,,l^'», 'j^ ■'*'
 
 wrc 
 
 THE LIBRARY 
 
 OF 
 
 THE UNIVERSITY 
 
 OF CALIFORNIA 
 
 LOS ANGELES 
 
 FREDERIC THOMAS BLANCHARD 
 ENDOWMENT FUND
 
 TRANSLATIONS 
 
 FROM 
 
 AUTHORS IN DIFFERENT LANGUAGES. 
 
 BY 
 
 THE REV. WILLIAM COLLIER, 
 
 SENIOR FELLOW OF TRINITY COLLEGE, CAMBRIDGE. 
 
 VOL. XL 
 
 QQOO 0099C C30C3 74 
 
 LONDON: 
 
 phinted by w. ruffy, leadenhall street, 
 
 and sold by messrs. cadell and davies, strand; 
 and mr. robson, bond street. 
 
 1800.
 
 ;;aTU
 
 INDEX TO THE SECOND VOLUME. 
 
 l^HARACTERS of Latlii Pocts, With Tranflations 
 of Paffages felefted from each; viz. Virgil, 
 Statius ; Ovid, Lucan ; Claudian, Seneca ; Lu- 
 cretius, Anti-Lucretius ; ------- page 2 — 67 
 
 Tranflations from L'Art d'Aimer of the two Ber- 
 nards, ------------- 71—148 
 
 Tranflation of a Greek Sapphic Ode on the Deli- 
 very of Gibraltar, --------- 14^ 
 
 Fragments from De Porcheres and St. Evremont, 154, 155 
 
 Extrafts from the Works of LeMoyne, - - - 157—174 
 
 Extrafts from Le Bonheur d^Helvece, - - - - 175 — 185 
 
 Unexpefted Fear, ---------- 185 
 
 To a Nightingale, from Roufleau the Poet, - - 1 86 
 
 Tranflations from the Greek Anthologia, - - - 188 — 192 
 
 From Colardeau, ---------- 192 
 
 From Dorat, ------_-.-- ipj — 208 
 
 Tranflations from Nonnus, ------- 209—214 
 
 From a Greek Ode of Maddifon, ----- 215 
 
 Sonnet from De Porcheres, with Original, - - 218 
 
 From the French, ---------- 220 
 
 From Bertaud on the Death of Ron fard, - - - 222 
 
 From Dante; the Francefca, and the Ugolino, - 224 — 237 
 
 From Marino, ----------- 238 — 247 
 
 Sonnets from Marino, with Originals, - - - - 248—269 
 
 Other Extrafls from Marino, -.--.- 270 — 279 
 
 Sonnets 
 
 764325
 
 ( iv ) 
 
 Sonnets from Petrarch, with Heads, but without 
 
 Originals, --------- - page 280 — 285 
 
 Sonnet from Taffo, ----_--_- 286 
 
 . from Defportes, -------- 287 
 
 ■ from Petrocchi, -------- 288 
 
 . from Bertaud, on Henry IV. of France, - 289 
 
 from Girolamo Preti, -.-_-_ 290 
 
 Sonnet from Boffuet, on the Canticles, - - - - 291 
 
 from the Italian, unknown, ----- 293 
 
 Two Sonnets from Metaftafio, ------ 294 — 297 
 
 Two Sonnets from Carlo Maggi, ----- 298, 299 
 
 Sonnet from Lemene, ----- - .- - - 500 
 
 ■ - ■ from Felice Orii, --_.,_- 302 
 
 »■ from Zappi, --------- 304. 
 
 ■ from Lope de Vega, ------ 306 
 
 From Metaftafio ; Songs of Pleafure and of Virtue, 
 
 with Triumphal Song, -------- 308 — 312 
 
 Degrees of Contemplation, ------- 313 
 
 From Gray, * O tu feveri.' ------- 314 
 
 Ideal World, from the Dialogues of J. J, Roufleau, 316 — 328 
 
 Sonnet from Rouffeau, --------- 329 
 
 From the fame -------.-.- 330 
 
 Pojifcript.
 
 CHARACTERS 
 LATIN POETS 
 
 WITH 
 
 TRANSLATIONS OF PASSAGES 
 
 SELECTED FROM EACH. 
 
 VOL. II.
 
 ( 2 •) 
 
 CHARACTER. 
 
 VIRGIL. 
 
 I N VirgiFs verfe the brighteft beauties iliine, 
 
 And temper'd judgment guides the whole defign; 
 
 Difcretion rules the pulfes of the heart, 
 
 And Nature moves the graceful Child of Art ; 
 
 Secure from want, he ftill avoids excefs, 
 
 Nor flrikes us more leaft he Ihould pleafe us lefs : 
 
 Through Albion's vales, where golden harvells 
 gleam, 
 The Thames thus rolls his beneficial ftream : 
 Now on his banks the flocks fecurely ftray, 
 Nor dread the rage of his incroaching fway ; 
 In peaceful ftate he now Augufta laves, 
 Whofe facred domes and fpires adorn his waves ; 
 While the calm mirror, with appointed tide, 
 Reflects uubrokeu their majeftic pride. 
 
 CHA-
 
 ( 3 ) 
 
 CHARACTER. 
 
 STATIUS. 
 
 In Statius, thought with boundlefs vigour glows, 
 Whene'er his theme difplays immeafur'd woes ; 
 Or whether, rous'd by menacing alarms, 
 His ihrill-ton'd trumpet wakes the din of arms, 
 Ungovern'd rage his lab'ring brealt infpires, 
 And his Mufe burns with all Belloua's fires : 
 
 Thus where the mighty lakes contract their 
 Hiores, 
 An hoft of waters the St. Lawrence pours ; 
 Down the abyfs of Niagara's ftecp 
 In lucid arch the tyrant torrents fwecp ; 
 With rapid ruin urge their boiflrous courfe, 
 And diftant whirlpools feel their eddying force ; 
 No more our ears the tumult can endure, 
 And clouds of foam the mid-day fun obfcure. 
 
 TRANS-
 
 ( 4 ) 
 
 TRANSLATIONS. 
 
 VIRGIL. 
 
 BOOK VI. 
 
 Search not, my fon, the forrows of thy race. 
 Their mighty forrows ; him to earth the Fates. 
 Shall but prefent in tranfitory glance, 
 Not grant his longer refidence : too great 
 Had feem'd, ye gods ! the progeny of Rome, 
 Had he been theirs unqueftion'd : from the field 
 Of Mars, what groans of heroes will refound 
 Rome's walls afcending ! what fepulchral rites 
 Shalt thou behold, O Tiber ! as thy ftreams 
 
 O natoe, ingentem lii(5lum ne quxre tuorum : 
 Oftendent terris hiinc tantum fata, nee ultra 
 EflTe finent. nimium vobis Romana propago 
 Vifa potens, fiiperi, propria haec fi dona fuiffent, 
 Qi^antos ille virum magnam Mavortis ad urbem 
 Campus aget gemitus ! vel quae, Tiberine, videbis 
 Funera, cum turaulum praete)rla,b6re recentem! 
 
 Glide
 
 ( 5 ) 
 
 Glide by his recent tomb ! Fronj Ilium's ftock 
 To fuch fair hope no branch Ihall ever raife 
 The Latian fathers, nor of fuch a youth 
 The land of Romulus again iliall boaft. 
 Alas ! what duteous love, what honor ! flrid 
 As faith of antient ages ! with an arm 
 In war invincible ! With rafli attempt 
 The foe in arms had fac'd him, when on foot 
 He led th' embattled fquadrons, or with fpur 
 The flanks he goaded of his foaming Heed. 
 Ah much to be lamented youth ! if thou — 
 If thou canft burft through Fate's rude barriers— 
 
 Thou 
 Shalt be Marcellus.-— With unfparing hand 
 
 Nee puer Iliaca quifquam de gentc Latinos 
 
 Jn tantum fpe toilet avos : nee Romula quondam 
 
 Ullo fe tantum tellus jadlabit alumno. 
 
 Heu pietas, heu prifca fides, inviftaque bello 
 
 Dcxtera! non illi fe quifquam impune tuliflet 
 
 Obvius amiato, feu cum pedes iret in hoftem, 
 
 Seu fpumantis equi foderct calcaribus armos. 
 
 Heu, miferande puer! fi qua fata afpera rumpas, 
 
 Tu Marcellus eris. manibus dat? lilia plenis j 
 
 Here
 
 ( 6 ) 
 
 Here iliow'r your lilies : I inyfelf will flrow 
 The blooming flow'rs, and with this fruitlefs gift 
 Thus venerate at leaft my kindred fhade. 
 
 STAT lU S. 
 
 BOOK HI. 
 
 This way dired thy fight : amid the depth 
 
 Of yon blue vault, innumerable fwans 
 
 Their files have flation'd; whether from the 
 
 North, 
 And Thracian Strymon, by rude Boreas driv'n, 
 Or from the banks o' th' placid Nile they come, 
 
 Purpureos i^argam flores, animamque nepotis 
 His faltem adcumulem donis, & fungar inaui 
 Munere. 
 
 Hue adverte animum. clara regione profundi 
 iEtheris, innumeri ftatuerunt agmina cygni. 
 Sive hos Strymonia Boreas ejecit ab Ar£lo, 
 Seu foecunda refert placidi dementia Nili. 
 
 Their
 
 ( 7 ) 
 
 Their courfe is clos'd : deem thou that fymbol 
 
 Thebes ; 
 Por filent here and motionlefs they reft, 
 As if fecure from danger : but, behold, 
 Through the vaft void a mightier troop advance ; 
 Sev'n eagles, thunder-bearers of high Jove, 
 I fee in threats exulting : thefe, conceive 
 To be th'Inachian chiefs. With fierce alTault 
 The fnow-white phalanx they invade, and ope 
 Their beaks, to riot on new feafts of blood, 
 E'er yet their talons grafp their flirinking prey. 
 See'ft thou the fanguine drops, the feath'ry 
 
 fhow'r, 
 Float o'er the fkies? — But lo, what fudden wrath 
 
 A M 
 
 Fixerunt curfus, hac rere in imagine Thcbas. 
 Nam fcfe immoti gyro, atque in pace filentes. 
 Ceil muris, valloque tenent. fed fortior ecce 
 Adventat per inane cohors. feptem ordine fulvo 
 Armigeras fiimmi Jovis exultante caterva 
 Intuor. Inachii fint hi tibi (concipe) reges. 
 Invafere globum nivei gregis. uncaque pandunt 
 Caedibus ora novis,' & ftriais unguibus inftant. 
 Cernis inexperto rorantes fanguine ventos, 
 Et pliimis ftillare diem? quam faeva repente 
 
 Of
 
 ( 8 > 
 
 Of unpropltious Jove the conqu'ring hoft 
 To various death decrees ! One foars aloft, 
 And feels within his breaft the lightning's flame^ 
 Yet hardl]^ bows his fpirit to the ftroke : 
 Another, daring the prefumptuous flight 
 Of elder>birds, ye feeble wings ! you. fail'd, 
 And laidihim low on earth: this falls, and draws 
 His rival with him, in one fate involv'd : 
 This flies, and flying leaves his soasial train : 
 This fliall the floods abforb : and frantic this 
 Shall dying feed upon his living foe. 
 Why, O Melampus ! from thy downcaft eye 
 In fecret fl;arts that tear? — not unobferv'd 
 Is he who falls. He faid, and both retir'd. 
 
 — . n^ 
 
 Viftores agitat leto Jovis ira finiftri ? 
 
 Hie excelfa petens fubita face Solis inarfit, 
 
 Summifitque animos. ilium veftigia adortum 
 
 Majorum volucrum tenerse deponitis alae* 
 
 Hie hofti implicitus pariter ruit, hunc fuga retra 
 
 Volvit agens focia; linquentem fata catervae. 
 
 Hie himbo glomeratus obit, hie preepete viva 
 
 Pafeitur immoriens. fpargit cava nubila fonguis. - 
 
 Quid furtim laehrymas ? ilium venerande Melampis 
 
 Qui cadit, agnofco • 
 
 STATIUS.
 
 (( ''b > 
 
 o longer muit 1 ling m wonted Itrani ; 
 Augi^<6^i?^a Boldriels ffoni'th Aonian grove? 
 jNow mult 1 draw : i e IMules all, to mme 
 Unfte voiir tlarmgs ! — W nether trom tli abyC* 
 Or hrebus this rage was lent, and drm<l 
 
 lo brave the powr or Jove, the btygian nends 
 
 13 :,Vi'ii?? -2vii- 'ii; '^'*><5^' '"9^ '■ill' '^'^ •" ''".V'' •' ' 
 rurlii d, where Capaneus his banners wav d ; 
 
 Or wnether valour twas beyond controul, 
 
 Ciloiy preeipitate; or fucceeding woe, 
 
 u hull takers its rile trom joy, when wrath m- 
 
 iV'Jjl'i/J ,;;iJpn; ',;■,-: O . .'"' .'''''' ^ '' . 
 Non mihr jam lolito vatiim.de mqre canenduin -. 
 A>f • , .M:y.^') t7-?irtvj L" t /.i.-^ ..." . 
 Major ab Aonns lumcnda audacia lucis, 
 
 .\'\ V %a ■■ Ml ' TDii' '. • <> . . ■■' ■ ■ ' 
 Mecmxj omnes .audete flex, five ill? nrofundii 
 
 . >.i.:ulJ •"< ;.'.u; 'I'l: Ml"'! 1 'i''^' 
 Milins nocte furor, Capaneaque fic;na, lecut^ 
 
 «,ni:. ■LIT ,Mir'._1^ I' ■' '!"■■( 
 
 Anna Jovcm contra Stygjix rai^iierc fororcs, , 
 Seu virtus egrclFa i nudum, feu cloria^r^ceps, ,,,,,,■ 
 Sen m;i<;ii;t d.u.L i'.iiukI lu-vi, I'. u'Jaeta •mHloru-nVj' ,\\ 
 
 vqi.J rr. c A Hat-
 
 ( 10 ) 
 
 A flatt'ring nfyeS, bears from gods to menv 
 Earth and its obje6ls now the hero fpurns j 
 Glutted with carnage, ev'ry weapon fpent, 
 His own, and thofe of his attendant friends, 
 With wearied arm, he turns his eyes to heav'ii, 
 Then meafures with indignant look the walls 
 Of tow'r-in circled Thebes ; with countlefs rows 
 Two unbranch'd pines connected he fuftains, 
 To force his palTage into air ; a torch 
 In many a flame divided, from afar 
 Tremendous he uprears, whofe dazzling gleam 
 Glows on his armour: " Againft Thebes," be 
 
 cries, 
 *' Be this my guide f With this, my fpirit bums 
 
 Frincipia^ & ^iarfdae fuperum mortalibus irse. 
 Jam fordent terrena viro, taedetque profunda 
 Caedis, & exhauflis olim, Grajumque, fuif(}ue 
 Miffilibus, laffa refpexit in aethera dextra. 
 Ardua mox torvo metitur culmina tifu, 
 Innumerofque gradus, getnina fetus afbore clufu» 
 Aerium fibi portat iter. loAjgeque timendns 
 Multifklam quercam' ffagfanti I\imine vibrat.- 
 Arma rubent una, clypeoque incenditur igniy. 
 Hac ait in Thebas, hac me jubet ardua virtus 
 
 6t 
 
 To
 
 ( II ) 
 
 " To mount where ilipp'ry with Menajceus' blood 
 '* The tow'r yet reeks ; noM' will I try the ftrenp^th 
 '* Of gotUikc aid, and prove Apollo's truth." 
 He faid, and mounting with alternate ftep, 
 Triumphant fcales the captive walls. Of old 
 Tlius lieav'n beheld the Titans in mid air 
 Afcending, when rebellious Earth afpir'd 
 To caft a downward look upon the gods ; 
 When yet the mafs of Pelion had not gain'd 
 Its purposVl height, and Ofla fcarce had touch'd 
 The trembling footftool of the thund'ring Jove. 
 
 Ire, Menoeceo qua lubrica fanguine turris. 
 Experiar, quid facra juvent, an falfus Apollo. 
 Dixit, & alterno captira in moenia greffu 
 Surgit ovans. quales mediis in nubibus xther 
 Vidit Aloidas, cum crefccret impia tellus 
 Defpe(5tura deos, ncc adhuc immane veniret 
 Pelion, & trepidum jam tangerei Offii Tonantero. 
 
 STATUS.
 
 ■ ( 13 > 
 
 STA T III S. -t^fl'i •' 
 
 J300K XI. 
 
 ■ Xiius ilie intrcats, , 
 
 And falls upon the ground : with tln'cats fevere . 
 
 The father draws lier from her knees, and fpurna.. 
 
 The thought of pardon. Thus beneath the cav^,. 
 
 High arcli'd/ the lion, at whofe youthful rage 
 
 The woods and mountains trembled, now aif- , 
 , , lis looiUUiSI iii "'^' ' 
 
 . arm d 
 
 By lengthened years, in torpid floth reclines : 
 
 But flill majeftic, in his aged form :','?< 
 
 Infpires a terror, which forbids approach ; ' 
 
 || And, if he hears the found of lowipgi itiepdsj, . r 
 
 — — — — iic orat, humique 
 Volvitur. ,abducit genitor, fcevumque minatur 
 Indignans veniam. qualis leo rape fub alta 
 Quern viridem quondam filvae montefque tremebant: 
 Jam piger, & longo jacet exarmaUis ab aevo, 
 Magna tamen facies, & non adevuida feneftus: 
 Et fi demiffas veniat mugitus ad aures, 
 
 Starts
 
 (IS ) 
 
 Stai^ts iip, ftill mindfiil of himfelf, and groans 
 O'er his' iofb fti'di^gtb; in<^ign?int that the race 
 Of younger lions o-ei' the fields ih'oukl reign. 
 
 . ..I. ., ,„„ ,,.i/. 
 
 ..;i fli Si'iib:,, ii\t It i }< 
 
 (lOr'B \U' ',»i\r'i\'u',M r .} n J; :>,,?, 
 
 r.\\rwUiuMj'^:4 T.Ii¥. S:. 
 
 WiiA.T <|dmejl|qy.(^ J Jj committed, wretched 
 
 "What erpj'j?JLo/lefei^e,that I alpne;,,^. ,,^,1 ^'j/jjfp 
 
 ... 
 
 O Sleep ! thou genUeft poVr ! ihould want thy ^ 
 
 gifts ? 
 Birds, beafts, of milder or more iavage kind, 
 In fdence reft ; ' thfe rbcks iti flumbers feign^f,^'* 
 
 ErigityjCji mcminitquc/ fui^ vjrefque .^aJ^^S 
 
 Ingemit, & campis jalioS' ^egnare lepi^e^s,; j^^ ,> -{m-'w-i; -1 
 
 Crimine quo menii juvenis, placidHnme divum, 
 Quove grrpre mifer, donis ut folus egercm 
 Soiiine tuis ? tacet omnc pecus, voliiciefquc, fcrsequc, 
 *«U)r1 As
 
 ( u ) 
 
 As wearied, nodding from their fumniits, bend ; 
 Streams ceafe their rougher founds ; their roar 
 The billows hufli, amid the briny main, 
 And waves repofmg on the fliore recline. 
 Sev'n times has Cynthia in her varied form 
 Seen thefe pale cheeks unchang'd ; as oft the ftar 
 Of morn, and cold Aurora, my complaints 
 Has pafl, or fcatter'd from her dcM'^y car. 
 
 How iliall my ftrength fuffice me ? — Had I eyes 
 Num'rous as Argus, which alternate ope'd 
 Their lids, and clos'd, and never wholly flept, 
 Vain were to me his thoufand. — Now alas ! 
 
 Et fimulant feflbs curvata cacumina fomnos. 
 Nee trucibus fliiviis idem fonus, occinit horror 
 v'Equoris, & terris maria acclinata quiefcunt. 
 iSeptima jam rediens Phcebe mihi refpicit aegras 
 iStare genas, totidem Oetaeas, Paphireque revifunt 
 Lampades, & toties noftros Titonia queftus 
 Prxterit, & gelido fpargit miferata flagello. 
 Unde ego fufficiam ? non fi niihi lamina mille. 
 Quae facer altcrna tantum ftatione tenebat 
 Argus, '^haud unquam vigilabat corpore toto. 
 
 Some
 
 ( 1-5 ) 
 
 Some youth, who in his arms enfolds his la\^, 
 Thro' the long niglit repels thee ; thence O come J 
 Nor do I afk thee on mj eyes to fpread 
 Thy wings entire— that boon^|j||feppy crave ; 
 Touch thou me only witl^tii^ rod's extreme, 
 And pafs with lighteft ilep fufpended- — - 
 
 At nunc, hcus, aliquis longa fub no£le, puelix 
 Brachia nexa tenens, ultro te Soinne repellit. 
 ln(j!#' Vei»L, nee te totas infundere pennas 
 
 His compello meis ; (hoc tufba precatur 
 ^r) BjJjemo me tange caeumine vifgae : 
 J^iffici^j^rot leviter fufpenfo poplite tranfi. 
 
 'V 
 
 '* '■ 
 
 CHA-
 
 G 1^^ )v 
 
 .(,!<,•; ( ) ''irulc »'AJ !KiA<!C i<.<feita ^Hoi hJi 'mill' 
 \xi^n(l\ o ' r /it n o o'ifit jllfi I oh loV^ 
 
 5, I it?, v Vlui> 'jm wotft ibu«»T 
 
 In Ovkl, Wifiespfttt^lsi liW'bmiii/irf faiir'^«4 ^*"^' 
 Caught by the -favor -of eaclv wanton gale; 
 Th ough deeply; /vAiight .\v{ith Learn in g s vai'ious 
 ftores •^''^''1'" 9«"""^^ '^' <*'*'" r^" 
 
 The gathered wealth with lariflv hand he pOiiVs ; 
 And while his' laya'Jfhe fplendid grief impart^ 
 They ftrike the ear, but fuik not to the licart ; 
 
 Thus in the regions of the fartheft North, 
 Where the Sun brings no ripen'd har\'ell forth. 
 Through the,c|iill air inceflant meteors fly, 
 And figns of wo^idei; ftreak the lucid fky ; 
 In wild confufion flit th' inconftant rays, 
 Nor e'er in Nature's aid collet their blaiie ; 
 From cryftal rocks no genial moiflure floM's, 
 And Winter's pow'r no diminution knows. 
 
 CIIA-
 
 ( '7 ) 
 
 CHARACTER. 
 
 LUCAN. 
 
 In Lucan, thought with dignity prevails, 
 While Virtue weighs the world in equal fcales ; 
 To Truth fevere he makes his firm appeal, 
 And admiration fprings from what we feel ; 
 No vain delight his folid lines infpire. 
 But as we gaze we glow with patriot fire : 
 
 Tlius flames the fun afcending thro' the fky, 
 While low-bred vapours from his prefence fly ; 
 Trees, plants, and flow'rs imbibe his vital ray ; 
 Earth, air, and fea, rejoice beneath his fway ; 
 And while he pierces to the ccntsal mine, 
 Where gold and di'monds yet imperfed fhine, 
 Splendor and ufe in blended fl;reams abound, 
 And ev'ry beauty is with blefling crown'd. 
 
 VOL. II. D TRANS- »
 
 ( 18 ) 
 
 TRANSLATIONS. 
 
 OVID. 
 
 METAM. BOOK X. 
 
 Pygmalion faw tliefe crimes, and faw difgrace 
 Still overwhelm the guilty female race ; 
 With horror hence he from their union fled, 1^ t ". 
 And chofe the flumbers of a lonely bed : : * . 
 Meantime an image he of iv'ry made, 
 Adhere happiefl art fuch beauty had difplay'd, 
 As would in vain in real life be fought;' -♦-fT 
 Then himfelf doats on what his hands had 
 wrought: ;. „ ,.•■ 
 
 Q^as quia Pygmalion asvum per crimina agentes 
 
 Viderat : oflfenfus vitiis, quae plurima menti' 
 
 Foemineas natura dedit, fine conjuge ccclebs 
 
 Vivebat, thalamique diu conforte carebat. .:. |. . * -' 
 
 Interea niveum mira feliciter arte 
 
 Sculpfit ebur, formamque dedit, qua foemina nafci 
 
 Nulla poteft, operifque fui concepit amorem. 
 
 A vir-
 
 ( 19 ) 
 
 A virgin's grace it more than feem'd to wear, 
 For life might well be thought t'inhahit there, 
 And, but for fhame, a willi to move reveal'd, 
 So much was art by higheft art conceal'd. 
 Pygmalion now the polifli'd form admires, 
 Whofe beauty feign'd a real flame infpires ; 
 Oft to his work his hands fpontaneous move, 
 Whether 'twas iv'ry ftill, or life to prove ; 
 And ftill he doubts, unwilling to confefs, 
 That lifelefs iv'ry ihould fuch life poflefs : 
 Now gives a kifs, now thinks the kifs repaid, 
 Talks to the ftatue, clafps the fenfelefs maid, 
 Thinks that his fingers on her beauties prefs, 
 And fears to harm them bv his fond excefs ; 
 
 Virginis eft verae facies, quam vivere credas, 
 Et, fi non obftet reverentia, velle moveri ; 
 Ars adeo latet arte fua, miratiir, & haiirit 
 Pe6tore Pygmalion fimulati corporis ignes. 
 Sxpe manus operi tentantes admovet, an fit 
 Corpus, an illud ebur : nee adhuc ebur efle fatctur 
 Ofcula dat, reddique putat, loquitnrque, tcnetque, 
 Et credit taftis digitos infidere membris, 
 Et metuit preflbs veniat ne livor in artus, 
 
 Courts
 
 ( 20 ) 
 
 Courts her with prefents fiich as maidens love, 
 Fruits, flowrs, and birds from ev'ry mead and 
 
 grove ; 
 Then round her Ihoulders a rich robe he throws, 
 While on her neck and arms, in glitt'ring rows, 
 Each gem he places ; all become the maid, 
 Yet Ihe mod fair appears when leaft array 'd ; > 
 Calls her, when plae'd upon the couch, his bride, 
 And as the limbs from off the pillow glide. 
 With care replaces the infenfate load. 
 As if it felt the fondnefs he beftow'd. 
 To Venus facred now returi^s the clay, 
 When youths and maids t,h,^\T am'rous homage 
 
 pay ; 
 
 Et modo blanditlas adhibet, modo grata puellis 
 Munera fert illi conchas, teretefque lapillos, 
 Et parvas.volucres, & flores mille colorum, 
 Liliaque piftafque pilas, & ab arbore lapfas 
 Heliadum lacrymas: ornat quoque veftibus artus, 
 Dat digitis gemmas, dat longa monilia collo ; 
 Aure leves bacc^, redimicula peftore . pendent, 
 Cun6la decent, nee nuda minus formofa videtur. 
 C6llocat banc ftratis concha Sidonide tin£lis, 
 Appellatque tori Ibciam: acclinataque coUa 
 
 With
 
 ( 21 ) 
 
 With flow'rs adorn'd each fiiowy v'l&'im dies, 
 And fragrant flames from ev'ry altar rife ; 
 pn thefe Pygmalion too his offering lays, 
 And thus with fearful fuit to Venus prays : 
 *' Ye go^s! whofe pow'r, if fo your wills decree, 
 *' Through heav'n extends; pervades through 
 
 land and fea, 
 **Jfo thefe fond arms oh let her be conveyed;" 
 He figh'd, yet dar'd not fay, his iv'ry maid : 
 "But one like her!" — The goddefs heard his 
 
 pray'r, ^ 
 And faw the wilh he trembled to declare : 
 Soon to his view the friendly ijgns appear "d. 
 And thrice the flame its curling volume rearVl ; 
 
 Mollibus in plumis, tanquam fcnfiira, repohit. 
 Fefta dies Veneris tota celleberriina Cypro 
 Venerat : & blandis indutae cornibus aurum 
 Conciderant \t\x nivca cervice, juvencse, 
 Thuraqiie fiimabant, cum itiunere fun6lus ad aras 
 Conftilit, & timide, Si dii dare cuncta poteftis. 
 Sit conjux opto, non aufiis eburnca virgo 
 Dicere Pygmalion, finiilis mea, dixit, eburnae. 
 Scnfit, \\t ipfa fuis aderat Venus aurca feftis, 
 Vota quid ilia vclint : &, amiti numinis omen, 
 
 Now
 
 ( 22 ) 
 
 Now home returned, he feeks his fancied blifs, 
 And bending o'er her, prints an ardent kifs ; 
 When fee, ilie glows ! With hps again applied. 
 Again with roving pahn her breaft he tried, 
 The foft ning iv'ry, iv'ry now no more, 
 Yields to the trial, as his hands explore 
 The panting mafs ; thus duclile wax receives, 
 Warm'd by the fun, each form the workman 
 
 gives : 
 Amaz'd he feels a yet uncertain joy. 
 Fearing leaft truth his error iliould deftroy ; 
 Once more her charms with eager hafte he tries, 
 And found bevond a doubt her bofom rife ; 
 
 Flamma ^cr accenfa eft, apicemque per aera duxit'. 
 Ut rediit, fimulacra fiije petit ille puelhe, 
 Incumbenfque toro dedit ofcula, vifa tepere eft, 
 Admovet os iteriim, manibus quoque pectora tentat : 
 Tentatum mollefcit ebur, pofitoque rigore 
 Subfedit digitis, ceditque, Ut Hymettia fole 
 Cera remoUefcIt, traftataque pollice multas 
 Vertitur in facies, ipfoque fit utilis ufu. 
 Dum ftupet, & dubie gaudet, fallique veretur, 
 Rurfus amans, rurfufque manu fua vota retraftat : 
 
 Twas
 
 ( 23 ) 
 
 Twas life, no ftatue, the new-kindled heat 
 In ev'ry pulfe beneath his preffure beat ; 
 To Venus now his ampleft thanks repaid, 
 Pygmalion clafp'd once more his breathing maid, 
 Preft on her melting lips a lengthened kifs, 
 And while the maid firft felt the thrilling blifs, 
 Blufliing, to heav'n fhe rais'd her timid fight. 
 And Oiw at once her lover and the light. 
 
 Corpus erat, faliunt tentatae pollice venae. 
 Turn vero Paphiiis pleniffima concipit heios 
 Verba, quibus Veneri grates agit, oraque tandem 
 Ore fuo non falfa premit : dataque ofcula virgo 
 Senfit, & enibiiit, timidumque ad lumina lumen 
 AttoUens, parlter cum coelo vidit amantem. 
 
 LUCAN.
 
 ( 24 ) 
 LUCAK. 
 
 BOOK I. 
 
 Xiiou, leaft new triumphs fliould thy paft ol)- 
 
 fcure, 
 Great Pompey ! fear 'ft; and wreaths from pi- 
 rates won 
 To Gallia's laurels yield : tHee, lengtlien'd toils 
 Exalt, whofe fortune fpurns a fecond place; 
 And while a Casfar brooks no higher rank, 
 Endures no equal : which the jufter arms 
 Aflum'd, muft reft unknowTi — in his defence 
 Each boafts a mighty judge : War's partial powrs 
 Fought for the vi6lors, but the vanquifh'd caufe 
 
 Tu nova ne veteres obfcurent afta triumphos, 
 
 Et viftis cedat peiratica laurea Gallis, 
 
 Magne times : te jam feries, ufiifque laborum 
 
 Erigit, impatienfque loci Fortuna fecundi : 
 
 Nee quemquam jam ferre poteft, Cjefarve priorem, 
 
 Pompeiufve parem. quis juftius induit arma 
 
 Scire nefas : magno fe judice quifque tuetur : 
 
 ^ »! Was
 
 ( 25 ) 
 
 Was Cato's choice. Nor upon equal terms 
 Met the contending chieftains : one, in years, 
 Into old age declining, by long ufe 
 Of civil honours calm'd, the Avarlike chief 
 Had laid afide, and fought the arts of peace 
 In fame more gentle ; courting by rich gifts 
 The multitude, whofe wav'ring breath impelfd 
 His courfe ; rejoic'd the plaudits to receive 
 Of his own theatre, nor llrove new llrength 
 To gain ; but trufting to paft Fortune's fmile, 
 He (lands the fliadow of a mighty name : 
 Thus in fome fertile foil, an oak fublime. 
 Which bears the anticjue fpoils of vanquifli'd 
 hofts, 
 
 Vi(5lrix caufa De'is placiiit, fed vi6ta Catoni. 
 Nee coiere pares : alter vergentibus annis 
 In fenium, longoque tugx tranquillior ufu 
 Dedidicit jam pace Ducem, famacque pctitor 
 Multa dare in vulgus, totiis popularibus auris 
 Impelli, plaufuque fui gaudere theatri : 
 Nee reparare novas vires, nuiltumque priori 
 Credere Fortuna; ; flat niagni nominis umbra : 
 Oralis frugifero quercus fubliinis in agro 
 
 VOL. II. K Trophies,
 
 ( 26- ) 
 
 Trophies, ta conqueft facred, now no more 
 By firm entwift^d roots fecure, depends 
 For ftrcngtli upon its weight, Avhile thro' the air 
 Spreading its withered branches, it affords. 
 Not by its leaves, but by its trunk, a ihade ; 
 And though each threat ning blafl portends a fall^i 
 Though proudly ftand the younger trees, alone, 
 Receives each hallow'd homage : — but a name 
 In Ccefar rules not only, nor renown 
 Of paft exploits ; in him a fpirit flames 
 Which knows no refting place, no fhame admits, 
 But not to conquer in the warlike field ; 
 Fierce, unfubdued, where hope, where anger call* 
 
 Exuvias veteres populi^ facrataque geftans 
 Dona Ducum : nee jam validis radicibus haerens, 
 Pondere fixa fuo eft, nudofque per aera ramos 
 EfFundens, trunco, non frondibus efficit umbram, 
 Sed quamuis primo nutet cafura fub Euro, 
 Tot circum filvae firmo fe robore tollant. 
 Sola tamen colitur. fed non in Caefare tantum 
 Nomen erat, nee fama Ducis: fed nefcia virtus 
 Stare loco, folufque pudor non vincere bello : 
 Acer, & indomitusy quo fpes, qu,6que ira vocaflet, 
 
 His.
 
 { 27 ) 
 
 Hi^ ami, he follows, nor the rathlcfe ftvord 
 Spares tQ uniheatli; ililL faithful to fiiccefs, 
 Ardent he prelfes on the fav'iing pov'rs,- 
 Impelling what his purpofe could oppofe 
 Of fovreign rule f/'ej^lting to- pervade 
 Through havoc to his^^prey,: The thunder's bolt 
 Thus driv'n by winds, through parting clouds, 
 
 Terrific ruflies, rives the vaulted fky, 
 And rcwis the face of <lay; whil^^ crouds aghaft 
 With dazzled eyes, flu-ink from the Ihaft oblique j 
 Sparing tiotempl^s^ though of Jove, it burfts 
 Through all fefiftaiice, with tempeftuous fall, 
 And quick return, it rages; far and wide 
 
 Ferre manum, & numquam temerantJo parcere ferro : 
 Succeflus urgere fuos: inftare favori 
 Numinis, impellens quidquid fibi fumina petenti 
 Obftaret, gaudenfque viain fecifle ruina. 
 Qualiter exprcffum ventis per niibiJa fulmco 
 Aetheris impulfi fouitu, rauiKiique fragore , 
 Emicuit, rupitque diem, populofque paventeis 
 Terruit, obliqua prseftringens lumina flamma. 
 In fua templa furit, nuUaque exirc vetante 
 
 Hurls
 
 ( 28 ) 
 
 Hurls the vafl ruins, and with force increas'd 
 Refumes the ravage of its fcatter'd fires^ 
 
 LUC AN, 
 
 LIB. V. 
 
 V\! ii 
 
 Twice and again, with hand, which fliook the 
 
 door, 
 Had C«far knock'd, when from his rulhy couch 
 Amyclas rifiiig fpake ; '' What fhipwreck'd man 
 *' Seeks here for refuge? Who, by fortune preft, 
 *' Can be fo M-retched as to need my help?" 
 He fpake ; and from the fmould'ring heap, where 
 fire . 
 
 Materia, roagnamque cadens, magnamque revertens 
 Dat ftragem late, fparfofque recoUigit igneis. 
 
 Haec Caefar bis, terque manu quaflantia teftum 
 Limina commovit. molli confurgit Amyclas, 
 Quern dabat alga, toro. quifnam mea naufragus, inquit, 
 Tefta petit? aut qnem noftrse Fortuna coegit 
 Auxilium fperare cafae ? fie fatus, ab alto 
 
 Had
 
 ( 29 ) 
 
 Had blaz'd, rekindled with his breath the flame ; 
 Free from the fear of war, his low-built hut 
 He knew, to civil arms could yield no fpoil. 
 O happy ftate of poverty, fecure 
 In lowly manfions — gifts of bounteous Ileav'n 
 Not underftood ! — What temples, walls, could 
 
 boaft 
 Such ftrength, as not to tremble, when aflail'd 
 By Casfar's arm ? 
 
 Aggere, jam tepida; fublato fune favillae, ' 
 Scintillam tenuem commotos pavit in igneis, 
 Secums belli ; pra:dain civilibus armis 
 Scit non efle cafas. o vitae tuta facultas 
 Pauperis, anguftique Lares J 6 munera nondiim 
 Jntelkda Deiim ! quibus hoc contingere templis, 
 Aut potuit muris, nullo trepidaro tumultu 
 Cscfarea pulfante manu f— — 
 
 :si LUCAN,
 
 ( so ) 
 
 J 
 
 LUCA'K 
 
 Lin. vii. 
 
 There clad in vulgar arms, and* to the foes 
 Unknown, what 'weapon,' Bmtus, didft thou 
 
 wie 
 
 Id? 
 
 imfii-'i 
 
 6 thou ! our empire's glory, thou the hope 
 Laft.to the Senate left ; laft of a name 
 For ages fo renown'd ! with rafli attempt 
 Rufh not through hofts contending, nor advance 
 Hulippi's fatal onfet; — thou, whofe doom 
 Thy own Theflalia,u plains, await : in v^ih 
 Here doft thou ftrike at Gaefar's head ; not yet 
 Has he q,ttain'd the citadel of right, 
 Nor paft the fumniit, when<"e the powV of rnau 
 Declines, or yet from Fate hath he defery'd ^ 
 A death fo nohle : ftill then let him live, 
 Nor fall thy vi6lim, Brutus, till he reigns. 
 
 Illic plebeia contedlus cainde vultus, 
 Ignotufque hofti, quod ferrum Brute tenebas ? 
 O decus imperii, fpes 6 fuprema Senatus, 
 Extremum tanti generis per fascula nomen, 
 Ne rue per medios nimium temerarius hofteis, 
 
 Ncc
 
 THE SAME IN RIIIME. 
 
 There, from the foes in. vulgar arms conceard. 
 What fword unnotic'd, didft thou, Brutus, wield? 
 O thou, in whom our empire's glories fliine I . , 
 f*reedom's laft hope ! laft honour of thy Ijne f 
 Urge not too bold, thro' hoftile bands thy W^y, 
 Nor antedate Philippi's fatal day, 
 Thou, whom thine own Theflfalia fliall betrav : 
 Vain here tliy toil to ftrikc at Cajfar's life ; 
 Not yet the tyrant, 'mid ambition's ftrife, 
 Hatli reach'd the citadel of right, nor paft 
 Tl^at bound, where human pow'r no more ihall laft ; 
 Not yet by crimes hath he deferv'd, tho' great, 
 A death fo noble to receive from Fate : 
 Still let him live, till worthy to be ilain 
 Victim of Brutus, he o'er Rome fliall reign. 
 
 Nee tibi fataleis admoveris ante Philippos, 
 
 ThefTalia periture tiia. nil proficis iftic 
 
 Caefaris intentus jngulo : nondum attigit arcem 
 
 Juris, & humanum culmen, quo cun<5la prcmuntur 
 
 EgrelFus, meruit fatis tani nobile letlium : 
 
 Vivat, &, ut Bruti procumbat viainia, regnet. -^'** 
 
 LUCJX.
 
 f 32 ) 
 LUC AN. 
 
 LIB. IX. 
 
 Flight is the crime of coAvards :" thus he 
 fpake, 
 And evVy Hiip prepar'd to fail, rccalfd 
 Thus, when Hyblaean fwarms have left their hives 
 Exhaufted, and unmindful of the combs, 
 No longer intertwine their wings, but each 
 Flies devious, felf-employ'd, and flothful fliuns 
 The thymy bloflbm, — if the Phrygian brafs 
 Refounds, aftonifli'd they refign their flight, 
 Intent again puifue their flow'ry work, 
 And love of fweets celeftial : in his plains 
 
 Ignavum fcelus eft tantum fuga. dixit, & omncis 
 Haud aliter medio revocavit ab a^quore puppes, 
 Quam fimul eifelas linquunt examina ceras, 
 Atque oblita favi iion mifcent nexibus alas, 
 Sed fibi quaeque volat, nee jam deguftat amarum 
 Pefidiofa thymum. Phrygii fonus ut crepat ferisi 
 Attonitae pofuere fugam, ftudiumque laboris 
 
 The
 
 ( S3 ) , 
 
 *The fhepherd feels a joy fecure to find 
 llie tieafure of his cottage unimpair'd : 
 Tims, by the voice of Cato, was imprefs'd 
 Submiflion to a juft command, on minds 
 By war vmtaught to bear the charms of peace, 
 Who now, well-pleasd, their wonted toib re- 
 fuin'd. 
 
 >nL: 
 
 LIB. IX. AD FINEJI. 
 
 " NXTtONS have loft their joy ; our concord loll 
 " Tlie world laments, nor have the fav'ring gods 
 " Grarrted my wifhes, that with conq'ring arms 
 
 Florigeri repetunt, & facri mellis amorem. 
 Gaudet in Hyblso fecurus gramine pador 
 Divitias fcniafle cafe, fie voce Catonis 
 Inculcata viris jufti patientia Martis. 
 Jamque aftu belli hdn doflaS ferre quietem 
 Conftituit menteis, fei-iemqu£ agitafe laborum. 
 
 Lseta dies rapta efl populis : concordia mupdo 
 Noftra pent : caruere Deis mea vota fccundis. 
 
 VOL. II. r " De-
 
 '' Depos'ct, I might have i'liiijuL thee to my 
 
 bread, \%'yii{fry 
 
 " And fuetl for fonder loves ;> .have fought from 
 , thee ,brr/:rnrrr)'> f)v>\ -'Dhn-lffy, 
 
 "Thy better life ; nbr wiflfd a brighter clofe i 
 ^';Tq all my toils; content with the rewardi!'' 
 *' To be thy equal deem'd : in lafting peace 
 "I, by my care, would have from thee obtained 
 " To grant forgiv nefs tp a partial Heav'n 
 " That thou waft conquer'd ; — thou, by thine, 
 
 hadft gain'd 
 ^" Fjrom Rome my pardon:"— thus he ff)<tkc, 
 yno:f found s ,, .,, 
 
 Companions iij^isgrief^ to his complaints 
 No credit giv'n by multitudes, who check 
 
 ''•'-~: '• .n i " tT V '! !g' gf{ t7 :: r :"l. ' *■ ,v 
 
 Vt te complexuf pofitis felicibus armis jiviCI 
 
 Affeftus abs te yeteres,. vitaittque rogarem, r , - 
 Magne, tuan^, dignaque fatis niercede labomra 
 Contentus par elTe tibi : tunc pace fideli t.fjnoO 
 
 Feciflem, ut vii'^us pofles ignofcere Divis, 
 FecifTes ut RoQta mihi. nee talia fatus, 
 Invenit fle'tiis comitcm, ncc turba querfenli
 
 (35 ) 
 
 Their groans, and with a cheerful afpe6i veil • 
 Their inmoft thoughts; and dare — O blelTed 
 
 Of Liberty ! — to gaze upon the criinc 
 
 (>f ])Iood with joy, though Cj^Car deign to weep 
 
 LUC AN, 
 
 LIB. IX. 
 
 He, lab 'ring with the god, whom in his mind 
 lie bore in filencc, from his bread tluis powr'd 
 Thefe accents, worthy of moft holy il>rines : 
 " What, Labienus, wouldft thpu wiih to feek? 
 " Whether in arms, with Freedom, I would fall 
 
 Crcdidit : abfcondont gcmitiis, 8c peflora latta 
 Fronfe tcgiint, hilarefqiie nefas fpe6larc crucntum, 
 O bona libertas, ciim Csefar liigeat, audent. 
 
 lllc Deo plenns, tacita quern mente gerebat, 
 EfFiidit digna5 adytis e peclore voces. 
 Qiiid quscri Labicne jubes ? an libef rn armii 
 
 *' Rather
 
 .{' 36 ). 
 
 ' Rather than fee a Caefar's reign r If life 
 ' Be ought, or nothing, fliort, or long poffeft ? 
 ' If force can harm the good ; if Fortune lofe 
 ' Her threat, when worth oppofes ? If to wiih 
 ' For what is worthy praife, fuffice ; if palms 
 ' Can by fuccefs enhance the virtuous deed ? — 
 ' This we all feel, nor deeper in the mind 
 ' Can Amnion prefs the truth : on heav n we all 
 ' Depend, and though no temple fpeak, we aCb 
 ' But as the God infpires : that facred pow'r 
 ' No voice demands, and when sve firft were 
 
 born 
 " He fpake the whole permitted man to know ; 
 
 OccubuifTe velim potiiis, quam regna videre ? 
 An fit vita nihil, fed lon«;a > an differat actab > 
 An noceat visulla bono, Fortunaque perdat 
 Oppofita virtute minas, laudandaque velle 
 Sit fatis, & numquam fucccfrii crelcat hoaeftuni ? 
 Scimus, & hoc nobis non altius inferct Amnion. 
 Ha:remus cuncli Superis, temploque taceate 
 Nil agimus nifi fponte Dei : non Vocibus uUis 
 Numen eget : dixitque fcmel nafcentibus audlor 
 Quidqiiid fcire licet: (lerileis nee legit arenas, 
 
 '' Nor
 
 ■ ( 37 ) 
 
 *' Xor chofe thcfe barren delkrts to declare 
 " His will to few, or in the duft his truth 
 " Immers'd : Is earth, fea, air, and fky, alone 
 * ' His dwelling ? He with Vutue dwells ; why afk 
 '^ Of pow'rs fuperior, more? The God fuprenic 
 *' Is all we fee, where'er we move : — Let doubt 
 " Impel the fearchers of events, and keep 
 *' The votaries of chance fufpendcd : — IVIe 
 " No oracles afliue, but certain death 
 " Decides my choice: the coward and the brave 
 ^' Alike mult fall; nor needs Jove more declare." 
 
 Thus Cato fpake, and left the fane, its faith 
 Uninjur'd, and its Amnion unexplor'd. 
 
 Eftque Dei fedes nifi terra, & Pontus, & aer, 
 
 Et ca;lum ? eft virtus : Superos quid qua*riiTius ultra I 
 
 Jupiter eft quodcumque vides, quocumquc moveris. 
 
 Sortilegis egeant dubii, fempcrque futuris 
 
 Cafibus anCipites : me non oracula certum, 
 
 Sed mors cetta fatit : paviJo, fortique cadendum eft. 
 
 Hoc fatis eft dixifFc Jovem. fic ille profatur, 
 
 Servataque fide templi difcedit ab aris, 
 
 Kon exploratum populis Ammona relinquens, 
 
 LUCJN,
 
 ( 35 ) 
 
 LIB. IV. 
 
 Life at a diftance, comrades, I have cail. 
 And all my pow'rs exulting feel the goad 
 Of future death ; — 'tis rage ; — 'tis ecftaf^ ! — 
 To thofe alone whom near-approaching Death 
 Infolds within his grafp, ^and what the gods 
 Conceal from wietches, doom'd to longer life, 
 That they may bear its pangs,) 'tis giv'n to prove 
 
 That he who dies is happy*. -Fame, that flies. 
 
 O'er land and fea, no fliip with louder trump 
 Hath prais'd : yet daftard nations will not learn 
 
 Projeci vitam comites, totufqtfc futurar 
 Mortis agor flimiilis. furor eft ; agnofcere folis 
 PermiflTiim eft, quos jam tangit vicinia fati, 
 Viclurofque Dei celant, ut vivere durcnt, 
 Felix elfe mori.— — — 
 
 •f- — — — nuUam majore locuta efl 
 Ore ratem totum difcurrens fama per orbem. 
 
 By
 
 < 39 ) 
 
 By fuch examples, witii how flight an effort 
 One ftroke may dole tlieu* fervitude : but kings 
 Still for their arms are dreaded ; Freedom ftill 
 Is sraird with chains, and knows not fwords 
 
 f ■ r f 
 
 MTre gi\ 'n 
 ^^Imt ^ none mi^ht , ,be ^nilav'd., , . O, Dc3tl>, ,th^ 
 
 Thou woi^ldft witlidraw the coward heart froqn 
 
 But yalpur only gave thee in reward |. 
 
 Non tamcn ignavae poft hajc exempla vironira 
 Percipient gentes, quani fit non ardita virtus 
 Servitiiim fugiffe-manu :*fe(i rcgria timentur ' ' 
 
 Ob ferrum, & fsvis libcrtas uritur armis, " . 
 Ignoratque datos, ne qiiifqu.un fcrviat, enfcls. 
 Mors utiiiam pavrdAfe' vite' Aibducere- nolles, 
 Sed virtu»^*C fpf^ 4j^^t.„ , 
 
 #^ 
 

 
 ( 40 ) 
 
 CLAUDIAN. 
 
 In Claudian Pomp unfolds her lengthen'd ftate 
 
 In o'orsreous robes, but bendina: with the weiaht : 
 
 His fancy fertile, but his numbers flow 
 
 In ftream unalter'd, uniformly flow ; 
 
 To heights by meift fcorn'd his praifes foar, 
 
 M^hile Rom c-s hst^ fons therr bafer lord adore t ^ 
 
 Thus, where the Ganges fpreads liis facred 
 flood, 
 And Nature teems with each gigantic brood, 
 Her largeft race, the elephant beholdn 
 Array 'd in panoply of gems and gold ; 
 Onward he moves, earth groans beneath his feet, 
 While India's defpots, from their folemn feat, 
 Look with difdain on crowds by terror aw'd, 
 Who proftrate hail their tyrant, as their God.. 
 
 CHA-;
 
 ( 41 ) 
 
 c II A R A c T r: R. 
 
 SENECA. 
 
 Terrific fiends on Seneca await, 
 Revenge, Luft, Murthcr, Jealoufy, and Hate ; 
 Here groans Defpair, there burfting Frenzy yells, 
 And llage its crimes in duel triumph tells; 
 Such arc the fcenes his favage IMufe difplays, 
 As paiTion prompts th' exafperated phrafe: 
 
 At clofe of evening thus the tyger howls, 
 As famjlird o'er Ilyrcanian wilds he prowls ; 
 If mid the gloom fome trembling deer he fpies, 
 Swift as a fhaft he fprings, — the vidim dies ; 
 Gorg'd, yet unfated with the mangled food, 
 He riots in the luxury of blood, 
 Impeird by Fury's ftill increnfing fway, 
 Again he turns, again he tears the prey. 
 
 VOL. U, .« TRAVS-
 
 ( 4i2 ) 
 
 TRANSLATIONS. 
 
 CLAUDIAN, 
 
 Fain would I gatlicr each exploit ; but deetls 
 Of olorious record in condenfin"" train 
 Prefs on, and ftreams of if ill increafing pralfe 
 Overwhelm my pow'rs. When now th" imperial Sire 
 Had crufli'd the tyrant, and regain "d the fkics, 
 Leaving the earth confign'd to thy command, 
 The tott'ring fabric of the flate didft thou 
 With equal neck fuftain : In antient days, 
 Thus, w^hen Alcides bore th' incumbent world^ 
 With firmer poife fufpended, the machine 
 With all its ftars unaltered kept its courfe. 
 Nor bow'd the hero, with enfeebled Hep ; 
 While Atlas wonder'd, for a time reliev'd. 
 To fee the burthen which himfelf had borne. 
 
 Singula complefti cupcrem : fed denfior inftat 
 Geftorum feries, laudumque fequentibiis undis 
 Obruimur. Genitor caefi poft bella tyranni 
 Jam tibi commiflis confcenderat ?ethera terris. 
 Ancipites rerum ruituro culraine lapfus 
 
 Squall
 
 ( 43 ) 
 
 THE SAME IN RHIME. 
 
 I* Aix would my Miifc each high exploit rehcaife, 
 But crouds of" glorious deeds oblirutt my verfe ; 
 Succcflive tides of praiie enlarge my theme, 
 And overwhelm me Avith their fwelling llream. 
 When noAV th' imperial Sire had quell'd his foes, 
 And fought in brighter realms his bleft repofe^ 
 To thee refigning, and thy firm command, 
 The fov'reign rule o'er ev'ry fea and land, 
 Tliy equal neck upheld the mighty weight, 
 And propp'd the ruins of the tott'ring ftatc : 
 Thus, when Alcides bore the ftarry fphcre. 
 With jufter poife, through Heav'n's cteraal year, 
 The vaft machine its revolution clos'd. 
 Nor bow'd the hero with the toil impos'd ; 
 And Atlas, while the tranfient reft he gain'd. 
 With wonder faw the mafs himfelf fuftain'd. 
 
 ^quali ccrvice fubis. fie Hcrculc quondam 
 Suflentanie polutn, melius librata pepcndit 
 Machina, nee dubiis titiibavit fignifer adris, 
 Perpetuaque fencx fubduftus mole parumper 
 Obftupuit proprii fpeftator pondcris Atlas. 
 
 CLAUDUN.
 
 ( u ) 
 
 CLAUDIAN. 
 
 DE XUPT. HON. ET MAR; 
 
 The goddefs paus'd, and turning with furprife, 
 rirft on the daughter, her admiring eyes, 
 Then view'd the mother, o'er wliofe blooming 
 
 head 
 Advancing time each fini/li'd grace had flied ; 
 The daughter hke the Moon's yet nafcent rays, 
 The mother like her, in her fulleft blaze : 
 With flender boughs, and yet unbinding roots, 
 Thus near its parent the young laurel flioots. 
 But bears the promife of her branching pride, 
 When flocks fliall graze beneath her lliady fide : 
 
 Cun6latur ftupefatla Venus, nunc ora puellae. 
 Nunc flavam niveo miratur vertice matrem. 
 Haec modo crefcenti, plenae par altera Lunae, 
 Affurgit ceu forte minor fub matre virenti 
 Laurus, & ingentes ramos, olimque futuras 
 Promittit jam parva comas : vel flore fub uno 
 
 Or
 
 ( 45 ) 
 
 Or thus, -Nvhere Paeftan groves laxurlant blow, ) 
 On one united flem two rofes grow ; // 
 
 This richly rear'd by funimer funs and fhowVs/ 
 At large the fragrance of her beauty pours ; 
 That ihrinks within its bud, nor dares difplay 
 Her tender foliage to Hyperion's ray. , ijudj iv ' 
 
 ,9:lovnr T 
 
 SENECA, 
 
 MEDEA ; PROLOGUE. 
 
 Ye gods of wedlock, and Lucina, thou ,,,^ ^j^g 
 Protedrefs of the genial couch ; with her, . ,. T 
 By whofe inftrudion Tiphys in his bark 
 Firft brav'd the fea; and thou, whofe flern com- 
 mand 
 
 Ceu geminx Patftana rofae per jugera regnant: 
 Haec lai^o matura die, faturataque vernis 
 Roribus indulget fpatio : latet altera nodo, 
 Nee teneris audet foliis admittere foles. 
 
 Dii conjugales; tuque genialis tori 
 Xucina cuftos; quasque domitorcm frcti 
 
 Controulg
 
 ( +6 ) 
 
 Controuls the rage of Ocean ; Titan, thou 
 Whofe radiant car ilknnes the lubjed earth ; " 
 And thou, thrice potent Hecat^, Avho lendft l 
 Tliy confcious gleams to each unhalloM^'d rite,l' 
 •Ye gt)ds, whom Jafon witnefs'd and betray 'd,iT 
 Or thofe, whom more it fuits Medea's wrongs- 1 
 T' invoke, old Chaos, and eternal Night; 
 Ye pow'rs infernal, enemies to Heav'n, 
 Ye fliades accurs'd ! and thou, the gloomy lord 
 Of Erebus, with her, thy confort, Horn 
 With firmer faith by thee ; on each I call, 
 But with no friendly voice : — Attend, attend, 
 
 Y' avenging minifters of guilt 1 unfold 
 
 :i 
 
 Tiphyn novam fr?enare docuifti ratem ; 
 Et tu profundi fasve donjinator maris ; 
 Clarumque Titan dividens orbi diem ; 
 " Tacitifqne praebens confcium fucris jubar, 
 Hecate triformis ; quofque juravit mihi 
 Deos Jafon ; quofque Medea; magis 
 Fas eft precari ; nottis aternx chaos 
 Adverfa fiiperis regna, manefque impios, 
 Dominumque regni triftis, & dominam fide 
 Meliore raptam, voce non faulta precor j 
 Adefte, adefte (Iceleris ultrices desr, 
 
 ^tfcmmO The
 
 ( 47 ) 
 
 The ferpents 'tangled in your gory locks ; 
 Whirl round vour torches ; hither halle, urrav'd 
 In all your horrors, fuch as erll you ^vore 
 When ftation'd at my nuptial bed ! — firft itrikc 
 This new-made bride with death ; the fecond 
 
 blow 
 Fall on the father, and his royal race : — 
 But, O for fome more piercing curfe, to blaft 
 The faithlels bridegroom ! May he live, and roam 
 Through unknown m ilds, in poverty, defpair, 
 Exile, and hate ; uncertain where to find 
 A roof for flicker, till at laft he wifh 
 Ev'n me again his partner ; let him feck 
 For life's fupport at foreign doors, a guefl 
 
 Crinem falutis fquallidae fepentibus, 
 
 Atram cruentis manibus amplexx facem, 
 
 Adefte : thalamis horridae quondam meis 
 
 Quales ftetiftis : conjugi letum novsr, 
 
 J^etumquc focero & regiae ftirpi date. 
 
 Mihi pejus aliquid, quod prccer fponfo malum ; 
 
 Vivat ; per urbes erret ignotas, egens, 
 
 Exul, pavcns, invifus, incerti laris : 
 
 Me conjugcm optet ; limen alienum expetat. 
 
 Now
 
 , , ( ^s ) 
 
 Now known and fpurnVl ; and, to complete my 
 ciirfc, '« 
 
 Let him have cliildrcn like himfelf, and like 
 Their mother: — Ha! revenge then ftill is mine^ 
 I am a mother: — hence, ye vain complaints! » 
 Shall I not rufli upon my foes, not quench 
 Thefe bridal torches, and the light of day ? 
 Does Phoebus, author of my race, behold 
 My wrongs, and, on his car unmovVl, purfue 
 His wonted progrefs through unclouded fkies, • 
 Nor backward drive his courfers to the Eaft ? 
 O bear me through the void, ye friendly fteeds?' 
 Give me the reins, bright fne ! and from thy 
 wheels " '* ^'' -ir-- '\^^^^ *^ - 
 
 Jam notus hofpes : quoque non aliud queam moixiij 
 Pejus precari, liberos iimiles patri, 
 Similefque matri ; — parta, jam parta ultio eft. 
 Peperi, querelas verbaque incaffum fero. 
 Non ibo in hoftes > manibus excutiam faces, 
 Coeloque lucem. fpectat hoc noftri fator 
 Sol generis? & fpeftatur, & curru infidens . ;J6ViV' 
 Per folita puri fpatio decurrit poll? r, .r 
 
 Non redit in ortus, & rcmetitur diem? 
 
 Let
 
 ( 49 ) 
 
 Let me liurl bick'ring flames: let Corinth blaze, 
 Nor longer part her two contending fliores : — 
 This dill remains ; myfelf the nuptial torch 
 Will bear, and, all due rites abfolv'd, ^vill flay 
 My vi6lims, on the altars I have rear'd : — 
 Tear thee, Medea ! through thy inmoft heart, 
 A way to work their chaftifement. — My fouU 
 If yet within thee there remain a fpark 
 Of ancient fire, difpei all female fears. 
 And be as cruel as the nithlefs rocks 
 Of Caucafus ; whate'er the Pontic floods, 
 Or banks of Phaiis once beheld, again 
 
 •■" ^f,';;^^lld /fir "t'lttn juifii :'. / _ ., 
 
 Da, da per auras curribus patrlis vehi. 
 Committe habenas, genitor, & flagrantibus 
 Ignifera loris tribite moderari juga. 
 Gemino Corinthus littori opponens moras, 
 Cremata flammis maria committat duo. 
 Hoc reftat nnum : pronubam thalaiio feram 
 Ut ipfa pinum ; poftque facrificas preccs 
 Cadam dicatis viftinias altaribus. 
 Per vifcera ipfa quaere fupplicio viatn, 
 Si vivis, anime : fi quid antiqui tibi 
 Remanct vigoris, pelle femineos metus, 
 Et inhofpitaiem Caucafum mcnte indue. 
 
 TOL. II. U 
 
 Shall
 
 ( 50 ) 
 
 Shall til' Ilthmus fee ; deeds favage, deeds lui- 
 
 known, 
 Deeds terrible alike to Earth, to Ilcav'n, 
 i\Iy mind retolves; wounds, carnage, death that 
 
 roams - rT' 
 
 O er ev'ry limb ;— tliefe are too light of notr, 
 Thefe are niy Airgin a6^ii:4vlct^-rief arife 
 In flerner ftate, and crimes of deeper flainj':; 7 'r^ 
 Accompany an injur'd niotheii'j^ -wrongs :— 
 Arm thyfelf, Fury! for deftruftion draw / ./, 
 Thy keeneft blade; and let a tale of hqrror : H) 
 Proclaim alike my marriage and divorce. 
 But — how, JMedea! doll thou quit thy hulband? 
 
 ■' ■ ' '••' > ■ ■" — 
 
 Jluj. Ufa ) 
 Cinodcunque vidit Phafis aut Pontus nefas, 
 Videbit Ifthmos. effera, ignota, horrida, : ...... 
 
 Tremenda ccelo pariter ac terrjs.jnala, ) \tt*ni^iO 
 Mens intus agitat ; vulnera, & <;:vdem, & vagnm., Ti 
 Funus per artus. levia memoravi, .. I jj ^ 
 
 Hasc virgo feci, gravior exfiirgat dolor; ,s ms|»SE3 
 Majora jam me fcelera pofl: partus decent, ^jjiv f*? 
 Accingere ira, teque in exitium para jfyiy i^ ■ 
 
 Furore toto: paria narrentur tua ,,,jj{ 
 
 •Repudia thalamis. quo virum linquis modo ? ^^.; ^.j 
 
 I ! 
 
 E'err
 
 ( 51 ) 
 
 E'en as thou follow'dft him: — no more delays;— 
 Ties form'd by blood, by blood fliali be diflblv'd 
 
 Hoc quo fecuta es. rumpe jam fcgnes moras: 
 Qiiac fcelere padla cHj fcelere rumpetur fides. 
 
 CHA-
 
 ( 5^ ) 
 
 CHARACTER. 
 
 LUCRETIUS. 
 
 Lucretius, led from Wifdom wide aflray, 
 
 By the falfe fire of Error's meteor ray, 
 
 Yet with fuch ftrength, to Truth's mifguided 
 
 lliade 
 Has ev'ry fplendor of rich thought convey'd, 
 Such more than colour in his didion fliown, 
 That Art appears with pow'rs beyond her own : 
 
 Thus while the painter, with outline conccal'd, 
 Has to the fight the truth almofi; reveaFd, 
 With Ihaded tints, has cloth'd the canvas plain;, 
 The touch eluding with a phantom vain ; 
 The fculptor fcorning the deceitful hues, 
 Where light and fhade the fenfe beguil'd abufe, 
 Dares in his mafs the brittle web to break, 
 Gives the laft ftroke, and bids the marble fpeak. 
 
 CIIA-
 
 C 53 ) 
 
 CHARACTER. 
 
 ANTI-LUCRETIUS. 
 
 In Melchior fcience and the Mufe combine, 
 Nor to Lucretius yields his rival line ; 
 Themes moft obfcure admit his lucid lay, 
 And Art*s minuteft forms his lyre obey ; 
 Nature to him her fecret (lore unfolds, 
 And Nature's Lord well-pleas'd the work be- 
 holds ; 
 
 Thus fmiles the fapphire with a blue ferene, 
 A blufli more deep is in the ruby feen, 
 The di'mond ftill a brighter beam difplays, 
 The fight confounding with its varied rays ; 
 But in the facred plate on Aaron's breaft, 
 While judgment utter'd the divine behcft, 
 Light and perfedion by the gems were known. 
 Where Thummira fpakc and holieft Urim fhonc, 
 
 TRANS"
 
 54 
 
 TRANSLATIONS. 
 
 LUCRETIUS, 
 
 BOOK I. > ' 
 
 B E X I G X A N T Veil US ! of die ^n eid race 
 
 Divine progenitrix ! delight of men 
 
 And pow'i^s fuperior ! who beneath the figns 
 
 Ilolling their courfe celeftial, over feas 
 
 'WHiere navies ride, o'er genial earth, which bearsj 
 
 Her. varied fruitage, takeft thy abode 
 
 In frequent influence ; from thee their birth 
 
 Since animals of evVy kind derive, 
 
 And ncM^-born ope their eye-lids to the dawn, 
 
 ^neadum genitrix, hominum divumque voluptas. 
 Alma Venus, cceli fubter labentia figna 
 Quae mare navigerum, quae terras frugiferenteis 
 Concclebras: per te quoniam genus omne animantum 
 Concipitur, vifitque exortum lumina folis: 
 Te dea, te fugiunt venti, te nubila coeli : 
 Adventuqiie tuo, tibi fuaveis Daedala tellus 
 
 At
 
 ( 55 ) 
 
 At thy approach the variegated earth 
 
 Sends up her flow'rs odorous, Ocean iinooths • ■ 
 
 In fmiks its billows, and the iky appears :,.; / 
 
 In hght diffufive, llieds its glitt'ring beajjls;ijfW 
 
 For loon as Spring diieloles lucid day, 
 
 iVnd Zeph;^TS, lool'end from their bonds, in galjcs 
 
 Prolific blow, the many-colpur'd tribes 
 
 Of birds aeii^d, fubje^t to thy flames, ir$i[^i}{) 
 
 Thy potent prtjlenfL^e feel; the; wilder: teds 
 
 Bound o'er the paflures joyful, ajid oppofe 
 
 Their glowing breaft to braye the rapid tid^j^^y; 
 
 Tims by tliy charms, thy, evjer, .yinning w,Ues, _< , 
 
 Eac^i ajiiniated race tl^y call obey - K j 
 
 With willing ardour; wherefoe'er thou lead'ft__ 
 
 Submittit flores : tibi rident aiquora ponti, 
 
 Pacatumque nitet diffufo lumine coelum. ^j 
 
 Nam linuil ac fpecics patefafta eft vcrna diei, j 
 
 Et referata viget genitabilis aura Fa,voni : y 
 
 AeriK: primum volucres te diva, tuumqiie.. y- 
 
 Significant initum, perculfe corda tua vi. ^..^..^^j 
 
 Inde fera: pecudes perfultant pabula Ixtre, |. 
 Kt rapidos tranant amneis : ita capta leporc 
 .lUecebrifque ; tuis omnis natura animantuni 
 
 Their
 
 ( 56 ) 
 
 Their inflind, over foaming feas, through woods 
 On fteepy mountains waving, limpid ftreams, 
 And leafy dwellings of the feather'd tribes, 
 With flow'ry meads, in all infpiring bland 
 Thy genial warmth to propagate their kind : — 
 Since thus o'er Nature's univerfal realm 
 Alone thou ruleft, nor without thy will 
 Ought rifes to falute the morn, no joy 
 Nor joy-diffufive Love exerts his fway, 
 Thee to my Mufe affociate I invoke, 
 Whde I purfue in tuneful verfe, the theme * 
 Of boundlefs Nature, to the noble race 
 
 Of Memmius, patron of my fong, whom thou 
 
 • In"// 
 
 Te fcqttitur cupide, quo q«ainq«€ i«dacere pergis. 
 Denique per maria, ac monteis, fluviofque rapaceis 
 Frondiferafque domos avium, campofque virenteis. 
 Omnibus incutiens blandum per pe6tora amorem, 
 Efficis, ut cupide generatim fecla propagent. 
 Quae quoniam rerum naturam fola gubernas. 
 Nee fine te quicquam dias in luminis oras 
 Exoritur, neque fit lastum, neque amabile quicquaM : 
 Te fociam fludeo fcribendis verfibus efle, '' 
 
 Quos ego de rerum natura pangere conor 
 Memmiadae noftro, quern tu dca tempore in omni 
 
 O god-
 
 ( 57 ) 
 
 O goddefs, ever haft decreed, to deck 
 With ev'ry fcience, and each libial art ; 
 Thee, therefore, I implore to grant that grace 
 To thefe my didates ; and meanwhile, effect. 
 That War's fell deeds o'er fea and earth may ceafe, 
 And calm repofe her (lumbers may enjoy; 
 For thou alone, by tranquil Peace, canfl give 
 Thy aid to mortals, fmce the warlike ftrifc 
 Thy Mars armipotent conduds, and he 
 Oft on thy fragrant bofom leans, fubdu'd 
 By Love's unerring fhaft, and thus, with eye 
 Uptum'd, reclining on thy polifh'd cheek, 
 In languor doats — and feeds his ardent looks. 
 Love's conqueft rich inhaling, while fupine 
 
 Omnibus ornatum voluifti excellere rebus. 
 Qu^o magis aeterniim da diftis Diva leporerff". 
 Effice, ut interea fera munera militia'i 
 Per maria, ac terras omneis fopita quiefcant. 
 Nam tu fola potes tranquilla pace jiivare 
 Mortaleis : quoniam belli fera munera Mavors 
 Armipotens regit : in gremium qui faepe tuum fe 
 Rejicit, a-terno deviflus vulnere amoris : 
 Atque ita fufpiciens tcreti ceruice repofta 
 
 VOL. u.^ I With
 
 ( ^s ) 
 
 AVith panting breath, o'er ev'ry cliarm he rovcsi 
 Ilini, goddeis, thou M'ithin thy downy arms 
 Infold embracing, from thy liquid lips 
 Pour the foft accent in perfuaiive tone, 
 And fue that Peace victorious may return 
 To Rome, and to his offspring; — for in days 
 Of tumult to our country, m e, the bards. 
 Silent, unable to puifue our themes, 
 Dare not intrude upon the warlike flock 
 Of Memmius, nor can that exalted race 
 Defert the fafety of the public weal. — 
 
 Pafcit amore avidos inhians in te dea vifiis : 
 Eque tiio pendet refupini fpiritus ore. 
 Hunc til Diva tuo recubantem corpore fanfla 
 Circunfufa fuper, fuaveis ex ore loquelas 
 Fundc, petens placidam Romauis inclyta pacem. 
 Nam neque nos agere hoc patriaT tempore iniquo 
 PoflTumus aequo animo : nee Memmi clara propago 
 Talibus in rebus commurii dcefle faluti. 
 
 ANTL
 
 (' '^ ) 
 
 - ANTI-LUCHKriUS. 
 
 BOOK III. 
 
 Happy tlic nmn who, ftudious to puifuc 
 Truth to its inmoftcaufc, i'oavs far above ; 
 
 Kaci^ outward fcufc ; couchicieci by no guide 
 But what proceeds from Rcafon's friendly ray, 
 And his own native fuength; who tries the paths 
 By mprtul feet untrodden ; to eaeh fource 
 Of Nature pierees; and witlK>ut difniay 
 Dares to explore her moll recondite Iiaunts : 
 
 Ilim, not th' uncertain fniile of kings, nor galo 
 Of Fortune, nor vain Plcafure's empty wiih, 
 
 Felix qiii vrhisf Avidus cognofcere caufas, 
 Senfns affiirgit fupra, nullumque fecutus 
 Diiftorem, pnrter lumen Rationis amicum 
 Vimquc animi, reliqu?s' tnonalibus IntJa tentat 
 Jpfe loca, explorat remrh caput, atque per pmn^ 
 Naturae latebras ire impcrterritus audct. 
 Ilium hon anceps Regnm favor, aut Icvis aura 
 Fartuiur, iniferifqur b»n!ii content* Voluptab 
 
 '^^i'^'V: With
 
 ( 60 ) 
 
 With wretched good contented, can perfnade 
 To quit Truth's facred love ; to him it boots 
 But little, to behold at eafe the llreams 
 Gliding in languid floth, or on the grafs 
 Reclin'd, orftretch'd beneath the quivnng fhade 
 Of branching trees, to gaze upon the fands 
 O'er which in glitt'ring gleam the waters flow; 
 Or cull the flow'rs which on the banks arife, 
 And drink the moifture of the foft'ring dew : 
 He rather feeks the fount, and with delight 
 Inveftigates the rich mgeand'ring veins. 
 
 Why then do we, though by the bars inclos'd 
 Of bodies, gaze on matter's outward form, 
 
 DImoveant, Veri fanflum ut deponat amorem. 
 Scilicet baud fatis eft rivos fpeftare fluentes, 
 Aut herba in molli patulxque fub arboris umbra 
 Proftratura, nitido radiantes rore lapillos 
 Mirari, ac treraulo labentes murmure lymphas, 
 Et flores quos nutrit aquarum lafteus humor, 
 Ac bibulo Temper viridantem cefpite ripam : 
 Fontem ipfum indagare juvat, penitufque latentes 
 Rimari venas laticumque exordia prima. 
 
 Howe'er
 
 ( 61 ) 
 
 IToweVr adorn'd, admiring? and difport 
 On the vain iiirface of created things ? 
 Why not, with nobler fearch, the deep recefs 
 Of Nature's Iwly temple pierce, and fue 
 To gain admiflion to her inmoft flirine ? 
 Where, on the fource and origin of things, 
 With what true joy we may dire^ our eyes. 
 And fix in firmed energy the mind. ' 
 
 "Here haunts the Sage, and leaves to vulgar 
 
 cares 
 The trifling, tranficnt toys ; — hence to the praife 
 Defervd, no bard can elevate his fong, 
 Of great Pythagoras, and Plato, fouls 
 
 Qu^orfum igitur nos corporibus circumundique fepti. 
 Materia: dccus ac formam externumque nitorem 
 Miramur tantitm, fummoque in cortice rerum 
 Ludimus } Internam cur non penetramus in aedem 
 Natura;, atque adytis immitti pofcimus ipfis? 
 Quam pulchrum eft in principiis, in origine rerum 
 DeBxifTe oculos Sc nobilc mentis acumen! 
 Pervolat hue Sapiens; nuga; funt ca-tera Vulgi. 
 Hinc DuUus digno Vittes eKtoUere vorfu 
 
 lUuf-
 
 ( 62 ) 
 
 Illuftiious, who ^vitl^ ardour fouglit to know, 
 Ilrft their own ftatc^ and then to One fuprenie. 
 Author of all creation and themfelves. 
 In contemplation moft iublinie to rife. 
 
 Tli^fe lior the manners, nor the fond delights; 
 Of their own foil, or their paternal roof, 
 Could turn £i*om tracing with laborious feet 
 The banks of Egypt's ftreain, and Syrian ihores. 
 Where higlieft Wifdom firft her feu Iptur'd gates 
 Difclos'd : amid thefe emblematic fanes, 
 Hme| t)myri confulted ^\W^i. .wkfffP^ , j?.ftgthen*d 
 
 years , ■.;;■, , vJa Vttro f--'*^'^ ^??-r ^^'-^s >; 
 
 Had train'd to richeft knowledge, ap4 ittlYOld 
 
 Kythawora* magni poterit, magnique Platoriis 
 Illuffres animas : ingens qiiibus inftitit ardor, 
 Se prlmuni, auftoremque ful & prunordia cunfta M 
 Qi*a>rere contemplando. Hos non tenuere paterrii 
 Dclicia- morefqtte foJi, qiiin protinns omnem 
 ^4igyptum & Syrii Jnftrarent littora ponti ; 
 Incoluit primiim quas alma Scientia fedes : 
 Atcjue viros ibi corvfulerent fapientlpotentes 
 jLppgacvofque, & dpftrinse monuraenta vetuftiC'V:
 
 ( C3 ) 
 
 Tlie myftic monuments of eldcft Time : 
 Thence to return, not fraught with tindur'd vefts, 
 Witli gold, or gems, t' enrich their native lund^ 
 iJut with tlie precious words of wildom, far 
 Above all treafures, and with lights of truth. 
 
 With this intent, my jVIemmius ! fweet the talk. 
 To gaze with thee on Nature, fweet to pierce 
 Her clofe receiVes, to fupport the torch 
 Before thee, and confirm thy feeble ftcps : 
 Nor he thou wearied in the labour ; long, 
 I own, and rough the tracks, o'er mountains, 
 
 where 
 
 Civibus ut tandem non vellera murice tinfta. 
 Noil aurum aut gemmus, aft aurea difta fcrcntes, 
 Pitarent patriam nova per commercia Vcri. 
 
 Hoc animo, (i»intl, Naturam invifere tecum 
 Duke mihi : diilce eft altos intrare recelfus, 
 Et praeferre faccm, & greflus finnarc labantcs. 
 He te, quxfo, vix capiant mala txdia longie. 
 Suat rigidi, fateor, trito fine tramite montek, 
 3unt (lursc cautct, as /piou horrida pailim
 
 ( 6i ) 
 
 No feet have trockien ; rugged rocks, and fliiubs 
 Horrid with thorn, and interwoven ftems, 
 Crofs thy advancing, and intrenchments deep 
 Traverfe the marfliy ibil ; yet boldly thou 
 Proceed with mind unfaltering, while I ftrive 
 To fmooth the path, and cheer thy wearied feet 
 With no unpleafnig fong : thus, in the woods 
 And 'mid embow'ring fhades, the tuneful bird 
 Warbles her native defcant, while his mate 
 Broods o'er th' unfeather'd offspring, with a care 
 Maternal ; he now perches on the branch, 
 Now flutt'ring o'er the fpray, with rapid wing 
 He darts ; and day and night, with watchful 
 _ guard ... -, - .- -~ . 
 
 Vifgulta, et foffk juga per falebrofa profundx : 
 Ma£te ahimo tamen interea dum alludere conor, 
 DefefTamque tibi rerum afperitate molefta, 
 Non injucundo folari carmine mentem. 
 Haud fecus in fylvis, ac frondes inter opacas 
 Ingenitum carmen modulatur muficus ales, 
 Dum fovet implumes fcetus placidiflima conjux : 
 Nam ramo nunc ille fedens, nunc praepete pennJ 
 Hue illuc cifcumVolitans, no6lcfque diefque 
 
 Proteds
 
 ( 65 ) 
 
 Prote6ls the neftlings ; then the grove rcfounds 
 With the foft trillings of his ruffled tliroat ; — 
 She all the while, within her neft conceal'd, 
 Imbibes the liquid notes, forgets her toil, 
 Nor feels the lalhtude of conftant care. 
 
 ANTI-LUCRETIUS, 
 
 BOOK VII. 
 
 Since matter then is flill in ev'ry part 
 Matter extended and endu'd with form, 
 Why Ihould we not diftinguifli, though abftrtife 
 And hidden in the living tribes, each part 
 Lefs than the other, with creative fkill 
 
 Invigilat cuftos; liquida turn voce canorus 
 Perfonat omne nemus: uiolli h<ec abfcondita nido 
 Suaves aure bibit numeros, oblita laboris; 
 £t vix aflTidux fentit faftidia curas. 
 
 Erg5 Materiae cflm fit pars quselibet ipfa 
 Materies, extenfa loco, atque inftru6ta figura. 
 Quid vetat abilrufas inter prorfufque latcntes 
 
 vcL./ii. K By
 
 ( 66 ) . 
 
 By proper organs workVl ? thence to difclofe 
 Their orighi, and each in each contained 
 In order infinite: — Thus we behold, 
 When Spring, with genial days, returns to deck 
 The garden's pride, the bud emerging quit 
 Its verdant bark ; fee, yet it fcarce prefumes 
 To burft the tender film, arjd to commit 
 Its blufliing honours 'mid the glitt'ring leaves; 
 Cull it ; a flow'r imperfe6l, but Avhich liiows 
 The future promife, while the foft'ring fun 
 Is wanting ftill : — again, with cautious hand, 
 Pluck the foft bloilbm, and with piercing eye, 
 Explore the texture of its inmofl; frame ; 
 
 Tit -^'iSfw-l 
 Viventiim in gremio partes, dignofcere quafdam, 
 
 •• Non modo dividuas, iterumque itefumqtie minores^ 
 > Verum etiam organico ritu doftaque creantis 
 Arte laboratas, quae fint primordia rerum» 
 Atque alias aliis immerfas? Siciit in horto 
 Cernimus, illuxere dies cum veris amoeni, 
 Surgere florcntem viridi de cortice gemmam. 
 Afpicis ut teneram vix audet findere pellem 
 Primiim inter nitidas affulgens purpura frondes t 
 Carpe manu, flos efl: nondum, fed molle futuri 
 Principium floris; foles alimentaque defunt: '*=i-*^ 
 
 Th«rc
 
 ( 67 ) 
 
 Tlieie flialt tliou find iiiinumber'tl, fbkls of leaves 
 In nafcent ftate, and all tli' expanfive bloom, 
 Which zephyrs would have waken 'd, had It gain'd 
 In time the juft perfe6lion of the rofe. 
 
 Carpe manu, internofque oculo fcrutare recefTusj 
 Invenies foliorum intexta volumina centum, 
 Et quotquot Zephyris erat expanfura coronas, 
 $i cr^vifTe rofae juitum licuilfet io sevum.
 
 TRANSLATIONS 
 
 FROM 
 
 FRENCH VERSE, 
 
 In. nova fert anitnus mutatas diccre/ormas corpora. 
 
 Vid. Harris, Fhilologic Arrangements, p. 100.
 
 1/1 O i T A J 3 K / 
 
 ■\t'^^■
 
 ( 71 ) 
 FROM 
 
 L'ART D'AIMl^R DE BERNARD, 
 
 EN SIX PIEDS. 
 
 BouRBOx advanc'd with formidable hoft 
 To quell the tyrants in their haughty bouft ; 
 Mis thund'ring engines now their lightning pour 
 On hoftile Paris, and each tott'ring tow'r ; 
 Rage and dcftru6lion round the league were fpread. 
 Which, Hydra-like, now droop'd in ev'r}^ head ; 
 On Rome's vain efforts Heav'n indignant frown'd, 
 And Henry's brow with conq'ring wreaths were 
 crown 'd. 
 
 Bourbon armoit fon bras du foudre redoutable 
 Qui portoit des Ligueurs la perte inevitable ; 
 Ses bombes, fes carreaux fondant de toutes parts 
 Du r^belle Paris renverfoient les remparts; 
 La Ligue, hidre aux abois, dans fes Tours embraffes 
 Soulcvoit vainement fes t^tes ^crafifes, 
 JLe Ciel confondoit Rgmc, & couroanoit Henri. 
 
 On
 
 ( 72 ) 
 
 On Iton's flow'ry banks, whofe waters lave 
 The plains were Ivri's golden harvefts wave, 
 A eaftle ftands, where art its fkill had fliown, 
 But could from fimplc nature fcarce be known ; 
 Of this afylum nought difturbs the peace, 
 The roar of ftorms, the din of battles ceafe ; 
 Silence here reigns, and, 'mid the calm repofe, ' 
 The wanton Zephyr o'er the flow'ret blows ; 
 The fhepherds here on pipes melodious play, 
 And warbling birds accompany the lay ; 
 The limpid ftreams their gurgling murmurs join, 
 And feem, the banks forfaking, to repine ; 
 
 Sur les bords de I'lton, aiipres des champs d'lvri. 
 Eft un Chateau tranquille & dont l'archite6l»re 
 Sous un art deguife n'offre que la Nature; 
 De cet afile heureux ricn nc trouble la paix, 
 Des fougueux aquilons n'y fouflereot jamais j 
 Dans le fein du repos le filence y prefide, 
 Folatrant fur les fleurs le zephire y refide ; 
 Aux flutes de5 Bergers, a leurs tendres chanfons, 
 Les oifeaux de leur voix accordent les doux fons» 
 Les ruifleaux dans ces pres roulant une onde claire, 
 Les qxiittcnt a regret & fejnblcnt s'y coraplairej 
 
 One
 
 ( 73 ) 
 
 One happy mortal j lovm;j; and belov'd, it "' 
 Here paft his ck} s, from Henry's camp removd ; 
 Bcllegarde his name, her's M'as d'Eftrce ; the iftrifc 
 Of Rome and France reach'd not theia- happy life ; 
 In fliady forefts they cxchang'd tlicir fighs, 
 And fdence to their joys new charms iuppHes ; 
 By all forgotten, they the world forget, 
 And if the rays of Phoebus rife, or fet, 
 For them he quits the Eaft, or fecks the Weft, 
 When tlms Bellegarde his lovely fair aiddreft : 
 
 *' In thefe retreats, d'Eftr^e, tliefe lliadcs un- 
 known, 
 *' Let us not feek for pleafures near a throne, 
 
 C'eft-la qu'une Mortelle a fon Amant cheri 
 
 Prodiguoit fcs faveurs loin du camp de Henri ; 
 
 D'Eftree & Bellegarde arr^tes dans leurs chaines 
 
 De Rome & de Bourbon fouloient aux pieds les liauies. 
 
 A I'ombre des for^ts ils foupiroicnt leurs feux, 
 
 Le filence augmentoit leurs plaifirs amoureux, 
 
 lis vivoient oubli^s de la Nature entiere, 
 
 Le Soleil, chaque jour, rapportant la lumiere 
 
 Leur fembloit pour cux feuls ^clairer I'univers. 
 
 " N'alt^rons point la paix de ces profonds d^ferts, 
 *' Vivons, chore D'Eflrce, inconnus fur lu terre 
 
 VOL. ir. L ''.There
 
 ( 74 ) 
 
 ** There Bourbon's fiiendfliip, or the chance of 
 
 arms, 
 " Might in our bofoms waken new alarms, 
 " Her gUtt'ring banners Glory might dilplay, 
 " And I too dearly for my laurels pay ; 
 " Thy beauties which my doating eyes adore, 
 " Whofe worth by modefty ftill Ihinesthe more, 
 " With eafe might triumph o'er the hearts of 
 
 kings,— 
 " But ah, the fleeting jo}- which glory brings ; 
 " The crown, the fceptre, laid beneath thy 
 
 feet, 
 " The court, whofe light eclips'd thy charms 
 
 would meet, 
 
 ** L'amitie de Bourbon, les hazards de la Guerre 
 
 •• Auroient pu d^corer ma jeiine vanite 
 
 *' D'un laurier trop frivole & trop cher achete; 
 
 *' Ta grace, ton eclat, tes charmes que j 'adore, 
 
 *' Et que ta modeftie erne & releve encore, 
 
 *♦ Triompheroient bientot du plus puiffant des Roisj 
 
 ** Mais le bruit paflager de quelques vains exploits, 
 
 *• Le Sceptre, la Couronne a tes pieds abbaiffec, 
 
 " La pompe de la Cour par tes yeux cclipfee, 
 
 "The
 
 ( 75 ) 
 
 •* The pomp of grandeur with its empty name, 
 ^' Say, are they worth our praife, or worth our 
 
 blame ? 
 ** Thefe groves, thefe plains, give all our hearts 
 
 defire, 
 *' And roving Zephyrs fan our faithful fire ; 
 " The birds, in pairs, our beft advifers prove, 
 ^'They without danger, free from falfehood, 
 ,,;)Jove; 
 
 *' Thefe flocks their mutual ardour ftill maintain, 
 *' No rigour knoAV they' from a flern difdain; 
 ** No cold refufal to their love is made, 
 *' Felt in this moment, in the next repaid ; 
 
 **'Le n(fant des grandeurs, valent-ils nos plaifirs ? 
 
 ** Tons nous rit dans ces lieux, tout parle u nos dedrs, 
 
 ** Dans CCS champs, dans ces bois, tout brflle, tout foupire, 
 
 ** ]^'pifeau toujours fidele aux ardeurs qu'il infpire, 
 
 **' Ne fait naitre des feux que pour les partager, 
 
 *' lis fe cherchent fans feinte, ils s'aiment fans danger, 
 
 " De ces tendres moutons les flammes mutuellcs 
 
 *' Ne les expofent point a des rigueurs cruelles, 
 
 ** Les dedains, les refus ne font point faits pour eux, 
 
 ** Ils font toujours aimes des qu'ils font anioureux. 
 
 ** Tll«
 
 ( 76 ), 
 
 ' ' The branching trees their tender arms entxvihc, 
 ' ' To guide the- ravings cf the* gadding vine ; 
 ' ' All hving tribes, of water or of air, 
 ' " TTre' ffenie of Love's revi vi'ri|> ^torch declare : 
 ' ' Here free from anguifh,-from remorfe reffioV'd, 
 " In o^ths Ye'peated', let biir hearts bie proVW; 
 " Ami^ cdukVft tRcrt^ T«n^w the tranfpOrt^- Me 
 
 "'jS^)ilefe; ■ •-...: 
 
 " Bonrbon ! be jealous — own thy grandeur 
 
 Thus from his lips Bellegarde enamo^r'd ^ews 
 What gratefut ardour in his bofom gloAvs ; 
 
 " Aux tetes des ormeaux, aux bras des jeunes chenes, 
 
 *' CeUe vigne s'unit par mille etroites chaines ; 
 
 " Dans la plaihe de KairJ &' dans le fond des eaiix, ' 
 
 ^' A tout Etre I'Amour fait fentir fes flambeaux. .>. 
 
 " Coulons nos jours heureux fans remords & fans trouble, 
 
 " Jurons-nous un feu pur qiie chaque inftant redoubfe 
 
 " Et qu'afpiraht lui-meme a des plaifirs fi doux, 
 
 " Bourbon, s'il les favoit, puifle eh etre jaloux... 
 
 BeMegarde en ces mots faifdil! pzt]ier fa flame, 
 Ses levres exprimoient les tranfports de fon ame; 
 
 D'Eflr^c,
 
 (■ 77 ) 
 
 D'Ertr<^e, attentive to fo bright a flame> 
 In fecrct felt one equal, one the fame, 
 Within her bofom rife by quick ckgrees ; 
 Now they tlieir cyphers carve upon the trees. 
 And mare than cyphers thus then' tribute pay : 
 " Incceafc,' ye tdms! and on your bark difplay 
 " Our lott« iucreas"d, and asi your branches grow„ 
 * ' A like exipiiniion may our withes know. " 
 Thus in thekblifs alternate they rejoice,iii n kii 
 An(\ Echo jom'd with their's bqr fofter vtfiQ^.ft{T 
 When lirft the mountain's tq) confeft the ihiwki^ 
 Tliey fought the fountain, or the; ilow'ry kvin, ' 
 
 Sa Maitrefle, attejjtiv^ 4 tous fes mouvemens, 
 Eprouvoit en fecret les mcmes fcntimens. 
 A leurs voeux mutuets tout fe rendolt fenfible ^ . ' ^. 
 Quelquefois ils gravoient, fur I'ecorce flexible, 
 Dans un chifre amoureux leurs noms entrelaflcs : 
 Croiffez, s'ecri6ieiit-ils, jeunes oriricaux, croilTez ! 
 Puiflent croTtre avec vous les feiix qui nous confunjer^t! 
 PuilFent toujoufs brillcr les yeux qui les allument ! 
 Leurs tranfports, leurs plaifirs qu'ils chantoient tour 3l tour, 
 Ils les faifoient redire a\ix ^chos d'alentour. 
 Quand TAube alloit blanchir les fommets & les plaines, 
 Tous deux venoient s'afleoir prcs dcs claires fontaines; 
 
 Whence
 
 ( 78 ) 
 
 Whence the fond lover ev'ry WolToni chofe, 
 The lily, fnow-clrop, pink, and vermeil rofe ; 
 Thele in a wreath he form'd with am'rous fkill> 
 While they, fo preft, a fweeter fcent diftil, \ 
 Then ronnd her temples found a dearer place. 
 And gave the ringlets of her hair new grace ; 
 Its faithful mirror the clear ftream difplay'd, 
 And ilie, with fmiles of praife, his fkill repaid ; 
 Then favors fuch as fondeft love ihiparts, 
 Tlieir lips uniting, clofer join'd their hearts ; 
 The Earth in hafte her verdant carpet fpreads, '' 
 And more than dreams kept hov'ring o'er their 
 . heads : 
 
 Un tapis renaiffant leur prefentoit des fleurs ; 
 LS, cet Amant cheri faifoit choix des couleurs, 
 Relevoit leur eclat, varioit les nuances, 
 Les rofes fous fes doigts epanchoient leurs effences ; 
 D'une t^te fi belle arrangeant les cheveux, 
 lis les femoit de fleurs & les treffoit en noeuds j 
 Fidelle en fes avis, Tonde etoit confultee, 
 L'addrefle de I'Amant etoit toujours vantee ; 
 Soudain mille baifers, mille tendres faveurs, 
 Uniflbient, confondoient leurs levres & leurs cceurs; 
 Lai terr6 ouvrant fon fein s'empreflbit de produire 
 Des rofes, des oeillets qui fembloient leur fourire ; 
 
 Thus
 
 ( 79 ) 
 
 Thus all concurr'd to work their fond content, 
 But who can fate foretell, or mIio prevent ? 
 Compell'd to quit d'Eltree in all her charms, 
 At Bourbon's call, to join his conq'ring arms ; 
 Bellegarde obeys, but to the king reveal'd 
 That love, which prudence better had conceal'd: 
 
 *' Vain are your feafts, '' he faid, "your bought 
 delights, 
 *' Which fill the circle of your days and nights; 
 *' In tliefe, great prince, I no delight can prove — 
 " The court may know to glitter, not to love : 
 
 Tout enfin concouroit a leurs plaifirs divers: 
 Mais qui pent du deftin preflenrir les revers! 
 Force de s'eloigner de I'objet qui I'enchante 
 Et mande par Bourbon, trop plein de fon Amante, 
 Bellegarde ne put lui taire fon bonheur, 
 L'indifcret a fon Roi courut ouvrir fon coeur. 
 
 ** Vos f<?tes, lui dit-il, Ci vives, fi pompeufes, 
 ** N'amenent en ces lieux que des Beaut<fs trompeufes, 
 ** Tant de fafte & d'6clat ne fauroit me charmer, 
 <^* La Cour veut cblouir, on n'y fait point aimer ; 
 
 To
 
 ( 80 ) 
 
 *' To court unkno\(Vii, I know one charmino; fair, 
 *' Whom Heav'n has form'cl with moll peculiar 
 
 care, 
 *' Whole look, whofe voice, where all the graces 
 
 meet, 
 ** Would to your beauties work a fure defeat ; 
 *' Yes, to d'Eftree their art mull yield its pride, 
 *' While love and nature at Ivri refide." 
 
 Rais'd by this pi6lure, Bourbon feels the lire, 
 But knows that kingly pow'r cannot infpire 
 That love to tendernefs which yields alone. 
 And coy, rejecls the fplendor of a throne ; 
 
 *' II eft une Mortelle ? la Coiir inconnue 
 
 •* Que de tous fes trefors le Ciel a prqvenue, 
 
 ** Dont les yeux, dont la voix, dont les traits enchantes, 
 
 *' Sont faits pour eft'acer vos plus rares Beautes ; 
 
 ** Oui, d'Eftree a moins d'art & I'emporte fur elles, 
 
 *• Ivri renferme feul des graces naturelles. 
 
 Frapp« de ce portrait, Bourbon voulut la voir; 
 II favoit que des Rois I'invincible pouvoir 
 Ne peut rien fur le cceur ni fur le choix des Belles, 
 (iue plus d'un Conqu#rant a trouve des rcbelles ; 
 
 Jealous
 
 ( 81 ) 
 
 Jealous to prove fin cere the flame he feels, 
 The camp he quits, while ni^ht his ftep conceals. 
 Leaves all the grandeur of his ■ ate behind, 
 In Ivri's plain loves truer joys to find. 
 
 The dawn now glimmer'd in the redd"ning 
 fkies, 
 When the retreat appearM to Bourbon's eyes ; 
 With fhrubs clofe-twifted was the entrance barr'd, 
 But, to d'Eftr^e produc'd a feeble guard ; 
 Long time the king thro' winding mazes ftray'd, 
 As chance dire6led, when amid the lliade 
 
 Jaloux de ne devoir fon bonheur qu'il 1' Amour, 
 Dans I'ombre de la nu'it il ^chappe ^ fa Cour, 
 Quiite de fa grandeur les. marques fouveraines 
 Et d'lvri, fans efcorte, il traverfe les plaines. 
 
 L'aurore repandoit fa timide clarti 
 Lorfque Bourbon arrive au fejour fouhaite 
 Qui cache a I'univers les charmes de d'Eftr^e! 
 Mille bofquets fleuris en dcfendent I'entr^e ; 
 Le Roi dans leurs detours avoit erre long-jems ; 
 
 VOL. II. M Melo-
 
 ( 8-2 ) 
 
 IMclociioiis accents broke upon his ear, 
 
 While Silence liften'd, plesxs'd the founds to hear; 
 
 ■ .1' 
 The woes of a1)fciice were the fair-one's them'c, ' 
 
 But when the monarcli faw her b^'aut^'ls gleam, 
 None could, he thought, bat Ihe, fucli beanvs 
 
 difi)lay— "'* ' ■^'"■^ ''''''■ ■''' 
 
 Nor did he err, the beauty was d'Eflree; ' 
 Her graceful port/ her dignity of mehi,-^'* ^'^^ '^ 
 Where charms attempered by rcftraint'\rere fcen. 
 Announced her mantiers, and her worth Mpreft, 
 Whom, moving towards her, thus the king ad- 
 dreft--— .: <!>;^A 
 
 '* A lover, anxious in his abfence, fends 
 
 *' To her, whom bell; he loves, his beft of friends; 
 
 II marchoit au hazard, quand de tendres accen* 
 Frapperent fon oreille au milieu du filence ; 
 Une Belle chantoit les tourmens de I'abfence j 
 Bourbon croit voir d'Eftree, & fes naYfs appas "^ 
 
 Lui firent foufonner qu'il ne fe trompoit pas ^ '^ ' 
 
 Ses graces, fon maintien, fa noble retenue, 
 Annonfoient de fes moeurs la candeur ingenue, 
 11 I'aborde & lui dit, " Un Amant inquiet 
 *• Adreffe ici mes pas vers an aimable objct; 
 
 " Not
 
 ( 8^ ) 
 
 •* Nor long I fought — tliy beauties, thine alone, 
 *' Could in his bofom lix a worthy throne ; 
 *' Thou art dEftree — no error here has place ; 
 ** Or if I err, thine is her equal grace : 
 *' Bellegarde in camp remains, fo wills the king, 
 *' And for his abfence this excufe I bring; 
 " His love I need not, or his truth impart; 
 *'Thy form, thy wortli, muft anfwer for his 
 heart." 
 
 P'Eftree heard what he fpokJe,^T-5jle fpeaker 
 .view'd, — .,;"'A 
 
 Her hour was come ; — love, not to be fubdu'd, 
 
 Je I'ai d'abord chcrclie, mais vos graces, vos chavmes, 
 Me difent que c'cft vous qui caufez fes allarmes, 
 Vous feule etes d'Eftree, on ne s'y m^prend pas. 
 Si vous ne I'^tes point, vous avcz. fcs appas, 
 Henri de votre Amant exige la pr^fence ; 
 Je viens aupres de vous cxeufcr fon abfence ; 
 Je ne vous dirai point I'exces dc fon ardcur, 
 Vos vertus, vos attraits r^pondent de fon cceur.... 
 
 D'Eftree a ce difcours ne fut point infenfible. 
 Son heure ^toit venue, un penchant invincible 
 
 To
 
 ( 8^ )' 
 
 To this new lover gave her naicent fmile : 
 Attacked on all fides, won by cvtv wile 
 Of wit difplay'd, of flattery con<:eard, 
 Againllwhofe darts what female breaftisftecrdr 
 All thefe in Henry's words and geftiire fhone, 
 Nor by d'Eftree's was ftudied Cbldnefs known — 
 Difguife, delay, denial, fcorn unjuft, 
 Where yielding fondnefs puts a feeble truftj^ 
 Nature for tendernefs had form'd her birealV, 
 And d'Eftree felt what nature firft impreft : 
 Bourbon the moment faw and feiz'd with joy ; 
 No ties of friendfliip conld his hopes deftrey ; 
 
 Doit la fixer au char de ce nouvel Amant ; 
 
 Tout I'attaque ; I'efprit, I'adrefle, I'enjoument ., ^^ . 
 
 Relevoient de Henri les vertus eclattantes, ,j. ^^ 
 
 Et d'Eftree ignoroit ces froidcurs ofFenfantes, ..^ i^ 
 
 Ccs longs deguifemens, ces injuftes refus 
 
 (iui dans un coeur platre tiennent lieu de vertus ; 
 
 Son ame qu'ont pStric les mains de la Nature, 
 
 Confervoit jufqu'alors Fa premiere culture; 
 
 Bourbort en profita ; bientot il siit bannir 
 
 De Belkgarde abfent le foible fouvenir, 
 
 Th'ex-
 
 ( 85 ) 
 
 Th' expiring cmb(feW%cr former vo\\'s 
 Soon he tlilpersil, more AJvid flames to roufc; 
 Belleoarde was banillid, nor did Bouilxm owe 
 Her heart to M'hat the monarch could bcftow. 
 
 With effoits vain the banifli'd lover ftrovc 
 To claim his rights, and to regain her love ; 
 He oame indeed her falfehood to upbraid, 
 Their pleafures paft, his conftanCy l)€tray''d : 
 *'Falfe one," he cry'd, "where are the times 
 
 nbw flown, 
 " When love was feated on no royal throne, 
 
 A fon amour conftant il la rendit fenfible, 
 
 Et ne dut point fon ca?nr a I'appas invincible 
 
 De dominer un maitre & captiver fon Roi. 
 
 Bellegarde efTaya de rappeller fa foi, 
 II vint Jiii reprocher fcs trahlfbns criielles, 
 Lui peindre leurs plaifirs, lours flanimes mutuellcs. 
 
 ** Perfide, lui dit-il, qu'eft devcnu cc terns 
 " Oil nos coeurs amoureux Tun de I'autre eontens 
 
 " When
 
 ( 86 5 
 
 *' When iiiL tbclb woods with filence at our fide, 
 * Wfe fcorn'd the wealth of courts, the pomp of 
 
 .pride; 
 ^^ Fond lo^^e then cherillfd our united flame, 
 *' Our faith unbroken, and our wifli the fame; 
 " And muft, I think thofe moments are no more ; 
 *' That dear remembrance now has loft its pow'r ? 
 " That d'Eftree's heart could e'er ungrateful 
 prove?" 
 
 Vain all attempts were to recall her love; 
 Bourbon was mafter of her alter'd heart, 
 Bellegarde compcllVl defpairing to depart ; 
 
 ** Dedaignoient de la Cour le fade & I'opulence ? 
 *' A I'ombre de ces bois dans les bras du filence, /; l- 
 
 •' Le tcndre Amour filoit nos jours & nos plaifirs, -U: 
 ** Au bonheur de nous voir nous bornions nos defirs, 
 ** Ces momens font pa(res...Ah! I'aurois-je pii croirc 
 ** Qil^ vous dilfiiez un jour en perHre la memoire?... 
 " Qiie I'ingrate d'Eftree oubliat mon amour?..., 
 
 Valns efforts! fa douleur n'obtint pas le retour 
 D'un coeur deja rerapli dont Bourbon etoit maixre : 
 Defefpere, confus & n'ofant plus paroitre 
 
 To
 
 ( 87 ) 
 
 To lontly fpots Avliicli knew liis happier ftate 
 In grief ret ir'd to curfe his adveife fate; 
 111 dreary deferts ihunii'd all human race, 
 And told to rocks the tale of his difgrace. " 
 
 Dans les funeftes lieux temoins de fes malheurs, 
 MaudilFant fon deflin, fuivi de fes douleurs, 
 Dans des deferts afFreux il d^roba fes traces, 
 Aux arbres, aux rochers raconta fes difgraces. 
 
 'i'l 
 
 FROM
 
 ( 88 ) 
 FROM 
 
 L'ART D'AUIER DE BERNARD, 
 
 EN SIX PIEDS. 
 
 Time now the reign difclos'd of noblcft fume, 
 When the firft Francis in the fhades of Shame 
 Her dark abode forc'd Ignorance to take, 
 And gave the dawn of arts o'er France to break ; 
 Diftinguilli'd merits with juft honours crown'd, 
 Fix'd in his court their place unrivall'd found ; 
 Mars and Minerva there united flione, 
 To wave their banners, and fupport his throne : 
 
 Le terns, ouvroit ce regne a jamais annobli. 
 Oil Francois diflipant les ombres de I'oubli, 
 Fit luire fur les Arts I'aurore fortiinee 
 Qui promettoit Louis a la France etonnee ; 
 Des graces, des plaidrs, du merite eclattant. 
 La Cour de ce Heros fut I'afile conftant ; 
 Minerve & le Dieu Mars, foutenant fa couronne, 
 Couverts de fes lauriera s'affeyoient fur fon trone. .. 
 
 Yet
 
 ( 89 ) 
 
 Yet he of love felt all the pleafmg darts, 
 Mlien by atklrefs, and their attract i\^e arts, 
 Two diffYent beauties each employ 'd their fkilti 
 To mould the monarch to their fep'rate will. 
 
 Etampe, the younger, adds to nafcent channs 
 That languid look which proudeft llrength dif- 
 
 arms, 
 But with a ftubborn and intriguing mind, 
 A jealous fpirit weakly proud combin'd ; 
 Poitiers with riper beauty met his eyeS) 
 And different charms produc'd the fame furprize : 
 
 L' Amour lui fit fentir I'atteintc de fes traits ; 
 Par un genie adroit, par leurs brillans attraits 
 Deux Belles a lui plaire employant leur etude, 
 De fon cOEur tour i tour fixoient I'incertitude. 
 
 Etampe, la plus jeune, a des charmes naiflans, 
 A la tendre douceur de fes yeux languiffans, 
 Joignoit un efprit vif, intriguant, indocile, 
 Une ame vaine, altiere, a s'allarmcr facile : 
 Diane oflfroit aux yeux d'aufli puiiTans appas ; 
 Etampe eflt peu d'attraits que Diane n'eut pas ; 
 
 VOL. II N The
 
 C .90 > 
 
 The fniilc* /[^f iiafcare, anej t|ve visiles of, art, 
 In each poffeft an un deckled part ; 
 Pbiticrsi at:len.»th tlie glf)rious palm obtain'd. 
 And pow'r undoubted ofer her rival gain'd ; 
 She on her brow was able to conceal 
 The wrongs; au,d infulta fli^ was dooni'd to fed ; 
 With cahnnefs undifturb'd had learn'd to bear 
 Tliat proud Etanipe ihould rival claims declare ; 
 Her anxious fears within herfelf reftrain'd, 
 Shunn'd ftcrn reproach, and ufelefs pray'r dif- 
 dain'd: , j M -iom ^ilutij^ 'tkH 
 
 ^_ rx'jwbtjiiA 
 
 Les ris, les agremens, les graces naturelles, 
 
 Indecis, fufpendui", fe partageoient pour elles j 
 
 Leurs charmes difFerens frappoient les yeux furpris j 
 
 Diane cependant fiit emporter le prix, . ,, 
 
 Et fut dans leur credit mettre un long intervale j _ , ^, 
 
 Elle refut du ciel par-deflTus fa rivale 
 
 L'heureux art de cacher fous un paifible front 
 
 Les tranfports inquiets que fait naitre un aftront ; 
 
 Elle pouvoit fouffrir avec indifference 
 
 Qu' Etampe fous fes yeux, briguat la preference, 
 
 Ses mouvemens jaioux n'ont jamais eclate. 
 
 La plainte ou le reproche efit blefle fa fierte ; 
 
 •T / .Vic^oiy
 
 ( S' ) 
 
 YitFtovv flutters, ou iidjiended win^sj »i'r( * ' '' 
 And tlatitltingvliopes by itriurns deceitful brill OS, 
 Atiart'iEtampc apptar'd to fix herlchaiii, 
 And iearlpls o'er the vancjuiihd tlaucis icign ; ' 
 Butifoon PoitiorvS, well /kill d hcr'p^jf^i^ to irie, 
 Regaind tUe fondnefs .\vihkh^ilie tetHwd to lofe'; 
 A\'hatcv^er nature fun^leicould inipiVc, ;- vfl i' '* 
 Or art iriveot, to fiin lovo s laiii^uid iireJ^-^^'W ** 
 Looks, language, langoiirs, tender doubts, and 
 drefs, 
 
 Whofe niodeft claiin tnp lobfeft mjnas confu^s^, 
 
 ,');o! ' ■ ^_ . •• b.;;, . ; ■■ I. • :. t -^ .^;l>2rX 
 All was on either fide by e^ch prepared, . _ 
 
 And fickle love a changing empire iharo : 
 
 Entre les ^cux ;jwrtis iK viiloire flottaate •! 
 Vint les flatter long-tenis, & trompant Iqur attente 
 £tampe dans fes fers encluinqit fon Am^^nt, 
 £t fembloit a I'abri d'un, iV(<ii changement; 
 Mais Diane bicntOt, p^r fa fertile adrelfe, 
 D'un tceur, ,pi^sd'e<;l)Hp$»er rappelloit la tendrefTc : 
 Tout cp..qH?;Jp Jdatureii'inrpira pour charmer, 
 Kt tout ce qn' inventa I'art de fe faire aimer, 
 Coup d'oeilj'tendre langage, aimablc modcflio, 
 Soupcons, depits, langueiir & parure aflbrtie. 
 Tout fut dc part'& d'avitre en'fecrct menagi, 
 Et le volage Amant demeurolt partage. 
 
 v/oH When
 
 C 92 ) 
 
 When thus Etampe : " To conriucr orto yield,* 
 * ' Now is the time, ia this contefted field ; 
 * ' Poitiers ihall learn to boail her fway no more> 
 " Bow to my trimnph, and her fall deplore; 
 "Too lojig forbearance has weak fdcncfc tried-Mf 
 ' ',^iom Ij attack his heart with conicious pride ; 
 *' The king to-morrow Ihall be lier's ©r; mine, 
 " Whofe heart I fix for ever or refign :" 
 
 i i ■ •■'.''<,;■ i ; ■ 
 
 She fpake, then hiding what her rage infpires. 
 To fome fequefter'd fpot Etampe retires ; 
 Night, thou fond witnels and retreat of love, 
 
 Whofe hours too rapid for luch tranfports move, 
 
 : !> 'irr! m ;■ ■• ' '■- - /!■ ' ' ' . . .' . 
 
 " C'en eft trop, dit Etampe, il faut ceder ou vaincre, 
 *' II faut de fa defaite une fois la convaincre, 
 ** Diane doit apprendre a fe voir effacer, •''*. . 
 
 " Siir fes propres debris 11 faut la terraffer, '^ 
 
 ** J'ai garde trop long-tems un indigne filence; 
 " Demain j'atta'que un coeur qui trop long-tems balance^ 
 ** Demain, ou j'abandonne ou je fixe le Roi, 
 *' L'Amant va prononcer entre Diane & moi..... 
 
 Elle dit, & cachant le depit qui I'infpire, ,^^ 
 
 Dans un reduit fecret Etampe fe retire. 
 Nuit, temoin des plaifirs, afile des Amans, 
 Nuir, quefquefois trop coiirte i Ig^ir^ contenteraei;^, 
 
 4Jt>il%'/ How
 
 ( 93 ) 
 
 IIow flow to her impatience was thy courfe ! 
 lu flghs and tears from Sorrow's flreaming- iburce 
 She fpeaks to SHenee, fells her former woes, 
 Mliile Sleep denies the balm of his repofe ; 
 Thinks flie beholds the happy fair belov'd ; 
 Thinks it is day ^' though day be far remov^tL'i>/ 
 
 Aurora no\M her purple beam difplays,;x nO 
 Earth, feas, and air, enlivens with her rays, t^ 
 Prepares the paflage.fcir th' approaching Sun^ji^f 
 Whofe oonq'ring darts her timid rofes flum ; / 
 padii darkened obje<il it$ bright hue refumes, 7 
 And ftp w'r^ SPI^A ^9K^^} thep" .^xft'^i^Vt^^ P^J?"ffif ^ /5 
 
 :.^ji. ' jL. ' L. 
 
 Qne vpus pmites longiie a fan impatience ! . g 
 
 Elle gciTiit, fe plaint & parlant au filence, ., ■j 
 
 Fait le trifle rccit de fes tourmens paflxs, ,.,tj 
 
 Le fomnieil fe refufe a fes voeux emprefles^j^^g snrnalif 
 Elle croit voir Diane & TAmant qui Tadore, . % ^ji^ 
 Elle croit voir le jouf, le jour eft loin encore. -. 
 
 L'Aurore alloit enfiu ecUvrcr.l'JJnivcrs, 
 Et fon char effleurant la furface des, mers 
 De I'Aftr^ qui le fuit prt'-paroit la carriere ; 
 Les tiniides lueurs c^doicnt a la lumiere, 
 Les objets obfcurcis rcprcnoient leurs cqulenri, 
 Les parfuips exl\alc5 du qalicc dpa.fleurs,
 
 i 9i ) 
 
 On Zephyr's ivniiig the birds renew tlieir tlight, 
 Aiid^ chant theif c'stwls with incr^s'd delight : 
 Etarnpe awakes froni flumbers fai^t, where grief 
 And pfjfMWiiskiview^eancefcXmdia'fliort relief ^ •' 
 Deferts her>coiich,'{^ndito:8ietnnirTOr tlies,; il x 
 Wbde flattJ'riftg'Jpoliih addedicfcharms fuppHesilT 
 
 On Egy^i;' 8 -'mf#ie 'banks ^of'^ld'ador'd,-'^'^' 
 A Gerij'ife<1\M^ife^V'4if'%eJ^i-i^r'd pi ,ihiii3^ 
 ProHews his natoe ; fr6^ii be^ *o Mr^l he luiliiiJI 
 Now flows ii'ri\^iV'r!(^^^ a ilarrte Ji^ Inim's ylodW 
 With'Hik *m6re 'potent, fought by A>ig!ht and' !day{ 
 With' us, o'er 'besttttyimlds afev'tdgh fw^y |>nA 
 
 Sur I'aile des Z^'p'Hfrs s'tlevoknt'en'miSges-; ^"^ 
 
 Les oifeaux amoiVfeux rcdoublotent leiirs' raina'ges ^ ^'''' 
 Etampe enfin s*^ve:i*lk, artf^rite 5'^fe' Va^e'i', '''' ''^ *' *'*''* 
 Etampe avoit dormi, ntars d'lin fbmrn^H- lS^e\r|'""'^^ ''^ _,. 
 Elle fort du duve^, plus seduifafite erttiire • ' '^"^^ ^[^'^ 
 Et confulte tf^'iiiii-blr ^ue fa -bekil^e "(Jedbr^. ' ' ' '^^^ 
 
 II exifte un Gifnie en tout terns f^vere, 
 Aux rives de PfeifyptiS autVefois'ldoVe; ' '-"'^ 
 
 Protee etoit fori nohi : flamme ildeveno'it'mart)rc ; 
 
 ,.,■ ,...'^; . . - , _ ,',-■' <;■' Y 
 
 Ours, il couloit en fleiiv?^, aigle il cha'ngeoit en arbire"; ~ 
 
 •»;» ^ i , , ' ' j^ r 
 
 Plus puiflcint fur hos borcfsi miit & jour confuUe, 
 
 Ce Dieu dans rtby'(?i"irt\a^ rejgrie fur la beaute j ■'*^^ ^^-^ 
 
 fiO To
 
 ( 95 ) 
 
 To Beauty's empire all his caie <?:mploy9> ; / 
 And ftrives to prop the pile \vhieh;Time deftroys : 
 No^^' Hope, iiow Rigoui^ vMhintieflant wiles, . , 
 Deforms his brow with frowns^ or decks with 
 fmiles; " *♦ 
 
 A thoufand altars in his worfliip blaze, 'V 
 
 AVJicre cv'ry tribute either India lays ; 
 But more the blviifli pretended, falfe difdain, 
 Attempt to pleaie, and animate his reign ; 
 By ikilful charm whicli no deceit declares, 
 Art in his temple Nature's femblance wears ; 
 With pearls and rubies is his altar fpread, 
 And fweeteft perfumes dripping odours ihed ; 
 
 Ses foins font employes a la rendre durable, 
 II cherche & reparer fa perte irreparable ; 
 Tantot il eft efpoir, tantot il eft rigueiir, 
 II paroit enjofiment, il redevient langucur ; 
 II compte millf aiitels ; les M^xicains fauvages 
 Ont, pour lea cnricher, moiflbnne leurs rivages ; 
 Les coups d'fleil, Ifs d^dains, le fourire appreti 
 Font leurs efforts pour plaire a la Divinite ; 
 Par Ic preftige adroit d'une douce impoflure, 
 L'Art dans fon fanfluaire eft pris pour la Nature, 
 t)e pedes, de rubis fcs autels parfemes, 
 D'eflenccs & d'odeurs font toujours parfumis. 
 
 Near
 
 ( 96 y 
 
 Near them the deep, or faintet rofe5 prefides. 
 While in a glais the god the cheat derides : 
 To this eiiclianter, and his richeft ftores, 
 Etanipe directs her ftep, his aid implores, ? 
 
 Who footh'd her grief, and wip'd away her tears. 
 While heauty proud in borrow'd pomp appears. 
 
 Now to the god's retreat, in loofe attire, 
 She flies, to raife love's languiihing defire; 
 Around her, Hope, with well-dilTembled grace, 
 With Youth, and frolic Sparts, their footftep 
 
 trace ; 
 
 Joignant le vermilion, le rouge & la cerufe, 
 Ce Dieu dans un miroir ri de fa proprc rufe. 
 
 De ce prompt Enchanteur implorant le fecours, 
 C'eft. a fon art puiffant qu' Etampe avoit recours, 
 II calmoit fes depits, il effiiyoit fes larmcs, 
 Et dans ce jour pompeux il lui preta ces charmes. 
 
 Dans un lieu retire, loin des regards mortcis, 
 Demi-nue, elle avance au pied de fes autels, 
 Les Amours enfantins, I'Efperancc, les Graces, 
 Jja Jeunefle & les Jeux voltigeoent fur fes traces ; 
 
 He
 
 ( 97 ) 
 
 He read her tliougJits, lie liftenVl to her prayV,' 
 Iliinfelf arrange! the ringlets of her hair, 
 Defire he feated on her panting hreaft, 
 And gave her looks each animating zeft ; 
 But iiiore than all his hands a robe prepare 
 To clothe the form of this ihfulting fair ; 
 A robe fo brilliant, that Aurora's Iky 
 Could with its luftre fcarce prefume to vie ; 
 A robe, where azure and embroider'd gold. 
 Amid the glitt'ring genis their ftation hold ; 
 But oh, what tears of anger and difgrace 
 Will foon the luftre of thofe hues eiface ! 
 
 Le Dieu lut dans fon ame, il entendit fes vccux, 
 
 Lui-mfime fur fon front arrangeant fes cheveux, 
 
 II en drefle avec foin la ftruflure flottante; 
 
 II place les Defirs fur fa gorge ^clattante ; 
 
 II prete a fes regards des charracs irritans, 
 
 Et fouffle fur fon teint les ris & Ic printems; 
 
 Mais de tant de faveurs, 6 favcur la plus rare'! 
 
 De fes adroites mains il la couvre, il la pare 
 
 D'une robe (jamais le ciel ne fut fi beau 
 
 Quand I'Aurorc aux Humains vient prater Ton flambcauy 
 
 D'une robe oh I'az.ur, Tor & les broderies, 
 
 Etincellent au loin du feu des pierrerics; 
 
 Que de cris doulouretix ! i^ue de torrens de pleurs 
 
 Vont bientot obfcurciir fes plus riches couleursl 
 
 VOL. II. o Lefs
 
 ( 9« ) 
 
 Lefs fatal was the robe iVlcides wore, /.ftw 
 Lp^s rank the poilbn which that preleut bore; 
 T\kt eye of Proteus Mas itfclf beguifd, 
 And he, with malice, at the niifehief fmil'd, 
 AVhile thus Etanipc, elate with vain conceit, 
 Prepared thy anguilh, and thy fworn defeat, 
 "What were thy thoughts, Poitiers, in flumljcr 
 
 nurft? 
 Appear in hafte, Sleep's dang'rous fetters burft; 
 What reft detains thee in its bands fecure; 
 Etanipe defies thee, deems lier triumph fuic ; 
 Revenge to her imparts his pow'rful arms ; 
 Can Love defend thee with as potent charms ? 
 
 Du perfide NefTus le prefent homicide 
 Porta nioins de poifons dans les veines d'Alcide. 
 L'oeil en eft ebloui, Protee en tut furpris, 
 Bt parut s'applaudir par iin malin fouris. 
 
 Tandis que de fon art Etampe fatisfaitc^ 
 Preparoit vos ennuis, juroit votre defaite» 
 Qiic faifiez-vous alors dans les bras du fommeilt 
 Diane, paroiflez, hatez votre reveil^ 
 Quel repos ennemi, quel fonge vous arretc ^ 
 Etampe yous defie, & fa gloire s'apprfite; 
 L' Amour vient lui preter fes yeujc ^biouiflans, 
 L' Amour vous garde-t'il des attraits plus puiffan&» 
 
 Now
 
 ( 99 ) 
 
 Nowfiird with hoj)c\ uiul certain of fiiccefs, 
 Ill firm reliance on her youth and drcfs, 
 KtamjK' proceeds to Love's difputed field, 
 Aiid fcarcc her drefs can to her beauty yield ; 
 Thiis 'mid the flow'rs, wliich lliinc with humbler 
 
 rays, 
 Its gaudy leaves the piony difplays : 
 At lengtli fli'appears before the monarcli's eyes, 
 AflTumes her feat, nor fpcaks- but Avith her fighs, 
 Then with a look compos'd and ftudied tone, 
 Thus makes her threats in ftern refentment 
 
 known : 
 
 Dcja pleine d'efpoir & sure de fes cliarmes 
 Erampe alloit tenter le pouvoir de fes armcs ; 
 Elle fort an grand jour & marche avec fiert^, 
 Sa robe etinccllante ^gale fa bea'ute. 
 
 Tel le I.)'^ eclattant leve fon front fupcrbe 
 Parmi Ics autrcs fleurs qui fe cachent fous I'herbe. 
 Elle paroit enfin aux yeax de fon Amant, 
 Elle s'uflied, foupire & fe tait un moment. 
 Puis compofant fes yeux, fon gcde & fes paroles 
 Et n^eUnt I'artifice i dcs plaintes fri voles, 
 
 *' 1st
 
 ( 100 ) 
 
 " I^'tnotenougli thy faithlefs heart ilipukl break 
 *' The laws my better love once cleign'd to 
 make? .j 
 
 *' Perhaps thou knowTt not ^\'hy I tempt my fate,/ 
 " K^iow then, one laft adieu fliall fix u"\y l^atei^pc 
 " And if thou cairft thy treafons to thy mind, 
 " Soon thou the caufe of thi? refolve wilt find iff 
 " Ungrateful falfe one ! ne'er AV'ill I betray 
 " My bofom's lawful pride, which fcorns tofway 
 *' Thy worthlefs heart, or fue fuch prize to gain, 
 * ' Or give my love fincere when thou doft feign : 
 " Shall I in torments never-ending pine? 
 " In all thy vows was this thy fell defign ? ** 
 
 ** En eft-ce aflez, dit-elle, & votre coeur fans foi j 
 
 *' Eft-il las de donner & d'enfreindre la loi ? 
 
 •* Peut-etre ignorez-vous le deflein qui m'amene, 
 
 " II faut par un adieu confirmer votre haine, 
 
 ** Si vous vous rappellez toutes vos trahifons, 
 
 " Ingrat, de cet adieu vous faurez les raifons... ,'t 
 
 ** Perfide ! avez vous cru qu'infidelle a ma glpire 
 
 " Et d'un cceur'trop leger difputant la vittoire, 
 
 ** Je languirois ici dans d'eternels tourmens, ^ 
 
 ** Le delFein de tromper di/loit-il vos fermens ? 
 
 ''Or
 
 ( 101 ) 
 
 *^' Or did'it thou keep my fatal fonder love. .■ , ' 
 MAfyirival's trophy in Jicr boiift to prove? f ) * 
 *' That rival, where fome virtues weak as vain, 
 *' Ne'er catn the loft affiled charms regain : 
 *' What, yet no anfwer? While perforce I weep, 
 ^ ^ Still do thy lips a fullen filence keep ? "^ 
 
 ** Thou turn ft afide thine eyes; — my tranfports 
 
 true J«» i-j^^ 
 
 * ' Still on ihy \WhTt a loft attempt purfue : "^^'^^ 
 " Well then, thofelips where broken vowsrefide, 
 " Whofe fmiles contemptuous injure! love dc** 
 
 ride, ^-^^^'^ 
 
 *' oil bien r?(crYipZ;rVPus ma tendreffc fatalc 
 " A fervir de trophee aux feux d'une rivale, 
 " D'une rivale en qui- quelqucs fauffes vertus 
 ** Ne pcuvent reparer les traits qu'elle n'a plus:... 
 " Vous ne repondez ricn, barbare ! votre bouclic 
 ** Affe£te en ce moment un (ilence farouche, 
 
 " Vous detournez vos yeux mes larmes, mcs tranfports 
 
 " Tentcnt fur votre coeur d'inutiles efforts, 
 
 ** He bien, ou cctte bouche a feindre trop habile 
 
 ** Qui silt I'art dc feduire une Amante facile 
 
 *' Sliall
 
 ( 102 ): . 
 
 *' Shall to Poitiers her banifliment affign, 
 
 *' Or, — muft I clofe? pronounce her fate or 
 
 mine." 
 She fpakc, and fpeaking not lefs fair appears, 
 When turning pale, with well diffembled tears, 
 She calls on Death; — confus'd the monarch 
 
 (lands, 
 His heart near yielding to her ftern commands ; 
 When to his fight Poitiers advanced, in drefs 
 Of graces fimple, which avoid excefs ; 
 Calm fhe approaches with that modeil air, 
 Which beft, to gain the heart, becomes the fair; 
 
 Va prefcfire a Diane un exil cternel, 
 Ou bien...puis-je achever...qu*ordonnez- 
 
 vous? cruel.... 
 
 A ces mots, qii'animoit la force de fes charmes, 
 EUe fe tait, palit, r^pand de feintes larmes, 
 Elle appelle la mort.„fon Amant eft trouble; 
 Kile alloit I'emporter dans fon cneur ebranl^, 
 Qnand Diane panit, Diane a qui les Graces 
 N'infpirerent jamais I'orgueil ni les menaces, 
 Tranqiiille, elle s'avance avec cet air vainqiietir 
 <iMi du premier regard contraint de rendre un coeur. 
 
 No
 
 ( 103 ) 
 
 No aid from gaudy colours flic requir'd, 
 ]^ut fair hericlfj was for hcrlclf admir'd; 
 Wliile by a lawful artifice, array 'd 
 In dazzlinu^ garments, her attendant maid 
 Follow'd her fteps, whofe train in equal pride 
 Shone like iier rival's, and her pomp defied : 
 Ktampe now fluidders at this fudden ftroke 
 When iilent iirlt her rival fmird, then fpok'c : 
 
 *' Thy heart's the \mzCj that prize is thy bc- 
 heft; 
 " With other l)eauties, if thou canft, be bleft ; 
 
 Elle n'emprunta point le fard ni ia dorure, 
 Belle de fes attraits, ils formoient la parure ; 
 Mais, par un artifice avec foin medit^, 
 Ses pas eioicnt fuivis d'une fimple beauts 
 Dont les habits parcils i ceux de fa rivale 
 Venoicnt la diffier par une pompc ^gale ; 
 Etampe frcmiflbit, I'autrc diflimula, 
 Sourit, fe tut d'abord, enfin elle parla. 
 
 ** On brigue votrc coeur, vous en ^tes Ic inaiuc, 
 " Soyez heureux aill^ur? fi vous le pourez ctrcj 
 
 ij 
 
 'Dmt
 
 ( 104 ) 
 
 *' That heart was mine — I lofe it ; and my breath 
 " Can with my love alone be loft in death." 
 " No," faid the monarch, as he heard the found, 
 Where love fmcere Avithout its pride he found, 
 *' This heart now worthy thine, to thee returns, 
 " Owns thy deferts, with equal ardour burns; 
 " Vain are all efforts to work thy defeat, 
 *' I fwear ; grant thou thy faith my truth to 
 
 meet." 
 Etampe aftounded fcarce the fentence hears ; 
 Stopt is her pulfe, eaeh fign of death appears; 
 Pale on the earth fhe fmks, is borne away, 
 Of pride and forroAV the refiftlefs prey ; 
 
 •* Ce coeur etoit a moi, je le perds...j'en mourrai, 
 
 ** Le mien fera fidele irttant que je vivrai... 
 
 •' N«n," s'ecria le Roi touch^ d'un tel langage, 
 
 Qii de I'oigueil I'amour refufe le partage^; 
 
 ** Ce ccEur digne de vous, digne de vos verltis, 
 
 ** On fait pour v6us I'otei' des efforts fuperflus, 
 
 •♦ Je le jure a vos pieds, comptez fur ma conftance 
 
 Quel coup de foiidre ! Etampe! 6 Dieu ! quelle ftntence! 
 Etampe n'entend plus, fans pouls & fans chaleur. 
 La mort a fur fon front rCpandu la paleur, 
 EUe tombe, on I'emporte egaree, expirante, 
 EUe ouvre a peine au jour fa paupiere mourante, 
 
 And
 
 ( 105 ) 
 
 And while expiring life is all but fled, 
 
 Scarce llie to Heav'n upturns her drooping head ; 
 
 Calls on Poitiers, her conqueft ftill delies, 
 
 Yet owns the triumph in her ftreaniing eyes ; 
 
 At laft recalls her fpirit and her hate, 
 
 And flies from court to hide her dilmal fate^ ^^ 
 
 There, when or Phoebus gilds the front of day, 
 
 Or when Diana iheds her milder ray, 
 
 Her vain regrets of weak cabals fhe pours, ^''' " 
 
 Her arts intriguing, baffled wiles deplores ; 
 
 Detefts herfclf, nor dares her face to view, 
 
 While rage and fix'd defpair her foul fubdue. 
 
 Elle nomme Diane, elle accufe les Cieux, 
 
 Des pleurs qu'elle retient echappent de fes yeux, 
 
 Elle rappelle enfin fa haine & fon courage, 
 
 Fuit, & loin de la Cour va cacher fon outrage i "" 
 
 lA, foit.quc le foleil rallume fon flambeau, . .- • 
 
 Soit que la nuit dans I'air ^tende fon rideau. 
 
 On I'entend regrettcr fes cabales, fes brigues, 
 
 Et Ic fterile fruit de fes vaines intrigues : 
 
 Elle fc hait foi-mfime Sc n'ofe plus fe voir, 
 
 Et mille foia le jout c^de i. fon difefpoir. -^f,^ 
 
 TOL. IT. f FROM
 
 ( lOG ) 
 
 F R O M 
 
 L'ART l)'ALMi:il DK BERXARD, 
 
 EN Srx. PI EDS. 
 
 Dazzled with chaniis which blooniijig^^qi,i,^l\ 
 diiplays, , .,j^ 
 
 You ftaiul enchanted, motionlefs you gaze; -^^q 
 With Love's alarms your pantii^g breait is tplj^^^i 
 Your lenies are difturb'd, your voice islp||4 .^^n 
 \our heart its flame not able to conceal^ -0.4,^^ 
 Fain at her feet its ardour Avould reveal ; Wti'^ 
 
 Each objc6l c;alls her image to your light, 
 
 Speaks of her beauties, paints them with de- 
 
 ^^ ^ : ■ ^7T- 
 
 Ebloui des appas d'une jeune Beaute, ""^ 
 
 A fes premiers regards, immobile, enchante, ^ 
 
 Vous avez de I'Amour fenti !a vive atteinte ; "^ 
 
 Vos fens etoient troubles, votre voix s'eft eteinte, ** 
 
 ■ "3 
 
 Votre coeur, plein d'un feu qii'il n'a pu hii cacher. 
 
 Pour voler fur fes pas fembloit fe d(Jtacher : 
 
 Tout retrace a vos yeux fou image fidelle. 
 
 Tout Vous pcint fes attraits, & tout vous parte d'elle : 
 
 i'Oa'? i But
 
 ( ^X)7 ) 
 
 But fee, ihe comes; — your cheek turns iiul- 
 (len pale; 
 p'er ev'iy word your timid doubts prevail ; 
 Much would your lips exprels, but more you feel, 
 And lenient hope attempts your fears to heal; 
 Uncertain, fill'd with eloquent furprize, 
 On her with trembling doubt you turn your eyes : 
 Enough — your cares fliall not negle<5led prove; 
 She lives to pity, to relieve, and love. 
 
 But if beneath fuch charms — uncommow- 
 tate!~ 
 Virtue iliall hold within her heart its ftate; 
 
 Mais, vient-elle i paroitre ; alors voiis palHrcz, 
 Vos plus (imples difcoiirs femblent eiiibarralFcs ; 
 Voiis exprinicz beaucoup, vous fentcz davantage; 
 N'il vous nalt qnelque efpoir, la crainte le partag^e, 
 Timides, incertains, pleins d'lm trouble parlant, 
 Vos regards fur les fiens ne tombeut qii'en tromblant. 
 C't-n ell affc?. ; vos fcux rccevroiit Icur falaire, 
 Cet objct enchanteur etoit nc pour vous plaire ; 
 Et n, fous tarit d'appas, un fort trop peu toiuui 
 D^igna placer un cccur tonne par l* v«rlu, 
 
 If
 
 ( 108 ) 
 
 If rich her mind, as is her perfon fair, 
 Suhmit to Ic've, and all its tranfports fhare: 
 Love form'd her beauties for your ha])py doom, 
 And kept for you the treafure of their bloom. 
 
 Si fon efprit eft grand autant comme elle eft belle, 
 Aimez, foumettez-vous, fans vous montrer rebelle^ 
 En f'ormant fes attraits, I'Amour vous regardoit, 
 C'eft un rare trefor que le Ciel vous gardoit. 
 
 EXTRACTS
 
 EXTRACTS 
 
 FROM 
 
 L'ARr D' AIMER DE BERNARD, 
 
 EN CINQ PI EDS. 
 
 CANTO I. 
 
 I've feen the wars, have heard the din of arms, 
 Nor can my feeble voice fing Glory's charms ; 
 I've feen the Court, and pad my bloom of fpring, 
 Nor for its idols have I deign 'd to fing ; 
 Bacchus I've feen, nor Ihar'd his frantic joy, 
 Nor fhall a loofer pow'r my mufe employ ; 
 Plutus I've feen — my fcorn his coffers move ; 
 I've feen my Daphne, and I fmg of love. 
 
 J'ai vu Coigny, Bellone & la Vidloire, 
 Ma faible voix n'a pu chanter la gloire ; 
 J'ai vu la Cour ; j'ai paflc mon printemps, 
 Muet aux pieds des Idoles du temps; 
 J'ai vu Bacchus, fans chanter fon delirc; 
 Du Dieu d'Iff? j'ai d^daign^ rempire ; 
 J'ai vu Plutus, j'ai m^prift fa Cour ; 
 J'ai vu Daphn^, je vais chanter I' Amour. 
 
 O thou
 
 ( 110 ) ■ 
 
 O thou alone, young objcd, I adore ; 
 Be thou the only pow"r whom I implore; 
 In tiaits of fire let Love diiplay his art, 
 Triumphant as he reigns within my heart ; 
 His voice infpires me, teaches me to love, 
 And by my rules he fliall himfelf improve ; 
 While at thy feet on thee my eyes I bend, 
 To gods themfelves I could inftru6lion lend ; 
 True love alone lliall animate my lyre, 
 I fmg no Lampfacus, nor Caprea's lii e ; 
 No Chrylis here fhall find her wanton rage ; 
 In nightly fports no Flora dare engage ; 
 
 Toi feul, 6 toi, jeune objet que j 'adore ! 
 De tous les Dieux fois le feul que j'implore; 
 (iue I'Art d' Aimer fe life en traits vainqueurs, 
 En traits de feu, tel qu'il eft dans nos cceurs, 
 L'Amour m'infpire ; il m'apprend comme on aime ; 
 De fes plaifirs inftruifons I'Amour meme. 
 A tes genoux, dans tes bras, fous tes yeux, 
 J 'en donnerais des lecons, mSme aux Dieux, 
 Aux vrais Amours ma lyre confacree, 
 Ne chante point & Lampfaque & Capr^e, 
 Ni de Chrifis Ips lafcives fureurs, 
 Ni de Flora les noflurnes horreurs. 
 
 Love
 
 ( 111 ) 
 
 Love here exalted fliall, Avith warmth refiu'cl,' 
 Uiiveird, but decent, pieale tlie piiieft mind ;.;;! 
 From piireft fources ii.all my plcafures flow, 
 And cbd'pVl in \^ena's boibm Venus glow. 
 In other lbni>s let Svbaris eonvey 
 Tir enervate Ibftnefs of a languid lay ; 
 In' plaintive voice let Amadis rehcarfe, 
 On Lignon\s banks, his vapid frozen verfe ; 
 Athano's pencil Ihall in mine declare, 
 How love is pidlur'd like fome blooming fair, 
 "Whofe charms with rapture fliall attract our fight. 
 True, though embellifli'd, plac'd in faireft liglit. 
 
 Qu'ici 1' Amour epurant Ion lyfteme, 
 
 Nud, mais decent, plaife a la Pudcur mcme; 
 
 Que Venus donne ^ Vefta des defirs : 
 
 Je veux des mceurs conipagnes des plaifirs. 
 
 Qvi'a d'autres Chants foit aufli rcfervee, 
 
 Dc Sybaris la mollefle enervie, 
 
 Des Amadis les refpefls infenfes, 
 
 Et du Lignon les bords toujours glaces. 
 
 Dans mes portraits, Albane plus fidelle, 
 
 Peignons 1' Amour comme on peint une Belle; 
 
 D'un jour aimable ^clairons fon tableau, 
 
 Vrai, mais flatt^j tel qu'il eft, mais en beau. 
 
 Love,
 
 ( 1*2 ) 
 
 Love, as I deem it, has its deep-felt joys, 
 Itfelf forgetting, and the world's light toys ; 
 A fentiment fubmiffive, fond, fincere, 
 Whofe flame unquench'd will ftedfaft perfevere ; 
 Where hope and awe fuftain an equal part ; 
 A flame from th' eyes, eledric to the heart, 
 From th' heart to fenfe, which fertile in defires, 
 From pleafure ftill increafe of ftrength acquires ; 
 Which when moll happy feels the wiili for more. 
 The god whom fofteft Latian bards adore, 
 And I with them ; — thrice is that bofom bleft 
 By which from Heav'ii this treafure is poffeft. 
 
 J*appclle Amour, cette atteinte profondc, 
 L'entier oubli de foi-meme & du monde, 
 Ce fentiment foumis, tendre, ingenii, 
 Prompt, mais durable, ardent, mais foutenu, 
 Q^'emeut la crainte & que I'efpoir enflamme, 
 Ce trait de feu qui des yeux pafle a I'ame ; 
 De I'ame aux feas ; qui fecond en defirs, 
 Dure & s'augmente au comble des plaifirs ; 
 Qui plus heureux n'en eft que plus avide : 
 Voila le Dieu de TibuUe & d'Ovide : ,.^ 
 
 Voila le mien. Heureux cent fois le cceur 
 Qiii tient du Ciel cet afcendant vainqueur! 
 
 CANTO
 
 ( 113 ) 
 
 CANTO I. 
 
 Now let us trace the foiirce from earlieft years :— 
 Behold youth's harmlefs fmiles, its genuine tears ; 
 Doat on its language, void of vain pretence^ 
 Its air unfeign'd, its undetermin'd fenfe ; — 
 The youthful beauty, credulous, yet coy, 
 Dares not avow the rifing dawn of joy, 
 But fleals, yet trembling at unknown alarms, 
 A downwaid glance upon her nafcent charms ; 
 Blulhes, yet longs to try an infant love, 
 Fears to be taught, yet wifhes to improve ; 
 
 En remontant aux fources du bel age, 
 Vpis I'innocence, adore fon langage, 
 Les pleurs naifs, le fourire enfantin, 
 L'air ingcnu, le regard incertain. 
 Quand les Beautes credules & craintivcs 
 Tiennent encor leurs careffes captives j 
 Quand la Nature ^piant tous fes fens, 
 Baiffe les yeux fur fes tr^fors naiflans, 
 Rougit de plaire en chcrchant a feduire, 
 Et veut enfemble ignorer & s'inlhruire; 
 
 VOL. II. Q Such
 
 » . ( 114 ) 
 
 Such is fifteen — and fuch the clay-fjyiing nnld 
 Of new-horn beauty, yet an artlefs child, 
 ^^ hofe charms on health of loleate bloom depend 
 While modeft graces their bell fuccour lend't 
 Succeeding years their treafures more difplay, 
 And give to love its more enlightened ray, 
 Filling the promifc of the lovely morn, 
 While blighter beams the pcrfed day adorn ; 
 Here all the beauties love is doom^l to know, 
 Complete their luftre, and no longer groAV : 
 Then the light fpirit Ibars on radiant wings, 
 And evVy want a new enjoyment brings ; 
 
 Voila quinze ans. L'aube aimable du jour, 
 C'eft une belle, enfant comme 1' Amour, 
 Qui n'a d'attraits que fa fraicheur nouvelle, 
 Et fa pudeur, des graces la plus belle. 
 L'age qui fuit, developpant les traits, 
 Offre a 1' Amour de plus piquans attraits. 
 Au doux eclat qu'a produit cette aurore, 
 Succede un jour plus radieux encore ; 
 Et tous les fruits qu'un Amant peut cueilUr 
 Ont acheve de naitre & d'embellir. 
 L'eflbr eft pris, I'ame a fenti fes ailes ; 
 Tous fes befoias font des f^tes nouvellcs ; 
 
 Thfe
 
 ( U5 y 
 
 Th^icart In{lru6led can its wiflies own, 
 And twenty years to rapture gives the crown ; 
 At thirty winters Time liis footftep fliows, 
 And beauty lofes, as more ripe it grows ; 
 No longer young, it liill excites dclire, 
 But craves the ftudied help of rich attire ; 
 The toilet now difplays its borrow'd aid, 
 And ev'ry charm more charming ftill is made ; 
 Each art of pleafmg, and each wifh to pleafe^ 
 Exerts its force in more intenfe degrees ; 
 By time mature, increas'd the fenfes glow, 
 And what at firft was love, is rapture now ; 
 
 Le coeur inftruit d^mfile fes defirs ; 
 C'eft i vingt ans qu'on a tous les plaifirs, 
 Dc trente hivers le temps marque les traces ; 
 La Beaute perd cc qu'on ajoute aux Graces? 
 On n'eft plus jeune, on eft belle pourtant ; 
 On met plus d'art aux pieges que Ton tend : 
 C'eft k tiffii des intrigues fecrettes, 
 L'art des atours, I'arfenal des toilettes : 
 Le foin de plaire, & la foif de jouir, 
 Redouble encor, loin de s'^vanouir. 
 Par I'age acorus, les fens ont plus d'empire : 
 C'«5toit r Amour, c*eft alors fon delire v 
 
 IlllpC-
 
 ( "6 > 
 
 Impetuous, ardent, tlie deep-piercing rays 
 
 Of more than noon in boundlefs fplendor blaze. 
 
 Lefs young, ftill beauty can our thoughts en- 
 gage, 
 When fpeech and conduct mark the fruits of age ; 
 Talents acquir'd, and charms not all its own, 
 Can ftill embelliih Beauty's evening throne ; 
 Love faithful yet to what it once defir'd, 
 Can make the faded cheek not unadmir'd ; 
 And ftill maintaining to the laft its pow'r, 
 Ev'n on Time's ruins ftrews a grateful flow r. 
 
 j4> 8>>. sl^^b tjeiifen. V 
 Ardent, avide, impetueux, hardi, » ' 
 
 Cell un Soleil brulant en fon midi. 
 
 Moins jeune encor, la Beaute nous engage, 
 L'art du maintien, les graces du langage, 
 Les dons acquis, les charmes empruntes, 
 Donnent un luftre au couchant des Beautes. 
 L' Amour, fidele Sl leurs flammes conftantes, 
 Se gliffe encor fous les rides naiflantes, 
 Et pour regner jufqu'aux derniers inflans. 
 Seme de fleurs les ruines du temps. 
 
 The
 
 The budding rofe in liaite at morn to blow, 
 
 Lends to Aurora a more vivid glow ; 
 
 Clytie at eve, attends in richer robe - ■ > 
 
 On Phoebus, quitting this terreftrial globrei' ' ' 
 
 At difF rent ages, ev'ry age can pleafe, 
 
 To ev'ry tafte a fep'rate feaft decrees j r . ... ...> 
 
 Hence love, to rule ineeirant in our hearts, 
 Has fiird his quiver with cxhauftlefs darts : 
 Some eyes their foothing langour can difpenfe, 
 With drooping eyelids wake each warmer fcnfe; 
 Others more lively triumph in their turn. 
 And like the lightning, can both blaze and burn; 
 
 La jeune Rofe, en fe preffant d'eclore. 
 
 Fait au matin, le charme de I'aurore : ' ' 
 
 Clytie, au foir, dans fon riche appareil, *^ 
 
 Fait I'ornement dii coucher du Soleil. ^ 
 
 Tout plait un jour, tout age a fes delices, '''^ 
 
 Ces dons divers font faits pour nos caprices} ' 
 
 Par eux 1' Amour variant fes attraits, 
 
 Forme un carquois d'in^puifables traits. 
 
 11 eft des yeux dont la langueur touchunW °^^^J^ 
 
 Penetre un coeur, I'amollit 8c I'encJjantc : 
 
 D'autres plus vifs I'cnflamment k leur tour : ^ 
 
 Ce font les traits, les foudrcs de 1' Amour. 
 
 Here
 
 Here awful iiiajefty of form maintains ,t,. ; 
 Its empire ; here a flowing foftncfs reigns ; 
 Here rich luxuriance boafts its fwelling pride ; 
 The lilies here, the rofes there prefide ; 
 On all Love knows his varied form to fet ; 
 laura was fair, Corinna a brunette. 
 
 CANTO I. 
 
 When from the fight we thus receive the dart, 
 Then may we fix the balance of our heart ; 
 The light coquet, by her attractive eafe, 
 Will pleafe us ever by her wifh to pleafe ; 
 
 L'une a dii port I'elegante noblefle, 
 L'autre une taille ou languit la mollefle ; 
 Plus d'embonpoint embellit celle-ci. 
 La font les lys, les rofes font ici. 
 Chaque Beauie fait un lot a chacune ; 
 Laure etait blonde, & Corinne etait brune. 
 
 QjJAND roeil a vu, quand ce trait eft lanoe, 
 Le choix d'un cceur veut etre balance. 
 Une coquette, & brillante & leg^re, 
 Plaira toujaurs par fon etude a'glairc. 
 
 With
 
 ,,!'r 
 
 ( 119 ) 
 
 Witli chace more ardent we purfue the maid, 
 Ingenuous, tender, bailiful, and afiakl ,* 
 When by her k)ver in her fears reliev'd, 
 Iler behig more delights her, more perceived ; 
 The pride of prudes we triumph to difarm. 
 Nor is the Myftic to Heav'n only warm ; 
 The fportive fair can give more lively joy, 
 The penfive more our ferious thoughts employ ; 
 Sometimes caprice and fcorn well-feign 'd I love, 
 But ne'er let paiTion drowfy langour prove : 
 Chloe our heart with lively worth alTails, 
 Now grace of fpeech, now cultur'd tafte prevails ; 
 
 Tendre, naive, egale en fa pudeur, 
 ha. fimple Agnes excite plus d'ardeur, 
 lorl'qu'un Amant I'aidant a. fe connaitre 
 Par le plaifir lui fait fentir fon 5tre. 
 La Prude anime, & plait a defarmer. 
 Une Myftique excelle i bien aimer. 
 Dans le plaifir la folic qui s'enflammc. 
 Met plus d'efprit, la R^veufe plus d'ame. 
 J'aime un caprice & de feintes rigueurs : 
 Sauvons I'amour du pavot des langueurs. 
 De I'enjoument Egle fait fon partage : 
 Life a U gpQt j Charite le langage : 
 
 • Delphiiie
 
 ( 120 ^ 
 
 Delphine is filent, but her fpeaking eye, %:i/ 
 ^lore than by words that filence can Ihpply. 
 
 Oa three eflates of age your choice decide r-r 
 Ilere youth invites you in its maiden pride ; 
 The flow'r ftill waits for Summer, to difplay 
 Its open'd foliage to the beam of day ; , 
 Nor always Hymen can his torch oppofe ; 
 Paffion from ftri6l controul more ardent glows; 
 The jealous hufband but infures his fate. 
 And fraud will follow when the chain we hate. 
 Difperfe the cloud the widow feems to wear, 
 Reap the ripe harveft of th' experienced fair ; 
 
 Cloe fe tait ; mais I'amour, dans fes yeux. 
 Met fon efprit qui n'en parle que micux. 
 
 Sur trois etats decide ton hommage : 
 Cloe t'appelle aux moiifons du bel age; 
 Cell une fleur qui n'attend que le jour, ,.^ ^j^ 
 
 Qui doit I'ouvrir au fouffle de ramour. ; j^j,"^ 
 
 Celle qu'Hymen veul fouftraire a tes amies, ^jj^Q 
 Ainiant par fraude, aime avec plus de charmes^ ,/ 
 Et fecouant les chalnes d'un jaloux, 
 Sert mieux I'Amant, pour mieux tromper TEpoux ; 
 D'un deuil frivole ecarte le nuage, 
 Et glane au champ du tranquille veuvage ; 
 
 - In
 
 ( 121 ) 
 
 In that afylum foon the pray'r is heard, 
 Aud no delay from wayward pride is fear'd, 
 
 Women poffeft of all which wins the heart, 
 
 Their charms embellifh by each cultur'd art ; 
 
 In evVy branch their varied talents ufe, 
 
 Venus inftrucls, the Graces court the mufe; 
 
 Sappho, Corinna, now may riv^als find, 
 
 As bright in beauty, and as rich in mind ; 
 
 f 
 In gay confufion on the toilet found, 
 
 Books and bandeaux, the lute and lace abound ; 
 
 Nor ev'n the compafs, and the fplicre, difdain 
 
 To mix with toys of drefs their ferious train : 
 
 C'eft un afyle oft fans peine ecout^, 
 
 L'amant heureux jouit en liberty. 
 
 Ce fexe aimable a tout ce qu'on adore ; 
 
 Tons les talens rembeHiflTent encore. 
 
 Sur tons les Arts fes beaux ycux font ouverts ; 
 
 Venus inftruit, les Graces font des vers ; 
 
 Sapho, Corinne ont des Soeurs dignes d'ellcS. 
 
 Vois I'ambigu des toilettes des Belles, 
 
 Tout ce qui fert I'efprit & les appas, 
 
 Livres, atours, bijoux, lyres, compas, 
 
 Couvrent I'autcl de Flore & de Thalic. 
 
 I'ourquoi blamer cc que Icur cuke allic } 
 
 VOL. 11. 1^ In
 
 In tbcfe pv.ffuits triuiitphstnt Cupiits join, 
 ^Vhom with hk tims Alhuno might defigti ; 
 One might the huiband's jealous guard dete^i, 
 And through his glafs his fecret aim.dired; 
 Another bring his ralh delires to rule, 
 Define his pleafure in Platonic fchool ; 
 Here with the voice the inllrunient confpires, 
 And here the pencil paints what th'eye admires: 
 Purfue, ye lovers, what with friendly aid, 
 IVIay for your loves an added caufe be made* 
 I know the charm which fondnefsmay produce; 
 I've feen my Daphne in the brilliant juice 
 
 Ce font les jeux des amours triomphans ; 
 Albane eut peint ces folatres enfans ; 
 L'un, pour fervir une flamme fecrette, 
 Centre iin jaloux dirige une lunette ; 
 L'autre en un coin calcule fes defirs, 
 Ou traite a fond I'eflence des plaifirs. 
 Tel a fa voix joint un clavier fonore ; 
 Tel autre efquiife un objet qu'il adore. 
 Suivez, Amans, ce qui plait aux amours: 
 L'art donne a tout fes utiles fecours. 
 Je fai quel charme il prfite a la tendreflTe, 
 J'ai vu Daphn^, Sirene enchanterefl'e, . 
 
 Which
 
 Wlilcli Bacchus yields, immerge licr vermeil lip, 
 Accept his goblet, and with caution Tip; 
 I've Iben my Daphne, on fomeflow'ry lawn, 
 Bou^id with the lightnefs of the Iportivx? fa,wf]^ , 
 Or in more meafur'd ftep, and fofter ^race, ^ 
 In fmoother curves the lines of beauty tr^,c, 
 In rapture's form her waving arms advance, 
 And give new honours to the fpeaking dajice : 
 Thus in the realms of Joye, with joy increas'd,' 
 The youthful Hebe decorates the feaft ; 
 Or thus more tender, more enchanting moves, 
 Parifot fmiling on the youth fhe loves. 
 
 — — rrr/r 
 
 ^ .-Soils un treillage oil Bacchus eft vainqueur, 
 Boire, verfer & chanter fa liqueur. 
 J'ai vu Daphne, Terpficore Icgcre, 
 Sur un tapis de rofe & de fougere, 
 S'abandonner k des fons pleins d'appas, 
 Voter, languir, & mefurant fes pas, 
 Tendre au plaifir les bras qu'cUe deploie. 
 Telle en verfant le neflar 8c la joie, 
 D*un pas Hger fur la voflte des cieux, 
 La jeune HeW danfe aux feftins des Dicux. 
 Ou telle encor, plus vive & plus toucluntc^ 
 Salld pour&tt Anxadis qui ,1'^Qchante^ 
 f CANTO
 
 ( 124 ) 
 
 CANTO r. 
 
 Others will wear your chains with nobler pride. 
 Content in filence deareft bUfs to hide ; 
 True lovT, whofe conftant ftream unerring flows, 
 Is like the fmooth and limpid lake, which knows 
 No rude commotion from the tempeft's wing. 
 Which needs no fuccour from a foreign fpring, 
 Still from itfelf unwearied ftore fupplies. 
 Deigns not to fmk, nor yet afpires to rife : 
 Falfe love alTumes the torrents fwelling form. 
 And owes its treafure to fomc fleeting ftorm. 
 
 D'autres fauront, a vos fers attaches, 
 S'enfevelir dans des plaifirs caches, 
 four en tracer une image fenfible, 
 L'amour conftant eft comme un Lac paifible» 
 Profond, egal, toujours beau, toujours clair, 
 Inacceflible aux tempetes de I'air, 
 Q£i, fans chercher le tribut d'autres ondes,^ 
 Se regenere en fes fources fecondes. 
 L'amour volage eft fcmblable au torrent, 
 II tombe, U roule, il fuit en niurmurairtf^: 
 
 W^bich
 
 ( 125 ) 
 
 AVhich leads its wandering waters far afiray. 
 And borne in tumult lafts but for a day. 
 Let us purfue the more attempered flow. 
 To happy choice our furer blefling owe ; 
 True love its paillion with refpe6l reveals, 
 Or ftill its thoughts in tender fear conceals; 
 A look the lover's modeft wiih can blefs, 
 He hopes but little, and prefumes ftill lefs ; 
 On conftant faith he ftrews the blooming flow'r, 
 And fees the blifs fuprenie by Fancy's pow'r; 
 Ilejected, glows with undiminiili'd fire, 
 Nor cools when triumph crowns the fond defirc. 
 
 Tari bientot dans fa fource egarde, 
 ^e d'un oragc, 11 en a la duree. 
 Suivez Ics Huts dont le calme eft certain: 
 D'un heureux choix depend votrc dedin. 
 Par fon refpeiit I'amour vrai fe declare ; 
 C'eft lui qui craint, qui fe fuit, qui s'egare. 
 Qui, d'un regard fait fon fuprfime bien, 
 Defire tout, pretend peu, n'ofe rien ; 
 Qui, fur les flfeurs, fait marcher la conftance^ 
 Voit tout en beau, met tout en jouilTance ; 
 Dans les revers, arm^ de plus de feux, 
 Dans les faveurs, emprelfi quoiqu'heureux. 
 
 CANTO
 
 ( :^26 ) 
 
 CANTO U. .:..J |„.^ 
 
 Of all the bleffmgs Heav n to earth imparts, 
 Beft in our eyes, and deareft to our hearts, 
 Is that pure eflence, tliiit tranfcendant chaim, 
 Whofe animating pow'rs the bofom warm, 
 The gift of pleafnig, to be wiili'd for more 
 Than all which Avit or beauty has in ftore ; 
 O'er all the features we its influence trace. 
 It gives to beauty its enliv'ning grace, 
 Artlefs attracts, and binds without a chain, 
 Withaut wJiQJii jQiccour love itfelf were vain, 
 
 Des dons du Ciel, le plus cher a nos yeiix 
 Eft ce rayon de I'eflence des Dieux, 
 Cet afcendant, ce charme inexprimable, 
 Ce trait divin par qui I'horame eft aimable, 
 Ce don de plaire, enfin,, plus fouhaLte, 
 (iue n'eft I'efprit;, plus ifur gue la beaute. 
 Sur tous nos traits, il irnprime fes traces; 
 II donne a tous le colotis des graces, 
 Seduit fans ^rt, gnchaine fans effort, 
 De la tendrfiife eft I'aiman le ^plus foru 
 
 ^ To
 
 ( 12? ) 
 
 To all our efforts acids the vital foul, 
 And fonit^ a hamiony which birwis the mUoIc.::! 
 You who this charm of charader poliefs, 
 Ybii of tore's realms the monarchs I coft^feffi 
 
 AVitli tnis we heed not pierce tli' infernal fliade^ 
 Kor '^eii tii^ talifinan, or philtrc^S afcl*;-^ 
 Here no Caiiidla, no arm'd Hell Sie want, 
 Be Av'oithy tovc, and IbVfe your fu it Nvill grant ; 
 He who knows AVell to love, ftill merits more ; ' 
 The feeling heart is Whit we moft adore ; 
 
 C'eft unc autre ame a nos reffbrts iinie, 
 Qui d'un beau tout, compofe i'harmonic. 
 Vous, qui portez ce caraftcre heureux, 
 Je V0U3 fais Roi de I'empire amoufeux. 
 
 Sans pdnetrer jufqu'au fombre rivage ; 
 Sans talifman, fans philtre, fans brcuyagc. 
 Sans Canidie & tout I'enfer arnie. 
 Soyez aimable, & vous fcrez aime. 
 Qui fait aimer, eft plus aimable encore ; 
 Un CQcur fenfible, eft ce qu'un coeur adore : 
 
 Beauty
 
 ( 128 ) 
 
 Beauty may pleafe, but delicacy gains 
 
 Its lailing charm, and forms the firmeft chains-. 
 
 O thou to whom Love yields its fov'reign 
 pow'r, 
 Let boldnefs ftill improve the favor'd hour ; 
 Aim well thy fliafts, and let no doubts intrude 
 To damp thy conqueft, — all fhall be fubdu'd: 
 The moft rebellious are not moft unkind ; 
 She M'ho diffemblesj flie, whofe wav'ring mind 
 Expecls her conqueror, with flame conceard, ,. 
 Contends, with hope that fhe at laft may yield. 
 
 La beaute plait foutenons fes attraits 
 
 Du fentiment, le plus beau de fes traits. ^ 
 
 Toi, dont I'amour augmentera les charmes, 
 Qu'un peu d'audace accompagne tes armcs; 
 Lance tes traits, frappe & So'is convaincu 
 (iu'on peut tout vaincre, & tout fera vaincu. 
 La plus rebelle eft fouvent la plus tendre. 
 Telle qui feint, & qui languit d'attendre, 
 D'un feu couvert, brulant a« fond du coeur 
 Combat d'un air qui dcmande un vainqueur. 
 
 Ye
 
 ( 129 ) 
 
 Ye haughty beauties ! prudes of evVy age, 
 Who boalt your vain caprice, my precepts fage 
 Attend ; this oracle of Fate is true, 
 Love will in time your utmoft pride fubdue ; 
 The bleflings then which Spring affords, employ, 
 The vengeful god in Autumn blafts your joy ; 
 And while he puniflies the dire miftake, 
 An Atys cold for Cybele will make ; 
 Beauty hath wings, the heart remains entire, 
 To wafte and languifli with unnotic'd fire, 
 "While keen regret imprints its poifon'd tooth ; 
 But we whom pleafure waits, and blooming youth. 
 
 Fibres Beaut^s, Prudes de tous les ages, 
 Qjii nous vantez vos caprices fauvages, 
 Ecoutez-moi : cet oracle eft certain : 
 On aime un jour, c'eft I'arrfit du deftin ; 
 Ufez des biens que le Printemps vous donne : 
 Un Dieu vengeur vous attend i I'Autotnne, 
 Et puniflant une indocile erreur. 
 Garde un Atys pour Cybejle en furcur. 
 Craignez I'amour, ^tudiez fon heure ; 
 La beaut6 fuit, le coeur entier demeure, 
 Seche, languit, & tout perc^ de traits. 
 Eft devord du ferpent des regrets. 
 Mais nous, charges des plaifirs du bel Sge, 
 
 TOL. II. S Let
 
 ( 130 ) 
 
 Let us, while life's beft ftreanis our fpirits warm, 
 Let us with rapid courfe purfue the charm, 
 And while oijr ufelefs eiForts we difmifs, 
 Prevent remorfe, and feize the fleeting blifs. 
 
 CANTO II. 
 
 With fuch a charm th' immortal Graces move; 
 Charm us like them, ye whom my lays improve ; 
 Like them the concord of their pow'rs employ, 
 The flow of native mirth, and harmlefs joy ; 
 The laugh fincere of unfufpe6ting youth, 
 Which prompts the gay return from artlefs trutE^ 
 
 De leurs attraits precipitons I'ufage, 
 
 Et combattant d'imbecilles efforts, 
 
 Par les plaifirs, fauvons-les des remords. 
 
 Tel flit I'attralt des Graces immortelles. 
 Vous, que j'enfeigne, enchantez-nous par elles ; 
 Aflbciez a leur accord charmant 
 Les jeux badins, le folatre enjoCiment, 
 Le rire aimable, ami de la jeunefle ; 
 i^e de la joic, il la produit fans cefle, 
 
 Flatters
 
 ( 131 ) . 
 
 Flatters our hope, enkindles foft defire, 
 And gives to pleafiire ftill an added fire ; 
 The fmile, whofe fpcechlefs language can convey 
 All the breaft wifhes, but dares not difplay. 
 Another charm can ftill our hearts beguile ; 
 There is a tear more precious than a fmile : — 
 
 To chill defpair when Ariadne driv'n, 
 On thanklefs Thefeus call'd the m rath of'Heav'n ; 
 With dying look, and bofom fwell'd with grief, 
 A rock afcending, fought in vain relief; 
 A god appears, with Mirth's exulting found. 
 And lliouts of joy the rocks and ikies rebound ; 
 
 Flatte I'efpoir, infpire le defir, 
 £t peint les traits des couleurs du plai/ir. 
 Plus enchantcur, plus eloquent, plus tendre, 
 Un doux fourire en fera plus entendre. 
 D'un autre charme on connait tout le prix : 
 II eft des pleurs plus touchans que les ris. 
 
 Par un perfide Ariane abufee 
 Armait les Dieux centre I'ingrat Th^fee, 
 Et I'oeil mourant, le fein baign^ de pleurs, 
 Sur un rocher leur contait fes douleurs. 
 Un Dieu parait : les ris & la jeunefle 
 Font retentir mille chants d'alegrefle. 
 
 The
 
 ( 132 ) 
 
 The Cupids round his car of trkimph prefs, 
 And pour the ftreams of nectar in excefs ; 
 AVhen Ariadne flops his headlong courfe ; 
 He fees her forrows, dries the flowing fource ; 
 Pities and fooths the fair-one in her grief, 
 And gives in fondnefs the moft dear relief; — 
 Thus Bacchus, foe to each alarming fear, 
 The god of fmiles, is conquer'd by a tear. 
 
 Et les Amours, fe jouant fur fon char. 
 
 En font jaillir des ruifleaux de Neflar. 
 
 Du Dieu du Thyrfe elle anite la courfe j 
 
 11 voit fes pleurs : il en tarit la fource, 
 
 Plaint & confole line amante aux abois, 
 
 Et dans fes bras la venge mille fois, 
 
 Ainfi Bacchus, I'ennemi des alarmes, 
 
 Le Dicu des ris, ell vainqueur par des larraes. 
 
 ON
 
 ( ^^'^ ) 
 
 ON 
 
 JEALOUSY, 
 
 FROM 
 
 BERNARD. 
 
 CANTO II. 
 
 From jealous cares, when fondnefs feems to fade, 
 Love draws an ufeful, but a dang'rous aid : 
 But let not Love affume the fomi of Hate, 
 Nor call the fiend, on whom all ills await ; 
 Who iift'ning only to Sufpicion's wiles, 
 With frowning rage each fmiling charm defiles; 
 Who talks of love, but taints the name witli gall; 
 From whofe chill hand the withered rofes fall ; 
 
 Par un utile & dangereux fecours. 
 La jaloufle aide encore aux Amours. 
 Mais n'aimons pas, comme on dit qu'on detelle ; 
 Fuyez cc monftre i qui tout eft funefte, 
 <iui, n'ecoutant qu'un foupfon orageux 
 Sc plaint des ris, s'^fFarouche des jeux. 
 Le nom d'Amour eft du fiel en fa bouche ; 
 Sa nuin fldtrit les rofes qu'clle touch?; 
 
 • )i:.i And
 
 ( 13+ ) 
 
 And while around her baleful poifons glide, 
 Still would be thought to gentle Love allied. 
 
 Ah, let far milder Jealoufy be ours, 
 Where Hope and Fear exert their blended pow'rs, 
 Who bath'd in tears, with locks that loofely fly, 
 Turns up to Heav'n her animated eye, 
 And unaffifted by Medea's fpells, 
 In Pity's plaintive tone her anguifli tells ; 
 Fond to excefs, her heart uiygovern'd glows. 
 But quick oblivion cancels all her woes ; 
 Thus lofl in Paffion's eddying tide, ilie grieves, 
 Now fues defpairing, doubting now believes ; 
 
 Tout rempoifonne, & malgre fa noirceur, 
 " ~15u tendre Amour, elle fe dit la Soeur. 
 Ah! connaiflez u»e. autre jaloufie : 
 D'amour, d'efpoit, & de crainte faifie, 
 Les yeux en plelirs & les cheveux epars, 
 Levant au Ciel le feu de fes regards, 
 Sans invoquer Medee & fa magie, 
 Pa douce voix foupire une elegie ; 
 Le prompt oubU fuccede a fon erreur ; 
 Tendre a I'exces, elle aime avec fureur, 
 
 '"-'^ Each
 
 ( 13a ) 
 
 Each charge flie tempers with indulgence fwcet, 
 And crowns at lail the rover at her feet. 
 
 Not fuch the din of elemental war, 
 When Juno ruihes on her founding car, 
 And lires the concave of the fkies, to prove 
 Her fierce refentment at her faithlefs Jove ; 
 But fuch is Iris, from her clouded bow 
 In lucid drops while ftill her forrows flo^v, 
 Till Phoebus meets direct her anxious view, 
 Whofe beams returning ev'ry tint renew. 
 
 Soupfonne, eclate, accufe, mais pardonne, 
 F/t rend iveureiix Paris aux pieds d'CEnanc. 
 Telle n'eft point la tempSte des airs, 
 I-orfqtie Junon, parcourant I'Univers, 
 ;;Met tout en feu pour un epoux volagc : 
 Mais, telle Iris, plus calme en fon nuage, 
 En foupirant verfe encore des pleurs, 
 ^ !Revoit feo aftre, & reprend fes couleurs. 
 
 OH
 
 ( 136 ) 
 
 ON THE SAME SUBJECT, 
 
 FROM 
 
 BERNIS. 
 
 The vital food at once, and mortal bane 
 Of Love, is Jealoufy ; from her proceeds 
 The lover's delicate diftrefs ; from her 
 * The fair-one's frantic rage : with mild referve, 
 When prudence guides, flie utters her complaint, 
 Sufpe6ls with caution, and like Love, a child. 
 Sports with his follies, and in fport corrects 
 
 them ; — 
 Beneath this fonn,and with thefe feature's grac'd, 
 In your foft intercourfe, ye lovers, mix 
 Her anxious cares ; but fliun her, when impell'd 
 With headlong ftep by Furies, Ihe uprears 
 The murth'rous poignard ; when, too late, Re- 
 
 morfe 
 Calls forth the groan, the Ihriek of agony, 
 Which rend the bofom, o'er the yawning tomb 
 
 Herfelf
 
 ( 137 ) 
 
 Herfelf has ralsVl ; when her own blood flie/lieds, 
 With ftreams, her hand has'rafhiy caus'd to flow. 
 
 Be then ftill delicate, but never jealous ; 
 With fondnefs ftill is delicacy join'd ; 
 But jcaloufy too oft exulting feels 
 A favage joy in deeds of cruelty. 
 
 'n': ,»■?'; . 
 
 ^ol;ii r from
 
 ( 138 ) 
 
 YROM 
 
 BERNARD. 
 
 CANTO III. 
 
 O Venus, goddefs ofth'Idalian grove, 
 By whom all Nature feels the force of love ; 
 Whofe laws then- fov'reign rule o'er all maintain, 
 And bind the various atoms in their chain ; 
 In all that breathes thy influence is known. 
 But chief in man haft thou affum'd thy throne, 
 To earth defcending from thy feat divine, 
 His lieart t' enliven, and his fenfe refine ; 
 
 Venus, 6 toi, DeeiTc d'Epiciire! 
 Ame de tout, qui remplis la Nature, 
 <iiii mariant tant d'atomes divers, 
 D'un noeud durable enchaines I'univers, 
 C'eft toi qui vis dans tour ce qui refpire i 
 Mais c'eft dans I'homme ou fiege ton empire, 
 Tu defcendis au terreftre fejour. 
 Pour I'animer du fympatique amour. 
 
 That
 
 ( 139 ) 
 
 That fenfe Mh'u-h draws from thcc its foft con- 
 
 troul, 
 Trcafure of man, bcft organ of his foul, 
 The lovely charm which binds his rifmg youth, 
 And gives to Love's bright fictions dearer truth. 
 
 t 
 Thefe ruling ^oVrS in man liave ftil! their 
 
 guide, 
 
 Whefe inftin^t claims unqucftion'd to prefide. 
 
 And Curiofity, with kindred fireS, 
 
 Its torch fitpplies to light the new defires, 
 
 Lifts up the veil by unperc^iv'd degrees, 
 
 And points our ftcp where Nature's voice decrees. 
 
 II eft des fens, emanes de ta flamme, 
 Trefors de I'homnie, organes de fon ame, 
 De fa jcunefTe aimables enchanteurs, 
 Et de I'amour rapides inventeurs. 
 
 Ces Rois de rhomme ont un Roi qui les guide,, . 
 Et, fur eux toux, c'cft I'inftinft qui prefide. 
 Soeur de l'inftin£t, la Curiofit^, 
 Devant fes pas fit briller fa clartd. 
 Leva fon voile entr'ouvert i tncfure, 
 Guida fes pas tourne? vers la Nature, 
 
 ComUifts
 
 ( HQ ) 
 
 Conduds our wiflies by progrellive arts^ 
 And ev'ry joy to ev'ry fenfe imparts ; 
 Thofe joys nvhich, cenfur'd ftill, and ftill purfii'd, 
 Erroneous fable in her legend rude 
 Blam'd in Pandora, when flie gave on earth 
 To Blifs and Paffions their united birth. 
 Man, before her, diipirited, and Avpak, 
 Knew not the paths of happinefs to feek ; 
 Wearied, exhaufted, drew his languid breath, 
 Died while he liv'd, or liv'd a lingering death ; 
 Condemn 'd, inlenfate, ignorant and blind. 
 In bare exiftence all his good to find, 
 
 "Et par degres menageant fes defirs, 
 Pour tons les fens trouva tous les plaifirs. 
 Pour ces plaifirs qu'on blame & qu'on adore, 
 L'antique erreur a condamne Pandore, 
 Lorfqu'apportant le bonheur en fon fein, 
 Des padions elle enfanta I'effain, 
 L'homme avant elle, & fans ame & fans force, 
 D'aucun penchant ne connoiflait I'amorce ; 
 S^cW d'ennuiSj'de langueurs confume, 
 Obfcur, rampant, vivait inanime, 
 Reduit, fans voir, fans jouir, fans connaltre, 
 Au froid plaifir de vcgeter & d'etre : 
 
 Till
 
 ( U{ f 
 
 Tii\ Ileav'n its treafurcs fent with blcffiiigs 
 
 fraught, 
 And man enjoy'd his poM^Vs in fenfe and thought. 
 
 CAXTO III. 
 
 Delight prcfiding there 'mid fportive Loves, 
 Infpires the tranfpbrt which herfelf llie proves ; 
 Sinks to repofe, or wakes, as foft around 
 The flute, or voice, conveys the melting found ; 
 There fhe maintains her empire, not alone, 
 Th' alcove her palace, and the couch her throne ; 
 
 Par fes trefors que le Ciel difpenfa, 
 L'homme eut ung fime, il fentit & penfa. 
 
 La, pr^fidant aux plaifirs amoureux, 
 DeefTc heureufe, elle y rend tout heureuz. 
 EUe jouit, s'endort, ou fe reveille 
 Aux fons flatteurs qui charment fon oreille. 
 Dc fon pouvoir le trone folemnel 
 Eft unc alcove, un lit eft fon autcl. 
 
 Near
 
 ( 142 ) 
 
 Near her with more than human honours giac'cl, 
 Bhfs deck'd with rofeate breath her feat has 
 
 plac'd ; 
 There favor'd Hope his briUiant front difplays. 
 And Rapture cafts aloft its wand'ring gaze ; 
 There pants the langour of receding bliis; 
 There lives uncloy'd, the ftill repeated kifs i.^ft 
 The wifli renew'd ; and while Aurora gleams, 
 The charming pow'r who guides the morning 
 
 dreams. 
 
 Pres d'elle afTis, dans fon apotheofc, 
 Eft le bonheiir, le front pare de rofe. 
 L'efpoir brillant, de faveurs entoure, 
 La pamoifon, I'oeil au Ciel egare, 
 La jeune audace & la langueur mourantc, 
 Des doux baifers la foule renaiflante, 
 Le rapt vainqueur, I'attentat libertin, 
 Le Dicu charmant des fonges du matin. 
 
 FROM
 
 < 143 ) 
 
 FRO M 
 
 THE IIFINRIADE OF VOLTAIRE. 
 
 BEGINNING OF BOOKIX. ^r 
 
 Where aritieht; Cyprus fpreads her happy fhore,' 
 
 Afia begiiis,^''and' Europe is no nlore, 
 
 By Tiriie revered a hallow'd ftru(5ture ftands, 
 
 On rude foundations laid bv Nature*s hands , 
 
 But fooii the fimple pile, adorii'd b}^ Art, 
 
 Shew'd Nature bearing an i nfeiior part : 
 
 By myrtle groves the neiglibVing plains fecur*d~ 
 
 Ne'er have tjie rage of wintry ftorms enduj;'d^ 
 
 f:';l V". jnuiii- 
 
 1.1 
 
 fVI 
 
 Sur les bords fortunes' de I'antiqueiclalil, 
 Lieux oil' finit l*EuTope, & commt'rice l*AfiP, 
 S'eleve un vieuji Palais rcfpc^te par les 'tcjtis : 
 La nature en pofa les premiers fondemens ; 
 Et I'art ornant depuis fa fimple archit^ftiire, 
 Par fes travaux hardis furpafra la natiiire. ' 
 
 ra, tous les chimps voifins peupl<53 tft'ttliyhi^'vcrds, 
 N'onk jamais re0fenti' I'buftrage des hit^rs , '' ' 
 
 >ii»r// ' While
 
 ( Hi > 
 
 While ripe, or rip ning, tliroiigh the tcmper'd 
 
 year 
 Pomona's fruits and Flora's gifts appear; 
 The bounteous Earth her harveft free beftows^, 
 Nor waits for feaOnis, or for human vows, 
 IMan there w itliout a want or wifh denied, 
 Seems to poflefs what Nature once fupplied, 
 When firft fhe gave, to blefs life's early fcene, 
 The body free from toil, the mind ferene, 
 A golden age of happinefs uncloy'd, 
 And ev'ry good, but Innocence, enjoy 'd : 
 No accents here are heard, fave what infpire 
 The melting murmurs of a foft deHie, 
 
 Par-tout on voit meurir, par-tout on voit cclore, 
 Et les fruits de Pomone & les prefens de Flore ; 
 lit la terre n'attend, pour donner fes moiflbns, 
 Ni les vcEux des humains, ni Pordre des falfons. 
 L'homme y femble goiiter, dans une paix profonde, 
 Tout ce que la nature aux premiers jovirs du monde, 
 De fa main bienfaifante accordait aux humains, 
 Un eternel repos, des jours purs & fereins, 
 Les douceurs, les plaifirs que promet Pabondance, 
 Les biens du? premier age, hors la feule innocence. 
 On entend pour tout bruit des concerts enchanteurs, 
 Doot la moUe harmonie infpire les langueurs. 
 
 While
 
 ( 14J ) 
 
 While troops in beauteous pairs their voices raife, 
 To boaft their loves, or lovd defeats to praile ; 
 Each clay Avith locks adorn 'd with flow'ry wreath, 
 To Love's delightful pow'r - their prayer they 
 
 breatlic, 
 Learn in his temple, with perfuafive fmile, 
 The dang'rous art to pleafe, and to beguile ; 
 With glitt'ring forehead, and extended hand, '■ 
 Pointing to Pleafure, Hope condu6ts the band/ 
 Wliile near the fane with feftive fong advance 
 The light-rob'd Graces in the circling dance ; • - 
 There Blifs, reclin'd the verdant banks along, ^ 
 In tranquil rapture liftens to the fong ; 
 
 Les voix de mille amans, les chants de leurs maitrefles. 
 Qui celebrent leur honte, & vantent leiirs faiblcfles. 
 Chaque jour on les voit, le front pare de fleurs, 
 De leur aimable maitre implorer les faveurs, 
 Et dans I'art dangereux de plaire & de ftduire, 
 Dans fon Temple a I'envi s'eraprefier de s'inftruire. 
 La flatteufe efperance, au front toujours fcrein, 
 A I'autel de 1' Amour les conduit par la main. 
 Pres du Temple facre les graces demi-nues, 
 Accordent a leurs voix leurs danfes ingenues. 
 'La molle volupte, fur un lit de gazons, 
 Satisfaite & tranquille, ^coute leurs chanfons. 
 
 VOL. II. V Silence
 
 ( U6 ) 
 
 Silence accompanies, wliofc '^J^ ff'veiif *^^^ ' '' '*• 
 What they in vain endeavour to conceal — - 
 The fond carefs, the tender thought reftrainVl, 
 More fweet, more Lifting, than the wiili obtain'd. 
 
 Such is the entrance, but Avith daring pace 
 If we our fteps within the temple place, 
 If we prefume to pafs the fatal veil, 
 What mournful objeds ev'ry fenfe affail ! 
 No more to fight the lovely train appears ; 
 No tuneful accents melt upon Our ears ; 
 Complaint, Difguft, Abhorrence, and Difdain, 
 Convert each former joy to prefent bane ; 
 
 On voit a fes c6tes le myftere en filence, 
 Le fourire enchanteur, les folns, la complaifance, 
 Les plaifirs amoureux, & les tendres defirs, 
 Plus doux, plus feduifans encor que les plaifirs. 
 
 De ce Temple fameux telle eft I'aimable entree ; 
 Mais lorfqu'en avancant fous la voute facree, ' ' 
 
 On porte au fanftuaire un pas audacieux, 
 Qiiel fpeftacle funefte epouvante les yeux ! 
 Ce n'eft plus des plaifirs la troupe aimable & tendre, 
 Leurs concerts amoureux ne s'y font plus entendre j 
 Les plaintes, les degouts, I'imprudence, la peur. 
 Font de ce beau fcjour un fejour plein d'horreur. 
 
 There
 
 ( i*7 ) 
 
 There fullen Jealoufy, with livid hues . . 
 
 And falt'ring feet, Sufpicion's path puifues ; 
 Hatred witli poifon'd cup his ftep precedes, 
 And fell Revenge, intent on deathful deeds ; 
 ^lalice attends, delighted to deftroy, , , ., , 
 And cheers their fury with perfidious joy jr-'^ 
 Repentance follows, and with ufelefs groans, . 
 And downcaft eye, in tears their rage bemoans.^ 
 
 Here, in the midft of this unliappy train, 
 Which taints the pleafure of frail man with pain, 
 Alike for deeds or kind or cruel known, 
 Love has afferted his tyrannic throne; 
 
 La fombre jaloufie, an teint pale & livide, 
 
 Suit d'un pied chancelant le foup^on qui la guide : 
 
 La haine, & le courroux, repandant leur venin, 
 
 Marchent devant fes pas, un poignard a la main. 
 
 La malice les voit, & d'un fouris perfide 
 
 Applaudit en paflfant i leur troupe homicide. 
 
 L? repentir les fuit, deteftant leurs fureurs, 
 
 lj)t baifle en foupirant fes yeux mouilles de pleurs, 
 
 C'eft la, c'eft au milieu de cette Cour afFreufe, 
 Des plaifirs des humains compagne malheureufe. 
 Que I'Amour a choifi fon fejour dtcrnel. 
 Ce dangereux enfant, fi tendre & fi cniel, 
 
 Tlie
 
 ( 148 ) 
 
 The doom of mortals with weak hand fuflains, 
 And peace,, and war, with doubtfvd fmile ordains ; 
 Spreads through all regions his delufive art; 
 Moves the vaft whole, and lives in ev'ry heart ; 
 Views all his conquefts from his lofty feat ; 
 Tramples the proudeft necks beneath his feet ; 
 And more to cruelty than mercy prone, 
 Exults in mifchiets he himfelf has done. 
 
 Porte en fa faible main les deftins de la terre, 
 Donne avec un fouris, oU la paix, ou la guerre, 
 Et repandant par-tout fes tronipeufes douceurs, 
 Anime I'ljnivers, & vit dans tous les cceurs. 
 Sur un trone eclatant,^ contemplant fes conqufites, 
 II foulait a fes pieds les plus fuperbes tetes j 
 Fier de fes cruaures plus que de fes bienfaits, 
 II femblait s'dpplaudir des niaux qu'il avail faits. 
 
 TRANS-
 
 ( 149 ) 
 
 TRANSLATION 
 
 A GREEK SAPPHIC ODE 
 
 ON THE 
 
 DEUVERY OF GIBRALTAR. 
 
 He comes ! — -the meflenger of conqueft com^s 
 With winged feet, Avhich o'er the billows bound, 
 Nor bend their curling fummits ; — from his lips 
 Thefe welcome tictings burft :— Albion ! rejoice,-^ 
 The keys of either feii are thirie,-^for, who, ^ 
 Who from thy grafp can force them ? Who the front 
 Of ocean, 'circled with embattled tow'rs, 
 Pharos of Neptune, and the horn of Mars, 
 The adamantine rock, fix'd in the earth 
 "VMth cramps of more than iron, who can blaft? 
 Alcides' column, where from fov'reign Jove 
 Strength and dominion hold their ftation, who 
 
 Can
 
 ( ^^9 ) 
 
 Can fliake ? — though Hatred with Injuftice join'd 
 Should ratify their compa6t 3vith an oath. 
 
 Galha's hght race had rufli'd, in fluttering 
 pomp 
 And meafur'd gait, link'd to Iberia's fons 
 In fteady wrath Hern frowning, mutual pair, 
 In equal fpeed, yok'd to the founding car 
 pf deathful conteft ; each refolv'd to work 
 Our ruin, and mow down our naval pride : 
 Into the cafque deftru6iive Famine cafts 
 Her lot, and mark'd it with our day of doom, '-r- 
 What is, O Britons, your refource of flight? 
 For on the dizzy precipice by fnares y 
 
 Ye Hand invefted ; — What fwift- winged ai^, ^^o 
 What vehicle qf earth, offea, affords .„,;p:r 
 
 A fafe retreat?— Yet, fear not : Albion fees 
 Your fuff 'rings ; and her offspring fo belov'd 
 When did the parent quit? With eagle's fpeed, 
 Bird of the fun, and fov'reisn of the rock*- 
 
 m^" ' ^ ■ ^ She
 
 •ir 
 
 ( 1^1 ) 
 
 She flics to your relief, to frenzy flung, 
 Left the txeo feq^ents fliould her neft defpoil. 
 
 " What fight yet diftant, what approaching 
 found," 
 Exclaims the guard, "mine eye, mine ear affails ? 
 * ' I fee the British mafts, my country's flags, 
 " The polifh'd hulls I fee ; — I hear the fliout 
 " The cheering feamen raife — ^fons of the ^rave ! 
 *' Good fortune, cro^vn'd with conqueft, is your 
 
 fong:" 
 Thus while he fpake, on ev'ry manly cheek 
 Tlie tear of joy defcends, as he recalls 
 The hope nigh banilh'd of his native land, 
 His wife, his children, and his friends fecure : 
 Now the reward of all his perils paft 
 He meets, and in an inftant clos'd each hand 
 Was in his comrade's grafp'd, of him, who fav'd, 
 And him, the gift of fafety who receiv'd. 
 Nor can it enter in the mind to know, 
 VOi:i-u With 
 
 I 1' f
 
 ( 152 ) 
 
 With all its {kill, what tokens they employ *d, 
 What rapid converfe held, while each inquii'd 
 Each anfwer'd fond inquiry. — On the foes, 
 Now terror ftruck, and in their bofoms plung'd 
 The fpur of hafty flight ; quick from their hands 
 The goblet fell, wherein the Gaul had pledg'd 
 Slaughter and death, and in the duft was roU'd, 
 Reft of its bloody off ring : on the ground 
 Machine? and torches, with the weapons lay, 
 
 Which fell Enyo on her anvil wrought. 
 
 Where now, Iberian, wilt thou proudly raife 
 Thy trophy — where thy fpoils triumphant rear ? — 
 Earth Ihows not where: — Avaunt, and gnaili 
 
 thy teeth, 
 Foird and defeated. — Lo, thy empty dream 
 Of glory paffes like a fhadow. — Know, that ftrife 
 Of mad ambition fooner fliall fubvert 
 The flirine of Juftice, — fooner ihall the blafl 
 Of riving thunderbolts uproot the oaks, 
 Time-honour 'd fons of Albion, — than thy rage^ 
 
 Deflroy
 
 ( 153 ) 
 
 Deftroy this rock, th' afpirlng crown, the boafi! 
 Of all the fea encircles : — Here, ^nth breeze 
 Swelling each fail, and nerving ev'ry arm, 
 Vi6lorious peace adorns each martial brow. 
 
 ,yf(\l \iVH 
 
 The tranflator had not the permifTion to print the originai 
 Gretfk, or it would have been inlerted. 
 
 :f> Xiflif^; 
 
 VOL. II. X FRAC-
 
 ( 1^^-^ ) 
 
 FROM 
 
 t)E PORCHERES. 
 
 ^When firft I faw her, whom my thoughts adore, 
 Why Love, t' inflame her, had I not thy pow'r, 
 
 Or not thy blindnefs, not her charms to fee ? — 
 If I Ttiuft view this fov^relgn of our liearts, 
 Why Love, to wound her, had I not thy darts, 
 
 Since from her I had not thy wings to flee ? 
 
 That fenfe which knew to fcorn all converfe vain^ 
 Which taught my fpeech its overflowing ftrai«, 
 
 Quand premier je la vis, cette Erne dc mon Sme, 
 Amour 1 pour la brufler que n'avois-je ta flamme, 
 
 Ou ton aveuglement, pour ne voir fes regards I 
 Que s'il me falloit voir ce miracle dcs belles, 
 Am^ur! pour la blefler que n'avois-je tes dards 
 
 Puis ce que pour la fuir je n'avois pas tes aifles? 
 
 Ce b«l efprit, banni des entretiens frivoles. 
 
 Qui fit nuiftre en ma bouche un torrent de paroles, , 
 
 No\v
 
 Now to my eyes redundant ftreams aiford ; 
 My tongue, my pen, tlieii wonted powi-s forego, 
 And ablence changes, to bewail my woe, 
 
 To fpeaking tears, my eloquence of words. 
 
 FUAG ME'Sr, rKQM ST. Ef'SFMONT. ' 
 
 O FATAL tranfport by poflTcflion known, 
 How is my love with all thy phantoms flown ! 
 Was it for this, that with impatient eyes, 
 Unhappy day ! I wiili'd to fee thee rife ? 
 O let the growing channs of hope be mine, 
 And I poiTeiTvon's wajijug joys rcfigi^ 
 
 Fait ores a mes ycux naiftre un torrent de pleurs, 
 Et ma langue et ma plume ont oublies leurs charmcs, 
 Car rabfence a change*, pour pleurer mes doukurS, 
 
 Le fleuvc d'dloquencc, en un fleuve de larmes. 
 
 Qu'aves vous fait de mon amour, 
 Bontieur fatal, funefie joui^tnce ! 
 Ktoit-cc }>Qur vous peidrc,. O trap maUicru^ux jour 
 Que je vous attendois avce impatience { 
 Rci>dez trompcur, rendex moi me* dpfirs, 
 
 }it j& voM« rendsi toi^s v<^ ^Uiftfs.
 
 ( 156 ) , 
 LE IVIOYNE. 
 
 QuAND Qn demanda a Boileau, pourquoi il li'avoit pas 
 parle du Pere le Moyne, il repoiidit, qu'il ccoit trop poeie, 
 pour ^n dire du mal, & trop fou, pour en dire du bien. 
 
 Le Movne, Pierre, Jefuice, ne en i6o?. II eut pu fe faire 
 un grand nom par fa Louifiade ; il avoit une prodigieufe ima-^ 
 gination \ pourquoi dong ne reuflit il pas ? — Cell qu'il n'avoit 
 ni gout, ni connoiflance du genie de la langue, ni des amis 
 severes. — II mourut en 1671. 
 
 J-f ■ Jugement de Voltaire, dam les Ecri'vains du Tms 
 de Louis XIV. Hiji. Gcner. chap. 41, p. 3,6. 
 
 Qu'eft-ce que veut dire Voltaire, quand il prononce que I^e 
 Moyne ne connoifoit pas le genie de la langue Fran^oife ? fon 
 genie eft bien la clarte & la precilion ; & pour ces qualites Le 
 Moyne eft tres diftingue ; a I'egard du goUt, fi ce mot ne veut 
 dire que le jugera^nt correft, froid, & meme timide, Le Moyne 
 certes ne I'avoit pas : & des amis severes auroient pent etre cor- 
 rige fes fautes, & fes exces, mais ils n'auroient jamais pu lui 
 donner fes talens & fes beautez ; quand a M. de Voltaire, dans 
 fon ftyle, & fa verfification, il a profite des excellences de Le 
 Moyne> comme avoit fait Virgile, des talens de Lucrece : mais 
 on devroit etre furpris, qu'avec cette imagination prodigieufe, 
 li riche, & meme fi temeraire & vafte, qu'avoit Le Moine, il 
 ait pu tant s'attacher, aux details des evenemens & aux traits des 
 carafteres du Taffe j dont le genie lui etoit fans doute fi fubor- 
 donne : mais c'eft ce que fit I'Anglois Milton } qui s'eft en« 
 richi de toutes les beautes de la poefie Italienne, & qui les a 
 toutes furpaffe, par la force d'un genie fuperieur a tous fes mo- 
 deles. Ainfi Le Moyne dans fes imitations du Tafle, I'a laifle 
 bien loin dans toutes Iw parties de la poefie, la .plus elevee. 
 
 EXTRACTS
 
 ( 157 ) 
 EXTRACTS 
 
 FROM 
 
 THE WORKS OF LE MOYNE, 
 
 BOOK I. 
 
 O'er Afric now the baleful rumour fpread, < - 
 The Nile in terror fhrunk within his bed, 
 While to the main along the fev'n-mouth'd Ihore, 
 Each rolling wave th' alFright of iEgypt bore ; 
 Its towVs abandoned, its defencelefs coaft 
 Leaves a free paffage to the conqu'ring hoft, 
 And Tanis, once a feat of fplendid name, 
 Yields to our arms, and their fuperior fame ; 
 
 Ap bruit de cc degaft I'Afrique au loin gemit, 
 Le Nil epouvante fe troubla dans fon lit: 
 Et fa vague en la Mer par fept bouches fcndue, 
 Y porta la frayeur de I'Egypte ^perdue. 
 Les Bourgs abandonnez des Communes fans coeur, 
 Refterent expofez aux courfcs du Vainqueur: 
 Et dans Tanes, jadis, ville fi rcnommce, 
 Lcs habitans defaiu^du feul bruit de TArm^e, 
 
 Flies
 
 ( i^s ) 
 
 Flies to the defarts of its barren fands, 
 And with their dwellings draws i^ heartlefs bands ; 
 Old age, with women and their infant brood, 
 Crowd to the rock, where Once the Pharos flood ; 
 Far as the gulph, where HeavVs ahnighty Lord 
 ' The Hebrews fav'd from Egypt's brandiflfd fword ; 
 The crefcent yielded to the lily's pow'r. 
 While feax and flight augmented cv'iy hour ; 
 While tow'rs and cities, tiembling at their fato. 
 Shook to the centre the bewildered ftate : — 
 
 Thus from Vefuvius when the flame is roll'd, 
 The fiery ftreams their courfe deftru6live hold ; 
 
 Jufq-ii'aux extremitez d'un defer* fablonneux, 
 
 Traifnerent leurs maifoas errgiqtes avec cux. 
 
 Les Vieillards impuiflans, & le Sexe timide, 
 
 R«if»plir€fKt U rampart qui ceignoU Pharamidf : 
 
 Et jufqu'a ces cantons o5 I'Ange Executeur, 
 
 Jadis fauva I'Hebreu du glaive deftru6leur, 
 
 A la montre des Lys, les CroiflTans difpariirentj 
 
 Le trouble, la frayeur, le defordre y coururent : 
 
 Et tours, cjiafteaux, cltez, d'un comtiitun trembleraent, 
 
 Accrurent de I'Eftat le fatal mouveuient. 
 
 Ainfi, qu^n4 <^ Veft^ve,^ ^ne flapie e,f>^dM£ i 
 Fait \m iej»ve 4^ j^« fitf la (J^e «pej-dae^ 
 
 Horror
 
 . . ( 1^9 ) 
 
 1 loiror avoids, with Ftar's diftra6lecl hade. 
 The thunder's ravage, iiwd tiife lightning's wafte; 
 Palaces, temples, to the ground it throws, , . 
 
 Nor tow'r, nor wall, it's fury can oppofe ; 
 With equal fiep the deathful fires devour, 
 Ilim w'lio fubmits, and him wlio braves their 
 
 pow'r; 
 And in the ruin funk, the tempeft toft, 
 T*lie prefent with the futivrc, each is loft. — 
 
 hfir.rrmo'') rAnvi id !)■. '- . 
 
 La njine 1^, VN)rre>*r fwivent *vecque ^^U,i i 
 
 Le ravage qui tonne & le degaft qui luit. 
 H'n'eftdigoc hi raur at ifa ^rcur s*an«fte; 
 II. raefle dps Palais Ip jbndement au failte^ 
 •JEJr' iitdrt d*im coifrs legal egalemertt 'fnrprdntf; 
 Et ccliiy qui refifte & ccluy qui fe rend ; 
 "Et dans une tempefte ou tout tomhe & tout fume, 
 AvjEtque le prefcnt I'av^nir fe confiimt. 
 
 !T 
 
 S60K
 
 ( 160 ) 
 
 BOOK III. 
 
 Thus while the firfl difpute the hard-fought 
 
 Ihore, 
 And force their palTage with repeated oar, 
 Louis impatient from the veffers fide 
 Bounds Avith a heart, each peril which defied ; 
 Through fearful awe the conquer'd waves retreat. 
 And yield a palTage to his daring feet ; 
 His geftures threaten, and his looks command ; 
 His fword a comet glitters in his hand ; 
 His facred head the ihield before him guards ; 
 Death round him hilTes, nor his fpeed retards : 
 
 Tandis que les premiers difputent le rlvage ; 
 Et qu'a force de bras ils s'ouvrent le paffagej 
 Louis impatient, faute de fon vaifleau, 
 Le beau feu de fon cceur luy fait meprifer I'eau. 
 Soit crainte, foit rcfpefl, fous luy la vague baiflef 
 Ilavance, elle s'ouvre : il poufle, elle fe prefle : 
 Son gefte eft menajant, fon regard eft hautain : 
 Un Comete d'acier etincelle en fa main : 
 Devant luy fon efcu, pour fa tefte eft en garde : 
 La mort fifHe a i'entour, & rien ne le retarde. 
 
 The
 
 ( 161 ) 
 
 The ftar of Mars thus with the lightning's train 
 Seeks at th' appointed hour the hriny main ; 
 His glowing armour gilds the cloudy fky ; 
 Th' impurplcd ocean takes a deeper dye ; 
 The redd'ning beams along the waves prevail, 
 And ghaftly terror turns the pilot pale. 
 
 BOOK IV 
 
 How fubtile LoVe ! how fwift his poifon flies, 
 Glides through our ears, and pierces through our 
 
 eyes ! 
 Now Joy*s light robe, now Griefs dark weeds he 
 
 wears, 
 And tries each path, till he the heart enfnares : 
 
 Ainfi I'Aftre de Mars fuivi d*un long Eclair, 
 A fon heurc defcend de fa Sphere en la Mer: 
 Son arms en I'air eclate, cUe eclate en la nue ; 
 Tout I'humide Element rougit i fa venue : 
 Ses feu\ brillent en rond fur la face des flots, 
 Et la pafleur en vient au front des matelots. 
 
 Q^E ramour eft fubtil ! qu'il eft contagieu); ! 
 11 glilfe par I'oreille, il^entre par les yeux : 
 Quelques fois fous Ic deu'i'l, d'autres fois dans U joic : 
 Et pour gagnfr Je cocur, il tcnte toute voie. 
 
 VOL. II. y His
 
 ( 162 ) 
 
 His darts I own, prepar'd for ev'ry foe. 
 
 For ever glitter, and for ever glow ; 
 
 But when their points are dipp'd in Beauty "s tears, 
 
 Ah what avails the flrength of lliields and fpears ? 
 
 Bethunes, who proudly once defied the foe, 
 Of Lifamante fcarce fp-w the forrows flow, 
 Thofe tears like pearls, which trickled from lier 
 
 eyes, 
 E'er in his breaft he felt the flames arife ; 
 By Pity waken 'd, and by Virtue fed, 
 Refpe^l a fdence o'er his wifhes fpread. 
 
 II eft vrai que fes traits, dangcreux en tout temps, 
 Sont toujours acerez, & toujours font ardents : 
 Mais quand' jl en a fait la trcmpe avec des larraes, 
 Qui peut'ieur oppofcr d'aflez folides armes ? 
 
 Bethunes autrefois invincible a fes traits, 
 De Lifamante a peine entendit les regrets, 
 Vid a peine fes pleurs, comme perles s'epandre, 
 Qu'il fentit a fon creur, un feu nouveau fe prendre. 
 La pitje I'alluma, }a vertu le novirrit, 
 D'un filent^ obftiiie le refpeit le cpuvtit : 
 
 And
 
 ( 163 ) 
 
 And though peifoice his heart the flam^ muft feel, 
 The pow'r lie <j;uin"d its ardour to conceaj. 
 
 BOOK VIII. 
 
 Spirit and light a radiant beam compound, 
 Voice Avithout matter, word without a found ; 
 This without motion, \nthout air impreft, 
 Gonveys to Michael the divine beheft. 
 
 BOOK IX. 
 
 There, l>y his fig!is his falt'ring fpecch o'er- 
 
 pow'r'd, 
 Gave way to tears, which on her hands he 
 
 iliow'r'd ; 
 
 Et ne prefinnant plus de s'y rendre infenfible, 
 Tout fon eftbrt n'alloit, qu'a le rendre invifible. 
 
 Il fe fait d'un rayon d'efprit & de lumiere. 
 Sans bruit une parole, uni vo?x fans mafiere'j 
 Et ce rayon porte fans air, fans mouvement, 
 A I'Archange Michel eft un commandement, 
 
 LH, fes foilpirs montant fa parole ^toufferent t 
 {fcs larmes fur les mains d'Almafonte couleient:
 
 ( 16+ ) 
 
 And whether from his ftreaming eyes there fell, 
 Drawn from his heart, fome pure and vital fpell, 
 Or from his fighs fome fubtile perfume came, 
 Exhal'd in vapour from fo bright a flame, 
 On Ahnazonta's heart this vapour flow'd, 
 This vital flame within her bofom glow'd ; 
 Returning fenfe on all her frame was Ihed, 
 And life with health upon her cheek was fpread ; 
 And as the ray within her eyes was feen, 
 The light appeared around her more ferene : 
 The needle thus, by pole magnetic mov'd, 
 When the mild fpirit is no longer prov'd, 
 
 Et foit qu'avec fes pleurs, il tombaft de fes yeux, 
 Quelque extrait de fon coeur, vif & contagieux : 
 Sbit que de fes foiipirs la vapeur fuft fuivie, 
 D'une flame fubtile, & d'un efprit de vie; 
 Le coeur de la Guerriere a cet efprit s'ouvrit, 
 Cet extrait y coula, cette flame s'y prlt : 
 Ses fens furent par la, remis en leur ufage ; 
 Goutte i gouttele teint luy revint an vifage ; 
 Et du premier rayon dans fes yeux retourn(f, 
 Aijtour d'elle le jour parut ralTeraine, 
 
 Dans la Bouflble ainfi I'aiguille tournoyante, 
 Quand fan efprit ^teiht la laiffe languiflante. 
 
 Cold
 
 ( 1^-^^ ) 
 
 Cold and inert upon its point remains, 
 Nor feels the North imprefs its potent chains; 
 But if the magnet, wliich it loves, be near, 
 Tliough it inclos'd a captive may appear, 
 With ftrength repaired, ami trembling joy renew'd. 
 It turns its head fpontaneoully fubdu'd ; 
 Feels the dear charm o'er all its fubftan(!e pour'd, 
 Its inftind waken'd, and its life leftor'd. 
 
 BOOK X. 
 
 A MOVING cloud inftin^t with inward light, 
 With doubled rainbow-hues encircled bright, 
 
 Refte fur fon pivot froide & fans mouvement, 
 Et n'a plus pour le Nort, ni coeur, ni fcntiment. 
 Mais fi I'Aiman qu'elle aime, i fon fecours acrrive, 
 Encore qu'elle foit dans Xa bocte captive, 
 Dt nouveau ranimee, & d'aife tr^moufTant, 
 Elle tourne la tefte a I'attrait qu'elle fent ; 
 Et le charme fecret qui la porte i. le fuivrc, 
 Fournit i. fon inflinfl I'efprit qui la fait vivrc. 
 
 Unk mobile nue au dedans iclairee, 
 Et d'lm double Arc-en-cicl k I'entour color^c, 
 
 Defcends
 
 ( 166 ) 
 
 Defcends towards mc, in a calm repofe, 
 
 iViid op'ning, harmlefs lightning round me 
 
 throws ; 
 The cloud and lightning pail, fucceeds a rock 
 Self-mov"d, felf-guided, without paufe, or iliock, 
 Whence,, when fubfiding on its bafe to reft, 
 In gentle founds a voice was thus expreft : 
 
 *' Thyfelf and eiTOr Alegonde, refign, 
 *' For this recefs, where trueft glories lliine; 
 " Nor body's chain, nor fpirit's wing regard, 
 ** Affume no "merit, look for no reward ; 
 
 Defcend jufques S moy, par I'efpace de I'air, 
 Et fans bruit fe fendant jette iin paifible eclair. 
 A I'eclair, a la nue, il fuccede une Roche, 
 Qui d'im branle regie, fe remue & s'approche ; 
 Et fi-toft qu'elle fut en repos fur fon poids, 
 Un efprit doux en fort, avecque cette voix. 
 
 Alegonde, il eft temps de fortir de vous-mefme : 
 D'entrer -dans ce Defert lumineux & fuprenie, 
 Oil par deffiis les Corps, par deffus les Efprits, 
 Et les bas interefts de merits & de prix, 
 
 ' Purged
 
 ( 167 ) 
 
 " Piirg'd from thyfelf, devoid ofilmme or prule, 
 *' Be love thy oliject, and be Truth tiiy guide ; 
 " Firm in thy faith, on pureft ho|>e reclin'd, 
 '' My glory only llialt thou feek and find ; 
 *' Let prize or puniflmient ho more prevail, 
 " And Love uplift thefword, and hold the fcaie ; 
 '' Bear on thy neck the yoke which Love ihnil 
 
 lay, 
 *' Nor other bonds fave thofe of I^ve obey : 
 ' ' To quench the flames of Hell, its pains to drown, 
 ** ConfumcHeav'n's feraphjandtomelthiscroMii, 
 *' To me alone to draw your fix'd defires, 
 ** I leave tiiefe waters, and I leave thcfe fires." 
 
 De vous mefme purg^e, & de vous mefme vuidc, 
 VoiLS n'aurez que 1' Amour pour bbjet & pour guide : 
 Et pure en voftre efpoir, ferme dans voftre foy, 
 Vous n'irez qu'a ma gloire, & ue lendrcz qu'a moy'. 
 Supprimons pour jamais & peine & recompenfe ; 
 Remettons a T Amour Tepee 8c la balance; 
 Soumettez-vous au joug qu'il vous impofera ; 
 Ne fouffrez de liens, que ceux qu'il vous fera. 
 Pour eteindre I'Enfer, & noyer f'es fupplices, 
 Pour embrafer le Cicl, 8c brfller fes dclices, 
 Pour reduire a moy feul, vos craintcs 8c vos voeux, 
 Je rows laifle ces eaux, & vous laiflc ces feux. 
 
 Scarce
 
 ( 168 ) 
 
 Scarce had the voice unbodied ceafe to fpeak, 
 When from the rock I faw two fountains break. 
 With mounting flame the fpringing flream af- 
 
 cends, 
 And each with either gentle murmur blends ; 
 My foul as yet in flumber's vapour drown *d, 
 With ears imperfect heard the piercing found, 
 When ilarting at the wondrous fcene with awe, 
 I fcarce could credit what I heard or faw ; 
 The fire, the water, and the rock, no more 
 Are phantoms rais'd by Sleep's delufive pow'r. 
 But maffive bodies to the eye and ear, 
 Whofe wondrous form at diftance I revere; 
 
 La voix nue & fans corps acheva bien a peine. 
 Que du Rocher ovivert, il fort une Fontaine, 
 D'un jet de feu qui brille, & d'un jet d'eau qui bruit, 
 Et s'allie en bruyant, k la flame qu'il fuit. 
 Des vapeurs du Sommeil mon Ame envelopee, 
 De ce bruit fi foudain, par I'oreille frapee, 
 En furfaut fe dagage, & revenue a foy, 
 Afes fens etonnez, a peine ajoute foy. 
 L'eau, le feu, le rocher ne font plus les ouvrages, 
 D'un Sommeil ebaucheur d'incertaines images : 
 Ce font des corps raaflifs, ils fe peuvent toucher, 
 J'en ai les yeux remplis, & n'ofe en approcher. 
 
 My
 
 ( m ) 
 
 My fpirit bowing, this laft fcene believes, 
 And as a fign from Heav'ii its truth rtceives : 
 Henceforth within this defart I abide, 
 In God alone by halieft love confide ; 
 In body lonely, more in mind reclufe, 
 By pleafing Him I all my blifs produce ; 
 Etcrnrty for me, nof gnlj^ti, nor ttirohe, 
 PoiTefles, fear and ho|>e alike are ^()\\ ri ; 
 And that great future, Olicc fliy dbii'btful gaze, 
 Qucnth'd by ttli^fe^waters, ilirinkitig from thcie 
 
 1!. I I !• 
 
 rays, / 
 
 Ledves me entir^','eidi obftacle re^ov'cT, 
 To th^t heart-center d linion beft belov'd : 
 
 Mon Efprit conrarrrctr, "prerol XX. aenilCT T^Cfftatlt, 
 Pour un ligne da CicI, pm<r nn fenfible Oracle. 
 Dedors en c€ Dcfert j'ctablis mon liejour, 
 ' Oft ne voyant que Dieu, n'ayant que /on Amour, . 
 Solitaire de corps, d^feTpnt plus folitaire, 
 J'ai rcduit tous mes foins, au feul foin de luy plair«. 
 L'Eternite n'a plus ni throne, ni buchcr, 
 Qui me piiilfe ou d'efpoir, ou de crainte toucher. 
 Et ce grand AVenir, qui partageoit mon Ame, 
 Efleint aVec cette eau, bfille de cette flame. 
 Me laiflfe toute entiere, & fans diverfion, 
 A tc Oentrt des cteufs, i ce DieU d'union, 
 
 VOL. II. 2 WTiich
 
 ( 170 ) 
 
 Which far from bondage, far alike from gain, 
 None can, but folitary love, obtain. — 
 
 FROM 
 
 LE MOYNE: 
 
 LETTRES MORALES ET POETIQUES. 
 
 Two equal tablets next in fight appear, j 
 With bold defign pourtray'd, and colours clear : 
 Here Belifarius might in front be view'd, 
 Dy'd in the gore of Goths he late fubdu'd, 
 Beneath his feet their routed fquadrons borne, 
 Their armour pil'd on heaps, their ftandards torn ; 
 Here flows the blood, here clouds of fmoke afcend, 
 Like that of hofts who Hill in ftrife contend ; 
 
 <lui bien loin du fervil, bien loin du mercenaire, 
 N'adniet a fes faveurs que 1' Amour folitaire. 
 
 Deux femblables Tableaux hardiment deffinez, 
 Furent fur leurs billets, J deux autres donnez i 
 Dans l*un, fur le devant, fe voyoit Beliflaire, 
 Rouge du fang des Gots, qu'il venoit de dcfaire. 
 Avec leurs Efcadrons a fes picds terralfcz, 
 Leurs Etendars eftoient I'un fur I'autre entaffez : 
 ley le fang couloit ; la montoient les fumees, 
 Ciu'on euft dit, qui relloienl d« I'ardeur des Armies- 
 
 The
 
 ( 171 ) 
 
 Tlie vi6lor fits uplifted on a fliield, 
 Seiz'd from the vanquilh'd chieftain in the fiel^; 
 Whofe 6rb two eagles in their talons bear, 
 Spurning the earth, and foaring into uir, 
 While Victory, with waving pennons fpread, 
 Iler laurel binds around the warrior's head: — 
 
 But there, liow chang'd from what he feera'd 
 of late, ' 
 
 Does Bclifarius fliow his adverfe fate ! 
 Tliere poor, and famiflrd, without roof or friends, 
 That hand tremendous he for alms extends ; 
 
 Le Valuqueur paroiffoit affis fur un BfcH, 
 Ofte dans Ic combat, an General vaincu : 
 Deux Aigles I'accroclioicnt du bee & de la ferre, 
 Kt prenant leur clFor, I'clevQicnt de la tcrre, 
 Tandis que la Vidloire au deffiis voltigeoit, 
 Et d'un feu'illagc vert le Guerrier ombrageolt. 
 
 Mais, (jue dans ce Tableau, le brave BelilTiire, 
 E.loit fur le dcrriere A luy-mefme rontraire ! 
 Li, pauvre & niendiant, ikns rctraite & fans pain^ 
 A TaumOne il Undoit tette tcrril^U maio^ 
 
 Tliat
 
 ( '?2 ) , 
 
 That hand, whicli laid fo many tyrants Iom:, 
 Wbich r^is'd fuch groves of laur.el for hjs broM ; 
 That hand, whijch rul'd tlie eagles in their flight, 
 Impeird or check'd their moil afpiring height.;;^ 
 Which oft had gorg'd them with their darling 
 
 food, 
 The fack of cities, and of kings the blood. 
 
 Nations aghaft at fiich a fcene of woe, 
 Enrag'd at Fortune, blame on Virtue throw; 
 Fortune with haughty and retiring gait, 
 Seems to delight in fuch an alter 'd ftate ; 
 And Virtue bending down to earth her eyes, 
 With hands uprais'd to Heav'n, the charge denies. 
 
 Sous laquelle il tomba tant de fuperbes teftes : 
 Par laquelle il fe fit tant d'illuftres conqueftes : 
 Cette main, qui le vol des Aigles gouvemoit j 
 Qui leur donnoit I'eflbr, & qui les retenoit j 
 Qu^i tant de fois jadis, les avoit engraiflees, 
 Du fang des Rois defaits, & des Villes forc«es. 
 Les Penples 6tonnez de le voir abatii, 
 Accufoient la Fortune, & blafmoient la Vertu : 
 L'une tournant le dos, d'une raine infolente, 
 Paroiflbit fe railler, de ce trait de changeante : 
 Et I'autre, d'un vifage auffi trifte que fier, 
 SembloJt lever les mains, pour s'en juftifier. 
 
 FROM
 
 ( m ) 
 
 FROM 
 
 HYMNS OF LE MOVNE. 
 
 Thus Love two ditFrent faces wears. 
 In feature gentle, or in afped Hem, 
 
 And as his flames can burn, 
 So can his breath exhale reviving aius : 
 
 Some Ihafts are tipt with ductile gold^ 
 Of unrelenting iron fome aie made ; 
 
 The night's terrific fhade, 
 Or gladfome dawn, his clianging Jooks luifokl ; 
 And he who fcorns the murmurs of the dove, 
 The vulture's talons in his bread fliall provsJ ' 
 
 ■ I ■ III, . »-aaM— fc 
 
 Auffi 1* Amour a deux vifages j 
 L'un eft doux, I'autre eft rigpureux j 
 Et comme il a d'aimables feux, 
 II en a qui font des orages : 
 II a des traits qui font dorcii 
 II en porte aufti dq fcrrez. 
 Sous q^ui toute force fuccombe : 
 Ses regards comme ii veut, font la nuit ou Ic jour ; 
 Bt qui m6prifc en luy, le coeur de la Colombc, 
 Sous luy reflentira Ics onglcs du Vautour. 
 
 "The
 
 ■ ( 17+ ) 
 
 The bee, that winged flowY of Spring, 
 From whom the wax proceeds, the honey flow^, 
 
 Its various inftin^ knows 
 To filed its odours, or exert its fting: 
 
 The blufliing rofe, that perfum'd fire, 
 Though Love with blofToms may its leaves adorn; . 
 
 Has with its fweets a thorn ; 
 And rain, and lightning may at once conlpire : 
 Thus the fame fun whofe genial beam we fhare, 
 Forms gold in earth and thunderbolts in air. 
 
 Ainfi IMngenieufe mere, 
 - De la cire & de la douceur, 
 L'Abeille, la yolante fleur, /\ 
 
 A fes armes & fa colere. 
 La Rofe ce feu parfume, 
 Qiioy que 1' Amour I'ait allume, 
 A fon odeur & fon epine. 
 
 D'une mefme vapeur vient la pluye.& I'eclair: 
 Et le mefme Soleil dont I'oeil nous illumine. 
 Forme I'or dans la terre, & les foudres en I'air. 
 
 The two foregoing ftanaas are taken from four myftic 
 hymns of Le Moyne, in which, fubjefis, moft difficult, moft 
 fublime, are treated; but which, like thefe which are attempted, 
 muft lofe by any words except their own. 
 
 EXTRACTS
 
 ( 17i ) 
 
 EXT R ,A;€;,;,Xj# > I., =..,.(} rill 
 
 FROM 
 
 )X BONHEUR B'HELVECE. 
 
 CAI»(TO I. 
 
 1 oo plain I fee, this pleafure is a fliade, 
 Or fleeting gleam, in gloomy night difplay'd ; 
 Why Ih^cl then, Sybaiite, thy tears in vain ? 
 Does pleafure paft convert to prefent pain?— - 
 Wifdom replied : True joys he might have known^ 
 1 lad he in youth their feeds prolific fo"vvTi ; 
 Love is the blelfing of indulgent Hcav'n, 
 To form the huppicft (late, to mortals giv'n ; 
 
 Ici, je le vois trop, le Bonheur n'eft qu'unc ombre^ 
 Oeft I'^clair iugitif au fcin d'unc nult fombre. 
 Sybarite, pourquoi ces regrets impuiirans f 
 (iuoi les plaifirs paflcs font tes malheurs pr^fents ? 
 
 II pouvoit 6tre heureux» repliqua la Sagefll". 
 Qiic 1* Amour de plaifirs cflt femi fa jcuncfle j 
 I,' Amour eft un prefent dc la Divinite, 
 L'image de I'exces de f^ fflicitr. 
 
 This
 
 ( VG ) 
 
 This boon was his ; if with precaution fage 
 His pleafure he liad f6mif'd fbr ^'r^ age t 
 Why Ihould thefe tears then unavailing flow? 
 Uielefs reniorfe but atlds to guilty wo^^^- 
 
 But if the lover, in his frantic thought, 
 Feels for a time no change of wiilies wrought ; 
 Was there e'er one, who in ambition's flight. 
 Would wifli to reft in one unchang'd delight ? 
 Honours obtain'd but kindle the deflre 
 To honours more exalted, to afpire ; 
 Old hopes to new aflford a fertile womb, — 
 From hope to hope, man finks into the tomb. 
 
 II pouvoit en jouirj mais il devoit en fage, 
 Sc menager des-lors des plaifirs de tout age. 
 Que lui fervent helas ! ces regrets fuperflus > 
 L'iuutile remords n'eft qu'un raalheur de plus. " 
 
 Mais s'il eft des'inftans, oii plein de fa tendreffej 
 Un Ainant en voudroit eternifer I'ivrefle. 
 En fut-il un jamais, oil libre de defir, 
 L'ambitieux voulut s'arreter pour jouir. 
 La grandeur qii'il obtierit toujours porte avec elle, 
 L'impatient efpoir d'line grandevir nouvelle. 
 De cet efpoir rempli, nalt un defir nouvfeaxi ; 
 Et d'efpoir en efpoir, il a'?fiy« an tbmbeau. 
 
 CANTO
 
 (I 177 ) 
 CANTO r. . 
 
 But farthefon, ^vliat. crowds in humble guife^ 
 By paths obfcure to thefe abodes arife ! ^ . .- 
 
 Who while they' affe^ all grandeur to difdaioy,, 
 Yet by that fcori? their honours would attain : r 
 AVhat, monfter guides them?— hardened to.jr^f 
 
 niorfc, 
 Hypocriiy through crimes condudlstheircQUrfej 
 Who falfe to G<^4 .his, holy will proclaim^^ ,,^j- 1 
 A^d call to favage dee4s of blood, his name ; 
 W^th duft ^and allies flrQwn> to pow'r who creep, 
 And pride conceal'd beneath the hair-cloth keep ; 
 
 Mais plus loin-^ijielk fouler' jmmbdie en. (k contenan^. 
 
 Par des fcntiers obfcurs, jufqu'fr ces-monts s'avance, 
 Et vciit, en affedtant Ic mcpris des grandeurs, 
 Par ce mepris lu^-mfime, arrive?, aijix honneurs ? 
 Quel monftre les conduit ? la fombre Hypocrifie, 
 Aux crimes, a la honte, aux rcmords endurcic, 
 Qiji. fe jouant de Dieu feint dc U refpcil«r. 
 Qui dans tous fes forfaits ofe encor I'attefter, 
 Pour marcher au pouvoir rampe dans la pouirierc 
 £t cache, foji orgtfeil fous la cendr^ & la haire. 
 
 YOrU/SS. A A RcigDk
 
 : ( 178 ) 
 
 Rei- ri by impofture, and by ftupid fraud, 
 And while they feem t» fear, blafpheme their 
 God; ,^ 
 
 Wilfully tjiiiitl, and credulbuily bold, 
 Mifleading' Others in the faitii they hold j '* - - 
 With hate nnplacable, who far ranove 
 Each fociai fenfe of charitable love, 
 W'ludijSviiTIe the bofom glows with holy fires, 
 To man returns tlie warmth which God infnires; 
 Th^fe are the hionllers, who in fhape, and hue. 
 Like to hei^elf, -all woi^th to death purrue; *^^' 
 Peaci^ in'theiv foreheacls, fer' Vithiti tlieir hearts, 
 Wh'erice>' leeii' bi'ihe'ard,'\Hi;'h ti6fr6iV Heav n" de^ 
 
 y ' " ^ ' ' ' ' ' ' - . " . ^ ,,■■". i .. '. 
 
 Des aveugles mortels ce monftre refpeftc, 
 , Regne par I' impofture & la ftupidite. 
 Par la cfainte d'an Dieu qii'en feei^t il bkfpWlnt^'* 
 Par la CT^dulit5'-;qwI- s'aveiigle xUeim^me. ' ' 
 
 II guide fiir ' CCS tiittnts €'autrcfs' aitibiticux ; ^^" 
 
 Implacabfe en fa haine, ii ecaite loin d'eiix '' i-'LjP 
 La tendrecharite,' qtti'braiant d'mi faint tcU]^ ^"^ 
 Rend aux humaite P^rftOui" que'lijs^bieux'drtt poUr ijie. 
 De toutis les vert6i i6\6 perfdciiteuf^ ' ■ ' '-^' 
 La paix' left fur fon front & la guerre en'ft'i^ ca^(i?: 
 Avep'h<OT<eur 1^ Ckl, '& le voit, dt^l'ccouteV^-'-^"' ^^
 
 ( I7f) ) 
 
 CANTO III. 
 
 See in the facred vale my verfe difplay 
 ^^ve'« myrtle blended with Apollo's bay ; > 
 Love is the god to whom my ardours rife, 
 Tyrant o'er fools, fubfervient to the wife ; 
 To one he chains, to th' other blifs imparts ; 
 And while he rules our fenfes, warms our hearts, i 
 Anacreon here, by happy wifdom led, 
 Show'rs PIcafure's rofes on his fair-one's head ; 
 Unveils her beauties, celebrates her fway, 
 And warbles here his o\yn mellitVous lay. 
 
 Ma main entrelap dans le facre Vallon, 
 Les myrtes de I'Araour aux lauriers d'Apollon. 
 L'A.moiir eft un des Dieiix a qui je rends hommage, 
 C'eft le tyran d'un Fol, mais I'cfclave d'lrti Sage. 
 II donne i I'un des fers, k I'aiure des plaifirs. 
 Ici, des fens, dii toeiir, iiiaitrifant les dedrs, 
 T.'heureux Anacrcuii, giiidt- par la SagclTe 
 Des rofes du plaifir colore fa MaitrcflTe, 
 IX'Voilc fes beautcs & c^lebre rAniour. 
 Cliantre vo;luptueux il re^c en ce fijc>m. 
 
 Enjoy
 
 ( 180 ) 
 
 Enjoy tlic beauties Spring's fwift minutes fend ; 
 The flow'rs, juft budding, haften to their end : 
 Let foft remembrance in your hearts infpire 
 The fleeting j ^y, and kindle new defire; 
 Talk with the Sage, and with the Graces dance ; 
 lu ev'ry ftep, let Love's ecltatic trance 
 Prolong the moments which his tranfports bring, 
 Behoid where Pfyche atreturn of Spring, 
 Flutters around the rofe with fondeft care, 
 Or refts fufpended with delight in air ; 
 Gazes awhUe upou its form ^nd hue, 
 Then on its bpfom fips the honied dcM' : 
 
 » — . ' ■■ ■ ■ I .. ' . .- .- . ' . i — 
 
 Jouiflcz des beautes que le Prihtemps fait naltre, 
 La fleur a peine eclofe eft prete a difparoitre. 
 En vos cceurs, difoit-il, que I'heureux fouvenir 
 D'un plaifir qui s'eteint y ralUime un defir. 
 Caufez avec Zenon, daofez avec les Graces. 
 Puifle 1' Amour folatre, emprefie fur vos traces, 
 De fon ivreflc en nous prolonger les inftans. 
 Voyez ce papillon au retour du Printcnips, 
 Comme il voltige autour,d'une rofe nouvelle, 
 Se balance dans Pair, fufpendu fur fon aile, 
 Contemple quelque temps fa forme & fes couleurs, 
 Et vole fur fon fcin pour ravir fes faveurs. 
 
 Thus
 
 ( 181 ) 
 
 Thus when Aurora's blufh, enllght'ning lieav n, 
 To beauty has the gift of pleafmg giv'n, 
 While I inhale the fweets her charms difclofe, 
 I am the Pfyche, Doris is the rofe : 
 With ardent look, which prudence fcarce reftrains, 
 I view the forai, where languid foftnefs reigns ; 
 Where the contour now meets, now ihuns the 
 
 fight, 
 And by delay provokes prolpng'd deliglit ; 
 Now in her ^r^ns jio more relu6lant prell, 
 I rife to rapture, or I fmk to reft ; 
 Two beings blended in one form alone, 
 We die, reviving, upon Cupid's throne. 
 
 Ainfi lorfque TAurore eclairant l*hemifpherc, 
 
 Vient rendre a 1» be^utc le ^oa, lieureux de plairCi 
 
 Ce papillon, c'eil nioi; la rofe, c'efl; Doris. 
 
 Admirant de fon fein I'incajrnat S( les lys, 
 
 Mon ayide regard contemple avec ivrefle. 
 
 Son beau corps arondi des mains de la MoUeffCr 
 
 Ne puis-je du defir raodercr les fureurs ? 
 
 Je vole entre fes bras & ravis fcs faveurs. 
 
 Dans I'exccs du plaifir nos ames femblent craitre, 
 
 S'unir, fe p^nctrcr & n% former qu'un 2tre. 
 
 Mourons & renaiffons fur I'autel des Amours. 
 
 CANTO
 
 ( ^,s^ > 
 
 (A MO III. 
 
 * 
 
 Sii^ ended here, and where with rapid pace ^'^ 
 ]\f y guide conduced,-. I her footftep trace, 
 Till where I follow'd on enchanted ground, 
 Tlie fane fublime of Happinefs L found ; 
 Here Arts and Pleafures held their lov'd abode ; 
 Cupid and Phoebus each their wreath beftow'd ; 
 Content difplay'd its gently lambent flame, 
 And Rapture glow'd mih ardoor ft ill the fame/'- 
 
 , ': ■■ ■ ■ ■•;_ i 
 
 " Time here," faid Wifdom, *' has with equal 
 pow'r 
 
 ' ' Affign'd to man his light, his darker hour ; 
 
 . . . __ ^ 
 
 En achevant ces mots fur ks pas de mon guide, 
 Entraine tout-S-coup d*une courfe rapide, 
 Dans un fejour riant je me vois tranfportd, 
 Et me trouve au palais de la Felicite. 
 Les Arts & Ics plaifirs environnoient fon tron^j 
 ApoHon & 1' Amour foutenoient fa couronne. 
 Le calme de fon ame ^toit peint dans fes yeux^ 
 Et la joie y brilloit toujours des memes feux. 
 
 Le Temps, me dit alors la, divine SagelTe, 
 pont parmi ks humains la jpie on la trjfteffe^ 
 
 i( 
 
 Bv
 
 ( 183 ) 
 
 ** By turns he haftens, or retartU his wings, . 
 *' And clay to day its changeful tribute brings i 
 ** While I,---UT?alter"d happin«l*s who draw ■■ i 
 *' R'om one perennial fource^^ by iNature's law, 
 " Vor wlioin 'Timfc traces noinconftant line, — ' 
 ** Dwiell ih this palace, and this throne is niine."^ 
 
 ' 'l?Tfe fysLke, — -a maib of intervening. clouds- IT 
 My- fight oppofes[ and" tlie vifion fln'owds ; i; ,11 1 
 My dream was clbs'd ,* and waking reafon ilidwl'^y 
 Ftom independent ai-tS) that pleafure flow'd ; ! // 
 Tliat ditf 'rent taftcs in diff 'rent men prefide,<o f 
 Tha,t all to good, xf well.dire6t^d, guide;{tj; y/oA 
 
 ToufrSl-taur precipke bu ralentit le cours ; ••; . tif'I 
 Par.des plaiiirs ^gaux meiiire jci ies jourg. ' ' 
 
 Et moi, du vrai Boulieur i^ fource intajiUabl*;, yj 
 Qjj'i la feliciti- le de(Hn inunuable, f 
 
 Atticha.de tout temi^fi par )c plus doux lieji, > 
 
 J'habite ce palais, & ce. trCnC; eft le. mien, a 
 
 EUe dit, 8( moo, Ceil ^itravers^iCnt nyages, , ,(i 
 Ne vit pius qu'un aflw^ de con fufpsfi images. .j 
 
 Mon fonge dWparut : j«i ,Y\% qu'^ chaque inftunt 
 Les Art^ confolateurs, pl»ilir iodppendaut, 
 :Nbus ouvroieat du fionhpur la ipurce incorruptible; 
 (iue dc ; gouts dilfereos plus I'liommq eft fiiiieeptibl<;, 
 
 :iiT)ii\^ And
 
 ( 18+ ) 
 
 And as the greater number bear the fway^- 
 More lure to ha^pinefs they point the way ; 
 That ftudy can true joy alone fupply, 
 Shun the world's vices, and its wrongs defy ; 
 AiwI where Corruption has not fix'd hj2r feat,, 
 Trace the dellgn, which Virtue niuft complete.' 
 
 Henceforth, fatdl^ the world and all its wiles 
 I fhun, and follow whciie true Wifdom fmili^-jl/l 
 fiefolv'd to feek, fexrnrdJtQ fihd ^he joy;, , . . ; > yi^ 
 Whioh Fortune gives ndt, nOrcanGhanee d^ikff^f 
 Too mild for torment, riot too faint to pleiafey i i" 
 Love aiid the Mufe ihall' weave; my web of; eaf<tf 
 
 plus un mortel en peiit raflejnbknr'en^fon coeur, 
 Et plus il reunit de lources du Bonheur. 
 Que I'itude lui fait braver les injiiftices, 
 Peut feule en I'oqoupant: le derober aiix vices; 
 Et dans un coeur enfin qu'ils n'ont point corrompu^t 
 Ebaucher le Bonheur qu'aeheve la vertu. .-i'l 
 
 Du nwnde, dis^je'afo^r*,' j'evlt«i-^f4''ivre(re;* ilib allS 
 Dans le fentier ffeiiri que m'ouvrft la fagefl^, ' "M 
 Je veux porter rae& pas^ r^folu d^y chercher '-^ 
 
 Des plaifirs. quC le fort ne jiaurra m*arracher,i 'I 
 TfopidotiK pour me ti-oobler, affeit vifs pour inepkiiJd: 
 De- paflbf touk-iaitDiir dii Parnafle a Cy there j i 'vy 
 
 b;i/. ' • Intent
 
 ( l^^ ) 
 
 Intent to cull, M'hcre Spring permits the pow'r, 
 The fruit of Reafon, and of Blifs the flow'r. 
 
 UNEXPECTED FEAR, 
 
 BY MSELLE BERNARD. 
 
 When prudent Damon, with a brow feverc, 
 Tells me Avhat tonnents wait on love, 
 What treafons, wrongs, the heart muft prove. 
 
 Calm I attend, and feel no fenfe of fear : 
 
 But when young Atis paints, with doating eyes, 
 How fond the truth, how fweet the joy, 
 "Which frolic round the lovely boy, — ■'<' 
 
 Ah me ! what terrors in my bofom rife ! 
 
 Et d'etre en mon printemps attentif a cueillir, 
 Les fruits de la raifon & les flcurs du plaifir._ 
 
 -fr 
 
 V 
 
 QjJAND le fagc Damon dit que d'un trait mortel, 
 L' Amour blcfle les coeurs fans qu'ils s'ofent fc plaindre, 
 
 Que c'eft \in dieu traitre 8c cruel, 
 
 L'amour pour ftioi n'eft point a craindrej t 'lui 
 
 Mais quand le jeunc Atis nie vient dire 4 fon tour, 
 Ce dieu n'eft qu'un enfant doux careflant ainiable, , 
 
 Un enfant plus beau que le jour, 
 
 (iye je le trouve redoutable I 
 
 VpL. II B B TO
 
 ( 186 ) 
 TO A NIGHTINGALE: 
 
 TRANSLATED FROM ROUSSEAU THE POET, 
 LlV. II. ODE X. 
 
 I. 
 
 "VviiY, Philomel, in mournful ftrain, 
 Still doft tliou of thy woes complain ? 
 When ev'iy objc6l to thy grief 
 Attentive ftrives to bring relief, 
 And Nature wears her faireft face, 
 At thy return, to win thy grace ; 
 When to thy loves their thickell fliade 
 Is by the confcious Dryads made ; 
 And far from thee, with piercing fnows, 
 The fury of the north-wind blows ; 
 The earth refumes her gieen array, 
 And fkies emit a purer day ; 
 For thee the breeze, with genial dews. 
 On Flora's brow the wreath renews ; 
 And Zephyr bears along the vales, 
 Eacii perfume that the earth exhales. 
 
 II, To
 
 ( 187 ) 
 
 ir. 
 
 To liften to thy Aveeter note 
 
 Each bird reftrains its ruffled throat j\VV 
 
 And fportfmen, ftecl'd to eacli pretence 
 
 Of pity, fpare thy innocence : 
 
 Yet mem'ry with inceirant courfe, .. ; 
 
 Still keeps alive thy forrow's fourcc ; . p^ 
 
 Wliile on a fifter's favage wrong, p 
 
 Thou poureft ftill thy plaintive fong. 
 
 My mournful thoughts, alas ! bellow 
 
 A fubjeO; of feverer woe ; 
 
 For paft diftrefs thou mourn'ft alone, 
 
 For prefent ills I niakp my moan ; 
 
 And while with ev'ry lenient ba^m, 
 
 All nature feeks thy grief to caXn^-^j^^r,. 
 
 To me my cruel fate denies 
 
 The comfort e'en of fecrct fighs. 
 
 ;T 
 
 TRANS-
 
 ( 188 ) 
 TRANSLATIONS , 
 
 FROM . ■' I 
 
 THE GllEEK ANTIIOLOGtA>''^ 
 
 I. J 
 
 Now ftormy Winter from the ikies is flowri, 
 
 And Spring in fmiles remdutits his flow'ry throne; 
 
 "^ If 
 The grafly earth refumes her bright array, 
 
 And teeming boughs their ne\v-boiTi leaves' dif- 
 play; umtt^Ii 
 
 The lawns imbibe the morning's g-etiid de^-, 
 And blufhing rofes half difclofe their hue ; 
 With Ihepherd-pipes the hills and vallies found, 
 And goatherds fee with joy their kids rebound : 
 O'er ocean's furge fecure the failor goes, 
 With fwelling fail, as Zephyr harmlefs blows f 
 The vow already is to Bacchus paid, 
 And ivy leaves each curling forehead fhade : 
 Their fkilful work the bufy bees refume, 
 From ev'ry flow'r fele6ling rich perfume ; 
 -?xA^T - Or
 
 ( m ) 
 
 Or fix'd within the JiiiTj in equal rows 
 Tlie nice arrangement of their cells diipole : 
 Now chaunt the feather'd choirs ; the halcyon 
 
 bred - 
 
 On dancins: waves, the fwallow in the flied, 
 The fwan, that near thie fiver^s margin roves, 
 And philoTiVei, ^hat;ti%lifly'liatitit*l^te'gfbves. 
 If thus their joys^ ^ai'th, plants^ and. flow'rs cUf- 
 
 play, 
 If flicpherds pipe, and flocks attend the lay, 
 If Neptune fmiles, and Bacchus leads the dance^ 
 If birds in foni^, if bees in toil advance, 
 How fliall the poet not enraptur'd fmg, 
 And hail the bounties of the rifnig Spring. 
 
 I!.' 
 
 J-iibI , ON AESCHYLUS. T 
 
 Hf:, Sdio the fabric of his tow'rrng lays 
 In frowning pride of niajefty could rear, 
 
 Firft in the fternnefs of the tragic plirafe, 
 Euphorion's offspring, iEfchylus, lies here ;
 
 -( 190 ) 
 
 Far from his native Eleufinian coaft, 
 Tiiiiacria makes his monument her boaftt 
 
 III. ' • '■ 
 
 "".''1 ON NINON: ', ',', 
 
 APPLIEt) FROM A GREEK EPIGRAM. 
 
 Ninon, though far in iengthen'd age declin'd, 
 No grace of youthful beauty has refign'd ; 
 Her eye yet ghft'ning, and her cheek yet ^arm, 
 
 Through fcores of years forget not ftill to charm : 
 Nay, childhood's levity Hill lafting fhows. 
 That Time m vain would Nature's pow'r oppofe. 
 
 IV, 
 
 To thee thefe flowVs I fend, too haughty fair! 
 Cuird by this hand, and wreath'd to bind thy 
 hair; . , , ^ 
 
 ''.!■: .1 ./Oil li . 
 
 The rofe new-blown, the lily moift with dfiWj;^j:£ 
 The vain narciiTus, and the vi'let Wue,p,.,,^jj.,.'j^ 
 
 Wear
 
 ( 191 ) 
 
 Wear thefe, and check tky pride, more humble 
 
 made, 
 They bloom like thee, but thou like them Ihalt 
 
 fade. 
 
 APPLIED TO VVERTER. 
 
 Onb favor 'd hour alone I found the fair, r 
 
 And thus,her knees embracing, pour'd my pray'r ; 
 *' Oh fave the man reduc'd fo near to death, ^ 
 *' Deign to recall his fleeting gafp of breath : 
 "I fpake; flie wept; — when rous'd with new 
 
 alarms, 
 *' The tsar llie dried, and caft me from lier armi," 
 
 VI. "'^''['""^ '""^ " 
 
 Not yet hath Summer to our fight reveafd 
 Thy beauty's flow'ret in its bud conceafd ; 
 Not yet the grape allumes its deeper hue, 
 Whofe virgin bluilies firfi inchant our view ; 
 
 But
 
 ( 192 ) 
 
 But youthful Loves tlicir rapid fliafts prepare, 
 And the fpark fnioulders e'er it burft in air : 
 Fly, hap^iefs lovers, e'er they touch tlie firing ^ ■ 
 I feel the flame, amd what I feel, I fing. 
 
 FROM 
 
 COLARDEAU, 
 
 IN THE TEMPLE DE GNIDE. 
 
 Scarce on their bofoms yet arofe to fight 
 Thofe orbs, which Cupid moulds with fond de- 
 light ; 
 Whoferip'ning charms by youth's expanfiveheat. 
 Beneath th' unwelcome veil inceflant beat : 
 Thus at the dawn we fee an op'ning flow'r, 
 That newly feels the fun, exert its pow'r, 
 Burft through its verdant chalice, and difplay, 
 In blufliing pride, its beauties to the day. 
 
 A peine I'on voyoit s'elever fur leur fein, 
 Ces globes que I'Amonr arrondit de fa main ; 
 Ces charmes que le feu li'une ardente ieunefTe, 
 Sous un voile iniportuii fait palpiter fans ceffe : 
 Au lever du foleil, tel on voit une fleur, 
 Des premiers feux du jour, relfentir la chaleur; 
 RepouflTer, dechirer le tiflTu qui la couvre,. 
 Bt mootrer les trdfors de fon fein qu'elle entr'ouvre. 
 
 EXTRACTS
 
 ( 193 ) 
 
 EXTRACTS 
 
 FROM 
 
 THE WORKS OF DOR AT. 
 I- 
 
 FRAGMENT. 
 
 Far be from us vain Fafliion's aid ! 
 Be Nature follow'd, as her counfel leads ; 
 
 Drefs and its pow'r, thou lovely maid, 
 From want of genuine charms alone proceeds. 
 
 Weave from the flow'rs beneath thy feet 
 A fimple chaplet, without farther flioV ; 
 
 The Graces are the lefs compleat, 
 When Art the more its fuccour would beftow. 
 
 Loin, loin de nous les vains ApprSts, 
 
 Suivons les pas de la Nature; 
 Belle Egle, le defaut d'attraits 
 
 Fit fcul inventer la parure. 
 
 Dcs fleurs qui naiflent fur tes traces 
 
 Couronne toi, fans autres foins 
 Tout ce que I'Art ajoute aux Gi'aces, 
 
 En eft toujours une de moins. 
 
 VOL.. II. I c c The
 
 The pride of outward treafures feen, 
 Obfcures the liiiue of each native grace; 
 
 Praxiteles, thy Cyprian (jueen, 
 Scorns oh her form all ornament to place'. 
 
 Charms yet there arc ;^but thefe, with prudent 
 
 pride, 
 JMyftery loves with fond referve to hide; — 
 Gi\e me, O Ijo\^, of thefe the right to fpeak, 
 My lips, I proriiife, ihall not filenoe break. 
 
 Le fade des ajuftemens 
 Nuit i la Gnice natiirelle ; 
 Cert la Veniis de Praxitfcie, - 
 
 Qii'on gate u i'oice d'ovnemens. 
 
 11 en eft — le dieu du Myftere 
 Se plait lui-nx^me k les voiler ; 
 Amour ! que fe puifre en parler ! 
 
 Je te promets bieh de ine tair'c, 
 
 II, THE
 
 ( ^95 ) 
 
 II. 
 THE MORNING KISS, 
 
 OR 
 
 THE BIRTH OF DAY, 
 
 The ftars yet fhone, the dawn arofe 
 
 AV'ith (ioulitful gleams, which, faintly bright, 
 
 eoiiUl har;dl^^ Fior^'^ eye,s u.nclofe, 
 
 Who ftill details with fond delight 
 
 The youth for >vhoj\n lier bofQin Jg;^o^vs. 
 
 The breeze difports, on healthful wing, 
 With _{\q)v bfefprint, acrofs the fkies ; 
 The feather'd choirs begin to fing, 
 
 Lcs etoiles brilloicnt encore : 
 A peine un jour foibte & douteux 
 Ouvre la paupiere de Flore, 
 Qui, dans fes bras voluptiieux, 
 Retient I'inconfiant qu'elle adore. 
 Le fouffle humide d'un vent fr^is 
 Effleure les airs qu'il epure, 
 Soupire i travers ccs .bofi^iiets, 
 
 As
 
 ( 196 ) 
 
 As through the ruftling grove it flics ; 
 And waking Nature haftes to bring 
 Her frefheft odours, richeft dyes. 
 
 Sleep flill o'er thee inclin'd its rod, 
 Redeeming thus the Happy night, 
 When w€ to L,ove's enchanting god 
 Hq,d frequent paid the fecret rite. 
 
 No fleep was mine ; a richer prize 
 To frenzy rais'd my fenfes know ; 
 And while I catch thy panting fighs, 
 Fix'd on the goddefs are my eyes, 
 To Avhom my deareft blifs I owe. 
 
 ih ihiiy 
 
 Et vient hater par fon munnure m' 1 
 
 Le chant des hotes des forets 
 
 Et le\-eveil de la nature, 
 
 Tu goutois un profond repos, 
 
 Apres une nuit fortunee, 
 
 Qiie nous avions abandonnee 
 
 Au 4ieu des amoureux travaux : 
 
 Moi, je veillois : dans mon ivreflc, 
 
 Je recueillois tes doux fpupirs, 
 
 Et mes yeux, brulans de tendrefle, 
 
 Se repofoient fur la deefle 
 
 A qui je dois tpus mes plaifirs. 
 
 Thy
 
 ( 197 ) 
 
 Thy trcfles float in loofe array, 
 And fpread their only veil, to hide 
 Thy charms expos'd, whofe blufhing pride 
 Such artlefs chance can beft difplay. 
 
 Serene upon thy placid brdws 
 Contented wifhes fmk ta Teft ; ' 
 But o'er thy agitated bread 
 Rapture his robe of crinifon throws. "'^-^ 
 
 Thus, when the tempeft is withdrawn, 
 In fragrant heaps we fee combin'd, 
 The rofe and lily, which the wind 
 Had fcatter'd o'er the mofly lawn. 
 
 Les anneaux de ta chevelure 
 Flottent au hafard r^pandus, 
 Et voilent feuls tes charmes nus, 
 Dont le dcfordre eft la parure. 
 Ton front peint la {6renit6 
 Et du bonheur & de la joie ; 
 Sur ton fein emu fe deploie 
 L'incarnat de la volupte : 
 Tels quclqufois, apres I'orage, 
 On voit, en monceaux parfum^s, 
 La rofe & les lys parfem^s 
 Jonchcr ics gazons du bocage. 
 
 Thy
 
 ( 198 ) 
 
 Tliy lips, wliJch Love has arm'd with all 
 That grace can give to fix his pow'r, . . 
 Freili as the morning's dewy lljow'r, 
 Half-op'uing feem on me to call. 
 
 Thy arms tliat, while foft langoiu's fteikl, 
 By flow degrees, their folds unbind, ,,,,^^f^,^) 
 Unknown to thee, thy dreams reveal, 
 And towT4s thy lover are inclined, rnilui 1! 
 
 Bi^t gaining now its utmoft height. 
 The radiaat l^p , of V eni^s ^lo ws, 
 And ev'ry a<^ded beam of li^it 
 An added cj>ai'm of Jl^^\\ty iliOM's. 
 
 it.t<A 
 
 Ta bouche qu 'amour fut armer 
 De la grace la plus touchante. 
 Plus fraiche que I'aube iijaiirante, 
 Semble s'ouvrir pour me normncr; 
 Et tes bras, dont la nonchalance 
 Se developpe mollement, 
 Quelquefois avec negligence 
 Sont etendus vers ton anunt. 
 Mais cependant fur I'hemiCphefe 
 Venus fait luire foji flambeau; 
 Chaque degrc de la lumiere 
 Me revele un charin« oquvcau : 
 
 X^X O'er
 
 ( 199 ) 
 
 O'er all the trealiires I }X)ireft, 
 lily light with Itill unfated gaze, 
 My hand in fond enchantment, Itiays, 
 And ftill by fonie more rich carefs 
 I mark the morn s progreffive blaze. 
 
 Now o'er tlie fkies in rapid ftream 
 The rays their redd'ning courfe purfue, 
 And while my wiflies flame anew, 
 In evV}" glowing kifs I feem 
 To give the dawn a brighter hue. 
 
 Sur tous les tr^fors que tu WiWes 
 En proie •! mon avldite, 
 J'cgare mon ceil enchant^, 
 Et veux marqiier par nies carefies 
 Tous les progr^s de la clart^. 
 A mefure qu'ellc colore 
 L'horizon qui va s'enibrafer, 
 Vn feu plus ardent me d6\orc ; 
 Et je crois que chaque baifer 
 Ajoute un rayon X I'aurorc, 
 
 How
 
 ( 200 ) 
 
 How did I hail the certain ray !!! — 
 The ftars retir'd abaih'd and pale , 
 Thy fwimming eyes threw up their veil, 
 And gave the perfect birth of day. 
 
 III. 
 
 LA TRAGE'DIE. 
 
 With eyes of fire yon bard*, by time rever'd, 
 Behold, with altars to his worfliip rear'd ; 
 Lefs rais'd, a raortalf fits befide the throne. 
 From polilli'd tafte, who takes his brilliant crown. 
 
 Corame je fetai fon retour! 
 De la nuit les aftres palirent, 
 Tout-a-coup tes beaux yeux s'ouvrirent; 
 C'eft toi qui fis naitre le jour. 
 
 Les yeux etincelans, quel vieillard dans ce lieu?. 
 Environne d'autels, femble en etre le dieu ? » 
 
 Un mortel moins altier, aflTis au meme trone, ' 
 
 Rejoit des mains du gout fa brillante couronne. 
 
 * Corneille. •{• Racine. 
 
 i. 1 ' Whofe
 
 ( 201 ) • 
 
 Wliofe dreadful rival* loves his fcene to fteep 
 In ftreams of bloody tears, and carnage deep; 
 While all the various laurels which they wear, 
 Combine to crown the forehead of Voltaire. — 
 
 Here the fam'd adrefs, with afpiring pride, 
 Aflumes her honours near the writer's fide; 
 Here in foft verfq,* and griefs enchanting mein, 
 Champmefle pours her forrows to Racine; 
 While Le Cowcrcur in woes with downcaft eyes. 
 Strikes her Corneille with tranfport and furprife. 
 
 Lciir terrible rival, pour tracer fes tableaux, 
 Dans le fang & les pleurs trempe fes noirs pinceaux ; 
 Et leurs lauriers epars, couvrant le fanftuaire, 
 Viennent fe r^unir fur le front do' Voltaire. 
 La grande aftrice, admife en ce lejour divin, 
 Marche & s'enorgueillit pres du grand ecrivain. 
 R^citant ces beaux vers, oCi I'amour feul domine, 
 Champmed^ pleure encor dans les bras de Racine ; 
 Et le Couvreur, I'ceil fombrc & de larmes baigne. 
 Attache les regards de Corneille etonne, 
 
 • Crebtllon. 
 
 VOL. IT- D D Yc
 
 ( 202 ) 
 
 Ye mIio the clianiis of baxds like thefe recite, 
 Partake their glory, cUiini your kindred right ; 
 Pride of tlie pencil in each fnmptiious feat, 
 Your vaiious forms our pleas 'd attention meet: 
 Here weeps Gauffin ; there, Dume/hii, we hear 
 Thy tones of terror piercing and fevere ; 
 While fimple Nature Ihows her graceful pow'rs, 
 And crowns, CLairon^ thy breathing bull with 
 
 flow'rs^ 
 
 Vous, de ces demi-dicux modernes interpretes, 
 La gloire vous attend, & vos palmes font prates. 
 Chef-d'ceuvres du pinceau, dans ces pompeux reduits 
 Deja vos traits brillans font par-tout reproduits. 
 Ici pleure Gaufliin, toujours fenfible & tendre : 
 La, c'eft toi, Dumefnil, toi que I'on croit entendre. 
 La nature enrlchit ton fimple medallion; 
 Et I'art couvre de fleurs le bufte de Clalron. 
 
 IV. VOPERA.
 
 ( 203 ) 
 
 IV. 
 
 L'OP E RJ. 
 
 \^^HEX fam\l Timotheus, with his lyre in 
 
 By found exerted his fuprcme command ; 
 
 In M'ailike ftrain, or love's alhiring lay, * 
 
 Made Philip's fon fubmit to mufic's fway; 
 
 Rais'd him to tranfport, while his bofom burns 
 
 With love, with hate, ^\ ith joy, revenge, by turns; 
 
 Made him affume, or lay his arms afide. 
 
 Now glow with rage, now melt in ibrrow's tide ; 
 
 Againft Pcifepolis now rear his arm, 
 
 Then gaze on Thais bound in am'rous charm ; 
 
 Lorfqu'un chantre fameux, une lyre k la main, 
 Exerjoit des accords le pouvoir fouvcrain, 
 Et par une harmonic, ou belliqueufe on tcndrc, 
 Maitrifoit le genie & I'ame d'Alcxandre, 
 EchaufFoit fes tranfports, renivroit tour-i-tour 
 De douleur, de plaiiir, de vengeance Sc d'amour, 
 Lui faifoit a fon gre prendre ou quitter les armcs, 
 PouflTcr des cris de rage, ou repandre des larmes j 
 Rallumoit fa fureur contrc Perfepolis, 
 Oil le prccipitoit fur le fein de Thais, 
 
 Then
 
 ( 204 ) 
 
 Then can I think, in each accordant mein, 
 That energetic paffion was not feen ? 
 The look Orphean, tender, or fevere, 
 More than his accent made his thought appear ; 
 In ev'ry gefture was the frenzy fhown, 
 And his eyes fpoke fuperior to the tone. 
 While action gave, as truth and fkill infpire, 
 Life to the fong, and fpirit to the lyre. 
 
 Puis-je croire qu'alors un front plein d'^nergic, 
 De ces divers accens n'aidat point la magie ? 
 Les regards de I'Orphee, altiers, fombres, touchans 
 Peignoient les pa:(nons, mieux encor que fes chants j 
 Dans tous fes mouvemens refpiroit le delire : 
 Son gefte, fon vifage accompagnoit fa lyre, 
 Et de fon aflion I'eloquente chalcur 
 Trcinfmettoit a fes fpns la flamnie de fon coeur. 
 
 V. V OP ERA.
 
 (^ 205 ) 
 
 V, ■ W 
 
 ^^^ ' L'O P E R J. 
 
 Within tlicfe groves Rinaldo finks to reft, 
 No more a warrior, with a floating crefl, 
 No longer proud in cruel deeds of arms, 
 But like Adonis fleeps fecure in charms ; 
 Armida fees him, fcreams with frantic rage, -j 
 Bent in his blood her anger to alfuage ; 
 O fudden change ! Armida trembles, fighs, 
 
 Views the young hero with relenting eyes ; 
 Thrice rears her arm t' avenge infulted pride, 
 And tlirice her arm falls languid at her fide ; 
 
 Dans ces rians jardins Renaud eft endormi, 
 Ce n'eft plus ce guerrier, ce fuperbe ennemi, 
 Ombrage d'un panache & cache fous des armes; 
 C'eft Adonis qui dort, protege par fes charmcs. 
 Armide I'apperfoit, jette un cri de fureur, 
 S'elance, va percer fon inflexible coeur.... 
 O changement foudain! elle tremble, foupire, 
 plaint ce jeune h^ros, le contemple & I'admirc. 
 Trpis fois, pr5t i frapper, fon bras s'eft ranimi, 
 Et fon bras qui retombe eft trpis fois d^farm^. 
 
 Witli
 
 ( 206 ) 
 
 AVith ihortliv'd rage rekindled now flie burns. 
 Threatens Rinaldo, and adores by turns ; 
 Quits and refumes the poignard, doom'd to prove 
 That the laft tranfport is tranfporting love. 
 
 VI. 
 
 LA DJliSE. 
 
 Fre*; from reftraint, a wood-nymph us'd to rove. 
 Her quiver only was her fliield from love, 
 And oft her jhafts, in fylvan gore imbru'd 
 The light-lioof'd hinds, beneath her fway fub- 
 du*d : 
 
 Son coiirroux va renaitre & va mourir encore : 
 
 Elle vole a Renaud, le menace, I'adore, 
 
 Laiffe aller fdn poignard, le reprend tourra-tour; 
 
 Et fes derniers tranfports font des tranfports d'amour. 
 
 Indiffe'rente & libre, une nymphe des bois 
 Pour feule arme aux amours oppofoit fon carquois, 
 Et fouvent renverfoit de fes fleches rapides 
 Le faon aux pieds legers, & les biches timides. 
 
 Thus
 
 ( 207 ) 
 
 Tims wancrring was Ihc by a hunter fecn, 
 Who fcom il her iliafts, but felt a dart more keen ; 
 1'he diff "rent purpofe of tiieir motion view. 
 Her fwift to ily, hira fwifter to purfue; 
 Defire to him gives eagle-wings of love, 
 Slie fpreads the pinions of the fearful dove ; 
 What warmth in both, what turns they each 
 
 difplay, 
 And now he touches, now lias loll his prey ; 
 At laft Uie trembling from his grafp evades, ; 
 And panting feeks the cool of foreft iliades ; 
 There falling near a friendly tree Ihe droops, 
 And her pale cheek upon her bolbm iloops : 
 
 Errante, I'arc en main, de r^diiit en rcduit, 
 Un faune I'apper^oit, s'enflamme Sc la pourfuit. 
 Voyez lea mouvemens dont leur anie eft atteinte, 
 Et I'aile du defir, & le vol de la crainte. 
 Quelle ardeur dans tons deux ! que d'agiles detours ! 
 Le faune joint la nymphe ; elle ^chappc toujoiirs. 
 Elle fe fauve enfin, treniblante, fans compagne, 
 Et gagnr, en haletant, le haut d'une montagne. 
 Lsi, fe laiffknt aller pres d'un arbre voifin, 
 Son col abamlonnc touche aux lys de fon fiein. 
 
 Again
 
 ( 2()vS ) 
 
 Again the hunter fluih'd with joy appears, 
 His llrenojth increafmg with her growing fears *, 
 His feet, his eyes, like lightning fwift and bright, 
 Lefs rapid wings a Ihaft its airy flight; 
 Like Daphne Ihe her falt'ring fpeed refumes, 
 While Hope her crefcent on his front relumes ;'■ 
 -And now his breath has reach'd the flying fair. 
 Pants on her fhoulder, revels in her hair: 
 His pardon, crav'd, is in a figh difplay'd; 
 He grows more lovely, and lefs coy the maid ; 
 Yields by degrees ; the foft emotion owns ; 
 Forgives the vi6lor, and his conqueft crowns. 
 
 Le faune reparoit : il treffaille de joie, 
 
 Et retroiive fa force, en retrouvant fa proie. 
 
 Ses yeux font des flambeaux ; fes pas font des eclairs ; 
 
 Une fleche eft moins prompte a .traverfer les airs. 
 
 La nouvelle Daphne freniit, tremble, chancele : 
 
 Au front de fon amant I'efperance etincele ; 
 
 Du fugitif objet, qu'effarouchent fes voeux, 
 
 Deja fon fouffle ardent fait voler les cheveux, 
 
 II I'atteint, il foupire, il demande fa grace : 
 
 Le faune s'embellit, la nymphe s'embarrafle, 
 
 Se livre par degres a ce trouble enchanteur, 
 
 Tombe, fe laiffc vaincre, & pardonne au vainqucur. 
 
 TRANS-
 
 ( 209 ) 
 TRANSLATIONS 
 
 FROM 
 
 THE DIONYSIACA OF NONM'^S. 
 I. 
 
 BOOK IV. 
 
 Nk'er (lid my eyes fuch beauty yet behold ; 
 For lavifli Nature has on Cadmus lliow'r'd 
 Each bloom of Spring : 1 faw his rofy hands, 
 I faw his eyes, whence Hybla's fweets diftilfd ; 
 And in his cheeks, infpiring foft defire, 
 Light glow'd the bluihes of the new-blown rofe : 
 1 lis legs, and feet, as gracefully he mov'd, 
 Of fnow, of crimfon, darted mingling rays; 
 And on his a¥ms the lily's whitenefs Hione : 
 His locks, — but thofe I pafs, Icaft I excite 
 The wrath of Phoebus, daring to degrade 
 Thofe of his much-lov'd haplefs Hyacinth. 
 \Vhene'er, with foul-enchanting fpell, he turn'd 
 His eyes quick-glancing, with lefs fplendour 
 
 beam'd 
 y9X..l}i. E E The
 
 ( '-210 ) 
 
 The full-orb'tl moon ; and when his waving hair 
 His neck unveild, he flione the ftar of morn. 
 His lips, unequal, I forbear to name ; 
 But on his mouth, Love s rofy portal, fat 
 Perfuafion, pouring forth her accents fweet; 
 And by the Graces, with united care, 
 W as his whole form adorn VI. — • — 
 
 II. 
 
 BOOK IV. 
 
 Come, Death ! but let the while his roving palm 
 Mould with alternate preflure, unreftrain'd, 
 Each glowing orb, that fwells my bofom's pride; 
 Then let him place his half-difclofmg lips 
 On mine, and from that verge of Love's own 
 
 chalice 
 Sip poignant kifles : thus, while I enfold 
 The youth in my fond arms. Mill I defccnd 
 To Pluto unrepining, and recount 
 On Lethe's mournful bank my biifsful fate, 
 So as to roufe in Proferpine's ftern breaft 
 
 Regret
 
 ( 211 ) 
 
 Regret with pity joiri'd :— there will I teach 
 Thole liapldis females, whom the fecret flame 
 Of faint defire has wafted, how to tafte 
 Such ecftacy, infpird hy ev'ry blooming grace ; 
 Making the dead ftill jealous, if, though dead, 
 Love's jealous «ivy ftill in woman reign. 
 
 III. 
 
 BOOK X. 
 
 Now under Phrygian iliades, in boyiih fports, 
 
 The form of Ampelus had near attain'd 
 
 Its youthful prime, and on the verdant branch 
 
 The Loves and Graces tended : the foft down -^ 
 
 Had not as yet upon his fnowy cheek / ^^ ^^ 
 
 Diftind;ly mark'd its confine, or difplayd 
 
 The golden flow'r of manhood ; but his locks. 
 
 That o'er his polifli'd llioulders clullring hung 
 
 In many a fold, hy evry ruftling breeze ' 
 
 Were lightly wafte^l*; and when blown afido J^ 
 
 The trelTes half difdos'd his n^ck, a beam ^^ 
 
 Tliat left a fha.do^V• dart<?d, as tht moon 
 
 Emits
 
 ( 212 ) 
 
 Emits her crcfGcnt light, when Ihe (Uvide«^ 
 The humid veil of fome oppofmg cloud. 
 Forth from his rofeate lips the honied found 
 Tricliled in balmy fweetnefs, while the pride 
 Of Spring in all his lovely limbs appear 'd : 
 And as he mov'd, beneath his argent feet, ♦ 
 
 In added bloom, a field of rofes glow'd. 
 
 IV. 
 
 BoaK XXXIV. ' 
 
 Thou appcareft 
 
 More rofeate than the rofy-crowned morn ; 
 Nor fuch a flow'r did e'er the gales, that blow : 
 O'er dewy meads, produce : thy cheeks, fweet 
 maid, ;;riU 
 
 Difplay the field of Spring, but one, ^vhich time 
 Not yearly withers : through the Winter's froft 
 Thy lilies bloom, and o'er thy form the rofe 
 Its cohftant blufh difclofes, by each Grace 
 With fondnefs nurtur'd, and whofe leaves no blaft 
 Prcfumes to ruffle with a breath too rude. 
 
 v. At
 
 C' 213 ) 
 
 V. 
 BOOK XLVII. 
 
 At Iciigth in tear8, thefe were the words flic 
 
 ' fpake : 
 " Sweet were my flunibcrs, when my Thefeus fled, 
 ' ' Lovely as faithlefs ; O that he had left 
 *' Me ftill fo happy; for m the hails of Thefeus 
 " Was Hymen, lift'ning to th' enraptur'd fong 
 " Of Ariadne, while my hands adorned' 
 " Love's blooming altar with the flow'rs of 
 
 Spring; 
 *' The bridal wreath I wore, and at my fide 
 " Stood Thefeus, clad in nuptial robes, to lay 
 *' His fragrant off "ring on th' Idalian fhrine : 
 *' Ah me, how fweet the vifion in my dream ! 
 *~* l^ut foon, too foon the phantom fled, and all 
 ** Which Night, alas for pity, gave, the Morn 
 '* M'ith her invidious luflre has deftroy'd : 
 *' Reflore, () Sleep, the tranfitory boon, 
 ** And fend another dream of equal blifs, 
 
 **That
 
 ( 214 ) 
 
 *' That I may prove the fond illufive charm 
 
 ** Of flumbVing Venus; but, with lengthened 
 
 pow'r, 
 " O reft upon my eyes, that I may prove /^ 
 *' Love's breathlefs joys, in hymeneal dreams." 
 
 TO SLEEP., ^bvoa 
 
 Death's trueft image, forrow's fureft friend. 
 Sleep ! like a bride upon my couch attend ! 
 For O, what charm thy gentle pow'r applies. 
 To him who dying lives, yet living dies*. 
 
 ON A STATUE OF CUPID; 
 
 FROM VOJLTAIRE. 
 
 AVhoe'er thou art, thy mafter fee.jr ,, > 
 He was, he is, or is to bef. 
 
 SoMNE levis! quanquam cortiflima mortis imaga 
 Confortim CDpio te tamcn tori; ■ ^»-*i'' '^ 
 
 Alma quies, optata veni, nam fic fine vita , r Jt'.'ff 
 Vivere quam fuave eft, fic fine morte mori. 
 
 t Q^i C|"? tu fois, voici ton maltre ; 
 11 I'eft, le flit, oil le doit ^tre. 
 
 r ' FROM
 
 ( €15 ) 
 
 FTIOM 
 
 THE GREEK ODE 
 
 BY RICHARD MADDISON, 
 
 PIT. COLL. CAMS. 
 
 On the Death of George II. ; and applied to the Deceafe 
 
 of Mrs. COOKER Wife of Major Cooke, formerly 
 
 in the Service of the Eaft-India Company. 
 
 Hallow'd oblivion of our forrows! thou, 
 Who on good-fortune's cheek, by tears unftain'cJ, 
 lakell thy thvelling ; hither, O dired 
 Thy foothing wing, and heal our wounded hearts : 
 Sleep, with its balmy dews, has left thefe eyes 
 With weeping fightlefs, and the wakeful ftrcams 
 
 Tlwioi AoL^x rti* KaKUf 
 Ay H» a^»rtkTan w«^«a«j 
 
 OpCtfff'a itv^o TO xtiXti'Irj^is* 
 
 Of
 
 ( 216 ) 
 
 Of fad remembrance, for the matron's worth, 
 Who fleeps in icy death, purfue their couife. 
 
 She fell, as when in Autumn Eurus blows 
 With cloudy breath, and darkens in the ftonn 
 The fun's bright circle ; or as when the moon. 
 Who leads the glitt'ring train of ftars, which 
 
 breathe 
 Their fires amid the blue ferene, inclines 
 Her filver head, and fhuns the rufhing hoft 
 Of fea-bom clouds, when through the troubled air 
 Tlie black-wing'd eagles urge their crowded 
 
 flight: 
 
 A"t/7r»o» irfo^tom ^oor 
 AvuKloi ye taffiun' 
 
 AtlKrl^oipyit 
 
 DeAaya a a^^u»f roy atpyupovv nctpat 
 VJKitH, oetffotffat "Kayavv envoy 
 
 Anlxi fAsXatoirle^vyiT 
 
 As
 
 ( 217 ) 
 
 As flourillies the fond maternal elm, 
 Around wliofe (lem, with confidential love, 
 The rifing branches cling, fo rofe in pride 
 Of ev'ry virtue, ihe, whom we lament ; 
 So clung her oifsprmg, while the flood of time, 
 With unpolluted wave, upon its banks 
 Beftow'd each bleffing : now the matron finks 
 In death untimely ; while the root is torn, 
 The branches tremble, and the confort tree 
 Its aged head hangs drooping ;— but her fame 
 What ages paft to filence fliall confign ? 
 Wliat future age Ihall for her equal hope ? 
 
 TttfOi ktoSeov TfSrjXc 
 BijSga;^ «« irXovlot Ti kAioj t» 
 
 <I>got/Joj ^aaiXtut towIoj* 
 Tk vo^ atuf at ayavH i 
 
 Tl( h TOM* ihTtWM ; 
 
 VOL. II. I' F TRANS-
 
 ( 218 ) 
 
 TR A N S L ATI O N. 
 
 SONNET. 
 
 Here lies the worthy hufband of a wife, 
 Whofe virtues worthy of that hufband ilionej 
 
 Lrove's charming contefl was their only ftrife, 
 While in two bodies their two fouls were one : 
 
 ^n equal ardour either breaft reveal'd. 
 
 Its favours Heav'n beftow'd with equal hand ,n 
 
 Both felt Love's wound, in neither bofom heal'd. 
 United both in one celeflial band : 
 
 But he now fleeps, and fhe Hill wakes to moura 
 Her folitary couch, his lonely urn, 
 
 Nor has fhe join'd to his her parting breath : 
 No, no, a fond exchange each confort bears. 
 Half of her life within her heart he fhares. 
 
 She in his tomb partakes of half his death.
 
 t '^^9 ) 
 
 O R I G I N A I^^ ':< 
 
 DE PORCHERES. 
 
 Helas ! que ton mari fut digne de fa femme, ► . 
 
 Femme par tes vertus, digne de ton mari,,^ 
 Et toy de luy cheri, et luy de toy cheri, 
 
 Vous faifiez dans deu:^ corps, de deux km£s, 
 une ame. 
 
 Vousbruflaftes tous deux dune femblable flaiiifei; 
 
 Des mefnies dons du ciel chacun fut favori, 
 Tous deux blefl'^z d'un traitj dont nul ne fut gueri, 
 
 Et tous d<rux iErttacbez d'une <iiviiie trame. 
 
 Mais ton mari efl mdrt, et tu vis en ton duell, 
 Tu es feule en ton li^, il eft feui au eeroueil, 
 
 Et fa mort de ta moit n'eft encore fuivie : 
 Non, non : vous partagez un reciproque fort ; 
 II prend de dans ton -coeur, la moiti^ 4e ta vie, 
 
 Tu prends dans fon tombeau, la inpit/i6 de fa 
 mort. 
 
 FROM
 
 ( 220 ) 
 
 FROM THE FRENCH. 
 
 TO THE LADY. 
 
 CouLDST thou within this breaft diicover „ 
 ' What ardent paffion glows for thee ; 
 Love never prov'd fo warm a lover, 
 ' T^or friendfhip found a friend like me ; 
 
 "Fjom y 911. 1 pfine in fighs defpairing, 
 
 K^a^y.yp^vi: Ipa^jfe in filent fears ; 
 No more my t^ngftie; prefumes; declaring, 
 
 And ftjll perhaps too much appears. 
 
 M'jui) noi ii'j eiv xJi ] > .ttom H; vir,m not ?lniP. 
 
 Ah, fiyou^ pSquyiez comprendre 
 
 Ce que mon cceur reflent pour vous, 
 L' Amour n'a rien eu de fi tendre, 
 
 Ni ^'Anuti|? fien de fi doux : 
 
 Loin de vous moncge^ir foupire, 
 Pres de vqus je fuis interdit ; 
 ' ' " Voila tout ce qiie j'ofe dire, 
 
 Et je drains que j'ai trop dit. 
 
 FROM
 
 ( 221 ) 
 
 FROM ^HE LADY, 
 
 Ah, why can I fo well difcover 
 The flame thy bofom ftels for me? 
 
 Why do my bluilies own my lover, 
 Wlien^er I 'turn ipy eyes on thee? 
 
 To reafon ftow I fly defpairing, 
 
 , Whii(i%ve mfiilts my feeble fears ; 
 No thoiight niytongii^ defign'd declaring, 
 And er'l-ythdiightr doubt appears. 
 
 Ppuifquoi.ffa.i-je fi bif n comprendre 
 Ce que ton coeur re (Tent pour moi } 
 
 Pourqiioi ne fjais-je me defendre, 
 De rougir vis-a-vis de toi l 
 
 ' je I'invoque et 1' Amour en rit., 
 T<i croiois n'en rien vous dire, 
 Pt je crains que j'ai tout dit. 
 
 ; janpjid. 
 
 FEOM
 
 ( 2£2 ) 
 
 FROM 
 
 BERTAUD, 
 
 ON THE DEATH OF RONSARD. 
 
 ■iL 
 
 Cast back thine eye, and ponder lipon all r 
 Which in her ample bofom the vail earth 
 Enfolds : there fhalt thou fee the fatal fey the ^^^ 
 Of Time, mow all before it, like the grals 
 Of Spring ; Ihalt fee the temples, palaces, y 
 The pride of empire, and the wealth of kings, 
 From their foundations rock; and nought remain 
 Of ftate, or city once renown'd in fame. 
 Save the faint rumour tliat it once has been : 
 
 Jette I'ceil du penfer deflus tout ce qu'cnferre 
 Dedans fon large fein le grand corps de la terre ;' 
 Tu verras que le faulx de la parque et du temps 
 Y' vi tout moiflbnnant comme herbe du Printems; 
 Tu verras trebucher les temples magnifiq^ies, 
 Les grands palais des rois, les grandes republiques; 
 Et fouvent ne refter d'une augufte rite, 
 Si non le petit bruit d'avoir jadis ete : 
 
 Koai Nor
 
 ( 223 ) 
 
 Nor, by the fhock, fhall brazen gates, or walls. 
 Or arches only crumble into duft, 
 But the huge mafs of this ftupendous whole. 
 Wherever eye can pierce, or thought can reach, 
 Shall fall unknowing where its fall fhall end. 
 
 Et fi, non feulement le terns fera r^foudre 
 Les temples, les chateaux, et les villes en poudre, 
 Mais aufli ce grand tout, ce grand tout que tu vois^ 
 Qui ne fpait en tomber, tombera quelquefois, 
 
 Vid. Shakefpeare's Terapeft; 
 
 The cloud-cap'd towers, &c. 
 
 And Lucretius, Book v. ; 
 
 Non lapides quoque vinci cernis ab aevo, 
 
 Non altas turris mere, et putrefcere faxa, 
 Non delubra DeCtm, fimulacraque fefla fatifci ? 
 
 — non monimenta virum dilapfa videmus, 
 
 Cedere proporro, fubitoque fenefcere cafu ? 
 
 Non rucre avulfos filices a montibus altis i 
 
 Deniquc jam mere hoc circum, fupraque quod omnem 
 
 Continet amplexu terram? - 
 
 FRAN'-
 
 ( 224 ) 
 
 FRANCESCAt 
 
 PROM DANTE, INFERNO, CANT. V. 
 
 When thus I heard my guide affign the names 
 
 To thefe of either fex, renown'd of old, 
 
 My fenfes well nigh were in pity loll. 
 
 When thus I fpake; — " Fain would I, bard, 
 
 addrefs 
 ' ' Thofe t^v^o, who move together, and appear 
 *' Toft by the blaft fo lightly :"— when thus he; 
 *' Thofe, as tliey nearer come, thou Ihalt behold ; 
 *' Conjure them then, by that unhappy love 
 
 Pofcia ch'i hebbi il mi'dottore udito 
 
 Nomar le donne antiche e cavalieri ; 
 
 Pieta mi giunfe, & fui quafi fmarrito, 
 I cominciai ; Poeta volontieri 
 
 Parlerel a que due, che infieme vanno, 
 
 Et paion fi al vento efler leggierl. 
 Et egli a me, vedrai, quando faranno 
 
 Piu prefs'a noi, & tu allhor gli prega 
 
 ''Which
 
 ( 225 ) 
 
 'iWhicli led them liere, — they will obey thy 
 
 call." 
 Soon as the blaft had brought them, thus 1 fpake : 
 '.' Ye fouls afflided ! if no greater pow'r 
 *' Impedes, approach, and fpeak to my requeft." 
 Like doves by fond defire impelled, who faife 
 Their wings, and hover near the neft belov'd, 
 Wheeling repeated circles through the air, 
 Thus from the band where Dido mourn'd her fate 
 Tliey came, dividing the malignant blaft, 
 And then thefe piteous accents they employ'd : 
 *' O thou, whom kindnefs by compaffion mov'd, 
 *' Leads thus to vilit in thefe drear abodes 
 
 Per queU'amor, ch'ei mena, & que verranno. 
 Si tofto, come il vento i noi gli piega ; ' 
 
 Muovi la voce ; O Anime afFannate 
 
 Venit'a noi parlar, s'altri nol niega. 
 (i»ali colombe dal difio chiamate 
 
 Con I'ali alzate & ferme al dolce nido 
 
 Volan per I'aer dal voler portate ; 
 Cotali ufcir de la fchiera, ou'e Dido, 
 
 A noi venendo per I'aer maligno j 
 
 Si forte fu I'affettuofo grido. 
 O animal gratiofo & benigno{ 
 
 Che vifitando vai pet I'aer pcrfo 
 VOL. II. GO ** Us,
 
 ( 22(J ) 
 
 " Us, who have ftam'd the earth with ftreaniing 
 
 blood ; 
 *' If the Supreme would lend a friendly armv< ^-^ 
 " From him for thee, we mercy would implore, 
 " Since thou haft felt compaffion for our fate ; 
 " But what it pleafes thee to fpeak, and hear, "' 
 *' That will we hear, and ipeak, while thus the 
 
 ftorm> . ' ' '' 
 
 " As now, controuls the thunder of its voice :™r 
 *' The land where firft I faw tlie light, is plac'dT 
 " Where near the fliore the Po in ftate receives A. 
 ^' The treafures of its tributary ftreams ; 
 *' Love, which too foon inflames the noble breaft, 
 
 Noi) che tignemi'l mondo di fanguignoj 
 Se fofs'amico il re dell'univerfo ; 
 
 A noi pregherem lui per la tua pace ; 
 
 Po c'hai pieta del noftro mal perverfo. 
 Di quel ; Qh'iidir : & che parlar ti piacc j 
 
 Noi udirenio : & parleremo a vui ; 
 
 Mentre chel vento, come fa, fi tace. 
 Siede la terra, dove nata fui, Anymtv i . ' ■ 
 
 Su la marina : dou'el Po difcende 
 
 Per haver pace co feguaci fui. 
 Amor ; ch'al cor gentil ratto s'apprende ; 
 
 "Seiz'd
 
 ( 227 ) 
 
 *' Seized him, for thofe foft beauties I have loft, — . 
 *' And ftill I feel the agonizing blow; — 
 *' That love, which ne'er forgives what it creates 
 " In thofe who feel its pow'r, feiz'd me for him, 
 *' So ftrong, thou fee'll, it yet forfakes me not ; 
 '' Love t'was which led us to a common death, 
 *' And Hell awaits the wretch, who dealt the 
 Ihoke," 
 
 Such were the words I heard ; — I inllant bow'd 
 ISly head in forrow, and fo long remain'd 
 In that dejeded pofture, that the bard 
 Afk'd mc, why thus I thoughtful, filcnt ftood ; 
 
 Prefe coftui de la bella perfona, 
 
 Chfl mi fu tolta ; e'l modo anchor m'ofFende ; 
 Amor ; ch'a nuU'amato amar perdona ; 
 
 Mi prefe del cofliii piacer fi forte ; 
 
 Che, come vedi, anchor non m'abbandona. 
 Amor condufle noi ad una morte : 
 
 Cain^ attende, ch'in vita ci fpenfe : 
 
 Quefte parole da lor ci fur porte. 
 Da ch'io intefi quell' anime offenfe ; 
 
 Chinai il vifo; & taiu'il tenni balTo, 
 
 Fin ch'el poeta mi dirte, che penf? ? 
 
 At
 
 ( 228 ) 
 
 At laft I fpake: — "Ah me! what gentle 
 
 thoughts, 
 " What fond defires,have led them to theh woe !'* 
 Then to them turning, I addrefs'd my words ; — 
 * ' Francefca, fuch thy difmal ftory is, 
 * ' That tears of pity trickle down my cheek ; 
 *' But tell me, while thy fondeft figha were 
 
 breath'd, ,Rnn 
 
 *' The time and manner, how, and when, thy love 
 *' Gave the poffelTion of thy deareft v/ifli." 
 She anfwer'd thus : — " There is no greater grief 
 *' Than to recall in woe our happier days ; 
 " And this full well thy maller-poct knows : 
 
 Quando rifpofi cominclai ; O laffo; 
 
 Quanti dolci penHer, quanto difio 
 
 Menb coftoro al dolorofo pafTo. 
 Poi mi rivols' a lor, & parla' io, 
 
 Et cominciai ; Francefca i tuoi martirt 
 
 A lagrimar mi fanno trifto & pio. 
 Ma dimmi ; al tempo de dolci fofpiri 
 
 A che : & come concedette amoae, 
 
 Che conofcefte i dubbiofi defiri ? 
 Et ell'a me ; neflun maggior dolore, 
 
 Che ricordarfi del tempo felice 
 
 Nc la miferia; & cio fa il tuoidottorc. 
 
 " But
 
 ( 2'29 ) 
 
 *' But if fo eaineft is thy wiih, to trace 
 
 ♦' The rife of Qur affection, I like him 
 
 ** Who joins his tears to mine, will Mccp, and 
 
 " One day for pleafure we took up the tale 
 " Of Lancilotto, and read his tender loves : 
 *' We were alone, fufpeding nought of harm; 
 ** When more than once, in reading, while wc 
 
 rais'd 
 *' Our eyes in mutual glance, the colour left 
 *' Our cheeks : — but one, one incident, produc'd 
 " Our ruin; — as we read the dear delight, 
 *' Which on her lips fo fond a lover prov'd, 
 
 Mh s'a conofcer la prima radice 
 
 Dfl noftr' amor tu hai cotanto afFetto ; 
 
 Faro, come colui, che piange & dice. 
 Noi leggiavam'un giorno per diletto 
 
 Di Lancilotto, com' amor lo ftrinfe, 
 
 Soli erravamo, & fcnz'alcun fofpetto. 
 Per piu fiate gli occhi ci fofpinfe 
 
 Quella lettura ; & fcoloroci'l vifo ; 
 
 Ma fol un punto fu quel, che ci vinfc. 
 Ciuando Icgcmmo il difiato rifo 
 
 Eflcr bafciato da contanto atnante ; 
 
 *' He,
 
 ( 230 ) 
 
 •' lit, who henceforth will never quit my fitle» 
 *' Preft with his trembling lips a kifs on mine; 
 ^' The book and he who wrote it, was ouf 
 
 pandar. — ■ 
 " That day we read not any farther." — Thus, 
 While the one fpirit fpake, the other wept 
 In fuch afflidion, that I fainting fell 
 U'o th' ground in pity, as if death had dealt 
 Its fatal blow, and lay a lifelefs corpfe. 
 
 Qnefli, che mai da me non fia divifo, 
 La bocca mi bafcio 'tutto tremante : 
 Galeotto fu il libro, & chi lo fcriffe : 
 Qjjel giorno piu non vi legemmo avante. 
 Mentre che I'lino fpirto quefto difle ; 
 L'altro piangeVa fi ; che di pietade 
 I venni men cofi, com'io morifle ; 
 Et caddi, come corpo morto cade. 
 
 FROM
 
 i; -231 ) 
 
 i 
 
 FROM I'p ^j 
 
 DANTE: IT- 
 
 IXFERXO, CANT. XXXIII. 
 
 TT'WE fin net fiom his fell repaft now rais'd ,; // .> 
 His mouth, and wip'd it with the hair, whipb 
 
 hung 
 Around the mangled head, and thus began itt-. j 
 
 " My hopelefs forrows muft I then renew ?y ^^ 
 ** Which, e'er 1 fpeak^ in thought alone I feeL ^ 
 " Weigh lieavy on my heart ; but if my words 
 " May.4;o tliis traitor detcftation bring, 
 *' My words and tears Ihall both together flow. 
 
 La bocca follevo del fiero pafto 
 
 Qjjel peccator forbcndola k capelli 
 
 Del capo ch'egli hauca di retro guado 
 Poi comincio, tu voi ch'i rinovclli 
 
 Difperato dolor ; chc'l cor mi premc 
 
 Gia pur penfando pria ch'i ne fuvelli ; 
 Ma fe le mie parole eflfer den feme, 
 
 Che frutti infamia al traditor ch'i redo ; 
 
 Parlare Sc lagrimar mi vedra'infeme., , • , 
 
 •^ ' ** I know
 
 ( 232 ) 
 
 ** I know thee not, nor by what means I fee 
 ** Thee now before me, yet thy fpeeeh declares 
 ** Thee born in Florence ; but know thou, my 
 
 name : • , 
 *' Is Ugolino, and iR^uggiero his* 
 *' Why thus fo near him (as thou feeTt) I HanS^ 
 *' I will unfold : How, by his dark defigns, ' 1 
 *' And my weak confidence, he feiz'd me firfl, 
 " And next deftroy'd, it boots not to relate ; 
 *' But what yet never can have reach'd thine ears, 
 *' How cruel was my death, how piteous, 
 *' Now Ihalt tlibii hear, and 'after jtidge my 
 
 wrongs. ' • " 
 
 I hofi fo chi tu fie, ne per che modo 
 
 . Venuto fe'qua giu t ma Fiorentino 
 
 Mi fembli veramente, quand'i t*odo. 
 
 Tu dei faper ch*i fu'l Conte Ugolinof^'^^'^'J *'^^^ f' ^ 
 Et quefti I'Arcevefcovo Ruggieri : "'"^^*=*^35*1 ^^':iS> 
 Hor ti dlro perch'ifon tal vicino. -J'-*«3 oqeo Isu 
 
 Che per I'effetto db fuo ma penfieri »* .oianiihuj iuH 
 Fidandomi dv lui 'io fofle prefo, ■ 'oJof* 0Jf-!5qTtJa 
 Et pofcia mortb, dir ndn e meftt^v*''''-'*? ""^n ^'O 
 
 Perb quel, che non puoi havere intefo ; 
 Cio e come la morte mia fii crudaj 
 Udiraij &.faprai, fe m'ha ofFefo. ""Bs' ^ ^ttuH 
 
 *' A nar-
 
 ir 235 ) 
 
 t ' ' A aarrovv crevice in the d u,ngeOii:\'s fide . , f 
 " (By mq to famine facred, in ,wJj,ofci, gloom , / 
 ' \ Yet many a wretch Ihall pine) ' h^d ,oft already 
 ' ' Sho^v^l me the moon's wan luftre ; when a dream 
 ",Tore back the veil of mifery to come : — 
 
 ;.^ffvl ia^V)tJiehmiter eager in purfuit; , , 
 '/JBi6fQre:his fteps a ;Wolf with all its yqurig' j/A • 
 * 'Ran to the hill which Ihadows^ Pifa^s plain i i 
 *' Lank hounds were with him panting for their 
 
 " And all Sedition's bloody tribe had joih-'ill 7/ ** 
 ^' .Th^i< leader^in his fport :/foniD«t6 rayivi^wiA *' 
 
 tficnt s.\ lib isftiiftib iR;»m B5VBrf*8 
 Breve pertugio deptrq 4a U m^^]h: ./'lo , lolofq nl 
 
 La qual pet roe ha'l titol d^ Ja X»fnq^.^ ,,{jBn ckI 
 
 E'n che convien anchor ch'altrui fi chfii^j,. ;>/ 
 M'havca moftrato per lo fu' forame, ; ^yj oLniiiii) 
 
 Piu lume gil, quand'i feci'l mal, for>i^fl,;, i9yn,;}q 
 
 Che del futuro mi fquarcio il velame. ; t 
 
 Quefti pareva S me m^eftro & donna . , , ^ , ,. 
 
 Cacciando'l lupo e' lupicini al mofitCij^ t.|,c. i,. /; 
 
 Perch'e Pifan veder Lucca non. poAno. 
 Con cagne magre ftudiofe, & co^te , . , ; 
 
 Gualandi con Sifmondi Si con Lanfranc\^^ isrf j 
 
 TOL. II. H H " The
 
 ( 234 ) 
 
 *' The hkplefs race, worn down witli toil, appear'tl, 
 *' And the wh«l€ ruth iels pack in all thdt fides 
 " Stam'd their iliarp fangs. — Before^ tlie itidm I 
 • woke, ' ■ "' ' 
 
 " And heard iny chihhcn wailing in their deep, 
 " In broken cries for bread ; — hard is thy heart 
 *' If now it 5'ea!#li: riot, but to think tlie fiorrofs 
 ' ' W hiiih then too truly were afiiroanc'd to fiiine. 
 * ' Wheil'^vilt tboa ^v«ep 't^m&n dibu'^mq^ed not ? 
 
 " Now were we rifen, and the hour approach'd 
 ** Wliich Jiiisf'd to britig with it tmr daiiy fobd, 
 " AndarlliTi doubt were niufirig on the dream, 
 
 S'havea mefli dinanzi da la fronte. 
 
 In picciol corfo rrii pafeano ftanchi . -> q 73id 
 
 Lo padre e'figli ; 6c con I'agute fcanc' '^ ''""P ^'^^^ 
 Mi parea Ibi' ^eAtt fend'er li fianefii. "^ ^''^ "'^ 
 
 Quando fui defto irthahzi la dhnttie i Aom savsii'M 
 Pianeer fenti fra*! fonno i miei figlivoli.^'"" "' ^ 
 Ch'eran con ni^co j & dimandar del pa'ni*?^ ^"~^ 
 
 Ben fe'crudel; fe tu git rton ti dimli Ti^^Bi> 
 
 Penfando ci&, tit*al mi*tdor VanhuWiaJv^ '''^'^'^*^ 
 Et fe non piangi ; di che p'ianger fuoHr '^ "^"J^" 
 
 Gia era defto ; & i'ora s'apprefava, '« '^«^ «<>^ 
 
 Che'l c'fto ire foievii tfffer addotto; n-AkuO 
 
 mf «^whai
 
 ( 235 ) 
 
 " Wlien UDtler me I lizard tlie grating found 
 *' Of bolts fail fliuttini2: on our lionid tow'r : 
 *< Gazing by turns upon my children's faces, 
 *' I Avithout motion ftood, nor fJjed a tear, 
 " So deep liad grief turu'd inward fenfe to ftone ; 
 " lOuy did : and tlms my little A»felm faid, — 
 * y©ru look fo, father ; what is it you fear?' — 
 *' Yet I wept not, nor aU that wliole day fpoke: 
 *' Nigh.t came in filence, and the next day rofe. 
 * ' Some gleams of iigiit had pieic'd our gloomy 
 
 cell, 
 *' When ill four faces, rooted all on mine, 
 
 Kt per fu'fogno ciafcun dnbitava ; 
 Et io fento chiavar I'ufcio di fotto 
 
 A rhorriblle torre : ond'io giiardai 
 
 Nel vrfo Sl mici figlivoli fanza far matto. 
 I non piangeva, fi dentro impetrai ; 
 
 Piangcv;in elli : & Anfelmuccio mio 
 
 DilFc ; tu guardi fi Padre : che hai ? 
 Pcro non lagriniai, ne rifpos'ia 
 
 Tutto quel giomo, ne la notte appreffb, 
 
 Infin che Taltro fol nel mundo ufcio. 
 Com'un poco di raggio fi fu mcflb 
 
 Nel dolorofo carcere, 8c io fcorfi 
 
 " I h\r
 
 •( 236 ) 
 
 "I faw the image of my own diftrels ; 
 
 ^' With grief I gnawVl my hands: — my Tons 
 
 aiofe, 
 " And thinking hunger had provok'd the deed, 
 *' Tlius fpoke : ' Dear father, feed, O feed on us; 
 * Lefs fliall we grieve : thou gaveft us thefe limbs, 
 ' Now let thy wants the wretched gift refume V 
 ■*i Ijcalm'd my rage to leflen their affliction. 
 . *'* That day and next we all in filence ftood : 
 *' Pitylefs earth, why was thy bofom clos'd ? 
 
 " Now was the fourth day come, when at my 
 feet 
 *' Gaddo expiring lay ; and as he fell, 
 
 Per quattro vifi il mi' afpetto Itclfo ; 
 Ambo le mani per dolor mi morfi ; 
 
 Et qiiei penfando, ch'i'l fefle per voglia 
 
 Di manicar, di fubito levorfi ; , , ^ 
 
 Et difler; padre, afHii ti fia men doglia, . ; 
 
 Se tu maiigj di noi : tu ne veftifti 
 
 Qnefte mifere carni ; & tu le fpoglia, 
 Quetami allhor, per npn.farli piu trifti: 
 
 Lo di, & I'altro flemmo tutti mini : 
 
 Ahi dura terra perche non t'aprifti ? 
 Pofcia che fummo al quarto di ven«^tl,^, f (, 
 
 Gaddo mi fi gittb diftefo a'piedi 
 
 '' Cried,
 
 ( "^^-^ .) 
 
 ** Cried, * Deareft father, why will you not help 
 
 me?' 
 " He died ; and I whom now you fee before you, 
 ^' The two fucceeding days faw one by one, 
 *' Three other children fall ; then without eyes, 
 *' On liands and feet from corpfe to corpfe I 
 
 crawl'd : 
 *' Three days I calfdthem after they were dead, 
 '"'■ Then hunger did what grief in vain had tried^** 
 
 Dicendo, Padre mio die non m'aiuti ? 
 (iiiivi mori : & come tii mi vedi, 
 
 Vid'io cafcar li tre ad iin ad uno 
 ,;_Tra.'l quinto di e'l fefto : ond'i mi diedi 
 Gii cieco a braucolar foura ciafcuno : 
 <«,Viii«?/^^ tre'di li chiahiai, po'che fur morti : 
 
 PoA:ia pill chc'l dolor pote il digiuno. 
 
 FROM
 
 ( 2S8 ) 
 
 FROM 
 
 MARINO: 
 
 GIERUSALEMME DISTRUTTA, CANT. VIT. 
 
 There in the midft, where no expanded fpace. 
 No place confin'd intrudes, there on a throne, 
 Or rather in hmifelf ONE fits ; one good, 
 One true, one fair Supreme, wlience Heav'n de- 
 rives 
 Its name, and Nature, dwells ; the One unknown, 
 DiftinCt and yet united, one and three, 
 Not diftant nor confus'd ; unmov'd, unmade, 
 Whomakesand moves the whole; whoalwa} sttY7.y^ 
 Still is, and wWy Jehovah, ever be. 
 
 Nel mczo fta, ne fpiitio ingombra, b fito 
 In foglio cccelfo, anzi in fe fteffb aflifo, 
 Qu^l iin, quel buon, quel ver, quell'infinito 
 Ond& sNniparadHa il Paradifo, 
 Quel, npn so che diftinto, e pur unito, 
 Uno, e trin^ non canfufo, e non divifo, 
 Che non moflTo, e non fatto, e move, e cria,. 
 Qu^el che fy, quel che e fempre, e quel che fia. 
 
 Within
 
 ( ^S9 ) 
 
 Within the ahvfs of (Mie concenter'cl Ijoht, A 
 In full beatitude, th€ Fatlier holds 
 Within himil'lf his thix>ne: — from one deep foimti 
 Fraught with exhauftlefs treafures ; from one' 
 
 breaft, 
 Immenfe, incomprehenfible, he pours 
 I'orrents of glory, oceans of his blifs, 
 MHiich know no paufe ; while numberlefs, on liim, 
 Angels ecftatic, gaze, and from his light, 
 Refled as nilrrors the tranfcendant beams. 
 
 There he himfelf beholds, and in himfelf, 
 IhteTTigence divine, in tenfety turn'd, 
 
 ■ : ;..;,, ' , ).i A f iiu, ' . ' n n. r • 
 
 Dentro gli abifli d'una luce denfa, 
 
 Stalli il gran Padre in fe beato k pieno 
 Da la funtana di tefori ininienfa, 
 E da I'immenfo incomprenfibil feno 
 Oceano di gloria egli dtfpcnfa, 
 Torrente di piaccr, che non vien meno, 
 Mill'ahtte cbre d'amor fpeccliianfi in lui, 
 £ di fe fpecchio k i'e fu fpocchio altrui. 
 
 In fe (leffb fi fpecchia, & in fe fteifo 
 Volto il fcmpre fecondo alto intelletto, 
 
 Another
 
 ( 240 ) ^ 
 
 Another fclf produces, perfect form ; ; . ' r// 
 At once, birth, image, hkeneft, and the. Same, J. 
 Eternal, equal, offspring increatej'j'ifnidnfihi'/A 
 But ftill from fountain the;moll high deriy'd,, ./►X 
 Stream holy, holy Son, from holieft Sire.,fh«,'>i({ 
 
 Then while tjiat , form ^ he^ .ponteniplate^, , ^nd.. 
 
 That image fo p^'o^ucM, complacence,, lovcj^^^^^^^ 
 All other love^iurp^ffi.ng,j^t()t)i^jS^n^^^ ^. ^^^^ 
 Breathes with enkindled ardour, mutual flame; 
 One undivitkd fphit, o;^ j].ie.9; ^^-^fjCy r .. 
 
 ■^iin-t^iil j^>.'ji/ih :}-jrvy<y.ihlttl 
 
 Un'altro fe produce, e queflo efprcffb 
 
 "' E di fe queflo in uh pafto, e concetto, ' 
 
 Unico eterno in tutto eguale ad eflo 
 
 Divina imago, anzi divin mbietto, " 
 
 ^ . . , , , : JI.4 nenu Jt illj.j8 
 
 Ongifiata, e non creata prole, ° 
 
 Dio di Dio vero, e unico fol di Sole. 
 
 ' . ,;.,•■, ,■.:■'] ..(, ;,] 
 
 Mentre fe ftefTo intende, e la fembianza 
 Di fe con tutto fe vagheggia, e mira, 
 L'alma, el 'amor, ch'ogn'altro aniof avanza 
 L'amato Figlio in lui riflette, e gira, 
 Da la gemina fiamma egual foflanza, 
 Et ineffabilmente allhor fi fpira, 
 
 ;.,,;,. Indif-
 
 ( 241 ) 
 
 liuliffoluble bond of equal blifs, 
 G if t holy, holy meffenger on earth. 
 
 As in one foul, remembrance, will, and mind 
 Are blended ; as one ocean vaft implies 
 Each fountain, river, fea ; as life and heat, 
 With light, is in the fun's fole orb contained ; 
 Thus of three energies, one fmgle group 
 Is fonn'd, the fyftem of three pow'rs in one : 
 Three perfon'd Geryon, truth in fable cloth'd, 
 United ardour of a triple blaze. 
 
 As branches from one tree afcend, whofe trunk 
 Infolds one nature's complicated growth, 
 
 Spjrto Dio, divin nodo, eterno amore 
 Santo don, Santo meflb, e Santo ardore. 
 
 Come un*alma, e niembranza, c voglia, e mente, 
 Come un'onda e fontana, e rivo, c fiume, 
 Come di Sole un globo folo ardente 
 Hu vigore, e calore infieme, e lume. 
 Cosi di tre virtCl mirabilmente 
 Fafli un fol groppo, e di tre numi un Nume, 
 Di tre perfone un Gerion verace 
 Unita iiamma in triplicata face. 
 
 In tre rami un fol tronco, una natura 
 Triplicata union chiude, e comprende, 
 
 vov II. II Whence
 
 ( 242 ) 
 
 Thus from one faith, one hope, one love, the 
 
 links 
 Sufpended, form an undivided chain : — 
 But light like this, by its o erwhelming rays 
 With blindnefs ftrikes the fight, confounds the 
 
 pow'rs 
 Of mortal intelle6l, whofe depth ador'd 
 Cannot be fathom'd, and is better fhowu 
 By humble filence, than prefumptuous words. 
 
 E d'lm folo voler, fola una cura, 
 Si come un'effer fol deriva, e pende; — 
 Ma tanta luce i chiari ingegni ofcura, 
 Meglio s'adora alTai, che non s'intende, 
 Si profondo miftero, e si fublime, .. _. 
 Piu che dill roco humil filentio efprime. 
 
 ■fb aQuVi -^H- 
 
 r TtEt
 
 ( 24f ) 
 
 THE SAME IN RHIME. 
 
 There in the midft, Avhere no expanded fpace 
 Contains, or marks the bounds of thne, or place, 
 There in Himfelf refides, one endlefs caufe, 
 One only good, whence Heav n its elTence draws. 
 With all its pow'rs ; tlie truth fupreme, unknown, 
 Dirtin6l and yet united, three in one : 
 Not parted, nor confus'd, unmov'd, unmade, 
 From whom life, motion, is to all convey'd ; 
 He, who from everlafting was^ and He, 
 Who is, and ever xoill, Jehovah, be. 
 
 Within th' abyfs of one concenter'd light. 
 Within himfelf in dazzling ardour bright. 
 The Fatlier holds his throne, fupremely bled, 
 W^hencc from the fount cxhauftlefs of his breaft, 
 In oceans knowing no reftraint of fliores, 
 Torrents of glory and of blifs he pours ; 
 That fource admitting neither reft, nor paufe, 
 Where fouls iafcending to their native caufe, 
 
 Imbibe
 
 ( 244 ) 
 
 imbibe the treafures of primaeval ftreams. 
 And give like mirrors their reflefted beams. 
 
 There He himfelf beholds with eyes divine, 
 And while all forms within his effence fhine, 
 Another felf is kindled from the flame, 
 iVt once, birth, image, likenefs, and the fame ; 
 Tranfmitted light from one congenial fire. 
 Eternal Son of an eternal Sire, 
 
 Then while his image fo produced He views, 
 Complacence, love, their balmy breath diffufe; • 
 Love mutual, undivided, which exhales 
 Its odours wafted by alternate gales, 
 On dovelike wings, to earth benign, which move, 
 Gift holy ! holy fpi'rit of truth and love ! 
 
 As in one foul, remembrance, will, and mind. 
 Are by a blended bond, in one combined ; 
 As to one ocean feas and rivers flow, 
 As in one fun, life, heat, and vigour glow, 
 
 Thus
 
 ( 245 ) 
 
 Thus of three energies in mode unknown, 
 Is form'd the fyllem of three pow'rs in one ; 
 Where higheft angels, loft in wonder, gaze, 
 United fplendor of a triple blaze. 
 
 As fpring three branches from that tree, whofe 
 ftem 
 Infolds each leaf in each expanded gem ; 
 Thus on one caufe, on one effect and end, 
 Firft, midft, and laft, faith, hope, and love, 
 
 depend : 
 But while the beams of this tranfcendant light 
 Confound with reafon, thought and mental fight, 
 No longer be fuch myfteries explored, 
 But reft, in filence and refped, ador'd, 
 
 FROM
 
 ( 24() ) 
 
 FROM 
 
 MA R IN O: 
 
 IL TEMPIO, 
 
 Before this goddefs, on her hallow'd fliiine, 
 Prefumptaous fenfe refigns its lawlefs fway, 
 
 No fires terreftrial there, though fpleiidid, fliine. 
 No feents from Araby their fweets difplay ; 
 
 No flames appear, but in her radiant eyes, 
 
 No fumes afcend but thofe of pureft fighs. 
 
 Within the temple let thofe priefls attend 
 Who to your courts, ye goddeffes, belong ; 
 
 Let them alternate in her homage bend, 
 
 And with their hearts prefent their holy fong: 
 
 Innanzi a quefto Nume, a (juefto Altare, 
 Che' confonde le menti, abbagUa i fenfi, 
 Non s'accendaii facelle ardenti, e chiare,^ 
 Non vaporino intorno Arabi incenfi, 
 Baflino i raggi fol de' propri lumi, 
 E degli altrui fofpir baftino i fumi; 
 
 Sien del Tempio miniftri, e Sacerdoti 
 Gli habitatori, o Dee, de' poggi voftri, 
 Che le porgano ogn'or chini, e devoti 
 Tributi d'alme, e vittime d'inchioftri, 
 
 While
 
 ( 247 ) 
 
 While 'mid the viclims fpeechlefs, which cxph-e, 
 In filence fink thefe accents of my lyre. 
 
 Let honour guard it, nor a foot profane 
 
 Prefume to prefs the threlliold with its tread; 
 
 Here let no thought impure, nor wiihes vaiii>j'[^' 
 No loofe defires their baneful influ'ence ihed ; 
 
 But o'er the gates, its entrance which defends^ -, 
 
 Let Time his fey the, his dait let Death fufpend. 
 
 Dove fia fra I'altr'hoftie ofFerte ancora 
 Quefta cetera wia poco fonora. 
 
 Honor ne fia ciiftode, e pie profano 
 Nou ofi entrar ne le facrate foglie, 
 Tutti i fozzj penfier fugan lontano, 
 
 ' Impudicl defiri, impure voglie, 
 E vi reftino appefe in sii le porte 
 L'ali del Tempo, e I'anni de la Mortc. 
 
 TRANS-
 
 ( 248 ) 
 
 TRANSLATION. 
 
 SONNET. 
 
 Xhou gentle foil of Silence and of Night, 
 Father of Fancy's bright ideal train ! 
 
 Sleep ! by whofe pathlefs footfteps gliding lighfri 
 Enamour'd Couls their love's high heav'n ob- 
 tain. 
 
 Now that deep funk beneath thy friendly fliade, 
 All hearts, but mine, are in thy bands confin'd, 
 
 Quit thy Cimmerian grots, too truly made 
 The dark refemblance of my gloomy mind: 
 
 Come, with thy calm oblivion to my aid, 
 And w ith thee bring the image of the maid, 
 
 Whofe fight alone fo loft a wretch can fave ; 
 But if that form my {lumbers may not blefs. 
 Yet fly not, thou ! that I may ftill polfefs 
 
 At leaft the image of that death I crave.
 
 ( ^^9 ) 
 
 ORIGINAL. 
 
 OOM 
 
 MARINO. 
 
 O Del Silentio figlio, exie la Notte^ 
 Padre cli vaghe imaginate forme, 
 Sonno gentil, per le cui tacit' qrme 
 Son I'alme al Ciel cVAmor fpeffo condotte. 
 
 Hor che'n grembo k le liev^i ombre interrotte 
 Ogni cor (fuor che'l mio) ripofa, e donne, 
 .J^'Herebo ofcuro, al mio peniier conforme 
 J^cia ti prego, c le Cimmcrie grotto. 
 
 E vien col dolce tuo tranquillo oblio, 
 E col bel volto, in chio mirar lu'appago, 
 A coafolar il vedovo defio : 
 
 Che, fe'n te la fcmbianza oudc Ton vago, 
 Non m'^ date goder, godro pur'io 
 De la morte, chc bramo, almen I'imago. 
 
 VOL. II. «; K TRANS-
 
 ( 250 ) 
 
 TRANSLATION. 
 
 eMo 
 
 SONNET. 
 
 To go, yet'fta/, and ftaying to be gone, 
 To leave the heart within another's breaft, 
 
 To figh, lament, nor yet know why we moan, 
 To die with grief, without Death's peaceful reft ; 
 
 To pine with hope,- to languifli with defire, 
 To feed the'fiihcy Avith paft fcencs of blifs. 
 
 To lofe the joys which truth mig-ht ftill infpire, 
 To faUfrotii Heav'n to torture's deep abyfe; 
 
 To truft fufpicionj'and th6 truth deny^'> mif -i 
 In hollow pavesy and defart wilds to lie, 
 
 To fenfelefs rocks our haplefs ftate to tell ; 
 Endlefs tm^cfall each minute of an hour; 
 This is that abfence, whofe relentlefs pow'r- - 
 
 Subdues the foul, and makes our life a H^ll.
 
 ( 251 ). 
 
 o R 1 Q im.Jk u. n T 
 
 MARINO. 
 
 GiRE, e rertavfi, e A*^l i^ftar p^htirey i , o : >/, J 
 Paiitir.feu? alma, , Cvgiir. con rfVlA"i4jilfcW, 
 
 Stru^gerfi di fpeiai^;^^„|e di %At^,jj5j ^rfj j^i ]t.nA 
 Pafcer, fol, 4i,|^^i9ria j,pei^f}ei-/^i, ,„,3q'^3H- 
 I^aver^ upj c,Qr^,e^djpavtirb i}|,,cl^i,i]^ ^^^-,^3 
 
 Prcnder l^.foUtudUii ^/fjik'ttQ^,^, , „^^,,, < . 
 NarrarqjfL. i, ionlj boft-Jii il di^^Jc^ jii^fpno ; , , 
 Ncgaj-^ ily'QTp^f e qredere al Ibfpetto : 
 
 Clii|amar de L"hore pgnii.momento eternp, 
 Quefto e quel n^r^l che Lontanan;2a ^ dctto, 
 Moite de Talmc, c de la vita Intit^no. 
 
 TRANS-
 
 ( 252 ) 
 TRANSLATION. 
 
 SONNET. 
 
 Lash on thy loifring fteeds, before the tiriie^^ 
 Fair goddefs I quit the bofom of the night, - 
 
 Since nor Mgli tKybh^ Ti6t morning's rofy prime, 
 Like thee can give me comfort, or delight : 
 
 And let the lead^t of the ftarry train, ' ' 
 
 Hefperus,' ^dding to my tender pray'r, 
 
 Encamp his^hands dlong the azure plain, 
 Chearing tlie hoiToV's of the darken'd air : 
 
 Arife, O moon! my faitlif ill guide arif^,' "'•^^' ^ 
 And 6'e'i*Mfe''reg^6n's'of the vaulted fkies 
 
 deign to flied thy mild propitious ray ! 
 Thou from the fun, "which feeds thy filver beams, 
 Shalt light and life receive in copious ftreams, 
 
 1 from thofe eyes which turn my night to day.
 
 i i. Jill 
 
 -IT 
 
 ( 253 ) 
 O !l I G I N A L. 
 
 mauino. 
 
 Sferza i pigri giovenclii, e innanzi I'hora 
 Sorgi d'Abiffo 6 de la notte negra 
 Candida Dea : gik I'alma afflitta, & egra ' 
 Altro fol non dcfia, non altro Aurora, '^mj ^ 
 
 Tragga pria de l!ufatd Hefpero fora 
 
 Per gli campi del Ciel la greggia integra 
 -Be le luci minute; e I'aria allegra 
 • ' i5<![tiarci rorribrofo vel, che la fcolora. 
 
 Sorgi, non piii indugiar, dehforgi meco 
 Mia fida fcorta ; e con tua fronte adorna 
 II mondo alluma tenebrofo, e cieco; 
 
 Tu te n'andrai le nargentate Gorna 
 A fpecchiar nettuo Sole, io verr6 teco 
 A veder quel, che le mie notti aggiorna. 
 
 traJcs-^
 
 ( 254. > 
 
 T R_A N S L A TI -9 I^'. 
 
 SONNET..' 
 
 Whi^j? j^n f>*^^et4efcant,9'er, the goMei> firing^ 
 The Hebre>y- j)'putl^ his fl}jjng fiiigers-flrpw,^^ 
 
 The tqrtur'4m^fldlpf,J^daJl]S{€nv;k^^ls,^^^^ j 
 Fi'om its , 9j9/^r|;^m'd- pajigs; fyffipjpfphe, ,kn?w ; 
 
 And while the]Ti\Ta^iftfj.,h2trd^injn^^*.$^ti>'^i fti'^ii??i 
 Stmck^ th^ ;dee|) forrp|v;^'^^9f||i^s Jj^ixefuj -flijeft 
 
 The guilty foii|s^.w^ei4^fep'4;fij9fl>fftjij?ir 9M94Ps, 
 And mufic footh'd th' ayenging po>vfre,9f j^^l : 
 
 But now^ Av:hen leaving the ftar-fpangl^d^p^^ci'^^^ 
 With J)eav'nly, founds this f<?raph ftrikes ^ly Tear, 
 
 How can I ftiil increafms* ane-uifh prove ? ■ , 
 Is it, that heav'nly harmony can fail- v^',^ ^ 
 To lull our cares, when earthly founds prevail? 
 
 Or that Hell Iponer is appeas"d than Love?
 
 ( Q56 ) 
 
 ,/ O R I G I N A L. 
 
 MM 
 
 MARINQ. 
 
 QuALHOii la maiio iu sit la cetra doro ' 
 
 II giovinetto Hebreo dolce movea, 
 II tormentato R^ de la Giudea 
 Da I'ufato flagel prendea liftoro.// Duitimo^ 
 
 :^;;inentre clie col pettine canoro ji^uviii; ,1..; «f 
 II Trace inervi armonici battea, 'Hr^A ^fiX 
 Tiegua a gli afFanni o refrigeriohavea, ' rlT 
 De Talmc ree lo fconfolato choroajr , ^ 
 
 Et hor, che n terra oltre mortal conccnto 
 
 Spirto di,Ciel foavemente cria, 
 
 Lafl'o, Olid' avien, che maggior pcna io fento? 
 O men diumana angelica armonia 
 
 Dir6 che pofla, d cli' al' altrui tormento, 
 
 Vih rinferno, ch'Amor placabil fia. 
 
 TRANS-
 
 ( 256 ) 
 
 T R A N S L A T I O Nv 
 
 SONNET. 
 
 FEEL, but dare not own two flames fo biigltt,' 
 That both in lilence uncHftinguilh'd ilnne, 
 But like Heav'n*s piercing fires, too fwift for fight, 
 Confiime within, but leave no outward fign. 
 
 What though my looks, my fighs fiipprell, in vain 
 The blended ardour would of each impart. 
 
 The bafliful bluih, in Fear's oppreffive reign, 
 Flies from my cheek, and centers in niy heart. 
 
 i 
 
 Thus do I trembling freeze when moft I glow, 
 Unhappy me ! for, who relief can fhow 
 
 To double pangs, unfeen by mortal eye r^ • 
 Then let this fuff 'ring bofom ftill be made 
 The filent urn, where either hope is laid, 
 
 While in that tomb, the mingled afiies lie.
 
 ( 257 ) 
 O »'i <5 1 N A t. 
 
 0033 
 
 MARINO. 
 
 Aitbb, ma non ardifco il cliiufo ardore 
 De I'alma aprir, cli6 tacito cbcdnte 
 Quafi invifibil fiilmine caderite, 
 Bentro tiii ftrugge, e non appar di fore. 
 
 Ben nc gli fguardi, e ne' fofpiri Amore 
 L'arfura palefar cerca fovente : 
 Ma vinta dal timor la fiamma ardente 
 Fugge dal volto, e (i concentra al core. 
 
 jM 
 
 () 
 
 1 i 
 
 Cofi tremo, & aggliiaccio, ove la mia 
 Face piCi avampa, hor, chi (mifero !) afpettp, 
 Qh'^ non veduto mal rimedio dia ? 
 
 Sofiri, e taci 6 mio cor, fatto ricetto 
 Di fi bel foco, incenerifci, e (la 
 De le ceneri tue, fepolcro il petto. 
 
 VOL. II. L L TRANS-
 
 ( 258 ) 
 TRANSLATION. 
 
 SONNET. 
 
 Max, wretched man, the moment he is born\*^ 
 To breathe this life, where miferies abound, 
 
 Opens his eyes to tears e'er to the morn, 
 
 And feels the fwathings which his limbs fur- 
 round ; 
 
 ISIo more an infant in Iris mother's arms, 
 The fcourge of difcipline his youth fuftains, 
 
 His manhood, harrafs'd with more ftern alarms, 
 Of love and fortune groans beneath the chains : 
 
 What pangs prolonged fucceed, what deaths de- 
 
 lay'd! 
 While on the bending crutch he leans for aid, 
 
 As weak as when he left his mother's womb ; 
 The narrow grave atlength concludes his woes : 
 Thus, with a figh, the momnful theme I clofe ; 
 
 One Hep unites the cradle to the tomb.
 
 ( 2,59 ) 
 
 ORIGINAL. 
 
 MARINO. 
 
 Apre riiuomo infelice allhor, che nafce 
 In quefta vita di miferie plena 
 Pria ch'al Sol, gli occhi al pianto : e nato apena 
 V^ piigionier M le tenaci fafce. 
 
 FanciuUo poi, che non piu latte il pafce, 
 Sotto rigida sferza i giorni mena : 
 Indi in et^ piu ferma, e piOi ferena 
 Tia Fortuna, & Amor more, e rinafce. 
 
 Quante pofcia foftien trifto, e mendico 
 Fatiche, e morti infin che curuo, e laffo 
 Appoggia a debil iegno il fiance antico ? 
 
 Chiude al fin le Aie fpoglie angufto faflb 
 llatto cofi, che fofpirando io dico, 
 Da la cuna h. la tomba h un breve paHb. 
 
 TUAys-
 
 ( 260 ) 
 TRANSLATION. 
 
 ooaa 
 
 SONNET. 
 
 See, from the waves the fun's bright chariot rife, 
 And with thofe beams my parting hour behold ; 
 
 Liila, if love its ardour ftill fupplies, 
 Let our fond tidings in a figh be told : 
 
 And as by paths unknown beneath th^^ttMrT '^' 
 Her lov'd Alpheus Arethufa meets ; 
 
 So while the load of abfence we fuflain, 
 
 Our thciughts ihall mix -vWth undiminifh'd 
 
 fweets : 
 
 . , • , ■ O 
 
 Thus two (far diflant ftars their courfes trace, 
 In different orbs through Ileav'n's divided fpace, 
 
 Yet oft in gentled afped are combined ; 
 Above the foil thus feparated grovv 
 Two kindred plants, while flill their roots below, 
 
 If not their branches, will an union find.
 
 ' ( 261 ) 
 
 ORIGINAL. 
 
 MARINO. 
 
 Gi a' fuon de I'omle il Sol 'sferza i deftrieri, 
 iUcco del mio partir Thora, clie giunge, 
 LiUa,intanto s'Amor ne fcalda, e punge, 
 Sieno i fidi fofpir noftri corrieri. 
 
 E come per incpgniti fentieri 
 
 Con Aretufa Alfeo fi ricongiunge ; 
 Co^i, mentre viuranno i cojrpi lunge, 
 A vifitarfi tornino i penfieri. 
 
 Speffo due ftelle in Ciel deftre, e felicj, 
 Se ben per vario fito il corfo fanno, 
 Scontranfi almen con lieti afpetti amici : 
 
 E due piante talhor divife ftanno, 
 Ma fotterra pei:6 con le radici, 
 Se non co'rami, a ritrovarfi vanno. 
 
 TIIAXS-
 
 ( 252 ) 
 
 TRANSLATION. 
 
 eoo* 
 
 SONNET. 
 
 The hill, the vale, the fhady grove, and ftream, 
 Where oft my Heps unknowhigly have ftray'd, 
 
 Still fhall I feek by day, by night fliall dream 
 On ev'ry valley, with each ftream, and fliade: 
 
 Where happy waters glide, or hillocs rife, 
 My former fcenes of joy I ftill behold ; 
 
 Love ftill prefents them to my doating eyes, 
 And whifper'd fighs in ev'ry gale are told : 
 
 Here the remembrance of that blifsful hour 
 Returns, whenDaphne own'd love's pleafmg pow'r, 
 And with her blooming charms refign'd her 
 heart ; 
 Where'er I turn my fteps, or caft my view, 
 T' inhale their fragrance, or admire their hue, 
 Groves, plants, and flow'rets new delight im- 
 part.
 
 {^6$ ) 
 
 ORIGINAL. 
 
 etoa 
 
 MARINO. 
 
 A QUEST'olmo, k queft 'ombre, & u quell "oiicle 
 Ove per ufo ancor torno fovente, 
 Eterno i' deggio : & haur6 fempre in mente 
 Queft'antro, quefta felua, e quelle frondc. 
 
 In voi fol felici acque, amiclie fponde 
 II mio paiTato ben, quafi prefente, 
 Amor mi mollra : e del mio foco ardcnte 
 Tr^ le voftre frelche aure i femi afconde. 
 
 Qui di quel lieto dl foave riede 
 
 La rimembranza : allhor, che la mia Clori 
 Tutta in dono fe fteffa, e"l cor mi diede. 
 
 Gi^ fpirar fento herbette intorno, e fiori 
 
 Ovunque, 6 fermi il guardo, 6 mova il piede 
 De I'antiche dol,cezze ancor gli odori. 
 
 TRANS-
 
 ( 2()4 ) 
 TRANSLATION. 
 
 esoa 
 
 SONNEX 
 
 O THOU who roveft without guide, or dread, 
 The wiUing mind attrading with dehght, 
 
 The radiant footfteps of defire to tread, 
 
 And takeft from my heart thyfecret fligl>.t: 
 
 Through paths unfeen, to join my diflant fair. 
 With thee I go, to calm my reftlefs grief ; * 
 
 And while love's wings fupport me through the air, 
 By ftealth obtain in abfence fome relief: 
 
 Benign preferver ! by whofe fond difguife 
 Affli6iing truth no longer meets my eyes,' 
 
 I feel thy fiatt'ring aid, with pity frauglit' ; 
 Led by thy theft I live, and if I know 
 One momentary gleam of blifs, I owe 
 
 To thee alone the boon, enchanting thought!
 
 ( 265 ) 
 
 ORIGINAL. 
 
 IMARINO. 
 
 Perec RING penfier, cli ardito, e folo 
 Trahendo ovunque vai 1 "anima accorta 
 Dietro al vago defio, che ti fa fcorta, 
 Dal fondo del mio cor ti lievi ii volo. 
 
 Teco ne vengo, e per fottrarmi al duolo, 
 Giunto al mio ben, per via fpedita, e corta 
 Pi la, dove su Tali Amor mi porta 
 A le gran fami mie^ qualcli'efca involo. 
 
 O fido fchermo k g^li amorofi affauni, ,, . 
 
 ]\Ie come dolce ombrando k gli occhi il vero, 
 
 Pietofamente infidiofp inganni, 
 De'tuoi furti mi vivo, e s'io non pero, 
 
 S'ho conforto i\ i jnartir, riftoro a'danni, 
 
 Tutto h fol tua mcrc^J caro penfiero ! 
 
 VOL. II. MM TRANS-
 
 ( Q66 ) 
 
 T R AN S L A T I O N. 
 
 SONNET. 
 
 The dawn appear'd, and from his filver hair ' 
 Theftar of morning Ihook the glitt'ring dew; 
 
 While Flora fcatter'd through the perfmu'd air 
 Such flow'rs in heav'nly Paradife as grew : 
 
 The fkies their fapphire to the waves convey^3/ 
 The waves their em'ralds on the fkics beflow'd ; 
 
 And as they both their blended beams difplay'd, 
 A fea the fky, the fky an ocean, iliow'd : 
 
 Beneath night's veil a fmile of joy was fpread, 
 The changeful pearl, the ruby's blufliing red, 
 
 The IhoreSjthe rocks, the vaulted caves illume ; 
 With them my Lilla caught my raviih'd fight; 
 Whence can, I faid, each objed of delight, 
 
 But from her charms, their fweeter tint affume ?
 
 ( 267 ) 
 
 ORIGINAL. 
 
 e:oa 
 
 MARINO. 
 
 Spuntava Talba, e'l rugiadofo crine 
 Gik la flella d'Amor fparfo cogliea, 
 E gi^ grembi di fior, nembi di brine 
 Dal celefte balcon Clori fcotea. 
 
 Le cerulee bellezze, e matutine 
 II mar da'l ciel, il ciel da'l mar prendea ; 
 E tranquillo, e feren fenza confine 
 Un mar il ciel, un ciel il mar parea ; 
 
 Ridea I'horror caliginofo, e cieco. 
 Era di perle, e di zaffiri adorno 
 Ogni lido, ogni fcoglio, & ogni fpeco. 
 
 Quando k me Lilla mia face ritorno, 
 E difli, hor chi mcnar potea mai feco 
 Altri, che*l mio bel Sol, si lieto giorno? 
 
 TRAXS-
 
 ( 268 ) 
 TRANSLATION, 
 
 COM 
 
 SONNET. 
 
 The day flie left her mortal manfion cold, 
 Heav n op'd, enrich'd, its eiverlafting gates ; 
 
 While Earth difclos'd her marhle jaws, to hold 
 That form, Avhofe lofs her poverty creates : 
 
 Farewell, faid Earth, and leave this world forlorn, 
 To me, in clouds of darknefs unremov'd ;, 
 
 Go, to falute thy Heav'n's.amhrofiai morn, j 
 None like thyfulf have I bewaifd, or lov'd : 
 
 Come, Heav'n exclaim'd, to that paternal light, 
 Whofe beam for ever pure, for ever bright. 
 
 Is God's own ihadow, and admits no iliade ; 
 The ftars I faw in glitt'ring orbs rejoice. 
 Each element I heard in varied voice. 
 
 While Earth its forrow, Heav'n its joy, difplay'd.
 
 i '269 ) 
 
 ORIGINAL, 
 
 MARINO. 
 
 T 
 
 Quel dl, che fciplta tlal fuo fragil vela 
 
 Debjci membri .s'ufclo Talma ben nata, <t 
 Quinci la Terra apprifii, e quiiidi il Cielo, 
 L'un ricco, e Taltra de'fuoi fregi orbata. 
 
 Vattene (quella diffe) el niondo in gelo 
 Lalcia, e me fol d'eterne ombre velata: 
 Ch altra mai de la tua con maggior zelo 
 Non fie fpoglia da me pianta, & amata. 
 
 Vientene (queilo) e ne' profondi abifli 
 De la gloria t'intema, e iie gli ardenti 
 Kaggi del Sol, clie non conofcc ecclifli. 
 
 Alllior rider le ftelle, c gli clemcnti 
 
 Turbarfi io vidi : e (luiiui, c quindi udifli 
 L'una pianti formar, laltro concenti., 
 
 FRO 11
 
 ( 270 ) 
 
 FROM 
 
 MARINO: 
 
 Thus through the lifts of life, the fimple foul, 
 Like Atalanta, to the deftin'd goal ' ^ 
 
 I*urfues her coiirfe, with ftill increafing pace, 
 Eager to gain the glories of the race : 
 But flatt'ring fenfe, with her delufive fway. 
 Allures the racer from the path to ftray, 
 While o'er the plain at intervals is hurl'd 
 That golden apple, which is call'd the World. 
 
 Per I'arringo mortal, nova Atalanta, 
 L'anima peragrina e fimplicetta 
 Corre vcloce, e con fpedita pianta, 
 De'l gran viaggio a'l tcrmine s'afFretta; 
 Ma fpeflb il corfo fuo ftornar fi vanta 
 II fenfo adulator, che a fe I'alletta, 
 Con I'oggetto piacevole e giocondo 
 Di quefto porno d'or, che nome na mondo. 
 
 TO
 
 ( 271 ) 
 TO ECHO, 
 
 FROM 
 
 MARINO. 
 
 O THOU, wliofe voice oracular is heard 
 Within thefe glooms, fweet fpirit of the woods, 
 Who dwelled 'mid thefe fhades, thyfelf of found 
 A fleeting fhadow ; thou, who, 'mid th' abodes 
 W^here lurk in darknefs the ferocious tribes, 
 Complaining dill purfue'ft thy flying love ! 
 I^ight wandering fylph, unhappy whifp'ring 
 
 breeze ! 
 Faint image of an accent not thy own ; 
 
 Oracolo de' bofchi, 
 Anima de le felue, 
 Cittadina de I'ombre, ombra fonante : 
 Tu che per entro i fofchi 
 Alberghi de le belue 
 Segui il fugace tuo querula amante, 
 Licve fpirito errante, 
 Stridul' aura infelicc, 
 De I'altrui parlar vago 
 Inrifibilc imago, 
 
 To
 
 ([ 272 ) 
 
 To fight impervious, inmate of tliefe wilds !— 
 If in my forrows t^iycompaffion bears 
 A friendly part, O liftcn to my words. 
 
 Lift to my words, from that low bending rocJc; 
 But what to thee my faithful heaift reveals, - () 
 Tell not to others ; while in broken tones, 
 Stripp'd of thy living form, thou doll receive 
 The parting found ; but if that found be dear, 
 Preferve it undiyulgVl, and let that rock, ^ ,, 
 In whofe fepulchral yault thy griefs are closJ^,)'> 
 
 De gl'inhofpiti horrori habitatricej ''"' 
 
 Se del mio ,duol -ti dole , ^^ 'JtlLltli Jflff ■ 
 
 Odi le mie parole. 
 
 Le mie parole afcolta 
 
 Da queft' ombrofa grotta ; 
 
 Ma non ridire altrui cio ch'io ragiono. 
 
 Tu da le membra fciolta 
 
 Voce flebile, e rotta 
 
 Accogli pur de le mie voci il fuono. 
 
 Ma fe care ti fono, 
 
 Teco le chiudi, e ferba ; _j j,, ^iii..,i . ■< na 
 
 E quefta pietra ofcura, ,:j,^,,j jhqp.'iwfehtS 
 
 Ch'a te fii fepoltura, , ., ,,j.q JOTifB'f i>G 
 
 E de la pena tua grave, & acerba i^^^,; •ylicTiivnl 
 
 From
 
 ( 9,7S ) 
 
 From fide to fide refouiiding till they fmk, 
 Afford my woes a monumental reft ! 
 
 Not that my grief may undifclos'd remain. 
 Or what I feel from unrelenting love 
 May reft unknown, but, that a wretch like me, 
 May not oft'end that cruel Ileav'n, which fmiles 
 At founds fo piteous ; nor that 'mid the tribes 
 Of joy, this lamentable voice Ihould pierce 
 Intruiive, and difturb their cheerful blifs, 
 
 Ancor freme e rimbomba, 
 Del mio dolor fia tomba. 
 
 Non perche'l mio cortloglio 
 Refti occulto, e fecrcto, 
 E I'altrui feriti non (i rivele j 
 Mifero, ma non voglio, 
 S'e del mio mal si lieto. 
 Ferir con fuon pietofo il Ciel crudele ; 
 Ne che trifle querele 
 Vadan tri gente allegra 
 Turbando I'altrui fefla 
 
 VOL. ir. N N With
 
 ( 274 ) 
 
 With fad remembrance ; — here then, 'mid the 
 
 gloom 
 Of thefe deep horrors, without joy, or hope, 
 Let us united pour our mutual moan. 
 
 FROM 
 
 MARINO: 
 
 BALLETTO DELLE MUSE. 
 
 To her, then love advanc'd;— not that dehasd 
 By vice plebeian, who dire6ts his fliafts 
 To wound the vulgar low-born tribes of earth, 
 From luxury and floth enervate fprung, 
 
 Con memoria si mefta 
 
 Qiii dunque qui tra I'ombra opaca, e negra 
 
 Fuor di gioia, e di fpeme 
 
 Stiamo piangendo infieme. 
 
 A LEI ne venne Amore ; Amore il figlio, 
 Non quel vile, e plebeo, 
 Ch'a la gente villana il cor faetta, 
 De rimmonda lafcivia infanie parto. 
 
 In
 
 ( ^^^ ) 
 
 III Health impure ; the naked arther train'd 
 To foul deceits, 'mid beafts of rapine nurs'd; 
 A child in ihape, not age ; a blinded lynx ; 
 A fmiling infant with a giant's frowti ; 
 Mifguiding fpirit, tyrant fierce, whofe ftrength 
 Ufurps fair reafon's thmne, and o'^r the will 
 Lords it fupreme ; afTaiTin of all good, 
 Subtile magician, whofe fell pow'r can change 
 The human form divine ; a ferpent's fting, 
 Diftillins: venom through the foH'ring bread 
 With wound conceal'd, which to the fuif 'rer brings 
 
 De I'otio human licentiofo allievo. 
 Garzon nato di furto, 
 Nutrito tra le fere, Arciero ignudo, 
 Lunfighiero fallace, 
 Attempato fanciul, Cieco Cerviero, 
 Pargoletto benigno, e fier Gigante, 
 Spiritello vagante, empio Tiranno, 
 Ch'ufurpandofi il feggio 
 De la ragione opprefla, 
 ' Signoreggia le voglie, il fenno uccide : 
 Mago fagace, i trasformar potTente 
 Le divine fembianze, 
 Angue, che accolto in feno 
 Spira mortal veleno, 
 Piaga, cR'afcofa in petto 
 
 Mortal
 
 ( 276 ) 
 
 Mortal delight : the flame, which fhining burns y' ^ 
 Alluring poifon ; peftilence, whofe fumes 
 Intoxicate the heart; — above controulj,! bliiia- A 
 Each fenfe corrupting, and whofe foul affaults 
 Break through the bonds of jullice, and of law/^ 
 Unfated paiTion, fire of fatal pride, i^ eqiuW 
 
 Artificer of fraud, whom madnefs drives .^b'loJL 
 Ta headlong fury, on, whofe footfteps treac^ iJtdiiB 
 Repentance^ anguifli, and ignoble fliame — iT 
 But J that, which born in Heav'n, amid thefpheres 
 Refides; chaftefupplicant, of bafhful mein, dtiV^ 
 
 Reca mortal diletto, 
 
 Fiamma, che luce, e coce, •" 
 
 Tofco, che place, e noce, 
 
 Pefle de I'alme, ebrieta de' cori 
 
 Corrottela de' fenfi 
 
 Paffion violenta, 
 
 Sozza violatrice 
 
 Del lecito, e del giufto, 
 
 Smoderato appetito : 
 
 Padre di vanita, fabro d'errori. 
 
 Furor precipltofo, infania ingorda, 
 
 Del cui libero pie feguon la traccia 
 
 Pentimento, e vergogna : 
 
 Ma quel, che nacque in Cielo, 
 
 Cittadin de la Sfer?, 
 
 • ov: Whole
 
 ( 277 ) 
 
 Whofe down-caft eye in fpeaking filence pleads, 
 And gains, ere utter'd, its deferv'd requeft : 
 Firm friend of concord, and ingenuous faith ; 
 Wing'd youth, who from the earth each grov'Hng 
 
 thought 
 Exalts ; the god of wonders, who in bonds 
 Indiffoluble binds confenting hearts ; 
 Courteous difpenfer of all lawful blifs ; 
 Infpiring guide of ev'ry good defire, 
 Illuminator of each turbid thought, 
 Beneath whofe fway unbridled palfion bows, 
 And ev'rv artlour, ill-enkindlcd, cools; 
 
 Nume caflo, e pudico, 
 
 Amico di Concordia, e d'honeftato, 
 
 Alato giovinetto, 
 
 Che da terra folleva i pigri ingegni, 
 
 Dio de le meraviglie, 
 
 Ch'in forte node alme difcordi accoppia, 
 
 Difpenfiero cortefe 
 
 Di legittime gioie, 
 
 Impcrador de' nobili dcfiri, 
 
 Illuftrator de' nobili penfieri, 
 
 Regolator de gli sfrcnati affetti, 
 
 Tempera tor dc' mali accefi ardori, 
 
 Tlie
 
 ( 278 ) 
 
 The gen'rous virtue, undiffembled wilh 
 For what is like itfelf^ is good sindfah' : 
 Afylutn of all heartfelt peace, the tie 
 Of kindred fpirits, union of their wills ; 
 Joy of the univerfe, reftorer bland 
 Of nature, and fupport of all that lives, 
 In one unbroken chain : Phoenix unfeign'd, 
 Who from -its aflies fpriiigs to life renew'd, 
 And is at once another, and the fame : 
 Conftiint rotation of inceffant forms, 
 Comfort of mortals, and delight of gods. 
 
 Generofa virtu, puro defio 
 
 Del fimile, e del bello, 
 
 Dolce innefto de' corpi, 
 
 Santa pace de' Cori. 
 
 Sacro giogo, e legame 
 
 De I'anime gentili, '* ^^ *^'^ 
 
 Union de' voleri, 
 
 Piacer de I'univerfo, 
 
 Riftoro di Natura, 
 
 Softegno de' viventi, 
 
 De gl'huomini traftuUo, c degli Dei. 
 
 MARINO.
 
 ( 279 ) 
 MARINO. 
 
 Mox tibi dulciloquum non infcia Mufa Marinum 
 Tradidit, ille tuum dici fe jaftat alumnum, 
 Dum canit Affyrios divum prolixus amores, 
 Mollis et Aufonias, ftupefecit carmine nymphas. 
 
 MlLTONUS AO MaNSUM. 
 
 TRANSLATION. 
 
 To thy proteflion foon the learned Mufe 
 Gave her fweet-voic'd Marino ; he .with boad 
 Confeffes thee his mafter ; he who fung 
 The long-protrafted loves of Syrian gods. 
 And charm'd th' Aufonian virgins with his lays. 
 
 Go now, ye tribes of frigid critics ! ye 
 Who like faint fhadows, from the fun can trace 
 No outline, fave where body's cumbrous mafs 
 Affords you fcope for fervile judgment; ye. 
 Vain fons of Echo ! whofe repeated voice 
 Enfeebled, fpeaks not till it hears a found ; 
 In filcnce fink ; or raife your envious fcream. 
 Like chatt'ring pies, at Jove's majeftic bird. 
 Or the foft murmur of th' Idalian dove ; 
 *Tis Milton fpeaks, who, like the fun, deftroys 
 The feeble glimmer of the diftant ftars. 
 And foars beyond the eagle's bqjdeft flight; 
 Yet gentle as the breeze o'er Eden's vale 
 That blows, can vie with its mod tuneful ftream 
 *Tis Milton's hand, which on Marino's brow 
 The laurel binds, and by deferved praife. 
 Stamps worth on others, and confirms his own. 
 
 SONNET,
 
 '( 280 ) 
 SONNET, FROM PETRARCH. 
 
 LASCIATA HAI MORTE. 
 
 Death ! thou the world without a fun haft left 
 Cold, dark, and cheerlefs, Love difarm'd and 
 blind; ' '^— 
 
 Beauty of charms, and Grace of pow r bereft, 
 And leav'ft me only my afflifted mind : 
 
 See, captive truth, and virgin foftnefs fade, 
 I grieve alone, nor only ought to grieve ; 
 
 Since Virtue's faireft flowV tliy fpoil is made. 
 The prime worth loft, what fccond can retrieve? 
 
 Let earth, air, fea, their common woes bemoan, 
 Mankind lament, which, now its boaft is floAvn, 
 
 A gemlefs ring, a flow'rlefs mead appears ; 
 The world poffeft, nor knew its treafure's pride, 
 I knew it well, who here in grief abide, 
 
 And Heav'n, which owes its beauty to my tears. 
 
 * * ■ SONN^ET,
 
 ( 281 ) 
 SONNET, PROM PETRARCH: 
 
 qUEL ROSSIGNIUOL. 
 
 TO A nightingale: 
 
 Sweet mourner tliou ! who in thy artlefs tone 
 Pouring the forrows of thy fwelling throat, 
 
 Haply thy mate, or infant brood to moan, 
 Fillefi tlie air with pity's thrilHng note : 
 
 Here each long night I liften to thy tale. 
 While hari>y thoughts each racking grief re- 
 new ,• 
 
 I, wlio my own fond error only wail. 
 
 Not thin-king death a god dels could fubdue; 
 
 Vain hope ! Deceit's inevitable prey, 
 Thofe eyes are funk in danip neglected clay, 
 
 Which equal fplendor might with Phabus 
 , boaft: 
 Now am I grown by fad misfortune ^\'ife, 
 And know too truly by my tears and fighs. 
 
 That leaft is lafting which we doat on moft. 
 
 VOL. II. O SONNET,
 
 ( 282 ) 
 SONNET, FROM PETRARCH: 
 
 amor; CHE VEDI. 
 
 Love ! thou who feeft each inmoft thought dif- 
 play'd, 
 Each ftep I take with thee my only guide, 
 
 let thine eye^ this panting breaft pervade, 
 Reveard to thee, but clos'd to all befide ! 
 
 Thou know'ft what toils, purfuing thee, are pad, 
 While ftill from height to height thy pennons 
 foar, 
 
 Nor deign 'ft one pitying look on me to caft, 
 Who wearied, fainting, can purfue no more : 
 
 1 fee -from far the mildly-beaming ray, 
 
 To which thou pointeft through a pathlefs way, 
 But 1, like thee, can fpread no wings to fly; 
 From humble thought then let me draw content. 
 In diftant homage let my life be fpent. 
 Nor flie be' offended that for her I figh. 
 
 SONNET,
 
 ( 283 ) 
 SONNET, FROM PETRARCH. 
 
 ARBOR VITTORIOSO. 
 
 Tree of triumphant vi6lory ! whofe leaf 
 For bards and heroes forms the glorious crovn, 
 
 How many days of blended joy and grief 
 Have I from thee, through life's lliort paflage 
 known ? 
 
 Lady moil noble ! who in Virtue's field 
 Rcapeft unrivall'd honour, all thy care ; 
 
 To thee mud Love his arts infidious yield, 
 Whofe calm difcretion fees, and fcoras the fnare. 
 
 The pride of birth, with all that here we hold 
 Mod precious, fparkling gems or mafly gold, 
 
 Abje6l alike in thy regard appear ; 
 Nay e'en thy charms, the Avorld's fix'd wonder, 
 
 raife 
 No joy in thee, but as their fplcndors blaze 
 
 From Chaftity's true light, fcrenely clear. 
 
 SONK£Ty
 
 ( 284. ) 
 SONNET, FROM PETRARCff: 
 
 SE UNA FEDE AMOROSA. 
 
 If fondeft faith, ^ heart to guile unknown, 
 Whofe pleafing langour the foft wifli betrays^ 
 
 Delires that glow with temper'd flames alone ; 
 If weary wand'rings in a murky maze ; 
 
 If ev'ry thought in ev'ry feature born^, 
 
 Or veird in words Avhich interrupted move, 
 
 As doubtful Fear, or bafhful Hope, have worn 
 The vi'let's palenefs, or the blufl\ of love ; 
 
 If more another than myfelf to prize. 
 If ftill to weep, to heave inceflant fighs, 
 
 To feed on paflion, or in grief to pine, 
 To glow when diftant, or when near to freeze, 
 If all my fuff "rings take their caufe from, thefe ; 
 
 Thine is the fault, the punifliment is mine. 
 
 ^,. SONNET,
 
 ( 28J ) 
 SONNET, FROM PETRARCH : 
 
 CLI OCCHi' DI CH'iO. 
 
 XfiosE eyes, which gave their fpiiit to my prajfe, 
 Th' angelic form, the features, and the face. 
 
 Above themfelves my native pow'rs wliich raife, 
 And rank me higher than the mortal race : 
 
 The curling ringlets of that floating gold, 
 Thatheav'nly fmile, where harmlefs lightning 
 fhone, 
 
 Where I on earth could Paradiie behold, 
 Reduced to fenfelefs duft, alas ! ate flown : 
 
 Yet I furvive, but fuch a life difdain, 
 
 Who here depriv'd of that dear light remain. 
 
 My bark unmailed, and my canvas torn ; 
 Mere I each accent of my Mufe will clofe, 
 Dried is the dream ; my mind no talent knows, 
 
 And my lyre only can in forrow mourn. 
 
 SONNET,
 
 ( £86 ) 
 SONNET, 
 
 FROM 
 
 TJSSO. 
 
 Xhy early youth was like the bafliful rofe, 
 Shunning the day's too penetrative light, 
 
 Whofe verdant leaves its future charms inclofe, 
 Hiding its virgin beauties from the fight ; 
 
 Or rather didft thou feem (for nought on earth 
 Can be thy likenefs) an ^ethereal dawn, 
 
 Whicli calls the day-fpring into perfe6l birth, 
 Gilds ev'ry mountain, and impearls each lawn : 
 
 And now, thy years mature their pride maintain, 
 Noi youth, that boafts the triumph of her reign, 
 
 Commands fuperior, or an equal praife ; 
 Our fenfes thus the flow r more grateful greets, 
 Whofe ripen'd bofom breathes ambrofial fweets, 
 
 And the morn yields to noon's coUeded blaze. 
 
 SONNET,
 
 ( 287 ); 
 
 SONNE T, 
 . tfimaifJ FROM 
 
 adJ rfjfW ii DES FORTES, 
 
 To thee, thefe tears I offer from my heart, 
 To cahn thine anger, unrelenting Fate I 
 O fpare my love, nor let thy lifted dart 
 ♦ On Beauty's empire reek thy mortal hate ; 
 
 If fuch thy will, to fliew thy cruel might, 
 O let my bofom with its point be torn, 
 
 Pity her charms, our wonder, and delight. 
 Nor leave the world in poverty to mourn : 
 
 But, if my cries mull fail to reach thine ear, 
 And thou tliy favagc boaft art bent to rear 
 
 O'er all that's faithful, and o'er all that's fair : 
 Still let her beauty grace our honour'd age, 
 And thou flrike boldly, to content thy rage, 
 
 That j)erfecl form which in my heart I bear. 
 
 SONNET,
 
 ( 288 ) 
 
 SONNET, FROM PETROCCHI. 
 
 I ask'd of Time, "To whom was rear'd the mafs, 
 " Whofe ruins now thou crumbleft with the 
 foil?" 
 He anfwer'd not, but fiercer ihook his glafs. 
 
 And flew with fwifter wing to wider fpoil : 
 
 ^ . .\t u 
 
 I alk'dof Fame, "Othou! whofe breath fttpplieS 
 " Life to high works of wonder, Whofe re- 
 maitis— " 
 
 Abafh'd to earth Hie bent her mournful eyes, 
 Like one A^ho fighing filently complains : 
 
 Loft in amaze, I turn'd my fteps afide, 
 When o'er each heap I faw Oblivion ftride 
 
 With haughty mein, denoting fix'd defign ; 
 " Thou then (I cry'd) canft tell, ah! deign de- 
 clare :" 
 Stern Hie reply 'd, and thunder fliook the air, 
 .*', Whofe once it was, I reck not, — now, 'tis 
 mine." , 
 
 SONNET,
 
 ( 289 ) 
 SONNET, 
 
 To HENRY the IVth of FRANCE. 
 FROM BERTAUD. 
 
 Such fame exalted never didft thou gain, 
 When o'er the field the blood of thoufands 
 flow'd, 
 
 Or when the Mules, in their boldeft ilrain, 
 Their crown of glory on thy deeds beflow'd ; 
 
 As thou fhalt gain long life, in ev'ry heart ^ 
 
 Where faith and love fhall glow with righteous 
 praife, 
 
 Shewing thou warreft on Religion's part, 
 The caufe of Heav'n by vi6tory to raife : 
 
 Purfue, great prince ! the tenour of thy fate, 
 Crufh all oppofers to thy tranquil Hate, 
 
 While difcord fmks beneath thy thund'ring 
 car; 
 Purfue, and let thy glories ftill increafe ; 
 Make thou Him triumph in the fmiles of peace, 
 
 Who made thee triumph o'er the frowns of war. 
 
 VOL. II. P P SONNET,
 
 GIRO LA MO PRE,TI' 
 
 ( 2^0: ), 
 
 SONNET, 
 
 Su'n! of- til it' fill the fourth, 'tvH6fe lucid ftream 
 On each revolving flar its ray beflows ; 
 
 O Thqii^ bO' bear wiiofe penetrating beam- 
 .Their- wings, as veils- the fei-aphim oppofe; 
 
 Difpel thefe clouds^ difp^rfe tl|at icy. cojd, , 
 ' Which blind my fight, which turn my heart 
 
 to ftone; 
 For fnice there earthly charnis mine; eyjes beholfj, 
 
 Cool to thy flames, I burn in their's alone : 
 -;';. vr . . ,. . -yi 
 
 Thefe fighs,. MK]u<:j[j,pow, proceed from foul defire, 
 O Icit thy. grac^cv with purifying fire, 
 
 Melt into tears of penitence and pray'i-'j > 
 Thus froipithcv briny main thofe vapours rife, ^^"*5 
 Which,, charged with tempcfl, darken alltlie fMes,* 
 
 TJi,en fall in fertile IhowTS, and cleanfe the air. 
 
 i SON-NET,
 
 ( 291 ) 
 SONNET, moM BOSSUET, 
 
 A VAUNT, ye race whom truth and reafonfpurn, 
 Low tribefe ! ^Irho none but poifon'd pleafures 
 , ;,know; 
 
 Attend, chafte fpirits ! ye, wliofe bofoms burn 
 With brighter flames, from purer love which 
 glow; 
 
 Ye too attend, interpreters divihe ! 
 
 Ye, who on themes fublime your powVs em- 
 ploy; 
 Whofe thoughts the meaner fenfe of man refine, 
 Nor check the rapture of angelic joy : 
 
 Tlius 
 
 Procul hinc illi, qui terrena fapiunt, animales, fpiritum non 
 habentes: adftnt cafti caftaeque, qui fanftum aniorem fpirent, 
 deoque, qui eft charltas, adhaerefcant : acccdant boni fandlique 
 interpretcs, qui non fe immergant carnalibus, fed qui amorum 
 humanorum fenfus et voluptates, ut periti inufici chordas, lev! 
 
 digito
 
 C 292 ) 
 
 Thus minftrels, mafters of harmonic loae, 
 With temper'd touch the choral chords explore, 
 
 Nor prefs prefumptuous on the warbled lay; 
 Thus with a foot which leaves unmark'd the 
 
 ground, 
 The roes of Hermon o'er the vallies bound, 
 
 Then 'mid the mountain woods, in fecret ftray. 
 
 digito pulfent, tanturn ut amoris divini fuaviflimum fonuq« 
 eliciant ; qui, ut hoc quoque ex Canticis fumamus, caprearum 
 cervorumque more, vix pede terram attingant, mox tranfiliant 
 fcnfus humanos, atque ad excelfa fc efferant. 
 
 BossuET, Praef. in Cantic. t. I. p. 509. 
 Edit. Paris, 1772. qto. 
 
 SONNET,
 
 ( 293 ) 
 
 :j sonnet, 
 from the italian. 
 
 Nysa, 'tis true, my peace of mind is flown, 
 No more can I conceal my deep diftrefs ; 
 
 O thou, on whom my blifs depends alone, 
 I fear thy truth, and thus my fears confefs: 
 
 But fears, perhaps, are falfe ; — yet tell me why, 
 
 Why is Amintas ever at thy fide ? 
 Why bent on him is Hill that anxious eye, 
 
 And what thofe whifpers thou wouldft wifh to 
 hide? 
 
 Still I may err ; and thcfe, the figns of love. 
 Though fuch they fcem, may ftill fallacious 
 prove, — 
 
 Yet fuch the mutual tokens once avc knew ; 
 Fain would I truft thee; — but this tortur'd heart 
 If thou canft fee, and pitylefs depart- 
 
 Alas, I am betray 'd ! my fears are true ! — 
 
 TRANS-
 
 ( 294 ) 
 TRANSLATION. 
 
 tna 
 
 SONNET. 
 
 Xhoo virgin rofe ! whofe op'niiig leavts to fair 
 The dawn has nourifh'd with her balmy dews; 
 While fofteft whifpers of the morning air 
 Cali'd forth^ the bluflies of thy vermeil hues. 
 
 That cautious hand, which cropped thy youthful 
 pide,. KKi /li 
 
 Tranfplants thy honors, where from death fe- 
 
 cure, 
 Stripp'd of each thorn ofFenfive to thy fide, 
 Thy nobler part alone Ihall bloom mature. 
 
 Thus, thou, aflow'r, exempt from change of ilvies, 
 By ftorms, and torrents unaffai I'd, llialt rife, 
 ^ndfcorn the winter colds, and fummer heats i. 
 
 A guard more faithful now thy growth fliall tend, » 
 By whom thou may 'ft in tranquil' union bliy^ji 
 , Eternal beauties, with eternal fweets.
 
 ( 295 ) 
 
 O R I G- I N- A U, 
 
 METASTAS-IO. 
 Leggia.dra lofaj b Gui purofogil^) ./j>il;} »roH 
 
 ^;aiCi*ijfe;.iil\oUija;urette:inattutirie^ • toX 
 
 Fero a vermiglio colorat le fp0§,lie, . , ;,ii 
 
 Quella provvrdai man, che^t filed tiito^la^iiJ iyJl 
 Vuol tralpoFtarti ad immortal icijttliho^ij^ oT 
 0,ve fpogliata dellq ingiuiie;fpm4y ' ■ vfU 
 Sol la parte liiigUor di te giermogiic. ;r/ 
 
 Cosl ifiptc di>^rifti,i cbe nDnfoggiare ; ; , • ■ jiuiT 
 All acquU^.aligelo, al vento, ed alio fcKeiW^ 
 D'uji^ ftagi(Wtv^ol*jbile, afugace;: il^iij baL 
 
 E a pii^; lido cttltor pofiiaiiin governosvA lii^rft wiriT 
 Uiiir. potrai nella tranquiHa;.paccio -^w fWitW 
 Ad eterna. Ijeilezza udore eterno. ' • » 'i ^ 
 
 TRANS-
 
 ( 296 ) 
 
 TRANSLATION. 
 
 OOM 
 
 SONNET. 
 
 Not thee, O Hymen! fabled god, I hail," 
 Nor afk thy fancied torch, and garland vain ; 
 Nor her, whom Greece with legendary tale' 
 Has feign'd the produce of the foaming main : 
 
 But thee alone, celeftial, facred Love ! 
 
 To guard the royal couch, I fuppliant call ; 
 Tlaee, by whofe laws the conftellations m(ive, 
 And order governs this terreftrial ball. 
 
 Thrice happy pair ! with ev'ry grace endow'd ; 
 Still in your race let Italy be proud, 
 And each new hero fwell her former fame : 
 
 Thus Hiall we both in noble ftrife contend, 
 Whilft we on you, for evVy hope depend, 
 And you furpafs the boldeft hope we frame.
 
 ( 297 ) 
 
 ORIGINAL, 
 
 •03* 
 
 METASTASIO. 
 
 NoN delle nozze il favolofo Numc 
 Col finto ferto, o la fognata face 
 Non lei, che figlia delle falfe fpume 
 Finfe la Grecia garnila, e mendace, 
 
 Ma te d'intorno alle reali piume 
 Te folo invoco, o fanto Amor verace ; 
 Te, per cui prendon gli aftri ordine, e lume 
 E,ftan le fpheie, e gli elementi in pace. 
 
 E voi fpofi felici a pr6 di noi 
 
 Reiidete ormai del gloriofo feme 
 
 Superba Italia per novelli Eroi. 
 Contenderem con bella gara infieme ; 
 
 Noi riponendo ogni fperanza in voi ; 
 
 Voi fuperando ognor la noftra fpenie. 
 
 VOL. II. Q Q SONNET,
 
 ( 298 ) 
 SONNE T, 
 
 FROM 
 
 CARLO MAGGL 
 
 Through each-eflfc^l; to oue great caufe, of all/- 
 The mind well taught its contemplation bends ■ 
 And him alone the truly wife I callj 
 
 Who to the Worker from the work afcends ; 
 
 •■Hibni;a i saw i/ ._•_ ;v'> 
 
 To teach his chofen all things HE controuls, 
 Whofe word fix'd F^te, and changing Chance 
 obeys ; 
 
 Father of light ! upon their righteous fouls 
 He:pour& the fplendor of his hallowed rays : 
 
 The clouds He brightens of the heart unwife, 
 Where, then he gives his/radiant form to. rife, 
 
 As the fun's prefence the Parhelia prove ; 
 Fron^ Him proceeds, to Him returns each ray, 
 And while his fear to Wifdom opes the way> 
 
 Her laftbeft Knowledge is to know his love.
 
 ( Q99 J 
 SONNET, 
 
 FROM 
 
 CJRLO MAGGI. 
 
 Hope, faireft bloflbm, antedatAl flow'r 
 Of that eternal blifs which lliall be giv'n ; 
 
 Offspring of Faith ! whence Charity its pow'r 
 Derives, commanded by indulgent Heav'n ! 
 
 Low as I am, by thy exalted worth 
 
 I ftill refign not its parental care. 
 By thy fuggeftion, though confin'd to earth, 
 
 I feel its pardon, while its gface I ihare : 
 
 Preft by the dangers of the world I groan, 
 Yet while thy toice is heard iti Pity's tone, 
 
 No fears aiTail me, but what love d^fttbVs ; 
 And O betteath th' uplifted arm of Death; 
 So let thy trftnfpotts foofh my parting breath, 
 
 TJKtt fleeting Hope ittay change to endlefs joys. 
 
 TRANS-
 
 ( 300 ) 
 
 TRANSLATION. 
 e«M 
 
 SONNET. 
 
 Eternal Sun : whofe beauty and whole ray. 
 Dark with excefs of fplendor, blind my fight, 
 
 How of thyfelf thou art enamour'd, fay. 
 And how three perfons in one orb unite ! 
 
 Thyfelf thou vieweft, and Avith mutual flame, 
 Thy image and thyfelf breathe one defire. 
 
 Nor is thy image lefs than thou, the fame, 
 Nor lefs the ardour which ye both infpire : 
 
 Of three thus one is form'd ; thyfelf the fource. 
 The ilream engender 'd, and the blended courfe 
 
 Of holieft union, which alike you prove ; 
 One equal blaze diftindl in three you fhow, 
 And ftill as colours paint the heav'nly bow. 
 
 Art each, the Lover, the Belov'd, and Love.
 
 ( 301 ) 
 
 ORIGINAL. 
 
 ooia 
 
 FRANCESCO DI LEMENE, 
 
 Eterno fol ! che luminofo e vago, 
 Sei troppo fofco all' intelletto mio, 
 
 Di' come fei cli te medefmo pago, 
 E tr^ perfone una gran mente unio ? 
 
 In te fpecchi te ftelTo, e d'arder vago, 
 De rimago che formi, h il tuo deiio, 
 
 Ma non men di te fteflb, h dio I'imago, 
 Ne men Tardore onde tu I'ami, h Dio : 
 
 Cosl fei fatto trino egual, ti miri 
 E quelle imago, e quel bcato ardore, 
 
 Che generi mirando ; amando fpiri ; 
 In tr6 lumi diftinto h il tuo fplcndore, 
 Come diftinta in trb colori h un iri, 
 
 E fei tu folo amante, amato, amore. 
 
 TRAXS-
 
 ( d02 ) 
 T R.A NSLATION. 
 
 .u,.:aw..JONNET. 
 
 Learn thou, my foul, by due degrees t' afcend 
 From mor.tal beauty to th' immortal fair, 
 
 Love to thy flight his faviing wings fliall lend, 
 And Cynthia's beam her guiding light prepare: 
 
 Pafs thro' three, periods ; — firft from matter rife, 
 From frail allurement to Truth's lafting charm, 
 
 Whofe form unbodied to the mind fupplies 
 Its heav'lily radiance, holy hearts to warm : 
 
 If mounting ftill, thy wings unwearied foar, 
 Where Time, his fey the refigning, reigns no more. 
 
 Then know thou treadeft where archangels trod ; 
 Tlience to the One fupreme purfue thy courfe. 
 And piercing onward through the bounded fource 
 
 Of matter, time, and number, — gaze on God.
 
 . ( 303 ) 
 ORIGINAL. 
 
 GIOV. GUST. FELICE ORSI. 
 
 Impara di falire anima mia, 
 Aliommo b^n, da una heltk inortale, 
 Amore a tuoi penfieri apprefta Tale, 
 
 E di Cintia co i rai fegna la via ; 
 
 Per tr^ gradi trafcorri — alzati*in pria 
 Da la materia, e in feparar d al frale 
 II puro effer del bello, apprendi quale 
 
 L'iucorporea belt^ dell' alma fia : 
 
 Se piu t'abij c lei miri in ficurtade, 
 
 Fuor del corpo e del tempo, alhor comprendi, 
 L'immutabile angelica beltade ; 
 
 Quindi a Tunico bello inline afcendi, 
 Che s'oltre la materia, oltre I'etade, 
 
 Oltre il numero, ajTivi,— Iddio oj^ i^itendi.,,..
 
 ( 304 ) 
 TRANSLATION. 
 
 oter 
 
 - SONNET. 
 
 Traxscendaxt Sun ! who from thyfelf alone 
 Derived fplendor from thy caufe profound ; 
 
 Whofe fmgle virtue, in three forms is fliown, 
 Where fenfe and reafon fmk inAvonder drown'd J 
 
 Thou in thy Son conceal'd, thy Son in Thee, "■ 
 Both in the Spirit, glow with fecret fire, 
 
 Sole Deity fupreme, diifus'd in Three, 
 
 Where One, without divifion, reigns entire : 
 
 Immenfe eternal Father ! Son immenfe, 
 Coffival, boundlefs, ever-flowing loVe ! 
 
 *' Whofe ftreams its waters to the Lamb difpenfe, 
 " Fann'd by the plumes of Heav'n's defcend- 
 ing dove !" 
 
 But, lefs I know Thee, as I think the more, 
 
 And more thy truth, as lefs I know, adore.
 
 ( 305 ) 
 
 ORIGINAL. 
 
 GIOV. BATTISTA ZAPPI. 
 
 M 
 
 ivlf 
 
 Lu CI DO Sol, che non derivi altronde 
 
 Che da te fteflb ampia cagion primiera 
 L'unica cui virtute in tr^ s'infonde , , 
 
 Per fi maravigliofa alta maniera; 
 
 livi !fn\f.d"i rvwdT 
 
 Til nel tuo figlio, il figlio in te fiifconde, 
 
 Egli, e tu nello fpirto,— O fola e vera n'M 
 Gran deit^, che il fuo poter difFonde 
 
 Ma in tr^ diffufa in ciafcun rearna intera ; 
 
 TO 
 
 Eterno immenfo Padre, eterno immcnfo 
 Figlio, immenfo ed eterno Amor ! ch ardendo, , 
 
 NqI feno d'a^lbiduo, fei Dio con loro ; 
 A-'voi m'inabzo, in voi m'affiflb, e penfo, 
 
 Ma quanto piii a'voi penfo, io men v'intendo, 
 E quanto men v'intendo, io piu v'adoro. 
 
 VOJu,.^Xy R R TRANS-
 
 ( 306 ) 
 
 TRANSLATION. 
 
 os:<a 
 
 SONNET ON A SONNET. 
 
 My haughty fair a fonnet bids me make, 
 
 I never was in fuch a fright before; 
 Why — ^fourteeil lines, they 'my, thefefonnets rale 
 
 1 
 
 However, one by one, I'^ve ck il out foui: : 
 
 Thefe rhymes, faid I, I never iliall complete, 
 And found the feeondrftinza iialf was done ! 
 
 If now the tripi^tii liad butiall their feet, .il-jT 
 
 Thefe two lfid:ftflanzas pretty I well might run/) 
 
 y;ntiii t;a;;)L iH) jI:-'. , n\ iilu'liil) •>• ' si'i cK - 
 Oti the iirft triplet thus I enter bold, 
 
 And as it feems my fpeed I.ftiU mav hold, 
 
 Since this foundation is fo fairly laid :. .. rr 
 
 NoAV for the fecond ; and fo well difpos'd 
 
 My Mufe appears, t^at thirteen lines are clos'd ; 
 
 Now count the whole fourteeii, — the fonnet '« 
 
 ...'Dffi ()j .olti-i'i io; ;; j;iu oli'j"?/}) i'.l/; 
 made. ' ' 
 
 This fonnet is to be found tranflated in Dodsley's Col- 
 lection, but it is not fo exa6tas it might be to the original.
 
 ( ti07 ) 
 
 ORIGINAL, 
 
 LOPE DE VEGA. 
 
 Un foneto me manda hacer Violante ; 
 
 Que en mi vida me he vifto en tal aprieto?'" 
 Catorce verfos dicen que es foneto ; 
 
 Burla burlando van los tres delante. 
 
 Yo pcns^, que no hallara confonante, 
 
 Y eftoy k la mitad de otro quarteto ; 
 Mas fi me veo en il primer terceto, 
 
 No hay cofa en los quartetos que me efpante. 
 
 Por 11 primer terceto voy entrando, 
 
 Y aun parece que entri con pie derecho, 
 Pues fin con efte verfo le voy dando ; 
 
 Ya eftoy en il fegundo, y aun forj)echo 
 Que voy los trece verfos acabando : 
 Contad fi fon catorce, y eiik hechd 
 
 Tlitti
 
 ( 308 ) 
 
 THE 
 
 SONG OF PLEASURE, 
 
 FROM THE CHOICE OF HERCULES BY METASTASIO, 
 
 Ye thoughtlefs fouls, betray'd to ftrife, 
 Who plough the faithlefs fea of life ; 
 Your port behold, behold the neft, 
 Where, fafe in undifturbed reft, 
 Perpetual pleafures reign : 
 
 Here each puifues, without reftraint ; 
 The blifs his fondeft wifli can paint ; 
 While, plung'd in Lethe's peaceful ftream, 
 The mind is free from ev ry theme 
 Of forrow, or of pain. 
 
 Let no defu'€ of empty praife 
 Your, fight beguile with dazzling rays ; 
 Nor lofe in honour's vain career, 
 Tlie prime of youth's delightful year, 
 While }'et its pow'rs remain : . 
 
 Life
 
 ». 
 
 309 ) 
 
 Life is a flow'r, whofe brightefl hue ^ 
 
 Appears beneath the morning dew ; 
 In gaudy pride its buds arife, 
 But foon the fading bloffom dies, 
 And all regrets are vain. 
 
 THE SONG OF VIRTUE, 
 
 FROM THE SAME. 
 
 Ye gen'rous fouls, whofe fteps purfue 
 Blifs unpolluted, conftant, true ; 
 Amid this train, by Virtue grac'd, 
 Has Happinefs fmcerely plac'd 
 Her everlafting feat ; 
 
 Thofe joys refin'd, we feel, which flow 
 UnfuUied with another's woe ; 
 Which ftill unchancr'd the mind encase. 
 And all the unavailing: rajre 
 Of time and chance defeat. 
 
 Remorfe
 
 ( 310 ) 
 
 Kemorfe here Ihakes no threat ning dart. 
 No hollile fear affails the heart ; 
 No doubtful blufhes here inflame 
 Our cheeks, no felf-accufmg iliame 
 Defiles our pure retreat: 
 
 Flow'rs may adorn the flatt'ring way. 
 Where folly leads the wifh aftray ; 
 But flow'rs conceal the faithlefs fnare, 
 And fairn, we drive with fruitlefs care^ 
 To free our captive feet. 
 
 j\ Till-
 
 ( 311 ) 
 
 :,Ani:gIUMPHAL SON€, 
 
 fTtrrM THE BETVLIA LIBERATE 0^' META5TA^t6i 
 CHORUS. 
 
 .P RA I s E to the itiiglity G od , ^vhofe han d 
 Hath forc'd his fofes to bite the ground,' ''^ 
 Hath fought for this afflicted lahd, 
 With triumph hdth the contefl crown 'd. 
 
 JUDITH. 
 
 Til' Affyrian came, a countlefs hod; 
 Tlie Perfian files their aid fypply'd ; 
 They meet, they march; th^ plains £y;e \(^^. ; 
 Thcv halt,, they drink ; the dreams, are dry "d. 
 
 Their fliafts obfcure the mid-day fun ; 
 And Ifriiel app^U'd with fear, 
 Thought 33 tl^e chief capic tow'ring on, , 
 Tlieir final dav.of doom was near. 
 
 CHOKUS ;-^e3e:peated- 
 
 JUDITH.
 
 ( 312 ) 
 
 JUDITH. 
 
 Fire, fword and ruin, chains and death. 
 In thund'ring voice his threats befpeak ; . 
 And blafted by the cruel breath 
 Palenefs befpreads Bethulia's cheek; 
 
 But lo ! at once his daring pride 
 Is crufli'd by unexpected fate ; liuii 
 
 The tempeft roars, the clouds |v(bficl|^j^^. I ^ 
 So difappears his baffled hat^f-jf^jvjj^:.^^ ..r ,(// 
 
 CHORUS ; REPEATED. 
 
 .i . . 1 ' i. 
 JUDITH, 
 
 Difpers'd, abandon^, and forlorn. 
 Their flight tlte fell barbarians fpeed ; 
 <3^n terror's wins: Airvria''s borne, ^ 
 And wild difmay appals fh'e ]\Iede.' ' ' ' ' 
 
 Nor were they giants, us'd t' aflail 
 The ftars, who deal the fatal blow ; 
 A woman's arm defencelefs, frail. 
 Alone hath laid the tyrant low. 
 
 u ^T/ ITgjjQj^y^ __j^^pj,^^^j^ . CONCLUDES. 
 
 DEGREES
 
 ( 313 ) 
 DEGREES OF CONTEMPLATION : 
 
 FROM 
 
 NORRIS OF BEMERTON, AND BISHOP TAYLOr's 
 . CREAT EXEMPLAR. 
 
 Within thy inmoft foul thy pow'rs withdraw, 
 There think on truth, and its eternal law ; 
 Let found by filent fpirit be fuppreft. 
 Nor outward fenfe difturb thy inward reft : 
 In heav'nly union let thy foul rejoice, 
 And liften only to God's ftill fmall voice; 
 Let facred flumbers clofe thy drooping eyes, 
 Then wake to joy, and raptur'd ecftacies : 
 Behold the fubftance of the fainted bleft, 
 Thofe floating forms in robes of glory dreft ; 
 The fcraph glowing in the flame he loves. 
 The cherub moving as the fpirit moves*: 
 Paufe on the glory of the ONE fupreme, 
 While darknefs yet obfcures the fovVeign beam; 
 
 • EZECHIEL. 
 
 VOL. II. s s Till
 
 ( 3U ) 
 
 Till the full rays be manifeft difplay'd, 
 And thou behold him without veil or iliade ; 
 Thenlhalt thou fee the fplendor of his throne*, 
 And know thy God as thou thyfelf art known ii'; 
 By knowledge Hiall thy blifs perpetual prove, 
 Hope yield to faith, and faith be crown'd by love. 
 
 GRAY. 
 
 TU StVERI. 
 
 Left in the Monaftery at the Grande Chartrcufc :— 
 Vid. Mason's Gray. 4to. p. 117. 
 
 O THOU ! whofe guardian pow'r amid thefe wilds 
 Severe is hallow'd ; by whatever name 
 Beft pleas'd thou hear'ft, (for fure, no wanton train, 
 Oread, or Dryad, haunt thefe native ftreams, 
 Thefe antique forefts ; where, 'mid licepy rocks 
 Impervious tow'ring, cheerlefs fummits, craggs 
 Abrupt, hoarfe torrents, and a night of ihade. 
 Deeper we feel the prefence of a God, 
 
 * Isaiah, f Paul. 
 
 Thau
 
 ( 315 ) 
 
 Than if inflirin'd in citron dome, he fhone 
 The golden wonder of fome Phidian hand :) 
 Hail Thou ! and if I right invoke thee, grant 
 A way-worn youth thy placid, reft to find ! 
 But, if thefe envied feats, thefe holy laws 
 Of rigid filence, Fortune to my wifii 
 Deny relentlefs, and with rapid force 
 Reforb me ftruggling 'mid her boift Vous waves ; 
 At leaft, O Father ! in fome lonely fpot, 
 Some unmolefted hours of hoary age 
 Grant me to pafs, and flielter me, fecure 
 From worldly tumults, and the cares of men ! 
 
 Blank verfe, on this, as on other occafions, has been judged 
 more proper for a tranflation of lyrics, either Latin or Greek; 
 as its meafiire, with the variety of paufes, is more confonaiit to 
 the originals, where no rhimc was ever iifed. 
 
 IDEAL
 
 ( 316 ) 
 IDEAL WORLD: 
 
 FROM 
 
 THE DIALOGUES OF ROUSSEAU, PART. I. 
 
 Assist me, fplrit of my guide, Rouffeaul 
 While I in verfe thy profe more brilliant lliow; 
 Thy World Ideal, deck'd with ev'ry grace 
 Of thought and language, while I ftrive to trace. 
 
 In outward fhape alike, yet not the fame, 
 And wider ftill oppos'd in inward frame, 
 Th' Ideal World, and its tranfcendant race, 
 As here, their origin from Nature trace ; 
 But more diftin6l its laws, in clearer light 
 Each fcene of beauty ftrikes the wond'ring fight; 
 With grace more foothing, with pow'r more in- 
 
 tenfe, 
 And brighter hues, each obje6i greets the fenfe : 
 So fair its nature, that an ardent love, 
 By contemplation raisd, their bofoms prove ; 
 
 And
 
 ( 317 ) 
 
 And while they fear in each accordant part ' 
 To caufe difturbance, in their raptur'd heart 
 They feel the gen'ro'us wiili, the warm defire; 
 In all, with mind harmonious to confpire : 
 Hence the foft fenfibility, which lives 
 In ev'ry bofom, true delight which gives ; 
 Charms to the tribes of common earth unknown, . 
 Where animating fires have never fhone : — 
 The paiTions there, as here, to a6lion move, 
 But more dire6l, more efficacious prove ; 
 Or lefs compounded, and ftill more refin'd, 
 AlTume a purpofe of fuperior kind : — 
 By nature all emotions tend to good. 
 And lead to right, if rightly underftood, 
 Preferve our being, and advance our blifs; — - 
 But if perverted, their true objed mifs : 
 A thoufand ohilacles impede their courfe. 
 Or turn the current from its native fource ; 
 To crooked paths our fteps bewilder'd bend, 
 AVhcre man forgets his nature, and his end : 
 
 Erro-
 
 ( 318 ) 
 
 Erroneous judgment, prejudice and pride, 
 Thus join, our better aims to turn afide ; 
 Hence the weak mind Jts firft defign forlkkes, 
 From ibme light ihock a new dired;Ion takes. 
 Like balls of billiards, in advent'rous play 
 Which, from the cuililon driv'n, obliquel}^ ftray: 
 Not fo the pond'rous mafs from cannon fent, 
 • Wlilch forces onward in its fiiH intent, 
 Pierces at once the bulwark of the place. 
 Or finks, repelFd, Inadllve at the bafe. 
 
 Thefe happy beings Nature thus maintains. 
 Augments their pleafure and relieves their pains, 
 Whofe genuine paffions conflant joy produce. 
 Nor by felf-love are warp'd to foul abufe ; 
 Self-love' unfocial, folitary, bafe. 
 Where thought of others holds no friendly place, 
 Which bent on mifchlef, knows no brighter joy, 
 But harms itfelf, its rival to deftroy. 
 
 When thus mankind to ev'ry virtue loft ; 
 By ev'ry ftorm of felf, or others toft. 
 
 By
 
 ( 319 ) 
 
 By vice alTaird, corrupted, led aftray, 
 No more to truth or worth can find their ^vny ; 
 What can the wife do more, than calm retire 
 From clouds impeli'd by blafts of mad deli re? 
 Or keep his ftation where his lot is thrown, 
 Nor rifk by change new follies of his own ? 
 The hapleis race with pity he furveys ; 
 His placid bofom no refentment fways, 
 Nor feeks their malice to return with wrong, 
 But firm refifts the tumult of the throng : 
 Tlius 'mid the din of elemental war, 
 When Nature's germins in convulfion jar ; 
 When thunders roll, and livid lightnings fly, 
 And burft the concave of this nether fky ; 
 When ocean heaves from its profoundeft bed, 
 And uptorn illands rear their rifted head ; 
 When giant waves, like Titans fam"d of old. 
 Who fcal'd the Heav'ns, on trembling Ihore* are. 
 
 roll'd, . 
 Calm at his fummit, Teneriffe remains, 
 Defies the ftorm in middle realms that reigns, 
 
 Darts
 
 ( 320 ) 
 
 Darts into regions of impervious fpace, 
 Nor hears the billows roaring at his bafe. 
 
 In this Ideal World, our race piiriiie, 
 By diff 'rent paths, the fame exalted view ; 
 With force collected, they attentive reft, 
 Till with fuccefs their firp attempt be bleft ; 
 That ftate celeftial, to whofe joy no chance 
 With adverfe ftroke can make them not advance, 
 While firm remembrance in their bofom lives, 
 And new fupply of refolution gives : 
 Hence lower obje6ls fmk beneath their care, ' 
 Whofe glowing hearts admit no chill defpair ; 
 To one fix'd point their fteady paffions tend, 
 No means they alter, and they change no end. 
 
 In deeds as different, as in Av.ords the fame, 
 In man two motives urge their rival claim ; 
 Unjuft felf-love, and love of felf allow'd ; ' 
 
 This, gcn'rous, noble,— that, ignoblC) proud; 
 
 'i Juik.' 
 Due
 
 ( 321 ) 
 
 Due love of felf its harmlefs wifli ■would fill, 
 Self-love its good creates on other's ill ; 
 That fees direct its proper blifs alone, 
 This ftill compares another's with its own ; 
 DifpleasVl witliin, abroad it roams in vain, 
 And counts its loflcs from another's gain : 
 Hence there true honour, noble truth we trace, 
 Here mean deceit, and well-defervVl difgrace. 
 
 Obferve two diffVent youths : — in one, with 
 pride, 
 Hate, rancour, rage, and jealoufy abide ; 
 The other glowing with Love's gen'rous flanie;*^ 
 Their willies equal, and their hopes the fame : 
 In one his hatred may furvive his love, 
 Though loft, or fcorn'd, the joy he wifh'd to pro\*e j ^ 
 On th' other's happy brow no frown Appears, 
 He hates no rival, who no rival fears : 
 Not that more virtue here perhaps is known. 
 But love of virtue is more truly fljown ; 
 VOL. II. T T Nature
 
 ( 322 ) 
 
 fit 
 
 Nature heifelf ftill good, to good defigns, 
 And virtuous deeds, her happy Tons inclines; 
 But the world's intercourfe the will pollutes, ■ ■ 
 And what might angels be, converts to brutes ; 
 Till rooted habits bafe obedience yield. 
 And man with coward flight deferts the field. 
 Crimes may, alas ! in this our world appear, 
 Since virtue may, with onfet fo fevere. 
 Be prefl; by palTions in th' unequal fight, 
 That man may falter in his own defpite ; 
 Commit the evil, and the deed detefl:, 
 While fell remorfe with toiture teai-s his breafi; ; 
 But Hill to cool delib'rate ill a foe, 
 lie feels no 'envy, deals ho fecret blow, 
 Treafon and fraud exert no pois'nous art, 
 His hand is guilty, guiltlefs is his heart ; 
 On faults of others he compaiTion takesj 
 And ftill adores ;|tlieyntue he forfakes. 
 
 No vain appearance, no external fliow, 
 Thefe happy fpirits boaft, or wifli to know ; 
 
 Whate'er
 
 ( 323 ; 
 
 Whatever the rank by fortune they pofTefs, 
 They raife not higher, nay would make it lefs ; 
 They feek not honour, but content, to find, 
 As njore fecure, more fuited to their mind ; 
 Opinion lofes over them its pow'r, 
 And fickle fafhion, changing with the hour ; 
 True to true pleafure, wealth they fet at nought 5' - 
 Who know true pleafure never can be bought ; 
 And though the rich may deal their gifts around ; 
 In thefe the good, and not in them, is found : •' 
 Wealtli lefs amafs'd, flows in more equal flream, 
 Nor can the gift the guilty gain redeem : 
 But dearer far their liberty they prize, '■'^i 
 
 Than all which may from rank or fortune rife'j^** 
 To them dependance, with the rich man's cares. 
 The load of pomp which ceremony bears, 
 The fear to lofe, the trouble to employ, 
 Would mar polfeihon, and their blifs dcflroy. 
 
 By Nature thus, by reafon, only bound, 
 
 They unfufpc^ing tread life's little round ; 
 
 Each
 
 ( 324 ) 
 
 Each day they pafs delighting to procure 
 What may their own, or other's blifs enfurc ; 
 And while of men the judgment they diiclain, 
 Demolilh Error's mafk, and break her chain. 
 
 Nor can fuch beings, like the reft of men. 
 Or form their thoughts, or trace them with their 
 
 pen ; 
 Traces to thofe of foul congenial known, 
 Who feel the truth, and its impreffion own : 
 Thus mingling rays of many-colour'd light 
 Mfx in one mafs, and fliine a perfe6t white ; 
 From kind^d founts thus flow the flreams allied, 
 And blend their murmurs as they focial gUde ; 
 Thus Aretliufa, with attraclive charms, 
 Receives Alpheus with enfolding arms, 
 Waits in the verdure of Siciha's plain, 
 Or meets her love beneath th' Ionian maki : 
 Hence the magnetic touch, with fix'd controul, 
 Their thoughts affociates to the guiding pole ; 
 
 Baffles
 
 • ( 325 ) 
 
 Baffles light efforts of all vain pretence, 
 And from the heart alone appeals to fenfc. 
 
 No books of lengthen'd labour they indite, 
 Few would the folio's be would angels write ; 
 But when the obje<5l rifes to their view, 
 The path themfelves have pointed they purfue ; 
 Some bright difcov'ry for the ufe of man, 
 Somet ruth important, fome extenfive plan ; 
 Some glowing pidure, fome afpiring fane, 
 Some airy tow'r which fcorns the lowly plain ; 
 Some brilliant phantom they by fancy fee. 
 Not what man is, but Avhat man ought to be ; 
 Such as of old before the patriarch's eyes 
 AVere given in facred fl umber to arife. 
 When choirs of feraphs, link'd in ardent love, 
 He faw dcfcending from their realms abm-e ; 
 In circling bands awhile he faw them fly, 
 lie heard celcftial warblings pierce the fk}'-, 
 Till re^afcending from all human fight, 
 llieir melting forms were loll in floods of light. 
 
 Thcfc
 
 ( 326 ) 
 
 Thefe aifi the motives which theh- pens engage, 
 To amend the prefent, warn fome future age ; 
 To fuch, no period of appointed years, 
 The. time- moft proper for the work, appears ; - 
 But then» when glitt'ring with benignant rays, 
 The rifing dawn of thought its light difplays, 
 In hues more radiant than the blooming flow'rs, 
 From rofy fingers which Aurora fliow'rs, 
 Whenjke proclaims the Sun's revivins- ray, 
 And the^ announce the beam of Reafon's day ; 
 They feize the pen, afcend the Mufe's throne. 
 And write with ardour hardly deem'd their own, 
 Thenxfelves unconfcious of the flame divine. 
 Which glows in each unlabour'd polifh'd line^ 
 And if no great occafion lliould afford 
 A caufe to manifeft this fecret hoard, 
 Their thou^-hts, their woyks, may never fpring to 
 
 light, 
 Abforb'd in more than dark oblivion's night ; 
 Like gems and gold, in fome unfought for mine, 
 Doom'd ne'er, withdrawn from central depths. 
 
 to fliine. 
 
 ONa-
 
 ( 327 ) 
 
 O Nature ! Providence ! O Pow'r fupreme ! 
 Whence flow the treafures of the poor man's dreamf 
 The firm refourCe to which the wretched fly, 
 When wrong and infult their keen fconrge ^pty'f 
 He to whofe heart thy holy laws are known, 
 Who mjtkes their helps liis tmft, and tlioie al'on^ ; 
 Whofe mind within enjoys a tranquil reign, 
 Whofe outwarcl form feels no attack of pain : 
 Thanks to thy bleffing, a defencelefs prey 
 Can never fall to haughty human fway ; 
 In man's defpite, and all by man defign'd, 
 Thy bleft afylum he is fure to find ; 
 By cruel hands through prefent life oppreft, 
 He finds a future hope illume his bread ; 
 Imagination prefent good fupplies, 
 And fancy gives what real truth denies. 
 Far more : — He only taftes of real blifs, 
 Since earthly gifts, which ftill their purpofe mifs, 
 Fly from the grafp illufive, falfe and vain, 
 Of him, who deems they will fecure remain : 
 
 But
 
 ( 328 ) 
 
 But no controul tyrannic can fupprcfs 
 What friendly fancy gives them to poflefs ; 
 Gain without lofs, entire, without alarm, 
 Where men and fortune lofe the pow'r to harm. 
 
 But here, bright fpirit ! who by Avoes oppreft. 
 Haft gain'd at laft thy ftate of blifs, or reft, 
 Haft join'd thy better Julia, and her friend, 
 In realms ideal, thou thyfelf haft pcnn'd ; 
 Here let me clofe this tributary ft rain. 
 With wifh as ardent, as mj'- pow'r is vain, 
 To crown thy genius with its juft applaufe, 
 And ftill defend the truth, thy fav'rite caufe. 
 
 SONNET,
 
 ( 329 > 
 SONNET, FROM ROUSSEAU: 
 
 JULIE, LETT. 50. 
 
 Chaste powV of Love ! whofe fleady fires refine 
 Tlie meaner drofs of man's corrupted franie ; 
 
 Each wand'ring wifh in one fix'd hope combine, 
 Stamp'd with thy dread inviolable name : 
 
 To thy commands let Senfe the reins refign, 
 Or veil its tralifports M^th thy decent iliame ; 
 
 Whofe joys conceal'd with heighten'd luftrefliine. 
 As midnight fires with doubled fplendor flame : 
 
 To thofe, whofe paffions undetermin'd ftray, 
 Intent alone on Pleafure's worthlefs prey, 
 
 Each man is lovely,, and each woman fair ; 
 True Love from all, one, "only one fele6ls, 
 That idol high above all thought ere6ts. 
 
 And finks all others far beneath its care. 
 
 VOL. II. U u FROM
 
 ( 330 ) 
 
 T-ROM THE SAME. 
 
 Ye (lays of pleafure, days of glory ! days 
 Too exquifite for mortal lot, too bright r>^ 
 
 To pafs fo fudden ! an ecfiatic trance 
 Abforb'd your whole duration, in one point 
 Cblle6led all, one univerfal now : — 
 I knew no paft, no future, but at once 
 Enjoy 'd the tranfports of unnuuiber'd ages. 
 Ah rhe ! like lightning have you difappear'd > 
 My* eternity of blifs hath only filFd 
 One inftant of my being ; time refujnes 
 Its flownefs, clogg'd by moments of defpair ; 
 And ftale difguft marks out, by tedious years, 
 The melancholy renmant of my days. 
 
 ^^_j_, vrol «i fifirs 
 
 Thefe exttTi(Sls (and many more remain) are fakeh (torn 
 tliat fuperior, but uphappy work, which niuft he cenfured by 
 all thofe (a'nd how numerous the tribe ! ) who have either no 
 hearts to feel its tranfports, or diftrefles; or thofe who with 
 equal, though with different failings, have done fo little to 
 regain the virtues which they have loft. 
 
 To
 
 ( 331 ) 
 
 To fuch, 
 
 So bright an objeft of efteem retriev'd, 
 
 Muft caft fuch dazzling rays, as to confound 
 
 Their half-form'd merits, or their faults confirm'd. 
 
 And wound their confcience, or alarm their pride : 
 
 Who then will praife ? Thofe who have worth fufficient. 
 
 To need no trophies from another's fpoil ; 
 
 Who can fecure behold the diftant danger. 
 
 Yet feel for thofe lefs happy than themfelves; 
 
 Who fcorn Ulyffes, and his doubting caution, 
 
 When cords confin'd him ftruggling to the maft ; 
 
 But with attentive ear, and juft applaufe. 
 
 Can hear the Siren's voice, yet fliun the fliore. 
 
 E 11 R A T A. 
 
 Page 8, foi' soacial, rcafl social. 
 
 47, ver. 1, Latin— y^r salutis, rwrf sohitis; a//rf/or sepentibu.*, 
 
 read serpentibus. 
 55, ver. 7, Latin— ^or latnp, read la-la. 
 ^S, Title — the word corpora should begin ano/licr line. 
 194, ver. 7,.Fr«nch— ^►r se, rcadjf^. 
 
 There may be a few more errata, whose correction is left (o 
 the sagacity of the reader.
 
 POSTSCRIPT. 
 
 Many Tranjlations^ mthfome Profe EJfays, are 
 nffio omitted for xmnt oftimeandfpacey but may 
 hereafter appear. 
 
 PHnted by W. Ruffy, Leadenhall Street.
 
 NOTES AND OBSERVATIONS 
 
 ON SOME OF THE 
 
 ORIGINAL POEMS 
 
 IN THE FIRST VOL. 
 
 VOL. H-
 
 NOTES 
 
 AN D 
 
 OBSERVATIONS. 
 
 On Hie Tabula Euguhina. 
 
 In 1444, at a town in Italy, anciently called 
 " Igiivium, in modern Italian, Eugubio, fituated 
 in Umbria, at the foot of the Apennines, towards 
 the Weft, fome brafs plates were found in a ruined 
 wall, and fattened to it by cramps of iron, as re- 
 prefented in one of the vignettes of the ' Etrufcan 
 Antiquities,' by S. W. Hamilton, in his firft vo- 
 lume. On thefe plates' are infcl'iptions, in the moll 
 antient Pelafgic chara^^rs. Thefe plates had fre- 
 quently exercifed the fagacity of the learned, in 
 Italy : their inquiries Cori purfued in his ' Mu- 
 feum Etrufcum,' printed at Florence, in two vo- 
 lumes, folio; and, by joining his learning to the 
 former inquiries, he determined the chara^lers; 
 
 and
 
 IV NOTES AND OBSERVATIONS. 
 
 andfuppofing the language to be the tEoIIc Greek, 
 brought into Italy by the Pelafgi, he attempted an 
 explanation of each word; and found the whole 
 to be a'hymn in time of the greateft diftrcfs, arif- 
 ing from a peflilence and famine. This event he con- 
 firms by a paflage in Dionyfius of Halicarnaffus, 
 who quotes from a more ancient hiftorian, called 
 Myrfilus, the Lefbian, that more than one century 
 before the fiege of Troy, fuch a calamity did hap- 
 pen in that part of Italy. On thefe grounds, Gori 
 calls the infcription, on the Tabula Eugubina, the 
 Carmen Orthion. The charafters are read from 
 right to left, according to the more ancient orien- 
 tal form, before the Bouftrophedon was admitted; 
 •which alternate method ended in the Weftern lan- 
 guages, with an entire change of writing from the 
 left to the right. — The original has no ftops, or 
 punftuation ; and, as well from the rapid expref- 
 fions of diftrefs, changing from invocation to def- 
 cription, and vice verfa, as from the imperfeSt 
 ftate of language in thofe very early periods, very 
 few, if any, connectives are admitted in the broken 
 fentences. This particular form, Gori has ftriclly 
 obferved in his Latin verfion, which is placed, ver- 
 batim, under the original words; and the Englilh 
 paraphrafe, has obferved the fame, as far as was 
 
 confiftent
 
 NOTES AND OBSERVATIONS. V 
 
 confiftent with any degree of perfpicuity. It may 
 be juft remarked, that the opening of the CEdipus 
 Tyrannus of Sophocles, with the firft choric ode, 
 together with the firft chapter of the prophet 
 Joel, bear much refemblance to the circumftances 
 and (Ituation of the Carmen Orthium, here tranf- 
 lated into Latin profe, and into Englifli verfe; on 
 the form of which laft, thefe previous remarks are 
 offered by the writer of the paraphrafe. 
 
 Poetry without mufic, in ancient ages, would 
 have been as abfurd as, in the modern, is mufic 
 without poetry. The rhythm of the vcrfe, and the 
 time of the notes to which it was fung, were once 
 conneBed with, and dependant on each other; or 
 were, indeed, the fame. How this union, by the 
 ancients, was produced, we are how uncertain ; 
 and, in modern mufic with words, its ufe is loft, 
 l^he greater divifions, therefore, of this hymn, in 
 Englifti, are not intended to have any reference 
 to the ftrophe and antiftrophe of the ancients, but 
 only to guide the mufical compofer (if ever the 
 hymn fhould appear in its due form), in the choice 
 of airs and recitative, as well the fimple, as the 
 more adorned fpecies, called accompanied, as 
 they may feem to require the different application. 
 Whether the ancient mufic was fuperior to the 
 
 modern,
 
 ^""I NOTEi-AN'D OBSERVATIONS* 
 
 modern, mu ft remain undecided; but, of the fu- 
 periority of ancient verfification, as to rhythui, 
 there can be no doubt, from the variety of mea- 
 fures and of feet which, for different purpofes, 
 were employed. This is evident in the meafures 
 . and feet, -which are known, and whofe effeB; may 
 be perceived : in the apparent irregularity, indeed, 
 of many of the lyric or choric meafures, there is 
 nearly as much difficulty of conception, to mo- 
 dern ears, as in the mufic. 
 
 In modern verfe, the iambic, and its inverfion, 
 the trochee, are all the feet which we can apply, 
 at leaft, in ferious w^orks; for the anapaeft, of 
 which we have fpme notion, with its inverfion, the 
 daByl, is beft fuited to the lighter fpecies of po- 
 etry ; all, therefore, which modern poets can do, 
 and efpecially in the lyric, js to produce what va- 
 riety they are able, by the following methods : 
 the mixture of the iambic and trochaic feet, by 
 ch!» ploying diJSerent lengths of the yerfe, as to the 
 member of either feet, and by an intercha^nge or 
 jbltmding of the final founds, now called rhyme; 
 r^Kt never, I think, ufing lefs than two feet or four 
 -fyllabiies, and fcarce ever more than five feet or 
 tenfyU^bles ; for the Alexandrine, as it is called, 
 iecnas rather two verfes of three feet each, than aay 
 
 diftina
 
 ^'OTES AND OBSERVATIONS. Vll 
 
 diftinft fpecies: thefe methods, in the paraphraFe 
 of the hymn, have been applied. To the mufical 
 compofer, the longer lines will, perhaps, fuggeft 
 the recitative of both kinds, and the more fhort, 
 or unequal lines, will belong to the airs or ^ho- 
 rufTes ; but, in general^ in our days, poets know 
 fo little of mufic, and muficians of poetry, that 
 it is a vain attempt to produce any intercourfe be- 
 tween them, fo as to promote the union of found 
 andfenfe, which muft be the pcrfeftion of the two 
 arts combined. The meafures, therefore, of the 
 hymn, in Englifh, I leave to the ears andtafteof 
 the learned and candid reader. — The following, 
 is the verbal tranflation by Gori ; in ^d"lich the 
 lines after the words fhow only, where the lines 
 of the original infcription end, and return to the 
 right fide of the plate :— — 
 
 Eftote filii percuffi fimul Inccndite nunc 
 
 Urnas impofitas odoramentorum- Remedium 
 
 fiigam extremi (i. e. Mali) diffufi. Dilatate 
 
 Viri adftantcs guttur- Frater Fratribus oftcn- 
 
 tato Ignem Merfus divifus (Ignis) eft — ^ 
 
 Pueri dilatate guttur valide Puerae adltantes 
 
 facris clamate gutture Matres omnes ter can- 
 
 ttt ululate Clamate Virae (virgines adukac)— - 
 
 Fratrum (omnia) inaufpicata— — -iriulate Fili» 
 
 I difpcrfa.
 
 VIH NOTES AND OBSERVATIONS. 
 
 difperfa clamantes Arva everfa defolatum Far 
 
 nimia Uredine facrum clamate (carmen) — — 
 
 Speciofi proventus defiderati in Arvis Specio- 
 
 facamporum vaflata funt Faetus fpeciofi auclo 
 
 duplo malo fubmerfi Clamate gutturibus ever- 
 
 fi Clamate exuftione Optima fubverfa 
 
 Proventus fubverfi Arbores feraces fubverfae 
 
 plus tres Annos Exuftione extinfti proventus 
 
 tres Annos — . Extinftae Arbores feraces fu- 
 
 mantes Extinftae fugatae ululate tem- 
 pore ab illo fugerunt fru8:us annui pingues r- 
 
 perficcata Dona fugit Far ^grae funt 
 
 Res everfae facrae tua rjeceffaria fumme Jovis 
 
 Pater Calamitatem averte Dexter tua 
 
 dona Per Fratres Sacerdotes Patresjureadefto 
 
 — Alumnos per luventutem — produc tua necefla- 
 
 ria Alimenta Ululate Clamate Tuanecef- 
 
 faria fumme Paftor publicedepulfor pro- 
 duc tuam neccffariam nardum Eheu dif- 
 
 perfumeft Officium noftrum Vide per Fratres 
 
 Sacerdotes Patres ^jure adefto totam 
 
 per juventutem alumnam facram Vivifica ar- 
 
 mentorura foetus defolatos arvorum foetus cla- 
 mate Adfpira matura foetus confolida 
 
 , ■ ■ Pauperes tuos penuria laborentis intuere 
 
 folidam profer frumenti copiam Sirium fub- 
 
 • trahe
 
 NOTES AND OBSERVATIONS. ix 
 
 trahe a fcetibus Epulas ofFerimus trementes 
 
 — omnes tuos pauperes intuere Averte 
 
 averte Luem Paftor publice. 
 
 On the Ophi'Cycloptero-morphic Symbol, 
 
 TO fome readers, thefe few fliort notes of ex-r=( 
 planation may perhaps be acceptable: — . 
 . Verfe 3. — vid.- 1 Pet. i. 12. 
 
 Verfey. — vid. Ads, vii. 22. 
 
 Verfe 12.— This line is from the Platonic phi- 
 lofophy, which teaChes, that there is one in many, 
 and many in one. This is illuftrated by a feal, 
 and the impreffions taken from it; where the feal 
 is one, and the impreffions arc many. 
 
 Verfe 14. — The gradations arc 5, from Faith, 
 Light, or Spirit, to brute matter. 
 
 Verfe 17. — vid. A6ts, xvii. 28. 
 
 Verfe 21. — God is called, in Plato, Form of 
 Forms; as diftin6l from, and pre-eminent above 
 matter ; here it is Father of Forms. 
 
 Verfe 29. — vid. Prov. viii. 22, &c. 
 
 Verfe 30. — The Chrift is the image the Father; 
 as by a figure, fhapes are reflc6lcd from a mirror; 
 but vid. Hcb. i. 3. 
 
 VOL. II. b Verfe
 
 ^y/[ isOTES AND OBSERVATIONS. 
 
 Verfe 41. — In mofl of the fymbols, the wings 
 are divided into three ranks ; — one plain fpace, 
 for fpiritual beings; one, with one fet of lines, 
 acrofs the fpace, for rational beings; and, one 
 with two lines croffing each other, reprefenting in- 
 ferior animals, and mere matter, 
 
 Verfe 51.— -/V knowledge of geography renders 
 explanation, in thefe lines, needlefs. 
 
 Verfe 61. — In thefe two lines the difference of 
 letters, as chara6lers, and of hieroglyphics, as 
 fymbols, is marked. 
 
 Verfe 67.-— -vid, Horn. Odyff. B, 24, at the be- 
 ginning, with Clark's notes ; and the paffage, from 
 Dionyfius of Halicarnaffus. 
 
 Verfe 79.— The hieralph, is the letter ^ placed 
 jfideways, ^ox/aa'ed purpofes. 
 
 Verfe 90, — In this, and the following lines, the 
 evil principle, or the origin of evil, is marked 
 under the various names and types of various 
 times and nations. 
 
 Verfe 97. — The butterfly, papilio or pfyche, 
 \s generally ufedas an emblem of the immortality 
 of the foul, as a figure, from the different forms 
 ^nd ftates of that animal. 
 
 Verfe log.-^Thoth, in Egypt; Hermes, in 
 C;"?eQe; ai^d, Mercury, in Etruria, or Italy, are
 
 #)OtlES ANDOBSERVAtlONi* i'*i 
 
 names or titles of fome great and very ancient in- 
 ftru6lors of mankind* The firft, by later Gre- 
 cian writers, is called Trifmegiftus;— the fymbol 
 is borne in the hand of many Egyptian idols* 
 
 Verfe io8.-^This hieroglyphic is called the 
 cone of light, and that of darknefs; to reprefent 
 the afTiftance of the fupreme, to correal the cor- 
 ruption of man upon earth ; and the attempts of 
 Corruption to refift the aid from above ; till, what 
 is expreft in lines 109 and 110. 
 
 Verfe ii8.-^The three terms here employed, 
 have the fame meaning and intention as the three 
 mentioned in verfe 6. 
 
 Verfe 120. — vid. 1 Con xv. 28. 
 Verfe 122. — Jehovah, is a compound expref- 
 fion of Time, in its three forms of paft, prefentj 
 and future ; according to the rudiments of the He- 
 brew grammar^ it has been called tetragrammaton, 
 from the four charatters nin» which are infcribed 
 at the top of mod altar pieces in the Chriftian 
 churches; — and, Shiloh is Hebrew {oxjent. 
 
 Oh
 
 Xii NOTES AND OBSERVATION^, 
 
 On the Sonnet. 
 
 THE Sonnet has been generally confidered as 
 the production of the moft early Proven9al poets, 
 called Troubadours, in the middle or at the be- 
 ginning of the 13th century, and in the fouth of 
 France, on the confines of Italy, when the Cru- 
 fades had brought fome refinement of literature 
 from the Eaft into Europe; and here, after many 
 rude attempts, as is the cafe with all new inven- 
 tions, Petrarcha, in the middle of the 14th cen- 
 tury, carried that fpecies of writing to its higheft 
 perfeBiion; inwhich he was followed by Bembo, 
 Arioflo, Taffo, and many others of later date; 
 and, which is ftill a favorite mode of compofition in 
 Italy, on all fubjefts of a public or a private na- 
 ture. They have been chiefly written in Italian, 
 which became diflinB; from the Latin, by admit- 
 ting, from the Celtic and Teutonic diale£ls, many 
 northern words; and, by changing, principally, 
 the inflexions of the Latin verbs into terminations 
 more open and flowing: Sls Jono iox Junt^ amano 
 
 for
 
 NOTES AND OBSERVATIONS* ilji 
 
 for hmanf', and is ftilL fuperior to the Frencb, 
 where the nafal endings in N, and the mute E, 
 either with or without the added letters unpro- 
 nounced, render the verfes of that language fo 
 much lefs melodious than the poetjc form of ma- 
 ny others; and fo much more difficult to be read, 
 fo as to give any efieft to the verfe, and to ob- 
 ferve the laws by which it is compofed : fo pecu- 
 liar, indeed, is the Italian tongue for its foftnefs 
 of found, that moft words, and in poetry nearly- 
 all, end with a vowel or a liquid; hence it is lb 
 adapted to mufic beyond any language, whofe 
 true pronunciation is known. The Latin lan- 
 guage was always prcfervcd for the church, and 
 for works, chiefly, of facred learning; but the 
 blended dialed was called la Lingua volgarc, in 
 . fo much, that volgorizzare was a term fynony- 
 mous for tranflation from the old Latin into the 
 modern Italian. 
 
 In the fonnet, rhyme was always uled, in dif- 
 tinQion from the ancient rythm, and i.s, moft pro- 
 bably, a modern invention of Europe; though 
 fomc authors fay, that the fimilarity of the found 
 of words, at the ends oflines, was not unknown 
 to the Orientals, perhaps, at a more early pepod. 
 la all nations, more moderP; rhyme fcemsric^ie-
 
 XlV MOTES ANO OB^EilVATlONSJ 
 
 a fupplement to the various feet and meafures 
 ufed by the Greeks, and from them by the Ro- 
 mans; who owe all their learning and improve* 
 ments to the Etrufcans, and their elegance and re- 
 finement to their Grecian intercourfe: and, in 
 my opinion, poor and weak is the fubftitute for 
 fuch diflinguifhedornaments of poetry, as were the 
 richnefs and fweetnefs of the ancient verfification; 
 befides, that it fubjefts the freedom of expreflion 
 to an irkfome chain, of which the greateft merit 
 confifts in its bcincr the liditeft borne and when it 
 leaft difcovers the fliackles which it impofes. The 
 Italian language is, indeed, very fertile in rhymes; 
 and, therefore, the reftraint gives lefs trouble to 
 the writer, and by the reader is lefs perceived. 
 Thefe rhymes have been differently arranged by 
 different poets, and by the fame poets, in differ* 
 ent parts of their w^orks, as to the two firft qua- 
 trains, as they are called; but thefe quatrains, 
 liardly ever admitted more rhymes than two, and 
 in the two triplets, of three verfes repeated, a 
 change was admitted in each ; but, moft often, the 
 third verfe of the firft, and the third of the lafl: 
 Vere in ftri6l rhymes. The number of verfes, 
 then, in a fonnet are always fourteen; for which 
 peculiar number, a reafon for a long time, in vain, 
 
 was
 
 NOTES AND OBSERVATIONS. XV 
 
 was fought, till one was.fuggefted by a fonnct of 
 Taffo, tranflated at p. 286. In this fonnet, the fub- 
 jeQ; was propofed in the firft four lines, purfued 
 ia the next four, and, an allufion to the main fub- 
 jeft was made in the fix, which concluded the 
 compofition. In many of the original Englifii 
 fonnets, written after this fort of difco very, that 
 form of arranging the fubjccl and the allufion, or 
 fimile, has been adopted, and, perhaps, with this 
 improvement, that the iuh jc^ p?-opo/ed in the firft 
 four lines fhall be purfued in the fecond four, 
 cither by extenfion or contraft, in a kind of paral- 
 IcUfm, the great difcovery of Lowth in his Hebrew 
 poefy; and in the two triplets or fix lafl lines of 
 the allufion, the parts of the fimile in the firft 
 three fhall refer to the four of the firft quatrain, 
 and in the laft three, to the four of the fecond, vid. 
 Original Sonnets, p. 141. Thismcthod may feem 
 to add to the difficulty of this fpccies of compofi-> 
 tion; but in very fhort works, a difficulty con-, 
 quercd is an added merit; and the method certain-i 
 ly conduces to that precifion of the expreffion, 
 which has always been allowed as a merit in the 
 fonnet; ahd this merit is much procured by the 
 proper ufe of antiihefis, a figure of fentences, fg 
 QftQO condemned, but io conftantly applied by 
 2 the
 
 XVI NOTES AND OBSERVATIONS. 
 
 tBe writers lin all languages. And, for this rea- 
 fon: affbciatioa of ideas attends mod of our per- 
 ceptions, as light may be called the abfence of 
 dafknefs, and darknefs is the privation of light; and 
 eitbenof the one, naturally induces the thought of 
 the other, and by the contrail give a mutual 
 llrejigth. It is true that the antithefis fliould be 
 more in the thought, and defs in. the words ; in 
 ivhich.Iaft,. when it is fought with labour, or does 
 not,, in! the terms^ cxaBly agree with the relative 
 fi^bjeHs', it is ever faulty; but, the abufe of truth 
 arid of propriety is no valid argument againft the 
 true and well-applied ufe of any form of writing.*' 
 Tiietriie. antithefis and the fimile, which is a fpe- 
 caesiof it, is founded bn the -ftriftell principles oft 
 fciencef in the doftrine of proportion ; and, the fi-i 
 miler ^d comparifonis fo mentioned by AriRotle,, 
 in his Poetics: where the four terms of the fls^y, 
 and field, the flars, and the flowers, are adduced 
 as the effential requifites of a metaphor ; that is, 
 ihe iky has ftaxs, and the fields have flowers: and, 
 therefore, by metaphor, the terms may be tranf- 
 ferred, fo that ftars may be called flowers of the 
 fky, and flowers may be called the flars of the 
 field. In the fymbols of proportion they are thus 
 
 * And this tnay be, alfo, applied to alliteration.
 
 NOTES AX'D OBSERVATIONS. XVlI 
 
 expreft: — Stars : fky :: flowers : field. I do not 
 expeO; that in modern times of avowed and prefump- 
 tuous ignorance, or in thofe of concealed and un- 
 grateful knowledge, this reference to Arlftotle witl 
 have great weight; but, I am certain that thd 
 ftriftnefs of a fcientific method may, with great 
 utility, be applied to fubje6ls of criticifm as well 
 as thofe of morality; and produce that accurate 
 diftinftion of ideas in which true knowledge and 
 comprehenfion, or underftanding, confift, and with- 
 out which, all difquifitions are confufcd, obfcure, 
 imperfe6l, and ineffeftual. But to return to the 
 fonnet: — the laws of this compofitron are remark- 
 ably fevere, infomuch, that Boileau faid, a perfe6l 
 fonnet was worth an epic poem. The feverity of 
 thefelaws confift, firft, in the unity of the thought, 
 or the fubje6l, to which the writer, of a legitimate 
 fonnet, muft, without the leaft variation, adhere. 
 Next, no important word, as a noun or a verb, 
 muft be frequently, if ever, repeated; then the 
 connexion of the parts, in the whole, muft be 
 clofely dependent on each other, by links always 
 exifting, though not always apparent; and, the 
 breaks muft be filled up by the moft obvious and 
 natural ellipfis. Laftly, the gradation of the cli- 
 max, the thought, and di6lion, from the firft line 
 to the laft, is to be obfcrved. The fonnets of 
 VOL. ii» c Pctrarcha,
 
 Xviii ^ NOTES AND OBSERVATIONS. 
 
 Petrarcha, notwithftanding all the beauty of the 
 diftion, are deficient in this gradation; as the eight 
 firfl lines are often fuperior to the fix laft, and but 
 feldom the laft line is the moft full of thought. A 
 Ibnnet may be confidered as a ferious epigram, 
 and in all epigrams, as well in the fimple manner 
 of the Greek, as the fatyrical or pointed form of 
 moft in Martial, the laft verfe comprehends and 
 confirms all the preceding; the defeat, in this par- 
 ticular, is objefted to Petrarcha, and was one 
 caufe of adopting the new method of the fubjeft 
 and the correfponding fimile. The fonnets of 
 Milton, both Italian and Englifh, fo evidently 
 drawn up in the manner of Petrarcha, have the 
 fame fuggefted imperfeftions ; as alfo many of 
 thofe of Mrs. Charlotte Smith, the fimple pathetic 
 of which may, perhaps, be preferred to the eleva- 
 ted diftion of Petrarcha, or the propofed innova- 
 tion in the form of the fonnet. The madrigal may 
 be confidered as the fhorter fonnet, not confined 
 to any certain number of lines or to the larger 
 meafurc of the Italian heroic repeated. Its thought 
 is ftill rpore fimple than that of the fonnet, and 
 the point or clofe is more ftridly obferved. 
 I have, fometimes, thought that as the Italian fe- 
 renata is, evidently, from Jersno^ the evening, 
 
 the
 
 N0TE5 AND OBSERVATIONS. XIX 
 
 the madrigale may be from the Spanifli madrugare^ 
 Avhich means to rife early in the morning; and, 
 therefore, that. the madrigale is the morning fong, 
 as the fererjata is that of the evening; but, on this 
 I lefs infift, as my knowledge of the Spanifli lan- 
 guage is very imperfeQ. There is a whimfical fon- 
 net, written by Lopez de Vega, on the difficulty 
 of that compofition; it is replete with true ridi- 
 cule, as it attacks only the form and not the fub- 
 ftance of fuch a kind of writinjr; to which fub- 
 fiance it neither does, nor can, offer any injury, 
 or make its true worth lefs efteemed. This bur- 
 lefque has been rendered in one of the volumes of 
 Dodfley's CollcQ.ion, vol. ii. p. 321. The tranf- 
 lation is not quite fo perfeft as it might be^ an(i 
 an attempt has been made to keep ftill clofer tq 
 the original; for in all tranfiations it is the princi- 
 ple., and has been the intention, of the writer of 
 thefe Ihort effays, to adhere, moft ftriftly, to the 
 f^ofe, and wliere it is poffible, to the words and 
 their conflru6lion, which are u fed in the originals: 
 if it is not poffible, the attempt has, in general, 
 been laid afidc; and with all due deference to the 
 Nee Verhum Verho of Horace, a more extended, or 
 lajt tranflatioji is rather a paraphralis than a me- 
 taphrafis, Qx exchange of ditlion, I infert the ori- 
 ginal
 
 JCX NOTES AND OBSERVATIONS. . 
 
 ginai^panifh, that the metaphrafis may'be more 
 difti.nQly perceived. I fliall ftill add an obfcrva- 
 tion concerning the rhymes, in which, thetranf- 
 lations, as well as the originals, are written with a 
 lefs frequent repetition : — the Italian language is 
 fo fertile in its rhymes, that,- without any difficulty, 
 they occur to every writer who is the leaft accuf- 
 tomed to verfe, either written or read. In Eng- 
 lifii, the rhymes in the words are much lefs fre- 
 quent," and, confequently, the attention muft be 
 turned too much to the inferior parts of the 
 compofition, and thus endanger the accuratb 
 concifenefs of the expreffion, and thejufl difpd- 
 fition of parts through the whole, in which the f^- 
 perior' merits fo much confift.^'lt' will therefore'b% 
 moll often found that in thefe Englifh fonnets, ori- 
 ginal or tranflated, the rhymes in the two quatrains 
 are changed; the crofTcd or alternate rhymes alfo 
 of firft and third, fecond and fourth, inftead of 
 each two in unbroken fucceffion, has been c6ti- 
 ftantly adopted, as being a medium between blank 
 verfe, as it is called, and the more common rhymes 
 of each two verfes. Dryden, in fome of his po- 
 ems, calls thefe alternate rhymes, in the four lines, 
 the heroic ftanza; the reafon of fuch an appella- 
 tion is not very eVident, '^ndTucceeding poets, 
 
 vith
 
 • NOTES AND OBSERVATIOXS. XXI 
 
 with Hammond and Gray, in particular, have ap- 
 plied thcfe alternate rhymes to elegy, in which, 
 fubjefts more ferious, or plaintive, have been 
 treated; and, as the fonnet is neither fo elevated 
 as the heroic in blank, nor fo deprefled as the 
 common elegy, the mixture of the alternate, in 
 the quatrains, and the more free difpofition in the 
 triplets, has been moft generally ufed. The great 
 difference, however, between blank verfe .and 
 rhyme, which confifts in making the leffer parts of 
 ^he fentence either run into different lines, or be 
 inclofed in the compafs of one or two, has been 
 moft often obfervcd in favor of rhyme; which, 
 though the writer of this efTay be a decided friend 
 tdWdnk or free m^afure, in longer and more fei 
 Bbtriworks, yet in thefe fhorter and more reftrift- 
 cd toimpofitions he has thought, as more agree- 
 able to common tafte and praBice, fo alfo more 
 adapted to the ilrudure of tic fonnet; of whiph, 
 either tranflated or-, original, he has compofed fo 
 confiderable a riumber in that moft ftudied man- 
 ner and form. Milton, indeed, from his fuperior 
 talents in free mcafures, and from his ftri6l imita- 
 tion of the older Italian writers of fonnet, has 
 blended the free ftru6lure of blank verfe and the 
 confinement of rhvme ; by which, he has left no 
 
 certamty
 
 XXU NOTES AND OBSERVATIONS. 
 
 (Certainty of difference in the forms of either; has 
 loft. the be{]; effeO: of rhyme, and checked the flow 
 of the verfe, more free, by an ufelefs appearance 
 of rcftraint. But to return to Petrarcha, and to 
 conclude, indeed, this critique on the fonnet and 
 its moft dillinguiflied writer; the numerical critics 
 have, I doubt not, with confidcrable toil, obfer- 
 ved, that the numbers, in an arithmetical fenfe, 
 of the words ufed by Petrarcha, arc very fmall. I 
 really have forgotten the refult of their enumera- 
 tion; but, at once, afking the pardon of fuch exael 
 and enlightened calculators, and to make fome 
 amends for the defe6l of my memory in fuch an 
 important point, I will venture to fuggeft a charac- 
 ter of Petrarcha, as to the general famenefs of his 
 fubjeQ-s and the particular variety of which, in 
 the fmall number of his words, he has invente4 
 the application : 
 
 " Small is the ftream, which to his Mule fupplies 
 Its ftream, but on its banks fuch flow'rs he culls 
 As deck his thoughts with beauties numbedefsj 
 Creating for himfelf, in either mood, 
 As Hope or Fear, each in his bofom reign'd, 
 A world of tranfport, or a world of woe."— — — 
 
 A
 
 NOTES AND OBSERVATIONS. XXlU 
 
 AJhort Explanation of the Sum and Purpofe 
 of the Mgyptian Hieroglyphics : tranjlated 
 from the Pampbilian Ohelifk; by Athan. 
 Kir c her, p. 2^6. — et p. 396. 
 
 WHEN the Egyptian priefts had learned, by 
 the doftrine delivered in fucceffion by the aneient 
 patriarchs, that divinity was infufed through all 
 things, their chief and fole employment was to dif- 
 cover the effefts of fuch divinity, as lay conceal- 
 ed in each and all the degrees and orders of natu- 
 ral beings; and to exhibit them, when difcovered, 
 with propriety, by fymbols apt, and taken from 
 the nature of the things. Hence, they applied 
 their minds to inveftigate the powers and proper- 
 ties of all animals: as, moreover, they thought, 
 Genii were appointed by God to prefide over 
 every order, thev endeavoured to know, by the 
 deepeft refearches, under the protection of which 
 Genius, each fubltance, in the clafles of natural 
 beings, was placed; by which knowledge, they 
 held a firm pcrfuafion that, by adapted fymbols, 
 facrifices, hymns, rites, and ceremonies, and by 
 holinefs of life, they could render each genius pro- 
 
 2 pitious
 
 XXIV I^OTES AND OBSERVATIONS^ 
 
 pitious to their prayers; and that, when his favof 
 ■was obtained, they fhould, by his influence, ac- 
 quire all kinds of happinefs; they thought, alfo, 
 that, by fuch affiftance, all evils would be avert- 
 ed, and were confident that, thus, after a happy 
 courfe in this life, they fhould fecure a blifsful 
 ftate in that which was to come. And this is the 
 fubflance, and fum, and the purpofe, and end, of 
 all the hieroglyphic learning, concealed under the 
 fecret myfteries of all the fymbols, and all the 
 other ceremonies, and rites. A. K. — vid. alfp. 
 Obelifci Pamphil. p. 396. 
 
 Thefe fymbols v.ere placed on the Obeliflcs, the 
 facred utenfils, fuch as the table of Ifis or the 
 mummies, and on the gates and walls of all the 
 temples, as ftill remaining in the magnificent tem- 
 ples of Luxore, or ancient Thebes, in the upper 
 Egypt, and in other ruins on each fide of the 
 Nile; of which, the befl information may befound 
 in the travels of Savary ; and Norden muft be ap^ 
 plied to for the bell defcription by plates. 
 
 It has, in my private opinion, been fully fliowa 
 by Kircher, that ideas, facred, moral, and po^ 
 litical, are exprefl by the fymbols in hierogly- 
 phics, and not, as. fome have thought, hiftoric 
 fafts, records of time, or lefs" important calcula- 
 ; tions.
 
 NOTES AND OBSERVATIONS* XXV 
 
 .tions. • The manner of enouncing thefe hierogly- 
 phics is not by words to each charatier, but by 
 what Kircher calls ideal reading; where, each type 
 is to be, colleftively, unfolded, and the founds 
 are to be omitted and the fenfe retained. The 
 manner of doing it is, generally, in a perpendi- 
 cular dire8;ion; as appears by the ideal reading 
 which he has given of the ranks of hieroglyphics, 
 from which, at p. 65, vol. i. the ode is compofed; 
 and affumes the form of. Strophe, Antiftrophe, 
 and Epode, confiftcnt with fuch divifion. The 
 paraphrafe, in the ode, is formed on the LeBio 
 Idealis of the hieroglyphics; as given in Kircher's 
 CEdipus iEgyptiacus, vol. iii. p. 414 : where the 
 three columns on the Nardian mummy are ex- 
 plained ; and the fenfe of the fucceffive fymbols 
 are thus extended into words: 
 ■yji Column. 
 
 Let the beneficent gate of Ofiris be opened to 
 the deceafed. May he be conveyed to bis appoint- 
 ed place, in the barge, by the three intelligences 
 of the powerful Setlion. May life be granted to 
 him, by him, who, with motion imperceptible, 
 pervadeth all things. Let Apis be prefent, with 
 the intelligences of the fun ; in whofe vehicles 
 may he be drawn to the fourcc of the celeftial 
 
 VOL. II. d Crater,
 
 XXVi NOTlfeS AND OBSERVATIONS. 
 
 Crater, and by the watchful guidance of the pro- 
 vidential Deity, may he find the center of con- 
 templation, and live happily among the choirs of 
 heavenly fpirits! 
 
 Qnd Column. 
 Let him lead the life above — joined and united 
 by contemplation to the power fupreme — when he 
 has fubdued all adverfity, and has been immerfed 
 in the intelleftual Crater of Hemphta, let him be 
 inferted in the chain of beneficent powers ; let him 
 reign in the circles of bleffednefs free from the de- 
 lire of inferior objefts; and when he has been 
 fprinkled wiih/upra mundane dew., let him, in per- 
 petual vigils, acquire ftrong wings which never 
 will decay ! 
 
 3<i Column, 
 Let him, by contemplation, adhere to the fu- 
 preme providence; — by the vehicle of the fupreme 
 providence let him be reftored to his own circle. 
 Far be from him the carnal appetite; far, the 
 defire of things corruptible; let his wings be 
 ftrengthened by the force of contemplation of the 
 fuperior world. — If after a long time, by the ap- 
 pointment of Fate, he fhould be returned to a 
 corruptible fphere, l^t him find this his habita- 
 tion ! 
 
 " Whoever
 
 NOTES AND OBSERVATIONS. XXVll 
 
 Whoever would know more of the fubjeft of 
 hieroglyphics, muft again apply to Kirchcr, in his 
 recapitulation at the end of the third volume of 
 the CEdipus vEgyptiacus; and whoever would 
 fearch dill deeper into fuch learning muft read the 
 work, particularly, in the Table of Ifis in vol. 3; 
 and in the whole work on the Pamphilian Obc- 
 lifk, from which the extraO. was tranflated.
 
 NOTES AND OBSERVATIONS 
 
 ON SOME OF THE 
 
 TRANSLATED POEMS 
 
 IN THE SECOND VOL.
 
 NOTES 
 
 AND 
 
 OBSERVATIONS, 
 
 On the four prof crihed Poets, 
 
 In the paflages which are tranflated from Lucan, 
 5tatius, Claudian, and 3eneca, to illuftrate the 
 charafters given of them in the original lines, I 
 feel myfelf under the neceflity of obviating fome 
 objeftions, which, from fcholars of a more ad- 
 vanced age, may be made to the recommending, 
 or even mentioning, fuch authors as may tend 
 rather to corrupt the tafte, than to improve the 
 judgment, of younger ftudents, as to the merits 
 of poetry. Of fuch authors, the principal in La- 
 tin are thefe four, who are aim oft profcribed from 
 the lift of thofe received with general approbation, 
 and ranked under the figurative clafs of the brazen 
 or the iron age : but tafte, which is only a meta- 
 phorical expreflion for judgment, depends on an 
 2 accurate
 
 XXXU NOTES AND OBSERVATIONS. 
 
 accurate and enlightened comparifon of the diffe- 
 rent excellencies in different writers ; and, as pub- 
 lic fame is often no more than a repeated echo, 
 from trull in the opinion of others, fo a well- 
 grounded opinion of our own can only be formed 
 on our own reading and experience, which muft 
 lead lis to juftify or to condemn, according as we 
 perceive the merits or defeats M' a performance tQ 
 prevail. It has been faid, and 1 believe, with much 
 truth, that the age of genius or of invention is not 
 the age of tafte and judgment, and vice verja ; the 
 concifenefs of which fcntence is thus to be ex- 
 plained: tafte, or criticifm, as the laft term evi- 
 dently implies, means to pafs judgment or to de- 
 cide; and in that general fenfe it was ufed in early 
 tirties, when the writers were many, and the judges 
 but few ; and thefe, as formed by the excellence 
 of the compofitions then produced, were full as 
 much inclined to commend as to blame ; whereas 
 in later times, when the number of judges far ex- 
 ceeded that of the writers, criticifm is chiefly em- 
 ployed in marking out the defeBs, rather than in 
 paffing an impartial judgment on the works of 
 others : and this might arife either from the envy 
 ■which attends exertions fuperior to our own abi- 
 KtieSj or from the fatiety and caprice which fol- 
 lows
 
 NOTES AND OBSERVATIONS. XXX1H 
 
 lows a long fucceffion of endeavours to obtain our 
 applaufe : this fatiety has a peculiar efFeft on what 
 is properly called art, or the application in prac- 
 tice of principles founded in nature and in truth; 
 and particularly fo in the compofition and Qjcecu-- 
 tion of mulic, where the artift, who from necelTity 
 muft be attentive to more than applaufe, finds his 
 hearers wearied with what they have long admired, 
 either from themfelves or the decifion of others,. 
 and are in courfe lefs frequent in their attendance^ 
 on fuch exhibition, by. which abfence the perform-^ 
 ers or compoters are compelled to ftrikc into new 
 paths, to awaken their audience; and, having ar- 
 rived near to perfection in their progrefTive efforts, 
 muft now defcend to novelty and furprife, by 
 which the truth of art is corrupted and deftroyed. 
 It would not be difficult to produce inftances o£i 
 this degradation in more arts than one, but I haften 
 to return to the fubjcQ: of poetry. It is true alfo, 
 that in early times, authors attended more to 
 ftrength of thought and boldnefs of diclion, than to 
 that accurate difpofition of a whole into its com- 
 ponent parts, (vide Harris's Philolog. Inq. part ii. 
 chap. 5.) which, by frequent examples of im- 
 proving writers, became the great aim of their 
 fucceflbrs; and^ as from thefe examples, rules 
 voi . ri. c were
 
 XXXlV KOTE8 AND OBSERVATIONS. 
 
 were now fortned in a more polifhed age; fo from 
 the obfervance or negleft of thefe, judges now 
 formed their final opinion ; and often overlooked 
 the more irregular beauties which the firft attempts 
 in every art are more apt to afpire to, and to ob- 
 tain : and what is true with refpeQ; to thefe firft* 
 efforts, is no lefs fo, when many ages have fucJ 
 ceeded, and poets, by endeavouring to furpafsi 
 their predecefTors, or to avoid their fteps, have* 
 formed to themfelves a peculiarity of ftyle in the; 
 expreffion of their thoughts, i ^riuiJiJia/.o aoi 
 
 The extent of the Latin poetry, exclufive of 
 Plautus and Terence, who were mere imitators of 
 the Greek comedy, each in its kind, and of Ennius, 
 who followed Homer fo much, that he faid, the 
 foul of Homer was transfu fed into his body; — is 
 from Lucretius to Claudian; to Lucretius fuc-t 
 ceeded Virgil, who, avoiding the faults, or rathe» 
 the Greek method of verfification of his mafter^ 
 not by improving on his merits, in the moft glowii 
 ing: di£lion and moft flowing verfe, reached that 
 fummit of fame, to which it has been deemed facri-^ 
 lege, by critics in general, to fuppofe, that any 
 other poet has attained. 
 
 Lucan comes next in order, of thofe whom i 
 mean to mention, whofe age being only twenty- 
 
 feVen
 
 NOTES AND OBSfiRVATIONS. XXXV 
 
 fcven when he died, may well excufe the imper- 
 feftion of his work. A dklum of Quinftilian I. x. 
 c. 1. § 6. has had more influence on the reputa- 
 tion of Lucan than can be imagined: who, be- 
 caufe the fubjetl is taken from real fa8: and not 
 from fabulous records, according to the critic, is 
 to be numbered rather with the orators, than with 
 the poets. But, if high defcription, glo\ving dic- 
 tion, ftrength of charafter, with the deeped fen- 
 timent, and often, the moft ornamental compari- 
 fons, are component parts of the charatler of a 
 poet, Lucan, when read, will appear to have pof- 
 felfed all thefe, in a degree, far fuperior to orato- 
 ry ; and, however great may be the authority of 
 Quin6lilian, to whom I willingly allow all due 
 refpeft, yet I adhere to the rule of Horace, Nul- 
 lius addicfus jurare in verba. One caution, how- 
 ever, let me add, that in di (Tenting from fo great 
 a mafter we fhould be well prepared, by our own 
 reading, to counteraft an opinion fo long received 
 by the difciples of the Fabian fchool. But to re- 
 turn ; — Seneca was his cotemporary ; he adhered 
 more to the early form of tragedy, under M.U 
 chylus, than to the improvement of plan and 
 di6lion introduced by his two fucceffors Sophocles 
 and Euripides, 
 
 4 Under
 
 XXXVl NOTES AND OBSERVATIONS. 
 
 Under the laft of the Caefars, appeared Statius, 
 who, adhering as much to the fpirit of Homer as 
 Virgil had done to his plans, in each part of his 
 ^neis, to the OdyfTey in the firft fix books, and 
 to the Iliad in the fix laft; and in all to the fame 
 turns of thought and expreflions ; gave a loofe to 
 his unbounded fancy, and nervous traits of charac- 
 ter, and of fentiment. Laftly, in the decline of the 
 empire, appeared Claudian, in whom magnificence 
 and richnefs prevail; and who, like the fetting fun, 
 appears of larger dimenfion and a deeper hue than 
 when it Ihines at noon; but through that preju- 
 dice, which attends on the ages of tafte, as they 
 are called, the failings of the poets, of the Auguf- 
 tan age, have ever been palliated, while the me- 
 rits of thofe of fucceeding times have ever been 
 paffed over with as unjuft a negleft : and though 
 it is no more my intention to conceal their failings 
 than it is to depreciate the worth of thofe more 
 commonly approved, yet judgment may be great- 
 ly affifted by diftinguilhing the failings of inferior 
 writers, as it is completely formed by attending 
 to the moft perfeft models. Befides, in this method, 
 we may have the opportunity and advantage of 
 exercifmg our own fagacity in the difcovery of 
 what we may approve or condemn, without fer- 
 
 vilely
 
 NOTES AND OBSERVATIONS. XXXVll 
 
 vilely treading in the Heps of that croud of com- 
 mentators or critics who, as it has been mention- 
 ed, have only repeated the opinions of others, in 
 words of their own; and affumed, to themfelves, 
 the popular merit of thinking the fame with thofe 
 who were, already, in fome degree of repute. But 
 in the recommendation of thefe four poets, whom 
 I propofe, let all prejudice be laid afide; and, as 
 good writing is the aggregate of different good 
 qualities, let us apply to thefe authors, not as 
 anxious for their reputation, but as ftudious of fe- 
 leding, for our own improvement, whatever de- 
 gree or kind of excellency they may poffefs ; imi- 
 tating the true judgment of Zeuxis, who, from 
 divers examples of beauty, compofed his perfect 
 Venus } and here, I would fuggeft the advice to 
 make frequent extrafts, in writing, from the au- 
 thors who come under our notice; and, for this 
 purpofe, of the four abovementioned authors, I 
 fliall propofe fome pafl'ages which bell may guide 
 the opinion of their merits, and thus, perhaps, in- 
 duce a greater attention to be paid to them than 
 what the laws of contracted taite or the injultice 
 of prejudice have been inclined to allow. 
 
 The paffages in Lucan, are his Grove, \. iii. 
 V. 399;-^the Death of Vulteius, 1. iv. v. 474; — th^ 
 Brutus, 1. vii. v. 586; — the Cato, 1. ix. v. 556. 
 
 In
 
 XXXViU NOTES AND OBSERVATIONS. 
 
 In Seneca, the Prologue to Medea; — the Ana- 
 paifts in the Agam, v. 670. 
 
 In Statins, the Prophets, I. iii. v. 524; — the 
 Jocafta, l.vii. v. 4703 — the Lion, 1. xi. v. 470; — 
 the QEdipus, l.i. v. 44. 
 
 In Claudian, the Mother and Daughter, in the 
 Nuptials oF Honorius and Maria, v. 241; — the 
 Stilicho, l.i. V. 137; — the whole of the Conful- 
 fliip of Mallius. 
 
 Many of thefe paffages have been tranflated, as 
 examples to the chara£lers; and, as it was the de- 
 iign to give peculiar fpecimens of the fpirit of the 
 writers, felcQed palTagcs have been preferred to 
 longer extrafts, or to the whole work of any one 
 author. 
 
 The method of tranflating a poet, in his entire 
 ftate, may conduce to a lucrative purpofe, and 
 confult the convenience of thofe who are not maf- 
 ters of the originals ; and by the length of the un- 
 dertaking (not to mention pafTages lefs excellent 
 or lefs underftood, all whidi muft be rendered,) 
 may admit of many excufes in the execution; 
 but a true knowledge of the real worth of an au- 
 thor can be gained only by fuch feiefted parts 
 where the tranflator has the time, if he has the 
 ability, to give the peculiar fpirit of each poet, on 
 
 which
 
 NOTES AND OBSERVATIONS. XXXlX 
 
 \vhich his intrinfic chara6ier and excellence de- 
 pends. If the whole feries of events be required, 
 let the hiftory be read, in fome continued profe 
 tvanflation, by thofig Whib cannot command the 
 verfe; and though they gain Icfs inltruftion, as to» 
 fa6\s, yet they are better informed, by this Ihorter 
 method, of that poetical merit, with which, it is 
 fuppofed, that they wi(h to be acquainted. T 
 leave to others to decide on the merits of thofe 
 tranllations which arc entire; and recommend, 
 only a caution, not to be dazzled by the fplendoj? 
 of diitinguifhed names. 
 
 #' Befides tliefe paffages, taken from the author* 
 tbemfelv^s, a moft curious and excellent imitation 
 of the turn of thoughts and mode of expreflion,, 
 in, each, may be read in the prolufions of Famian- 
 U8 Strada, l.ii. prol.6; as alfo the examples of 
 flyles, one of Livy, and one of Tacitus, together 
 v^ith the gradations of ftyle in phrafe and orna- 
 ment, on the fame fubjeft of the Cyprian Heroine 
 in hiftory, oratory, and poetry. The work of 
 Strada, on almoft every fubje6l of literature, ex* 
 cept his prejudice againft Tacitus, is replete with 
 rules and obfervatiorfs, from which the greatell 
 improvements may be drawn; fince, as to the 
 manner of different writers, he has colleftcd,- in- 
 to
 
 Xl NOTES AND OBSERVATIONS. 
 
 to a fmall fpace, thofe beauties and peculiarities 
 which, in courfe, are only fcattered through their 
 ■wprks. 
 
 There is, moreover, a treatife on criticifm un- 
 der that article, in the French Encyclopedia, writ- 
 ten by Marmontel, which dei'erves, as well as to 
 matter as manner, the ftricleft attention ; as, alio, 
 the differtation on talle, prefixed by Mr. Burke to 
 his work on the Sublime and Beautiful. This pre- 
 face is moll exaCl in its definitions, and clofe ia 
 the chain of arguments, which are produced, and 
 looks up proudly to the accuracy and extent of 
 Harris, in fome of his works ; while it gives to me, 
 at leaft, the undeniable criterion of tafte, a fub- 
 ject fo various and fo perplexed by the generality 
 of writers. 
 
 Dr. Hurd, in his treatife on poetical imitation, 
 and, particularly, in the fecondpart, on tl>e marks 
 by which it may app.ear that imitation has been 
 employed, has followed the fame accuracy of in- 
 vefligation of thofe fleeting objefts ; and the work 
 of Diderot, fur les Sourds et les Muets, with the 
 fmgular addition to the title, al'Ufagede ceux 
 qui entendent et qui parlent, and that of Batteux 
 fur les beaux Arts, are entitled to the ftriQeft no- 
 tice: nor let it be objected that fo much flrefs is 
 
 laid
 
 NOTES AND OBSERVATIONS. xU 
 
 laid on the French critics; fince truth and inftruc- 
 tion belong to no peculiar nation; and, it may, 
 perhaps, be found, that whatever the EngUfh have 
 done in all times, on all fubje6ls of original com- 
 pofition, criticifra and the rules of art have been 
 cultivated both in profe and verfe, by the Frengh, 
 with peculiar pcrfpicuity and fucccfi« 
 
 On the Limits of Tranjlation. 
 
 SO much has been already written on the 
 , XubjeB of tranliations, that any new or confider- 
 ablc lights can hardly be thrown on w^hat has been 
 fo well illuftrated by precept as well as by exam^ 
 pie : in the French authors, indeed, the abbe de 
 Lille, in his preface to the Georgics of Virgil, as 
 by him tranflated; — the treatife of d'Alembert in 
 his Melanges, t. iii. — and, the inftru£lions of d'A- 
 guefleau, in his Mercuriales, deferve particulaf 
 attention; and fuch authors it is rather my inten- 
 tion to point out to the reading of others, than to 
 ^btrude, as my owi?i obfervations, what I have 
 gained from their pcrufal. There is, however, one 
 fubjc6l, belonging to tranflation, which has not yet 
 . VOL. II. i been
 
 Xlii NOTES AND OBSERVATIONS* 
 
 been particularly examined, and that is the limif, 
 within which the thoughts and expreflions of origi- 
 nal compofitions, (and I mean, chiefly, thofe in 
 verfe) may be rendered fo as, not by prolixity 
 and addition, to impair, or by concifenefs and 
 omiffion to obfcure, •what in the originals has at- 
 tained the due medium between oppohte defefts. 
 It may be juftly obferved, and I think I am indebt- 
 ed to d'AIcmbert for the knowledge though not 
 for the application, that thofe authors, either in 
 profe or verfe, whofe leading quality and merit 
 is in the thoughts, are m.ore happily tranflated 
 than thofe whofe efforts have been exerted on the 
 expreflion, or what is fometimes called the ftyle 
 of their works: — thus, in Greek, Demofthenes 
 appears better in tranflation than Lyfias or Ifo- 
 crates; ^fchylas than Euripides; in Latin, Vir- 
 gil than Ovid; Livy and Cicero than Salluft, or 
 Tacitus, or the younger Pliny; in Italian, Taflb 
 has met with more fuccefs than Ariofto, and in 
 that language above all than Mctaftafio ; in 
 French, Corneille than Racine; but I will not 
 longer purfue this apparent digreffion, and defer 
 tha limits of tranflation, on which I intended to 
 fuggefl: my opinion; and that on the following 
 .principles :— it has been, by all grammarians, 
 
 1 agreed.
 
 NOTES AND OBSERVATIONS. xHi 
 
 111 
 
 agreed, that verfe depends on regulated metre, 
 metre on the number of feet, as they are called, 
 feet on fyllables, which, according to ancient fyf- 
 tcms, are long or fliort in time, cm", according to 
 ideas more modern, are more or lefs governed by 
 accent, tone, or ftrefs: the long fyllables, to ufe 
 the ancient mode of fpeech, arc faid to con- 
 tain two times, and the fliort only onetime; whe- 
 ther this proportion of two to one be accurately 
 juft is not important; certainly, the times, tone, 
 or ftrefs, is unequal. Of thefe feet, the Latin and 
 Greek metres, in the epic, contain fix; compofed 
 with fome reftriBion, yet with variety, as to their 
 places of da^yls and fpondees, which are feet of 
 equal duration: 2+2 or 2+H-1. — (I beg to be 
 excufed the ufe of thefe fcientific fymbols, in 
 fpeaking on fiibje^s of literary criticifm; efpccial- 
 ly, as I intend to adopt that form of notation, as 
 I proceed on my purpofe.) It appears, now, that 
 the fix feet, in the ancient epic, contain twenty- 
 four times. In the Englifh heroic, whether it be 
 blank verfe or rhyme, the number of feet employ- 
 ed is five; and thefe, in general, compofed of 
 what is called iambic, or the fhort fyllable preced- 
 ing the longer. Each of thefe feet then contains 
 fhree times, and the five feet arc equal to fifteen; 
 
 now
 
 xliv NOTES AND OBSERVATIONS^ 
 
 "now then let us inftitute this proportion, and in 
 more fubjc8:s, than this of criticifm, the accurate 
 mode of the Geometers may be applied; and, if 
 done with due caution, wil"l always produce that 
 perfpicuity of ideas fo peculiar to fcience. 
 
 A Latin hexameter is, to an Englifli verfe, as 
 24 is to 15; or thus : 
 
 L : E :: 24 : 15 :: 8 : 5. therefore, 5 Latin=8 
 Englifh, or in common terms, eight Englifh lines 
 may be allowed to be tranflated from live of La- 
 tin : — hence, whenever a paffage in Latin verfe is 
 to be rendered into Englifh, we may fay, As five is 
 to eight, fo is any given number of Latin lines, 
 to be tranflated, to a fourth proportional obtained 
 by multiplying the fecond and third term each by 
 the other, and dividing by the firft; thus, if the 
 given number of Latin lines be ten, the number 
 of Englifh lines may be fixteen, for 
 
 5:8:: 10 : or 16. 
 
 If the given number produce a fra8.ion in the pro- 
 cefs, that fraction will exprefs how many parts of 
 Englifh metre may be employed beyond the whole 
 verfesj'as thus: — 
 
 o 8X12 * 
 
 5 : 8 :: 12 : -j- or 19 f; or 
 
 nineteen whole verfes, vrith y or one foot of the 
 
 next ;
 
 NOTES AND OBSERVATIONS. xlv 
 
 next; and this will be found moft applicable to 
 tranilations into blank vcrfe, where the metre is 
 not reftriBed by the end of the line. Hence it ap- 
 pears, how much more fitted for tranflations, 
 from the Greek and Latin, is blank verfe than 
 rhyme : and it w'ould be, perhaps, an invidious 
 tafic to point out how much the very beft writers, 
 in rhyme, have been embarralfcd by that fpecies 
 of metre, in their tranflations from longer works; 
 when two lines of rhyme were not fufficient to ex- 
 prefs the fenfe of the original, and four lines were 
 too much ; fo as, in one cafe, the defcft has been ' 
 by omiffion, and, in the other, by redundance: 
 and this is, perhaps, the rcafon of the triplet, or 
 three rhymes, being introduced, as alfo, fome- 
 times, of the Alexandrine, or verfe, in Englifh, 
 of fix feet. 
 
 The limits then, which are propofed, in tranfla- 
 tions into Englifli, from Greek and Latin hexa- 
 meters, are, that eight Englifli lines be allowed for 
 five in either of thofe languages; and this limit, 
 but moft often within it, will be found in thofe 
 tranflations from the originals, whofe charafters 
 are exhibited by dcfcription and allufion in. the 
 verfcs correfponding to each author. In Latin 
 and Greek iambics, called trimetri, the Icaft num- 
 ber.
 
 xlvi NOTES AND OBSERVATIONS. 
 
 ber, in a pure iambic, is 18, the greateft is 21; 
 the fum, therefore, is 39, and the medium is 19I; 
 the leaft Englifh is 15, and the greateft, with two 
 fpondees admitted, if there are any fuch in our 
 language, is 17 — the fum is 32, and the medium 
 16; the number then, of Greek and Latin or Eng- 
 lifh iambics, is nearly the fame. I will, for a mo- 
 ment, purfue this theory of limits to the meafares, 
 particularly, in Latin, called lyric, as principally 
 the Alcaic, the Sapphic, and others; here the 
 whole ftanza or fyftem muft be confidered as one 
 mafs, and not each line : as for example, the four 
 lines of the Alcaic will be found to confift of 64 
 limes. Such a ftanza of Englifh lyrics is to be 
 found, whofe component lines ftiall, as near as 
 pofTible, complete that number. I am aw^are, that 
 the laft fyllable of every verfe, in Latin, is, Jup- 
 fojed to be Icyig-, and, that the Englifli ftanza or 
 lyric is almoft compelled to be in rhyme, how* 
 ever difpofed, or whatevernumber of feet, in each 
 line, be employed; for the Englifh lyric cannot 
 be diftinguifhed from the epic, except by the dif- 
 ferent number o{ fimilar feet which is ufed : — the 
 Sapphic and other meafures may be reduced to the 
 fame ftandard. The Sapphic, contains 5 times. I 
 Ihall now conclude this fliort effay on the limits 
 
 of
 
 KOTES AND OBSERVATIONS. xlvii 
 
 of tranflatioHj by obferving, that, with refpe6l to 
 the French and Italian epic (for I know little of 
 the Spanifli, though, I believe, it agrees with the 
 Italian), the difference between the original and 
 the Englifli is but fmall. 
 
 French heroic and tragic is ftridly hexameter, 
 if the feet be fuppofed iambic: and the Italian 
 confifts of five feet and a half, that is the falling 
 fyllable fo peculiar to that language. The limits 
 then, of the Englifh vcrfe and thofe of the French 
 and Italian are nearly the fame; and the fame 
 number of lines may be employed in each. 
 
 It is not now the time to fpeak on the different 
 divifions of French verfes into fix iambics, with 
 their casfura, or into four anapaefts, as Marmon- 
 tel, in his excellent Poetique, has fuggefled, with 
 the caefura in the half of the line; nor of the var- 
 riations, perhaps the licences, which the Italians 
 allow in the flrudure of their metres : licences 
 which our great Milton has taken, from his inti- 
 mate knowledge of the Italian and Greek metres; 
 and by which, many of his molt difficult lines may 
 be explained. I fhall, therefore, conclude with 
 tbefe two remarks : that the difficulty of the Ita- 
 lian verfe arifes from the elifions of the vowels 
 following each other, which the ductility of theix 
 
 language
 
 xlViii NOTES AND OBSERVATIONS* 
 
 language allows, and is bcft and mofl pradifcd by 
 Petrarcha and Ariofto; and frqm the knowledge 
 and due application of the mute E in the French, 
 on which the truth of their verfification depends : 
 and, that Voltaire, in my .opinion, is the beft ver- 
 fificator, in his language; avoiding the languor of 
 Racine, the rigor of Corneille, and, perhaps, the 
 monotony of Boileau: but, on this opinion I do 
 not infift, as thofe natives only, who are duly ac- 
 quainted with the principles of their own verfi- 
 fication, ought to decide on thefe points of inte- 
 rior criticifm. I have faid that I do not mean to 
 repeat what every fcholar knows without my 
 teaching; and wifh, in the Horatian phrafc, that 
 Ifungar vice Cods; not defiring of others what I, 
 with Horace-, affert for myfelf : Nullius addiSus 
 jurare in Verba. — 
 
 Appendix on Rowe's Liican. 
 
 TO Rowe, as a poet, whofe fenfe was folid, and 
 whofe ear, as to found, was formed for richeft 
 
 melody, all attention is given, all due praife is 
 
 allowed; but here, he is to be eonfidered as a 
 
 tranflator,
 
 NOTES AND OBSERVATIONS, xlix 
 
 tranflator, not of" the exuberant Ctaudian, of 
 the pointed Seneca, of the daring Statins, but 
 of the full fcntentious Lucan, whofe fubjeft is fu- 
 perior to all fable, whofe truth is beyond the or- 
 nament of art, and whofe abilities, in defpite of 
 Quinftilian, were as much fuperior to thofe of an 
 orator, as thofe of Tully were inferior to a poet. 
 If Rowe had written, from himfelf, a Pharfalia, it 
 Is not to be denied that many, nay moil of his 
 added lines or thoughts, might be worthy of Lu- 
 can ; but, his prefent work is a tranflation of what 
 has already been well performed, and certainly 
 required no additions ; many of which, I affert, 
 to be the effeft of the rhyme in which, unhappily, 
 he wrote; when the manly fpiritofhis original 
 required all that freedom and ftrength which, I 
 maintain, blank or rather free vcrfeonly can fup- 
 ply. When I have firft allowed this commenda^- 
 tion to Rowe, as a poet, I hope it will not be 
 thought cither arrogant or invidious to point out 
 his faults, faults rather thofe of his time, than of 
 his own genius or judgment; for till near his 
 time, Milton, in his free verfe, was little ftudied^ 
 Shake fpear, in his beft parts, certainly free from 
 rhyme, was but little known; -while Dryden; 
 whofe rhyme, as metre, is of the firft excellence, 
 VOL, II. g and
 
 1 NOTES AND OBSERVATIONS. 
 
 and Pope, whofe facility and accuracy, in moral 
 epigrams or in pointed fatyr, were the favorite 
 writers molt read and beft underftood; to tbefe, 
 the preceding Spenfer added great weight by his 
 ftanza, too confined, and by multiplying the chain* 
 of Italian poefy, in Ariofto and Taflb who were 
 his models. Jonfon, indeed, knew and pra8:ifed 
 the true meafures of free verfe, for I fliall banifli 
 the ignominious term of Uank^ given by thofe who 
 thought there was no poetry without rhyme; and, 
 therefore, confidered, its omiflion as a defeft, a dif- 
 appointment, or a blank, inftead of the prize, 
 which fuch judges thought the return of the fame 
 found at the clofe of each two lines alone could 
 claim. It has been already faid, in the Elfay on 
 the limits of tranflation,.that a Latin verfe, heroic 
 or hexameter, is, to an Englifh heroic or penta- 
 meter, as 8 to 5 ; therefore, 8 Englifh lines may 
 be employed to render 5 Latin : but fee the Effay, 
 where the principles cannot be denied by any 
 fcholar competent to the fubjeft. Now the lines 
 in Lucan, of his famous fpeech of Cato, are 23, 
 which might admit nearly 37 in Englifh : Rowe 
 has employed 56, with an excefs of 20; and this 
 is done by making the tranflation, not a meta- 
 phrafis or rendering Latin thoughts into Englifli 
 
 words.
 
 KOTES AND- OBSERVATIONS. H 
 
 words, but a paraphrafis or explanation of what 
 was already clear, a dilatation of what already pof- 
 fcffcd its due extent. It would be an eafy talk to 
 point out all the places, in this extraft, where 
 Rowe has ufed repetition and redundance; but, 
 in an author whom I dtherwife efteem, it is to me 
 a tafk as unpleafing to remark defeats as it is un- 
 welcome, to mod reader*;, to feled the beauties^ 
 I fhall, therefore, do neither, but leave both offi- 
 ces to true critics, who are as willing to praife a^ 
 the falfe-ones are to cenfure what they cannot 
 correct or equal : — one particular I will notice, 
 and that more to deprecate rhyme, which, to fuch 
 an author as Lucan, is, in my judgment, highly 
 improper. The fault on which I fix, is the ul'eof 
 the triplet or triple rhyme; moft often ufed, in this, 
 fpecies of writing, by thoft who would not take 
 the trouble of condcnhng the fenfe into two lines, 
 which might often be done to good effe^ ; andj 
 who )iet had judgment fufficient left not to in- 
 creafc, by a fourth line, what already was too 
 much in the three. For the fame reafon, I am 
 no friend to Alexandrines, which reduce the free- 
 dom even of our Englifli rhymes to the wearifome 
 hemiftics of the French verfe. Much more may 
 be faidfor the falling fyllableof our genuine free 
 Jr verfe;
 
 fit .NOTES AND OBSERVATIO'KS, 
 
 verfe> which is borrower! filpm the Italian, a lan- 
 guage far fiipeirior to-th^FFiliSch, in the rhythm 
 of verfification.^ As I h^^ avoided pointing out 
 either the particxiiarsy defetts,; or excellencies, of 
 'Row<^ tranflatidii, I -flialT, fot a very obvious 
 realbn, not^nter thetranl3ati6ii lately made of 
 the fpeeclf orCato, andfome oth^r paffages into 
 the lifts of competition; but fliall only fay, that 
 "where the limits of tranflation, as I have, at leaft, 
 for myfelf laid them down, might Jbave allowed 
 me very nearly 37 lines for the 23 of the original, 
 I have employed only 30; and that, while I have 
 certainly not exceeded. -the .limit's of found or 
 times, 1 have not been deficient in" giving the 
 fenfc and ge&iiihe thought, as may appear to 
 thofe^ who arenpt competent judges of the Latin, 
 by the exa8: and liferal tranflation of Lucan, 
 when it is given in the moft unmeafured profe; 
 in which, not an epithet is omitted, changed, or 
 added; and the turn of the phrafe *j>referv:ed as 
 much 3:5 the #^d different languages Will admit, 
 
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