PA I mZASM I H3lu 1 A 1 A o ^^^^= ^^= 3 ==== 1 o 1 1 2. \ 5 *~ 1 1 5 1 Q -< 1 14 "-" O I 1 4 ! 1 THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES 5, MS M P O N THE RISE and PROGRESS O F CRITICISM. 'X . TN V P O N THE RISE and PROGRESS O F CRITICISM. THOSE, who can imagine that the Rules of Writing were firft eflablifhed, and that then men wrote in conformity to them, as they make conferves and comfits by referring to receipt-books, know nothing of Criticifm, either as to its origin or progrefs. The truth is, they were Au- thors, who made the firft good Critics, and not Critics, who made the firft good Authors, however writers of later date may have profited by the precepts of critical difquifitions. If this appear ftrange, we may refer to other fubjec"ts. Can we doubt that there was Mufic, fuch indeed as it was, before the principles of harmony were eflablifh- ed into a Science ? that difeafes were B 2 healed, ( 4 ) Sealed, and buildings created, before Me- dicine and Architecture were lyftematized into Arts ? that men reafoned and ha- rangued upon matters of practice and fpe- culation, long before there were profeft teachers either of Logic or of Rhetoric ? To return therefore to our fubject, the rife and progrefs of Criticifm. Antient Greece in its happy days was the feat of Liberty, of Sciences, and of Arts. In this fair region, fertile of wit, the Epic Writers came firfl > then the Lyric j and laftly the Tragic, the Comic y the Hijlorians, and the Orators^ each in their turns delighting whole multitudes, and commanding the attention and ad- miration of all. Now, when wife and thinking men, the fubtle inveftigators of principles and caufes, cbferved the won- derful effect of thefe Works upon the human mind, they were prompted to in- quire whence this Jhould proceed j for that it fhould happen merely from Chance y they could not well believe. Here therefore we have the Rise and Origin of Cri- ticism, which in its beginning was " a J* deep (5 ) "deep and philosophical Search into the " primary Laws and Elements of good " Writing, as far as they could be col- " le&ed from the moft approved Perfor- there is mention made of feveral in the text of that Philofopher, which thefe his Com- mentators compare and examine. But fince the revival of Literature, to correct has been a bufinefs of much more lati- tude, having continually employed for two centuries and a half both the Pains of the moft laborious, and the Wits of the moft acute. Many of the learned men before enumerated were not only famous as hif~ torical Critics, but as corrective alfo. To thefe may be added the two Scatigers, the two Caufabons, Salmafius, the Heinjii, Gra- viusi the Gfenovii, Burman, Kujier, JVaJfe i Bentleji Pearce, and Markland. Not that thefe never meddled with the explanatory Criticifm, but their principal object ap- pears to have been the corrective. But here was the misfortune of this laft race of Critics. There were numerous corruptions in many of the beft authors', which neither antient editions, nor manu- fcripts could heal. What then was to be done ? Were Forms fo fair to remain disfigured, and be feen for ever under fuch ( *6 ) jfuch apparent blemifhes ? " No, (fays the Critic) " Conjecture can cure all *< - Conjecture, whofe performances are M for the moft part more certain, than " any thing, that we can exhibit from the u authority of old Manuferipts *. " We will not afk, upon this wonderful, afTertion, bow if Jo certain^ can it be cal- led Conjecture ? ~- 'Tis enough to obferve (be it called as it will) that this fpirit of Conjecture has proved a kind of critical Quackery, which like Quackery of other kinds, whatever it may have boailed, has done more mifchief by far than good. Authors have been taken in hand, like anatomical fubje&s, only to difplay the {kill and abilities of the Artift ; fo that the end of many an edition feems often to have been no more, than to exhibit the great fagacity and polymathy of an edi- tor. The Joy of the tafk was the Ho- nour of mending, while Corruptions were fought with a more than common at- tention, as each of them afforded a tes- timony to the Editor and his Art. And * &ii Dr, Bentley'i Preface to Horace. ( *7 ) And here I beg leave, by way of di- greflion, to relate a fhort ftory concerning a noted empiric. Being once in a ball- room crowded with company, he was afked by a gentleman, what he thought of fuch a lady f was it not pity that jhe f quint- ed ? Squint ! Sir ! replied the dodtor, I wi/h every lady in the room J quint 'ed; there's not a man in the univerfe can cure fquinting but myfelf. But to return to our fubject Well in- deed would it be for the caufe of letters, were this bold conjectural fpirit confined to works of fecond rate, where let it change, expunge, or add as it pleafe, it may be tolerably fure to leave matters as it found them j or if not much better, at leaft not much worfe. But when the di- vine geniufes of higher rank, whom we not only applaud, but in a manner revere, when thefe come to be attempted by pe- tulant correctors, and to be made the fub- ject of their wanton caprice, how can we but exclaim with a kind of religious ab- horrence, - 1 procul ! ! procul ejle profani I C 'Twere ( i8) It would have become Dr. Bcntley y though in literature and natural abilities among the firft of his age, had he been more temperate in his Criticifm upon the Paradife loft ; had he not fo repeatedly and injurioufly offered violence to his au- thor, from an affected fuperiority, to which he had no pretence. But when meaner critics prefume to be thus infolent, 'tis enough to make the Genius of each au- thor arife, and accoft them, as Marius did the fervile Cimbrian And doft thou* flave, dare to demolift Shakespear ? Do ft thou, wretch > prefume to murder Mil- ton ? 'Twere only to be wifhed, to complete the allufion, that the correctors could have been feared, as effectually as the executioner -. fo that as he droot his weapon y thefe might have dropt their pens, and the art of Criticifm, from their {ibufe y not have been brought into con- tempt. For my own part, if I might be per- mitted to advife an adventurous race (thofe I mean who fcribble for pay upon every kind of fubject) I would have them treat even (i9) even living authors, their equals, with re- fpect. 'Twould certainly upon the whole be found to be their intereft ; haberent Plus dapi&y & rixce rrtulto minus invidiceqite. But whenever they prefume to meddle with the facred dead, the fublimer wits of ages paft, let them affect (however aukwardly ) the appearance at leaft of modefty ; and if they find (which is not unlikely) the fpirit of pertnefs about to rife, let them admonifh their little heart, as the Frog did his little mother, Nonji te ruperis, tnquam> Par ens. 'Tis indeed hard to conceive any thing make a more contemptible figure, than an impertinent commentator in company with a good author j when in fome fplendid volume, gilt and letter'd, we view them together, making their public appearance. 'Tis the Conful and the Slave, riding to- C 2 gether ( 20 ) gether in the triumphal car ; a motley icene of ferious and ludicrous ; a kind of Tragi-comedy which diflradts our affec- tions, and moves us at the fame inflant both to gravity and mirth. And now to avoid a fophiftical cenfure, (as if I were an enemy to the things from being an enemy to its abufe) I would have it remember'd, 'tis not either with Criti- cifm or Critics, that I prefume to find fault. The art, and its genuine profefTors I truly honour, and think, that were it not for the acute and learned labours of a Kujler, a Wajje, a Bur man, and their fel- lows, we mould bid fair to degenerate into an age of dunces. 'Tis in particular to the abilities of the three above-men- tioned, (fince I have happened to name them) that we owe correct, and beautiful editions of Ovid and Quintilian ; of Sa/- luji and c Thucydides ; of Arifiophanes, and that treafure of antient literature, Suidas *. 'Tis * To the critics above-mentioned, I muft add V*vo valuable friends of my own (not before omit- ted, became forgotten) Dr. Taylor Chancellor of Lincoln , (21) 'Tis not fuch critics (I name them again, Waffe, Kufter, Burman, and their fellows) 'tis not fuch as thefe, that I prefume to contemn. Nay I go farther I think the man, that can deride fuch fcholars as thefe, if he fpeak as he believes, muft be but a poor fcholar himfelf -, but if he be con- fcious of his calumny, I think him fome thing worfe. This is not want of fcho- larfhip, or inexperience in found literature $ p Hie ejl nigra fucpus loligi?ii$ } hcec eft fErugo mera t In iriort, learned critips, whatever we may think of them, are a fort of matters of the ceremony in the court of letters, thro' whofe affiftance we are introduced into C 3 fome j . ' i Lincoln^ and Mr. Upton Prebendary of Rochefler '> whofe critical merit, in their excellent editions or" Demo/lbenes and Epifletus, has juftly rendred them ornaments of their country, and will tranfmit their names with honour to pcfterity. His fait em accumulem donis, & fungar inaiti Munere ( ** ) fome of the beft of company. Should we ever therefore, by any idle prejudices againft pedantry, verbal accuracies, and we know not what, come to flight their art, and reject them from our favour, 'tis well we do not flight alfo thofe authors, with whom Criticifm converfes, becom- ing content to read them in crude trans- lations, or (what is {till worfe) in trans- lations of tranflations, where hardly a linea- ment or feature of the original is to be feen. And I will be bold to alTert, that when- ever that day comes, not the moft admired performances of the prefent age, however highly their authors and their friends may efteem them, will be able to fave us from barbarity, and the dominion of dulnefs. And fo much at prefent for learned crU tics and editors, (of fuch only I fpeak) whom I mould be forry to fee pafs into contempt, either from the ignorance of low pretenders, the wiles of fophiftry, the bold confidence of fcurrility, or even the charms of wit and poetry, if ever gifts fo divine fhould be fo bafely proftituted. So much alfo for the origin and progrefs of Criticism, ( 23 ) Criticism, which we have divided into three fpecies, the philosophical, the historical, and the corrective ; the philofophical treating of the principles, and primary caufes of good writing j the hiflo- rical being converfant in facls, cnJloms y phrafeSy &c* and the corrective being di- vided into the authoritative and the conjectural j the authoritative depend- ing on the collation of ?na?iufcripts and the beft editions -, the conjectural on the fagacity dnd poly mat hy of editors. c 4 Knowlege of the World, o R GOOD COMPANY. DIALOGUE. Eft genus hominum, qui ejfe primos fe omnium rerum volunt* f?e f funt Tcr. ( *7 ) Knowlege of the World, OR GOOD COMPANY, A DIALOGUE. The fcene and perfons, two friends walking in the Mall. *jL 1T7HAT ftrange man, I be- Y \ feechyou, is this ? the man I mean, that has juft quit- ted us ; who has been talking fo inceC- fantly, the whole time of our walk, about his intimacys and friendfhips with men of quality and birth ? \ B. If you inquire after his own birth, he's of the meaneft ; nothing better than the fon of a low tradefman. A. Then his learning and tafte (I fup- pofe) have recommmended him. There was ( 28) was much interperfed about his travels in Italy. B. His tafte I can allure you is fmall ; and his learning, none. A. You furprize me ; fome merit he muft certainly- have had : what has it been? B. That which is of all merits the moft valuable. No man living has a more ex- quifite Knowlege of the World. A. An exquifite knowlege indeed ! J Tis impoffible, if this be true, he fhould be fo illiterate, as you have reprefented. B. Why not ? A, Becaufe, whether he maintain a fyftem of his own, or efpoufe a fyftem already invented, 'tis impoffible to do either without a variety of fciences $ there muft be fome phyfics, fome metaphyfics, and previous to thefe dialectic and geometry. Add to this, if he be really what you de- fcribe, he muft not have contented himfelf with modern philofophers only ; he muft have examined and well weighed the fe- deral fentiments of antiquity ; the watry principle of Thales ; the fiery one of He- racliius j ( 29) raclitus -, the ideas of Plato ; the matter, form and privation of the Stagirite. B. My good friend, what are you talk- ing about ? A. I fay, that all this cannot be done without learning, and much learning too. B. And what then ? A. What then ? why if this man have fuch a Knowlege of the World* as you affirm, he mufl neceffarily have all, or mofr. of the learning juft mentioned. B. Not at all ; I dare fay he never heard a fyllable of this in all his life. By an exquifite Knowlege of the World I mean, he has an exquifite Knowlege of Men. A. O ! O ! I beg your pardon. He is an adept then in ethics, a great moralift, 'tis that's the cafe. B. I can't fay much as to his morals ; but he certainly knows human nature to the greateft exactnefs. A. Then I am certain he mull be a moralifty and a very good man. B. But an indifferent one truly a fy- cophant, a flanderer, a fpendthrift, a de- bauchee A. ( 30 ) A. Hold, hold ! meer calumny ! this cannot but be impoflible. The man, fo knowing in human nature, cannot but have fludied himfelf. The man, who has ftu- died himfelf, cannot but have {ten the deformity of thefe vicious characters ; and if he has once beheld that, he could no more indure to bear the characters, than he could to bear the fpots of a fever or a plague. B. O ! my friend, you flill mifappre- hend me. By the Knowlege of mankind I mean not your ethic fcience ; my mean- ing is, that he knows who are good Com" fany, and how the moil effectually to in- gratiate himfelf with them. A. Nay then I'm fure, I may affirm him more than ever to be good. B. You furprize me : why ? A. Are you at a lofs for a reafon ? can any thing poffibly ingratiate a man with good men, except it be goodnefs f B. I muft anfwer your queftion by an- other; which is, what. 'tis vou take good Company to be ? A. ( 3 ) A. I know the confequence, mould 1 attempt to explain myfelf. I mall be either ferioufly condemned, or laugh'd at with contempt for an idle fophift, and re- finer upon words. B. And are you a philofopher and afraid of that ? A. I never afpired to fo high a charac- ter But let this pafs you have afked me my fentiments upon good Company, Does it not feem firft proper to inquire what Company means in general ? Is not this the more natural method to know the fpecies inquired after ? B. I can't tell but it may.' A. When therefore we fay a Company of any kind whatever, does it not always fuggeft the fame general idea, of many perfons conjidered collectively f B. As how ? A. Thus : many artifls confidered col- lectively make a company in trade ; many; foldiers, a company in war 5 the fame of comedians, of gyplies, or of any thing. Is not this true ? B. I believe it may. A, (32) A. If fo, when we fay good Company i this likewife muft mean many perfons con* fidered collectively. B. I admit it. A. And as the peculiar characterise of fuch Company is to be good, it muft ne- ceflarily mean farther many perfons that are good. Muft it not ? B. Poflibly it may. A. Now as goodnefs in many muft be the fame as goodnefs in one, if we can but difcover what makes one man good, we difcover of courfe what makes a num- ber, or Company. Is not this evident ? B. According to your fcheme it may. A. What then is it conftkutes each particular man to be good ? It cannot be riches ; for that would make a good man of every fordid ufurer. B. I freely give up the rich. A. Nor can it be dignity and rank j for that would make good men of the Neros and Domitians. Do you doubt of this? B. I have not yet diffented let me- hear how vou proceed. A. (33) A. Nor can it be birth and higli de- fcentj for then B. Hold, hold ! I fee at what you are driving. You would bring me to confefs, becaufe thefe things make not a good Man, that therefore they make not good Company. As for riches I freely grant them to be an ingredient not necefTary. But I fhall never be brought to believe, by the ftrength of a little logic, that good Company is not formed by people of fafhion, and of birth. A. That is as much as to fay, you are firmly refolved to believe, that tho' they are ever fo bad Company, they are ftili good Company. B. Well, well, you may ridicule as you pleafe. I fhan't fo tamely renounce my opinion < A. To give you then a fample of my complaifance, I admit all people of fafhion to be good Company, and none elfe what- ever* Do you only, on your part, as I have been fo generous, make me a fmali conccflion or two by way of return. B> What is it you require ? D A ( 34) A, In the firft place grant me, that they poflefs not (at lead all of them) the fame exalted understandings, as Socrates or Plato, B. With all my heart. A. Nor yet the fame confummate virtue. B. Moft willingly. A. There are it feems then among thefe, as among others, the ignorant and vitious, as well as the wife and good. B. There are. A. And yet if a man affociate with this- vitious and ignorant part, he keeps good Company neverthelefs. B. He does. A, Suppofe then a perfon of profligate character, by the help of adulation and a feurrilous kind of drollery, to render him- felf acceptable to this bafer part of good Company, and wholly to pafs his time with thefe alone : fuch we know to be the cafe of many a parafite, many a buffoon. B. It is, and what follows ? A. Do you not perceive the paradoxes, which follow ? B. What paradoxes ? A. One, that a man may be counte- nanc'd by good Company all his life, and 3 not ( 35 J hot poffefs the leaft particle of good to recommend him. Another, that a man may keep .good Company all his life, and hardly converfe with a fingle perfon of either virtue or underftanding. Are not thefe paradoxes ? Again, by inverlion we may create ftill more of them. One, for inftance, that a man may have much virtue and underftanding, and converfe perpetu- ally with perfons of the fame character, and yet in the courfe of a long life never keep the leaft good Company Another, that as there are perfons of virtue and under- ftanding, who are no good Company, and good Company who have neither virtue nor underftanding, there will be fome bad Company more good than fome good Com- pany : what think you of thefe things ? Are not thefe all paradoxes, which fol- low from what you have aflerted ? B. Very fine, truly ! And fo you really imagine that by a few trifling ques- tions, and a little fophiftical cavilling upon words, you have gained over your friend a complete logical triumph. A. How well not long ago did I fore- tell my own fate ? Did not I fay that I D z ihould ( if) mould be arraigned for an idle fophift, a minute refiner upon verbal niceties ? B. And do you not juftly deferve the cha- racter ? Is the whole, you have been faying, at beft any thing more, than a contradiction to the common language of all mankind ? A. I never heard before that all man- kind had a common language. B. Why there again ? As if by man- kind, I meant every human creature, now exifling In the world. - A. Exifting in the world ? In what world ? B* Nay this is worfe than ever I am fure, if I had not more philofophy to bear be- ing thus queflioned, than you on your part have fhewn in queftioning, I mould long ago not have vouchfafed you an anfwer. A. Have patience then, my friend, and let your philofophy ftill fupport you. Re- nounce her not, as is too often the cafe, at that critical moment, when me is moft to be defired. The meaneft may philo- fophize with the greater!: apparent wif- dom, while the courfe of human events is even and unruffled: jufl as with a fair gale, in the great pacific Ocean < B. { 37 ) B. Well, well, don't preach oyer me, but propofe your queftion. A. With all my heart. I was afking you, when you talked of every human creature in the world, what you meant by the word, World. B. And what do you ferioufly think 'twas poffible for me to mean, but this Earth of ours ? A- What, the terraqueous Globe ? B. Ay, the terraqueous Globe, if you like that better. A. 'Tis enough, I am fatisfied. I fee light now diffufe itfelf thro' all our dark de- bate. If this be the meaning of the word, World, to know the World muft mean, to know this terraqueous Globe. Muft it not? B. In fome fenfe pofiibly it may. A. 'Tis no hard matter then, admitting this explication, to difcover whom you mean by thofe, that know it. They are the great geometricians, and geographers, and voyagers ; the Strabcs, the Ptolemies, the Forbijhers, and the Drakes. One alfo of the fame catalogue 'tis to be prefumed. we may call your friend ; I mean, that marvelous man, who left us not long D 3 ' ago, ( 38) ago, and whofe knowlege in this way you extolled fo highly. B. My friend, as you call him (I thank you for the compliment) knows nothing of thefe matters, I can aflure you, in the leaft; nor did I, for my part, ever mean any thing like it. In fhort, to end all trifling at once, (for I have quite enough) by Knowlege of Men and the World, I mean nothing more, than according to common phrafe, the knowing every body in town, A. In what town. B. In this town, in London. A. Indeed ! what, every body in London ? B. Fie ! fie ! more cavilling. Every body, I mean, of birth and fafhion. A. About two or three thoufand per- haps : will that be enough ? B. I don't imagine they can be fo many. A. A three or four hundredth part this of about eight hundred thoufand, the fuppofed number^ which inhabit this city. B. It may be fo pofliby ; I never made the computation. A. To be acquainted therefore with this three or four hundredth part, is what ypu mean by knowing of the World. B. ( 39 } j5. I allow it. A. And in this fmall pittance of the whole human race, you grant the fame mixture of virtue and of vice, as may be found at large among mankind in general. B. I do. A. So that by force of any effentiai and truly characleriftic quality, they are no way to be diftinguifhcd from the ordi- nary herd- B* By no virtue or vice I have told you already. A. Thei then are in reality your fenti- ments, and meaning. B. They are, you may be afTured. A. And you aflure me farther, that in no part of your difcourfe, you at any time intended by knowlege of the JVorld, a knowlege of that comprehenfive and Stupendous fyftern, in which are included all fyftems fubordinate ; all beings what- ever, both rational and irrational, both im- meafurably great and immeafurably fmall. B. No, that I can fafely affure you. A. Nor did you ever mean by the World any one of thefe fubordinate fyf- tems j as for inftance the folar. B. I never did. D 4 A. ( 40 ) A. Nor any orb or planet of fuch fyjftem ; as for inftance this Globe of ours. B. No. A. Nor any quarter of this Globe, as Afia or Europe. B. No. A. Nor any region of fuch quarter, as Italy or Britain. Br No. A. Nor any whole city of fuch region, as Rome or London. B. No. A. On the contrary, to know the World, according to this hypothefis of yours, is c to know a little clan compofed of both * f fexes, in character upon a level with the " reft of mankind, and like them equally i diverfified with good and bad ; a clan, the fi gradual deyiation, by thefe two caufes, ? l from the true and natural end of man, < { that is to fay, the tranlition from what is " focial and rational into vitious habits, and " falfe opinions ; the many imperceptible f 1 and unattended degrees, by which fuch " habits ( 44 ) habits and opinions arc formed j the flow and critical procefs of railing up better, by which alone thofe others are to be de- stroyed. This, as I have heard, is to know human nature ; a Knowlege, which afTumes as many different denominations, as 'tis capable of being attached to differ- ent fubjecls : applied to a man's felf, 'tis called the virtue of prudence; to a family, it affumcs the name of oeconomy j when feen in the propriety of our common in- tercourfe with others, 'tis recognized by the name of civility and addrefs ; when extended to the leading of ftates and em- pires, 'tis the rhetoric and policy of the genuine Jlatefman - 3 in a word, 'tis a Know* lege which differs in this from all others, that by pofTeffing it we become not only wifer but better. And fo much for the KftGwlege of men, and human nature. " Again, to know the World, what is it in the opinion of the fame wife men ? 'Tis what they have called by way of eminence, the fcience of fciences, and art of arts, as including the principles of every other Knowlege. 'Tis to have a Knowlege of Form or feminal propor- " tion, (45) * tion, with the univerfal Subject, its pamve " receptacle. 'Tis to view, in the union of " thefe together, the birth of things by " kinds, and fpecies. 'Tis to fee the efri- " cacy of thefe kinds, and fpecies; how "nature from their connexion derives the " unity of her exijience, and from their va~ " riety and arrangement, becomes adorned " thro' every part. 'Tis to gain a glimpfc