3 Hi? r jyp. Division Range Shelf Received LIGHT LONDON ; PRINTED BY SPOTTI3WOOD3 AND CO., NEW-STREET SQUARE AND PARLIAMENT STREET LIBRA U L UNIVERSITY OF CALIFORNIA. SIX LECTURES ON LIGHT DELIVERED IX AMERICA IN 1872-1873 BY JOHN TYNDALL, D.C.L. LL.T). F.RS. PROFESSOR OP NATURAL PHILOSOPHY IX THE ROYAL INSTITUTION SECOND EDITION /LI 15 II. A U 1 UN1VKKS.TY OF, iiife^^ LONDON LONGMANS, GEEEN, AND CO. 1875 CAT. PBEFACE TO THE SECOND ENGLISH EDITION. THE REASONS for giving these Lectures are briefly set forth in the Introduction to the first of them ; while the grounds of their publication are stated in the 6 Preface to the American Edition.' During their delivery, the experimental facts were before the audience, forming visible links in the logic of each discourse. Here, by the use of plain language, I have endeavoured to reproduce distinct images of these facts, and to show them in their proper relations. With a view to this end I have sought to raise the Wave-theory of Light to adequate clearness in the reader's mind, and to show its power as an organizer of optical phenomena. From what has been recently written on such ques- tions, it is to be inferred that the origin, scope, and VI PEEFACE TO THE warrant, of physical theories generally, constitute a theme of considerable interest to thoughtful minds. On these points I have ventured, particularly in the second and third Lectures, to state the views which my own reflections have suggested to me. To produce a systematic treatise on Light was, of course, quite wide of my aim. My desire rather was to throw into a small compass, an exposition for which I should have been grateful at a certain period of my own studies. I wished in the first place, as the prime condition of all satisfactory progress, to clear the reader's mind of all indistinctness regarding elementary facts and conceptions ; and to whet incidentally the desire for further knowledge. I wished, moreover, for the sake of that numerous portion of the community who are interested in the material results of science, to trace effects to their causes, by showing how such results receive their primary vitalization from the thoughts of men with no material end in view. The ' Summary and Conclusion,' which might be read as an introduction, is for the most part devoted to this object. I have added in an Appendix three brief Addresses by distinguished Americans, which possess more than a passing interest. To the first English edition of these Lectures, Dr. Young's ' Reply to the Edinburgh Eeviewers ' was ap- pended. Numbers of scientific men were, to my knowledge, but imperfectly acquainted with this great SECOND ENGLISH EDITION. vii discussion ; while the general public knew nothing whatever about it. The end contemplated having been gained, the ' Reply ' is here omitted ; and in lieu of it a portrait of Dr. Young, engraved with great success by Mr. Adlard, forms the frontispiece of the volume. JOHN TYNDALL. ROYAL INSTITUTION: May 1875. PBEFACE TO THE AMERICAN EDITION. MY eminent friend Professor JOSEPH HENRY, of the Smithsonian Institution, Washington, did me the honour of taking these Lectures under his personal direction, and of arranging the times and places at which they were to be delivered. Believing that my home duties could hardly be suspended for a longer period, I did not, at the outset, expect to be able to prolong my visit to the United States beyond the end of 1872. Thus limited as to time, Professor HENRY began in the North, and, proceeding southwards, arranged for the successive delivery of the lectures in Boston, New York, Philadelphia, Baltimore, and Washington. By this arrangement, which circumstances at the time rendered unavoidable, the lectures in New York would have been rendered coincident with the period of the presidential election. This was deemed unsatisfac- X PREFACE TO tory ; and the fact being represented to me, I at once offered to extend the time of my visit so as to make the lectures in New York succeed those in Washington. This proposition was cordially accepted by my friends. To me personally this modified arrangement has proved both pleasant and beneficial. It gave me a much-needed and delightful holiday at Niagara Falls ; it, moreover, rendered the successive stages of my work a kind of growth^ which reached its most im- pressive development in New York and Brooklyn. My reception throughout has been that of a friend by friends ; and now that my visit has become virtually a thing of the past, I look back upon it as a memory without a single stain of unpleasantness. Excepting one inexorable event, nothing has occurred that I could wish not to have occurred ; while from beginning to end I have been met by expressions of good-will on the part of the American people never, on my part, to be forgotten. Indeed, ' good-will ' is not the word to ex- press the kindness manifested towards me in the United States. Would that it had been in my power to meet the wishes of my friends more completely, by responding to the invi- tations sent to me from the great cities of the Interior and the West, and from Canada. But the character of the lectures, and their weight of instrumental appliances, involved such heavy labour that the need of rest alone would be a sufficient reason for my pausing here. THE AMEKICAN EDITION. xi Besides this, each successive mail from London brings me intelligence of work suspended and duties post- poned through my absence. The Royal Institution possesses an honorary secretary who has devoted the best years of an active professional life and the best energies of a strong mind to its interests. And if anything of the kind should ever be founded here, the heartiest wish that I could offer for its success would be, that it may be served with the singleness of purpose, and self-sacrificing love, bestowed by its managers and its members on the Royal Institu- tion ; and by none more unceasingly than by Dr. BENCE JONES. But he, on whom I might rely, is now struck down by a distressing illness ; 1 and, though others are willing to aid me in all possible ways, there can be no doubt as to my line of duty. I ought to be at home. I ask my friends in the Interior and the West, and in Canada, to take these things into consideration ; and to think of me not as one insensible to their kindness, but as one who, with a warmth commensurate with their own, would comply with all their wishes if he could. One other related point deserves mention. On quit- ting England I had no intention of publishing these Lectures, and, except a fragment or two, they were wholly unwritten when I arrived in this city. Since that time, besides lecturing in New York, Brooklyn, and New 1 He died, working for the Institution to the last, on Sunday morning, April 20, 1873. xii PKEFACE TO Haven, the Lectures have been written out and carried through the Press. Many evidences of the rapidity, of their production will appear ; but I thought it due to those who listened to them with such unwavering atten- tion, as also to those who wished to hear them, but were unable to do so, to leave them behind me in an approxi- mately authentic form. The constant application which this work rendered necessary has cut me off from many social pleasures ; it has prevented me from making myself acquainted with the working of institutions in which I feel a deep interest, and from availing myself of the generous hospitality offered to me by the clubs of New York. In short, it has made me an unsociable man. But, find- ing social pleasure and hard work incompatible, I took the line of devoting such energy as I could command, not to the society of my intimate friends alone, but to the people of the United States. In the opening lecture are mentioned the names of gentlemen to whom I am under lasting obligations for their friendly, and often laborious aid. The list might readily be extended, for in every city visited willing helpers were at hand. I must not, however, omit the name of Mr. RHEES, Professor HENRY'S private secretary, who not only in Washington, but in Boston, gave rne most important assistance. To the Trustees of the Cooper Institute my acknowledgments are due ; and to the Directors of the Mercantile Library at Brooklyn. THE AMEEICAN EDITION. xiii I would add to these a brief but grateful reference to my high-minded friend and kinsman General HECTOR TYNDALE, for his long-continued care of me, and for the thoughtful tenderness by which he and his family softened, both to me and to the parents of the youth, the grief occasioned by the death rff my junior assistant in Philadelphia. Finally, I have to mention with warm commendation the integrity, ability, and devotion with which, from first to last, I have been aided by my principal assistant, Mr. JOHN COTTRELL. JOHN TYNDALL. NEW YORK: February 1873 CONTENTS. LECTUKE I. TAGE Introductory Uses of Experiment Early Scientific Notions Sciences of Observation Knowledge of the Ancients regarding Light Defect of the Eye Our Instruments Eectilineal Pro- pagation of Light Law of Incidence and Reflection Sterility of the Middle Ages Refraction Discovery of Snell Partial and Total Reflection Velocity of Light Rcemer, Bradley, Foucault, and Fizeau Principle of Least Action Descartes and the Rain- bow Newton's Experiments on the Composition of Splar Light His Mistake regarding Achromatism Synthesis of "White Light Yellow and Blue Lights produce White by their Mixture Colours of Natural Bodies Absorption Mixture of Pigments contrasted with Mixture of Lights 1 LECTURE II. Origin of Physical Theories Scope of the Imagination Newton* and the Emission Theory Verification of Physical Theories The Luminiferqus,Eth^rj- Wave-theory of Light Thomas Young Fresnel and Arago Conception of Wave-motion Interference of Waves Constitution of Sound-waves Analogies of Sound and Light Illustrations of Wave-motion Interference of Sound Waves Optical Illustrations Pitch and Colour Lengths of the Waves of Light and Rates of Vibration of the Ether-particles Interference of Light Phenomena which first suggested the Undulatory Theory Boyle and Hooke The Colours of thin Plates The Soap-bubble Newton's Rings Theory of ' Fits ' Its Explanation of the Rings Overthrow of the Theory Diffraction of Light Colours produced by Diffrac- tion Colours of Mother-of-pearl 42 xvi CONTENTS. LECTUKE III. PAGE Eelation of Theories to Experience Origin of the Notion of the Attraction of Gravitation Notion of Polarity, how generated Atomic Polarity Structural Arrangements due to Polarity Architecture of Crystals considered as an Introduction to their Action upon Light Notion of Atomic Polarity applied to Crys- talline Structure Experimental Illustrations Crystallization of Water Expansion by Heat and by Cold Deportment of "Water considered and explained Bearings of Crystallization on Optical Phenomena Refraction Double Eefraction Polariza- tion Action of Tourmaline Character of the Beams emergent from Iceland Spar Polarization by ordinary Refraction and Reflection Depolarization 95 LECTURE IV. Chromatic Phenomena produced by Crystals in Polarized Light The Nicol Prism Polarizer and Analyzer Action of Thick and Thin Plates of Selenite Colours dependent on Thickness Reso- lution of Polarized Beam into two others by the Selenite One of them more retarded than the other Recompounding of the two Systems of Waves by the Analyzer Interference thus rendered possible Consequent Production of Colours Action of Bodies mechanically strained or pressed Action of Sonorous Vibrations Action of Glass strained or pressed by Heat Cir- cular Polarization Chromatic Phenomena produced by Quartz The Magnetization of Light Rings surrounding the Axes of Crystals-r-Biaxal and Uniaxal Crystals Grasp of the Undu- latory Theory The Colour and Polarization of Sky-light Generation of Artificial Skies 124 LECTURE V. Range of Vision not commensurate with Range of Radiation The Ultra-violet Rays Fluorescence Rendering invisible Rays visible Vision not the only Sense appealed to by the Solar and Electric Beam Heat of Beam Combustion by Total Beam at the Foci of Mirrors and Lenses Combustion through Ice-lens Ignition of Diamond Search for the effective Rays Sir William Herschel's Discovery of dark Solar Rays Invisible Rays the Basis of the Visible Detachment by a Ray-filter of the Invisible Rays from the Visible Combustion at Dark Foci Conversion of Heat-rays into Light-rays Calorescence Part CONTENTS. xvii played in Nature by Dark Kays Identity of Light and Radiant Heat Invisible Images Reflection, Refraction, Plane Polariza- tion, Depolarization, Circular Polarization, Double Refraction, and Magnetization *of Radiant Heat 162 LECTURE VI. Principles of Spectrum Analysis Prismatic Analysis of the Light of Incandescent Vapours Discontinuous Spectra Spectrum Bands proved by Bunsen and Kirchhoff to be characteristic of the Vapour Discovery of Rubidium, Caesium, and Thallium Relation of Emission to Absorption The Lines of Fraunhofer . Their Explanation by Kirchhoff Solar Chemistry involved in this Explanation Foucault's Experiment Principles of Ab- sorption Analogy of Sound and Light Experimental Demon- stration of this Analogy Recent Applications of the Spectro- scope Summary and Conclusion . . . . . .192 APPENDIX. President Barnard's Address . . . . * . . . 229 Professor Draper's Address 235 President White's Remarks 238 Professor Tyndall's Remarks 242 Measurement of the Waves of Light 247 Water Crystallization . 249 On the Spectra of Polarized Light 250 INDEX . 265 ILLUSTRATIONS. THOMAS YOUNG ........ Frontispiece PLUMES PRODUCED BY THE CRYSTALLIZATION OF WATER . To face p. 249 1, 1 ON LIGHT. LECTURE I. INTRODUCTORY USES OF EXPERIMENT EARLY SCIENTIFIC NOTIONS SCIENCES OF OBSERVATION KNOWLEDGE OF THE ANCIENTS REGARD- ING LIGHT DEFECTS OF THE EYE OUR INSTRUMENTS RECTILINEAL PROPAGATION OF LIGHT LAW OF INCIDENCE AND REFLECTION STERIL- ITY OF THE MIDDLE AGES REFRACTION DISCOVERY OF SNELL PARTIAL AND TOTAL REFLECTION VELOCITY OF LIGHT RCEMER, BRADLEY. FOUCAULT, AND F1ZEAU PRINCIPLE OT LEAST ACTION DESCARTES AND THE RAINBOW NEWTON'S EXPERIMENTS ON THE COMPOSITION OF SOLAR LIGHT HIS MISTAKE AS REGARDS ACHROMAT- ISM SYNTHESIS OF WHITE LIGHT YELLOW AND BLUE LIGHTS PRODUCE WHITE BY THEIR MIXTURE COLOURS OF NATURAL BODIES AB3ORP* TION MIXTURE OF PIGMENTS CONTRASTED WITH MIXTURE OF LIGHTS. 1. Introduction. SOME twelve years ago I published, in England, a little book entitled the ' Glaciers of the Alps,' and, a couple of years subsequently, a second book, en- titled ' Heat as a Mode of Motion.' These volumes were followed by others, written with equal plainness, and with a similar aim, that aim being to develope and deepen sympathy between science and the world outside of science. I agreed with thoughtful men l who deemed it good for neither world to be isolated from the other, 1 Among whom may be mentioned, especially, the late Sir Edmund Head, Bart., with whom I had many conversations on this subject. B 2 ON LIGHT. I.ECT. or unsympathetic towards the other, and, to lessen this isolation, at least in one department of science, I swerved aside from those original researches which had previously been the pursuit and pleasure of my life. The works here referred to were, for the most part, republished by the Messrs. Appleton of New York, 1 under the auspices of a man who is untiring in his efforts to diffuse sound scientific knowledge amorg the people of the United States : whose energy, ability, and single-mindedness, in the prosecution of an arduous task, have won for him the sympathy and support of many of us in ' the old country.' I allude to Professor Youmans. Quite as rapidly as in England, the aim of these works was understood and appreciated in the United States, and they brought me from this side of the Atlantic innumerable evidences of good- will. Year after year invitations reached me 2 to visit America, and last year I was honoured with a request so cordial, signed by five-and-twenty names so distinguished in science, in literature, and in adminis- trative position, that I at once resolved to respond to it by braving not only the disquieting oscillations of the Atlantic, but the far more disquieting ordeal of appearing in person before the people of the United States. This invitation, conveyed to me by my accom- plished friend Professor Lesley, of Philadelphia, and preceded by a letter of the same purport from your scientific Nestor, the celebrated Joseph Henry, of 1 At whose hands it gives me pleasure to state I have always ex- perienced honourable and liberal treatment. One of the earliest of these came from Mr. John Amory Lowell of Boston. i. INTRODUCTORY, USES OF EXPERIMENT. 3 Washington, desired that I would lecture in some of the principal cities of the Union. This I agreed to do, though much in the dark as to a suitable subject. In answer to my inquiries, however, I was given to understand that a course of lectures showing the uses of experiment in the cultivation of Natural Knowledge would materially promote scientific education in this country. And though such lectures involved the selec- tion of weighty and delicate instruments, and their transfer from place to place, I at once resolved to meet the wishes of my friends as far as the time and means at my disposal would allow. 2. Subject of the Course. Source of Light employed. Experiments have two great uses a use in dis- covery and verification, and a use in tuition. They were long ago defined as the investigator's language addressed to Nature, to which she sends intelligible replies. These replies, however, usually reach the ques- tioner in whispers too feeble for the public ear. But after the discoverer comes the teacher, whose function it is so to exalt and modify the experiments of his pre- decessor as to render them fit for public presentation. This secondary function I shall endeavour, in the present instance, to fulfil. I propose to take a single department of natural philosophy, and illustrate, by means of it, the growth of scientific knowledge under the guidance of experi- ment. I wish, in this first lecture, to make you acquainted with certain elementary phenomena ; then to point out to you how those theoretic principles by which phenomena are explained, take root, and flourish B 2 4 ON LIGHT. LECT. in the human mind, and afterwards to apply these prin- ciples to the whole body of knowledge covered by the lectures. The science of optics lends itself to this mode of treatment, and on it, therefore, I propose to draw for the materials of the present course. It will be best to begin with the few simple facts regarding light which were known to the ancients, and to pass from them in historic gradation to the more abstruse discoveries of modern times. All our notions of Nature, however exalted or how- ever grotesque, have some foundation in experience. The notion of personal volition in Nature had this basis. In the fury and the serenity of natural phenomena the savage saw the transcript of his own varying moods, and he accordingly ascribed these phenomena to beings of like passions with himself, but vastly transcending him in power. Thus the notion of causality the as- sumption that natural things did not come of them- selves, but had unseen antecedents lay at the root of even the savage's interpretation of Nature. Out of this bias of the human mind to seek for the ante- cedents of phenomena all science has sprung. We will not now go back to man's first intellectual gropings ; much less shall we enter upon the thorny dis- cussion as to how the groping man arose. We will take him at a certain st age of his development, when, by evo- lution or sudden endowment, he became possessed of the apparatus of thought and the power of using it. For a time and that historically a long one he was limited to mere observation, accepting what Nature offered, and confining intellectual action to it alone. The ap- parent motions of sun and stars first drew towards them the questionings of the intellect, and accordingly astro- i. PE.OGRESS OF THE ANCIENTS. 5 nomy was the first science developed. Slowly, and with difficulty, the notion of natural forces took root in the human mind. Slowly, and with difficulty, the science of mechanics had to grow out of this notion ; and slowly at last came the full application of mechanical princi- ples to the motions of the heavenly bodies. We trace the progress of astronomy through Hipparchus and Ptolemy ; and, after a long halt, through Copernicus, Galileo, Tycho Brahe, and Kepler ; while from the high table-land of thought raised by these men Newton shoots upward like a peak, overlooking all others from his dominant elevation. But other objects than the motions of the stars at- tracted the attention of the ancient world. Light was a familiar phenomenon, and from the earliest times we find men's minds busy with the attempt to render some account of it. But without experiment, which belongs to a later stage of scientific 'development, little progress could be made in this subject. The ancients, accord- ingly, were far less successful in dealing with light than in dealing with_sojar and stellar motions. Still they did make some progress. They satisfied them- selves that light moved in -straight lines ; they knew also- that light was reflected from polished surfaces, and " that the angle of incidence of the rays of light was equal to the angle of reflection. These two results of ancient scientific curiosity constitute the starting-point of our present course of lectures. But in the first place it will be useful to say a few words regarding the source of light to be employed in our experiments. The rusting of iron is, to all intents and purposes, the slow burning of iron. It developes 6 ON LIGHT. LECT. heat, and, if the heat be preserved, a high temperature may be thus attained. The destruction of the first Atlantic cable was probably due to heat developed in this way. Other metals are still more combustible than iron. You may light strips of zinc in a candle flame, and cause them to burn almost like strips of paper. But we must now expand our definition of combustion, including under this term not only com- bustion in air, but also combustion in liquids. Water, for example, contains a store of oxygen, which may unite with and consume a metal immersed in it ; it is from this kind of combustion that we are to derive the heat and light employed in our present course. The generation of this light and of this heat merits a moment's attention. Before you is an instrument a small voltaic battery in which zinc is immersed in a suitable liquid. An attractive force is at this moment exerted between the metal and the oxygen of the liquid ; actual union, however, being in the first instance avoided. IJniting the two ends of the battery by a thick wire, the attraction is satisfied, the oxygen unites with the rnetal, zinc is consumed, and heat, as usual, is the result of the combustion. A power which, for want of a better name, we call an electric current, passes at the same time through the wire. Cutting the thick wire in two, let the severed ends be united by a thin one. It glows with a white heat. Whence comes that heat ? The question is well worthy of an answer. Suppose in the first instance, when the thick wire is employed, that we permit the action to continue until 100 grains of zinc are consumed, the amount of heat generated in the battery would be i. SOURCE OF LIGHT. 7 capable of accurate numerical expression. Let the action then continue, with the thin wire glowing, until 100 grains of zinc are consumed. Will the amount of heat generated in the battery be the same as before ? No, it will be less by the precise amount generated in the thin wire outside the battery. In fact, by adding the internal heat to the external, we obtain for the combustion of 100 grains of zinc a total which never varies. We have here a beautiful example of that law of constancy as regards natural energies, the establishment FIG. 1. of which is the greatest achievement of modern scientific philosophy. By this arrangement, then, we are able to burn our zinc at one place, and to exhibit the effects of its combustion at a distance. In New York, for example, we may have our grate and fuel; but the heat and light of our fire may be made to appear at San Francisco. Removing the thin wire and attaching to the severed ends of the thick one two rods of coke, we obtain, on bringing the rods together (as in fig. 1 ), a small star of 3 ON LIGHT. LECT. light. Now, the light to be employed in our lectures is a simple exaggeration of this star. Instead of being produced by ten cells, it is produced by fifty. Placed in a suitable camera, provided with a suitable lens, this powerful source will give us all the light necessary for our experiments. And here, in passing, I am reminded of the common delusion that the works of Nature, the human eye in- cluded, are theoretically perfect. The eye has grown for ages toivards perfection ; but ages of perfect- ing may be still before it. Looking at the dazzling light from our large battery, I see a luminous globe, but entirely fail to see the shape of the coke-points whence the light issues. The cause may be thus made clear : On the screen before you is projected an image of the carbon points, the whole of the lens in front of the camera being employed to form the image. It is not sharp, but surrounded by a halo which nearly obliterates the carbons. This arises frarn an imperfec- tion of the lens, called its spherical aberration, due to the fact that the circumferential and central rays have not the same focus. The human eye labours under a similar defect, and from this and other causes it arises that when the naked light from fifty cells is looked at, the blur of light upon the retina is sufficient to destroy the definition of the retinal image of the carbons. A long list of indictments might indeed be brought against the eye its opacity, its want of symmetry, its lack of achromatism, its absolute blindness, in part. All these taken together caused Helmholtz to say that, if any optician sent him an instrument so full of defects, he would be justified in sending it back with the severest censure. But the eye is not to be judged from the i. RECTILINEAL PROPAGATION. stand-point of theory. It is not perfect, as I have said, but on its way to perfection. As a practical instrument, and taking the adjustments by which its defects are neutralized into account, it must ever remain a marvel to the reflecting mind. 3. Rectilineal Propagation of Light. Elementary Experiments. Law of Reflection. The ancients were aware of the rectilineal pro- pagation of light. They knew that an opaque body, placed between the eye and a point of light, intercepted the light of the point. Possibly the terms ' ray ' and ' beam ' may have been suggested by those straight spokes of light which, in certain states of the atmo- sphere, dart from the sun at his rising and his setting. The rectilineal propagation of light may be illustrated by permitting the solar light to enter by a small aperture in a window-shutter a dark room in which / a little smoke has been diffused. In pure air you can- / not see the beam, but in smoke you can, because the light, which passes unseen through the air, is scat- tered and revealed by the smoke particles, among which the beam pursues a straight course. The following instructive experiment depends on the rectilineaj. propagation of light. Make a small hole in . a closed windoAV-shutter, before which stands a house or a tree, and place within the darkened room a white screen at some distance from the orifice. Every straight ray proceeding from the house or tree stamps its colour upon the screen, and the sum of all the rays will, there- fore, be an image of the object. But, as the rays cross each other at the orih'ce, the image is inverted. At present we may illustrate and expand the subject thus : 10 ON LIGHT. LECT. In front of our camera is a large opening (L, fig. 2), from which the lens has been removed, and which is closed at present by a sheet of tin-foil. Pricking by means of a common sewing-needle a small aperture in the tin-foil, an inverted image of the carbon-points starts forth upon the screen. A dozen apertures will give a dozen images, a hundred a hundred, a thousand a thousand. But, as the apertures come closer to each other, that is to say, as the tin-foil between the aper- tures vanishes, the images overlap more and more. FIG. 2. Removing the tin-foil altogether, the screen becomes uniformly illuminated. Hence the light upon the. screen may be regarded as the overlapping of innumer- able images of the carbon-points. In like manner the light upon every white wall on a cloudless day may be regarded as produced by the superposition of innumer- able images of the sun. The law that the angle of incidence is equal to the angle of reflection has a bearing upon a theory, to be subsequently mentioned, which renders its simple illus- tration here desirable. A straight lath (pointing to KEFLECTION OF LIGHT. 11 the figure 5 in fig. 3) is fixed as an index peipendicular to a small looking-glass (M) capable of rotation. A beam of light is first received upon the glass and re- flected back along the line of its incidence. The index being turned, the mirror turns along with it, and at each side of the index the incident and the reflected beams (L o, o E) track themselves through the dust of the room. The mere inspection of the two angles FIG. 3. enclosed between the index and the two beams suffices to show their equality, while if the graduated quadrant be consulted, the arc from 5 to m is found accurately equal to the arc from 5 to n. A card placed edgeways upon a table without inclination to the right or to the left is said to be perpendicular to the plane of the table. The complete expression of the law of reflection is that the angles of incidence and reflection are equal ; and that the incident and reflected rays always lie in a plane perpendicular to the reflecting surface. This simple apparatus enables us to illustrate another il- 12 ON LIGHT. LKCT. law of great practical importance, namely, that, when a mirror rotates, the angular velocity of a beam reflected from it is twice that of the reflecting mirror. A simple experiment will make this plain. The arc (m n, fig. 3 ) before you is divided into ten equal parts, and when the incident beam and the index cross the zero of the graduation, both the incident and reflected beams are horizontal. , Moving the index of the mirror to 1, the reflected beam cuts the arc at 2 ; moving the index to 2, the arc is cut at 4 ; moving the index to 3, the arc is cut at 6 ; moving the index to 4, the arc is cut at 8 ; finally, moving the index to 5, the arc is cut at 10 (as in the figure). In every case the reflected beam moves through twice the angle passed over by the mirror. One of the problems of science, on which scientific progress mainly depends, is to help the senses of man, by carrying them into regions which could never be attained without such help. Thus we arm the eye with the telescope when we want to sound the depths of space, and with the microscope when we want to ex- plore motion and structure in their infinitesimal dimen- sions. Now, this law of angular reflection, coupled with the fact that a beam of light possesses no weight, gives us the means of magnifying small motions to an extraordinary degree. Thus, by attaching mirrors to his suspended magnets, and by watching the images of divided scales reflected from the mirrors, the celebrated Grauss was able to detect the slightest thrill of variation on the part of the earth's magnetic fore. By a similar arrangement the feeble attractions and repulsions of the diamagnetic force have been made manifest. The minute elongation of a bar of metal by the mere warmth i. StIRIT OF THE MIDDLE AGES. 13 of the hand may be so magnified by this method as to cause the index-beam to move through 20 or 30 feet. The lengthening of a bar of iron when it is magnetized may be also thus demonstrated. Helmholtz long ago employed this method to render evident to his students the classical experiments of Du Bois Eaymond on animal electricity ; while in Sir William Thomson's reflecting galvanometer the principle receives one of its latest, and most important applications. *> The Refraction of Light. Total Reflection. For more than a thousand years no step was taken in optics beyond this law of reflection. The men of the Middle Ages, in fact, endeavoured on the one hand to develope the laws of the universe a priori out of their own consciousness, while many of them were so occupied with the concerns of a future world that they looked with a lofty scorn on all things pertainiag to this one. Speaking of the natural philosophers of his time, Eusebius says, ' It is not through ignorance of the things admired by them, but through contempt of their useless labour, that we think little of these matters, turning our souls to the exercise of better things.' So also Lactantius ' To search for the causes of things ; to inquire whether the sun be as large as he seems ; whether the moon is convex or concave ; whether the stars are fixed in the sky, or float freely in the air ; of what size and of what material are the heavens ; whether they be at rest or in motion ; what is the mag- nitude of the earth ; on what foundations is it suspended or balanced ; to dispute and conjecture upon such matters is just as if we chose to discuss what we think 14 ON LIGHT. LECT. of a city in a remote country, of which we never heard but the name.' ' As regards the refraction of light, the course of real inquiry was resumed in 1100 by an Arabian philosopher named Alhazen. Then it was taken up in succession by Roger Bacon, Vitellio, and Kepler. One of the most important occupations of science is the determination, by precise measurements, of the quan- titative relations of phenomena ; the value of such measurements depending greatly upon the skill and conscientiousness of the man who makes them. Vitellio appears to have been both skilful and conscientious, while Kepler's habit was to rummage through the observations of his predecessors, to look at them in all lights, and thus distil from them the principles which united them. He had done this with the astronomical measurements of Tycho Brahe, and had extracted from them the celebrated ' laws of Kepler.' He did it also with Vitellio's measurements of refraction. But in this case he was not successful. The principle, though 1 The spirit of thos^ ancient heroes of the faiHi is still to be found in unexpected places. In the April number of the Contemporary Review, after describing how modern science ca,me to be what it is, my friend Dr. Acland puts the following language into the mouth of Bishop Wilson : ' What is surprising to me is the labour that you have taken to attain so very little. You deserve for this the utmost credit a reason- able being can desire; for you, being so accurate and so painstaking, senm well aware of the uncertainty of some of your data, and of the pos- sible futility, therefore, of some of your conclusions. For I am told that, with all your pains, your sciences contain within them so many examples of proved errors, that, being candid men, you must often feel the material ground under your feet to be very slippery.' Rebelling thus expresses his contempt for experimental knowledge: 'Newton's Optics is the greatest illustration of a whole structure of fallacies, which in all its parts is founded on observation and experiment.' There are some small imitators of Schelling still in Germany. i. REFRACTION OF LIGHT, SNELL. 15 a simple one, escaped him, and it was first discovered by Willebrord Snell, about the year 1621. Less with the view of dwelling upon the phenome- non itself than of introducing it in a form which will render intelligible to you, subsequently, the play of theoretic thought in Newton's mind, the fact of refrac- tion may be here demonstrated. I will not do this by drawing the course of the beam with chalk on a black FIG. 4. board, but by causing it to mark its own white track before you. A shallow circular vessel (R I Or, fig. 4), with a glass face, half filled with water rendered barely turbid by the admixture of a little milk or the precipi- tation of a little mastic, is placed with its glass face vertical. By means of a small plane reflector (M), and through a slit (I) in the hoop surrounding the vessel, a beam of light is admitted in any required direction. It impinges upon the water (at 0), enters it, and tracks itself through the liquid in a sharp, bright band (0 G). Meanwhile the beam passes unseen through the air above the water, for the air is not competent to scatter the light. A puff of tobacco smoke into this space at 16 ON LIGHT. once reveals the track of the incident-beam. If the incidence be vertical, the beam is unrefracted. If oblique, its refraction at the common surface of air and water (at 0) is rendered clearly visible. It is also seen that reflection (along K) accompanies refraction, the beam dividing itself at the point of incidence into a refracted and a reflected portion. 1 The law by whiclTSnell connected together all the measurements executed up to his time, is this : Let A B C D (Fig. 5) represent the outline of our circular vessel, A C being the water-line. When the beam is incident along B E, which is perpendicular to A C, there is no refraction. When it is incident along m E, there is refraction : it is bent at E and strikes the circle at n. When it is incident along m' E, there is also refraction at E, the beam striking the point n f . From the ends of the incident beams, let the perpen- diculars m o, m' o' be drawn upon B D, and from the 1 It will be subsequently shown how this simple apparatus may be employed to determine the ' polarising angle ' of a liquid. i. PARTIAL REFLECTION. 17 ends of the refracted beams let the perpendiculars p n, p' n' be also drawn. Measure the lengths of o m and of p n, and divide the one by the other. You obtain a certain quotient. In like manner divide m' o' by the corresponding perpendicular p' n' ; you obtain in each case the same quotient. Snell, in fact, found this quotient to be a constant quantity for each par- ticular substance, though it varied in amount from substance to substance. He called the quotient the index of refraction* In all cases where the light is incident from air upon the surface of a solid or a liquid, or, more gene- rally still, when the incidence is from a less highly refracting to a more highly refracting medium, the reflection is partial. In this case the most powerfully reflecting substances either transmit or absorb a portion of the incident light. At a perpendicular incidence water reflects only 18 rays out of every 1,000; glass reflects only 25 rays, while mercury reflects 666. When the rays strike the surface obliquely the reflec- tion is augmented. At an incidence of 40, for ex- ample, water reflects 22 rays, at 60 it reflects 65 rays, at 80 333 rays ; while at an incidence of 89^, where the light almost grazes the surface, it reflects 721 rays out of every 1,000. Thus, as the obliquity increases, the reflection from water approaches, and finally quite overtakes, the reflection from mercury ; but at no inci- dence, however great, when the incidence is from air, is the reflection from water, mercury, or any other sub- stance, total. Still, total reflection may occur, and with a view to understanding its subsequent application in the 1ST! col's prism, it is necessary to state when it occurs. This c 18 ON LIGHT. leads me to the enunciation of a principle which under- lies all optical phenomena the principle of reversi- bility. 1 In the case of refraction, for instance, when the ray passes obliquely from air into water, it is bent towards the perpendicular ; when it passes from water to air, it is bent from the perpendicular, and accurately reverses its course. Thus in fig. 5, if m E n be the track taken by a ray in passing from air into water, n E m will be its track in passing from water into air. Let us push this principle to its consequences. Supposing the light, instead of being incident along m E or m' E, were incident as close as possible along c E (fig. 6) ; suppose, in other words, that it just grazes the surface V before entering the water. After refraction it will pur- sue the course E n". Conversely, if the light start from n", and be incident at E, it will, on escaping into the air, just graze the surface of the water. The question now arises, what will occur supposing the ray from the water follows the course n'" E, which lies beyond n" E ? The answer is, it will not quit the water at all, but will be totally reflected (along E x). At the under surface 1 From this principle Sir John Herschel deduces in a simple and elegant manner the fundamental law of reflection. See FamiHar Lectures, p. 236. i. TOTAL REFLECTION. 19 of the water, moreover, the law is just the same as at its upper surface, the angle of incidence (DE-TI'") being here also equal to the angle of reflection (D E x). Total reflection may be thus simply illustrated : Place a shilling in a drink ing-glass, and tilt the glass so that the light from the shilling shall fall with the necessary obliquity upon the water surface above it. Look upwards towards that surface, and you see the image of the shilling shining there as brightly as the shilling itself. Thrust the closed end of a glass test- ^tube into water, and incline the tube. When the in- clination is sufficient, horizontal light falling upon the tube cannot enter the air within it, but is totally re- flected upward 5 when looked down upon, such a tube looks quite as bright as burnished silver. Pour a little water into the tube ; as the liquid rises, total reflection is abolished, and with it the lustre, leaving a gradually diminishing shining zone, which disappears wholly when the level of the water within the tube reaches that without it. Any glass tube, with its end stopped water-tight, will produce this effect, which is both beautiful and instructive. Total reflection never occurs except in the attempted passage of a ray from a more refracting to a less re- fracting medium ; but in this case, when the obliquity is sufficient, it always occurs. The mirage of the desert, and other phantasmal appearances in the atmosphere, are in part due to it. When, for example, the sun heats an expanse of sand, the layer of air in contact with the sand becomes lighter and less refracting than the air above it : consequently, the rays from a distant object, striking very obliquely on the surface of the heated stratum, are sometimes totally reflected upwards, c 2 20 ON LIGHT. LECT. thus producing images similar to those produced by water. I have seen the image of a rock called Mont Tombeline distinctly reflected from the heated air of the strand' of Normandy near Avranches ; and by such de- lusive appearances the thirsty soldiers of the French army in Egypt were greatly tantalized. The angle which marks the limit beyond which total reflection takes place is called the limiting angle (it is marked in fig. 6 by the strong line E T&"). It must evi- dently diminish as the refractive index increases. For water it is 48-^, for flint glass 38 41/ , and for diamond 23 42'. Thus all the light incident from two complete quadrants, or 180, in the case of diamond, is con- densed into an angular space of 47 22' (twice 23 42') by refraction. Coupled with its great refraction, are the great dispersive and great reflective powers of dia- mond ; hence the extraordinary radiance of the gem, both as regards white light and prismatic light. 5. Velocity of Light. Aberration. Principle of least Action. In 1676 an impulse was given to optics by astronomy. In that year Olav Eoemer, a learned Dane, was engaged at the Observatory of Paris in observing the eclipses of Jupiter's moons. The planet, whose distance from the sun is 475,693,000 miles, has four satellites. We are now only concerned with the one nearest to the planet. . Rcemer watched this moon, saw it move round in front of the planet, pass to the other side of it, and then plunge into Jupiter's shadow, behaving like a lamp sud- denly extinguished : at the second edge of the shadow he saw it reappear, like a lamp suddenly lighted. The moon thus acted the part of a signal light to the i. VELOCITY OF LIGHT, ECEMER. 21 astronomer, and enabled him to tell exactly its time of revolution. The period between two successive light- ings up of the lunar lamp he found to be 42 hours, 28 minutes, and 35 seconds. This measurement of time was so accurate, that having determined the moment when the moon emerged from the shadow, the moment of its hundredth appear- ance could also be determined. In fact, it would be 100 times 42 hours, 28 minutes, 35 seconds, after the first observation. Eoemer's first observation was made when the earth was in the part of its orbit nearest Jupiter. About six months afterwards, the earth being then at the opposite side of its orbit, when the little moon ought to have made its hundredth appearance, it was found unpunctual, being fully 15 minutes behind its calcu- lated time. Its appearance, moreover, had been grow- ing gradually later, as the earth retreated towards the part of its orbit most distant from Jupiter. Roemer reasoned thus : ' Had I been able to remain at the other side of the earth's orbit, the moon might have appeared always at the proper instant ; an observer placed there would probably have seen the moon 15 minutes ago, the retardation in my case being due to the fact that the light requires 15 minutes to travel from the place where my first observation was made to my present position.' This flash of genius was immediately succeeded by another. ' If this surmise be correct,' Roemer reasoned, 4 then as I approach Jupiter along the other side of the earth's orbit, the retardation ought to become gradu- ally less, and when I reach the place of my first obser- vation, there ought to be no retardation at all.' He 22 ON LIGHT.^ found this to be the case, and thus not only proved that light required time to pass through space, but also determined its rate of propagation. The velocity of light, as determined by Roemer, is 192,500 miles in a second. For a time, however, the observations and reasonings of Rcerner failed to produce conviction. They were doubted by Cassini, Fontenelle, and Hooke. Subse- quently came the unexpected corroboration of Roemer by the English astronomer, Bradley, who noticed that the fixed stars did not really appear to be fixed, but that they describe little orbits in the heavens every year. The result perplexed him, but Bradley had a mind open to suggestion, and capable of seeing, in the smallest fact, a picture of the largest. He was one day upon the Thames in a boat, and noticed that as long as his course remained unchanged, the vane upon his mast- Lead showed the wind to be blowing constantly in the same direction, but that the wind appeared to vary with every change in the direction of his boat. ' Here,' as Whewell says, ' was the image of his case. The boat was the earth, moving in its orbit, and the wind was the light of a star,' We may ask in parsing, what without the faculty which formed the ' image,' would Bradley's wind and vane have been to him ? A wind and vane, and nothing more. You will immediately understand the meaning of Bradley's discovery. Imagineyourself in a motion- less railway-train, with a shower of rain descending vertically downwards. The moment the train begins to move the rain-drops begin to slant, and the quicker the motion of the train the greater is the obliquity. In a precisely similar manner the rays from a star verti- i. ABERRATION OF LIGHT, BRADLEY. 23 cally overhead are caused to slant by the motion of the earth through space. Knowing the speed of the train, and the obliquity of the falling rain, the velocity of the .drops may be calculated ; and knowing the speed of the earth in her orbit, and the obliquity of the rays due to this cause, we can calculate just as easily the velocity of light. Bradley did this, and the ' aberra- tion of light,' as his discovery is called, enabled him to assign to it a velocity almost identical with that deduced by Roemer fro"rn a totally different method of observation. Subsequently Fi^eau, and quite recently Cornu, employing not planetary or stellar distances, but simply the breadth of 'the city of Paris, determined the velocity of light : while Foucault a man of the rarest mechanical genius solved the problem without quitting his private rooter- Owing to an error in the determi- nation of the earth's distance from the sun, the velocity assigned to light by both Kcemer and Bradley is too great. With a close approximation to accuracy it may be regarded as 186,000 miles a second. By Robmer's discovery, the notion entertained by Descartes, and espoused by Hooke, that light is pro- pagated instantly through space, was overth rown. But the establishment of its motion through stellar space led to speculations regarding its velocity in transparent terrestrial substances. The index of refraction of a ray passing from air in to -water is -J. Newton assumed these numbers to mean that the velocity of light in water being 4, its veloci^rn- - air is 3 ; and he deduced the phenomena of refraction from this assumption. The reverse has since been proved to be the case that is to say, the velocity of light in water being 3, its velocity in air is 4 ; but both in Newton's time and ours the 24 ON LIGHT. LECT. same great principle determined, and determines, the course of light in all cases. In passing from point to point, whatever be the media in its path, or however it may be reflected, light takes the course which occupies least time. Thus in fig. 4, taking its velocity in air and in water into account, the light reaches Or from I more rapidly by travelling first to 0, and there changing its course, than if it proceeded straight from T to Gr. This is readily comprehended, because in the latter case it would pursue a greater distance through the water, which is the more retarding medium. 6. Descartes' Explanation of the Rainbow. Snell's law of refraction is one of the corner-stones of optical science, and its applications to-day are million- fold. Immediately after its discovery Descartes applied it to the explanation of the rainbow. A beam of solar light falling obliquely upon a rain-drop is refracted on enter- ing the drop. It is in part reflected at the back of the drop, and on emerging it is again refracted. By these two refractions, at its entrance and at its emergence, the beam of light is decomposed, quitting the drop resolved into coloured constituents. The light thus reaches the eye of an observer facing the drop, and with his back to the sun. Conceive a line drawn from the sun to the observer's eye, and prolonged beyond the -observer. Conceive another line drawn through the eye, enclosing an angle of 42| with the line drawn from the sun, and prolonged to the falling shower. Along this second line a rain- drop, at its remote end, when struck by a sunbeam, will send a ray of red light. Every other drop similarly situated, that is, every drop at an angular distance of i. THE RAINBOW, DESCARTES. 25 42| from the line aforesaid, will do the same. A cir- cular band of red light is thus formed, which may be re- garded as the boundary of the base of a cone, having the rays which form the band for its surface, and its apex at the observer's eye. Because of the magnitude of the sun, the angular width of this red band will be half a degree. From the eye of the observer conceive another line, to be drawn, enclosing an angle, not of 42, but of 40^, with the prolongation of the line drawn to the sun. Along this line a solar beam striking a rain-drop will send violet light to the eye. All drops at the same angular distance will do the same, and we shall there- fore obtain a band of violet light of the same width as the red band. These, two bands constitute the limiting colours of the rainbow, and between them the bands corresponding to the other colours lie. Thus the line drawn from the eye to the middle of the bow, and the line drawn through the eye to the sun, always enclose an angle of about 41 ; to account for this was the great difficulty, which remained un- solved up to the time of Descartes. Taking a pen in hand, and calculating by means of Snell's law the track of every ray through a rain- drop, Descartes found that, at one particular angle, the rays, reflected at its back, emerged from the drop almost parallel to each other. They were thus enabled to preserve their intensity through long atmospheric distances. At all other angles the rays quitted the drop divergent, and through this divergence became so enfeebled as to be practically lost to the eye. The angle of parallelism here referred to was that of forty- one degrees, which observation had proved to be in- variably associated with the rainbow. 26 OX LIGHT. LECT. From what has been said, it is clear that two ob- servers standing* beside each other, or one above the other, nay, that even the two eyes of the same observer, do not see exactly the same bow. The position of the base of the cone changes with that of its apex. And here we have no difficulty in answering a question often asked namely, whether a rainbow is ever seen reflected in water. Seeing two bows, the one in the heavens, the other in the water, you might be disposed to infer that the one bears the same relation to the other that a tree upon the water's edge bears to its reflected image. The rays, however, which reach an observer's eye after reflection, and which form a bow, would, were their course uninterrupted, converge to a point vertically under the observer, and as far below the level of the water as his eye is above it. But under no cir- cumstances could an eye above the water-level, and one below it, see the same bow in other words, the self- same drops of rain cannot form the reflected bow and the bow seen directly in the heavens. The re- flected bow, therefore, is not, in the usual optical sense of the term, the image of the bow seen in the sky. 7. Analysis and Synthesis of Light. Doctrine of Colours. In the rainbow a new phenomenon was introduced the phenomenon of colour. And here we arrive at one of those points in the history of science, when great men's labours so intermingle that it is difficult to assign to each worker his precise meed of honour. Descartes was at the threshold of the discovery of the composition of solar light ; but for Newton was reserved the enunciation of the true law. He went ANALYSIS OF LIGHT, NEWTON. 27 to work in this way : Through the closed window- shutter of a room he pierced an orifice, and allowed a thin sunbeam to pass through it. The beam stamped a round white image of the sun on the opposite wall of the room. In the path of this beam Newton placed a prism, expecting to see the beam refracted, but also expecting to see the image of the sun, after refraction, still round. To his astonishment, it was drawn out to an image with a length five times its breadth. It was, FIG. 7. moreover, no longer white, but divided into bands of different colours. Newton saw immediately that solar light was composite, not simple. His elongated image revealed to him the fact that some constituents of the light were more deflected by the prism than others, and he concluded, therefore, that white solar light was a mixture of lights of different colour?, of different degrees of refrangibility. Let us reproduce this celebrated experiment. On the screen is now stamped a luminous disk, which may 28 ON LIGHT. LECT. stand for Newton's image of the sun. Causing the beam (from L, fig. 7) which produces the disk to pass through a lens (E) which forms an image of the aperture, and then through a prism (P), we obtain Newton's coloured image, with its red and violet ends, which he called a spectrum. Newton divided the spectrum into seven parts red, orange, yellow, green, blue, indigo, violet ; which are commonly called the seven primary or pris- matic colours. The drawing out of the white light into its constituent colours is called cfytp&rtfLon. This was the first analysis of solar light by Newton ; but the scientific mind is fond of verification, and never neglects it where it is possible. Newton completed his proof by synthesis in this way : The spectrum now before you is produced by a glass prism. Causing the decomposed beam to pass through a second similar prism, but so placed that the colours are refracted back and reblended, the perfectly white luminous disk is restored. In this case, refraction and dispersion are simulta- neously abolished. Are they always s ? Can we have the one without the other ? It was Newton's conclu- sion that we could not. Here he erred, and his error, which he maintained to the end of his life, retarded the progress of optical discovery. Dollond subse- quently proved that, by combining two different kinds of glass, the colours can be extinguished, still leaving a residue of refraction, and he employed this residue in the construction of achromatic lenses lenses yielding no colour which Newton thought an impossi- bility. By setting a water-prism water contained in a wedge-shaped vessel with glass sides (B,*fig. 8) in i. ACHROMATISM, DOLLOND. 29 opposition to a wedge of glass (to the right of B), this point can be illustrated before you. We have first of all the position (dotted) of the unrefracted beam marked upon the screen ; then we produce Ihe narrow water-spectrum (W); finally, by introducing a flint- glass prism, we refract the beam back, until the colour disappears (at A). The image of the slit is now ivhite ; but though the dispersion is abolished, there remains a very sensible amount of refraction. FIG. 8. This is the place to illustrate another point bearing upon the instrumental means employed in these lec- tures. Bodies differ widely from each other as to their powers of refraction and dispersion. Note the position of the water-spectrum upon the screen. Altering in no particular the wedge-shaped vessel, but simply substituting for the water the transparent bisulphide of carbon, you notice how much higher the beam is thrown, and how much richer is the display of colour. 30 OX LIGHT. LECT, To augment the size of our spectrum we here employ (at L) a slit, instead of a circular aperture. 1 The synthesis of white light may be effected in three ways, all of which are worthy of attention : Here, in the first instance, we have a rich spectrum produced by the decomposition of the beam (from L, fig. 9). One face of the prism (P) is protected by a FIG. 9. diaphragm (not shown in the figure), with a longitu- dinal slit, through which the beam passes into the prism. 1 The low dispersive power of water masks, as Helmholtz has re- marked, the imperfect achromatism of the eye. "With the naked eye I can see a distant Line disk sharply defined, but not a red one. I can also see the lines which mark the upper and lower boundaries of a horizon- tally refracted spectrum sharp at the blue end, but ill-defined at the red end. Projecting a luminous disk upon a screen, and covering one semi- circle of the aperture with a red and the other with a blue or green glass, the difference between the apparent sizes of the two semicircles is in my case, and in numerous other cases, extraordinary. Many per- sons, however, see the apparent sizes of the two semicircles reversed. If with a spectacle glass I correct the dispersion of the red light over the retina, then the blue ceases to give a sharply-defined image. Thus examined the departure of the eye from achromatism appears very gross indeed. i. COMPLEMENTAEY COLOURS, HELMHOLTZ. 31 It emerges decomposed at the other side. I permit the colours to pass through a cylindrical lens (C), which so squeezes them together as to produce upon the screen a sharply-defined rectangular image of the longitudinal slit. In that image the colours are re- blended, and it is perfectly white. Between- the prism and the cylindrical lens may be seen the colours, tracking themselves through the dust of the room. Cutting off the more refrangible fringe by a card, the rectangle is seen red ; cutting off the less refrangible fringe, the rectangle is seen blue. By means of a thin glass prism (W), I deflect one portion of the colours, and leave the residual portion. On the screen are now two coloured rectangles produced in this way. These are corhplementary colours colours which, by.their union, produce white. Note that, by judicious management, one of these colours is rendered yellow, and the other blue. I withdraw the thin prism ; yellow and blue immediately commingle, and we have white as the result of their union* On our way, then, we remove the fallacy, first exposed by Helmholtz, that the mixture of blue and yellow lights produces green. Restoring the circular aperture, we obtain once more a spectrum like that of Newton. By means of a lens, we gather up these colours, and build them together, not to an image of the aperture, but to an image of the carbon-points themselves. Finally, in virtue of the persistence of impressions upon the retina, by means of a rotating disk, on which are spread in sectors the colours of the spectrum, we blend together the prismatic colours in the eye itself, and thus produce the impression of whiteness. Having unravelled the interwoven constituents of 32 ON LIGHT. LECT. white light, we have next to inquire, What part the constitution so revealed enables this agent to play in Nature ? To it we owe all the phenomena of colour, and yet not to it alone ; for there must be a certain rela- tionship between the ultimate particles of natural bodies and white light, to enable them to extract from it the luxury of colour. But the function of natural bodies is here selective, not creative. There is no colour generated by any natural body whatever. Natural bodies have showered upon them, in the white light of the sun, the sum total of all possible colours, and their action is limited to the sifting of that total, the appropri- ating from it of the colours which really belong to them, and the rejecting of those which do not. It will fix this subject in your minds if I say, that it is the portion ' of light which they reject, and not that which belongs to them, that gives bodies their colours. Let us begin our experimental inquiries here by asking, What is the meaning of blackness ? Pass a black ribbon through the colours of the spectrum ; it quenches all of them. The meaning of blackness is , thus revealed it is the result of the absorption of all j the constituents of solar light. Pass a red ribbon through the spectrum. In the red light the ribbon is a vivid red. Why ? Because the light that enters the ribbon is not quenched or absorbed, but in great part sent back to the eye. Place the same ribbon in the green of the spectrum ; it is black as jet. It absorbs the green light, and leaves the space on which it falls a space of intense darkness. Place a green ribbon in the green of the spectrum. It shines vividly with its proper colour ; transfer it to the red, it is black as jet. Here i. COLOURS PRODUCED BY ABSORPTION. 83 it absorbs all the light that falls upon it, and offers mere darkness to the eye. Thus, when white light is employed, the red sifts it by quenching the green, and the green sifts it by quenching the red, both exhibiting the residual colour. The process through which natural bodies acquire their colours is therefore a negative one. > The colours are produced by subtraction, not by addi^/ tion. This red glass is red because it destroys all the' more refrangible rays of the spectrum. This blue liquid is blue because it destroys all the less refrangible rays. Both together are opaque because the light transmitted by the one is quenched by the other. In this way, by the union of two transparent substances we obtain a combination as dark as pitch to solar light. This other liquid, finally, is purple because it destroys the green and the yellow, and allows the terminal colours of the spectrum to pass unimpeded. From the blending of the blue and the red this gorgeous purple is produced. One step further for the sake of exactness. The light which falls upon a body is divided into two portions, one of which is reflected from the surface of the body ; and this is of the same colour as the incident light. If the incident light be white the superficially reflected light will also be white. Solar light, for example, reflected from the surface of even a black body, is white. The blackest camphine smoke in a dark room through which a sunbeam passes from an aperture in the window-shutter, renders the track of the beam white, by the light scattered from the surfaces of the soot particles. The moon appears to us as if ' Clothed in white samite, mystic, wonderful ; ' D 34 ON LIGHT. LECT. but were she covered with the blackest velvet she would still hang in the heavens as a white orb, shining upon our world substantially as she does now. 8. Colours of Pigments as distinguished from Colours of Light. The second portion of the light enters the body, and upon its treatment there the colour of the body depends. And here a moment may properly be given to the analysis of the action of pigments upon light. They are composed of particles mixed with a vehicle ; but how intimately soever the particles may be blended, they still remain particles, separated it may be by exceedingly minute distances, but still separated. To use the scientific phrase, they are not optically continu- ous. Now, wherever optical continuity is ruptured we have reflection of the incident light. It is the multi- tude of reflections at the limiting surfaces of the particles that prevents light from passing through glass, or rock-salt, when these transparent substances are pounded into powder. The light here is exhausted in a waste of echoes, not extinguished by true absorption. It is the same kind of reflection that renders the thunder-cloud so impervious to light. Such a cloud is composed of particles of water mixed with particles of air, both separately transparent, but practically opaque when thus mixed together. In the case of pigments, then, the light is reflected at the limiting surfaces of the particles, but it is in p^rt absorbed within the particles. The reflection is necessary to send the light back to the eye ; the absorp- tion is necessary to give the body its colour. The same i. COLOUKS OF PIGMENTS. 35 remarks apply to flowers. The rose is red in virtue, not of the light reflected from its surface, but of light which has entered its substance, which has- been re- flected from surfaces within, and which in returning through the substance has had its green extinguished. A similar process in the case of hard green leaves ex- tinguishes the red, and sends green light from the body of the leaves to the eye. All bodies, even the most transparent, are more or less absorbent of light. Take the case of water : in small quantities it does not sensibly affect light. A glass cell of clear water interposed in the track of our beam does not perceptibly change any one of the colours of the spectrum derived from the beam. Still absorption, though insensible, has here occurred, and to render it sensible we have only to increase the depth of the water through which the light passes. Instead of a cell an inch thick, let us take a layer, ten or fifteen feet thick : the colour of the water is then very evident. By augmenting the thickness we absorb more of the light, and by making the thickness very great we absorb the light altogether. Lampblack or pitch can do no more, and the only difference between them and water is that a very small depth in their case suffices to extinguish all the light, j The difference between the highest known transparency, and the highest known opacity, is one of degree merely. I If, then, we render water sufficiently deep to quench all the light ; and if from the interior of the water no light reaches the eye, we have the condition necessary to produce blackness. Looked properly down upon there are portions of the Atlantic Ocean to which one would hardly ascribe a trace of colour : at the most a D 2 36 ON LIGHT. LECT. tint of dark indigo reaches the eye. The water, in fact, is practically black, and this is an indication both of its depth and purity. But the case is entirely changed when the ocean contains solid particles in a state of mechanical suspension, capable of sending light back to the eye. Throw, for example, a white pebble into the blackest Atlantic water ; as it sinks it becomes greener and greener, and, before it disappears, it reaches a vivid blue green. Break such a pebble into fragments, these will behave like the unbroken mass : grind the pebble to powder, every particle will yield its modicum of green ; and if the particles be so fine as to remain suspended in the water, the scattered light will be a uniform green. Hence the greenness of shoal water. You go to bed with the black water of the Atlantic around you. You rise in the morning, find it a vivid green, and correctly infer that you are crossing the bank of Newfoundland. Such water is found charged with fine matter in a state of mechanical suspension. The light from the bottom may sometimes come into play, but it is not necessary. The subaqueous foam generated by the screw or paddle-wheels of a steamer also sends forth a vivid green. The foam here fur- nishes a reflecting surface, the water between the eye and it F the absorbing medium. Nothing can be more superb than the green of the Atlantic waves when the circumstances are favourable to the exhibition of the colour. As long as a wave remains unbroken no colour appears, but when the foam just doubles over the crest like an Alpine snow-cornice, under the cornice we often see a display of the most exquisite green. It is metallic in its brilliancy. But i. COLOUR OF WATER. 37 foam is necessary to its production. The foam is first illuminated, and it scatters the light in all direc- tions ; the light which passes through the higher portion of the wave alone reaches the eye, and gives to that portion its matchless colour. The folding of the wave, producing, as it does, a series of longitudinal protuberances and furrows which act like cylindrical lenses, introduces variations in the intensity of the light, and materially enhances its beauty. We are now prepared for the further consideration of a point already adverted to, and regarding which error long found currency. You will find it stated in many books that blue and yellow lights mixed together produce green. But blue and yellow have been just proved to be complementary colours, pro- ducing white by their mixture. The mixture of blue and yellow pigments undoubtedly produces green,, but \ the mixture of pigments is totally different from the~~f mixture of lights. Helmholtz has revealed the cause of the green in the case of a mixture of blue and yellow pigments. No natural colour is pure. A blue liquid or a blue powder permits not only the blue to pass through it, but a por- tion of the adjacent green. A yellow powder is trans- parent not only to the yellow light, but also in part to the adjacent green. Now, when blue and yellow are mixed together, the blue cuts off the yellow, the orange, and the red ; the yellow, on the other hand, cuts off the violet, the indigo, and the blue. Green is the only colour to which both are transparent, and the conse- quence is that, when white light falls upon a mixture of yellow and blue powders, the green alone is sent back to the eye. You have already seen that the fine 38 ON LIGHT. LECT. blue ammonia-sulphate of copper transmits a large portion of green, while cutting off all the less re- frangible light. A yellow solution of picric acid also allows the green to pass, but quenches all the more refrangible light. What must occur when we send a beam through both liquids ? The experimental answer to this question is now before you : the green band of the spectrum alone remains upon the screen. The impurity of natural colours is strikingly illus- trated by an observation recently communicated to me by Mr. Woodbury. On looking through a blue glass at green leaves in sunshine, he saw the super- ficially reflected light blue. The light, on the con- trary, which came from the body of the leaves was crimson. On examination, I found that the glass em- ployed in this observation transmitted both ends of the spectrum, the red as well as the blue, and that it quenched the middle. This furnished an easy explana- tion of the effect. In the delicate spring foliage the blue of the solar light is for the most part absorbed, and a light, mainly yellowish green, but containing a con- siderable quantity of red, escapes from the leaf to the eye. On looking at such foliage through the violet glass, the green and the yellow are stopped, and the red alone reaches the eye. Thus regarded, therefore, the leaves appear like faintly-blushing roses, and present a very beautiful appearance. With the blue ammonia- sulphate of copper, which transmits no red, this effect is not obtained. As the year advances the crimson gradually hardens to a coppery red ; and in the dark green leaves of old ivy it is almost absent. Permitting a concentrated beam of white light to fall upon fresh leaves in a dark T. COLOURS OF FOLIAGE. 39 room, the sudden change from green to red, and from red back to green, when the violet glass is alternately introduced across the beam and withdrawn, is very surprising. Looked at through the same glass, the meadows in May appear of a warm purple. With a solution of permanganate of potash, which, while it quenches the centre of the spectrum, permits its ends to pass more freely than the violet glass, striking effects are also obtained. 1 This question of absorption, considered with refer- ence to its molecular mechanism, is one of the most subtle and difficult in physics. We are not yet in a condition to grapple with it, but we shall be by-and- by. Meanwhile we may profitably glance back on the web of relations which these experiments reveal to us. We have in the first place in solar light an agent of exceeding complexity, composed of innumerable constituents, refrangible in different degrees. We find, secondly, the atoms and molecules of bodies gifted with the power of sifting solar light in the most vari- ous ways, and producing by this sifting the colours observed in nature and art. To do this they must pos- sess a molecular structure commensurate in complexity with that of light itself. Thirdly, we have the human eye and brain, so organized as to be able to take in and 1 Both in foliage and in flowers we have striking differences of ab- sorption. The copper Leech and the green beech, for example, take in different rays. But the very growth of the tree is due to some of the rays thus taken in. Are the chemical rays, then, the same in the copper and the green beech ? In two such flowers as the primrose and the violet, where the absorptions, to judge by the colours, are almost com- plementary, are the chemically active rays the same ? The general re- lation of colour to chemical action is worthy of the application of the method by which Dr. Draper proved so conclusively the chemical potency of the yellow rays. 40 ON LIGHT. LECT. distinguish the multitude of impressions thus generated. The light, therefore, at starting is complex ; to sift and select it as they do, natural bodies must be complex; while to take in the impressions thus generated, the human eye and brain, however we may simplify our conceptions of their action, 1 must be highly complex. Whence this triple complexity ? If what are called material pur- 1 Young, Helmholtz, and Maxwell reduce all differences of hue to combinations in different proportions of three primary colours. It is demonstrable by experiment that from the red, green, and violet all the other colours of the spectrum may be obtained. Sir Charles Wheatstone has recently drawn my attention to a work by Christian Ernst Wunsch, Leipzig, 1792, in which the author an- nounces the proposition that there are neither five nor seven, but only three simple colours in white light. Wunsch produces five spectra, with five prisms and five small apertures, and he mixes the colours first in pairs, and afterwards in other ways and proportions. His result is that 'red is a simple colour incapable of being decomposed; that orange is compounded of intense red and weak green ; that yellow is a mixture of intense red and intense green ; that green is a simple colour ; that blue is compounded of saturated green and saturated violet ; that indigo is a mixture of saturated violet and weak green ; while violet is a pure simple colour. He also finds that yellow and indigo blue produce white by their mixture. Yellow with bright blue (hochblau) also produces white, which seems, however, to have a tinge of green, while the pigments of these two colours when mixed always give a more or less beautiful green. Wunsch very emphatically distinguishes 'the mixture of pigments from that of lights. Speaking of the generation of yellow, he says, ' I say expressly red and green light, because I am speaking about light- colours (Lichtfarben), and not abotit pigments.' However faulty his theories may be, Wiinsch's experiments appear in the main to be precise and conclusive. Nearly ten years subsequently Young adopted red, green, and violet as the three primary colours, each of them capable of producing three sensations, one of which, however, pre- dominates over the two others. Helmholtz adopts, elucidates, and enriches this notion. (Popular Lectures, p. 249. The beautiful paper of Helmholtz on the mixture of colours, translated by myself, is pub- lished in the 'Philosophical Magazine 'for 1852. Maxwell's excellent memoir on the Theory of Compound Colours is published in the ' Philo- sophical Transactions,' vol. 150, p. 57.) PRIMARY COLOURS. 41 poses were the only end to be served, a much simpler mechanism would be sufficient. But, instead of sim- plicity, we have prodigality of relation and adaptation and this apparently for the sole purpose of enabling us to see things robed in the splendours of colour. Would it not seem that Nature harboured the intention of edu- cating us for other enjoyments than those derivable from meat and drink ? At all events, whatever Nature meant and it would be mere presumption to dogmatize as to what she meant we find ourselves here, as the upshot of her operations, endowed with capacities to enjoy not only the materially useful, but endowed with others of indefinite scope and application, which deal alone with the beautiful and the true. LI 15 li A ,v . IS 1 V K I!S IT Y <>K| CALIK" ' SI A. J ^v_ .-_ ;___- 42 ON- LIGHT. LECT. LECTUEE II. ORIGIN OF PHYSICAL THEORIES SCOPE OF THE IMAGINATION NEWTON AND THE EMISSION THEORY VERIFICATION OF PHYSICAL THEORIES THE LUMINIFEROUS ETHER WAVE-THEORY OF LIGHT THOMAS YOUNG FRESNEL AND ARAGO CONCEPTION OF WAVE-MOTION INTERFERENCE OF WAVES CONSTITUTION OF SOUND-WAVES ANALOGIES OF SOUND AND LIGHT ILLUSTRATIONS OF WAVE-MOTION INTERFERENCE OF SOUND WAVES OPTICAL ILLUSTRATIONS PITCH AND COLOUR LENGTHS OF THE WAVES OF LIGHT AND RATES OF VIBRATION OF THE ETHER- PARTICLES INTERFERENCE OF LIGHT PHENOMENA WHICH FIRST SUGGESTED THE UNDULATORY THEORY BOYLE AND HOOKB THE COLOURS OF THIN PLATES THE SOAP-BUBBLE NEWTON's RINGS THEORY OF ' FITS ' ITS EXPLANATION OF THE RINGS OVERTHROW OF THE THEORY DIFFRACTION OF LIGHT COLOURS PRODUCED BY DIFFRACTION COLOURS OF MOTHER-OF-PEARL. 1. Origin and Scope of Physical Theories. WE might vary and extend our experiments on Light indefinitely, and they certainly would prove us to possess a wonderful mastery over the phenomena. But the vesture of the agent only would thus be re- vealed, not the agent itself. The human mind, how- ever, is so constituted and so educated, as regards natural things, that it can never rest satisfied with this outward view of them. Brightness and freshness take possession of the mind when it is crossed by the light of principles, shewing the facts of Nature to be organ- ically connected. Let us, then, inquire what this thing is that we ii. CONCEPTION OF PHYSICAL THEORY. 43 have been generating, reflecting, refracting and analyz- ing. In doing this, we shall learn that the life of the experimental philosopher is twofold. He lives, in his vocation, a life of the senses, using his hands, eyes, and ears in his experiments : but such a question as that now before us carries him beyond the margin of the senses. He cannot consider, much less answer, the question, ' What is light ? ' without transporting him- self to a world which underlies the sensible one, and out of which spring all optical phenomena. To realize this subsensible world, if I may use the term, the mind must possess a certain pictorial power. It must be able to form definite images of the things which that world contains ; and to say that, if such or such a state of things exist in that world, then the phenomena which appear in ours must, of necessity, grow out of this state of things. If the picture be correct, the phe- nomena are accounted for ; a physical theory has been enunciated which unites and explains them all. This conception of physical theory implies, as you perceive, the exercise of the imagination. Do not be afraid of this word, which seems to render so many respectable people, both in the ranks of science and out of them, uncomfortable. That men in the ranks of science should feel thus is, I think, a proof that they have suffered themselves to be misled by the popular definition of a great faculty instead of: observing its operation in their own minds. Without imagination we cannot take a step beyond the bourne of the mere animal world, perhaps not even to the edge of this one. But, in speaking thus of imagination, I do not mean a riotous power which deals capriciously with facts, but 44 ON LIGHT. LECT. a well-ordered and disciplined power, whose sole func- tion is to form conceptions which the intellect im- peratively demands. Imagination, thus exercised, never really severs itself from the world of fact. This is the storehouse from which the materials for all its pictures are derived ; and the magic of its art consists, not in creating things anew, but in so changing the magnitude, position, and other relations of sensible things, as to render them fit for the requirements of the intellect in the subsensible world. 1 Descartes imagined space to be filled with some- thing that transmitted \ighiinstantaneously. Firstly, because, in his experience, no measurable interval was known to exist between the appearance of a flash of light, however distant, and its effect upon consciousness ; and secondly, because, as far as his experience went, no physical power is conveyed from place to place without 1 The following charming extract, bearing upon this point, was dis- covered and written out for me by my deeply lamented friend Dr. Bence Jones, late Hon. Secretary to the Royal Institution : ' In every kind of magnitude there is a degree or sort to which our sense is proportioned, the perception and knowledge of which is of the greatest use to mankind. The same is the groundwork of philosophy; for, though all sorts and degrees are equally the object of philosophical speculation, yet it is from those which are proportioned to sense that a philosopher must set out in his inquiries, ascending or descending after- wards as his pursuits may require. He does well indeed to take his views from many points of sight, and supply the defects of sense by a well-regulated imagination ; nor is he to be confined by any limit in space or time ; but, as his knowledge of Nature is founded on the ob- servation of sensible things, he must begin with these, and must often return to them to examine his progress by them. Here is his secure hold ; and as he sets out from thence, so if he likewise trace not often his steps backwards with caution, he will be in hazard of losing his way in the labyrinths of Nature.' (Maclaurin : An Account of Sir I. New- ton's Philosophical Discoveries. Written 1728; second edition, 1750; pp. 18, 19.) ii. BASIS OF THE EMISSION THEORY. 45 a vehicle. But his imagination helped itself farther by illustrations drawn from the world of fact. ' When,' he says, ' one walks in darkness with staff in hand, the moment the distant end of the staff strikes an obstacle the hand feels it. This explains what might otherwise be thought strange, that the light readies us instan- taneously from the sun. I wish thee to believe that light in the bodies that we call luminous is nothing more than a very brisk and violent motion, which, by means of the air and other transparent media, is con- veyed to the eye exactly as the shock through the walking-stick reaches the hand of a blind man. This is instantaneous, and would be so even if the intervening- distance were greater than that between earth and heaven. It is therefore no more necessary that any- thing material should reach the eye from the luminous object, than that something should be sent from the ground to the hand of the blind man when he is con- scious of the shock of his staff.' The celebrated Robert Hooke first threw doubt upon this notion of Descartes, but afterwards substantially espoused it. The belief in instantaneous transmission was destroyed by the dis- covery of Kcemer referred to in our last lecture. 2. The Emission Theory of Light. The case of Newton still more forcibly illustrates the position, that in forming physical theories we draw for our materials upon the world of fact. Before he began to deal with light, he was intimately acquainted with the laws of elastic collision, which all of you have seen more or less perfectly illustrated on a billiard- table. As regards the collision of sensible masses, Newton knew 46 ON LIGHT. I.ECT. the angle of incidence to be equal to the angle of re- flection, and he also knew that experiment, as shewn in our last lecture (fig. 3), had established the same law with regard to light. He thus found in his previous knowledge the material for theoretic images. He had only to change the magnitude of conceptions already in his mind to arrive at the Emission Theory of Light. He supposed light to consist of elastic particles of in- \ conceivable minuteness shot out with inconceivable rapidity by luminous bodies, and that such particles impinging upon smooth surfaces were reflected in ac- cordance with the ordinary law of elastic collision. The fact of optical reflection certainly occurred as if light consisted of such particles, and this was Newton's sole justification for introducing them. But this is not all. In another important particu- lar, also, Newton's conceptions regarding the nature of light were influenced by his previous knowledge. He had been pondering over the phenomena of gravitation, and had made himself at home amid the operations of this universal power. ' Perhaps his mind at this time was too freshly and too deeply imbued with these notions to permit of his forming an unfettered judgment re- garding the nature of light. Be that as it may, Newton saw in Eefraction the action of an attractive force ex- erted on the light-particles. He carried his conception out with the most severe consistency. Dropping ver- tically downwards towards the earth's surface, the mo- tion of a body is accelerated as it approaches the earth. Dropping in the same manner downwards on a horizontal surface, say through air on glass or water, the velocity of the light-particles, when they came close to the sur- face, was, according to Newton, also accelerated. Ap- ir. TEST OF THEOEY. 47 preaching such a surface obliquely, he supposed the particles, when close to it, to be drawn down upon it, as a projectile is drawn by gravity to the surface of the earth. This deflection was, according to Newton, the refraction seen in our last lecture (fig. 4). Finally, it was supposed that differences of colour might be due to differences in the size of the particles. This was the physical theory of light enunciated and defended by Newton ; and you will observe that it simply consists in the transference of conceptions born in the world of the senses to a subsensible world. But, though the region of physical theory lies thus behind the world of senses, the verifications of theory occur in that world. Laying the theoretic conception at the root of matters, we determine by deduction what are the phenomena which must of necessity grow out of this root. If the phenomena thus deduced agree with those of the actual world, it is a presumption in favour of the theory. If, as new k classes of phenomena arise, they also are found to harmonize with theoretic de- duction, the presumption becomes still stronger. If, finally, the theory confers prophetic vision upon the investigator, enabling him to predict the occurrence of phenomena which have never yet been seen, and if those predictions be found on trial to be rigidly correct, the persuasion of the truth of the theory becomes over- powering. Thus working backwards from a limited number of phenomena, genius, by its own expansive force, reaches a conception which covers them all. There is no more wonderful performance of the intellect than this ; but we can render no account of it. Like the scriptural gift of the Spirit, no man can tell whence 48 ON LIGHT. LECT. it cometh. The passage from fact to principle is sometimes slow, sometimes rapid, and at all times a source of intellectual joy. When rapid, the pleasure is concentrated and becomes a kind of ecstasy or in- toxication. To any one who has experienced this pleasure, even in a moderate degree, the action of Archimedes when he quitted the bath, and ran naked, crying * Eureka ! ' through the streets of Syracuse, becomes intelligible. How, then, did it fare with the Emission Theory when the deductions from it were brought face to face with natural phenomena? Tested by experiment, it was found competent to explain many facts, and with tran- scendent ingenuity its author sought to make it account for them all. He so far succeeded, that men so cele- brated -as Laplace and Mains, who lived till 1812, and Biot and Brewster, who lived till our own time, were found among his disciples. 3. The Undulatory Theowj of Light. Still, even at an early period of the existence of the Emission Theory, one or two great names were found recording a protest against it ; and they furnish another illustration of the law that, in forming theories, the scientific imagination must draw its materials from the world of fact and experience. It was known long ago that sound is conveyed in waves or pulses through the air ; and no sooner was this truth well housed in the mind than it was transformed into a theoretic concep- tion. It was supposed that light, like sound, might also be the product of wave-motion. But what, in this case, could be the material forming the waves ? For the ii. BASIS OF THE UNDULATORY THEORY. 49 waves of sound we have the air of our atmosphere ; but the stretch of imagination which filled all space with a luminiferous ether trembling with the waves of light was so bold as to shock cautious minds. In one of my latest conversations with Sir David Brewster, he said to me that his chief objection to the undulatory theory of light was that he could not think the Creator guilty of so clumsy a contrivance as the filling of space with ether in order to produce light. This, I may say, is very dangerous ground, and the quarrel of science with Sir David, on this point, as with many estimable persons on other points, is, that they profess to know too much about the mind of the Creator. This conception of an ether was advocated, and in- deed applied to various phenomena of Coptics, by the celebrated astronomer, Huyghens. It was espoused and defended by the celebrated mathematician, Euler They were, however, opposed by Newton, whose au- thority at the time bore them down. Or shall we say it was authority merely ? Not quite so. Newton's pre- ponderance was in some degree due to the fact that, though Huyghens and Euler were right in the main, they did not possess sufficient data to prove themselves right. No human authority, however high, can main- tain itself against the voice of Nature speaking through experiment. But the voice of Nature may be an un- certain voice, through the scantiness of data. This was the case at the period now referred to, and at such a period by the authority of Newton all antagonists were naturally overborne. Still, this great Emission Theory, which held its ground so long, resembled one of those circles which, according to your countryman Emerson, the force of 50 ON LIGHT. LECT. genius periodically draws round the operations of the intellect, but which are eventually broken through by pressure from behind. In the year 1 773 was born, at Milverton, in Somersetshire, one of the most remarkable men that England ever produced. He was educated for the profession of a physician, but was too strong to be tied down to professional routine. He devoted him- ' self to the study of natural philosophy, and became in all its departments a master. He was also a master of letters. Languages, ancient and modern, were housed within his brain, and, to use the words of his epitaph, ' he first penetrated the obscurity which had veiled for ages the hieroglyphics of Egypt.' * It fell to the lot of this man to discover facts in optics which Newton's theory was incompetent to explain, and his mind roamed in search of a sufficient theory. He had made himself acquainted with all the phenomena of wave- motion ; with all the phenomena of sound ; working successfully in this domain as an original discoverer. Thus informed and disciplined, he was prepared to detect any resemblance which might reveal itself be- tween the phenomena of light and those of wave-motion. Such resemblances he did detect ; and, spurred on by the discovery, he pursued his speculations and his experiments, until he finally succeeded in placing on an immovable basis the Undulatory Theory of Light. The founder of this great theory was Thomas Young, a name, perhaps, unfamiliar to many of you, but which ought to be familiar to you all. Permit me, there- fore, by a kind of geometrical construction which I once ventured to employ in London, to give you a notion of the magnitude of this man. Let Newton stand erect in his age, and Young in his. Draw a straight n. 'YOUNG, FRESNEL, ARAGO, BROUGHAM. 51 line from Newton to Young, tangent to the heads of both. This line would slope downwards from Newton to Young, because Newton was certainly the taller man of the two. But the slope would not be steep, for the difference of stature was not excessive. The line would form what engineers call a gentle gradient from Newton to Young. Place underneath this line the biggest man born in the interval between both. It may be doubted whether he would reach the line ; for if he did he would be taller intellectually than Young, and there was probably none taller. But I do not want you to rest on English estimates of Young; the German, Helmholtz, a kindred genius, thus speaks of him : ' His was one of the most profound minds that the world has ever seen; but he had the misfortune to be too much in advance of his age. He excited the wonder of his contemporaries, who, however, were unable to follow him to the heights at which his daring intellect was accustomed to soar. His most important ideas lay, therefore, buried and forgotten in the folios of the Eoyal Society, until a new generation gradually and painfully made the same discoveries, and proved the exactness of his assertions and the truth of his de- monstrations.' It is quite true, as Helmholtz says, that Young was in advance of his age ; but something is to be added which illustrates the responsibility of our public writers. For twenty years this man of genius was quenched hidden from the appreciative intellect of his country- men deemed in fact a dreamer, through the vigorous sarcasm of a writer who had then possession of the public ear, and who in the Edinburgh Revieiu poured ridicule upon Young and his speculations. To the cele- E 2 52 ON LIGHT. LECT. brated Frenchmen Fresnel and Arago he was first indebted for the restitution of his rights ; for they, especially Fresnel, remade independently, as Helm- holtz says, and vastly extended his discoveries. To the 'students of his works Young has long since ap- peared in his true light, but these twenty blank years pushed him from the public mind, which became in turn tilled with the fame of Young's colleague at the Koyal Institution, Davy, and afterwards . with the fame of Faraday. Carlyle refers to a remark of Novalis, that a man's self-trust is enormously increased the moment he finds that others believe in him. If the opposite remark be true if it be a fact that public disbelief weakens a man's force there is no calculating the amount of damage these twenty years of neglect may have done to Young's productiveness as an investi- gator. It remains to be stated that his assailant was Mr. Henry Brougham, afterwards Lord Chancellor of England. 4. Wave-motion, Interference of Waves, ' Whirlpool Rapids ' of Niagara. Our hardest work is now before us. But the capacity for hard work depends in a great measure on the antecedent winding up of the will ; I would call upon you, therefore, to gird up your loins for our coming labours. If we succeed in climbing the hill which faces us to-night, our future difficulties will not be insurmountable. In the earliest writings of the ancients we find the notion that sound is conveyed by the air. Aristotle gives expression to this notion, and the great architect n. WAVE-MOTION. 53 Vitruvius compares the waves of sound to waves of water. But the real mechanism of wave-motion was hidden from the ancients, and indeed was not made clear until the time of Newton. The central difficulty of the subject was, to distinguish between the motion of the wave itself, and the motion of the particles which at any moment constitute the wave. Stand upon the sea-shore and observe the advancing rollers before they are distorted by the friction *of the bottom. Every wave has a back and a front, and, if you clearly seize the image of the moving wave, you will see that every particle of water along the front of the wave is in the act of rising, while every particle along its back is in the act of sinking. The particles in front reach in succession the crest of the wave, and as soon as the crest is passed they begin to fall. They then reach the furrow or sinus of the wave, and can sink no farther. Immediately afterwards they become the front of the succeeding wave, rise again until they reach the crest, and then sink as before. Thus, while the waves pass onward horizontally, the individual particles are simply lifted up and down vertically. Observe a sea-fowl, or, if you are a swimmer, abandon yourself to the action of the waves ; you are not carried forward, but simply rocked up and down. The propa- gation of a wave is the propagation of a form, and not the transference of the substance which constitutes the wave. The length of the wave is the distance from crest to crest, while the distance through which the individual particles oscillate is called the amplitude of the oscil- lation. You will notice that in this description the 54 ON LIGHT. LECT. particles of water are made to vibrate across the line of propagation. 1 And now we have to take a step forwards, and it is the most important step of all. You can picture two series of waves proceeding from different origins through the same water. When, for example, you throw two stones into still water, the ring- waves pro- ceeding from the two centres of disturbance intersect each o4her. Now, no matter how numerous these waves may be, the law holds good that the motion of every particle of the water is the algebraic sum of all the motions imparted to it. If crest coincide with crest and furrow with furrow, the wave is lifted to a double height above its sinus ; if furrow coincide with crest, the motions are in opposition, and their sum is zero. We have then still water. This action of wave upon wave is technically called interference, a term to be remembered. To the eye of a person conversant with these princi- ples, nothing can be more interesting than the crossing of water ripples. Through their interference the water- surface is sometimes shivered into the most beautiful mosaic, trembling rhythmically as if with a kind of visible music. When waves are skilfully generated in a dish of mercury, a strong light thrown upon the shining surface, and reflected on to a screen, reveals the motions of the liquid metal. The shape of the vessel determines the forms of the figures produced. In 1 I do not wish to encumber the conception here with the details of the motion, but I may draw attention to the beautiful model of Prof. Lyman, wherein waves are shown to be produced by the circular motion of the particles. This, as proved by the brothers Weber, is the real motion in the case of water-waves. ii. INTERFERENCE OF WATER-WAVES. 55 a circular dish, for example, a disturbance at the centre propagates itself as a series of circular waves, which, after reflection, again meet at the centre. If the point of disturbance be a little way removed from the centre, the interference of the direct and reflected waves produces the magnificent chasing shown in the annexed FIG. 10. figure. 1 The light reflected from such a surface yields a pattern of extraordinary beauty. When the mercury is slightly struck by a needle-point in a direction concentric with the surface .of the vessel, the lines of light run round in mazy coils, interlacing and unravel- ling themselves in a wonderful manner. When the vessel is square, a splendid chequer-work is produced by the 1 Copied from Weber's Wellenlehre. 56 ON LIGHT. LECT. crossing of the direct and reflected waves. Thus, in the case of wave-motion, the most ordinary causes give rise to most exquisite effects. The words of your coun- tryman, Emerson, are perfectly applicable here: ' Thou can'st not wave thy staff in the air, Or dip thy paddle in the lake, But it carves the brow of beauty there, And the ripples in rhymes the oars forsake.' The most impressive illustration of the action of waves on waves that I have ever seen occurs near Niagara. For a distance of two miles, or thereabouts, below the Falls, the river Niagara flows unruffled through its excavated gorge. The bed subsequently narrows, and the water quickens its motion. At the place called the ' Whirlpool Rapids,' I estimated the width of the river at 300 feet, an estimate confirmed by the dwellers on the spot. When it is remembered that the drainage of nearly half a continent is com- pressed into this space, the impetuosity of the river's escape through this gorge may be imagined. Two kinds of motion are here obviously active, a motion of translation and a motion of undulation the race of the river through its gorge, and the great waves generated by its collision with the obstacles in its way* In the middle of the stream, the rush and tossing are most violent ; at all events, the impetuous force of the individual waves is here most strikingly displayed. Vast pyramidal heaps leap incessantly from the river, some of them with such energy as to jerk their summits into the air, where they hang suspended as bundles of liquid pearls, which, when shone upon by the sun, are of indescribable beauty. IT. 'WHIRLPOOL RAPIDS' OF NIAGARA. 57 The first impression, and, indeed, the current ex- planation of these Rapids is, that the central bed of the river is cumbered with large boulders, and that the jostling, tossing, and wild leaping of the water there are due to its impact against these obstacles. A very different explanation occurred to me upon the spot. Boulders derived from the adjacent cliffs visibly cumber the sides of the river. Against these the water rises and sinks rhythmically but violently, large waves being thus produced. On the generation of each wave there is an immediate compounding of the wave-motion with the river -motion. The ridges, which in still water would proceed in circular curves round the centre o disturbance, cross the river obliquely, and the result is, that at the centre waves commingle which have really been generated at the sides. This crossing of waves may be seen on a small scale in any gutter after rain ; it may also be seen on simply pouring water from a wide-lipped jug. Where crest and furrow cross each other, the wave is annulled ; where furrow and furrow cross, the river is ploughed to a greater depth ; and where crest and crest aid each other, we have that astonishing leap of the water which breaks the co- hesion of the crests, and tosses them shattered into the air. The phenomena observed at the Whirlpool Rapids constitute, in fact, one of the grandest illustra- tions of the principle of interference, 5. Analogies of Sound and Light. Thomas Young's fundamental discovery in optics was that the principle of Interference was applicable to light. Long prior to his time an Italian philosopher, 58 ON LIGHT. LECT. Grimaldi, had stated that under certain circumstances two thin beams of light, each of which, acting singly, produced a luminous spot upon a white wall, when caused to act together, partially quenched each other and darkened the spot. This was a statement of fundamental significance, but it required the discoveries and the genius of Young to give it meaning. How he did so will gradually become clear to you. You know that air is compressible ; that by pressure it can be rendered more dense, and that by dilatation it can be rendered more rare. Properly agitated, a tuning-fork now sounds in a manner audible to you all, and most of you know that *the air through which the sound is passing is parcelled out into spaces in which the air is condensed, followed by other spaces in which the air is rarefied. These condensations and rarefactions constitute what we call waves of sound. You can imagine the air of a room traversed by a series of such waves, and you can imagine a second series sent through the same air, and so related to the first that condensation coincides with condensa- tion and rarefaction with rarefaction. The consequence of this coincidence would be a louder sound than that produced by either system of waves taken singly. But you can also imagine & state of things where the con- densations of the one system fall upon the rarefactions of the other system. In this case the two systems would completely neutralize each other. Each of them taken singly produces sound ; both of them taken together produce no sound. Thus, > by adding sound to sound we produce silence, as Grrimaldi in his experi- ment produced darkness by adding light to light. The analogy between sound and light here flashes upon the mind. Young generalized this observation. He ii. LONGITUDINAL WAVES. 59 discovered a multitude of similar cases, and determined their precise conditions. On the assumption that light was wave-motion, all his experiments on inter- ference were explained ; on the assumption that light was flying particles, nothing was^explained. In the time of Huyghens and Euler a medium had been assumed for the transmission of the waves of light ; but Newton raised the objection that, if light consisted of the waves of such a medium, shadows could not FIG. 11. exist. The waves, he contended, would bend round opaque bodies and produce the motion of light behind them, as sound turns a corner, or as waves of water wash round a rock. It was proved that the bending round referred to by Newton actually occurs, but that the inflected waves abolish each other by their mutual interference. Young also discerned a fundamental difference between the waves of light and those of sound. Could you see the air through which sound- 60 ON LIGHT. LECT, waves are passing, you would observe every individual particle of air oscillating to and fro in the direction of propagation. Could you see the luminiferous ether, you would also find every individual particle making a small excursion to and fro ; but here the motion, like that assigned to the water-particles above referred to, would be across the line of propagation. The vibra- tions of the air are longitudinal, those of the ether transversal. It is my desire that you should realize with clearness the character of wave-motion, both in ether and in air. And, with this view, I bring before you an experiment wherein the air-particles are represented by small spots of light (R 0, fig. 11). They are derived from a clean spiral, drawn upon a circle of blackened glass (D), so that when the circle rotates, the spots move in successive pulses over the screen. 1 In this experiment you have clearly set before you how the pulses travel incessantly forward, while their component particles perform oscilla- tions to and fro. This is the picture of a sound-wave, in which the vibrations are longitudinal. By another glass wheel (I), fig. 12) we produce an image of a transverse wave (0 R), and here we observe the waves travelling in succession over the screen, while each individual spot of light performs an excursion to and fro across the line of propagation. Notice what follows when the glass wheel is turned very quickly. Objectively considered, the transverse waves propagate themselves as before, but subjectively the effect is totally changed. Because of the reten- tion of impressions upon the retina, the spots of light 1 The apparatus is constructed by that excellent acoustic mechanician, M. Rudolf Konig, of Paris. n. TRANSVERSE WAVES. 61 simply describe a series of parallel luminous lines upon the screen, the length of these lines marking the ampli- tude of the vibration. Here the impression of wave- motion has totally disappeared. The most familiar illustration of the interference of sound-waves is furnished by the beats produced by two musical sounds slightly out of unison. When two tuning-forks in perfect unison are agitated together FIG. 12. I the two sounds flow without roughness, as if they were but one. But, by attaching with wax to one of the forks a little weight, we cause it to vibrate more slowly than its neighbour. Suppose that one of them performs 101 vibrations in the time re- quired by the other to perform 100, and suppose that at starting the condensations and rarefactions of both forks coincide. . At the 101st vibration of the quickest fork they will again coincide, that fork at this point having, gained one whole vibration, or one whole wave- 62 ON LIGHT. -L-ECT. length upon the other. But a little reflection will make it clear that, at the 50th vibration, the two forks are in opposition ; here the one tends to produce a condensation where the other tends to produce a rare- faction ; by the united action of the two forks, therefore, the sound is quenched, and we have a pause of silence. This occurs where one fork has gained half a wave- length upon the other. At the 101st vibration, as already stated, we have coincidence, and, therefore, augmented sound ; at the 1 50th vibration we have again a quenching of the sound. Here the one fork is three half-waves in advance of the other. In general terms, the waves conspire when the one series is an even number of half-wave lengths, and they destroy each ojjber when the one series is an odd number of half- wave lengths in advance of the other. With two forks so cir- cumstanced, we obtain those intermittent shocks of sound separated by pauses of silence, to which \ve give the name of beats. By a suitable arrangement, more- over, it is possible to make one sound wholly extinguish another. Along four distinct lines, for example, the vibrations of the two prongs of a tuning-fork completely blot each other out. 1 The pitch of sound is wholly determined by the rapidity of the vibration, as the intensity is by the am- plitude. What pitch is to the ear in acoustics, colour is to the eye in the undulatory theory of light. Though never seen, the lengths of the waves of light have been determined. Their existence is proved by their effects, and from their effects also their lengths may be accu- rately deduced. This may, moreover, be done in many 1 Sound, 1st and 2nd ed., Lecture VII.; and 3rd ed., Chap. VIII. Longmans. . INTERFERENCE OF SOUND. 63 ways, and, when the different determinations are com- pared, the strictest harmony is found to exist between them. This consensus of evidence is one of the strong- est points of the undulatory theory. The shortest waves of the visible spectrum are those of the extreme violet ; the longest, those of the extreme red ; while the other colours are of intermediate pitch or wave-length. The length of a wave of the extreme red is such that it would require 36,918 of them, placed end to end, to cover one inch, while 64,631 of the extreme violet waves would be required to span the same distance. Now, the velocity of light, in round numbers, is 190,000 miles per second. Reducing this to inches, and multiplying the number thus found by 36,918, we find the number of waves of the extreme red, in 190,000 miles, to be four hundred and fifty-one millions of millions. All these waves enter the eye, and strike the retina at the back of the eye in one second. In a similar manner, it may be found that the number of shocks corresponding to the impression of violet is seven hundred and eighty-nine millions of millions. All space is filled with matter oscillating at such rates. From every star waves of these dimensions move, with the velocity of light, like spherical shells in all directions. And in ether, just as in water, the motion of every particle is the algebraic sum of ail the separate motions imparted to it. One motion does not blot out the other ; or, if extinction occur at one point, it is strictly atoned for, by augmented motion, at some other point. Every star declares by its light its un- damaged individuality, as if it alone had sent its thrills through space. 64 ON LIGHT. LECT. 6. Interference of Light. The principle of interference, as proved by Young, applies to the waves of light as it does to the waves of water and the waves of sound. And the conditions of interference are the same in all three. If two series of light-waves of the same length start at the same moment from a common origin (say A, tig. 13), crest coincides with crest, sinus with sinus, and the two 7\ /\ /\ \J \7 systems blend together to a single system (A m n) of double amplitude. If both series start at the same moment, one of them being, at starting, a whole wave- length in advance of the other, they also add them- selves together, and we have an augmented luminous effect. The same occurs when the one system of waves is any even number of semi-undulations in advance of the other. But if the one system be half a wave-length (as at A' a', fig. 14), or any odd number of half wave- lengths in advance, then the crests of the one fall upon the sinuses of the other ; the one system, in fact, tends to lift the particles of ether at the precise places where the other tends to depress them ; hence, through the joint action of these opposing forces (indicated by the arrows) the light-ether remains perfectly still. This n. INTERFERENCE OF LIGHT. 65 stillness of the ether is what we call darkness, which corresponds with a dead level in the case of water. FIG. 14. It was said in our first lecture, with reference to the colours produced by absorption, that the function of natural bodies is selective, not creative ; that they ex- tinguish certain constituents of the white solar light, and appear in the colours of the unextinguished light. It must at once flash upon your minds that, inasmuch as we have in interference an agency by which light may be self-extinguished, we may have in it the conditions for the production of colour. Bub this would imply that certain constituents are quenched by interference, while others are permitted to remain. This is the fact ; and it is entirely due to the difference in the lengths of the waves of light. 7. Colours of thin Films. Observations of Boyle , and Hooke. This subject may be illustrated by the class of phenomena which first suggested the undulatory theory to the mind of Hooke. These are the colours of thin transparent films of all kinds, known as the colours of thin plates. In this relation no object in the world possesses a deeper scientific interest than a common soap-bubble. And here let me say emerges one of the difficulties which the student of pure science encounters in the presence of ' practical ' communities like those of F 66 ON LIGHT. LECT. America and England ; it is not to be expected that such communities can entertain any profound sympathy with labours which seem so far removed from the domain of practice as many of the labours of the man of science are. Imagine Dr. Draper spending his days in blowing soap-bubbles and in studying their colours ! Would you show him the necessary patience, or grant him the necessary support ? And yet be it remembered it was thus that minds like those of Boyle, Newton and Hooke were occupied ; and that on such experiments has been founded a theory, the issues of which are incalculable. I see no other way for you, laymen, than to trust the scientific man with the choice of his inquiries ; he stands before the tribunal of his peers, and by their verdict on his labours you ought to abide. Whence, then, are derived the colours of the soap- bubble ? Imagine a beam of white light impinging on the bubble. When it readies the first surface of the film, a known fraction of the light is reflected back. But a large portion of the beam enters the film, reaches its second surface, and is again in part reflected. The waves from the second surface thus turn back and hotly pursue the waves from the first surface. And, if the thickness of the film be such as to cause the necessary retardation, the two systems of waves interfere with each other, producing augmented or diminished light, as the case may be. But, inasmuch as the waves of light are of different lengths, it is plain that, to produce self- extinction in the case of the longer waves, a greater thickness of film is necessary than in the case of the shorter ones. Different colours, therefore, must appear at different thicknesses of the film. ii. COLOUES OF THIN PLATES. 67 Take with you a little bottle of spirit of turpentine, and pour it into one of your country ponds. You will then see the flashing of those colours over the surface of the water. On a small scale we produce them thus : A common tea-tray is filled with water, beneath the surface of which dips the end of a pipette. A beam of light falls upon the water, and is reflected by it to the screen. Spirit of turpentine is poured into the pipette; it descends, issues from the end in minute drops, which rise in succession to the surface. On reaching it, each drop spreads suddenly out as a film, and glowing colours immediately flash forth upon the screen. The colours change as the thickness of the film changes by evaporation. They are also arranged in zones, in consequence of the gradual diminution of thickness from the centre outwards. Any film whatever will produce these colours. The film of air between two plates of glass squeezed together, exhibits, as shown by Hooke, rich fringes of colour. A particularly fine example of these fringes is now before you. Nor is even air necessary ; the rupture of optical continuity suffices. Smite with an axe the black, trans- parent ice black, because it is pure and of great depth under the moraine of a glacier ; you readily produce in the interior flaws which no air can reach, and from these flaws the colours of thin plates sometimes break like fire. But the source of most historic interest is, as already stated, the soap-bubble. With one of these mixtures employed by the eminent blind philosopher Plateau in his researches on the cohesion figures of thin films, we obtain in still air a bubble ten or twelve inches in diameter. You may look at the bubble itself, or you may look at its projection upon the screen; rich colours F 2 68 ON LIGHT. T.ECT. arranged in zones are, in both cases, exhibited. Ren- dering the beam parallel, and permitting it to impinge upon the sides, bottom, and top of the bubble, gorgeous fans of colour overspread the screen, rotating as the beam is carried round the circumference of the bubble. By this experiment the internal motions of the film are also strikingly displayed. Not in a moment are great theories elaborated : the facts which demand them are first called into pro- minence by observant minds ; then, to the period of observation, succeeds a period of pondering and of tentative explanation. By such efforts the human mind is gradually prepared for the final theoretic illumination. The colours of thin plates, for ex- ample, occupied the attention of the celebrated Robert Boyle. In his ' Experimental History of Colours ' he contends against the schools which affirmed that colour was ' a penetrative quality that reaches to the inner- most parts of the object,' adducing opposing facts. 4 To give you a first instance,' he says, ' I shall need but to remind you of what I told you a little after the beginning of this essay, touching the blue and red and yellow that may be produced upon a piece of tempered steel ; for these colours, though they be very vivid, yet if you break the steel they adorn they will appear to be but superficial.' He then describes, in phraseology which shows the delight he took in his work, tne following beautiful experiment : c We took a quantity of clean lead, and melted it with a strong fire, and then immediately pouring it out into a clean vessel of convenient shape and matter ( we used one of iron, that the great and sudden heat might not injure it), and then carefully and nimbly n. -BOYLE'S OBSERVATIONS. 69 taking off the scum that floated on the top, we per- ceived, as we expected, the smooth and glossy surface of the melted matter to he adorned with a very glorious colour, which being as transitory as delightful, did almost immediately give place to. another vivid colour, and that was as quickly succeeded by a third, and this, as it were, chased away by a fourth ; and so these wonder- fully vivid colours successively appeared and vanished till the metal ceasing to be hot enough to hold any longer this pleasing spectacle, the colours that chanced to adorn the surface when the lead thus began to cool remained upon it, but were so superficial that how little soever we scraped off the surface of the lead, we did, in such places, scrape off all the colour.' ' These things,' he adds, ' suggested to me some thoughts or ravings which I have not now time to acquaint you, with.' l He extends his observations to chemical essential oils and spirit of wine, ' which being shaken till they have good store of bubbles, those bubbles will (if atten- tively considered) appear adorned with various and lovely colours, which all immediately vanish upon the retrogressing of the liquid which affords these bubbles their skins into the rest of the oil.' He also refers to the colours of glass films. ' I have seen one that was skilled in fashioning glasses by the help of a lamp blow- ing some of them so strongly as to burst them : where- upon it was found that the tenacity of the metal was such that before it broke it suffered itself to be reduced into films so extremely thin that they constantly showed upon their surfaces the varying colours of the rainbow.' 2 1 Boyle's Works, Birch's edition, p. 675. * Page 743. 70 ON LIGHT. LECT. Subsequent to Boyle the colours of thin plates occupied the attention of the celebrated Robert Hooke, in whose writings we find a dawning of the undulatory theory. He describes with great distinctness the colours obtained with thin flakes of ' Muscovy glass' (talc), also those surrounding flaws in crystals where optical con- tinuity is destroyed. He shows very clearly the de- pendence of the colour upon the thickness of the film, and proves by microscopic observation that plates of a uniform thickness yield uniform colours. ' If,' he says, ' you take any small piece of the Muscovy glass, and with a needle, or some other convenient instrument, cleave it oftentimes into thinner and thinner laminye, you shall find that until you come to a determinate thinness of them they shall appear transparent and colourless ; but if you continue to split and divide them further, you shall find at last that each plate shall appear most lovely tinged or imbued with a determinate colour. If, further, by any means you so flaw a pretty thick piece that one part begins to cleave a little from the other, and between these two there be gotten some pellucid medium, those laminated or pellucid bodies that fill that space shall exhibit several rainbows or coloured lines, the colours of which will be disposed and ranged according to the various thicknesses of the several parts of the plate.' He then describes fully and clearly the experiment with pressed glasses already referred to : ' Take two small pieces of ground and polished look- ing-glass plate, each about the bigness of a shilling : take these two dry, and with your forefingers and thumbs press them very hard and close together, and ymi shall find that when they approach each other ir. HOOKE'S OBSERVATIONS. 71 very near there will appear several irises or coloured lines, in the same manner almost as in the Muscovy glass ; and you may very easily change any of the colours of any part of the interposed hody by pressing the plates closer and harder together, or leaving them more lax that is, a part which appeared coloured with a red may be presently tinged with a yellow, blue, green, purple, or the like. Any substance,' he says, 4 provided it be thin and transparent, will show these colours.' Like Boyle, he obtained them with glass films ; he also ' produced them with bubbles of pitch, rosin, colophony, turpentine, solutions of several gums, as gum arabic in water, any glutinous liquor, as wort, wine, spirit of wine, oyl of turpentine, glare of snails, &c.' Hooke's writings show that even in his day the idea that both light and heat are modes of motion had taken possession of many minds. ' First,' he says, ' that all kind of fiery burning bodies have their parts in motion I think will be very easily granted me. That the spark struck from a flint and steel is in rapid agitation I have else- where made probable ; . , . . that heat argues a motion of the internal parts is (as I said before) generally granted ; and that in all extremely hot shining bodies there is a very quick motion that causes light, as well as a more robust that causes heat, may be argued from the celerity wherewith the bodies are dis- solved. Next, it must be a vibrative motion. 1 His reference to the quick motion of light and the more robust motion of heat is a remarkable stroke of sagacity ; but Hooke's direct insight is better than his reasoning ; for the proofs he adduces that light is 'a vibrating motion' have no particular bearing upon the question. 79, ON LIGHT. LECT. Still the Undulatoiy Theory was undoubtedly dawn- ing upon the mind of this remarkable man . In endea- vouring to account for the colours of thin plates, he again refers to the relation of colour to thickness : he dwells upon the fact that the film which shows these colours must be transparent, proving this by showing that however thin an opaque body was rendered no colours were produced. ' This,' he says, ' I have often tried by pressing a small globule of mercury between two smooth plates of glass, whereby I have reduced that body to a much greater thinness than was requisite to exhibit the colours with a transparent body.' Then follows the sagacious remark that to produce the colours 'there must be a considerable reflecting body adjacent to the tinder or further side of the lamina or plate : for this I always foutid, that the greater that reflection was, the more vivid were the appearing colours. From which observations,' he continues, ' it is most evident, that the reflection from the under or further side of the body is the principal cause of the production of these colours.' He draws a diagram, correctly representing the reflection at the two surfaces of the film ; but here his clearness ends. He ascribes the colours to a coalescence or confusion of the two reflected pulses ; the principle of interference being unknown to him, he could not go further in the way of explanation. 8. Newton's Rings. Relation of Colour to Thickness of Film. In this way, then, by the active operation of different minds, facts are observed, examined, and the precise ii. NEWTON'S OBSERVATIONS. 73 conditions of their appearance determined. All such work in science is the prelude to other work ; and the efforts of Boyle and Hooke cleared the way for the optical career of Newton. He conquered the difficulty which Hooke had found insuperable, and determined by accurate measurements the relation of the thickness of the film to the colour of displays. In doing this his first care was to obtain a film of variable and calculable depth. On a plano-convex glass lens (D B E, fig. 15) FIG. 15. of very feeble curvature he laid a plate of glass (AC) with a plane surface, thus obtaining a film of air of gradually increasing depth from the point of contact (B) outwards. On looking at the film in monochromatic light he saw, with the delight attendant on fulfilled prevision, surrounding the place of contact a series of bright rings separated from each other by dark ones, and becoming more closely packed together as the distance from the point of contact augmented (as in fig. 16). When he employed red light, his rings had certain diameters ; when he employed blue light, the diameters were less. In general terms, the more refrangible the light the smaller were the rings. rB 1 Causing his glasses to pass through the spectrum from red to blue, the rings gradually contracted ; when the passage was from blue to red, the rings expanded. This is a beautiful experiment, and appears to have given Newton the most lively satis- faction. When white light fell upon the glasses. 74 OX LIGHT. LECT. inasmuch as the colours were not superposed, a series of iris-coloured circles was obtained. A magnified image of Newton's rings is now before you, and, by employing in succession red, blue, and white light, we obtain all the effects observed by Newton. You notice that in monochromatic light the rings run closer and FIG. 16. closer together as they recede from the centre. This is due to the fact that at a distance the film of air thickens more rapidly than near the centre. When white light is employed, this closing up of the rings causes the various colours to be superposed, so that after a certain thickness they are blended together to white light, the rings then ceasing altogether. It needs but a moment's reflection to understand that the colours of thin plates are never unmixed or monochromatic. Newton compared the tints obtained in this way with the tints of his soap-bubble, and he calculated the corresponding thickness. Itow he did this may be thus made plain to you : Suppose the water of the ocean to IT. NEWTON'S RINGS. 75 be absolutely smooth ; it would then accurately repre- sent the earth's curved surface. Let a perfectly hori- zontal plane touch the surface at any point. Knowing the earth's diameter, any engineer or mathematician in this room could tell you how far the sea's surface will lie below this plane, at the distance of a yard, ten yards, a hundred yards, or a thousand yards from the point of contact of the plane and the sea. It is common, indeed, in levelling operations, to allow for the curva- ture of the earth. Newton's calculation was precisely similar. His plane glass was a tangent to his curved one. From its refractive index and focal distance he determined the diameter of the sphere of which his curved glass formed a segment, he measured the dis- tances of his rings from the place of contact, and he calculated the depth between the tangent plane and the curved - surface, exactly as the engineer would calculate the distance between his tangent plane and the surface of the sea. The wonder is, that, where such infinitesimal distances are involved, Newton, with the means at his disposal, could have worked with such marvellous exactitude. To account for these rings was the greatest difficulty that Newton ever encountered. He quite appreciated the difficulty. Over his eagle-eye there was no film no vagueness in his conceptions. At the very outset his theory was confronted by the question, Why, when a beam of light is incident on a transparent body, are some of the light-particles reflected and some trans- mitted ? Is it that there are two kinds of particles, the one specially fitted for transmission and the other for reflection ? This cannot be the reason ; for, if we allow a beam of light which has been reflected 76 ON LIGHT. LECT. from one piece of glass to fall upon another, it, as a general rule, is also divided into a reflected and a trans- mitted portion. The particles once reflected are not always reflected, nor are the particles once transmitted always transmitted. Newton saw all this ; he knew he had to explain why it is that the self-same particle is at one moment reflected and at the next moment trans- mitted. It could only be through some change in the condition of the particle itself. The self-same par- ticle, he affirmed, was affected by ' fits' of easy trans- mission and reflection. 9. Thzory of ' Fits ' applied to Newtorfs Rings. If you are willing to follow me in an attempt to reveal .the speculative groundwork of this theory of fits, the intellectual discipline will, I think, repay you for the necessary effort of attention. Newton was chary of stating what he considered to be the cause of the fits, but there can hardly be a doubt that his mind rested on a physical cause. Nor can there be a doubt that here, as in all attempts at theorising, he was compelled to fall back upon experience for the material* of his theory. Let us attempt to restore his course of thought and observation. A magnet would furnish him with the notion of attracted and repelled poles ;- and he who habitually saw in the visible an image of the invisible would naturally endow his light-particles with such poles. Turning their attracted poles towards a transparent substance, the particles would be sucked in and transmitted ; turning their repelled poles, they would be driven away or reflected. Thus, by tj ascription of poles, the transmission and reflection ii. THEORY OF 'FITS.' 77 the self-same particle at different times might be ac- counted for. Regard these rings of Newton as seen in pure red light: they are alternately bright and dark. The film of air corresponding to the outermost of them is not thicker than an ordinary soap-bubble, and it becomes thinner on approaching the centre ; still Newton, as I have said, measured the thickness corresponding to every ring, and showed the difference of thickness be- tween ring and ring. Now, mark the result. For the sake of convenience, let us call the thickness of the film of air corresponding to the first dark ring d ; then Newton found the distance corresponding to the second dark ring 2 d ; the thickness corresponding to the third dark ring 3 d ; the thickness corresponding to the tenth dark ring 10 d, and so on. Surely there must be some hidden meaLing in this little distance d, which turns up so constantly ? One can imagine the intense interest with which Newton pondered its meaning. Observe the probable outcome of his thought. He had endowed his light- particles with poles, but now he is forced to introduce the notion of periodic recurrence. Here his power of transfer from the sensible to the subsensible would render it easy for him to suppose the light-par- ticles animated, not only with a motion of translation, but also with a motion of rotation. Newton's astrono- mical knowledge rendered all such conceptions familiar to him. The earth has such a double motion. In the time occupied in passing over a million and a half of miles of its orbit that is, in twenty-four hours our planet performs a complete rotation, and, in the time required to pass over the distance d, Newton's light- tide must be supposed to perform a complete rota- < *^H W 78 ON LIGHT. LKCT. tion. True, the light-particle is smaller than the planet, and the distance d, instead of being a million and a half of miles, is a little over the ninety thousandth of an inch. But the two conceptions are, in point of in- tellectual quality, identical. Imagine, then, a particle entering the film of air where it possesses this precise thickness. To enter the film, its attracted end must be presented. Within the film it is able to turn once completely round ; at the other side of the film its attracted pole will be again presented ; it will, therefore, enter the glass at the op- posite side of the film and be lost to the eye. All round the place of contact, wherever the film possesses this precise thickness, the light will equally disappear we shall therefore have a ring of darkness. And now observe how well this conception falls i with the law of proportionality discovered by Newton. When the thickness of the film is 2 d, the particle has time to perform two complete rotations within the film ; when the thickness is 3 d, three complete rota- tions ; when 10 d, ten complete rotations are per formed. It is manifest that in each of these cases, on arriving at the second surface of the film, the attracted pole of the particle will be presented. It will, there- fore, be transmitted ; and, because no light is sent to the eye, we shall have a ring of darkness at each of these places. The bright rings follow immediately from the same conception. They occur between the dark rings, the thicknesses to which they correspond being also inter- mediate between those of the dark ones. Take the case of the first bright ring. The thickness of the film is ^ d ; in this interval the rotating particle can perform ii. APPLICATION OF THEORY. 79 only half a rotation. When, therefore, it reaches the second surface of the film, its repelled pole is pre- sented ; it is, therefore, driven back and reaches the eye. At all distances round the centre correspond- ing to this thickness the same effect is produced, and the consequence is a ring of brightness. The other bright rings are similarly accounted for. At the second one, where the thickness is 1^ d, a rotation and a half is performed; at the third, two rotations and a half; and at each of these places the particles present their repelled poles to the lower surface of the film. They are therefore sent back to the eye, and produce there the impression of brightness. This analysis, though involving difficulties when closely scrutinised, enables us to see how the theory of fits may have grown into consistency in the mind of Newton. It has been already stated that the Emission Theory assigned a greater velocity to light in glass and water than in air or stellar space ; and that on this point it was at direct issue with the theory of undulation, which makes the velocity in air or stellar space greater than in glass or water. By an experiment proposed by Arago, and executed with consummate skill by Fou- cault and Fizeau, this question was brought to a crucial test, and decided in favour of the theory of undula- tion. In the present instance also the two theories are at variance. Newton assumed that the action which pro- duces the alternate bright and dark rings took place at a single surface ; that is, the second surface of the film. The undulatory theory affirms that the rings are caused by the interference of waves reflected from both sur- faces. This also has been demonstrated by experiment. 80 ON LIGHT. IJBCT. By a proper arrangement, as we shall afterwards learn, we may abolish reflection from one of the surfaces of the film, and when this is done the rings vanish alto- gether. Rings of feeble intensity are also formed by trans- mitted light. These are referred by the undulatory theory to the interference of waves which have passed directly through the film, with others which have suf- fered two reflections within the film. They are thus completely accounted for. 10. The Diffraction of Light. Newton's espousal of the emission theory is said to have retarded scientific discovery. It might, however, be questioned . whether, in the long run, the errors of great men have not really their effect in ren- dering intellectual progress rhythmical, instead of permitting it to remain uniform, the ' retardation ' in each case being the prelude to a more impetuous advance. It is confusion and stagnation, rather than error, that we ought to avoid. Thus, though the undu- latory theory was held back for a time, it gathered strength in the interval, and its development within the last half century has been so rapid and trium- phant as to leave no rival in the field. We have now to turn to the investigation of new classes of pheno- mena, of which it alone can render a satisfactory account. Newton, who was familiar with the idea of an ether, and who introduced it in some of his speculations, objected, as already stated, that if light consisted of waves shadows could not exist ; for that the waves would bend round the edges of opaque bodies and ii. DIFFKACTION. 81 agitate the ether behind them. He was right in affirming that this bending ought to occur, but wrong in supposing that it does not occur. The bending is real, though in all ordinary cases it is masked by the action of interference. This inflection of the light receives the name of Diffraction. To study the phenomena of diffraction it is necessary that our source of light should be a physical point, or a fine line ; for when luminous surfaces are employed, the waves issuing from different points of the surface obscure and neutralize each other. A point of light of high intensity is obtained by admitting the parallel rays of the sun through an aperture in a window-shutter, and concentrating the beam by a lens of short focus. The small solar image at the focus constitutes a suitable point of light. The image of the sun formed on the convex surface of a glass bead, or of a wateh-glass blackened within, though less intense, will also answer. An intense line of light is obtained by. admitting the sunlight through a slit, and sending it through a strong cylindrical lens. The slicjs of lightis contracted to a physical line at the focus of the lens. A glass tube blackened within and placed in the light, reflects from its surface a luminous line which, though less intense, also answers the purpose. In the experiment now to be described a vertical slit of variable width is placed in front of the electric lamp, and this slit is looked at from a distance through another vertical slit, also of variable aperture, and held in the hand. The light of the lamp being, in the first place, rendered monochromatic by placing a pure red glass in front of the slit, when the eye is placed in the straight G 82 ON LIGHT. LECT, line drawn through both slits an extraordinary appear- ance (shown in fig. 17) is observed. Firstly, the slit in front of the lamp is seen as a vivid rectangle of light, but right and left of it is a long series of rectangles, decreasing in vividness, and separated from each other by intervals of absolute darkness. The breadth of these bands is seen to vary with the width of the slit held before the eye. When the slit is widened the bands become narrower, and they crowd more closely together ; when the slit is narrowed, the FIG. 17. individual bands widen and also retreat from each other, leaving between them wider spaces of darkness than before. Leaving everything else unchanged, let a blue glass or a solution of ammonia-sulphate of copper, which gives a very pure blue, be placed in the path of the light. A series of blue bands is thus obtained, exactly like the former in all respects save one ; the blue rectangles are narrower, and they are closer together than the red ones. If we employ colours of intermediate refrangibilities, which we may do by causing the different colours of a spectrum to shine through the slit, we obtain bands of colour intermediate in width and occupying interme- IT. DIFFRACTION BANDS. 83 diate positions between those of the red and blue. The aspect of the bands in red, green, and violet light is represented in fig. 18. When white light, therefore, passes through the slit the various colours are not superposed, and instead of a series of monochromatic bands, separated from each other by intervals of dark- ness, we have a series of coloured spectra placed side- by side. When the distant slit is illuminated by a candle flame, instead of the more intense electric light, or when a distant platinum wire raised to a white heat FIG. 18. Ill III 1 by an electric current is employed, substantially the same effects are observed. 11. Application of the Wave-theory to the Phe- nomena of Diffraction. Of these and of a multitude of similar effects the Emission Theory is incompetent to offer any satisfactory explanation. Let us see how they are accounted for by the Theory of Undulation. And here, with the view of reaching absolute clear- ness, I must make an appeal to that faculty the importance of which I have dwelt upon so earnestly G 2 84 ON LIGHT JJSCT. here and elsewhere the faculty of imagination. Figure yourself upon the sea-shore, with a well-formed wave advancing. Take a line of particles along the front of the wave, all at the same distance below the crest ; they are all rising in the same manner and at the same rate. Take a similar line of particles on the back of the wave, they are all falling in the same manner and at the same rate. Take a line of particles along the crest, they are all in the same condition as regards the motion of the wave. The same is true for a line of particles along the furrow of the wave. The particles referred to in each of these cases re- spectively being in the same condition as regards the motion of the wave, are said to be in the same phase of vibration. Bat if you compare a particle on the front of the wave with one at the back ; or more generally, if you compare together any two particles not occupying the same position in the wave, their conditions of motion not being the same, they are said to be in different phases of vibration . If one of the .particles lie upon the crest, and the other on the furrow of the wave, then, as one is about to rise and the other about to fall, they are said to be in opposite phases of vibration. There is still another point and it is one of the utmost importance as regards our present subject to be cleared up. Let O (fig. 19) be a point in still water which, when disturbed, produces a series of circular waves : the disturbance necessary to produce these waves is simply an oscillation up and down of the point 0. Let m n be the position of the ridge of one of the waves at any moment, and m f n' its position a second or two afterwards. Now every particle of water, ii. PRINCIPLE OF HUYGHENS. 85 as the wave passes it, oscillates, as we have learned, up and down. If, then, this oscillation be a sufficient origin of wave-motion, then each distinct particle of the wave m n ought to give birth to a series of circular waves. This is the important point up to which I wished to lead you. Every particle of the wave m n does act in this way. Taking each particle as a centre, and surrounding it by a circular wave with a radius equal to the distance between m n and m f n' , the coalescence of all these little waves would build up the larger ridge m' n f exactly as we find it built up in nature. Here, in fact, we resolve the wave-motion into its elements, and having succeeded in doing this we shall have no great difficulty in applying our knowledge to optical phenomena. Now let us return to our slit, and, for the sake of simplicity, we will first consider the case of monochro- matic light. Conceive a series of waves of ether advancing from the first slit towards the second, and finally filling the second slit. When each wave passes through the latter it not only pursues its direct course ON LIGHT. LECt. to the retina, but diverges right and left, tending to throw into motion the entire mass of the ether behind the slit. In fact, as already explained, every point of the ivave which fills the slit is itself a centre of a new wave-system, which is transmitted in all directions through the ether behind the slit. This is the celebrated principle of Huyghens : we have now to examine how these secondary waves act upon each other. Let us first regard the central band of the series. "Let A P (fig. 20) be the width of the aperture held before the eye, grossly exaggerated of course, and let the dots across the aperture represent ether particles, all in the same phase of vibration. Let E T represent a portion of the retina; From O, in the centre of the slit, let a per- pendicular R be imagined drawn upon the retina. The motion communicated to the point R will then be the sum of all the motions emanating in this direction from the ether particles in the slit. Considering the extreme narrowness of the aperture, we may, without sensible error, regard all points of the wave A P as equally distant from R. No one of the partial ii. EXPLANATION OF BANDS. 87 waves lags sensibly behind the others : hence, at R, and in its immediate neighbourhood, we have no sensible reduction of the light by interference. This undi- minished light produces the brilliant central band of the series. Let us now consider those waves which diverge laterally behind the slit. In this case, the waves from the two sides of the slit have, in order to converge upon the retina, to pass over unequal distances. Let A P (fig. 21) represent, as before, the width of the second slit. We have now to consider the action of the various parts of the wave A P upon a point R' of the retina, not situated in the line joining thie slits. Let us take the particular case in which the difference in path from the two marginal points A, P, to the retina is a whole wave-length of the red light ; how must this difference affect the final illumination of the retina ? Let us fix our attention upon the particular oblique line that passes through the centre of the slit to the retina at R'. The difference of path between the waves which pass along this line and those from the two 88 ON LIGHT. LBCT. margins is, in the case here supposed, half a wave- length. Make e R' equal to P R', join P and e, and draw d parallel to P e. A e is then the length of a wave of light, while A d is half a wave-length. Now the least reflection will make it clear that not only is there discordance between the central and marginal waves, but that every line of waves such as x R', on the one side of OR 7 , finds a line x' R' upon the other side of R, from which its path differs by half an undulation, with which, therefore, it is in complete discordance. The consequence is that the light on the one side of the central line will completely abolish the light on the other side of that line, absolute darkness being the result of their coalescence. The first dark interval of our series of bands is thus accounted for. It is produced by an obliquity of direction which causes the paths of the marginal waves to be a whole wave- length different from each other. When the difference between the paths of the mar- ginal waves is half a wave-length, a partial destruction of the light is effected. The luminous intensity corre- sponding to this obliquity is a little less than one-half accurately 0'4 that of the undiffracted light, If the paths of the marginal waves be three semi- undulations different from each other, and if the whole beam be divided into three equal parts, two of these parts will, for the reasons just given, completely neu- tralize each other, the third only being effective. Corresponding, therefore, to an obliquity which pro- duces a difference of three semi-undulations in the marginal waves, we have a luminous band, but one of considerably less intensity than the undiffracted cen- tral band. ii. DIFFRACTION THROUGH SEVERAL APERTURES. 89 With a marginal difference of path of four semi- undulations we have a second extinction of the entire beam, because here the beam can be divided into four equal parts, every two of which quench each other. A second space of absolute darkness will therefore correspond to the obliquity producing this difference. In this way we might proceed further, the general result being that, whenever the direction of wave- motion is such as to produce a marginal difference of path of an even number of semi-undulations, we have complete extinction ; while, when the marginal dif- ference is an odd number of semi-undulations, we have only partial extinction, a portion of the beam remaining as a luminous band. A moment's reflection will make it plain that the wider the slit the less will be the obliquity of direction needed to produce the necessary difference of path. 'With a wide slit, therefore, the bands, as observed, will be closer together than with a narrow one. It is also plain that the shorter the wave, the less will be the obliquity re- quired to produce the necessary retardation. The maxima and minima of violet light must therefore fall nearer to the centre than the maxima and minima of red light. The maxima and minima of the other colours fall between these extremes. In this simple way the undulatory theory completely accounts for the extra- ordinary appearance above referred to. When a slit and telescope are used, instead of the slit and naked eye, the effects are magnified and ren- dered more brilliant. Looking, moreover, through a properly adjusted telescope with a small circular aper- ture in front of it, at a distant point of light, the point is seen encircled by a series of coloured bands. If 90 ON LIGHT. LECT. monochromatic light be used, these bands are simply bright and dark, but with white light the circles display iris-colours. If a slit be shortened so as to form a square aperture, we have two series of spectra at right angles to each other. The effects, indeed, are capable of endless variation by varying the size, shape, and number of the apertures through which the point of FIG. 22. light is observed. Through two square apertures, with their corners touching each other as at A, Schv erd observed the appearance shown in fig. 22. Adding wo others to them, as at B, he observed the appearai ce represented in fig. 23. The position of every ba id of light and shade in such figures has been calculated from theory by Fresnel, Fraunhofer, Herschel, Schwerd, and others, and completely verified by experiment. SCHWERD'S OBSEKVATIONS. 91 Vour eyes could not tell you with greater certainty of the existence of these bands than the theoretic calcu- lation. The street-lamps at night, looked at through the meshes of a handkerchief, show diffraction phenomena. The diffraction effects obtained in looking through a bird's feathers are, as shown by Schwerd, very brilliant. FH> 23. The ' idescence of certain Alpine clouds is also an effect of c T ffraction which may be imitated by the spores of ^ycopodium. When shaken over a glass plate thesp spores cause a point of light, looked at through the dusted plate, to be surrounded by coloured circles, which rise to actual splendour when the light becomes intense. Shaken in the air the spores produce the same 92 ON LIGHT. LECT. effect. The diffraction phenomena obtained during the artificial precipitation of clouds from the vapours of various liquids in an intensely illuminated tube are exceedingly fine. . One of the most interesting cases of diffraction by small particles that ever came before me was that of an artist whose vision was disturbed by vividly-coloured circles. He was in great dread of losing his sight ; assigning as a cause of his increased fear that the circles were becoming larger and the colours more vivid. I ascribed the colours to minute particles in the humours of the eye, and ventured to encourage him by the assurance that the increase of size and vividness on the part of the circles indicated that the diffracting particles were becoming smaller, and that they might finally be altogether absorbed. The predic- tion was verified. It is needless to say one word on the necessity of optical knowledge in. the case of the prac- tical oculist. . , . . . Without oreakirig ground on the chromatic pheno- mena presented by crystals, two other sources of colour may be mentioned here. By interference in the earth's atmosphere -the light of, a star, as shown by Arago, is self-extinguished, the twinkling of the star and the changes of colour which it undergoes being due to this cause. Looking at such a star through an opera- glass, and shaking the glass so as to cause the image of the star to pass rapidly over the retina, you produce a row of coloured beads, the spaces between which correspond to the periods of extinction. Fine scratches drawn upon glass or polished metal reflect the waves of light from their sides ; and some, being reflected from opposite sides of the ii. COLOURS OF STRIATED SURFACES. 93 same scratch, interfere with and quench each other. But the obliquity of reflection which extinguishes the shorter waves does not extinguish the longer ones, hence the phenomena of colour. These are called the colours of striated surfaces. They are beautifully illustrated by mother-of-pearl. This shell is composed of exceedingly thin layers, which, when cut across by the polishing of the shell, expose their edges and furnish the necessary small and regular grooves. The most conclusive proof that the colours are due to the mechanical state of the surface is to be found in the fact, established by Brewster, that by stamping the shell carefully upon black sealing-wax, we transfer the grooves, and produce upon the wax "the colours of mother-of-pearl. LI i; ii V>v v^ i A- i. i?< I T Y O F 94 ON LIGHT. in. LECTUEE III. RELATION Of THEORIES TO EXPERIENCE ORIGIN OF TUB NOTION OF THE ATTRACTION OF GRAVITATION NOTION OF POLARITY, HOW GENERATED ATOMIC POLARITY STRUCTURAL ARRANGEMENTS DUE TO POLARITY ARCHITECTURE OF CRYSTALS CONSIDERED AS AN INTRODUCTION TO THEIR ACTION UPON LIGHT NOTION OF ATOMIC POLARITY APPLIED TO CRYSTALLINE STRUCTURE EXPERIMENTAL ILLUSTRATIONS CRYSTAL- LIZATION OF WATER EXPANSION BY HEAT AND BY COLD DEPORTMENT OF WATER CONSIDERED AND EXPLAINED BEARINGS OF CRYSTALLI/A- TION ON OPTICAL PHENOMENA REFRACTION DOUBLE REFRACTION- POLARIZATION ACTION OF TOURMALINE CHARACTER OF THE BEAMS EMERGENT FROM ICELAND SPAK POLARIZATION BY ORDINARY RE- FRACTION AND REFLECTION DEPOLARIZATION. 1. Derivation of Theoretic Conceptions from Experience. ONE of the objeets of our last lecture, and that not the least important, was to illustrate the manner in which scientific theories are formed. They, in the first place, take their rise in the desire of the mind to penetrate to the sources of phenomena. From its infinitesi- mal beginnings, in ages long past, this desire has grown and strengthened into an imperious demand of man's intellectual nature. It long ago prompted Caesar to say that he would exchange his victories for a glimpse of the sources of the Nile ; it wrought itself into the atomic theories of Lucretius ; it impels Darwin to those daring speculations which of late years have so agitated the public mind. But in no case in framing 96 ON LIGHT. LKCT. theories does the imagination create its materials. It expands, diminishes, moulds and refines, as the case may be, materials derived from the world of fact and observation. This is more evidently the case in a theory like that of light, where the motions of a subsensible medium, the ether, are presented to the mind. But no theory escapes the condition. Newton took care not to en- cumber the idea of gravitation with unnecessary physi- cal conceptions; but we know that he indulged in them, though he did not connect them with his theory. But even the theory as it stands did not enter the mind as a revelation dissevered from the world of experience. The germ of the conception that the sun and planets are held together by a force of attraction is to be found in the fact that a magnet had been previously seen to attract iron. The notion of matter attracting matter came thus from without, not from within. In our present lecture the magnetic force must serve us as the portal into a new subsensible domain; but in the first place we must master its elementary phenomena. The general facts of magnetism are most simply illustrated by a magnetized bar of steel, commonly called a bar magnet. Placing such a magnet upright upon a table, and bringing a magnetic needle near its bottom, one end of the needle is observed to retreat from the magnet, while the other as promptly ap- proaches. The needle is held quivering there by some invisible influence exerted upon it. Eaising the needle along the magnet, but still avoiding contact, the ra- pidity of its oscillations decreases, because the force acting upon it becomes weaker. At the centre the oscil- in. EXTENSION OF MAGNETISM TO MOLECULES. 97 lations cease. Above the centre, the end of the needle which had been previously drawn towards the magnet retreats, and the opposite end approaches. As we as- cend higher, the oscillations become more violent, because the force becomes stronger. At the upper end of the magnet, as at the lower, the force reaches a maximum ; but all the lower half of the magnet, from E to S (^fig. 25), attracts one end of the needle, while all the upper half, from E to N, attracts the opposite end. This doubleness of the magnetic force is called FIG. 25. polarity, and the points near the ends of the magnet in which the forces seem concentrated are called its poles. What, then, will occur if we break this magnet in two at the centre E ? Shall we obtain two magnets, each with a single pole ? No ; each half is in itself a perfect magnet, possessing two poles. This may be proved by breaking something of less value than the magnet the steel of a lady's stays, for example, hardened and magnetized. It acts like the magnet. When broken, each half acts like the whole ; and when H