I' 
 
HORACE WALPOLE 
 a iiHematr 
 
m^"-':^'''^ 
 
 
Horace Walpole, 
 
Horace Walpole 
 
 a ittemoir 
 
 WITH AN APPENDIX OF BOOKS PRINTED A T 
 THE STRAWBERRY-HILL PRESS 
 
 BY 
 
 AUSTIN DOBSON 
 
 NEW YORK 
 
 DODD, MEAD AND COMPANY 
 
 1893 
 

 Copyright, 1890, 
 By Dodd, Mead and Company. 
 
 <f¥7:z-r 
 
 SSnitofrstto 53rfss: 
 John Wilson and Son, Cambridge, U.S.A. 
 
CONTENTS. 
 
 CHAPTER I. 
 
 Page 
 The Walpoles of Houghton. — Horace Walpole bom, 24 
 September, 1717. — Lady Louisa Stuart's Story. — 
 Scattered Facts of his Boyhood. — Minor Anecdotes — 
 • La belle Jennings.' — The Bugles. — Interview with 
 George L before his Death. — Portrait at this time. — 
 Goes to Eton, 26 April, 1727. — His Studies and School- 
 fellows. — The ' Triumvirate,' the * Quadruple Alliance.' 
 — Entered at Lincoln's Inn, 27 May, 1731. — Leaves 
 Eton, September, 1734. — Goes to King's College, Cam- 
 bridge, II March, 1735. — ^^^ University Studies. — 
 Letters from Cambridge. — Verses in the Gratiilatio. — 
 \'erses in Memory of Henry VI. — Death of Lady Wal- 
 pole, 20 August, 1737 I 
 
 CHAPTER II. 
 
 Patent Places under Government. — Starts with Gray on the 
 Grand Tour, March, 1739. — From Dover to Paris. — 
 Life at Paris. — Versailles. — The Convent of the Char- 
 treux. — Life at Rheims. — A Fete Galante. — The 
 Grande Chartreuse. — Starts for Italy. — The tragedy 
 of Tory. — Turin ; Genoa. — Academical Exercises at 
 
vi Contents. 
 
 Page 
 
 Bologna. — Life at Florence. — Rome ; Naples : Hercu- 
 laneum. — The Pen of Radicofani. — English at Florence. 
 
 — Lady Mary Wortley Montagu. — Preparing for Home. 
 
 — Quarrel with Gray. — Walpole's Apologia ; his Illness, 
 and return to England 27 
 
 CHAPTER III. 
 
 Gains of the Grand Tour — * Epistle to Ashton.' — Resig- 
 nation of Sir Robert Walpole, who becomes Eatl of 
 Orford. — Collapse of the Secret Committee. — Life at 
 Houghton. — The Picture Gallery. — ' A Sermon on 
 Painting.' — Lord Orford as Moses. — The ' /Edes 
 Walpolianae.' — Prior's ' Protogenes and Apelles.' — 
 Minor Literature. — Lord Orford's Decline and Death; 
 his Panegyric. — Horace Walpole's Means , . . . 57 
 
 CHAPTER IV. 
 
 stage-gossip and Small-talk. — Ranelagh Gardens — Fon- 
 tenoy and Leicester House. — Echoes of the '45. — 
 Preston Pans. — CuUoden. — Trial of the Rebel Lords. 
 — Deaths of Kilmarnock and Balmerino — Epilogue 
 to Tamerlane — Walpole and his Relatives. - Lady 
 Orford. — Literary Efforts. — The Beauties. — Takes a 
 House at Windsor 83 
 
 CHAPTER V. 
 
 The New House at Twickenham. — Its First Tenants. — 
 Christened ' Strawberry Hill.' — Planting and Embel- 
 lishing. — Fresh Additions. — Walpole's Description 
 
Contents. vii 
 
 Page 
 of it in 1753. — Visitors and Admirers. — Lord Bath's 
 
 Verses. — Some Rival Mansions. — Minor Literature 
 — Robbed by James Maclean. — Sequel from The 
 
 World. — The Maclean Mania, — High Life at Vaux- 
 hall. — Contributions to The World. — Theodore of 
 Corsica. — Reconciliation with Gray. — Stimulates his 
 Works. — 'Y\\ePoemata-Grayo-Bentleiana. — Richard 
 Bentley. — Mimtz the Artist. — Dwellers at Twicken- 
 ham. — Lady Suffolk and Mrs. Clive 107 
 
 CHAPTER VI. 
 
 Gleanings from the Short Notes. — Letter from Xo Ho. 
 
 — The Strawberry Hill Press. — Robinson the Printer. 
 
 — Gray's Odes. — Other Works. — Catalogue of Royal 
 and Noble Authors. — Anecdotes of Faulting. — 
 Humours of the Press. — The Parish Register of 
 Twickenham. — Lady Fanny Shirley. — Fielding. — 
 The Castle of Otranto .141 
 
 CHAPTER VH. 
 
 State of French Society in 1765. — Walpole at Paris. — 
 The Royal Family and the Bete du Gevaudan. — French 
 Ladies of Quality. — Madame du Deffand. — A Letter 
 from Madame de Sevigne. — Rousseau and the King of 
 Prussia. — The Hume-Rousseau Quarrel. — Returns to 
 England, and hears Wesley at Bath, — Paris again. — 
 Madame du Deffand's Vitality. — Her Character. — 
 Minor Literary Efforts. — The Historic Doubts. — The 
 Mysterious Mother. — Tragedy in England. — Doings 
 of the Strawberry Press. — Walpole and Chatterton . 166 
 
viii Contents. 
 
 CHAPTER VIII. 
 
 Page 
 
 OJd Friends and New. — Walpole's Nieces. —Mrs. 
 Darner. — Progress of Strawberry Hill. — Festivities 
 and Later Improvements. — A Description, etc., 1774. 
 
 — The House and Approaches. — Great Parlour. Wait- 
 ing Room, China Room, and Yellow Bedchamber. — 
 Breakfast Room — Green Closet and Blue Bedchamber. 
 
 — Armoury and Library. — Red Bed-chamber; Holbein 
 Chamber, and Star Chamber. — Gallery. — Round 
 Drawing Room and Tribune. — Great North Bed- 
 chamber. — Great Cloister and Chapel. — Walpole on 
 Strawberry. — Its Dampness. — A Drive from Twicken- 
 ham to Piccadilly 201 
 
 CHAPTER IX. 
 
 Occupations and Correspondence. — Literary Work. — 
 Jephson and the Stage. — Nature will Prevail. — 
 Issues from the Strawberry Press. — Fourth Volume 
 of the Anecdotes of Painting. — The Beauclerk Tower 
 and Lady Di. — George, third Earl of Orford. — Sale 
 of the Houghton Pictures. — Moves to Berkeley Square. 
 — Last Visit to Madame du Deffand. — Her Death. — 
 Themes for Letters. — Death of Sir Horace Mann. — 
 Pinkerton, Madame de Genlis, Miss Burney, Hannah 
 More. — Mary and Agnes Berry. — Their Residence at 
 Twickenham. — Becomes fourth Earl of Orford. — Epi- 
 taphiuni vivi Auctoris. — The Berrys again. — Death 
 of Marshal Conway. — Last Letter to Lady Ossory. — 
 Dies at Berkeley Square, 2 March. 1797. — His Fortune 
 and Will. — The Fate of Strawberry 232 
 
Contents. ix 
 
 CHAPTER X. 
 
 Page 
 Macaulay on Walpole. — Effect of the Edinburgh Essay. 
 
 — Macaulay and Mary Berry. — Portraits of Walpole. 
 
 — Miss Hawkins's Description. — Pinkerton's Rainy 
 Day at Strawberry. — Walpole's Character as a Man ; 
 as a Virtuoso ; as a Politician ; as an Author and Letter- 
 writer 271 
 
 Appendix 299 
 
 Index 
 
 325 
 
LIST OF ILLUSTRATIONS. 
 
 Page 
 Horace WaLPOLE Frontispiece 
 
 Lady Walpole 9 
 
 Thomas Gray . 29 
 
 Sir Robert Walpole 79 
 
 Charles Edward, the Pretender 91 
 
 Mrs. Howard, Countess of Suffolk .... 123 
 
 Lady Mary Wortley Montagu 133 
 
 Holbein 153 
 
 Madame du Deffand 177 
 
 Hume 185 
 
 Mrs. Clive 217 
 
 Hannah More 259 
 
 Miss Berry .... 263 
 
 Lord Macaulay 275 
 
HORACE WALPOLE 
 211 Memoir. 
 
 CHAPTER I. 
 
 The Walpoles of Houghton. — Horace Walpole born, 24 Sep- 
 tember, 1717. — Lady Louisa Stuart's Story. — Scattered 
 Facts of his Boyhood. — Minor Anecdotes. — ' La belle 
 Jennings.' — The Bugles. — Interview with George L before 
 his Death. — Portrait at this time. — Goes to Eton, 26 April, 
 1727. — His Studies and Schoolfellows. — The 'Triumvir- 
 ate,' the ' Quadruple Alliance.' — Entered at Lincoln's Inn, 
 27 May, 1731. — Leaves Eton, September, 1734. — Goes to 
 King's College, Cambridge, 11 March, 1735. — His University 
 Studies. — Letters from Cambridge. — Verses in the Gratu- 
 latio. — Verses in Memory of Henry VI. — Death of Lady 
 Walpole, 20 August, 1737. 
 
 ^HE Walpoles of Houghton, in Norfolk, ten 
 -*" miles from King's Lynn, were an ancient 
 family, tracing their pedigree to a certain Regi- 
 nald de Walpole who was living in the time of 
 William the Conqueror. Under Henry H. 
 there was a Sir Henry de Walpol of Houton 
 and Walpol ; and thenceforward an orderly pro- 
 cession of Henrys and Edwards and Johns (all 
 
2 Horace IValpole : 
 
 ' of Houghton ') carried on the family name to 
 the coronation of Charles II., when, in return 
 for his vote and interest as a member of the 
 Convention Parliament, one Edward Walpole 
 was made a Knight of the Bath. This Sir 
 Edward was in due time succeeded by his son, 
 Robert, who married well, sat for Castle Rising,^ 
 one of the two family boroughs (the other being 
 King's Lynn, for which his father had been 
 member), and reputably filled the combined 
 offices of county magnate and colonel of militia. 
 But his chief claim to distinction is that his 
 eldest son, also a Robert, afterwards became 
 the famous statesman and Prime Minister to 
 whose ' admirable prudence, fidelity, and suc- 
 cess ' England owes her prosperity under the 
 first Hanoverians. It is not. however, with the 
 life of ' that corrupter of parliaments, that disso- 
 lute tipsy cynic, that courageous lover of peace 
 and liberty, that great citizen, patriot, and states- 
 man,' — to borrow a passage from one of Mr. 
 Thackeray's graphic vignettes, — that these pages 
 are concerned. It is more material to their pur- 
 pose to note that in the year 1700, and on the 
 30th day of July in that year (being the day of the 
 death of the Duke of Gloucester, heir presump- 
 
 1 Another member for Castle Rising was Samuel Pepys, 
 the Diarist. 
 
A Memoir, 3 
 
 tive to the crown of England), Robert Walpole, 
 junior, then a young man of three-and-twenty, 
 and late scholar of King's College, Cambridge, 
 took to himself a wife. The lady chosen was 
 Miss Catherine Shorter, eldest daughter of John 
 Shorter, of Bybrook, an old Elizabethan red- 
 brick house near Ashford in Kent. Her grand- 
 father. Sir John Shorter, had been Lord Mayor 
 of London under James IL, and her father was 
 a Norway timber merchant, having his wharf 
 and countins^-house on the Southwark side of 
 the Thames, and his town residence in Norfolk 
 Street, Strand, where, in all probability, his 
 daughter met her future husband. They had 
 a family of four sons and two daughters. One 
 of the sons, William, died young. The third 
 son, Horatio,^ or Horace, born, as he himself 
 tells us, on the 24th September, 1717, O. S., is 
 the subject of this memoir. 
 
 With the birth of Horace Walpole is con- 
 nected a scandal so industriously repeated by 
 his later biographers that (although it has 
 
 1 The name of Horatio I dislike. It is theatrical, and 
 not English. I have, ever since I was a youth, written 
 and subscribed Horace, an English name for an English- 
 man. In all my books (and perhaps you will think of the 
 numerosus Horatius) I so spell my name. — Walpoliana, 
 i. 62. 
 
4 Horace IValpole • 
 
 received far more attention than it deserves) it 
 can scarcely be left unnoticed here. He had, 
 it is asserted, little in common, either in tastes 
 or appearance, with his elder brothers Robert 
 and Edward, and he was born eleven years after 
 the rest of his father's children. This led to a 
 suggestion which first found definite expression 
 in the Introductory Anecdotes supplied by Lady 
 Louisa Stuart to Lord Wharncliffe's edition of 
 the works of her grandmother. Lady Mary 
 Wortley Montagu.^ It was to the effect that 
 Horace was not the son of Sir Robert Walpole, 
 but of one of his mother's admirers, Carr, Lord 
 Hervey, elder brother of Pope's ' Sporus,' the 
 Hervey of the Memoirs. It is advanced in 
 favour of this supposition that his likeness to 
 the Herveys, both physically and mentally, was 
 remarkable ; that the whilom Catherine Shorter 
 was flighty, indiscreet, and fond of admiration ; 
 and that Sir Robert's cynical disregard of his 
 wife's vagaries, as well as his own gallantries 
 (his second wife. Miss Skerret, had been his 
 mistress), were matters of notoriety. On the 
 
 1 It is also to be found asserted as a current story in 
 the JVote Books (unpublished) of the Duchess of Portland, 
 the daughter of Edward Harley, second Earl of Oxford, 
 and the ' noble, lovely little Peggy ' of her father's friend 
 and protegi, Matthew Prior. 
 
A Memoir, 5 
 
 other hand, there is no indication that any sus- 
 picion of his parentage ever crossed the mind of 
 Horace Walpole himself. His devotion to his 
 mother was one of the most consistent traits in 
 a character made up of many contradictions ; 
 and although between the frail and fastidious 
 virtuoso and the boisterous, fox-hunting Prime 
 Minister there could have been but little sym- 
 pathy, the son seems nevertheless to have sedu- 
 lously maintained a filial reverence for his father, 
 of whose enemies and detractors he remained, 
 until his dying day, the implacable foe. More- 
 over, it must be remembered that, admirable as 
 are Lady Louisa Stuart's recollections, in speak- 
 ing of Horace Walpole she is speaking of one 
 whose caustic pen and satiric tongue had never 
 spared the reputation of the vivacious lady 
 whose granddaughter she was. 
 
 With this reference to what can be, at best, 
 but an insoluble question, we may return to the 
 story of Walpole's earlier years. Of his child- 
 hood little is known beyond what he has him- 
 self told in the Short Notes of my Life which 
 he drew up for the use of Mr. Berry, the nomi- 
 nal editor of his works. ^ His godfathers, he 
 
 1 These, hereafter referred to as the Short Notes, are 
 the chief authority for three parts of Walpole's not very 
 eventful life. They were first published with the con- 
 
6 Horace Walpole : 
 
 says, were the Duke of Grafton and his father's 
 second brother, Horatio, who afterwards be- 
 came Baron "Walpole of Wolterton. His god- 
 mother was his aunt, the beautiful Dorothy 
 Walpole, who, escaping the snares of Lord 
 Wharton, as related by Lady Louisa Stuart, 
 had become the second wife of Charles, second 
 Viscount Townshend. In 1724, he was ' inoc- 
 ulated for the small-pox ; ' and in the following 
 year, was placed with his cousins, Lord Towns- 
 hend's younger sons, at Bexley, in Kent, under 
 the charge of one Weston, son to the Bishop of 
 Exeter of that name. In 1726, the same course 
 was pursued at Twickenham, and in the winter 
 months he went to Lord Townshend's. Much 
 of his boyhood, however, must have been spent 
 in the house ' next the College ' at Chelsea, of 
 which his father became possessed in 1722. It 
 still exists in part, with but little alteration, as 
 the infirmary of the hospital, and Ward No. 7 is 
 said to have been its dining-room.^ With this, 
 or with some other reception-chamber at Chel- 
 sea, is connected one of the scanty anecdotes of 
 
 eluding series of his Letters to Sir Horace Mann, 2 vols., 
 1844, and are reprinted in Mr, Peter Cunningham's edi- 
 tion of the Correspondence^ vol. i. (1857), pp. Ixi-lxxvii. 
 
 1 Martin's Old Chelsea, 18S9, p. 82 ; Beaver's Memorials 
 of Old Chdsca, 1892, p. 291. 
 
A Memoir. 7 
 
 this time. Once, when Walpole was a boy, 
 there came to see his mother one of those for- 
 merly famous beauties chronicled by Anthony 
 Hamilton, — 'la belle Jennings,' elder sister to 
 the celebrated Duchess of Marlborough, and 
 afterwards Duchess of Tyrconnell. At this date 
 she was a needy Jacobite seeking Lady Wal- 
 pole's interest in order to obtain a pension. She 
 no longer possessed those radiant charms which 
 under Charles had revealed her even through 
 the disguise of an orange-girl ; and now, says 
 Walpole, annotating his own copy of the Me- 
 moirs of Grammont, ' her eyes being dim, and 
 she full of flattery, she commended the beauty 
 of the prospect ; but unluckily the room in 
 which they sat looked only against the garden- 
 wall.' ^ 
 
 Another of the few events of his boyhood 
 which he records, illustrates the old proverb 
 that ' One half of the world knows not how the 
 
 1 Cunningham, v. 36, and ix. 519. The Duchess of 
 Tyrconnell's portrait, copied by Milbourn from the origi- 
 nal at Lord Spencer's, was one of the prominent orna- 
 ments of the Great Bedchamber at Strawberry Hill. 
 (See A Description of the Villa, etc., 1774, p. 138.) There 
 are some previously unpublished particulars respecting 
 her as ' Mile. Genins ' in M. Jusserand's extremely interest- 
 ing French Ambassador at the Court of Charles the Secojid, 
 1892, pp. 153 et seq., 170, 182. 
 
8 Horace IValpole : 
 
 other half lives,' rather than any particular phase 
 of his biography. Going with his mother to buy 
 some bugles beads), at the time when the oppo- 
 sition to his father was at its highest, he notes 
 that having made her purchase, — beads were 
 then out of fashion, and the shop was in some 
 obscure alley in the City, where lingered un- 
 fashionable things, — Lady Walpole bade the 
 shopman send it home. Being asked whither, 
 she replied, ' To Sir Robert Walpole's.' ' And 
 who,' rejoined he coolly, ' is Sir Robert Wal- 
 pole?'^ But the most interesting incident of 
 his youth was the visit he paid to the King, 
 which he has himself related in Chapter I. of 
 the Reminiscences. How it came about he does 
 not know, but at ten years old an overmaster- 
 ing desire seized him to inspect His Majesty. 
 This childish caprice was so strong that his 
 mother, who seldom thwarted him, solicited the 
 Duchess of Kendal (the maitressc en Hire) to 
 obtain for her son the honour of kissing King 
 George's hand before he set out upon that visit 
 to Hanover from which he was never to return. 
 It was an unusual request, but being made by 
 the Prime Minister's wife, could scarcely be re- 
 fused. To conciliate etiquette and avoid prece- 
 dent, however, it was arranged that the audience 
 1 IValpole to the Miss Berrys, 5 March, 1791. 
 
Lady Walpole. 
 
2- 
 
 
A Memoir, 9 
 
 should be in private and at night. ' Accord- 
 ingly, the night but one before the King began 
 his last journey [i. ^., on i June, 1727], my 
 mother carried me at ten at night to the apart- 
 ment of the Countess of Walsingham [Melusina 
 de Schulemberg, the Duchess's reputed niece], 
 on the ground floor, towards the garden at 
 St. James's, which opened into that of her 
 aunt, . . . apartments occupied by George II. 
 after his Queen's death, and by his successive 
 mistresses, the Countesses of Suffolk [Mrs. 
 Howard] and Yarmouth [Madame de Walmo- 
 den]. Notice being given that the King was 
 come down to supper, Lady Walsingham took 
 me alone into the Duchess's ante-room, where 
 we found alone the King and her. I knelt down, 
 and kissed his hand. He said a few words to 
 me, and my conductress led me back to my 
 mother. The person of the King is as perfect 
 in my memory as If I saw him but yesterday. 
 It was that of an elderly man, rather pale, and 
 exactly like his pictures and coins ; not tall ; of 
 an aspect rather good than august ; with a dark 
 tie-wig, a plain coat, waistcoat, and breeches of 
 snuff-coloured cloth, with stockings of the same 
 colour^ and a blue ribband over all. So entirely 
 was he my object that I do not believe I once 
 looked at the Duchess ; but as I could not 
 
10 Horace JValpole : 
 
 avoid seeing her on entering the room, I re- 
 member that just beyond His Majesty stood a 
 very tall, lean, ill-favoured old lady ; but I did 
 not retain the least idea of her features, nor 
 know what the colour of her dress was.' ^ In 
 the WalpoUana (p. 2y) ^ Walpole is made to say 
 that his introducer was his father, and that the 
 King took him up in his arms and kissed him. 
 Walpole's own written account is the more 
 probable one. His audience must have been 
 one of the last the King granted, for, as already 
 stated, it was almost on the eve of his departure ; 
 and ten days later, when his chariot clattered 
 swiftly into the courtyard of his brother's palace 
 at Osnabruck, he lay dead in his seat, and the 
 reign of his successor had begun. 
 
 Although Walpole gives us a description of 
 George I., he does not, of course, supply us 
 with any portrait of himself. But in Mr. Peter 
 
 1 Reminiscences of the Courts of George the First and 
 Secoftd, in Cunningham's Corr.., i. xciii-xciv. 
 
 2 The book referred to is a * little lounging miscellany ' 
 of notes and anecdotes by John Pinkerton, and was 
 printed, soon after Wal pole's death, by Bensley, who lived 
 in Johnson's old house, No. S Bolt Court. It requires to 
 to be used with caution (see Quarterly Revieru, vol. Ixxii., 
 No. cxliv.), and must not be confused with Lord Hard- 
 vvicke's privately printed WalpoUana^ which relate to Sir 
 Robert Walpole. 
 
A Memoir. ii 
 
 Cunningham's excellent edition of the Corre- 
 spondence there is a copy of an oil-painting be- 
 longing (18^7) to Mrs. Bedford of Kensington, 
 which, upon the faith of a Cupid who points 
 with an arrow to the number ten upon a dial, 
 may be accepted as representing him about the 
 time of the above interview. It is a full length 
 of a slight, effeminate-looking lad in a stiff- 
 skirted coat, knee-breeches, and open-breasted 
 laced waistcoat, standing in a somewhat affected 
 attitude at the side of the afore-mentioned sun- 
 dial. He has dark, intelligent eyes, and a pro- 
 fusion of light hair curling abundantly about his 
 ears and reaching to his neck. If the date given 
 in the Short Notes be correct, he must have 
 already become an Eton boy, since he says that 
 he went to that school on the 26th April, 1727, 
 and he adds in the Reminiscences that he shed a 
 flood of tears for the King's death, when, ' with 
 the other scholars at Eton College,' he walked 
 in procession to the proclamation of his suc- 
 cessor. Of the cause of this emotion he seems 
 rather doubtful, leaving us to attribute it partly 
 to the King's condescension in gratifying his 
 childish loyalty, partly to the feeling that, as the 
 Prime Minister's son, it was incumbent on him 
 to be more concerned than his schoolfellows ; 
 while the spectators, it is hinted, placed it to the 
 
12 Horace IValpole : 
 
 credit of a third and not less cogent cause, — 
 the probability of that Minister's downfall. Of 
 this, however, as he says, he could not have had 
 the slightest conception. His tutor at Eton 
 was Henry Bland, eldest son of the master 
 of the school. ' I remember,' says Walpole, 
 writing later to his relative and schoolfellow 
 Conway, * when I was at Eton, and Mr. Bland 
 had set me an extraordinary task, I used some- 
 times to pique myself upon not getting it, 
 because it was not immediately my school busi- 
 ness. What, learn more than I was absolutely 
 forced to learn ! I felt the weight of learning 
 that, for I was a blockhead, and pushed up 
 above my parts.' That, as the son of the great 
 Minister, he was pushed, is probably true ; but, 
 despite his own disclaimer, it is clear that his abil- 
 ities were by no means to be despised. Indeed, 
 one of the piUes jiistificalires in the story of 
 Lady Louisa Stuart, though advanced for another 
 purpose, is distinctly in favour of something 
 more than average talent. Supporting her theory 
 as to his birth by the statement that in his boy- 
 hood he was left so entirely in the hands of his 
 mother as to have little acquaintance with his 
 father, she goes on to say that ' Sir Robert 
 Walpole took scarcely any notice of him, till his 
 proficiency at Eton School, when a lad of some 
 
A Memoir, 13 
 
 standing, drew his attention, and proved that 
 whether he had or had not a right to the name 
 he went by, he was likely to do it honour.'^ 
 Whatever this may be held to prove, it certainly 
 proves that he was not the blockhead he declares 
 himself to have been. 
 
 Among his schoolmates he made many friends. 
 For his cousins, Henry (afterwards Marshal) 
 Conway and Lord Hertford, Conway's elder 
 brother, he formed an attachment which lasted 
 through life^ and many of his best letters were 
 written to these relatives. Other associates 
 were the later lyrist, Charles Hanbury Williams, 
 and the famous wit, George Augustus Selwyn, 
 both of whom, if the child be father to the 
 man, must be supposed to have had unusual 
 attractions for their equally witty schoolmate. 
 Another contemporary at school, to whom, in 
 after life, he addressed many letters, was William 
 Cole, subsequently to develop into a labori- 
 ous antiquary, and probably already exhibiting 
 proclivities towards ' tall copies ' and black 
 letter. But his chiefest friends, no doubt, 
 were grouped in the two bodies christened 
 
 1 This is quoted by Mr. Hayward and others as if the 
 last words were Sir Robert Walpole's. But Lady Louisa 
 Stuart says nothing to indicate this (Lady Mary Wortley 
 Montagu's Letters ^ etc., 1887, i. xciii). 
 
14 Horace IValpole : 
 
 respectively the ' triumvirate ' and the ' quad- 
 ruple alliance.' 
 
 Of these the ' triumvirate ' was the less impor- 
 tant. It consisted of Walpole and the two sons of 
 Brigadier-General Edward Montagu. George, 
 the elder, afterwards M.P. for Northampton, 
 and the recipient of some of the most genuine 
 specimens of his friend's correspondence, is 
 described in advanced age as ' a gentleman-like 
 body of the vieille cour^' usually attended by a 
 younger brother, who was still a midshipman at 
 the mature age of sixty, and whose chief occu- 
 pation consisted in carrying about his elder's 
 snuff-box. Charles Montagu, the remaining 
 member of the ' triumvirate,' became a Lieut. - 
 General and Knight of the Bath. But it was 
 George, who had ' a fine sense of humour, and 
 much curious information,' who was Walpole's 
 favourite. ' Dear George,' — he writes to him 
 from Cambridge, — ' were not the playing fields 
 at Eton food for all manner of flights ? No old 
 maid's gown, though it had been tormented 
 into all the fashions from King James to King 
 George, ever underwent so many transformations 
 as those poor plains have in my idea. At first 
 I was contented with tending a visionary flock, 
 and sighing some pastoral name to the echo of 
 the cascade under the bridge. How happy 
 
A Memoir. 15 
 
 should I have been to have had a kingdom only 
 for the pleasure of being driven from it, and 
 living disguised in an humble vale ! As I got 
 further into Virgil and Clelia, I found myself 
 transported from Arcadia to the garden of Italy; 
 and saw Windsor Castle in no other view than 
 the Capitoli immobile saxum.' Further on he 
 makes an admission which need scarcely surprise 
 us. ' I can't say I am sorry I was never quite 
 a schoolboy : an expedition against bargemen, 
 or a match at cricket, may be very pretty things 
 to recollect ; but, thank my stars, I can remem- 
 ber things that are very near as pretty. The 
 beginning of my Roman history was spent in 
 the asylum, or conversing in Egeria's hallowed 
 grove ; not in thumping and pummelling King 
 Amulius's herdsmen.'^ The description seems 
 to indicate a schoolboy of a rather refined and 
 effeminate type, who would probably fare ill with 
 robuster spirits. But Walpole's social position 
 doubtless preserved him from the persecution 
 which that variety generally experiences at the 
 hands — literally the hands — of the tyrants of 
 the playground. 
 
 The same delicacy of organisation seems to 
 have been a main connecting link in the second 
 or ' quadruple alliance ' already referred to, — an 
 
 1 LeUer to Montagu, 6 May, 1736. 
 
i6 Horace JValpole : 
 
 alliance, it may be, less intrinsically intimate, but 
 more obviously cultivated. The most important 
 figure in this quartet was a boy as frail and deli- 
 cate as Walpole himself, ' with a broad, pale 
 brow, sharp nose and chin, large eyes, and a 
 pert expression,' who was afterwards to become 
 famous as the author of one of the most popu- 
 lar poems in the language, the Elegy written in 
 a Country Church Yard. Thomas Gray was at 
 this time about thirteen, and consequently some- 
 what older than his schoolmate. Another 
 member of the association was Richard West, 
 also slightly older, a grandson of the Bishop 
 Burnet who wrote the History of My Own 
 Time, and son of the Lord Chancellor of Ire- 
 land. West, a slim, thoughtful lad, was the 
 most precocious genius of the party, already 
 making verses in Latin and English, and making 
 them even in his sleep. The fourth member 
 was Thomas Ashton, afterwards Fellow of Eton 
 College and Rector of St. Botolph, Bishops- 
 gate. Such was the group which may be pictured 
 sauntering arm in arm through the Eton mea- 
 dows, or threading the avenue which is still 
 known as the ' Poet's Walk.' Each of the four 
 had his nickname, either conferred by himself 
 or by his schoolmates. Ashton, for example, 
 was Plato ; Gray was Orosmades. 
 
A Memoir. 17 
 
 On 27 May, 173 1, Walpole was entered at 
 Lincoln's Inn, his father intending him for the 
 law. ' But ' — he says in the Short Notes — ' I 
 never went thither, not caring for the profes- 
 sion,' On 23 September, 1734, he left Eton 
 for good, and no further particulars of his school- 
 days remain. That they were not without their 
 pleasant memories may, however, be inferred 
 from the letters already quoted, and espe- 
 cially from one to George Montagu written 
 some time afterwards upon the occasion of a 
 visit to the once familiar scenes. It is dated 
 from the Christopher Inn, a famous old hostelry, 
 well known to Eton boys, — ' The Christopher. 
 How great I used to think anybody just landed 
 at the Christopher I But here are no boys for 
 me to send for ; there I am, like Noah, just 
 returned into his old world again, with all sorts 
 of queer feels about me. By the way, the clock 
 strikes the old cracked sound ; I recollect so 
 much, and remember so little ; and want to 
 play about ; and am so afraid of my playfel- 
 lows ; and am ready to shirk Ashton ; and 
 can't help making fun of myself ; and envy a 
 dame over the way, that has just locked in her 
 boarders, and is going to sit down in a little hot 
 parlour to a very bad supper, so comfortably ! 
 And I could be so jolly a dog if I did not fat, — 
 
1 8 Horace JValpole : 
 
 which, by the way, is the first time the word was 
 ever applicable to me. In short, I should be 
 out of all bounds if I was to tell you half I 
 feel, — how young again I am one minute, and 
 how old the next. But do come and feel with 
 me, when you will, — to-morrow. Adieu! If 
 I don't compose myself a little more before 
 Sunday morning, when Ashton is to preach 
 [ ' Plato ' at the date of this letter had evidently 
 taken orders], I shall certainly be in a bill for 
 laughing at church; but how to help it, to see 
 him in the pulpit, when the last time I saw him 
 here was standing up funking over against a 
 conduit to be catechised.' ^ 
 
 This letter, of which the date is not given, 
 but which Cunningham places after March, 
 1737, must have been written some time after 
 the writer had taken up his residence at Cam- 
 bridge in his father's college of King's.^ This 
 he did in March, 173^, following an interval of 
 residence in London. By this time the ' quad- 
 
 1 Walpole to Montagu. Cunningham, 1S57, i. 15. 
 
 2 Mr. D. C. Tovey [Gray and his Friends, 1S90, 3 n.) 
 thinks that Ashton probably never preached at Eton 
 before he was made Fellow, in December, 1745, — which 
 would greatly advance the date of Walpole's communica- 
 tion. But it is cited here solely for its reminiscences of 
 his school-days. 
 
A Memoir, 19 
 
 ruple alliance ' had been broken up by the 
 defection of West^ who, much against his will, 
 had gone to Christ Church, Oxford. Ashton 
 and Gray had, however, been a year at Cam- 
 bridge, the latter as a fellow-commoner of 
 Peterhouse, the former at Walpole's own col- 
 lege, King's. Cole and the Conways were 
 also at Cambridge, so that much of the old inter- 
 course must have been continued. Walpole"s 
 record of his university studies is of the most 
 scanty kind. He does little more than give us 
 the names of his tutors, public and private. In 
 civil law he attended the lectures of Dr. Dickens 
 of Trinity Hall ; in anatomy, those of Dr. Battie. 
 French, he says, he had learnt at Eton. His 
 Italian master at Cambridge was Signor Piazza 
 (who had at least an Italian name !), and his 
 instructor in drawing was the miniaturist Bernard 
 Lens, the teacher of the Duke of Cumberland 
 and the Princesses Mary and Louisa. Lens 
 was the author of a New and Complete Draiv- 
 ing Book for curious foung Gentlemen and Ladies 
 that study and practice the noble and commend- 
 able Art of Drawing, Colouring, etc., and is 
 kindly referred to in the later Anecdotes of 
 Painting. In mathematics, which Walpole seems 
 to have hated as cordially as Swift and Goldsmith 
 and Gray did, he sat at the feet of the blind 
 
20 Horace Walpole: 
 
 Professor Nicholas Saunderson, author of the 
 Elements of Algebra} Years afterwards (d 
 propos of a misguided enthusiast who had put 
 the forty-seventh proposition of Euclid into 
 Latin verse) he tells one of his correspondents 
 the result of these ministrations : M . . . was 
 always so incapable of learning mathematics 
 that I could not even get by heart the multipli- 
 cation table, as blind Professor Saunderson hon- 
 estly told me, above threescore years ago, when 
 I went to his lectures at Cambridge. After the 
 first fortnight he said to me, * Young man, it 
 would be cheating you to take your money ; for 
 you can never learn what I am trying to teach 
 you.' I was exceedingly mortified, and cried ; 
 for, being a Prime Minister's son, I had firmly 
 believed all the flattery with which I had been 
 assured that my parts were capable of anything. 
 I paid a private instructor for a year; but, at 
 the year's end, was forced to own Saunderson 
 
 ^ Saunderson had lost both his eyes in infancy from 
 small-pox. This, however, did not prevent him from 
 lecturing on Newton's Optics, and becoming Lucasian 
 Professor of Mathematics at Cambridge. Another under- 
 graduate who attended his lectures was Chesterfield. (See 
 Letter to Jouneau, 12 Oct., 1712.) There is an interest- 
 ing account of Saunderson by a former pupil, together 
 with an excellent portrait, in the Gentleman's Magazine 
 for September, 1754. 
 
A Memoir, 21 
 
 had been in the right.' ^ This private instruc- 
 tor was in all probability Mr. Trevigar, who, 
 Walpole says, read lectures to him in mathe- 
 matics and philosophy. From other expressions 
 in his letters, it must be inferred that his pro- 
 gress in the dead languages, if respectable, was 
 not brilliant. He confesses, on one occasion, 
 his inability to help Cole in a Latin epitaph, and 
 he tells Pinkerton that he never was a good 
 Greek scholar. 
 
 His correspondence at this period, chiefly 
 addressed to West and George Montagu, is 
 not extensive, but it is already characteristic. 
 In one of his letters to Montagu he encloses a 
 translation of a little French dialogue between 
 a turtle-dove and a passer-by. The verses are 
 of no particular merit, but in the comment one 
 recognizes a cast of style soon to be familiar. 
 ' You will excuse this gentle nothing, I mean 
 mine, when I tell you I translated it out of 
 pure good-nature for the use of a disconsolate 
 wood-pigeon in our grove, that was made a 
 widow by the barbarity of a gun. She coos 
 and calls me so movingly, 't would touch your 
 heart to hear her. I protest to you it grieves 
 me to pity her. She is so allichoUy ^ as any 
 
 1 Walpole to Miss Berry, i6 Aug., 1796. 
 
 2 Indeed, she is given too much to allicholly and 
 musing. — Merry Wives of Windsor, act i. sc. iv. 
 
22 Horace Walpole : 
 
 thing. I '11 warrant you now she 's as sorry as 
 one of us would be. Well, good man, he 's 
 gone, and he died like a lamb. She 's an unfortu- 
 nate woman, but she must have patience.' i In 
 another letter to West, after expressing his 
 astonishment that Gray should be at Burnham 
 in Buckinghamshire^ and yet be too indolent to 
 revisit the old Eton haunts in his vicinity, he 
 goes on to gird at the university curriculum. 
 At Cambridge, he says, they are supposed to 
 betake themselves ' to some trade, as logic, 
 philosophy, or mathematics.' But he has been 
 used to the delicate food of Parnassus, and 
 can never condescend to the grosser studies 
 of Alma Mater. ^ Sober cloth of syllogism 
 colour suits me ill; or, what's worse, I hate 
 clothes that one must prove to be of no colour 
 at all. If the Muses ccclique vias et sidera 
 monsircnt, and qud pi maria alta iumcscant ; 
 why accipiaiil : but 't is thrashing, to study 
 philosophy in the abstruse authors. I am not 
 against cultivating these studies, as they are 
 certainly useful ; but then they quite neglect all 
 polite literature, all knowledge of this world. 
 Indeed, such people have not much occasion for 
 this latter ; for they shut themselves up from it, 
 and study till they know less than any one. 
 1 Walpole to Montagu, 30 May, 1736. 
 
A Memoir. 23 
 
 Great mathematicians have been of great use ; 
 but the generality of them are quite uncon- 
 versible : they frequent the stars, mh pcdibus- 
 qiie vident nubes, but they can 't see through 
 them. I tell you what I see ; that by living 
 amongst them, I write of nothing else : my let- 
 ters are all parallelograms, two sides equal to 
 two sides ; and every paragraph an axiom, 
 that tells you nothing but what every mortal 
 almost knows.' -^ In an earlier note he has 
 been on a tour to Oxford, and, with a pre- 
 monition of the future connoisseur of Straw- 
 berry Hill, criticises the gentlemen's seats on 
 the road. ' Coming back, we saw Easton 
 Neston [in Northamptonshire], a seat of Lord 
 Pomfret, where in an old greenhouse is a 
 wonderful fine statue of Tully, haranguing a 
 numerous assemblage of decayed emperors, ves- 
 tal virgins with new noses, Colossus's, Venus's, 
 headless carcases and carcaseless heads, pieces 
 of tombs, and hieroglyphics.'^ A little later 
 he has been to his father's seat at Houghton: 
 ' I am return'd again to Cambridge, and can 
 tell you what I never expected, — that I like 
 Norfolk. Not any of the ingredients, as Hunt- 
 ing or Country Gentlemen, for I had nothing to 
 
 1 Walpole to West, 17 Aug., 1736. 
 
 2 Walpole to Montagu, 20 May, 1736. 
 
24 Horace JValpoIe: 
 
 do with them, but the county ; which a little 
 from Houghton is woody, and full of delight- 
 full prospects. I went to see Norwich and 
 Yarmouth, both which I like exceedingly. I 
 spent my time at Houghton for the first week 
 almost alone. We have a charming garden, all 
 wilderness ; much adapted to my Romantick 
 inclinations.' In after life the liking for Nor- 
 folk here indicated does not seem to have 
 continued, especially when his father's death 
 had withdrawn a part of its attractions. He 
 ' hated Norfolk,' — says Mr. Cunningham. 
 ' He did not care for Norfolk ale, Norfolk 
 turnips, Norfolk dumplings, or Norfolk turkeys. 
 Its flat, sandy, aguish scenery was not to his 
 taste.' He preferred ' the rich blue pros- 
 pects' of his mother's county, Kent, 
 
 Of literary effort while at Cambridge, Wal- 
 pole's record is not great. In 1736, he was one 
 of the group of university poets — Gray and 
 West being also of the number — who addressed 
 congratulatory verses to Frederick, Prince of 
 Wales, upon his marriage with the Princess 
 Augusta of Saxe-Gotha; and he wrote a poem 
 (which is reprinted in vol. i. of his works) to 
 the memory of the founder of King's College, 
 Henry VI. This is dated 2 February, 1758. 
 In the interim Lady Walpole died. Her son's 
 
A Memoir. 25 
 
 references to his loss display the most genuine 
 regret. In a letter to Charles Lyttelton (after- 
 wards the well-known Dean of Exeter, and 
 Bishop of Carlisle), which is not included in 
 Cunningham's edition, and is apparently dated 
 in error September, 1732, instead of 1737,^ 
 he dwells with much feeling on ' the surpriz- 
 ing calmness and courage which my dear Mother 
 show'd before her death. I believe few women 
 wou'd behave so well, & I am certain no man 
 cou'd behave better. For three or four days 
 before she dyed, she spoke of it with less 
 indifference than one speaks of a cold ; and 
 while she was sensible, which she was within 
 her two last hours, she discovered no manner 
 of apprehension.' That his warm affection for 
 her was well known to his friends may be 
 inferred from a passage in one of Gray's letters 
 to West : ' While I write to you, I hear the 
 bad news of Lady Walpole's death on Saturday 
 night last [20 Aug., 1737]. Forgive me if the 
 thought of what my poor Horace must feel on 
 that account, obliges me to have done.' ^ Lady 
 Walpole was buried in Westminster Abbey, 
 where, on her monument in Henry VHth's 
 Chapel, may be read the piously eulogistic 
 
 1 Notes and Queries, 2 Jan., 1869. 
 
 2 Gray's Works, by Gosse, 1884, ii- 9- 
 
26 Horace IValpole : 
 
 inscription which her youngest son composed 
 to her memory, — an inscription not easy to 
 reconcile in all its terms with the current 
 estimate of her character. But in August, 
 1737, she was considerably over fifty, and had 
 probably long outlived the scandals of w^hich 
 she had been the subject in the days when 
 Kneller and Eckardt painted her as a young 
 and beautiful woman. 
 
A Memoir, 27 
 
 CHAPTER II. 
 
 Patent Places under Government. — Starts with Gray on the 
 Grand Tour, March, 1739. — From Dover to Paris. — Life 
 at Paris. — Versailles. — The Convent of the Chartreux. — 
 Life at Rheims.— A Feie Galante. — The Grande Chartreuse. 
 
 — Starts for Italy. — The tragedy of Tory. — Turin ; Genoa. 
 
 — Academical Exercises at Bologna. — Life at Florence. — 
 Rome; Naples; Herculaneum. — The Pen of Radicofani. — 
 English at Florence. — Lady Mary Wortley Montagu. — Pre- 
 paring for Home. — Quarrel with Gray. — Walpole's Apologia; 
 his Illness, and Return to England. 
 
 THAT, in those piping days of patronage, 
 when even very young ladies of quality 
 drew pay as cornets of horse, the son of the 
 Prime Minister of England should be left un- 
 provided for, was not to be expected. While 
 he was still resident at Cambridge, lucrative 
 sinecures came to Horace Walpole. Soon 
 after his mother's death, his father appointed 
 him Inspector of Imports and Exports in the 
 Custom House, — a post which he resigned in 
 January, 1738, on succeeding Colonel William 
 Townshend as Usher of the Exchequer. When, 
 later in the year, he came of age (17 Septem- 
 ber), he ' took possession of two other little 
 
28 Horace Walpole : 
 
 patent-places in the Exchequer, called Comp- 
 troller of the Pipe, and Clerk of the Estreats,' 
 which had been held for him by a substitute. 
 In 1782, when he still filled them, the two 
 last-mentioned offices produced together about 
 ^300 per annum, while the Ushership of the 
 Exchequer, at the date of his obtaining it, 
 was reckoned to be worth ^^900 a year. 
 '■ From that time [he says] I lived on my 
 own income, and travelled at my own expense ; 
 nor did I during my father's life receive from 
 him but ^^250 at different times^ — which I say 
 not in derogation of his extreme tenderness 
 and goodness to me, but to show that I was 
 content with what he had given to me, and 
 that from the age of twenty I was no charge 
 to my family.'^ 
 
 He continued at Kini/'s Collefre for some 
 time after he had attained his majority, only 
 quitting it formally in March, 1739, not with- 
 out regretful memories of which his future 
 correspondence was to bear the traces. If 
 he had neglected mathematics, and only mo- 
 derately courted the classics, he had learnt 
 something of the polite arts and of modern 
 Continental letters, — studies which would natu- 
 rally lead his inclination in the direction of 
 
 1 Accojuit of my Conduct, etc, ]Vorks, 1798, ii. 363-70. 
 
Thomas Gray. 
 
^ 
 
 i 
 
 
A Memoir, 29 
 
 the inevitable ' Grand Tour/ Two years 
 earlier he had very unwillingly declined an 
 invitation from George Montagu and Lord 
 Conway to join them in a visit to Italy. Since 
 that date his desire for foreign travel, fostered 
 no doubt by long conversations with Gray, 
 had grown stronger, and he resolved to see 
 • the palms and temples of the south ' after 
 the orthodox eighteenth-century fashion. To 
 think of Gray in this connection was but 
 natural, and he accordingly invited his friend 
 (who had now quitted Cambridge, and was 
 vegetating rather disconsolately in his father's 
 house on Cornhill) to be his travelling com- 
 panion. Walpole was to act as paymaster ; 
 but Gray was to be independent. Further- 
 more, Walpole made a will under which, if he 
 died abroad. Gray was to be his sole legatee. 
 Dispositions so advantageous and considerate 
 scarcely admitted of refusal, even if Gray had 
 been backward, which he was not. The two 
 friends accordingly set out for Paris. Walpole 
 makes the date of departure 10 March, 1739; 
 Gray says they left Dover at twelve on the 
 29th. 
 
 The first records of the journey come from 
 Amiens in a letter written by Gray to his 
 mother. After a rough passage across the 
 
30 Horace IValpole: 
 
 Straits, they reached Calais at five. Next day 
 they started for Boulogne in the then new- 
 fangled invention, a post-chaise, — a vehicle 
 which Gray describes ' as of much greater use 
 than beauty, resembling an ill-shaped chariot, 
 only with the door opening before instead of 
 [at] the side.' Of Boulogne they see little, 
 and of Montreuil (where later Sterne engaged 
 La Fleur) Gray's only record, besides the 
 indifferent fare, is that ' Madame the hostess 
 made her appearance in long lappets of bone 
 lace, and a sack of linsey-woolsey.' From 
 Montreuil they go by Abbeville to Amiens, 
 where they visit the cathedral, and the chapels 
 of the Jesuits and Ursuline Nuns. But the 
 best part of this first letter is the little pic- 
 ture with which it (or rather as much of it as 
 Mason published) concludes. ' The country 
 we have passed through hitherto has been 
 fiat, open, but agreeably diversified with vil- 
 lages, fields well cultivated, and little rivers. 
 On every hillock is a windmill, a crucifix, or 
 a Virgin Mary dressed in flowers and a sar- 
 cenet robe ; one sees not many people or 
 carriages on the road ; now and then indeed 
 you meet a strolling friar, a countryman with 
 his great muff, or a woman riding astride on a 
 
A Memoir. 31 
 
 little ass, with short petticoats, and a great 
 head-dress of blue wool/ ^ 
 
 The foregoing letter is dated the ist April, 
 and it speaks of reaching Paris on the 3rd. 
 But it was only on the evening of Saturday 
 the 9th that they rolled into the French 
 capital, ' driving through the streets a long 
 while before they knew where they were.' 
 Walpole had wisely resolved not to hurry, 
 and they had besides broken down at Lu- 
 zarches, and lingered at St. Denis over the 
 curiosities of the abbey, particularly a vase of 
 oriental onyx carved with Bacchus and the 
 nymphs, of which they had dreamed ever 
 since. At Paris, they found a warm welcome 
 among the English residents, — notably from 
 Mason's patron, Lord Holdernesse, and Wal- 
 pole's cousins, the Conways. They seem to 
 have plunged at once into the pleasures of the 
 place, — pleasures in which, according to Wal- 
 pole, cards and eating played far too absorbing a 
 part. At Lord Holdernesse's they met at supper 
 the famous author of Manon Lescaut, M. TAbbe 
 Antoine-Francois Prevost d'Exilles, who had 
 just put forth the final volume of his tedious 
 and scandalous Histoire de M. CUpeland,fils 
 naturel de Crormvel. They went to the spec- 
 
 1 Gray's Works, by Gosse, 18S4, ii. 18-19. 
 
32 Horace Walpole : 
 
 tacle of Pandore at the Salle des Machines of 
 the Tuileries ; and they went to the opera, 
 where they saw the successful Ballet de la Paix, 
 — a curious hotchpot, from Gray's description, 
 of cracked voices and incongruous mythology. 
 With the Comedie Fran^aise they were belter 
 pleased, although Walpole, strange to say, unlike 
 Goldsmith ten years later, was not able to com- 
 mend the performance of Moliere's L'Avare. 
 They saw Mademoiselle Gaussin (as yet unri- 
 valled by the unrisen Mademoiselle Clairon) 
 in La Noue's tragedy of Mahomet Second, then 
 recently produced, with Dufresne in the leading 
 male part ; and they also saw the prince of 
 petits-mailres, Grandval, acting with Dufresne's 
 sister. Mademoiselle Jeanne-Fran^oise Qui- 
 nault (an actress ' somewhat in Mrs. Clive's 
 way,' says Gray), in the Philosophc marii of 
 Nericault Destouches, — a charming comedy 
 already transferred to the English stage in the 
 version by John Kelly of The Universal 
 Spectator. 
 
 Theatres, however, are not the only amuse- 
 ments which the two travellers chronicle to 
 the home-keeping West. A great part of 
 their time is spent in seeing churches and 
 palaces full of pictures. Then there is the 
 inevitable visit to Versailles, which, in sum, 
 
A Memoir, 33 
 
 they concur in condemning. ' The great 
 front,' says Walpole, ' is a lumber of little- 
 ness, composed of black brick, stuck full of 
 bad old busts, and fringed with gold rails.' 
 Gray (he says) likes it ; but Gray is scarcely 
 more complimentary, — at all events is quite 
 as hard upon the facade, using almost the 
 same phrases of depreciation. It is 'a huge 
 heap of littleness,' in hue ' black, dirty red, 
 and yellow ; the first proceeding from stone 
 changed by age ; the second, from a mixture 
 of brick ; and the last, from a profusion of 
 tarnished gilding. You cannot see a more 
 disagreeable tout ensemble ; and, to finish the 
 matter, it is all stuck over in many places 
 with small busts of a tawny hue between 
 every two windows.' The garden, however, 
 pleases him better ; nothing could be vaster 
 and more magnificent than the coup deceit, with 
 its fountains and statues and grand canal. But 
 the ' general taste of the place ' is petty and 
 artificial. ' All is forced, all is constrained 
 about you ; statues and vases sowed every- 
 where without distinction ; sugar-loaves and 
 minced pies of yew ; scrawl work of box, and 
 little squirting /V/s d'eau, besides a great same- 
 ness in the walks, — cannot help striking one at 
 first sight ; not to mention the silliest of laby- 
 3 
 
34 Horace JValpoIe: 
 
 rinths, and all ^Esop's fables in water.' ^ 'The 
 garden is littered with statues and fountains, 
 each of which has its tutelary deity. In partic- 
 ular, the elementary god of fire solaces himself 
 in one. In another, Enceladus, in lieu of a 
 mountain, is overwhelmed with many waters. 
 There are avenues of water-pots, who disport 
 themselves much in squirting up cascadelins. 
 In short, 'tis a garden for a great child.' ^ 
 The day following, being Whitsunday, they 
 witness a grand ceremonial, — the installation 
 of nine Knights of the Saint Esprit : ' high 
 mass celebrated with music, great crowd, much 
 incense. King, Queen, Dauphin, Mesdames, 
 Cardinals, and Court ; Knights arrayed by His 
 Majesty ; reverences before the altar, not bows, 
 but curtsies ; stiff hams ; much tittering among 
 the ladies ; trumpets, kettle-drums, and fifes.' * 
 It is Gray who thus summarises the show. 
 But we must go to Walpole for the account of 
 another expedition, the visit to the Convent of 
 the Chartreux, the uncouth horror of which, 
 with its gloomy chapel and narrow cloisters, 
 seems to have fascinated the Gothic soul of the 
 future author of the Castle of Olranlo. Here, 
 
 1 Gray to West, 22 May, 1739. 
 
 2 Walpole to West, no date, 1 739. 
 
 3 Gray to West, 22 May, 1739. 
 
A Memoir, 35 
 
 in one of the cells, they make the acquaintance 
 of a fresh initiate into the order, — the account 
 of whose environment suggests retirement rather 
 than solitude. ' He was extremely civil, and 
 called himself Dom Victor. We have promised 
 to visit him often. Their habit is all white : but 
 besides this he was infinitely clean in his person ; 
 and his apartment and garden, which he keeps 
 and cultivates without any assistance, was neat 
 to a degree. He has four little rooms, furnished 
 in the prettiest manner, and hung with good 
 prmts. One of them is a library, and another a 
 gallery. He has several canary-birds disposed 
 in a pretty manner in breeding-cages. In his 
 garden was a bed of good tulips in bloom, 
 flowers and fruit-trees, and all neatly kept. 
 They are permitted at certain hours to talk to 
 strangers, but never to one another, or to go 
 out of their convent.' In the same institution 
 they saw Le Sueur's history (in pictures) of St. 
 Bruno, the founder of the Chartreux. Wal- 
 pole had not yet studied Raphael at Rome, but 
 these pictures, he considered, excelled every- 
 thing he had seen in England and Paris. ^ 
 
 ' From thence [Paris],' say Walpole's Short 
 Notes, * we went with my cousin, Henry Conway, 
 to Rheims, in Champagne, [and] staid there three 
 1 Walpole to West, no date, 1739. 
 
36 Horace Walpole : 
 
 months.' One of their chief objects was to 
 improve themselves in French. ^ You must not 
 wonder,' he tells West, ' if all my letters resem- 
 ble dictionaries, with French on one side, and 
 English on t' other ; I deal in nothing else at 
 present, and talk a couple of words of each 
 language alternately from morning till night/ ^ 
 But he does not seem to have yet developed 
 his later passion for letter-writing, and the 
 ' account of our situation and proceedings ' is 
 still delegated to Gray, some of whose de- 
 spatches at this time are not preserved. There 
 is, however, one from Rheims to Gray's mother 
 which gives a vivid idea of the ancient French 
 Cathedral city, slumbering in its vast vine-clad 
 plain, with its picturesque old houses and lonely 
 streets, its long walks under the ramparts, and 
 its monotonous frog-haunted moat. They have 
 no want of society, for Henry Conway pro- 
 cured them introductions everywhere ; but the 
 Rhemois are more constrained, less familiar, less 
 hospitable, than the Parisians. Quadrille is the 
 almost invariable amusement, interrupted by one 
 entertainment (for the Rhemois as a rule give 
 neither dinners nor suppers) ; to wit, a five 
 o'clock goilter, which is ' a service of wine, 
 fruits, cream, sweetmeats, crawfish, and cheese,' 
 1 Walpole to West, i8 June, 1739. 
 
A Memoir, 37 
 
 after which they sit down to cards again. Occa- 
 sionally, however, the demon of impromptu 
 flutters these ' set, gray lives,' and (like Dr. 
 Johnson) even Rheims must ' have a frisk.' 
 ' For instance,' says Gray, * the other evening 
 we happened to be got together in a company 
 of eighteen people, men and women of the best 
 fashion here, at a garden in the town, to walk ; 
 when one of the ladies bethought herself of 
 asking, Why should we not sup here ? Imme- 
 diately the cloth was laid by the side of a foun- 
 tain under the trees, and a very elegant supper 
 served up ; after which another said. Come, let 
 us sing ; and directly began herself. From 
 singing we insensibly fell to dancing, and sing- 
 ing in a round ; when somebody mentioned the 
 violins, and immediately a company of them was 
 ordered. Minuets were begun in the open air, 
 and then came country dances, which held till 
 four o'clock next morning ; at which hour the 
 gayest lady there proposed that such as were 
 weary should get into their coaches, and the rest 
 of them should dance before them with the 
 music in the van ; and in this manner we par- 
 aded through all the principal streets of the city, 
 and waked everybody in it.' Walpole, adds Gray, 
 would have made this entertainment chronic. 
 But ' the women did not come into it,' and 
 
38 Horace Walpole : 
 
 shrank back decorously ' to their dull cards, and 
 usual formalities/ ^ 
 
 At Rheims the travellers lingered on in the 
 hope of being joined by Selwyn and George 
 Montagu. In September they left Rheims for 
 Dijon, the superior attractions of which town 
 made them rather regret their comparative rusti- 
 cation of the last three months. From Dijon 
 they passed southward to Lyons, whence Gray 
 sent to West (then drinking the Tunbridge 
 waters) a daintily elaborated conceit touching 
 the junction of the Rhone and the Saone. 
 While at Lyons they made an excursion to 
 Geneva to escort Henry Conway, who had up 
 to this time been their companion, on his way 
 to that place. They took a roundabout route 
 in order to visit the Convent of the Grande 
 Chartreuse, and on the 28th Walpole writes to 
 West from * a Hamlet among the mountains of 
 Savoy [Echelles].' He is to undergo many trans- 
 migrations, he says, before he ends his letter. 
 ' Yesterday I was a shepherd of Dauphine ; 
 to-day an Alpine savage ; to-morrow a Carthu- 
 sian monk ; and Friday a Swiss Calvinist.' 
 When he next takes up his pen, he has passed 
 through his third stage, and visited the Char- 
 treuse. With the convent itself neither Gray 
 1 Gray's IVorks, by Gosse, 1SS4, ii. 30. 
 
A Memoir. 39 
 
 nor his companions seem to have been much 
 impressed, probably because their expectations 
 had been indefinite. For the approach and the 
 situation they had only enthusiasm. Gray is the 
 accredited landscape-painter of the party, but 
 here even Walpole breaks out: 'The road, 
 West, the road ! winding round a prodigious 
 mountain, and surrounded with others, all 
 shagged with hanging woods, obscured with 
 pines, or lost in clouds ! Below, a torrent 
 breaking through cliffs, and tumbling through 
 fragments of rocks ! Sheets of cascades forcing 
 their silver speed down channelled precipices, 
 and hastening into the roughened river at the 
 bottom ! Now and then an old foot bridge, 
 with a broken rail, a leaning cross, a cottage, or 
 the ruin of an hermitage 1 This sounds too 
 bombast and too romantic to one that has not 
 seen it, too cold for one that has. If I could 
 send you my letter post between two lovely tem- 
 pests that echoed each other's wrath, you might 
 have some idea of this noble roaring scene, as 
 you were reading it. Almost on the summit, 
 upon a fine verdure, but without any prospect, 
 stands the Chartreuse.' ^ 
 
 The foregoing passage is dated Aix-in-Savoy, 
 30 September. Two days later, passing by 
 Annecy, they came to Geneva. Here they 
 1 Walpole to West, Sept. 2S-2 Oct., 1739. 
 
40 Horace Walpole : 
 
 stayed a week to see Conway settled^ and made 
 a '■ solitary journey ' back to Lyons, but by a 
 different road, through the spurs of the Jura 
 and across the plains of La Bresse. At Lyons 
 they found letters awaiting them from Sir Robert 
 Walpole, desiring his son to go to Italy, — a pro- 
 posal with which Gray, only too glad to exchange 
 the over-commercial city of Lyons for ' the 
 place in the world that best deserves seeing.' 
 was highly delighted. Accordingly, we speedily 
 find them duly equipped with ' beaver bonnets, 
 beaver gloves, beaver stockings, muffs, and 
 bear-skins ' en route for the Alps. At the foot 
 of Mont Cenis their chaise was taken to pieces 
 and loaded on mules, and they themselves were 
 transferred to low matted legless chairs carried 
 on poles, — a not unperilous mode of progres- 
 sion, when, as in this case, quarrels took place 
 among the bearers. But the tragedy of the 
 journey happened before they had quitted the 
 chaise. Walpole had a fat little black spaniel 
 of King Charles's breed, named Tory, and he 
 had let the little creature out of the carriage for 
 the air. While it was waddling along content- 
 edly at the horses' heads, a gaunt wolf rushed 
 out of a fir wood, and exit poor Tory before 
 any one had time to snap a pistol. In later 
 years, Gray would perhaps have celebrated this 
 
A Memoir. 41 
 
 mishap as elegantly as he sang the death of his 
 friend's favourite cat ; but in these pre-poetic 
 days he restricts himself to calling it an ' odd 
 accident enough.'^ 
 
 ' After eight days' journey through Green* 
 land,' — as Gray puts it to West, — they 
 reached Turin, where among other English 
 they found Pope's friend, Joseph Spence, Pro- 
 fessor of Poetry at Oxford. Beyond Walpole's 
 going to Court, and their visiting an extraor- 
 dinary play called La Rappresenta^ione deW 
 Anima Dannata (for the benefit of an Hospital), 
 a full and particular account of which is con- 
 tained in one of Spence's letters to his mother, ^ 
 nothing remarkable seems to have happened 
 to them in the Piedmontese capital. From 
 Turin they went on to Genoa, — ' the happy 
 country where huge lemons grow ' (as Gray 
 quotes, not textually, from Waller), — whose 
 blue sea and vine-trellises they quit reluctantly 
 
 1 Tory, however, was not illachrymabilis. He found 
 his vates sacer in one Edward Burnaby Greene, once of 
 Bennet College ; and in referring to this, thirty-five 
 years later, Walpole explains how Tory got his name. 
 ' His godmother was the widow of Alderman Parsons 
 [Humphrey Parsons, of Goldsmith's * black champagne '], 
 who gave him at Paris to Lord Conway, and he to me ' 
 ( Walpole to Cole, lo Dec, 1775). 
 
 2 Spence's AnecdoteSyhy Singer, 2d ed., 1858, pp. 305-8. 
 
42 Horace IValpole : 
 
 for Bologna, by way of Tortona, Piacenza, 
 Parma (where they inspect the Correggios in 
 the Duomo), Reggio, and Modena. At Bo- 
 logna, in the absence of introductions, picture- 
 seeing is their main occupation. ' Except 
 pictures and statues,' writes Walpole, ' we 
 are not very fond of sights. . . . Now and then 
 we drop in at a procession, or a high mass, 
 hear the music, enjoy a strange attire, and hate 
 the foul monkhood. Last week was the feast 
 of the Immaculate Conception. On the eve 
 we went to the Franciscans' church to hear the 
 academical exercises. There were moult and 
 moult clergy, about two dozen dames, that 
 treated one another with illustrissima and brown 
 kisses, the vice-legate, the gonfalonier, and 
 some senate. The vice-legate ... is a young 
 personable person of about twenty, and had on 
 a mighty pretty cardinal-kind of habit ; 't wou'd 
 make a delightful masquerade dress. We asked 
 his name : Spinola. What, a nephew of the 
 cardinal-legate? Signer, no; ma credo che gli 
 sia qiialche cosa. He sat on the right hand 
 with the gonfalonier in two purple fauteuils. 
 Opposite was a throne of crimson damask, 
 with the device of the Academy, the Gelati ; ^ 
 
 1 Jarchius has taken the trouble to give us a list of 
 those clubs, or academies [i.e., //;<? acaJt-mies of Hal)'], 
 
A Memoir, 43 
 
 and trimmings of gold. Here sat at a table, 
 in black, the head of the Academy, between 
 the orator and the first poet. At two semicir- 
 cular tables on either hand sat three poets and 
 three ; silent among many candles. The chief 
 made a little introduction, the orator a long 
 Italian vile harangue. Then the chief, the poet, 
 the poets, — who were a Franciscan, an Olive- 
 tan, an old abbe, and three lay, — read their 
 compositions ; and to-day they are pasted up in 
 all parts of the town. As we came out of the 
 church, we found all the convent and neighbour- 
 ing houses lighted all over with lanthorns of red 
 and yellow paper, and two bonfires.' -^ 
 
 In the Christmas of 1739, the friends crossed 
 the Apennines, and entered Florence. If they 
 had wanted introductions at Bologna, there was 
 no lack of them in Tuscany, and they were to 
 find one friend who afterwards figured largely 
 in Walpole's correspondence. This was Mr. 
 
 which amount to five hundred and fifty, each distinguished 
 by somewhat whimsical in the name. The academicians of 
 Bologna, for instance, are divided into the Abbandonati, 
 the Ausiosi, Ociosi, Arcadi, Confusi, Dubbiosi, etc. There 
 are few of these who have not published their Transactions, 
 and scarce a member who is not looked upon as the most 
 famous man in the world, at home. — Goldsmith, in The 
 Bee, No. vi., for lo November, 1759. 
 1 Walpole to West, no date, 1739. 
 
44 Horace IValpole : 
 
 (afterwards Sir Horace) Mann, British Minister 
 Plenipotentiary at the Court of Florence. * He 
 is the best and most obliging person in the 
 world,' says Gray, and his house, with a brief 
 interval, was their residence for fifteen months. 
 Their letters from Florence are less interesting 
 than those from which quotations have already 
 been made, while their amusements seem to 
 have been more independent of each other than 
 before. Gray occupied himself in the galleries 
 taking the notes of pictures and statuary after- 
 wards published by Mitford, and in forming a 
 collection of MS. music ; Walpole. on the other 
 hand, had slightly cooled in his eagerness for 
 the antique, which now ^pleases him calmly." 
 ' I recollect ' — he says — 'the joy I used to 
 propose if I could but see the Great Duke's 
 gallery ; I walk into it now with as little 
 emotion as I should into St. Paul's. The 
 statues are a congregation of good sort of 
 people that I have a great deal of unruffled 
 regard for.' The fact was, no doubt, that 
 society had now superior attractions. As the 
 son of the English Prime Minister, and with 
 Mann, who was a relation,^ at his elbow, all 
 
 1 Dr. Doran (' Mann ' and Manners at the Court of 
 Florence, 1876, i. 2) describes this connection as * a distant 
 cousinship.' 
 
A Memoir, 45 
 
 doors were open to him. A correct record ot 
 his time would probably show an unvaried 
 succession of suppers, balls, and masquerades. 
 In the carnival week, when he snatches ' a little 
 unmasqued moment ' to write to West, he says 
 he has done nothing lately ' but slip out of his 
 domino into bed, and out of bed into his 
 domino. The end of the Carnival is frantic, 
 bacchanalian ; all the morn one makes parties 
 in masque to the shops and coffee-houses, and 
 all the evening to the operas and balls.' If 
 Gray was of these junketings, his letters do not 
 betray it. He was probably engaged in writ- 
 ing uncomplimentary notes on the Venus de' 
 Medici, or transcribino^ a score of Persrolesi. 
 
 The first interruption to these diversions came 
 in March, when they quitted Florence for 
 Rome in order to witness the coronation of the 
 successor of Clement XII., who had died in 
 the preceding month. On their road from Siena 
 they were passed by a shrill-voiced figure in a 
 red cloak, with a white handkerchief on its head, 
 which they took for a fat old woman, but which 
 afterwards turned out to be Farinelli's rival, 
 Senesino. Rome disappointed them, — espe- 
 cially in its inhabitants and general desolation. 
 ' I am very glad,' writes Walpole, ' that I see 
 it while it yet exists ; ' and he goes on to 
 
46 Horace Walpole : 
 
 prophesy that before a great number of years it 
 will cease to exist. ' I am persuaded/ he says 
 again, ' that in an hundred years Rome will not 
 be worth seeing ; 't is less so now than one 
 would believe. All the public pictures are 
 decayed or decaying ; the few ruins cannot last 
 long ; and the statues and private collections 
 must be sold, from the great poverty of 
 the families.' Perhaps this last consideration, 
 coupled with the depressing character of Roman 
 hospitality (' Roman conversations are dread- 
 ful things I ' he tells Conway), revived his 
 virtuoso tastes. ' I am far gone in medals, 
 lamps, idols, prints, etc., and all the small com- 
 modities to the purchase of which I can attain ; 
 I would buy the Coliseum if I could.' Mean- 
 while as the cardinals are quarrelling, the 
 coronation is still deferred ; and they visit 
 Naples, whence they explore Herculaneum, 
 then but recently exposed and identified. But 
 neither Gray nor Walpole waxes very eloquent 
 upon this theme, — probably because at this 
 time the excavations were only partial, while 
 Pompeii was, of course, as yet under ground. 
 Wal pole's next letter is written from Radico- 
 fani, — ' a vile little town at the foot of an old 
 citadel,' which again is at ' the top of a black 
 barren mountain ; ' the whole reminding the 
 
A Memoir, 47 
 
 writer of ' Hamilton's Bawn ' in Swift's verses. 
 In this place, although the traditional residence 
 of one of the Three Kings of Cologne, there 
 is but one pen, the property of the Governor, 
 who when Walpole borrows it, sends it to him 
 under ' conduct of a sergeant and two Swiss,' 
 with special injunctions as to its restoration, — 
 a precaution which in Walpole's view renders 
 it worthy to be ranked with the other pre- 
 cious relics of the poor Capuchins of the place, 
 concerning which he presently makes rather 
 unkindly fun. A few days later they were 
 once more in the Casa Ambrosio, Mann's 
 pleasant house at Florence, with the river 
 running so close to them that they could fish 
 out of the windows. ' I have a terreno [ground- 
 floor] all to myself,' says Walpole, ' with an 
 open gallery on the Arno, where I am now 
 writing to you [j.e., Conway]. Over against 
 me is the famous Gallery ; and, on either hand, 
 two fair bridges. Is not this charming and 
 cool ? ' Add to which, on the bridges aforesaid, 
 in the serene Italian air, one may linger all night 
 in a dressing-gown, eating iced fruits to the 
 notes of a guitar. But (what was even better 
 than music and moonlight) there is the society 
 that was the writer's '■ fitting environment.' Lady 
 Pomfret, with her daughters, Lady Charlotte, 
 
48 Horace IValpole : 
 
 afterwards governess to the children of George 
 III., and the beauty Lady Sophia, held a 
 'charming conversation' once a week; while 
 the Princess Craon de Beauvau has 'a constant 
 pharaoh and supper every night, where one is 
 quite at one's ease.' Another lady-resident, 
 scarcely so congenial to Walpole, was his 
 sister-in-law, the wife of his eldest brother, 
 Robert, who, with Lady Pomfret, made certain 
 (in Walpole's eyes) wholly preposterous pre- 
 tentions to the yet uninvented status of 
 blue-stocking. To Lady Walpole and Lady 
 Pomfret was speedily added another ' she- 
 meteor ' in the person of the celebrated Lady 
 Mary Wortley Montagu. 
 
 When Lady Mary arrived in Florence in the 
 summer of 1740, she was a woman of more 
 than fifty, and was just entering upon that 
 unexplained exile from her country and hus- 
 band which was prolonged for two-and-twenty 
 years. Her brilliant abilities were unimpaired ; 
 but it is probable that the personal eccen- 
 tricities which had exposed her to the satire 
 of Pope, had not decreased with years. That 
 these would be extenuated under Walpole's 
 malicious pen was not to be expected ; still 
 less, perhaps, that they would be treated justly. 
 Although, as already intimated, he was not 
 
A Memoir, 49 
 
 aware of the scandal respecting himself which 
 her descendants were to revive, he had ample 
 ground for antipathy. Her husband was the 
 bitter foe of Sir Robert Walpole ; and she 
 herself had been the firm friend and protec- 
 tress of his mother's rival and successor, Miss 
 Skerret.^ Accordingly, even before her advent, 
 he makes merry over the anticipated issue of 
 this portentous ' triple alliance ' of mysticism 
 and nonsense, and later he writes to Conway : 
 ' Did I tell you Lady Mary Wortley is here ? 
 She laughs at my Lady Walpole, scolds my 
 Lady Pomfret, and is laughed at by the whole 
 town. Her dress, her avarice, and her impu- 
 dence must amaze any one that never heard her 
 name. She wears a foul mob, that does not 
 cover her greasy black locks, that hang loose, 
 never combed or curled ; an old mazarine blue 
 wrapper, that gaps open and discovers a canvas 
 petticoat. ... In three words, I will give you 
 her picture as we drew it in the Sorles Virgi- 
 liancu, — Insanam vatem aspicies. I give you 
 my honour we did not choose it ; but Gray, 
 Mr. Coke, Sir Francis Dashwood, and I, with 
 
 1 Shortly after Lady Walpole's death, Sir Robert Wal- 
 pole married his mistress, Maria Skerret, who died 4 June, 
 1738, leaving a daughter, Horace Walpole's half-sister, 
 subsequently Lady Mary Churchill. 
 
50 Horace Walpole : 
 
 several others, drew it fairly amongst a thousand 
 for different people.'^ In justice to Lady Mary 
 it is only fair to say that she seems to have 
 been quite unconscious that she was an object 
 of ridicule, and was perfectly satisfied with her 
 reception at Florence. ' Lord and Lady Pom- 
 fret ' — she tells Mr. Wortley — 'take pains 
 to make the place agreeable to me, and I have 
 been visited by the greatest part of the people 
 of quality.'^ But although Walpole's portrait 
 is obviously malicious (some of its details are 
 suppressed in the above quotation), it is plain 
 that even unprejudiced spectators could not 
 deny her peculiarities. ' Lady Mary,' said 
 Spence, ' is one of the most shining charac- 
 ters in the world, but shines like a comet ; she 
 is all irregularity, and always wandering ; the 
 most wise, the most imprudent ; loveliest, most 
 disagreeable ; best-natured^ cruellest woman in 
 the world: '*all things by turns, but nothing 
 long."'« 
 
 By this time the new pope, Benedict XIV., 
 had been elected. But although the friends 
 were within four days, journey of Rome, the 
 fear of heat and malaria forced them to forego 
 
 1 Walpole to Cojiway, 25 September, 1740. 
 
 2 Letters, etc., of Lady Mary Wortley Montagu, ii. 325. 
 8 S/>eftce's AfUYi/otes, by Singer, 2nd edn., 1S5S, p. xxiii. 
 
A Memoir, 51 
 
 the spectacle of the coronation. They con- 
 tinued to reside with Mann at Florence until 
 May in the following year. Upon Gray the 
 ' violent delights ' of the Tuscan capital had 
 already begun to pall. It is, he says, * an 
 excellent place to employ all one's animal 
 sensations in, but utterly contrary to one's 
 rational powers.' Walpole, on the other hand, 
 is in his element. 'I am so well within and 
 without,' he says in the same letter which 
 sketches Lady Mary, ' that you would scarce 
 know me : I am younger than ever, think of 
 nothing but diverting myself, and live in a round 
 of pleasures. We have operas, concerts, and 
 balls, mornings and evenings. I dare not tell 
 you all of one's idlenesses ; you would look so 
 grave and senatorial at hearing that one rises at 
 eleven in the morning, goes to the opera at nine 
 at night, to supper at one, and to bed at three ! 
 But literally here the evenings and nights are so 
 charming and so warm, one can't avoid 'em.' 
 In a later letter he says he has lost all curiosity, 
 and ' except the towns in the straight road to 
 Great Britain, shall scarce see a jot more of a 
 foreign land.' Indeed, save a sally concerning 
 the humours of * Moll Worthless ' (Lady Mary) 
 and Lady Walpole, and the record of the pur- 
 chase of a few pictures, medals, and busts, — 
 
52 Horace Walpole : 
 
 one of the last of which, a Vespasian in basalt, 
 was subsequently among the glories of the 
 Twickenham Gallery, — his remaining letters 
 from Florence contain little of interest. Early 
 in 1741, the homeward journey was mapped out. 
 They were to go to Bologna to hear the 
 Viscontina sing, they were to visit the Fair 
 at Reggio, and so by Venice homewards. 
 
 But whether the Viscontina was in voice or 
 not, there is, as far as our travellers are con- 
 cerned^ absence of evidence. No further letter 
 of Gray from Florence has been preserved, nor 
 is there any mention of him in Walpole's next 
 despatch to West from Reggio. At that place 
 a misunderstanding seems to have arisen, and 
 they parted, Gray going forward to Venice with 
 two other travelling companions, Mr. John 
 Chute and Mr. Whitehed. In the rather barren 
 record of Walpole's story, this misunderstanding 
 naturally assumes an exaggerated importance. 
 But it was really a very trifling and a very intel- 
 ligible affair. They had been too long together; 
 and the first fascination of travel, which formed 
 at the outset so close a bond, had gradually 
 faded with time. As this alteration took place, 
 their natural dispositions began to assert them- 
 selves, and Walpole's normal love of pleasure 
 and Gray's retired studiousness became more 
 
A Memoir, 53 
 
 and more apparent. It is probable too, that, 
 in all the Florentine gaieties. Gray, who was 
 not a great man's son, fell a little into the 
 background. At all events, the separation was 
 imminent, and it needed but a nothing — the 
 alleged opening by Walpole of a letter of Gray ^ 
 — to bring it about. Whatever the proximate 
 cause, both were silent on the subject, although^ 
 years after the quarrel had been made up, and 
 Gray was dead, Walpole took the entire blame 
 upon himself. When Mason was preparing 
 Gray's Memoirs in 1773, he authorized him to 
 insert a note by which, in general terms, he 
 admitted himself to have been in fault, assign- 
 ing as his reason for not being more explicit, 
 that while he was living it would not be pleasant 
 to read his private affairs discussed in magazines 
 and newspapers. But to Mason personally he 
 was at the same time thoroughly candid, as well 
 as considerate to his departed friend : ' I am 
 conscious,' he says, ' that in the beginning of 
 
 1 This rests upon the authority of a shadowy Mr. 
 Roberts of the Pell-office, who told it to Isaac Reed in 
 1799, more than half a century after the event. The 
 subject is discussed at some length, but of necessity in- 
 conclusively, by Mr. D. C. Tovey in his interesting Grajy 
 and his Friends, 1890. Mr. Tovey thinks that Ashton 
 was obscurely connected with the quarrel. 
 
54 Horace IValpole : 
 
 the differences between Gray and me, the fault 
 was mine. I was too young, too fond of my 
 own diversions, nay, I do not doubt, too much 
 intoxicated by indulgence, vanity, and the 
 insolence of my situation, as a Prime Minis- 
 ter's son, not to have been inattentive and 
 insensible to the feelings of one I thought 
 below me ; of one, I blush to say it, that I 
 knew was obliged to me ; of one whom pre- 
 sumption and folly perhaps made me deem not 
 my superior then in parts, though I have since 
 felt my infinite inferiority to him. I treated 
 him insolently: he loved me, and I did not think 
 he did. I reproached him with the difference 
 between us when he acted from conviction of 
 knowing he was my superior ; I often dis- 
 regarded his wishes of seeing places, which I 
 would not quit other amusements to visit, 
 though I offered to send him to them without 
 me. Forgive me, if I say that his temper was 
 not conciliating. At the same time that I will 
 confess to you that he acted a more friendly 
 part, had I had the sense to take advantage of 
 it ; he freely told me of my faults. I declared 
 I did not desire to hear them, nor would correct 
 them. You will not wonder that with the 
 dignity of his spirit, and the obstinate care- 
 
A Memoir. 55 
 
 lessness of mine, the breach must have grown 
 wider till we became incompatible.' ^ 
 
 ' Sir, you have said more than was necessary ' 
 was Johnson's reply to a peace-making speech 
 from Topham Beauclerk. It is needless to 
 comment further upon this incident, except to 
 add that Walpole's generous words show that 
 the disagreement was rather the outcome of a 
 sequence of long-strained circumstances than 
 the result of momentary petulance. For a time 
 reconciliation was deferred, but eventually it 
 was effected by a lady, and the intimacy thus 
 renewed continued for the remainder of Gray's 
 life. 
 
 Shortly after Gray's departure in May, Wal- 
 pole fell ill of a quinsy. He did not, at first, 
 recognise the gravity of his ailment, and doc- 
 tored himself. By a fortunate chance, Joseph 
 Spence, then travelling as governor to the Earl 
 of Lincoln, was in the neighbourhood, and, 
 
 1 Walpole to Mason, 2 March, 1773. The letters to 
 Mason were first printed in 1851 by Mitford. But Pinker- 
 ton, in the Walpoliana, i. 95, had reported much the same 
 thing. ' The quarrel between Gray and me [Walpole] 
 arose from his being too serious a companion. I had 
 just broke loose from the restraints of the university, with 
 as much money as I could spend, and I was willing to 
 indulge myself. Gray was for antiquities, etc., while I was 
 for perpetual balls and plays. The fault was mine.* 
 
56 Horace IValpole : 
 
 responding to a message from Walpole, ' found 
 him scarce able to speak.' Spence immediately 
 sent for medical aid, and summoned from Flor- 
 ence one Antonio Cocchi, a physician and author 
 of some eminence. Under Cocchi's advice, 
 Walpole speedily showed signs of inprovement, 
 though, in his own words in the Short Notes, 
 he ' was given over for five hours, escaping with 
 great difficulty.' The sequel may be told from 
 the same source. ' I went to Venice with Henry 
 Clinton, Earl of Lincoln, and Mr. Joseph 
 Spence, Professor of Poetry, and after a 
 month's stay there, returned with them by sea 
 from Genoa, landing at Antibes ; and by the 
 way of Toulon, Marseilles, Aix, and through 
 Languedoc to Montpellier, Toulouse, and 
 Orleans, arrived at Paris, where I left the 
 Earl and Mr. Spence, and landed at Dover, 
 September 12th, 1741, O. S., having been 
 chosen Member of Parliament for Kellington 
 [Callington], in Cornwall, at the preceding 
 General Election [of June], which Parliament 
 put a period to my father's administration, 
 which had continued above twenty years.' 
 
A Memoir. 57 
 
 CHAPTER III. 
 
 Gains of the Grand Tour. — ' Epistle to Ashton.' — Resignation 
 of Sir Robert Walpole, who becomes Earl of Orford. — Col- 
 lapse of the Secret Committee. — Life at Houghton. — The 
 Picture Gallery. — ' A Sermon on Painting.' — Lord Orford 
 as Moses. — The * /Edes Walpolianae.' — Prior's ' Proto- 
 genes and Apelles.' — Minor Literature. — Lord Orford's 
 Decline and Death : his Panegyric. — Horace Walpole's 
 Means. 
 
 A LTHOUGH, during his stay in Italy, 
 -^"^ Walpole had neglected to accumulate the 
 store of erudition which his friend Gray had 
 been so industriously hiving for home consump- 
 tion, he can scarcely be said to have learned 
 nothing, especially at an age when much is 
 learned unconsciously. His epistolary style, 
 which, with its peculiar graces and pseudo- 
 graces, had been already formed before he left 
 England, had now acquired a fresh vivacity 
 from his increased familiarity with the French 
 and Italian languages ; and he had carried on, 
 however discursively, something more than a 
 mere flirtation with antiquities. Dr. Conyers 
 Middleton, whose once famous Lif& of Cicero 
 was published early in 1741, and who was him- 
 
58 Horace Walpole : 
 
 self an antiquary of distinction, thought highly 
 of Walpole's attainments in this way/ and in- 
 deed more than one passage in a poem written 
 by Walpole to Ashton at this time could scarcely 
 have been penned by any one not fairly familiar 
 with (for example) the science of those ' medals ' 
 upon which Mr. Joseph Addison had discoursed 
 so learnedly after his Italian tour : — 
 
 •What scanty precepts ! studies how confin'd! 
 Too mean to fill your comprehensive mind ; 
 Unsatisfy'd with knowing when or where 
 Some Roman bigot rais'd a fane to Fear ; 
 On what green medal Virtue stands express'd, 
 How Concord 's pictur'd, Liberty how dress'd ; 
 Or with wise ken judiciously define 
 When Pius marks the honorary coin 
 Of Caracalla, or of Antgnine.'^ 
 
 The poem from which these lines are taken 
 — An Epistle from Florence. To Thomas 
 
 1 Juvenis, non tarn generis nobilitate, ac paterni no- 
 minis gloria, quam ingenio, doctrina, et virtute propria 
 illustris. Ille vero haud citius fere in patriam reversus 
 est, quam de studiis meis, ut consuerat, familiariter per 
 literas quaerens, mihi ultro de copia sua, quicquid ad argu- 
 menti mei rationem, aut libelli ornamentum pertineret, 
 pro arbitrio meo utendum obtulit, — /Vc/. mi Germana 
 qiiadam Antiq. Mofiurne?ita,tXc., p. 6 (quoted in Mitford's 
 Corr. of Walpole arul Mason, 1S51, i. x-xi). 
 
 2 Walpole's Works, 1798, i. 6. 
 
A Memoir. 59 
 
 Ashton, Esq., Tutor to the Earl of Plimouth — 
 extends to some four hundred lines, and exhibits 
 another side of Walpole's activity in Italy. 
 ' You have seen ' — says Gray to West in July, 
 1740 — 'an Epistle to Mr. Ashton, that seems 
 to me full of spirit and thought, and a good 
 deal of poetic fire.' Writing to him ten years 
 later, Gray seems still to have retained his first 
 impression. ' Satire ' — he says — ^will be 
 heard, for all the audience are by nature her 
 friends ; especially when she appears in the 
 spirit of Dryden, with his strength, and often 
 with his versification, such as you have caught in 
 those lines on the Royal Unction, on the Papal 
 dominion, and Convents of both Sexes ; on 
 Henry VIII. and Charles II., for these are to 
 me the shining parts of your Epistle. There 
 are many lines I could wish corrected, and some 
 blotted out, but beauties enough to atone for a 
 thousand worse faults than these.' ^ Walpole 
 has never been ranked among the poets ; but 
 Gray's praise, in which Middleton and others 
 concurred, justifies a further quotation. This is 
 the passage on the Royal Unction and the Papal 
 Dominion : — 
 
 * When at the altar a new monarch kneels, 
 What conjur'd awe upon the people steals ! 
 
 1 Gray's Works, by Gosse, 1884, ii. 221. 
 
6o Horace JValpole : 
 
 The chosen He adores the precious oil, 
 Meekly receives the solemn charm, and while 
 The priest some blessed nothings mutters o'er, 
 Sucks in the sacred grease at every pore : 
 He seems at once to shed his mortal skin, 
 And feels divinity transfus'd within. 
 The trembling vulgar dread the royal nod, 
 And worship God's anointed more than God. 
 
 ' Such sanction gives the prelate to such kings '. 
 So mischief from those hallow'd fountains springs. 
 But bend your eye to yonder harass'd plains, 
 Where king and priest in one united reigns ; 
 See fair Italia mourn her holy state, 
 And droop oppress'd beneath a papal weight ; 
 Where fat celibacy usurps the soil, 
 And sacred sloth consumes the peasant's toil : 
 The holy drones monopolise the sky. 
 And plunder by a vow of poverty. 
 The Christian cause their lewd profession taints, 
 Unlearn'd, unchaste, uncharitable saints.' ^ 
 
 That the refined and fastidious Horace Walpole 
 of later years should have begun as a passable 
 imitator of Dryden is sufficiently piquant. But 
 that the son of the great courtier Prime Min- 
 ister should have distinguished himself by the 
 vigour of his denunciations of kings and priests, 
 especially when, as his biographers have not 
 failed to remark, he was writing to one about 
 to take orders, is more noticeable still. The 
 1 Walpole's JForJi-s, 179S, i. S-9. 
 
A Memoir, 6i 
 
 poem was reprinted in his works, but he makes 
 no mention of it in the Shori Notes, nor of an 
 Inscription for the Neglected Column in the Place 
 of St. Mark at Florence, written at the same 
 time, and characterized by the same anti-monar- 
 chical spirit. 
 
 His letters to Mann, his chief correspondent 
 at this date, are greatly occupied, during the 
 next few months, with the climax of the catas- 
 trophe recorded at the end of the preceding 
 chapter, — the resignation of Sir Robert Walpole. 
 The first of the long series was written on his 
 way home in September, 1741, when he had for 
 his fellow-passengers the Viscontina, Amorevoli, 
 and other Italian singers, then engaged in invad- 
 ing England. He appears to have at once taken 
 up his residence with his father in Downing 
 Street. Into the network of circumstances which 
 had conspired to array against the great peace 
 Minister the formidable opposition of disaffected 
 Whigs, Jacobites, Tories, and adherents of the 
 Prince of Wales, it would here be impossible 
 to enter. But there were already signs that 
 Sir Robert was nodding to his fall ; and that, 
 although the old courage was as high as ever, 
 the old buoyancy was beginning to flag. Fail- 
 ing health added its weight to the scale. In 
 October Walpole tells his correspondent that 
 
62 Horace Walpole : 
 
 he had ' been very near sealing his letter with 
 black wax/ for his father had been in danger 
 of his life, but was recovering, though he is no 
 longer the Sir Robert that Mann once knew. 
 He who formerly would snore before they had 
 drawn his curtains, now never slept above an 
 hour without waking ; and ' he who at dinner 
 always forgot that he was Minister,' now sat 
 silent, with eyes fixed for an hour together. At 
 the opening of Parliament, however, there was 
 an ostensible majority of forty for the Court, 
 and Walpole seems to have regarded this as 
 encouraging. But one of the first motions was 
 for an inquiry into the state of the nation, and 
 this was followed by a division upon a Cornish 
 petition which reduced the majority to seven, — 
 a variation which sets the writer nervously jest- 
 ing about apartments in the Tower. Seven days 
 later, the opposition obtained a majority of four ; 
 and although Sir Robert, still sanguine in the 
 remembrance of past successes, seemed less 
 anxious than his family, matters were growing 
 grave, and his youngest son was reconciling 
 himself to the coming blow. It came practi- 
 cally on the 2ist January, 1742, when Pulteney 
 moved for a secret committee, which (in reality) 
 was to be a committee of accusation against 
 the Prime Minister. Walpole defeated this 
 
A Memoir. 63 
 
 manoeuvre with his characteristic courage and 
 address, but only by a narrow majority of three. 
 So inconsiderable a victory upon so crucial a 
 question was perilously close to a reverse ; and 
 when, in the succeeding case of the disputed 
 Chippenham Election, the Government were 
 defeated by one, he yielded to the counsels of 
 his advisers, and decided to resign. He was 
 thereupon raised to the peerage as Earl of 
 Orford, with a pension of ^4,000 a year,^ while 
 his daughter by his second wife, Miss Skerret, 
 was created an Earl's daughter in her own 
 right. His fall was mourned by no one more 
 sincerely than by the master he had served so 
 staunchly for so long ; and when he went to 
 kiss hands at St. James's upon taking leave, 
 the old king fell upon his neck, embraced him, 
 and broke into tears. 
 
 The new Earl himself seems to have taken 
 his reverses with his customary equanimity, and, 
 like the shrewd ' old Parliamentary hand ' that 
 he was, to have at once devoted himself to the 
 difficult task of breaking the force of the attack 
 which he foresaw would be made upon himself 
 by those in power. He contrived adroitly to 
 
 1 He gave this up at first, but afterwards, when his 
 affairs became involved, reclaimed it (Cunningham's 
 Corr., i. 126 n.) 
 
64 Horace Walpole : 
 
 foster dissension and disunion among the hete- 
 rogeneous body of his opponents ; he secured 
 that the new Ministry should be mainly com- 
 posed of his old party, the Whigs ; and he 
 managed to discredit his most formidable ad- 
 versary, Pulteney. One of the first results of 
 these precautionary measures was that a motion 
 by Lord Limerick for a committee to examine 
 into the conduct of the last twenty years was 
 thrown out by a small majority. A fortnight 
 later the motion was renewed in a fresh form, 
 the scope of the examination being limited to 
 the last ten years. Upon this occasion Horace 
 Walpole made his maiden speech, — a graceful 
 and modest, if not very forcible, effort on his 
 father's side. In this instance, however, the 
 Government were successful, and the Commit- 
 tee was appointed. Yet, despite the efforts to 
 excite the public mind respecting Lord Orford, 
 the case against him seems to have faded away 
 in the hands of his accusers. The first report 
 of the Committee, issued in May, contained 
 nothing to criminate the person against whom 
 the inquiry had been directly levelled ; and 
 despite the strenuous and even shameless efforts 
 of the Government to obtain evidence incul- 
 pating the late Minister, the Committee were 
 obliged to issue a second report in June, of 
 
A Memoir. 65 
 
 which, — so far as the chief object was con- 
 cerned, — the gross result was nil. By the 
 middle of July, Walpole was able to tell Mann 
 that the ' long session was over, and the Secret 
 Committee already forgotten,' — as much for- 
 gotten, he says in a later letter, ' as if it had 
 happened in the last reign.' 
 
 When Sir Robert Walpole had resigned, he 
 had quitted his official residence in Downing 
 Street (which ever since he first occupied it in 
 1735 has been the official residence of the First 
 Lord of the Treasury), and moved to No. 5, 
 Arlington Street, opposite to, but smaller than, 
 the No. 17 in which his youngest son had been 
 born, and upon the site of which William Kent 
 built a larger house for Mr. Pelham. No. 5 is 
 now distinguished by a tablet erected by the 
 Society of Arts, proclaiming it to have been the 
 house of the ex-Minister. From Arlington 
 Street, or from the other home at Chelsea 
 already mentioned, most of Walpole's letters 
 were dated during the months which succeeded 
 the crisis. But in August, when the House had 
 risen, he migrated with the rest of the family 
 to Houghton, — the great mansion in Norfolk 
 which had now taken the place of the ancient 
 seat of the Walpoles, where during the summer 
 months his father had been accustomed in his 
 5 
 
66 Horace Walpole: 
 
 free-handed manner to keep open house to all 
 the county. Fond of hospitality, fond of field- 
 sports, fond of gardening, and all out-door 
 occupations, Lord Orford was at home among 
 the flat expanses and Norfolk turnips. But the 
 family seat had no such attractions to his son, 
 fresh from the multi-coloured Continental life, 
 and still bearing about him, in a certain frailty 
 of physique and enervation of spirit, the tokens 
 of a sickly childhood. ' Next post ' — he says de- 
 spairingly to Mann — ' I shall not be able to write 
 to you ; and when I am there [at Houghton], 
 shall scarce find materials to furnish a letter 
 above every other post. I beg, however, that 
 you will write constantly to me ; it will be my 
 only entertainment ; for I neither hunt, brew, 
 drink, nor reap.' 'Consider' — he says again 
 — ' I am in the barren land of Norfolk, where 
 news grows as slow as anything green ; and 
 besides, I am in the house of a fallen minister 1 ' 
 Writing letters (in company with the little white 
 dog ' Patapan ' ^ which he had brought from 
 
 1 Patapan's portrait was painted by John Wootton, 
 who illustrated Gay's Fables in 1727 with Kent. It hung 
 in Walpole's bedroom at Strawberry, and now (1S92) 
 belongs to Lord Lifford. In 1743 Walpole wrote a Fable 
 in imitation of La Fontaine, to which he gave the title of 
 Fatapan ; or^ the Little White Dog. It was never printed. 
 
A Memoir, 6y 
 
 Rome as a successor to the defunct Tory), 
 walking, and playing comet with his sister Lady 
 Mary or any chance visitors to the house, "seem 
 to have been his chief resources. A year later 
 he pays a second visit to Houghton, and he is 
 still unreconciled to his environment. ' Only 
 imagine that I here every day see men, who are 
 mountains of roast beef, and only just seem 
 roughly hewn out into the outlines of human 
 form, like the giant-rock at Pratolino ! I shud- 
 der when I see them brandish their knives in 
 act to carve, and look on them as savages that 
 devour one another.' Then there are the enforced 
 civilities to entirely uninteresting people, — the 
 intolerable female relative, who is curious about 
 her cousins to the fortieth remove. ' I have an 
 Aunt here, a family piece of goods, an old rem- 
 nant of inquisitive hospitality and economy, 
 who, to all intents and purposes, is as beefy as 
 her neighbours. She wore me so down yes- 
 terday with interrogatories that I dreamt all 
 night she was at my ear with "who's" and 
 " why's," and '' when's " and " where's," till at 
 last in my very sleep I cried out, " For heaven's 
 sake, Madam, ask me no more questions." ' And 
 then, in his impatience of bores in general, he 
 goes on to write a little essay upon that ' growth 
 of English root,' that ' awful yawn, which sleep 
 
68 Horace JValpole : 
 
 cannot abate,' as Byron calls it, — Ennui. ' I am 
 so far from growing used to mankind [he means 
 ' uncongenial mankind'] by living amongst them, 
 that my natural ferocity and vvildness does but 
 every day grow worse. They tire me, they 
 fatigue me ; I don't know what to do with them ; 
 I don't know what to say to them ; I fling open 
 the windows, and fancy I want air ; and when I 
 get by myself, I undress myself, and seem to 
 have had people in my pockets, in my plaits, 
 and on my shoulders ! I indeed find this fatigue 
 worse in the country than in town, because one 
 can avoid it there, and has more resources ; but 
 it is there too. I fear 't is growing old ; but I 
 literally 'seem to have murdered a man whose 
 name was Ennui, for his ghost is ever before 
 me. They say there is no English word for 
 ennui; I think you may translate it most literally 
 by what is called " entertaining people" and 
 " doing the honours : " that is, you sit an hour 
 with somebody you don't know and don't care 
 for, talk about the wind and the weather, and 
 ask a thousand foojish questions, which all begin 
 with, " I think you live a good deal in the coun- 
 try," or " I think you don't love this thing or 
 that." Oh, 'tis dreadful 1 '^ 
 
 1 Walpole to Chute, 20 August. 1743. ^^^- Jdm Chute 
 was a friend whom Walpole had made at Florence, and 
 
A Memoir. 69 
 
 But even Houghton, with its endless ' doing 
 the honours,' must have had its compensations. 
 There was a library, and — what must have had 
 even stronger attractions for Horace Walpole 
 — that magnificent and almost unique collection 
 of pictures which under a later member of the 
 family, the third Earl of Orford, passed to 
 Catherine of Russia. For years Lord Orford, 
 with unwearied diligence and exceptional oppor- 
 tunities, had been accumulating these treasures. 
 Mann in Florence, Vertue in England, and a 
 host of industrious foragers had helped to bring 
 together the priceless canvases which crowded 
 the rooms of the Minister's house next the 
 Treasury at Whitehall. And if he was inex- 
 perienced as a critic, he was far too acute a man 
 to be deceived by the shiploads of ' Holy 
 Families, Madonnas, and other dismal dark 
 subjects, neither entertaining nor ornamental,' 
 against which the one great native artist of his 
 time, — the painter of the ' Rake's Progress,' so 
 
 with whom, as already stated in Chapter II., Gray had 
 travelled when they parted company. Until, by the death 
 of a brother, he succeeded to the estate called The Vyne, 
 in Hampshire, he lived principally abroad. His portrait 
 by Miintz, after Pompeio Battoni, hung over the door in 
 Walpole's bedchamber at Strawberry Hill. An exhaustive 
 History of The Vyne was published in iS8S by the late 
 Mr. Chaloner W. Chute, at that time its possessor. 
 
70 Horace IValpole : 
 
 persistently inveighed. There was no doubt 
 about the pedigrees of the Wouvermanns and 
 Teniers, the Guidos and Rubens, the Vandykes 
 and Murillos, which decorated the rooms at 
 Downing Street and Chelsea and Richmond. 
 From the few records which remain of prices, 
 it would seem that, in addition to the merit of 
 authenticity, many of the pictures must have had 
 the attraction of being ' bargains.' In days 
 when ;£4,ooo or ;^^,ooo is no extravagant price 
 to be given for an old master, it is instructive to 
 read that £'/"')0 was the largest sum ever given 
 by Lord Orford for any one picture, and Walpole 
 himself quotes this amount as ^(y'yO. For four 
 great Snyders, which Vertue bought for him, he 
 only paid ;^428, and for a portrait of Clement 
 IX. by Carlo Maratti no more than ;^200. 
 Many of the other pictures in his gallery cost 
 him still less, being donations — no doubt some- 
 times in gratitude for favours to come — from 
 his friends and adherents. The Earl of Pem- 
 broke, Lord Waldegrave, the Duke of Mon- 
 tagu, Lord Tyrawley, were among these. But, 
 upon the whole, the collection was gathered 
 mainly from galleries like the Zambecari at 
 Bologna, the Arnaldi Palace at Florence, the 
 Pallavicini at Rome, and from the stores of 
 noble collectors in England. 
 
A Memoir. 71 
 
 In 1743, the majority of these had apparently 
 been concentrated at Houghton, where there 
 was special accommodation for them. ' My 
 Lord/ says Horace, groaning over a fresh visit 
 to Norfolk, ^ has pressed me so much that I 
 could not with decency refuse : he is going to 
 furnish and hang his picture-gallery, and wants 
 me.' But it is impossible to believe that he 
 really objected to a duty so congenial to his 
 tastes. In fact, he was really greatly interested 
 in it. His letters contain frequent references 
 to a new Domenichino, a Virgin and Child, 
 which Mann is sending from Florence, and he 
 comes up to London to meet this and other 
 pictures, and is not seriously inconsolable to 
 find that owing to the quarantine for the plague 
 on the Continent, he is detained for some days 
 in town. One of the best evidences of his 
 solicitude in connection with the arrangements 
 of the Houghton collection is, however, the 
 discourse which he wrote in the summer of 
 1742, under the title of a Sermon on Painting, 
 and which he himself tells us was actually 
 preached by the Earl's chaplain in the gallery, 
 and afterwards repeated at Stanno, his elder 
 brother's house. The text was taken from 
 Psalm CXV. : ' They have Mouths, but they 
 speak not : Eyes have they, but they see not : 
 
^2 Horace IValpole : 
 
 neither is there any Breath in their Nostrils ; ' and 
 the writer, illustrating his theme by reference to 
 the pictures around his audience in the gallery, 
 or dispersed through the building, manages to 
 eulogize the painter's art with considerable skill. 
 He touches upon the pernicious effect which 
 the closely realized representation of popish 
 miracles must have upon the illiterate spectator, 
 and points out how much more commendable 
 and serviceable is the portraiture of benignity, 
 piety, and chastity, — how much more instruc- 
 tive the incidents of the Passion, where every 
 • touch of the pencil is a lesson of contrition, 
 each figure an apostle to call you to repentance.' 
 He lays stress, as Lessing and other writers 
 have done, on the universal language of the 
 brush, and indicates its abuse when restricted 
 to the reproduction of inquisitors, visionaries, 
 imaginary hermits, ' consecrated gluttons,' or 
 ' noted concubines,' after which (as becomes 
 his father's son) he does not fail to disclose its 
 more fitting vocation, to perpetuate the likeness 
 of William the Deliverer, and the benign, the 
 honest house of Hanover. The Dircs and La- 
 :{arus of Veronese and the Prodigal Son of 
 Salvator Rosa, both on the walls, are pressed 
 into his service, and the famous Usurers of 
 Quentin Matsys also prompt their parable. 
 
A Memoir. 73 
 
 Then, after adroitly dwelling upon the pictorial 
 honours lavished upon mere asceticism to the 
 prejudice of real heroes, taking Poussin's pic- 
 ture of Moses Striking the Rock for his text, he 
 winds into what was probably the ultimate pur- 
 pose of his discourse, a neatly veiled panegyric 
 of Sir Robert Walpole under guise of the great 
 lawgiver of the Israelites, which may be cited as 
 a favourable sample of this curious oration : 
 
 ' But it is not necessary to dive into profane 
 history for examples of unregarded merit ; the 
 Scriptures themselves contain instances of the 
 greatest patriots, who lie neglected, while new- 
 fashioned bigots or noisy incendiaries are the 
 reigning objects of public veneration. See the 
 great Moses himself, — the lawgiver, the de- 
 fender, the preserver of Israel I Peevish orators 
 are more run after, and artful Jesuits more popu- 
 lar. Examine but the life of that slighted patriot, 
 how boldly in his youth he understood the 
 cause of liberty ! Unknown, without interest, 
 he stood against the face of Pharaoh ! He 
 saved his countrymen from the hand of tyranny, 
 and from the dominion of an idolatrous king. 
 How patiently did he bear for a series of years 
 the clamours and cabals of a factious people, 
 wandering after strange lusts, and exasperated 
 by ambitious ringleaders I How oft did he 
 
74 Horace IValpole : 
 
 intercede for their pardon, when injured him- 
 self I How tenderly deny them specious favours, 
 which he knew must turn to their own destruc- 
 tion ! See him lead them through opposition, 
 through plots, through enemies, to the enjoy- 
 ment of peace, and to the possession of a land 
 flowing with milk and hone/. Or with more 
 surprise see him in the barren desert, where 
 sands and wilds overspread the dreary scene, 
 where no hopes of moisture, no prospect of 
 undiscovered springs, could flatter their parching 
 thirst ; see how with a miraculous hand — 
 
 * " He struck the rock, and straight the waters flowed." ' 
 
 Whoever denies his praises to such evidences 
 of merit, or with jealous look can scowl on such 
 benefits, is like the senseless idol, that has a 
 moidh that speaks not, and eyes that cannot 
 sec/ 
 
 If, in accordance with some perverse fashion 
 of the day, the foregoing production had not 
 been disguised as a sermon, and actually preached 
 with the orthodox accompaniment of bands and 
 doxology, there is no reason why it should not 
 have been regarded as a harmless and not unac- 
 complished essay on Art. But the objectionable 
 spirit of parody upon the ritual, engendered by 
 the strife between ' high ' and ' low ' (Walpole 
 
A Memoir. 75 
 
 himself wrote some Lessons for the Day, 1742, 
 which are to be found in the works of Sir 
 Charles Hanbury Williams), seems to have dic- 
 tated the title of what in other respects is a 
 serious Spectator, and needed no spice of irrev- 
 erence to render it palatable. The Sermon had, 
 however, one valuable result, namely, that it 
 suggested to its author the expediency of pre- 
 paring some record of the pictorial riches of 
 Houghton upon the model of the famous y^des 
 Barberini and GiustinianiV. As the dedication 
 of the yEdes Walpoliance is dated 24 August, 
 1 743 , it must have been written before that date ; 
 but it was not actually published until 1747, and 
 then only to give away. Another enlarged and 
 more accurate edition was issued in 17^2, and it 
 was finally reprinted in the second volume of the 
 Works of 1798, pp. 221-78, where it is followed 
 by the Sermon on Painting. Professing to be 
 more a catalogue of the pictures than a descrip- 
 tion of them, it nevertheless gives a good idea 
 of a collection which (as its historian says) both 
 in its extent and the condition of its treasures 
 excelled most of the existing collections of Italy. 
 In an ' Introduction/ the characteristics of the 
 various artists are distinguished with much 
 discrimination, although it is naturally more 
 sympathetic than critical. Perhaps one of its 
 
yG Horace Walpole : 
 
 happiest pages is the following excursus upon 
 a poem of Prior : ' I cannot conclude this topic 
 of the ancient painters without taking notice of 
 an extreme pretty instance of Prior's taste, and 
 which may make an example on that frequent 
 subject, the resemblance between poetry and 
 painting, and prove that taste in the one will 
 influence in the other. Everybody has read his 
 tale of Protogenes and Apelles. If they have 
 read the story in Pliny they will recollect that 
 by the latter's account it seemed to have been 
 a trial between two Dutch performers. The 
 Roman author tells you that when Apelles was 
 to write his name on a board, to let Protogenes 
 know who had been to inquire for him, he drew 
 an exactly straight and slender line. Protogenes 
 returned, and with his pencil and another colour, 
 divided his competitor's. Apelles, on seeing 
 the ingenious minuteness of the Rhodian master, 
 took a third colour, and laid on a still finer and 
 indivisible line. But the English poet, who 
 could distinguish the emulation of genius from 
 nice experiments about splitting hairs, took the 
 story into his own hands, and in a less number 
 of trials, and with bolder execution, compre- 
 hended the whole force of painting, and flung 
 drawing, colouring, and the doctrine of light 
 and shade into the noble contention of those two 
 
A Memoir. 77 
 
 absolute masters. In Prior, the first wrote his 
 name in a perfect design, and 
 
 * " with one judicious stroke 
 
 On the plain ground Apelles drew 
 A circle regularly true." ' 
 
 Protogenes knew the hand, and showed Apelles 
 that his own knowledge of colouring was as 
 great as the other's skill in drawing. 
 
 * " Upon the happy line he laid 
 
 Such obvious light and easy shade 
 That Paris' apple stood confest, 
 Or Leda's egg, or Chloe's breast." ' ^ 
 
 Apelles acknowledged his rival's merit, without 
 jealously persisting to refine on the masterly 
 reply : — 
 
 *" Pugnavere pares, succubuere pares" ' ^ 
 
 Among the other efforts of his pen at this 
 time were some squibs in ridicule of the new 
 
 ^ Mr. Vertue the engraver made a very ingenious con- 
 jecture on this story, he supposes that Apelles did not 
 draw a straight line, but the outline of a human figure, 
 which not being correct, Protogenes drew a more correct 
 figure within his ; but that still not being perfect, Apelles 
 drew a smaller and exactly proportioned one within both 
 the former. — WalpoWs note. 
 
 2 Walpole's Works, 1798, ii. 229-30. The final quota- 
 tion is from Martial. 
 
yS Horace Walpole: 
 
 Ministry. One was a parody of a scene in 
 Macbeth ; the other of a scene in Corneille's 
 Cinna. He also wrote a paper against Lord 
 Bath in the Old England Journal. 
 
 In the not very perplexed web of Horace 
 Walpole's life, the next occurrence of impor- 
 tance is his father's death. When, as Sir Robert 
 Walpole, he had ceased to be Prime Minister, 
 he was sixty-five years of age ; and though 
 his equanimity and wonderful constitution still 
 seemed to befriend him, he had personally little 
 desire, even if the ways had been open, to 
 recover his ancient power- ' I believe nothing 
 could prevail on him to return to the Treasury,' 
 writes his son to Mann in 1743. ' He says 
 he will keep the 12th of February — the day 
 he resigned — with his family as long as he 
 lives.' He continued, nevertheless, to assist 
 his old master with his counsel, and more than 
 one step of importance by which the King 
 startled his new Ministry owed its origin to 
 a confidential consultation with Lord Orford. 
 When, in January, 1744, the old question of 
 discontinuing the Hanoverian troops was revived 
 with more than ordinary insistence, it was 
 through Lord Orford's timely exertions, and his 
 personal credit with his friends, that the motion 
 was defeated by an overwhelming majority. On 
 
Sir Robert IValpoIe, 
 
UNITEBSITl 
 
A Memoir. 79 
 
 the other hand, a further attempt to harass him 
 by another Committee of Secret Inquiry was 
 wholly unsuccessful, and signs were not wanting 
 that his old prestige had by no means departed. 
 Towards the close of 1744, however, his son 
 begins to chronicle a definite decline in his 
 health. He is evidently suffering seriously from 
 stone, and is forbidden to take the least exer- 
 cise by the King's serjeant-surgeon, that famous 
 Mr. Ranby who was the friend of Hogarth and 
 Fielding.^ In January of the next year, he is 
 trying a famous specific for his complaint, Mrs. 
 Stephens's medicine. Six weeks later, he has 
 been alarmingly ill for about a month ; and 
 although reckoned out of absolute danger, is 
 hardly ever conscious more than four hours out 
 of the four-and-twenty,from the powerful opiates 
 he takes in order to deaden pain. A month later, 
 on the i8th March, 174^, he died at Arlington 
 Street, in his sixty-ninth year. At first his son 
 dares scarcely speak of his loss, but a fortnight 
 afterwards he writes more fully. After showing 
 that the state of his circumstances proved how 
 little truth there had been in the charges of self- 
 enrichment made against him, Walpole goes on 
 to say : ' It is certain, he is dead very poor : 
 
 1 Ranby wrote a Narrative of the last Illness of the Earl 
 of Orfordy 1745, which provoked much controversy. 
 
8o Horace Walpole : 
 
 his debts, with his legacies, which are trifling, 
 amount to fifty thousand pounds. His estate, 
 a nominal eight thousand a year, much mort- 
 gaged. In short, his fondness for Houghton has 
 endangered him. If he had not so overdone it, 
 he might have left such an estate to his family as 
 might have secured the glory of the place for 
 many years : another such debt must expose it to 
 sale. If he had lived, his unbounded generosity 
 and contempt of money would have run him into 
 vast difficulties. However irreparable his per- 
 sonal loss may be to his friends, he certainly did 
 critically well for himself: he had lived to stand 
 the rudest trials with honour, to see his character 
 universally cleared, his enemies brought to 
 infamy for their ignorance or villainy, and the 
 world allowing him to be the only man in 
 England fit to be what he had been ; and he 
 died at a time when his age and infirmities 
 prevented his again undertaking the support of 
 a government, which engrossed his whole care, 
 and which he foresaw was falling into the last 
 confusion. In this I hope his Judgment failed I 
 His fortune attended him to the last, for he died 
 of the most painful of all distempers, ^^•ith little 
 or no pain.' ^ 
 
 From the Short Notes we learn further : 
 
 1 Wa/J^ole to MiVin, 15 April, 1745. 
 
A Memoir. 8i 
 
 ' He [my father] left me the house in Arling- 
 ton-street in which he died, ;^)000 in money, 
 and ;^iooo a year from the Collector's place 
 in the Custom-house, and the surplus to be 
 divided between my brother Edward and me/ 
 
82 Horace Walpole : 
 
 CHAPTER IV. 
 
 stage-gossip and Small-talk. — Ranelagh Gardens. — Fontenoy 
 and Leicester House. — Echoes of the '45. — Preston Pans, — 
 Culloden. — Trial of the Rebel Lords. — Deaths of Kilmar- 
 nock and Balmerino. — Epilogue to Tamerlane. — Walpole 
 and his Relatives. — Lady Orford — Literary Efforts. — The 
 Beauties. — Takes a House at Windsor. 
 
 "pvURING the period between Walpole's 
 -'-^ return to England and the death of Lord 
 Orford, his letters, addressed almost exclusively 
 to Mann, are largely occupied with the occur- 
 rences which accompanied and succeeded his 
 father's downfall. To Lord Orford's proUgi 
 and relative these particulars were naturally of 
 the first importance, and Walpole's function of 
 ' General Intelligencer ' fell proportionately into 
 the background. Still, there are occasional refer- 
 ences to current events of a merely social 
 character. After the Secret Committee, he is 
 interested (probably because his friend Conway 
 was pecuniarily interested) in the Opera, and 
 the reception by the British public of the 
 Viscontina, Amorevoli, and the other Italian 
 singers whom he had known abroad. Of the 
 
A Memoir. 83 
 
 stage he says comparatively little, dismissing 
 poor Mrs. Woflfington, who had then just made 
 her appearance at Covent Garden, as ' a bad 
 actress,' who, nevertheless, 'has life,' — an 
 opinion in which he is supported by Conway, 
 who calls her ' an impudent, Irish-faced girl.' 
 In the acting of Garrick, after whom all the 
 town is (as Gray writes) ' horn-mad ' in May, 
 1742, he sees nothing wonderful, although he 
 admits that it is heresy to say so, since that 
 infallible stage critic, the Duke of Argyll, has 
 declared him superior to Betterton. But he 
 praises ' a little simple farce " at Drury Lane, 
 Mhs Lucy in Town, by Henry Fielding, in 
 which his future friend, Mrs. Clive, and Beard 
 mimic Amorevoli and the Muscovita. The 
 same letter contains a reference to another 
 famous stage-queen, now nearing eighty, Anne 
 Bracegirdle, who should have had the money 
 that Congreve left to Henrietta, Duchess of 
 Marlborough. 'Tell Mr. Chute [he says] that 
 his friend Bracegirdle breakfasted with me this 
 morning. As she went out, and wanted her 
 clogs, she turned to me, and said, " I remember 
 at the playhouse, they used to call, Mrs. 
 Oldfield's chair 1 Mrs. Barry's clogs I and 
 Mrs. Bracegirdle's pattens!"'-^ One pictures 
 
 1 JValJ>oIe to Mann, 26 May, 1742. 
 
84 Horace Walpole : 
 
 a handsome old lady, a little bent, and leaning 
 on a crutch stick as she delivers this parting 
 utterance at the door.^ 
 
 Among the occurrences of 1742 which find 
 fitting record in the correspondence, is the 
 opening of that formidable rival to Vauxhall, 
 Ranelagh Gardens. All through the spring the 
 great Rotunda, with its encircling tiers of galle- 
 ries and supper-boxes, — the coup deceit of which 
 Johnson thought was the finest thing he had 
 ever seen, — had been rising slowly at the side 
 of Chelsea Hospital. In April it was practi- 
 cally completed, and almost ready for visitors. 
 Walpole, of course, breakfasts there, like the 
 rest of the beau monde. ' The building is not 
 finished [he says], but they get great sums by 
 people going to see it and breakfasting in the 
 
 1 According to Pinkerton, another anecdote connects 
 Mrs. Bracegirdle with the Walpoles. * Mr. Shorter, my 
 mother's father [he makes Horace say], was walking 
 down Norfolk Street in the Strand, to his house there, 
 just before poor Mountfort the player was killed in that 
 street, by assassins hired by Lord Mohun. This nobleman, 
 lying in wait for his prey, came up and embraced Mr. 
 Shorter by mistake, saying, ' Dear Mountfort ! ' It was 
 fortunate that he was instantly undeceived, for Mr. Shorter 
 had hardly reached his house before the murder took 
 place ' {IViilpoliana, ii. 96). Mountfort, it will be remem- 
 bered, owed his death to Mrs. Bracegirdle's liking for 
 him. 
 
A Memoir. 85 
 
 house ; there were yesterday no less than three 
 hundred and eighty persons, at eighteenpence 
 a-piece. You see how poor we are. when, with 
 a tax of four shillings in the pound, we are lay- 
 ing out such sums for cakes and ale.' ^ A week 
 or two later comes the formal inauguration. 
 ' Two nights ago [May 24] Ranelagh-gardens 
 were opened at Chelsea ; the Prince, Princess, 
 Duke, much nobility, and much mob besides, 
 were there. There is a vast amphitheatre, finely 
 gilt, painted, and illuminated, into which every- 
 body that loves eating, drinking, staring, or 
 crowding, is admitted for twelvepence. The 
 building and disposition of the gardens cost 
 sixteen thousand pounds. Twice a week there 
 are to be Ridottos at guinea-tickets, for w^hich 
 you are to have a supper and music. I w^as 
 there last night [May 2)1, ' — the writer adds, — 
 • but did not find the joy of it,' ^ and, at present, 
 he prefers Vauxhall, because of the approach by 
 water, that ' trajet du flcuve fatal,' — as it is 
 styled in the Vauxhall de Londres which a 
 French poet dedicated in 1769 to M. de 
 Fontenelle. He seems, however, to have taken 
 Lord Orford to Ranelagh, and he records in 
 July that they walked with a train at their heels 
 
 1 IValpole to Mann, 22 April, 1742. 
 
 2 Walpolc to Mann, 26 May, 1742. 
 
86 Horace Walpole: 
 
 like two chairmen going to fight, — from which 
 he argues a return of his father's popularity. 
 Two years later Fashion has declared itself on 
 the side of the new garden, and Walpole has 
 gone over to the side of Fashion. ' Every night 
 constantly [he tells Conway] I go to Ranelagh ; 
 which has totally beat Vauxhall. Nobody goes 
 anywhere else, — everybody goes there. My 
 Lord Chesterfield is so fond of it that he says 
 he has ordered all his letters to be directed 
 thither. If you had never seen it, I would make 
 you a most pompous description of it, and tell 
 you how the floor is all of beaten princes ; that 
 you can 't set your foot without treading on 
 a Prince of Wales or Duke of Cumberland. 
 The company is universal : there is from his 
 Grace of Grafton down to children out of the 
 Foundling Hospital ; from my Lady Townshend 
 to the kitten ; from my Lord Sandys to your 
 humble cousin and sincere friend.' ^ 
 
 After Lord Orford's death, the next landmark 
 in Horace Walpole's life is his removal to the 
 house at Twickenham, subsequently known as 
 Strawberry Hill. To a description of this his- 
 torical mansion the next chapter will be in part 
 devoted. In the mean time we may linger for 
 a moment upon the record which these letters 
 1 Walpole to Conway, 29 June, 1744. 
 
A Memoir. Sy 
 
 contain of the famous '4). No better oppor- 
 tunity will probably occur of exhibiting Walpole 
 as the reporter of history in the process of 
 making. Much that he tells Mann and Mon- 
 tagu is no doubt little more than the skimming 
 of the last Gazette ; but he had always access to 
 trustworthy information, and is seldom a dull 
 reporter, even of newspaper news. Almost the 
 next letter to that in which he dwells at length 
 upon the loss of his father, records the disaster 
 of Tournay, or Fontenoy, in which, he tells 
 Mann, Mr. Conway has highly distinguished 
 himself, magnificently engaging — as appears 
 from a subsequent communication — no less than 
 two French Grenadiers at once. His account of 
 the battle is bare enough ; but what apparently 
 interests him most is the patriotic conduct of 
 the Prince of Wales, who made a chanson on 
 the occasion, after the fashion of the Regent 
 Orleans : — 
 
 * Venez, mes cheres Deesses, 
 Venez calmer mon chagrin ; 
 Aidez, mes belles Princesses, 
 A le noyer dans le vin. 
 Poussons cette douce Ivresse 
 Jusqu'au milieu de la nuit, 
 Et n'ecoutons que la tendresse 
 D'un charmant vis-a-vis. 
 
88 Horace IValpole : 
 
 'Que m'importe que I'Europe 
 Ait un ou plusieurs tyrans ? 
 Prions seulement Calliope, 
 Qu'elle inspire nos vers, nos chants. 
 Laissons Mars et toute la gloire ; 
 Livrons nous tous a I'amour ; 
 Que Bacchus nous donne a boire; 
 A ces deux fasions [sic] la cour ' 
 
 The goddesses addressed were Lady Cathe- 
 rine Hanmer, Lady Fauconberg, and Lady 
 Middlesex, who played Congreve's Judgment 
 of Paris at Leicester House, with his Royal 
 Highness as Paris, and Prince Lobkowitz for 
 Mercury. Walpole says of the song that it 
 ' miscarried in nothing but the language, the 
 thoughts, and the poetry.' Yet he copies the 
 whole five verses, of which the above are two, 
 for Mann's delectation. 
 
 A more logical sequence to Fontenoy than 
 the lyric of Leicester House is the descent of 
 Charles Edward upon Scotland. In August 
 Walpole reports to Mann that there is a procla- 
 mation out ' for apprehending the Pretender's 
 son,' who had landed in July ; in September he 
 is marching on Edinburgh. Ten days later the 
 writer is speculating half ruefully upon the pos- 
 sibilities of being turned out of his comfortable 
 sinecures in favour of some forlorn Irish peer. 
 ' I shall wonderfully dislike being a loyal suf- 
 
A Memoir. 89 
 
 ferer in a threadbare coat, and shivering in an 
 ante-chamber at Hanover, or reduced to teach 
 Latin and English to the young princes at Co- 
 penhagen, The Dowager Strafford has already 
 written cards for my Lady Nithsdale, m.y Lady 
 Tullibardine, the Duchess of Perth and Berwick, 
 and twenty more revived peeresses, to invite 
 them to play at whisk, Monday three months ; 
 for your part, you will divert yourself with their 
 old taffeties, and tarnished slippers, and their 
 awkwardness, the first day they go to Court in 
 shifts and clean linen. Will you ever write to 
 me in my garret at Herrenhausen r " ^ Then 
 upon this come the contradictions of rumour, the 
 ' general supineness,' the raising of regiments, 
 and the disaster of Preston Pans, with its inev- 
 itable condemnation of Cope. ' I pity poor him, 
 who, with no shining abilities, and no experience, 
 and no force, was sent to ficrht for a crown ! 
 He never saw a battle but that of Dettingen, 
 where he got his red ribbon ; Churchill, whose 
 led-captain he was, and my Lord Harrington, 
 had pushed him up to this misfortune.^ We 
 
 1 IValpole to Monhis^ic, ly Sept., 1745. 
 
 2 Walpole later revised this verdict : * General Cope 
 was tried afterwards for his behaviour in this action, and 
 it appeared very clearly that the Ministry, his inferior 
 officers, and his troops, were greatly to blame ; and that 
 
Charles EdwurJ, the Pretender. 
 
IDKlVEBBIll 
 
A Memoir. 91 
 
 it quite out. Once more, on the 23rd February, 
 it flares fitfully at Falkirk, and then fades as sud- 
 denly. The battle that Walpole hourly expects, 
 not without some trepidation, for Conway is 
 one of the Duke of Cumberland's aides-de- 
 camp, is still deferred, and it is April before the 
 two armies face each other on Culloden Moor. 
 Then he writes jubilantly to his Florentine cor- 
 respondent : ' On the i6th, the Duke, by 
 forced marches, came up with the rebels a little 
 on this side Inverness, — by the way, the battle 
 is not christened yet ; I only know that neither 
 Preston Pans nor Falkirk are to be god-fathers. 
 The rebels, who had fled from him after their 
 victory [of Falkirk], and durst not attack him, 
 when so much exposed to them at his passage 
 of the Spey, now stood him, they seven thou- 
 sand, he ten. They broke through Barril's 
 res^iment and killed Lord Robert Kerr, a hand- 
 some young gentleman, who was cut to pieces 
 with about thirty wounds ; but they were soon 
 repulsed, and fled ; the whole engagement not 
 lasting above a quarter of an hour. The young 
 Pretender escaped, Mr. Conway says, he 
 hears, wounded : he certainly was in the rear. 
 They have lost above a thousand men in the 
 engagement and pursuit ; and six hundred were 
 already taken ; among which latter are their 
 
94 Horace IValpole : 
 
 but the first appearance of the prisoners shocked 
 me I their behaviour melted me.' After going 
 on to speak of Lord Kilmarnock and Lord 
 Cromartie (afterwards reprieved), he continues : 
 ' For Lord Balmerino, he is the most natural 
 brave old fellow I ever saw : the highest intre- 
 pidity, even to indifference. At the bar he 
 behaved like a soldier and a man ; in the inter- 
 vals of form, with carelessness and humour. 
 He pressed extremely to have his wife, his 
 pretty Peggy [Margaret Chalmers], with him in 
 the Tower, Lady Cromartie only sees her 
 husband through the grate, not choosing to be 
 shut up with him, as she thinks she can serve 
 him better by her intercession without : she is 
 big with child and very handsome : so are their 
 daughters. When they were to be brought from 
 the Tower in separate coaches, there was some 
 dispute in which the axe must go: old Bal- 
 merino cried, ' Come, come, put it with me.' 
 At the bar he plays with his fingers upon the 
 axe, while he talks to the gentleman-gaoler ; 
 and one day somebody coming up to listen, he 
 took the blade and held it like a fan between 
 their faces. During the trial, a little boy was 
 near him, but not tall enough to see ; he made 
 room for the child, and placed him near himself.' ^ 
 
 1 Walpole to Mann, I Aug., 1746. 
 
A Memoir. 95 
 
 Balmerino's gallant demeanour evidently fas- 
 cinated Walpole. In his next letter he relates 
 how on his way back to the Tower the sturdy 
 old dragoon had stopped the coach at Charing 
 Cross to buy some 'honey-blobs' (gooseber- 
 ries) ; and when afterwards he comes to write 
 his account of the execution, although he tells 
 the story of Kilmarnock's death with feeling, 
 the best passage is given to his companion in 
 misfortune. He describes how, on the fatal 
 1 3th August, before he left theTower, Balmerino 
 drank a bumper to King James ; how he wore 
 his rebellious regimentals (blue and red) over a 
 flannel waistcoat and his shroud ; how, embrac- 
 ing Lord Kilmarnock, he said, ' My Lord, I 
 wish I could suffer for both.' Then followed 
 the beheading of Kilmarnock; and the nar- 
 rator goes on : ' The scaffold was immediately 
 new-strewed with sawdust, the block new cov- 
 ered, the executioner new-dressed, and a new 
 axe brought. Then came old Balmerino, tread- 
 ing with the air of a general. As soon as he 
 mounted the scaffold, he read the inscription on 
 his coffin, as he did again afterwards : he then 
 surveyed the spectators, who were in amazing 
 numbers, even upon masts upon ships in the 
 river ; and pulling out his spectacles, read a 
 treasonable speech, which he delivered to the 
 
96 Horace Walpole : 
 
 Sheriff, and said, the young Pretender was so 
 sweet a Prince that flesh and blood could not 
 resist following him ; and lying down to try the 
 block, he said, ' If I had a thousand lives, I 
 would lay them all down here in the same 
 cause.' He said if he had not taken the sacra- 
 ment the day before, he would have knocked 
 down Williamson, the Lieutenant of the Tower, 
 for his ill-usage of him. He took the axe and 
 felt it, and asked the headsman how many blows 
 he had given Lord Kilmarnock ; and gave him 
 three guineas. Two clergymen, who attended 
 him, coming up, he said, ' No, gentlemen, I 
 believe you have already done me all the service 
 you can.' Then he went to the corner of the 
 scafl'old, and called very loud for the warder, to 
 give him his perriwig, which he took off, and 
 put on a night-cap of Scotch plaid, and then 
 pulled off his coat and waistcoat and lay down ; 
 but being told he was on the wrong side, vaulted 
 round, and immediately gave the sign by tossing 
 up his arm, as if he were giving the signal for 
 battle. He received three blows; but the first 
 certainly took away all sensation. He was not 
 a quarter of an hour on the scafl'old ; Lord 
 Kilmarnock above half a one. Balmerino cer- 
 tainly died with the intrepidity of a hero, but 
 the insensibility of one too. As he walked from 
 
A Memoir. 97 
 
 his prison to execution, seeing every window 
 and top of house filled with spectators, he cried 
 out, " Look, look, how they are all piled up 
 like rotten oranges.'"^ 
 
 In the old print of the execution, the scaffold 
 on Tower Hill is shown surrounded by a wide 
 square of dragoons, beyond which the crowd — 
 ' the immense display of human countenances 
 which surrounded it like a sea,' as Scott has it 
 — are visible on every side. No. 14 Tower 
 Hill is said to have been the house from which 
 the two lords were led to the block, and a trail 
 of blood along the hall and up the first flight of 
 stairs was long shown as indicating the route by 
 which the mutilated bodies were borne to await 
 interment in St. Peter's Chapel. A few months 
 later Walpole records the execution in the same 
 place of Simon Fraser. Lord Lovat, the cunning 
 old Jacobite, whose characteristic attitude and 
 
 1 Walpole to Maim, 21 August, 1746. Gray, who was 
 at the trial, also mentions Balmerino, not so enthusiasti- 
 cally. * He is an old soldier-like man, of a vulgar manner 
 and aspect, speaks the broadest Scotch, and shews an 
 intrepidity, that some ascribe to real courage, and some 
 to brandy ' {Letter to Wharton, August). ' Old Balmerino, 
 when he had read his paper to the people, pulled off his 
 spectacles, spit upon his handkerchief, and wiped them 
 clean for the use of his posterity ; and that is the last page 
 of his history' {Letter to Wharton, il Sept., 1746). 
 7 
 
98 Horace Walpole : 
 
 ' pawky ' expression live for ever in the admir- 
 able sketch which Hogarth made of him at St. 
 Albans. He died (says Walpole) ' extremely 
 well, without passion, affectation, buffoonery, 
 or timidity.' But he is not so distinguished as 
 either Kilmarnock or Balmerino, and, however 
 Roman his taking-off, the chief memorable thing 
 about it is, that it was happily the last of these 
 sanguinary scenes in this country. The only 
 other incident which it is here needful to chron- 
 icle in connection with the ' Forty Five ' is 
 Walpole's verses on the Suppression of the late 
 Rebellion. On the 4th and ^th November, the 
 anniversaries of King William's birth and land- 
 ing, it was the custom to play Rowe's Tamer- 
 lane, and this year (1746) the epilogue spoken 
 by Mrs. Pritchard ' in the Character of the 
 Comic Muse ' was from Walpole's pen. Accord- 
 ing to the writer, special terrors had threatened 
 the stage from the advent of ' Rome's young mis- 
 sionary spark,' the Chevalier, and the Tragic 
 Muse, raising, ' to eyes well-tutor'd in the trade 
 of grief,' *a small and well-lac'd handkerchief,' 
 is represented by her lighter sister as bewailing 
 the prospect to her ' buskined progeny ' after 
 this fashion : — 
 
 ' Ah ! sons, our dawn is over-cast ; and all 
 Theatric glories nodding to their fall. 
 
A Memoir. 99 
 
 From foreign realms a bloody chief is come, 
 
 Big with the work of slav'ry and of Rome. 
 
 A general ruin on his sword he wears, 
 
 Fatal alike to audience and to play'rs. 
 
 For ah ! my sons, what freedom for the stage 
 
 When bigotry with sense shall battle wage? 
 
 When monkish laureats only wear the bays, 
 
 Inquisitors lord chamberlains of plays ? 
 
 Plays shall be damn'd that 'scap'd the critic's rage. 
 
 For priests are still worse tyrants to the stage. 
 
 Cato, receiv'd by audiences so gracious, 
 
 Shall find ten Caesars in one St. Ignatius, 
 
 And god-like Brutus here shall meet again 
 
 His evil genius in a capuchin. 
 
 For heresy the fav'rites of the pit 
 
 Must burn, and excommunicated wit ; 
 
 And at one stake, we shall behold expire 
 
 My Anna Bullen, and the Spanish Fryar.' ^ 
 
 After this the epilogue digresses into a com- 
 parison of the Duke of Cumberland with King 
 William. Virgil, Juvenal, Addison. Dryden, 
 and Pope, upon one of whose lines on Gibber 
 Walpole bases his reference to the Lord Cham- 
 berlain, are all laid under contribution in this 
 performance. It ' succeeded to flatter me,' he 
 tells Mann a few days later, — a Gallicism from 
 which we must infer an enthusiastic reception. 
 
 Walpole's personal and domestic history does 
 not present much interest at this period. His 
 
 1 Walpole's Works, 179S, i. 25-7. 
 
100 Horace Walpole : 
 
 sister Mary (Catherine Shorter's daughter), who 
 had married the third Earl of Cholmondeley, 
 had died long before her mother. In February, 
 1746, his half-sister, Lady Mary, his playmate 
 at comet in the Houghton days, married Mr. 
 Churchill, — ' a foolish match,' in Horace's 
 opinion, to which he will have nothing to say. 
 With his second brother, Sir Edward Walpole, 
 he seems to have had but little intercourse, and 
 that scarcely of a fraternal character. In 18^7, 
 Cunningham published for the first time a very 
 angry letter from Edward to his junior, in which 
 the latter was bitterly reproached for his inter- 
 ference in disposing of the family borough of 
 Castle Rising, and (incidentally) for his assump- 
 tion of superiority, mental and otherwise. To 
 this communication Walpole prepared a most 
 caustic and categorical answer, which, how- 
 ever, he never sent. For his nieces, Edward 
 Walpole's natural daughters, of whom it will be 
 more convenient to speak later, Horace seems 
 always to have felt a sincere regard. But 
 although his brother had tastes which must have 
 been akin to his own, for Edward Walpole was 
 in his way an art patron (Roubillac the sculptor, 
 for instance, was much indebted to him) and a 
 respectable musician, no real cordiality ever 
 existed between them. ' There is nothing in 
 
A Memoir. loi 
 
 the world' — he tells Montagu in May, 1745 — 
 ' the Baron of Englefield has such an aversion 
 for as for his brother.'^ 
 
 For his eldest brother's wife, the Lady 
 Walpole who had formed one of the learned 
 trio at Florence, he entertained no kind of 
 respect, and his letters are full of flouts at her 
 Ladyship's manners and morality. Indeed, 
 between priciosiU and ' Platonic love,' her 
 life does not appear to have been a particularly 
 worshipful one, and her long sojourn under 
 Italian skies had not improved her. At present 
 she was Lady Orford, her husband, who is sel- 
 dom mentioned, and from whom she had been 
 living apart, having succeeded to the title at his 
 father's death. From Walpole's letters to Mann, 
 it seems that in April, 1745, she was, much to 
 the dismay of her relatives, already preening 
 her wings for England. In September, she has 
 arrived, and Walpole is maliciously delighted at 
 the cold welcome she obtains from the Court 
 and from society in general, with the exception 
 of her old colleague, Lady Pomfret, and that 
 in one sense congenial spirit. Lady Townshend. 
 Later on, a definite separation from her hus- 
 
 1 Englefield, /. e. Englefield Green, in Berkshire, on the 
 summit of Cooper's Hill, near Windsor, where Edward 
 Walpole lived. 
 
1 02 Horace Walpole : 
 
 band appears to have been agreed upon, which 
 Walpole fondly hopes may have the effect of 
 bringing about her departure for Italy. -The 
 Ladies 0[rford] and T[ovvnshend] ' — he says 
 — ' have exhausted scandal both in their per- 
 sons and conversations.' However much this 
 may be exaggerated (and Walpole never spares 
 his antipathies), the last we hear of Lady 
 Orford is certainly on his side, for she has 
 retired from town to a villa near Richmond with 
 a lover for whom she has postponed that 
 southward flight which her family so ardently 
 desired. This fortunate Endymion, the Hon. 
 Sewallis Shirley, son of Robert, first Earl 
 Ferrers, had already been one of the most 
 favoured lovers of the notorious ' lady of quality ' 
 whose memoirs were afterwards foisted into 
 Peregrine Pickle. To Lady Vane now suc- 
 ceeded Lady Orford, as eminent for wealth — 
 says sarcastic Lady Mary Wortley Montagu — as 
 her predecessor had been for beauty, and equal 
 in her ' heroic contempt for shame.' This new 
 connection was destined to endure. It was in 
 September, 1746, that Walpole chronicled his 
 sister-in-law's latest frailty, and in May, 17^1, 
 only a few weeks after her husband's death, ^ 
 
 1 Robert Walpole, second Earl of Orford, Horace 
 Walpole's eldest brother, died in March, 1751. 
 
A Memoir. 103 
 
 she married Shirley at the Rev. Alexander 
 Keith's convenient * little chapel in May Fair.' 
 
 In 1744, died Alexander Pope, to be fol- 
 lowed a year later by the great Dean of St. 
 Patrick's. Neither of these events leaves any 
 lasting mark in Walpole's correspondence, — 
 indeed of Swift's death there is no mention at 
 all. A nearer bereavement was the premature 
 loss of West, which had taken place two years 
 before, closing sorrowfully with faint accom- 
 plishment a life of promise. YaU, et pipe paulis- 
 per cum vivis, — he had written a few days earlier 
 to Gray, — his friend to the last. With Gray, 
 Walpole's friendship, as will be seen presently, 
 had been resumed. His own literary essays 
 still lie chiefly in the domain of squib and jeii 
 d^ esprit. In April, 1746, over the appropriate 
 signature of ' Descartes,' he printed in No. 1 1, of 
 The Museum a ' Scheme for Raising a Large Sum 
 of Money for the Use of the Government, 
 by laying a tax on Message-Cards and Notes,' 
 and in No. V. a pretended Advertisement and 
 Table of Contents for a Hlslory of Good Breed- 
 ing, from the Creation of the World, by the 
 Author of the Whole Duty of Man. The wit 
 of this is a little laboured, and scarcely goes 
 beyond the announcement that ' The Eight last 
 Volumes, which relate to German/, may be had 
 
104 Horace IValpole : 
 
 separate ; ' nor does that of the other exceed a 
 mild reflection of Fielding's manner in some of 
 his minor pieces. Among other things, we 
 gather that it was the custom of the fine ladies 
 of the day to send open messages on blank play- 
 ing-cards ; and it is stated as a fact or a fancy 
 that ' after the fatal day of Fontenoy,' persons 
 of quality ' all wrote their notes on Indian paper, 
 which, being red, when inscribed with Japan ink 
 made a melancholy military kind of elegy on the 
 brave youths who occasioned the fashion, and 
 were often the honourable subject of the epistle.' 
 The only remaining effort of any importance at 
 this time is the little poem of The Beauties, 
 somewhat recalling Gay's Prologue to the 
 Shepherd's Week, and written in July, 1746^ to 
 Eckardt the painter. Here is a specimen : — 
 
 In smiling Capel's bounteous look 
 Rich autumn's goddess is mistook. 
 With poppies and with spiky corn, 
 Eckardt, her nut-brown curls adorn ; 
 And by her side, in decent line, 
 Place charming Berkeley, Proserpine. 
 Mild as a summer sea, serene, 
 In dimpled beauty next be seen 
 Aylesb'ry, like hoary Neptune's queen. 
 
 With her the light-dispensing fair, 
 Whose beauty gilds the morning air, 
 
A Memoir. 105 
 
 And bright as her attendant sun, 
 
 The new Aurora, Lyttelton. 
 
 Such Guide's pencil, beauty-tip'd, 
 
 And in ethereal colours dip'd, 
 
 In measur'd dance to tuneful song 
 
 Drew the sweet goddess, as along 
 
 Heaven's azure ' neath their light feet spread, 
 
 The buxom hours the fairest led.' ^ 
 
 ' Charming Berkeley,' here mentioned, after- 
 wards became the third wife of Goldsmith's 
 friend, Earl Nugent, and the mother of the little 
 girl who played tricks upon the author of She 
 Sloops to Conquer at her father's country seat 
 of Gosfield ; ' AylesbVy, like hoary Neptune's 
 queen,' married Walpole's friend, Conway, and 
 ' the new Aurora, Lyttelton,' was that engaging 
 Lucy Fortescue upon whose death in 1747 her 
 husband wrote the monody so pitilessly parodied 
 by Smollett.^ Lady Almeria Carpenter, Lady 
 Emily Lenox, Miss Chudleigh (afterwards the 
 notorious Duchess of Kingston), and many 
 other well-known names, quos nunc perscribere 
 longum est, are also celebrated. 
 
 1 Walpole's IVorks, 1798, i. 21-2. 
 
 2 Writing to Wal})ole in March, 1751, Gray says: ' Tn 
 the last volume [of Peregrine Fickle] is a character of Mr. 
 Lyttleton [sic], under the name of " Gosling Scrag," and a 
 parody of part of his Monody, under the notion of a Pas- 
 toral on the death of his grandmother ' ( Works by Gosse, 
 1884, ii- 214). 
 
io6 Horace JValpole : 
 
 In August, 1746, Walpole announces to Mann 
 that he has taken a pretty house within the pre- 
 cincts of the castle at Windsor, to which he is 
 going for the remainder of the summer. In 
 September he has entered upon residence, for 
 Gray tells Wharton that he sees him ' usually 
 once a week/ ' All is mighty free, and even 
 friendly more than one could expect,' — and 
 one of the first things posted off to Conway, is 
 Gray's Ode on a Distant Prospect of Eton Col- 
 lege, which the sender desires he ' will please 
 to like excessively.' He is drawn from his 
 retreat by the arrival of a young Florentine 
 friend, the Marquis Rinuncini, to whom he has 
 to do the London honours. ' I stayed literally 
 an entire week with him, carried him to see 
 palaces and Richmond gardens and park, and 
 Chenevix's shop, and talked a great deal to him 
 alle conuersa^ioni^ ' Chenevix's shop ' suggests 
 the main subject of the next chapter, — the pur- 
 chase and occupation of Strawberry Hill. 
 
 ^ lValJ>ole to Mann, 1 5 Sept., 1 746. 
 
A Memoir, 107 
 
 CHAPTER V. 
 
 The New House at Twickenham. — Its First Tenants. — Chris- 
 tened ' Strawberry Hill.' — Planting and Embellishing. — 
 Fresh Additions. — Walpole's Description of it in 1753. — 
 Visitors and Admirers. — Lord Bath's Verses. — Some Rival 
 Mansions. — Minor Literature. — Robbed by James Maclean. 
 — Sequel from The World. — The Maclean Mania. — High 
 Life at Vauxhall. — Contributions to The World. — 
 Theodore of Corsica. — Reconciliation with Gray. — Stimu- 
 lates his Works. — The Po'eviata-Grayo-Bentleiana. — 
 Richard Bentley. — Miintz the Artist. — Dwellers at Twick- 
 enham. — Lady Suffolk and Mrs. Clive. 
 
 r\^ the )th of June, 1747, Walpole announces 
 ^-^ to Mann that he has taken a little new 
 farm, just out of Twickenham. ' The house is 
 so small that I can send it to you in a letter to 
 look at : the prospect is as delightful as possible, 
 commanding the river, the town [Twickenham], 
 and Richmond Park ; and, being situated on a 
 hill, descends to the Thames through two or 
 three little meadows, where I have some Turkish 
 sheep and two cows, all studied in their colours 
 for becoming the view. This little rural h\]Oii 
 was Mrs. Chenevix's, the toy woman d la mode,^ 
 
 1 She was the sister of Pope's Mrs. Bertrand, an equally 
 fashionable toy-woman at Bath. Her shop, according to 
 
io8 Horace Walpole : 
 
 who in every dry season is to furnish me with 
 the best rain water from Paris, and now and 
 then with some Dresden-china cows, who are 
 to figure like wooden classics in a library ; so I 
 shall grow as much a shepherd as any swain in 
 the Astraea.' Three days later, further details 
 are added in a letter to Conway, then in 
 Flanders with the Duke of Cumberland : 
 ' You perceive by my date [Twickenham, 8 
 June] that I am got into a new camp, and have 
 left my tub at Windsor. It is a little play-thing- 
 house, that I got out of Mrs. Chenevix's shop, 
 and is the prettiest bauble you ever saw. It is 
 set in enamelled meadows, with filagree hedges : 
 
 *" A small Euphrates through the piece is roll'd, 
 And little finches wave their wings in gold." '^ 
 
 an advertisement in the Daily Journal for May 24, 1733, 
 was then 'against Suffolk Street, Charing Cross' It is 
 mentioned in Fielding's Amelia. When, in Bk. viii , ch. i., 
 Mr. Bondum the bailiff contrives to capture Captain 
 Booth, it is by a false report that his Lady has been ' taken 
 violently ill, and carried into Mrs. C/ieiu"i<ix's Toy-shop.' 
 It is also mentioned in the Hon. Mrs. Osborne's Litters, 
 1891, p. 73; and again by Walpole himself in the World 
 for 19 Dec, 1754. 
 
 1 This is slightly varied from 11. 29, 30, of Pope's fifth 
 Moral Essay ('To Mr. Addison : Occasioned by his Dia- 
 logues on Medals '). 
 
A Memoir. 109 
 
 'Two delightful roads, that you would call 
 dusty, supply me continually with coaches and 
 chaises ; barges as solemn as Barons of the 
 Exchequer move under my window ; Richmond 
 Hill and Ham Walks bound my prospect ; . . . 
 Dowagers as plenty as flounders inhabit all 
 around, and Pope's ghost is just now skimming 
 under my w^indow by a most poetical moon- 
 light. ! have about land enough to keep such 
 a farm as Noah's, when he set up in the ark 
 with a pair of each kind ; but my cottage is 
 rather cleaner than I believe his was after they 
 had been cooped up together forty days. The 
 Chenevixes had tricked it out for themselves : 
 up two pair of stairs is what they call Mr. 
 Chenevix's library, furnished with three maps, 
 one shelf, a bust of Sir Isaac Newton, and a 
 lame telescope without any glasses. Lord John 
 Sackville prcdcccssed me here, and instituted 
 certain games called crickctalia, which have 
 been celebrated this very evening in honour of 
 him in a neighbouring meadow.' ^ 
 
 The house thus whimsically described, which 
 grew into the Gothic structure afterwards so 
 closely associated with its owner's name, was 
 not, even at this date, without its history. It 
 stood on the left bank of the Thames, at the 
 
 1 WaIf>ole to Conway, 8 June, 1747. 
 
no Horace JValpole : 
 
 corner of the Upper Road to Teddington, not 
 very far from Twickenham itself. It had been 
 built about 1698 as a 'country box' by a 
 retired coachman of the Earl of Bradford, and, 
 from the fact that he was supposed to have 
 acquired his means by starving his master's 
 horses, was known popularly as Chopped-Straw 
 Hall. Its earliest possessor not long after- 
 wards let it out as a lodging-house, and finally, 
 after several improvements, sub-let it altogether. 
 One of its first tenants was Colley Gibber, who 
 found it convenient when he was in attendance 
 for acting at Hampton Court ; and he is said 
 to have written in it the comedy called The 
 Refusal; or, the Ladies' Philosophy, produced 
 at Drury Lane in 1721. Then, for eight years, 
 it was rented by the Bishop of Durham, Dr. 
 Talbot, who was reported to have kept in it a 
 better table than the extent of its kitchen 
 seemed, in Walpole's judgment, to justify. After 
 the Bishop came a Marquis, Henry Bridges, 
 son of the Duke of Chandos ; after the Mar- 
 quis, Mrs. Chenevix, the toy-woman, who, upon 
 her husband's death, let it for two years to the 
 nobleman who predecessed Walpole, Lord John 
 Philip Sackville. Before this, Mrs. Chenevix 
 had taken lodgers, one of whom was the cele- 
 brated theologian, Pcre Le Courrayer. At the 
 
A Memoir. 1 1 1 
 
 expiration of Lord John Sackville's tenancy, 
 Walpole took the remainder of Mrs. Chenevix's 
 lease ; and in 1748 had grown to like the situa- 
 tion so much that he obtained a special act to 
 purchase the fee simple from the existing pos- 
 sessors, three m.inors of the name of Mortimer. 
 The price he paid was £\}S^ 105. Nothing 
 was then wanting but the name, and in looking 
 over some old deeds this was supplied. He 
 found that the ground on which it stood had 
 been known originally as * Strawberry-Hill-Shot.' 
 ' You shall hear from me,' he tells Mann in 
 June, 1748, 'from Strawberry Hill, which I 
 have found out in my lease is the old name of 
 my house ; so pray, never call it Twickenham 
 again.' 
 
 The transformation of the toy-woman's ' villa- 
 kin' into a Gothic residence was not, however, 
 the operation of a day. Indeed, at tirst, the 
 idea of rebuilding does not seem to have 
 entered its new owner's mind. But he speedily 
 set about extending his boundaries, for before 
 26 December, 1748, he has added nine acres to 
 his original five, making fourteen in all, — a ' ter- 
 ritory prodigious in a situation where land is so 
 scarce.' Among the tenants of some of the 
 buildings which he acquired in making these 
 additions was Richard Francklin, the printer 
 
112 Horace Walpole : 
 
 of the Craftsman, who^ during Sir Robert 
 Walpole's administration, had been taken up 
 for printing that paper. He occupied a small 
 house in what was afterwards known as the 
 Flower Garden, and Walpole permitted him to 
 retain it during his lifetime. Walpole's letters 
 towards the close of 1748 contain numerous 
 references to his assiduity in planting. * My 
 present and sole occupation,' he says in August, 
 'is planting, in which I have made great 
 progress, and talk very learnedly with the 
 nurserymen, except that now and then a lettuce 
 run to seed overturns all my botany, as I have 
 more than once taken it for a curious West 
 Indian flowering shrub. Then the deliberation 
 with which trees grow is extremely inconve- 
 nient to my natural impatience.' Two months 
 later he is ' all plantation, and sprouts away like 
 any chaste nymph in the Metamorphosis.' In 
 December, we begin to hear of that famous 
 lawn so well known in the later history of the 
 house. He is ' making a terrace the whole 
 breadth of his garden on the brow of a natural 
 hill, with meadows at the foot, and commanding 
 the river, the village [Twickenham], Richmond- 
 hill, and the park, and part of Kingston.' A 
 year after this (September, 1749), while he is 
 still ' digging and planting till it is dark,' come 
 
A Memoir. 113 
 
 the first dreams of building. At Cheney's, in 
 Buckinghamshire, he has seen some old stained 
 glass, in the windows of an ancient house which 
 had been degraded into a farm, and he thinks 
 he will beg it of the Duke of Bedford (to 
 whom the farm belongs), as it would be ' mag- 
 nificent for Strawberry-castle/ Evidently he 
 has discussed this (as yet) chateau en Espagne 
 with Montagu. ' Did I tell you [he says] that 
 I have found a text in Deuteronomy to authorise 
 my future battlements ? " When thou buildest 
 a new house, then shalt thou make a battlement 
 for thy roof, that thou bring not blood upon thy 
 house, if any man fall from thence." ' In Jan- 
 uary, the new building is an established fact, as 
 far as purpose is concerned. In a postscript to 
 Mann he writes : ' I must trouble you with a 
 commission, which I don't know whether you 
 can execute. / am going to build a little gothic 
 castle at Straivberry Hill. If you can pick me 
 up any fragments of old painted glass, arms, or 
 anything, I shall be excessively obliged to you. 
 I can't say I remember any such things in Italy ; 
 but out of old chateaus, I imagine, one might 
 get it cheap, if there is any.' 
 
 From a subsequent letter it would seem that 
 Mann, as a resident in Italy, had rather expos- 
 tulated against the style of architecture which 
 
114 Horace IValpole : 
 
 his friend was about to adopt, and had sug- 
 gested the Grecian. But Walpole, rightly 
 or wrongly, knew what he intended. ' The 
 Grecian,' he said, was ' only proper for magni- 
 ficent and public buildings. Columns and all 
 their beautiful ornaments look ridiculous when 
 crowded into a closet or a cheesecake-house. 
 The variety is little, and admits no charming 
 irregularities. I am almost as fond of the 
 Sharawaggi, or Chinese want of symmetry, in 
 buildings, as in grounds or gardens. I am sure, 
 whenever you come to England, you will be 
 pleased with the liberty of taste into which we 
 are struck, and of which you can have no idea.' 
 The passage shows that he himself anticipated 
 some of the ridicule which was levelled by un- 
 sympathetic people at the ' oyster-grotto-like 
 profanation ' which he gradually erected by the 
 Thames. In the mean time it went on pro- 
 gressing slowly, as its progress was entirely 
 dependent on his savings out of income ; and the 
 references to it in his letters, perhaps because 
 Mann was doubtful, are not abundant. ' The 
 library and refectory, or great parlour,' he says 
 in his description, ' were entirely new built in 
 17^3 ; the gallery, round tower, great cloyster. 
 and cabinet, in 1760 and 1761 ; and the great 
 north bedchamber in 1770.' To speak of these 
 
A Memoir, 115 
 
 later alterations would be to anticipate too 
 much, and the further description of Strawberry 
 Hill will be best deferred until his own account 
 of the house and contents was printed in 1774, 
 four years after the last addition above recorded. 
 But even before he made the earliest of them, 
 he must have done much to alter and improve 
 the aspect of the place, for Gray, more admir- 
 ing than Mann, praises what has been done. 
 ' I am glad,' he tells Wharton, ' that you enter 
 into the spirit of Strawberry-castle. It has a 
 purity and propriety of Gothicism in it (with 
 very few exceptions) that I have not seen else- 
 where ; ' and in an earlier letter he implies that 
 its * extreme littleness' is its chief defect. But 
 here, before for the moment leaving the subject, 
 it is only fair to give the proprietor's own 
 description of Strawberry Hill at this date, i. c, 
 in June, 17)3- After telling Mann that it is 
 'so monastic' that he has 'a little hall decked 
 with long saints in lean arched windows and 
 with taper columns, which we call the Para- 
 clete, in memory of Eloisa's cloister," ^ he sends 
 
 1 In the Tribune (see chap, viii.) was a drawing by 
 Mr. Bentley, representing two lovers in a church looking 
 at the tombs of Abelard and Eloisa, and illustrating Pope's 
 lines : — 
 
 ' If ever chance two wand' ring lovers brings 
 To Paraclete's white walls and silver springs,' etc. 
 
ii6 Horace Walpole : 
 
 him a sketch of it, and goes on : ' The enclosed 
 enchanted little landscape, then, is Strawberry 
 Hill. . . . This view of the castle is what I 
 have just finished [it was a view of the south 
 side, towards the north-east], and is the only 
 side that will be at all regular. Directly before 
 it is an open grove, through which you see a 
 field, which is bounded by a serpentine wood 
 of all kind of trees, and flowering shrubs, and 
 flowers. The lawn before the house is sit- 
 uated on the top of a small hill, from whence to 
 the left you see the town and church of Twick- 
 enham encircling a turn of the river, that looks 
 exactly like a sea-port in miniature. The oppo- 
 site shore is a most delicious meadow, bounded 
 by Richmond Hill, which loses itself in the 
 noble woods of the park to the end of the pros- 
 pect on the right, where is another turn of the 
 river, and the suburbs of Kingston as luckily 
 placed as Twickenham is on the left : and a 
 natural terrace on the brow of my hill, with 
 meadows of my own down to the river, com- 
 mands both extremities. Is not this a tolerable 
 prospect } You must figure that all this is per- 
 petually enlivened by a navigation of boats and 
 barges, and by a road below my terrace, with 
 coaches, post-chaises, waggons, and horsemen 
 constantly in motion, and the fields speckled 
 
A Memoir. 1 1 7 
 
 with cows, horses, and sheep. Now you shall 
 walk into the house. The bow window below 
 leads into a little parlour hung with a stone- 
 colour Gothic paper and Jackson's Venetian 
 prints/ which I could never endure while they 
 pretended, infamous as they are, to be after 
 Titian, etc., but when I gave them this air of 
 barbarous bas-reliefs^ they succeeded to a mira- 
 cle : it is impossible at first sight not to conclude 
 that they contain the history of Attila or Tottila 
 done about the very sera. From hence, under 
 two gloomy arches, you come to the hall and 
 staircase, which it is impossible to describe to 
 you, as it is the most particular and chief beauty 
 of the castle. Imagine the walls covered with 
 (I call it paper, but it is really paper painted in 
 perspective to represent) Gothic fretwork : the 
 lightest Gothic balustrade to the staircase, 
 adorned with antelopes (our supporters) bearing 
 shields ; lean windows fattened with rich saints 
 in painted glass, and a vestibule open with three 
 arches on the landing place, and niches full of 
 trophies of old coats of mail, Indian shields made 
 of rhinoceros's hides, broadswords, quivers, long- 
 
 1 The chiaroscuros of John Baptist Jackson, published 
 at Venice in 1742. At this date he had returned to Eng- 
 land, and was working in a paper-hanging manufactory 
 at Battersea. 
 
1 1 8 Horace IValpole : 
 
 bows, arrows, and spears, — all supposed to be 
 taken by Sir Terry Robsart [an ancestor of Sir 
 Robert Walpole] in the holy wars. But as none 
 of this regards the enclosed drawing, I will pass 
 to that. The room on the ground floor nearest 
 to you is a bedchamber, hung with yellow paper 
 and prints, framed in a new manner, invented by 
 Lord Cardigan ; that is, with black and white 
 borders printed. Over this is Mr. Chute's bed- 
 chamber, hung with red in the same manner. 
 The bow-window room one pair of stairs is not 
 yet finished ; but in the tower beyond it is the 
 charming closet where I am now writing to you. 
 It is hung with green paper and water-colour 
 pictures ; has two windows : the one in the 
 drawing looks to the garden, the other to the 
 beautiful prospect ; and the top of each glutted 
 with the richest painted glass of the arms of 
 England, crimson roses, and twenty other pieces 
 of green, purple, and historic bits. I must tell 
 you, by the way, that the castle, when finished, 
 will have two-and-thirty windows enriched with 
 painted glass. In this closet, which is Mr. 
 Chute's College of Arms, are two presses 
 of books of heraldry and antiquities, Madame 
 S^vignd's Letters, and any French books that 
 relate to her and her acquaintance. Out of this 
 closet is the room where we always live, hung 
 
A Memoir. 119 
 
 with a blue and white paper in stripes adorned 
 with festoons, and a thousand plump chairs, 
 couches, and luxurious settees covered with 
 linen of the same pattern, and with a bow 
 window commanding the prospect, and gloomed 
 with limes that shade half each window, already 
 darkened with painted glass in chiaroscuro, set 
 in deep blue glass. Under this room is a cool 
 little hall, where we generally dine, hung with 
 paper to imitate Dutch tiles. 
 
 ' I have described so much that you will begin 
 to think that all the accounts I used to give 
 you of the diminutiveness of our habitation 
 were fabulous ; but it is really incredible how 
 small most of the rooms are. The only two 
 good chambers I shall have are not yet built : 
 they will be an eating-room and a library, each 
 twenty by thirty, and the latter fifteen feet 
 high. For the rest of the house, I could send 
 it to you in this letter as easily as the drawing, 
 only that I should have nowhere to live until 
 the return of the post. The Chinese summer- 
 house, which you may distinguish in the distant 
 landscape, belongs to my Lord Radnor.^ We 
 
 1 Lord Radnor's fantastic house on the river, which 
 Walpole nicknamed Mabland, came between Strawberry 
 Hill and Pope's Villa, and is a conspicuous object in old 
 views of Twickenham, notably in that, dated 1757, by 
 
1 20 Horace Walpole : 
 
 pique ourselves upon nothing but simplicity, 
 and have no carvings, gildings, paintings, inlay- 
 ings, or tawdry businesses/^ 
 
 From this it will appear that in June, 17^3, 
 the library and refectory were not yet built, so 
 that when he says, in the printed description, 
 that they were new built in 17) 3, he must mean 
 no more than that they had been begun. In 
 a later letter, of May, 1754, they were still 
 unfinished. Meanwhile the house is gradually 
 attracting more and more attention. George 
 Montagu comes, and is ' in raptures and screams, 
 and hoops, and hollas, and dances, and crosses 
 himself a thousand times over.' The next visi- 
 tor is ' Nolkejumskoi,' — otherwise the Duke 
 of Cumberland, — who inspects it much after the 
 fashion of a gracious Gulliver surveying a castle 
 in Lilliput. Afterwards, attracted by the reports 
 of Lady Hervey and Mr. Bristow (brother of 
 the Countess of Buckingham), arrives my Lord 
 Bath, who is stirred into celebrating it to the 
 tune of a song of Bubb Dodington on Mrs. 
 Strawbridge. His Lordship does not seem to 
 have got further than two stanzas ; but Walpole, 
 
 MUntz, a Jersey artist for some time domiciled at Straw- 
 berry Hill (see p. 138). It was in the garden of Radnor 
 House that Pope first met Warburton. 
 1 IValfole to Mann, 12 June, 1753. 
 
A Memoir. 121 
 
 not to leave so complimentary a tribute in the 
 depressed condition of a fragment, discreetly 
 revised and completed it himself. The lines 
 may fairly find a place here as an example of 
 his lighter muse. The first and third verses are 
 Lord Bath's, the rest being obviously written 
 in order to bring in ' Nolkejumskoi ' and some 
 personal friends : — 
 
 * Some cry up Gunnersbury, 
 
 P'or Sion some declare ; 
 And some say that with Chiswick-house 
 
 No villa can compare : 
 But ask the beaux of Middlesex, 
 
 Who know the county well, 
 If Strawb'ry-hill, if Strawb'ry-hill 
 
 Don't bear away the bell ? 
 
 'Some love to roll down Greenwich-hill 
 
 For this thing and for that ; 
 And some prefer sweet Marble-hill, 
 
 Tho' sure 't is somewhat flat : 
 Yet Marble-hill and Greenwich hill, 
 
 If Kitty Clive can tell. 
 From Strawb'ry-hill, from Strawb'ry-hill 
 
 Will never bear the bell. 
 
 'Tho' Surrey boasts its Oatlands, 
 
 And Clermont kept so jim. 
 And some prefer sweet Southcote's, 
 
 'T is but a dainty whim ; 
 For ask the gallant Bristow, 
 
 Who does in taste excell, 
 
122 Horace Walpole : 
 
 If Strawb'ry-hill, if Strawb'ry-hill 
 Don't bear away the bell 
 
 * Since Denham sung of Cooper's, 
 
 There 's scarce a hill around, 
 But what in song or ditty 
 
 Is turn'd to fairy-ground, — 
 Ah, peace be with their memories I 
 
 I wish them wond'rous well ; 
 But Strawb'ry-hill, but Strawb'ry-hill 
 
 Must bear away the bell. 
 
 'Great William dwells at Windsor, 
 
 As Edward did of old ; 
 And many a Gaul and many a Scot 
 
 Have found him full as bold. 
 On lofty hills like Windsor 
 
 Such heroes ought to dwell ; 
 Yet little folks like Strawb'ry-hill, 
 
 Like Strawb'ry-hill as well.'^ 
 
 Cumberland Lodge, where, say the old guide- 
 books, the hero of Culloden ' reposed after 
 victory,' still stands on the hill at the end of 
 the Long Walk at Windsor ; and at ^Gunners- 
 bury' lived the Princess Amelia. All the other 
 houses referred to are in existence. ' Sweet 
 Marble-hill,' which, like Strawberry, was but 
 recently put up for sale, had at this date for 
 mistress the Countess Dowager of Suffolk (Mrs. 
 
 1 The version here followed is that given in A Descrip- 
 tion of the Villa, etc., 1774, pp. 117-19- 
 
Mrs. Howard, Countess of Suffolk. 
 
UKIVEBBlTt ) 
 
A Memoir. 123 
 
 Howard), for whom it had been built by her 
 royal lover, George II. ; and Chiswick House, 
 (now the Marquis of Bute's), that famous 
 structure of Kent which Lord Hervey said was 
 ' too small to inhabit, and too large to hang to 
 one's watch,' was the residence of Richard, 
 Earl of Burlington. Claremont ' kept so jim ' 
 [neat], was the seat of the Duke of Newcastle 
 at Esher ; Oatlands, near Weybridge, belonged 
 to the Duke of York, and Sion House, on the 
 Thames, to the Duke of Northumberland. 
 Walpole and his friends, it will be perceived, 
 did not shrink from comparing small things with 
 great. But perhaps the most notable circum- 
 stance about this glorification of Strawberry is 
 that It should have originated with its reputed 
 author. ^ Can there be,' says Walpole, 'an odder 
 revolution of things, than that the printer of 
 the Craftsman should live in a house of mine, 
 and that the author of the Craftsman should 
 write a panegyric on a house of mine ? ' The 
 printer was Richard Francklin, already men- 
 tioned as his tenant ; and Lord Bath, if not the 
 actual, was at least the putative, writer of most 
 of the Crafismans attacks upon Sir Robert 
 Walpole. It is possible, however, that, as 
 with the poem, part only of this honour really 
 belonged to him. 
 
124 Horace IValpole: 
 
 Strawberry Hill and its improvements have, 
 however, carried us far from the date at which 
 this chapter begins, and we must return to 
 1747. Happily the life of Walpole, though 
 voluminously chronicled in his correspondence, 
 is not so crowded with personal incident as to 
 make a space of six years a serious matter to 
 recover, especially when tested by the brief 
 but still very detailed record in the Shorl Notes 
 of what he held to be its conspicuous occur- 
 rences. In 1747-49 his zeal for his father's 
 memory involved him in a good deal of party 
 pamphleteering, and in 1749, he had what he 
 styles ' a remarkable quarrel ' with the Speaker, 
 of which one may say that, in these days, it 
 would scarcely deserve its qualifying epithet, 
 although it produced more paper war. ' These 
 things [he says himself] were only excusable by 
 the lengths to which party had been carried 
 against my father ; or rather, were not excus- 
 able even then.' For this reason it is needless 
 to dwell upon them here, as well as upon cer- 
 tain other papers in The Remembrancer for 
 1749, and a tract called Delenda est Oxonia, 
 prompted by a heinous scheme, which was med- 
 itated by the Ministry, of attacking the liberties 
 of that University by vesting in the Crown the 
 nomination of the Chancellor. This piece [he 
 
A Memoir, 125 
 
 says], which I think one of my best, was seized 
 at the printer's and suppressed/ Then in No- 
 vember, 1749, comes something like a really 
 ' moving incident,' — he is robbed in Hyde 
 Park. He was returning by moonlight to 
 Arlington Street from Lord Holland's, when his 
 coach was stopped by two of the most notorious 
 of 'Diana's foresters,* — Plunket and James 
 Maclean ; and the adventure had all but a tragic 
 termination. Maclean's pistol went off by ac- 
 cident, sending a bullet so nearly through 
 Walpole's head that it grazed the skin under 
 his eye, stunned him, and passed through the 
 roof of the chariot. His correspondence con- 
 tains no more than a passing reference to this 
 narrow escape, — probably because it was amply 
 reported (and expanded) in the public prints. 
 But in a paper which he contributed to the 
 Worli a year or two later, under guise of 
 relating what had happened to one of his 
 acquaintance, he reverts to this experience. 
 ' The whole affair [he says] was conducted with 
 the greatest good-breeding on both sides. The 
 robber, w^ho had only taken a purse ihh ivay, 
 because he had that morning been disappointed 
 of marrying a great fortune, no sooner returned 
 to his lodgings, than he sent the gentleman 
 [i. e., Walpole himself] two letters of excuses, 
 
126 Horace Walpole : 
 
 which, with less wit than the epistles of Voiture, 
 had ten times more natural and easy politeness in 
 the turn of their expression. In the postscript, 
 he appointed a meeting at Tyburn at twelve 
 at night, where the gentleman might purchase 
 again any trifles he had lost ; and my friend has 
 been blamed for not accepting the rendezvous, 
 as it seemed liable to be construed by ill-natured 
 people into a doubt of the honour of a man 
 who had given him all the satisfaction in his 
 power for having unluckilf been near shooting 
 him through the head.'^ 
 
 The 'fashionable highwayman' (as Mr. 
 Maclean was called) was taken soon after- 
 wards, and hanged. ' I am honourably men- 
 tioned in a Grub-street ballad [says Walpole] 
 for not having contributed to his sentence ; ' and 
 he goes on to say that there are as many prints 
 and pamphlets about him as about that other 
 sensation of 17^0, the earthquake. Maclean 
 seems nevertheless to have been rather a pinch- 
 beck Macheath ; but for the moment, in default 
 of larger lions, he was the rage. After his con- 
 demnation, several thousand people visited him 
 in his cell at Newgate where he is stated to 
 have fainted twice from the heat and pressure 
 of the crowd. And his visitors were not all 
 1 World, 19 Dec, 1754 {Works, 1798, i. 177-8). 
 
A Memoir. 127 
 
 men. In a note to Thz Modern Fine Lady, 
 Soame Jenyns says that some of the brightest 
 eyes were in tears for him ; and Walpole him- 
 self tells us that he excited the warmest com- 
 miseration in two distinguished beauties of the 
 day, Lady Caroline Petersham and Miss Ashe.^ 
 
 Miss Ashe, of whom we are told mysteriously 
 by the commentators that she ' was said to 
 hare been of very high parentage/ and Lady 
 Caroline Petersham, a daughter of the Duke 
 of Grafton, figure more pleasantly in another 
 letter of Walpole, which gives a glimpse of some 
 of those diversions with which he was wont to 
 relieve the gothicising of his villa by the Thames. 
 In a sentence that proves how well he under- 
 stood his own qualities, he says he tells the 
 story ' to show the manners of the age, which 
 are always as entertaining to a person fifty miles 
 off as to one born an hundred and fifty years 
 after the time.' We have not yet reached the 
 
 1 Another instance of Maclean's momentary vogue is 
 given by Cunningham. He is hitched into Gray's Lon^- 
 Story, which was written at the very time he was taken: 
 * A sudden fit of ague shook him, 
 
 He stood as mute as poor Macleane.^ 
 This couplet has been recently explained by Gray's latest 
 editor, Dr. Bradshaw, to be a reference to Maclean's only 
 observation when called to receive sentence. ' My Lord 
 [he said], I cannot speak.' 
 
1 28 Horace IValpoIe : 
 
 later limit ; but there is little doubt as to the 
 interest of Walpole's account of his visit in 
 the month of June, 1750, to the famous gardens 
 of Mr. Jonathan Tyers. He got a card, he says, 
 from Lady Caroline to go with her to Vauxhall, 
 He repairs accordingly to her house, and finds 
 her ' and the little Ashe, or the Pollard Ashe, 
 as they call her,' having ' just finished their last 
 layer of red, and looking as handsome as crim- 
 son could make them.' Others of the party 
 are the Duke of Kingston ; Lord March, of 
 Thackeray's Virginians; Harry Vane, soon to 
 be Earl of Darlington ; Mr. Whitehead ; a 
 'pretty Miss Beauclerc,' and a 'very foolish 
 Miss Sparre.' As they sail up the Mall, they 
 encounter cross-grained Lord Petersham (my 
 lady's husband) shambling along after his wont,^ 
 and * as sulky as a ghost that nobody will speak 
 to first.' He declines to accompany his wife 
 and her friends, who, getting into the best order 
 they can, march to their barge, which has a boat 
 of French horns attending, and ' little Ashe ' 
 sings. After parading up the river, they ' debark ' 
 at Vauxhall, where at the outset they narrowly 
 escape the excitement of a quarrel. For a cer- 
 tain Mrs. Lloyd, of Spring Gardens, afterwards 
 
 1 He \Yas popularly known as ' Peter Shamble.' lie 
 afterwards became Earl of Harrington. 
 
A Memoir. 129 
 
 married to Lord Haddington, observing Miss 
 Beauclerc and her companion following Lady 
 Caroline, says audibly, • Poor girls, I am sorry 
 to see them in such bad company,' — a remark 
 which the 'foolish Miss Sparre ' (she is but 
 fifteen), for the fun of witnessing a duel, 
 endeavours to make Lord March resent. But 
 my Lord, who is not only ' very lively and agree- 
 able,' but also of a nice discretion, laughs her 
 out of ^this charming frolic, with a great deal of 
 humour.' Next they pick up Lord Granby, 
 arriving very drunk from ^Jenny's Whim,' at 
 Chelsea, where he has left a mixed gathering 
 of thirteen persons of quality playing at Brag. 
 He is in the sentimental stage of his malady, 
 and makes love to Miss Beauclerc and Miss 
 Sparre alternately, until the tide of champagne 
 turns, and he remembers that he is married. 
 ' At last,' says Walpole, — and at this point the 
 story may be surrendered to him entirely, — ' we 
 assembled in our booth, Lady Caroline in the 
 front, with the visor of her hat erect, and look- 
 ing gloriously jolly and handsome. She had 
 fetched my brother Orford from the next box, 
 where he was enjoying himself with his pci'iiQ 
 partie, to help us to mince chickens. We 
 minced seven chickens into a china dish, which 
 Lady Caroline stewed over a lamp with three 
 9 
 
130 Horace Walpole : 
 
 pats of butter and a flagon of water, stirring 
 and rattling and laughing, and we every minute 
 expecting to have the dish fly about our ears. 
 She had brought Betty, the fruit girl,^ with 
 hampers of strawberries and cherries from 
 Rogers's, and made her wait upon us, and then 
 made her sup by us at a little table. The con- 
 versation was no less lively than the whole 
 transaction. There was a Mr. O'Brien arrived 
 from Ireland, who would get the Duchess of 
 Manchester from Mr. Hussey, if she were still 
 at liberty. I took up the biggest hautboy in 
 the dish, and said to Lady Caroline, " Madam, 
 Miss Ashe desires you would eat this O'Brien 
 strawberry ; " she replied immediately, " I won't, 
 you hussey." You may imagine the laugh this 
 reply occasioned. After the tempest was a 
 little calmed, the Pollard said, " Now, how 
 anybody would spoil this story that \\as to 
 
 1 Elizabeth Neale, here referred to, was a well-known 
 personage in St. James's Street, where, for many years, 
 she kept a fruit shop. From Lady Mary Coke's Letters 
 and Journals, 1889, vol. ii., p. 427, Betty appears to have 
 assiduously attended the debates in the House of Com- 
 mons, being characterized as a ' violent Politician, & 
 always in the opposition.' In Mason's Heroic Epistle to Sir 
 William Chambers, Knight, she is spoken of as ' Patriot 
 Betty.' She survived until 1797, when her death, at the 
 age of 67, is recorded in the Gentleman's Magazine. 
 
A Memoir. 131 
 
 repeat it, and say, " I won't, you jade." In short, 
 the whole air of our party was sufficient, as you 
 will easily imagine, to take up the whole atten- 
 tion of the garden ; so much so that from eleven 
 o'clock till half an hour after one we had the 
 whole concourse round our booth : at last, they 
 came into the little gardens of each booth on the 
 sides of our's, till Harry Vane took up a bumper, 
 and drank their healths, and was proceeding to 
 treat them with still greater freedom. It was 
 three o'clock before we got home.' He adds a 
 characteristic touch to explain Lord Granby's 
 eccentricities. He had lost eight hundred 
 pounds to the Prince of Wales at Kew the night 
 before, and this had a ' little ruffled ' his lordship's 
 temper.^ 
 
 Early in 17^3, Edward Moore, the author of 
 some Fables for the Female Sex, once popular 
 enough to figure, between Thomson and Prior, 
 in Goldsmith's Beauties of English Poesy, estab- 
 lished the periodical paper called The World, 
 which, to quote a latter-day definition, might 
 fairly claim to be ' written by gentlemen for 
 gentlemen.' Soame Jenyns, Cambridge of the 
 Seribleriad (Walpole's Twickenham neighbour), 
 Hamilton Boyle, Sir Charles Hanbury Williams, 
 and Lord Chesterfield were all contributors. 
 1 Walpole to Montagu, 23 June, 1750. 
 
1 3 2 Horace Walpole : 
 
 That Walpole should also attempt this ' bow of 
 Ulysses, in which it was the fashion for men 
 of rank and genius to try their strength,' goes 
 without saying. His gifts were exactly suited 
 to the work, and his productions in the new 
 journal are by no means its worst. His first 
 essay was a bright little piece of persiflage upon 
 what he calls the return of nature, and proceeds 
 to illustrate by the introduction of ' real water ' 
 on the stage, by Kent's landscape gardening, 
 and by the fauna and flora of the dessert table. 
 A second effort was devoted to that extraor- 
 dinary adventurer, Baron Neuhoff", otherwise 
 Theodore, King of Corsica, who, with his realm 
 for his only assets, was at this time a tenant of 
 the King's Bench prison. Walpole, with gen- 
 uine kindness, proposed a subscription for this 
 bankrupt Belisarius. and a sum of fifty pounds 
 was collected. This, however, proved so much 
 below the expectations of His Corsican Majesty 
 that he actually had the effrontery to threaten 
 Dodsley, the printer of the paper, with a pro- 
 secution for using his name unjustifiably. * I 
 have done with countenancing kings,' wrote 
 Walpole to Mann.i Others of his World 
 essays are on the Glastonbury Thorn ; on 
 
 1 Nevertheless, when this ' Roi en Exil' shortly after- 
 wards died, Walpole erected a tablet in St. Anne's 
 
Lady Mary Worthy Montagu. 
 
^n,Vr^>^x 
 
A Memoir, 133 
 
 Letter-Writing, — a subject of which he might 
 claim to speak with authority ; on old women 
 as objects of passion ; and on politeness, where- 
 in occurs the already quoted anecdote of 
 Maclean the highwayman. His light hand and 
 lighter humour made him an almost ideal con- 
 tributor to Moore's pages, and it is not sur- 
 prising to find that such judges as Lady Mary 
 approved his performances, or that he himself 
 regarded them with a complacency which peeps 
 out now and again in his letters. ' I met Mrs. 
 Clive two nights ago,' he says, ' and told her I 
 
 Churchyard, Soho, to his memory, with the following 
 inscription : — 
 
 ' Near this place is interred 
 
 Theodore, King of Corsica ; 
 
 Who died in this parish, Dec. ii, 1756, 
 
 Immediately after leaving the King's-Bench-Prison, 
 
 By the benefit of the Act of Insolvency ; 
 
 In consequence of which he registered 
 
 His Kingdom of Corsica 
 
 For the use of his Creditors. 
 
 ' The Grave, great teacher, to a level brings 
 Heroes and beggars, galley-slaves and Kings. 
 But Theodore this moral learn'd, ere dead ; 
 Fate pour'd its lessons on his livi7ig head, 
 Bestow'd a kingdom, and denied him bread.' 
 
 Theodore's Great Seal, and ' that very curious piece by 
 which he took the benefit of the Act of Insolvency,' 
 and in which he was only styled Theodore Stephen, 
 Baron de Neuhoff, were among the treasures of the 
 Tribune. (See Chapter VIII.) 
 
134 Horace Walpole : 
 
 had been in the meadows^ but would walk no 
 more there, for there was all the world. '^ Well," 
 says she, " and don't you like The World I I 
 hear it was very clever last Thursday." ' ' Last 
 Thursday ^ had appeared Walpole's paper on 
 elderly ' flames.' 
 
 During the period covered by this chapter 
 the redinlcgralio amoris with Gray, to which 
 reference has been made, became confirmed. 
 Whether the attachment was ever quite on the 
 old basis, may be doubted. Gray always poses 
 a little as the aggrieved person who could not 
 speak first, and to whom unmistakable over- 
 tures must be made by the other side. He as 
 yet ' neither repents, nor rejoices over much, 
 but is pleased,' — he tells Chute in 17^0. On 
 the other hand, Walpole, though he appears 
 to have proffered his palm-branch with very 
 genuine geniality, and desire to let by-gones 
 be by-gones, was not above very candid criti- 
 cism of his recovered friend. ' I agree with 
 you most absolutely in your opinion about 
 Gray,' he writes to Montagu in September, 
 1748 : 'he is the worst company in the world. 
 From a melancholy turn, from living reclusely, 
 and from a little too much dignity, he never 
 converses easily ; all his words are measured 
 and chosen, and formed into sentences; his 
 
A Memoir. 135 
 
 writings are admirable ; he himself is not agree- 
 able.' Meantime, however, the revived con- 
 nection went on pleasantly. Gray made flying 
 visits to Strawberry and Arlington Street, and 
 prattled to Walpole from Pembroke between 
 whiles. And certainly, in a measure, it is to 
 Walpole that we owe Gray. It was Walpole 
 who induced Gray to allow Dodsley to print in 
 1747, as an attenuated folio pamphlet, the Odz 
 on a Distant Prospect of Eton College ; and it 
 was the tragic end of one of Walpole's favourite 
 cats in a china tub of gold-fish (of which, by 
 the way^ there was a large pond called Po-yang 
 at Strawberry) which prompted the delightful 
 occasional verses by Gray beginning : — 
 
 ' 'Twas on a lofty vase's side, 
 Where china's gayest art had dy'd 
 
 The azure flow'rs that blow ; 
 Demurest of the tabby kind, 
 The pensive Selima reclin'd, 
 
 Gaz'd on the lake below,' — 
 
 a Stanza which, with trifling verbal alterations, 
 long served as a label for the ' lofty vase ' in 
 the Strawberry Hill collection. To Walpole's 
 officious circulation in manuscript of the famous 
 Elegy ivritten in a Country Church-Yard must 
 indirectly be attributed its publication byDodsley 
 in February, 175 1 ; to Walpole also is due that 
 
136 Horace IValpole : 
 
 typical piece of vers dc socUld, the Long Story, 
 which originated in the interest in the recluse 
 poet of Stoke Poges with which Walpole's well- 
 meaning (if unwelcome) advocacy had inspired 
 Lady Cobham and some other lion-hunters of 
 the neighbourhood. But his chief enterprise 
 in connection with his friend's productions was 
 the edition of them put forth in March, \j^}, 
 with illustrations by Richard Bentley, the young- 
 est child of the famous Master of Trinity. 
 Bentley possessed considerable attainments as 
 an amateur artist, and as a scholar and connois- 
 seur had just that virtuoso finesse of manner 
 which was most attractive to Walpole, whose 
 guest and counsellor he frequently became 
 during the progress of the Strawberry improve- 
 ments. Out of this connection, which, in its 
 hot fits, was of the most confidential character, 
 grew the suggestion that Bentley should' make, 
 at Walpole's expense, a series of designs for 
 Gray's poems. These, which are still in exist- 
 ence,^ were engraved with great delicacy by two 
 of the best engravers of that time, M Ciller and 
 
 1 A copy of the poems, ' illustrated with the original 
 designs of Mr. Richard Bentley, . . . and also with Mr. 
 Gray's original sketch of Stoke House, from which Mr. 
 Bentley made his finished pen drawing,' was sold at the 
 Strawberry Hill sale of 1S42 to H. G. Bohn for ^S Ss. 
 
A Memoir. 137 
 
 Charles Grignion ; and the Poemata-Gra/- 
 Bentleiana, as Walpole christened them, became 
 and remains one of the most remarkable of the 
 illustrated books of the last century. Gray, as 
 may be imagined, could scarcely oppose the 
 compliment ; and he seems to have grown 
 minutely interested in the enterprise, rewarding 
 the artist by some commendatory verses, in 
 which he certainly does not deny himself — to 
 use a phrase of Mr. Swinburne — 'the noble 
 pleasure of praising.' ^ But even over this book 
 the sensitive ligament that linked him to Walpole 
 was perilously strained. Without consulting him, 
 W^alpole had his likeness engraved as a frontis- 
 piece, — a step which instantly drew from Gray 
 a wail of nervous expostulation so unmistakably 
 heartfelt that it was impossible to proceed with 
 the plate. Thus it came about that Designs by 
 Mr. R. Bentley for Six Poems hy Mr. T. Gray 
 made its appearance without the portrait of 
 the poet. 
 
 Bentley's ingenious son was not the only per- 
 son whom the decoration of Strawberry pressed 
 
 1 The verses include this magnificent stanza : — 
 ' But not to one in this benighted age 
 
 Is that diviner inspiration giv'n, 
 That burns in Shakespeare's or in Milton's page, 
 The pomp and prodigahty of heav'n.' 
 
138 Horace Walpole : 
 
 into the service of its owner. Selwyn, the wit, 
 George James (or ^Gilly') Williams, a connois- 
 seur of considerable ability, and Richard, second 
 Lord Edgecumbe, occasionally sat as a com- 
 mittee of taste, — a function commemorated by 
 Reynolds in a conversation-piece which after- 
 wards formed one of the chief ornaments of the 
 Refectory ; ^ and upon Bentley's recommenda- 
 tion Walpole invited from Jersey a humbler guest 
 in the person of a German artist named Miintz, 
 — ' an inoffensive, good creature,' who would 
 ' rather ponder over a foreign gazette than a 
 palette,' but whose services kept him domiciled 
 for some time at the Gothic castle. Miintz 
 executed many views of the neighbourhood, 
 which are still, like that of Twickenham already 
 referred to,^ preserved in contemporary engrav- 
 ings. And besides the persons whom Walpole 
 drew into his immediate circle, the ' village,' 
 as he called it, was growing steadily in public 
 favour. 'Mr. Miintz' — writes Walpole in 
 July, 175^ — ' says we have more coaches than 
 there are in half France. Mrs. Pritchard has 
 bought Ragman's Castle, for which my Lord 
 
 1 It is copied in Cunningham, vol iii. p. 475. It was 
 sold for £\S7 ^O-^- ^^ the Strawberry Hill sale, and passed 
 into the collection of the late Lord Taunton. 
 
 2 See p. 192 n. 
 
A Memoir. 139 
 
 Litchfield could not agree. We shall be as cele- 
 brated as Baise or Tivoli ; and if we have not 
 as sonorous names as they boast, we have very 
 famous people : Clive and Pritchard, actresses ; 
 Scott and Hudson, painters; my Lady Suffolk, 
 famous in her time ; Mr. H[ickey]. the impu- 
 dent Lawyer, that Tom Hervey wrote against ; 
 Whitehead, the poet ; and Cambridge, the every- 
 thing.' Cambridge has already been referred 
 to as a contributor to The V^orld^ and the 
 Whitehead was the one mentioned in Churchill's 
 stinging couplet : — 
 
 'May I (can worse disgrace on manhood fall ?) 
 Be born a Whitehead, and baptiz'd a Paul,' 
 
 who then lived on Twickenham Common. 
 Hickey, a jovial Irish attorney, was the legal 
 adviser of Burke and Reynolds, and the 'blunt, 
 pleasant creature ' of Goldsmith's ' Retaliation.' 
 Scott was Samuel Scott, the ' English Cana- 
 letto ; ' Hudson, Sir Joshua's master, who had 
 a house on the river near Lord Radnor's. But 
 Walpole's best allies were two of the other sex. 
 One was Lady Suffolk, the whilom friend (as 
 Mrs. Howard) of Pope and Swift and Gay, 
 whose home at Marble Hill is celebrated in the 
 Walpole-cum - Pulteney poem; the other was 
 red-faced Mrs. Clive, who occupied a house 
 
140 Horace Walpole : 
 
 known familiarly as ' Clive-den," and officially 
 as Little Strawberry. She had not yet retired 
 from the stage. Lady Suffolk's stories of the 
 Georgian Court and its scandals, and Mrs. 
 Clive's anecdotes of the green-room, and of their 
 common neighbour at Hampton, the great 
 ' Roscius ' himself (with whom she was always 
 at war), must have furnished Walpole with an 
 inexhaustible supply of just the particular descrip- 
 tion of gossip which he most appreciated. 
 
A Memoir. 14] 
 
 CHAPTER VI. 
 
 Gleanings from the Short Notes. — Letter from Xo Ho. — The 
 Strawberry Hill Press. — Robinson the Printer. — Gray's 
 Odes. — Other Works. — Catalogue of Royal and Noble 
 Authors. — Anecdotes of Painting. — Humours of the Press. 
 — The Parish Register of Twicketiham. — Lady Fanny 
 Shirley. — Fieldmg. — The Castle of Otranto. 
 
 TN order to take up the little-variegated thread 
 ■*■ of Walpole's life, we must again resort to 
 the Short Notes, m which, as already stated, he 
 has recorded what he considered to be its most 
 important occurrences. In 1734, he had been 
 chosen member, in the new Parliament of that 
 year, for Castle Rising, in Norfolk. In March, 
 17 y^, he says, he was very ill-used by his 
 nephew. Lord Orford [i. e., the son of his eldest 
 brother, Robert], upon a contested election in 
 the House of Commons, ' on which I wrote 
 him a long letter, with an account of my own 
 conduct in politics.' This letter does not seem 
 to have been preserved, and it is difficult to 
 conceive that its theme could have involved 
 very lengthy explanations. In February, 1757, 
 
142 Horace JValpole : 
 
 he vacated his Castle Rising seat for that of 
 Lynn, and about the same time, he tells us, 
 used his best endeavours, although in vain, to 
 save the unfortunate Admiral Byng, who was 
 executed, pour encourager Ics autres, in the 
 following March. But with the exception of 
 his erection of a tablet to Theodore of Corsica, 
 and the dismissal, in 17^9, of Mr. Miintz, with 
 whom his connection seems to have been excep- 
 tionally prolonged, his record for the next 
 decade, or until the publication of the Caslle 
 of Olranlo, is almost exclusively literary, and 
 deals with the establishment of his private print- 
 ing press at Strawberry Hill, his publication 
 thereat of Gray's Odes and other works, his 
 Catalogue of Royal and Noble Authors, his 
 Anecdotes of Painting, and his above-mentioned 
 romance. This accidental absorption of his 
 chronicle by literary production will serve as 
 a sufficient reason for devoting this chapter to 
 those efforts of his pen which, from the out- 
 set, were destined to the permanence of 
 type. 
 
 Already, as far back as March, 1751, he had 
 begun the work afterwards known as the 
 Mcmoires of the last Ten Years of the Reign of 
 George II., to the progress of which there are 
 scattered references in the Short Notes. He 
 
A Memoir. 143 
 
 had intended at first to confine them to the 
 history of one year, but they grew under his 
 hand. His first definite literary effort in 17^7, 
 however, was the clever little squib, after the 
 model of Montesquieu's Leitres Persanes, en- 
 titled A Letter from Xo Ho, a Chinese Philo- 
 sopher at London, to his Friend Lien Chi, at 
 Peking, in which he ingeniously satirizes the 
 ' late political revolutions ' and the inconstant 
 disposition of the English nation, not forgetting 
 to fire off a few sarcasms a propos of the Byng 
 tragedy. The piece, he tells Mann, was written 
 ' in an hour and a half (there is always a little 
 of Oronte's Je nai demeurd quiin quart dlieiire 
 a le faire about Walpole's literary efforts), was 
 sent to press next day, and ran through five 
 editions in a fortnight.^ Mrs. Clive was of 
 opinion that the rash satirist would be sent to 
 the Tower ; but he himself regarded it as ' per- 
 haps the only political paper ever written, in 
 which no man of any party could dislike or 
 
 1 It may be observed that wlien Walpole's letter was 
 published, it was briefly noticed in the Monthly Review, 
 where at this very date Oliver Goldsmith was working as 
 the hind of Griffiths and his wife. It is also notable that 
 the name of Xo Ho's correspondent, Lien Chi, seems 
 almost a foreshadowing of Goldsmith's Lien Chi Altangi. 
 Can it be possible that Walpole supplied Goldsmith with 
 his first idea of the Citizen of the World? 
 
144 Horace Walpole : 
 
 deny a single fact;' and Henry Fox, to whom 
 he sent a copy, may be held to confirm this 
 view, since his only objection seems to have 
 been that it did not hit some of the other side 
 a little harder. It would be difficult now with- 
 out long notes to make it intelligible to modern 
 readers ; but the following outburst of the 
 Chinese philosopher respecting the variations 
 of the English climate has the merit of enduring 
 applicability. ' The English have no sun, no 
 summer, as we have, at least their sun does not 
 scorch like ours. They content themselves 
 with names : at a certain time of the year they 
 leave their capital, and that makes summer ; 
 they go out of the city, and that makes the 
 country. Their monarch, when he goes into 
 the country, passes in his calash ^ by a row of 
 high trees, goes along a gravel walk, crosses 
 one of the chief streets, is driven by the side 
 of a canal between two rows of lamps, at the 
 end of which he has a small house [Kensington 
 Palace], and then he is supposed to be in the 
 country. I saw this ceremony yesterday : as 
 soon as he was gone the men put on under vest- 
 
 1 A four-wheeled carriage with a movable hood. Cf. 
 Prior's Dmun Hall : 'Then answcr'd Squire Morley : 
 Pray get a calash, That in summer may burn, and in 
 winter may splash,' etc. 
 
A Memoir, 145 
 
 ments of white linen, and the women left off 
 those vast draperies, which they call hoops, and 
 which I have described to thee ; and then all the 
 men and all the women said it ivas hot. If thou 
 wilt believe me, I am now [in May] writing to 
 thee before a fire.' -^ 
 
 In the following June Walpole had betaken 
 himself to the place he ' loved best of all,' and 
 was amusing himself at Strawberry with his pen. 
 The next wovk which he records is the publi- 
 cation of a Catalogue of the Collection of 
 Pictures, etc., of [i. e., belonging to] Charles 
 the First, for which he prepared ' a little intro- 
 duction.' This, and the subsequent ' prefaces 
 or advertisements ' to the Catalogues of the 
 Collections of James the Second, and the Duke 
 of Buckingham, are to be found in vol. i., pp. 
 234-41, of his works. But the great event of 
 17^7 is the establishment of the Officina Arbu- 
 teana, or private printing press, of Strawberry 
 Hill. ' Elzevir, Aldus, and Stephens,' he tells 
 Chute in July, 'are the freshest personages in 
 his memory,' and he jestingly threatens to assume 
 as his motto (with a slight variation) Pope's 
 couplet : — 
 
 ' Some have at first for wits, then poets pass'd ; 
 Turn'd printers next, and proved plain fools at last.' 
 
 1 Works, 1798, i. 208. 
 10 
 
146 Horace IValpole : 
 
 ' I am turned printer,' he writes somewhat 
 later, ' and have converted a httle cottage into 
 a printing-office. My abbey is a perfect college 
 or academy. I keep a painter [Miintz] in the 
 house, and a printer, — not to mention Mr. 
 Bentley, who is an academy himself.' William 
 Robinson, the printer, an Irishman with notice- 
 able eyes which Garrick envied (* they are more 
 Richard the Third's than Garrick's own,' says 
 Walpole), must have been a rather original per- 
 sonage, to judge by a copy of one of his letters 
 which his patron incloses to Mann. He says 
 he found it in a drawer where it had evidently 
 been placed to attract his attention. After 
 telling his correspondent in bad blank verse 
 that he dates from the ' shady bowers, nodding 
 groves, and amaranthine shades (?) ' of Twicken- 
 ham, — ' Richmond's near neighbour, where great 
 George the King resides,' — Robinson proceeds 
 to describe his employer as ' the Hon. Horatio 
 Walpole, son to the late great Sir Robert Wal- 
 pole, who is very studious, and an admirer of 
 all the liberal arts and sciences; amongst the 
 rest he admires printing. He has fitted out a 
 complete printing-house at this his country seat, 
 and has done me the favour to make me sole 
 manager and operator (there being no one but 
 myself). All men of genius resorts his house. 
 
A Memoir. 147 
 
 courts his company, and admires his understand- 
 ing : what with his own and their writings, I 
 believe I shall be pretty well employed. I have 
 pleased him, and I hope to continue so to do.' 
 Then, after reference to the extreme heat, — a 
 heat by which fowls and quarters of lamb have 
 been roasted in the London Artillery grounds 
 ' by the help of glasses,' so capricious was 
 the climate over which Walpole had made merry 
 in May, — he proceeds to describe Strawberry. 
 ' The place I am now in is all my comfort from 
 the heat ; the situation of it is close to the 
 Thames, and is Richmond Gardens (if you were 
 ever in them) in miniature, surrounded by 
 bowers, groves, cascades, and ponds, and on 
 a rising ground not very common in this part 
 of the country ; the building elegant, and the 
 furniture of a peculiar taste, magnificent and 
 superb.' At this date poor Robinson seems to 
 have been delighted with the place and the 
 fastidious master whom he hoped ' to continue 
 to please.' But Walpole was nothing if not 
 mutable, and two years later he had found out 
 that Robinson of the remarkable eyes was ' a 
 foolish Irishman who took himself for a genius,' 
 and they parted, with the result that the Officina 
 Arbuteana was temporarily at a standstill. 
 
 For the moment, however, things went 
 
148 Horace IValpoIe : 
 
 smoothly enough. It had been intended that 
 the maiden effort of the Strawberry types 
 should have been a translation by Bentley of 
 Paul Hentzner's curious account of England in 
 1^9^. But Walpole suddenly became aware 
 that Gray had put the penultimate, if not the 
 final, touches to his painfully elaborated Pin- 
 daric Odes, the Bard and the Progress of Poesy, 
 and he pounced upon them forthwith ; Gray, as 
 usual, half expostulating, half overborne. 'You 
 will dislike this as much as I do,' — he writes to 
 Mason, — ' but there is no help.' ' You under- 
 stand," he adds, with the air of one resigning 
 himself to the inevitable, ' it is he that prints 
 them, not for me, but for Dodsley.' However, 
 he persisted in refusing Walpole's not entirely 
 unreasonable request for notes. ' If a thing 
 cannot be understood without them,' he said 
 characteristically. ' it had better not be under- 
 stood at all.' Consequently, while describing 
 them as ' Greek, Pindaric, sublime,' Walpole 
 confesses under his breath that they are a little 
 obscure. Dodsley paid Gray forty guineas for 
 the book, which was a large, thin quarto, entitled 
 Odes by Mr. Gray; Printed, at Strawberry 
 Hill, for R. and J. Dodsley in Pall- Mall. It 
 was published in August, and the price was a 
 shilling. On the title-page was a vignette of 
 
 i 
 
A Memoir. 149 
 
 the Gothic castle at Twickenham. From a letter 
 of Walpole to Lyttelton it would seem that his 
 apprehensions as to the poems being *under- 
 standed of the people' proved well founded. 
 • They [the age] have cast their eyes over them, 
 found them obscure, and looked no further ; yet 
 perhaps no compositions ever had more sublime 
 beauties than are in each/ — and he goes on to 
 criticise them minutely in a fashion which shows 
 that his own appreciation of them was by no 
 means unqualified. But Warburton and Gar- 
 rick and the ^word-picker' Hurd were enthu- 
 siastic. Lyttelton and Shenstone followed more 
 moderately. Upon the whole, the success of 
 the first venture was encouraging, and the share 
 in it of ' Elzevir Horace,' as Conway called his 
 friend, was not forgotten. 
 
 Gray's Odes, were succeeded by Hentzner's 
 Travels, or, to speak more accurately, by that 
 portion of Hentzner's Travels which refers 
 to England. In England Hentzner was little 
 known, and the 220 copies which Walpole printed 
 in October, ijSl, were prefaced by an Adver- 
 tisement from his pen, and a dedication to the 
 Society of Antiquaries, of which he was a 
 member. After this came, in 17)8, his Cata- 
 logue of Royal and Noble Authors; a collection 
 of Fugitive Pieces (which included his essays in 
 
150 Horace IValpole: 
 
 the World) ^ dedicated to Conway;^ and seven 
 hundred copies of Lord Whitworth's Account 
 of Russia. Then followed a book by Joseph 
 Spence, the Parallel of Magliabecchi and Mr. 
 [Robert] Mill, a learned tailor of Buckingham, 
 the object of which was to benefit Hill, — an end 
 which must have been attained, as six out of 
 seven hundred copies were sold in a fortnight, 
 and the book was reprinted in London. Bent- 
 ley's Lucan, a quarto of five hundred copies, 
 succeeded Spence, and then came three other 
 quartos of Anecdotes of Painting, by Walpole 
 himself. The only other notable products of 
 the press during this period are the Autobi- 
 ography of Lord Herbert of Cherbury, quarto, 
 1764, and one hundred copies of the Poems of 
 Lady Temple. This, however, is a very fair 
 record for seven years' work, when it is remem- 
 bered that the Strawberry Hill staff never 
 exceeded a man and a boy. As already stated, 
 the first printer, Robinson, was dismissed in 
 17^9. His place, after a short interval of ' oc- 
 casional hands,' was taken by Thomas Kirgate, 
 whose name thenceforth appears on all the 
 
 ^ These, though printed in 175S, were not circulated 
 until 1759. See, at end, ' Appendix of l?ooks printed 
 at the Strawberry Hill Press,' which contains ample 
 details of all these publications. 
 
A Memoir. 151 
 
 Twickenham issues, with which it is indis- 
 solubly connected. Kirgate continued, with 
 greater good fortune than his predecessors, to 
 perform his duties until Walpole's death. 
 
 In the above list there are two volumes 
 which, in these pages, deserve a more extended 
 notice than the rest. Thz Catalague of Royal 
 and Noble Authors had at least the merit of 
 novelty, and certainly a better reason for exist- 
 ing than some of the works to which its author 
 refers in his preface. Even the performances 
 of Pulteney, Earl of Bath, and the English 
 rondeaus of Charles of Orleans are more 
 Vi^orthy of a chronicler than the lives of 
 physicians who had been poets, of men who 
 had died laughing, or of Frenchmen who had 
 studied Hebrew. Walpole took considerable 
 pains in obtaining information, and his book 
 was exceedingly well received, — indeed, far 
 more favourably than he had any reason to 
 expect. A second edition, which was not 
 printed at Strawberry Hill, speedily followed 
 the first, with no diminution of its prosperity. 
 For an effort which made no pretensions to 
 symmetry, which is often meagre where it 
 might have been expected to be full, and is 
 everywhere prejudiced by a sort of fine-gen- 
 tleman disdain of exactitude, this was cer- 
 
1 5 2 Horace IValpole : 
 
 tainly as much as he could anticipate. But 
 he seems to have been more than usually 
 sensitive to criticism, and some of the amplest 
 of his Short Notes are devoted to the dis- 
 cussion of the adverse opinions which were 
 expressed. From these we learn that he was 
 abused by the Critical Reviciv for disliking 
 the Stuarts, and by the Monthly for liking 
 his father. Further, that he found an apolo- 
 gist in Dr. Hill (of the Inspector), whose gross 
 adulation was worse than abuse ; and lastly, 
 that he was seriously attacked in a Pamphlet 
 of Remarks on Mr. Walpole^s ' Catalogue of 
 Royal and Noble Authors^ by a certain Carter, 
 concerning whose antecedents his irritation 
 goes on to bring together all the scandals he 
 can collect. As the Short Notes were written 
 long after the events, it shows how his sore- 
 ness against his critics continued. What it was 
 when still fresh may be gathered from the fol- 
 lowing quotation from a letter to Rev. Henry 
 Zouch, to whom he was indebted for many 
 new facts and corrections, especially in the 
 second edition, and who afterwards helped 
 him in the Anecdotes of Painting: ' I am sick 
 of the character of author ; I am sick of the 
 consequences of it ; I am weary of seeing my 
 name in the newspapers ; I am tired with read- 
 
Holbein. 
 
CKIVEBSITI 
 
A Memoir, 153 
 
 ing foolish criticisms on me, and as foolish 
 defences of me ; and I trust my friends will 
 be so good as to let the last abuse of me pass 
 unanswered. It is called '^ Remarks " on my 
 Catalogue, asperses the Revolution more than 
 it does my book, and, in one word; is written 
 by a non-juring preacher, who was a dog-doctor. 
 Of me, he knows so little that he thinks to 
 punish me by abusing King William ! ' ^ 
 
 In a letter of a few months earlier to the 
 same correspondent, he refers to another task, 
 upon which, in despite of the sentence just 
 quoted, he continued to employ himself. ' Last 
 summer' — he says — 'I bought of Vertue's 
 widow forty volumes of his MS. collections 
 relating to English painters, sculptors, gravers, 
 and architects. He had actually begun their 
 lives : unluckily he had not gone far, and could 
 not write grammar. I propose to digest and 
 complete this work."-^ The purchases referred 
 to had been made subsequent to 17)6, when 
 Mrs, Vertue applied to Walpole, as a connois- 
 seur, to buy from her the voluminous notes and 
 memoranda which her husband had accumulated 
 with respect to art and artists in England. 
 Walpole also acquired at Vertue's sale in May, 
 
 1 Walpole to Zoiich, 14 May, 1759. 
 Walpole to Zouch, 12 January, 1759. 
 
 2 
 
154 Horace JValpoIe : 
 
 17^7, a number of copies from Holbein and 
 two or three other pictures. He seems to have 
 almost immediately set about arranging and 
 digesting this unwieldy and chaotic heap of 
 material,^ much of which, besides being illite- 
 rate, was also illegible. More than once his 
 patience gave way under the drudgery ; but 
 he nevertheless persevered in a way that shows 
 a tenacity of purpose foreign, in this case at all 
 events, to his assumption of dilettante indif- 
 ference. His progress is thus chronicled. He 
 began in January, 1760, and finished the first 
 volume on 14 August. The second volume was 
 begun in September, and completed on the 23rd 
 October. On the 4th January in the following 
 year he set about the third volume, but laid it 
 aside after the first day, not resuming it until 
 the end of June. In August, however, he 
 finished it. Two volumes were published in 
 1762, and a third, which is dated 1763, in 1764. 
 As usual, he affected more or less to undervalue 
 
 1 'Mr. Vertue's Manuscripts, in 2S vols.,' were sold at 
 the Safe of Rare Prints and Illustrated Works from the 
 Strawberry Hill Collection on Tuesday, 21 June, 1S42, 
 for ;^26 los. Walpole says in the S/iorf AWes that he 
 paid ;i^ioo. The Vertue MSS. are now in the British 
 Museum, which acquired them from the Dawson Turner 
 collection. 
 
A Memoir. 155 
 
 his own share in the work ; but he very justly 
 laid stress in his ' Preface ' upon the fact that 
 he was little more than the arranger of data 
 not collected by his own exertions. ' I would 
 not,' he said to Zouch, ' have the materials of 
 forty years, which was Vertue's case, depreci- 
 ated in compliment to the work of four months, 
 which is almost my whole merit.' Here, again, 
 the tone is a little in the Oronte manner ; but, 
 upon the main point, the interest of the work, 
 his friends did not share his apprehensions, and 
 Gray especially was ' violent about it.' Nor 
 did the public show themselves less appreciative, 
 for there was so much that was new in the dead 
 engraver's memoranda, and so much which was 
 derived from private galleries or drawn from 
 obscure sources, that the work could scarcely 
 have failed of readers even if the style had been 
 hopelessly corrupt, which, under Walpole's 
 revision, it certainly was not. In 1762, he 
 began a Catalogue of Engravers, which he 
 finished in about six weeks as a supplemen- 
 tary volume, and in 176^, still from the Straw- 
 berry Press, he issued a second edition of the 
 whole. ■■• 
 
 1 T/ze Anecdotes of Famtms;- was enlarged by the Rev. 
 James Dallaway in 1826-8, and again revised, with addi- 
 tional notes, by Ralph N Wornum in 1839. This last, 
 in three volumes, 8vo, is the accepted edition. 
 
156 Horace IValpole : 
 
 After the appearance of the second edition 
 of the Anecdotes of Painling, a silence fell upon 
 the Officina Arbiiteana for three years, during 
 the earlier part of which time Walpole was at 
 Paris, as will be narrated in the next chapter. 
 His press, as may be guessed, was one of the 
 sights of his Gothic castle, and there are several 
 anecdotes showing how his ingenious fancy 
 made it the vehicle of adroit compliment. 
 Once, not long after it had been established, 
 my Lady Rochford, Lady Townshend (the 
 witty Ethelreda, or Audrey, Harrison),^ and Sir 
 John Bland's sister were carried after dinner 
 into the printing-room to see Mr. Robinson at 
 work. He immediately struck off some verse 
 which was already in type, and presented it to 
 Lady Townshend : — 
 
 The Press speaks. 
 
 From me wits and poets their glory obtain ; 
 Without me their wit and their verses were vain 
 Stop, Townshend, and let me but paint- what you say, 
 Vou, the fame I on others bestow, will repay. 
 
 1 She was married to Charles, 3rd Viscount Towns- 
 hend, in 1723, and was the mother of Charles Townshend, 
 the statesman. She died in 178S. There was an enamel 
 of her by Zincke after Vanloo in the Tribune at Straw- 
 berry Hill, which is engraved at p 150 of Cunningham's 
 second volume. 
 
 '^ Sic. in orii^. ; but query ' print.' 
 
A Memoir. 157 
 
 The visitors then asked, as had been antici- 
 pated, to see the actual process of setting up; 
 and Walpole ostensibly gave the printer four 
 lines out of Rowe's Fair Penitent. But, by 
 what would now be styled a clever feat of pres- 
 tidigitation, the forewarned Robinson struck off 
 the following, this time to Lady Rochford : — 
 
 The Press speaks. 
 
 In vain from your properest name you have flown, 
 And exchanged lovely Cupid's for Hymen's dull throne ; 
 By my art shall your beauties be constantly sung, 
 And in spite of yourself, you shall ever h^ yoimg. 
 
 Lady Rochford's maiden name, it should be 
 explained, was ' Young.' Such were what their 
 inventor call les amusements des eaiix de Slra- 
 berrl in the month of August and the year of 
 grace 17^7. 
 
 Beyond the major efforts already mentioned, 
 the Short Notes contain references to various 
 fugitive pieces which Walpole composed, some 
 of which he printed, and some others of which 
 have been published since his death. One ot 
 these, The Magpie and her Brood, was a plea- 
 sant little fable from the French of Bonaventure 
 des Periers, rhymed for Miss Hotham, the 
 youthful niece of his neighbour Lady Suffolk ; 
 another, a Dialogue betiveen two Great Ladies. 
 
158 Horace IValpole : 
 
 In 1761, he wrote a poem on the King, entitled 
 The Garland, which first saw the light in the 
 Quarterly for 1852 [No. clxxx.]. Besides 
 these were several epigrams, mock sermons, 
 and occasional verses. But perhaps the most 
 interesting of his productions in this kind are 
 the octosyllabics which he wrote in August, 
 1759, and called The Parish Register of 
 Twickenham. This is a metrical list of all 
 the remarkable persons who ever lived there, 
 for which reason a portion of it may find a place 
 in these pages : — 
 
 * Where silver Thames round Twit'nam meads 
 His winding current sweetly leads ; 
 Twit'nam, the Muses' fav'rite seat, 
 Twit'nam, the Graces' lov'd retreat; 
 There polish'd Essex wont to sport, 
 The pride and victim of a court ! 
 There Bacon tun'd the grateful lyre 
 To soothe Eliza's haughty ire ; 
 — Ah ! happy had no meaner stram 
 Than friendship's dash'd his mighty vein 1 
 Twit'nam, where Hyde, majestic sage, 
 Retir'd from folly's frantic stage, 
 While his vast soul was hung on tenters 
 To mend the world, and vex dissenters • 
 Twit'nam, where frolic Wharton revel'd, 
 Where Montagu, with locks dishevei'd 
 (Conflict of dirt and warmth divine), 
 Invok'd — and scandaliz'd the Nine; 
 
A Memoir ^ 159 
 
 Where Pope in moral music spoke 
 
 To th' anguisli'd soul of Bolingbroke, 
 
 And whisper'd, how true genius errs, 
 
 Preferring joys that pow'r confers ; 
 
 Bliss, never to great minds arising 
 
 From ruling worlds, but from despising : 
 
 Where Fielding met his hunter Muse, 
 
 And, as they quaff 'd the fiery juice, 
 
 Droll Nature stamp'd each lucky hit 
 
 With inimaginable wit : 
 
 Where Suffolk sought the peaceful scene, 
 
 Resigning Richmond to the queen, 
 
 And all the glory, all the teasing, 
 
 Of pleasmg one not worth the pleasing : 
 
 Where Fanny, "ever-blooming fair," 
 
 Ejaculates the graceful pray'r. 
 
 And 'scap'd from sense, with nonsense smit. 
 
 For Whitefield's cant leaves Stanhope's wit : 
 
 Amid this choir of sounding names 
 
 Of statesmen, bards, and beauteous dames, 
 
 Shall the last trifler of the throng 
 
 Enroll his own such names among ? 
 
 — Oh ! no — Enough if I consign 
 
 To lasting types their notes divine : 
 
 Enough, if Strawberry's humble hill 
 
 The title-page of fame shall fill." ^ 
 
 In 1784, Walpole added a few lines to cele- 
 brate a new resident and a new favourite, Lady 
 Di. Beauclerk, the widow of Johnson's famous 
 friend.^ Most of the other names which occur 
 
 1 Works, 1798, vol. iv., pp. 382-3. 
 
 2 See chapter ix. 
 
i6o Horace Walpole : 
 
 in the Twickenham Register are easily identi- 
 fied. ' Fanny, " ever-blooming fair," ' was the 
 beautiful Lady Fanny Shirley of Phillips' ballad 
 and Pope's epistle, aunt of that fourth Earl 
 Ferrers who in 1760 was hanged at Tyburn 
 for murdering his steward. Miss Hawkins 
 remembered her as residing at a house now- 
 called Heath Lane Lodge, with her mother, 
 ' a very ancient Countess Ferrers,' widow of 
 the first Earl. Henry Fielding, to whom Wal- 
 pole gives a quatrain, the second couplet of 
 which must excuse the insolence of the first, 
 had for some time lodgings in Back Lane, 
 whence was baptised in February, 1748, the 
 elder of his sons by his second wife, the 
 William Fielding who, like his father, became 
 a Westminster magistrate. It is more likely 
 that Tom Jones was written at Twickenham 
 than at any of the dozen other places for which 
 that honour is claimed, since the author quitted 
 Twickenham late in 1748, and his great novel 
 was published early in the following year. 
 Walpole had only been resident for a short time 
 when Fielding left, but even had this been 
 otherwise, it is not likely that, between the 
 master of the Comic Epos (who was also Lady 
 Mary's cousin I) and the dilettante proprietor 
 of Strawberry, there could ever have been 
 
A Memoir. i6i 
 
 much cordiality. Indeed, for some of the 
 robuster spirits of his age Walpole shows an 
 extraordinary distaste, which with him gener- 
 ally implies unsympathetic, if not absolutely 
 illiberal, comment. Almost the only important 
 anecdote of Fielding in his correspondence is 
 one of which the distorting bias is demonstra- 
 ble ; ^ and to Fielding's contemporary, Hogarth, 
 although as a connoisseur he was shrewd 
 enough to collect his works, he scarcely ever 
 refers but to place him in a ridiculous aspect, 
 
 — a course which contrasts curiously with the 
 extravagant praise he gives to Bentley, Bunbury, 
 Lady Di. Beauclerk, and some other of the 
 very minor artistic lights in his own circle. 
 
 It is, however, possible to write too long an 
 excursus upon the Twickenham Parish Register, 
 and the last paragraphs of this chapter belong 
 of right to another and more important work, 
 
 — The Castle of Otranto. According to the 
 Short Notes, this ' Gothic romance ' was begun 
 in June, 1764, and finished on the 6th August 
 following. From another account we learn that 
 it occupied eight nights of this period from ten 
 o'clock at night until two in the morning, to the 
 accompaniment of coffee. In a letter to Cole, 
 
 1 Cf. chapter vi. of Fielding, by the present writer, in 
 the Me}i of Letters series, 2nd edition, 1SS9, pp. 145-7. 
 II 
 
1 62 Horace Walpole : 
 
 the Cambridge antiquary, with whom Walpole 
 commenced to correspond in 1762, he gives some 
 further particulars, which, because they have 
 been so often quoted, can scarcely be omitted 
 here : ' Shall I even confess to you what was 
 the origin of this romance ? I waked one 
 morning, in the beginning of last June, from a 
 dream, of which all I could recover was, that I 
 had thought myself in an ancient castle (a very 
 natural dream for a head filled, like mine, with 
 Gothic story), and that on the uppermost ban- 
 nister of a great staircase I saw a gigantic hand 
 in armour. In the evening I sat down and 
 began to write, without knowing in the least 
 what I intended to say or relate. The work 
 grew on my hands, and I grew fond of it. — add 
 that I was very glad to think of anything, rather 
 than politics. In short, I was so engrossed 
 with my tale, which I completed in less than 
 two months, that one evening I wrote from the 
 time I had drunk my tea, about six o'clock, till 
 half an hour after one in the morning, when my 
 hand and fingers were so weary that I could not 
 hold the pen to finish the sentence, but left 
 Matilda and Isabella talking, in the middle of a 
 paragraph.' ^ 
 
 The work of which the origin is thus de- 
 1 Letter to Cole, 9 March, 1765 
 
A Memoir. 163 
 
 scribed was published in a limited edition on 
 the 24th December, 1764, with the title of The 
 Castle of Oiranto, a Story, translated by William 
 Marshal, Gent., from the original Italian of Onu- 
 phr'io Muralto, Canon of the Church of St. 
 Nicholas at Otranto. The name of the alleged 
 Italian author is sometimes described as an ana- 
 gram from Horace Walpole, — a misconception 
 which is easily demonstrated by counting the 
 letters. The book was printed, not for Wal- 
 pole, but for Lownds, of Fleet Street, and it was 
 prefaced by an introduction in which the author 
 described and criticised the supposed original, 
 which he declared to be a black-letter printed 
 at Naples in 1529. Its success was consider- 
 able. It seems at first to have excited no sus- 
 picion as to its authenticity, and it is not clear 
 that even Gray, to whom a copy was sent im- 
 mediately after publication, was in the secret. 
 ' I have received the Castle of Otranto,' he 
 says, ' and return you my thanks for it. It en- 
 gages our attention here [at Cambridge], makes 
 some of us cry a little, and all in general afraid 
 to go to bed o' nights.' In the second edition, 
 which followed in April, 1765, Walpole dropped 
 the mask, disclosing his authorship in a second 
 preface of great ability, which, among other 
 things, contains a vindication of Shakespeare's 
 
1 64 Horace Walpole : 
 
 mingling of comedy and tragedy against the 
 strictures of Voltaire, — a piece of temerity 
 which some of his French friends feared mi^^ht 
 
 o 
 
 prejudice him with that formidable critic. But 
 what is even more interesting is his own account 
 of what he had attempted. He had endeavoured 
 to blend ancient and modern romance, — to em- 
 ploy the old supernatural agencies of Scudery 
 and La Calprenede as the background to the 
 adventures of personages modelled as closely 
 upon ordinary life as the personages of Tom 
 Jones. These are not his actual illustrations, 
 but they express his meaning. ' The actions, 
 sentiments, conversations, of the heroes and 
 heroines of ancient days were as unnatural as 
 the machines employed to put them in motion.' 
 He would make his heroes and heroines natural 
 in all these things, only borrowing from the 
 older school some of that imagination, invention, 
 and fancy which, in the literal reproduction of 
 life, he thought too much neglected. 
 
 His idea was novel, and the moment a favour- 
 able one for its development. Fluently and 
 lucidly written, the Castle of Otranlo set a 
 fashion in literature. But, like many other 
 works produced under similar conditions, it had 
 its day. To the pioneer of a movement which 
 has exhausted itself, there comes often what is 
 
A Memoir: 165 
 
 almost worse than oblivion, — discredit and 
 neglect. A generation like the present, for 
 whom fiction has unravelled so many intricate 
 combinations^ and whose Gothicism and Mediae- 
 valism are better instructed than Walpole's, no 
 longer feels its soul harrowed up in the same 
 way as did his hushed and awe-struck readers 
 of the days of the third George. To the critic 
 the book is interesting as the first of a school of 
 romances which had the honour of influencing 
 even the mighty ' Wizard of the North,' who, 
 no doubt in gratitude, wrote for Ballant/ne's 
 Novelisfs Library a most appreciative study of 
 the story. But we doubt if that many-plumed 
 and monstrous helmet, which crashes through 
 stone walls and cellars, could now^ give a single 
 shiver to the most timorous Cambridge don, 
 while we suspect that the majority of modern 
 students would, like the author, leave Matilda 
 and Isabella talking, in the middle of a para- 
 graph, but from a different kind of weariness. 
 Autres temps, autres mceurs, — especially in the 
 matter of Gothic romance. 
 
.66 Hoi ace IValpole : 
 
 CHAPTER VII. 
 
 State of French Society in 1765. — Walpole at Paris. —The 
 Royal Family and the Bete du Gevaudan. — French Ladies 
 of Quality. — Madame du Deffand — A Letter from Madame 
 de Sevigne. — Rousseau and the King of Prussia. — The 
 Hume-Rousseau Quarrel. — Returns to England, and hears 
 Wesley at Bath. — Paris again. — Madame du Deftand's 
 Vitality. — Her Character. — Minor Literary Efforts. — The 
 Historic Doubts. — The Mysterious Mother. — Tragedy in 
 England. — Doings of the Strawberry Press. — Walpole 
 and Chatterton. 
 
 TXJHEN, towards the close of 176), 
 * ^ Walpole made the first of several 
 visits to Paris, the society of the French capi- 
 tal, and indeed French society as a whole, was 
 showing signs of that coming culbule gdntiralc 
 which was not to be long deferred. The upper 
 classes were shamelessly immoral, and, from the 
 King downwards, liaisons of the most open 
 character excited neither censure nor comment. 
 It was the era of Voltaire and the Encyclopae- 
 dists ; it was the era of Rousseau and the Sen- 
 timentalists ; it was also the era of confirmed 
 Anglomania. While we, on our side, were be- 
 ginning to copy the conUdics larmo/antcs of 
 
 i 
 
A Memoir, 167 
 
 La Chauss^e and Diderot, the French in their 
 turn were acting Romeo and Juliet, and raving 
 over Richardson. Richardson's chief rival in 
 their eyes was Hume, then a chargd (T affaires, 
 and, in spite of his plain face and bad French, 
 the idol of the freethinkers. He ' is treated 
 here,' writes Walpole, ' with perfect venera- 
 tion ; ' and we learn from other sources that no 
 lady's toilette was complete without his attend- 
 ance. 'At the Opera,' — says Lord Charlemont, 
 — ' his broad, unmeaning face was usually seen 
 entre deux jolis mlnois ; the ladies in France 
 gave the ion, and the ton was Deism.' Apart 
 from literature, irreligion, and philosophy, the 
 chief occupation was cards. ' Whisk and 
 Richardson ' is Walpole's later definition of 
 French society ; ' Whisk and disputes/ that of 
 Hume. According to Walpole, a kind of pedan- 
 try and solemnity was the characteristic of 
 conversation, and ' laughing was as much out 
 of fashion as pantins or bilboquets. Good folks, 
 they have no time to laugh. There is God and 
 the King to be pulled down first ; and men and 
 women, one and all, are devoutly employed in 
 the demolition.' How that enterprise even- 
 tuated, history has recorded. 
 
 It is needless, however, to rehearse the origins 
 of the French Revolution, in order to make a 
 
1 68 Horace IValpole : 
 
 background for the visit of an English gentle- 
 man to Paris in 1765. Walpole had been medi- 
 tating this journey for two or three years ; but 
 the state of his health, among other things (he 
 suffered much from gout), had from time to time 
 postponed it. In 1763, he had been going 
 next spring ; ^ but when next spring came he 
 talked of the beginning of 176). Nevertheless, 
 in March of that year, Gilly Williams writes to 
 Selwyn : ' Horry Walpole has now postponed 
 his journey till May,' and then he goes on to 
 speak of the Castle of Otranlo in a way which 
 shows that all the author's friends were not 
 equally enthusiastic respecting that ingenious 
 romance. ' How do you think he has employed 
 that leisure which his political frenzy has al- 
 lowed of? In writing a novel, . . . and such 
 a novel that no boarding-school miss of thirteen 
 could get through without yawning. It consists 
 of ghosts and enchantments ; pictures walk out 
 of their frames, and are good company for half 
 an hour together ; helmets drop from the moon, 
 
 ^ It is curious to note in one of his letters at this date 
 a mot which may be compared with the famous ' Good 
 Americans, when they die, go to Paris.' Walpole is more 
 sardonic. 'Paris,' he says, *. . . like the description 
 of the grave, is the way of all flesh ' ( Wal/^ole to Mann, 
 30 June, 1763). 
 
A Memoir, 169 
 
 and cover half a family. He says it was a 
 dream, and I fancy one when he had some 
 feverish disposition in him.'^ May, however, 
 had arrived and passed, and the Castle of 
 Otranto was in its second edition, before 
 Walpole at last set out, on Monday, the 9th 
 September, 176). After a seven hours' passage, 
 he reached Calais from Dover. Near Amiens 
 he was refreshed by a sight of one of his favour- 
 ites. Lady Mary Coke,^ ' in pea-green and 
 silver ; ' at Chantilly he was robbed of his port- 
 
 1 Gil/y Williams to Sekvyn, 19 March, 1765. 
 
 2 Lady Mary Coke, to whom the second edition of the 
 Gothic romance was dedicated, was the youngest daugh- 
 ter of John, Duke of Argyll and Greenwich. At this date, 
 she was a widow, — Lord Coke having died in 1753. Two 
 volumes of her Letters and Journals, with an excellent 
 introduction by Lady Louisa Stuart, were printed privately 
 at Edinburgh in 1889 from MSS. in the possession of the 
 Earl of Home. A third volume, which includes a num- 
 ber of epistles addressed to her by Walpole, found among 
 the papers of the late Mr. Drummond Moray of Aber- 
 cairny, was issued in 1892. Walpole's tone in these 
 documents is one of fantastic adoration ; but the pair 
 ultimately (and inevitably) quarrelled. There is a well- 
 known mezzotint of Lady Mary by McArdell after Allan 
 Ramsay, in which she appears in white satin, holding a 
 tall theorbo. The original painting is at Mount Stuart, 
 and belongs to Lord Bute. 
 
1 70 Horace Walpole : 
 
 manteau. By the time he reached Paris, on the 
 1 3th, he had already ' fallen in love with twenty 
 things, and in hate with forty.' The dirt of 
 Paris, the narrowness of the streets, the ' trees 
 clipped to resemble brooms, and planted on 
 pedestals of chalk,' disgust him. But he is 
 enraptured with the treillage and fountains, 
 'and will prove it at Strawberry.' He detests 
 the French opera, though he loves the French 
 opdra-comique, with its Italian comedy and his 
 passion, — ' his dear favourite harlequin.' Upon 
 the whole, in these first impressions he is dis- 
 appointed. Society is duller than he expected, 
 and with the staple topics of its conversation, — 
 philosophy, literature, and freethinking, — he is 
 (or says he is) out of sympathy. ' Freethinking 
 is for one's self, surely not for society. ... I 
 dined to-day with half-a-dozen savans, and though 
 all the servants were waiting, the conversa- 
 tion was much more unrestrained, even on the 
 Old Testament, than 1 would suffer at my own 
 table in England if a single footman was pre- 
 sent. For literature, it is very amusing when 
 one has nothing else to do. I think it rather 
 pedantic in society ; tiresome when displayed 
 professedly ; and, besides, in this country one is 
 sure it is only the fashion of the day.' And 
 
A Memoir, 171 
 
 then he goes on to say that the reigning fashion 
 is Richardson and Hume.^ 
 
 One of his earliest experiences was his pre- 
 sentation at Versailles to the royal family, — a 
 ceremony which luckily involved but one opera- 
 tion instead of several, as in England, where the 
 Princess Dowager of Wales, the Duke of Cum- 
 berland, and the Princess Amelia had all their 
 different levees. He gives an account of this 
 to Lady Hervey ; but repeats it on the same 
 day with much greater detail in a letter to 
 Chute. ' You perceive [he says] that I have 
 been presented. The Queen took great notice 
 of me [for which reason, in imitation of Madame 
 de Sevigne, he tells Lady Hervey that she is le 
 plus grand roi du mondc] ; none of the rest said 
 a syllable. You are let into the King's bed- 
 chamber just as he has put on his shirt ; he 
 dresses, and talks good-humouredly to a few, 
 glares at strangers, goes to mass, to dinner, and 
 a-hunting. The good old Queen, who is like 
 Lady Primrose in the face, and Queen Caroline 
 in the immensity of her cap, is at her dressing- 
 table, attended by two or three old ladies. . . . 
 Thence you go to the Dauphin, for all is done in 
 an hour. He scarce stays a minute ; indeed, 
 poor creature, he is a ghost, and cannot possibly 
 1 Walpole to Montagu, 22 September, 1765. 
 
1 72 Horace JValpoIe : 
 
 last three months. [He died, in fact, within 
 this time, on the 20th December.] The 
 Dauphiness is in her bed-chamber, but dressed 
 and standing; looks cross, is not civil, and has 
 the true Westphalian grace and accents. The 
 four Mesdames [these were the Graille, Chiffe, 
 Coche, and Loqiie of history], w^ho are clumsy, 
 plump old wenches, with a bad likeness to their 
 father, stand in a bedchamber in a row, with 
 black cloaks and knotting-bags, looking good- 
 humoured, [and] not knowing what to say. . . . 
 This ceremony is very short ; then you are carried 
 to the Dauphin's three boys, who, you may be 
 sure, only bow and stare. The Duke of Berry 
 [afterwards Louis XVI.] looks weak and weak- 
 eyed ; the Count de Provence [Louis XVI I L] 
 is a fine boy ; the Count d'Artois [Charles X.] 
 well enough. The whole concludes with seeing 
 the Dauphin's little girl dine, who is as round and 
 as fat as a pudding.' ^ Such is Walpole's account 
 of the royal family of France on exhibition. In 
 the Queen's ante-chamber he was treated to a 
 sight of the famous bete du Gdvaudan, a hugeous 
 wolf, of which a highly sensational representa- 
 tion had been given in the St. James's Chronicle 
 for June 6-8. It had just been shot, after a 
 prosperous but nefarious career, and was ex- 
 1 IValJ^oU to Chute, 3 October, 1765. 
 
A Memoir. 173 
 
 hibited by two chasseurs ' with as much parade 
 as if it was Mr. Pitt.'^ 
 
 When he had been at Paris little less than a 
 month, he was laid up with the gout in both 
 feet. He was visited during his illness by 
 Wilkes, for whom he expresses no admiration. 
 From another letter it appears that Sterne and 
 Foote were also staying in the French capital 
 at this time. In November he is still limping 
 about, and it is evident that confinement in ' a 
 bedchamber in a hdtel garni, . . . when the 
 court is at Fontainebleau,' has not been with- 
 out its effect upon his views of things in general. 
 In writing to Gray (who replies with all sorts 
 of kindly remedies), he says, 'The charms of 
 Paris have not the least attraction for me, nor 
 
 1 Madame de Genlis mentions this fearsome monster 
 in her Mhnoires : ' Tout le monde a entendu parler de 
 la hyene de Gevaudan, qui a fait tant de ravages.' The 
 point of Walpole's allusion to Pitt is explained in one 
 of his hitherto unpublished letters to Lady Mary Coke 
 at this date : ' I had the fortune to be treated with the 
 sight of what, next to Mr. Pitt, has occasioned most alarm 
 in France, the Beast of the Gevaudan' [Letters and Jour- 
 nals, iii. [1892], xvii). In another letter, to Pitt's sister 
 Ann, maid of honour to Queen Caroline, he says : * It is 
 a very large wolf, to be sure, and they say has twelve teeth 
 more than any of the species, and six less than the 
 (Zz2ccm2i' [Forte saie Corr., Hist. MSS. Com7nissio7t, iT^th 
 Kept., App. iii., 1S92, i. 147). 
 
1 74 Horace IValpole : 
 
 would keep me an hour on their own account. 
 For the city itself, I cannot conceive where my 
 eyes were : it is the ugliest, beastliest town in 
 the universe. I have not seen a mouthful of 
 verdure out of it, nor have they anything green 
 but their treillage and window shutters. . . . 
 Their boasted knowledge of society is reduced 
 to talking of their suppers, and every malady 
 they have about them, or know of.' A day or 
 two later his gout and his stick have left him, 
 and his good humour is coming back. Before 
 the month ends, he is growing reconciled to his 
 environment ; and by January ' France is so 
 agreeable, and England so much the reverse," — 
 he tells Lady Hervey, — ' that he does not know 
 when he shall return.' The great ladies, too, 
 Madame de Brionne, Madame d'Aiguillon, 
 Marshal Richelieu's daughter, Madame d'Eg- 
 mont (with whom he could fall in love if it 
 would break anybody's heart in England), begin 
 to flatter and caress him. His ' last new pas- 
 sion ' is the Duchess de Choiseul, who is so 
 charming that ' you would take her for the 
 queen of an allegory.' ' One dreads its finish- 
 ing, as much as a lover, if she would admit one, 
 would wish it should finish.' There is also a 
 beautiful Countess de Forcalquier, the ' broken 
 music ' of whose imperfect English stirs him 
 
A Memoir. 175 
 
 into heroics too Arcadian for the matter-of-fact 
 meridian of London, where Lady Hervey is 
 cautioned not to exhibit them to the profane.^ 
 
 In a letter of later date to Gray, he describes 
 some more of these graceful and witty leaders 
 of fashion, whose ^douceur' he seems to have 
 greatly preferred to the pompous and arrogant 
 fatuity of the men. ' They have taken up 
 gravity,' — he says of these latter, — 'thinking 
 it was philosophy and English, and so have 
 acquired nothing in the room of their natural 
 levity and cheerfulness.' But with the women 
 the case is different. He knows six or seven 
 ' with very superior understandings ; some of 
 them with wit, or with softness, or very good 
 sense.' His first portrait is of the famous 
 Madame Geoffrin, to whom he had been 
 recommended by Lady Hervey, and who had 
 visited him when imprisoned in his chambre 
 garni. He lays stress upon her knowledge of 
 character, her tact and good sense, and the 
 happy mingling of freedom and severity by 
 
 1 Of Mad. de Forcalquier it is related that, entering a 
 theatre during the performance of Cresset's Le Mechajit, 
 just as the line was uttered, ^ La faute est mix dieux, 
 gut lafirent si belief the applause was so great as to inter- 
 rupt the play. The point of this, in a recent repetition of 
 the anecdote, was a little blunted by the printer's substi- 
 tution of ' bete ' for '■belle.'' 
 
1/6 Horace IValpole: 
 
 which she preserved her position as ' an epi- 
 tome of empire, subsisting by rewards and 
 punishments.' Then there is the Marechale 
 de Mirepoix, a courtier and an intrigante of the 
 first order. ' She is false, artful, and insinu- 
 ating beyond measure when it is her interest, 
 but indolent and a coward,' says Walpole, 
 who does not measure his words even when 
 speaking of a beauty and a Princess of Lorraine. 
 Others are the savante, Madame de Boufilers, 
 who visited England and Johnson, and whom 
 the writer hits off neatly by saying that you 
 would think she was always sitting for her 
 picture to her biographer ; a second sarante, 
 Madame de Rochfort, 'the decent friend' of 
 Walpole's former guest at Strawberry, the Due 
 de Nivernois; ^ the already mentioned Duchess 
 
 1 Louis-Jules-Barbon-Mancini-Mazarini, DucdeNiver- 
 nois (1716-98), who had visited Twickenham three years 
 earlier, when he was Ambassador to England. He was 
 a man of fine manners, and tastes so literary that his 
 works fill eight volumes. They include a translation of 
 Walpole's Essay on Modern Gardening (see appendix at 
 end). In his letters to Miss Ann Pitt at this date, 
 Walpole speaks of the Duke's clever fables, by which he 
 is now best remembered. Lord Chesterfield told his son 
 in 1749 that Nivernois was 'one of the prettiest men he 
 had ever known,' and in 1762 his opinion was unaltered. 
 * M. de Nivernois est aim^, respect^, et adtnir^ par tout ce qii' 
 
Madame du Deffand, 
 
/ 
 
 '^/^i 
 
 
A Memoir. 177 
 
 de Choiseul, and Madame la Marechale de 
 Luxembourg, whose youth had been stormy, 
 but who was now softening down into a kind 
 of twilight melancholy which made her rather 
 attractive. This last, with one exception, com- 
 pletes his list. 
 
 The one exception is a figure \\hich hence- 
 forth played no inconsiderable part in Wal- 
 pole's correspondence^ — that of the brilliant 
 and witty Madame du Deffand. As Marie de 
 Vichy-Chamrond, she had been married at 
 one-and-twenty to the nobleman whose name 
 she bore, and had followed the custom of her 
 day by speedily choosing a lover, who had 
 many successors. For a brief space she had 
 captivated the Regent himself, and at this date, 
 being nearly seventy and hopelessly blind, was 
 continuing, from mere force of habit, a • decent 
 friendship ' with the deaf President Henault. 
 At first Walpole was not impressed with her, 
 and speaks of her, disrespectfully, as ' an old 
 blind debauchee of wit." A little later, although 
 he still refers to her as the ' old lady of the 
 
 il y a d'hon7ietes gens h la cour et a la ville,^ he writes to 
 Madame de Monconseil. The Duke's end was worthy of 
 Chesterfield himself, for he spent some of his last hours 
 in composing valedictory verses to his doctor, which are 
 said to have been ^ pleins de sentifnefits affectueiix.^ 
 12 
 
178 Horace Walpole : 
 
 house,' he says she is very agreeable. Later 
 still, she has completed her conquest by telling 
 him he has le fou mocqiier ; and in the letter to 
 Gray above quoted, it is plain that she has 
 become an object of absorbing interest to him, 
 not unmi'ngled with a nervous apprehension of 
 her undisguised partiality for his society. In 
 spite of her affliction (he says) she ' retains all 
 her vivacity, wit, memory, judgment, passions, 
 and agreeableness. She goes to Operas, Plays, 
 suppers, and Versailles ; gives suppers twice 
 a week ; has every thing new read to her ; 
 makes new songs and epigrams, ay, admirably,^ 
 and remembers every one that has been made 
 these fourscore years. She corresponds with 
 Voltaire, dictates charming letters to him, con- 
 tradicts him, is no bigot to him or anybody, 
 and laughs both at the clergy and the philoso- 
 phers. In a dispute, into which she easily falls, 
 she is very warm, and yet scarce ever in the 
 wrong; her judgment on every subject is as 
 just as possible; on every point of conduct as 
 1 One of her logogriphes, or enigmas, is as follows : — 
 ' Quotqueje forme nn corps, jene suis qtiUtne tdee ; 
 Phis ma beaute vieillit, plus elle est decidee : 
 ///aui, pour me irouver, iguorer d^oii jc viens : 
 Je tiens tout de lui, qui rcduit tout h ricn.^ 
 The answer is noblesse. Lord Chesterfield thought it so 
 good that he sent it to his godson (Letter 166). 
 
A Memoir. 179 
 
 wrong as possible : for she is all love and 
 hatred, passionate for her friends to enthu- 
 siasm, still anxious to be loved, I don't mean 
 by lovers, and a vehement enemy, but openly. 
 As she can have no amusement but conver- 
 sation, the least solitude and ennui are insup- 
 portable to her, and put her into the power 
 of several worthless people, who eat her suppers 
 when they can eat nobody's of higher rank. ; 
 wink to one another and laugh at her ; hate 
 her because she has forty times more parts, 
 and venture to hate her because she is not 
 rich.' ^ In another letter, to Mr. James Craw- 
 ford of Auchinames (Hume's Fhh Crawford), 
 who was also one of Madame du Deffand's 
 admirers, he says, in repeating some of the 
 above details, that he is not ' ashamed of in- 
 teresting himself exceedingly about her. To 
 say nothing of her extraordinary parts, she is 
 certainly the most generous, friendly being upon 
 earth.' Upon her side, Madame du Deffand 
 seems to have been equally attracted by the 
 strange mixture of independence and effeminacy 
 which went to make up Walpole's character. 
 Her attachment to him rapidly grew into a 
 kind of infatuation. He had no sooner quitted 
 Paris, which he did on the 17th April, than she 
 1 Walpolc to Gray, 25 January, 1766. 
 
i8o Horace IValpoIe : 
 
 began to correspond with him ; and thencefor- 
 ward, until her death in 1780, her letters, 
 dictated to her faithful secretary. Wiart, con- 
 tinued, except when Walpole was actually visit- 
 ing her (and she sometimes wrote to him even 
 then), to reach him regularly. Not long after 
 his return to England, she made him the victim 
 of a charming hoax. He had, when in Paris, 
 admired a snuflf-box which bore a portrait of 
 Madame de Sevigne, for whom he professed an 
 extravagant admiration. Madame du Deffand 
 procured a similar box, had the portrait copied, 
 and sent it to him with a letter, purporting to 
 come from the dateless Elysian Fields and 
 ' Notre Dame de Livry ' herself, in which he 
 was enjoined to use his present always, and 
 to bring it often to France and the Faubourg 
 St. Germain. Walpole was completely taken 
 in, and imagined that the box had come from 
 Madame de Choiseul ; but he should have 
 known at first that no one living but his blind 
 friend could have written 'that most charming 
 of all letters.' The box itself, the memento of 
 so much old-world ingenuity, was sold (with the 
 pseudo-Sevigne epistle) at the Strawberry Hill 
 sale for £28 7s. When witty Mrs. Clive heard 
 of the last addition to Walpole's list of favour- 
 ites, she delivered herself of a good-humoured 
 
A Memoir. i8i 
 
 hon mot. There was a new resident at Twick- 
 enham, — the first Earl of Shelburne's widow. 
 ' If the new Countess is but lame/ quoth Clive 
 (referring to the fact that Lady Suffolk was deaf, 
 and Madame du Deffand blind), ' I shall have 
 no chance of ever seeing you.' But there is 
 nothing to show that he ever relaxed in his 
 attentions to the delightful actress, whom he 
 somewhere styles dimidium animcu mecv. -^ 
 
 One of the other illustrious visitors to Paris 
 during Walpole's stay there was Rousseau. Be- 
 ing no longer safe in his Swiss asylum, where 
 the curate of Motiers had excited the mob 
 against him, that extraordinary self-tormentor, 
 clad in his Armenian costume, had arrived in 
 December at the French capital, and shortly 
 afterwards left for England, under the safe-con- 
 duct of Hume, who had undertaken to procure 
 him a fresh resting-place. He reached London 
 on the 14th January, 1766. Walpole had, to 
 
 1 He was malicious enough to add, ' a pretty round 
 half.' In middle life Mrs. Clive, like her Twickenham 
 neighbour, Mrs. Pritchard, grew excessively stout; and 
 there is a pleasant anecdote that, on one occasion, when 
 the pair were acting together in Gibber's Careless Husband, 
 the audience were regaled by the spectacle of two leading 
 actresses, neither of whom could manage to pick up a 
 letter which, by ill-luck, had been dropped upon the 
 ground. 
 
1 82 Horace Walpole : 
 
 use his own phrase, ' a hearty contempt ' for the 
 fugitive sentimentalist and his grievances ; and 
 not long before Rousseau's advent in Paris, 
 taking for his pretext an offer made by the King 
 of Prussia, he had woven some of the light 
 mockery at Madame Geoflfrin's into a sham letter 
 from Frederick to Jean-Jacques, couched in the 
 true Walpolean spirit of persiflage. It is difficult 
 to summarize, and may be reproduced here as its 
 author transcribed it on the 12th January, for 
 the benetit of Conway : — 
 
 Le Roi de Prusse a Monsieur Rousseau. 
 
 MoN CHER Jean-Jacques, — Vous avez re- 
 nonc^ k Geneve votre patrie ; vous vous 6tes 
 fait chasser de la Suisse, pays tant vante dans 
 vos Merits ; la France vous a decrete. Venez 
 done chez moi ; j'admire vos talens ; je m'amuse 
 de vos reveries, qui (soit dit en passant) vous 
 occupent trop, et trop longtems. II faut k la 
 fin etre sage et heureux. Vous avez fait assez 
 parler de vous par des singularit^s peu conve- 
 nables k un veritable grand homme. Demontrez 
 k vos ennemis que vous pouvez avoir quelque- 
 fois le sens commun : cela les fachera, sans vous 
 faire tort. Mes etats vous offrent une retraite 
 paisible ; je vous veux du bien, et je vous en 
 ferai, si vous le trouvez bon. Mais si vous vous 
 
A Memoir, 183 
 
 obstiniez ^ rejetter mon secours, attendez-vous 
 que je ne le dirai k personne. Si vous persistez 
 k vous creuser Tesprit pour trouver de nou- 
 veaux malheurs, choisissez les tels que vous 
 voudrez. Je suis roi, je puis vous en procurer 
 au gre de vos souhaits : et ce qui sOrement ne 
 vous arrivera pas vis ^ vis de vos ennemis, je 
 cesserai de vous persecuter quand vous cesserez 
 de mettre votre gloire k Tetre. 
 Votre bon ami, 
 
 Frederic. 
 
 This composition, the French of which was 
 touched up by Helvetius, Henault, and the Due 
 de Nivernois, gave extreme satisfaction to all 
 the anti-Rousseau party. ^ While Hume and 
 his poUgi were still in Paris, Walpole, out of 
 delicacy to Hume, managed to keep the matter 
 
 1 In a recently printed letter to Miss Ann Pitt, 19 Jan., 
 1766, Walpole makes reference to the popularity which 
 this jeu d'esprit procured for him. ' Everybody wou'd 
 have a copy [of course he encloses one to his correspon- 
 dent] ; the next thing was, everybody wou'd see the 
 author. ... I thought at last I shou'd have a box quilted 
 for me, like Gulliver, be set upon the dressing-table of a 
 maid of honour, and fed with bonbons. ... If, contrary 
 to all precedent, I shou'd exist in vogue a week longer, I 
 will send you the first statue that is cast of me in berga- 
 motte or biscuite porcelaine' {Fortescue Corr., Hist. AISS. 
 Commision, lyh Rept., App. iii. [1892], i, 153), 
 
1 84 Horace Walpole : 
 
 a secret ; and he also abstained from making any 
 overtures to Rousseau, whom, as he truly said, 
 he could scarcely have visited cordially, with a 
 letter in his pocket written to ridicule him. 
 But Hume had no sooner departed than Frede- 
 rick's sham invitation went the round, ultimately 
 finding its way across the Channel, where it was 
 printed in the St. James's Chronicle. Rousseau, 
 always on the alert to pose as the victim of 
 plots and conspiracies, was naturally furious, and 
 wrote angrily from his retreat at Mr. Daven- 
 port's in Derbyshire to denounce the fabrication. 
 The worst of it was, that his morbid nature im- 
 mediately suspected the innocent Hume of par- 
 ticipating in the trick. ' What rends and afflicts 
 my heart [is],' he told the Chronicle, ' that the 
 impostor hath his accomplices in England ; ' and 
 this delusion became one of the main elements 
 in that ' twice-told tale,' — the quarrel of Hume 
 and Rousseau. Walpole was called upon to 
 clear Hume from having any hand in the letter, 
 and several communications, all of which are 
 printed at length in the fourth volume of his 
 works, followed upon the same subject. Their 
 discussion would occupy too large a space in 
 this limited memoir.^ It is, however, worth 
 
 1 Hume's narrative of the affair may be read in .-1 Con- 
 cise and Genuine Account of the Dispute behveen Mr. Ilume 
 
Hume. 
 
tJNIVEBSIXT j 
 
A Memoir. 185 
 
 noticing that Walpole's instinct appears to have 
 foreseen the trouble that fell upon Hume. 
 * I wish/ he wrote to Lady Hervey, in a letter 
 which Hume carried to England when he ac- 
 companied his untunable protigi thither, ' I 
 wish he may not repent having engaged with 
 Rousseau, who contradicts and quarrels with all 
 mankind, in order to obtain their admiration.'^ 
 He certainly, upon the present occasion, did not 
 belie this uncomplimentary character. 
 
 Before the last stages of the Hume-Rousseau 
 controversy had been reached, Hume was back 
 again in Paris, and Walpole had returned to 
 London. Upon the whole, he told Mann, he 
 liked France so well that he should certainly go 
 there again. In September, 1766, he was once 
 
 and Mr. Rousseau : with the Letters that passed between 
 them during their Controversy. As also, the Letters of the 
 Hon. Mr. Walpole, and Mr. D'Alenibert, relative to this 
 extraordinary Affair. Translated from the French. 
 Londoti. Printed for T. Becket and P. A. De Hondt, Jiear 
 Snrry-street, in the Strand, MDCCLXVI. 
 
 1 Walpole to Lady Hervey, 2 January, 1766. In a letter 
 to Lady Mary Coke, dated two days later, he says : ' Rous- 
 seau set out this morning for England. As He loves to 
 contradict a whole Nation, I suppose he will write for the 
 present opposition. ... As he is to live at Fulham, I hope 
 his first quarrel will be with his neighbour the Bishop of 
 London, who is an excellent subject for his ridicule ' 
 {Letters and Journals, iii. 1892, xx). 
 
1 86 Horace Walpole : 
 
 more attacked with gout, and at the beginning 
 of October went to Bath, whose Avon (as com- 
 pared with his favourite Thames) he considers 
 ' paltry enough to be the Seine or Tyber.' 
 Nothing pleases him much at Bath, although it 
 contained such notabilities as Lord Chatham, 
 Lord Northington, and Lord Camden ; but he 
 goes to hear Wesley, of whom he writes rather 
 flippantly to Chute. He describes him as ' a 
 lean, elderly man, fresh-coloured, his hair 
 smoothly combed, but with a soupgon of curl 
 at the ends.' ' Wondrous clean,' he adds, ' but 
 as evidently an actor as Garrick. He spoke 
 his sermon, but so fast, and with so little 
 accent, that I am sure he has often uttered it, 
 for it was like a lesson. There were parts and 
 eloquence in it ; but towards the end he exalted 
 his voice, and acted very ugly enthusiasm ; de- 
 cried learning, and told stories, like Latimer, of 
 the fool of his college, who said, ' I th.mks God 
 for everything.' ^ He returned to Strawberry 
 Hill in October. In August of the next year he 
 again went to Paris, going almost straight to 
 Madame du Deffand's, where he finds Made- 
 moiselle Clairon (who had quitted the stage) 
 invited to declaim Corneille in his honour, and 
 he sups in a distinguished company. His visit 
 1 JVci/J>oL- to Chute, lo October, 1766. 
 
A Memoir. 187 
 
 lasted two months ; but his letters for this period 
 contain few interesting particulars, while those 
 of the lady cease altogether, to be resumed 
 again on the 9th October, a few hours after his 
 departure. Two years later he travels once 
 more to Paris and his blind friend, whom he 
 finds in better health than ever, and with spirits 
 so increased that he tells her she will go mad 
 with age. ' When they ask her how old she 
 is, she answers, "7'ai soixante et mille ans.''' 
 Her septuagenarian activity might well have 
 wearied a younger man. ' She and I,' he says, 
 • went to the Boulevard last night after supper, 
 and drove about there till two in the morning. 
 We are going to sup in the country this evening, 
 and are to go to-morrow night at eleven to the 
 puppet-show.' In a letter to George Montagu, 
 which adds some details to her portrait, he 
 writes : ' I have heard her dispute w^ith all sorts 
 of people, on all sorts of subjects, and never 
 knew her in the wrong. ^ She humbles the 
 learned, sets right their disciples, and finds 
 conversation for everybody. Affectionate as 
 1 Lady Mary Coke testifies to the charm of her con- 
 versation : ' In the evening I made a visit to Madame du 
 Deffan [szc]. She talks so well that I wish'd to write 
 down everything She said, as I thought I shou'd have 
 liked to have read it afterwards' [Letters and Journals, 
 iii. [1892], 233). 
 
1 88 " Horace IValpole : 
 
 Madame de Sevign6, she has none of her pre- 
 judices, but a more universal taste ; and, with 
 the most delicate frame, her spirits hurry her 
 through a life of fatigue that would kill me, if I 
 was to continue here. ... I had great difficulty 
 last night to persuade her, though she was not 
 well, not to sit up till between two and three 
 for the comet ; for which purpose she had ap- 
 pointed an astronomer to bring his telescopes to 
 the President Henault's, as she thought it would 
 amuse me. In short, her goodness to me is so 
 excessive that I feel unashamed at producing 
 my withered person in a round of diversions, 
 which I have quitted at home.'^ One of the 
 other amusements which she procured for him 
 was the entrde of the famous convent of St. Cyr, 
 of which he gives an interesting account. He 
 inspects the pensioners, and the numerous por- 
 traits of the foundress, Madame de Maintenon. 
 In one class-room he hears the young ladies 
 sing the choruses in Athalic ; in another sees 
 them dance minuets to the violin of a nun who 
 is not precisely St. Cecilia. In the third room 
 they act proj'^jr/'fjs, or conversations. Finally, he 
 is enabled to enrich the archives of Strawberry 
 with a piece of paper containing a few sentences 
 of Madame de Maintenon's handwriting. 
 1 JV(i//>o/c' to Montagu, 7 September, 1769. 
 
A Memoir. 189 
 
 Walpole's literary productions for this date (in 
 addition to the letter from the King of Prussia 
 to Rousseau) are scheduled in the Short Notes 
 with his usual minuteness. In June^ 17^6, 
 shortly after his return from Paris, he wrote a 
 squib upon Captain Byron's description of the 
 Patagonians, entitled, An Account of the Giants 
 lately discovered, which was published on the 
 2^th August. On 18 August he began his 
 Memoirs of the Reign of King George the 
 Third; and, in 1767, the detection of a work 
 published at Paris in two volumes under the 
 title of the Testament du Chevalier Robert 
 Walpole, and ' stamped in that mint of forge- 
 ries, Holland.' This, which is printed in the 
 second volume of his works, remained unpub- 
 lished during his lifetime, as no English transla- 
 tion of the Testament was ever made. His next 
 deliverance was a letter, subsequently printed 
 in the St. Jameses Chronicle for 28 May, in 
 which he announced to the Corporation of 
 Lynn, in the person of their Mayor, Mr. Langley, 
 that he did not intend to offer himself again as 
 the representative in Parliament of that town. 
 A wish to retire from all public business, and the 
 declining state of his health, are assigned as the 
 reasons for his thus breaking his Parliamentary 
 connection, which had now lasted for five-and- 
 
1 90 Horace Walpole : 
 
 twenty years. Following upon this comes the 
 already mentioned account of his action in the 
 Hume and Rousseau quarrel, and a couple of 
 letters on Political Abuse in Newspapers. These 
 appeared in the Public Advertiser. But the 
 chief results of his leisure in 1766-8 are to be 
 found in two efforts more ambitious than any of 
 those above indicated, — the Historic Doubts 
 on Richard the Third, and the tragedy of The 
 Mysterious Mother. The Historic Doubts was 
 begun in the winter of 1767, and published in 
 February, 1768; the tragedy in December, 1766, 
 and published in March, 1768. 
 
 The Historic Doubts was an attempt to vindi- 
 cate Richard III. from his traditional character, 
 which Walpole considered had been intentionally 
 blackened in order to whiten that of Henry 
 VH. * Vous seriei un excellent attornei gindraU^ 
 — wrote Voltaire to him, — ^ vous pese\ toutes 
 Ics probabilities.' He might have added that 
 they were all weighed on one side. Gray 
 admits the clearness with which the principal 
 part of the arguments was made out ; but he 
 remained unconvinced, especially as regards 
 the murder of Henry VI. Other objectors 
 speedily appeared, who were neither so friendly 
 nor so gentle. The Critical Rcvicir attacked 
 him for not having referred to Guthrie's His- 
 
A Memoir. 191 
 
 tory of England, which had in some respects anti- 
 cipated him ; and he was also criticised adversely 
 by the London Chronicle. Of these attacks 
 Walpole spoke and wrote very contemptuously ; 
 but he seems to have been considerably nettled 
 by the conduct of a Swiss named Deyverdun, 
 who, giving an account of the book in a work 
 called Mdmoires LitUraires de la Grande Bre- 
 tagne for 1768, declared his preference for the 
 views which Hume had expressed in certain 
 notes to the said account. Deyverdun's action 
 appears to have stung Walpole into a supplemen- 
 tary defence of his theories, in which he dealt 
 with his critics generally. This he did not print, 
 but set aside to appear as a postscript in his 
 works. In 1770, however, his arguments were 
 contested by Dr. Milles, Dean of Exeter, to 
 whom he replied ; and later still, another anti- 
 quary, the Rev. Mr. Masters, came forward. 
 The last two assailants were members of the 
 Society of Antiquaries, from which body Walpole, 
 in consequence, withdrew. But he practically 
 abandoned his theories in a final postscript, writ- 
 ten in February, 1793, which is to be found in 
 the second volume of his works. 
 
 Concerning the second performance above 
 referred to, The Mysterious Mother, most of 
 Walpole's biographers are content to abide in 
 
192 Horace Walpole : 
 
 generalities. That the proprietor of Gothic 
 Strawberry should have produced The Castle 
 of Otranto has a certain congruity ; but one 
 scarcely expects to find the same person indulg- 
 ing in a blank-verse tragedy sombre enough to 
 have taxed the powers of Ford or Webster. It 
 is a curious example of literary reaction, and 
 his own words respecting it are doubtful-voiced. 
 To Montagu and to Madame du Deffand he 
 writes apologetically. ' // ne vous plairoit pas 
 assurdment,' he informs the lady ; ' il n'v a 
 pas de beaux sentiments. II /iV a que dcs pas- 
 sions sans envelope, des crimes, des repentis, et dcs 
 horrcurs ; ' ^ and he lays his finger on one of its 
 gravest defects when he goes on to say that its 
 interest languishes from the first act to the last. 
 Yet he seems, too, to have thought of its being 
 played, for he tells Montagu a month later that 
 though he is not yet intoxicated enough with it 
 to think it would do for the stage, yet he wishes 
 to see it acted, — a wish which must have been 
 a real one, since he says further that he has 
 written an epilogue for Mrs. Clive to speak 
 in character. The postscript which is affixed to 
 the printed piece contradicts the above utter- 
 ances considerably, or, at all events, shows that 
 fuller consideration has materially revised them. 
 1 Letters of Mixdame du Deffand, i8io, i. 21 1 n. 
 
A Memoir, 193 
 
 He admits that The Mysterious Mother would 
 not be proper to appear upon the boards. ' The 
 subject is so horrid that I thought it would 
 shock rather than give satisfaction to an au- 
 dience. Still, I found it so truly tragic in the 
 two essential springs of terror and pity that I 
 could not resist the impulse of adapting it to the 
 scene, though it should never be practicable to 
 produce it there." After his criticism to Madame 
 du Deffand upon the plot, it is curious to find 
 him later on claiming that ' every scene tends 
 to bring on the catastrophe, and [that] the story 
 is never interrupted or diverted from its course.' 
 Notwithstanding its imaginative power, it is 
 impossible to deny that the author's words as to 
 the repulsiveness of the subject are just. But 
 it is needless to linger longer upon a dramatic 
 work which had such grave defects as to render 
 its being acted impossible, and concerning the 
 literary merit of which there will always be differ- 
 ent opinions. Byron spoke of it as 'a tragedy 
 of the highest order,' — a judgment which has 
 been traversed by Macaulay and Scott; Miss 
 Burney shuddered at its very name ; while Lady 
 Di. Beauclerk illustrated it enthusiastically with 
 a series of seven designs in ' sut-water,' ^ for 
 1 /. ^. Soot-water. There were two landscapes in soot- 
 water by Mr. Bentley in tiie Green Closet at Strawberry. 
 13 
 
194 
 
 Horace IValpole: 
 
 which the enraptured author erected a special 
 gallery.^ Meanwhile, we may quote, from the 
 close of the above postscript, a passage where 
 Walpole is at his best. It is a rapid and char- 
 acteristic apcrgu of tragedy in England : 
 
 ' The excellence of our dramatic writers is 
 by no means equal in number to the great men 
 we have produced in other walks. Theatric 
 genius lay dormant after Shakespeare ; waked 
 with some bold and glorious, but irregular and 
 often ridiculous, flights in Dryden ; revived in 
 Otway ; maintained a placid, pleasing kind of 
 dignity in Rowe, and even shone in his Jane 
 Shore. It trod in sublime and classic fetters 
 in Calo, but void of nature, or the power of 
 affecting the passions. In Southerne it seemed 
 a genuine ray of nature and Shakespeare ; but, 
 falling on an age still more Hottentot, was stifled 
 in those gross and barbarous productions, tra- 
 gi-comedies. It turned to tuneful nonsense in 
 the Mourning Bride; grew stark mad in Lee, 
 whose cloak, a little the worse for wear, fell on 
 Young, yet in both was still a poet's cloak. It 
 recovered its senses in Hughes and Fenton, who 
 were afraid it should relapse, and accordingly 
 kept it down with a timid but amiable hand ; 
 
 I 
 
 1 See chapter ix. 
 
A Memoir, 195 
 
 and then it languished. We have not mounted 
 acrain above the two last.' ^ 
 
 o 
 
 The Castle of Otranto and the Historic 
 Doubts were not printed by Mr. Robinson's 
 latest successor, Mr. Kirgate. But the Straw- 
 berry Press had by this time resumed its func- 
 tions, for The Mysterious Mother, of which 
 ^o copies were struck off in 1768, was issued 
 from it. Another book which it produced in 
 the same year was Conidie, a youthful tragedy 
 by Madame du Deffand's friend, President 
 Henault. Walpole's sole reason for giving it 
 the permanence of his type appears to have 
 been gratitude to the venerable author, then 
 fast hastening to the grave, for his kindness to 
 himself in Paris. To Paris three-fourths of the 
 impression went. More important reprints were 
 Grammont's Memoirs, a small quarto, and a 
 series of Letters of Edward VI.; both printed 
 in 1772. The list for this period is completed 
 by the loose sheets of Hoyland's Poems, 1769, 
 and the well-known, but now rare. Description 
 of the Villa of Horace Walpole at Strawberry 
 Hill, 1774, 100 copies of which were printed, 
 six being on large paper. To an account of 
 this patchwork edifice, the ensuing chapter will 
 be chiefly devoted. The present may fitly be 
 i Works, 1798, i. 129. 
 
1 96 Horace IValpole : 
 
 concluded with a brief statement of that always- 
 debated passage in Walpole's life, his relations 
 with the ill-starred Chatterton. 
 
 Towards the close of 1768, and early in 
 1769, Chatterton, fretting in Mr. Lambert's 
 office at Bristol, and casting about eagerly 
 for possible clues to a literary life, had offered 
 some specimens of the pseudo-Rowley to 
 James Dodsley of Pail-Mall, but apparently 
 without success. His next appeal was made 
 to Walpole, and mainly as the author of the 
 Anecdotes of Painting in England. What 
 documents he actually submitted to him, is not 
 perfectly clear ; but they manifestly included 
 further fabrications of monkish verse, and hinted 
 at, or referred to, a sequence of native artists 
 in oil, hitherto wholly undreamed of by the 
 distinguished virtuoso he addressed. The 
 packet was handed to Walpole at Arlington 
 Street by Mr. Bathoe, his bookseller (also 
 notable as the keeper of the first circulat- 
 ing library in London) ; and. incredible to 
 say, Walpole was instantly ^ drawn.' He de- 
 spatched without delay to his unknown Bris- 
 tol correspondent such a courteous note as he 
 might have addressed to Zouch or Ducarel, 
 expressing interest, curiosity, and a desire for 
 further particulars. Chatterton as promptly 
 
A Memoir, 197 
 
 rejoined, forwarding more extracts from the 
 Rowley poems. But he also, from Walpole's 
 recollection of his letter, in part unbosomed 
 himself, making revelation of his position as 
 a widow's son and lawyer's apprentice, who 
 had ' a taste and turn for more elegant studies/ 
 which inclinations, he suggested, his illustrious 
 correspondent might enable him to gratify. 
 Upon this, perhaps not unnaturally, Walpole's 
 suspicions were aroused, the more so that 
 Mason and Gray, to whom he showed the 
 papers, declared them to be forgeries. He 
 made, nevertheless, some private inquiry from 
 an aristocratic relative at Bath as to Chatterton's 
 antecedents, and found that, although his de- 
 scription of himself was accurate, no account 
 of his character was forthcoming. He accord- 
 ingly — he tells us — wrote him a letter ' with 
 as much kindness and tenderness as if he had 
 been his guardian,' recommendmg him to stick 
 to his profession, and adding, by way of post- 
 script, that judges, to whom the manuscripts had 
 been submitted, were by no means thoroughly 
 convinced of their antiquity. Two letters from 
 Chatterton followed, — one (the first) dejected 
 and seemingly acquiescent ; the other, a week 
 later, curtly demanding the restoration of his 
 papers, the genuineness of which he re-affirmed. 
 
198 
 
 Horace Walpole : 
 
 These communications Walpole, by his own 
 account, either neglected to notice, or over- 
 looked.^ After an interval of some weeks 
 arrived a final missive, the tone of which he 
 regarded as ' singularly impertinent.' Snap- 
 ping up both poems and letters in a pet, he 
 scribbled a hasty reply, but, upon reconsider- 
 ation, enclosed them to their writer without 
 comment, and thought no more of him or them. 
 It was not until about a year and a half after- 
 wards that Goldsmith told him, at the first 
 Royal Academy dinner, that Chatterton had 
 come to London and destroyed himself, — an 
 announcement which seems to have filled him 
 with unaffected pity. ' Several persons of 
 honour and veracity,' he says, ' were present 
 when I first heard of his death, and will attest 
 my surprise and concern. ' ^ 
 
 1 He says he 'was going to Paris in a day or two.' 
 l^ut his memory must have deceived him, for Chatterton's 
 last letter is dated July 24th, 1769, and, according to Miss 
 Berry, Walpole's visit to Paris lasted from the iSth 
 August to the 5th October, 1769; and this is confirmed 
 by his correspondence. 
 
 •^ Works, 1798, iv. 219. In the above summary of the 
 story we have relied by preference on the fairly established 
 facts of the case, which is full of difficulties. The most 
 plausible version of it, as well as the most fair to Walpole, 
 is given in Prof. D. Wilson's Chatterton, 1S69. 
 
A Memoir, 199 
 
 The apologists of the gifted and precocious 
 Bristol boy, reading the above occurrences by 
 the light of his deplorable end, have attri- 
 buted to Walpole a more material part in his 
 misfortunes than can justly be ascribed to 
 him ; and the first editor of Chatterton's Mis- 
 cellanies did not scruple to emphasize the 
 current gossip, which represented Walpole as 
 ' the primary cause of his [Chatterton's] dis- 
 mal catastrophe,' ^ — an aspersion which drew 
 from the Abbot of Strawberry the lengthy 
 letter on the subject which was afterwards 
 reprinted in his Works.''^ So long a vindi- 
 cation, if needed then, is scarcely needed now. 
 Walpole, it is obvious, acted very much as he 
 might have been expected to act. He had 
 been imposed upon, and he was as much 
 annoyed with himself as with the impostor. 
 But he was not harsh enough to speak his 
 
 1 An example of this is furnished by Miss Seward's 
 Coyresponde7ice. ' Do not expect [she writes] that I can 
 learn to esteem that fastidious and unfeeling being, to 
 whose insensibility we owe the extinction of the greatest 
 poetic luminary [Chatterton], if we may judge from the 
 brightness of its dawn, that ever rose in our, or perhaps 
 in any other, hemisphere' {Seward to Hardinge, 21 Nov., 
 1787). 
 
 - Works, 1798, iv. 205-45. See also Bibliographical 
 Appendix to this volume. 
 
200 Horace IValpole : 
 
 mind frankly, nor benevolent enough to act the 
 part of that rather rare personage, the ideal 
 philanthropist. If he had behaved less like an 
 ordinary man of the world ; if he had obtained 
 Chatterton's confidence, instead of lecturing 
 him ; if he had aided and counselled and 
 protected him, — Walpole would have been 
 different, and things might have been other- 
 wise. As they were, upon the principle that 
 ' two of a trade can ne'er agree,' it is difficult 
 to conceive of any abiding alliance between 
 the author of the fabricated Tragedy of jElla 
 and the author of the fabricated Castle of 
 Otranlo. 
 
A Memoir, 201 
 
 CHAPTER VIII. 
 
 Old Friends and New. — Walpole's Nieces. — Mrs. Darner. — 
 Progress of Strawberry Hill, — Festivities and Later Improve- 
 ments. — A Description^ etc., 1774. — The House and Ap- 
 proaches. — Great Parlour, Waiting Room, China Room, and 
 Yellow Bedchamber. — Breakfast Room. — Green Closet and 
 Blue Bedchamber. — Armoury and Library. — Red Bed- 
 chamber, Holbein Chamber, and Star Chamber. — Gallery. — 
 Round Drawing Room and Tribune. — Great North Bed- 
 chamber. — Great Cloister and Chapel. — Walpole on Straw- 
 berry. — Its Dampness. — A Drive from Twickenham to 
 Piccadilly. 
 
 TN 1774, when, according to its title-page, the 
 ^ Description of Strawberry Hill was printed, 
 Walpole was a man of fifty-seven. During the 
 period covered by the last chapter, many 
 changes had taken place in his circle of friends. 
 Mann and George Montagu (until, in October, 
 1770, his correspondence with the latter mys- 
 teriously ceased) were still the most frequent 
 recipients of his letters, and next to these, Con- 
 way, and Cole the antiquary. But three of his 
 former correspondents, his deaf neighbour at 
 Marble Hill, Lady Suffolk, ^ Lady Hervey 
 
 1 Henrietta Hobart, Countess Dowager of Suffolk, 
 died in July, 1767. Her portrait by Charles Jervas, with 
 
202 Horace Walpole : 
 
 (Pope's and Chesterfield's Molly Lepel, to 
 whom he had written much from Paris), and 
 Gray, were dead. On the other hand, he had 
 opened what promised to be a lengthy series 
 of letters with Gray's friend and biographer, 
 the Rev. William Mason, Rector of Aston, in 
 Yorkshire ; with Madame du Deflfand ; and 
 with the divorced Duchess of Grafton, who in 
 1769 had married his Paris friend, John Fitz- 
 patrick, second Earl of Upper Ossory. There 
 were changes, too, among his own relatives. 
 By this time his eldest brother's widow. Lady 
 Orford, had lost her second husband, Sewallis 
 Shirley, and was again living, not very repu- 
 tably, on the Continent. Her son George, who 
 since 17^1 had been third Earl of Orford, and 
 was still unmarried, was eminently unsatisfac- 
 tory. He was shamelessly selfish, and by way 
 of complicating the family embarrassments, had 
 taken to the turf. Ultimately he had periodical 
 attacks of insanity, during which time it fell to 
 Walpole's fate to look after his affairs. With 
 Sir Edward Walpole, his second brother, he 
 
 Marble Hill in the background, hung in the Green Bed- 
 chamber in the Round Tower at Strawberry. It once 
 belonged to Pope, who left it to Martha Blount ; and it 
 is engraved as the frontispiece of vol. ii. of Cunningham's 
 edition ofthe Letters. 
 
A Memoir. 203 
 
 seems never to have been on terms of real 
 cordiality ; but he made no secret of his pride 
 in his beautiful nieces, Edward Walpole's 
 natural daughters, whose charms and amiability 
 had victoriously triumphed over every prejudice 
 which could have been entertained against their 
 birth. Laura, the eldest, had married a brother 
 of Lord Albemarle, subsequently created Bishop 
 of Lichfield and Coventry ; Charlotte, the third, 
 became Lady Huntingtower, and afterwards 
 Countess of Dysart ; while Maria, the helle of 
 the trio, was more fortunate still. After bury- 
 ing her first husband. Lord Waldegrave, she 
 had succeeded in fascinating H. R. H. William 
 Henry, Duke of Gloucester, the King's own 
 brother, and so contributing to bring about the 
 Royal Marriage Act of 1772. They were 
 married in 1766 ; but the fact was not formally 
 announced to His Majesty until September, 
 1772.^ Another marriage which must have 
 given Walpole almost as much pleasure was 
 that of General Conway's daughter to Mr. 
 Damer, Lord Milton's eldest son, which took. 
 
 1 'The Duke of Gloucester' — wrote Gilly Williams 
 to Selwyn, as far back as December, 1764 — 'has pro- 
 fessed a passion for the Dowager Waldegrave. He is 
 never from her elbow. This flatters Horry Walpole not 
 a little, though he pretends to dislike it.' 
 
204 Horace Walpole: 
 
 place in 1767. After the unhappy death of her 
 husband, who shot himself in a tavern ten years 
 later, Mrs. Darner developed considerable talents 
 as a sculptor, and during the last years of Wal- 
 pole's life was a frequent exhibitor at the Royal 
 Academy. Non mc Praxiteles finxiL at Anna 
 Darner, wrote her admiring relative under 
 one of her works, a wounded eagle in terra- 
 cotta ; ^ and in the fourth volume of the Anec- 
 dotes of Painting, he likens ' her shock dog, 
 large as life," to such masterpieces of antique 
 art as the Tuscan boar and the Barberini goat. 
 
 It is time, however, to return to the story of 
 Strawberry itself, as interrupted in Chapter V. 
 In the introduction to Walpole's Description of 
 1774, a considerable interval occurs between 
 the building of the Refectory and Library in 
 17)3-4, and the subsequent erection of the 
 Gallery, Round Tower, Great Cloister, and 
 Cabinet, or Tribune, which, already in contem- 
 plation in 17)9, w^ere, according to the same 
 authority, erected in 1760 and 1761. But here, 
 as before, the date must rather be that of the 
 commencement than the completion of these 
 additions. In May. I7<'m, he tells Cole that 
 
 ^ The idea was borrowed from an inscription upon a 
 statue at Milan: ' Non me Praxiteles, sed Marcus finxit 
 Agrati ! ' 
 
A Memoir. 205 
 
 the Gallery is last advancing, and in July it is 
 almost ' in the critical minute of consummation.' 
 In August, ' all the earth is begging to come to 
 see it.' A month afterwards, he is ' keeping an 
 inn; the sign, "The Gothic Castle.''' His 
 whole time is passed in giving tickets of admis- 
 sion to the Gallery, and hiding himself when it 
 is on view. ' Take my advice,' he tells Mon- 
 tagu, ' never build a charming house for your- 
 self between London and Hampton-court ; 
 everybody will live in it but you.' A year later 
 he is giving a great fdte to the French and 
 Spanish Ambassadors, March, Selwyn, Lady 
 Waldegrave, and other distinguished guests, 
 which finishes in the new room. ' During 
 dinner there were French horns and clarionets 
 in the cloister,' and after coffee the guests 
 were treated ' with a syllabub milked under the 
 cows that were brought to the brow of the 
 terrace. Thence they went to the Printing- 
 house, and saw a new fashionable French song 
 printed. They drank tea in the Gallery, and at 
 eight went away to Vauxhall.' 
 
 This last entertainment, the munificence of 
 which, he says, the treasury of the Abbey will 
 feel, took place in June, 1764 ; and it is not 
 until four years later that we get tidings of any 
 fresh improvements. In September, 1768, he 
 
206 
 
 Horace IValpoIe : 
 
 tells Cole that he is going on with the Round 
 Tower, or Chamber, at the end of the Gallery, 
 which, in another letter, he says ' has stood 
 still these five years,' and he is, besides, ' play- 
 ing with the little garden on the other side of 
 the road ' which had come into his hands by 
 Francklin's death. In May of the following 
 year he gives another magnificent feslino at 
 Strawberry, which will almost mortgage it, but 
 the Round Tower still progresses. In October, 
 1770, he is building again, in the intervals of 
 gout; this time it is the Great Bedchamber, — 
 a ' sort of room which he seems likely to in- 
 habit much time together.' Next year the 
 whole piecemeal structure is rapidly verging 
 to completion. ' The Round Tower is finished, 
 and magnificent ; and the State Bedchamber 
 proceeds fast.' In June he is writing to Mann 
 from the delicious bow window of the former, 
 with Vasari's Bianca Capello (Mann's present) 
 over against him, and the setting sun behind, 
 ' throwing its golden rays all round.' Further 
 on, he is building a tiny brick chapel in the 
 garden, mainly for the purpose of receiving 
 ' two valuable pieces of antiquity,' — one being 
 a painted window from Bexhill of Henry III. 
 and his Queen, given him by Lord Ashburnham ; 
 the other Cavalini's Tomb of Capoccio from 
 
A Memoir. 207 
 
 the Church of Santa Maria Maggiore at Rome, 
 which had been sent to him by Sir William (then 
 Mr.) Hamilton, the English Minister at Naples. 
 In August, 1772, the Great Bedchamber is fin- 
 ished, the house is complete, and he has ' at 
 last exhausted all his hoards and collections/ 
 Nothing remains but to compile the Descrip- 
 tion and Catalogue, concerning which he had 
 written to Cole as far back as 1768, and which, 
 as already stated, he ultimately printed in 1774. 
 As time went on, his fresh acquisitions 
 obliged him to add several Appendices to this 
 issue ; and the copy before us, although dated 
 1774, has supplements which bring the record 
 down to 1786. A fresh edition, in royal quarto, 
 with twenty-seven plates, was printed in 1784 ; ^ 
 and this, or an expansion of it, reappears in 
 vol. ii. of his Works. With these later issues 
 we have little to do ; but with the aid of that 
 of 1774, may essay to give some brief account 
 
 1 From a passage in a letter of 15 Sept., 1787, to Lady 
 Ossory, it appears that this, though printed, was withheld, 
 on account of certain difificulties caused by the over-ween- 
 ing curiosity of Walpole's 'customers' (as he called them), 
 the visitors to Strawberry. According to the sheet of 
 regulations for visiting the house, it was to be seen 
 between the ist of May and the ist of October. Children 
 were not admitted ; and only one company of four on one 
 day. 
 
2o8 Horace IValpole : A Memoir. 
 
 of the long, straggling, many-pinnacled build- 
 ing, with its round tower at the end, the east 
 and south fronts of which are figured in the 
 black-looking vignette upon the title-page. The 
 entrance was on the north side, from the Ted- 
 dington and Twickenham road, here shaded by 
 lofty trees ; and once within the embattled 
 boundary wall, covered by this time with ivy, 
 the first thing that struck the spectator was a 
 small oratory inclosed by iron rails, with saint, 
 altar, niches, and holy-water basins designed 
 en suite by Mr. Chute. On the right hand — 
 its gaily-coloured patches of flower-bed glimmer- 
 ing through a screen of iron work copied from 
 the tomb of Roger Niger, Bishop of London, 
 in old St. Paul's — was the diminutive Abbot's, 
 or Prior's, Garden, which extended in front of 
 the offices to the right of the principal entrance.^ 
 This was along a little cloister to the left, 
 beyond the oratory. The chief decoration of 
 this cloister was a marble bas-rchcf, inscribed 
 ' Dia Helionora,' being, in fact, a portrait of 
 that Leonora D'Este who turned the head of 
 Tasso. At the end was the door, which opened 
 into ^a small gloomy hall ' united with the stair- 
 case, the balustrades of which, designed by 
 
 1 ' It is not much larger than an old lady's flower-knot 
 in Bloomsbury,' said Lady Morgan in 1826. 
 
A Great Parlour 
 or Refectory. 
 
 B Waiting Room- 
 
 C China Room, 
 
 D Little Parlour, 
 
 E Yellow Bed- 
 chamber. 
 
 F Hall. 
 
 G Pantry. 
 
 H Servants* Hall. 
 
 • Passage. 
 
 K Great Cloister. 
 
 U Wine Cellar. 
 
 M Beer Celbr. 
 
 N Kitchen. 
 
 O Oratory. 
 
 Strawberry Hill : Ground Plan— 1781. 
 
2 1 o Horace Walpole : 
 
 Bentley, were decorated with antelopes, the 
 Walpole supporters. In the well of the stair- 
 case was a Gothic lantern of japanned tin, also 
 due to Bentley's fertile invention. If, instead 
 of climbing the stairs, you turned out of the 
 hall into a little passage on your left, you found 
 yourself in the Refectory, or Great Parlour, 
 where were accumulated the family portraits. 
 Here, over the chimney-piece, was the ' conver- 
 sation,' by Sir Joshua Reynolds, representing 
 the triumvirate of Selwyn, Williams, and Lord 
 Edgcumbe, already referred to at p. n8 ; here 
 also were Sir Robert Walpole and his two wives, 
 Catherine Shorter and Maria Skerret ; Robert 
 Walpole the second, and his wife in a white 
 riding-habit ; Horace himself by Richardson ; 
 Dorothy Walpole, his aunt, who became Lady 
 Townshend ; ^ his sister, Lady Maria Churchill ; 
 and a number of others. In the Waiting Room, 
 into which the Refectory opened, was a stone 
 head of John Dryden, whom Catherine Shorter 
 claimed as great-uncle ; next to this again was 
 the China Closet, neatly lined with blue and 
 white Dutch tiles, and having its ceiling painted 
 by Miintz, after a villa at Frascati, with con- 
 volvuluses on poles. In the China Room, 
 among great stores of Sevres and Chelsea, and 
 1 See p. 6. 
 
A Memoir. 211 
 
 oriental china, perhaps the greatest curiosity 
 was a couple of Saxon tankards, exactly alike 
 in form and size, which had been presented to 
 Sir Robert Walpole at different times by the 
 mistresses of the first two Georges, the Duchess 
 of Kendal and the Countess of Yarmouth. To 
 the left of the China Closet, with a bow window 
 looking to the south, was the Little Parlour, 
 which was hung with stone-coloured ' gothic 
 paper ' in imitation of mosaic, and decorated 
 with the 'wooden prints' already referred to, 
 the chiaroscuros of Jackson ; ^ and at the side 
 of this came the Yellow Bedchamber, known 
 later, from its numerous feminine portraits, as 
 the Beauty Room. The other spaces on the 
 ground floor were occupied, towards the Prior's 
 Garden, by the kitchen, cellars, and servants' 
 hall, and, at the back, by the Great Cloister, 
 which went under the Gallery. 
 
 Returning to the staircase, where, in later 
 years, hung Bunbury's original drawing^ for his 
 
 1 See p. 117 n. 
 
 2 It was exhibited in the Royal Academy of 1781, and 
 was Bunbury's acknowledgment of the praise given him 
 by Walpole in the 'Advertisement' to the fourth volume 
 of the Anecdotes of Painting, I Oct., 1780. A copy of it 
 was shown at the Exhibition of English Humourists in 
 Art, June, 1889. 
 
2 1 2 Horace Walpole : 
 
 well-known caricature of ' Richmond Hill,' you 
 entered the Breakfast Room on the first floor, 
 the window of which looked towards the 
 Thames. It was pleasantly furnished with blue 
 paper, and blue and white linen, and contained 
 many miniatures and portraits, notable among 
 which were CarmonteFs picture of Madame du 
 Deffand and the Duchess de Choiseul ; ^ a print 
 of Madame du Deffand's room and cats, given 
 by the President Henault ; and a view painted 
 by Raguenet for Walpole in 1766 of the H6tel 
 de Carnavalet, the whilom residence of Madame 
 de Se'vign^.^ 
 
 1 In a note to Madame du Deffand's Letters, 1810, i. 201, 
 the editor, Miss Berry, thus describes this picture: It 
 was 'a washed drawing of Mad. la Duchesse de Choiseul 
 and Mad. du Deffand, under their assumed characters 
 of grandmother and granddaughter; Mad. de Choiseul 
 giving Mad. du Deffand a doll. The scene the interior 
 of Mad. du Deffand's sitting-room. It was done by M. de 
 Carmontel, an amateur in the art of painting. He was 
 reader to the Prince of Conde, and author of several little 
 Theatrical pieces.' It is engraved as the frontispiece of 
 vol. vii. of Walpole's Letters, by Cunningham, 1S57-59. 
 Mad. du Deffand's portrait was said to be extremely like; 
 that of the Duchess was not good. 
 
 •^ ' It is now the Musee Carnavalet, and contains 
 numberless souvenirs of the Revolution, notably a collec- 
 tion of china plates, bearing various dates, designs, and 
 inscriptions applicable to the Reign of Terror' [Century 
 
A Memoir, 213 
 
 The Breakfast Room opened into the Green 
 Closet, over the door of which was a picture 
 by Samuel Scott of Pope's house at Twicken- 
 ham, showing the wings added after the poet's 
 death by Sir William Stanhope. On the same 
 side of the room hung Hogarth's portrait of 
 Sarah Malcolm the murderess, painted at New- 
 gate on the day preceding her execution in 
 Fleet Street.^ Here also was ' Mr. Thomas 
 Gray ; etched from his shade [silhouette] ; by 
 Mr. W. Mason.' There were many other 
 portraits in this room, besides some water 
 colours on ivory by Horace himself. In a line 
 with the Green Closet, and looking east, was 
 the Library ; and at the back of it, the Blue 
 Bedchamber, the toilette of which was worked 
 by Mrs. Clive, who, since her retirement from 
 the stage in 1769, had lived wholly at Twicken- 
 ham. The chief pictures in this room were 
 Eckardt's portraits of Gray in a Vandyke dress 
 
 Magazine, Feb., 1S90, p. 600). A washed drawing of 
 Madame de Sevigne's country house at Les Rochers, 
 ' done on the spot by Mr. Hinchcliffe, son of the Bishop 
 of Peterborough, in 1786,' was afterwards added to this 
 room. 
 
 ^ Both these pictures are in existence. The Scott 
 belongs to Lady Freake, and was exhibited in the Pope 
 Loan Museum of 1888. 
 
214 Horace Walpole : A Memoir, 
 
 and of Walpole himself in similar attire.^ There 
 were also by the same artist pictures of Walpole's 
 father and mother, and of General Conway and 
 his wife, Lady Ailesbury. 
 
 Facing the Blue Bedchamber was the 
 Armoury, a vestibule of three Gothic arches, 
 in the left-hand corner of which was the door 
 opening into the Library, a room twenty-eight 
 feet by nineteen feet six, lighted by a large 
 window looking to the east, and by two smaller 
 rose-windows at the sides. The books, arranged 
 in Gothic arches of pierced work, went all 
 round it. The chimney-piece was imitated from 
 the tomb of John of Eltham in Westminster 
 Abbey, and the stone work from another tomb 
 at Canterbury. Over the chimney piece was a 
 picture (which is engraved in the Ancc.ioic^ of 
 Painting) representing the marriage of Henry 
 VL Walpole and Bentley had designed the 
 ceiling, — a gorgeous heraldic medley surround- 
 ing a central Walpole shield. Above the book- 
 cases were pictures. One of the greatest 
 treasures of the room was a clock given by 
 Henry VHL to Anne Boleyn. Of the books 
 it is impossible to speak in detail. Noticeable 
 
 ^ Both these are engraved in Cunningham's edition of 
 the Letters, the former in vol. iv., p. 465, the latter in vol. 
 ix., p. 529. 
 
A Round Drawing 
 Roonii 
 
 B Cabinet or Tribune. 
 
 C Great North Bed- 
 chamber. 
 
 D Gallery. 
 
 E Holbein Chaml)er. 
 
 F Library. 
 
 G Beauclerk Closet or 
 Cabinet. 
 
 H Armoury, 
 
 I China Closets, 
 
 K Back Stairs. 
 
 L Passage. 
 
 M Star Chamber.^ 
 
 N Red Bedchamber. 
 
 O Blue Bedchamber. 
 
 P Breakfast Room. 
 
 Q Green Closet. 
 
 Str-wv-berry Hill: Principal Floor— 1781. 
 
2i6 Horace JValpole : 
 
 among them, however, was a Thuanus in 
 fourteen volumes, a very extensive set of 
 Hogarth's prints, and all the original draw- 
 ings for the ^^^5 Walpoliance. Vertue, Hollar, 
 and Faithorne were also largely represented. 
 Among special copies, were the identical Iliad 
 and Odyssey from which Pope made his transla- 
 tions of Homer,^ a volume containing Bentley's 
 original designs for Gray's Poems, and a black 
 morocco pocket-book of sketches by Jacques 
 Callot. In a rosewood case in this room was 
 also a fine collection of coins, which included 
 the rare silver medal struck by Gregory XI II. 
 on the Massacre of St. Bartholomew. 
 
 Concerning the Red Bedchamber, the Star 
 Chamber, and the Holbein Chamber, which 
 intervened between the rest of the first floor 
 and the latest additions, there is little to say. 
 In the Red Bedchamber, the most memorable 
 things (after the chintz bed on which Lord 
 Orford died) were some pencil sketches of 
 Pope and his parents by Cooper and the elder 
 Richardson. In the Holbein Chamber, so 
 
 1 This was the Amsterdam edition of 1707, in 2 vols. 
 i?mo., inscribed 'E libris, A. Pope, 1714;' and lower 
 down, * Finished ye translation in Feb. 1719-20, A. Pope.' 
 It also contained a pencil sketch by the poet of Twicken- 
 ham Church. 
 
Mrs. Give. 
 

A Memoir. 217 
 
 called from a number of copies on oil-paper by 
 Vertue from the drawings of Holbein in Queen 
 Catherine's Closet at Kensington, were two of 
 those ' curiosities ' which represent the Don 
 Saltero, or Madame Tussaud, side of Straw- 
 berry, viz., a tortoise-shell comb studded with 
 silver hearts and roses which was said to have 
 belonged to Mary, Queen of Scots, and (later) 
 the red hat of Cardinal Wolsey. The pedigree 
 of the hat, it must, however, be admitted, was 
 unimpeachable. It had been found in the 
 great wardrobe by Bishop Burnet when Clerk 
 of the Closet. From him it passed to his son 
 the Judge (author of that curious squib on 
 Harley known as the Hislorr of Robert Poivel 
 the Pappet-Shoiv-Man), and thence to the 
 Countess Dowager of Albemarle, who gave it 
 to Walpole. A carpet in this room was worked 
 by Mrs. Clive, who seems to have been a most 
 industrious decorator of her friend's mansion 
 museum.^ The Star Chamber was but an 
 
 1 Walpole wrote an epilogue — not a very good one — 
 for Mrs. Clive when she quitted the stage; and in the 
 same year, 1769, the To7c>i and Country Magazine linked 
 their names in its ' Tete-a-Tetes'' as 'Mrs. Heildelberg ' 
 (Clive's part in the Clandestine Marriage) and 'Baron 
 Otranto ' (a name under which Chatterton subsequently 
 satirized Walpole in this identical periodical). See 
 Memoirs of a Sad Dog, Ft. 2, July, 1770. 
 
2 1 8 Horace Walpole : 
 
 ante-room powdered with gold stars in mosaic, 
 the chief glory of which was a stone bust of 
 Henry VII. by Torregiano. 
 
 With these three rooms, the first floor of 
 Strawberry, as it existed previous to the erec- 
 tion of the addititions mentioned in the begin- 
 ning of this chapter, — namely, the Gallery, the 
 Round Tower, the Tribune, and the Great 
 North Bedchamber, — came to an end. But it 
 was in these newer parts of the house that 
 some of its rarest objects of art were assembled. 
 The Gallery, which was entered from a gloomy 
 little passage in front of the Holbein Chamber, 
 was a really spacious room, fifty-six feet by 
 thirteen, and lighted from the south by five high 
 windows. Between these were tables laden 
 with busts, bronzes, and urns ; on the oppo- 
 site side, fronting the windows, were recesses, 
 finished with gold network over looking-glass, 
 between which stood couch-seats, covered, like 
 the rest of the room, with crimson Norwich 
 damask. The ceiling was copied from one of 
 the side aisles of Henry VI I. 's Chapel ; the 
 great door at the western end, which led into 
 the Round Tower, was taken from the north 
 door of St. Albans. A long carpet, made at 
 Moorficlds, traversed the room from end to 
 end. In one of the recesses — that to the left of 
 
A Memoir. 219 
 
 the chimney-piece, which was designed by 
 Mr. Chute and Mr. Thomas Pitt of Boconnoc, 
 — stood one of the finest surviving pieces of 
 Greek sculpture, the Boccapadugli eagle, found 
 in the precinct of the Baths of Caracalla, — a 
 chef-if ceiiure from which Gray is said to have 
 borrowed the ' ruffled plumes, and flagging 
 wing' of the Progress of Poesy ; to the right 
 was a noble bust in basalt of Vespasian, which 
 had been purchased from the Ottoboni collec- 
 tion. Of the pictures it is impossible to speak 
 at large ; but two of the most notable were 
 Sir George Villiers, the father of the Duke of 
 Buckingham^ and Mahuses Marriage of Henry 
 VII. and Elizabeth of York. Of Walpole's 
 own relatives, there were portraits by Ramsay 
 of his nieces, Mrs. Keppel (the Bishop's wife) 
 and Lady Dysart, and of the Duchess of 
 Gloucester (then Lady Waldegrave) by Rey- 
 nolds. There were also portraits of Henry 
 Fox, Lord Holland, of George Montagu, of 
 Lord Waldegrave, and of Horace's uncle. Lord 
 Walpole of Wolterton.^ 
 
 Issuing through the great door of the Gallery, 
 and passing on the left a glazed closet con- 
 
 1 Horatio, brother of Sir Robert Walpole, created 
 Baron Walpole of Wolterton in 1756. He died in 1757. 
 His Memoirs were published by Coxe in 1802. 
 
220 Horace Walpole : 
 
 taining a quantity of china which had once be- 
 longed to Walpole's mother, a couple of steps 
 brought you into the pleasant Drawing Room in 
 the Round Tower, the bow window of which, 
 already mentioned, looked to the south-west. 
 Like the Gallery, this room was hung with 
 Norwich damask. Its chief glory was the pic- 
 ture of Bianca Capello, of which Walpole had 
 written to Mann. To the left of this room, at 
 the back of the Gallery, and consequently in the 
 front of the house, was the Cabinet, or Tribune, 
 a curious square chamber with semicircular re- 
 cesses, in two of which, to the north and west, 
 were stained windows. In the roof, which was 
 modelled on the chapter house at York, was a 
 star of yellow glass throwing a soft golden glow 
 over all the room. Here Walpole had amassed 
 his choicest treasures, miniatures by Oliver and 
 Cooper, enamels by Petitot and Zincke,^ bronzes 
 from Italy, ivory bas-reliefs, seal-rings and reli- 
 
 1 ' The chief boast of my collection,' he told Pinkerton, 
 ' is the portraits of eminent and remarkable persons, par- 
 ticularly the miniatures and enamels; which, so far as I 
 can discover, are superior to any other collection what- 
 ever. The works I possess of Isaac and Peter Oliver are 
 the best extant; and those I bought in Wales for 300 
 guineas [i.e., the Digby Family, in the Breakfast Room] 
 are as well preserved as when they came from the pencil ' 
 ( IValpoIiana, ii. 157). 
 
A Memoir. 221 
 
 quaries, caskets and cameos and filigree work. 
 Here, with Madame du Deffand's letter inside 
 it,^ was the 'round white snuff-box' with 
 Madame de Sevigne's portrait ; here, carven 
 with masks and flies and grasshoppers, was 
 Cellini's silver bell from the Leonati Collection, 
 at Parma, a masterpiece against which he had 
 exchanged all his collection of Roman coins 
 with the Marquis of Rockingham. A bronze 
 bust of Caligula with silver eyes ; a missal with 
 miniatures by Raphael ; a dagger of Henry VIII.,'' 
 and a mourning ring given at the burial of 
 Charles I., — were among the other show objects 
 of the Tribune, the riches of which occupy more 
 space in their owner's Catalogue than any other 
 part of his collections. 
 
 With the Great North Bedchamber, which 
 adjoined the Tribune, and filled the remaining 
 space at the back of the Gallery, the account of 
 Strawberry Hill, as it existed in 1774, comes to 
 an end ; for the Green Chamber in the Round 
 Tower over the Drawing Room, and ' Mr. Wal- 
 pole's Bedchamber, two pair of stairs ' (which 
 
 i It is printed in both the Catalogues. 
 
 2 At the sale in 1842, King Henry's dagger was pur- 
 chased for ;^54 12s. by Charles Kean the actor, who also 
 became the fortunate possessor, for ;^2i, of Cardinal 
 
 Wolsey's hat. 
 
222 Horace IValpole : 
 
 contained the Warrant for beheading: Kingr 
 Charles I., inscribed ' Major Charta,' so often 
 referred to by Walpole's biographers'/ may be 
 dismissed without further notice. The Beau- 
 clerk Closet, a later addition, will be described 
 in its proper place. Over the chimney-piece in 
 the Great North Bedchamber was a large picture 
 of Henry VIII. and his children, a recent pur- 
 chase, afterwards remanded to the staircase to 
 make room for a portrait of Catherine of Bra- 
 ganza, sent from Portugal previous to her mar- 
 riage with Charles II. Fronting the bed was 
 a head of Niobe, by Guido, which in its turn 
 subsequently made way for la belle Jennings.^ 
 Among the pictures on the north or window side 
 of the room was the original sketch by Hogarth 
 of the Beggar's Opera, which Walpole had pur- 
 chased at the sale of Rich, the fortunate manager 
 who produced Gay's masterpiece at Lincoln's 
 Inn Fields. It was exhibited at Manchester in 
 
 1 Here is his own reference to this, in a letter to Mon- 
 tagu of 14 Oct., 1756: 'The only thing I have done that 
 can compose a paragraph, and which I think you are 
 Whig enough to forgive me, is, that on each side of my 
 bed I have hung Magna Charta, and the Warrant for 
 King Charles's execution, on which I have written Major 
 Charta; as I believe, without the latter, the former by 
 this time would be of very little importance.* 
 
 2 See p. 7 n. 
 
A Memoir. 223 
 
 1857, being then the property of Mr. Willett, 
 who had bought it at the Strawberry Hill sale of 
 1842. Another curious oil painting in this room 
 was the Rehearsal of an Opera by the Riccis, 
 which included caricature portraits of Nicolini 
 (of Spectator celebrity), of the famous Mrs. 
 Catherine Tofts, and of Margherita de TEpine. 
 In a nook by the window there was a glazed 
 china closet, with a number of minor curiosities, 
 among which were conspicuous the speculum of 
 cannel coal with which Dr. Dee was in the 
 habit of gulling his votaries,^ and an agate pun- 
 cheon with Gray's arms which his executors had 
 presented to Walpole. 
 
 A few external objects claim a word. In the 
 Great Cloister under the Gallery was the blue 
 and white china tub in which had taken place 
 that tragedy of the ' pensive Selima ' referred to 
 at p. 135 as having prompted the muse of Gray.^ 
 The Chapel in the Garden has already been 
 
 1 ' Dr Dee's black stone was named in the catalogue of 
 the collection of the Earls of Peterborough, whence it 
 went to Lady Betty Germaine, She gave it to the last 
 Duke of Argyle, and his son, Lord Frederic, to me ' 
 {Walpole to Lady Ossory, 12 Jan , 1782) 
 
 2 This was afterwards moved to the Little Cloister at 
 the entrance, where it appears in the later Catalogue. At 
 the sale of 1842 the bowl, with its Gothic pedestal, was 
 purchased by the Earl of Derby for £^,2. 
 
224 Horace IValpole : 
 
 sufficiently described.^ In the Flower Garden 
 across the road was a cottage which Walpole 
 had erected upon the site of the building once 
 occupied by Francklin the printer, and which he 
 used as a place of refuge when the tide of sight- 
 seers became overpowering. It included a Tea 
 Room, containing a fair collection of china, and 
 hung with green paper and engravings, and a little 
 white and green Library, of which the principal 
 ornament was a half-length portrait of Milton.^ 
 A portrait of Lady Hervey, by Allan Ramsay, 
 was afterwards added to its decorations.^ 
 
 Many objects of interest, as must be obvious, 
 have remained undescribed in the foregoing 
 account, and those who seek for further infor- 
 
 1 Not far from the Chapel was ' a large seat in the 
 form of a shell, carved in oak from a design by Mr. Bent- 
 ley.' It must have been roomy, for in 1759 the Duchesses 
 of Hamilton and Richmond, and Lady Ailesbury (the last 
 two, daughter and mother), occupied it together. 'There 
 never was so pretty a sight as to see them all three sitting 
 in the shell,' says the delighted Abbot of Strawberry. 
 ( IValpole to A/ontagit, 2 June.) 
 
 '^ In a note to the obituary notice of Walpole in the 
 Ge)itleman''s Magazine for March, 1797, p. 260, it is stated 
 that this library was 'formed of all the publications during 
 the reigns of the three Georges, or Mr. W.'s own time.* 
 
 * This was exhibited at South Kensington in 1867 by 
 Viscount Lifford, and is now (1S92) at Austin House, 
 Broadway, Worcester. 
 
A Memoir. 225 
 
 mation concerning what its owner called his 
 ' paper fabric and assemblage of curious trifles ' 
 must consult either the Catalogue of 1774 itself, 
 or that later and definitive version of it which is 
 reprinted in Volume II. of the Works (pp. 393- 
 =ii6). The intention in the main has here been 
 to lay stress upon those articles which bear most 
 directly upon Walpole's biography. It will also 
 be observed that, during the prolonged progress 
 of the house towards completion^ his experience 
 and his views considerably enlarged, and the 
 pettiness and artificiality of his first improve- 
 ments disappeared. The house never lost, and 
 never could lose, its invertebrate character ; but 
 the Gallery, the Round Tower, and the North 
 Bedchamber were certainly conceived in a more 
 serious and even spacious spirit of Gothlcism 
 than any of the early additions. That it must, 
 still, have been confined and needlessly gloomy, 
 may be allowed ; but as a set-off to some of 
 those accounts which insist so pertinaciously 
 upon its ' paltriness,' its ' architectural solecisms,' 
 and its lack of beauty and sublimity, it is only 
 fair to recall a few sentences from the preface 
 which its owner prefixed to the Description of 
 1784. It was designed, he says of the Catalogue, 
 to exhibit ' specimens of Gothic architecture, as 
 collected from standards in cathedrals and chapel- 
 15 
 
^ 
 
 226 Horace Walpole : 
 
 tombs,' and to show ' how they may be applied 
 to chimney-pieces, ceilings, windows, balu- 
 strades, loggias, etc' Elsewhere he charac- 
 terizes the building itself as candidly as any of 
 its critics. He admits its diminutive scale and 
 its unsubstantial character (he calls it himself, 
 as we have seen, a ' paper fabric '), and he con- 
 fesses to the incongruities arising from an antique 
 design and modern decorations. ' In truth," he 
 concludes, ' I did not mean to make mv house so 
 Gothic as to exclude convenience, and modern 
 refinements in luxury. ... It was built to please 
 my own taste, and in some degree to realize mv 
 own visions. I have specified what it contains ; 
 could I describe the gay but tranquil scene 
 where it stands, and add the beauty of the land- 
 scape to the romantic cast of the mans-ion, it 
 would raise more pleasing sensations than a dry 
 list of curiosities can excite, — at least the pros- 
 pect would recall the good humour of those who 
 might bedisposed to condemn the fantastic fabric, 
 and to think it a very proper habitation of, as it 
 was the scene that inspired, the author of t"he 
 Castle of Olranlo.''^ As one of his censors has 
 remarked, this tone disarms criticism ; and it 
 is needless to accumulate proofs of peculiari- 
 ties which are not denied by the person most 
 concerned. 
 
 1 IVo/ks, 179S, ii. 395-98. 
 
A Memoir, 227 
 
 In spite of its charming situation, Straw- 
 berry Hill was emphatically a summer resi- 
 dence ; and there is more than one account in 
 Walpole's letters of the sudden floods which, 
 when Thames flowed with a fuller tide than 
 now, occasionally surprised the inhabitants of 
 the pleasant-looking villas along its banks. It 
 was decidedly damp, and its gouty owner had 
 sometimes to quit it precipitately for Arlington 
 Street, where, he says, ' after an hour,' he 
 revives, ' like a member of parliament's wife.' 
 His best editor, Mr. Peter Cunningham, whose 
 knowledge as an antiquary was unrivalled, — 
 for was he not the author of the Handbook 
 of London} — has amused himself, in an odd 
 corner of one of his prefaces, by retracing the 
 route taken in these townward flights. The 
 extract is so packed with suggestive memories 
 that no excuse is needed for reproducing it 
 (with a few now necessary notes) as the tail- 
 piece of the present chapter. 
 
 ' At twelve his [Walpole's] light bodied 
 chariot was at the door, with his English coach- 
 man and his Swiss valet [Philip Colomb] . . . 
 In a few minutes he left Lord Radnor's villa 
 to the right, rolled over the grotto of Pope, 
 saw on his left Whitton, rich with recollections 
 of Kneller and Argyll, passed Gumley House, 
 
228 Horace Walpole : 
 
 one of the country seats of his father's oppo- 
 nent and his own friend, Pulteney, Earl of 
 Bath, and Kendal House, ^ the retreat of the 
 mistress of George I., Ermengard de Schulen- 
 burg, Duchess of Kendal. At Sion, the princely 
 seat of the Percys, the Seymours, and the 
 Smithsons, he turned into the Hounslow 
 Road, left Sion on his right, and Osterly, not 
 unlike Houghton, on his left, and rolled through 
 Brentford, — 
 
 " Brentford, the Bishopric of Parson Home," ^ 
 
 then, as now, infamous for Its dirty streets, and 
 famous for its white-legged chickens.^ Quit- 
 ting Brentford, he approached the woods that 
 concealed the stately mansion of Gunnersbury, 
 built by Inigo Jones and Webb, and then in- 
 habited by the Princess Amelia, the last sur- 
 viving child of King George H.'* Here he was 
 often a visitor, and seldom returned without 
 being a winner at silver loo. At the Pack 
 
 1 Kendal House now no longer exists. 
 
 2 An Heroic Epistle to Sir William Chambers, Knight, 
 
 3 * BraudforcVs tedious town, 
 
 For dirty streets, and white-leg'd chickens known.' 
 
 Gay's yoitriiey to Exeter. 
 
 4 Gunnersbury House (or Park), a new structure, now 
 belongs to Lord Rothschild. 
 
A Memoir, 229 
 
 Horse ^ on Turnham Green he would, when the 
 roads were heavy, draw up for a brief bait. 
 Starting anew, he would pass a few red brick 
 houses on both sides, then the suburban villas 
 of men well to do in the Strand and Charing 
 Cross. At Hammersmith, he would leave the 
 church^ on his right, call on Mr. Fox at Hol- 
 land House, look at Campden House, with 
 recollections of Sir Baptist Hickes,^ and not 
 without an ill-suppressed wish to transfer some 
 little part of it to his beloved Strawberry. He 
 was now at Kensington Churchy then, as it still 
 is, an ungraceful structure,^ but rife with asso- 
 ciations which he would at times relate to the 
 
 1 The Old Pack Horse, somewhat modernized by red- 
 brick additions, still (1892) stands at the corner of Turn- 
 ham Green. It is mentioned in the London Gazette as far 
 back as 1697. The sign, a common one for posting inns 
 in former days, is on the opposite side of the road. 
 
 2 Hammersmith church was rebuilt in 1882-3. 
 
 3 Sir Baptist Hickes, once a mercer in Cheapside, and 
 afterwards Viscount Campden, erected it circa 161 2. At 
 the time to which Mr. Cunningham is supposed to refer, 
 it was a famous ladies' boarding-school, kept by a Mrs. 
 Terry, and patronized by Selwyn and Lady Di. Beauclerk. 
 
 * The (with all due deference to the writer) quaint and 
 picturesque old church of St. Mary the Virgin, in Ken- 
 sington High Street, at which Macaulay, in his later days, 
 was a regular attendant, gave way, in 1S69, to a larger and 
 more modern edifice by Sir Gilbert Scott, R.A. 
 
230 Horace Walpole : 
 
 friend he had with him. On his left he would 
 leave the gates of Kensington Palace, rich with 
 reminiscences connected with his father and 
 the first Hanoverian kings of this country. On 
 his right he would quit the red brick house in 
 which the Duchess of Portsmouth lived, ^ and 
 after a drive of half a mile (skirting a heavy 
 brick w^all), reach Kingston House, ^ replete 
 with stories of Elizabeth Chudleigh, the biga- 
 mist maid of honour, and Duchess-Countess 
 of Kingston and Bristol. At Knightsbridge 
 (even then the haunt of highwaymen less 
 gallant than Maclean) he passed on his left 
 the little chapel ^ in which his father was 
 married. At Hyde Park Corner he saw the 
 Hercules Pillars ale-house of Fielding and 
 Tom J ones, ^ and at one door from Park Lane 
 
 1 Old Kensington House, as it was called, has also 
 been pulled down. One of its inmates, long after the 
 days of ' Madam Carwell,' was Elizabeth Inchbald, the 
 author of A Simple Story, who died there in 1821. 
 
 2 Now Lord Listowel's. It stands near the Prince's 
 Gate into Hyde Park. 
 
 '^ Restored and remodelled in 1S61, and now the Church 
 of the Holy Trinity. 
 
 4 The Hercules Pillars, where Squire Western put up 
 his horses when he came to town, stood just east of 
 Apslcy House, ' on the site of what is now the pavement 
 opposite Lord Willoughby's.' 
 
A Memoir, 2^1 
 
 would occasionally call on old "Q" for the 
 sake of Selwyn, who was often there. -^ The 
 trees which now grace Piccadilly were in the 
 Green Park in Walpole's day ; they can recol- 
 lect Walpole, and that is something. On his 
 left, the sight of Coventry House ^ would remind 
 him of the Gunnings, and he would tell his 
 friend the story of the " beauties," with which 
 (short story-teller as he was) he had not com- 
 pleted when the chariot turned into Arlington 
 Street on the right, or down Berkeley Street 
 into Berkeley Square, on the left/ ^ In these 
 last lines Mr. Cunningham anticipates our story, 
 for in 1774, Walpole had not yet taken up his 
 residence in Berkeley Square. 
 
 1 The Duke of Queensberry's house afterwards became 
 138 and 139 Piccadilly. 
 
 2 This is No. io6, — the present St. James's Club. It 
 was built in 1764 by George, sixth Earl of Coventry, some 
 years after the death of his first wife, the elder Miss 
 Gunning. 
 
 ^ Letters, by Cunningham, 1857-9, ix. xx.-xxi. 
 
232 Horace fValpole 
 
 CHAPTER IX. 
 
 Occupations and Correspondence. — Literary Work. — Jephson 
 and the Stage. — Nature will Prevail. — Issues from the 
 Strawberry Press. — Fourth Volume of the Anecdotes of 
 Painting. — The Beauclerk Tower and Lady Di. — George, 
 third Earl of Orford. — Sale of the Houghton Pictures. — 
 Moves to Berkeley Square. — Last Visit to Madame du 
 Deffand. — Her Death. — Themes for Letters. — Death of 
 Sir Horace Mann. — Pinkerton, Madame de Genlis, Miss 
 Burney, Hannah More. — Mary and Agnes Berry. — Their 
 Residence at Twickenham. — Becomes fourth Earl of Orford. 
 
 — Efitaphiiim vivi Auctoris. — The Berrys again. — Death 
 of Marshal Conway. — Last Letter to Lady Ossory. — Dies 
 at Berkeley Square, 2 March. 1797. — His Fortune and Will. 
 
 — The Fate of Strawberry. 
 
 A FTER the completion of Strawberry Hill 
 "^^ and the printing of the Ca/a/cYw^,Walpole's 
 life grows comparatively barren of events. 
 There are still four volumes of his Correspon- 
 dence, but they take upon them imperceptibly 
 the nature of nouvclles l\ la main, and are less 
 fruitful in personal traits. Between his books 
 and his prints, his time passes agreeably, ' but 
 will not do to relate.' Indeed, from this period 
 until his death, in 1797, the most notable occur- 
 rences in his history are his friendship with the 
 
A Memoir. 233 
 
 Miss Berrys in 1787-8, and his belated ac- 
 cession to the Earldom of Orford. Both at 
 Strawberry and Arlington Street, his increas- 
 ing years and his persistent malady condemn 
 him more and more to seclusion and retirement. 
 He is most at Strawberry, despite its dampness, 
 for in the country he holds ' old, useless people 
 ought to live.' ' If you were not to be in 
 London,' he tells Lady Ossory in April, 1774, 
 ' the spring advances so charmingly, I think I 
 should scarce go thither. One is frightened 
 with the inundation of breakfasts and balls that 
 are coming on. Every one is engaged to every- 
 body for the next three weeks, and if one must 
 hunt for a needle, I had rather look for it in a 
 bottle of hay in the country than in a crowd.' 
 ' By age and situation,' he writes from Straw- 
 berry in September, ' at this time of the year I 
 live with nothing but old women. They do very 
 well for me, who have little choice left, and who 
 rather prefer common nonsense to wise nonsense, 
 — the only difference I know between old 
 women and old men. I am out of all politics, 
 and never think of elections, which I think I 
 should hate even if I loved politics, — just as, if 
 I loved tapestry I do not think I could talk over 
 the manufacture of worsteds. Books I have 
 almost done with too, — at least, read only such 
 
234 Horace JValpole: 
 
 as nobody else would read. In short, my way 
 of life is too insipid to entertain anybody but 
 myself; and though I am always employed, I 
 must own I think I have given up every thing 
 in the world, only to be busy about the most 
 arrant trifles.' His London life was not greatly 
 different. ' How should I see or know any- 
 thing ? ' he says a year later, apologizing for his 
 dearth of news. ' I seldom stir out of my 
 house [at Arlington Street] before seven in the 
 evening, see very few persons, and go to fewer 
 places, make no new acquaintance, and have 
 seen most of my old wear out. Loo at Prin- 
 cess Amelie's, loo at Lady Hertford's, are the 
 capital events of my history, and a Sunday alone, 
 at Strawberry, my chief entertainment. All this 
 is far from gay ; but as it neither gives me ennui, 
 nor lowers my spirits, it is not uncomfortable, 
 and I prefer it to being di'(?lacd in younger com- 
 pany.' Such is his account of his life in 1774-^, 
 when he is nearing sixty, and it probably repre- 
 sents it with sufficient accuracy. But a trifling 
 incident easily stirs him into unwonted vivacity. 
 While he is protesting that he has nothing to 
 say, his letters grow under his pen, and, almost 
 as a necessary consequence of his leisure, they 
 become more frequent and more copious. In 
 the edition of Cunningham, up to September, 
 
A Memoir, 235 
 
 1774, they number fourteen hundred and fifty. 
 Speaking roughly, this represents a period of 
 nearly forty years. During the two-and-twenty 
 years that remained to him, he managed to 
 swell them by what was, proportionately, a 
 far greater number. The last letter given by 
 Cunningham is marked 266^ ; and this enumera- 
 tion does not include a good many letters and 
 fragments of letters belonging to this later 
 period, which were published in 186) in Miss 
 Berry's Journals and Correspondence. Never- 
 theless, as stated above, they more and more 
 assume what he somewhere calls * their proper 
 character of newspapers.' 
 
 During the remainder of his life, they were 
 his chief occupation, and his gout was seldom 
 so severe but that he could make shift to scrib- 
 ble a line to his favourite correspondents, calling 
 in his printer Kirgate as secretary in cases 
 of extremity.^ Of literature generally he pro- 
 
 1 Kirgate, who will not be again mentioned, fared but 
 ill at his master's decease, receiving no more than a legacy 
 of ;^ioo, — a circumstance which Pinkerton darkly at- 
 tributes to 'his modest merit ' having been ' supplanted by 
 intriguing impudence ' ( IValpoliana, i. xxiv). There is a por- 
 trait of him, engraved by William Collard, after Septimus 
 Harding, the Pall Mall miniature painter, who also wrote 
 in 1797 for Kirgate some verses in which he is made to 
 speak of himself as ' forlorn, neglected, and forgot.' He 
 
236 Horace Walpole: 
 
 fessed to have taken final leave. ' I no longer 
 care about fame/ he tells Mason in 1774; ' I 
 have done being an author.' Nevertheless, the 
 Short Notes piously chronicle the production 
 of more than one trifle, which are reprinted in 
 his Works. When, in the above year, Lord 
 Chesterfield's letters to his son were published, 
 Walpole began a parody of that famous per- 
 formance in a Series of Letters from a Mother 
 to a Daughter, with the general title of the New 
 Whole Duty of Woman. He grew tired of the 
 idea too soon to enable us to judge what his 
 success might have been with a subject which, 
 in his hands, should have been diverting as a 
 satire ; for, although he was a warm admirer of 
 Chesterfield's parts, as he had shown in his char- 
 acter of him in the Royal and Noble Authors, he 
 was thoroughly alive to the assailable side of 
 what he styles his ' impertinent institutes of 
 education.'^ Another work of this year was a 
 
 had an unique collection of the Strawberry Press issues, 
 which was dispersed at his death, in iSio. 
 
 1 It was his good sense rather than his inclination that 
 made him condemn one with whom he had many points 
 of sympathy. Speaking of the quarrel of Johnson and 
 Chesterfield, he says, 'The friendly patronage [/. c-. of the 
 earl] was returned with ungrateful rudeness by the proud 
 pedant; and men smiled, without being surprisedj at see- 
 ing a bear worry his dancing master.' 
 
A Memoir. 237 
 
 reply to some remarks by Mr. Masters in the 
 Archxologia upon the old subject of the Hh- 
 toric Doubts, which calls for no further notice. 
 But early in 177^ he was persuaded into writing 
 an epilogue for the Bragania of Captain Robert 
 Jephson, a maiden tragedy of the Venice Pre- 
 served order, which was produced at Drury Lane 
 in February of that year, with considerable suc- 
 cess. In a correspondence which ensued with 
 the author, Walpole delivered himself of his 
 views on tragedy for the benefit of Mr. Jephson, 
 who acted upon them^ but not (as his Mentor 
 thought) with conspicuous success, in his next 
 attempt, the Law of Lombard/. Jephson's third 
 play, however, the Count of Narbonne, which 
 was well received in 1781, had a natural claim 
 upon Walpole's good opinion, since it was based 
 upon the Caslle of Olranto} Besides the above 
 letters on tragedy, Walpole wrote, 'in 1775 
 and 1776,' a rather longer paper on comedy, 
 which is printed with them in the second volume 
 of his works (pp. 315-22). He held, as he 
 
 1 'Jephson's Count of Narbonne has been more ad- 
 mired than any play I remember to have appeared 
 these many years. It is still [Jan., 1782] acted with suc- 
 cess to very full houses ' {Malone to Charlemont, Hist. 
 MSS. Commission, \2th Kept., App., Pt. x., 1891, p. 395). 
 Malone wrote the epilogue. 
 
238 Horace Walpole : 
 
 says, ' a good comedy the chcf-d'ceuvre of 
 human genius ; ' and it is manifest that his keen- 
 est sympathies were on the side of comic art. 
 His remarks upon Congreve are full of just 
 appreciation. Yet, although he mentions the 
 School for Scandal (which, by the way, shows 
 that he must have written rather later than the 
 dates given above), he makes no reference to 
 the most recent development, in She Sloops lo 
 Conquer, of the school of humour and charac- 
 ter, and he seems rather to pose as the advocate 
 of that genteel or sentimental comedy which 
 Foote and Goldsmith and Sheridan had striven 
 to drive from the English stage. When his pre- 
 judices are aroused, he is seldom a safe guide, 
 and in addition to his personal contempt for 
 Goldsmith,^ that writer had irritated him by his 
 reference to the Albemarle Street Club, to 
 which many of his friends belonged. It was 
 an additional offence that the ' Miss Biddy 
 [originally Miss Rachael] Buckskin ' of the 
 comedy was said to stand for Miss Rachael 
 Lloyd, long housekeeper at Kensington Palace, 
 
 1 'Silly Dr. Goldsmith,' he calls him to Cole in 
 April, 1773. 'Goldsmith was an idiot, with once or 
 twice a fit of parts,' he says again to Mason in October, 
 1776. 
 
A Memoir, 239 
 
 and a member of the club well known both to 
 himself and to Madame du Deffand.-^ 
 
 In the second of the letters to Mr. Jephson, 
 Walpole refers to his own efforts at comedy, 
 and implies that he had made attempts in this 
 direction even before the tragedy of T]u M/s- 
 terious Mother. He had certainly the wit, and 
 much of the gift of direct expression, which 
 comedy requires. But nothing of these earlier 
 essays appears to have survived, and the only 
 dramatic effort included among his Works (his 
 tragedy excepted) is the little piece entitled 
 Nature ivlll Prevail, which, with its fairy 
 machinery, has something of the character of 
 such earlier productions of Mr. W. S. Gilbert 
 as the Palace of Truth. This he wrote in 
 1773, and, according to the Short Notes, sent 
 it anonymously to the elder Colman, then 
 manager of Covent Garden. Colman (he says) 
 was much pleased with it, but regarding it 
 as too short for a farce, wished to have it 
 enlarged. This, however, its author thought 
 
 1 The rules of the so-called Female Coterie in Albe- 
 marle Street, together with the names of the members, 
 are given in the Gentleman s Magazine for 1770, pp. 414-5. 
 Besides Walpole and Miss Lloyd, Fox, Conway, Selwyn, 
 the Waldegraves, the Damers, and many other ' persons 
 of quality ' belonged to it. 
 
240 Horace Walpole : 
 
 too much trouble ' for so slight and extempore 
 a performance.' Five years after, it was pro- 
 duced at the little theatre in the Haymarket, and, 
 being admirably acted, — says the Biographia 
 Dramalica, — met with considerable applause. 
 But it is obviously one of those works to which 
 the verdict of Goldsmith's critic, that it would 
 have been better if the author had taken more 
 pains, may judiciously be applied. It is more 
 like a sketch for a farce than a farce itself ; and 
 it is not finished enough for a proverbe. Yet 
 the dialogue is in parts so good that one almost 
 regrets the inability of the author to nerve him- 
 self for an enterprise de longuc lialcine. 
 
 Between 1774 and 1780 the Strawberry Hill 
 Press still now and then showed signs of vitality. 
 In 177), it printed as a loose sheet some verses 
 by Charles James Fox, — celebrating, as Amoret, 
 that lover of the Whigs, the beautiful Mrs. 
 Crewe, — and three hundred copies of an 
 Eclogue by Mr. Fitzpatrick,^ entitled Dorinda, 
 which contains the couplet, — 
 
 ' And oh I what Bliss, when each alike is pleas'd, 
 
 The Hand that squeezes, and the Hand that 's squeez'd.' 
 
 These were followed, in 1778, by the Sleep 
 Walker, a comedy from the French of Madame 
 
 1 The Hon. Richard Fitzpatrick, Lord Ossory's 
 brother. He afterwards became a General, and Secretary 
 
A Memoir. 241 
 
 du Deffand's friend Pont de Veyle, translated 
 by Lady Craven, afterwards Margravine of 
 Anspach, and played for a charitable purpose 
 at Newbury. A year later came the vindication 
 of his conduct to Chatterton, already mentioned 
 at pp. 196-200; and after this a sheet of verse 
 by Mr. Charles Miller to Lady Horatia Walde- 
 grave.^ a daughter of the Duchess of Gloucester 
 by her first husband. The last work of any 
 importance was the fourth volume of the Anec- 
 dotes of Painting, which had been printed as far 
 back as 1770, but was not issued until Oct., 
 1780. This delay, the Advertisement informs 
 
 at War. At this time he was a captain in the Grenadier 
 Guards. As a litterateur he had written The Bath Pic- 
 ture ; or, a Slight Sketch of its Beauties; and he was later 
 one of the chief contributors to the Rolliad. Besides 
 being the life-long friend of Fox, he was a highly popular 
 wit and man-of-fashion. Lord Ossory put him above 
 Walpole and Selwyn ; and Lady Holland is said to have 
 thought him the most agreeable person she had ever 
 known. He died in 1813. 
 
 1 One of the three beautiful sisters painted by Rey- 
 nolds, — Elizabeth Laura, afterwards Viscountess Chew- 
 ton ; Charlotte Maria, afterwards Countess of Euston ; 
 and Anne Horatia, who married Captain Hugh Conway. 
 ' Sir Joshua Reynolds gets avaricious in his old age. My 
 picture of the young ladies Waldegrave is doubtless very 
 fine and graceful, but it cost me 800 guineas ' ( Walpo- 
 liana, ii. 157). 
 
 16 
 
242 Horace Walpole : 
 
 us, arose ' from motives of tenderness.' The 
 author was ' unwilling [he says] to utter even 
 gentle censures, which might wound the affec- 
 tions, or offend the prejudices, of those related 
 to the persons whom truth forbad him to com- 
 mend beyond their merits.' ^ But despite his 
 unwillingness to ' dispense universal panegyric,' 
 and the limitation of his theme to living pro- 
 fessors, he manages, in the same Advertisement, 
 to distribute a fair amount of praise to some of 
 his particular favourites. Of H. W. Bunbury, 
 the husband of Goldsmith's ' Little Comedy,' he 
 says that he is the ' second Hogarth,' and the 
 ' first imitator who ever fully equalled his origi- 
 nal,' — which is sheer extravagance. He lauds 
 the miniature copying of Lady Lucan, as almost 
 depreciating the ' exquisite works ' of the artists 
 she follows, — to wit, Cooper and the Olivers ; 
 and he speaks of Lady Di. Beauclerk's draw- 
 ings as ' not only inspired by Shakespeare's 
 insight into nature, but by the graces and taste 
 of Grecian artists.' After this, the comparison 
 of Mrs. Darner with Bernini seems almost tame. 
 
 ^ lie was not successful as regards Hogarth, whose 
 widow was sorely and justly wounded by his coarse 
 treatment of Sigismunda, which is said to have been a 
 portrait of herself. The picture is now in the National 
 Gallery. 
 
A Memoir. 243 
 
 Yet her works ' from the life are not inferior to 
 the antique, and those . . . were not more 
 like.' One can scarcely blame Walpole severely 
 for this hearty backing of the friends who had 
 added so much to the attractions of his Gothic 
 castle ; but the value of his criticisms, in many 
 other instances sound enough, is certainly 
 impaired by his loyalty to the old-new practice 
 of ' log-rolling/ 
 
 Lady Di. Beauclerk, whose illustrations to 
 Dryden's Fables are still a frequent item in 
 second-hand catalogues, has a personal con- 
 nection with Strawberry through the curious 
 little closet bearing her name, which^ with the 
 assistance of Mr. Essex, a Gothic architect 
 from Cambridge, Walpole in 1776-8 managed 
 to tuck in between the Cabinet and the Round 
 Tower. It was built on purpose to hold the 
 ' seven incomparable drawings,' executed in 
 a fortnight, which her Ladyship prepared, to 
 illustrate The Mysterious Mother. These were 
 the designs to which he refers in the Anecdotes 
 of Painting, and, in a letter to Mann, says 
 could not be surpassed by Guido and Salvator 
 Rosa. They were hung on Indian blue 
 damask, in frames of black and gold ; and 
 Clive's friend, Miss Pope, the actress, when 
 she dined at Strawberry, was affected by them 
 
244 Horace JValpole : 
 
 to such a degree that she shed tears, although 
 she did not know the story, — an anecdote 
 which may be regarded either as a genuine 
 compliment to Lady Di., or a merely histrionic 
 tribute to her entertainer. ' The drawings/ 
 Walpole says, ' do not shock and disgust, like 
 their original, the tragedy ; ' but they were not 
 to be shown to the profane. They were, never- 
 theless, probably exhibited pretty freely, as a 
 copy of the play, carefully annotated in MS. 
 by the author, and bound in blue leather to 
 match the hangings, was always kept in a 
 drawer of one of the tables, for the purpose of 
 explaining them.^ Walpole afterwards added 
 one or two curiosities to this closet. It con- 
 tained, according to the last edition of the 
 Catalogue, a head in basalt of Jupiter Serapis, 
 and a book of Psalms illuminated by Giulio 
 Clovio, the latter purchased for £i()Q at the 
 Duchess of Portland's sale in May, 1786. There 
 was also a portrait by Powell, after Reynolds, 
 of Lady Di. herself, who lived for some time 
 
 1 Miss Hawkins [Anecdotes, etc., 1822, p. 103) did not 
 think highly of these performances : * Unless the pro- 
 portions of the human figure are of no importance in 
 drawing it, these ' Beauclerk drawings ' can be looked on 
 only with disgust and contempt.' lUit she praises the 
 gipsies hereafter mentioned (p. 260 n.) as having been 
 copied by Agnes Berry. 
 
A Memoir, 245 
 
 at Twickenham in a house now known as 
 Little Marble Hill, many of the rooms of 
 which she decorated with her own perfor- 
 mances. These were apparently the efforts 
 which prompted the already mentioned post- 
 script to the Parish Register of Twickenham : 
 
 " Here Genius in a later hour 
 Selected its sequester'd bow'r, 
 And threw around the verdant room 
 The blushing lilac's chill perfume. 
 So loose is flung each bold festoon, 
 Each bough so breathes the touch of noon, 
 The happy pencil so deceives, 
 That Flora, doubly jealous, cries, 
 * The work 's not mine, — yet, trust these eyes, 
 'T is my own Zephyr waves the leaves.' " ^ 
 
 Mention has been made of the intermittent 
 attacks of insanity to which Walpole's nephew, 
 the third Earl of Orford, was subject. At the 
 beginning of 1774, he had returned to his senses, 
 and his uncle, on whom fell the chief care 
 of his affairs during his illnesses, was, for a 
 brief period, freed from the irksome strain of an 
 uncongenial and a thankless duty. In April, 
 1777, however, Lord Orford's malady broke 
 out again, with redoubled severity. In August, 
 he was still fluctuating ' between violence and 
 1 See pp. 158, 159. 
 
246 Horace Walpole : 
 
 stupidity;' but in March, 1778, a lucid inter- 
 val had once more been reached, and Walpole 
 was relieved of the care of his person. Of his 
 affairs he had declined to take care, as his 
 Lordship had employed a lawyer of whom 
 Walpole had a bad opinion. ' He has resumed 
 the entire dominion of himself,' says a letter 
 to Mann in April^ ' and is gone into the 
 country, and intends to command the militia.' 
 One of the earliest results of this ' entire do- 
 minion ' was a step which filled his relative with 
 the keenest distress. He offered the famous 
 Houghton collection of pictures to Catherine 
 of Russia, — ' the most signal mortification to 
 my idolatry for my father's memory that it 
 could receive,' says Walpole to Lady Ossory. 
 By August, 1779, the sale was completed. 
 ' The sum stipulated,' he tells Mann, ' is forty 
 or forty-five thousand pounds,^ I neither know 
 nor care which ; nor whether the picture 
 merchant ever receives the whole sum, which 
 probably he will not do, as I hear it is to be 
 discharged at three payments, — a miserable 
 
 1 The exact sum was ;^40,555. Cipriani and West 
 were the valuers. Most of the family portraits were 
 reserved ; but so many of the pictures were presents that 
 it is not easy to estimate the actual profit over their first 
 cost to the original owner. 
 
A Memoir, 247 
 
 bargain for a mighty empress I . . . Well 1 
 adieu to Houghton 1 about its mad master I 
 shall never trouble myself more. . . . Since 
 he has stript Houghton of its glory, I do not 
 care a straw what he does with the stone or 
 the acres ! ' -^ 
 
 Not very long after' the date of the above 
 letter Walpole made what was, for him, an 
 important change of residence. The lease of 
 his house in Arlington Street running out, he 
 fixed upon a larger one in the then very 
 fashionable district of Berkeley Square. The 
 house he selected, now (1892) numbered 11, 
 was then 40,^ and he had commenced nego- 
 tiations for its purchase as early as November, 
 1777, when, he tells Lady Ossory, he had 
 come to town to take possession. But diffi- 
 culties arose over the sale, and he found him- 
 self involved in a Chancery suit. He was too 
 adroit, however, to allow this to degenerate 
 into an additional annoyance, and managed 
 (by his own account) to turn what promised 
 to be a tedious course of litigation into a com- 
 bat of courtesy. Ultimately, in July, 1779, he 
 
 1 Walpole to Mann, 4 Aug., 1779. 
 
 2 This, according to Harrison's Memorable Houses, 3rd 
 ed., 1890, p. 62, is Lord Orford's number as given in 
 Boyle's Court Guide for 1796. 
 
248 Horace JValpole : 
 
 had won his cause, and was hurrying from 
 Strawberry to pay his purchase money and 
 close the bargain. Two months later, he is 
 moving in, and is delighted with his acquisi- 
 tion. He would not change his two pretty 
 mansions for any in England, he says. On 
 the 14th October, he took formal possession, 
 upon which day — his ' inauguration day ' — he 
 dates his first letter ' Berkeley Square.' ' It 
 is seeming to take a new lease of life,' he tells 
 Mason. ' I was born in Arlington Street, 
 lived there about fourteen years, returned 
 thither, and passed thirty-seven more ; but I 
 have sober monitors that warn me not to delude 
 myself.' He had still a decade and a half 
 before him. 
 
 Little more than twelve months after he had 
 settled down in his new abode, he lost the 
 faithful friend at Paris, to whom, for the space 
 of fifteen years, he had written nearly once a 
 week. By 1774, he had become somewhat 
 nervous about this accumulated correspondence 
 in a language not his own. For an Englishman, 
 his French was good, and, as might be expected 
 of anything he wrote, characteristic and viva- 
 cious. But, almost of necessity, it contained 
 many minor faults of phraseology and arrange- 
 ment, besides abounding in personal anecdote ; 
 
A Memoir. 249 
 
 and he became apprehensive lest, after Madame 
 du Deffand's death, his utterances should fall 
 into alien hands. General Conway, who visited 
 Paris in October, 1774, had therefore been 
 charged to beg for their return, — a request 
 which seems at first to have been met by the 
 reply on the lady's part that sufficient precau- 
 tions had already been taken for ensuring their 
 restoration. Ultimately, however, they were 
 handed to Conway.^ It was in all probability 
 under a sense of this concession that Walpole 
 once more risked a tedious journey to visit his 
 blind friend. In the following year he went to 
 Paris, to find her, as usual, impatiently expect- 
 ing his arrival. She sat with him until half-past 
 two, and before his eyes were open again, he 
 had a letter from her. ' Her soul is immortal, 
 and forces her body to keep it company.' A 
 little later he complains that he never gets to bed 
 from her suppers before two or three o'clock. 
 ' In short,' he says, ' I need have the activity 
 
 1 According to a note in the selection from Madame 
 du Deffand's Correspondence with Walpole, published 
 in iSio, iii. 44, these letters were at that date extant. But 
 all the subsequent letters were burnt by her at Walpole's 
 earnest desire, — those only excepted which she received 
 during the last year of her Hfe, and these, also, were sent 
 back when she died. 
 
250 Horace Walpole : 
 
 of a squirrel, and the strength of a Hercules, 
 to go through my labours, — not to count how 
 many ddmeUs I have had to raccommode and 
 how many mdmoires to present against Tonton/ 
 who grows the greater favourite the more peo- 
 ple he devours/ But Tonton's mistress is more 
 worth visiting than ever, he tells Selwyn, 
 and she is apparently as tireless as of yore. 
 ' Madame du Deffand and I [says another let- 
 ter] set out last Sunday at seven in the evening, 
 to go fifteen miles to a ball, and came back after 
 supper ; and another night, because it was but 
 
 1 Tonton was a snappish little dog belonging to Madame 
 du Deffand, which, when in its mistress's company, must 
 have been extremely objectionable. In January, 177S, the 
 Marechale de Luxembourg presented her old friend with 
 Teuton's portrait in wax on a gold snuff-box, together 
 with the last six volumes of Madame du Deffand's favour- 
 ite, Voltaire, adding the following epigram by the Chevalier 
 dc lioufflers : — 
 
 * Vous les trouvez tons deux charmans, 
 Nous les trouvons tons deux mordans : 
 
 Voil^ la ressemblance ; 
 L'un ne mord que ses enneniis, 
 Et I'autre mord tous vos amis : 
 
 Voil^ la difference.' 
 
 At Madame du Deffand's death, both dog and box passed 
 to Walpole, the latter finding an honoured place among 
 the treasures of the Tribune. (See A Description of the 
 Villa, etc., 1774, p. 137, A/'/^eiidix of Additions.) 
 
A Memoir. 251 
 
 one in the morning when she brought me home, 
 she ordered the coachman to make the tour of 
 the Quais, and drive gently because it was so 
 early.' At last, early in October, he tears him- 
 self away, to be followed almost immediately 
 by a letter of farewell. Here it is : — 
 
 ' Adieu, ce mot est bien triste ; souvenez-vous 
 que vous laissez ici la personne dont vous §tes 
 le plus aime^ et dont le bonheur et le malheur 
 consistent dans ce que vous pensez pour elle. 
 Donnez-moi de vos nouvelles le plus tot qu'il 
 sera possible. 
 
 ' Je me porte bien, j'ai un peu dormi, ma nuit 
 n'est pas finie , je serai tr^s-exacte au regime, 
 et j'aurai soin de moi puisque vous vous y 
 interessez.' 
 
 The correspondence thus resumed was con- 
 tinued for five years more. Walpole does not 
 seem to have visited Paris again, and the refer- 
 ences to Madame du Deffand in his general 
 correspondence are not very frequent. Towards 
 the middle of 1780, her life was plainly closing 
 in. In July and August, she complained of 
 being more than usually languid, and in a letter 
 of the 22nd of the latter month intimates that 
 it may be her last, as dictation growls painful to 
 her. ' Ne vous devant revoir de ma vie,' — she 
 says pathetically, — ' je n'ai rien k regretter.' 
 
252 Horace Walpole : 
 
 From tl^.is time she kept her bed, and in Sep- 
 tember Walpole tells Lady Ossory that he is 
 trembling at every letter he gets from Paris. 
 ^ My dear old friend, I fear, is going! . . . 
 To have struggled twenty days at eighty-four 
 shows such stamina that I have not totally lost 
 hopes.' On the 24th, however, after a lethargy 
 of several days, she died quietly, ' without effort 
 or struggle.' ' Elle a eu la mort la plus douce,' 
 — says her faithful and attached secretary, 
 Wiart, — ' quoique la maladie ait et^ longue.' 
 She was buried, at her own wish, in the parish 
 church of St. Sulpice. By her will she made 
 her nephew, the Marquis d'Aulan, her heir. 
 Long since, she had wished Walpole to accept 
 this character. Thereupon he had threatened 
 that he would never set foot in Paris again if 
 she carried out her intention ; and it was aban- 
 doned. But she left him the whole of her 
 manuscripts^ and books. 
 
 As his own letters to her have not been 
 printed, her death makes no difference in the 
 amount of his correspondence. The war with 
 the American Colonies, of which he foresaw 
 the disastrous results, and the course of 
 
 1 The MSS., which included eight hundred of ^^ada^le 
 du Deffand's letters, were sold in the Strawberry Hill 
 sale of 1842 for ^^157 ioj. 
 
A Memoir. 253 
 
 which he follows to Mann with the greatest 
 keenness, fully absorbs as much of his time 
 as he can spare from the vagaries of the 
 Duchess of Kingston and the doings of the 
 Duchess of Gloucester. Not many months 
 before Madame du Deffand died had occurred 
 the famous Gordon Riots, which, as he was 
 in London most of the time, naturally occupy 
 his pen. It was General Conway who, as the 
 author of Barnaby Riidge has not forgotten, 
 so effectively remonstrated with Lord George 
 upon the occasion of the visit of the mob to 
 the House of Commons ; and four days later 
 Walpole chronicles from Berkeley Square the 
 events of the terrible ' Black Wednesday.' 
 From the roof of Gloucester House he sees 
 the blazing prisons, — a sight he shall not soon 
 forget. Other subjects for which one dips in 
 the lucky bag of his records are the defence 
 of Gibraltar, the trial of Warren Hastings, the 
 loss of the Royal George. But it is generally 
 in the minor chronicle that he is most divert- 
 ing. The last bon mot of George Selwyn or 
 Lady Townshend, the newest ' royal preg- 
 nancy,' the details of court ceremonial, the 
 most recent addition to Strawberr}^, the end- 
 less stream of anecdote and tittle-tattle which 
 runs dimpling all the way, — these are the 
 
254 Horace Walpole : 
 
 themes he loves best ; this is the element in 
 which his easy persiflage delights to disport 
 itself. He is, above all, a rieur. About his 
 serious passages there is generally a false 
 ring, but never when he pours out the gossip 
 that he loves, and of which he has so inex- 
 haustible a supply. ' I can sit and amuse 
 myself with my own memory,' he says to 
 Mann in February, 1785, ^and yet find new 
 stores at every audience that I give to it. Then, 
 for private episodes [he has been speaking of 
 his knowledge of public events], varieties of 
 characters, political intrigues, literary anecdotes, 
 etc., the profusion that I remember is endless ; 
 in short, when I reflect on all I have seen, 
 heard, read, written, the many idle hours I have 
 passed, the nights I have wasted playing at 
 faro, the weeks, nay months, I have spent 
 in pain, you will not wonder that I almost 
 think I have, like Pythagoras, been Panthoides 
 Euphorbus, and have retained one memory in 
 at least two bodies.' 
 
 He was sixty-eight when he wrote the above 
 letter. Mann was eighty-four, and the long 
 correspondence — a correspondence 'not to be 
 paralleled in the annals of the Post Office ' — 
 was drawing to a close. * What Orestes and 
 Pylades ever wrote to each other for four-and- 
 
A Memoir, 255 
 
 forty years without meeting r' Walpole asks. 
 In June, 1786, however, the last letter of the 
 eight hundred and nine specimens printed by 
 Cunningham was despatched to Florence.^ In 
 the following November, Mann died, after a 
 prolonged illness. He had never visited Eng- 
 land, nor had Walpole set eyes upon him since 
 he had left him at Florence in May, 1741. 
 His death followed hard upon that of another 
 faithful friend (whose gifts, perhaps, hardly 
 lay in the epistolary line), — bustling, kindly 
 Kitty Clive. Her cheerful, ruddy face, ' all 
 sun and vermilion,' set peacefully in Decem- 
 ber, 178), leaving Cliveden vacant, not, as we 
 shall see, for long.^ Earlier still had departed 
 
 1 Walpole, as in the case of Madame du Deffand, had 
 ta'cen the precaution of getting back his letters, and at 
 his friend's death not more than a dozen of them were 
 still in Mann's possession. According to Cunningham 
 {Corr., ix. xv), Mann's letters to Walpole are ' absolutely- 
 unreadable.' An attempt to skim the cream of them 
 (such as it is) was made by Dr. Doran in two volumes 
 entitled ' Maitn ' and Maimers at the Court of Florence, 
 1740-1786, Bentley, 1876. 
 
 2 Mrs. Clive is buried at Twickenham, where a mural 
 slab was erected to her in the parish church by her 
 protegee and successor, Miss Jane Pope, the clever actress 
 who shed tears over the Beauclerk drawings (see p. 244). 
 Her portrait by Davison, which is engraved as the front- 
 ispiece to Cunningham's fourth volume, hung in the 
 
256 Horace IValpole : 
 
 another old ally, Cole, the antiquary, and the 
 lapse of time had in other ways contracted 
 Walpole's circle. In 1781, Lady Orford had 
 ended her erratic career at Pisa, leaving her 
 son a fortune so considerable as to make his 
 uncle regret vaguely that the sale of the 
 Houghton pictures had not been delayed for 
 a few months longer. Three years later, she 
 was followed by her brother-in-law, Sir Edward 
 Walpole, — an occurrence which had the effect 
 of leaving between Horace Walpole and his 
 father's title nothing but his lunatic and child- 
 less nephew. 
 
 If his relatives and friends were falling 
 away, however, their places — the places of the 
 friends, at least — were speedily filled again; 
 and, as a general rule, most of his male favour- 
 ites were replaced by women. Pinkerton, 
 the antiquary, who afterwards published the 
 Walpoliana, is one of the exceptions ; and 
 several of Walpole's letters to him are con- 
 tained in that book, and in the volumes of 
 Pinkerton's own correspondence published by 
 Dawson Turner in 1830. But Walpole's appe- 
 tite for correspondence of the purely literary 
 kind had somewhat slackened in his old age. 
 
 Round Bedchamber at Strawljerry. It was given to 
 Wall)oIc by her brother, James Raftor. 
 
A Memoir. 257 
 
 and it was to the other sex that he turned for 
 sympathy and solace. He hked them best ; 
 his style suited them ; and he wrote to them 
 with most ease. In July, 178^, he was visited 
 at Strawberry by Madame de Genlis, who 
 arrived with her friend Miss Wilkes and the 
 famous Pamela,^ afterwards Lady Edward Fitz- 
 gerald. Madame de Genlis at this date was 
 nearing forty, and had lost much of her good 
 looks. But Walpole seems to have found her 
 less pricieuse and affected than he had anti- 
 cipated, and she was, on this occasion, unac- 
 companied by the inevitable harp. A later 
 visit was from Dr. Burney and his daughter 
 Fanny, — ' Evelina-Cecilia ' Walpole calls her, 
 — a young lady for whose good sense and 
 modesty he expresses a genuine admiration. 
 Miss Burney had not as yet entered upon that 
 court bondage which was to be so little to 
 her advantage. Another and more intimate 
 
 1 ' Whom she [Madame de Genlis] has educated to be 
 very like herself in the face,' says Walpole, referring 
 to a then current scandal. At this date, however, it is 
 but just to add that the recent investigations of Mr. J. G. 
 Alger, as embodied in vol. xix. of the Dictionary of 
 National Biography, tend to show that it is by no means 
 certain that Pamela was the daughter of the accomplished 
 lady whom Philippe ^^a//// entrusted with the education 
 of his sons. 
 
 17 
 
258 Horace IVa/poIe : 
 
 acquaintanceship of this period was with Miss 
 Burney's friend^ Hannah More. Hannah 
 More ultimately became one of Walpole's 
 correspondents, although scarcely ' so corre- 
 sponding' as he wished; and they met fre- 
 quently in society when she visited London. 
 On her side, she seems to have been wholly 
 fascinated by his wit and conversational 
 powers ; he, on his, was attracted by her 
 mingled puritanism and vivacity. He writes to 
 her as ' St. Hannah ; ' and she, in return, sighs 
 plaintively over his lack of religion. Yet (she 
 adds) she ' must do him the justice to say. 
 that except the delight he has in teasing me 
 for what he calls over-strictness, I have never 
 heard a sentence from him which savoured of 
 infidelity.'^ He evidently took a great interest 
 in her works, and indeed in 1789 prmted at 
 his press one of her poems, Bonner's Ghost.'' 
 
 ^ He is not explicit as to his creed. 'Atheism I dis- 
 like,' he said to Pinkerton. ' It is gloomy, uncomfortable ; 
 and, in my eye, unnatural and irrational. It certainly 
 requires more credulity to believe that there is no God, 
 than to believe that there is ' ( Walpoliana, i. 75-6). But 
 Pinkerton must be taken with caution. (Cf. Quarterly 
 Rcviciu, 1843, l-^'xii- 551-) 
 
 - In 1786 she had dedicated to him her Florio, A Tale, 
 etc., with a highly complimentary Preface, in which she 
 says : ' I should be unjust to your very engaging and 
 
Hannah More. 
 
^-"^^^ 
 
/^ 
 
 
A Memoir. 259 
 
 His friendship for her endured for the remain- 
 der of his life ; and not long before his death he 
 presented her with a richly bound copy of 
 Bishop Wilson's Bible, with a complimentary 
 inscription which may be read in the second 
 volume of her Life and Correspondence. 
 
 It was, however, neither the author of Eve- 
 lina nor the author of The Manners of the 
 Great who was destined to fill the void created 
 by the death of Madame du Deffand. In the 
 winter of 1787-8, he had first seen, and a year 
 later he made the formal acquaintance of, ' two 
 young ladies of the name of Berry.' They had 
 a story. Their father, at this time a widower, 
 had married for love, and had afterwards been 
 supplanted in the good graces of a rich uncle 
 by a younger brother who had the generosity 
 to allow him an annuity of a thousand a year. 
 In 1783, Mr. Berry had taken his daughters 
 abroad to Holland, Switzerland, and Italy, 
 whence, in June, 178^, they had returned, being 
 then highly cultivated and attractive young 
 women of two-and-twenty and one-and-twenty 
 respectively. Three years later, Walpole met 
 
 well-bred turn of wit, if I did not declare that, among all 
 the lively and brilliant things I have heard from you, I 
 do not remember e\cr to have heard an unkind or an 
 ungenerous one.' 
 
/Z. 
 
 •^s 
 
 
A Memoir. 259 
 
 His friendship for her endured for the remain- 
 der of his life ; and not long before his death he 
 presented her with a richly bound copy of 
 Bishop Wilson's Bible, with a complimentary 
 inscription which may be read in the second 
 volume of her Life and Correspondence. 
 
 It was, however, neither the author of Eve- 
 lina nor the author of The Manners of the 
 Great who was destined to fill the void created 
 by the death of Madame du Deffand. In the 
 winter of 1787-8, he had first seen, and a year 
 later he made the formal acquaintance of, ' two 
 young ladies of the name of Berry.' They had 
 a story. Their father, at this time a widower, 
 had married for love, and had afterwards been 
 supplanted in the good graces of a rich uncle 
 by a younger brother who had the generosity 
 to allow him an annuity of a thousand a year. 
 In 1783, Mr. Berry had taken his daughters 
 abroad to Holland, Switzerland, and Italy, 
 whence, in June, 178^, they had returned, being 
 then highly cultivated and attractive young 
 women of two-and-twenty and one-and-twenty 
 respectively. Three years later, Walpole met 
 
 well-bred turn of wit, if I did not declare that, among all 
 the lively and brilliant things I have heard from you, I 
 do not remember e\cr to have heard an unkind or an 
 ungenerous one.' 
 
26o Horace IValpole: 
 
 them for the second time at the house of a Lady 
 Merries, the wife of a banker in St. James's 
 Street. The first time he saw them he ' would 
 not be acquainted with them, having heard so 
 much in their praise that he concluded thev 
 would be all pretension.' But on the second 
 occasion, ' in a very small company,' he sat next 
 the elder, Mary, ' and found her an angel both 
 inside and out.' 'Her face' — he tells Lady 
 Ossory — 'is formed for a sentimental novel, 
 but it is ten times fitter for a fifty times better 
 thing, genteel comedy.' The other sister was 
 speedily discovered to be nearly as charming. 
 • They are exceedingly sensible, entirely natural 
 and unaffected, frank, and, being qualified to 
 talk on any subject, nothing is so easy and agree- 
 able as their conversation, nor more apposite 
 than their answers and observations. The eldest, 
 I discovered by chance, understands Latin, and 
 is a perfect Frenchwoman in her language. The 
 younger draws charmingly, and has copied 
 admirably Lady Di.'s gipsies,^ which I lent, 
 though for the first time of her attempting 
 colours. They are of pleasing figures : Mary, 
 
 1 This (we are told) was Lady Di.'s chcf-a'auvre. It 
 was a water-colour drawing representing ' Gipsies telling 
 a country-maiden her fortune at the entrance of a beech- 
 wood,' and hung in the Red Bedchamber at Strawberry. 
 
A Memoir. 261 
 
 the eldest, sweet, with fine dark eyes that are 
 very lively when she speaks, with a symmetry 
 of face that is the more interesting from being 
 pale ; Agnes, the younger, has an agreeable, sen- 
 sible countenance, hardly to be called handsome, 
 but almost. She is less animated than Mary, 
 but seems, out of deference to her sister, to 
 speak seldomer ; for they dote on each other, 
 and Mary is always praising her sister's talents. 
 I must even tell you they dress within the bounds 
 of fashion, though fashionably ; but without the 
 excrescences and balconies with which modern 
 hoydens overwhelm and barricade their persons. 
 In short, good sense, information, simplicity, 
 and ease characterize the Berrys ; and this is 
 not particularly mine, who am apt to be pre- 
 judiced, but the universal voice of all who know 
 them.' ^ 
 
 ' This delightful family,' he goes on to say, 
 ^ comes to me almost every Sunday evening. 
 [They were at the time living on Twickenham 
 Common.] Of the father not much is recorded 
 beyond the fact that he was ' a little merry man 
 with a round face,' and (as his eldest daughter 
 reports) ' an odd inherent easiness in his dis- 
 position,' who seems to have been perfectly 
 contented in his modest and unobtrusive char- 
 i Walpole to Lady Ossory, ii Oct., 1788. 
 
262 Horace IValpole : 
 
 acter of paternal appendage to the favourites. 
 Walpole's attachment to his new friends grew 
 rapidly. Only a few days after the date of the 
 foregoing letter, Mr. Kirgate's press was versi- 
 fying in their honour, and they themselves were 
 already ' his two Straw Berries/ whose praises 
 he sang to all his friends. He delighted in devis- 
 ing new titles for them, — they were his ' twin 
 wives,' his ' dear Both,' his ' Amours.' For 
 them in this year he began writing the charming 
 little volume of Reminiscences of the Courts of 
 George the ist and 2nd, and in December, 1789, 
 he dedicated to them his Catalogue of Stran'- 
 berry Mill. It was not long before he had 
 secured them a home at Teddington and finallv, 
 when, in 1791, Cliveden became vacant, he pre- 
 vailed upon them to become his neighbours. 
 He afterwards bequeathed the house to them, 
 and for many years after his death, it was their 
 summer residence. On either side the acquaint- 
 ance was advantageous. His friendship at once 
 introduced them to the best and most accom- 
 plished fashionable society of their day, while 
 the charm of their ' company, conversation and 
 talents' must have inexpressibly sweetened and 
 softened what, on his part, had begun to grow 
 more and more a solitary, joyless, and painful 
 old age. 
 
Miss Berry. 
 
/3 
 
 -^ 
 
 Of THE ^-, \ 
 
A Memoir. 26^ 
 
 His establishment of his ' wives ' in his imme- 
 diate vicinity was not, however, accomplished 
 without difficulty. For a moment some ill-na- 
 tured newspaper gossip, which attributed the 
 attachment of the Berry family to interested 
 motives, so justly aroused the indignation of the 
 elder sister that the whole arrangement threat- 
 ened to collapse. But the slight estrangement 
 thus caused soon passed away ; and at the close 
 of 1791, they took up their abode in Mrs. 
 Clive's old house, now doubly honoured. On 
 the 5th of the December in the same year, after 
 a fresh fit of frenzy, Walpole's nephew died, and 
 he became fourth Earl of Orford. The new 
 dignity was by no means a welcome one, and 
 scarcely compensated for the cares which it 
 entailed. ' A small estate, loaded with debt, 
 and of which I do not understand the manage- 
 ment, and am too old to learn ; a source of law 
 suits amongst my near relations, though not 
 affecting me ; endless conversations with law- 
 yers, and packets of letters to read every day 
 and answer, — all this weight of new business 
 is too much for the rag of life that yet hangs 
 about me, and was preceded by three weeks of 
 anxiety about my unfortunate nephew, and a 
 daily correspondence with physicians and mad- 
 doctors, falling upon me when I had been out 
 
264 Horace Walpole : 
 
 of order ever since July.'^ ' For the other 
 empty metamorphosis,' he writes to Hannah 
 More, ' that has happened to the outward man. 
 you do me justice in concluding that it can do 
 nothing but tease me ; it is being called names 
 in one's old age. I had rather be my Lord 
 Mayor, for then I should keep the nickname 
 but a year ; and mine I may retain a little 
 longer, — not that at seventy-five I reckon on 
 becoming my Lord Methusalem.' For some 
 time he could scarcely bring himself to use his 
 new signature, and occasionally varied it by 
 describing himself as ' The uncle of the late 
 Earl of Orford.' In 1792, he delivered himself, 
 after the fashion of Cowley, of the following 
 Epilaphium vivi Aiictoris : — 
 
 ' An estate and an earldom at seventy-four ! 
 Had I sought them or wished them, 't would add one 
 
 fear more, — 
 That of making a countess when almost four-score. 
 But Fortune, who scatters her gifts out of season, 
 Though unkind to my limbs, has still left me my reason ; 
 And whether she lowers or lifts me, I '11 try, 
 In the plain simple style I have lived in, to die : 
 For ambition too humble, for manners too high.' 
 
 The last line seems like another of the many 
 echoes of Goldsmith's Rclaliation. As for the 
 
 1 IVal/oU to Pinker tot, 26 Dec, 1791. 
 
A Memoir. 265 
 
 fear indicated in the third, it is hinted that this 
 at one time bade fair to be something more 
 than a poetical apprehension. If we are to 
 credit a tradition handed down by Lord Lans- 
 downe, he had been willing to go through the 
 form of marriage with either of the Berrys, 
 merely to secure their society, and to enrich 
 them, as he had the power of charging the 
 Orford estate with a jointure of ;^20oo per 
 annum. But this can only have been a passing 
 thought at some moment when their absence, 
 in Italy or elsewhere, left him more sensitive 
 to the loss of their gracious and stimulating 
 presence. He himself was far too keenly alive 
 to ridicule, and too much in bondage to les 
 biens^ances, to take a step which could scarcely 
 escape ill-natured comment ; and Mary Berry, 
 who would certainly have been his preference, 
 was not only as fully alive as was he to the 
 shafts of the censorious, but, during the greater 
 part of her acquaintanceship with him, was, 
 apparently with his knowledge, warmly at- 
 tached to a certain good-looking General 
 O'Hara, who, a year before Walpole's death, 
 in November, 1796, definitely proposed. He 
 had just been appointed Governor of Gibraltar, 
 and he wished Miss Berry to marry him at 
 once, and go out with him. This, ' out of con- 
 
266 Horace Walpole: 
 
 sideration for others,' she declined to do. A 
 few months later the engagement was broken 
 off, and she never again saw her soldier admirer. 
 Whether Lord Orford's comfort went for any- 
 thing in this adjournment of her happiness, does 
 not clearly appear ; but it is only reasonable to 
 suppose that his tenacious desire for her com- 
 panionship had its influence in a decision which, 
 however much it may have been for the best 
 (and there were those of her friends who re- 
 garded it as a providential escape), was never- 
 theless a lifelong source of regret to herself. 
 When, in 1802, she heard suddenly at the 
 Opera of O'Hara's death, she fell senseless to 
 the floor. 
 
 The Mate Horace Walpole' never took his 
 seat in the House of Lords. He continued, 
 as before, to divide his time between Berkeley 
 Square and Strawberry, to eulogize his ' wives' 
 to Lady Ossory, and to watch life from his 
 beloved Blue Room. Now and then he did 
 the rare honours of his home to a distinguished 
 guest, — in 1793, it was the Duchess of York ; 
 in 179), Queen Charlotte herself. In the 
 latter year died his old friend Conway, by 
 this time a Field-Marshal ; and it was evident 
 at the close of 1796 that his faithful corre- 
 spondent would not long survive him. His 
 
A Memoir, 267 
 
 ailments had increased, and in the following 
 January, he wrote his last letter to Lady 
 Ossory : — 
 
 Jan. 15, 1797. 
 
 My dear Madam, — 
 
 You distress me infinitely by showing my idle 
 notes^ which I cannot conceive can amuse any- 
 body. My old-fashioned breeding impels me 
 every now and then to reply to the letters you 
 honour me with writing, but in truth very un- 
 willingly, for I seldom can have anything 
 particular to say ; I scarce go out of my own 
 house, and then only to two or three very 
 private places, where I see nobody that really 
 knows anything, and what I learn comes from 
 Newspapers, that collect intelligence from 
 coffee-houses, consequently what I neither 
 believe nor report. At home I see only a 
 few charitable elders, except about four-score 
 nephews and nieces of various ages, who are 
 each brought to me about once a-year, to stare 
 at me as the Methusalem of the family, and 
 they can only speak of their own contem- 
 poraries, which interest me no more than if 
 they talked of their dolls, or bats and balls. 
 Must not the result of all this, Madam, make 
 me a very entertaining correspondent ? And 
 can such letters be worth showing ? or can I 
 
268 Horace IValpole : 
 
 have any spirit when so old, and reduced to 
 dictate ? 
 
 Oh ! my good Madam, dispense with me 
 from such a task, and think how it must add 
 to it to apprehend such letters being shown. 
 Pray send me no more such laurels, which I 
 desire no more than their leaves when decked 
 with a scrap of tinsel, and stuck on twelfth- 
 cakes that lie on the shop-boards of pastry- 
 cooks at Christmas. I shall be quite content 
 with a sprig of rosemary thrown after me, when 
 the parson of the parish commits my dust to 
 dust. Till then, pray, Madam, accept the 
 resignation of your 
 
 Ancient servant, 
 
 Orford. 
 
 Six weeks after the date of the above letter, 
 he died at his house in Berkeley Square, to 
 which he had been moved at the close of the 
 previous year. During the latter days of his 
 life, he suffered from a cruel lapse of memory, 
 which led him to suppose himself neglected 
 even by those who had but just quitted him. 
 He sank gradually, and expired without pain 
 on the 2nd of March, 1797, being then in his 
 eightieth year. He was buried at the family 
 seat of Houghton. 
 
A Memoir. 269 
 
 His fortune, over and above his leases, 
 amounted to ninety-one thousand pounds. 
 To each of the Miss Berrys he left the sum 
 of ;^4000 for their lives, together v^ith the 
 house and garden of ' Little Strawberry ' 
 (Cliveden), the long meadow in front of it, 
 and all the furniture. He also bequeathed to 
 them and to their father his printed works 
 and his manuscripts, with discretionary power 
 to publish. It was understood that the real 
 editorship was to fall on the elder sister, who 
 forthwith devoted herself to her task. The 
 result was the edition, in five quarto volumes, 
 of Lord Orford's Works, which has been so 
 often referred to during the progress of these 
 pages, and which appeared in 1798. It was 
 entirely due to Mary Berry's unremitting care, 
 her father's share being confined to a final para- 
 graph in the preface, in which she is eulogized. ^ 
 
 1 Mary Berry died 20th Nov., 1852 ; Agnes Berry, 
 Jan., 1852. They were buried in one grave in Peters- 
 ham churchyard, ' amidst scenes ' — says Lord Carlisle's 
 inscription — ' which in life they had frequented & loved.' 
 H. F. Chorley {Autobiography, etc., 1873, vol. i., p. 276) 
 describes them as ' more like one's notion of ancient 
 Frenchwomen than anything I have ever seen ; rouged, 
 with the remains of some beauty, managing large fans like 
 the Flirtillas, etc., etc., of Ranelagh.' See also Extracts 
 from Miss Berry's Journals and Correspondence, 1783- 
 1852, edited by Lady Theresa Lewis, 1865. 
 
2/0 Horace Walpole : 
 
 Strawberry Hill passed to Mrs. Darner for 
 life, together \vith;^20oo to keep it in repair. 
 After living in it for some years, she resigned 
 it, in 1811, to the Countess Dowager of Wal- 
 degrave, in whom the remainder in fee was 
 vested. It subsequently passed to George, 
 seventh Earl of Waldegrave, who sold its con- 
 tents in 1842. At his death, in 1846, he left 
 it to his widow, Frances, Countess of Walde- 
 grave, who subsequently married the Rt. Hon. 
 Chichester S. Parkinson-Fortescue, now Lord 
 Carlingford. Lady Waldegrave died in 1879 ; 
 but she had greatly added to and extended 
 the original building, besides restoring many 
 of the objects by which it had been decorated 
 in Walpole's day. 
 
A Memoir, 271 
 
 CHAPTER X. 
 
 Macaulay on Walpole. — Effect of the Edbibtirgh Essay. — 
 Macaulay and Mary Berry. — Portraits of Walpole, — Miss 
 Hawkins's Description. — Pinkerton's Rainy Day at Straw- 
 berry. — Walpole's Character as a Man ; as a Virtuoso ; as a 
 Politician ; as an Author and Letter-writer. 
 
 '\T7'HEN, in October, 183 ^ Lord (then Mr.) 
 ' * Macaulay completed for the Edinburgh 
 his review of Lord Dover's edition of Walpole's 
 letters to Sir Horace Mann, he had apparently 
 performed to his entire satisfaction the opera- 
 tion known, in the workmanlike vocabulary of 
 the time, as ' dusting the jacket ' of his unfor- 
 tunate reviewee. ' I was up at four this morn- 
 ing to put the last touch to it,' he tells his sister 
 Hannah. ' I often differ with the majority 
 about other people's writings, and still oftener 
 about my own ; and therefore I may very likely 
 be mistaken ; but I think that this article will 
 be a hit. . . . Nothing ever cost me more 
 pains than the first half; I never wrote anything 
 so flowingly as the latter half; and I like the 
 latter half the best. [The latter half, it should 
 
272 Horace JValpole : 
 
 be stated, was a rapid and very brilliant sketch 
 of Sir Robert Walpole ; the earlier, which 
 involved so much labour, was the portrait of 
 Sir Robert's youngest son.] I have laid it on 
 Walpole \_i. e., Horace Walpole] so unspar- 
 ingly,' he goes on to say, ' that I shall not be 
 surprised if Miss Berry should cut me. . . . 
 Neither am I sure that Lord and Lady Holland 
 will be well pleased.' ^ 
 
 His later letters show him to have been a 
 true prophet. Macvey Napier, then the editor 
 of the ' Blue and Yellow,' was enthusiastic, 
 praising the article ' in terms absolutely extra- 
 vagant.' ' He says that it is the best that I 
 ever wrote.' the critic tells his favourite corre- 
 spondent. — a statement which at this date must 
 be qualified by the fact that he penned some 
 of his most famous essays subsequent to its 
 appearance. On the other hand. Miss Berry 
 resented the review so much that Sir Stratford 
 Canning advised its author not to go near her. 
 But apparently her anger was soon dispelled, 
 for the same letter which makes this announce- 
 ment relates that she was already appeased. 
 Lady Holland, too, was ' in a rage,' though 
 with what part of the article does not transpire, 
 while her good-natured husband told Macaulay 
 
 1 Trevclyan's Li/c' aiU Letters of Lord Macaulay, ch. v. 
 
A Memoir, 273 
 
 privately that he quite agreed with him, but that 
 they had better not discuss the subject. Lady 
 Holland's irritation was probably prompted by 
 her intimacy with the Waldegrave family, to 
 whom the letters edited by Lord Dover be- 
 longed, and for whose benefit they were pub- 
 lished. But, as Macaulay said justly, his 
 article was surely not calculated to injure the 
 sale of the book. Her imperious ladyship's 
 displeasure, however, like that of Miss Berry, 
 was of brief duration. Macaulay was too 
 necessary to her riumons, to be long exiled 
 from her little court. 
 
 Among those who occupy themselves in such 
 enquiries, it has been matter for speculation 
 what particular grudge Macaulay could have 
 cherished against Horace Walpole when, to 
 use his own expression, he laid it on him ' so 
 unsparingly.' To this his correspondence af- 
 fords no clue. Mr. Cunningham holds that 
 he did it ' to revenge the dislike w^hich Wal- 
 pole bore to the Bedford faction, the followers 
 of Fox and the Shelburne school.' It is pos- 
 sible, as another authority has suggested, that 
 ' in the Whig circles of Macaulay's time, there 
 existed a traditional grudge against Horace 
 Walpole,' owing to obscure political causes 
 connected with his influence over his friend 
 18 
 
274 Horace JValpoIe: 
 
 Conway. But these reasons do not seem 
 relevant enough to make Macaulay's famous 
 onslaught a mere vendetta. It is more reas- 
 onable to suppose that between his avowed 
 delight in Walpole as a letter-writer, and his 
 robust contempt for him as an individual, he 
 found a subject to his hand, which admitted 
 of all the brilliant antithesis and sparkle of 
 epigram which he lavished upon it. Wal- 
 pole's trivialities and eccentricities, his whims 
 and affectations, are seized with remorseless 
 skill, and presented with all the rhetorical 
 advantages with which the writer so well knew 
 how to invest them. As regards his literary 
 estimate, the truth of the picture can scarcely 
 be gainsaid ; but the personal character, as 
 Walpole's surviving friends felt, is certainly 
 too much en noir. Miss Berry, indeed, in her 
 ' Advertisement ' to vol. vi. of Wright's edition 
 of the Letters, raised a gentle cry of expostu- 
 lation against the entire representation. She 
 laid stress upon the fact that Macaulay had 
 not known Walpole in the flesh (a disquali- 
 fication to which too much weight may easily 
 be assigned) ; she dwelt upon the warmth of 
 Walpole's attachments ; she contested the 
 charge of affectation ; and, in short, made such 
 a gallant attempt at a defence as her loyalty 
 
Lord MaCiiitlay 
 
tJSIVEBSlTl 1 
 
A Memoir, 275 
 
 to her old friend enabled her to offer. Yet, if 
 Macaulay had never known Walpole at all, 
 she herself, it might be urged, had only known 
 him in his old age. Upon the whole, ' with 
 due allowance for a spice of critical pepper 
 on one hand, and a handful of friendly rose- 
 mary on the other,' as Croker says, both 
 characters are ' substantially true." Under 
 Macaulay's brush Walpole is depicted as he 
 appeared to that critic's masculine and (for the 
 nonce) unsympathetic spirit ; in Miss Berry's 
 picture, the likeness is touched with a pencil at 
 once grateful, affectionate, and indulgent. The 
 biographer of to-day who is neither endeavour- 
 ing to portray Walpole in his most favourable 
 aspect, nor preoccupied (as Cunningham sup- 
 posed the great Whig essayist to have been) 
 with what w^ould be thought of his work ' at 
 Woburn, at Kensington, and in Berkeley 
 Square,' may safely borrow details from the 
 delineation of either artist. 
 
 Of portraits of Walpole (not in words) there 
 is no lack. Besides that belonging to Mrs. 
 Bedford, described at p. 11, there is the enamel 
 by Zincke painted in 174^, which is repro- 
 duced at p. 71 of vol. i. of Cunningham's edition 
 of the letters. There is another portrait of him 
 by Nathaniel Hone, R.A., in the National 
 
2/6 Horace Walpole : 
 
 Portrait Gallery. A more characteristic present- 
 ment than any of these is the little drawing by 
 Miintz which shows his patron sitting in the 
 Library at Strawberry, with the Thames and a 
 passing barge seen through the open window. 
 But his most interesting portraits are two which 
 exhibit him in manhood and old age. One is 
 the half-length by J. G. Eckardt which once 
 hung in its black-and-gold frame in the Blue 
 Bedchamber, near the companion pictures of 
 Gray and Bentley.^ Like these, it was ' from 
 Vandyck,' that is to say, it was in a costume 
 copied from that painter, and depicts the sitter 
 in a laced collar and ruffles, leaning upon a copy 
 of the jEdcs Walpolianci% with a view of part 
 of the Gothic castle in the distance. The 
 canvas bears at the back the date of 17^4, so 
 that it represents him at the age of seven-and- 
 thirty. The shaven face is rather lean than thin, 
 the forehead high, the brown hair brushed back 
 and slightly curled. The eyes are dark, bright, 
 and intelligent, and the small mouth wears a 
 slight smile. The other, a drawing made for 
 Samuel Lysons by Sir Thomas Lawrence, is that 
 of a much older man, having been executed in 
 
 1 This is engraved in vol. ix. of Cunningham, facing 
 the Index ; while the Miintz, above referred to, forms the 
 frontispiece to vol. viii. 
 
A Memoir. 277 
 
 1796. The eyelids droop wearily, the thin lips 
 have a pinched, mechanical urbanity, and the 
 features are worn by years and ill-health. It 
 was reproduced by T. Evans as a frontispiece 
 for vol. i. of his works. There are other por- 
 traits by Reynolds, \j<sl (which McArdell and 
 Reading engraved), by Rosalba, Falconet, and 
 Dance ; ^ but it is sufficient to have indicated 
 those mentioned above. 
 
 Of the Walpole of later years there are more 
 descriptions than one, and among these, that 
 given by Miss Hawkins, the daughter of the 
 pompous author of the History of Music, is, if 
 the most familiar, also the most graphic. Sir 
 John Hawkins was Walpole's neighbour at 
 Twickenham House, and the History is said to 
 have been undertaken at Walpole's instance. 
 Miss Hawkins's description is of Walpole as 
 she recalled him before 1772. ' His figure,' 
 she says, ' . . . was not merely tall, but more 
 properly long and slender to excess ; his com- 
 plexion, and particularly his hands, of a most 
 
 1 The writer of the obituary notice in the Gentleman's 
 Magazine for March, 1797, says that Dance's portrait is 
 'the only faithful representation of him [Walpole].' 
 Against this must be set the fact that it was not selected 
 by the editor of his works ; and, besides being in profile, 
 it is certainly far less pleasing than the Lawrence. 
 
2/8 Horace IValpole : 
 
 unhealthy paleness. . . . His eyes were remark- 
 ably bright and penetrating, very dark and 
 lively ; his voice was not strong, but his tones 
 were extremely pleasant, and, if I may so say, 
 highly gentlemanly. I do not remember his 
 common gait ; ^ he always entered a room in 
 that style of affected delicacy, which fashion 
 had then made almost natural, — chapeau bras 
 between his hands as if he wished to compress 
 it, or under his arm, knees bent, and feet on 
 tip-toe, as if afraid of a wet floor. His dress 
 in visiting was most usually, in summer when I 
 most saw him, a lavender suit, the waistcoat 
 embroidered with a little silver, or of white silk 
 worked in the tambour, partridge silk stockings, 
 and gold buckles, ruffles and frili generally lace. 
 I remember when a child, thinking him very 
 much under-dressed if at any time, except in 
 mourning, he wore hemmed cambric. In sum- 
 mer no powder, but his wig combed straight, 
 and showing his very smooth pale forehead, and 
 queued behind ; in winter powder.'^ 
 
 1 It must, by his own account, have been peculiar. 
 ' Walking is not one of my excellences,' he writes. ' In my 
 best days Mr. Winnington said I tripped like a peewit; 
 and if I do not flatter myself, my march at present is more 
 like a dabchick's' [IValpoie to Lady Ossory, iS August, 
 
 1775)- 
 
 - Anecdotes, etc., by L M. Hawkins, 1S22, pp. 105-6. 
 
A Memoir, 279 
 
 Pinkerton, who knew Walpole from 1784 
 until his death, and whose disappointment of a 
 legacy is supposed, in places, to have mingled 
 a more than justifiable amount of gall with his 
 ink, has nevertheless left a number of interest- 
 ing particulars respecting his habits and personal 
 characteristics. They are too long to quote 
 entire, but are, at the same time, too pictu- 
 resque to be greatly compressed. He contradicts 
 Miss Hawkins in one respect, for he says 
 Walpole was ' short and slender,' but ' com- 
 pact and neatly formed,' — an account which 
 is confirmed by Miintz's full-length. ' When 
 viewed from behind, he had somewhat of a 
 boyish appearance, owing to the form of his 
 person, and the simplicity of his dress.' None 
 of his pictures, says Pinkerton, ^express the 
 placid goodness of his eyes,^ which would often 
 sparkle with sudden rays of wit, or dart forth 
 flashes of the most keen and intuitive intelli- 
 gence. His laugh was forced and uncouth, and 
 even his smile not the most pleasing.' 
 
 1 ' I have lately become acquainted with your friend 
 Mr. Walpole, and am quite charmed with him,' — writes 
 Malone to Lord Charlemont in 1782. ' There is an unaf- 
 fected benignity and good nature in his manner that is, I 
 think, irresistibly engaging ' [Hist. MSS. Commission, 
 I2tk Rep., App., Pt. X., 1891, p. 395). 
 
28o Horace Walpole : 
 
 ' His walk was enfeebled by the gout ; 
 which^ if the editor's memory do not deceive, 
 he mentioned that he had been tormented 
 with since the age of twenty-five ; adding, 
 at the same time, that it was no hereditary 
 complaint, his father, Sir Robert Walpole, 
 who always drank ale, never having known 
 that disorder, and far less his other parent. 
 This painful complaint not only affected his 
 feet, but attacked his hands to such a degree 
 that his fingers were always swelled and de- 
 formed, and discharged large chalk-stones once 
 or twice a year ; upon which occasions he 
 would observe, with a smile, that he must 
 set up an inn, for he could chalk up a score 
 with more ease and rapidity than any man in 
 England.' 
 
 After referring to the strict temperance of 
 his life, Pinkerton goes on : — 
 
 ' Though he sat up very late, either writing 
 or conversing, he generally rose about nine 
 o'clock, and appeared in the breakfast room, 
 his constant and chosen apartment, with fine 
 vistos towards the Thames. His approach 
 was proclaimed, and attended, by a favourite 
 little dog, the legacy of the Marquise du 
 DcfTand,^ and which ease and attention had 
 ^ Tonton. See note to p. 250. 
 
A Memoir. 281 
 
 rendered so fat that it could hardly move. 
 This was placed beside him on a small sofa ; 
 the tea-kettle, stand, and heater were brought 
 in, and he drank two or three cups of that 
 liquor out of most rare and precious ancient 
 procelain of Japan, of a fine white, embossed 
 with large leaves. The account of his china 
 cabinet, in his description of his villa, will 
 show how rich he was in that elegant luxury. 
 . . . The loaf and butter were not spared, . . . 
 and the dog and the squirrels had a liberal 
 share of his repast.^ 
 
 ' Dinner [his hour for which was four] was 
 served up in the small parlour, or large dining 
 room, as it happened : in winter generally the 
 former. His valet supported him downstairs;^ 
 and he ate most moderately of chicken, phea- 
 sant, or any light food. Pastry he disliked, as 
 difficult of digestion, though he would taste a 
 morsel of venison pye. Never, but once that 
 
 1 Another passage in the Walpoliana (i. 71-2) explains 
 this : ' Regularly after breakfast, in the summer seasom 
 at least, Mr. Walpole used to mix bread and milk in a 
 large bason, and throw it out at the window of the sitting- 
 room, for the squirrels ; who, soon after, came down from 
 the high trees, to enjoy their allowance.' 
 
 2 ' I cannot go up or down stairs without being led by 
 a servant. It is temptis abire for me : lusi satis ' ( Walpole 
 to Pinkerton, 15 May, 1794). 
 
282 Horace IValpole : 
 
 he drank two glasses of vvhite-vvine, did the 
 editor see him taste any liquor, except ice- 
 water. A pail of ice was placed under the 
 table, in which stood a decanter of water, from 
 which he supplied himself with his favourite 
 beverage. . . . 
 
 ' If his guest liked even a moderate quan- 
 tity of wine, he must have called for it during 
 dinner, for almost instantly after he rang the 
 bell to order coffee upstairs. Thither he 
 would pass about five o'clock ; and generally 
 resuming his place on the sofa, would sit till 
 two o'clock in the morning, in miscellaneous 
 chit-chat, full of singular anecdotes, strokes of 
 wit, and acute observations, occasionally send- 
 ing for books or curiosities, or passing to the 
 library, as any reference happened to arise 
 in conversation. After his coffee he tasted 
 nothing ; but the snuff box of tabac d'etrenncs 
 from Fribourg's was not forgotten, and was 
 replenished from a canister lodged in an ancient 
 marble urn of great thickness, which stood 
 in the window seat, and served to secure its 
 moisture and rich flavour. 
 
 'Such was a private rainy day of Horace 
 Walpole. The forenoon quickly passed in 
 roaming through the numerous apartments 
 of the house, in which, after twenty visits. 
 
A Memoir. 283 
 
 still something new would occur ; and he was 
 indeed constantly adding fresh acquisitions. 
 Sometimes a walk in the grounds would in- 
 tervene, on which occasions he would go out 
 in his slippers through a thick dew ; and he 
 never wore a hat. He said that, on his first 
 visit to Paris, he was ashamed of his effemi- 
 nacy, when he saw every little meagre French- 
 man, whom even he could have thrown down 
 with a breath, walking without a hat, which 
 he could not do, without a certainty of that 
 disease, which the Germans say is endemial 
 in England, and is termed by the natives 
 le-catch-cold.} The first trial cost him a slight 
 fever, but he got over it, and never caught 
 cold afterwards : draughts of air, damp rooms, 
 windows open at his back, all situations were 
 alike to him in this respect. He would even 
 show some little offence at any solicitude, 
 expressed by his guests on such an occasion, 
 as an idea arising from the seeming tenderness 
 of his frame; and would say, with a half smile 
 of good-humoured crossness, ^' My back is the 
 same with my face, and my neck is like my 
 
 1 'I have persisted' — he tells Gray from Paris in 
 January, 1766 — 'through this Siberian winter in not 
 adding a grain to my clothes and in going open-breasted 
 without an under waistcoat.' 
 
284 Horace Walpole : 
 
 nose/' ^ His iced water he not only regarded 
 as a preservative from such an accident, but he 
 would sometimes observe that he thought his 
 stomach and bowels would last longer than his 
 bones ; such conscious vigour and strength in 
 those parts did he feel from the use of that 
 beverage.' ^ 
 
 The only particular that Cunningham adds to 
 this chronicle of his habits is one too character- 
 istic of the man to be omitted. After dinner at 
 Strawberry, he says, the smell was removed by 
 ' a censer or pot of frankincense.' According 
 to the Description, etc., there was a tripod of 
 ormoulu kept in the Breakfast Room for this 
 purpose. It is difficult to identify the ' ancient 
 marble urn of great thickness ' in which the 
 snuff was stored ; but it may have been that ' of 
 granite, brought from one of the Greek Islands, 
 and given to Sir Robert Walpole by Sir Charles 
 Wager,' which also figures in the Catalogue. 
 
 Walpole's character may be considered in a 
 
 1 He was probably thinking of Spectator, No. 228 : 
 ' The Indian answered very well to an European, who 
 asked him how he could go naked : I am all Face.' 
 Lord Chesterfield wished his little godson to have the same 
 advantage. ' I am very willing that he should be all 
 face,' he says in a letter to Arthur Stanhope of 19th 
 October, 1762. 
 
 - Walpoliana, i. xi-xiv. 
 
A Memoir. 285 
 
 fourfold aspect, as a man, a virtuoso, a politician, 
 and an author. The first is the least easy to 
 describe. What strikes one most forcibly is, 
 that he was primarily and before all an aristo- 
 crat, or, as in his own day he would have been 
 called, a ' person of quality,' whose warmest 
 sympathies were reserved for those of his own 
 rank. Out of the charmed circle of the peerage 
 and baronetage, he had few strong connections ; 
 and although in middle life he corresponded 
 voluminously with antiquaries such as Cole and 
 Zouch, and in the languor of his old age turned 
 eagerly to the renovating society of young 
 women such as Hannah More and the Miss 
 Berrys, however high his heart may have placed 
 them, it may be doubted whether his head ever 
 quite exalted them to the level of Lady Caroline 
 Petersham, or Lady Ossory, or Her Grace of 
 Gloucester. In a measure, this would also 
 account for his unsympathetic attitude to some 
 of the great literati of his day. With Gray he 
 had been at school and college, which made a 
 difference ; but he no doubt regarded Fielding 
 and Hogarth and Goldsmith and Johnson, apart 
 from their confessed hostility to ' high life' and 
 his beloved ' genteel comedy,' as gifted but un- 
 desirable outsiders, — ^horn-handed breakers of 
 the glebe ' in Art and Letters, — with whom it 
 
286 Horace IValpole : 
 
 would be impossible to be as intimately familiar 
 as one could be with such glorified amateurs as 
 Bunbury and Lady Lucan and Lady Di. Beau- 
 clerk, who were all more or less born in the 
 purple. To the friends of his own class he was 
 constant and considerate, and he seems to have 
 cherished a genuine affection for Conway, 
 George Montagu, and Sir Horace Mann. With 
 regard to Gray, his relations, it would seem, 
 were rather those of intellectual affinity and 
 esteem than downright affection. But his closest 
 friends were women. In them, that is, in the 
 v.omen of his time, he found just that atmos- 
 phere of sunshine and insouciance, — those con- 
 versational ' lilacs and nightingales,' — in which 
 his soul delighted, and which were most con- 
 genial to his restless intelligence and easily 
 fatigued temperament. To have seen him at 
 his best, one should have listened to him, not 
 when he was playing the antiquary with Ducarel 
 or Conyers Middleton, but gossipping of ancient 
 green-room scandals at Cliveden, or explaining 
 the mysteries of the ' Officina Arbuteana ' to 
 Madame de Boufflers or Lady Townshend, or 
 delighting Mary and Agnes Berry, in the half- 
 light of the Round Drawing Room at Straw- 
 berry, with his old stories of Lady Suffolk and 
 Lady Hervey, and of the monstrous raven, under 
 
A Memoir, 287 
 
 guise of which the disembodied spirit of His 
 Majesty King George the First was supposed 
 to have revisited the disconsolate Duchess of 
 Kendal. Comprehending thoroughly that car- 
 dinal precept of conversation, — ' never to w^ary 
 your hearer,' — he was an admirable raconteur ; 
 and his excellent memory, shrewd perceptions, 
 and volatile wit — all the more piquant for its 
 never-failing mixture of well-bred malice — must 
 have made him a most captivating companion. 
 If, as Scott says, his temper was ' precarious/ 
 it is more charitable to remember that in middle 
 and later life he was nearly always tormented 
 with a malady seldom favourable to good 
 humour, than to explain the less amiable details 
 of his conduct (as does Mr. Croker) by the 
 hereditary taint of insanity. In a life of eighty 
 years many hot friendships cool, even with 
 tempers not ' precarious.' As regards the 
 charges sometimes made against him of coldness 
 and want of generosity, very good evidence 
 would be required before they could be held to 
 be established ; and a man is not necessarily 
 niggardly because his benefactions do not come 
 up to the standard of all the predatory members 
 of the community. It is besides clear, as Con- 
 way and Madame du Deflfand would have testi- 
 fied, that he could be royally generous when 
 
288 Horace IValpoIe : 
 
 necessity required. That he was careful rather 
 than lavish in his expenditure must be admitted. 
 It may be added that he was very much in 
 bondage to public opinion, and morbidly sensi- 
 tive to ridicule. 
 
 As a virtuoso and amateur, his position is a 
 mixed one. He was certainly widely different 
 from that typical art connoisseur of his day, — the 
 butt of Goldsmith and of Reynolds, — who trav- 
 elled the Grand Tour to litter a gallery at home 
 with broken-nosed busts and the rubbish of the 
 Roman picture-factories. As the preface to the 
 jEdes Walpoliance showed, he really knew 
 something about painting, in fact was a capable 
 draughtsman himself; and besides, through Mann 
 and others, had enjoyed exceptional opportuni- 
 ties for procuring genuine antiques. But his 
 collection was not so rich in this way as might 
 have been anticipated ; and his portraits, his 
 china, and his miniatures were probably his best 
 possessions. For the rest, he was an indiscrimi- 
 nate rather than an eclectic collector ; and there 
 was also considerable truth in that strange ' at- 
 traction from the great to the little, and from 
 the useful to the odd,' which Macaulay has 
 noted. Many of the marvels at Strawberry 
 would never have found a place in tTie treasure- 
 houses — say of Beckford or Samuel Rogers. 
 
A Memoir. 289 
 
 It is difficult to fancy Berminghiam's fables in 
 paper on looking-glass, or Hubert's cardcuttings, 
 or the fragile mosaics of Mrs. Delany either at 
 Fonthill or St. James's Place. At the same 
 time, it should be remembered that several of 
 the most trivial or least defensible objects were 
 presents which possibly reflected rather the 
 charity of the recipient than the good taste of 
 the giver. All the articles over which Macaulay 
 lingers — Wolsey's hat, Van Tromp's pipe-case, 
 and King William's spurs — were obtained in 
 this way ; and (with a laugher) Horace Walpole, 
 who laughed a good deal himself, would prob- 
 ably have made as merry as the most mirth-loving 
 spectator could have desired. But such items 
 gave a heterogeneous character to the gathering, 
 and turned what might have been a model 
 museum into an old curiosity-shop. In any 
 case, however, it was a memorable curiosity- 
 shop, and in this modern era of bric-a-brac 
 would probably attract far more serious attention 
 than it did in those practical and pre-aesthetic 
 days of 1842, when it fell under the hammer of 
 George Robins.^ 
 
 1 See Mr. Robins's Catalogue of the Classic Contents of 
 Strawberry Hill, etc. (1842), 4to. It is compiled in his 
 well-known grandiloquent manner ; but includes an ac- 
 count of the Castle by Harrison Ainsworth, together with 
 
 19 
 
290 Horace Walpole : 
 
 Walpole's record as a politician is a brief one, 
 and if his influence upon the questions of his 
 time was of any importance, it must have been 
 exercised unobtrusively. During the period of 
 the ' great Walpolean battle,' as Junius styled 
 the struggle that culminated in the downfall of 
 Lord Orford, he was a fairly regular attendant 
 in the House of Commons ; and, as we have 
 seen, spoke in his father's behalf when the 
 motion was made for an enquiry into his con- 
 duct. Nine years later, he moved the address, 
 and a few years later still, delivered a speech 
 upon the employment of Swiss Regiments in the 
 Colonies. Finally he resigned his ' senatorial 
 dignity,' quitting the scene with the valediction 
 of those who depreciate what they no longer 
 desire to retain. ' What could I see but sons 
 and grandsons playing over the same knaveries, 
 that I have seen their fathers and grandfathers 
 act ? Could I hear oratory beyond my Lord 
 Chatham's ? Will there ever be parts equal to 
 Charles Townshend's .> Will George Grenville 
 cease to be the most tiresome of beings?'^ In 
 his earlier days he was a violent Whig, — 'at 
 
 many interesting details. It gave rise to a humorous squib 
 by Crofton Croker, entitled Gooseberry Hall, with * Puffa- 
 tory Remarks,' and cuts. 
 
 1 Walfole to Montagu, 12 March, 176S. 
 
A Memoir. 2gi 
 
 times almost a Republican ' (to which latter 
 phase of his opinions must be attributed the 
 transformation of King Charles's death-warrant 
 into ' Major Charta ') ; ' in his old and enfeebled 
 age,' says Miss Berry, ' the horrors of the 
 first French Revolution made him a Tory ; 
 while he always lamented, as one of the worst 
 effects of its excesses, that they must neces- 
 sarily retard to a distant period the progress 
 and establishment of religious liberty.' He 
 deplored the American War, and disapproved 
 the Slave Trade ; but, in sum, it is to be sus- 
 pected that his main interest in politics, after 
 his father's death, and apart from the preserva- 
 tion throughout an ' age of small factions ' of 
 his own uncertain sinecures, was the good and 
 ill fortune of the handsome and amiable, but 
 moderately eminent statesman. General Conway. 
 It was for Conway that he took his most active 
 steps in the direction of political intrigue ; and 
 perhaps his most important political utterance is 
 the Counter Address to the Public on the late 
 Dismission of a General Officer, which was 
 prompted by Conway's deprivation of his com- 
 mand for voting in the opposition with himself 
 in the debate upon the illegality of general war- 
 rants. Whether he would have taken office if 
 it had been offered to him, may be a question ; 
 
292 Horace IValpole: 
 
 but his attitude, as disclosed by his letters, is a 
 rather hesitating nolo episcopari. The most inter- 
 esting result of his connection with public affairs 
 is the series of sketches of political men dis- 
 persed through his correspondence, and through 
 the posthumous Memoirs published by Lord 
 Holland and Sir Denis Le Marchant. Making 
 every allowance for his prejudices and partisan- 
 ship (and of neither can Walpole be acquitted), 
 it is impossible not to regard these latter as 
 highly important contributions to historical liter- 
 ature. Even Mr. Croker admits that they 
 contain ' a considerable portion of voluntary or 
 involuntary truth ; ' and such an admission, when 
 extorted from Lord Beaconsfield's ' Rigby,' of 
 whom no one can justly say that he was igno- 
 rant of the politics of Walpole's day, has all 
 the weight which attaches to a testimonial from 
 the enemy. ^ 
 
 1 The full titles of these memoirs are Memoires of the 
 last Ten Years of the Reign of King George II. Edited 
 by Lord Holland. 2 vols. 4to., 1822 ; and Memoirs of the 
 Reign of King George III. Edited, with Notes, by Sir 
 Denis Le Marchant, Bart. 4 vols. 8vo., 1S45. Both were 
 reviewed, more suo, by Mr. Croker in the Quarterly, with 
 the main intention of proving that all Walpole's pictures 
 of his contemporaries were coloured and distorted by 
 successive disappointments arising out of his solicitude 
 concerning the patent places from which he derived his 
 
A Memoir. 293 
 
 This mention of the Memoirs naturally leads 
 us to that final consideration, the position of 
 Walpole as an author. Most of the produc- 
 tions which fill the five bulky volumes given to 
 the world in 1798 by Miss Berry's pious care 
 have been referred to in the course of the fore- 
 going pages, and it is not necessary to recapi- 
 tulate them here. The place which they occupy 
 in English literature was never a large one, 
 and it has grown smaller with lapse of time. 
 Walpole, in truth, never took letters with 
 sufficient seriousness. He was willing enough 
 to obtain repute, but upon condition that he 
 should be allowed to despise his calling and 
 
 income, — in other words (Mr. Croker's words!), that 
 ' the whole is "a copious polyglot of spleen." ' Such an 
 investigation was in the favourite line of the critic, and 
 might be expected to result in a formidable indictment. 
 But the best judges hold it to have been exaggerated, and 
 to-day the method of Mr. Croker is more or less discre- 
 dited. Indeed, it is an instance of those quaint revenges 
 of the whirligig of Time, that some of his utterances are 
 really mure applicable to himself than to Walpole. * His 
 [Walpole's] natural inclination [says Croker] was to grope 
 an obscure way through mazes and sotiterrains rather than 
 walk the high road by daylight. He is never satisfied 
 with the plain and obvious cause of any effect, and is 
 for ever striving after some tortuous solution,' This is 
 precisely what unkind modern critics afifirm of the Rt. 
 Honourable John Wilson Croker. 
 
294 Horace IValpole : 
 
 laugh at ' thoroughness/ If masterpieces could 
 have been dashed off at a hand-gallop ; if 
 antiquarian studies could have been made of 
 permanent value by the exercise of mere 
 elegant facility ; if a dramatic reputation could 
 have been secured by the simple accumulation 
 of horrors upon Horror's head, — his might have 
 been a great literary name. But it is not thus 
 the severer Muses are cultivated ; and Wal- 
 pole's mood was too variable, his indstry too 
 intermittent, his fine-gentleman self-conscious- 
 ness too inveterate, to admit of his producing 
 anything that (as one of his critics has said) 
 deserves a higher title than ' opuscula/ His 
 essays in the World lead one to think that he 
 might have made a more than respectable 
 essayist, if he had not fallen upon days in 
 which that form of writing was practically 
 outworn ; and it is manifest that he would 
 have been an admirable writer of familiar 
 poetry if he could have forgotten the fallacy 
 (exposed by Johnson)^ that easy verse is easy 
 to write. Nevertheless, in the Gothic romance 
 which was suggested by his Gothic castle — for, 
 to speak paradoxically, Strawberry Hill is 
 almost as much as Walpole the author of the 
 Castle of Otranto — he managed to initiate a 
 1 /(//er, No. Ixxvii. (6 Oct., 1759)- 
 
A Memoir. 295 
 
 new form of fiction ; and by decorating ' with 
 gay strings the gatherings of Vertue ' he pre- 
 served serviceably, in the Anecdotes of Painting, 
 a mass of curious, if sometimes uncritical, in- 
 formation which, in other circumstances, must 
 have been hopelessly lost. If anything else 
 of his professed literary work is worthy of 
 recollection, it must be a happy squib such as 
 the Letter of Xo Ho, a fable such as The Entail, 
 or an essay such as the pamphlet on Landscape 
 Gardening, which even Croker allows to be * a 
 very elegant history and happy elucidation of 
 that charming art.'^ 
 
 But it is not by his professedly literary work 
 that he has acquired the reputation which he 
 
 1 See Appendix, p. 320. To the advocates of the 
 rival school Walpole's utterance, perhaps inevitably, 
 appears in a less favourable light. ' Horace Walpole 
 published an Essay on Modern Gardening in 1785, in 
 which he repeated what other writers had said on the 
 subject. This was at once translated, and had a great 
 circulation on the Continent. The jardiii h VAnglaise 
 became the rage ; many beautiful old gardens were 
 destroyed in France and elsewhere ; and Scotch and 
 English gardeners were in demand all over Europe to 
 renovate gardens in the English manner. It is not an 
 exhilarating thought that in the one instance in which Eng- 
 lish taste in a matter of design has taken hold on the 
 Continent, it has done so with such disastrous results' 
 ( The Formal Garden in England, 2nd edn., 1892, p. Zd). 
 
296 Horace IValpole : 
 
 retains and must continue to retain. It is 
 as a letter-writer that he survives ; and it is 
 upon the vast correspondence, of which, even 
 now, we seem scarcely to have reached the 
 limits, that is based his surest claim volitare 
 per ora virum. The qualities which are his 
 defects in more serious productions become 
 merits in his correspondence ; or, rather, they 
 cease to be defects. No one looks for pro- 
 longed effort in a gossippfng epistle ; a weighty 
 reasoning is less important than a light hand ; 
 and variety pleases more surely than sym- 
 metry of structure. Among the little band of 
 those who have distinguished themselves in 
 this way, Walpole is in the foremost rank, — 
 nay, if wit and brilliancy, without gravity or 
 pathos, are to rank highest, he is first. It 
 matters nothing whether he wrote easily or 
 with difficulty ; whether he did. or did not, 
 make minutes of apt illustrations or descrip- 
 tive incidents : the result is delightful. For 
 diversity of interest and perpetual entertain- 
 ment, for the constant surprises of an unique 
 species of wit, for happy and unexpected turns 
 of phrase, for graphic characterization and 
 clever anecdote, for playfulness, pungency, 
 irony, persiflage, there is nothing in English 
 like his correspondence. And when one re- 
 
A Memoir. 297 
 
 members that, in addition, this correspondence 
 constitutes a sixty-years' social chronicle of a 
 specially picturesque epoch by one of the most 
 picturesque of picturesque chroniclers, there 
 can be no need to bespeak any further suffrage 
 for Horace Walpole's ' incomparable letters.' 
 
APPENDIX. 
 
 BOOKS PRINTED AT THE STRAW- 
 BERRY HILL PRESS. 
 
 ^*^ The following list contains all the books 
 mentioned in the Description of the Villa of Mr. 
 Horace Walpole, etc., 1784, together with those 
 issued between that date and Walpole's death. 
 It does not include the several title-pages and 
 labels which he printed from time to time, or 
 the quatrains and verses purporting to be 
 addressed by the Press to Lady Rochford, 
 Lady Townshend, Madame de Boufflers, the 
 Miss Berrys, and others. Nor does it comprise 
 the pieces struck off by Mr. Kirgate, the 
 printer, for the benefit of himself and his 
 friends. On the other hand, all the works 
 enumerated here are, with three exceptions, 
 described from copies either in the possession 
 of the present writer, or to be found in the 
 British Museum and the Dyce and Forster 
 Libraries at South Kensington. 
 
300 Appendix. 
 
 1757- 
 Odes by Mr. Gray, '^wvavra ctvvctoUl — Pin- 
 dar, Olymp. II. [Strawberry Hill Book- 
 plate.] Printed at Straivberry Hill, for R. 
 and J. Dodsley in Pail-Mall, MDCCLVII. 
 
 Half-title, 'Odes by Mr. Gray. [Price one Shil- 
 ling.] '; Title as above ; Text, pp. 5-21. 4to. 1,000 
 copies printed. 'June 25th [1757], I erected a 
 printing-press at my house at Strawberry Hill.' 
 'Aug. 8th, I published two Odes by Mr. Gray, the 
 first production of my press ' {Sliort Notes). 'And 
 with what do you think we open ? Ccdite, Romani 
 Impressores, — with nothing under Graii Carmiua. 
 I found him [Gray] in town last week : he had 
 brought his two Odes to be printed. I snatched 
 them out of Dodsley's hands ' . . . { Walpole to 
 Chute, 12 July, 1757). 'I send you two copies (one 
 for Dr. Cocchi) of a very honourable opening of 
 my press, — two amazing Odes of Mr. Gray ; they 
 are Greek, they are Pindaric, they are sublime ! 
 consequently, I fear, a little obscure ' ( Walpole to 
 Mann, 4 Aug., 1757). ' You are very particular, I 
 can tell you, in liking Gray's Odes ; but you must 
 remember that the age likes Akenside, and did like 
 Thomson ! Can the same people like both } ' ( J]"al- 
 pole to Montagu, 25 Aug., 1757). 
 
 To Mr. Gray, on his Odes. [By David Gar- 
 rick.] 
 
 Single leaf, containing six quatrains (24 lines). 
 4to. Only six copies are said to have been printed ; 
 
Appendix. 301 
 
 but it is not improbable that there were more. 
 There is a copy in the Dyce Collection at South 
 Kensington. 
 
 A Journey into England. By Paul Hentzner, 
 in the year M.D.XC.VIII. [Strawberry 
 Hill Bookplate.] Printed at Strawberrf-HHl, 
 MDCCLVIL 
 
 Title, Dedication (2 leaves) ; ' Advertisement,' 
 i-x; half-title ; Latin and English Text on opposite 
 pages, I to 103 (double numbers). Sm. 8vo. 220 
 copies printed. ' In Oct., 1757, was finished at my 
 press an edition of Hentznerus, translated by Mr. 
 Bentley, to which I wrote an advertisement. I 
 dedicated it to the Society of Antiquaries, of which 
 I am a member ' {Short Notes). ' An edition of 
 Hentznerus, with a version by Mr. Bentley, and a 
 little preface of mine, were prepared \i. e., as the 
 first issue of the press], but are to wait [for Gray's 
 Odes] ' ( Walpole to Chute, 12 July, 1757). 
 
 1758. 
 
 A Catalogue of the Royal and Noble Authors of 
 England, with Lists of their Works. Dovc^ 
 diavolo ! Messer Ludovico, avete pigliato tante 
 coglionerie ) Card. d'Este, to Ariosto. Vol. i. 
 [Strawberry Hill Bookplate.] Printed at 
 Straivherrx-Hiil. MDCCL VIII. 
 
 Vol. ii. [Strawberry Hill Bookplate.] 
 
 Printed at Strawberry-Hill. MDCCLVIII. 
 
102 Appendix, 
 
 Vol. i., — Title; Dedication of 2 leaves to Lord 
 Hertford ; Advertisement, pp. i-viii ; half-title ; 
 Text, pp. 1-219, and unpaged Index. There is 
 also a frontispiece engraved by Grignion. Vol. ii., 
 — Half-title; Title; Text, pp. 1-2 15, and unpaged 
 Index. 8vo. 300 copies issued. A second edition, 
 'corrected and enlarged,' was printed in 1758 (but 
 ' dated 1759), in two vols. 8vo., 'for R. and J. Dods- 
 ley, in Pallmall ; and J. Graham in the Strand.' 
 According to Baker [Cafalo^i^Jie of Books, etc., printed 
 at the Press at Stra-cvherry Hill\\'^\6\), 40 copies of 
 a supplement or Postscript to the Royal and A^ohle 
 Authors were printed by Kirgate in 17S6. 'In 
 April, 1758, was finished the first impression of my 
 " Catalogue of Royal and Noble Authors," which I 
 had written the preceding year in less than five 
 months' [Short Azotes). ' My book is marvellously 
 in fashion, to my great astonishment. I did not 
 expect so much truth and such notions of liberty 
 would have made their fortune in this our day ' 
 [Walpole to Montagu, 4 May, 1758). 'Dec. 5th 
 [1758] was published the second edition of my 
 "Catalogue of Royal and Noble Authors." Two 
 thousand were printed, but not at Strawberry Hill' 
 [Short Notes). ' I have but two motives for offer- 
 ing you the accompanying trifle [/. e., the Postscript 
 above referred to]. . . . Coming from my press, I 
 wish it may be added to your Strawberry editions. 
 It is so far from being designed for the public that 
 I have printed but forty copies ' ( IValpole to Han- 
 nah More, I Jan., 1787). 
 
 An Account of Rus«;ia as it was in the Year 
 1710. By Charles Lord Whitworth. [Straw- 
 
Appendix, 303 
 
 berry Hill Bookplate.] Printed at Strawberry- 
 Hill. MDCCLVIII. 
 
 Title, * Advertisement,' pp. i-xxiv ; Text, pp. 
 1-158; Errata, one page. Sm. 8vo. 700 copies 
 printed. 'The beginning of October [1758] I pub- 
 lished Lord Whitvvorth's account of Russia, to 
 which I wrote the advertisement' (^//^r^ TV ^(^/^-j-). 
 ' A book has been left at your ladyship's house ; 
 it is Lord Whitworth's Account of Russia ' ( IVa/- 
 pole to Lady Hervey, 17 Oct., 1758). Mr. (after- 
 wards Lord) Whitvvorth was Ambassador to St. 
 Petersburg in the reign of Peter the Great. 
 
 The Mistakes ; or, the Happy Resentment. 
 A Comedy. By the late Lord '* * * * 
 [Henry Hyde, Lord Hyde and Cornbury.] 
 London : Printed by S. Richardson, in the 
 Year 17^8. 
 
 Title ; List of Subscribers, pp. xvi ; Advertise- 
 ment, Prologue, and Dramatis Personce, 2 leaves ; 
 Text, 1-83; Epilogue unpaged. Baker gives the 
 following particulars from the Biographia Dra- 
 matica as to this book : * The Author of this Piece 
 was the learned, ingenious, and witty Lord Corn- 
 bury, but it was never acted. He made a present 
 of it to that great Actress, Mrs. Porter, to make 
 what Emolument she could by it. And that Lady, 
 after his Death, published it by Subscription, at 
 Five Shillings, each Book, which was so much 
 patronized by the Nobility and Gentry that Three 
 Thousand Copies were disposed of. Prefixed to it 
 is a Preface, by Mr. Horace Walpole, at whose 
 
304 Appendix. 
 
 Press at Strawberry-Hill it was printed.' Baker 
 adds, ' Mr. Yardley, who when living, kept a Book- 
 seller's Shop in New-Inn-Passage, confirmed this 
 account, by asserting, that he assisted in printing 
 it at that Press.' But Baker nevertheless prefixes 
 an asterisk to the title, which implies that it was 
 * not printed for Mr. Walpole,' and this probably 
 accounts for Richardson's name on the title-page. 
 By the subscription list, the Hon. Horace Walpole 
 took 21 copies, David Garrick, 38, and Mr. Samuel 
 Richardson, of Salisbury Court, 4. All Walpole 
 says is, 'About the same time [1758] Mrs. Porter 
 published [for her benefit] Lord Hyde's play, to 
 which I had written the advertisement ' [Shori 
 Notes). 
 
 A Parallel ; in the Manner of Plutarch : be- 
 tween a most celebrated Man of Florence ; 
 and One, scarce ever heard of, in England. 
 By the Reverend Mr. Spence. ' — Parvis com- 
 ponerc magna' — Virgil. [Portrait in circle 
 of Magliabecchi.] Printed at Slrawhcrry- 
 Hill, by William Robinson ; and Sold by Mes- 
 sieurs Dodsley, at Tidlv's-Hcad, Pall-Mali ; 
 for the Benefit of Mr. Hill. M.DCC.L VIII. 
 
 Title ; Text, pp. 4-104. Sm. Svo. 700 copies 
 printed. * I759- Feb. 2nd. I published Mr. 
 Spence's Parallel of Magliabecchi and Mr. Hill, a 
 tailor of Buckingham ; calculated to raise a little 
 sum of money for the latter poor man. Six hundred 
 copies were sold in a fortnight, and it was reprinted 
 in London ' {Short jYotcs). ' Mr. Spence's Maglia- 
 becchi is published to-day from Strawberry ; I be- 
 
Appendix. 305 
 
 lieve you saw it, and shall have it; but 'tis not 
 worth sending you on purpose ' ( Walpole to Chute, 
 2 Feb., 1759). 
 
 Fugitive Pieces in Verse and Prose. Pereunt 
 ei imputantur. [Strawberry Hill Bookplate.] 
 Printed at Strawberrf-Hill, MDCCLVIII. 
 
 Title ; Dedication and ' Table of Contents,' iii-vi ; 
 Text, 1-219. Sm. 8vo. 200 copies printed. 'In 
 the summer of 1758, I printed some of my own 
 Fugitive Pieces, and dedicated them to my cousin, 
 General Conway ' [Short Notes). ' March 17 [1759]. 
 I began to distribute some copies of my " Fugitive 
 Pieces," collected and printed together at Straw- 
 berry Hill, and dedicated to General Conway ' 
 {ibid.). One of these, which is in the Forster Col- 
 lection at South Kensington, went to Gray. ' This 
 Book [says a MS. inscription] once belonged to 
 Gray the Poet, and has his autograph on the Title- 
 page. I [/. e., George Daniel, of Canonbury] bought 
 it at Messrs. Sotheby and Wilkinson's Sale Rooms 
 for £,\. 19 on Thursday, 28 Augt. 1851, from the 
 valuable collection of Mr. Penn of Stoke.' 
 
 1760. 
 
 Catalogue of the Pictures and Drawings in the 
 Holbein Chamber at Strawberry Hill. Straw- 
 berr/-Hill, 1760. 
 
 Pp. 8. 8vo. [Lowndes.] 
 
 Catalogue of the Collection, of Pictures of the 
 Duke of Devonshire, General Guise, and the 
 20 
 
306 Appendix. 
 
 late Sir Paul Methuen. Siraivberry-Hill, 
 1760. 
 
 Pp. 44. 8vo. 12 copies, printed on one side 
 only. [Lowndes.] 
 
 M. Annaei Lucani Pharsalla cum Notis Hugonis 
 Grotii, et Richardi Bentleii. Mulia sunt con- 
 donanda in opere postumo. In Li brum iv, 
 Nota 641. [Emblematical vignette.] Straw- 
 berrx-Hill, MDCCLX. 
 
 Title, Dedication (by Richard Cumberland to 
 Halifax), and Advertisement {Ad Lectorem), 3 
 leaves ; Text, pp. 1-525. 4to. 500 copies printed. 
 Cumberland took up the editing when Bentley the 
 younger resigned it. ' I am just undertaking an 
 edition of Lucan, my friend Mr. Bentley having in 
 his possession his father's notes and emendations 
 on the first seven books ' ( Walpolc to Zouc/i, 9 Dec, 
 1758). ' I would not alone undertake to correct the 
 press ; but I am so lucky as to live in the strictest 
 friendship with Dr. Ikntley's only son, who, to all 
 the ornament of learning, has the amiable turn of 
 mind, disposition, and easy wit ' ( Walpolc (0 Zoitch, 
 12 Jan., 1759)- 'Lucan is in poor forwardness. I 
 have been plagued with a succession of bad printers, 
 and am not got beyond the fourth book. It will 
 scarce appear before next winter ' ( Walpole to 
 Zoiich, 23 Dec, 1759). ' My Lucan is finished, but 
 will not be published till after Christmas ' ( Walpole 
 to Zoiic/i, 27 Nov., 1760). ' I have delivered to 
 your brother ... a Lucan, printed at Strawberry, 
 which, I trust, you will think a handsome edition ' 
 ( Walpole to Mann, 27 Jan., 1 761 ). 
 
Appendix, 307 
 
 1762. 
 
 Anecdotes of Painting in England ; with some 
 Account of the principal Artists ; and inci- 
 dental Notes on other Arts ; collected by the 
 late Mr. George Vertue ; and now digested 
 and published from his original MSS. By 
 Mr. Horace Walpole. Malta renascentur qucc 
 jam cecidere. Vol. I. [Device with Walpole's 
 crest.] Printed by Thomas Farmer at Siraiv- 
 berrx-Hill, MDCCLXIL 
 
 Le sachant Anglois, je cms qiCil m'alloit 
 
 parler d'edifices et de peintures. Nouvelle 
 Eloise, vol. i. p. 24^. Vol. II. [Device 
 with Walpole's crest.] Printed by Thomas 
 Farmer at Straivberry-Hill, MDCCLXIL 
 
 Vol. III. (Motto of six lines from 
 
 Prior's Protogenes and Apelles.) Straivberry- 
 Hill : Printed in the Year MDCCLXIIL 
 
 To which is added the History of the 
 
 Modern Taste in Gardening. The Glory of 
 Lebanon shall come unto thee, the Fir-tree, the 
 Pine-tree, and the Box together, to beautify 
 the Place of my Sanctuary, and I will make 
 the Place of my Feet glorious. Isaiah, Ix. 13. 
 Volume the Fourth and last. Stravj berry-Hill : 
 Printed by Thomas Kirgate, MDCCLXXL 
 
 Vol. i., — Title, Dedication, Preface, pp. i-xiii ; 
 Contents ; Text, pp. 1-168, with Appendix and 
 
308 Appendix. 
 
 Index unpaged. Vol. ii., — Title; Text, pp. 1-158, 
 with Appendix, Index, and ' Errata' unpaged; and 
 'Additional Lives to the First Edition of Anecdotes of 
 Painting in England,' pp. 1-12. Vol. iii., — Title; 
 pp. 1-155, with Appendix and Index unpaged ; and 
 * Additional Lives to the First Edition of Anecdotes 
 of Painting in England,' pp. 1-4. Vol. iv., — Title, 
 Dedication, Advertisement (dated October i, 1780), 
 pp. i-x ; Contents; Text, pp. 1-151 (dated August 
 12, 1770) ; * Errata ; ' pp. x-52 ; Appendix of one leaf 
 (* Prints by or after Hogarth, discovered since the 
 Catalogue was finished '), and Index unpaged. The 
 volumes are 4to., with many portraits and plates. 
 600 copies were printed. The fourth volume was 
 in type in 1770, but not issued until Oct., 1780. It 
 was dedicated to the Duke of Richmond, — Lady 
 Hervey, to whom the three earlier volumes had 
 been inscribed, having died in 1768. A second 
 edition of the first three volumes was printed by 
 Thomas Kirgate at Strawberry Hill in 1765. ' Sept. 
 1st [1759]. I began tolook over Mr. Vertue'sMSS., 
 which I bought last year for one hundred pounds, 
 in order to compose the Lives of English Painters ' 
 {Short Notes). ' 1760, Jan. ist. I began the Lives 
 of English Artists, from Vertue's MSS. (that is, 
 " Anecdotes of Painting," etc.) ' (ibid.). 'Aug. 14th. 
 Finished the first volume of my "Anecdotes of 
 Painting in England." Sept. 5th, began the second 
 volume. Oct. 23d, finished the second volume' 
 {ibid.). ' 1761. Jan. 4th, began the third volume' 
 {ibid.). 'June 29th, resumed the third volume of 
 my "Anecdotes of Painting," which I had laid aside 
 after the first day' [ibid.). 'Aug. 22nd, finished 
 the third volume of my " Anecdotes of Painting" ' 
 {ibid.), ' The " Anecdotes of Painting " have sue- 
 
Appendix, 309 
 
 ceeded to the press : I have finished two volumes ; 
 but as there will at least be a third, I am not de- 
 termined whether I shall not wait to publish the 
 whole together. You will be surprised, I think, to 
 see what a quantity of materials the industry of one 
 man [Vertue] could amass ! ' ( Walpole to Zouch, 
 27 Nov., 1760.) 'You drive your expectations 
 much too fast, in thinking my " Anecdotes of Paint- 
 ing " are ready to appear, in demanding three vol- 
 umes. You will see but two, and it will be February 
 first' ( Walpole to Montagu, 30 Dec, 1761). ' I am 
 now publishing the third volume, and another of 
 Engravers ' {Walpole to Dalrymple, 31 Jan., 1764). 
 ' I have advertised my long-delayed last volume of 
 " Painters " to come out, and must be in town to 
 distribute it ' ( Walpole to Lady Ossory, 23 Sept., 
 1780). ' I have left with Lord Harcourt for you my 
 new old last volume of " Painters " ' ( Walpole to 
 Mason, 13 Oct., 1780). 
 
 1763- 
 
 A Catalogue of Engravers, who have been born, 
 or resided in England ; digested by Mr. 
 Horace Walpole from the MSS. of Mr. George 
 Vertue ; to which is added an Account of the 
 Life and Works of the latter. And Art re- 
 flected Images to Art. . . . Pope. Strawberry- 
 Hill : Printed in the Year MDCCLXIII. 
 
 Title; pp. 1-128, last page dated 'Oct. loth, 
 1762;' 'Life of Mr. George Vertue,' pp. 1-14 ; 
 ' List of Vertue's Works,' pp. 1-20, last page dated 
 *Oct. 22d, 1762;' Index of Names of Engravers, 
 
310 Appendix, 
 
 unpaged. 4to. There are several portraits, includ- 
 ing one of Vertue after Richardson. ' Aug. 2nd 
 [1762], began the " Catalogue of Engravers." Oc- 
 tober loth, finished it' {Short lYotes). 'The vol- 
 ume of Engravers is printed off, and has been some 
 time ; I only wait for some of the plates ' { IValpole 
 to Cole, 8 Oct., 1763). ' I am now publishing the 
 third volume [of the ' Anecdotes of Painting '], and 
 another of " Engravers " ' ( IValpole to Dalrymple, 
 31 Jan., 1764). 
 
 1764. 
 
 Poems by Anna Chamber Countess Temple. 
 [Plate of Strawberry Hill.] Straivbcrry-Hill : 
 Printed in the Year MDCCLXIV. 
 
 Title, Verses signed ' Horace Walpole, January 
 26th, 1764,' Text, 1-34 in all. 4to. 100 copies 
 printed by Prat. ' I shall send you, too. Lady 
 Temple's Poems' {IValpole to Montagu, 16 July, 
 1764). 
 
 The Magpie and her Brood, a Fable, from the 
 Tales of Bonaventure des Periers, Valet de 
 Chambre to the Queen of Navarre ; addressed 
 to Miss Hotham. 
 
 4 pp., containing 72 lines, — initialed 'H. W.' 
 4to. 'Oct. 15th, [1764] wrote the fable of "The 
 Magpie and her Brood " for Miss [Henrietta] 
 Hotham, then near eleven years old, great niece of 
 Henrietta Hobart, Countess Dowager of Suffolk. 
 It was taken from Les Notivelles Recreations de 
 Bonaventure des Periers, Valet-de-Chambre to the 
 Queen of Navarre' {Short Azotes). 
 
Appendix. 311 
 
 The Life of Edward Lord Herbert of Cherbury, 
 written by Himself. [Plate of Strawberry 
 Hill.] Siraivberry-Hill : Printed by Prat in 
 the Year MDCCLXIV. 
 
 Title, Dedication, and Advertisement, 5 leaves; 
 Text, pp. 1-171. Folding plate portrait. 4to. 200 
 copies printed. * 1763. Beginning of September 
 wrote the Dedication and Preface to Lord Herbert's 
 Life' (S/io7-f A'ofes). '1 have got a most delect- 
 able work to print, which I had great difficulty to 
 obtain, and which I must use while I can have it. 
 It is the life of the famous Lord Herbert of Cher- 
 bury ' {Letter to the Bishop of Carlisle, 10 July, 
 1763). ' It will not belong before I have the pleasure 
 of sending you by far the most curious and enter- 
 taining book that my press has produced. ... It is 
 the life of the famous Lord Herbert of Cherbury, 
 and written by himself, — of the contents I will not 
 anticipate one word ' {Letter to Mason, 29 Dec, 
 1763). 'The thing most in fashion is my edition 
 of Lord Herbert's Life ; people are mad after it, I 
 believe because only two hundred were printed ' 
 • {Letter to Montagu, 16 Dec, 1764). 'This singular 
 work was printed from the original MS. in 1764, at 
 Strawberry-hill, and is perhaps the most extraor- 
 dinary account that ever was given seriously by a 
 wise man of himself (Walpole, Works, 1798, 
 i. 363)- 
 
 1768. 
 
 Cornelie, Vestale. Tragedie. [By the Presi- 
 dent H^nault.] Imprim^e d Strawberry-Hill, 
 MDCCLXVIII. 
 
3 1 2 Appendix. 
 
 Title; Dedication ' d. Motis. Horace Walpole* 
 dated '■Paris ce 27 N^ovembre, 1767,' pp. iii-iv ; 
 'Acteurs;' Text, 1-91. 8vo. 200 copies printed ; 
 150 went to Paris. Kirgate printed it. ' My press 
 is revived, and is printing a French play written by 
 the old President Renault. It was damned many 
 years ago at Paris, and yet I think is better than 
 some that have succeeded, and much better than 
 any of otir modern tragedies. I print it to please 
 the old man, as he was exceedingly kind to me at 
 Paris; but I doubt whether he will live till it is 
 finished. He is to have a hundred copies, and 
 there are to be but an hundred more, of which you 
 shall have one ' {Letter to Montagu, 1 5 April, 1768). 
 President Henault died November, 1770, aged 
 eighty-six. 
 
 The Mysterious Mother. A Tragedy. By 
 
 Mr. Horace Walpole. Sit mihi fas audita 
 
 loqui! Virgil. Printed at Strawberry-Hill : 
 MDCCLXVIIL 
 
 Title, 'Errata,' 'Persons' (2 leaves) ; Text, pp. 
 1-120, with Postscript, pp. i-io (which see for origin 
 of play). Sm. 8vo. 50 copies issued. T/ie Mys- 
 terious Mother is reprinted in Walpole's Works, 
 1798, i., pp. 37-129. ' March 15 [1768]. I finished 
 a tragedy called "The Mysterious Mother," which I 
 had begun Dec. 25, 1766' (Short A'otes). 'I thank 
 you for myself, not for my Play. ... I accept with 
 great thankfulness what you have voluntarily been 
 so good as to do for me ; and should the Myste- 
 terious Mother ever be performed when I am dead, 
 it will owe to you its presentation ' ( JValfole to 
 Mason, 11 May, 1769). 
 
Appendix, 3 1 3 
 
 1769. 
 
 Poems by the Reverend Mr. Hoyland. Printed 
 atSiraivberry-Hill: MDCCLXIX. 
 
 Title, Advertisement [by Walpole], pp. i-iv ; 
 Text, 1-19. 8vo. 300 copies printed. In the Bri- 
 tish Museum is a copy which simply has ' Printed 
 in the Year 1769.' 'I enclose a short Advertise- 
 ment for Mr. Hoyland's poems. I mean by it to 
 tempt people to a little more charity, and to soften 
 to him, as much as I can, the humiliation of its 
 being asked for him; if you approve it, it shall be 
 prefixed to the edition ' [Walpole to Mason, 5 April, 
 1769). 
 
 1770. 
 
 Reply to the Observations of the Rev. Dr. 
 Milles, Dean of Exeter, and President of 
 the Society of Antiquaries, on the Ward Robe 
 Account. 
 
 Pp. 24 Six copies printed, dated 28 August, 
 1770 [Baker]. 'In the summer of this year [1770] 
 wrote an answer to Dr. Milles' remarks on my 
 " Richard the Third " ' [Shori Notes). 
 
 1772. 
 
 Copies of Seven Original Letters from 
 King Edward VI. to Barnaby Fitzpatrick. 
 Straw berry -Hill. Printed in the Year 
 M.DCC.LXXII. 
 
 Pp. viii-14. 4to. 200 copies printed. * ijji. 
 End of September, wrote the Advertisement to the 
 
314 Appendix. 
 
 " Letters of King Edward the Sixth " ' [Short 
 Notes). ' I have printed " King Edward's Letters," 
 and will bring you a copy ' ( Walpole to Mason, 
 6 July, 1772). 
 
 Miscellaneous Antiquities ; or, a Collection of 
 Curious Papers : either republished from 
 scarce Tracts, or now first printed from origi- 
 nal MSS. Number I. To be continued 
 occasionally. Invenies illic et festa domestica 
 vobis. SiVpe tibi Paler est, scepe legendus 
 Avus. Ovid. Fast. Lib. i. Strawberry-Hill: 
 Printed by Thomas Kirgate, M.DCC.LXXIL 
 
 Title, ' Advertisement,' pp. i-iv ; Text, 1-48. 
 4to. 500 copies printed. ' I have since begun a 
 kind of Desiderata Curiosa, and intend to publish 
 it in numbers, as I get materials ; it is to be an 
 Hospital of Foundlings; and though I shall not 
 take in all that offer, there will be no enquiry into 
 the nobility of the parents; nor shall I care how 
 heterogeneous the brats are ' ( IValpoIe to Masou, 
 6 July, 1772). 'By that time too I shall have the 
 first number of my "Miscellaneous Antiquities" 
 ready. The first essay is only a republication of 
 some tilts and tournaments ' ( Walpole to Mason, 
 21 July, 1772). 
 
 Miscellaneous Antiquities ; or, a Collection of 
 Curious Papers : either republished from 
 scarce Tracts, or now first printed from ori- 
 ginal MSS. Number II. To be continued 
 occasionally. Inpcnics illic et festa domestica 
 
Appendix. 3 1 5 
 
 vohls. S.vpe tibi Pater est, scepe legen- 
 dus Aims. Ovid. Fast. Lib. i. Straw- 
 berry-Hill : Printed hy Thomas Kirgaie, 
 M.DCC.LXXII. 
 
 Title and Text, pp. 1-62. 500 copies printed. 
 •In July [1772] wrote the "Life of Sir Thomas 
 Wyat [the Elder]," No. II. of my edition of " Mis- 
 cellaneous Antiquities " ' {Short N'otes). 
 
 Memoires du Comte de Grammont, par Mon- 
 sieur le Comte Antoine Hamilton. Nouvelle 
 Edition, augmentee de Notes & d'Eclaircis- 
 semens, necessaires, par M. Horace Walpole. 
 Des gens qui icrwent pour le Comte de Gram- 
 mont, peuvent compter sur quelque indulgence. 
 V. TEpitre prelim, p. xviii. Imprimie a 
 Strawberry-Hill, M.DCC.LXXII. 
 
 Title, Dedication, ' Avis de L'Editeur,' ' Avertis- 
 sement,' 'Epitre a Monsieur le Comte de Gram- 
 mont," Table des Chapitres,* 'Errata,' pp. xxiv ; 
 Text, pp. 1-290 : ' Table des personnes,' 3 pp. Por- 
 traits of Hamilton, Mdlle. d'Hamilton, and Philibert 
 Comte de Grammont. 4to. 100 copies printed ; 30 
 went to Paris. It was dedicated to Madame du 
 Deffand, as follows : ' L Editeiir vous consacre 
 cette Edition, commeun monument de son Amitie, de 
 son Adviiration, &> de son Respect ; a Vous, dont les 
 Graces, V Esprit, ^ le Gout retracoit au siecle present 
 le siecle de Louis quatorze 6^ les agremens de 
 VAuteiir de ces Memoires' *I want to send you 
 these [the Miscellaneous Antiquities'] . . . and a 
 *' Grammont," of which I have printed only a 
 
3i6 Appendix. 
 
 hundred copies, and which will be extremely 
 scarce, as twenty-five copies are gone to France ' 
 {lValJ>oie to Cole, 8 Jan., 1773). 
 
 1774- 
 
 A Description of the Villa of Horace Walpole. 
 [Plate of Strawberry Hill.] A Description 
 of the Villa of Horace Walpole, youngest son 
 of Sir Robert Walpole Earl of Orford, at 
 Strawberry- Hill, near Twickenham. With 
 an Inventory of the Furniture, Pictures, Cu- 
 riosities, &c. Strawberry-Hill : Printed by 
 Thomas Kir gate, M.DCC.LXXIV. 
 
 Two titles ; Text, pp. 1-119. 4to. 100 copies 
 printed, 6 on large paper. Many copies have the 
 following; 'Appendix. Pictures and Curiosities 
 added since the Catalogue was printed,* pp. 121- 
 145; 'List of the Books printed at Strawberry- 
 Hill,' unpaged ; * Additions since the Appendix,' pp. 
 149-152; 'More Additions,' pp. 153-158. Baker 
 speaks of an earlier issue of 65 pp. which we have 
 notmetwith. Lowndes( Appendix to Bthliograph er's 
 Manual, 1864, p. 239) states that it was said by 
 Kirgate to have been used by the servants in show- 
 ing the house, and differed entirely from the 
 editions of 1774 and 1784. 
 
 1775- 
 To Mrs. Crewe. [Verses by Charles James 
 Fox.l N.D. 
 
Appendix. 3 1 7 
 
 Pp.2. Single leaf. 4to. 300 copies printed. Wal- 
 pole speaks of these in a letter to Mason dated 12 
 June, 1774; and he sends a copy of them to him, 
 27 May, 1775. Mrs. Crewe, the Amoret addressed, 
 was the daughter of Fulke Greville, and the wife 
 of J. Crewe. She was painted by Reynolds as an 
 Alpine shepherdess. 
 
 Dorinda, a Town Eclogue. [By the Hon. 
 Richard Fitzpatrick, brother of the Earl of 
 Ossory.] [Plate of Strawberry Hill.] Straw- 
 berry-Hill : Printed by Thomas Kirgate. 
 M.DCC.LXXV. 
 
 Title ; Text, 3-8. 4to. 300 copies printed. * 1 
 shall send you soon Fitzpatrick's " Town Eclogue," 
 from my own furnace. The verses are charmingly 
 smooth and easy. . . .' ' P. S. Here is the 
 Eclogue' {Letter to Mason, 12 June, 1774). 
 
 1778. 
 
 The Sleep- Walker, a Comedy : in two Acts. 
 Translated from the French [of Antoine de 
 Ferriol, Comte de Pont de Veyle], in March, 
 M.DCC.LXXVHI. [By Elizabeth Lady 
 Craven, afterwards Margravine of Anspach.] 
 Strawberry -Hill : Printed by T. Kir gate, 
 M.DCC.LXXVHI. 
 
 Title, Quatrain, Prologue, Epilogue, Persons, pp. 
 i-viii ; Text, 1-56. 8vo. 75 copies printed. The 
 quatrain is by Walpole to Lady Craven, ' on her 
 Translation of the Somnambule.' ' I will send . . . 
 for yourself a translation of a French play. ... It 
 
3 1 8 Appendix. 
 
 is not for your reading, but as one of the Straw- 
 berry editions, and one of the rarest; for I have 
 printed but seventy-five copies. It was to oblige 
 Lady Craven, the translatress , . .' {Walpole to 
 Cole, 22 Aug., 1778). 
 
 1779. 
 
 A Letter to the Editor of the Miscellanies of 
 Thomas Chatterton. Slrawberr/-Hill : Printed 
 by T. Kirgate, M.DCC.LXXIX. 
 
 Half-title ; Title ; Text, pp. 1-55. The letter is 
 dated at end; 'May 23, 1778.' 8vo. 200 copies 
 printed. * 1779. In the preceding autumn had 
 written a defence of myself against the unjust 
 aspersions in the Preface to the Miscellanies of 
 Chatterton. Printed 200 copies at Strawberry 
 Hill this January, and gave them away. It was 
 much enlarged from what I had written in July' 
 (S/iort Azotes). 
 
 1780. 
 
 To the Lady Horatia Waldegrave, on the 
 Death of the Duke of Ancaster. [Verses by 
 Mr. Charles Miller.] N. D. 
 
 Pp. 3, dated at end' A. D 1779.' 4*^ 150 copies 
 printed. ' I enclose a copy of verses, which I have 
 just printed at Strawberry, only a few copies, and 
 which I hope you will think pretty. They were 
 written three months ago by Mr. Charles Miller, 
 brother of Sir John, on seeing Lady Horatia at 
 Nuneham. The poor girl is better' (ITii/fole to 
 Lady Ossory, 29 Jan., 1 7 So). Lady Horatia 
 
Appendix. 319 
 
 Waldegrave was to have been married to the Duke 
 of Ancaster, who died in 1779. 
 
 1781. 
 
 The Muse recalled, an Ode^ occasioned by the 
 Nuptials of Lord Viscount Althorp and Miss 
 Lavinia Bingham, eldest daughter of Charles 
 Lord Lucan, March vi., M.DCC.LXXXL 
 By William Jones. Esq. [afterwards Sir 
 William Jones]. Strawberry-Hill : Printed bv 
 Thomas Kirgate, M.DCC.LXXXL 
 
 Title ; pp. 1-8. 4to. 250 copies printed. There 
 is a well-known portrait of Lavinia Bingham by 
 Reynolds, in which she wears a straw hat with a 
 blue ribbon. 
 
 A Letter from the Honourable Thomas Walpole, 
 to the Governor and Committee of the 
 Treasury of the Bank of England. Straw- 
 berry-Hill : Printed by Thomas Kirgate, 
 M.DCC.LXXXL 
 
 Title, and pp. 16 (last blank). 4to. 120 copies 
 printed. 
 
 1784. 
 
 A Description of the Villa of Mr. Horace 
 Walpole, youngest son of Sir Robert Walpole 
 Earl of Orford, at Strawberry- Hill near 
 Twickenham, Middlesex. With an Inven- 
 tory of the Furniture, Pictures, Curiosities, 
 &c. Strairberrr-Hill : Printed by Thomas 
 Kirgate, M.DCC.LXXXIV. 
 
320 /Appendix. 
 
 Title; ' Preface.' i-iv ; Text, pp. 1-88. 'Errata, 
 etc,' 'Appendix,' pp. 89-92; ' Curiosities added,' 
 etc., 93-4 ; ' More Additions,' 95-6. 27 plates. 
 4to. 200 copies printed. ' The next time he [Sir 
 Horace Mann's nephew] visits you, I may be able 
 to send you a description of my Galleria, — I have 
 long been preparing it, and it is almost finished, — 
 with some prints, which, however, I doubt, will 
 convey no very adequate idea of it ' ( IValpole to 
 Mann, 30 Sept., 17S4). 'In the list for which 
 Lord Ossory asks, is the Description of this place ; 
 now, though printed, I have entirely kept it up 
 [i. t.,held it back], and mean to do so while I live ' 
 {Walpole to Lady Ossory, 15 Sept., 1787). 
 
 1785. 
 
 Hieroglyphic Tales. Schah Baham ne compre- 
 noil jamais bien que les choses absurdes 6^ hors 
 de toide vraisemblance. Le Sopha, p. ^. 
 Strawberry-Hill : Printed by T. Kirgate, 
 M.DCC.LXXXV. 
 
 Title; 'Preface,' iii-ix ; Text, pp. 50; 'Post- 
 script.' 8vo. Walpole's own MS. note in the 
 Dyce example says, ' Only six copies of this were 
 printed, besides the revised copy.' ' 1772. This 
 year, the last, and sometime before, wrote some 
 Hieroglyphic Tales. There are only five ' (S//ort 
 Azotes). ' I have some strange things in my drawer, 
 even wilder than the ' Castle of Otranto,' and called 
 'Hieroglyphic Tales;' but they were not written 
 lately, nor in the gout, nor, whatever they may 
 seem, written when I was out of my senses ' ( JTa/- 
 
Appendix. 321 
 
 pole to Cole, 28 Jan., 1779). 'This [he is speaking 
 of Darwin's Bota^iic Gardeti] is only the Second 
 Part; for, like my King's eldest daughter in the 
 * Hieroglyphic Tales,' the First Part is not born 
 yet ; no matter ' ( Walpole to the Miss Bej-rys, 28 
 April, 1789). In 1822, \.hQ Hieroglyphic Tales yvexQ 
 reprinted at Newcastle for Emerson Charnley. 
 
 Essay on Modern Gardening, by Mr. Horace 
 Walpole. [Strawberry Hill Bookplate.] Es- 
 sai sur TArt des Jardins Modernes, par M. 
 Horace Walpole, traduit en Francois by M. 
 le Due de Nivernois, en MDCCLXXXIV. 
 Imprlmi a Strawberry-Hill, par T. Kirgate, 
 MDCCLXXXV. 
 
 Two titles ; English and French Text on op- 
 posite pages, 1-94. 4to. 400 copies printed. 
 ' How may I send you a new book printed here ? 
 ... It is the translation of my ' Essay on Modern 
 Gardens' by the Due de Nivernois. . . . You will 
 find it a most beautiful piece of French, of the 
 genuine French spoken by the Due de la Roche- 
 foucault and Madame de Sevigne, and not the 
 metaphysical galimatias of La Harpe and Thomas, 
 &c., which Madame du Deffand protested she did 
 not understand. The versions of Milton and Pope 
 are wonderfully exact and poetic and elegant, and 
 the fidelity of the whole translation, extraordinary' 
 ( Walpole to Lady Ossory, 17 Sept., 1785). The 
 original MS. of the Due de Nivernois — 'a most 
 exquisite specimen of penmanship ' — was among 
 the papers at Strawberry. 
 
322 Appendix. 
 
 1789. 
 
 Bishop Bonner's Ghost. [By Hannah More.] 
 [Plate of Strawberry Hill.] Strawberry- 
 Hill : Printed by Thonias Kirgate, 
 MDCCLXXXIX. " 
 
 Title and argument, 2 leaves ; Text, pp. 1-4. 
 4to. 96 copies printed, 2 on brown paper, one of 
 which was at Strawberry- It was written when 
 Hannah More (' my imprimee^^ as Walpole calls 
 her) was on a visit to Dr. Beilby Porteus, Bishop 
 of London, at his palace at Fulham, June, 1789. 
 ' I will forgive all your enormities if you will let 
 me print your poem. I like to filch a little immor- 
 tality out of others, and the Strawberry press could 
 never have a better opj^ortunity ' [Walpole to 
 Hannah More, 23 June, 17S9). 'The enclosed 
 copy of verses pleased me so much, that, though 
 not intended for publication, I prevailed on the 
 authoress, Miss Hannah More, to allow me to take 
 off a small number.' . . . ' I have been disap- 
 pointed of the completion of " Bonner's Ghost," 
 by my rolling press being out of order, and was 
 forced to send the whole impression to town to 
 have the copper-plate taken off. . . . Kirgate has 
 brought the whole impression, and I shall have the 
 pleasure of sending your Ladyship this with a 
 "Bonner's Ghost" to-morrow morning' {Walpole 
 to Lady Ossory, 16-18 July, 17S9). 
 
 The History of Alcidalis and Zelida. A tale of 
 the Fourteenth Century. [By Vincent 
 de Voiture.] Printed at Strawberry-HilU 
 MDCCLXXXIX. 
 
Appendix. 323 
 
 Title; Text, pp. 3-9'5. Svo. This is a transla- 
 tion of Voiture's unfinished Histoire cTAlcidalis et 
 de Zelide. (See Nonvelles CEiivres de Monsieur de 
 Voitiire. NoHvelle Edition. A Paris, Chez Louis 
 Bilaine, an Palais, an second Pilier de la grand' 
 Salle, a la Palme &' au Grand Cesar, MDCLXXIT.) 
 There is a copy in the Dyce Collection. Another 
 was sold in 1823 with the books of John Trotter 
 Brockett, in whose catalogue it was said to be 
 'surreptitiously printed.' Kirgate had a copy, 
 although Baker does not mention it. 
 
 Doubtful Date. 
 
 Verses sent to Lady Charles Spencer [Mary 
 Beauclerc, daughter of Lord Vere, and wife 
 of Lord Charles Spencer] with a painted 
 Taffety, occasioned by saying she was low 
 in Pocket and could not buy a new Gown. 
 
 Single leaf. Baker says these were by Anna 
 Chamber, Countess Temple. 
 
 Besides the above, Walpole printed at his press 
 in 1770 vols. i. and ii. of a 4to edition of 
 his works. 
 
INDEX. 
 
 A. 
 
 C. 
 
 ^des Walpoliance^ the, 75-77, 
 
 288. 
 Amelia, the Princess, 171, 228, 
 
 234- 
 American Colonies, the war 
 
 with the, 252, 291. 
 An Account of the Giants^ 189. 
 Anecdotes of Painting, 142, 
 
 150, 241, 295. 
 Ashe, Miss, 127-130. 
 Ashton, Thomas, 16-19, 5^> 59- 
 
 B. 
 
 Balmerino, Lord, trial and exe- 
 cution of, 93-97. 
 
 Beauclerk, Lady Diana, 159, 
 161, 193, 243, 260, 2S6. 
 
 Beauties, The, 104. 
 
 Beauty Room, the, 211. 
 
 Benedict XIV., Pope, 50. 
 
 Bentley, Richard, 136, 137, 146, 
 148, 161, 214, 224. 
 
 Berry, the Misses Mary and 
 Agnes, 233, 235, 244, 259- 
 263, 265, 2S5, 286, 291. 
 
 Bland, Henry, 12. 
 
 Bologna, visited by Walpole, 
 
 42, 43- 
 Bracegirdle, Anne, 83. 
 Burnet, Bishop Gilbert, 16, 175. 
 Burney, Frances, 193, 257. 
 Byng, Admiral, 142, 143. 
 
 Castle of Otranto, The, 161, 
 163, 164, 168, 192, 195. 
 
 Catalogue of Engravers, 155. 
 
 Catalogue of Royal ajtd Noble 
 Authors, 142, 149-152. 
 
 Catalogue of Strawberry Hill, 
 262. 
 
 Charles X. (Comte d'Artois), 
 172. 
 
 Chartreuse, La Grande, visited 
 by Walpole and Gray, 38. 
 
 Chartreux, Convent of the, de- 
 scribed by Walpole, 34, 
 
 Chatterton, Thomas, 196-200. 
 
 Chesterfield, Philip Dormer 
 Stanhope, Earl of, 86, 131, 
 177 ; his Letters parodied by 
 Walpole, 236. 
 
 Choiseul, Madame la Duchesse 
 de, 174, 176, 177, 180, 212. 
 
 Christopher Inn, the, 17. 
 
 Chudleigh, Elizabeth, Duchess 
 of Kingston, 230. 
 
 Churchill, Lady Mary (Maria), 
 49, 63, 67, 100. 
 
 Chute, John, 52, 68, 118, 134, 
 171, 208. 
 
 Clement XII., Pope, 45. 
 
 Clinton, Henry, Earl of Lin- 
 coln, 56. 
 
 Clive, Kitty, %i, 12 j, 133, 140, 
 143, 192; bon mot of, 181; 
 
326 
 
 Index, 
 
 allusions to, 213, 217; death 
 of, 255. 
 
 Cocchi, Dr. Antonio, 56. 
 
 Coke, Lady Mary, 169. 
 
 Cole, William, 13, 19, 161, 206, 
 285. 
 
 Congreve, William, 83. 
 
 Conway, Henry, 12, 31, 35, 36, 
 38, 40, 82, 87, 91, 105, 108, 
 150, 1S2, 201. 
 
 Cope, Gen. Sir John, 89. 
 
 Crawford, James, 179. 
 
 Culloden Moor, the battle of, 
 91, 92. 
 
 Cumberland, William, Duke of, 
 19, 86, 91, 92, 99, 108, 120, 
 122, 17T. 
 
 Cunningham, Peter, 10 ; his 
 account of a drive with Wal- 
 pole, 227, 229, 231 ; his spe- 
 cimens of Walpole's letters, 
 255; quoted, 212, 231. 
 
 D. 
 
 Damer, Anna (Miss Conway), 
 203, 242, 270. 
 
 Deffand, Madame du (Marie de 
 Vichy-Chamrond), 177,212; 
 Walpole's first impression 
 of, 177, 178; her conquest 
 of Walpole, 178; Walpole's 
 letter to Gray concerning, 
 178, 179; her fondness for 
 Walpole, 179, 180; the epi- 
 sode of the snuffbox, 180; 
 Walpole's second visit to, 
 187, 188; death of, 252; 
 Walpole's letters to, 248, 249; 
 Walpole's adieu to, 251 ; will 
 of, 252. 
 
 Delenda est Oxonia, 124. 
 
 Dodington, Bubb, 92, 120. 
 
 Dryden, John, imitated by 
 
 Walpole, 60 ; claimed as 
 great-uncle by Catherine 
 Shorter, 210. 
 
 E. 
 
 Easton Neston (Northampton- 
 shire), 23. 
 Epitaphiinn Vivi Auctoris, 264. 
 Eton College, 11-17. 
 
 F. 
 
 Falkirk, the battle of, 91. 
 Fielding, Henry, 79, %2)^ 160, 
 
 161, 230, 285. 
 Fielding, William, 160. 
 Florence, visited by Walpole 
 
 and Gray, 43-45. 
 Fontenoy, the battle of, 87, 88, 
 
 104. 
 Foote, Samuel, 173. 
 Forcalquier, Madame de, 174. 
 Fortescue, Lucy, 105. 
 Fox, Charles James, his verses 
 
 on Mrs. Crewe, 240. 
 Francklin, Richard, iii, 123, 
 Eraser, Simon, Lord Lovat, 97. 
 Frederick, Prince of Wales. 
 
 {See Wales.) 
 Freethinking in France, 167, 
 
 170. 
 French court, presentation of 
 
 Walpole at the, 171, 172. 
 
 G. 
 
 Garrick, David, S3, 140, 146, 
 
 1S6. 
 Genlis, Stephanie F61icit6, 
 
 Madame de, 173, 257. 
 Geoffrin, Madame, 175, 182. 
 
Index. 
 
 327 
 
 George I., Walpole's visit to, 
 8-10; the story of the raven, 
 286. {See Reminiscences.) 
 
 George 11., 63. {See Remi- 
 niscences.) 
 
 George III, {See Memoirs.) 
 
 Goldsmith, Oliver, 19, 32, 105, 
 143, 198, 242; Walpole's 
 contempt for, 238, 285. 
 
 Gordon Riots, the, 253. 
 
 Granby, Lord, 129, 131. 
 
 Gray, Thomas, at Eton, 16, 19, 
 22, 25 ; travels v/ith Walpole, 
 29-32 ; Versailles described 
 by, 32, 33 ; at Rheims, 35 ; 
 at Lyons, t,2> ; at La Grande 
 Chartreuse, 38 ; in Italy, 40- 
 44, 49, 50, 53, 57; his mis- 
 understanding with Walpole, 
 52-55 ; subsequent reconcili- 
 ation, 55, 135 ; praises Wal- 
 pole's verse, 59; quoted, 25, 
 30-34. 37, 38> 5i» 59, 83, 97, 
 105, 115, 134, 135, 137, m8, 
 149, 219; resumes his inti- 
 macy with Walpole, 103, 106, 
 173 ; visits Strawberry Hill, 
 135 ; his indebtedness to 
 Walpole, 135 ; his Elegy 
 published by Dodsley, 135 ; 
 the Poemata - Grayo - Ben- 
 tleiana, 137 ; publication of 
 the O.ies at Strawberry Hill, 
 142-148; detects the Rowley 
 forgeries, 197 ; portrait of, 
 213 ; Walpole's relations 
 with, 285. 
 
 Grenville, George, 290. 
 
 H. 
 
 Harrison, Audrey, Lady Towns- 
 
 hend, loi, 156. 
 Hawkins, Miss, 160, 244 ; her 
 
 description of Walpole, 277- 
 
 279. 
 
 Henault, Charles- Jean-Fran- 
 
 gois. President, ly'jy 183, 188, 
 
 195, 212. 
 Hervey, Baron, 123 ; said to be 
 
 Walpole's father, 4. 
 Hervey, Lady, 120, 171, 175, 
 
 201, 224. 
 Hill, Robert, the learned tailor, 
 
 150. 
 Historic Doubts on Richard 
 
 III., 190, 191, 237. 
 Hogarth, William, 69, 79, 161, 
 
 213, 222, 242. 
 Houghton, the seat of the Wal- 
 
 poles, I, 24, 65, 66, 69, 71, 
 
 80, 81 ; the Houghton pictures 
 
 sold to Catherine of Russia, 
 
 69, 246, 247 ; Walpole buried 
 
 at, 268. 
 Hume, David, 167, 171, iSi- 
 
 185. 
 Hyde Park, robbers in, 125, 
 
 126. 
 
 I. 
 
 Inn, the Christopher, 16, 17. 
 Inscription for the Neglected 
 Colli mn, 61. 
 
 J. 
 
 Jennings, Frances, Duchess of 
 Tyrconnell, anecdote of, 7 ; 
 head of, 222. 
 
 Jenyns, Soame, quoted, 127, 
 
 131- 
 Jephson, Capt. Robert, 237, 
 
 239- 
 Johnson, Samuel, 55, 84, 236, 
 285. 
 
 K. 
 
 Kendal, the Duchess of, 8, 228, 
 
 287. 
 
328 
 
 Index. 
 
 Ker, Lord Robert, 91. 
 Kilmarnock, Earl, 92 ; trial and 
 
 execution of, 93-98. 
 King's College, Cambridge, 18- 
 
 20, 28. 
 Kirgate, Thomas, 150, 195, 
 
 235- 
 
 Lens, Bernard, 19. 
 
 Lessons for the Day, 75. 
 
 Letter from Xo Ho, 143, 144, 
 295. 
 
 Louis XVL (Due de Berry), 
 172. 
 
 Louis XVin. (Comte de Pro- 
 vence), 172. 
 
 ^L 
 
 Macaulay, Lord, 229; reviews 
 Lord Dover's edition of Wal- 
 pole's letters to Mann, 271- 
 273; letters to Hannah Ma- 
 caulay quoted, 271, 272; 
 Lady Holland irritated by, 
 272 ; his opinion of VValpole, 
 273-275. 
 
 McLean, James, robs Walpole, 
 125, 126 ; is imprisoned, 126; 
 becomes a fashionable lion, 
 126; is executed, 126. 
 
 Mann, Sir Horace, 43, 44, 47, 
 61, 69, 201, 254; death of, 
 255; Walpole's affection for, 
 286. 
 
 Mason, Rev, William, 53, 197, 
 202. 
 
 Memoirs of the Reign of King 
 George HI., 189, 292. 
 
 Middleton, Dr. Conyers, 2S6 ; 
 praises Walpole's attain- 
 ments, 57, 58. 
 
 Montagu, Lieut. -Gen. Charles, 
 K. C. B., 14. 
 
 Montagu, Brig Gen. Edward, 
 
 14. 
 Montagu, George, M. P., 14, 
 
 17, 21, 29, 187, 201, 286. 
 Montagu, Lady Mary Wortley, 
 
 4, 48, 133; described by 
 
 Walpole, 49-51 ; quoted, 50, 
 
 102. 
 Mont Cenis, 40. 
 Moore, Edward, 131. 
 More, Hannah, 258, 264, 285. 
 Miintz (German artist), 13S, 
 
 142, 146, 210, 279. 
 Mysterious Mother, The, 190- 
 
 193 ; Byron's praise of, 193 ; 
 
 printed at the Strawberry 
 
 Hill Press, 195 ; illustrated 
 
 by Lady Di. Beauclerk, 243. 
 
 N, 
 
 Nature will Prevail, 2'?9. 
 
 Neale, Betty, 130. 
 
 Neuhoff, Baron ('Theodore, 
 King of Corsica'), 132, 142. 
 
 Nolkejumskoi. {See Cumber- 
 land, William, Duke of.) 
 
 O. 
 
 Officina Arbuteana. (5"tv Straw- 
 berry Hill.) 
 
 Oiford, George, third Earl df 
 (nephew of Horace Walpole), 
 69, 141, 202, 245, 247, 263. 
 
 Orford, Horace, fourth Earl of. 
 {See Walpole, Horace.) 
 
 Orford, Robert, first Earl of. 
 {See Walpole, Sir Robert.) 
 
 Orford, Robert, second Earl of. 
 (6>tf Walpole, Robert.) 
 
 Ossory, Lady, 202 ; letters of 
 Walpole to, 207, 233, 246, 
 247, 252, 2C0, 266. 
 
Index. 
 
 329 
 
 P. 
 
 Paris, Walpole's first visit to, 
 31, 32; state of society in, 
 166-168 ; second visit to, 
 169, 173-181 ; tliird visit to, 
 1S6, 187, 189 ; fourth visit 
 to, 249. 
 
 Parish Register of Twi.ken- 
 hain^ The, 158, 160, 161. 245. 
 
 Parodies by Walpole, ']']^ 236. 
 
 Patapan, 6'3. 
 
 Petersham, Lady Caroline, 127- 
 130, 2S5. 
 
 Picture Gallery at Houghton, 
 69, 71, 246, 247. 
 
 Pinkerton, John, his Walpoli- 
 ana quoted, 3, 10, 84, 220, 
 258, 279, 280, 281 ; a favour- 
 ite of Walpole, 256 ; his di- 
 scription of Walpole, 279- 
 282. 
 
 Pomfret, Lady, 47-50, loi. 
 
 Pope, Alexander, 103, 109, 139, 
 216. 
 
 Preston Pans, the battle of, 89. 
 
 Prevost d' Exiles, M. I'Abbi 
 Antoine-Frangois, 31. 
 
 Prior, Matthew, criticised by 
 Walpole, 76, ']']. 
 
 Pulteney, William, Earl of 
 Bath, 62, 64, 151, 228. 
 
 Quadruple Alliance, the, 14 ; 
 
 ended, iS, 19. 
 Oueensberry, the Duke of, 231. 
 Quinault, Jeanne-Frangoise, 32. 
 
 R. 
 
 Radnor, Lord, his Chinese 
 
 summer-house, 119. 
 Ranelagh Gardens, the, 83, 86. 
 
 Roniniscences of the Courts of 
 George the I. and II., written 
 for the Misses Berry, 262. 
 
 Reynolds, Sir Joshua, 241. 
 
 Richardson, Samuel, 167, 171. 
 
 Robinson, William, 146, 147, 
 150, 156. 
 
 Rochford, Lady, 156, 157. 
 
 Rousseau, J ean -J acques, 181, 
 182 ; sham letter from Fred- 
 erick the Great to, 182, 183; 
 anger of, 184 ; his quarrel 
 with Hume, 184. 
 
 Saint-Cyr, Walpole's visit to. 
 188. 
 
 Saunderson, Professor Nicho- 
 las, 20. 
 
 Scott, Samuel, 139. 
 
 Scott, Sir Walter, his study of 
 the Castle of Otranto, 164, 
 165. 
 
 Selwyn, George Augustus, 13. 
 138, 168, 231. 
 
 Sermon on Painting, The, 71- 
 76. 
 
 Shenstone, WiUiam, 149. 
 
 Shirley, Lady Fanny, 160. 
 
 Shirley, the Hon. Sewallis, 102, 
 103, 202. 
 
 Shorter, Catherine (Lady Wal- 
 pole), 3, 4, 210; death of, 
 24 ; burial of, 25 ; Dryden 
 claimed as great-uncle to, 
 210. 
 
 Shorter, Sir John, Lord Mayor 
 of London, 3. 
 
 Short Notes, Walpole's, quoted, 
 5' "> 17, 35) 56,80, 124,152, 
 189, 239. 
 
 Skerret, Maria, 4, 49, 63, 210. 
 
 Smollett, Tobias, loi. 105. 
 
 Spence, Professor Joseph, 50, 
 55, 56, 150. 
 
 Sterne, Laurence, 173. 
 
330 
 
 Index. 
 
 Strawberry Hill (Twickenham), 
 Walpole removes to, 86; de- 
 scription of, 107-124, 146, 
 147, 20S ; previous tenants 
 of, 109, no; additions to, 
 III, 204, 205; the Gothic 
 castle at, 113-119; views ex- 
 ecuted by Miintz, 138 ; private 
 printing-press at, 142, 145, 
 146 ; described by William 
 Robinson, 146-148 ; works 
 published at the Ofificina Ar- 
 buteana, 1 49-1 51 {see Ap- 
 pendix), 152 ; Description of 
 the Villa at, 195, 201, 208 ; 
 fetes at, 205, 206 ; ground 
 plan of the villa at, 20S ; China 
 Closet and China Room at, 
 210; the Yellow Bedchamber 
 (Beauty Room), 211 ; Break- 
 fast Room, 212, 213 ; plan of 
 principal floor, 212 ; Green 
 Closet, 213; Library, 214; 
 Blue Bedchamber, 214; Ar- 
 moury, 214 ; the Red Bed- 
 chamber, 216 ; the Holbein 
 Chamber, 216; the Star 
 Chamber, 217; the Gallery. 
 204, 218 ; the Round Tower, 
 220; the Cabinet (Tribune), 
 220; collection of rarities, 
 220, 221; the Great North 
 Bedchamber, 218, 221 ; the 
 Great Cloister, 223 ; the 
 Chapel, 223 ; the Flower 
 Garden, 112, 224 ; Gothicism 
 of the villa, 225, 226; be- 
 queathed to Mrs. Damer, 
 270 ; subsequent disposal of, 
 270. 
 
 Stuart, Prince Charles Edward 
 (the Chevalier), his descent 
 on Scotland, 88, 96 ; tempo- 
 rary success of, 90, 91, 96 ; 
 escape of, 91. 
 
 Stuart, Lady Louisa, her Intro- 
 
 [ ductory Anecdotes quoted, 
 i 14-16, 22, 23. 
 ' Suffolk, the Countess of (Mrs. 
 I Howard), 9, 122, 139, 157, 
 
 ! 201. 
 
 Swift, Jonathan, 19, 103, 139. 
 
 Townshend, Charles, Viscount, 
 : 6, 156. 
 
 j Townshend, Lady. {See Har- 
 rison, Audrey.) 
 I Tragedy in England, Walpole's 
 I opinion of, 194, 195. 
 I Triumvirate, the, 14. 
 Twickenham. (See Strawberry 
 Hill.) 
 
 ^ Vane, Henry, Earl of Darling- 
 
 \ ton, 128. 
 
 ' Vauxhall, 84, 1 28-1 31. 
 
 Versailles, visited by Walpole, 
 : 32, 171-173- 
 
 Verses on the Suppression of 
 the Late Rebellion, 98-100. 
 
 Vertue, George, the engraver, 
 I 69, 70, yy, 154, 216. 
 
 Voltaire, Frangois-IVIarie-Arouet 
 de, i;8, 190. 
 
 W. 
 
 Wales, Frederick, Prince of, 
 24, 6i, 86, 87; composes a 
 chanson on the battle of Fon- 
 tenoy, 87 ; wins .£800 from 
 Lord Granby, 131. 
 
 Walpol, Sir Henry de, i. 
 
 Walpole, Dorothy, Lady Towns- 
 hend, 6, 210. 
 
Index. 
 
 331 
 
 Walpole, Sir Edward, Knight 
 
 of the Bath, 2. 
 , Sir Edward (brother of 
 
 Horace), 100, 202, 203; the 
 
 daughters of, 203; death of, 
 
 256. 
 
 -, George (third Earl of 
 
 Orford), 141, 202, 245 
 
 -, Horace (Horatio), his 
 
 ancestry, 1-4 ; scandal re- 
 garding liis birth, 3,4; early- 
 childhood, 5-10 ; his visit to 
 George I., 9 ; his appearance 
 as a boy, 11 ; his school-days 
 at Eton, 11-17; his scholar- 
 ship, 12, 19, 20; his com- 
 panions at Eton, 13-16 ; enters 
 Lincoln's Inn, 16; enters 
 King's College, Cambridge, 
 iS; his university studies, 19, 
 20; the ' triumvirate,' 19 ; the 
 'quadruple alliance,' iS, 19; 
 literary productions at Cam- 
 bridge, 24 ; appointed In- 
 spector of Imports and Ex- 
 ports, 27 ; becomes Usher of 
 the Exchequer, Controller of 
 the Pipe, and Clerk of the 
 Estreats, 27, 28 ; leaves col- 
 lege, 28 ; travels with Gray, 
 29 ; visits France, 30-39; in 
 Switzerland, 39 ; crosses the 
 Alps, 40; in Italy, 41-56; 
 his description of Lady Mary 
 Wortley Montagu, 49 ; his 
 misunderstanding with Gray, 
 
 3^-33 , his illness in Florence, 
 55 ; his return to England, 
 56; becomes Member of Par- 
 liament for CaUington, 56 ; 
 poetical Epistle to Thofims 
 Ashton, 58, 59 ; praised by 
 Gray, 59 ; his letters to Mann, 
 61, 65, 88 ; his first speech in 
 Parliament, 64 ; his Sermon 
 on Paintings 71-75; the 
 
 yEdes Walpoliance^ 7S~77 '■> 
 his parodies, 78, 236; his 
 paper against Lord Bath, 78 ; 
 his father's death, 79, 80 ; re- 
 ceives legacy from his father, 
 80, 81 ; his criticism of Mrs. 
 Woffington and of Garrick, 
 ^T, ; removes to Twickenham, 
 86 ; his Verses on the Stip- 
 pression of the Late Rebellion, 
 98, 99 ; epilogue to Tamer- 
 lane, 98 ; marriage of his 
 sisters, 100 ; his criticism of 
 Lady Orford, 10 1, 102 ; his 
 contributions to The Mu- 
 seum, 103; his poem. The 
 Beauties, 104, 105 ; resides at 
 Windsor, 106; his description 
 of Strawberry Hill, 107-120, 
 147, 195, 205, 206, 227 {see 
 Strawberry Hill) ; his papers 
 in The Remembrancer, 124 ; 
 his tract, Dclenda est Oxonia, 
 124 ; is robbed in Hyde Park, 
 125, 126 ; his account of 
 Vauxhall, 128-131 ; his pa- 
 pers in The World, 131 ; his 
 reconciliation with Gray, 134; 
 his admiration of Gray's poe- 
 try, 135-137; is chosen Mem- 
 ber of Parliament for Castle 
 Rising, 141 ; for Lynn, 142 ; 
 his Castle of Otranto, 142, 
 163, 168,169; publishes Gray's 
 Odes, 142, 148; his Catalogue 
 of Royal and Noble Authors, 
 142, 149, 151 ; his first Me- 
 moirs,i42 ; his Letter from Xo 
 Ho, 143, 145, 295 ; his other 
 Catalogues, 145, 149, 151 ; 
 estabHshes the Officina Arbu- 
 teana, 145 ; his publications, 
 149-151 {see Appendix), 153, 
 154, 165 ; his Catalogue of 
 Engravers, 155 ; his Anec- 
 dotes of Paijtting, 152, 156, 
 
332 
 
 Index. 
 
 241, 243; his occasional 
 pieces ( The Magpie and her 
 Broody Dialogue between Hvo 
 Great Ladies^ The Garlaftd, 
 The Parish Register), 157, 
 158, 245 ; his second visit to 
 Paris, 1 67-1 8 1 ; is presented 
 to the royal family, 171-173; 
 sham letter to Rousseau, 182; 
 visits Bath, 186 ; his third 
 visit to Paris, 187; his Ac- 
 count of the Giants, 189; 
 begins his Memoirs of the 
 Reign of George III., 1S9; 
 retires from Parliament, 1 89 ; 
 his letters to the Public Ad- 
 vertiser, 190 ; his Historic 
 Doubts on Richard III., 190, 
 191 ; his tragedy. The Mys- 
 terious Mother, 191, 192, 195; 
 his relations with Chatterton, 
 196-200 ; his fondness for his 
 nieces, 203 ; his correspond- 
 ence, 235 ; his minor writings, 
 236-239 ; his Nature xvill 
 Prevail, 239 ; his fourth visit 
 to Paris, 249 ; his corre- 
 spondence in French, 248 ; 
 his farewell to Madame du 
 Deffand, 251, 252 ; his ac- 
 quaintance with Hannah 
 More, 258 ; his friendship 
 with the Misses Beiry, 259- 
 263, 265, 286, 291 ; his Remi- 
 niscences, 262 ; his Catalogue 
 of Strawberry Hill, 262 ; 
 succeeds his nephew as Earl 
 of Orford, 263 ; his Epita- 
 phium Vivi Auctoris, 264 ; 
 his last letter to Lady Ossory, 
 267, 268 ; his death and 
 burial, 268 ; disposal of his 
 estate, 269, 270 ; Lord Ma- 
 caulay's criticism of, 271-276; 
 portraits and descriptions of, 
 276-278 ; Pinkerton's remi- 
 
 niscences of, 280-282; his 
 character as a man, 284-287 ; 
 as a virtuoso, 2S8, 289 ; as a 
 politician, 290-292 ; as an 
 author, 293, 294. 
 
 of Walterton, Horatio, 
 
 Baron, 6, 219. 
 
 Maria (Lady Walde- 
 
 grave), 203, 205. 
 
 Lady Mary (Countess 
 
 of Cholmondeley), 67, 100. 
 
 , Reginald de, i. 
 
 -, Sir Robert (first Earl 
 
 of Orford), ancestry of, 1,2 
 first marriage of, 3 ; second 
 marriage of, 49; decline of 
 his political power, 61, 62; 
 resigns the premiership, 63 ; 
 is created Earl of Orford, 63 ; 
 intrigues against Pulteney, 
 64 ; prevents his own dis- 
 grace, 64, 65 ; death of, -]%- 
 80 ; will of, 81. 
 
 Robert (second Earl of 
 
 Orford), 85, 102, 129. 
 
 -, Lady Robert (Countess 
 
 of Orford), 48, loi, 102, 202; 
 death of, 256. 
 
 , Col. Robert, M.P.,2. 
 
 William, 3. 
 
 Walpoles of Houghton, pedi- 
 gree of the, I ; spelled \\'al- 
 pol, I. 
 
 Walpoliana, Pinkerton's, 3, 
 ID, 84, 256, 25S, 279-282. 
 
 Walsingham, Melusina deSchu- 
 lemberg. Countess of, 9. 
 
 Wesley, John, Walpole's de- 
 scription of, 186. 
 
 West, Richard, 15, 16, 103. 
 
 Whitehead, Paul, 139. 
 
 Wilkes, John, 173. 
 
 \\'illiams, George James, 138, 
 168, 203. 
 
 Williams, Sir Charles Hanbury, 
 13, 131- 
 
Index. 
 
 333 
 
 William Henry, Duke of Glou- 
 cester, marries Maria ^^'al- 
 pole, 203. 
 
 Woffington, Margaret, 83. 
 
 X. 
 
 Xo Ho, Letter of, 143. 144. 
 
 Yarmouth, the Countess of 
 (Madame de Walmoden), 9. 
 
 Z. 
 
 Zouch, Rev. Henry, 196 ; Wal- 
 pole's letters to, quoted, 152- 
 155, 285. 
 
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