3 1822017326224 <^ A3 & A3 'M \M A3 ^ UNIVERSIT r OF CALIFORNIA SAN DIEGO 017326224 W^L K Social Sciences & Humanities Library University of California, San Diego Please Note: This item is subject to recall. Date Due JUN 9 1995 UCSD Li). LIBRARY UNIVERSITY OF CALIFORNIA SAN DIEGO /- (TO CATALOGUE OF PAINTINGS VASSILI VERESTCHAGIN INCLUDING THE CAMPAIGN OF NAPOLEON I. IN RUSSIA AND THE BATTLE OF SAN JUAN HILL ON EXHIBITION IN THE ASTOR GALLERY OF THE WALDORF-ASTORIA FROM FRIDAY, Nov. 14th, TO WEDNESDAY, Nov. 26th. THE ALEXANDER PRESS, 14-16 ASTOR PLACE, NEW YORK. NOTICE OF SALE The Verestchagin Collection WILL BE DISPOSED OF AT UNRESERVED AUCTION ON THE EVENING OF Wednesday, November 26th, IN THE GALLERY OF THE WALDORF-ASTORIA JOHN FELL O'BRIEN, AUCTIONEER. CONDITIONS. 1. The highest bidder to be the buyer, and if any dis- pute arise between two or more bidders, the lot so in dispute shall be immediately put up again and resold. 2. The purchasers to give their names and addresses and to pay down a cash deposit, or the whole of the purchase money, if required, in default of which the lot or lots so purchased to be immediately put up again and resold. 3. The lots to be taken away at the buyer's expense and risk upon the conclusion of the sale and the remain- der of the purchase money to be absolutely paid or otherwise settled for to the satisfaction of the auctioneer, on or before delivery; in default of which the under- signed will not hold himself responsible if the lots be lost, stolen, damaged or destroyed, but they will be left at the sole risk of the purchaser. 4. The sale of any article is not to be set aside on ac- count of any error in the description. All articles are exposed for public exhibition one or more days and are sold just as they are, without recourse. 5. To prevent inaccuracy in delivery, and inconven- ience in settlement of the purchases, no lot can on any account be removed during the sale. 6. If, for any cause, an article purchased cannot be delivered in as good condition as the same may have been at the time of its sale, or should any article pur- chased thereafter be stolen or misdelivered, or lost, the undersigned is not to be held liable in any greater amount than the price bid by the purchaser. 7. Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited, all lots uncleared within the time aforesaid shall be re- sold by public or private sale, without further notice, and the deficiency, if any, attending such re-sale shall be made good by the defaulter at this sale, together with all charges attending the same. This condition is without prejudice to the right of the auctioneer to en- force the contract made at this sale, without such re- sale if he thinks fit. JOHN FELL O'BRIEN, Auctioneer. THE FOLLOWING FIRMS WILL ACCEPT ORDERS TO PURCHASE AT THIS SALE. M. KNOEDLER, & CO., - - - 355 FIFTH AVENUE W. SCHAUS, 204 FIFTH AVENUE DURAND-RUEL, 389 FIFTH AVENUE ARTHUR TOOTH & SONS, - - - 299 FIFTH AVENUE JULIUS OEHME, 384 FIFTH AVENUE FISHEL, ADLER & SCHWARTZ, 35TH AND FIFTH AVENUE WM. CLAUSSEN, 381 FIFTH AVENUE PRINZ BROS., 541 FIFTH AVENUE C. W. KRAUSHARR, 260 FIFTH AVENUE APPRECIATION VASSILI VERESTCHAGIN is, like all the great masters of the art of painting, a man of ideals. He has been a deep observer of the world as it is; traveling over the globe, sketchbook in hand, noting on the spot what he saw and after choosing the most dramatic view-point so putting it on canvass as to make it live for all time. He has not been a very prolific painter and although the majority of his large pictures were painted with the idea of portraying war, in all its gruesomness, it must not be understood that all his work is in that line. His delineations of national types are startingly true, and his landscapes have been acclaimed by the most advanced impressionists as illustrating the best achievements of that school. A recent appreciation of him by M. Jules Claretie, Member of the French Academy, and Director of the Comedie Franchise, a recognized critic of author- ity, and lends interest to the invitation to American criticiscm made in this exhibition of the Russian artist's latest works. COMEDIE FRA^AISE Administrator General. VIROFLAY (Seine & Oise), Aug. 9, 1902. John Fell O'Brien, Esq. Dear Sir: I am very happy to learn that my friend, Mr. Verest- chagin, is going to exhibit his pictures at the Waldorf- Astoria in New York. It will be there, as it was in Paris and elsewhere, an important artistic event. Mr. Verestchagin is, in his rendering, a painter who resembles no other. He is an artist who not only makes you see, but think. Had I had the honor of being one of the jury of the Nobel Award, I would not have hesitated, in the name of humanity, to crown him, as M. Duinent, the initiator of the Conference of Geneva, was crowned, as was also M. Sully-Prudhomme, my collegiate of the Academy. APPRECIATION The war pictures of Verestchagin have a thrilling ef- fect on one. After painting War with all its splendor, he denounces it with his brush as a philosopher, or, rather, he does not denounce it, he shows it such as it is, and that glory is also another name for Butchery. My opinion of Verestchagin's art is in accord with that of Alexandre Dumas Fils,and Meissonier ; (while we were standing before a splendid canvas by Verestchagin, rep- resenting the Kremlin), and Meissonier was dwelling upon the precision and truthfulness of the Russian painter, and praising his views of India, his battle fields and his treatment of snow, and also his treatment of sunshine, then Alexandre Dumas Fils quoted Victor Hugo, as having written that " Charles Beaudelaire has brought to French poetry a new emotion," and it might be said of Verestchagin, that he has done the same for the art of painting. I remember my impression when I first saw, in Lon- don, Verestchagin's paintings of the Turkestan War, nothing could have struck me more forcibly it was picturesque and poignant. M. Dumas Fils, had he told me the same sensations while gazing on the scenes of the Russian War, which were, in his opinion, works of art, of tragic truth, which could only be compared to certain pages of Tolstoi. My friend, M. Gerome, the eminent painter, who is the most sincere of men, and hard to suit, can tell you that he has for Verestchagin the same admiration which Dumas Fils and Meissonier had for him; in fact, one can have no other opinion, this talent, both vigorous and determined, imposes itself on every one, as the inde- pendent character of the artist forces sympathy on those who have the pleasure of knowing him. Certainly, to know Verestchagin personally in the intimacy of his life, is to love him, and those who can thoroughly appreciate his work must admire his ideals . Yours sincerely, JULES CLARETIE. APPRECIATION HIS TRUE BIOGRAPHY His work is his biography. He has lived every one of his pictures, and he has often had to study at almost the cost of his life. All that he represents he has seen; all that he relates with his pencil he has lived. These pictures are just so many chapters detached from his history. They are the work of an artist of an excep- tional nature. But a few newspaper articles are not suf- ficient for the study of such a collection. It is worthy of a book written on the critical method of Sainte-Beuve, a book wherein the man would occupy a place at least as considerable as the work itself; for the one and the other are inseparable. EMILE CARDON. Soleil, Paris. DEDICATED TO THE CONQUERORS He is the first Russian painter who has given his countrymen a true impression of war something besides those official pictures where victory is displayed and never defeat. Even when he paints victory he never separates it from its sadness, its ruin, its misery, its mourning beyond relief. I seem to have always before my eyes, as in a dream, that pyramid of piled-up skulls which he met with somewhere in his wanderings, and of which he has made one of his most striking pictures. He wrote underneath it, " Dedicated to the Conquerors." Gaulois, Paris. ESSENTIALLY HUMAN When they gave Verestchagin the surname of the Horace Vernet of Russia, no doubt they thought that they were saying something in his praise; but he cer- tainly had a right to feel calumniated, for the general impression left by his work is not admiration for princes nor glorification of war. In telling the truth feelingly about the sufferings of the soldier, without distinction of nationality, with as much pity for the vanquished as for the victors, Verestchagin has shown himself essen- 9 APPRECIATION tially human. His pictures, with their poignant reality and elevated philosophy, are at the same time a terrible satire on ambitious despots. Verestchagin is a courtier of nothing but misfortune. A pupil of Gerome, he seems to have traveled very much in search of himself. Sometimes he has drawn near to Meissonier, then there is something in him of Gericault and of Courbet, and again he is a true Impressionist in the best acceptation of the term. L'Art, Paris. To look at his studies you would think you were be- fore some Asiatic Van der Heyden. But your emotion itself is forgotten under the implacable and learned ex- actitude of the rendering. At another time it is a sketch, a mere rough note of an idea which is the all-in-all, and then we are far enough from that Dutchman, but nearer Rembrandt, and sometimes we are in the very midst of the Impressionist school. Constitutional, Paris. ESSENTIALLY MODERN We poor moderns, with our unmodern art, have some- times moments of artistic anguish in which we feel sen- sible of all our faults and short-comings. The century has for eighty years of its course been looking for rest without finding it, but at length its efforts to put its artistic house in order seems likely to have some result. The realism of life streams with a full tide in every vein of our being, and the very beating of our pulses seems to speak a language not to be misunderstood. No man has ever painted like Verestchagin. He is essentially new modern, in the profoundest sense of the word. He is of our century, however Russian in manner and subject. No earlier period could have produced him. The cut-and-dried artistic rules and receipts are worth nothing in his case. The painter emancipates himself from them, and his right to do so is proved by the fact that the spectator forgets them too the moment he sees the pictures. " There is always something new from 10 APPRECIATION Africa," was a saying of the Romans; we might para- phrase it in regard to Russia, and ask ourselves what surprises of culture may not yet be in store for us in Siberia. Verestchagin has gone to school in the very home of color. He has learned to see it on the Ganges, the Nile, and in the Steppes of Turkestan. His tech- nical skill is astonishing, and it is shown especially in his handling of snow. The fight against winter is a theme which supplies him with a thousand motives for pictures. The sunlight out of doors and the chiaroscuro of indoor effects are equally familiar to him. Very striking too is his representation of great stretches of flat country which he knows how to vary by the finest modulations in tone. Fremdenblatt, Vienna. 11 INTRODUCTORY ESSAY ON THE CAMPAIGN OF NAPOLEON I. IN RUSSIA The study of the life and deeds of a mighty power of his time, like Napoleon the First, is of great interest I mean a comprehensive study, excluding all inclination toward the legendary. The legends that are always con- fused with the acts of a great man, and above all, a warrior, are so closely linked with his memory that it is difficult to discern in the course of events the truth and fiction. The more brilliant his career and the more ex- traordinary his actions, the more the legend resembles the truth. The twenty years of Napoleon's career present a series of events beyond conception, and give often to ordinary actions the appearance of providential happenings. It is true that in 1812 the emperor began a struggle at the same time with men, climate, and indeed the world, and necessarily succumbed to the work. But his image is none the 'less dramatic, and it is certain that I do not wish to lower Napoleon or his genius in paint- ing the great captain in several difficult positions of his life at the culminating point in a career unique in history. In addition to the explanations that I shall give of my pictures, I have gathered together in another volume some notes to which I wish to call attention. I have grouped together many characteristic extracts taken from contemporary memoirs or from testimony of witnesses about the sojourn of Napoleon in Russia in 1812, and have retained as much as possible of the simplicity and originality of these accounts. It is possible in reading these pages one should say, " but the . French did nothing but massacre, shoot and pillage." This is because they went there for that pur- 13 INTRODUCTION pose, but there is one reservation to make; under the title of " the French in 1812," is understood in Russia the mass of soldiers that came from the four corners of Europe to form the Grande Armee. As to the French (properly so-called), I can say that the Russian literature agrees in showing them, although shooting without mercy, somewhat more generous than their allies, especially the Suabians, Wurtemburgers and Bavarians, of whom the record is inexplicable. The Poles also were very cruel, but they were settling an old score with the Russians. Napoleon undoubtedly dominated the history of the century, and the war of 1812 remains the event the most dramatic of this history. The immensity of the project, the rapidity of the course of events and the importance of the consequences irresistibly attract the attention of the artist, the politician, the philosopher, and the soldier. Among the events destined to throw light on the reasons of the enterprises directed by Napoleon against Russia, I should designate, first: the petition sent in the year 1789 by Bonaparte, when First Lieutenant, to the Rus- sian General Zaborovsky, begging to be taken into the service of the Czarina, Catherine the Second. The peti- tion was refused, as the petitioner wished to be admitted with the rank of Major. It is interesting to learn that Zaborovsky never forgave himself for this refusal. In the year 1812 the old General, who had left the service and lived in retirement in Moscow, could not forget that he had rejected Bonaparte, and in so doing had in- directly been the cause of the misfortunes and devasta- tions which had overwhelmed Russia. When the em- peror, Alexander First, arrived in Moscow for his cor- onation, he questioned the General repeatedly as to this event. Count Rostopschin avers that he had in his hand the letter containing Bonaparte's request. The second fact of importance was the proposed marriage of Napo- leon to one of the sisters of Emperor Alexander, a scheme which was frustrated by the intense dislike of the mother of the young princess to the imperial suitor. It would 14 INTRODUCTION indeed be unjust to ascribe the wounded vanity of the lieutenant and of the emperor as the sole cause of the constant hatred of Napoleon toward Russia ; on the other hand, when we consider both his character and his temp- erament, these facts must not be overlooked. In the campaign of 1812 Napoleon proved himself so full of ideas and contradictory resolutions, drew up so many impracticable plans, and conceived so many fool- hardy combinations, that it is impossible to explain all this on the theory of his desire to avenge himself for the pretended offense inflicted on France and all the civilized nations by the Russian people, or to justify his persistent animosity unless one takes into account that his vanity was mortally wounded. In spite of all his genius the emperor was not infal- lible. After his second marriage and during the empire, Napoleon appears to have lost all perspicacity. Impa- tience carries him away and his usual method of strik- ing in rapid successive blows carries him of necessity to destruction. Leaving aside the first and remote attempt to enter into good relations with Russia (by admission into the Russian service), and considering on the other hand the second rebuff as the immediate cause of the denouement, I wish to remark that neither the Russian society nor Emperor Alexander himself had intended to hold France at a distance or had fostered against its chief any un- bridled hate. It was first the Princess Catherine, after Tilsit, that Napoleon thought to make an Empress, but as soon as his intentions became apparent and before any official measures could be taken, a marriage was hurriedly ar- ranged between the young princess and the Duke of Oldenbourg. The Emperor, however, did not allow himself to be discouraged, and secretly, but with due observance to all etiquette, requested the hand of the Princess Anna. The Czar would have accepted the conqueror as the husband 15 INTRODUCTION of his sister, but the dowager Empress would not even listen to such an alliance. After successive delays to his demands Napoleon recognized that it was intentional, and without waiting for the official refusal, dated the 4th of February, he held a family council on the 6th of February, at the end of which he married the Arch- duchess of Austria. On her side the dowager Empress Marie, not contented with the rebuff given Napoleon before all Europe, added to the insult by bestowing the hand of her daughter on a petty German prince. The offense of the intention was but too evident. Napoleon, beside himself with anger, drove the Duke of Olden- bourg out of his own domains, and after threatening the whole of Alexander's German relations with the same fate, began elaborate preparations for war. I do not wish to go into an explanation of the reasons given, and eloquent and pathetic phrases which Napoleon pronounced to justify a war which he wished to under- take, and which he declared to be that of the civilized world against the savage. Europe fully recognized the power of France and the greatness of its ruler, and con- scious of its own ability to oppose his decisions was only ready to accept every revelation of this incorporate Prov- idence. It is possible that Napoleon wished at first to inspire his adversary with fear by the magnitude of his prepar- ations for war, and to compel him publicly to humiliate himself before the whole of Europe, but when Alexander in full view of this same Europe began to organize for resistance, the emperor of the French had to " drink up the uncorked wine." Here begins one of the most instructive and tragic pages in modern history. Recognized by the entire world as a superior intellect, a great military genius, Napoleon could not stop on the verge, and in spite of his own wishes, expressed many times, to stop in time, and not, like Charles the XII,. to penetrate into the heart of Russia, in spite of his comprehensive vision, he 16 INTRODUCTION let himself be dragged into the heart of the immense country where the Grande Armee was soon to become engulfed in the snow. Fatigued by difficult marches sometimes under a burning sun and sometimes under excessive cold, the military spirit was lost, and the huge territory traversed but not conquered. Misled by the tactics of the enemy, who surpassed him in endurance and tenacity, the Emperor marches onward, strewing his path with corpses. He hardly arrived at Vitebsk before he declared the campaign at an end. " Here I shall halt," he said, " look about me, collect my forces, let my army rest, and find a new Poland. Two mighty rivers mark out the limits of our position. We will build block-houses, form a square with our artillery, construct barracks and store up provisions. In 1813 we shall be in Moscow; in 1814 at St. Petersburg. A war with Russia is a war of three years." There is reason to believe that had Napoleon remained in Lithuania, the good natured and pacific character of Alexander would have led this monarch to have brought about peace. But Napoleon lost patience, abandoned Witebsk and pressed forward. However, he decided not to pass Smolensk, the key to the two roads to Moscow and St. Petersburg, roads which he must control in order to be able to continue his march in the springtime on the two capitals. At Smolensk he counted on resting and establishing himself and putting everything in order, and if Russia refused to submit, that would be the end of her. But Smolensk was abandoned in its turn. Napoleon became impatient aga*in and pressed forward once more. It was at Moscow that this gigantic enterprise was crushed. Those who participated began to murmur, and those who conducted it began to lose their heads. At Moscow he humiliated himself before Alexander: he let him understand, as if on purpose, the difficulty of his position. By the first-comer he sent message upon mes- sage; he overwhelmed the Czar with amiable words. 17 INTRODUCTION He assured him of his friendship and his brotherly de- votion, and without waiting a response to his letters he sent his generals. He wished to make peace ; " I must have peace," said he to Lauriston, in sending him to find Kutusoff . " Peace at any price save only honor." Never- theless, as General, he permitted pillage, while as Em- peror he became irritated by being unable to stop it. He wished to march upon St. Petersburg at the beginning of winter, and as if to mock the chiefs of his army, he ordered the purchase of twenty thousand horses and great quantities of forage in a country already completely ruined. Then came retreat with intentional delays to preserve booty. The Russians took the outposts and barred the passage to Malo-Iaroslavetz. The division of the army into independent columns permitted them to be fought one after the other; they were almost entirely destroyed. Systematic burning by the advance guard of the villages through which they passed, demoralized and ruined the rest of the army. In the end the license permitted the soldiers to profane the churches, to starve and put to death the prisoners, provoked the population which was irritated to horrible retaliations. Here and there, as at Krasnoie, the emperor showed some gleams of genius, but they were only the manifestations of the great force of his soul, the last intermittent but powerful gleams of a star which was about to be extinguished. VASSILI VERESTCHAGIN 18 CATALOGUE AND ORDER OF SALE CATALOGUE I San Juan Hill That part of the hill up which Roosevelt led the Rough Riders. Corner of the Morro Castle at Santiago Showing in the distance part of the naval battle and the blowing up of the Spanish ship Oquendo. 3 Principal Gate leading to Morro Castle, Havana The U. S. troops passed through this gate. 4 U. S. Battery Commanding the entrance of the Harbor of Santiago de Cuba. 5 Far from Home H. 30^4 in., W. 16% in. A typical American soldier in the American army of occupation of the Philippines. 21 General MacArthur and his Staff at the Battle of Caloocan, Feb. 10, 1899 H. 48 in., W. 29 in. Fought a few days later than the battle of Santa Ana. The troops engaged were the ist Brigade, 2nd Division, 8th Army Corps, and part of the 2nd Brigade of the same Division. The troops were commanded by Gen. Arthur MacArthur in person, and consisted of the loth Kansas Regiment, U. S. Volunteers, a Light Battery of the 6th U. S. Artillery, 2 Batteries, Utah Light Artillery, ist Montana Regiment, U. S. Volunteers, loth Penn- sylvania Regiment, U. S. Volunteers, the 3rd Artillery, ist Colorado Volunteers and the ist Nebraska Volunteers. The position occupied by the Headquarters of Gen. Mac- Arthur was on top of a row of tombs in the cemetery of La Loma Church near Manila. The battle was fought for the possession of the town of Caloocan. Col. Frost occupied this entrenched cemetery with his regiment. The forward movement began about 3 p. M. and con- tinued until dark. The movement began by throwing forward part of the 3rd Artillery and loth Pennsylvania Volunteers well to the right for a demonstration; the whole line then moved forward and swinging gradually to the left carried the earth works constructed by the insurgents, on the south of Caloocan as well as all along the east side of Caloocan. Very strong intrenchments had been constructed over the railroad bed just north of Caloocan, where some artillery was used by the insur- gents. This was probably the most picturesque fight during the entire insurrection. From the point of view of the Commanding General at La Loma Church nearly all the troops could be seen during the entire movement. The 3rd Artillery, commanded by Major (now General) Kobbe, moved as if in extended order drill, never losing VERESTCHAGIN COLLECTION the regularity of formation or control of their fire. As an incident of the battle to the observer, the following might be mentioned : General Kobbe was riding his pony with the advanced line, when General Bell (then Major Bell), who had command of several companies of native scouts, appeared from the right, approached General Kobbe and in a heavy part of the fire chatted for some moments in the open, General Kobbe drew a cigar from his pocket, struck a match and lighted it and went on as if at ordinary drill. The casualties on the American side of this fight were about 20 killed and some 40 wounded. The casualties on the side of the insurgents were about 200 killed and 400 wounded. Memoranda of Capt. Wm. G. Haan. Battle near Santa Ana, Manila H. 50^4 in., W. 71^ in. Fought on the morning of February 5, 1899, between U. S. Troops and native insurgents of the Philippine Islands. The United States troops engaged were the ist Brigade, ist Division, 8th Army Corps, consisting of the ist Washington Volunteers, the 2d Oregon Regiment of Volunteers, the ist California Regiment of Volunteers, Company A, -U. S. Engineers and the Wyoming Batallion U. S. Volunteers. The fight began at daylight and lasted until 10.30 o'clock, A. M. The brigade was commanded by Gen. Charles King, U. S. Volunteers. The ist Division was commanded by Major-General Thomas M. Anderson, U. S. Volunteers. The movements of the battle of Santa Ana were gen- erally directed by General Anderson around a point known as " Battery Knoll." (This is the point from which the artist took his observation.) VERESTCHAGIN COLLECTION General Charles King was in immediate command of the line in front of Santa Ana. The movement across the small creek near Battery Knoll began about 7:30 in the morning and advanced gradually to a point about half way to Santa Ana, where a considerable firing took place and little movement for- ward was made for nearly an hour. The right wing, under command of General (then Colonel) James F. Smith, ist California Volunteers, was pushed well to the front towards San Pedro Macati and then swung into the left upon Santa Ana, forming a partial envelope. The movement was then gradually forward until the city of Santa Ana was taken at about 10:15 A. M. The casualties on the American side consisted of 14 killed and about 60 wounded. The casualties on the side of the insurgents were never accurately known, but from the number that were buried the next day, it appeared that approximately 300 were killed and not less than five or six hundred wounded. The strength of the troops in Santa Ana were com- posed of a division commanded by General Pio del Pilar, who however was not in immediate command. The line was immediately commanded by General Ricarte, who it is said disappeared to the rear early in the action. The insurgent troops contested the ground very stub- bornly for several hours. This was shown from the fact that in one trench about 50 yards long, 34 dead were found. Similar evidences were found in many places. The two pieces of Artillery on Battery Knoll did ex- cellent execution, both towards Santa Ana and towards the right in driving away parties having a flank fire on the Brigade moving on Santa Ana. Memoranda of Capt. Wm. G. Haan. 8 A Deserter, examined by the Cavalry Officers of the Vanguard to discover whether he is a spy H. 42 in., W. 51 in. 24 VERESTCHAGIN COLLECTION Battle at Zapote Bridge This battle was fought between 2 P. M. and* 3 :3O P. M. June 13, 1899. General Lawton was in command. Cap- tain Seay commanded the infantry and Lieutenant Kenly the artillery. The loss was not very great on the Amer- ican side, about six killed and fifteen wounded. The most striking incident of the fight was the use of the mountain artillery, which was worked at the close range of 35 or 40 yards. 10 The Insurgent Spy n You are hit, Sergeant? " " Yes, Sir " H. 40^4 in., W. 29^4 in. 12 Battle of San Juan: "COME IN BOYS!!" 25 VERESTCHAGIN COLLECTION 13 Awaiting Peace H. 23^2 in., W. 29^ in. Napoleon, who had always been remarkable for his extreme rapidity of thought and action, now lost courage and could determine on no direct course. He, who in the year 1805 had been able suddenly to abandon the Bou- logne undertaking, begun with so much trouble and cost, in order to lead all his forces into the field with incred- ible rapidity against Austria; he, who a year later dic- tated, without the slightest mistake or miscalculation, all the movements of his army, as far as Berlin itself, who not only fixed beforehand upon the date of his entry into the Prussian capital, but even appointed the Governor found himself, after the burning of Moscow, which de- stroyed all his hopes and plans, in a lamentable state of indecision. At one time he almost signed an order direct- ing the army to hold itself in readiness to march against St. Petersburg, but he soon gave up this plan. He wished to attack Kutusoff, become master of Tula and Kaluga, the arsenal and storehouse of Russia, and thus make a new way for his winter quarters in Lithuania; but again he changed his mind. Finally, he thought of attacking Wittgenstein with all his forces, but could not determine upon this movement, as it might have borne the appear- ance of a retreat. The idea of gaining possession of St. Petersburg and compelling the Emperor Alexander to come to terms was the most attractive to Napoleon. But as this could not possibly be carried out before the winter, he cast about for some other means of enforcing peace. Alexander had already received, or would within a few days receive, his amiable and friendly letter, dated from Moscow. Natur- ally, he thought, the Emperor would not fail to embrace this opportunity of entering into negotiations with him; and thus, full of torturing uncertainty, he waited and waited for his answer from the Russian Emperor. 26 VERESTCHAGIN COLLECTION 14 Marshal Davout in the Monastery of Tchoudow H. 48 in., W. 30^ in. Davout had his headquarters in the new convent of the Virgins. When, however, he came in the exigencies of the service to the Kremlin, he stopped at Tchoudow Mon- astery, where the altar had been thrown out and his camp- bed put in its place. Two privates mounted guard on either side of the holy door. 15 Return from the Palace of Petrowsky H. 34^ in., W. 54 in. From the 5th to the I7th of September it rained heavily, which diminishes without suppressing altogether the con- flagration, and when Napoleon returned from the Palace of Petrowsky to the Kremlin, the city not only was smok- ing still, but was in flames in some places. The camp of the French troops which surrounded the palace extended as far as the gate of Twer. The Generals occupied the 1 factories. The cavalry camped on the avenues. In every direction great fires were lighted, fed by window frames, doors and all kinds of furniture. Around these burning piles, on wet straw, were grouped the officers and soldiers begrimed and black wi.th smoke, sitting in arm chairs, or lying on sofas garnished with rich materials. They wrapped their feet up in costly furs and oriental shawls, and ate from silver plates a black soup of horse-flesh mixed with ashes. One could see in the city but the re- mains of houses, and everywhere a sickening odor of burning came from the ruins. In most of the streets it was difficult to effect a passage on account of the crum- bling of the walls and the piles of household furniture and other articles. The Emperor met everywhere bands of soldiers drag- ging their plunder with them or driving before them like 27 VERESTCHAGIN COLLECTION beasts of burden Russians who bent double under their loads. The men of the different corps, most of them drunk, refused to obey their officers and fought one an- other for their plunder. Napoleon, though accustomed to view with a calm curiosity the most frightful battle- fields, could not help being affected by this spectacle. Im- mediately upon his return he interested himself in the sad condition of the foreigners and especially the French, but for the tattered starving Russian who wandered here and there he had no more consideration than to establish a court-martial, which rid him of those he thought in- cendiaries, that is to say, of almost all those who dared to show themselves on that day. " At one time," relates a citizen of Moscow, " I saw the people running towards a place where numerous French were going also. They were going to hang some so- called incendiaries that these brigand-soldiers had gath- ered in. Among them I recognized one ; he was a servant from the house of Korsakof f ; he was old and blind. Was it possible that he had been an incendiary! He had al- ready one foot in the tomb. They took all those who fell into their hands and made of them incendiaries. When the rope was put around their neck they began to beg in a manner that drew tears from several among us, but the hands of the blackguards did not falter. They hanged some and shot others to make an example and to scare those that were looking on." But after the arrival of Napoleon at the Kremlin the order to stop this pillage was given and repeated without success. " The Emperor," one may read in the reports, " saw with much sorrow that, in spite of his express com- mands, the pillage continued with the same violence." " From to-morrow, the 3