THE TRAGEDY OF MAN. THE TRAGEDY OF MAN Dramatic Poem BY IMRE MADACH Translated from the original Hungarian BY WILLIAM N. LOEW Of the New York Bar NEW YORK THE ARCADIA PRESS 1 , PR 328 / tvs 1 40? DEDICATION. TO Dr. Antal Eugene, Bftrd Imre, Berko D. G6za, Rev. Csekes B61a, Er6nyi Ervin, Fecs6 Imre, Rev. H&mborszky N., Rev. Hank6 Julius, Rev. Harsdnyi Stephen, Kemny George, Koh&nyi TihamSr E., Rev. KOV&CS Coloman, Rev. Kuthy Zoltau, Rev. Messerschmidt GSza, Dr. Mogyorossy Arcadius, Rev. Ndn^ssy Louis, Pesty Julius, R&cz-R6nay Alexander, Dr. Singer Michael, Rev. Szepessy Julius, Rev. Varlaky Alexander, Warm William, the editors of the twenty-two Hungarian newspapers in the U. S. in grateful appreciation of their noble work in mould- ing the Magyars in America into loyal American citizenship, this book is respectfully dedicated. INTRODUCTION. IN order fully to comprehend the tremendous diffi- culties attending the translation into English of a work like the present, it is necessary to understand that a broad gulf separates the Hungarian Magyar language from the English and all other European languages. Not even of Aryan origin, its construction can not be explained according to the principles of Aryan languages and its conciseness and strength cannot be transferred. This is not an apology, it is the statement of a fact. To produce, even approximately, the sense of an expression, it is frequently necessary to render one Hungarian word into five or six of any other Euro- pean language; hence the gigantic difficulty of trans- lating a masterpiece of Hungarian literature into any Aryan language must of necessity be greater than that of translation from a kindred idiom. In the Magyar, the most perfect of all the Turan- ian languages, there has been produced a great literature, much of which is practically unknown outside of Hungary. A comparatively small nation, Hungary has pro- duced an overwhelming amount of poetical writings, and if the glowing Oriental imagery, the profound Occidental philosophy, the striking originality of the so-called " trio of the revolution " viz : Petofl, Arany and Vorosmarty had emanated from English, French or German minds, the hearts of all the nations of the civilized world would have responded with greater INTRODUCTION 8 enthusiasm than to the production of Heine, Tenny- son or Alfred de Musset. Do not misunderstand me. These three names here are used for the purposes of illustration only and with no desire to convey to the reader the idea as if we wanted Petofl to be thought to be the Magyar Heine, or Arany the Magyar Tennyson, and Voros- marty the Magyar Musset. Certainly not. The three Magyar poets rank higher and tower over and above the German, Eng- lish and French poets named, and yet, while the civilized world knows it loves and admires Heine, Tennyson and Musset, the three God-born sons of Song of Magyarland, Petofl, Vorosmarty and Arany, are, comparatively speaking, unknown to it. The most brilliant creation of Hungary's dramatic literature, the " Tragedy of Man " by Imre Madflch, has not yet been presented to English speaking peoples. And yet it is a work sublimely grand in its con- ception. What Goethe thought of in the second part of his " Faust " was brought by Madden into concrete form, beautiful and poetical. However, I am relieved from the distressing con- dition I would find myself in of being obliged to give my own opinion of the beauty, splendor and grandeur of the work in question, thus subjecting myself to the charge of being partial. Fortunately I am enabled to insert here, instead of giving my own views and opinions, the weighty views and opinions of a Grand Master of Magyar literature. I copy here from the XVI. Chapter of " A History of Hungarian Literature" by Frederick Riedl, Ph.D., in Edmund Gosse's Literatures of the World, Lon- don, William Heinemann MCMVI. 9 INTRODUCTION The Tragedy of Man is a poem of the type of Goethe's Faust and Byron's Cain. It is not one man, nor even a group of men, that the poet has chosen as the subject of his theme, but, boldly enough, the whole of mankind. His hero is Adam, the eternal type of humanity. The work displays the whole his- tory of man, not merely his past, but his present, and even his future. We witness the whole process of man's development, up to the time when the human race will be extinguished, and its earthly home be- come frozen and uninhabitable. Seen through the eyes of the poet, that history appears a huge, grim tragedy. The problem for the poet to solve was, how to compress such an immense subject within the narrow limit of a single drama. The opening scene is laid on biblical ground, in Eden. Adam yields to the temptation of Lucifer and tastes the fruit of the Tree of Knowledge. After losing Eden, the fallen man and his mate have to endure the hardships of exile, and they long to cast a glance into the far-off future to see what is to be the outcome of their toils and sufferings. Lucifer, whose aim is to destroy the newly created human race at the very outset, causes the pair to sink into a deep sleep, and evokes a succession of visions which reveal the future of humanity, and in which Adam beholds scene after scene of the world's future, himself taking an active part in each. The hero of each vision, or of each epoch, is Adam himself, the eternal Man, in whom are embodied the most characteristic features and the leading ideas of each age. The visions represent for Adam, and, in consequence, for the whole human race which he typifies, a long series of what the French call illusions perdues. In each vision or each part of the drama; we see new aspirations, only to be followed by fresh INTRODUCTION 10 disillusion. Mankind for ever pursues new ideals, but is for ever deceived and baulked. In the first vision Adam apears as Pharaoh in Egypt, while Eve has the form of a slave. Adam sees clearly that the fundamental conception of the Egyptian State is, the millions for the one the ruler. Adam wishes to destroy that conception, and he longs to free both himself and his fellow men from the fetters in which it binds them. The next vision shows the realisation of his hope. Adam reappears in the personality of Miltiades, in democratic Athens. But alas, his faith in the power of democracy is vain. His ideal is realised, yet its realisation brings only disappointment. The Athenian mob cannot make a worthy use of freedom, and pro- ceeds to pass judgment upon its great leader Milti- ades, demanding his death. In the soul of Miltiades, smarting beneath the cruel defeat of his hopes, bitter thoughts arise. He mocks at his own aspirations and calls that age alone happy which denies virtue and does not dream of or struggle towards lofty ideals. And such an age does arrive, when man's one purpose has become the pursuit of pleasure. We find Adam at a bacchanalian feast in the sensual, dissolute world of the late Roman Empire. All at once, at the orgies of the insane revellers there ap- pears an awful guest, the Plague. The Apostle Peter holds aloft the Cross, and preaches to the terrified Roman world the gospel of Christianity and asceti- cism. What fate awaits the new ideal is shown in the next vision, where Adam, as Tancred the Crusader, sees how a perverted religion exalts celibacy and stigmatises pure love as a rrhuo ; he sees how in tin- r.yxantlne Christian world Christianity has de- 11 INTRODUCTION generated into :i religion of petty dogmas, ridiculous controversies and brutal intolerance. Men have lost the spirit, and heed but the letter. What has become of the sacred religion of love and self-sacrifice? Adam (still in the vision) yearns for something al- together different from this, which has filled him with nothing but bitter disappointment. " I am exhausted and long for rest." In the following scene Adam is the astronomer Kepler, absorbed in his studies, and keeping aloof from the world. But science alone cannot yield him satisfaction: in his quiet laboratory he yearns for great reforms, and heroic deeds, which should fash- ion the world anew. And the age of colossal events arrives, the age which sees the ancient world totter to its foun- dations and sink with a great crash into ruin. The day of the French Revolution has dawned, and Adam reappears as Danton. But the prediction concerning the French Revolution, that, like Saturn, it would destroy its own children, is fulfilled. The Revolu- tion turns against its heroes and Danton dies oil the scaffold. Then we come to the present age. Adam, who had wished for a State founded on liberty and order, finds himself in such a State : he has become a citizen of London. Yet disappointment awaits him even here. The world has indeed become wide, but of a dead level of mediocrity. Love itself is to be bought and sold. The whole world is an immense market, in which none of the higher impulses find play, and the soul of Adam is possessed with the idea that this stream of people, this crowd filling the streets of the great metropolis, is engaged in the one task of digging its own grave. Adam sees the vast grave, but sees above it, while all the rest sink into its INTRODUCTION 12 depths, Eve freed from all that is base, radiant in her purity, flying heavenward as the genius of Love. The ninth scene is laid in the future, in the new socialistic world that is to be. Adam, as a travel- ling scholar, visits the State of the future, the Phalanstere, established in accordance with the ideas of the French socialists. The whole world is one vast settlement ; the individual has no power or initiative, for everything is determined by the com- mon will. The idea of Fatherland has long ceased to exist. Every man is but a part of a huge ma- chine, the Phalanstere. No man has a name, but merely a number, like a prisoner. Every action is in conformity with the common good, but this con- formity has the lifeless perfection only to be found in a machine. Art and poetry have become super- fluous, it is only the useful which has a right to exist. The horse and the dog are only to be found in archaeological museums: their place has been taken by machinery. The heads of babies are carefully examined by phrenologists, in order that their careers may be judiciously chosen. The divine Plato himself is con- sidered insane here, and fit only for prison. Adam, however, is repelled by such a world, so like a vast automaton, uninspired by a single grand idea, and illumined by no lofty virtue. And at length the end approaches, the dreary, sad, inglorious end. Adam sees mankind rapidly nearing the time when the last feeble spark of human life will be extinguished. The globe of the sun, shorn of its rays, so that Adam takes its blood-red disc for the moon, sheds its dim light upon a frozen world. The last men of the race, a few degenerate Esqui- maux, are dragging out a miserable existence. When Adam arrives among them they take him for a god, 13 INTRODUCTION and request that he would see that there were fewer Esquimaux but more seals. So this is the goal to which all his struggles and aspirations are to lead, Adam thinks. His wretched- ness is increased by the sight of Eve, as the mate of an Esquimaux, who humbly offers his wife's love to the stranger in accordance with the custom of the land. " I I embrace this woman," cries Adam in horror, " I who once held Aspasia in my arms ! " La farce est jou&e. Adam, who has stood beside both the cradle and the tomb of mankind, awakes from the awful dream. Was this to be the future of the race, his race? At the moment of waking, the visions just seen appear so terrible to him that he decides to put a speedy end to the long, painful struggle, of the dreadful issue of which he has been warned by those prophetic dreams yes, to put an end to it, or, rather, to prevent its ever beginning by stopping the stream of human life at its source by his own self-destruction. But just as he is step- ping on the brink of the precipice, to carry out his fatal resolve, Eve approaches and whispers in his ear a secret, the first secret of the young world: she is going to become a mother. Adam sinks into the dust crying, " Lord, Thou hast vanquished me ! " And the skies open, and God looks down upon the kneeling Adam and strengthens him for the coming struggle, in which he is not to be left without help. In the face of life's adversities God bids him " Strive and Trust ! " and with these words the drama ends. Critics have commented on this work from two different points of view. Some say that the dreams were recognised by the poet himself not to be in ac- cordance with historical truth, and were deliberately chosen by Lucifer with the diabolical aim of driving INTRODUCTION 14 Adam to despair and suicide, and so destroying in hm the whole human race. Others explain the drama by saying that the great events and epochs of history appeared to Mad^ch himself in the gloomy light in which he depicts them. According to those commen- tators, Mad&ch, the poet of disillusion, who even in his lyric poems generally lamented some disappoint- ment, saw in the history of the world nothing but a constant shattering of the hopes which spring up from generation to generation. Every age has its ideals, but even when reached they prove delusive. Is man's history then really what Petofi said of it, in a dark hour of doubt and hopelessness? " We are like the tree which flowers and fades: like the waves which rise and fall: like the traveller, who mounts a hill only to descend again. And so it goes on to all eternity, up and down, up and down." If we take that view of The Tragedy of Man, its teaching is that the alternation of hope and disil- lusion, of ardent enthusiasm and bitter disappoint- ment, which in other of his works is Mad&ch's favourite theme, is the inevitable lot of mortals, and the whole drama may be regarded as an ex- pansion of Schopenhauer's well-known dictum, that history is a painful nightmare weighing down the mind of humanity. But is there then no consolation in this long series of disappointments? Does no stray, cheering sun- beam break through the darkness? The poet answers in the words of God, words which, in my opinion, express the main idea of the book: "Search not for the secret which a divine wisdom has mercifully hidden from thy sight." God points to love and spiritual aspirations for consolation, and sets the happiness of individual life against the unhappy the race. Even if the history of mankind 15 INTRODUCTION as a whole should prove sad and disappointing, God has blessed the life of the individual with many joys and hopes. This book of Mad&ch is the first in Hungarian literature which deals not with the life of one man, or of the nation, but with mankind as a whole. But The Tragedy of Man marks a new departure in other respects as well. There are two contending elements in it, imagination and reflection. The author's ideas do not always rise to the poetic level, and we sometimes have metrical prose rather than true poetry, though as prose it is undoubtedly of high quality. This peculiarity in its language makes the poem a characteristic product of its age. The same transition from imagination to philo- sophical reflection which we find in it, is to be traced on a larger scale in the whole of the literature of the period. It is one of the defects of MadHch's poems that his philosophical reflection is not beautified by imagination, but remains abstract and logical. An- other imperfection is in the drawing of his characters. The plan of the poem demands that at each epoch of the world's history a complete transformation should take place in the soul of Adam, but as such a change is only conceivable as the result of a long process of development, it could not possibly occur as abruptly as it is made to do. For instance, we see that in the mind of Adam, as the Egyptian Pharaoh, the conception of a thoroughly democratic state springs into being instantaneously, but this is manifestly impossible, for at that period all the psychological conditions and historical precedents which could engender such a notion were lacking. Whereas mental growth is really a gradual modifi- cation of existing ideas, in the poem there are noth- ing but sudden and startling contrasts. Adam sets INTRODUCTION 16 his heart upon the exact opposite of the conditions which have proved so unsatisfactory. As regards the other important character in the drama, Eve, the eternal woman, it must be confessed that in all her various transformations she is more like an abstraction that a real living woman. Yet in spite of these imperfections, the conception of the whole wondrous course of the human race is very grand, and the genius displayed in every detail very great. Imre Mad&ch was born on the 21st of January, 1821, at Also-Hregova, in the County of Neograd in Hungary, the scion of an ancient, noble Magyar family. The masterwork of his life, The Tragedy of Man, he finished in 1860. He died on the 4th day of October, 1864. Whether I have succeeded in giving in the English version even a faint idea of the beauty and the splendour of the original Magyar, must be judged by you, gentle reader, and by the critics. All I know is, that if my ability as a translator from Hungarian into English would be in equal ratio with the love and the devotion wherewith I made the translation, I'd fear no criticism however severe and exacting. I assure the gentle reader to have done my work " Con amore." WILLIAM N. LOEW. NEW YORK, October, 1908. SCENE I. (Heaven. The Lord, on his throne, surrounded by a halo. Hosts of kneeling angels. The four arch- angels standing by the throne. Dazzling bright- CHOBUS OF ANGELS. Glory be unto our Lord on high, Whose one commanding word to all gave birth ; Who all can end with one glance of his eye. Praise him ye Heavens above, praise him, O earth ! He is all might, all wisdom, all delight ; Our part is but the shadow o'er us thrown ; And for this boundless grace, we now unite, Our songs of adoration, to intone. Embodied is the thought, great, infinite, Complete, the whole creation, and our Lord Awaits from all that breathe, but to unite, To pay their worship's dole, with one accord. THE LOED. The mighty masterpiece at last is done ; The wheel revolves ; the master on his throne Doth rest. A million aeons now 'twill move, Before the smallest spoke shall faulty prove, Arise, ye genii of my worlds ; I send You now, upon a course which has no end ; And rolling 'neath my feet, but let me gaze Entranced, upon you, filled with proud amaze. (The genii of the planets storm by, rolling stars of 17 THE TRAGEDY 18 OF MAN diverse magnitude; double stars, fixed stars, neb- ulae and comets swarm about the throne. Soft music of the spheres. CHORUS OF ANGELS. See the haughty ball of flame, As he proudly rides the sky ; Serving, though unwittingly, Starry groups that 'bout him lie. Here, like a dim and flick'ring lamp, A tiny twinkling star appears; But 'tis a measureless great world, Which full a million creatures bears. See! flashing, whirling now apart, In combat those two spheres that meet, Onward bearing in their course, Traces of the struggle fleet. One, trembling in the distance shines, As thundering it rolls below ; While on its bosom sweetest peace, To a million hearts it doth bestow. How modest shineth yonder star, Soon to be called the star of love ; The earthly race, with tender hand She guards, a solace from above. Here are the tombs of worlds destroyed; Yonder rise others, newly born; A warning voice unto the vain, A ray of hope to the forlorn. And there too, all order leaving, The comet's image dread finds place ; But to the Lord's voice barkening, In order moves. Then beams thy face, O youthful spirit dear, who bear'st The ever changing mundane sphere, 19 THE TRAGEDY OF MAN In mourning garments, festal robes; In green, then white, thou dost appear. Upon thee, Heaven's blessing rest! Then forth, come forth, without delay. Within thy narrow boundary, Great minds will be at strife alway; Both good and ill, both smile and tear, Winter and spring, each will find place; Light and shadow will be near; The wrath of God, his tender grace. (The genii of tJie stars retreat.) THE ARCHANGEL GABRIEL. O thou who measurest infinite space, All matter therein that is, hast made; All greatness, boundless time and place, Called into being, thy command obeyed: Hosanna, Mind, to Thee! (Prostrates himself.) THE ARCHANGEL MICHAEL. Thou all that's mutable or firm, United hast by law divine ; To time unending set a term, Made man, and race of men for thine: Hosanna, Force, to Thee! (Prostrates himself.) THE ARCHANGEL RAPHAEL. And thou, o'erwhelming floods of bliss dost send, The body waking thus to consciousness ; Thy wisdom whereso'er it doth descend, The whole earth blessing brings and happiness: Hosanna, Love, to Thee! (Prostrates himself.) (Silence.) THE TRAGEDY 20 OF MAN THE LORD. Thou, Lucifer, in gloomy silence, stsind'st Apart. Hast thou no word of praise for me? Or finds my work no favor in thy sight? LUCIFEE. Wherefore should I be pleased, that elements Diverse, new properties assume, existent Before, though unrevealed, but still of which Thou hadst not an idea; and if thou hadst Thou would'st have had no power to alter them. A few spheres, drawn and kneaded, together welded; Just a few worms, to conscious being waked; Till all shall be completed and cooled off, When naught but senseless dross thereof remains, Which man, espying, eagerly would seize For his retort, as even thou mankind In thine immense retort hast placed, and see'st How he doth seethe and boil and simmer there, And look upon himslf as God, like thee. But should he sometime spoil and waste the broth, Then all thy tardy wrath o'er him would burst. But then, what would'st thou of a dilettante? Thou'st written but a poem in thy praise, But placed it in a mechanism poor, And growest never weary of this lay, This ever limited eternity. But is this worthy of an aged sire, This toy, fit but to move a childish heart? Treading the mire, a tiny spark that mimics Its Lord ; a caricature, and no true image; With fate and liberty, pursuing each The other, with all lack of harmony. V 21 THE TRAGEDY OF MAN THE LrOBD. Homage, not censure, best beseemeth thee. LUCIFEB. Other than my nature, can I not Appear; enough for praise, is this mean host (Pointing toward the angels.) Of faithful ones, and it beseems them too, Thou brought'st them forth, as light the shadow casts ; But I have lived, from all eternity. THE LORD. Ha! shameless one! wast not of matter born? Where was thy place, thy power, before I was? LUCIFEB. 'Tis even this I fain would ask of thee. THE LORD. Before all time, it was my plan, and lived In me, that which thou now accomplished see'st. LUCIFEB. Didst thou not ever feel a rift, a void; A hindrance to thy mind, which still compelled Thee to create, despite thyself? The name Of this gigantic rift, is Lucifer, The spirit of Negation from all time ; And thou didst triumph o'er me; thus, my fate Did seem, in that great struggle, calm to yield; But now with powers renewed, I rise again. Creating matter, thou didst give me scope, Wherever life is found, there lurketh death, THE TRAGEDY 22 OF MAN And near to happiness, despondency. With light the shadow dwells; with hope, despair; And where^o'er thou art, there too am I. Thus knowing thee, thou deemest I could praise? THE LOED. Begone, rebellious spirit, far from me! I could destroy thee, but 'tis not my will. For aye, thou'rt banished from the spirit hosts To battle with the dross, as alien scorned ; And in thy never ending solitude, Thou shalt be tortured with th' undying thought, That vainly thou wilt shake thy chain of dust; For 'gainst the Lord, thy strife can naught avail. LUCIFEB. Not so! thus easily thou canst not casi Me off, like some mean tool, useless become. Together we created ; I lay claim Now to my part. THE LORD (scornfully.) Then be it as thou wilt! See! on the earth, amid fair Eden's trees, There in the centre, rise two mighty ones: Henceforth they are accurs'd, and they are thine. LUCIFEB. How niggardly thou portionest; but thou Art a great Lord. A foot of ground, for me, Will serve; for whereso'er Negation's foot Shall tread, 'twill bring destruction to thy world. \ CHORUS OF ANGELS. Curs'd spirit, go, and from His face withdraw ! Hosafcna, Lord! whose word gave us the law. 23 THE TRAGEDY OF MAN SCENE II. (The Garden of Eden. In the centre, the tree of knowledge and the tree of life. Adam and Eve walking, surrounded by all kinds of animals, fol- lowing them in affectionate confidence. A halo shines through the open gate of Heaven, and the soft harmonies of the celestial choirs are heard. Bright daylight.) EVE. To live, to live! how glorious, how sweet! ADAM. And to be lord of all one's eyes can meet. EVE. To feel above us all this loving care, And for it all, but breathe our grateful prayer To him who gave these joys. ADAM. I see thy lot Dependence is I thirst, Eve, see'st thou not Those tempting fruits? EVE. I'll pluck of them for thee. THE LORD. Abstain, abstain! All earth by my decree Is yours, but those two trees, placed here by me ; For evil lies in their enticing fruit, And bitter death is their one attribute. Sweet grapes are beck'ning thee from yonder vines '. Now when the midday sun most sultry shines The cool and shady bower invites to rest. THE TRAGEDY 24 OP MAN ADAM. A strange command, but grave seems the behest. EVE. Why fairer than the rest, should be these trees? Since all he gave, why are forbidden these? ADAM. Why green the grass, why blue the Heaven above? Heed we the mandate; follow me, my love. (They enter a bower.) EVE. Lean on my breast, and I will fan thee, dear. (A violent gust of wind. Lucifer appears amid the foliage. ) ADAM. O woman, that strange sound did'st thou not hear? Unknown before, as if some hostile power O'er us did break? EVE. In trembling fear, I cower. Mute have become the heavenly harmonies. ADAM. Here on thy breast, I seem to hear e'en these. EVE. And if obscured, the radiance on high, I'd think, my love, to see it in thine eye. How could I find it elsewhere, but in thee, Whose warm desire hath e'en begotten me? Just as the royal sun, with playful grace, Who mirrors on the waves his radiant face, Forgets in generous mood that which was done, 25 THE TRAGEDY OF MAN That he might not forever be alone, Hia own work was ; and when his own rays fade. The image fair dissolves, which he has made. ADAM. O speak not so, Eve, shame not thus mine ear! For where were sound, if there were none to hear? Where were the rays, if not in glowing hues They fell? And I, did I not thus diffuse, Like tone and flower, my being too in thee, In whom my other self I loving see? (A bird sings in a neighboring tree.) EVE. Adam, dost understand what it doth sing The love song of that foolish little thing? ADAM. And I was list'ning to the brooklet's song The selfsame lay, as it did flow along. LUCIFER. Why do I wait? The deed that I have vowed, To-day I'll carry out. I am not cowed ; And yet, I hesitate; myself I ask, Will it fulfill my chosen hellish task? Will their desire for knowledge, by its stress, Have power to rob them of their happiness? Between them and my plans, their hearts' true love Stands as a guard, a gift from Him above. And yet, why fear? Who dares, succeeds alway. (Another gust of wind. Lucifer appears before the terrified human pair. Phe nimbus is obscured. Lucifer laughs.) THE TRAGEDY 20 OF MAN LUCIFEB. At what are ye amazed? (To Eve, who is about to run away.) Fair woman, stay ! One moment let me gaze upon thy charms. (Eve stops, by degrees gaining confidence.) (Aside.) This type will be a million times renewed. (Aloud.) Thou'rt frightened, Adam? ADAM. By thee, thou monster vile! LUCIFEB (Aside). A fine progenitor for proud mankind! (Aloud.) I give thee greeting, brother spirit. ADAM. Who Art thou? From above, or from below, Dost come? LUCIFEB. As thou wilt; to us it is the same. ADAM. I thought that we alone did here abide. LUCIFEB. Hoho! much else there is, thou knowest not, And ne'er wilt know. Think'st thou perhaps, for this, The holy sire created thee from dust, That he might share his realm with thee alone? Thou praisest him ; he holds thee in his hand ; This, to avoid, commanding; that, to fear. He guides and leads thee as he would a lamb, So that of reason thou hast never need. 27 THE TRAGEDY OF MAN ADAM. Do I not think? have I not consciousness? No feeling for the blessed sunshine's ray, The sweetness and the bliss of living too, The great and boundless mercy of my God, Who maketh me a god here on the earth? LUCIFEB. Such consciousness the little worm might feel ; The little worm that eateth of thy fruits ; The eagle, too, that snatches the tiny bird. What elevates thee, then, above all these? 'Tis but a spark that lies within thy breast, The feeble flutt'ring of an endless power ; Like waves, that, for a moment, light the stream, Then lose themselves again in ocean's gray And misty depths. Yes, thought, perhaps might be, That dormant lies within thy breast; knowledge To thee, it might bring, of thyself to judge 'Twixt good and ill, that thy fate thou might'st guide, And throw aside the Providence above. Perhaps for thee, 't were better, like the dung-worm, To thrive within thy tiny sphere, there soft Embedded lie, and without knowledge wear Thy life away. To rest in our belief Is sweet; but hard, though noble 'tis to stand Alone. ADAM. These great thoughts make my brain to reel. EVE. Their beauty and their novelty inspire me. THE TRAGEDY OF MAN LUCIFER. But knowledge of itself, were not enough: Our great thoughts to embody, there must be Immortality. What can this span Of human life achieve? In these two trees, These wondrous powers are hidden, but forbidden By him who brought them forth. Of that, if thou Dost eat, thou wilt become as wise as God; And this will bless thee with eternal youth. EVE. Cruel indeed is he who did create us! ADAM. But if thou dost deceive? (The nimbus becomes brighter.) CELESTIAL CHOIB. Woe to thee, world, beware! Negation old is tempting thee! THE LOBD. O man, beware, beware! ADAM. That voice again I hear! Ah, me! LUCIFER. The branches swaying in air ! Mankind to gain, For our dark reign, Ghosts of my train, Your help now deign! (A gust of wind. The rainbow is obscured.) These trees are mine. 29 THE TRAGEDY OF MAN ADAM. And who art thou, who seemest of our kind? LUCIFEB. Yon eagle see, as 'mid the clouds he soars; The mole, as blind within the earth he graves ; Each one, to his own vision limited. So hovers far beyond thy view, the realm Of souls, and man to thee, the highest seems. The dog's ideal too, is but a dog, Who honored feels in his companionship ; But e'en as thou upon him lookest down, So too, we proud ones of the spirit world, Look down upon the creatures of the earth. ADAM. So then, of that proud kingdom, thou art one? LUCIFEB. Yes, and 'mong the great ones, mightiest; Who by the Lord's throne, once did stand, sharing In all his greatest glory there. ADAM. Why then. In that most glorious Heaven didst thou not stay? Why cam'st among us, to this world of dust? LUCIFEB. It galled me, there to hold the second place; That life, monotonous and regular, Did fill me with disgust, with the insipid Childish descant of the heavenly choir, Praising eternally, both good and bad. THE TRAGEDY 30 OF MAN I long for strife, disharmony ; new powers, New worlds, wherein my soul, alone, its greatness Finds, and whither the bold may follow me. ADAM. Our God hath said that he will punish us, If other paths than his, we choose to tread. EVE. Why punish? Surely, if the path which we Must tread, he hath marked out, hath he not also So created us, that we might never Be drawn away by evil tendencies? For why, beside a deep abyss, should he Have placed us, our destruction planning thus? And e'en if error in his plan have part, Like tempests, breaking o'er the fairest day ; Who then would say, that in the driving storm More evil lay, than in the sunshine's warmth? LUCIFER. Behold! The first philosopher appears. The long line after thee, my sister fair, In full a million ways will teach the same; Many will be, whose road to madness leads, And many retreat, affright; none reach the goal. So give your reasoning o'er, for ev'rything Contains so many shades, that he who long Contemplates them, knows in the end far less Than at the first swift glance, and reaches ne'er The goal ; for reasoning is action's death. EVE. To pluck the fruit then I am free? 31 THE TRAGEDY OF MAN ADAM. The curse of God is on the tree ! (Lucifer laughs.) But pluck it, bring it weal or woe. Like God, we all things fain would know ; (From the tree of knowledge Eve plucks an apple, first tasting it herself, then giving it to Adam.) EVE. Forever young to be ! LUCIFER. Be quick, come, follow me! The fruit of yonder tree, Gives immortality. (He leads them to the other tree, where a cherub, with flaming sword, guards the way.) CHERUB. Sinners, begone! Ye have betrayed His trust. THE LORD. Adam, Adam, thou hast forsaken me; To thine own weakness, I abandon thee. EVE. Woe unto us, we're lost! It is unjust. LUCIFER. Are ye afraid? ADAM. No, no. I only shake The thraldom off, and now I am awake. Away, my spouse ; let's go, whitherso'er ! This place is strange become, gloomy and bare. THE TRAGEDY 32 OF MAN CELESTIAL CHOIB. Victorious lie its banner hath unfurled. Bemoan our brother's fall ; lost is the world ! SCENE III. (Magnificent landscape outside of Eden. A little rude log hut. Adam driving posts for a fence. Eve erecting a bower. Lucifer.) ADAM. This is all mine ; instead of the great world, This spot will be my home. It is my own : I guard it from the wild, devouring beasts, Compelling it in turn, to nourish me. EVE. A bower I make, just like that other one ; Thus now before us, I can conjure up The Eden lost. LUCIFEB. Ah ! what great words ye speak ! Possessions, family; twofold incentive Of the world, the source of all its joys And griefs, for these ideas great will grow And grow unceasingly, until from them Great industries and nations will arise. Begetters too, they'll be of all things great And noble, though devourers of their offspring ADAM. Thou speak'st in riddles; but 'twas knowledge thorn Did'st promise me. I sacrificed my bliss, 33 THE TRAGEDY OF MAN That e'en in striving, still I might be great. And what is my reward? LUCIFER. Thou feel'st it not? ADAM. I feel that as God has abandoned me With empty hands into the desert casting, So him have I abandoned. To myself A god I'll be, and that for which I strive Will be my own. This gives me strength and pride. LUCIFER (Aside). Vain wight! thou blowest bubbles to the skiee; We'll test thy heart, when thunders mutter deep. EVE. I too, feel naught but pride within me, for 'Tis I who'll be the mother of the race. LUCIFER (Aside). Ideal worthy of the woman's heart! Perpetuating sin and misery. ADAM. Why should I grateful be to Him? For living? If life indeed outweigh its sordid cares, 'Tis of my own endeavors but the fruit. The ecstacy a cooling draught doth give, With pangs of burning thirst must first be earned ; The price of honeyed kisses too, is pain Of longing, then satiety ; but now I'm free from all these ties of gratitude, My own fate to build up and to destroy, THE TRAGEDY 34 OF MAN Manipulating that which I have planned, Perhaps for this I did not need thine aid, For my own strength and will had well sufficed. Thou'st not unloosed me from the pond'rous gyves Which to the earth my body still enchain. I feel I know not what so subtle 't is ; It may be but a hair more is the shame Which holds my soul in doubt, and in suspense; Behold, I fain would soar, my body fails ; Both eye and ear the service high reject If mysteries of space I would espy : And when in fancy's flight I'm borne aloft, From hunger, cow'ringly I sink again, Unto vile matter which my essence is. LUCIFEE. These chains are even stronger than myself. ADAM. Then thou'rt a feeble spirit if this web Invisible, this null, of which the millions Have no consciousness, but with a sense Of liberty, therein they revel, Defy thee, though it is not dreamed of, save By some superior, enlightened souls. LUCIFEB. And it is this alone which can defy me; For it is spirit, like myself. Thou think'st Because a power works noiseless and concealed It hath not force? Not so, in shadow lies That power, which shatters or creates a world; For sight of it would cause the brain to reel. 'Tis but the work of man, which roars and glitters, Whose limit in this human life is reached. 35 THE TRAGEDY OF MAN ADAM. Ob! let me contemplate these workings great One moment only strength my bosom fills, That power which moveth, and by which I am Enthralled, although a perfect whole am I. LUCIFEB. " Am ! " Senseless word ! Thou wast ; thou wilt be ; For life is either crescent, of in decay. But look about thee! View with spirit eyes! (As the last words are spoken, all becomes visible.) ADAM. What flood is this which bursts here on my sight, So madly pressing onward to the height? Parting in twain, like to the storm wind fleet It rushes to the distant poles. LUCIFEB. 'Tis heat, Which to the icy regions giveth life. ADAM. And these two streams of flame, with horrors rife. Which at my side are whirling swiftly by? They wellnigh crush me, yet methinks that I Can feel their touch; how it doth vivify! Ah! what is this, that so doth terrify? LUCIFEE. It is the magnet ADAM. 'Neath me sways the ground; All that erstwhile was formless, firm and bound. THE TRAGEDY 36 OF MAN Now seething matter hath become, and strife Arises now for form and breathing life ; As crystal glistening and shining here, As blossom yonder to burst forth. In fear I ask, Oh! 'mid this chaos, where will be My pent-up individuality? What of this earthly shell, in which, O fool, I placed my faith, as in a potent tool? Wherewith my aspirations once I thought To realize. Deluded child, to naught Thou'lt shrink, who for me joys and woes dost reap, And some time be reduced to a mean heap Of dust, then into other forms resolve : Perchance a vapor to a cloud dissolved, Evaporating when its course is run. Each word of mine, each thought my brain has spun, Consuming, part by part, this form of mine ; And this devouring fire, the fell design , Of some mysterious spirit dark, that fans The flame, as gleeful he my ashes scans. Away with this dread sight, away ! I feel That e'en my reason now doth wane and reel. While crushed with loneliness, amid this strife Of all these elements, that teem with life. How terrible! Why did I cast away, That Providence, to which in wild dismay I turn ; which instinct felt, though could not prize My wisdom yearns again to realize. EVE. Like to thine own, are the feelings of my heart, Whether I see thee struggling with wild beasts, Or wearily I tend our little garden, I look around me, o'er the wide, wide world; On dearth, in heaven, no kindred near I see ; 37 THE TRAGEDY OF MAN Not e'en one friend, to guard and cheer us now. Ah! in that fairer time, it was not so. LUCIFEB (scornfully). If then ye are such childish, trivial souls, Chilling, without some warm, protecting hand; If of dependence ye have such sore need ; I will call forth for you a god, whom ye Will find more smiling than your rigid sire: The Spirit of the Earth. I knew him there, The modest youth, in the celestial choir. Earth Spirit, I command Come! thou can'st not withstand The soul that e'er denies, Thee dares, and thee defies. (Flames leap out of the earth. Heavy Hack clouds and