V THE BEAUTIES OF MELODY; A COLLECTION OF THE MOST POPULAR AIRS, DUETS, GLEES, &c. OF THE MOST ESTEEMED AUTHORS, ANCIENT AND MODERN: COMPRISING THOSE OF ARNE, HANDEL, HAYDN, XOZART, WINTER, WEBER, BISHOP, V- SELECTION OF THE BEST AND MOST APPROVED IRISH MELODIES; WITH APPROIMUATE WORDS, WRITTEN EXPRESSLY FOR THEM THE SYMPHONIES AND ACCOMPANIMENTS ENTIRELY NEW, AKO COMPOSED FOR THIS WORK. INTERSPERSED WITH MANY OF THE BEAUTIFUL SCOTCH MELODIES, SINGING AT THK THEATRES, CONCERTS, &C. ARRANGED FOR THE VOICE, WITH AN ACCOMPANIMENT FOR THE PIANO-FORTE, 8tc TO WHICH IS PREFIXED, OBSERVATIONS AND INSTRUCTIONS ON MUSIC, PARTICULARLY VOCAL AND ACCOMPANIMENT. THE WHOLE COMPILED, COMPOSED, SELECTED, AND ARRANGED, BY W. H. PLUMSTEAD, OF THE THEATRE ROYAL, DRURT-LANE. LONDON: PRINTED AND SOLD BT DEAN AND MUNDAY, THREADNEEDLE-STREET. PRICE 7S. 6d. BOARD* TO JOHN BRAHAM, ESQ. AS THE FIRST SINGER OF THE DAY, WHOSE POWERS HAVE STOOD THE TEST OF MANY YEARS, AND STILL REMAIN UNRIVALLED, AND TO WHOM MANY OF THE PIECES IN THE PRESENT COLLECTION OWE THEIR POPULARITY, THIS WORK IS RESPECTFULLY DEDICATED. OBSERVATIONS ON MUSIC, PARTICULARLY VOCAL AND ACCOMPANIMENT. Music has always ranked high among the Sciences, but has attained an eminence in the present day, far above any other* As nations have been civilized, so has music been cultivated. Always making a great impression on the feelings, either by rais- ing sublime inspirations, or exciting strong and animating sen- sations, it was used in the early ages, as well for religious, as political purposes ; but now it is more subserviant to our domestic habits, forming at once a delightful and innocent recreation. Yet it is still capable of rousing the energies of the soul, both in adoration to the Diety, and in exciting and allaying the most varied passions. The one may be exemplified in the works of Handel, Haydn, Mozart, and many others: who, for instance, can hear the sublime Oratorios of "The Messiah," "The Creation," and " The Requiem," and not feel elevated by the solemn harmo- nious sounds, uttered with the most beautiful sentiments? The other, our national airs will testify; and, indeed, the original melodies of any country, (particularly those of Scotland and Ireland), produce the utmost enthusiasm on the hearers; they will either melt the heart to pity and love, or inspire it with the noblest sensations. " The spirit-stirring drum, the ear-piercing fife," and even "the squeaking bagpipes," are instruments capable of rousing the most supine. Who can behold the march of * VI OBSERVATIONS ON MUSIC. regiment, and hear its martial music, without feeling his blood thrill within him, and all his faculties alive to its invigorating sounds ? But it is in the domestic circle that music gives the greatest pleasure, and where we derive the most advantage from it. It connects families, by affording within themselves a charming source of amusement for leisure hours, which otherwise, perhaps, in the one sex, might be spent in pernicious pursuits : and, were it merely on this consideration, music ought to be introduced, for whenever social enjoyment can be found at home, it will not be sought elsewhere. To attain a proficiency in any science, a firm foundation ought to be formed ; and as none require it more than music, it is neces- sary to understand its principles before we can expect to profit by our exertions ; these can only be developed by slow and almost imperceptible degrees; for whoever imagines to make a progress by a short cut, will find himself miserably deceived; it is by la- bour, patience, -and perseverance alone, that we can gain the end ; and by attacking the difficulties at the onset, the path, as we proceed, becomes clear and pleasant. In no one pursuit does a master toil under so many disadvantages, as a teacher of music, who is obliged to connive at what he knows can be of no solid advantage to bis pupil. By an injudicious anxiety on the part of the scholar's friends to hear a song, when it is understood he is receiving instruction, induces him to be impatient, till he is en- abled to gratify them; and the time that ought to have been devoted to the cultivation of the voice, and improvement in the science, is taken up in practising a song, that he may exhibit his astonishing powers, when, perhaps, the preparatory rudiments have not been learned. Having commenced song singing, the pu- pil finds it irksome to return to the " mere nonsense," as it is called, of do, re', and after possessing a sort of half-and-half OBSERVATIONS ON MUSIC. Vii smattering, he finds out, at last, he has begun at the wrong end, and gives it up in despair. This is an every-day occurrence; and we hope to convince our readers that, however tiresome the following instructions may be at first, yet, by a steady persever- ance, the difficulties will be overcome, and they will reap the benefit of their exertions. The requisites for singing are, a clear voice, powerful lungs, and a good ear. A bad voice may be improved by judicious cultivation, and the power of the lungs may be increased by practice; but a correct ear is indispensibly necessary. The first attempt must be to ascertain the compass of the natural voice, and then to form a clear firm tone within its bounds. We recommend the following scale, the notes of which lie within the compass of most voices, whether male or female ; but should it be found too high for some, practice only as far as it can be sung with ease. I'i i. cr s. for. dim. pia. ]} ijK =x_ ffl o e Q 2/ -e- Do ! 1 O '' re mi fa sol la 1 J'J J J JJ J JJj o **9W mmmm 1 CT ^ si do re m mi fa sol. -e- OBSERVATIONS ON MUSIC. X. 1 - w o " - ~ ' ,- CO 1 5 1 H' I 1 1 1 3 sol la mi re do /-> si - V 1 ^^ a 1 O _ \/' O O I S y : fii a : nz : [_) ea Jr - ^ o _e- hi sol fa mi re do. r^EE^zE: Ii The manner of singing this is, to sound the beginning of each note very soft, gradually increasing it to the full power of the voice, (without straining it), and then equally decreasing it to the same degree of softness on which it was commenced. A plentiful supply of breath should be inhaled, and husbanded up, that it escape by degrees, and sufficient be preserved to finish the note firmly. In swelling out the notes, care must be taken not to sing too sharp; and in decreasing, not to get too flat. An instrument is the best guide, till the voice becomes inured by practice to sustain itself. The tone must come from the chest, without any impediment from the throat, teeth, or nose; though they all assist the tone, by the perfection of their formation, yet, by improperly closing the two former, or emitting the sound through the latter, a disagreeable sound will be uttered. The formation of the mouth is another essential point to be attended to, without which the pupil can never give a true utterance to his words, besides injuring his tone by obstructing the free emission of it from the lungs. In sounding the first syllable, do the OBSERVATIONS ON MUSlf! ix mouth must be opened in an oval form, and kept in that position till it is finished. The next, re, (pronounced ro), the mouth is formed lengthwise, and rather open. The next, mi, (me], the mouth is nearly closed. The next, fa, (fan), is the most open of the whole, the mouth to be as open as possible without distorting the countenance. Sol, (sole), is somewhat similar to do, except that the mouth is formed rounder. La, (laa), is like fa, the mouth a little more lengthwise. The last, si, (se), is nearly the same as mi. When the mouth is opened for the pro- nunciation of any syllable, keep it in that position till the note is ended, as the least variation in the form of the mouth will produce another syllable. When a firm clear tone is established, the pupil may proceed to cultivate his voice for the execution of divisions, turns, graces, shakes, &c.; all of which, precision and neatness constituting their greatest beauty, require indefatigable practice. The fol- lowing are to be sung very slow at first, and increased by degrees. Exercise on Thirds. Do re mi mi re do, re &c. fa &c. mi fa sol ]a re OBSERVATIONS ON MUSIC. mi re 1 / ... l_ 5 ' ZQ r . c Observe that the accent or stress of the voice is laid on the first note of every three. They may sing as above, one syl- lable to each note; but when the voice is capable of performing them quicker, one syllable to each three need only be used; thus, Do - - re - &c In the following, the accent is laid on the first and third note, but more particularly on the first; though each note must be OBSERVATIONS ON MUSIC. XI sung even, the slight stress heiag to denominate the time, and prevent them from being equivocal. Exercise in Fourths. Do re, &c. re mi re do. T.a sol fa XII OBSERVATIONS ON MUSIC. 4-4 re do si la fa mi re do. Exercise in Fifths. re mi m ~4~ *a fa so. la E m f r -i F w OBSERVATIONS ON MUSIC. SI do re l re do rrrTTT ^i^ si la sol J l J J 1 **-=-i^ fa mi re do. XIV OBSERVATIONS ON MUSIC. Exercise in Sixths. La sol fa r P r *F re do _^_Q "M F 2 p. ^ OBSERVATIONS ON MUSIC. Exercise in Sevenths. r r T r ~fr * la do. OBSERVATIONS ON MUSIC. JLf mi re r r Exercise in Octaves. fa OBSERVATIONS ON MUSIC. xvh I sol la _F . La v j r f r ' I j r ' r r s fa mi : w , J r T r= f - 4*~A4* do 3sm * do. BE 3E xvni OBSERVATIONS ON MUSIC. The shake may next be attempted, which requires the most, arduous and constant practice of the whole. It is the quick re- petition of two notes, either at the distance of a tone or half- tone. There are some who possess a sort of shake naturally ; but that which is cultivated is most perfect; the former being merely a tremulous motion in the throat, and frequently, only one note gutterally uttered. The best method of attaining the shake, is to begin very slow, and practice till the voice becomes flexible enough to execute the two notes clear and firm without effort; it may then be practised a little quicker; and so on by degrees, till perfect. It should be begun soft, gradually swelled, and demi- nished again to its original softness. It must be practised on every note within the compass of the voice, and on each of the seven syllables. The shake is generally finished with a turn, which should be practised wiih it : thus, Major, or whole-tone Shake. Turn. Mo/. Minor, or fuilf-tone Shake. Maj. OBSERVATIONS ON MUSIC. xix Maj. Maj. Min. Maj. Maj. Min. A- A- * ' A- A- A- sol la do re 151 -O- -e- -e- Maj, ft- Maj. ft- Min. Maj. Maj. h- Maj. -Q. J2- do sol fa Maj. to e mi o re -e- do. The turn has a pretty effect on a plain note when used judici- ously : there are two sorts, the common and the inverted. 3ft The Common, marked. performed. l XX OBSERVATIONS ON MUSIC, The best method to acquire the turn, is to practice on every syllable, commencing on the lowest note, and ascending to the highest, within your compass ; beginning very slow, and singing every note clear and distinct ; and increase the time by degrees, as you find your voice capable of sustaining itself. F- -VIZ M^M b : i L - 1 ^^W h-MkaM L -[-^^O OBSERVATIONS ON MUSIC. XXI The inverted turn precedes the principal note, by commencing a half-tone below it : thus, Marked f performed. There are a variety of exercises for improving the flexibility of the voice, which can only be imparted by an experienced master, and no written instructions can convey the mode of executing them ; but a few general observations may be of service. Great attention must be paid to taking breath; for unless a suffi- cient quantity is inspired, and kept in reserve, the notes will become weak and (altering; and, instead of a clear succession of notes, a confused jumble of unmeaning sounds will be heard. Never take breath in the middle of a word, or where the sense is closely connected; but after a comma, or the beginning of a line, after a dotted note, or rest, the breath may be taken with propri- ety. Every exercise should be sung slow at first, and gradually increased, till the voice becomes so inured to the passages, that it is impossible to fail. STYLE Is next under consideration. To command a good style, the pupil must possess sound sense, a just descrimination, and an attentive observation of the best singers of the age. It is the style of our great singers, that gives them, in a measure, the superiority over the mass of those who remain at a considerable distance from them in popularity. Let a person possess ever so fine a voice, or ever so brilliant execution, if he has not feeling and taste, he will ever remain but in second-rate estimation to one who has an indifferent voice, with the power of expressing the various feelings, and entering into all the pathos or energy of XXli OBSERVATIONS ON MUSIC. his subject; the one sings to the ear, the other, to the heart; the one is a mere organ-pipe ; the other is a soul which enters our hearts, and carries us insensibly with it. What has raised Mr. Braham to the high pitch of popularity he at present enjoys, and leaves him no competitor ? It is not his voice, for there are others who possess much sweeter voices: it is his style, his ener- gy, his discrimination. The songs which he excels in, are only outlines, which, in the hands of others, are mere sounds, pos- sessing little to please or admire in them; but, filled up by his exquisite taste and judgment, they become finished productions. Yet we recommend not a downright imitation of Mr. Braham, though there are few who do not imitate him; but a person pos- sessing genius may take an example without following it so closely, that every one may perceive the resemblance. Imitators generally copy the peculiarities, not the excellence, of the original, and thereby betray themselves. A man may build a fabric on a certain structure, but may so alter and arrange it, that it may pass, without strict examination, for a design of his own. So ought a good singer found his style on the best basis, but so cover it with judgment, that it may appear the emanatiou of his own ius. Few instructions cau be given on style; it must be the result of observation, guided by sound sense, adhering strictly to the nature of the melody, and the subject of the words; giving each their proper expression, and unaffectedly uttering both, that they may be understood and felt. While on this part, we shall include a few hints on the use of ornament. It has become the fashion to attach to any melody, however simple, a number of notes unconnected with it, which are called graces ; but, in many instances, they may be termed, rfw-graces. It is the indiscriminate use of these, that the novice ought to avoid. There are many who, possessing flexible voices, OBSERVATIONS ON MUSIC. seek every opportunity of showing off, by running through the whole scale at almost every other bar, and by disjointing the melody and the words, destroy both. Even an apogiatura too often introduced, mars the melody; but judiciously put in, adds greatly to the effect. When the words and melody allow it, a short cadence may be made; but always in character with the air. Nothing is more ridiculous than a bravura run in a subject requiring pathos and feeling; yet how often do we hear it; and sometimes very slovenly executed. There are some who, having a few runs at command, use them indiscriminately at every part wherever their voices will execute them, and frequently the same graces, as they are termed, will be heard half-a-dozen times in the course of a song. This shows, at least, a poor imagina- tion and a scanty store, when they are applied on every occasion; not to mention how they tire the ears of the audience. Another fault singers fall into, is, that of using a favourite note in the voice, which, whenever an opportunity occurs, they will hold out twice the length the time will admit, and keep one in suspense on an unimportant word, such as, and to the for, &c., thereby delaying some immediate part of the subject, that one has forgot what is was about. The voice should be so practised, that they may all become favourite notes ; all clear, equal, and distinct ; all of the same quality ; blended one with the other, like the tones of a fine instrument; all equally under command. The weakest part of the voice should be practised most, to make it as flexible as the other : at the same time, be careful of strain- ing it by over exertion; let it be done by degrees; by a little and often; and, with patience and perseverance, you will bring all your notes equally good, and under your command. We cannot conclude this part better than by giving the follow- ing extract, from a work entitled, " The Art of Improving the Voice and Ear : ;; i > OBSERVATIONS ON MUSIC. " It is an extremely false taste to overload every performance with a profusion of ornament. When a piece has intrinsic merit, or when a singer has a fine voice, ornament, if profuse, has more chance to injure than to add to its effect. It is not to be denied, however, that ornament, when judiciously placed, is indispensable to a singer, and will require great care and practice in the acquisition. The following passage from the life of Rossini, by Count Stendthall, strongly illustrates the ideas of this great master upou the point. " ' On Rossini's arrival at Milan, in 1814, when he was m his twenty-second year, to compose the " Aureliano in Palmira," he became acquainted with Velluti, who was to sing in his opera. Velluti, then in the flower of his youth and talents, and one of the handsomest men of his time, had no small share of vanity, and was fond of displaying and abusing the powers of voice with which nature had gifted him. Before Rossini had an opportunity of hearing this great singer, he had written a cavatina for the character he was to perform. At the first rehearsal, Velluti began to sing, and Rossini was struck with admiration. At the second rehearsal, Velluti began to show his powers of gracing; Rossini found the effect produced just and admirable, and highly ap- plauded the performance. At the third, the simplicity of the cantilena was entirely lost amidst the profusion of the ornaments. At last the great day of the performance arrived. The cavatina and the whole character sustained by Velluti, was received with rapture : but Rossini scarcely knew what Velluti was singing it was no longer the music he had composed ; yet still the song of Velluti was full of beauties, and succeeded with the public to admiration. The pride of the young composer was not a little wounded. This opera fell, and it was the soprano alone who had any success. The ardent mind of Rossini at once perceived all the advantages that might be taken of such an event. Not OBSERVATIOMS ON MUSIC. XXT. a single suggestion was lost upon him. It was by a lucky chance, we may suppose him to have said to himself, that Velluti disco- vered he had a taste of his own ; but who will say that in the next theatre for which I compose, I may not find some other singer, who, with as great a flexibility of voice, and an equal rage for ornament, may so spoil my music, as not only to render it contemptible to myself, but tiresome to the public? The dan- ger to which my poor music is exposed, is still more imminent when I reflect upon the great number of different schools for song that exist in Italy. The theatres are filled with performers, who have learned music from some poor provincial professor. This mode of singing violin concertos and variations without end, tends to destroy not only the talent of the singer, but also to vitiate the taste of the public. Every singer will make a point of imi- tating Velluti, without calculating upon the relative compass o c his voice. We shall see no more simple cantilenas. They would appear cold and tasteless. Every thing is about to undergo a change, even to the nature of the voice. Once accustomed to embellish, to overload the cantilena with high-wrought ornaments, and to stifle the works of the composer, they will soon discover that they have lost the habit of sustaining the voice and expand- ing the tones, and consequently the power of executing largo movements. I must therefore lose no time in changing the system I have followed hitherto. I am not myself ignorant of singing: all the world allows me a talent this way. My embellishments shall be in good taste; for I shall at once be able to discover where my singers are strong and where defective, and I will write nothing for them but what they can execute. My mind is made up. I will not leave them room for a single appogiatura. These ornaments, this method of charming the ear, shall form an integral part of my song, and shall all be written down in my score. OBSERVATIONS ON MUSIC. " Such ought to be the practice of all composers : and no young singer ought ever to attempt a grace that is not set down for him, or which is not pointed out for him by a judicious master. The violation of this rule may procure a momentary applause from a mixed audience; but it will never ensure a lasting reputation, nor lead to establish first-rate excellence in simple execution." ACCOMPA NIMENT. As the voice is the principal, the accompaniment must be sub- ordinate to it, whether in full orchestra, or only the piano-forte: it is merely to assist and fill up ; therefore it must follow the voice, and be subservient to it on all occasions. The great fault of accompaniests is, that of playing too loud, and overpowering the voice ; they make that the most prominent which should be in the shade, to show to more advantage what is intended to be conspicuous. What a singular effect would a picture have, if the artist were to bring his dark colours forward, and leave the light in the back ground; and that which he intended as his principal figure, was to be enveloped in clouds, or overshadowed with trees ? This fault mostly rests with amateurs, who, so that they can hear themselves play, never study the effect of the whole. In an orchestra, every eye should be turned to the leader, and the leader must keep his on the singer, and his ears open to all around him. Every piano must be observed, and every forte marked, that the effect may be produced which the author in- tended; it is the light and shade which render the whole beauti- ful. Many piano-forte accompaniests also fall into this error; and frequently to show themselves off, sadly discomfort and annoy the singer, by throwing in extraneous ornament. But this is a paltry ambition; because there are many opportunities for such a display, without overpowering and ruining the simplicity that an accompaniment ought to possess. We recollect a laugh- OBSERVATIONS ON MUSIC. XXYH. able occurrence which took place at a concert, where both the singer and the piano-forte player seemed determined to contest who should make the most noise and show off. The former commenced early to make a grand display of his flexibility of voice; and the other, not be outdone, fallowed with a tremendous run from the top to the bottom of the instrument: the one bel- lowed, the other thumped ; till the audience expressed their approbation* by a loud roar of laughter; and the player and singer went to loggerheads, each accusing the other as the cause of it. A judicious accompanies! will always play in a subdued tone, making a distinction wherever it will assist the singer, or add to the effect. In fact, a singer .-is entirely iu. the hands of the accompaniest; he can either make him feel confidence, or distress him by not entering into his ideas. There should always be an understanding between them; the singer should previously point out where he means to take liberties with the time, which may sometimes be done with effect ; and where he means to throw in a grace or cadence, that the accompaniment may be accommo- dated to it. The accompaniment of glees should possess the utmost deli- cacy; for their beauty lies in the blending together the voices. When there is no regular one written, merely chords should be struck sparingly, to keep the voices in tune, and mark the change of key where it occurs. In accompanying concerted pieces, that is, pieces in several parts, the eye and ear must be continually on the alert, and strict time adhered to; but should any of the voices fail, or any indecision arise, it is the duty of the accompaniest to direct the attention of the party, at a loss, by playing a little stronger, taking up the passage on the instrument, and marking the time in such a manner that it cannot be misunderstood. XXVIII. OBSERVATIONS ON MUSIC. These few hints, it is hoped, may prove useful to young prac- titioners; but both experience and practice are necessary to attain readiness and ease, whether as a singer or a player. No pursuit can be gained without some labour, and many imagine that music requires but little ; yet there is none, perhaps, that needs so much study, perseverance, and experience, and none that repays us more in the enjoyment, than this delightful science. W. H. P. 52, JUDD-STREET, BRUNSWICK-SQUARE. THE BEAUTIES OF MELODY. All the blue Bonnets are over the Border. A CELEBRATED SCOTCH SONG, SUNG BY MR. BRAHAM. With Spirit. 4* *-*- f f^^Pf WWfW- 1|~1 ~ ^^Pf 8ves. - jf 3n i J " ; n p" K 3~R P r t\\ ' J ' J r * J J p. - \o i w ,,*,,J J . J J m/ U MARCH, march, Et-trick and Te ntt ^ v w - vi ot dale, Why, my lads ^P - , ^ -, -, "1 ' n v ) J ^ "- 4 ! -m ; -0 _J 1 / J- * r Vtt ^-- i " E | ^.- - 1 ^ = T =}. T =( 14 dili -ua ye march, Forward in or - der, March, march, i ? H h ** i Jr " E0 J 1 -- S---K- -r P fn ~A r t --A r J \\J . , 1 ^11* Eskdale and Ljddles-dale, All the blue bon-nets are /itt 0*+ 1 i PA ^ (V_ ** 1 ID Jig i^ 1 A \\j . j 1 i P J- i f i r Vtt- f *Jfl - i 1 * J ^ -. P i o-ver the bor-der, Ma-ny a banner spread I j -j___-K_i i^ I -0--I- 15 A \ r ' J -^-1 F~r uTi IT T~ i{ 23 L_jL_J__ -d -h-h-^-t- 1 ^- {*- J- J 2. IT ^ ^ ^ 1 flutters above yourheac net - ,1 ^-U K lany a crest that is famous in VJ4 . 4 \ -i ' n -1 -i ._ ~i p 1 ' m 3 . 1 J 1 i I Vj , *, i_ ' M > - T 1 1 ' ^ *- t . j,... ._ ^ ._i .__ . 1 1 1 I I 11 T jT 1 r r r i -F^ m tf r J P p j \\Z 9 * J I t LI 1 tVv^j* ^""^ '"U sto - ry . Mount and make ready then,.Sons of the 29 i ' M f i i , r.- ^ r 1 ^ itEtiK n i ! -, ^ % i ^" r i r ' J 1 J l V ^/ i J 4 - 1 ! 1 ^ 2 -i- -9- HFrt^P r^ | _ ___ "^ 0! S =T - ==1 =T =1- =T mountain glen, Fight for your king.and the old Scottish border. ? -m w- ^ r i lr ' r 16 Prt )_-.._ i .. . ik . N N_ , ik_ W P R K ft . 1 IV w K. 1 -i J P P S S fc P" ' 'A ' A T *- A A II p I I . A "3 March, march, Et-trick and Te - \i - ot 4~ * dale, Why, my 1 w~ ads ( ^ i i , jf-. 1 "1 HZ ^3 3 -^ ' 1 Zu!5 A A ^ * rJ J Vj^/ i i n ? i *- *- ^ 5F 4- J- ^V'TT * 'I * * 5; p t./* 1 *, -i 1 T T n 11 1 1 , ,1 1 I,, , Ik. I - 1 \j& i F" jfc 1C f- JT R" R P "" h . 'f 'JJ -1 ITT fT\ P n ":*# J J ' J - v / J J J J . * L din-na ye march, Forward in or - c er, March, marc 1, PC i ^. _. ^_ ..... | H 1_ j-_ H :.-Jz^-ji. H , m '.' J " g^J j J i - - i i 1 f ^ J- - 1 J- -*- J- J- ip ^ F . P. _ .. _ . .- T . i ; . . . ^ j T r . , ., 01 k. PP 1 P h. A i z r h J . J. J P P r ! ^_ 4-J - L 4 J L [^ y ff <* ^H Eskdale and Liddles-dale, All the ntt i blue bon-nets are r ? H i 1 J Cm ^ j n rx I r^ Tl J ' ^ i 5 \ / 9 \ 9 J 1 - L 1^ J . P W i ^ I- t T ^ h ^ r .Vrt I r c.*f -, -, 1 m J -i .... 3 ~ r ?L 17 o-ver the bor-der, *= fe 2 j.1' ^- m SB -=t-. i 8ves. - -x - E t ^S^ 1 ^^ ^n-ri -u-^ffl ?*? 2nrf. ^Fnhj7n"tl Come from the hills where your hirsels are grazing,Come from the j ' j ; ^ =^ 18 _ - T -p T T 1* a ... T A ., J J r .flu J J - g A 4 \ 2 * ? t I > " *v. glen of the buck and the roe, Come to the crag where the w- J " ~w t m j 5 ^ E 4 1 ' \ ^ - _ J .. ^ w ^. i ^ 1 r J~ _^BM i 1 i 2.** 1 * -i -i i i . ' , , , , 3 beacon is blazing,Come with the buckler, the lance & the bow. Trumpets are sounding, War steeds are bounding ! Stand to your arms, and march in good order ; England shall many a day, Tell o'er the bloody fray, When the blue bonnets came over the border. March, march, &c. The above words sing to the latter part of (lie tune of the first Terse viz. " Many banner spread," &c. 19 When my Soul's Delight. A FAVORITE SONG, FROM THE OPERA OF " NINA." Litrghetto. SEE IS -I If Lit WHEN my soul's delight a - gain vi-sits these sad sorrowing ff f eyes, Spring's re-turn shall bless the plain, Flow'rs of m sweetest fragrance rise. Hark ! hark ! T hear him; ah ! no, I'm doom'd to mourn, I'm doom'd to m iiili 44 mourn, My soul's de - light will ne'er re-turn, My soul's de- ft light will ne'er re-turn Tuneful songster of the grove, Know, the voice of him I love, Shall inspire thy little throat With a softer, sweeter note. Hark, &c. Echo ! stranger to repose, Oft I tire thee with my woes ; See him \ yet for thee he sighs, Echo, yes, for thee he dies. Hark, &c. 21 Turn Amarillis. A MADRIGAL FOR THREE VOICES. Moderate. i h i i h 14 - s *f f A i 1 P --, i A p 2 P | a I 1 -] i j I P r 1 1 j 1 I TURN, A-ma-ril-lis, to thy __JJ KH /-"i swain, U ' Turn, A-ma - ril- *- j rrn --h A| --P 1 A 7 P ~r 1 AS ^ / P r J I Pr r P r v^l/ r^* L L -L TURN, A-ma-ril-lis, to U thy |'"T ' ^ p swain, Turn, A - ma i - ril - lis, 'HFrtui >i * 1 EE9Z P . ,m _J 1 j p P - -J J ^ i 1 c TURN, A-ma-ril-lis, to thy swain,Turn, A tl ' - - - ' - K ma - ril- i i i Jjr H J P J J |n\ w d i P E. _. * VJJ 4 . . tt lis, to thy swain,Turn, _j U * A-ma - ril lis, to thy -| 1 * M ) Q 3; >" (^ ... j. ' f >, 9 A X ' - r A f 9- I r P r I | r : #- f \ - i - T to thy swain, Turn, A-ma - ril - Us, Turn, A-ma \ P~ - ril - lis f '** i L CE P i 3 n "i * P P P P r f 1 I 1 33 1 lis,Turn,Amar - r , ft - ril - i lis, U *" Turn, A - ma- ril - lis, ML^' ' > r i j i~- J~J- \ -P- _|L -f J J [ "- j r * 4 4 4 +- 4 -1-^1 swain, to thy swain, Thy i Damon calls thee back a- gain, Tfr IT m A p P > -P J P P A P p TJ ' 33 f P r r P p L ^~" t \ \ to thy swainj L 1 Thy Da-mon fc calls thee back ^t i i a - gain, Thy ^ T * 9 ^ w P EC n H J ^ I *- to thy swain, Thy Damon calls thee back a - gain, Thy m Damon calls thee back a - gain. Here is a pretty, pretty, Damon calls thee back a - gain. Here is a pretty, pretty, F ff P p p Da-mon calls thee back a - gain. Here is a pret - ty A P"" P" ' r f 3" J 3- - -- P J (\\ Ll 7P J^ J vf > L L i - M d . ^T" ^ ^f ' L ^ 1^ pretty, pretty, pretty arbour by,WhereApol-lo, Where Apol-lo ri H P 1 1 "^ P n /Vi ( J J 5 r- J \ J 1 - J i\i r 4L J _ * -- J- r 4 1 * 1 3C 4 Mr * * J C ^ U' U pretty, pretty,pretty arbour by, Where V A - pol-lo, Where A- K . i N K r \ 1 T 9 r ^**4 J ri-r 4*1^ J J r \ M * v tt j$jLu ^. . j , pret - ty ar - bour by, Where f A -pol-lo, Where A - t3=fc== Where A - pol - lo, rt -i ^Ft Where A - pol - lo can-not ^ , cannot ~ w T m A ^ " ' E "~ f r r r P P r f P P' - j J U U L 1 1 *r pol - lo, Where A - pol - lo, Where A - pol - lo can-not ^1'tt" " - 9 ~\- 2 as p-f-f-- p -t-i P-f-F pol-lo Where A - pol- lo, Where A - pol-lo can-not 23 /\v r * J . ._ j r ' "i i j vw J * * j j _L 1 1 n II ~ 4 spy, Where A-pol - tt P * r ^ lo can-not spy. Here let's sit, am p A A P ftf * || p * i A 2 t r r 1 1 r r P ijj , ._. L, ,. . i i i spy, Where A-pol lo can-not spy. Here let's sit, and i H. .. . 1 J P J f r r SEE -s spy, Where A - pol - lo can-not spy. Here let's sit and r-S-g-J _H- I h s , . K H O- *T 1, ~T -d-H F r j -3 J 1 [35 a! J 1 - 1 * J j i - 4 < "1 - whilst I play, M Sing to my pipe i . _j sing to my pipe, j sing to my fc. H --' ^ ^ r /-^ P 1 AT_ F * F jm P J & J J j J f\% r P J* J I W # J * M' . , 1 1 whilst I play, Sing to my pipe, sing to my pipe, sing to my \*ft ^ P P B'*^ p j**t ( ( * # P C. Jr~ Jr. *^ whilst I play, Sing to my pipe sing to my pipe, sing to my mrf-^ pipe, sing to my pipe, sing to my pipe - - - a rounde- l I pipe, sing to my pipe, sing to my pipe sing to my pipe a rounde- m f ? . ^^ pipe, sing to my pipe, sing to my pipe a rounde- 24 A V "l I P r ' " r "'i'T'J P-- 9 -iJ ^ \\) r 7 ' 1 ' J * r I-9C2 rr 1- ' i w - d : *^ U U !** *"~ "P* *~ lay, sing to my pipe, sing to my pipe, sing to my rt k _ w - N N r\ . . - EEE a i n K , i P 1 J j p -iJ P K r A J J . * c5ia r A i j i i. . I c lay, sing to my pipe P- ^ , sing to my pipe,singto my pipe, . N '- Vtt - j K n J.14 j j -i I s . I <^.,^T- * r 3 -J-.*-. EE lay, sing to my pipe, sing to my pipe, xT 1 P a . _ . , .. E; II 1 " " (\5 T I3t3 n * II 1 \M 1 1 o II pipe - a W - - - round - 1 - e - lay n J4 P 1 1 m t S B.. _ , P 1 |^S 1 g J P vy ^_ 9 ? 9 . 4 sing to my pipe a round-e - lay. Tfrf s ^ w - ->i H__ tj&sM r 1 - m ' - m 1 .J- , J- ;J_- f- -E- 1. ; sing to my pipe a round - e - lay. Let me Wander not unseen. SUNG BY MISS STEPHENS. Siciliano. HANDEL. LET me gpmTTEFt wan-der not unseen, By hedge-row elms, on hillocks green; S H- m & There -tier rri;lfEf Eft TH^ * P. I ^ ^ the ploughman near at hand, Whistles o'er the furrow'd land, Egjgj g E^ There the ploughman near at hand, Whistles o'er the furrow'd Si/m. p .P ^-^W land. And the milk-maid f 26 * k-Jhf J EJ "" ITr I "r 1 I 4 >P L 1 * sing - eth blithe, And the mower whets his scythe, And 1 N I K 'V 1 I s S k. / , ~m- ^ 1 h h * * J J . 1 1 v. ^ ,NwN ^r^l ^ ^ 4 ***,+ m 1 if L J |" 1 ^ A J * r ft 9 i 1^^ W * ^ J w "^ ' * L I V.1/ * 1 ' "1 - ar^f I cr M~ " ~s"~ ~ *~ ^ G - ve-ry shep-herd tells his tale, Un-der the hawthorn in the . K . * . V i t>. * i/ r r s_ -* r> ''- -J ( , h cat i* J J i ,, r: 4 . 9 -"" L 'i 1 Jf L p P f'lM ^^r <" it f w\ " [^ 1 ^1 L * 1 ^ * * * * 9 rj F vj^ ^^^y F his dale, And e-ve-ry shep-herd tells <*^ >- i i 1 r ' ^ ^ r f^ ^ ^L* 1 r~ A i ^i ^ r^ t _! ^ ^^L J H ' f J i ) K P " ' " | ^ ' ^y w A J 4f 1 "' 3 P* i .Sym. j.- H h fc K. 1 r-^ + > H -L r P -S- *a ht - n AbJj'J Jr n v r T fm t\\ o *. f j J Tf . 1 L L- y- tale, Un - der the haw-thorn in the dale. N 'V ' 5 A k j PP J r^" f* r ^ _P L L. ^*0 * j*^J_ L- * M p=P m O ^l^^^l 1 1 /* S J 1 III II ^V P* 2 J ^i 1 VJ/ 0* J || 1 P 1 V i s II J. d II Ih. Me, .... Andante Allegro. r\ 5"T7 Or let the merry bells ring round, ] I tr-**,/ . : ! it: ._: P- /. -- ma - Or let the EH r. & mer-ry bells ring round, And the jo - cund re - becks SjfM. 28 A 8' T ^~Ni \ * c L3 r j j j p LJ SsLii j 4_ r n vjJ 1 L K v^-- sound, * ^ ^* And the jo - cund re -becks *~ s. X^" TV** *-N*M . . tf- 2 Sym. ^ /Nfc l b V^ O i* ^ 3 i IT \ p " r rVT~ ~jF~ '"IF" j^ j r P 4 i r*fg * ^ * * +. VJ' 2C T . i* ^ . ^Z. ^_ sound, ^ / And the jo- cund re - becks ZZSS& 1 L J [ ^1 1,'J*** 14 ^ 1 ^-^ ^fcl .... _JJ P ' 1 'r A x rj W j. p^lp _ J2 9 m * m . . P _ |_ Jkf_ n rPr'P r P , P' 1 (T\ L (^ r .r rp r r -* VfcJ/ ^ wj ^i ^ sound, - "^ ^W "^^t ^ ^ To many a V' ** - - - m 3 3 ^ ^* m Li_^t ,- - .t^rr - ffa "- * p r~ -f-3* --i-fp- j_.- 2*T ^ i i m. - -^ J 1 1 1 * p youth and ma-ny a maid, Dancing P- ' -** r m P J . H r r j i \ * M 3 * 3 3.3 O-"-ft~ 1 \ f V _i_ _^_^i^i! ^ i VM ^- + --3 7^ ----*** ^ VjJ L_^< r 2 u in ~t - - , w - the chequer'd shade To JW m, r A*4 \* ^^1 j44 .^ J \^ J ^ (f n K P r ..., 29 -y a-* - r v - P" *" T 9 ft '-t Pw 1 ** K r u * L r CI- *7 L U L i r many a youth and m; A * & U i - ny a maid, Dancing in the l*ft ^ P P ft r 1 r i' ft k r-irn K o J? . -&- ! 3s ^ # p P f drf w JE f r PA 1 r w * i v*' J .3* " 1 u ehe-quer'd shade, 1 Dancing, dan - - !-i l u 'Vtt H *-" t/iftjj, - J P J ft ' t. zn - - l o **^ i^ A 1 ' n r 1 K * - p r P n <^* F^ PA. A*P J < ;J r J M rPrJi*' nJ ^ U [Ml ** J dz ^ L taatal ^M "! 1 -1 r Vft . r i ^/ + J P J at s * r I * r V. p^ I * ' 1 "r 7 A K K N K i " ' P I s / ir ^1 A Pr J J J t^l 1 ^ ' 1 LI c * J r VJ/ ^J LL i * U 1^ chequer'd shade, -Pv.-i ^^ ^ To many a youth and f p 111 " ^M p r p' 1 tf r LI t- , v tSEtl _-3l , rt .. J k "l i "fp^ 0P T P r j *r r r p r ^L ^ " ^ J ^ Lf rid r * K :l *r ^ l$ \ * . ^ *- , ma-ny a maid ) -f f 1 Dan-cing in the Va . p *i-^ w I J ft 1 P _ . H 1 3t chequer'd shade, Dancing i. rTrrfrTrfrfwrvt* in* dan cing, dancing i i in the chequer'd shade. 31 John Anderson, my Jo, John. \ b 1 * 1 JI^Q P | -W W H J-- T '- (A> D L/J 4 *~ iH 3jj, Q-. - 2 M y VJ/ " i ^ ^ i "* L_* n TJA ft" J ^ ^- jl r ft A - V k -,* F J'tt-" "* ~l 1* T ^r^r tJ. bf r r -P" U- rr. b t r L Z5 r n n " . * " - ., < i 1 PJ 1 J-J- Q O ^ 1 ] 1 p ^ 1 T' 1 i I ~i i /iL K V^^ J^ O t 5[ji P > I Fi J , 3 I i lUf? I I 1 rr jj J J VJ/ IL - 1 flj I L in ' JJJLJ i 'r r V 1 i j-ft* 1 P * t t P 1 ^ I J. b r n n t n* H r 1 l T I : P J b r r ' r I r r * r V 1 " 5 L- ^ 1 H i ' O ^ II 4" -, ,V k 111 J i^5 A -, P ~ llr o ' II J * j c r r -r L t 1 ** L - * ' u ^ ^ To-ge-ther let us range the fields. *ttt K .. i 52H J -E A ft^'J in r -I- ^ r-,. 1 r . P S A *, J i - r i r i r P r P t i i the fields, Im-pearl - ed U with the A f^tt 5 : rr53EE: o r -i n -H ^1* i P zz -i AJ. * J -, . . 3_. L_ Impearled with the morn - ing dew, morn - ing dew, Or view the SH! 35=83 ^i^ 3 ^ I-* PP_ viy - : " 1 w 1 U L- i7- ^ ^ |* P- Or the ap - pies clustering Pi r ~l /\v 5 * * f l i " f i r 1 M 7 L L-. 1 fruits the vine-yard yields, tt h 1 h J J" - m p ft* HP 4 P r ^L P m L I I 1 ^ i^~ i U 1 ftfl'* -, i J 1 j * * ( 9 J "^. J P f u v_ bough, There in close em-bower'd tier P U ^ shades, Im - per-vious K hft T H - - p - P J m HP 1 i ' ' r f r r 4 j fci 1 C ^^ ^^^ There in close em-bower'd shades, Im - per-vioua 1 vttif - ^ "% ^ \j**t *~ P P P p i p GW r r r f _1 " 4 \ \ m 4 L 1 W r flft - - h ' \* s P ^ p JP ftt? A ^P p"B~f -i p i r A . 4 [ p (A> p j i r r viy L* J 1 i to the noontide ray, By tink-Iing rej"^* J P-*J-i - - J f - E ^ to the noontide ray, By tinkli J7iJJT:** A '" ' " __ _j ng rills, rfflh P T~ .^^E^^ ^rtt =rJ-y =b 40 rills, on ro - sy beds, We'll love fT u. on ro - sy beds, We'll love , r ^ r d J fltt **P-F* the sul-try hours a - way. We'll love - * i r i r- - - the sul-try hours a - way, We'll ^ the sal - try hours a - way, the love - - - - the sul - try hours a- ^m ~7v"lfTl] m 41 -=r-f 1 - P sul - try hours a - way, tinkling rills, *8q^ Sgjjjl r - r ^ way, the sul-try hours away: By tinkling tC L^dlLffM^^ f>3& i r T r i r On ro sy beds, We'llloTe - - r p P SB -^r-f 1 - rills, On ro - sy beds, We'll love - 84tftl J E r C | f C EfUg nN.JJilJ.WP gig^fP^ 42 -ft*-rr f-mr +~ \ -ry _ . v_> vl^ We'll love - - the -r 1 * sul - try hours a - way, We'll love - - - the sul-try hours a - way, We'll love the 43 ft* sal-try hours a - way -a sultry hours a-way -jt*i By tinkling rills M By tinkling is m. By tinkling rills By tinkling rills, We'll love We'll love - - - the rills, We'll love ... the & . ([ t> sul-try hours a-way, the sul-try hours iSs-inr" i 1 s _ _ ? sul-try hours a-way, the sul-try hours I'^iiTTT^ 1 :fid -e ^ way. i 113 I Gentle me > why. SUNG BY MISS STEPHENS IN LOVE IN A VILLAGE. Largo. ARNE. -g_ fc-^_~ - :pft_ft_^j SSSsSS *4 46 *& s ^ 'i 5 i -4 GENTLE youth, ah ! tell me why, f T r i r j j , i 4 Still you force me thus to fly ; Cease, oh ! cease, to g^Q^^B ^ , , * ft. " P _ i iS^Mttfe ^ S per - se - vere, Speak not what I must not nn\ t m -8% * hear, Speak not what I must not hear. f m ffliifrW J?^ ! -l^-L_ta. To my heart its ease re - store, Go, and ne - ver 3=i=EFig 1 1 4 m __^, Si ^riUm j,J| f fiE see me more, To my heart its ease re-store, ** Go, and ne - ver see me more, Go, and rTis >r* ne - ver see me more. Mr r f ftflN 3* i 48 Still in Hopes to get the better. f 9 SUNG BY MR. PYNE IN LOVE IN A VILLAGE. ARNE *-*= rtiff ft\ff m ^^N^F^^^Tf^ -fl i f 51 - ffr twmi^^w STILL in hopes to get the bet-ter Of my stubborii *-JL flame I try ; Still in hopes to get the bet-ter Of my stubborn flame I try ; Swear this mo-ment to for-get her, z* And the next my oath de -ny, my oath de - ny, my oath de- ^ ny. Now pre-par'd with soorn to treat her, Ev'ry charm in thought I brave, 50 j\ b'r* m J 10 ! 1 I ~P ! 1* P : f*50 - J : : M> I I i i 1 1 1 1 1 1 1 ^r K 1 i ^ M ^ ^ ^ charm in thought I brave; Then re-laps-ing fly to meet her ^r Tr f i A ^ A c,y ^Ll J r 1 r 1 f f f f P P K w ^^ C * \. ^^ L, 1 L L L i L" fl N 5 ^ * "n h P f TT" U "f "~F~ J 33 -i * * * P _p f J* i " -, ^ ' ^4 r 5 w 4 1 1 1 1 1 J L / ^ s^_ ' 1** - 1 ^ And con-fess my-self her slave ; Then re-laps-ing r c *f ^ 2- W |^ fly to ^v r r r " ^ ^ ' A A A A E ^ L P P P P^ . K ^ j^LJ) [.i r J ^rftpp meet her, And con-fess my -self her slave, And con- m fess my - self her slave, And con - fess my - self her zip ilfc* f ...f slave. ^ wSB When Time was entwining. CAU.COTT. A-h ^7 r l 9 P C r*"P" .. .. .... y. .-- ~f (J) 4- P rP ] I M C ^ a WHEN time ' ^ was entwining the gar-land of years/Which to f) VI tw 1 i /i K *-* 1 m J 1 J P J n i i | V^ /^ P '"* 4 J- , * r r r ,7 " ' * 4 J I w * 4 l 1 1 1 WHEN time N S> _ 1 [^ ' was entwining the gar-land of years,Which , . o F to f \* i ^ L ^ A A C J I t * * ^ *-* P P P- P P P 1 JL /f JJ J J J ^ u *^ 1 1 1 1 1 WHEN time hm- was entwining the gar-land of years,Which to P E A H E p J b P ( J . . " 1 r ( ^ 1 ^ k crown my be lov-ed was giv'n, f\ T ^ 1 ^*~^ n li P- u* n 3, m b i r f- 1 gather'd in heav'n - - the \ 2CE-3E 3" n *= r~i A ITS J P P P r ^r r" d i i , 1 1 1 gather'd in heav'n, in ^ i ii r-|. , r II p . |. U 1 I I teDt ~5 * h- * b. 1 I r in heav'n were all pathcr'd in heav'n - - th A !-, ~P P * II II, f\w -r r L"L 1 1 < X M* 1 ~T J ^' l 1 1 II i 1 7" '- p flow'rs were all ga-ther'd in heav'n And long may this l l i - * - ^^ f\ b j 3 T - 1 II A FA K-ffi\ ' f\. f~> J J IIP IF I i /A^ 9. * -9. ftZl 4 J b P p V " 1 J J r II r r r h 1 J ^ * II ' i i r L* flow'rs were all i. i^ ga-ther'd in heav'n. thin b a o u r* a ft P 9 I'm /V h J (\i Li SL ' " fc M ' cr I I gar-land be sweet to the eye, O ^ * A A Jl k D A P P P P'm ^- f ' Q)P \ " P 1 1 II* r J J i *- r I gar-land be p , sweet to the eye, + -f - "P- ' V i l A A n r < J. b - r r b i J b ' J r r \* * L L gar-land i i^ i^ to the eye, May its verdure for 1 t ^r i r L r- r^r.i _Ci L r 9 m I Al ^ i^ , 1 f P ~ 11 - May its ver - dure for e - ver be y . A u r r P P p~ J 2 r r 4 I , J l l 1 p 9 u ** r May its ver-dure for e - ver be ' v i r * J. b p , .(**!.. * - P.- b E P E P 1 1 1 e-ver be 1 ' i i i new -- ......be 54 7k b J J E p " I" "'*"! y\r d m ,,.< 1 ^. r 1 1 Ml i w ^ i new, May its ver - dure for e - ver be new. Young i * ^ i i i ^ s j . . i j,.^ ) L J J t n r5^ i. " J I 1 * J i _d L^ J r T 1 i ^ ' 1 bJ- 1 ^^3 new, May its ver - dure for e - ver be new. Young -__.. <"* i f rr- *L 1 j J. b o h P - j r r j 1 ._e new, May its ver - dure for e - ver be new. Young r I "^ - ' J? A - - *n P p p p i P r f\\ r rr r ' ^f 1 1 i ~E 1 Love shall en-rich it with ma -ny a sigh ; ^ { ...... i k^ i i . & A ? i It i .* , " Ah - A j j ~ J P D 1 Q\ 1 P * *4 J 1 r *I 1 i i ^ 2 Love shall en-rich it with r ii ' r p ' na-ny a sigh ; And Pi - ty shall (^ - * P 1 p r r ^\ ; i ^ A - J-I L -J- _L i ! b r r P P P Sf L- . h 4 d J I ^ I 1 Love shall en-rich it with ma-ny a sigh ; Ar - 1 P * -j - id Pi - ty shall i p Youn "n u f i A *-* 1 Y h ' P f r- r r f pr\o | L_I_X -4-1 ' r~ nurse it with dew ; Young L J 1 1 L ove shall en - p i * !* 1 I I r ^o -4-^ : ^-k - -E 4. %/ V u - 1 -J-- ._(-.. SEEzEfE:: i rt- nurse it with dew ; Young Love shall en- X h 4 _ ... 2 y ---------- And Pi - ty shall S- * . . O A I r ... A P...... u h r F p ~ p r P T 7 r F r , ,,'. , 1 i i i i rich 5 ...... , ^i it with ma - ny a sigh ; And Pi - ty shall -fp-P- m -& - m. m m -V / r r Pr i *J. u J i r 1 h i r\ i . i 3-*^ ,... , p A i II _ r h r i 1 J t r P J J J- J j r r * *i J J L I 44 And be - lieve to love re-turn-ing lau-rel wreaths beneath theii p _ "" A 1 p i "t 3~ J J 1 L . T r* f "P" r f T i _ \ i i n r r r ^ i > -jtj, L L ' J J J . J TOT S W ' ^i ^i care y And be - lieve to love re- * )-L P r 'F-I A ___^.^ j j Vc iE - J III 59 \ h V J .... . 3 E: 3~ (AW * J J r r y ., ., * i 1 ^ i U 4 turning lau-rel wreaths be-neath their care, be r . - - H J. pr 1 r p J J h~ J El J J 3 c i !..,_ ^. h J 0- i 1* i h^ ! J j r n^ J . m . I J *- 1 1 i 1 i. - w < o i J_ neath their care, . p - And be - lieve to love re-turn-ing P ^ * - ~^ ' v r T^r * ,/', r 1 P 1 . m . h r 4 r 4 . r: A b~J J P. - 1 A ,. . . T-- P I ~r vj; i j 1 C L * .^ry.., , , lau-rel wreaths, lau-rel wreathe beneath their care, E~T" -H - f ~Y P i^ iri r I * r j p J - ^^ O _4 i || BE 1 J ' I*. "^ J | 4*i i r* I r V A r o P n X k * JJ , ^ - . 1 -| "jj J r L Q) i 4 1 j r L r SEZzZZJ C r- ^ i i EJ 3. ,.. H f-f: 'v r A > A - 1^ ,. J " _r 1 | 1 e 1 - J "f I J - I J :-, d -- 1 ' _..* i ' J ^ ^ . 1 f -Pr - f -e- p -* '"T r 8 , b_. or p I rp i ri r P 1 1 A b ' L 1 L X Q) ^ ID y . Ill 1 ' *l 1 f r P & War to ! t 9-^m r> tJ. I P 3; "i -J- " 1 /A 1 - h 1 - : 60 = tac har-dy deeds in-vites, War to har-dy deeds in - vites, Love the danger well requites, Love the _-, _ p r i 1 ] r-T P is r-r-t F32 dan-ger well re - quites ------..- Love the : ' v^ : daa-ger well re-quites, i &hW~J Pi m 61 P'f~f P* . i f* _j^ ' O i '*- *--". H 1 1 X k m * I J J 1 p-~ 7^T 1 J (Ar II T * r -. J * * vi/ u 1 har-dy deeds in - vites. Love the -0- Se- 1 ' J .--.- V --'- 1 tJ. 1 ... . ! - P 1 b j . ZZ , C " ^ , . 1 1.. 1 ' 1 9 I | = i i ' i i 1 ~H*h 1 J. P r* r* P 1 t^ dan-ger well re-- quite*, War to har-dy deeds -f - - -f -*.--, H^W. ^"^r in- vites, > ~p~ V i * I EE I D .. , U . i h 1 M xj | ^ 1 1 - ~ r - - -\- Ailagio. I ^ ^ ' ' ps \ ( (i JJ 1 1 * 1 1 * Jw^. J lr~*~ J 1 1 HI 4U Leve the - V A j_ - -J. P ff i ^ m - P h r d i i nr * F -i .:. _ i i ' }O [ I ^ A Tempo. "1 1 1 1 f .N, n 5..-J P ko . J J p _ _. -f. JJ dan - ger well re - quites. r ' i EE ' m ^ i b r 1 2 ^ - 1 c ' I 5p ^ _ "7-i J -i If L - J P' P JJ J T" 1 ^T^ ^ M * i * ' M O S \*y | l^ | ._ "P" , ^ _ ^j _L f* V * a i P - - * C ' tJ. r 1 J J 1 J.. .u. * . o r i .. 6-2 A\b 1 ' ' ' 1 " \~" 2 I ' - - --r - rf Ml ^ L Jgrr i .-h-i^ 1 J i M 1 , . *, ,_ 1 f r r J- He-roes -V I *J. 1 1 1 T 1 1 -j . -i i -i w T i i ,J J j - J 1 ,^ 1 J i !i . > O 1 AT_h J J J j I (jl) * J* ,.7 i J J i 1 when with glo - ry burn-ing all their toil with pleasure ^V EE D "1 ~1 I J M _1 rW * J i Jj| ' J Vl/ C J" 5 1 - i *- ^ bear, And be-lieve to love re-turn-ing lau rel wreaths be- ii iii V A *J. . f "(I J J r ( J J i ^Th * 13 J i d t J ... i i "Jj H ^ i j *i . If L 'w H J 1 1^\ ~m ' ^* H r i * J r i \LV * o i i. i . i neath their care, lau - rel wreaths be-neath their care. i _j r dtf < V 1 ^ Er * := t- -++-1 > :-kd V. . b- * 1 1 H r-H- 5 ^ Dal .SVg-no. No. I. Hark! I hear the Ocean's whelming Sweep. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. Antiantino e*pre$$ico. [Am Love's young Dream. ? I V. -~ . ~ J *~^^BhBiBI^I N^fttrrti*^ Hark! I hear the o-cean's whelming sweep, The loud winds _f-_^. fIT ^ 64 roar, Fare-thee-weil, my love, I brave the deep,We meet no Tiff" I""?""!* " 1 "T \ N.' ' l""F" y "T~T more, Deep glooms the night a-cross the land and darkly p. cres, /. p. A: g w F J J ' r : ; p-- f TO 1 -A r J * 4 - J J j i J- <+ v 'w 0- lours the skies, Coldly blows the wind and cold's the hand tha *4 1 _ j r -r *i i J -i J -, -, I M f r i 1 S ' 1 1 J ' J ^ i "-. i ^ " * rf IT*-' ri/. i __i i r 5**^ J 7 J**t , A . ^ p- * 1 J , "1 wJn J^ n nj ^ . f :." r T 1 H \ 8* J f ' . 65 aLrj^rdzT 'I ;:T-J h I -wirJrrgz^zrsr ^EgS^EJ^pjJ l IfXtrH . "^ * in mine lies, And the on-ly lights up - on the strand Are 3-1 -f 1 -^- i ^ i .-r-T those lov'd eyes. TT i h p*^i S 1 tg-mpsj ZEsfcrfc ^i eps When my bark across the foamy hrii*e Shall fly from thee, When those dear bliecyes no longer shine Life's light to me,' This heart thy smiles first taught to glow, Will bid emotion cease, And I, from ills and griefs below, Find one release, When these eyes that long have wept in woe, Shall close in peace. 6(5 Could the Voice that I lov'd wake again to this Ear. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. [Am She is far from the Land. -r i-r- Could the A bl " J i f! .. v v [\\y o J J r. ^ i r J vjr k_ ^ > j . voice that I lov'd wake a - gain to this ear, All its i . ..i ........... O ^ X U i ^ I c -,- Q) J P 3 1 J ^ E J I a -j^ F p- -f- ^ _j r^rii 5 H- j hi' .,,.** __J 1 67 rap - tu - rous me - lo - dy breath - ing ; I 1 ^>r r _ . ._ then might for-get all the sor-rows that here Round this A HI I K r _ - _ ~ (\wu P J _T5 vi> wr* J j^. t - \ U V^J de - so - late heart i i are en - wreath - ing. O D -^ - /i h 1 4 1 I rx 1 Cp _P ' ^ I I 1 aP I i J k. - . 'V 1 j t r 1 J. u * , 1 -i 1 frhi. T _ J E i I i tin rinf. i=^ m Could the eyes on whose light it was rapture to gaze. Shed on me their lustrou* splendor, Beam again, like the moon on the streamlet, their rays, All glowing, yet meltingly tender, Could the lips that were brighter than rosebuds in hue, When the dews of the morning weep o'er them, Melt once more to my own, or be bright to my view, As when first my heart learnt to adore them, I again might be blesa'd ; but cold in the tomb Lie those charms, with my Julia sleeping ; And lonely I wander in silence and gloom, To moisten her grave with my weeping. The winds whistle over the grass at her head, And wild roses around it are springing, As still, though the queen of their beauty lies dead, To the mem'ry of loveliness clinging. 69 Ye Woods and ye Mountains unknown COMPOSED BY WILLIAM JACKSON, OF EXBTER. Lnr ghetto. YE woods and ye mountains unknown, Beneath whose dark fli'i ' i YE woods and ye mountains unknown. YE woods and ye mountains unknown, Beneath whose dark -S-* ! ; - - - - 55 ~ \ b rf J J o ; " t (*\ J 1 r r r * > r sha-dows i I stray, i To the breast 3- r I * ol my r > *X i SL. (-. .. i- r . j g r r l^J ( F r VJ/ J j i ^ I Beneath f T "^ whose dark sha - dows ] P stray, - m V i 1 P B i r EEaZ r i h U ehadows I stray, be - neath whose dark sha-dows I 70 mm s^ charmer a - - lone, These EfflJrlUJM rQ F-f^- To the breast of my char-mer a - lone, E^iE^fN^ stray, To th*. breast of my char-mer a - lone. sighs, these sighs, these sighs bid sweet E-cho con- These sighs, these sighs bid sweet E-cho con- i 3dfc 4-- * J J j These sighs, these sighs bid sweet E - cho con- 1 5g f^^f rey. Wher - e - ver he pen - sive - ly leans, Wher- 5-f- vey. Whcr- te vey. Wher- 71 A^h r JJ- JT" r" jF ; asf t\) g j J i*j J* r Sr | fl' ^ r T e - ver he i pen-si ve - ly leans, . ^^ i i^^^ i By foun-tain i on i f) V . - . A tK J fcT A h S r J J J_P" r _ it (Ar i 1 * *t m* ^ j j j ^r J J 9 ft * v* * e - ver be P P P pen-sive - ly leans "P^? , By foun - L** + tain f 01) ^ v i r r r . P mJ. b j ~t o ' II e - ver he pen - sive - ly leans, By foun - r 1 "^ 1 1* - tain on " r & P^J J FT p* r* L P 1 T r r P 3 *! bill or in grove, His b-T4_,,,_J -, heart will explain what she ,1 . k A b J J " fi l . 1 ei , ... 1 tsu bd " C 4 J J hill or in grove, his heart - - - . will r . . 4- explain J- what she hill or in f , . I.. ' 'L ' l . 1 ^-J grove, His heart wi ii .i 11 j e' i , i Kplain what she ft b i | H f I M i P J J J r-J* ' l^so ~J - J *c ? P \J/ U w L 1 S 1 means, His heart will explain what she means,who sings both from o ^ i^^ T H . _^p fm h 1 M A r 9 1 Wl * Id TJ." r r ^T fi 1 d - nj - 1 means, His heart will explain what she means, Who - - m, - A V i i_ i . P, J. b 5 r ' ' , .,..,._ P t i - f . ,-L.n _:. r i r |. .., means, What she means, Who if- r&- sorrow from sorrow and love,who sings both from sorrow 8c love. m i tr^-w 9 sings both from sorrow&lo\v,who sings bothfrom sorrow & love. sings both from sorrow&Iove/who sings both from sorrow & love. feUJJJNJlj More soft than the nightingale's song, O waft the sad More soft than the nightingale's song, =e I I IfH More soft than the nightingale's song, O waft the sad sound to her ear, And say tho' di- A b - p P J J . ,. l\J u ' r JL " O waft the sad sound to her ear, iNff=f sound to her ear, O waft the sad sound to her iiPs -f F- ^ i ^^i ^--. vi - ded so long, The Qm*=LM f F- And say tho' di - vi - ded so Q Lj .. -g-f-gL^ .ajpF= 5 F=ft-^E g^ ear, And say tho' di - vi - ded so long, friend of his bo-som, the friend of his -bo-som is I SP-P-F the friend, the friend of his bo - som is 3q^ The friend the friend of his bo - som is near. Then tell him what years of de - light, Then # near. Then tell him what years of de - light, Then Fffnf friyn^ near. Then tell him what years of de - light, Then 74 A.h 3 J^ J J F r ^ - J j (Wr i t t J MJ J* kr i ri F *^- tell i him what a - ges of pain, ^ i i^^ i what a - ges what i i ' J . J . ] |5 i A^b - ^i r -*j- : J * - 4- J--d : J - ! Va) * -H- H * * *^~ -^-tt- ^ -4 < 9 tell him what a * ges of pain, fm m -. -T--0 what a - ges what * v r f -^ r i ' i i I ' j i tell f h " him what a - ges of pain, ^ 1 1* what a - ges what lilt /V n i 'P4 J 1 r r r f P m I A^ W * r t r VJ' I S 1 o i 9 lL__I_ a - ges of pain I IT -l V ' felt while I liv'd in his O b J ._ K , ,., 1 I JtT ^ P 1 (\) -^ Ji*j n L j 1 I --4! ^3 CJ 1 , , J J 1 1 II a s pp*2 - ges of pain I felt - - / ^_ ~^_ while I liv'd in his P , - - I 3 ^ I P J* on I 1 > r r nr r r h S r r r-r i i , 1 1 1^ a - ges of pain I i _ 1-1 felt while I liv'd in his A 5 K k JiLk 1 1 , p p P>J H r J J 4 J 53 I ^\ f* if I *. IJ r r \J/ L, ,, u r sigl i it, I feel till I see him a gain, what a t - - ges of | ... . ^ i h ^ ^T ^_"tr r t r -P- (A) *3 _ t^a --L -4- -| 1 - r --J r r sight, I feel till I see him a- ^tft_. 4J. - 1 - gam, i * what ^ i i\^ . A A ^ t J. b r r -i ' f f m r- -. r . r i i 1 r. , si^ht, I feel till I see him a-gain, 3Ln r T r QZ r r ' P " P r IT) j j jj- -c r . j r r **7 Hi * r '4^' y , pain, what a ges of pain P b n i HI i r>* i -. 1 \* 1 feel till I p J_p ?- f rT"^ '""l"^ JJ- fin * J " J **d i i * VA/ m J 1 c ^ a - ges what a ges of pain i p I feel till I 1 H 1 L. mznj t P^ J 1 P P P -P r-r t p i J J ~ T\ II I T ' ' * J VJ[J 1 1 1 1 i * what a - ges of pain .- ' i "^ /s I feel till I O " 11 II A h ( JJ n II 1 Q) F II r 1 see him a - gain, i i 3L h , , iw B- ., _ 1 t\\ j _ n 1 i/ * JJ see him a - gain. r V 1 m 1 I J'U ( * II 1 _:, h H II 1 . see him a - gain. T ! 76 No Flower that Blows. SUNG BY MISS STEPHENS, IN SELIMA AND A/OR. Moderato. LIM.KY. tttt -1 Z3 ^L_C PL o **n A 9 E f c hH \? ' H- No flow'r that blows is like is like this rose, No flow'r that blows is 77 M yiu -ff- F * - 1 J I- - * J4P^ r P ^ P . r P 1 r Vj) I ' I , a 1 1 & lik e s like tbi. } rose, Or scat - ter s such per- jc rVftfr 1 ^ r 1 EEcc! 5 9 1 t? 1 .... . aa * * fume, or scat-ters such per-fume. -* ;pp-p-f-F=*^ # No flow'r that blows is like this like this m vj&MFTfc: if rircf rii_t No flow'r that blows is like is < dri!- J it-l^fefe$ like this rose, Up - on my breast ah ! gent - ly -ft- 78 rest and e-ver, e-ver bloom, and e-ver e - ver bloom. No flow'r that blows is like i like this O **- 5 gg rose, No flow'r that blows is like is like this S& fcfcgrijs rose, Dear pledge to prove a pa - rent's love, a * j} p . i o o> r r c d- L J-r pleas - ing pleas - ing gift thou art, Come ==*P 79 * sweetest flow'r, and from this hour, Live henceforth in my heart, live henceforth in my heart. No flow'r that blows is like is like this rose, No flow'r that blows, is like is like this rose. -S- 80 NO. 551. Hckn. A BALLAD. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. [Am The nutting tf the Waltn. 81 gal - lop'd in haste o'er the glade. And his d steed and his mas - ter were gai - ly ar - r er I [. [. ray'd, And bright was his form, And 82 jjjgpTtfltTtt blythe was his air, ID his hat was seen flowing the i -=\ 4 I m t J M E M4 i gift of his fair. In his hat was seen flowing the rituriL fM And Helen look'd out from her window that night. And he wav'd his gay plumes, when the maid was in sight. Clapping spurs to his steed, swiftly onward he prest. In a moment he folded the fair to his breast. And lip meeting lip, there as mutely they clung, Their eyes' glowing rapture spoke more than the tongue ; While her breath panting quickly in sighs only spoke, The echoes of rapture his presence awoke. The morning beamed brightly, the cavalier's steed Flew lightly along the dew-spangled mead ; But never again came that knight, and no more Wears the maiden the smile which that evening she wore. She weeps not, but looks from her lattice all day, On the road where the cavalier wended his way ; In vain her heart throbs, or her bosom may burn, That knight and those blisses will never return. Under tlie Greenwood Tree. Andante. Dr. An.e. F-=t- --=\ F-=H 0-^-f 1 ^ I Jc. u f _ p I 4M4- s* 1 K ^ '' 1 V u . a P P J J -i (Aw ' 4 - J 3 Cr L U - 1 3 L UNDER the greenwood tree,Who loves to lie with me, ' V m E. " r P j EE f P _" . . r P J T . h 1 1 ~ _..:. L . _f i I rr l^ttnr' T ^r^ And tune his merry note his mer-ry mer-ry h-" +r- H 1 -F-^- H=~=r- note Un-to the sweet bird's throat ? And tune hie ^\ M T 1 mer-ry note Un - to the sweet bird's throat, Coin* f ^ *} F-^- i r i- X h" r r TT" ll , A) b - r r IJL 1 J 1 ^ |^_K 1 , i^~ " Ml i A MK f r r p * m- K "i r* "i -, r P p-"|- O u 1 fcj r P: L L r 2 - -L ^ ! hither, hi-lher, ^ * ^ v Come hither, come hither, com* r V 1 V^'h . - -I- a ^-^. . hi ther> come hither, come hither, come hither. ^I=C n r irn 3 .-LLM -^ 1 -m - ji 1 N m - - - A i , J k ^ w r P r r ( J (Vj Td r r r i vy i^- v ^ L L i " b^ - cF I* U - Here shall he see no A ^ u u e - ne-my But ^ P * P u in-ter anc A rough V r A .1. F . -i r h - ' t* A h n" Jd -j jj- T r r [ ' f\\ _j rtJ= _ a A. 9C 1 A j. - r - t g ^ /* 2C K 1^ a._f M i P # nr r i ^p |\O T ( i 1^ 1 ^r LC r * C 1 u ^ L . wea-ther. * b* Here shall he F- see no e-ne-my But . F-^rf- 4 ^ 1 lRE^~JJ r-J yj l_p^_^l L^ [-1 f t^ 88 Y h' "i * * -, 1 1 r r ' St j ' cr- 1 1 k 4. * - - -P T w * U-. r f :. P I 1 , ,,"1 j. P".. "1 ,,JJ-^_,. 1 'i J " 1 II Zl y t- w J 1 9 1 Winter and rough weather, Here shall he a*. " b _ . . ffP see no h : v r ^ Qe _ JJ J -i ... h J 1 *f f ~ t7' h i -I N O p 1 H -i Y 5 r "i i j J J . ' . 4 i 1 VJj/ 1^ ^ I - 1 ' e-ne-my But Win - ter, But i ' * A m vj- -i r r * f h - ' . . ~ J . . V4/ iT^ h - ^ V f-i -1C A A T^ 1 X ti A a r r P I ~ s ~ N . (A) i 4 J_ r r r .4 A 1 ' ' I G 1- 1 ( M _ If V Winter and rough w . p ' I 1 . . *. . h. J 11 i LP& fe ^ [J 1 i JJ Vj rH 4- Jt. K f i -i L , ' " WS L ' **' ,^*^L~ ' i k7 ^ . H K ^ K r ft- r 1 L W i* if: I J J T P f 1 L r U " j i r r 3 1 \ . L 1 greenwood tree, Who loves -. m & - to lie with me, And ^ r B _ I 1 t)' P" ^^r^ P ' J n r n 1 b 1 ,,, \ ; b- J n r n 1 p f P A* A. tune his merry note, Unto the sweet bird's throat ? And 90 tune his merry note un - to the sweet bird's throat ? Come m i r i F-'l hi-ther, hi-ther, -, hi-tber hi-ther, . Come 'v r " - r i cJ. --'-_ -, r -| -i r i \ h ' ' " i r I .: '_.". '. ~ 3 5rt 1 TCT N * - K ^ ** A A r | p ._ 1 P f X K s h P p Ej f i > " * 1 fn\ ^ P r ^ JE L L r P -* L ^y L c ? L 1 * U L hither '" r p w <+ ^ 1^ ,come hit lur, come hither, ronie hither come hit her, come . . . r*^ .. Pi w 111 i r f & s &Z r P LLU L P -L L, \ SsJk 3 i 91 jg k *S- p j E ~r r T . A- E-*t= .. i _ r ' T j\\0 r -9 i iVJ' ^ ^ 1^ IP* 1 1 1 hitht r* r, come hither. r i > - r 1 1 P* ' T b 3C ' ' 1 _ 92 NO. Oh! come to the Tomb. THE WORDS WRITTEN BY MISS MARY LEMAN REDE. [Am Ok I breathe not hit Name. Andante. ^wi L tU-L^l m OH! ml* 1 f F"~~'r- u b ' ...... r r i ~~^ i* ^^ fc. Y^ 1 P v nn ** 5 - -^s y R h V J - f* J I \ \ -. s v re r -P m 9 a ' ^ ^ x come to the tomb,where this form shall be laid, Where no D ^ U Pi * r ^ 4 \ x f, f y Ji J J \ - - (Ar i 1 4* j J J 1 VI' ! U * * i ~ w P m .-P r r f i f r m , 1 i *( 'V r 9 T ^Jr, ' * ^L T b ni i _I r 1 fc y i - ^ . 1 s P* JJ " 1 4 -iff' P " > '"' ' T woes shall mo-lest it, no cold ones up-braid, And . . - give, fond-ly give, there a warm tear or two, For the ":M?J 807 '!<">T hism R (sons 3fvg Jf PSii .,; U heart that has shed more than mil - lions for you. 94 /*. C --P5 @ ^A-gp-p rnt-tr Gild my tomb with the smile that in life I ador'd, Which often has life to my bosom restor'd ; But, oh ! let its sunbeam be blended with dew. As my last look will be when it lingers on you. Then turn to the world, to its shadow or glare. And ask, has it got such a friend for you there, So fondly adoring, so ardently true, So madly devoted, as I was to you ? Then come to the tomb where these relics recline, The spirit has fled, but despise not the shrine, And remember that nothing but death could subdue The light of that shrine that burn'd only for you. Fair Clora. A DUET FOR TWO VOICES. DR. HAYDN.- Jj fefef-jtr^-fggg As I saw fair CIo "rttftrff^ A.S I saw fair CIo - ra i f walk a - lone, The fea m i walk a - lone, The fea i US 3 ./ il *r^ - ther'd snow came soft - ly down, soft - ly m I _ . - - ther'd snow came soft - lv ^rSir e$ down, soft-ly down, softly down, soft-ly down, came soft - ly softlv down, soft-ly down, came soft - ly A r 1* "r j^^ "II n (\\ r 4 g 4 . II - IP SEZZ w i r i X "y^_ i - i i i soft - ly, soft ly down. As Jove descending, de- f A i 1 ] ^ r-- ft l> f f r 2*9 1 1 1 g * II r r r V. | ~ :ll r = 1 soft - ly sort - ly down. As Jove de- --& scend - ing from his tow'r, To court - - 3 scend - ing from his tow'r, To court her P - her in a sil - ver show'r, as Jove de - scend - a*^ 9 _ m , .J i i i p r+ 1^ *~f" b=t= i H 3 -fl- ~* ?5 -J- ' n a sil - ver show'r, as Jove de - scend - ing from his tow'r, To court her, to court - - & m ing from his tow'r, To court gijjip-rrBEi her in a sil - ver show'r. g rT& her in a ail - ver show'r. I^P 1 tfnpvt #i wan - ton snow flew to her breast -as lit-tle lit - tie M 1 f 1 -^ The wan - ton snow flew to her breast as lit-tle birds in - to their nest. But be-ing o'ercomc with . birds in - to their nest. But be-ing o'ercome with white-ness there, for grief dissolv'd" for grief dis-solv'd in- whiteness there, for grief dis-solv'd, for grief dis-solv'd in - 98 " to a tear. Thence fall - ing on - - - her 1 , -e- to a tear, Thence fall - ing on her A ~P-iJ -H J T V 1 ^ ^y- f\) - r d M * r j J-ft:r i VlJ w 1 - ^ - , u s O x. ' P ._. 1 .< - Vfl \J*" . o - 1 " J f *P **" a 2 . _ gar-ments hem. A..U ._. .^. ,.....- . To deck - -e e - - her froze, froze, froze, in- her froze, froze, froze, in- to a tear. The wan - ton snow flew to a tear. The wan - ton to her breast as lit-tle lit-tle birds in - to their nest. snow flew to her breast as little birds in - to their nest. But be-ing o'ercome with whiteness there, for grief dis- But be-ing o'ercome with whiteness there, for grief dis- rri r 'f.gffiJ-J"fi solv'd for grief dis-solv'd in - to a tear, fft rrajlriJll solv'd, for grief dissolved in - to a tear. 100 Green grow the Rashes, O! I'icacc ma non trappy. ~4 p-i m . n -- - f F^^Hfej m. p- f | j p. --yp-g- ^*" * ^1 iere'8 nought but care in ev' - ry ban' In ev'-ry hour that i 0^1 i pas-ses O, What sig-ni-fies the life o' man An' i k rr m 101 'twere not for the las-ses, O! Green grow the m izz rash - es, O, Green grow the rash - es O, The sweetest hours that e'er I spent Were spent amang the 102 lasses, O ! ^w iT ^ . ,' The warl'y race may riches chase, An' riches still may flee them, O ! An' tho' at last they catch 'em fast, Their hearts can ne'er enjoy them, O Chos. Green grow, &c. But gi'e me a canny hour at e'en, My arms about my dearie, O ! An* wart'y cares an' warl'y men May a' gae tapsailteerie, O. Chos. Green grow, &c. For you sae douse ye sneer at this, Ye're nought but senseless asses, O ! The wisest man the warl' e'er saw, He dearly lov'd the lasses, O. Chos. Green grow, &c. Auld Nature swears,, the lovely dears Her noblest work she classes, O ! Her 'prentice ban' she try'd on man, An* then she made the lasses, 0. Green grow, &c. _^ Ajk ^ '-- i, -.p.. - 103 TJCO. V. - Oh ! never more. THE WORDS WRITTEN BY WILIJAM LEMAN REDE. With Feeling. [Am The Harp that oner. rMT JT^Fg X h 1 I ^ _ r^ A. w "'^ 1 hJ 1 T"LJ" ^^ v i | -**T-i ~ T S C. H AM_ IT 1 - JJ J " ^ ^"- 1 p J* i i D :"( j 2 -_&4, p< i r Oh! Stir ft- r* fr __ - ne-ver more up-on this heart The sun of joy will glow, 104 m-r. p * L_^ p "h - No more the pitying tear shall start For mine or other's woe. mr-fcc Pf ^ . - ^ ^^ The source of smiles and tears is dry, And feel-ing's ' font is o'er, There's no-thing now can meet my eye On " 105 The blandishments of life that lit My hopes when youth was wild, Have vanish'd ; would they'd linger'd yet, And I wau still a child I Oh \ for those happy hours of peace, When trifles gave delight, Ere Sorrow bid those raptures cease, Or Malice brought her blight. Those joys I never more must know, But inem'ry pictures yet The blisses that I must forego, But never can forget. Hope flutters still within its urn, And cools my burning brain ; In dreams my bosom still will burn, And echo joy again. ' 106 O ! who has seen the Miller s Wife ? A GLEE FOR THREE VOICES. REEVE. TTrr-i-p- -j -i -r- f'rT'r ~"l "F" r\)lv J * J 1 ' rj;r- -r g Vr r i * i i . t/- - 1 - p T _ ._, O, who has seen the miller's wife ? I, I, i, i Z"^ " 1 " * 1 r P r 12!" " >r r r 1 I, r~ i; i " ^ i 2*7 " * m j r T1.X I r- r - , _ . , , . . .. a - I * m m m F f -i m m p* r T r r r \ r r r ~1 r r ~ - : and kindled up new strife, and kindled up new strife, !O M 1.1 11 1 1 <\. *~' A A . F r* i~ ^ A,i,ifli F r (i^rrr r r rr rr r r Vf'" :h: : _l t 1 and kindled up new strife, and kindled up new st -f -f f- rife, 1 "FT ' y -| i i 1 - f FT f ,/ r " r r I l=^=i_LJ -r-r + 1 ' ' and kin-died up new strife, and kindled up new strife ; A /^ Jkr f\\ \Lj^ ^ __ _ -ff ; - " ~ f ft\ V cr ~ ,):;( p J-|^-j~~ ~s~ -j 1 - =Wrf bz p ' i "*~- ~T~ : ^~ : d - 1 shilling from her palm I took Ere on the cross lines I could ID/ ia m L B , _ ~~FF~fT~ i '~S 1 1 1 - -- 1 - - -U 1 i, i 1 1, in O V . 3 J J i r ^ r- I\Y J I J J L vj/ ~ ^ - i Who has the tanner's daughter seen, I, I. in f~\ -I U J*~ J r r * i ri look. Ci~ 1, in r 1 quest of her have been, in quest of her have been, ' v i m t 1 J "j- 1 > i OE r J r^r^Jl J r r - gjF r -4- 4 r- L J 1 quest of her have been, in quest of her have been ; But f\ i fm. * " DD " VJJ j O 1 f\ " * 1 t\\ i VJS 1 f "f r 1 r v A o ./ . # a E 1 r r e w U- as the tan-ner was with-in 'twas hard to 'scape him in >*?,! 108 x TL-* -Iu_ r T f-f -~9- (\t \7 l l But A as the tanner was within, 'twas hard to 4 n " 1 P A - i i m - i ~. m. m m ^ 2Z33 r f r r T r r 1 1 1 1 1 1 1 But r -p- r i i i i i ' i i i as the tanner was within,'twas hard to l I 1 i Et - J ~l 1- 1 1 whole skin, But as the tanner was within 'twas ' hard to rt ^ I m - m l 0r>. TL _, Jy r r EJE. 12- ^> f ^ f\ -P- l r ^ o VJ/ 1 1 ' r 'scape him in whole skin, L ... j . 'Twas hard to 'scape him in 1 - EHJl . 9 f- F_j I . O . f"5 r r r r r u -u -^ H J i . . . ( - no 1 'scape him in whole skin, -f -f -P- 'Twas hard to 'scape him in r \ 1 i T _J -J .. wr P. r 1 a r o 1 -* 'scape him in whole skin, 'Twas hard to 'scape him in 1 II i mfm _ rf i , r- "i-- i A\ (^ LJ ^J i n ' 1 VJ' U K BT whole skici. g __^ "^ I s BF p P A * 1 _L P * f-9 J ,^_ S r* J_ f f rf * 2BZ I / L/ EE 1 whole skin. i . . From ev'- ry place con-demn'd to d N -p- -p ^> T^ r v ] , T f i ! rt ' . ! i 3 J L- 1 f tj I _ r C I' \3k 1 J ^ x 1 whole ' skin. From ev'- ry place cen-demn'd to 109 F-^r- These branches form our Bgti I roam, [n ev'ry place we seek a home/These branches form our JEfclpJlflnflfel roam, In ev'-ry place we seek a home.These branches form our f-frr if JiE^H i Summer roof, By thick grown leaves made weather proof. In m SEP Summer roof, By thick grown leaves made weather proof. In Summer roof, By thick grown leaves made weather proof. In I r [ shel'tring nooks and hollow ways, We cheerly pass our Winter shel'tring nooks and hollow ways, We cheerly pass our Winter shel'tring nooks and hoi-low ways. We cheerly pass our Winter 110 p - jp ._.._. ^ - "*T""" P 13 r p P r 1 - f f t 1 1 ? ; days. ^ ^ " w i- ^ r- ^ ^ - Come cir-cle round the gipsies' fire. Come cir-cle round O i t: I i f srou rid days. "^ I Come cir-cl J^B t f* 4 days. t p p p r i L__(tJ^ o P b A 9 r r r u r r r m 1 X \ f -- r f A\ - i | ? Ci* 0> B i ^. Vj/ 1^ L i. -i * the gipsies' fire, Come cir-cle round the gipsies' fire, Our songs f ) ~S""" ... 1 * El r ., ^ 9* X r ' I-, ^ P p f A"\ 1 r P 1 L r r VJJ I r 1 ^ G * 1 1 the gipsies' fire, Come cir-cle round the gipsies' fire, Our songs J ... ^ T^ a p p p ->: J., J r^_. - t--4 p T- < LJ Come cir-cle round the gipsies' fire, Our songs \ "L r !. r ELJ Er (ta L x L **fl ^-L^ 1 is ne -^ L0 d - - ^Vl j H L &- our sto-ri< - ver tire, Our songs our sto-ries ne-ver iS ^ J - A AT" P V *" i p r P P P l\\ r P f * r i r r P Mi_L. ., FT r so u ,. ^1 1 ^^ i^ ^ "^ i^ our sto - ries ne - ver I tire. Ou *- prriPr ^ "^ U ngs our stories ne - ver -. -K ^ r V m: m .l_t r 1 , 1 I Sff k. t I. P > 1 j f r ***-j ~fv U i r.* : our sto - ries ne - ver tire. Our songs our stories ne - ver Slow. 111 -b o I ].tJ E -&-* ff-o- _ j: " X f 'I . P (*._ r* "i & r m5rzJ I J-t^L- r P - M: r i !:z: il T. i i t tire. ne-ve r1~ r tire. _J Come stain your cheek with mrt or o 1 1 T J vft x P J j -pvl T^f r- f f- frrr T d. J* T/< r y | i - -M T tire, i ne - ver i i i tire. ' V 1 1 inl 51 t ] I 1 Hi; __TJ * 1 1 tf f 1 (** * ^ tire. ne - ver tire. P t p r C\ 9 ^ - 9 i p r 3t ^ P A p P 0\5 1 P r 1 L [ ^? VJ/ f C 1 i ^ t i^ - ^ berry, Come stain your cheek with nut or berry, Come stain youi ft p i .1 * - m _ P - A. i EA- _ (_ P A t r P J P P L 1 ^ I * L . 1 Come stain your cheek with nut or berry,Come stain yoic 1" r p ---,- -t b r~~" " p p y p f E0 r-P~ P p Come stain youj i - - - - Oil r r C r r r P P p t K - A 2EJ L p. v (\)K V 1* m _E i u* v L- L- [find the ~F"~"P~ + + ^ L cheek with nut or ber-ry, You'll T~F~ gipsies' life is merry, o , p A r p ^ u V P L r L T W 9 9 * (An L B L _L_ r p P 9v~* cheek witl r*t "T L >erry, IZ.C &-J&. You'll find the * \^ i-- fe is n V 9 i^ i nut f- or 1 f gipsies' 1 EJI ' u u icrry, f p-i i|=fc =F V :E -U-U- ra~~- ^ cheek with nut or ber-ry, You'll find the gipsies' life is merry, 112 JK r : E , r r T .. 9 - r r r ctri 9 -t- tt __ JE r L L vj; > i> (^ m ~t _L _ L L L L &-* You'll find PT"t~ the gipsies merry, merry, -h^ i^ merry, _JS -h You'll find th< i *. ; gipsies z fl T r A T ~r ^._^__i a J ' v j L J 1 L . . r i_ Jt T I" -j- _j-4 -5--t rry, m 4 L You'll find the gipsies me ' t prry, merry, You'll find the gipsies ' \ ' |F*"~ A ,. f . r iT A s3!l JB P # i i L IT 2 IJLZS * _ * . ^ b P TT r L. ^ l * *-^~j " t ,1 ^ You'll find the gipsies rw ,. O F & ,T A P ^ A n n jf"\ ' IE i 1 P r - i t\\ b ^ ; r * J 1 J J vJf r^ *0 ^ U -1 n i 1 ^ 2 L 1 V w merry, merry, * - - - P- ^ ^ ierry, You'll find the gipsies' life is mer-ry. k. k. N k. k. w. Q r s r T r r Pi J i m v t 1 .. A . \ (Air L P 4j J J . P_ P * J u- J J_J \9^y =1 merry, n ^ tr^ z 9- m-\ & ierry ^ merry, You'll find t u h( g[ 1 U j gip-s ies' life is merry. Y E A, '. t x - p K ^ ip : A A A & V ^ b ^ P " "r r T * & ? ^ - merry, merry, merry, You'll find the ^ \* U U > gipsies' life is mer-ry. 2B . r E P~ R. 1 ... . _ -P-P TOT r r 1 h fc l ^r - ~T f" p 3 jr L U* ^ u s Come sta i k. P n yo -f cheek with nut 01 ' ~U ber-ry, You',1 lii d the N . \^~ c gipsies r> r A _ M i r 7f n 1 A * - P -- E I 1 | (Yi J J I P P _1 j j I VJ7" W' ^ Come stai 1 t 91 r i your cheek with nut or ber-ry, Y., 'II find the u gipsies 'Y ^ ) pi . 1. i l \ a 4 L r, Pomp. 113 p> t "^ [1* j f r"F-f- 1 h^ h t*~l life is merry, Come stain your cheek with nut and ber - ry O ^ 1 X..\ ! (j)L i i y*-L, u life is merry. / ^1 ** 1 H - c o - t - * - A f T i f f P' A r P T .11 i (Y) r r L^ , ^ I 1 1^ l^ vf u * U ^ ^ t? Come stain your cheek with nut s. I s or ber - ry, Come stain your o r A "P J P r P * (\> r p j 4 r r 1 r sz L * U U ^ U Come stain your cheek with nut * V ^ U or ber-ry, Come stain your T P r "^* r * j. J>* " L * Come stain your P P PPPP PP*-~ 1 1 111111 1 r i T T p F ^j 1 M r rl ) **1 V v V * *\ \ V ^ L U -i^ 'i**' u i- ^ L^ L. cheek with nut or ber-ry, You'll find the gipsies' life is merry, . J . m n ' ~ ff_ A F pi f _ * A W P P TOT t j PT -T '-T ^ ^r"t t* > ^ ' ' -* L L 1 1 1 cheek with nut or berry, You'll find the gipsies' life is merry, . -f p -r -p ^ T T ^ ^.g. r r L b-fc -f - J i_._* - 1. i i- 1. L? r~ . 1. 1^ i - ' V I gr-jg g -JT- gr- g; cheek with nut or ber-ry, You'll find the gipsies' life is merry, 114 tlit.t..is i ijj&ti ^ - 1* g P -B-Je-^-LZZ-Z=te You'll find the gipsies merry, merry, merry, You'll find the gipsies I i You'll find the gipsies merry, merry, merry, You'll find the gipsies ati I You'll find the gipsies merry, mer-ry, merry, You'll find the gipsies mer-ry, mer-ry, mer-ry, You'll find the gip-sies' life is mer-ry, mer - ry, mer-ry, You'll find the gip-sies' life is irrr $ * * * ; ^-A_ mer-ry, mer - ry, mer-ry, You'll find the gipsies' life is W- i mer-ry. Pi mer-ry. im mer-ry. 1 lo 4.lva. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. Solemn. [AiR Rich and rare were the Gems she wore. x "7^~9,^ 3 H 1- 1 f :: DEEP o'er Al - va's a i ? PET E i i 5 f i m tow - er falls The gloom of night, the an - cient *=t -F f 1 - ^ r in d ^ F F f 116 A K~ -"" _ ^_ . i 1 3J i w " lT5 End _ . J vy o J _ I c "^^ walls Are 1 1 dark as 1 death ; the 1 FV. 1 s en try's & car* i Is Q *t .Cut r r AT "I- 1 ' ~ ^ M r 1 (j) d I 1 ' 3tZJ _ P ! ^ J \ it- _c a . P - 1 4 i _ i -P J ^^P<4* rn 5" A HA 3 d *J ;g *-0 F r- r q r f -J- SB h -F g^mCTJTTI-TlIllB si - lent all, For death is theie,The last of Al - va's 4 H h -e. -f- 3 EJ * Q5-^r- -H- g ~i H y^- -i lof 1^ _ - ty "11 A -J ine J , i I r * f laid wi H 1 ti 4 v> - W in the }_ -d J- J con - vent O ** i* * 1 I . I y" J?_r 3 1 i i i J J , jt vl' 1 r^ ^ 2 i ^ i IJ ! J P^ I unrr i U" ^ O 4 -~P 1 1 /\. n i - r - ' F r* (\l ~"l vj; 7 o shrine. tj - p J o p" TT i r J u . i i 1 J * 1 ' O 1 I ; d ! 1 O o o I . 1 _ , ^^ - ~\*fi 3 , n e... p r C ^*T , ^ ^^ L J 1 J ttZH """i k* J I r I H Alva ! peace is not for thee, Thy splendid turrets yonder see, Thy wide domains are fair to view ; Thou hast no child to give them to ; And thou art old, and sorrow here, With none to dry thy bitter tear. False thou wert in love, and now Thou reap'st the guerdon of thy vow ; Days shall rise, and suns shall glow, But pleasure thou wilt never know; More wretched than thy meanest slave, Thy only hope is in the grave. 118 Let us haste to Kelvin Grove, bonny Lassie, O ! A FAYORITE SCOTCH BALLAD, INTRODUCED BY MR. BRAHAM, IN GUY MANNERING. Affetuoso. sdi m i U~JP LET us haste to Kelvin j 119 .... . ... . . F r F r jj~ J j r F up y 2H3D II i E: grove bon-ny lassie, 0! Through its ma-zes let us rove, L J j p ~~ 1 "~1~'1~1 F" m -H j- ^ ~M ^p 11 I i 10 j m 4 - "F~ ft." 9 m 9 P L^J ^^ i i A V 1 1 A J " " iJ. b i a p F r J b ' I J * " f K k 1 3-1 A - - - F I " F 1 F '" /V\b J -j -t -J P-S. * . L bon-ny lassie, O ! Where the rose in all its pridePaints tin m C\ U IBTHI ' F r AL T~i < m I ft r |A\O .J J ' i E F F VjJ i |E . j 9 b.-l U^ r ii A ^ t i r Jl *" -JL- J-J F -1 l_l j p p ^ P P-^ 9^4 \ __ 1 j_- 10 h ft L "^ h b i 5 ' i m A t h f F p J * .1 r F* J (AW - r F r r r ^ L J VLf "^1* I i i i ^ ^ L^J I ^~ * u u ' u ^ ** v hollow dingle side, Where the midnight fairies glide, bonny r ^F j ! )f i_ p e J J i 1 ~*m J L i^^ F * 1 i -J- ^ F 1 i ' " t F^ 'hft td r T i ^P i_ s r EEZD J F I h .. j .-. r ..i, ' _" 120 lassie, 0! We will wander to the mill, bonny lassie,O, To the m cove beside the rill, bonny lassie, O, Where the glens rebound the is call Of the lof-ty water-fall, Thro' the mountain's rocky = w hall, bon-ny las-sie, O ! Thro' the mountain's rocky hall J334H3. ^ 3= Then we'll up to yonder glade, bonny lassie, O \ Where so oft beneath the shade, bonny lassie, O ! With the songsters in the grove, we have told our tale of love, And have sportive garlands wove, bonny lassie, O ! Ah ! I soon must bid adieu, bonny lassie O ! To this fairy scene and you, bonny lassie, O ! To the streamlet winding clear, to the fragrant scented bri'r E'en to thee of all most dear, bonny lassie, O ! For the frowns of fortune lour, bonny lassie, O ! On thy lover at this hour, bonny lassie, O ! Ere the golden orb of day wake the warblers on the spray, From this land I must away, bonny lassie, O ! And when on a distant shore, bonny lassie, O ! Should I fall midst battle's roar, bonny lassie, O ! Wilt Ihon, Julia, when you hear of thy lover on his bier, To his mem'ry drop a tear, bonny lassie, O ! 122 NO, VTEL In Griefs and in Dangers. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. [AiR The last Rose of Summer. -e- a I N griefs and in dangers, At land and at. tti: 123 sea, Midst pleasures and strangers, My soul was i^3 i with thee, Whilst thou with thy kindred, At peace ? m J and at home, Taught thy fan-cy to i! r ur3B S Si Thy wish - es to roam. Whilst I suffer 'd capture, Wrong'd wounded, oppress'd, Thy heart beat with rapture To Netherville's breast. In my wants and my sorrows, t fear'd thou should'st mourn ; And my heart was distressed Lest thine should be torn. Tho' false friends have decried thee, I join not their hate ; Tho' the world may deride thee, I pity thy fate, I know thou hast wrong'd me Will ne'er be my own ; But I feel that I love thee, And love thee alone ! ^ O Logie O* Buchan. A FAVORITE SCOTCH AIR, ARRANGED AS A DUET. Grazioso. -r mrrrrrrajit r 'r 'j t i Lo-gie O' Buehan, O Lo-gie the laird.They've taen a-wa' P ^ Lo-gie O' Buchan, O Lo-gie the laird,They'vetaen a-wa' JU1UJ.UJM1SS =f^r= 126 / --f- P_ i* H__ " F- F 'M T i* EI_j 3_ 1 r - j 1 r "f F^ 1 - 3 r "; III L Jamie that lelv'd in the yai __. d. Whu play'd on the pipe i 3 . . j ...^ -tC c _A p " J " 1 ztt 1 r f r Q* * 1 J JJ-d- the yard. II Jamie that del\M ia . ^' Wha play d 1 Fl r U ' en the pipe _i U TT~ .. -. 4-U4*- i IE r - gj i i i. 9 , i *" : i- x- r j PI A \ i _ f j A m * J J D #' p p 7* r L * L , , and the vi - ol sae sma' They 've taen a-wa' 3- Ja-mie 3j l the i If i* i l A - -H \-~ JF ~f 1 l i 1 1 .1 ' A -,^ j^ fA~\ r j -n i-t IE f " '*_ < \.\/ i 4 4 iii J ^ C 1 and the vi-ol sae sma' They i i 've taen a-wa' Ja-mie the r V I 1 i Tr r ^EZ? A \J* J . J GHZ -J UJ . p I . C3t 1 I ^ j- i 5 Fl 1 1. tw - P. E j^_ a i i S~" 33SCt^] r f-ff L -d II" J B , J ' w d * j P flow'r o' them a' _n h He said, Think na lang, lassie, tho' i V M r* M v_ j i^ r _] jf 1* JJ a N p ^T . in>r *iii . 1 1 i ii: - ^K | ** 4 * 1 J *t* flow'r o' them a*. He ^B 9 W W said, Think na lang, lassie, tho' i i ** A* f i KI B 1 * J J 'T , .. , ffi^ - 1 * * i... '-J- r r\ f- - i ,H 1 127 - ~~yf~ 1 q s 1 q^ A I "T jf '* J J 1 t P 1* ^~l Yn r * -.*- C 4 A i LI i i. ,.i J r 4 | | 1 * 1 1 I gang a - wa' For I'll come& see you in spite of them PI x. 1 .. _J rl., -1 i S h * 1 J ..,.1 1 : J - B . J ^ 4- J- H=|- " I gang a - wa' For , A ^i I'll come & see you in spite of then r I H u n \J* Jj^l^-,, J J j ~ 1 j*r ii* J j I I I i i 4 * 1 * LUail 3 J 3: 4*" "*" Sandy has onsen, has gear, and has kye, A house and a haddin, and siller forby ; But I'd tak' my ain lad wi' his staff in his hand, Before I'd hae him wi' his houses and land. He said, ' Think na lang, lassie/ &c. My daddy looks sulky, my minny looks sour, They frown upon Jamie because he is poor ; Tho' I like them as weel as a daughter should do, They're nae half sae dear to me, Jamie, as you. He said, &c. I sit on my creepie and spin at my wheel, And think on the laddie that likes me sae weel ; He had but ae saxpence, he brak* it in twa, And he gied me the ha'f o't when he gaed awa'. Then haste ye back, Jamie, and bide na' awa', Then haste ye back, Jamie, and bide na' awa'. The simmer is coming, cauld winter's awa', And ye'll come and see me in spite o' them a'. The Rose had been wash'd. Larghetto. WEBBE. fcH^^5jg3S3 #Efr-frffrPBl & m ^p* l tin r ^m The rose had been washM just wash'd in a t4J ii= ia p-v B ^ show'r that Ma - ry to An-na con - vey'd, The plen-ti-ful ^ ill &&FZ m I1Z1 : 129 ^g>- : y'-rf-f' t yr-R-^ h-^F B moisture encumber'd the flow'r & weigh'd down its beautiful cczzr^ ~EH_i_d.._{i : FMT&id^ ^ head, The cup was all fill'd and the leaves were all wet, 1 m 3ES Audit secn/dto a fan-ci-ful view, To weep for the ^ iv i S 130 buds it had left with regret On the flourishing bush where it ; ^Ft^-nf^^^n-T^^T sal | J | ' * J j I J ^ ' ^~ : grew. ^ s Andante. ^5: I has - ti - ly seiz'd it, Un-fit as it was Minor*. F? S 3=t^ - * 131 W fitr a i it i^< < i -i v vn < I rt i IT 1 1 it < T- i\< 1 H i-/ 1 \i i i\l And cu/ino iriir i for a nosegay so dripping and drown'd, And swinging it Lit go. P rudely, too rudely, a - las ! I snapp'd it ! it fell to the Larglulto. iS9i ground - - - - - And such, 1 exclaim'd is the e=s i r ttx^ & pi-ti-less p.-.rt some act by the de - li-cate niind, Re- HJ=jzj^^=^J=j-jI rgr^tTj -j. pd: -^ -! JP i i- --^ i H ? - T ' L~ r * - j_ * ^ J ^ i i ^ }~~~* ^ ~j~~ m i 132 T L gardless of wringing or breaking a heart al - rea - dv to 5*1"~8" * ; "^ r'yv^ g~T ;~r"1 w i sor-row re - sign'd, This e - le-gant rose had I sha-ken it m -' , 4 T _ * ,O. ... _T.? ~~F' p ' 1 s r-l I ~r~p i-U* =t3^Eg=g less, Might have bloom'd with its owner a - while ; And the aJU ?S=5 -9- f 1 - ^ eie=EE5E :3 133 s s I tear that is wip'd with a lit - tie address, May be fol-low'd 5 r J i j n j >e 5 as per-haps with p a smile -^tf-F -+ r "r^j * -w 1 g4^ -a * ? g Z3 3td 1 134 NO. "F5X*. When the Dave left tte Ark. THE WORDS WRITTEN BY MISS M. LEMAN REDE. Lurghetto. [Am Believe me if all thoie, Ifc. WHEN the / 1fr--i ~f- r L- t~ -t- "~T~P*~ \\J 4 t - t 1 L i' ~^-- 1 t (loVf Ifcl'l ihe ark o'er the w G " a-ter-whelmM wor * & d,To flutter her .- . . ^ -y f ' Q Jf h _ "-, - I -. if -i JV fh 1 1 1 I kr p 1 ^ " \\) 4 . , i 1 ( K .p.. _ J P T* ""t T i r CE r -, -, __^ _ * r T ^ !i i . 1 i ~ * * _... .. 3Z 135 ^83 m^ i tremulous way, How soon she return'd, for the if b m r \ L P J J" " S rl v U r 1 U- J J J vv u ^ EZZ * J i J U k blue wave had curl'd O'ei k all and de - nied her a 1 % 1 1 spray. /Tifr H ^ ^~ S^~ I J J ^' - i : fi i i * * , j i _T .,- 1 Jh 9 -i -i b ']-! n 3 * ^H O ' " 1 r? f r i rr~f- P P rn FW r f f r J [- I F- 35E ^ sn vj^ ^^ [^ */ *^ 15 It is t bus when my flight for a 1 P P" k moment 1 ( I mark. Dear - *i ' "i f - 1 M Rv " ^ f i * I P ETTI * QZ p L. L. f x 1 * ' LJ 'V ,J -, -i r -i P r 1 b, 1 n 1 ' 1 " J C 3 136 of mv nlea-sures. from thee, I re- source of my plea-sures, from thee, > ~b~ -i i ,_ ^~ -i n -j t 5 9 i a -4 ~i 1 1 3 L -jfv r " j P' ._ _. - . _- ._ fl v j * r "T U k u " vjy ^ 4 ^ 1 !" |F 1 & I**- turn to thy breast as the dove to the ark, For the 1? ^ i s Jf u -, i 11 T fn\ ' ' 3 \\J i jj . __ J '. T f r V \ * \ 1 * r T f M n -i b 1 ! 1 3 J i -a s^.. world holds no o - ther for me. i 137 i f* =h 3i & m Bui the dove at last fled to the grove's sylvan shade, Forsaking the ark you will say ; But was it not Nature whose call she obey'd ; And how could the flutt'rer stay ? I shall yet quit this breast, where each warm virtue springs, That to me ev'ry pleasure has giv*n ; But, oh ! it will be on eternity's wings I shall fly from your bosom to heav'n. 138 May a brarv Wooer cam down the lang Glen. A FAVORITE SCOTCH SONG. THE WORDS WRITTEN BY ROBERT BURNS. lArcly. -3 . -P" fll _ J J . P T " vjy - | 'K May, a u - braw wooer cam' down the lang glen, And sair wi' his J/ -J 3 ' r _-j ^ _j ill ^ - j 4 ^ J " * J * * * "^~ ' Y" E P , . ^IL_ t J." " -, i 1 IT f -i i i 3 . _.l... . " - 139 -*- r r T r L- u r : i\5 t p T* 1 KH 3? L 1 L ^ C/^ P- U ^" love he did deave me -M I II. - * i said there was no-thing I i **r -f fcsz: -fc- 8 * 1 A 1 P i. r P ^ 1 J 5" v^ _ ! 9 " 3 HFC l _ ,J_. ^ - . . | ... ^. > i t j.i -i , Z3CI 1 T -, i J-l- - .'.. " . ^f^TP'Jtt^i a - ted like men, The deuce h R J r ^ J J J J r J J w _r * V J WHILE the moon-beams all bright give a us - tre to ' 6 . I I 1 ^T m-^-Tj^rt^-P ' P Ep p Ep * ttS/iT r r r r., r, J J J WHILE the moon-beams all bright give a lus - tre to rt& ^JJlfO-TTTr^ night, I'll weep on his dwell - ing so narrow, And 5S CJ * I J^~l J.Jj|j-JJIJ7Tg night, I'll weep on his dwell - ing so narrow, And E8=^i night, I'll weep on his dwell - ing so narrow, And 145 f high o'er his grave, the wil - low trees wave, Who died i 3^33 SE3 high o'er his grave, the wil-low trees wave, Who died nrMFf^TEF high o'er his grave, the wil - low trees wave, Who died ^^ Jfe^M on the banks of the Yar - row. 'Twas un - der tf& i'i\i mririfflg on the banks of the Yar - row. 'Twas un gs fegfea on the banks of the Yar-row. Twas un - der ':o jiisUMd*. 7d ^ flTW^P this shade, hand in band as we stray'd, 'Twas s i* ; this shade, hand in hand as we stray'd, 'Twas this shade, in hand aa we slray'd, 'Twas ~5r B**~_r j'j I JJ A Sn- -4--f js\ * m i i I* E 2_ri *J- ( ay'd, un - der this shade hand in r, hand as we str a * l*t 1 "7 ft** J n > i i , . M. J j J 1J ^ l V f i rf ll IS ' i j -J 1 1 H un - der this shade hand in hand as we str ay'd r AW tt f A \J*** !Z *t toil 1 - 9 ^3 nJ4 ^" k E J J un - der this shade P in hand as we stray'd, i _^ r" tf^iJtt -^' 1 , j yf fit* IT ftr* . '< J -53 f * m rn H r 1 1 I J a P f n K 4 -lit 1 ,/ r-r^mp he fell by the flight of PJJ _i, an ai - row, And fast from k -. r I 5 1 D ]|i i ~J- from ^ T^ In j f "J*~ d! . J 1 41 < 1 J J J LT he fell by the flight of u h b *l 4 III ar - row, And fast i i '" r Yttft I \ r a 1 , ' "^ " j " '**tt& r* - C J J -,-- | i i j "3E 1 " nW r H F ' i t j i i 1 4_T^ r 4 -j i , ,, he fell by the flight of an ar - row, And fast from . < i - RI i i - TT f ^ I J P P c j V, J i i the wound his blood stain'd the ground, Who died on the 25 1 i K ' 2 3** i p \ ft ~\ J ^ i 1 e.., ., , _^I -"TT > r i i _C J^ J_l the wound his blo< )d s tain' "1" d the ground, Who died on j 9 the S&& i J T "**I*tl r* 1 J er n P :*PT I 3C P r J- the wound his blood stain'd the ground, Who died on the 147 banks of the Yar-row, Who died on the banks of * e banks of the Yar-row, Who died on the banks of ft banks of the Yar-row. Who died on the banks of -8% i 3E the Yar - row. 1 the Yar - row. s I the Yar - row. 148 Alt Venice look'd gay at the Bridal. THE WORDS WRITTEN BY MISS M. LEMAN REDE. Allegretto. [Am Has Sorrow thy young Days shaded r-vr ALL Ve-nice lojk'd gay at the bri-dal, And joy sat on ev'-ry brow, When love led his 149 8-fr-rV- bosom's young i - dol, To breathe to bright Hy-men her r r -r i vow. The beau-ti - ful sis-tens at - tend-ed, Like r M J irj,j nymphs on a god-dess a - bove E*CT- And hope and de- SS-=rF- 150 light were blend - ed, As they view'd her with looks of V>t she was the brightest of any Where all beside were bright ; She rose "mid the beautiful many A creature of tenderer light ; For the softness, almost like sadness, That shadow 'd her brow serene, Was sweeter than all the gladness, That in other eyes were seen. The bridegroom and train came lightly, Each his hat and plume in hand ; And never did bliss beam more brightly Than it did in that noble band. Now hand in hand to the altar, The young pair advance up the aisle j But her step was seen to falter, And her check to lose its smile. A terror seem'd o'er her to hover, In sighs quick, and low came her breath, When just at the altar her lover Caught her cold to his bosom in death. Oh ! he gaz'd on his bosom's young idol With anguish too wild for a tear, And the flowers that were cull'd for her bridal, Were silently strewn on hei bier 151 TSTO. X*. Though all may foryet thee. ~^fc ~9"~~ THE WORDS WRITTEN BY MISS M. LEMAN REDE. Allegretto. [AiR When he who adores tkce. C ]'** A p f ft P_J P -8- "-f rM* , y iip _ get thee who once in the glow Of thy for-tune prest round F-rfi -f F- m with de- light ; Tho' the grave is for-got where they *B If ~T m 1 j r ' . i j j" b ~J T" "K f/fl f f i , N ..j 1 \L/ L t*_ - ^ * a --- J J J saw thee laid low, And bade thee for - K-_ ^ ,^ ^ e - ver good /" ~3 i rs Tj^TT' "Tl ...4 . ] ? "i a* J * * _ L* J 4 r ' > * J^ J* j* J - - ^jj Jl - m 4 ' Vfl A . to ._f 153 x ( L/** .... -^ -~N~r -- A _ ~yr ft 1' r J J * P IP 0_ E* r rn T w f L _T p ., .L t HZ J , j "K _t 1 t / * P ~S^ night There is one who but sharM m thy i ! n r- ? - m , _i j j ._ M /T ft r J J r P 0* * J* * i 4 r L _ P2 ^ 1JJ I 7 J I * i 1 - "^**T t M r* m m r" a . P F^ - C 1 r P ' P r ...... L 1 , i ;. ... i sor - rows a - lone, Who saw. not the grave of thy *t a r E F r r J ' J r r F r -r ^ f ~* r r j j r PI J \ y c i * _ J " b* ^ ^ ' rest ; But who sa - cred-Iy ho-nors i^U 1 i r thc spi - rit that's -i ft r HM r ^T J i In" T i i j _i r a ! J r j t fei - ^ c 1 * L* \ y f 9 4 jj j i j 1 J J t> -Vft i . . r r i c f F F- 1 C 154 She remembers thy sighs as they breath'd on her ear, In the accents of sorrow and pain ; And feels that thy sufferings have made thee more deal Than any will e'er be again. She would have thee once more with the waste of thy woe, With feelings of fondness and pride, But since that is a thought she must, ever forego, She would joy to lay down by thy side. Then though all may forget thee, who once in the glow Of thy fortune press'd round with delight ; Though the grave is forgot where they saw thee laid low, And bade thee for ever good night, That one who for thee could resign ev'ry dream, That from youth and ambition arise, Will still think on thee here, as her life's dearest beam, And her beacon of worlds in the skies. 155 Had I a Cave on some wild distant Shore. ' '.__ _ A DUET. THE WORDS WRITTEN BY ROBERT BURNS Andante espressito. ly**-* r i p r A. ' EP * PI i| i nzfc r r _T !*** * * y^ ._ . ~7r~r~r R -4-3 JP~T r - /TV ' 1^ J 1 j J P "I/ II ^ .. OH j had I a b 4 :ave on s ome wild d IS - ta nt | p 1 '* ' I" ~- II J r ' II 4 A J OH hi- had I I f I . cave on p* some will 1 < \\ \ 5 - t ant PJ 1 1 1 j- -1- ^' ^ . 4 ^ H~~i T~t V .._ . . m < 1 i j M - J 5 I 9 -P- , 1 i . ~^4 i r -\ ii 1 ^ r * * r - " , VV - i . I i_ t _J L it shore. Where the winds howl to the waves dashing roar. i r H i _ I 1 (* M . j 1 j r j 1 x"4 4 1 - i J y J" - i - w 4 >/ shore. Where the winds howl to the waves' dashing roar. 8u i " i J- j[\ <^P F~ i j v^. X* ^f ~" i ~ Take, oh ! take those lips a way, LA - JJ. l> r r r 1 P P p P r i^ . 163 to bring a - gain. Seals of love, seals of love, but But my kis - ses bring a - gain, Seals of love, but at mm M as&e -ir seal'd in vain, Take, ob ! take those lips a - way, 1 F-* m s( al'd in, vain, Take, oh '. take those lips a - way, EME m \~fj>'*. W-" ft s E~r~ 5 ^ ; f j^ ; r rj 5 1 4 1 i 1 ^i- v/ l L > Bat my kis l> se br ng a-8 ** a n i i rnT 'V i But my kis - ses T i"/- I^DA 1 b4- -f -^ I- ' "l " i: r f r i4 164 ~7 r bi ' J t_S P E.__._ f'Yv J* J 1 1 r v/ ^ 1 Take, oh ! take those lips .a ^-> i ^ K k. -way, Q lr r . ~r n s JT b J I s r fir ' * n J j J r vi/ . J , , fl * bring a - gain, Take, oh ! take those lips a - way, / . J- V m A i F F F ft P EJEJ - EEEE pil . " b i.T - -- _...... ... .. t _ r ''I 1 . . - . . -U. . J.. ^ r^T ^ ^ A I/ '"'ft * |r - p 1 r ^ >t h -T ft ^* /n 17 ' ; . h rl vU , "L " ^ I 1 1^ ^ U U 1 " Take, oh ! take those lips a - way But my kis - ses n 1 J . 1 . i , A t JJ *P P K ** J - i J * T ^ . i <; Take, oh ! take those lips a - way. p | But my s~Z- tmOEEZDD '^ 1 b i J f y~ U-I b _ .^-^ M ^ i V v'"b r ~^ft P" P jp p 1 ^1^=3 V j j a P . P r * I ^ 1 .. . ^ 1 3 1 notes of love re -ff \, -fl H * ^ V ' v_ - sound, and the ru - by cup go fl ^-r ^ .__ , 2_ h * A JITTJ -ft r-*7 m - -5 fe j flv p J * [Z t* ' 9 f n vl/ 1 . i 9^ . notes of love re - sound, and the ru - by cup go 'V i A Efctop * nr p .. Wm i * , p= 3 *~ notes of love re -J J sound, V M '"I U 1 1 and the ru - by cup go 9 [; I Z-m- 9 r ; _ p A ^" A -j r b r r - r Ll ? * i L ^~: i , Pf TV r J -- r r w . , L \ K p i I _ L round, Whilst the gale its W ^ fra-grance brings, and the _/i - ^ r^ / r 3 j . A I e A ct \ r* il > f ji * * \ P F ^ * ~^" r i m* r f i ---^ u J II 1 1 i o round, Whilst the gale its fra-grance brings, and the X x. x- ^ s V i i ] J. u j b I i 1 rouud 178 *T Sum - mer flow - ret springs, Let the notes of love re - Sum - mer flow - ret springs, Let the notes of love re - i sound, And the ru - by cup go round, While the gale its sound, And the ru - by cup go round, While the gale its ifct m'i-e - (* 'TfTJZI P j . - fragrance brings, and the Summer flowret springs. We, who ^^ ^*^ ^^ fragi'ance brings, and the Sum-mer flowret springs. We, who I We, wh> 179 rx- r f v # ^Fff- ^-^L-^ft -fU- 1 - =*t wand'riug A - rabs i_ V ..^i * T i ~bti are, Fly from sor-row, fly from ~-(rf- P-~9 t Tp i-a 4 -^|~ a ^4: wand'ring A - rabs ' J ^ ^J i J ' pj are, Fly from sor-row, fly from 3 li_p 1 * fc-W- -J-^-,-,- 1 ' wand'ring A - rabs t-SZZS * | w " are, Fly from sor - row, fly from - -r p- - r^ ^ ~~ if 'A A * E .1 r j r L jT }j \ P -- 1 p J J n JJ J t\Y \ \ r r ' ' r * J *'/ r ^:1_ 1 i i 1 care, We, who wand'ring A - rabs are. Fly from /-i 1 A | 1 N Q F I N i x b J J J J - r- s i i tj fry * i J p 5 - , J w J ^ 1 *J *J 1 care, We, who wand'ring A - rabs are, Fly from f , ' ' V i n p l > 1 1 iJr b D .- _, p_ = d J b i . - 1 ^ - _r 9 care, We, who wand*ring A - rabs are, Fly from ?fr \ \ * ^ ._p__L__U- F ^ [ | ij sor-row, fly from care, Who can tell to-mor-row's A -' / ' X_ h A ^ ^ m.' r J J ( P \ fft\^ Tl* r r J* % II v \) * c 9 - W~ U sor-row, fly from care, / _^x I" Who can tell to- sff> rn bN r r r g= Ifl [-f 1 U-l sor-row, fly from care, Who can tell to- 180 JT u " w PT * ~JJ "4J "4 r' tK\" L T P r 49 -'''A 9" \ i W U i doom, -0 b * fc- ^ If the rose of life shall bloom, Or, be- BE: P P P ~\ fl ~F P f- i vLf ^ 1 1 1 ^ i J.... J-d I- 1 i morrow's doom, If the rose J? Jf %. of life shall bloom, Or be- i-^ < ' V i F- I 4 m Z ^ft p '* j j AJI S P" P. 9 - J_ morrow's doom, If the rose of life shall bloom, Or, be- neath the blightning shade, Droop un - time-ly pine and 1 JT h - * ft P . i -- . t\Y r r r r 1 P P - f i p ' " K J 1 c ^ neath the blightning shade, Droop un - time-ly, pine and P "^ - \ i r - E Si j EC * m* ' f" * ^ f V_. K_- _fc^ _. p P ,.r neath the blightning shade, Droop un-time-ly, pine and ">'b a i -li-J **i - ^ - -'J 1 r 1 1 E r " J j V t ""_ ? i i fade, We, who wand'-ring A - rabs are, Fly from P 17 """["' i i i i w r b > r -p- ,w i_. c 1 " ' P P p i J n fl , J f 1 1 J .. -J-J- J_ * 1 *1 1 fade, We> who wand'-ring A *J- rabs 1. ... C are , Fly from . i , - j 'V i\ n 1 EL^i A \ Ij: \r * f^.,.^ ' - (* 1 b - . T- . 1- \.r , J.7. , J fade, We, who wand'-ring A - rabs are, Fly from 1RJ jr u . CZZ3 w - m- - E r* JJ f\Y * 1 ^A r r * 1 \) i t*-* 1 1 t - _. sorrow, laugh at care, We, who wand'ring A - rabs ^ , {J v , I JT b 1 J A * f J flr W 1 1 r r i T H J J 1 J 1 1 LJ,. 1 rr sorrow, laugh at care, We, who wand'ring A-rabs . ' V i i n 1 i . J. I/ - J J b i J f a 1 sorrow, laugh f\ i. : f^ (fc_ at care, We, who wand'ring A-rabs f^ ^ /^ . ^ ^ Q v\ E 1C -^ , jf b J r J J 11*" -a -i- \]r v v . - _ k 1 1 v * i I are, Fly from sor-row, laugh at care, Fly from sor-row. 1 fj \ f (H i A ^_ I Xk 1 r . m r ^ -. . fl) 1 !-- n T - i i r -J -f I I I d *J- 1 1 are, Fly from sor-row, laugh at care, Fly from sor-row, / \. 1 1 * J* 7 P? J J H f - e ^L ZjC i? d ^ ^ - ^_p- are, Fly from sor-row, laugh at care, Fly from sor-row, __ - W. | (i"T _J L "TT 9 n II ^ T 1 1 r II V * ^ 5-1 k w i ii fly from care, fly from sor-row, fly from care. ^ {T-""\ ~~*\ i z z r ^*v ~**v i ^ O T jF *n_ . (^ r _ 0^ n ~t*Y i i - P r r f r tt * f U *T 1 1 L! i^r 1 II ^,. ..-^( J-- ., -^r - --^ | fly from care, fly from sor-row, fly from care. r A A A EA A H II- tj. > ' ' r F" r II b-.- 1 R .. r 1 .-_ -P tt fly from care, fly from sor-row, fly from care. 182 NO. XHV. On the dark lonely Strand. THE WORDS WRITTEN BY MISS M. LEMAN REDE. With melancholy Feeling. [AiR At the mid Hour qf Night. a=gt= n \ \ J*-L ^3 ff & dark lone-ly strand, which girts the tern - pes-tuous wave, 1S3 \. _*_ a S See & lorn fi - gure stand,Who watches yon lone - ly ^ =h i - m t _A b* BP* E: ~r Er ft r f i i : i y 4 i> w _^_ L 9 ' l^ cave. Tho' night shz idow 3 ha -j ^ p. ng o'er her,Winds whistle an( T ^j-il !] r 1 -JU- i i s n r ~\ ^ , p -A 3 iJ. ii i b. 11. ~ -4*J S fa. >-.iJrJ ^ f ^-_e_^ billows boom, And her children de-plore her, She wanders a \ r- I I" I r i j-J i 9-f- 3=* ^F ibnil ^-J-p.^I3r . .^ .10 S 184 mid the gloom, She weeps not, she sighs not, but ga - zes i 5 5 1 x s m 4 sad-ly on his tomb. Oh ! that breast calmly sleeps, i That once was warm as her own, And the loathsome worm creeps Through the heart that was her's alone ; And the bright eye is clouded, Whose beam was her guiding light, i >i -i tii And those smiles now are shrouded, That made every beam more bright, All fleeted, all perished, and left her in darkness and night. 185 Farewell, thou Stream that winding Flows. THE WORDS WRITTEN DY ROBERT BURNS Larghctto. tt- js i A _c ^ r - - w~ F JT TL "^ 1 - j *4 ./ ^ "*"1 ^ i i ^ m - FARE-WELL, thou stream, that wind - ing ^- flows, A - 3 ^-44 F -r -F F b ~H r- n -j f 9-- i* i J j r t 1 j i V y3ll| - - "F J ~M - 9~ H f J- J 1 J round E - li - za's dwell - ing ; O mem'ry spare the M ir *- * i^ 186 rf^F cru - el throes With - in my bo - som swell-ing. Condeinn'd to drag a hope - less chain,And yet in se - cret J ...-Lj!M J ' J- i i* j . T ^ Jt if * i *E3tf P Ian - guish. To feel a fire in ev' - ry vein, m ^^^ cn-^-p: -r i 187 Love's veriest wretch, unseen, unknown, I fain my griefs would cover ; The bursting sigh, th' unweeting groan, Bftray the hapless lover. I know thou doom'st me to despair, Nor wilt, nor can'st, relieve me ; But, oh ! Eliza, hear one pray'r For pity's sake, forgive me ! The music of thy voice I heard, Nor wish whilst it enslav'd me ; I saw thine eyes, yet nothing fear'd. Till fears no more had sav'd me : Th' unwary sailor thus aghast, The wheeling torrent viewing, Mid circling horrors sinks at last, In overwhelming ruin, Blow, blow, thou Winter's Wind. A POPULAR SONG, SUNO BY MR. BRAHAM, IN SIIAKSPF. AKF/S PLAY, OP THE MERRY WIVES OF WINDSOR. Andante. Dn. AUNT. 1 ^ i J|J m BLOW, blow thou Winter's II C% i A __ @g 189 3533 ji'pf' - ^^H- L -^-Tt^ . ^ :T wind, Thou art not so un-kind, thou art not so un- C sBaSEi J W p i p 1 * n " T ^* P" " * ' J~ J J J ' I ^lt S-J j 1 I ^r j ^ r ^ ^ f 5 ; ' I Vl/ O 5" * p j ^ h j * ' 1 *3- tor u 4-f r T T? ^ . P m i p A 1 V i \'t * - m L 1 J. IF P I f T r Ni* I b i J V f J 1 i i ft , ... it ^ ~y lap * 9 I V J . II t >r b j II' fir r dJ II* " * ' 9 4 ^ II i kind as man's in - r\ i. i .A | gra - - ti - tude. Thy tooth is 1 i II ! P JF U i j f -j r i r M i .. ' 1 1 -i hk r f\ ^ O ' 4 r - r - ^ j . II. i q* r- \ 1 ^/ S- 1 * g * hJ- O ,11 1 * , I I 1 -^- q 5- -e* V i ' B"j 1L-J' l> ... _ cr J J v. n ._ l * . ^ r- ZZE f * Lxi !! IA i_* > h b & i 1 r P i^h*l ^r ~\'9 rl HP ^^ \ i + I rtZ ' Lt I f _^j not so keen, be-cause thou art not seen, thy P l i If * I 1 r P * J J * 3fJK L. J--- h L ^ r * P P j h * r<^ r f > p R ^ r q- r .2 b f^5 'r V/ J. r r r r *i J 1 1 mi 1 ^~r ^ ): b - . pf a p p * H 9-- ZEI r l f T u J- 4 a Mrt *=* FT" tooth is not so keen, because thou art not seen, Al- S rnafcrfc F^ i g I tho' thy breath be rude, al-tho' thy breath be rude - Al- tt=t f-\>'t-r- ^^TtCT'feH 3= ^d tho' thy breath be rude. Freeze, free/e thou bitter sky, Thou dost not bite so nigh As benefits forgot ; Though thou the waters warp, Thy sling is not so sharp, As friends reinenihci'd not. 191 T/te Masquerade. THE WORDS WRITTEN BY W. LEMAN RKDE. Lively. AIR C'est I 1 'Amour. J HERE let song, jest, dance and whim, Light-en all our .at 192 glances, Joy fills her goblet to the brim, Pleasured train ad- vances. Lightly the fai - ry footstep steals, Where music'* *-T- i ma-gic strains be-gin, Whilst vi-zors like the lamp con-ceals 193 The rap'rous flame that burns within. Then oh ! seize an P=g i ae i^ -/5- f-f- f P P ^"f- H^-f -j- 3 ;- V y/ 1 L > * hour, All beaming in bliss like this, Whilst bliss is in our r \- r PI 1 1 : 13: J A ^^ t r " r\ f ~\ &\ Plrj J "" 3 i] Cl_( ._ ii p 1 1 i * ' * r LI - ^=F E. . p -._! "1 "1 , _.-x v ^ i 1 _d--_ L_ -J J ! m power Let's taste the pow'r of bliss. Gai-ly at the masque- vto >? - .-Ui Ca n_ 194 rade Youthful bosoms beat, Lightly as the movements made By beauty's bounding feet. Why should age reprove our mirth, Or cynics chide our gladness, When pleasure's sun has set on earth, "Tis time enough for sadness Scholars may pore o'er midnight lamp, Darkly they gleam to those above. Why should their frowns our pleasure's damp Let them seek lore whilst we seek love. For learning sheds no gleam To those who read but eyes, And Ovid's softest theme Is not so soft as sighs. Gaily, &c. 195 Where's the Heart so cold. THE WORDS WRITTEN BY MISS M. LEMAN REDE. Larghctto. 1 AfrT J "IF 1 : 4_* ^ *.^ i-,^ -, m *.\ ^ j 4- * r : ^-t- 1 ^~-^~ -^-i ^-J * U w ^ w N r V T m I _ * ^ r n J^ n "1 ^^ 5B5MI 17 /L ' * ' r r ^ EC L II rr-n f^ V. S N M BT h As * J J * /* 1 .* " ~ 4 4 r ^ y B WHERE'S the heart so } )m 1 * - ** ** P 11 t - Jf ft \ ^ J II J -i J -. J* J d Vi2 fi ' K M ff fcrs* d II i i I r -e- ^- m A r _i ^v 4- 'V 1 x II * i CE I J r II r i r n 1 h WJ || i 3 1 1 II L L 1 N j^F (" n ^" ^i H f " " I n r"i p 1 ' I r * J J " * \ 1 m 4 ** V cold, Thy harp could not a - wak - en, !/Tb I r if i J r -104 ff ! ^ \ ! ~S T: r h. F^ f r , H = P- r f o r * ^ 4 - -L- ' 1 19G hear thy sto - ry told, Nor feel its pul-ses shakeu. } T ^ (H 1 r EL:_Lj-:=i^^^i +- w -P F F-r When a - mid the strings, Thy magic fingers straying, If feii iEi 3CE3EZZZ " r - f 1 A J tT~~ ~:^5 "Tf L\r r U r * r r * J J M' K ** L I " *. J H */ ^ ^ tr u V that thou hdst but wings, We'd think an an-gel play - ing ^ -i. : i n ra-i TfK 'n ^^ i, ^C U _ , "1 , -i ; r ^ Q) ' F 3 2 r i M j J J 5 i JP j^ ^ * "*"*" A =r=| -V i _^ . j P p '^ *- P -i E- r - - P _ h L I .:,', L J d: 197 A i J J J 41 ~M -R T fl" ET i r ^ S l\\\> m 4 4 r E J J L 1 1 i J *7 When we hear 1 i t? thy tale k^-tr Of woe and vir-tue given, iS We J u ; I 4 M -1 J -I J P ~j$ l t : . ' H ' L* \ \ f f 1 m- -9- r-N f^ , r$ f f nt- T J T b-J .... 1 a . 1 I ~ feel thou canst not fail To yet be one in ITeaveu. r N- Then let sighs less deep, O'er thy lip come stealing ; Be the tear you weep, Fraught with balmier healing. Mem'ry vainly tries To speak to thee of error ; Hope beyond the skies, Hushes every terror. All thy many woes To thee were only given, To prove, how purely glows The flame that mounts- to Heaven. 198 With theejair Summer's Joy appears* A FAVORITE SONG, 8UNO BY MR. BRAHAM, IN SHAKSI'EARE'l FLAY OF THE MERRY WIVE8 OF WINDSOR. Andunle. 8vo loco. M J WITH thee fair Summer's joy appears,Oh ! F-F- 199 ~jT b or i J JJ~~ fir n H . 2 J " . i J m \ sweet Anne Page ; But thou a way dread lJJ^b- l H"TT > f""' H^l-T -r rm mi -{$) j-d j^ 1*1 * H-i-H W-fi 1^* J-' J- " * + J-' + W r"\ , tJ. i; ) r P I r< r r . b r", sZ t i r J L_ JT b - (* A I i f^ Br r\Y r P -J c ^ p sjz - i _1 Win-ter's near, Oh sweet Anne Page. And K 1 d: B - ^ t : . 4\ Jlf_ ': Ji 1 Jm \t . Eli -JW . . ** F* 1 P? " " * -mm t~\ ' V i ft II f . J. l> r 1 i r * i ll> . - b \ r 4 P. - 11^ V JT 7 r . _. T - A flr~ . i C B2 .... t _L 1 1 all a-round is dark and drear, The leaves look pale am /V 1. iii .. . U ^ _ f \> r" i r P A " |p n r ^ i!r"n C-=v-ft- ^ T 3 L 1 1 -T- -1-f -T oas v -^ 2 ^ t 33 j ^ ^ U i> Xb ( ft ( .... r c: r : _:. , r . -J 200 I shepherd's mourn, Al 1 na-ture droops till you re-turn, Oh! j When April's glories shine on me, Oh ! sweet Anne Page ! And violets bloom, oh ! none I see, Oh ! sweet Anne Page ! But sweets or colors stol'n from thee ; Yet though 'tis Winter, thou away. Still there thy shadows make it May, Oh ! sweet Anne Page ! 201 Comin thro the Rye. A CELEBRATED SCOTCH SONG, SUNG BY MISS STEPHENS. Axdunte. 8vo - E ^ffiFf^JFF^ =i=*+ji : 'y *? *J. B '* r "" r ' C^ L V 1 1 _.J, , -^ ^-is is p_^= r~ J . ^ i fe h ~Th - b nr rfc Gin a bo - dy meet a bo - dy Comin thro' the rye. I *--*-4-+t -^~ 1 O- is 202 Gin a bo-dy kiss a bo-dy, Need a bo-dy cry. ii "b""~^r" I=E 3=p? iv-TTTr-Ti' r i\ \* f -fr -a- Hz ^ 5 2 IxrU . -^ L U B ^ 5 ^ 11 - ka bo - dy has a bo-dy, Ne'er a S? anc hae \j v E [^ J J A i E ^J yr H r T " n 1*"3 f *S J "1 ^-L T vl) ^ ' r H '.^ 1 1 u P 1 r V if eJ. g r P r b .. ~ ' .J P I, But a' the lads they lo'e me weel, And . 203 Gin a body meet a body Comin frae the well ; Gin a body kiss a body, Need a body tell. Ilka body, &c. ou Gin a body meet a body Comin frae the town. Gin a body kiss a body, Need a body gloom. Ilka Jenny has her Jocky, Ne'er a ane hae I ; But a' the lads they lo'e me weel. And what the war' am I. | S 204 NO, XV. Oh ! when in Days that are yet to rise. THE WORDS WRITTEN BY MISS M. LEMAN REDE. . j li Allegretto. 8vo [AiR The Legacy. OH ! when in days that are yet to rise, A-lone you stray by this -^ h EE^iElrlE E i zd L[ zzzpmbirJ: 205 A '"' K " li TrTi r~" ff 1 J J J J J 5 r J i i Z_W 4 1 1 1 1 L LI \ moonlit sea, And gaze as J_ now on the star-ry skies, WilJ jfS .^ , - - 2 ! T "i- a 2 T S n ft J 1 1 1 A 1 *. ' p ' \ iji < 1 S 1 a i i t1 t ' + V KJ rfl f E r t 3C3 A 9 ia_ n ... , "n -i , ,. r * P 1 1 \ 1 1 - ntt K. u 1 r S ^ z: 1 ' * zain ^ "1 s r a E JJ ^ T-. A r l f \ J J ji P i- 1 J P 1 1 VM i 7 . 1 1 L 1 7 not a ** _ fond thought t" ' w re- vert ^ to me ? Wilt thou not wish, al- 3 l_*f .^ X 1 9 J ^ 2 1 1 hi ... -4 > I jzn: jm 1 ', | 4 +J 7 J _| _ f^ff ^ ftA 9 A ta. 1 II- "1 , 1 *4r I- I t ' 1 .... 1 _ ' r p _ "1" ' 1 r r F} *. I J J r ! U* L " / ^ L - ^ 1- : j :.L._ 1 L. ~ tho' no lon-ger Fond in-ter-est in thy heart I claim, Thai ism vfn 'ittil'tt F)nf*. t~ Or r i A . I Jv. ' 3 S i _ _ * +~ t ^5 ft 1 ' 9 | -9 i 1 VJ/ P i _l f - - - ' J.,* i 1' '" i ** A " "^ 1 1 T ~m T r _~- 1 "5 ,...L_, ' ... ^T other friends and ties far stronger, May hap-pi - ly light my * steps to fame. Oh ! yes I know though far I sover, Without the hope that was once my own, Thy heart cannot resign for ever The thoughts of bright days too fleetly flown, And thou wilt wish where'er I wander, That Heaven's kind care my path may keep, And shed a tear of pity fonder Than happier days e'er s'-'. weel ken I my ain las-sie, Kind love is in her e'e. I see a form, I see a face, Ye weel may win the fairest place,It Ml. Hi * f=*3 a . i r T t - wants to me the witching grace,The kind love that's in her e'e. :..., '-...JUA-. 9-n TT TT -=-T-T3 i ' r * r -^jT^^* in i i ' ^ O this is no my am lassie, Fair though the lassie be, Weel ken I my ain lassie, Kind love is in her e'e. She's bonny, blooming, straight, and tall, And lang has had my heart in thrall, And aye it charms my very saul, The kind love that's in her e'e. O this is no, &c. A thief sae pawky is my Jean, To steal a blink by a' unseen, But gleg as light are lover's e'en, When kind love ia in the e'e. O this is no, &c. It may escape the courtly sparks, It may escape the learned clerks, But weel the watching lover marks The kind love that's in her e'e. A_ The Day returns when first we met. THE WORDS WRITTEN BY Ms. CORN WELL BARON WILSON. [Subject from Viom. 1 THE day re - turps when first we met, .j>i .on ?.i aid) O It F 1 F- 211 seems but now a love - ly dream, It li M ~ ^ f^T"""" I '1 T~ 1L -\ '** n y ' i f o zte seems but now, but now a love - - ly ^E dream. The sun which cheer'd me then has 212 setj Nor left be-hind one sooth-ing beam, one fcfc 9-r -$ ^. J J. Jl r r ___- j_i_ ^_ sooth - - ing beam, Nor left be-hind one soothing r _J: ^f-f beam, The sun which cheer'd me then - - - has 213 set, Nor left be - hind one sooth-ing beam, Nor sooth - ing beam. f; ^ J J I J ~ \ J2 c 53 J M 1 >^- j. " tj y . . dh ' ,.,.. ^ , - . 214 =1 \~ The day returns, in gayest pride Glad Nature hails young Summer's reign ; And I must try in smiles to hide The grief that rends my heart in twain. The day returns, but still I mourn, The hopes that bloom for me no more ; The peace that from my breast is torn, The joys of youth so quickly o'er! The day returns, to me in vain, It cannot give this bosom rest ; But only brings redoubled pain, To know, I can no.more be blest ! 215 Love in thine Eyes. A FAVORITE CANZONET FOR TWO VOICES. W. JACKSON. Love in thine eyes for e - ver plays. - He makes thy He in thy snow - y ho - sum strays, He makes thy 216 ro - sy lips his care, And walks the ma - zes ro - sy lips his care, And walks the ma - zes '-& \ II of thy hair, Love dwells in ev - ry out-ward of thy hair, Love dwells in ev ry out-ward 1 , I ntt ] , I*, w \ N N f r**tt Q ^- ^ 1 Jl_ S,., *~ ' M -^ Z-^*- Y^y-* *ld~ -fld ^ ~J 1 =j_ r r -f ^~ ^i Ix part, But ah ! he ne-ver r ah ! he * u ne - ver, J IjSntJL-^L^ JL_1 i i -flj J _J ^.1 part. ah ! he . 1 . 1 ne-ver * JQit H -. ._p._ 1 . .._ !_ | ^ 217 ;!if = I {-*r$ all \ - '* - he ne-ver touch'd thy heart, he &-:* - r-r~z r - ah! - ^ i.. he ne-ver touch'd thy heart he . # tr-^F? = TT r 'TT*? "ZT"~^ i i I ~ V ff^gwffrfltili ne - ver, ne-rer, touch'd thy heart. Hovr difF' - ne - ver, ne-ver, touch'd thy heart. --*- How ; - M T" & * ' V 8 ** _. . [ .. . . ,_ rr J * 4 1 * r \ > * i - - rent rvff Jt v is - s rr y fat e fro in I 7 U w flH r H i > f ft **n j ri LJ : 1 X2 J^* ti3_: ^ 1 * ix_ diff' - i x* -J rer i u it ia . in V fa i.te fr om V-t ft 1 < j EeESltej *3 j \ - 5 f J ' i ^< _ - 3 i , ' 218 fc* girrjTTTcPfrpki tliine ! No out-ward marks of love are mine ; thine ! No out - ward marks of love are 1 m No outward marks of love of love are -#-*- -** . - 4-^ i !Bi mine ; My brow is cloud-ed bv des- i *=$ mine ; My brow is cloud - - - ed by des- * f, *-r^ff r ~ b^ r- ^tt g^t- u 4-i_pi_.i i M ir_-._^. 3S=i=E5iiiB: :i5r::izit-f3 ;lzt:ifcrtz:: 219 3C-B-HS -i T ' "1 T^ T =- -^ ?!" P~" Tl w i 1 ^t- i - F r- V/ I . , L 11 pair and grief, Love's bit - ter . /}t ^ N ' t. ' .. , .. - , K i ~i* tt #' [ 'T 1 K J n f A ** J J J ji I \ / , J * , L . ..i d * A V pair and grief - * tt - - Love's bit ... ter r f- ryjj JJ I ^"N- a - F * 1" *i-^--- - ^ r r ft +4 1 1 > i i i i 1 1 i ^_ rr I L ^ k ^ * ry *f . L i* IP D jr 2 E p_ f J S- h IT" rlj r j J* J S^ r' F Tl \ Lr t i iere, Ix)v< t 1 5*-- | | foe is t att-JL i's bit-ter foe is there; But 1 /*** n II "* SK v ;' ft-W- N v ^v in r ... r^ 1 d VT ^ \ / .". , ~ J : * _-, . n I 1 -* - 9 ^ ^ w " w ^_i f J_ ^_ foe is there, Love's bit-ter foe is there ; But \*W Li P A I f K - l*f**i* *t 1 J J S -. ^. -i tj St f r v 4 1 ^ .. _ l ^ ~^ N j/* ut U -1 -^ --F 1 -! iE= * 1 - ^f% ^ " J. ^- p -4-, t ? r Hi I 1 J* * r 1 t deep with -in my glow -ing soul He reigns, am ft J| ,. .MB N fl ^ ^ PT- v ^ Af jl J4 I -| J^^ j jj r~ i "Tr fXv r Jf u J J E T i 1 ! J ' J-4- f/\ ~\ V ' 4- i 1 * . i > P 1 * . J ZJ IklZ J i i 3 ^J 1 ! szi *- ^ * f -p^ J k . i r y r . 1 1 r ll * ' i U* i u "1 11 S J 'Tis ever thus, in vain, we view The hope we nourish'd blossom, When bright in bloom, and bath'd in dew, It fades upon the bosom. Oh, Fanny ! thy fond smiles of bliss, Thy tears of tender sweetness, Beam'd all too bright for me to guess, That such would be their fleetness. At morn those smiles were mine, In light and love unclouded ; At eve that form divine, In death was darkly shrouded. But, like the sun, in that pure clime, Where night is daylight mellowM, Beneath the holy touch of time, . Thy loss has long been hallow'd ; And now beyond the bliss most bright, If earth for me has any, I prize the pure and calm delight Of thinking of my Fanny. My vesper star ! my love ! My soul to thee was given j Oh ! plead for it above, And summon it to Heaven 226 NO. T/ie Rose that youyave me has withered away. THE WORDS WRITTEN BY MISS MARY LEMAN REDE. Moderato. i- [AiR Farewell ! but whenever. nwT3 _ r* ^ - I V ~ .. . r r . r SE m% THE rose that you gave me has wither'd a-way, Yet how ft 227 sweet-ly it breathes in the midst of de - cay, Tho' its ij* E blush-es are gone, it is dear-er to me, Than the T briglitest that bio* on their own na-tive tree. I ^ 22K ,v t +. P - r -p- r r p f-Trtr "E3 t U r r r-U^ vJ L_S LX *^ ^ to M *w ^ ^ "^ ~^' i^ trea-sure its frag-ments, Tho* some-times it .^^ i _* 1^ a sigh Will 1 J O-* i J a-P m 1 ^ [ j J ] Ac,- 8 * J 4 r --P 5-t \ i r nVi p 2 * r L i p. 2 ' a vi/ LT ' LJ* %^j 1 -w^r * I ^ f t r ^ ^^ p ^ vfl L r F L r CS SfJ r VJ r z^j 1 ' I r x -^x _^ ~l ^~* \2 | *j [ 9 - - fip - *w" 9 J 1 fc3 r W T ^ r 1 X ^ _-- ^ . ... ,.. I scat-ter their sweets as they faint - ly breathe by, For they -/} P C a r v jj' t f r m m - i B Jf ffP,-.- Pi r fii* r ^\ " r i! kJ 1* ' f ^ i ^ 1 ki il ^ '--^ I r r I XN^ 1 K 1M W , .^ 9. i JH^ j p j^ "^j r y r r .,, B _J- r p ^ 'if i ^ L L_ - --5 whis-per that all that is _^ * 10 iear and di-vine, Like their -3 * t ^*^ EH^pg=&i 3S^ r * 1 r -Vft- * 1 '** r r 229 fu - gi - live beauties, but rise to de-cline. That life, like a rainbow, first gives to our view Existence, imbued with each soft tinted hue ; But they fade one by one, till the last glow has sank, And our hearts become cold, and existence a blank. Oh ! long before that may I sink to repose, Nor linger to see the last beam o'er me close, To be left a lorn mark on the desolate scene, That merely points out where the waters have been. They'll have ebb'd far away, and their bright tide no more Will revisit the verdure that fades on the shore ; The pale flowers perish, the last of their kind, And leave not a wreck of their beauty behind. Oh ! no, ere existence has quite lost its spring, And my spirit yet rises on hope's bouyant wing, May I fade from the sunshine, and leave a fond ray To visit the grave, where I sink to decay. 230 If those who live in Shepherd? s Borvr. THE WORDS WRITTEN BY THOMSON. Allegretto. Jifc f 5 -- ^ 4 * IF those who live in shepherd's bow'r, Press tm 231 2 not the rich and state - ly bed ; The new mown hay and 3= ^nzfgj=^=FF=Q i breathing flow'r, A soft - er couch beneath them spread. If -^ _-O-- F p ' E_. _. t *- p- / V r r r 1 5 I ) -^ L i i those who /-hg P r i sit at shepherd's board,Soothe not their tas rtnrjr . , i-P-P-fr te by *fri t .^ | 1 1 N_ -^ i}. -f" ' r *~ 'bp*- ht r~~> F=| i r ^ i ' W 1 M H J p ! ! 1 "*" 232 r\ . ... -r. , A . A . - A i r> g p i f p PI/IT A -j r m -f r -u-* -* * -Pr fPHit r fir T 1 I ^ 1 332 U ' ^* --LI ' 1 wan-ton art, They tal 7_____ ... ^ .- .- :e what na - tures gifts af - ford, And -fcy>-i- r - * - _j|Z3 ^l^J! "^^j^~^^-_ ^ f t t . 1 'V i I , ^ . , ,/.u S - 2 r f ''P m r If L r r r J . i r A " T 1 - n ^ vf \^~r ^^ ^ [ p .. \ ^ 1 i i take it with a cheer-ful heart. "" f ^\ f ii r r Hi A' \r\ 4 2Ij (M HP V 7 J ' ' " ~ ^ _ L- S V J 1 1 i ' ' **W^ \j/ y [ > j_ ~ ^ i A (f , . ... J . - ,. m , 111 J J i r "r r"r Th .* . ~ I L.....L. L.,L. ^fe ^ r- a If those who drain the shepherd's bowl. No high and sparkling wines can boast ; With wholesome cups they cheer the soul, And crown them with the village toast. If those who join in shepherd's sport, Gay dancing on the dasied ground, Have not the splendor of a court, Yet love adorns the merry round. 233 Breathe not again that dreadful Sound. THE WORDS WRITTEN BY MISS MARY LEMAN REDB. Ajff"< tuugo. [A i R Wheiufer I see those smiling eyei . i- LLU 'LU L -Uu m ESSIE* Breathe not a - gain that dread - ful word, That from your m ^ ~fi *~~^ >r~ ~x > lip so late - ly fell, Which * l ,en my ear with fcf: se PI & nor - ror heard, It woke like dy - ing pas - sion's r ~ T" Si; &-& li*^ p r- "*^"""" I ^P ^- QTT-f.ftirTT^t knell! Chase not the dear de - lu - sive dream/Which now has mm m ? &E=K H 1**- 2:35 lull'd my heart so long, Let not thy harp Ibr-sake the P 3J ^^tmnFE F f F- F F- $ theme, In which it breath'd the soul -+ of song. & 1 S Still smile, my love, as when the dream Of passion woke that sunny ray, \Vhich melted like the western beam, When daylight fades in dew away ; Let my adoring eyes perceive The smiles you gave, when love was young ; Still let thy playful fancy weave The tale on which, entranc'd, I've hung. Tell me you love, and let me see The truth in thy dissolving glance ; Turn, turn, that languid eye to me, And let its light my soul entrance j But if that bliss you now refuse, And love no more can wake those charms, Oh ! take me then, and let me lose Existence in thy faithless arms. 236 The balmy Odours of the Morn. THE BRIDESMAID'S SONG AND CHORUS FUOM WEBER'S OPERA OP DEH FRJESCHUTZ. THE WORDS WRITTEN BY MISS MARY LEMAN REDE. Andantino. I^JL.^ ja=jj^-j=t=^_^-.^_a:i-^--^- j i 8ves. THE bal - my odours %& SZ.3C p of the morn al - rea - dy breathe a - long the grove, And ^ 1 " H^E*&Efe 33=5=r=i3^tt " r_ ra . m- mi i i. u on the hill the ro - sy dawn Looks radiant as the -^=^=^15^=^111 ^ _.?! ^ r* ---_ i* ^s blush of love. Balm - y morn and beam - - y 238 skies, Say, why art thou dear ? Say, why art thou fcfc CAo*. dear. 'Tis that love in El - - la's eyes A- f -H= fis that love in El - - la s eves, A- J " , ju_j .0.^ &r t=---- 239 wait me fond-ly here, A-wait me fond - ly here. wait me fond-ly here, A-wait me fond - ly here. H i 1 D. I/ . V . x, r -i r - - f IT i l ^^ ^^^^^^ ^^^5 Ah ! see she rises to my view, Like new-born light from clouds she springs ; Did love e'er lie in eyes more blue ? Her form but wants an angel's wings. Sister seraphs well might steal To view her from on high, And deem she hid them, to conc She'd wander'd from the sky. 240 NO. X$X. Oh! Love isjitst like Gaming. THE WORDS WRITTEN BY MISS MARY LEMAN REDE. Allegretto. [AiR To Ladies' Eyes. I OH ? love is just like gam-ing, The world the pack, the 241 2trz i world the pack, The human mind in - flam-ing, With tort'ring H H ^g^ f EZ f rack, with tort'ring rack, Some hearts, like dice too tru-ly, On -- m- 2._JE_. ._. __ t*-J fa X P J J _ ...... E .. r n C5 * * 1L 1 * \ / L- 1 *- , 1^ > 1 - 1> 1 ; ^- - J^ ^ - -- p- *- uo-thing fix, on no-thing fix, While hands are tak-en J (. 3IZ , P a- f --P- ' -Jf W J _I -_ 4 j 2 r~ I r T fl> - 1 --*, . * ,. I , 1 f VL7 J J * jSmmt it T^ ] - n _ _ .-)-' T ' ? -," 1 ... P .1 . ., -j ,., p. 2J 1 242 ,3 .A ftr-N- f-r fr-~K --y-- - ^^O^^jL^j cool-y, And won by tricks, and won by tricks, Oh! love is i p 1 -a* just like gaming, The world the pack, the world the pack.The human mind iu-flaming, With tort 'ring rack,with tort'ring rack >S E E EM: 243 fc The men, oh ! who will doubt it, Are oft the knaves, are oft the knaves ; But when we set about it, We make them slaves, we make them slaves ; But some are so unruly, They will he kings, they will be kings, And king of clubs too truly, And such like things, and such like things. The ladies all to Hymen's Bright altars crowd, bright altars crowd, Some to be queen of diamonds, It is allow'd, it is allow'd ; But such soon change their billing, And call in aids, and call in aids, And while their spouses killing. Prove queen of spades, prove queen of spade 1 . i . But those who prize the winning Of real bliss, of real bliss, Despise such sordid sinning, As much amiss, as much amiss, And seek those horrors solely, That love imparts, that love imparts Ambitious to be wholly The queen of hearts, the queen of hearts. 244 Waters of Elle. THE WORDS FROM GLENARVON, adapted to a FRENCH AIR. Affttuoso. m WA-TERS of m y h m. ._.,.,__, : - ' J V. "^ . P_ 4 U i* - - < __ ft=L4- Elle, thy lim-pid streams are flow-ing, Smooth and ut i? ^ r J r 4 r LJ -_ . ^B U I J u - ln\ . , . i J \ \J " _Jj t .IB i . J 1 i i i Ji 4- * I p '^* I % * '' t^-. . j - m b- V,. * ~. -i ; j S^rfF 5 trou-bled o'er the flow'ry vale. .. -,:>; 8ves. m b !--h -*- .| J i p-ffr- -&- On thy green banks once li more the wild rose blowing, Greets the young Spring,and s^r-f f j i-f-i^^ 246 scents the passing gale, Greets the young Spring, and ft jC3^:=g::~::3g:::rq S: i i O3=ai3 JfctfW I scents the pass-ing gale. H 1{ * Here 'twas at eve, near yonder tree reposing One, still too dear, first breath'd his vows to thee ; " Wear this," he cried, his guileful love disclosing, " Near to thy heart, in memory of me." Love's cherish'd gift, the rose he gave, is faded ; Love's blighted flow'r, can never bloom again. Weep for thy fault, in heart and mind degraded, Weep, if thy tears can wash away the stain. 247 O what ye wha that lo'es me. A FAVORITE SCOTCH SONG. THE WORDS WRITTEN BY ROBERT BURNS. Andante con Espressione. T i f="HI-"i jf h , ~r. F i r r * T P f|\P EZIZIC 1 J J r > r "K & ^ - r * , , L k / ^ wat ye wha that 1< j'es me, And ^ -i^ ^ has my heart a If " _i.-- P^* j. JT b i P i F I -f -i f-^r-f f .".- fl\i' t> L _ IF mm i ^K * * 9 , 9 , 1 L , f ' i */ vJ- 1 1 J ' ~T r- ^V -U . EE E J r 1 * r 248 - f* ff> lfl~'~N~~~"~fc"T"~~~ ^ J ~in ' ^ ' J ^ "".. LIT keep-ing, O sweet is she that lo'es me, As dews of Sum-mer weep-ing, In tears the rose-buds m steep-ing, O that's the las - sie o' my heart, My . I i E^zfcl: 249 las - sie e - vei- dear - er, O that's the queen of " 2^f ^ -; -:^J; ^^" . 4 L lL i_ q ^- - t v r- -jjr ~T~n ^~ --<= 1 T ' " u3Z3 _ * Pm ^ 1 i \ * P A ^. A 1 iPi J J :. rr > P m 9 . . J ge__jf_ P " * i t 1 1 languish-ing 'i - 1 i l view, My path I could ecarce-Iy dis- 1 A L "I/ J 1 E*. ^ * " ' fA J J J t r j 3 rtd * p - i* P ti ^H ,, r _ p* r 44^. i P **f~ -F ' V n i *J. ^ P E mr ~ir. r P I .... r _ P- ./ 7 . ".. .r - 253 Q_^ E^EgTIt ild[t-UJEFJB# cern, So sweet - ly she bade me a - dieu, I mUHlLJ T m m --fH= P 3 Ht- _h, I ._L_ f f ^ ^\ i J J , J a P r IK , , * . 1 ^ .. i I 1 L thought that she bade me re - turn, i __ | '. thought that she -+_ 1 !K -4, WT"! W : 3= -^.- ' -T^- f J j g I i * ^ m ^ fl \ * 1 ^ J- J- * *- -r f " -^- 'V I J- P ' . d. J C_ * - ., _ r , f , 1 Lt^-^-^-^. n Bi bade me re - turn. Ef-rTi^gj^g^^ 254 I thought she might like to retire To the grove I had labour'd to rear ; For whatever I heard her admire, I hasten'd and planted it there. Her voice such a pleasure conveys, So much I her accents adore, Let her speak, and whatever she says, I'm sure still to love her the more. And now, ere I haste to the plain, Come, shepherds, and talk of her ways ; I could lay down my life for the swain, That would sing me a song in her praise. While he sings, may the maids of the town Come flocking, and listen awhile ; Nor on him let Hebe once frown; But I cannot allow her to smile. To see, when my charmer goes by, Some Hermit peep out of his cell ; How he thinks of his youth with a sigh, How fondly he wishes her well. On him she may smile if she please, 'Twill warm the cold bosom of age ; But cease, gentle Hebe, oh ! cease, Such softness will ruin the sage. I've stole from no flow'rets that grow To paint the dear charms I approve ; For what can a blossom bestow, So sweet, so delightful as love. I sing in a rustical way, A shepherd, and one of the throng ; Yet Hebe approves of my lay ; Go, Poets, and envy my song. 255 , Jock o* Hazeldean. A CELEBRATED SCOTCH 8ONO, SUNG BY MISS PATON. THE WORDS WRITTEN BY SIR WALTER SCOTT. Allegretto. m "2r 1 f f m WHY weep ye by the tide, la-dy ? Why weep ye by the ^ 256 ^m^rifff^^ tide ? I'll wed ye to my youngest son, And ye sail J=* El f IP A b s J_-J J r i* r 1 /nP J r' r 1 U \ J -*-v-f * 1 1 ^1 ^ L 1 J be his bride ; And }0 ]0 V " v ye sail be his bride, la - dy, Sae * s * ^^* H~" -j r -vn A b _._.< J J 4 2 4 f S i) * i - . 1 m 4 m - 1 J w 9 " ^fc^^ ' ^i py E* I / , -i n T -;_ -F _ E^..,,___ In -4? N ! _L_ '... ' 1 d a come-ly to be seen; But aye she loot the tears down ^^gpff ^ fa', For Jock o' Ha-zel-dean. gfaa Now let this wilful grief be done, And dry that cheek so pale, Young Frank is chief of Errington, And lord of Langley dale. His step is first in peaceful ha', His sword in battle keen ; But aye she loot, &c. " O' chain o' gold ye shall not lack, Nor braid to bind your hair, Nor mettled hound, nor managed hawk, Nor pal fry fresh and fair ; And you, the foremost of them a', Shall ride our forest queen." But aye she loot, &c. The kirk was deck'd at morning tide, The taper glimmer 'd fair, The priest and bridegroom wait the bride, And dame and knight are there. They sought her both by bower and ha' The lady was not seen : She's o'er the border, and awa' Wi' Jock o' Hazeldean. 258 Wo. xx. Sunshine on thy Pathway. ~IS~'~jj THE WORDS WRITTEN BY WILLIAM LEMAN REDE, Anduntt [Am Tho' the last glimpse of Erin. fe! 84 SuNSrilNE on thy pathway, My e - V m i 259 T^ 1 si M I kj I 1 [jj l-^ '^\*fT ^ P ^ A ^ i ff "> 1 Jtr tJ . r A r it r . ZE : ,. , Lightly, dear maiden, Thy bosom may prize The vows of my breathing, The glance of mine eyes. Lightly thy heart may Bound gaily and free, Whilst mine must, uneasy, Ache sadly for thee. Yet blessings upon thee, My light-footed fair, Tho' for me or my fate You confess not a care. The star that in yonder Bright heaven I see, Is as lov'd of my soul Tho' it beam not for me. 261 NO, XX*. Hush'd be Sorrow's Sigh. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. Allegretto. [Am Norah Cremn. m rfT * IrlT - LU 34J= j P i \L) i J 1 1 I - I 1 4 HUSH'D be eor-row's sigh to night, Let no tear of i B i~~ -i- 35 -j =f- 1 r * - j i * i 4 P j ' ^ ti i^ * 2 * ] r* P = 1 > K =P3 - i ,. 1 3 3 i" i J_ 202 jf b'.-1 n 3 -3- -* r fty J r J * it vly 1 1 1 - 4 i *~ J grief be start - ing ; Joy a _ 1 ** 1 |^n - lone shall lend her light, And - j- . r1~ ., L ,. 1 ' ' -^ jj ^4- Mn ~\ * m -^- < L J_ .1 -.. ^ J ff T \ 1 y "" 9 ' 1 9 1 1 fc* ** ** * r \* i ^ ^ p A J.' U J i ? "1 _ . i -i r T " ^ h ! _X anum^ bless the mo-ment of our part-ing. To so - li - tude be- 55*-^ | g^^Ti i ^p queath the sigh, For mem'ry's thrilling thoughts to sleep in,To ? ^ ^- 2G3 jf>-F F m -~\ - rza T rrn "~ fn p II r .: * j Vf7 .,,.," ? ^ / le* night we meet, then why, oh ! why, Dim an hour of Q -J J* 1 ^ r*. J > Jf fcr 15 1 J J i 1 1 *f F" F fill' * * i J *7 -J m I J 1 9 ' ' ' ^ F F F K , R ' ' V A _ ,., .. L QE ' n I . p _ P*. J J ' b ' ' 1 1 f * f 1 1 1 * ^ J ri d T n S 1 b J J I ... r J . in3 ^ r ^ * . 1 I 4 4 * 4 \ \ bliss with weep - ing. Waves will roll beneath us soon, P-T j d NT ---\ 5! r i jj ^ f J J J -, J -, b- _: '..: 4 c : * . ?...:~, Come, take the cup ; our only tears Must be the ruby tears of pleasure ; These few last moments are as years, We cannot lose in woe the treasure. Now let every thought of bliss, Here in rich communion meet, love ; Perchance we take a last, long kiss ; Oh ! let that dear, last kiss be sweet, love. Waves will roll, &c. Oh ! let our parting hour be such A brilliant moment of delight, love, That rapture could not add a touch Of joy, to make the hour more bright, love ; That when afar, we dream again On pleasure fled, or bliss departed, One gem shall light the page of pain, Remembrance of the eve we parted. Waves shall roll, &c. 265 Some Fairy Spell around me plays. THE WORDS WRITTEN BY MRS. CORNWELL BARON WILSON. [Scotch Melody. g^jjni^Eg^ spell a-round me plays, Whene'er I hear that tone ; a=fa-ir-F - by [_ r 266 To me it speaks of o-ther days, And joys for .n : . .-LJ "'iif P^ zzuLigz e - ver flown; The hearts that felt it ^=fc^ft=^s4-J J | j-j^i^y,..^.=iqziq^ri rihir: i Z JS-^> w ., .... t-I-LL_ ^ -__..r.g.J._d then are cold, To them its charms are o'er ; The 267 lips which breath'd that strain of old, Shall ne'er re- ^ , How sweetly at this silent hour, It floats upon the wind ; Now melody has double power, To soothe the pensive mind ; And while I hear that well-known strain, By minstrel fingers play'd, I live o'er happier hours again, And present sorrows fade. Then, oh ! repeat that soothing lay. Tis like some magic charm That's plac'd by Hope in life's bleak way, To keep the bosom warm ; And as the wand'rer of the night Hails morning's welcome beam, So memory meets the lovely light, That cheer'd life's early dream. 268 In Infancy our Hopes and Fears. Andante. u^4^Uu-^-4=^S F & -3- IN in-fan-cy our hopes and fears were to each o - ther J. rx t n-rrmT^ known, And friend - ship in our ri - per years has ^P^ A JJ ' T n C r flfcir J ' (\) - * g , J ! i J I J Zr |_ vJ L t J twin'd our hearts in \ - i 'Ytt i / I * J r i r* i- LJ: p | r ., ~ " il* 1 ,-n-8- ^FH* twin'd our hearts in one. one. + ^^ Oh ! l fT^ 270 clear him then from this of - fence, Thy love thy ..-- -1- -1- raVL'J * n j P P r r iL J *]/ W - " ^ L I I U r^" * a the seas gang dry, O I will love th( ^ B ;e still, my dear, till ' m _ / L j y J n J r j --. 4' i- uZ f % 1 wJ J 1 I f J V J \ U.W w J -J _ - 'l h = h- a F -T) ^ J- Till a' the seas gang dry, my dear, And the rocks melt with the sun, I will love thee still my dear, While the sands of life shall run. Then fare thee well, my only love, O fare thee well awhile, And I will come again, my love, Tho' 'twere ten thousand mile. Tho' 'twere ten, &c. 274 : O what a charming Fellow. SUNG BY MRS. HUMBY, IN THE AGREEABLE SURPRIZE. Moderato. v ^5-* -j, U Sr' AS stqjiEig^ TF^TTJT? ^JijXjLiLJLLj" * j^^ O what care I for E^iBFiirT J " -^ 275 mam or dad, Why let them scold and bel - low, For -Vf * * I while 1 live, I'll love my lad, He's such a charming r r*-l - low. The last fair day, on yon-der green, The ! u r- 276 youth he danc'd so well, O ! So spruce a, lad was The fair was over, night was come, The lad was somewhat mellow ; Says he, " My dear, I'll see you home ;" I thank'd the charming fellow. We trudg'd along, the rnoon shone bright, Says he, " My sweetest Nello, I'll kiss you here, by this good light." O ! what a charming fellow. " You rogue," says I, " you've stopp'd my breath; Ye bells ring out my knell, O !" Again I'd die so sweet a death, With such a charming fellow. The last four lines are to be sung to the second part of the tune. 277 NO. xxa. Smile on, for thy young Day is dawning. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. Allegretto. [Ai Sing, sing. 3===$ 3 ^ : =f. F H- "T S ""T P * if b J m 1 1 J 1* riV 4 c J J 4, j VLJ 4 r . 1 9 '- ^ 1 J & SMILE on, for thy young day " is dawn-ing, The m ah- p- P 278 world beams for thee in its bright-est of hours ; IZZ i ^-.T~ j~^j~ Jrr""f~{~^ H ITTF ^ P i F Warm gleams are be - fit - ting the morn - ing, When Pl3||E|EBE=|g ^ ^^ TO*-!* r-f : J r r"i >-J-^-~ " K I -1- J- J- . L J ^ -J- +- rap - ture bursts for ^ th, like the sun i ap - on flow-era. Q :|I JL!" ^"^ I 1^. fty- """ "! ' 1 ^ a "I 1 " 1 ^ j J _: i * i 5 L H 5 A i -. P T J r b 1 J . f L , 279 -jfVT 5- 1 P r r i J fl-iP P f r p * g . 1 *K U L ^ c i 4 jr k u * ^ * u> v Bright as the sky is thine eye's brilliant beam-ing. J/u ~j d jt w {" ^8 ~f~"*r~"*' J " " ^^ __i p f ^ |r * i ' 9 m~ m 2 ' V A A ' CE n n r n r i h i i ' ' ^ 1 1 j. ' V t 5P b j I* P r r i* F r r r r r L 1 L U * ^ Light bounds your heart as the roe on the moun-tain & r ! j \>t \ m N* -P Jf h j d 4 f i P 5 1 f f " ^r) J* * r I' r P f T " r iV f^' r -} n p ., b ' 3 P . n _L h K ^^ "~P1 J? k 1 r P i I i Xu f r Em T J 1 mp * r L- Pi * J J J U ^ - w - i 1 Calm flow your thoughts as the Sum-mer lake stream -ing " \j * * * * 2 " ^__ Jr U 1 I 4 M ^^4 ^M^ 4*1 1 \ \ * ' < r ^/ ^^M II 1 * IT f f _L !3 1 JL 280 1 I Sparkling in joy, like the spray of the fountain. Smile on, soon s& H*^" ^f - f ^F^f Jr b i s j P* h. K P ___.. f[\" J J t [N , 1 \\} j __.._ ii _,.j J 4 i-^ time will a * _^_ w " ^" wak - en Thy bo-som from peace to o'er- P p ^ ^_^ ^3^3=3-3= 1 1 1 1 I V I ! ! J - - ^ ^ ^ 1 Ui ? ^ wA ' is more humble home, For its more hum-ble home. The (J n n p r Jr u A A A J_ J_ r % -, t\\ r r T 4 4 J J J J_l v/ 1 1 1 - - - * 1 i ' U u u u its more humble ; home, For its more humble home. i ^ j P P J P f f p r .. . 1 1 2 f 1 "ill fi ^\y f 1* m S \J 1 J J r W P P j p ^ 1 ^ 1 A A -" C'^ ' I -, n VJc* p P r -i i b_ 1 . 4 ~J f m I vic-tor, when the voi-ces of myriads shout his name, A- far tho* he re - joi - ces in the full tide of fame, Would ^Z3b^::^^jv._ :_j^,L^=g:r ^P' T! ^^^^^F^^g 286 rear that wreath at home, Would rear that wreath at 5 r-H^-55-ff I home. The hunter on the mountain, The lo-ver in his fr-T- The hunter on the mountain, The lo-ver in his i i ir , . . ^ ~y i * ! {-.-^ i - ,i . . - i 1.^ ^ - ^-^-^' M-Hr f"FPf-H H > ' b ( fl-I ~\ .. m <* B\ - - "T "ini" f v j r J 4 --_w_ "_m i J J f 4F 1 J h I bow'r, The fish - e r at ^_ V the K fountaii i, In V. U summer's twilight lr .. s ^ szitr |S 1 S ^ c Jf u J n - S -- N - -K vl^ .4 S - ~1 F- bow'r, The fish e 1"^ r at the ^ H-i Pountaiii r-f-t , In 1 summer's twilight SEEaE .. . H~ 4-j-- - -i rn J15| fl^ 17 d * ^_- i-i j u :J * i 33: EBLC--LE3l 287 -j' y c "P- r i - 1 ha . - _. T r h 1 r v r 1 q. "r ' V / L L _y_L t 1. ^ I I hour, Dreams of his na - tive V V *" l ' home,dreams of his na - tive n - - w - - ^ K ^ J P K K c Jr UP 1 ^ r m r r i rlr J \\J A-~ M 4 . i j j j I hour, Dreams of his na - tive home, dreams of his na - tive ir J i . .-*. r Xifr *. =| H ' T- -F|--b|f [-- ~ rm- 1 ^J i u a ' ^ i ^ U-tU *" 1* 1 i i F F c J* 1 j :>. .=. J , -, n n K 1 ^ ' ' 1 home. When beauty's brightest blushes are greeting heart and fl :J ^\ ^ ^=. -3f 1 1 A ^ eye. Re-membrance warmly gushes,And prompts one ten-der ^ \ " " T - - T -- ~"~~ *- -- -i^ -a- 3- -i- 288 sigh, For dearer smiles at home, For dear-er smiles at ^T -X- ^ r ..T._ft- -------- _.---. -.-.-^n-t.-mrnu -.. . - ^ K home. Thro' ev'-ry bliss that blesses, In all our hours of B^; Thro' ev'-ry bliss that blesses, In all our hours of - P. if r * ff. i i _^_ P A r r V b~ 1 f r f P j _ r "^ \ 4 l . ^ 3 U PT U^ ! ^ i r A* i ' P i M* I/ ID - ^j b i " hJ to r^-n-N idz In Italy's bright land of flowers, They spent their young and ardent hours. An instant ! and their tomb will be Beneath the dark, blue sea. But the worst horrors death can bring, Will only make them closer cling. "Pis past ! the welt'ring waves now clasp That fated vessel in their grasp. 'Mid human misery's piercing cry, Their lips gave one fond sigh ; And form in form entwin'd, they sleep In the blue bosom of the deep. 293 The Woodman. A FAVORITE SONG, COMPOSED BY MR. L: N LEY. MoJerato. f f a^- STAY, tra-vel - ler, tar - ry here to-night ; M T H- "J 1 J * J -\ \ P- ^ ft . fn ' p Z3I 9- \ r i J J J ^3 --^ I . Thei air ye1 t bea ts, ti ie V_ \^ wind is loud, The i * * ( ' H [1 moon has i . i f if J i- i jf _ ^ J 5 J r 4" ^H ^ ' 1* 1 1- 4 * i j vlx 4 i J J bP 1* P- * /"Y v P 9 * k _. A P . A . 2 '* f ' 1 i r r" X I "*"* too with - drawn her light, And gone to sleep be-hind a HF qp===Jj=| ^-M-U^ 294 m cloud. "Tis seven long miles a-cross the moor, And should you j chance to go a - stray, You'll meet, I fear, no friend - ly " /Q 1 1 J H_ ' J J J C^ Jf 1 L. W 9 m f n - 4 f f ; ^j Wff\ 9 H a! 2 9 j l| > L' ** P A i --S - . 3 1 r ~+9 V T t ft E HA ^T~ i j- CEI - r HP TF-^ "F ~T~ - m- r i r r 3C E ,_., | , ,.i i i , , J : : : S ^ . n k fl **- -x-^ / , , I s i J 4 ' 1 1 P - j 1 1 1 JJ * - ' 15 ^3 p p f v ' J 1 TP r r r I y I I ' ^ LI i i door, Nor soul to tell the rea - dy way. Come, dearest "Q -^ ~ p --'P Jj J iV 1 _0- -j ~m\" "" r-~ i - *_. - LI y, v h ts ~~r ..- * Vl<' (B p ^ J 1 a i^J 1 - j- - 1 U" ^" w * w _ _J_ 1 1 'V j 1 - 1 .7' r* 1 J " J j= = 1 9 .#.j . 295 m m iSi Kate, Our meal prepare, This stranger shall par-take our m ti=3=* i iE -p m m s= best, A cake and rash-er be his fare, With ale that i "Jr ^ : p m P T" P* i i rlV^ r P f, ' J J J r p Ji* \ / * [s i i ^ ^ makes the wea-ry blest. ri ^- Approach the hearth there take a Ii ^ k. , Q P # IE i j a j - : J r r*_ ^ L ' J 4 13 J ^* ^> 1 * u i 3 Ir fM ~^*r Ct*-a \ \) P r Pi t j J M , 5 i B ^ ev'-ry dan-ger in a ri - val left be - hind f -i fao^aaz^ ] f^ T ^ (^ 1 p Mr I The Capo. 303 The Exile's Return. THE WORDS WRITTEN BY MISS A. M. PORTER. Espresrico. ft^ t=*=t -t ^_. o = =E "if ft J J J m " JJ f[\ " P m m J g p --* ) V ' ' ~ ~ s i> : woods of green E - rin, sweet, sweet was n. tt i i 1 _^ the breeze Tha V***T -j -i ! -| j j -i ff \ i * f 1 f. _ '.., , \ / ^ _ ^ i 1- ^ " A** L m p I -. if*** -i -i i* -i t -i n " ...,." r . -i 304 5fc nis-tled long since thro' your wide-spreading trees, And >$-$ 5S sweet was the flow of your wa - ters to hear, And i_~ ~~~j}r~~ Ji-.--_i "^" g i precious the ca-bin, the home of my dear. -H J._| -J__^L- 305. For then thro' your groves, by your waters I walk'd, And with Norah of love and of happiness talk'd, While calm as the moonlight that silver' d your charms, My child, softly sleeping, lay press'd in her arms. But now that I visit thee Erin again, Tho' years have pass'd o'er me, they've pass'd me in vain Thy woods, and thy lakes, and thy mountains, no more Can renew such fond thrills as they kindled before. Still green are thy mountains, still green are thy groves, Still tranquil the water my sad spirit loves ; But dark is my home, and wild, wild its trees wave, For my wife and my baby are dust in the grave ! 306 O sweet is the Hour. THE WORDS WRITTEN BY D. L, RICHARDSON Esq. Affctunao. m I Spanish Melody. m sweet is the hour, When low in the west, The *=3= i S - 1 307 i sun gilds the bower, Where fond lovers rest. Then S3 is- iSE H-HrH= * j ' p. 3: -*? I^HjIIJ^^r^fe: gor-geous-ly bright, Be-neath the' blue stream, In J garments of light De-parts like a dream. Oh ! ^^H-^f^B5 f -fJnr-F ^l-clF^S- X. S ^^ ^^ 308 jf P ... _. .__. T - *V P T fl\ r f T . ' r r P T P Hz .,. .. , 1 L : ^ sweet is the hour, When low in the j- rrt i i fk. J J ^ -^ U west, The ~T/**' j 1J ^ ij J P "Jr m J- 1 I r l * 8* 1 J n J fly . ] I... ' v " 9 9 1 2 ' i 1 r f * . f ' P f Vft * C.J a n f k Jtf 1 1 1 | 1 1 1 N > i 5tt C j. 1 1 J 11 J " _ _ S T- A P J J r f T 1 1 P r * * i X J \ \ 1 '1 i "^ i 5 . .1 ~r ' & --JL-. sun gilds the bower, Where fond lo-vers s\n IT ^ ^ i i ^_ v^^. rest. (JU J% P l ' 1 Jf * J* 4 -, J f ! -J J n *1 f\\ m , S I T rl r^rl * f - -1 ~J i i J i , P f ^ *- J- t ' Vtt I J -i i *JS 1 1 . ("5 g r 1 1 i r i r j 1 -w^rt i P P "f" J- 1 1 i K_ !<.-' A A J i i >T J -i'f 1 II ri^ S ' * i 1 i _ji_ J 117 'i j f *- ^ ~ *""- "-*- -L i- i -it ' . A i , , II r n IB ^ O sweet and serene the spell that beguiles, When Night's sable queen more tenderly smiles The boldest are coy the wildest are grave The sad feel a joy loud mirth never gave ! O ! sweet is, &c. The spirits of love, to hallow the time, From regions above, pour music sublime ; Their harmonies cheer the dull gloom of night, And wake the sweet tear of voiceless delight. .309 The Voice of Love. THE WORDS WRITTEN BY D. L. RICHARDSON Esq. Andante Etpretsivo. [/Mian Mtkdy. ft H ^ I ^ i I 1 1 r-flg- M t * Si: E| OH ! if there is a ma-gic charm in this Jow val-ley m -\ !* 1- -^ i 1 p ^ =, ^- / ' J I J- 1 J. ^ ^. ^^ 310 #- -^-F- : i===~Tqzz drear, To cheer the pilgrim's wea-ry way, the darken'd H !- X* ^ m I 3 l ^5 I soul to cheer; It is the soothing voice of love that gs=.r TT [ r T C3 * i echoes o'er the mind. Like mu - sic on a twilight H&-- i* ^jtTTTfrr t 311 3-r T 1 5 lake, or bells up-on the wind. H to- i^z^: #-* ^ ^ -J --A- -- T- A 3 j* sri /} p J 1 J 4 r r r / j * 4 * 7 LI ./ * Oh dull would be the ifc. U U rugged road, and i ffe -> r U sad the wanderer's f r i r*. ~ r 1%. i " ^' lii ' j <9 "1 ~rt a H J " "F^ ' 1 ~ J - iEIZ * v ^[ i * i J_, ... J 1 II 1 1 J- -J- 4- J ' IZErt ft ft 9 *** "1- =1 ^ ^ ^_ -p-v-f ^ jf i r h J 1 T "i" "^T fll J ' a -J i r r P ^ - VJJ * I - 1 i i 1 *) * heart, Should that ce U* ' U - les - tial har-mony from 1 ^. i ^. ^ ife's dar r i .> y*4 . i^ - i i a n ^ _ j j J -J- i f \ ft ' f ' ' m 1 J ! ^ , i i l J ! 1 J j ^ '^ " J- -J ^_ ^ * 4"t t ft p 1 J , w i l 55 ^ ^~ =f_ J 1 312 i sphere de-part ; Oh ! how for that far distant land would sigh the lone-ly breast, Whose on - ly hope, depriv'd of at j. j. ' -* love, would be the place of rest. f7 313 Says Plato, why should Man be vain P Mtxkratu. -& P. ^-=-T^ SAYS Pla - to why should man be 4, EH r r ^ 7r r T ?- A J r w e ' J J r f!\ - r 11 M I I \ / .. . -. ^Z_ 1 I i C 1 i- 7* - v ' " ^ " ^" ' ^" vain? Since bounteous heav u has made him great.Why looketh Q$I ' /* j s * n i ^ ^ ""TT" " j- A' "J ~ " 33 Q ~f _ -^ -J;J ^ ^ ' J I B SI n - ^ - \ _/ * EH2 5 * m "-L ^ I -f ^ *_ A "*" C I i 9 .1. ... 7 "]'* ! ^ _. J_ rl , f -I r H * 314 m he with in-so-leut dis-dain. On those un-deck'd with m$ -J&U tt^t oioM wealth or state ? Can splendid robes, or beds of down, Or t f ~ff KJL_ T"- f r~ " "^ F '- * 1 m ' ^B 3_ -L ) , 1 C f J J > fl ^ / cost - ly gems 1 hat deck the fair, Can all the glo - 315 nes of a crown, Give health, or ease the brow of care. >''U J'TTffc^^ The sceptei'd king, the burthen 'd slave, The humble, and the haughty, die ; The rich, the poor, the base, the brave, In dust, without distinction, lie ! Go, search the tombs where monarchs rest, Who once the greatest titles bore : The wealth and glory they possess'd, And all their honors, are no more. So glides the meteor through the sky, And spreads along a gilded train ; But, when its short-liv'd beauties die, Dissolves to common air again. So 'tis with us, iny jovial souls ; I,et friendship reign while here we stay : Lets crown our joys with flowing bowls, When Jove us calls, we must away. Come if you Dare. BUNG BY MR. THORNE, IN THE REVIVED OPERA OF ARTHUR AND EMMELINE. Moderato. PURCELI., -4. r e-f- COME if you - 317 dare, our trumpets sound. Come if you dare, the HI Jl p 9- 2 \ -f W f L -f I "f^ l -f ^\ r 1 Vl/ * a C ? 1 > 1 foes re-bound. We come, we come, we come, we come, says th( -r "~ ISi p z * P 5 P i ' P g. >-' (\\_ ii i r r-- * !/ p , A A _. p P P EM r* i E5 U r r * F-^ ^::. Repcat Chos. P double, double, double beat of the thrund'ring drum. & -F-=- 2f/. time. 318 Now they charge on a-main, Now they ral - ly a- gain; The I - ST-^I - . . L J gj * ., I m \ ^ _ W_ ^zz^jit^zra=^3ifz:atz5it^i=il. - a v r-**ar r f__t_qm^_gp__rL_p E&EEES^ it fcpzprzaipterjcrftfz(!3zrKirszripti i|^3EEE^iEii3EEHl= i Gods from a - bove the mad la - bor be - hold, And fe zgrrrriT^ ^ ^ pi - ty man - kind that will pe - rish for gold, And 9- h- P - **-{ * . 5f-d P~ - 1^ 1 ^P--J-H ^ J- -jf-j L-0 p L . _!_-..._ _ i _ t ^ i a I - ^ ~" ^ ~ '-r* 319 pi - ty mankind that will perish for gold. -C '--"gl'. 1-rH* H yfc-iSfctef s ^^ - - n ril r i XL/ 1 t/ " p.-J ^i -^H TJ T ! n ie ~jf '? \ r~fr !- jj E -~i ' ~ - -d H : ^^ ES-i-5" H 11 ' \>\f \ PI P aESE o " p . P- "P". ^^ 'v r F P k _i II uJ EC P p r II r i cr: ._.,. e S@ faint - ing Saxons quit the ground,The trum-pets languish '^E, feg 3 ztr^ "D" fe I ^ j ^f^irrMET 1 '^ 320 * =t= in the sound. They fly, they fly, they fly, they fly ! Vic- a=EZB==|^^S IHEpEEKrp rprg:r|IrEj Repeat Chos. to-ria ! Victo-ria ! the bold Bri - tons cry. The ~P t~r-P~t H"H-T 1 R-T jp p-- p~ -TH--^- H-t-H < 1 h 1 S"l 9 -^~ I f r^p^r?SEaH r 2ny my side. THE WORDS WRITTEN BY WILLIAM LEMAN REDE. Allegretto. [Aim Dear Harp of my Country. 1 I gaz'd on thy face, love, When Lr^rrrrm sickness had thrown, O'er each darling trace, love, Its m 322 gg ,-- 1 Er~iTT"~ r h"~"t*--:~~~~ langour a - lone, Yet when hec tics were flush - ing a - 3=* =^^ ^ cross thy clew'd brow, Love's cur-rent was gush - ing, All warmly as now. In thine hours of brightness of i: 323 beau-ty and joy, When thy smile was all lightness, My ^ i I own is - land boy, My heart own'd thy pow-er, En - , ^ shrin'd in its core ; But in mi - se - ry's hour, I 2- r n 324 If I joy in thy blisses When rapture's tide flows, If dear are thy kisses, More dear are thy woes. The ill that befalls thee, May call up a tear ; Yet the woe that enthrals thee, But makes thee more dear. When danger annoys thee, I sorrow with you ; In the storm that destroys thee, I perish, love, too. Come want, woe, and sorrow, Thy cares I'll divide, Nor fear the worst morrow, Whilst thou'rt by my side. 3-25 Come Love to me. THE WORDS WRITTEN BY L. Z. Moderato. 8va. H ^ *M m&=i r & f-*t s COME, Pi 3 r r" i - A P ' * ' 1 1 .. . _ . r vl) " r F r * r r ~W u_ 1 1 1 n/ love, to me L* ^ ^ , the ves-per star Shines bright and clear a- -J ?8 '* :. " ! p ?J i C J > - ' - -f i _- J_:: 4 J J : r I If f z 9 f f i - : ,/ !-" 9 . I J j r, IffC |_ _. \" 1 M*. g n' J n J *- ! . ' i t ' < tz 320 JT -i P r r * 1 r p "J - fi p j I : v/ U L \ r \ bove ; I've wander'd, sweet, I've wander'd far, To r Q& \ m f m ,. l'" ,.,A l"" I j ^ Jf i~ -n- r " i -C J f j J i m 5 '_ r ,... i ' * a r ' 4 L i J^ j ^ . l i ----- -- 1 r Vtt i~ -1- P T . . _..! 1 ,J.S -, -, i _. ,n . i rt F i i 1 3 P i HP 1 L m 1 1 .J V.' w i i 1-3. PW b ^" B -- . " >7 ~i - r* TL n _ . . * , , n- r" ~i - r" ~r r- pill III It l L 1 U ^^ sing my faithful love. That - ]/* \ j t T 0o -H J U-L i C B. l. Jr ii 4 P ~iT5 -rn h-ttfll-lt i , -n 1 fjl J... *..... F * l-i -r P P r 21-11 fl - J ' 1 ^ L 1 ! ! i 4 \ H . i Fine. rES-Tr-= j- B^ - - r ' r n ' "i "i ' K ^ - i~ ' ^ , - - ^ ^ * ^- v^-x P8 _."""' ^ ' N 1 ' -_P ^ I u - m - - i i i ' , i j i PI* r NI 1 i r r * j it w 1 J . * - U' U star tho' bright shines but at night, And fades at morning's f 2^' .'^h ^**i^_ ' ^ t - 1 w J m-b J F^ ~2^ IJ T SZj-SC ^.i-.- TBi* 1 - -B f"k "la 1. 4 J J f- r r fi* CZ! \ Z___ w w Wi 4*.' Lrf' L<" -r ' \*ft E" A - - ** ,*i _.. i^r _.i... . . - -\ m _-_..t jjl '- . , f. .J-J.. -!~ . 3 I In 327 ray ; Not so my love, 'twill constant prove, Shine m ga4i=.J=^T-Hi-F aye, Nor fade a - way. Come Da Capo. -=\ f W~~ 5" ^t-f The moon- queen gently sports her ray Upon thy scented bower. The Zephyrs kiss, in sportive play; Thy perfume-breathing flower. Another hour, thy fav'rive flower Will droop and die ; alas ! My love for thee aye fresh shall be. Nor like a flowret pass. Then come to me, the vesper star Shines bright and clear above; I've wander'd, sweet, I've wander'd far, To sing my faithful love. ~ 1 328 If o'er the cruel Tyrant Love. Andante. A- A- f r^m 9 IF o'er the cru el 0^ ty - rant love a con-quest I be - liev'd, The 329 A- A- A- A- flatt'ring er - for cease to prove, O let me is 3fc H- h- ~ A b r ^ i JJ__o- ILi P* J 9 -9 * (\} r * |2- r ^ a r r r ,^_ ^ ~ ^T J - \ 2 SI 1 Sr 4/ ~ ..^ 1 i be de - ceiv'd O - - let me be - - de - ^v ceiv J d, Ci^* A __ r^ r A tJ. 3 f 1* r b J L p J 1^ i I -t- -? A A 7 p ^r EB 1 m F L. ' r ^ i \J 5 . \^r ^ . < L ^1 O - - i *^ v^ ^ * let me be de-ceiv'd. ^ i cs H_J f ^ t Jv -> J f w ^1 r . h J P _l- _J! For- gmsgp bear to fan the gen - tie flame, Which lore did gELLf f I f f f ^^ 330 first ere - ate, What was my pride is now my [gfffff 3^^ i shame, Arid must be turn'd to hate ; Then call not A- A- to my wav - 'ring mind, The -weakness of my i heart, Which, ah ! 1 feel too much in-clin'd to m aae Eaa5 I b- s P r-i "b take the trai - - tor's part. For part & ^^^ ^N i to take - - the trai-tor's part. Avb - - - ? ~ F" ~1 HE _i OF L.U *- " Erri - i 9 ta^ri a^ __- 'V i r _ i/. b P * J j p . h . r . Jr . .. . J . r S5555=^Pg ^t 8 4 4 : Ttie Soldier tir*d of War's Alarms. ^=r T i f ffr i f J r 332 3^rfrf:f tf aamgi siii n3,rE fir r f - F J 1 l 333 ^to*a . F tir'd i ife m w, t of war's a - larms, For- 3S r r i r r r A S "r "J **~ ^ 5 "i " 1 fV\ " ' C * r D swears the clang of hos - tile arms - - 334 _o_ ff p 3i33 Pf^ tr And scorns the spear and shield. ^-'fi-* l.|. 4J I --1 P-rv = ^ The sol - - dier SEE 3* F-H -p - Av H > ^-~ m p " r (\> r f r vi; i tir'd of " war's a - - larms. For - sweats m__mt the i _, ' i*rt r *r r*' ^**T , , 1 f- us CJ f r^ -P ' j p >t M v n r [j ni r J 1 I 1 J 3 m 4 . &**& ' ^ s y^ p~ _i_ m 5 r ' ' SZfcff j4t f^ts f ^ V 1 -q **T VJ/ -^ d I i 1 clang of hos ''000 ' - tile arms, And scorns - - - - <^ t^j4 I |p r ^ | fjf f- -El .* 1 fl l i B i' u.. - . i i~a-a H 335 I shield, For - swears the clang of hos - tile m 1 arms, And scorns 33G atr-f f \Tuf, m teiff* A H i i t$V-- the spi ar, the spear and 3 D H Ja-ica___ i% ~iBBkh shield. E 'Hi &-.- lEfe ^E 337 tL N *^ i *-** *ufr*\\ T^Pfpfpfpji. . ft ' t m -w- m - *-9~ -m-m 9 i ^tt PTfr^fJ > JIT J ^^ff JL_^ ^i i j JK j| *^j ' J * M ^ But if the bra-zen trumpet sound - - -F-r^ 338 ,. JBj r . 3E& B=^ tt-TT? -& m =A He burns with con - quest to - - be crown'd, And ' - Aii i dar DS - . UJ 86 i . *t "P" 1 1 l O ^ J ' V n r* AI H! v/ r p i I i i i- the field. mmmM. MMmM 1 e-F- E 341 INDEX. Observations on Music ... .. .. v ,.-..;.... Solfeggio ....... ............... rii Exercise on thirds ........ ....... ix Exercise on fourths ....... xi Exercise on fifths ........... . . .. xii Major, or whole-tone shake ........ . .. xvm Minor, or half-tone shake .............. xviii The turn .............. . ..... . . x ix Style Accompaniment* * All the blue bonnets ................ 13 Alva . ......... ;V' l 'i ! ; :; .. lift All Venice looked gay at the bridal 148 f\ 4 ...... . j. /... , jf.il) 1*1 fa.] Blow, blow, thou winter's wind ...... i H* a "*' 188 Breathe not again that dreadful sound ..... . . . . 233 Could the voice that I loved ...... 66 Comin thro' the Rye ' -"* i '' ; .J 7r . : l r :: .V 'V^'.; 201 Come, if you dare 7 - T; V. ;; 1. J^^F^H^TT' 316 Come, lore, to me .................. 325 Pair Clora .................... 96 Forgive the muse that slumbered ............ 141 Farewell, thou stream that winding flows ...... 186 342 Gentle youth, ah ! tell me why Green grow the rashes, O ! Heroes, when with glory burning 56 Hark! I hear the ocean's 'whelming sweep 63 Helen 80 Had I a cave 155 Hushed be sorrow's sigh 261 In griefs and in dangers 122 I love to catch thy radiant smile . . 170 If those who live in shepherd's bower 230 In infancy our hopes and fears 268 If o'er the cruel yrant Love 328 John Anderson, my jo, John 31 Jocko'HaeldeanTT~ir^r-5V--nr^~~^r .. ,. 255 t _ ._._ . ... .. '. Let me wander not unseen ; 24 Let us haste to Kelvin grove 118 Last May, a braw wooer r ft? >f {*&{.;'.?, 138 Love in thine eyes 216 XT a t. . No flower that blows 76 No more shall I seek in the red field of danger 166 O ! come to the tomb 92 Oh ! never more . . *. 103 Oh ! who has seen the miller's wife 100 ' O ! Logic o' Buchan 1*5 On the dark lonely strand 182 Oh 1 when in days that are yet to rise 204 Oh ! this is no my ain lassie ^ * * * 207 Oh ! could I bid the days return 222 Oh ! love is just like gaming - 240 Oh ! what ye wha that lo'es me . . 247 O ! my luve's like the red, red rose 271 O ! what a charming fellow . . .. . .. 274 ,/ Our thoughts are still at home 282 0! sweet is the hour . . .. .. . . 306 Still in hopes to get the better .. 48 Sunshine on thy pathway 258 Some fairy spell around me plays .. .. .. 265 Smile on, for thy young day is dawning 277 Says Plato, why should man be vain .. \ i] \t .. 313 Turn, Amurillis 21 Together let us range the fields 33 The rose had been washed l8 The banks of the Yarrow * . . . . 144 Though all may forget thee 151 The lover's lute 158 Take, oh! take, those lips away .... ^ .. .. 161 The masquerade . . .. .. . . .. 191 The day returns when first we met > 210 The rose that you gave me 226 The balmy odours of the morn 236 The bark is on the swelling wave 290 The woodman 293 The hardy sailor braves the ocean 298 The exile's return 303 The voice of love 309 The soldier tired 331 Under the greenwood tree When my soul's delight . 344 When time was entwining 51 When the dove left the ark % 134 We, who wandering Arabs are :, "*- .TT f/' 176 Where's the heart so cold 195 With thee, fair summer's joy appears 198 Waters of Elle 244 When forced from dear Hebe to go t4 '-^. 251 Whilst thou 'rt by my side 321 'a^Hl'i fyji;if Dean & Munday, Printer*, Th reailji eUc - rtrect University of California SOUTHERN REGIONAL LIBRARY FACILITY 405 Hilgard Avenue, Los Angeles, CA 90024-1388 Return this material to the library from which it was borrowed. EGIONAL LIBRARY FACILITY A 000930811 5