^99 m A = AB = = 1 os 7m IB c 1 1 _ c/ 1 = J cl 1 1 = JO 1 Is 1 1 alifornia gional ^ cility "> i THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES HOR^E IONICS A POEM. T. DAVISON. Pf inter, Whitefriars, Lonrfon. HOILE IONICtE: A POEM, DESCRIPTIVE OF THE IONIAN ISLANDS, AND PART OF THE ADJACENT COAST OF GREECE. By WALLER RODWELL WRIGHT, Esq. SOMETIME HIS BRITANNIC MAJESTY'S CONSUL-GENERAL FOR THE REPUBLIC OF THE SEVEN ISLANDS. vttih np/wv 'iSosxij t'ojo; cunv Trsfavlo Homeri. Hymn, in Apollinem. Niv aTlifi/yriaav, Bc5' a. A ygjamus 'A${oj'xira> wVs a*ijS>? Trjv Troaf aciv ytncBcu, $ tb; Tiy^yris-ajj.iyti( uSiifiooy lyyjigrtfcu, it n>arvyv, xalaSri'hoi oyji; tk? iivipa; (uit| av /JsXftTfiai vit' aXXwv X0(j.itinguish that the hero of the tale was Achilles, or, as the moderns pronounce his name, Achilevs f The rustic flutes, still in use among the peasants of Zante, are of two sorts. The one, to which I allude in this place, is a simple joint of the large reed which grows commonly in those islands, perforated upon the principle of a flageolet, and open at the end for receiving the breath. The .other, though more artificially constructed, is a wretched instrument, in sound not unlike an ordinary bagpipe 46 Of former joys; and fancy loves to stray O'er seas and distant shores, a trackless way! With tears unbidden swells my pensive eye, And bends its eager gaze on vacancy; Or, darting upwards through the fields of light, Explores the starry rulers of the night; And vainly seeks, among their radiant band, To fix the zenith of my native land. Or, when the Hours their rosy smiles display And welcome from the east the rising day, I love to climb the mountain's thymy brow And trace the landscape in the morning glow Pleas'd on Scopo the genial air to breathe And mark the varied scene that lies beneath. Hard by his foot, where rolls the turbid main, Cheri unfolds her wild and marshy plain; In prospect such as when the Carian * sage Describ'd her wonders in the historic page: * Cheri is a marshy plain of small extent, situated among craggy and broken rocks, not unlike those that surround the Solfa- 47 High rugged cliiFs the barren spot surround, And steams sulphureous issue from the ground; And pitchy springs, that quickly seek to hide In subterranean course their murky tide; terra ; except that among the crevices are visible a few scattered traces of vegetation, and here and there a solitary K5m, or locust- tree. The cliff's by which it is inclosed form nearly three-fourths of a circle, and, in continuation of that figure are seen two little rocky islands scarcely a mile from the shore, the whole appearing as if, at some very distant period, the sea had broken in upon the crater of a volcano. The air of this plain is proverbially unhealthy, and the rushes and sedges thinly scattered over the black marshy soil are, towards the root, covered with a pitchy slime. The spring to which travellers are usually conducted, is certainly a great natural curiosity, the bitumen boiling up in large bubbles within a few inches of the surface of the water, which, though visibly tinged with a bituminous oil which floats upon its surface, is soft and not unpleasant to the taste. This well, however, bears no resemblance to the description given by Herodotus; but, at the distance of a quarter of a mile more remote from the shore, we found the re- mains of a circular wall, exactly corresponding with the dimensions which he has assigned to it. The area was nearly filled with earth, which shook beneath our feet; within its limits, however, are still discernible two or three open springs of much greater depth than that which we first examined : we also distinguished the remains of the trench, in which, according to Herodotus, the pitch was pre- served for use, after being taken from the spring ; and we further observed, that the same simple instrument was employed for this purpose which he so particularly describes, viz. a bunch of myrtls affixed to the end of a long pole. In calm weather the bituminous oil is discernible by the variety of colours which it reflects upon the surface of the sea, about a furlong from the shore. 48 Till distant from the shore again they rise And tinge the billow with their varying dies. Far to the south, where pale Corone's height Recedes in distant vapour from the sight, Yet not unmark'd by Fancy's piercing eye, The rugged shores of wild Cy thera lie *. 'Twas on those shores, as ancient poets sing, What time light Zephyrs woo'd the infant Spring, Immortal Venus rose, in glowing pride, Bright as the day-star from the swelling tide: The conscious earth with new-born flow 'rets spread Beneath her lovely guest a fragrant bed ; From the deep bosom of her coral cell Each Naiad tun'd the soft accordant shell; Awaken' d Echo did the notes prolong; While mountain-nymphs and Dryads join'd the song; * ILidie Cerigo. The reader will, I hope, pardon me, when I confess that I have here made use of the poetic prerogative, " Oculis quantum contendere Lyuceus." 49 And pour'd from secret bow'r or haunted cave Their tribute to the daughter of the wave. Here oft, when Cnidos could no more detain Her fickle queen, and Paphos sued in vain, Forsaking e'en Idalia's dearer shade, With partial step the lovely goddess stray'd. [prove How strange the choice! that rocks and wilds should The favour'd refuge of the Queen of Love. 'Twas here her son first learn'd the ruthless art, To mock the wretched victims of his dart. Nurtur'd 'mid scenes like these, the savage boy Revell'd in transports of ferocious joy, As, on the promontory's flinty brow, He oft review'd the treasures of his bow, And smiling, pointed with malicious care The rankling shafts of anguish and despair. Forsaken isle! around thy barren shore Wild tempests howl and wintry surges roar. H 50 Th' ^Egean pilot, hence, with cautious heed Doubles the cape, and plies with trembling speed His westward course; or scuds beneath the land, And moors his vessel on the Pylian strand. Beside that strand, indignant of controul, Where proud Alpheus bids his waters roll, And, rushing to the sea with turbid force *, Repels the wave that meets his foaming course: 'Mid groves of olive on Strophadia's f isle Mine eye discerns her consecrated pile. What need those ancient wonders to rehearse That live in Ovid's strain or Maro's verse? How Calais and Zethes hither drove The harpy race, as will'd eternal Jove, * I have been credibly informed, as a demonstration of the ex- traordinary force with which the Alpheus rushes to the sea, that the water continues fresh to the distance of nearly a mile from the mouth of the river. f Now called Strivali, and celebrated for nothing but a monas- tery of Greek Kaloycri, founded in the reign of Justinian. These islands are much frequented by the Cacciatori of Zante and Cepha- lonia about the month of April, on account of the vast flights of turtle doves which annually visit them about that season. 51 And from Phoenicia's shores their flight pursu'd, Till Strophades receiv'd the hellish brood *: Or how, in after times, the Trojan host f, Wand'ring in search of Latium's destin'd coast, With cymbals put to flight the race obscene, Unmindful of the bodings of their queen. Now in the precinct of this lonely spot, The world and all its vanities forgot, Sequester'd each within his humble cell, The cloister' d monk and peaceful hermit dwell. Deep in the bosom of the rocky shore A limpid fountain pours her ample store ; Here, through the grove when gales autumnal blow And tear the leafy honours from its brow, The thirsty peasant stands amaz'd to view Wild leaves, that once beside Alpheus grew, For foliage of such kind Strophadia never knew. * Ov. Metam. 13. v. 70Q. f JEneid.3. v. 2]0. 52 'Tis said, beneath the ocean's briny tide In subterranean * lapse his waters glide, And, here emerging, bear from distant glades The leafy tribute of their native shades ; From aged Planes that, bending o'er the flood, Immortal Scillus! crown thy sacred wood, And spreading oaks that still o'ershade the plain Where, great in ruin, stands Diana's fane. Thrice hallow'd shades! where Xenophon retir'd, His classic labours while the Muse inspir'd; The Graces f listen'd as his numbers flow'd, And through the nervous strain persuasion glow'd. * The poets have extended the suhterranean and submarine course of the Alpheus to the island of Ortygia near Syracuse : " Nomen dixere priores Ortygiam. Alpheum fama est hue Elidis amnem Occultas egisse vias subter mare; qui nunc Ore, Arethusa, tuo Siculis confunditur undis." Virg. JEn. Lib. 3, v. 6Q3. But on whatever ground their assertion may stand, the existence of this phenomenon in the Strophades has been confirmed to me by undoubted authority. f Quintil. 10. c. 2. 53 Who can behold Alpheus' sacred tide, Nor call to mind Olympia's ancient pride? For many a pile beside his yellow sand In awful ruin consecrates the strand. There, deep embosom'd in its hallow'd grove, Appears the temple of Olympic Jove, And scatter'd fragments faintly mark the place Once destin'd for the combat and the race. Within the limits of yon grassy mound, That just defines the Stadium's ancient bound, Assembled Greece beheld, with proud delight, Their hardy sons prolong the toilsome fight; Or mark'd their skill, as in the measur'd course Their nervous arm restrain'd the foaming horse, And press'd with fervid wheel the sacred way, Swift as the chariot of the god of day. Or who so reckless of a glorious name, So dead to courage and so lost to fame, Unmov'd that venerable turf can tread, Nor think he stands before the mighty dead? 54 For surely still their spirits here remain, And fondly linger round the sacred plain: Or from their bright empyreal seats on high Behold these hallow'd scenes with partial eye; The scenes which crown' d with glory's bright reward Th' athletic victor and immortal bard. For oft the bard attun'd his lofty strain, To sing the heroes of th' Olympic plain; While, as he gave, himself acquir'd renown, And shar'd the honours of the sacred crown. Nor Poesy alone obtain'd the prize Which rais'd the deathless victor to the skies; When History* the laurel'd trophy won, The Muses triumph'd in their favour'd son. Rapt in extatic thought, my soul surveys The pride of Greece in long-forgotten days; * In the year 445 before the Christian era, when Herodotus read his history publicly at the Olympic games. 55 Beyond or space or time pursues her flight, And all Elysium rises to her sight. See, where, restor'd in all its ancient pride, The temple opes its Doric portals wide! And, lo! emerging from the distant cloud That o'er the altar spreads its awful shroud, Like meteors flashing o'er the darken'd skies, The glimm'ring shades of Demigods arise! Now, gaining on the sense, distinct and slow, Like pencill'd forms, the fleeting shadows glow. Behold the mighty sage! whose pow'rful mind Th' Athenian tribes in social bonds combin'd; And him! whose brow inspires reluctant awe, The man that founded Sparta's iron law. Next these in slow succession move along The ancient masters of the sacred song: He, who the frozen rocks of Thrace could move, Or wake to life Dodona's list'ning grove j 56 Who sung how order rose, and heav'nly light, In just succession from the womb of night: And he, whose daring strains reveal'd to earth The secret tale of each immortal birth, Or taught the rustic train beneath what sign To turn the soil and prune the spreading vine; What stars propitious to their labour rise, And which bestows increase, and which denies. Hark! great Alcaeus strikes the Lesbian lyre; And Sappho breathes the song of soft desire ; Anacreon warms his frozen age with wine, While rosy braids his silver locks entwine: With loftier port and conscious greatness move Callimachus *, that hymn'd immortal Jove, * Callimachus and Theocritus, although not natives of Greece, are of too great eminence and celebrity to be passed over in this enumeration; in which I have been induced to neglect the chrono- logical order of succession, for the purpose of classing the bards ac- cording to the nature and style of their respective compositions. 57 Theocritus, who told in Doric strains The loves and labours of Sicilian swains, The mighty Theban, whose aspiring Muse On eagle wing her dauntless flight pursues, The awful bard, whose sacred numbers flow In wildest ecstacy of tragic woe, Of sad Prometheus tell the endless pain, Or sing the horrors of the Theban plain: And see ! the rival of his later years, In pride majestic Sophocles appears; And he, whose mournful numbers taught the stage Medea's wrongs and Phsedra's impious rage. Led by the Muse's hand, in sightless trance I see the chief of Epic song advance: A golden fillet binds the locks of snow That thinly crown his venerable brow ; Wildly his hand explores the sacred shell, And Nature, trembling, owns the pow'rful spell: Around him throng, to catch the soothing strain, The brave who fought on Ilion's fatal plain. 58 Near these, in radiant arms, the heroes stand Whose later valour freed their native land: Triumphant chiefs and victims of renown Whom cypress wreaths, or myrtle chaplets crown ! Each, on the circle of his batter'd shield, Bears the device of some victorious field. Behold the dauntless few whose trophies tell How at Thermopylae they nobly fell! And those at Marathon who fought and bled, Before whose arms the vanquish'd satrap fled ! Or where Piataea spreads her wat'ry plain ! Or Salamis repels th' JEgean main ! And him, the sun of Thebes, whose warlike pride Rose with his arm, and perish'd when he died! And great Timoleon, freedom's dearest son! And the unconquer'd soul of Phocion ! Mark where approaching to the sacred shrine, Around whose base eternal laurels twine, Th' historic ministers of truth unfold The mighty deeds in glory's page enroll'd. 59 The Carian sage, with energy sublime, Unveils the sculptur'd obelisk of time: 'Twas his to pierce, with more than mortal sight, Through ancient darkness and oblivious night, Of deeds long-past to trace the secret springs, The rise of empires and the fate of kings. Nor less illustrious, by the altar's side, The boast of Athens and of Greece the pride, Thucydides appears; in either hand He wields the blood-stain'd sword and flaming brand. In awful beauty, o'er his laurell'd brows The martial maid her sable aegis throws! To him alike reveal'd in all her charms, The depths of counsel, and the pride of arms; With glowing eloquence she stamps the page That consecrates his name to ev'ry age. Whence bursts this flood of light, before whose ray Heaven's azure concave seems to shrink away? As if some daring hand aside had thrown The mystic veil that shrouds the world unknown, 4 60 Bid mortal sense the vast abyss explore, And tempt the trackless deep, unbounded by a shore. Lo ! where, enthron'd amidst the rolling spheres, His awful front majestic Plato rears. Such as of old, on Sunium's rocky side Or where Ilissus' sacred waters glide, From reason's light he taught the list'ning youth Of moral beauty, and eternal truth ; Or in mysterious symbols half conceal'd The secret lore which Memphis had reveal'd. Now, clear'd from mortal mists, his eagle sight Expatiates freely through the realms of light: Inspir'd by truth he sings in bolder strain What pow'r combines creation's golden chain; How worlds obey the geometric laws Establish'd by the great eternal Cause; And whence in human breasts immortal glows Th' etherial flame, which heav'n itself bestows: Till, rising with its theme, the lofty ode Ascends from nature to the throne of God. 61 Unseen celestial beings hover nigh And pour their sweet accordant minstrelsy; Through boundless space the sacred hymn prolong, And worlds unnumber'd join the choral song. But cease, my Muse! for not to thee is giv'n On earth to emulate the songs of heav'n: No sister thou, but handmaid of the Nine; And least of all their train, as I of thine. Immortal themes a master's hand require In silence I adore, and trembling drop the lyre. POSTSCRIPT. At the request of some particular friends, the author has been induced to add the following cursory observations on the Romaic or modern Greek language, as it is spoken in the Ionian islands. The dialect in general use throughout these islands and the adjacent part of the continent of Greece is the Doric ; but corrupted by the introduction of a great number of Italian words, and some of Turkish origin, which have, for the most part, been naturalized by the addition of Greek terminations. The radical words of the modern Greek, in general bear a near affinity to those of the ancient language : and the principal differences between the two are those of pronunciation and inflection. 64 The first of these is the invariable observance of accent, and disregard of quantity; which, although they may be tole- rated in ordinary conversation or in the reading of prose authors, by destroying the melody of rythm, considerably detract from the beauties of Homer and Theocritus, and are still more sensibly felt in the works of the tragedians and lyric poets. It would be too bold an attempt to determine how far the force of the vowels, diphthongs, and certain of the consonants in the modern system of pronunciation, may correspond with the usage of the classical ages: but the difference between the English and Romaic pronunciation of the Greek may be principally reduced to the following table: a is pronounced as a in the Italian. ov . . as u in Italian, or oo in English. C as o without any difference as to the o. in < quantity, and indeed frequently in- ( verting it *. o after a vowel becomes a consonant, and is sounded as v, * Thus Avflju-'wof is pronounced as if written Av0goir;. 05 which sound is also common to the /3; thus, fixtriXevs is pro- nounced vasilcvs. % is a peculiar national letter of a harsh guttural sound, resembling, but somewhat more aspirated than, the German pronunciation of the letter g; and $ has the force of the softened th, as in thee, thou, &c. With respect to inflection, the modern Greek seems to be very deficient; and indeed that defect is chiefly supplied, as in other modern languages, by prefixing prepositions to mark the relations of the substantives, and conjunctions to distinguish the moods of the verbs. In the latter, the aorist is the past tense most commonly used; and the preterite and its derivatives are formed in alF the voices respectively, by the auxiliaries h'%Jv and hvou. The infinitive is no longer in use, but its place is supplied by 'va, (the contraction of ha) prefixed to the verb in the sub- junctive mood ; by a singular anomaly, however, in conversa- tion, the infinitive mood of the verb JijXf, is almost the only part used when speaking in the present tense. Another peculiarity of the modern Greek is the adoption of the indefinite article, in conformity also with the genius of other European languages : sva, in the masculine and jtwa in the feminine serve for all cases without any inflection. 66 In consequence of these differences, the ear which is ac- customed to the English pronunciation of the Greek language seeks in vain for that full, sonorous cadence which early habits have taught u$ to admire, and finds in its stead an acute, stri- dulus combination of sounds, which is far from being either agreeable or harmonious ; while the mind is disgusted at the barbarous structure of a dialect which confounds the anoma- lies of ancient and modern grammar. I do not presume to extend these observations beyond the limits of the Ionian islands ; though, from the few opportuni- ties which I have had of listening to the conversation of the Albanian soldiery, 1 believe that, as far as relates to pronun- ciation, they may be equally applicable to the people of that district, who are reported, in other respects, to speak the Ro- maic dialect with a degree of purity much nearer to that of the ancient Greek : while (singular as it may appear) the natives of Attica, though still remarkable for wit and acuteness of in- tellect, speak a more barbarous jargon than even the inhabit- ants of the Ionian Islands. Much has been done, since the first connection of the court of St. Petersburgh with the Greeks of the continent, towards purifying the Romaic, and reducing it to the form of a regular dialect, and many works in that language have been published at Trieste. The Legislative Assembly of the Seven Islands had also 67 decreed, that after ten years no other language should be used in the promulgation of the laws, the public records, pleadings, and process of the courts of justice. What might have been the effect of this regulation it is impossible to determine; but I am much inclined to suspect, that the improvement of their literature would never have maintained an equal pace with the rapid progress of their political corruption. THE END. T. DAVISON, Printer, WhUefriars. University of California SOUTHERN REGIONAL LIBRARY FACILITY 305 De Neve Drive - Parking Lot 17 Box 951388 LOS ANGELES, CALIFORNIA 90095-1388 Return this material to the library from which it was borrowed. WMllfWPI 1UL- VPX JUL i i ^ DUE 2 WKS FROM OATE REC'D YRL o0 1 2003 RECEIVED S.^ RN "EGI0NAL "Mmimmill LIBRARY FACILITY M 000 076 0^2