m UC-NRLF GIFT OF >a 3^' FROM THE PRESIDENT'S OFFICE TO THE UNIVERSITY LIBRARY I in 2007 with funding from ^'^ ^ IViicrosoft Corporation ,http://www.archive.org/details/collegemusiccredOOartpricli Foreipbrd' ' / . .,^ .^ , . . rrriN order to ascertain what recognition is being given I Ti I Music by leading Educational Institutions of Amer- pk^l ica, the Society recently sent out a Questionnaire. The \ ^^^n following pages show the data obtained from the 229 in- stitutions that responded. It will be seen that: 123 allow entrance credits; 172 allow credits toward a B. A. Degree; ' 185, or over 80%, allow credits either for entrance or college work. This is conclusive evidence of theXeducational|value of Music. The statistics further show that sixty of these institutions allow credits for College work but not for High School work. Is it not reasonable to suppose that they would allow credit for music study in the High School were sufficient specific work required and competent instruction assured? High School credits are not allowed for mere fluency in speaking French; a knowledge of its grammar, orthography, syntax and phraseology is required, and instruction on these is co-ordinately and correlatively given with practice in con- versation, reading and writing. Music is also a language. If credited educationally it should be taught as other languages are taught. The princi- ples of piano playing and theory of music should be taught co-ordinately and correlatively with technic. Since the educational value of music is recognized by so many of the leading educational institutions, is it not worth while that consideration be given to a plan of standardization that will^ First — ^Assure competent instruction. Second — Outline the specific work, both theoretical and technical, that should be required. Third — Indicate the High School credits that may be allowed. We will be glad to co-operate with those interested. 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