LIBRARY OF THE University of California. Class MEMORIES OF VAILIMA MEMORIES OF VAILIMA BY ISOBEL STRONG AND LLOYD OSBOURNE -',^.->^ ? I ?. WESTMINSTER ARCHIBALD CONSTABLE AND CO., LTD. 1903 CONTENTS PAGE Verses Written in 1872, .... 1 By Robert Louis Stevenson. Vailiima Table-Talk, 7 By Isohel Strong. Mr. Stevenson's Home Life at Vailima, . 77 By Lloyd Osbonrne. Pola, Ill By Isobel Str^ong. Samoan Songs, ...... 139 By Isobel Strong. 215243 VERSES WRITTEN IN 1872 By Robert Louis Stevenson Though he that ever kind and true, Kept stoutly step by step with you Your whole long gusty lifetime through Be gone awhile before, Be now a moment gone before, Yet, doubt not, soon the seasons shall restore Your friend to you. VERSES WRITTEN IN 1872 II He has but turned a corner — still He pushes on with right goodwill, Thro' mire and marsh, by heugh and hill That self-same arduous way, — That self-same upland hopeful way, That you and he through many a doubtful day Attempted still. BY ROBERT LOUIS STEVENSON III He is not dead, this friend — not dead. But, in the path we mortals tread. Got some few, trifling steps ahead And nearer to the end, So that you, too, once past the bend, Shall meet again, as face to face, this friend You fancy dead. VERSES WRITTEN IN 1872 IV Push gaily on, strong heart ! The while You travel forward mile by mile, He loiters with a backward smile Till you can overtake, And strains his eyes, to search his wake, Or whistling, as he sees you through the brake. Waits on a stile. VAILIMA TABLE-TALK VAILIMA TABLE TALK At Vailima, in the latter part of the year 1892, I began keeping a journal, putting down from time to time bits of Mr. Steven- son's conversation, characteristic sentences and stories. Two large volumes were filled in time, from which I publish the following extracts with some misgiving, for, as will be seen, they are of their nature fragmen- tary and disconnected. Much that would make them more comprehensible is of too intimate and personal a nature to print, and it would only be possible to render them more consecutive by weaving them into some sort of biography or narrative, which it is neither my province nor my desire to attempt. MEMORIES OF VAILIMA ' I have been writing to Louis's dictation the story of Anne de St. Ives,^ a young Frenchman in the time of Napoleon. Some days we have worked from eight o'clock until four, and that is not counting the hours Louis writes and makes notes in the early morning by lamp-light. He dictates with great earnestness, and when particularly interested unconsciously acts the part of his characters. When he came to the description of the supper Anne has with Flora and Ronald, he bowed as he dictated the hero's speeches and twirled his moustache. When he described the interview between the old lady and the drover, he spoke in a high voice for the one, and a deep growl for the other, and all in broad Scotch even to ** coma " (comma). ' When Louis was writing Ballantrae^ my mother says he once came into her ^ This story was finished, except the last three chapters, and published under the name of &t. Ives. 8. . ' VAILIMA TABLE-TALK room to look in the glass, as he wished to describe a certain haughty, disagreeable expression of his hero's. He told her he t actually expected to see the master's clean- shaven face and powdered head, and was quite disconcerted at beholding only his own reflection. ' I was sitting by Louis's bedside with a book, this evening, when he asked me to read aloud. " Don't go back," he said ; "start in just where you are." As it happened, I was reading The Merry Men ; he laughed a little when he recognised his own words. I went on and finished the story. '' Well," he said, " it is not cheerful ; it is distinctly not cheerful !" ' " In these stories," I asked, " do you preach a moral ? " ' " Oh, not mine," he said. " What I want to give, what I try for, is God's moral ! " ' '' Could you not give ' God's moral ' in a pretty story ? " I asked. _ 9 MEMORIES OF VAILIMA ' '' It is a very difficult thing to know," he said ; " it is a thing I have often thought over — the problem of what to do with one's talents." He said he thought his own gift lay in the grim and terrible- — that some writers touch the heart, he clutched at the throat. I said I thought Pi^ovidence and the Guitar a very pretty story, full of sweetness and the milk of human kindness. ' " But it is not so sweet as Maj^kheim is grim. There I feel myself strong." ' " At least," I said, *' you have no man- nerisms." ' He took the book out of my hand and read "it was a wonderful clear night of stars." '* Oh," he said, " how many, many times I have written 'a wonderful clear night of stars ! ' " ' But I maintained that this, in itself, was a good sentence and presented a picture to the mind. " It is the mannerisms of the author who can't say ' says he ' and ' says she ' that I object to ; whose characters lO VAILIMA TABLE-TALK hiss, and thunder, and ejaculate and syllable " "'Oh, my dear," he said, " deal gently with me — I once fluted ! " ' 'Jan. iQth, 1893. ' Oh, poor Anne ! Louis has been laid up with threatenings of a hemorrhage and is not allowed to speak. It is a cruel blow just when we were getting on so well with Anne. When I went in to his bed- side this morning he wrote on a slate, "Allow me to introduce you to Mr. Dumbley ! " He was leaning against a bed-rest to which he called my attention. It was the one Sir Percy Shelley gave him; my mother had taken all the upholstery out as being too warm for this climate, putting in a back of woven cocoa-nut sinnet, which is very neat and pretty, and comfortable besides. He cannot speak nor lean forward to write, for fear of starting a hemorrhage, and yet he does not look ill at all. He is II MEMORIES OF VAILIMA tanned a good brown, has a high colour and very bright eyes. In illness he is never pale ; as he lies back against the rest in his blue and white Japanese kimono, with a wide red sash, so fresh and bright, looking at you with such a pleasant, smiling face, it is hard to realise he is in great danger. ' He has a slate by his side and writes nonsense on it. " I 'm a rose-garden invahd wreathed in weak smiles." To a visitor who asked " how are you ? " he wrote : " Mr. Dumbley is no better and be hanged to him ! " 'To pass the time I showed him how to make a, b, and c, on the hands, and we were getting some entertainment out of it when suddenly the brilliant idea struck us both to dictate Anne in the deaf and dumb alphabet! It was slow work, and I often made mistakes, but we got on pretty well to the extent of five pages. ' In the afternoon Aolele entertained him 12 VAILIMA TABLE-TALK by playing patience on a table drawn to the bed. For his amusement she learned a game from a book, and he is always pleased and interested to see it played, making signs when she goes wrong and pointing at cards for her to take up. ' We are only allowed in to him one at a time, when we all try to be entertaining and recount cheerful adventures of the household. Aolele is very successful at this, but she leaves her smile at the bed-room door ; indeed we are all terribly anxious.' 'Jan. 18th. ' Louis is better to-day, and we did seven pages in the deaf and dumb alphabet. The only concern he has betrayed over his illness was at the first sign of improve- ment ; he wrote, " O Belle, I am so pleased ! " and the tears stood in his eyes.' 'Jan. 22nd. ' To-day Louis was so much better that, ^3 MEMORIES OF VAILIMA though he had a headache, we wrote twelve pages of Anne. When the luncheon bell rang we both thought it a mistake, the morning had flown by so quickly. He generally fills in his convalescence with poetry ; to-day he read us some beautiful verses about Aolele and me.' MOTHER AND DAUGHTER High as my heart ! the quip be mme That draws their stature to a Hne^, My pair of fairies plump and dark^ The dryads of my cattle park. Here by my window close I sit_, And watch (and my heart laughs at it) How these my dragon-lilies are Alike and yet dissimilar. From European womankind They are divided and defined By the free limb and wider mind. The nobler gait, the little foot. The indiscreeter petticoat ; And show, by each endearing cause. More like what Eve in Eden was — Buxom and free, flowing and fine, H VAILIMA TABLE-TALK In every limb^ in every line, Inimitably feminine. Like ripe fruit on the espaliers Their sun-bepainted hue appears. And the white lace (when lace they wear) Shows on their golden breast more fair. So far the same they seem, and yet One apes the shrew, one the coquette — A sybil or a truant child One runs — with a crop halo — wild ; And one more sedulous to please, Her long dark hair, deep as her knees. And thrid with living silver, sees. What need have I of wealth or fame, A club, an often-printed name ? It more contents my heart to know Them going simply to and fro ; To see the dear pair pause and pass Girded, among the drenching grass, In the resplendent sun, or hear. When the huge moon delays to appear. Their kindred voices sounding near In the verandah twilight. So Sound ever ; so, forever go And come upon your small brown feet Twin honours to my country seat. And its too happy master lent : My solace and its ornament. 15 MEMORIES OF VAILIMA THE DAUGHTER, TEUILA, HER NATIVE NAME THE DECORATOR Man^ child or woman, none from her The insatiable embellisher. Escapes ! She leaves, where'er she goes, A wreath, a ribbon, or a rose ; A bow or else a button changed. Two hairs coquettishly deranged. Some vital trifle, takes the eye. And shows the adorner has been by. Is fortune more obdurate grown ? And does she leave my dear alone With none to adorn, none to caress ? Straight on her proper loveliness She broods and lingers, cuts and carves. With combs and brushes, rings and scarves ; The treasure of her hair she takes Therewith a new presentment makes. Babe, Goddess, Naiad of the grot. And weeps if any like it not ! Oft clustered by her bended knees (Smiling himself) the gazer sees. Compact as flowers in garden beds. The smiling faces and shaved heads Of the brown island babes : with whom She exults to decorate her room, j6 VAILIMA TABLE-TALK To dress them^ cheer them when they cry^ And still to pet and prettify. Or see^ as in a looking-glass^ Her graceful^ dimpled person pass, Nought great therein but eyes and hair_, On her true business here and there : Her huge, half-naked Staff, intent. See her review and regiment. An ant with elephants, and how A smiling mouth, a clouded brow. Satire and turmoil, quips and tears. She deals among her grenadiers ! Her pantry and her kitchen squad, Six-footers all, obey her nod, Incline to her their martial chests. With school-boy laughter hail her jests. And do her in her kilted dress Obsequious obeisances. So, dear, may you be never done Your pretty busy round to run. And show with changing frocks and scents, Your ever-varying lineaments : Your saucy step, your languid grace. Your sullen and your smiling face, Sound sense, true valour, baby fears. And bright, unreasonable tears. The Hebe of our aging tribe : Matron and child, my friend and scribe. 17 MEMORIES OF VAILIMA 'Feb. 25th, 1893. * We are at sea on our way to Sydney. Louis took advantage of our stop at Auckland to call on Sir George Grey^ to ask his advice on Samoan affairs. He described his visit when he came back to the ship. . . . *' He received me in the quietest, coolest manner, heard me with the most extraordinary patience, saying nothing. Again and again I felt ashamed — he still pressed me to go on. He said : ' Let me give you a piece of advice from my own experience — pay no attention to attacks, go on doing what you are doing for the good of Samoa ; the time will come when it will be appreciated, and I am one of the few men who have lived long enough to learn this.' Then looking at me with his curious blue eyes and a kind of faint smile, * The worst of my anxiety is over,' he said. ' I thought you were an ^ The veteran Ex-Governor and Ex -Premier of New Zealand. i8 VAILIMA TABLE-TALK invalid. When 1 see the fire in your eye, and your hfe and energy, I feel no more anxiety about Samoa.' I told him it was certainly time I put my hand to the plough, and nothing would make me leave but de- portation. He nodded his head at me for quite a considerable time, like a convinced mandarin. ' You may have thought you stopped at Samoa on a whim. You may think me old-fashioned, but I believe it was Providence. There is something over us ; and when I heard that a man with the romantic imagination of a novelist had settled down in one of those islands, I said to myself, these races will be saved ! ' At every turn of the conversation it was the most singular thing to hear the old pro- consul allege parallel incidents from all parts of the world, and from any time in the last fifty years. He kept another guest waiting an hour and three-quarters ; when we were at last interrupted he bade me wait for him, and walked with me to 19 MEMORIES OF VAILIMA the hotel door, arm-in-arm, like a very ancient schoolboy with a younger boy, that was inexpressibly attaching." 'Louis was flattered by the interview and said so ; and I was amused to find that not a word had been said about his books. The old man took him altogether as a politician, and I was glad to hear that Louis had complimented the politician on his literary success. ' Aolele's description of Louis. " Some- times he looks like an old man of eighty with a wild eye, and then, at a moment's notice, he 's a pretty brown boy." Now, on this trip, he 's the brown boy.' 'Sydney, March 3rd, 1893. * Last evening we went to a dinner given by Mr. and Mrs. at the Cosmopolitan Club ; as it was a " wonderful clear night of stars," we walked home. We passed the Australia Hotel, just as a tall, soldierly 20 VAILIMA TABLE-TALK man, middle-aged, I should think, and un- doubtedly a gentleman, came staggering out and swayed up the street fearfully drunk. We stopped and looked after him, Aolele and I keeping the man in sight while Louis made inquiries at the hotel about him. I confess, I should have pre- ferred going on our way, but I could not escape, with Madam Esmond on one hand, and Don Quixote on the other. Louis came out of the hotel very indignant ; he had found the attendants grinning; they said, however, they knew the gentleman, and were surprised to see him drinking. Louis ran ahead and overtook the man just as two fellows were lifting him to his feet after a fall. He grasped eagerly at Louis and seemed much relieved in his mind, " You 're a gentleman," he said, " you tell me what to do, and I '11 do it. I '11 do anything you say — you're a gentleman." The two fellows, who had been helping him, moved off, but one turned back to 21 MEMORIES OF VAILIMA say, ''You never know a gentleman till he 's tried.' The drunken man went on to offer Louis fifty pounds, saying, *' I 'm bad, you 're good," in a most ridiculous way. " Cabby," said he, " do you know me ? " " O yes, sir," said Cabby, " you 're Mr. of ." "Will you cash a fifty pound cheque for me ? " " Certainly, sir." " All right," said the man, ' I '11 give you five pounds in the morning ! " While he was still fumbling for his cheque-book, Louis motioned the cabman to drive off. ' In the meantime a man came up to Aolele, who was standing a little way off, and stared hard at her. '' What is the matter with you ? " she asked. '' I 'm drunk too," said the man.' ' Both Louis and Aolele like to read trash, that is, if it is bad enough to be funny. My mother was tired and sent us out to buy some novels for her. As 22 VAILIMA TABLE-TALK we went along the street we saw Louis's picture in many of the shop-windows, and people turned and looked after us in a way, Louis said, that made him feel very self-conscious. We went into a big shop and had picked out an armful of books. A young clerk came up to Louis with great respect and recognition in his eye. ''What have you been getting, Mr. Ste- venson ? " he asked. " We have all the best authors — Meredith, Barrie, Anstey — " and then his countenance changed ; he cast a most reproachful, disappointed look at Louis as he read the titles of the chosen works — T'he Sin of a Countess, Miriam, the Avenger, The Lady Detective. He retired and took no further interest in us. 'As we went to get into a cab, we passed a strange-looking old boot-black, who called out " Stevenson ! " as we passed. I looked back, but Louis hurried me into the cab, when the man cried out again 23 MEMORIES OF VAILIMA " Louis Stevenson ! " and then, much louder, " Mr. Louis Stevenson, I Ve read all your works.'" 'Louis is very fond of jewels, as any one may see by his writings, and he in- dulges this passion as far as circumstances allow. 'He has had three topaz rings made, for topaz is the stone of his birth month, November. Inside two of them are his initials, and these he has presented, with a memorial poem, to my mother and my- self. On his own we engraved the first letters of our names. Sapphire is the stone of Lloyd's month, April ; so he has bought a set of sapphire studs to take back to Lloyd in Samoa.' These rings, O my beloved pair, For me on your brown fingers wear : Each, a perpetual caress. To tell you of my tenderness. 24 VAILIMA TABLE-TALK Let — when at morning as ye rise The golden topaz takes your eyes — To each her emblem whisper sure Love was awake an hour before. Ah yes ! an hour before ye woke Low to my heart my emblem spoke, And grave, as to renew an oath, It I have kissed and blessed you both. Sidney, N.S.W., March 1893. * My mother was proposing one day to exchange consciences with Palema, who was quite ready for the bargain. Louis was watching the transaction with interest and suggested that the business might be developed, and that a trade journal might be started where consciences could be ad- vertised for sale or exchange. He himself, he added, might be very glad to avail him- self of such facilities, and wondered what his own conscience would look like in print. '' Oh ! " said Palema, '* let me try." " For Sale. A conscience, half-calf, slightly 25 MEMORIES OF VAILIMA soiled, gilt-edged (or shall we say uncut ?), scarce and curious." *At this there was a hearty laugh, led by Louis himself.' ' Vailima, April 12, 1893. 'I asked Louis why painters, who live in much the same atmosphere as literary men, are less interesting and more narrow- minded ; at least that had been my experience. He offered an explanation that sounded reasonable enough. The study of painting or music does not ex- pand the mind in any direction save one. Literature, with its study of human nature, events, and history, is a constant educa- tion, and in that career a man cannot stick at one place as the painter and musi- cian almost invariably does. He studies his one pin's point of a talent, enlarging that, perhaps, and deepening it, but in no other direction does his mind work. The 26 VAILIMA TABLE-TALK bank clerk, whose daily life is spent in adding up figures, knows that his intel- ligence is cramped and is more apt to devote his leisure to study and improve- ment; but the painter believes his work to be a culture, and thinks he needs no more. 'Our talk turned on Millet, to whom Louis takes off his hat. He made money for years doing ordinary popular work, and then, in spite of starvation and a large family, proceeded to paint what he thought was true art. ' " And yet," I said, " if I were one of the large family, I might not think it so fine. A painter might sacrifice his family to his art ; would you ? Would you go on writing things like Will o' the Mill if we were all starving, and 3Iiriam, the Avenger would save us ? " ' Louis gave in. " You know well enough I would save my family if it carried me to the gallows' foot." ' 27 MEMORIES OF VAILIMA 'April 19th, 1893. ' The mail has just come in and stopped all work for the day. It was brought up as usual on horseback by Sosimo, in a big waterproof bag, and carried to Louis's room, followed by the family in great excitement. Louis always empties the mail-bag himself, and parcels out the letters while we all sit in an expectant semicircle on the floor. Woe betide the person who tries to snatch a letter from the pile! We have to wait our turn as Louis throws them out ; he gives Austin all the picture papers to open, and as he looks over his own letters he gives me those from strangers and autograph- collectors; I feel neglected if I don't get ten or twelve at least. ' Some of these are very amusing. " Sir, I think you are the greatest author living. Please send me a complete set of Samoan stamps." *' Mr. Stevenson, I have to trouble you for your autograph and that 28 VAILIMA TABLE-TALK of your talented wife." Others are beg- ging letters asking Louis to pay the travelling expenses of a gentleman who wishes to do missionary work in Samoa combined with raising chickens, or to advance ten pounds in commercial enter- prise, for which he will receive as compen- sation one Angora goat ! INIany of the letters, though, contain genuine expres- sions of admiration and thanks for the good his books have given. He always answers sincere letters, especially those from children or sick people. Some of these which he dictated to me are so help- ful, so inspiring, that I have dropped tears on the paper as I wrote. ' Every mail brings him a number of books from young authors asking his opinion and advice. These he always reads, and, if possible, encourages the authors with a few words of commenda- tion. If they are hopelessly bad he writes nothing. 29 MEMORIES OF VAILIMA ' I have a very good system with the autograph hunters. On one set of cards Louis writes his name and the date ; on another set a sentiment such as " Smoking is a pernicious habit " ; or an idle rhyme — " I know not if I wish to please, I know not if I may, I only scribble at my ease, To pass a rainy day." Or, " How jolly 'tis to sit and laugh In gay green-wood^ And write the merry autograph For other people's good." * Louis calls these *' penny plain and tuppence coloured." The former I send in reply to the ordinary polite request, but those who take the trouble to enclose an addressed envelope and a Samoan stamp I reward with "tuppence coloured." Letters that come spelling his name with 30 VAILIMA TABLE-TALK a ph, or " Step Henson," as he calls it, are torn up in wrath. * Mail-day unsettled Louis for work, so we took a walk in the forest ; we wore no hats and went bare-footed under the big spreading trees in the cool shade. We sat on a stone by the upper waterfall and talked about a story we are both reading in Longmans Magazine, called A Gentle- man of France. Louis was so pleased with the opening chapters that he said he was going to write to Mr. Weyman and congratulate him on his work.' 'April 20th, 1893. * I was pottering about my room this morning when Louis came in with the remark that he was a gibbering idiot. I have seen him in this mood before, when he pulls out hairpins, tangles up his mother's knitting, and interferes in what- ever his women-kind are engaged upon. So I gave him employment in tidying a MEMORIES OF VAILIMA drawer all the morning — talking the wildest nonsense all the time, and he was babbling on when Sosimo came in to tell us lunch was ready ; his very reverential, respectful manner brought the Idiot Boy to his feet at once, and we all went off laughing to lunch. ' This afternoon Louis was still too much of an Idiot Boy to write, and he walked about in such a restless way that it occurred to me to teach him to sew. He has done all sorts of things in these moods before, modelling little clay figures, making woodcuts and printing them, and even knitting. He has often told me of the beautiful necktie he knit with his own hands, but he got it so dirty in the course of construction that it was taken away from him and burnt. I cut out some saddle blankets and taught him to herring-bone them in red worsted. He learned the stitch at once and took an absorbing interest in it, the interest he puts into 32 VAILIMA TABLE-TALK everything he does. He sat on the sofa by the window in his long blue and white Japanese kimono, his bare feet on the tiger rug, looking such a strange figure at his work. He made loops and then pulled the worsted through as though it was a rope. He suddenly remarked, " I don't seem to get that neat, hurried, bite-your-thread effect that women do so well." He certainly did not. " I think," he added, soberly, "that my style is sort of heaveho and windlassy ! " He walked out with Aolele to look at her garden, but hurried back and is now busily at work sewing. ' Louis will nev^r allow any jokes on the subject of " wall-flowers " or old maids. He reduced me to tears describing a young girl dressing herself in ball finery and sit- ting the evening out with smiles, while her breast was filled with the crushing sense of failure. He says he will never forgive c 33 MEMORIES OF VAILIMA Thackeray for the old age of Beatrix ; nor W. S. Gilbert for the humiliating per- sonage of Lady Jane. * We were talking island affairs one day, when Lloyd summed up the whole situ- ation thus: '^Samoan politics are like the mills of God — they always get to wind- ward of you." ' Louis was telling of a narrow escape from being killed he once had when riding. ' " Why didn't you jump off your horse ? " asked my mother. ' *' Why, woman ! I was ten miles from home." ' " Well," said she, *' isn't it better to be ten miles from home than in heaven or hell?"' ' Apiil 30th, 1 893. ' Will o' the Mill made a great impres- sion upon Graham Balfour in his youth, and he declares that his character and life are moulded upon that story. Louis re- 34 VAILIMA TABLE-TALK pudiated the tale altogether, and says that Will's sentiments upon life are " cat's meat." ' Conversation at table : ' Palevm. It is the best thing on life that has been written this age. 'Louis. Rather remarkable how little stock I take in it myself. ' PalemcL If you had stood by your words I would have gone down on my knees to you. But how did you come to write what you don't believe ? ' Louis. WeW, I was at that age when you begin to look about and wonder if you should live your life ' Palema. To be or not to be ? 'Louis. Exactly. Everything is tem- perament. Well, I did the other fellow's temperament — held a brief on the other side — to see how it looked. ' Palema. Mighty well you did it too. * Louis. No doubt better than I should have done my own side ! ' 35 MEMORIES OF VAILIMA 'May 28th, 1893. 'Mr. Daplyn, a painter, and an old friend of Louis's, is visiting us ; we hold fierce and animated debates on all sorts of subjects. On Imagination in Art vei^sus Technical Skill — Moral Codes, and the Conduct of Life ; and this morning we debated whether it was unmanly for the sterner sex to weep. Palema scorned a man who wept, but was forced to admit that noble actions were touching — that the Indian Mutiny must not be spoken of, and barred out suffering children. Lloyd proclaimed loudly that he himself was an emotional man. " And," he added, " per- haps the lightest-hearted member of this family ! " which was hailed with shouts of laughter. Louis said that he had wept in public and wept in private, had cried over stories and people, and would continue to do so to the end of the chapter. ' Mr. Daplyn, the most scornful anti- weeper of the party, wound up with the 36 VAILIMA TABLE-TALK remark, " but I 'm easily moved to tears myself ! " *This afternoon we all congregated in Lloyd's study ; there are not many chairs, so some of us lay at full length on the bear-skins. Louis paced up and down the room, and Palema drew up his six-feet-two against the wall. The talk was introspec- tive. Everybody described himself and the workings of his own inner consciousness. Louis said : " I can behave pretty well on the average, though I come to grief on occasions. I love fighting, but bitterly dislike people to be angry with me — the uncomfortable effect of fighting." He said he was forgiving, but Aolele denied it and said, " Louis thinks he forgives, but he only lays the bundle on the shelf and long after takes it down and quarrels with it." '' No ! " protested Louis, " it is on the shelf, I admit, and 1 would let it stay there. But if any one else pulled it down I would tear Z7 MEMORIES OF VAILIMA it with fury. In fact," he went on, " I am made up of contradictory elements, and have a clearing-house inside of me where I dishonour cheques of bitterness." * Palema said of himself that he was a stoical epicurean. * " I," cried Louis, " am a cynical epi- curean." ' " I," continued Palema, '' am made up inside of water-tight compartments that nowhere join ! " ' I said there was a good deal of theatre in my inside, which led to a lively discus- sion on posing before the world. That to carry a brave front though your heart quaked was a pose ; to live up to your better nature was a pose ; and Louis made us all laugh by saying earnestly, " In short, everybody who tries to do right is a hypocrite ! " ' 'May Slst, 1893. ' I asked Louis, in the course of a 38 VAILIMA TABLE-TALK conversation this evening, how he defined the word literature. ' " Jt is capable of explanation, I think," he said ; " when you see words used to the best purpose — no waste, going tight around a subject. Also they must be true. My stories are not the truth, but I try to make my characters act as they would act in life. No detail is too small to study for truth. Lloyd and I spent five days weighing money and making calculations for the treasure found in The Wrecker. ' I asked him why Charles Reade was not a stylist, though his writings answered to the description. ' " You are right," Louis said ; " he is a good writer, and I take off my hat to him with respect. And yet it was in continuity that he failed. In the Ebb Tide, that is now under way, we started on a high key, and oh, haven't we regretted it! If I wanted to say ' he kicked his leg and he winked his eye,' it would be perfectly flat 39 MEMORIES OF VAILIMA if I wrote it so. I must pile the colours on to bring it up to the key. Yet I am wrong to liken literature to painting. It is more like music — which is time ; paint- ing is space. In music you wind in and out, but always keep in the key ; that is, you carry the hearer to the end without letting him drop by the way. It winds around and keeps on. So must words wind around. Organised and packed in a mass, as it were, tight with words. Not too short — phrases rather — no word to spare. ' *' There are two kinds of style, the plastic, such as I have just described ; the other, the simple placing of words together for harmony. The words should come off the tongue like honey. I began so as a young man ; I had a pretty talent that way, I must confess." ' 1 asked him if he thought his present full, entertaining novels, crowded with people and adventure, an improvement 40 VAILIMA Table-talk upon his earlier honey-dropping essays. But he refused that. He could not, he said, criticise his own work or see it well enough. But in others, he had noticed that the writers who began with honey- sweetness often developed in later work a certain brusqueness and ruggedness. ' " Did they do it well ? " I asked. ' '' You bet they did ! " said Louis. " Both Beethoven and Shakespeare are good examples of it, in their different arts. Shakespeare's earliest works were plain, dull, unimpassioned verse. Next came his first singing note — such as Romeo and Juliet ; ah," he quoted ' My love is boundless as the sea.' "The words are like music. Then a strange thing happened — surely some evil woman must have crossed his path and driven him to the hideous work of T'roilus and Cressida ; and yet, but for its in- decency and brutality it might have been 41 MEMORIES OF VAILIMA his greatest work. He took the plot from Chaucer, who had told it quietly and prettily, and made of it the horror it is. Then came his later works, full of strength, and broken with flashes so delicate he might have touched them with his tongue and passed on." ' I asked him if it were good for the young writer to wade in emotions. ' " Good God, no ! " he said ; ''first make his words go sweet, and if he can't spend an afternoon turning a single phrase he 'd better give up the profession of litera- ture." 'Louis is often charged with being secretive. He turned one day to his mother, who had been questioning him about some trifling matter, and took hold of her shawl. ' " Who gave it to you ? " '"I bought it." ' " Where did you buy it ? " 42 VAILIMA TABLE-TALK ' " At Gray and Macfarlane's," answered his mother. * " Why ? " persisted Louis. ' " I don't know," said Tamaitai Matua, laughing. ' '' Good Heavens, woman, why so secre- tive? Why can't you answer a simple question ? Why put me off with a Gray and Macfarlane?" It was all nonsense, but the phrase survived, and when Louis is asked where he is going he answers, " To call on Gray and Macfarlane ! " and when his mother begged to know from whom an important - looking letter had come, he said, in broad Scotch, " From Gray, mem, with Macfarlane's compli- ments ! " ' 'June 8tk, 1893. ' I have just come back from a week's visit at a native village down the coast. Louis says I look as brown as a ham. Aolele said, " I hope you are not tired ; you look pale — a pale black, I mean." 43 MEMORIES OF VAILIMA ' When I came up to my room, after being so long away, I found it all deco- rated with flowers and streamers of cocoa- nut fibre, the work of my Samoan boy, Mitaele; he had fastened a garland of hibiscus flowers on my beautiful ash ward- robe by means of tacks, but he meant well, and I hadn't the heart to reprove him. On my writing-table a number of Longmans was lying open, with the fol- lowing verses in Louis's hand fastened to the page with a hairpin : " Whether you come back glad or gay^, Or come with streaming eyes and hair^ Here is the gate of the golden way. Here is the cure for all your care ! And be your sorrows great or small. Here, breathe this quantum of romance. Be sure you will forget them all With this dear Gcntlemcm of Frcuice ! " ' 'June 30th, 1893. * We had a fright about my mother to- day. We were visiting the rebel outposts, 44 VAILIMA TABLE-TALK and in going through a government village Louis called out to us to ride fast. These people all know that we sympathise with the rebels, and it is perhaps a Uttle foolhardy to go through their villages to visit our friends on the other side. Every house we passed was crowded with men bearing rifles. I rode ahead with Louis, and when we looked back for Aolele, we were horrified to see her in the middle of the village, surrounded by armed men. Louis rode back in alarm and found that her horse had balked, and the amiable warriors had come to her assistance. ' These Samoan fighting men look very terrible in their battle array with blackened faces and a long " head-knife " in their hands. But on close inspection their eyes are always kind and their smile sweet.' 'Aug. 23rd, 1893. ' We had a trying but characteristic morning over Amie, We were sailing 45 MEMORIES OF VAILIMA along on the eleventh chapter when a smart Samoan man appeared with a letter. It was from , full of politics and fmy, and Louis sent for my mother to come and hear it read aloud. We dismissed with scorn equal to his own and on to work. ' " Chapter twelve," dictated Louis, '' Buccleton " ''* That's cheap," I said. ^"What's the matter with it? Isn't it good enough for you ? What do you want ? " '"Well," I said, "I want 'The Dying Uncle ' or ' The Nephew's Fortune.' " ' Louis jeered, but compromised on " My Uncle," and we were off again. Suddenly Aolele burst in. A man had cut his leg with a cane-knife, and I must get perchloride of iron and bandages. * I did that all right, started Sosimo at work on Palema's room with a warning not to wash his tan shoes in the river; 46 VAILIMA TABLE-TALK saw that the calf was watered ; set the girls to making wreaths for the dinner- party to-night, and returned breathless to Anne, when we worked on serenely until interrupted by the first bell for lunch.' 'Nov. 3rd, 1893. ' Louis has been writing autographs for me ; this is to put in the fly-leaf of Memo- ries and Porti^aits : Much of my soul is here interred^ My very past and mind : Who listens nearly to the printed word May hear the heart behind. * Louis, Palema and I were walking in the forest to-day and were very thirsty. We looked up at some cocoanut trees, and Louis said : ' " If we were natives it would be an easy matter to climb that tree. It is filled with young nuts full of milk.' ' *' I wish I had some to drink," I said longingly. 47 MEMORIES OF VAILIMA ' *' Wouldn't it be aggravating," said Louis, '* to die of thirst under a cocoanut tree because you hadn't the knack of climbing ! " ' '' I wouldn't die of thirst," said Palema. « " What would you do ? " asked Louis. * " I 'd die of rage," he said.' 'ISlov. 20tk, 1893. ' All our Samoan *' boys " went to the great missionary meeting, wearing the Vailima uniform of white shirts, red and white blazers, and the Stuart tartan lava- lava. {Note. — A garment worn in the manner of a kilt.) According to their own accounts they were much admired. Murmurs on all sides were heard about the fine appearance and good looks of '' Tama o le Ona," or, as Louis puts it, " the M'Richies.'" 'Dec. 10th, 1893. ' Louis's birthday is the thirteenth of 48 VAILIMA TABLE-TALK Nov., but he was not well, so we post- poned festivities to the twenty-first It was purely native, as usual. We had sixteen pigs roasted whole underground, three enormous fish (small whales, Lloyd called them), 400 pounds of salt beef, ditto of pork, 200 heads of taro, great bunches of bananas, native delicacies done up in bundles of ti leaves, 800 pineapples, many weighing fifteen pounds, all from Lloyd's patch, oranges, tinned salmon, sugar-cane, and ship's biscuit in proportion. Among the presents to Tusitala, besides flowers and wreaths, were fans, native baskets, rolls of tapa, ava bowls, cocoanut cups beauti- fully poHshed, and a talking-man's staff; and one pretty girl from Tanugamanono appeared in a fine mat (the diamonds and plate of Samoa), which she wore over her simple tapa kilt, and laid at Tusitala's feet when she departed. Seumanu, the high chief of Apia, presented Louis with the title of " Au-mai-taua-i-manu-vao," ' P 49 MEMORIES OF VAILIMA ' Bee. 9,1 th. * Christmas Eve we devoted to our Samoans ; we had forty, counting the children, and not one of them, old or young, had ever seen a Christmas-tree before. Lloyd distributed the gifts (they had all come out from the Army and Navy Stores in London), and made appropriate speeches in Samoan.' 'Feb. 6th, 1894. ' Louis and I spent a long and busy day over Hermiston ; ^ we 've been working at it, already, several days. Captain Wurm- brandt, an Austrian cavalry officer, and Mr. Buckland, known on his own island as Tin Jack (the original of Tommy Haddon in The Wrecker), are staying with us. The Captain's stories are of the camp, and Tin Jack's are of love and the Islands. The two are excellent company for the rainy season.' ^ Weir of Hermiston, the last story on wliich Mr. Stevenson worked, and his best. 50 VAILIMA TABLE-TALK 'Feb. 12tk, 1894. 'I have been reading a paper by Miss Dickens about her fathei-, and found a particular instance in which Louis resembles him. They both love dancing, but could neither of them waltz. Both were excellent in the polka, and Louis is quite capable of getting out of bed at night, like Dickens, to practise a new step. But my hero has gone a step beyond the illustrious novelist. He began theorising— as he does about everything under the sun— on the subject of dance time. He could never keep step to threes, he said ; it was unnatural. The origin of all counting is the beating of the heart, and how could you make one — two — three out of that ? '"How about triple time in music?" I said ; " you play it all right on your flageolet ! " ' '* I understand that," he said, " it counts three between every heart-beat." 51 MEMORIES OF VAILIMA ' " Then waltz to triple time," I said, and he did at once beautifully. *The mention of Dickens reminds me of a story that Louis is very fond of tell- ing, of an old Frenchman in Samoa, who, the first time he saw Louis, struck an attitude, and exclaimed, ''Ah! quelle ressemblance!'' Then approaching him, " How like ! How like — Monsieur Charles Dickens. Did no one ever tell you that before ? " And Louis was compelled to confess that certainly nobody ever had.' 'Feb. 13th, 1894. ' We danced this evening after dinner in the big hall. Mamma sat on the table and turned the hurdy-gurdy, and Louis waltzed to triple time. He can also dance the Highland schottische, which he does with much earnestness. We had great fun teaching it to Captain Wurmbrandt, who, being an Austrian, is of course a beautiful dancer. Tin Jack (Tin means Mr. in his 5^ VAILIMA TABLE-TALK island) looked handsome and thoughtful as he skimmed about the room in the most beautiful imitation of a waltz, but without a step to bless himself with. I did not realise how good Tommy Haddon was till I read it over again in The Wreckei^ after meeting Tin Jack. He is quite as handsome as Louis describes him, and has a trusting, earnest look. He asked, "What kind of dances do they have here, round and square ? " I answered, in some irritation, "No, three-cornered." "Gracious!" he exclaimed, with interest, " what kind of a dance is that ? " ' He is paying his addresses to a young lady here, and Louis wrote the following valentine, which I illuminated in gold on white satin : • The isle-man to the lady — I, Whose rugged custom it has been To sleep beneath a tropic sky And bivouac in a savage scene. 53 MEMORIES OF VAILIMA Ah ! since at last I saw you near, How shall I then return again ? Alone in the void hemisphere How shall my heart endure the pain ? * 'March 10th, 1894<. * To-day is my mother's birthday, and she says the best of her presents is the piece of paper she found pinned on her mosquito-netting in the morning. It was signed R. L. S., and addressed '' To the Stormy Petrel." ' Ever perilous And precious, like an ember from the fire Or gem from a volcano, we to-day. When drums of war reverberate in the land And every face is for the battle blacked — No less the sky, that over sodden woods Menaces now in the disconsolate calm The hurly-burly of the hurricane — Do now most fitly celebrate your day. Yet amid turmoil, keep for me, my dear. The kind domestic faggot. Let the hearth Shine ever as (I praise my honest gods) In peace and tempest it has ever shone.' 54 VAILIMA TABLE-TALK 'March nth. ' Yesterday and to-day we wrote steadily at Anne, while war news and rumours flew thick and fast around us. The Captain brought us word that the s were barricading their house with mat- tresses, and many natives are taking their valuable mats to the Mission for safety. We are on the very outposts, and if the Atuans did attack Apia they would have to pass Vailima. Our woods are full of scouting parties, and we are occasionally interrupted by the beating of drums as a war-party crosses our lawn. But nothing stops the cheerful flow of Anne, I put in the remark, between sentences, " Louis, have we a pistol or gun in the house that will shoot ? " to which he cheerfully answers, '' No, but we have friends on both sides," and on we go with the dicta- tion.' 55 MEMORIES OF VAILIMA 'Jime Mh, 1894. ' This evening, as Austin and I were swinging in the hammock, we heard a call from Aolele : " Big guns ! " We ran out on the verandah ; over toward Atua, where the rebels are, we heard the booming of cannon from the men-of-war, and we watched the exchange of signals with the ships in port by means of rockets and search-lights. There has been fighting in Aana and a number of wounded men were brought into the INIission. Dr. Hoskyn, of the Curafoa, is doing noble work among them ; the natives simply worship him.' ' June SOtk. ' Louis has just returned from a trip on board H.M.S. Cura^oa to the neighbour- ing island of Manu a. It is really a part of the Samoan group, but w^hen the Berhn treaty was made between the three great Powers they forgot Manu'a, and now the 56 VAILIMA TABLE-TALK little island is independent and at peace, reigned over by a young half-caste girl of eighteen. When commissioners and tax-collectors went over to Manu'a, the young queen gave them to understand that the island was her own, and they had no business there, though other- wise they were treated with Samoan hos- pitality. It is a very interesting place, and Louis had a great deal to tell us about his trip, but I think he enjoyed the man- of-war itself the most. He says he has gained enough experience to write a sea- story; he has stored up technical terms from the officers, and ship slang from the midshipmen. He was invited to after- noon tea with the warrant officers, had early morning cocoa with Mr. Burney, one of the midshipmen, and was reproved by the captain for crossing the batten on the poop which marks off the post of the officer on duty. In his daily tub he was so careful not to splash the water that the 57 MEMORIES OF VAILIMA severe orderly, a marine, didn't believe he had taken a bath at all, looking so sus- piciously at Louis that he declares he felt like apologising. ' " Lay out a clean shirt, Abbott," he said one evening as he was dressing for dinner. ' " This is Saturday, Mr. Stevenson," said the orderly. " The one you have will do well enough. I will lay out a clean one to-morrow ! " ' Sosimo never smiled all the time Louis was away ; he was the first to sight the man-of-war steaming into the harbour, and was on the beach holding Jack by the bridle before the Curafoa had come to anchor. Louis rode home, leaving Sosimo to go on board and bring up his valise. ' Long ago Louis had a topaz stud that was somewhat difficult to put into his shirt, so he gave it to me. I laid it away in my trinket box and was dismayed, when I first wanted to wear it, to find it gone. 58 VAILIMA TABLE-TALK Sosimo had missed the stud, discovered it in my box, and carried it back to Louis's room. I kept up the fight for some time, trying to secrete it from Sosimo by putting it in out-of-the-way places, but it was in- variably found in Louis's room, no matter where I had hidden it. ' When he came up from the ship he put Louis's valise down on the verandah and carefully abstracted from his mouth the precious stud he had carried there for safety. I gave up, then, and it is now Louis's own. ' We miss Louis so terribly, even for a few days, that now we all rejoice to be together again. There are just seven of us : Aunt Maggie and her son Louis, Aolele and her son Lloyd, myself and my son Austin, and Palema, as the natives call Louis's cousin, Graham Balfour. * Our furniture has come all the way from Scotland : thirty-seven cases, some of them fifteen feet square, weighing in 59 MEMORIES OF VAILIMA all seventy- two tons. The boxes were brought up on the bullock-carts of the German firm by scores of Solomon Island blackboys, in a most exciting and noisy procession. ' Mr. Moore, chaplain of H.M.S. Cura^oa, came up in his spotless white clothes to help us unpack, returning to his ship in the evening the picture of a chimney- sweep — or, as Louis said, "black, but comely."' ' July 9tk. 'We have been very gay. Lloyd, Louis, and I went to the officers' ball on the 3rd, and on the 4th, two Curafoa marines appeared on the verandah. '' Me and my messmates," one of them said, ''invites Mr. and Mrs. Stevenson, Mrs. Strong, Mr. Osbourne, and Mr. Balfour to a sailors' ball in the same 'all as last night, not forgetting young Goskin." We accepted with pleasure, and I went, escorted by Louis and Austin. The ball was a great 60 VAILIMA TABLE-TALK success ; everybody was there. Louis said, as he looked on at officers and sailors danc- ing in the same set, harmony and good- fellowship on all sides, " The Curapoa revives my faith in human nature ! " ' The next day, Louis, Lloyd, and I rode in the German flower parade or Blumen- Corso, as they called it ; last night we had a dinner-party of twenty, the first time since the boxes were opened, and dis- played all our silver and glass with dazzling effect. The big hall lights up beautifully at night, and the pictures, and busts, and old furniture, change the whole aspect of the room. Our guests included Count and Countess Rudolf Festetics, of the yacht Tolna, now in port, the captain of the English man-of-war (the German captains were asked but were away cruis- ing) and President Schmidt. Louis was in splendid health and spirits, and though work has been neglected, nobody cares. ' An English midshipman who is spend- 6i MEMORIES OF VAILIMA ing a week with us, told me that though he had known and liked Mr. Stevenson all this time, it was only the other day, when he was roaming about the library, looking at the books, that it came over him all of a heap — '' he 's the josser that wrote Treasure Island'' ' 'July 9.9,71(1, 1894.. ' On Sunday evening, as Austin went to bed, I sat with him as usual for a little talk. He told me a good deal about the Mission at Monterey where he had been at school and the services of the Catholic church. " Protestants," he said, " don't seem to care for you when you 're dead, but the Catholics " and he gave a long description of the funeral ceremonies, end- ing up with " and eight pall-berries by your coffin ! " 'I told them all when I came down. ' " What a pretty funeral," said Louis, " to be decorated with pall-berries ! " 62 VAILIMA TABLE-TALK ' " That is," said Palema, " if it is in the pall-berry season." '"In the islands," said Lloyd, "I suppose they would have tinned pall- berries ! " ' '* Imagine," said Palema, " if you were too early in the season and the pall-berries were green. Unripe pall-berries ! " '"Or too late," said Louis; "fancy if the pall-berries were rotten ! " 'We were talking about some cham- pagne we had drunk at a friend's house. 'Palema. And such stuff! Such sticky, sweet, treacly 'Louis, After all, there are only three kinds of champagne — sweet, dry, and gooseberry. ' Teuila, The kind we had was gooseberry. 'Palema, It was worse; it was old gooseberry. 'Louis. We used to get some vile stuff at 's in London. 63 MEMORIES OF VAILIMA * Palema, Restaurant champagne ? 'Louis. Infinitely worse! God knows who could have made it — the manufacture must have been a secret. 'Palema. A secret that died with the man who drank it ! ' I came into Louis's room to find him and Sosimo very busy, clearing up and sorting papers. " Did you tell Sosimo to do this ? " I asked. " No," said Louis, with his arms full of books, " he told me ! " ' The other day the cook was away, and Louis, who was busy writing, took his meals in his room. Knowing there was no one to cook his lunch, he told Sosimo to bring him some bread and cheese. To his surprise he was served with an excel- lent meal — an omelette, a good salad, and perfect coffee. ' " Who cooked this ? " asked Louis, in Samoan. 64 VAILIMA TABLE-TALK ' " I did," said Sosimo. ' " Well," said Louis, " great is your wisdom." ' Sosimo bowed and corrected him — " Great is my love ! " ' 'Aug. 5th, 1894. ' Now that the Curafoa is here, Louis only works in the forenoon. Later in the day some one is sure to be seen toiling up the road by what they call " the Cu7^afoa track," and shortly before they reach the turnstile exchange pleasantries with the upper verandah, where Louis is reading, playing piquet with Palema, or giving Austin a French lesson. If the visitor happens to be either of the two Scotch midshipmen. Lord Kelburn or Mr. Meikle- john, then the greetings on both sides are in a most excruciating Edinburgh or Glasgow accent. The other day we had a most interesting conversation with the first lieutenant, Mr, Eeles, who is Louis's par- E 65 MEMORIES OF VAILIMA ticular chum on board, and the Lieutenant of Marines, Mr. Worthington. ' Our talk turned upon the Islands : Lieutenant Eeles told us of a visit he made to some far-off islands of the South- western Pacific ; the natives showed him a place where the " turtle men " were buried. They called them that, they said, because, though they Avere white men, their breasts and backs were hard like turtles. He was not much interested, having heard any number of island yarns and legends. It was only after he left the place, and the ship was on its way to Fiji, that suddenly waking from sleep, he sat up with the thought, like a revelation, " the turtle men were white soldiers in armour ! " ' Lloyd told of an island a friend of ours had visited that had been bombarded by a man-of-war ; one bomb, left behind in the sand, had not exploded. Afterwards some natives found it, and began hammering it, when it exploded, killing a number of 66 VAILIMA TABLE-TALK them. Since then the natives warn stran- gers to be careful of the stones, as they are dangerous and liable to blow up. ' Louis is never tired of hearing the Sol- dier (as we call Mr. Worthington), who has introduced us to Chevalier's songs. So we wound up the evening with " Liza " and the Vicar's song from The Sorcerer, Louis joining in the chorus at the top of his voice.' 'Aug. 21th. * We have worked at Anne all these mornings when the guns were firing on Atua, stopping once in a while to specu- late on what damage they might be doing. We can get no news, but will hear all about it when the Curafoa comes back. They hate to bombard a miserable little native stronghold and kill a handful of innocent people, but they have to obey orders ; in the meantime, we pfod along at Anne, while groups of natives stand silently 67 MEMORIES OF VAILIMA and anxiously on the verandah, looking to- ward Lotuanuu listening to the booming of the guns. 'To-day we were in the middle of the chapter about the claret-coloured chaise, when we were interrupted by the arrival of eight chiefs. They proved to be the liberated political prisoners that we had been interested in for so long, whose free- dom from jail they owe to Louis. Louis entertained them in the smoking-room ; we all sat on the floor in a semicircle, and had ava made. Their speeches were very beautiful, and full of genuine gratitude as they went back over the history of every kindness that Louis had done for them. In proof of their gratitude they offered to make a road, sixty feet wide, connecting us with the highway across the island. The offer touched and surprised Louis very much, and though he tried to refuse, they overruled every objection. He said if they made the road he would like to 68 VAILIMA TABLE-TALK name it " The Road of the Grateful Hearts," but they said no, it would be called " The Road of the Loving Heart," in the singular, and they asked me to copy out a paper they had written with that name, and all their titles attached, to be painted on a board and put up at the cross-roads.' 'Sept. 24 MEMORIES OF VAILIMA noise in the hall an hour or so later, I opened the door, and discovered Pola lying on his face, weeping bitterly. ' What are you crying about ? ' I asked. ' The shadow, the shadow,' he sobbed. ' I want the sun-shadow of Tusitala.' I knocked at my mother's door across the hall, and at the sight of that tear- stained face her heart melted, and he was given a good photograph, which he wrapped in a banana-leaf, tying it carefully with a ribbon of grass. We left Samoa after Mr. Stevenson's death, staying away for more than a year. Pola wrote me letters by every mail in a large round hand, but they were too con- ventional to bear any impress of his mind. He referred to our regretted separation, exhorting me to stand fast in the high- chief will of the Lord, and, with his love to each member of the family, mentioned by name and title, he prayed that I might 134 POLA live long, sleep well, and not forget Pola, my unworthy servant. When we returned to Samoa we were up at dawn, on shipboard, watching the horizon for the first faint cloud that floats above the island of Upulu. Already the familiar perfume came floating over the waters — that sweet blending of many odours, of cocoanut oil and baking bread- fruit, of jessamine and gardenia. It smelt of home to us, leaning over the rail and watching. First a cloud, then a shadow growing more and more distinct until we saw the outline of the island. Then, as we drew nearer, the deep purple of the distant hills, the green of the rich forests, and the silvery ribbons where the water- falls reflect the sunshine. Among the fleet of boats skimming out to meet us was one far ahead of the others, a lone canoe propelled by a woman, with a single figure standing in the prow. As the steamer drew near I made out the 135 MEMORIES OF VAILIMA figure of Pola, dressed in wreaths and flowers in honour of my return. As the anchor went down in the bay of Apia and the custom-house officer started to board, I called out, begging him to let the child come on first. He drew aside. The canoe came alongside the ship, and Pola, in his finery of fresh flowers, ran up the gangway and stepped forth on the deck. The pas- sengers drew back before the strange little figure, but he was too intent upon finding me to notice them. ' Teuila ! ' he cried joyfully, with the tears rolling down his cheeks. I went forward to meet him, and, kneeling on the deck, caught him in my arms. 136 SAMOAN SONGS SAM O AN SONGS In Samoa a man's standing in the com- munity can be pretty well gauged by the songs that are composed and sung about him. Some are humorous, some satirical, some complimentary, and many are only rhymes to his name, like a nursery jingle. The smallest incident, once put into song, will live for years. There is a boat-song about a very unpopular official who left the islands years ago. We were once travelling by water in the smooth lagoon within the coral reef, and passed the liouse where this man had lived ; it was pointed out to us, and instantly, with a sweep of the oars to keep time, the 139 MEMORIES OF VAILIMA boatman trolled out the jeering, scornful words : A wise man broke through the horizon : Did he give us of his wisdom ? Nay; no wisdom came to us^ But all our money went to him. Aue ! Aue ! All our money 's gone ! Mr. Stevenson mentions in his Footnote to History how Mr. Weber of the German firm was remembered in the islands : His name still lives in the songs of Samoa. One that I have heard tells of Misi Ueba and a biscuit- box, the suggesting incident being long since for- gotten. Another sings plaintively how all things, land and food and property, pass progressively, as by a law of nature, into the hands of Misi Ueba, and soon nothing will be left for Samoans. This is an epitaph the man would have enjoyed. ^ There are many songs about Tusitala (' Story -writer '), as Mr. Stevenson was called in the island — rousing boat-songs, when the paddles all beat time, and the 140 SAMOAN SONGS handles are clicked against the sides of the canoe to the rhythm of his name. The Samoans show their courtesy in remembering a man's songs, and even in rowing JNIr. Stevenson out to meet a passenger-ship I have heard the boatmen keep time to Tusitala nia Aolele. JNIuch travelling is done by water in the islands, and at night, to avoid the sun's rays. It was very pleasant rowing by moonlight in the quiet waters of the lagoon near the shore, within the protect- ing coral reef that surrounds each island of the group and breasts the full force of the ocean breakers. The roaring and boiling of the surf made a pleasant accom- paniment to the singing voices of the brown men as they kept time to the rhythm of the song with a long sweep of the oars. The groves of palm-trees grow in thick fohage to the water's edge, and 141 MEMORIES OF VAILIMA often from the shadow where a cluster of native houses lay hidden, the people, recognising the passing traveller by his boat-song, would call out across the lagoon, ' Talofa Tusitala ! ' There are dancing - songs about Mr. Stevenson, depicting life at Vaihma, v/hich might be called topical, as they generally touched upon the small incidents of planta- tion life. These were composed by some servant or labourer on the place, and saved up for a fete-day, such as Christmas, the holidays of England and America, and Mr. Stevenson's birthday, when they were chanted, danced, and acted with great spirit by the Samoans of our household. Sometimes every member of the family would be represented, each singing a characteristic verse, while all hands came in on the refrain in a full, rich harmony. The central figure, the heart of the song, was always Tusitala, and though they made many little jokes at the expense of the 142 SAMOAN SONGS rest of us, his name was always treated with respect. Other songs are long chants, with in- numerable verses descriptive of Tusitala's wisdom, his house, his friendship for the natives, and his love for Samoa. One of these may be called the ' Song of the Roof- Iron,' or ' The Meeting of Tusitala and the Men of Vaie'e.' The chief of Vaie'e, on the windward side of the island, had saved up sixty dollars in twelve * golden shillings,' as he called the five -dollar pieces. War had broken out, and he and his men were going off to fight. Their village might be looted during their absence, so they brought the bag of golden shilhngs to Tusitala ; brought it with much ceremony and many presents, including a live turtle borne aloft on two poles. Mr. Stevenson locked up the precious bag in his safe that is built into the hall at A^ailima. After three months, when the warriors returned, 143 MEMORIES OF VAILIMA the money was given back to them. They explained that it had been saved up with incredible patience to buy roof-iron for their new church. Mr. Stevenson good- naturedly took the matter in hand, with the result that the village received more roof-iron for the money than had ever been given to natives before. The friendly act was commemorated in a song that is really prettier than one would think the subject warranted, and the friendship begun over the matter of the roof-iron has endured between the people of Vaie'e and the members of Tusitala's family to this day. ' The Song of the Wen ' commemorates an interesting event. A humble servant of the family, a Hvely, amusing fellow named Eliga, was afflicted with a large, unsightly tumour on his back. In a land where beauty is of the first importance, this unfortunate man was made to suffer doubly. Mr. Stevenson and my mother 144 SAMOAN SONGS had him examined by the kindly surgeon of an Enghsh man-of-war, who proposed an operation. But Eliga would not submit. He explained to Tusitala that there were strings in the wen that were tied about his heart, and if they were severed he would die. When JNIr. Stevenson translated the doctor's diagnosis, Eliga was unconvinced. His skin, he said, was different on the outside from a white man's, and there- fore it was not unnatural to suppose that his insides were made on a different plan. In the end Mr. Stevenson's and my mother's arguments prevailed, and he sub- mitted ; but for their sakes, not his own, and he begged them to remember, when he was gone, that he had died for love of them. On the day of the operation Eliga prepared his house for death : the fine mats were spread, the rush curtains were all up, the decorations removed ; the single room was so exquisitely prepared that not a K 145 MEMORIES OF VAILIMA pebble on the floor was out of place, and his relatives were assembled. He himself was of a pale-lead colour and shaking with apprehension, yet he came out bravely and lifted Aolele off her horse, and received Tusitala and the doctor with perfect self- possession. The operation was successful, and Eliga recovered; but it was not only renewed health and strength that came to him, but the fulfilment of his dearest ambitions. Owing to his deformity he had been kept out of titles and estates that were promptly restored to him. In the islands no deformed or very ugly person can be a chief In- deed, if the children of a great man are ill-looking it is not unusual for him to adopt the handsomest boy in the village to succeed him. The change in Eliga was magical. In- stead of being the cringing, almost dwarfish creature who cut monkey-tricks to make people laugh, after the pathetic manner of 146 SAMOAN SONGS the deformed in Samoa, he carried himself erect, with a haughty mien ; he dyed his hair red, and wore it in the latest fashion, combed up into Grecian curls and powdered with sandalwood. When he came into his title he made a visit to Vailima in state, accompanied by his new retainers, all laden with gifts for the family, and ' The Song of the Wen ' was sung for the first time. A semicircle of men sat upon mats laid out upon the lawn in front of the house. On the verandah, facing them, sat Mr. Stevenson, surrounded by his family and native servants, looking on with that serious, respectful attention it was his custom to accord all native formalities, however trivial they may have seemed. Eliga came forward crouchingly, with a cocoanut tied by a piece of sinnet to his back. To the accompaniment of clapping hands and harmonious chanting, he half recited, half acted the story before us. 147 MEMORIES OF VAILIMA He capered, he made silly, hideous faces, he did the buffoon for the last time in his life ; and then, as the string was cut, and the cocoanut rolled to the ground, he sprang erect, thumped his breast, and sang aloud his triumph and gratitude. ' O Tusitala ! ' he cried, ' when you first came here I was ugly and poor and de- formed. I was jeered at and scorned by the unthinking. I ate grass ; a bunch of leaves was my sole garment, and I had nothing to hide my ugliness. But now, Tusitala, now I am beautiful ; my body is sound and handsome : I bear a great name ; I am rich and powerful and un- ashamed, and I owe it all to you, Tusitala. 1 have come to tell your Highness that I will not forget. Tusitala, I will work • for you all my life, and my family shall work for your family, and there shall be no question of wage between us, only loving-kindness. My life is yours, and I will be your servant till I die.' 148 SAMOAN SONGS The most beautiful of the songs are those that were composed in memory of Mr. Stevenson, and sung at Vailima after his death. One, referring to the steadfast loyalty of Mr. Stevenson to the High Chief Mataafa, through peace and war, victory and defeat, has for its refrain ; Once Tusitala's friend. Always Tusitala's friend. Another describes a Samoan searching among the white people for one as good and kind as Tusitala. He asks of the officials and the consuls and captains of ships, and they all answer, ' There were none like him, and he has gone.' For months after his death, parties of natives, headed by the chief bringing a present of a costly, fine mat, would come to Vailima and offer their condolences to the family. They were people whom he had befriended, with their followers and 149 MEMORIES OF VAILIMA clans ; for each small, individual kindness an entire village assumed the burden of gratitude. There were his old friends, Tuimalealiifano and his village of Fale- latai ; Seumanutafa, the chief of Apia ; the villages of Vaie'e and Safata, Falefa and many others. There were the political prisoners, chiefs of important clans, whom INIr. Stevenson was instrumental in releas- ing from jail. There were the members of the clan of the beloved Mataafa, then an exile, all bringing presents and making very touching speeches of love for Tusitala, and sympathy for his family. Each party, on leaving, handed to my mother a roll of paper : it was the song of that village written in memory of ]Mr. Stevenson. When a party of Samoans, for love of him, weed the path that leads to Vaea ; when they gather once a year, on the 13th of November, bringing wreaths and flowers to decorate his tomb ; when a party of travellers cross the mountain by his grave, 150 SAMOAN SONGS they lift their tuneful voices in one of these songs : Groan and weep^ O my heart in its sorrow ! • Alas for Tusitala, who rests in the forest ! Aimlessly we wait, and sorrowing ; will he again retm'n ? Lament, O Vailima ! Waiting and ever waiting ! Let us search and ask of the captains of ships, ' Be not angry, but has not Tusitala come ? ' Grieve, O my heart ! I cannot bear to look on All the chiefs who are assembling. Alas, Tusitala, thou art not here ! I look hither and thither, in vain, for thee. Edinburgh: Printed by T. and A. Constable ^4k^ 'TY OF californ; THIS BOOK IS DUE ON THE LAST DATE STAMPED BELOW AN INITIAL FINE OF 25 CENTS WILL BE ASSESSED FOR FAILURE TO RETURN THIS BOOK ON THE DATE DUE. THE PENALTY WILL INCREASE TO 50 CENTS ON THE FOURTH DAY AND TO $1.00 ON THE SEVENTH DAY OVERDUE. m 2 A '^^" MA'; 'Z L I:; 3 5 MAR 12 1939 nv ^ 1 1QT'^ A. ^ m fti ,; 1 \^^^ ^ ^ m^Duj Wi:y>, 73 -6 PM (\ 8 LD 21-100m-8,'34 o\63 (Book Club) n-^^^