent in the public places 
 of Athens ; in which signification Winckelmann, Lessing, and oth- 
 ers, derive the word from tpfia, " a prop" "post," "support," &o. 
 
 Tlel.oirt, dat. sing, of TIe?.ml>, OTTOC, o, " Pelops" son of Tantalus, 
 said to have migrated from Lydia, and to have given his name to 
 the Peloponnesus. From Tre/lof, "dark" and uil>, "visage;" and 
 hence Pelops means " the dark-faced," or " swarthy" one, as indica- 
 tive of an Asiatic. (Donaldson, Varronianus, p. 25 ) 
 
 ry, dat. sing. masc. of 7rAr/f<;rrrof, or, " the vrger-nn of
 
 HOMERIC GLOSSARY. 401 
 
 Book 2. Line 104-110. 
 
 steeds ;" more literally, " steed-smiting,'' i. ., with the lash. An 
 Homeric and Hesiodean epithet of heroes, like 'nrrrodauof. From 
 r/jj(T<7u, ' to smite," and Ir-rof, ' a courser." 
 
 'Arpii, dat. sing, of 'Arpevc., e'of, 6, " Alreus." Probably 
 ' from u, priv ., and rpeu, "to tremble," " /o fear." Hence 
 Atreus may mean, "the unfeanng." 1 
 
 Tio:uert, dat. sing, of xoiurjv, cvoc/, 6, " a shepherd." In general, 
 one who keeps or tends, and hence a king is called the shepherd (i. ., 
 the keeper or guardian) of his people. Probably akin to Treirauai, 
 perf. of iruouai, to acquire," " to possess," r:uua, "possession,'' rriLv, 
 "a flock," &.C. 
 
 Uol.vapvt, dat. sing, of no/.vapvof, ov, " rich in lambs or 
 
 ' sheep," "with many lambs or sheep." Observe that iro/.v- 
 
 apvi is here a metaplastic dative. (Consult, on Metaplastic Nouns, 
 
 Aiithon's enlarged Greek Grammar, p. 120.) From iro/.i'f and upvof, 
 
 genitive assigned to ci/tv6f, " a lamb.' 1 
 
 Qveorrj, dat. sing, of Qvlorr/f, ov, 6, " Thycstes," son of Pelops, 
 grandson of Tantalus, and brother of Atreus, whom he succeeded, 
 according to the present passage, in the government of Mycenae. 
 
 vdcTd, .Eolic nominative, gen. Ove'crraf, for Qviarrif, ov, 
 
 (Consult note.) 
 
 Qopf/vai, Epic pres. infin. of dopeu, " to wield," " to bear." Another 
 Epic form of the pres. infin. is oopf/ftevai. Compare 
 
 LINE 108. no/./.yaiv. Epic and Ionic 
 
 'Apj-ri', dat. sing, of 'Apyof. tof, TO, "Argot." (Consult note.) 
 
 'Epeiaiiftcvoc., 1 aor. part. roid. of epeidu, " to make one thing 
 ' lean against another ;" fut. ipei6u. In the middle, " to prop 
 one's self," " to lean upon." 1 
 
 Mer^t'da, 3 sing, imperf. indie, act. of ptravddu, "to speak among;" 
 and hence, " to address." From fieru. and avduu. 
 
 LINE 110. "Hpwff. Consult book i., line 4. 
 
 0fpuTovref , nom. plur. of Otpdxuv, ovrof, o, " a servant." " an at- 
 tendant," &c. In Homer and old authors it always differs from 
 <5ov?.of, as implying free and honorable service. In Chios, how- 
 ever, depd-xovTef was the name for their slaves. (Arnold, Thxcyd., 
 viii ,40.) 
 
 'Apijof, gen. sing, of 'Aorif, riof, 6, Epic and Ionic for 'Ap^f, cof, 6 t 
 " Mars," son of Jupiter and Juno, god of war and slaughter, repre- 
 sented by Homer as a gigantic warrior. Hence, taken as an ap- 
 pellative for "tear," "slaughter," "murder," dec. Akin to appr/v 
 
 Qo3
 
 462 HOMERIC GLOSSARY. 
 
 Book 2. Line 110-117. 
 
 upar/v, as Mars to mas ; perhaps, also, to uvjjp, ?/pu, and German 
 herr ; perhaps, also, to alpuv, kvaipu, Latin arma, and to the prefix 
 apt .... From the same root come uperfi, upelu, aptaroc,, the first no- 
 tion of goodness being that of manhood, bravery in war. (Donaldson's 
 New Cralylus, p. 365.) 
 
 LINE 111. *\ri). Consult book i., line 412. 
 
 'Eve'dT/CTE, 3 sing. 1 aor. indie, act. of kvdiu, " to bind in" " to en- 
 tangle ;" fut. evdrjau : 1 aor. evednaa. From kv and 6lu, " to bind." 
 f, a, ov, Epic and Ionic rj, ov, " cruel" said proper- 
 
 ly of persons doing and enduring, daring, obstinate, rash, 
 reckless, &c. From E^U, ax tlv, in the sense of holding on, enduring. 
 
 'YTTE^E-O Kai Karivevaev. Consult book i., line 514. 
 
 LINK 113. "l?.tov. Consult book i., line 71. 
 
 'EicxepoavTa. Consult book i., line 19. 
 
 EVTE/^EOV. Consult book i., line 129. 
 
 'A-ovEa6ai, Epic and Ionic for dnoveladat, pres. infin. of the mid- 
 dle deponent uTroveouai, " to depart," " to return home." From UTTO 
 and veouai, " to go." 
 
 'A-n-urriv, accus. sing, of dirdTrj, ijf, rj, " deceit," "fraud," 
 
 ' &c. From axru, u6du, "to touch," i. e., " to cheat," an- 
 
 swering to the Latin palpare. (Buttmann, Lcxil., ed. Fishlake, p. 118.) 
 
 Bov/.ewraro, Epic and Ionic for efovAevffaro, 3 sing. 1 aor. indie. 
 mid. of povhcvu, " to deliberate with another ;" fut. jBovl.riiou : 1 aor. 
 t6ovZevaa : in the middle, fiov/ievo/iai, " to deliberate with one's self," 
 " to resolve upon," &.C. ; fut. 3ov7.evaop.ai : 1 aor. E6ovAevou[ti)v. 
 From povXij, " counsel," " advice," &c. 
 
 Avfftf.fd, Epic and Ionic for dvffK^eu, accus. sing. masc. 
 ' of duffxAe^f, ff, "inglorious." From c5i>c- and xP.c'of, 
 "glory," "fame." 
 
 "Apyof, accus. sing. neut. of 'Apyof, cof, TO, " Argos." Consult 
 book i., line 30. 
 
 'Ixtodat. Consult book i., line 19. 
 
 "Q/,e<ra, 1 sing. 1 aor. indie, act. of 6\/.vui, " to lose," " to destroy ;" 
 fut. oP.^ffu : 1 aor. u/.taa. 
 
 LINE 116. MeAXci. Consult book i., line 564. 
 
 'firepUfvii, dat. sing. masc. of virtp/tevfic, tf, " niperior in might," 
 " exceeding mighty," a frequent epithet, in Homer and Hesiod, of 
 Jupiter and of kings. In later writers, in a bad sense also, "over- 
 weening," "insolent." Poetic word, from vnt-p and f*vo{, "might,* 
 " strength," &C. 
 
 LINE 117. IIo/.>.uwv, Epic
 
 HOMERIC GLOSSARY. 
 
 463 
 
 Bookl. Line 117-125. 
 
 KareXvae, 3 sing. 1 aor. indie, act. of /caraWw, " to destroy," " to 
 lay low." From ar and ?t,vu, " to loosen," " to relax" &c. 
 
 Kap^va, accus. plur. of Kuprjvov, ov, TO, " a head," " a summit." By 
 the " summits of cities" are meant, properly, the fortresses or citadels 
 of places, that is, their loftiest and strongest parts. 
 
 horn. sing. neut. of alaxpof, u, 6v, " disgrace- 
 
 ful," " causing shame" and hence derived from 
 " shame," &C. 
 
 'Eoaouivoiai, Epic and Ionic for ecrojuevoif, fut. part. mid. of eifii, 
 "to be." 
 
 Mdi/>, adverb, " to no purpose," "in vain." This word, 
 E with all its compounds, is solely poetic, and mostly Epic. 
 According to some, from atya, " quick," " on a sudden :" better, 
 perhaps, from pap-rrTu, " to grasp," 2 aor. infin. Epic //aTreetv, and 
 equivalent to tuuaTreac., " hastily," " hand over hand," and so " rash- 
 ly," " in vain," &c. 
 
 v, Epic and Ionic for airpaK-ov, accus. sing. masc. 
 
 ' of airpTiKTOc., ov, " fruitless," "unavailing," "unprofitable." 
 From a, priv., and irp^aau (Epic and Ionic for Tepdaau), "to ac- 
 complish," " to effect." 
 
 Havporepoiai, Epic and Ionic for xavpoTepoic., dat. plur. 
 ' masc. of navporepof, a, ov, "fewer," comparative of nav- 
 pof, a, ov, "few." Compare <j>avpoc, ^ovAof, and the Latin paulus 
 and paucus. 
 
 TllfyavTai, 3 sing. perf. indie, pass, of Qaivu, "to show;" fut. <j>avu : 
 later perf. ne<f>a-/Ka : 2 perf. (intrans.) Trtynva : in the middle, Qaivo- 
 fiai, "to appear;" perf. pass, (strictly mid.) nEQappai, ireyavaai, ire- 
 Qavrat, &c. 
 
 *Op/cia, accus. plur. of op/fiov, ov, TO, " a league." (Con- 
 LlNE 124 ' suit note.) 
 
 Ta//6j>ref, nom. plur. masc. 2 aor. part. act. of rfyvu, " to cut," 
 " to strike ;" fut. T(j.S> : 2 aor. erafiov, later ereuov. Lengthened 
 from a root TEM-, TAM-. 
 
 '\pifffjtndrifjicvai, Epic and Ionic for apiO/MjOtjvai, 1 aor. infin. pass. 
 of upiOfjteu, " to number," " to count ;" fut. api6uqau. From apiOfioc., 
 " number." 
 
 MS-aaOat, 1 aor. infin. mid. of ?.eycj, "to select;" fut. /l^fu. 
 LINE 125. (Consu j t note ) 
 
 'Efipf'orio/, nom. plur. masc. of e0f<mo<:, ov, "an inhabitant." Lit- 
 erally, " on the hearth," i. e., at home, by one's own fireside ; and 
 hence, "settled in a place." "having a house and home," "a, hout*-
 
 464 HOMERIC GLOSSARY. 
 
 Book 2. Lint 125-130. 
 
 keeper" (in the legal sense), or "householder," "an inhabitant," &c. 
 From Eirl, " upon," and earia, " a hearth." 
 
 'Eaaiv, Epic for dai, 3 plur. pres. indie, of cJ/zj, " to be." 
 
 Ae/cJ(5af, accus. plur. of 6tK<if, u6of, TJ, "a dccad," "a body 
 ' of ten men." Corresponding to the Latin decuria. From 
 6(ica, " ten," with which compare the Sanscrit dacan, our ten, and 
 the German :ehn. 
 
 AiaKozpnOeifiev, Epic syncopated form for diaKoa^nOeirjuev, 1 plur. 
 1 aor. opt. pass, of dta/cooyulu, " to distribute in order ;" fut. 610x00/11}- 
 ffcj From 6ul and noaptu, " /o arrange in order." 
 
 '~E.faiu.t6a, 1 plur. 2 aor. opt. mid. of aiplu, " fo choose." 
 LINE 127. &c F 
 
 Otcoxoewii', pres. inf. act. of olvoxoevu, "Jo pour out wine," an- 
 other form for otvo^ocu. Consult book i., line 598. 
 
 Afvot'aro, Epic and Ionic for dtvoivro, 3 pliir. pres. opt. of 
 LINE 128 
 
 ' the middle deponent devopat, poetic form for 6iop.ai, " to 
 
 wan'." 
 
 Olvoxooio, Epic and Ionic for olvo\6ov, gen. of oivoxfos, ov, 6, "a 
 cup-bearer." From olvof, ' wine," and ^fu, "to pour." 
 
 f, accus. plur. of n^eec, Epic comparative of ir 
 
 T T w 1 23 
 
 ' only found in the nom. and accus. plur. masc. ; and hence 
 
 the Doric contracted form 
 
 TZaf, accus. plur., as from a stem vlf. Consult line 20, and also 
 book i., line 162. 
 
 , 3 plur. pres. indie, act. of vaiu, "to dwell ;" fut. 
 
 ' mid. vu.aofj.ai: 1 aor. kvaauurjv : perf. vivaouat.. The I aor. 
 act. Ivaaaa (for ivaaa) is used in a transitive sense, especially in 
 poetry, "to make to dwell in or inhabit," "to give one to dwell in," 
 but this occurs also in the 1st aor. pass, and mid. : as, irarjjp rftbf 
 'Ap-ye'i vdffdn, " my father settled at Argos" (//., xiv., 119) ; and vua~ 
 earo uyx' 'EAtxdivof. (Hes., Op., 637.) 
 
 'En7/c'>vpot, nom. plur. of iTtiKovpof, ov, 6, "an ally," always used 
 as a substantive by Homer, and especially of the barbarian allies of 
 Troy. Properly, however, an adjective, "helping," "aiding," "de- 
 fending." In Attic Greek, especially, ol sntKovpoi are "mercenary 
 troops," also called f6>ot, opposed to the national army, arid literally 
 fj.irs6o$6pot, "hirelings," a less honorable name than av^a^oi 
 From 7Ti and Kovpof, "a youth," "one in youthful prime." Some 
 distinguished tmKovpot from cvuuaxoi, by making the former refer t 
 the allies of those attacked or invaded ; and ciuuaxoi to the allies 
 of those who attack, invade, or bring the war.
 
 HOMERIC GLOSSARY 465 
 
 Book 2. Line 131-135. 
 f'uv, Epic for xot.'/Mv. Homer takes -uv, arising by 
 
 ' contraction from the old form in -duv, and opens it again 
 by the insertion of e, producing thus an ending in -euv, which, regu- 
 larly, must be pronounced as one syllable by synizesis. (Kuhner, 
 G. G., $ 261, 3.) 
 
 'Ey^efTTa/'.oi, nom. plur. masc. of eyxeaTra7.os , ov, " spear- brandish- 
 * n g" "wielding the spear or lance." From eyxf> "a spear," and 
 nd)J.u, " to brandish" " to wield." 
 
 n/.dCoi)CT(, 3 plur. pres. indie, act. of IT'/M^U, "to cause to 
 "' wander ;" fut. TrXdyfu : 1 aor. lrr/.ayfa. In the middle, 
 " to cause one's self to wander," i. e., " to wander." As if from a root 
 IIAArX-. 
 
 Eiuffi, 3 plur. pres. indie, act. of cidu, dti, Epic and Ionic for tdu, 
 tu, ' to permit," " to allow." Hence eluai is for kuai. 
 
 He6daai, Epic and syncopated form for 3c6^Kaoi (another 
 LIVE 1 3'i 
 
 syncopated, and, at the same time, contracted form for 
 
 which is iSeSuai), 3 plur. perf. indie, act. of 3aivu, " to go." Homer 
 has 3e6ddGi. part. 3t6uu, 3e6dvia, and infin. 3e6fyitv. Later writers 
 have also 3s6uf, pefoaa, 3r&jf. All these forms, however, are rare, 
 except in poetry. 
 
 'Eviavroi, nom. plur. of iviavrof, ov, 6, " a year." This word, 
 though common in all Greek, is most frequent in the poets. It 
 meant any complete space, or period of time ; and hence we have (CM., 
 i., 16) frof i)7.f)t irepurl.ouevuv eviai-Tuv, "as times rolled on the year 
 came round." From Ivoc, " a year," with which compare the Latin 
 annus. The derivations cvl avrif), " self-contained," and iv, lavu, are 
 mere subtleties. 
 
 Aoi-oa, contracted from dovpara, and both these Epic and 
 
 Ionic forms for dopara, nom. plur. of 66pv, oroj-, TO, "wood," 
 
 and any thing made therefrom, "the timbers" of a ship, "a spear," 
 
 &c. Compare the Sanscrit daru, li the stem of a tree.' 1 (Eichhoff, 
 
 Vergleicfi., p. 205.) 
 
 Zeff^Trc, 3 sing. 2 perf. indie, act. of CT^TTW, "to make rotten," "to 
 corrupt;" fut. ff^tpu : 2 perf. as a present, with intransitive or pass- 
 ive force, o-ianxa, " I am rotten." The root, strictly, is 2AII-, as it 
 appears in the second aorist passive i-auTr-nv, omr-ijvai, and in the 
 adjective aair-p6f. The adjective oad-pnc. is akin. 
 
 "Lfcupra, nom. plur. of oxdprov, ov, TO, "a rope," "a cable." From 
 airfipu, "to twist," according to some, although this same 
 is found only in the grammarians. Not, certainly, from 
 " Spanish Aroom," which was unknown to the Greeks in Homer's 
 time (Consult note )
 
 HOMERIC GLOridAKY. 
 
 Book 2. Lint 135-144. 
 
 AeXwrai, 3 plur. perf. indie, pass, of P.vu, " to loosen," " <o wn- 
 fut. Avffu : perf. ~f.i"kvna. : perf. pass. /.eXvpat, &c. 
 
 "A.AOXOI, nom. plur. of JAojof, ov, 77. Consult book i., 
 LlXE136 ' line 546. 
 Nqiria. Consult line 38. 
 
 EldTac, Epic and Ionic for fivrat, 3 plur. of fipai, " I sit." 
 LINE 137. Consult book ^ ljne 565 
 
 Meywpotf, dat. plur. of piyapov, ov, TO, " a hall ;" properly, any 
 large room or chamber. Mostly used in the plural, like eedes in Latin, 
 because the house consisted of many rooms ; hence ev prydpoi? often 
 gets ihe general meaning of " at home," with the notion of peace and 
 quiet, as opposed to war and traveling. From ptyac. 
 
 Horideyfievai, nom. plur. fern. Epic and Doric for irpocdeypcvai, 
 syncopated 2 aor. part, of trpoc.dexopai, " to wait fur," " to expect." 
 According to some, Trpofdfyuevai is for TrpofdeSeypevai, perf. part, of 
 irposdfxopat ; but consult Buttmann, Irreg. Verbs, p. 63, ed. Fishlake, 
 and compare book i., line 22, remarks upon dE0<u. The participle, 
 it must be observed, has here the force, not of the aorist properly, 
 but merely of waiting for, expecting. (Buttmann, I. c.) 
 
 'Afiij.i, Epic and ^Eolic for rjulv. 
 
 LINE 138. Avruf. Consult book i., line 133. 
 
 'AKpdavrov, nom. sing. neut. of uKpdavroc, ov, "unfinished," "iirith- 
 out result." From a, priv., and xpaiaivu, "to accomplish;" Epic 
 lengthened form for icpaivu : fut. icpavu : so that uKpuavrov is itself 
 a lengthened form for uKpavrov. Consult book i., line 41. 
 
 EZvejca, Epic and Ionic for eveKa. 
 
 btvyupsv, 1 plur. pres. subj. act. of <j>evyu, "to flee." Con- 
 LINE 140. gult book ^ Hne n3 
 
 Harplda, accus. sing, of irarplc, idof ; strictly, poetic feminine of 
 irdrptof, "native," "of one's fathers." Used especially in conjunc- 
 tion with yala, ala, &c., " one's notice land," " one's fatherland." 
 From Trarrip, "a father." 
 
 LINE 142. "ZriiQeaaiv. Consult book i., line 83. 
 
 'Opivev, Epic and Ionic for upivtv, 3 sing. 1 aor. indie, act. of 6/otvw, 
 " to arouse." From opu, opvvui, " to arouse," " to excite." 
 
 Hhndvv, accus. sing, of ^rjdvc, voc, ij, " a throng," Ionic 
 LINK 143. and Ep|c form foj . _- ^^ fo ^ T< j _p rom Tr p,^ u> "to fill." 
 
 KivrjQn, Epic and Ionic for kniv^On, 3 sing. 1 aor. indie. 
 ' pass, of mveu, "to move," "to agitate," "to excite;" fut. 
 
 : 1 aor. tKivrjaa, &c. From KIU, "to go," the literal meaning 
 of KIVSU being " to set a going."
 
 HOMERIC GLOSSARY. 467 
 
 Book 2. Line 145-148. 
 
 HOVTOV, gen. sing, of TTOVTOC, ov, 6, "the deep," "the open 
 LINE 145. , ca _-_ Ak j n to ^^fo^ "depth," patios, pv66c, and Latin 
 
 fundus. 
 
 'licapioio, Epic and Ionic for '\Kapiov, gen. sing. masc. of "\nupioq, 
 T), ov, Epic and Ionic for 'Ixdpiof, a, ov, "/carian," " of or belonging 
 to the island of Icana." From 'luapia, Epic and Ionic 'iKapirj, " Ica- 
 ria." (Consult note ) 
 
 Evoof, ov, 6, '' the southeast wind," the Latin Eitrus or Vullurnus. 
 According to some, from avpa, "the fresh air of morning ;" ac- 
 cording to others, from rfc, lu^, " morning" as indicating the morn- 
 ing wind.. 
 
 Norof, ov, 6, ''the south wind," or, strictly, "the southwest wind," 
 the Latin Notus. It brought fogs, damp, and rain. That there was 
 an original notion of moisture in the word is clear from its deriva- 
 tives, voTiof, "wet," "damp;" vbru;, "moisture;" VOTI&, "to moist- 
 en," &c. 
 
 'Qpope, 3 sing. 2 aor. of 6pv\'jj.i, " to raise," " to excite," re- 
 
 ' duplicated form for wpf, according to the analogy offjpapc, 
 
 quax*, &c. Consult the remarks of Buttmann (Irreg. Verbs, p. 193, 
 
 ed. Fishlake), who controverts the earlier opinion, that ti/wpe is a 
 
 perfect with the quantities transposed. 
 
 'Es-oifof, nom. sing. masc. 1 aor. part. act. of irrataau, " to rush," 
 "to burst forth;" fut. e/rai'fu. Attic form, e^aovj or e-arru ; fut. 
 fmfZa. From iiri and utaau, "to rush." 
 
 Kivijay, 3 sing. 1 aor. suhj. act. of Ktveu. Consult line 
 LIXE 147. 
 
 f, ov, 6, "the northwest wind;" strictly, "the north-north- 
 west." (Consult note.) 'Commonly derived from o^of, " darkness," 
 " gloom," which etymology, if correct, will allude to the dark clouds 
 it often brought with it ; clouds, however, not accompanied by rain, 
 but by cold weather. Many, however, make Zfyvpof " the west 
 wind," and, deriving it likewise from ooof, consider it equivalent to 
 "the evening wind;" but consult note as above. 
 
 A^iov, ov, TO, " standing corn," " the crop standing on (he land." 
 Commonly, but not very correctly, it would seem, derived from t.r/ta, 
 for ?.eia, "booty" "spoil," such a crop being an attractive object of 
 plunder. The reference, probably, is to its being now ready to be 
 borne away by the husbandman. 
 
 Aciopof, ov, " impetuous," " blustering." Probably from a 
 root AAB- (compare ?.au6avu), as referring to that which 
 seizes and bears forcibly away.
 
 468 HOMERIC GLOSSARY. 
 
 Book 2. Line 148-154. 
 
 'ETraryiZuv, nom. sing. masc. pres. part. act. of cnar/ifc, " to ruth 
 upon." From t-xi and alyif, "a rushing storm," "a hurricane." 
 
 'Hpvei, 3 sing. pres. indie, act. of f/pvu, "to bend" "to bow down," 
 " to stnk," &c. ; fut. i/uvau : 1 aor. i]p>oa : perf, with reduplication, 
 without it, ?;/*ii/ca. Akin to pvu, " to close," &c. 
 
 , Epic and Ionic for uardxvoiv, dat. plur. of dara^vf, 
 vof, 6, "an ear of corn." From , euphonic, and ard^vf, "an ear of 
 corn ;" and this last akin to the German acfiel, stachel. 
 
 , dat. sing, of uA.ad.nr6c;, ov, 6, "a shouting;" 
 
 ' strictly, "a war-cry." From aAa?xi, " a w>_ar-cry." 
 'Eaaevovro, 3 plur. imperf. indie, mid. of asvu, "to put in 
 quick motion," " to drive" " to urge on :" in the middle, 
 " to rush," " to urge one's self on." Akin to tfe'u, devoo/Mt, " to run;" 
 just as the Laconian dialect changed # into a. 
 '"!Cirvtp6e, adverb, "from beneath," "beneath." 
 Kovin, Epic and Ionic for tcovia, of, 7, " dust," especially as stir- 
 red up by men's feet. From 6vif, " dust." 
 
 "laraTo, 3 sing, imperf. indie, mid. of larnut, "to place:** 
 INE ' in the middle, "to place one's self," "to stand." 
 
 , nom. sing. fern. pres. part. pass, of utipu, " to raise" 
 "to excite," Epic and Ionic for the Attic ulpu : fut. depu (Attic dpu): 
 1 aor. ycipa and ueipa (Attio r/pa). 
 
 f[tsv, Epic, Doric, and ^olic for e/.Kfiv, pres. infin. 
 
 2 ' act. of I/.KU, " to drag." Consult book i., line 194. 
 Eif uka 6lav. Consult book i., line 141. 
 
 Oiipovf, accus. plur. of ovpdf, ov, 6, "a trench" or " rhan- 
 
 ' nel" for hauling up ships and launching them again. 
 
 When these got choked, they had to be cleared out before the ships 
 
 could be launched. In Apollonius Rhodius a trench of this kind is 
 
 called 6/U6f . Probably from OP-, the root of opmfu. 
 
 'EfrKudaipov, 3 plur. imperf. indie, act. of tnKadatpu, " to clean 
 out ;" fut. luKadapu : 1 aor. i^eKu&7]pa. From etc and nadaipu, " to 
 clean." 
 
 'A.vrrj. Consult line 97. 
 
 '!, 3 sing, imperf. indie, act. of "LKU, "to go," &c., which is the 
 root of Ittvlofiai. It is used in Epic and in Pindar, never in Herod- 
 otus, and very rarely in Attic. 
 
 'lefifvuv, gen. plur. pres. part. mid. of Irjui, "to send:" in 
 the middle, lepai, "to send one's self after a thing," "to 
 desire," &c. (Consult note.) 
 
 Htpeov, i. e , ijoeov, Epic and Ionic for ijpovv, 3 plur. imperf. indie. 
 act. of aJfittj, "to take."
 
 HOMERIC GLOSSARY. 469 
 
 BookZ. Lint 154-162. 
 
 ''Epp.ara, accus. plur. of eppa,arof,ro, " a prop." Consult book i., 
 line 486. 
 
 "Yirtpfiopa, accus. plur. neut.. taken adverbially, ofvirlpfto- 
 ' poc, ov, "contrary to fate" " over, above, or beyond fate ;" 
 said of those who by their own fault add to their destined share of 
 misery. The idea properly involved is that of addition to fate ; and 
 so far, therefore, as this is effected, men are said to act contrary to 
 fate, bringing upon themselves what fate did not, to that extent, de- 
 cree. (Consult note.) 
 
 Noorof, ov, 6, "o return," usually home or homeward. Akin to 
 vouai. 
 
 'ETvxdij, 3 sing 1 aor. indie, pass, of rev%u, "to effect," "to make," 
 &.c. Consult line 101. 
 
 LIXE 157. IIoTOi. Consult book i., line 254. 
 
 Aiyioxoio. Consult book i., line 202. 
 
 'Arpvruvij, voc. sing. fem. ofarpvruvof, rj, ov, "unwearied," "tame- 
 less," an epithet of Minerva. (Consult note.) From a, priv., and 
 rpiiu, " to weary." 
 
 QtvfovTai, 3 plnr. fut. indie, of ocvyu, "to flee." Observe 
 
 I INK 159 
 
 that frifopat, though middle in form, is active in mean- 
 ing ; and that fai'S-of-pat (Doric) is also occasionally employed in At- 
 tic, along with tevZopai. 
 
 Evpea, accus. plur. neut. of cvprc, tia, v, "broad." 
 
 Nura, accus. plur. of vurof, ov, 6, "the back." Homer uses only 
 the masculine in the singular, and, like Hesiod, only the neuter in 
 the plural. Consult, as regards the force of the plural here, Anthonys 
 enlarged Greek Grammar, p. 59. 
 
 LINE 160. KtitJ. Consult note. 
 
 EV-XUATJV, accus. sing, of EV^U/.TJ, ij{, y, "a boast." From tvxopac. 
 'E).svr/v, accus. sing, of 'Etevtj, ??<, rj, " Helen," daughter 
 ' of Jupiter and Leda, and sister of Castor, Pollux, and 
 Clytemnestra. She married Menelaus, and became by him the 
 mother of Hermione. She was famed for her beauty, and her ab- 
 duction by Paris gave rise to the Trojan war. After this contest 
 was ended, she returned to Sparta with Menelaus. They who re- 
 gard the proper names of the principal personages in the Iliad as 
 merely descriptive appellations to suit the characters of the parties, 
 deduce 'Efavr; from &evi), " a Jirc-brand," " a torch," as indicative of 
 the cause of the war. 
 
 LINK 162. Tpoiy, Epic and Ionic for Tpola, dat. sing, of Tpobi, j/f, 
 RB
 
 470 HOMERIC GLOSSARY. 
 
 Book 2. Line 162-169. ; 
 
 ), Epic and Ionic for Tpoia, ac, f), " Troy," "the plain of Troy," 
 which latter is its meaning in the present passage. 
 
 Epic and Ionic for diruhovTo, 3 plur. 2 aor. mid. of 
 &c. 
 
 , Epic and Ionic for alaf, gen. sing, of ala, "/and," "earth," 
 collateral form for -yaia. Doderlein well compares with ala, yata, 
 the German Au, Gau. 
 
 uv, gen. plur. of x a ^- KO X'- TUV i uv f- Consult 
 
 LlNKl63 ' book i., line 371. 
 
 'A.yavolf, dat. plur. neut. of ayavof, 7, 6v, "mild," " bland." 
 ' From ydvof, "brightness," "beauty," &c., the a being 
 merely euphonic. 
 
 'Eprj-rve, 2 sing. pres. imper. act. of epijTvu, "to restrain," "lode" 
 tain." 
 
 <J>wra, accus. sing, of 0wj-, ^wro'r, o, " a man," i. ., a brave and 
 good one ; much like avrjp. Probably from <t>du, Qijut, " one who hat 
 the gift of speech," like uepoip. 
 
 Ela, 2 sing. pres. imper, act. of eldu, "to su/er," "toper- 
 LINE Ifio. m ^ n gpj c an j j on j c f or ^ Uj imperative ea. Consult 
 
 line 132. 
 
 'Afujtiehiaaac, accus. plur. fem. An Epic adjective used only in 
 this feminine form in Homer, and always said of ships; usually 
 rendered, " impelled on both sides by oars," " rowed on both sides." 
 But, as Rost remarks, the signification of rJdcaw (the word coming 
 from ufuj>i and e/U'<rcrw, " to roll," &c.), and the usage of the later 
 Epic writers, may lead to another interpretation ; for they use it in 
 the signification of " twisting in all ways," " wavering," " doubtful ;" 
 and so in Homer, probably, vote afi.fyie?t.iaaa may mean the ship 
 " swaying to and fro" the " rocking ship." 
 
 LINE 166. '\iri6riae. Consult book i., line 220. 
 
 T'A,avKU7rif. Consult book i., line 206. 
 
 'Ait-aaa, nom. sing. fem. 1 aor. part. act. of dtoou, "to 
 LINE 167. rush . fut ^ u Consult line 146. 
 
 LINE 168. K.apTraMfj.ar. Consult book i., line 359. 
 "I/cavf. Consult book i., line 431. 
 
 MJjriv, accus. sing, of/^rtf, f, 17, "counsel," " the faculty 
 of advising." Compare the Sanscrit mati, " thought," 
 " counsel :" from men, " to think ;" and also the German muth, and 
 Latin mens. 
 
 'Ardlmvrov, accus. sing, niasc. of drdhavrof, ov, " equal to" 
 "equivalent to." Strictly, "equal in weight." From u, copulative, 
 and rdt.avrov, "wtight."'
 
 HOMERIC GLOSSARY. 471 
 
 Book 2. Line 170-183. 
 Epic syncopated form for iaT^nora, accus. sing. 
 
 perf. part. act. of IUTT/^I, " to place ;" fut. orr/aa : perf. ea- 
 
 Tijtta, "Island," &c. 
 
 'Evaott/joio, Epic and Ionic for tvai/iunv, gen. sing. fem. 
 pof, ov, " well- benched," " with good banks of oars.'' From ev and 
 ct7.ua, "a rowing-bench." 
 
 LINE 171. "A^of. Consult book i., line 188. 
 
 'Ayrov, adverb, "wear," equivalent to u-/xi. The form 
 T i VE 1 T2 
 
 ' which is found in Hesychius, comes nearest the 
 
 root : hence evay^of, eyyuf, as also uy^fw, and Latin ango. Compare 
 the German cng, engen. 
 
 'larauevr/, nom. sing. fem. pres. part. mid. of lornui, " to place." 
 In the middle, larauac, " to place one's self," " to stand," &c. 
 
 LINE 173. Atoyevff. Consult book i., line 337. 
 
 Tlohvp'ixave, voc. sing. masc. of 7ro/lr//^avof, ov, " of many expe- 
 dients" " abounding in resources," "inventive," "ever ready," fre- 
 quently occurring in Homer as an epithet of Ulysses. From Tro^f, 
 and firixavT}, "a contrivance," "a scheme," &c. 
 
 LINE 175. Ilo/t.vK^iai. Consult line 74. 
 
 'Epusi, 2 sing. pres. imper. act. of tputu, " to retreat," 
 LINE 179. ^^^^.t .< delay." Strictly, " to flow," "stream," 
 " burst out ;" hence the substantive kpuri, of any quick motion, but the 
 verb has this signification only of sudden checks ; whence the mean- 
 ings first given, namely, " to retreat," &c. 
 
 jKE, Epic for erw^/cf, 3 sing. 1 aor. indie, act. oiavvirjui, 
 
 "to understand," "to recognise." Literally, " to send, 
 bring, or set together," &c. Consult book i., line 8. 
 
 "OTTO, accus. sing, of <5i/>, oTrof, i/, " the voice," whether speaking, 
 calling, or singing. From ETTW (radical form), en-oj-, eiirsiv. 
 
 Qiciv, Epic and Ionic for tieiv, pres. infin. act. of #e'w, "to 
 ' run ;" fut. devaouai. Hence tfoof, " swift." Akin to oevu, 
 where the v or F appears as in the future dEvaouat. Compare San- 
 scrit dhdv. 
 
 XAaivav, accus. sing, of ^/latva, j?f, ?/, " a woollen cloak." (Con- 
 sult note.) No doubt the root was the same as that of the Latin 
 lana, " wool ;" lana, with x prefixed ; whence also ?.TJVOC, huxvtj, 
 c, hdaioc. : hence, likewise, ^AaWf and ^-/Ui^f. 
 
 ev, Epic for fKopiaev, 3 sing. 1 aor. indie, act. of Ko/tifa, 
 "to take care of," " to take up and carry away," especially in order to 
 keep or save, &c. ; fut. KOUIGU, Attic form Kopiu : 1 aor. tKouiaa. 
 From Kofiiu, " to take care of" dec.
 
 472 HOMEK1C GLOSSARY. 
 
 Book*. Lme 184-191. 
 
 'WaKqaiof, a, ov, Epic and Ionic TJ, ov, " the Itharcnsian," 
 
 ' i. e., native of Ithaca, a small island of the Ionian Sea, be- 
 
 tween the coast of Epirus and the island of Cephallenia. It was 
 
 the home of Ulysses. On the question whether the modern Thiaki 
 
 is Homer's Ithaca, consult Kitzsch, Prcef. ad Od., xviii. 
 
 'Oxqdet, 3 sing, imperf. indie, act. of oTrndeu, "to accompany" "to 
 follow after" Epic and Ionic for b^adeu. From 6ra<56f (Epic and 
 Ionic oTj/fJof), "an attendant.-' Horner uses only the 3 sing. pres. 
 birr/dei, and the 3 sing, imperf. b-rr/dfi, as in the present passage ; 
 the latter always without the augment. 
 
 etdew, Epic for 'Arpe5ov, gen. of ' 
 
 ' " Atndes." The old genitive form 'Arptitiao is contract- 
 ed into 'Arpcidu, and then the final syllable is opened again by the 
 insertion of c. (Kuhner, $ 261, 2.) 
 'Avn'of. Consult book i., line 535. 
 LINE 186. Harpuiov. Consult note on line 46. 
 LINE 187. Xo/xo^trwvuv. Consult book i., line 371. 
 
 v, accus. sing. masc. of Ifrxof, ov, " distinguished," 
 
 "prominent;" more literally, "standing out" "having 
 one's self standing forth to vicio." From t and e^u. 
 
 Kixcirj, 3 sing. pres. opt. of xixwi, a collateral and unused form 
 of Kix<ivu, "to meet with," " to light upon,' 1 "to find," &c. Observe, 
 however, that KIXUVU itself is a present used in the indicative only, 
 the other moods following Kixr/pi. The Attic form is Ki-yxuvu. 
 Consult book i., line 26. 
 
 E, 3 sing, of the iterative form (Epic and Ionic) 
 
 of the 1 aor. indie, act. of cpTjrvu, " to check," " to re- 
 strain," and, consequently, for rjp^rvae. This iterative form, which 
 occurs in the imperfect and two aorists, is an Epic and Ionic pecu- 
 liarity, and is employed to denote a repeated action. (Anthon's en- 
 larged Greek Grammar, p. 379.) Consult, as regards epr/Tvu, line 97. 
 , voc. sing. masc. of daiuovtof. Consult note, and 
 
 LINE 190. .^ ljne 5 
 
 t, pres. inf. of the middle deponent tieidiaoouat, used 
 only in this passage in a passive sense, "to be terrified;" every 
 where else as an active transitive, i. e., deponent verb, "to terrify;" 
 fut. 6ti6H-opai. From 6ei6u. 
 
 LINE 191. Kadrjao. Consult book i., line 565. 
 
 "Wpve, 2 sing. pres. imper. of Idpvu, " to cause to sit down ;" fut. 
 idpvau. In the passive, " to be seated," " to be still." From ifc, " to 
 cause to sit."
 
 HOMEEIC GLOSSARY. 473 
 
 Book 2. Line 192-199. 
 
 U(j, adverb, "a* yet." With the circumflex, (fWi) it signi- 
 *' fies where 1 and is then said to be Sicilian Doric for TTOV ; 
 This TTU appears to be a Doric genitive from the old radical I1O2, 
 for TTov or xoticv. 
 
 2u^a, poetic adverb, " clearly," from the adjective aatjiijr, " clear," 
 &c. The common form is aaytic. 
 OloOa. Consult book i., line 85. 
 
 'ATpeiuvof, gen. sing, of 'Arpfiuv, uvof, ''the son of Atreus." A 
 patronymic, the same in force as 'ATpeidqc. 
 
 Heipurai, 3 sing. pres. indie, mid. of rcftpuu, " to make trial 
 ' of;" fut. Ktipuau, &.C. : in the middle, nstpuo^ai, " to make 
 trial for one's self," i. e., for purposes best known to one's self, or for 
 one's own private advantage. From rcelpa, "trial." 
 
 "lifitTai, 3 sing. fut. of the middle deponent l-nrouai ; strictly, " to 
 press hurd upon" " to press" down," and then figuratively, " to afflict," 
 " to harm" " to hurt," " to smite ;" fut. tyouai. From the root 'nrof, 
 " a burden," "a heavy pressure." 
 
 Xohuotiutvos, 1 aor. part. mid. of JOAOU. Consult book i., 
 LlNE 195 ' line 9. 
 
 'Pejn, 3 sing. 1 aor. subj. act. of ptfa, "/o do;" fut. peS-u. Ob- 
 serve that p^u is merely a transposed form of epdu, and consult 
 book i., line 315. 
 
 A<ory>e<'of, Epic and Ionic for diorpetiovf, gen. sing. masc. 
 ' rjc, ec, "Jove- nurtured." Consult book i.,line 176. 
 
 M?rt'era, nom. sing. Epic and ,-Eolic for urjnfTijc. Con- 
 7 ' suit book i., line 508. 
 
 v, gen. sing, of Af/fiof, ov, 6, " the common people." 
 Probably, at h'rst, this word meant " a country district," 
 " a tract of enclosed or cultivated land," and hence was opposed to 
 7T(5Atf : and, therefore, as in early times the common people were 
 scattered through the country, while the chiefs held the city, it came 
 to signify the lower orders, the commons, &.C. According to some, 
 from deuu, "to build," "to settle ;" but better, perhaps, from <5&j, "to 
 bind," "to connect." (Consult Arnold, Thucyd., vol. i , Append. 3.) 
 
 Boowvra, Epic and Ionic lengthened form for pouvra, accus. sing. 
 masc. pres. part, of podu. Consult line 97. 
 
 'E/.<iaaaisev, 3 sing. Epic and Ionic iterative form of 1 aor. 
 LIVE 199 
 
 indie, act. of e/.avvu, "to strike;" strictly, "to dnre or 
 
 vrge on," and hence " to strike," as the most effectual mode of driv- 
 ing on ; fut. &dou -. 1 aor. f/Aaaa : and hence I'AuaaoKev is for fflaacv. 
 Consult remarks on kprfniaaant, line 189. 
 R R2
 
 474 NUMERIC GLOSSARY. 
 
 Book 2. Line 199-205. 
 
 'OuoK/ufaaff/ce, 3 sing. Epic and Ionic iterative form of 1 aor. indie. 
 act. of 6uon?.u, " to reprove ;" strictly, " to call out, shout to," whether 
 to encourage or upbraid, but mostly in the latter sense. Properly 
 speaking, it refers to a number calling out, and so, in the plural, " to 
 call out together;" though this signification, even in Homer, gave 
 way to the other, where the verb is in the singular : fut. duontyau : 
 1 aor. (jfj.6n7.7iaa : and hence ofj.ort.'fjaa.VKE is for up.6n7.riae. Homer, 
 however, never uses the augment. A rarer form of the verb is ouo- 
 K/.UU. From 6,uof, ofiov, and xateu. 
 
 'Arpf//af, adverb, "quietly;" literally, "without trembling,'' 
 
 and so moveless, fixed, &c. Before a consonant it is writ- 
 
 ten arpifia, and before a vowel drpf/if. From d, priv., and 
 
 'to tremble." 
 
 'Hco, 2 sing, imperative of r/uai. 
 
 f, ov, " unwarlikc," poetic form for 
 
 ' From d, priv., and nroAf^of, Epic for 
 *AvoA/cif, t<5of, 6, TJ, " weak," " cowardly." From d, priv., an 
 "strength." 
 
 'Evapiduioc, ov, "counted in," "reckoned in," "taken into 
 LINK 202 
 
 " account" " Talued." From rv and aptfyiog, "number." 
 
 'Evi, poetic form for ev, both Epic and Attic, and occurring also 
 in Ionic prose. 
 
 Iluc, adverb, " by any means," " at all." With the cir- 
 LINE 03 
 
 * cumflex it is interrogative, " how ?" " in what way ?" 
 
 Strictly speaking, TTWC is the adverb of w6f, whence -or, ^d, -xol, &c. 
 Baaitevaoficv, 1 plur. fut. indie, act. of pact Xriu, "to be king," "to 
 rule ;" fut. Saau.svau. From paaifavg. 
 
 Hol.vKoipavir;, ijc., f/, Epic and Ionic for Tro^.vKoipnvia, af, r/, 
 " the government of many." From TroAt'j- and Koipavo?, "a 
 ruler." 
 
 Ko/pavof, ov, 6, "a ruler," "a leader," "a commander." From KV- 
 pof, " supreme power," " authority," &c., like KOIVOS, from fvvdf. Akin 
 to jcdpa, Kiipavoc,, as also to rvpavvo^ . 
 
 Kpovov, gen. sing, of Kpovoc, or, 6, " Saturn," son of Ura- 
 
 <E ' nus and Gaia, husband of Rhea, and father of Jupiter, be- 
 
 fore whom he ruled in heaven until his son dethroned him. He 
 
 reigned after this in Latium, and his time was the golden age. La- 
 
 ter writers interpreted his name as equivalent to jtpo^f- " time." 
 
 , Epic and Ionic for ajsvfafarn*, gen. sing, of uyirv- 
 f, ov, 6, TJ, "crafty" " wily ;" more literally, "crooked of coun- 
 *el." From ayicvhof, "crooked" and fffjrif, "counsel." (Consult 
 note-)
 
 415 
 
 Book 2. Lute 206-213. 
 
 c, accus. plur. of ^tfUf, rrof, q, " a privilege," &c. 
 LINE 206. Consa i t 5^ J [ ine ^ an d book ii., line 73. 
 
 Kotpavtuv, pres. part, of xoipaveu, " to ac< u chief," " to 
 LINE 207. ^ rAe fe a j er> " &C. From Koipavoc., " a kufer," " a cfo</,*' 
 &c. 
 
 AifTf , Epic and Ionic for 6'ie.i-ns, 3 sing, imperf. indie, act. of OICTTU, 
 " to arrange,'' " to manage an affair ;" fut. ekqt>. From <Jtd and eiru, 
 " to be about or until" " to 6e busied with" &.C. 
 LINE 208. 'ETrfftievovro. Consult line 86. 
 
 , dat. sing, of 7^17, ^f, v. " a tumult," u a wowe" of any 
 
 LINE *09. gort ^ j n y omer especially of the confused noise of a 
 crowd, the roar of the sea, of trees in a wind, &c. It is mostly 
 poetic ; whereas jfoof is more frequently in prose. 
 
 Ilo.'.i'o/.ot'fffoto. Consult book i., line 34, and also note on the 
 same. 
 
 dat. sing, of ar/ia/.6f, of, 6, ' the there," "the 
 
 L.INE -1 . ataa h ore According to some, from uyvvfu, "to break," 
 and d/.f, " the tea.," and so, like d/cn?, that on which the tea breaks ; 
 better, according to others, from diaau, and d/,?, like aiviV, that over 
 which the sea rushes. 
 
 Bpe^erat, 3 sing. pres. indie, mid. of 3piuu, " to roar," said of the 
 waves, and corresponding in both form and meaning to the Latin 
 fremo : in the middle 3afuoaai, with same signification as the active. 
 Akin to 3p<nnri. Compare the Latin fremo, as above. 
 
 Zftapayei, 3 sing. pres. indie, act. of ouafxr/eu, " to crash," said of 
 various loud noises, as of thunder, of the sea, of the battle of the 
 Titans, &c.. hence " to echo again," "tore-echo." The word appears 
 to be an onomatopoeia, that is, formed in imitation of the sound to 
 which it refers. 
 
 "Es'ovro, 3 piur. imperf. indie, of e^ouai, " to seat one 1 * 
 L self;" fut. etoi-uai. Consult book i., line 48. 
 
 Consult line 99. 
 LINE 212. Mowof, Epic and Ionic for ,u6vof, ij, ov, "alone." 
 'Auerpofjnjj-, if. " intemperate of speech," ' immoderate in words ;" 
 
 or, according to Doderlein, " not measuring his vords." From d, 
 
 pnv., ue~pov, "a measure" and rrof. 
 
 "E vo/.ujoi, 3 sing, imperf. indie, act. of co/Uxiu, " to be loudly clamor- 
 
 ous," "to cry," 'shout," " baicl" dec. Akin to x:o/.otu, "to scream 
 
 lite a jackdaw," and this from Ko/.otor, a Jackdaw." 
 
 'Htm* 1 , . e., r/atv. Epic and Ionic for o/f, dat. plui. fern, of 
 LINE 213. . , . .. , ,. ,. , ,. 
 
 of, ?, ov, " hu, " her, ' ;/*.
 
 476 HOMERIC GLOSSARY. 
 
 Book 2. Line 213-219. 
 
 "AKOCUO, accus. plur. of unoauof, ov, "indecorous." Strictly, "with- 
 out order," "disorderly," "confused.'" In Homer, however, it only 
 occurs in amoral signification, "indecorous," ''unseemly," "inde- 
 cent," &.C. From d, priv., and /cocruof, "order." 
 
 "Hidy, t. ., T)&T\. Consult hook i., line 70. 
 
 LINK 214. Mcv. Consult line 120. 
 
 'Epi&uevat, Epic, ^Eolic, and Doric for cptv, pres. infin. act. of 
 ipifc, "to contend;" fut. tpiau. From epic., "strife." 
 
 Eiaairo, 3 sing. 1 aor. opt. mid. of the radical eldu, " to 
 LI\E 215 
 
 ' see." Epic and Ionic, passive and middle, eldouai, " to bt 
 
 seen" " to appear," " to seem ;" 1 aor. fiadunv, &c. 
 
 TeXoiiov, Epic and Ionic for yeXoiov, nom. sing. ncut. of ; e/.oioc, 
 a, ov, "laughable," "absurd" "a subject or cause for laughter." 
 From -ys/.uf, " laughter." 
 
 <o/U6f, 6v, "bandy-legged." (Consult note.) A verbal 
 
 I I NE 2 1*3 
 
 ' form, which may be referred to C/.KU, O/.KOC., as 0ofdf to 
 
 oZrof, &.c. Compare the Latin valgus. The old deri- 
 vation of the term, in its supposed sense of " squint-eyed," was from 
 9<!of, " the eye," and C/.KU, " to twist,'" " to distort." 
 
 XuAof, >v, 6v, " lame," " halting," " limping.''' From the same roor 
 as the Sanscrit hval, " titubare," " vacillare ;" our "halt," "halt- 
 ing;" Latin clodus, claudus. (Pott, Etymol. Forsch., p. 265.) 
 
 'Quu, nom. dual of uuof, ov, 6, "the shoulder." 
 
 KVOTU, nom. dual masc. of KVOTOC, n, ov, "crooked," "cure- 
 LINE 18 
 
 ed," "bent." Akin to the Latin curvus, English curb, &.C. 
 
 f, nom. dual masc. of the part, of the old Epic and Ionic 
 2 perf. (with intransitive force) of awexu, " to hold together ;" 2 perf. 
 avvoKuxa ' and hence avvo^uKore is, by transposition, for avvoKu^orc. 
 The 2 perf. is supposed to have been originally ovvuxa, whence, by 
 reduplication, came awo/cw^a, and by transposition awoxuxa. From 
 aiiv and Ixu, 2 perf. uxa, by reduplication 6/cu^a, by transposition 
 
 , ri, ov, "pointed" "tapering to a point," applied to 
 ' ' Thersites, and indicating, according to some, a species of 
 sugar-loaf head. From ofvj-. Compare the remarks on <?>o/.K6f, line 
 217. 
 
 'Ej?v, Epic and Ionic for f/v, 3 sing, imperf. indie, of clui. 
 freoV)?, nom. sing. fem. of ibsdvof, r), ov, "rubbed off" and so 
 " spare," " thin," " scanty." From lAe'u, " to rub off." 
 
 'EnevrjvoOs, 3 sing. perf. indie, of kirivdu or e-cvedu, "to lie upon." 
 Consult Buttmann, Irreg. Verb*, p. 95, ed. Fuhlake ; Lexii, p. 110.
 
 HOMERIC GLOSSARY. 477 
 
 Book 2. Line 219-228. 
 
 A.UXVIJ, w, TI, " soft woolly hair." The same as fyvn, akin to * Aatva, 
 X^avic,, Latin Itzna, lana. 
 
 fiemEieaKt, 3 sing, imperf. indie, act. iterative form for 
 LIVE 221 
 
 ' ivfiKft, from vsmiu, " to revile ;" fut. vtuticu. From 
 
 vciKOf, " railing," " reproach," &.C. 
 
 LINK 222. 'Ofe'a, accus. plur. neut. of 6f5f, eta, v, taken adverb- 
 ially. 
 
 KX?ywc, nom. sing. masc. 2 perf. part, of ?, " to cry out," 
 " to make a loud clamor," &c. ; fut. K^ayS-u : 1 perf. KtK^ayya : 2 perf. 
 KeK^Tjya, but only Epic. Consult book i., line 46. 
 
 Myc, Epic and Ionic for e/leyc, 3 sing, imperf. indie, act. of Aeyw, 
 "to utter." 
 
 'Ovei6fa. Consult book i., line 291. 
 
 LINE 223. 'EKTuy?.uf. Consult book i., line 268. 
 
 K.OTCOVTO, Epic and Ionic for tKorlovro, 3 plur. imperf. indie, pass. 
 of KOTS u, ' to be incensed." Consult book i., line 181. 
 
 "Seueaar]6ev, Epic and Doric for evtuevrfinaav, 3 plur. 1 aor. indie. 
 pass, of vsftf aouu, Epic and Ionic for vf/iuadu, " to be indignant," " to 
 be wroth." Strictly, to be indignant, &c., at undeserved good or bad 
 fortune ; and so, properly, of the gods : fut. vt^ec-you. From vf/ueaif, 
 "anger at any thing unjust or unfitting," &c. 
 
 Ne//tff, Epic and Ionic for CVSIKCI, 3 sing, imperf. indie. 
 I IVE 224 
 
 ' act. of veiKtu, " to revile," " to abuse." Consult line 221. 
 
 Tto, Epic, Doric, and Ionic for rlvo$, gen. of interrogative 
 LINE 225. , 
 
 'ETTipfutyeai, Epic and Ionic for kiriutn&si, 2 sing. pres. indie, of the 
 middle deponent t7Tt[i/*Qo/iai, " to complain;" fut. tTriufftipouai. From 
 trri and pEfi^ofiat, " to blame." 
 
 Xar/sfif, 2 sing. pres. indie, act. of ^OTt;w, "to want" "to have 
 need of." From ^aretj, " to want." 
 
 ID.ffai, Epic and Ionic for n'Mai. from ~7.eloc, for IT/.COC, 
 LINE 226. Hf ., 
 "full. 
 
 ), gen. sing, of ^aA6f, of, 6. Consult book i., line 236. 
 
 K/.teiyf, Epic and Ionic for K^iaiats, dat. plur. of K^iala, 
 LINE 227. ^ ^^ fl ten( ConsuU hoo( . ^ j ine 30C 
 
 'EfafpcTot, nom. plur. fem. of tS-aiperot , ov, " selected from." From 
 t; and a'tpeu, "to take," "to choose." 
 
 Ilpur/ffrw, dat. sing. masc. of irpuriaroc., ij, ov, poetic 
 LINE 228. super i at j ve O f TO OTO<-, "first of all," "first of the first." 
 (Consult note.) 
 
 Urofaefloov, ov, TO, "a city." In form a diminutive from
 
 478 HOMERIC GLOSSARY. 
 
 Book 2. Line 228-237. 
 
 poetic for TTO/^C ; but in usage just equal to ironic. Frequent in 
 Homer and Hesiod, never found, however, in the form iroludpov. 
 
 'Eirideveat, Epic and Ionic for s-idevet, 2 sing. pres. indie. 
 LIVE 29 
 
 ' of the middle deponent iiridno^ai ; fat. firidev^aouat, "- to 
 
 be in want of," Epic and Ionic for Ixideofiai ; fut. exi 
 LINE 230. 'l^-o6dfiuv. Consult line 23. 
 'Airoiva. Consult book i., line 13. 
 
 LINE 231. 'Ayuyu, 1 sing. 2 aor. subj. act. of uyu, " to lead away." 
 LINE 232. 'He, poetic, and especially Epic, for ?/, "or." 
 Miffyrat, Epic and Ionic, with the shortened mood-vowel, for 
 piayn, 2 sing. pres. subj. mid. of ufoyu, " to unite.'' Old form fiicyij- 
 aai : Epic and Ionic fiioyijai (/titr/eat) : Attic piayy. Akin to Latin 
 misceo, German mischen, English mix, Sanscrit mischta. 
 
 ' A.TTOVOOOI, auverb. " apart." From urrd and voa&i, " apart." 
 " aloof." 
 
 u, Epic and Ionic for Kanax>), 2 sing. pres. subj. mid. of 
 u, " to hold back," " to retain ;" collateral form of art^w, the 
 mood-vowel being shortened ; consult note. 
 
 'Ap%6v, accus. sing, of uproc., ov, 6, "a leader," "a 
 LINE 234. , 
 
 ruler. 
 
 , Epic, Doric, and ^Eolic for iirifxiaKfiv, pres. inf. act. 
 of k-idiicKu, " to lead on," 1 &c. (Consult note.) 
 
 IleTrovef, voc. plur. of -xeiruv, ov, gen. ovof, "faint-heart- 
 
 ed." Strictly, said of fruit, "cooked by the sun," i. e.,ripe: 
 
 hence, in general, " mellmc" "soft" and so, figuratively of persons, 
 
 "faint-hearted," " effeminate," &,c. The root is the same as neacu, 
 
 " to soften," of which TTETTTU, " to cook," is another form. 
 
 'E/.yx ca > voc - P'ur. of e/.ey;fOf , cof, TO, "a reproach," "a disgrace." 
 In Homer especially, " shameful cowardice ," the bitterest reproach in 
 the heroic age. Not to be confounded with f/.ey^of, ov, 6, "proof," 
 "trial," &c. 
 
 'A^audef, Epic and Ionic for 'A^aiotf, voc. plur. of 'A^aaf, idof, rj 
 (Attic 'A^aif, t'(5of, T/), " a Grecian woman." The term is properly an 
 adjective, yvvri being understood. So, 'A^auf, " the Achaian land .-'' 
 supply yala or y/}. 
 
 1 plur. pres. subj. of veouai, " to go back," " to 
 
 LINE 236. , 
 
 return. 
 
 1 plur. pres. subj. act. of taw, u, " to permit," &c. 
 Tepa, accus. plur. of yepac,, " a prise," &c. Consult b 
 
 * _ _ _ 
 
 i., line 118. 
 , Epic, Doric, and ^olic for Te'traetr. pres. infin. of ITF
 
 HOMERIC GLOSSARY. 479 
 
 Book 2. Line 237-247. 
 
 " to enjoy." Original meaning, " to soften," " to make soft ;" hence, 
 of the sun, "to ripen;" and of artificial means, "to boil," " to cook," 
 " to dress ;" then, of the action of the stomach, " to digest ;" and 
 hence, " to feed on," "to brood over," "to enjoy;" fut. neif>u: perf. 
 pass. TTfne/qtai. Homer only uses the present. The root, no doubt, 
 is IIEri-, as appears from the collateral form ni~-Tu, and the deriv- 
 ative TtoK-avov, "any thing baked." It occurs, also, in the Sanscrit 
 pack, with which compare the German bachen, and the Phrygian 
 
 8fK-Of. 
 
 Upo^auvvoufv, 1 plur. pres. indie, act. of npofaftwu, " to 
 
 LlXE238. , .. ,, , r .1 r - - * 
 
 aid, " to come to the aid of one ; fut. xpooapwu, <xc. 
 From Tr/adf and afivvu. 
 
 Eo, Epic and Ionic for ov, pronoun of the third person in 
 LINE 239. a reflexive sense. 
 
 *wra. Consult line 164. 
 
 LINE 240. 'Hriurjatv, K. T. "k. Consult book i., line 11. 
 
 LINK 241. Xo/.of, ov, 6. Consult book i., line 81. 
 
 Me0;y/*<jf, ov, gen. ovof, "careless," "remiss." From fic6infii, "to 
 be remiss." 
 
 LINE 242. *H yap uv, K. r. /,. Consult book i., line 23S. 
 
 LINE 244. T Qa. Consult book i., line 402. 
 
 TLaptararo, 3 sing, imperf. indie, mid. of xapiarrifi.1, &c. 
 
 LINE 245. Tjrodpa. Consult book i., line 148. 
 
 'Hviirane, 3 sing, lengthened form of 2 aor. indie, act. of hinru, 
 " to rebuke ;" fut. evitf/u : 2 aor. f/vnrov, lengthened by the Epic wri- 
 ters into r/viiraTTov. Homer has also another 2d aorist, evevinre, for 
 which Buttmann, with Wernicke (ad Tryphiod., p. 355), proposes 
 everywhere to follow several MSS. in reading tvivine. (Lexil., *. v. 
 uvTJvodev.) 
 
 LINE 246. Qepairu, voc. sing, of QepoiTTjf, ov, 6, " Thersites." 
 
 'AKpiTofivde, voc. sing, of anptTofivdof, ov, "recklessly or confusedly 
 talking," " a random babbler." (Consult note.) From uKpirof, " un- 
 arranged," "confused," and fj.vtioc., "any thing delivered by word of 
 mouth." 
 
 Consult note, and also book i., line 248. 
 ijf, ov, 6, "a dcclaimer ;'' generally, "a speaker," "an ha- 
 ranguer," before an dyopd, or public assembly. 
 
 "Iff^co, Epic and Ionic for la^ov, 2 sing. pres. imper. mid. 
 LINE 247. Qf , ff ^ ^ hM ^ check &c Consult book i., line 
 
 214. 
 
 Olof. Consult book i.. line 118.
 
 480 HOMERIC GLOSSARY. 
 
 Book 2. Line 248-260. 
 
 Xcpctortpov, accus. sing, rnasc. of ^epetorrpof, a, ov, Epic 
 and Ionic v, ov, "baser," poetic, and especially Epic com- 
 
 parative for ,Yf/0'*', itself also an Epic form for ,i'pui'. irregular 
 comparative of *a\-6f, but formed from the old positive xfpVC- 
 
 'Bporov, accus. sing, of fSpoTof, ov, 6, "<t mortal." Akin to uopof, 
 uoprof, Latin mori, mors, Sanscrit mri. 
 
 Epic and Ionic for 'Arpeidaic, dat. plur. of 
 
 ' v, 6, " Atndts," " son of Atreus." In the 
 
 plural, '\Tpfliai, "the Atridtt" "the sons of Air cut." 1 
 LINK 251. Zotv. Consult book i., line 73. 
 
 *vAu<jffo<f, 2 sing. pres. opt. act. of 6v).daau, " to be on the watch 
 for." More literally and commonly, " to guard ;" fut. bvAafu. 
 
 'Iduev, Epic, Doric, and Ionic forlouiv, 1 plur. of oloa, "I 
 * know," &.C. The regular forms, olta/ttv, oldarc, oliaai, 
 appear only seldom in the Ionic and later writers. (Kuhner, $ 
 240, 1.) 
 
 NoffriJffOHev. 1 plur. fut. indie, act. of voariu, " to return 
 ' home;"' fut. VOOTTJOU. From vo<rrof, "a return." 
 
 6i^uv, nom. sing. masc. pres. part, of oveifi^u, " to 
 
 heap abuse upon ;" fut. vvet6i.au. From dvetdof, " abuse," 
 " reproach." 
 
 , nom. sing. masc. pres. part. act. of Ktproufu, 
 
 " to taunt, mock, or sneer at," " to scoff" &c. ; fut. ntpro- 
 uTJau. From KtpTouof, ov, strictly. " heart-cutting," hence " sting' 
 ing" " taunting." 1 
 
 LINE 257. 'A?.A' IK rot, K. r. ?.. Consult book i., line 212. 
 
 '\<t>palvovTa, accus. sing. masc. pres. part, of afpaivo, "to 
 play the fool," "to be silly ;" t'ubpavu. From udpuv, "silly," 
 "foolish." 
 
 K.t\r';aouai, 1 sing. fut. indie, mid. of KIXUVU, " to catch," "to find." 
 Consult note, and also line 188. 
 
 Kupj/, Epic and Ionic for KUOO, r6, " the head." Indeclina- 
 T IVK 239 
 
 ' ble in Homer, or, rather, used by him only in the nomina- 
 
 tive and accusative singular. Later writers, however, supplied the 
 defective cases, as if ndpi? were of the 1st declension, namely, Kupnc, 
 nu.pi), KUfini'. Sanscrit ciras, cirsha (compare Kopart, " the side of the 
 head," " the temple"), with which compare Latin ccre-brum, German 
 gehirn, &c. 
 
 o, Epic and Ionic for Tijleuuiov, gen. of Tri?.{- 
 
 f, ov, 6, " Telemachus,'' son of Ulysses and Penelope; 
 
 so called, according to Eustatluus (id. Od., iv.. 11), because rear-
 
 HOMERIC GLOSSARY. 481 
 
 Book 2. Line 2GO-266. 
 
 ed when his father was fighting afar; from IT/AC, "afar," and /M- 
 Xofiat, " to fight." When grown up, he sought his father, and was 
 accompanied by Minerva, in the guise of Mentor. On his return to 
 Ithaca he found his parent already there, and aided him in destroy- 
 ing the suitors. 
 
 Ke/cAj/juevof eitiv, 1 sing. perf. opt. pass, of /caAw, " to call ;" fut. 
 
 KOtA&TW. 
 
 EZ/zara, accus. plur. of elfia, arof, TO, " a vestment" " a 
 ' garment." From ivvv/u, " to attire." 
 
 Ai><r<j, 1 sing. fut. indie, act. of 6vu, " to enter ;" fut. 6vou : 1 aor. 
 6vaa. Observe that 6\>u has in the present, as also in the future 
 and first aonst active, the transitive meaning, likewise, of " to wrap 
 up" and hence in the present passage, when united in translation 
 with UTTU, we have the signification "to strip." 
 
 LINE 262. Xlaivav. Consult line 183. 
 
 Xirwva, accus. sing, of %ITIJV, uvor, 6, " a tunic" " an undcr-gar- 
 ment or frock," answering in some measure to the Latin tunica, and 
 said both of men and women. Consult note on line 42. 
 
 Ai6<j, accus. sing, of aifiijc, oof, contracted off, %, "nakedness." 
 
 'A/u^KaAVTrm, 3 sing. pres. indie, act. of upfyiKa'A.vTrTu, "to cover" 
 " to cover all around." From afi<pl and /caAiJTtrw. 
 
 'A<j>r/ou, 1 sing. fut. indie, act. of aftr/ni, "to send away ;" 
 LINE 263. fut ^^ &C- 
 
 .yuf, nom. sing. masc. part. 2 perf. of Trlr/oau, "to 
 strike," " to whip," " to chastise ;" fut. 7r?.^fw : 2 perf. irf- 
 
 'Aeineoai, Epic for ueintat, dat. plur. fem. of ueinijc,, r, " disgrace- 
 ful," " unseemly." Consult book i., line 341. 
 
 nXnyfiaiv, Epic and Ionic for n^n-yalc., dat. plur. of TrA^j-r/, 7/c, 7), 
 " a blow," " a stripe." From ir^.r/aatj, " to strike," dec. 
 
 MCTU^/JEVOV, ov, TO, " the lack ;" strictly, " the part behind 
 ' ' the midriff" (from //era, " after," and <j>pevec. , " the midriff") ; 
 hence " the part between the shoulder blades," and, in general, " the 
 back." 
 
 'Qftu, accus. dual of Ji//of, ov, 6, "the shoulder." 
 
 ev, 3 sing. 1 aor. indie, act. of TrAr/truu, "to strike;" 
 
 fut. TrATjfu : 1 aor. M.iji-a : Epic and Ionic 77Ar/a, with- 
 out augment. 
 
 'Idvudn, 3 sing. 1 aor. indie, pass, of Idvou, " to bend," " to crook," 
 " to bow." Observe that the passive aorist has here a middle force : 
 " to bend one's self" " to dniililc one's self tip " 
 
 S a
 
 482 HOMERIC GLOSSARY. 
 
 Book 2. Line 266-273. 
 
 Qafapov, nom. sing. neut. of tfa/lepof, a, 6v, Epic and Ionic 77, 6v. 
 (Consult note.) From #uA/lw, "to bloom," " to ie luxuriant," &c. 
 
 *E/c7re<7f, Epic and Ionic for st-ensc/:, 3 sing. 2 aor. indie, act. of 
 fKiriir-u, " to fall from," &c. ; fut. EKTTTUOU : 2 aor. k&Kfaov. 
 
 , ^, "a weal," "a swollen bruise" especially 
 
 from a blow, answering to the Latin vibex. 
 
 , Epic and Ionic for aiuaTovaaa, nom. sing. fem. of al- 
 fiaroeif, otcaa, 6ev, Epic and Ionic for aifiarov^, al/iaTovaoa, aiuarovv, 
 " bloody." From aiua. 
 
 , Epic and Ionic for sTupfyaev, 3 sing. 1 aor. in- 
 
 ' ' die. act. of rapdeu, " to be terrified," "to be alarmed," "to 
 
 fear ;" fut. rapdqau. An intransitive verb. From rapfiof, "fright," 
 " alarm," " terror." 
 
 c, nom. sing. 1 aor. part. act. of i/lyeu, " to suffer 
 
 LINE 269. - From aAyof, any pain, whether of body or of mind. 
 
 , accus. sing. neut. of dxpsioc., ov, rarely a, ov, "useless," 
 "unprofitable," "good for nothing." Homer uses the word twice : viz., 
 of Thersites, in the present passage, after being beaten by UJysses, 
 " having looked foolishly," or, more closely, " having given a helpless 
 or puzzled look" (consult note) ; and of Penelope, trying to disguise 
 her feelings, uxpstov kye'kaaae, " she laughed without use or cause," 
 i. e., made a forced laugh. (Od., xviii., 163.) From a, priv., and 
 XP?La> " use." 
 
 'A.Trofiop^aro, Epic and Ionic for uireuopgaTo, 3 sing. 1 aor. indie. 
 mid. of dTrouopjvvui., " to wipe away ;" fut. u-rrouop^u. In the middle, 
 inrouop-yvvuai, " to wipe away from one's self;" fut. dno/iop^ofiai : 1 
 aor. a7teuopt;d/j.r}v. From cnro and buopyvvni, " to wipe." 
 
 'Axvvusvoi, nom. plur. masc. pres. part. mid. of uxwuai, 
 LINE 270. (< to g r i ne <0 trouble one's self." Only used in present 
 and imperfect. From ti^of, "grief," &c. 
 
 re/la<7CTav, Epic and Ionic for ky&aaav, 3 plur. 1 aor. indie, act. of 
 ye/ldw, " to laugh ;" fut. yeAuaw : 1 aor. eyeXttaa. 
 
 E'nrefficev, 3 sing, iterative form of the 2 aor. of the radical 
 LINE 271. .^^ < tosay," "to speak;" 2 aor. slirov, iterative elncffxov. 
 Consult remarks on iprtnaaaKe, line 189. 
 
 LINE 272. MvpiQ. Consult book i., line 2. 
 
 'Eadlu. Consult book i., line 108. 
 
 "Eop-yev, 3 sing. 2 perfect of Ipdu, "to do," "to perform;" fut 
 IpZu : 2 perf. eop-ya. 
 
 'E&pxuv, nom. sing. masc. pres. part. act. of &/#, " to 
 LINE 273. ^^^ (( (0 ^gin," <&c. ; fu(. ^a/afu.^-From If and 
 begin."
 
 HOMERIC GLOSSARY. 488 
 
 Book 2. Line 273-282. 
 
 , nom. sing. masc. pres. part. act. of Kopvacu, "to arouse." 
 Strictly, " to arm with helm," " to helm" (consult note) ; Alt. Kopvgu. 
 From /copvc, " a helmet." 
 
 "Epegev, 3 sing. 1 aor. indie, act. of pifa, " to do," &c. ; 
 LINE 274. fut ^ . } aQr l() ^ Consult book i., line 444. 
 
 a, accus. sing, of 7iu6r]T7/p, ijpoc., 6, "a slanderer," 
 " a reviler." From ?i,u6<io/j.ai, " to insult," " to revile," " to 
 
 outrage ;" and this from Aw6/;, " outrage," " insult," &e. 
 
 'E7recr6o/W, accus. sing. masc. of eireafohos, ov, " of unbridled 
 tongue," " abusive." Strictly, " throwing words about." From ITTOJ- 
 and /3d/l/lu. 
 
 "Ea%e, 3 sing. 2 aor. indie, act. of l^w, " to restrain," &c. More 
 literally, " to hold in," i. e., " to check." 
 
 'Ayopuuv, Epic and Ionic for uyopwv, gen. plur. of u-yopa, af, #, 
 " an harangue," &C. 
 
 QTJV, enclitic particle, used chiefly in Epic, rarely in Attie 
 poetry : akin to f5^, and expressing strong conviction ; 
 "assuredly." (Consult note.) 
 
 'Avtjaet, 3 sing. fut. indie, act. of UVLTIUI, " to excite." Literally, 
 " to send up or forth," hence, " to let go," " to let loose" (as a dog) ; 
 "to set upon," " to excite," &c. ; fut. avqau, &c. From uva and Ir/ui. 
 'Ay^vw/a, opof, 6, rj, "insolent." Literally, "manly" (from uyav 
 and avfip) ; but, in Homer, frequently with the collateral notion of 
 " headstrong, haughty, insolent" &c. 
 
 'Oveideioic., dat. plur. masc. of oveideioc,, ov, " abusive," &c. 
 From oveidof, "abuse," " reproach," &c. 
 Qdaav, Epic and Ionic for tyaaav, 3 plur. imperf. indie. 
 LlNE278 ' act. of 
 
 HToXiKopdof, ov, " city-sacking." From TrrdAtf, old form for Trd/ltf, 
 and Tre'pftj, " to sack." 
 
 LINE 279. ThavKUTnf. Consult book i., line 206. 
 
 , nom. sing. fern. pres. part. mid. of ddu. Con- 
 
 LlNE28 - suit line 22. 
 
 2tu7ruv, pres. infin. act. of aiunda, " to be silent ;" fut. 
 1 aor. eoiuKTjaa. 
 
 '\vuyei, Epic and Ionic for tjvuyei, 3 sing, pluperf. indie, act. as- 
 signed to uvwya, an old Epic perfect with a present signification, "7 
 command," " I order ;" hence avuyeiv, " I commanded," " / ordered." 
 Derivation uncertain. Buttmann derives it from an old root uyyu, 
 thus connecting it with dyye'XAu. 
 
 LINE 282. 'ETTitipatjoaiaro, Epic and Ionic for enipptiaaii'TO, 3 plur.
 
 484 HOMERIC GLOSSARY. 
 
 Book 2. Line 282-291. 
 
 1 aor. opt. mid. of eiritipdZu, "to say besides." But more usually eirt- 
 <t>pu&/j.ai, in the middle, "to ponder upon," "to perceive" "to under- 
 stand." From mi and (j>pd&. Consult book i., line 83. 
 
 LINE 283. *O a$iv eiiypovtuv, K. T. A. Consult book i., line 73. 
 
 , accus. sing. masc. of eAe'y^tffrof, ij, ov, irreg- 
 
 ' ular superlative of fAey^jfc, "most disgraced," "most visit- 
 
 ed with reproach." From fAfy^of, "reproach," &.C. 
 
 Qepevai, Epic, ^Eolic, and Doric for delvai, 2 aor. infin. act. of 
 ridrmi, &c. 
 
 Mfpo7rf<T(7t, Epic and Ionic for pfyoipi, dat. plur. of pi-poty, on-of. 
 Consult book i., line 250. 
 
 , Epic and Ionic for SKTE^OVCCV, 3 plur. pres. 
 
 ' ' indie, act. of EKTS'AEU, " to fulfill," " to perform ;" fut 
 iffu. From in and TC/.E<J. 
 
 'YTroff^eow, accus. sing, of v^6axffif, fwf , i], " a, promise." From 
 
 ilTTlff^VEOfiai. 
 
 "firearav, Epic and ^Eolic for virccr-ijaav, 3 plur. 2 aor. indie, act. 
 of v6iaTi]fii, " to stand under," " to undertake ;" fut. VKOffTijcru : perf. 
 v^arnxa. From vno and laTTjju. 
 
 2retoi>TCf, nom. plur. pres. part. act. of crw^w, " to come," 
 
 ' " to go," " to. proceed ;" especially, " to go one after an- 
 
 other," " to go in line or order," i. ., to battle, &c. ; fut. areitfu : 1 
 
 aor. Ecrei^a : 2 aor. eanxov. The root appears to be found in the 
 
 Latin ve-slig-ium. 
 
 'iiriro66TOio, Epic and Ionic for imrodoTov, gen. sing, of IniroBorof, 
 ov, "steed-nurturing ;" more literally, "fed on by horses," i. e., good 
 for their grazing. From I^TTOC and ftoanu, " to feed." 
 LINE 288. 'I/Uov kKKipaavr', K. r. 7.. Consult line 113 
 
 Nca/oot, nom. plur. masc. of vcapoe, d, 6v, " young." Most- 
 ' Jy a poetic term, or else occurring in late prose, as in 
 Plutarch. 
 
 Xijpai, nom. plur. fern, of xwSi a > ov > a ' so C. ov, "widowed;" 
 literally, " bereaved," " bereft." The root XH-, XHP-, occurs in the 
 Sanscrit hd, hi, " to desert," " to abandon," so that x^iPf ls strictly 
 " deserted," " left." 
 
 'Odvpovrai, 3 plur. pres. indie, of middle deponent idvpo- 
 290. ^ a ^ 4 , (o wa j[^ it to nourn ^ & c . NO active 6<5rpu occurs. 
 From the same root as oiiij, " misery," &c., and b&vvri, "pain" 
 " distress." 
 
 '\viri6ivra. Epic and Ionic for uviaOev-a, accus. sing. masc. 
 
 I INF, 291 
 
 ' 1 aor. part. pass, of uviau. " to Htttre," " tn trmMt," " to
 
 HUMKUIC ULOSriARV. 485 
 
 BookZ. Line 291-296. 
 
 annoy," " to expose to privations," &c. ; flit, iiviu.au : 1 aor. f/viaaa : 
 1 aor. pass. fjviu.6r]v : Epic and Ionic avif/au, avirjoa, uvir/Oijv, &c. 
 
 , accus. sing, of fir/v, firjvof, 6, " amonth." From fiffv 
 
 "' comes fj-^vri, and these, with our moon, the German mond, 
 and Latin men-sis, may all be traced to the Sanscrit md, " to meas- 
 ure." The Persian word for month is also mdh. (Pott, Elymol. 
 Forsch., i., p. 194.) 
 
 T Hf, gen. sing. fem. of the possessive tif, i], ov, " his, her, its." 
 
 'Acr^aAaa, Epic and Ionic for ua^a^.a, 3 sing. pres. indie. 
 act. of uaxa'Auu, " to be vexed," " to be grieved," &c. Only 
 used in the present, of which Homer has, besides iff^a?.aa, the fol- 
 lowing irregular forms : 3 plur. aaxcd.buai : infin. u<j/luav : part. 
 lirt^aAowv. He also once has the form der^uAAw. (Od., ii., 193.) 
 Both forms occur now and then in the tragic writers. The form 
 ua^d^ELv is found in Herodotus (iii., 152), and late prose : some- 
 times even in Attic prose According to Dindorf and Grashof, akin 
 to u%or, as lax u t ?X U - 
 
 Tlo^vCvvtf), dat. sing. fem. of iro7.vvyos, ov, " of many benches," 
 "many-benched;" referring to the rowers' benches. From iro/Wf 
 and fryov, " a rowing bench." 
 
 *Ae?.Aat, nom. plur. of deA/la, rjf, q, "a blast," "a tempest." Prob- 
 ably akin to eZAw, " to drive." 
 
 Xeifispiat, nom. plur. fem. of f//ie/of, a, ov, " wintry," 
 ' "stormy." From ^e<>a, "winter," the root of which is 
 XI-, or hi-, which appears in x UJV > " snow." Compare the Sanscrit 
 himan, " snow," whence the Himalaya mountains, i. e., the house of 
 snow ; also Mount Imaus, and likewise Emodus. The Latin hiems 
 is related to x e ip a > as ^* r to x f ' l Pi heres hcrinaceus to x'np- 
 
 Eiteuaiv, Epic and Ionic for siXuotv, 3 plur. pres. subj. act. of 
 rtAe'w, u, " to hem, shut, or coop in" (consult note) ; fut. eihrjau. 
 
 'OpivoptvT], nom. sing. fem. pres. part. pass, of opivu, " to agitate;" 
 fut. opivti. In passive, opivofiat, "to be agitated," "to be troubled." 
 Akin to opu, opvvpi. 
 
 LINE 295. Elvarof, Epic and Ionic for iwarof, "the ninth." 
 
 HepirpoTTsuv, nom. sing. masc. pres. part, of TreptrpoTr&j, " to re- 
 volve," Epic and Ionic collateral form of Ktpirpenw. 
 Consult line 134. 
 
 i, Epic and Ionic for pipvovai, dat. plur. pres. 
 
 part, of pifivu, " to remain," lengthened by reduplication 
 from ftevu, and, therefore, shortened from fitfttvu. It is used for 
 S s2
 
 480 HOMUKiC GLOSSARY. 
 
 Book 2. Line 296-300. 
 
 jt/evw, when the first syllable is wanted to be long, and hence is only 
 poetic, and only employed in the present and imperfect. 
 
 Neueai&/j.at, 1 sing. pres. indie, of middle deponent vefiEoi&uat 
 (like veueadu), " to be angry with one," " to blame one." Compare 
 remarks on vtuecdu, line 223. 
 
 K.opuvi0iv, dat. plur. oficopuvif, I6of,i}, " of bending stern," 
 
 " curved," " bending," " crooked-beaked ;" in Homer an 
 
 epithet always applied to ships from the outline of their prow and 
 
 stern, especially the latter. From Kopuvn, the curved stern of a 
 
 ship, especially the crown, ornamented top of it. 
 
 'E/i7Tj?f. Consult book i., line 562. 
 
 Anpov, accus. sing. neut. of dr/pos, d, 6v, " long," used adverbially, 
 which is commonly the case in Homer. From drjv, " long," "for a 
 long time." 
 
 Kevedv, accus. sing. neut. of Ktvsof, $, 6v, Epic and Ionic for /ce- 
 vdf, TJ, 6v, "empty," "empty-handed," used adverbially. 
 
 TTinre. 2 plur. 2 aor. imper. act. of rXdu, "to endure," " to 
 LINE 299 
 
 bear;" strictly, "to take upon one's self." Observe that 
 
 is a radical form never found in the present, this being replaced 
 by the perfect rer^nna, or the verbs rotydu, dvexouai, vTroftevu, &.c. ; 
 fut. T^TJaouai : 2 aor. srXnv (as if there were a present r/J/ui, which 
 there is not. Pars., Phan., 1740) : 2 aor. imper. -~^6i : perf., with 
 present signification, TerXnua. TA-uu is radically the same as roA- 
 /tdu, Sanscrit tul, Latin tul-isse, tol-erare, (t)latus, &c. 
 
 MvaTf, 2 plur. 1 aor. imper. act. of fitvu, "to remain;" fut. usvu: 
 1 aor. susiva. 
 
 Aaufj.ev, 1 plur. 2 aor. subj . pass, of 6du, an old root, with the sig- 
 nification of " to teach," " to learn," the latter of which meanings 
 applies here. To this sense of " to learn" belong the future 6arjao- 
 fiai : the perfect forms deddnxa, dedaijituf, tifSanftevof : the 2 aor. 
 pass, eddijv, subj. dau, tiaelu, infin. Saijvai, dafiutvat, part, tiaeif. 
 Akin to drju, Latin di-sco. Consult Pott, Etymol. Forsch., i., p. 185. 
 'Ereov, accus. sing. neut. of ereof, a, 6v, " true." Homer 
 ' only employs the neuter, and usually as an adverb, "in 
 truth," "really," "verily" answering to the Latin revera; more 
 rarely, as in the present passage, with the meaning of" truly." Seem- 
 ingly never found as a masculine or feminine adjective. The lo- 
 nians also use the dat. fern, ire?) as an adverb, " in truth." 
 
 tAavTevfrai, 3 sing. pres. indie, of the middle deponent fj.avrsvop.ai, 
 "to divine," "to predict;" fut. uavTevaouai. From ftdvric, "a di- 
 viner," " a predicler."
 
 HOMERIC GLOSSARY. 487 
 
 Book 2. Line 301-307. 
 
 LINE 301. "ISfiev. Consult book i., line 124. 
 
 Muprupot, nom. plur. of puuTi>po , ov, 6, " a witness." Older 
 LINK 302. j^ c ^ Qrm ^ ^^ The grammarian Zenodotus 
 wholly rejected this form. 
 
 Ktfper, nom. plur. of Krjp, tempos, y, " the goddess of death," also 
 "goddess of fate," especially as bringing violent death ; often occur- 
 ring in Homer, who sometimes, as in the present instance, has also 
 the plural Kijpff, " the Fates." 
 
 'E6av. Consult book i., line 391. 
 
 X0tu, adverb, "yesterday." From ,0iof> ^, 6v, "of yes- 
 LiNE303. teraa y an( j this from 0e'?. Observe that x^t is the 
 Sanscrit hyas, Latin hesi and hesiternus, afterward hen and hesternus. 
 Compare the German gestern, English yestreen, yesterday, &c. 
 
 Upui^c, adverb, " the day before yesterday." From irpui^or, and 
 this from irpui. 
 
 A.iiXi6a, accus. sing, of AuAY, tdof, /, " Aulis" a small place in 
 Boeotia, near which was a large harbor, where the Grecian fleet had 
 their rendezvous before sailing against Troy, and where they were 
 detained by head winds until Iphigenia was sacrificed to Diana by 
 Agamemnon, the father of the former. It was situate on the shores 
 of the Euripus, and nearly opposite to Chalcis in Eubcea. The 
 modern name of the harbor is Valhi. 
 
 'HyepeBovro, 3 plur. imperf. indie, of tjvepedouat, Epic form 
 LIVE 304 
 
 of a-yeipo/tai, as a passive verb, " to be gathered together." 
 
 Homer uses it only in the 3 plur. present and imperfect. 
 
 Kpqvtiv, accus. sing, of Kprjvij, J?f , }, "a spring," " a fov.nl- 
 ' am." From the same root as Kpovv6f, "a spring," and 
 perhaps Kiipa, Kaprjvov, like the Latin caput aqua. 
 
 Bu/iovf, accus. plur. of (3ufi6f, ov, 6, " an altar.'' Consult book i., 
 line 440. 
 
 1 plur. imperf. indie, act. of eptiu, " to offer up." 
 
 LINE 306. ConsuU book ^ line 315 
 
 Consult book i., line 315. 
 Consult book i., line 65. 
 
 ru, dat. sing, of ir'AaTuviaroc, ov, f/, " a plane- 
 tree." Same as nXdrdvoc, " the Oriental plane." Latin 
 platdnus, a tree of the maple kind. From Tr^.aroc, " breadth ,-" TrXo- 
 rvf , " broad ;" because of its broad leaves and spreading form. 
 
 'P&v, Epic and Ionic for eppeev, 3 sing, imperf. indie, act. of peu, 
 " to flow ;" fut. pevaofiai : 1 aor. sppevaa. In Attic, more usually, 
 fut. pvrjaopai, and 2 aor. cppinjv, always in an active signification :
 
 488 HOMERIC GLUSsjARl. 
 
 Book 2. Line 307-312. 
 
 hence is formed the perfect ippiiriKa. The root is PE-, PT-, San- 
 scrit sru. 
 
 'AyAadv, nom. sing. neut. of dy/ladf, TI, 6v, "limpid," "clear.'" An 
 old Epic and Lyric word, being found only twice or thrice in the 
 Attic poets. Akin to aty/.jj, "brightness," and uyaM.ouai. 
 
 'EtydvTi, 3 sing. 2 aor. indie, pass., in a middle sense, of 
 oaivu, "to show ;" fut. $avu : 1 aor. tynva : later perfect 
 Tre^ayKo. In the middle, Qaivouai, " to appear," i. e., to show one's 
 self: 2 aor. pass, efyavvv. Lengthened from root $A-, which ap- 
 pears in ipuoc, " light." Compare Sanscrit bhd, " lucere." (Pott, 
 Etymol. Forsch., i., 194.) 
 
 2^/za, arof, TO, "a sign," "omen." P/obably connected with -&ea 
 and du.onai, by the common Laconian change of & into CT, and so, 
 strictly, " that, by which something is seen." 
 
 Apdnuv, ovTof, 6, "a dragon," "a large serpent." A species of 
 Homeric creation. The poet describes it as a creature of huge size, 
 coiled like a snake, of blood-red color, or shot with many changing 
 tints : indeed, in //., xi., 40, he describes a three-headed one. Sup- 
 posed to come from 6?pnu, "to look earnestly or piercingly;" 2 aor. 
 ed.pa.Kov : part. tipaKwv, from its fabled keenness of vision. 
 
 Nwra, accus. plur. of VUTOV, ov, TO, "the back." Consult line 159. 
 
 Aa^otvof, 6v, late also 17, 6v, "all blood-red." From da, intensive, 
 and <f>oiv6c, " blood-red," and this from dovof, " bloodshed," &c. 
 
 f, a, ov, Ionic n, ov, "fearful to the view," " ter- 
 
 LlNE309. 7, , 7 7 7 , ,, 
 
 nble to behold. 
 
 T H*ce, 3 sing. 1 aor. indie, act. of inui, " to send ;" fut. rjau : 1 aor. 
 qua. 
 
 4>duf(5, adverh, "to the light," " into the light." From youc., length- 
 ened Epic form of $&$, which is itself contracted from <j>uof, and the 
 suffix de, denoting motion toward. 
 
 'firatSar, nom. sing. masc. 1 aor. part, of v^aiaau, " to 
 T Q i n 
 
 ' glide from under ;" fut. vTraigu. From VITO and diaau. 
 
 'Opovffev, Epic and Ionic for upovaev, 3 sing. 1 aor. indie, act. of 
 apovu, "to dart forward ;" fut. bpovou : 1 aor. upovaa. From opu, 
 "to arouse," "to excite." 
 
 LINE 311. "Eaav, Epic and Ionic for fjaav, 3 plur. imperf. of dpi. 
 
 ^Tpovdolo, Epic and Ionic for aTpov6ov, gen. sing. of. aTpovdo?, ov, 
 6 and %, " a sparrow." 
 
 Neoaaoi, nom. plur. of veoaao^, of, 6, " a young bird ;" hence vsoa- 
 aoi, "the young ones." From veof. 
 
 LINE 312. 'OC^, dat. sing, of ofof, or, o, "a bough," "a branch."
 
 HOMERIC GLOSSARY. 
 
 BookZ. Line 312-318. 
 
 Perhaps akin to ocr^of, the German asl, and, according to Pott, to 
 angere. (Etymol. Forsch., i., 223.) 
 
 nTuAoc, dat. plur. of ncrahov, ov, TO, "a leaf." In the dative 
 plural it forms Tre'raP-m as well as ireraAotc. (Buttmann, Ausf. 
 Gr., $ 56, Anm., 13, re.) From KETUVVVUI, "to spread out,'" " to ex- 
 pand." 
 
 "YiroirexTnurff, Epic and Ionic syncopated form for viromTTTr/Koref, 
 nom. plur. masc. perf. part. act. of vxoirrrjaaa, "to cower beneath," 
 "to crouch under;" 1 fut. VTTOTrnJfu : perf. vTTOTreTrrv/ca. From into and 
 KTr/aou, "to crouch," "to cower down." 
 
 'EAeetva, accus. plur. neut. of el.eeivoc., fi, 6v, "piteous" 
 ' "pitiable," taken adverbially, " piteously." From e/.eoj-, 
 " pity," " compassion." 
 
 KctTr/aOic, 3 sing, imperf. indie, act. of Kareadiu, " to devour," " to 
 eat up ;" fut. Karsdouai. From KOTU and eodiu, " to eat." To this 
 verb Korfyayov is assigned as a second aorist. 
 
 TeTpijurac., Epic and Ionic for rerpiyoTac, accus. plur. masc. perf. 
 part, of fpi^u, " to twitter," " to cry sharp and shrilly ;" fut. rpt^u : 
 perf., with present signification, rirplya. 
 
 'AutytTTOTuro, 3 sing, imperf. indie, of the middle deponent 
 apQiiroTaofiai, " to fly or flutter around." From uuQi, and 
 i, Epic and Attic-poetic form for nirofiai, " to fly." 
 
 1 aor. part. mid. of eAe/U'u, "to wind," "to 
 
 ' twirl round," &c. ; fut. eAeP.t'fu. In the middle, " to wind 
 one's self round," " to form one's self into a coil." 
 
 n-f'pvyof, gen. sing, of irrepvf, vyof, *t, "a wing." From itrtpov, 
 "a wing." 
 
 accns. sing. fem. irregular perfect participle of ap- 
 to sound on all sides," "to make a loud cry round about;" fut. 
 perf. u/upiaxa : perf. part. auQiaxuc., via, 6f. From auyi 
 and idx<J, " to cry aloud." 
 
 e, 3 sing. 2 aor. indie, act., with no present <t>dyu in 
 
 ' ' use, but used as the 2d aor. of ioOiu, " to eat," which is 
 itself only used in the present and imperfect fjadiov, other tenses 
 being supplied by Sdu, and the aorist being, as already remarked, 
 tyayov. 
 
 'Apl&l.ov, accus. sing. neut. of dp/f^Aof, ov, also n, ov, 
 
 Epic form for upi6nXoc., " very conspicuous." From apt-, 
 intensive, and (5^/lof, " manifest," &c. (Consult note.) 
 
 'E<f>r/vev, 3 sing. 1 aor. indie, act. of <j>aivu, " to show," " to display 
 to view."
 
 490 ' HOMERIC GLOSSARY. 
 
 Book 2. Line 3 19-331. 
 
 Auav, accus. sing, of Aaaf, gen. Aaof, dat. hai, accus. 7,dav, 
 LlNE319 ' "a stone" 
 
 'A.yKvXou7JTEu, Epic and Ionic for d-yKv2.ou^Trjs, ov, 6. Consult line 
 205. 
 
 c., Epic and Ionic syncopated form for 
 
 ' nom. plur. masc. perf. part. act. of larrjui, " to place" &c. ; 
 fut. GTfiau : perf. eaTTjua, with intransitive force, " / stand." 
 
 Qavud&fjiEv, Epic and Ionic for iOavudfrftcv, 1 plur. imperf. indie. 
 act. of -&avudu, " to wonder ;" fut. -d-avfj-dau : perf. TeOavuana. 
 
 'Er-uxOrj, 3 sing. 1 aor. indie, pass, of ret^o, " to do" &c. Consult 
 line 101. 
 
 , nom. plur. neut. of Trehupov, ov, TO, "a prodigy." 
 
 ' From ret Awp, TO, indeclinable, " a monster" " a prodi- 
 
 gy" and this probably from 
 
 'EKord/^af. Consult book i., line 65. 
 LINE 322. QeoTrponsuv. Consult book i., lines 85 and 109. 
 LINE 323. Tim*. Consult book i., line 202. 
 'A.veu, adverb, "without a sound," "mute." Less correctly writ- 
 ten avE(f>, as if a nominative plural from the obsolete adjective (At- 
 tic form) UVEUC., gen. aveu, 6, %. (Consult note.) 
 KapnKououvTEG. Consult line 11. 
 
 Te'paf, accus. sing, of repaf, arof, Epic aof , TO, " a sign," 
 ' " a wonder," " a marvel." Nom. plur. rcpara, Epic rfyaa : 
 gen. Tepuv, Epic repduv : dat. ripaai, Epic Tepdsvai. Akin to Teppa. 
 , nom. sing. Consult book i., lines 175, 508, &c. 
 
 , accus. sing. neut. of otyipof, ov, " late in coming'.'" 
 
 LINE 325. p oetic form o f 6i/<iOf . From tye, "late." 
 
 'QtpiT&eoTov, accus. sing. neut. of 6^re7,ECTrof, " late of fulfill- 
 
 ment," " to be late fulfilled." From btpe and re/lew, " to fulfill," " to 
 
 accomplish." 
 
 'OheiTai, 3 sing. fut. mid. of o2,hvui, " to destroy." Middle, oTJJv- 
 
 uai, " to perish," " to pass away ;" fut. bhovaai : 2 aor. uhoutjv. 
 
 , Epic for TooatTa, accus. plur. of TOGOVTOS, TOO- 
 
 ' ], TOCFOVTO, "so many," "so much." 
 
 1 plur. fut. indie, act. of TTTO/IE^W, Epic form for 
 iifw, " to war," " to wage war ;" fut. KTofauit-u. From 7rr6Ae/^of, 
 Epic form for TTO^SUOC. 
 
 Tc/\.etra(, 3 sing. pres. indie, pass, of rtkiu, " to accom- 
 LiNE330. ,. , ,, e i. i^ 
 
 p/ish ; lut. TcAcffU. 
 
 WUVETE, 2 plur. pres. imper. ofutuvu, "to remain." Con- 
 LlNE33L suit line 296.
 
 HOMERIC GLOSSARY. 491 
 
 Book 2. Line 331-339 
 Consult book i., line 17. 
 
 Ev, conjunction, "until." In Homer usually joined 
 ' with the subjunctive or future indicative. Compounded 
 of elf 6 Kfv or KE. 
 
 'laxov, 3 plur. imperf. indie, act. of to^w, "to shout;" fut. 
 
 ' iaxvau : perf. ia%a. Probably from la, " a voice," " a cry." 
 
 Kovafajaav, Epic and Ionic for Kovd6naav, 3 plur. 1 aor. 
 
 indie, act. of Kova6ea, "to resound," "to ring ;" fut. Kova- 
 
 6ijou : 1 aor. cKovaGqaa. From /cdvafiof, " a resounding," " ringing," 
 
 and this, according to Buttmann, from Ko/i7rof, " a noise," " din," &c. 
 
 'Aiiauvruv, gen. plur. masc. 1 aor. part. act. of avu, "to shout;" 
 
 fut. avffu : 1 aor. yvcsa (for, in the present and imperfect, an- is a 
 
 diphthong ; but in the future av, and in aor. two syllables). The 
 
 root in Sanscrit is tea, "to blow," &c. 
 
 , " the Gerenian," an Homeric epithet of Nes- 
 
 LINB 336. tor (Consult note } 
 
 , Epic and ^Eolic nominative (gen. 'nriroTae) for 
 ov, (5, " ruler of steeds ;" more literally, "a horseman," "a driver of 
 steeds, 11 &c. From iiriroc.. 
 
 'Ayopdacde, Epic lengthened form for ayopdaBe, 2 plur. 
 
 ' pres. indie, of the middle deponent ayopaouai, " to ha- 
 
 rangue;" more literally, "to meet in assembly," "to sit in debate," 
 
 &.C. ; fut. ayopdffoftai : Epic and Ionic uyopjjffofjLai, &c. From dyopo, 
 
 " an assembly," Epic and Ionic dyopjj. 
 
 , dat. plur. masc. of v^Tr/a^of, ov, " infant," 
 
 "young." Poetic form for vr/Tnof, "infant" the 
 being a mere termination. Consult line 38. 
 
 ME^,<, 3 sing. pres. indie, act. (impersonal form) of fte^u, " to be a 
 care to," " to be an object of concern to ;" fut. n&f/au. Akin to //Ata>. 
 Consult book i., line 564. 
 
 Hofapqia, Epic and Ionic for a supposed form n-oAe^eta, nom. 
 plur. neut. of TroAe/x^i'of, ov, "warlike," "appertaining to war," Epic 
 and Ionic for a supposed form KoXepeiof. From Tro/Ujuof. The com- 
 mon form is irohefiioc. 
 
 Ily, interrogative adverb, "whither," equivalent here to 
 Trot, and the dative, in fact, of an obsolete form nof, of 
 which nuf is the adverb. 
 
 2 vvOeoiai, nom. plur. of avvOeaia, at;, y, " an agreement." From 
 
 "OpKia, nom. plur. of opxiov, ov, r6, " a sworn pledge." (Consult 
 note.) From opKOf, " an oath."
 
 402 HOMERIC GLOSSARY. 
 
 Book 2. Line 340-346. 
 
 Tevoiaro, Epic and Ionic for yevoivTO, 3 plur. 2 aor. opt. 
 LINE 340. ,. . 
 
 of -yiyvofiai. 
 
 Mijdea, nom. plur. of p/do? , EOS, TO, "a plan," "a resolve," "any 
 thing planned and done cunningly or skillfully." Hardly found save 
 in the plural uTJdsa. Akin to urjTig. 
 
 i, nom. plur. of ffrrovdy, ^f, >/, " a libation," " a drink- 
 
 ' offering," the Latin libalio. From the same root come the 
 Latin spondeo, sponsus, sponsio, originally used of solemn covenants. 
 
 "A.KPJJTOI, Epic and Ionic for uKparoi, nom. plur. fem. of uKpnTOf, 
 ov, Epic and Ionic for uKpuroc, ov, "pure," "unmixed." (Consult 
 note.) From u, priv., and nepavvvui, "to mix." 
 
 'Htf, i. e., 7?f, Epic and Ionic for alf, dat. plur. fem. of 6f, f/, o, "who, 
 which, what." 
 
 'ETT^jriBuEv, 1 plur. of the Epic syncopated form of the 2 plnperf. 
 of 7r0u, " to persuade," &.C., for eneKoiBetUEV. The 2 perf. ninoiOa. 
 has an intransitive force, " I confide in," "I rely on;" hence the 2 
 pluperf. iirE-Troideiv, " I confided in," "I relied on." 
 
 'Epidaivouev, I plur. pres. indie, act. of Ipidaivu, " to con- 
 LINE 342. lend ^,, to wrangle &c consult book i., line 574. 
 
 f, TO, "a remedy," "an expedient." An old poetic root of 
 *i- Akin, in all likelihood, to [tf/6o, {lyfiouai, ufiri$. 
 
 Evpt-usvai, Epic, Doric, and ^Eolic for evpelv, 2 aor. infin. 
 ' act. of cvpiffKu, " to devise ;" fut. evpfiau, &c. 
 
 , Epic for dvvuueda, 1 plur. pres. indie, of dvvauai, "to 
 be able." 
 
 utiea, Epic and Ionic for uore/^j/, accus. sing. fem. 
 
 of acTe/Hptfc, ef, "unshaken," "firm." From a, priv, and 
 
 , " to shake by stamping." Compare the Sanscrit stabh, " niti ;" 
 stambha, "columna;" and the English stamp, step. 
 
 , 2 sing. pres. imper. act. of dpxevu, " to rule over," 
 
 ' "to command," "to lead." Poetic form for 
 
 f, accus. plur. of va/itvn, n, ff, " a conflict," " a fight." In 
 this same book of the Iliad (v. 863), and also in viii., 56, we have a 
 metaplastic Epic dative vaulvi, as if from vauiv or vo/tif. Pott com- 
 pares the Sanscrit judh, " to fight," and judh-ma, " a battle." (Etym. 
 Forsch., i., p. 252.) 
 
 'Ea, 2 sing. pres. imper. of euu, " to suffer," " to let" " to 
 
 permit ;" fut. ea.au : 1 aor. elaau, &c. 
 
 $diviideiv, pres. inf. act. of d>6ivi>0u, "to perish," "to waste away," 
 &c. Poetic form for fydivu, the more usual present for Qdta, "to 
 perish," &c. ; fut. <(>6iau.
 
 HOMERIC GLOSSARY- 493 
 
 Book 2. Line 346-356. 
 Toi, Epic and Ionic for ol, " who." 
 LINE 347. Nocr^v. Consult book i., line 349. 
 'Awfftc, euc, iii " an accomplishment."- From avvu, " to accomplish." 
 LINE 348. 'Ap-yofde, adverb, " to Argos." Consult note on book 
 i., line 30. 
 
 Tvupcvai, Epic, Doric, and JSolic for yvuvac, 2 aor. inf. of 
 WVUOKU, " to know ;" fut. -yvucopai, &c. Consult book 
 i., line 199. 
 
 TTrofT^eCTif, euc, q, " a promise." From tJTrtc^ve'o/zac, " to promise." 
 LINE 350. 'K.aravnoai. Consult book i., line 514. 
 LINE 351. 'H//<m. Consult book i., line 592. 
 'QKvnopoiffiv. Consult book i., line 421. 
 
 Qovor, accus. sing, of 06vof, ov, 6, " slaughter," "carnage," 
 LINE 35*. ana i O g OUS to t j, e Latin cades. From the radical <j>evu, " to 
 slay." 
 
 Kijpa, accus. sing, of K^p, Kijpo?, 17, "Fate," "death." (Consult 
 note, and compare book i., line 228.) 
 
 'Aorpa-Tuv , nom. sing. masc. pres. part, of dffrpdirru, " to 
 LINE 353. ^^ ^^ lightning," " to lighten;" fut. dorpfyu. From 
 doTpaTrri, "a flash of lightning." 
 
 'ExitO-ia, accus. plur. neut. of emde^tof, ov, " to the right," taken 
 adverbially. From trrt and 6f!-i6?. In Homer the term always car- 
 ries with it the meaning of motion toward, namely, "from left to 
 right" " toward the right," &c. But with the post-Homeric writers 
 the signification of motion toward died away, and the word became 
 equivalent, in general, to Sextos, " on the right ;" as, Tumdegia (Arist., 
 An., 1493), " the right side." (Compare, however, Arist., Pac., 957.) 
 'Evaiatfia, accus. plur. neut. of evatvifioc., ov, "auspicious," "favor- 
 able." Literally, " sent by destiny," "fated," but especially in a good 
 signification. From kv and alaa, "fate," "destiny." 
 
 'Ermyeotfu, 3 sing. pres. imper. middle of tneiyu, "to 
 
 ' urge or drive on another;" fut. k-aei^u : in the middle, 
 
 lirfiyofiat, " to hasten," " to make haste," i. e., " to urge one's self on." 
 
 TioaaOai, 1 aor. infin. mid. of rivu, "to pay a price," by 
 LINE 356 
 
 ' way of a return or recompense (whereas riu is confined 
 
 to the signification of paying honor) ; fut. riau : 1 aor. irlaa : perf. 
 rirlna : in the middle, rivouai, " I make another pay the price or pen- 
 alty of a thing," " I take vengeance," " I avenge ;" fut. riaofiai : 1 aor. 
 
 accus. plur. of opur/ua, arof, TO, " vexation," " any vio- 
 lent act or feeling," &c. (Consult note.) From 6pf.mu. 
 
 TT
 
 494 HOMERIC GLOSSARY. 
 
 Book 2. Line 356-362. 
 
 2rovouf, accus. plur. of arovaxn, f^, f/, "a groan." From ore- 
 vo^cj, " to groan." 
 
 'EKTrdyAwf, adverb. The special meaning, "terribly," 
 ' "fear/idly" (consult book i., line 268), frequently passes, 
 as in the present instance, into the general notion, "greatly," 
 "exceedingly," "beyond measure." Among the post-Homeric wri- 
 ters it implies merely the notion of something astonishing, won- 
 derful. 
 
 '\irTeffda, 3 sing. pres. imper. middle of OTTTW, " to connect," 
 ' "fasten to," &c. : in the middle, uirrofjuii, " to touch" " to 
 lay hands upon." 
 
 *Hf, gen. sing. fern, of of, #, ov, " his, her, its." 
 'Evo-ff&uoio. Consult line 170. 
 LINE 359. Tlpoade, adverb, "before," "sooner than." 
 HoTftov, accus. sing, of -nor/uoc, ov, 6, "fate," "destiny," especial- 
 ly, "an evil fate," "a mishap," in which sense Homer always em- 
 ploys it. From a root IIET-, analogous to the Sanscrit pat, "to 
 fall," i. e., " to fall out," " to befall," and whence we have e-xsaov, 
 
 &C., 1TITVU, TiLTTTU, &C. 
 
 'ETUCTTTJ/, 3 sing. 2 aor. subj. act. of k<f>enu, " to go after," "to seek 
 after," " to pursue." A frequent Homeric phrase is ddvarov not 
 iroruov emaTreiv, " to seek out death and fate," i. e., " to incur" them : 
 2 aor. eireffirov. 
 
 M7<5eo, Epic and Ionic for fi^dov, 2 sing. pres. imper. of 
 ufiooficLL, " to deliberate" (consult note) ; fut. [tfjaoftai. 
 From //^<5of, "plan," "deliberation," &c. 
 
 'A7r66A^rov, nom. sing. neut. of drrofill^rof, ov, "deserving 
 ' of being rejected ;" more literally, " to be thrown or cast 
 aicay as worthless." From into and /3(iA?.u. 
 
 s, 2 sing. pres. imper. act. of Kpivu, " to separate," " to 
 
 ' parcel off," " to tell off;" fut. uplvu : perf. KEKpi/ca. Com- 
 pare the Sanscrit kri, " to separate," and the Latin cerno. 
 
 *v^,a, accus. plur. of <?i>7.ov, ov, TO, "a tribe." More generally, " 
 stock, race, kind." (Consult note.) 
 
 Qpf/Tpac., accus. plur. of op^-pr;, ijc, rj, Epic and Ionic for 0pdrpa, 
 cf, ;, " a family," " a kindred," " a body of persons of kindred race" 
 (consult note), and forming a component part of a <j>ii?.ov, or tribe. 
 This appears to have been its meaning in heroic times. In historical 
 times it denoted a political division of people, which no doubt took its 
 first rise from ties of blood and kinship. Every QvAq at Athens con- 
 sisted of three Qpurpai or ouarpiat, whose members were called
 
 HOMEiUC GLOSSARY. 495 
 
 Book 2. Line 36 1-371. 
 
 , and were bound together by various religious rites pecu- 
 liar to each. If we suppose that the root of the word is to be traced 
 in the Latin fraler, Sanscrit bhratri, English brother, the original 
 sense of the word <j>parpia will be "brotherhood." 
 
 pijtyiv, dat. sing., with the suffix -tjtiv, of (bpfirpr), yc, 17. 
 
 ' Consult page 283, segq., remarks on the suffix $1 or fiv. 
 'Apqyri, 3 sing. pres. subj. act. of apr/yu, " to lend aid. 1 ' Consult 
 book i., line 521. 
 
 'Epfyc, 2 sing. 1 aor. subj. act. of Ipdu, "to do." Consult 
 LINE 364. book ;., line 315 . 
 
 Tvuay, 2 sing. fut. indie, mid. of yiyvuoKa, fat. 
 LINE 365. jg 
 
 "Eyai, Epic and Ionic for g (intermediate form ly), 3 sing. 
 166 ' pres. subj. of dpi, "lobe." 
 
 f, Epic and Ionic for afdc., accus. plur. of a<j>clf. 
 Maxeovrai, Epic and Ionic for paxfaovrai, 3 plur. fut. indie, of 
 rux.ofj.ai, " to fight ;" fut. paxioopai, Epic and Ionic paxopat, Attio 
 
 Tvuaeat, Epic and Ionic for the common form yvuai) (Attic 
 ' yvuaei), 2 sing. fut. indie, of yiyvuanu. Old form -yvuoeaat, 
 JCpic and Ionic yvuaeai, common form /vwirt;, Attic yvuoet. 
 
 Qeantaiij, dat. sing. fern, of -deontaiof, a, ov, and also of, ov, " di- 
 <sne." Consult note, and also book i., line 591. 
 
 'AAa7rafetf, 2 sing. fut. indie, act. of u^and^u, " to sack ;" more 
 >iterally, " to empty," " drain," especially of power and strength ; 
 <ut. dhaird!-a : 1 aor. ^/laTafa. From a, euphonic, and Aorrdfw, "to 
 mply." 
 
 t, dat. sing, of KaKorrjf, i?rof, %, "cmcardice;" lit- 
 
 erally, "badness" " unfitness for a thing ;" hence of men, 
 tnd especially warriors, "cowardice." From Kaccdf. 
 
 'Afpadiy, Epic 3^d lur ic for u<f>pa6ia, dat. sing, of d<j>padiri, w, i], 
 *Jpic and Ionic for aQpit a, at, TJ, "inexperience," "want of proper 
 '(liberation" " ignoranr*.." Epic word for the prose term a^poavvrj. 
 From d, priv., and 6p'%cpai, " to reflect, consider," &c. 
 
 Mdv, Epic and Doric for fijjv, an affirmative particle, " in 
 
 ' truth," "verily." Not rare in the Iliad, but occurring in 
 
 '.he Odyssey only once (xvii., 170). It is sometimes, as in the pres- 
 
 ent instance, strengthened by the addition of /}. It is probable that 
 
 fidv, and ftd the particle of swearing, are near of kin. 
 
 At, adverbial exclamation of strong desire, " would that ."' 
 LINE 371. 0/Aa< r and answer j ng to the Latin utinam. Homer
 
 496 HOMERIC GLOSSARY. 
 
 BookZ. Line 371-381. 
 
 always joins at -yap, at yup drj ; the Attics have el yap or ^ yap : it is 
 only in .-Colic and Doric that at stands by itself. 
 
 f, nom. plur. of ov/uppdfyuv, ovof, 6, "a fellow- 
 
 ' counselor." Properly an adjective, " advising with one." 
 From ovu&pd^oftai, " to counsel with one," " to deliberate together." 
 
 Elev, contracted form for elrjaav, 3 plur. pres. opt. of elfu. Very 
 common afterward in Attic Greek. 
 
 e, 3 sing. Epic and ^Eolic 1 aor. opt. act. of rjpvu, 
 
 '' ' "to sink in ruins," "to bow down," &c. Consult note, 
 and also line 148. 
 
 'HpeTtpriaiv, Epic and Ionic for rjuerepaic., dat. plur. fern. 
 LINE 374. 
 
 . nom. sing. fern. 2 aor. part. act. (in a passive sense) of 
 to be taken," a defective passive, the active (dliaitu) be- 
 ing supplied by aipeu : fut. (with passive signification) dluaofiai : 2 
 aor. act. (with passive signification) in the form fjluv, Attic usually 
 idluv : 2 aor. part, d/.ovc_, (" taken") : perf. f/huKa, euAwxa, also pass- 
 ive in meaning, " / have been taken," &c. 
 
 TLtpffofjievn, nom. sing. fern, of pres. part. pass, of nipOu, " to sack." 
 Consult book i., line 125. 
 
 'Amny/crovf, accus. plur. masc. of uirpnKToe, ov. Consult 
 line 121. 
 
 , accus. plur. of vet/cof, cof, TO, " a quarrel," "a contention." 
 Maxtffffdpe6a, Epic and Ionic for epaxeadueda, 1 plur. 1 
 
 ' aor. indie, mid. of fidxopai, "to contend;" fut. 
 
 1 aor. fpaxeodftTjv. From /tuxy. 
 
 Kovpnc. Consult book i., line 98. 
 
 LINE 378. 'A.vri6iotc. Consult book i., line 304. 
 
 Xa/.ETraivuv, nom. sing. masc. pres. part. act. of ^aAe7ra/vo, " to 
 become angry ;" strictly, " to be hard, severe, grievous ;" then used 
 metaphorically of men, " to deal severely, harshly," especially from 
 anger, " to be harsh," " to be ill-tempered," "to become bitterly angry," 
 <kc. From ^a/.eTrdf, " harsh," " severe," &c. 
 
 'A.vd6%r]ffic., euf, rj, " a deferring" "a putting off." From 
 LINE 380. ^^^ , /0 rfe y er 
 
 'H6ai6v, accus. sing. nent. of Tjftaiof, ?/, ov, Epic and Ionic for flaioc, 
 "small," "little," &.C., taken adverbially: hence ov&' fiSaiov, "not 
 even in a small degree," i. e., not in the least. 
 
 Arrvov, ov, TO, " a meal," used bv Homer, quite generally, 
 LINE 381 
 
 ' sometimes as equivalent to the upiarov, or morning meal, 
 
 which is the case here ; sometimes for the dopxov, the afternoon or
 
 llOMKKiC GLOSSARY. 497 
 
 Book 2. Line 381-387. 
 
 evening meal. IS'itzsch regards it as the principal meal, whenever 
 taken : in Attic certainly it means the chief meal, and answers to 
 our dinner, or the Latin coena, begun toward evening, and often pro- 
 longed till night. 
 
 Svvuyufiev, 1 plur. pres. subj. act. of i-vvuyu, " to join ;" fut. fwafu, 
 &c. 
 
 'Apqa, Epic and Ionic for "Apea, accus. sing, of "Ap^f, foe, 6, 
 " Mars,' 1 god of war ; put here, figuratively, for the fight itself. 
 
 Brj!;do6u, 3 sing. 1 aor. imper. middle of #177 w, " to sharp- 
 LiNE382. (n .M* fut Qjfa . l aor |^c a . i n tn e middle, -d^yofiaL, "to 
 
 sharpen something belonging to one's self ;" fut. ^jj^ofiat : 1 aor. iQrj^d- 
 unv. Compare the Sanscrit tji, " to sharpen," which points to a 
 connection with i?tym>, Qiyyavu, &c. 
 
 'Aoirida, accus. sing, of daxic, 5of, ?/, "a shield," a round shield, 
 in Homer large enough to cover the whole man, usually of bull's 
 hide, and overlaid with metal plates, with a boss (bubdhoc.) in the 
 middle. At a later period it belonged to the Greek heavy-armed 
 troops (oTT/.lTai), as opposed to the Thracian TTE/.-??, and Persian 
 ytppov. 
 
 'QnvTrotieaaiv, Epic and Ionic for uKVjrodeatv, dat. plur. of 
 LINE 383. , ,, .,, , . , f 
 
 r/f, ec, " swift-footed. Poetic term for U 
 
 rof, gen. sing, of upfia, arof, TO, "a chariot,' 1 '' espe- 
 ' cially "a -war -chariot," with two wheels, in Homer used 
 very often in the plural for the singular. 
 
 Mcdf'ffflu, 3 sing. pres. imper. of [tedopai, " to think of," " to pre- 
 pare for." Observe that pidofiai is an older form than fif/6opai, the 
 latter being merely an Ionic form for the former. 
 
 LINE 385. Uavrjfiepioi. Consult book i., line 472. 
 
 Zrtij'Fptj, dat. sing. masc. of ffrvyepof, , 6v, " hateful." From 
 oruyeu, "to hate." 
 
 Kpivutifda, 1 plur. pres. subj. mid. of Kpivu, "to separate :" in the 
 middle, Kpivofiai, " to single out for one's self," i. e., a combatant ov 
 opponent, and thus " to contend." 
 
 'Aprji, dat. of 'Apijf . Consult line 381. 
 
 IlavffuMj, ijf, i], "rest," "a respite." From irava, "to 
 LINE 386. 
 
 cause to cease. 
 
 /, Epic and Ionic for usTearai, 3 sing. fut. of/iem/w, "to 
 be between" " to intervene." 
 
 LINE 387. Aiaicpivsei, Epic and Ionic for SinKpivet, 3 sing. fut. 
 T T 2
 
 498 HOMERIC GLOSSARY. 
 
 Book 2. Line 387-395. 
 
 ind. act. of diaxpivu, " to part" " to separate." Old form diaicpive- 
 aet, Epic and Ionic diaicpiveei, Attic 6ia.Kpivei. 
 Me'vof. Consult book i., line 103. 
 
 'Idpuaei, 3 sing. fut. indie, act. of ISpou, "to sweat," "to 
 perspire ;" fut. idpuau. From idpu^, " sweat." 
 
 Tev, Epic, Ionic, and Doric for rtvof. Observe that rev, on the 
 other hand, is for the interrogative rlvog. 
 
 Te/.aftuv, uvoc,, 6, "a strap," "a belt." (Consult note.) No doubt 
 from T^vai, " to bear," whence, also, the hero Telamon probably 
 took his name. 
 
 'Aji.<pi6p6T7}, gen. sing. fern, of u/i<f>i6porof, i], ov, " man-pro- 
 tecting," " covering the whole man." Consult remarks on 
 the Grecian acme, line 382. 
 
 'Eyx?t, dat. sing, of fy^of, eof, TO, " a spear," consisting of two 
 parts, aixpfi a d $6pv, head and shaft, II. , vi., 319, where its length 
 is eleven cubits : the shaft was usually ashen. The eyxoc. served 
 for both throwing and thrusting, but, from its weight, was only used 
 by the stoutest men, and when near the enemy : hence the most 
 honorable weapon. 
 
 KafiEirat, 3 sing. fut. indie, of KU/HVU, "to toil," "to labor," "to be 
 fatigued ;" fut. Kauovuai : perf. KEKfinKa. 
 
 'Ev^oov, accus. sing. neut. of evj-oog, ov, "well-polished," 
 LINE 390. Ar ^Af ." From ev and feu. 
 
 Tiraivuv, nom. sing. masc. pres. part. act. of riraivu, "to draw;" 
 fut. TITOVU : 1 aor. krirriva. An Epic verb synonymous with ra'vu, 
 ravvu, and signifying, literally, " to stretch." 
 
 , pres. infin. act. of fiiuvufc, " to linger," " to 
 
 stay," " to remain," "to loiter." Poetic form 
 Kopuviatv. Compare line 297. 
 
 "ApKiov, nom. sing. neut. of up/ctof, a, ov, and of, ov, " on 
 which one may rely," "safe," "sure." (Consult note.) 
 From upKEU, " to be of use," " to suffice," &c. 
 
 'Eaaelrat, Epic and Doric 3 sing. fut. indie, of dpi, from a Doric 
 form eaaoffiat, for the common eaoftai. 
 
 Qv-yeeiv, Epic and Ionic for 6vyetv, 2 aor. infin. act. of Qsvyu, " to 
 escape ;" fut. $ev!;ouai : perf. ireoevya : 2 aor. l^vyov. 
 LIN-E 394. 'lo^ov. Consult line 333. 
 
 'Axry, dat. sing, of O.KTI), fjf, j/, " Ihe shore," " the beach," 
 " the strand ;" strictly, the place where the waves break, and 
 thus opposed to "kiurjv. Hence it is usually accompanied by epithets 
 denoting a high, rugged coast, as in the present instance. From 
 to break."
 
 HO.MEKiU GLOSSARY. 
 
 Book 2. Line 395-403. 
 
 .y, dat. sing. fern, of il>i}%6c., 17, 6v, " lofty," " high-towering." 
 From vifii, "on high;" whence, also, inpoc, "height." 
 Norof, ov, 6, " the south wind." Consult line 145. 
 
 Hpo6%ijTi, dat. sing, of Trpo6^f, jjrof, 6, 57 (without neuter), 
 "projecting," "jutting;" strictly, "thrown before or for- 
 ward." From irpo and (3<i?./.u. 
 
 S/coTTfAw, dat. sing, of cKoire'koc., ov, 6, "a rock," "a lofty rock;" 
 strictly, like OKO^LU, "a look-out place." Compare the Latin scopu- 
 lus. From GKOTTEU, " to take a survey," &C. 
 
 IlavToiav, gen. plur. masc. of iravToioc., a, ov, " of all 
 JLjNK 397. , - _, ., t . f ,, .. Y-, 
 
 kinds, " of all sorts. From TTUJ-. 
 
 'AvardvTff, nom. plur. masc. of the Epic shortened form 
 
 (for uvaardv-ff) of the 2 aor. part. act. of aviarr/pi, " to 
 
 place up,"&.c. ; fut. uvaarf/ffu : 2 aor. aviarriv, " I arose," " I stood up." 
 
 'Opiovro, Epic and Ionic for upovvro, 3 plur. imperf. indie, mid. of 
 
 bpou,ai, " to make a rush." From 6pu. 
 
 KedaoOtvTfc, nom. plur. masc. 1 aor. part. pass, of Ks^avvvfii or 
 Ke6uu, "to disperse," "to scatter;" fut. neddau. A poetic form for 
 axeduvvvfit. 
 
 Kdirviaaav, Epic and Ionic for tifdirviaav, 3 plur. 1 aor. 
 LINE 399 
 
 indie, act. of KaTrvifa, " to make a smoke," " to raise a 
 
 smoke ;" fut. icanviau. From Kwrvoe, " smoke." 
 
 "EAovro, Epic and Ionic for cZXovro, 3 plur. 2 aor. indie, mid. of 
 alpu, "to take;" 2 aor. mid. elXopyv. 
 
 'Epefr, 3 sing, imperf. indie, act. of pefa, a transposed 
 form for epdo, " to sacrifice." Consult book i., lines 444 
 and 315. 
 
 AlsiyevfTuuv, Epic for dsiyeveTuv, gen. plur. of dei-yever^f, If, "ever- 
 lasting" " immortal." From alei, Epic and Ionic for act, " ever," 
 and the radical yivu. 
 
 LINE 401. Ei^OjUevof. Consult book i., line 43. 
 
 Mw?.ov, accus. sing, of /iwAof, ov, 6, "toil." Referred by Pott to 
 the same root as uti).v : perhaps, also, akin to fj.o7.elv, and the Latin 
 moles, molior ; and so, again, to /uoyof, fioxOoc.. 
 
 'Apijoc., Epic and Ionic for 'Apeoc,, gen. sing, of 'Apr/?. Consult line 
 381. 
 
 'lepsvaev, 3 sing. 1 aor. indie, act. of iepeva, "to offer up," 
 LINE 402. u .,<-- _i \ T 
 
 to sacrifice ; lut. icpivau : 1 aor. lepevaa, Epic and Ionic 
 
 'upevaa. From tcpof, "sacred." 
 
 fliova, accus. sing. masc. of TT/WV, ovoc., 6, n, "fat," "well 
 LINE 403. f , ,, .. , . r , , . . .. .- 
 
 fed, "sleek Compare bouk i., line 40.
 
 500 11OA1EK1U GLOSS Alt Y. 
 
 Book 2. Line 403-412. 
 
 llevreerr/joov, accus. sing. masc. of TrevraeTripoc, ov, "Jive years 
 
 old." Poetic form for nevrafT^, if. From Trevrc and crof, " a year." 
 
 KiKXijansv, Epic and Ionic for /'/< Aj?<r/eev, 3 sing, irnperf. 
 
 indie, act. of KIK^OKU, "to invite," Ionic form for A-a/U'u, 
 
 used only in the present and imperfect. 
 
 'ApioTijac, accus. plur. of apiarevc., euf, 6, Epic and Ionic r/of, and 
 hence dptorjyaf, for upioreaf. Consult book i., line 227. 
 
 Havaxatuv, gen. plur. of Tlava^aioi, oi, " all the Greeks." Literal- 
 ly, " all the Achaians." (Consult note.) 
 
 , Epic and Ionic for 'idouevta, accus. sing, of 'ISofi- 
 
 uf, 6, Epic and Ionic jjof, " Idomcneus." Consult 
 
 book i., line 145. 
 
 Alavre, accus. dual of Alae, avrof, o, " Ajax." Consult 
 LINE 406. book ^ lme ^ and nQte Qn thig ljne 
 
 Tvdeog, gen. sing, of Tvdevg, eof, o, Epic forTudfvf, euf, " Tydeus" 
 father of Diomede. He was the son of CEneus, king of Calydon in 
 ^Etolia, and, having slain his uncle Alcathous, fled to Adrastus at 
 Argos. Here he received in marriage Deiphyle, one of the daughters 
 of the Argive monarch. He went with Polynices to the Theban 
 war, and was slain by Melanippus. 
 
 *E/crov, accus. sing. masc. of IKTOS, rj, ov, sixth." From 
 LINE 407. |fi ,,^,, 
 
 'Odvaija, K. r. A. Consult line 169. 
 
 AVTOUCITOC, rj, ov, and Attic oc, ov, " acting of one's own 
 
 LINK 408. ... V ' j - V, LJJ .... ;/ j 
 
 will, " of one s own accord, "unbidden, "uncalled. 
 
 From avrdf, and the radical [iuu (fj.ifj.aa), " to strive after" " to at- 
 tempt," " to desire," &c. 
 
 Bo^v, accus. sing, of flotj, f^, rj, " a cry," whether of joy or grief, 
 "shout," "cry for succor." In Homer, however, it is usually "the 
 battle-cry," " the alarm," and even the battle itself. (Consult note.) 
 
 "Hides, i.e., y6te, 3 sing, uncontracted form of the pluper- 
 LINK 409. fect for , 6j) Consult book j t ]jne 70 
 
 'ETTOVEITO, 3 sing, imperf. indie, of the middle deponent Troveoftai, 
 "to toil," "to labor." In early Greek this deponent alone appears ; 
 in later Greek, the form KOVEU takes its place. 
 
 liepioTTjaavTO, 3 plur. 1 aor. indie, mid. of Trepuarrj^i, " to 
 : place around:" in the middle, "to place one's self around" 
 
 &c. Observe that Trepiarf/aavro is Epic and 
 Consult book i , line 449. 
 Consult book i., line 449. 
 LINE 412. Kvdiare, voc. sing. masc. of Kvdiarof, rj, ov, "matt glo~
 
 HOMERIC GLOSSARY. 501 
 
 i 
 
 Book 2. Line 412-417. 
 
 nou*." Superlative of Kvdpos, u, 6v (formed, however, in reality, 
 from Ki'Soc. : as, alaxiaroe, from alffxoc). Compare book i., line 122. 
 
 Kcfouvf^ff, voc. sing. masc. of KeXaivc^f, f, "dark cloud-envel- 
 oped." Consult book i., line 397. 
 
 AWepi, dat. sing, of aidrjp, epof, 6, " ether," " the vpper regions of 
 air," " the pure sky," as opposed to arjp, the lower atmosphere. 
 Hence " heaven," as the abode of the gods. From al6u, " to light 
 up," "to kindle." 
 
 Xat'uv, nom. sing. masc. pres. part, of vaiu, "to inhabit." Consult 
 line 130. 
 
 &vvai, 2 aor. infin. act. of 6vu, " to enter," i. e., in the 
 I I\E 413 
 
 ' present case, the ocean, " to go down," as said of the sun ; 
 
 fut. 6vau : 1 aor. edvaa : 2 aor. i6vv. 
 Consult book i., line 475. 
 
 accus. sing. neut. of irpijvfi^, Ef, " headlong," 
 
 "prone." Observe that -rprjvrjc is Epic and Ionic for the 
 
 Doric and Attic xpavfa, with which compare the Latin pronus. 
 
 BaAe'eiv, Epic and Ionic for ftafalv, 2 aor. infin. act. of pdMu, " to 
 hurl." 
 
 M&.adpov, accus. sing, of u&.adpov, ov, TO, "a palace," "a ludl," 
 &c. Properly, " the ceiling of a room," especially the large cross- 
 beam which bears it. Then, generally, "a roof," "a house," "a 
 mansion," &c. Derived by some from fj.e7.aivu, " to blacken" as re- 
 ferring to the blackening effects of the smoke in passing through the 
 Kaxvodoxq, or hole in the ceiling for that purpose. Compare the 
 Latin atrium, similarly derived from ater. 
 
 At0oA6ev, accus. sing. neut. of aldakdsK;, osvaa, 6ev, " blaz- 
 ing," "wrapped inflames.'' From alOaTiof, and this from 
 
 aidu. 
 
 Hpi/aai, 1 aor. infin. act. of Ttifnrpjjui, "to burn;" fut. Trpriou : 1 
 aor. fxprjaa, as if from irpriffu. Lengthened from the root IIPH-, 
 which root appears in the German brennen and English burn. 
 
 Anioio, Epic for dyiov, gen. sing, of (J^i'of, 77, ov, Epic and Ionic for 
 ddlos, " hostile." 
 
 Qvptrpa, accus. plur. of Qvperpov, ov, TO, " a gate," " a door." 
 From tWpa. 
 
 , accus. sing. masc. of 'Eitrojoeoc, a, ov, " of Hec- 
 
 LINK 416. tor ^_ Yrom - EKTUp _ 
 
 t, 1 aor. infin. act. of 6ai&, "to sever;" fut. datl-u: 1 aor. 
 idu'ija. From Saiu, " to divide." 
 
 I,I\F. 417. 'PuynMov, accus. sing. masc. of puya?.f of, a, ov, " rent,"
 
 502 HOMERIC GLOSSARY. 
 
 Book 2. Line 417-438. 
 
 "torn," "broken.'" From put;, puyoc, q, "a rent" "a cleft:" akin to 
 
 , Epic and Ionic for Tro/lAot, and so TroAewv, noheeff 
 for ?ro/l/\.wi>, vro/lAotf, TroA/loiif. 
 
 , Epic and Ionic for Kptjvcls, and this for the Doric 
 
 LINE 418. an d Attic 7rpvf- Consult line 414. 
 
 Kovinaiv, Epic and Ionic for /covt'otf, dat. plnr. of Kovtn, tif, %, Epic 
 and Ionic for novia, of, jy, "dust." Consult line 150. 
 
 'Odaf, adverb, "wjtfA ifo *e^A," "by biting with the teeth." From 
 <Jdf, " with the teeth," akin to ddnvu. Compare the Latin mordicus. 
 
 Aafot'aro, Epic and Ionic for Adfoivro, 3 plur. pres. opt. of hd&uai, 
 " to seize ;" poetic deponent for 7Mfj.6u.vu. Observe that the future 
 Tidgouai (Herod., vii., 144), " to receive," does not belong to this verb, 
 but to 7t.ayxu.vu. From AAB-, T^aftddvu. Compare vt'fw viirru, 
 
 'Eirticpaiaive, 3 sing, imperf. indie, act. of entKpataivu, 
 : ' Epic lengthened form of entupaivu, " to accomplish," " to 
 fulfill ;" fut. ETTinpaiavti, for eniKpavu, &c. From eni and xpaivu, 
 " to accomplish," &c. 
 
 AEKTO, Epic and Ionic for e<5e/cro, 3 sing, syncopated 2 aor. 
 . ^ "t receive;" fut. dtt-o/uai : perf. dedeypai: 2 aor. 
 
 &C. 
 
 'Afie-yaprov, accus. sing. masc. of upsyapToc., ov, " severe," " un- 
 happy," "wretched." Strictly, "unenvied," "unenviable." The mean- 
 ing " abundant" " large," &.C., which some interpreters assign to 
 this word, is refuted by Buttmann, Lexil., s. v. 
 
 "Ctye/Uev, Epic and Ionic for w^eAAei', 3 sing, imperf. indie, act. 
 of o^E/Mw, " to increase ;" fut. 60c/lw : 1 aor. utyetha. An old poetic 
 word. 
 
 Aeyuueda, 1 plur. pres. subj. middle of /leyu. (Consult 
 LlNE435 " note.) 
 
 .., Epic and Ionic for uva.6ah7t.6iJ.e6a, 1 plur 
 ' pres. subj. mid. of dvaddhhu, "to put off" "to delay." 
 
 From dvd an 
 
 'Eyyva/U'fei, 3 sing. pres. indie, act. of kyyvaTii^u, " to put into one's 
 hands," "to bestow;" fut. syyvahi^u. Consult book i., line 353. 
 
 'A-yeipovruv, for dyeiplruaav, 3 plur. pres. imper. act. of 
 
 : ' ayeipu, "to gather together," " to assemble." This abbre- 
 
 viation of -iruaav into -ovruv occurs regularly in Attic, and fre- 
 
 quently in Epic, Ionic, and Doric. On Doric monuments we even 
 
 find the ending rw for TUV, answering to the Latin termination of
 
 HOMERIC GLOSSARY. 503 
 
 Book 2. Line 438-450. 
 
 the 3 pers. plural of the imperative ; as, ITOIOVVTU (faciunto) : fa- 
 yovru (legunto), &c. 
 
 'A6p6oi, nom. plur. masc. of udpooc, a, ov, very rarely of, 
 
 ' ov, " assembled," " gathered in crowds, heaps, masses," 
 
 "crowded together. ," Frequently occurring in Homer, but only in the 
 
 plural. The singular first appears in Pindar. From a, copulative, 
 
 and ifydof, " a noise as of many voices." 
 
 'louev, Epic and Ionic for luusv, the mood-vowel being 
 1 ' shortened, 1 plur. pres. subj. of dpi, " to go." 
 'T&ydpouev, Epic and Ionic for eyeipuuev, 1 plur. pres. subj. act. of 
 iytipu, " to arouse," " to excite," the mood-vowel being shortened. 
 LINE 441. 'Xiridijcrev. Consult book i., line 220. 
 LINE 442. Airina Kijpvueaai, K. r. 7.. Consult line 50, seqq. 
 
 &vvov, Epic and Ionic for Idwov, 3 plur. imperf. indie, act. 
 of -&VVU, " to move rapidly to and fro," " to rush fast and 
 furious," " to dart to and fro." 
 
 Atyida, accus. sing, of Alylc, iooc,, ij, " tiie JEgis." (Con- 
 : ' suit note.) From ai%, aiyoc, o, i), "a goat," i. e., accord- 
 ing to the legend, the goat Amalthea, that suckled Jupiter. (Consult 
 note.) 
 
 'EpiTtfiov, accus. sing. fern, of Epiriuoc, ov, " highly prized," "pre- 
 cious." From kpu, inseparable prefix, "very" "abundantly," and 
 Ttfiij, "value." 
 
 'Ayrjpaov, accus. sing. fern, of a-yqpaoc., ov, " uninfluenced by age," 
 " never growing old ;" more freely, "undying," " undecaying." From 
 d, priv., and y^pac, " age." 
 
 Qvaavoi, nom. plur. of dvaavoc, ov, 6, " a tassel." From 
 LINE 448 
 
 &vu, from their constant motion. 
 
 'Heptdovrai, 3 plur. pres. indie, (with aoristic force) of fiepfdouai, 
 "to hang waving in air," "to wave in air." This verb is generally 
 regarded as a passive one, but certainly, here at least, is to be re- 
 garded as middle in its force. It is only found, moreover, in the 3 
 pers. plur. of the pres. and imperf, and is, in fact, a lengthened Epic 
 form of ueipouai. 
 
 'EiiTrAe/rcff, nom. plur. masc. of cvTr/UKifr, c, "well-twist- 
 ' erf," and Epic and Ionic for evirfaKtlc, from ev;r/le^f, c'f- 
 
 From EV and 
 
 'E/caro^6otof, nom. sing. masc. of luaToufoioe, ov, " of the value of 
 a hundred oxen," " worth a hundred oxen." From enarov and (3ovc. 
 
 Haupuaaovaa, nom. sing. fein. pres. part. act. of TratQdaou, 
 ' " to look fiercely around," " to look wildly" " to stare wildly
 
 504 HOMERIC GLOSSARY. 
 
 Book 2. Line 450-458. 
 
 about." Among later writers, in general, " to run wildly about," " to 
 rush." A reduplicated form from $A-. <j>aivu. 
 
 Aieaavro, 3 sing, syncopated 2 aor. mid. of 6iaatvouai, " to move 
 rapidly through,'' "to rush through;'' 2 aor. mid. dieaavunv, &c. 
 From 6 id and aevu, " to put into quick motion," " to drive " in the 
 middle, " to put one's self into quick motion," " to rush," &c. 
 
 'Orp-vvovcra, nom. sing. fern. pres. part. act. of OTOVVU, " to 
 urge," " to rouse," " to stir up," &C. ; fut. OTpvvu : 1 aor. 
 urpi/va. Poetical verb. 
 
 20t'vof, accus. sing, of c6h>of, eof , TO, " strength," " might." Chiefly 
 poetical. 
 T Qoffj>. Consult book i., line 10. 
 
 ov, accus. sing. neat, of U^/.JJKTO^, ov, poetic for 
 
 a/,77/crof, ov, "unceasing" "incessant." The form f 
 rov is here used adverbially, "unceasingly," "without ceasing." 
 From d, priv., and A^yu, " to cease." 
 
 LINE 453. 'Atyap. Consult book i., line 349. 
 
 , Epic and Ionic for yl.a&vpals, from 
 
 Lon 454. d) ^ hollow ,, Consult line 88. 
 
 'AiSnl.ov, nom. sing. nsut. of uidrjl.of, ov, "invisible,'' and 
 then "destructive." (Consult note.) From u, priv., and 
 liclv. 
 
 'EKi<j>M-y?i, 3 sing. pres. indie, act. of fTn^Ae'yw, " to consume ;" fut. 
 ?Tri(f>%ea. From eiri and (ffAyu, " to burn up." 
 
 'Aoirerov, accus. sing. fern, of dcrn-erof, ov, "immense." Literally, 
 " unspeakable," " unutterable ;" hence, in Homer and Hesiod, mostly 
 in the sense of "unspeakably great," "immense," "vast." From d, 
 priv., and S'IKEIV. 
 
 f, Epic and Ionic for opeog, from ovpoc., coc., TO, for 
 
 opof, eof, ro, "a mountain." Perhaps from the same root 
 as opwui, and so, strictly, "any thing rising-.'' 
 
 Kopv>7?f, Epic and Ionic for KopvfyaZc., dat. plur. of Kopv<f>ij, fa, f/, 
 " a summit," " a top." 
 
 "Exaflev, adverb, "from afar." From e/cuf, "afar." 
 
 Avyrj, ^f, rj, "light," "glare," &c. Perhaps from the same root 
 as the Latin oc-ulus, German aug-e, Sanscrit ike, " to see." 
 
 LINE 457. Qea-rreaioio. Consult book i., line 591. 
 
 Aty^v, rjf, 17, "a brilliance," "a glittering." Akin to Aow, 
 LINE 458. .,, -, -, ^ ~ - -, 
 
 uyAaoc : yAavcau, y/.avKUf : y/.tjvri : /.evaau, Zei'/eof. 
 
 HauQavouaa, Epic lengthened form for Traudavtio-a, as if from 
 vau<f>avdu, of which, however, no other forms but ira^avouv and
 
 HOMERIC GLOSSARY. 505 
 
 Book 2. Line 458-462. 
 
 occur, " all-resplendent," " all-beaming.'' From Trafi- 
 tiah'u, ''to shine brightly;" and observe that rrapoaivu itself is not 
 derived from KUV and oaivu, which would be against all analogy, but 
 is a poetic form of <j>aivu, strengthened by reduplication, like Tratnd?.- 
 ?.u from 77a/./.(j : TrapAufu from <t>7.d& : -xaitidaau from <j>du, &c. 
 'Ixcv. Consult book i., line 317. 
 
 gen. plur. of KtTeijvoc., TI, 6v, Epic lengthened 
 
 : ' form for rrerj/vof, " able to fly" hence "winged," "flying" 
 
 a frequent epithet, in Homer, of birds in general. From 
 "to fly." 
 
 XTJVUV, gen. plur. of xnv, xivoc, 6, TJ, " a gander," " a 
 
 goose," so named from its wide bill. Probably from XA-, 
 Xaivu, " to gape." With the Doric \av compare the Sanscrit hansa, 
 German gans, English gander, Latin anser, &c. The n is dropped 
 in the Persian kay and Scandinavian gaas, as well as English 
 goose. 
 
 Tepdvuv, gen. plur. of ytpavos, ov, )/, later also o, "a crane. 1 ' 
 K.VKVUV, gen. plur. of KVKvof, ov, 6, "a swan." 
 
 gen. plur. of 6ovAix66Eipof, ov, Epic and Ionic for 
 ov, "long-necked." From doAt^of, "long," and 6tipr), 
 '' the neck." 
 
 'Aaia, dat. sing, of 'Atrtof, a, ov, " Asian." (Consult 
 LlNE46L note'.) 
 
 Aetptivi, dat. sing, of Attpuv, uvo$, 6, " a mead" " any moist or 
 grassy place." Probably from 7.eiBu, " to pour forth" " to flow" as 
 aepvor from ae6u. 
 
 KaiJffrptov, gen. sing, of Kai'orptof, ov, 6, Epic for Katiurpof, ov, 6, 
 " the Cayster," a river of Ionia, rising in Lydia, and emptying into 
 the sea near Ephesus. Near its mouth was the Asian meadow. 
 (Consult note.) 
 
 'PtfBpa, accus. plur. of peeQpov, ov, TO, Epic and Ionic for ptidpov, 
 ov, TO, "a stream," "a river ;" in the plural, "waters." From psu, 
 " to flow." 
 
 HoTuvrai, 3 plur. pres. indie, of Trordojuat, Epic and Attic 
 
 form for Trero/ztu, " to fly," " to be on the wing ;" fut. TTOIT?- 
 
 oo/j.ai : perf. TreTrori^at. In Epic we also find 
 
 "AyaAAOjUeva, nom. plur. neut. pres. part. mid. of ciyuAAu, " to make 
 glorious," " to glorify," " to honor ;" fut. dya/.d) : 1 aor. fiyrj'h.a. In the 
 middle, dydAAo^at, " to pride one's scty in," " to exult," " to rejoice." 
 The middle is not found beyond the present and imperfect ; and the 
 active is not earlier than the age of Pindar. Commonly, but erronp- 
 
 r i-
 
 506 HOMERIC GLOSSARY. 
 
 Book 2. Line 462-471. 
 
 ously, derived from ayav and u.M.ofiat.. Akin, according to Dceder- 
 lein, to ye'/Mu 
 
 K/.ayy77<5dz>, adverb, " with a loud noise," " with a clang or 
 ' clamor."' From /cAayy;?, " a clang" " a clamor" &c., and 
 this akin to K/.dfw, fut. /c/.dvfw- 
 Compare line 210. 
 
 , accus. sing, of Ttsdiov, ov, rd, " a plain," "fiat, 
 LIXE 465. 
 
 open country, &e. 
 
 Hpo^eovro, Epic and Ionic for irpoexovvro, 3 plur. imperf. indie, 
 mid. of Trpojf'w, " o pour forth ;" fut. npo^tvau. From Trpo and ^eu. 
 2/caudv<5ptov. accus. sing. neut. of 2a//dv^ptof, ?, ov, " Scaman- 
 dnan," "lying along the Scamander," "watered by the Scamander." 
 From liKupavdpoc, " the Scamander, 11 a river of Troas. (Consult 
 note.) 
 
 X0wv. Consult hook i., line 88. 
 
 Kovd&,e, Epic and Ionic for Kovu6i&, 3 sing, imperf. in- 
 die, act. of Kova6i^u, "to resound;" fut. KovaSiau. Poetic 
 form for Kovadiu, and this trom KovaGoc., " a resounding," " ringing," 
 &.c. Consult line 334. 
 
 LINE 467. "Earav. Consult book i., line 535. 
 ' \v6e[i.6evTi, dat. sing. masc. of avBeftosic, oeoaa, OEV, "flowery" 
 "blooming." From avdeuov, " a flower," and this from uvQiu. 
 
 Mt'taof, Epic and Ionic for pviuv, gen. plur. of fivla, ac, f), 
 ' "a fly." Compare the Latin musca, Sanscrit makcika, 
 German mucke, English midge. 
 
 'Adivduv, Epic and Ionic for ddivuv, gen. plur. of udtvoc, T/, 6v, 
 " thickly swarming," " crowded," " thronged." Radical signification, 
 " close," " thick." (.Buttmann, Lexil., s. v.) From udrjv, " to one's 
 Jill," " enough." 
 
 Sra^yuov, accus. sing of a-a6p6c, ov, 6, " a pen," " a fold," 
 E " a standing place ;" as shelter for men and animals, &c. 
 
 From larrifii. 
 
 Hoifivnlov, Epic and Ionic for a supposed form -rroifivelov, accus. 
 sing. masc. of Trotfivf/ioc,, q, ov, " of or belonging to a shepherd," &.C., 
 for TroijUvetof, a, ov. From TCOIUVTJ, " a herd of cattle," " a flock of 
 sheep." 
 
 'H?MffKovaiv, 3 plur. pres. indie, act. of rjhafficu, Epic form of dP.do- 
 tiai, "to wander" ' to stray." 
 
 ~E,iapivfi, Epic for tapivy, from eiapivoc, %, ov, Epic and 
 ! ' Ionic for kapivoc., y, 6v, rarely 6f , 6v, " of spring," " rcr- 
 iml." From flap. Epic for rap, "the spring."
 
 HOMERIC GLOSSARY. 507 
 
 Book 2. Line 471-479. 
 
 PAayof, eoc, r6, " milk." Poetic form for -/aha, "milk." 
 
 "Ayye-a, accus. plur. of ayyof, eof, TO, "a vessel," " a pail." 
 
 bevei, 3 sing. pres. indie, act. of deiio, " to fill" with liquid; fut. 
 Homer uses only the present and imperfect act. and pass. 
 Akin to diaivu, with which compare 6e(j>u, and the English "dew," 
 " bedew." 
 
 'laravro, 3 plur. imperf. indie, mid. of lorr/pi, " to place:" 
 middle, "to place one's self," "to stand." 
 
 Aiappalaat, 1 aor. infin. act. of diappaiu, " to break through." (Con- 
 sult note.) From 6ui and paiu, " to break," " to smash," " to sfiicer," 
 which is probably akin to pr/yvvui. 
 
 Me/zaurcf, nom. plur. masc. perf. part, of uau. Consult book i., 
 line 590. 
 
 At;r6Ata, accus. plur. of ai-Ko7.iov. nv, TO, " a flock of goats." 
 From aiTroAof, a goatherd," and this from a?f, " a 
 goat" and TTOAEU, " to go round about," "to tend." 
 
 nAare'a, accus. plur. neut. of TrAorvf, ela, v, " broad," " wide- 
 spread." Compare German plait, English yfcu, whence plate, &c. 
 
 Atytiv. Consult book i., line 41. 
 
 AITTO/.OI. nom. plur. of ain67.o^, ov, 6, " a goatherd." Observe that 
 atTroAof is for atyo-oAo?, from alf, " a goat," and iroteu, " to go round 
 about," " to tend." 
 
 LINE 475. 'Peia, Epic for pea, adverb assigned to poJtof, "easily." 
 
 AiaKpivuGiv. 3 plur pres. subj. of diaKpivu, " to separate." Ob- 
 serve that the subjunctive here indicates, not an action really taking 
 place at the time, but some thing, the actual occurrence of which is 
 strongly expected. 
 
 No/it), dat. sing, of vouoc,, ov, 6, " a pasture." From veuu, " to 
 pasture." 
 
 Mr/tufftv, Epic and Ionic for ur, -uaiv, 3 plur. 2 aor. subj. pass, of 
 fiiayu, " to mingle." Homer and Herodotus, for the present uiyvvui, 
 Hiyvvuai, always use uiayu, aiayouai, which also occur in Attic : fut. 
 /iiifu : fut. mid. ait-opai : 2 aor. pass. eu1-/r/v. 
 
 v, Epic and Ionic for diEKoapovv, 3 plur. imperf. 
 
 indie, act. of diaKoafieu, " to marshal," " to arrange in 
 order." 
 
 LINE 477. "fauivr)v6e, adverb, " to the fight." Consult line 40. 
 LINE 478. *k-E/.of, rj, ov, Epic for fiKf}.o$, r/, ov, "like," "resembling." 
 TfpKiKfprivvtf). Consult book i., line 419. 
 LINE 479. 'Apel, dat. sing, of 'Apric, gen. toe, 6, " Mars." 
 Zui'ijv, accus. sing. of. Cw"7- ?f. V, "a belt." (Consult note.)
 
 508 HOMERIC GLOSSARY. 
 
 Book 2. Line 480-490. 
 
 LINE 480. 'Ayt?^0t, Epic dative singular of (iy&n, i;c, n, " a herd." 
 "Efo^of. Consult line 188. 
 
 "En-Aero, 3 sing, imperf. indie, of n&ouai, "to be." Consult book 
 i., lines 284, 418, and note on this last. 
 
 , Epic and Ionic for fiovcii, dat. plur. of /3ovf, j3o6f, 
 
 LINE 481. . 
 
 'Aypo/ievrjaiv, Epic and Ionic for aypousvcus, dat. plur. fem. of 
 , syncopated pres. part. pass, of aydpu. "to assemble," for 
 , &c. 
 
 , Epic and Ionic for eKTrpenrj, accus. sing. masc. 
 
 r ' of E/CTrpcTnfc, f , " distinguished." From EK and Tt 
 
 'Hpueaaiv, Epic and Ionic for r/puaiv, dat. plur. off/pus, "a hero." 
 Consult book i., line 4. 
 
 'Efffferf, Epic imperative of dtrtiv, for eliraTE, 2 plur. 1 aor, 
 1 ' occurring four times in Homer, but only in the Iliad, and 
 in the phrase Iffrrere vvv uoi Movcrai. 
 Movaai. Consult book i., line 604. 
 'QM/jtma duuara. Consult book i., line 18. 
 
 liupEOTK, 2 plur. pres. indie, of napei/it, " to be present ;" 
 LINE 485. fut ffapAro/MM- 
 
 "lare, 2 plur., from oWa. Consult Anthonys enlarged Greek Gram- 
 mar, p. 375. 
 
 KAeof, accus. sing, of K/lcof, rd, "report,'" "rumor." No 
 : ' cases except the nom. and accus. sing, and plur. seem to 
 occur. 
 
 Olov, accus. sing. neut. of oZof, ij, ov, " alone." Akin to iof, la, 
 same as elf, [iia ; also to the Latin unus, the old form of which was 
 oinus. 
 
 "Idfiev. Consult book i., line 124. 
 LINE 487. Koipavot. Consult line 204. 
 
 Hhr/6vv, accus. sing of irhr/Ovf, vog, rj, Epic and Ionic for 
 f, TO, " the multitude," "the main body." 
 
 i, 1 fut. indie, of the middle deponent fivdeopai, "to tell," 
 "to declare;" fut. pvdnaofMi. From pvdof, "any thing delivered by 
 word of mouth," &C. 
 
 'OvoftTJvu, 1 sing. 1 aor. subj. act. of bvopaivu, "to name;" fut. 
 bvouuvu : 1 aor. uvour/va. From ovofia, " a name." 
 Elev. Consult line 372. 
 
 f, ov, " not to be broken." From a, priv., and pf/y- 
 
 LiNE490. . , , ,, 
 
 .vvui, " to break. 
 
 X?./ceov, nom. sing. neut. of ^a/./cfof, a, ov. Epic and Ionic n, ov,
 
 IIUMEIUC 
 
 Book 2. Line 490-493. Book 3. Line 1-3. 
 
 " brazen." From ^a/i/cdf, " brass ;'' more literally, " bronze." Con- 
 sult book i., line 236. 
 
 'Hrop. Consult book i., line 188. 
 
 'O/UyiTr/udt-f, nom. plur. of 'OXvuKiuc,, u6of, peculiar femi- 
 nine of 'OAiytTuof, " Olympian," first occurring as an epi- 
 thet of the Muses in the present passage : afterward, in general, "a 
 dweller on Olympus,'' 1 "a goddess." 
 
 Ovyarepec., nom. plural of dvyaTijp. Consult book i., line 
 LINE 492. , 
 lo. 
 
 , Epic and Ionic for fivr/aaLVTo, 3 plur. 1 aor. opt. mid. 
 of fj.ifj.vr/OKu, "to remind:" in the middle, " to remind one's self," "to 
 remember" " to remember a thing aloud" i. e., " to mention," " to make 
 mention of." 
 
 oiif, accus. plur. of upyoc., ov, 6, " a leader," " a com- 
 
 LINE 493. , ,, ,, , , - , ' 
 
 mander. Homer also joins up^of uvr/p. 
 
 BOOK III. 
 K.6aftr,6ev, Epic contracted form for kKoa^ifidnaav, 3 plur. 1 
 
 aor. indie, pass, of is.oafj.iu, "to arrange," "to marshal." 
 From Koafioc, " order." 
 
 'Hytfidvfaoiv, Epic and Ionic for r/ysfj.6aiv, dat. plur. of j/yepuv, 
 ovof, 6, "a leader." From riyioaai, " lo lead." 
 
 Kl.ayyy, dat. sing, of K^ayyr), TJS, tj, "a clamor." From 
 
 K?idCu, fut. xAcly^w, " to make a loud outcry," &c. 
 'Evorry, dat. sing, of evoTrri, rj<;, TJ, "a battle-cry;" in general, "a 
 call," " a cry." From tvtnu. 
 
 'laav, Epic for yeaav (intermediate form fi'Laav, Epic and Ionic), 3 
 plur. imperf. indie, of elm, " to go." 
 
 He/lei, 3 sing. pres. indie, of TTCAU, for which the deponent 
 ' is much more commonly employed. The original 
 
 meaning of the verb is " lo be in motion," but this seems soon to 
 have been lost, a trace of it, however, being found in the present 
 passage. The signification, however, is plain in the compound par- 
 ticiples cTnTr/lojuevof and nepnthofj.evos. The more usual meaning is 
 " to be ;" but it is usually distinguished from dvai in implying a con- 
 tinuance, " to be wont to be" &c., and is hence often used in similes, 
 as in the present instance. 
 
 OvpavoOt, Epic for ovpavov, (Consult note.^ 
 Uu2
 
 510 HOMEKIC GLOSSARY. 
 
 Book 3. Line 4-8. 
 
 Xeifiuva, accus. sing, of ^e^civ, uvoc., 6, " a wintry storm,' 1 '' 
 LINE 4. ,. . . , ,, 
 
 " wintry weather. r rom ^e^a, " winter. 
 
 3>vyov, Epic and Ionic for fyvyov, 3 plur. 2 aor. indie, act. of Qevyu, 
 "to flee;" fat. <t>cv;o/j.ai : 2 aor. fyvyov. 
 
 'AdenqxiTov, accus. sing. masc. of udecQaroc,, ov, "immense," 
 "vast" "inexpressibly large;" literally, "beyond even a god's power 
 to express." From a, priv., tfeof, and <j>ar6f, from Gypi. 
 
 'Ofj.6pov, accus. sing, of cy/fy>of , ov, 6, " rain," " a rain-storm," espe- 
 cially "a storm of rain with thunder," as it is always in Homer and 
 Hesiod, being so distinguished from itrof, a common rain. Pott 
 compares the Sanscrit abhra, " nubes," from ab, " aqua." (Etymol. 
 Forsch., i., 3.) 
 
 HETOVTO.I, 3 plur. pres. indie, of the middle deponent irirofiaL, 
 "to spread the wings to fly ," " to wing one's way," " to fly ;" 
 fat. TTET^ao/j.ai, in Attic prose usually shortened TTTT/aoiiai : 2 aor. 
 (syncopated) ertTOftr/v, &c. Akin to TreTuvvv/ui, the original signifi- 
 cation being that of "to spread the wings to fly" as first given. 
 
 'SlKtavolo, Epic and Ionic for 'Qxeavov, from 'ft/ceavdf, ov, 6, " Oce- 
 anus." (Consult note.) Probably from uKVf and vuu, "the rapid- 
 flowing." Perhaps, also, akin to 'fiy^v, 'Qyevdf, 'i2yvy^f. Others, 
 however, make uyevios equivalent to TraTiaioc., and hence deduce 
 uKsavoc. (Consult Anthonys Classical Dictionary, s. v. Oceanus, 
 sub Jin.) 
 
 'Pvduv, Epic for frouv, gen. plur. of porj, fjs, %, " a river," " a 
 stream," "a flood:" in the plural, ftoai, "waters." From f>eu, "to 
 flow." 
 
 HvyfiaioLoi, Epic and Ionic for Hvypaioic., dat. plur. masc. of 
 Hvypalof, a, ov, "Pygmean." Hence aveprf Hvy/j.alot, "the 
 Pygmy-men." (Consult note.) 
 
 4>dvov not Krjpa. Consult book ii., line 352. 
 
 'Hepiat, nom. plur. fern, of yepiof, a, ov, Epic and Ionic for 
 
 INE ' aepiof, a, ov, " early in the morning," as indicating the time 
 when all things are yet wrapped in mist (U-TJO). From uijp, "mist," 
 &c., as Voss first rightly explained the term. Buttmann, however, 
 derives it straight from i}pi, " early," and connects this with r/us. 
 
 "E/w5a, accus. sing, of epir, i6of, r/, " strife." Homer has usually 
 the accusative form lpt<5a : the strict form, however, is tpiv, which 
 he also has four times in the Odyssey. 
 
 LINE 8. "laav. Consult line 2. 
 
 Me'vea, accus. plur. of //e'vof, cof, TO. (Consult book i., line 103.) 
 Rarely occurring in Uie plural in Homer, and that mostly in the
 
 HUMEK1C GLOSSARY. 511 
 
 Book 3. Line 8-16. 
 phrase ulvsa irveiovTEf, where, perhaps, the number of fievea follows 
 
 that Of TTVElOVTCf. 
 
 Tlveiovre?, Epic and Ionic for KVEOVTEI; , nom. plur. masc. pres. part. 
 
 act. of irvEG>, "to breathe;' 1 '' fut. -KVEVCU, and later Trvevoouac, usually 
 
 TTvevaovuai : 1 aor. i^vevaa : 1 aor. pass. eTrvevodnv. The root is 
 
 IINE-, or IINY-, whence nvevua, nvojj, &c. : irviyu is probably akin. 
 
 LINE 9. Meuatirec.. Consult book i., line 590. 
 
 shortened from a^s^evai. Consult book i., line 590. 
 rexevev, Epic for /care^eev, 3 sing. 1 aor. indie, act. of 
 
 /caro^ew, " to pour down ;" fut. Karaxevau : 1 aor. 
 Epic KaTExtva. From Kara and ^ew, " to pour." Observe that the 
 forms exf-vaa, x^aai, of the 1st aorist, from the fut. ^evtrw, now 
 and then still quoted (as, for example, by Carmichael, p. 309), are 
 probably not Greek. Hence no such form as Karexevaa ought to be 
 imagined. 
 
 'Qulxtyv, accus. sing, ofouix^-n, ??, >7, "a mist." Derived by Pott 
 from the Sanscrit mih, " to pour." 
 
 TLoiueaiv, dat. plur. of Tcoiurjv, ivof, 6, " a shepherd." Con- 
 LlNE 11- suit book ii., line 105. 
 
 KMitTri, dat. sing, of KtercTrjc, ov, 6, "a thief." From K^TTTU, "to 
 steal," the root of which is KAEII-, KAAI1-, which appears in /tAe-of, 
 " a theft ;" 2 aor. pass. Khair-fivai : Latin clep-ere : probably akin to 
 KpvTTTu and KaMirru. 
 
 'Emlievaaei, 3 sing, of eTrifavaau, " to look upon or over a 
 space." From knt and Aev<r<r. 
 \uav. Consult book ii., line 319. 
 
 3 sing. pres. indie, act. of iijfu, " to send ;" fut. jfacj : perf. 
 
 KovjffaAof, on, 6, "dust," "a cloud of dust." From 
 " dust," with which compare the Latin cinis. 
 'Qpvvro, 3 sing, imperf. indie, middle of opwui, "to rouse;" fut. 
 opau: 1 aor. upaa. In the middle, opwuai, "to rouse one's self" "to 
 rise." From a root OP-, from which come also opovu, bpivu, op- 
 6iof, opdpof, the Latin orior, ortus, hortor, &c. 
 
 'AeA^f, ef, " eddying." From ae/Ua, " an eddy." (Consult note.) 
 
 Aie7T/?7?<TCTov, Epic and Ionic for dieTrpacaov, 3 plur. imperf. 
 
 indie, act. of diairpr/aau, for tiia-rrpuGau, " to accomplish," " to 
 
 accomplish a route," " to traverse," in which sense K&evdov, " a way," 
 
 " a route," is supposed to be understood. Hence dil^prjaaov xetiioio, 
 
 " they traversed the plain." 
 
 LINE 16. Upoudxi&v, Epic and Ionic for Trpoepuxu'Ev, 3 sing, im-
 
 GLUSSAKV. 
 
 Book 3. Line 16-20. 
 
 perf. indie, act. of -irpouaxi^, ' /o ./i^A* m front of,'' " /o advance to 
 battle in front of.'' From Trpo^a^of, ov, 6, " a foremost combatant." 
 Properly, an adjective, "fighting before," "fighting in front," and this 
 from 7Tp6 and fj.iixoiJ.ai. 
 
 'A^avdpof, ov, 6. "Alexander," the usual name of Paris in the 
 Iliad. According to the legend, he obtained this name, as a title of 
 honor, from his fellow-shepherds on Mount Ida, in consequence of 
 his often defending them and their flocks from robbers. Hence 
 'A'/.^avdpof means "defending men," or "man-defender," and comes 
 from aAt;u, "to defend," and avqp. 
 
 QeoeidJK, ef, " godlike :" in Homer always said of outward form ; 
 as, "divine of form," " beauteous as the gods," and usually applied to 
 young heroes, such as Paris, Telemachus, &c. From tfeof and d6of, 
 "form," " appearance." 1 
 
 Iiap6akii)v, accus. sing, of irapdaAeij, rjc., it, " a panther's 
 skin." Properly, an adjective, having dopdv, "a skin," un- 
 derstood. From TrdpSa/.if, "a panther." The older form was TTO/J- 
 <5a/Uf, which is every where found in the text of Homer, though Aris- 
 tarchus preferred irupdahtc., and the moderns have also retained -nap- 
 6a>.iij. According to Apion and Hesychius (ii., p. 1006), TropdoAtf 
 was the male, and TrdpeJa/.tf the female. 
 
 KauTT-vAa, accus. plur. neut. of Kaumi/.of, TJ, ov, " curved." From 
 KUUTTTU, " to bend." 
 
 Aoi5pe, Epic and Ionic for the regular form dopare, accus. 
 ' dual of 66pv, " a spear." (Consult Anthon's enlarged Greek 
 Grammar, p. 108.) 
 
 ~K-f.Kopv6fj.ev a, Epic and Ionic for KeKopvaiteva, accus. plur. neut. 
 perf. part. pass, of nopvaou, " to head," " to tip ;" fut. /copvfw : perf. 
 pass. KEKopvauai : part. KeKopvapevof. Observe that Kopvaau strictly 
 signifies " to helm," " to furnish with a helmet." Then, "to make 
 crested," " to raise to a head," and hence " to head," " to tip," &e. 
 
 v, nom. sing. masc. pres. part. act. of Tra'/.Au, " to 
 
 LINE 1 . j ran( ,- s ^ } to wield;" 1 aor. ITTJ??^: Epic 2 aor. part. ?re- 
 7rti/.(jv, &.c. Hu/./.u is originally only another form of /3dAAu, and 
 hence the Latin pello, palpo, palpito, &c. 
 
 llpox.a'Xi&To, Epic and Ionic for Trpoe/coAt'Crro, 3 sing, iniperf. in- 
 die. of the middle deponent irpoKa/.i&uai, " to challenge ;" more liter- 
 ally, " to call forth for one's self," i. e., to meet one's self. Probably 
 only found in the present and imperfect. 
 
 'Avri6iov, accus. sing. neut. of avTifaoc., n, ov, "opposing;" 
 E * ' taken adverbially, "face to face." From uvri and /5id.
 
 HOMliKlO ULOSSAKV. 513 
 
 Book 3. Line 20-26. 
 
 A.ivg, dat. sing. fern, of aivus, r], 6v, " dreadful, 1 " ''fearful." Con- 
 sult book i., line 552. 
 
 &TJIOTTJTI, dat. sing, of dijtonyr, rjrof , t/, "fight," "battle," "combat." 
 From ofjios, Epic and Ionic for duiof, "hostile." 
 
 'Apni<l>i?.o<;, ov, " rfear to Mars," " favored of the god of war." 
 ' A frequent epithet of warriors in Homer. The active sig- 
 nification, " loving Mars," is very doubtful. From "Api^f, "Mars," 
 and dt'/'.of, " dear." 
 
 LINE 22. IIpoTra/xnflei'. Consult note on book ii., line 92. 
 'OfiiAov, gen. sing, of 6fil/.o<;, ov, 6, " a throng," " thick array." The 
 term often refers to a band of warriors, whether drawn up in array 
 or mingled in battle, the mtlee. Derived by some from 6/toj-, 6(wv, 
 and i'/.ii, " a band or body of men." 
 
 Ma/cpu, accus. plur. neut. of paxpc^, d, ov, " long," taken adverbially. 
 BiSuvra, accus. sing. masc. pres. part. act. of /3t6dw, poetic collat- 
 eral form of jSaivu, " to stride." 
 
 , 3 sing. 2 aor. indie, pass., with active meaning, of 
 
 , " to rejoice ;" fut. ^aip^cru : 2 aor. pass, 
 
 , nom. sing. masc. 1 aor. part. act. of Kvpu, "to light upon;" 
 fut. Kvpau : 1 aor. f/ayjtra. Radical form of nvpsu, very rare in the 
 present active, and only poetic. 
 
 "E?.a<j>ov, accus. sing, of IXa^of, ov, 6, q, " a stag." Consult 
 LINE 24. book t ( line 225 . 
 
 Kcpaov, accus. sing. masc. of Kepaoc., a, 6v, and later of, ov, " horn- 
 ed," " horn- bear ing." From /ce'paf, " a horn." 
 
 "Ayptov, accus. sing. masc. of uypioc., a, ov, also of, ov, " wild" 
 literally, living in the fields or open air ; and hence " wild," generally 
 of animals. From dypof, " a field," <kc. 
 
 Ileivduv, nom. sing. pres. part. act. of rceivuu, " to be hun- 
 gry ;" fut. ireivrjau, more rarely neivuau ; but, from Aris- 
 totle downward, we also find the un-Attic forms Tretvpf, -, av, dec. 
 
 i, 3 sing. pres. indie, act. of Kareadiu, " to devour ;" fut. 
 
 Always said of animals of prey. 
 Seuwvraj, 3 plur. pres. subj. pass, of oevu, " to put in quick 
 motion," " to drive," with a doubled in the augmented tens- 
 es ; 1 aor. eaaeva : perf. pass, iaav^ai. In the middle, " to stir one's 
 .self," &c., 1 aor. mid. kaaevapnv : syncopated 2 aor. mid. eaavunv, 
 radio (for laavao), camro (Epic WTO), &c. 
 
 Taxeee, Epic and Ionic for ro^eif, nom. plur. masc. of ro^vf, ela, 
 v, "swift." 
 Krvef. Consult book i., line 4.
 
 514 HOMEUC 
 
 ptar. MM. of*<r*r, m, V 
 so ""/rat," "yw^," -yumOi/ml^ &e, Not used 
 by Homo la its original sense of plants, hot JreqoemJj of mea. 
 From M22o, * tiMt."" 
 
 Aip4 Mm. ntar- mase- of iJj*r. or, ~lntly~ " ," in Homer 
 alvajs said of youths, and, m the present passage, take* as a noon, 
 Aceordimg to Dbderiem, bowrever, *k 
 
 indie, mid. 
 
 Coasalt book iL, line 356. 
 > MB, , "* vi* iml* 
 From 
 
 _. , . r. of *xr. 
 
 s otuuicmA. in Homer, especaBr in the Had, bat always 
 in the niaai, even O, as in the present instance, onrj one chariot is 
 spoken of. Strktljr apmUng, an old neuter collateral form of ^j*r, 
 ^Xkat ahrajs in the special signiica- 
 dUH^. Fromip*. "tefeid,' 1 "teraartia" 
 
 of rwr*r *ri ; strsctlj (Kke irior and &> 
 *UmnL m Im the phual, K rau, < 
 
 rj, 
 
 Xflpij& adverb, u te tie irnud." From 
 Formed Eke *.>, ^vc, 'A*^<t, bat with difioent aeeenL Ar- 
 endins, indeed, writes it x*P*i** *** Draco and others UAjHeaalj 
 
 note TftfU^c as * ezBeptnn. 
 
 IhiMtJ. 3 sing. 1 nor. indie, act. of VMB. -<* pemae," 
 9 -fc c MMTC of one's ptesence," ic. ; mt. K>O. From 
 
 TV^^itm, Epie and 
 1 - - ProperijanadjectiTC, 
 
 *" m fgtlimg"imJn*L' 
 
 sing. 2 nor. indie, pass, of uamAjooM, "to strike 
 
 msA titsmsy;" faL mmsmarJijgu, (Consult note.) 
 *A*. Oonsnk book L, hoe 60. 
 Consult book L, fines 349 and 179.
 
 H'J.MEEIC GLOSSARY. 515 
 
 Book 3. Line 32-38. 
 
 retreat ;** strictly, " to leave an opening,'' " to gite vay;" ftit. ju/romu. 
 The present active ^uyu is very rare. Lengthened form from the 
 root XAA-, XA-, which latter appears in Jti-of, %ai-vu, 
 Latin hi-o. huco, and the former in ^awf'iru. 
 K///W. Consult book ii., line 352. 
 
 '.\/.tfivuv, nom. sing. masc. of u/.teiw, " to amid," " to 
 From u?.)/, " wandering.''' 
 
 bpaicovTa, accus. sing, of dpuxuv, ovrof, 6. Consult book 
 ii., line 308. 
 
 TlasJvopGOf, ov, " springing back," " rushing back.' 1 From KO/J.V. 
 " back," and opwui. 
 
 'A^evTrj, 3 sing. 2 aor. indie, act. of aoiirrntu, " to remove out of tie 
 teay;'' fat. u~orfrf,au : 2 aor. u~l<rrnv, &C. 
 
 f, Epic and Ionic for opovf, gen. sing, ofovpof, eof, TO, 
 
 E ' for 5pof, rof, TO, "a mountain." From opu, perhaps, and 
 so, strictly, " any thing rising." 9 
 
 Bqtroyf, Epic and Ionic for Srjcaaif, dat. plur. of ^f/aaa, 17^, 7, " 
 glade," " a -woody glen." 
 
 Tpouor, ov, 6, " a trembling.'' From rpeuo, " to tremble." 
 'E'/./.ah, Epic and Ionic for e/^tSe, 3 sing. 2 aor. indie, act. of SMU- 
 6dvu, " to seise ;" fnt. ?.Tf&ouai, &c. 
 
 Tvia, accus. plar. of yviov, or, TO, " a. limb." Of frequent occur- 
 rence in Homer, bat always in the plural. 
 
 f, ov, 6, or perhaps better, toe, TO (Buitmann's Ausf. 
 9 41 ^ nfl/ ^ "paleness." Yrom u XP 6f, d, OF, 
 "pale." 'QxPS (' e -> "-^'/>^ ) f) is probably the same as the Sanscrit 
 hari, with prefixed u. (Pott, Elymol. Forsck., i., p. 141.) 
 Mtv, for ai-rov. Consult book i., line 29. 
 
 Et/.ff, 3 sing. 2 aor. indie, act. ofalpea, "to seize upon;" fut. aiprjcu : 
 2 aor. cl/.ov. 
 
 Tlapetar, accus. plur. of xapttiL, 04, ij, " a cheek." Probably front 
 xapa, as indicating the side of the face. 
 
 , 3 sing. 2 aor. indie, act. of 6vu, or ivvu, " to enter," 
 E ' "to plunge into;" fut. 6vou : 2 aor. eoW. 
 
 , gen. plur. of dyepu^of, ov, " haughty." (Consult note.) 
 According to the old grammarians, equivalent simply to yepdoxof, 
 but the etymology is very doubtful. 
 
 Nr i'/ceefcrr, Epic and Ionic for evcineatv, 3 sing. 1 aor. indie. 
 LIVE 38 
 
 act. of VUKCU, "to upbraid;" fut. veuceou : 1 aor. 
 
 f, dat. plur. neut. of atoxpof, a, ov, " reproachful," " dis- 
 grace- inflicting." More literally, "shame-causing." From 
 "shame," "disgrace."
 
 51t$ HOMERIC GL 
 
 Book 3 Line 39-4-1. 
 
 Atif Ttapi, voe. sing, ct' AtifTraptf, 5of, 6, " evil-bringing 
 ' Paris," equivalent somewhat to "Paris, bird of evil omen." 
 From 6vf and Ildpif, "Paris." 
 
 Tvvaiuav, voc. sing, of ywa^avr/f, ec, " licentious." Literally, 
 " mad after women." From > VVTJ, " a woman," and paivopai, " to 
 rare." 
 
 'HTrepoTTfvra, voc. sing, of J?7re/jo7mirj?f, or, 6, "a deceiver." From 
 riTTEpoTrevu, " to deceive," " to cajole." Properly, " to mislead by bland 
 words." From en-of, tixeiv, f/irvu, "to talk over;" not from cnrdri), 
 " deceit." 
 
 LINE 40. \We. Consult book i., line 415. 
 
 "OQeZsf, Epic, Ionic, and also later, in Attic prose, for u^e/Wf, 2 
 sing. 2 aor. indie, act. of boeiXu, "to owe." Observe that the 2 aor. 
 is employed particularly to express a wish in the literal sense of"/ 
 ought to have," &c. (Consult note.) Another Epic form for this 
 tense is cj<j>e7i/.ov, often occurring in Homer ; and opcA/lov in Od., 
 viii., 312. 
 
 "Ayovof, ov, " unborn." (Consult note.) From a, priv., and yovoc. 
 f, ov, " unmarried." From el, priv., and -yafieu, " to marry." 
 
 Consult book i., line 117. 
 Kep<5tov, nom. sing. neut. of ntpdiuv, ov, gen. ovoc, a com- 
 ' parative (with no positive in use), formed from nipdo^ 
 ("gain," "advantage"), "better," "more advantageous," "more gain- 
 ful." The first of these meanings is the more common one. 
 'Hcv, Epic for f]v, 3 sing, imperf. indie, act. of dpi, "to be." 
 
 Audj/v, accus. sing, of I66t], ijf, y, "a scandal." Literally, 
 
 ' "outrage," "maltreatment" "dishonor;" then, an outrage 
 
 to the feelings of others, by reason of dishonorable conduct ; and 
 
 hence, "a scandal," "an object of foul reproach.'' Akin to 2.vfM). 
 
 From TiMrj comes the Latin labcs. 
 
 'ICTro^iov, accus. sing. masc. of viroipiof, ov, "viewed with looks of 
 angry distrust." Literally, "viewed from under." (Consult note.) 
 From vtpopau, fut. inrotyouai. 
 
 CTt, Epic lengthened form for KayxaXuai, 3 plur. 
 
 ' pres. indie, act. of /ca^aZuw, " to laugh aloud," " to raise a 
 loud laugh," the idea of scorn being frequently implied, as in the 
 present instance. From /coy^dfu, " to laugh aloud," or more correct- 
 ly, perhaps, /co^ufw. The root is probably found in ^dw, ^otvw, " to 
 gape," unless it be rather formed by onomatopoeia, like ,\vla, /co^- 
 
 ?,dyU. 
 
 LINE 44. *uvrtf, nom. plur. masc. imperf. part, (in an aorist
 
 AKV. 517 
 
 Book 3. Line 44-49. 
 
 sense) of yn\ii, to say," " to suppose ;" fut. oi^au : 1 aor. cQqoa : 
 imperfect Ifriv is used just like an aorist ; and the infinitive <f>dvai 
 was so generally referred to tyyv in an aorist sense, that ?.eyeiv or 
 OUOKEIV are used instead of the infinitive present. The same remark 
 holds good of the imperfect middle with the inf. pres. Hence favTec 
 here is to be rendered "having supposed," the active having a sort 
 of middle force ; "having said to themselves.'' Consult line 28. 
 
 'Apiarf/a, Epic and Ionic for upia-ea, accus. sing, of aptarnf, eof 
 (Epic and Ionic ^of), 6, "a warrior." From upiarof, "very brave." 
 
 Hpofwv, accus. sing, of xpouof, ov, "foremost," "fighting in the 
 front rank." Equivalent to Trpo/zo^of. Later, in general, " a chief," 
 answering to the Latin primus, princeps. 
 
 *ET, for e-eaTt, " is upon (thee)," 3 sing. pres. indie, of 
 -t, " to be upon." 
 
 'A.?.Kij, ;}o, ?/, spirit," "courage." Properly, "bodily strength," 
 "force," especially in action, and so distinguished from puurj, mere 
 strength. 
 
 llovToiropoiffiv, Epic and Ionic for TTOVTOITOOOIC, dat. plur. ol 
 ' c, ov, "ocean traversing," "sailing over the sea." 
 
 From TTovrof, " the deep," and tretpu, " to pass through." 
 
 1 E-iTr/.<jaa, nom. sing. masc. 1 aor. part. act. of f 
 ' " to sail upon," " to sail over ;" fut. sTTi^uffu : 1 aor. 
 
 An Ionic verb for em-feu : fut. eirixfavau : 1 aor. 
 From KL and TrAdu, for n-Ae'ej. 
 
 'EpiT/pof, accus. plur. of the metaplastio plural form ipirjpff, as- 
 signed to spiypoc., ov, "faithful," " trusty." Literally, "fitting exact- 
 ly." From spi, " very," and upu, " to fit." (Consult note.) 
 
 tT(, Epic and Ionic for dAAodajrotf, dat. plur. 
 
 masc. of (i/./.o6air6f, i), ov, " of a foreign land," "foreign," 
 &c. Hence, in the plural, u/.^oda~oi, " men of a foreign land," 
 "strangers," "foreigners." Probably a mere lengthening of aAAof , 
 like TTodairof, i/pedairof. According to others, compounded with 
 f, "foundation," "base" on which any thing rests, &c. 
 
 accus. sing. fern, of evtidqc, ef, " beauteous," "fair of 
 mien," &c. From et> and ddof. 
 
 'Ai^ycf, 2 sing, imperf. indie, act. of ovdyu, "to lead away." 
 LINE 49. '\mn$, gen. sing. fem. of uwiof, " distant." (Consult note.) 
 Nvov, accus. sing, of vvof, ov, i], " a daughter-in-law ;" here, how- 
 ever, taken in a wider sense, " a female related by marriage unto." 
 (Consult note.) Compare the Sanscrit snuca, Latin nurus, Anglo- 
 Saxon snoru, old German schnur. 
 
 Xx
 
 518 UuMKRIC ULOSSAKY. 
 
 Book 3. Line 49-55. 
 
 irduv, Epic for aiiurfrtir, gen. plur. of al^ur/Trx, of, 
 spear-man,' 1 ' " a warrior." From ai^ur/, " a spear-potnt," " a 
 
 arof, ro, " a source of m7," " a harm, 1 ' " an injury, 
 
 ' &.c. Akin to rrdyu, ^aouai, TTFTnfia. &c. 
 
 Epic and Ionic for rro/ln, dat. sing, of TTOAIC, " a city," gen. 
 cue- and FOC. rj, Epic and Ionic, gen. TroA^of, dat. Tr6/.r/i~, c. An- 
 other Ionic genitive is Trd/^of, which is likewise found in Doric. 
 Consult book ii., line 198. 
 
 , dat. plur. of drfun-^c. ff, " ill-affected" " Aor- 
 
 " fi/e :" in the plural, fvfueveif, " enemies." From <5vf and 
 pivoc,, "spirit,'' "inclination,' 
 
 Xdpjuo, arof, rd, " a source of joy," " a delight." From ;ta//xj, " to 
 rejoice." 
 
 Kanj6eiriv, accus. sing, of KaTr/^ein, j?f, 17, Epic and Ionic for nar^- 
 (ffla, of, TJ, " a source of shame ;" strictly. " a casting of the eyes down- 
 ward. .-" hence, in general, "dejection, sorrow, shame.' 1 ' From Kara,, 
 " down," and 6uof, " the eye ;'' like Ka-uTrof, " with downcast look," 
 from ard and tlit.''. 
 
 Mft'vetof, 2 sing. -Eolic 1 aor. opt. act. (for ftelvaif) of peva, 
 " to await ;" fut. /ffvai : 1 aor. eusiva. 
 4>cj7df. Consult book ii., line 164. 
 
 Qa/.epr/v, accus. sing. fern, of Ba'tepoc,, y, 6v, Epic and Ionic 
 ' for a. 6v, "blooming." From i?d?.?.u, "to bloom." Com- 
 pare book ii., line 266. 
 
 HapdnoiTiv, accus. sing, of TrapaKOirtc,, toe., jj, "a wife," " a spouse." 
 From Trcpa and Koirn, " a couch." 
 
 Xpaiofin, 3 sing. 2 aor. subj. act. of xpouffftfu, "to aid." 
 LINE 54. CoMU , t book ^ line 2g 
 
 KiSapic, tof, fj, " a lyre ;" same as Ktftdpa, which latter form, how- 
 ever, Homer never uses. Compare the Latin cithara, whence our 
 guitar. 
 
 'A6/>o<J/n7f, gen. sing, of 'Afaodirrt, r/c, f/, " Venus," goddess of love, 
 grace, and beauty. The name is commonly derived from a<fy>6f, 
 "foam," as referring to the legend of her springing from the foam 
 of ocean. Homer, however, never alludes to her as "foam-born," 
 except in Hymn V. Others, again, seek to connect the name 
 'A-opod-irri with that of Frid-a, the Scandinavian goddess of love. 
 (Consult Anthonys Class. Diet., p. 1377.) 
 
 Kopn, r/c, TJ, "locks," "hair," answering to the Latin coma. 
 Rarely occurring in the plural. 
 Consult book ii., line 418.
 
 HO.MKKIC GLOSSARY. 519 
 
 Book 3. Line 55-62. 
 
 . 2 sing. 2 aor. opt. pass, of fu<r/a, "to mingle." Consult 
 book ii., line 475. 
 
 beitifjuovtr, nom. plar. masc. of deidf/puv, ovo$, " cowardly" 
 " timid.'" From 6ei do, "to fear." 
 
 \divov, accus. sing. masc. of /wwvof, 17, ov, "o/ stone," 
 ' "stony," dec. From /.oof, "a ttone," like A^tvof, from 
 
 'Eaao, 2 sing, plnperf. pass, of evwui, " to put on ;" fat. lau : 1 
 aor. laaa. In the middle, iwvuat, " to put on one'* self," 1 " to clothe 
 one's *elf with ;" fut. eaouai : 1 aor. mid. eaauuijv : pert. pass. d/j.ai, 
 eivai, drat, dec. : pluperf. pass, eapnv, iaao, Zero, dec. Observe that 
 the pluperf. pass, is here used in a middle sense. (Kuhner, 221, 1.) 
 
 'Eopyac, 2 bing. of lopya. Consult book ii., line 272. 
 
 Aioav, accus. sing, of aloa, ijr, 17, "one'* appointed lot" 
 "fate,'' 1 "destiny;" hence "o measure and term," and so 
 " that which befit* one, is due to one ;" whence, generally, what is 
 "right, befitting," dec., equivalent to TO KaQr/Kov. 
 
 LINE 60. Kpa<5<V Consult book i., line 395. 
 
 Hel.eKvf, eur, u, Ionic eof, "an axe" "hatchet" double-edged. 
 Compare the Sanscrit paracu. (Pott, Elymol. Forsch., i., 117, 231.) 
 
 'ATpj?f, t'f , " unwearied ;" literally, " not to be rubbed or worn 
 away" (Consult note.) From , prn., and reipu, "to rub." 
 
 LINE 61. EIGHT, 3 sing. pres. indie, act. of nut, "logo." 
 
 Aovpdf, Epic and Ionic for doparor, gen. sing, of <5opv, " wood." 
 Thus, gen. doparor, Epic and Ionic (Jot'paTOf, contracted dovpof (ia 
 Attic poets, also, dopoc. ) : dat. dopari, dovpaTi, 6ovpi, 6opi. ^Elsewhere, 
 " a spear," i. e., the wood or shaft of a spear. 
 
 , accus. sing. neut. of r^tor, 77, ov, later, also, oc, ov, 
 
 "natal:" in Homer usually joined with 66pv : as, v^lov 
 66pv, "ship timber," "natal timber." In tle present passage, how- 
 ever, it has this meaning without the addition of 66pv, the latter be- 
 ing easily implied from 6ovo6f, which precedes. 
 
 'EKTupvyaiv, Epic and Ionic for fKrduvy, 3 sing. pres. subj. act. of 
 tKTiiuvu, Epic and Ionic for CKTSJIVU, "to hew out," "to shape," "to 
 fashion ;" fut. kuTtfuJ From e/s and rtftvu. 
 
 'Of&fei, 3 sing. pres. indie, act. of o^e'/Aw, " to increase." Consult 
 book ii., line 420. 
 
 'Epujyv, accus. sing, of epuij, yc., i, " the force ;" properly said of 
 any quick, violent motion. Thus, iovpof cpur/, "the rush of a spear" 
 (Ii., xi., 357) : UKuqTijpoc epuij, "the force or swing of the winnow- 
 er's shovel" (//., xiii, 590). So in the present passage, " the force
 
 HOMERIC GLUSdAKV. 
 
 Book 3. Line 62-77. 
 
 or impetus of the man." From epueu, "to flow, stream, burst 
 out," &c. 
 
 LINE 63. S-riideaatv. Consult book i., line 83. 
 'Aru.p6jjTof, ov, "intrepid," "undaunted." From u, priv., and rap- 
 6eu, " to be terrified." 
 
 'EpaTu, accus. plur. neut. of eparof, TJ, 6v, poetic for epaoToe, 
 q, 6v, "beloved," "much desired," "yearned after," or, more 
 freely, "lovely," " charming." From spdu, " to love." 
 
 'A7r66/U?ra, nom. plur. neut. of uxodhnroc, ov, "to be reject- 
 
 ' ' ed," " to be cast away as worthless." From airo and /3<i/Uu. 
 
 'EpiKvdea, nom. plur. neut. of ipiKv 6qf, ef, " very glorious," an epi- 
 
 thet in Homer of the gods and their descendants, and, in the pres- 
 
 ent instance, of the gifts which they bestow. From epi, " very" 
 
 and Kiidoc., "glory," "renown.''' 1 
 
 'E/cwv, EKovaa, EKOV, " of one's own free-icill," " willingly." 
 ' Opposed to UKUV, and akin to IK^TL. 
 KuOtaov, 2 sing. 1 aor. imper. act. of nadifc, " to cause to 
 sit down;" fut. KaQiau: 1 aor. 
 
 erf, 2 plur. 2 aor. imper. act. of avufidhhu, " to 
 match," " to bring together." 
 
 'K.pdaauv, ov, " superior.' 1 ' 1 Kpeiaauv is usually called an 
 INE ' irregular comparative of ayadoc, but consult book i., line 80. 
 LINE 73. "OpKia. Consult book ii., line 124. 
 
 'EjOi6u/la/ca, accus. sing, of ept6u/la^, OKOJ-, 6, j], " very fer- 
 
 I TVP VA 
 
 *' tile." Consult book i., line 155. 
 
 v, Epic, Ionic, and Doric for vetaduaav, 3 plur. pres. im- 
 per. of veouai, " to return." 
 
 'lirnodoTov, accus. sing. neut. of iirirodorof, ov. Consult 
 LINE 75. 
 
 accus. sing, of /caAXtyvvatf, OIKOC, 6, T/, "abounding 
 in beauteous women." More literally, " of beauteous women." Homer 
 uses only the accusative. Sappho (135) has the genitive, and Pin- 
 dar (Pyth., ix., 131) the dative. The nominative seems never to 
 have been used. From *a/l/,of, " beauty," and -/vvn, " a woman." 
 
 Epic and Ionic for avelpye, 3 sing, imperf. ind. 
 
 ' act. of aveipyu, "to keep back." From avd and elpyo, "to 
 keep off." 
 
 $ct/layyaf, accus. plur. of 0dAayf, ayyof, q, "a line" "a rank," 
 "an order of battle." Always used by Homer in the plural ("the 
 lines," or "ranks," of an army in battle array) except in //., vi., 6. 
 The term ^uAayf was also applied in a later day to a special mode
 
 11UMK1UC ULurisJAlii. 
 
 Book 3. Lute 77-82. 
 
 ol arranging the Greek infantry, namely, in a close, compact mass, 
 drawn up in files usually of 8 deep. The depth, however, was often 
 much increased, especially by the Thebans, who formed 25 deep at 
 Delium, and brought the phalanx to great excellence under Epam- 
 inondas : though Philip of Macedon brought it to perfection. The 
 word <j>d~/.ayi- has also the meaning of "a roller,' 11 for moving heavy 
 loads, in Latin palanga ; and it has been suggested that this sense 
 of " rollers'" was the first, and that hence arose the Homeric usage 
 of puP.avyef, namely, " ranks of men rolling one behind another.' 1 But 
 the sense of rollers occurs too late to allow us to adopt this conjec- 
 ture. 
 
 '\6pvvdrioav, 3 plur. 1 aor. indie, pass, of idpvvu (a supposed 
 present), " to make to sit down." Hence Idftvvdrjv is assigned 
 commonly, along with iopvOr/v, to idpvu. Dindorf thinks that idpvv- 
 dr/v, in Homer, is so written, for idpvdr/v, through ignorance of the 
 fact that the v is long by nature. But consult Lobeck, ad Phryn., 37. 
 'E-e7-o$ubvro, 3 plur. imperf. indie, of the middle deponent 
 to direct or bend the bow at one." From CTTI 
 
 and roi-d^oLtat. 
 
 'lolatv, Epic and Ionic for toif, dat. plur. of t6f, of, "an ar- 
 row," with the heterogeneous plural TU id (11., xx., 68). 
 Probably from l-vai, i-re, " to go ;" like the Sanscrit ishu, from ish. 
 (Pott, Etymol. Forsch., i., p. 269.) 
 
 TirvaKouevoi, nom. plur. masc. pres. part, of the middle deponent 
 riTvaKOLtai, " to take aim," " to aim at." This verb is only used by 
 the Epic writers in the present and imperfect, and combines the 
 significations of the kindred verbs rvy^uvu and mi^-u : hence, like 
 rvyxu-vu, "to aim at," which is its more frequent meaning; and, 
 also, like -evxu, "to make," " make ready," "prepare." In the Alex- 
 andrian poets, such as Aratus and Lycophron, we find an active form 
 TITVOKU, as also in Antim., Fr., 26. 
 
 Adeaat, Epic for /laecrt, dat. plur. of Pxtaf, o, "a stone;" gen. ?.dof : 
 dat. /ML : accus. Adav: gen. plur. Aduv : dat. /.deai : Epic ?M.saai, all 
 which forms occur in Homer, except ^deai. In Attic, also, contract- 
 ed 6 Xuf, accus. rpv /MV : but accus. /.do, Call., Fr., 104. 
 
 o'v, accus. sing. neut. of jua/cpof, d, 6v, taken adverb- 
 
 ially, "from afar," i. e., so as to be heard afar. 
 "Avow, Epic and Ionic for i/van<, 3 sing. 1 aor. indie, act. of avu, 
 "to shout." Consult book ii., line 334. 
 
 , 2 plur. pres. imper. middle of Iff^u, " to hold," " to 
 
 LlNE82< restrain." Consult book i., line 214. 
 X x2
 
 522 HOMEK1U GLOSSARY. 
 
 Book 3. Line 83-99. 
 
 XrevTai, 3 sing. pres. indie, of the Epic deponent crevuat. 
 ' (Consult note.) From iarrifu. It is used by Homer only 
 in the 3 sing. pres. and imperf. ornrai, c-tvro, and by .-Eschylus 
 (Pers., 49) in the 3 plur. arevvrat,. 
 
 'Epeeiv, Epic and Ionic for ipelv, fut. infin. Consult book i., line 
 76, remarks on epeu. 
 
 Koprftuo/lof, ov, " moving the helmet quickly," i. e., " of the glancing 
 helm." A frequent epithet of Hector, as an active, restless warrior. 
 From Kopvs, " a helmet," and ato/lof, " quickly moving," " easily 
 turning." 
 
 "Eaxovro, 3 plur. imperf. indie, middle of to^u. Consult 
 LlNE84 ' line 82. 
 
 'A-veu. Consult book ii., line 323. 
 
 'Eaavuevu?, adverb, " quickly" " hastily," &c. From eaav- 
 ' f, part, of aevu (according to signification and accent, 
 
 a present, but reduplicated as if a perf. part ), " driven," " urged on," 
 "hurried," &c. 
 
 Ke'/cAvre, 2 plur. 2 aor. imper. of K/,VU, " to hear," with po- 
 ' etic reduplication for K^.VTB : so, Kexhvdt for nfoQi. 
 LINE 87. 'Opupev. Consult book ii., line 146. 
 
 ~K.i7.ETai, 3 sing. pres. indie, of K&opat, "to bid." Consult 
 LlXE88 ' book i., line 74. 
 
 LIXE 89. Tevx a - Consult line 29. 
 
 'Airodeadai, 2 aor. infin. middle of uTroridnfii, " to lay aside (for an- 
 other) :" in the middle, " to lay aside for one's self or what belongs to 
 one'* self." 
 
 Hovhv&tTEipri, Epic and Ionic for iro^vdoTElpa, dat. sing, of Trolvfto- 
 reipa, TJ, " nourisher of many," an epithet of the earth. From TrovXvf, 
 for TroAtSf, and port-ipa, fern, from florrip, " she that feeds or nourishes." 
 'AKT/V, originally an accusative from O.KTI, but only found as 
 an adverb) u st iii " qu ite still," "stilly," &c. Used by 
 Homer only in the phrase UKJ/V kyivovro aiuxij. Pindar has a Doric 
 dative UKU, or, as an adverb, UKU, in the signification of " quietly," 
 "gently." (Find., Pylh., iv., 277.) For Buttmann's etymology, con- 
 sult note. 
 
 LINE 97. 'Eutio, Epic and Ionic for efiov, gen. sing, of eyu. 
 *AAyof. Consult book i., line 2. 
 'ludvei. Consult book i., line 254. 
 
 AiaKpiv6r/pevai, Epic, Doric, and JSolic for diaKpidijvai, 1 
 aor. inf. pass, of diaxpivu, "to separate." (Consult note.) 
 LINE 99. nexoade, 2 plur. 2 perf. of -der^u, " tu suffer" syncopated
 
 HOMERIC G^OSSAKY. 523 
 
 Book 3. Line 99-106. 
 
 for TTEirovdaTE, like sypf/yop6e for eypriyopare. This is done by an 
 imitation of the passive termination : that is to say, as soon as in 
 TTSTrovBare the # preceded the r, it was changed to a, and the v was 
 dropped, making, with a syncope of the a, TreTroars : a transition was 
 then made to a passive form KeirocQe. 
 
 TSTVKTOI, 3 sing. perf. indie, pass, of rev^u, " to prepare ;" 
 
 fut. -revfu : perf. rerei>ja : perf. pass, rervj^ai. 
 
 TtOvair], 3 sing. perf. opt. (syncopated form) of -dv^anu, 
 
 ~' " to die ;" fut. tiavovpcu : perf. redvrjKa : whence the com- 
 
 mon syncopated forms redvufiev, ridvare, Tedvaat : perf. infin. TeOvu- 
 
 rai : perf. opt. reOvainv : perf. imper. rtOvudt : perf. part. TeQveuc, 
 
 urof : fern. Tt6veC>aa, &c. 
 
 AictKpiv6eiTe, Epic for diaKpideitjTE, 2 plur. 1 aor. opt. pass, of dia- 
 Kpivu, " to separate." Consult line 98. 
 
 Olcrere, 2 plur. Epic and Attic aoristic imperative ; neither 
 ' from the future olau, as some maintain, nor from a new 
 theme olau, as appears to others, but coming from the stem at once, 
 and, as regards the ordinary aorist form, of an anomalous character; 
 something like such second aorists as eduaero, edrjasro. (Buttmann, 
 Ausf. Gr., p. 419. Id., Irreg. Verbs, ed. Fishlake, p. 251. Kiihner, 
 176, 2.) 
 
 "Apve, ac'cus. dual of upvog, TOV, -rijf, a genitive without any nomi- 
 native (upc) in use ; the nominative assigned to it being apvof, for 
 which later authors, such as ^Esop, have upvuf. Early writers give 
 gen. apvoz, dat. upvi, accus. dpva : dual upve : plur. apvef, gen. apvuv, 
 dat. upvdai (Epic upveaai), accus. upvaf : " a lamb," answering to 
 the Latin agnus, agna. Akin to aries, and probably to the English 
 ram. The Sanscrit urnuju means "woolly." (Pvtt, Etymol. Forsch., 
 i., 223, and ii., 407.) 
 
 Olaouev, 1 plur. fut. indie, act. of $epu, " to bring ;" fut. 
 LINE 104. v o 
 
 oiau, &c. 
 
 "Afere, 2 plur. Epic aoristic imperative, formed anomalous- 
 
 ' ly from the stem of ay. (Consult remarks on oiaere, line 
 
 103.) The poet by this means avoids the obstruction to the metre 
 
 which uyuyfTs, the regular form, would have occasioned. (Butt- 
 
 mann, Ausf. Gr., p. 418.) 
 
 'Y7rep0('a/lot, nom. plur. masc. of VTreptyiaTios, ov, " overbear- 
 LINE 10(5. ,, ., ,, .. , , , . . ,. T u 
 
 ing, " overweening, " haughty, ' arrogant. It is prob- 
 
 able, however, that the word originally meant only " exceeding in 
 power,'' " most puissant," without any bad signification, as would ap- 
 pear from Od., xxi., 289, where Antinous uses it of himself and the
 
 524 
 
 Book 3. Line 106-112. 
 
 rest of the suitors ; and so, in Pindar (Fr., 93), it is simply " most 
 huge, 1 ' "mighty." This original notion appears most clearly in the 
 adverb vnepoi.tl7.uf, " exceedingly," " excessively," whence the adverb 
 also passes into the signification of "haughtily," "arrogantly." It 
 is plain, therefore, that the bad signification is only so far, in the 
 word itself, as it denotes excess. (Consult Bultmann, Lexil., s. v.) 
 The derivation is very doubtful. Two have been suggested : first, 
 by poetic dialectic change from imipBios (quasi v-spfiial.oc) ; second, 
 by ^Eolic change of v for v-epfyvfis, which is maintained by Butt- 
 mann (Lexil., s. v.). Others, again, deduce it from <i>id/*ij, "a cup," 
 i. e., running oner the cup's brim; but this is very far-fetched. That 
 of the old grammarians, perjured, breakers of truces made by libations, 
 from ptdAat, is worst of all. 
 
 "iTrepfxicirj, dat. sing, of virepfamr}, ijc., ij, Epic and Ionic 
 
 for VTTfpfiaaia, of, %, " an act of transgression," " any wan- 
 
 ton violence." From, virepfiaaic., " an overstepping," and this from 
 
 t., 3 sing. 1 aor. subj. of the middle deponent dtjteopai, " to 
 break," "to destroy ;" more literally, "to injure ;" fut. dnAqaoftai. 
 
 'Q-?.oTspuv, gen. plur. of 6-?.oTepoc, a, ov, superlative OTT^O- 
 ' f, 17, ov, without any positive in use ; poetic for veurt- 
 
 pof, veuTarof, "younger," "youngest." The superlative is not found 
 in the Iliad, whereas Hesiod uses the superlative merely, though 
 only in the Theogony. The original signification, as is evident from 
 the root oxhov, was " more, most Jit for bearing arms ;" and so we 
 find oTTAorepot, simply " the youth," "young men," i. e., those capable 
 of bearing arms, the. serviceable men, just like /^d^iuni, and opposed 
 to the old men and children. But as the youngest are the last born, 
 uvdpef 6-xUrepoi also means "the latter generations," "men of later 
 days." (Theocr., xvi., 46.) 
 
 'Hspedovrat, 3 plur. pres. indie, mid. of ^epedouai. Consult book 
 ii., line 448. 
 
 LINE 109. Mert : /?(Tiv, Epic for fiery, 3 sing. pres. subj. of ueTecfu. 
 
 Hpoaau ical bmaffa. Consult book i., line 343. 
 
 Aevaaei, 3 sing. pres. indie, act. of /.evoou, "to see," &c. 
 LINE 110. Consu]t book LI Hne 120 
 
 'O%a, adverb, "by far." Consult book i., line 69. 
 
 , 3 plur. 2 aor. indie, pass, of ^a/pw, " to re- 
 
 LINE 111. , 
 
 joice" &LC. 
 
 wi, nom. plur. masc. pres. part. mid. of WTTU, "to 
 cause to hope." In the middle, sX~ouai, " to hope."
 
 HOMERIC GLOSSARY. 525 
 
 ook3. Line 112-121. 
 
 'Oi'ty>ov, gen. sing, of olfrpoc., d, 6v, " mournful," " unfortunate." 
 Consult book i., line 417. 
 
 "Epvgav, Epic and Ionic for ypv^av, 3 plur. 1 aor. indie. 
 LINK 113. act of ipj KUf n (0 mn back;'' fut. tpvt-u : \ aor. f/pv^a : 
 more literally, " to keep in," " to hold in," and then " to curb," " to 
 rein in."" 
 
 Srftaf, accus. plur. of CTT/f, <m^5f, #, "a raw&," " line," "file." 
 Observe that the nominative em'f does not actually occur, the word 
 being only used in the genitive singular, and in the nominative and 
 accusative plural, tm^ff, ari^af, the other cases being taken from 
 orixot, ov, 6, which is, in general, most used in prose. From a root 
 2TIX-, which appears in a lengthened form in <rrw. 
 
 'E6av. Consult book i., line 391. 
 
 o, 3 plur. imperf. indie, middle of e/cJvu, "to take 
 
 LINE 114. o ,, tl(Q g(ri p o ^ ; ,, fut K fo lffu: 2 aor . It-tfov (with in- 
 transitive meaning), "to go out," "to come out" of a thing. In the 
 middle, endvouai, " to take off from one's self." 
 
 Karfdevro, 3 plur. 2 aor. indie, mid. of Kararidr/ui, " to put down." 
 
 \\povpa, rif, ?/, " a space of ground." The proper meaning 
 ' of the word is, " tilled or arable ground," " seed-land," 
 "corn-land;" then, generally, like -yfj, "ground," "land," "soil. ' 
 From upou, fut. upoau, " to plough," " to till." 
 
 Upori, an old, and, especially, Epic and Doric form for 
 irpoc, of frequent occurrence in Homer. In the Cretan 
 dialect, rroprt. Compare the Sanscrit prati. 
 LINE 117. "Apva?. Consult line 103. 
 
 Kaheoaai, Epic for ica/.saai, 1 aor. infin. act. of KaMu, " to sum- 
 mon;" fut. Kahsau. 
 
 LINE 118. Upoist. Consult book i., line 326. 
 Ta/Mv6tov. Consult book i., line 320. 
 LINE 119. PAa^Dptif. Consult book ii., line 88. 
 "Apva, accus. sing. Consult line 103. 
 
 Olaefj.Evai, Epic, Doric, and ^Eolic for oiaeiv, which last is 
 LINE 120. j tse if an gpj c i n fi n itive, with the force of an aorist, and 
 
 falling under the same class of words with otaere (line 103) and 
 aferc (line 105). (Consult Butlmann, Irreg. Verbs, ed. Fishlake, p. 
 251, note.) 
 
 'A-Kidr/ae. Consult book i., line 220. 
 
 T Ipjf, iSof, if, accus. 'Iptv, voc. 'Ip, " Iris," the messenger 
 LINE 121. . amon g themselves, or, more frequently, from 
 
 gods to men. But, conversely, in II . xxiii . 198, she is the carrier
 
 526 HOMERIC GLOSSARY. 
 
 Book 3. Line 121-126. 
 
 of Achilles's wishes. Her epithets all point to swiftness ; as, 
 cie/i/lo7rof, no6rjvffj,of, TrdJaf w/cea, xpvcoTTTepos, &c. In the Odyssey 
 she is never named, Mercury being there the sole messenger of the 
 gods. Hesiod calls her the daughter of Thaumas ( Wonder}. Usual- 
 ly derived from ipu, dpu, the speaker, announcer. Hermann deduces 
 it from ipu, sero, as if Serlia. 
 
 AevKuhevu, dat. sing. fern, of fevKulievoe, ov, "fair-armed." From 
 /leiwof, "while," "fair," and utevrj, "an arm." 
 
 LINE 122. 'Eidoftevn. Consult book ii., line 280. 
 
 Fa/low, dat. sing, of yd/lowf, gen. yu/low, ?/, " a sister-in-law." 
 Compare the Latin glos. The corresponding masculine form is 
 darip. (Consult Pott, Eiymol. Forsch, i., p. 131.) 
 
 'AvTTjvopiSao, Epic for 'AvTr/vopiSov, gen. sing, of 'AvTtjvopidnz, ov, 
 6, "son of Antenor." Patronymic noun. From 'Avrrjvup. Con- 
 sult line 148. 
 
 Ad.fj.apTi,, dat. sing, of <5u/zap, aprof, ?/, " a wife" " a spouse." From 
 dafj.au, " to tame," " to subdue ;" strictly, therefore, " one that is tamed 
 or yoked;" like the Latin conjux, whereas an unwedded maiden was 
 
 'EAIKUUV, ovof, 6, " Helicdon" son of Antenor, and hus- 
 INE 23. band of Laodice, daughter of Priam. 
 
 M.-yap(f>, dat. sing, of niyapov, ov, TO, "an apartment," "a 
 woman's apartment" &c. Consult book ii., line 137. 
 'Icrov, accus. sing, of *orof, ov, 6, "a web;" properly, "the bar 
 or beam of the loom ;" then, generally, " the loom ;" hence " the warp 
 that was fixed to the beam;" and so, "the web." Consult book i., 
 line 31. 
 
 "Y(j>at.vv, 3 sing, imperf. indie, act. of vtyaivu, " to weave ;" fut. 
 vipuvu: 1 aor. v<t>yva. Lengthened from the root T*-, which ap- 
 pears in ixpTj, ixjxiu, Sanscrit ue, vap, and our weave, web. (Pott, Ety- 
 mol. Forsch., i., p. 230, 259.) 
 
 , accus. sing, of diir^a^, a/cof, rj, "a double cloak, 1 ' 
 
 LINE 126. { ^ of double fold (Consult note.) From dt-nUfr, " to 
 double." 
 
 Hopfyvpinv, Epic and Ionic for iroptjivpiiav, accus. sing. fern, of TTO/O- 
 (j>vpsof, a, ov, Epic and Ionic ?/, ov, "purple;" strictly, "dark-red," 
 but varying in color. Consult book i., line 482. 
 
 r, Epic and Ionic for TroA^ovf. Consult book i., line 559. 
 
 v, 3 sing, imperf. indie, act. of e/j-irdaau, " to sprinkle in 
 or on ;" fut. fj,irdou : I aor. hsnaca. Metaphorically employed to
 
 HOMERIC GLOSSARY. 527 
 
 Book 2. Line 126-137. 
 
 denote the working or weaning in of rich patterns. (Consult note.) 
 From h and TTOCTCTW, " to sprinkle." 
 
 'Aedl.ovf, Epic and Ionic for uO^ovf, accus. plur. of u0Aof, ot>, 6, 
 for <I<?/lof, ov, 6, "a contest," "/oi7," "trouble." 
 
 'EOev. Consult book i., line 114, and the note on that 
 LlNEl28 ' passage. 
 
 Rahafiuuv, Epic and Ionic for Tra^n^y, gen. plur. of irahdpr/, /f, ^, 
 " the palm of the hand:' 1 '' in general, however, " the hand" 1 merely, as 
 in the present passage. Compare the Latin palma. 
 
 'Qicea, Epic and Ionic for uKfta, nom. sing. fem. of <!i<ciV, 
 LINK 129. . 
 
 eia, v. 
 
 LINE 130. Aftpo. Consult book i., line 153. 
 
 *I0t, 2 sing. pres. imper. of elfii, "to come." 
 
 Nv/zoa, voc. sing, ofvv/Kbn, with short final vowel. (Consult note.) 
 
 Ge'ff/ceAa, accus. plur. neut. of deaneAOf , ov. Originally, "godlike," 
 "divine;" 1 but as early as the time of Homer, this sense was con- 
 fined to the full form deoeiKtZof, so that tieane/Mf was only used, in 
 general, for "strange" "supernatural" "marvelous" "wondrous" 
 and always of things, as #eo'/ce/lo? always was of persons. From 
 $eof and etOKU, " to liken," " to make like." 
 
 'Idr/at, Epic and Ionic for ISn, 2 sing. 2 aor. subj. mid. of the radi- 
 cal cl6u, " to see." 
 
 , Epic and Ionic for fyepov, 3 plur. imperf. indie, act. 
 
 LINE 132. , , 
 
 of 9pu. 
 
 n.o"kv6a.Kpvv, accus. sing, of Tro/li'JaKpvf, voc,, 6, fj, "tearful," "pro- 
 ductive of many tears." From Tro/lvf and tidupv. 
 
 'Ohoolo, Epic and Ionic for 6%.oov, gen. sing, of o^oof, jj, 
 ov, "destructive." From O/M, o^/.vui. 
 
 jfi.Aai6fjiEvoi, nom. plur. masc. pres. part, of the deponent verb At- 
 haiofiai, "to long for," "to desire." 
 
 "Earai, Epic and Ionic for f/vrai, 3 plur. of rju.ai, "Isit" 
 LINE 134. 
 
 &c. 
 
 i, nom. plur. masc. perf. part. pass, of /lu>u, " to 
 recline ;" fut. K&IVU : perf. KEK/UKO : perf. pass. 
 
 Consult book ii., line 389. 
 
 v, 3 sing. 2 perf. of mjyvvfu, "to fix," " to make fast;" fut. 
 7n?fu : 1 aor. Imffa : 2 perf. ntxr/ya, " J am fixed," " stand fixed," 
 "stick fast." Lengthened from a root ?ray-, which appears in 2 aor. 
 pass. e-Trdy-r/v. 
 
 c, Epic and Ionic for /za/cpatf, dat. plur. fem. of pa- 
 
 ' Kp6f, ^, ov, Epic and Ionic for , m>, " Jong."
 
 HOMERIC GLOSSARY. 
 
 Book 3. Line 137-143. 
 
 . Epic and Ionic for syxeiaif, dat. plur. of fyfe/^, r/f, ;}, 
 " a spear." 
 
 , 2 sing. 3 fut. pass, of KO/.EU, "to call;" fut. aa- 
 
 ' teou : 3 fut. pass. xeK/.f/aouai. (Consult note.) 
 *A/comf, toe., rj, "a wife," "a spouse." From u, copulative, and 
 KOITTI, " a couch." 
 
 "lufpov, accus. sing, of Iftepof, ov, 6, "desire," "longing 
 
 ' for." From ipeipu, "to desire," "to long for," and this, 
 
 perhaps, from leftai, middle 
 
 "E[i6afa, Epic and Ionic for evida?.e, 3 sing. 2 aor. indie, act. of tu- 
 6d/.7.<j, " to infuse into ;" more literally, " to fling into." 
 
 TOKT/UV, Epjc and Ionic for ro/ceuv, gen. plur. of ro 
 
 e'wf (Epic and Ionic qoc,), 6, " one who begets," " a father." 
 
 In Homer always, and in Hesiod usually, in the plural ro/a/ef, TOK- 
 c?f, "parents." Homer and Hesiod usually have the Ionic forms 
 TOKijtc., TOKTJUV, &c., yet in the Iliad we have also the gen. TOKCUV. 
 The dative TOKSOI occurs in an epigram in Bockh's Inseript., i., p. 535. 
 'Ap-yevvfjffi, Epic and Ionic for up^cvvai^, dat. plur. of op- 
 
 ' of, rj, ov, .Eolic and Doric for apyoc., "ichite." 
 
 Ka/.v\iiauevn, nom. sing. fern. 1 aor. part. mid. of /caAurrrw, "to en- 
 rclop," "to hide from view;" fut. Kahvtfiu : 1 aor. s^M^vrlia. In the 
 middle, KahvirTopai, " to envelop one's self." 
 
 'Odovr/fftv, Epic and Ionic for 606vaif, dat. plur. of bQovij, yc., j), " a 
 
 linen robe." (Consult note.) Always used in the plural by Homer. 
 
 'Qpfiuro, 3 sing, imperf. indie, mid. of oppdu, " to set in 
 
 INE ' motion," "to urge on ;'' fut. opfjtfjau. In the middle, 6p/m- 
 
 ofiai, " to put one's self in motion" "to advance" " to move with rapid 
 
 steps." From opftf], "any violent or rapid pressure onward." 
 
 Qa/.uuoio, Epic and Ionic for i?a?.duw, gen. of tfd/la/iof, ov, 6, "an 
 apartment," " the women's apartments," in the interior of the house. 
 
 Tfpev, accus. sing. neut. ofripnv, eiva, ev, &c., " tender ;'' strictly, 
 " rubbed down" (from reipu, " to rub"), and so, " smooth," " soft," 
 " delicate," " tender," &c. Akin to repvc, repuuuv, as also to the 
 Latin teres, tener, from tero. 
 
 nom. plur. of uf^piiro^of, ov, strictly, " being 
 
 ' about," " busied about ;" but in Homer and Herodotus used 
 
 only as a feminine substantive, 17 djubi-o'/.oc, gen. du 
 handmaid." From audt. and TTO^CW, "to be busied about." 
 
 'EKOVTO, Epic and Ionic for eltrovro, 3 plur. imperf. indie, of the 
 middle deponent TTO/WH, "to follow;" fut. hl'ouai : 2 aor. (with aspi- 
 rate) eairo/ujjv, &c.
 
 HOMERIC GLOSSARY. 529 
 
 Book 3. Line 144-150. 
 
 AWpn, jyf, 77, Epic and Ionic for AWpa, as, fj, " JEthra." 
 LINE 144. (Consult note ) 
 
 KhvptvTi, ijf, q, " Clymenc." (Consult note.) 
 
 Bown-tf. Consult book i., line 551. 
 
 LINE 145. Alipa. Consult book i., line 303. 
 
 'luavov, 3 plur. imperf. indie, act. of ixdvu, " to come." Epic 
 lengthened form for IKU. 
 
 "Odi, adverb, poetic for ov, " where." 
 
 Luaiai, nom. plur. fern, of anatoc., a, 6v, " left," " on the left hand 
 or side.'' Then, "western" "westward," as explained in the note. 
 Hence the name SK<ZKU xv/.at, " the Scaan gates," given to the west- 
 ern gate of Troy. (Consult note.) 
 
 TiuvOoov, accus. sing, of IldvBooc,, ov, 6, " Patilhnus." (Con- 
 LlNEl46 ' suit note.) 
 
 Qv/j.oiTriv, accus. sing, of Qvfioirnf, ov, 6, " Thymasles." (Consult 
 note ) 
 
 'iKFTuova, accus. sing, of 'I/cerauv, ovof, o, " Hicctaon. 1 " 
 LINE 147. (Consu , t note } 
 
 "O^ov, accus. sing, of o^bf, ov, 6, " a branch," " a scion or shoot." 
 Consult book i., line 234. 
 
 LINE 148. OvKal.eyuv, ovrof, 6, " Ucalegon." 
 
 , opof, 6, " Antenor." (Consult note.) 
 vu, nom. dual Epic perf. part. pass, of TTVE'U, with present 
 signification, " to have breath or soul;" usually, however, employed 
 metaphorically, "to be wise," "discreet," "prudent." Hence Trenvv- 
 ftevoc, " discreet," "prudent." From an old root IINY-, some re- 
 mains of which are to be found in the compounds dtfxvvu, u/uTrvvfu, 
 i. e., uvaTrvvu, avd~vv[ii. 
 
 EZaro, Epic and Ionic for I/VTO, 3 plur. of fjurjv, assigned 
 1 1 \E 149 
 
 ' as an imperfect to j/pai, but in reality a pluperfect. Con- 
 
 sult book i., line 512. 
 
 A^jUoyt'potTff, nom. plur. of dij/iayepuv, OVTOC,, 6, "an elder of the 
 people." From <%zof and yepuv. 
 
 2/c<u?<7t Ttrlnaiv, Epic and Ionic, for 2/camif xvZaic. 
 
 Tr'/pai, dat. sing, of yijpac., TO, "old age;" Homeric gen. 
 ' 't, Attic contracted yfipuc,, and very late 
 
 dat. yripai, Attic contracted yripa. The Sanscrit root is jri, " senes- 
 cere," "conteri." 
 
 Ueirav/uevoi, "having ceased," nom. plur. masc. perf. part, 
 ouai, " to cease ;" middle voice of Traru. 
 
 Y Y
 
 530 HOMERIC GLOSSARY. 
 
 Book 3. Line 150-158. 
 
 'AyaprjTal, nom. plur. of uyopt)T?/f, of, 6, "a speaker." From uyo- 
 p6.ojj.ai, " to speak in public," " to harangue." 
 
 , Epic and Ionic for TSTTI^I, dat. plur. of re'rrtf, 
 
 ' lyof, 6, "a cicada." (Consult note.) 
 
 , nom. plur. inasc. of tot/cwf- Consult book i., line 47. 
 
 AevcJpew, dat. sing, of devdpeov, ov, TO, Epic and Ionic for 
 LINE 152. ,- , , ., 
 
 oevopov, ov, TO, " a tree. 
 
 'EpE&uevot, nom. plur. pres. part, of the middle deponent tyt&uai, 
 " to sit upon ;" fut. eyeSovuat.. An active is only used in the aorist 
 (jtciaa. 
 
 "OTTO, accus. sing, of oip, 6;r6f, i), " a voice" " a note ;" dat. bni : 
 accus. OTTO. From ITTW, ITTOC, einetv. 
 
 Aeiptoeaaav, accus. sing. fern, of feiptoeif, osaoa, otv, "delicate." 
 Strictly, "of or belonging to a lily," " of the nature or color of a lily ;" 
 but as early as Homer used in a metaphorical sense, xp^f fitiptocis, 
 " lily skin ;" and in the present case, speaking of the note of the 
 cicada, " delicate." From Apt<n>, "a lily." 
 
 'leiatv, 3 plur. pres. indie, act. of'iqui, "to send forth," "to emit." 
 'Hvro, 3 plur. imperf. (strictly pluperfect) off/pat, for which 
 ' the Epic and Ionic form elaTo occurred in line 149. 
 
 w, dat. sing, of Trvpyoc/, ov, 6, " a tower," especially such as 
 were attached to the walls of a city. (Consult note.) Akin to 
 Trepy-auoc, also to the German burg, old German purg, English burgh, 
 which words are probably akin to berg, " a hill." (Pott, Elymol. 
 Forsch., ii., p. 118.) 
 
 ~EldovTo, 3 plur. 2 aor. indie, middle of eldu, " to see," " to 
 LINE 154. j c ^ ^ Homer more frequently employs the Epic form 
 of the same tense, namely, 166/j.nv. 
 
 'H/ca, adverb, " in a low tone." (Consult note.) The radi- 
 
 ' cal signification is " not much," "slightly," and the word 
 
 must be akin not only to fjKicTo^, with initial lenis, "gentlest," but 
 
 also to r/aauv, TJKICITOS, being, in truth, their positive ; also to UKSUV, 
 
 UKTJV, aKdAof. (Btittmann, Lcxil., s. v.) 
 
 'Ayopevov, Epic and Ionic for f/yopcvov, 3 plur. imperf. of uyopevu, 
 "to utter." 
 
 ytueaic, tog, TJ. (Consult note, and also remarks on ve- 
 LINE 156. p eai p ait book ji ^ line 296.) 
 
 Aivwc, adverb, "wonderfully," "greatly." Consult book 
 LlNE 158 ' i., line 555. 
 
 'ABavuTr/ai \9;c, Epic and Ionic for udavuTaic 
 'CTTO, accus. sing. ofui/>. wT(V, TJ, "look."
 
 HOMERIC GLOSSARY. 531 
 
 Book 3. Line 160-173. 
 
 , Epic and Ionic for reneat, dat. plur. of r&cof, eoc, 
 ' TO, poetic term for TEKVOV, ov, TO, and often employed thus 
 in both Homer and Hesiod. 
 
 'E$av, Epic and ^Eolic for loaaav, 3 plur. imperf. indie. 
 LlNsl6L act. of^fu. 
 
 'lev, Epic and Ionic for Ifrv, 2 sing. pres. imper. middle 
 ' ofZsw, " to cause to sit ;" in the middle, l&fiat, " to sit." 
 LINE 163. 'Ion, 2 sing. 2 aor. subj. middle of eldu, "to see," &c. 
 n^ot'f, accus. plur. of u^of, ov, 6 (Doric TTUOC, which became the 
 common form), "a kinsman," especially by marriage; "a marriage 
 relation or connection." Never used by the ancients expressly of 
 blood-relations. From -xeTruftai, the Tract being smKrtjTot ffvyyeveic.. 
 Airiij, Epic and Ionic for al-ia, nom. sing. fem. of amof, 
 ' 77, ov, Epic and Ionic for a, ov, " in fault" " bearing the 
 blame," &c. 
 
 v, 3 plur. 1 aor. indie, act. of i<i>opu.au, " to stir 
 
 up against one ;" fut. i^opfirjau. From ETU and opjiuu, " to 
 
 urge on." 
 
 Uo/.vdaKpvv, accus. sing, of KofivdaKpvs. Consult line 132. 
 
 Hthupiov, accus. sing. masc. of xe/.uptof, a, ov, " exlraor- 
 ' dinary," " remarkable." From TrtAwp, TO, " a prodigy." 1 
 'E$ovofjtr/vrif, 2 sing. 1 aor. subj. of egovofiaivu, "to tncntion by 
 name ;" fut. efovo/fuvtJ : 1 aor. s;uv6fj.r/va. From ef and ovopaivu. 
 LIXE 167. 'HiSc, neut. i/v, "gallant," Epic and Ionic for vf, neut. iv. 
 "Eaaiv, Epic and Ionic for elaiv, 3 plur. pres. indie, of 
 
 Tepapov, accus. sing. masc. ofyepapof, d, 6v, Epic and Ionic 
 17, 6v, "of stately bearing." From yepaipa, " to honor," " to 
 reward." 
 
 Baart.f/i, Epic and Ionic for 3aai7.el, dat. sing, of jBaatf.evc, euf, 6, 
 Epic and Ionic jjof, &c. Taken here as a kind of adjective. 
 
 Atof, a, ov, "divine," "noble." 1 Contracted for the less 
 ' common diioc.. From Zev?, gen. Atof. 
 
 AWotof, oto. otov, " an object of veneration," "regarded with 
 LINE 172. 
 
 reverence. 
 
 , Epic and Doric for f or cZ, 2 sing. pres. indie, 
 'E/cvpe, voc. sing, of exvpof, ov, 6, " a father-in-law," and equivalent 
 here to TtcvQcpdc.. Strictly, however, " a step-father." Compare the 
 Sanscrit cvacru, and the Latin soccr. 
 
 , Epic and Ionic for o^e/Uv, 3 sing. 2 aor. indie. 
 
 LINE 173. act of i6f( - ?U) tl , mce >, Consult line 40
 
 532 HOMERIC GLOSSARY. 
 
 Book 3. Line 173-177. 
 
 'A detv, 2 aor. infin. act. of uvduvu, " to please ;" fut. utiijau : 2 aor. 
 , besides which Homer has evudov and udov : perf. euda. 
 lfi, dat. sing., as if from a nominative vlevf, gen. 
 
 dual viee, vlsoiv : plur. v'tsif, vleuv, vieaiv, vieif, " a son." 
 'Y.ir6fir]v, Epic and Ionic for eiiropnv, 1 sing, imperf. indie, of the 
 middle deponent Enojxai, " to follow.'" 
 
 Qdhapov, accus. sing, of ddlafiof, ov, 6, " a nuptial chamber," i. e., 
 the marriage bed. Consult line 142. 
 
 Tvurovf, accus. plur. of yvurof, tj, dv, generally, " known," " well 
 known ;" but in Homer, especially, often used as a substantive, " a 
 relation," " a kinsman," " a brother ;" and so in the present instance. 
 v, accus. sing. fem. of Tn/.vyErof, r/, ov, " in the. 
 
 bloom of early life." (Consult note.) The etymology of 
 the word is very doubtful. The ancients mostly held it to be a com- 
 pound of r^/le or rfj^v, " afar off," and yiyvo[j.ai, hence " born afar off," 
 i. e., when the father was away, like r^/leyovof : or " born at a distant. 
 time,' 1 '' " late-born," like bipiyovof. But the former interpretation will 
 not suit the passages in Homer where the term occurs ; and, for the 
 other, the sense of time given to rrp.e is unexampled, except in the 
 late word r^edavof, which itself is not without suspicion. Other 
 ways, therefore, have been tried. That of Doderlein has been re- 
 ferred to in the notes, and has been adopted by us as the best. Butt- 
 mann's is as follows : he assumes that -fj%e, rfikv, is of the same 
 root with rt/lof, reAevr?/, re/.fi'Tatof, so that we may interpret rn/.v- 
 ytrof (with Orion, ap. Elym. Gud., p. 616, 37) as 6 rc^evraios rcj 
 irarpl jEv6jj.fvo^, " one born at the end," " the last-born." 1 
 
 'OfiijTiiKinv, accus. sing, of o/un'kiKiT], j/f, T/, Epic and Ionic for b^.r)- 
 hiicia, af, ri, " sameness of age," but taken here as a collective, or the 
 abstract for the concrete, " those of the same age," "companions in 
 years." From op/Atf, " of the same age," and this from o//6f and 
 jy/ltf, " of age," " of the same age." 
 
 'EparEiVTjv, accus. sing. fem. of spa-Eivof, rj, ov, "lovely" "beloved." 
 From eparoc, f\, ov, poetic for fpaurof, " beloved." 
 
 TerrjKa, 1 sing. perf. indie, act. of rrjKu, " to pine away ;" 
 ' fut. TTJ^U : perf. TiTijKa, which has here, as often else- 
 where, an intransitive signification, " to be in a melting state," " to 
 pine away." The primitive meaning of TJ/KU is " to melt," " to melt 
 down," "to cause to melt," especially " to smelt" metals ; and hence 
 "to let the heart melt," "to pine away." Probably akin to reyyu: 
 from a like root comes the Latin tabco, labcsco. 
 
 LINE 177. '.\veiprnt. Epio and Tonic for orftuft. 2 sing. prr>s. indie.
 
 IIUMEUIC oLUJiJJAKl. 533 
 
 Book 3. Line 177-184. 
 
 of the middle deponent dveipouai, Epic and Ionic for dvcpouat, "to 
 ask," " to interrogate about ;" so that dvetpcac is, in fact, for dvepet, 
 Mera/l/laf. Consult book i., line 550. 
 LINE 178. EvpvKpciuv. Consult book i., line 102. 
 LINE 179. 'Auyorepov. (Consult note.) 
 Aixfij]TT]. Consult book i., lines 290 and 152. 
 
 Aor/p, tpof, 6, "a brother-in-law" "a husband's brother," 
 answering to the feminine yd/LUf, " a sister-in-law." 
 
 Strictly, a digannnated word, dasrjp, with which compare the San- 
 scrit detri, and Latin levir ; and for a similar change of d into /, 
 compare dci/cpv and lacryma. 
 
 'Eaxc, Epic and Ionic for f/v, 3 sing, imperf. indie, act. of dpi. 
 
 Kvvu~ido(, gen. sing, of KVVU~I(, idof, f], "a shameless woman;" 
 literally, " a dog-eyed woman." The term " dog,'' as a word of re- 
 proach, occurs frequently in Homer, and is especially applied to 
 women to denote shameiessness or audacity, but was much less 
 coarse than among us, for Helen here calls herself so, Iris Minerva 
 (//., viii., 423), and Juno Diana (//., xxi., 481). The dog was a 
 type, among the ancients, of impudence and effrontery. Consult 
 book i., line 159. 
 
 'E)?v, Epic and Ionic for TJV, 3 sing, imperf. indie, act. of dui. 
 
 'Hydaaaro, Epic and Ionic for riydaaro, 3 sing. 1 aor. indie. 
 
 ' of the middle deponent uyauai, " to regard with looks of ad- 
 
 miration," " to wonder at ;" fut. dydaouai : 1 aor. iiyaodprjv. The 
 
 more usual aorist, however, is j/ydadnv, though q-yaadfiriv occurs 
 
 even in Attic, as in Dem., 296, 4. 
 
 Mu/cap, voc. sing. masc. of /id/cap, apof, 6, fj, "happy." 
 LINE 182. Consult book ^ line 599 
 
 ef, voc. sing. masc. of poiprjyevqs, t'f " child of destiny," 
 i. e., favored by the Fates ; literally, "favored by destiny at one's 
 birth.'' From fiolpa, "destiny," and yivof. 
 
 'QX6i66aiuov, voc. sing, of 6?.6io6aiftuv, ov (gen. ovof), 6, q, "a for- 
 tunate man;" more literally, " of blessed lot." From 6?.6iof, " happy," 
 " blessed," and 6ai^uv. 
 
 o, Epic and Ionic for eded^vTo, 3 plur. pluperf. 
 
 indie, pass, of Sa^idu, " to make subject," " to subject ;" fut. 
 
 6auu.au : 1 aor. idduaoa : perf. titfiurjKa : perf. pass. 6e6ur]uai : plu- 
 perf. kdeSurjuriv. Compare the Sanscrit dam, " to be tame," the 
 Latin dom-are, English tame, German zahm. 
 
 $pvyit/i>, accus. sing, of Qpvyit], ?f, f/, Epic and Ionic for 
 Qpvyia, af, TI, " Phrygja." (Consult note.)
 
 534 HOMERIC GLOSSARY. 
 
 Book 3. Line 184-189. 
 
 Eip7?.t;0oi', Epic for cifij/.Bov, 1 sing. 2 aor. indie, act. of 
 pai, " to go into ;" fut. elcei.evaoiiai, &c. 
 
 'AftTreZotaffav, accus. sing. fern, of a^rre/ioetf , oeaaa, oev, " abound- 
 ing in vines." From u^eAof, " a vine." 
 
 Aio2.o7r62.our, accus. plur. masc. of <uo2,<57ru2,or, ov. "act- 
 LINE 185 
 
 ively managing steeds ;" more freely, " of fleet steeds." 
 
 (Consult note.) From ato/lor, "quickly turning," "easily moving," 
 &c., and TTwAor, " a young siccd," " a steed," generally. 
 
 'O-p7/oc, Epic and Ionic for 'Orpeuf, gen. sing, of 'Orprur, 
 ' eur, 6, Epic and Ionic f/of, 6, " Otreus." (Consult note.) 
 Another Ionic form for the genitive is 'Orpeor. 
 
 ~M.i>-y6ovo(, gen. sing, of Mvyduv, ovor, 6, " Mygdon." (Consult 
 note.) 
 
 'AvTtOeoio, Epic and Ionic for uvndeov, gen. sing, of dvrt'0or, ov, 
 "equal to the gods." Consult book i., line 264. 
 
 'Eorparowvro, Epic and Ionic lengthened form for earpa- 
 
 ' TUVTO, 3 plur. imperf. indie, middle of orpardu, as if from 
 
 a form arparoD, " to encamp." (Consult the remarks of Butlmann, 
 
 Ansf. Gr., 105, Anm. 6.) The regular form would be iarparevovTo, 
 
 from arpaTsvu. 
 
 "O^ac, accus. plur. of 6^6n, rjf, rj, older form of o^flof, ov, 6, "any 
 height or rising ground" natural or artificial. In Homer usually 
 plural, "the banks" of a river, more or less elevated. Many, both 
 ancients and moderns, have thought that o^Gri is always the " bank 
 of a river," &c., and 6^05- always "a hill ;" but consult the remarks 
 of Mehlhorn, adAnacr., xxii., 2, p. 98 : still it is true that 6^00? does 
 not seem to be used of a bank. 
 
 Zayyaptoto, Epic and Ionic for Sayyapt'ov, gen. sing, of Sayyaptof, 
 ov, 6, " the Sangarius," a river of Bithynia. (Consult note.) 
 
 LINE 188. 'ETwcovpof. Consult book ii., line 130. 
 
 'EhexQnv, 1 aor. indie, pass, of Aeyu, original signification "/o lay" 
 (German legen) ; in the passive, " to lie" (German liegen). Hence 
 all the other significations may be derived ; so that it is needless, 
 as Buttmann (Lexil., s. r.) does, to assume a separate root /.e^u for 
 this signification. Then, " to lay in' order" " ICLarrange," &c. ; and 
 hence, " to lay among," " to count," &.C., fut. l.eju. 
 
 'A/ua6vff, nom. plur. of 'Apafov, ovof, ri, "an Amazon." 
 
 ' More usually, as here, in the plural, " the Amazons" a 
 
 warlike nation of females. The name is usually derived from , 
 
 priv., and fia^oc, " the breast," from the fable that they either took off, 
 
 or checked the growth of, the right breast, that it might not inter-
 
 I1UMKKIC UUJ.S.JAKY. 535 
 
 Book 3. Line 189-197. 
 
 fere with the use of the bow. But consult Anthon's Class. Diet., s. 
 v. Amazon. 
 
 '\vTtuvfipai, nom. plur. of dvTidveipa, ?) (like (3uTiuvEipa, Kvdid- 
 veipd), a feminine form of a masculine in -dvup or -qvup (for the a 
 shows that it can not come from a nominative in -of), "a match for 
 men." In the Iliad always as an epithet of the Amazons ; but in 
 Pindar (01., xii., 23), ardaif dvndveipa, "faction, wherein man is set 
 against man.'' From iivri and tirf/p. 
 
 LIN-E 190. 'E?.KW7ref. Consult book i., lines 98 and 388. 
 
 e, Epic and Ionic for jypeftve, 3 sing, imperf. indie. 
 
 * act. of epeeivu, " to ask," like po/iai, and derived from it. 
 Tepaiof. Consult book i., line 35. 
 
 yieiuv, neut. /jeiov, gen. ueiovoc., irregular comparative of 
 
 fjiiKpoq and 6/U'yof, "less," "smaller," ''shorter." Accord- 
 
 ing to Pott, the earlier form was [iveiuv, from an old positive uivv, 
 
 traces of which remain in the Latin minus. (Etymol. Forsch., ii., 
 
 p. 66.) 
 
 '16, Epic and Ionic for ijde, conjunction, "and," "and 
 INE ' also." Often occurring in Homer ; but only once in the 
 tragic writers (Soph., Ant., 969). 
 
 "Zrtpvoiaiv, Epic and Ionic for arepvoif, dat. plur. of trrspvov, ov, 
 TO, "the breast." Used by Homer in both singular and plural. 
 Akin to ffTfpeof, " hard," "firm." The root is probably 2TA-. 
 LINE 195. Hov^vBorelpn. Consult line 89. 
 
 Kri7.oe, ov, 6, " a ram." Akin to KriZu, " to produce." " to 
 LINE 19f> 
 
 generate." Not to be confounded with KriZof, ov, " tame ;" 
 
 and yet this also appears to come from the same verb, in the sense 
 of " to inhabit," and to denote that which is accustomed to dwell 
 among men. (Pott, Etymol. Forsch., i., p. 203.) 
 
 'ExurufaiTai, 3 sing. pres. indie, middle of eTrnrul.eo/uai, " to move 
 about among," said of a general moving about among and inspecting 
 his troops. 
 
 Sri^f. Consult line 113. 
 
 'Apveiy, dat. sing, of apveiof, of, 6, "a young ram," just 
 
 ' full-grown. (Consult note.) Originally a masculine ad- 
 
 jective, as appears from dpvsibc. oi?, "a male sheep." (Od., x., 572.) 
 
 Akin to uppnv. 
 
 'EiaKu, 1 sing. pres. indie, act. of etaKu, " lo liken," " to think like." 
 An Epic word. From iaof, Epic Ziaof, whence also IOKU. Accord- 
 ing to others, from IOIKU, like sinufa. 
 
 Urjycaipi/^.u, dat. sing. masc. of x;/yff/^a/.?.or, ov, " thick-fleeced.'' 1 
 
 From -r'r, Tt'ut and iia'/'/Mr. " a fleece."
 
 536 HoMKKIU GLOSSARY'. 
 
 Book3. Line 198-207. 
 
 'Otuv, Epic and Ionic for oiciv, gen. plur. of die, gen. 010$, 
 ' accus. uiv : nom. plur. oief, gen. biuv, dat. oltai, but usual- 
 ly in Homer bisaai, Epic shortened form oeaat : accus. oiaf : con- 
 tracted nom. and accus. 6lf, " a sheep." The Attics, on the other 
 hand, contract all cases : nom. olf, gen. o'tdf, dat. oil, accus. olv : 
 nom. plur. ohf, gen. olCiv, dat. oiai, accus. oiaf : and the nom. and 
 accus. are still farther contracted into olf. Of these Homer has 
 only oiof and oluv. From oif, with the digamma, ofic., comes the 
 Latin ovis. 
 
 TliJv, eof, TO, "a flock ;'' plural wea, TU. Akin to TroifiTJv, 
 
 'Ap-/evvuuv, Epic and Ionic for upyevvuv, gen. plur. of upytvvog , q, 
 6v, "while," " ichite-hued." Consult line 141. 
 
 , nom. sing. fem. part, of the Epic perfect - 
 
 jh/aa, assigned to itylyvoftat, ' I spring from ;" fut. fye- 
 
 vijaopat : perf. tuyeyova : Epic perfect kxyeyaa : part, f/cytyauf, e/cye- 
 
 javla, e/fyeyaof, " sprung from." From e and yeyaa, and this from 
 
 the radical ydw, but assigned to yi'yvquat, as an Epic form for yeywo. 
 
 LINE 200. \lo7.vpriTis. Consult book i., line 311. 
 
 rj, Epic and Ionic for kTpdtyri, 3 sing. 2 aor. indie. 
 
 '' ' pass, of rpefa, "to nurture," "to rear." Consult book i., 
 line 251. 
 
 A^u. Consult book ii., line 198. 
 
 'WuKtjf. Consult book ii., line 184. 
 
 Kpavaijg, gen. sing. fem. of Kpavaof , 77, 6v, "rocky," "rugged." 
 Derivation uncertain. The word is akin, perhaps, to xpuv-ov, the 
 cornel-tree, the idea of hardness of wood and stony fruit being im- 
 plied in the latter name. 
 
 LINE 202. Elduf, nom. sing. masc. perf. part., assigned to olda. 
 
 AoAowf, accus. plur. of <56/.of, ov, 6, "idle," "craft," "artifice," &.C. 
 Strictly, "a bait for fish" and akin to (5eAof, 6e7.eap, "bait." 
 
 TlvKvu, accus. plur. neut. of m'Kvof, r/, 6v, "prudent," for which we 
 have also the Epic lengthened form immvo^, y, ov. Consult book 
 ii., line 55. 
 
 LINE 203. TIem.'v^evof. Consult line 148. 
 
 Hvda. Consult book i., line 92. 
 
 Ef, accus. sing. neut. of vr)u.eprf], ef, " true," " un- 
 
 INE "failing," "unerring." Consult book i., line 514. 
 
 'E?V<(T(7a, Epic and Ionic for sS-eiviaa, 1 sing. 1 aor. indie. 
 
 act. of fm-/,", " to entertain," " to receive as a guest ,'' fut. 
 
 griviau : 1 aor. i&iviaa. Observe that ftm',"u> itself is Ionic for
 
 HOMERIC GLOSSARY. 537 
 
 Book 3. Line 207-216. 
 
 evf'Cu, which last is the Attic form. From fVof, Ionic for fevof, "a 
 stranger." 
 
 , Epic and Ionic for tyttyaa, 1 sing. 1 aor. indie, act. of 
 , " to receive kindly ;" literally, " to /ore." 
 
 , accus. sing, of (J>VTJ, TJC, ?}, " genius," " natural parts," 
 
 E ' "talents." Employed poetically here for (pvaif. From 
 
 'Edutiv, 1 sing. 2 aor. indie, pass., assigned to the radical ddu, " to 
 become acquainted with," " to learn," &c. 
 
 , Epic and Ionic syncopated form for dyeipo- 
 
 ' ' uivoic,, dat. plur. pres. part. pass, of ayeipu, " to assemble," 
 "to collect ;" fut. uyepd. From uyu. 
 
 "EtiixQev, Epic for spixOriaav, 3 plur. 1 aor. indie, pass, of uioyu, 
 Homeric form of the present for fiiywui, " to mix," " to mingle among 
 or with ;" fut. ui$u : 1 aor. pass. k^ixQnv. Compare Latin misc-eo, 
 German misch-cn, Sanscrit misch-ta. 
 
 'T^tipexwj Epic for vxepeixev, 3 sing, imperf. indie, act. 
 
 INE ' of vTrepe^w, "to overtop," i. e., " to have or hold one's self 
 
 above ;" fut. vnepe^u. From vxeip, a poetic form for virip (and used 
 
 instead of it when a long syllable is needed before a vowel), and e^. 
 
 'Eo//ev<j, nom. dual masc. pres. part, of l$opai, " to seat 
 
 ' ' one's self," " to sit ;" fut. idov^ai. Observe that there is, 
 
 in fact, no such active as E^'U, " to set" or "place," in Greek, though, 
 
 as if from it, we have the transitive tenses daa, mid. daufiriv : fut. 
 
 mid. floofiai : perf. pass, tifiai. 
 
 TepapuTepof, a, ov, comparative of ycpapoc, u, 6v, " of stately bear- 
 ing," " oj dignified mien." From yepac., "rank, prerogative, dig- 
 nity," &c. 
 
 LINE 212. T<}aivoi>. Consult line 125. 
 
 'EiriTpoxatir/v, adverb, " with rapid conciseness ;" literally, 
 INE ' " runningly." From em and rpex^, " to run." 
 
 Havpa, accus. plur. neut. of navpoc, a, ov, " little," " small. 1 ' 
 ' Usually in the plural, of number, as in the present in- 
 stance, "few," "afcw things or words." 
 
 \i-yeuc, adverb, from /.tytif, eta, v. (Consult note.) 
 Tio^iifivBof, ov, " of many words," i. e., wordy, talkative. From TTO- 
 Atlf and uvdoc,. 
 
 TJs, 5, " always missing the point," " a random 
 
 talker." From u 6, uuapruvu, and eaof. 
 '\vait-eiev, 3 sing. ^Eol. 1 aor. opt. act. of itvaiaau, " to 
 spring up," " to arise ;" fut. uvat^u. Consult book ii., 
 line MG.
 
 538 HOMERIC GLOSSARY. 
 
 Book 3. Line 217-228. 
 
 "Zrdaicev, 3 sing. Epic iterative form of 2 aor. indie, act. of 
 LINE 217. > and put for > CTT7? 
 
 "Tirol, poetic, especially Epic form for iino. 
 
 "IdeaKE, 3 sing. Epic iterative form of 2 aor. indie, act. of ddu, " to 
 see," " to look," and put for Ide. 
 
 Tlr/fae, noni. sing. 1 aor. part. act. of irq-yvvpi, "tofix;" fut. n^u : 
 1 aor. iTTjffa. 
 
 LINE 218. S/c^Trrpov. Consult note on book i., line 15. 
 Hponpnvef, accus. sing. neut. of Trporrpijvfc, e'f " bent forward ;" 
 taken here adverbially, "forward," and opposed to b-xiaau. From 
 7T/30 and Trprjvrif, ef, " bent forward," &C. 
 
 'Evu/j.a, 3 sing, imperf. indie, act. of vupdu, " to turn," " to move," 
 said of any thing which one holds in his hand, as a sceptre, a weap- 
 on, &c. ; fut. vupijau : 1 aor. kvufirjaa. From vip.u, the original 
 meaning of vufiau being "to deal out," "to distribute," &c. 
 LINE 219. 'harefi^i^. Consult book ii., line 344. 
 "ExeffKsv, 3 sing. Epic iterative form of the imperf. indie, act. of 
 e^w, and put for el^ev. 
 
 'Aitipel, Epic and Ionic for aitipei, dat. sing, of aldpig, i, gen. ioj-and 
 eof, "ignorant," "unskilled in art." 
 
 ZUKOTOV, accus. sing. masc. of fckorof, ov, " exceedingly 
 angry." From a- intensive prefix, and KOTO^, " anger," 
 "wrath." 
 
 LINE 221. "Omz, accus. sing, of 5\p, gen. orrof, i], "a voice." 
 "lei, 3 sing, imperf. indie, act., from a radical form leu, "to send," 
 and used by the Epic, Ionic, and Doric writers for the corresponding 
 part of lijfu. 
 
 Nujtutieaaiv, Epic and Ionic for vi<j><iaiv, dat. plur. of vi<f>ds, 
 ddof, i), " a snow-flake." From vitiu, " to snow." 
 Xeifj.epir/aiv, Epic and Ionic for %e ifiepiaif , dat. plur. fem. of ^et/zfp- 
 tof, a, ov, "wintry." From x tf* a > "winter." 
 
 'Epiaaeie, Epic and Ionic for epiaeie, 3 sing, ^olic 1 aor. 
 ' opt. act. of ep/Cw, " to vie ;" fut. kpiau : 1 aor. ijpiaa. From 
 pif, "vying," "contention," &c. 
 
 ' A.yaaad[i6a, Epic and Ionic for riyaadfitda, 1 plur. 1 aor. 
 ' indie, of the middle deponent dya/tai, "to wonder;" fut. 
 aydaofiai: 1 aor. r/yaad/j.Tjv : but usual aorist f/ydadnv. 
 
 LINE 227. *Efo;ro?, ov. Consult note, and also book ii., line 188. 
 Taw7re7r/lof, ov, "long-robed," " of flowing robe." From 
 ravvu, "to stretch," "to extend," and TreV/.of, "a female 
 robe." The pcplus was made of fine stuff', usually with rich patterns ;
 
 HOMERIC GLOSSARY. 539 
 
 Book 3. Line '228-238. 
 
 and being worn over the common dress, fell in rich folds about the 
 person ; answering, therefore, to the male l/nuriov or ^/.atva. That 
 the peplus migfa cover the face and arms is plain from Xenophon 
 (Cyr., v., 1, 6), but it must not be hence inferred that it was mere- 
 ly a veil or a shawl. 
 
 LINK 229. TleAu/HOf. Consult note, and also line 166. 
 
 "Ep/tof, eof, TO, "the rampart," i. e., the great defender. From 
 ifryu, elpj >, ** to skut out,'' " iv keep or drive off." 
 
 , Epic and Ionic for Kpijai, dat. plur. of 
 
 LINE 230. Kp , rdfi a Creten . 
 
 'Ayot, nom. plur. of ayiic, ov, o, " a leader," " a chieftain." 
 
 , 3 plur. pres. indie, of fjyepedo/iai, Epic form of u-yeipo- 
 (tai. Consult book ii., line 304. 
 
 KpfiTjfiev, adverb, "from Crete." From Kp^rr/, tj, " Crete," 
 
 LINE 233 r. , 
 
 now Canaia. 
 
 Ovvofia, orof, TO, Epic and Ionic for ovopa, arof, TO. In 
 J Homer, the form bvofia. is more frequent than ovvopa. 
 Herodotus, on the other hand, employs the Ionic oi'vqua alone. 
 
 AO*<J, accus. dual, " two ;" strictly, the dual of Soioi. It is 
 ' indeclinable in Homer, who usually has it masculine. 
 Kofffi^ropf, accus. dual of Koctfir/-vp, opof, o, "a leader" "a com- 
 mander ;" literally, " one who marshals or arranges." From KOOUCU, 
 " to order," ' to arrange.' 1 
 
 Kuoropa, accus. sing, of Ktiorup, opof, o, " Castor," son 
 >E ' of Leda, brother of Pollux, and uterine brother of Helen, 
 and famed for his skill in the management of chariots. 
 
 lit;, adverb, " at the fist," "wilh clinched fist," i. e., in boxing or 
 pugilistic encounters. Hence TrvnTjjf, "a boxer ;" miyfi^, "a boxing 
 match," &c. 
 
 Tlo/.vdevKfa, accus. sing, of Uo^.vdsvKtjf, rof, 6, "Pollux," son of 
 Leda, brother of Castor, and uterine brother of Helen, and famed for 
 his skill as a ITVKTIJS, or boxer. Consult Metrical Index. 
 
 Kaaiyi^Tcj, accus. dual of av-OKaar/vii-os, ov, 6, " an 
 
 own brother." She calls Castor and Pollux her " own two 
 brothers," because born of the same mother with her, namely, Leda. 
 From av~6$ and Kaai\vrjTOf, " a brother." 
 
 Tu, Epic and Ionic for <j, accus. dual of of, #, 5. 
 
 Tsivaro, Epic and Ionic for eyeivaro, 3 sing. 1 aor. indie, mid. of 
 yeivouai, from an obsolete active yemj, for which -\evvuu is in use. 
 In the passive, " to be engendered," " to be lorn ;" in the middle, " to
 
 540 HOMERIC GLOSS AH Y. 
 
 Book 3. Line 238-247. 
 
 bear" " to bring forth. 1 ' Observe that yevu is the common root of 
 yeivu, yeivouai, and yiyvofiai. Compare the Latin gigno, genui. 
 
 , 3 dual 2 aor. indie, of the middle deponent 
 
 LINE 239 
 
 i, "to follow;" fat. tyouat: 2 aor. sanofir/v, &C. 
 
 , gen. sing, of AaK.edaip.uv, ovof, q, " Lacedamon," the 
 capital of Laconia, also Laconia itself. 
 'EpaTetvfjf . Consult line 1 75. 
 
 "EnovTo, 3 plur. imperf. indie, of Izirouai, and Epic and 
 LINE 240. T 
 
 Ionic for fiKovro. 
 
 TiovTorropoiai. Consult line 46. 
 
 lS.aTa6vfj.evai, Epic, Doric, and ^Eolic for xaraivvai, 2 aor. 
 infin. act. of Karadvw or itarad-vvu, " to engage in." Prop- 
 erly, "to get deep into," "to get into the throng or thick of a thing." 
 The literal meaning is, "to go under," " to sink ;" fut. naradvau : 1 
 aor. KaTE&vaa : 2 aor. Kareovv. From xnru and <5t'o>, or 6vvu. 
 LINE 242. Aio^ea, accus. plur. of aiaxoc, eof, TO, "a disgrace." 
 AeiJiortf, Epic and Ionic for dcdtoftf, nom. plur. masc. perf. part. 
 of deidu, " to fear ;" fut. Aeiaouai : 1 aor. tfttiaa: perf. dedoiKa, and 
 also 6idia (which last is rare in Attic prose), with syncopated forms 
 de^Lfjiev, dediTc, imperative dedi&i, part. 6t6iuc. 
 'Ovtioca. Consult book i., line 291. 
 
 LINE 243. 4>aro, Epic and Ionic for tyaTo. Consult book i., line 33. 
 , Epic and Ionic for ar^v, 3 sing, imperf. indie, act. of 
 
 f, ov, "life-bestowing," "producing or sustaining life." 
 From <f>vu, " to sustain" and o;/, "life.'''' 
 
 'Evfaova, Epic and Ionic for evfaova, accus. sing. masc. 
 V, ovof, "gladdening," "cheering." From ev and 
 
 (j>pr,v. 
 
 'Apovptfc, gen. sing, of apovpiy, rif, r/, Epic and Ionic for upovpa, af, 
 TJ. Consult line 115. 
 
 'Aovfw, dat. sing, of uaxof, ov, 6, "a bottle of skin," "a 
 ' wine-bag," "a leathern bag," mostly of goat-skin. Ac- 
 cording to Pott, akin to anvrof, with prefixed. 
 
 Aiyeiy, dat. sing. masc. of alyecof, a, ov, Epic and Ionic rj, ov, 
 lengthened form for olyeof, " of goat- skin ;" literally, "of a goat." 
 From eztj, at/of, " a goat." 
 
 Kpt/Tfjpa, accus. sing, of KOIJT^P, f/pof, 6, " a mixer." Consult note, 
 and also book i., line 470. 
 
 $aeiv6v, accus. sing. masc. of faeivoc, ?/, ov, " bright," " shining." 
 
 From (j>uof, " light," " brightness."
 
 HOMERIC GLOSSARY. 541 
 
 Book 3. Une 248-261. 
 Xpvafia, accus. plur. neat, of xpvaetof, ij, ov, Epic and Ion- 
 
 ic for ^pvaeof, TJ, ov, Attic contr. ^ptxrotif, ij, ovv, "gold- 
 
 en.'" From xpva6(, "gold." 
 
 KvTre7i/.a. Consult book i., line 596. 
 
 "Qrpvvev, 3 sing. 1 aor. indie, act. of brpvvu, " to urge ;" 
 LINE 249. r . , . ~ , , 
 
 lut. orpvvcj : 1 aor. urpvva. 
 
 "Opaco, Epic for opao, 2 aor. imper. middle of opvvfii, " to 
 
 raise," " to arouse ;" fut. opau : 1 aor. upaa. In the mid- 
 dle, opvv/j.at, " to arise," " to arouse one's self," 2 aor. upourjv : or, 
 more frequently, by syncope, &ppr/v, upao, upro, &c., 2 aor. imper. 
 opao, Epic opaeo (like ueiaeo, /Ufeo), contracted bpatv. (Buttmann, 
 Irreg. Verbs, p. 193, ed. Ftshlake. Consult, also, note.) 
 
 AaOjUftJoirmA/i voc - sin S- of Aaofj.edovnu.dijf, ov, 6, " son of Laome- 
 don." Patronymic, from Aaopeduv, ovrof, 6, " Laomedon," father of 
 Priam. 
 
 LINE 252. "Opxia. Consult book ii,. line 124. 
 Td/ijjre, 2 plur. 2 aor. subj. act. oire/ivu. 
 
 Ntovrat, with shortened mood-vowel, for veuvrai, 3 plur. 
 
 pres. subj. middle of viopai, "to return" 
 
 'Pr/7/aev, Epic and Ionic for tppiyrjaev, 3 sing. 1 aor. in- 
 
 ' die. act. of piyiu, "to shudder ;" fut. piyyau : 2 perf. eppl- 
 
 ya (with present signification). In Homer, only metaphorically, to 
 
 shudder with fear or horror; among the post-Homeric writers, to 
 
 shiver or shudder with cold. From f>iyo, "frost," " cold." 
 
 Zevyvvftevai, Epic, Doric, and -<Eolic for frvyvvvai, pres. 
 
 infin. act. of ^evyvvfit, " to yoke," " to harness ;" fut. 
 
 1 aor. teufa. The root is ZYF-, which appears in the 2 aor. fuy- 
 ijvai, and the substantive &y-ov, and recurs in the cognate languages ; 
 as, Sanscrit yuj, Latin jung-ere, German joch, our yoke, &c. (Pott, 
 Etymol. Forsch., i., p. 237.) 
 
 'OrpaAewf, adverb, " quickly," " zealously." From orpaAcof, 
 "quick," " zealous," and this akin to orpvvu, "to urge." 
 
 "A.v, shortened Epic and Doric form of avd, " up." Butt- 
 ' ' mann prefers uv (Ausf. Gr., 117, An. 4); but consult 
 note. 
 
 'Hvia, uv, ru, "the reins," often occurring in Homer, who naes 
 this neuter form only, and always in the plural : the singular r/viov 
 is late. Strictly, " the bit." Another form, i/via, a?, 17, occurs in the 
 post-Homeric and tragic writers, and is usually, like the former, em- 
 ployed in the plural. 
 
 Tclvtv, Epic and Ionic for ereivsv, 1 aor. indie, act. of reivu, " to 
 Z z
 
 542 HOMERIC GLOSSARY. 
 
 Book 3. Line 261-271. 
 
 draw,'} " to stretch ;" fut. revij : 1 aor. Ireiva. The root is TAN-, 
 or TEN-, as in Sanscrit tan, " extendere," Tu.wfj.ai, ravvu : hence 
 revof, TF.VUV, Latin tendo, tenco, tenus, tenor, tennis, German dumi, 
 English thin, &c 
 
 IIup, shortened form for xapd. Consult previous line, re- 
 LlNE262 ' marks on av. 
 
 HepiKa7./.ia, accus. sing. masc. of irspiKaMfo, e'fi " "^y beautiful." 
 Consult book i., line 603. 
 
 RqcfTo, Epic and Ionic for i6fjae-o, 3 sing. 2 aor. jndic. middle of 
 paivu, with the characteristic (a) of the first aorist. Consult book 
 i., line 428. 
 
 At^pov, accus. sing, of <5%>of, ov, 6, and later 77, with metaplastic 
 plural TO. diypa : properly, " the chariot-board," on which two could 
 stand, the driver (^wo^of) and the combatant (-xapaiGuTTis). But in 
 the Iliad, the word often occurs, as in the present instance, in the 
 sense of " a chariot," " a war- chariot." From 6if and <j>ep<j, from its 
 carrying two. 
 
 LINE 263. Tw, nominative dual of 6, rj, TO. 
 
 2/catuv. Supply TTV^UV, and consult line 145. 
 
 HsdiovSs, adverb, " to the plain," i. e., from the high ground on 
 which the city stood. 
 
 "Exov, Epic and Ionic for fl^ov, 3 plur. imperf. indie, act. of ^G>. 
 
 LINE 266. 'Eff~i^6uv~o. Consult book ii., line 92. 
 
 'Qpwro, 3 sing, imperf. indie, middle of opvvjii, "to raise," 
 LINE 267. 4( [o arouse j n tne middle, opvvaai, "to arise." Con- 
 sult line 250. 
 
 'Ayavoi, nom. plur. masc. of ayavoc, TI, 6v, "illustrious;" 
 LINE 268. str j ct jy t "admirable." In Homer almost always said of 
 kings, heroes, &c., "illustrious," "noble," "high-born." From 
 ayauat. 
 
 "Lvvayov, Epic and Ionic for avvnyov, 3 plur. imperf. indie. 
 Lnns269. act of OTviyu- 
 
 Mteryov, Epic and Ionic for EUKT/OV, 3 plur. imperf. indie. 
 LINE 270. act Q ^ ^ f - ff y W) to m i x which present Homer always 
 
 uses for fiiyvvui. Consult line 209. 
 
 'E%evav, 3 plur. 1 aor. indie, act. of jeu, " to pour ;" fut. ^evaw : 
 1 aor. Epic sx va ' 1 aor - Attic fyea. The form sx Vffa f tne 1 st 
 aorist, from the usual future jevcrw, is probably not Greek. 
 
 LINE 271. 'Epvaauuevoc.. Consult book i , line 190. 
 
 Xeipsacri, Epic and Ionic for xepai, dat. plur. of ^/5, x l Pf> 7 '?> " l ^ e 
 hand."
 
 HOMERIC GLOSSARY. 543 
 
 Book 3. Line 271-279. 
 
 Mdxatpav, accus. sing, of (idxaipa, of, rj, " a large knife," worn by 
 the heroes of the Iliad next the sword-sheath, and used by them on 
 all occasions instead of an ordinary knife. (Consult note.) In a 
 later age, the puxaipa was a sabre or bent sword, opposed to Zfyof, 
 the straight sword. Derivation uncertain. 
 
 , gen. sing, of i<j>of, EOJ-, TO, "a sword." Consult 
 
 l ~ book i., line 194. 
 
 ov, TO, same as /couAfof, ov, 6, " a sheath." These are 
 the Ionic forms. The Attic writers, on the other hand, have KO- 
 /ledf. Consult book i., line 194. 
 
 'AupTo, 3 sing, pluperf. pass, (in the sense of an imperfect) of 
 aelpu, li to hang.'' The regular form would be fipTo or >/epTo, but 
 this is one of the verbs which change their vowel to o in both per- 
 fects ; as, tppuya, from prjjvvfJ.L : TreirruKa, from TT/TTTU : duda for 
 elOa, from Idu : tuna, u^tuna (whence, in the New Testament, u<j>e- 
 uvrai), for etna, abtina, utytlvrai, &c. (Buttmann, Irreg. Verbs, ed. 
 Fishlake, p. 6, note.) 
 
 LINE 273. '\pvuv, gen. plur., from gen. sing, apvof. Consult line 103. 
 
 Tupve, Epic and Ionic for ITO^VF, 3 sing, imperf. indie, act. of 
 Tapvu, " to cut," Epic and Ionic for re/ivw. 
 
 Tpixaf, accus. plur. of dpi%, Tpi^of, rj, "the hair" both of man and 
 beast, "the hair of the head." 
 
 p, Epic and Ionic for eveiuav, 3 plur. 1 aor. indie. 
 
 LINE 274 
 
 act. of vefju, " to distribute ;" Cut. vfftu : 1 aor. 
 
 LINE 275. 'Avao^wv. Consult book i., line 450. 
 
 LINE 276. 'Urjdev, adverb, "from Ida." From 'I6i], ijf, i], "Ida." 
 
 Medeuv, ovrof, a participial form, though no present fiedeu is found : 
 
 "ruling." Then, taken with a kind of substantive force, "a guar- 
 
 dian," " a ruler," over special places. 
 
 LINE 278. Tata, ac, /}, poetic form for yri, " earth." 
 
 Kaudvraf, accus. plur. masc. 2 aor. part. act. of KU/IVU, "to labor;" 
 
 fut. Kapu : 2 aor. l/cayuov. 
 
 Tiwa&ov, 2 dual pres. indie, of the middle deponent rlw- 
 fiai, poetic for Tivopai, " to punish." 
 
 f, Epic and Ionic for 6<mf. 
 
 'Eiriopitov, accus. sing. neut. of emopKOf, ov, "swearing falsely," 
 "perjured." In the present instance, however, it is taken as a sub- 
 stantive, and ixiopKOv bfivvvai is "to swear falsely " "to take a false 
 oath." From ini, denoting opposition, and opxoc, "an oath." 
 
 '0/n6ffffn, Epic and Ionic for 6//o<T^, 3 sing. 1 aor. subj. act. of fy*- 
 wfit, " to swear ;" fut. bftovpai : perf. bfiufiona : 1 aor.
 
 544 HOMERIC GLOSSARY. 
 
 Book 3. Line 280-294. 
 
 LINE 280. MuprtyxH. Consult hook i., line 338. 
 4>iv.uCT<7ere, 2 plur. pres. imper. act. of <j>v/.uoau, "to keep," "to 
 guard," 1 " to watch otcr ;" fut. <f>vXu^u : perf. TTfpuAa^a. In the mid- 
 dle, <j>v/.daa<j(j.ai, "to be on one's guard against," "to beware of," an- 
 swering to the Latin cateo. 
 
 /, 3 sing. 2 aor. subj. act., as if from a present 
 
 ' ' Kara-xibvu, " to slay" which, however, is not in use. The 
 aorist participle nara-iovuv is accented like a present. From Kara 
 and erreyvov (TTE^VOV being shortened from the reduplicated form 
 ireyevov, like 7.E/.a6eadai, AeXadriv, xtTridelv'), assigned to obsolete 
 root oevu, " to slay." 
 
 '.\~oTiveusv, Epic, Doric, and JEolic for airoriveiv, pres. 
 '' infin. act. of U.KOTIVU, " to pay," " to render back." From 
 dxo and rivu, " to pay a price" by way of return or recompense ; 
 whereas ria is confined to the signification of paying honor. 
 
 'Earjouevoiffi, Epic and Ionic for ccrouzvoif, fut. part, of 
 LINE 287. , , 
 etui. 
 
 H.i7.rj-aL, 3 sing. pres. subj. of 7re'/io/zai. Consult book i., line 284. 
 
 LINE 291. EZwf, Epic for sue., "until." 
 
 K.IXEIU. Consult book i., line 26. 
 
 LINE 292. 'H, for tyj?. Consult book i., line 219. 
 
 Srouuxovc., accus. plur. of atofiaxoc, ov, 6, strictly, " a mouth," " an 
 opening :" hence, 1. In the oldest Greek, "the throat," " the gullet :" 
 2. Later, usually, "the orifice of the stomach," and so, "the stomach" 
 itself, frequently in Galen. In Hippocrates, also, " the neck of the 
 bladder or uterus." 
 
 'Apvuv. Consult line 103. 
 
 Td//c, Epic and Ionic for !ra//e, 3 sing. 2 aor. indie, act. of TE/IVU, 
 " to cut ;" fut. re/jiij : 2 aor. erauov. 
 
 ~5ri/M, Epic and Ionic for vjyUet, dat. sing, of v?/,)jf, e'fi and this 
 Epic and Lyric for vijleric, e'f. "cruel;" literally, "without pity," 
 "pitiless," "ruthless." From vq, "not," and lAcof, "pity" "com- 
 passion." 
 
 KaredijKEV, 3 sing. I aor. indie, act. of xarar/^ut, " to put 
 dotcn," " to deposit ;" fut. nara6^au : 1 aor. KareOjjKa. 
 
 'Aanaipovrof, accus. plur. masc. pres. part. act. of uairaipu, " to 
 gasp" " to struggle convulsively." From u, euphonic, and c^aipu, 
 " to gasp," &c. 
 
 &EVOUEVOVC, accus. plur. masc. pres. part, of devouai, " to 
 LINE 294. ,, ,-, ' / 
 
 want, Epic form for oeoftai, fut. der/aouai, &c. 
 
 EZXero, 3 sing. 2 aor. indie, mid. of alpiu, " to take ;" fut. aipyou : 
 2 aor. mid.
 
 11UAIEK1C ULUSSAKV. 545 
 
 Book 3 Line 295-306. 
 
 , Epic for uvvauuevoi, nom. plur. 1 aor. part. 
 
 ' ' middle of atyvaau, "to draw" (consult book i., line 598) ; 
 fut. upvfw : 1 aor. fjyvaa : 1 aor. mid. 7/<t>vau/j7]v. 
 &eirdeaa<.v. Consult book i., line 471. 
 
 "Enxeov, Epic and Ionic for H-eveov, 3 plur. imperf. indie. 
 LINE 296. , , ,,/-..' 
 
 act. ol EK^U, " to pour out ; lut. 
 
 v, Epic and Ionic for alei-yeveraif, dat. plur. masc. of 
 , ov, 6, Epic for aetyevfr^f, ov, 6, " everlasting," " ever-ex- 
 isting.'" From aid, for <W, and the radical yivu. 
 
 EiTreaxfv, 3 sing. Epic and Ionic iterative form of the 2d 
 >INE ' aor. indie, act. for clirev. 
 
 av, 3 plur. .-Eolic 1 aor. opt. act. of Trrjftaivu, " to 
 commit wrong " " to hirm," ' to injure ;" fut. irnnavu : fut. 
 
 mid. (in an active sense by Aristophanes, Ach., 842 : in a passive 
 one by Sophocles, Aj., 1155) Tr^avotf/iat : 1 aor. pass. snijfiuvdr}v. 
 From Trii/j,a, " harm," " injury," &c. 
 
 ov, 6, " the brain." Properly, an adjective, 
 
 ' ' , "within the head" where pie^of is usually 
 
 supplied, " head-marrow," for which Galen has [ivEA 
 
 Xa/*u<5if, adverb, Epic for ^a^afe, "on the ground," "to the 
 
 ground." Compare olnad^, for olKaoe. From ^a^at, " on the 
 
 ground." 
 
 'Peoi, 3 sing. pres. opt. act. of freu, " to flow;" fut. pevau. 
 
 , for dapeinaav, 3 plur. 2 aor. opt. pass, of (5a//ao>, 
 
 " to subjugate," " to enslave," &c. The shortened form 
 of the optative in -sv, as here employed, came into regular use at a 
 later day. (Kuhner, $115, 7.) 
 
 LINE 302. 'E-EKpaiaive. Consult book ii., line 419. 
 
 e, ov, 6, " descendant of Dardanus." Patronymic, 
 
 ' from AdpJavof, ov, 6, " Dardanus," son of Jove, founder 
 of Dardania, or Troy. 
 
 LINE 305. ~Elui. Consult note on book i., line 169. 
 Tlpori. Consult line 116. 
 
 av, Epic and Ionic for aveftosaaav, accus. sing. fern, of 
 f, oeaaa, 6ev, Epic and Ionic for uvf/tpeic, osaaa, vev, " lofty," 
 "high;" literally, "windy," "airy," and so "high," "lofty," "situ- 
 ate on high." From UVE/J.OC, " wind." 
 
 i, 1 sing. fut. indie, middle of the radical form 
 
 3 ' r7.au, which is never found in the present, this being re- 
 
 placed by the perfect Tcr^/co, or the verbs roA/^aw, ave^o/zat, 
 vu, &c., " to endure," " to bear."
 
 546 HUMUK1C GLOSSAKV. 
 
 Book3. Line 306-316. 
 
 'OpdaQai, pres. infin. middle of opdu, in an active sense, " to be- 
 hold," " to see." Consult book i., line 198. 
 
 Mapvauevov, accus. sing. pres. part, of u6.pvau.ai, " to con- 
 LlNE307 ' tend." 
 
 Henpuuevov, nom. sing. nent. perf. part, pass., for which 
 ' there is assumed as a present the form nopu, strictly, " to 
 bring to pass," "to contrive;" hence "to give," "to offer," "to im- 
 part ;" perf. pass. KEtrpuuat, " to be one's portion or lot" hence 3 
 sing. perf. pass. ireTrpurai, "it has been fated, foredoomed," &c., and 
 the perf. part. pass. Trenpuuevov, "fated," " decreed," "foredoomed." 
 Assigned by some to a root IIOP-, by others regarded as a synco- 
 pated perfect from neparou : thus, neTrpuuai for KKirEpaTuuai : but 
 this is too far-fetched. Tne true root appears to be the preposition 
 Trpd, " before," " beforehand." 
 
 LINE 310. T H, for e<j>n. Consult book i., line 219. 
 0ero, Epic and Ionic for I6ero, 3 sing. 2 aor. indie, middle ofridnut. 
 'laoBcoc,, ov, "godlike ;" literally, " equal to the gods." Of frequent 
 occurrence in Homer, as an epithet of distinguished heroes. From 
 Zffof and $eof. 
 $wf. Consult book ii., line 164 
 
 i, nom. plur. of uifjoppo^, ov, strictly, a shortened 
 
 ' form for (tyoppooc., ov, "back-flowing;" but in Homer usual- 
 ly in the general signification, "going back" "moving backward." 
 From ch/> and peu. 
 
 'ATTOVEOVTO, Epic and Ionic for UTTEVKOVTO, 3 plur. imperf. indie, of 
 airoveouai. 
 
 AiEusrpeov, Epic and Ionic for dieusTpovv, 3 plur. imperf. 
 
 indie, act. of Siauerpeu, " to measure off." Literally, "to 
 
 measure through or throughout ;" fut. diauerpjjou. From 6id and 
 
 c, accus. plur. of /c/l^pof , ov, 6," a lot." Perhaps from 
 
 tikdu, " to break," because twigs, potsherds, or other /c?.acr- 
 fiara were used for the purpose. At a later day dice were called 
 idif/poi, because used to decide any thing doubtful. 
 
 Kvven, dat. sing, of Kvven, rjf, fj, " a helmet," contracted by the At- 
 tics into KVVTJ. Originally a feminine adjective from nvvsof, TJ, ov, 
 having 6opd, "a skin," understood, and signifying, therefore, " a dog's 
 skin." But as this material was used for making soldier's caps, KVVEIJ 
 is, in Homer and Hesiod, " a cap or helmet," not necessarily of dog's 
 skin, for we find KVVKTJ ravpeij), Kriderj, &.C., nay, even KVVETJ mi 
 KOC (Od., xviii., 378. Consult note on line 336, p. 262.)
 
 UOMK1UC GLOSSARY. 547 
 
 Boo/iS. Line 3 16-326. 
 
 l, Epic and Ionic for x^KT/pct, dat. sing. fern, of xafavpw, 
 tf, "brass-adorned;'" more literally, "furnished or fitted with brass." 
 Probably from ^a?./c6f and dpu, " to fit." Consult remarks on 
 Kvvfy preceding. 
 
 BdA/W, Epic and Ionic for H>a/J.ov, 3 plur. imperf. indie, act. of 
 (3i'M<j, " to cast." (Consult note.) The imperfect here denotes that 
 the two lots were thrown into the helmet one after the other, not 
 both together. 
 
 'A(j>eiTj, 3 sing. 2 aor. opt. act. of d<j>irjfti, " to hurl," " to 
 LINE 317. , /- ,, ,, f . , , , 
 
 sendjortn ; tat ufyijau, &c. 
 
 , 3 plur. 1 aor. indie, of the middle deponent 
 updofiat, " to pray ;" Alt. apdao/iai, Epic and Ionic apnao~ 
 pat, : 1 aor. mid. rjpaad^riv, Epic and Ionic riprjaufirjv, &c. From dpd, 
 Epic and Ionic apfj, " a prayer." 
 
 'Aveaxov, 3 plur. 2 aor. indie, act. of di^w, "to hold up." 
 
 LINE 320. Me&'wv. Consult line 276. 
 
 'ATro<f>difj.evov, " having perished " accus. sing. masc. syn- 
 ' copated 2 aor. part, middle of an-o^'vo or dnoQdtu, " to 
 perish," " to die away ;" fut. inroQdiou : 1 aor. dirfydiaa, always 
 transitive, " to destroy .-" 2 aor. mid. syncopated dne^dipiv (same in 
 form with the pluperfect passive) : part. diroQdipevoc. (Buttmann, 
 Irreg. Verbs, p. 256, ed. Fishlake.) 
 
 Avvai. Consult book ii., line 413, and compare book iii., line 241. 
 
 "Aidof, gen. sing, of the obsolete nominative "Atf, "Hades." Con- 
 sult book i., line 3. 
 
 LINE 324. "E6av. Consult line 161. 
 
 Kopuftuo/lof. Consult line 83. 
 
 Hd^Xev, Epic and Ionic for ^TraAAev, 3 sing, imperf. indie, act. of 
 Trd/lAw, " to shake ;" 1 aor. enr/Aa : Epic 2 aor. part., in reduplicated 
 form, rr7ra/lwv, used by Homer only, in composition, with dvd, as in 
 dfj.TTC7ra3.uv. 
 
 'Opouv, Epic lengthened form for opuv, pres. part, of opdu. 
 LINE 325. Consu]t book j^ line 56 
 
 Gouf, adverb, " quickly." From i?oof, T], 6v, " quick." 
 "Opovacv, Epic and Ionic for upovaev, 3 sing. 1 aor. indie, act. of 
 opovu, "to rise and rush violently on or forward," "to leap," "to dart 
 forward ;" fut. opovmj : 1 aor. upovaa. From opu, opvvpi. 
 
 'l&vro, 3 plur. imperf. indie, mid. of 2w, "to cause to sit:" 
 ' in the middle, tfo/jat, " to seat one's self," "to sit." The 
 root is EA-, which occurs in erf-of, " a seat," and in the Latin sed-eo. 
 'H^t, Epic for y, " where."
 
 548 HOME1UC ULOSSAKV. 
 
 Book 3. Line 327-334. 
 
 'AepaiKodse, nom. plur. of aepaixovf, 6,17, gen. ~o6o^, "light- 
 '' 'fooled;" more literally, ''lifting up the foot" i. e., fleet, 
 briskly-trotting. From aeipu, " to lift up" and KOVC, " the foot." 
 
 'EdvasTo, 3 sing. 2 aor. indie, middle (with the character- 
 istic <T of the first aorist) of Jt'w or diivu, " to gel into," &c. 
 Hence, " to put on," said of clothes, armor, &c. Consult, as regards 
 the peculiar form of the second aorist here, book i., line 428. 
 
 f, tof, 6, "a husband," "a spouse." Probably its 
 
 original sense was that of lord, master. Compare San- 
 scrit pati, " lord," " husband," and consult the remarks on Trorvia, 
 book i., line 357. 
 
 Kv7]ul6af, accus. plur. of Kvnuic, 160?, r/, " a greave." (Con- 
 ' suit note.) From KVJ'IUTJ, " the bone of the leg from the knee 
 to the ankle," the part protected by the greave. 
 
 Kvf/uijaiv, Epic and Ionic for Kvyuaic, dat. plur. of Kvrj/ir/, r/f, r/, "a 
 leg ;' strictly, " the bone of the leg." Consult previous word. 
 
 'Apyvpeotaiv, Epic and Ionic for upyvpolf, dat. plur. of up- 
 a, ov, contracted upyvpoCf, a, ovv, "of silver." 
 
 From apyvpof, "silver." 
 
 'EiricHjtvpLoic, dat. plur. of smayiipiov, ov, TO, " an ankle-ring," which 
 secured the greave on the leg. (Consult note.) The term properly 
 denotes " something laid or placed upon the ankle." From CTT/, "upo?i," 
 and aipvpov, " the ankle." 
 
 'Apapviaf, "fitted," " secured," accus. plur. fern, of perf. part. act. 
 of the obsolete present apu, " to Jit," &c. The active present in use 
 is upapiuKu, formed from the 2 aor. ; fut. upu, Ionic upau : 1 aor. 
 Tjpaa, Ionic upaa : 2 aor. fipdpov, Ionic upapov : perfect active, with 
 intransitive and present signification, updpa, Epic and Ionic upr/pa, 
 part, upupuf, Epic and Ionic dp/;pcjf, fem. upupvta, but Epic (metri 
 gratia) updpvla : pluperf. j/pupeiv, Epic and Ionic aprjpetv. 
 
 , accus. sing, of ^uprj^, t/KOf, Epic and Ionic for 
 
 LINE 332. , c . , .. , . 
 
 utiOf, o, "a corselet. 
 
 'Edvvev, 3 sing, imperf. indie, act. of 6vvu, " to put on," &c. 
 
 Olo, Epic and Ionic for ov, "his," gen. sing, of the pos- 
 sessive pronoun uc, r/, ov, " his, her, its." 
 
 io, Epic and Ionic for KaaiyvjJTov, gen. of KaoiyvriTOf, ov, 
 6, "a brother." From nuaif, "a brother," and yevvuu. 
 
 "Hppoae, 3 sing. 1 aor. indie, act. of dpuo&, "tofit;" fut. upuoau : 
 1 aor. f/puoaa. From dpuof, ov, 6, " a fitting," and this from apu, 
 "tofit." 
 
 LINE 334. 'Apyvpor/fov. Consult book ii., line 45.
 
 HOMERIC GLOSSARY. 549 
 
 Book 3. Line 335-339. 
 
 , tor, rd, " a shield." The earliest shields were of 
 ' wicker-work or wood, covered with one or more ox-hides : 
 if more than one, they were parted by metal plates (that of Ajax 
 had seven hides, and an eighth layer of metal (//.. vii., 222) : hence 
 the epithets ^ri/./cfoc, ^o/./a/pff, Tcrpads/.v^voi', l7rra6oiov. It was 
 concave, and hence sometimes used as a vessel to hold liquid. 
 (JEsch., Theb., 540.) 
 
 IiTidapov, accus. sing. neut. of anSapoc., a, 6v, "strong," "stout;' 
 strictly, " close-pressed," and hence " thick," " stout," &c. From 
 areiCu, "to tread with the feet," " to pack close by treading.'" Akin to 
 stipo, stipfs, stuppa, our step, slop, stamp, stump, &C. 
 
 LINE 336. Kpari. Consult book i., line 530, remarks on Kpa-of. 
 'Idft'uw. Consult book i., line 3, remarks on ioBiuovc.. 
 Kwerjv. Consult line 316. 
 
 EVTVKTOV, accus. sing. fern, of evrv/crof, ov, "well-made.' 1 ' From 
 ti> and rei^-w. 
 
 v. accus. sing. fern, of l--oi-pic, idoc, n, " horse- 
 
 T IVF T}7 
 
 tailed," "decked with a horse-tail.'' From "L--OC; and ovpd, 
 
 " a latl." 
 
 Aooor, of, 6, " the crest" of a helmet, usually of horse-hair. The 
 term properly denotes " the back of the neck," " the neck," especially of 
 draught cattle, because the yoke rests upon and rubs it (/.CT^) : then, 
 metaphorically, "o ridge of ground," -'a rising hill," like the Latin 
 jugum and darsum ; and hence of any high and crowning object, as 
 the crest of a helmet, &c. From /.s-^u, "to rub," "to chafe," as above. 
 
 'Ei-tvtv, 3 sing, imperf. indie, act. of vevu, "to nod;" fat. vevau : 
 perf. vevcvKa, &c. Compare Latin nuo. 
 
 Tla/.dunQiv, Epic dative, w r ith 61 suffixed, for the common 
 LINE 338 
 
 from -a/^uj?, rjf, ?/, " the hand ;" strictly, " the 
 
 palm of the hand." Consult, as regards the Homeric suffix 01 or 6iv, 
 page 283, seqq. 
 
 'ApypEi, Epic and Ionic for f/pupsi, 3 sing, pluperf. indie, act. of 
 upu, " to fit," and having here the force of an imperfect. Consult 
 line 331. 
 
 'Errca, accus. plur. neut. ivrea. uv, TU, "armor," "arms:"' 
 I IVE 339 
 
 properly, "instruments, gear, tools" of any kind. Homer, 
 
 however, mostly uses it simply for "fighting gear, arms, armor," 
 especially a coat of mail, like tfopaf In the Odyssey, however, we 
 have evrea dairuc, " the furniture, appliances of a banquet." Pindar 
 has E vrea vn6$, "rigging," " tackle:" 1 fvrea l--fia, "horse-trappings," 
 &p. Fr>m h-rrui. " to j>u/ mi." &r . aconnling to s(<me.
 
 550 HOMERIC GLOSSARY. 
 
 Book 3. Line 340-34S. 
 
 'EtcaTEpdev, adverb, for tKartputiev, "from each side." 
 From K<lrepof, " each of two," &c., and the local suffix #ev. 
 
 'Ojj.i'kov. Consult line 22. 
 
 Gwp^^aaj', Epic and Ionic for tBupfjxQiaav, 3 plur. 1 aor. indie. 
 pass, of dupf/aau, " to arm ;" properly, with a cuirass or corselet : 
 then, in general, " to arm,' 11 &c. ; fut. tiupiji-u : 1 aor. f6upf/x6i)v. 
 From tfwp^f, Epic and Ionic for tfupaf. 
 
 LINE 341. 'E<m;t;ouvro. Consult book ii., line 92. 
 
 LINE 342. Aepicofievoi, noni. plur. masc. pres. part, of depxouai, "to 
 look," " to appear," &c. 
 
 Qup6of, eof, TO, " amazement,'' answering to the Latin stupor. 
 From a root -du.ofj.at, akin to TeOnira and tiavpa. 
 
 ~Elc.op6uvTac., Epic lengthened form for eifopuvrac., accus. plur. 
 pres. part. act. of el^opuu, &c. 
 
 ^.Ti/Ttjv, 3 dual 2 aor. indie, act. of IOTIJUI, Epic and Ionic 
 LINE 344. ,. , , 
 
 for fffT7)T7]V. 
 
 w, dat. sing. masc. of diaueTpr/Tos, 6v, " measured off." 
 From iSiausTpiu, "to measure off." Consult line 315. 
 
 Zf/oire, nom. dual pres. part. act. of aeiu, "to brandish;'' 
 ' fut. oEiau : perf. pass, aeaeiffuai : 1 aor. pass. kadaQriv. 
 Akin to crevu, " to urge,''' " to drive." 
 'Ey^euzf. Consult line 137. 
 
 Kort'ovre, nom. dual pres. part. act. of KOTSU, " to cherish wrath," 
 "to be incensed;" properly, "to bear one a grudge." From KOTOS, 
 "grudge," "rancor." 
 
 Tlpoiei, 3 sing, imperf. indie, act. of -Kpoitu, Epic and Ionic 
 ' form for Trpoir//u, " to hurl." Consult book i., line 25, re- 
 marks on uijtiei. 
 
 Ao/lto<7/oi>, accus. sing. neut. of 6o?.ix6aKtoc,, ov, " long shadow- 
 casting," i. e., "long, tall." From (5o/lt^6f, "long," and aKia, "a 
 shadow." Some, however, derive it from oo-^of, " the shaft or handle 
 of a spear." But consult note. 
 
 LINE 347. 'Arpi<5ao. Consult book i., line 203. 
 NuvToae, adverb, "every way," "in all directions." 
 'EtoTjv, Epic lengthened form for larjv, accus. sing. fern, of eiffof, 
 elan,, iiaov, Epic for loot;, Ian, laov, "equal." 
 
 "'EppTj^Ev, 3 sing. 1 aor. indie, act. of pfjyvvut, "to break," 
 LINE 348. tttorend .,, fut ^ . l aor {p ^ a ,_The root is PHF-, 
 
 PAF-, or, rather, FPHP-, FPAF-. Compare the Latin frang-o,freg-i, 
 our break, wreck, the German brcchen, &c. 
 
 , 3 sing. 1 aor. indie, pass, of uvayvuinrTu, " to bend
 
 m.Mr.KK (il.Oi^ARY. 551 
 
 Book 3. Line 343-358. 
 
 back ;" fut. avayvafiifju : I aor. uve-yvauipa : 1 aor. pass. uVEyvupfrfinv. 
 From uvd and yvdftTTTu. 
 
 AlxuT/, tif, n, "the point of a spear." Akin to ataau, as dpaxfirj to 
 
 Spuaau (Donaldson's New Cratylus, p. 224) : also, perhaps, to UKI'I, uKfirj. 
 
 "Qpvvro, 3 sing, imperf. indie, mid. of upvvui, " to rouse," 
 
 ' "to stir up;" fut. opaa : 1 aor. upaa. In the middle, dp- 
 
 vvuat, " to rouse one's self," " to arise," &C. 
 
 *Ava, voc. sing, of aval;, uvaKroc., 6, "king," "monarch," 
 
 ' used only in addresses or prayers unto the gods. Sappho 
 
 is said to have used it, also, for <i uvaaaa, " queen '." It is of rare 
 
 occurrence in the tragic writers. The last syllable is never elided. 
 
 (Herm. h. Apoll., 526.) 
 
 TiaaaOat, 1 aor. infin. mid. of rivu. Consult book ii., line 356. 
 'Eopyev. Consult book ii., line 272. 
 LINE 352. 'Euyf, Epic and Ionic for epaif. 
 
 Ad/iaooov, Epic for dupaoov, 2 sing. 1 aor. imper. act. of 6a/idu. 
 Consult book i., line 61. 
 
 'Eppi-)-yai, Epic for sppi-yfj (consult book i., line 129), 3 sing. 
 ' 2 perf. subj. act. of pr/su, "to shuilder ;" fut. piyqau : 2 
 perf. (with present signification) ippl-ya. Consult line 259. 
 
 'Qijti-yovuv, gen. plur. masc. of oi/x'yovof, ov, ''late-born." Homer 
 usually employs it in the plural, " theij who are born afterward" " de- 
 scendants," "posterity." From b^ie, "late," and yevof. 
 
 "izEivoSoKov, accus. sing, of t-eivo66ico, ov, 6, " a host," Epic 
 ' and Ionic for ^evodoKOf. Strictly, an adjective, fctvodo/tof, 
 or, " receiving guests," &.c. From Eelvoc, Epic and Ionic for fe'vof, 
 and d^o/iat, "to receive." 
 
 Tffat, 1 aor. inf. act. of ps^u, " to do," " to perpetrate " fut. pl-u : 
 1 aor. epsZa. Consult book i., line 315. 
 
 $i?.dr^ra. accus. sing, of (pMrrif, TJTO?, ?/, "a friendly or hospitable 
 reception." From ck'/lof, "friendly." 
 
 'Apirs-aAuv, nom. sing. masc. 2 aor. part. act. (redupli- 
 cated form) of uva~d/lAu, " to brandish," " to sicing to and 
 fro." Consult note, and also remarks on TTU.A./.KV, line 324. 
 
 "O6pipov, nom. sing. neut. of o6pt/uof, ov, "powerful," &c. 
 The form 5fi6pi[ioc. (consult note) is not used by the Epic, 
 but is the prevailing form in Lyric writers. From the intensive 
 prefix (3pi- (whence j3pi6vc, ppidu, ppiuu, &c.), with o prefixed. 
 
 IIo?.i(Ja4<5d?,ov, gen. sing. masc. of nohv6ai6a?.oc, ov, 
 " wrought with much ingenious art." From Tro/.tr, and 
 iaifial.oc, " cunningly wrought."
 
 552 HOMERIC GLOSSARY. 
 
 Book 3. Line 35S-363. 
 
 'HpijpciaTo, 3 sing, pluperf. indie, pass, (with reduplication), for 
 fjpeiaro, of epsidu, "to force," " to drive ;" strictly, "to make one thing 
 lean against another ;" then, " to prop or stay." Hence " to fix firm," 
 " to plant," and, figuratively, " to dash," " to hurl," " to force," " to 
 drive," &c. ; fut. epeiffu : pert', pass., without reduplication, f/psiauai: 
 with reduplication, epjjpeiauai : pluperf., without reduplication, f/pela- 
 f*7)v : with reduplication and augment, f/pqpeiaptjv, &c. 
 
 ov, adverb, " right on," " through and through." If 
 
 I IXE 359 
 
 ' the old grammarians be credited, this is rather the mean- 
 
 ing of avriKpi's, while they assign to avrmpv the signification of 
 - orer against," &c. On this supposition, dvriKpv must here be re- 
 garded as equivalent to uvriKpvf. But the rule above referred to 
 lias not as yet been established with certainty. 
 
 Hapai, Epic for Kapd. Hence the Latin p r<z. 
 
 AoTrapjyv, Epic and Ionic for Aaxdpav, accus. sing, of ham'ipn, i]?, 
 ff. Epic and Ionic for /.andpa, of, 17, " the soft part of the body between 
 the ribs and the hip," " the flank ," "the loins," corresponding to the 
 Latin ilia. Strictly, the feminine of Zowrapof , d, 6v, "soft," "slack," 
 " loose," &.c. 
 
 Aidpnae, Epic and Ionic for dirjpjas, 3 sing. 1 aor. indie, act. of 
 diaudu, "to mow through,'' 1 "to cut through," "to pierce;" 1 fut. 6ca- 
 ftTJou : 1 aor. diyptjaa. From 6td and dfidu, " to mow," dec. 
 
 'EKhivdrt, Epic and poetic for tuTudri, 3 sing. 1 aor. indie. 
 
 ' pass, (with middle signification) of nhivu, " to bend," " to 
 
 bend sideways ;" fut. idtvu : 1 aor. KKt.lva : 1 aor. pass. eK/udriv. In 
 
 the middle, K'fdvofiai, " to bend one's self." Homer uses both EKMV- 
 
 BTJV and eK/JOnv, yet the former is exclusively Epic and poetic. 
 
 'Afovaro, Epic and Ionic for r/Aewzro, 3 sing. I aor. indie, of the 
 middle deponent dZevopat, same as dfaopai, " to avoid," "to thun." 
 
 Krjpa. Consult book ii., line 352. 
 
 LINE 361. 'Epvaadpevos. Consult book i., line 190. 
 
 'ApyvpoTjfov. Consult book ii., line 45. 
 
 LINE 362. nA^ev. Consult book ii., line 266. 
 
 'Avaoxopevof, nom. sing. masc. 2 aor. part, middle of avc^u. Con- 
 sult book i., line 450, remarks on avaax&v. 
 
 Kopvdoc,, gen. sing, of Kopvc, i>6of, r), ''a helmet," accus. nopvda 
 and Kopvv, both in Homer. Akin, no doubt, to Kdpa, aspae, Latin 
 cornu, &C. 
 
 $d?iov, accus. sing, of 0ciAoc, ov, 6, " the metal ridge of a helmet in 
 which the plume was fixed." (Consult note.) 
 
 LINE 363. Tpi^u. adverh. poetic form for Tpi%a, "into three piec.ts."
 
 HOMERIC GLOSSARY. 653 
 
 Book 3. Line 363-370. 
 
 adverb, poetic form for riroaxo-, " into four pieces." 
 Atarpvoev, nom. sing. neut. 2 aor. part. pass, of itaftpinrru, "to 
 shiver," ''to break into pieces;" fut. 6iaQpvijju : 1 aor. 6iedpvipa: 2 
 aor. pass, itcrpvfav- 
 
 'E/t-effe, Epic and Ionic for O-eireat, 3 sing. 2 aor. indie, act. of 
 , " to fall out of," " to fall from ;" fut. iKXTuau : 2 aor. ef- 
 
 'Qifiu!-fv, i. e., uuul-fv, 3 sing. 1 aor. indie, act. of olpufa, 
 " to groan," " to raise the cry vf griff," &.C. : strictly, " to 
 cry 01/101 :" fut. oiftu!;o/tai (for olpuu only occurs in the Orac. 5(4.) : 
 1 aor. uuu^a. From o'/noi, " jro jj me .'" like otyu from ol, ai^(j 
 from at, $ev& from ?fi>, and many other Greek verbs formed from 
 natural sounds. Compare the German achzen, from ack ! 
 
 'OAoorepof, a, or, "more hurtful." Comparative of 6/.odr, 
 ' **' " hurtful." The moral signification, " malignant," &c., is 
 foreign to the word, for it always relates to the infliction of some 
 special ill ; and hence the T?C<JV 6?.ouTarof (//., xxii., 15) is not " ike 
 most malignant of the gods," but " the god who causes the greatest ill." 
 . From 6?.<j, bi./.vui. 
 
 KawTTjTof, gen. sing, of KaKdrrj?, jyrof, TJ, "wickedness," 
 LIKE 36fi. ., ,, , ^ 
 
 " iforth/essness. r nun /ra/cof . 
 
 LINK 367. Xeipsaatv. Consult line 271. 
 
 'Ay^, 3 sing. 2 aor. indie, pass, of uyvv/tt, " to break." (Consult 
 note.) The ordinary form of the 2 aor. pass is kuyrjv, with the a 
 long. 
 
 'HixBt), 3 sing. 1 aor. indie, pass, of iiiaau, " to cause to 
 ' start forth," 1 "to rush," &C. ; fut. att-u : 1 aor. jyifa : 1 aor. 
 pass, iiixfyv. The Attic form is paau or prrw : fut. tffw : 1 aor. yl-a : 
 1 aor. pass, yxfyv- 
 
 Ila?MpT]<piv, Epic for ^a/ufiTjf. Consult page 283, seqq. 
 
 'Eruaiov, nom. sing. neut. of 'ETUGIOS, ov, "without effect" "to no 
 purpose" "in rain." From erdf, " in vain," &C. 
 
 LINE 369. 'Errat^af. Consult book ii., line 146. 
 
 'lTn-o(5acrf/^f, Epic and Ionic for i-xTrodaasiac.. gen. sing, of a femi- 
 nine trr-otiuceia, without any masculine ix-x66aavc in use (Lohcck, 
 ad Phryn., 538) ; in Homer always an epithet of Kopvf, "with bushy 
 horse-hair crest." 
 
 'Elite, Epic and Ionic for et'/Uf, 3 sing, imperf. indie, act. 
 
 T T vr ^70 
 
 u ' of &.KU, "lo drag;" fut. a&>: 1 aor. dtea, but only late, 
 
 the derivative tenses being mostly formed from i'Anvu, namely, fut. 
 ifavau : 1 aor. r'tJucvaa, &.c. 
 
 A. A A
 
 HOMERIC GLOSSARV. 
 
 Book 2. Line 370-374 
 
 f, nom. sing. masc. 1 aor. part. act. of hriorpefai, " to 
 turn about;" fut. e-xiarpetiu : 1 aor. ermrrpf^a. 
 
 'A}vr Epic and Ionic for fiyxe, 3 sing, imperf. indie, act. 
 ' of ayx", " to press tight," especially the throat, " to 
 choke," &c. 
 
 TloMxtorof, ov, "richly embroidered" From jroWf and Kitrr6f, 
 "embroidered,"' and this last akin to xevreu, Kevrrai, "to prick," &c. 
 
 'ludf, dvroc, 6, "a strap." (Consult note.) The root is to be 
 found in the Sanscrit i, " to bind," rather than in iijftt. Compare 
 the old Saxon simo, "a bond." (Pott, Elymol. Forsch., ii., p. 174.) 
 
 'Airahr/v, accus. sing. fern, of 7ra?.6f, 77, 6v, "tender." Perhaps 
 from u-ru, ddr/, " a touching," the primitive meaning of the adjective 
 being " soft to the touch." 
 
 Aetpijj', accus. sing, of Setprj, f/f, f/, " the neck,'' "the throat." (The 
 Attic form is oepr], 77?-.) Probably from deou, "to skin,'' " to flay." 
 Compare remarks on the etymology of MQOC, line 337. 
 
 LINE 372. 'AvBfpeuvoc.. Consult book i., line 501. 
 
 'O^ftV, ffcf (Ionic T}OC), o, " any thing for holding or fastening," "the 
 holder of a helmet." (Consult note.) From f%u, " to hold," a collat- 
 eral form of which is o^cw. 
 
 Teraro, Epic and Ionic for tre'raro, 3 sing, pluperf. indie, pass, of 
 m'vw, "to stretch;" fut. rrvu : perf. Tirana: perf. pass, rerauat: 
 pluperf. pass, irc-ruunv. The root, as before remarked, is TAN-, 
 TEX-, as in Sanscrit tan, "extendere." Compare Latin tennis, 
 German dunn, English thin, &c. 
 
 Tpvea?.e/77f, Epic and Ionic for rpvoa/.elaf, gen. sing, of Tpvd>a/.eia, 
 cf, TJ, "a helmet." Usually derived from rpif and u/of, "a helmet 
 vilh three daP.oi," otherwise called rpt^a^eta : but Buttmann (Leril., 
 3. -c. <t>d/.ot, fin.) remarks, that rpv<i>uAeia is a more general name, not 
 the name of any special sort. Hence he derives it from rpvu, " to 
 fierce," " to perforate," as a helmet with a projection (6a?.of), pierced 
 to receive the plume. 
 
 Elprfftrtv, Epic and Ionic for tpvcev, 3 sing. 1 aor. indie, 
 act. of elpvw, " to drag away," " to draw," <5tc. ; fut. tipvau : 
 1 aor. ctpvoa, all Epic and Ionic forms for fpva, epvau, tpvaa, &c. 
 (Buttmann, Irreg. Verbs, cd. Fishlake, p. 103, seq.) 
 
 'Affirerov. Consult book ii., line 455. 
 
 'Hparo, 3 sing. 1 aor. indie, middle of a'tpu, " to take up ;" fut. dpi* : 
 1 aor. r/pa. In the middle, alpoftai, "to take up for one's self," "to 
 gain," " to acquire ;" 1 aor. Tjpdurjv. 
 
 LTNF S74. 'Ofi';, anciis. sing. nent. of oftvf, eta, v, "keen,"
 
 HOMERIC GLOSSARY. 555 
 
 BookS. Line 374-381. 
 "sharp," "quick," taken here adverbially, "quickly." Akin to 
 
 'PnZev, 3 sing. 1 aor. indie, act. of priyin>[it, "to break," and 
 ' Epic and Ionic for Ipfat-ev : hit. prjgu : 1 aor. ippnja. 
 'I0t. Consult book i., line 38. 
 
 Kraut voio, Epic and Ionic for KTauivov, gen. sing. masc. 2 aor. 
 part. mid. (with passive signification) of KTtcvu, "to slay;" fut. 
 KTCVU : 1 aor. fKTciva : perf. IKTOVO, (still later, non-Attic perf. l/cro- 
 na and tKrovr/Ka) : 2 aor. mid. tKTauijv : part. KTUUSVOC, &c. 
 
 Ti, Epic and Ionic for KSVT/, nom. sing. fern, of iceivof, 
 
 ' TI, 6v, Epic and Ionic for Kevof, t], 6v, " empty." 
 
 to. 3 sing. 2 aor. mid. of tiropat, " to follow ;" 2 aor. 
 Uaxfin, Epic and Ionic for iraxeia-, dat. sing. fern, of rra^vf, eta, v, 
 stout." Akin to irffyvoftt, 2 aor. pass. Tray-rjvat. 
 
 f, nom. sing. 1 aor. part. act. of eiri6ivu, " to 
 
 ' whirl around," " to swing round before hurling or throw- 
 ing." From txi and 6tvfu, "to whirl" and this from 6ivr), "a 
 whirling." 
 
 Kopiaar, Epic and Ionic for titofitaav, 3 plur. 1 aor. indie, act. of 
 KOH'^U. Consult book ii., line 183. 
 'E/3%>e?. Consult line 47. 
 
 Tr, 3 sing. 1 aor. indie, act. of tnopovu, " to rush 
 
 upon ;" fut. tnopovau : 1 aor. (without augment) 
 Only a poetic verb. From eni and bpvvpi. 
 
 KaraKTuuevai, Epic, Doric, and ..Colic for naraKTuvat, 2 aor. inf. 
 act. of KaraKTeivu, "to slay at once," "to slay;" 2 aor. Karinrriv. 
 Consult remarks on KTapevoio, line 375. 
 
 Meveaivuv, nom. sing. masc. pres. part. act. of [iKvenivu, "to desire 
 earnestly." From pvo, with regard to which consult book i., line 
 103. 
 
 Epic and Doric for f>?|07ra<Te, 3 sing. 1 aor. in- 
 
 die. act. of i^apm'i^u, "to snatch away;" 1 fut. (Epic and 
 
 Doric) ffapn-afw : (Attic) H-apndau : 1 aor. ^fjpna^a (as always in 
 Homer), but in Attic H-qpiracra : perf. c&pTraKa. From If and 
 
 'Psla, adverb ; poetic, especially Epic, for^/a, "eoai/y.' 1 
 Tea is regarded as the adverb of pad 
 
 Gf6f, of, 7i, "a goddest." 
 
 '~EKU%I'\I>E, 3 sing. 1 aor. indie, act. of KO/.V-XTU, "to conceal." Con- 
 sult book i., line 460. 
 
 'ttfoi, Epic and Ionic for utpt. dat. sing, of wo, ufpof. f/. (Con-
 
 556 HOMERIC GLOSSARY. 
 
 Book 3. Line 38 1-335. 
 
 suit note.) Observe that this word is feminine in Homer and He- 
 siod ; but, from Herodotus downward, masculine. The passages in 
 //., v , 776 ; viii., 50 ; H. in Cer., 383, can not be quoted for the mas- 
 culine usage, since there TTOV/.VC and Paftvc need not be masculine. 
 So, acr was feminine in Ennius. (Aul. Gell., xiii., 20.) The Epic 
 and Ionic form is d/p, gen. f/epoc, f/, in Hippocrates rjiip. From au, 
 dnui, as aWfip from al8u. 
 
 LINE 382. Ka<5. Consult book ii., line 160. 
 
 E/ffe, 3 sing. 1 aor. indie, act., as if from a present ifc, " to set," 
 " to place," to which same supposed present are commonly assigned 
 such tenses as fiadunv (1 aor. mid.) : elaofiai (fat. mid.) : duat (perf. 
 pass ). In truth, however, they ought to be ranked under l^ouai. 
 
 Qa/.uu(j. Consult line 142. 
 
 Ei}u(5fi, Epic and Ionic for evudei, dat. sing. masc. of tvMrif, EC, 
 " fragrant." From ei> and o^u, " to smell,'' perf. odu6a. 
 
 Kr/uevTi, dat. sing. masc. of Krjueir, uerraa, ticv, "smelling as of 
 burning incense." Usually derived from KUU. naiu, "to burn," and 
 6>w, " to smtll ;" but probably there was an old substantive itijof, 
 equivalent to dvof, "incense," and which was to Kaiu as, in Latin, 
 fragro to flagro. 
 
 KaAe'ot'tra, Epic for Ka/Jaovoa, nom. sing. fem. fut. part. 
 LINE 383. .. , , .. f . *. 
 
 or KQACU, " to summon, " to call ; fut. KaJ.r.au. 
 
 "Ie, Epic for yei (intermediate forms, also Epic, rjle and J?E), 3 sing, 
 imperf. indie, act. of dpt, " to go." 
 
 'EKt'xavev. Consult hook ii., line 18. 
 
 LINE 384. Uvpycj. Consult line 153. 
 
 *A?,tf. Consult book ii., line 90. 
 
 N?/cra/>e'ot>, gen. sing. neut. of vexrapeo?, a, ov, Epic and 
 
 '' Ionic 1), ov, " ncctarou-i," i. e., "fragrant," " swcct-sccnl- 
 
 ed ;" or, as others explain it, " divine," " beauteous." The former 
 
 is preferable. From re/crap, with regard to which consult book i , 
 
 line 598. 
 
 'Eavov, gen. sing, of eavov, of, TO, "a robe," usually a rich one, fit 
 for goddesses, ladies of rank, &c., to wear. There is also an adjec- 
 tive eavof, TI, 6v, "Jit to wear," "fit to put on," &c. In the Iliad, the 
 a of the adjective is long (mvdf), but that of the substantive short 
 (luvov). Later authors, however, use a or a, as suits the metre. 
 Buttmann is led by this difference of quantity to assume a twofold 
 root : 1. Ivwui for the substantive. 2. euu for the adjective, which 
 would then have for its original signification, "yielding" "giving 
 vny," and so, "ftiihlr," "pliant," "clasping." Nor is this very im-
 
 HOMERIC GLOSSARY. 
 
 Book 3. Line 385-393. 
 
 probable, since the substantive, like Iwvui, has the digamma, where- 
 as the adjective has not. 
 
 'En'vafe, 3 sing. 1 aor. indie, act. of rivacau, "to shake;" fut. n- 
 vulja : 1 aor. krivaS-a. Akin to reivu, TO.VVU. 
 
 Tpqi, dat. sing, of ypnvc,, gen. yp?of, Epic and Ionic for 
 ' ypavf, gen. ypoof, dat. ypai, &c., " an aged female." From 
 the same root as ycpuv, yfpaiof, &.c. 
 
 EiKvla, nom. sing. fern, of eiKUf, e'iKvia, ciKof, shortened form for 
 eoiKuc, eoiKvla, eoticof, part, of coma, 2 perf, with present significa- 
 tion, from the radical SIKU, " to be like," " to resemble" The Attics 
 preferred the form C'IKUC, especially in the neuter CIKOC, and we find 
 in Homer once << (//., xxi., 254), and frequently the feminine 
 
 Hahar/evei, Epic and Ionic for Trahaiycvei, dat. sing. fern, of ira- 
 /lar/evjjf, if, "far advanced in years ;" more literally, " born long ago," 
 or " long before." 1 From xuhai and yiyvofiai. 
 
 o/ju.), dat. sing, of elpoKOfj.of, ov, rj, "a wool-dresser." 
 
 ' Properly an adjective, eipoKouoc., ov, "wool-dressing.' 1 '' 
 From clpoc., " wool," and /cn/zcu, " to dress. 1 " 
 
 Nteracjfi7?, dat. sing. fern. pres. part. act. (lengthened form for 
 vaiETu<rrj), from vaieruu, " to dwell." 1 Only an Epic word. 
 
 'HaKeiv, Epic for fjaKtev, 3 sing, imperf. indie, act. of aa- 
 KKU, " to prepare," " to dress ;" fut. daKqau. According to 
 Pott, from anevof or feu, with a prefixed. 
 
 Elpia, accus. plur. of e'tpiov, ov, TO, Epic and Ionic for Ipiov, ov, TO, 
 "a fleece." 
 
 QiMfanev, 3 sing, imperf. indie, act. (iterative form for tyiXti) of 
 $i7.lu, " to love ;" fut. <pt?.Tjau, &c. 
 
 LINE 389. 'Eeiaa/ifvn. Consult book ii., line 22. 
 LINE 390. Aevp' Iff. Consult line 130. 
 
 &IVUTOLOI, Epic and Ionic for divurotc., dat. plur. neut. of 
 LINE 391. g lvuT ^ t ^ ^ v> "rounded." (Consult note.) From 6tv6u, 
 " to round." 1 
 
 KiiMicl, Epic and Ionic for KU/.ACI, dat. sing, of Kul.hof, 
 "' eoc, TO, " beauty." From xa/.of. 
 2ri/,6(jv, nom. sing. masc. pres. part. act. of <m'/l&j, "to glisten;" 
 
 fUt. CTTM.T/XJ. 
 
 'Et/aianiv, dat. plur. of el/ia, arof, TO, " a garment," &.C. In the plu- 
 ral, elpaTa, " raiment," " vestments." From ivvvju. 
 
 Xop6v6e, adverb, "to a ilance." From Coptic, "a dance," 
 E with the suffix 6e, denoting motion toward. 
 A A A 2
 
 558 HOMERIC GLOSSARV. 
 
 Book 3. Line 394-406. 
 
 Ar/yovra, accus. sing. pres. part. act. of /,j/yu, " to cease 
 LINE 394. y rom Consult book i., line 210. 
 
 LIXE 395. Qvuov hi arfidsaaiv, K. r. /,. Consult book ii., line 142. 
 
 'luepoevra. accus. plur. neut. of iuepoeic, oeoaa, 6ev, " lovc- 
 
 LIXE 397 
 
 " ly," "exciting love or desire." From lutpoc, "desire." 
 
 , accus. plur. neut. pres. part. act. of pappatpu, "to 
 flash" " to sparkle brightly ;" fut. [tappapu. Homer uses only the 
 present participle. From paipu, "to sparkle," by a sort of redupli- 
 cation, either strengthening the signification, or expressing a quick 
 repetition and continuousness of the action. From [tapfiaipu, again, 
 come fiupfj.apo$, papfiapvaau, fiapfiapv/r/, &c., and to this same family 
 belongs the Latin marmor, the idea involved in all these words be- 
 ing that of a sparkling brightaess of surface. 
 
 LINE 398. etip6>joev. Consult book i., line 199. 
 
 "En-oc T' tear', . r. ?,. Consult book i., line 361. 
 
 AtAateat. Epic and Ionic for Idaiei, 2 sing. pres. indie, of 
 I I\E 399 
 
 ' the middle deponent 7.t,7.aio/iai, " to desire," only used in 
 
 the present and imperfect. From the obsolete /.uu, " to wish," by a 
 sort of reduplication, as in napfiaipu, line 397. 
 
 'HTrepoireveiv, pres. infin. act. of r/Kfpo-xfvu, "to deceive;" fut. 
 TjTtepOTTevau. Probably from ^frof, I'IKEIV, U.TTVU, JJTTVU, "to talk over ;" 
 not from U-UTJ/. 
 
 Uporepu, adverb, "farther on," "farther before." Assign- 
 '' ' ed as a species of comparative to rpo. 
 
 , Epic and Ionic for Tro/.e'uv, gen. plur. of ^67.ig, euf, Epic 
 and Ionic tof , r/, " a city." 
 
 Evvaiopevauv, Epic and Ionic for evvaiopcvuv, gen. plur. fem. of 
 eivato/zevof, r/, ov, " well-inhabited." A participle in form, though no 
 such verb as evvaiu or evvaiofiai occurs. From ei> and valu, " to 
 inhabit." 
 
 KeiQi, adverb, Epic and Ionic for kxtWi, "there" "at that 
 LlNE402 ' place" 
 
 LINE 403. OVVEKO. Consult book i., line 11. 
 
 TovveKa, contracted for rov EVCKO,, " on this account," "for 
 LINK 405. <Aj> reason .. therefore." 
 
 a, nom. sing. fem. of do/.ovpovfwv, ovoa, ov, "medita- 
 ting wiles," "planning craft." Participle in form, though no such 
 verb as 6o7io<S>poveu exists. From cJoAoopGH', " wily-minded," and this 
 from dd/.of and &pr/v. 
 
 LINE 406. 'Hffo. Consult book ii., line 200. 
 
 'lovaa, nom. sing. fem. ofiuv, iovaa, lav pres. part, ofdpt, "logo."
 
 MUMEK1C GLUrfSAKV. 55i> 
 
 Book 3. Line 406-414. 
 
 E, 2 sing. pres. imper. of <i7ro'/i<j, " to withdraw from ;" fut. 
 ei^u. From uvo, and CIKU, " to yield,'' " to retire." 
 Ke/.evdov, gen. sing, of K&evdof, ov, ^, with the poetic heterogene- 
 ous plural ra K&cvBa, " a path," "a way." According to Buttmann, 
 from eAevflw. 
 
 n6<5e<Tfff>, Epic for :ro<7i', dat. plur. of :TOJ;C, irorfoc, 6. "/Ae 
 I IVK 407 
 
 ' foot.'" The Sanscrit root, as before remarked, is pad, "to 
 
 go :" hence Sanscrit pad, Latin pcs, pcd-is, English pad, foot, Ger- 
 man/us*, &c. Akin, also, to ntdov, which is equivalent to the San- 
 scrit pada, and probably to ^r/duu. 
 
 'YirooTpeijjeiaf, 2 sing. *Eolic 1 aor. opt. act. of vTrvorpeyu, " to turn 
 back;" fut. viroarptyu : I aor. VTrearpeifra. From VTO and aTpe&u. 
 
 'Oi^ve, 2 siHg. pres. imper. act. of bi&u, " to icail," " to 
 ' mourn," "to lament," and hence -'to be miserable." With 
 the Attics it is a trisyllable, oi&u. From ol, exclamation of grief, 
 pain, &c., " oh /" " ah /" &c. 
 
 LINE 409. 'Eifonf. Consult book ii., line 332. 
 
 . Consult book i., line 546. 
 
 Keiae, Epic and Ionic for EKeiat, '-(hither." From e/cet, 
 
 "there." 
 
 rov, Epic for veutarirov, nom. sing. neut. of vefteaqrof, OP, 
 " causing indignation or wrath." (Consult note.) From ve^eauu, 
 " to be wrulk," &.C., and this from vs^etrif, "anger" at any thing un- 
 just or unfitting. 
 
 Hopaweovaa, nom. sing. fern. Epic and Ionic for TTO/XTV- 
 
 vovaa, fut. part. act. of nopavvu, " to prepare ;" fut. Koptrv- 
 vu. (Consult note.) The form iropavvu is often confounded with 
 the synonymous iropaaivu, but the latter is unknown to the most an- 
 cient Epic, as also probably to Attic poetry. Even nopavvu is a 
 poetic word, though used by Xenophon (Cyr., i., 6, 17 ; iv., 2, 47). 
 i, 3 plur. fut. indie, of the middle deponent //w- 
 
 (t.uofj,ai (Ionic fiupeouai), "to blame," " to find fault icith ;" 
 fut. (iup.rjaoij.ai. From ^w^of, " blame," " ridicule." 
 
 *A^a, accus. plur. neut. of d.yof, eof, TO, " sorrmc," "griff," &c. 
 'frKpira, accus. plur. neut. of uKpiroc., ov, " unarranged," " con- 
 fused," " crowded together." From a, priv., and KIHVU, " to separate," 
 " to distinguish," &e. 
 
 LINE 413. Xo?^j<ra / (/ei'i/. Consult book ii., line 195. 
 
 e, 2 sing. pres. imper. of ipeBu, " to provoke," "to 
 
 1 INF 414 
 
 stir to anger." The derivative epedi^u is more usually 
 employed. Akin to epif.
 
 560 HOMERJC GLOSSARY. 
 
 Book 3. Line 414-422. 
 
 S^erA/j;, Epic and Ionic for axer?.ia, voc. sing. fern, of cr^T/Uof, a, 
 ov, " wretched," " miserable." Compare book ii., line 112. 
 
 Xuaafievri, nom. sing. fern. 1 aor. part, of the middle deponent 
 Xuojiai, " to be incensed," " to be enraged at ;'' Alt. x&oofiat : 1 aor. 
 ixuautu]v. 
 
 Medfiu, Epic and Ionic for pe6t : u, and this for pedu, 1 sing. 2 aor. 
 subj. act. of ju.e8irj/*t, " to fling aicay," " to abandon ;" fut. ne6r/au : 2 
 aor. peOrrv. 
 
 Td)f, demonstrative adverb, answering here to <jf, i. e., 
 " so much," " a* much." 
 
 >7pw, 1 sing. 1 aor. subj. act. of dn-e^ a 'P w > " to hate ;" fut. 
 
 1 aor. drr^0//pa. From UTTO and exdatpu. 
 
 *E/c7ray/la, adverb, " greatly ;" strictly, the accus. plur. neut. of 
 Consult book ii., line 223. 
 
 MeuCT^, Epic and Ionic for ueau, dat. sing, of ueoof, n, ov, 
 LINE 416. &( . 
 
 t, 1 sing. 1 aor. subj. (with shortened mood-vowel, for 
 of the middle deponent /uririouat, "to devise;" fut. fttjTi- 
 i. From [tijTir, " skill," " cunning," " craft," &c. 
 Avypu, accus. plur. neut. of /,vyp6f, , 6v, "mournful," "gloomy." 
 Akin to ?.evya/U6f, P.ot^df, /.o/^tof, and Latin lugco, luctus. 
 
 Olrov, accus. sing, of otrof, ov, 6, "fate," "lot," "doom." 
 ' Usually derived, like o/^of, oifirj, from the same root as 
 
 olou, fut. of of'pu, like the Latin fors from/ere; but better, perhaps, 
 from ol, akin to oZ/crof. 
 
 'OA^at, Epic and Ionic for o/ly, 2 sing. 2 aor. suhj. mid. of o7.7.v/j.i. 
 
 LINE 418. 'E/cyeyavta. Consult book hi., line 199. 
 
 , nom. sing. fern. 2 aor. part. mid. of Kareyu, 
 
 LINE 41 9. ,. .. , 
 
 "to cover, " to envelop. 
 
 'Eavw. Consult line 385. 
 
 'Apy^n, dat. sing, of dpy^f, TJTO<;, 6, fj, "white.'' Akin to ap-/6f. 
 
 Addev, Epic and Ionic for tf.adcv, 3 sing. 2 aor. indie, act. 
 ' of ?.av6dvu, " to escape observation ;" fut. Ijnu: 2 aor. l?,a- 
 
 0ov. The first aorist K/.naa is only found in the Homeric 
 
 and in later Epic. (Lobeck, ad Phryn., 719 ) Lengthened from root 
 
 AA6-, with which compare the Latin lal-eo. 
 
 LINK 422. 'AfiwTTo/.oi. Consult line 143. 
 
 Tpu-ovro, Epic and Ionic for krpu-xov-o, 3 plur. 2 aor. indie, middle 
 of rpsTfu, "to turn:" in the middle, "to turn one's self" "to tun 
 one's attention ;" fut. rptyu : 1 aor. Irpt^a : 2 aor. Irpaxov : 2 aor. 
 mid.
 
 HOMERIC GLOSSARY. 561 
 
 Book 3. Line 423-436. 
 
 "fip6po<j>ov, accus. sing. masc. of itipopntioc, ov, " high-roof- 
 : ' ed," " with high, ceiling." From irpt, "on high," and bpoyfi, 
 "aroof" ''a ceiling." 
 Kie. Consult book i., line 348. 
 
 , accus. sing, of <5%>of, on, o, and later rj, "a scat," 
 
 ' "stool," &.c. The primitive meaning of the term is "the 
 chariot-board." Consult line 310. 
 
 Qilouueidtjc., f'f, "smile-loving," an epithet of Venus. From cjihfo 
 and ueifidu, "to smile." (Consult note.) 
 
 '\rrta, accus. plur. neut. of dvrcoc, taken adverbially, 
 LINE 425. .. ,. . . 
 
 " opposite, " over against. 
 
 Kddi^e, Epic and Ionic for kna6i& (Kiihncr, () 106, 3), 3 sing. 
 imperf. indie, act. of icadifr, taken here in an intransitive 
 sense, " to sit down." 
 
 LINE 427. 'Oaae. Consult book i., line 104. 
 
 Ud/.iv, adverb, "away," "back." Consult remarks on nakip- 
 irJiayxffevTaf, book i., note on line 59. 
 
 Khivaaa, nom. sing. fern. 1 aor. part. act. of Khiva, "to bend," "to 
 turn," &c. ; fut. K%IVU : 1 aor. eKhlva. 
 
 Hoaiv. Consult line 163. 
 
 'Hvitraxe. Consult book ii , line 245. 
 
 *i2oc?-ec. 2 sing. 2 aor. indie, act. of ofeihu, "to owe." 
 LINE 428. ConsuU book ^ line 415 
 
 A.vTo6i, adverb, "there." Equivalent to avrov. 
 
 Aajue/f, nom. sing. masc. 2 aor. part. pass, of dapdu, "to 
 LINE 429. subdue Consult book i., line 61. 
 
 o, Epic and Ionic for iji'xov, 2 sing, imperf. indie, of 
 ' the middle deponent fv^ouai, " to boast ;" fut. ffo/uat : I 
 
 aor. riv^dfiriv. The common notion is probably that of loud speaking, 
 for the word is clearly akin to av^eu, Kavxaofiai. 
 
 npoKufaaaat, Epic for TepoKu'/.taat, 2 sing. 1 aor. imper 
 LINE 432. midd j e of n .p OKa ^ W) to ca u f or th," " to challenge to the 
 
 combat ;" fut. npoxaheau : 1 aor. irpofKafaaa : Attic 
 From TTpo and na/.iu. 
 
 LINE 434. Keloftai. Consult book i., line 386. 
 
 ZavOti. Consult book i., line 197. 
 
 ov (consult line 20), to be taken here adverbially, 
 
 ' "against" not as an adjective agreeing with iroltpov. 
 'A<t>padeuf, adverb, " rashly," "foolishly." From dsbpadnc,, 
 " thoughtless," " inconsiderate,"" " without reflection," and 
 this from a, priv., and Qpd&uat, " to reflect," "to deliberate."
 
 5C2 HOMERIC GLOSSARY. , 
 
 Book 3. Line 436-447. 
 
 Aa/7flf, Epic lengthened form for oapijf, 2 sing. 2 aor. indie, pass. 
 of 6afj.au, " to subdue," &,c. 
 
 "EviiTTe, 2 sing. pres. itnper. act. of hiirru, " to assail," 
 "to attack," "to upbraid;" fut. kvtyu. Consult remarks 
 on f/viTrane, book ii., line 245. 
 
 ev, Epic and Ionic (with shortened mood-vowel) 
 
 for rpa^eufiev, and this for Tpa-rfu^ev (which, again, is, by 
 
 metathesis, for Tap-xupev), 1 plur. 2 aor. subj. pass., in a middle 
 sense, of reprrw, " to delight. ;" fut. reptyu : 1 aor. erep-^a : 2 aor. erap- 
 TIW, by metathesis irpa-Kov : 2 aor. pass, krup^v, by metathesis 
 eTpdirnv. A similar metathesis takes place in exapdov, ixpaQov, 
 from irtpdu. (Consult the remarks of Buttmann, Irreg. Verbs, ed. 
 Fishlake, p. 236, who success f ully combats the formation of rpanei- 
 ofiev, &.C., from rpeVu.) 
 
 Evvydi-vTs, nom. dual ] aor. part, pass., in a middle sense, of cv- 
 vuu, " to lay on a couch," " to lull to repose :" in the middle, " to re- 
 tire to the couch," " to he on the couch," &c. ; fut. EVVTJGU. From 
 ewjy, "a couch." 
 
 LINE 442. "Epwf, wrof, 6, " love." Akin to ipdu. 
 
 'Afi.tyfKu.'h.VTpev, 3 sing. 1 aor. indie, act. of un^iKaXvmu, "to en- 
 wrap" " to envelop ;" fut. afuptKaMipu : 1 aor. a^<pKa?^v>f>a. From 
 d/Lt<i>i, " roundabout," and Ka/.inrTu, "to cover." 
 
 "ETT/leov, 1 sing, imperf. indie, act. of Tr/le'w, " to sail ;" fut. 
 LINE 444 
 
 7r7ievao/J.ai, or, usually, n7.tvnoru.ai : 1 aor. eTtfavaa. 
 
 'ApTrdfaf, Epic and Doric for dpiruaac, nom. sing. masc. 1 aor. 
 part. act. of dpirufa, " to carry off." Compare remarks on et-r/prrai-e, 
 line 380. 
 
 Kpavdn, dat. sing, of Kpavuij, ijf, T), " Cranae," an island 
 LINE 445. on wnich p arig and n e j en jj rst landed after their flight 
 
 from Sparta. According to some authorities, it is the island Helena, 
 near the southern extremity of Attica. Others, however, make it 
 to have been a small island in the Sinus Laconicus, now Marathonisi; 
 and in this latter opinion Miiller coincides. (Orchom., p. 316.) 
 
 "Epa/uat, 1 sing. pres. indie, of the deponent epapai, "/ 
 ' love," &.C. ; fut. epaodyoofiai : 1 aor. ripucdijv. The usual 
 prose form is epdu. 
 
 e, Epic and Ionic for /p^f. 3 sing, imperf. indie, act. 
 
 ' ' of apxu, " to begin ;" fut. ap&j : imperf. y 
 
 f, adverb, "to the couch." From /le^of, "a couch." 
 uv, nom. sing. masc. pres. part, of KIU, "to go." The present 
 is not used in the indicative, but the verb is frequently employed by
 
 MOMKKIC Ul.OSsi.UiY. 063 
 
 Hook 3. Line 447-453. 
 
 Homer and others in the optative nioifu, part. KIVV, Kiovaa : imperf. 
 (Ktov, without augment niov. Kiu seems to belong to tw, the root of 
 dpi, and from it come muBu, KIVSU, and the Latin cio, cieo. 
 
 "Afcoirtf, cof, i], "a spouse,' "a. wife," feminine ofuxom/f. From 
 a, copulative, and *om/, " a coucA." 
 
 Tpt/Toiui, Epic and Ionic for rp>/ro<V, dat. plur. neut. of 
 r/, 6v, "perforated." (Consult note.) From ri- 
 
 Tpuu, " to perforate.'' 1 
 
 Karevvaofav, Epic for Karevvdafiiiaai'. 3 plur. I aor. indie, pass , in 
 a middle sense, of narewdu, " to lay doicn on a cottck," &c. : in the 
 middle, " to lie down." Consult remarks on ei-i'i/Qevre, line 441. 
 
 , 3 sing, imperf. indie, act. of oo/ruw, "to move up 
 
 and down," " to wander" &c. ; fut. <pot~ria<j. 
 
 Qqpt, dat. sing, of i>^p, dtipni;, 6, " tcild beast,'' 1 "a beast of prey." 
 Compare the German thier, English deer, and, with the -Eolic form, 
 yrjp, likewise the German c-Acr, English boar, bear. 
 
 v, 3 sing. JEolic I aor. opt. act. of efaQpeu, "to 
 
 espy ;" fut. efadpyau, &c. From if (cif ) and dtfpe'w, " to 
 tec," "to observe," <kc., and this last from the same root as deuptu. 
 
 K/Utruv, gen. plur. masc. of nAet-os, ;/, 6v, " distinguisk- 
 jINB ' ed," " illustrious." From K^SIU, " to celebrate," " to ren- 
 der famous." 
 
 'Eirmovpuv . Consult book ii., line 130. 
 
 Aetfat, 1 aor. inf. act. of deiKWfti, ' to point out," " to 
 
 show;" flit. 6eia : 1 aor. edei^a. Buttmann traces both 
 this verb and 6exopai to a common root 6cic-, with the common no- 
 tion of stretching out the. right hand (<5fm), either to point, as in <5'/c- 
 w//i, or to welcome, as in dexopru. The usual signification of c5/c- 
 wfit, " to show," is that of the Sanscrit die, with which compare the 
 Latin dic-cre, doc-crc, in-dic-are, whence, perhaps, dig-itus, duK-rv?.of. 
 
 'EKfiriavov, 3 plur. imperf. indie, act. of Kevffuvu, " to con- 
 
 ceal," a poetic form 
 
 fro, 3 sing. 2 aor. indie. of une^ddvofiai, "to be hate- 
 ' ful ;" fut. uirexOqao/Ltai : 2 aor. airTixOofttiv. Some make 
 
 uTofo-fero here the imperfect of direxdopat, but the aorist is far pref- 
 erable, and may very well be rendered as a pluperfect, " had made 
 himself hateful." (Consult Buttmann, Irreg. Verbs, ed. Fishlake, p. 
 110.) 
 
 t, uv, ol, " the DarJani." According to the Ho- 
 
 meric topography, the Dardani, who were subject to An- 
 chises, and were commanded by his son .-Eneas, occupied a small
 
 564 HOMEKIC GLOSSARY. 
 
 Book 3. Line 456-461 
 
 district which lay between the territory of Abydus and the Rhcetean 
 promontory, beyond which point the Trojan land, properly so called, 
 and the hereditary dominions of Priam commenced. 
 
 'E*6oTe, 2 plur. 2 aor. imper. of K6i6ufj.L, "to give up;" 
 LINE 459. ^ > CK fa au . 2 aor. efe'dwv. From etc and 6idupi. 
 
 'AxoTtvt/jtev, Epic, Doric, and ^Eolic for airoriveiv, pres. inf. act. of 
 cnroTivu. Consult line 286. 
 
 LINE 460. 'Hre /cat, K. r. ?.. Consult line 287. 
 
 'Htveoi', t. e., yveov, 3 plur. imperf. indie, act. of aivtu, "to 
 LINE 461. applaud to give p i au ditg," ' to praise ;" fut. aivtau, Epic 
 aivTjau : 1 aor. yvcaa.
 
 INDEX TO GLOSSARY. 
 
 
 A. 
 
 
 Ikflj 
 
 
 Pige 
 
 dyopeveif . 
 
 . 352 
 
 doTTTOVf 
 
 . 440 
 
 dyopsvtpev . 
 
 . 449 
 
 
 
 404 
 
 
 530 
 
 ayayc 
 
 
 
 
 dydyw 
 
 . 478 
 
 dyopevo 
 
 . 407 
 
 aya^Mfitva 
 
 . 505 
 
 dyopriv 
 
 . 395 
 
 'A'vaiA^u.vovt 
 
 . 323 
 
 
 . 335 
 
 dya^oc 
 
 . 516 
 
 dyopTJoaro . 
 
 . 343 
 
 dydvvi<j>ov . 
 
 . 415 
 
 dyoprjrai , 
 
 . 530 
 
 dyavotf 
 
 . 470 
 
 dyopriTTif . 
 
 . 384, 479 
 
 dyaaodp.e6a 
 
 . 538 
 
 dypiov 
 
 . 513 
 
 dyavoi 
 
 . 542 
 
 dypofievijaiv 
 
 . 508 
 
 dyyca 
 
 . 507 
 
 dypofievoiffiv 
 
 . 537 
 
 dyyeAof 
 
 . 459 
 
 dy%e . 
 
 . 554 
 
 dyyeAoi 
 
 . 401 
 
 dyxiora . 
 
 . 455 
 
 
 . 338 
 
 dy%ov 
 
 . 471 
 
 
 . 350 
 
 dyu . 
 
 . 370 
 
 dyeipojiEV . 
 
 . 360 
 
 ddaKOVTOf . 
 
 . 414 
 
 dycipovruv 
 
 . 502 
 
 ddelv . 
 
 . 532 
 
 dyihyfyi 
 
 . 508 
 
 ddivduv 
 
 . 457, 506 
 
 dylfisv 
 
 . 399, 419 
 
 dtftovc . 
 
 . 527 
 
 dyepaorof . 
 
 . 355 
 
 deide . . . 
 
 . 313 
 
 dyepovro 
 
 . 459 
 
 ueidov 
 
 . 447 
 
 dyepu%uv . 
 
 . 515 
 
 deidovTEf . r 
 
 . 425 
 
 dyn 
 
 . 553 
 
 aEiKea 
 
 . 403 
 
 dyqvup 
 
 . 483 
 
 detK^aai . 
 
 . 481 
 
 dyfjpaov 
 
 . 503 
 
 deipopevrj . 
 
 . 468 
 
 dyKvTiOfiijTEu 
 
 . 474 
 
 dinovrt 
 
 . 400 
 
 dyXaa 
 
 . 323 
 
 deKOVTOf 
 
 . 394 
 
 dyAaov 
 
 . 488 
 
 dtKovoa . 
 
 . 404 
 
 dyol . 
 
 . 539 
 
 deA^at 
 
 . 485 
 
 dyovof 
 
 . 516 
 
 dcA^f 
 
 . 511 
 
 dyopdaaffe . 
 
 . 491 
 
 depoiirodtf . 
 
 . 548 
 
 dyopduv 
 
 . 483 
 
 d^ouevoi 
 
 . 323 
 
 ayopcve 
 
 . 489 
 
 dBavdroiaiv 
 
 . 388 
 
 
 B 
 
 B B 

 
 566 
 
 INDEX TO GLOSSARY. 
 
 
 Vtff 
 
 
 Pig* 
 
 adipifrv 
 
 . 387 
 
 atvwf 
 
 . 438, 530 
 
 uOea<j>arov . 
 
 . 510 
 
 di^aaa 
 
 . 470 
 
 'AOqvaiqv . . . 
 
 . 374 
 
 aiotoTTutovf 
 
 . 534 
 
 'A.6rjV7) 
 
 . 372 
 
 a'nroXia 
 
 . 507 
 
 a6pooi 
 
 . 503 
 
 aliroloi . 
 
 . 507 
 
 at () 
 
 . 339 
 
 alpdro 
 
 . 452 
 
 ol . 
 
 . 495 
 
 aiaa . . 
 
 . 414 
 
 Atavre 
 
 . 503 
 
 alaav 
 
 . 519 
 
 Alavrof 
 
 . 359 
 
 alaxea 
 
 . 540 
 
 Alyeiitiv 
 
 . 388 
 
 aiaxpolf 
 
 . 515 
 
 aiyeiv ... 
 
 . 540 
 
 aicxpov 
 
 . 463 
 
 <jivia/l<j 
 
 . 475 
 
 
 . 531 
 
 alyitia ... 
 
 503 
 
 aiTtoi 
 
 . 363 
 
 aiyiovaio 
 
 374 
 
 
 551 
 
 aly^rj 
 
 . 504 
 
 alxWTVW '. 
 
 . 362,517 
 
 aiyhf/fvTOf . 
 
 . 435 
 
 aixp-rjTTiv . 
 
 . 392 
 
 aiyuv . . .. 
 
 . 330 
 
 aitya. . 
 
 . 394 
 
 atdeto&u . 
 
 . 323 
 
 uKeovaa 
 
 . 440 
 
 ui6i)/.ov 
 
 . 504 
 
 UKtUV 
 
 . 328,431 
 
 Alb .... 
 
 . 314 
 
 UKJJV . 
 
 . 522 
 
 atrfotof 
 
 . 531 
 
 u/cotrtf 
 
 . 528,563 
 
 aiSoptwj . 
 
 . 400 
 
 uKoefia, 
 
 . 476 
 
 "Al6o( .... 
 
 547 
 
 UKOVCUV 
 
 ... .437 
 
 atdpe'i 
 
 . 538 
 
 aKOvaa 
 
 . 410 
 
 aidv ...... 
 
 . 481 
 
 uKOvaty 
 
 . 450 
 
 at 
 
 . 334 
 
 uKpuavrov . 
 
 . 466 
 
 tuetyeverawv 
 
 . 499 
 
 UKptJTOt 
 
 . 492 
 
 atetymeryuc 
 
 . 545 
 
 ajipira 
 
 . . .559 
 
 aie'v . 
 
 . 392 
 
 aKpirdfivde . 
 
 . 479 
 
 2^ot .... 
 
 . 514 
 
 O.KTTI . 
 
 . 498 
 
 atilf . s ^ ^ 
 
 . 470 
 
 4Ao . 
 
 . 360, 397 
 
 aiOa/.oev ^ ., ^ 
 
 . 501 
 
 a/U5e ^ 
 
 . 396 
 
 aie ^ , 
 
 414 
 
 dAa/lwrw 
 
 . 468 
 
 
 . 501 
 
 ti?.flTT(i^Of 
 
 . 495 
 
 At^OTTVOf . 
 
 . 414 
 
 ttAycot ^ 
 
 , , 314 
 
 fli^orra . 
 
 . 422 
 
 dAy^ffw . 
 
 , . . 482 
 
 AlftpT) . , , 
 
 . 529 
 
 ufayi&if , 
 
 . 365 
 
 alftfiTQeaaa , , 
 
 . 482 
 
 aAc}'i'Cw 
 
 , , .369 
 
 aiva . 
 
 414 
 
 uS^tivuv 
 
 515 
 
 
 513 
 
 dltirnv 
 
 . 514 
 
 aiwruTt , , 
 
 . 437 
 
 AMv(5oof 
 
 , . . 61*
 
 INDEX TO GL.OSAilY. 
 
 567 
 
 a/.tvaTO 
 d/.ioio 
 
 &M.1 . 
 U/./.IJKTOV . 
 A/.otJa7rotfftv 
 dAoOffa 
 
 dAro . 
 
 uua . 
 
 iifiCpoatai 
 
 ufityapTOV . 
 u/j.i6fievai 
 
 UUflVOV 
 
 u.fixt~A.aOoaM 
 
 iiuvpovaf 
 d/'^cji; 
 dfiiivai 
 ufii'^fif 
 
 uubtyujjctf . 
 
 . 511 
 
 oWMfcrtttov 
 
 . 443 
 
 . 443 
 
 UfJ.QlfJ.t~/MlVal. 
 
 . 351 
 
 . 552 
 
 dfifinotoi . 
 
 . 528 
 
 . 436 
 
 nfijif. 
 
 . 450 
 
 . 458 
 
 U/ipW .... 
 
 . 372 
 
 . 517 
 
 dv (for dvd) 
 
 . 360 
 
 . 355 
 
 uv . . , , 
 
 . 541 
 
 . 504 
 
 uva . . . 
 
 . 551 
 
 . 517 
 
 and .... 
 
 . 318 
 
 . 496 
 
 dvafovref . 
 
 . 397 
 
 466 
 
 uvd67 naic 
 
 496 
 
 . 443 
 
 dvayovro . 
 
 . 426 
 
 . 363 
 
 u.vai6eii]v . 
 
 . 362 
 
 . 437 
 
 dvaidef 
 
 . 364 
 
 . 435 
 
 dvatl-af 
 
 . 442 
 
 . 364 
 
 dvaifcitv . 
 
 . 637 
 
 . 534 
 
 dvaipeai 
 
 . 632 
 
 . 602 
 
 uva/.Kic 
 
 . 474 
 
 . 434 
 
 dvai; .... 
 
 . 316 
 
 . 450 
 
 tivdnoivov . 
 
 . 350 
 
 . 502 
 
 dvaaae 
 
 . 369 
 
 . 447 
 
 uvdafffK . 
 
 . 329 
 
 . 354 
 
 dvaaaev . 
 
 . 386 
 
 . 475 
 
 dvaerdf 
 
 . 409 
 
 837,409 
 
 UVtlffYEQ . . 
 
 . 443 
 
 . 534 
 
 uvc<7Youn>Of 
 
 . 552 
 
 . 551 
 
 (LVdOYW . . 
 
 . 481 
 
 . 415 
 
 (i^'flOGiV^C ' 
 
 . 347 
 
 . 349 
 
 dv6dvu 
 
 . 324 
 
 . 340 
 
 dvdpOQOVOLO 
 
 . 383 
 
 . 383 
 
 uwJpdiv 
 
 . 316 
 
 . 562 
 
 di'tyvdptfT) 
 
 . 650 
 
 . 489 
 
 avttiv 
 
 . 406 
 
 . 453 
 
 dveii'afTO . 
 
 . 429 
 
 . 332 
 
 dvetp-ye . . 
 
 . 520 
 
 , 489 
 
 uvfKrd 
 
 . 441 
 
 . 329 
 
 dv&ovro 
 
 . 420 
 
 . 498 
 
 uve/.uv 
 
 . 394 
 
 . 447 
 
 mitpac 
 
 . 387 
 
 . 470 
 
 cutiarav 
 
 . 435 
 
 . 481 
 
 dv^rrv - 
 
 . Ml
 
 568 
 
 INDEX TO GLOSSARY. 
 
 
 Page 
 
 
 r*s 
 
 dveaxov 
 
 . 547 
 
 dTredet-aTO . 
 
 . 349 
 
 uvsvdev 
 
 . 452 
 
 
 365 
 
 
 . 490 
 
 d'jrci^'ncdc . . 
 
 369 
 
 uvrjyef 
 
 . 517 
 
 dir&vae 
 
 . 349 
 
 a.vriy 
 
 . 452 
 
 aTTEpeiaia . 
 
 . 320 
 
 avrJKfv 
 
 . 456 
 
 uTrearrj 
 
 . 515 
 
 uvfjaet 
 
 . 483 
 
 dtrexQripu . 
 
 . 560 
 
 avdepoEVTi . 
 
 . 506 
 
 UTTriflUV 
 
 . 414 
 
 dv6epsuvo( . 
 
 . 429 
 
 dmjvtoc 
 
 . 402 
 
 avuidevra . 
 
 . 484 
 
 dmjvpuv 
 
 . 417 
 
 dviardjiEvof 
 
 . 336 
 
 UTTqxBETO . 
 
 . 563 
 
 avopovae . 
 
 . 384 
 
 uiririf 
 
 . 389 
 
 dvoTavTCf . 
 
 . 499 
 
 uTridt]Gcv 
 
 . 378 
 
 
 395 
 
 dTToaipetoOcii . 
 
 . 380 
 
 dvTa^tov 
 
 . 359 
 
 dtroaipeo 
 
 . 390 
 
 UVTTJV 
 
 . 370 
 
 uTro6?,r]Td . 
 
 . 520 
 
 ' Avrr/vopidao 
 
 . 526 
 
 
 . 49-t 
 
 dvria . . . 
 
 . 561 
 
 uirodvvai 
 
 . 358 
 
 dvridveipai 
 
 . 535 
 
 diroeiKe 
 
 . 559 
 
 dvTtdaaf . 
 
 . 340 
 
 dTTOElTTE 
 
 . 432 
 
 dvTidu 
 
 . 327 
 
 uKodsadai . 
 
 . 522 
 
 dvTi6ii]v . . 
 
 . 390 
 
 UTTOLVa 
 
 . 320 
 
 avTiftioiei . . 
 
 . 395 
 
 dTTOKTa/HEVOf 
 
 . 456 
 
 avridiov 
 
 . 512,561 
 
 atro^Kadai . 
 
 . 351 
 
 dvrideov 
 
 . 388 
 
 (jTrdAeffffav . 
 
 . 389 
 
 CLVTlKpV 
 
 . 552 
 
 'ArrdA/lwvof 
 
 . 320 
 
 dvrioi 
 
 . 435 
 
 dnohovTo . 
 
 . 470 
 
 dvriov . . 
 
 . 380 
 
 dTTofouaiveadai . 
 
 . 397 
 
 dvTtouffav . 
 
 . .327 
 
 UTfOfj.op^aTO 
 
 . 482 
 
 dvTiQEpeaBai 
 
 . 443 
 
 aTvovesadat, . 
 
 . 462 
 
 avvaic 
 
 . 493 
 
 dnoveovTO . 
 
 . 546 
 
 dvu-yet 
 
 . 483 
 
 UTTOVOaTT/ffElV 
 
 . 337 
 
 dvuyev 
 
 . 397 
 
 CLTTOVOOQlV . . 
 
 . 436, 478 
 
 afere 
 
 . 523 
 
 dirorravEO . 
 
 . 415 
 
 dfu . 
 
 .359 
 
 dnooTixe . 
 
 . 433 
 
 axakfiv 
 
 . 554 
 
 aTTOTivE/j.ev 
 
 . 544, 563 
 
 airafietfopevof 
 
 . 346 
 
 aTforiaofjifv 
 
 . 357 
 
 dndvevde . 
 
 . 328 
 
 uTrotidifiEvov 
 
 . 547 
 
 dnarriMv . 
 
 . 434 
 
 dnovpaf 
 
 . 406 
 
 anu.Ti)v 
 
 . 462 
 
 dirprjKTOv . 
 
 . 463 
 
 aKedifoeTO . 
 
 . 416, 452 
 
 dirp^KTOVf . 
 
 . 496
 
 INDEX TO GLOSSARY. 
 
 569 
 
 
 Page 
 
 
 Fur. 
 
 dirpiuTtjv . 
 
 . 350 
 
 ipveltf) 
 
 . 535 
 
 linrecdu . 
 
 . 494 
 
 apvvfievoi . 
 
 . 364 
 
 d-70/.tflOS 
 
 . 474 
 
 dpvuv 
 
 . 339 
 
 
 . 317 
 
 'ipovpa 
 
 . 525 
 
 
 . 317 
 
 
 . 510 
 
 dpapviaf 
 
 . 548 
 
 dpTTdtof '. 
 
 . 562 
 
 dpyal.tof . 
 
 . 443 
 
 uppriKTOf . 
 
 . 508 
 
 'Apye'i 
 
 . 326 
 
 dpoavTtf . 
 
 . 358 
 
 'Ap-jdoovry 
 
 . 460 
 
 dpxe . 
 
 . 562 
 
 
 345 
 
 
 
 492 
 
 dpyevvduv . 
 
 . 536 
 
 "- . 
 
 . 473 
 
 dpyevvrjai . 
 
 . 528 
 
 dpxof 
 
 . 361 
 
 dpyf/Tt 
 
 . 560 
 
 ttOYOt'f 
 
 . 509 
 
 'Apyor 
 
 . 462 
 
 Gt(760TOf 
 
 . 446 
 
 
 . 493 
 
 \ffld) . 
 
 . 505 
 
 dpyovf 
 
 . 334 
 
 UfTKcP . 
 
 . 540 
 
 dpyvpiy 
 
 . 377 
 
 darraipovTOf 
 
 . 544 
 
 dpyvpioio . 
 
 . 333 
 
 uorrtrov 
 
 . 504 
 
 dpyvpeotaiv 
 
 . 548 
 
 daida 
 
 . 497 
 
 dpyvpoTjtov 
 
 . 454 
 
 uaaa . 
 
 . 438 
 
 dpyvpoxefr 
 
 . 436 
 
 daaov 
 
 . 401 
 
 dpyvporo^e . 
 
 . 329 
 
 uaraxvEaoiv 
 
 . 468 
 
 dpeloaiv 
 
 . 387 
 
 dffre/zdE'a . 
 
 . 492 
 
 'Apija 
 
 . 497 
 
 doTEpOTrrrrrif 
 
 . 442, 448 
 
 dpf/ytiv 
 
 . 423 
 
 darpuTrruv . 
 
 . 493 
 
 dpr/yy 
 
 . 495 
 
 daxalda . 
 
 . 485 
 
 "April . 
 
 . 497 
 
 drd?.avTov . 
 
 . 470 
 
 'Aprity&of . 
 
 . 513 
 
 drdp . 
 
 . 366 
 
 dpf,zai 
 
 . 412 
 
 drdp6r]rof . 
 
 . 520 
 
 dpr/ffiv 
 
 . 344 
 
 draprripoit . 
 
 . 378 
 
 'Aprjof 
 
 . 461 
 
 dTElpfc 
 
 . 519 
 
 dpfipei 
 
 . 549 
 
 dTE?.EVT1)TOV 
 
 . 434 
 
 dprrrripa 
 
 . 319 
 
 UTEp . 
 
 . 429 
 
 dpi^ov . 
 
 . 489 
 
 drrtv . 
 
 . 413 
 
 dpi&wdfintvai . 
 
 . 463 
 
 driftdu 
 
 . 319 
 
 dpiarfja 
 
 . 516 
 
 UTIfiOf 
 
 . 367 
 
 data-lilac . 
 
 . 500 
 
 'Arpft 
 
 . 461 
 
 dptarfitaoiv . 
 
 . 379 
 
 'Arpdda 
 
 . 321 
 
 doiciov 
 
 . 495 
 
 
 375 
 
 upuarof 
 
 . 497 
 
 'Arpeideu . 
 
 . 472 
 
 apve . 
 
 . 523 
 
 'ArpciSrif . 
 
 . 316 
 
 BBB2
 
 570 
 
 l.NDKX TO GLOSSAKY. 
 
 urpvyeroio 
 
 UTpVTUVIJ 
 
 avipvaav 
 ai>6i . 
 
 vadvruv 
 avrdp 
 
 avTtf . 
 avroBi 
 
 avrov 
 OVTU . 
 avruf 
 
 uouipfirai 
 
 iioap . 
 
 doevof 
 afti-ei 
 
 aytrov 
 a<>iei . 
 
 flft 
 
 
 Fage 
 
 . 480 
 
 utypaivovra 
 
 . 480 
 
 . 473 
 
 'A(ppo6irtjf . 
 
 . 518 
 
 . 449 
 
 dfVJFlV 
 
 . 367 
 
 . 474 
 
 uovaadfifvoi 
 
 . 545 
 
 . 451 
 
 dtivaauv 
 
 . 446 
 
 . 398 
 
 'A^ati'cJa 
 
 . 386 
 
 . 469 
 
 'AxaiUff . 
 
 . 478 
 
 . 504 
 
 'Ax<imlf 
 
 . 314 
 
 . 385 
 
 uxsa . 
 
 . 559 
 
 . 421 
 
 'A^tAeiJ 
 
 . 343 
 
 . 428 
 
 'Ax^of . 
 
 . 313 
 
 . 325 
 
 'A^t/L/l^of . 
 
 . 382 
 
 . 487 
 
 (LT(WLLVOt . 
 
 . 482 
 
 . 521 
 
 UYVUU.EVOC . 
 
 . 351 
 
 . 491 
 
 *0f . 
 
 . 370 
 
 . 334 
 
 dxpeiov 
 
 . 482 
 
 . 345 
 
 
 . 337 
 
 . 428 
 
 drboppoi 
 
 . 546 
 
 . 459 
 
 dupTO 
 
 . 543 
 
 . 354 
 
 
 
 . 360 
 
 B. 
 
 
 . 561 
 
 Ba&Eiije 
 
 . 458 
 
 . 334 
 
 f3aivov 
 
 . 419 
 
 . 539 
 
 3dle . 
 
 . 383 
 
 . 500 
 
 Sateetv 
 
 . 501 
 
 417,452 
 
 3d~Alc 
 
 . 334 
 
 . 402 
 
 3d?./.eo 
 
 . 393 
 
 . 358 
 
 3dA%ov 
 
 . 547 
 
 . 369 
 
 3apfia 
 
 . 348 
 
 . 365 
 
 3apvorevdxuv 
 
 . 407 
 
 . 537 
 
 Saarf.evaofiev 
 
 . 474 
 
 . 404 
 
 3aai7.i]Ef . 
 
 . 457 
 
 . 547 
 
 SaaiAtjc 
 
 318, 390, 531 
 
 . 393 
 
 3aatAJjuv . 
 
 . 368 
 
 . 367 
 
 3doice 
 
 . 449 
 
 . 349 
 
 jBaTT/v 
 
 . 400 
 
 . 481 
 
 3e6daai 
 
 . 465 
 
 . 454 
 
 j^c6rjKet 
 
 . 378 
 
 . 324 
 
 3e3.eaoiv 
 
 . 331 
 
 . 561 
 
 BevOcaaiv . 
 
 . 406 
 
 . 495 
 
 Pi 
 
 . 328, 419
 
 1MUEX TO GLOriSARV. 
 
 571 
 
 
 Pag. 
 
 
 fllf/.OU . 
 
 . 444 
 
 } f veai 
 
 pijaav 
 
 . 419 
 
 yevero 
 
 Prjoe . 
 
 . 396 
 
 y <?vj?7<u 
 
 ptjfflTO 
 
 . 542 
 
 yevoiaro 
 
 Pyaoftev . 
 
 . 361 
 
 yepa . 
 
 pT]6Gy 
 
 . 515 
 
 yepaioe 
 
 plfajVTG . 
 
 . 513 
 
 yepuvuv 
 
 Piy 
 
 . 412 
 
 yfpapov 
 
 plOlO . 
 
 . 334 
 
 yepapuTfpof 
 
 potaai 
 
 . 508 
 
 yepQf . . 
 
 
 . 500 
 
 rcpiyvioc 
 
 poouvra . . 
 
 . 473 
 
 yipov . 
 
 POOUVTCC . 
 
 . 459 
 
 yriSfjaat. 
 
 porpvdov . 
 
 . 458 
 
 y^ijaev . 
 
 povMrai 
 
 . 340 
 
 yrjpdL. 
 
 povhevaaro 
 
 . 462 
 
 yijpaf 
 
 povteuv 
 
 . 390 
 
 yXdyof 
 
 povl.q 
 
 . 316 
 
 y~/.avKU7rif . 
 
 povhqfopof 
 
 . 361,451 
 
 y'/.cut>i>MC 
 
 povf . 
 
 . 363 
 
 yXa<j>vpyoi . 
 
 POUKLC 
 
 . 437 
 
 yAvitiuv 
 
 ppe/urai . 
 
 . 475 
 
 y/Maarjf 
 
 'Bpiufifuv . 
 
 . 411 
 
 7<t> 
 
 Bpioriida . 
 
 . 370 
 
 yvu/tfvcn 
 
 Bpioijof 
 
 . 409 
 
 yvuaeai 
 
 pporoi 
 
 . 390 
 
 yvuag 
 
 ppOTOV 
 
 . 480 
 
 yvurovf . 
 
 pupov 
 
 . 419 
 
 yvuuai 
 
 pufiovf 
 
 . 487 
 
 yovvdcojjiai 
 
 puTiaveipy . . 
 
 . 363 
 
 yovvuv 
 
 r. 
 
 
 yvta . 
 
 yata . 
 
 . 643 
 
 yuva.Lu.avif . 
 
 yalav 
 
 . 386 
 
 
 ya.ii) . 
 
 . 384 
 
 
 yaiuv 
 
 . 412 
 
 6ar,p . 
 
 yalMfi 
 
 . 626 
 
 daifrivie 
 
 yap . 
 
 . 318 
 
 Aniuovin 
 
 yeiva.ro 
 
 . 391, 539 
 
 &&iuovo . 
 
 yeAaaaav . 
 
 . 482 
 
 daiwvTo 
 
 yttoliov 
 
 . 476 
 
 6atai . 
 
 . 385 
 333, 370 
 
 . 403 
 
 . 492 
 
 . 478 
 328, 535 
 
 . 505 
 
 . 531 
 
 . 537 
 
 . 354 
 
 . 491 
 325, 392 
 
 . 386 
 
 . 400 
 
 . 529 
 
 . 326 
 
 . 507 
 
 . 375 
 
 . 457 
 
 . 504 
 
 . 385 
 
 . 384 
 
 . 413 
 
 . 493 
 
 . 495 
 
 . 495 
 
 . 532 
 
 . 394 
 
 . 416 
 
 . 412 
 
 . 557 
 
 . 515 
 
 . 557 
 
 533 
 472 
 438 
 378 
 423 
 501
 
 572 
 
 INDEX TO GLOSSARY 
 
 
 Page 
 
 
 Page 
 
 eJaira 
 
 . 416, 423 
 
 6epK.6fj.fvoi . 
 
 . 550 
 
 6ai<j>povoc . 
 
 . 450 
 
 6fpKO^VOlO 
 
 . 348 
 
 6dicpva 
 
 . 331 
 
 6EVEO 
 
 . 507 
 
 6aKpvaag . 
 
 . 404 
 
 tievoiaTo 
 
 . 464 
 
 6a.KovYEUv 
 
 . 406 
 
 
 358 
 
 tarf . '. 
 
 . 338 
 
 
 . 544 
 
 6u.fj.apTi 
 
 . 526 
 
 6evpo . 
 
 . 362 
 
 SafiElev 
 
 . 545 
 
 6exEa6ai . 
 
 . 322 
 
 6a.u.Ei . 
 
 . 561 
 
 6exOai 
 
 . 323 
 
 6o,fl1)TJf . , 
 
 . 562 
 
 6r, . . . 
 
 . 316 
 
 Aavaolai . 
 
 . 347 
 
 6ri6vvovTa . 
 
 . 325 
 
 Aavaov 
 
 . 336 
 
 67/1010 
 
 . 501 
 
 Aap6avl6r)f 
 
 . 545 
 
 6r)ioT7JTi . 
 
 . 513 
 
 Adp6avoi . 
 
 . 563 
 
 dqWaijTcu . 
 
 . 524 
 
 6a.ofj.6f 
 
 . 366 
 
 6r)po66pof . 
 
 . 380 
 
 ddaaavro . 
 
 . 408 
 
 67/fJ.OyFpOVTEf 
 
 . 529 
 
 6a<}>oiv6f . 
 
 . 488 
 
 6rjfj,ov 
 
 . 473 
 
 6autiv 
 
 . 486 
 
 6riv . 
 
 . 414,431 
 
 66 . 
 
 . 314 
 
 6rip6v 
 
 . 486 
 
 
 . 356 
 
 6iaKoauji6eiuv 
 
 . 464 
 
 
 . 458 
 
 61 
 
 . 497 
 
 6e6firiaTO . 
 
 . 533 
 
 6iaKplvdtTE 
 
 . 523 
 
 6si6niiovtf . 
 
 . 519 
 
 6iaKpiv6j]fj.fvai . 
 
 . 522 
 
 6El6l6Tf . 
 
 . 540 
 
 6iaKplvu(!i . 
 
 . 507 
 
 6ei6iaaaQai 
 
 . 472 
 
 (5m/fTop . 
 
 . 460 
 
 6si6oiKa 
 
 . 438 
 
 6lf/LtTpEOl> . . 
 
 . .546 
 
 6EU6f 
 
 . 393 
 
 6iaf.lETpfjT(j) . 
 
 . 550 
 
 
 . 333 
 
 6iUUJJOE 
 
 . 552 
 
 deivu . 
 
 . 374 
 
 6lav . 
 
 . 360 
 
 deifai 
 
 . .563 
 
 6idv6ixa . 
 
 . 371 
 
 6EIKVOV 
 
 . 496 
 
 6ia7rpt]aaovaa 
 
 . 427 
 
 6eip^v 
 
 . 554 
 
 diappalaai . 
 
 . 507 
 
 6EKu6af 
 
 . 464 
 
 6taaTT}Tj]v . 
 
 . 316 
 
 6EKUT1) 
 
 . 335 
 
 6iaTpv<!>v . 
 
 . 553 
 
 6EK.TO 
 
 . 502 
 
 
 437 
 
 
 . 353 
 
 6lKOffUEOV . . 
 
 . 507 
 
 
 . 530 
 
 6ieirE . 
 
 . 475 
 
 6ttaa6at . 
 
 . 353 
 
 6lETTOVal . 
 
 . 366 
 
 <5eZiTE P y . 
 
 . 429 
 
 6lETTpd6o/LlV 
 
 . 408 
 
 fcirdsaoiv . 
 
 . 424 
 
 disTrprjffaov 
 
 . 511 
 
 SEKOC 
 
 . 442 
 
 iuaffVTO 
 
 . 504
 
 INDEX TO GLOSSARY. 
 
 573 
 
 
 Page 
 
 
 Pge 
 
 6tTfiayev . 
 
 . 435 
 
 iuyaiv 
 
 . 399 
 
 A' . 
 
 . 343 
 
 dune . . . 
 
 . 404 
 
 Suta^fflCV . 
 
 . 436 
 
 
 . 440 
 
 
 . 382 
 
 (5(J/UOTflt . 
 
 . 321, 378 
 
 dlVUTOlOl . 
 
 . 557 
 
 duaci . 
 
 . 349 
 
 dioyevfy 
 
 . 402 
 
 6uai . 
 
 . 357 
 
 6iof, a, ov , 
 
 317, 355, 531 
 
 duaovai 
 
 . 356 
 
 Atdf . 
 
 . 315 
 
 duuoiv 
 
 . 359 
 
 UlOTpfdtEOC * . 
 
 . 473 
 
 
 
 oioTpc(b(*)v . , 
 
 . 3fi8 
 
 E. 
 
 
 dtVAaKa . 
 
 . 526 
 
 ... 
 
 . 381,431 
 
 diirrvxa 
 
 . 422 
 
 la . 
 
 . 390 
 
 difpov 
 
 . 542,561 
 
 lavov . 
 
 . 556 
 
 df'cj ... 
 
 . 455 
 
 
 . 492 
 
 (5oiV . 
 
 . 321 
 
 eaatv . . . 
 
 . 464,531 
 
 
 539 
 
 ECLTQt, 
 
 127 
 
 
 . 550 
 
 IGaXov 
 
 . 418 
 
 CO/, OU.7JTQ . , 
 
 . 436 
 
 e6av . . . 
 
 . 409 
 
 OOAOVC . . 
 
 . 536 
 
 tyyva"ki&i . 
 
 . 502 
 
 dol.o<j>povovaa . 
 
 . 558 
 
 iyyvaXi^ei . 
 
 . 405 
 
 OOLLEVdL 
 
 . 349 
 
 kyeipo/jiev . 
 
 . 503 
 
 &0 . . . 
 
 . 402 
 
 EyKEQalof . 
 
 . 545 
 
 66oav 
 
 . 365, 409 
 
 t'}V(J . 
 
 . 373 
 
 tiov^ixodflpuv 
 
 . 505 
 
 iypero 
 
 . 453 
 
 fiovpa 
 
 . 465 
 
 lyx*- 
 
 . 498 
 
 tiovpe . 
 
 . 512 
 
 eyXEiyoi 
 
 . 528 
 
 
 . 394 
 
 kyxsanakoi . 
 
 . 465 
 
 
 . 519 
 
 h/uv . 
 
 . 343 
 
 
 515 
 
 kdurjv . . 
 
 . 537 
 
 
 . 488 
 
 eddetaev 
 
 . 328 
 
 Apvai'Ta 
 
 . 387 
 
 f6eipav 
 
 . 421 
 
 dvvai . . . 
 
 . 501 
 
 e<5t'faro 
 
 . 420 
 
 dvvapeo8a . 
 
 . 492 
 
 k&EVETO 
 
 . 423 
 
 fivvaaai 
 
 . 410 
 
 tdeuv 
 
 . 435 
 
 (5i'i7/fffat . 
 
 . 382, 439 
 
 idri^ffavro 
 
 . 364 
 
 tivc/itea . 
 
 . 462 
 
 edrjTvof 
 
 . 423 
 
 tivfuevieiv . 
 
 . 518 
 
 idyaav 
 
 . 413 
 
 Ai'fJrapt . 
 
 . 516 
 
 EtqoaTO 
 
 . 454 
 
 6vau . 
 
 . 481 
 
 l(5pnf . 
 
 . 459 
 
 tiu . 
 
 . 416 
 
 e6v . 
 
 . 515 
 
 fade/earn . 
 
 . . 416 
 
 Wwrv 
 
 . 548
 
 574 
 
 INDEX TO GLOSSARY. 
 
 
 Page 
 
 
 Page 
 
 e6v<JETO 
 
 . 548 
 
 d/.r'i/.ovdac . 
 
 , . .374 
 
 IduKEV . . 
 
 . 349 
 
 dfiaaiv 
 
 . 557 
 
 tttKoaiv 
 
 . 396 
 
 ElfU . 
 
 . 367 
 
 icnrEf . 
 
 . 392 
 
 eivarof 
 
 . 4S5 
 
 tEiadfiEvof . . 
 
 . 451 
 
 dvEKO. 
 
 . 368 
 
 fs/.dop . . 
 
 . 331 
 
 tins . 
 
 . 347 
 
 
 . 333 
 
 dirsp . . 
 
 .345 
 
 
 . 537 
 
 
 . 482, 545 
 
 Ifwro 
 
 . 475 
 
 dirij . 
 
 . 380 
 
 
 . 333 
 
 ElTTOl 
 
 . 338 
 
 ItfV . . . 
 
 . 476, 533 
 
 dpero 
 
 . 432 
 
 
 . 410 
 
 dpta . 
 
 . 557 
 
 
 . 495 
 
 dpOKOflifl 
 
 . 557 
 
 1 0EEV . 
 
 , . 427 
 
 dpopai 
 
 . 437 
 
 c0?ie 
 
 . 390 
 
 dpvaTai 
 
 . 382 
 
 WOWH 
 
 . 412 
 
 Eipvaaaadai 
 
 . 377 
 
 e6eAnaffa 
 
 438 
 
 
 . 554 
 
 10E?.OV 
 
 . 353 
 
 tit 
 
 . 361 
 
 E0eXupi 
 
 . 437 
 
 daai'o 
 
 . 476 
 
 10EV . 
 
 . 353 
 
 iianc 
 
 . 396 
 
 
 . 527 
 
 ElOEV . . 
 
 . 396, 556 
 
 sOfaav 
 
 . 392 
 
 eioErai 
 
 . 437 
 
 e07)Kev 
 
 . 314 
 
 eiffj'j/.vdov . 
 
 . 534 
 
 I6va . 
 
 . 457 
 
 ilcriv . 
 
 . 550 
 
 Eia . . . 
 
 . 470 
 
 ttaijt 
 
 . 423 
 
 dapivy 
 
 . 506 
 
 eiana . 
 
 . 535 
 
 dap-volaiv . 
 
 . 458 
 
 daoKtv 
 
 . 491 
 
 Eiarai . . 
 
 . 466 
 
 eiaopouvraf 
 
 . 550 
 
 
 . 529 
 
 ElffU . . 
 
 . 342 
 
 disrai 
 
 . 380 
 
 dr . 
 
 . 339 
 
 ddrjauv 
 
 . 437 
 
 ElUf . 
 
 . 544 
 
 dfioucv . . 
 
 . 407 
 
 tiuoi . 
 
 . 465 
 
 
 . 483 
 
 FKUfOVOV 
 
 361,425 
 
 El6ovro . . 
 
 . 530 
 
 S K a6ev 
 
 . 504 
 
 eldviy 
 
 . 407 
 
 EKu^v^av . 
 
 . 422 
 
 dev , . 
 
 . 496 
 
 iKU^.VtflE 
 
 . 555 
 
 HKTIJV . . 
 
 . 351 
 
 
 . 550 
 
 cinvia . . 
 
 . 567 I etaToyxeipov 
 
 . 411 
 
 eiXs . 
 
 . . 515 eKa~6u.6r)^ . 
 
 . 339 
 
 etAcro 
 
 544 tKaTo/*6oto( 
 
 . 503 
 
 ti/.fuoiv 
 
 . 485 
 
 iicvtvavia . 
 
 . 638
 
 INDEX TO GLOSSARY. 
 
 575 
 
 e/c6oTe 
 
 . 564 
 
 i7.6efj.tvai . . 
 
 . 362 
 
 tKwOavov . 
 
 . 563 
 
 'Efaxduv . 
 
 . 526 
 
 Ixrja . 
 
 . 330 
 
 Wt'/tWTTff . 
 
 . 409 
 
 KK^6o7l.Of . 
 
 . 349 
 
 e/Uw7rtcJa . 
 
 . 350 
 
 kKtjfaTiOV 
 
 . 320, 408 
 
 e7.nre . 
 
 . 417 
 
 SKiXavtv . 
 
 . 450 
 
 k7.icac.TO 
 
 . 321 
 
 tK/layfav . 
 
 . 322 
 
 Miooopevj) . 
 
 398 
 
 kK7.ivQri 
 
 . 552 
 
 Mat . 
 
 . 553 
 
 Ixhve 
 
 . 331 
 
 i7.Ktfj.ev 
 
 . 468 
 
 IxT-vet 
 
 . 421 
 
 IA/CCO . . r 
 
 . 376 
 
 txhvov 
 
 . 377 
 
 MKFTO 
 
 . 372 
 
 CKo7.<lM 
 
 . 475 
 
 IMate 
 
 . 515 
 
 eKOfuaaev . 
 
 . 471 
 
 tXoiLtfda . 
 
 . 461) 
 
 lKTray7.a . 
 
 . 560 
 
 e7.ovTai . . 
 
 . 499 
 
 kK.Tray7.6Ta.Tc 
 
 . 361 
 
 f7.ovTe 
 
 . 399 
 
 ^/trrdyAwf . 
 
 . 389, 494 
 
 k7^ClfJ.EVOl . 
 
 . 524 
 
 exvepaai 
 
 . 322 
 
 faaai . 
 
 . 413 
 
 EKXEOe 
 
 . 482, 553 
 
 17.U/LICH 
 
 . 359, 399 
 
 CKirpiirea . 
 
 . 508 
 
 t7.uv . 
 
 . 359 
 
 EKptvsv 
 
 . 396 
 
 ftupia 
 
 . 315 
 
 tKTUfJ.V1}OlV . 
 
 . 519 
 
 ffid . , , 
 
 . 331 
 
 tKTfT.e'ovoiv 
 
 . 484 
 
 CftUXOVTO , . 
 
 . 389 
 
 IKTOV . 
 
 . 500 
 
 fu6a7.f 
 
 . 528 
 
 'E/trdpeov . 
 
 . 501 
 
 fuf . 
 
 . 369 
 
 'Exropof . 
 
 . 383 
 
 kpteev 
 
 . 433, 452 
 
 r , 
 
 531 
 
 
 . 368 
 
 
 545 
 
 
 . 347 
 
 
 . 520 
 
 
 . 537 
 
 
 . 473 
 
 efj.Tjvie . . 
 
 . 384 
 
 eXavvtTov . 
 
 . 441 
 
 EfJiOi . . . 
 
 . 322 
 
 I7.<id>oio 
 
 . 379 
 
 Ip/ievai 
 
 . 354, 392 
 
 17.E 
 
 . 373 
 
 epnopc 
 
 . 391 
 
 elealpet 
 
 . 452 
 
 efio-ynffa . 
 
 . 365 
 
 f7.eyx a 
 
 . 478 
 
 tfiiTEQwia . 
 
 . 431 
 
 t7.iyxi.ofov - 
 
 . 484 
 
 Ifinris 
 
 . 439 
 
 t7.eet.va 
 
 . 488 
 
 ivaimpa . . 
 
 . 493 
 
 ?,f/>.ifu/ievo? 
 
 . 489 
 
 tvapifri 
 
 . 371 
 
 k7.e7*i!;F.v 
 
 . 435 
 
 evapidfuof , . 
 
 . 474 
 
 kT-tvatrai 
 
 . 416 
 
 evdefia 
 
 . 445 
 
 e7.tx&nv 
 
 . 534 
 
 evdoOi 
 
 . 383 
 
 f3.ei}>ev 
 
 - 382 
 
 MrvK 
 
 . 463
 
 576 
 
 IXDEX TO GLOSSARY. 
 
 tvEdqoc 
 
 ire-aaaev 
 
 IVCVEV 
 
 tvda 
 
 tvi . 
 kviavToi 
 
 Ivtairev 
 
 tvvfiuap 
 
 iv6r\otv 
 
 tvoiry 
 
 cvrca. 
 
 evro . 
 
 Evvirviov 
 
 truua 
 
 fvcjoro 
 
 ef - 
 
 <lye. 
 
 k&dvovro 
 
 ti-civiooa 
 
 i^epEu 
 
 EJETOflOV 
 
 iotKCV 
 
 COIKU; 
 to 
 lav . 
 
 forro 
 
 lopyiv 
 tov 
 
 pt 
 
 
 ftp 
 
 . 462 
 
 -a; iptv . 
 
 . 357 
 
 . 526 
 
 cTrat-.iZuv . 
 
 . 468 
 
 . 649 
 
 e-ai;af 
 
 . 467 
 
 . 445 
 
 hroinoi . 
 
 . 401 
 
 323, 448 
 
 ~Qi}uUVOl . 
 
 . 424 
 
 . 403 
 
 ETZILGQVTO . . 
 
 . 423 
 
 326, 474 
 
 EaacrvTcpot 
 
 . 408 
 
 . 465 
 
 EiravpuvTai 
 
 . 413 
 
 . 562 
 
 frrra 
 
 374 
 
 . 457 
 
 
 . 450 
 
 . 335 
 
 -EOOtV . 
 
 . 379 
 
 . 514 
 
 t-uytaBu . 
 
 . 493 
 
 . 509 
 
 ~l670 
 
 . 32S 
 
 . 549 
 
 TTtp<lV 
 
 . 423 
 
 . 423 
 
 Errciaiv 
 
 . 326 
 
 . 455 
 
 EXEKfxuaivc 
 
 . 502 
 
 . 538 
 
 EXEOlKf 
 
 . 356 
 
 . 446 
 
 hrcv^vodf . 
 
 . 476 
 
 . 423 
 
 ^TO . 
 
 . 403 
 
 . 402 
 
 -S-lduV . 
 
 . 492 
 
 . 38S 
 
 - - sov . 
 
 . 397 
 
 . 477 
 
 tncppuaavro 
 
 . 434 
 
 . 357 
 
 errffffioAw . 
 
 . 483 
 
 . 482 
 
 fEdlV 
 
 . 344 
 
 . 407 
 
 k-taaevovTO 
 
 . 457 
 
 . 525 
 
 f-Eaavrai . 
 
 . 367 
 
 . 420 
 
 . 
 
 t~ffTl.'(lVTO 
 
 . 424 
 
 . 536 
 
 ETTEVOT/fltlOttV 
 
 . 323 
 
 . 468 
 
 eirjjv . 
 
 . 366 
 
 . 376 
 
 i-r,-i7.r)ae 
 
 . 398 
 
 . 422 
 
 '- 
 
 . 319,517 
 
 . 555 
 
 l6a.CKEfJiEV 
 
 . 47S 
 
 472, 538 
 
 fm-yvdft^offa 
 
 . 410 
 
 . 355 
 
 i-ifci-ta. 
 
 . 493 
 
 
 
 
 . 333 
 
 
 . 478 
 
 . 479 
 
 -i6iv^aaf . 
 
 . 555 
 
 . 435 
 
 EXllK/.Or . 
 
 . 383 
 
 . 341 
 
 ir:iiKf 
 
 . 437 
 
 . 519 
 
 smttufvc . 
 
 . 362 
 
 . 482 
 
 ir:i/.r:EO 
 
 . 436 
 
 . 429 
 
 hriypq 
 
 . 441
 
 INDEX TO GLOSSARY. 
 
 577 
 
 tmopKov 
 
 eni<j>pa.aaaiaTO 
 
 enolaci 
 
 inovEiro 
 
 CTTOVTO 
 
 CTropovae 
 
 spard. 
 
 Epareivijv 
 
 Ipya . 
 
 Ipdopev 
 
 Ipoov . 
 
 ipeetv 
 
 tpestvt 
 
 Page 
 
 
 Faga 
 
 . 464 
 
 EpldqaiV 
 
 . 433 
 
 . 511 
 
 epiO^s 
 
 . 327 
 
 . 477 
 
 tpeioftev 
 
 . 338 
 
 . 339 
 
 fpstadfievof 
 
 . 461 
 
 . 543 
 
 tpE^EV 
 
 . 483, 499 
 
 . 440 
 
 epeovro 
 
 . 401 
 
 . 377 
 
 kptovaa 
 
 . 415, 454 
 
 . 517 
 
 kpiras 
 
 . 360 
 
 . 535 
 
 Eperpoic . 
 
 . 418 
 
 . 494 
 
 epeipa 
 
 . 330 
 
 . 554 
 
 fpeu . 
 
 . 343 
 
 . 548 
 
 ipfjTVE 
 
 . 470 
 
 . 393 
 
 iprjTVEiv . 
 
 . 456 
 
 . 449 
 
 iprjTvBsv 
 
 . 459 
 
 . 451 
 
 
 459 
 
 . 360 
 
 kpriTiiaaanE 
 
 . 472 
 
 . 521 
 
 epijTVOEis . 
 
 . 371 
 
 . 537 
 
 t-ptfiw/tajca . 
 
 . 520 
 
 . 504 
 
 kpifjuhant . 
 
 . 363 
 
 . 483 
 
 Iptda . 
 
 . 510 
 
 . 389 
 
 fpidalvETOv 
 
 . 441 
 
 . 414 
 
 eptSt . 
 
 . 317 
 
 . 562 
 
 t:pi6o 
 
 . 376 
 
 430, 508 
 
 tpt&ittvai . 
 
 . 390 
 
 . 348 
 
 epi& . 
 
 . 316 
 
 . 327 
 
 epirjpas 
 
 . 517 
 
 . 532 
 
 epiKvdta . 
 
 . 520 
 
 . 500 
 
 Iptf . 
 
 . 368 
 
 416,528 
 
 epiaavTE 
 
 . 316 
 
 . 535 
 
 ipioasiE 
 
 . 538 
 
 . 356 
 
 epiriftov 
 
 . 503 
 
 . 334 
 
 epKOf . 
 
 . 391,538 
 
 . 562 
 
 ZppaTa 
 
 . 427, 469 
 
 . 520 
 
 'Epfietaf 
 
 . 460 
 
 . 532 
 
 fp^f . 
 
 . 495 
 
 . 354 
 
 ipov . 
 
 . 423 
 
 . 487 
 
 Ippiyyoi 
 
 . 551 
 
 . 397 
 
 epfafrv 
 
 . 550 
 
 . 522 
 
 Ipv^av 
 
 . 525 
 
 . 535 
 
 tpvaavro 
 
 . 423 
 
 . 659 
 
 Ipvcoav 
 
 . 437 
 
 c 
 
 c c 

 
 578 
 
 INDEX TO GLOSSARY. 
 
 eovaaaufvce 
 
 
 . 316 
 
 ipvaaofitv . 
 
 . 360 
 
 Ere/.EOffaf . 
 
 . 352 
 
 epxEcOov . 
 
 . 399 
 
 ire'/./.tv 
 
 . 324 
 
 ipxETai . 
 
 . 355 
 
 ETepudsv 
 
 . 384 
 
 epxoftai 
 
 . 319 
 
 ETTjTVfiOV . . 
 
 . 438 
 
 epuEi . 
 
 . 471 
 
 ft-* . 
 
 . 349 
 
 kpufjv 
 
 . 519 
 
 ETiva^e 
 
 . 557 
 
 Epurjoei 
 
 . 394 
 
 iTlffUf 
 
 . 383 
 
 Ipus . 
 
 . 562 
 
 CTlffEV 
 
 . 405 
 
 ecadpnactEV 
 
 . 563 
 
 T7ll 
 
 . 435 
 
 iaav . 
 
 . 389, 488 
 
 ETOlfldffaTE . 
 
 . 354 
 
 
 . 439 
 
 ETQUTTCTO 
 
 373 
 
 IffETOl 
 
 . 376 
 
 ETpE&OV 
 
 . 414 
 
 coGTiov 
 
 . 352 
 
 ETvyBn . 
 
 469, 490 
 
 toxiobp 
 
 . 540 
 
 F-TUatOV 
 
 . 553 
 
 iff IT ETC 
 
 . 508 
 
 ft! 
 
 . 322 
 
 &O1TETO . . 
 
 . 555 
 
 
 420 
 
 
 . 364 
 
 svdov . 
 
 . 448 
 
 eaaeiTai 
 
 . 498 
 
 ei'ttfiea 
 
 . 517 
 
 loaercu 
 
 . 382 
 
 etfuvoto 
 
 . 417 
 
 iffffEVOVTO . 
 
 . 468 
 
 EVKTltof 
 
 437 
 
 fffffi . 
 
 . 368 
 
 EVKvrjfudcf . 
 
 . 321 
 
 IffffO . 
 
 . 519 
 
 ti'vaiOfiEvduv 
 
 . 558 
 
 cffaofieva 
 
 . 341 
 
 Evvaiofievov 
 
 . 365 
 
 ioaofievoiffi 
 
 . 463, 544 
 
 fivdf . 
 
 . 418 
 
 CffTOV 
 
 . 436 
 
 EvvqdevTC . 
 
 . 562 
 
 eoroora 
 
 . 471 
 
 Ei'Saucvoto . 
 
 . 421 
 
 taavficvuf . 
 
 . 522 
 
 ti't-afiEvov . 
 
 . 408 
 
 iaraoTtf 
 
 . 490 
 
 Et'cavro 
 
 . 421 
 
 iffTijaav 
 
 . 420 
 
 El'^OOV 
 
 . 498 
 
 effTixouvTO 
 
 . 458 
 
 ft'7T?,fKf'ff . 
 
 . 503 
 
 i<rr6v . 
 
 . 387 
 
 evpea . 
 
 . 469 
 
 EffTU . 
 
 . 361 
 
 Evpepevai . 
 
 . 492 
 
 CffTUV 
 
 . 402 
 
 Eipov . 
 
 . 400 
 
 CffTpaTOUVTO 
 
 .. 534 
 
 Et'pdf 
 
 . 467 
 
 lff<j>at;av 
 
 . 421 
 
 evpvdyvtav . 
 
 . 450 
 
 EffXe 
 
 . 483 
 
 Eipv6aTTiv . 
 
 . 398 
 
 iffXOVTO . 
 
 . 522 
 
 Evpvupfiuv . 
 
 . 350 
 
 ETaipy 
 
 . 403 
 
 FVpt'V . . 
 
 . 380 
 
 iTupoiffiv . 
 
 . 368 
 
 Ei-pvona 
 
 . 429 
 
 IrFKFf 
 
 . 405 evcff&jioto . 
 
 . 471
 
 IN'UEX TO GLOSSARY. 
 
 579 
 
 tXire . 
 
 f*gc 
 
 . 383 
 
 y()V 
 
 J^e 
 
 320 
 
 evreixtov . 
 
 . 357 
 
 Y(jff&ro ... 
 
 . 339 
 
 CVTVKTOV 
 
 . 549 
 
 iu 
 
 . 355 
 
 tvopova 
 
 . 540 
 
 fIJKCl .... 
 
 . 455 
 
 K'dpoveuv . 
 
 . 342 
 
 ffjflfv 
 
 . 478 
 
 CVYCO 
 
 . 561 
 
 E(jJV 
 
 357 
 
 evxerai 
 
 . 348 
 
 
 
 evxero 
 
 . 420 
 
 z. 
 
 
 evxofievqf . 
 
 . 410 
 
 CafcV 
 
 . 329 
 
 eirxopevof . 
 
 . 331 
 
 &KOTOV 
 
 . 538 
 
 ci'xu'.fl 
 
 . 339 
 
 ^vyvvpevat 
 
 . 541 
 
 ti'Xu/.iiv 
 
 . 469 
 
 Zei'f .... 
 
 . 315 
 
 evudtl 
 
 . 556 
 
 Zioi'pof . 
 
 . 467 
 
 l+aye 
 
 . 489 
 
 Ziyvi .... 
 
 . 454 
 
 IQO.V . 
 
 531 
 
 &VTJV 
 
 . 507 
 
 ioaiT] 
 
 . 487 
 
 
 . 347 
 
 Iparo 
 
 . 327 
 
 
 
 tye&pEvo,. . 
 
 . k . .630 
 
 H. 
 
 
 eoeiu . 
 
 440 
 
 jj 
 
 . 358 
 
 
 . 463 
 
 "l ...'.' 
 
 . 314 
 
 fOtrfieuv 
 
 . 428 
 
 i> (for I6ii) . 
 
 . 377 
 
 idf/xev . 
 
 420 
 
 j. 
 
 344 
 
 
 . 450 
 
 r> ftev . 
 
 . 344 
 
 lojffftc 
 
 . 432 
 
 fj6atov 
 
 . 496 
 
 efyctia 
 
 . 410 
 
 nyadiij 
 
 . 386 
 
 t^diaro 
 
 . 385 
 
 riycipovTO . 
 
 . 455 
 
 eoteis 
 
 . 334 
 
 iiyepoveaaiv 
 
 . 509 
 
 iooira 
 
 . 563 
 
 TiytpiBovrai 
 
 . 539 
 
 foupuijaav . 
 
 . 531 
 
 Tjyepieavro . 
 
 . 487 
 
 exatero 
 
 . 514 
 
 fjytpdfv 
 
 . 336 
 
 fX<*Pt 
 
 . 513 
 
 yyricaTO 
 
 . 342 
 
 exdpriffav . 
 
 . 524 
 
 tiyqTOpef . . . 
 
 . 456 
 
 ere 
 
 446 
 
 yyvoiijoev . . . 
 
 . 436 
 
 exeirevKef . 
 
 . 334 
 
 fiyopey 
 
 . 408 
 
 Ixevxev 
 
 . 538 
 
 i)&i .... 
 
 . 330 
 
 frero 
 
 . 431 
 
 ifitt .... 
 
 500 
 
 l X eva V 
 
 . 542 
 
 
 . 341 
 
 
 . 358 
 
 nfinr 
 
 441 
 
 
 . 368 
 
 / vv > . . . 
 
 . 384 
 
 exQodo-rfjcai 
 
 . 432 
 
 rse 
 
 478 
 
 l^ov . 
 
 . 422 
 
 tMw 
 
 - 447
 
 580 
 
 INDEX TO GLOSSARY. 
 
 tfAiOf 
 
 . 425 
 
 fctponEvrd 
 
 rt 
 
 . . .516 
 
 r}e7,i(,i 
 
 . 444 
 
 Vparo 
 
 . 328 
 
 IjEV 
 
 . 408, 516 
 
 7/paro 
 
 . .554 
 
 fjtpedovrai . 
 
 . 503 
 
 iipTf 
 
 . 336,411 
 
 
 . 555 
 
 TjOtfOElGTO 
 
 . 552 
 
 
 . 510 
 
 TipjoavTO . 
 
 .547 
 
 
 . 429 
 
 ijprjaaro 
 
 . 405 
 
 'Hcrtuvof . 
 
 . 408 
 
 r/psov 
 
 . 468 
 
 fldelov 
 
 . 411 
 
 Jlpi-yevEia . 
 
 . 425 
 
 J7< 
 
 . 333 
 
 llpfLOOE 
 
 . 548 
 
 
 . 553 
 
 TJpTVVETO 
 
 . 455 
 
 
 . 458 
 
 TipXt 
 
 . 441,428 
 
 
 . 530 
 
 TJpUEfffflV 
 
 . 508 
 
 J7KC (Itffll) . 
 
 . 408, 488 
 
 jjpuuv . 
 
 .. .315 
 
 riKE (JJKU) . 
 
 . 372 
 
 w 
 
 . 486 
 
 rjKwaev 
 
 . 408 
 
 ye 
 
 . 375 
 
 fj7.aaav 
 
 . 363 
 
 rjodai . .. 
 
 . 358,414 
 
 if/.dcKovaiv 
 
 . 506 
 
 T)GIV . 
 
 . 401,475 
 
 fi7~.es 
 
 . 319 
 
 fjdKFlV 
 
 . 557 
 
 f;7.oiai 
 
 . 384 
 
 fao 
 
 . 474 
 
 fj"kvQov . 
 
 . 362 
 
 ijaro . 
 
 . 43] 
 
 rj/jLaBoEvrof . 
 
 . 456 
 
 f/rifiaaE 
 
 . 319,349 
 
 T 
 
 444 
 
 
 . 341 
 
 ijpari . 
 
 . 452 
 
 i)rop . 
 
 , . 371 
 
 , ,. 
 
 355 
 
 
 . 348 
 
 TJpEVOV 
 
 . 400 
 
 t]i>KO[40f 
 
 . 329 
 
 TjHErtpyaiv . 
 
 . 496 
 
 rivf , 
 
 , , . 531 
 
 fjftof . 
 
 .425 
 
 tjl'TE . , 
 
 . 406 
 
 flUVEl . 
 
 . 468 
 
 Tixf]E<jaa 
 
 , . 364 
 
 fjpvaeic 
 
 . 496 
 . 342 
 
 fay 
 fat . 
 
 . 475 
 , 447, 547 
 
 fjvdavc 
 
 . 324 
 
 jtyaro 
 
 . 431 
 
 ffvEfioeoaav 
 
 . 545 
 
 'Hwf . 
 
 454 
 
 i 
 
 Rf^J 
 
 
 , . . 426 
 
 r/vEOV . 
 
 * *JU": 
 
 
 
 r/vi'o . 
 
 i . . 541 
 
 
 
 ^vtTraire 
 
 . 479 
 
 
 e. 
 
 fp>ro 
 
 . 530 
 
 i?a?^uoto . 
 
 . 528 
 
 faEifaiacv 
 
 . 409 
 
 i?a^,a/iov 
 
 . 532 
 
 flXElpOlO 
 
 . 427 
 
 Bdlaaoa . 
 
 . 364 
 
 t/irepotrevetv 
 
 . 558 
 
 Qa7MoeiK . 
 
 . 328
 
 INDEX TO GLOSSARY. 
 
 581 
 
 Qahepoi 
 frcd.epov 
 
 \tautiai 
 &avarov 
 
 deoio . 
 
 QVTCf 
 
 Qepaira 
 
 
 Fafe 
 
 F'P> 
 
 
 518 
 
 ftqaeiv 
 
 . 453 
 
 
 514 
 
 
 . 328 
 
 
 482 dvjjaicov 
 
 . 408 
 
 
 373 i^vr/aKOvraf 
 
 . 336 
 
 
 550 
 
 &VTITUV 
 
 . 402 
 
 . 
 
 335 
 
 dodf . 
 
 . 319 
 
 . 
 
 337 #07 . 
 
 . 394 
 
 
 346 #o<jf . 
 
 . 547 
 
 
 348 dw/arepec . 
 
 . 509 
 
 
 490 
 
 iWyorpa . 
 
 . 319 
 
 
 313 
 
 &vei . 
 
 . 403 
 
 . 
 
 471 
 
 Bveara 
 
 . 461 
 
 . 
 
 443 
 
 Qviarij 
 
 . 461 
 
 . 
 
 360 
 
 QVUOITTJV . 
 
 . 529 
 
 
 451 
 
 9-vfjuIt . 
 
 . 324 
 
 
 484 
 
 &VVOV 
 
 . 503 
 
 
 456 
 
 &i'perpa 
 
 . 501 
 
 382, 
 
 475 
 
 dvoavot 
 
 . 503 
 
 . 
 
 512 
 
 d^priKO. 
 
 . 548 
 
 
 357 
 
 dupijZat 
 
 . 449 
 
 
 326 
 
 ftuprj^outv . 
 
 . 456 
 
 
 352 
 
 fiupjixflyvtu 
 
 . 379 
 
 
 347 
 
 $upiixfaiaa.v 
 
 . 550 
 
 
 347 
 
 
 
 
 399 
 
 
 I. 
 
 
 461 
 
 ia x e . 
 
 . 427 
 
 
 479 
 
 laxov . ^ 
 
 . 491 
 
 
 418 
 
 I6e . 
 
 . 535 
 
 
 527 
 
 Ideeice 
 
 . 538 
 
 
 495 
 
 l&rj . 
 
 . 375, 531 
 
 
 444 
 
 Idriai . 
 
 . 527 
 
 
 341 
 
 'Uridev 
 
 .543 
 
 
 413 
 
 ItifltV . 
 
 . 356, 480 
 
 
 546 
 
 iivuOri 
 
 . 481 
 
 
 317 
 
 'I<5o/ievcvf . 
 
 . 361 
 
 
 407 
 
 '\6ofievrja . 
 
 . 500 
 
 
 336 
 
 I6ov . 
 
 . 387 
 
 
 483 
 
 Idpvc . 
 
 . 472 
 
 
 497 
 
 Idpvvftijaav 
 
 . 521 
 
 . 
 
 563 
 
 ifiptjaei 
 
 . 498 
 
 
 388 
 
 I6viiiai 
 
 . 447 
 
 
 Ccc2 

 
 582 
 
 INDEX TO GLOSSARY. 
 
 
 Page 
 
 
 PJ 
 
 Idtopat 
 
 . 387 
 
 IpepofVTa . 
 
 . 558 
 
 
 . 400 
 
 luepov 
 
 . 528 
 
 le . 
 
 . 536 
 
 Zferat .' '. 
 
 . 382 
 
 let. . 
 
 . 426, 538 
 
 ioloiv 
 
 . 346, 521 
 
 lelatv . 
 
 . 530 
 
 louev . 
 
 . 503 
 
 isftevuv 
 
 . 468 
 
 lov 
 
 . 333 
 
 
 . 379 
 
 IOVTO. . 
 
 . 325 
 
 iepd . 
 
 . 361 
 
 iovaa 
 
 . 558 
 
 iepevasv 
 
 . 499 
 
 'unrotoTOio . 
 
 . 484 
 
 
 . 323 
 
 ITHTodoTOV . 
 
 . 520 
 
 iepijv . 
 
 . 350, 407 
 
 
 . 451 
 
 i& 
 
 . 455 
 
 imrodaaeiijc 
 
 . 553 
 
 %cv . 
 
 . 531 
 
 'nnroKopvoTai 
 
 . 448 
 
 IKOVTO 
 
 . 547 
 
 ITTTTOTa 
 
 . 491 
 
 Irjatv . 
 
 . 511 
 
 Irrxovpiv 
 
 . 549 
 
 'IdaKiiffiof . 
 
 . 472 
 
 ITTTTOVf 
 
 . 363 
 
 Wi . 
 
 . 327, 449 
 
 'Iplf . 
 
 . 525 
 
 IKnVEt . 
 
 . 386 
 
 laav . 
 
 . 509, 428 
 
 IKOVEV 
 
 . 417 
 
 Ia66eo<; 
 
 . 546 
 
 IKU.VOL 
 
 . 448 
 
 laov . 
 
 . 365 
 
 licavov 
 
 . 529 
 
 iaTopivri . 
 
 .471 
 
 'Ixapioto . 
 
 . 467 
 
 laravro 
 
 . 507 
 
 IK&Of 
 
 . 507 
 
 lcra.ro 
 
 . 468 
 
 IKV . 
 
 . 398, 468 
 
 lore . 
 
 . 508 
 
 lacadai . . 
 
 . 322 
 
 iarta . 
 
 . 417 
 
 iKeadriv . 
 
 . 400 
 
 iaTodoKy . 
 
 . 418 
 
 'iKfrdova . 
 
 . 529 
 
 larov . 
 
 327, 418, 526 
 
 iKjjrat 
 
 . 366 
 
 la X eo 
 
 . 376, 479 
 
 lupevov 
 
 . 426 
 
 laxsaSs 
 
 . 521 
 
 IKOVTO 
 
 . 417 
 
 Ire . 
 
 . 401 
 
 iKupai . 
 
 . 359 
 
 Irriv . 
 
 . 404 
 
 l/.a.66v . . 
 
 . 458 
 
 Iflipot 
 
 . 314 
 
 i/.aof . . . 
 
 . 442 
 
 lot , 
 
 . 329 
 
 i7.uffKcadai . . 
 
 . 409 
 
 tyao . 
 
 . 421 
 
 
 . 425 
 
 libfTdl . 
 
 . 473 
 
 
 . 420 
 
 iuv . 
 
 . 359 
 
 lAuaffeat 
 
 . 361 
 
 
 
 ttaaadpevot 
 
 . 350 
 
 K. 
 
 
 'IXiov . 
 
 . 342 
 
 Kayxo^ouai 
 
 . 516 
 
 Ifiuc 
 
 . 554 
 
 itdo 
 
 . 469 
 
 luev . 
 
 . 367 
 
 Ka6uTTTco6ai , 
 
 . .442
 
 INDEX TO GLOSSARY. 
 
 583 
 
 KddE&TO 
 
 Kudr/ao 
 KdBrjoro 
 
 KuBiffov 
 Kale . 
 Kdivfa 
 
 KdloVTO 
 KdKd . 
 
 KdKOTJITl 
 KdKOTTlTOf 
 
 Kd/.EOdVTO 
 
 na'ktaodt 
 
 Kd^VlpdflEVI) 
 
 KUflE 
 
 Kafj.El 
 
 KOflOVTdf 
 
 Karrviaoav 
 
 Kinrireaov 
 Kaprj . 
 
 KUptJVd 
 
 Kapfjvuv 
 
 KOpTTOV 
 
 Kdprspof 
 
 KUpTtOTOl . 
 
 KdaiyvT]Toio 
 
 . 406 
 
 Kdaropa 
 
 . 539 
 
 . 440 
 
 Kara . 
 
 . 331 
 
 . 440 
 
 KdTddtpevdt 
 
 . 540 
 
 . 561 
 
 KaTddvvn . 
 
 . 444 
 
 . 520 
 
 KdTdKTUflEVdl 
 
 . 555 
 
 . 422 
 
 Karuvcvaov 
 
 . 432 
 
 . 383 
 
 Kdravevau . 
 
 . 434 
 
 . 335 
 
 KdTdTTEQvy . 
 
 . 544 
 
 . 352 
 
 KdTdTttyl) . 
 
 . 345 
 
 . 447 
 
 KdTdaxoftEvn 
 
 . 560 
 
 . 495 
 
 KdTEdv 
 
 . 425, 447 
 
 . 553 
 
 KareOevro . 
 
 . 525 
 
 . 393 
 
 KdTfdqKev . 
 
 . 544 
 
 . 556 
 
 KdT&i'Oe . 
 
 . 463 
 
 . 411 
 
 KdTETT/i^'fl . 
 
 . 514 
 
 . 389 
 
 KdTEpE^EV . 
 
 . 407 
 
 . 525 
 
 KdTfVVdadeV 
 
 . 563 
 
 . 335 
 
 Kdreadifi . 
 
 . 513 
 
 . 557 
 
 KUTSXEV 
 
 . 540 
 
 . 520 
 
 KdTEXEVEV . 
 
 . 511 
 
 . 360 
 
 KdTJ]a6ie 
 
 . 489 
 
 . 528 
 
 KdTTiQelrjv . 
 
 . 518 
 
 . 347 
 
 KdTiffxeai . 
 
 . 478 
 
 . 351 
 
 Kavarpiov . 
 
 . 505 
 
 . 341 
 
 KE, KEV 
 
 . 327, 337 
 
 460, 544 
 
 KEfiaadevref 
 
 . 499 
 
 . 498 
 
 KEldl . 
 
 . 558 
 
 . 543 
 
 
 . 356 
 
 . 512 
 
 KElvq . 
 
 . 555 
 
 . 499 
 
 KEIVOI 
 
 . 3S!) 
 
 . 398 
 
 Keivoiai 
 
 . 390 
 
 . 444 
 
 Kelae . 
 
 . 559 
 
 . 480 
 
 KfKdflU 
 
 . 366 
 
 . 449 
 
 KfK?,J7)'Wf 
 
 . 477 
 
 . 463 
 
 KFK/.tJUEVOC EltJV . 
 
 . 481 
 
 . 332 
 
 KeK/.f/ori 
 
 . 528 
 
 . 406 
 
 KEK/.ltlEVOt . . 
 
 . 527 
 
 . 363 
 
 KSK/.VTt 
 
 . 522 
 
 . 368 
 
 KEKopvBufva 
 
 . 512 
 
 . 388 
 
 KE/.dlV(Qti . 
 
 . 410 
 
 . 548 
 
 Ke/.dive6ef . 
 
 . 501
 
 584 
 ne^aivov 
 
 K&evdov 
 
 Kel,6fiT[v 
 
 KEveov 
 
 KEpaov 
 
 nepdtov 
 
 KEpTOflEUV 
 
 KTjdETO 
 
 Ktjpvaativ 
 A. ijuevri 
 
 KIEV . 
 
 kidaptf 
 K/AAav 
 
 KAEITTIV 
 K/'.EITUV 
 
 x^cvaaa 
 
 INDEX TO GLOSSARY. 
 
 . 394 
 
 343, 358 
 
 . 522 
 
 . 397 
 
 . 427 
 
 . 559 
 
 . 409 
 
 . 486 
 
 . 513 
 
 . 362 
 
 . 516 
 
 . 480 
 
 . 436 
 
 . 407 
 
 . 386 
 
 , 377 
 
 . 359 
 
 . 450 
 
 420, 450 
 
 . 452 
 
 . 336 
 
 373, 443 
 
 . 335 
 
 . 332 
 
 . 380 
 
 . 487 
 
 . 398 
 
 . 454 
 
 . 455 
 
 . 556 
 
 . 404 
 
 . 518 
 
 . 329 
 
 . 333 
 
 . 466 
 
 . 467 
 
 . 472 
 
 . 325 
 
 . 480 
 
 328, 562 
 
 . 333 
 
 KVCOTJf 
 
 KoipijaavTO 
 
 Kuipaveuv . 
 Kotpavof 
 
 Kofa/XIV 
 KOfOJ . 
 
 Kofiiaav 
 KOfj.iaa.VTO 
 
 KOVll) 
 
 Koviyoiv 
 
 KopvBaioAof 
 
 509 
 506 
 407 
 420 
 563 
 508 
 357 
 511 
 546 
 561 
 395 
 409 
 370 
 477 
 329 
 529 
 353 
 455 
 441 
 425 
 548 
 548 
 422 
 340 
 325 
 448 
 425 
 475 
 474 
 372 
 441 
 518 
 373 
 555 
 445 
 491 
 506 
 468 
 502 
 511 
 522
 
 INDEX TO GLOSSARY. 
 
 585 
 
 
 Page 
 
 
 Pg 
 
 KopvOoc 
 
 . . .552 
 
 KTflVOfiEVOVf . . . 
 
 . 413 
 
 Kopvaouv . 
 
 . 483 
 
 KTlMf 
 
 . 535 
 
 KOpv<pif 
 
 . 429 
 
 Kvaveyow . . . 
 
 . 434 
 
 Kopv&yf 
 
 . 504 
 
 Kvde'i . 
 
 . 412 
 
 nopuviaiv . 
 
 . 367, 486 
 
 Kvdtdveipav 
 
 . 428 
 
 KOff/tljdtV . 
 
 . . .509 
 
 Ki-diare. . 
 
 . 356, 500 
 
 KOffflTjTOpC . 
 
 . 321,539 
 
 Kt>6of . 
 
 . 391 
 
 Kortovrc 
 
 . 550 
 
 KVKVUV 
 
 . 505 
 
 Koreovro 
 
 . 477 
 
 
 . 334 
 
 KOTEOVTOf . 
 
 . 369 
 
 Kvvey . 
 
 . 546 
 
 KOTOV 
 
 . 346 
 
 nvvraaiv 
 
 . 315 
 
 KOvTlEOV 
 
 . 378, 543 
 
 
 . 379 
 
 KOVplJV 
 
 . 350 
 
 
 .364 
 
 KOVpl6i7JC 
 
 . 353 
 
 Kvvumdof . 
 
 . 533 
 
 Kpadiijv 
 
 . 379,410 
 
 KV1T?.SJ)V . 
 
 . 445 
 
 Kpavay 
 
 . 562 
 
 KVpffdf 
 
 . .513 
 
 Kpava^f 
 
 . 536 
 
 Kvpru 
 
 .476 
 
 Kpariet 
 
 . 345 
 
 
 . 315 
 
 Kpareeiv 
 
 . 392 
 
 
 .377 
 
 Kparl . 
 
 . 549 
 
 
 
 Kparo? 
 
 . 434 
 
 A. 
 
 
 itpdrof 
 
 . 430 
 
 l.uav . 
 
 .490 
 
 cpaTtpov 
 
 . 324 
 
 M6e 
 
 . 412 
 
 Kpciaauv . 
 
 . 345, 520 
 
 /-UOfV 
 
 . 409 
 
 Kptiuv 
 
 . 357 
 
 
 . 467 
 
 Kpi/yvov 
 
 . 352 
 
 
 . 521 
 
 tcpfavov 
 
 . 330 
 
 lafriaTO . 
 
 . 502 
 
 Kpr,vt)v 
 
 . 487 
 
 hd'ivov 
 
 . 519 
 
 Kpf,reaai . 
 
 . 539 
 
 AaKedaluovof 
 
 . 510 
 
 KprJTijdev . 
 
 . 539 
 
 Aa/iTrcTouvrt 
 
 . 351 
 
 KpTjrijpa 
 
 . 540 
 
 
 . 319 
 
 
 . 424 
 
 \aofitSovr 'iddij . 
 
 . 541 
 
 
 
 Kprjr^pof . 
 
 . 445 
 
 ^.adv . 
 
 . 335 
 
 
 . 494 
 
 hairdpnv 
 
 . 552 
 
 KpivufteBa. . 
 
 . 497 
 
 Jwloiat '. ' 
 
 . 371 
 
 Kpovidr) 
 
 . 437 
 
 "^.dxyn 
 
 . 477 
 
 Knavtdiiv 
 
 . 429 
 
 
 . 379 
 
 KpovCuvi . 
 
 . 410 
 
 Xsye 
 
 . 477 
 
 Kpovov 
 
 . 474 
 
 Icyupeda . 
 
 . 502 
 
 KDVTTTlLOKl 
 
 . 436 
 
 
 . 422 
 
 KTOfitVOlO . 
 
 . 555 
 
 /.ElfiUVl . . 
 
 . .505
 
 586 
 
 INDEX TO GLOSSAUY. 
 
 
 Page 
 
 
 Fife 
 
 feipioEoeav 
 
 . 530 
 
 budtiTijpa . 
 
 . 483 
 
 T^iTionrcv 
 
 . 381 
 
 Auiov . 
 
 . 380 
 
 TiEMVTOt . 
 
 . 466 
 
 
 
 7ietaa6ai . 
 
 . 463 
 
 M. 
 
 
 7i.EVKu7.EVOf 
 
 . 336 
 
 
 . 347 
 
 
 . .526 
 
 LiaK.u.paoL , . 
 
 . 446 
 
 favaaei 
 
 . 524 
 
 fiaxdpuv 
 
 . .402 
 
 TiEVfflTETC . 
 
 . 355 
 
 uaxpa 
 
 . 513 
 
 MX 
 
 . 327 
 
 fjtaxpfif 
 
 . 527 
 
 TiExoade . 
 
 . 562 
 
 fia K pov 
 
 . 411,513 
 
 Ti-fiye . 
 
 . 376, 379 
 
 fj.d7ia . 
 
 . .367 
 
 fuTiyOVTCL . 
 
 . 558 
 
 fj-ahaKoloiv . 
 
 . 442 
 
 TitjuETO 
 
 . 428 
 
 fj.u7.iaTa, . , 
 
 . 321 
 
 
 . 439 
 
 fidv . . . 
 
 . 495 
 
 TJi'iov . . 
 
 . 467 
 
 itavTEveadat 
 
 . .352 
 
 A.rjfj,vu 
 
 . 444 
 
 fJMVTEVETai . 
 
 . 486 
 
 Ar/ToHf . 
 
 . 318 
 
 /advTiv 
 
 . 338 
 
 7,iaa6eif 
 
 . 404 
 
 [tavToavvjjv 
 
 . 342 
 
 Tityeuf 
 
 .537 
 
 fiapiiaipovra 
 
 . 558 
 
 T^tyvf . . 
 
 . 384 
 
 /j.apvo[ievouv 
 
 . 387 
 
 7.iyv$66yyoiat 
 
 . 455 
 
 fj.apvdfj.Evov 
 
 . 546 
 
 Xdaisai . 
 
 . 638 
 
 fidprvpot 
 
 . 402, 487 
 
 fahaioiievoi 
 
 . 527 
 
 fj.dxo.tpav . 
 
 . 543 
 
 TllflEVOf 
 
 . 417 
 
 /laxfoiro . 
 
 . 390 
 
 7.iirapoiaiv . 
 
 . 454 
 
 fiaxEovrat . 
 
 . 495 
 
 7>,iaai . 
 
 . 410 
 
 ftdxeadai . 
 
 . 317 
 
 Tiiaaopai . 
 
 . 321,367 
 
 fj.axEaaafievu 
 
 . 395 
 
 Aoiyia 
 
 . 432 
 
 ftaxEuvrat . 
 
 . 403 
 
 T^oiybv 
 
 . 340 
 
 fj.axrja6fj.EVOf 
 
 . 362 
 
 7ioi[i6f . 
 
 . 338 
 
 fj.dxofJ.ai 
 
 . 317 
 
 M<t>of 
 
 . 549 
 
 fj.ax6fj.riv . 
 
 . 389 
 
 /lo^ovdc 
 
 . 379 
 
 
 . 463 
 
 
 . 560 
 
 
 . 344 
 
 Mpara 
 
 . 397 
 
 
 . 356 
 
 Tivaai 
 
 . 322 
 
 fiiyaTia 
 
 . 427 
 
 ^.taav 
 
 . 395 
 
 fiiyav 
 
 . 381 
 
 Zvoopevof . 
 
 . 319 
 
 fiEydpoif 
 
 . 466 
 
 T.VOU . 
 
 . 326 
 
 fiiydpoiatv . 
 
 . 410 
 
 Ti-vu . 
 
 . 319 
 
 fieydpp 
 
 . 526 
 
 /US&7V 
 
 . 516 
 
 fiEoiaQw 
 
 . 497 
 
 TMo^aaio . 
 
 ^ . .380 
 
 (1F.61UV 
 
 . 543
 
 INDEX TO GLOSSARY. 
 
 587 
 
 fj.s6iifj.uv 
 fj.ti6r]aEV 
 fteifrv 
 
 flECUV 
 
 (itKaJdpov 
 fj.il'.Ei . 
 
 (ix'kitypuv 
 
 (JXlO^Et 
 
 fitfiaura 
 
 ftcveaivuv 
 
 ftEponeaat 
 
 fiETarpttri) . 
 
 (lETtELTCEV 
 
 ftETEaaerat 
 
 457 
 560 
 391 
 479 
 445 
 366 
 435 
 486 
 518 
 535 
 501 
 360 
 491 
 433 
 457 
 385 
 452 
 439 
 443 
 507 
 451 
 510 
 565 
 368 
 364 
 351 
 396 
 449 
 371 
 484 
 385 
 437 
 364 
 365 
 359 
 481 
 343 
 524 
 497 
 336 
 461 
 
 flEV 
 
 LLT1 . . 
 
 /ZWOftZ . 
 
 (trjdEO 
 
 firjva . 
 pr/viE . 
 fifjviv . 
 
 fj.ijpov 
 
 [ttfivufctv . 
 
 fllflVOVTEaat 
 
 JJ.LV 
 
 filwvda 
 
 ftLVDvdadiov 
 
 fjLiayeai 
 
 fiiayov 
 
 ftvrjaaaa 
 fioipav 
 
 flOVVOf 
 
 tAovoduv . 
 t/lvydovof . 
 
 fj.VLU.UV 
 
 MvpuMvcaotv 
 
 Pago 
 
 . 346 
 
 329, 390 
 
 . 324 
 
 . 492 
 
 . 494 
 
 . 453 
 
 . 485 
 
 415,427 
 
 . 313 
 
 . 422 
 
 . 330 
 
 . 371 
 
 . 421 
 
 368, 430 
 
 . 470 
 
 . 560 
 
 . 492 
 
 . 519 
 
 . 507 
 
 . 498 
 
 . 490 
 
 . 485 
 
 326, 374 
 
 . 414 
 
 . 405 
 
 . 478 
 
 . 542 
 
 . 423 
 
 . 509 
 
 . 412 
 
 . 392 
 
 . 533 
 
 . 425 
 
 . 475 
 
 . 447 
 
 . 534 
 
 343, 393 
 
 . 508 
 
 . 324 
 
 . 506 
 
 . 369
 
 588 
 
 INDEX TO GLOSSARY. 
 
 
 Paje 
 
 
 RV 
 
 Wlvpuidovuv , 
 
 . 400 
 
 vrj-ydreov . 
 
 . 453 
 
 (ivpia . . . 
 
 . 313 
 
 vqdvpos . 
 
 . . 448 
 
 putov 
 
 . 499 
 
 VTjEOOi 
 
 . 342 
 
 pufjirjaovTcu 
 
 . 559 
 
 vfjiov . 
 
 . . .519 
 
 
 
 VTj'h.Ei . 
 
 . 544 
 
 N. 
 
 
 Xrttfv , 
 
 . 451 
 
 vaierauay . 
 
 . 557 
 
 vr]ftEpref 
 
 . 342, 536 
 
 vaiovai 
 
 . 464 
 
 vi)6e . 
 
 . 330 
 
 vaiuv 
 
 . 501 
 
 vqnidxoif . 
 
 . . .491 
 
 
 . 319 
 
 VTJTllOf . 
 
 . 452 
 
 veapoi 
 
 . 484 
 
 
 . 325 
 
 
 . 457 
 
 vujxidEaaiv . 
 
 . 538 
 
 VEeO&UV . . 
 
 . 520 
 
 voeovari 
 
 . 442 
 
 vtrjai . . . 
 
 . L'27 
 
 voijaai 
 
 . 403 
 
 VEIKIO. 
 
 . 496 
 
 voijai} 
 
 . 433 
 
 veiKte 
 
 477 
 
 VOfUf) . 
 
 . 507 
 
 veiKcl 
 
 . 433 
 
 voarfjaofiev . 
 
 . 480 
 
 vEuteteam . 
 
 . 477 
 
 voarof 
 
 . 469 
 
 vEiKEiyai 
 
 . 442 
 
 voo(pi . 
 
 . 404 
 
 veineooev . 
 
 . 515 
 
 vooQifripeea 
 
 . 457 
 
 VElfiav . 
 
 . . 543 
 
 Ndrof 
 
 . 467 
 
 VEKTap . t 
 
 . 445 
 
 vovaov 
 
 . 318 
 
 vcurapiov . 
 
 . 556 
 
 vou . 
 
 . 358, 407 
 
 VEKVUV 
 
 . 335 
 
 vv 
 
 . 325 
 
 vfpeoifrpai 
 
 . 486 
 
 vvft(j>a 
 
 . 527 
 
 vepeaif 
 
 . 530 
 
 vvov . 
 
 . 517 
 
 vcpeacTiOtv . 
 
 . 477 
 
 vufirjaav 
 
 . 424 
 
 vepeaaijTov . 
 
 . 559 
 
 vura . 
 
 . 469 
 
 veot . 
 
 . 422 
 
 
 
 VEOV . 
 
 . 409 
 
 
 ft 
 
 VEOVrai 
 
 . 541 
 
 favftyf 
 
 . 373 
 
 VEoaaoi 
 
 . 488 
 
 S-sivodoKov . 
 
 . 551 
 
 Nsaropey . 
 
 . 455 
 
 fr>or 
 
 . 372 
 
 Nsaropi 
 
 . 451 
 
 Zwa.yupn . 
 
 . 497 
 
 NECTTU/J 
 
 . 384 
 
 Zvvdtjoai 
 
 . 410 
 
 VE^E"h]yepira 
 
 . 431 
 
 t-vveijKt 
 
 . 317 
 
 vEU[j.Eda 
 
 . 478 
 
 S;vvef . 
 
 . 452 
 
 veuv . . 
 
 . 333 
 
 t-vvqia 
 
 . 356 
 
 VEUTffXJ . 
 
 . . .387 
 
 S-WIEV 
 
 . 390 
 
 vija . 
 
 . 360,319 
 
 Zl'VlTlfil 
 
 . 317 
 
 vijaf . 
 
 .319 
 

 
 INDEX TO GLOSSARY 
 
 589 
 
 0. 
 
 
 Pje 
 
 Ottf) 
 
 . 373 
 
 6 
 
 . 273 
 
 btu 
 
 . 337 
 
 6 
 
 . 385, 355 
 
 oluvolai 
 
 . 315 
 
 b6etoioiv . 
 
 . 423 
 
 biuv . 
 
 . 536 
 
 oBpipov 
 
 . 551 
 
 oiuvonohuv 
 
 . 341 
 
 66a . 
 
 . 502 
 
 o/.6i6Sa.i[iov 
 
 . 533 
 
 bdvpovrai . 
 
 . 484 
 
 oAefroi 
 
 . 490 
 
 'Odvaijof . 
 
 . 359 
 
 b^EKOVTO 
 
 . 318 
 
 6{ov . 
 
 . 529 
 
 bteoay 
 
 . 375 
 
 6{ov( . 
 
 . 381 
 
 bhriai 
 
 . 560 
 
 ofa . 
 
 . 488 
 
 oP.tyov 
 
 . 366 
 
 60t . 
 
 . 529 
 
 oAAv/u 
 
 . 313 
 
 odopai 
 
 . 369 
 
 oAo^CTi 
 
 . 403 
 
 bdovyffi 
 
 . 529 
 
 oAooto . 
 
 . 527 
 
 ol . 
 
 . 342 
 
 6?.owTpof . 
 
 . 553 
 
 ol . 
 
 . 385 
 
 'OM/iiria . 
 
 .321 
 
 ol6e . 
 
 . 403 
 
 'OXvfimiidtf 
 
 . 509 
 
 bteai . 
 
 . 438 
 
 'OMfltTlf . 
 
 . 430 
 
 bifrt . 
 
 . 559 
 
 'Ol.vfiiriof . 
 
 . 405 
 
 bifypof 
 
 . 414 
 
 dfiadof 
 
 . 459 
 
 bi&pov 
 
 . 525 
 
 6/n6pov 
 
 . 510 
 
 Oil] 
 
 . 410 
 
 o^yepetf . 
 
 . 336 
 
 oiKade 
 
 . 322 
 
 
 . 532 
 
 OlKOi . 
 
 . 353 
 
 
 . 513 
 
 olvo6apcf . 
 
 . 379 
 
 bfux^i) 
 
 . 406 
 
 olvona 
 
 . 404 
 
 bfiixtyv 
 
 . 511 
 
 olvoxoei 
 
 . 445 
 
 O/ZOt'7/f 
 
 . 391 
 
 olvoxoeveiv 
 
 . 464 
 
 ofioiudijpcvai 
 
 . 370 
 
 oivoxboio . 
 
 . 464 
 
 buon'riaaoKt 
 
 . 474 
 
 oio 
 
 . 548 
 
 Isfioacn) 
 
 . 543 
 
 bio/mi 
 
 . 344 
 
 bfwooov 
 
 . .344 
 
 olov . 
 
 . 387 
 
 bfMOV . 
 
 . 337 
 
 
 508 
 
 ouorj . 
 
 . 453 
 
 olof . . 
 
 355 
 
 
 . 372 
 
 
 396 
 
 ov . .. 
 
 . 448 
 
 olae/iev 
 
 . 523 
 
 bvap . 
 
 . 338 
 
 oiaifMEvai . 
 
 . 525 
 
 bveidea 
 
 . 393 
 
 OIOETE 
 
 . 523 
 
 bvet6tioif . 
 
 . 433, 483 
 
 olada . 
 
 . 347 
 
 bveidifav . 
 
 . 480 
 
 blaroi 
 
 . 332 
 
 bvsitiiaov . 
 
 . 376 
 
 olrov . 
 
 . 560 
 
 oveipov 
 
 . 449 
 
 
 D 
 
 D 

 
 590 
 
 INDEX TO GLOSSARY. 
 
 bvtipoirohov 
 
 . 338 
 
 ov . . 
 
 . 412 
 
 ovrjaa 
 
 . 430 
 
 oUtv . 
 
 . 383 
 
 bvopaZev . 
 
 . 347 
 
 OvA.OfiVt]V . 
 
 . 313 
 
 bvorfvu . 
 
 . 508 
 
 ovT^ov , 
 
 . 449 
 
 b&a . 
 
 . 477 
 
 OVAOYVTOf , 
 
 . 420 
 
 bfr . 
 
 . 371,554 
 
 
 . 331 
 
 bna . . 
 
 . 471,530,538 
 
 Ovtofwovde 
 
 . 378 
 
 ontjdei 
 
 . . .472 
 
 ovvsna 
 
 . 319, 352 
 
 
 . . . 447 
 
 
 539 
 
 onidev 
 
 . 373 
 
 OV1TU . 
 
 . 379 
 
 brriaau 
 
 . 403 
 
 Ovpaviuvtg 
 
 . 440 
 
 oTr'A,OTpuv . 
 
 . .524 
 
 otipavoOev . 
 
 . 372 
 
 OTTTTOre 
 
 .'. . 365 
 
 ovpavddi 
 
 . 509 
 
 OTTUf . . 
 
 . . .403 
 
 ovpea . 
 
 . 364 
 
 opaaOai 
 
 . 546 
 
 ovpeof 
 
 . . 504,515 
 
 opiiTO 
 
 , 336, 373 
 
 ovpijaf 
 
 . 334 
 
 
 405 
 
 ovpov . 
 
 . 426 
 
 
 
 bptOVTO 
 
 . 499 
 
 oupovf 
 
 . 468 
 
 bpeaKuotai . 
 
 . 389 
 
 OVTl . 
 
 . 363 
 
 opsaoi . 
 
 .381 
 
 oiiTidavolaiv 
 
 . . .380 
 
 bpdudsif 
 
 . 453 
 
 OVTlf . 
 
 . . .347 
 
 bpivfv 
 
 . 466 
 
 OVTOl . 
 
 . 393 
 
 bptVOfiVl) . 
 
 . 485 
 
 ofefov 
 
 . 531 
 
 bpKia . 
 
 . 463,491 
 
 fyefaf 
 
 . 414,516 
 
 OpKOV . 
 
 . 381 
 
 b$eM.ei 
 
 . 519 
 
 bpfj.Tjfiara . 
 
 .493 
 
 b^e'^Xev 
 
 . 405, 502 
 
 opftov , 
 
 . 418 
 
 bjEMuaiv . 
 
 . 430 
 
 bpvvfii 
 
 . 318 
 
 b<j>pa . 
 
 346, 355, 364 
 
 bpvvro 
 
 . 511 
 
 b<j>pvoi . . 
 
 . 434 
 
 bpovoev 
 
 . 488,547 
 
 5 X a . 
 
 . 341 
 
 opouv 
 
 . 404, 547 
 
 oycvc . 
 
 . 554 
 
 opaeo . 
 
 . 541 
 
 OY^WV . 
 
 . 514 
 
 "Oaaa 
 
 . 458 
 
 bxOac 
 
 . 534 
 
 oaae . 
 
 . 351 
 
 nxOqrraf . 
 
 . 432 
 
 bffodftevof . 
 
 . 352 
 
 bifiiyovuv . 
 
 . 551 
 
 offoov 
 
 . 370 
 
 orftifiov 
 
 . 490 
 
 OTlf . 
 
 . 543 
 
 OTJ>tT&tOTOV 
 
 . 490 
 
 oTpateuc . 
 
 . 541 
 
 
 II. 
 
 'Orpijof 
 
 . .534 
 
 irairiova . 
 
 . 425 
 
 brpr/pu 
 
 . 399 
 
 naif . 
 
 . 322 
 
 brpvvovoa . 
 
 458, 504 iraifuooovaa 
 
 . 503
 
 INDEX TO GLOSSARY. 
 
 591 
 
 TraXaiyevei 
 Tra7.afj.duv 
 
 TraMvopaof 
 Ha7.?Mda . 
 
 7TU/.7.(JV 
 
 -rrdfinav 
 
 Ilavaxatuv 
 HavOoov 
 navavdiy . 
 
 Ttavrt) 
 xavToiuv , 
 Tfavroae 
 nap . 
 TTapai 
 
 TTOpUKOlTlV 
 
 irapeimy 
 
 irape&o 
 
 Trapefavacai 
 
 Trdpeare 
 
 xapiaaETai 
 
 Trdpoidev 
 irdpof 
 iruffi . 
 Trdrprif 
 Trarpida 
 
 Pa 
 
 
 Figa 
 
 . 557 
 
 
 . 391 
 
 . 527 
 
 Tcafpa 
 
 . 537 
 
 . 382 
 
 Travporipoiai 
 
 . 463 
 
 . 549 
 
 Travaavro . 
 
 . 423 
 
 . 357 
 
 xavaovaa . 
 
 . 375 
 
 . 337 
 
 Travoultj . 
 
 . 497 
 
 547,561 
 
 iraxeiy 
 
 . 555 
 
 . 433 
 
 ne6t7.a 
 
 . 454 
 
 . 515 
 
 ne6iov 
 
 . 508 
 
 . 374 
 
 TTcdiovde . 
 
 . 542 
 
 . 411 
 
 TTEiOto 
 
 . 377 
 
 . 512 
 
 TTEieeadat . 
 
 . 390 
 
 . 415 
 
 irtie?iTai . 
 
 . 362 
 
 . 504 
 
 TfEitiovTai . 
 
 . 345 
 
 . 500 
 
 TTEtdovro 
 
 . 390 
 
 . 424 
 
 TTfiOu 
 
 . 328 
 
 . 529 
 
 ireivuuv 
 
 . 513 
 
 . 448 
 
 TTEipdrai 
 
 . 473 
 
 . 450 
 
 xeiprjaai . 
 
 . 394 
 
 . 392 
 
 TfEiprjOouai . 
 
 . 456 
 
 . 409 
 
 TLtcpWoov . 
 
 . 388 
 
 . 499 
 
 TtEiOEodai . 
 
 . 392 
 
 . 550 
 
 TT7.aaav 
 
 . 418 
 
 . 542 
 
 Tefat 
 
 . 509 
 
 . 552 
 
 jre>it;f 
 
 . 519 
 
 . 518 
 
 Tre'Aerat 
 
 . 392 
 
 . 441 
 
 
 544 
 
 . 512 
 
 IL5/.orrt 
 
 . 460 
 
 . 515 
 
 
 . 490 
 
 . 438 
 
 xelupiov . 
 
 . 531 
 
 . 412 
 
 TTEfinovatv . 
 
 . 409 
 
 . 358 
 
 7Tft7ru6o7.a . 
 
 . 422 
 
 . 508 
 
 7rv00f 
 
 . 386 
 
 . 376 
 
 XEVOV70 
 
 . 398 
 
 . 415 
 
 TTEVTClETIIpOV 
 
 . 500 
 
 . 406 
 
 TTETTapfiEVOV 
 
 . 384 
 
 . 421 
 
 TTEiraVfiEVOl 
 
 . 529 
 
 . 315 
 
 irfirnycv 
 
 . 527 
 
 . 327 
 
 rtETrWoifjiev . 
 
 . 350 
 
 . 466 
 
 7re;r7>7ytJf . 
 
 . 481 
 
 . 402 
 
 ircirwpevu . 
 
 . 529
 
 592 
 
 INDEX TO GLOSSARY. 
 
 TTETTOldyt . 
 
 . 433 
 
 ff/jfar 
 
 . 46t 
 
 TTEKOVEf . 
 
 . 478 
 
 K~/.(Iai 
 
 . 477 
 
 TTf ITOffUC 
 
 . 522 
 
 TrAetov 
 
 . 366 
 
 fTETCQTfjQTCLl . 
 
 . 458 
 
 TrfoovEOciv 
 
 . 391 
 
 7T7rp(JtlCVQV - 
 
 . 546 
 
 TT/.ri^aiv . 
 
 . 481 
 
 TTCQ . 
 
 . 357 
 
 K?iTl6vv 
 
 . 466, 508 
 
 Trepflo/zevj; 
 
 . 496 
 
 u'Xfj^EV . . 
 
 . 481 
 
 TTEpt ... 
 
 . 387 
 
 
 . 460 
 
 rrepiKaAAe'a 
 
 . 542 
 
 TTVElOVTEf . 
 
 . .511 
 
 TrepwtaAAeoc 
 
 . 446 
 
 irotidpKrjf . 
 
 . 355 
 
 TTfotKAuroc 
 
 . 447 
 
 
 337 
 
 TfepiarfjaavTO 
 
 . 500 
 
 
 . 559 
 
 nspioxeo . 
 
 . 410 
 
 TTOOEEOKE . 
 
 . .428 
 
 TTEplTpOTTEUV > 
 
 . 485 
 
 
 . 382 
 
 
 . 423 
 
 ttoQi . 
 
 . 357 
 
 TTEOOEflEV . 
 
 . 478 
 
 TTOIflEVa 
 
 . 388 
 
 TTETt/Xoif 
 
 . 489 
 
 rroificvi 
 
 . 461 
 
 1TETE1JVUV . 
 
 . 505 
 
 noifieffiv . 
 
 . 511 
 
 iriraoaav . 
 
 . 426 
 
 T:oifj,vrilov . 
 
 . 506 
 
 TTETOvrat . 
 
 . 458,510 
 
 TroiTrvvovra 
 
 . 446 
 
 TTETplJf , . 
 
 . 457 
 
 rroAeaf 
 
 . 438 
 
 7TE<^CIVTOI . . 
 
 . 463 
 
 KO).EEC 
 
 . 502 
 
 fT); . 
 
 . 491 
 
 TroXf^ia . 
 
 . 401 
 
 irrjyeaifidlTiV 
 
 . 535 
 
 XO/.Ffii&V . 
 
 . 366 
 
 Tlrj^Eidi) . . 
 
 . 316 
 
 TTofaftOf 
 
 . 338 
 
 iV-etuvt . 
 
 . 370 
 
 7r6/b?t 
 
 . 518 
 
 n^/icof 
 
 . 428 
 
 rro/.^f 
 
 . 404 
 
 Il^Xruf 
 
 . 531 
 
 TTO/.LV 
 
 . 322 
 
 ni/^tttdEU . 
 
 . 313 
 
 TTO/.IUV 
 
 . 356, 553 
 
 TTtylMI . . . 
 
 . 518 
 
 KoKka 
 
 . 328, 405 
 
 Tft]fjiT)veiav . 
 
 . 545 
 
 KOk'Ko.K.i 
 
 . 410 
 
 ' 
 
 . 538 
 
 of 7 dc 
 
 . 314 
 
 nifltofc '. '. 
 
 . 387 
 
 TTO^aOiV . 
 
 . 462 
 
 irWriat 
 
 . 376 
 
 770/.?,CW.V 
 
 . . 465 
 
 "idriTai 
 
 . 414 
 
 
 . 461 
 
 mfiirhavTO . 
 
 . 351 
 
 
 . 348 
 
 niova 
 
 . 330, 499 
 
 TroAvdJKOf . 
 
 . 366 
 
 TriTrruat . . . 
 
 . 383 
 
 rro/.vapvi . 
 
 . 461 
 
 w/Wfovfft . 
 
 . 465 
 
 Tros.vtEvOEOf 
 
 . 417 
 
 7r/loravto"r^) 
 
 . 487 
 
 xoAvdaKpvv 
 
 . 527 
 
 it Aarca . . . . 
 
 507 
 
 ToXvdai(3d?.ov 
 
 . 551
 
 INDEX TO GLOSSARY. 
 
 593 
 
 7ro)vfapd6of 
 
 f**? 
 
 . 429 
 
 
 326 
 
 noAvfovKea 
 
 . 539 
 
 
 342 
 
 7To}v~vyu 
 
 . 485 
 
 
 421 
 
 nMwwror . .' 
 
 . 554 
 
 Trpoof&ovAfl . 
 
 . 353 
 
 tutmr/Uffo* 
 
 . 456 
 
 irpo6?.rjTi . 
 
 . 499 
 
 irolvKOkpaviy- . 
 
 . .474 
 
 irpofpva.aav 
 
 . 41H 
 
 TTO/ti^rtf . 
 
 . 396 Trpotpuaaev 
 
 . 396 
 
 iroAv/j.Tix avc 
 
 . 471 
 
 irpocf . 
 
 . 357 
 
 TtoXvpvdof . 
 
 . 537 
 
 irpodiovaiv . 
 
 . 392 
 
 irohvorova . 
 
 . 420 
 
 Trpoia^ev . 
 
 . 315 
 
 TLohvi&nuov 
 
 . 388 
 
 irpoiei 
 
 . 400, 550 
 
 TTOS-VQ^OiGOOlO . 
 
 . 328 
 
 KpoKt&eooai 
 
 . 561 
 
 TCOVTOV 
 
 . 405 
 
 roona.7 LCTO 
 
 512 
 
 TTOVTOKOpOlO 
 
 . 419 
 
 irpofidxtfr . . 
 
 . 511 
 
 irovToirupoioiv 
 
 . 517 
 
 TTOOLitlYOtOl . . 
 
 . 514 
 
 novrov 
 
 . 467 
 
 TTOOUOV . . 
 
 . 517 
 
 KOTTOl 
 
 . 386 
 
 irpoxpjjvff . 
 
 . 538 
 
 Trope . 
 
 . 342 
 
 Trpofapvvouev 
 
 . 479 
 
 TTopavveovaa 
 
 . 559 
 
 1TpOff6^OTO 
 
 . 454 
 
 iropijtvpstjv . 
 
 . 526 
 
 irpoft(j) . . . . 
 
 . 346 
 
 Kop^vpeov . 
 
 . 426 
 
 rrpoftfuveov 
 
 . 400 
 
 Tlooeiduuv . 
 
 . .411 
 
 irpowvda . 
 
 . 374 
 
 
 . 454 
 
 TrpoctOzv . 
 
 385 
 
 
 . 423 
 
 npoou 
 
 . 403 
 
 TTOffif . 
 
 . 548 
 
 irporepv 
 
 . . .558 
 
 Kore . . . 
 
 . 330, 363 
 
 Trport . . . 
 
 . 525 
 
 nori . 
 
 . 383,416 
 
 irpOTOvoioiv 
 
 . 418 
 
 KOTiiiyncvai 
 
 . 466 
 
 irpo<j>puv 
 
 . 344, 362 
 
 WOT/MOV 
 
 . 494 
 
 irpoxeovTo . 
 
 . 506 
 
 trorvia . . 
 
 . .406 
 
 Ttpvuvac 
 
 . 412 
 
 TTOTOIO 
 
 . 424 
 
 irpvfiviiota . 
 
 . 419 
 
 KOTuvrai . 
 
 . 505 
 
 irpuifa 
 
 . 487 
 
 TTOV . 
 
 . 356 
 
 rrpura 
 
 . 316 
 
 TTov7(.v6oTcipri 
 
 . 522 
 
 TrpuTiora . 
 
 . 352 
 
 Ttpcnrideaoiv 
 
 . 447 
 
 TcrepofVTa . . 
 
 . 374 
 
 7Tpr}Vt-tf 
 
 . 502 
 
 irrtpvyos . 
 
 . .489 
 
 irprjvef 
 
 . 501 
 
 KToXffti^ofiCV 
 
 . 490 
 
 rt>f]$ai 
 
 . 439 
 
 TTTO^lfOpOV . 
 
 . 365, 477 
 
 irnijffai 
 
 . 501 
 
 Trro?.iTop^of 
 
 . 483 
 
 irprjaaev 
 
 . 426 Hvy/taiolai 
 
 . 510 
 
 riptauolo . . 
 
 
 . 387 
 
 
 DDD2 

 
 594 
 
 l.VUKX TO GLOSSARY. 
 
 TlvAtus 
 IlvMUfeveof 
 
 ajftatre 
 
 ojt 
 
 P. 
 
 {** 
 
 . 455 
 
 . 536 
 
 . 384 
 
 . 455 
 
 . 366 
 
 . 539 
 
 . 334 
 
 . 530 
 
 . 473 
 
 . 428 
 
 . 352 
 339,474 
 
 . 536 
 
 . 505 
 aSo. 4S7 
 507. 5.)5 
 419,551 
 
 . 361 
 
 . 473 
 
 . 545 | ooiat 
 555 I06mr 
 
 . 419 t 
 
 . 541 
 399,439 
 
 . 444 
 
 . 610 
 
 . 436 
 
 . 501 
 
 ~VTJ.:: 
 
 1 T*T*/.Ci TO 
 
 oauattf 
 
 534 
 549 
 473 
 346 
 
 369 
 550 
 
 410 
 
 465 ffTttapmr 
 
 . 513 
 
 . 488 
 
 . 393 
 
 . 393 
 
 . 368 
 
 . 393 
 
 . 504 
 
 . 445 
 
 . 483 
 
 . 539 
 
 . 439 
 
 . 506 
 
 . 457 
 
 . 391 
 
 . 381 
 
 . 321 
 
 . 499 
 
 . 475 
 
 . 488 
 
 . 329 
 
 . 483 
 
 . 331 
 
 . 354 
 
 . 465 
 
 . 433 
 
 . 493 
 
 . 459 
 
 . 506 
 
 . 538 
 
 . 417 
 
 . 426 
 
 . 484 
 
 . 330 
 
 . 459 
 
 . 535 
 
 . 523 
 
 . 373 
 
 346,371 
 
 . 436 
 
 400,550 
 
 . 549
 
 1NLIKX TO GLOSS AR\ 
 
 arparov 
 
 trvu+pdaaaro 
 
 cvvayov 
 
 avvGto 
 
 OWvtttUH . 
 
 awoxuKore 
 
 edov 
 
 coot 
 
 afutv 
 oQuinpov . 
 
 ' 
 
 . 557 
 
 ropfivmnr 
 
 . 5-25 
 
 rapfaiotv 
 
 . 544 
 
 ruja . 
 
 453,494 
 
 Taxetf 
 
 . 31S 
 
 TfOi-airi 
 
 . 488 
 
 reivcv 
 
 . 370 
 
 TtKC . 
 
 . 497 
 
 Ttufcaatv 
 
 . 5-:o 
 
 TfgfUJp 
 
 . 348 
 
 r/xof . 
 
 . 496 
 
 rtKofea 
 
 . 436 
 
 rc/.auuv 
 
 . 542 
 
 Tf/.efffdat 
 
 . 344 
 
 Ttieirai 
 
 . 491 
 
 Tt/.ftU 
 
 . 476 
 
 rel.fiuv 
 
 . 495 
 
 Tt/.iaay 
 
 . 342 
 
 rtf.saau 
 
 . 435 
 
 rtteu 
 
 . 441 
 
 re/.rit-aoai 
 
 . 317 
 
 Tcvcfoto 
 
 . 401 
 
 rfo . 
 
 . 402 
 
 rfov . 
 
 . 386 
 
 TtOOf. 
 
 . 377 
 
 ripev . 
 
 . 377 
 
 TfpXCTO 
 
 . 560 
 
 rspxiicfpa 
 
 . 462 
 
 TtTV)UV 
 
 . 4-:-: 
 
 rf'roro 
 
 459 , Tf 
 
 rmr.'F 
 
 ra irpura 
 ra-rpura 
 Topdfy 
 
 398 
 543 
 463 
 538 
 427 
 316 
 316 
 442 
 
 rtrtjKa 
 rtriyeaaif 
 
 TCTVK.OVTC, 
 TfriKTOl 
 
 . 400 
 
 . 48C 
 
 . 375 
 
 . 513 
 
 . 523 
 
 . 541 
 
 . 329 
 
 . 531 
 
 . 433 
 
 . 374 
 
 . 414 
 
 . 498 
 375, 452 
 
 . 490 
 
 . 316 
 
 . 340 
 
 . 346 
 
 . 433 
 
 . 316 
 
 . 397 
 
 . 329 
 
 . 477 
 
 . 359 
 
 . 490 
 
 . 528 
 
 . 425 
 
 . 415 
 
 . 444 
 
 . 554 
 
 . 376 
 
 . 532 
 
 . 530 
 
 . 443 
 
 . 379 
 
 . 357 
 
 . 553 
 
 . 459 
 
 . 489 
 
 . 423 
 
 . 623 
 
 . 498
 
 596 
 
 INDEX TO GLOSSARY. 
 
 TfiJye . . 
 
 . 315 
 
 rofa . 
 
 . 332 
 
 Tev%Ei . . 
 
 . 352 
 
 Toaaa 
 
 . :r<6 
 
 Tevxeoiv . . 
 
 . 514 
 
 TOffaaiJTa . 
 
 . 490 
 
 TV%UV . . 
 
 . 460 
 
 TOOGOV 
 
 . 339 
 
 Tfl^Eudyoto . 
 
 . 480 
 
 TOVVEKd 
 
 349, 392, 558 
 
 ~j)?,66ev . . 
 
 . 389 
 
 Toifipa 
 
 . 430 
 
 T7)M6l 
 
 . 327 
 
 TpaneiofiEV . 
 
 . 562 
 
 T1}%.VyET1JV . . 
 
 . 532 
 
 TpdnovTO . 
 
 . 560 
 
 TTjV . . . 
 
 . 342 
 
 Tpd<j>EV 
 
 . 385 
 
 Ti 
 
 . 354 
 
 Tpd(j>T) 
 
 . 536 
 
 Tie 
 
 . 451 
 
 TprjTolai 
 
 . 563 
 
 Til} . 
 
 . 407 
 
 TpiirZy 
 
 . 357 
 
 TiQei . . . 
 
 . 419, 430 
 
 TplTUTOlfflV 
 
 . .386 
 
 riQrjfii . . 
 
 . 314 
 
 Tpixaf 
 
 . 543 
 
 TiKTU 
 
 . 329 
 
 Tpi%0d 
 
 . 552 
 
 Tiprjv 
 
 . .364 
 
 Tpoiy 
 
 . 469 
 
 Tifirjaac 
 
 . 421 
 
 Tpoirjv 
 
 ... . 357 
 
 Tifirjaov 
 
 . 430 
 
 Tpofios . . . 
 
 . 515 
 
 Tl/lJjffOVffl . 
 
 . 368 
 
 rpv<aa/l% . 
 
 . 554 
 
 Tivd . 
 
 . 338 
 
 Tpufffcnv . 
 
 . 412 
 
 Tiwodov . 
 
 . 543 
 
 
 357 
 
 
 . . .374 
 
 TO) 
 
 . 400 
 
 r/f . 
 
 . 317 
 
 T<j> . 
 
 . . .393 
 
 Ttffaadcu 
 
 . 493 
 
 TU (for w) . 
 
 . . . .539 
 
 Tiosiav 
 
 . 331 
 
 rwye . 
 
 . . .395 
 
 Tiaeffdai . 
 
 . 514 
 
 TWf 
 
 . .560 
 
 Tiaov . 
 
 . 430 
 
 Tvdsof 
 
 . . . . .500 
 
 TiffUfflV 
 
 . 430 
 
 rurdov 
 
 . 405 
 
 TITOIVUV 
 
 . 498 
 
 
 
 TlTVffKOftEVOt 
 
 . 521 
 
 
 T. 
 
 T^TJffOfUll . 
 
 . 545 
 
 i>6piof . 
 
 . 376 
 
 T^f/TE 
 
 . 486 
 
 {>6pt . . 
 
 . 374 
 
 rods 
 
 . 330 
 
 iiyod 
 
 . 397 
 
 TOl . 
 
 . 325 
 
 via; . . 
 
 . 456 
 
 TOI (for aoi) 
 
 . 330 
 
 vlei . 
 
 . 532 
 
 TOI (for oi) . 
 
 . 420 
 
 vhf . 
 
 . . .365 
 
 Totydo 
 
 . 343 
 
 
 451 
 
 fc / r 
 
 . 408 
 
 
 . 318 
 
 roiovf 
 
 . 387 
 
 w^c 
 
 . 390 
 
 TOKT/UV 
 
 . 528 
 
 t'/rat . 
 
 . 538 
 
 TOfiqV 
 
 ... 381 
 
 VTratfaf 
 
 . . .488
 
 INDEX TO GLOSSARY. 
 
 597 
 
 vtriddeierav . 
 
 . 412 duffai' 
 
 r*t 
 
 iirfy . 
 
 . 393 paffyavov . 
 
 . 371 
 
 f>Treipe X cv . 
 
 . 637 
 
 <!>ua6ai 
 
 . 370 
 
 vireMoao . 
 
 . 411 
 
 faro . 
 
 . 370, 514 
 
 VKfVfpQc . . 
 
 . 468 
 
 $fpOl . 
 
 . 394 
 
 inrepfaoly . 
 
 . 624 
 
 <j>Sp6flTlV 
 
 . 444 
 
 vireppevfi . 
 
 . 462 
 
 ffpov 
 
 . 627 
 
 inrtppopa . . 
 
 . 469 
 
 fcprcpov 
 
 . - . .867 
 
 imspoirXiyat 
 
 . 375 
 
 <j>sprarof . 
 
 . 442 
 
 inrepjiafai 
 
 . 523 
 
 Qepuv 
 
 . 320 
 
 imeaTav . . 
 
 . 484 
 
 Qevyt . 
 
 . 367 
 
 imo67i^7iv . 
 
 . 393 
 
 fyevyuptv . 
 
 . 466 
 
 imMpa . . 
 
 . 361 
 
 fcvfovrai . 
 
 . 469 
 
 VTro-EirrrjUTtf . 
 
 . 488 
 
 <t>n 
 
 . 452 
 
 vnoarptTJjtiaf 
 
 . 559 
 
 fijpaiv 
 
 .389 
 
 VTTOOXCO . 
 
 . 432 
 
 $6iy . 
 
 . 363 
 
 vir6ax<> . 
 
 . 484 
 
 $6irjv6e 
 
 . 367 
 
 virfytov 
 
 . 616 
 
 tjtdivvdctv . 
 
 . 492 
 
 vfffitvat 
 
 . 453, 492 
 
 Vdivvdeouc . 
 
 . 428 
 
 vafiivrjvde . . 
 
 . 507 
 
 file . 
 
 . 343 
 
 varara . . 
 
 . 380 
 
 Qrt.CfOKCV . 
 
 . 557 
 
 {lartpov . . 
 
 . 325 
 
 jiteovoa . 
 
 . 372 
 
 vfaivcv . . 
 
 . 626 
 
 <j>i/.riv 
 
 . 322 
 
 v^rtf 
 
 . 418 
 
 fityaa 
 
 . 537 
 
 vi/"7^ 
 
 . 499 
 
 <t>i7(.OKreavuTat 
 
 e . . .356 
 
 vipi6pe(inff . 
 
 . 405 
 
 tAofifuiiJit 
 
 . 561 
 
 *V"6po^o . 
 
 . 661 
 
 fMTtrra . 
 
 . 551 
 
 *V<n! . 
 
 . 427 
 
 fiXu . 
 
 . 349, 403 
 
 
 
 Q^OIUV 
 
 . 382 
 
 *- 
 
 
 4fol6of 
 
 . 331 
 
 ^aai'ffcv . 
 
 . 374 
 
 <f>ofa6c 
 
 . 476 
 
 fativov . . 
 
 . 640 
 
 fovov 
 
 . 493 
 
 tbaififv 
 
 . 457 
 
 ^ofof . 
 
 . 476 
 
 taivofuvi, . 
 
 . 373 
 
 ijtopeovat 
 
 . 382 
 
 dttAavyof . , 
 
 . 520 
 
 Qopfjvai 
 
 . 461 
 
 b'i/.OV 
 
 . 552 
 
 Qoppiyyos . 
 
 . 446 
 
 <i>di'Tj . 
 
 . 425 
 
 <t>6uf . 
 
 . 454 
 
 idvrcf 
 
 . 516 
 
 doufde 
 
 . 488 
 
 
 . 447 
 
 <>puCcat 
 
 . 438 
 
 
 . 332 
 
 ^pdCovrat " 
 
 . 450 
 
 ^apof 
 
 . 454 
 
 duuani 
 
 . 346
 
 598 
 
 Qpevff 
 
 IXDEX TO GLOSSARY. 
 
 <f>vyeetv 
 
 QV-/OV 
 
 <t>ura 
 
 f .... 351 
 
 Xepeiortpov 
 
 335 
 
 Xepeiuv 
 
 )df . . .. . 494 
 
 Xepn'i 
 
 rgiptv . . . . 495 
 
 Xepvtyavro 
 
 'r)v . . . 533 
 
 Xepoiv 
 
 iv . .... 498 
 
 Xr,vuv 
 
 ptv . . . .337 
 
 Xiptu 
 
 ' ... . .510 
 
 X0i& . 
 
 . 354,537 
 
 xBifa 
 
 494 
 
 xOovi . 
 
 ruerc ..... 544 
 
 Xiruva 
 
 raoif . . ... 480 
 
 X^lvav . . 
 
 . . . . .381 
 
 *r i ! 
 
 30f , . . . 540 
 
 ^oAdu 
 
 lev . . . . 401 
 
 ^oAwfe/f . 
 
 * . . 470 
 
 xoAuauuevoc 
 
 X. 
 
 Xopovie 
 
 re . . 401 
 
 Xpatafteiv . 
 
 f . . . .364 
 
 Xpaiajiy 
 
 v . . . 420 
 
 Xpatapuatv 
 
 t . ... 434 
 
 
 raivuv . . . 496 
 
 xpn 
 
 ov . . . .508 
 
 Xpvatia 
 
 ipfi .... 547 
 
 Xpvaeioi? . 
 
 >6ar? . . . 416 
 
 XpvceV 
 
 V . . .381 
 
 Xpvaii 
 
 w . , .477 
 
 Xpvaijidoe 
 
 >XITUVUV .- . , 408 
 
 Xpvffqv (Xpvcrf) . 
 
 ftf .... 545 
 
 Xpvffrjv (Xpvar/f) 
 
 c .... 514 
 
 Xu?.6f 
 
 vrn . * . . 330 
 
 XUOUEVOf . . 
 
 t . 518 
 
 Xuaauivi) . . 
 
 Mf . . . . 477 
 
 XUffsrac . 
 
 jiat .... 485 
 
 
 ytyaiv . . .538 
 
 4 
 
 va . . . .510 
 
 ibafiaBotf . 
 
 jffi . . . . 542 
 
 ibt6vf] . 
 
 a .... 413 
 
 iLivxtf ... 
 
 wa . . . .441 
 
 
 . 480 
 
 . 353 
 
 . 345 
 
 . 420 
 
 . 320 
 
 . 505 
 
 . 484 
 
 . 487 
 
 . 416 
 
 . 348 
 
 453,481 
 
 . 471 
 
 . 379 
 
 . 345 
 
 . 318 
 
 . 318 
 
 . 473 
 
 . 344 
 
 . 557 
 
 . 383 
 
 326,518 
 
 . 440 
 
 . 402 
 
 . 377 
 
 . 541 
 
 . 384 
 
 . 320 
 
 . 419 
 
 . 353 
 
 . 329 
 
 . 319 
 
 . 476 
 
 322, 408 
 
 . 560 
 
 . 345 
 
 427 
 476 
 314
 
 INDEX TO GLOSSARY. 
 
 599 
 
 u. 
 
 f*v 
 
 &v,m{ . 
 
 "! 
 
 . 410 
 
 T 
 
 . 451 
 
 
 . 530 
 
 LIKH . . 
 
 . 411 
 
 UTTTJ/ffaV 
 
 . 423 
 
 unea . 
 
 . 527 
 
 upfiaive . 
 
 . 371 
 
 uKcavdv . 
 
 . 415 
 
 VpVVTO 
 
 . 542 
 
 UKVfiOpOf . 
 
 . 414 
 
 tipopc 
 
 . 467 
 
 UKVflOpUTdTUf 
 
 . 430 
 
 upae . 
 
 . 318 
 
 uKVTrdtieooiv 
 
 . 497 
 
 Wf 
 
 . 327 
 
 uKi'iropototv 
 
 . 415 
 
 <j(re . 
 
 . 378 
 
 
 . 337 
 
 (JTf . 
 
 . 347 
 
 ij/.caa 
 
 . 462 
 
 UTOVVtV 
 
 . 541 
 
 Ufttf.rioa 
 
 . 387 
 
 (j^tAff 
 
 . 561 
 
 ufioBerriaav 
 
 . 422 
 
 w^ero 
 
 . 335, 455 
 
 UfJLOldLV 
 
 . 332, 454 
 
 ^X0r]aav . 
 
 . 440 
 
 UfJUJ . 
 
 . 476,481 
 
 ux6[*E6a . 
 
 . 407 
 
 ujtu^ev 
 
 . 553 
 
 UXPC 
 
 515
 
 *" O/4s3f~Wts jf&-$$/tl>* 
 
 r<~ 
 
 _ 
 
 4.^, 
 

 
 A 000525472