mmm^:'^m-Km--i:, A A n ^^— 1^ X X) u — -? ^ 2 1 — q . ^ 4 r 7 ' 7 ^-^ -c / C. K. (MJDK N TIIIM II5RARY or TllIillNIVrRSITY Ol' CM. IIORNIA l-OSANCi'LES D'ORDEL'S PANTECHNICON An Universal DIRECTORT of the MECHANICAL ART of MANUFACTURING Illustrated Magazines Intended as a Course of Learning for Future Writers CONTAINING AN ACCOUNT OF THE ADVANCE OF LITERATURE In Modern Times WITH A PERFECT MODEL for the Guidance of Students AND DIRECTIONS Exposing the whole MANUAL ART of the Trade BY Prometheus D'^Ordel^ Gent. As it was (lately) delivered to the Editors MARK SYKES and EDMUND SANDARS LONDON : Printed for Bickers and Son, at the Sign of The Falcon in New Street Square. MCMIV sin Si SI THE EDITORS' ADVERTISEMENT A FEW weeks ago we each received a communication from the solicitor to the estate of Major-General D'Ordel, which informed us that there were certain papers, addressed to us both jointly, awaiting us at his office. We met on the following day and went down together to the City, where we found a large parcel containing a letter and a bundle of manuscript. The letter was as follows : " Sandwich, Api'il 9, 1904. " Saturday at A^iorJit. " Gentlemen, "It may be that you will pardon my troubling you with this letter and the enclosed manuscript. " I should never have approached you upon this subject had I not already had ample proof of your integrity and patience. You may be surprised to hear me run on at this rate, but your admiration will give way to acquiescence when I tell you that I well knew the original manuscript of my cousin. General D'Ordel — that same manuscript you carved and beat into some form of grammar and sense before publishing it to the world. Having by me a copy of my poor cousin's original at the time I read your edition of Tactics and Military Training, I was, as you may imagine, astounded at your pertinacity and labour. A 2 "It 99724« 4 D'ORDEL'S PANTECHNICON. " It is possible that you be not ignorant of my existence, since there must be among the General's papers a heap of corre- spondence, letters, notes, and suggestions of mine, which he invariably treated with a contempt and a disregard that would have raised the anger of one less philosophical than myself. But de mortiiis N. N'. B. " After this preamble I think you will forgive me if I proceed immediately to the business of my letter. I have devoted many years of study to the best methods of attaining proficiency in a number of trades and employments, and I think I have dis- covered several walks in life wherein a dunce of the most profound kind can, if he do but follow certain rules, earn a livelihood. If this is a fact, who shall say that my time has been idly spent, or that I shall not prove a benefactor to mankind ? " The increased population of these islands has brought with it a corresponding increase in the number of blundering and stupid persons, who (unless provided for by the accident of birth or by Government employment) must needs earn for themselves an honest livelihood of some kind or another, as their very stupidity unfits them for successful crime. " The interruption of my studies which would be caused by the tedious and harassing business of publishing a book has long deterred me from taking this step ; but Modesty, greatly as she may enhance the beauty of a genius brilliant enough to penetrate her opaque covering, often withholds a lesser light from mankind, and I have therefore decided to place one part of my work before you for publication. Should you deem it worthy of printing, pray relieve me of the innumerable and dreaded annoy- ances. And perhaps you will send me a copy of the book when complete, as I should like to have it by me for reference. " In absolute reliance upon your judgment and confidence in your capacity, I am. Gentlemen, with full respect and esteem, " Your most obedient and humble servant, " Prometheus D'Ordel." We D'ORDEL'S PANTECHNICON. 5 We turned to the manuscript with some curiosity, and found that it consisted of a number of papers in a thin, clear hand- writing, together with a quantity of drawings and sketches — the whole evidently hastily and carelessly packed, and in the greatest confusion. Our chief difficulty lay in arranging them in order, for, once that was done, they assumed the form in which we now publish them. The only difference between the manuscript as we received it and as published arises from our omission of one essay. This was entitled, "A Defence of Magazines in the Eighteenth Century," and consisted of a refutation of the following note by Pope and Warburton to their 1 743 edition of the Dunciad : B.I. Line 42 Magazines. — The common names of those monstrous collections in prose and verse ; where dulness assumes all the various shapes of folly to draw in and cajole the rabble ; the eruption of every miserable scribbler ; the dirty scum of every stagnant newspaper ; the rags of worn-out nonsense, and scandal, picked up from every dunghill, under the title of Essays, Reflections, Queries, Songs, Epigrams, Riddles, etc., equally the disgrace of wit, morality, and common sense. It did not seem to us that this essay had anything to do with the subject of the remaining manuscript or bore the slightest application to any periodical of the present day. Therefore, having written once or twice to Mr. D'Ordel about it and having received no reply, we ventured to omit it entirely. MARK SYKES. EDMUND SANDARS. nPOMHGEQE OPAHAIAOT nANTEXNIKON FaOico<; eycj ouoagco, kou ajLioucro? r) to npiv DEDICATION TO * THE EDITOR OF THE MOST PERFECT OF EXISTING ILLUSTRATED MAGAZINES. Sir, When you realise how much use I have made of your Noble Monthly in preparing this Text Book, you will not be surprised that I should dedicate my work to you. * Unluckily, this illustrious name was totally illegible in the MS., and when we wrote to the author asking him who the person was, again we received no reply, and so we were obliged to leave a hiatus, which the reader must fill in at his discretion. It lo PROMETHEUS D'ORDEL. It is acknowledged in the remotest corner of our Dominions that to your Zeal and Labour the Magazinian Art owes its present splendid Position among the Mysteries of this Age. With you rests the Honour of having instituted obedience to those Magnificent Mechanical Principles which I have only endeavoured to arrange and expound. Perhaps some Share of your Fame, which must surely pass down to Posterity, may fall to my lot as being in some measure associated with the Founder of a Trade wherein the most Incom- petent can earn an easy Livelihood without diflficulty, and in spite of the Of the ADVANCE of LITERATURE. 1 1 the Obstacle which Nature hath laid in their path ; and it pleases the retiring scholar to think that his name will ever be coupled with that of the Famous Celebrity. I have the honour to subscribe myself, Sir, Your faithful, devoted, and admiring servant, Prometheus D'Ordel. I AN ACCOUNT OF THE ADVANCE OF LITERATURE In Modern Times WITH A PERFECT MODEL for the Guidance of Students 'Pa8i6>5 eyw StSa^oj, kolv a[JLOva-o<; 7} to irptv I can teach with ease even the densest dunce When the first press was completed and the first book printed in Europe, the philosophers and statesmen of that day scarcely appre- hended the extraordinary revolution which the new invention would effect in the affairs of the world, though to us the far-reaching changes which resulted from the mechanical practice of the discovery form a logical sequence of events as obvious as the rungs of a ladder against the wall of a house. Yet 14 PROMETHEUS D'ORDEL. Yet would one no more blame them for failing to foresee these developments than he would discredit the wits of a countryman who, discerning only the steps of St. Paul's through a London fog, admitted that he had no clear idea of the shape of the cathedral, although the edifice is the only reasonable and proportioned structure which the steps could support. From the earliest use of movable types down to our own time printing has become cheaper and cheaper. To-day the luscious fruit of the instructive tree which our first parents culled in the garden stands for sale on every hawker's barrow, and the meanest can now divert themselves with the knowledge of good and evil which it brings. Perhaps the most noticeable advantage to mankind which has resulted from this greater cheapness has been the vastly increased production of those delicate literary fancies which aim at amusing all men, without strain to their intelligence or aggravation of the evil Of the ADVANCE 0/ LITERATURE. 15 evil of such as chance to be stricken with brains. The Board School boy of to-day would laugh to scorn the library of light literature which was at the disposal of a nobleman in the middle of the eighteenth century. At the best it would only contain a Rabelais, Gulliver s Travels, some plays, a few odd verses, Pope's Poems, The Examiner, The Taller, The Guardian, The Spectator, and similar stuff — works which (although in view of the dates at which they were produced they may claim to possess some merit) require a useless, unprac- tical, and liberal education before they can be enjoyed or understood. Joseph Miller and the writers of the Touchstone and the Chap books, the pioneers of English literature, did not find fit successors to carry on their work, and although during the first half of the nineteenth century certain authors were generally enjoyed, they were but few in number. Dickens, Thackeray, the Brontes, Bulwer Lytton, and a couple of score more, formed the i6 PROMETHEUS D'ORDEL. the whole popular writing body in i860, and their works still retained a considerable tincture of the evils which marked those of their predecessors. Their stories were long, their style tedious, studied, and hampered by accuracy of gram- mar and construction, and many a modern reader avoids their works and never even opens one of their books merely by reason of the number of pages they contain. The passing vogue which these men enjoyed was due, not to the brilliancy or beauty of their work, for these things have but little to do with true popularity, but to the fact that they provided the only reading material obtainable. Latterly, however, by reason of the increased cheapness of printing and the more widely spread knowledge of the alphabet, not only has the number of readers been much augmented, but a prodigious host of authors has sprung up— no longer mere pompous, long-winded grammarians, penning intermin- able Of the ADVANCE 0/ LITERATURE. 17 able stories of possible events, but authors without any pretension to learning of any kind, driven only by hunger and thirst, and un- fettered by wit or invention. The works of these writers found place in the various illustrated magazines, which first appeared in any considerable force about the year 1885. The manufacture of cheap and attractive stuff was then only in its infancy — the science of writing down to the price of the periodical was not fully understood. An illustrated magazine was often worth a shilling ; many of the stories were written by men of antiquated, scholarly training, and a number of the drawings were executed by persons of some taste and origi- nality. But as time went on, by dint of diligence and experiment, it was found that, by the employment of authors properly qualified, the use of photography and tracing-paper to compose pictures, and a great increase in the part devoted to the commercial advertisements, a magazine, thicker, more fully illustrated, and containing even less merit than the shilling volume, could be so produced as not to appear B cheap i8 PROMETHEUS D'ORDEL. cheap to anyone at sixpence. The improve- ment did not end here. In the last years of the century such a periodical worth only fourpence-halfpenny was ventured ; and still later an even m.ore careful selection of writers, artists, and methods enabled some bold pro- jectors to bring forth an illustrated monthly of the literary and pictorial value of threepence. But this will not close the matter finally ; we shall see the day when a magazine will be constructed which will only be worth I was thus far gone in prophecy, when it came into my mind that predictions are dangerous, and that, having once hazarded them, the easiest means of proving their accuracy was to fulfil them myself. Therefore I instantly set to work to com- pile a perfect standard to be followed by the makers of future magazines. This model I have completed, and I set it before the literary world as an ideal type from which the entire craft, manual art, trade, fraud, trick, mystery, and cunning of writing may be learned. Although Of the ADVANCE (/LITERATURE. 19 Although I have taken particular pains to make this work complete, imitative, and stale, yet, so uncertain is every human effort of success, that I dread lest some faint trace of the blight of thought or originality may have crept in. Of this, if it be so, I beg that I may be speedily informed by the one who discovers it, so that the blemish may be removed in any later edition. The reader of observation will immediately note that my perfect model lacks an essential to all successful and notorious magazines. I refer to the most striking and weighty section of those works — that universal directory of science, art, and manufacture, that noble monument of trade, which is built up of the advertisements. And whoever perceives that those glorious compositions are not contained in the pages of '' Scrag ford' s'' will laugh at my pretensions to any knowledge of the magazinian art. The very idea of a periodical without advertisements is absurd and vain. Who could conjure up in his mind any one B 2 of 20 PROMETHEUS D'ORDEL. of our renowned monthly issues with neither the first eighty nor the last fifty pages devoted to a compendium of commercial instruction and guide to purchasers of soups, songs, wines, tobaccos, foods, books, and furniture ? Who could imagine such a publication unburdened by those informing tracts interleaved within it, whose gorgeous colourings transform the sober carpet of a railway carriage into a tasteful patchwork quilt? And yet '' Scrag ford's'' contains no sign of all these things ; and still the author has the presumption to bring it forward as a Model for future guidance ! So just is this objection that many a student has conceived that a magazine con- sisting only of advertisements, and containing no stories, would be more reasonable. But if this were granted, then the whole theory upon which literature is based would fall to the ground, for the advertisements would be given a standing which they could never maintain. They cannot rightly be deemed literature, since it is fundamental to their existence that they should Of the ADVANCE of LITERATURE. 21 should be of use. For if the goods which are therein praised be truly commendable, the buyer has benefited by the notice ; and if they have no value or virtue the gain is that of the trader. Thus it will be seen that in either case the advertisement is not worthless to the entire human race ; and any writing which pretends to excellence must at least satisfy that test. The articles and tales in a magazine conform exactly to this important requirement. They are without utility of any kind, and they are therefore enticing. The reason for their existence and for the exercise of their alluring power is to force the public to buy the volume, to open it and to turn over its pages. Once this is done their object is accomplished — the readers have been brought into ocular range of the advertisements ; and this is to-day the whole scheme, design, intention, and purpose of skilled writing. But still it might be argued that, as advertisements are the most important, though not the sole contents of a periodical, any model should 22 PROMETHEUS D'ORDEL. should comprise them. To this I reply that my standard type deals only with the literary part of the subject, and, further, that advertise- ments not only do not partake of the nature of letters, but rather tend to their ruin. No author can either compose or study trade notices without contracting certain corrupt and abominable qualities, such as terseness, originality, clearness, and knowledge ; and the display of any one of these would render him incapable of obtaining admission to the writing staff of any perfect magazine. My model must therefore be compared to a grim skeleton both dried of its marrow and robbed of its fair covering the better to disclose its articulations, and, just as the bones of the body preserved in their natural situation are instructive to the surgeon, so " Scragford' s " may serve those authors whose duty it is to produce the light and less intellectual part of a modern magazine. In this work, then, I have only striven to indicate, in well-worn phrases which all will remember, Of the ADVANCE of LITERATURE. 23 remember, the methods which lead to periodical prosperity, and even to the lowest degree of honour that is hereditaiy. The story of " Grypula " gives the ingre- dients of the indispensable tale of an incident in the life of the serial adventurer, wherein are two important points to be observed. In the first place, the character of the adventurer himself must be simple and freed from all the complexity of human nature, and his acts must be so governed by the ready rules laid down for him as inevitably to be foreseen by every reader. This is made more easy by the fact that, no matter who be the author or what the hero's profession, he must always be the same man. Whatever part he may play, whether as in his original manifestation, that of a drugged detective in a dressing-gown, or that of a nonconforming Spanish brigand with a beard shaped like a torpedo, a merchant captain with the 24 PROMETHEUS D'ORDEL. the beak and plumage of a brooding vulture, an insane Croesus with a brown papier mdcM hump, an animated Egyptian mummy with a curiosity concerning Chinese monasteries, or any other character which human folly can devise, his identity must never be lost. In the second place, the recital may with advantage purport to come from the mouth of one so crassly and patently imbecile as to be unable to exercise this foresight. The operation of these two rules taken in conjunction is that of an exquisitely subtle flattery, than which there is no greater induce- ment to waste money upon worthless trash. Thus, if, for example, the fellow be said always to consult a clinical thermometer at all moments of extreme peril, and if this manoeuvre be repeated in each tale, on the adventurer being led forth to execution by learned pigs the fatuous narrator will interject, " I was astounded to see the strange man calmly consult his tiny clinical thermometer." Thereupon Of the ADVANCE of LITERATURE. 25 Thereupon many of the readers will be rejoiced by the thought that they are more intelligent than average men, for most of them must have divined that the thermometer would be con- sulted. The instructive article on Dustmen is dependent for its formation upon the posses- sion of a number of unremarkable photographs and an infinite capacity for expanding any theme, be it a bye-law of an athletic club, the habits of cheese-mites, or any other matter of sufficient insignificance and meanness. Thus, in the instance given, the article could be summarised in the words " Dustmen remove dust in carts," but in this form it would not occupy a line of print, whereas my duly inflated version fills three pages. The narrative which bears the name of " For the Royal Rusks" appeals to the fairest parts of the nature of all civilised communities — their extreme interest in the affairs of persons of quality, and their unbounded reverence 26 PROMETHEUS D'ORDEL. reverence for the bearers of titles of honour ; and still more strongly to what is perhaps their noblest characteristic — a keen delight in the nicest details of bloodshed, slaughter, and destruction, so long as these events be sufficiently remote to cause no apprehen- sion of personal danger or risk to their own property. The histories entitled "Bunnie" and "The Judge's First Case" will be recognised as being the results, the one of the true island patriotism, and the other of the intimate ignorance of a profession which mark their respective types. The former may appear with the scene laid in Italy, Spain, India, China, or Kamskatka; the latter may fail to reveal the true life of Counsel, Physicians, Civil Servants, or Diplomats. In short, I have written a model of what the skeleton of the magazine of the future should be. It contains everything that such a framework must contain. The stories are of Of the ADVANCE 0/ LITERATURE. 27 of the liveliest and most sprightly kind ; the jokes are of the most approved style ; the illustrations are well within the mark ; the items of information of the requisite uselessness ; and, upon my sacred word of honour, the whole compilation is only worth ONE FARTHING.* * We fear that Mr. D'Ordel's meaning is liable to misconception. It is true that such a Magazine as " Scragford s'''' when unloaded upon the market with its complete equipment of advertisements would only be worth the sum mentioned, but as a model its value to students is incalculable. —Editors. t HERE FOLLOWS THE MODEL. SeRAGFORO^S FARTHING. -*-08C><: — THE MODEL MONTHLY. Rights of translation and reproduction in the Contents of this pattern are strictly reset ved, but rights of imitation are gratuitously offet-ed to all compilers of Magazines. CONTENTS. I'AGE OUTSIDE COVER. From a Photo of a Design. INSIDE OF OUTSIDE COVER. From a Paper Mill. LIST OF CONTENTS 2 SCRAGFORD'S BEAUTIES. No. VII 3 THE MISSING LYNX. Chapter CLXXVII. of the great Serial " The Search for ihe Iron Toe." Illustrated by Murillo Q. Curio. D'OOTHEY BOYLE 5 LONDON'S GOLDMINES. Illustrated with Photos taken by the Author Mortimer TOMBES 16 THE JUDGE'S FIRST BRIEF. A Complete Story Our Lawyer 19 Illustrated by Algernon Mallifax. YE KNIGHT OF OLDE. From a Photo of a Picture in the possession of Alderman Suss, with an original Illustrative Poetical Meditation hy Cissy Hasp wwii.liam bbrown 22 FOR THE ROYAL RUSKS. A Complete Story QuAX Blunderthud 24 Illustrated by Brach Rosenbaum. TO SPRING. An Original Poem in an Original Art Bordei from a Photo of a design by Benvenuto Binks Dr. Samuel Johnso.n" 31 BUNNIE. A Complete Story ... Britton Mapiiik 32 Illu.strated by Ocre Tonks. A PASTORAL 37 THE EDITOR'S PIG-TUB. To-day's Contents :— Chaff, pffal (awful). Peelings, Leavings, Garliage, Wash, Dregs, Pears, Chestnuts ... ... ... ... ... ... ... ■•• 38 OUR STARTLING WONDERS 40 SCRAG FORD'S BEAUTIES.-No. VII. Oh ! winsome, coy, demurest girl. Thy rosebud smile and limpid eye Make thee fit bride for any earl. "Would," Scragford's editor remarks, *' That nobleman were I ! " a 2 THING, LIVING, SUFFERING . . WAS FLAYING ITSELF ALIVE BEFORE MY VERY EYES. a Serial IRovcl BY D'OoTHEY Boyle, Author of IN GRYPULA'S grip ; THE HUNT FOR A SKUNK ; GRYPULA'S ADVENTURES ; AU REVOIR, GRYPULA ; THE STRANGE EPISODE OF THE BRAZEN FACE ; MORE GRY- PUI.A'S ADVENTURES. To Readers of "SCRAGFORD'S FARTHING." Each chapter oE this stirring serial contains a full and complete story, which has no reference to the main issue of the novel. Synopsis. Grypiila^ cntcl, sfcr/i, affectionate^ repulsive^ faithful, fascinating and unscrupulous man of mystery, aged 2003, accompanied by his grey stoat " Moloch" which he carries about in a diamond- studded rcticitlc, has employed Ralf Bunyan, a struggling young Australian chiropodist, as his amanuensis. The latter met his employer in the lions' cage at famrach's, and has si/ice been comuiissioned by his master to record some sixteen hundred of his unique exploits. Ethel Liffey is the niece attd sole heiress of the Duke of Dublin, a millionaire noble in Grypuld's pay. Ralf has been ordered by his master to keep in touch with the Duke, and contrives to obtain professional employment in the house. Ethel knows the secret of the Den. Grypula knows everything. Ralf knows nothing. XDde JHdventure of tde Missing Isynx. On returning home after a pleasant day spent at " Clubland," I found on my table in my brown study a heavily-sealed envelope, which .1 hastily tore open. It read as follows : My boy, — Ethel and I are lonely to-night ; will you partake of supper with us ? Vour friend — Dublin, Dux K.S.D. To change my tie and shirt-front and slip into my black velvet Norfolk jacket was the work of a moment, for I knew that his Grace's table, at his mansion in Harley Street, would be well spread. Besides, there was Ethel — but of her more anon. Within a quarter of an hour I applied my thumb to the electric " sonnerie " marked "Visitors," and thought to myself how strange it was that I, the erstwhile struggling young surgical operator, should, through my casual meeting \vith the most extraordinary of men, now be a welcome guest at one of England's noblest houses. The door opened, and emitted a flood of light on to the pavement, and I was relieved of my top-hat by Buljer the butler. SCRAGFORD'S FARTHING. who whispered to me : " His Grace and Miss Ethel await you in the supper-room." As he led me thither, I noticed that he was a huge, ' The Duke uttered a shrill cry," unwieldy man who, though still enormously stout, showed by the bloodhound-like pouches under his eyes and cheeks that he had once been much fatter. As he opened the door for me I thought, though I may have been mistaken, that 1 heard a deep, sepulchral laugh. My host was a tall, beetle- browed nobleman who, in spite of his almost boundless wealth, showed by the lines of care upon his face that a life of pleasure, excitement, and anxiety had left their mark ui)on him. Though I knew from my " Debrett " that he was not above sixty, he might have passed for seventy - five. I noticed that, in spite of the pain which I knew he had suffered, the staunch blood of the old kings of North Wall en- abled him to force his feet into his tight glace pumps, while the black silk stockings which encased his courtly old legs made a brave tlunyan," he cried cheerily enough. "Ethel, here's our visitor." My eyes glanced from the heavily- laden board and fell once more under the thrall of my loadstar. " Uncle and I are always pleased to see you here," she sighed. The words were few and simple, but to me they meant much, and I lai)sed into a reverie from which I was recalled by the butler's huge shadow falling between us. "Have a nobbier of port with your venison," said the Duke. " Buljer is waiting for you." I drank off the wine, silently toastmg the fair lady opposite me. The conversation THK SEARCH FOR THE IRON TOE. seemed to flag, and I could not help noticing that the Duke appeared more than usually nervous, and almost as if apprehensive of some great disaster. "Is there any news in this evening's papers?" queried Ethel, as if desirous of relieving the tension of the moment. " Not much," I explained, fingering the agate pickle-jar. " I suppose you have heard of the disappearance of Lord Phoenix's re- nowned diamond links." Suddenly the Duke ut- tered a shrill cry and fell forward on to the table, his face buried in the dish of trifle which was before him. Ethel rose to her feet and hastened to lavish tender cares upon her uncle, while Buljer, unmoved, poured him out a stiff go of old Cognac. " Only a passing qualm," groaned the Duke; "my heart is not what it was," and after a short time the conversation resumed its normal tenour. I rose early to leave, fearing to fatigue his Grace, and after having made my profes- sional appointment for the morrow, craved permission to retire on the score of urgent business. I descended the grand staircase, took my hat from Buljer, who was waiting for me in the hall, and turned towards the door. Some- times things seem to happen with such lightning rapidity that one is unable to realise or describe them in their proper sequence. All I can remember is that the back of my neck was clamped in an iron grasp, a leathery substance was forced be- tween my teeth, my top-hat was violently crushed down over my eyes, the rich Turkey carpet seemed to slide from under my feet, the floor quivered beneath me, and I felt that I was rapidly sinking. The smooth rumbling of well-oiled machinery mingled in my ears with the throbbing of my carotid artery and the heavy breathing of my assailant as he knelt with crushing weight upon the small of my back. The descending motion ceased with a slight click. and I found myself in complete darkness. I was lifted Itodily from the ground and flung heavily off the carpet on to what ap- peared to be a heap of empty bottles, and I realised that I was in the cellar of Dublin House. While endeavouring to remove the hat, whcih had probably saved my life in my last fall, I heard the sound of the re-adjust- ment of the hydraulic machinery. When I succeeded in freeing myself, I was dazed by a flood of electric light, which revealed, " The back of my neck was clamped in an iron grasp. though at first but hazily, the massive form of Buljer. " You infernal scoundrel I " I shouted, tearing the gag from my mouth. The man merely smiled, and, motioning me to be silent with his hand, slowly began to fumble with the stud of his capacious shirt-front. I heard a slight hissing sound and then an awful change took place the memor)- of which even now causes me to shudder. His face seemed to shrink, and puckered into flaccid folds of 8 SCRAGFORD'S FARTHh\G. empty skin, his vast bosom and shoulders heaved and sank. The knees trembled and the huge thighs seemed to vanish into air, leaving the ample garments that had covered them hanging crumpledand unfilled. Thepink and dimpled handsgrew withered and clawlike, and ah ! that awful face ! now creased into a thousand wrinkles, was shrivelling up before me. I felt the cold beads of perspiration coursing down my brow, and heard them splashing on the damp floor, but worse was yet to come. I tried to shut out the fear- some sight, but I could not. The Thing began to move, to raise its arms and writhe as if in dreadful ansfuish. It clutched at its face, at its chin, and at the loose dead-white skin which hung upon its breast, it fell upon its knees and tore upwards with its dangling claws (now more like tentacles of sinew), at its face. Its face? Merciful Powers! it had none ! Where the frightful face had been was a still more awful l)lank- — a blank — now seamed with twisted folds, now taut and throbbing with unutterable agony. Something living— suffering — -was flaying it- self before my ver)- eyes ! " If I were Dublin, I would not employ this butler," I moaned, hardly knowing what I said.* Then at last the tension was relaxed, the fearful blank fell back, empty, the great stiff shirt-front heaved and gaped, and skin and clothes fell to the ground, while from the gaping shirt emerged, calm, smiling, pensive, dreamy, cold, unbending, bitter, pondering — Grypula. "I fear I startled you, Bunyan?" he mur- mured as one disturbed in a long reverie. "The disguise, you will admit, was effec- tive ? " "Di.sguise," I quavered. "Yes," he continued, " it is my No. i con- fidential upper servant pneumatic," and draw- ing from his breast-pocket Moloch's diamond reticule he opened it and put in his little finger. The strange denizen realising that it.-i enforced seclusion had come to an end, ran up his arm and fastened its gleaming teeth securely and affectionately in the lobe of his left ear. " Oh ! Moloch," he mused sadly, " we cannot have our rubber this even- ing, as we have a more serious game on foot, but we will play one hand while our fiiend Bunyan recovers with the help of so ne of the Duke's Imperial Tokay, which he will find in bin No. 43." So saying he carefully folded the disguise, the discarding of which had so terrified me, and using the shirt-front * Upon subsequent consideration I still think so. as a tabic, produced from his waistcoat-pocket the miniature pack I knew so well, and dealt out the cards for his usual game of treble dummy whist. The Stoat, with his hardly human interest in the game, took up a posi- tion on the table close to Grypula's left hand, from which he could administer the savage bites with which he marked his master's revokes. I staggered to the bin indicated, and snack- ing off the neck of one of the Vjottles, from which the dust of ages fell, drank down a stiff nobbier of its liquid gold. I turned towards the strange pair, and noticed that Moloch's sharp canines were firmly fixed in the ball of Grypula's thumb, and that he had just added the ace of spades to the three of diamonds, which w^ere trumps, led by one of his imaginary opponents ; he held in his hand the four, seven, and ten of diamonds. " Grypula, you have revoked," I observed. " Moloch has already told me so," he retorted, and added, " My dear Bunyan, I see you have recovered. I was present at the treading out of that wine in 1604. The fourth Henri, had he not been a recluse, would have been a martyr." This extraordinary man was almost always surprising me in some way or another. I sometimes could hardly believe that this calm, pensive individual who was sitting on the floor of a Duke's cellar playing treble dummy with a stoat, had but ten minutes before been masquerading as the Duke's butler, had assisted a long dead French King in the manufacture of Tokay, and had of old wielded Rome's imperial sway under the title of Heliogabalus. But his historic omnisci- ence has often convinced me that it could not have been otherwise. An antique boot, a modern rapier, a blue Mauritius, or Saita- phernes' tiara presented no archaeological diffi- culties to him, while a Republican as recalled memories of his childhood. " Bunyan," interrogated Grypula briskly, as he placed the cards in the back of his gold repeater and slipped Moloch into his reticule, " are you ready for a stiff job to- night, for I think I see a pretty little adven- ture forming itself in the near future ? " " Need you ask ? " I replied ; " but, remem- ber, I have a professional visit to pay to the Duke to-morrow morning " — and a vision of Ethel passed before my eyes. " Have no fear," he answered, " but that pairing will never take place." I wondered. l)id he read my thoughts ? Or, was he thinking of the appointment with my illus- trious patient? But he proceeded, " Listen. I I THE SEARCH FOR THE H