fTtfl UNIVERSITY _ OF • S MONUMENT TO THE CHRISTIAN. Bee page 1 13. THROUGH THE EYE TO THE HEART; OR, SYE-TEACHING IN THE SUNDAY-SCHOOL. [REVISED EDITION.] By 'Rev. W. F. CRAFTS, Author of "The Coming Man is the Present Child," " Trophies of Song," "Ideal Sunday-School," etc. WITH AN INTRODUCTION BY J. H. VINCENT, D.D. AN APPENDIX CONTAINING BLACKBOARD EXERCISES, OBJECT ILLUS- TRATIONS, ETC., ON THE INTERNATIONAL LESSONS OF 1877. * Open thou mine eyes, that I may behold wondrous things out of thy law." NEW YORK: NELSON & PHILLIPS CINCINNATI : HITCHCOCK & WALDEN. SUNDAY-SCHOOL DEPARTMENT. 3VIJ-3 3- £7 Entered according to Act of Congress, in the year 1873, by NELSON & PHILLIPS, in the Office of the Librarian of Congress at Washington. TO MY FATHER, REV. F. A, CRAFTS, WHO LED ME TO CHEIST BOTH BY WHAT 1 HEARD FROM HIS LIPS, AND WHAT I SAW W HIS LIFE, ®his Booh is lovincjltj dedicated. 101694 INTRODUCTION. This volume on the power and method of "Eye-teaching," which I am requested to "introduce to the Sunday-school public," needs no words of explanation or compliment. Its pages speak for them- selves. The book is a defense of a most ancient method of teach- ing — so old that we cannot recall the time when men who thought and taught at all did not employ it. We find it in Eden, when God gave man his first command ; at Sinai, when Moses taught God's chosen people both law and gospel by complicated and im- pressive symbols ; in Israel, by the Hiddekel, and in Babylon, when holy prophets gave forth burning words from the invisible God ; in Galilee and in Judea, when He who "spake as never man spake" taught the thronging multitudes the love and power and sweetness that were to be found in his own divine Gospel. Prophets, priests, apostles, philosophers, reformers, and teachers of all ages and of every nation, have used it. To-day, in the primary school, the academy, college, on the popular rostrum, and in every court of justice, it is continually employed. This book is more than a defense. It is a guide-book to all the practical details of the art. If the author errs at all it is in the excess of examples which he furnishes. He illustrates the whole field of illustration. One is left in no doubt as to what he means by a principle or a definition. He also exposes many of the mistakes which enthusiasts in chalk have made, reminding the teacher that things thoroughly good may be sadly abused. Let not those who use "Through the Eye to the Heart" forget that after all it is the Spirit, and not alone the truth, that is to reach and regenerate and enrich the heart. The clear apprehension )f truth does not necessarily bring the affections and the life into harmony with the truth. For this interior and divine and most essential work we stand in daily need, both as teachers and pupils, of the ■ ' Holy Ghost sent down from heaven." For this gift — for this Teacher who shall " teach us all things "—let us look with the faith that is the " evidence of things not seen." J. H. Vincent. New York, March, 1873. PREFACE TO REVISED EDITION. The author's purpose in the theoretical portions of this book is to show that eye-teaching is a legitimate method of teaching, and, also, that it is practicable for all pastors, superintendents, and teachers of average ability ; not re- quiring any unusual ingenuity or artistic talent for its suc- cessful use, and as appropriate for the teacher's slate as for the school blackboard. The exercises will be found to be briet and suggestive rather than elaborate and exhaustive, the desire being to stimulate thought and study rather than take their place. Mrs. Crafts having published " Open Letters to Primary Teachers," in which the subject of illustration in Pri- mary Classes is fully treated, the appendix on that sub- ject from her pen is omitted in this edition, and a large number of additional blackboard exercises, especially pre- pared for the lessons of 1877, take its place. W. F. C. Niw Bidford, Mass., November, 1876. CONTENTS Page Introduction 5 Preface 6 \Eye- Teaching in the Sunday-School 9 Eye-Teaching is Philosophical 11 Eye-Teaching is Scriptural 13 > Eye-Teaching Adapted to the Times 19 » With whom should Eye-Teaching be Used ? '20 \ Whence Shall Illustrations be G-athered? 21 < Who shall Conduct Eye-Teaching? 23 What shall give us Themes for Eye-Teaching? 24 Divisions of Eye-Teaching 24 1. Vivid Description and Allegories 25 2. Stories vividly told 29 3. Stories represented 32 4. Object Teaching 33 5. Map Teaching 46 6. Picture Teaching 49 7. The Use and Abuse of the Blackboard 51 Abuses 51 Uses 56 What to Take Out of a Lesson 70 Materials Wanted 71 How to Make Letters 72 The Scholars' part in Blackboard Exercises 65 Variety and Emphasis G4 1. Motto Exercise 74 2. Topic Exercise 7G > 1 15 8 CONTENTS. Paor 3. Initial Exercise 77, 127 4. Syllable Exercise 77 5. Word Exercise 78, 128 6. Phrase Exercise 79, 135 7. Table Exercise 80 8. Acrostic Exercise 82, 137 9. Parallel and Contrast Exercise. 83, 141 10. Over-chalking or Canceling Exercise 84 11. Erasing Exercise 87 12. Word-Symbol Exercise 90, 149 13. Map Exercise 92 14. Outline Exercises 96, 156 Table op Symbols 190 Table op Blackboard Alphabets 195 Appendix of Exercises for 1 877 107 Index to Illustrations of International Lessons of 1877 199 * C*. OF THROUGH THE EYE TO TE EAUT. Eye-Teaching in the Sunday-School. The great object of the Sunday-school is not to organize its members into a picnic club, or a library association, or a sing- ing-school, or a theological institute ; not merely to please, or discipline, or teach, as the end in view, but by means of all these to accomplish its great purpose, to present Chtetst 70 Christ is to be the Alpha and Omega, the beginning and the ending, the first and the last, in Sunday-school work He must be above all, and in all. and through all the exercises. A little child climbed up in her chair at home to preach to her little brothers and sisters. She turned to the right and said, " Jesus; " then to the front and said, " Jesus ; " then to the left and said, "Jesus," and her sermon was ended. So in the Sunday-school we must begin and continue and end with u Jesus." Though a school can speak at concerts with the tongues of men and of angels, and though its blackboard be always at- tractive, its superintendent always pleasant, and its numbers iarge, yet if it only talks about Christ instead of talking Christ, if it only pleases without saving its scholars, all its machinery and outward success are but as u sounding brass and a tinklinir cvmbal." Like one of the English li^ht-houses, the Sunday-school should have the double inscription, " To give 10 THROUGH THE EYE TO THE HEART. light, to save life." A boy with a Testament was asked what a* 1 knew about Jesus. He replied, "I haven't got to that yet." A Sunday-school which has not " got to that yet," amid its many schemes and plans and picnics, is false to its trust. To present Christ, then, is our object in Sunday-school work. How shall we vividly and savingly present him to the heart ? By universal consent the senses must usher truth to the soul. The Sunday-school works mainly through the two most in- fluential senses, sight and hearing. Hearing lacks vividness without sight ; sight lacks definiteness without hearing. It is well, therefore, that hearing and seeing should accompany each other. Joseph's brethren brought to their father, who had long mourned for Joseph as dead, this wonderful mes- sage : " Thus saith thy son Joseph, I am yet alive ; come down unto me, tarry not." Jacob's heart fainted when he simply heard these words, for he believed them not; but "when he saw the wagons which Joseph had sent to carry him, the spirit of Jacob their father revived." The wagons would have meant nothing unless they had been preceded by the mes- sage; the message would have failed unless it had been fol- lowed by the wagons. This shows us how to use the eye and ear in the Sunday-school. Give what "is written" and then, by maps, pictures, objects, blackboard exercises, and stories, put it into " wagons " to help the imagination and the under- standing. The flowers and butterflies in "Joseph's garden" had no smile of hope, no promise of a resurrection, for Mary, when she came there at that early hour of Easter morning, u while it was yet dark" in her heart; but since the message has come, " The Lord is risen indeed," every flower and but- terfly lias been to the bereaved an object-lesson of the resur- rection. Until the announcement of Christ's rising was heard, the grain gave no promise of a future life; but, after that Paul )>iil the whole doctrine of the resurrection into the "seed that falls into the ground and dies 11 that it may live again. THROUGH THE EYE TO THE HEART. 11 Thus hearing and seeing should work together. But while u Ear-Gate " has had a well-trodden path by constant use, " Eye-Gate " has rusted on its hinges in neglect. We wish to speak especially of the way to present Christ to the heart through this much-neglected " Eye-Gate." The visions by which God taught his truth were usually more impressive than his spoken messages. The words writ- ten in fire on the wall at Babylon conveyed God's warning to the King's heart more convincingly than spoken words would have done. Dr. Vincent found it hard to get his little boy to eat bread and butter until, one morning, after spreading a slice of bread, he cut it into bread-logs and piled it up in the shape of a house, and then very quickly "down came the house," and all was eaten ! Put the " bread of heaven " into object-lessons and visible illustrations, and the many hearts who find it hard to realize the truth they hear will eagerly receive it and understand it. Talk about the power of God's promises in general terms, and it may all be forgotten. Make the picture of a key on the blackboard and write ori it " Promise," and then tell the story of the " key of promise" and Doubting Castle, and you will make the oldest and youngest hearers feel the preciousness and power of God's promises ; or, picture a bunch of keys of different sizes and write a promise on each one, and then you can tell those to whom you speak that God's promises fit every experience of life and unlock every difficulty — and every hearer will grasp and keep the thought. Eye-Teaching is Philosophical. All of the senses seem to merjye themselves in si^ht. As each of the four fingers is exactly opposite the thumb, so each of the other four senses seems to connect itself with sight. We say of food that we have been describing, " Taste and see /" we say of the fragrance of a flower of which we have been speaking, "Smell and see /" we say of some excellent 12 tHkOUGH T£E EYE TO THE HEART. singer whose voice we have eulogized, "Hear and see;" or of a gem we have called very smooth, "Feel and see" In a new sense, " It is all in your eye" Whether it be music or perfume, we say, " Come and see ; " whether it be bread or stone, we say, " Try and see" Even of questions in our minds we say, "Let me see;" and if the matter be obscure, a I can't see it." This is because we think by images, by something we can see, or imagine that we see. It is a craving of the mind that makes " the likes " necessary in every kind of teaching. The unknown must be taught by likening it to something that is known ; the unseen must be represented by the seen. Modern primers teach the unknown word by placing it be- side the picture of the object it represents. The picture of a dog will aid the little scholar to remember the word "Dog." We used to say, " D stands for Dog ; " rather was it " Dog (the picture) stands for D." Halt" of our childhood knowl- edge comes in rhymes about the " likes." Rev. Dr. M'Cook gives a happy example of this in his work on " Object and Outline Teaching : " 11 As red as a cherry, as brisk as a bee, As brown as a berry, as tall as a tree, As sweet as a pink, as bitter as gall, As black as ink, as round as a ball," etc. Try to teach a child what "red " is without this implied or real object-teach ing, with nothing but words to describe what it is, and the child will have as poor an idea of it as the blind man, who, after a long explanation of this color, concluded it must be "very much like the sound of a trumpet." Hold up the cherry to the child, and the lesson is learned in a moment. This same method follow- us into a completer education. Maps, specimens, blackboards, slates, etc., are found even in the highest grades of teaching. Though a man have spoken his words never fo eloquently, the hearers w;mt him, if pos- sible, to have " something to show for it." A figure is more THROUGH THE EYE TO THE HEART. 13 easily retained than an abstract truth. So deeply grounded is this fact in our nature that we think by figures and pictures. Indeed, language itself is fossil pictures, rather than " fossil poetry," as Emerson calls it. Letters were originally hie- roglyphics, and hieroglyphics are only pictures used as sym- bols. When we add something shown to something spoken, we only add a picture for the eye to a picture for the imag- ination. Eye-Teaching Scriptural. Dr. Vincent, in the preface to his recent work on " The Church School," says : u The good philanthropists of the last century, in digging that they might build a human fabric, laid bare an ancient and divine foundation." These words, spoken of the modern Sunday-school, are especially true of its eye-teaching. It is not " a new idea," but an " ancient and divine foundation" laid bare for us to build upon to-day. The Bible is full of object-lessons taught by God himself, by Christ, and by the inspired writers, with trees, stars, shields, girdles, fruits, birds, pictures, etc., as their texts and illustrations. The broken tree teaches the fate of the wicked, the withered tree that of the idle, the fruitful tree that of the righteous. The a empty vine " teaches us of the unfaithful, the vine of u wild grapes " of the wicked, the vine of " good fruit " of those who abide in Christ. The star represents the Messiah, also those who turn many to righteousness. The rent garment, the rotten girdle, the " naughty figs," etc., are used to represent wickedness and God's dealings with it. In fact, the Bible is an " illuminated missal," as Chapin calls it, in every page full of pictures and object-teaching. God himself is our precedent in this kind of instruction. Take, for instance, his teachings of Jeremiah, " What seest thou, Jeremiah?" (Jer. i, 11; xxiv, 3;) or his great object- lesson given to Peter on the housetop at Joppa, (Acts x, 9, etc.) Any one interested in following out this study may find other cases where God himself taught his truth by this method 14 THROUGH THE EYE TO THE HEART. of eye-teaching in the following passages, many of which the teacher can adapt to his own use : Jer. xiii, 1-11, The marred girdle; xviii, 1-6. The potter's vessel; xix, 1-11, The broken bottle ; xxvii, 1-11, Bonds and yokes; xliii, 8-10, Stoues in the clay; li, 63, 64, The stone and the book: Ezek. iv, 1-8; Black- board exercise on a tile; v, The hair and the punishment of wrong; xxxvii, 1-14, Dry bones; xxxvii, 15-28, Sticks; xlvii, 1-12, Waters; Dan. ii, 31- 45, The great image; Gen. ii, 16, It, Teaching the knowledge of good and evil by means of commands associated with a tree; Jonah iv, 4-11, God's pity for the wicked taught with a gourd ; Gen. xxii, 1-14, A dramatic ob- ject-lesson to teach trust in God; xv, 5, 6, Stars; lx, 9-26, Heifer, etc. Moses recognized the blackboard idea when he said of Scripture texts to the Israelites, "Thou shalt write them upon the posts of thy house and on thy gates." The illustrations of eye-teaching in the life of our " Great Teacher" are no less abundant. Wayside wells, mountain lilies, flying clouds, vineyards, harvest-fields, every thing that met his eye, was turned into Gospel, as Midas turned every thing he touched into gold. He even caused a tree to wither away to use it as an object-lesson for his disciples ! Beecher says of this act and others of his object-lessons : " As to his condemning the tree, it was not a judicial sen- tence. We are not to suppose that our Saviour summoned the tree into judgment, and argued upon it as if it were a moral being under condemnation or under penalty. No ; the whole plot and plan of the ancient mode of teaching forbids that in- terpretation of it. It is but an acted parable. And this is an important thought, because in many instances in Christ's life the same mode of teaching was resorted to. " For example, when he cleansed the temple, undoubtedly the whole act was a parabolic act. He drove out the cattle ; he overturned the money-changers' tables; he commanded those that had doves to take them thence. And the whole was not a mere formal attempt at the reformation of the ad- ministration of the temple, but a series of acts which indicated the purification of religion — the change that was going on. And, as usual, it was a kind of parabolic action. As a parable is a picture in words, conveying not a moral lesson — not a truth narrated — but simply an artificial picture, drawn THROUGH THE EYE TO THE HEART. 15 for the sake of certain moral results which were to flow from it, so certain of Christ's actions were dramatic. They were, as it were, a momentary drama, enacted for the sake of the truth that they would convey. The most impressive one of all these is the Transfiguration, in which, with Peter, James, and John, he went to the mountain, where, while he was praying, they fell asleep. When they awoke they saw two angelic, or celestial personages, standing and talking with him. And his countenance was changed. Then they com- muned with him concerning his coming death. The whole was to those disciples a picture of the event. It was not so much a prophetic representation to interpret it to them as a pictorial representation to fortify their minds, so that when their earthly hopes, which were centered in him, should be dashed, they would be bold, and maintain faith in him. It was a kind of enacted celestial parable, or picture, or tableau. " So here, when going in the morning to Jerusalem, Jesus saw the fig-tree and observed that it was in full leaf. Evi- dently it was a prematurely early one. And why should he go to see if there were figs upon it ? Because sometimes a tree bore winter figs, which became ripe in early spring ; and perhaps he might have expected that there would be some on that one which he might glean. But when he came to it, and found that there were no figs, but leaves only, he said, i Let no fruit grow on thee henceforward forever, and let no man eat fruit of thee.' " That this was said in a very impressive manner is evident by the fact that when, the day after, the disciples returned that way, they remembered the occurrence, and called his at- tention to the tree. Doubtless he designed that this should be a very solemn instruction to them. " But what was the instruction ? They were every day going backward and forward to and from Jerusalem. There he went into the sacred precinct, or into the part of it which was Herod's great porch — the Basilica ? as it was called. There he used to 16 THROUGH THE EYE TO THE HEART. teach the people. All around about him were the insignia of Jewish worship, and his very business was to expose the superficialities of life in these things. He was, from day to day, attempting to carry them back to the reality of a relig- ious life, to a deeper moral tone, to a more earnest conscien- tiousness. It was his business to reprehend the self-conceit and moral complacency which passed itself off upon mere superficial observers. And here was an opportunity. Here happened to be, of all the trees that stood in the road on that early spring day, one that had come into full leaf. But when he went up to it he found no fruit on it, but leaves only — nothing but leaves. It was just exactly like those over the other side. All of them were full of leaves, but not one of them — neither priest, nor scribe, nor Pharisee, nor Sadducee — bore any fruit. All of them were clothed with leaves, but none of them were fruitful. Here was a symbol, here was an opportunity of illustrating a fact by a parabolic action. By destroying that tree with a word he could impress upon his disciples that which would be a benefit to them in their teach- ings of men for ever after. And he did it." Study the sermon on the mount with a view of observing its eye-teaching. The Emancipation Proclamation has been so written that the snarling of the letters forms a picture of President Lincoln, which seems to lie beneath the writing. So in this sermon on the mount, by the vividness of its local il- lustrations, we see a picture of Christ sitting on the mountain, and pointing with his finger to the objects in sight, as he draws from each its appropriate lesson ; and not only do we see the finger of Christ, but in and under the sermon we find a map of the scenery all about him, with its cities, its trees, its birds, its flowers, and even its weeds, sketched upon it. Notice the sermon in this light. Wishing to impress upon the disciples their great responsibility and wide influence, he points them to the city of Safed on the mountains near by, distinctly seen, as the sunlight gilded its walls, and then he says to the disciples, c< Ye are the light of the world, a city THROUGH THE EYE TO THE HEART. 17 that is set on a hill that cannot be hid?'' Matt, v, 14. Then he turns and calls the attention of the multitude to the narrow and wide gates of the city.* Through the narrow gate, which is called " the needle's eye," are passing a few foot-passengers, and a camel now and then enters, but only by bowing down and leaving his burden outside the gate : on the other hand, through the large city gates flows the gulf stream of business and the eager multitude of tradesmen. Christ applies the scene to his sermon : " Enter ye in at the strait gate : for wide is the gate, and broad is the way, that leadeth to destruction, and many there be which go in thereat : because strait is the gate, and narrow is the way, which leadeth unto life, and few there be that find it." Matt, vii, 13, etc. Beware, O ye rich men ! for you can only enter the kingdom of heaven as the camel passes the needle's eye, by bowing at the gate, and leav- ing your burden behind. Then he seems to turn his eyes more to the natural objects about him, and translates their lessons to the disciples. The sparrows that sing among the olive-trees of the mountain at- tract his attention, and he points to them that he may teach the watchcare of Providence : " Are not five sparrows sold for two farthings, and not one of them is forgotten before God ? Fear not therefore : ye are of more value than many sparrows." Luke xii, 6, 7. Then another flock of birds at- tracts his attention, and he uses them to still further enforce this thought of God's care : " Consider the ravens : for they neither sow nor reap ; which neither have storehouse nor barn ; and God feedeth them : how much more are ye better than the fowls?" Luke xii, 24. Then he weaves the vines and trees, and also the thistles and thorns, of the mountain into a lesson of diligence in showing faith by works : " Ye shall know them by their fruits. Do men gather grapes of thorns or figs of thistles ? " The cloud that appears in sight also bears him a message : " And he said, When ye see a cloud * We use the familiar explanation of the " needle's eye," although there is division of opinion between this explanation and others. 2 18 THROUGH THE EYE TO THE HEART. rise out of the west, straightway ye say, There cometh a shower ; and so it is. Ye hypocrites, ye a n discern the face of the sky and of the earth ; but how is it that ye do not dis- cern this time ? " — the spiritual truth of my mission. Best of all, he impressed the lesson of God's personal watchcare, which he had taught by the sparrows and ravens, by turning to the beautiful white lilies of Palestine that bloomed abun- dantly about him, and saying : Consider the lilies ; observe them carefully ; take their lesson to heart ; read it over and over. Consider the lilies: how abundantly they grow, how prosperously they grow, how mysteriously they grow. Con- sider the beauty of the lilies : Solomon in all the glory of his royal white robe was not arrayed with such beauty as this snowy lily. Wherefore, if God so adorn the grass and flowers of the field, which quickly fade, and are cast with the dry straw and withered herbs and stubble into the oven for fuel, how much more will he clothe you, O ye of little faith ! The sparrows are almost worthless, and yet God watches over their lives / the ravens have no storehouse, yet our Father provides their food; the lilies toil not, and yet the Father gives them raiment. And shall not He who takes such care of the fowls in his yard and the plants in his garden much more clothe and care for you, who are the children of his fireside ? As the sibyl wrote her prophecies on leaves, so Jesus has written his truth on the lily blossom, the raven's wing, the ruby grape, the white grain, the passing cloud, the narrow and wide gates, the city of the hill-top, the water of the way- side well, and the fruit of the orchard. The Indians have a legend, mentioned in Hiawatha, that — " All the wild flowers of the forest, All the lilies of the prairie, When oti earth they fade and perish, Blossom in the rainbow o'er us : 'Tis the heaven of flowers you see there." Christ, on the other hand, took the heavenly rainbow of truth and put it into the "wild flowers" and "lilies" of earth. THROUGH THE EYE TO THE HEART. 19 Sandalphon, the angel of prayer, says the legend, " Gathers our prayers as he stands, And they turn into flowers in his hands." The great Teacher shows us how we may take the flowers in our hands and turn them into prayers. Were it necessary, it might be interesting to show in this connection how the Tabernacle was a great school for object- lessons, each part of it teaching the people a word of high im- port. As the child in bis primer sees the picture of a house, and learns the word "House" below it the more readily, so God showed the people a bloody altar, and wrote under it that great word, " Atonement ; " he showed them a laver of pure water, and taught them the word " Purity ; " he showed them a golden candlestick, and taught them " Light ; " the lamb was a prophecy of " the Lamb of God ; " the vail, of Christ's flesh. God was teaching the unseen and eternal by the seen and temporal. These altars and lavers, etc., were but "figures of the true." The whole book of Hebrews teaches through these object-lessons. Christ himself was not only a sacrifice for us, but was also a grand visible lesson, illustrating to man how the characteristics of God could be 4C made manifest in the flesh." God gave to men this privilege of seeing Christ in answer to that feeling that made it the intensest longing of the prophets and sweetest memory of the apostles to " see Jesus." The world desired to " behold the Lamb," unsatisfied, like Simeon, until it had " seen God's salvation." The Bible is the greatest text-book and store-house of object-lessons in the world. Every sacrifice and feast of the Old Testament, and every sacrament of the New, is an object-lesson. The Sab- bath is an object-lesson of creation, and also of heaven ; the rainbow after the flood, the moving pillar in the wilderness, and every vision of prophecy, are object-lessons, and the 119th Psalm is an acrostic of Hebrew letters. Eye-Te aching Adapted to the Times. We need only to refer to the increased amount of black- 20 THROUGH THE EYE TO THE HEART. board work in our day-schools, to the large number of maga- zines and papers that have recently introduced illustrations into their heretofore unillustrated pages, to the inscriptions on rocks and fences, the great number of picture advertisements in our papers, and the increasing custom of illustrating lect- ures, to remind our readers that one marked characteristic of this age is an inclination to put things into the mind by a quick concentration on the eye. We must " discern the signs of the times" and keep up with them. We must study times and men. The advertising pages, which are epitomized photo- graphs of the day, and the " Bitters" on stones, u Buchu " on trees, and "Magic Oil" on every thing, notwithstanding their quackery, teach us that this age must be reached very much through the eye. With Whom should Eye-Teaching be Used? Not with the little children alone by any means, nor with the ignorant simply. Christ used it in teaching the rich and wise Nicodemus. He taught him the greatest truth that man can ever learn by reminding him of the serpent lifted up in the wilderness, and using that as an object-lesson to teach him of redemption and regeneration. Paul was not too old or learned, after he had graduated from " the feet of Gama- liel," to be taught by an object-lesson. "As we tarried [at Cesarea] there many days, there came down from Judea a certain prophet, named Agabus. And when he was come unto us, he took Paul's girdle, and bound his own hands and feet, and said, Thus saith the Holy Ghost, So shall the Jews at Jerusalem bind the man that owneth this girdle." Acts xxi, 10, 11. God came to teach even the eloquent Peter, not ex- actly with outlines on a blackboard, but with " all manner of beasts in a sheet let down from heaven." The blackboard and object-lesson are as necessary in a school where there are many adults as in an infant-school. All feel the power of this God-given method of presenting the truth to the heart. through the eye to the heart. 21 Whence Shall Illustrations be Gathered? In answer to this question we give an extract from an ad- mirable address by Rev. Stephen H. Tyng, Jim., on the sub- ject of illustration : — " 1. Let them be gathered from the word of God itself. The writers of the seventeenth century used Scripture to illustrate Scripture. Every thing in this book, the Bible, is there by divine choice. There is nothing not intended to be used to illustrate some positive truth. There is nothing so direct in addressing the minds of children as the similes of Scripture. Speaking of the judgment-day, can you find any thino- that more admirably illustrates it than the thief in the night ? Speaking of servants, is there any thing illustrating it more perfectly than the yoke, of which God bears a part? Take the parables, those matchless portions of Christ's own wisdom, which go to interpret the force of every thing in this world. . . . The Old Testament illustrations and quota- tions were used by Christ in his life, on the cross, and we also find them in the Revelation after Christ's ascension. In using illustrations take them from the Bible, and tell them in your own language. Bunyan's 'Pilgrim's Progress' is based on the Old and New Testaments. Illustrations from nature may also be employed. You may have the beautiful parable of Gotthold. A piece of clay was placed by the side of a tea-rose, and when removed it had absorbed the fragrance of the rose. What teaches better than this the relation we bear to Jesus? Take the parable of Jean Paul Richter. Walking in his garden in the morning, he saw the pearly dew-drop on the leaf. In the evening he went out to look at the dew-drop, and found that it had gone. He looked about and saw the rainbow in the heavens. This he used to illustrate the death of little children, and to show how they are transplanted from this beauteous earth to reappear with greater beauty in the heavens. Form your parable from things you see. 2. Keep within the range of the scholar's 22 THROUGH THE EYE TO THE HEART. observation. If there is any thing I abhor in a Sunday- school it is a fixture. I have had people tell the same stories which I have heard ever since childhood, and they told them as occurring in their own experience. There's a great dan- ger in telling old stories. 3. Keep within the region of probabilities. Some people tell such improbable stories that the children can't believe them. Be jealous for the truth. 4. Some men have a habit of saying things out of place. I knew a man who had a story about noise, and told it on every possible occasion. When in company he would stamp his foot and say, 'There's a noise. O, speaking of noise reminds me of a story,' and then he would proceed with it. Some men thus use every opportunity to make a nail to hang a story on, even if it does not fit into the lesson. 5. Peo- ple hang on to stories too long. When you are done with stories, drop them. Of what use is the scaffold after the building is completed ? " Rev, Wm. M. Taylor, D.D., says on the same subject : "There is no faculty more susceptible of development by culture than that of discovering analogies. The study of the sermons of those men who are most remarkable for the pertinence of their illustrations will be of service to you — not by furnishing you with analogies ready-made, but by showing you what treasures are lying all around you. We may paraphrase here the inscription on Wren's monument, and say, l Si illustrationes quoeris circamspice? You will find them every-where — in the talk of the children and the shouts of the school-boys ; on the street and in the store ; on the ship and in the railroad car ; in the field of Nature and on the page of literature. Only compel yourself for a time to look at every thing with the question uppermost, ' What use can I make of that in commending the truth of Christ to my fellow-men ?' and by and by you will have so formed the habit that, unconsciously and without any effort on your part, the finest analogies will strike you." through the eye to the heart. 23 Who shall Conduct Efe-Te aching? That which is to be given before the whole school should be conducted by the pastor, if he is the best man for such work, or by the superintendent, or by a selected teacher. Let the best workman be selected whatever his position. One may be best in object-teaching, another in blackboard work. In the latter not only skill in using chalk is to be considered, but also and especially ability to talk the subject sweetly into the hearts of those that hear. One may design the exercises and talk about them, having another who is a better artist to do the mechanical work. If there is an artist in the school, enlist his talent for Christ. " God sends us an artist, and he immediately becomes a blackboardist," said an enthusiastic Sunday-school pastor to a new member. And the artist recognized the Master's call to labor, and his heart answered, " Here am I, Lord ; " and from that hour the Sunday-school was the fortunate possessor of consecrated ability, displayed in the matter of exquisitely beautiful blackboard illustrations done in colored crayons. " He spends the whole of every Sun- day afternoon in the exhaustive study of the lesson. When he has it all by heart, he makes a pencil sketch of the design of the picture that he means to furnish us with on the follow- ing Sunday. The first fresh hours of each morning of the week he gives to the work of drawing and coloring the large blackboard illustration so prized by our school ; and he adds the last loving, finishing touches to the whole on Sunday, just before bringing it up to the school." Usually a simple outline sketch or word exercise would be better than such a picture, but if God gives you an artist, use him. Why not have a picture for the school on the black- board as well as on the wall ? We cannot, however, empha- size too strongly the fact that object-lessons and blackboard exercises should, as a rule, be very simple, lest the means by which we teach shall draw the attention from the truth to be taught. When Moses and Elias, on the Mount of Transfig- 24 THROUGH THE EYE TO THE HEART. uration, divided and diverted the attention of the apostles from Christ, they were removed from eight, and the apostles c * saw no man save Jesus only." Let the object-lessons van- ish if they divert the eye from Jesus ; let the blackboard fall, like Peter, James, and John, to the ground, if it stands be- tween the scholars' hearts and Christ. Amid all these helps let the Sunday-school " hear Him " above all other voices. What shall Give us Themes for Eye-Teaching ? Three things should usually have weight in selecting a map, story, or object-lesson, or in making a blackboard exercise : 1. The lesson of the school or class; 2. The events of the day ; 3, The time of the year. While the lesson should usu- ally be the center of the eye-teaching, yet, at times, striking and special events of the day or the season of the year may suggest other themes that will be impressive. If there is a temperance excitement, exercises on temperance might for a day be better than an exercise on the subject of the lesson. So in time of flowers, fruits, or autumn leaves, the season rather than the lesson may give the eye-teacher his theme. Divisions of Eye-Teaching. Taking the subject in a comprehensive view, we make the following divisions : I. Vivid Description and Alle- 4. Syllable Exercise. gories. 5. Word Exercise. II. Stories Vividly Told. 6. Phrase Exercise. III. Stories Represented. 7. Table Exercise. IV. Religious Object-Teaching. 8. Acrostic Exercise. V. Map-Teaching. 9. Parallel and Contrast Exerciso. VI. Picture-Teaching. 10. Canceling Exercise. VII. Blackboard Exercises. 11. Erasing Exercise. 1. Motto Exercise. 12. Word-Symbol Exercise. 2. Topic Exercise. 13. Map Kxercise. 3. Initial Exercise. 14. Outline Exercise. THROUGH THE EYE £0 THE fiEART. 25 I. Vivid Description and Allegories. "The imagination is second to no other faculty in the human mind in understanding God's word. An illustration is only an appeal to the imagination. Imagination is that faculty which sees the hidden truths. It stands before the violet and sees humility. It looks up at the sun and sees truth. When we have to teach the children so much that can- not be seen, the best way is to bring them up to the truth by things which appeal to the imagination."* "The Bible is not a system of theology; still less is it a creed ; but it is a succession of vivid pictures — a true his- tory of Hying, thinking human beings and of God's deal- ings with them. Some have said that Sunday-school teach- ers should not teach geography, history, manners and cus- toms, but only the Gospel. Without these things there is no Gospel. It is impossible to understand God's dealings with any man in the Bible without knowing all about that man's manner of life and surroundings. We must be able to see Abraham sitting at the door of his tent, with his white hair and beard. We must know him as neither more nor less than an Arab sheik, with the intellect of a child, and less knowledge than one of our Sunday-school children. We shall then, and then only, be able to understand God's dealings with him, and what he accomplished by him." f A scene may be described with the vividness of an eye- witness if it has been carefully studied with the aid of books and pictures. Judge Jay, of Ohio, in company at Washing- ton, conversing with a lady who had traveled in Scotland, was remarking on objects of interest in that country. The judge described Arthur's Seat, the Carleton Hills, and other places so minutely and graphically, that the lady said to him, " When did you visit Scotland?" He said, "Never:' "How then can you describe its places so vividly?" He replied, " I have studied them carefully in pictures and descriptions." *Rev. S. H. Tyng, Jun., D.D. +Rev. Dr. Duryea. 26 THROUGH THE EYE TO THE HEART. The scenes of the Bible, if vividly described from a thor- ough knowledge and sympathy with the circumstances, form a picture, a drama, that may properly be classed as eye-teach- ing. If the teacher is talking about Paul on Mars' Hill, let the surrounding scenes be so described that the scholar can put himself in Paul's place and make the scene real. Let the doctrines of the Epicureans and Stoics be so distinctly de- scribed that the application of every sentence shall be felt. If the Good Samaritan be the subject, let the teachers make the scholars feel the very shadow of the rocks on that danger- ous way, and the moisture of the cloth with which the blood is wiped from the arms of the man left half dead. The Epis- tle to the Corinthians may be made as beautiful to the eye as a temple by a thorough understanding of the architecture of Ephesus,/rom which Paul wrote, and of Corinth, to which he wrote. In fact, whatever the lesson may be, if all the geographical and historical knowledge connected with it is clustered around it there will be a picturesqueness and vividness that will add greatly to its power. Take the following illustration of this kind of description on the subject of feeding the multitude : The incident has its lesson for the pews as well as its en- couragement for the pulpit. Christ might have scattered this heavenly manna, as of old, by the same miraculous power that multiplied it. He chose rather to use human agency, and "gave it to the disciples, and they gave it to the multi- tude." There was a great variety of tastes, talents, and dis- positions among the disciples; but Christ used them all, not merely to distribute the bread, but also to impress its lesson. There was the loving John, the impulsive Peter, the doubting Thomas, the systematic Matthew, the law-loving James, and the others, each with some trait of character peculiarly his own. Sometimes, as I have thought of this incident, I have imagined the different feelings with which the disciples re- THROUGH THE EtfE TO THE HEART. 27 ceived the bread and thought of the miracle. John, as he took the loaves, would stand and look with his deep, loving eyes upon Jesus, almost forgetting the multitude as he gazed, " lost in wonder, love, and praise," upon his Master. Impul- sive Peter would seize the loaves eagerly and hurry about, scattering them hastily among the multitude, and, with his emphasis and love of prophecy, proclaiming on every hand that they saw the promise fulfilled, " He shall feed his flock like a shepherd." James, with his love of the old law, would remind the people, as he scattered the bread, that the same power that fed their fathers in the wilderness was feeding them on the shores of Galilee. Systematic Matthew would remind the people how greatly the loaves had been multiplied and how many had been fed ; while Thomas, as he took the bread from Jesus, would press his thumbs into the loaves that he might be assured he was not dreaming, and that he did not hold a phantom in his hand, meanwhile glancing cautiously at the Master, and whispering to his nearest friend, " What manner of man is this ? " Christ used all these various talents to get the bread and its lesson to the multitude ; and so to-day the bread which is given to you with Christ's blessing from the written Word, the Spirit, and the Gospel ministry, God expects you to scatter among the multitude in your daily walks, around your firesides, along your waysides, and in your places of business. " Give ye them to eat." The sermons of Rev. T. De Witt Talmage abound in ex- amples of vivid description of Bible scenes, and may profitably be studied by teachers as models in this respect. The plan of representing abstract truths in concrete forms, and personifying the ideal, so beautifully illustrated by the parables of our Lord, and also by the fables of zEsop and the allegories of Bunyan and others, may often be used to great advantage by the Sunday-school teacher. Dr. Eggleston once told a company of children of a house that a king had built 28 THROUGH THE EYE TO tUE HEART. with two beautiful windows, two wonderful servants, etc., to which that king sent his son, and the man who lived in the king's house refused to let him in ; in short, making the human body and soul an allegorical house, and describing it in such a way that the children could surmise, before he finished the description, that he was talking of them and Christ's coming for admittance to their hearts. Gifts from a Casket. — [This exercise, contributed by Rev. W. E. Huntington, shows very well how abstract truth may be presented in an attractive verbal form.] A speaker addressing a body of children desires to talk of some of the virtues and graces that> should adorn character. Let him tell the children he has some gifts to distribute to them. He has a ring for each finger on both hands. Then, holding up the first finger of his left hand, let him .call the ring for that finger Obedience, for example, and ask the children to repeat the word in unison. A story may be told illustrative of tins virtue. And so on for each finger of both hands. This list may be used for the rings : Obedience, Truthfulness, Cour- tesy, Kindness, Cheerfulness, Humility, Temperance, Love. Calling these virtues rings, and slipping them upon their fingers, in imagination, will prove to be the best way of fasten- ing the lessons to be taught upon the memories of child rer. Their attention may be held more closely by frequently ask- ing them to repeat the names of the rings in concert, follow- ing the order in which they have been given. Then, as they will want to show these gifts to their friends, they must have sandals upon their feet. Call these sandals Courage. Let them repeat this word in a full, clear voice. Show how without these sandals it would be useless to try to wear some of the rings — Obedience and Temperance, for instanee. Then give them a girdle of Christlikeness, showing how, as a girdle binds the garments closely about one, that he may run or work well, so Christlikeness is a comprehensive quality of character that will enable us to live well. Lastly, THROUGH THE EYE TO THE HEART. 29 place the crown of Faith upon their heads. Speak of faith as the highest ornament of character. It links us to God, and therefore ought to be placed above all others, as a crowning grace. Then let the names of the rings, of the sandals, of the girdle, of the crown, be repeated in concert, and the speaker may close by telling his audience of little hearers that these ornaments are of finer stuff than silver or gold, and will not wear out nor tarnish by wearing them every day, but will only grow brighter by use, and that they come from God's casket of jewels — the Bible* II. — STORIES VIVIDLY TOLD. The great teachers of the race are those who have clothed truth in stories of some kind. iEsop, Bunyan, Beecher, Spurgeon, and a host of others, are examples of this class. A man gave to Christ, as he thought, a troublesome question, " Who is my neighbor ? " It was answered vividly with the story of the good Samaritan. Jews regarded with scorn the " publicans and sinners " that had accepted Christ. Jesus taught them their duty by the prodigal's story. Ralph Wells writes : " I asked a young woman upon the street, c What portion of the Scripture did you the most good?' She replied, 'That which does all men good, the parable of the prodigal son. It is so pleasant, so plain! There stands the father with outstretched arms. It is wonderful, the love of Jesus Christ for the sinner !' " Stories vividly told, put on as a garment, are a part of eye- teaching. The teacher should be amply supplied with them. "Where will you go to-day V" said a mother to her little * The author has heard the writer of the above form a group of allegorical statuary of the virtues: Yal or, as a true soldier, first set up, and then Knowledge, as a true scholar ; Temperance, as a man of strength and health and manliness ; and so, following with Patience, Brotherly-Kindness, Faith, and Love, making them seem like a group of statues upon the platform around him as he described their characteristics, and giving some incident illustrative of each one after describing it 30 THROUGH THE EYE TO THE HEART. girl, " to Aunt Mary's or Aunt Jane's?" She replied, u I will go to see Aunt Jane, for she always has plenty of ginger snaps and keeps them on the lowest shelf." The teacher should have plenty of stories and " keep them on the low- est shelf," so that children can understand them ; a note-book and pencil always with him and a scrap-book at home will easily gather the " snaps." This is good advice from a teacher: "Use the pen- cil. It is easy to carry. It aids the memory. It catches and keeps a thousand flitting thoughts. Carry a small blank book. If you see a fact or think a thought that may be of any possible use in the future take note of it. You may not now see of what service it can be, but when interested in a lesson you may glance over the pen- ciled jottings and find one, two, ten helpful illustrations or allusions, the worth of which, in the exposition of your subject, may be invaluable. One fact a day thus taken into captivity will register three hundred and sixty- five a year — so many servitors in your work. Use the pencil." Henry Clay Trumbull writes these excellent words about telling Bible stories vividly : " It has been urged by some earnest Sunday-school writer that children should never be trapped into hearing a Bible story, by its recital in homely language, as if it were from another source than the Book of God. But there are two sides to even that question. If a child is disinclined to hear Bible stories, it is not fair to as- sume you are telling him something else when he is sure to find at the close that you have palmed off one of the obnox- ious narratives in another garb. On the other hand, it is em- inently desirable to so clothe the Bible history to children as to give to the persons and incidents thereof a naturalness and reality that is not secured to little folks through the somewhat obsolete forms of our common English version. What would oe wrong for purposes of deception is quite proper for the purpose of elucidation. THROUGH THE EYE TO THE HEART. 31 " An incident in ray own experience confirms ray opinion on this point. I well recall the time when I had far more rever- ence for than understanding of the Bible. Scripture charac- ters were to me not only mythical but unintelligible. The difference between Genesis and Euroclydon was by no means clear to my mind. I did not know who Deuteronomy was, nor what was Jehoshaphat. The first dawn of clear day came in this way. My home was by the sea-side, where figures of sailor life were familiar to all. One afternoon a good man came to our Sabbath-school gathering, and, enter- ing the desk by request of the superintendent, commenced to tell a story. He described a sea-shore scene, with a ves- sel in the offing weighing anchor and loosing sail for a voy- age. Vividly, in word painting, he showed a boat putting off from the dock, bringing at the last moment a passenger for the trip, his clambering on to the dock, the start of the vessel, its progress, a gathering storm, danger on the deep, the fright of passengers and crew, a consultation, and the confession of the late-coming passenger that he was a fugi- tive pursued of God for his sin, hence the storm and the peril to all. O how well I remember the new light that burst into my mind when I then recognized the hitherto unreal story of Jonah as a living verity ! I felt as did the boy who at last saw Lafayette through the carriage window, and called out in amazement, ' Why, he's only a man ! ' c Jonah ' had been Jonah to me until that hour. Now he was a man. ' Joppa ' had been Joppa. Now it was a sea-port town. My little brain was almost bewildered with the discovery that the Bible had something in it that I could understand ; but the vail of mystery that had enwrapped it until then went over- board with Jonah when that Sunday-school speaker had him thrown into the sea in the story. The entrance of God's words gave me light just as soon as those words were so stated that they could enter my child-mind. I am confident that I should not have been so profited at that time had the nar- rator announced in commencing that he was to tell us a Bible 32 THKOUGH THE EYE TO THE HEART. etory. His course may, I think, be safely commended to many a teacher of the young. "At the Newsboys' Lodging House in New York, ten years ago, I heard Mr. Tracy, the then Superintendent, entrap, as some might call it, his motley audience into hearing a Bible story when they would not have listened quietly to his rev- erent reading of the sacred narrative. Commencing the par- able of the prodigal son, he told it in what would have seemed slang phrase to others, but in language which was really the vernacular of those boys. He held their fixed attention as he proceeded, and when their interest was most intense he said suddenly : " But, boys, this story is all written out in a book I have here. Let me read you the rest of it. 5 And he opened the Bible and continued the narration, reading and explaining or translating by turn. Who shall say he was irreverent, or caused his hearers to be ? " III. — STORIES REPRESENTED. Stories that are read may sometimes be a little vivified by using or showing something mentioned in the story. In tell- ing the story of Joseph when he sent the message to Jacob, a piece of brown paper (which will represent parchment) may be cut into a foot square and rolled up as a Jewish scroll, with this letter written upon it, to be read after the scroll is described and the circumstances narrated — Gen. xlv, 9, etc. : Egypt, 1706. Jacob Israel, — Thus saith thy son Joseph: I am yet alive. Come down tome; tarry not; and thou shalt be mar to me, and I will nourish thee. Joseph, Lord of all Egypt. This letter should be written with the lines slanting very jmuch, as the slant in Jewish letters indicates love. THROUGH THE EYE fO THE HEART. 33 With this story of Joseph the passage from Revelation may be read : " Fear not : I am he that liveth and was dead, and behold, I am alive for evermore." This may be used to show that Joseph was not dead, although unseen ; so Christ is not dead, but " ever lives above." Other analogies may also be brought out — for example, the Lord is our Shepherd, and has also become a King, and we " shall not want." The stories of the Bible can often be told with some East- ern or missionary relic to illustrate them, or something re- sembling objects mentioned in the accounts : the parable of the vineyard with a bunch of grapes, Joseph's dream with a handful of wheat, Stephen's death with a pile of stones, Joseph sold for twenty pieces of silver with a handful of coin, the tribute money scene with a pie.ce of money, etc. A preacher, in speaking about the heathen, took a heathen god from his pocket and intensified his words by bringing the simple object into his story at the right time.* IV. — RELIGIOUS OBJECT-TEACHING. We shall try to answer five questions that are often asked in regard to object-teaching in the Sunday-school: 1. What is religious object-teaching? 2. Why should it be used? 3. WJien should it be used ? 4. Where shall we obtain ob- jects ? and, 5. How shall we use them ? What is religious object-teaching f We can most readily show what it is by comparing it with the well-known object- teaching of our best day-schools. In the day-school an object is presented to the eye — a leaf, a flower, a mineral, a fossil, or a bone — to be studied for its own sake, and the lesson is perfect only when every quality t * Rev. J. S. Ostrauder has prepared a box of " Oriental Block Models " that enable the teacher to give at once a cheap, accurate, and vivid repre- sentation, in their real forms, of the tabernacle, temple, Jewish house, wiue-press, and other specimens of Bible architecture. Any part of the Bible that has architectural references may be most effectively illustrated by vhis ingenious arrangement. a 34 THROUGH THE EYE TO THE HEART. and attribute of the object is known. In the Sunday-school, on the other hand, the object, although it may be any of those mentioned above, is studied as a symbol, a suggestion, a picture of some thought or idea far above itself, and the lesson is perfect when the attention is secured by the object, and the one or two qualities that may illustrate the thought which is being presented are understood. We may illustrate the day-school object-teaching by a rec- itation at Dotiieboy's Hall : This is the first class in English spelling and philosophy, J^ickleby,' said Squeers, beckoning Nicholas to stand beside him. c Now, then, where' s the first boy ? ' " c Please, sir, he's cleaning the back parlor window,' said the temporary head of the philosophical class. " ' So he is, to be sure,' rejoined Squeers. c We go upon the practical mode of teaching, Nickleby ; the regular education system: c-1-e-a-n, clean, verb active, to make bright, to scour. W-i-n, win, d-e-r, der, winder, a casement. When the boy knows this out of a book he goes and does it. It's just the same prin- ciple as the use of the globes. Where's the second boy ? ' " ' Please, sir, he's weeding the garden,' replied a small voice. " t To be sure,' said Squeers, by no means disconcerted. ' So he is. B-o-t, bot, t-i-n, tin, bottin, n-e-y, ney, bottinney, noun substantive, a knowledge of plants. When he has learned that bottinney means a knowledge of plants he goes and knows 'em. That's our system, Nickleby.' " Although we should hardly give this as a model lesson, yet it illustrates the great characteristics of object-teaching in day-schools. The lesson is perfect when all the qualities of the weeds and the ''winder" are ascertained. When the scholar "goes and knows 'em" they lead to nothing further. Religious object-teaching would lead us to look through the <4 winder 'V to something greater beyond ; it would point us below the roots and above the blossoms of the plants to the Hand that made them. THROUGH THE EYE TO THE HEART. 35 The following will exactly illustrate the point we have just mentioned. A boy brought home to his father the teacher's report of l?is standing, which proved to be much below his usual mark. The father asked him why it was, and he replied that he didn't know. The father knew, however, for he had noticed yellow-covered novels lying about the house dur- ing the few days previous. He turned to his son and said, " Empty that basket full of apples upon the floor, and then go out and fill the basket half full of chips." The son, not suspecting any thing, obeyed. When he had brought the basket half full of chips the father said, "Now put back those apples into the basket." After half of them had been put in they began to roll off. "Pot them all in; put them in," said the father sternly. "I cannot," was the reply. " Of course you cannot," said the father. " You said you did not know why you had fallen off in standing. Of course, you cannot fill your mind with useful knowledge after get- ting it half full of that yellow-covered trash you have been reading." The boy blushed and went away, but never afterward touched one of those novels. In this object-lesson it would have been a waste of time and an injury to the lesson to have had the boy notice any further qualities about chips than the fact that they occupied the room which belonged to more valuable articles. When the object shown in Sunday-school is so used as to make it more prominent than the truth to be taught, it is exalting a "chip " above a moral precept. As much as a flag is less than the loyalty it represents, so much less than the truth presented should the object appear. The highest* quality of an object used in Sunday-school teaching is that it should be a perfect mirror, itself almost unnoticed, while reflecting some great idea. I passed a calm, still lake one starlight night, and beneath its motionless surface there seemed to be " new heavens," the stars were so perfectly reflected in its watery depths, the 36 THROUGH THE EYE TO THE UEAttT. evening star shining brightest of all. So the religious object- lesson should reflect heavenly things, the Star of Bethlehem always being most prominent in its teachings and suggestions. 2. Why should object-teaching be used in the Sunday-school f For the answer to this question the reader is referred to the first pages of this book. 3. When should object-lessons be used? (1.) Frequently, as the Saviour used them, lest they shall attract too much atten- tion because of their novelty, and because almost every les son maybe made more interesting at some point by their use. (2.) Only when they may be introduced naturally to help the truth; never as a "side exhibition " attached to the truth rather than an incidental illustration of it. The younger the scholars, the more frequently should ob- ject-lessons be used. But, 4. Where shall we get object-lessons ? Generally, not from the books and magazines. The model exercises given in institutes, books, and papers should be read for the sugges- tions and principles they contain, instead of being literally followed. David in Goliath's hat or Saul's armor would not be more awkward than a teacher often becomes in trying to use, without modification, the object-lesson of another. The "How," not the "What," should be the question in our minds as we study the object-lessons of others. For finding object-lessons " the field is the world." The good teacher transforms every phase of life into an illustra- tion. As the delicate plate of the photographer catches a pict- ure of whatever is before it, so the teacher who has put his mind into the illustrative mood catches illustrations from every passing event. Briefly and rapidly it may be shown how fertile in" object- lessons are the fields in which we all walk, how abundant are the lessons within " arm's length" of every day life. Sitting in my study this very afternoon, let me see how many ob- ject-lessons may be found without leaving the room: First, I will search myself. In my breast pocket I find a letter THROUGH THE EYE TO THE HEART. 37 from one of our Sunday-school editors promising me a sum of money. The promise would be of no value unless it had a name I could trust signed to it. This letter, then, maybe used as an object-lesson to show why we trust in the prom- ises of the Bible : it is because the name of Jesus is signed to them. In the same pocket is my Berean D ay-Book, with a space for every day in the year. The future days are blank, the past days not used as well as they should have been. This object will illustrate the Book of Remembrance, (see Appendix.) In my vest pocket is a watch. It may be used as indicated in Appendix. From my pocket I take a hand- ful of coin. It maybe used to illustrate the story of Joseph sold into slavery, of Christ sold by Judas, or any other inci dent of Bible history where money is mentioned. On this two cent piece is the motto " In God we trust," a good object and text for a talk on God's care of our country. I take out my wallet. Here are some railroad tickets. The name of the superintendent signed to them gives me a passport from one place to another. So the name of Jesus gives us a passport to heaven. This counterfeit currency and this counterfeit bill also suggest lessons. Sinful pleasure promises to pay us joy " six months after a treaty of peace " between our consciences and sin. This life insurance receipt will illustrate the soul's in- surance of heavenly life. Then, this bunch of keys is an ex- cellent illustration of God's promises. Starting with the story of " The Key of Promise," I would say that every one of the promises is a key to lock in some treasure, or lock out some enemy, or unlock some store of heavenly wealth. This watch-key suggests the promise with which we " wind up " our trust every day, u As thy days so shall thy strength be." This trunk key represents the traveler's promise, " Lo, I am with you alway ; " this house key, " Thou wilt keep him in perfect peace whose mind is stayed on theej" this church 38 THROUGH THE EYE TO THE HEART. key, " They that wait on the Lord shall renew their strength." This key to my post-office box may represent the promise of prayer, by which we receive God's messages, " Whatsoever ye shall ask in my name I will do it ; " this safe key, (if I had one,) "There is that scattereth and yet increaseth ; " this skeleton key that will unlock the church door, house door, bed-room door, and many others, the promises that apply to a great variety of cases : " The Lord will provide ; " " My grace is sufficient for thee." My body may be used as an object-lesson of God's wisdom, for we are all " wonderfully made ; " or it may be used allegorically, as in Eccles. xii. Turning now to my desk and its contents, this white paper is an object-lesson, (see illustration in " Seed-Thought for Object-Lessons.") This sheet of red blotting paper may il- lustrate the promise of the "crimson made white as wool." Formerly men could not whiten crimson rags ; from them therefore they must make paper of crimson or some other hue. But Christ can make the crimson stain as white as snow. Here is an ink bottle labeled "Ink," but the ink is no longer there. So some persons bear the label " Christian " when the Christlikeness has all disappeared. Here is my Bible. It maybe used as indicated in "Stories Represented." My pocket looking-glass, which I have just taken from a pigeon-hole, is cracked, and therefore makes a poor reflection, as our professedly Christian hearts, when not right in the sight of God, reflect Christ imperfectly. This photograph of Abraham Lincoln may be used as indicated in the "Seed- Thought for Object-Lessons." These four crackers, one in the shape of a diamond, another a cross, another a star, another a heart, given me by one of my little friends, were too sacred to eat, and so here they are in this pigeon-hole. In bringing them home the stamp of the name was accidentally broken out of the cross, and the heart, which had no name, was broken on one side. The star and diamond crackers were perfect. Let me try to ^et a sermon out of these by questioning my little friencl, THROUGH THE EYE TO THE HEART. 39 Alice, who happens to be in my study for a few minutes this afternoon. What are these ? " Crackers." What do you see on this star cracker ? " Dots." What else ? u Let- ters." What do you think the letters spell ? " The name of the man that made it." When do you think the name was stamped on it — when it was soft, or after it was baked ? " When it was soft." If they had tried to stamp it when it was hard, what would have happened ? " They would break it." [Put tne cracker out of sight.] Whose name ought we to have written on our hearts ? " Jesus's." When ought it to be written there — when we grow old, or when we are children ? " When we are children." When is it easiest to love God ? " When we are children." The Bible says if we are good we shall shine as the stars. [Show star cracker.] Now repeat with me, " Shine as the stars for ever and ever." Now, you see this cross cracker looks bad because the name is broken out. We must never lose the name of Jesus from our hearts. And this heart cracker has no name. Could we stamp a name on it now ? " No ; it would break." How sad that any heart should not have a Jesus in it! Christ says that we shall be his in the day that he makes up his jewels. [Show diamond cracker.] Jesus loves those that he saves better than his crown or his throne. They are his jewels. [Incident of the mother of the Gracchi.] Here beside my desk is a large calla lily. For its use see "Seed-Thought for Object-Lessons." In the vase with it are some apple blossoms. With them I can illustrate the fostering care of God over children, bringing them up to manhood But these are severed from the tree and are fading. I might use them to illustrate the fifteenth of John. Trailing over my bay window is an ivy which I might use with the same questions as the lesson on the Vine in u Seed-Thought for Object-Lessons." The plants in my hanging basket and flower pots can be used with the story of " The Atheist and the Flower " in " Stories Represented." These pictures on my wall — " Bible Trees," Belshazzar's 4:0 THROUGH THE EYE TO THE HEART. Feast," "A Flower Scene," "The Key of Promise "—may be used for picture teaching; also, this portfolio of sacred pictures, cut from the illustrated papers of the day. I have not ex- hausted the list, but have said enough to show how abundant are the objects within reach of every teacher. Toby Yeck listened to the chimes as to a living voice, and little Nell's friend heard whispers in the flames of his forge. Shakspeare heard Ariels in the breeze. To Byron "every mountain top had found a tongue." To Tennyson every tree is a u talking oak." To Longfellow, " the voice- less lips of flowers " are " living preachers." Whittier says that " such music as the woods and streams sang in his ear he sang aloud." The Sunday-school teacher needs this "open eye and ear," that every bell and flame and mountain-top and tree and flower and stream may be interpreted, and their God-sent messages understood. Like the servant of the prophet, if our eyes were opened we should see the mount- ains and fields full of the messages of God. To the writers of the Bible the rolling year was full of object-lessons : seed, blooming flowers, harvests, withered leaves, "snow like morsels" — all these gave subjects for spir- itual teaching. So relics of history, the serpent in the wil- derness, the budding rod, the pillar of cloud and fire, the temple vessels, etc., gave them frequent object-lessons. They found in wayside walls, vineyards, kitchens, shops, and temples, some object on which they could hang the truth. Like them, the teacher should find in the garden, the fields, and the home, object-lessons for his work. For young scholars and infant departments especially objects are in- valuable. There should be a box or drawer somewhere in connection with the school in which missionary relics, historic trophies, and any object that can be used as an object-lesson, may be kept, new ones being constantly added. And yet the best object-lessons will be those that are fresh and suggested by the present need. 5. How shall object-lessons be prepared and taught? \\\ >/rv V THROUGH THE EYE TO THE HEART. 41 answering this most important question there are three suggestions for the preparation and four for the teaching: Preparation: (1.) u Search the Scriptures" by means of the Concordance and other helps for all the Scripture passages that may in any way be connected with the object. (2.) The attributes and uses of the object should be ascer- tained by a careful analysis. A teacher who fails to do this may be embarrassed and surprised by unexpected develop- ments at the time of teaching. A true story is told of a Roman Catholic priest, who some years ago entered a pulpit in Germany, carrying in his hand a walnut, his intention be- ing to use it as an illustration of what he was about to say. Holding up the little nut in full view of his crowded audi- ence, he began, in a loud and boasting tone, with, " My hearers, the shell of this nut is tasteless and valueless: that, my friends, was Calvin's Church. The skin of this fruit is nauseous, disagreeable, and worthless : that represents the Lutheran Church. And now I will show you the holy Ap- ostolic Church." Suiting his action to his words, he cracked the nut, and, lo and behold ! to his utter chagrin and discom- fiture the inside contents were perfectly decayed and rotten. (3.) Study the analogies between the object shown and the truth to be taught. In 1 Kings xxii, 11, 34, 35, we have the case of an object-lesson that sounded very well, but the analogy failed to hold good. A preacher, using hot and cold air as an illustration, said, " The more you heat the air in a receiver the more room there is to put in more air." An- other preacher announced as his text, " Thou makest my feet like hen's feet," and used the analogy of their clinging to the roost to teach the duty of clinging to the cross. Such mistakes may usually be avoided by preparing the lesson before attempting to teach it. Teaching: (1.) By means of careful questions get the scholars to mention the qualities of the object as far as they are to be used. A teacher should expect peculiar answers 3,t times, and take them good-naturedly, without being discon- 42 THROUGH THE EYE TO THE HEART. certed. A reverend gentleman was addressing a school re- cently, and was trying to enforce the idea that the hearts of the little ones were sinful and needed regulating. Taking his watch and holding it up, he said : " Now, here is my watch ; suppose it don't keep good time — now goes too fast, and now too slow— what shall I do with it?" "Sell it!" shouted a flaxen- headed youngster. (2.) Call the attention of the class to the Scripture passages, and. have a part of them, at least, memorized. (3.) By questions and explanations make the analogies between the object and the truth clear, and then remove the object from sight. Hartley, in his u Pictorial Teaching," gives an amusing ex- ample of confounding truth with an illustration. A teacher was one day explaining to a class of girls the nature of faith, and by way of illustration pointed through the window to a boat which could be seen upon the river. " Look," said the teacher, " at that boat. You can see it, can you not ? " "Yes," said the scholars. "Well, if I were to tell you that there was a mutton pie in the boat under the seat, would you believe me?" "Certainly we should," they replied. " Well," said the teacher, " that is faith." A short time afterward the teacher was again talking to the children on a similar subject, and, asking the question, "What is faith?" was astonished to hear the reply, " Faith, teacher, is a mui- ton pie in a boat" (4.) Impress the truth deeply upon the heart, and always close with personal application and prayer. One should always be careful that the truth shall reach the scholar's thoughts more deeply than the object, the latter ever keep- ing its place as a forerunner simply, and crying, " The truth that cometh after me is greater than I." Our Boy's Knife. — During the autumn Harry and I were in the woods gathering leaves. Needing a knife, I asked Harry for his, in order to see of what sort it was, and at the same time learn the contents of our boy's pocket. THROUGH THE EYE TO THE HEART. 43 He brought out first a piece of apple, then a top and a few bits of string, several marbles, some nails, chalk, candy, slate-pencils, one or two coppers, a piece of paper carefully wrapped, said to have been a school-girl's note, and, last of all, his knife — an article indispensable to most of us, and for wh'ch boys have a special longing. This was its condition. The knife was useless to me, although our boy insisted it answered his purpose exceedingly well. I expressed surprise. Harry confessed that he traded knives, and he could " come it " over the boys first-rate with that knife. Shortly after I asked Harry if his knife would not be a good text for a sermon. He thought not, but promised to listen attentively to any sermon I might preach from such a text. On our way home I commenced: First. I am sorry that our boy uses his knife as a means of deception. A lie acted is as great a sin as though spoken ; a practice, I regret to say, common to much older boys and many men. Your knife is outwardly attractive. You willfully conceal its im- perfections, and thus obtain goods under false pretenses. The same principle was put into practice by the " ring" thieves in New York. Many merchants put false labels on their goods, or cover up the defects of a poor article by a perfect exterior. Any deception acted or spoken is wicked. " Avoid the least appearance of evil." Secondly. Your knife is of use only as it is perfect. If nothing but the handle remained it would be an infant's toy. The broken blades are useful for some purposes. Add one 44 THROUGH THE EYE TO THE HEART or more perfect blades, and it is of greater use. Look at this knife. Every blade is sharp, clean, and of a different kind. Thus its capacity for use is great, and remains so in proportion as we keep it in perfect order. Thirdly. In one sense we are knives. The various traits of character we possess are the blades of this human knife, contained in a case which is the body. As knives vary in form and style, so we vary in features and character. As we bring these various traits to perfection, to that degree will we be useful. Let us consider some traits of character, or blades, which we need in this human knife, for with it we must cut our way through time to eternity. That you may easily remember, let each letter of the word knife commence the name of these much-needed blades : K is the blade of Knowledge. We need knowledge — 11 knowledge is power." We need to know about God, our Creator. We obtain this from the Bible, which is God's word. It is our chart on this voyage of life. It is the power of God unto our salvation. It contains words of wise counsel. It teaches God's great law of love to him and to our fellows. It contains maxims for every business of life. It tells us how to live, what to live for, and how to secure imperishable riches and an eternal mansion in the skies. We need a knowledge of self, and of the human family ; of the world, its history, manners, and customs; of science and philosophy. MllOtTGH THE EYE TO THE HEAM. 45 N is the NO blade, A small word of vital importance. To learn to use it aright is a hard task. NO at the right time would have saved many a drunkard from hell, made prisons unnecessary, and saved millions of lives and treasure. Always say NO to any promptings of Satan; never to any teachings of God's Holy Spirit. I is the blade of Industry — one of the devil's greatest foes. God's plan for man to acquire that which supplies his wants is by WORK. 'Tis industry makes the desert bloom as the rose. It builds cities, spans the world with telegraphs and railroads. One of New York's best merchants remarked, " All that a young man needs in order to succeed is industry ^ economy, and perseverance." He ought to have added some- thing which you will find in the next blade. F is the blade of Faith. Faith in God and his word. Faith brings us to the realization of the rich and beautiful promises of the Bible. It makes death a bountiful angel to carry us to a home in heaven. It increases by exercise. We need a faith in self that life will be a success. General Grant's faith conquered rebellion. Professor Morse's faith developed the telegraph. Luther's faith reformed Germany. Read of its mighty triumphs in the eleventh chapter of He- brews. Embrace the faith there taught. Be watchful that this blade is always sharp, and is never broken. E is the blade of Example. It must be either good or bad. God holds us accountable for its character. " Let your light so shine before men that they may see your good works, and glorify your Father which is in heaven." Now look at these five blades : KNOWLEDGE. NO. INDUSTRY. FAITH. EXAMPLE. May we possess them all ! 4:6 THROUGH THE EYE TO THE HEART. V. MAP TEACHING. Little need be said in regard to the use of maps, as they have been long and widely used in the Sunday-school. It would be an improvement, perhaps, to the present method of hanging maps, if they were all hung at the most central point for the eyes of the whole school, only one being unrolled at a time, that one, of course, being the one which gives the geography of the lesson. Besides this, every teacher should have a portable Atlas * for his own class. Besides their use for ordinary geographical reference, maps may be used for Bible lectures and reviews. In the latter case, by point- ing to the waters, mountains, and towns associated with the last three, or six, or twelve months' study, and asking ques tions as to the events associated with these geographical points, and giving such explanations as may be required, the facts learned will be strongly impressed on the mind with the help of the eye. We give the following suggestions for a catecheticaland descriptive Bible lecture, with the map of Palestine. Sub- ject : " From Dan to Beersheba." Show the position of " Dan and Beersheba," and also that the expression means the same in regard to Palestine as " from the Atlantic to the Pacific " in regard to the United States. Divide the school, two Sab- baths before the lecture, into three traveling parties, one of them to go from Beersheba to the Mediterranean coast, and then up the coast to Sidon, and across to Dan, studying all incidents of Bible history associated with any of the places through which they would pass, as Gaza, (Samson, Philip,) Joppa, (Peter,) Csesarea, (Peter, Paul, etc.,) Mount Carmel, (Elijah, Elisha,) Tyre, (Solomon,) Sarepta, (Jesus,) Sidon, Mount Hermon, Damascus, (Paul,) Dan. * The little pamphlet Atlas published by Nelson & Phillips is one of the very best in quality and variety, and yet is sold at a very low price. These same maps are bound into Whitney's Bible Geography, which should be in every teacher's library as a help to map teaching. OF PALESTINE. "From DAN TO BEERSHEBA." •MT QirAT^CTAmAigr ^ or MTTEMPTATION^.JERICHO •BETHLEHEM • GAZA WIDTH OF PLAIN SO MILES •BEERSHEBA BETHABARA f\OUTE OF W SEMEN CASTLE OF ■MACHERUS 48 TftRotfGH The eye to the meaht. The second party to go from Beersheba across to the Dea- DO —1 m po CD OB o ^ en *5 o b on HH Wopp P9 o 5° era U 53 m <1 <1 J-H HH