IOG1 A BIBLIOGRAPHICAL CONTRIBUTION TO THE STUDY OF JOHN RUSKIN COMPILED BY M. ETHEL JAMESON CAMBRIDGE (prinfefc at f0e (gt&mfoe (press 1901 COPYRIGHT, igOl, BY MARY ETHEL JAMESON DEDICATED TO MRS. ZELLA ALLEN DIXSON With sincere affection and much gratitude for advice and encouragement M. E. J. PREFACE IN offering my " Contribution to the Study of John Ruskin" to the public, I do so upon the advice of my dear friend to whom these pages are respectfully dedicated. It was originally compiled as a thesis for the University of Chicago, in the course in Library Science, and is now published, with additions, in the hope that it may prove of use to the many stu- dents and readers of John Ruskin. The part devoted to " Significant facts " is merely a collec- tion of fragmentary notes arranged by subject. I do not claim completeness for the bibliographical portions, but they are the result of very earnest research. I wish to express my gratitude to Mr. Charles Eliot Norton for reading my manuscript and mak- ing several valuable corrections, and also for the kind permission extended by Mr. W. G. Colling- wood, Mr. John A. Hobson, and Mr. Elbert Hub- bard, to use frequent quotations from their works. DETROIT, MICHIGAN, Twenty-eighth June, 1901. BIBLIOGRAPHY USED IN COMPILATION Alii bone, Austin 8. Critical Dictionary of English Litera- ture. American Catalogue. American Library Association Index. Annual Literary Index. Bibliographic de la France. Bibliographic der Deutschen Zeitschriften Litteratur. British Museum Catalogue. Catalogue Methodic publicazioni, Home. Collingwood, W. G. Life of John Ruskin. Cumulative Index. English Catalogue of Books. Heinsius' Biicher-Lexikon. Heinrich's Katalog. Hobson, J. A. John Ruskin : Social Reformer. Hubbard, Elbert. Little Journeys to the Home of Good Men and Great. Jahresberichte fur Neuere Deutsche Littcraturgeschichte. Kayser, C. G. Biicher-Lexikon. Lorenz, d'Otto. Catalogue de la Libraire Fraugaise. Mather, J. M. Life and Teaching. Oliphant, M. O. W. Makers of Florence. Poole's Index. Publishers' Weekly. Reclaim's Universal Bibliothek. Repertoire Bibliographique de Revue Franqaise. viu BIBLIOGRAPHY USED IN COMPILATION Review of Reviews Index. Ridpath's Library. lluskin, John. Ethics of the Dust. Fors Clavigera. Hor- tus Inclusus. Letters addressed to a College Friend. Modern Painters. Poems. Praeterita. Pre-Raphaelitism. Sesame and Lilies. Seven Lamps of Architecture. Shepherd, R. H. Bibliography of Ruskin, 1834r-81. Trade List Annual. Tuthill, L. C. True and the Beautiful in Nature. Welsh, A. H. English Masterpiece Course. Who 's Who in England. Wbchentliches Verzeichnis der Erschienenen u. der Vorbe- reiteten Neuigkeiten des Deutschen Buchhandels, Leipzig. Numerous Magazine Articles and Newspapers. JOHN EUSKIN BORN, FEBRUARY 8, 1819. DIED, JANUARY 20, 1900 Rede Lecturer, Cambridge, 1867. Honorary LL. D., Cambridge, 1879. Slade Lecturer of Fine Art, Oxford, 1870-79, 1882-84. Honorary D. C. L., Oxford, 1893. Honorary Member of the Royal Society of Painters in Water Color, 1873. Fellow of the Geological Society, 1840. Member of the Societies of Zoology, Architecture, Horticul- ture, History, Anthropology, Metaphysics. Honorary Associate of the Academy of Venice. Honorary Member of the Royal Academy of Antwerp. Honorary Member of the Royal Academy of Brussels. Member of the Athenaeum and Alpine Clubs of London. CONTEMPORARIES Queen Victoria, Charles Kingsle James Kussell L Walt Whitman, Charles Kingsley, . B^ ta mft James Kussell Lowell, CONTENTS PAGE SIGNIFICANT PACTS IN THB LIFE OF JOHN RUSKIN . 1 ESTIMATES OF RUSKIN 38 BOOKS BY PRODUCTION CHRONOLOGICALLY ... 48 BRITISH EDITIONS OF RUSKIN'S BOOKS .... 55 FOREIGN EDITIONS 85 BIBLIOGRAPHY OF BOOKS COMPOSED OF AND CONTAINING SELECTIONS FROM RUSKIN'S WRITINGS, ALSO OF BOOKS FOR WHICH HE WROTE PREFACES, NOTES, LETTERS, ETC 99 BIBLIOGRAPHY OF BOOKS CONCERNING JOHN RUSKIN, HIS LIFE, WORKS, AND WRITINGS .... 108 BIBLIOGRAPHY OF MAGAZINE ARTICLES .... 119 INDEX 145 BIBLIOGRAPHICAL CONTRIBUTION TO THE STUDY OF JOHN RUSKIN SIGNIFICANT FACTS IN THE LIFE OF JOHN RUSKIN JOHN RUSKIN'S maternal grandfather, a sailor, died leaving two daughters ; one married a baker, the other went to live with an uncle, and became engaged to her cousin, John James Buskin ; but he went to London to make his fortune before he married. Ere success had been attained his father died, leaving him an accumulation of debts to pay. This took nine years, after which he returned to Scotland for his bride. He entered the wine busi- ness, with Domecq & Telford as partners, their warehouse being in Billiter Street, London. The Ruskins lived very simply ; being country bred they never mixed much with great people. John James Rnskin was the literary and artistic influence in the home, and great confidence existed between him and his son. He died in 1862. Mrs. 2 BIBLIOGRAPHICAL CONTRIBUTION TO Ivuskiu was austere, and strong mentally, morally, and physically. Hers was the influence which was more powerfully visible in her son's character. It was her intention to train him for the ministry ; his father hoped that he might one day be poet- laureate. His mother died at the age of ninety, in 1871. Ruskin " had loved her truly, obeyed her strictly, and tended her faithfully " (Collingwood). John Ruskin's childhood was spent in compar- ative luxury. He was born in London at No. 54 Hunter Street, in 1819. In 1822, when he was three years old, the family moved to Herne Hill, Dulwich. His toys were a bunch of keys, cart, ball, and two boxes of building blocks. He was once given a Punch and Judy by an indulgent aunt, but it was condemned by his mother and taken from him. He was happiest when left entirely to himself. The domestic atmosphere was free from discord, peaceful and calm, with consideration for others and stern justice. Perfect truthfulness and obedi- ence were required of him. If he cried he was punished, or if he gave vent to the exuberance of youth by shouting or running in the house it was a grave offence. " The wish to disobey is already disobedience." He " had nothing to love, nobody to assist, nobody to thank, took all for granted, had nothing to endure, strength never exercised, THE STUDY OF JOHN RUSKIN 3 courage never fortified." He had an innate love of nature, mountains, art, " first loved castles and ruins, not pictures." Of literature he was a great reader from his fifth year. His first books were the Bible, Sir Walter Scott, Pope's Homer. He learned to write by copying print out of books, and he attributes his cramped chirography to this practice. His mother required of him great feats in mental gymnastics which produced serious con- sequences in later years. Henry Telford, Mr. Ruskin's partner, gave to little John a copy of Kogers's " Italy," which was his first introduction to Turner. " The Richmond Bridge, Surrey," was the first original drawing by Turner that Ruskin owned, and was the beginning of a great collection. Mr. Windus, a retired coach-maker who lived in Tottenham, owned the finest collection of Turner's pictures, consisting of drawings of the English series and the series of illustrations to Scott, By- ron, the Southern Coast, and Finden's Bible. He was in the habit of opening his rooms to the pub- lic one day of each week. To young Ruskin he gave the privilege of coming at any and all times. " This was . . . for me the means of writing * Modern Painters.' " The second Turner owned by Ruskin was " Gos- port," 1839 ; " Winchelsea " became his in 1840 ; 4 BIBLIOGRAPHICAL CONTRIBUTION TO " Harlech," 16 inches by 9 inches, in 1840, for which seventy pounds were paid ; in 1844 ten others, including " The Slave Ship," which Buskin considers Turner's best. In 1840, on June 22, at Mr. Thomas Griffith's, liuskin first met Turner. " Introduced to-day to the man who beyond all doubt is the greatest in every faculty of the imagination, in every branch of scenic knowledge, at once painter and poet of the day, J. M. W. Turner. Everybody had described him to me as coarse, boorish, unintellectual, vulgar. This I knew to be impossible. I found him a somewhat eccentric, keen-minded, matter-of-fact English gentleman; good natured evidently, bad tempered evidently, hating humbug of all sorts, shrewd, perhaps a little selfish ; highly intellectual powers of mind, not brought out with any delight in their manifestation or intention of display, but flashing out occasionally in a word or a look." Ruskin was a great traveller from his childhood. His father called upon his customers during the summer months, going from town to town by post chaise. Frequently he took Mrs. Ruskin and their son in a carriage lent them by Mr. Telford, Mr. Ruskin's partner. Under these auspices the boy saw England, Scotland, and Wales. In 1833, through a book of sketches of Flan- ders and Germany by Prout, a tour of these coun- THE STUDY OF JOHN RUSKIN 5 tries was suggested, and John Ruskin in that year had his first taste of Continental travel, although he had been in Paris in 1825 and visited the field of Waterloo, but did not do much travelling ; they saw Calais, Brussels, Cologne, went up the Rhine to Strassburg, through the Black Forest to Schaff- hausen. Here Ruskin caught his first glimpse of the Alps, which were ever afterwards a passion with him. This marked an epoch in his life as did also the first view he had of Lake Geneva. During his travels he studied scenery and build- ings, not people nor customs. He first went to Venice in 1835, and he always loved it. He went to Naples in the same year. During 1837, 1838, and 1839 he made short trips through different parts of England and Scotland. In 1840, he visited Paris, Rouen, the Loire to Tours, the Rhone to Avignon, the Riviera to Flor- ence, and went to Rome for the first time. He was very much disappointed, not being well in- formed on Roman history. Here he met Joseph Severn, the English Consul and George Rich- mond the artist, and they made his stay pleasant. At Geneva he studied Michael Angelo, whom he admired from the first, but he failed to appreciate Botticelli or Fra Angelico until years after. He made many good drawings on this trip at Bologna, Naples, and Amalfi ; of these, he says : " I can 6 BIBLIOGRAPHICAL CONTRIBUTION TO say now, forty years later, with certitude, that they oould not have been much better done." He had not begun to study architecture yet, and paid but little attention to it. In 1842 we find him again in the Alps ; also in 1844. He spent many weeks in Geneva, which he considered as near a model city as any modern city can be. The year 1842 was an eventful one, for he learned the value of drawing directly from nature " what was really there." The beauties possible to detail were impressed upon his mind by an ivy growing around a thorn stem, of which he made a drawing. After graduation (1842) his life lay be- fore him to make of it what he could. He had means and opportunity for travel and adventure, but that was not his inclination. Still he spent much of his time abroad. In 1845 he went to Lucca, where he lived in the Cloister of San Francesco. The city was a reve- lation and a delight architecturally. He found twelfth-century buildings in perfect repair, and the Cloister was a fine example. At Pisa he studied very diligently the art trea- sures of the city. He found "briefly the entire doctrine of Christianity painted so that a child could understand it. And what a child cannot understand no one need try to." He made sketches THE STUDY OF JOHN RUSKIN 7 of these frescoes that were rapidly disappearing from neglect and exposure. In Venice Ruskin found quite a colony of kin- dred spirits, including J. D. Harding, Mrs. Jame- son, who was writing her Legends, and Sir W. Boxall, R. A. Ruskin discovered, in the Zecca, Bonifazio's " Solomon and Queen of Sheba," Tin- toret's " Bankers," Benedetto's " Diana," and sev- eral of Vecchio's pictures. He visited the San Rocco, and upon that visit depended the writing of " The Stones of Venice " and " The Laws of Fe- sole." " Tintoret swept me away at once into the ' Mare Maggiore ' of the schools of painting which crowned the power and perished in the fall of Ven- ice, so forcing me into the study of the history of Venice herself. All I did at Venice was bye-work, because her history had been falsely written . . . and because in the world of painting Tintoret was virtually unseen, Veronese unf elt, Carpaccio not so much as named when I began to study them. Some- thing also was due to my love of gliding about in gondolas." Ruskin had come to a full understand- ing of Venetian color ; and Titian, John Bellini, and Perugino had a new meaning for him. The three great influences in Ruskin's artistic life were : SCULPTURE. The tomb of Ilaria di Caretto, " as embodying the truest and purest womanhood." 8 BIBLIOGRAPHICAL CONTRIBUTION TO (It is by Giacomo della Quercia, and is in memory of Ilario, second wife of Paolo Giunigi, Lord of Lucca. It was completed in 1413.) ARCHITECTURE. The facade of the Santa Maria Novella, Florence, " thereon literally began the study of architecture." (Begun in 1278 by Fra Sisto and Fra Bistoro ; completed in 1349 by Giovanni de Campo. Designed by Leo Battista Alberti.) PAINTING. Fra Bartolomeo, " Example of Catholic traditions under pure treatment by a per- fect school of painting." (The " Magdalene " and the " St. Catherine " hang in the monastery at Sienna.) In 1845 Ruskin also went to Switzerland to see the actual scene of Turner's " St. Gothard." At Florence most of his time was spent in the Santa Maria, Santa Croce, and at the Academie, where he studied Angelico and Ghirlandajo, and roamed at will through the chapels and galleries. Ruskin went north to Windermere and Amble- side in 1847 ; abroad in 1849, climbed the Monta- vete, slid down two thousand feet to the source of the Arveron in seven or eight minutes. Stayed in Venice for several months. Abroad in 1851 with his wife ; in 1853 went to Scotland with Acland and Millais. Abroad again in 1854. THE STUDY OF JOHN RUSKIN 9 Went through Germany in 1859, although he disliked the art, people, and language of the coun- try of Holbein and Diirer. It was, however, for the purpose of visiting the galleries of Berlin, Dres- den, and Munich. Abroad in 1871, 1872, and 1874. With Arthur Severn, Buskin posted through England in 1874, in a carriage built for the pur- pose. In 1882 he went abroad to revisit the scenes and places he had learned to love so dearly. He was always glad to return to the Alps, and he had learned more of the ways of nature during his mountain climbing than from any other source. The Dole and Kighi had played a part in his life, " the former continually and calmly, the latter at sorrowful intervals." Lake Maggiore he terms the " Garden of Eden." He admired Italian scenery and the people physi- cally, but deplored their degradation. " There have been in sum three centres of my life's thought, Rome, Geneva, and Pisa." From 1845, he tells us, that all his serious read- ing was done while travelling abroad, and his life at home was given up to the drudgery of author- ship and press corrections, and meeting people who came to see his Turner collection. He was obliged occasionally to send out the following notice to his 10 BIBLIOGRAPHICAL CONTRIBUTION TO friends : " Mr. J. Euskin is about to begin upon a work of great importance, and therefore begs that in reference to calls and correspondence you will consider him dead for the next two months." By 1859 Raskin's views had undergone a great change. " Men must have possibilities of good, but not necessarily be good," to be great artists. When revisiting the scenes of " The Stones of Venice," he first became interested in Carpaccio's " St. Ursula," and henceforth it was his favorite picture and guiding star. "Carpaccio represents Greek mythology as presented by the Christian mind." The first mention Ruskin makes of Botticelli was in 1871, during his second term of Oxford lec- tures. Studied him more minutely while abroad in 1872. The " Zipporah," in the Sistine Chapel, attracted him especially. Botticelli was again treated in lectures on engraving and preface to the " Eagle's Nest." Ruskin's Oxford lectures on art embody his more mature views on that subject. He considers J. F. Lewis the artist who stands next to Turner as a landscapist. An exhibition of Ruskin's paintings was held by the Fine Art Society in 1878. Ruskin became interested in daguerreotypes, and bought a camera. Some of the pictures were later THE STUDY OF JOHN RUSKIN 11 reproduced in " Stones of Venice." His was the first picture ever taken of the Matterhorn. He studied pre-Kaphaelites with Mrs. Jameson, Lord Lindsay, and Rio for authorities. The pre-Ra- phaelite Brotherhood was not formed by Ruskin, but is based upon principles voiced by him. His pamphlet on the subject was issued in 1851. Ruskin earned pocket money by writing for magazines. Published, in 1834, in the " Magazine of Natural History," an article on the peculiar formation of the crags of Lauterbrunnen, and an- other asking the cause for the color of the Rhine water. He was on the staff of Loudon's " Maga- zine of Architecture." For John Murray he wrote art notes. Wrote architectural articles over the pseudonym Kata Phusin, meaning " according to nature." The first volume of " Modern Painters " ap- peared in 1843, by "A Graduate of Oxford." Turner had been attacked in " Blackwood's Maga- zine " in 1836, and " Modern Painters " was Rus- kin's defence. " The review raised me to the height of ' black anger,' in which I have remained pretty nearly ever since." It called forth a deluge of criticism. He was well qualified to meet these ad- verse opinions, however, having travelled so exten- sively to equip himself for the self-imposed task of defending Turner. 12 BIBLIOGRAPHICAL CONTRIBUTION TO Volume two was published under his own name, but did not appear until 1846, although it was ex- pected to follow the first very closely. This deals with Angelico in Florence and Tintoret in Venice, two schools of painting practically unknown in England at the time. It was well received. After this success he became the criterion of the Eng- lish art world. Asked to review Lord Lindsay's " Christian Art." See " London Quarterly," 1847. " Modern Painters," volumes three and four, were written in 1855 ; volume five 1858. " Seven Lamps of Architecture " came out in 1849; plates were by the author in soft ground etching, the cover by H. Rogers, from a sketch done at San Miniato by Ruskin. In 1834, in " Friendship's Offering," a magazine, appeared his first printed verses. He afterwards contributed frequently. The last poems he wrote were written in 1845 at Geneva, " A Rhyme to Mt. Blanc " and " A Criticism of the People of Con- flans." In 1850 his poems were published in book form by his father, and again in 1890 by W. G. Col- lingwood. " Stones of Venice " was planned in 1845, but the first volume did not appear until 1851, after his return from the Continent. Many of the litho- graphs and engravings were done by Ruskin, THE STUDY OF JOHN RUSK1N 13 others by Armytage, Conseau, Cuff, Le Keux, Boys, and Lupton, the best engravers of the period. It was written at Herne Hill, and con- tains a complete catalogue of the pictures of Tin- toret, a history of the successive styles of architec- ture, Byzantine, Gothic, and Renaissance. Volumes two and three published in 1853. In 1854, Ruskin issued a pamphlet pleading for the preservation of ancient buildings and land- marks. The result was the formation of a society for this purpose, and a branch was established in Italy. " Notes on the Royal Academy and Other Exhi- bitions " were begun, in 1855. The first pamphlet went through three editions in one month. In 1856 six editions of the " Notes " were sold, such was Ruskin's standing in the art world. These " Notes " created much animosity towards him ; for when a picture was condemned by him, and he was fearlessly truthful, that artist's work was a drug on the market for the ensuing year. Elements of drawing (1856) and elements of perspective (1859) were the text-books for the general student of art, his theory being that every one should have an understanding of rudimentary art to be able to appreciate nature. These make the study most interesting. He wrote an annotated catalogue of the oil and 14 BIBLIOGRAPHICAL CONTRIBUTION TO water-color paintings in the Turner Collection. Went through five editions. "Ethics of the Dust" (1866) consists of a series of conversations which actually took place between Ruskin and some of the members of the school at Winnington, where he was a frequent visitor. " Time and Tide " (1868) is a statement of his social views, clear, condensed, and simple. " Queen of the Air " (1869) is a study in Greek mythology containing bird myths, animal myths, and plant myths, afterwards appearing in " Love's Meinie," " Deucalion," and " Proserpina " respec- tively. " Fors Clavigera " was first issued in 1871, and is a continuation of the work begun in " Time and Tide." The letters are addressed to the working- men of England. It was the first publication is- sued by George Allen, and was bought directly by the readers from him. The second course of lectures Ruskin delivered at Oxford was afterwards published under the title "Aratra Pentelici," and deals with Greek relief sculpture. " Proserpina " was written after examining a thistle top while in Scotland (1875-86). It is Ruskin's theories on botany. With the accepted treatment of that science he held nothing in sym- THE STUDY OF JOHN RUSKIN 15 pathy. This book tells of the gradual development of plants, and is unique. " Laws of Fe'sole " was written as a supplement to "Elements of Drawing" and "Perspective." It was never completed, as Kuskin originally in- tended, with a continuation entitled "Laws of Bivo Alto." " Saint Mark's Eest " was written accidentally. It is practically a guide-book to Venice. Buskin was left an executor of Turner's will, but refused to act ; but later undertook to arrange the 19,000 drawings and sketches left to the nation. He devised frames to mount the sketches. He worked, with two assistants, every day for six months. In 1881 he published " A Catalogue of the Drawings and Sketches of J. M. W. Turner at present exhibited in the National Gallery." By way of relaxation, after hard study or lectur- ing tours, Buskin always turned to mineralogy, and he wrote many articles for the "Geological Magazine." Some of the best specimens of common forms of native silica in the collection of the Brit- ish Museum were presented by John Buskin, F. G. S. A catalogue of the same published in 1883. An interesting correspondence between Buskin and J. B. Jukes, professor of geology at Oxford, was carried on through the pages of " The Beader." Buskin disapproved of cheap literature, which 16 BIBLIOGRAPHICAL CONTRIBUTION TO meant poor paper and poor print. People appre- ciate more that which is not so easily obtained. Of his writing Ruskin says : " My own literary work . . . was done as quietly and methodically as a piece of tapestry. I knew exactly what I had got to say, put the words firmly in their places like so many stitches, hem edges of chapters round with what seemed to me graceful flourishes, touched them finally with my cunningest points of color, and read the work to Papa and Mamma next morning, as a girl shows her sampler." Ruskin's father disapproved of his son taking the lecture platform; but in the capacity of a public speaker he was almost more popular than as a writer on art. "As a lecturer Mr. Ruskin was most engaging " (Collingwood). He had great magnetism. The first part of the lecture was read, almost intoned, and he was very constrained. Then he would become most earnest and act out any point he wished to impress upon his audience. The latter part was frequently extemporized. The halls where his lectures were delivered were filled to overflowing. At the first of his Oxford lectures the small recitation room was quite inade- quate, and the assemblage was asked to go to the Sheldonian Theatre. The " Edinburgh Guardian " prints a most inter- esting account of his first lecture of the Edinburgh THE STUDY OF JOHN RUSKIN 17 course in 1853. " His elocution is peculiar, he has difficulty in sounding the letter ' r,' and there is a peculiar tone in the rising and falling of his voice at measured intervals. . . . There are two things with which you are perhaps most surprised, his dress and manner of speaking, both eminently clerical." " Lectures on Architecture and Painting " was severely criticised in the Athenaeum (1854), and much disagreeable discussion ensued. The same year he delivered a course before the workingmen's club conducted by Frederick Dem- son Maurice, in Great Ormond Street. Ruskin discontinued his lectures from 1854 to 1857, due to his father's persuasions. However, in 1857 he gave a great many : " The Influence of Imagination in Architecture," before the Architectural Association. " Political Economy of Art," at the St. Martin's School of Art, London, and at the Art Treasures Exhibi- tion, Manchester. The most notable lectures of 1858 were on the same subject. " The Deteriora- tive Power of Conventional Art on our Nation," delivered at the opening of the South Kensington Museum in 1858. At Tunbridge Wells he lectured on the " Work of Iron in Nature, Art, and Pol- icy," and on " Unity in Art," in 1859, at Manches- ter. The lectures delivered at Camberwell Insti- 18 BIBLIOGRAPHICAL CONTRIBUTION TO tute in 1865 are published under the title, " Crown of Wild Olive, being Work, Labor, and War." Of the lecture delivered at Cambridge Univer- sity in 1867 on the " Relation of National Ethics to National Art," only the first page and a synopsis printed in the newspapers the following day remain. " The Mystery of Life and Arts " was given at the Royal College of Science, Dublin, in 1868, and forms the third part of " Sesame and Lilies." In 1870 Ruskin was elected to the chair of Slade professor of Fine Arts at Oxford. This was founded by a bequest from Felix Slade, and in all England there was no one so well qualified for the position as John Ruskin. The salary was nominal ; his influence on the coming men of Eng- land would be infinite. He held this professor- ship for nine years. In 1879 he resigned because of ill health. In 1883 he was reflected, but re- signed after a short time because of continued ill health, and because vivisection was permitted in the University. These lectures covered other topics than art, but all in relation to art. Ten lectures on " Nat- ural Science in Relation to Art " were published as " The Eagle's Nest." Lectures on birds, pub- lished as " Love's Meinie." For these he had skins of many different kinds of birds to study their plu- mage, not their anatomy. THE STUDY OF JOHN RUSKIN 19 The course on " Niccola Pisano " is published under the title " Val d' Arno," and is largely his- torical. " It is written with the old nobleness and fire, in which no other living voice, to my know- ledge, equals yours " (Carlyle). " On Botticelli," Eton, 1874. " On Precious Stones," London Institute, 1877. " On the Cistercian Architecture," after a visit to Citeaux, the birthplace of St. Bernard. In 1870 he lectured at Woolwich Royal Mili- tary Academy, on " The Story of Arachne," which is still in manuscript (1893. Collingwood). Ruskin was offered the gold medal of the Royal Institute of British Architects, but declined the honor, as he was not in sympathy with their aims. He was elected Lord Rector of St. Andrews University, Glasgow, in 1871. Lord Lytton re- ceived 79 votes, Ruskin 86 votes. Later it was found that he was disqualified because he was holding a professorship in an English university. Ruskin says of himself that the true work of his life began with his thirtieth year, 1850. " At the age of forty, Ruskin had finished writing on art" (Collingwood). His earlier books were al- lowed to run out of print because he came to the conclusion that people read his books not for the lesson he meant to teach, but for the beautiful word-painting and charming style. 20 BIBLIOGRAPHICAL CONTRIBUTION TO It was through art that Euskin became a social reformer. 1 "Turner made him an art prophet, Thomas Carlyle, called Ruskin's master, made him a social reformer." "The organic relations between art and national character." His science of life lies in the following statement : " There is no wealth but life," and " The final outcome and consummation of all wealth is in the producing as many as possible full-breathed, bright-eyed, and happy-hearted human beings." His social system is based upon the old feudal plan, and is not Utopian. " Work " is the fundamental principle. Ruskin was a sympathizer with Carlyle in 1850, when criticism of Carlyle was most furious, and became more and more imbued with his theories and influence every year. Euskin was prepared for his work as a political economist by his practical experience in so many branches of industry, understanding architec- ture, wood carving, metal work, pottery, jewelry, weaving, road-making, crossing-sweeping, house painting with a blunt brush, carpentry (he could take aisjiaving six feet long) ; he tried masonry, but found that was too difficult. Once he swept fifteen or twenty steps at the old chapel for his mother. The Domecq daughters, while visiting 1 Many of the notes on the social views of Ruskin are selected from Mr. Hobson's John Buskin : Social Reformer. THE STUDY OF JOHN RUSKIN 21 John Ruskin's parents at Denmark Hill, voiced sentiments towards the laborers on their father's estate as the producers of the wherewithal to sup- ply them with fine clothes, travel, and the good things generally of this world. " This gave me the first clue to the real sources of wrong in the social laws of modern Europe, and led me neces- sarily into the political work which has been the most earnest of my life." Collingwood says that Ruskin's childish writing showed the same habits of thought that gradually developed into the theories he laid before the world. Ruskin denounced the teachings of John Stuart Mill, his " protagonist," and advocated the imme- diate payment of bills in retail or wholesale trans- actions. He concluded, after years of thought, that the commercial system was at the root of all poverty and crime. " The great mass of the un- employed was due to incapacity, and that in that incapacity the fault of the educated and wealthy." *' He advocated the gradual introduction of higher aims into ordinary life, at giving true refinement to the lower classes, true simplicity to the upper " (Collingwood). A beginning was made in this direction by the St. George's Company. His work at the Workingmen's Club, with F. D. Maurice, was another. In 1854 he gave drawing lessons at the club rooms every Thursday evening, assisted 22 BIBLIOGRAPHICAL CONTRIBUTION TO by Dante Gabriel Rossetti. These continued until 1858, when his other duties compelled him to turn the practical work over to assistants. After 1860 he gave lectures to the club members. They were well attended. His students, both here and at Oxford, loved him. Iviiskiii claimed that all artists should be work- men, and all workmen artists. Several very fine copyists and engravers were trained at the Work- ingmen's Club, and one of these, George Allen, afterwards was his publisher. The beginning of the St. George's Company was made in 1877, with thirteen acres of land, not far from Sheffield, and Euskin gave seven thousand pounds, equal to one tenth of his possessions, and two hundred and thirty-six pounds thirteen shil- lings were collected from those interested. Lord Mount Temple and Sir T. D. Acland were the trustees. The land proved useless for farming, and those who joined knew nothing of agriculture. It was finally turned over to the most competent on trust. On the Isle of Man there were many old people who had made a living in early life by weaving, but the new inventions in machinery had long ago caused the demand for homespuns to cease. Eg- bert Eydings, a disciple of Kuskin, gathered a number of these people into a settlement at Laxey THE STUDY OF JOHN RUSKIN 23 and began the industry of homespun woolen cloth. Ruskin's clothes were made of this material, which is warranted never to wear out. Albert Fleming is guiding successfully a hand- loom weaving and spinning establishment at Kes- wick, called the Kuskin Linen Industry. It was in 1875, while Ruskin was Slade professor, that he conducted, personally, the road-making expedi- tion at Hinksey. The road was very much in need of repair, but no one could be discovered whose duty it was to do it. Ruskin organized a band of students from his Oxford classes, and gave them lessons in stone-breaking and road- making. The road was not much improved, but it afforded great opportunity for the local wag, and an object lesson for the world at large. At the crossing sweeping between the British Museum and St. Giles, his gardener, Downes, was supervisor of a corp of men employed by Ruskin, who some- times assisted also. His theories of a good land- lord were exemplified in a piece of property in London, left to him by his father. He had suit- able houses built, and rented them at the rate of five per cent., other landlords in the neighborhood realizing twelve per cent. He finally sold it for thirty-five hundred pounds. Ruskin's tea shop was an actual experiment. One of his many superannuated servants was 24 BIBLIOGRAPHICAL CONTRIBUTION TO placed in charge. The tea was of excellent qual- ity, sold to the poor people for the same price paid for inferior grades. It proved a paying invest- ment, and other articles were later offered for sale. Ruskin felt the sufferings of the masses as acutely as though they were his own, and to alleviate this misery was the problem which from 1860 was the one thought of his life. He made a recluse of himself in his mountain home at Mornex that he might think out undisturbed the best way to help these people to help themselves. He brooded over their condition until it produced his mental col- lapse. He was brought up in strictest Scotch Evan- gelicalism. His parents, during their Swiss trav- els, called his attention to the different aspects of the Protestant and Catholic cantons. The former were " busy and clean," the latter " idle and dirty," and although the rites and ceremonies of the Romish services had a fascination for him while young, he thought Papacy should be exterminated. Later on, when allowed to travel alone with his valet, he was most punctilious about the way his Sundays were spent. He never sketched nor climbed mountains, always attended morning ser- vice, and if there was no English church he read the Morning Prayer and Litany himself. Once he broke his rule, and climbed a peak with Couttet, THE STUDY OF JOHN RUSKIN 25 his guide ; it " remains a weight on my conscience until this day." Once only did he ever make a sketch on Sunday. George Herbert was greatly admired by Euskin. " Whatever has been wisest in thought or happiest in the course of my following life was founded at this time on the teaching of Herbert." Ruskin believed "that the life of religion de- pended on the force of faith, not on the terms of it." He believed in fortune and fortune-telling. The first shock his religious feeling received was from a monk of the Carthusian Monastery, who disparaged the surrounding beauties. Kuskin felt that if he lived in the midst of so much beauty he could never grow insensible of it, and could never be otherwise than good. He attached great impor- tance to the monk's careless remarks : " We do not come here to look at the mountains." By 1859 Ruskin's father and mother considered him a heretic. Theology had taught him to look for a different world than he had found, and poetry likewise had led him to look for the impossible. By 1866 he was not a believer in any definite creed. " He regarded the fear of God and the reve- lation of the Divine Spirit as great facts" (Col- lingwood). A personal creed was the result. Cardinal Manning talked Roman Catholicism to Ruskin, but never successfully, although many 26 BIBLIOGRAPHICAL CONTRIBUTION TO reports became current at the time. He had been doubtful of the immortality of the soul, but in 1876 a medium, whom he met, showed him his dead fiancee. This convinced him, and afterwards he became more religious and he studied the Bible more closely. When he was sixteen Euskin had a love affair which was quite serious. He fell in love with the daughter of his father's Spanish partner, Adele Domecq. His mother disapproved because the young lady was a Catholic. His affection was not reciprocated, however, or Mrs. Euskin's consent might not have been essential. Miss Domecq married a few years later, and Euskin went abroad in search of health. He was married, April 10, 1848, to Euphemia Chalmers Gray, " a fair Maid of Perth," for whom, years before, he had written " King of the Golden Eiver." It was an arrange- ment between the parents of the contracting par- ties, and they were quite uncongenial. They sepa- rated in 1854. When he was fifty-three years of age he became very much attached to one of his pupils, despite a great disparity of years. She held strong religious views, and until Euskin could make certain state- ments of belief she refused to marry him. This he could not do. She died soon afterwards. " There was something in girls I never under- THE STUDY OF JOHN RUSK1N 27 stood." He was born under Saturn, and his line of luck was broken at the head and heart. The first money Ruskin was given was an income of two hundred pounds a year, by his father, in 1834. Before that he had earned money by writ- ing. Most of this allowance went for Turner pic- tures. He was left 160,000 pounds at his father's death. Of this he gave away nearly all : 17,000 pounds were given to his poor relations ; 15,300 pounds were given in one year to various charities ; 5000 were for the chair of drawing at Oxford, pre- sented at Convocation in 1871. He once disposed of a piece of property for 3500 pounds; of this amount the cost of a silk umbrella was spent upon himself, the rest going to charities. In his later years his income was derived entirely from his books. In these transactions he won for himself the title of " a great tradesman." His annual income from the sale of his books in England averaged 4000 pounds. The number of copies sold since his works have been reprinted in cheap editions are as follows : Sesame and Lilies . . . 40,000 copies. Frondes Agrestes . . . 34,000 " Crown of Wild Olive . . 31,000 " Unto this Last . . . 30,000 Seven Lamps .... 29,000 " King of the Golden River . 22,000 " 28 BIBLIOGRAPHICAL CONTRIBUTION TO Queen of the Air . . . 14,000 copies. Time and Tide . . . 13,000 " Joy Forever . . . . 12,000 " Mornings in Florence . . 11,000 " .Eagle's Nest .... 11,000 " Total .... 247,000 " From Orpington his books were sold directly to the reader. For "Sesame and Lilies" he re- ceived $1.75 and $2.25 per volume, but later the price was raised to $4.50 and $5.00 per volume. At this latter price it went through six editions. A small-sized edition was brought out later to sell for $1.25 per volume. Of this four editions sold of 3000 volumes each. Kuskin was never very strong, and all his life he taxed his strength to the utmost. At the age of eight he had his first serious illness. In 1841 it was feared by his parents that he was going into consumption. In 1845 he again showed signs of decline, and on his wedding trip, in 1848, a return of the old symptoms drove him to Switzerland, where he always enjoyed better health than else- where. The cough returned from time to time. Not until 1867 did any indication of his later illness appear. He was ill in 1871, and three years later he tells of " failing strength, care and hope." He went abroad hoping to receive the usual bene- THE STUDY OF JOHN RUSKIN 29 fit, but he suffered a serious relapse, and Christ- mas Day, 1876, found him stricken with brain fever. Until the summer of 1878 he was quite an invalid. When he was allowed to work he over- taxed his brain, and in the winter he was very ill again with the second attack. For the third time, in 1882 and again in 1889, he was quite given up by the physicians. He disliked to take medicine, and he was a very hard patient to manage. After that he led a quiet life, and never took up his work again. His time was spent in visiting his friends in the neighborhood, receiving them at his home, and reading the new books and daily papers. Kuskiii had lived at Brantwood since 1872, and here he died January 20, 1900, being eighty-one years of age. He passed away peacefully after a short illness, and was buried in the little church- yard at Coniston. A place in Westminster had been selected, but his cousin respected what she knew would be his wishes in the matter. Charles Eliot Norton was appointed literary executor. A uniform edition of Buskin's works will perhaps be published later on. An authorized biography seems unnecessary. " Praterita " and Colling- wood's " Life " have accomplished almost all that could be desired. Euskin's estimate of a few of the men and wo- men who influenced his life is worth giving : 30 BIBLIOGRAPHICAL CONTRIBUTION TO He spoke respectfully of the work of Darwin and Tyndall. He praised the work of Alma- Tadema. In 1875 he wrote disparagingly of Gladstone, as the leader of the party. Ruskin visited him in 1878, and in reprinting the letter containing this condemnation these portions were omitted and a blank space left, and in the centre these words, " A memorial to rash judgment." Dante Gabriel Rossetti he admired for his im- aginative powers. He once saw Wordsworth and Southey in church. Wordsworth's appearance did not please him at all. Mrs. Jameson he considered " absolutely with- out knowledge or instinct of painting, and had no sharpness of insight for anything else ; but she was candid and industrious, with a pleasant disposition to make the best of all she saw, and to say compli- antly that a picture was good if any one had ever said so before." He criticised Whistler most severely, and a suit was entered against him by Whistler for libel. Ruskin lost the suit and had to pay damages to the extent of one farthing. The costs were paid by subscription by his friends. Ruskin wrote of Whistler as " a coxcomb." He thought Turner the " epitome of all art, the concentration of all power; there is nothing that THE STUDY OF JOHN BUSKIN 31 ever artist was celebrated for that he cannot do better than the most celebrated. He seems to have seen everything, spiritualized everything in the visible world ; there is nothing he has not done, nothing he dares not do ; when he dies there will be more of nature and her mysteries forgotten in one sob than will be learnt again by the eyes of a generation." He wrote : " No description of mine is worth four lines of Tennyson." EDUCATION Buskin's only teacher until he was fourteen years of age was his mother, who had the happy faculty of making his studies interesting, even to his Latin grammar. She had him read the Bible aloud from cover to cover once a year ; the slightest error was corrected. He memorized the following chap- ters : Exodus, chapters 15, 20. Deuteronomy, chapter 32. Second Samuel, chapter 1, from the seventeenth verse to the end. First Kings, chapter 8. Psalms, chapters 23, 32, 90, 91, 103, 112, 119. 139. Proverbs, chapters 2, 3, 8, 12. Isaiah, chapter 58. Matthew, chapters 5, 6, 7. 32 BIBLIOGRAPHICAL CONTRIBUTION TO Acts, chapter 26. First Corinthians, chapters 13, 15. James, chapter 4. Revelation, chapters 5, 6. He attributes his " clear insight and analytical power to this early training." His father read aloud every evening, and Ruskin heard most of Shakespeare, Fielding, and the Waverley Novels in this way. When Ruskin was fourteen, Mr. Rowbotham instructed him in math- ematics. Osbourne Gordon became his tutor in 1836. Entered Oxford, Christ Church, in 1837. He spent much time on poetry, and competed three times for the Newdigate prize. The first time it was won from him by Arthur P. Stanley, after- wards Dean. The next year Ruskin submitted the "Exile of St. Helena," but it was won by Henry Dart. In 1838 the prize was won with " Salsette and Elephanta," by Ruskin. In 1840 he expected to take his degree, but his health gave way from overwork. He returned to England in 1841, however, and read under his former tutor and took a B. A. with an honorary double fourth. He was strong in divinity, philosophy, and mathe- matics, but his Latin was always weak. He re- ceived his M. A. in 1843, when he was twenty-four. Ruskin gives little credit to Oxford for his learning. His philosophical studies covered Al- THE STUDY OF JOHN RUSKIN 33 drich, Bacon, Locke, Aristotle, Plato, Thomas Browne, and Dugald Stuart and other Scotchmen. In 1869 he began to study Egyptology through Max Miiller. Kuskin was elected Fellow of Corpus Christi College, Oxford, in 1871. He studied music under Marshall ; art, first with Copley Fielding, Prout, Northcote, and Runciman. FIRST WRITINGS. When seven years of age, Ruskin wrote descriptions of his travels in verse, then a story, after the style of Miss Edgeworth's books, called " Harry and Lucy ... in 4 volumes, with copper plates, printed and composed by a little boy." His first published writings were the poems printed in " Friendship's Offering," in 1836. His first published book was volume one of " Modern Painters." NUMBER OF BOOKS PUBLISHED, 86. PERSONALITY. Ruskin was between five feet ten and eleven inches in height, slim, had deep-set blue eyes, light brown hair worn quite long, large aquiline nose, good perceptive faculties, sensitive mouth. Later in life he wore a long white beard. His hair, though white, remained thick. " They 've been doing photographs of me again, and I am an orang-outang as usual and am in despair. I thought, with my beard, I was beginning to be 34 BIBLIOGRAPHICAL CONTRIBUTION TO just the least bit nice to look at. I would give up half my books for a new profile." His hands were beautiful. He generally wore homespun from Laxey and a light blue tie ; a frock coat and a white vest on the lecture platform. Always wore Gladstonian collars. Buskin was an exceptionally fine conversational- ist, and an equally good listener. " John Kuskin, boy and man, had a terrible power of winning hearts " (Collingwood). He was always genial, al- ways most respectful to his mother. Ruskin's character was very strong, and asserted itself at an early age. He enjoyed the theatre from childhood, was fond of music, especially sing- ing. He was fond of a joke, was very neat, and loved cleanliness, which he inherited from his mo- ther, and from his father " solidity and soundness." His " power of taking pains " was one of his most marked characteristics. He was very impulsive and had a vivid imagination ; a very just critic, very enterprising, liberal with his money ; unobtru- sive in his sorrows, chivalrous. He liked to begin a drawing, but dreaded the finishing ; disliked ugly people ; did not smoke. He was very fond of young people, and loved children, once gave a dinner for three hundred and fifteen. He loved animals, and spent days at the Zoological Gardens. In his younger days he owned a dog named Dash, THE STUDY OF JOHN RUSKIN 35 then followed collies, St. Bernards, bulls. He studied the habits of animals with great interest ; delivered a lecture on snakes in 1880. Ruskin was a strong supporter of the Society for the Prevention of Cruelty to Animals, and formed a society of children, called the " Society of Friends of Living Creatures," in 1885. ENVIKONMENTS. Ruskin was born at 54 Hun- ter Street, Brunswick, London. In 1822 they moved to Herne Hill ; thence to Denmark Hill, Dulwich, in 1842, but Ruskin was always more fond of Herne Hill. The Denmark Hill home was on Vauxhall Road. It stood in seven acres of land, half in kitchen garden and an orchard of almond and peach trees. The rooms of the house were hung with the pictures of Turner, Copley Fielding, and two portraits of John Rus- kin, the boy, by Northcote. His own study was very plain and simple. The household was well conducted by Mrs. Ruskin. When her son entered Oxford she took rooms in the town that she might be near him, and every evening Ruskin came to take tea with her. He and his bride lived at 31 Park Street, London, for a short time, and also at Herne HiD. Miss Joanna Ruskin became an inmate of their home in 1864. Later she married Arthur Severn. She was very devoted to Ruskin's mother during 36 BIBLIOGRAPHICAL CONTRIBUTION TO her declining years, and remained with him until he died. Ruskin went to live at Brantwood on Lake Coniston, Cumberland, in 1872. Tent House, oc- cupied once by Tennyson, is also on the lake, and ten miles away are Grasmere and Dove Cottage. Brantwood * is a rambling house built of rough- cast and pebbles, covered with vines. Ruskin made many additions to the original building. The house stands at the foot of a steep mountain, and from the windows fine views of the surround- ing country are obtained, including the lake and " The Old Man." The garden flowers are poppies, hollyhocks, rue, sweet marjoram ; the margins are marked with boxwood. The lawn is cut with a scythe, not a lawn-mower. Hot -houses supply grapes and strawberries to the sick of the neigh- borhood. A brass knocker is on the door. The entrance hall is square, and the walls are hung with " Fair Rosamund," " Thisbe," and " Cleopatra," by Burne-Jones, several pictures by Prout, and sev- eral by Ruskin. The drawing-room is done in blue, and there are not many pictures ; the dining-room is in green, and is a very large room with a fine view. The pictures are Tintoret's " Titian," por- traits of Reynolds and Turner by Ruskin, Raphael by a pupil, portraits of Ruskin's father and mother 1 Much of the description of Brantwood is taken from Mr. Elbert Hubbard's Little Journeys. THE STUDY OF JOHN RUSKIN 37 by Northeote, and his own two portraits by the same artist. The library is subdued in coloring ; only three etchings and two water-colors adorn the walls. The chairs are leather-covered ; the table is strewn with magazines, newspapers, and photographs. Ruskin's own sanctum was the turret room, which was strictly private. It is furnished with old-fash- ioned furniture. The walls of this room and his sleeping-room are closely hung with his Turner pictures. Many of them have been discussed in " Modern Painters." He had also many very rare and valuable books and manuscripts. Of late years he had used a typewriter quite extensively. Candles were burned in the house altogether, neither gas nor lamps being allowed. Ruskin was always very anxious to have a home of his own in the Alps, and after many fruitless attempts and laughable experiences he secured one at Mornex, two thousand feet above the level of the sea and overlooking Mont Blanc. When in Venice, Ruskin stayed at La Calcina, in the Latin quarter. It faces the Giudecca and is opposite the Church of II Redentore and the Church of the Gesuiti. FAVORITE AUTHORS. Shakespeare, Pope, By- ron, George Herbert, Wordsworth, Shelley, Scott, Rousseau. 38 BIBLIOGRAPHICAL CONTRIBUTION TO FRIENDS. Thomas Carlyle, Mrs. Carlyle, Dr. John Brown, Mrs. Jameson, Sir William Gull, M. D., Sir Charles Newton, Lord and Lady Mount Temple, Sir Henry Acland, Henry Dart, John Lewis, Miss Prout, W. M. Thackeray, Dean Stan- ley, James A. Froude, Joseph Severn, J. D. Har- ding, George Richmond, J. E. Millais, Robert and Elizabeth Barrett Browning, Frederic Denison Maurice, Dante Gabriel Rossetti, Burne-Jones, William Morris, Charles Eliot Norton, Mrs. Harriet Beecher Stowe, W. J. Stillman, Charles Halle, W. G. Collingwood, A. D. O. Wedderburn, Arnold Toynbee, W. H. Mallock, C. H. Moore, Prince Leopold, W. E. Gladstone, Cardinal Manning, Godfrey Windus, Max Miiller, Lord Lindsay, Sir W. Boxall, R. A. ESTIMATES OF RUSKIN ON ABT COLLINGWOOD. " Ruskin did for English art what Aristotle did for Greek ethics." " Ruskin's work went on until he was practically acknow- ledged to be the leading authority upon matters of art almost the dictator of taste." " He knew more about scenery than most geologists and more about geology than most artists." / THE STUDY OF JOHN RUSKIN 39 BENJAMIN. " With all the extravagance of his works was blended so much that was really true and great that at one time he exerted a salutary influence on English art. But he is, after all, a man of only one idea, he cannot adapt himself to the shifting forms of art suggested by different circumstances." HOPPIN. " Ivuskin . . . has done more for the right understanding of art than any living man or artist." OLIPHANT. " Ruskin is one of the most dis- > tinguished of living critics." " Feeling and criti- cism of the present day are so largely influenced by Mr. Ruskin." TURNER. " He knows a great deal more about my pictures than I do; he puts things into my head, and points out meanings that I never in- tended." ANONYMOUS. In " Blackwood's Magazine " for January, 1860 : " Mr. Ruskin has been before the world for some time as the most voluminous, the most confident, and the most dogmatic of art critics. He has astonished his readers no less by his platitudes than by his paradoxes. . . . There is nothing more painful in Mr. Ruskin's works than the total want of reverence for things human and divine which pervades them." 40 BIBLIOGRAPHICAL CONTRIBUTION TO ON LITERAEY WORK ALLISON. " His great and varied genius and taste appear equally conspicuous in his ' Seven Lamps' (as in 'Modern Painters'), one of the most profound and original works of the kind in the English language." BRONTE. " The ' Stones of Venice ' seem nobly laid and chiseled. How grandly the quarry of vast marbles is disclosed ! Mr. Ruskin seems to me one of the few genuine writers as distin- guished from bookmakers of this age. His ear- nestness amuses me, for I cannot help laughing to think how utilitarians will fume and fret over his deep, serious, (they will think) fanatical reverence for art." " I congratulate you [the publishers] on the ap- proaching publication of Mr. Ruskin's new book. If ' Seven Lamps of Architecture ' resemble their predecessors, ' Modern Painters,' they will be no lamps at all, but a new constellation ; seven bright new stars for whose rising the reading world ought to be anxiously agape." CARLYLE. "It is written with the old noble- ness and fire, in which no other living voice, to my knowledge, equals yours." COLLINGWOOD. " Ruskin was the first writer whose contemporaries, during his lifetime, formed THE STUDY OF JOHN RUSKIN 41 societies to study his work." " The best men . . . were the first to recognize Mr. Ruskin's genius." ENGLISH CYCLOPAEDIA OF BIOGRAPHY. "One of the greatest masters of diffused writing ; he is one of the strongest in condensed invective." JAPP. " Not a single English writer has been on the whole more consistent from first to last than Ruskin." " Ruskin has . . . remarkable and ready power of giving sensuous form to all his im- pressions." " With him to feel is to embody : his experiences, be they commoner or deeper, almost of themselves start into beautiful and appropriate form, in which we see the results of large culture and well-directed imagination." RHOADES. " Brilliant gifts, eloquence, and enthusiasm made him one of the most influential and effective teachers of his generation." RITCHIE. "Ruskin should have been a nov- elist. When he chooses to describe a man or a woman, there stands the figure before us ; when he tells a story, we live it. His is rather the descrip- tive than the constructive faculty ; his mastery is over detail and quantity rather than over form." ROSSETTI, W. M. " He has evinced an over- whelming superiority in those other faculties of perception, fervor, and eloquence constituting a vigorous individualism and initiating force." SAINTSBUEY. " All his work in reality bears 42 BIBLIOGRAPHICAL CONTRIBUTION TO the same marks, an intense love of beauty, a restless desire to theorize on beautiful objects, a vivid imagination, a rather weak logical gift, a strong but capricious moral sense, a knack of succumbing to any tempting current theory, a mar- vellous command of eloquent prose, and as must be constantly repeated, an utter absence of criti- cal faculty properly so-called." "Mr. Ruskin's [thought] is for the most part purely original . . . and at times it has really marvellous vigor, felicity, and truth ; at others, and just as often, it borders on sheer nonsense." " A crotcheteer with a tongue of gold." " ' Stones of Venice ' ... is the book of descriptive prose in English." "Ruskin's books, if read simply for enjoyment, will be found to contain the very finest prose (without exception and beyond comparison) which has been written in English during the last half of the nineteenth century." SMITH, SIDNEY. " Transcendent talents, pre- senting the most elegant and powerful language which should work a complete revolution in the world of taste." SYMONDS, J. A. " Ruskin has shown how far a gifted writer can miss the mark through want of sympathy," in his lecture on Michael Angelo and Tintoret. TAVENER, LUCKING. "It has been acknow- THE STUDY OF JOHN RUSKIN 43 ledged that he is the greatest master of English prose." THOREAU. "I have just read Ruskin's ' Mod- ern Painters.' ... I am disappointed in not find- ing it a more out-of-door book, for I had heard that such was its character. But its title might have warned me. He does not describe nature as nature, but as Turner painted her. Although the work betrays that he has given close attention to nature, it appears to have been with an artist's and critic's design." HAMERTON, P. G. " Of prose writers Ruskin stands quite alone." ON RELIGIOUS THOUGHT COLLINGWOOD. "He is different from other men you know just by the breadth and vividness of his sympathies, by power of living as few other men can live in admiration, hope, and love. Is not such a life worth living whatever its monument be ? " " Ruskin did not know there was another life ; he hoped there was, and yet if he were not a saint or a Christian, was there any man in the world who was nearer to the kingdom of heaven than this stubborn heretic ? " HOPPIN. " Ruskin has been an apostle of good in other things besides art, and has fought a glo- rious fight against untruth and materialism." 44 BIBLIOGRAPHICAL CONTRIBUTION TO TUTHILL. "As a Christian philosopher Mr. Kuskiii deservedly ranks with the 'Judicious' Hooker, the eloquent Jeremy Taylor, and the ' Di- vine ' Herbert. A devout spirit animates and in- spires all his books. . . . He has an ever-realizing sense of the presence of God, and acknowledges that Divine Presence not with light words, but with words of solemn import, not as the God of nature alone, but as the Almighty Father and Friend revealed in the life-giving Gospel of Jesus Christ." WAKEFIELD. " To make people think ever has been Mr. Ruskin's aim." HUBBARD, ELBERT. "I believe John Ruskin, William Morris, Henry Thoreau, Walt Whitman, and Leo Tolstoi to be Prophets of God, and they should rank in mental reach and spiritual insight with Elijah, Hosea, Ezekiel, and Isaiah." ON HIS SOCIAL WORK CARLYLE. " Dear Ruskin : This ' Fors Clavi- gera,' letter No. 5, which I have just finished is incomparable, a quasi-sacred consolation to me which almost brings tears into my eyes. Every word of it is as if spoken not out of my poor heart only, but of the eternal skies, words winged with Empyrean wisdom lightning, and which I really do not remember to have heard the like of. Con- THE STUDY OF JOHN RUSKIN 45 tinue, while you have such utterances in you, to give them voice. They will find and force en- trance into human hearts, whatever the * angle of incidence ' may be, that is to say, whether for the degraded and inhuman Blockheadism we so-called men have become, you come in upon them at the broadside, at the top, or even at the bottom, Enge ! Enge ! " HOBSON. " He ever seeks to touch the heart as well as to convince the understanding." " * Mu- nera Pulveris ' is the most systematic of his books." " He has amply justified his claim in the theory of social economics." " There is in Ivuskin nothing of the intellectual * wrecker.' His analytic faculty, directed against the faults of a bad system of art, education, or social order, is always charged with a spirit of repair, which is eager to exert itself in imposing order upon chaos, supplanting noxious weeds by wholesome fruit-bearing plants, and pre- paring the barren ground for useful cultivation." " He might be classed as a utilitarian." " He humanized political economy." " He succeeded in telling our age more of the truths it most requires to know than any other man." " Mr. Kuskin will rank as the greatest social teacher of his age not merely because he has told the largest number of important truths upon the largest variety of vital matters, in language of penetrative force, but 46 BIBLIOGRAPHICAL CONTRIBUTION TO because lie has made the most powerful and the most felicitous attempt to grasp and to express as a comprehensive whole the needs of a human soci- ety and the process of social reform." JAPP. " Ruskin's mission ... is to recall men to a fact almost forgotten in the midst of the great mechanical advances and material enrichment of the age, the sacredness of individual life." " He was a thorough scholar, a bold and original thinker, and a man of keen insight, not only into nature and her laws, but also into human life and its manifold relations." SAINTSBURY. "A political economist, who would bankrupt Eldorado and unsettle Sparta." MISCELLANEOUS TOLSTOI. " Ruskin is one of the greatest men of the age, and it pains me to notice that English people generally are of a different opinion. But 1 no man is a prophet in his own country,' and the greatest men are seldom recognized in their own generation, for the very reason that they are so much in advance of their age. Their contempo- raries are unable to understand them." BROWNING, ELIZABETH BARRETT. "I like Mr. Ruskin very much and so does Robert ; very gen- tle, yet earnest, refined, and truthful, I like him very much. We count him one among the valu- able acquaintances made this year in England." THE STUDY OF JOHN RUSKIN 47 Memorial sent to Buskin on his birthday, Feb- ruary 8, 1899. Signed by the trustees of the British Museum, Prince of "Wales, representatives of the National Gallery, Royal Academy, Oxford Guild, and Ruskin societies : " We feel that the world is richer for that which you have been able to accomplish, year by year, in ever-widening ex- tent. There is an increasing trust in your teaching, an increasing desire for the noble ideals you have set before mankind in words which we feel have brought nearer to our hearts the Kingdom of God upon earth. It is our hope and prayer that the joy and peace you have brought to others may return in full measure to your own heart, filling it with the peace which comes from love of God and the knowledge of the love of your fellow men." BOOKS BY PRODUCTION CHRONO- LOGICALLY 1843. Modern Painters. Volume I. 1846. Modern Painters. Volume II. 1849. Scythian Guest. Printed separately. 1849. Seven Lamps of Architecture. 1850. Poems in book form. They had previously appeared as follows : 1835. Salzburg, first printed in " Friend- ship's Offering," pp. 37, 38. Fragments from a metrical jour- nal, ibid., pp. 317-319. 1836. The Months, ibid., pp. 290, 291. 1837. The Last Smile, ibid., p. 102. Full Broad and Bright is the Silver Light, reprinted from Leoni, in "Friendship's Offering," pp. 217- 226. 1838. The Scythian Grave, " Friendship's Offering," pp. 116-118. Signed J. R., Christ Church, Oxon. Remembrance, ibid., pp. 119, 120. Signed P. Christ Church, Oxford, ibid., pp. 287, 288. THE STUDY OF JOHN RUSKIN 49 1839. A Scythian Banquet Song, " Friend- ship's Offering," pp. 25-39. Signed J. R., Christ Church, Oxon. Aristodemus at Plataea, ibid., pp. 140-142. The Recreant, first printed in the " Amaranth," pp. 56, 57. Signed J. R. The Wreck, ibid., p. 90. (The "Amaranth" is a miscellany of original prose and verse con- tributed by distinguished writers. Ed. by T. K. Hervey, London.) Song We Care not What Skies are the Clearest, first printed in the "London Monthly Miscel- lany," p. 486. Song Though Thou Hast not a Feeling for One, ibid., p. 491. Horace Iter ad Brundusium, ifyid., p. 500. Memory, ibid., p. 536. The Name, ibid., p. 558. Canzonet The Winter Chill, ibid., p. 604. Fragments from a meteorological journal, ibid., p. 624. Canzonet There 's a Change in the Green Leaf, ibid., p. 635. The Mirror, ibid., p. 653. 50 BIBLIOGRAPHICAL CONTRIBUTION TO 1839. Song of the Tyrolese after the Battle of Brixen, "Friendship's Offer- ing," p. 739. Salsette and Elephanta, prize poem, printed and published by J. Vin- cent, 1839. Separate edition by Allen, 1879. 1840. The Scythian Guest, " Friendship's Offering," pp. 52-60. Printed separately in 1849. The Broken Chain, ibid., pp. 137- 154. To ... (Adele), ibid., pp. 244-248. Signed P. 1841. The Tears of Psammeritus, ibid., pp. 37-45. The Two Paths, ibid., pp. 37-74. The Old Water-Wheel, ibid., pp. 107, 108, signed K. $. (Kata Phusin). Farewell, ibid., pp. 168-180. Signed MOVOGTOS, September, 1839. The Departed Light, ibid., pp. 217, 218. Signed P. Agonia, ibid., p. 288, signed * * *. The Broken Chain, Pt. III., ibid., pp. 311-319. 1842. The Last Song of the Arion, ibid., pp. 43-51. The Hills of Carrara, ibid., pp. 159- 161. THE STUDY OF JOHN RUSKIN 61 1843. The Broken Chain, Pts. IV., V., with a drawing of Ambrose by the author, engraved by E. Goodall, " Friendship's Offering," page not given. 1844. The Battle of the Montenotte, ibid., pp. 59-69. A Walk in Chamouni, ibid., pp. 141- 144, with drawings by the author of "The West Coast of Genoa" and "Le Glacier des Bois," en- graved by J. C. Armytage. 1845. The Old Seaman, first printed in the " Keepsake," pp. 63, 64. The Alps seen from Marengo, ibid., p. 270. La Madonna dell' Acqua, first printed in Heath's "Book of Beauty," pp. 18, 19. 1846. Written among the Basses Alps, ibid., p. 109. The Glacier, ibid., p. 110. Mont Blanc, ibid., p. 35. The Arve at Cluse, ibid., p. 234. Poems that had not previously appeared in print until published in the collection of 1850 are as follows : Song I Weary of the Torrent. The Avalanche. The Emigration of the Spirits. Ehrenbreitstein. Good Night. 62 BIBLIOGRAPHICAL CONTRIBUTION TO On Adele by Moonlight. The Gipsies. The Exile of St. Helena. Charietie. Mont Blanc Revisited. 1851. Stones of Venice. Volume I. Pre-Raphaelitism. Notes on the Construction of Sheepfolds. King of the Golden River. Examples of Architecture of Venice. 1852. National Gallery Letters. 1853. Stones of Venice. Volumes II. and III. 1853-60. Giotto and his Work at Padua. 1854. Pamphlet for the Preservation of Ancient Buildings and Landmarks. Opening of the Crystal Palace. Lectures on Architecture and Painting. Letters to the " Times." 1855. Notes on the Royal Academy. 1856. Notes on the Royal Academy. Modern Painters. Volumes III. and IV. Harbours of England. 1857. Political Economy of Art. Notes on the Turner Gallery at Marlborough House. Notes on the Royal Academy. Elements of Drawing. Catalogue of the Turner Sketches and Draw- ings at Marlborough House. Catalogue of Turner's Sketches in the Na- tional Gallery. THE STUDY OF JOHN RUSKIN 53 1858. Inaugural Address at Cambridge. Notes on the Royal Academy. J 1859. Two Paths. Elements of Perspective. Oxford Museum. Notes on the Royal Academy. 1860. Modern Painters. Volume V. Unto this Last. 1861. Tree Twigs. 1862-63. Munera Pulveris. 1863. Forms of Stratified Alps. Printed sepa- rately. 1865. Sesame and Lilies. 1866. Crown of Wild Olive. 1868. Ethics of the Dust. Leoni. Time and Tide. Notes on the General Principles of Employ- ment for the Destitute and Criminal Classes. 1869. Catalogue of Pictures in Illustration of Lec- tures on Flamboyant Architecture. Catalogue of Pictures sold at Christie's. Queen of the Air. 1870. Catalogue of Examples arranged for Ele- mentary Study in the University Galleries. Lectures on Art. Samuel Prout. Privately printed. Verona and its Rivers. 1871-84. Fors Clavigera. 54 BIBLIOGRAPHICAL CONTRIBUTION TO 1872. Aratra Pentelici. Eagle's Nest. Monuments of the Cavalli Family, Verona. Relations between Michael Angelo and Tin- toret. 1873. Ariadne Florentina. 1873. Love's Meinie. Nature and Authority of Miracle. Printed privately. 1874. Val d'Arno. 1875. Deucalion. Frondes Agrestes. Notes on the Royal Academy. 1875-77. Mornings in Florence. 1875-86. Proserpina. 1876. Bibliotheca Pastorum. 1877. Bibliotheca Pastorum. Volume II. Guide to the Principal Pictures in the Acad- emy of Arts, Venice. 1877-78. Laws of Fe'sole. 1877-84. Saint Mark's Rest. 1878. Notes on the Turner Exhibition. 1879-80. Circular respecting the Memorial Studies at St. Mark's. Lord's Prayer and the Church ; letters. Notes on the Prout and Hunt Exhibit. Salsette and Elephante. 1880. Arrows of the Chace. 1880-85. Bible of Amiens. 1880. Elements of English Prosody. THE STUDY OP JOHN RUSKIN 55 1881. Catalogue of Drawings and Sketches by J. M. W. Turner, R. A., at present in the Na- tional Gallery. 1883. Art of England. Catalogue of Silicious Minerals. 1884. Catalogue of Minerals given to Kirkcud- bright Museum. Catalogue of Series of Specimens in the Brit- ish Museum. 1884-85. Pleasures of England. Storm Cloud of the Nineteenth Century. 1885. Bibliotheca Pastorum. Volume IV. Cceli Enarrant. On the Old Road. 1885-89. Prseterita. 1886-87. Dilecta. 1887. Hortus Inclusus. 1889. Two Letters concerning " Notes on the Con- struction of Sheepfolds." 1890. Ruskiniana. 1891. Poems. 1892. Poetry of Architecture. Stray Letters to a London Bibliophile. 1897. Letters. BRITISH EDITIONS OF RUSKLN'S BOOKS Works. Allen, Orpington. 1887. Aratra Pentelici, six lectures on the Elements of Sculpture, given before the University of Oxford in Michaelmas term, 1870. 3 editions. Allen. 1872. 56 BIBLIOGRAPHICAL CONTRIBUTION TO Ariadne Florentina, six lectures on Wood and Metal Engraving, with Appendix, given before the Univer- sity of Oxford, in Michaelmas term, 1872. 2 edi- tions. Allen. 1873. Arrows of the Chace, being a collection of scattered let- ters, published chiefly in the daily papers, 1840-80. Ed. by A. D. 0. Wedderburn. 2vols. Allen. 1880. Art of England, lectures given in Oxford. 2 editions. Allen. 1883-84. Allen. 1898. 5 s. Bible of Amiens, collected in one volume. Allen. 1881. Separate traveller's edition of chapter iv. Allen. 1881. Bibliotheca Pastorum. Vol. I. : The Economist of Xeno- phon. Tr. by A. D. 0. Wedderburn and W. G. Col- lingwood. Vol. II. : Rock Honeycomb, Sir Philip Sid- ney's " Psalter." Vol. III. : not published. Vol. IV. : A Knight's Faith, Life of Sir Herbert Edwardes. Allen. London. 1876-85. Ellis & White. 1876. Black Arts : a Reverie in the Strand. Printed in the " Magazine of Art," January, 1881. Catalogue of a Series of Specimens in the British Mu- seum. Allen. 1884. Catalogue of Examples arranged for Elementary Study in the University Galleries. 5 editions. Clarendon Press, Oxford. 1870. Catalogue of Minerals given to Kirkcudbright Museum. 1884. Catalogue of Pictures in Illustration of Lecture on the THE STUDY OF JOHN RUSKIN 67 Flamboyant Architecture of the Valley of the Somme. 1869. Catalogue of Pictures sold at Christie's. 1869. Catalogue of the Silicious Minerals given to St. David's School. 1883. Catalogue of the Sketches and Drawings by J. M. W. Turner, R. A., exhibited at Maryborough House. Spottiswood & Co. 1857. Enlarged edition. Spottiswood & Co. 1858. Catalogue of the Sketches and Drawings by J. M. W. Turner ... at present exhibited in the National Gallery. Allen. 1880. Revised edition. Allen. 1881. Catalogue of Turner's Sketches in the National Gallery. For private circulation. 1857. Cestus of Aglaia. Nine papers printed in the "Art Journal," partly reprinted in " On the Old Road " and " Queen of the Air." 1865-66. Circular respecting Memorial Studies at St. Mark's. 3 issues. Fine Arts Society. 1879-80. Coeli Enarrant. Studies in cloud form, and its visible cause, collected from "Modern Painters." Allen. 1885. Convergence of Perpendiculars. Five articles, " Lou- don's Magazine." 1838. Crown of Wild Olive, three lectures on Work, War and Traffic. Seditions. Smith, Elder. London. 1866. 5 editions. Allen. 1866. Deucalion, collected studies of the lapse of waves and life of stones. (First supplement, Limestone Alps 58 BIBLIOGRAPHICAL CONTRIBUTION TO of Savoy, Collingwood, with introduction by Ruskin.) 8 parts (some of which ran into 2 editions), collected in 2 volumes. Allen. 1875-83. Deucalion, also Yewdale and its Streamlets. Reprinted from the " Kendal Mercury." 1877. Dilecta, Correspondence, Diary Notes, Extracts from Books, illustrating " Prseterita." Allen. 1886. Drawings . . . illustrative of the Architecture of Ve- rona. 1870. Eagle's Nest, ten lectures on the relation of natural science to art given before the University of Oxford in the Lent term, 1872. 3 editions. Allen. 1872. Eastlake's History of Painting, reviewed. Reprinted in "On the Old Road" from the " Quarterly Review." March, 1848. Economist of Xenophon. See Bibliotheca Pastorum. Education in Art. " Transactions National Association for Promotion of Social Science." 1858. Education, needed but neglected elements restated and reviewed. Allen. 1894. Elements of Drawing in Three Letters to Beginners, with drawings by the author. Smith, Elder. L. 1857. Eighth thousand. Smith, Elder. 1857. New edition. Allen. 1892. 4 editions. Macmillan. Elements of English Prosody for use in St. George's School, explanatory of various terms used in " Rock Honeycomb." Allen. 1880. Elements of Perspective, arranged for the use of schools, and intended to be read in connexion with the first three books of Euclid. Smith, Elder. London. 1859. THE STUDY OF JOHN RUSKIN 59 Enquiries on the Causes of the Color of the Water of the Rhine. Reprinted in " On the Old Road," from " London's Magazine of Natural History." 1834. Ethics of the Dust ; ten lectures to little housewives on the elements of crystallization. Smith, Elder. 1866. 4 editions. Allen. 1877. Examples of the Architecture of Venice, sketched and drawn to measurement from the edifices. 3 parts. Smith, Elder. 1851. Allen. 1887. Facts and Considerations on the Strata of Mont Blanc. Reprinted in " On the Old Road," from " Loudon's Magazine." 1834. Fiction Fair and Foul. Five papers reprinted in " On the Old Road," from the " Nineteenth Century Maga- zine." 1880-81. Forms of the Stratified Alps of Savoy. " Proceedings of the Royal Institution," reprinted, with variations, in the " Geologist," 1863 ; reported fully in " Journal de Geneve." 1863. Reprinted separately, and in " On the Old Road." Fors Clavigera, Letters to the Workmen and Labourers of Great Britain. Letters 1-84, published monthly from January, 1871, to December, 1877. Letters 84-96 (1-12, new series), published at intervals from 1878-1884. Afterwards collected in 8 volumes. Allen. 1884. Index to Vols. I., II. 1873. Index to Vols. III., IV. 1875. 60 BIBLIOGRAPHICAL CONTRIBUTION TO Articles on J. D. Forbes, chiefly from " Fors." No. 34, in Rendu's "Glaciers of Savoy," trans- lated by Alfred Wills, Q. C. Macmillan. Letters to Young Girls, from " Fors." Nos. 65, 66. 18 editions. Published up to 1890. Allen. Relating to St. George's Guild, viz., Abstract of the Object and Constitution. 1878. Memorandum and Articles of Association. 1878. Master's Report for 1879-81, 1884-85. General Statement, explaining the nature and pur- pose. 2 editions. Allen. 1882. Contents of large sliding frames in the Museum. 1879. Catalogue of Drawings made for Guild and ex- hibited at Fine Arts Society Gallery. 1886. Catalogue of Minerals in the Museum. New edition. 4 vols. Allen. 1896. Readings in " Fors." Allen. 1899. 2s. 6 d. Frondes Agrestes. See Modern Painters. Future of England, a paper read at the Royal Artillery Institute, Woolwich. 1869. Giotto and his Works in Padua. Arundel Society. 1854. Arundel Society. 1877. Illustrated. Allen. 1900. 7 s. 6 d. Gold, a dialogue connected with the subject of " Munera Pulveris," edited by H. B. Forman. Privately printed. London. 1891. Guide to the Principal Pictures of the Academy of Fine Art, Venice, arranged for English travellers, in 2 parts. London and Aylesbury and Venice, 1877. THE STUDY OF JOHN RUSKIN 61 Guide to the Principal Pictures of the Academy of Fine Art, Venice. Allen. 1877. Guild of St. George. See Fors Clavigera. Harbours of England, illustrated by J. M. W. Turner. 2 editions. Gambart. London. 1856. 3d edition. Day & Sons. 1877. - 4th edition. T. J. Allman. 1877. 5th edition. Smith, Elder. 1877. - edited by T. J. Wise. Allen. 1895. Hortus Inclusus, letters to the Misses Beever. Allen. 1887. Inaugural Address delivered at the Cambridge School of Art, October 29, 1858. Deighton BeU. 1858. reprinted in " On the Old Road." Allen. 1879. Induration of Sandstone. Reprinted in " On the Old Road," from " Loudon's Magazine." 1836. In Mortibus Sanctus. See Modern Painters. Introduction to the Poetry of Architecture. " Loudon's Architectural Magazine." 1837. (A) Joy Forever, and its Price in the Market. See Political Economy of Art. King of the Golden River, written in 1841. 7 editions. Smith, Elder. 1851. - 3 editions. Allen. 1856, 1884. Knight's Faith. See Bibliotheca Pastorum. Vol. IV. Laws of Fe"sole, familiar treatise on the elementary prin- ciples and practice of drawing and painting, as deter- mined by the Tuscan masters, arranged for the use of schools. Allen. 1879. 2d edition. Allen. 1882. 62 BIBLIOGRAPHICAL CONTRIBUTION TO Lectures on Architecture and Painting, delivered at Edinburgh, November, 1853, illustrated by the author. Smith, Elder. 1854. 2d edition. London. 1855. New edition. Allen. 1891. Lectures on Art, delivered before the University of Oxford in Hilary term, 1870. 3 editions. Claren- don Press. Oxford, 1870. Small edition. Allen. 1870. New edition, revised. Allen. 1887. Allen. 1888. Lectures on Landscape, delivered at Oxford in Lent term, 1871. Allen. 1898. 42s. Leonie, a legend of Italy, reprinted from " Friendship's Offering " of 1837, with preface. 1868. Letters : " Act, Act in the Living Present." From the " New Year's Address and Message to the Blackfriar's Bible Class." Aberdeen. 1873. Reprinted in " Arrows of the Chace." Addressed to a college friend during the years 1840- 45. Allen. 1894. Arts as a Branch of Education. To the Rev. F. Temple, Bishop of Exeter, September 25, 1857. Printed in T. D. Acland's " Account of the Origin and Objects of the New Oxford Examinations." Ridgway. London. 1858. Reprinted in " Arrows of the Chace." Art Teaching by Correspondence. To Mr. Williams, THE STUDY OF JOHN RUSKIN 63 Letters, continued. of Southampton. Printed in "Nature and Art," December, 1866. Reprinted in " Arrows of the Chace." At the Play. " Pall Mall Gazette," March 1, 1867. Reprinted in " Arrows of the Chace." Bibliography of Ruskin. Two letters. From the list of " Mr. Shepherd's Publications," printed at the end of his " Bibliography of Dickens." Re- printed in " Arrows of the Chace." Blindness and Sight. To the Secretary of the Pro- testant Blind Pension Society. Printed in the Young Men's Association of the Clapham Congre- gational Church, September, 1879, Vol. III. Re- printed in " Arrows of the Chace." British Museum. To the Editor of the "Times," Saturday, January 27, 1866. Reprinted in " Arrows of the Chace." Building Operations at the Castle. To the Editor of the Witness," Edinburgh, September 30, 1857. Reprinted in " Arrows of the Chace." Castle Rock. To the Editor of the " Witness," Edin- burgh, September 16, 1857. Reprinted in " Ar- rows of the Chace." Castles and Kennels. To the "Daily Telegraph," December 22, 1871. Reprinted in "Arrows of the Chace." Circular respecting Memorial Studies at St. Mark's, Venice, now in progress under Mr. Rnskin's direc- tion, 1879-80. Reprinted in "Arrows of the Chace." 64 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. Circular respecting Memorial Studies at St. Mark's, Venice. 2d edition, containing letter to Mr. Pullen. Reprinted in " Arrows of the Chace." Commercial Morality. Date and place of publication not known. Reprinted in " Arrows of the Chace." Concerning Notes on the Construction of Sheepfolds. Privately printed. London, 1890. Copies of Turner's Drawings. To the " Times," April 25, 1876. Reprinted in " Arrows of the Chace." Copy of Turner's " Fltielen." To the "Times," March 20, 1880. Reprinted in "Arrows of the Chace." Coventry Patmore's "Faithful Forever." To the "Critic," October 27, 1860. Reprinted in "Ar- rows of the Chace." Cradle of Art. Date and place of publication un known. Reprinted in " Arrows of the Chace." Danger to the National Gallery. To the " Times," January 7, 1847. Signed The Author of " Modern Painters." Reprinted in " Arrows of the Chace." The Debate (The Danish Question). To the Editor of the " Morning Post," July 7, 1864. Reprinted in " Arrows of the Chace." Definition of Wealth. To the " Monetary and Mining Gazette," November 13, 1875. Reprinted in "Ar- rows of the Chace." Depreciation of Gold. To the Editor of the " Times," October 8, 1863. Reprinted in "Arrows of the Chace." THE STUDY OF JOHN RUSKIN 65 Letters, continued. Dramatic Reform. Two letters to J. S. Bogg, Secre- tary of the Dramatic Reform Association, Man- chester. Printed in "Journal of Dramatic Re- form," November, 1880. Reprinted in "Arrows of the Chace." Drunkenness and Crime. To the " Daily Telegraph," December 11, 1871. Reprinted in "Arrows of the Chace." Eagle's Nest. To the "Young Men's Association Magazine," October, 1879, Vol. IV. Reprinted in " Arrows of the Chace." Employment of the Destitute Poor and Criminal Classes. To the "Daily Telegraph," December 26, 1868. Reprinted in "Arrows of the Chace." Ernest George's Etchings. In the " Architect," De- cember 27, 1873. Reprinted in "Arrows of the Chace." Excuses from Correspondence. Circular letter printed in 1868. Reprinted in " Arrows of the Chace." Printed March, 1880. Reprinted in " Arrows of the Chace." Extract of letter to the Glasgow Athenaeum Lecture Committee. Published in the " Times," February 12, 1878. Reprinted in " Arrows of the Chace." Female Franchise. Date and place of publication unknown. Letter dated Venice, May 29, 1870. Reprinted in " Arrows of the Chace." Franco-Prussian War. Two letters to the "Daily Telegraph," October 7 and 8, 1870. Reprinted in " Arrows of the Chace." 66 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. Frederick Walker Exhibition. To the "Times," January 20, 1876. Reprinted in " Arrows of the Chace." How the Rich spend their Money. Three letters to the "Pall Mall Gazette," January 24,1873. Re- printed in " Arrows of the Chace." Is England Big Enough ? To the " Daily Telegraph," July 31, 1868. Reprinted in "Arrows of the Chace." Jamaica Insurrection. To the " Daily Telegraph," December 20, 1865. Reprinted in "Arrows of the Chace." King's First Duty. To the " Daily Telegraph," Janu- ary 12, 1871. Reprinted in "Arrows of the Chace." Landslip near Gargnano. A letter to Dr. Bucland, read at a meeting of the Society. " Proceedings of the Ashmolean Society " for May 10, 1841. Reprinted in " Arrows of the Chace." " Laborare est Orare." In the New Year's Address and Message to the Blackfriar's Bible Class. Ab- erdeen. 1874. Reprinted in "Arrows of the Chace." Law of Supply and Demand. Three letters to the Editor of the "Daily Telegraph," October 28, 31, and November 3, 1864. " Limner and Illumination " in the " Builder," De- cember 9, 1854. Reprinted in "Arrows of the Chace." THE STUDY OF JOHN RUSKIN 67 Letters, continued. Lord Rectorship of Glasgow University. Four letters to Matthew B. Fraser, Esq., printed in the Glasgow "Herald," Octoher 7, 1880. Reprinted in " Ar- rows of the Chace." To Alexander Mitchell, Esq., ibid., October 12, 1880. Reprinted in " Arrows of the Chace." Madness and Crime. In the " Pall Mall Gazette," November 4, 1872. Reprinted in "Arrows of the Chace ; " also in " Fors Clavigera," letter xlviii., p. 318, Vol. II. Merchant of Venice. In the "Theatre," March, 1880. Reprinted in " Arrows of the Chace." Millais " Pot-Pourri." To the Editor of the " Times," Thursday, March 29, 1859. Reprinted in " Ar- rows of the Chace." Mistaken Review. In the "Pall Mall Gazette," January 11, 1875. Reprinted in " Arrows of the Chace." Mr. Ruskin and Mr. Lowe. In the "Standard," August 28, 1877. Reprinted in " Notes and Cor- respondence" to "Fors Clavigera," letter Ixxxi. ; also in " Arrows of the Chace." Mr. Ruskin and Professor Hodgson. Two letters in the "Scotsman," November 10 and 18, 1873. Reprinted in " Arrows of the Chace." Mr. Ruskin's Influence, a Defence and a Rejoinder. Two letters to the " Pall Mall Gazette," March, 1872. Reprinted in " Arrows of the Chace." Morality of Field Sports, To the " Daily Telegraph," 68 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. January 15, 1870. Reprinted in " Arrows of the Chace." Modern Houses. To the Editor of the Daily Tele- graph," October 17, 1865. Reprinted in "Ar- rows of the Chace." Modern Restoration. To the Liverpool " Daily Post," June 9, 1877. Reprinted in "Arrows of the Chace." Modern Warfare. " Eraser's Magazine," July, 1876. Reprinted in " Arrows of the Chace." National GaUery. To the Editor of the " Times," December 29, 1852. Reprinted in " Arrows of the Chace." Nation's Defences. In the "Pall Mall Gazette," January 19, 1871. Reprinted in " Arrows of the Chace." Notes on a Word in Shakespere. Two letters to Mr. Furnivall. Printed in " The Transactions of the New Shakespere Society, 1878-79." Reprinted in " Arrows of the Chace." Notice of " Illustrations of the Scriptures by an Ani- mal Painter," in the " Morning Chronicle," Janu- ary 20, 1855. Reprinted in the "Evening Chronicle," January 22, 1855, and in " Arrows of the Chace." " Notre Dame de Paris." To the " Daily Telegraph," January 19, 1871. Reprinted in " Arrows of the Chace." Oak Silkworms. To the "Times," October 24, 1862. Reprinted in " Arrows of the Chace." THE STUDY OF JOHN RUSKIN 69 Letters, continued, Object of Charity. To the " Daily Telegraph," Janu- ary 22, 1868. Reprinted in "Arrows of the Chace." On a Museum or Picture Gallery. In the "Art Journal," 1880. Reprinted in " On the Old Road." On Cooperation. To George J. Holyoake. Printed in " Coventry Cooperative Record," January, 1880. Reprinted in the " Christian Life," December 20, 1879 ; also in " Arrows of the Chace." On Domestic Servants. To the " Daily Telegraph," September 5, 7, and 18, 1865. Reprinted in " Arrows of the Chace." On Dress. In the monthly "Packet of Evening Readings for the Younger Members of the English Church" (L. Mozley, ed.), November, 1863. Re- printed in " Arrows of the Chace." On English Workmen. To Thomas Dixson. See Time and Tide. On Foreign Policy of England. In the " Liverpool Weekly Albion," November 2, 1863. Reprinted in " Arrows of the Chace." On Foreign Politics. In the " Scotsman," July 22, 1859. Reprinted in " Arrows of the Chace." On Generalization and Pre-Raphaelites. To the "Witness," Edinburgh, March 27, 1858. Re- printed in " Arrows of the Chace." On the Alps. Four letters in the " Reader," Novem- ber and December, 1864. Reprinted in " Arrows of the Chace." 70 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. On the Fine Arts. Part of a letter to Alfred Hunt. Printed in the " Liverpool Albion," January 11, 1858. Reprinted in " Arrows of the Chace." On the Gentian. To the " Athenaeum," in explana- tion of a passage in the Turner notes, "Athe- naeum," February 14, 1857. Reprinted in "Ar- rows of the Chace." On the Italian Question. In the " Scotsman," July 20 and August 6, 1859. Reprinted in " Arrows of the Chace." On the " Light of the World " and " The Awakening Conscience," by Holman Hunt. Two letters to the Times," May 15 and 25, 1854. Reprinted in " Arrows of the Chace." On the Principal Pre-Raphaelite Pictures in the Ex- hibition. To the " Times," 1876. Reprinted sep- arately and in " Arrows of the Chace." On the Proper use of Art in Education. Published in T. D. Acland's " Some Account of the Origin and Objects of the New Oxford Examinations for the Title of Associate in Arts and Certificates." Reprinted in " Arrows of the Chace." On the Purchase of Pictures. To the "Leicester Chronicle and Mercury," January 31, 1880. Re- printed in " Arrows of the Chace." On the Reflection of Rainbows. In "Nature and Art," December 1, 1866. Reprinted in " Arrows of the Chace." On the Study of Natural History. To Adam White, THE STUDY OF JOHN RUSKIN 71 Letters, continued. of Edinburgh. Reprinted in "Arrows of the Chace." On the Turner Bequest. To the " Times," October 28, 1856. Reprinted in " Arrows of the Chace." On the Turner Sketches and Drawings. In the " Lit- erary Gazette," November 13, 1858. Reprinted in " Arrows of the Chace." On the Vote for the National Gallery. To the "Times," July 9, 1857. Reprinted in "Arrows of the Chace." On the Works of Millais, Holman Hunt, and other painters of the Royal Academy Exhibition of 1851. Signed The Author of " Modern Painters." The " Times," May 13, 1851. Reprinted in " Arrows of the Chace." Our Railway System. To the "Daily Telegraph," December 8, 1865. Reprinted in "Arrows of the Chace." Ownership of Railways. In the " Daily Telegraph," August 6, 1868. Reprinted in "Arrows of the Chace." Oxford Protest. In the " Globe," October 29, 1874. Reprinted in " Arrows of the Chace." Pagan Message. In the " New Year's Address and Message to the Blackfriar's Bible Class." Aber- deen. 1874. Reprinted in " Arrows of the Chace." Politics in Youth. In the " Young Men's Magazine," November, 1879. Reprinted in " Arrows of the Chace." 72 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. Position of Critics. In the "Pall Mall Gazette," January 19, 1875. Reprinted in " Arrows of the Chace." Pre-Raphaelite Artists. To the " Times," May 30, 1851. Signed The Author of " Modern Painters." Reprinted in " Arrows of the Chace." Principles of Property. In the " Socialist " (Shef- field), November, 1877. Reprinted in " Arrows of the Chace." Publication of Books. In the " World," June 9, 1875. Reprinted in " Arrows of the Chace." " (The) Queen of the Air." In the " Asiatic," May 23, 1871. Reprinted in " Arrows of the Chace." Railway Economy. To the " Daily Telegraph," Au- gust 10, 1868. Reprinted in "Arrows of the Chace." Railway Safety. To the "Daily Telegraph," No- vember 30, 1870. Reprinted in "Arrows of the Chace." Recitations. To R. T. Webling. Printed in the " Daily News " (London), 1880 ; also in " Arrows of the Chace." Report of Interview between Ruskin and Henry Irving. In the "Theatre," January, 1880. Re- printed in " Arrows of the Chace." Ribbesford Church. In the " Kidderminster Times," July 28, 1877. Reprinted in "Arrows of the Chace." Sad-Colored Costumes. "Macmillan's Magazine," THE STUDY OF JOHN RUSKIN 73 Letters, continued. November, 1870, p. 80. Reprinted in " Arrows of the Chace." Saint George's Museum. In the "Sheffield Daily Telegraph," September 7, 1875. Reprinted in " Arrows of the Chace." Standard of Wages. To the " Pall Mall Gazette," May 1, 1876. Reprinted in "Arrows of the Chace," and in " Time and Tide " (with slight alter- ations), Appendix X. Streams of Italy. To the Daily Telegraph," Feb- ruary 7, 1871. Reprinted in "Arrows of the Chace." Streets of London. To the "Pall Mall Gazette," December 28, 1871. Reprinted in "Arrows of the Chace." Strike and Arbitration. To the " Pall Mall Gazette," April 18, 1865. Reprinted in " Arrows of the Chace." To Ernest Chesneau. Edited by T. J. Wise 1 . Pri- vately printed. London. 1894. To F. J. Furnivall. Edited by T. J. Wise. Privately printed. London. 1897. To the Author of a Review. In the " Liverpool Weekly Albion," November 9, 1872. Reprinted in " Arrows of the Chace." To the Clergy, . . . with replies from the Clergy, Laity, and Epilogue by Ruskin ; edited by F. A. Malleson. 3 editions. Allen. 1896. To the " Contemporary Review," 1879. Reprinted in On the Old Road." 74 BIBLIOGRAPHICAL CONTRIBUTION TO Letters, continued. To the Editor of the " Weekly Chronicle." Signed The Author of " Modern Painters." Printed in the "Weekly Chronicle," September 23, 1843. Reprinted in " Arrows of the Chace." To W. H. Harrison, facsimiled in the " Autographic Mirror," December 23-30, 1865. Reprinted in " Arrows of the Chace." To William Ward. Privately printed. London. 1893. To Young Girls. See Fors Clavigera. True Education. In the " Pall Mall Gazette," Janu- ary 31, 1868. Reprinted in "Arrows of the Chace." Turner Gallery at Kensington. To the "Times," October 21, 1859. Reprinted in " Arrows of the Chace." Turner's Drawings. Two letters to the " Daily Tele- graph," July 5, 1876. Reprinted in "Arrows of the Chace." " Turner's " False and True. To the " Times," Jan- uary 24, 1871. Reprinted in "Arrows of the Chace." Two Letters from the Author of " Modern Painters." In the " Artist and Amateur Magazine " (edited by E. V. RippingiUe), pp. 230-287, 314-319. London. 1843-44. Reprinted in " Arrows of the Chace." Upon Subjects of General Interest. Privately printed. London. 1892. Value of Lectures. In the " Glasgow Herald," June 5, 1874. Reprinted in " Arrows of the Chace." THE STUDY OF JOHN RUSKIN 75 Letters, continued. Verona versus Warwick. To the " Daily Tele- graph," December 22, 1871. Reprinted in " Ar- rows of the Chace." Waters of Comfort. In the "Daily Telegraph," February 4, 1871. Reprinted in " Arrows of the Chace." Woman's Sphere. Letter addressed in excuse for absence from a lecture upon Woman's Work and Sphere, printed in the " Daily Telegraph," Febru- ary 21, 1871. Reprinted in " Arrows of the Chace." Woman's Work. In " L'Espe'rance, Journal Men- suel," organe de 1' Association des femmes, Gdneve, le Mai, 1873. Reprinted in " Arrows of the Chace." Work and Wages. Five letters printed in the " Pall Mall Gazette," April, 1865. Reprinted in " Arrows of the Chace." Lord Lindsay's "Christian Art" reviewed. "Quar- terly Review," 1847. Reprinted in "On the Old Road." Love's Meinie. Lectures on Greek and English Birds given before the University of Oxford. Lectures L and II. Keston. 1873. - 2d edition. Allen. 1873. -Part in. Allen. 1881. - Complete. Allen. 1882. 3d complete edition. Allen. 1897. Modern Painters : their Superiority in the Art of Landscape Painting to all Ancient Masters proved 76 BIBLIOGRAPHICAL CONTRIBUTION TO by examples of the true, the beautiful, and the in- tellectual from the works of modern artists, especially from those of J. M. W. Turner, Esq., R. A. Vol. I. By a Graduate of Oxford. 2 editions. Smith, Elder. London. 1843. Modern Painters, published under author's name. 3d edition. 5 vols. Smith, Elder. 1860. 7th edition of Vol. I. only. Smith, Elder. 1867. 5th edition of Vol. n. only. Smith, Elder. 1869. Autograph Edition. Smith, Elder. 1873. New edition of Vol. I. only. Smith, Elder. 1873. Vol. II. only, arranged in 2 vols. Allen. 1883. With general bibliographical notes. Complete edition. 6 vols. Allen. 1888. 5 vols. Smith, Elder. 1888. Allen. 1892. Vol. II. arranged in 2 vols. 6th edition. Allen. 1897. 5s. Small edition. 6 vols. Allen. 1897. Vol. I. and H. small. Allen. 1897. 11 s. with general index and bibliographical notes. New small edition. Allen. 1897. 5 s. Vol. III. Allen. 1897. 8s. Selections from Modern Painters : Coeli Enarrant. Studies in cloud form. Allen. 1884. Frondes Agrestes. Readings in " Modern Paint- ers," chosen by Miss Susanna Beever, edited by Ruskin. Ten issues, totaling 18,000 copies Allen. 1875. THE STUDY OF JOHN RUSKIN 77 In Mortibus Sanctus. Studies in mountain form, and its visible causes, collected from " Modern Painters." 2 parts. Allen. 1884-85. Modern Warfare. "Fraser's Magazine," 1876. Re- printed in " Arrows of the Chace." Monuments of the Cavalli Family, Verona. Arundel Society, 1872. Reprinted in On the Old Road." Mornings in Florence, being simple studies of Christian Art for English travellers. 6 parts. 3 editions. Allen. 1875-77. Munera Pulveris. Six Essays on the Elements of Po- litical Economy. First printed in " Fraser's Maga- zine," 1863. 3 editions. Allen. 1872. My First Editor. " University Magazine." 1878. Re- printed in " On the Old Road." Mystery of Life and Its Arts. Lecture delivered in the theatre of the Royal College of Science, Dublin, 1868. 5 editions. Allen. 1869. Reprinted in " Sesame and Lilies." National Gallery. Letters to the "Times." Printed separately. 1869. Reprinted in "Arrows of the Chace." Nature and Authority of Miracle. Published in the " Contemporary Review." Printed privately. Lon- don. 1873. Reprinted in " On the Old Road." Notes on the Prout and Hunt Exhibit, with illustrations. Fine Art Society. London. 1879. - 4 issues. 1880. 4th thousand. 1881. Notes on the Construction of Sheepfolds. 2 editions. Smith, Elder. 1851. 78 BIBLIOGRAPHICAL CONTRIBUTION TO Notes on the Construction of Sheepfolds. 2 issues. Allen. 1875. Reprinted in On the Old Road." Notes on the General Principles of Employment for the Destitute Classes; for private circulation only. Strangeways & Walden. London. 1868. Reprinted in " Arrows of the Chace." Notes on the Perforation of a Leaden Pipe by Rats. " London's Magazine." London. 1834. Reprinted in "On the Old Road." Notes on the Principal Pictures of Millais at Grosvenor GaUery. Reeves. 1886. Notes on the Royal Academy, No. I. 3 editions. Smith, Elder. 1855. No. H. 6 editions. Smith, Elder. 1856. No. III. 2 editions. Smith, Elder. 1857. No. IV. Smith, Elder. 1858. No. V. Smith, Elder. 1859. Complete. 4 editions. Allen. 1875. Notes on the Shape and Structure of the Alps. " Geo- logical Magazine," 1865. Notes on the Turner Exhibit at the Fine Art Society's Gallery. 12 illustrated editions. Fine Art Society, London. 1878. Without plates. London. 1878. Revised. 12th thousand. London. 1881. Notes on the Turner Exhibit at Marlborough House. 2 editions. Smith, Elder. London. 1857. Revised preface. 3d edition. Smith, Elder. 1857. Revised. 4th edition. London. 1857. Revised. 5th edition. London. 1857. THE STUDY OF JOHN RUSKIN 79 Note respecting Geology of Chamouni. Royal Society of Edinburgh. 1858. Observations on the Causes of the Variation of Tem- perature between Spring and River Water. " Lou- don's Magazine," 1836. Reprinted in " On the Old Road." On Banded and Brecciated Concretions. "Geological Magazine," 1867-70. On the Nature of the Gothic, chapter vi. of Volume H. of " Stones of Venice." On the Old Road. Collection of miscellaneous essays, pamphlets, etc., published from 1834-85. A. D. O. Wedderburn, ed. 2 vols. Allen. 1885. 2 vols. Allen. 1899. 3 vols. Allen. 1900. 5s. Opening of the Crystal Palace, considered in some of its relations to the prospects of art. Smith, Elder. 1854. Reprinted in " On the Old Road." " Our Fathers Have Told Us." Sketches of the History of Christendom for boys and girls who have been held at its fonts. Part I. of the "Bible of Amiens," traveller's edition. Allen. 1881. Allen. 1884. - 3d edition. Allen. 1898. 5 s. Oxford Lecture. "Nineteenth Century Magazine," 1878. Reprinted in " On the Old Road." Oxford Museum. 4 editions. Smith, Elder. 1859. Planting of Church- Yards. "London's Architectural Magazine," 1838. Pleasures of England. Lectures given in Oxford. 4 parts. Allen. 1884, 80 BIBLIOGRAPHICAL CONTRIBUTION TO Poems, containing all poems previously enumerated. Privately printed. 1850. Poems, edited by W. G. Collingwood. 2 vols. Allen. 1891. Poetry of Architecture, or the Architecture of the Na- tions of Europe, considered in association with natural scenery and character. Printed in " London's Archi- tectural Magazine," 1837-38 (under the pseudonym " Kata Phusin "). Reprinted separately. Allen. 1893. Political Economy of Art. Being the substance, with additions, of two lectures delivered at Manchester, July 10, 13,1857. 2 editions. Smith, Elder. 1857. 3d edition was entitled "A Joy Forever, and its Price in the Market," and includes other lectures. Portfolio Studies in Both Arts : being ten subjects drawn and described by J. Ruskin. Allen. 1899. Praeterita, Autobiography. 2 vols. Allen. 1885. 2d edition. 2 vols. in 1. Allen. 1885. 3 vols. Allen. 1886. 2 vols. Allen. 1899. 3 vols. Allen. 1900. 5s., lls. Prefaces. See Bibliography of Prefaces, etc. Pre-Raphaelitism. 2 editions. Smith, Elder. 1851. Smith, Elder. 1862. Reprinted in " On the Old Road." Proserpina : Studies of Wayside Flowers while the Air was yet Pure among the Alps and in the Scotland and England which my Father knew. 2 vols. Allen. 1875-86. THE STUDY OF JOHN RUSKIN 81 Queen of the Air, being a stndy of the Greek myths of cloud and storm. 2 editions. Smith, Elder. London. 1869. 3 editions. Allen. Range of Intellectual Conception proportioned to the Rank in Animated Life. " Contemporary Review," xvii. 424-427. 1871. Reprinted in "On the Old Road." Readings from " Modern Painters," " Seven Lamps," and " Stones of Venice." Allen. 1895. Relation between Michael Angelo and Tintoret. Seventh of the course of lectures on sculpture delivered at Oxford, 1870-71. Seditions. Allen. 1872. Remarks addressed to the Mansfield Art Night Class. 1873. Remarks on the Present State of Meteorological Science. "Monthly Meteorological Magazine," 1870. Re- printed in " On the Old Road." Report on the Turner Drawings in the National Gallery. " Annual Report of the National Gallery," 1877. Rock Honeycomb. See Bibliotheca Pastorum. Ruskiniana. Letters collected. Privately printed. 1890. Saint Mark's Rest. The History of Venice written for the help of the few travellers who still care for her monuments. Allen. 1877. With various supplements and an appendix to chap- ter viii., entitled " Sanctus, Sanctus, Sanctus." An account of the mosaics in the Baptistery of St. Mark's, by A. D. 0. Wedderburn. Allen. 1884. 82 BIBLIOGRAPHICAL CONTRIBUTION TO Salsette and Elephanta. Prize poem. Printed and published. J. Vincent. 1839. - Allen. 1879. Samuel Prout. "Art Journal," 1849. Printed sepa- rately. 1870. Reprinted in " On the Old Road." Scythian Guest. Poem. Printed separately. (Very rare.) 1849. Sesame and Lilies. Three lectures. 4 editions. Smith, Elder. 1865. 6 editions. Allen. Up to 1884. 14 editions. Allen. Up to 1894. Seven Lamps of Architecture. 2 editions. Smith, Elder. 1849. Smith, Elder. 1855. 4 editions. Allen. 1880. Allen. 1890. Sir Joshua and Holbein. " Cornhill Magazine," 1860. Reprinted in " On the Old Road." Social Policy. A paper for the Metaphysical Society. 1875. Stones of Venice. Vol. I. The Foundations. Vol. IL The Sea-Stories. Vol. III. The Fall. Vols. II. and III., 2 editions each, published separately. Smith, Elder. 1853. 3 vols. together. Autograph Edition. Smith, Elder. 1874. - Allen. 1879. Traveller's edition, abridged. Allen. 1881. - Allen. 1884. With notes. Allen. 1886. THE STUDY OP JOHN RUSKIN 83 Stones of Venice. Allen. 1892. Illustrated by the author. Small edition. Allen. 1898. 10s. On the Nature of the Gothic, chapter vi. of Vol. II. Smith, Elder. 1854. With preface by William Morris. Allen. 1892. Allen. 1899. 1 s. 6 d. Storm Cloud of the Nineteenth Century. Two lectures delivered at the London Institute, February 4 and 11,1884. Allen. 1884. Stray Letters from Professor Ruskin to a London Bib- liophile. Forty copies only, privately printed. Lon- don. 1892. Studies. See Portfolio. Study of Architecture in our Schools, an inquiry into some of the conditions at present affecting it. Read at the ordinary general meeting of the Royal Insti- tute of British Architecture, May 15, 1865. Three Colours of Pre-Raphaelitism. " Nineteenth Cen- tury Magazine," 1878, 4: 925-931, 1072-1082. Reprinted in " On the Old Road." Three Letters and an Essay on Literature, 1836-41, found in his tutor's desk. Allen. 1893. Time and Tide by Weare and Tyne. Twenty-five let- ters to a workingman of Sunderland on the Laws of Work, first published in the " Manchester Examiner " and the " Leeds Mercury." 2 editions. Smith, Elder. 1868. 3 editions. Allen. 84 BIBLIOGRAPHICAL CONTRIBUTION TO Tree Twigs. Printed in the " Proceedings of the Royal Institution." Reprinted separately. 1861. Re- printed in " On the Old Road." Two Letters concerning the " Construction of Sheep- folds," addressed to the Rev. F. D. Maurice, written in 1851, printed with forewords by F. J. Furnivall, in 1889. Printed for private distribution only. London. 1890. Two Paths. Being Lectures on Art and its Application to Decoration and Manufacture, delivered in 1858-59. Smith, Elder. 1859. Two Paths. 3 editions. Allen. Unity of Art. Part of an address delivered at Man- chester, March 14, 1859. Privately printed. 1859. Lecture III. of " Two Paths." Unity of Art. See above, Two Paths. Unto this Last. Four Essays on the First Principles of Political Economy. Printed in the "Cornhill Magazine," 1860. Printed separately. Smith, Elder. 1862. 5 editions. Allen. 1877. 32d thousand. Allen. 1900. 2 s., 1 s. 6 d. Usury. A Reply and a Rejoinder. " Contemporary Review," 1880. Reprinted in " On the Old Road." Val d'Arno. Ten lectures on Tuscan Art directly Ante- cedent to the Florentine Year of Victories : given be- fore the University of Oxford in Michaelmas term, 1872. Seditions. Allen. 1874. Verona and its Rivers. Printed in the " Proceedings THE STUDY OF JOHN RUSKIN 85 of the Royal Institution. " Reprinted in " On the Old Road." 1870. Verona and its Rivers, and other Lectures. Illustrated by the author. Allen. 1894. Whether Works of Art may be combined with the Sublimity of Nature. " Loudon's Magazine," 1839. FOREIGN EDITIONS No international copyright laws existed between Eng- land and America earlier than 1891 ; all previous edi- tions, theref ore, are pirated. Many of these issues were sold in Europe because of cheapness. Ruskin disap- proved of the translation of his books into foreign lan- guages because of the false ideas often conveyed ; for that reason there are very few issues other than in the original. Works. 30 vols. Wiley, New York, 1876. - 20 vols. Wiley, New York, 1876. Library Edition. 25 vols. Wiley, New York, 1884. - New edition. 12 vols. Wiley, New York, 1885. Popular Edition. 19 vols. Wiley, New York, 1886. 18 vols. Wiley, New York, 1886. Complete works. 14 vols. Burrows. 1886. Works. With introduction by Charles Eliot Norton. First authorized American edition, illustrated. Brant- wood Edition. 22 vols. Maynard, 1891-92. $39.25, $66.75. Illustrated. 13 vols. Merrill and Baker, New York, 1895. 86 BIBLIOGKAPHICAL CONTRIBUTION TO Works. Illustrated. 26 vols. Merrill and Baker, 1897. New popular edition. 26 vols. American Pub- lishing Corporation, 1897. Including Life by Hobson. St. Mark's Edition. Taylor, New York, 1899. 12 vols. J. B. Lyon, Albany, N. Y., no date. Illustrated. 2 editions. 26 vols. Estes, Boston, 1900. $39, $78. 2 editions. 13 vols. Estes, Boston, 1900. $13, $26. Miscellanea. 2 vols. Wiley, New York, 1886. Aratra Pentelici. 2 editions. Wiley, New York, 1876. Lovell's Library. J. W. Lovell, 1885. , Merrill, New York, 1892. $2.75. Ariadne Florentina. Wiley, New York, 1876. Merrill, New York, 1892. $2.75. Arrows of the Chace. 2 vols. Wiley, New York, 1881. Literary Series. Lovell, 1890. Art of England. Wiley, New York, 1883. Appendix and Index. Wiley, New York, 1884. - Scribner, New York, 1885. Lovell's Library. Lovell, 1885. - Lovell, 1886. Literary Series. Lovell, 1889. - Merrill, 1892. $2.75. Crown of Wild Olive. Alden, no date. - Wiley, New York, 1876. Lovell's Library. Lovell, 1885. Literary Series. Lovell, 1889. Ruskin Library. Wiley, New York, 1890. THE STUDY OF JOHN RUSKIN 87 Crown of Wild Olive. Library of the World's Best Books. Burt, 1890. Literary Series. United States Book Co., 1891. Altemus, Philadelphia, 1900. 35 c., 40 c., 50 c.. 2 editions. Burt, New York, 1900. 75 c., $1. 3 editions. Caldwell, New York, 1900. 35 c., 50 c., 75 c. 8 editions. Crowell, 1900. 40 c., 50 c., 60 c., 75 c., $1, $2. and Seven Lamps. Crowell, 1900. $1.50. Handy Volume Series. Hill, Chicago, 1900. 35 c. - Page, Boston. $1. Bay View, New York. 50 c., 75 c. Donohue, Chicago. 25 c., 75 c. Mershon, New York. 10 c., 50 c., 75 c. Hurst, Boston. 30 c., 35 c., 50 c. and other Essays. Estes, Boston. $1.50. Merrill, New York. $1.50. Couronne d'olivier sauvage, traduction de Socie'te' d'Edi- tion Artistique. G. Elwall, Paris, 1900. Deucalion. Wiley, New York, 1876. Wiley, New York, 1877. LovelTs Library. Lovell, 1885. Lovell, 1886. Wiley, New York, 1886. Literary Series. Lovell, 1889. Estes, Boston. $1.50. Eagle's Nest. Wiley, New York, 1876. Lovell's Library. Lovell, 1885. 88 BIBLIOGRAPHICAL CONTRIBUTION TO Eagle's Nest. LoveU, 1886. - Merrill, New York, 1892. $1.50. Element! del disegno e della pittura, traduzione di Bocca. E. Nicolello, Torino, 1898. Elements of Drawing. Wiley, New York, 1876. Merrill, New York, 1892. $1.50. Elements of Perspective. Wiley, New York, 1876. Essays and Letters. Ginn, 1894. Ethics of the Dust. Alden. No date. Wiley, New York, 1876. Lovell's Library. Lovell, 1885. Literary Series. Lovell, 1889. Ruskin Library. Wiley, New York, 1890. Altemus, Philadelphia, 1893. Funk & Wagnalls, New York, 1900. 15 c. 4 editions. CaldweU, New York, 1900. 30 c., 35 c., 50 c. 7 editions. Crowell, 1900. 40 c., 60 c., 75 c., $2. Donohue, Chicago. 25 c., 75 c. Mershon, New York. 10 c., 50 c., 75 c. Hurst, Boston. 30 c., 35 c., 50 c. Merrill, New York, 1892. $1.50. and other Selections. Estes, Boston. $1.50. Fors Clavigera. Wiley, New York, 1876. Standard Series. French, 1880. - Wiley, 1884. Lovell's Library. Lovell, 1886. 3 vols. Literary Series. Lovell, 1890. 4 vols. Literary Series. United States Book Co., 1891. THE STUDY OF JOHN RUSKIN 89 Fors Clavigera. 2 vols. Funk & Wagnalls, New York, 1900. 15 c. each. 8 vols. Maynard, 1899. $28.50. 4 vols. Estes, 1900. $6. Frondes Agrestes. Wiley, New York, 1876. Scribner, 1876. Standard Series. French, 1880. Maynard, 1899. $1.50. Funk & Wagnalls, New York, 1900. Giotto and his Work at Padua, with Poetry of Archi- tecture. Lovell, 1890. Scribner, 1900. $3. Harbours of England. Imported by Scribner, 1896. $3. Hortus Inclusus. Wiley, 1877. - Maynard, 1899. $1.60. with In Mortibus Sanctus and Cffili Enarrant. Lovell, 1892. and miscellaneous works. Estes, 1900. $1.50. Inaugural Address at Cambridge. Reprinted in New York "Saturday Press," 1895. In Mortibus Sanctus. See Hortus Inclusus. Joy Forever. LovelTs Library. Lovell, 1885. Literary Series. Lovell, 1890. Maynard, 1899. $1.50. Der K6nig des Goldflusses, oder die Schwarzen Brtider : aus dem Engl. von A. Benson mit 2 Bildern. Kuntz, Dresden, 1861. Der Kanig des Goldenen Stromes, oder die Schwarzen Brlider. Slavische Mahrchensage. Aus dem Engl. von Henriette Tuwald. Stuttgart, 1861. 90 BIBLIOGRAPHICAL CONTRIBUTION TO King of the Golden River. Lee & Shepard, Boston, 1876. Wiley, New York, 1876. Wiley, New York, 1882. Classics for Children. Ginn, 1885. Lovell's Library. Lovell, 1885. New edition. Lee & Shepard, Boston, 1888. School Edition. Lee & Shepard, Boston, 1888. Literary Series. Lovell, 1890. Literary Gem Series. Putnam, 1890. 75 c. Cosy Corner Series. Knight, Boston, 1895. Maynard, 1899. $1. Crowell, 1900. 55 c. Ginn, 1900. 25 c. 350 copies only. Roycroft Press, 1900. $5. 40 copies. Roycroft Press, 1900. $10. - Roycroft Press, 1900. $2. Page, Boston. 50 c. - Maynard, 1899. $1. with Dame Wiggins of Lea. Merrill, New York, 1900. and other wonderful tales from BjOrnstjerne Bjorn- son and others. Houghton, Mifflin, Boston, 1898. 15 c. Edited by M. V. O'Shea, illustrated by S. Gal- lager. Heath, Boston, 1900. Herbert Bates, ed. Macmillan, 1900. 25 c. and other selections. Maynard, 1899. 12 c. Laws of Fe'sole. Wiley, New York, 1876. Wiley, New York, 1879. THE STUDY OF JOHN RUSKIN 91 Laws of F&ole. Estes, 1900. $1.50. Lectures on Architecture, with illustrations drawn by the author. Alden, New York, 1885. Lectures on Architecture and Painting. Literary Series. Lovell, 1885. Merrill, New York, 1892. 2 editions, imported by Scribner, 1900. $3, $6. Lectures on Art. Wiley, New York, 1876. Lovell's Library. Lovell, 1885. Literary Series. Lovell, 1889. Imported by Scribner, 1900. $2.50. Letters addressed to a College Friend. Macmillan, 1894. $1.50. Letters and Advice to Young Girls. Wiley, New York, 1879. Letters to the Clergy. 3 editions. Dodd, Mead, New York, 1896. Letters to Workmen. 2 vols. Funk & Wagnalls, New York, 1900. 15 c. each. Love's Meinie. Wiley, New York, 1876. Lovell's Library. Lovell, 1885. Lovell, 1886. Modern Painters. 5 vols. Wiley, New York, 1876. Vol. II. Wiley, New York, 1883. 5 vols. Wiley, New York, 1882. 2 vols. People's Edition. Wiley, New York, 1884. 5 vols. Lovell's Library. Lovell, 1885. 5 vols. Literary Series. Lovell, 1889. 5 vols. New edition. Hazell, 1889. 5 vols. Holiday Edition. Estes, 1894. 92 BIBLIOGRAPHICAL CONTRIBUTION TO Modern Painters. 6 vols. Imported by Scribner. 1900. 6 vols. Maynard, 1899. $48. Selections. Maynard. 12 c. Funk & Wagnalls. 15 c. and Stones of Venice. Caldwell, Boston. $1. 2 editions. Caldwell, New York, 1900. 35 c., 50 c., 75 c., $1. 5 vols. 2 editions. Estes, Boston, 1900. $7.50. $10, $20. Mornings in Florence. Wiley, New York, 1876. Lovell's Library. Lovell, New York, 1885. Lovell, 1886. Caldwell, New York, 1900. 30 c., 50 c., 75 c. ^ Handy Volume Series. Hill, Chicago, 1900. Donohue, Chicago. 25 c., 75 c. Mershon, New York. 10 c., 50 c., 75 c. Hurst, Boston. 30 c., 35 c., 50 c. and other selections. Estes, Boston. $1.50. Munera Pulveris, with Ethics of the Dust. Estes, Boston. $1.50. Notes on the Construction of Sheepfolds. Wiley, New York, 1876. Our Fathers Have Told Us. Lovell's Library. Lovell, 1885. Lovell, 1886. Wiley, New York, 1886. Literary Series. Lovell, 1890. Part I. Maynard, New York. $2.40. On the Old Road. Imported by Scribner. 1900. THE STUDY OF JOHN RUSKIN 93 Pleasures of England. Lovell's Library. Lovell, 1885. - Wiley, New York, 1885. Pleasures of Learning. Crowell, 1900. 25 c. Poems. Wiley, New York, 1882. Literary Series. Lovell, 1890. 2 vols. Brantwood Edition. Merrill, New York, 1891. $3. Poetry of Architecture. Wiley, New York, 1876. Literary Series. Lovell, 1890." Estes, Boston. $1. Political Economy of Art. Wiley, New York, 1876. Prseterita. Scribner, 1885-89. 3 vols. Wiley, 1885-89. 2d edition of Vol. I. Wiley, 1886. 3 vols. Ruskin Library. Wiley, 1890. United States Book Co., 1892. - 3 vols. Maynard, 1889. Estes. $1.50. Pre-Raphaelitism. Literary Gem Series. Putnam, 1891. with Notes on Sheepfolds and King of the Golden River. Wiley, 1876. with papers from 1854-62, arranged by W. M. Rossetti. Dodd, Mead, 1899. Proserpina. Lovell's Library. Lovell, 1885. Wiley, 1876-79. Wiley, 1886. - Lovell, 1886. and other selections. Estes, Boston. $1.50. 94 BIBLIOGRAPHICAL CONTRIBUTION TO Queen of the Air. Wiley, 1876. - Alden, 1885. Lovell's Library. Lovell, 1885. Literary Series. Lovell, 1889. Handy Volume Series. Hill, Chicago, 1900. 35 c. Altemus, Philadelphia, 1900. 35 c., 40 c., 50 c. 2 editions. Caldwell, New York, 1900. 35 c., 50 c., 75 c. 7 editions. Oowell, 1900. 40 c., 50 c., 60 c., 75c., $2. Maynard. $1.50. Hurst, Boston. 35 c., 50 c., 80 c. Mershon, New York. 10 c., 50 c., 75 c. Donohue, Chicago. 25 c. Buskin Library. 6 vols. Contains Sesame and Lilies, Ethics of the Dust, Crown of Wild Olive, Queen of the Air, True and Beautiful. Wiley, New York, 1890. Buskin Library. Fifty titles. Illustrated. Crowell, 1899. 60 c. per vol. Saint Mark's Best. People's Edition. Wiley, New York, 1879. translated into Italian by Comte Cav. G. P. Za- nelli, 1885. with index. Wiley, New York, 1884. Lovell's Library. Lovell, 1885. Lovell, 1886. Literary Series. Lovell, 1889. Handy Volume Series. Hill, Chicago, 1900. THE STUDY OF JOHN RUSKIN 95 Saint Mark's Rest. Hurst, Boston. 30 c., 35 c., 50 c. Mershon, New York, 10 c., 50 c., 75 c. Donohue, Chicago. 25 c. And other selections. Estes, Boston. $1.50. Selected Works. 8 vols. Alden, 1885. . 4 vols. Including Crown of Wild Olive, Ethics of the Dust, Mornings in Florence, Sesame and Lilies. Donohue, Chicago. $3. Sesame and Lilies. 2 sizes. Wiley, New York, 1876. New cheap edition. Wiley, New York, 1884. LovelTs Library. Lovell, 1885. Reprint of 3d English edition. Wiley, New York, 1888. Literary Series. Lovell, 1889. McClurg, Chicago, 1889. Knickerbocker Nuggets, Vol. XXV. Putnam, 1889. - Alden, 1890. Page, Boston. $1. Bay View, New York. 50 c., 75 c. Donohue, Chicago. 25 c., 50 c., 75 c. Mershon, New York. 10 c., 50 c., 75 c. Hurst, Boston. 30 c., 35 c., 50 c. Lupton, New York. 30c. - Altemus, 1892. Elia Series. Putnam, 1895. $2.25. Knight, 1898. - Roycroft Press, 1898. $5. 2 copies only. Roycroft Press, 1898. 96 BIBLIOGRAPHICAL CONTRIBUTION TO Sesame and Lilies. Altemus, 1900. 35 c., 50 c. 7 editions. Burt, New York, 1900. 75 c., $1, $1.50, $2. 3 editions. Caldwell, New York, 1900. 35 c., 50 c., 75 c., $1. 11 editions. Crowell, 1900. 40 c., $2.50. Handy Volume Series. Hill, Chicago, 1900. 35 c. Houghton, Cambridge, 1900. 15 c. McClurg, Chicago, 1900. $1, $2.50. World's Classics. Putnam. New York, 1900. edited by Cook. Silver, Burdett, New York, 1901. Mosher, Portland, Me., 1900. $1, $2.50. with King of the Golden River. Edited by H. Bates. Macmillan, 1900. 25 c. with True and Beautiful. Caldwell. $1. with Crown of Wild Olive and Ethics of the Dust. Alden. with other selections. Estes. $1.50. Sesame and Lilies Queen's Garden. Maynard, 1899. 12 c. King's Treasures. Maynard, New York, 1899. 12 c. Seven Lamps of Architecture. Illustrated. Wiley, 1876. Cheap edition. Wiley, 1880. - Wiley, 1884. - Alden, 1885. Lovell's Library. Lovell, 1885. Literary Series. Lovell, 1889. THE STUDY OF JOHN RUSKIN 97 Seven Lamps of Architecture. With Critical and Biographical Introduction by Russell Sturgis. Ap- pleton, 1899. Maynard, 1899. $2.75, $8.40. Imported by Scribner, 1900. $8.40. 8 editions. Crowell, 1900. Burt, New York, 1900. $1. and other selections. Estes, $1.50. Sept lampes de 1'architecture, traduction de Socie'te' d'Edition Artistique. G. Ewall, Paris, 1900. Stones of Venice. 3 vols. Wiley, 1876. Cheap edition. 3 vols. Wiley, 1881. - People's Edition. Wiley, 1884. Lovell's Library. Lovell, 1885. Literary Series. 3 vols. Lovell, 1889. Edition de luxe, illustrated, limited to 750 copies. 3 vols. Bryan, Taylor & Co., New York, 1892. Illustrated Holiday Edition. 3 vols. Estes, 1894. $4.50, $6, $12. 2 editions. Caldwell, New York, 1899. 35 c., 50 c., 75 c., $1. 2 vols. Maynard, 1899. $3. - 3 vols. Maynard, 1899. $36. 2 editions. 3 vols. Estes, 1900. 3 vols. Scribner, 1900. Steine von Venedig, eine Auslese aus dem Werke, " The Stones of Venice ; " aus dem Engl. ubersetzt und zusammengestellt von Jakob Feis. Strasburg, 1900. Storm Cloud of the Nineteenth Century. Wiley, 1884. Scribner, 1885. 98 BIBLIOGRAPHICAL CONTRIBUTION TO Studies in Both Arts. Being ten subjects drawn and de- scribed by John Ruskin. Imported by Scribner, 1895. $8.50. Study of Architecture in our Schools. Wiley, New York, 1876. Time and Tide. Wiley, New York, 1876. Wiley, New York, 1884. Lovell's Library. Lovell, 1885. E. Worthington, 1885. Maynard, New York. $1.50. Two Paths. Maynard, $1.50. - Wiley, New York, 1876.' Lovell's Library. Lovell, 1885. Two Paths. Literary Series. Lovell, 1889. and other selections. Estes, Boston. $1.50. Unto this Last. Lovell's Library. Lovell, 1885. - Wiley, New York, 1876. Val d'Arno. Lovell's Library. Lovell, 1885. Wiley, New York, 1886. also Pleasures of England. Literary Series. Lovell, 1890. Maynard, $2.75. Verona. Macmillan, 1894. $2.50. THE STUDY OF JOHN RUSKIN 99 BIBLIOGRAPHY OF BOOKS COMPOSED OF AND CONTAINING SELECTIONS FROM RUSKIN'S WRITINGS, ALSO OF BOOKS FOR WHICH HE WROTE PREFACES, NOTES, LETTERS, ETC. Angels in Art, pp. 42, 259. Clara Erskine Clement. Boston, 1898. Aphorismen zur Lebensweisheit, eine Gedankenlese aus den Werken des Ruskins, aus dem Engl. tlbersetzt und zusammengestellt von Jakob Feis. 180 Seiten. Heitz, Strasburg, 1899. Aristotle's Rhetoric, with manuscript notes and draw- ings by Ruskin, 1833. Art and Formation of Taste, numerous selections. Lucy Crane. London, 1882. Art Culture. W. H. Platt, arranger. Wiley, New York, 1873. Art Education, pp. 305, 318. Selections. Walter Smith. Boston, 1873. Art Schools of Mediaeval Christendom. Preface and notes by Ruskin. A. C. Owen. London, 1876. Artists of the Nineteenth Century. Numerous selec- tions. C. E. Clement and L. Hutton. Boston, 1880. Autobiographical Notes of the Life of William Bell Scott. Letter from Ruskin, p. 7. W. Minto, ed. New York, 1892. Beautiful in Nature. English Classic Series. Beauty and Nature. Caldwell, Boston. 50 c., 75 c., $1. 100 BIBLIOGRAPHICAL CONTRIBUTION TO Bernardino Luini, pp. 7, 11. Quotations from Ruskin. G. C. Williamson. London, 1899. Bible References of J. Ruskin. M. & E. Gibbs, comp. Oxford, 1898. $1.25. Cameos from Ruskin. M. E. Cardwill, arr. Maynard, New York, 1892. 50 c., $1. Catalogue of Exhibition of J. Leech's Outlines. Letter by Ruskin. 1872. Catalogue of the Exhibition. Appendix by Ruskin. Society of Water Colour Painters. 1886. Chapters on Art. A Selection from the Works of Rus- kin. Berlin, 1899. Choice Selections. Wiley, New York, 1896. 75 c. Christian Art and Symbolism. Preface by Ruskin. R. St. J. Tyrwhitt. 1872. Christian Folk in the Apennine. Edited by Ruskin. Francesca Alexander. 1887. Claude Lorraine. Numerous quotations from Ruskin. M. F. Sweetser. Artist Biographies. Boston, 1878. Communism of Ruskin. Humboldt. Social Science Li- brary. 1891. 75 c. Dame Wiggins of Lea. Edited by Ruskin. Illus- trated. Kate Greenaway. 1885. Dante Gabriel Rossetti. Letters from Ruskin. H. C. Macillier. London, 1899. Early Renaissance and other essays on Art Subjects. Selections from Ruskin. J. M. Hoppin. Boston, 1895. Education of the Artist. Selections, pp. 231, 255. Ernest Chesneau. Clara Bell, tr. London, 1886. THE STUDY OF JOHN RUSK1N 101 Elements of Art Criticism. Selection, p. 195, G. W. Samson. Philadelphia, 1867. English Prose, pp. 110, 212. Selections. J. Earle. London, 1890. English School of Painting. Notes and Preface by Ruskin. Ernest Chesneau. 1885. Florence. Several selections from " Modern Painters." A. J. C. Hare. London, no date. Fra Angelico. Two quotations. M. F. Sweetser. Art- ist Biographies. Boston, 1879. Fra Angelico, pp. 98, 99. Criticism of Ghirlandajo by Ruskin. C. M. Phillimore. New York, 1881. Gems from Ruskin. A. N. Buller, arr. 1886. Genesis of Art Form. Contains selections from Ruskin. G. L. Raymond. New York, 1893. German Popular Stories. Introduction by Ruskin. J. L. C. and W. C. Grimm. 1869. Guide to the Paintings of Venice. Numerous quota- tions. Karl Karoly. New York, 1895. Handbook of the Italian Schools based on Kugler's " Handbook." Brief quotation, note, p. 322. A. H. Layard, reviser. London, 1887. Hans Holbein and the Merer Madonna. Brief selec- tion, Arundel Society. Ralph N. Wornum. 1871. History of French Painting, pp. 43, 393. Brief selec- tion. C. H. Stranahan. New York, 1888. Ideas of Truth from Ruskin. Literary Gem Series. Putnam. 1890. Introduction to the "Writings of Ruskin. Vida D. Scudder. Boston, 1890. 50 c. 102 BIBLIOGRAPHICAL CONTRIBUTION TO Italian Masters. Numerous selections from Ruskin. Henry Atwell. London, 1888. Landscape. Quotation, ii. 292. P. G. Hamerton. London, 1885. Landseer. Raskin's description of the " Chief Mourner," p. 69. M. F. Sweetser. Artist Biographies. Bos- ton, 1879. Letters and Advice to Young Ladies. Selected from the writings of Ruskin. Wiley, 1879. Library of the World's Best Literature, xxi. 12516. Selections from Ruskin. C. D. Warner, ed. Life and Letters of Hugh Miller. Letter from Ruskin to Mrs. Miller. Peter Bayne. London, 1871. Life of Christ as represented in Art. Numerous quota- tions from Ruskin. Frederic W. Farrer. New York, 1895. Life of J. M. W. Turner, R. A. Letter from Ruskin to author. Walter Thornbury. London, 1862. Second edition contains two .letters (reprinted in " Arrows of the Chace "). Limestone Alps of Savoy, edited with introduction by Ruskin. W. S. CoUingwood. 1884. List of drawings, engravings, and etchings by Turner and from his design : shown in connection with Mr. Norton's lectures on " Turner and his Works " at Parker HaU, Boston, April 25 and May 5, 1874. Contains extracts from letters to Mr. Norton from Ruskin. Reprinted in "Arrows of the Chace." Cambridge, 1874. Little Classics, Number 10. Childhood. Rossiter John- son, ed. Harper, 1900. THE STUDY OF JOHN RUSKIN 103 Little Masterpieces. Selections from Buskin. B. Perry, ed. 1898. Lives of the Most Eminent British Painters, 3 vols. Selections from Ruskin. Allen Cunningham. Lon- don, 1880. Memoirs of T. Gutherie, D. D. Letter to Dr. Gutherie from Ruskin. Reprinted in " Arrows of the Chace." 1875. Modern Painters and their Paintings. Numerous se- lections from Ruskin. Sarah Tytler. Boston, 1893. Notes on Pictures by Holman Hunt, with criticism by Ruskin. A. G. Crawford. 1886. On Painting. Appleton, New York. 30 c., 60 c. On Vivisection, by J. Ruskin and Bishop of Oxford. Published by Victoria Street Society for the Protec- tion of Animals from Vivisection. 1885. Our Sketching Club, with lessons and woodcuts from Ruskin's " Elements of Drawing." R. St. John Tyr- whitt. 1874. Outline History of Painting, pp. 280-290. C. E. Clem- ent. New York, 1883. Oxford Museum (Ruskin's letters partly reprinted in " Arrows of the Chace "). H. W. Acland and J. Rus- kin. 1859. Past and Present. Manuscript notes and autograph letter from Ruskin. Thomas Carlyle. 1845. Pearls for Young Ladies. Selections, from Ruskin's works. L. C. Tuthill, ed. 1879. Perhaps. Century Monographs. Buckles, New York, 1900. 104 BIBLIOGRAPHICAL CONTRIBUTION TO Philosophic. Nugget Series. Fords, Howard, and Hul- bert. New York, 1900. Popular Handbook of the National Gallery. Preface and notes by Ruskin. E. T. Cook. 1888. Precious Thoughts, from the works of Ruskin. L. C. Tuthill. 1876. and Pearls for Young Ladies. Caldwell, 1900. 75 c., $1. Preliminary Catalogue of the Saint George Museum. Selected from the works of John Ruskin. H. Swan. 1888. Principles of Rhetoric. Contains selections from Rus- kin. A. S. Hill. New York, 1896. Protest against the Extension of Railways in the Lake Districts. Preface by Ruskin. Richard Somervill. 1876. Raphael. Quotations from Ruskin, pp. 104-107. Henry Strachey. London, 1900. Readings from Ruskin : Italy, with Introduction. Chau- tauqua Library. 1885. . Readings in " Modern Painters." Scribner. $2.50. Rights of Labor according to Ruskin. With letter from Ruskin. T. Barclay, arr. 1889. Roadside Songs of Tuscany. Preface and Notes by Ruskin. Francesca Alexander. 1885. Rules of Perspective. With letter of approval from Ruskin. M. M. Runciman. 1886. Ruskin and Turner, an exposition of the paintings by J. M. W. Turner, R. A., with full descriptive and critical passages from the works of John Ruskin, THE STUDY OF JOHN RUSKIN 105 LL. D. 2 vols. Frederick Wedmore, ed. and arr. London and New York, 1900. $100, $50. Euskin Anthology. W. S. Kennedy. 1886. Raskin Birthday Book. Maud A. Bateman and Grace Allen, air's. 1884. Ruskin Book. Vida D. Scudder, ed. 1890. Ruskin on Himself and Things in General. W. Lewin, arr. 1884. Ruskin on Music. A. M. Wakefield, ed. 1884. Ruskin on Painting. Selected from " Modern Painters." Appleton. 1879. Ruskin, Rossetti, and Pre-Raphaelitism. Contains sixty letters from Ruskin. Illustrated. W. M. Rossetti, ed. and arr. New York and London, 1899. Ruskin's Declaration, with Portrait. Outlook. 1900. 25 c. Ruskin's Opinions and Comparisons of Painters. B. H. Green. 1869. Ruskin Society. First Annual Report of the Society of the Rose, Manchester. 1880. Saints in Art. Quotations from Ruskin on pp. 182, 194, 289. C. E. Clement. Boston, 1899. Science of Life. A pamphlet containing four letters on " The Foundation of Chivalry." (Reprinted in " Arrows of the Chace.") 1877-78. Selected Essays and Letters. L. G. Hufford, ed. Ginn, Boston. Selections from Ruskin. Smith, Elder, London, 1861. Selections from Ruskin on Reading and other subjects. E. Ginn, ed. Boston, 1888. 106 BIBLIOGRAPHICAL CONTRIBUTION TO Selections from the Liber Studiorum of J. M. W. Turner. A drawing-book suggested by the writings of J. Ruskin. 1890. Selections from the Poems of John Ruskin. W. G. Collingwood, ed. 1892. Sir David Wilkie. Brief selection from Ruskin on p. 28. J. W. Mollett. New York, 1881. Sir Edward Landseer. Criticism of Landseer by Rus- kin, pp. 63, 73, 77, 88. Frederick G. Stephens. New York, 1880. Some Account of the Life and Works of Hans Holbein. Quotation, p. 260. R. N. Wornum. London, 1867. Some Account of the Origin and Objects of the New Oxford Examinations. Letter from Ruskin on " The Proper Use of Art." T. D. Acland. 1858. Story of Ida. Preface by Ruskin. Francesca Alexan- der. 1883. Studies in Ruskin. E. T. Cook. 1890. Studies in Structure and Style. " Crown of Wild Olive" analyzed, pp. 154-171, 271-276. W. T. Brewster. New York, 1896. Study of Beauty and Art, with Introduction by J. Rus- kin. T. C. Horsfall. 1883. Testimonials of Intellectual Ability. Letters from Dis- tinguished Men of the Times. Letter from Ruskin (reprinted in " Arrows of the Chace"). For private circulation. W. C. Bennet. 1871. Theory of Fine Art. Numerous selections from Rus- kin. Joseph Torrey. New York, 1874. Theory of the Glaciers of Savoy. Contains selection THE STUDY OF JOHN KUSKIN 107 from "Fors" and an estimate of James David Forbes (reprinted in " Arrows of the Chace "). Louis Rendu. London, 1874. Thoughts chosen from Kuskin. Henry Attwell, arr. London, 1900. 2 s. Thoughts of Beauty and Words of Wisdom. R. Por- ter, ed. 1887. Tintoretto's " Christ before Pilate " and " Christ bear- ing the Cross," from the Scuola di S. Rocco, Venice. Photographs with a description by J. Rusk in, Esq., from " Stones of Venice." Arundel Society. Lon- don, 1859. Transactions of the New Shakespere Society. Contains two letters from Ruskin to Mr. Furnivall on " Notes on a Word in Shakespere " (reprinted in " Arrows of the Chace"). 1878-79. Travels in South Kensington. Selection, p. 272. M. D. Conway. New York, 1882. True and Beautiful in Nature. Selected from the works of Ruskin. L. C. Tuthill. 1890. Turner's " Rivers in France," with Introduction by Ruskin. L. Ritchie. 1886. Ulric, the Farm Servant. Preface and notes by Rus- kin. Jeremais Gotthelf. 1886. Usury. Introduction by Ruskin. R. G. Sillar. 1885. Venice. Numerous selections from " Stones of Venice " and " Modern Painters." A. J. C. Hare. London, no date. Was wir lieben und pflegen milssen. Eine Sammlung Naturansichten und Schilderungen aus den Werken 108 BIBLIOGRAPHICAL CONTRIBUTION TO des Ruskins, a. d. Engl. tiber. u. zusammengestellt von Jakob Feis. (2 rev. Auflage.) Strasburg, 1895. Was wir wirtschaften und arbeiten miissen. Eine Sammlung Naturansichten und Schilderungen aus den Werken des Ruskins, a. d. Eng. tiber. u. zusammenge- stellt von Jakob Feis. Strasburg, 1896. Wege zur Kunst. Eine Gedankenlese aus den Werken des Ruskins, aus dem Englischen iibersetzt, zusam- mengestellt und eingeleitet von Jakob Feis. 2 Bande. I. Eine Gedankenlese aus den Werken. II. Go- tbik u. Renaissance. Strasburg, 1899. BIBLIOGRAPHY OF BOOKS CONCERNING JOHN RUSKIN, HIS LIFE, WORK, AND WRITINGS Allibone, S. A. Dictionary of Authors, ii. 1894. 1886. Allison, Archibald. History of Europe, chapter v., pp. 1815-52. American Cyclopaedia, xiv. 473. New York, 1883. Author's Calendar for 1901. Photogravures of Ruskin and others. Buckles, New York, 1900. Axon, W. E. A. John Ruskin : Biography. 1879. Bain, Alexander. Mental and Moral Science. 1868. Baldry, A. L. Sir John Everett Millais, Bart. P. R. A. Numerous references. London, 1899. Baldwin. Introduction to English Literature (prose), p. 519. Ballantyne, J. What is Pre-Raphaelitism ? 1856. Bayliss, Wyke. Higher Life in Art, chapter x. and p. 197. London, 1888. THE STUDY OF JOHN RUSKIN 109 Bayne, P. Essays in Biography and Criticism, i. 282. Lessons from My Masters, Carlyle, Tennyson, and Ruskin. 1879. Ruskin and his Critics. See Political Essays, i. 281. B. A. Notes on some of the Critics of John Ruskin, 1857. Bell, C. F., ed. Turner's Pictures. Bell, London, 1901. Benjamin, S. G. W. Contemporary Art in Europe, p. 17. New York, 1877. Berthelot, Re'ne'. Dans La grande encyclope*die, xxviii. 1145. Paris. Bolton, Sarah K. Famous English Authors of the Nineteenth Century. Bosanquet, Bernard. History of Esthetic. London, 1892. Brock- Arnold, G. M. Gainsborough. Numerous refer- ences. New York, 1881. Burton, J. H. Book Hunter. 1862. Camden-Pratt, A. E T. People of the Period, ii. 337. London, 1897. Carrol, Ernest. Artistic Life in Italy. 1858. Chambers's Encyclopaedia, ix. 27. Chesneau, Ernest. Ecole Anglaise. English School of Painting. Translated by L. N. Etherington. References in Introduction and chap- ter ii. Preface by Ruskin. London, 1885. Clarke, I. E. Instruction in Drawing applied to the Fine Arts, i. 120, 211 ; ii. 449. Washington, 1885. Clement, C. E., and Hutton, L. Artists of the Nine- teenth Century : Sketch, ii. 228. Boston, 1880. 110 BIBLIOGRAPHICAL CONTRIBUTION TO Clement, C. E. Outline History of Painting. New York, 1883. Collingwood, W. G. Art Teaching of John Euskin. London, 1891. Life and Work of John Euskin. 2 vols. New York, 1893. $5. John Euskin. A biographical outline. Conway, M. D. Travels in South Kensington. Pre- face and p. 213. New York, 1882. Cook, D. Art in England, Euskin and Turner, p. 316. Cook, E. T. Studies in Euskin. Cooke, W. G. Poets. Numerous references. Cundall, J. Hans Holbein, p. 64. New York, 1879. Cunningham, Allen. Lives of the Most Eminent British Painters. 3 vols. Vols. i. and iii., numerous refer- ences. London, 1880. Downes, E. P. John Euskin, a study. 1890. Durand, J. Life and Times of A. B. Durand, Eus- kin's influence on art in America, p. 193. New York, 1894. Dyer, W. E. A. Notes on Shepherd and Sheep, a letter to John Euskin. 1851. Eastlake, C. L. History of the Gothic Eevival. Nu- merous references. London, 1872. Encyclopaedia Britannica. American supplement, iv. 409. Philadelphia, 1894. Everett, Edward. Eulogy on T. Dowse, 27. Farrer, F. W. Critical History of Free Thought, lec- ture 8, n. 4. 1863. Feis, Jakob. Band vi. 202-211. THE STUDY OF JOHN RUSKIN 111 Fitzgerald, Edward. Letters, ii. 153. London, 1894. Foster, J. Four Great Teachers, Ruskin, Carlyle, Emerson, and Browning. 1890. Fouquier, Marcel. Friswell, J. H. Modern Men of Letters, p. 105. Lon- don, 1870. Frith, W. P. My Autobiography and Reminiscences, brief anecdote, ii. 98. New York, 1888. Froude, James A. Thomas Carlyle. 1897. >- Thomas Carlyle, a history of his life in London, ii. 207, 213, 253, 280. New York, 1898. Gall, Ludwig. AUgemeine Bttcherei, Nr. 10. 49 s. Gaskell, E. C. Life of Charlotte Bronte*. 2 vols. Lon- don, 1857. Geddes, Patrick. Ruskin as a Political Economist. Round Table Series, number 7. John Ruskin, Economist. 1884. Gladstone, W. E. Studies in Homer. Goodwin, P. Out of the Past, p. 367. Gosse, Edmund. Short History of Modern English Literature, p. 356. New York, 1898. Green, B. H. Ruskin's Opinions and Comparisons of Painters. 1869. Griswold, H. T. Home Life, p. 372. Hales, J. W. Folia Litteraria, brief references, pp. 330, 357. New York, 1893. Hamerton, P. G. Etching and Etchers, pp. 278-287. Boston, 1883. Landscape. Numerous references. London, 1885. Life of J. M. W. Turner, R. A. Numerous refer- ences. Boston, 1879. 112 BIBLIOGRAPHICAL CONTRIBUTION TO Hamerton, P. G. Painter's Camp in the Highlands. Boston, 1876. Thoughts about Art. Boston, 1880. Harrison, F. Tennyson, Ruskin, and Mill. New York, 1900. $2. Hill, Adam S. Our English, brief reference, p. 237. New York, 1897. Hill, G. B. Letters of Dante Gabriel Rossetti to W. Allingham, 1854-70. New York, 1897. Hillis, Newell D. Ruskin's Outlook upon Youth as a Great Opportunity. Chicago, 1900. 50 c. Hobson, J. A. John Ruskin, Social Reformer. 1898. The Social Problem, Life and Work. London, 1901. Hodgkins. Nineteenth Century Authors. Hoppin, J. M. Early Renaissance and other Essays on Art Subjects, references in preface and p. 12. Bos- ton, 1895. Hubbard, Elbert. Little Journeys to the Homes of Good Men and Great. 1895. John Ruskin. New York, 1895. 5 c. Hunt, Margaret, ed. Turner's " Richmondshire." Hutton, R. H. Ruskin on Wordsworth. See Criticisms on Contemporary Thought and Thinkers, ii. 6. Lon- don, 1894. Ruskin on the Nature of Miracle, ibid., ii. 114. Igdrasil. Imperial Dictionary of Universal Biography, iii. 702. London. International Cyclopaedia, xii. 821. 1898. THE STUDY OF JOHN RUSKIN 113 Japp, A. H. Three Great Teachers, Tennyson, Car- lyle, and Ruskin. 1865. Johnson's Universal Cyclopaedia, by H. A. Beers, vii. 211. 1895. Jolly, W. Buskin on Education. 1894. Knight, C., ed. Biography, v. 204. London, 1887. Knight, J. Life of Dante Gabriel Rossetti, pp. 29, 30, 32, 72. London, 1887. Labrosse, P. Grand Dictionnaire Universel du XIX e Siecle, xiii. 1528. Paris. Lancaster, H. H. Essays, pp. 297, 347. Leslie, C. R. Handbook for Young Painters. London, 1887. McCarthy, Justin H. History of Our Own Times, i. 547-549 ; ii. 518. Modern Leaders, p. 183. Macillier, H. C. Dante Gabriel Rossetti. Numerous references. London, 1899. Marsh, G. P. Lectures on English Language, pp. 126, 129, 130. 1860. Mather, J. M. Life and Teaching of John Ruskin. New York, 1893. $1.25. Meynall, Alice C. John Ruskin. New York, 1900. $1.25. Miles, N. H. Poets and Poetry of the Nineteenth Century. See volume " Tennyson to Clough." 1891. Millais, J. G. Life and Letters of Sir John Everett Millais, 2 vols. Numerous references. New York, 1899. Milsand, Joseph. L'Esthe'tique Anglaise, e*tude sur M. John Ruskin. 1864. 114 BIBLIOGRAPHICAL CONTRIBUTION TO Minto, W., ed. Autobiographical Notes of the Life of William Bell Scott, pp. 5-12. New York, 1892. Mitford, Mary Russell. Life of, as told by her Let- ters, edited by A. H. L'Estrange, brief references, vol. ii. 1870. Life, edited by H. Chorley. Second series of letters, numerous references. London, 1872. Recollections of a Literary Life. New York, 1855. Molmenti, P. Carpaccio, son temps et son oeuvre, pp. 13, 108, 109, 117. Venice, 1893. Morris, William. Hopes and Fears for Art, pp. 5, 141. Boston, 1882. Muir, R. J. Ruskin Revised. London, 1897. Muther, Richard. History of Modern Painting, ii. chapter XXJY. New York, 1896. Nicoll, W. R. Ruskin on Sheepfolds. See Literary Anecdotes, ii. 3. Nicoll, H. J. Landmarks of English Literature, p. 432. Nisbet, Hume. The Practical in Painting, also a Few Remarks on John Ruskin. 1880. Norton, Charles Eliot, ed. Correspondence of Thomas Carlyle and Ralph Waldo Emerson, ii. 388. 1892. Letters of James Russell Lowell, i. 257, 280, 391 ; ii. 65. Oliphant, M. O. W. Makers of Florence. Osier, W. Roscoe. Tintoretto. Numerous references. New York, 1879. Paget, V. Ruskinism. See Belcaro, p. 197. Palgrave, F. T. Essays on. Art. Numerous references. New York, 1867. THE STUDY OF JOHN RUSKIN 115 Patmore, Coventry. Principle in Art. Numerous ref- erences. London, 1890. Patterson, Mark. Essays, i. 492. Oxford, 1889. Patterson, R. H. Essays on the History of Art. 1862. Pengelly, R. E. John Ruskin, Biographical Sketch. 1900. 1 s. Phoebus, V. C. John Ruskin. New York, 1900. Pratt, A. T. Camden. See Camden. Prose Masterpieces, vol. ii. Quilter, Henry. Angiolotto Boudone, called Giotto, brief references, pp. 65, 111. New York, 1881. Preferences in Art, Life, and Literature. London, 1892. Raymond, G. L. Genesis of Art Form. Numerous ref- erences. New York, 1893. Ridpath, J. C. Library of Universal Literature, voL xix. 1899. Rippingille, E. V. Obsoletism in Art, a reply to the author of " Modern Painters " in his defence of Pre- Raphaelitism. 1852. Ritchie, A. Thackeray. Records of Tennyson, Ruskin, and Browning. New York, 1892. $2. Robertson, J. M. Modern Humanists, Sociological Studies of Ruskin. 1891. Roget, J. L. History of the " Old Water Color " So- ciety. 2 vols. London, 1891. Rood, 0. N. Students' Text-Book of Color, references, pp. 140, 278. New York, 1881. Rose, H. New Political Economy : Social Teaching of Thomas Carlyle, John Ruskin, and Henry George. 1891. 116 BIBLIOGRAPHICAL CONTRIBUTION TO Rossetti, W. M. Fine Art, Chiefly Contemporary. Numerous references. London, 1867. Ruskin Society Transactions. Ruskin Society of Birmingham, Transactions. Stock, ed. Ruskin Society, Manchester, Society of the Rose. Ruskin Hall, Oxford. 1899. Ruskin Reading Guild Journal. Serial publication. Ruskin-Turner. Roycroft Press. $20. Ruskin Work. Philadelphia. 25 c. RusseU, William C. Book of Authors, p. 500. 1869. Saint George. Ruskin Society Quarterly, J. H. White- house, ed. Saintsbury, G. Correct Impressions, p. 198. Samson, G. W. Elements of Art Criticism. Numerous references. Philadelphia, 1867. Scudder, H. E. Introduction to the Writings of John Ruskin. 1898. Scudder, V. D. Introduction to the Study of John Ruskin. 1890. Sears, Lorenzo. Principles and Methods. Numerous references. New York, 1898. Seeley, Abbot. Lectures and Essays, p. 99. Shepherd, R. H. Bibliography of John Ruskin, 1834- 78. 1879. Shepherd. Enchiridion of Criticism, p. 218. Pen Pictures of Modern Authors, p. 58. Sizeranne, R. de La. Ruskin and the Religion of Beauty, translated by the Countess of Galloway. 1899. $1.50. THE STUDY OF JOHN RUSKIN 117 Skelton, John. Table Talk of Shirley. Edinburgh, 1896. Smart, W. Disciple of Plato. Something on Ruskinism, a Satire on " Stones of Ven- ice." Smokeroom Booklets. 1889. Spielman, M. H. Black Arts by Ruskin. New York, 1900. $2. John Ruskin : a Sketch of his Life, his Work, and his Opinions, with Personal Reminiscences. Statham, H. M. Truth about Ruskin. Stephens, F. G. Dante Gabriel Rossetti, in the " Port- folio," No. 5, May, 1894. Brief references. Lon- don, 1894. Stillman, W. J. Autobiography of a Journalist. 2 vols. 1901. Story, W. W. Conversations in a Studio, ii. 334-351. Boston, 1891. Strachey, Henry. Raphael, pp. 104-107. London, 1900. Sweetser, M. F. Turner. Numerous references. Artist Biographies. Boston, 1878. Thirlwall, Connop, Bishop of St. David's. Letters to a Friend. 1881. Thomas, Cave W. Mural or Monumental Decoration. London. Thoreau, H. D. Autumn, pp. 76, 180. Thornbury, Walter. Life of Turner. Traill, H. D. John Ruskin. New York, 1900. Tuckerman, H. T. Month in England, p. 182. New York, 1853. Tyrwhitt, R. St. John. Christian Art and Symbolism, pp. 90, 121, 205, 246. London, 1872. 118 BIBLIOGRAPHICAL CONTRIBUTION TO Tyrwhitt, R. St. John. Handbook of Pictorial Art. Numerous references. Oxford, 1875. Tytler, Sarah. Old Masters and their Pictures. Nu- merous references. Boston, 1874. University of Literature, vol. xvii. 1896. Van Dyke, J. C. Biographical Sketch. See Warner's Library of the World's Best Literature, xxi. 12509. Principles of Art. Numerous references. New York, 1887. Vapereau, G. Dictionnaire TJniversel des Contempo- raires, p. 1383. Paris, 1893. Waldstine, Charles. Ruskin and Modern Thought. 1893. Works of Ruskin. 1900. $1. Walsh, W. S. Pen Pictures, Modern, p. 58. Ward, May Alden. Prophets of the Nineteenth Century, Carlyle, Ruskin, and Tolstoi. Boston, 1900. 75 c. Ward, William. Letters. Privately printed. Warsfold, W. Basil. Judgment in Literature, pp. 52, 58. London, 1900. Wedgwood, Julia. John Ruskin. 1900. Wedmore, Frederick. Ruskin and Turner. London and New York, 1900. Welsh, A. H. English Literature and Language, ii. 404. English Masterpiece Course, p. 177. Boston, 1887. Whistler, J. A. McN. Whistler versus Ruskin. See Art and Art Critics. 1878. Gentle Art of Making Enemies. New York, 1890. THE STUDY OF JOHN RUSKIN 119 Wightwick, George. Hints to Young Architects. Winchester, C. T. Some Principles of Literary Criti- cism. Numerous references. 1899. Wise, T. J., ed. Bibliography of the Writings in Prose and Verse of John Ruskin. 1889. Wise, T. J., and Smart, J. P. Bibliography of the Writings of Ruskin. 1893. Wiseman, N. P. S., Cardinal. Points of Contact be- tween Science and Art, brief references, pp. 28, 29, 61. London, 1863. Yates, E. H. Celebrities at Brantwood, ii. 291. Young, Edward. Labor in Europe and America. Washington, 1876. BIBLIOGRAPHY OF MAGAZINE ARTICLES Afternoon with Ruskin. J. M. Chappie. National Magazine, December, 1897. Among the Pictures. St. James Magazine, xxxiii. 177. Among Workingmen. Review of Reviews, xvi. 328. Apotre de la beaute", J. Ruskin. Paul Renaudin. La Quinzain, Ixiv. 525-538. Architectural Works. Society Quarterly, xxvii. 372. Arrows of the Chace, reviewed. Nation, xxxiii. 220. American, i. 323. Spectator, lv. 727. Art and Truth of Ruskin. J. LaFarge. International Magazine, November, 1900. Art Criticism and Ruskin Writings on Art. Russell Sturgis. Scribner's Magazine, xxvii. 509-512. Art of England and Pleasures of England, reviewed. Illustrated London News, cxii. 896. 120 BIBLIOGRAPHICAL CONTRIBUTION TO Art Theories of Ruskin. Igdrasil. June, 1890. Artist and Publisher. Gentleman's Magazine, n. 8., xliv. 126. Author Worth Knowing. Charles Valentine. St. Nicholas, xxvi. 82, 83. Autobiography of Ruskin. Dial, vii. 82. Autobiography of W. J. Stillman. Atlantic, Ixxxv. 322, 613, 811. Bibliography of Ruskin. Critic, xvi. 78. Examiner, 1879. Literary World, xxvi. 205, 394. Biography. Great Thoughts, May, 1890. Igdrasil, June, 1890. Cassell's Saturday, May, 1890. Bogies of Ruskin. Nature, xxix. 353. Same article. Critic, iv. 177. Books Reviewed. The Studio, xix. 138. Boyhood. Critic, xvi. 276. Brantwood. Harper's Magazine, Ixxx. 578. Murray's Magazine, viii. 87. Review of Reviews, i. 195. Brantwood, a Lakeside Home. Art Journal, xxxiii. 321. Cheap Editions of Ruskin. Critic, xvi. 199. Childhood of Ruskin at Herne Hill. Art Journal, xxxviii. 46. Clerical Economics. Gentleman's Magazine, 1855, i. 285, 616. Collection of Pictures. Artist, 1899. Collingwood on Art Teachings of Ruskin. Nation, liv. 16. THE STUDY OF JOHN RUSKIN 121 Collingwood's Life of Ruskin. Art Journal, xlv. 336. Critic, xxii. 401. Dial, xv. 189. Athenaeum, 1893, ii. 70. Nation, Ivii. 159. Magazine of Art, xi. 417. Spectator, Ixx. 859. Companionship with Ruskin. W. J. Stillman. Atlantic, Ixxxv. 816-820. Construction of Sheepfolds, review* Blackwood's, Sep- tember, 1851. London Quarterly, xlix. 323. Conversations with Ruskin. Critic, iv. 234. Criticisms of His Work. Urbanus Sylvan. Living Age, ccxxv. 301-306. Death and Funeral. H. D. Rawnsley. Outlook, Ixiv. 511-517. American Architect and Building News, Ixvii. 25. Defects in Ruskin's Style. W. C. Brownell. Scribner's Magazine, xxvii. 502. Definitions of Wealth. W. Cassells. Pioneer, July, 1890. Disowned Letter and a Real One. Am. Architectural and Building News, Ixvii. 39. Doctrines de M. Ruskin. Revue Britannique, 1856. Drawings of Ruskin. Nation, xxix. 411. Early Years of Ruskin. Atlantic, Ixi. 708. Economic Lessons. Charles S. DeVas. Economic Journal, viii. 28-36. Edinburgh Lectures. Colburn, ci. 413. 122 BIBLIOGRAPHICAL CONTRIBUTION TO Education of Ruskin. A. H. Southern. Arena, xxii. 630. Elements of Drawing. Blackwood, Ixxxvii. 32. Athenaeum, 1851, p. 19. Literary Gazette, 1857. North American Review, Ixxxv. 567 ; xcv. 75. Spectator, 1857. Westminster, October, 1857. Elements of Perspective, review. A. D. Morgan. Athe- naeum, 1861, ii. 728 ; 1860, i. 56, 343. Estimates of Ruskin. Blackwood, clxvii. 340-354. Living Age, ccxxiv. 525-527. C. Waldstine. North American, clxx. 553-561. Scientific American, Lxxxii. 67. Ethereal Ruskin : Poem. Spectator, 1875. Ethics of the Dust, review. World Literature, Au- gust, 1892. London Reader, 1866, i. 9. Fiction Fair and Foul. St. James, xlvii. 307. Fine Art Gossip. Athenaeum, 1857, 668. First Published Writings of Ruskin. W. R. Nicoll. Bookman, i. 321. Fors Clavigera. Appleton, xx. 58. Literary World, xiv. 283 ; xvi. 289. Nation, xii. 221. World Literature, March, 1892. French Admirers of Ruskin. Literary Digest, xiii. 459. Giotto and his Work. Athenaeum, 1859, p. 1453 ; 1855, p. 736. Edinburgh Review, April, 1856. Dial, xxviii. 472. THE STUDY OF JOHN RUSKIN 123 Gothic Art. London Quarterly, 1857, vii. 478. Growth of Ruskin. E. A. Grosvenor. National Geo- graphical Magazine, Washington, May, 1900, 11. Handwriting of Ruskin. Strand, December, 1895. Harbours of England. Athenaeum, ii. 921. His Chief Works. Literary World, xxxi. 40. His Educational Views. E. A. Knapp. Education, xxi. 109-116. His Home at Brantwood. Murray Quarterly, viii. 587. His " Modern Painters." Igdrasil, i. (January) 3 ; (February) 42 ; (August) 314. His Style. Academy, Iv. 35. His Work and Influence. Chautauqua Magazine, xxx. 559. J. Wedgwood. Contemporary Review, Ixxvii. 334 342. Same article. Living Age, ccxxv. 128. W. P. P. Longf eUow. Forum, xxix. 298-312. Public Opinion, xxviii. 148. Hobson on Ruskin. M. West. Dial, xxvi. 396. J. G. Brooks. Political Science Quarterly, xiv. 553. Hortus Inclusus. Reviewed, Athenaeum, 1887, ii. 530. Blackwood's, cxlii. 704. How we study Ruskin at 7 A. M. Dr. Clifford. Young Man, London, February, 1893. Ide*es sociales des J. Ruskin. Anon. Revue Politique et Parlementaire, xxxviii. 343. Imitation of Ruskin. Cornhill Magazine, Ixii. 369. Same article. Living Age, clxxxvii. 407. Inaugural Address at Cambridge, review. Athenaeum, 1858, ii. 675. 124 BIBLIOGRAPHICAL CONTRIBUTION TO L'Influence litte'raire dans les beaux-arts, M. J. Ruskin et ses iddes sur la peinture. Revue des deux Mondes, 1861, 2 per. 34-S70. Influence of Joshua Reynolds. Igdrasil, i. 126, 219. Influence of Ruskin. Harper's Weekly, xliv. 98. Influence of Ruskin as a Teacher of Art. American, xii. 220. Influence of Ruskin on English Social Thought. New England Magazine, n. s., ix. 473. Insanity. Critic, xvi. 47. Is Ruskin out of Date ? R. de La Sizeranne. Maga- zine of Art, xxiv. 258-265. Journey with Ruskin. Critic, xvi. 236. Kampfer f. d. Wertung d. Arbeit, Carlyle u. Ruskin. J. Feis. Die Wahrheit (Stuttgart), 1897, 6 Bd. 202- 212. Keswick Memorial. Bookman, xii. 540. Lectures on Architecture and Painting. Athenaeum, 1854, 611, 650, 720. Blackwood's, Ixxv. 740. North American Review, Ixxix. 535. Prosperity Review, x. 352. Spectator, 1854. Lectures on Art. Macmillan, xxii. 423. Same article. Ecclesiastical Magazine, Ixxv. 680. Same article. Living Age, cvii. 451. Lectures on Landscape. Literature, ii. 350. Spectator, viii. 833. The Studio, xv. 207. Lessons from Ruskin. Economic Journal, viii. 28. THE STUDY OF JOHN RUSKIN 125 Letters by Ruskin. Bookman, February, 1893. Contemporary Review, 1879. Dial, i. 228. G. Stronach. English Illustrated, x. 779. Same article. Living Age, cxcviii. 813. W. G. Kingsland. Poet-Lore, viii. 420, 553 ; vii. 123, 255, 349. Saturday Review, Ixxviii. 274. Spectator, Ixxiii. 272. Royal Institute of British Architects' Journal. Letters to Chesneau: Record of Literary Friendship. W. G. Kingsland. Poet^Lore, vii. 123, 255, 349. Letters to his Secretary. C. A. Howell. New Review, vi. 273. Same article. Living Age, ccxciii. 304. Letters to Miss Mitford. Bookman, vii. 93. Letters to the Clergy. London Quarterly, Ivi. 132. Interior, November, 1896. Letters to William Ward. Bookman, May, 1895. Letters to Young Girls. Living Age, cxxxii. 62. Life of Eighty Years. S. G. Green. Leisure Hour, xlviii. 224. Literary Spirit. Boston Review, ii. 491. Lord's Prayer. Lutheran Quarterly, x. 1. Man and Prophet. R. W. Bond. Contemporary Re- view, Ixxviii. 118-133. Mania for Ruskin. E. T. Cook. Good Words, xxxv. 538. Marks in Carlyle's " Past and Present" World Litera- ture, March, 1892. 126 BIBLIOGRAPHICAL CONTRIBUTION TO Memoirs of Ruskin, Tennyson, and Browning. Dial, xiii. 339. Memorable Art Class. T. Sulman. Good Words, xxxviii. 547. Mr. Dusky's Opinion on Art. Blackwood's, Ixxxiv. 122. Mr. Ruskin and his Theories Sublime and Ridiculous. Blackwood's, 1856, p. 503. Modern Painters, reviewed. Art Journal, viii. 113, 148. Athenamm, 1856, 578 ; 1860, i. 850, 878. Blackwood's, liv. 485. Britannia. British Quarterly, xxxii. 412 ; v. 282, 469 ; xxiii. 442. (First article repeated in Ecclesiastical Magazine, lii. 539.) Christian Examiner, January, November, 1861. Church Examiner, Ixx. 29. Dublin University Magazine. Ecclesiastical Review, ciii. 545 ; civ. 107 ; cxii. 478. Eclectic, xiil 187-191. Edinburgh Review, April, 1856. Fortnightly, xxxvii. 380. Forum, iii. 25. Eraser's, xxxiii. 158, 358 ; liii. 648 ; Iv. 619. Gentleman's Magazine, 1843, ii. 451. International Studio, iii. 129. London Atlas. London Economist. London Leader. London Quarterly, xv. 63. London Review, October, 1860. London Saturday Review. THE STUDY OF JOHN RUSKIN 127 Nation, vii. 173. New Quarterly, v. 257. North American Review, Ixvi. 110 ; Ixxxiv. 379. North British Review, vi. 401 ; x. 212. Polytechnic Magazine. Prosperity Review, iii. 213. Quarterly Review, xcviii. 384. Spectator, 1843-50. Weekly Chronicle, London, September 15, 1843. Westminster, Ixv. 625 ; Ixvi. 274. My First Editor. Dublin University Magazine, xci. 385. Nature and Authority of Miracle. Contemporary Re- view, 1873. New Lectures on Art, 1870. New England Magazine, xxix. 659. Notes on Art Criticism. W. C. Brownell. Review of Reviews, xxi. 494. Notes on J. Wedgwood. Review of Reviews, xxi. 500. Notes on Patrick Geddes. " John Ruskin, Economist." Review of Reviews, xxi. 499. Notes on the Exhibition of 1855. Art Journal, vii. 237. Blackwood's, December, 1855. Edinburgh Review, April, 1856. London Quarterly, April, 1856. Westminster, July, 1857. Notes on the Turner Gallery. Athenaeum, 1857, pp. 108, 188, 215, 254. Westminster, April, 1857, 128 BIBLIOGRAPHICAL CONTRIBUTION TO Nouvelle The*orie de 1'Art en Angleterre. J. Milsand. Revue des deux Mondes, 1860, 2 pe"r. xxviii. 184. On the Road with Ruskin. Gentleman's Magazine, n. s., xxxvi. 391. On Two Rare Works by Ruskin. E. Gosse. Independ- ent, lii. 526. Opening of the Crystal Palace. Athenaeum, 1854, p. 998. Outbreak of Ruskinism in France. American Architect and Building News, liv. 26. Oxford Lectures of Ruskin, 1877. Nineteenth Century, iii. 136. Same article. Living Age, cxxxvi. 502. Oxford Traditions of Ruskin. Public Opinion, xxviii. 184. Past and Present. F. Harrison. Fortnightly Review, n. s., xx. 93. " Pathetic Fallacy," and Keats's Treatment of Nature. E. P. Morton. Poet-Lore, March, 1900. Pecuniary Affairs. Current Literature, xxvii. 203. Philanthropy of Ruskin. Every Saturday, xi. 271. Home Journal, December, 1896. Literary Digest, xiv. 376. Picture Galleries of the Memory. F. A. Malleson. Leisure Hour, xliv. 761. Place of " Modern Painters " in Art Literature. Church Examiner, 1861, Ixx. 29. Poems of Ruskin. Temple Bar, Ixxxiii. 49. Same article. Living Age, clxxviii. 50. Poem: John Ruskin. L. W. Smith. Dial, xxviii. 113. THE STUDY OF JOHN RUSKIN 129 Poet, Painter, and Prophet. L. Tavener. Review of Reviews, xxi. 289. Political Economy of Art, reviewed. Athenaeum, 1857, ii. 1615. A. P. Peabody, North American Review, Ixxxvi. 589. Political Economy in the Clouds. Fraser, Ixii. 651, Portraits. Artist, 1899, p. 51. Bookbuyer, xx. 14, 428. Bookman, xi. 17. Critic, n. s., xxx. Ill ; xxxvi. 105. M. H. Spielman. Magazine of Art, xiv. 73, 121. Outlook, Ixvi. 793. Review of Reviews, xxi. 259, 294, 296, 300. Praeterita, reviewed. Literary World, xvi. 315. Nation, xlvi. 263. Pre-Raphaelitism, review. Edinburgh Review, April, 1856. Westminster Review, April, 1857. Present State of Architecture. London Quarterly, Oc- tober, 1854 ; January, 1855. Proposed Ruskin Memorial Medallion. Athenaeum, 1900, ii. 290. Prose Style. Current Literature, xxvii. 210. Publishers of Ruskin. Living Age, clxxiii. 250. Public Letter of John Ruskin, 1880. Contemporary Review, xxxvii. 38, 905 ; xxxviii. 69. Recent Notes by Ruskin. Canadian Monthly, xvii. 480. Recent Writings. Eraser's, Ixxxix. 688. 130 BIBLIOGRAPHICAL CONTRIBUTION TO Recent Writings. Same article. Every Saturday, xvii. 10. Ecclesiastical Magazine, Ixxxiii. 275. Living Age, cxxii. 154. Recollections of Ruskin. Atlantic, Ixxxv. 568-571. Religion de la Beaute*, e'tude sur J. Ruskin. R. de La Sizeranne. Revue des Deux Mondes, iii. 5. Same article. Living Age, ccxxiv. 726. Religious Suggestiveness of Ruskin. Boston Review, i. 323. Review of His Works. Edinburgh Review, April, 1856, 273. Review of Spielman's J. Ruskin. London Quarterly, xciii. 378. Romance of Roadmaking. H. Frith. Cassells, London, October, 1895. Rossetti and Pre-Raphaelitism. M. S. Anderson. Dial, xxvi. 336. Publishers' Circular, December 31, 1898, p. 773. Studio, xvii. 281. Rdbens and Ruskin, a Day at Antwerp. Blackwood's, 1861, xc. 365. Ruskin. Academy, xxxix. 177. Appleton, iv. 552 ; xii. 21, 87 ; xxv. 361. B. O. Flower. Arena, xviii. 70. W. Fred. Beilage z. Allgemeinen Zeitung, Mai, 1898, 116. Mtinchen. A. L. v. Lilienbach. Biograph. Blatter, 1899, pp. 78-84. Leipzig. Blackwood's, Ixxx. 503 ; ciii. 675 ; clxvii. 340-354. THE STUDY OF JOHN RUSKIN 131 Bookbuyer, x. 191. Bookman, xi. 199. Boston Magazine, July, 1861. Brockhaus' Konverzations-Lexikon, xiv. 29. Ber- lin, 1895. Catholic World, xxxix. 642. R. R. Bowker. Century, liv. 714. J. W. Stillman. Century, xxxv. S. Sanger. Christliche Herold, 1899, pp. 203, 219. Berlin. Church Quarterly, xxxvi. 439. Same article. Living Age, cxcix. 131. Colburn Magazine. B. O. Flower. Coming Age, June, 1900. J. Wedgwood. Contemporary Review, Ixxvii. 335. R. Riordan. Critic, n. s., xxxvi. 439. Deutsche Litteraturzeitung, 1898-99, pp. 90-92. Dial, xxviii. 113, April, 1900. Ecclesiastical Magazine, Ixix. 630 ; Ixx. 1068. Eclectic Magazine, xxxi. 69 ; xxxviii. 335 ; Ixxv. 680 ; Ixxxiii. 277. W. P. P. Longfellow. Forum, xxix. 299. Fraser's, xlix. 128, 133 ; Ixxxix. 690, May, De- cember, 1860. Galaxy, xiii. 164. Gentleman's Magazine, 1861, ii. 443. Harper's Magazine, xix. 578 ; Ixxx. 578. Hazel's Magazine, September, 1892. J. Southworth. Home Magazine, March, 1900. New York. 132 BIBLIOGRAPHICAL CONTRIBUTION TO Jahresberichte fur neuen Deutsche Litteraturge- schichte I., xi. 8. E. Engel. Litterarische Echo, ix. 548. Berlin, February, 1899. Leisure Hours, xlix., April, 1900. LittelTs Living Age, ccxxiv. 598. London Critic, February, 1862. R. F. Horton. London Quarterly Review, xciii. 289-307, April, 1856. M. H. Spielman. Magazine of Art, April, 1900. Macmillan's Magazine, xvii. 303. Methodist Review, New York, xlix. 697, March, 1900. Methodist Review, Nashville, April, 1900. Methodist Quarterly, xx. 533. A. M. Wakefield. Murray's Magazine, viii. 587. Nation (Berlin), xvii. 9, 1899. L. Stephen. National Review, xxxv. 240. New Ecclesiastic, iv. 18. New England Magazine, n. s., xxi. 274. F. Harrison. Nineteenth Century, xxxviii. 958. C. Waldstine. North American Review, clxx. 553. North British Review, xxxvii. 1. TJ. Fleres. Nuova Antologia, Rome, February 1, 1900. H. Depasse. Nouvelle Revue, January, 1901. Once a Week, xxvi. 475. Outlook, Ixiv. 462. Same article. Living Age, ccxxii. 506. Oxford and Cambridge Review, numbers 4 and 6. THE STUDY OF JOHN RUSKIN 133 Practical Magazine, vii. 161. Publishers' Circular, London, June 23, 1900, p. 673. Publisher's Weekly, February 3, 1900. Putnam's Magazine, May, 1856. Reader, November 19, 1864. J. Rusconi. Rivista Politica e Letteraria, Rome, February, 1900. A. Goffin. Revue Ge'ne'rale, Brussels, October, 1897. J. Berdoux. Revue Politique et Parlementaire, Paris, January, 1901. Lord Windsor. Saint George (Stock, ed.), Janu- ary, 1901. Dean Paget. Saint George, January, 1901. Spectator, 1875. C. Chapman. Sunday Magazine, London, March, 1900. Henrietta Corkran. Temple Bar, cv. 15. Tinsley, xliii. 689. University Quarterly, xxx. 5. Victoria Magazine, 1860. Westminster, 1855, 1856, Ixi. 166 ; Ixxviii. 284. Writer, iii. 47 ; vi. 164 ; is. 236. W. Scholermann. Wiener Rundschau, iii. 156 158. Leipzig, 1899. Young Man, October and November, 1893. Youth's Companion, February, 1900. B. Ruttenauer. Zukunft, 28 Bd., 503-512. Ber- .lin, 1889. 134 BIBLIOGRAPHICAL CONTRIBUTION TO Ruskin and Architecture. North British Review, 1854, xxi. 172. Ruskin and Carlyle. Two letters. English Illustrated Magazine, ix. 105. Ruskin and Carlyle and their Influence on English Thought. William Clarke. New England Maga- zine, xv. 473. Ruskin and Carlyle on Sir Walter Scott. W. Smith. Igdrasil, March, 1892. Ruskin and his Feminine Economics. Century, Ix. 956. Ruskin and his Home in the English Lake District. M. J. Chappie. National Magazine, vii. 241. Ruskin and Millais. W. J. Stillman. Nation, Ixix. 9. Ruskin and Mr. Stillman. Nation, Ivii. 447. Ruskin and Modern Problems. Am. Review of Re- views, ix. 352. Ruskin and New Liberalism. E. T. Cook. New Lib- eral Review, February, 1901. Ruskin and the Edinburgh Review. Spectator, Ixi. 124. Ruskin and the Guild of Saint George. Lippincott, xli. 839. Ruskin and the Hinksey Diggers. Atlantic, Ixxxv. 572-576. Ruskin and the Religion of Beauty. R. de La Size- ranne. Revue des deux Mondes, iii. 5. Ruskin and the St. George's Guild. Prof. Quack De Gids. Amsterdam, March, 1892. Ruskin and the Value of his Writings. W. S. B. Mathews. Music, xviii. 55. THE STUDY OF JOHN RUSKIN 135 Ruskin and Turner. Review of Reviews, xxi. 609. Ruskin and Venice. American Architect and Building News, Ixvii. 55. Ruskin as a Lecturer. Atlantic, Ixxxv. 271. Congregational, xv. 140. Ruskin as a Letter Writer. W. G. Kingsland. Poet- Lore, v. 1, 67, 123. Ruskin as a Master of Prose. F. Harrison. Nineteenth Century, xxxviii. 561. Literary Digest, xi. 759. Ruskin as an Art Critic. American, v. 265. J. W. Patterson. Art Interchange, March, 1900. C. H. Moore. Atlantic, Ixxxvi. 438-450. Broadway, ii. 48. Hogg, x. 434. Same article. Ecclesiastical Magazine, xxxi. 65. Monthly, xv. 26. Westminster, Ixxx. 469. Ruskin as an Artist. M. H. Spielman. Magazine of Art, xxiv. 241-258. Scribner's Magazine, xxiv. 659. Same article. Public Opinion, xxv. 820. Ruskin as an Artist and Art Critic. E. T. Cook. In- ternational Studio, x. 77-92. Studio, xix. 77. Ruskin as an Art Teacher. American Architect and Building News, Ixvii. 45. Ruskin as a Nationalist. Nationalist Magazine, iii. 254. Ruskin as an Economist. P. Geddes. International Monthly, New York, March, 1900. 136 BIBLIOGRAPHICAL CONTRIBUTION TO Ruskin as an Oxford Lecturer. M. J. Bryce. Century, xxxiii. 590 ; lv. 590. Ruskin as an Undergraduate, 183741. Saint George, January, 1901. Ruskin as a Poet. Spectator, Ixvii. 590. Ruskin as a Political Economist. W. J. Lliamon. Canadian Magazine, viii. 45. Quarterly Journal of Economics, ii. 414. Unitarian Review, xxiii. 241. Westminster, Ixxviii. 530. Ruskin as a Practical Teacher. M. Kauffman. Scotch Review, xxiv. 21. Same article. Living Age, cciii. 155. Ruskin as a Religious Teacher. Literary Digest, xiv. 242. Ruskin as a Religious Writer. Church Observer, Ixii. 658. Ruskin as a Revolutionary. L. D. Abbott. Independ- ent, lii. 301. Ruskin as a Study for Preachers. D. S. Gregory. Homiletic Review, New York, March, 1900. Ruskin as a Teacher. Catholic World, xxxix. 642. L. A. Rhoades. Self Culture, xi. 142. Ruskin as a Teacher of Art. T. Sulman. Living Age, ccxiv. 889-893. W. G. Kingsland. Poet-Lore, v. 405. American Architect and Building News, Ixvii. 45. Ruskin as a Writer. W. H. Spielman. Bookbuyer, xix. 161, 260. THE STUDY OF JOHN RUSKIN 137 Ruskin as Critic and Economist. 11. Biordan. Critic, n. s., xxxvi. 230. Ruskin at Farnley. Edith M. Fawkes. Nineteenth Century, xlvii. 617. Ruskin at Home. Academy, Ivi. 462. W. H. Spielman. McClure's Magazine, ii. 315. Ruskin at Oxford. American Architect and Building News, Ixvii. 72. Ruskin at St. Ouen, Rouen. American Architect and Building News, Ix. 80. Ruskin at the Seaside. Eraser's, Ixii. 719. Ruskin et la Religion de la Beauts'. Universite* Catho- lique, i. 79. Leon Banacand. Revue Bleue, xxvii., November. Ruskin for Poet Laureate. Critic, xxii. 311. Literary Digest, vii. 53. Ruskin in Relation to Modern Problems. E. T. Cook. National Magazine, xxii. 823. Same article. Ecclesiastical Magazine, xxii. 823. Ruskin, Man and Prophet. R. W. Bond. Contem- porary Review, July, 1900. Ruskin Mosaic. A. J. Telford. Methodist Review, New York, August, 1900. Ruskin on Architecture. Journal of the Society of Arts, ii. 630. Ruskin on Drawing. Art Journal, ix. 255. Ruskin on Education. W. Jolly. Great Thoughts, June-October, 1893. Ruskin on Gold. J. E. Cairnes. Macmillan's Maga- zine, ix. 67. Poet-Lore, iv. 113. 138 BIBLIOGRAPHICAL CONTRIBUTION TO Euskin on Locomotives. American Engineer and Rail- road Journal. Same article. American Architect and Building News, xlvi. 16. Ruskin on the Nature of Miracle. R. H. Hutton. Spectator, 1873. Ruskin on Restoration. American Architect and Build- ing News, xlvii. 60. Ruskin on the Grotesque in Art. American Architect and Building News, xliii. 120. Ruskin on Wordsworth. R. H. Hutton. Spectator, September, 1873. Ruskin, Preacher. Cornelius Bret. Treasury, Febru- ary, 1892. Ruskin's Education. Alice H. Southern. Arena, xxii. 631. Ruskin's Fad for Mounting Minerals. Current Litera- ture, xxviii. 142. Ruskin's First Published Writings. W. R. Nicoll. Bookman, i. 321. Ruskin's Generosity. American Architect and Build- ing News, xliii. 11. Ruskin's Houses for the Poor of London. American Architect and Building News, lii. 66. Ruskin's Most Useful Books. American Architect and Building News, Ixvii. 18. Ruskin's London Homes. The House Beautiful, vii. 244. Ruskin's Popularity at Oxford. Atlantic, April, 1900. Same Article. American Architect and Building News, Ixviii. 16. THE STUDY OF JOHN RUSKIN 139 Ruskin's Social Experiment. Living Age, ccxiii. 263. Raskin's Will. American Architect and Building News, Ixviii. 82. Ruskin the Man, and his Message. W. J. Dawson. Young Man, London, 1893. Ruskin, the Reformer : Poem. J. Brigham. Chau- tauqua, x x \ . 592. Ruskin Cooperative Association. Fr. Paetow. Die Neue Zeit, xvii. 25. Stuttgart, 1899. Ruskin Cooperative Colony. H. N. Cassin. Inde- pendent, li. 192. Ruskin Hall ; a College for Labor Leaders at Oxford. American Architect and Building News, Ixiii. 34, 64. Ruskin Hall Movement. L. T. Dodd and J. A. Dale. Fortnightly, Ixxiii. 325. Review of Reviews, xxi. 367. Ruskin Hall, Oxford. C. Martin. Revue des Revues, Paris, September, 1899. Ruskin Hall : The New Workingman's College. Amer- ican Architect and Building News, Ixviii. 104. Ruskin Hall : The Poor Man's College. M. Berkeley. Gentleman's Magazine, n. s., Ixiv. 273. Ruskiniana. Appleton, xxv. 361. Critic, n. s., xxxvi. 233-237. Igdrasil, i. 81, 121, 169, 209, 249, 297, 345; ii. 12, 57, 97. Ruskinism. Educational Review, ciii.' 535. Same article. Ecclesiastical Magazine, xxxviii. 333. Tait, n. s., xviii. 386. Edinburgh Review, 1853, ciii. 535. 140 BIBLIOGRAPHICAL CONTRIBUTION TO Ruskinland. L. D. Abbott. Cosmopolitan, xxviii. 502-506. Ruskin May-day Festivals. Igdrasil, i. 240-243. Ruskin Memorial Fund. International Studio, x. 194. Ruskin Museum at Sheffield. Atalanta Magazine, London, May, 1898. Gentleman's Magazine, n. s., xl. 177. National Magazine, v. 403. Same article. Living Age, clxv. 537. Saturday Review, Ixix. 462. Ruskin sur la Reforme Social par 1'esthe'tique. Baron J. Angot de Retour. Reforme Sociale, Ivi. 823. Saint George's Company. Atlantic, xlii. 39. Saint Mark's, Venice. Art Journal, xxxii. 47. Sale of Ruskin's Works in England. Publishers' Weekly, February 17, 1900. Selections from the " Stones of Venice." International Magazine, iii. 19. Sermon Seeds from Ruskin. Fruit and Leaf. Preach- er's Magazine. New York, July, 1892. Servant of Art. R. W. Bond. Contemporary Review, Ixxviii. 555^578. Sesame and Lilies. Critic, xvi. 180. London Reader, 1865, ii. 140. North American Review, cii. 306. Seven Lamps of Architecture. Church Observer, 1. 684. Dublin University, xxxiv. 1. Ecclesiologist, 1849. Edinburgh Review, October, 1851. English Review, xv. 55. THE STUDY OF JOHN RUSKIN 141 Examiner, 1849. Fraser's, xli. 151. Guardian, 1847. S. G. Brown. North American Review, Ixxii. 294. North British Review, October, 1851. Sincerest Form of Flattery. Cornhill, xv. 367. Sir John Millais. American Architect and Building News, liii. 84. Sketches of Ruskin. Athenaeum, 1900, i. 119. Dial, xxviii. 73. J. L. Gilder. Harper's Weekly, xliv. 99. Independent, xxv. 264. Leslie's Weekly, Ixxxv. 51. Literary Digest, xx. 108, 180, 401. Literary World, xxxi. 41. Nation, Ixx. 66. Outlook, Ixiv. 202. Public Opinion, xxviii. 117. Slight Recollections of Three Great Men : John Ruskin, Professor John Couch Adams, and Professor Blackie. H. Corkran. Temple Bar, cv. 515. Social Economics of Ruskin. J. A. Hobson. Saint George, January, 1901. Social Reforms. A. R. Marble. Arena, xxiii. 538. Spielman's " John Ruskin, reviewed." Bookbuyer, xx. 216. Literary World, xxxi. 101. " Squire Mushroom " (caricature). Quarterly Review, December, 1899. State and its Subjects. G. W. Mansfield. Westmin- ster, cl. 404. 142 BIBLIOGRAPHICAL CONTRIBUTION TO Stones of Venice. Athenamm, 1851, 330, 524 ; 1853, 933. British Quarterly, xiii. 476 ; xviii. 460. Blackwood's, September, 1851. Church Observer, li. 538. Dublin University, xxxviii. 253. Ecclesiastical Review, xciii. 591 ; xcviii. 555. Edinburgh Review, October, 1851. Educational Review, xciv. 365. Eraser's, xlix. 127, 463. Gentleman's Magazine, 1851, ii. 130. International, xiii. 19. Living Age, xxix. 469. Literary Gazette, 1851. North British, xv. 238 ; xxi. 172. O. Tiffany. North American Review, Ixxxvi. 83. Prosperity, x. 19. Tait, n. s., xviii. 286. Studies in Ruskin. Saturday Review, Ixx. 424. Study in Development. London Quarterly, Ixxxi. 265. Study in Love and Religion. J. Telford. Methodist Review, Iv. 25. Teaching of Ruskin. Nineteenth Century, xxxviii. 958. Tintoretto. W. J. Stillman. Century, xxii. 742. Titles of his Books. Critic, iv. 293. E. T. Cook. Good Words, xxxiv. 477. To a Portrait of Mr. Ruskin's : Poem. G. S. Lee. Critic, n. s., xxxvi. 227. Tribute to Ruskin. Current Literature, xxvii. 193. THE STUDY OF JOHN RUSKIN 143 Truth about Ruskin. Fortnightly, Ixxiii. 418-426. Turner Pictures at Marlborough House. Athenaeum, 1856, 1406. Turner's Harbours of England. Athenaeum, 1856, 921. Two Paths. Art Journal, xi. 202. Athenaeum, 1859, 703. Literary Digest, ii. 607. Type of Twentieth Century Manhood. B. 0. Flower. Arena, xviii. 70-78. Unique Dogmatism of Ruskin. Living Age, cxxxv. 376. Unpublished Letters of Ruskin. W. G. Kingsland. Poet-Lore, v. 1. Unreported Speech on Art. Poet-Lore, viii. 222. Unto this Last, reviewed. London Reader, 1865, ii. 35,55. Value of Ruskin's Writings to Architects. American Architect and Building News, liv. 26. Versus Gibbon and Grote. New England Magazine, xlv. 954. Versus Raphael. Art Journal, xi. 229-261. Visit to Museum at Sheffield. Magazine of Art, iii. 57. Waldstine on Ruskin. Academy, xlvi. 506. Was wir lieben und pflegen mttssen, J. Feis, revue. Deutsche Litteraturzeitung. Berlin, February, 1896, xvii. 279. Wege zur Kunst, revue. Literarisches Centralblatt, Leipzig, September 10, 1898. 1494. Why Ruskin refused the Royal Gold Medal. Ameri- can Architect and Building News, Ixvii. 94. 144 BIBLIOGRAPHICAL CONTRIBUTION Will of Ruskin. Living Age, cxxxiii. 376. Work and Influence. L. Stephen. Living Age, ccxxv. 425. Work of Ruskin. Harper, Ixxviii. 382. Works of Ruskin. Blackwood's, Ixx. 326. Edinburgh Review, clxvii. 1888. April, 1856, p. 273. North British Review, xxxvi. 1. Putnam, vii. 490. Writings of Ruskin. G. Saintsbury. Critic, xxv. 115. North British Review, 1862, xxxvi. 1. All newspapers for January 21, 1900. INDEX INDEX ABBOTT, L. D., 136, 140. Academy of Venice, ix. Acland, Sir Henry, 38, 103. Acland, Sir T. D., 22, 62, 106. Adams, John C., 141. Alexander, F., 100, 104, 106. Allen, George, 14, 22. Allen, Grace, 106. Alliboue Dictionary of Names, vii. Allingham, W., 112. Allison, 40, 108. Alma-Tadema, 30. Alpine Club, London, ix. Alps, 5, 6, 8, 69, 78. Amalfi, 5. American Catalogue, vii. American Library Association Index, vii. Angelico, Fra, 5, 101 ; in vol. ii. of Modern Painters, 12. Angelo, Michael, 5, 64. Annual Literary Index, vii. Aratra Pentelici, 14, 64, 55, 86. Architectural Association, lecture be- fore the, 17. Architecture, 5, 119 ; influence in forming Ruskin's taste in, 8. Ariadne Florentina, 54, 56, 86. Aristotle, 102. Arrows of the Chace, 64, 56, 63, 86, 106, 119. Art of England, 65, 66, 86, 119. Art Treasures Exhibition, Manchester, lecture before, 17. Arundel Society, 101, 107. At henseum , ' 1 7 . Athenaeum Club, London, ix. Attack on Turner in Blackwood's, 11. Atwell, H., 104, 102. Axon, W. E. A., 108. B. A., 109. Bain, Alex., 108. Baldry, A. L., 108. Baldwin, 108. Ballantyne, J., 108. Banacand, Leon, 137. Barclay, T., 104. Bartolomeo, Fra, 8. Bateinau, Maud A., 105. Bayliss, Wyke, 108. Bayne, P., 102, 109. Beers, H. A., 113. Bell, C. F., 109. Bellini, John, 7. Benedetto, 7. Benjamin, 8. G. W., 39, 109. Bennet, W. C., 106. Berdoux, J., 133. Berkeley, M., 139. Berthelot, R., 109. Bible chapters memorized by Ruskin, 31. Bible of Amiens, 64, 56, 79. Bibliographie de la France, vii. Bibliographic der Deutschen Zeit- schriften Litteratur, vii. Bibliotheca Pastorum, 64, 66, 58, 81. Bjo'rnson, B., 90. Black Arts, 56. Blackie, Professor, 141. Blackwood's Magazine, attack on Turner in, 11. Bolton, S. K., 109. Bond, R. W., 125, 137, 140. Bosanquet, B., 109. Botticelli, 5, 10, 19 ;" Zipporah" of, 10. Bowker, R. R., 131. Boxall, W., 7, 38. Brantwood, 36, 123. Brewster, W. T., 106. Bret, C., 138. Brigham, J., 139. British Museum, Catalogue, iii. ; speci- mens of common forms of native silica in, 16. 148 INDEX Brock- Arnold, G. M., 109. Bronte, Charlotte, 40, 111. Brown, Dr. John, 38. Brownell, W. C., 121, 127. Brownings, 38, 46, 111, 126. Bryce, M. J., 136. Buller, A. N., 101. Burne-Jones, 38. Burton, J. H., 109. Byron, Lord, 37. Cairnes, J. B., 137. Cambridge University, ix, 18. Camden-Pratt, A. T., 109. Carpaccio, 7, 10, 114 ; " St. Ursula" of, 10. Cardwill, M. E., 100. Carrol, E., 109. Carlyle, T., 19, 20, 38, 40, 44, 103, 109, 111, 113, 114, 115, 124, 125, 134. Carthusian Monastery, 25. Cassells, W., 121. Cassin, H. N., 139. Catalogue Methodic publicazioni, Rome, vii. Catalogue of a Series of Specimens given to the British Museum, 56. Catalogue of Drawings and Sketches by Turner, 13, 52, 55, 57. Catalogue of Examples arranged for Elementary Study, 53, 56. Catalogue of Minerals given to the Kirkcudbright Museum, 55, 56. Catalogue of Pictures in Illustration of Lectures on Flamboyant Architec- ture, 53, 56. Catalogue of Pictures sold at Christie's, 53,57. Cestus of Aglaia, 57. Chambers's Encyclopaedia, 109. Chamouni, 79. Chapman, C., 133. Chappie, M. J., 134. Chautauqua library, 104. Cheap literature, Ruskin's opinion of, 15. Chesneau, E., 73, 100, 109, 125. Childhood of Ruskin, 2. Chorley, H., 114. Circular respecting Memorial Studies at St. Mark's, 54, 57, 63. Clarke, I. E., 109. Clarke, W., 134. Clement, C. E., 99, 103, 105, 109. Clifford, Dr., 123. Coeli Enarrant, 55, 57, 76. Collingwood, W. G., vii, 12, 21, 29, 38, 80, 102, 106, 110, 120, 121; quoted, 2, 16, 19, 21, 25, 34, 38, 40, 43. Convergence of Perpendiculars, 57. Conway, M. D., 107, 110. Cook, D., 110. Cook, E. T., 104, 106, 110, 125, 134, 135, 137, 142. Cooke, W. G., 110. Corkran, Henrietta, 133, 141. Crane, Lucy, 99. Crawford, A. G., 103. Crossing-sweeping, 20. Crown of Wild Olive, 18, 27, 53, 57, 86, 87, 94, 95, 96. Crystal Palace, 79. Cumulative Index, vii. Cundall, J., 110. Q 11 j\r\ i nghflTO ? A., 103, 110. Dale, J. A., 139. Dart, Henry, 32, 38. Darwin, Charles, 30. Dates, of birth, ix, 2, 35 ; of death, ix. Dawson, W. J., 139. Denmark Hill, 35. Deucalion, 14, 54, 57, 87. Dickens, Charles, 63. Dilecta, 55, 58. Dodd, L. T., 139. Dole, 9. Domecq, 1, 20, 26. Downes, R. P., 110. Dowse, T., 110. Drawings, 58. Durand, J., 110. Diirer, 9. Dyer, W. R. A., 110. V Eagle's Nest, 10, 18, 28, 54, 58, 87. Earle, J., 101. Eastlake, C. L., 58, 110. Education in Art, 58. Education, needed but negleeted, 58. Education of Ruskin, 31. INDEX U9 Elements of Drawing, 13, 15, 52, 58, 88, 122. Elements of English Prosody, 54, 58. Elements of Perspective, 13, 53, 58, 88, 122. Emerson, B. W., Ill, 114. Encyclopaedia Britannica, 110. Engel, E., 132. English Catalogue of Books, vii. English Cyclopaedia of Biography, 41. Enquiries on Causes of the Color of the Water of the Rhine, 59. Essays, 88. Etherington, L. N., 109. Ethics of the Dust, viii, 14, 59, 88, 94, 95, 96, 122. Everett, Edward, 110. Exhibition of Buskin's paintings, 10. Facts and Considerations on the Strata of Mont Blanc, 59. Farrer, F. W., 102, 110. Father of Buskin, 1, 4, 1C, 32, 34 ; in- fluence on Buskin, 1. Fawkes, E. M., 137. Feis, J., 97, 108, 110, 124, 143. Fielding, H., 32. Fielding, Copley, 83, 35. Finances of Buskin, 27. Fitzgerald, E., 111. Fleming, Albert, Buskin Linen Indus- try, 23. Fleres, U., 132. Florence, 101, 114 ; mornings in, 54. Flower, B. O., 130, 143. Forbes, J. D., 107. Forms of Stratified Alps, 53, 59. Fors Clavigera, viii, 14, 53, 59, 88, 107, 122. Foster, J., 111. Fouquier, M., 111. Fred, W., 130. French translations and articles, 87, 97, 109, 113, 114, 119, 124, 128, 130, 132, 133, 134, 137, 140. Friendship's Offering, Buskin's con- tributions to, 12. Frith, Henry, 130. Frith, W. P., 111. Frondes Agrestes, 54, 60, 76, 89. Froude, J. A., 38, 111. Furnivall, 73, 107. Future of England, 60. Gainsborough, 109. Gall, L., 111. Galloway, Countess of, 116. Gaskell, E. C., 111. Geddes, P., Ill, 127, 135. Geneva, 6. Geological Society, be. Geology, Buskin's relaxation, 15. George, Henry, 115. German translations and articles, 89, 97, 107, 108, 111, 124, 130, 131, 133, 139, 143. Germany, 9. Ghirlandajo, 101. Gibbon, 143. Gibbs.M. &E..100. Gilder, J. L., 141. Giotto, 52, CO, 89, 115. Gladstone, W. E., 30, 38, 111. Goffin, A., 133. Gold ; a dialogue, 60. Goodwin, P., 111. Gosse, E., Ill, 128. Gotthelf, J., 107. Graduate of Oxford, Buskin's pseu- donym, 11. Graduation, 6. Greenaway, Kate, 100. Green, B. H., 105, 111. Green, 8. G., 125. Gregory, D. S., 136. Griffith, T., 4. Grimm brothers, 101. Griswold, H. T., 111. Grosvenor, E. A., 123. Grote, 143. Guide to the Principal Pictures in the Academy, Venice, 54, 61. Gull, Sir W., 38. Gutherie, T., 103. Hales, J. W., 111. Halli?, Charles, 38. Hamerton, P. G., 43, 102, 113. Handwriting, 3, 123. Harbours of England, 52, 61, 89, 143. Harding, J. D., 7, 38. Hare, A. J. C., 101, 107. Harrison. F., 112, 128, 132, 135. 150 INDEX Heinrich's Katalog, vii. Hensius' Biicher-Lexikon, vii. Herbert, George, 25, 37. Herae HU1, 2, 13, 120. Hill, A. S., 104, 112. Hill, a. B., 112. Hillis, N. D., 112. Hinksey, road-making, 23, 134. Hobson, J. A., vii, 20, 45, 112, 123,141. HodgkiDB, 112. Holbein, 9, 82, 101, 106, 110. noppin, J. M., 39, 43, '00, 112. Horsfall, T. C., 106. Horton, R. F., 132. Hortus Inclusus, viii, 55, 61, 89, 123. Howell, C. A., 125. Hubbard, Elbert, vii, 36, 112. Hufford, L. G., 105. Hunt, Holman, 70, 71, 103. Hunt, M., 112. Hutton, L., 99, 109. Button, R. H., 112, 138. Haria di Caretto, 7. Imperial Dictionary, 112. Inaugural Address at Cambridge, 53, 61, 89, 123. Induration of Sandstone, 61. In Mortibus Sanctus, 61, 89. Introduction to Poetry of Architec- ture, 61. Italian translations and articles, 88, 132, 133. Jahresberichte fur neuere Deutsche liitteraturgeschichte, vii. Jameson, Anna, 7, 30, 38. Japp, A. H., 41, 46, 113. Johnson, R., 102. Johnson's Universal Cyclopaedia, 113. Jolly, W., 113, 137. Joy Forever, 61, 80, 89. Karoly, Karl, 101. Kata Phusin, pseudonym, 11, 80. Kauffman, M., 136. Kayser, C. G., vii. Kennedy, W. 8., 105. Keswick, 23, 124. King of the Golden River, 26, 61, 89, 90, 96. Kingaland, W. G., 125, 135, 136, 143. Kingsley, Charles, iz. Knapp, E. A., 123. Knight, C., 113. Knight, J., 113. Labrosse, P., 113. LaFarge, J., 119. Lake Maggiore, 9. Lancaster, H. H., 113. Landseer, Edwin, 102, 106. Laws of Fe"sole, 7, 15, 54, 61. Laxey, 22. Layard, A. H., 101. Lectures on Architecture and Paint- ing, 17, 52, 62, 91, 124. Lectures on Art, 53, 62, 91, 124. Lectures on Landscape, 62, 124. Lee, G. S., 142. Leoni, 53, 62. Leopold, Prince, 38. Leslie, C. R., 113. L'Estrange, A. H., 114. Letters, 55, 62-75, 83, 84, 88, 91, 125, 129, Letters addressed to a College Friend, viii, 62, 91. Letters to the Clergy, 73. Letters to the Times, 52, 71, 74. Lewin, W., 105. Lewis, J. F., 10, 38. Lhamon, W. J., 136. Lilienbach, A. L., 130. Lindsay, Lord, 38 ; Christian Art, 12, 75. Longfellow, W. P. P., 123, 131. Lord's Prayer, 64, 125. Lorenz Catalogue, vii. Lorraine, Claude, 100. London's Magazine, Raskin's contri- butions to, 11. Love affairs, 26. Love's Meinie, 14, 18, 54, 75, 91. Lowell, J. R., ii, 114. Lucca, 6. McCarthy, J. H., 113. Macillier, H. C., 113. Malleson, F. A., 73, 128. Mallock, W. H., 38. Manning, Cardinal, 25, 38. Mansfield, G. W., 141. Marble, A. R., 141. INDEX 151 Marriage of Ruskin, 26. Marsh, G. P., 113. Martin, C., 139. Mather, J. M., vii, 113. Mathews, W. 8. B., 134. Maurice, F. D., 38; Workingmen's Club, 17, 21. Memorial sent to Ruskin on his birth- day, 47. Mental collapse, 29. Meynall, A. G., 113. Miles, N. H., 113. Millais, J. E., 8, 38, 67, 71, 78, 134. Millais, J. G., 113. Mill, John 8., 21, 112. Milaand, J., 113, 128. Minto, W., 99, 114. Mitford, M. R., 114, 125. Modern Painters, viii, 3, II, 12, 48, 53, 75, 76, 81, 91, 104, 107, 123, 126, 128. Modern Warfare, 77. Mollett, J. W., 106. Molmenti, P., 114. Monuments of the Cavalli Family, 77. Moore, C. H., 38, 135. Morgan, A. D., 122. Mornings in Florence, 28, 54, 77, 92, 96. Morris, W., 38,83, 114. Morton, E. P., 128. Mother of Ruskin, 2, 3, 34. Muir, R. J., 114. Miiller, Max, 33, 38. Munera Pulveris, 53, 60, 77, 92. Murray's Quarterly, Buskin's contri- bution. i to. 11. My First Editor, 77. Mystery of Life, 77. Naples, 5. National Gallery, 64, 68, 104. National Gallery Letters, 71, 77. Nature and Authority of Miracle, 77, 127. Newdigate prize, 32. Newton, Sir C., 38. Nicoll, H. J., 114. Nicoll, W. R., 114, 122, 138. Nubet, Hume, 114. Northcote, 33, 35. Norton, C. E., 29, 38, 102, 114. Notes on the Exhibition, 127. Notes on the General Principles ot Employment, 53, 78. Notes on the Perforation of a Pipe, 78. Notes on the Principal Pictures of Millais, 78. Notes on the Prout and Hunt Exhibit, 54,77. Notes on the Royal Academy, 13, 52, 54,78. Notes on Sheepfolds, 77, 84, 92, 121. Notes on the Turner Exhibition, 54, 78. Notes on the Turner Gallery, 52, 78, 127, 143. Notice sent by Ruskin to his friends, 9. Oliphant, M. O. W., vii, 39, 114. On the Nature of the Gothic, 79, 83. On the Old Road, 55, 79, 92. Opening of the Crystal Palace, 128. O'Shea, M. V., 90. Osier, W. R., 114. Our Fathers Have Told Us, 79, 92. Owen, A. C., 99. Oxford education, 32. Oxford lectures, 10, 14, 16, 18, 79, 128, 136. Oxford Museum, 53, 79, 103. Paetow, Fr., 139. Paget, Dean, 133. Paget, V., 119. Painting, influence in forming Rus- kin's taste in, 7. Palgrave, F. T., 114. Pamphlet pleading for the preserva- tion of buildings, 13, 52. Paris, 5. Patmore, C., 64, 115. Patterson, J. W., 135. Patterson, M., 115. Patterson, R. H., 115. Peabody, A. P., 129. PengeUy, R. E., 115. Perry, B., 103. Perugino, 7. PhUlimore, C. M., 101. Phoebus, V. C., 115. Pisa, 9 ; art treasures of, C. Pisano, 19. Planting of Church- Yards, 79. Plato, 33. 152 INDEX Platt, W. H., 99. Pleasures of England, 55, 79, 93. Poems, 48, 55, 80, 93, 106, 128. Poems : " John Ruskin," 122, 128, 142. Poetry of Architecture, 55, 80, 93. Political economist, 20. Political Economy of Art, 16, 52, 62, 80, 93, 129. Poole's Index, vii. Pope, Alexander, 37 Porter, R., 107. Portfolio, 80. Praterita, viii, 29, 55, 80, 93, 129. Pre-Raphaelite Brotherhood, 11. Pre-Raphaelitism, viii, 11,72, 80, 83, 93, 105, 108, 115, 129. Proserpina, 14, 54, 80. Prout, S., 33, 82 ; sister of, 38. Publishers' Weekly, vii. Quack, Professor, 134. Queen of the Air, 14, 28, 53, 81, 94. Queen Victoria, ix. Quilter, H. 115. Range of Intellectual Conception, 81. Raphael, 104, 143. Rawnsley, H. D., 121. Raymond, G. L., 104, 115. Reading done by Ruskin on travels, 9. Reclaim's Universal Bibliotbek, vii. Relation between Michael Angelo and Tintoret, 54, 81. Religious views of Ruskin, 24. Remarks addressed to an Art Class, 81. Renaudin, P., 119. Rendu, Louis, 107. Repertoire Bibliographique, vii. Report on Turner's Drawings, 81. Retour, J. A. de, 140. Review of Reviews, viii. Reynolds, Sir Joshua, 124. Rhoades, L. A., 41, 136. Richmond, George, 5, 38. Ridpath's Library, viii, 115. Righi, 9. Riordan, R., 131, 137. Rippingille, E. V., 115. Ritchie, Anna T., 41, 115. Ritchie, L., 107. Rogers, H., 12. Rogers's Italy, Ruskin's first Turner, 3. Roget, J. L., 115. Rome, 5, 9. Rood, O. N., 115. Rose, H., 115. Rossetti, D. G., 22, 30, 38, 100, 105, 112, 113, 117, 130. Rossetti, W. M., 41, 105, 116. Rousseau, 37. Royal Academy, 13, 52, 71. Royal Academy of Antwerp, ix. Royal Academy of Brussels, ix. Royal College of Science, 18. Royal Institute of British Architects, 19. Royal Military Academy, 19. Royal Society of Painters in Water Colors, ix. Rubens, 130. Runciman, M. M., 33, 104. Rusconi, J., 133. Ruskin, John, viii ; as a landlord, 23 ; health, 29 ; lecturer, 16-18, 22 ; love of animals, 34 ; membership in clubs, ix ; personality, 33 ; Rede lecturer, ix ; sketches, 130-133 ; Siade lec- turer, ix ; standing in the art world, 13 ; writing, 16. Ruskiniana, 55, 81, 139. Ruskin Society, 105, 116. Russell, W. C., 116. Riittenauer, B., 133. Rydings, Egbert, Laxey settlement, 22. St. Andrews University, 19. St. George's Society, 21, 60, 73, 104, 116, 134, 140. St. Mark's Rest, 15, 54, 81, 94, 140. St. Martin's School of Art, lecture be- fore, 17. Saintsbury, G., 41, 46, 116, 144. Salsette and Elephanta, 32, 50, 54, 82. Samson, G. W., 103, 116. San Francesco, Cloister of, 6. Banger, S., 131. San Miniato, 12. San Rocco, Venice, 7, 107. Santa Croce, 8. Santa Maria Novella, 8. Scholermann, W., 133. Scott, Sir W., 134. INDEX 153 Scott, W. B., 90, 114. Scudder, H. E., 116. Scudder, V. D., 101, 105, 116. Sculpture, influence in forming Bus- kin's taste in, 7. Scythian Guest, 48, 60, 82. Sears, Lorenzo, 116. Seeley, A., 116. Sesame and Lilies, viii, 27, 28, 63, 77, 82, 95, 96, 140. Seven Lamps of Architecture, viii, 12, 27, 81, 82, 96, 140. Severn, Arthur, 9, 35. Severn, Joseph, 5, 38. Shakespeare, 32, 37, 107. Shelley, 37. Shepherd, R. H., viii, 116. Shepherd, 116. Sillar, R. G., 107. Sizeranne, R. de La, 116, 124, 130, 134. Skelton, J., 117. Smart, W., 117. Smith, L. W., 128. Smith, Sidney, 42. Smith, W., 99, 134. Social Policy, 20, 82. Somervill, R., 104. Southern, A. H., 122, 138. Southey, 30. South Kensington Museum, 107 ; lec- ture at opening of, 17. Southworth, J., 131. Spielman, M. H., 117, 129, 132, 135, 136, 141. Stanley, Dean H. P., 32, 38. Statham, M. H., 117. Stephens, F. G., 106, 117. Stephen, L., 132. StUlman, W. J., 38, 117, 120, 121, 131, 134, 142. Stones of Venice, 7, 12, 79, 82, 97, 107, 117, 140, 142; revisiting the scenes, 10 ; illustrations, 11 ; translated, 97. Storm Cloud of the Century, 55, 83, 97. Story, W. W., 117. Stowe, H. B., 38. Strachey, H., 104, 117. Stranahan, C. H., 101. Stronach, G., 125. Studies, 98. Study of architecture, 83, 98. Sturgia, R., 119. Sulman, T., 126, 136. Swan, H., 104. Sweetser, M. F., 100, 101, 117. Switzerland, 8. Sylvan, U., 121. Symonds, J. A., 42. Tavener, Lucking, 42, 129. Tea shop, 23. Telford, A. J., 137. Temple, F., 62. Temple, Lord Mount, 22, 38. Tennyson, A., 109, 112, 113, 126. Thackeray, W. M., 38. Thirlwall, Connop, 117. Thomas, C. W., 117. Thoreau, H., 43, 117. Thornbury, W., 102, 117. Tiffany, O., 142. Time and Tide, 14, 28, 53, 83, 98. Tintoretto, 7, 107, 114, 142; in the Zecca, 7 ; vol. ii. of Modern Paint- ers, 12 ; catalogue of pictures, 13. Titian, 7. Tolstoi, Leo, 46. Torrey, J., 106. Toynbee, Arnold, 38. Trade List Annual, viii. Traill, H. D , 117. Translations of works, 85, 87, 88, 89, 97. Travels of Ruskin, 4-9 ; in England, 4, 5, 8 ; hi Scotland, 4, 5, 8, 14 ; in Wales, 4 ; Continental, 5, 6, 7, 8 ; with his wife, 8. Tree Twigs, 53, 84. True and beautiful, 94, 96. Tuckerman, H. T., 117. Tunbridge Wells, lecture at, 17. Turner, J. M. W., 64,70, 71, 74, 106, 107, 112, 116, 117 ; and Ruskin, 104, 135 ; catalogues, 52, 55 ; estimate of Rus- kin, 39; Gallery, 52, 74; influence on Ruskin, 20 ; J. F. Lewis's relation to, 10 ; Liber Studiorum, 106 ; life of, 102, 111 ; meeting of Ruskin and, 4 ; notes on Turner Exhibition, 54 ; pictures owned by Ruskin, 3, 4; Ruskin's defence of, 11 ; Ruskin's estimate of, 30 ; Ruskin his execu- tor, 15 ; Slave Ship, 4. 154 INDEX Tuthill, L. C., viii. 44, 103, 107. Two Paths, 53, 84, 98. Tyndall, 30. Tyrwhitt, R. St. J., 100, 103, 117. Tytler, Sarah, 103, 118. University of Literature, 118. Unto This Last, 27, 53, 84, 98. Usury, 84. Val d'Arno, 19, 54, 84, 98. Valentine, C., 120. Van Dyke, J. C., 118. Vapereau, G., 118. Vecchio, 7. Venice, 101, 107 ; guide to the pictures, 54; Ruskin in, 5, 7, 10, 37; St. Mark's Rest, 15 ; schools of paint- ing, 7. Verona and its Rivers, 53, 75, 85, 98. Veronese, 7. Wakefield, A. M., 44, 105, 132. Waldstine, C., 118, 122, 132, 143. Walsh, W. S., 118 Ward, M. A., 118. Ward, W., 74, 118, 125. Warner, C. D., 102. Warsfold, W. B., 118. Water Color Painters, Society of, be, 100, 115. Wedderburn, A. D. O., 38. Wedgwood, J., 118, 123, 127, 131. Wedmore, F., 105, 118. Welsh, A. H., viii, 118. Whistler, J. McN., 30, 118. Whitehouse, J. H., 116. Whitman, Walt, ix. Who 's Who in England, viii. Wightwick, G., 119. Wilkie, Sir D., 106. Williamson, G. C., 100. Winchester, C. T., 119. Windsor, Lord, 133. Windus, Godfrey, 38; collection of Turner pictures, 3. Wiseman, N. P. S., 119. Wise, T. J., 73, 119. Wochentliches Verzeichnis, viii. Wordsworth, W., 30, 37, 112. Works, Editions of, 55, 85, 144. Wornum, Ralph N., 101, 106. Writings of Ruskin, 15, 33, 48, 56- 108. JXenophon, 58. Yates, E. H., 119. Young, E., 119. Zecca, Venice, 7. Zoology, ix. 1 9 1 9 EUctrotyped and printed by H. O. Hovghion 6* Co, Cambridge, Afass., U.S. A.