531^;; w-V! j'Jj'^'iIj' 1^.: //■; v,^' ■ *-|k&-:«?H I'fni!^ -4;S31liOK- THE HISTORY OF LITERATURE LECTURES ON THE HISTORY OF LITERATURE DELIVERED BY THOMAS CARLYLE April to July 1838 NOW PRINTED FOR THE FIRST TIME EDITED, WITH PREFACE AND NOTES, BY -^-^==^- PROFESSOR J. REAY GREENE OF TH NEW YORK CHARLES SCRIBNER'S SONS 1892 Copyright, 1892, by CHARLES SCRIBNER'S SONS TROW DIRECTORY PRINTING AND BOOKBINDING COMPANY NEW YORK (25 PREFACE The Lectures on Literature by Thomas Car- lyle, published for the first time in the i)resent Yohime, were delivered at 17 Edward Street, Portman Square, London, during- the second quarter of the year 1838. Full reports of the twelve lectures, excex^ting the ninth, were taken by the late Mr. Thomas Chisholm Anstey, bar- rister-at-law and subsequently member of Par- liament for Youghal. Mr. Anstey must have possessed considerable skill for the perform- ance of his task. The reader will soon see for himself how unmistakably many characteristics of Carlyle's style are here rendered. Mr. Anstey had copies of these reports made by a few friends. Three such copies are known to exist. One, the property of the iDublishers, has been compared with a second copy kindlj' l^laced at their disposal by Professor Dowden, who has already noted samples of its contents in the opening i)ages of his interesting* volume entitled Transcripts and Studies. The two VI PREFACE MSS., although the work of different hands, g-ive concordant renderings throughout. The original MS. in Mr. Anstey's handwriting is now the property of the Asiatic Society, Bom- bay, who acquired it at his death. To each lecture its date is here prefixed. As few changes as possible have been made in the way of correction. Slips concerning state- ments capable of verification and obviously due to momentary lapses of attention on the part of the reporter have in various cases been rec- tified. It must be remembered that Carlyle appears in our pages not as a writer but as a speaker. So, in estimating some doubtful locu- tions, it seemed best to follow the safe guide of analogy offered by the author's well-known Lectures on Heroes and Hero Worship, deliv- ered in the same place, only two years later than the present course. Why did not Carlyle issue these Lectures on Literature in his life-time ? Doubtless he shrank from the slow labor of preparing for IDublication discourses which deal with topics demanding careful treatment while almost infinite in their extent and diversit}^ A prophet announcing high truths, he may not have felt himself so well fitted to do the work PREFACE Vll of a commentator. Fond as he was of needful repetitions, of variations on the same theme, after the manner of most impressive preachers and of some musicians, he had not the expan- sive suavity of exposition which is so charming in Malebranche. It may well have seemed to him an irksome business to spoil perhaps his own sentences, so effective when spoken, to weaken their force by critical interpolations. His natural impatience, his glowing produc- tivity, urged him to other work. For in 1838 the genius of Carlyle may be said to have reached its highest and most fervid epoch. Carlyle's French Revolution, acknowledged to be one of the best and most individual of his books,- is not so much a history of that great chain of events as an apt selection of striking episodes, together with a running comment on other histories and on the lessons v/hich revo- lutions should teach. The same may be said of the lectures before us. They do not consti- tute a manual. They are the more welcome on this account, for manuals of literature abound. They cannot rightly be blamed because of their omissions. They treat less of literature than of the causes of literature, its course and its sig- nificance. Vlll PEEFACE We waive the oiDportunity here afforded us of adding- one more to the multitude of essays on Carlyle as himself a power in literature. The reader perhax^s will thank us. Carlyle was wont to say that in some golden age publishers and the iDublic would see the wisdom of paying authors for what they do not write. During the weeks that followed Carlyle's death and the appearance of the valuable bi- ograiDhy by Mr. Froude the press teemed with notices passing judgment on our author and all things concerning him. Who now studies these notices % Have they any permanent value ? Are they not like the aesthetic criticisms on Shakespeare, so little relished by the most de- voted * of English Shakespeare-students ? The good sense of many will turn from reviews of Carlyle to Carlyle himself. He tells us in his first loaragraph (page 2) that authors unlike heroes need no illumination from without ; they are self-luminous. Carlyle's own brightness now makes him shine as a fixed star in our lit- erary firmament. His radiance may be ob- scured ; quenched it cannot be. His faults and foibles are manifest, yet is he esteemed in spite ^ The late Mr. Halliwell Pliillips. See his Memoranda on the IVagechj of Ilainlet,, London, 1879, PREFACE IX of them, and by too many because of them. His prejudices are vexatious, at least occasion- ally. So are those of De Quincey, at his best the best English prose-writer of this century. Amid all Carljde's prejudices, amid all his de- nunciations of men and things to be condemned, we see him capable of hope ; we feel he sym- pathizes with his fellow-creatures. Beneath a mask of ferocity love beams from his counte- nance. Like Tasso's heroic prince — Se'l miri fulminar fra Varme auvolto. Marte lo stimi ; Amor se scopre il volto. No healthy man can doubt Carlyle's sincerity. We ought surely to greet with pleasure every combination of sinceritj^, ability, and amiabilitj^ We courteously, therefore, invite the reader to enjoy the rich literary treat here set before him. Our thanks are due to Professor Dowden for his kindness in placing his transcript of these Lectures at our disposal, and also to Mr. S. H. Hodivala of Bombay for information he has afforded us with respect to Mr. Anstey's orig- inal manuscript. J. Eeay Geeene. Manor Lodge, Tooting Graveney, London, S. W. December, 1891. CONTENTS PIKST PERIOD. LECTUBE PAGE I. — OF LITERATURE IN GENERAL — LANGUAGE, TRADI- TION, RELIGIONS, RACES THE GREEKS : THEIR CHARACTER IN HISTORY, THEIR FORTUNE, PER- FORMANCE — MYTHOLOGIES — ORIGIN OF GODS . 1 IL — =HOMER : THE HEROIC AGES FROM ^SCHTLUS TO SOCRATES — DECLINE OF THE GREEKS . . 16 III. THE ROMANS ! THEIR CHARACTER, THEIR FOR- TUNE, WHAT THEY DID — FROM VIRGIL TO TAC- ITUS END OF PAGANISM . . . .37 SECOND PERIOD. IV. — MIDDLE AGES — CHRISTIANITY ; FAITH — INVEN- TIONS PIOUS FOUNDATIONS POPE HILDE- BRAND CRUSADES TROUB.VDOURS — NIEBELUN- GEN LIED . 61 Xll CONTENTS V. — DANTE — THE ITALIANS — CATHOLICISM — PURGA- TORY 83 VL-7THE SPANIARDS CHIVALRY GREATNESS OF THE SPANISH NATION — CERVANTES, HIS LIFE, HIS BOOK — LOPE CALDERON — PROTESTANTISM AND THE DUTCH WAR 102 VII. — THE GERMANS WHAT THEY HAVE DONE REF- ORMATION LUTHER — ULRICH VON HUTTEN — ERASMUS 124: Vin. THE ENGLISH : THEIR ORIGIN, THEIR WORK AND DESTINY — ELIZABETHAN ERA SHAKE- SPEARE — JOHN KNOX — MILTON — BEGINNING OF SCEPTICISM 146 THIED PERIOD. IX. — VOLTAIRE THE FRENCH — SCEPTICISM FROM RABELAIS TO ROUSSEAU. [Of this Lecture no record exists.] X. EIGHTEENTH CENTURY IN ENGLAND WHIT- FIELD SWIFT STERNE — JOHNSON HUME . 169 XL — CONSUMMATION OF SCEPTICISM — ^^'ERTHERISM THE FRENCH REVOLUTION .... 186 CONTENTS XIU FOURTH PERIOD. LECTTTKE PAGE XII. OF MODEKN GERMAN LITERATURE GOETHE AND HIS WORKS 206 NOTES 227 LECTURES ON THE HISTORY OF LITERATURE LECTURE I. ^pn7 21th FIRST PERIOD Op Literature in General — Language, Tradition, Religions, Races— The Greeks : Their Character IN History, Their Fortune, Performance — My- thologies—Origin OF Gods. It must surety be an interesting occupation to fol- low the stream of mind from the periods at which the first great spirits of our western world wrote and flourished, down to these times. He who would pursue the investigation, however, must commence by inquiring what it was these men thought before he inquires what they did ; for, after all, these were solely remarkable for mind, thought, opinion — opin- ion which clothed itself in action, and their opinions have survived in their books. A book affords mat- ter for deep meditation. Upon their shelves books 3 LITERATURE IN GENERAL seem queer, insignificant things, but in reality there is nothing so important as a book is. It stirs up the minds of men long after the author has sunk into the grave, and continues to exert its corre- sponding influence for ages. Authors unhke he- roes, therefore, do not need to be illuminated by others ; they are of themselves luminous. The thought that was produced to-day, the pamphlet that was published to-day, are only, as it were, re- prints of thoughts that have circulated ever since the world began. And we are interested in its his- tory, for the thought is alive with us, and it lives when we are dead. There is a very great difficulty in reducing this generation of thought to a perfect theory, as indeed there is with everything else, except, perhaps, the stars only, and even they are not reduced to theory ; not perfectly, at least, for, although the solar sj's- tem is quite established as such, it seems doubtful whether it does not in its turn revolve round other solar systems, and so any theory is, in fact, only imperfect. This phenomenon, therefore, is not to be theorized on ; something, however, is necessary to be done in order to familiarize ourselves with it. We shall see this great stream of thought, bearing with it its strange phenomenon of literary produc- tions, divide itself into regular periods ; and we will commence with the facts to be discovered in the history of the Greeks. ORIGIN OF THE GREEKS 3 The Greek records go as far back as 1,800 years before our era, that is, 3,600 years or so from the present time. But they cannot be considered as authentic at that antiquity. When we ask the ques- tion, Who were the first inhabitants of Greece? or. Were they the same as that modern nation by some called Grseci, by others, Hellenes, and b}" us, Greeks ? we can derive no clear account from any source. They seem to have been called Pelasgi. There is a controversy w^hether these Hellenes were Pelasgi, or new settlers from the East. They were probably Pelasgi, with whom thought had begun to operate a progress in science and civilization ; and these gave their local name Hellenes to the rest, just as was the case with the Angles and the Sax- ons. We have no good history of Greece. This is not at all remarkable. Greek transactions had never anything alive ; no result for us ; they were dead entirely. The only points which serve to guide us are a few ruined towns, a few masses of stone, and some broken statuary. In this point of view we can trace three epochs, not more, after the introduc- tion of civilized arts into the country, and the for- mation of societies. 1. The first is the siege of Troy, which happened in the twelfth century, B.C., and was instituted by the Achaioi, as they were then called, or Hellenes. It seems that there is evidence that they were at that time the same as Pelasgi. The* siege, as is well 4 HOMERIC PERIOD known, is said to have been occasioned by Paris carrying off a Greek girl, the famous Helen, wife of Menelaus. Herodotus speaks of many such cases — lo, for example, and Europa. He remarks very properly that it is really very foolish to go to war for such a reason, as the lady is always sure to be as much to blame herself as her seducer. Whatever, however, was the reason, this was the first confed- erate act of the Hellenes in their capacity of an European people. The town was taken and de- stroyed. The immediate cause which was assigned may not have been true ; but, by the European Pe- lasgi, it seems to have been chiefly ascribed to their superiority over Asia ; this was the constant gesta of the narrative. The eveut is also important in giving rise to the first valuable work of antiquity after the Bible, the Homeric Poems, comprising the Iliad and the Odyssey. Of the date of 600 years later we have the marble chronicles now preserved in the University of Ox- ford, which an Earl of Arundel brought out of the East in the reign of James I, and which ar- rived here about the year 1627. They sufl'ered much during the civil wvars, and lay mutilated a long time in the garden of Arundel House at Lambeth. One of them even was built up by the gardener into the garden wall. Among the most remarkable was the marble called the Chronicle of Paros, containing a record of some very memorable PERSIAN INVASION events. It is uncertain why it was so called. Near the spot where it was found a new colony was found- ed 264 B.C., and, as it was the custom to erect these records on such occasions, it is presumed that the above was the date of its erection. Herodotus lived in the fifth century b.c, but it was clean after that. 2. The second epoch was that of the Persian in- vasion. Greece had then to support itself against the innumerable hosts of the East poured out against her. This is the great gesta of Herodotus' history : the gallant resistance of a handful of Greeks, for they were far from being unanimous. Their fate trembled in the iron scale of destiny for a while. At Thermopylse Leonidas repelled the Persians during three days ; on the fourth, circum- vented by treachery, he was overwhelmed with numbers, and he and his troops were cut to pieces ; not a man survived, they wouldn't give up the place. One fancies that that monument must have had a wonderful effect for ages after ; the marble lion with the inscription, " O stranger ! tell the Lacedaemo- nians that we lie here according to the laws." They were ordered to remain, not to quit the post, and there they lay forever. But Europe was ever after- ward superior to Persia. The Grecian societies soon afterward divided more and more until they became a kind of federal republic, united only by common habits, and mainly by their religion. It is a pity that durinjy this time we have but little information 6 GREEK COLONIZATION as to the influence produced upon them by the aspect of their beautiful country, its lofty mountains and fertile valleys, the gigantic trees which clothed the summits and sides of their craggy precipices, and all too beautifully set off by the bright sky which was shining upon them ; as well as the means by which all this was rendered serviceable to them in the ways of daily life. It is only battles that are marked by historians, but subjects like these are rarely noticed. They spread themselves abroad in new colonies at this time, but there were already Greek colonies even before that. They had built towns and cities, which still exist on the south coast of Italy, or Magna Grsecia as it is generally called. Indeed, I am told that the people in the mountains still speak a kind of Greek up in the Abruzzi. They built Marseilles in France before the Persian invasion. Herodotus records the Phocean emigration. They wandered a long time before they could find a con- venient spot for their new settlement ; but, to ex- tinguish all hope of return, their leader took a red- hot ball of iron and plunged it into the sea, and called the gods to witness that he and his followers would never return to Phocea until that ball of iron should float upon the surface. They afterward landed at Marseilles, and founded a flourishing re- public there. 3. The third great epoch, like the other two, has MACEDONIAN PEKIOD 7 also reference to the East. It was the flower time of Greece — her history is as that of a tree from its saphng state to its decline ; and at this period she developed an efflorescence of genius such as no other country ever beheld, but it speedily ended in the shedding of her flowers and in her own decay. From that time she has continued to fall, and Greece has never again been such as she then was.- About the year 330 e.g. she was subjected to the king of a foreign state, Macedon. Alexander the Great found little trouble in ruling Greece, en- feebled already by the Peloponnesian war, a war of which one cannot see the reason, except that each contending party seems to have striven merely for its own gain, while their country stood by to see which side of the collision was to grind it down. Philip of Macedon, a strong, active man, had already got it united under him. Under Alexander occurred the memorable invasion of Persia, when Greece ex- ploded itself on Asia. He carried his arms to the banks of the Indus, founded kingdoms, and left them to his followers ; insomuch that they con- tinued a remarkable set of people till long after- ward. Nor was it till 1453 a.d. that they were finally conquered in Constantinople. This, then, is the history of Greece. The siege of Troy, the first epoch, took place in the year 1184 B.C. The Battle of Marathon, 490 b.c. ; and 160 years later came the invasion of Persia. Europe was 8 LIKENESS OF GEEEKS TO FRENCH henceforth to develop herself on an independent footing, and it had been so ordered that Greece was to begin that. As to their peculiar physiognomy among nations, they were in one respect an ex- tremely interesting peoxDle ; but, in another, un- amiable and weak entirely. It has been somewhere remarked by persons learned in the speculation on what is called the doctrine of races, that the Pelasgi were of Celtic descent. However this may be, it is certain that there is a remarkable similarity in char- acter of the French to these Greeks. Their first feature was what we may call the central feature of all others existing, vekemence, not exactly streitgth, for there was no permanent coherence in it as in strength, but a sort of fiery impetuosity, a vehe- mence never anywhere so remarkable as among the Greeks, except among the French. And there are instances of this both in its good and bad point of view. As to the bad, there is the instance men- tioned by Thucydides of the sedition in Corcyra, which really does read like a chapter out of the French Revolution, in which the actors seem to be quite regardless of any moment but that which was at hand. Here, too, the lower classes were at war upon the higher or aristocrats, as the French would have called them. They suspected a design on the part of the aristocracy to carry them as slaves off to Athens, and on their side it ended in the aristocracy being all shut up in prison ; man after man they GREEK GENTUS 9 were brouglit out of the prison, and then with stabs and pikes they were massacred one after another (this is all told by Thucydides) until those within the prison, finding what was going on, would not come out when summoned, whereupon the mob fired arrows upon them until they were all de- stroyed. In short, the whole scene recalls to the reader the events of September 1792. Another instance, but more justifiable, was the following : — When Xerxes first invaded Greece, an Athenian, Lycidas, proposed to the citizens to sur- render the city, as it was impossible to make head against the Persians. The Athenians assembled, jostled, struck, and trampled upon him till he died. The women of the place, hearing this, went to his house, attacked his wife and children, and stabbed them to death. There was nothing ever like this behavior or that at Corcyra known in other coun- tries in ancient times ; as among the Eomans, for example, during their dominant period. But connected with all this savageness there was an extraordinary delicacy of taste and genius in them. They had a prompt dexterity in seizing the true relations of objects, a beautiful and quick sense in perceiving the places in which the things lay all round the world which they had to work with, and which, without being entirely admirable, was in their own internal province highly useful. So the French, with their undeniable barrenness of genius, have yet 10 SPIRIT OF HARMONY in a remarkable manner the faculty of expressing themselves with precision and elegance to so singu- lar a degree that no ideas or inventions can possibly become popularized till they are presented to the world by means of the French language^ And this is true of history, and of all things now in the world, of all philosophy, and of everything else ; but in poetry, philosophy, and all things, the Greek genius displays itself with as curious a felicity as the French does in frivolous exercises. Singing or music was the central principle of the Greeks, not a subordinate one, and they were right. What is not musical is rough and hard, and cannot be harmonized. Harmony is the essence of art and science. The mind moulds to itself the clay, and makes it what it will. The Pelasgic architecture, which still subsists in its huge walls of stone, formed of immense bowlders piled one upon another, presents, I am told, now at the distance of 3,000 years the evidence of most magnificent symmetry and an eye to what is beautiful. Their poems are equally admirable. Their statuary comprises still the highest things that we have to show for ourselves in that art. Phidias, for example, had the same spirit of harmony, and the matter of his art was obedient to him. His Jupiter of Elis must have been a memorable work, it seems to me. Phi- dias superintended the building of that thing, the Parthenon, and, perhaps, the Elgin marbles received PHIDIAS 11 Lis correc.tions. When he projected, however, his Jupiter of Elis his ideas were so confused and bewildered as to give him great unrest, and he wandered about perplexed that the shape he wished would not disclose itself. But one night, after struggling in pain with his thoughts as usual, and meditating on his design, in a dream he saw a group of Grecian maidens approach with pails of water on their heads, who began a song in praise of Jupiter. At that moment the sun of poetry stared upon him and set free the image which he sought for, and it crystallized as it were out of his mind into marble, and became as symmetry itself. This spirit of har- mony operated directly in him, informing all parts of his mind, thence transferring itself into statuary, and seen with the eye and filling the hearts of all people. I shall now call your attention to the opinions entertained by the Greeks on all things that con- cerned this world, or what we call their religion. Polytheism seems at first sight an inextricable mass of confusions and delusions ; but there was, no doubt, some meaning in it for the people. It may be explained in one of two ways. The first is, that the fable was only an allegory to explain the various relations of natural facts (of spiritual facts and material), and much learning has been expended on this theory. Bacon himself wrote upon it in his treatise "De Sapientia Veterum." But I think there is little or nothin*? to be made 12 MYTHOLOGY out of that. To tell fabulous stories of tbat kind does not seem a natural process in the diffusion of science. No man in such a case would have sat down to make out something which all the while he knew to be a lie ; no serious man would do it. The second opinion is, that their gods were simply their kings and heroes, whom they afterward deified. There is more probability in this theory, which is called Euhemerism. Man is always venerable to man ; great men are sure to attract worship or reverence in all ages, and in ancient times it is not wonderful that sometimes they were accounted as gods ; for the most imaginative of us can scarcely conceive the feelings with which the earliest of the human species looked abroad on the world around them. At first, doubt- less, they regarded nothing but the gratification of their wants, as, in fact, wild peoj^le do yet ; but the man would soon begin to ask himself whence he was, what were his flesh and blood, what he himself was, who was not here a short time ago, who will not be here much longer, but still existing a con- scious individual in this immense universe. The theories so formed would be extremely extravagant, and little would suffice to shape the system into Polytheism ; for it is reall}^ in my opinion, a blas- phemy against human nature to attribute the whole of the system to quackery and falsehood* Divination, for instance, was the great nucleus DIVINATION 13 round which Polytheism formed itself — the consti- tuted core of the whole matter. All people, pri- vate men as well as states, used to consult the oracle of Dodona or Delphi (which eventually became the most celebrated of all) on all the concerns of life. Modern travellers have discovered in those places pipes and other secret contrivances, from which they have concluded that these oracles w^ere con- stituted on a principle of falsehood and delusion. Cicero, too, said that he was certain two augurs could not meet without laughing, and he was likely to know, for he had once been an augur himself. But I confess that on reading Herodotus there ap- pears to me to have been very little quackery about it. I can quite readily fancy that there was a great deal of reason in the oracle. The seat of that at Dodona was a deep, dark chasm, into which the diviner entered when he sought the Deity. If he was a man of devout frame of mind he must surely have then been in the best state of feeling for fore- seeing the future, and giving advice to others. No matter how this was carried on, by divination or otherwise, so long as the individual suffered him- self to be wrapt in union with a higher being. I like to believe better of Greece than that she was completely at the mercy of fraud and falsehood in these matters. So before the Battle of Marathon, an Athenian, Philippides, set off to Lacedsemon for supplies ; he ran nearly the whole way. As he was 14 DESTINY travelling among the mountains near Tegea he heard the God Pan calling out to him, " Philippides, \Yhy do the Athenians neglect me?" He obtained the succors demanded, and returned to Athens to find his citizens victorious, and on his relating the above circumstance a temple was erected to Pan, and his worship attended to. Now, when I consider the frame of mind he must have been in, I have no doubt that he really heard in his own mind that voice of the God of Nature upon the wild mountain- side, and that this was not done by quackery or falsehood at all. To this sj^stem there was a deeper basis than the mere plan of gods and goddesses, such as Jupiter, Apollo, Minerva, etc. Subordinate functions only were assigned them. But, inde- pendently of their idolatry, they discovered that truth, which is in every man's heart, and to which no thinking man can refuse his assent. They recognized a destin}^ a great dumb black power, ruling during time, which knew nobody for its master, and in its decrees was as inflexible as adamant, and everyone knew that it was there. It was sometimes called Moipa, or "allotment," " part," and sometimes " the Unchangeable." Their gods were not always mentioned with reverence. There is a strange document on the point, the Prometheus of Jj^schylus. iEschylus wrote three plays of Prometheus, but only one has survived to our times. Prometheus had introduced fire into the PROMETHEUS . 15 world, and lie was punished for that. His design was to make our race a little less wretched than it was. Personally he seems to be a taciturn sort of man, but what he does speak seems like a thunder- bolt against Jupiter. These miserable men were wandering about in ignorance of the arts of life, and he taught them to them. It was right in him to do it ! Jupiter may launch his thunderbolts, and do what he will with him. A time is coming ; he awaits his time ! Jupiter can hurl him to Tartarus, his time is coming too ; he must come down ; it is all written in the book of Destin3^ This curious document really indicates the pri- meval qualities of man. So Herodotus, who was a clear-headed, candid man, tells us that a Scythian nation, the Getse, when it thundered, or the sky was long clouded, used to shoot arrows in the air against the god, and defied him, and were excessively an- gry with him. Another people, whom he mentions with less credibility, made war on the south wind ; probably it had blown on them till it made them quite desperate. The}^ marched against it into the desert, but were never heard of again. These are things alien to our ways of thinking, but they may serve to illustrate Greek life. I must here conclude my remarks on the charac- ter of the Greeks. In my next lecture I shall take a survey of the history of their literature from Ho- mer down to Socrates. LECTUEE 11. May 4:th FIRST T'Em.OT>—Co7iHnued Homer: The Heroic Ages— From ^schylus to So- crates—Decline OF THE Greeks. We must now take a survey of Greek literature, although our time does not afford us much scope for diverging, as we must do, over a space of more than five hundred j^ears. The first works which we shall notice are the po- ems of Homer. These treat of that event which, as I mentioned in my last lecture, constitutes the first great epoch of Grecian History, the Siege of Troy. The Iliad, or Song of Ilion, consists of a series of what I call ballad delineations of the various occur- rences which took place then, rather than of a nar- rative of the event itself ; for it begins in the mid- dle of it, and, I might say, ends in the middle of it. The Odyssey relates the adventures and voyages of Odysseus or Ulysses on his return from Troy. Their age, as indicated by the Arundel Marbles, and still more by Herodotus, was 800 years b.c. At all HOMER 17 events, that was the age of the Iliad, or perhaps 900. Johannes von Miiller says of them that they are the oldest books of importance after the Bible. There are none older even among the Chinese, for, in spite of what has been said about their works, there is no evidence that any of them are any older than the poems of Homer. Some there are about the same age, but very insignificant, such as romances or chronicles. Who this Homer was, or who was the real author of these poems, is al- most unknown to us. There is, indeed, a bust of Homer in the museum presented by the Earl of Arundel, and there are one or two other busts of him elsewhere ; but we have not the slightest evi- dence for believing that either of them is a por- trait. It is not certain whether his poems were the work of one or many, writers. There is a tradition, indeed, of a singer, 'O/xT^po?, a beggar and blind man, to whom they have been attributed ; and the belief in his identity was common till 1780, when in Germany, Wolff, who had been employed to write a Prolegomena of a Glasgow edition of Homer, for tbe first time started an opinion which has much startled and confused the learned, that there was no such man as Homer, and that the Iliad had occupied a century or more in its comjDosition, and that it was the work of various itinerant singers or poets who came to seek a welcome in the courts of different Grecian princes ; for there were at 2 18 THE HOMERIC CONTROVERSY that time thousands of songs about Troy circulated throughout Greece. It was 300 years after their date when the first edition of Homer's poems was published by the sons of Pisistratus, Hippias and Hipparchus. Tins was the first. Lycurgus, in- deed, is said by Plutarch to have already made a collection of them ; but what he says is extremely vague and unsupported. The next edition was col- lected by Alexander the Great, which, wdth some al- terations, is our present edition. There aj^pears to me to be a great improbability that any one would compose an epic except in writing. Other poems were intended for recital, but this was too long to be repeated in one sitting ; and, on the other hand, they would not have been written if, as was the case, there were then no readers. It is also an established fact that Homer could not write. He talks himself of messages passing from one chief to another, when it is clear from his own expressions that they made use, not of letters at all, but of some kind of hiero- glyphics. Indeed, the only argument in favor of Homer being the real author is derived from the common opinion on the point and from the unity of the poem, of which it was once said that it was as unlikely that it should be owing to an accidental concurrence of distinct writers as that, by an acci- dental arrangement of the types, it should have printed itself. But I began myself some time ago to read the IHad, which I had not looked at since LACK OF UNITY IN THE ILIAD 19 I left school, and I must confess that from reading alone I became completely convinced that it was not the work of one man. Knight himself, one of the warmest adherents of the other side, conceded that the Odyssey was written by a different hand, and that the Iliad, as we have it, has been much altered by transcribers. In short, he is not at all strong for his own side. But by far the strongest consideration for the opinion is produced by read- ing the poem itself. As to its unit}', I confess that it seems to me that one may cut out two or three books without making any alteration in its unit}-. Its value does not consist in an excellent sustaining of characters. There is not at all the sort of style in which Shakespeare draws his characters ; there is simply the cunning man ; the great-headed, coarse, stupid man ; the proud man ; but there is nothing so remarkable but that any one else could have drawn the same characters for the purpose of piecing them into the Iliad. We all know the old Italian comedy : their Harlequin, Doctor, and Col- umbine. There are almost similar things in the characters in the Iliad. Hence, if we may compare great things with small, we have an analogous case in this country's literature. We have collections of songs about Kobin Hood, a character who lived as an outlaw in Sherwood Forest, and was particularly famous in Nottinghamshire and the north of Eng- land. In the fourteenth century innumerable bal- 20 CHARACTER OF HOMER* S POEMS lads respectiiig Lim were current in this country, and especially in the north, about bis disputes with sheriffs, and great quantities of adventures of all sorts, which w^ere sung, quite in an independent character, by fiddlers and old blind men. It is only fifty years since a bookseller of York published those ballads in an uniform collection ; cut out parts here and put in other parts there, and rendered the whole to as consistent a poem as the Iliad. Now, contrasting the melodious Greek mind with the not very melodious English mind, the cithara with the fiddle (between which, by the way, there is strong resemblance), and having in remembrance that those of the one class were suug in alehouses, while the others were sung in kings' houses, it really appears that Eobin Hood ballads have re- ceived the very same arrangement as that which in other times produced " the Tale of Troy divine." With Johannes von Miiller, I should say that the character of Homer's poems is the best among all poems. For, in the first place, they are the delinea- tion of something more ancient than themselves and more simple, and therefore more interesting as be- ing the impressions of a primeval mind, the pro- ceedings of a set of men our spiritual progenitors. The first things of importance in the world's history are mentioned there. Secondly, they possess quali- ties of the highest character of whatever age or country. The Greek genius never exceeded what 21 was done by the authors of those poems which are known as the writings of Homer. Those quahties may be reduced to these two heads : First. Homer does not seem to believe his story to be a fiction ; he has no doubt of its truth. Now, if we only consider what a thing it is to believe, we shall see that it must have been an immense circum- stance in favor of Homer. I do not meaii to say that Homer could have sworn to the truth of his poems before a jury — far from it ; but that he re- peated what had survived in tradition and records, and expected his readers to believe them as he did. With regard to that thing which we call machinery, such as gods, visions, and the like, I must recall to ' your minds what I said in my last lecture respect- ing the belief which the Greeks had in their deities. It is of no moment to our question that these stories were altogether false, but Homer believed them to be true. Throughout the whole of Grecian history we find that any remarkable man, any man to whom anything mysterious attached, was regarded as of the supernatural. Their experience was narrow, and men's hearts opened to the marvellous, not be- ing yet shut up by scepticism. This disposition was favorable to the plastic nature of Rumor, and Rumor, in fact, became afterwards one of the gods, and temples were raised to it. Thus Pindar men- tions that Iloo-etSojv (Neptune) appeared on one occa- sion at the Nemsean games. Here it is conceivable 22 RHYTHM OF THE ILIAD that if some aged indiYidual of venerable mien and few words had, in fact, come thither, his appearance would have attracted attention ; people would have come to gaze upon him, and conjecture would have been busy. It would be natural that a succeeding generation should actually report that a god ap- peared upon the earth. Therefore I am convindcl that Homer believed his narratives to be strictly true. Secondly. The poem of the Iliad was actually in- tended to be sung. It sings itself ; not only the cadence, but the whole thought of the poem sings itself, as it were : there is a serious recitative in the whole matter. Now, if we take these two things and add them together, the combination makes up the essence of the best poem that can be written. In that pitch of enthusiasm in which the whole was conceived the very words sing. In the strong high emotion the very tones of the voice grow musical. Homer throws in the expletives of some short sen- tences. With these two qualities, music and be- lief, he places his mind in a most beautiful brother- hood, in a sincere contact with his own characters ; there are no reticences. He allows himself to ex- pand with most touching loveliness, and occasionally it may be with an awkwardness that carries its own apology, upon all the matters which come in view of the subject of his work, and thus he affords the most decisive impression of the truly poetic nature of his s:enius. THE ODYSSEY 23 We can see it in bis very language, bis pbrase- ology, and tbe most minute details of bis work. Let us take, for instance, tbe epitbets wbicb be ap- plies to tbe objects of nature : "tbe Divine sea" (tbe beauty of tbat Divine sea was deep in tbe mind of Homer), " tbe dark colored sea ; " or to tbe king's bouses wbicb be admired, " tbe bigb wainscotted bouse," *' tbe sounding bouse." For a very toucb- ing instance, let us see Agamemnon wben be swears, not merely by tbe gods, but by rivers and all ob- jects, stars, etc., and calls on tbem to wdtness bis oatb. He does not say w^bat tbey are, but be feels tbat be bimself is a mysterious existence, standing by tbe side of tbem, mysterious existences ! Tbere is more of cbaracter in bis second poem, supposed to bave been written a century later tban tbe Iliad ; it treats of a- bigber state of civilization. Tbere is an evident alteration, too, in tbe tbeology. In tbe first poem Pallas is represented as mixing in figbts. In tbe second poem sbe does not figbt at all, but is Minerva, or ratber Atbena, tbe Goddess of Wisdom. From tbe superior unity of it as a poem, it is impossible tbat it could bave been writ- ten by many different people. It makes a deeper impression on one tban tbe Iliad, tbougb tbe genius of it is not greater, perbaps not so great. Tbe beroes are different. Ulysses does not make mucb figure in tbe Iliad ; be is merely drawn an adroit, sbifty, cunning man; but in tbe Odyssey be becomes of a 24 ULYSSES tragic significance. He is not there the man of cunning and stratagem, but the "much enduring," a most endearing epithet ! We have a touching ac- count of all his experiences in misfortune. He proves himself in the later poem more thoughtful of those who have perished. What, for example, can be more lovely than the scene when, after escaping the man -devouring Laestrjgonians, the snares of Circe, and other perils, he comes to the end of the Old World, the pillars of Hercules, to consult Tire- sias the prophet, and after performing different ob- lations among the surrounding shades, he sees the shade of his mother Anticlea, and poor Ulysses stands there, and there is his mother, a pale, inef- fectual shade, and he strives to clasp her in his arms, and he finds nothing but air ! In all nations we read and hear of such feelings as that ; we go for them into the heart of human nature. The same sentiment, for instance, we meet with in those beau- tiful lines of the ''Queen's Marys." That, too, is a beautiful burst of auger where Ulysses, concealed in his own palace, beholds the shameful waste, the wild revel and riot of his wife's unworthy suitors. He is disguised as a beggar, and is known to no one until his old nurse discovers him by a scar in his leg, which she observes while washing his feet. The suitors treated him with insult, and flung bones and all sorts of things at him. Lastly, they tried to bend Ulysses' bow ; but the old bow SIMILES OF HOMER 25 was too strong for them. The old beggar begged hard for a trial ; he took the bow, and with a fiery kindness and love for his old friend, examined it a long time without saying a word, to see if it were in the state in which he left it. Then he shook his rags, and, as Homer says, "he strode mightily across the threshold," and began to address the suitors. "Ye dogs," he says, *'ye thought that I should never return again from Troy, and ye gave way to your wickedness, unmindful of gods above and men below ; but now your time is come. The extreme limits of death await you." Then his ar- rows fell thick among them, and I believe there was quick work made with the suitors on that occasion. Numbers of traits like these have been collected by Goethe. There is an immense number of similes in Homer. Sometimes their simplicity makes us smile ; but there is great kindness and veneration in the smile. Thus, where he compares Ajax to an ass, Homer does not mean anything like insult in the comparison ; but he means to compare him, sur- rounded as he is by an overwhelming force of Tro- jans, to an ass getting into a field of corn, while all the boys of the neighborhood are endeavoring by blows and shouts to drive him away ; but the slow ass, unheeding them, crops away at the quick- growing corn, and will not leave off till he has had his fill. So it is with Ajax and the Trojans. There is a beautiful formula which he always uses when 26 THE HOMERIC CIVILIZATION he describes death. " He thumped down falliug, and his arms jingled about him." Now, trivial as this expression may at first appear, it does convey a deep sight and feeling of that phenomenon. The fall, as it were, of a sack of clay, and the jingle of armor, the last sound he was ever to make through- out time, who a minute or two before was alive and vigoi'ous, and now falls a heavy dead mass ! But we must quit Homer. There is one thing, however, which I ought to mention about Ulysses, that he is the very model of the type Greek, a per- jfect image of the Greek genius, a shifty, nimble, active man, involved in difficulties, but every now and then bobbing up out of darkness and confu- sion, victorious and intact. But I must quit this discussion about Homer, and I regret it much. I must omit altogether the in- sight into heroic times which he affords us : that farmer-grazier life ; the pillars of their halls covered with smoke, as he describes them ; the stable-yard at the principal portal to those kings' houses, high sounding houses, which he so much admires, piled up with sweepings of the stables, and other curious delineations of manners ; I must leave all that. Homer already betokens a high state of civilization ; in fact, by tradition, and still more by express records, we learn that the Greek genius had been then for 1,000 years working. As Horace says of their warriors, that " there were many brave men THE GREEK LANGUAGE 27 before Agamemnon," we may say of their authors, that there were many beautiful and musical minds before Homer, of whom we have no account. The language, for example, was the best dialect, the most complete language that was ever spoken. If, from its precision and excellence, the French lan- guage is best adapted to chat and to courts and compliments, the Greek was no less suited to every kind of composition, down to the pointed epigram. Their theology, too ; their polity, both of war and peace, presupposes a civilization of 1,000 years or longer before Homer. After Homer, with the ex- ception of some minstrels, whom I like to fancy kindred to the Troubadours (on which point I shall say more when I come to the Troubadours), we have nothing in the way of literature for 400 or 500 years. It was an age of war, convulsions, and mi- grations, about the Heraclidse and others. Greece expanded itself in colonization, however, and other enterprises of an important character. The Greek mind at this epoch was rather philosophical than poetical. Pythagoras and the Seven Wise Men were of this time. What we have of these philosophers is very vague. One man speculated that the world was made out of fire ; another attributed it to the operation of water. There is something very enigmatic about Pythag- oras, the greatest man among them. Some of his precepts which are preserved, our want of in forma- 28 PYTHAGORAS tion makes us consider entirely absurd and ridicu- lous. We cannot, for instance, understand the reason for his precept, abstain from beans — " faba abstine." What will immortalize Pythagoras is his discovery of the square of the hypothenuse. It seems that he may rather be said not to have invented it, but to have imported it, for I understand the Hindoos and other people of the East have long known it. It was a discovery, however, which in an advancing state of science could not remain unguessed. But a great part of the wisdom of our world was due to Pythag- oras, who acquired it in travelling over the world for information. It may have been talent, and it may not be easy to indicate what precisely we owe to him ; but it was not lost while men were to be found to work and improve on what he had left them. We may observe the like of many men. The print, then, which Pythagoras has left of his genius is the forty- seventh proposition of Euclid. There is also another one we owe to the Greeks. Archimedes discovered that the circumference of the sphere is three times as great as a line drawn through the centre from the opposite points of the circle which goes round it. Passing from philosophy to history, we come to a remarkable man, Herodotus. He was not exactly the next writer in order of time, as ^schylns pre- ceded him by a few years. His history is divided by his admiring editors into nine books, which they HERODOTUS 29 named after the Nine Muses, or rather the division was made by him, while the designation and admira- tion were theirs. He was a native of Hahcarnassus, and being early engaged in some of the troubles of that place, he was obliged to leave it, and set out on his travels. He attentively studied the histories of the various countries he visited, from Egypt to the Black Sea, and he put down everything he learned in writing ; for there were no books then, and, as he mentions, all the chronicles of importance were in- scribed on tablets of brass. At the age of thirt^'-nine he returned to Greece, and he read his work at the Olympic Games, where it excited intense admiration. It is, properly speaking, an encyclopaedia of the vari- ous nations, and it displays in a striking manner the innate spirit of harmony that was in the Greeks. It begins with Croesus, king of Lydia. Upon some hint or other, it suddenly goes off into a digression on the Persians, and then, apropos of something else, we have a disquisition on the Egyptians, and so on. At first we feel somewhat impatient of being thus carried away at the " sweet will"" of the author ; but we soon find it to be the result of an instinctive spirit of harmony, and we see all these various branches of the tale come pouring down at last in the invasion of Greece by the Persians. It is that spirit of order which has constituted him the j3rose poet of his coun- try. It is curious to see the world he made for him- self. There is, in g-eneral, not a more veracious man, 30 COMBINED HISTORY AND FABLE a more intelligeut man, than Herodotus. We see, as in a mirror, that what he writes from his own ob- servation is quite true. But when he does not pro- fess to know the truth of his narratives, it is curious to see the sort of Arabian Tales which he collects to- gether — of the nation of one-e^^ed men, of the Female Eepublic, the Amazons, of the people who live under an air always black with feathers, the Cimmerians ; yet even here the man's natural shrewdness is often evinced, as when he conjectures that the feathers may have been only falling snow-flakes ; and thus dying away gradually from authentic history into the fabu- lous. He was a good-natured man, not at all against the Persians ; but still there is an emphasis in the way he reports things, where the war with Persia is concerned, and in the speeches which he attributes to his characters, that shows the Greek feeling he had in him. He mentions with very little reproof the Lacedaemonian irregularity ; how the people took the Persian heralds who came to demand earth and water in token of submission, and flung them into a deep w^ell, and told tliem that they would find both there in plenty. His account is the only one we have of that war. It is mainly through him that we be- come acquainted with Themistocles, that model of the type Greek in prose as Ulysses was in song. He lived, too, in that which I have called the Flower Period of Greece, fifty years after the Persian in- vasion, or 445 B.C., which, counting in the whole 100 TIIEMISTOCLES 31 years, was the most brilliant period of Grecian history. Themistocles was certainly one of the greatest men in the world. Had it not been for him, the Persians would have unquestionably conquered Greece. It is curious to observe the vacillations of the Greeks at this period. The Greeks wished to run and not to fight at all. Even after Leonidas had so gallantly perished, Themistocles had great difficulty in per- suading them not to take to flight in their ships ; if once they went to sea, he said, all was lost. And then his reply to Eurybiades, which has been by some censured, appears to me to have been one of the grandest ever made by man. Eurybiades, in the heat of dispute, shook his staff in a menacing manner at him. "Strike, but hear," was the only return he made. To have drawn forth the sword by his side, and to have smote him dead for such an insult, would have been no more than natural ; but anyone could have done that. A poor drayman in a pothouse might have done it ; but to forbear, to waive his own redress in order to extinguish resentments, and keep the troops united for his country's sake, this appears to me truly great ! Like Ulysses, he displayed an uncommon degree of dexterity on occasions. For instance, when he was chased out of Greece he be- took himself to his worst enemy, the king of the Per- sians, whose armies he had destroyed, and who had offered a price for his head, but who now had the magnanimity to do him no wrong. At his first au- 32 ^SCHYLUS dience the king asked bim what he thought of Greece. Themistocles, who felt that he knew nothing at all that he could answer to such a question, replied adroitly " that speech was like a Persian carpet rolled up, which was full of beautiful colors and images, but which required to be unrolled and spread out before the colors or the figures would be seen and aj)preciatecl. He therefore requested time to acquire a sufficient knowledge of the Persian tongue to be able to afford the king the information he sought in one single view, and not in a detached, disjointed fashion." The answer satisfied the king. Contemporary with Themistocles, and a little prior to Herodotus, Greek tragedy began. J^^schy- lus I define to have been a truly gigantic man (I mean by this much more than the mere trivial figure of elocution usually expressed by the word gigan- tic), one of the largest characters ever known, and all whose movements are clumsy and huge, like those of a son of Anak. In short, his character is just that of Prometheus himself as he has described him. I know no more pleasant thing than to study -^schylus. You fancy that you hear the old dumb rocks speaking to you of all things they had been thinking of since the world began, in their wild, savage utterances. His Agamemnon opens finely with the w^atchman on the top of a high tower, where he has been waiting a year, day and night, for the expected telegraph of the success of his SOPHOCLES 33 countrymen. All at once, while he is yet speaking, the fire begins blazing. It is a very grand scene ; Clytemnestra afterward describes most graphically that signal fire, consuming the dry heath on Mount Ida, then prancing over the billows of the ocean, reflected from mountain top to mountain top, and lastly coming to Salamis. ^schylus had himself borne arms, and he must have been a terrible fright, quite a Nem?ean lion ; and one says to oneself, when one reads his descriptions, " Heaven help the Per- sians who had to deal with ^schylus." It is said that when composing he had on a look of the greatest fierceness. He has been accused of bombast. From his obscurity he is often exceedingly difficult ; but bombast is not the word at all. His words come up from the great volcano of his heart, and often he has no voice for it, and it copulates his words together and tears his heart asunder. The next great dramatist is Sophocles, ^schylus had found Greek tragedy in a cart, under the charge of Thespis, a man of great consideration in his day, but of whom nothing remains to us, and he made it into the regular drama. Sophocles completed the work ; he was of a more cultivated and chastened mind than ^schylus. He translated it into a choral peal of melody, ^schylus only excels in his grand bursts of feeling. The Antigone of Sophocles is the finest thing of the kind ever sketched by man. Euripides, the next great dramatist, who has 3 34 EURIPIDES sometimes been likened to Eacine, and sometimes to Corneille (although I cannot see much resem- blance to Corneille at least), carried his compositions occasionally to the very verge of disease, and dis- plays a distinct commencement of the age of specu- lation and scepticism. He writes often for the effect's sake, not as Homer or ^schylus, rapt away in the train of action ; but how touching is effect so produced. He was accused of impiety. In a sceptical kind of man these two things go together very often — impiety and desire of effect. There is a decline in all kinds of literature when it ceases to be poetical and becomes speculative. Socrates was the emblem of the decline of the Greeks. His was the mind of the Greeks in its transition state ; he was the friend of Euripides. It seems strange to call him so. I willingly admit that he was a man of deep feeling and moralit}' ; bat I can well under- stand the idea which Aristophanes had of him, that he was a man going to destroy all Greece with his innovations. To understand this, we have only to go back to what I said in my last lecture on the pe- culiar character of the Greek system of religion — the crown of all their beliefs. The Greek system, you will remember, was of a great significance and value for the Greeks. Even the most absurd -look- ing part of the whole, the Oracle, this too, was shown to have been not a quackery, but the result of a sincere belief on the part of the priests them- SOCRATES 35 selves. No matter what you call the process, if the mail believed iu what he was about, and listened to his faith in a higher power, surely by looking into himself, apart from earthly feeling, he would be in that frame of mind by far the best adapted for judg- ing correctly and wisely of the f utui"fe. They saw the most pious, intelligent, and reverend among them join themselves to this system, and thus was formed a sort of rude pagan church to the people. There were also the Greek games, celebrated in hon- or of the gods, and under the Divine sanction. We shall find that the Greek religion, in short, did es- sential service to the Greeks. The mind of the whole nation by its means* obtained a strength and coherence. If I may not be permitted to say that through it all the nation became united to the Di- vine Power, I may, at any rate, assert that the high- est considerations and motives thus became familiar to each person, and were put at the very top of his mind ; but about Socrates' time this devotional feeling had in a great measure given way. He him- self was not more sceptical than the rest ; he shows a lingering kind of awe and attachment for the old religion of his country, and often we cannot make out whether he believed in it or not. He must have have had but a painful intellectual life — a painful kind of life altogether, one would think. He was the son of a statuary, and was originally brought up in that art ; but he soon forsook it, and appeared to 36 DECLINE OF GREEK GENIUS give up all doings with tlie world excepting such as would lead to its spiritual improvement. From that time he devoted himself to the teaching of mo- rality and virtue, and he spent his life in that hind of mission. I cannot say that there was any evil in this ; but it does seem to me to have been of a char- acter entirely unprofitable. I have a great desire to admire Socrates, but I confess that his writings seem to be made up of a number of very wire- drawn notions about virtue. There is no conclusion in him ; there is no word of life in Socrates ! He was, however, personally a coherent and firm man. After him the nation became more and more sophis- tical The Greek genius lost its originality ; it lost its poetry, and gave way to the spirit of speculation. Alexander the Great subdued them, and though they fought well under him, and though manufact- ures and so forth flourished for a long time after- ward, not another man of genius of any very re- markable quality appeared in Greece. LECTURE III. May 1th FIKST V'^mOD— Continued The Romans: Their Character, Their Fortune, What They Did — From Virgil to Tacitus — End OP Paganism, We have now been occupied some two days in endeavoring to obtain a view of the practical, spiritual way of life among the Greeks. I shall now endeavor to draw this matter to a conclusion, the survey of the most ancient period of this our West- ern Europe. We pass now to the Romans. We may say of this nation that, as the Greeks may be called the children of antiquity, from their naivete, and gracefulness, while their whole history is an aurora, the dawn of a higher culture and civilization ; so the Romans were the men of antiquity, and their history a glorious, warm, laborious day, less beautiful and graceful, no doubt, than the Greeks, but most essentially useful. We have small time or space to enter largely 38 EISE OF THE KOMANS into the discussion of Roman ways of thinking ; but it is a fortunate coincidence that the Romans, in their special aspect, do not require much discussion. The Roman Hfe and the Roman opinions are quite a sequel to those of the Greeks — a second edition, we may say, of the Pagan system of belief and action. As authors or promulgators of books, they will require comparatively little of our atten- tion. The first appearance of the Romans, their enter- ing on the succession of the Greeks, is very pict- uresque. The Tarentines did certainly send — these, too, were Greeks, from of old inhabitants of Magna Grsecia, of which I spoke in my first lecture — the Tarentines sent certainly embassies to Pyr- rhus, the king of Epirus, in the year 280 b.c. He was an ambitious, martial prince, bent on conquer- ing everybody, and therefore well suited for their wishes ; they entreated him to come over and assist them against a people called Romans — some bar- barians of that name. Pyrrhus embarked, landed, and gave battle to the Romans. According to Plu- tarch, when he saw them forming themselves in order of battle, he said, "Why, these barbarians do not fight like barbarians ! " and he accordingly after- ward found out to his cost that they did not fight like barbarians at alL A few years later he was worsted by the Romans, and again after that his forces were comxDletely destroyed in another engage- THEIR HISTORIC MYTHS 39 ment. He himself said that, "with him for their general and Komans for soldiers, he would conquer the world." One hundred years after this Greece itself was completely subdued by the Romans ; in the year before Christ 280, the war with Pyrrhus occurred. The Greek life was shattered to pieces against the harder, stronger life of the Eomans. Corinth was taken and destroyed. Greece had degenerated ; 100 years before Alexander, when Socrates died, we saw symptoms of not at all a healthy state of Greek existence ; and now, as Corinth was taken and burned, and even Egypt with her Ptolemies, and Antioch with her Seleucidse, fell successively into the power of the Romans, it was just as a beautiful crystal jar becomes dashed to pieces upon the hard rocks, so inexpressible was the force of the strong Roman energy. According to their own account they had already been established 280 years before that event, or 750 e.g.; but nothing is certainly known of them before that time. It is now pretty well understood that their ancient historians were all Greeks, who adopted the annals of those who conquered them. Not long ago that which had been already suspected by antiquarians and learned men was made good to demonstration by a German scholar, of whom you have no doubt all heard, Niebuhr, that all that story in Livy of Romulus and Remus, the two infants who were thrown into 40 ITALIAN PEOPLES the Tiber and stranded on its banks, it being then the time of flood, and their being suckled by a she- wolf, and also that story of the kings Tarquiu, are nothing after all but a myth, or traditional tale, with a few faint vestiges of meaning in it, but of no significance for the historian ; at least, it refuses to yield it up to him. As to Niebuhr himself, he has accumulated a vast quantity of quotations and other materials, and, in short, his book is altogether a laborious thing ; but he affords, after all, very little light on that early period. One does not find that he makes any conclusion out except destruction ; and, after a laborious perusal of his work, we are forced to come to the conclusion that Niebuhr knew no more of the history of that period than I do. No doubt some human individual built a house for himself in the neighborhood of what must have then been a desert, overgrown with trees and shrubs — perhaps near to the old fountain, called afterward the Fountain of Juturna, and probably even then in existence— one of the old fountains of the earth ; but who he was, or how the work went on, we do not know, except that it became the most famous town in the world except Jerusalem, and destined to make the largest records of any town. Niebuhr has shown that the Eomans evince the characters of two distinct species of people. First, there are the Pe- lasgi, a people inhabiting the lower part of Italy CHARACTER 41 from of old ; the same race as we have seen in Greece, where they had akeady become Hellenes. Secondly, there were the Etruscans or Tuscans, an entirely different race. Johannes von Miiller sup- poses them to be northern Teutonic or Gothic. They are known by various remains of art, the terra cotta, baked earth. Wiukelmanu describes these remains to be of an Egyptian character from their gloomy heaviness, austerity, and sullenness. To the last moment the Etruscans continued to be the Haruspices of the Romans. They themselves were men of a gloomy character, very different from the liveliness and gracefulness of the Greeks. In the Romans we have the traces of these two races joined together ; the one formed the noblesse, the other the commonalty. The main feature, independently of their works of art, which we observe in the old Etruscans is that they were an agricultural people, endowed with a sort of sullen energy, which is shown by the way in which they drained out lakes and marshes encumbering the soil, and these drains, I am told, are to be traced still ; and in the Roman agricultural writers, such as Cato, Varro, and Colu- mella, we meet with many old precepts which seem quite traditional. We gather from these sources evidence of an in- tensely industrious thrift, a kind of vigorous thrift which was in that people. Thus, with respect to the ploughing of the earth, they express it to be a kind 42 RELIGION OF THE ROMANS of blasphemy against Nature to leave a clod un- brokeD, and I believe that it is considered still to be good husbandry to pulverize the soil as much as possible. Now this feeling was the fundamental characteristic of the Roman people before they were distinguished as conquerors. Thrift is a quality held in no esteem, and is gen- erally regarded as mean ; it is certainly mean enough, and objectionable from its interfering with all manner of intercourse between man and man. But I say that thrift, well understood, includes in itself the best virtues that a man can have in this world ; it teaches him self-denial, to postpone the present to the future, to calculate his means and to regulate his actions accordingly. Thus understood, it includes all that man can do in his vocation. Even in its worst state it indicates a great people, I think. The Dutch, for example (there is no stronger people), the people of New England, the Scotch — all great nations ! In short, it is the foundation of all manner of virtue in a nation. Connected with this principle, there was in the Roman character a great seriousness and devoutness, and it was natural that there should be. The Greek religion was light and sportful compared to the Roman. The Roman dei- ties were innumerable ; Varro enumerates 30,000 divinities. Their notion of fate, which we observed was the central element of Paganism, was much more productive of consequences than the Greek notion. METHOD OF THE ROMANS 43 and it depended entirely on the original character which had been given to this people. Their notion was that Kome was alwaj's meant to be the capital of the whole world ; that right was on the side of every man who was with Rome, and that therefore it was their duty to do everything for Rome. This belief tended very principally to produce its own fulfilment ; nay, it was itself founded on fact. "Did not Rome do so and so ? " they would reason. That stubborn grinding down of the globe which their ancestors practised — ploughing the ground fifteen times to make it produce a better crop than if it were ploughed fourteen times was afterward carried on by the Romans in all the concerns of their ordi- nary life, and by it they raised themselves above all other people. Method was their great principle, just as har-\ mony was that of the Greeks. The method of the Romans was a sort of harmony, but not that beau- tiful, gi-aceful thing which was the Greek harmony. Theirs was the harmonj^ of plans — an architectu- ral harmony, which was displayed in the arranging of practical antecedents and consequences. Their whole genius was practical. Speculation with them was nothing in the comparison. Their vocation was not to teach the sciences — what sciences they knew they had received from the Greeks — but to teach practical wisdom ; to subdue people into polity. Pliny declares that he cannot describe 44 CIVILIZATION Rome. " So great is it that it appears to make heaven more illustrious, and to bring the whole world into civilization and obedience under its au- thority," This is what it did. It had gone on for 300 years, fighting obscurely with its neighbors, and getting one state after another into its power, when the defeat of Pyrrhus gave it all Italy, and rendered that country entirely Eome. Some have thought that the Romans had done nothing else but fight to establish their dominion where they had not the least claim of right, and that they were a mere nest of robbers ; but this is evident- ly a misapprehension. Historians have generally managed to write down such facts as are apt to strike the memory of the vulgar, while they omit the circumstances which display the real character of the Romans. The Romans were at first an agri- cultural people. They b.uilt, it appears, their barns within their walls for protection ; but they got incidentally into quarrels wdth other neighboring states, and it is not strange that they should have taken the oj^portunity to compel them by force to adopt their civilization, such as it was, in prefer- ence to the mere foolish and savage method of their own. I do not mean to say that the Roman was a mild kind of discipline ; far from that. It was es- tablished only by hard contests and fighting ; but it was of all the most beneficial. In spite of all that has been said and ought to be said about liberty, it PUNIC WARS 45 is true liberty to obey the best personal guidance, either out of our own head or out of that of some other. No one would wdsh to see some fool wan- dering about at his own will, and without any re- straint or direction ; we must admit it to be far bet- ter for him if some wise man were to take charge of him, even though by force, although that seems but a coarse kind of operation. But fighting was not at all the fundamental principle in their con- quests ; it w^as their superior civilization which at- tracted the surrounding nations to their centre. If their course had been entirely unwise, all the world would have risen in arms against the domineering t3'rants forever claiming to be their rulers where they had no right at all, and their power could not have subsisted there as it did- After they had conquered Pyrrhus, and before their conflict, which took place a century after that, with Greece, the event occurred which was the crowning phenomenon of their history. They found their way into the neighboring island of Sicily, and there they met with the Carthaginians, another ancient state, of great power and prosper- ity, and, as far as probabilities went, more likely to subject the whole world than Eome herself was. But it was not so ordered. A collision ensued be- tween them, w^hich lasted 120 years, and constituted the three Punic Wars. It was the hardest struggle Rome ever had — the hardest that ever was. The 46 THE CAKTHAGINIANS Carthaginians were as obstinate a people as the Romans themselves. They were of the race called Punic, Phoenic, or Phoenician, an Oriental people of the family now called Semitic because descended from Sem ; the same kind of people as the Jews, and as distinguished as Jew^s for being a stiff- necked people. I most sincerely rejoice that they did not subdue the Romans, but that the Romans got the better of them. We have indications which show that, compared to the Romans, they were a mean people, who thought of nothing but commerce, would do anything for money, and w-ere exceedingly cruel in their measures of aggrandizement, and in all their measures. Their rites were of a kind per- fectly horrid ; their religion was of that sort so often denounced in the Bible, with which the Jews were to have nothing to do. In the siege of Car- thage the Romans relate that they offered their chil- dren to Bel, who is the same as Moloch, " making them to pass through the fire unto Moloch," in the language of Scripture, for they had a statue of the god in metal, which was heated red-hot, and they flung these hapless wretches into his outspread arms. Their injustice was proverbial ; the expres- sion " Punic faith " was well justified by the facts. This people, however, determined to exert their whole strength against the Romans. Hannibal, whom Napoleon conceived to be the greatest captain, the greatest soldier of antiquity. HANNIBAL 47 was certainly a man of wonderful talent and tenac- ity, maintaining himself for sixteen years in Italy in spite of all the Roman power. He was scanda- lously treated on his return by his own countrymen. He was a most unfortunate man ; banished from Carthage, and at last, to prevent his falling into the hands of his enemies, the Romans, he had no re- source but poisoning himself. Carthage, however, was taken, and was burned for six days. It reminds us of the destruction of Jerusalem ; for, as I have observed, the Jews have always distinguished them- selves with the same tenacity and obstinacy, cling- ing to the same belief, probable or improbable, or even impossible. How the Romans got on after that we can see by the Commentaries which Julius Csesar has left us of his own proceedings, how he spent ten years of campaigns in Gaul cautiously planning all his measures before he attempted to carry them into effect. It is, indeed, a most interesting book, and evinces the indomitable force of Roman energy. The triumph of civil, methodic man over wild and barbarous man ; of calm, patient discipline over that valor which is without direction, which is ready to die if necessary, but knows nothing further than that. Notwithstanding what writers have said, it is clear that no one understands what the Roman Constitu- tion actually was. Niebuhr has attempted it, but he throws no light at all upon the subject, and I think 48 THE EOMAW CONSTITUTIOX that in the absence of information to draw any in- ferences on one side or the other is extremely un- wise. It appears to have been a very tumultuous kind of polity, a continual struggle between the Patricians and Plebeians, the latter of whom were bent on having the lands of the State equally divided between them and the upper orders. We read of constant secessions to the Aventine, and there was rough work very frequentl3% Therefore, I cannot join in the lamentations made by some over the downfall of the Republic when Csesar took hold of it. It had been but a constant struggling scramble for pre^', and it was well to end it, and to see the wisest, cleanest, and most judicious man of them place himself at the top of it. The Romans under the empire attained to their complete gran- deur, their dominion reached from the river Euphra- tes away to Cadiz, from the border of the Arabian desert to Severus' Wall up in the north of England. And what an empire it was ! teaching mankind that they should be tilling the ground, as they ought to do, instead of fighting one another ! For that is the real thing which every man is called on to do, to till the ground, and not slay his poor brother man. Coming now to their literature we find it to be a copy of that of the Greeks, but there is a kind of Roman worth in many of their books. Their lan- guage, too, has a character belonging to Rome. Etymologists have traced many words in it to the ROMAN LITERATURE 49 Pelasgic, and some have beeu followed out so far as the Sanskrit, proving thus the existence in the Romans of the two kinds of blood which I have in- dicated. Its peculiarly distinguishing character, however, is its imperative sound and structure, fine- ly adapted to command. So in their books, as, for instance, the poems of Virgil and Horace, we see the Roman character of a still strength. But their greatest work was writ- ten on the face of the planet in which we live. Their Cyclopean highways, extending from coun- trv to country, their aqueducts, their Coliseums, their whole polity ! And how spontaneous all these thiugs were ! how little any Roman knew what Rome was ! There is a tendency in all historians to place a plan in the head of everyone of their great charac- ters, by which he regulated his actions, forgetting that it is not possible for any man to have foreseen events, and to have embraced at once the vast com- plication of the circumstances that were to happen. It is more reasonable to attribute national progress to a great, deep instinct in every individual actor. Who of us, for example, knows England, though he may contribute to her prosperity ? Everyone here follows his own object ; one goes to India, another aspires to the army, and each after his own ends ; but all thus co-operate together after all, one Eng- lishman with another, in addinGf to the stren— Continued Eighteenth Century ix England— Whitfield— Swift —Sterne — Johnson— Hume. In onr lecture of this day we shall cast an eye upon England during the eighteenth century, a period of wide consec^uence to us, and therefore most inter- esting to us now in the nineteenth centuiy. In our last lecture we saw the melancholy phe- nomenon of a system of beliefs which had grown up for 1,800 years, and had formed during that pe- riod great landmarks of the thought of man, crum- bling down at last, and dissolving itself in suicidal ruin ; and we saw one of the most remarkable na- tions of men engaged in destroying : nothing grow- ing in the great seed-field of time, so that w^ell might Goethe say, " My inheritance, how bare ! Time, how bare ! " For everything man does is as seed cast into a seed -field, and there it grows on forever. But the French sowed nothing. Voltaire, on the contrary, casting firebrands among the dry 170 FRENCH SCEPTICISM leaves, produced the combustion we shall notice by and by. Of Yoltaire himself we could make but little — a man of a great vivacity of mind, the great- est acuteness, presenting most brilliant coruscations of genius, but destitute of depth, scattering himself abroad upon all subjects, but in great things doing nothing exce23t to canker and destroy. This being once conceived, that the people had fallen into scep- ticism, we can imagine that all other provinces of thought were quite sure of being cultivated in the same unfruitful desert manner — politics, for in- stance. In France, too, appeared Mably, Monte- squieu, and an innumerable host of other writers of the same sort, finally summed up in the Contrat Social of Kousseau. The only use to which they put the intellect was not to look outwardly upon nature, and love or hate as circumstances required, but to inquire why the thing was there at all, and to ac- count for it and argue about it. So it was in England too, and in all European countries. The two great features of French intel- lect were formalism and scepticism. These became the leading intellectual features of all the nations of that century. French literature got itself estab- lished in all countries. One of the shallowest things that has ever existed, it never told man anything ; there never was any message it had to deliver him. But, on the other hand, it was the most logically precise of all ; it stood on established rules, and REIGN OF QUACKERY 171 was the best calculated to make its way among na- tions. Even in Germany it became so popular that, for a time, it actually seemed to have extirpated the public mind. In England too, and in Spain, where it was introduced by the Bourbon sovereigns, and where the beautiful literature of Cervantes dwindled away before it, so as never to have recovered itself since. It is not because any particular doctrine is questioned, but because society gets unbelieving al- together, and faith gets dwindled altogether into mere chimeras, so that, to an observer, it might be doubtful whether the whole earth were not hyj)o- thetical. He sees the quack established ; he sees truth trodden down to the earth everywhere around him ; in his own office he sees quackery at work, and that part of it which is done b}' quackery is done better than all the rest ; till at last he, too, concludes in favor of this order of things, and gets himself enrolled among this miserable set, eager af- ter profit, and of no belief except the belief always held among such persons, that Money icill buy mon- ey's iDorth, and that Pleasure is pleasant. But woe to that land and its people if, for what they do, they expect payment at all times ! It is bitter to see. Such times are extremely painful — as it were, the winter weather of the state. Woe to the state if there comes no spring ! All men will suffer from it with confusion in the very heart of them. In England this baneful spirit was not so deep as 172 THE KEIGN OF POLEMICS in France, and for several reasons. One was that their nature, the Teutonic nature, is much slower than the French ; much deeper, not so absorbed at any time as the French has been, whether with scepticism or more worthy things. Another reason was that England was a Protestant, free country, and, as contra-distinguished from France, a well- regulated countr}'. An Englishman, too, will moder- ate his opinions, and at any time keep them to him- self. We find many simply trusting themselves to the examination of the great things of the world, but notwithstanding barely keeping out of this dark region of complete scepticism, and doing many things hearty and manly in spite of that. In France, on the contrary, all things were in an extremely bad state, much depending on Jesuits. In the eigh- teenth centur}', however — here with us a century of disputation, if not of complete unbelief — a century of contrariety, there was nothing to be found but argument everywhere. Never before was there so much argument, liter- ary argument in particular. All things were brought down to the one category of argument ; from con- troversies about Dr. Sacheverell, through the whole range of metaphysics, up to the Divine legation of Moses, essays on miracles, and the like, by men like Hume and Paley, and down to the writers of our own time. Nichols' Anecdotes of the Eighteenth Cen- tury, an interesting book, offers a curious picture of SILENCE 173 tills state of things. Nine-tenths of his anecdotes are about the Church and Church questions, as if the human intellect had nothing to do but with polem- ics. Now, though I do all honor to logic in its place, I will venture to say that such subjects as these, high subjects of faith in religion, faith in polity, are as good as lost if there be no other way than by logic to take them up. I must impress upon your minds the words of Goethe : " The highest is uot capable of being sj^oken oaticarch at all." Ever has deep secrec}^ been observed in sacred things. Pompey could not understand this, when he sought to discover what veiled thing that was in the temple of Jerusalem. Among the Egyptians, too, there was the veiled figure of Sais, not to be looked upon. And secrecy denotes importance in much lower things that that. A man who has no secrecy in him is still regarded as having no kind of sense in him for apprehending whatever is greatest and best in the w^orld ! I ad- mire much that inscription in the Swiss gardens, " Speech is silvern, silence is golden ! " After speech has done its best, silence has to include all that speech has forgotten or cannot express. Speech is of time, of to-day ; eternity is silent. All great things are silent. Whenever they get to be debated on by logic, tlie}^ are as good as lost. It is impossible to prove faith or morality by speech at all, for logic, if we consider it, what does it mean? It pretends to 174 LOGIC AND BELIEF enforce men to adopt a belief, and yet there is no such constraint possible in that way. Looking at the whole circle of things summoned before logic, I do not find more than one single object taken in by logic entirely, and that is Euclid's Elements. In other respects logic, speaking accurately, can do no more than define to others what it is you believe ; and when you have so done, a mind made like yours, which sees that you believe, will perhaps believe also. But in mathematics, where things are called by certain simple and authorized designations, there alone is it final, as that two and two make four, the angle in a semicircle is a right angle. But where men are not even agreed on the meaning of the ap- pellations, the case is different, as, for instance. Vir- tue is utility, — try that. In every different mind there will be a different meaning of the words virtue and utility. Let them state the belief as they can, but not attempt to confine it in the narrow bounds of logic. In spite of early training, I never do see sorites of logic hanging together, put in regular order, but I conclude that it is going to end in some niaiserie, in some miserable delusion. However imperfect the literature of England was at this period, its spirit was never greater. It did great things, it built great towns, Birmingham and Liverpool, Cyclopean workshops, and ships. There was sincerity there at least. Eichard Arkwright, for instance, who invented the spinning jennies, he WHITFIELD 175 was a sincere man. Not as in France. Watt, too, was evidently sincere in that province of activity. Another singular symptom of the earnestness of the period was that thing we call Methodism. It seems to have merely gathered up a number of barren for- mulas, with little inspiration in it at first, as it ex- hibited itself in the rude hearts of the common peo- ple. Much of its success was due to Whitfield, who must have been a man with great things in his heart. He had many dark contests with the spirit of denial that lay about him before he called his genius forth into action. All the logic in him was poor and trifling compared to the fire that was in him, unequrilled since Peter the Hermit. First he went to Bristol, and preached to the neighboring coal miners, who were all heathens yet, but he preached to them till he saw, as he tells us, " their black cheeks seamed with white tears." He came to Scotland, and got money there to convert the heathen. This was a great thing to do, considering the hard, thrifty, cold character of the nation. He came to Glasgow and preached, and talked about the Indians and their perishing state ; would they hesitate to contribute of their goods to rescue this poor joeople ? And thus he warmed the icy people into a flame, insomuch that, not having money enough by them, they ran home for more, and brought even blankets, farm stuff, hams, etc., to the church, and piled them in a heap there ! This was a remarkable fact, whether it 176 DRYDEN AND ADDISON were the work of a good spirit, or of the devil. It is wonderful that it did not strike Hume more when he heard Whitfield on the Calton Hill. When we look at the literature of the times, we see little of that spirit which is to be sought for in the steam engines. We have no time to mention Dryden, a great poet put down in the worst of times, and thus a formalist ; a man whose soul was no longer in contact with anything he got to deline- ate ; for ever thinking of the effect he was to pro- duce on the court, and for this end he adopted French plays as the model of his own. He, I say, became a formalist, instead of quietly and silently delineating the thought that was Jn him. But Dryden must not be censured for it ; his i^overty was the cause, not his will. He changed to be a Roman Catholic at last. A man of immense in- tellect ; it is displayed in his translation, for ex- ample, of the jEneid, which contains many beauti- ful and sounding things. In Queen Anne's time, after that most disgrace- ful class of people — King Charles' people — had passed away, there appeared the milder kind of un- belief. Complete formalism is the characteristic of Queen Anne's reign. But, amid all this, it is strange how many beautiful indications there are of better things, how many truths were said. Addison was a mere lay preacher, completely bound up in formalism, but he did get to say many a true thing, STEELE, SWIFT 177 in his generation ; an instance of one formal man doino- o-reat tliin2:s. Steele bad infinitely more naivete, but be ^yas only a fellow-soldier of Addison, to wbom be subordinated bimself more tban was necessary. It is a cold vote in Addison's favor tbat one gives. By far tbe greatest man of tbat time, I tbinli, was Jonathan Swift : Dean Swift, a man entirely de- prived of bis natural nourishment, but of great robustness ; of genuine Saxon mind, not without a feeling of reverence, though, from circumstances, it did not awaken in him, for he got unhappily, at the outset, into tbe Church, not having any vocation for it. It is curio Qi? to see him arranging, as it were, a little religion to bimself. Some man found him one day giving prayers to bis servants in a kind of secret manner, which be did, it seems, every morn- ing, for he was determined, at any rate, to get out of cant ; but he was a kind of cultivated heathen, no Christianity in him. He saw bimself in a world of confusion and falsehood. No eyes were clearer to see into it than bis. He was great from being of acrid temperament : painfully sharp nerves in body as well as soul, for be was constantly ailing, and bis mind, at tbe same time, was soured with indignation at what he saw around him. He took up therefore, what was fittest for him, namelj', sarcasm, and be carried it quite to an epic j)itch. There is some- thing great and fearful in bis irony, for it is not 13 178 always used for effect, or designedly to depreciate. There seems often to be a sympathy in it with the thing he satirizes ; occasionally it was even impos- sible for him so to laugh at any object without a sympathy with it, a sort of love for it ; the same love as Cervantes universally shows for his own objects of merit. In his conduct, there is much that is sad and tragic, highly blameable ; but I can- not credit all that is said of his cruel unfeeling dis- sipation. There are many circumstances to show that by nature he was one of the truest of men, of great pity for his fellow-men. For example, we read that he set up banks for the poor Irish in his neighborhood, and required nothing of them but that they should keep their word with him, when they came to borrow. "Take your own time," he said, " but don't come back if you fail to keep the time you tell me." And if they had failed, he would tell them, "Come no more to me, if you have not so much method as to keep your time ; if you cannot keep your word, what are you fit for?" All this proves him to have been a man of much affection, but too impatient of others' infirmities. But none of us can have any idea of the bitter misery which lay in him ; given up to ambition, confusion, and discontent. He fell into fatalism at last, and mad- ness, that was the end of it. The death of Swift was one of the awfullest • he knew his madness to be coming. A little befo.rp his death he saw a tree STERNE, POPE 179 withered at the top, and he said that, **Hke that tree, he, too, was dying at the top." He was well called by Johnson a driveller and a show, a stern lesson to ambitious people. Another man of much the same way of thinking, and very well deserving notice, was Laurence Sterne. In him also there was a great quantity of good struggling through the superficial evil. He terribly failed in the dischai-ge of his duties, still, we must admire in him that sportive kind of geniality and affection, still a son of our common mother, not cased up in buckram formulas as the other writers were, clinging to forms, and not touching realities. And, much as has been said against him, we cannot help feeling his immense love for things around him ; so that we may say of him, as of Magdalen, *' much is forgiven him, because he loved much." A good simple being after all. I have nothing at all, in these limits, to say of Pope. It is no use to decide the disputed question as to whether he were a poet or not, in the strict sense of the term ; in any case, his was one of the finest heads ever known, full of deep sayings, ut- tered in the shape of couplets — rhymed couplets. The two persons who exercised the most remark- able influences upon things during the eighteenth century were, unquestionabty, Samuel Johnson and David Hume : two summits of a great set of in- fluences, two opposite poles of it — the one a puller 180 joimsoN down of magnificent, far-reaching thoughts ; the other, most excellent, serious, and a great conserva- tive. Samuel Johnson, in some respects, stood entirely alone in Europe. In those years there was no one in Europe like him. For example, the defenders of what existed in France were men who did nothing but mischief by their falsehoods and insincerity of all kinds. Johnson was a large-minded man, an entirely sin- cere and honest man. Whatever may be our differ- ences of opinion is here entirely insignificant ; he must inevitably be regarded as the brother of all honest men. One who held this truth among the insincerities that lay around him, that, after all, "life was true yet," and he was a man to hold by that truth, and cling to it in the general shipwreck on the sea of Eternity. All would be over with him without it ; he knew that, and acted up to it. Hardly has any man ever influenced move an exist- ing state of things. He produced in Eugland that resistance to the French Kevolution, commonly called Pittism, by demonstrating its necessity in the most perfect sincerity of heart. A man whose life was, in the highest degree, miserable ; hardly any man, not even Swift, suffered so much as John- son in the first part of his life. He was a " much en- during man ! " A man of a most unhealthy body, for ever sick and ailing, When he was at Oxford, HIS HARDSHIPS AND HEROISM 181 a sizar there, so great was Lis poverty that he had no shoes to his feet, and used to walk about putting bis bare feet into the mud of the streets. A chari- table man, seeing this, put a pair of shoes at his door for him, but this irritated Johnson as a reflec- tion on his poverty, and he flung them oat of win- dow, rather than use them. Then he fell sick over and over again. Those about him regarded him as a man that had gone mad, and was more fit for Bed- lam than anything else. After he left Oxford, he tried to be a schoolmas- ter, but, failing in that, came to London to try his fortune there. There he lived on fourpence a day, sometimes having no home, and reduced to sleep on bulks and steps, at other times to stay in cellars. And I must regard him as one of the greatest heroes, since he was able to keep himself erect amid all that distress : he shook it from him as the lion shakes the dewdrops from his mane ! He had no notion of becoming a great character at all, he only tried not to be killed with starvation ! And though it is mournful to think that a man of the greatest heart should have suffered so much, we must consider that this suffering produced that enterprise in him, and at last he did get something to do ; his object was not to go about seeking to know the reasons of things in a world where there is much to be done, little to be known ; for the great thing, above all others, is what a man can do in this wgiid ! 182 JOHNSON AND BOSWELL There is not such a cheering spectacle in the eighteenth century anywhere as Samuel Johnson. He contrived to be devout in it, he had a belief and held by it ; a genuine inspired man. And it is a great thing to think that Johnson had one who could appreciate him ; anyone must love poor Boswell, who (not fixing his eyes on the vain and stupid things in "Bozzy's" character) remarks that beau- tiful reverence and attachment he had for Johnson, putting them side by side, this great mass of a plebeian and this other conceited Scotch character : full of the absurd pretensions of my country's gen- tlemen, noting down and treasuring with reverence the sayings and anecdotes of this great, shaggy, dusty pedagogue. And really, he has made of these things a book, which is a most striking book, and likely to survive long after him ; a kind of epic poem, by which Johnson must long continue in the first ranks of English biography. But we must now come to a very different per- sonage, Hume. Hume was born in the same year with Johnson, whom he so little resembles. He, too, is deserving to be looked at. Very nearly of Johnson's magnitude, and quite as sincere, but of a far duller kind of sense. His eye, unlike Johnson's, was not open to faith ; yet he w^as of a noble per- severence, a silent strength, and he showed it in his very complicated life, as it lay before him. He could not go into commerce, for his habits as the HUME 183 son of a gentleman were averse to it. Yet his pa- rents, wishing him to make money in some way, he was set to various things, and finally sent to Bristol to be a merchant. But, after trying and struggling with it for two years, he found he could not go on, and he felt a strong thirst to prosecute the cultivation of learning, so that he abandoned the other for that. He tried to get appointed a professor in the University of Edinburgh, but they would not have him, so he retired to live upon sixty pounds a year in a small town in Brittan}', called La Fleche, where he began writing books, and thus got distinguished. He was not at any time patronized by any consider- able class of persons, though latterly he was noticed by a certain class. The rich people did look after him at last, but a general recognition in his day he never got. His chief work, the History of England, failed to get buyers. He bore it all like a stoic, like a heroic, silent man as he was, and then pro- ceeded calmly to the next thing he had to do. I have heard old people, who have remembered Hume well, speak of his great good humor under trials, the quiet strength of it, the very converse in this of Dr. Johnson, whose coarseness was equally strong with his heroism. Then, as to his methodicalness, no man ever had a larger view than Hume ; he always knows where to begin and end. In his his- tory he frequently rises, though a cold man natu- 184 ROBEETSON rally, into a kind of epic height as he proceeds. His description of the Commonwealth, for example, where all is delineated as with a crayon ; one sees there his large mind, moreover, not without its harmonies. As to his scepticism, that is perfectly transcendental, working itself out to the very end. He starts with Locke's Essay, thinking, as was then generally thought, that logic is the only way to the truth. He began with this, and went on ; in the end he exhibited to the world his conclusion, that there was nothing at all credible or demonstrable, the only thing certain to him being that he himself existed and sat there, and that there were some species of things in his own brain. Any other man to him was only a spectrum, not a reality. Now it was right that this should be published, for if that were all that lay in scepticism, the making that known was extremely beneficial to us ; he did us great service in that ; then all would see what was in it, and accordingly would give up the unprofita- ble employment of spinning cobwebs of logic in their brain — no one would go on spinning them much longer. Hume, too, is very remarkable as one of the three historians we have produced, for his history, an able work for the time, shows far more insight than either Robertson or Gibbon. Robertson Avas, in fact, as Johnson thinks him, a shallow man. In his conversation with Boswell about him, we have GIBBON 185 Johnson always contradicting Robertson ; yet there was a power of arrangement in Robertson : no one knew better where to begin a story and where to stop. This was the greatest quaUty in him, that and a soft sleek style. On the whole, he was merely a pohtician, open to the common objection to all the three, that total want of belief ; and worse in Robertson, a minister of the Gospel, preaching, or pretending to preach. A poor notion of moral motives he must have had ; in his description of Knox, for instance, he can divine no better motive for him than a miserable hunger, love of plunder, and the influence of money ; and such was Hume's view also ! The same is remarkable of Gibbon in a still more contemptible way — a greater historian than Robertson, but not so great as Hume. With all his swagger and bombast, no man ever gave a more futile account of human things than he has done of the decline and fall of the Roman Empire ; assigning no profound cause for these phenomena, nothing but diseased nerves, and all sorts of miser- able motives, to the actors in them. So that the world seemed then to j^resent one huge imbroglio of quackery, and men of nobleness could only despise and sneer at it. On Friday next (not Monday) we shall resume this discussion, and shall remark the downfall and consummation of scepticism ; for, thank God, its time was short. LECTURE XI. Friday, June 8th THIRD FER10T>— Continued Consummation of Scepticism — Wertherism — The French Revolution. We traced the history of scepticism in literature in our last lecture down to David Hume, the greatest of all the writers of his time, and in some respects the worthiest. To-day we shall delineate the con- summation of scepticism. It is very strange to look at scepticism in con- trast with a thing that preceded it ; to contrast, for example, David Hume with Dante, two characters distant by five centuries from one another, two of the greatest minds in their respective departments (the mind of both was to do the best that could be done in their existing circumstances) ; to contrast them, I say, and see what Dante made of it and what Hume made of it. Dante saw a solemn law in the universe, pointing out his destiny with an awful and beautiful cer- tainty, and he held to it. Hume could see nothing SCEPTICISM 187 in the universe but confusion, and he was certain of nothing but his own existence ; j^et he had in- stincts which were infinitely more true than the logical part of him, and so he kept himself quiet in the middle of it all, and did no harm to anyone ; for as to his books, he believed that they were true, and therefore to publish them he was bound — bound to do what seemed right to him. He had no other business for his intellect than this, and, moreover, as I have observed, in publishing them he did a useful service for humanity. But scepticism, however much called for at that time, particularly in France, cannot be considered other than a disease of the mind ; a fatal condition to be in, it seems to me, or at best useful only as a means to get at knowledge. For the thing is, not to find out what is not true, but what is true. Surely that is the real design of man's intelligence ! But as to this overspreading our whole mind with logic, it was altogether a false and unwarranted attempt, considering logic as the only means to attain to truth, and that things did not exist at all except someone stood up and could mark the place that they occupied in the world ; forgetting that it is always great things that do not speak at all. If a truth must not be believed except demonstrable by logic, we had better go away without it altogether. And it was not only the disbelievers in religion that were sceptic at that time ; but the whole sys- 188 THEORIES tern of mind was sceptic. The defenders of Chris- tianity were sceptic, too, for ever trying to prove the truth of their doctrines by logical evidences. What is the use of attempting to prove motion ? The philosopher was right who got up and began to walk instead. So with religion. It may seem a plausible, but it is a vain attempt to demonstrate by logical arguments what must be always unspeakable. But this habit had in the eighteenth century over- run all the provinces of thought. Nothiug but that was serviceable or useful in the eyes of that genera- tion. An indication of an unhealthy mind, that system of trying to make out a theory on every sub- ject. It is good, doubtless, that there should al- ways be some theory formed, with a view to the ap- prehension of a subject, but as for any other view it is impossible. For example, there is a kind of theory in what we have been following out — what we call the history of European culture ; we use it for facility of arrangement. But there is a wide difference between a theory of this kind and a theory by which we profess to account for it, and give the reasons for its being there at alL Accordingly, there is only one theory (as I ob- served at the beginning of these lectures) which has been most triumphant — that of the planets. On no other subject has any other theory succeeded so far ; yet even that is not perfect. The astrono- mer knows one or two planets, we may say ; but he limitatiojS^s of knowledge 189 does not know ivJiat they are, where they are going, or whether the sohir system is not itself drawn into a hirger system of the kind. Iq short, with every theory the man who knows something about it knows mainl}' this — that there is much uncertainty in it, great darkness about it, extending down to infinite deeps ; in a w^ord, that he does not know what it is. Let him take the stone, for example — the pebble that lies under his feet. He knows that it is a stone, broken out of rocks old as the creation ; but what that pebble is he knows not ; he knows nothing at all about that. This system of making a theory about everything was what we can call an enchanted state of mind. That man should be misled ; that he should be de- prived of knowing the truth, that this world is a reality, and not a huge, confused hypothesis ; that he should be deprived of this by the very faculties given him to understand it, I can call by no other name than enchantment. Everything was placed upon the single table of logic ; one could hardly go anywhere without meeting some pretentious theoiy or other. Even the very centre of all was brought to that level — morals. There was a theory of virtue and vice ; duty and the contrarj^ of that. This will come to be thought one day an extraordinary sort of procedure. When I think of this, it seems to me more and more that morality is the very centre of the existence of man : that there is nothino: for a man 190 MORAL SENSE but that which it is his duty to do. It is the life, the harmonious existence of any man — the good that is in him ! No man can know how to account for it ; it is the very essence and existence of himself. How- ever, in the last century they had a theory for that too, by w4]ich it was defined to consist in what they called sympathies, the necessary attraction subsisting between the inclination and the thing to be done ! For all spiritual things were to be deduced from something visible and material, and thus our mo- ralit}'' became reduced to our sympathies for others and other things. This was the doctrine of Adam Smith and of others older than Smith, and by him this habit of morality had been termed moral sense, the natural relish for certain actions ; a sort of palate, by the taste of which the nature of anything might be determined. Hume considered virtue to be the same as expediency, profit ; that all useful things were virtues ; that people in old times found the utility of the thing, and met, or whether they met not, in any case agreed that for the sake of keeping society together, they would patronize such things as were useful to one another, and consecrate them by some strong sanction, and that was the origin of virtue. The most melancholy theory ever propounded. In short, it was the highest exhibition of scepticism — that total denial of every- thing not material, not demonstrable by logic. The result was to convince man that he was not of Heaven MATERIALISM 191 — the paltriest conclusion. Tell that to the savage, the red man of the forest ; tell him that he is not of Heaven, not of God, but a mere thing of matter, and he will spurn you in his indignation at the base con- clusion. Besides morality, everything else was in the same state ; all things showed what an unhealthy, poor thing the world had become. All was brought down to a system of cause and effect ; of one thing push- ing another thing on by certain laws of physics, gravitation, a visible, material thing of shoving. A dim, huge, immeasurable steam engine they had made of this world, and, as Jean Paul says, " Heaven became a gas, God a force, the second world a grave." We cannot understand how this delusion could have become so general ; all men thinking in so deplorable a manner, and looking down in con- tempt on those who had gone before them. But it was working itself out toward issues beneficial for us all. Voltaire and Rousseau became, in the end, triumphant over everything ; destroying, but sub- stituting nothing ; attacking Jesuitism, and imag- ining they were doing good by it ; cutting down, burning up, because they were applauded for it. They had always at their back people to cry out, " Well done ! " But these having passed away, and error having once been admitted to be erroneous, and the world everywhere reduced by them to that dire condition, I say that in that huge universe, be- 192 WERTHER come one vast steam engine as it were, the new gen- eration that followed must inevitably have found their position very difficult, and that it was perfectly insupportable for them to be doomed to live in such a place of falsehood and chimera. And that was, in fact, the case with them, and it led to the second great phenomenon we have to notice, the introduc- tion of Wertherism. Let us Jarst look at the very centre of it, at Werther himself. " Werther " is the first book in which there is any decided proof of its existence in the European mind. "Werther" was written b}^ Goethe in 1775. It was a time of a haggard condition, no genuine hope in men's minds. All outwards was false : the last war, for example, the Seven Years' War, the most absurd of wars, undertaken on no public prin- ciple, a contest between France and Germany, from Frederick the Great wanting to have Silesia, and Louis XV. wanting to give Madame de Pompadour some influence in the affairs of Europe — and 50,000 men were shot for that purj^ose ! Under these cir- cumstances Goethe, then of the age of twenty- five, wrote this work at Frankfort-on-Maine. A man of the liveliest imagination, aiid one who participated deeply in all the influences then going on, not alto- gether brought up in scepticism, but, in fact, very well acquainted with religious people from his youth, and, among them, with a lady named the Fraiilein von Klettenberg, a follower of Zinzendorf, whom he WERTHERISM 193 always highly esteemed, and whom he is said to have afterward described as the saintly lady in " Wilhelm Meister." But, in fact, he studied all sorts of things, and this among the rest. And when at last he grew into manhood and looked around him on what was passing, he was filled with unspeakable sadness, felt himself, as it w^ere, flung back on himself, no sym- pathies in anj^oue with his feelings, his aspirations treated as chimeras which could not realize them- selves at all ; and he brooded with silence long over this. He has described it all in a clear manner, a beautiful, soft manner. He was destined for a pro- fession, to be a lawyer, and though much disinclined for it he went accordingly to the University of Leip- sic. Here he spent some time, till finally one of the scholars, who had been violently attached to the bride of another man, put an end to himself in de- spair. This gave him the idea of Werther. The sense of his own dark state and that of all others rushed upon him now more forcibly than ever, and it produced this book, the voice of what all men wanted to speak at that time, of what oppressed the heads of all, and of this young man in particular. It ac- cordingly soon became generally read ; it was trans- lated into English among other languages. Sixty years ago young ladies here were never without all sorts of sketches on articles used at their toilettes, of Charlotte and Werther, and so on. Goethe him- self was in possession of tea - cups made in China 11 194 PHILOSOPHY OF WERTHER ornamented with pictures of Charlotte. I suppose that the story itself is known to every one of you, yet our English version does no justice to the work. It was made, I believe, from a French translation, and it is altogether unlike the original. There is often a sharp tone, a redeeming turn of bitter satire in it, but it has become in general wearisome now to young people. It was not so in those times. Werther we may take to have been Goethe's own character, an earnest man, of deep affections, forever meditating on the phenomena of this world, and obtaining no solution, till at last he goes into sentimentality and tries that among other influences. By degrees he gets more and more desperate at his imprisonment, rages more and more against the evils around him, and at length blows his brains out, and ends the novel in that way. This was the beginning of the thing which immediately afterward was going on through all Europe. Only till lately this country knew any- thing else, the thing which was not that was accounted no better than confusion and delusion. And they were right. If the world were realty no better than what Goethe imagined it to be there was nothing for it but suicide. If it had nothing to support itself upon but these poor sentimentalities, view-huntings, trivialities, this world was really not fit to live in. But in the end the conviction that his theory of the world was wrong came to Goethe himself, greatly to his own profit, greatly to the world's profit. 195 However, this new phenomenon flamed up, and next produced "The Kobbers," five years later than " Werther," a play by Schiller full of all sorts of wild things. The Robber is a student at college, kej)t by his brother from his inheritance, forever moralizing on the rule of life, and the conclusion he comes to is, that life is one huge Bedlam, with no rule at all, and that a brave man can do nothing with it but re- volt against it. So he becomes a robbei', rages and storms continually to the end of the piece, and finally kills himself, or does as good. The same sort of man as Werther, but more remarkable for that rage against the world, and the determination to alter it. Goethe says that it quite shocked him, this play of Schiller's. There was a similar phase in the literature of our own country, if we would look at it ; I allude to the works of Byron. This poet is full of indignant rep- robation for the whole universe, of rage and scowl against it, as a place not worthy that a generous man should live in it. He seems to have been a compound of the Robber and Werther put together ; his poems have evoked more response than any other phase of Wertherism. This sentimentalism was the ultimatum of scepticism, therefore we are bound to welcome it however absurd it may be, for it cannot be true, that theory of the universe ; if it were, there would be no other conclusion to come to than that of Werther : to kill one's self namely — no other 196 BYRON'S POEMS way for it than by one general simultaneous suicide ; for all mankind to put an end to it, to return to the bosom of their fathers with a sort of dumb protest against it. There was, therefore, a deep sincerity in this sentimentalism ; not a right kind of sincerity perhaps, but still a struggling toward it. AVe are forced to observe how like all this was to the scep- tical time of Rome. That sj^irit raging there, in Byron and Schiller, and in Goethe's " Werther," trying its utmost to j)roduce a loud noise, thinking it impossible for anything to be quiet and stormy too ! So in Rome we have in her sceptical times the tragedies of Seneca, full of nothing but tumult- uous rage and storm, ending in suicide, too, bat not unreasonably either. There was no way for men but it. But we must now pay attention to another thing which followed closely on Wertherism : another book of Goethe's, published the year after "The Robbers," "Goetz von Berlichingen," the subject of which was an old German baron of the time of Max- imilian, grandfather to Charles V., who revoked the law of duel. Goetz, for contravening his ordinance in this, lost his right hand. A machine was made and fitted to his arm, whence he was called "iron hand." He was a real character, and has left memoirs of himself. This curious feature joined it- self alongside of "Werther" and " The Robbers," this delineation of a wild, fierce time, not as being 197 the sketch of what a rude, barbarous man would appear in the eves of a philosophical man of civil- ized times, but with a sort of natural regret at the hard existence of Goetz, and a genuine esteem for his man fulness and courage ! By this new work Goethe began his life again ; he had struck again the chord of his own heart ; of all hearts. Walter Scott took it up here, too, and others. But the charm there is in Goethe's " Goetz " is unattainable by any other writer. In Scott it was very good, but by no means so good as in " Goetz." It was the beginning of a happier turn to the appreciation of something genuine, as we shall notice in our next lecture. This new work, however, had come in the reign of quacks and dupes, when a good man was a kind of alien, unable to do the good that lay in him. "We must accept this with a kind of cheerfulness ; a system of thought, whether of belief or no belief, which results in suicide, must come to an end — that custom of judging what was right and proper in a man by the cut of his clothes, or by anything at all but the heart God had placed in him. We come now, therefore, to the last act of scep- ticism, which was to sweep it all away. It was to go on but little longer ; it was nearly out here too, but more so in France than elsewhere ; still, a clear light enables us to trace its jDath. We may say that scepticism then had consummated itself. These sceptical influences had principally developed them- 198 LAST ACT OF SCEPTICISM selves on books. If they had done nothing worse, it would have been of very trifling moment. But it is the infallible result of scepticism that it produces not only bad unsound thought, but bad unsound action too. When the mind of man is sick, how shall anything about him be healthy ? His conduct, too, is therefore sick, which indeed he partly feels is false himself, for there is no reality in it. The things, accordingly, that went on then reduce them- selves to two ; first, respect for the opinion of other people ; secondly, sentimentalism. The first of these is in itself very right, but to do nothing at all without first consulting others as to whether it be moral or not, is exceedingly blamable. We say of such a man, " all is over with that man if he is not able to be moral without help." What is the use of always asking about morality ? He has a certain light given to himself to walk by, yet he must have a great deal of talk with others about it, as if the world could keep him right by watching over him. The w^orld will never keep him right, will never prevent him, when unseen, from breaking into doors and stealing. The next thing, sentimentalism, plays a great part in the latter periods of scepticism. It had become necessary ; it endeavored to trace out pleasure at least in a thing where there was nothing better. The writers of this class were Eousseau, Diderot, and the rest of their school. Diderot was not at all SENTIMENTALISM 199 an exemplary man, far from that : one Las no busi- ness to call liim virtuous at all ; yet in all Lis books tLere is an endless tall? about tLe "pleasures of virtue," and "Low miserable tLe vicious must be." Quite as witL Seneca. TLen tLe work tLey made about Dilettantism, tLe beauties of art ; an ever- lasting tLeme in tLat day. In one word, tLere was tLen an universal mani- festation of consciousness ; every one conscious of sometLing beautiful in Limself. And tLat we re- mark in WertLer, among otliers, tLat fine eye, tLe love of graceful tLiugs, wLicL Le knows Le Las, and tLinks very desirable tLat otLer men sLould know it too. It is really egotism ; just like a man taking out tLe most precious tLings Le Las in Lis Louse, and Langiug tLem on tLe front wall of it, tLat otLers may see tLem ; Le Limself can derive no benefit from tLem at all tLe wLile tLey are tLere, but only wLen Le gets tLem back in Lis own Louse again. TLe most fatal tLing in men is tLat recognizing of tLeir advantages, all founded in tLat cursed system of self-conceit ; I can call it by no otLer name ; it Las never existed but for tLe ruin of a man. All tLis went on more and more ; it Lad gained everywLere a footing. TLe consequence was tLat men in public offices tLougLt no more of tLeir duties ; eacL gave Lis business tLe go-by wLen Le found no emolument in it. It was long since any serious attempt Lad been made to renovate tLe 200 THE DIAMOND NECKLACE state of afiliirs. The duty was not done, tliougli the wages were taken. In that country, France, where scepticism w^as at its highest extent, we can well conceive the end of the last century, the crisis which then took place, the prurience of self-conceit, the talk of illumina- tion, the darkness of confusion ! The story of the Diamond Necklace, for example. Goethe, that re- markable character, a close observer of the French Eevolution, and who understood better than any man the meaning of it, regarded this strange inci- dent of the necklace as so much " half-burned flax in a powder magazine ! " It was but a spark among all this combustible matter. Such a depth of wickedness was there then in men. Another symptom that this scepticism was about to end was the new French kind of belief — belief in the new doctrine of Kousseau, though he did not begin it. That had been already done by Mably, Montesquieu, Kobertson, and other writers on what they called the Constitution. But Kousseau, a kind of half-mad man, but of tender pity too, struggliug for sincerity through his whole life, till his own vanity and egotism drove him quite blind and des- perate — Eousseau, I say, among those writers, was the first to come to the conclusion of the Conlrat Social, But before that he WTote " Essays on the Savage State " — that it was better to live there than in that state of society around him. We have a KOUSSEAU 201 curious anecdote, given by himself in his " Confes- sions," of the manner in which he first formed his poHtical opinions. He had been wandering about somewhere in the south of France, and, being very tired and hungry, he called at a cottage and asked for food. They told him they had none. He per- sisted in asking for some, " were it only a crust of bread," and at last the cottager gave him some black mouldy bread and water. He took this with thanks, spoke in a cheerful and conversible manner, and won upon the heart of his host. Whereupon the latter told him to stop, and he opened a press and took from it some extremely good food, which he set before him, telling him that he was obliged to keep very secret the possession of what comforts he had, "or he would soon have no food for his mouth nor clothes to his back " which the king's tax-gatherer would not seize or his lord's bailiff. From that time Eousseau says he became a demo- crat. He began at first, as I said, disquisitions on savage society ; then followed a kind of revocation of that, a summing up of his ideas in the Conlrat Social, the fundamental idea of the French Kevolution, by which a final stop was put to the course of this scep- ticism, and all things came to their ultimatum. The French Revolution was one of the frightful- est phenomena ever seen among men. Goethe, who lived in the middle of it, as it were, declared when it broke out, and for years after, he thought it " like 202 THE FRENCH REVOLUTION to sweep himself away with it, and the landmarks of everything he best knew," into one wild black dark- ness and confusion. However, at last he got to know it better than any other one of his time. It was, after all, a new revelation of an old truth to this un- fortunate people. They beheld, indeed, the truth there clad in hell fire, but they got the truth. This was how it ended ; but it began in all the golden ra- diance of hope, the belief that if men would but meet and arrange in some way the Constitution, then a new heaven and new earth would come down to- gether in this world. For they suj)posed that we were all arranged right enough personally, we only needed the arrangement of the Constitution. Ac- cordingl}^ they arranged it in the most perfect sin- cerity of heart. It is impossible to doubt this sin- cerity. Take, for example, the Federation of 1790, undertaken in the real spirit of Fraternity, a scene of the most infantine simplicity, men falliog each on the other's neck with tears of brotherly affection ; all swore that they would keep that law. All classes were rejoiced at the intelligence of this. For the upper class of people it was the joyfullest of news : now at last they had got something to do. To them therefore, more even than to the lower classes, this news was joyful : certainly to starve to death is hard, but not so hard as to idle to death ! These i^eo- ple were, therefore, glad as nation ever was : so glad ! This was in 1790. FRANCE VERSUS EUROPE 203 Two 3'ears and six weeks after tliat tlie September massacres began ! They had never been contem- plated when the Ee volution commenced ; no man friendly to the Eevolution had any idea of it. But these people had no principle in what they did but the idea of their duty to give happiness to them- selves and one another ; that was their virtue. This is not a true notion of virtue. A man who would be virtuous must not expect to find happiness here. We cannot flatter him that virtue is to give him temporal happiness ; it is, too often, allied to phys- ical suffering. We can say, then, as to these phe- nomena of the French Revolution in general, that where dishonest and foolish people are, there will always be dishonesty and folly. We cannot distil knavery into honesty ! The next fact that we have to notice is that in such a consummation Europe would infallibly rise against it, and try to put it down. And it actually did so. Nor could Europe avoid it. Euroj)e had a right to do what it did, just as the French Eevo- lution, which it tried to crush, had a right to be. For the poor people, ground down to the lowest stage of oi)pression and misery, had a right to rise and strive to be rid of it ; they had rather be shot than endure it any longer. And Europe, which saw that this could not end with France, but that the interests of all its nations were to be transacted in that arena, had a right to put it down if it could. 204 BUONAPARTE And there was no way to adjust tliese two nghts except to fight it out — that dismal conclusion ! Europe, therefore, assembled, and came round France, and tried to crush the Eevolution, but could not crush it at all. It was the primeval feel- ing of nature they came to crush. Eound it the old spirit of fanaticism had rallied, and it stood up and asserted itself, and made Europe know, even to the marrow of its bones, that it was there. Buonaparte set his foot on the necks of the nations of Europe. Buonaparte himself was a reality at first, though afterwards he turned out all wrong and false. But his appreciation of the French Revolution was a good one, that it was " the career open to talents," not simply as Sieyos supposed, a thing consisting of two Chambers, or of one Chamber. And this, in fact, is the aim of all good government in these days, to get every good able man into action ; all Europe endeavors to put the ablest man in a situa- tion to do good. Buonaparte at last set himself up, put out the Bourbons, set up the Buonapartes. But the thing could not be done. He made wars and went about plundering everybody, and the con- sequence was that as all the sovereigns had been provoked before, France provoked every man now. In Germany, at last, he stirred up that old Berser- ker rage against him, by which he burned himself up in a day, and France then got ordered back into its own boundaries. Thus the French Eevolution END OF SCEPTICISM 205 was only a great outburst of the truth, that this world was not a mere cliimera, but a great reality. Scepticism was ended, and the way laid open to new things whenever they should offer. In my next lecture I think I shall show you that there is a new thing ; we shall see the streaks of something developing itself in Europe. LECTURE XII. June 11th FOURTH PERIOD Of Modern German Literature— Goethe and His Works. During tlie last two or three lectures we Lave brought the history of that particular phenomenon of European culture, which we are obliged to de- nominate scepticism, down to its last manifestation, the great but not at all universally understood phenomenon of the French Revolution, the burning up of scepticism, an enormous phenomenon ! It was, we saw, the inevitable consummation of such a thing as scepticism. The life of man cannot subsist on doubt or denial, it subsists only on belief, attaching itself to bring out of any particular theory what life it offers. The French Revolution began some centuries before it finally broke out ; a rude condition to go through all Europe, a fiery phe- nomenon to go through all the world, it was in- dispensable. Yet, frightful as it was in itself, and as productive of a bloody twenty-five years' war, we A NEW PEKIOD 207 ouglit to welcome it : it was the price of what is indispensable to our existence, aud at that time the world at whatever price must have got done with scepticism. The human mind cannot forever live in bitter sneering contrast with what lies about it, it must turn back at last to communion once more with Nature. It was, therefore, a cheering thing ; a piiceless worth was in it : by it the European family got its feet once more out of the mists and clouds of logic, and got down again to a firm footing on the ground. It is now nearly twenty-five years since the first act of this drama finished, and Napoleon, who from being the great " armed soldier of democracy," became at last a poor egotist, and with his ambition and rapacities provoked the whole earth, got flung out in the end to St. Helena as an instrument which Providence had once made use of, but had done with now. It becomes then interest- ing for us to inquire what we are to look for now. In what condition has this consummation left the minds of men ? Are we to reckon on a new period of things, of better, infinitely extending hopes ? or is scepticism still to go on in the same phase through Europe? To these questions we shall direct our attention to-day. In the first place I must remark that if we admit the French Revolution to be such a thing as it really is, we shall see that such a continuance of old things had become altogether impossible, that all 208 MAN AWAKENED things predicted of it had come to pass, that men had shaken off their formulas and awoke out of the nightmare that had gone on so long, crushing the life out of them, that state of paralysis ; and that man so awakened, like as in the fable of Antseus, gathered strength and life once more as he touched the earth and its realities. If we look over the history of Europe, both prior to the French Eevolu- tion and since, we see good in store for us ; the political world if not better regulated still regulated by a reality, and, independently of that, the spiritual side of things undergoing a great change also, by means of the modern school in German literature, a literature presenting a character far more cheering to us than any literature that has appeared for a long series of generations. In the second place we can notice here a strik- inef illustration of the ancient fable of the Phoenix. The ancients had a wise meaning in all these fables, far deeper than any of their philosophies have. All things are mortal in this world ; everything that exists in time exists with the law of change and mortality imprinted upon it. It is the story of the Phoenix which periodically^ after a thousand years, becomes a funeral pyre of its own creation, and so out of its own ashes becomes a new Phoenix. It is the law of all things. Paganism, for example, in its time produced many great things, brave and noble men, till at last it came to fall and crumble away MEANING OF GERMAN LITERATURE 209 into a mere disputatious philosophy. And so down to the Protestant system ; for the Middle Ages in this respect answered to the Heroic Ages of old Greece, and as Homer had lived, so Dante lived. Similarly" the destruction of the Eoman system of Paganism (for the Romans had their distinct system, very different from that of the Greeks), like the introduction of Protestantism, was followed by its own period of Wertherisni, a kind of blind struggle against the evils that lay around it, and ending at last in what was infinitely more terrific than any French Ee volution, that wild in-bursting of all the barbarians into the old world, long spell-bound by the Eoman name, but now determined not to endure any longer the domination of so degraded and profligate a race ; when, I saj, these barbarians gathered themselves and burst in on that world and consumed it ! The awfullest period ever known. And just so in later times the French Eevolution, that bursting in of the masses who could not starve, could not submit to it, but must rise up and get rid of the oj^pression that weighed them down ; this, I say, is little less remarkable while it lasts, until there is found force enough in society to sub- due it. These things, therefore, being finished, and lyinf behind us, we now naturallj'. enough might inquire what new doctrine it -i« that is now proposed to us ; what is the meaning of German literature? But 14 210 OEIiMAN DOCTRINES tliis question is not susceptible of an immediate answer. It is one of the chief qualities of German literature, that it has no particular theory at all, in the front of it ; very little theory is to be had posted tliere — oClcrcMl for sale to us. The men who (;{)iiHtj'U(;tcd tlio German literature had quite oilier objects in view ; tlieir object was not to teach the world, but to ^vo^k out in some manner an enfran- chisement for their own souls, to save themselves from being crushed down by the world. And on the contrary, BC(;in<^ hero what I have been always convuic(!d I saw, the l)l(!Hse(l, thrice blessed, plie- iiomenon of men uniuutilated in all that constitutes man, able to believe, and bo in all tliiugs men ; seeing tliis, I ^jay, tliere is lierc the tiling that lias all other things presupposed iu it. It needed but the first time to have been ever done, the second time they would have found it a great deal easier to do. As to their particular doctrines, tliere is nothing defiiiito or precise to bo said. How they thought or iv\{,, how ihcy proposed to bring in the heroic age again, how they did their task, can only be learned by dint of studying long what it is these men found it good to say. Doubtless there are few hero who are as yet siiihciently a(!(piainted with the language to make that study, but I hope it will not bo many years before it will be dillicult to get any aiidicncij gathered here to hear a lecture upon the RECIPES FOR HAPPi:!^ESS 211 literature of Germany without having read its chief productions. To explain them best, I can only think of the revelation, for I call it no other, that tbese men made to me. It was to me like the lisiiLg of a light in the darkness which lay around and threatened to swallow me up. I was then in the veiy midst of Wertherism, the blackness and darkness of death. There was one thing in particu- lar which struck me in Goethe : it is in his ''"Wil- helm Meister." He had been describing an asso- ciation of all sorts of people of talent, formed to receive propositions and give responses to them, aU which he described with a sort of seiiousness at first, but with irony at the last. However, these people had long had their eye on Wilhelm Meister, with great cunning watching over him, at a distance at first, not interfeiing with him too soon. At last, the man who was intrusted with the management of the thing, took him in hand, and began to give him an account of how the association acted. Now this is the thing which, as I said, so much struck me. He tells "W'ilhelm Meister that a number of applica- tions for advice were daily made to the association, which were answered thus and thus, but that many people wrote in particular for recipes of happiness, all that, he adds, " was laid on the shelf, and not answered at all ! " Now this thing gave me great surprise when I read it *' What ! " I said, " is it not the recipe of happiness that I have been seeking 212 THE WORSHIP OF SORROW all my life ; and isn't it precisely because I have failed in finding it that I am now miserable and discontented ? " Had I supposed, as some people do, that Goethe was fond of paradoxes, that this was consistent with the sincerity and modesty of the man's mind, I had certainly rejected it, without further trouble, but I could not think it. At length, after turning it over a great while in my own mind, I got to see that it was very true what he said, that it was the thing about which all the world was in eiTor. No man has the right to ask for a recipe of happiness, he can do without happiness. There is something better than that. All kinds of men who have done great things, priests, prophets, sages, have had in them something higher than the love of happiness to guide them, spiritual clearness and perfection, a far better thing than happiness. Love of happiness is but a kind of hunger at the best ; a craving, because I have not enough of sweet provi- sion in this world. If I am asked what that higher thing is, I cannot at once make answer : I am afraid of causing mistake. There is no name I can give it that is not to be questioned. I could not speak about it : there is no name for it but Pity ; for that heart that does not feel it, there is no good volition in that heart. This higher thing was once named *' The Cross of Christ," not a happy thing that sure- ly. The worship of sorrow named by the old heroic martyrs, named in all the heroic sufierings, all the METAPHYSICIANS 213 heroic acts of man. I do not mean to say that the whole creed of German hterature can be reduced to this one thing, it would be absurd to say so ; but that was the commencement of it. And just as AVilliara Penn said of the Pagan system, that Chris- tianity was not come to destroy what was true in it, but to purify it of errors, and then to embrace it within itself ; so I began to see with respect to this world of ours, that the Phoenix was not burnt wholly up when its ashes were scattered in the French Rev- olution, but that there was yet something immortal in all things that were genuine, which now survived, and for the future was to cherish all hopes. For it is the special nature of man to have comfort by him, to aid and support himself. If there is any one of you here now prosecuting the same kinds of studies as I then did, and has not arrived at it yet by a way of his own (for there are many ways to it), he will, when he first discovers this high truth, be anxious to know what it is, and get better and better ac- quainted with it. And that you also may be enabled to realize to 5'ourselves what I have realized to myself, I shall proceed to point out one or two figures in German literature, one or two men who have been the chief speakers in it. Of the XDhilosophers of Germany, the metaphy- sicians of Germany, I shall say nothing at present. I studied them once attentively ; but I found that I 214 GOETHE got iiotliing out of them. One may just say of tliem that they are the precisely opposite to Hume ; Hume startiug out of materialism and sensualism, certain of nothing except that he himself was alive ; while the Germans, on the contrary, start from the prin- ciple "that there is an universal truth in things" — spiritualism ; that trying to go about seeking evi- dences for belief is like one who would search for the sun at noonday by the light of a farthing rush- light ! Blow out your rushlight, they say, and you will soon see the sun ! But this study of meta- physics, I saj', had only the result, after bringing me rapidly through different phases of opinion, at last, to deliver me altogether out of metaphysics. I found it altogether a frothy system ; no right be- ginning to it, no right ending. I began with Hume and Diderot, and as long as I was with them I ran at Atheism, at blackness, at materialism of all kinds. If I read Kant, I arrived at j)recisely opposite con- clusions, that all the world was s^^irit namely, that there was nothing material at all anywhere ; and the result was what I have stated, that I resolved for my part to have nothing more to do with meta- physics at all ! The first writer I shall notice is Goethe. The ap- pearance of such a man at any given era is, in my opinion, the greatest thing that can hapjoen in it — a man who has the soul to think, and be the moral guide of his own nation and of the whole world. GOETHE AND SHAKESPEARE 215 All people that live under his influence gather themselves round him, and therefore, although many writers made their appearance in Germany after him, Goethe was the man to whom they looked for inspiration ; they took from him the color they assume. I can have little to say of him in these limits. I can say of him the same as I said of Shakespeare : there has been no such man as him- self since Shakespeare. He was not like Shake- speare, yet in some respects he came near to Shake- speare — in his clearness, tolerance, humane depth. He, too, was a devout man. You grant a devout man, j^ou grant a wise man : no_man_ has a seeing ®Z®J^iyi^yi-toi- having Jiad a geein^ hearjL Other- wise the genius of man is but spasmodic and frothy. I should say, therefore, that the thing one often hears, *' that such and such a man is a wise man, but a man of a base heart," is altogether an impossibility, thank Heaven ! Virtue is the palladium of our in- tellects. If wickedness were consistent with wis- dom, we should often have the Devil in this world of ours regulating all our affairs ; but the thing is impossible. Thus all the things in Shakespeare breathe of wisdom and morality, and all are one. So, if you grant me Goethe's worth, you grant me all things beside it. Indeed, we may find his greatness in this one fact. We saw his " Werther " and " Ber- lichingen " appear, those fountain - heads of that 216 European literature which has been going on ever since. Goethe himself soon got out of that alto- gether, and he resolved to be sincere once more, being convinced that it was all wrong, nonsense, mean, and paltry ; and that, if there was nothing better to be done with it, he ought to hold iiis tongue about it altogether. This was to feel like one who was to become one of the kings of this world. Accordingly, for twenty years after that, while all Germany was raging, as we saw, and the whole people had in a manner become one set of desperate, whiskered man-haters, Goethe held his peace. Fame to him was little in comparison with an enfranchised soul. His next work (for " Faust," properly speaking, belongs to the "Werther" pe- riod) was " Wilhelm Meister," i3ublished in the year 1795. This is a strange book, and though it does not fly away on the Avind like " Werther,*' it is even stranger than " "Werther." At this time the man has got himself organized at last — built up ; his mind adjusted to what he can- not cure, not suicidally grinding itself to pieces. But there was no pity yet in him. It is very curious to observe how at this time, ideal art, painting, poetry, were in his view the highest things, good- ness being only included in it. There is even no positive recognition of a God, but only of a stubborn force, really a kind of heathen thing. Still, there is some belief ; belief in himself, that most useful of 217 all beliefs. He got that when his strength was at its highest. As his miud gets higher, more concen- trated in itself (for Goethe lived very silent, the most silent of men), in its own privacy it becomes more serious too, uttering tones of most beautiful devoutness, recognitions of all things that are true in the world. For example, in the continuation of his "Wil- helm Meister," w^-itten when he w'as near seventy yeai'S old, there is a chapter that has been called the best chapter ever yet written on Christianity. I never met anywhere with a better. It is out of that I quoted that beautiful phrase applied to Christianity, " the Worship of Sorrow," also styled by him " the Divine Depth of Sorrow ! " Also in the last book of all he ever wrote, the most consid- erable book in a poetical view, the " West-Ostlicher Divan," we have the same display of pious feeling. Yet it is in form a Mahometan-Persian series of de- lineations, but its whole spirit is Christian ; it is that of Goethe himself, the old poet who goes up and down singing little snatches] of his own feelings on different things. It grows extremely beautiful as it goes on, full of the finest things possible, which sound like the jingling of bells when the " queen of the fairies rides abroad." The whole gathers itself up in the end into what Goethe thinks on matters at large. But we can see that what he spoke is not the thousandth part of what lay in him. It is, in 218 DEFENCE OF GOETHE fact, the principal charm in him, that he has the wisdom to speak what is to be spoken, to be silent on what is not to be spoken. Alongside of Goethe we must rank Schiller. By the bye, I have said nothing about the objections sometimes made to Goethe. It is a mortifying thing to feel that want of recognition among men to which a great writer is subject. Not that Goethe has not had in general an ample recognition ; but still there are men, whose ideas are not nonentities at all, but who very much differ about Goethe and his character. One thing that has been said of him very strangely is that in all his writings he appears "too happy." A most amazing accusation against a man ! much more against Goethe, who tells us that in his youth he could often have run a dagger into his heart. He could at any time have been as mis- erable, if he liked, as these critics could wish ; but he very wisely kept his misery to himself, or rather misery was to him the problem he had to solve, the work he had to do. Thus, when somebody, on seeing his portrait, exclaimed, " Voilu un homme qui a eu beaucoup de chagrin," he instantly replied, " No ! but of one rather who has turned his suffer- ings into useful work ! " Another objection made to him has been that he never took part in the polit- ical troubles of his time, never acted either as a Reformer or Conservative. But he did right not to meddle with these miserable disputes. To expect SCHILLER 219 this of Lis genius would be like asking the moon to come out of the heavens, and become a mere street torch, and then to go out. Schiller has been more generally admired than Goethe, and no doubt he was a noble man ; but his qualification for literature was in every way nar- rower than Goethe's. The principal characteristic of Schiller is a chivalry of thought, described by Goethe as " the Spirit of Freedom," struggling ever forward to be free. It was this that produced " The Bobbers." Goethe says that the " very shape of his body and the air with which he walked showed the determined lover of freedom, one who could not brook the notion of slavery," and that not only under men, but under anything else. But Schiller, notwithstanding this, in my opinion, could not have written one good poem if he had not met with Goethe. At the time of their meeting he had last written the play of "Don Carlos," a play full of high-sounding but startling things. The principal character, ]\Iendoza, in particular talks very grandly iMH^ and largely throughout. It is well described as being like a '*' lighthouse, high, far-seen, and withal empty." It is, in fact, very like what the people of that day, the Girondists of the French Revolution, were always talking about, the "Bonheur du Peu- ple," and the rest. To this point, then, Schiller had arrived, when, being tired of this kind of composi- tion, he left poetry, apparently forever, and wrote 220 GOETHE AND SCHILLER several very sound historical books, and nothing else. Goethe, who was ten years older than Schiller, first met him at this period. He did not court an acquaintance with him. In fact, he says himself that he " disliked Schiller," and kept out of his way as much as possible. Schiller also disliked Goethe for his cold impassivity, and tried to avoid him too. However, they happened to come together, and a mutual friendship ensued ; and it was very credit- able to Schiller — how he attached himself to Goethe, and sought his instructions, and how he got light out of Goethe. There was always something, how- ever, monastic in Schiller. He never attempted to bring the great page of life into poetry, but would retire into corners, and deal with it there. He was too aspiring, too restless ; it brought him to the bed of sickness ; he could not live in communion with earth. It is melancholy to read how in his latter days he used to spend whole nights in his garden house, drinking wdne-chocolate (a beverage of which I can form no notion) to excess. Here he was often seen by his neighbors, declaiming and gesticulating and writing his tragedies. His health became com- pletely destroyed by it, and finally he died at the age of forty. There was a nobleness in Schiller, a brotherly feeling, a kindness of sympathy for what is true and just. There was a kind of silence, too, at the last. RICHTER 221 He gave up his talk about the " Bonheur du Peuple," and tried to see if he could make them happier in- stead. Accordingly his poems became better and better after his acquaintance with Goethe. His* *' Wilhelm Tell " was the best thing he ever wrote. There runs a kind of melody through it ; the de- scription of the herdsman of the Alps is exquisite. It is a kind of Swiss thing itself ; at least, there are passages in it which are quite in that character. It i^roperly finishes at the fourth act. The fifth was afterward added, as the rules of the drama obliged him to write it ; but this, though it may have been considered a fault, is not a fault for the reader. The third great writer in modern German litera- ture whom I intend to notice is Jean Paul Fried- rich Kichter. Richter was a man of a large stature, too. He seems, indeed, to be greater than either ; but, in my opinion, he was far inferior to Goethe. He was a man of a hard life, miserable enough for the people even who complain of Goethe. I do not mean that he was unhappy in any particular circum- stances ; but what I do say is, that he had not gained a complete victory over the world as Goethe had done. Goethe v/as a strong man, as strong as the mountain rocks, but as soft as the green sward upon the rocks, and, like them, continually bright and sun-beshone. Richter, on the contrary, was what he has been called, a " half-made " man. He 222 EICHTER struggled with the world, but was never completely triumphant over it. But one loves Richter. He is most universally to * be loved, indeed, provided one can get to read him. But that is a great proviso, for his style is as con- fused and unintelHgible, as Goethe's is the best of styles — like the clear harmony of Xenophon, but far deeper than Xenophon. As he is the best of Germans for style, Richter is the worst. He cannot get half the things said that he has to say — a con- fused, strange, tumultuous style ! It is like some tangled American forest, where the axe has never been, and no j)ath lies through it. For my part, I tried to understand him over and over again before I succeeded ; but I got finally to perceive his way of thinking, and I found a strange kind of order in him at last, and it was quite easy after that to make him out. His is a most gorgeous style ; not an articulate voice, but like the sound of cataracts fall- ing among the wild pine-forests ! It goes deep in the human heart. A man of a great intellect, great heart, great character — all exemplified in his way of life. His father, who was a clergyman, dying when he was young, left him in charge to his mother, a fool- ish woman, by whom his patrimony was completely wasted. In his twenty-fifth year he entered the University of Leipsic. He was at this time of a stranoe nature ; there was a sort of affectation in i RIcnTER*S NOVELS 223 him. Not only bad lie no words adequate to express his ideas, but those he had were not good enough. He» found the professors, in his eyes, very feeble in- dividuals. He met there, however, Ernesti, the distinguished scholar,' for whom he had a great regard. Yet his college life was one of great pri- vations. He says : "In gaols the prisoner's allow- ance is bread and water. I had the latter, but not the former." Plenty of water, but no bread ! Yet he was a cheerful, indomitable man amid it all. He held his peace and struggled on, determined to wait his time. That time came ! The people of the college had thought him mad, but he soon i^roved to them that he was not a madman, for he bestirred himself, and wrote books which became very successful. I recommend my friends here who know German to read his novels : to struG'^^le through his difficulties of style, and get acquainted with him. He has, amoDg other qualities, that of great joyousness ; there is more joyous laughter in the heart of Eichter than in any other German writer. Goethe has it to a certain extent, and Schiller too ; but Richter goes into it with all his heart. It is a deep laughter, a wild laughter ; and, connected with it, there is the deepest seriousness. Thus his dreams ; they are as deep as those of Dante : dreams of annihilation, not surpassed, per- haps, except by the prophetic books of the Bible. There are yet many more writers besides those 224 FUTURE PROSPECTS I have named, but I Lave not time for them. What can I do ? I can but invite my friends to get ac- quainted with them, and find out for themselves the nature of the belief that is in these men. They will find in them not a theory, not the demonstration of motion ; but they will see men walking, which is far better. I shall add but a few words on our prospects of what is next to come. I think, therefore, that we have much reason to hope about the future. Great things are in store for us. The world has but begun to enter upon this new course, and wise men will, I trust, continue to come and devote themselves to it. This hope assures me when I see people in a deep distress about it ; for I feel that it is possible for us to be free — to attain to the possession of a spiritual freedom, compared with which political en- franchisement is but a name ; not living on any longer in a blind sensualism and egotism, but suc- ceeding to get out and be free, out of this state of nightmare and paralysis. It is my hope that the words which were spoken by Richter in the end of the eighteenth century are to come true in this. It is a most remarkable passage, and I must endeavor to give it you. He had been saying that on the out- gates of European history he thought he could read inscribed a similar inscription to that which the Russians had engraved on the iron gate at Derbent, *'Here goes the road to Constantinople." That so, LEAVE-TAKING 225 on the out-gates of events be could also read, " Here goes the road to virtue ! " " But as yet," he goes on to say, " as yet are struggles. It is now the twelfth hour of the night (it was, indeed, an awful period) ; birds of darkness are on the wing (evil and foul things were meditated on) ; the spectres uprear ; the dead walk ; the living dream. Thou, Eternal Provi- dence, wilt cause the da}' to dawn ! " I cannot close this lecture better than by repeat- ing these words of Richter : ''Thou, Eternal Provi- dence, wilt cause the day to dawn ! " Nothing now remains for me but to take my leave of you — a sad thing at all times that word, but doubly so in this case. When I think of what you are and of what I am, I cannot help feeling that you have been very kind to me ! I won't trust myself to say how kind ! But you have been as kind to me as ever audience was to man, and the gratitude which I owe you comes to you from the bottom of my heart. May God be with you all ! 15 NOTES LECTUKE I. Page 3. — The PelasgL — Vague statements about the Pelasgi were currently and most uncritically accepted at the time of Carlyle's Lectures. Even in later years pro- fessed scholars seem unwilling to confess how little they know concerning them. Thus, a strange mixture of truth and error exists in the learned Essay of Canon Eawlinson — "On the Traditions respecting the Pelas- gians " — ai^pended to his version of Herodotus (Vol. III. pp. 530-538, 4th ed. 1880). A useful note on the Pelasgi and some other obscure tribes mentioned by Greek writers will be found in Vol. I. of the last edition (1891) of Max Miiller's Science of Language. After examining (p. 136 et seq.) the most accredited sources of information Professor Max Miiller concludes — "It is lost labor to try to extract anything positive from these statements of the Greeks and Eo- mans on the race and the language of their barbarian neighbors." We cannot enter here upon the discussion of a subject so wide as the origin of the Hellenic and Italic peoples. The reader will find it most compendiously treated, with abundant references to other authorities, in Vol. in. of Dr. I wan Miiller's useful Handbuch der Kiassischen Alterthums-irissenscJia/f. This volume, published in 228 NOTES 1889, is by six different authors. (It can be had sepa- rately.) No English work replaces it. For the Pelas- gi see especially p. 364 and context. Page 4. — Foolish to War for a Woman. — " Now as for the carrying off of women, it is the deed, they say, of a rogue ; but to make a stir about such as are carried off, argues a man a fool. Men of sense {e.g., Ulysses, in Shakespeare's Troilus and Ci-essida] care nothing for such women, since it is plain that without their own consent they would never be forced away. The Asiatics, when the Greeks ran off with their women, never troub- led themselves about the matter; but the Greeks, for the sake of a single Lacedaemonian girl, collected a vast armament, invaded Asia, and destroyed the kingdom of Priam." Herodotus, I. 4 (Kawlinson's version). lo and Europe are noticed in the preceding paragi-aphs 1 and 2. Page 6. — Greek still spoken in parts of Italy. — The fol- lowing passage lately written at Lecce (Lupiae) in south- ern Italy by a well-known French poet and romance- writer eloquently confirms Carlyle's words : *'Un je ne sais quoi de delicat s'y mele qui trahit, par-dessous I'ltalie et I'Espagne, le vieux fond Hellene. Dans cette province jieupl^e de villages ou I'on parle encore grec, il semble qu'un rien de I'ame antique ait laisse partout sa trace. Les airs que chantent les en- fants prennent dej^ ce trainement de m61op6e grave, tres distinct de la cantilene si vite commune de Naples. Les habitants ont une sobriete de gestes qui contraste avec le voisinage du Midi bruyant. II y a, dans le de- tail des choses de la rue, des gentilesses ou Ton se i^lait it retrouver la preuve d'une race affinee, — comme ce petit iDont de bois monte sur des roues que Ton dresse d'un trottoir a I'autre par les jours de pluie pour que NOTES 229 vous puissiez passer sans vons salir, — et, lorsque c'est comme maiutenant, marclie public, la forme ties lampes de terre avec leur bee allonge, celle des vases, j'allais dire des ampbores, menagees pour I'buile et le vin, avec leurs deux oreilles, suffit a vous rappeler que ces pay- sans venus des plaines avoisinantes sont les beritiers modemes des colons cretois debarques avec Idomenee et les arriere-neveux des anciens sujets de Daunus, le beau-pere de Diom^de." (Paul Bourget, Sensations (TltaUe, p. 229. Paris, 1891.) Page 7. — Date of the Trojan War. — For "a list of tbe principal views on tbis subject," see Rawlinson's note to Herodotus, II. 145. Page 9. — Lycidas. — Herodotus, IX. 5. Page 10. — Pelasgic Architecture. — Usually termed Cy- clopean. See Rawlinson's Herodotus, Vol. III. p. 537 ; 4tb ed. See also Schliemann's Ausgrahungen, von Dr. Carl Scbucbbardt, 2d ed. ' Leipzig, 1891. Tbis useful book, epitomizing in one volume all Scbliemann's works, is now translated into Englisb. Tbe wall of Tiryns, figured on p. 122, bas many stones measuring 2-3 metres in lengtb, and 1 metre (nearly forty incbes) in lieigbt and deptb. Page 12. — Euhemerism. — For a satisfactory explana- tion of tbis tbeory on tbe origin of mytbology see Max Miiller's Science of Language, Vol. II. p. 41:9, ed. of 1891. Page 13. — Philipjndes. — His name in many manu- scripts is spelt— Pbeidii^pides. Herodotus, VI. 105. Page 15.— 77^6 Getce.— Herodotus, IV. 94. Tbe otber people wbo made war upon tbe soutb wind are tbe Psylli 230 KOTES (Herodotus, IV. 173), noticed by Plutarch, Pliny, and various writers. Tliey lived close to the Greater Syrtis, in the Libyan oases, and were renowned as snake charmers. LECTUKE II. Page 17. — Wolff. — Many do not know that the opinions on Homer which have made the name of Friedrich August Wolf so celebrated were anticipated by Giam- battista Vico, the author of the Scienza Nuova, of whose life and writings a pleasing account, by Bishop Tliirl- wall, will be found in the second volume of the Philo- logical Museum (Cambridge, 1833). Page 17. — The Homeric Controversy. — What is called the Homeric question has two divisions. Both concern the Iliad. The first compares this poem with the Odyssey. The second discusses the relations of the whole Iliad to its parts. Many passages of the Odyssey, considered (as Hamlet says) too curiously, seem to show that it may have been composed at a later period than the Iliad. It describes scenes and beliefs, men, arts, and circumstances, in a manner often foreign to our readings of its predecessor. These views, respectable when urged by thoughtful critics, have gained a crowd of adherents to the opinion — that one Homer could not have written both poems, an opinion older than the Christian era. That the Iliad, as we now have it, is without unity of composition has certainly not yet been j)roved. Wolf's conglomerate theory, to which so many have yielded (it may be with reservations put forward as critical by those who envy Wolf his miserable reputation), appears allow- able only so long as we dwell on the mosaic structure of ^^OTES 231 the poem with its varied episodes and its few trifling in- consistencies. Let lis grant that before Wolf's time this mixed nature of the Iliad was not suflSciently recognized (for Homer's changes are so pleasing that one pauses not always to ask the reasons of these changes). Is the Iliad therefore a patchwork, because we cannot believe in a Homer who invented all that was once assigned him and who was supposed himself to supply his own ma- terials ? The rhapsodists living before and beside Ho- mer doubtless recited numerous hymns and ballads, the greatest of which told the fate of Troy and the anger of Achilles. They sang to audiences who appreciated the diverse versions of their lays due to the inventiveness of successive singers. Homer, his mind filled with these songs, re -shaped and put together such of them as best fitted his high purjDOse. In this work of giving form and combination to scattered themes lay the real strength of his genius. Could any poet do more ? The elements of existence are always the same ; the artist moulds and composes them into expressiveness. The infinite lies ever around us, within us. The commonest things are more suggestive than w^e suppose ; they are infinite in the extent and diversity of their relationships. The whole Homeric question thus gets involved in the wider one concerning the application of current phrases to designate the artist's productions. What is the significance of words like invention and originality, employed as synonyms for a certain excellence of literary compositions? The word invention itself, by a hajDpy amphibolism, when used transitively cannot be deprived of its primitive meaning. Shakespeare knew this. He represents Worcester planning the rebellion against Henry IV., but he makes Falstaff say of him with grim irony, "Kebellion lay in his way, and he found it." Poor Worcester therefore was not original, though his 232 NOTES invention cost him his head. No man of genius is original if we regard only his materials. A weaver is nobody. A smith makes neither coals nor iron ore. The miner who is nearer nature is an extractor, not a fabricator. Such spurious analysis would render Saxo, not Shakespeare, the author of Hamlet ; it would resolve portraits into pigments and canvas. But who accepts these results ? True invention is a thing too subtle to be analyzed. The critics who like parasites crawl over men of genius never can discover it. On the other hand there is a painful originality which all excellent authors avoid. They remember that what is called the common- place interests when presented from new points of view. The overpowering inventiveness of Edgar Poe is a de- fect ; his horrors displease us on a second perusal. Sophocles, more moving than any other tragedian except the author of " Lear," did not invent the awful myth of (Edipus. He took it as it was and transformed it for ever into a thing of power and beauty. The story of the Saltzburg emigrants was re-fashioned by Goethe into his "Hermann und Dorothea." Art and nature, here in perfect harmony, have united to fjroduce the most finished, the most Greek-like of post-classical poems. The first, like the last, of poets was a shaper, a creator. Before all others he called into being persons and deeds never to be forgotten. The real Agamemnon must have been a poor creature compared to the " King of Men " portrayed by Homer. In reviewing Homer it is wrong to begin by contrast- ing the Iliad with the Odyssey — an easy task. This was "Wolf's j)rocedure, who did but industriously follow a clew already traced in the writings of Bentley. By pur- suing an opposite course, by first studying the Iliad as an independent work, we drop the prejudice which makes plausible these attempts to break the earlier epic into NOTES 233 pieces. If then we again take up the Odyssey we find it not so difficult to conclude that its author also wrote the Iliad. To retain the more archaic constituents of the latter was surely not beyond Homer's skill. The remembrance of old customs and of quaint phrases had not yet expired in the minds of his hearers. The nice discrimination of the means at his disposal for the proper treatment of his two great subjects could not puzzle Homer, as it has done his commentators. Homer is for laymen more than for scholars. These have mauled him and made a muddle of his works, his fame, his personality ; those have revered him and above all read him. They have translated his writings, exca- vated his soil, and drawn renewed inspiration from his surroundings. Voss and Lord Derby, Schliemann and Byron have interpreted Homer better even than Heyne, better than the learned and conscientious Grote. Schlie- mann's diggings have caused us to distrust Grote's ex- cessive scej^ticism, so gently rebuked by his friend Hallam (whose long letter is given in The Personal Life of George Grote, by Mrs. Grote, pp. 164-169), Byron's plea for the truth of Homer now triumphantly shows (see his "Bride of Abydos," Canto II., 2-4) that the poet's insight transcends that of the professors. All difficulties about the Homeric poems sink into nothing when we gi-asp the final question — could a plurality of Homers have existed ? That they did not exist is a be- lief some students have never ceased to cherish. And (to borrow Yorick's words) " the vulgar are of the same opinion to this hour." Page 19. — Piohin Rood's Ballads. — A much better illus- tration is now afforded by the Kalevala of the Tavastians or inhabitants of Western Finland. *' Their epic songs still live among the poorest, recorded by oral tradition 234 NOTES alone, and preserving all the features of ar perfect metre and of a more ancient language. A national feeling has arisen among the Fins, despite of Eussian supremacy : and the labors of Sjogern, Lonnrot, Gastrin, Kellgren, Krohne, and Donner, receiving hence a powerful im- pulse, have produced results truly surprising. From the mouths of the aged an epic poem has been collected equalling the Iliad in length and completeness — nay, if we can forget for a moment all that we in our youth learned to call beautiful, not less beautiful. A Fin is not a Greek, and Wainamoi'nen was not a Homeric rhapsodos. But if the poet may take his colors from that nature by which he is surrounded, if he may depict the men with whom he lives, the Kalevala possesses merits not dissimilar from those of the Iliad, and will claim its place, as the fifth national epic of the world, side by side with the Ionian songs, with the [Indian] Mahdbhdrata, the [Persian] Shdhndmeh, and the [Ger- man] Nihelunge. If we want to study the circumstances under which short ballads may grow up and become amalgamated after a time, into a real epic poem, nothing can be more instructive than the history of the collection of the Kalevala. We have here facts before us, not mere surmises, as in the case of the Homeric poems and the Nibelunge. We can still see how some j)oems were lost, others were modified ; how certain heroes and epi- sodes became popular, and attracted and absorbed what had been originally told of other heroes and other epi- sodes. Lonnrot could watch the effect of a good and of a bad memory among the jjeople who repeated the songs to him, and he makes no secret of having himself used the same freedom in the final arrangement of these poems which the people used from whom he learnt them." (Max Miiller's Science of Language, Vol. I., p. 437.) ^•OTES 285 Page 20. — Charactei' of Hornet'' s Poems. — Homer in describing natural objects and events had the advant- age over other eminent poets of coming first. But this will not account for his inimitable freshness. Neither can we explain it by saving that he possessed those qualities which all consummate artists share jn com- mon. To feel the full charm of Homer we must hear him as a Greek who sung to Greeks. That is whv he is now addressing the world. The adaptation of Greek character to Greek circum- stances sujDplies a constant topic for admiration. Greece so suited the ancient Greeks during the earlier and bet- ter i^eriods of their history that one might say truly — mind has never since been so happily combined with matter. English readers, a few students and visitors to the Mediterranean excej^ted, seem to miss the signifi- cance of Greece through some vice or defect of organi- zation. Yet one may still walk up to the Acropolis through the " shining clear air " of Euripides. Fogs and beer are but poor substitutes for wine and sunlight. The English, though wealthy and powerful, are discon- tented. The Greeks were active but not unresting as we are. Disposed to cheerfulness they gained repose by not craving what was beyond their reach. The Greeks loved returning to familiar things ; they sought no impossible j^leasures, but enjoyed life as they found it amid their own beautiful world. Mountains to them were awful as the dwelling places of the gods, yet they saw these mountains arising from jDleasant plains and rearing their crests under a smiling heaven. Ever the blue sky covered them, the earth was fertile, the forest- shade grateful, the sea rich and strange, the air fra- grant, luminous, and warm. The Greek mind was fitted by a wonderful capacity to take in all the good it could get. Like flowers on a fine day, this gay intellectual 236 NOTES people opened to receive the light that shone on them. Their feelings did not wear out. Their senses did not tire. They did not, like the moderns, faint from ennui. Unlike the cold inhabitants of Northern Europe, the demon of dissatisfaction had not taken possession of their souls. Pessimist critics fail to perceive the inher- ent excellence of the Greeks. Their learning alone will not teach them to appreciate these children of the sun who, with child-like susceptibility, thought daily exist- ence a delight, who lived and who were happy. Pleased with so much gratitude the whole universe looked on ; kind Nature smiled and flung fresh gifts to the favored of earth and heaven. Thus Art arose, a bright exhala- tion of the dawn, a grateful incense upon Nature's al- tar. What the Greek saw he loved, what he wrought he refined, what he touched he made beautiful. His thoughts were, like his firmament, transparent, exqui- site ; his works sincere, fair, and finished. Why did he not stay with us? Why did he go away to a heaven al- ways rich and leave an earth made poor without him ? ''The Beauty asked Zeus — why am I so transitory? Did I not, said the god, make only the transitory fair ? " These are the words of one who well understood the Greeks, though he was a modern and a German. But he was a man of genius and a poet — Goethe. Hapi^ily genius is beyond time and place. Let us pray that men of genius may ever arise to console mankind for the ab- sence of the vanished Greeks. Goethe has a striking passage in his Propylaen show- ing why a perfect work of Art appears also like a work of Nature. He says — "It _is supra natu ram , but no t e.r- trajiQiLmmi. A perfect work of Art is a creation of the human mind, and in this sense it is also a work of Nat- ure. But whereas the scattered parts are here gathered up into one, and even to the most insignificant are as- NOTES 237 signed their due import and dignity, on that account does it rank above IS'ature. In conception and composi- tion, it is the creation of a mind which, by origin and cultivation, is at harmony with itself ; and such a mind finds that by nature it is in unison with all that is in- trinsically excellent and perfect." [Shakespeare comes close to these views in Act IV., Scene 3, of A Wintei-'s Tale.] Moreover the modesty of the artist, who knows better than others that he cannot*comprehend the full sugges- tiveness of his subject, makes him appear less than he is. Carlyle has profoundly said — "In the commonest human face there lies more than Raphael will take away with him." The true artist therefore gives us his thoughts under the gnise of simple descriptions. Such are Homer's descriptions. His words convey more than they first express. They never lose their meaning. They still speak to us when the battle of life is well nigh over. Eminent men of noisy reputation, once innocent scholars but led astray by worldly ambi- tion (whether on the joaths of politics, law, trade, or ec- clesiastical strife matters little) may keep uncorrupted one corner of their heart which registers and responds to youthful sympathies with Homer. Such men cannot be altogether lost. There is a something in them, if not their own, which may yet soften the inexorable Parcse, nay even Minos himself. Plutarch tells how the Sicilians, before sheltering a shii3 chased by pirates, asked if any on board could repeat to them verses from Euripides. Page 21. — noo-etSo)!/. — It was at the Isthmian games that Poseidon was especially honored. In less pious times a profane Greek versifier thus referred to him : "When Neptune appeared at the Isthmian games, He spoke most politely to numerous dames. 238 NOTES But. not finding one free from frivolity. He bowed and went back to his home in the sea. 'The mermaids,' lie murmured, 'are better for me.'" Paiisanias (VIII., 10) tells how *' the Mantineans said that Poseidon appeared helping them " in their victory over the Lacedsemonians (see Mr. Shilleto's translation). Page 23. — The Bark-colored Sea. — In his beautiful pas- sage on art (Iliad, XXIII., 313-318, and context) Homer makes Nestor say to Antilochus — ' ' By skill the steersman guides His flying ship across the dark-blue sea." BarTi-hlue is here Lord Derby's translation of a word which, strictly rendered, is wine-looking. (The French call certain dark-colored wines viyis hleus.) The Latin translators of Homer ventured to substitute black. Homer has another term for the open sea reflecting the light blue of the sky. The sea " far shaded by the rocky shore " (Byron's " Giaour," line 43) and dangerous to the pilot was what Nestor meant. The fine and almost weird effect produced by this dark water in contrast with "the blue crystal of the seas " beyond [ibid., line 17) and the intense brightness of the firmament much impressed Goethe when for the first time he saw it at Palermo (the scenic character of Sicily resembling that of Greece rather than Italy). Byron must have been very familiar with it, and Lord Derby, with appreciative tact, proba- bly thought he could not do better than follow the lines in the " Bride of Abydos" (Canto L, 9)— " His head was leant upon his hand, His eye look'd o'er the dark blue water." Other English translators (see Walker's Clavis Homer- ica, p. 47) say the darkling main, which sounds affected NOTES 239 and is erroneous, the appearance referred to being no characteristic of the ocean in general. Homer was not thinking of the main but of those parts of the Mediter- ranean which had often charmed him. I do not know Avhether Mr. Euskin has noted this passage. Some German critics interpret wine-looking differently. Thus Gobel thinks it means transparent as opposed to troubled sea-water. Autenrieth restricts it to the dee^) open sea, when it reflects light in calm warm weather (see the Lexicon Homericum edited by H. Ebeling). It seems to be forgotten that deep water may occur very close to shore. Homer applies this word eighteen times to the sea, twice to cattle. Drs. Butcher and Lang translate it in both cases ivine-dark. Page 24. — Epithets of Ulysses. — The endurance, or rather pale rage, of Ulysses against the suitors is per- haps best shown in the opening of Book XX. of the Odyssey. Ulysses, after nightfall, has gone to rest on a bed of skins in the veranda of his own house. Seeing the suitors' mistresses go by his wrath is stirred, where, upon he displays the struggle within his mind by alter- nately expressing and calming his pent-up feelings. The reader is referred to the translation of the Odyssey by Drs. Butcher and Lang, the best English prose ver- sion known to us. These writers for much-enduring sub- stitute steadfast. As to the epithets of Ulysses Carlyle is certainly wrong. The word he translated by the phrase — " man of cunning and stratagem " (i.e., prudent, strategic) is applied to Ulysses only fourteen times in the Iliad, but sixty-six times in the Odyssey. It has three approxi- mate synonyms, similarly used, eight times in the for- mer, twenty-four in the latter poem. The term much- enduring, with its synonyms, does not occur in the 240 NOTES Odyssey fifty times. Surely the two qualities Carlyle opposes are not incompatible. They are so far from being so that Homer himself ascribes both to his hero in the context of the passage to which we have above referred. If Victorian is to prevail over Elizabethan English the terms canny and gritty will take the places of iDrudent and steadfast. Page 25. — Ajax like an Ass. — Homer's comparison of Ajax to an ass may be naif, but it is also scientifically true and simply excellent. *' As when a sluggish ass has got the better of the boys, Passing by a harvest field, and many a stick is broken Upon him, yet he gets within and crops the lofty corn, While they with cudgels smite him, yet their strength cannot avail, And hardly is he driven forth when satisfied with food." Iliad, XL, 558-562. The ass, like Ajax, is constitutionally courageous to a very high degree. Not being a predaceous animal, it shows its courage chiefly in defence, as Ajax does in the passage quoted. The strong nervous system of the ass is displayed not only by its pertinacity but by its soundness ; for, in spite of the bad treatment it receives, it is little subject to those disorders of wind and limb which beset the horse. Moreover, in southern and east- ern countries the domestic ass is often a splendid ani- mal, carefully improved by selection. In Homer's days such selection was not unknown. The wild ass is as graceful as the gazelle. In England the ass appears abject, since it suffers from the poverty or ignorance of its owner. See on this point what is said by Darwin in his Variation of Animals and Plants under Domestication. In Carlyle's younger days little attention was paid to those extra-zoological topics which concern rather the NOTES 241 scholar than the naturalist, and which are now made familiar to ns by the writings of De Gubernatis, Victor Hehn, and others. Gibbon, it is true, urged historical students to read for pleasure and profit those classical chapters of Buffon which describe domestic animals. Buffon nobly pleads for the ass, neglected by the nar- row-minded merely because it is not a horse. Page 26.— r/^e Greek type.-ihe late Mr. Hope, in his Anastasius (Chap. IV.), })uts into the mouth of a modern Greek the following reflections on his country- men : — *' Believe me, the very difference between the Greeks of time past and of the present day arises only from their thorough resemblance ; from that equal pliability of temper and of faculties in both, which has ever made them receive with equal readiness the impression of every mould and the impulse of every agent. When patriotism, public spirit, and pre-eminence in arts, sci- ence, literature, and warfare, were the road to distinc- tion, the Greeks shone the first of patriots, of heroes, of painters, of poets, and of philosophers. Now that craft and subtlety, adulation and intrigue, are the only l^aths to greatness, these same Greeks are — what you see them ! " See the context. Anastasius was at first attributed to Lord Byron, who in the earlier pages of his Giaour se- verely lashes the degenerate Greeks. For an eloquent tribute to the qualities of the ancient Greeks consult the Port-Royal of Sainte-Beuve (LivreS, xviii.). Page 28. — Pythagoras. — Bayle in his article on this philosopher cites almost all of the classical comments on the precept as to abstinence from beans. A further copious instalment of Pythagorean literature is given in Krug's Encydopddischphilosophisches Lexicon. 16 242 NOTES Page 32. — jEschylus. — A spirited transMion into Eng- lish verse of the opening chorus of the Agamemnon was published in the Classical Museum (Vol. VII., pp. 97- 104) by Professor Blackie, who wrote several useful papers on iEschjlus in earlier volumes of the same periodical. Page 33. — Sophocles. — Those who wish to enjoy and un- derstand Sophocles should use the editions and trans- lations of his plays now being revised by Professor Jebb. Cambridge has at length the honor of being foremost to interpret this, the foremost of the Greek drama- tists, as formerly she took possession of Euripides by means of his two illustrious editors, separated from each other by a century — Barnes and Porson. Page 34. — Socrates. — The reader of course is aware that we possess no writings of Socrates, and that what we know of him is chiefly derived from reports of his con- versation and habits by Xenophon and Plato. These rank among the most precious and pleasing of the Greek prose classics. A very readable account of Soc- rates was given by Bishop Hampden in his "Fathers of Greek Philosophy " (reprinted from the Encyclo- pcedia Britannica). The reader may consult this as a corrective (especially pp. 403 et seq.) of Carlyle's remarks on Socrates as a wire-drawer. The prejudice of Carlyle against our philosopher was noticed by Emerson when he visited Carlyle in 1833— " We talked of books. Plato he does not read, and he disparaged Soci'ates." Besides a paper by Schleiermacher " On the Worth of Socrates as a Philosopher " (translated by Bishop Tliirl- wall in Vol. II. of the Philological Museum) the most important works on Socrates are Grote's Plato and La Philosophie de SocratCy par Alfred Fouillee, 2 vols., Paris, 1874. NOTES 243 Page 36. — Tlie Greek Decline. — For a compendious survey of the Greek authors neglected by Carlyle see Jebb's Primer of Greek Literature, a book equally i^rofit- able to young and old students, jDarticularly Part III., " The Literature of the Decadence." Also, Geschichie der Dyzantinischen Litteratur, von Karl Ki'umbacher. 8vo, Miinchen, 1891. LECTURE III. Page 41. — The Etruscans. — More copious and accurate information on this people, whose real origin is conjec- tural and whose language is still completely isolated, may be had from K. O. Miiller, Die Etrusker, 2 Aufl., von Deecke, Stuttgart, 1876, 1877. Page 41. — Cato, Varro and Columella. David Hume gives some interesting references to these writers in his Essay XI. " Of the Populousness of Ancient Nations." Cicero {De Senectute XV.) represents M. Porcius Cato vindicating at length the claims of agricultural pursuits as well fitted to occupy the energies of the Romans. Page 46. — Napoleon on Hannibal. — The following ci- tation is from the Memorial de Sainte-Helene, of Las Cases (Tome VII., p. 237) :— *'Et cet Ayinihal, disait-il, le plus audacieux de tons, le plus etonnant peut-etre ; si hardi, si sur, si large en toutes clioses ; qui, a 26 ans, con9oit ce qui est a peine concevable, execute ce qu'on devait tenir pour impos- sible ; qui, renongant d toute communication avec sou pays, traverse des peuples ennemis ou inconnus qu'il faut attaquer et vaincre, escalade les Pyrenees et les Alpes, qu'on croyait insurmontables, et ne descend en Italic qu'en payant de la moitie de son armee la seule 244 NOTES acquisition de son champ de bataille, le seul droit de combattre ; qui occupe, parcourt et gouverne cette meme Italie durant 16 ans, met plusieurs fois a deux doigts de sa perte la terrible et redoutable Rome, et ne laclie sa proie que quand on met a profit la le9on qu'il a donnSe d'aller le combattre cliez lui. Croira-t-on qu'il ne dut sa carriere et tant de grandes actions qu'aux ca- prices du hasard, aux f aveurs de la fortune ? Certes, il devait etre done d'une forte trempe d'ame, et avoir una bien haute idee de sa science ; en guerre, celni qui, in- terpelle par son jeune vainqueur, n'liesite pas a se placer, bien que vaincu, immgdiatement apres Alexandre et Pyrrhus, qu'il estime les deux premiers du metier." Napoleon further comments on Hannibal in his " Notes sur I'Art de la Guerre." (See Correspondance de Na- poleon, F% Tome XXXI. Paris, 1869.) Page 48. — Words traced to the Pelasgi. — For "suffi- cient proof that Latin never could have passed through the Greek, or what used to be called the Pelasgic stage, but that both are independent modifications of the same original language," see Vol. I. of Max Mailer's Science of Language. -• Page 54. — Ovid. — Carlyle would perhaps have been less severe on Ovid had he noted that the grave Milton preferred the "Metamorphoses" of this poet to any other of the Latin classics. Barrow also is loud in his praise. The elder Rousseau thus sums him up, — " Ovide, en vers donx et mclodieux, Sat debrouiller I'histoire de ses dieux : Trop indulgent an feu de son genie, Mais varie, tendre, plein d'liarmonie, Savant, utile, ingenieux, profond, Riche, en un mot, sil etait moins fecond." NOTES 2:15 The moralizing Seneca abused him. Montaigne failed to appreciate him. Princij^es poetce VirgiUus et Ovidiva is the verdict of Joseph Scaliger. But he thought the Epistles of Ovid his most perfect work. Page 59. — Passage from Tacitus. — Of this passage, celebrated as the first noteworthy reference to the early Christians by a pagan author, Gibbon [Decline and Fall^ Chap. XVI.) gives another translation. The same passage is further remarkable as showing how Tacitus sometimes loses power by not considering that the law of moderation holds good even in the exer- cise of that rare merit — brevity of expression. Further illustrations of this defect in that great writer are pleas- antly discussed by Father Bouhours in his delightful Maniere de Bien Penser dans les Ouvrages d' Esprit, a book which, together watli the Memoirs of Cardinal de Ketz, was highly commended by the most graceful of English politicians. Lord Chesterfield. LECTURE IV. Page 62. — The Middle Ages. — The recognition of the Middle Ages shows that tripartite arrangements, in spite of superficial objections, are not always to be set aside in favor of more popular and usually more logical bi- nary divisions. The partition of history into ancient and modern is less intelligible and significant. Per- haps, when the world is older, this partition may come to be adopted ; but in that case what we call the Middle Ages will then be relegated to ancient history, and modern history will date from the first appearance of printed books, or from the nearly coincident epoch of the discoveries of Columbus. The breakiug-up of the Roman empire was a slow pro- 246 NOTES cess. Until it begins we are clearly within the limits of ancient history. But when did it begin ? Koman de- cadence came not alone from invading barbarians, be- coming conscious of their growing power. It was also promoted from within. It had its origin while the em- pire yet appeared strong, but displayed its self-abase- ment by allowing its seat to be transferred from the banks of the Tiber to those of the Bosphorus. The Middle Ages end with the Byzantine Empire. But this empire had long before become insignificant, though not till long after were established those European kingdoms whose foundation seemed to follow the failure of the great Eoman dominion. Are these modern kingdoms established ? Greece was reconsti- tuted during the first half of our century ; Italy in the second half. To the present boundaries of the German empire a date of less than a quarter of a century can be assigned. And now we hear of wars threatening again to unfix these limits. An ironical writer might say, not without truth, that the beginnings of modern history are still dubious, and that their adequate consideration must be left to some historian yet unborn. For the present, however, we may conveniently dis- tinguish the Middle Ages (330-1453) as exhibiting [a) a capital city, (b) a religion, (c) certain forms of govern- ment, (d) a learned language, and (e) a poem, which differs no less from the literary productions of antiquity than it*does from those of modern times. (a.) Constantinople was the capital city of the Middle Ages, which began with its dedication by Constantine, and ended with its capture by the Turks. Here again comes in the irony of events. In ancient history EurojDe triumphs over Asia; the Trojans, the Persians, the Phoenicians, and others being in turn successfully re- pelled, while modern history is introduced by the es- NOTES 247 tablishment in Europe of an Asiatic power, which holds possession of the seat of mediaeval rule to this day. {b.) The religion of the Middle Ages in Europe was Catholicism, i.e., established Christianity. Con- stantine's endowment of his own Church could not hin- der the split which afterward severed the eastern from the western Christians. It is easy to exaggerate the importance of this schism, which served to show that Rome, deprived of temporal sway, could still subdue the minds of men. The blow dealt the Catholic Church by the secession of northern Europe from its allegiance marks indeed the commencement of modern histoiy. Yet was this loss the effect of printing and political causes rather than of sincere religious convictions, and the Papal power has since succeeded in checking the further advances of Protestantism. (c.) As to government, the Middle Ages display the downfall of despotism, the anarchy which ensued, and the subsequent rise of feudal authority. The peoples of Europe then possessed very little power. The Roman pontiffs'became more dominant than kings or emperors. Subject to qualification the general proposition is true — that monarchy, oligarchy, and democracy, respectively, characterize the three great periods of histoiy. In this matter likewise we seem (but seem only) returning to ancient ways. (d.) During the transitional linguistic conditions of the Middle Ages men of learning found a temporary aid. in such Latin as they could use, good, bad, and indiffer- ent. The Glossarium of Du Cange remains the most indispensable guide to the Middle Ages in the hands of those who know how to read it. (e.) But in 1300 a bold, though not unconsidered, way of escape from this jDrevailing influence of the Latin language was indicated by no less a person than Dante. 248 NOTES Not only does the Divine Comedy reveal the Middle Ages and Catholicism by a crowd of allusions, else lost to us, but its unai^proachable excellence of diction makes welcome the light it sheds on what is eternal in man's nature, and those recurring events which to the serious never can lose their significance. Much labor will henceforth be spared the student of the Middle Ages who has at hand the valuable Tresor de Chronologie iVHistoire et de Geograpliie pour VHude et Vemploi des documents du Moyen Age, i^ar M. le C* De Mas Latrie, Paris, 1889. Page 63. — Belief during the Middle Ages. — Jean Paul in his eulogium of Herder has these words (which we give from the translation of De Quincey): — " Two sayings of his survive, which may seem trifling to others ; me they never fail to impress profoundly : one was, that on some occasion, whilst listening to choral music that streamed from a neighboring church as from the bosom of some distant century, he wished, with a sorrowful allusion to the cold frosty spirit of these times, that he had been born in the Middle Ages." Page 71. — The Celebrated Lettei- of Pliny. — The reader may compare this letter with Trajan's reply in the Let- ters of the Younger Pliny, translated by J. T. Lewis, London, 1879 (p. 377). Page 73. — Pope Hlldehrand. — For a careful and un- prejudiced history of this great reformer, with abundant references to other authorities, see Hlldehrand and his Times by the Rev. W. R. W. Stephens, London, 1888 ; a small but useful book. In the Homily against Dis- obedience and wilful Rebellion some violent abuse of Hildebrand will be found. NOTES 249 Page 76. — The Crusades — Considerate historians now believe that the two great lessons taught by the crusades were these. — First, the more thoughtful crusaders learnt that eastern infidels, Jews, Turks and heretics might be as good as themselves, and that sometimes it is right to regard our conduct toward our neighbors from points of view which priests are apt to neglect. Next, the citi- zens of western Euroj^e, left to themselves, found they could do very well without feudalism. Thus tlie air was cleared, and people began to^ see how their freedom from licensed robbers, whether of land, power or privi- lege might, perhaps, one day be accomplished. Page 79. — The Troubadours.— Ouv best guides to the language and literature of the Troubadours are still the works of Fr, Raynouard, who was, however, wrong in re- garding Provencal as the mother, rather than the sister, of French and other modern Romance languages. His Choix des poesies originales des Troubadours is indispen- sable. Taylor's Lays of the Minnesmgers and Trouba- dours may also be noted. Useful are the Essays on Petrarch by Ugo Foscolo. According to Coleridge, " Petrarch was the final blossom and perfection of the Troubadours." The Italian text of Dante's Purgatorio is curiously interrupted (close of Canto XXVI.) by eight lines of Provencal, spoken by the once-famous poet Ar- naud. Page 80. — Tlie Mebelungen Lied. — Carlyle's review of Simrock's edition of the Nibelunge, reprinted among his Miscellanies, should of course be consulted. It is full of information and contains some very striking specimens of his powers as a translator. 250 NOTES LECTURE V. Page 84, — The Lombards. — The etymology of their name endorsed by Carlyle is now questioned. Longo- bardi may mean (not long beards, but) those living along the border of tlie Elbe, whence the Lombards are sup- posed to have come. See a note by Dr. William Smith to Vol. v., p. 165 of his edition of Gibbon. As to Magna Grsecia (mentioned in the same page) most interesting details are given by Fr. Lenormant, La Grand Grece — Paysages et Histoire (3 tomes, Paris, 1881- 1884). But see further the remarks in Vol. III. (p. 474) of Dr. Iwan Miiller's Handbiich, to which work we have referred in our Notes to Lecture I. Page 86. — Illustrious Italians. — Desiring to occupy most of his lecture with Dante, Carlyle says nothing of the two great poets, Tasso and Ariosto. England has had the honor of publishing the best edition of both Orlan- dos (that of Ariosto and his predecessor Boiardo), by the learned Pauizzi. Neither does he mention the Italian historians. On these two topics much that is valuable is told us by Isaac D'Israeli in his Curiosities of Litera- ture, first and second series. Carlyle can scarcely be blamed for not anticipating the advent of another group of Italian worthies, includ- ing those heroic or more thoughtful men of action, such as Garibaldi and Cavour, who have so unselfishly achieved the noble work of liberating their country. Page 89. — jEschylus, Dante, Shakespeare. — Many will demur to this juxtaposition and say that the greatest poet of antiquity was Homer, of the Middle Ages Dante, and of modern times Goethe ; Shakespeare being ' * not NOTES 251 for an age, but for all time." Truly ^schylus is grand, but be is not the representative poet of Greece, like Ho- mer. Page 90. — Quotations from Dante. — To understand these quotations we must remember that the Inferno really consists of three unequal regions. The first of these, outside Dante's first circle, from which it is sepa- rated by the river Acheron, is for the frivolous, those mean Laodicean souls who are neither cold nor hot. The first circle, also called Limbo, is the i^lace of the sinless unhaptized. It includes good pagans, many in- fants, and others. The remaining eight circles are for unrepentant sinners. The^ incontinent occujDy the four circles (2-5) which in descending order succeed' the first. Sins from corrupt will are punished in the four lower circles (6-9), or city of Dis. This main division of the wicked into two classes is taken from the Ethics of Aris- totle, as Dante himself (Cantos VI. and XI. ) fully ex- pounds. Dante is very precise, like a professional engi- neer, in describing these circles and their subdivisions. The occupants of the first circle are unpunished; they sigh, because eternally excluded from heaven. The frivolous are merely stung, outwardly by insects and from within by their own aimless propensities. But yet they are in Hell. Thus, not pain but hopelessness is the distinctive attribute common to every dweller in the Inferno, just as repentance marks the Purgatorio, and spiritual communion the Paradiso. This hopelessness is characteristically and not un- necessarily indicated three times in the third canto. First, by the dismal inscription above the gate of Hell, applicable to whomsoever it contains. Next (as quoted by Carlyle), when the case of the frivolous is told by Virgil. Lastly, Charon says to the sinners, before he 252 NOTES ferries them across the dark river, " Hope not ever to see heaven." Dante puts forth his gravest powers in this inimita- bly picturesque canto, the only one wherein all the in- habitants of the Inferno are presented. Coleridge has noted its "wonderful profoundness." The severe side of the poet is most eifectually displayed when he de- picts the state of the frivolous, of those whose char- acter is thoroughly unlike his own. Their place is never named. Not a word of articulate speech, but cries merely, do we get from them. Particular mention is made of one only, and this is done by way of peri- phrasis. Dante himself scarcely speaks of them. He dismisses them with extreme contempt as "the set of caitiffs hateful to God and to his enemies ; these scoun- drels who never were alive." With fine observation he notices their pauseless pursuit of a flag ; for such spuri- ous energy, by a strange contradiction, is often shown by swarmers (we may see it daily in our streets with restless pleasure-seekers ; we may read it on the features of giddy nursemaids, whirling along perambulators con- taining children for whom they care nothing). It is Virgil who explains to Dante their wretched condition — " This miserable mode those sad souls maintain who lived without infamy and without praise. Mingled are they with that caitiff choir of angels who were not rebellious nor were faithful unto God but were for themselves. Heaven chases them out, not to be less fair. Nor does deep Hell receive them, lest the wicked should have from them any glory." Dante then asks — "Master, what grieves them so much, that they lament thus loudly?" Virgil answers — " I will tell it thee very briefly. These have no hope of death, and their blind life is so low that they are envious of every other lot. Fame of them the world does not allow to exist. Mercy J NOTES 253 and justice disdain them. Let us not speak of tliem, but look and pass." This last sentence (Carlyle's second quotation) is one of those few passages in which our English gives, with- out loss of style, the full meaning of the original ; the monosyllabic words reminding us of some of Shake- speare's most emphatic lines, best suited to solemn topics, like the — " Aye but to die and go we know not where " of Measure for Measure. When the pious and gentle Abbe de Saint-Cyran, shortly before his death, wrote, *' que les foibles sont plus a craindre quelquefois que les mechants," he drew a faint but exact parallel to one side of the powerful Dante {Port-Royal , par Sainte-Beuve, Livre 2, xiii.). Page 98. — Piirgatorio. — Carlyle has elsewhere reiter- ated his preference for the Purga,torio. But he goes too far in attributing the greater attention commonly l^aid the Inferno " to our general Byronism of taste." The Inferno comes first and must be read first ; other- wise the Divine Comedy is not intelligible. Simply throjigh laziness or want of leisure many fail to pursue their studies beyond "the first song, which is about the sunken." (Inferno, XX., 3.) Page 100. — Paradiso. — The Paradiso is more difficult than the two other songs, not in style but in subject- matter, which by its nature remains ethereal, intangi- ble, unearthly. For both Hell and Purgatory belong to our globe and Dante himself has said in a letter — "I found the original of my Hell in the world which we in- habit." (See Isaac D'Israeli's paper on " The Origin of Dante's Inferno.") Yet has the Paradiso never quite wanted some devoted English appreciators. Thus we read of young Hallam, the hero of In Memoriam — " Like all genuine worshippers of the great Florentine poet, he 254 NOTES rated the Inferno below the two later portions of the Divina Commedia ; there was nothing even to revolt his taste, but rather much to attract it, in the scholastic theology and mystic visions of the Paradiso." The Paradiso is so beautiful throughout that quota- tions from it lose much by their removal from the con- text, a sure sign of perfect works of art (as with Mozart's operas, compared to those of other composers). We may refer, however, to one passage at the opening of Canto XXVII. When Dante hears all Paradise begin- ning to chant their hymn of glory to the Trinity, he says — " that the sweet song intoxicated me. What I saw seemed to me the smile of the universe." He had previously used the same concept of inebriation to indi- cate the very opposite extreme of feeling in the first lines of Canto XXIX. of the Inferno, which Coleridge cites as a chosen specimen of '* the endless subtle beau- ties of Dante." We are here, curiously enough, re- minded of Byron — " Man, being reasonable, must get drunk ; The best of life is but intoxication." « The reader should study the instructive "parallel be- tween Dante and Petrarch " to be found in the Essays of Ugo Foscolo. LECTUEE VI. Page 103. — Galileo. — It is insufiBciently known that Galilei was not only great as a man of science ; he is also among the most charming of writers. His dia- logues sparkle with the liveliest humor. Asked why he wrote so well, he said he was fond of reading Ariosto. Galilei did more than Luther for the cause of real be- lief, by freeing men's minds from subjection to the tyr- i NOTES 255 anny of ecclesiastical opinions. Luther and liis suc- cessors but endeavored to substitute one kind of priest- ly domination for another. Galilei taught serious en- quirers how they should begin if they sincerely wished to study nature for themselves. Let the way be cleared by getting rid of prevailing errors, that we may see in what direction the truth lies, and then methodically pursue it. The Copernican point of view was not a thing fixed before Galilei entered on his labors. He it was who effectually subverted previous confusing no- tions ; who showed the remoteness and littleness of man, no longer occupying the centre of all things, though capable of becoming great by the pious exercise of those powers w^hich reveal to him his time relations to the universe. The clergy, from their point of view, beheld the wide firmament (that is to say, almost everything which ex- ists) as a ceiling stretched above man's unshiuing abode. To this restricted opinion they had adjusted their dog- mas ; and these, in the course of time, were threatened with the fate of the worn-out geocentric hypothesis. It is often now said that we are irreligious because we have abandoned our faith in miracles. Not so, but men ask what provision has been made to save the souls who are on the planet Jupiter ? The Church, therefore, was right in persecuting Galilei. " The moral law, in its api^lication to man, is not the same, if (1) the earth revolves or if (2) she is motionless in space. Were she motionless, man evidently would have the right to believe himself the principal object of the Creator's thoughts ; but she revolves, and hence- forth man is no more than the privileged being of one of the millions of worlds circulating within infinite space. That is very different; and this it is which has been perfectly comprehended by the very pious folks of 256 KOTES a certain epoch. Those who condemned Galileo, Coper- nicus, Giordano Bruno . . . were logical in their ignorance : 'tis this which excuses them. Piety did not suifice to teach us whether the earth revolves or not ; that, science alone could do." (Translated from Ana- lyse eUmentaire de V Univers, par G. A. Hirn, Paris, 18G8, p. 528.) Professor Macli, of Prag, has given us the best ac- count of Galilei as the founder of modern dynamics, the worthy precursor of Huyghens and Newton. His book {Die MecJtanik, Leipzig, 1883) contains a coj^y of the fine old portrait of " the Tuscan artist " on whose friendly features our own Milton was permitted to gaze. Men of science are often absurdly contrasted with men of literature. I feel it good to remember that, thirty years ago, Mr. Huxley was the first person who kindly explained, to me some passages in Dante, the last and the greatest of the geocentrists. Page 106. — Printing. — The date of 1450, assigned in the text to the full utilization of this invention, is rather too early. Yet 1440 has often been mentioned, as in the Essay prefixed to the edition of Pascal's Provincial Let- ters published by the elder Didot. Discussions as to the origin of printing have a more than antiquarian interest, although much of the evi- dence for their exact treatment seems wanting. We can hardly deny that Gutenberg was the real inventor of printing. Poverty and his necessary dependence on ex- traneous artistic aid threw him into the hands of Fust and Schoeffer, who from Gutenberg's workshop issued at Mayence in 1454 copies of the famous letters of in- dulgence, the first sheet printed from movable types which we are now able to verify. At the close of 1455 or beginning of 1456 the same pair published the first printed book, the so-called Mazarin Bible, which Guten- NOTES 257 berg years before had begun. A year later followed their Psalter of 1457, the first printed book bearing a date. Gutenberg, turned out of his laboratory, set up another, and in 1460 issued the Catholicon of Balbi. The merit of executing this work has also been snatched from Gutenberg by some of his pupils and others. The slowness and secrecy with which he had to labor not only injured jDOor Gutenberg in his life-time, but have since tended to hurt his reputation. That printing came late, that it was not devised at a stroke, that its inventor long toiled amid darkness and difficulties which have obscured his nobleness, his self- abnegation, his identity ; further, that its products were soon spread abroad, and that, unlike other arts, it reached rapidly a high state of relative perfection — need not now surprise us. These things are at once ex- plained if we bear in mind the many disciplines, antece- dent and collateral, which this invention demands, and consider the wonderful results it is fitted to effect with peoples ready to receive its influence. Page 107. — Gunpowder. — The results of the invention of gunpowder, dispassionately regarded as the typical species of the genus explosive, the editio princeps of a classical gospel preached to moderns (harmonizing and conflicting, in the most intricate manner, with the teach- ings of other uncontroverted gospels, which appeal like- wise to the passions of fear, greed, or vanity) may be viewed as they affect {a) professional fighters and (b) students of history. (a) Napoleon, a brilliant operator because he was a deep thinker in the art of war, is here our highest au- thority. He expresses clearly his opinion that certain qualities must have been common to the great generals of all times, and that they owed their advantages to the 17 258 NOTES exercise of these rather than to fortune. But he says further that, supposing the Elysian fields should send back to earth the choicest of the dead, less than a day's notice would enable Gustavus Adolphus or Turenne to fight efficiently a modern battle, while Alexander, Csesar, or Hannibal would need at least one or t^vo months to study what can be done with gunpowder (" Notes sur I'histoire de la Guerre," in Correspondance^ Tome XXXI., p. 501). {h) The historian, as well as the military man, will reflect that the eff'ects of gunpowder are twofold — phy- sical and moral. It kills men at a distance, in great numbers at once, often with little skill, sometimes with- out danger to the aggressor, and usually by means which readily permit repeated application. It awes men because it may be used by unseen foes, because its action is swift and may find them unprepared, and be- cause skill can do little or nothing to thwart it. Hence the fear of death or wounds thus produced, the attendant uncertainty and such circumstances, immedi- ately influencing the senses, as noise or smoke, over- come enemies rendered careful of lives which in hand- to-hand encounters they would freely venture. Gunpowder is merciful, because by it (1) battles are soon decided and (2) victory cannot long be concealed. With cold steel it is imperative that a small disciplined army slaughter a considerable proportion of those op- posed to them. Eead, for example, the account in Gib- bon [Decline, Chap. XIX.) of the battle of Strasburg, fought A.D. 357 by the Emperor Julian against the fierce barbarian Chnodomar. It must often have been diffi- cult for ancient conquerors to know when they had won. We should therefore dismiss many charges of cruelty brought against Csesar and other illustrious captains of antiquity. NOTES 259 Improvements of explosive weapons enhance their merciful tendencies. On the Franco-Prussian warfields in 1870, with needle-guns and chassepots, fewer propor- tionally were shot than with the flint-muskets fired at the battle of Albuera in 1811. In this terrible engage- ment seventy per cent, of the victors were placed hors de combat (Napier's Penmsular War, Book XII., Chajj. VI.).^ It is true that non-explosive like explosive weapons act both on men's minds and bodies. But the former exert less influence morally, notwithstanding that, with strict irony, they are more sure in their physical ojDera- tion. The spear and the sword suggest feudal times and privileged persons. Gunpowder is a leveller, the fit precursor of our democracy. The weakest can use it, the strongest sufifer from it. Its action, like that of fate, appears accidental ; premeditated as to its causes, its incidence is mechanical. Thus it is doubly dreaded. It is less horrible to be killed by a man than by a machine. " It has a strange quick jar upon the ear, That cocking of a pistol, when you know A moment more will bring the sight to bear Upon your person, twelve yards off, or so." Hotspur's popinjay was rightly frightened at " vile guns." As the imj^rovement of lethal weaj^ons pro- gresses, so does the unwillingness of men to be hit by them increase in a more than corresponding ratio (see •' The Warfare of the Future," by A. Forbes, Nineteenth Century, May, 1891). Perhaps in times to come every bullet will not have its billet. Page 109. — TJie Spanish Nation. — Prescott's Ferdi- nand and Isabella is more instructive and appreciative 260 NOTES than any other book we can cite on the leading facts in the history of Spain and the distinguished qualities of its once eminent people. Nor is Prescott despondent as to the future which may yet be in store for the Spaniards. Page 112. — Mahomet. — Carlyle refers to Mohammed from the same point of view in his Lectures on Heroes. Space fails us for the discussion of this tempting and very interesting topic. The reader is referred to Gib- bon's treatment of it (see Chap. L. of his Decline, with the copious notes of Dr. W. Smith's edition) and to the learned Wellhausen's article on Mohammed (in the ninth edition of the Ency. Britannica) . That Mohammed was either a true prophet or an im- postor (a deceiver of himself and others from first to last) states two contradictory opinions which in words are very easily expressed, but neither of which considerate students can accept as satisfactory. The first of these opinions receives some support from facts ; the second must be rejected, in spite of much plausible criticism. Neither Jews, professing Christians, nor infidels are likely to be fair Judges of Mohammed as he really was, unless their minds are capable, in an extraordinary degree, of standing aside from the j)rejudices of education. The intermediate hypotheses — that Mohammed began in sin- cerity and ended in deception, or that his whole life shows a mixture of faith and scepticism, are somewhat more tenable. But they are also more ambiguous and less conclusive. Eather did Mohammed waver, not be- tween belief and doubt, but between belief as modified by contem]3lation or by practice. Like all distinguished men he displays a union, intricate enough, of weakness and strength. Powerfully as he moulded many circum- stances by his will, their force sometimes compelled him to say things in apparent opposition to what he thought I NOTES 2G1 and did. Moses, too, was impeded in his good inten- tions bv external necessities, affecting men's minds, op- portunities and acquired habits. We do not sufficiently allow for the extreme sensitiveness inherent in several great men of action, such as Caesar, Mohammed, and Napoleon. They may disguise this by their power of rapid reflection, enabling them to utilize what seem to others defects, to derive fresh energy from the high tension of their repressed sufferings. Archbishop Whately [Lessoyis on Mind, p. 174) indicates '* a sort of intermediate state of mind between belief and disbe- lief." He illustrates his subject by reference to Cowper's poem — "The Castaway." This weak though amiable and gifted man offers the strongest possible contrast to Mohammed ; but such remote analogies are, in one essen- tial particular, often the truest of all. It can scarcely be said with truth that conviction implies the initial absence of doubt, the power to question the crude assumptions others would impose on us. The exemplary hero of In Memoriam gathered strength and gained a stronger faith by fighting his doubts, not by ignoring them ; but dog- matic theologians do not commend Hallam's method. The progress of Mohammedanism after the death of its founder ; its persistence and extension to this day, not- withstanding hostile missionaries, politicians and ar- mies ; its suitability to many and diverse peoples — these things declare, better than historical comments, how vast was the plan this man set himself to devise, how exce^D- tional were the endowments by which he achieved it. It is well known that Goethe's mind was long occu- pied by reflections on Mohammed, whom he once in- tended to make the hero of a drama (see his Life by Lewes, Book III., Chap. 4). He has left us as a h'2ig- ment Mahomet^ s Gesang. He himself translated the Ma- homet of Voltaire, played at the Weimar theatre in 1800. 262 NOTES Heinricli Heine's account {Englische Fragmente, XII.) of his visit to the London docks shows how genial is the response an appeal to the prophet's name can evoke from believers. Page 118. — Humor of Cervantes. — In this quality (good judges now admit) Cervantes is surpassed by no writer. The scene of Don Quixote's visor immortalizes a recur- rent weakness of all reformers. Don Quixote, Robinson Crusoe, and Gulliver's Travels are unquestionably the masterpieces of fiction. Perhaps the Vicar of Wakefield and Tom Jones should be added to the list. England, relatively weak in the fields of history and the drama (Shakespeare, a mighty excep- tion, deducted), shines well in this comparison, which attests the glowing imagination and rich descriptive gifts of its best literary rejjresentatives. Still Do7i Quix- ote remains the freshest of novels, if by a name since applied to so many worthless productions, it may be now thus designated. Page 119. — Lope and Calderon. — A little volume — The Spanisli Drama, 181:6, by the late G. H. Lewes, is almost wholly devoted to a very readable account of these skil- ful and prolific play-writers. Page 120. — Spanish Literature. — For a good guide to the authors Carlyle does not notice see the English translation of Bouterwek's History of Spanish and Por- tuguese Literature, in two vols. 1823. LECTURE VII. Page 124. — Pytheas. — The scanty fragments left us from the lost writings of this traveller (whom Strabo, when he cites him, loves to contradict) are little known. \ NOTES 263 But see the '' Eclaircissemens sur la vie et les voyages de Pytlieas de Marseille," par M. De Bougainville, in Tome XIX. of the Memoires de VAcadcmie royale des In- sci'iptions et Belles- Lettres. Page ll^. — WilUam Tell— A chapter under this title, showing how the story about shooting the apple arose, may be read in Curious Myths of the Middle Ages, by S. Baring-Gould. Page 129. — Comines. — Scott drew largely upon this writer in the preparation of two of his romances, Queri- tin Durivard and A}i7ie of Geierstein. The historian ap- pears as an acting personage in the first of these works. Page 133. — Luther found a Bible. — His doing so, an event nowise extraordinary, has in our time been made a subject for much misrepresentation by Protestants of the untruthful aggressive sort. In The Dark Ages, by the Eev. S. K. Maitland (a valuable book, lately re- printed), will be found a clear account of the matter. Page 137. — Ulphilas. — The significance of the work done by this estimable and much-abused bishop is well explained in Max Mailer's Science of Language. Page 138. — Lidher's words half battles. — Jean Paul was anticij^ated as to his motive for this comparison. Quin- tilian says of Ceesar, that he seemed to speak as he had fought. Page 138. — Erasmus. — Bayle's articles on Erasmus, Ilutten and Luther abound in fair and instructive com- ments on many things touching these reformers. "What Bayle says or suggests, in his very pleasant manner, has been often in substance pilfered and clumsily refitted to suit the views of those who care more for their own nar- row views than for truth and honesty. 264 NOTES Page 141. — EpistolcB Obscurorum Virorum. — A full paper on these letters, with much concerning von Hut- ten, will be found in Sir W. Hamilton's Discussions. LECTUEE VIII. Page 148. — Mascou. — Geschichte der Deutschen bis zum Abgang der Meroving. Konige, Leipzig, 1726-37. In 2 vols. 4to. "The first German historian [says Ebert] who undertook to write the history of the nation (not merely of the empire).'' Translated into English, 1737-38. Page 148. — Saxons. — Consult about this people Klemm's GermaniscJie Alterlhumskunde, Dresden, 1836, and the word Saxa in the Glossarium of Du Cange. As to Saxon being to this day the Celtic name for the English — read in the Life and Letters of Rowland Williams, D.D. (Vol. I., p. 179) how this excellent cler- gyman introduced his wife to his parishioners, " and when, as in duty bound, they made some complimentary speech (of course in Welsh) his reply in the same lan- guage was, * Ah, she is only a poor creature ; she can only speak Saesneg ! ' " Page 152. — Normans and English. — The spoken Eng- lish language shows in its grammar convincing traces of its Teutonic origin, although, in consequence of the Norman conquest and other influences, the number of Norman (or rather Graeco-Latin) ivords our dictionaries contain is double that from all other sources. We call English a mixed language with much confusion of thought, best dispelled by studying that serviceable book — Max Miiller's Science of Language. NOTES 265 Page 153. — EUznleth. — If England, as Caiiyle states, was first consolidated under Queen Elizabeth's grand- father, so had France gained the blessings of peace, post-offices, strength and union, when guided by a far greater ruler, Louis XI., who died two years before Henry YII. came to the throne. In that same ominous year (1J:83) of the French king's death were born, by a strange conjuncture, the pious artist Eaphael and Lu- ther, the potent disturber of nations. Euroj^e was not long permitted to enjoy quiet. Yet England, as well as France, began at once to progress as soon as the former, after the wars of the Roses, ceased interfering with the affairs of the latter. When the English, under the younger Pitt, resumed their meddling policy, in sup- port of the wretched Bourbons whom they could not keep on their thrones, much misery for both peoples was again brought about. And we are still galled by the weight of debt and taxes then imposed on us. Page 154:. — Shakespeare. — The essential resemblance of Shakespeare to Homer, in spite of obvious distinc- tions, is not the vain thing spurious criticism would make it. Both combine ease and strength, subtlety and naivete of expression, in a mode only possible to artists of the highest genius. That Shakespeare indulged in conceits of language, after the manner of the Spanish and Italian dramatists, is undeniable. But so did the severe Dante. Playful- ness in the handling of words pleases expectant hear- ers, reveals while it conceals the gi-eater skill of the master, relieves his tension of mind, not unbecomingly places him on a level with his audience, and above all is necessaiy to the contrasted effect of those serious pas- sages he must introduce. 266 NOTES Page 156. — Poet and T^m^er.— No considerate person Disposes the poet to the thinker, for thought involves sentiment and will as well as iDurely intellectual pro- cesses. (See Wundt, System der Philosophie, LeijDzig, 1889, p. 41.) Coleridge {Notes and Lectures upoyi Shakespeare, p. 6) says — "Poetry is not the proper antithesis to prose, but to science. Poetry is opposed to science, and prose to metre." But is it not more correct to distinguish science, strictly so called, from art in general ? And is there not a still more real distinction between conscious logical operations of the mind and those imaginative gifts by which both the poet and the man of science may profit ? Page 159. — The greatest men quiet. — The finest proof of this truth is afforded by one of the greatest of all writers, Caesar, to those who are caj^able of reading him between the lines. The brief gentle references of this powerful man of action to the blunders of his subordi- nates, the quiet way in which he passes over his own ex- ploits, his manner of speaking (or rather, not speaking) of himself are at once delightful and awful. No so- called religious loader has ever gained victories over others and himself like those of this immortal pagan conqueror. I could name two men of genuine ability, both of humble origin, unprejudiced and unspoilt by books, who felt almost inclined to worship Csesar's bust in the British Museum. The age of heroism is not dead, so long as this is possible. Eead what the late Eichard Jefferies says of Caesar's lineaments in TJie Story of my Heart. Page 160. — John Knox. — The character of Knox will scarcely be upheld by Carlyle's eulogies. We may will- ingly recognize his unusual courage ; such men are rare. NOTES 267 and he who is not a coward fairly claims our praise. But Catiline also was a very courageous man. Hume's History tells us how Knox successively persecuted two queens, Mary of England and Mary Queen of Scots. As an indication of his unrivalled coarseness of language read *' The first blast of the ti-umpet against the mon- strous regiment of women." To learn his powers of tergiversation (for Knox, with his scholastic training, could play the logician's part, denounced in others by Carlyle as antagonistic to sincere belief) consider how he afterward behaved when Queen Elizabeth came to the throne. Maury {Essai sin- les Legendes Fieuses du Moyeyi-age) indeed says that Knox " etait un hallucine." See his article in Bayle and what is told of him by the Kev. S. K. Maitland, in his Essays on the Reformation. Page 165. — Milton. — Milton loved what was good in the Puritans, but he who sung of dim religious light and of St. Peter shaking his mitred locks could not be a Puritan at heart. Or rather, the pious author of Adam's evening i^rayer {Paradise Lost, IV., 720-735), than which David, Isaiah and other prophets of old have not left us more inspired utterances, was the only true Puritan of his time, compared to whom nomi- nal Puritans are but as stubble. Milton, like Schiller, was a real lover of liberty, without being an anarchist. In this respect he was superior to Carlyle, who shows himself an oligarch whenever he deliberately states his political opinions and is full of that morgue aristo- cratique which Napoleon declared to be, next to money- making, the highest creed of Englishmen, of middle- class Englishmen most of all. The American descend- ants of the Puritans still, in secret, cultivate this weed. The French, the Swiss and the Dutch are comj^arative- ly free from it. So long as Germany cherishes it, its 268 NOTES unity will be spurious ; with all its strength and disci- pline, it will have this disadvantage, should it fight its internally unfettered antagonist. Strange irony of fate — that the least and the most despotic of the great Euro- pean powers, the first liberators and the last persecutors of the Jews, should now be united against that nation in which feudalism maintains an influence out of con- cert with the enlightenment and strong character of its hitherto unconquered inhabitants. LECTUEE IX. Mr. Anstey was hindered by an attack of malaria from attending Carlyle's ninth lecture. The reader, while re- gretting the absence of his reporter, will console him- self with the reflection that this lecture has been lost rather than any of the others. What the lecturer had to say on French literature may well be conjectured from the long papers on Diderot and Voltaire, reprinted in his Miscellanies. Strongly sympathizing, as did Carlyle, wdth certain aspects of the French Revolution, and powerfully as he has represented several of its scenes, he never could rightly appreciate French views of things. We regret here to find him in good company ; for Coleridge, De Quincey, and many worthy English authors exhibit a like deficiency. LECTURE X. Page 169. — Quota/ ion from Ooellie. — But Goethe also said, '* My inheritance, how wide, how fair ! Time is my estate ; to Time I'm heir." Page 171. — Reign of Quackery. — Carlyle might have added that nowhere is the doctrine that money will buy NOTES 269 money's worth move practised than in the land of the almighty dollar, the free country of the free children of his favorite Puritans, who sought (as a female poet, with impious humor, has sung) "freedom to worship God," that is, to split into as many denominations as they pleased. See, inter alia, Dickens' American Notes. This multiplicity of sects, Archdeacon Farrar tells us, is to be taken as a sure sign of sincerity. A more suc- cessful preacher of the modern gospel of Mammon, Mr. Jay Gould, improves its text by inserting a trifling mar- ginal gloss ; for money now buys what is not money's worth. He means " L'argent des autres," to quote Ga- boriau. For has not Mr. Gould honestly declared that without outsiders (the great host of worshippers who, with innocent and touching credulity, like all true be- lievers, kiss the rod and rejoice when they are robbed) speculators on the Stock Exchange, the high priests of the temple in Wall Street, would certainly stai-ve ? The demon of credit (called by Addison a goddess !) sitting on his stool in the infernal counting-house, must view with an evil eye these ready-money transactions. Carlyle's second doctrine (taken from Byron), that Pleasure is pleasant, holds true, but chiefly for begin- ners and fresh converts. It is milk for babes. Happily, pleasure soon palls uj^on those who get more than their share of it, and thus the distribution less of pleasure than of pain is more equable in our life than the ignorant sup- pose. Philippe de Comines, commenting on the King's death, says — " Poor and mean folks ought to have little hope about this world, since so great a king suffered and toiled so much, and could not find one hour to push off his death, whatever diligence he knew to make " {Memoires^, VI., Chap. XIII.). And again he writes {Ibid. VIII., Chap. XIII. Note the ominous number of the chapter in both books) — "No creature is exempt from 270 NOTES suffering, and all eat their bread in pain and grief. Our Lord promised it when he made mankind and has loyally kept it with all people. But pains and griefs are different ; those of the body are the least, and those of the understanding the greatest ; those of the wise are of one sort, those of fools of another. Yet too much grief and suffering afflicts the fool like the sage (though to many it seems the contrary), and he has less consola- tion. Poor x^eople (who toil and plough, to feed them- selves and their children, and pay taxes and subsidies to their lords) ought to live in great discomfort, if great princes and lords had all the world's pleasures, and they toil and misery; but things go on quite otherwise." Page 173. — Speech and Silence. — The saying quoted by Carlyle is an old oriental one, though it has had many modern editions. Thus Schleiermacher says, in praise of a great scholar — " Bekker is silent in seven languages." Page 11^.— Whitfield.— K favorable view of Whitfield is taken by Lord Malion (Stanhope) in Chapter XIX. of his History of England. Page 177. — Steele. — Thackeray has, perhaps better than any other writer, said a good word for the neglect- ed Steele, whose fine panegyric on one woman well rivals the more famous quotations made from Petrarch or Dante on like subjects. We love Steele ; we praise, but seldom read Addison. Page 179. — Swift. — Carlyle refers here to the lines in Johnson's Vanity of Human Wishes — "From Marlborough's eyes the tears of dotage flow. And Swift expires a driveller and a show." NOTES 271 It is cruel to quote them. The beauty and strength of Swift's unsurpassed prose are the product of a clear in- tellect and a genuine (if not always apparent) fineness of feeling, rarely found united in Englishmen. Swift is too honest not to show us his faults ; we therefore the more willingly pardon them. A Tale of a Tub demands his canonization by Anglicans, could they see how true and badly treated a friend they had in him. His Gulli- ver's Travels, the charmer of our childhood, the in- structor and amuser of our later years, is simply (we speak advisedly) the best work of pure imagination ever put forth, after the Divine Comedy of Dante. The genius of Bunyan, in sj^ite of his high theme, does not so impress us, with all his allegorical names and char- acters. But in reading Swift and Dante their perfect style is forgotten, because it is perfect ; we think only of the real things they describe and the characters who act again, in our presence. We are not told that Ca- paneus A*ages ; we hear him vagmg. We become Lili- putians ourselves when the Emj^eror of Liliput ap- pears. " He is taller, by almost the breadth of my nail, than any of his court, which aJone is enough to strike an awe into the beholders." Great is the power of words, in themselves the idlest things, when used by a master. Page 179. — Sterne. — Sterne (like Rabelais, whom in many respects he resembles less than critics pretend) is, in one word, indescribable. He should be read, not criticised. He has certainly some of the merits of Cer- vantes and Swift ; his humor is as exquisite, but very different and all his own. Coleridge, strange to say, has best commented on him (a Course of Lectures, IX., in Vol. II. of his Notes). Dr. Slop, Corporal Trim, the Widow Wadman, and Uncle Toby are quite as real to us 272 NOTES as Don Quixote himself. The improprieties of Sterne are indeed provoking, but we pity those who see not the refinement which lies beside them. In subtlety of conception and expression the character of Mr. Shandy is worthy of Shakespeare. We praise many books more ; but there are few we would not part with for a comfortable fireside copy of the inimitable Tris- tram Shandy. Page 179. — Pope. — An afi'ected contempt for Pope, whom they do not understand, is one of the symptoms common to a sickly class of modern essayists, who spin weak cobwebs about him from their own ailing moral interior. Byron knew better when he called Pope "a poet of a thousand years." He is not to be spoken of in the same breath with the other poets of Queen Anne's contemptible reign. His Essay on Criticism re- mains a marvellous performance, though written in his twentieth year. Notwithstanding Hallam's pseudo-pla- tonic criticism [Literatia^e of Europe, Chap. I.) Eloisa to Ahelard most touchingly expresses the feelings of one of the truest of women, while the immortal Dunciad asks in vain for a twin-brother, to stigmatize the obtru- sive pretenders to fame swarming in our nineteenth century. Page 182. — Johnson and Boswell. — The reader should again compare Carlyle's essay on Johnson with that of Macaulay, and note well the superiority of the former. The recent edition of Bosrcell by Dr. Hill treats this masterpiece of biography with unusual care and sym- pathy. Page 182. — Hume. — Hume (against all differences of opinion) ranks with Malebranche in France and Leibnitz in Germany as one of the few modern writers who, like NOTES 273 Plato and Cicero among the ancients, know how to make philosophy agreeable. See the edition of his works in four vols., by Green and Grose. Page 184. — Robertson. — Eobertson is the baby Carlyle flings to the wolves, that he may save the rei^utation of other Scotchmen whom he always pets. Even our James I. (his James VI.) won his admiration. Page 185. — Gibbon. — Gibbon, the only Englishman who has united German learning with French grace, is less understood by Carlyle than by many of the ortho- dox, admirers of the finely tempered weaj^on that wounds them. Carlyle used more moderate language in talking to Emerson. *' Gibbon he called the splendid bridge from the old world to the new." He is still the only general historian for the whole period of the Mid- dle Ages. Unfortunately the latest and best annotated edition of his Decline has penuriously been printed on very poor pajDer. LECTUKE XI. Page 187. — Inadequacy of Logic. — What Carlyle here states resembles, more closely perhaj^s than he might have wished, the opinions set forth on the same subject by Cardinal Newman, with all his characteristic charm of expression (see An Essay in Aid of the Grammar of Assent). Page 193. — Wei-ter and Charlotte on Tea-cups. — In the poem expressive of gratitude to his kind friend and patron the Duke of Weimar, among his Roman elegies, Goethe thus wrote — " Yet what avails it me, that indeed the Chinese, too, Painted, with careful hand, Werter and Lotte on glass." 18 274 NOTES This translation is literal. But see the whole poem, with much else that is enjoyable, in Mrs. Austin's Char- acteristics of Goethe, 3 vols., London, 1833, Page 195. — The Works of Byron. — Byron never seri- ously said that the world was a place not worthy for generous men to live in. He says quite the contrary. Upbraiding the degenerate inhabitants of the beautiful land of Greece, before it regained its freedom, he refers to the time " when man was Worthy of thy clime." In the same poem (see the delicious verses at the beginning of The Giaour) he often expresses the same sentiment. For example — " Strange — that where Nature loved to trace, As if for Gods, a dwelling place, And every charm and grace hath mix'd Within the paradise she fix'd, There man, enamour'd of distress, Should mar it into wilderness." And again- ' So soft the scene, so form'd for joy, So curst the tyrants that destroy." The burning stanzas of his inspiriting Isles of Greece ex- quisitely display the same conviction. Page 196. — Goetz von Berlichingen. — Sir Walter Scott translated, not well, this poem, in which the characters are thoroughly alive, and which Goethe wrote as a young man beginning to show his strength, and anxious for a while to save his mind from the oppression caused by the symptoms of weakness he saw around him. Goetz is the pendant to Werter. It expresses the mediaeval spirit, as against the modern. Goetz struggles to the last; Werter is worn out. The truth is that Goethe, NOTES 275 writing these poems out of his heart, in quick succes- sion, split his own comi3lex being into two characters, the man of contemplation and the man of action. In Faust this double theme is again taken up on a much greater scale, both as to extent and intricacy, and with far more refined mental resources. Those who neglect Werter's Leiden, fearing it should prove too melancholy, are deceived. It contains not a few bright thoughts and many charming descri^jtions of external nature. Page 200. — The Diamond NecMace. — The reader will, doubtless, turn to Carlyle's paper on this matter (re- printed in his Miscellanies), and to the well-known ro- mance of Alexandre Dumas {Le collier de la reine). The English *' Baccarat scandal " of 1891 might, like the affair of the Diamond Necklace (which it more resembles than at first appears), have caused mischief, had attendant circumstances aided. It, too, was a spark, which by good luck did not fall upon gunpowder. Page 200. — Rousseau. — For an instructive and very pleasantly written lecture on Bousseau, which many of our readers have probably not seen, we cite the title of Emil Du Bois-Eeymond's " Friedrich II. uud Jean- Jacques Rousseau," in his Reden, erste Folge, Leipzig, 1886. As Rousseau, like Don Quixote (see the English translation of Griesinger's Mental Diseases, p. 10), with all his exquisite genius, reminds us of those who belong to the so-called borderland between sanity and insanity, we may refer also to J.-J. Rousseau's Krankheitsgeschichte von P. J. MObius, Leipzig, 1889. See, likewise, the somewhat rare Expose succinct de la contestation qui s'est elevee entre M. Hume et M. Rousseau, avec les pieces justificatives (a Londres, 1766), and Mr. John 276 NOTES Morley's welcome Life of this eminent French writer. Diseased nerves, in si)ite of Carlyle's protest, sometimes offer the only true explanation of the strange conduct of great men. Page 201. — Tlie French Revolution. — For a calm and hopeful discussion, written with much eloquence, of the ideas suggested by a study of the three French revolu- lutions (1789-1830-1848) every reader should think over Ernest Renan's UAvenir de la Science : Pensees de 1848. Paris, 1890. Page 203. — Europe and France. — Carlyle is not con- sistent in asserting the right of Europe against France, while he commends Napoleon's maxim of " the career open to talents." The English and the Germans threat- ened France in the first instance, and caused a misery more widespread than that of the French Revolution it- self, by their vicious intromission in the affairs of a peo- ple with which they had no concern. The two Teutonic i^ations, in fact if not in right, were consistent enough. Whatever they might say, they showed by their actions they preferred to freedom that slavery to oligarchical governments it was the chief business of the French Revolution to put down. These things began before Buonaparte. It is wrong to look on him as an upset- ter of the principles of the Revolution. He indeed saved France from anarchy, restored religion, and raised that nation to a height of power it never reached before or since. But was he not a promulgator from the can- non's mouth of the gi'eat revolutionary maxim Carlyle so much admires ? And was it not their terror lest Europe in general should find this maxim too captivating, that made its rulers send their misguided hosts against the preacher of a doctrine which, once taught, meant the destruction of all oligarchy ? NOTES 277 Napoleon said, that John Bull in the end "wonld do him justice. Has not the chief recorder (Gen. Sir W. Napier) of Wellington's victories emphatically asserted the incomparable superiority of his Corsican opponent ? Did not our Queen appear in public leaning on the arm of the nephew of her grandfather's enemy, and has not the son of the same nephew since died in her ser- vice? LECTURE XII. Page 207. — Return to Nature. — This is precisely the advice of the leading interlocutor in Galilei's DialogOy published in 1632 (not 1630 as stated by Whewell, whose account, in his Inductive Sciences, of this first of modern philosophers is very far from being the best). Besides Mach's chapter on Galilei, already recommended (under p. 103), see Poggeudorffs Gescliichte der Physik, Leipzig, 1879, pp. 204:-2-45, and Heller's Gescliichte der Phi/sil; Stuttgart, 1882, I. Band, pp. 343-383. Also, the German translation of i)art of Galilei's Biscorsi (1638), forming No. 11 of Ostwald's Klassiker der exacten Wissenschaften, Leij^zig, 1890. Galilei may be called the Homer, while Newton is the Shakespeare of dynam- ics. Huyghens (the " Summus Hugenius " of our Newton, a man not prone to distribute praise) is its Sophocles. The merits of Huyghens are well set forth not only by Mach, but also by Diihring in his very original Kritische Geschichte der Meclianik, 3 ed. LeijDzig, 1887. Page 208.— TAe Phoenix— ^hai Carlyle says of the end or consummation of scepticism viiW be consoling to many, but it is not the view of theologians and logi- cians, for whom he never cared. The Rev. Dr. Mo- merie, who belongs to both these classes (a union some- 278 KOTES what rare), tells us that those who still cling to their earl J faith "are every now and then pained, embarassed, staggered, by the fact that so many of their intellectual superiors consider their faith to be absurd. The spirit of agnosticism is in the air. The reviews are full of it. Poi3ular lecturers are everywhere insisting upon it. We meet it in novels, and even in poetry. At the universi- ties it is the predominant creed among the undergradu- ates and the younger dons. And, worst of all, we hear it sometimes in drawing-rooms from women's lips — from women, strange to say, who are young and fair, who are, or should be, hapiw " {Agnosticism, 3 ed. revised, 1889). We all wish, like the Phoenix, to rise again from our ashes, but it is not quite so pleasant to be reminded that ashes must again and again be our doom. This series of transvolutions, which Carlyle promises us, savors rather of Indian than Christian belief. In his too em- l^hatic declaration of our ignorance (p. 188), in itself sufficiently real, he goes beyond poor Ophelia (Hamlet, Act IV., Scene V.) in her frenzy, — "Lord, we know what we are, but we know not what we may be." We would point out the frequent error of using "scep- tic " as a synonym for the words "agnostic" or "infidel." Sceptics are extremely rare. We hardly know of any beside Montaigne, Bayle, Hume (perliai3S Gibbon and Mill, father and son), with Fontenelle — all delightful writers. Pascal, that matchless writer, had also his sceptical side. He is finely discriminated by Paul Bour- get as the only apologist for orthodoxy who ever under- stood doubters. Most defenders of Christianity, laud- ably desiring to slay the errors of their opi^onents, dis- charge their missiles at everything excej)t the mark. They failed by not discovering the sources of conviction and its opposites. They hit the ambient air. Archbishop Whately and Cardinal Newman have indicated some of 1 NOTES 279 these faults of method, but they themselves in practice have likewise failed. Of living eminent writers we may name as sceptics the fervid Eenan and the acute Du Bois-Eevmond. Among those lately deceased we might also designate as sceptical, in the best and truest sense, one of the choicest geniuses of our time, a discoverer comparable to Newton, the pious Gustav Theodor Fechner. Carlyle, without knowing it, was himself a sceptic. Page 212. — Happiness. — Carlyle, as so many know, has expressed noble thoughts on the signification of happi- ness in the most remarkable chapter of his Sartor Resartus (Book IL, ChajD. IX.). His friend, John Stuart Mill, referring to these views, has modified them from his own experience [Autohiography, pp. 132-143). His theory, strange as this may sound, is veiy like the only true and pious one ; it is, in fact, a moonlight reflection of it. We may, in our ingratitude, reject the happiness offered to us ; but hai3piness is not to be snatched by our own efforts. It comes to us like genius, beauty (Iliadis, III., 65), or sleep (Psalm, cxxviii. 2). It is a gift from on high. Vfx^e 21"^. — German Metaphysicians. — We fully admit the inherent difficulties of metaphysics, and the further difficulties superinduced by many painstaking German writers and others ; but Carlyle' s views of both defy our powers of annotation. They are more incomprehensible than metaphysics themselves. The best modern works on i:)hiIosophy are unquestion- ably the very original and critical writings of Wundt, namely, his Psychologie, Logik, Ethik, System der Philos- apJiie, and Studien, which last is a most useful periodi- cal by himself and others on all topics ajipertaining to things of the mind. These books we have bought and 280 NOTES read (let others do likewise). They could not, their dates being considered, have come within Carlyle's cog- nizance. A little more patience in dealing with such subjects would have done our Lecturer no harm. Meta- physics were certainly not C'M'lyle^s forte, though he has strangely been cited as a promulgator of idealism. He errs in blaming metaphysic for failing to supj^ly that which (like a custom-house) it can never afford. Page 216. — Goethe. — Carlyle has said so much that is good about Goethe, that no one who possesses his works needs the particular references which are here omitted. He is at his best whenever he treats of him. Between Goethe and Englishmen he still remains the one indis- pensable medium. Page 217. — Westostliclier Divan. — See Simrock's edi- tion (Heilbronn, 1875) of this incomparable work, with its references to the original eastern sources from which Goethe drew. Also consult an interesting article (" Goethe und Suleika ") in Julian Schmidt's Bilder aus clem geistigen Leben, Leipzig, 1870. Page 218. — Schiller. — The cheap edition of Carlyle's Life of Schiller, published in 1873, has a supplement on Schiller's parents and sisters. This is chiefly made up of translations from the works of Saupe and others. It is well worth reading, and it touchingly dej^icts (to use Carlyle's words) " an unconsciously noble scene of Poverty made richer than any California." Page 221. — Wilhelm Tell. — Wilhelm Tell (though prostituted as a school-book) is, next to Faust, the no- blest tragedy w^hich has appeared since the times of Shakespeare. The third scene of the fourth act, where Tell struggles w^ith his feelings before slaying the NOTES 281 tyrant, is Tinsurpassed for tone patlios and itigged strength of expression. Carlyle has given a translation of this scene in his Life of Schiller. Page 221.— i?/c7?Yer.— Jean Paul, unlike Goethe and Schiller, has not been fully translated for English read- ers. Carlyle himself has left us renderings of two of his stories, chosen by him as thoroughly representative. Two other translations are in Bohn's Libraries— Zercma, a work on education, and the romantic tale entitled Flower, Fruit, and Thorn Pieces. Page 225. — Leave-taking. — Carlyle has been often comi^ared, sotto voce and expressly, to each of the three German authors he most loved, and whose works he in- troduced by his useful labors to so many English read- ers. He has thus in turn been likened to Goethe, Schil- ler, and Richter. He is furthest from Goethe, whom he most venerated, to whom his obligations were great- est, and with whom^ alone of the three, he entered into personal communion. Goethe, with much of Carlyle's conscientiousness and force, possessed in a large meas- ure those very qualities wherein Carlyle was weakest ; for who does not allow Goethe's calm, his fairness, his fine appreciation of all that is essential and beautiful in form. He is accordingly by French admirers and by his own countrymen placed far above his great English interpreter, as a man in every way wider and pro- founder. Certainly he is more harmonious ; he was guided by the key-note of artistic forbearance (the tir^heu ayav of the Greeks — the ne quid nimis of their Latin imitators) with a nicety to which Carlyle could never adjust his own compositions. He at no time made any such pretensions. It were useless, therefore, to pursue this comparison further. Yet surely Carlyle deserves praise for perceiving, as 282 NOTES he did, the distinctive excellence of Goethe. This vir- tue is enhanced when we reflect on the differences be- tween those two writers. To revere what we lack our- selves is the genuine nucleus of piety. We find good in the humblest man when he admires the teacher who shows him a little part of the road to the infinite. There were strong ties of attraction between Carlyle and Goethe. How else could Carlyle have translated so beautifully the charming verses in Wilhelm Meister? Through these versions he shines as a true i^oet, and not a mere satellite, fitted only to reflect the light of the sun of Weimar. Goethe sincerely esteemed Carlyle's Life of Schillei\ who is not wholly unlike his biographer. Carlyle sur- passed Schiller in the important gift of humor and in dogged industry. In other resj)ects Schiller ajDpears his equal or superior. Both were historians. Carlyle was more copious, more desciiptive, more vehement ; in quiet streiigth, in smoothness, in love of liberty, in his firmer and more psychological grasp of the ruling ideas which persist from age to age, the author of The Thirty-years' War transcends the sturdy chronicler of the great Frederick, the eloquent but too precipitate commentator on France in her good and evil efforts to obtain freedom. Fine was the dramatic genius of Car- lyle, but he diffused what it revealed to him through the general body of his writings. He never so concen- trated his powers as to rival those lofty works, worthy of their heroes, Wilhehn Tell and Wallenstein. Carlyle comes much closer to Kichter, howsoever di- verse their gifts and products. To call the latter a writer inferior to Goethe or Schiller is at once true, ob- vious, unnecessary, meaningless, and invidious. Kich- ter would have shrunk, with real modesty, from the comparison. He has his own excellences ; like every NOTES 283 noteworthy man of genius he is, in a certain sense, in- comparable. The German, like the English Jean Paul (for so is Carlyle often termed), has been well styled the unique, der einzige, the only one. Eichter resem- bles Carlyle in his mixture of defects and merits. Eoth play tricks with language, alternately losing and gaining by risking extraordinary expressions. Both indulge, like St. Paul, in numerous anacolutha. The humor of both is strong, and not always restrained ; it highly pleases, it sometimes shocks us. They agree most in the spirit animating their works, their love of innate heroism struggling against outward hindrances, their confidence in the ultimate victory of truth and providence, their hopes for man and their faith in his future. Both were hard workers and high thinkers : none could be more unlike Dante's " scicmrati che mai lion fur viTiy Eichter ami Carlyle were thoroughly in- stinct with life and with that which is better than life — immortality. That is why they have left such good things behind them. Now they rest from their labors, and their works will follow them. Each might have felt, like Goethe, — "Es kann die Spur von meinen Erdentagen Niclit in Aeouen untergeliu : " and have said with Schiller, — " Getrcstet konnen wir zu Grabe steigen : Es lebt iiacli uns ;— durcli andre Krafte will Das Herrliclie der Menschheit sich erhalten. " '^'' OP THK UHIYBRS ETURN CIRCULATION DEPARTMENT 3i» 202 Main Library )AN PERIOD HOME USE 2 ALL BOOKS MAY BE RECALLED AFTER 7 DAYS nenm,.^ -«-TJ-I*„ *^"*^»«^ •'V brfnaino the ho»l ^rmmafa-aa4 brfnginffthefrQQtrn.e Ci'SUtdtiU! i i,^. DUTAslTMFiOittow^ date HOV 0198^ Rrfumoa by QCT 1 G 1984 ■^n i Q Ouz Jirnay CEIVED BY ;T 1 7 19b-- JLATION DCPT. UNIVERSITY OF CALIFORNIA, BERKELEY ORAA NO. DD6, 60m, 1/83 BERKELEY, CA 94720 ■°"«"SBilU ®S RKFLEYUBRARIES CDfiD'lfi71.24 '^^ UNIVERSITY OF CAUFORNIA UBRARY