University of California Berkeley ESTATE OF YNEZ GHIRARDELLI i&e Coffege Cfaeetce THE AMERICAN BY HENRY JAMES HOUGHTON MIFFLIN COMPANY BOSTON NEW YORK CHICAGO DALLAS SAN FRANCISCO Cambridge COPYRIGHT, 1877, BY H. O. HOUGHTON & CO. AND JAMES R. OSGOOD i COb COPYRIGHT, IQO7, BY CHARLES SCRIBNER'S SONS Vfir ibf rsflsr CAMBRIDGE MASSACHUSETTS PRINTED IN THE U. S. A. THE AMERICAN i ON a brilliant day in May, of the year 1868, a gentle- man was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts; but our visitor had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo's beautiful moon-borne Madonna in deep enjoyment of his pos- ture. He had removed his hat and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly, with vague weariness, passed his hand' kerchief over his forehead. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested an intensity of uncon- scious resistance. His exertions on this particular day, however, had been of an unwonted sort, and he had often performed great physical feats that left him less jaded than his quiet stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print m his Badeker; his attention had been strained and his eyes dazzled; he had sat down with an aesthetic THE AMERICAN headache. He had looked, moreover, not only at all the pictures, but at all the copies that were going forward around them in the hands of those innumer- able young women in long aprons, on high stools, who devote themselves, in France, to the reproduc- tion of masterpieces; and, if the truth must be told, he had often admired the copy much more than the original. His physiognomy would have sufficiently indicated that he was a shrewd and capable person, and in truth he had often sat up all night over a bristling bundle of accounts and heard the cock crow without a yawn. But Raphael and Titian and Rubens were a new kind of arithmetic, and they made him for the first time in his life wonder at his vaguenesses. An observer with anything of an eye for local types would have had no difficulty in referring this candid connoisseur to the scene of his origin, and indeed such an observer might have made an ironic point of the almost ideal completeness with which he filled out the mould of race. The gentleman on the divan was the superlative American; to which affirmation of character he was partly helped by the general easy magnificence of his manhood. He appeared to possess that kind of health and strength which, when found in perfection, are the most impressive the physical tone which the owner does nothing to "keep up." If he was a muscular Christian it was quite without doctrine. If it was necessary to walk to a remote spot he walked, but he had never known himself to "exercise." He had no theory with regard to cold bathing or the use of Indian clubs; he was neither an 2 THE AMERICAN oarsman, a rifleman nor a fencer he had never had time for these amusements and he was quite unaware that the saddle is recommended for certain forms of indigestion. He was by inclination a tem- perate man; but he had supped the night before his visit to the Louvre at the Cafe Anglais some one had told him it was an experience not to be omitted and he had slept none the less the sleep of the just. His usual attitude and carriage had a liberal loose- ness, but when, under a special inspiration, he straightened himself he looked a grenadier on parade. He had never tasted tobacco. He had been assured such things are said that cigars are excellent for the health, and he was quite capable of believing it; but he would no more have thought of "taking" one than of taking a dose of medicine. His complexion was brown and the arch of his nose bold and well- marked. His eye was of a clear, cold grey, and save for the abundant droop of his moustache he spoke, as to cheek and chin, of the joy of the matutinal steel. He had the flat jaw and the firm, dry neck which are frequent in the American type; but the betrayal of native conditions is a matter of expression even more than of feature, and it was in this respect that our traveller's countenance was supremely eloquent. The observer we have been supposing might, however, perfectly have measured its expressiveness and yet have been at a loss for names and terms to fit it. It had that paucity of detail which is yet not empti- ness, that blankness which is not simplicity, that look of being committed to nothing in particular, of stand- ing in a posture of general hospitality to the chances 3 THE AMERICAN of life, of being very much at one's own disposal, characteristic of American faces of the clear strain. It was the eye, in this case, that chiefly told the story; an eye in which the unacquainted and the expert were singularly blended. It was full of contradictory sug- gestions; and though it was by no means the glowing orb of a hero of romance you could find in it almost anything you looked for. Frigid and yet friendly, frank yet cautious, shrewd yet credulous, positive yet sceptical, confident yet shy, extremely intelligent and extremely good-humoured, there was something vaguely defiant in its concessions and something profoundly reassuring in its reserve. The wide yet partly folded wings of this gentleman's moustache, with the two premature wrinkles in the cheek above it, and the fashion of his garments, in which an exposed shirt-front and a blue satin necktie of too light a shade played perhaps an obtrusive part, completed the elements of his identity. We have ap- proached him perhaps at a not especially favourable moment; he is by no means sitting for his portrait. But listless as he lounges there, rather baffled on the aesthetic question and guilty of the damning fault (as we have lately discovered it to be) of confounding the aspect of the artist with that of his work (for he ad- mires the squinting Madonna of the young lady with the hair that somehow also advertises "art," because he thinks the young lady herself uncommonly taking), he is a sufficiently promising acquaintance. Decision, salubrity, jocosity, prosperity, seem to hover within his call; he is evidently a man of business, but the term appears to confess, for his particular benefit, to 4 THE AMERICAN undefined and mysterious boundaries which invite the imagination to bestir itself. As the little copyist proceeded with her task, her attention addressed to her admirer, from time to time, for reciprocity, one of its blankest, though not of its briefest, missives. The working-out of her scheme appeared to call, in her view, for a great deal of vivid by-play, a great standing off with folded arms and head dropping from side to side, stroking of a dim- pled chin with a dimpled hand, sighing and frowning and patting of the foot, fumbling in disordered tresses for wandering hair-pins. These motions were accom- panied by a far-straying glance, which tripped up, occasionally, as it were, on the tall arrested gentle- man. At last he rose abruptly and, putting on his hat as if for emphasis of an austere intention, approached the young lady. He placed himself before her picture and looked at it for a time during which she pre- tended to be quite unconscious of his presence. Then, invoking her intelligence with the single word that constituted the strength of his French vocabulary, and holding up one finger in a manner that appeared to him to illuminate his meaning, " Combien ? " he abruptly demanded. The artist stared a moment, gave a small pout, shrugged her shoulders, put down her palette and brushes and stood rubbing her hands. "How much ?" said our friend in English. "Com- lien?" " Monsieur wishes to buy it 1" she asked in French "Very pretty. Splendide. Combien?' 9 repeated the American. 5 THE AMERICAN "It pleases monsieur, my little picture ? It's a very beautiful subject," said the young lady. "The Madonna, yes; I'm not a real Catholic, but I want to buy it. Combien ? Figure it right there." And he took a pencil from his pocket and showed her the fly-leaf of his guide-book. She stood looking at him and scratching her chin with the pencil. "Is n't it for sale ?" he asked. And as she still stood reflect- ing, probing him with eyes which, in spite of her de- sire to treat this avidity of patronage as a very old story, added to her flush of incredulity, he was afraid he had offended her. She was simply trying to look indifferent, wondering how far she might go. "I have n't made a mistake pas insulte, no ? " her interlocutor continued. "Don't you understand a little English?" The young lady's aptitude for playing a part at short notice was remarkable. She fixed him with all her conscious perception and asked him if he spoke no French. Then "Donnez!" she said briefly, and took the open guide-book. In the upper corner of the fly-leaf she traced a number in a minute and extremely neat hand. On which she handed back the book and resumed her palette. Our friend read the number: "2000 francs." He said nothing for a time, but stood looking at the pic- ture while the copyist began actively to dabble with her paint. "For a copy, is n't that a good deal ?" he inquired at last. "Pas beaucoup?" She raised her eyes from her palette, scanned him from head to foot, and alighted with admirable sagac- ity upon exactly the right answer. "Yes, it's a good 6 THE AMERICAN deal. But my copy is extremely soigne. That's its value." The gentleman in whom we are interested under- stood no French, but 1 have said he was intelligent, and here is a good chance to prove it. He appre- hended, by a natural instinct, the meaning of the young woman's phrase, and it gratified him to find her so honest. Beauty, therefore talent, rectitude; she combined everything! "But you must finish it," he said. " Finish, you know ; " and he pointed to the unpainted hand of the figure. "Oh, it shall be finished in perfection in the per- fection of perfections!" cried mademoiselle; and to confirm her promise she deposited a rosy blotch in the middle of the Madonna's cheek. But the American frowned. " Ah, too red, too red ! " he objected. "Her complexion," pointing to the Murillo, "is more delicate." "Delicate ? Oh it shall be delicate, monsieur; deli- cate as Sevres biscuit. I'm going to tone that down; I promise you it shall have a surface! And where will you allow us to send it to you ? Your address." "My address ? Oh yes!" And the gentleman drew a card from his pocket-book and wrote something on it. Then hesitating a moment: "If I don't like it when it is finished, you know, I shall not be obliged to pay for it." The young lady seemed as good a guesser as him- self. " Oh, I 'm very sure monsieur 's not capricious ! " "Capricious?" And at this monsieur began to laugh. "Oh no, I 'm not capricious. I 'm very faith- ful. I'm very constant. Comprenez?" 7 THE AMERICAN "Monsieur's constant; I understand perfectly. It 's not the case of all the world. To recompense you, you shall have your picture on the first possible day; next week as soon as it 's dry. 1 '11 take the card of monsieur." And she took it and read his name: "Christopher Newman." Then she tried to repeat it aloud and laughed at her bad accent. " Your English names are not commodes to say!" "Well, mine's partly celebrated," said Mr. New- man, laughing too. "Did you never hear of Christo- pher Columbus ?" " Bien sur ! He first showed Americans the way to Europe; a very great man. And is he your patron ?" "My patron?" "Your patron saint, such as we all have." "Oh, exactly; my parents named me after him." "Monsieur is American then too?" "Does n't it stick right out ?" monsieur enquired. "And you mean to carry my dear little picture away over there ? " She explained her phrase with a gesture. "Oh, I mean to buy a great many pictures beau- coup, beaucoup" said Christopher Newman. "The honour's not less for me," the young lady answered, "for I 'm sure monsieur has a great deal of taste." " But you must give me your card," Newman went on; "your card, you know." The young lady looked severe an instant. "My father will wait on you." But this time Mr. Newman's powers of divination were at fault. "Your card, your address," he simply repeated. 8 THE AMERICAN "My address ?" said mademoiselle. Then, with a little shrug: ** Happily for you, you're a stranger of a distinction qui se voit. It 's the first time I ever gave my card to a gentleman." And, taking from her pocket a well-worn flat little wallet, she extracted from it a small glazed visiting-card and presented the latter to her client. It was neatly inscribed in pencil, with a great many flourishes, " Mile. Noemie Nioche." But Mr. Newman, unlike his companion, read the name with perfect gravity; all French names to him were equally incommodes. 44 And precisely how it happens! here's my father; he has come to escort me home," said Made- moiselle Noemie. "He speaks English beautifully. He '11 arrange with you/' And she turned to welcome a little old gentleman who came shuffling up and peer- ing over his glasses at Newman. M. Nioche wore a glossy wig, of an unnatural colour, which overhung his little meek, white, vacant face, leaving it hardly more expressive than the un- featured block upon which these articles are dis- played in the barber's window. He was an exquisite image of shabby gentility. His scant, ill-made coat, desperately brushed, his darned gloves, his highly polished boots, his rusty, shapely hat, told the story of a person who had "had losses " and who clung to the spirit of nice habits even though the letter had been hopelessly effaced. Among other things M. Nioche had lost courage. Adversity had not only deprived him of means, it had deprived him of confidence so frightened him that he was going through his rem- nant of life on tiptoe, lest he should wake up afresh 9 THE AMERICAN the hostile fates. If this strange gentleman should be saying anything improper to his daughter M. Nioche would entreat him huskily, as a particular favour, to forbear; but he would admit at the same time that he was very presumptuous to ask for particular favours. " Monsieur has bought my picture/' said Mademoi- selle Noemie. "When it 's finished you'll carry it to him in a cab." "In a cab!" cried M. Nioche; and he stared, in a bewildered way, as if he had seen the sun rising at midnight. " Are you the young lady's father ? " said Newman, "I think she said you speak English." "Spick English yes." The old man slowly rubbed his hands. "I'll bring it in a cab." " Say something then," cried his da ughter. " Thank him a little not too much." "A little, my daughter, a little ?" he murmured in distress. "How much?" "Two thousand!" said Mademoiselle Noemie. "Don't make a fuss or he '11 take back his word." "Two thousand!" gasped the old man; and he began to fumble for his snuff-box. He looked at New- man from head to foot ; he looked at his daughter and then at the picture. "Take care you don't spoil it!" he cried almost sublimely. "We must go home," said Mademoiselle Noemie. 'This is a good day's work. Take care how you carry it!" And she began to put up her utensils. "How can I thank you ?" asked M. Nioche. "My English is far from sufficing." "I wish I spoke French half so well," said New- 10 THE AMERICAN man good-naturedly. "Your daughter too, you see, makes herself understood." "Oh sir!" and M. Nioche looked over his spec- tacles with tearful eyes, nodding out of his depths of sadness. " She has had an education tres-supen- eurel Nothing was spared. Lessons in pastel at ten francs the lesson, lessons in oil at twelve francs. 1 did n't look at the francs then. She 's a serious worker." "Do I understand you to say that you've had a bad time?" asked Newman. "A bad time ? Oh sir, misfortunes terrible!" "Unsuccessful in business?" "Very unsuccessful, sir." "Oh, never fear; you'll get on your legs again," said Newman cheerily. The old man cast his head to one side; he wore an expression of pain, as if this were an unfeeling jest: whereupon "What is it he says?" Mademoiselle Noemie demanded. M. Nioche took a pinch of snuff. " He says I shall make my fortune again." " Perhaps he '11 help you. And what else ? " "He says thou hast a great deal of head." "It's very possible. You believe it yourself, my father." "Believe it, my daughter? With this evidence!" And the old man turned afresh, in staring, wondering homage, to the audacious daub on the easel. "Ask him then if he'd not like to learn French." "To learn French?" "To take lessons." . II THE AMERICAN "To take lessons, my daughter ? From thee ?" "From thee." " From me, my child ? How should I give lessons ? " "Pas de raisons ! Ask him immediately!" said Mademoiselle Noemie with soft shortness. M. Nioche stood aghast, but under his daughter's eye he collected his wits and, doing his best to assume an agreeable smile, executed her commands. "Would it please you to receive instruction in our beautiful language ? " he brought out with an appealing qua- ver. "To study French ?" Newman was rather struck. M. Nioche pressed his finger-tips together and slowly raised his shoulders. "A little practice in conversation!" "Practice, conversation that's it!" murmured Mademoiselle Noemie, who had caught the words. "The conversation of the best society." "Our French conversation is rather famous, you know," M. Nioche ventured to continue. "It's the genius of our nation." "But except for your nation isn't it almost impossible?" asked Newman very simply. "Not to a man of esprit like monsieur, an admirer of beauty in every form! " And M. Nioche cast a sig- nificant glance at his daughter's Madonna. "I can't fancy myself reeling off fluent French!" Newman protested. "And yet I suppose the more things, the more names of things, a man knows, the better he can get round." " Monsieur expresses that very happily. The better he can get round. Helas, oui! " 12 THE AMERICAN "I suppose it would help me a great deal, knocking about Paris, to be able to try at least to talk." "Ah, there are so many things monsieur must want to say: remarkable things, and proportionately difficult." "Everything I want to say is proportionately diffi- cult. But you 're in the habit of giving lessons ? " Poor M. Nioche was embarrassed; he smiled more appealingly. "I'm not a regular professor," he ad- mitted. "I can't pourtant tell him I've a diploma," he said to his daughter. "Tell him it's a very exceptional chance," an- swered mademoiselle; "an homme du monde one perfect gentleman conversing with another. Remem- ber what you are. Remember what you have been." "A teacher of languages in neither case! Much more dans le temps and much less to-day 1 And if he asks the price of the lessons ?" "He won't ask it," said the girl. "What he pleases, I may say?" "Never! That's bad style." "But if he wants to know ?" Mademoiselle Noemie had put on her bonnet and was tying the ribbons. She smoothed them out, her shell-like little chin thrust forward. "Ten francs," she said quickly. "Oh my daughter! I shall never dare." "Don't dare then! He won't ask till the end of the lessons, and you '11 let me make out the bill." M. Nioche turned to the confiding foreigner again and stood rubbing his hands with his air of standing convicted of almost any counsel of despair. It never THE AMERICAN occurred to Newman to plead for a guarantee of his skill in imparting instruction; he supposed of course M. Nioche knew the language he so beautifully pro- nounced, and his brokenness of spring was quite the perfection of what the American, for vague reasons, had always associated with all elderly foreigners of the lesson-giving class Newman had never reflected upon philological processes. His chief impression with regard to any mastery of those mysterious correla- tives of his familiar English vocables which were cur- rent in this extraordinary city of Paris was that it would be simply a matter of calling sharply into play latent but dormant muscles and sinews. "How did you learn so much English?" he asked of the old man. "Oh, I could do things when I was young before my miseries. I was wide awake then. My father was a great commer^ant; he placed me for a year in a counting-house in England. Some of it stuck to me, but much I've forgotten!" "How much French can I learn in about a month ?" "What does he say?'* asked mademoiselle; and then when her father had explained: "He'll speal like an angel!" But the native integrity which had been vainly exerted to secure M. Nioche's commercial prosperity flickered up again. "Dame* monsieur!" he an- swered. "All I can teach you! " And then, recovering himself at a sign from his daughter: "I '11 wait upon you at your hotel." "Oh yes, I should like to converse with elegance," Newman went on, giving his friends the benefit of any H THE AMERICAN vagueness. "Hang me if I should ever have thought of it! I seemed to feel it too far off. But you've brought it quite near, and if you could catch on at all to our grand language that of Shakespeare and Milton and Holy Writ why should n't I catch on to yours ? " His frank, friendly laugh drew the sting from the jest. " Only, if we 're going to converse, you know, you must think of something cheerful to converse about." "You're very good, sir; I'm overcome!" And M. Nioche threw up his hands. "But you've cheer- fulness and happiness for two!" "Oh no," said Newman more seriously. "You must be bright and lively; that's part of the bargain." M. Nioche bowed with his hand on his heart. "Very well, sir; you've struck up a tune I could almost dance to!" "Come and bring me my picture then; I'll pay you for it, and we'll talk about that. That will be a cheerful subject!" Mademoiselle Noemie had collected her access- ories and she gave the precious Madonna in charge to her father, who retreated backwards, out of sight, holding it at arm's length and reiterating his obeis- ances. The young lady gathered her mantle about her like a perfect Parisienne, and it was with the "An revoir, monsieur!" of a perfect Parisienne that she took leave of her patron. II THIS personage wandered back to the divan and seated himself, on the other side, in view of the great canvas on which Paul Veronese has spread, to swarm and glow there for ever, the marriage-feast of Cana of Galilee. Weary as he was his spirit went out to the picture; it had an illusion for him; it satisfied his con- ception, which was strenuous, of what a splendid ban- quet should be. In the left-hand corner is a young woman with yellow tresses confined in a golden head- dress; she bends forward and listens, with the smile of a charming person at a dinner-party, to her festal neighbour. Newman detected her in the crowd, ad- mired her and perceived that she too had her votive copyist a young man whose genius, like that of Samson, might have been in his bristling hair. Sud- denly he was aware of the prime throb of the mania of the "collector." He had taken the first step why should he not go on ? It was only twenty minutes before that he had bought the first picture of his life, and now he was already thinking of art-patronage as a pursuit that might float even so heavy a weight as him- self. His reflexions quickened his good-humour and he was on the point of approaching the young man with another " Combienf" Two or three facts in this relation are noticeable, although the logical chain that connects them may seem imperfect. He knew 16 THE AMERICAN Mademoiselle Nioche had asked too much; he bore her no grudge for doing so, and he was determined to pay the young man exactly the proper sum. At this moment, however, his attention was attracted by a gentleman who had come from another part of the room and whose manner was that of a stranger to the gallery, though he was equipped neither with guide- book nor with opera-glass. He carried a white sun- umbrella lined with blue silk, and he strolled in front of the great picture, vaguely looking at it but much too near to see anything but the grain of the canvas. Opposite Christopher Newman he paused and turned, and then our friend, who had been observing him, had a chance to verify a suspicion roused by an imperfect view of his face. The result of the larger scrutiny was that he presently sprang to his feet, strode across the room and, with an outstretched hand, arrested this blank spectator. The gaping gentleman gaped afresh, but put out his hand at a venture. He was large, smooth and pink, with the air of a successfully potted plant, and though his countenance, orna- mented with a beautiful flaxen beard carefully di- vided in the middle and brushed outward at the sideSy was not remarkable for intensity of expression, it was exclusive only in the degree of the open door of air hotel it would have been closed to the undesirable. It was for Newman in fact as if at first he had been but invited to "register." "Oh come, come," he said, laughing; "don't say now you don't know me if I 've not got a white parasol!" His tone penetrated; the other's face expanded to ;% 17 THE AMERICAN its fullest capacity and then broke into gladness, "Why, Christopher Newman I'll be Mowed! Where in the world ? Who would have thought ? You've carried out such extensive alterations." "Well, I guess you've not," said Newman. "Oh no, I hold together very much as I was. But when did you get here?" " Three days ago." "Then why did n't you let me know ?" "How was I to be aware - ?" "Why, I've been located here quite a while." "Yes, it 's quite a while since we last met." "Well, it feels long since the War." "It was in Saint Louis, at the outbreak. You were going for a soldier," Newman said. "Oh no, not I. It was you. Have you forgotten ?" "You bring it unpleasantly back." "Then you did take your turn?" "Oh yes, I took my turn. But that was nothing, I seem to feel, to this turn." "How long then have you been in Europe?" "Just seventeen days." "First time you've been ?" "Yes, quite immensely the first." Newman's friend had been looking him all over, "Made your everlasting fortune?" Our gentleman was silent a little, and then with a tranquil smile, "Well, I've grubbed," he answered. "And come to buy Paris up ? Paris i'j for sale, you know." "Well, I shall see what I can do about it. So they carry those parasols here the men-folk?" 18 THE AMERICAN "Of course they do. They're great things, these parasols. They understand detail out here." "Where do you buy them?" "Anywhere, everywhere." "Well, Tristram, I'm glad to get hold of you. 1 guess you can tell me a good deal. I suppose you know Paris pretty correctly," Newman pursued. Mr. Tristram's face took a rosy light. "Well, 1 guess there are not many men that can show me much. I '11 take care of you." "It's a pity you were not here a few minutes ago. I've just bought a picture. You might have put the thing through for me." "Bought a picture?" said Mr. Tristram, locking vaguely round the walls. " Why, do they sell them ?" "I mean a copy." "Oh, I see. These" and Mr. Tristram nodded at the Titians and Vandykes "these, I suppose, are originals ?" "I hope so," said Newman. "1 don't want a copy of a copy." "Ah," his friend sagaciously returned, "you can never tell. They imitate, you know, so deucedly well. It 's like the jewellers with their false stones. Go into the Palais Royal there; you see * Imitation' on half the windows. The law obliges them to stick it on, you know; but you can't tell the things apart. To tell the truth," Mr. Tristram continued and his grimace seemed a turn of the screw of discrimination "I don't do so very much in pictures. They're one of the things 1 leave to my wife." "Ah, you've acquired a wife?" 19 THE AMERICAN "Did n't 1 mention it ? She's a very smart \\oman. You must come right round. She's up there in the Avenue d'lena." "So you're regularly fixed house and children and all'?" "Yes; a tip-top house, and a couple of charming cubs." "Well," sighed Christopher Newman, stretching his arms a little, "you affect me with a queer feeling that 1 suppose to be envy." "Oh no, I don't," answered Mr. Tristram, giving him a little poke with his parasol. "1 beg your pardon; you do." "Well, 1 shan't then, when when !" "You don't certainly mean when I've seen your pleasant home ?" " When you 've made your*, my boy. When you 've seen Paris. You want to be in light marching order here." "Oh, 1 've skipped about in my bhiit all my life, and I've had about enough of it." "Well, try it on the basis of Paris. That makes a new thing of it. How old may you be ?" "Forty-two and a half, 1 guess." "C'est le bet age, as they say here." Newman reflected. "Does that mean the age of the belly?" "It means that a man shouldn't send away his plate till he has eaten his fill." "It comes to the same thing. I've just made ar- rangements, anyhow, to take lessons in the language." "Oh, you don't want any lessons. You'll pick it 20 THE AMERICAN right up. I never required nor received any instruc- tion." "You speak it then as easily as English ?" "Easier!" said Mr. Tristram roundly. "It's a splendid language. You can say all sorts of gay things in it.*' " But I suppose," said Christopher Newman with an earnest desire for information, "that you must be pretty gay to begin with." "Not a bit: that's just the beauty of it!" The two friends, as they exchanged these remarks, which dropped from them without a pause, had remained standing where they met and leaning against the rail which protected the pictures. Mr. Tristram at last declared that he was overcome with lassitude and should be happy to sit down. Newman recommended in the highest terms the great divan on which he had been lounging, and they prepared to seat themselves. "This is a great place, is n't it ?" he broke out with enthusiasm. "Great place, great place. Finest thing in the world." And then suddenly Mr. Tristram hesitated and looked about. "I suppose they won't let you smoke?" Newman stared. "Smoke ? I 'm sure I don't know. You know the regulations better than I." " I ? I never was here before." "Never! all your six years ?" "I believe my wife dragged me here once when we first came to Paris, but I never found my way back." "But you say you know Paris so well!" "I don't call this Paris!" cried Mr. Tristram with *V 21 THE AMERICAN assurance. "Come; let's go over to the Palais Royal and have a smoke." "I don't smoke," said Newman. "What's that for?" Mr. Tristram growled as he led his companion away. They passed through the glorious halls of the Louvre, down the staircases, along the cool, dim galleries of sculpture and out into the enormous court. Newman looked about him as he went, but made no comments; and it was only when they at last emerged into the open air that he said to his friend: "It seems to me that in your place I'd have come here once a week." "Oh no, you wouldn't!" said Mr. Tristram. "You think so, but you would n't. You would n't have had time. You 'd always mean to go, but you never would go. There's better fun than that here in Paris. Italy's the place to see pictures; wait till you get there. There you have to go; you can't do any- thing else. It's an awful country; you can't get a decent cigar. I don't know why 1 went into that place to-day. I was strolling along, rather hard up for amusement. I sort of took in the Louvre as I passed, and I thought I might go up and see what was going on. But if I had n't found you there I should have felt rather sold. Hang it, I don't care for inanimate can- vas or for cold marble beauty; I prefer the real thing!" And Mr. Tristram tossed off this happy formula with an assurance which the numerous class of persons suffering from an overdose of prescribed taste might have envied him. The two gentlemen proceeded along the Rue dc Rivoli and into the Palais Royal, where they seated 22 THE AMERICAN themselves at one of the little tables stationed at the door of the cafe which projects, or then projected, into the great open quadrangle. The place was filled with people, the fountains were spouting, a band was playing, clusters of chairs were gathered beneath all the lime-trees and buxom, white-capped nurses, seated along the benches, were offering to their infant charges the amplest facilities for nutrition. There was an easy, homely gaiety in the whole scene, and Chris- topher Newman felt it to be characteristically, richly Parisian. "And now," began Mr. Tristram when they had tasted the decoction he had caused to be served to them, "now just give an account of yourself. Wha; are your ideas, what are your plans, where have you come from and where are you going? In the first place, where are you hanging out ?" "At the Grand Hotel." He put out all his lights. "That won't do! You must change." "Change?" demanded Newman. "Why, it's the finest hotel I ever was in." "You don't want a 'fine* hotel; you want some- thing small and quiet and superior, where your bell's answered and your personality recognised." "They keep running to see if I 've rung before I Ve touched the bell," said Newman, "and as for my per- sonality they 're always bowing and scraping to it." "I suppose you're always tipping them. That's very bad style." "Always? By no means. A man brought me some- thing yesterday and then stood loafing about in a beg- THE AMEPICAN garly manner. I offered him a chair and asked him if he'd sit down. Was that bad style?" "I'll tell my wife!" Tristram simply answered. "Tell the police if you like! He bolted right away, at any rate. The place quite fascinates me. Hang your ' superior ' if it bores me. I sat in the court of the Grand Hotel last night until two o'clock in the morn- ing, watching the coming and going and the people knocking about." "You're easily pleased. But you can do as you choose a man in your shoes. You 've made a pile of money, hey ? " "I've made about enough." "Happy the man who can say that! But enough for what?" "Enough to let up a while, to forget the whole ques- tion, to look about me, to see the world, to have a good time, to improve my mind and, if my hour strikes, to marry a wife." Newman spoke slowly, with a quaint effect of dry detachment and with frequent pauses. This was his habitual mode of utterance, but it was especially marked in the words just recorded. "Jupiter, there's an order!" cried Mr. Tristram. "Certainly all that takes money, especially the wife; unless indeed she gives it, as mine did. And what's the story ? How have you done it ?" Newman had pushed his hat back from his fore- head, folded his arms and stretched his legs. He listened to the music, he looked about him at the bustling crowd, at the plashing fountains, at the nurses and the babies. "Well, I have n't done it by sitting round this way." 24 THE AMERICAN Tristram considered him again, allowing a finer curiosity to measure his generous longitude and retrace the blurred lines of his resting face. "What have you been in ?" "Oh, in more things than 1 care to remember." " T suppose you're a real live man, hey?" Newman continued to look at the nurses and oabies; they imparted to the scene a kind of primor- dial, pastoral simplicity. "Yes," he said at last, "I guess I am." And then in answer to his companion's enquiries he briefly exposed his record since their last meeting. It was, with intensity, a tale of the Western world, and it showed, in that bright alien air, very much as fine dessicated, articulated "specimens," bleached, monstrous, probably unique, show in the high light of museums of natural history. It dealt with elements, incidents, enterprises, which it will be needless to introduce to the reader in detail; the deeps and the shallows, the ebb and the flow, of great finan- cial tides. Newman had come out of the war with a brevet of brigadier-general, an honour which in this case without invidious comparisons had lighted upon shoulders amply competent to carry it. But though he had proved he could handle his men, and still more the enemy's, with effect, when need was, he heartily disliked the business; his four years in the army had left him with a bitter sense of the waste of precious things life and time and money and in- genuity and opportunity; and he had addressed him- self to the pursuits of peace with passionate zest and energy. His " interests," already mature, had mean- while, however, waited for him, so that the capital at THE AMERICAN his disposal had ceased to be solely his whetted, knife- edged resolution and his lively perception of ends and means. Yet these were his real arms, and exertion and action as natural to him as respiration: a more com- pletely healthy mortal had never trod the elastic soil of great States of his option. His experience moreover had been as wide as his capacity; necessity had in his fourteenth year taken him by his slim young shoulders and pushed him into the street to earn that night's supper. He had not earned it, but he had earned the next night's, and afterwards, whenever he had had none, it was because he had gone without to use the money for something else, a keener pleasure or a finer profit. He had turned his hand, with his brain in it, to many things; he had defied example and precedent and probability, had adventured almost to madness and escaped almost by miracles, drinking alike of the flat water, when not the rank poison, of failure, and of the strong wine of success. A born experimentalist, he had always found some- thing to enjoy in the direct pressure of fate even when it was as irritating as the haircloth shirt of the medi- aeval monk. Atone time defeat had seemed inexorably his portion; ill-luck had become his selfish bed-fel- low, and whatever he touched had turned to ashes out of which no gleaming particle could be raked. His most vivid conception of a supernatural element in the world's affairs had come to him once when he felt his head all too bullyingly pummelled; there seemed ro him something stronger in life than his personal, intimate will. But the mysterious something could only be a demon as personal as himself, and he accord- 26 THE AMERICAN ingly found himself in fine working opposition to this rival concern. He had known what it was to have utterly exhausted his credit, to be unable to raise a dollar and to find himself at nightfall in a strange city, without a penny to mitigate its strangeness. It was under these circumstances that he had made his entrance into San Francisco, the scene subsequently of his most victorious engagements. If he did not, like Dr. Franklin in Philadelphia, march along the street munching a penny loaf it was only because he had not the penny loaf necessary to the performance. In his darkest days he had had but one simple, practical impulse the desire, as he would have phrased it, to conclude the affair. He had ended by concluding many, had at last buffeted his way into smooth waters, had begun and continued to add dollars to dollars. It must be rather nakedly owned that Newman's only proposal had been to effect that addition ; what he had been placed in the world for was, to his own conception, simply to gouge a fortune, the bigger the better, out of its hard material. This idea com- pletely filled his horizon and contented his imagina- tion. Upon the uses of money, upon what one might do with a life into which one had succeeded in inject- ing the golden stream, he had up to the eve of his fortieth 'year very scantly reflected. Life had been for him an open game, and he had played for high stakes. He had finally won and had carried off his winnings; and now what was he to do with them ? He was a man to whom, sooner or later, the question was sure to present itself, and the answer to it belongs to oui story. A vague sense that more answers were pos- .* 27 THE AMERICAN sible than his philosophy had hitherto dreamt of had already taken possession of him, and it seemed softly and agreeably to deepen as he lounged in this rich corner of Paris with his friend. "I must confess," he presently went on, "that 1 don't here at all feel my value. My remarkable talents seem of no use. It's as if I were as simple as a little child, and as if a little child might take me by the hand and lead me about." "Oh, I'll be your little child," said Tristram jovi- ally; "I'll take you by the hand. Trust yourself to me." "I'm a grand good worker," Newman continued, "but I've come abroad to amuse myself; though I doubt if I very well know how." "Oh, that's easily learned." "Well, I may perhaps learn it, but I 'm afraid I shall never do it by rote. I 've the best will in the world about it, but my genius does n't lie in that direction. Besides," Newman pursued, "I don't want to work at pleasure, any more than ever 1 played at work. I want to let myself, let everything go. I feel coarse and loose and I should like to spend six months as I am now, sitting under a tree and listening to a band. There's only one thing: I want to hear some first- class music." "First-class music and first-class pictures? Lord v what refined tastes! You 've what my wife calls a rare mind. 1 have n't a bit. But we can find something better for you to do than to sit under a tree. To begin with, you must come to the club." "What club?" 28 THE AMERICAN "The Occidental. You'll see all the Americans there; all the best of them at least. Of course you play poker ?" 44 Oh, I say/' cried Newman, with energy, "you're not going to lock me up in a club and stick me down at a card-table! I have n't come all this way for that." "What the deuce then have you come for? You were glad enough to play poker in Saint Louis, I re- collect, when you cleaned me out." " I 've come to see Europe, to get the best out of it I can. I want to see all the great things and do what the best people do." "The 'best' people? Much obliged. You set me down then as one of the worst ?" Newman was sitting sidewise in his chair, his elbow on the back and his head leaning on his hand. With- out moving he played a while at his companion his dry, guarded, half-inscrutable and yet altogether good-natured smile. "Introduce me to your wife!" Tristram bounced about on his seat. "Upon my word I '11 do nothing of the sort. She does n't want any help to turn up her nose at me, nor do you either." "I don't turn up my nose at you, my dear fellow; nor at any one nor anything. J 'm not proud, I assure you I 'm not proud. That's why I 'm willing to takt example by the best." " Well, if I 'm not the rose, as they say here, I 've lived near it. I can show you some rare minds too. Do you know General Packard ? Do you know C. P, Hatch ? Do you know Miss Kitty Upjohn ?" v 20 THE AMERICAN "I shall be happy to make their acquaintance. I want to cultivate society." Tristram seemed restless and suspicious; he eyed his friend askance, and then, "What are you up to, anyway?" he demanded. "Are you going to write a heavy hook ?" Christopher Newman twisted one end of his mous- tache in silence and finally made answer. "One day, a couple of months ago, something very curious hap- pened to me. I had come on to New York on some important business; it's too long and too low a story to tell you now a question of getting in ahead of another party on a big transaction and on informa- tion that was all my own. This other party had once played off on me one of the clever meannesses the feeling of which works in a man like strong poison. I owed him a good one, the best one he was ever to have got in his life, and as his chance here for he was after it, but on the wrong tip would have been a remarkably sweet thing, a matter of half a million, I saw my way to show him the weight of my hand. The good it was going to do me, you see, to feel it come down on him! I jumped into a hack and went about my business, and it was in this hack this immortal historical hack that the curious thing I speak of occurred. It was a hack like any other, only a trifle dirtier, with a greasy line along the top of the drab cushions, as if it had been used for a great many Irish funerals. It's possible I took a nap; I had been travelling all night and, though I was excited with my errand, I felt the want of sleep. At all events 1 woke up suddenly, from a sleep or from a kind of reverie, 30 THE AMERICAN with the most extraordinary change of heart a mor- tal disgust for the whole proposition. It came upon me like that!" and he snapped his fingers "as abruptly as an old wound that begins to ache. I could n't tell the meaning of it; I only realised I had turned against myself worse than against the man I wanted to smash. The idea of not coming by that half-million in that particular way, of letting it utterly slide and scuttle and never hearing of it again, became the one thing to save my life from a sudden danger. And all this took place quite independently of my will, and I sat watching it as if it were a play at the theatre. I could feel it going on inside me. You may depend upon it that there are things going on inside us that we understand mighty little about." " Jupiter, you make my flesh creep!" cried Tris- tram. "And while you sat in your hack watching the play, as you call it, the other man looked in and collared your half-million?" "I haven't the least idea. I hope so, poor brute, but I never found out. We pulled up in front of the place I was going to in Wall Street, but I sat still in the carriage, and at last the driver scrambled down off his seat to see whether his hack had n't turned into a hearse. I could n't have got out any more than if I had been a corpse. What was the matter with me ? Momentary brain-collapse, you '11 say. What I wanted to get out of was Wall Street. I told the man to drive to the Brooklyn ferry and cross over. When we were over I told him to drive me out into the coun- try. As I had told him originally to drive for dear life down town, I suppose he thought I had lost my wits 3* THE AMERICAN on the way. Perhaps I had, but in that case my sacri- fice of them has become, in another way, my biggest stroke of business. [ spent the morning looking at the first green leaves on Long Island. I had been so hot that it seemed as if I should never be cool enough again. As for the damned old money, I Ve enough, already, not to miss it you see how that spoils my beauty. I seemed to feel a new man under my old skin; at all events I longed for a new world. When you want a thing so very badly you probably had bet- ter have it an^l ~ee. I did n't understand my case in the least, but gave the poor beast the bridle and let him find his way. As soon as I could get out of har- ness I sailed for Europe. That's how I come to be sitting here." "You ought to have bought up that hack," said Tristram; "it is n't a safe vehicle to have about. And you 've really wound up and sold out then ? you 've formally retired from business?" "Well, I'm not at present transacting any on any terms. There '11 be plenty to be done again if I don't hold out, but I shall hold out as long as possible. I dare say, however, that a twelvemonth hence the uncanny operation will be repeated in the opposite sense and the pendulum swing back again. I shall be sitting in a gondola or on a dromedary, or on a cushion at the feet of Beauty, and all of a sudden I shall want to clear out. But for the present I 'm perfectly free. I Ve even arranged that I 'm to receive no business letters." "Oh, it's a real caprice de prince" said Tristram. "1 back out; a poor devil like me can't help you to 32 THE AMERICAN spend such very magnificent leisure as that. You should get introduced to the crowned heads." Newman considered a moment and then with all his candour, "How does one do itf" he asked. "Come, I like that!" cried Tristram. "It shows you're in earnest." "Of course ['m in earnest. Did n't I say I wanted the best ? I know the best can't be had for mere money, but I 'm willing to take a good deal of trouble." "You're not too shrinking, hey?" " I have n't the least idea I must see. I want the biggest kind of entertainment a man can get. People, places, art, nature, everything! I want to see the tallest mountains, and the bluest lakes, and the finest pictures, and the handsomest churches, and the most celebrated men, and the most elegant women." "Settle down in Paris then. There are no moun- tains that [ know of, higher than Montmartre, and the only lake 's in the Bois de Boulogne and not par- ticularly blue. But there's everything else: plenty of pictures and churches, no end of celebrated men, and several elegant women." "But I can't settle down in Paris at this season, just as summer's coming on." "Oh, for the summer go right up to Trouville." "And what may Trouville be?" " Well, a sort of French Newport as near as they can come. All the Americans go." "Is it anywhere near the Alps?" "About as near as Newport to the Rocky Moun- tains." Oh, I want to see Mont Blanc," said Newman* 33 THE AMERICAN "and Amsterdam, and the Rhine, and a lot of places, Venice in particular. I 've grand ideas for Venice." "Ah," said Mr. Tristram, rising, "I see T shall have to introduce you to my wife. She'll have grand ideal foryoul" Ill HE performed that ceremony the following day, when, by appointment, Christopher Newman went to dine with him. Mr. and Mrs. Tristram lived behind one of those chalk-coloured facades which decorate with their pompous sameness the broad avenues distributed by Baron Haussmann over the neighbourhood of the Arc de Triomphe. Their apart- ment was rich in the modern conveniences, and Tris- tram lost no time in calling his visitor's attention to their principal household treasures, the thick-scattered gas-lamps and the frequent furnace-holes. "When- ever you feel homesick," he said, "you must come right up here. We'll stick you down before a register, under a good big burner, and " "And you'll soon get over your homesickness," said Mrs. Tristram. Her husband stared; this lady often had a tone that defied any convenient test; he could n't tell for his life to whom her irony might be directed. The truth is that circumstances had done much to culti- vate in Mrs. Tristram the need for any little intel- lectual luxury she could pick up by the way. Her taste on many points differed from that of her hus- band; and though she made frequent concessions to the dull small fact that he had married her it must be confessed that her reserves were not always muffled in pink gauze. They were founded upon th 35 THE AMERICAN vague project of her some day affirming herself in her totality; to which end she was in advance getting herself together, building herself high, enquiring, in short, into her dimensions. It should be added, without delay, to anticipate misconception, that if she was thus saving herself up it was yet not to cover the expense of any fore- seen outlay of that finest part of her substance that was known to her tacitly as her power of passion. She had a very plain face and was entirely without illusions as to her appearance. She had taken its measure to a hair's breadth, she knew the worst and the best, she had accepted herself. It had not been indeed without a struggle. As a mere mortified maiden she had spent hours with her back to her mirror, crying her eyes out; and later she had, from desperation and bravado, adopted the habit of pro- claiming herself the most ill-favoured of women, in order that she might as in common politeness was inevitable be contradicted and reassured. It was since she had come to live in Europe that she had begun to take the matter philosophically. Her observation, acutely exercised here, had suggested to her that a woman's social service resides not in what she is but in what she appears, and that in the labyrinth of appearances she may always make others lose their clue if she only keeps her own. She had encountered so many women who pleased with- out beauty that she began to believe she had discov- ered her refuge. She had once heard an enthusiastic musician, out of patience with a gifted bungler, de- clare that a fine voice is really an obstacle to sing- THE AMERICAN ing properly; and it occurred to her that it might perhaps be equally true that a beautiful face is an obstacle to the acquisition of charming manners. Mrs. Tristram then undertook to persuade by grace, and she brought to the task no small ingenuity. How well she would have succeeded I am unable to say; unfortunatel) she broke off in the middle. Her own excuse was the want of encouragement in her immediate circle. But she had presumably not a real genius for the charming art, or she would have pursued it for itself. The poor lady was after all incomplete. She fell back upon the harmonies of dress, which she thoroughly understood, and con- tented herself with playing in its lock that ke^ to the making of impressions. She lived in Paris, which she pretended to detest, because it was only in Paris that one could find things to exactly suit one's complexion. Besides, out of Paris it was al- ways more or less of a trouble to get ten-button gloves. When she railed at this serviceable city and you asked her where she would prefer to reside she returned some very unexpected answer. She would say in Copenhagen or in Barcelona; having, while making the tour of Europe, spent a couple of days at each of these places. On the whole, with her poetic furbelows and her misshapen, intelligent little face, she was, when known, a figure to place, in the great gallery of the wistful, somewhere apart. She was naturally timid, and if she had been born a beauty she would (content with it) probably have taken no risks. At present she was both reckless and diffident; extremely reserved sometimes with her 37 THE AMERICAN friends and strangely expansive with strangers. She overlooked her husband; overlooked him too much, for she had been perfectly at liberty not to marry him. She had been in love with a clever man who had eventually slighted her, and she had married a fool in the hope that the keener personage, re- flecting on it, would conclude that she had had no appreciation of his keenness and that he had flattered her in thinking her touched. Restless, discontented, visionary, without personal ambitions but with a certain avidity of imagination, she was interesting from this sense she gave of her looking for her ideals by a lamp of strange and fitful flame. She was full both for good and for ill of beginnings that came to nothing; but she had nevertheless, morally, a spark of the sacred fire. Newman was fond, in all circumstances, of the society of women; and now that he was out of his native element and deprived of his habitual interests he turned to it for compensation. He took a great fancy to Mrs. Tristram; she frankly repaid it, and after their first meeting he passed a great many hours in her drawing-room. Two or three long talks had made them fast friends. Newman's manner with women was peculiar, and it required some diligence on a lady's part to discover that he admired her. He had no gallantry in the usual sense of the term; no compliments, no graces, no speeches. Fond enough of a large pleasantry in his dealings with men, he never found himself on a sofa beside a member of the softer sex without feeling that such situations appealed, like beautiful views, or cele- 38 THE AMERICAN brated operas, or line portraits, or handsome "sets" of the classics, or even elegant "show" cemeteries, to his earnest side. He was not shy and, so far as awkwardness proceeds from a struggle with shyness, was not awkward: grave, attentive, submissive, often silent, he was simply swimming in a sort ci rapture of respect. This emotion was not at all theoretic, it was not even in a high degree romantic; he had thought very little about the "position" of women, and he was not familiar, either sympathetic- ally or otherwise, with the image of a President in petticoats. His attitude was simply the flower of his general good-nature and a part of his in- stinctive and genuinely democratic assumption of every one's right to lead an easy life. If a shaggy pauper had a right to bed and board and wages and a vote, women, of course, who were weaker than paupers, and whose physical tissue was in itself an appeal, should be maintained, sentimentally, at the public expense. Newman was willing to be taxed for this purpose, largely, in proportion to his means. Moreover many of the common traditions with regard to women were with him fresh personal im- pressions. He had never read a page of printed romance. He spent a great deal of time in listening to advice from Mrs. Tristram; advice, it must be added, for which he had never asked. He would have been incapable of asking for it, inasmuch as he had no perception of difficulties and consequently no curi- osity about remedies. The complex Parisian world about him seemed a very simple affair; it was an 39 THE AMERICAN immense, surprising spectacle, but it neither in- flamed his imagination nor irritated his curiosity. He kept his hands in his pockets, looked on good- humouredly, desired to miss nothing important, observed a great many things in detail, and never reverted to himself. Mrs. Tristram's "advice" was a part of the show and a more entertaining element of her free criticism than any other. He enjoyed her talking about him it seemed a part of her beautiful culture ; but he never made an application of anything she said or remembered it when he was away from her. For herself, she appropriated him : he was the most interesting thing she had had to think about for many a month. She wished to do something with him she hardly knew what. There was so much of him; he was so rich and robust, so easy, friendly, well-disposed, that he kept her imagination constantly on the alert. For the present the only thing she could do was to like him. She told him he was beyond everything a child of nature, but she repeated it so often that it could have been but a term of endearment. She led him about with her, introduced him to fifty people, took extreme satisfaction in her conquest. Newman accepted every proposal, shook hands universally and promiscuously, and seemed equally unversed in trepidation and in " cheek." Tom Tristram com- plained of his wife's rapacity, declaring he could never have a clear five minutes with his friend. If he had known how things were going to turn out he never would have brought him to the Avenue d'lena, The two men had formerly not been intimate, but 40 THE AMERICAN Newman recalled his earlier impression of his host and did Mrs. Tristram, who had by no means taken him into her confidence, but whose secret he pre- sently discovered, the justice to admit that her husband had somehow found means to be degenerate without the iridescence of decay. People said he was veiy sociable, but this was as much a matter of course as for a dipped sponge to expand; and ii was a sociability affirmed, on its anecdotic side, too much at the expense of those possible partakers who were not there to guard their interest in it. He was patient at poker; he was infallible upon the names and the other attributes of all the cocottes ; his criticism of cookery, his comparative view of the great "years" of champagne, enjoyed the authority of the last word. And then he was idle, spiritless, sensual, snobbish. He irritated our friend by the tone of his allusions to their native country, and Newman was at a loss to understand wherein such a country, as a whole, could fall short of Mr. Tris- tram's stomach. He had never been a very systematic patriot, but it vexed him to see the United States treated as little better than a vulgar smell in his friend's nostril, and he finally spoke up for them quite as if it had been Fourth of July, proclaiming that any American who ran them down ought to be carried home in irons and compelled to live in Boston which for Newman was putting it very vindio tively. Tristram was a comfortable man to snub; he bore no malice and he continued to insist on Newman's finishing his evenings at the Occidental Club. The latter dined several times in the Avenue 41 THE AMERICAN d'lena, and his host always proposed an early ad- journment to this institution. Mrs. Tristram pro- tested, declaring as promptly that her husband ex- hausted a low cunning in trying to displease her. "Oh no, I never try, my love," he answered; "I know you loathe me quite enough when I take my chance." But their visitor hated to see a married couple on these terms, and he was sure one or other of them must be very unhappy. Yet he knew it was not Tristram. The lady had a balcony before her windows, upon which, during the June evenings, she was fond of sitting, and Newman used frankly to say that he preferred the balcony to the club. It had a fringe of perfumed plants in tubs and enabled you to look up the broad street and see the Arch of Triumph vaguely massing its heroic sculptures in the summer starlight. Sometimes he kept his promise of following Mr. Tristram in half an hour to the Occidental and sometimes forgot it. His companion asked him a great many questions about himself, but on this subject he was an indifferent talker. He was not "subjective," though when he felt her interest sincere he made a real effort to meet it. He told her many things he had done, and regaled her with pictures of that "nature" as the child of which he figured for her; she herself was from Philadel- phia and, with her eight years in Paris, talked of herself as a languid Oriental. But some, other person was always the hero of the tale, though by no means always to his advantage; and the states of Newman's own spirit were but scantily chronicled. She had an especial wish to know whether he had ever beeu 4-2 THE AMERICAN in love seriously, passionately and, failing to gather any satisfaction from his allusions, at last closely pressed him. He hesitated a while, but finally said "Hang it then, no!" She declared that she was delighted to hear it, as it confirmed her private con- viction that he was a man of no real feeling. "Is that so ?" he asked very gravely. "But how do you recognise a man of real feeling ? " "I can't make out," said Mrs. Tristram, "whether you're very simple or very deep." "I'm very deep. That's a fact." " I believe that if I were to tell you with a certain air that you're as cold as a fish you would implicitly believe me." "A certain air?" Newman echoed. "Well, try your air and see." "You'd believe me, but you would n't care," said Mrs. Tristram. "You've got it all wrong. I should care immensely, but I should n 't believe you. The fact is I have never had time to 'feel' things so very beautifully. I 've had to do them, had to make myself felt." "Oh, I can imagine indeed that you may have sometimes done that tremendously." "Yes, there's no mistake about that." "When you're in one of your furies it can't be pleasant." "Ah, I don't have to get into a fury to do it." "I don't, nevertheless, see you always as you are now. You've something or other behind, beneath. You get harder or you get softer. You're more displeased or you're more pleased." * 43 THE AMERICAN " Well, a man of any sense does n't lay his plans to be angry," said Newman, "and it's in fact so long since I've been displeased that I've quite forgotten it." "I don't believe," she returned "that you're never angry. A man ought to be angry sometimes, and you're neither good enough nor bad enough always to keep your temper." "I lose it perhaps every five years." "The time's coming round then," said his hostess. " Before I 've known you six months I shall see you in a magnificent rage." "Do you mean to put me into one?" " I should n't be sorry. You take things too coolly. It quite exasperates me. And then you're too happy. You 've what must be the most agreeable thing in the world the consciousness of having bought your pleasure beforehand, having paid for it in advance. You 've not a day of reckoning staring you in the face. Your reckonings are over." "Well, I suppose I'm happy," said Newman almost pensively. "You've been odiously successful." "Successful in copper," he recalled, "but very mixed in other mining ventures. And I've had to take quite a back seat on oil." "It's very disagreeable to know how Americans have come by their money," his companion sighed. "Now, at all events, you've the world before you. You've only to enjoy." "Oh, I suppose I'm all right," said Newman, "Only I'm tired of having it thrown up at me. 44 THE AMERICAN Besides, there are several drawbacks. I don't come up to my own standard of culture." "One does n't expect it of you," Mrs. Tristram answered. Then in a moment: "Besides, you do come up. You are up!" "Well, I mean to have a good time, wherever I am," said Newman. "I find I take notice as I go, and I guess I shan't have missed much by the time I've done. I feel something under my ribs here," he added in a moment, "that I can't explain a sort of strong yearning, a desire to stretch out and haul in." "Bravo!" Mrs. Tristram cried; "that's what I want to hear you say. You're the great Western Barbarian, stepping forth in his innocence and might, gazing a while at this poor corrupt old world and then swooping down on it." "Oh come," Newman protested; "I'm not an honest barbarian either, by a good deal. I'm a great fall-off from him. I 've seen honest barbarians, I know what they are." "I don't mean you're a Comanche chief or that you wear a blanket and feathers. There are different shades." " I have the instincts have them deeply if I have n't the forms of a high old civilisation," Newman wenron. "I stick to that. If you don't believe it I should like to prove it to you." Mrs. Tristram was silent a while. "I should like to make you prove it," she said at last. "I should like to put you in a difficult place." "Well, put me!" said Newman. ^ 45 THE AMERICAN " Vous ne doutez de rien!" his companion rejoined. "Oh," he insisted, "I've a very good opinion of myself." " I wish I could put it to the test. Give me time and I will." And Mrs. Tristram remained silent a minute, as if trying to keep her pledge. It did n't appear that evening that she succeeded; but as he was rising to take his leave she passed suddenly, as she was very apt to do, from the tone of ingenious banter to that of almost* tremulous sympathy. "Speaking seriously," she said, "I believe in you, Mr. Newman. You flatter my latent patriotism." "Your latent?" "Deep within me the eagle shrieks, and I've known my heart at times to bristle with more feathers than my head. It would take too long to explain, and you probably would n't understand. Besides, you might take it really you might take it for a declaration. Yet it has nothing to do with you personally; the question is of what you almost unconsciously represent. Fortunately you don't know all that, or your conceit would increase insuffer- ably." And then as Newman stood wondering what this great quantity might be: "Forgive all my med- dlesome chatter and forget my advice. It's very silly in me to undertake to tell you what to do. When you're embarrassed do as you think best, and you'll do very well. When you're in a difficulty judge for yourself. Only let it then be all you." "I shall remember everything you 've told me." he made answer. "There are so many twists and turns over here, so many forms and ceremonies " THE AMERICAN " Forms and ceremonies are what I mean of course." "Ah, but I don't want not to take account of them," he declared. " Have n't I as good a right as another ? They don't scare me, and you need it't give me leave to ignore them. I want to know all about 'em." "That's not what I mean. I mean that you're to deal with them in your own way. Settle delicate questions by your own light. Cut the knot or untie it, as you choose." " Oh, if there 's ever a big knot," he returned "and they all seem knots of ribbon over here I shall simply pull it off and wear it!" The next time he dined in the Avenue d'lena was a Sunday, a day on which Mr. Tristram left the cards unshuffled, so that there was a trio in the evening on the balcony. The talk was of many things, and at last Mrs. Tristram suddenly observed to their visitor that it was high time that he should take a wife. "Listen to her: she has the toupet!" said Tris- tram, who on Sunday evenings was always a little peevish. "I don't suppose you've made up your mind not to marry?" Mrs. Tristram continued. "Heaven forbid!" cried Newman. "I'm quite viciously bent on it." "It's a very easy mistake," said Tristram; "and when it 's made it's made." "Well then," his wife went on, "I suppose you don't mean to wait till you're fifty." 47 THE AMERICAN " On the contrary, I 'm in an almost indecent hurry." " One would never guess it. Do you expect a lady to come and propose to you ?" "No; I 'm willing to put the case before her myself. I think a great deal about it." "Tell me some of your thoughts." "Well," said Newman slowly, "I want to marry about as well as you can." "'Well' in what sense?" "In every sense. I shall be hard to suit." "You must remember that, as the French proverb puts it, the finest girl in the world can give but what she has." "Since you ask me," said Newman, "let me be frank about it I want quite awfully to marry. It's time, to begin with; before I know it I shall be forty- five. And then I 'm lonely, and I really kind of pine for a mate. There are things for which I want help. But if I marry now, so long as I did n't do it in hot haste when I was twenty, I must do it, you see, with my eyes open. I want to set about it rather grandly. 1 not only want to make no mistakes, but I want to make a great hit. I want to take my pick. My wife must be a pure pearl. I 've thought an immense deal about it." "Perhaps you think too much. The best thing 's simply to fall in love." "When I find the woman who satisfies me I shall rise to the occasion. My wife shall be as satisfied as I shall." " You begin grandly enough," said Mrs. Tristram, "'There's a chance for the pure pearls!" THE AMERICAN "You're not fair/' Newman presently broke out. "You draw a fellow on and put him off his guard and then you gibe at him." " I assure you," she answered, "that 1 'm very seri- ous. To prove it I make you a proposal. Should you like me, as they say here, to marry you ?" "To hunt up a wife for me ?" "She's already found. I'll bring you together." "Oh come," said Tristram, "we don't keep a bureau de placement. He '11 think you want your com- mission." "Present me to a woman who comes up to my notion," Newman declared, "and I'll marry her to-morrow." "You've a strange tone about it, and I don't quite understand you. i did n't suppose you conld be so cold-blooded." Newman was silent a while. "Well, 1 want a great woman. I stick to that. That's one thing I can treat myself to, and if it 's to be had I mean to have it. What else have 1 toiled and struggled for all these years ? I've succeeded, and now what am I to do with my success ? To make it perfect, as I see it, there must be a lovely being perched on the pile like some shining statue crowning some high monument. She must be as good as she's beautiful and as clever as she's good. I can give my wife many things, so 1 'm not afraid to ask certain others myself. She shall have everything a woman can desire; I shall not even object to her being too good for me. She may be cleverer and wiser than I can understand, and I shall only be the better pleased. I want, in a word, the best article in the market." 49 - THE AMERICAN " Why did n't you tell a fellow all this at the out- set?" Tristram demanded. "I've been trying so tc make you fond of me!" "It's remarkablv interesting," said Mrs. Tristram ,"1 like to see a man know his own mind/' "I've known mine for a long time," Newman went on. "I made up my mind tolerably early in life that some rare creature all one's own is the best kind of property to hold. It's the greatest victory over circumstances. When I say rare 1 mean rare all through grown as a rarity and recognised as one. It's a thing every man has an equal right to; he may get it if he can get it. He does n't have to be born with certain faculties on purpose; he needs only to be well, whatever he really is. Then he need only use his will, and such wits as he can muster, and go in." "It strikes me," said Mrs. Tristram, "that your marriage is to be rather a matter of heartless pomp." "Well, it's certain," Newman granted, "that if people notice my wife and admire her I shall count it as part of my success." "After this," cried Mrs. Tristram, "speak of any man's modesty!" "But none of them will admire her so much as I." " You really have the imagination of greatness." He hesitated as if in fear of her mockery, but he kept it up, repeating his dry formula: " 1 want the best thing going." "And I suppose you've already looked about you a good deal." " More or less, according to opportunity. 50 THE AMERICAN " And you 've seen nothing that has tempted you ?" "No," said Newman half reluctantly, "I'm bound to say in honesty that I 've seen nothing that has come up to my idea." "You remind me of the heroes of the French romantic poets, Rolla and Fortunio and all those other insatiable gentlemen for whom nothing in this world was handsome enough. But I see you 're in earnest, and 1 should like to help you," Mrs. Tristram wound up. " Who the deuce is it, darling, that you're going to palm off upon him?" her husband asked. "We know a good many pretty girls, thank goodness, but nobody to be mentioned in that blazing light." "Have you any objections to a foreigner?" Mrs. Tristram continued, addressing their friend, who had tilted back his chair and, with his feet on a bar of the balcony railing and his hands in his pockets, sat look- ing at the stars. "No Irish need apply," said Tristram. Newman remained pensive. k * Just as a foreigner, no. I've no prejudices." " My dear fellow, you've no suspicions!" Tristram cried. "You don't know what terrible customers these foreign women are; especially those grown, as you call it, for the use of millionaires. How should you like an expensive Circassian with a dagger in her baggy trousers ?" Newman administered a vigorous slap to his knee. "I'd marry a Patagonian if she pleased me." "We had better confine ourselves to Europe," said Mrs. Tristram. "The only thing is then that the 5 1 THE AMERICAN young person herself should square with youi tre- mendous standard ?" " She 's going to offer you an unappreciated gov- erness!" Tristram groaned. "Of course I won't deny that, other things being equal, I should like one of my own countrywomen best," Newman pursued. "We should speak the same language, and that would be a comfort. But I'm not afraid of any foreigner who's the best thing in her own country. Besides, I rather like the idea of taking in Europe too. It enlarges the field of selec- tion. When you choose from a greater number you can bring your choice to a finer point." "Sardanapalus!" Tristram sighed. "Well, you've come to the right market," New- man's hostess brought out after a pause. "I happen to number among my friends the finest creature in the world. Neither more nor less. I don't say a very charming person or a very estimable woman or a very great beauty: 1 say simply the finest creature in the world." "I'm bound to say then," cried Tristram, "that you've kept very quiet about her. Were you afraid of me ?" "You've seen her," said his wife, "but you've no perception of such quality as Claire's." "Ah, her name 's Claire ? I give it up." "Does your friend wish to marry?" Newman asked. "Not in the least. It's for you to make her change her mind. It won't be easy; she has had one husband and he gave her a low opinion of the species." 52 THE AMERICAN "Oh, she's a widow then ?" "Are you already afraid ? She was married at eighteen, by her parents, in the French fashion, to a man with advantages of fortune, but objectionable, detestable, on other grounds, and many years too old. He had, however, the discretion to die a couple of years afterwards, and she's now twenty-eight." "So she's French?" "French by her father, English by her mother. She's really more English than French, and she speaks English as well as you or I or rather much better. She belongs, as they say here, to the very top of the basket. Her family, on each side, is of fabulous antiquity; her mother 's the daughter of an English Catholic peer. Her father's dead, and since her widowhood she has lived with her mother and a married brother. There's another brother, younger, who I believe is rather amusing but quite impossible. They have an old hotel in the Rue de 1'Universite, but their fortune 's small and they make, for eco- nomy's sake, a common household. When I was a girl of less than fifteen 1 was put into a convent here for my education while my father made the tour of Europe. It was a fatuous thing to do with me, but it had the advantage that it made me acquainted with Claire de Bellegarde. She was younger than 1, yet we became fast friends. 1 took a tremendous fancy to her, and she returned my adoration so far as she could. They kept such a tight rein on her that she could do very little, and when I left the convent she had to give me up. I was not of her monde ; 1 'm not now either, but we sometimes meet. They're terrible 53 THE AMERICAN people her mondc; all mounted upon stilts a mile high and with pedigrees long in proportion. It's the skim of the milk of the old noblesse. Did you ever hear of such a prehistoric monster as a Legitimist or an Ultramontane? Go into Madame de Cintre's , drawing-room some afternoon at five o'clock and I you'll see the best-preserved specimens. I say go, but no one is admitted to intimacy who can't show good cause in the form of a family tree." " And this is the lady you propose to me to marry ?" asked Newman. " A lady I can't even approach ? " 44 But you said just now that you recognised no reasons against you." Newman looked at Mrs. Tristram a while, stroking his moustache. **ls she a very great beauty?" he demanded. She hung fire a little. "No." 44 Oh then it's no use !" 44 She's not a very great beauty, but she's very, very beautiful; two quite different things. A beauty has no faults in her face; the face of a beautiful woman may have faults that only deepen its charm." 4 * I remember Madame de Cintre now," said Tris- tram. 44 She 's as plain as a copy in a copy-book all round o's and uprights a little slanting. She just slants toward us. A man of your large appetite would swallow her down without tasting her." " In telling how little use he has for her my husband sufficiently describes her," Mrs. Tristram pursued. "Is she good, is she clever ?" Newman asked. "She's perfect! I won't say more than that. When you're praising a person to another who's to know 54 THE AMERICAN her, it's bad policy to go into details. I won't exag- gerate, I simply recommend her. Among all the women I've known she stands alone; she's of a different clay." "I should like to see her," said Newman simply. "I'll try to manage it. The only way will be to invite her to dinner. T Ve never invited her before, and I'm not sure she'll be able to come. Her old feudal countess of a mother rules the family with an iron hand and allows her to have no friends but of her own choosing and to visit only in a certain sacred circle. But I can at least invite her." At this moment Mrs. Tristram was interrupted; a servant stepped out upon the balcony and announced that there were visitors in the drawing-room. When she had gone in to receive her friends Tom Tristram approached his guest. " Don't put your foot into this, my boy," he said, puffing the last whiffs of his cigar. "There's nothing in it!" Newman eyed him with oblique penetration. "You tell another story, eh ? " "I say simply that Madame de Cintre's a great white doll of a woman and that she cultivates quiet haughtiness." "Ah, she's really haughty, eh ?" " She looks at you as if you were so much thin air, and blows you away as easily." "She's really proud, eh?" Newman pursued with interest. " Proud ? As proud as they make 'em over here." "And not good-looking?" 55 THE AMERICAN Tristram shrugged his shoulders. "She leaves me cold. She's as cold herself as a porcelain stove, and has about as much expression. But I must go in and amuse the company." Some time elapsed before Newman followed his friends into the drawing-room. When he at last joined them there he remained but a short time, and during this period sat perfectly silent, listening to a lady to whom Mrs. Tristram had straightway introduced him and who treated him, without drawing breath, to the full force of an extraordinarily high-pitched voice. He could but gaze and attend. Presently he came to bid his hostess good-night. "Who is that lady?" " Miss Dora Finch. How do you like her ? " "Well, as I like the gong that sounds for dinner. She's good for a warning." "She's thought so sweet! Certainly you have ideas," said Mrs. Tristram. He hung about, but at last, "Don't forget about your friend," he said, "the lady of the proud people. Do make her come, and give me good notice." And with this he departed. Some days later he came back; it was in the after- noon. He found Mrs. Tristram in her drawing-room and entertaining a visitor, a woman young and pretty and dressed in white. The two had risen and the visitor was apparently taking leave. After Newman had approached he received from Mrs. Tristram, who had turned to her companion, a glance of the most vivid significance, which he was yet not imme- diately able to interpret. "This is a good friend of 56 THE AMERICAN ours, Mr. Christopher Newman. 1 J ve spoken of you to him, and he has an extreme desire to make your acquaintance. If you had consented to come and dine 1 should have offered him an opportunity." The stranger presented her face with a still bright- ness of kindness. He was not embarrassed, for his unconscious equanimity was boundless; but as he became aware that this was the proud and beautiful Madame de Cintre, the finest creature in the world, the promised perfection, the proposed ideal, he made an instinctive movement to gather his wits together. Through the slight preoccupation it produced he had a sense of a longish fair face and of the look of a pair of eyes that were both intense and mild. "1 should have been most happy," said Madame de Cintre. " Unfortunately, as 1 have been telling Mrs. Tristram, 1 go next week to the country." Newman had made a solemn bow. "I'm very very sorry/' "Paris is really getting too hot," Madame de Cintre added, taking her friend's hand again in fare- well. Mrs. Tristram seemed to have formed a sudden and somewhat venturesome resolution, and she smiled more gaily, as women do when they become more earnest. " I want Mr. Newman to know you," she said, dropping her head on one side and looking at Madame de Cintre's bonnet-ribbons. Christopher Newman stood gravely silent, and his native penetration admonished him. Mrs. Tris- tram was determined to force her friend to address him a word of encouragement which should be more V 57 THE AMERICAN than one of the common formulas of politeness; and if she was prompted by charity it was by the charity that begins at home. Madame de Cintre was her dearest Claire and her especial admiration; but Madame de Cintre had found it impossible to dine with her and Madame de Cintre should for once be forced gently to render tribute to Mrs. Tristram. " It would give me great pleasure," she said, looking at Mrs. Tristram. " That's a great deal," cried the latter, "for Madame de Cintre to say!" 44 I'm very much obliged to you," said Newman. "Mrs. Tristram can speak better for me than I can speak for myself." Madame de Cintre turned on him again her soft lustre. "Are you for long in Paris ?" "We shall keep him," said Mrs. Tristram. "But you're keeping me!" And Madame de Cintre disengaged her hand. "A moment longer," said Mrs. Tristram. Madame de Cintre looked at Newman again; this time without her smile. Her eyes lingered a little. "Will you come and see rne?" Mrs. Tristram kissed her at this; Newman ac- knowledged it more formally, and she took her de- parture. Her hostess went with her to the door,, leaving Newman briefly alone. Presently she re- turned, clasping her hands together and shaking them at him. " It was a fortunate chance. She had come to decline my invitation. You triumphed on the spot, making hei ask you, at the end of three minutes, to her house." 58 THE AMERICAN "It was you who triumphed," said Newman, " You must n't see too much in her." Mrs. Tristram stared. "What do you mean?" "She did n't strike me as so very proud. I should call her quite timid." "I should call you quite deep! And what do you think of her face ?" "Well, I guess I like her face," said Newman. "I should think you might! May I guess, on my side, that you'll go and see her?" "To-morrow!" cried Newman. "No, not to-morrow; next day. That will be Sun- day; she leaves Paris on Monday. If you don't see her it will at least be a beginning." And she gave him Madame de Cintre's address. He walked across the Seine late in the summer afternoon and made his way through those grey and silent streets of the Faubourg Saint Germain whose houses present to the outer world a face as impassive and as suggestive of the concentration of privacy within as the blank walls of Eastern seraglios. New- man thought it a perverse, verily a " mean " way for rich people to live; his ideal of grandeur was a splen- did facade, diffusing its brilliancy outward too, irradiating hospitality. The house to which he had been directed had a dark, dusty, painted portal, which swung open in answer to his ring. It admitted him into a wide, gravelled court, surrounded on three sides with closed windows; here was a doorway facing the street, approached by three steps and surmounted by a tent-like canopy. The place was all in the shade; it answered to Newman's conception 59 THE AMERICAN of a convent. The portress couldn't say if Madame de Cintre were visible; he would please to apply at the further door. He crossed the court; a gentle- man was sitting, bareheaded, on the steps of the portico, in play with a beautiful pointer. He rose as Newman approached, and, as he laid his hand on the bell, said, almost sociably, in English, that he was ashamed a visitor should be kept waiting: the servants were scattered; he himself had been ringing; he did n't know what the deuce was in them. This gentleman was young; his English was excellent, his expression easy. Newman pronounced the name of Madame de Cintre. "I dare say/' said the young man, "that my sister will be visible. Come in, and if you Ml give me your card I '11 carry it to her myself." Newman had been accompanied on his present errand by a sentiment I will not say of defiance a readiness for aggression or for defence, as either might prove needful but rather of meditative, though quite undaunted and good-humoured sus- picion. He took from his pocket, while he stood on the portico, a card upon which, under his name, he had written the words "San Francisco," and while he presented it he looked warily at his interlocutor. His glance found quick reassurance: he liked the young man's face; it strongly resembled that of Madame de Cintre, whose brother he would clearly be. The young man, on his side, had made a rapid inspection of Newman's person. He had taken the card and was about to enter the house with it when another figure appeared on the threshold an older 60 THE AMERICAN man, of a fine presence, habited in evening-dress. He looked hard at Newman and Newman met his examination. "Madame de Cintre," the younger man repeated as an introduction of the visitor. The other took the card from his hand, read it in a sus- tained stare, looked again at Newman from head to foot, hesitated a moment and then said, gravely but urbanely: "Madame de Cintre is not at home." The younger man made a gesture and turned to Newman. " I 'm very sorry, sir." Newman gave a friendly nod, to show that he bore him no malice, and retraced his steps. At the porter's lodge he stopped; the two men were still standing on the portico. "Who may the gentleman with the dog be?" he asked of the old woman who re^p- peared. He had begun to learn French. "That's Monsieur le Comte." "And the other?" "That's Monsieur le Marquis." "A marquis?" said Christopher in English, which the old woman fortunately did not understand. "Oh then he's not the major-domo 1" IV EARLY one morning, before he was dressed, a little old man was ushered into his apartment, followed by a youth in a blouse who carried a picture in a shining frame. Newman, among the distractions of Paris, had forgotten M. Nioche and his accomplished daughter; but this was an effective reminder. "I was afraid you had given me up, sir," M. Nioche confessed after many apologies nd saluta- tions. "We have made you wait so many days. You accused us perhaps of a want of respectability, of bad faith, what do I know ? But behold me at last! And behold also the pretty 'Madonna/ Place it on a chair, my friend, in a good light, so that monsieur may admire it." And M. Nioche, addressing his companion, helped him to dispose the work of art. It had been endued with a layer of varnish an inch thick, and its frame, of an elaborate pattern, was at least a foot wide. It glittered and twinkled in the morning light and looked to Newman's eyes won- derfully splendid and precious. He thought of it as a very happy purchase and felt rich in his acquisition. He stood taking it in complacently while he pro- ceeded with his dressing, and M. Nioche, who had dismissed his own attendant, hovered near, smiling and rubbing his hands. "It has wonderful finesse" he critically pro- nounced. "And here and there are marvellous 62 THE AMERICAN touches; you probably perceive them, sir. It attracted great attention on the Boulevard as we came along. And then a gradation of tones! That's what it is really to know how to paint. I don't say it because I 'm her father, sir; but as one man of taste address- ing another I can't help observing that you've ac- quired an object of price. It's hard to produce such things and to have to part with them. If our meam only allowed us the luxury of keeping it! I in fact may say, sir" and M. Nioche showed a feebly insinuating gaiety "I really may say that I envy you your privilege. You see," he added in a moment, "we've taken the liberty of offering you a frame. It increases by a trifle the value of the work and it will save you the annoyance so great for a person of your delicacy of going about to bargain at the shops." The language spoken by M. Nioche was a singular compound, which may not here be reproduced in its integrity. He had apparently once possessed a cer- tain knowledge of English, and his accent was oddly tinged with old cockneyisms and vulgarisms, things quaint and familiar. But his learning had grown rusty with disuse and his vocabulary was defective and capricious. He had repaired it with large patches of French, with words anglicised by a process of his own, with native idioms literally translated. The result, in the form in which he in all humility pre- sented it, would be scarcely comprehensible to the reader, so that I have ventured to attempt for it some approximate notation. Newman only half followed, but he was always amused, and the old man's decent THE AMERICAN forlornness appealed to his democratic instincts. The assumption of any inevitability in the depressed state always irritated his strong good-nature it was almost the only thing that did so; and he felt the impulse to pass over it the dipped sponge of his own prosperity. Mademoiselle Noemie's parent, however, had apparently on this occasion been vigorously in- doctrinated and showed a certain tremulous eagerness to cultivate unexpected opportunities. "How much do I owe you then with the frame ?" Newman asked. "It will make in all three thousand francs," said the old man, smiling agreeably but folding his hands in instinctive suppliance. "Can you give me a receipt?" "I've brought one," said M. Nioche. "I took the liberty of drawing it up in case monsieur should hap- pen to desire to discharge his debt." And he drew a paper from his pocket-book and presented it to his patron. The document, Newman judged, had the graces alike of penmanship and of style. He laid down the money, and M. Nioche dropped the na- poleons one by one, solemnly and lovingly, into an old leathern purse. "And how's your young lady?" he proceeded. "She made a great impression on me." "An impression ? monsieur is very good. Mon- sieur finds her ?" the old man quavered. "I find her remarkably pretty." "Alas, yes, she's very very pretty!" "And what's the harm in her being so ?" M. Nioche fixed his eyes upon a spot in the car- 64 THE AMERICAN pet and end you my half-dozen guide-books with my pencil marks in the margin. Wherever you find a scratch or a cross or a * Beautiful!' or a * So true!' or a *Too thin!' you may know that I've had some one or other of the sensations I was after. That has been about my history ever since I left you. Belgium, Holland, Switzerland, Germany, Italy I've taken the whole list as the bare-backed rider takes the paper hoops at the circus, and I'm not even yet out of breath. I carry about six volumes of Ruskin in my trunk; I've seen some grand old things and shall perhaps talk them over this winter by your fireside. You see my face is n't altogether set against Paris. I have had all kinds of plans and visions, but your letter has blown most of them away. ^ U ap petit vient en mange- says your proverb, and I find that the more 103 THE AMERICAN sweet things I taste the more greedily I look over the table. Now that I'm in the shafts why should n't I trot to the end of the course ? Sometimes I think of the far East and keep rolling the names of Eastern cities under my tongue; Damascus and Bagdad, Trebizond, Samarcand, Bokhara. 1 spent a week last month in the company of a returned missionary who told me I ought to be ashamed to be loafing about Europe when there is such a treat to be had out there. I do want more treats, but I think frankly I should like best to look for them in the Rue de 1'Universite. Do you ever hear from that handsome tall lady ? If you can get her to promise she'll be at home the next time I call I'll go back to Paris straight. So there you have a bargain. I'm more than ever in the state of mind I told you about that evening; I want a companion for life and still want her to be a star of the first magnitude. I've kept an eye on all the possible candidates for the position who have come up this summer, but none of them has filled the bill or anything like it. 1 should have enjoyed the whole thing a thousand times more if I had had the lady just mentioned under my arm. The nearest approach to her was a cultivated young man from Dorchester Mass., who, however, very soon de- manded of me a separation for incompatibility of temper. He told me I had n't it in me ever to raise a "tone," and he really made me half-believe him. But shortly afterwards I met an Englishman with whom I struck up an acquaintance which at first seemed to promise well a very bright man who writes in the London papers and knows Paris nearly 104 THE AMERICAN as well as Tristram. We knocked about for a week together, but he very soon gave me up in disgust. He pronounced me a poor creature, incapable of the joy of life he talked to me as if 1 had come from Dorchester. This was rather bewildering. Which of my two critics was I to believe ? I did n't worry about it and very soon made up my mind they don't know everything. You come nearer that than any one I've met, and I defy any one to pretend I'm wrong when I'm more than ever your faithful friend C N.*' VI HE gave up Bagdad and Bokhara and, returning to Paris before the autumn was over, established himself in rooms selected by Tom Tristram in ac- cordance with the latter's estimate of his "social standing." When Newman learned that this occult attribute was to be taken into account he professed himself utterly incompetent and begged Tristram to relieve him of the care of it. " I did n't know I * stood/ socially, at all I thought 1 only sat round inform- ally, rather sprawling than anything else. Is n't a social standing to know some two or three thou- sand people and invite them to dinner ? I know you and your wife and little old Mr. Nioche, who gave me French lessons last spring. Can 1 invite you to dinner to meet each other ? If 1 can you must come to-morrow." "That's not very grateful to me," said Mrs. Tris- tram, "who introduced you last year to every crea- ture of my acquaintance." "So you did; I had quite forgotten. But I thought you wanted me to forget," said Newman in that tone of surpassing candour which frequently marked his utterance and which an observer would not have known whether to pronounce a whimsical affectation of ignorance or a modest aspiration to knowledge. "You told me you yourself disliked them all." "Ah, the way you remember what 1 say is at least 106 THE AMERICAN very flattering. But in future,"' added Mrs. Tris- tram, "pray forget all the 'mean' things and remem- ber only the good. It will be easily done and won't fatigue your memory. Only I forewarn you that if you trust my husband to pick out your rooms you 're in for something hideous." "Hideous, darling?" her husband cried. "To-day I utter nothing base; otherwise I should use stronger language." "What do you think she would say, Newman?" Tristram asked. "If she really tried now? She can polish one off for a wretch volubly in two or three languages; that's what it is to have high culture. It gives her the start of me completely, since I can't swear, for the life of me, except in pure Anglo- Saxon. When I get mad I have to fall back on our dear old mother tongue. There 's nothing like it after all." Newman declared that he knew nothing about tables and chairs and would accept, in the way of a lodging, with his eyes shut, anything that Tristram should offer him. This was partly pure veracity on our hero's part, but it was also partly charity. He knew that to pry about and count casseroles and make people open windows, to poke into beds and sofas with his cane, to gossip with landladies and ask who lived above and who below he knew that this was of all pastimes the dearest to his friend's heart, and he felt the more disposed to put it in his way as he was conscious he had suffered the warmth of their ancient fellowship somewhat to abate. He had besides no taste for upholstery; he had even . 107 THE AMERICAN no very exquisite sense of comfort or convenience. He had a relish for luxury and splendour, but it was satisfied by rather gross contrivances. He scarcely knew a hard chair from a soft, and used an art iff stretching his legs which quite dispensed with ad- ventitious aids. His idea of material ease was to inhabit very large rooms, have a great many of them, and be conscious in them of a number of patented mechanical devices, half of which he should never have occasion to use. The apartments should be clear and high and what he called open, and he had once said that he liked rooms best in which you should want to keep on your hat. For the rest he was satisfied with the assurance of any respect- able person that everything was of the latest model. Tristram accordingly secured for him an habitation over the price of which the Prince of Morocco had been haggling. It was situated on the Boulevard Haussmann,was a first floor, and consisted of a series of rooms gilded from floor to ceiling a foot thick, draped in various light shades of satin and chiefly furnished with mirrors and clocks. Newman thought them magnificent, did n't haggle, thanked Tristram heartily, immediately took possession, and had one of his trunks standing for three months in the draw- ing-room. One day Mrs. Tristram told him that their tall handsome lady had returned from the country and that she had met her three days before coming out of the church of Saint Sulpice; she herself having jour- neyed to that distant quarter in quest of an obscure lace-mender of whose skill she had heard high praise. 108 THE AMERICAN "And how were those intense mild eyes?" New- man asked. "They were red with weeping neither more nor less. She had been to confession." "It doesn't tally with your account of her," he said, "that she should have sins to cry about." "They were not sins they were sufferings." "How do you know that?" "She asked me to come and see her. I went this morning." "And what does she suffer from ?" "I did n't press her to tell me. With her, some- how, one is very discreet. But I guessed easily enough. She suffers from her grim old mother and from the manner in which her elder brother, the technical head of the family, abets and hounds on the Marquise. They keep at her hard, they keep at her all the while. But I can almost forgive them, because, as I told you, she's simply a saint, and a persecution is all that she needs to bring out what I call her quality." "That's a comfortable theory for her. I hope you'll never mention it to the old folks. But why does she let them persecute her ? Is n't she, as a married woman, her own mistress?" "Legally yes, I suppose; but morally no. Ir France you may never say Nay to your mother, whatever she requires of you. She may be the most abominable old woman in the world and make your life a purgatory; but after all she's ma mere, and you've no right to judge her. You've simply to obey. The thing has a fine side to it. Madame de Cintrc bows her head and folds her wings." ^ IOQ THE AMERICAN "Can't she at least make her brother quit?" "Her brother's the chef de la famille, the head of the clan. With those people the family's everything; you must act not for your own pleasure but for the advantage of your race and name." 44 But what do they want to get out of our lovely friend?" Newman asked. 44 Her submission to another marriage. They're not rich, and they want to bring more money into the house." "There's where you come in, my boy!" Tristram interposed. 44 And Madame de Ciritre doesn't see it?" New- man continued. 44 She has been sold for a price once; she naturally objects to being sold a second time, it appears that the first time they greatly bungled their bargain. M. de Cintre, before he died, managed to get through almost everything." "And to whom do they want then to marry her now?" "I thought it best not to ask; but you may be sure it is to some horrid old nabob or to some dissipated little duke." 44 There's Mrs. Tristram as large as life!" her husband cried. 44 Observe the wealth of her imagin- ation. She has not asked a single question it's vulgar to ask questions and yet she knows it all inside out. She has the history of Madame de Cintre's marriage at her fingers' ends. She has seen the lovely Claire on her knees with loosened tresses and stream- ing eyes and the rest of them standing over her with no THE AMERICAN spikes and goads and red-hot irons, ready to come down if she refuses Bluebeard. The simple truth is that they've made a fuss about her milliner's bill or refused her an opera-box." Newman looked from Tristram to his wife with a certain reserve in each direction. "Do you really mean," he asked of the latter, "that your friend is being really hustled into a marriage she really shrinks from?" "I think it extremely probable. Those people are very capable of that sort of thing." "It's like something in a regular old play," said Newman. "That dark old house over there looks as if wicked things had been done in it and might be done again." "They have a still darker old house in the coun- try, she tells me, and there, during the summer, this scheme must have been hatched." "Must have been; mind that!" Tristram echoed. "After all," their visitor suggested after a pause, "she may be in trouble about something else." "If it's something else then it's something worse." Mrs. Tristram spoke as with high competence. Newman, silent a while, seemed lost in meditation. "Is it possible," he asked at last, "that they can do that sort of thing over here ? that helpless women are thumb-screwed sentimentally, socially, I mean into marrying men they object to." "Helpless women, all over the world, have a hard time of it," said Mrs. Tristram. "There's plenty of the thumb-screw for them everywhere." "A great deal of that kind of thing goes OD in ^ ill THE AMERICAN New York," said Tristram. "Girls are bullied or coaxed or bribed, or all three together, into marry- ing, for money, horrible cads. There's no end of that always going on in Fifth Avenue, and other bad things besides. The Morals of Murray Hill! Some one ought to show them up." "I don't believe it!" Newman took it very gravely. "I don't see how, in America, such cases can ever have occurred; for the simple reason that the men themselves would be the first to make them impossible. The American man sometimes takes advantage I 've known him to. But he does n't take advantage of women." "Listen to the voice of the spread eagle!" cried Tristram. "The spread eagle should use his wings," said his wife. " He should fly to the rescue of the woman of whom advantage is being taken !" " To her rescue ? " Newman seemed to wonder. " Pounce down, seize her in your talons and carry her off. Marry her yourself." Newman, for some moments, answered nothing; but presently, "I guess she has heard enough of marrying," he saic!. "The kindest way to treat her would be to care for her and yet never speak of it. But that sort of thing's infamous," he added. "It's none of my business, but it makes me feel kind of swindled to hear of it." He heard of it, however, more than once after- wards. Mrs. Tristram again saw Madame de Cintre and again found her looking very very sad. But on these occasions there had been no tears; the intense 112 THE AMERICAN mild eyes were clear and still. "She's cold, calm and hopeless," Mrs. Tristram declared, and she added that on her mentioning that her friend Mr. Newman was again in Paris and was faithful in his desire to make Madame de Cintre's acquaintance, this lovely woman had found a smile in her despair and expressed her regret at having missed his visit in the spring and her hope that he had not lost cour- age. "I told her something about you," Newman's hostess wound up. "That's a comfort," he patiently answered. "I seem to want people to know about me." A few days after this, one dusky autumn after- noon, he went again to the Rue de 1'Universite. The early evening had closed in as he applied for admittance at the stoutly-guarded Hotel de Belle- garde. He was told that Madame la Comtesse was at home, on which he crossed the court, entered the further door and was conducted through a ves- tibule, vast, dim and cold, up a broad stone staircase with an ancient iron balustrade, to an apartment on the first floor. Announced and ushered in, he found himself in a large panelled boudoir, at one end of which a lady and a gentleman were seated by the fire. The gentleman was smoking a cigar- ette; there was no light in the room save that of $ couple of candles and the glow from the hearth. Both persons rose to welcome Newman, who in the firelight recognised Madame la Comtesse. She gave him her hand with a smile which seemed in itself an illumination, and, pointing to her com- panion, murmured an allusion, "One of my bro- THE AMERICAN thers." The gentleman struck Newman as taking him, with great good-nature, for a friend already made, and our hero then perceived him to be the young man he had met in the court of the hotel on his former visit, the one who had appeared of an easy commerce. " Mrs. Tristram has often mentioned you to us." It had an effect of prodigious benignity as Madame de Cintre resumed her former place. Newman, noticing in especial her "us," began, after he had seated himself, to consider what in truth might be his errand. He had an unusual, un- expected sense of having wandered into a strange corner of the world. He was not given, as a gen- eral thing, to "borrowing trouble" or to suspecting danger, and he had had no social tremors on this particular occasion. He was not without presence of mind, though he had no formed habit of prompt chatter. But his exercised acuteness sometimes pre- cluded detachment; with every disposition to take things simply he could n't but feel that some of them were less simple than others. He felt as one feels in missing a step, in an ascent, where one has expected to find it. This strange pretty woman seated at fire- side talk with her brother in the grey depths of her inhospitable-looking house what had he to say to her ? She seemed enveloped in triple defences of privacy; by what encouragement had he pre- sumed on his having effected a breach ? It was for a moment as if he had plunged into some medium as deep as the ocean and must exert himself to keep from sinking. Meanwhile he was looking at Madame la Comtesse and she was settling herself in her chair THE AMERICAN and drawing in her long dress and vaguely, rather indirectly, turning her face to him. Their eyes met; a moment later she looked away and motioned to her brother to put a log on the fire. But the moment, and the glance that lived in it, had been sufficient to relieve Newman of the first and the last fit of sharp personal embarrassment he was ever to know. He performed the movement frequent with him and which was always a symbol of his taking mental possession of a scene he extended his long legs. The impression his hostess had made on him at their first meeting came back in an instant; it had been deeper than he knew. She took on a light and a grace, or, more definitely, an interest; he had opened a book and the first lines held his attention. She asked him questions as if unable to do less: how lately he had seen Mrs. Tristram, how long he had been in Paris, how long he expected to re- main there, how he liked it. She spoke English without an accent, or rather with that absence of any one of those long familiar to him which on his arrival in Europe had struck him as constituting by itself a complete foreignness a foreignness that in women he had come to like extremely. Here and there her utterance slightly exceeded this measure, but at the end of ten minutes he found himself wait- ing for these delicate discords. He enjoyed them, marvelling to hear the possible slip become the charming glide. "You have a beautiful country of your own," she safely enough risked. "Oh, very fine, very fine. You ought to come over and see it." "5 THE AMERICAN "I shall never go over and see it," she answered with a smile. "Well, why should n't you ?" "We don't travel; especially so far." "But you go away sometimes; you don't always ^tay right here ?" "I go away in summer a little way, to the country." He wanted to ask her something more, something personal and going rather far he hardly knew what. " Don't you find it rather lifeless here," he said ; "so far from the street?" Rather "lonesome" he was going to say, but he deflected nervously, for discretion, and then felt his term an aggravation "Yes, it's very lifeless, if you mean very quiet; but that's exactly what we like." "Ah, that's exactly what you like," he repeated. He was touched by her taking it so. "Besides, I've lived here all my life." "Lived here all your life," Newman found he could but echo. "I was born here, and my father was born here before me, and my grandfather and my great-grand- fathers. Were they not, Valentin ? " and she ap- pealed to her brother. "Yes, it seems a condition of our being born at all," the young man smiled as he rose and threw the remnant of his cigarette into the fire. He remained leaning against the chimney-piece, and an observer would have guessed that he wished to take a better look at their guest, whom he covertly examined while he stroked his moustache. 116 THE AMERICAN "Your house is tremendously old then?" New- man pursued. "How old is it, brother?" asked Madame de Cintre. The young man took the two candles from the mantel, lifted one high in each hand and looked up, above the objects on the shelf, toward the cornice of the room. The chimney-piece was in white marble of the Louis-Quinze period, but much aloft was a panelling of an earlier date, quaintly carved, painted white and here and there gilded. The white had turned to yellow and the gilding was tarnished. On the top the figures ranged themselves into a shield, on which an armorial device was cut. Above it, in relief, was a number 1627. "There you have a year," said the young man. "That's old or new, according to your point of view." "Well, over here," Newman replied, "one's point of view gets shifted round considerably." And he threw back his head and looked about. "Your house is of a very fine style of architecture." "Are you interested in questions of architecture ?" asked the gentleman at the chimney-piece. "Well, I took the trouble this summer to ex- amine as well as I can calculate some four hundred and seventy churches. Do you call that in- terested ?" "Perhaps you're interested in religion," said his amiable host. Newman thought. "Not actively." He found himself speaking as if it were a railroad or a mine; so that the next moment, to correct this, " Are you a "7 THE AMERICAN Roman Catholic, madam ?" he inquired of Madame de Cintre. "I'm of the faith of my fathers," she gravely replied. He was struck with a sort of richness in the effect of it he threw back his head again for contem- plation. "Had you never noticed that number up there ? " he presently asked. She hesitated a moment and then, "In former years," she returned. Her brother had been watching Newman's move- ment. "Perhaps you would like to examine the house." Our friend slowly brought down his eyes for re- cognition of this; he received the impression that the young man at the chimney-piece had his forms, and sought his own opportunities, of amusement. He was a handsome figure of a young man; his face wore a smile, his moustachios were curled up at the ends and there was something more than the firelight that played in his eyes. "Damn his French impudence!" Newman was on the point of inwardly growling. "What the deuce is he grin- ning at?" He glanced at Madame de Cintre, who was only looking at the floor. But she raised her eyes, which again met his, till she carried them to her brother. He turned again to this companion and observed that he strikingly resembled his sister. This was in his favour, and our hero's first impres- sion of Count Valentin had moreover much engaged him. His suspicion expired and he said he should rejoice to see the house. 118 THE AMERICAN The young man surrendered to gaiety, laying his hand again on a light. "It will repay your curiosity. Come then." But Madame de Cintre rose quickly and grasped his arm. "Ah Valentin, what do you mean to do ?" "To show Mr. Newman the house. It will be very amusing to show Mr. Newman the house." She kept her hand on his arm and turned to their visitor with a smile. "Don't let him take you; you won't find it remarkable. It is a musty old house like any other." "Ah, not like any other," the Count still gaily protested. "It's full of curious things. Besides a visit like Mr. Newman's is just what it wants and has never had. It 's a rare chance all round." "You 're very wicked, brother," Madame de Cintre insisted. "Nothing venture, nothing have!" cried the young man. "Will you come?" She stepped toward Newman, clasping her hands and speaking, to his sense, with an exquisite grave appeal. "Would n't you prefer my society here by my fire to stumbling about dark passages after well, after nothing at all ? " "A hundred times! We'll see the house some other day." The young man put down his light with mock solemnity, and, shaking his head, "Ah, you've de- feated a great scheme, sir!" he sighed. "A scheme? I don't understand," said Newman, "You'd have played your part in it all the better. Perhaps some day I shall have a chance to explain it." IIQ THE AMERICAN "Be quiet and ring for tea," Madame de Cintre gently concluded. Count Valentin obeyed, and presently a servant brought in a tray, which he placed on a small table. Madame de Cintre, when he had gone, busied her- self, from her place, with making tea. She had but just begun when the door was thrown open and a lady rushed in with a loud rustling sound. She stared at Newman, gave a little nod and a "Mon- sieur!" and then quickly approached Madame de Cintre and presented her forehead to be kissed. Madame de Cintre saluted her, but continued to watch the kettle. The rustling lady was young and pretty, it seemed to Newman; she wore her bonnet and cloak and a train of royal proportions. She be- gan to talk rapidly in French. "Oh, give me some tea, my beautiful one, for the love of God ' I 'm aneantie, annihilated." Newman found himself quite unable to follow her; she spoke much less distinctly than M. Nioche. "That's my wonderful sister-in-law," the young man mentioned to him. "She's very attractive," Newman promptly re- sponded. "Fascinating," the Count said; and this time again his guest suspected him of latent malice. His sister-in- law came round to the other side of the fire with her tea in her hand, holding it out at arm's length so that she might n't spill it on her dress and utter- ing little cries of alarm. She placed the cup on the chimney and began to unpin her veil and pull off her gloves, looking meanwhile at Newman. " Is there any- 120 THE AMERICAN thing I can do for you, my dear lady?" the young man asked with quite extravagant solicitude. "Present me to monsieur," said his sister-in-law. And then when he had pronounced their visitor's name: "I can't curtsey to you, monsieur, or I shall spill my tea. So Claire receives strangers like this ?" she covertly added, in French to her brother-in-law. "Apparently! Is n't it fun ?" he returned with en- thusiasm. Newman stood a moment and then approached Madame de Cintre, who looked up at him as if she were thinking of something to say. She seemed to think of nothing, however she simply smiled. He sat down near her and she handed him his cup. For a few moments they talked about that, and mean- while he kept taking her in. He remembered what Mrs. Tristram had told him of her "perfection" and of her having, in combination, all the brilliant things that he dreamed of finding. This made him consider her not only without mistrust, but with- out uneasy conjectures; the presumption, from the first moment he looked at her, had been so in her favour. And yet if she was beautiful it was not from directly dazzling him. She was tall and moulded in long lines; she had thick fair hair and features un- even and harmonious. Her wide grey eyes were like a brace of deputed and garlanded maidens waiting with a compliment at the gate of a city, but they failed of that lamplike quality and those many-col- oured fires that light up, as in a constant celebra- tion of anniversaries, the fair front of the conquering type. Madame de Cintre was of attenuated substance 121 THE AMERICAN and might pass for younger than she probably was. In her whole person was something still young and still passive, still uncertain and that seemed still to expect to depend, and which yet made, in its dig- nity, a presence withal, and almost represented, in its serenity, an assurance. What had Tristram meant, Newman wondered, by calling her proud ? She was certainly not proud, now, to him; or if she was it was of no use and lost on him. she must pile it up higher if she expected him to mind it. She was a clear, noble person it was very easy to get on with her. And was she then subject to that appli- cation of the idea of "rank" which made her a kind of historical formation ? Newman had known rank but in the old days of the army where it had not always amounted to very much either; and he had never seen it attributed to women, unless perhaps to two or three rather predominant wives of generals. But the designations representing it in France struck him as ever so pretty and becoming, with a property in the bearer, this particular one, that might match them and make a sense some- thing fair and softly bright, that had motions of ex- traordinary lightness and indeed a whole new and unfamiliar play of emphasis and pressure, a new way, that is, of not insisting and not even, as one might think, wanting or knowing, yet all to the effect of attracting and pleasing. She had at last thought of something to say. 4< Have you many friends in Paris so that you go out a great deal ?" He considered about going out. "Do you mean if I go to parties ? " 122 THE AMERICAN " Do you go dans le monde, as we say ? " "I've seen a good many people. Mrs. Tristram at least tells me I have. She has taken me about. I do whatever she bids me." " By yourself then you're not fond of amusements ?" "Oh yes, of some sorts. I 'm not fond of very fast rushing about, or of sitting up half the night; I'm too old and too heavy. But I want to be amused; I came to Europe for that." She appeared to think a moment, and then with a smile: " But I thought one can be so much amused in America." "I could n't; perhaps I was too much part of the show. That's never such fun, you know, for the animals themselves." At this moment young Madame de Bellegarde came back for another cup of tea, accompanied by Count Valentin. Madame de Cintre, when she had served her, began to talk again with Newman and recalled what he had last said. "In your own coun- try you were very much occupied ?" "I was in active business. I've been in active business since I was fifteen years old." "And what was your active business?" asked Madame de Bellegarde, who was decidedly not so pretty as Madame de Cintre. "I've been in everything," said Newman. "At one time I sold leather; at one time I manufactured wash-tubs." Madame de Bellegarde made a little grimace. "Leather? I don't like that. Wash-tubs are better. I prefer the smell of soap. I hope at least they made - 123 THE AMERICAN your fortune." She rattled this off with the air of a woman who had the reputation of saying everything that came into her head, and with a strong French accent. Newman had spoken with conscientious clearness, but Madame de Bellegarde's tone made him go on, after a meditative pause, with a certain light grim- ness of pleasantry. " No, I lost money on wash-tubs, but I came out pretty square on leather." "I've made up my mind, after all," said the Mar- quise, "that the great point is how do you call it ? to come out square. I 'm on my knees to money and my worship is as public as you like. If you have it I ask no questions. For that I 'm a real radical like you, monsieur; at least as I suppose you. My belle-sceur is very proud; but I find that one gets much more pleasure in this sad life if one does n't make too many difficulties." "Goodness gracious, chere madame, how you rush in!" Count Valentin gaily groaned. "He's a man one can speak to, I suppose, since my sister receives him," the lady more covertly an- swered. " Besides, it 's very true; those are my ideas." "Ah, you call them ideas?" the young man re- turned in a tone that Newman thought lovely. " But Mrs. Tristram told me you had been in the army in your great war," his beautiful sister pur- sued. "Yes, but that was not business in the paying sense. I could n't afford it often." "Very true!" said Count Valentin, who looked at our hero from head to foot with his peculiar 124 THE AMERICAN facial play, in which irony and urbanity seemed per- plexingly commingled. "Are you a brave man?" "Well, try me." "Ah then, there you are! In that case come again." "Dear me, what an invitation!" Madame de Cintre murmured with a smile that betrayed em- barrassment. "Oh, I want Mr. Newman to come particu- larly," her brother returned. "It will give me great pleasure. I shall feel the loss if I miss one of his visits. But I maintain he must be of high courage. A stout heart, sir, and a firm front." And he offered New- man his hand. "I shall not come to see you; I shall come to see Madame de Cintre," said Newman, bent on dis- tinctness. "You '11 need, exactly for that, all your arms." "Ah de grace! 11 she appealed. "Decidedly," cried Madame de Bellegarde, "I'm the only person here capable of saying something polite! Come to see me; you '11 need no courage at all, monsieur." Newman gave a laugh which was not altogether an assent; then, shaking hands all round, marched away. Madame de Cintre failed to take up her sis- ter's challenge to be gracious, but she looked with a certain troubled air at the retreating guest. VII ONE evening very late, about five days after this episode, Newman's servant brought him a card which proved to be that of young M. de Bellegarde. When a few moments later he went to receive his visitor he found him standing in the middle of the greatest of his gilded saloons and eyeing it from cornice to carpet. Count Valentin's face, it seemed to him, ex- pressed not less than usual a sense of the inherent comedy of things. "What the devil is he laughing at now?" our hero asked himself; but he put the question without acrimony, for he felt in Madame de Cintre's brother a free and adventurous nature, and he had a presentiment that on this basis of the natural and the bold they were destined to under- stand each other. Only if there was food for mirth he wished to have a glimpse of it too. "To begin with," said the young man as he ex- tended his hand, "have 1 come too late?" "Too late for what?" "To smoke a cigar with you." "You would have to come early to do that," New- man said. "1 don't know how to smoke." "Ah, you're a strong man!" " But I keep cigars," he added. " Sit down." His visitor looked about. "Surely I may n't smoke here." "What's the matter ? Is the room too small?" 126 THE AMERICAN "It's too large. It's like smoking in a ball-room or a church." "That's what you were laughing at just now?" Newman asked; "the size of my room ?" "It's not size only, but splendour and harmony, beauty of detail. It was the smile of sympathy and of admiration." Newman looked at him harder and then, "So it is very ridiculous?" he enquired. "Ridiculous, my dear sir? It's sublime." "That of course is the same thing," said New- man. "Make yourself comfortable. Your coming to see me, I take it, is an act of sympathy and a sign of confidence. You were not obliged to. Therefore if anything round here amuses you it will be all in a pleasant way. Laugh as loud as you please; I like to have my little entertainment a success. Only I must make this request: that you explain the joke to me as soon as you can speak. I don't want to lose anything myself." His friend gave him a long look of unresentful perplexity. He laid his hand on his sleeve and seemed on the point of saying something, but suddenly checked himself, leaned back in his chair and puffed at his cigar. At last, however, breaking silence, "Certainly," he began, "my coming to see you is the frank demonstration you recognise. I have been, nevertheless, in a measure encouraged or urged to the step. My sister, in a word, has asked it of me, and a request from my sister is, for me, a law. I was near you just now and I observed lights in what I supposed to be your rooms. It was not a ceremonious ^ 127 THE AMERICAN hour for making a call, but I was not sorry to do something that would show me as not performing a mere ceremony." "Well, here I am for you as large as life," saitf Newman as he extended his legs. "I don't know what you mean," the young man went on, "by giving me unlimited leave to laugh. Certainly I'm a great laugher; it's the only way, in general, is n't it ? not to well, not to crever d* ennui. But it's not in order that we may laugh together or separately that I have, I may say, sought your acquaintance. To speak with a con- fidence and a candour which I find rapidly getting the better of me, you have interested me without having done me the honour, I think, in the least to try for it by having acted so consistently in your own interest: that, I mean, of your enlight- ened curiosity." All this was uttered, to Newman's sense, with a marked proficiency, as from a habit of intercourse that was yet not "office" intercourse, and, in spite of the speaker's excellent English, with the perfect form, as our friend supposed, of the superlative Frenchman; but there was at the same time something in it of a more personal and more pressing intention. What this might prove to have foi him Newman suddenly found himself rather yearning to know. M. de Bellegarde was a foreigner to the last roll of his so frequent rotary r; and if he had met him out in bare Arizona he would have felt it proper to address him with a "How-d'ye-do, Mosseer?" Yet there was that in his physiognomy which seemed to suspend a bold bridge of gilt wire 128 THE AMERICAN over the impassable gulf produced by difference of race. He was but middling high and of robust and agile aspect. Valentin de Bellegaide, his host was afterwards to learn, had a mortal dread of not keep- ing the robustness down sufficiently to keep the agility up; he was afraid of growing stout; he was too short a story as he said, to afford an important digression. He rode and fenced and practised gym- nastics with unremitting zeal, and you could n*t congratulate him on his appearance without making him turn pale at yout imputation of its increase. He had a round head, high above the ears, a crop of hair at once dense and silky, a broad, low forehead, a short nose, of the ironical and enquiring rather than of the dogmatic or sensitive cast, and a mous- tache as delicate as that of a page in a romance. He resembled his sister riot in feature, but in the ex- pression of his fair open eyes, completely void, as they were in his case, of introspection, and in the fine freshness of his smile, which was like a gush of crys- talline water. The charm of his face was above all in its being intensely, being frankly, ardently, gal- lantly alive. You might have seen it in the form of a bell with the long "pull" dangling in the young man's conscious soul; at a touch of the silken cord the silver sound would fill the air. There was some- thing in this quick play which assured you he was not economising his consciousness, not living in a corner of it to spare the furniture of the rest. He waf squarely encamped in the centre and was keeping open house. When he flared into gaiety it was the movement of a hand that in emptying a cup turn* * 120 THE AMERICAN it upside down; he gave you all the strength of the liquor. He inspired Newman with something of the kindness our hero used to feel in his earlier years for those of his companions who could per- form strange and clever tricks make their joint;; crack in queer places or whistle at the back of theii mouths. "My sister told me," he said, "that i ought to come and remove the impression 1 had taken such apparent pains to produce on you; the impression of my labouring under some temporary disorder. Did it strike you that what 1 said did n't make a sense ?" "Well, I thought I had never seen any one like you in real life/' Newman returned. "Not in real quiet home life." "Ah then Claire's right." And Count Valentin watched his host for a moment through his smoke- wreaths. " And yet even if it is the case 1 think we had better let it stand. 1 had no idea of putting you oft" by any violence of any kind; 1 wanted on the contrary to produce a favourable impression. Since I did nevertheless make a fool of myself 1 was per- haps luckily inspired, for 1 must n't seem to set up a claim for consistency which, in the sequel of our acquaintance, 1 may by no means justify. Set me down as a shocking trifler with intervals of high lucidity and even of extraordinary energy." "Oh, 1 guess you know what you're about," said Newman. "When I'm sane I'm very sane; that I admit," his guest returned. " But 1 did n't come here to talk about myself. I should like to ask you a few ques- tions. You allow me?" 130 THE AMERICAN "Well, give me a specimen." **You live here all alone?" "Absolutely. With whom should I live?" "For the moment," smiled M. de Bellegarde, "I'm asking questions, not answering them. You've come over to Paris for your pleasure?" Newman had a pause. "Every one asks me that!" he said with his almost pathetic plainness. "It sounds quite foolish as if I were to get my pleas- ure somehow under a writ of extradition." "But at any rate you've a reason for being here." "Oh, call it for my pleasure!" said Newman. "Though it represents me as trying to reclaim a hope- less absentee it describes well enough the logic of my conduct." "And you're enjoying what you find ?" "Well, I'm keeping my head." Count Valentin puffed his cigar again in silence. "For myself," he resumed at last, "I'm entirely at your service. Anything I can do for you will make me very happy. Call on me at your convenience. Is there any one you wish to know anything you wish to see ? It 's a pity you should n't fully avail yourself of Paris." "Well, I guess I avail myself," said Newman serenely. "I'm much obliged to you." " Honestly speaking," his visitor went on, " there 's something absurd to me in hearing myself make you these offers. They represent a great deal of good-will, but they represent little else. You're a successful man, and I am a rate by which we THE AMERICAN mean a dead failure and it's a turning of the tables to talk as if 1 could lend you a hand." "How does it come that you have n't succeeded ?" Newman ingenuously asked. "Oh, I'm not a failure to wring your heart," the young man returned. "I've not fallen from a height, and rny fiasco has made no noise and luckily no scandal. But you stand up, so very straight, for tccomplished facts. You've made a fortune, you've raised an edifice, you're a financial, practical power, you can travel about the world till you've found a soft spot and lie down on it with the consciousness of having earned your rest. And all so fabulously! in the flower of your magnificent manhood. Is not that true ? Well, imagine the exact reverse of all that and you have votre serviteur. I 've done nothing, and there 's not a poor pitiful thing for me to do." "Why what's the matter with all the things ?" "It would take me time to say. Some day I'll tell you. Meanwhile I 'm right, eh ? You 're a horrid success? You've made more money than was ever made before by one so young and so candid? It's none of my business, but in short you're beastly rich?" "That's another thing it sounds foolish to say," said Newman. " Do you think that 's all I am ? " "No, I think you're original that's why I'm here. We're very different, you and I, as products, I'm sure; I don't believe there's a subject on which we judge or feel alike. But I rather guess we shall get on, for there 's such a thing, you know. 13* THE AMERICAN as being like fish and fowl too different to quarrel." "Oh, I never quarrel," said Newman rather shortly. "You mean you just shoot? Well, I notify you that till I'm shot," his visitor declared, "I shall have had a greater sense of safety with you than I have perhaps ever known in any relation of life. And as a sense of danger is clearly a thing impossible to you, we shall therefore be all right." With the preamble embodied in these remarks he paid our hero a long visit; as the two men sat with their heels on Newman's glowing hearth they heard the small hours of the morning strike larger from a far-off belfry. Valentin de Bellegarde was by his own confession at all times a great chatterer, and on this occasion the habit of promptness of word and tone was on him almost as a fever. It was a tradition of his race that people of its blood always conferred a favour by their attentions, and, as his real con- fidence was as rare as his general surface was bright, he had a double reason for never fearing his friend- ship could be importunate. Late blossom though he might be, moreover, of an ancient stem, tradi- tion (since 1 have used the word) had in his nature neither visible guards nor alarms, but was as muffled in sociability and urbanity as an old dowager in her laces and strings of pearls. Valentin was by the measure of the society about him a gentilhomme of purest strain, and his rule of life, so far as it was definite, had been to keep up the character. This, it seemed to him, might agreeably engage a young 133 THE AMERICAN man of ordinary good parts. But he attained his best values by instinct rather than by theory, and the amiability of his character was so great that certain of the aristocratic virtues lost, at his touch, their rigour without losing, as it were, their temper. In his younger years he had been suspected of low tastes, and his mother had greatly feared from him some such slip in the common mire as might be- spatter the family shield. He had been treated therefore to more than his share of schooling and drilling, but his instructors had not succeeded in mounting him upon stilts. They had never troubled his deepest depths of serenity, and he had remained somehow as fortunate as he was rash. He had long been tied with so short a rope, however, that he had now a mortal grudge against family discipline. He had been known to say within the limits bf the fam- ily that, featherhead though he might be, the honour of the name was safer in his hands than in those of some of its other members, and that if a day ever came to try it they would see. He had missed no secret for making high spirits consort with good manners, and he seemed to Newman, as afterwards young members of the Latin races often seemed to him, now almost infantile and now appallingly ma- ture. In America, Newman reflected, " growing " men had old heads and young hearts, or at least young morals ; here they had young heads and very aged hearts, morals the most grizzled and wrinkled. "What I envy you is your liberty," Count Valentin found occasion to observe ; "your wide range, your freedom to come and go, your not having a lot of THE AMERICAN people, who take themselves all too seriously, ex- pecting something of you. I live/' he added with a sigh, "beneath the eyes of my admirable mother/' "Is n't it then your own fault ? What's to hinder your ranging?" Newman asked. "There's a delightful simplicity in that question. Everything in life is to hinder it. To begin with I have n't a penny." "Well, 1 had n't a penny when 1 began to range." "Ah, but your poverty was your capital! Being of your race and stamp, it was impossible you should remain what you were born, and being born poor do I understand it ? it was therefore inevitable you should become as different from that as possible. You were in a position that makes one's mouth water; you looked round you and saw a world full of things you had only to step up to and take hold of. When I was twenty 1 looked round me and saw a world with everything ticketed * Don't touch,' and the deuce of it was that the ticket seemed meant only for me. 1 could n't go into business, I could n't make money, because I was a Bellegarde. I could n't go into politics because 1 was a Bellegarde the Bellegardes don't recognise the Bonapartes. I could n't go into literature because I was a dunce. I could n't marry a rich girl because no Bellegarde had for ages married a rotunere and it was n't urgent I should deviate. We shall have to face it, how- ever you'll see. Marriageable heiresses, de notre lord, are not to be had for nothing; it must be name for name and fortune for fortune. The only thing I could do was to go and fight for the Pope. That -135 THE AMERICAN I did, punctiliously, and received an apostolic flesn- wound at Castelfidardo. It did neither the Holy Father nor me any good that I could make out, Rome was doubtless a very amusing place in the days of Heliogabalus, but it has sadly fallen off since. I was immured for three years, like some of the choicest scoundrels in history, in the castle of Saint Angelo, and then I came back to secular life." Newman followed very much as he had followed ciceroni through museums. "So you've no active interest ? you do absolutely nothing ? " "As hard as ever I can. Pm supposed to amuse myself and to pass my time, and, to tell the truth, I've had some good moments. They come some- how, in spite of one, and the thing is then to recog- nise them. But you can't keep on the watch for them for ever. I'm good for three or four years more perhaps, but I foresee that after that I shall spring a leak and begin to sink. I shan't float any more, I shall go straight to the bottom. Then, at the bot- tom, what shall I do ? 1 think I shall turn monk. Seriously, I think I shall tie a rope round my waist and go into a monastery. It was an old custom and she old customs were very good. People understood life quite as well as we do. They kept the pot boiling till it cracked, and then put it on the shelf altogether." " Do you attend church regularly ? " asked New- man in a tone which gave the enquiry a quaint effect. His friend evidently appreciated this element, yet looked at him with due decorum. *' I 'm a very good Catholic. I cherish the Faith. I adore the blessed Virgin. I fear the Father of Lies." 136 THE AMERICAN "Well then," said Newman, "you're very well fixed. You've got pleasure in the present and para- dise in the future: what do you complain of?" 44 It 's a part of one's pleasure to complain. There 's something in your own situation that rubs me up. You're the first man about whom I've ever found myself saying *Oh, if I were he !' It's singular, r>ut so it is. I 've known many men who, besides any factitious advantages that I may possess, had money and brains into the bargain, yet they've never dis- turbed my inward peace. You've got something it worries me to have missed. It's not money, it's not even brains though evidently yours have been excellent for your purpose. It 's not your superfluous stature, though I should have rather liked to be a couple of inches taller. It's a sort of air you have of being imperturbably, being irremoveably and indestructibly (that's the thing!) at home in the world. When I was a boy my father assured me it was by just such an air that people recognised a Bellegarde. He called my attention to it. He did n'l advise me to cultivate it; he said that as we grew up it always came of itself. I supposed it had come to me because 1 think I've always had the feeling it represents. My place in life had been made for me and it seemed easy to occupy. But you who, as I understand it, have made your own place, you who, as you told us the other day, have made and solrf articles of vulgar household use you strike me, in a fashion of your own, as a man who stands about at his ease and looks straight over ever so many high walls. I seem to see you move everywhere like a big 137 THE AMERICAN stockholder on his favourite railroad. You make me feel awfully my want of shares. And yet the world used to be supposed to be ours. What is it 1 miss ?" "It's the proud consciousness of honest toil, of having produced something yourself that somebody has been willing to pay you for since that 's the definite measure. Since you speak of my wash-tubs which were lovely is n't it just they and their loveliness that make up my good conscience ? " "Oh no; I've seen men who had gone beyond wash-tubs, who had made mountains of soap strong-smelling yellow soap, in great bars; and they've left me perfectly cold." "Then it's just the regular treat of being an American citizen/' said Newman. "That sets a man right up." "Possibly," his guest returned; "but I'm forced to say I 've seen a great many American citizens who did n't seem at all set up or in the least like large stockholders. I never envied them. 1 rather think the thing's some diabolical secret of your own." "Oh come," Newman laughed, "you'll persuade me against my humility " "No, I shall persuade you of nothing. You've nothing to do with humility any more than with swagger: that's just the essence of your confounded coolness. People swagger only when they've some- thing to lose, and show their delicacy only when they 've something to gain." **I don't know what I may have to lose," said Newman, "but I can quite see a situation in which I should have something to gain." THE AMERICAN His visitor looked at him hard. ** A situation ?" Newman hesitated. " Well, 1 '11 tell you more about it when I know you better." 44 Ah, you'll soon know me by heart!" the young man sighed as he departed. During the next three weeks they met again several times arid, without formally swearing an eternal friendship, fell, for their course of life, instinctively into step together. Valentin de Bellegarde was to Newman the typical, ideal Frenchman, the French- man of tradition and romance, so far as our hero was acquainted with these mystic fields. Gallant, ex- pansive, amusing, more pleased himself with the effect he produced than those (even when they were quite duly pleased) for whom he produced it; a master of all the distinctively social virtues and a votary of all the agreeable sensations; a devotee of something mysterious and sacred to which he occa- sionally alluded in terms more ecstatic even than those in which he spoke of the last pretty woman, and which was simply the beautiful though some- what superannuated image of personal Honour; he was irresistibly entertaining and enlivening, and he formed a character to which Newman was as capable of doing justice when he had once been placed in contact with it as he was unlikely, in musing upon the possible combinations of the human mix- ture, mentally to have foreshadowed it. No two parties to an alliance could have come to it from a wider separation, but it was what each brought out of the queer dim distance that formed the odd attrac- tion for the other. THE AMERICAN Valentin lived in the basement of an old house in the Rue d'Anjou Saint Honore, and his small apart* ments lay between the court of the house and a gar- den of equal antiquity, which spread itself behind one of those large, sunless, humid gardens into which you look unexpectingly in Paris from back windows, wondering how among the grudging habita- tions they find their space. When Newman presently called on him it was to hint that such quarters were, though in a different way, at least as funny as his own. Their oddities had another sense than those of our hero's gilded saloons on the Boulevard Haussmann: the place was low, dusky, contracted, and was crowded with curious bric-a-brac. Their pro- prietor, penniless patrician though he might be, was an insatiable collector, and his walls were covered with rusty arms and ancient panels and platters, his doorways draped in faded tapestries, his floors muffled in the skins of beasts. Here and there was one of those uncomfortable tributes to elegance in which the French upholsterer's an is prolific; a curtained recess with a sheet of looking-glass as dark as a haunted pool; a divan on which, for its festoons and furbe- lows, you could no more sit down than on a dow- ager's lap; a fireplace draped, flounced, frilled, by the same analogy, to the complete exclusion of fire. The young man's possessions were in picturesque disorder, and his apartment pervaded by the odour of cigars, mingled, for inhalation, with other dim ghosts of past presences. Newman thought it, as a home, damp, gloomy and perverse, and was pua> xled by the romantic incoherence of the furniture. 140 THE AMERICAN The charming Count, like most of his country- men, hid none of his lights under a bushel and made little of a secret of the more interesting passages of his personal history. He had inevitably a vast deal to say about women, and could frequently indulge in sentimental and ironical apostrophes to these authors of his joys and woes. "Oh, the women, the women, and the things they've made me do!" he would exclaim with a wealth of reference. " C 'est egal^ of all the follies and stupidities I 've committed for them there is n't one I would have missed!" On this subject Newman maintained an habitual re- serve; to make it shine in the direct light of one's own experience had always seemed to him a pro- ceeding vaguely analogous to the cooing of pigeons and the chattering of monkeys, and even inconsistent with a fully-developed human character. But his friend's confidences greatly amused and rarely dis- pleased him, for the garden of the young man's past appeared to have begun from the earliest moment to bloom with rare flowers, amid which memory was as easy as a summer breeze. "I really think," he once said, "that I'm not more depraved than most of my contemporaries. They 're joliment depraved, my contemporaries!" He threw off wonderfully pretty things about his female friends and, numerous and various as they had been, declared that his curt osity had survived the ordeal. " But you *re not to take that as advice," he added, "for as an authority I must be misleading. I 'm prejudiced in their favour; I'm a sentimental in other words a donkey." Newman listened with an uncommitted smile and .141 THE AMERICAN was glad, for his own sake, that he had line feelings; but he mentally repudiated the idea of a Frenchman's having discovered any merit in the amiable sex he himself did n't suspect. Count Valentin, however, was not merely anecdotic and indiscreet; he wel- comed every light on our hero's own life, and so far as his revelations might startle and waylay Newman could cap them as from the long habit of capping. He narrated his career, in fact, from the beginning, through all its variations, and whenever his com- panion's credulity or his "standards" appeared to protest it amused him to heighten the colour of the episode. He had sat with Western humourists in circles round cast-iron stoves and seen "tall" stories grow taller without toppling over, and his imagina- tion had learnt the trick of building straight and high. The Count's regular attitude became at last that of lively self-defence; to mark the difference of his type from that of the occasionally witless he cultivated the wit of never being caught swallowing. The result of this was that Newman found it impos- sible to convince him of certain time-honoured ver- ities. "But the details don't matter," Valentin said, "since you've evidently had some such surprising adventures. You've seen some strange sides of life, you 've revolved to and fro over a continent as 1 walk up and down the Boulevard. You're a man of the world to a livelier tune than ours. You've spent some awful, some deadly days, and you 've done some extremely disagreeable things: you've shov- elled sand, as a boy, for supper, and you 've eaten 142 THE AMERICAN boiled cat in a gold-digger's camp. You 've stood casting up figures for ten hours at a time and you've sat through Methodist sermons for the sake of look- ing at a pretty girl in another pew. It can't all have been very folichon. But at any rate you've done something and you arc something; you've used your faculties and you've developed your character. You've not akruti yourself with debauchery, and you've not mortgaged your fortune to social con- veniencies. You take things as it suits you, and you 've fewer prejudices even than I, who pretend to have none, but who in reality have three or four that stand in my way. Happy man, you 're strong and you 're free nothing stands in yours. But what the deuce," he wound up, ** do you propose to do with such advantages ? Really to use them you need a better world than this. There's nothing worth your while here." "Oh, I guess there's something," Newman said. "What is it?" "Well," he sighed, "I'll tell you some other time!" In this way he delayed from day to day broaching a subject he had greatly at heart. Meanwhile, how- ever, he was growing practically familiar with it; in other words he had called again, three times, on Madame de Cintre. On but two of these occasions had he found her at home and on each of them she had other visitors. Her visitors were numerous and, to our hero's sense, vociferous, and they exacted much of their hostess's attention. She found time none the less to bestow a little of it on the stranger, a quantity H3 THE AMERICAN represented in an occasional vague smile the very vagueness of which pleased him by allowing him to fill it out mentally, both at the time and afterwards, with such meanings as most fitted. He sat by without speaking, looking at the entrances and exits, the greetings and chatterings, of Madame de Cintre's guests. He felt as if he were at the play and as if his own speaking would be an interruption; some- times he wished he had a book to follow the dialogue; he half expected to see a woman in a white cap and pink ribbons come and offer him one for two francs. Some of the ladies gave him a very hard or a very soft stare, as he chose; others seemed profoundly unconscious of his presence. The men looked only at the mistress of the scene. This was inevitable, for whether one called her beautiful or not she en- tirely occupied and filled one's vision, quite as an ample, agreeable sound filled one's ear. Newman carried away after no more than twenty distinct words with her an impression to which solemn pro- mises could not have given a higher value. She was part of the play he was seeing acted, as much a part of it as her companions, but how she filled the stage and how she bore watching, not to say studying and throwing bouquets to! Whether she rose or seated herself; whether she went with her departing friends to the door and lifted up the heavy curtain as they passed out and stood an instant looking after them and giving them the last nod; or whether she leaned back in her chair with her arms crossed and her eyes quiet, her face listening and smiling, she made this particular guest desire to have her always before him, U4 THE AMERICAN moving through every social office open to the genius of woman, or in other words through the whole range of exquisite hospitality. If it might be hospitality to him it would be well; if it might be hospitality for him it would be still better. She was so high yet so slight, so active yet so still, so elegant yet so simple, so present yet so withdrawn! It was this unknown quantity that figured for him as a mystery; it was what she was off the stage, as he might feel, that interested him most of all. He could not have told you what warrant he had for talking of mysteries; if it had been his habit to express himself in poetic figures he might have said that in observing her he seemed to see the vague circle sometimes attending the partly-filled disc of the moon. It was not that she was effaced, and still less that she was "shy"; she was, on the contrary, as distinct as the big figure on a banknote and of as straightforward a pro- fession. But he was sure she had qualities as yet unguessed even by herself and that it was kept for Christopher Newman to bring out. He had abstained for several reasons from saying some of these things to her brother. One reason was that before proceeding to any act he was always cir- cumspect, conjectural, contemplative; he had little eagerness, as became a man who felt that whenever he really began to move he walked with long steps. And then it just pleased, it occupied and excited him, not to give his case, as he would have said, prematurely away. But one day Valentine as Newman con- venientlv sounded the name had been dining with him on the boulevard and their sociability was such .145 THE AMERICAN that they had sat long over their dinner. Cn rising from it the young man proposed that, to help them through the rest of the evening, they should go and see Madame Dandelard. Madame Dandelard was a little Italian lady married to a Frenchman who had proved a rake and a brute and the torment of her life. Her husband had spent all her money and then, lacking further means for alien joys, had taken, in his more intimate hours, to beating her. She had a blue spot somewhere which she showed to several persons, including the said Valentine. She had ob- tained a legal separation, collected the scraps of her fortune, which were meagre, and come to live in Paris, where she was staying at an hotel garni. She was always looking for an apartment and visiting, with a hundred earnest questions and measurements, those of other people. She was very pretty and child- like and made very extraordinary remarks. Valentin enjoyed her acquaintance, and the source of his in- terest in her was, according to his declaration, an anxious curiosity as to what would become of her. "She's poor, she's pretty and she's silly," he said; "it seems to me she can go only one way. It's a pity, but it can't be helped. I '11 give her six months. She has nothing to fear from me, but I 'm watching the process. It's merely a question of the how and the when and the where. Yes, I know what you 're going to say; this horrible Paris hardens one's heart. But it quickens one's wits, and it ends by teaching one a refinement of observation. To see this little woman's little drama play itself out is now for me a pleasure of the mind." 146 THE AMERICAN " IF she 's going to throw herself away," Newman had said, "you ought to stop her." " Stop her ? How stop her ? " "Talk to her; give her some good advice." At which the young man laughed. "'Some'? How much? Heaven deliver us both! Imagine the situation. Try giving her yourself exactly the right amount." After which it was that Newman had gone with him to see Madame Dandelard. When they came away Valentin reproached his companion. " Where was your famous advice ? I did n't hear a word of it." "Oh, I give it up," Newman simply answered. "Then you 're as bad as I!" "No, because I don't find it a pleasure of the mind to watch her prospective adventures. I don't in the least want to see her going down hill. I had rather look the other way. But why," our friend asked in a moment, " don't you get your sister to go and see her?" His companion stared. "Go and see Madame Dandelard my sister ? " "She might talk to her to very good purpose." Valentin shook his head with sudden gravity. " My sister does n't have relations with that sort of person. Madame Dandelard 's nothing at all; they'd never meet." "I should think," Newman returned, "that Ma- dame de Cintre might see whom she pleased." And he privately resolved that, after he should know her a little better, he would ask her to go and pick up, THE AMERICAN for such "pressing" as might be possible, the little spotted blown leaf in the dusty Parisian alley. When they had dined, at all events, on the occasion I have mentioned, he demurred to the latter's proposal that they should go again and "draw" the lady on the subject of her bruises. "I've something better in mind; come home with me and finish the evening before my fire." Valentin always rose to any implied appeal to his expository gift, and before long the two men sat watching the blaze play over the pomp of Newman's high saloon. VIII here I want to know about your sister," the elder abruptly began. His visitor arched fine eyebrows. "Now that I think of it you Ve never yet made her the subject of a question." "Well, I guess I know why." "If it's because you don't trust me, you're very right," said Valentin. "I can't talk of her rationally. I admire her too much." "Talk of her as you can," Newman returned, " and if I don't like it I '11 stop you." "Well we're very good friends; such a brother and sister as have n't been known since Orestes and Electra. You've seen her enough to have taken her in: tall, slim, imposing, gentle, half a grande dame and half an angel; a mixture of 'type' and sim- plicity, of the eagle and the dove. She looks like a statue that has failed as cold stone, resigned itself to its defects and come to life as flesh and blood, to wear white capes and long soft trains. All I can say is that she really possesses every merit that the face she has, the eyes she has, the smile she has, the tone of voice she has, the whole way she has, lead you to expect; and is n't it saying quite enough ? As a general thing when a woman seems from the first as right as that, she's altogether wrong you've only to look out. But in proportion as you take 149 THE AMERICAN Claire for right you may fold your arms and let yourself float with the current; you're safe. You'll only never imagine a person so true and so straight. She's so honest and so gentille. I've never seen a woman half so charming. She has every blessed thing a man wants and more; that's all I can say p-bout her. There!" Valentin concluded: "I told you how much I should bore you." Newman uttered no assurance that he was not bored; he only said after a little: "She's remark- ably good, eh ? " "She'd have invented goodness if it did n't exist. 1 ' " It seems to me," Newman remarked, "that you 'd have invented her ! But it's all right," he added "I'd have invented you! Is she clever?" he then asked. "Try her with something you think so yourself. Then you'll see." "Oh, how can I try her?" sighed Newman with a lapse. But he picked himself up. "Is she fond of admiration ?" "Pardieu!" cried Valentin. "She'd be no sister of mine if she were n't. What woman 's not ? " "Well, when they're too fond of it," Newman heard himself hypocritically temporise, "they com- mit all kinds of follies to get it." "I did n't say she was 'too' fond!" Valentin ex- claimed. "Heaven forbid I should say anything so idiotic. She 's not too anything. If I were to say she 's ugly I should n't mean she's