%QJINM^ tf-CAUl mo-; .OF-CA11F( a THE GERMAN DANGER the Same flutbor DARAB'S WINE-CUP THE WANDERING ROMANOFF A MAN ADRIFT A SAILOR TRAMP LONDON IN SHADOW A TRAMP IN SPAIN SLAVERY THE GREEN SPHINX A TRAMP CAMP WANDER PICTURES THE GERMAN DANGER BY BART KENNEDY LONDON COLLIER 6? CO. 1907 PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, LONDON AND BECCLES. CONTENTS PAGE I. COLOGNE i II. BONN ii III. A HARTZ TOWN 21 IV. THE BROCKEN 30 V. THE PRUSSIAN DANGER .... 48 VI. BERLIN 57 VII. Music 66 VIII. THE REICHSTAG 75 IX. POSEN 85 X. THE KNEIPE 95 XL THE STUDENTS 104 XII. THE HIRSCHGASSE . . . . .113 XIII. THE SCHLOSS . . . . . .122 XIV. BADEN-BADEN 132 XV. LOST IN THE FOREST 142 XVI. SAND 152 XVII. THROUGH THE FOREST . . . .161 XVIII. DIE FORELLE . . . . . .171 XIX. LEAVING EXACTITUDE . .180 XX. Two PEOPLES I9 1 THE GERMAN DANGER I. COLOGNE I DID the golden glorious bells of Cologne send forth a message on this Easter morning the like of which would be but fully grasped by man in the far time to come ? Did these clear, wondrous sounds mean that the time would come when peace would reign in the world ? Golden bells ringing out over the calm- flowing Rhine. Out over the beautiful town and the beautiful waters. Out over grim forts of destruction. They rang out over glinting murder-steel, over great, dark engines of death. 2 THE GERMAN DANGER These glorious cathedral bells were carry- ing a message to a people armed to the teeth. For this strangely beautiful land of the Rhine was a land ripe with the powers of death and evil. From day into dark men marched and drilled and broke themselves to the use of weapons of murder. Soldiers were everywhere. This beautiful Rhine- land had become a menacing volcano that at a moment might burst out and rive and rend Europe. At the bidding of a knot of sinister men who could be counted on the fingers of the hand armed millions would be sent forth to slay and to ravage. Men would be taken from the broad, beauti- ful fields, from the plough, from the villages, from the towns, from the workshops. Peace- ful, kindly men would be torn from their families and the daily pursuit of their avoca- tions and sent out to commit deeds of vio- lence and blood upon men and people such as themselves. And those in whom lay the COLOGNE 3 power to loose these fires of Hell could be counted upon the fingers of the hand. Upon the fingers of the hand! It was a strange thing. This small knot of sinister figures controlled hosts the killing power of which was undreamed of even by the Hun, Attila. And so it was well that the golden glorious bells rang out on this Easter Sunday morning. There was need for the message coming from the wonderful cathedral. II How joyful and triumphant were the sounds of these glorious bells. Bells the like of which were not in the whole world. They were telling of the time when Christ would come into the world arrayed in splen- dour and brilliance unimaginable. Christ would come again arrayed in the glory and sublimity of Godhead. 4 THE GERMAN DANGER And there were meanings in these glorious bells past human imaginings. As if voices of beings were speaking from the future. Voices it might be of glorified men to come. Voices of those whose time had not yet come to dwell in the world. Mysterious, super-mortal notes ringing through the soft sunlit air of the vague and beautiful town. For though the impress of the armed camp was upon the town, it still was as if over all were a spirit and atmosphere at once vague and tender and full of charm. As if the genius of these kindly people lay not in the hard stress of war but in the glorious realm of art and thought and imagination. Surely these people held within them the genius of true civilization. Surely they were wandering from their true path which was not to crush but to help in the raising of humanity. The real expression of their genius lay in this beautiful cathedral where rang the COLOGNE 5 bells. It lay not in the malign and sinister preparation for the slaying of their fellow- men. It lay in thought. It lay in the heaven- magic of music and art. Ill This cathedral of Cologne whence rang the golden, glorious Easter bells ! To see so beautiful, so sublime, and so reverend a place was to feel that God indeed lived in the soul and mind of man. To be within this sacred and splendid place was to feel that the prophecy would come true that man would emerge from the present half darkness into the full light. For man had reared up this place. It was the glorious triumph of centuries of labour. The hands ot men had set in place the walls and the arches, the great columns and the altars, the roof the dome and the golden bells 6 THE GERMAN DANGER that now rang out over the town and the flowing Rhine. Did it come in the reach of time that Cologne passed away, it would be well did this place of wonder still remain. Did even men pass away, and did it come to pass that higher and grander beings reigned in the world, the sight of this place of wonder and beauty would show these beings that the man-race that had gone to the dust was a race within whom had lived a splendid and magical light. ***** The light softly burned and shone in the windows of the cathedral. And the golden bells were stilled in the dome above and the splendid ritual was living before the great altar. And the people knelt as the sonorous Latin words of the rite came through the distance. Easter morning. On this day Christ had risen from the dead. COLOGNE 7 Through the cathedral rolled great organ- tones. And voices clear and fresh as the morning came forth. And high above the light was burning and shining in the wonderful windows. And the sounds of the voices and organ-tones softened and rose and rose till they had passed into and were blended with the far light above. ***** These strangely radiant wonderful win- dows. In them lived and moved the light of the day. High up yonder a blue en- chanting radiance streamed into the cathe- dral. And past the blue there streamed a radiance again. A radiance red and gold. And yonder again was a radiance. One was in the midst of a place of unimaginably beautiful light. Light ever changing and strangely dissolving. The cathedral was living in the midst of moving, wondrous- coloured light. The colours of all the 8 THE GERMAN DANGER beautiful flowers of the whole world were in this light that was streaming into this sacred place. Soft radiance fell through the curve of yonder far arch. And through the great window in the east the light fell gently into the cathedral nave. And far off and high through a distant window was shining a radiance brilliant and strange. Here were all the lights of all the world. And the shining colours of all the world. Here were all the lights and beautiful colours seen in dreams. And here were lights and colours past even the power of imagination to picture. This strangely glorious shining cathedral. This inspired place. IV As one knelt here strange images and thoughts passed through the mind. And the eyes of the soul became opened. One COLOGNE 9 saw that man could alone attain to his full self in the midst of harmony. Hate and strife and disaccord were things of darkness. Man would never attain to his splendid destiny under their reign. He would have to arise and shake from him their power. Man could grow but in the midst of harmony and peace. He would have to put hate and strife and disaccord and their signs and pomps behind him. These thoughts came to the mind in kneeling here in this cathedral. The eyes of the soul became opened as one knelt within this splendid symbol of Infinity. This symbol was the realising of man's most glorious dream. It was a sign of the height to which he would attain. With his hand he had raised it. It was of him. This place of wonderful radiance was the realising of the light that lived with him. io THE GERMAN DANGER And again rang the golden, glorious bells of the cathedral. Again they carried the message. On this day Christ had risen from the dead. They rang out over the town. Out over the calm-flowing Rhine. II. BONN. I THIS German had never even heard of the name of Beethoven. My friend had asked him if he could direct us to the street where the great musician was born, and he was shaking his head in a way at once puzzled and polite. He was a waiter here at a little hotel in the Market Place in Bonn, the birth- place of Beethoven. He called his fellow- waiter to his aid a little Jew with a long nose, cunning, near-together eyes, and the assured, know- all air of his race. But the Jew waiter was also unable to shed any light upon the problem. ii 12 THE GERMAN DANGER . " Beethoven ! Beethoven ! Ich habe ja niemals von ihm gehort!" (I have never heard of him !) exclaimed the Jew. And then the two waiters went off a few tables from us and conferred together while we were finishing our meal. And now and then could be heard the half- whispered word " Beethoven." Here in his birthplace the world-musician was an unknown quantity both to a Jew and a Gentile. And then it was that I began for the first time to feel really at home in Germany. The Germans were after all as human a people as ourselves, the English. This small touch of dense ignorance seemed to bring the two nations together. I had always heard that the Germans were the most well-informed and knowledgeable people in the world. It is a fearsome and awful reputation to possess, and I was pleased to find that the calumny was BONN 13 disproved. On occasion they could be as ignorant as ourselves. II How quaint was this old Rhine-town. It preserved its mediaeval aspect even in spite of the hideous tramcars. Why are these old, delightful German towns spoiled by such malign expressions of modern alleged progress ? The tramcar especially the electric tramcar is a very much dis- guised blessing indeed. It is dangerous, and its noise is horrible and hideous, and it dwarfs and stunts man by encouraging him to shirk his proper exercise. ***** It was plain to be seen that the Germans here in Bonn took life with the easy, happy-go-lucky spirit that belongs to the truly wise. The tramcar had not as yet got in its corrupting influence upon them. H THE GERMAN DANGER They stood on the corners smoking and discussing with calmness what I am sure must have been the deepest of deep philo- sophy. One might have been in a town in the south of Spain. The difference, however, was that these delightful Germans of the Rhine loafed and lazed about in what might be called an earnest manner. You felt that likely enough something of value would come forth from their meditations. Along the streets curiously - capped students were easily walking. And there were stout men, smoking the great long pipes that one hears of. Altogether, I was much taken with the look of Bonn. And if the people could have been persuaded to abolish the tram- cars and to hang the makers of them, I am sure that I would have entertained serious intentions of mastering German and settling down in Bonn. A beautiful quaint old town of the Rhine. BONN 15 It belonged to the past when the Germans were wiser than they are now to the time when they had not got militarism on the brain. This militarism, however, had been forced upon them. It was alien to the nature of these kindly, comfortable, well- disposed people. For the last generation they had been cowed and coerced by a gang of Prussian Huns madmen, whose chief ambition was to disturb the world's peace so that they could show off the effect of a big conscript army. It is well to tell 'the English people the plain truth about this matter. The policy of the ostrich is the policy of death. There is danger from Germany. Not because of the people. The Germans in themselves do not want war. But the idea of discipline is so in- grained in them that all that the military party^ would have to do would be to say the word, and Europe woulcT~be~~libtc[ze. They would obey the Huns in high places 16 THE GERMAN DANGER as the electric bell obeys the touch on the button. Perhaps you are a stay-at-home English- man who does not believe this ! If so, I am sorry. And all I can say to you is that if you travelled through Germany you would be blind indeed did you not see that the Germans are absolutely in the grip of the military party. Military officers are everything and the rest of Germany is nothing. I am not saying that there are not Germans who resent this state of things. There are. But the danger to the peace of Europe lies in the fact that, practically, the German has no say in the governing of his country. And, as I said, he obeys unquestioningly. He has been turned into a machine by Bismarck. And Europe will be in danger till he finds his soul again. BONN 17 III Here we were in the Bonngasse a small, narrow street, where was born that wondrous world-man that glorious and stupendous man of genius, Beethoven. He was born in a little back room in a house in this Bonngasse. This great man had been ushered into the world in the midst of poverty. His father was but a choir-singer. There was no thunder of guns, there were no vast and splendid cele- brations to announce to the world that Beethoven had come. This greatest of all the Germans came from the people. And the greatest of all the German Emperors would, indeed, be well honoured were he but allowed to tie the latchets of the shoes of this Beethoven. And he was born in this little back room c in this house in the narrow street here in Bonn. This man gathered the music and the harmony that lives in the world and the heavens, and he wove this music into im- mense, immortal tone -pictures. He was the god of the harmony that will in the end unite mankind. ***** Germans ! Talk not of the splendour of the feats of your Huns whose statues rise high in Berlin. Talk not of the deeds of your liberty-crushing men of evil whose memory is enshrined in boastful pomp in your great town of the north. Raise up your statues to the crushers of our common race ! But forget not that by these men of darkness and blood Beethoven was an archangel of light. Your Beethoven stood for the unifying of humanity. He stood for the fraternity that in time will bind us all, whatever be the nation that BONN 19 claims us. Progress is a strange word. It has often been used to designate the push- ing of man back again into the mud and the darkness. But your Beethoven was a herald of true progress. He lit the way for the march of humanity to heights splendid and undreamed of. This genius of the wondrous world-voice ! You need not shrine him high in boastful stone, for he lives of himself. You had the honour of his coming from your midst. But he belonged to us all. This mighty poet, with the magical all-voice. This great-browed angel of inspiration. He is, indeed, worthy of your deepest reverence. Nor can you at once reverence him and reverence those whose statues rise in boastful pomp in Berlin. It is not meet that light may be spoken of in the one breath with darkness. And all the feats of your arms, and all the death-power that may lie in your arms, and all your kings and emperors are as nothing 20 THE GERMAN DANGER compared with the fact that Beethoven came from your midst. That he was born here in your town on the Rhine. III. A HARTZ TOWN I HERE was Goslar a town in the moun- tains of the Hartz. It was small and ancient and compact, and free from the blight of the tramcar. The carts rumbled over the cobble-stones of the narrow streets much in the way they had rumbled hundreds of years before. It was difficult to believe that such a quiet, reposeful town belonged to pushful Prussia. And it almost seemed as if its atmosphere had a chastening effect upon the German officers who swanked and swaggered about and along the quiet streets. I stopped at the Zum Achtermann, an 21 22 THE GERMAN DANGER old, quaint hotel. The roof of the dining room was heavily and curiously raftered, after the old, beautiful fashion. A place adorned with odd, mysterious carvings in wood. This old hotel had once been a strong castle. The dining-room was enclosed in a vast circular tower, with immensely thick walls. There was a dais in this old dining- room where the officers sat when they honoured the Zum Achtermann with their presence. They had a great table on this dais all to themselves. Were an ignorant stranger to go and take a seat at this table, it was the duty of the head waiter to tell him to shift. This table was situated in by far the best part of the dining-room, and it was reserved for the officers, and no lowly civilian was allowed to sit there, even if all the seats at it were empty. The place of the lowly civilian was in the body of the dining- room, where it was comparatively dark. A HARTZ TOWN 23 It was instructive to sit down in the com- parative darkness of the lower part of the dining-room and gaze reverentially up at the modern German war gods while they were quaffing beer from immense long glasses. One felt as if one were a retainer of the time gone by centuries. For this floor of the great, vast circular tower was most likely a dining place in the days when the German war gods did something more than swank and clank around with an earth- owning air. I used to sit and watch the officers reverentially by the hour. It was after all a privilege to be living in the Middle Ages. Let it not be thought for a moment that I have the least intention of being rude to the delightful German people. They must like their swanking, clanking officers, or they would not have them. No nation has any- thing that it really does not want. It is therefore most likely that these spectacularly 24 THE GERMAN DANGER clothed young men appeal to the German sense of decorative art. And I must hasten to say that these German officers look most picturesque and beautiful as they go along the German streets. What matters it if they take the best places to sit in, and if they may kill and injure people with im- punity ? What matters it ? One must pay for the artistic and the truly beautiful. Here, on the raised dais of the dining- room of the Zum Achtermann, they sat gently absorbing beer while they gazed down upon the German people. They were embodied expressions of the heights to which human dignity can arise. II This dear, delightful old town of the mountains of the Hartz ! A town with an atmosphere, old and vague and strange. I tried to picture to my- self what it was like when emperors held A HARTZ TOWN 25 their court here. Surely it was much like what it was now. It might, perhaps, have worn a busier air. Hard-faced men-at-arms pressed through its narrow streets girt with their great swords. And there came knights. And lo ! here was the Emperor ! Surely was this Goslar now all but as it was in those old fine days, when fighting men were fighting men. Above it rose the Rammels- berg, as it rose above it now in the high, clear air. For a thousand years men had mined out copper and lead and silver from this mountain. Pale-faced men of labour such as were passing now had passed through these streets in the time of the Crusades. The lapse of the centuries had changed none of the circumstances of their lot. In the times long gone in Goslar they had been called, perhaps, slaves or prisoners. But their faces were as pale now, and the droop was in their bodies and limbs, even as 26 THE GERMAN DANGER it was then. Words were the only things that had changed for these men of labour here in this Goslar. Immutable is man. A thousand years come and are gone. And lo! men are as they are ! It is as if the vast time-lapse had passed in a flash. In it have lived un- countable myriads of figures. And among these figures vivid figures have stood. Figures called great conquerors, and great men of the mind, and great men of administration. They have appeared in the midst of these uncountable myriads of figures as the thousand years were flashing past. And they are gone, meaning nothing. Conquerors and thinkers all. They fcave come and gone, meaning nothing. It is as if man had but turned in his sleep. To be in Goslar was to feel that time was, after all, but a concept that had grown out of man's imagination. And was this time- concept in accord with the law governing A HARTZ TOWN 27 the existence of the vast scheme of suns and worlds and stars ? Men peered with little instruments into corners of this immeasur- ably stupendous scheme, and they made little marks, and said that the immeasurable world-scheme lived in accordance with these little marks. And they had made things that they called clocks and records. And they had invented three strange words past, present, and future. But did their clocks and their records and their three strange words mean anything save a stick for them to lean on ? Who was to tell ? Might not the past and the present and the future be but three different words expressing ignorance of the life-mystery ? Might it not be that the past and the present and the future were one and indivisible ? Might it not be that man had conceived the idea, Time, because he was half-blind, and unable to see the whole of the mystery of existence ? 28 THE GERMAN DANGER A thousand years had passed in this town of the Hartz, and still it was as it was. Life moved now as it did then. Here were the people, here was the town, yonder was the Rammelsberg rising in the clear air. A place vague and still and strange. Ill I wandered about this old, serene town, watching the calm flow of life in the narrow streets. And to me it was as if the faces of the people were wiser of look than the faces of the people in great, bustling capitals. Man grows best in leisurely and quiet places. Great, bustling capitals burn men up instead of developing them. I stayed here in this town of the Hartz five days. And I grew to know it well. Indeed, in the end it came to be as if I had been there for years as if I had been there A HARTZ TOWN 29 all my life. I used to walk through the quaint old streets between the Zum Achter- mann and the Kaiserhaus, a strong palace built up on the slope of a mountain. And from the Kaiserhaus I would walk back through the Platz, where were drilled the soldiers, and on again through the old streets, and back to the Zum Achtermann. Goslar was quiet and beautiful and old- world. A place of strange grey old houses, with red towers. A place of a sky beautiful and blue, and of clear air. A place strange and wise and old. Of narrow streets and of people with calm faces. Life in it had moved as a quiet stream through a thousand years. And life in it had changed no more than changes quiet, flowing waters. A town of the mountains, still and calm. IV. THE BROCKEN I THE old woman in Ilsenburg was very much against our making the ascent of the Brocken. She said that it was not the season that no one ever went up at that time of year that the snow on the road near the top was high, very high ! She was an old peasant woman of the Hartz, of whom a question had been asked as to the direction to take for the ascending of the mountain, and along with the answering of the question she was volun- teering a mass of most uncomfortable information. An old woman, with a shrewd strong face. We did put it off for that day, and back 3 THE BROCKEN 31 we went to Goslar. But four days after- wards we were again in Ilsenburg, adventuring along in the Ilse-Tal a most beautiful valley. We were determined to ascend the Brocken, season or no season, snow or no snow. I must confess, however, that our ad- venture hardly wore a hazardous air for the Brocken was only 3, 745ft. above the level of the sea, and there was a carriage- way right up to its summit. True, carriages were not running now. But the fact of there being a carriage way at all was enough to inspire confidence, even in the heaviest and most timid mountaineer. The day was glorious. It was deliciously warm. And the warmth was tempered by a breeze coming through the pines. How shall one describe this valley of the pines, through which sang the River Use ? It was as one of the most beautiful valleys in the mountains of Scotland, coloured with 32 THE GERMAN DANGER the warm shades and tones ol the South. The blue of the sky appeared through the tops of the tall pines. There were magical, arching, far effects of blue. It was surely from a valley such as this that man first got his idea of the wonderful Gothic effects. And the life-giving aroma of the pines. To be walking along in this valley was to feel that one was adding to the length of one's days. The road was by the side ol the beautiful Use, that sang its way down from the mountains. Brown, and green, and dark, and gold, and arching far blue. And a river singing. And shafts of light piercing into shadows. The effect was magical. Yonder to the east arose the Ilsenstein, a vast buttress of granite, rising hundreds of feet above the valley. And crowning the Ilsenstein was an iron cross. From Ilsenburg to the summit of the THE BROCKEN 33 Brocken was only a matter of twelve kilo- metres. And here let me give all thanks and praise to the German makers of the delightful carriage-road. For not only was every kilometre marked with great distinct- ness. There was a stone to mark even every tenth of a kilometre. And so one felt that one was really accomplishing some- thing in the way of covering distance. There is nothing so harassing to the foot traveller as to walk for hours without knowing the exact distance he has travelled. Weariness is largely a matter of the mind, and he becomes tired before his time. And it was therefore absolutely refreshing to be passing along this well-marked German road. One felt that one could go along it for ever. Were not the stones marking the distance continually passing behind one ? You saw one, and you were up with it and past it before you knew it. What mattered it if the stone only recorded the D 34 THE GERMAN DANGER fact that you had walked but the tenth of a kilometre ? That was nothing. You were doing something. You were annihilating distance with magnificent ease. And, to tell the truth, I felt personally as if I were passing milestones. A woman was gathering herbs shaped like cress by the side of the road. She said that they were for making tea, and she claimed for them many and varied qualities of heal- ing. I tasted the herbs and reflected upon the fact that the way to health lay, in this instance, through a most unpleasant gate. We were still in the pine forest, and I was beginning to think that the ascent of the Brocken would turn out to be no ascent after all, when suddenly the road turned, and up before us lay a sharp incline. By the time I had reached the top of that incline I began to feel that I was somewhat of a mountaineer. It was that most fatiguing kind of an incline straight, even, and well graded and as I THE BROCKEN 35 was the mule of the party (the one who carried on my back all the necessary belong- ings) it began to tell on me. Just here the forest had become thick and dark, and there was no breeze. At last we were out of the forest and at the top of the incline. We had come exactly seven kilometres from Ilsenburg. We were sitting down near to the stone that marked the distance, and I was hoping that there were not too many of these inclines on the way up to the Brocken. Again we were plodding along. It was a most lonesome and silent mountain-road. We had not seen a soul since we had got up out of the valley. And there was no sign of any kind of habitation. There were marks of the work of wood-cutters, and nothing more. However, it would have been impossible to get lost there, for at every twist and turn of the road there were sign-posts telling one 36 THE GERMAN DANGER all manner of things concerning the direction. And there were arrow-heads and pointing fingers for the benefit of the one unacquainted with the language. Never in my experience had I seen a mountain or, indeed, even a highroad so well provided for in this respect. The Germans had evidently in- tended that no one should get lost in the ascending of their Brocken. They even went to the extent of providing you with a selection of roads and paths. There was the bequemer Weg (comfortable way), and there was the quick short cut, where you had (probably) to keep your eyes open. Though how anyone could by any manner of means fall off the Brocken is a mystery to me. It is the safest and most undangerous mountain to navigate in the width of the world. But where were the vast depths of snow that one had to wade through ? The road was as clean and as dry as could be. We had by this time passed the stone marking THE BROCKEN 37 the ninth kilometre, and I was beginning to think that the old peasant woman down in the valley was a lady who possessed the gift of imagination. The only danger that seemed possible to me was the danger of wolves. It was hard to think, however, that self-respecting wolves would come to a place so stocked with sign-posts. But for all that the scene wore a most lonesome and uninhabited air. Here at a turn of the road stood an absolute regiment of sign-posts. You were at the parting of the ways. You could either go to a village called Schierke, or you could still persist in adventuring up the unadventurous Brocken. This regiment of sign-posts told you everything you could possibly want to know about both adventures. You were confronted with all manner of directions and advices and suggestions. We turned to the right, and lo ! there 38 THE GERMAN DANGER occurred a most extraordinary thing. The tenth-kilometre stones disappeared from the road. Or rather, to be exact, the tenth - kilometre stones that had guided us from Ilsenburg disappeared. There were other tenth-kilometre stones, but they were the guides and friends of travellers bound on another direction and adventure. The paternal German Government had at last left us to ourselves. There was nothing now to cheer us on our way. All that we were told was that we were going on our way up to the Brocken. And I began to feel weary. And here was the snow. It had drifted up right across the road. It lay in places five or six feet high. The old woman of Ilsenburg had turned out to be a rigid dealer in facts. For half a mile the road was choked with snow. But walking upon it was a matter of comparative ease. There was a narrow, THE BROCKEN 39 hardened path in the middle of it that had been made by the tramping of adventurous persons who had braved the perils of the Brocken but a short time before us. II We passed a small, narrow-gauge railway track. This, too, ran up from the valley to the summit of the Brocken. It was for the benefit of the tourists who desire to perform doughty and hazardous deeds in absolute comfort and safety. Trains were not running over it now because of the snow that had drifted across the track. And at last I began to feel the hero's halo encircling my brow. For here was I actually walking up this mountain while others of a less hardy calibre either drove up it or took the train. And I was walking up it when the snow lay on the ground to boot! 40 THE GERMAN DANGER The German Government had deserted us by taking away the tenth-kilometre marks that had cheered us on our way from Ilsenburg. But Providence had balanced this disaster by suddenly becoming kind to us in the matter of the formation of the mountain. For the road was now taking a slightly downward dip. And but for the fact of knowing that the Germans were above such a thing as making a- mistake in the matter of directions, I would have thought that I was on my way down back again to the valley. Here we were at last. We came to a narrow path to the left a path guarded by an immense sign which bore upon it the pithy legend, " Zum Brockenhaus." The meaning of the legend was that we were nearing the hotel on the summit. I paused and looked up along this narrow path, and to my astonished eyes there appeared a sight incredible. THE BROCKEN 41 There were positively stones upon this path! And then something real happened. I stepped upon snow, and I actually sank suddenly down past my knee. I had had the luck to meet with an adventure after all. And I felt much as a Heidelberg student must feel when in a duel he receives a wound a wound that will develop into a fine, sightly scar. There would, of course, be no sign for me to show as proof of the adventure. But I was glad to think that I would now be able to write and tell the people at home of my adventure. And the Brockenhaus now loomed up nobly on the summit of the Brocken. And yonder was the observatory, where the German star-gazers kept a hard and close watch upon the military designs of Mars. No there was no spectre. I should think that the combination of railroad and roads and paths and sign-posts had laid it. 42 THE GERMAN DANGER There was, to be sure, a mist. But who ever climbed a mountain yet that was not rewarded for toil by the sight of a mist obscuring the wonders of the view ? The hotel was low, and it had a flat roof. There were times, it seemed, when the Brocken woke up. And in these times the roof of the hotel was apt to be blown off. To the casual observer it hardly seemed that the Brocken could behave in such a way. It appeared to be a most mild-man- nered kind of mountain. But things are not always what they seem in this odd world, and the owner of the hotel had taken the precaution of building it so that the wind could get as little hold on it as possible. Mighty oaks grow from little acorns. And this Brocken showed to the full the illuminating and wonderful genius of Goethe. It was, to say the least, a most stable and solid foundation for his Brocken scene. It THE BROCKEN 43 is a well-known fact, however, that the true poet often derives inspiration from things that are in themselves not too im- pressive. The waiter who was in charge at the Brockenhaus was one who was given to silence. He had been here for seven years. He had never seen the spectre! And I did not wonder at it. The roof of the hotel, however, had been blown from over his head. And this, I suppose, was something to be thankful for. There are times when a man hungers for a little colourful incident to brighten him up. It had taken us four hours to climb the Brocken from Ilsenburg. A person who climbs mountains for the sake of climbing mountains would probably have done it in two hours. But we had taken our good and easy time about it. We had started at one that afternoon, and it was now five. 44 THE GERMAN DANGER The waiter informed us that the great thing about the Brocken was the seeing the sun rise from it. It was to rise at something before five the next morning, and if there were no mist about he said that he would ring a big bell. The hotel had a strong, prison-like air about it, but there was something that I liked about it. The wine was good. A young man came hurriedly in. He also was an adventurer from out of the depths of some valley or another, and he immediately sat down at the writing-table in the dining-room and began to write post- cards to those who were interested in him, to let them know I presume that he had arrived safely. He wrote quite a number of cards and then wrote his name in the visitors' book and bowed to us and departed. The waiter gave us to under- stand that he was one who was connected with the law. He was a curious-looking THE BROCKEN 45 young man, with an awkward air, and I felt relieved when he was gone. There was too much hurry and business about him for a place like the Brocken. The visitors' book was a study. One visitor an Englishman had written one of Kipling's poems on a whole page. Another visitor had used a page to set a German poem to music, while another had drawn a picture alongside his autograph. The Brocken-climbers seemed generally to be people of a literary and artistic turn. ***** Wernigerode. It was flashing off yonder as a jewel. A little town of the mountains. The Brocken had now become impressive and beautiful. The moon was shining above the snow and the quietude. The lights of Wernigerode flashed strangely out. And under the flashing of the lights were places of snow. It seemed as if the town were set up high in some 46 THE GERMAN DANGER place above the world in some place of shadows and whiteness and darkness. The look of the mountains had changed magically. They were cold and serene and mysterious. Mountains in silence. * * * * * And here was the grey of the dawn. And soon the edge of the sun was coming up in the clear soft morning light. A red-gold, glowing rim. Up it came, glowing the snow and the tops of the pines down in the valleys. A light coming up in silence. And the light was changing from its red softness to a piercing, streaming brilliance. And the sun was now full up over the edge of the mountain. And valleys and mountains and pines and snow were now bathed in wonderful light. Far up above was a pale, clear, bright blue. THE BROCKEN 47 The sun was a soaring brilliance. And round in the mountains could be seen the little towns. The light flashed upon the far, red roofs. Off yonder were pine forests in the shades of deep valleys. The sun ! Well might man fall and adore the god of unimaginable splendour. This soaring immenseness of light. And the silence was gone from the mountains around. It was as if the Brocken lay in the midst of far surround- ing sound. V. THE PRUSSIAN DANGER I " YOUR name ! " he demanded authoritatively as he thrust a yellow paper in front of me. I looked at him in astonishment. He was a squat Prussian of powerful build. " Your full name and address ! " he demanded again, tapping the yellow paper significantly. " It is for die police." I shivered. At last Nemesis had overtaken me. I was to be hauled up for one of the many and various crimes and misdemeanours that I had committed in different parts of the world. True, my chal- lenger was only the porter of an hotel near the Friedrich-strasse in Berlin. But he had 48 THE PRUSSIAN DANGER 49 the eye of the person who detects crime and criminals at a glance. And his manner had the simple directness of the manner of a police-inspector interrogating a suspected person. And then my wits came back to me. It was all right. I was not going to be locked up. I was only in Prussia ! Gone was pleasant and beautiful Cologne, gone was go-easy Bonn, gone was Hanover, delightful and brilliant and gay. I was here in Berlin here in Prussia ! True, I had had to sign papers before, but then they had not been yellow, and they had not been presented in such a manner. Besides I had not been told that they were for the police. The Oberkellner (head-waiter) usually presented the paper after the manner of one who desired a distinguished person's autograph. And the thought came hard upon me that E 50 THE GERMAN DANGER I was now in a place where I would have to toe the mark. So I set to work and wrote what was required on the forbidding-looking yellow paper. It was well to remember that I was not now in the Germany of the south or of the Rhine. This porter's style and manner and voice forcibly reminded me that I had entered the land of the mailed fist. II Let it not be forgotten that Prussia is by no means the whole of Germany. It is, of course, the part that we hear from the most. From it come the telegrams. From it comes the danger to the peace of Europe. Prussia is the tail that wags the dog. And that is the beginning and the end of it. Germany is composed of a number of States peopled by inhabitants of opposing characteristics and temperaments, and Prussia is but one of these States. And the THE PRUSSIAN DANGER 51 time may perhaps come when the dog will have wisdom and courage enough not to allow himself to be pushed and shoved and whirled so strangely about by his tail. Indeed, the Prussians are not typical Germans at all. They are not comfortable enough. That absolutely German word " gemUthlich," which is untranslatable into English, and which means a sort of easy, serene, pleasant comfortableness, in no way fits these quick, decided, forceful, arbitrary people. If they are able, they mean to grip the earth, as they have gripped Germany. I admit that one nation has as much right to grip everything in sight as another, but it is apt to give one uncomfortable thoughts when the nation that has the earth-gripping mania is a nation that knows nothing of the art of letting people alone. I mean, it is uncomfortable to think that these Prussians have the power to set Europe ablaze because of the fact that Germany proper is at their 52 THE GERMAN DANGER beck and call. And let there be no beating about the bush. These Prussians mean to assail England at the first opportunity. You say the Socialist Party would stop it? Do not believe anything so foolish. The Socialist Party has as much chance of influencing Prussian adventure as a rabbit would have of stopping an express. It is therefore dangerous for us to pay any attention to those who are befogged and bamboozled into thinking that Germany and England can be united in the bonds of brotherly love through the medium of high teas and tea-fights generally. War is a horrible and dreadful thing for everybody, and the only way for England not to have war with Germany is for England to get ready. Civility is a beautiful idea, but when a man is getting ready to knife you the best way to bring him to a brotherly frame of mind is to show him that you know what he is up THE PRUSSIAN DANGER 53 to, and that you are fully prepared for him. Never mind the English people who say there is no danger of Prussia precipitating Germany upon us. There is danger. And every Englishman who lives in Germany knows that there is danger. The Socialists say that the German armed millions could not be used by the military party. But the merest tyro of a student of humanity would know that this is nonsense. In a country such as Germany, where individuality has been systematically and scientifically crushed, the masses have no voice at all. Prussia is the tail that wags the dog. * * * * * I may say here in explanation that I went to Germany with a strong prepossession in favour of the German people, and I still have that prepossession. But it would be an ill service did not one point out the 54 THE GERMAN DANGER danger to England of German militarism. I had intended at first not to dwell upon this point, but the evidence that the German war party means to fight England for her possessions is so overwhelming that one cannot but speak. And it is wiser for the English people to know of the danger that threatens them. It is always safest to look a fact square in the face. Yes, the evidence of this danger is over- whelming. The English people must know. And the English people must realise that the vote- catching politicians of Westminster are the unsafest of guides in this matter. In the first place, Westminster is not here on the spot. And politicians are too busy either catching votes or getting in the lime- light to know much that is of real value to England. The real situation will have to be explained in the Press. And the Press, in this matter of Prussian design, THE PRUSSIAN DANGER 55 has done yeoman service before. It must not be forgotten that the great journalist Blowitz was largely instrumental in prevent- ing Bismarck from forcing a bloody and desolating war upon France. No one will ever know the terrible humili- ations that the men who have governed France have had to endure in secret since the war of 1870. I am not particularly in sympathy with the people who govern, but it must have been a hard thing for a Frenchman to have held over him the threat of drenching his country in blood if he did not bend the knee before Prussia. It must have been a dreadful thing. I well know that there are weak-headed Englishmen who will say that I am writing mischievously in writing thus. But that troubles me little. England must realise her danger the better to face it. And as for the English friends of the enemy among us, we must 56 THE GERMAN DANGER let them and what they have to say pass. We produce such people among us for our sins. Understand me. I am not blaming the German people. I say this again and again. I am only pointing out the fact that there is the danger of a small knot of Prussians forcing on one of the most horrible and desolating wars to be known in the history of mankind. And absolutely the only thing to influence this knot of Huns is force. They are amenable to no moral or intel- lectual influence. This is a hard thing to say. But it is true. I am against all Huns, whatever be their nationality. I am not saying that there have not been English Huns. But the danger now in Europe is from the Huns that belong to Prussia. We do not want war. And the way for England not to have war is to be fully prepared. VI. BERLIN I I KEPT continually getting lost in Berlin. The streets are so square and even that there is nothing in them particularly to catch the eye of the lounging stranger. Another thing. The Berlinese have a habit of directing the lost without making gestures. They tell you where the street is but they do not point towards it. To know enough German to be able to inquire for your lost street, and to be told only in slurred, quick words that mean nothing to you where your offending street lies, is to endure an experience most awkward. When first I made inquiries I nursed the hope that the Berlinese pedestrian would 57 58 THE GERMAN DANGER point towards the desired street while he was telling me all about it. I knew I would not be able to understand his words. I had founded my hopes of enlightenment upon the common and solid rock so to speak of primitive gesture. But I was so often doomed to disappointment that in the end whenever I was lost I remained lost till chance and plodding along brought me to rights again. Berlin is a town of right angles and statues especially statues. And I hope that no one will think I am rude when I say that its general appearance is that of a fine and splendid penal settlement. At least that was how its general appearance struck me. It has beautiful parks and fountains and spaces, but all of these have an exact, clock- work air. It is not an individual-looking town. One place is too much like another place. This, combined with the sharp sounds coming from the square-cut masses BERLIN 59 of soldiers who are continually marching through the streets, has the effect of making you feel that you are in a place where exact and strict behaviour is the order of the day. I could not but feel that Berlin was hardly the ideal stopping-place for an easy- going, lounging person such as myself. You can hardly turn your head without seeing a statue. They are here, there, and everywhere in beautiful, leafy, exact-look- ing parks, in squares, on the corners of streets, in the middle of streets, at the ends and beginnings of streets everywhere. Statues, statues everywhere. And should you be walking and a picture catches your eye in a shop-window, you will find on looking that it is a picture of Kaiser Wilhelm. Should you go into a restaurant you will dine opposite a picture of Kaiser Wilhelm. You will be sitting under a picture of Kaiser Wilhelm as you are taking nourishment. Everywhere you will 60 THE GERMAN DANGER see a picture of Kaiser Wilhelm. His eye is on you at every turn. He is looking at you from all kinds of guises and uniforms. A ruler at once ubiquitous and popular and stern is this Kaiser Wilhelm. I, who am a person of an irreverent cast of mind, felt my irreverence fall from me because of this stern and you'11-have-to-toe-the-mark ex- pression that loomed out from the imperial eye. I will say this, however : I do not think Kaiser Wilhelm would be half a bad sort could he meet men and things in a fair and square man-to-man manner. One ought to try to be fair. And for me the Kaiser has a face that shows acute intelligence and bravery and resource and readiness and great power. And there is a look of nobility and loftiness in his face. I do not think he is friendly to England, but one must be fair. He looks generous and straight. And he certainly looks like one whom it would be all right to have with you BERLIN 61 in a tight, dangerous corner. I have seen him passing along in England twice, besides seeing him in the ubiquitous Berlin pictures. And if I am any judge of faces his face is that of a fine, straight, somewhat hard fellow, who has been doomed by fate to live in a position that is impossible and anomalous when one has regard to the spirit of liberty that is coming into the world. It is a bad thing to owe money in Berlin, for all that a creditor has to do is to pay twenty-five pfennigs (about threepence) and he can get your address at the Head Police Office. Tailors may breathe easily and freely. They may go to their beds with easy minds, for the unfortunate men upon whom they practise their art are but as flies in the immense police web that chokes Berlin. 62 THE GERMAN DANGER The police have sole and absolute power over the ordering of the lives of the people of this great town. The Socialists were not allowed even to have a procession on the first of May. And no reason was given for the refusal. The police simply refused permission, and that was the end of it. * # # * * Berlin is a fine-looking, prosperous town. It is exact and straight and unindividual, but it is a place where life on the whole looks comfortable. It. has poverty, however, just as any other great town, despite its well-ordered appearance. In Berlin sixty thousand people live down in cellars. Sixty thousand people live in misery and darkness. In Berlin there are the people who fight the life out to keep the life in just as there are in London. There are the degraded BERLIN 63 and the unfortunate. There are the people who never get a chance. The fine, wide streets look imposing and impressive from the outside. But turn through one of the courts, and behind these noble and impressive buildings you will find slums just as you find them in Whitechapel. You will find families living on the dread hunger-line just as you will in London. I saw a family of eight who had to live on seven marks a week. The mother of this family besides doing the house-work worked as a seamstress. I saw the book in which her earnings were marked down. There was one week in which she had earned four marks and twenty-eight pfennigs (43. 3d.), and for this sum she had had to work fifty hours. She earned on an average between five or six marks a week. With the family was a lodger, and so it was that the income came up to about seven marks a week. I might have been 64 THE GERMAN DANGER in the lowest part of the East End of London. The police of Berlin are only clever at regulating the appearance of poverty. They know how to drive their broken waifs over to stupid England, who has allowed herself to become the world's human rubbish heap. And that is all. I am not saying that Berlin has propor- tionately as many very poor as we have here in London. But I do say that it has its degraded and starving under-world just as any other great town. And, curiously enough, Prussians in almost all cases seek to deny this. They take a pride in mini- mising the misery that exists in Berlin. They will have it that they have no " East End." These police-ridden people seem to feel that their police-octopus has exorcised starvation from Berlin. * * * Berlin is not as London. For in London BERLIN 65 there is no reticence. Things are as they are. There is no veil drawn across the dark, terrible places. But in Berlin there is a sense of making the best of appearances. And there is a sense of strong reticence. You feel that you are continually being shown the polished side of the shield. VII. MUSIC THE Germans have a real love and appre- ciation of music. For them music is not used to drown conversation. Say what one will, a grand opera can never be really given at its best in Covent Garden, for the people who go there are not people who genuinely care for music I mean the people mainly responsible for the giving of opera. They mostly go there to talk and to display the wealth that other people have earned. And this atti- tude affects the artists, for art needs some- thing more than money from its patrons. It demands attention and appreciation if it is to do its best work. You may have the greatest singers and players the world 66 MUSIC 67 possesses, but if you do not listen to them they will be unable to do them- selves justice. How different is the Royal Opera House of Berlin from Covent Garden in London. It is not an effective place in an architectural sense, but it is a place where music is given for its own sake. Were I a singer I would far rather sing in Berlin than in London, even though the reward in money was not nearly so high. I heard " Carmen " at the Royal Opera House in Berlin. For a stall I paid eight marks (not quite eight shillings). And during the performance the audience kept absolutely quiet. You did not lose a note of the music. After an act was over, and the applause had died down, the people stood up and waved their hands and bowed in recogni- tion to their friends who were in other 68 THE GERMAN DANGER parts of the house. Here a man in the stalls was waving his hand to a friend up in the distant gallery. There was a general air of unity and good fellowship among the whole of the audience. Gallery and stalls were as one family. I must confess that in my view Germans are hardly the people to play " Carmen." An ideal cast would be a cast composed of French artists. For the opera is French in its essence. It has the devilry and the gaiety and may I say it? the polished hardness that lies in the French character. But that is but its outer dress. It is a great and universal tone-picture. Never- theless, in my view, an ideal representation of it could be given but by French artists. A reckless and devil-may-care air should pervade the whole performance. But in some respects " Carmen " was better given here in Berlin than it was when I heard it in Paris. I mean it was given MUSIC 69 better in a musical sense even though the Germans did not quite seem to catch the spirit of Bizet's meaning. The orchestra was far more in hand and the German chorus was the best operatic chorus I have heard. The stage-setting was also more effective. It may be a wrong impression I received, but it seemed to me as if the demeanour of this German audience was almost what it would be in some place devoted to religion. Their attitude towards the music certainly had something of the reverential in it as if they were assisting at some serious ceremony. Germans listen to music as no other people listen to it. And it may be that this reverential attitude is hardly the ideal attitude with which to approach the music of " Carmen." It is not the custom of the Germans to destroy unity of effect by applauding in between numbers that are related to each 70 THE GERMAN DANGER other. They wait for the end of the whole movement. And so it is that one really gets an understanding of the composer's meaning. This attitude of the audience is also favourable for the getting of the best work from the artist. For it does away with the temptation to over-emphasise brilliant numbers for the sake of applause. And so it is that there is got a unified effect such as no individual artist, however great, could get. * * * * * In Cologne I heard Bach's " Matthaus Passion " at the Giirzenich. And I must say that never have I heard such effects got as were got by this German chorus. The principals were much as good principals would be in England. Indeed, the tenor who sang the music of the " Evangelist " might have been better than he was. He sang the music too carefully, and his high notes were not free and ringing enough. MUSIC 71 The " Evangelist's " music should be given forth with intenseness and vehemence. There is such a thing, at times, as a singer being too smooth and musical. If I may put it in a way paradoxical, this German tenor sang the music too artisti- cally. He gave forth none of the fire and spirit of evangelism. But the work of the chorus was absolute perfection. The effects got were beyond belief. I have heard first-class choral work in the north of England, but not work such as this. The varied delicacy of tone, and the tremendous power, and the absolute singing together, came upon me as a revelation. The unusualness of their work was first borne in upon me as they sang the un- accompanied chorale, " Ich bin's, ich sollte biissen." This chorus of repentance came forth strangely through the hall. It sounded at once as many voices and as one 72 THE GERMAN DANGER voice. As one voice of many and wonder- ful tones charged with sorrow. Many were singing, but you could not escape from the effect that all these voices were absolutely as one. Of all harmony there is no harmony such as comes from human voices singing together. These voices came forth through the hall with profound effect. After hearing this chorale the work of the principals hardly interested me again. I have always thought that supreme voice- effects were to be got, not from soloists, but from a chorus. And I was hearing these effects here in Cologne. And there came the dread and tremen- dous tone-picture where the chorus invoke the powers to avenge the betrayal of Jesus. The voices thundered forth, denouncing the world-crime. The voices cried out for the lightning to avenge. And then there came the mockery. And the final chorus where leave is taken MUSIC 73 of the dead Christ. Is there anything in music so poignant and touching as this ? How rapt were the people as they listened. They were at one with the wonderful music that pictured the world- crime. They were at one with the sorrows of Him who will yet save the world despite those who deny Him. They were lost in this wonderful and tragical music of the " Passion." * * * * * Germany is indeed the land of music. And it may well be that no one can really know music without coming here. To be at one with the soul of music, one must come to the beautiful land of the Rhine. For music is of the very life of the people. These people have called forth the great masters of sound. They have called forth men of genius who have woven the strange and mighty tone-pictures that thrill the 74 THE GERMAN DANGER world. They have evoked Bach, Handel, Mozart, and the mighty Beethoven. You hear music everywhere as you go along over this land of wide-stretching plains, and forests, and noble rivers. Germany is a land of glorious and beautiful sound. And how fine it is to wander along, listening. To hear the voices rising from the distance. A land of song. To this race has been entrusted the message that music holds for mankind. They have sent forth the glorious evangels of Music. VIIL THE REICHSTAG As a building the Reichstag is a magnificent attempt to be impressive. You are confronted with splendid gates and columns and halls and of course multitudinous statues, but your pulse remains quiet. You are in no way thrilled. And I cannot tell the reason why. Here are beautiful frescoes, and the noblest of noble statues, and imperial regality, and everything calculated to fill you with awe and wonder. But awe and wonder will not come. You only feel bored that is, if you stay within this architectural attempt at magnificence long enough. Tall, imposing, grenadier-looking attend- ants stand in long, wondrous halls and look 75 76 THE GERMAN DANGER down upon you with lofty, questioning glances. ***** I walked along a hall, spacious and magnificent, and lo! there stalked across this spacious and magnificent hall a much be-haired member of the Reichstag. He stalked as a statesman stalks when in deep thought, and he looked like a person of obvious genius. And still nothing happened to me. I mean nothing happened to me in the way of filling me with awe and wonder. The place, somehow, wore an unused air. It seemed to have been built for the sake of impressing the German people with the dignity and weight and wisdom and profoundness of those who conferred upon them the inexpressible honour of governing them. One could hardly imagine a mere ordinary German coming here to tell a member of the Reichstag a thing or THE REICHSTAG 77 two. For though the place missed the awesome and impressive effect intended by the architect, it nevertheless Wore a most mailed-fisty air. It gave the impression of being an edifice in which a man could quite easily get six months' " hard " for raising the simplest disturbance. And now, at last, I am getting near to the spirit of this remarkable place. It had somewhat of the air of a magnificent lock- up. I mean a spacious and grand and airy lock-up. A beautiful lock-up. A place where you had to mind your p's and q's. It was the apotheosis of Berlin. ***** I was being piloted up steps and down steps and past rooms and great spaces. I was nearing the inner sanctum the place wherein sat those who talked for the good of the German race. And this time a wave of real awe passed over my irreverent spirit. I had not been 78 THE GERMAN DANGER impressed by the Reichstag itself, but I felt that I was now coming to the sanctum of the German talk -genius be-haired and otherwise and I felt chastened. I had never yet been impressed by those who talk for the good of their respective countries, but how was I to know that these German talk-dealers were not superior to those of my own dear old England ? I admit that English members of Parliament look singularly unimpressive when they are saving England in Westminster. I admit this. And I felt that the denizen of the Reichstag would save, so to speak, the situation. It was therefore that I felt awe as I stepped into the sacred chamber. At last! I was in a great, oblong, schoolroom- looking chamber. Men were sitting at desks. At first I thought that there was some mistake that I had been ushered THE REICHSTAG 79 into the working room of some great bank. But no. These men did not look industrious enough for bank clerks. They had that loafing, do-nothing air common to the legis- lator when at work. And I felt sad. The wave of real awe that came upon me as I was about to enter this great, oblong, schoolroom-looking chamber faded from me. My hope that the members of the Reichstag would re- deem the singular unimpressiveness that clothes the legislators of all nationalities was blighted. For these talk-gentlemen were, alas ! much like the talk-gentlemen of other nations. Indeed, if possible, they looked more unimpressive than usual. I do not want to praise our House of Commons, I do not want any German who may chance to read these lines to think for a moment, that I am discriminating in favour of my native land, when I say that our House of Commons puts up a better 8o THE GERMAN DANGER performance than does the Reichstag. But a stern regard for truth impels me to state the fact that it does. I am well aware that our talk-gentlemen do not wear the look of dignity and wisdom that inno- cent English people of the provinces imagine them to wear. But truth is truth. And one must be as fair to one's own as to the stranger. And truth and fairness force me to state that compared with the members of the Reichstag, the members of our House of Commons nearly look dignified. You would not believe it, but they do. Almost dignified. When one looks down from the Strangers' Gallery one at times at times, mind you, I only say imagines that the members of the House of Commons are really doing some- thing. How different is the effect produced upon the mind when one looks down from the gallery upon the members of THE REICHSTAG 81 the Reichstag. You would indeed have to be a person of imagination to think that these German talk-artists were work- ing. You would have to be blind not to see that they were obviously doing nothing. They just sit and chatter among themselves. They are doing nothing, and they never intend to do anything else. This is the impression they produce upon the mind of the observer. No as a legislative performance our House of Commons beats the Reichstag. Our Speaker alone if I may borrow a circus simile is worth the price of admis- sion. He throws dignity upon the legis- lative scene. When I got into the chamber of the Reichstag, a deputy was up making a speech. It seems that an Act was being brought in for the protection of birds. The youth of Germany had been following the time-worn practice of stealing eggs G 82 THE GERMAN DANGER from the nests of birds, and some of the gentlemen of the Reichstag had come to the conclusion that the time was ripe for the stopping of this practice. And this deputy was now on his feet telling his fellow-deputies all about it But none of them were listening to him. All were talking one to the other. Even the Speaker was not listening to the orator. He himself was talking to a man in even- ing dress who was standing beside him an official, probably. The deputy was talking in the midst of surrounding talk. The whole of the cham- ber was buzzing with the sound of con- versation, and his voice was just slightly above it. It was as if a solo singer were being accompanied by a chorus. The member on his feet was orating a solo, accompanied by a buzz of surrounding conversation. But he did not seem to mind it in the THE REICHSTAG 83 least. He went sturdily on. And now and then I could distinguish the word "Voger (bird). Suddenly all the deputies of the Reichs- tag laughed loudly. It turned out that the orator had made what might be called a German Irish "bull." Even though his fellow-deputies were not listening to him they could still tell by virtue of a sixth sense possessed by legislators when he put what he was saying ridiculously. And so they roared and rocked with laughter, in which the orator himself joined. These legislators, in common with all idle people who must get through their time somehow, were easily made to laugh. At last the orator who had the interests of the birds at heart sat down. And up sprang another orator. He was ready to earn his salary. He was ready also to orate a solo to the accompaniment of a surrounding buzz of conversation. 84 THE GERMAN DANGER But I had had enough. So I gathered myself together and prepared to leave this chamber of general conversation. And out I walked by the doors and the spaces. Out I walked through the long hall, spacious and magnificent. I passed by the multitudinous statues and the immense columns. The tail of my eye caught the beautiful frescoes. And I passed out through the splendid gate. IX. POSEN I POSEN is on the great plain that stretches from Holland to Asia. You may travel in the swiftest express over this plain for days. And it is as if you moved not. A sense comes upon you as of being confronted with a distance immeasurable a distance not to be grasped by the mind. The horizon is at once fixed and unreachable. You pass great towns. But these are as specks on this boundless, gigantic plain. Here on this outer im- menseness man and his works are as things not to be reckoned with. A plain sinister and gigantic. Of silence 85 86 THE GERMAN DANGER and mystery and terror. For there were the times when slowly up from it arose hosts of devastation. Over it came the strange fighting men from out of the far, profound East. Slaying hordes with eyes of imagination. For surely was it that these men were drawn onward by the mystery of the unreachable horizon. They passed slowly over it to the setting sun. For them this plain was as was the ocean to the fair-haired Norse sons of the sword. Of what manner of men were these fighters from the East ? We see them but as a long way off through dimness. They are as shades appearing through a reach of time profound and grey. They come to the mind as one looks out over this plain, surrounding and illimitable. Strange-shouting, slaying hordes with eyes of imagination. POSEN 87 II Is it that Posen is silent? For that is the impression that one gets as one comes to it from over the great plain. In it is the tramping of soldiery. But Posen itself gives out the impression of silence and greyness and sadness. Soldiers are tramping and officers are moving with clanking swords in the midst of a greyness. For Posen is not a German town. Posen is a place kept under an iron heel. A place crushed by a discipline terrible and merciless. Posen is a Polish town with Prussian marks burned into it. And that is all. It is the place of an oppressed people. It is held in the grip of an alien. But the influence of the alien shows upon it but as a scar. As if flesh 88 THE GERMAN DANGER were struck with a whip. All the might of Prussia shows but in a scar. Posen is Polish. And Posen will remain Polish. The whip of merciless repres- sion is well, the bayonet is well but the time comes when whips and bayonets strike and plunge back. And remember this. Whips and bayonets at best produce but ineffaceable scars. Posen is a Polish town, with Prussian scars showing upon it. And that is all. And not all the thunder of the Prussian guns can say more. The people of Posen pay no attention to the soldiers who are for ever marching through their streets. It is as if they did not see them. These Poles have faces that are at once fine and subtle of expression. They are quick of gesture and their voices are musical. A people with brave faces. It may be that there is about them some POSEN 89 look of the East. And how beautiful is the sound of the language that they speak. After listening to German it is refreshing and pleasant to the ear. A language flowing and smooth and still most indi- vidual. The words come forth at once complete and rounded and musical. I went to the beautiful Polish theatre to see a play. The play was taken from a story by Sienkiewicz, and it pictured scenes from the life of Poland when the Poles were fighting the Cossacks. Through it ran the story of the love of a Cossack for a beautiful Polish woman. The name of the Cossack was Azya. Here on the stage lived a picture of a life that was colourful and beautiful and terrible. A life lived in the midst of scenes of violence. As if a beautiful picture were rounded with a frame of horror. The actors here in this theatre played 90 THE GERMAN DANGER their parts with all the skill and the power that is at the command of the art of the stage. Indeed, upon these fine artists there rested an even greater responsibility than the playing of the play. They were Poles even before they were artists. For their playing in this theatre meant that they were keeping bright the flame of patriotism. These Poles were playing for Poland. Here in this theatre they were fighting a brutal domination that rested but on the power of the bullet and the bayonet. This theatre had been built by the Poles here in their town of Posen so that their hearts might be cheered. And these actors were keeping alive the spirit of liberty. These fine artists came between their countrymen and the brutal Prussian domination. There was more magic in this little theatre than in all the forts around this Polish town. For it is written that there is a nobler destiny for man than to be beaten and crushed into slavery. POSEN 91 III Jan Kochanowski. Only a Polish poet. Only a Polish man of letters, but one whose power was greater than the power of an emperor, even though this power rested upon the might of millions of armed slaves who were ready to slay at the instant of his bidding. The name of this man of letters was inscribed in this Polish theatre. His name was here with the names of other Polish men of letters and patriots. These great Poles who were gone were honoured here in Posen by no vast monu- ments, boastful and ornate, as were honoured those who had oppressed their fellow men. But their names lived in the hearts of the people. And they would live when brutal despotism had fallen as it will fall of itself. 92 THE GERMAN DANGER I crossed the bridge over the Warthe and entered the Wallischei. Here was the place where lived the poor of Posen. Little bare- footed children were running about playing the games variations of which are played by children the world over. Here one heard not even a word of German. Polish was used everywhere. The only signs of German were the German names that stood sharply out on the sides of the streets. Polish names were over the shops. And here was the square, Am Dom, where stood the cathedral. In front of the cathedral was a small square column, on which was a Polish inscription. On one of the sides of the column was a medallion of Jan Kochanowski. And near by was a great fort. I turned and walked back up the street to the bridge, and suddenly there came into the air the blare of a military band. And in the midst of the blare of the band was the POSEN 93 irregular clamping of horses. Here was passing a squadron of cavalry. The sun, which was setting, threw a red glint on the helmets of the men. The faces of the men looked weary. They had gone through a hard day. And there came the sound of the rumbling and crunching of wheels ! It mingled oddly with the quick music of the band. Here was passing artillery. Each gun was drawn by five horses three in front and two behind. There were nine guns in all. The faces of the men with the guns were as the faces of the men who rode the horses. They looked exhausted and weary. They had been out since the early morning. The quick blaring sounds of the band, and the irregular clamping of the horses, and the crunching of the wheels of the guns, and the tired faces of the men made a strange scene in the Polish street. And over the scene was the red shining of the setting sun. 94 THE GERMAN DANGER A scene that no one seemed to notice. And the sounds and the soldiers dis- appeared into the distance. And it was as if they had not passed. X. THE KNEIPE Munttr. Ta -bak-bak-bak, Ta-bak-bak-bak, bei ei - ner pf eif Ta - bak ! . . I HAD been invited to a Kneipe (beer-feast) by some students in Heidelberg, and I was here in their quarters holding I hope my own at the feast. Between the drinks we were singing songs from a book, the back of which bore an inscription in Latin to the effect that the time to enjoy one's self was when one was young. And just at this moment we were all singing in unison the jolly and inspiring " Tabak." The music of this fine and Bacchic song still rings in my ears. 95 96 THE GERMAN DANGER I was able to read the music of the songs from the book, and could therefore let out my voice with the lustiest of them. I must describe the look of the book from which the students sang. It was green and dark and golden of colour, and the edges of the pages were red. Its general appear- ance was solemn and Biblical. It had the look of an over-grown prayer-book. And on each side of the cover were four somewhat high gilt knobs. These knobs added to the solemnity of the book's ap- pearance. But they were by no means put there in the cause of chastened ornamen- tation. They were put there so as not to allow the cover of the song-book to become beerstained when the student laid it down on the table after singing. The room presented a mediaeval and war- like aspect. Swords were crossed on the walls, and the roof of the room was low. The room itself was odd-shaped. One THE KNEIPE 97 was living in the past. These fine and jovial students who were sitting round the great, long table were obeying all the rules and traditions that had governed beer-feasts through hundreds of years. Indeed, some of the traditions were thousands of years old, for they had been handed down from the wild tribes who had lived in Germany long before the Roman invasion. This feast partook of the nature of some strange ceremony, the rites of which had at once sprung out of man's conceptions of fraternity, and war, and religion. It was the strangest function in which I had ever taken a part. It had an odd sugges- tion of the weird in it. And still, here was magical youth overflowing and vital. In the air were jollity and joviality and fraternity. The students were letting them- selves go. They adhered strictly with the curious conservatism of youth to the rules governing the Kneipe, but still they H 98 THE GERMAN DANGER were letting themselves go. The scene was fine and strange and inspiring. One was present at a carouse, and still one was present at a ceremony. These fine young men ! It was glorious to be here carousing with them. I, an old wanderer and tramp, felt that I had indeed reached the haven. These grand young fellows were the wisest of philosophers, for they had realised that men learn from men and not from books. Books are, at the very best, but musty and misleading comments upon life. These fine young fellows had realised this by instinct. They had realised the truth that one beer-feast was worth a thousand lectures as far as the imparting of real knowledge was con- cerned. You can only learn from the meeting of your fellows man to man. And I for absolutely the first time in my life felt that my education had been neglected. Why had I not the privilege of being a THE KNEIPE 99 beer - feasting, duel - fighting Heidelberg student ? A naked sword lay on the table. And whenever the president of the beer-feast wished for silence he brought down the blade of the sword as hard as he could upon the table. " Silentium ! " he would roar at the top of his voice. Roar and clash of sword-blade would come together. And then he would give out the number of the next song. And we would all open our song-books and sing out lustily. At the end of each song an attendant filled up our beer-mugs to the brim with delicious beer, the like of which is to be got but in jolly old Heidelberg. A cask was on tap in the room, and it was drawn in the only way that beer ought to be drawn from the wood. Delicious lager with not one headache in a barrel of it. Good honest beer that exhilarated without intoxicating. In drinking ioo THE GERMAN DANGER it one could feel that it was doing the body good. Nothing but beer was ever drunk at a students' carouse neither wine nor brandy nor anything really intoxicating. And I must say here that the German lager is not as alcoholic as many English temperance drinks. The lager that the students drink is a simple, healthful, delicious beverage that it would be good if it were possible to obtain here in England. Next to me sat a student with a heavily scarred face. He was the Fox-major the chief of the younger set of students who were called foxes. These foxes were the junior students, and they sat at the foot of the table. The etiquette regulating their conduct was calculated to make them toe the line. They could only address the president through the Fox- major, who was at once their ruler and their THE KNEIPE 101 tutor. He was responsible for any sole- cism that they might commit at the feast. I may say here that every student during the Kneipe was only allowed to address another by his Kneipe name the name which had been given him to be used at the beer-feast and at the beer-feast alone. Any breach of etiquette, or the addressing of a student out of his Kneipe name, was redressed by recourse to the beer-duel. Glasses were filled up, and at a word the beer-duellists who were standing gulped down their glasses. And the student who could first pronounce a word, agreed on beforehand, after gulping down his beer was accounted the victor. The Burschen (fellows) sat toward the head of the table near to the president. And I may say here that the Fox-major was the vice-president. The Fox-major was a hard-looking, black-haired student, who looked as if he 102 THE GERMAN DANGER would be worth his salt in the fighting line. I cannot, of course, describe the proce- dure of the feast exactly. I remember that we began it by hammering our beer-mugs in a curious manner upon the table. And I remember the sword of the president clashing down on the table. Whether it clashed before or after the hammering of the beer-mugs I cannot quite say. I know, however, that the feast was inaugurated in a most warlike and impressive manner. The whole of the first part of it was what might be called a whirl of sword and ceremony and song of laughing and shouting and talking and drinking. A carouse, curious and indescribable. And still in the whole of the confusion there was a sense of order and ceremonial. And there came the lull. We left our beer-mugs on the table and went out to talk together on the terrace. One of the THE KNEIPE 103 students the one who had invited me to the Kneipe was a Britisher, a Scotsman, and besides this there were some of the students who spoke English fairly well. And it came to me that Heidelberg was the absolute and real centre of Germany in the intellectual sense. These students were here to enjoy themselves while they were young. Their guiding motto was contained in the Latin inscription on the covers of the song-books. They were wise with that wisest wisdom the wisdom that teaches us to grasp what lies in the present. They knew more than the whole of Germany's professors or, indeed, the whole of the world's professors. They knew more than the whole of Germany's statesmen. The glorious, magical wisdom of youth enabled them to see what these people had forgotten : That God had given life to man for man to enjoy. XL THE STUDENTS I THE Fox-major told me a story of the duelling of the old days a story that had been handed down, and that reflected great credit upon the sagacity of the foxes. It seemed that a certain Emperor had come to the conclusion that duelling inter- fered somewhat with that calmness and peace of mind so necessary for study, and he forbade it. But it need hardly be said that his edict only made the students see that duelling was absolutely necessary for the development of their physique, person- ality, and intellect generally. And so duel- ling went on more than ever under the rose. The students became skilful in the 104 THE STUDENTS 105 art of evading the police. Duels were fought in all kinds of possible and impossible places. The Fox-major related to me how two Burschen (fellows) had arranged to fight a duel. The foxes were entrusted with the Schlager (swords) and all the necessary impedimenta. And they drove off in a Droschke. Needless to say, the police with that acumen common to police came to the conclusion that these students were up to something. And they followed them also in a Droschke. On and on drove the students. On and on followed the detectors of crime. It was an exciting chase. But in the end virtue I mean virtue in its police garb triumphed. The students were overhauled. But, alas ! alas ! where were the Schlager and the rest of the duel- ling impedimenta? They were not to be found. Indeed, all that the Droschke con- tained were some bottles of beer, two of 1 06 THE GERMAN DANGER which the students presented to the police as the day was a hot day. The police felt that they were somehow done, but they swallowed the beer and departed with grace. And they were done ! It seems that the wily foxes had driven through a wood, when the police were after them in full cry, and they had pitched the duelling apparatus quickly into a dark recess. And here in this wood the duel between the Burschen was fought out in peace. ***** At the Kneipe the Fox-major had himself arrayed in his duelling garb for my edifica- tion. He was a young man of a most martial cast of mind one who took the deepest interest in lethal weapons and the using of them. The Stulpe was pulled up over his right arm a long, padded armlet to protect the arm from the stroke of the sword. And then the Gelenkbinde a silk handkerchief was wound around his wrist. THE STUDENTS 107 And the Axillaris was put round him to protect the great veins under the armpit. The thing to protect the eyes was called the Paukbrillen. Glasses were fixed into this, if a student were shortsighted. Over all was put the Schurz fighting shirt. The head and the temples and the cheeks and lower part of the face were left bare. When the Fox-major was fully arrayed he looked like a cross between a diver and an American football player. Towards the end of the Kneipe a student acted a tragic play all by himself. He went round the whole company, getting each one to tell him a word, and he intro- duced these words in turn into the tragedy he was acting. Every time he brought a word in there was much applause. The word I gave him was " Kneipe." And old Walter, the flower seller, came into the room. He had attended the beer- feasts for years and years, and was one io8 THE GERMAN DANGER of the institutions of Heidelberg a some- what frail old man with a kind face. He was induced by the students to make a speech, which the Fox-major translated to me somewhat disjointedly. This Fox-major was a fine type of a devil-may-care student. I liked him very much. He had a mediaeval atmosphere about him. Indeed, he might have stepped out of the Middle Ages out of the times when men fought and drank and knocked about like men. Twenty-one ! He was at the golden age when most men and, indeed, in my view, all men know more than they will ever know again. Never in the whole course of my wander- ings have I met so fine a crowd as this crowd of students. These lads with the true wisdom and the true knowledge. And I was pleased to think that they had honoured me by allowing me the privilege of coming to their Kneipe. I thought far more of being here with these gay lads THE STUDENTS 109 than I would have thought of being with those that the world alleges to be the great and mighty. Youth ! We often decry it, and say this and that about it. But believe me that youth possesses the key to everything that is worth possessing. Experience! Bah! It is nothing. A man learns less than nothing from it. All that he acquires from experience is that most parlous virtue that is far worse than a vice caution. Youth is the only thing. Fine, glorious, magical youth. Well, the time came when the Kneipe broke up. What time, you ask ? Ah, well, I'm not for telling tales out of school. It broke up at a proper and a good and a reasonable time. A time of quiet. Out we went into the Hauptstrasse and made the sides of the shops resound with " Tabak." Heidelberg belonged to us. Or, perhaps, this is saying a little too much. It belonged to us in common with no THE GERMAN DANGER other bands of students. We could hear them singing in the distance as they roamed about in other parts of the quiet town. II I lived at the Heidelberger Hof in the Wredeplatz. Here to this Platz the students of different corps and unions used to come in the wee hours of the morning to bring gaiety and freshness into the stillness. People at the Heidelberger Hof used to grumble now and then, but as far as I am concerned I must confess that I liked it. The songs of the students at once calmed me and interested me. Besides singing songs the students used to practise fencing with their sticks. You could hear the sharp clash of the sticks, and now and then a dull thud as some student forgot himself and struck the lad with whom he was engaging over the sconce. This THE STUDENTS in would continue till near to the dawn. And then the students would gradually melt off to prepare themselves for their studies. Officious policemen would now and then interfere. But little did the students care for policemen. They just shoved and rolled the guardians of law and order about when these guardians became obstreperous. But here I must make haste to say that the Heidelberg policemen are the most decent police I ever met. I was astonished to find such police in Germany. They know the art of not irritating the public. Evi- dently life with these delightful, devil-may- care students has civilised them. I was invited two or three times to the Weisser Bock by the students who had invited me to their Kneipe. The Weisser Bock was an inn that one might say had belonged to the students for hundreds of years. It had been kept by the same ii2 THE GERMAN DANGER family, uninterruptedly, since 1739. It was the oldest students' inn in Heidelberg. Several students' Verbindungen (unions) patronised it. And each Verbindung had its own table, and every member of the Verbindung had his own place at the table and his own beer-mug to drink from. All the names of all the students who had ever belonged to the Verbindung were cut into the table. Students who had gone away and students who were dead had their names upon it. Up on a shelf above were the mugs of the students who would never again see Heidelberg. XII. THE HIRSCHGASSE I THE student in Heidelberg who does not belong to a duelling corps, or who does not attend beer-feasts, is a student who is in touch neither with the life nor the atmosphere of this beautiful seat of learn- ing. He is completely out of things, and for all the good he gets out of the place, he might just as well stop and swot at books at home. This is the way that the jolly students look at the matter, and their opinion is far more to the point than the opinion of those who foolishly imagine that they know life just because they have lived in the world a fairish number of years. If "3 I ii4 THE GERMAN DANGER you send a lad to Heidelberg you must reconcile yourself to the fact that the best thing for him to do is to get into the swim of the social life of the students. Fighting a few duels and drinking the harmless German lager will do him no harm. Indeed, it will do him good. Be- sides, if he wishes to prepare specially for an examination, he can get himself put on the inactive list of the corps or the union to which he belongs. He will then not have to attend the Kneipe or fight duels. That is, he won't have to attend them for the space of time during which he is studying hard. I, personally, am very much in favour of duelling. My wanderings round have made me see the truth that when men are held responsible in person for their behaviour they are apt to think more of the feelings of other people. They see that they cannot be rude with safety. THE HIRSCHGASSE 115 And so it is that the beauty of courtesy dawns upon them. They think twice before they offer people insult. I have lived in places where men had to take the chance of killing or being killed for an insult, and I must say that a nicer or more decent lot of fellows never existed, even though they were what the world would call hard and desperate men. And the reason that we English have such bad manners is because we may be rude to each other with safety. Besides, duelling takes the softness out of men. And soft- ness will be the downfall of England, even as it was of Rome. No my jolly students of Heidelberg ! Pay no attention to the weaklings and the softies who talk or who write against your fighting. Fight away, and good luck to you. You are the finest lot of young fellows I ever met. Attend your Kneipes and fight your duels. And let books go n6 THE GERMAN DANGER to the dogs. And all I can tell you is that I am sorry we haven't a Heidelberg here in England. And here let me whisper a word to my English countrymen. It is this : One good, sound, athletic lad is worth more to his country than fifty pale-faced examination-passers ! II Here we were at the Hirschgasse the inn over on the other side of the river, where the students fought their duels. I was being chaperoned by my friends the Fox-major and the Scottish student. They had called for me that morning at the Heidelberger Hof. We were now in the top part of the inn, looking through a window at a duel that was going on down on the floor of the big room below. I could hear the shouts THE HIRSCHGASSE 117 and the clashing of the swords, but the faces of the students who were fighting were hidden from me by a festoon that was strung across the room and that just obstructed the line of sight. When we had got to the inn the Fox- major had done his best to get me on to the actual floor where the fighting was going on. But he had failed. The students of the corps that were fighting absolutely allowed no one on the floor. The inn was theirs during the fighting, and the allowing of strangers to look even through the windows from above was regarded as an act of grace. Even students of a corps other than a corps actually fighting would not be allowed on the floor. But persistence has its uses, and I pre- vailed upon the Fox-major to try again. And lo! he was successful. He was not a Fox-major for nothing, for he brought a hard-faced student up from the floor below, ii8 THE GERMAN DANGER who said that I might come down and see the fighting. And down I went. My friends remained in the room above. I don't know the diplomatic yarn that the Fox-major spun for the edification of the fighters, but it was an effective yarn anyway, for I was treated with marked respect. And a lively young student who knew English, and whose face was scarred with the marks of many duels, came over to me to explain the points of the fight. The scene was business - like. Two students were slashing away at each other for all they were worth. And a doctor, who was at once stout and nimble, was on deck wearing an apron. He was there to bind and stitch up the wounds of the duellists, and to decide when it was too dangerous to carry a fight further. The lads who were fighting stood perfectly still and slashed down at each other's heads. The seconds stood by and THE HIRSCHGASSE 119 struck up the swords of the fighters at the end of every fourth stroke. The students stood around, watching the fight eagerly. Many of them had patches on their faces covering wounds that had not yet healed. And two of them had their heads swathed in bandages. Perhaps for nervous people the scene might have been disquieting, but we live in a fighting age, and nervous people must remember that if they won't do the fight- ing someone must do it for them. The strokes of the swords rang through the room. One ! Two ! Three ! Four ! Up flashed the swords of the seconds. For an instant the four blades were rigid in the air. A sharp word was given, and the students again slashed down at each other's bare heads and faces. No thrusting. Simply slashing the whole of the time. The wounds made though they looked bad, and there was a good deal of blood 120 THE GERMAN DANGER were not dangerous. The whole of the body and the neck was protected. Just the head and part of the face were bare. The sword-strokes were sounding through the room. The faces of the two lads fighting looked grim and set. They wore that fine, hard look that comes into the faces of those who are fighting a fair, square, even fight. One ! Two ! Three ! Four ! I would like to have got in and taken a hand in the game myself. Surely this was the game that would turn boys into real men, who would be able to do well by their country in a time of danger. Four of the short four-stroke bouts made what was called a fighting minute. This minute, which might last to two or even three minutes of actual time, was analogous to a round in an English boxing match. After the fighting minute a slight pause was allowed. And then came the word again, and the students were at each other, slashing. THE HIRSCHGASSE 121 To me it seemed impossible to avoid being wounded. To the unused eye it seemed as if no attempt were made at effective guard. But the skilful fighter parried even as he made his slashing, downward stroke. He might parry even as he struck. This was surely so, for in one fight a student was untouched, while his opponent was cut about a good deal. A duel went the length of from twelve to fifteen fighting minutes. In actual time this meant that the duel lasted from twenty minutes to half an hour. A scene at once grim and fine. It was a grand thing to watch these brave young men fighting. It made one realise the danger of the unmanly cant of those who try to turn their faces away from the fact that man is a fighter and that he can only live in honour and safety as long as he remains a fighter. XIII. THE SCHLOSS I OVER Heidelberg stood the Schloss. A strong castle, with ramparts and bastions and towers and great walls. From here you could see out over the magical plain of the calm-flowing Rhine. For the strong castle was built high up over the country and the town. It was a place of arms from old fighting times. And it stood now as it had stood then over this Heidelberg. This shining town of wonder and romance. It was as if this strong castle of old were in the midst of some dream wonder-place of imagination. Some place of wonderful beauty of golden light, of shining, flowing 122 THE SCHLOSS 123 waters, of vague and winding valley stretch- ing to a far, mysterious plain, of blue sky and distant soft green. This castle of old stood guarding the town in the midst of a scene beautiful and vague. And the thought came that you were looking upon some vision that might in a moment fade and pass. Could it be that a scene so beautiful as this had lived in other days, in other years? Could it be that eyes other than your own had beheld it in the far past? Had other eyes looked down from this strong castle, upon this Heidelberg, beautiful and strange and shining ? And was it so that this vague and winding valley had stretched into the far, mysterious plain a thousand years ago, even as it was stretch- ing now before your eyes in the wondrous gold-shining of the sun? Blue sky, vague and winding valley, distant soft green, calm shining waters, golden light. How beautiful was the world. How full it was of magic 124 THE GERMAN DANGER and romance. And you were here looking upon Heidelberg. A place that was set in the midst of a shining dream. II The garden of the Schloss. Here you sat and dreamed while the music lived in the midst of the surrounding green of the trees that were filled with the moving light of the vague, magical afternoon. Here was living the overture to Weber's immortal " Freischiitz." Or you were listen- ing to a symphony from the mighty Beetho- ven, who, gone from the world though he was, still lived here in the garden on this strange golden afternoon. How the immortal harmonies and melodies were at one with the soft blue of the sky above and the light moving through the leaves ! Ah ! magical and wonderful after all is the genius of man. THE SCHLOSS 125 Man had won from the inscrutable sound- Sphinx her secret. This Beethoven spoke forth the secret meaning that lies behind the sounds of the wind and the waters and the songs of the birds. The sound-Sphinx had told to Beethoven her secret. For it is the sound-Sphinx who holds the secret of that unimaginable immenseness that is behind life. And it had been given that she told her secret to Beethoven, who had woven it into pictures, glorious and immortal. And these pictures lived in the garden of the Schloss. And as you sat and dreamed here in the garden, there came the exquisite and tender melodies of the Pole, Chopin music tender and intimate and mysteriously haunting. As a voice singing in a far, twilight, violet forest. It mingled and blended with the green and the moving sun-gold of the garden. Strange music in which there was at once regret and hope. Music filled with 126 THE GERMAN DANGER the sadness and the beauty of the past. Music of revery. This intimate, strange- coloured music stole forth here in the garden of the Schloss. It brought up emotions that had long lain buried. Violet - coloured, mysterious, tender music. And there came the gay, delightful music of Offenbach. That fine music of the reveller that brought up to the mind brilliant pictures of the life that was lived for the moment. It rang out in this magical place of green and soft blue and gold. And here was music alluring and still sad. Strange music that gave forth divinely the beauty of movement. One of the magical waltzes of Strauss. This thrilling, lilting music that quickened the senses, and that still was strangely sad. As if the musician had grasped to the full the truth that all life is lived under the sword the sword that may in the next moment fall. Strange is the music of Strauss. It is not as the music of the Pole, Chopin, THE SCHLOSS 127 and still for me it is as if it were related to it. How, it is impossible for me to define. But I feel the relation, though the power to express it is not given me. The magical music that lived here in the garden of the Schloss through the golden afternoon ! It carried the mind and the soul into realms mysterious and indescrib- able. To listen to it in this place of beauty was to live to the full the illumined, inscrutable moment that is called life. IH This Schloss great and strong, with ramparts and bastions and towers and walls ! To it came many people. Here were those that wandered through the world. The people who go from place to place gleaning the subtle knowledge that no books hold the knowledge that it is not 128 THE GERMAN DANGER given for man to tell man. For the world holds, as a jewel, a wisdom for each being that is but for him alone, and that may be gleaned but by him. Here sat these people listening to the music. And here was youth. Here were fine brave young men. They were living in the glory of the morning of life. Students who had come from all parts of the world to this beautiful Heidelberg this place for perfect growth. This splendid place, where the young learned that highest wisdom of all the wisdom of keeping young. These strange-capped students came here to the Schloss and walked around, bearing themselves with the divine and magical insolence of youth. The divine and magical insolence of youth 1 It is the most perfect and glorious possession that comes in the morning of life. For it means that man feels to the full the wonder and genius that THE SCHLOSS 129 belong to the mighty and indomitable man- race. The glorious and splendid race of man. These fine-browed, wonderful beings. They will emerge into the full light nay, they are emerging now. Away with you; you dark philosophers. Man has before him a destiny of unimaginable splendour. And men feel this when they are in the morning of life. And so it is that they bear themselves with so fine and so brave an air. This beautiful Heidelberg. Would that all who were young could go to it. IV Ho ! Here in the Schloss was Perkeo's cask. A great, mighty cask, that had held myriads of thousands of dreams. For wine is imprisoned light and life that holds dreams. It holds dreams and magical phantasies. K 130 THE GERMAN DANGER This mighty cask that the dwarf, Perkeo, had wished to drain. A vast, jovial emblem, round and great and splendid. And there fronting the cask was the figure of Perkeo, the dwarf jester whose wit had enlivened a Court that was now dead and past and gone. How sad he looked now. Could it be that he sorrowed because the mighty cask lay here empty in the Schloss ? Could it be that the spirit of the jester hovered around this place of dimness and age ? Perkeo, a man of a jest and a joke who lived in the past. His philosophy lay in the kernel of the free jokes he cracked. This wit. This hero of uncountable bumpers of Pfalz. This jester whose words had flashed here in the old Schloss. How fine a thing is a jest and a ipke. How fine a thing is a hearty and great laugh. It brings all men, high and low, wise and foolish, staid and 'grave, together. THE SCHLOSS 131 All hail, jester Perkeo ! Be not sad. There are times when the world still laughs. * * * * * And so it was that over Heidelberg stood the Schloss, great and strong, with its ram- parts and bastions and towers and walls. From it was to be seen the magical and glorious valley that stretched out to a plain in the far distance. A place of power and beauty where came those who wandered. Where the students bore themselves with so fine and brave an air. The Schloss. It stood on guard over this Heidelberg this place beautiful as a shining dream. XIV. -BADEN-BADEN I BADEN-BADEN is democratic. Its waters are for everybody. You may not have a stiver in your pocket, but you are as welcome to them as if you were a Rockefeller or a duke. They are there, flowing briskly from fountains in the street, and all you have to do is to go up and help yourself. If you are a working man going to or coming home from toil you may go and refresh yourself, if you are a tramp you may go and take a drink before you are interviewed by the police. It is delightful. I like Baden-Baden, and I take this opportunity of giving it a free advertise- ment. Go to Baden-Baden, everybody. 132 BADEN-BADEN 133 There is, to be sure, the Trinkhalle and the Friedrichs-Bad where you may go to drink the waters should you hanker to rub shoulders with the rich and great. But even here you are only charged a penny for the privilege. And you may, if I am not mistaken, have four glasses of water for this same penny. Baden-Baden is a place that is all right. I may say, however, that I, personally, prefer the water that spouts democratically from the fountains in the open streets. It is hotter than the water at the Trinkhalle, and for me it has a richer flavour. The water itself tastes like delicious, light Bouillon. I made my first acquaintance with it at the fountain at the turning into the Lange-Strasse. I saw a couple of picturesquely attired countrymen sampling it. And I followed suit. Just like warm, delicious, light Bouillon. How glorious it would have been to have 134 THE GERMAN DANGER come across such warm delicious satisfying water in my old, tramping days. If I had, I don't believe I ever would have left the road. But, alas ! the world has but one Baden-Baden. I was under the impression that Baden- Baden was a preserve for the great, and for those who had stolen enormous sums of money by the shady way of trade. But not so. You may live very cheaply indeed in this delightful watering place. You may live in it far more cheaply than you can live in London. You can get a good room for two marks the night. And food is correspondingly cheap. Taking it alto- gether, you can live as well as you want to live for ten shillings a day. English watering and seaside places ! When I think of them I am lost in admiration at the English hotel keeper's genius for rob- bery. For example, Brighton is, at the very least, twice as expensive a place to BADEN-BADEN 135 live in as this famous and delightful Baden- Baden. How delightful and healing is the air. You are in a town of the hills. In the future, when man becomes more intelligent, towns will be built as this Baden-Baden is built. Man will manage to get at once the effect of the country and the town, even as it is got in this beautiful South German watering place. He will learn to build small towns that will have brilliant shops and brisk traffic and that still will have pure, fresh air. He will learn the value of making a friend and confidant of nature of having his towns made healthful by the medium of wide spaces and trees and gardens. II If you want to do the heavy, Baden- Baden will accommodate you just as it will accommodate you if your purse is meagre 136 THE GERMAN DANGER and light. There is a certain place the name of which I will not name where food and drink is as dear as the heart of the most flaunting spendthrift could desire. A place where the waiters are cold-eyed and lofty and superior and skilled in the waiter's art of making the mere diner feel small. At this place I was charged a mark and a half for the Pilsener that I drank with my chop. True, the Pilsener was served in a beau- tifully cut glass jug, but not being a klep- tomaniac I fail to see where the advantage came in. And besides, the jug was rather too large to carry off as a memento. I was so chastened by the scene generally and by the air of the cold-eyed, superior waiter that I gave him a half a mark through fear twice the usual tip. He took it as the great take things w r ith calm condescension. I had had my money's worth, however, for had I not dined with the cream of Baden- Baden's humanity? I had sat in the BADEN-BADEN 137 presence of the smart and great. I had broken bread in company with the noble and the successful. And to crown all I had the honour of actually sitting next to a table where sat three Jews. A word about the Conversationhaus where the people go to promenade and to listen to the music. I do not wish to carp at anything in this ideal Baden-Baden, but frankly I must say that in my view the music in the Con- versationhaus is played in altogether too ethereal and artistic a manner. The conductor a distinguished, fine looking man goes in too much for quiet, composed effects. Subtle, pianissimo, string effects are all very well in a concert room where every- body is quiet, but they are apt to get lost in a vast place like the Conversationhaus where people are walking around, talking. A little more of the brass, Herr Conductor, please, and let there be more swing and lilt in the 138 THE GERMAN DANGER beat of your baton ! And let the strings give out a tone more full and hard. And the drums. Let the drummers earn their salaries. And don't neglect the brass effects. The promenaders can't hear the music. I know your audience appreciates art. But what is the good of a picture if its lines are too delicate for you to get the effect ? What is the good of an orator if you don't hear what he is saying or a singer with a beautiful voice that doesn't get over the footlights, Let your band play out more, Herr Conductor. We can't hear it? Ill How individual are the people who come to this vast Conversationhaus. They come from all quarters of the world, and they lounge along the strangest and most interesting crowd I have ever laid eyes on. It is not that they have especially the look of BADEN-BADEN 139 belonging to the world's leisured class. It is not as if you were looking upon the smart set on some capital. They look too cosmopolitan. And indeed, to be quite just, they have not especially the look of the class that dominates the world's affairs. I do not mean, of course, that this crowd has not the air of a crowd that holds the world's affairs. It has. But what I mean is that the units of this crowd are so different from one another that the main impression they give to the observer is of being a mass of individuals who move and have their being without any sense of cohesion one with another. When you look upon a dominant crowd of people say, as upon some crowd of legislators you will note in them a relation. They give you the sense of people who work together for the same end. There is a likeness in the expressions of their faces. But these people who come to this vast Conversationhaus here in Baden-Baden THE GERMAN DANGER are typical of the indescribably complex interweavings and mutations of life. All sorts of faces from all sort of races, Pass- ing and repassing slowly. Speaking all sorts of languages. Dressed in all sorts of ways. Well dressed, curiously dressed, shabbily dressed. Here are the people who have the air of having denied themselves to come to this wonderful world-famous Baden-Baden. People who have little money who have just managed to get out for a tardy holiday. You can tell them at once by their manner. And here are the people who move with the curious, subtle insolence of bearing born of the possession of money. And successful people. And unsuccessful people. The people of birth, and the people of trade. And here are people who have about them the atmosphere of power and authority. And people who possess the fine power of command. And able, clever people. You see men of art and BADEN-BADEN 141 thought, and men bearing themselves with the firm, assured set of men of action. And beautiful women and plain women and girls. And the women of the strange half world. This strange slow-moving crowd expresses the mystery and wonder and com- plex interweaving of life. How fine it is to behold and to study it here in this magical Baden-Baden ! XV. LOST IN THE FOREST ON this morning we set out from Baden- Baden to walk through the immense Black Forest to Freiburg which lay dead to the south some ninety kilometres. It seemed to me that we ought to make it in four days. We started through the Lichtenthaler Allee, which extended along by the side of the Oos. The sun was shining full on the river waters that were coming down from the hills. How beautiful is the Lichtenthaler Allee. It is one of the most charming of the world's gardens. Here nature and art magically combine. River, clear air and sky, soft- hued garden, and dim blue hills beyond blend into a soft and beautiful scene. To i 4 a LOST IN THE FOREST 143 walk in this garden is as if one were walking to strange music. The voice of the river lives deeply in the air. And far beyond are the dark pines, marking the edge of the great, mysterious forest. We were now out of the garden and going leisurely along the road. ***** We passed through the village, Lichtenthal, and here by the side of the road was a cross. It was adorned with flowers a roadside shrine to which the people of the forest turned to make reverence as they passed. Here were three men of the forest. They were middle-sized men, walking with the peculiar sure step of men who are accus- tomed to going where there are no roads. They were unlike any people I had yet seen in Germany. They did not greet us as we passed, but just looked at us somewhat grimly from out of the corners of their eyes. They were people of the open air outside 144 THE GERMAN DANGER men. They had not the air of men who farmed who worked the ground but rather the air of mountaineers. The road was now winding upwards, and we were well into the first belt of timber. We were going by the side of a river that foamed down from the heights beyond, and from the distance there came the steady voice of a waterfall. * * * * There were no birds in this forest. Or rather, there were no birds that sang. It was a place of the life of primal things of trees, of air, of water. Just at this part, however, it had no air of wildness. ***** Here was the waterfall of Gerolsau. And down at the edge of the river, where the water roared along, was a low, square wooden house that turned out to be a place where one could get coffee and kirschwasser LOST IN THE FOREST 145 cherry-water a colourless, delightful stimu- lant distilled from cherries, which I am bound to recommend to the traveller. It put me in mind of the applejack whisky that I used to get from the mountaineers when I was on tramp in Kentucky. This kirschwasser was somewhat strong, and caught you in the throat, but it had a beautiful nutty flavour. How pleasant it was to sit here in the inn by the sounding, rushing water. And my fancy pictured the glorious and delightful time I would have getting down to Freiburg through the great forest. Out we were again on the road. And we went on till we came to where the road forked. My idea was to make Sand that night. Sand lay twenty kilometres to the south of Baden-Baden. It lay on the high- road hohenweg that ran between Pforz- heim and Basel. Baden lay off from this highroad, and we were cutting through the cross roads to get to it. Ordinarily I would L 146 THE GERMAN DANGER not have done this, but my faith in German directions was sure and strong after my experience of climbing the Brocken. I felt that as long as German sign-posts were round I could not get lost if I tried. I had therefore adventured out from Baden filled with faith and hope. Need I say that where the road forked the sign-posts were heavy with directions. You were told all about everything connected with that part of the Black Forest. After some deliberation we chose the road going to the left, but we had not gone far before we again came to a choice of roads. I studied the map of the Black Forest that I had bought in Heidelberg, but it had nothing to say concerning this second fork- ing of the road. Here, also, were sign-posts telling one everything that one could wish to know, and after consulting them we came to the con- clusion that we had done wrong in taking the LOST IN THE FOREST 147 road to the left in the first place. So back we went and took the road to the right. We had hardly gone half a mile when we came again to a road with sign-posts, and after studying it it seemed to us that we had gone right in the first place. But this time I refused to turn back. So I consulted the compass, and finding that the new road bore to the south I took it. Again a road, and again plentiful direc- tions. I paused and swore. And then slowly, very slowly, it began to dawn upon me that perhaps the directions here in the forest were somewhat mismanaged. It is possible to get too much of a good thing. There were too many directions put up ! But I thrust the base and ungrateful thought away from me. My faith in the German method of telling one the proper way to go was not to be shaken in so easy a manner. I thought of the Brocken. And I was filled with remorse to think that I had doubted, 148 THE GERMAN DANGER even for an instant, the skill of the German Government in showing the road even to the blindest of men. It was I who was in fault. I had muddled things up. Another road, and more directions. I went down that road on general principles. And then I came to another. And here it was that revolt took possession of me. I had been loyal for a long time, but in the end even a worm will turn. There were too many directions altogether. The Germans had made a muddle of these sign-posts. I was sorry to be forced to think this. But facts are stubborn things. And whilst I was trying to think how so perfect a governing machine as the German Government could go wrong I came to another road. In a word we were lost. The plenti- fulness of the directions had undone us. And I reviewed Prussia in language most questionable. Ah! I was not now in Prussia! It LOST IN THE FOREST 149 suddenly came to me that I was here in the South in the Duchy of Baden. Had I been in Prussia such a thing as getting lost could not have happened. These South Germans were a delightful people, but they knew nothing about the proper directing of the traveller. Once the idea came to me to go back to Baden-Baden. But that also was hopeless. For the maze of directions would still con- front us. We had got turned round. And, added to this, we had got away from the river. The compass was now no good to me either. I was entangled in a maze of forest and roads and sign-posts and directions. There was no one about of whom we could inquire. We seemed to have the forest to ourselves. When next we came to sign-posts we did not even look at them. 150 THE GERMAN DANGER It was now getting well on in the after- noon. And suddenly a change came into the weather. It began to rain. To be lost in a forest when it is raining is an experience that is apt to induce feelings of pessimism, and I began to wander how on earth the ambition had been bred in me to tramp from Baden-Baden to Freiburg. If it had been possible for me to have found my way back I would have renounced the whole scheme there and then. But I was in for it. I was committed to it. Or rather I was committed to the floundering about, lost, in this wet and desolate forest. We had been indeed killed through kind- ness. We had lost our way through the eagerness of the authorities to direct us. I had been lost before in my wanderings in different parts of the world. But never in a forest. Being lost in mountains is nothing, comparatively. If you keep your LOST IN THE FOREST 151 head it is all right. You can at least see where you are. And if you find a water- course you are sure to get right if you follow it long enough. XVI. SAND IT occurred to me that I would have to use my own instinct and rough knowledge that a man gets in wandering about. It would not do for night to come upon us here in the rain in this lonesome forest. For that would mean having to stand in one place till daylight came round again. It was now five o'clock in the afternoon. There was still three full hours of daylight before us, and the thing was to get to Sand before darkness came upon us. When one is lost there come the most odd sensations. The mind works strangely. The pivot that it works upon is gone, and so it is that there come bewilderment and fear. This one must SAND 153 fight. If you allow fear to settle upon you, you are undone. I have been lost several times in lonesome places, and the thing is, if possible, to make yourself feel that you are not lost at all. You must make yourself feel that your bearings have only gone out of sight temporarily, and you must search in your mind for some other guide, or pivot, to work from till they come in sight again. And there is always something. For example, if you are lost in mountains, never forget that a water-course is an absolute guide. If you follow it you are sure in time to come up with someone. In the wildest and most uninhabited place a water-course is a highway. Never leave it under any circumstances. If you are lost on a plain or a prairie make always for one point on the horizon. You will get this easily from the sun even should you be without a compass. And wait for daylight. Never 154 THE GERMAN DANGER go along in the darkness. If you are lost in a forest always make for a rise in the ground. And so in the end you must come to a clearing. It is in clearings where people live. People may live in the forest itself, but the clearing is necessary for the growing of food. Make for the high ground, and in time you must see one. The clearing in the dense forest is as the oasis in the desert. Of course our being lost in the Black Forest was ridiculous. It had come about through the multiplicity of directions. But I knew Sand was up near to 3,000 ft., and we were now in a valley. It would be therefore somewhere up on the valley's outer edge, and as it was only twenty kilometres out from Baden-Baden the odds were that I was but a comparatively short distance from it. And getting up on to the high ground would likely enough enable me to see it. Even if I did not, SAND 155 I would in any case come across some road with new footprints upon it. And that in itself would be the best guide. The thing, however, was to move quickly whilst there was yet daylight. I must confess that I was astonished at the number of roads running through the forest. And more than that they were roads that had not been used for a long time. They bore no marks of people having gone along them. Many of them were rough, and covered in places with weeds and grass. We worked along, going up and up, till we came to a sign-post that apprised us of the alleged fact that if we went along the road to the right we would get to Sand. But I disregarded it. I had had enough directions to last me for as long as I was in the forest. Indeed, I intended to leave it the next day. I like when I'm tramping to find a good, straight road that has no nonsense about it. 156 THE GERMAN DANGER So instead of taking the accredited Government road I took a small path to my left that ran through a dense part of the forest. My reason for taking it was because it ran upwards and there were the marks in it of fresh footprints. The broad road ran down into the valley again, and besides I knew from experience that if I did follow it I would soon reach another sign-post that would send me up the valley again. * * * * * Here was the clearing I had been looking for. And soon there came a big piece of cultivated land. And in time a great house appeared. It was Plattig. And Sand was but half an hour's walk beyond it. Sand! We were there at last. It was not as I had thought, a small town. It was simply a great hotel built up on SAND 157 the heights where people came to get the benefit of the beautiful air and the aroma of the pines. And then the mystery, or some of the mystery, of the puzzle of the forest paths was explained. These people who kept the hotels had the names of their different hotels set up at the turnings of as many roads as possible. Their ambition was to guide people safely and surely to their hotels, which was a very laudable and fine business ambition, but unfortunately for the innocent pedestrian every hotel-keeper was fired with the same ambition, and the result was that the pedestrian lost his way and his temper, and likely enough injured himself morally by giving way to pithy and illumining language. However, all was now well. We had a good dinner, with Rhine wine, and slowly but surely the ambition came back to me again to go to Freiburg. It would 158 THE GERMAN DANGER be just as well for me to see what the Black Forest really was like while I was here, and I felt almost apologetic when I thought of the way I had reviewed the South German method of directing the traveller. There were not many people in the hotel, as the season had not yet commenced. # # # # * The next morning was glorious and beautiful. And I wondered how I could possibly have thought of abandoning my idea of tramping to Freiburg. In fact, the experience of the day before appeared to me now but in the light of some hideous dream. And besides, here was the hohenweg the absolute and real high- road. The day befgce I had been flounder- ing through the cross-roads from Baden- Baden, and naturally enough one would easily go wrong on them. I felt so cheered and elated that the business habit of the SAND 159 hotel proprietors of trying to guide one safely to their particular hotels faded from my mind. How splendid was the view here from Sand. We were nearly 3,oooft. up above the level of the sea in the midst of rolling hills. The air was a joy to breathe fresh, cool, stimulating air. And on all sides were the pines of the immense, surrounding forest. And how inviting looked the highroad. It stretched away from Sand into the thick of the forest, and over yonder I could see it winding sharp and white in the sunshine. It was a road on which it would be a joy to tramp. And far off across a valley I could see it again. It was a great distance off, but it looked so clear and distinct that one would have thought it no more than a mile away, were it not for the hills and the valleys lying in the space between. 160 THE GERMAN DANGER A road winding clear and sharp in the light. It is a fine thing to look upon. And a finer thing yet to tramp upon. It lay before me. XVII. THROUGH THE FOREST. THE clerk of the hotel regaled me with glowing accounts of the wonderful things I would see on my journey through the forest. All that I had to do was to keep straight along on the highroad, and the views would disclose themselves as a magical panorama. True, he had never seen these wonders himself. He admitted that he had not much ambition for tramp- ing. The wonders of the road through the forest had been transmitted to him by practical travellers. He was a Swiss, and he flooded me with all kinds of information in what 161 M 162 THE GERMAN DANGER might be called fluent, interpreter English. Were there wolves in the forest? I asked him. No, there were no wolves, he answered and quickly and overwhelmingly he let go a flood of information concerning wolves and where they came from, and where they did not come from, and how and when and where they attacked people. He was a great man, this clerk of the hotel. A man who knew his business which was to slake the all-devouring thirst of the tourist for detailed information. We started gaily along in the bracing air. The informing and voluble clerk had fired my imagination. I felt now that I would be able to boast about having tramped through the length and breadth of the great forest when I got back to England. Hornisgrinde ! I would make Hornis- grinde on the evening of that delightful day. And at Hornisgrinde I would regale THROUGH THE FOREST 163 myself with a fine supper and a bottle of the delicious German wine. Alas for human calculations ! How on earth was I to know that this same Hornisgrinde was but a bleak mountain peak? It figured on the map in print that to my eye could but belong to a big and thriving town. However, we went gaily along. And then well, we came to a turn in the road. And this turn led into a road that was even more fine and beautiful than the highroad itself. At the turn there were multitudes of directions. We went along till we came to another turn. Again directions. A turn again, and more directions. On we went, and Well, the truth must be told. We were lost once more. We had been basely betrayed. These beautiful and wonderful and fine highroads were as misleading as the cross-roads out from Baden-Baden. I sat down, overcome. The power even of vivid and luminous language was gone from me. And the ambition to penetrate through this immense forest faded from me for the second time. And this time it had gone never to come back. My idea now was to get out of it as quickly as I could. But how ? Bitterly I thought of the fluent and mis- leading information of the clerk who lived safely in Sand. His magical panorama had missed fire. The only view that had so far disclosed itself was a view of dark, gloomy, countless pines. The best thing to do was to just take a road and go along it, trusting to chance. In time we would come across someone who would guide us out of the forest. So we stopped discussing about the road. We simply went along. To us from the distance came the ringing sound of an axe. And in time we came THROUGH THE FOREST 165 upon a party of the people of the forest who were working clearing a space on the shoulder of the mountain. An hotel, or kurhaus, was to be erected here for the benefit of those who could afford to pay for the luxury of taking it easy up in the beautiful air. Women were working along with the men powerful -looking women, with heavy, simple faces. And there were children. The man who had charge of the gang was dressed with a rough picturesqueness. It was a scene such as might have been seen hundreds of years before. About these people was the atmosphere of the long ago past. These workers of the great, silent forest ! They were as their ancestors before them. The influence of the vast, changing outer world had in no way come into their lives. It was the man in charge who made us understand that Hornisgrinde was but a 1 66 THE GERMAN DANGER bare mountain summit. His German was not as the German of Berlin, but it was enough to make us understand that we had wandered away from hotel comforts. We were out in the sphere of the Spartan, simple life. And we dined with these simple people of the forest. In a log hut near by we sat down and ate black bread and raw bacon and cheese of a somewhat weird character. And we finished with a nip or two of kirschwasser to put courage into us for our journey to nowhere in particular. For we were quite unable to understand the directions of the picturesquely-attired man in charge. At least we could under- stand them no farther than the gripping of the idea that whichever way we went we would in the fulness of time get some- where or another. How we enjoyed that meal ! Provisions taste never so nicely as they do at a time THROUGH THE FOREST 167 when there is^an uncertainty as to when one will next come across them. The only way to really enjoy a meal is not to know where the next is coming from. This is the reason why tramps possess such perfect health. We had no idea when we would eat next. True, we had money. But money avails neither in desert islands nor lone forests. * * * * # We were going down a valley that ran to the east. We were taking the road with such philosophy as we might. We had no idea where we were going. I had been in great forests before, but never had I been in one so strange as this. It was so bereft of life, so silent. Hardly was there a bird in it. The forests through which I had journeyed before had been so inhabited, so full of sound and life. But this immense place of dark pines was as a place of mystery and death. How 1 68 THE GERMAN DANGER black it was ! Even the sun pierced not through the gloom of the sinister trees. We were walking through vast walls of darkness. The light of the sun came down to us a dull, leaden-grey light. One could understand the idea of the offering of human sacrifices coming to people who dwelled within this place of silence immense and black. For surely must it have been borne in upon the soul that powers and gods amorphous and horrible existed within this surrounding, sinister gloom. Spirits vague and dread who demanded sacrifices. As the forest men of old slept, must not these spirits have appeared and issued dread mandates to be carried out in waking hours ? This place of mystery and secrecy and darkness. This sinister, terrifying forest. ***** The sun came to us now, a pale, far- away light of gold. We were out from THROUGH THE FOREST 169 the gloom of the trees. Out in a natural clearing of the vast forest. And there came the sound of a voice. But no one was to be seen. And we passed out of the clearing and were again in the gloom. * * * Slowly the gloom was lightening, and there came again the pale, far-away light of gold. And soon we were in a wide clearing where the light of the sun came full down to us. Here were houses. We had got to Hundsbach, a village of the forest. We were in an oasis of the stretching world of gloom and silence. By the side of the road a brook sang along on its way. How pleasant and delightful it was to hear it ! A brook leaping and running on its way to the far sea. It had come forth from the darkness. A leaping, 1 70 THE GERMAN DANGER beautiful brook aglow with gold, and singing softly. And there came the voices of children. And yonder was a big house where travellers might stop and rest. We had reached a haven a stage in our journey. We had come from shadows and silence into light and sound and life. How charming was this little village of the vast forest ! This oasis ! XVIIL DIE FORELLE I THIS far-away village in the heart of the forest had a life that was sane and beauti- ful. Day followed day in calm and peace. The people in it knew not of, and recked not of the life in the great towns of the world that lay out in the unknown beyond. They knew not of the horror and the stress of the centres of chaos that are called great cities these places wherein beings are even denied the life-giving air. They knew not of the roar and bustle and hurry that kills. And who is there to say that they possessed not a wisdom unknown to the dwellers in the vast towns ? 171 172 THE GERMAN DANGER To him who had wandered over the face of the world this village within the great, dark mysterious forest might well be a haven where he would wish to stay till the end of all his days. What did it matter even though he worked at rude and simple labour for his bread? His life would go on as a light, steady and clear and beautiful, and it surely is that this is the utmost blessing that can befall. Ambi- tion for fame and power and the getting of gold is a madness destructive and horrible. When all is said and done, a man can eat but bread, so that he may live. All else is but a vanity and a disturbing of the spirit. It were better to be a labourer here in this village than to be a king upon a throne. How green and soft and beautiful was the grass. And how musical was the tinkle of the bells as the cattle slowly moved. DIE FORELLE 173 And how wondrous the voice of the brook as it ran on its way to the far sea. II The men who had been at work in the depths of the forest came in to drink their light red wine, for the day had come to a close, and they might rest and talk. Men of the open air who worked with the hands. Their faces were simple and contented - looking. They had worked through the day and now they were taking their ease. Their faces were browned with the healthful brown of the open air. And perhaps it was that some of the mystery of the immense surrounding forest was in their eyes. ***** Supper! The woman who kept the rough, simple village hotel brought it in 174 THE GERMAN DANGER to us. It was the most delightful supper I had ever eaten. A great loaf of brown bread was in the centre of the table. And near it was a big bottle of light red wine. How delicious was this wine. How fine it was to take a huge draught of it. I know of no grander drink in the world than light red wine, that is if you have the luck to drink it in the place to which it belongs. The butter of the village was delicious. Fragrant, beautiful butter such as one gets not in a town. But I must tell of the forellen the trout. They were caught in the brook and they were kept alive till wanted in a covered-in place on the side of the hill. Through this place a stream of water ran down to the main brook. And so it was that the trout lived here in the darkness under the square, wooden cover, as they would live in the darkness cast by the great stones in their DIE FORELLE 175 natural home. It was a simple and odd device. The trout were imprisoned in darkness in running water. Not all the gold of all the world could get you these trout if you were off in one of the world's great towns. For, if you are to eat trout in their perfection, they must be taken from the running water where they live, and they must be cooked at once. If they are carried off to a distance they lose their flavour. So nothing could have got you these trout but a journey here to this village in the great forest. Never have I tasted anything like these trout, and I suppose I never will again. They were fried, and it was my idea to have with them a side dish of grilled ham. Trout and grilled ham and draughts of light red wine and slices of brown bread and delightful fragrant butter. A feast simple and beautiful fit for the gods. 176 THE GERMAN DANGER How beautiful was the morning here in the village ! The sun burned gloriously in the life-giving, wine-like air. And afar from the depths of the great forest came faint axe-ringings. Men from the village were off doing the work of the day. The woman of the hotel told us of her eldest son, who had been taken off to be a soldier. Her face saddened as she spoke of him. She longed for the time when he would be back here again with her. She was a gnarled, plain-looking woman with a kind face. She had never seen the world that lay outside the depths of the great surrounding forest, and she had no desire to see it. She thought of it in the vague way that one might think of some other world. Her father, who lived at the end of the village, was a hale, sound old man of over ninety. His eyes were blue and clear DIE FORELLE 177 almost as the eyes of youth, and the life- flame still burned bright within him. It was not that he was really old. Rather was he as one who arrives with powers all but unimpaired near to the end of a journey. His face was brown and wrinkled, and his figure was erect and alert looking. When he spoke there was power and resonance in his voice. This man of the forest gave no impression of age as it is commonly understood by those who live unhealthy lives. There was no suggestion of weakness about him. He would retain his powers till the time came for him to lie in his long sleep. Through the whole of his life he had enjoyed that truest happiness of all the happiness coming from the perfect bodily balance that is called health. This fine old Karl ! Surely he had had more out of life than the greatest king or emperor. N 178 THE GERMAN DANGER III Through the day we wandered through the village, going here and there. We went into the little school, where were taught the children. And there was the little chapel, surmounted with a cross shining in the sun. And the shrines before which the people made reverence as they passed. These simple people reverenced religion as all who are truly wise reverence it. And here was the place where lay those of the forest who were dead. How beautiful and clear were the sounds of the bell of the little chapel as it called the people of the village to meditation and to prayer ! The sounds floated out and out till they reached the great surrounding forest darkness. * * * * Another day had come and we were out DIE FORELLE 179 on our way from the village. We passed by the school and the little chapel with its beautiful shining cross for the last time. On and on, through the soft greenness, passing by houses quaint and strange. We went on by the side of the brook that was now becoming bigger and steadier. On and on. And lo ! here again was the gloom and darkness of the vast forest. Behind us we could hear faintly the life of the village. We turned, but the village was gone ! On we went with our guide through the silence and the gloom and the shadows. And we passed up on our way to the shoulder of a mountain that was shrouded with immense pines. And the guide pointed to the distance down in the far valley, and left us. On we went, going down and down. XIX. LEAVING EXACTITUDE I You can tell when you get out of Germany. Things do not look so exact. You lose sight of the eternal square and parallelogram. In Germany even the animals act as if they were obeying strict orders. Holland is an exact enough place, but its exactitude is almost disorder when com- pared with the exactitude of Germany. Things in Germany are absolutely on mathematical lines. Even Nature itself must so to speak toe the mark. The very trees look like soldiers standing at attention. An earthquake is a most irresponsible and 1 80 LEAVING EXACTITUDE 181 irreverent phenomenon. It is at once irregular and sudden and most impolite. It bursts up into the most respectable and well- ordered places without warning. But I should say that even an earthquake would think twice before playing its pranks in Germany. I have not at hand a record of German earthquake visits, but I am willing to chance the laying of long odds that they have been few and far between. At least they must have been few and far between since the time of Bismarck. And during the time of the Kaiser they must have been altogether quiescent. If I am wrong as to this, I ask pardon. But I have the evidence of my own senses to back up the stating of the fact that Germany is in itself absolutely the most exact and well-ordered place on the planet. At least, it is the most exact and well-ordered place I have ever had the pleasure of being in. The place where discipline is spelt with 182 THE GERMAN DANGER a capital D. Why, even the dogs bark in a methodical and exact manner. And, as I suggested above, it looks as if Nature itself had to toe the mark. And who is it that will have the courage to say that it is not within the bounds of reasonable assertion to assert that should Germany ever rule the waves, the waves themselves will not have the free and easy time that they at present have under the rule of England? I hope no one will think that I am saying these things in a carping spirit. For I am not. I am saying them but as I would say that the national manners of the people of England have not quite the highest and most brilliant shine upon them. Ah ! now I have put my foot into it altogether. For I don't mean at all that it is not a most noble and beautiful thing to be exact in everything. I ought not to speak of this German virtue of correctitude in the same breath with the rough-hewn manners of my beloved LEAVING EXACTITUDE 183 countrymen. For to be exact and correct in everything is a virtue of the highest of absolutely the very highest ilk. No, I wish it to be understood that I am speaking of Germany in an admiring sense. Patriotism here might very well impel me to urge my countrymen to endeavour to copy this German virtue. But, alas, such a thing would be hopeless. You might as well ask a tortoise to model himself upon a lightning flash. The poor old English will therefore have to blunder on as they have blundered on heretofore. The world is full of mysteries. And one of the deepest of these mysteries is the mystery of how the dunderheaded, stupid, foolish, obstinate, blundering English could ever have done anything in this world. How did these wrongheaded, numb-skulled, topsy-turvy people come to get the plums? How did they do it? How ? 1 84 THE GERMAN DANGER II I was being rushed along in the express and I was looking through the window of the carriage, taking in the hurrying picture of the landscape. I was admiring the exactitude of the beautifully laid- out fields and the far trees that were standing ex- actly at the same distance the trees that were exactly the same height, the same everything. Now and then there flashed upon the quick-moving picture the figure of a cow. And once there came upon the picture the figures of many cows. And believe me when I tell you that they were all standing in the same way and at the same distance from one another. The train was going fast and the picture flashed quickly by, but nevertheless it was clear. And the impression came upon me LEAVING EXACTITUDE 185 that I was being rushed along one of the sides of a place formed on the principle of a chessboard. Need I tell you that the rushing express was rushing through Germany ? I need not, for you have guessed it already. I was looking through the window of the train, taking it all admiringly in, when all at once there came a change. I rubbed my eyes to make sure that I had not fallen asleep. I wanted to make sure that I was not dreaming. For the change was a most incomprehensible change. No, it was all right. I was not asleep. I was awake. But there was a change. And then it occurred to me that perhaps my mind was going wrong, for there actually before my eyes the exact chessboard lines of the country were vanishing. They were break- ing up one into another becoming irregular, in fact, waving about disappearing. i86 THE GERMAN DANGER I put my hand to my brow, and then slowly the solution of the mystery came to me. This was not Germany I was gazing upon at all. It was Holland ! We had left Cleve, and had come to and passed the frontier without my thinking of it. I had passed from absolute exactitude to comparative inexactitude. Nature was now having something of her own way again. The roads and streams were wind- ing deviously after the manner of roads and streams in ordinary countries. One tree was actually unlike another tree. I must confess, however, that the change came to me as a shock. My sojourn in Germany had made my eyes used to the seeing of life and nature and things gene- rally being set out upon the chessboard pattern. I had become Germanised. That is, I had become as Germanised as far as it is possible for a careless lounger. Would you believe it ? LEAVING EXACTITUDE 187 The cows that now appeared upon the passing landscape wore a frisky air. Frisky is hardly the word that would usually apply to these solemn and useful animals. But I assure you that the cattle of Holland were most gay and sporty in demeanour when one compared them with their German relatives. They were whisking their tails and moving about as though there was no such thing as order in the world ! No longer were they in even rows standing at attention. I sighed. For it is a sad thing to be forced to leave perfection. Ill But worse was to follow. I will say nothing of the reckless way that the boat tossed and tumbled in the choppy sea. That I was prepared for, being an old sailor. i88 THE GERMAN DANGER But a sense of justice and duty compels me to speak of the way things were managed at Harwich. I am not going to dwell upon the merits or the demerits of Custom House officers, for they all are but what one might call denationalised nuisances. They belong to no nation. Indeed, I seriously think they are not human at all. We will pass them by. But really I must speak of the English railway ticket-inspectors. They positively asked you for your ticket as though they actually didn't much care whether you had a ticket upon you or not. And when you did show it to them they barely glanced at it. How different were they from the fine, dignified German ticket-inspectors. When they asked you for your ticket you felt that you were being interviewed by the whole German Empire. You were in the presence of the truly great. And how careful they LEAVING EXACTITUDE 189 were. They examined not only the ticket, but all the words on the ticket, and all the letters in the words. True, you trembled. For if there happened to be a misprint on your ticket, you would certainly be bounced from the train. But what of that ? You were in the presence of a grand dig- nitary, who was doing his duty in a grand and dignified manner. You were receiving a lesson. But the English ticket- inspectors, they well, I won't pursue a painful subject further. And the English landscape. I was indeed shocked. It seemed positively yes, it seemed positively to be going along without the slightest reference to discipline. It was the same way with everything else. There seemed to be no great guiding hand. Everything seemed to be going according to some obscure law of its own. i9o THE GERMAN DANGER And to my horror and amazement I felt a base feeling of relief creep over me. I somehow felt glad to be getting back into the midst of this indiscipline. Why, I don't know unless it can be attributed to the natural depravity of human nature. XX. TWO PEOPLES I IT would be idle to deny that the Germans in a material sense get more out of life than do the English. It is neither wise nor effective to go against facts. And the fact is that there is more beauty in German life than in English life. Art has a larger share in the disposing of things. Things are better ordered. More is made out of possibilities. I can well understand an Englishman coming to Germany for the first time and feeling that England was very much behind indeed when compared with this land of beautiful, well-ordered cities, and grand shining rivers, and fruitful plains. 191 192 THE GERMAN DANGER I can understand him feeling that his own people were woefully behind the Germans that the Germans had attained to a higher plane of civilization. It would at once strike him that they were better off than his own people. And so they are in a material sense. The Germans glean the fruit of a discipline that is at once absolute and effective. And the advantages of this iron and absolute discipline are the first things that strike the eye of the one from England. He comes from a place of disorder and haphazard to a place that is swept and garnished. As an Englishman and as one who believes fully and firmly in the glorious possibilities of his country I am not going to deny for a moment the fact that the German is better off than the English- man. He is better off. But the law of life TWO PEOPLES 193 has it that a price must be paid for all things. And the German has had to pay a price for his prosperity. He has had to give his liberty for it. He has had to put himself within the grip of the most perfect and ruthless government-machine the world has known. He has had to become a slave so that he might live fatly and well. He has had to fall down and worship. He has had to be silent to be respectful to salute to bow his head to give up his son to be struck with blows. And I an Englishman say that he has paid too heavy a price for his material prosperity. And I go further and say that I would sooner see England swept from existence than see her pay the German price for such prosperity. Germany, in its government, presents the strangest paradox the world has known. It is a Socialistic State presided over o 194 THE GERMAN DANGER by an autocrat. It is, in a measure, a sinister realising of the half-truths of Karl Marx that thinker at once dangerous and blind, who imagined that man could be squared and ruled and defined into hap- piness. Here in a sense is his glorious State. Here is his set of guided and ruled human beings. Here are his machines. ***** Let me make it clear that I am in no sense against the German people as a people. They are a kindly, well-disposed, good-hearted race. This cannot be said too often. I know something of them, for I knew them for a long time in America. They are peaceably inclined and generous. But they have been policemanised and militarised into puppets. However, it is only fair to say that those who control them, and who will use them against the world's peace when TWO PEOPLES 195 the time is ripe have done their best by them. The clique that controls this immense nation have been honest accord- ing to their lights. They have turned this fine people into slaves so that they could do well by them. But there is a grander and more glorious destiny for this great nation than any slavery, however comfortable and polished it may be. Golden chains are still chains. II The English when compared with the Germans are not ruled at all. They are as free as it is possible for human beings to be free. I mean they possess the greatest amount of freedom possible in a State that is governed by a central authority. The world's present idea of a State is an aggregation of human beings 196 THE GERMAN DANGER controlled and ordered by a few who make a profession of governing. In some of the world's States a pretence is made of giving the people the power of selecting who shall govern. But in actual practice the governing power is always held by virtually the same people. Such is the world's present idea of a State. And the English people have as much freedom as it is possible for them to have with regard to this idea. England is by far the freest country in the world. Indeed, to such lengths does this idea of individual freedom go that there are times when it becomes a danger to the position of England as a State. I do not wish to be misunderstood here. For me, individual freedom is man's most sacred and glorious possession. In the end all mankind will attain to it. TWO PEOPLES 197 I mean this : When England has to live in a world of slave States where millions are broken to the art of war millions that may be loosed upon England at the bidding of one or a few men this idea of individual liberty becomes a danger where it prevents the people from adequately preparing for this dreadful eventuality. ***** No I do not mean conscription. I do not mean compulsory military service. Conscription is a curse. And the State that has it is a slave State however fair may look its outside prosperity. I mean that Englishmen must of their own volition and free will prepare themselves so as to be ready in case these hordes of conscripted slaves are precipitated upon them. There is no need for conscription. Let all Englishmen learn the use of 198 THE GERMAN DANGER the rifle. Let all English boys learn the use of the rifle. The rifle is the weapon of weapons. And let him be considered an unworthy Englishman who cannot use it. There is another thing to be considered. It is well to remember that events have by no means proved that the professional soldier is the best fighter. The man fighting for his country has always proved to be worth more man for man than those sent against him. We don't want our sons to be herded and beaten in barracks, as they are in Germany. It is not necessary. Conscrip- tion is a curse. But we want our sons to know how to use the rifle, so that they can prove them- selves to be good men and true when the conscripted hordes are loosed upon them. TWO PEOPLES 199 It would be a bad day for the progress of liberty were England crushed and broken. I am not going to say that England is not a robber. She is. She possesses a genius for robbery just as other nations possess an instinct for robbery. But she also possesses the idea of liberty. Let this be weighed against her crimes. ***** The price that the English pay for their liberty is comparative disorder and haphazard and confusion. The most is not made out of things because of the difficulty of working together and for a common end. Englishmen won't stand to be ordered or shoved about by any one. They will do as they like even when it would be to their advantage to be amenable to discipline. And so, compared with Germany, things are mixed up and often absurd and topsy- turvy. Life is not so comfortable as it 2OO might be. There is no good in denying this. And England is not as safe as she might be. All this is true. The English pay a high price for their liberty. But liberty is cheap at any price. England is the only country in the world that is moving along the right direction towards that finest human ideal the ideal that all human beings shall be masters of themselves. What matters it if the road be rough and hard ? What matters it if the road be dangerous ? What matters it if the clothes become ragged and torn in the arduous, steep journey ? What matters anything as long as the goal be freedom? Mankind must be free whatever the cost. And better death and extinction than any slavery, however fair and shining it may appear to the eye. PRINTED by WILLIAM CLOWES AND SONS, LIMITED. LONDON AND BECCLES. D BY s v-*> tf&MNBSfy. ^WS-ANCHflU ^HDMIftfc. <$-UBRARY0/