^. «=<|^-^^-=1|^.CS^ -^'-^■53- :m^& p. / 'x^e.c 1858 / ',\. '\ -^%.?**i a«*i-s^-^-^-=-3l#'*^ WORLD-NOTED WOMEN; OK, TYPES OF WOMANLY ATTRIBUTES OF ALL LANDS AND AGES. MAKY COWDEN CLARKE, AUTIIOK OF "the iron COUSIN," "tOE GIRLUODD OF SnAKESPEAKE's HEROrNES," "the complete C0MC0]!I)AN0E to SHAKESPEARE," ETC., ETC. lUwstratjti WITH SEVENTEEN ENOltAVINOS ON STEKL, FlioM OIJIUINAT, DESIONS I!V CIIAULES STAAI.. ■' Tho worUVs Inrge toni^no proclaims y^"i."' ^IIAKFSrBARE. D NEW YORK: APPLETON AND COMPANY, 34 6 & 348 BROADWAY. M.DCOO.LVIII. Entered, according to Act of Congress, in the year 1857, by D. APPLETON & COMPANY, In the Clerk's Office of the District Court of the United States for the Southern District of New York. PREFACE. Pkesenting together in a collected form of analytical disquisition, and pictorial illustration, several of the women most noted in the world's an- nals, it is interesting to consider the individuality marking each ; and the curious variety of respective distinction, which has set these personages apart, as either renowned or notorious, above the ordinary range of their sisterhood. In thus considering them, I have taken leave to judge excep- tional characters by exceptional rules ; and, since this selection was made for me, — not chosen by myself, — I have written upon them with large (not so much allowance, as) construction. I have treated the subjects appointed for me to discuss, with my utmost candour, and with as much of discrimination and judgment as in me lay. I have endeavoured to look upon them with unprejudiced eyes; and to throw myself as much as possible into the periods in which they lived, and the events among which they moved. I have tried to judge them according to the complexion of the eras in which they figured, and the incidents which coloured their opinions, their words, and their actions. Lord Bacon, — that great authority in judgment, critical, philosophical, and legal, — has told us, that "it is the part of a just judge to take into consid- eration not only facts but the times and circumstances of facts ; " so, in weighing the facts connected with the Women's characters assembled in this book, I have done my best to render them justice in consonance with this Verulam rule. In regarding these World-noted Women, who have severally created so much interest, and awakened so much emotion in the different spheres wherein they existed, it were idle to view them otherwise than as isolated exemplars of special qualities ; they are not so much types of a class of women, as types of particular womanly attributes; and, far from their all being looked upon as models, they are, in some instances, to be beheld as beacons of warning. With this borne in mind, it affords a fascinating study to contemplate a woman like Cleopatra, — that " Serpent of old Nile," — she, who held Mark Antony's heart in thrall, and " caught him in 4 PREFACE. her strung toil of grace;" or a woman like Isabella of Castile, who was virtuous as she was wise, modest as she was illustrious. It is also interesting to notice the links of historic association which connect such widely various women as Valcntina, Joan of Arc, Margaret of Anjou, Lady Jane Grey, Isabella of Castile, Maria Theresa, and Cath- erine II., through the long series of years, and separate lands in which they respectively lived. As thus: — "ie beau Dunois" bore a part ir both Valcntina's and Joan of Arc's history ; Margaret was niece to the French king, Charles VII., who, as Dauphin, was the object of Joan's loyal chamj^ionship ; Lady Jane Grey was grand-daughter to Charles Brandon, who married the widow-queen of Louis XII., grandson to Valcntina ; and so forth, along the chain of circumstance. Leigh Hunt, in a delightful essay entitled " Social Genealogy," shows how the present generation may have shaken liands with Shakespeare himself, by this " linked sweetness long drawn out " of cordially interchanged palm-clasp- ing. And by similar pleasant tricks of the imagination we may trace the connection between the strangely diflering World-noted Women who ap- pear side by side in these pages. It may be well here to observe that I have ventured to annex transla- tions (so close as to be almost literal) of quoted passages for the behoof of those who may not be conversant with the language in which the orig inals are written. I gladly avail myself, also, of the opportunity now presented, to offer my thanks to those friends,^ — some, of very recent date, and who therefore deserve the greater acknowledgment, since they assisted one comparative- ly a stranger to them, — who, with kindest promptitude, helped me in pro- curing such literary sources for research as my distance from old familiai- native book-haunts prevented my readily obtaining. I must not omit, likewise, to assign the credit of the " Joan of Arc " where it is due, in stating that it has been contributed by another hand than mine ; a lady of Philadelphia, widely known in the ranks of litera- ture as Grace Greenwood, having supplied the memoir of that glorious but misprized heroine. Especially pleasant to me is it, to recognize the debt of gratitude I owe to my generous friend, Mrs. Balmanno, of New York, who has writ- ten the account of " Pocaliontas " for me in this work. MaKY CoWDEN Cr.AEKE. Nice, /«w«, IBS'?. TABLE OF CUNTEJ^TS. 8APPH0, .... . Greece, B.C. 612, LUCRETIA Rome, a 509, ASPASIA, .... . Greece, (. 480, CLEOPATRA, Egypt, a 69, ST. CECILIA, Rome, A.D. 230, HELOISE, .... France, It 1101, LAURA, .... . France, u 1308, VALENTINE DE MILAN, . Italy, (I 1370, JOAN D'ARC, . France, a 1410, MARGARET OF ANJOU, France, a 1429, ISABELLA OF CASTILE, . Spain, u 1450, LADY JANE GREY, . England, a 1537, POCAHONTAS, . . America, (( 1595, LA VALLIERE, . France, u 1644, MARIA THERESA, . . A ustria, a 1717, CATHERINE XL . Russia, a 1729, FLORENCE NIGHTINGALE, . England, 11 1823, 9 28 41 61 87 113 145 171 185 205 285 268 283 309 827 345 377 LIST OF PORTRAITS. SAPPHO, LUCRETIA, ASPASIA, . CLEOPATRA, . ST. CECILIA, HELOISE, LAURA, .... VALENTINE DE MILAN, JOAN D'ARC, MARGARET OP ANJOU, ISABELLA OP CASTILE, LADY JANE GREY, . POCAHONTAS, LA VALLlfeRE, . MARIA THERESA, . CATHERINE II., . FLORENCE NIGHTINGALE, CESIONEB. ENGBAVER. TAOE CHARLES 8TAAL, FBANCIS HOLl,, 9 (( B. EYLES, . . 33 (( P. HOLL, 41 (( W. I. EDWARDS, . 61 « COOK, 87 a W. I. EDWARDS, . . 113 » P. HOLL, Uf) (( W. I. EDWARDS, . 171 « W. H. MOTE, . 185 (( y the brink of a fountain's bright crystalline glass ! One eve came my husband, my king, and my own ; — A soft kiss he snatch'd ; I felt it scarce pass, Yet it flutter'd me, ere it was gone. I pretended to pout : — he wasn't then mine ; (Yet my heart was fast his, from the very first dawn ;) Nor then did we venture to say, " Thou and Thine," But by light of the moon. So, I pouted ! then as he kept still I forgave him — he said : " my queen ! " I might have ta'en twenty — and twenty I will, — " Had I known !" — Take them sweetheart ; thou'st seen Me by night time ; — the fault's not my ill, But the light of the moon.] A short poem, attributed to Sappho, has been rendered into English verse by one who is worthy to be called a sister poetess. She who (if it were only for those exquisite forty-three sonnets of Shakesperian style ; — for the tender pathos of her " Caterina and Camoens;" and for the condensed passion of that grand little poem, " A year's spinning," — a world of emotion in seven stanzas — ) richly deserves the title of our modern Sappho, — Elizabeth Bar- rett Browning, has given us the opportunity of reading this grace- ful lyi'ic, beheved to have been written by the famed Lesbian. There is a Grecian zest, and flush of beauty in the lines, which makes us feel it properly ascribed to Sappho. 20 SAPPHO. SONG OF THE ROSE. "If Zeus chose us a King of the flowers in his mirtli, He would call to the rose, aud would royally crown it ; — For the rose, ho, the rose ! is the grace of the earth, Is the light of the plants that are growing upon it ! For the rose, ho, the rose ! is the eye of the flowers, Is the blush of the meadows that feel themselves tair, — Is the lightning of beauty, that strikes through the bowers On pale lovers who sit in the glow unaware. Ho, the rose breathes of love 1 ho, the rose lifts the cup To the red lips of Cypris invoked for a guest ! Ho, the rose having eurl'd it's sweet leaves for the world Takes delight in the motion its petals keep up, As they laugh to the Wind as it laughs from the west.'' Sappho possessed tliat rare gift, — ^genius. She merited the names bestowed upon her, of " Tenth Muse," and " Divine Poetess ;" not merely because she was accomplished in writing poetry, but because she was endowed with creative faculty. She had invention, and originality of resource. Her love of Poesy inspired her with power to add fresh beauty to the anthology of Greece; composing in metres of her own design, and devising a pecidiar versification, named after her, the Sapphic Strophe ; a me- trical construction which has been frequently imitated in ancient and modern times. Horace has many Odes in the Sapphic Strophe, the ode to Augustus Caesar (the second in the first Book) being one. It consists of three verses, and a fourth (of two feet), termed the Adonic verse. Sappho's ear in rhythmical construction, and her passion for music, enabled her to carry her creative genius into that art also ; for Aiistoxeuus affirms, that to Sappho must be assigned the honour of having invented Mixolydian harmony, so well adapted for the expression of tragic and serious feehn.";. She is also said to have SAPPHO. 21 been the inventor of more than one new instrument, and of the plec- trum, or quill with which lyres were struck, in sounding their strings. In Sappho, Milton's " Sphere-born harmonious sisters, Voice and Verse, Wed their divine sounds ;" And, "to our high-rais'd phantasy present '" an image of blended Art dedicated to paeans in honour of Love, that deity whose own utterance is " Sweet and musical As bright Apollo's lute, strung with his hair." After her death, divine honours were paid her; altars and temples were raised to her memory, and her fame sjiread far and wide. Sicily erected a statue to her; and the inhabitants of her native Mitylene stamped Sappho's image on theii- coin. This tardy tribute fi'om those who had mahgned her, savoured of anxiety to claim reflected honour from her having been born among them, although they could not properly estimate her while she lived among them; but j^osthumous appreciation brought credit on themselves, where value during her existence, swelled her triumphs only. Dead excellence and prosperity are more readily forgiven and acknowledged, than while flourishing in health, strength and beauty. Sappho's fair name was blackened at a period when her heart still beat with power to feel proud of eulo- gium, or hurt by opprobrium ; but when cold to rejwte or injury alike, popularity crowned her ashes, and Envy joined in heaping garlands ujion one whom it had vilified. Great spirits mnst be content to draw breath amid vulgar detraction, and to have plau- dits clamoured over their grave. Sappho is a shining exemplar of glowing womanhood, and high genius moulded into that " bright particular star " of humanity — a Poetess. LUCKETIA. Ltjceetia is a world-renowned type of conjugal faith, and chastity. She impersonates Roman matron purity, unable to survive out- raged self-respect. Lucretia was the daughter of Spurious Lucre- tius Tricipitinus ; and was married to Lucius Collatinus, a member of the reigning royal family in Rome. Collatinus's relationshij) to the Tarquins could not preserve him from the injuries of one of its scions ; while it ultimately caused his own downfal. Thi-ough his wife, Lucretia, he was the \'ictim of Tarquin treachery ; in his own person he became a sufferer from Tarquin hatred, — the hatred borne by the people towards the Tarquin race. This wicked brood were signal in crime. Tullia, utterly devoid of woman- hood, had taken her sister's husband in marriage, after murdering her own ; had instigated the assassination of her father for the at- taining of his crown ; and had summed her filial infamy by driving her chariot wheels over her parent's scarce-dead body. Tarquin, surnamed Superbus, — from his insolence of pride, — wielded the sceptre he had gained by blood with tyranny and injustice. To stifle the murmurs of the people at his extravagant and reckless expenditure of the public treasury, he engaged his subjects in war. Sextus Tarquin combined those qualities that the son of such a father might naturally inherit. Self-willed, sensual, treach- 24 L U C R E T I A . erous, and cruel, he liesitated at no deed that might secure the gratification of his own evil passions. The history of the period, as jelated by Livy, — and poetically told by Ovid, — forcibly pour- trays the character of all those connected with the sad tale of Lu- cretia's wrongs, besides recording the black event which forms the small but fatal amount of what we know concerning herself. Tarquinius Superbus, being at war upon Gabii, a Volscian city, the youngest of his three sons, Sextus, made his way into the enemy's camp ; and when their swords were raised to destroy him, bade them strike, saying that it would obtain them favour with his barbarous father, who had maltreated and discarded him. He stripped his back to show them evidences of his father's ill-usage, in the lacerations which he himself, with crafty device, had pur- posely inflicted there. The foes, seeing the young man's condition (Ovid, here, has a beautiful picturesque touch of its being moon- light in the camp, and revealing the scars), returned their swords to the scabbard, commiserated him, bade him stay with them, and take arms in their ranks. The impostor, rejoicing in tlieii' simplicity, accepted the offer ; and when he found his credit among them confirmed, he despatched a trusty messenger to his tather, inquiring how he might best place Gabii within his power. The message was delivered to the king, who returned no answer, but walked u-p and down his garden, as if in reverie, striking off the heads of the tallest flowers (livy says "poppies," — Ovid, " lilies") with a switch he held in his hand. The man went ])ack, recounting that the king had spoken no word, and repeating what he had seen. The wily son perceived the meaning of the wily father. He immediately put to death the principal men in Gabii ; and the city, deprived of its chiefs, opened its gates to the Ro- mans. King Tarquin proceeded Avith his extravagant outlay in Eome. LUGRETIA. 25 But in the' midst of these costly works, an ominous event occurred which inspii-ed universal fear. A seipent, issuing from a column of wood, spread consternation amongst the inhabitants of the pa- lace, and put them to flight. The king, at fii'st but little alarmed, conceived nevertheless serious uneasiness respecting the future. The Etruscan soothsayers were usually consulted with regard to those presages which threatened public welfare ; but this one, seeming to menace his own family, Tarquinius Superbus resolved to consult the oracle of Delphos, celebrated throughout the world. At the same time, doubtful what might be the answer of the god, he dared not confide to strangers the charge of going to receive it ; he therefore sent two of his sons into Greece, across lands then unknown, and over seas even more unknown. The princes, Titus and Aruns, set forth, accompanied by the son of Tarquinia, sister to the king, — Lucius Junius Brutus, — who was of a very different character, in reality, to what he professed to be in public. Aware that the leading men in the state, — his own near relatives among others, — ^had fallen victims to the sanguinary oppression of Tar- quinius Superbus, this young man adopted the course, thenceforth, of allowing nothing to appear either in his character or fortune which might give umbrage to the tyrant, or excite his cupidity; in a word, he sought from the contempt of those around him that security which justice afforded not. He feigned to be half-witted, suffering himself to become the laughing-stock of the king, aban- doning all his possessions to his disposal, and accepting the oppro- brious sm'name of Brutus. It was under favor of this title, indi- cative of brutish incapacity, that the futm-e liberator of Kome awaited the accomplishment of his destiny. Taken to Delphos by the young Tarquins, — of whom he was rather the plaything than the companion, — he carried with him a staff of camel-wood, made hollow, and enclosing a wand of gold, which he presented as his 26 LUCRETIA. ofteriug at the shrine of the god. This offering mysteriously em- blemed his own character ; at the same time that it served his pur- pose of shrouding the lichness of the gift from curious eyes, and concealing his homage to the oracle under the guise of a senseless deed. Arrived at the Delphic goal, the young princes, after ful- lilhng their father's behest, had the curiosity to endeavour to ascer- tain which among them was destined to succeed to the throne of Rome. It is asserted that a voice replied from the depths of the sanctuary : " He among you, O young men, will attain to sovereign power, who first shall kiss his mother." Titus and Aruns, anxious lest their brother Sextus should anticipate them, agreed to keep the ansAver of the oracle a secret, and prepared to hasten back; but Brutus, interpreting otherwise the words of the Pythian sen- tence, pretended to stumble, and kissed the Earth, — common mother of all mankind. On their return to Rome, they found great preparations going on for war against the Rutuli. The capital of the dominions of the Rutuli was the city of Ardea ; and then* nation was both rich and powerful. War was declared against this people on account of the financial exhaustion occasioned by the costly works undertaken by king Tarquin, who sought"' to supply the deficiency in the public treasury, and at the same time to gain, through their love of booty, the liking of his subjects. For the Romans, fretting be- neath his arrogance and despotism, resented his having held them so long in labours of artisans and slaves. At fii-st, an attempt was made to carry Ardea by assault ; but the endeavour was unsuccessful. The siege took the form of a blockade ; and the enemy was driven within the walls. During this blockade, as frequently happens in the course of a war, less fierce than prolonged, furloughs were readily granted — although rather to the officers than to the soldiers. From LUCRETIA. 27 time to time, the young jji-iuces relieved the tediunl of idleness by- banquets, and parties of festive debauchery. One day, when they were all sujDpiDg with Sextus Tarquin — Lucius Collatinus being among the guests,— the conversation chanced to fall upon their wives ; and each of the company pronounced an eulogium upon his own wife, as deserving the palm of excellence. The discussion growing warmer, Collatinus said there was no occa- sion for so many words, as in a few hours they might prove how completely his wife, Lucretia, surpassed all others. " If we be young and vigorous," added he, " let us mount on horseback, and go and assure ourselves of the merits of our wives. As they do not expect us, we can judge them by the occupations in which we find them engaged, when we take them by surprise." Well may Shakespeare observe, at this portion of the story : — " Collatine unwisely did not let * To praise the clear unmatched red and white, Which triumph'd in that sky of his delight ; Where mortal stars, as bright as heaven's beauties, * With pure aspects did him peculiar duties. For he the night before in Tarquin's tent, Unlock'd the treasure of his happy state ; What priceless wealth the heavens had him lent In the possession of his beauteous mate ; Reckoning his fortune at such high proud rate, That kings might be espoused to more fame, But king nor peer to such a peerless dame. Beauty itself doth of itself persuade The eyes of men without an orator ; What needeth, then, apologies bo made To set forth that which is so singular ? Or why is Collatine the publisher Of that rich jewel he should keep unknown From thievish ears, because it is his own ?" * forbear. 28 LUCKETIA. The history goes on to relate that, heated "by wine, their young bloods fermenting with mingled excess and excitement, the company accepted the husband's rash challenge. " Let us go !" they ex- claimed with one accord; and away they rode at full speed to Rome. They arrived there about nightfall. From thence they went on to Collatia ; where they found the king's daughters-in-law with their young companions deep in the enjoyment of a sumj^tu- ous repast. Lucretia, on the contrary, was discovered in her private apartment, spinning wool, and employed amidst her women, at a late hour of the night. Lucretia was awarded all the honors of the challenged comparison. She received with courtesy the yoimg Tarquins and her husband ; who, proud of his victory, invited the princes to remain with him. Then it was, that Sextus Tarquin conceived the infamous desire to obtain possession of Lu- cretia, even were it at the price of crime. Besides her modest beauty, which kindled his unholy flame, her reputation for stain- less virtue excited his vanity, and inspired him with double incen- tive to attempt the triumph over this admirable woman ; and it is to be observed, — as a proof of Lucretia's character for invincible purity, — ^that Tarquin never once entertained any other idea than that of prevailing by force. He knew that persuasion or seduction were hopeless. After finishing the night in diversions befitting their age, the young men returned to the camp. Some few days afterwards, Sextus, unknown to Collatinus, returned to Collatia, accompanied by a single attendant. As his designs were suspected by no one, he was welcomed with kind- ness ; both on account of his royal rank, and as being a kinsman of Collatinus, the master of the house. After supper, he was con- ducted to the apartment prepared for him ; where, burning with illicit passion, he impatiently awaited the retirement of the house- hold to rest. At length, judging by the silence which prevailed. LUCRETIA. 29 that all were asleep, he drew his sword, and crept to the bedside of Lucretia, whom he found in a deep slumber. Placing his hand heavily upon her bosom to prevent her stirring, he hoarsely whis- pered : — " Silence, Lucretia ! I am Sextus. My sword is in my hand ; and you die if you breathe one word." Lucretia, awakened abruptly out of sleep, dumb with terror, defenceless, beholds death impending over her, and hears Tarquin pouring forth his insults of passionate declaration ; pressing, beseeching, threatening, by turns, and conjuring her by all he deems most capable of moving a woman's heart. But finding that she only became the more confirmed in reso- lution and resistance, and that even the fear of death could not shake her constancy, he tried to alarm her fears for her reputation. He protested, that after having kUled her, he would place beside her dead body that of a murdered slave, ui order to make it beheved that she had been stabbed in the act of adulterous sin. Vanquished by this horrible di'ead, the inflexible chastity of Lu- cretia yielded to the brutality of Tarquin ; and he, proud of his ignominious triumph, departed back to the camp. Lucretia, over- whelmed by the magnitude of her misfortune, sent a messenger to Rome and to Ardea, to entreat her father and her husband would hasten to her, each accompanied by a sure friend, as a fearful event had occurred which demanded theii" immediate presence. Spurius Lucretius came with Publius Valerius ; and Collatinus, with Brutus. The two latter were returning to Rome in company, when they were met by Lucretia's messenger. They found her seated in her apartment, attu-ed in mourning weeds, and plunged in the profoundest grief On the appearance of her friends, she burst into tears ; and upon her husband's eager questioning as to the cause of her agitation, she brokenly recounted the irreparable wrong and misery that had befallen them both. 30 LUCRE TIA. Refusing all comfort, and all attempt to persuade lier tliat slie was virtually innocent, since her will had taken no part in the fold deed committed, she drew a dagger fi"om beneath her robe, stabbed it to her heart, and dropj^ed expiring at the feet of her husband and father. While they, stricken with dismay, abandoned themselves to their grief, Brutus drew forth from her bleeding bosom the reek- ing dagger, and holding it aloft, exclaimed : — " Hear me swear, O ye gods ! — and you, friends, bear me witness ! — I swear by this innocent blood, — so pure before the outrage it received from this hatefid son of kings ! I swear, to pursue with fii'e and with steel, with all means in my power, the haughty Tarquin, his guilty wife, his infamous son, his whole hateful race, and to endure no kings in Rome — neither these, nor any other !" He then gave the dagger into the hands of Collatinus, of Lucretius, and of Valerius ; all of them amazed at this marvellous change in a man hitherto regarded among them as half-witted. They repeated the prescribed vow to extirpate the accursed Tarquin race ; and, passing at once from grief to thoughts of vengeance, they followed Brutus, who called them forth to the immediate destruction of royalty in Rome. They bore the dead body of Lucretia with them into the pubhc place of the city ; where, — as they exjiected, — this eloquent spec- tacle, in its bleeding evidence of the ruthless violence and outrage of the king's son, excited universal horror and indignation. " To see sad sights moves more than hear them told ; For then the eye interprets to the ear The heavy motion that it doth behold, When every part a part of woe doth bear." Lucretia's hapless fate sealed the fate of the Tarquins, and with it, that of the regal dynasty. The expulsion of the reigning family was followed by the election of Brutus and Collatinus to considar L U C R E T I A . 31 power ; and an annual consulsliij) was substituted for monarchical government. "WTieu Lucius Junius Brutus died, funeral honors were pub- licly paid him. The senators, whom Brutus had raised in number to three hundi'ed, came to receive his body at the gates of the city, it being brought to Rome from the field of battle ; and the Roman matrons wore a year's mourning for him, as the avenger of Lucretia. His statue was erected in the Capitol, bearing in the hand a dagger. Sextus Tarquin was not long subject either to the stings of remorse, or to the reproaches of his family for being the cause of their downfal. He retired to the city of Gabii, where he held command ; and perished there soon after. Lucre tia's death took place in the year 244 of the Roman era, —509 B. C. This narrative of Lucretia, has, of course, closely adhered to the historical account ; but it is interesting to trace the different representations of her speech and demeanour — at the point in her sad story where her husband and friends come to her on the morning after the oiitrage — as variously given by those who have depicted the scene. Livy, wdth the staidness of a historian, and the patriotic bent of a Roman, records the address of the Roman matron, Lucretia, to her husband, in words which convey the idea that she seeks to urge his indignation to take the shape of revenge upon her undoer, to turn her wi'ongs into a means of redressing those of Rome ; and while pleading her cause with her injured friends, inciting them to make it one with that of the oppressed Romans, groaning beneath Tarquin tyranny. She seems, in this writer's pages, less occupied with the horror and pain of the revelation she has to make, than solicitous to convert it into a source of futui'e avenging retribution. She brings forward — 32 LUCRETIA. almost witli unfeminine coolness — tlie cii'cumstances that may be pleaded in extenuation of her mihappy fall ; and receives the con- soling assm-ances of her husband and friends, — that as her will had no part in the foul deed, she cannot be accounted culpable, — more like arguments that require answering, than soothings of her affliction. Upon their telling her that when the spuit is innocent, the body is guUtless, and that there can be no fault committed where the intention remains pure, she replies, " It is for you to decide upon the doom of Sextus. For myself, if I absolve myself from crime, I cannot exempt myself from the penalty. Hence- forth, no woman surviving her shame, shall venture to cite the example of Lucretia !" And she forthwith plunges the steel into her bosom, and dies. Ovid has told the whole story, in the second book of his " Fasti," with gi-eat beauty and tenderness. At the point in ques- tion, he describes her sUence, her confusion, her troubled aspect ; her hidden face, her streaming tears, her hesitation and distress in having to relate the circumstances which she has summoned her husband and father to hear. He has given to theu' words a manly belief in the goodness of her they love, a noble confidence in her faith and vii'tue. " Thou hast not failed in truth or purity !" they exclaim ; " thou yieldedst to violence !" And to her speech he has imparted a womanly tenderness, very character- istic of her modest worth, — gentle, yet firm and constant to her own conviction of right : " You pardon me !" she returns, " but I, — I cannot pardon myself!" And she falls, self-struck, at then* feet. Chaucer has a similar touch, here, with the Latin poet ; indeed his " Legend of Lucrece," is, all through, almost a j^araphrase of many of the passages in Ovid. The touch adverted to, is strictly in keeping with the character of the chaste Lucretia, marking her ,/^^ ^ LUCKETIA. 33 scrupulons modesty in the very last act of Iter dying moments. The old Saxon poet tells it in his own quaintly simple style : — " But privily she caughten forth a knife, And therewithal she reft herself of life, And as she fell adown, she cast her look, And of her cloth6s yet good heed she took ; For in her falling, yet she had a care. Lest that her feet or suche things lay bare ; — So well she lov^d cleanness, and eke truth." Chaucer's description of her manner when faltering out the terrible revelation she has to make to her husband and friends, forms also a graceful parallel with Ovid's diction ; but, as usual, Shakespeare transcends them all, in his wording of the circum- stance. The pathos, the delicacy, the bashful reluctance, the wifely and impassioned regret /or Tiia sake, which Shakespeare has thrown into Lucretia's speech to Collatinus are completely his own. " And now this pale swan in her watery nest Begins the sad dirge of her certain ending : (Pew words), quoth she, shall fit the trespass best, Where no excuse can give the fault amending : In me more woes than words are now depending , And my laments would be drawn out too long, To tell them all with one poor tired tongue. Then, be this all the task it hath to say : Dear husband, in the interest of thy bed A stranger came, and on that pillow lay Where thou wast wont to rest thy weary head ; And what wrong else may be imagined By foul enforcement might be done to me. From that, alas ! thy Lucrece is not free." In this early poem of the great dramatist, he faintly antici- pated some of those exquisite touches which afterwards shone forth with such refulgence in his glorious play of Cymbeline. We are 34 L U C 11 E T I A . reminded of Posthumus Leoiicatus's rash wager, in Collatine's boast and challenge ; of Imogen's fervent-chaste wifehood, in Lucretia's modest dignity; and of lachimo's turpitude in Sextus Tarquiu's villainy. Shakespeare, like his brother poets, 0\ad and Chaucer, told the story with full homage to the mingled beauty and delicacy of the real Lucretia ; but there is one subtle point, which perhaps only the painter of Imogen would have thought of addtug. When Sextus first arrives : — " He stories to her ears her husband's fame, Won in the fields of fruitful Italy ; And decks with praises Collatine's high name, Made glorious by his manly chivalry, With bruised arms and wreaths of victory : Her joy with heav'd up hand she doth express, And wordless so greets heaven for his success." The instinct which induces even the intended violator to make his first appeal to the wife through her husband's praises, is pre- cisely one of the thousand instances of Shakespeare's keen percep- tion of human sentiment ; while Lucretia's silent drinking in of the joy, with devout exaltation of heart, is true Imogen. Afterwards, too, when Tarquin, alone, admiringly recalls her beauteous looks and manner, how vividly he depicts the innocent unconsciousness of Lucretia ; reading no hint of the unlawful firethat flames in his eyes, and seeing nothing there save interest, as she thinks, for him she loves. " Quoth he, she took mc kindly by the hand. And gaz'd for tidings in my eager eyes, Fearing some hard news from the warlike band, Where her beloved CoUatinus lies. O how her fear did make her colour rise ! First red as roses that on lawn we lay, Then white as lawn, the roses took away." LUCRETIA. 35 Tlie two stanzas pourtrayiiig Lucretia as she lies asleep, so beautifully prefigure the similar passage describing Imogen, that the poet himself seems reminded of his own former-written picture ; for he makes the Italian lachimo commence the lovely speech with these words : — " Our Tarquin thus Did softly press the rushes, ere he wakeu'd The chastity he wounded. — Cytherea, How bravely thou becom'st thy bed ! fresh lily, And whiter than the sheets ! That I might touch ! But kiss ; one kiss ! — Rubies unparagon'd How dearly they do't ! — 'Tis her breathing that Perfumes the chamber thus : the flame o' the taper Bows toward her, and would under-peep her lids To see the enclosed lights, now canopied Under these windows ; white and azure, lac'd "With blue of heaven's own tinct." And here is Lucretia : — Her lily hand her rosy cheek lies under, Cozening the pillow of a lawful kiss. Who, therefore angry, seems to part in sunder Swelling on either side to want his bliss. Between whose hills her head intombed is ; Where, like a virtuous monument, she lies, To be admir'd of lewd unhallowed eyes. Without the bed her other fair hand was, On the green coverlet ; whose perfect white Show'd like an April daisy on the grass. With pearly sweat, resembling dew of night. Her eyes, like marigolds, had sheath'd their light. And canopied in darkness sweetly lay. Till they might open to adorn the day. The subject has inspired Ovid with a delicacy of description jnusual to him. Those passages in which he describes Lucretia's personal demeanour, are signalized by refined beauty and grace of 36 LUCRETIA. womanhood. The one, for instance, where Collatinus brings the young men to his home, and finds the wife among her women, spinning wool, which is to make a garment for her absent husband. She hastens them at their work, asking news of the war, and half deploring her Collatinus's bravery, which ever leads him into the thickest of the danger. At the thought of his peril, her heart turns cold, and she breaks off, weeping at the image her own fears have conjm-ed up. [" Desinit in lacrymas, intentaque fila remittet. In gremio vultum deposuitque suuni. Hoc ipsnm decuit : lacrymse decuere pudicam ; Et facies animo dignaque parque fuit. Pone metum, venio, conjuxait : ilia revisit ; Deque viri collo, dulce pependit onus.'" [A version of which may be thus ventured : — In tears, she ceased : th' extended threads lie slack ; Her gentle face upon her bosom droops ; Her very grief's a grace : those wifely tears Beam chastity, — that look, her lofty soul. ' Lay by your fear ; I come !' the husband cried : — To joy restor'd, on Collatinus' neck She flung the burthen soft of love and welcome.] And again, in the crisis of her calamity, Ovid thus depicts her helpless innocence : — [" Ilia nihil : neque enim voeem, viresque loquendi Aut aliquid toto pectore mentis habet. Sed tremit, ut quondam stabulis deprensa relictis Parvasubinfestoquumjacet agna lupo : Quid faciat ? Pugnet ? vincetur fcmina pugnet : Clamet ? at in dextra, qui necet, ensis adest : Effugiet ? positis regentur pectoris palmis, Nunc primum externa pectora tacta manu. " LUCRETIA. 37 [She, mute : nor voice, nor power to speak one word; No conscious force throughout her soul pi-evails : But trembling lay, as lambkin stray'd from fold, That falls beneath the fangs of ravening wolf. What do ? Contend ? A woman fails in strife. Cry out ? The sword is there at hand to slay. Escape ? Her bosom's held by ruffian clutch ; That bosom now first soil'd by alien hand.] Lucretia is one of tliose w^meii of wliom little ls known ; and of wliom nothing would be known, were it not for tlie single point in lier fate — its catastrophe. But in that solitary fact, how much is revealed. It shows forth the lustrous chastity, which, but for that remorseless assault, would have been content, like all modest virtue, to remain unasserted, — claiming no merit for its existence, satisfied with its simple possession as a part of woman- hood. Sir Thomas Browne says : — " "Who knows whether the best of men be known ? And among women, such distinction is even more doubtful ; since it is the peculiar privilege of the best womanly virtue to remain untrumpeted." Lucretia's chary regard for honor is no more than that which exists in every woman's heart ; and she, like the rest of her sex worthy the name of women, would gladly have treasured it secretly, instead of being comj)elled to declare it openly, had her destiny so permitted. The writer just quoted, remarks : — " Happy are they whom privacy makes innocent ; and Lucretia would have been happy, had she been able to preserve her innocence privately and quietly. But, indignation that the ideal of vii'tue enthroned within her soul should be desecrated, resentment that her husband's honor should be defiled in her person, and abhorrence of herself when she deemed her purity impaired, drove her from her peaceful silence, and she felt compelled to vindicate her reverence for conjugal chastity, by an act that at once immortalized her wrongs, and her own keen sense of them. 38 LUCRETIA. Wten we consider the age in wliicli Lucretia lived, — live centuries before Christianity had shed its elevating influence upon the world, — the dehcacy of her character, and the refinement of her conduct, strike us as pre-eminently beautiful. In times when rapine and violence of all kinds were mercilessly enacted, when the forcible and treacherous seizure of the Sabine women formed but one signal instance among many a similar act of outrage committed during incessant wars and sackings of cities, — the noble self-respect of Lucretia wears an aspect of singular dignity. The sense she entertained of her injury, the mode in which she sent for her husband and father to reveal it to them, and the self-immola- tion with which she expiated the dishonour they had sustained, all bespeak a sentiment and refined com'se of action rare indeed in those periods. And yet, the way in which Lucretia's memory has been more than once dealt with, affords a lamentable instance of the strange misconception, and unjust misconstruction from which the fairest and purest of humanity have not been exempt. It might be thouscht that the chaste rectitude of this virtuous-hearted woman, must have ensm-ed its own clear comprehension, and honest representation ; but on the contrary, her conduct has been both misinterpreted and mis-stated. St. Augustin, and others, have not scrupled to assail Lucretia with indecent sneers; making her a butt for the shafts they level at paganism, in her person. Well may Bayle indignantly observe : — " The reflections cast upon Lucretia by some writers, are not only tasteless jests, but frivolous quibbles of sophistry. Her yielding to Tarquin, when he threat- ened to kill the slave and place him beside her dead body, has been twisted into an accusation that she pi-eferred maintaining the semblance of wtue, to preserving vii-tue, that she sacrificed honor for the sake of keeping reputation, and that good name was dearer to her than chastity itself. Her self-inflicted death, too, has been LUCRETIA. 39 treated as a crime, — judging it by quite otlier standards of religion and morality than those which regulated men's belief in the time of Lucretia. It seems impossible that such distorted views of her character and behaviour could be other than wilful misappre- hension. Surely, for the terrible fear that took possession of Lucretia, when no dread of immediate death to herself could subdue her firmness of resistance, there might be found a far more powerful motive than the merely selfish anxiety for reputation. It was her pang of conviction that she must live dishonom-ed in her husband's belief, — that he would have no chance of leai-ninaf the truth, — that he would never know in what unbroken faith and love to him she had died, that she would be found in in such plight as left no possibility of CoUatrnus thinking her innocent, — which deprived her of all power longer to resist. She could not — no chaste wife could — afford to dwell in a husband's remembrance a thing so fallen. Rather trust to his generous confidence in the unswerving fidelity of her spirit, while revealing to him the loathed subjugation of her too-weak frame ; and avenge for him, by her own death, the destruction of his peace and honor. The way in which her father and husband both received the account of the cruel event she had to relate, shows the esteem in which her single-minded character was held by them, and the thorough reliance they had upon her known unspotted truth. They were the first to assure her that she was innocent in their eyes ; they knew her pure heart, and fii'm faith. Upon her avowal, they felt at once — ^knowing her virtue and strong love for them — that she could not have voluntarily yielded ; and that she must have been a mere passive victim of brute violence. They had no unworthy suspicions of the integrity of her motives ; they knew it was honour, — honour itself, — and reputation as part of hon- our, that were dear to her, for their sakes even more than for her 40 LUCRETIA. own ; and posterity Has noriglit to judge this noble-spirited woman less candidly than those manly hearts who knew, loved, trusted, and lost her. To sully the glory of Lucretia with scurril insinuations, is to act the Tarquin by her memory. Lucretia ought not to be despoiled of the radiant crown of chastity which encircles her white brow in the thoughts of succeeding generations. i*6 / W £m^g^s»^g^i ASTASIA. The great characteristic of Aspasia was intellect. Her powers of mind permitted ter to take rank among men ; and she used her qualities of womanhood but as a means to bring her into men's companionship. She lived among men, she thought with men ; she was a man herself, in every particular but those attractions of her sex which gave her additional influence in winning men to share their intellect, their confidence, and their liking with her. At a time when much social license prevailed in the ties ap- pointed to sanctify the intercourse between men and women, and when, also, much social injustice prevailed in the legal disabilities to which foreign -born women were subject in Athens, it is hardly to be wondered at, if considerable latitude in morals obtained among the women of that period. A native of Ionia, Aspasia par- took of the soft Asiatic temperament ; which, blended with her virile mind, made her view with masculine indifference those re- straints of inclination which generally form an integral part of womanhood. Her youth was as devoid of strictness as that of the many young men, whose early conduct is leniently spoken of as folly, indiscreet fondness for pleasure, and " sowing wild oats." Aspasia was born in the city of Miletus ; and was the daugh- ter of Axiochus. The year of her bu-th is not recorded, but it 42 ASPASIA. may be placed somewliere about 480 B. C. She adopted as lier model, a certain Thargelia, a celebrated courtezan, whose political and literary talents, combined with personal beauty, had enabled her to ' obtain a position of considerable influence in the state. This Thargelia confined her favours to the highest personages, and chief rulers of her time ; and being not only extremely handsome but possessing the art of allurement in a surpassing degree, she succeeded in establishing an intimacy with the greatest men in Greece, which she converted into a means of winning them to the interests of the king of Persia. Aspasia, with her commandiug intellect, and that defective moral discipline which arose out of the circumstances stated, came to Athens with the intention of cultivating the friendship of those Grecians pre-eminent in genius and intelligence, and associating with them on terms of fi"eedom and equality. The Athenian articles of faith in the philosophy of existence made it almost a duty to luxuriate in life to intoxication. With them, indeed, " to enjoy is to obey," formed a tenet of their social creed ; and fully did they yield it observance. The volup- tuous ease of their rejiasts, — ^reclining on couches as they fed ; the cost, the lavishness, and the exquisiteness of their viands ; the rare- ness of their wines, and the immoderate quantities in which they indulged ; the profusion of flowers and garlands with which they heaped their goblets and themselves at their feasts ; the sensuous appreciation of Art ; and the sensual avidity of pleasure, all mark the Greek desire to taste of life to inebriation. Alcibiades, reel- ing in at the banquet of Plato, attended by flute-players, " crowned with a thick crown of ivy and violets, and having a quantity of fillets on his head, led forward, and placed against the door-post, excessively drunk, and roaring out," excites no disgust in his friends, but is welcomed among them with laughter and delight. Finding no goblet large enough, he takes a wine-cooler, holding ASPASIA. 43 eight cups, lias it filled ; drinks it off ; lias it re-filled; and passes it to Socrates, wlio emjjties the di-aught ; and another of the com- pany observes : — " Shall we then have no conversation or singing over our cups, but drink down stupidly, just as if we were thirsty?" This gusto of debauchery, mixing intelligence with indulgence, and blending sense with gratification of the senses, is peculiarly Greek, and belongs to that Athenian society in which Aspasia figured. Excess, so far from being a reproach, was an accomplishment. It was an evidence of constitutional strength and refinement in taste. At this very Platonic banquet, the major- ity of the revellers remain till cock-crow ; some sleeping on their couches as they lay ; others deep-eugaged in discussion. Aristo- phanes, Agathon, and Socrates " sat it out, and were still drinking out of a great goblet, which they passed round and round ; Socra- tes disputing between them, on the foundations of the tragic and comic Arts being essentially the same." The Cynic and the Stoic philosophers had their teachers and their disciples ; but the Epicurean philosophy ruled in that social assemblage where Asjiasia was the centre of attraction. Her strong natural capacity, and her high acquirements, joined to a fas- cinating manner, made her the admii'ed of all who saw her ; and her house soon became the resort of all the men of note in Athens. Socrates, with his friends, visited her ; and it is said that he was her pupil in the art of eloquence, which she taught. The elegiac poet, Hermesianax, represents Socrates as enamoured of Aspasia ; and says, that, " Venus, avenging herself for his sage austerity, inflamed him with a passion for the gifted Ionian ; so that his profound wisdom occupied itself thenceforth in the frivo- lous cares and anxieties of love. He perpetually invented fresh pretexts for repairing to Aspasia's house ; and he, who had um-av- eUed the truth from the most tortuous sophisms, could not find 44 ASP ASIA. tlie clue to tlie windings of Ms own heart." That Socrates was one of her admii-ers, there is no doubt ; he, in common with the host of discerning men who flourished at that period, courted her notice. Alcibiades also was among her guests ; and it is a signifi- cant circumstance, as illustrative of the social code with regard to morals and manners then prevailing in their city, that the Athe- nians who frequented her house brought their wives with them to hear her discourse. She was an accomplished mistress of oratory ; her usual talk was distinguished by noble expressions, and an orig- inal turn of thought. Grand ideas clothed in harmonious lan- guage, was a faculty pertaining to Greek utterance. The conver- sation at Aspasia's was instinct with intelligential beauty ; fine in sentiment, flowing in speech, earnest in opinion, graceful and elo- quent in diction. The ease, combined with refinement, perspica- city, and artistic charm, of the friendly intellectual meetings at her house, were such as to render access to them a coveted privi- lege. Among those who were foremost in availing themselves of this desired gratification was Pericles. He, Hke the rest, was struck with Aspasia's brilliant mental endowments. Himself a fine orator, he perfected his style under her auspices. Himself a governor, he studied government, aided by her enlightened views, and acute penetration. He was one of those men, not afraid to believe that his own manly strength of understanding could be yet farther in- vigorated by womanly assistance. Pericles had just one of those natures which, — haughty and reserved with fellow-men, can unbend if it discover a congenial-minded woman ; and which, with large liberality, not only generously receives this feminine sympathy, but generously yields it full measui-e of acknowledgment. Pericles eagerly sought the support which he felt that his vigorous intellect attained in the opinions and counsels of Aspasia ; he gladly availed ASPASIA. 45 himself of tlie energetic firmness wliicli her woman's spii-it added to his robust judgment. The female mind has frequently a keen- ness in perception, and an almost instinctive quickness of foresight, which, consociated with masculine calmness and staidness of wis- dom, forms an all-potent combination of intellectual might. Peri- cles, from perceiving this point of reliance afforded him by Aspasia's mental capacity, grew to lean upon it with that pleasant feeling of security, which, in such a man's breast, produces increased liking. A merely clever man, upon discovering that a woman assists his judgment, resents her ability, and dislikes herself; a man of high mind and true genius, becomes attached in proportion as he finds corresponding qualities in the woman he prefers. Pericles, — while seeking the society of Aspasia, as a brilliant and accomplished person who could enliven his social hours with her wit and information, improve his intellectual hours by her powers of oratory and knowledge of governmental and state affairs, and beguUe his hours of recreation by her taste in Art, and per- sonal fascination, — learned to love her for herself. His love became confirmed and genuine ; it became that higher kind of attachment, founded on esteem for individual qualities, and in- creased into passionate and exclusive preference, which is not content with mere casual connection, but which desires the bonds of wedded union to ensm-e its permanence. Plato says : — " They who are inspii-ed by this divinity (the Uranian Venus) seek the affections of those who are endowed by nature with greater excel- lence and vigour both of body and mind. And it is easy to distin- guish those who especially exist under the influence of this power, by their choosing in early youth, as the objects of theii* love, those in whom the intellectual faculties have begun to develope. For they who begin to love in this manner, seem to me to be preparing to pass then* whole Hfe together in community of good and evil, and 46 ASTASIA. not ever lightly deceiving those wlio love them, to be faithless to their vows." The love of Pericles for Aspasia, springing from this blended predilection for her accomphshed intellect, and affection for her attractive graces, could no longer be satisfied with possessing her as the occasional companion of his lighter moments ; he wished to make her his own for life, — to have her constantly by his side, durina: the remainder of his existence. He had been married to a kinswoman, a widow, formerly the wife of Hipponicus, by whom she had one child, named Callias; but neither Pericles nor she caring for each other, they mutually agreed to be divorced, and they wei'e thus set free. Pericles gave her, by her own wish, to another husband ; and he himself immediately espoused the woman of his choice, Aspasia. Plutarch records, in his " Life of Pericles," that, so dearly loved was Aspasia by Pericles, that he never went out, or returned home, without saluting her with a kiss. The biographer adds, that this conjugal caress brought many sneers from the comedy-writers of the time, who were mighty facetious, and even scm-rilous, upon it. But Pericles, like all great men, had many enemies, and they would not let slip any occasion of wounding one, whom they dared not attack directly, thi'ough the person of those dear to him. This recorded act of the husband, attesting the continuance and quiet fulness of his joy in her whom he had made his wedded partner, is a comprehensive answer to the malignant attacks upon Aspasia's character, which the comic-writers of the time took delight in showering upon her. There is not the slightest ground for believing that she failed in the most perfect truth and faith to Pericles, when once she became his. And, moreover, there is upon record a sentence of hers (quoted as related by JEschines, a disciple of Socrates), which gives evidence of her possessing a true insight ASPASIA. 47 into wliat constitutes the fit basis for married union. On an occa- sion wlien Aspasia was seeking to effect a reconciliation between Xenoj^lion and liis wife, she wound up her exordium by tMs argu- ment : — " From tlie moment that you have answered to yourself this question, that there is not upon earth a better man or more loveable woman, learn to recognize and enjoy this happiness which is mutually allotted yours, — you, to be husband to the best of women, you, to be wife to the best of men." Had Aspasia been a gross, or depraved woman, she could never have inspired the rehant fondness, — even the tenderly calm and confiding attachment, of which Pericles' behaviour to her gives evidence. But his own character was j)recisely one to provoke the hostile feeling of inferior natures. His commanding abilities cre- ated envy even while they inspired respect ; and his proud sjiirit awakened resentment while compelhng involuntary allegiance. The whole man is visible to us, in Plutarch's animated account of hiin. The description of his manner is precisely that of a haugh- tily self-concentrated disposition — exteriorly sedate from inward elevation. Thus : " He grew not only to have a great mind and an eloquent tongue, without any affectation, or gross country terms ; but to a certain modest countenance that scantly smiled, very sober in his gait, having a kind of sound in his voice that he never lost nor altered ; and was of very honest behaviour ; never troubled in his talk for any thing that crossed him, and many other such Hke things, as all that saw in him, and considered them, could but wonder at him." The anecdotes related of Pericles are equally characteristic. We are told how, once, some idle fellow took it into his head to rail at Pei'icles in the market-place, reviling him to his face, and following him up and down during the whole day with the most villainous words he could use. Pericles took all quietly, answered 48 A S P A S I A . him no word, despatclied sucli mattei's of business as he had in hand, until nightfall ; when he went composedly home, showing no appearance of being disturbed in the least, though the fellow still followed at his heels, with abuse and open defamation. When he came to his own door, it was quite dark ; and his people ap- pearing, he commanded one of them to take a torch, and attend the man home to his house. This mute sarcasm, so coolly contemptuous in its dignified calm, is completely the haughty spuit. His reply too, when the people complained that he consumed too much of the public treasure in works of art ; he said : — " Well then, the charges shall be mine, if you think fit, and none of yours ; provided, however, that no man's name be written upon the works but mine alone." Pericles in his lofty scorn of the commonalty while providing for their advantage, is like Coriolanus's superb disdain of what he calls " our musty superfluity ;" while, the way in which Pericles showed himself superior to greed, venahty, and corruption, recalls Brutus's indignant remonstrance against Cassius's having betrayed the mercenariness of " an itching palm." " What ! shall one of us, That struck the foremost man of all this world, But for supporting robbers ; shall we now Contaminate our fingers with base bribes ? And sell the mighty space of our large honours For so much trash, as may be grasped thus ? — I'd rather be a dog, and bay the moon, Than such a Roman." Not only was Pericles inaccessible to bribery, but he never in- creased his own patrimony by so much as a single groat ; although he em-iched the city by his excellent management, and brought it to a high state of wealth and greatness. In the economy of his own estate and household, he practised admirable thrift and hus- ASPASIA. 49 bandry ; so that, altliongb. liis prudence brouglit upon him the imputation of being illiberal in outlay, from those who were ever on the watch to malign his acts, yet it ensnred him a well-ordered establishment, with easy, and even affluent circumstances. This wise strictness enabled him to be beneficently charitable to the poor, and munificently generous to those less provident than him- self; for when his dearest friend, Anaxagoras, having been careless in exj^enditure, fell into distress, Pericles hastened to him, and con- jured him to accept of help, with an earnestness and delicacy of representation, — as if the favour were done to himself and not to his friend, — that is in perfect keeping with the character of the noble-spirited man. Pericles' love of Art, and energetic promotion of its cultivation among the people, is one of the points which evinces where the sympathy and assistance of such a wife as Aspasia would be in- valuable to him. He ordered public entertaiaments for the gratifi- cation of the populace ; and instituted games, wherein music had a predominant share ; he appointed certain feast-days for their cele- bration, presided at them himself, adjudged the rewards to the most deserving among the performers, and provided for the future continuance of these refining pastimes. He was a patron of the renowned sculptor, Phidias ; whom he employed in designing and constructing the image of the goddess Minerva, which was cast in brass, and covered with gold. He erected magnificent buildings on the Acropolis ; thus supplying the artisans with constant work, and introducing a higher taste among them. He placed theatrical representations within the power of the poorer orders to enjoy, and gave them at once a source of instruction, recreation, and en- nobliug ideas. He was like the king of a republic ; and enacted the part of a monarch in a commonwealth. He was potent from force of 7 50 AS P AS I A. enligliteument, and not from arbitrary dictation. He i^revaUed by dint of natural suj)eriority, not by tyranny. He was only a des- pot in so far as a commanding judgment, and a will capable of carrying out its wise conceptions, its virtuous aims, and its benefi- cial purposes act despotically ; tbat is, from the despotism of in- evitable result, and not from the despotism of irresponsible do- minion. Such judgment and will as those of Pericles, operate upon his country and his age, almost independently of their posses- sor's intentions, — out of their own intrinsic necessity to produce important and lasting effects. He was gifted with a prevision of comprehension gi'eatly in advance of his time, — a sure mark of original genius. He was singularly free from superstition ; and viewed with the calmness of a superior mind, those portents which dismayed the ignorant. He was versed in Natural Philosophy ; which, as Plutarch nobly says, " yielding a knowledge of the causes and reasons of such ominous signs, instead of a fearful superstition, brings true religion, with assured hope of goodness." The anec- dote of Pericles and the solar eclipse, is an illustrative case in point. A certain expedition being afoot, his men were shipped, and the vessel about to saU, when suddenly there was a great eclipse of the sun ; the day was very dark, so that the army were stricken with a universal panic, dreading some overwhelming mis- chance was about to befal them, from the threatening of this evil token. Pericles, seeing the master of his galley stand amazed, as if not knowing what to do, cast his cloak over the man's face, and hid his eyes, asking him whether he thought that any harm or not. The master answering that he thought it none, Pericles said : — " There is no difference between this and that ; saving that the body which maketh the darkness, is greater than my cloak which hideth thine eyes." Another instance of Pericles' enhglitened mind, is his abhor- A S P A S I A . 51 rence of the cruelties of war. When he was chosen general of the Athenian army, he was much esteemed, because he ever paid regard to the safety of his soldiers. By his own good-will he would never hazard a battle, which he saw might have doubtful issue, or incm- much loss of life ; and moreover, he never praised, as good generalship, those actions, in which victory was obtained by great peril of the men ; since he often said, that, " if none but himself led them to the shambles, they would be immortal." This aversion from bloodshed caused him comfortins: reflection in his last moments ; for when those standing about his death-bed enumerated his noble acts, and counted up the number of victories he had won when general of the Athenian armies, amounting to nine foughten battles crowned with success to his country, he told the speakers that he " wondered they should so highly praise him for what many other captains had achieved as well, while they for- got to mention the best and most note-worthy thing he had done ; which was, that no Athenian had ever worn a black gown through his occasion." This rejoicing of the dying spii-it that it should be free from the stain of blood-guiltiness, and the exulting of the con- science at having no such haunting memory to oppress it with a sense of crime, is in accordance with the true essence of Christian- ity ; and affords a lesson, fi'om heathen example, that many a pro- fessed Chi'istian might advantageously take home to his bosom. The wai'mth that Pericles showed in his friendship is consist- ent with that peculiar concentration, — a combination of fervom' with reserve — which characteri^ied him. His attachments were few and exclusive, but they were intense. The regard which he had for Anaxagoras was strong and steadfast. It was from this serene-hearted philosopher, that he imbibed those habits of self- -controul, and sedate demeanour, which enabled him to maintain so tranquil a countenance in the midst of insult and vexation : — it 52 A S P A S I A . was from liiiu, too, that Pericles drew those lessons in Natural Pliilosojihy wMcli rendered liim impassive to the superstitions of his time. That Auaxagoras fully deserved the esteem of Pericles, we know, — ^if it were but for those two beautiful incidents recorded in the life of the philosopher. Fu'st ; that when he was informed the Athenians had condemned him to die, his quiet reply was : — " And Nature them." Second ; that when asked what he would have done in commemoration of him, he requested that the children of Athens might have a holiday on the anniversary of his death. The philosophy of Pericles, — a perfectly Greek one, and quite in consonance with the teaching derived from so bland a nature as that of Anaxagoras, — was, that life is a thing to be enjoyed; and death, a thing not to be feared. The most powerful sentiments of such natures as that of Pericles are always jealously guarded from observation; and the firmness with which he bore the majority of trials, — even very severe ones, — makes the single occasions when the strong proud heart gave way to uncontroulable emotion, only the more pathetic. But twice in his life was Pericles known to be betrayed into these gusts of feeling ; and both, were where his most deep-seated affec- tions lay garnered. The picture of the father advancing to the bier on which lay his dead child, and, in the act of placing the customary funeral wreath on the head, the sight of that innocent face struck into marble whiteness and stillness melting him into floods of grief, is painted for us by Plutarch, who after describing some of Pericles' cruellest mortifications, and bitterest troubles, goes on to say : — " But all this did never pull down his coun- tenance, nor any thing abate the greatness of his mind, what mis- fortune soever he had sustained. Neither saw they him weep at any time, nor mourn at the funerals of any of his kinsmen or ASPASIA. 53 friends, but at the death of Paralus, his youngest son ; for the loss of him alone did melt his heart. Yet he did strive to show his natural constancy, and to keep his accustomed modesty. But as he would have put a garland of flowers upon his head, sorrow did so pierce his heart when he saw his face, that then he burst out in tears and cried amain ; which they never saw him do before all the days of his life." Yet once besides, did the grand, close-held Periclean heart yield itself to the keen throe of anguish at thought of losing what it had taken to its very centre. When Aspasia was accused of heresy, and in danger of banishment or condemnation to death, Pericles pleaded her cause with such passionate teai's and such eloquence of irrepressible grief, that she was saved. The judges could not resist the spectacle of this firm, manly soul wrung to so open a betrayal of its secret workings, and they were moved to acquit her even out of pity and compassion to him. The mere sight of the effect which the dread of her loss produced upon a man like Pericles, was, of itself, a subtle evidence of her worth. To behold " One, whose subdu'd eyes, Albeit unused to the melting mood ' Drop tears ns fast as the Arabian trees Their medicinal gum," awakes profoundest sympathy ; and might well bespeak the value of the woman, for whose sake tears so rare gushed forth. Aspasia, with her expansive intellect, and her constant associa- tion with a man of such intellectual force as Pericles, was likely to form very decided individual oi^inions ; and individuality of opin- ion constituted heresy among the Greeks. Orthodox belief meant conventional belief ; and persons of strong intellect, Uke Aspasia, can never be contented with mere conventionality in creed. She 54 ASPASIA. was accused of not believing in the gods ; because slie entertained lier own peculiar and higher \dews of their attributes than vulgar believers could compass. But the herd resent peculiarity in faith, as a tacit reproof to their own generalizing and easy subscription to appointed faith ; and they stigmatize distinct belief as unbelief: — the herd dislike enlarged faith as reflection upon their narrow %aews and circumscribed capacity, and call a more exalted faith, want of faith. To the capacious mind of Aspasia, it is probable that the established forms of Greek worshiji, — the offerings of doves to Venus, the libations to Bacchus, the sacrifices to Jove, the ideas respecting Tartarus, the insjjection of entrails by augurs, the interpretation of signs and omens, and the presiding influence of Ceres, Juno, Pallas, or Neptune in their respectively assigned tutelages, seemed insufficient, and perhaps impious. She may have felt the then received notions of the Greek divinities to be a falling-short of what she conceived regarding true divinity. So- crates suffered death for just such liberal faith in advance of his time. In vara had the Oracle of Delphos pronounced him to be the wisest of mankind ; when it was discovered that he dared to think differently from others upon the established forms of my- thology, his wisdom was adjudged to be inadequate for the pur- pose of guiding his conscience, and adopting a mode of belief for himself He might be " the wisest of mankind ;" but he was not wise in their way ; and that is ignorance in the eyes of the ignorant. So with Aspasia ; her superior intellect procured her no claim to mould her creed accordiag to her individual perceptions of right and wrong; although, possibly, it appeared to her, offeruig an indignity to what she conceived of true religion, to follow the Pagan worshij) in its generally-received usages. However this may be, certain it is that Aspasia was one of those included in the charge of holding heterodox opinions ; and when the decree went ASPASIA. 55 forth that " Search and enquiry should be made for heretics who did not believe in the gods, and who taught certain new doctrine and opinion touching the operations of things above in the ele- ment," Aspasia was accused at the same time with Anaxagoras. She, as we have seen, was rescued ; but the philosopher was com- pelled to leave Athens. These arraignments of persons so dear to Pericles, were the means taken by those among his envious perse- cutors who dared not assail him more du'ectly, to pierce him through those he loved. Not only did these wasps sting with their utmost venom ; but they befouled the character of her whom they could not vitally injure. They spread the blackest slanders, and insinuated the vilest and most scandalous particulars relative to the conduct of Aspasia ; they charged her with being a party to the basest acts of turpitude, — betraying persons of her own sex to the power of the other, and ministering to Pericles' pleasures by the most abandoned and criminal inveiglement of other women. The absurdity of such a charge against a wife, seems to carry with it its own refutal ; and the cii-cumstauce that his foes fabricated calumnies of a similarly odious nature respecting Phidias, whom Pericles greatly admired and fostered, shows how completely these aspersions had him for the object of their covert attack. Besides the more rank imputations thrown upon Aspasia, the enemies of Pericles accused her of having been instrumental in persuading him to engage in two wars, — both ^prejudicial to the interests of the Athenian people. One of these was the war against the Samians, on behalf of the Milesians ; in order to secure the possession of Priene to Mletus, the birth-place of Aspasia. The other was the hostility against the Megarians, by which Pericles was said to have involved the people in a quarrel, more from personal causes, which concerned Aspasia's wrath at the forcible 56 A S P A S I A. abduction of two of her attendants by some Megariaus, than for patriotic need. But from the first charge Aspasia is absolved by the tacit evidence of Thucydides ; who in his brief account of the Samian war, gives no ground for beheving that her influence was used in the matter ; allegrag, that it arose out of an applica- tion on the part of the IMUesians to Athens to give a more democratic form to the Samian government. From the second charge she is cleared, by the account in Plutarch, which points out many far more plausible causes for the difiference with the Megarians, than the one brought against Pericles and Aspasia jointly, on the ground of private resentment, by Aristophanes. The latter, in common with other comedy-writers of the period, were peculiarly severe, both upon Pericles, and upon Aspasia. Hermippus, Eupolis, and Cratinus, as well as Aristophanes, were merciless in their venomous attacks. A satu'ist cannot resist a stinging hit ; a comic dramatist cannot forego a telling point, — it is the vitality of their calling. Gravity of deportment, and haughtiness of spirit such as characterized Pericles, were much too fruitful themes for caricature, not to provoke the fleers of humor- ous writers ; while the known former conduct of his wife, Aspasia, afforded a ground for coarse allusion and gross insinuation, greatly too tempting to be resisted by pens whose ink was dyed in gaU, — ^black, and bitter. It is scarcely to be expected that wits like these, who lived by the laughter of the Athenian "groundlings," should withstand the opportunity of making the theatre resound with roars at some broad jest against "the new Omphale," " Dejanira," or " Juno," as they entitled Aspasia ; not refraining from more injurious hints, besides still more open and opprobrious appellations. It is to be noted, that the only recorded unfavour- able representations of Pericles and Aspasia, are to be found in the pages of comic writers of the time ; aU other contemporary ASPASIA. 57 accounts of them, contain nothing that inculpates either husband or wife. The world is incalculably obliged, by having such a woman at the side of such a man. Pericles would not have so finely acted for the advantage of mankiud, had he not been prompted, stimulated, and aided by Aspasia. Such a qualitied helpmate developes a man's faculties, and perfects his genius. She is perhaps even more valuable thus, acting througli liim, than had she been more j)alpably great in herself. Her intellect operating in enhancement of his, produces probably a larger amount of gained benefit to the world, than had each stood alone, — he, Pericles, such as he was before he knew her, and would have been without ever having had her at all ; — and she, a woman self-distinguished, and self-renowned. A woman's intellect, however high, as mani- fested by its agency upon that of a superior man, must always be more advantageous in result to humanity, than when exercised solely of its own individual power. It doubles itself, it augments his ; and a multiphed emanation of intellectual enlightenment accrues to their fellow-creatures in consequence. Plato bears witness to the fact of its being Aspasia to whom Pericles was indebted for his mastery as an orator. It is in the " Menexenus " of Plato that we find this testimony ; and it is put into the mouth of Socrates, who is one of the speakers in the dialogue, saying : — " My mistress in the art of oratory was perfect in the science which she taught, and had formed many other excellent orators, and one ofthe most eminent among the Greeks, — Pericles, the son of Xantippus." In an age when oratory was one of the most active means of guiding public opinion, of teaching the commonalty, and swaying men's minds, it was to place the mightiest sceptre within a ruler's grasp, to gift him with pre- eminent powers of oration. The natural faculty of Pericles, was 58 ASPASIA. cultivated into tlie highest perfection ; and the speech which he delivered at the close of. the first campaign of the Peloponnesian war stands renowned as the most consummate in excellence of all the compositions of the kind of antiquity. It was an oration upon those who had fallen in the war, as he had delivered a discourse previously at the close of the Samian war, and as it was then the custom so to address the poi:)ulace on public occasions of the kind. From this great speech may be gathered what Pericles considered to be the character of a good citizen, — thus instructing his hearers in their duties ; and how he placed in strong contrast the Spartan, with the Athenian method of bringing up members of the state, — thus inducing emulation, and exciting noble consciousness. It is said to be impossible to do justice to this magnificent oration of Pericles, by any attempt to render it into a modern language ; but that it more completely reveals the intellectual power and moral character of the man, than all that the historians and biograjjhers have said of him. It is asserted that the form in which the great orator and statesman has here embodied his lofty conceptions, is beauty chastened and elevated by a noble severity. Athens and Athenians are the objects which his aml>ition seeks to immortalize, and the whole world is the theatre of their glorious exploits. In this matchless speech of Pericles, Aspasia's oratorical powers shine with reflected glory ; — she having been (as already observed) the instructress who instilled the forms of eloquence and the woman who helped to inspire and develope the thoughts which combine to render it so transcendently great. But it is recorded that her own speeches were remarkable specimens of oratory. Plato, in his " Menexenus," introduces a funeral oration as Aspasia's ; and it is therefore just to conclude that she excelled in pronouncing such discourses. Socrates eulogizes Aspasia's A S P A S I A . 59 funeral oration, while declaring her to have been his own instructress in the art of rhetoric. Aspasia was so famed in fascination, that Cyi'us gave her name to his favourite, the daughter of Hermotimus of Phocsea ; who had before been called MUto, — vermilion, — on account of the beauty of her complexion. The name of Aspasia passed almost into a synonyme for accomplished attraction, and charm of en- dowment. It was not so much for personal beauty, as for grace of expression, for conversational powers, for skill hi all intellectual attainments, that Aspasia was especially noted. In her, in- tellect outshone all else ; it seemed to spread around her so dazzling a hght, that her moral qualities were obscured by its glare. Her affections seemed merged in her mental faculties ; and as if she could only feel preference, where they found scope for their exercise. After the death of Pericles, it is said, — on the authority of ^schines, — that she formed an attachment for Lysicles, a man of mean extraction, of low calling, and of clownish natm-e ; and who, from being but a grazier, grew to be the chief man in Athens, owing to his frequenting the company of Aspasia. That she chose so unpromising an object for her precepts, seems only to be accounted for, by believing it to have been a caprice of conscious intellect, resolved to test to the utmost its power ; — and which must have approached the mii-aculous, if it succeeded in convert- ing a boor into a rider. The combination of moral and mental excellence in a woman, — and the fact of her womanhood, generally operates to make the moral preponderate, — is the prefection of womanly character; Ijut it is to be believed, that Aspasia can be cited among the "World's-noted Women, only as strictly and exclusively the woman of Intellect. CLEOPATRA. Cleopatea was the grandest coquette that ever lived. Csesars were lier fit slaves, for slie had imperial powers of captivatiou. She was a gorgeous personification of feminine fascination, — of be- witching womanhood in regal magnificence. She used her female graces as enhancements to her queenly state ; and made her power of pleasing, a crown to her royal power. She was born a princess, reigned a queen, won an emperor, swayed a hero, and defeated a conqueror ; while her personal blandishments live, in the imagina- tion of posterity, as far outweighing the facts of her fortune. We think of her as the queen of enslavers, more than as queen of Egypt. She stands conspicuous to fancy in might of allurement. The story of her life tells the tale of her supremacy in the art of subduing. She was born about the year 69 B. C, and was the daughter of Ptolemy Auletes, king of Egypt, by whose will she and her elder brother were appointed joint successors to the crown. This partnership in reigning led to endless dissensions, which at length resulted in such fraternal tyi-anny that Cleopatra held herself aloof until she could eftectually make good her claim to an equal share of regal power, and establish herself firmly on the throne. Hearing that Julius Csesar had come to Alexandria, 62 CLEOPATRA. and, — since Pompey was slain, — intended settling tlie dispute between her brother and herself, she resolved to gain over the arbitrator to her interest beforehand, and so secure a favourable decision. Confident in her seductive powers, if once she could procure access to him, she contrived to compass this by a plan bold as it was successful. The incident is quaintly related in North's Plutarch ; where the antiquated diction wonderfully well suits with the old-world narrative. These are Sii* Thomas North's words: — "She, only taking ApoUodorus of all her friends, took a little boat, and went away with him in it in the night, and came and landed hard by the foot of the castle. Then, having no other mean to come into the court without being known, she laid her- self down upon a mattress, or flock-bed, which ApoUodorus, her friend, tied and bound uj) together like a bundle with a great leather thong ; and so took her upon his back, and brought her thus hampered in this fardel unto Caesar in at the castle gate. This was the first occasion (as it is reported) that made Caesar to love her ; but afterwards, when he saw her sweet conversation and pleasant entertainment, he fell then in farther liking with her, and did reconcile her again unto her brother the king, with condition that they two should jointly reign together." This decision of Caesar's ill pleased the prince ; who rebelled against it, and attempted — first by treason, and then by declared warfare, — to rid himself of his sister's powerful supporter; but Julius defeated the plot, vanquished the army, routed the king, (who, some accounts say, was drowned in the Nile,) and constitu- ted Cleopatra queen of Egypt. She l)ore a son to Caesar, named Caesarion ; and when the father returned to Rome, Cleopatra fol- lowed him thither. Julius here recei\ ed her ; treating her with such marks of fond adulation— among others, placing her statue in gold by the side of that of Venus— that it gave umbrage to CLEOPATRA. 63 the Komans. TLis life slie continued to lead ; and remained witli Julius Caesar until Lis death by assassination. Ui^on this latter event, Cleopatra hastily quitted Italy, and re- tui'ned to Egypt ; which precii^itate retreat, afterwards drew upon her the suspicion of having aided the chief consj^irators, Brutus and Cassius, in their war against Octavius and Antony. It was with the avowed intention of examining into her conduct upon this occasion, that Marc Antony, while going to do battle with the Parthians, sent messengers to summon Cleopatra to appear before him and answer the accusations brought against her. She, — who as an unripe girl, in her " sallet days, when green in judgment," had won " the mightiest Julius " to her will, — was no- wise doubtful, now, in the very flower of womanhood, of gaining her way with Antony, She addressed herself to her pui'pose with equal dexterity and subtlety ; but adopted wholly different means. Whereas before, she had had herself conveyed surreptitiously into Caesar's presence and laid at his very foot, as the surest way to his arms ; she this time shone forth in broad noon-day splendour, and plenitude of conscious attractions, sweeping openly and tiiunqDh- antly to take possession of Marc Antony's heart and senses at once and for ever, as her own rightful conquest. This scene also, shall be given from Plutarch, that the reader may perceive how closely both Shakespeare and Dryden have rendered the picture in theii* verse ; and also because the passage presents most charac- teristic touches of Cleopatra's self: " She furnished herself with a world of gifts, store of gold and silver, and of riches, and other sumptuous ornaments, as is credible enough she might bring from so great a house, and from so wealthy and rich a realm as Egypt was. But yet she carried nothing with her wherein she trusted more than in herself, and in the charms and enchantment of her passing beauty and grace. Therefore, 64 CLEOPATRA. wLeu she was sent unto by divers letters, both from Antonius himself, and also from his friends, she made so light of it, and mocked Antonius so much, that she disdained to set forward otherwise, but to take her barge in the river of Cydnus ; the poop whereof was of gold, the saUs of purple, and the oars of silver, which kept stroke in rowing after the sound of the music of flutes, hautboys, citherns, viols, and such other instruments as they played upon in the barge. And now for the person of herself: she was laid under a pavilion of cloth of gold tissue, attired like the goddess Venus, commonly drawn in picture ; and hard by her, on either hand of her, pretty, fair boys, appareled as painters do set forth god Cupid, with little fans in their hands, with the which they fanned wind upon her. Her ladies and gentlewomen, the faii*est of them, were appareled like the nymphs, nereids (which are the mermaids of the waters), and graces ; some steering the helm, others tending the tackle and ropes of the barge, out of the which there came a wonderful passing sweet savour of perfumes, that perfumed the wharf's side, pestered with innumerable multitudes of people. Some of them followed the barge all along the river side ; others also ran out of the city to see her coming in : so that, in the end, there ran such multitudes of people one after another to see her, that Antonius was left almost alone in the market-place, in his imperial seat to give audience." There was the first step in advantage gained by Cleopatra over Antony. The summoning judge, the intended enquirer into her behaviour, reduced to solitary state, — left there well-nigh l)y himself, to abide her coming. The account goes on to say : — " When Cleopatra landed, Antonius sent to invite her to supper with him. But she sent him word again, he should do better to come and sup with her. Antonius, therefore, to show himself courteous unto her at her arrival, was contented to obey hei', and went to supper with her ; CLEOPATRA. 65 where he found such passing sumptuous fare, that no tongue can express it." Step the second; his invitation set aside, hers accei:)ted, and the delinquent, instead of being the entertained of the judge, becoming his entertainer. " The nest night, Antonius feasting her, contended to pass her in magnificence and fineness ; but she overcame him in both. So that he himself began to scorn the gross service of his house, in respect of Cleopatra's sumptuous- ness and fineness. And when Cleopatra found Antonius' feasts to be but gi'oss and soldier-like, in plain manner, she gave it him finely, and without fear taunted him thoroughly." Here was she already installed as rater of his conduct, instead of rendering him an account of hers; and established upon easy terms, of playful intimacy, rallying, jesting, giving rival repasts,' — in short, drawing him completely within the spell of her witchery. All the historical traditions of Cleopatra agree m stating that she was not surpassingly handsome ; not remarkable for beauty, — ^linear beauty ; and this is borne out by the medals extant of her. But every recorded cii'cumstance tends to confirm the fact, that she possessed a matchless and inexpressible charm of face and person ; with incomparable grace in manner and discourse. We are told that she was not so strikingly beautiful as at first view to enamour men ; but so sweet was her company and conversation, that a man could not possibly but be taken." Her demeanour is described as irresistibly engaging ; courteous, sweet, sportive, and varied. " Fm-thermore," says Plutarch, "her voice and words were marvellous pleasant ; for her tongue was an instrument of music, the which she easily tuned into any language that pleased her." She is said to have spoken with few people by interpreter ; having a knowledge of several dialects, besides being perfect mistress of her own, — ^which latter was not uniformly the case with her royal Egyptian progenitors. This command of language 9 G6 CLEOPATRA. was one main instrument, in the power slie exercised over men's minds. Her oriental taste for magnificence, too, combined with tlie refinement and cultivation slie acquired in her relations with Greece, concurred to render her all-potent in seductive accom- plishment. It was upon occasion of one of the rival repasts above alluded to between herself and Antony, on the banks of the Cydnus, that Cleopatra committed the weU-known piece of lavish wilfulness, — dissolving the pearl in the goblet at a banquet. Pliny recounts the anecdote ; and says that Cleopatra, being desirous of proving to her lover that she could surpass him in magnificence, layed a wager with him that she would expend as much 'as ten millions of sesterces at a single feast. Antony thought the thing impossible, and defied her to do it. She unfastened from her ears two pearls of enormous size, caused a cup fiUed with vine- gar to be brought, dissolved therein one of these pearls, and swallowed the draught. She was about to sacrifice the other pearl ; when Plaucus, — the umpire of the wager,^took possession of it, declaring that Antony had lost. This second pearl was pre- served with care, and brought to Rome after the death of Cleopatra; it was then divided in two, and placed in the ears of the statue of Venus, at the Pantheon. The latter circumstance proves both the size and worth of the gem ; which probably Dryden had in his mind when, — alluding to Cleopatra's jewels, — ^he wrote the line : — " Each pendant in her ear shall be a province." Antony, wholly given up to his passion for Cleopatra, forsook his warlike enterprise with the Parthians, neglected his affairs with Cpesar at home, left his wife Fulvia to promote as she best might their interests abroad, and accompanied the Queen of Egypt to Alexandria. Again the story is best told in Plutarch's words ; which not only depict vividly the facts, but supply curious CLEOPATRA. 67 anecdotical particulars, known to Mm by direct family narration. It imparts a singularly real and emphatic effect, to have the his- torian quoting his own relation's description of the occurrence ; and the fanuliar style in which the thing is told heightens the pleasant au' of eye-witness truth we are made to feel in viewing Antony and Cleopatra's mode of life together at this period. He says : — " Antonius yielded himself to go with Cleopatra imto Alexandria, where he spent and lost in childish sports and idle pastimes, the most precious thing a man can spend (as Antiphon says), and that is, Time. For they made an order between them, which they called Amimetobion (as much as to say, no life comparable and matchable with it), one feasting each other by turns, and in cost exceeding aU measure and reason. And for proof hereof, I have heard my grandfather, Lampryas, report, that one Philotas, a physician, born in the city of Amphissa, told him, that he was at that present time in Alexandria, and studied physic ; and that having acquaintance with one of Antonius' cooks, he took him with him to Antonius' house (being a young man desirous to see things), to show him the wonderful sumptuous charge and pre- paration of one only supper. When he was in the kitchen, and saw a world of diversities of meats, and amongst others, eight wUd boars roasted whole, he began to wonder at it, and said : — ' Sure you have a great number of guests to supper.' The cook fell a-laughing, and answered him : — ' No,' (quoth he) ' not many guests, nor above twelve in all ; but yet all that is boUed or roast- ed must be served in whole, or else it would be marred straight ; for Antonius peradventure will sup presently, or it may be a pretty whUe hence, or likely enough he will defer it longer, for that he hath di'unk well to-day, or else hath had some great matters in hand; and therefore we do not dress one supper only, but many suppers, because we are uncertain of the horn" he wUl sup in.'' G8 CLEOPATRA. Cleopatra gave Marc Antony's voluptuous inclinations tlieir fuU bent. She was natui'ally constituted to sliare them ; and her will seconding her temperament, she ministered to them in their utmost extent. Dedicating herself to the task of coiling him se- curely within the folds she had flung around him, the " Serpent of Old NUe" ceased not to fascinate his senses and drowse his thoughts by every device within her power, now that she had him to her- self in Alexandi-ia. Whether in matters of sport, or in affairs of earnest, she still maintained her influence over his ideas ; ever planning fresh delights to have him at her command, never leaving him night nor day, and scarce letting him go out of her sight. She watched to prevent reflection from gaining hold of him ; and the better to ensure this, she promoted his pleasures "and partook in aU his pursuits with the freedom of a man, and the vivacity of a woman. She made herself at once male associate and female com- panion to him, — both comrade and mistress, she became his fellow- reveller. She would play at dice with him, drink with him, hunt with him, and accompany him in whatever exercise or bodily ac- tivity he practised. Sometimes, when he chose to go about the city at night, disguised like a slave, peering into people's windows and shops, brawling with them in their houses, taking and giving both abuse and blows, Cleopatra would be with him in cham- bermaid's array, rambling along the streets at his side. Among the mirthful idlenesses she devised for him, was the one of the ang- ling alluded to in Shakespeare with such admirable dramatic art, in making it conduce to develope appropriate touches of character in the Egyi:)tian queen-coquette, while told with curious fidelity to the original account in Plutarch. " On a time, he went to angle for fish ; and when he could take none, he was as angry as could be, because Cleopatra stood by. Wherefore he secretly commanded the fishermen, that when he cast in his line, they should straight CLEOPATRA. 69 dive under the water, and put a fisli on his hook which they had taken before ; and so snatched up his angling-rod, and brought up a fish twice or thrice. Cleopatra found it straight, yet she seemed not to see it, but wondered at his excellent fishing ; but when she was alone by herself among her own people, she told them how it was, and bade them the next morning to be on the water to see the fishing. Antonius threw in his line, and Cleopatra straight com- manded one of her men to dive under water before Antonius' men, and to put some old salt-fish upon his bait. When he had hung the fish on his hook, Antonius, thinking he had taken a fish indeed, snatched up his line presently. Then they all fell a-laugh- ing. Cleopatra laughing also, said unto him; — 'Leave us Egyp- tians your angling-rod, my lord. This is not thy 2;)rofession ; thou must hunt after conquering of realms and countries.' " The very woman herself is in that little speech ! Winning him to her by playfully bidding him go from her ; and smiling a scoff at conquest of kingdoms as inferior to skill in fishing. The touch, too, of find- ing out the trick at once, yet feigning not to see it, and praising his angling, is precisely the wily Cleopatra. But at length ill news from Rome stirred Antony from his trance, and he tore himself from the enchantress's " strong tod of grace," to return to Italy. He is described as " rousing himself with much ado, as if he had been wakened out of a deep sleep, and as coming out of a great drunkenness." For some time. Marc Antony withstood the temj)tation to trust himself again within the circle of the " great fairy's " magic attrac- tions; but after Fulvia's death, having adjusted the differences that existed between Octavius Caesar and himself, by an alliance with the sister, Octavia, he went to Asia. Arriving in Syria, it seemed as if, once more near to the speU of her sorceries, he could no longer resist its influence ; for he sent messengers to bring Cleo- 70 CLEOPATRA. patra with tlaem to meet him. To welcome her, he heaped gifts of royal domiuiou ; adding to the territories she already possessed, the provinces of Phoenicia, and of lower Syria, the Isle of Cyprus, a great portion of Cilicia, and part of Aratia. These gifts much displeased the Komans ; but even his jDrofuse donations to her, did not so greatly offend them, as the immeasurable honours he paid her. Cleopatra having brought him twins, a son and a daughter, Marc Antony sm'named them the Sun, and the Moon. At a subse- quent period, he caused a silver tribunal to be erected in the public square, with two chairs of gold for their own children, and for CiBsarion, her son by Julius Cissar ; while he proclaimed their several appointed monarchies. Cleojjatra not only wore upon that occasion, but on all occasions when she appeared in public, the attu'es of the goddess Isis, and gave audience to her subjects as Isis in person. When Cleopatra was in Athens, being jealous of the honom's which Octavia had received in that city, she sought to ingratiate herself with the Athenians, by showering gifts ujjon them. They, in return, awarded her high distinctions ; and ap- pointing certain embassadors to carry the decree to her, Antonius, as a citizen of Athens, headed the deputation, and made an oration to her on behalf of the city; Antony was ever foremost in offering her extravagance of homage. The open court he paid her, — ^j^ro- digal as it was, — ^formed only the sincere expression of the feelings he cherished for her. She was the idol of his existence : with her, he was wrapt in joyful fruition ; away from her, he flagged un- satisfied, restless, and but half himself. In Ai-menia, he is described awaiting at a place on the coast Cleopatra's arrival ; — " And be- cause she tarried longer than he would have had her, he pined away for love and sorrow ; so that he was at such a strait that he wist not what to do, and therefore to wear it out, he gave him- self to quaffing and feasting. But he was so drowned with the CLE OP ATRA. Yl love of her, that he could not abide to sit at the table till the feast was ended ; but many times, while others banqueted, he ran to the sea-side to see if she were coming." There is an equally charac- teristic detail of Cleopatra's behaviom*, when di-eading that Octa- via's merits would prevail at length to draw Antony from her society : — " She subtly seemed to languish for the love of Antonius, pining her body for lack of meat. Fm-thermore, she every way so framed her countenance, that when Antonius came to see her, she cast her eyes upon him, like a woman ravished for joy. Straight again when he went from her, she fell a-weeping, looking ruefully on the matter, and still found means that Antonius should often- times find her weeping ; and then when he came suddenly upon her, she made as though she dried her eyes, and turned her face away, as if she were unwilling that he should see her weep." Con- summate coquetry ! Among the munificent presents bestowed by Antony upon Cleopatra, was the famous library eni'iched by Eumenes, at Per- gamus, consisting of above two hundred thousand books. Marc Antony caused it to be conveyed to Alexandria, giving thereby one of the many causes of offence to the Romans, which they so highly resented ; reproaching him with lavishing upon his paramour those treasures of conquest which rightfully should have been brought home to his native city. At length, Octavius Csesar, indignant at the treatment of his sister Octavia by her husband, fomented the people's hatred towards Marc Antony ; whUe Antony, on his side, complained of injustice, and mutual recrimination resulted in declared war be- tween them. Cleopatra gave her royal aid, by furnishing troops, money, and provisions, to assist Antony in levying his army ; but she lent feminine hindrance, by making a point that she should accompany him to the battle, and by counselling that it should 72 CLEOPATRA. take place by sea. Antony's land force exceeded in strength liis sea power ; for his galleys were ill-manned, then" equipage being insufficient in number, as well as raw in discipline ; however, so enthralled was he by "great Egypt's" will, that, he not only yielded himself bliudly to its dictates in thus conducting the action, but when it was lost, he flung himself headlong on her traces, flying when she fled, his vessel following hers, as if literally " his heart to her rudder was tied by the strings, and towed after." The whole account of the expedition strikingly pourtrays the wonted conduct of each. Previously to setting forth, their time was spent in revelry and banqueting ; insomuch that the people exclaimed : — " What can they do more for joy of victory, if they win the battle, when they already make such sumptuous feasts at the beginning of the war ? " While Antony's ship rode at anchor in the harbour, near Actium, awaiting the enemy's approach, Octavius Caesar, advancing, took Toryne, a small town not far distant. Antony's officers were startled, knowing their leader's land force was left behind ; but Cleopatra turned it into occasion for a joke, as the best means of inducing Antony to take it lightly. She made a pun upon the word " Toryne," (which, in the language of the country, signified a ladle, as well as the name of the place), asking, " WTiat danger there could be, from Toryne falling into Caesar's hands ? " And after the battle, when his galley followed her retreating ship, she lifted signals, and waited for him ; but he remained plunged in shame and grief, sitting alone in the prow of the vessel, his face buried in his hands. Three days he remained thus brooding and silent, speaking no word to any one, lost in pro- foundest dejection. But she who had originated his cause of despair, found means to win him from its depths ; and once more cheered him into hope and spirit. He rallied his forces, and went again to meet Octavius Caesar ; but sustained reverse upon reverse. CLEOPATRA. 73 On retui'iiiiig to Alexandria, Marc Antony found Cleopatra busied with a gigantic project, by whicli she hoped to secure a means of escape from the perils of the pending war. This project was no other than an attempt to have her ships transported across the isthmus of Suez, so that she might get her treasure and people conveyed away from the Mediterranean sea to the Southern ocean, whence she might sail for India. She succeeded in sending some of her vessels ; but they were seized and burned by the Arabs. For a time. Marc Antony indulged a gloomy misanthropic mood ; dwelling apart and alone, in a house he built himself down by the sea, in the island of Pharos. But Cleojiatra ceased not till she lured him from his melancholy. She made him give up his solitude, and come to her royal palace; where they once more launched into the full tide of riotous gayety. They now substituted for their previous order of existence, " Amimetobion," (" no life comparable,") another one, which they entitled Synapothanume- non (signifj'ing the order and agreement of those who will die together). This new order was nowise inferior in sumptuous joviality to the first ; but those who were enrolled, pledged them- selves to enjoy hfe in company unto death. The viands had a flavour of the grave in midst of their costly exquisiteness ; and the festive enjoyment was mingled with a desperate sense of mor- tality. This reckless hUarity was as if to cast off the foreshadow- ing of coming fate. Cleopatra studied the natures and effects of various poisons. She watched the different modes of death re- sulting fr(»n the venom of sundry kinds of snakes and adders, to discover those which caused least pain, and rendered dismissal most easy. She buUt near to the temple of Isis, a superb monu- ment, or tomb, of great size and beauty ; where she collected all the treasures and precious objects derived from her royal ances- tors, in gold, silver, emeralds, pearls, ebony, ivory, and cinnamon, 10 74 CLEOPATKA. together with a large number of torclies, faggots, and flax. It seemed as tliougli slie beheld the menace of death, constantly and certainly, before her ; and only meditated which way she could step to meet it with smallest shock to her sensuous nature. Meantime, Octavius Caesar was rapidly and surely gaining ground. Antony succeeded in repulsing him, when he encamped near the city; but this temporary defeat of his enemy, was speedily followed by his own final overthrow. He beheld his men forsake him, and go over to the advancing army; and, behe\dng that Cleopatra had betrayed him, he broke forth into fury against her suspected treachery. She, in terror at his wrath, took refuge in her monument ; and caused the report of her death to be conveyed to him. Marc Antony, overwhelmed with grief at her loss, and reproaching himself with want of manhood for suffering a woman to precede him in encountering death, attempted to stab himself with his own sword. The wound was not immediately mortal, and he prayed those around to despatch him ; but Cleopatra, sending her secretary, Diomedes, to fetch him to her monument, he was con- veyed thither in a dying state. Unwilling to open the gates, she had Marc Antony drawn up by ropes to the window ; herself aid- ing her two women (who were the only persons she had allowed to accompany her into the monument) to raise him. This personal exertion on her part, is actually described : — " It was a hard thing for these women to do, to lift him up ; but Cleopatra stooping down her head, putting too all her strength to her uttermost power, did lift him uj) with much ado, and never let go her hold." She received him in her arms, dried the blood from his face, and poured forth a passion of caresses and lamentings ; but Antony besought her to cease, and listen to his last entreaties. He called for wine ; drank, and then earnestly prayed her to endeavour to save her life, if possible without dishonour, bidding her trust no CLEOPATRA. 75 man about Caesar but Proculeius. Witli all the comforting and encouraging words he could frame to sustain her, he contmued while breath lasted to si^eak to her, and expired, Cleopatra occu- pying his sole thought. Marc Antony was but just dead, when Proculeius arrived, sent by Octavius Caesar ; who, having heard that Antony had killed himself, was anxious lest Cleopatra should destroy herself and her treasure together by setting fire to the monument, and so deprive him of his expected booty, and his hoped-for triumph of leading her as his prisoner to Rome. Cleopatra held parley with Proculeius, but would by no means trust him so far as to admit him into the monu- ment. The emissary said all he could to inspii-e her with confi- dence in Octavius ; and she, with her usual tact, made stipulations that the kingdom of Egypt should devolve upon her sons. Procu- leius assured her that she might securely leave all in Caesar's hands ; and, having made accurate inspection of the place, returned with an account of his interview. Octavius sent again ; instructing his messenger to hold Cleopatra in talk at the gate of the monument, while Proculeius, by means of a ladder, made good his entrance above. One of her women, observing his approach, shrieked out to her royal mistress ; who di*ew a dagger she wore about her, and would have made away with herself. But Proculeius held her hand ; and entreating her to put trust in Caesar, disarmed her. Octavius had her strictly guarded, and watched, that she might not destroy herself ; but in all other respects caused her to be treated with utmost courtesy, while he himself made his entry into Alexandria. Many princes and commanders sent to entreat for Marc Antony's body, that they might give him honourable burial ; but Octavius Caesar would not take it from Cleopatra, whom he permitted to use what treasure she chose in performing the funeral obsequies. She 76 CLEOPATEA. sumptuously and royally buried Antony with her own Lauds ; aud immolated upon his ashes heaps of wealth, — that of her beauty in- cluded, maugling her face and bosom, and abandoning herself to extravagance of grief. Overcome with passionate sorrow, she fell into a fever of dis- traction ; which she rejoiced at, as affording her a pretext for ab- staining from food, and so dying without trouble. She had a phy- sician named Olympus, to whom she confided this intent, in order that he might assist to rid her of life, as he himself recorded in a book he wrote. But Octavius, conjecturing her purpose, by threatening her children with a shameful death if she persevered in starving herself, succeeded in inducing her to take her usual diet, and submit to be cured. Shortly after, Octavius Caesar came himself in person to see her and comfort her. Cleopatra received him lying upon a little low bed, forlorn and disconsolate ; and when she saw him enter, rose up, and cast herself at his feet, just as she was, disrobed and disfigured, her hair in disorder, her face pale and lacerated, her eyes sunk in her head with continual weep- ing, her bosom bearing the marks she had inflicted in her anguish, her voice weak and trembling. In short, her body showed the condition of her mind ; and yet the natural grace and comehness pecuHar to her, gave a charm beyond beauty to the kneeling queen. Caesar raised her from the ground, made her lie down again, and seated himself by her bedside ; whUe Cleopatra entered upon a vindication of her conduct, seeking to excuse and clear herself from blame. Octa^sdus, in his calm cold way, refuted every point she advanced. Then she suddenly altered her speech, and besought his clemency; as though she feared death, and were anxious to live. Next, she gave him a written memorial of all the ready money and treasure she had. But there chanced to be present, Seleucus, one of her treasurers ; who, to evince his probity, CLEOPATRA. 77 stated that Cleopatra Lad uot inserted all, but had kept many things back on purpose. This so enraged Cleopatra, that she flew upon him, seized him by the hau* of his head, and soundly boxed his ears. Caesar was highly amused, and rescued the man. Upon which, Cleopatra took a deprecatory tone ; said it was hard that when Caesar took the pains to come to her, and so honoured her, her own servants should accuse her to him ; that she had but re- served some few jewels and woman's trifles, uot for herself, — not to deck her unhappy self withal, — but intending them as presents for Octavia and Livia, that they might intercede with Csesar for favour and mercy. Caesar, pleased to hear her say this, which looked like a desire to save her life, spoke encouragingly to her, assured her of his protection, and promised to use her more hon- ourably and bountifully than she had any idea of, and took leave, imagining that he had successfully imposed upon her credulity, and taught her to trust in his good faith. But he little knew Cleopatra. She had deluded him ; not he, her. The passionless Octavius might be unassailable by the witchery of Cleopatra ; but he was not proof against her practised skill in winding men's judg- ments as she wished. She could not subjugate his senses ; but she beguiled his sense into construing dropped hints as she intended. Cleopatra took advantage of the professions Octavius Caesar had made her, by sending to request that he would allow her to offer the last oblations of the dead to the soul of Antony ; and secretly resolved to defeat Octavius's projected triumph, by her own death. The narrative is so eloquently told in Plutarch, that he shall be again quoted : — " She was carried to the jilace where his tomb was, and there falling down on her knees, embracing it, the tears running down her cheeks, she said : — ' O my dear lord, Antonius, it is not long since I buried thee here, being a free wo- man ; and now I offer unto thee the funeral sprinklings and obla- 78 CLEOPATRA. tions, being a captive and prisoner ; and yet I am forbidden and kept from tearing and murtliering this captive body of mine with blows, which they carefully guard and keep, only to triumph of thee. Look therefore henceforth for no other honours, oflferings, nor sacrifices from me ; for these are the last which Cleopatra can give thee, since now they carry her away. Whilst we lived to- gether, nothing could sever our company ; but now at our death, I fear me they will make us change our countries. For as thou, being a Roman, hast been buried in Egypt, even so, wretched crea- tm-e, I, an Egyptian, shall be buried in Italy, which shall be all the good that I have received by thy country. If therefore, the gods where thou art now have any power and authority, since our gods here have forsaken us, suffer not thy true friend and lover to be carried away alive, that in me they triumph of thee ; but re- ceive me with thee, and let me be buried in one self tomb with thee. For though my griefs and miseries be infinite, yet none hath grieved me more, nor that I could less bear withal, than this small time which I have been di'iven to live alone without thee.' Then, having ended these doleful plaints, and crowned the tomb with -garlands and sundry nosegays, and marvellous lovingly em- braced the same, she commanded they should prepare her bath ; and when she had bathed and washed herself, she fell to her meat and was sumptuously served. Now while she was at dinner, there came a countryman, and brought her a basket. The soldiers that warded at the gates, asked him straight what he had in his basket. He opened his basket, and took out the leaves that cov- ered the figs, and showed them that they were figs he brought. They all of them marvelled to see so goodly figs. The country- man laughed to hear them, and bade them take some if they would. They believed he told them truly ; and so bade him carry them in. After Cleopatra had dined, she sent a certain table writ- CLEOPATRA. . 79 ten and sealed unto Caesar, and commanded tliem all to go out of the tomb wliere she was, but the two women ; then she shut the doors to her. Caesar, when he received this table, and began to read her lamentation and petition, requesting him that he would let her be bmied with Antonius, found straight what she meant, and thought to have gone thither himself; howbeit he sent one before, in all haste, to see what it was. Her death was very sud- den ; for those whom Caesar sent unto her, ran thither in all haste possible, and found the soldiers standing at the gate, mistrusting nothing, nor understanding of her death. But when they opened the doors, they found Cleopatra stark dead, laid upon a bed of gold, attired and arrayed in her royal robes, and one of her two women, which was called Iras, dead at her feet ; and her other wo- man, called Charmian, half dead and trembling, ti'imming the dia- dem which Cleopatra wore upon her head. One of the soldiers, seeing her, angrily said unto her : — ' Is that well done, Charmian ? ' ' Very well,' said she again, ' and meet for a princess descended from the race of so many noble kings.' She said no more ; but fell down dead, hard by the bed. Some report that this aspic was brought unto her in the basket with figs, and that she had com- manded them to hide it under the fig leaves, that when she should think to take out the figs, the aspic should bite her before she should see it ; howbeit, that when she would have taken away the leaves for the figs she perceived it, and said : — ' Art thou here, then ? ' And so, her arm being naked, she put it to the aspic to be bitten. Others say again, that she kept it in a box ; and that she did prick and thrust it with a spindle of gold, so that the aspic being angered withal, leapt out with gi-eat fury, and bit her in the arm. Howbeit, few can tell the truth. For they report also, that she had hidden poison in a hollow razor, which she carried in the hau" of her head ; and yet there wm no mark seen on her body, 80 . CLEOPATRA. or any sign discerned that slie was poisoned, neither also did they find this serpent in her tomb ; "but it was reported only, that there were seen certain fresh tracks where it had gone, on the tomb side' toward the sea, and especially by the door side. Some say, also, that they found two little pretty bitings in her arm, scant to be discerned ; the which it seemeth Csesar himself gave credit unto, because in his triumph he carried Cleopatra's image, with an aspic biting of her arm. Now Caesar, though he was marvellous sorry for the death of Cleopatra, yet he wondered at her noble mind and courage ; and therefore commanded she should be nobly buried, and layed by Antonius. Cleopatra died, being eight and thirty years old ; after she had reigned two and twenty years, and gov- erned about fourteen of them with Antonius." Shakespeare, with his fine knowledge that truth to Nature is most powerful for producing eifect in Dramatic Art, has adhered with singular closeness to the history of Cleopatra ; weaving the incidents of the narrative with extraordinary skiU and fidelity into his poetic play, and di-awing her character in strict resemblance with the original portrait of the real woman. The heightening touches that he has added, are precisely in keeping ; and are just such as his genius alone knew how to supply, deducing them from the broad sketch, and filling them in harmoniously with the exist- ing outline. The fact is, we can hardly separate the idea of his Cleopatra from Cleopati-a herself; and when we think of her, we think of her as he has painted her. Who but himself coidd have so finished the picture — presenting her to our knowledge with more visible completeness than history itself? Plutarch has given us the queen and woman, Cleopatra, in curiously particularized detail of person, speech, act, and manner, as she lived ; Shake- speare makes her appear, speak, move, breathe, and live again before us. He has caused us to behold her in aU that marked in- CLEOPATRA. 81 dividuality, iu those minute by-betrayals of cliaracter, wliich only either personal knowledge, or Shakespeare's page, enables us to witness. No poet but himself has drawn Cleopatra in her true identity, although she has formed the theme of several. Chaucer has depicted her as the ladye-love of chivahy, bewailing "her knight, Antonius" (!), and throwing herself into a pit of serj^ents for his sake, like a heroine of old romance. OorneiUe's Cleoj)atra has scarcely a trait of character in consonance with historic truth. The author owns, — in his analysis of the play (Pompee),— that he makes her merely ambitious in love. Faithful to the requirements of conventional tragic dignity, he drew her portrait according to the pattern of French tragedy-queens ; and left her with hardly a touch of individuality. Perhaps the one couplet that may be cited as containing any approach to Cleopatran nature, in its regal con- sciousness of power to captivate, is where he makes her say : — " Apprends qu'une princesse aimant sa renommee, Quand elle dlt qu'elle aime, est sure d'etre aimee." [Know, that a queen, whose fame's her concern. When she owns that she loves, must be loved in return.] Fletcher, in his play of " The False One," shows her in her early youth, in her first adventure, with Julius Caesar; and it suffices for her in her " sallet days," although the character is too sustained in dignity, too consistent in nobility of feehng and dic- tion, for the wayward, variable Cleopatra. The descriptions given of her might suit any other charming heroine : — " By this light, the woman's a rare woman ; A lady of that catching youth and beauty, That unmatched sweetness ." " Eyes that are the winning'st orators, A youth that opens like perpetual spring. And, to all these, a tongue that can deliver The oracles of love." 11 82 CLEOPATRA. In the fii'st interview with Julius Caesar, where she is brought iu the mattress to his chamber, her speech and manner are ingeni- ously tinctured with the delicate flattery by which she won him ; while the most characteristic things she utters in the course of the play are the following passages : — " Oh, I could curse myself, that was so foolish. So fondly childish, to believe his tongue, His promising tongue, ere I could catch his temper." And:— " I will go study mischief, And put a look on, arm'd with all my cunnings, Shall meet him like a basilisk, and strike him ! Love, put destroying flames into mine eyes. Into my smiles deceits, that I may torture him, That I may make him love to death, and laugh at him ! " And again: — " I love with as much ambition as a conqueror. And where I love will triumph ! " There is the future Cleopati'a in those touches ; but they occur as excejitions to the general smooth grace with which Fletcher has delineated her. Dryden, like Shakespeare, paraphrased Plutarch's account of Cleopatra's sailing up the river Cydnus to meet Marc Antony ; and he has paralleled in his play of " All for Love," several other of the descriptive passages in " Antony and Cleopatra," with rich poetic beauty. But the dramatic discrimination and develop- ment of Cleopatran character, so masterfully achieved by Shake- speare, is wholly wanting in Dryden. He has made her a tender, impassioned woman, — the fitting heroine for " All for Love, or the World well lost ; " but not the renowned Egyptian queen, — that wondrous combination of all that is winning, with so much that is repulsive, — all that is enchanting, with so much that is despicable, CLEOPATRA. 83 — whicli Shakespeare has comjDounded into one gorgeously vivid impersonation. Dryden's most individual bit, is where he makes Cleopatra exclaim : — ■' Come to me, come, my soldier, to my arms ! You have been too long away from my embraces ; But when I have you fast, and all my own, With broken murmurs and with amorous sighs, I'll say you were unkind, and punish you, Arid mark you red with many an eager kiss." Leigh Hunt has hit oS the spiiit of Cleopatra, when he alludes to her as : — " That southern beam, The laughing queen that caught the world's great hands.' And Horace sums her magic influence in two words, where he calls her " fatal prodigy " [" fatale monstram."] But, both by description, and self-revealment, Shakespeare has exhibited her character in its true and full nature. Diversified, yet complete ; inconsistent, yet in keeping ; whimsical, yet direct of purpose ; replete with jarring elements, yet in perfect conso- nance with itself. In what is said of her, in what is said to her, in what she says herself, he makes us equally behold the actual woman, Cleopatra. Enobarbus speaks of her thus : — ' " Age cannot wither her, nor custom stale Her infinite variety : Other women Cloy the appetites they feed; but she makes hungry Where most she satisfies. For vilest things Become themselves in her." Antony addresses her with : — " Fie, wrangling queen ! Whom every thing becomes, — to chide, to laugh, To weep ; whose every passion fully strives To make itself in thee, fair and admired ! " 84 CLEOPATRA. And she, musing of Antony in his absence, and wondering whether he thinks of her, says, — with a fine daring disparagement of her oriental sun-embrowned complexion, secure in its spell upon men's warm imaginations : — " Think on me, That am with Phcebus' amorous pinches black, And wrinkled deep in time ? Broad-fronted Caesar, When thou wast here above the ground, I was A morsel for a monarch : and great Pompey Would stand, and make his eyes grow in my brow ; There would he anchor his aspect, and die With looking on his life." One of the most perfect touches of characteristic individuality in all that Cleopatra utters, is that little question ; — " What says tlie married woman ? " when askmg Antony of his wife Fulvia. It is a fine piece of pungent insolence — exquisitely Cleopatran. Shakesj)eare's epithets for Cleopatra, come into the mind in- voluntarily when sjieaking of her. We use his titles for her, in naming her, while relating her history. The " serpent of old Nile " dwells in our mind as her proper designation ; " this great fairy," " great Egypt," and other of his names, for her, belong to her like her own ; but there is one, which he assigns to her, that wonder- fully distinguishes Cleopatra, in her mingled regality and famili- arity of womanhood. Agrippa calls her " Royal wench ! " in admi- ration at her sovereignty in attracting men ; and it finely indi- vidualizes her character in its twofold quahty of queenly sway with feminine fascination. The gi'eat secret of Cleopatra's power of winning, was the instinctive insight she possessed into men's dispositions, and her exquisite tact in discovering their vulnerable points. She won Julius Caesar by throwing herself into his power ; and won Marc Antony by exercising her power over him. She flattered Julius CLEOPATRA. 85 Caesar's love of dominion by submitting herself to it ; sbe swayed Marc Antony's Heart by assuming rule tbere. She caused herself to be carried to Julius Caesar ; she bade Marc Antony come to her. She behaved with humility and deference to Julius ; she treated Antony with gay despotism, and wayward playfulness. She deriv- ed her fortune, and held her crown from Julius Caesar's bestowal ; she outvied Antony in costly display and sumptuous entertain- ment. Her irresistible allurement lay in her faculty of adapting her- self to men's pecuHar tastes and predilections. She followed Julius to Rome ; she shared Antony's wildest frolics. The ample way in which she at once understood and responded to Marc Antony's propensities, explains the unbounded ascendency attained over him. His enjoyment, his gratification, his pleasure, were her study ; and to minister to them, her dehght. Antony's passion for Cleopatra was a luxurious intoxication ; and she not only pre- sented him the voluptuous draught, but drained it with him. Cleopatra is enthroned enchantress of the world. She cap- tivated Juhus Caesar; entranced the heart and senses of Marc Antony, and succeeded in beguiling the wary Octavius. She, of all her sex, in her pei-son gave to the unworthy art of coquetry, a something of magnificent and lustrous in its so-potent exercise. Hers was the poetry of coquetry. '^m, SAINT CECILIA. Among tlie firm-hearted band who sufifered persecution and death for faith's sake, — the early martyi's, — one of the most shin- ing examples is Saint Cecilia. To use Fuller's quaint form of ex- pression : — " She lived in an age which we may call the fii'st cock- crowing after the midnight of ignorance and superstition." The events which mark her career are told with beautiful simplicity in the "Golden Legend" ["Legenda Aurea"]; and Chaucer's charming version of the story, in his "Second Nun's Tale," is almost a literal rhythmical translation of the old Latin legend. The details furnished in the "Acta S. Cseciliae" have been arranged into narrative order with hagiographical zeal, by Dom Prosper Gueranger, Abbe de Solesmes ; who has traced the career of the Saint through her life, martyrdom, and posthumous glory of canonization, in a no less picturesque than reverential form, — and that is the only spirit in which to treat a subject of this kiud. Its remote antiquity, which, while limiting and obscuring authentic particulars, tends to throw an aii- of poetry and idealization over what few facts are known, demands a certain amount of child like credence, when receiving the relation of such histories. The mod- ern fashion is too much for questioning " the old familiar faces " of accepted tradition. We are too fond of doubting ; we are too 88 S A I N T C E C I L I A . apt to discredit every tLing that we cannot prove. As Words- worth, in his fine sonnet " The World is too much with ns," pro- tests against the dimmed perceptions of prosaic getters and spend- ers ; so it is with prosy detecters of falsity in antique records ; their literal accuracy blinds them to the intermixture of larger veracity which may he gathered from the very fables they point out as wholly fictitious. They cannot discern the spirit of truth that dwells within the dubious letter of legendary lore. The sceptical sneei'er might find matter for questioning pause, in some of the points of St. Cecilia's story as handed down to posterity by vene- rating tradition ; but those who are willing to perceive the lustfe of purity, — the glory of apostleship, and the courage of holiness, in this beautiful legend, will take pleasure in perusing it according to narrated account. Under the empire of Alexander Severus, the persecution against Christians, which previously and subsequently was carried on with terrific virulence, sustained a temj^orary cessation, owing to the influence of the young emperor's mother, Julia MammsBa, who entertained much regard for the members of the new sect ; and who, if Eusebius's words may be so interpreted, secretly pro- fessed their faith. She was known to send for the learned and saintly Origen, from Alexandi'ia to Autioch, while she was there ; and that she held controversial discoui'ses with him, and loaded him with gifts and honours. Mammsea superintended the educa- tion of her son herself; remained at his side through life ; helped him with her counsel in state affairs ; followed him to the field, in all his campaigns ; and even shared his death, when he fell at the head of his troops, on the banks of the Rhine, in a war against the Germans. Coming to the imperial throne when at so early an age as to be in his fourteenth year only, he might 2>robably have embraced the same form of relisjion as his mother, had not O 7 T5AINTCECILIA. 89 policy ajipoiuted liLs creed for him ; but lie nevertlieless enter- tained a regard for Christiauity and its Divine Founder whicli never forsook him. The portion of his palace dedicated to the re- ception of his Lares, or household gods, not only contained the statues of the gods and of those emperors most worthy of regard ; but Severus had there a statue of Jesus Christ Himself, to which he paid divine honours. Lord Bacon, in his " Advancement of Learning," mentions a similar circumstance respecting the Emperor Adrian : — " For having Christ in veneration, not as a God or Saviour, but as a wonder or novelty ; and having his picture in his gallery, matched with Apollonius, with whom in his vain imagina- tion, he thought he had some conformity ; yet it served the turn to allay the bitter hatred of those times against the Christian name, so as the church had peace during his time." Alexander Seve- rus's admiration went so far as to induce him to make a proposal that the Founder of a religion, so pure in its morality, should be admitted among the rank of the gods. The senate desired to consult the oracles upon this extraordinary proposition of the em- peror ; and according to Lampridius, a contemporary writer, the oracular response was, that if this new apotheosis were celebrated, the pagan temples would be abandoned, and all men. would be- come Christians. Other particulars recorded of this emperor's mild conduct, and of his enlightened perception of the fine moral influence belong- ing to the new faith, deserve mention. The grandly comprehen- sive maxim : — " As ye would that men should do to you, do ye also to them likewise," was always in his mouth, and openly avowed as being adopted from the tenets of the Christians. He caused it to be graven as an inscription in his palace ; and in the principal pub- lic edifices. By his order, too, a herald publicly proclaimed it, in the punishment of criminals. His regard for Christianity extended 12 90 saintcecilia: to individuals ; and several official posts about his own court were filled by Christians who enjoyed his favour. A signal instance of his wise ordination occurred with regard to a place called " Taberna meriioria, " [" A place for pubHc entertainment ;" — "A Tavern "] ; which, becoming dedicated to Christian usage under the pontificate of Calixtus, as a church, occasioned much umbrage to the original heathen occupants ; who complained to Severus, that a place pre- viously theirs, had been taken from them and consecrated to the service of a rehgion unrecognized by the laws of the empire. Severus replied thus nobly : — " I would rather God were honoured in this spot, in whatever form of worship, than see it again yielded up to sellers of wine." But, if this emperor himself were thus favourable to the Chris- tians, there was a large body of influential men in the state who beheld with abhorrence and dread all progress of the new sect to- wards becoming epidemical. An association that held itself fii-mly impassive to all edicts of suppression, seemed to them a monster that could not be too speedily crushed. They had notable example for persecution ; even for decreeing the massacre of Christians, they could cite strong precedent. Beneath the fierce autocracy of Nero, the leniency of Trajan, and the philosophical forbearance of Marcus Aurehus, this rising body had ahke suffered deadly hostil- ity. Domitian Ulpian, who held the office of Prsefectus Praetorio, under Alexander Severus, was one of the chief of these opjDosers of Christianity ; and as he had considerable ascendency over the young emperor's mind, his animosity against the Christians acted in countei'balance to the maternal influence in theu* favour. Popu- lar prejudice, also, was largely on the side of the prevailing power ; and Tertullian, — in his " Apologetic "Works," written more than thirty years before the period here treated of, — remarks that on all occasions of general tumult, the multitude were accustomed to SAINTCECILIA. 91 yell fortli their barbaroua cry, — " To the lions with the Christians ! " Thus, notwithstanding the tolerance of the emperor himself to- wards the oppressed sect — a tolerance which was more negative than active — several martyrdoms of the early Christians took place during his reign, both in the Roman dominions, and in Rome itself. The names of Calepodius, Palmatius, Simplicius, Martina, and Ta- tiana, have reached us as among the victims who fell sacrifices here ; — and Pope Calixtus — one of the earhest Christian pontifis — died a martyr to the proscribed faith. Pope Urban, his successor, had been twice summoned before the Praetorium ; and had each time boldly avouched the free right of his ministry. But after that, he could no longer abide within the Ulterior of the city ; and appearing but at rare intervals in Rome, with secrecy and circumspection, he took refuge from his enemies, by lurking in its precincts, concealed and apart. His place of retreat was beneath the shadow of the sacred Crypts of the Appian "Way, near the tombs of the martyi's. It was there he exercised his holy function, receiving into the bosom of the church such heathens as were touched by grace, admonishing the vacHlatuig, and fortifying the faithful. A few priests and deacons assisted him, sharing his duties and his perils. Along the path leading to the pontiff's retreat, were scattered some of those lowly poor, whose brethren were preached to by the Saviom* himself, watching as devoted and vigilant sentinels. Known to the Chris- tians ia Rome, they were the intermediaries between the church and her Head ; and served to screen from the eyes of the Praeto- rian emissaries any trace of those secret communications which maintained the vitality of the Christian church. A sketch of the Appian Way, as it existed in the third century — ^the period when Saint Cecilia lived — will best usher in her story with appropriately scenic interest, and give it imaged reahty of 92 SAINTCECILIA. occurrence. Moreover, this picturesque track forms a kind of link between the Rome of the Gentiles, and the Rome of the Chris- tians ; between the eternal city, and the centre of Cliristendom ; between ancient Rome, surnamed "Mistress of the "World," and the nucleus of that Spiritual Kingdom founded on the "Rock of Ages." It presents a vast and sumptuous gallery of pagan sepul- chres dedicated to the entombment of illustrious Roman families ; while beneath the soil supporting these numberless fine monu- ments, the very ruins of which still excite wonder and admiration, there lies a consecrated labyi'inth, within whose shade sleep a mar- tyr legion. The grandeur and solemnity of this renowned "Way are unequalled; which, — at the epoch when Alexander Severus was emperor, and when the city was enclosed on that side by the walls of Servius Tullius, commenced at the Capenian Gate, and led out towards the Campagna. Traversing the plain, its line marked by superb villas, and temples of severe or graceful styles in architecture, its principal embeUishment consisted in the double range of tombs extending for more than fourteen miles on each side of the way. The pavement, formed of large masses of lava, proclaims the magnificence and solidity of the works of a regal people ; and on it may be traced deep-indented ruts, made by the chariot-wheels of Romans, more than two thousand years since. Somewhat narrow, like all the ancient roads, the Appian "Way was confined between two foot paths, on the borders of which rose the sepulchres. The form of these funereal monuments was varied : some appeared like temples, of grave or elegant design ; others wore the circular shape of a tower ; many were reared in pyram- idal form; and others again were quadrilateral. These sepul- chres were in some instances appropriated to individuals, in others to entire families. In some cases the body reposed in a sarcopha- gus, while in others the tomb contained only the ashes of the de- SAINTCECILIA. 93 ceased, accordiug to the customs introduced in Home towards tlie close of tlie Kepublic. Besides the tombs, the Appian Way con- tained likewise those pigeon-holed receptacles, ["columbaria,"] in which a large number of urns were deposited, containing the ashes of several generations. All this assemblage of sej^ulchres imparted to the Way an aspect of mournfulness, which contrasted strikingly with the luxury and richness of the buildings that formed a back- ground to these avenues of death. The pagans themselves were sensible of this lesson upon the nothingness of life, afforded by choosing a public way as a place for entombment ; while the Chris- tians completed the monition, by hollowing beneath the soil of the Appian Way itself, whole cities of sepulchral abode, destined not only to recall to mankind the thought of mortahty, but to raise them to the contemplation of immortal trust. One of the poets in the early period of the Eoman empire — Statius — in his " Sylvse," entitles this majestic road " the Queen of Ways " [" Eegiaa viarum "] ; and thus it appeared, in its general aspect, at the time he wrote. Calixtus, during his pontificate, was unwearied in his zealous care to protect the sacred crypts beneath the Appian Way, and to preserve from desecration the saiatly and apostolic remains they enshrouded. He persevered in his pious work ; and the Christians retained as their sanctuary these subterranean burial-places, known under the name of catacombs. Skirting the Appian Way, at some little distance, there rises a gentle eminence, just above a spot which tradition asserts to be the site of the grotto and fountains of Egeria. Here there was a temple erected in the time of the Eoman Eepublic ; and here it was, that Pope Urban found a safe retreat. An oratory excavated beneath the earth, — under the very pagan temple which has since been consecrated as a church, bearing the name of St. Urban, — and having communication with 94 SAINTCECILIA. the extensive range of subterranean crypts, afforded a secure refuge aloof from public notice, and allowed of access and inter- course with the Christians. Among the flock of the faithful, who revered Urban as their visible head, who resorted to him for counsel and instruction, and who enjoyed his peculiar favour for her piety and innocence, was the youthful Cecilia. Daughter of a noble Roman house (some asserting her to be a descendant of the same family with that Ceci- lia MeteUa whose sumptuous pagan monument adorns the Appian Way, — now, even in decay, serving as a notable adornment to the place), she had early adopted the Christian faith, although her parents adhered to the old heathen form of worship. An ancient tradition in Rome assigns the Campus Martins as the site where the house stood in which Cecilia was born, during the early part of the thii-d century ; and a church was erected there in the eigh- teenth century, by Pope Benedict XIII., bearing the inscription : — " This is the house in which Saint Cecilia prayed." HAEC EST DOJrVS EST QVA OEABAT SANCTA CAECILIA. Her father and mother appear to have oftered no obstruction to the course of their daughter's religious opinions ; which had already obtained many followers in Rome, and which counted pro- fessors even in the imperial household itself. Either from indif- ference, or from affection, they permitted her to pursue her own form of doctine, and to attend the assemblages of the Christians. Cecilia could not only go and pray with the faithful in the churches where the mysteries of their creed were celebrated with a certain amount of pubhcity, during the period when Christianity enjoyed a temporary immunity from persecution ; but she was able SATNTGECILIA. 95 to frequent the crypts of the martyrs, for the purpose of assisting in those anniversaiies of such heroic members of the devoted band as had met death in its cause. The poor, who guarded the secret of Urban's retreat, knew the gentle maiden ; and often conveyed her messages, or conducted her steps to the venerable pontiff himself. The Christians at that epoch lived with the idea of possible martyrdom constantly present to them ; it entered, as a necessary element, into all their visions of the future. But this formidable prospect had no power to appal the soul of the young Cecilia. She, on the contrary, learned to dwell upon it, as upon a promised repose of peace and bliss. Martyrdom would for ever unite her with Christ, who had deigned to select her from a pagan family that he might reveal himself unto her. Awaiting this welcome summons, she lived within the depths of her heart in the constant company of her Divine Master, ceasing not to commune with him in holy prayer and converse, day nor night. Enraptured with this secret conference, she sought Him perpetually in His holy oracle, in His volume of Evangels, which she kept hidden beneath the folds of her robe, resting ever in her bosom. [" Absconditum semjjer Evangelium ChrLsti gerebat in j^ectore." Acta S. Ccecilice^ In the ardour of her self-dedication to her chosen Heavenly Spouse, she vowed ever to remain immaculate in virgin faith and pmity ; and abided in meek hope the period when she should be called to receive her nuptial crown of immortality. Her guardian spirit was permitted to take visible shape : — an Angel alighted beside her in the silent hours of seclusion and con- templation : Hke the winged messenger sent to the first j)air in paradise, " the glorious shape seem'd another morn risen on mid- noon ; " so bright, so seraphic he appeared : — " Like Maia's son he stood, And shook his plumes, that heavenly fragrance fill'd The circuit wide." 90 SAINTCECILIA. Meanwliile Cecilia's parents, knowing nothing of her vow, chose her an earthly bridegroom. A young and nolde Roman, named Valerian, was the object they selected as a fitting husband for their beautiful daughter. His rank, his generous qualities, ren- dered him worthy to be the possessor of the treasure they proposed to bestow upon him ; while the maiden's gentle graces and good- ness made him rejoice in the prospect of calhng her his own. Valerian had a brother, Tibm-tius, to whom he was fondly attached ; and he trusted that this new tie would be only an additional means of strengthening theu' fraternal bond of happy imion. So indeed was it to be : though not in the way that the pagan youth then imagined. They were all three to be united in links of more than mortal felicity. The day for the celebration of the marriage was appointed, and the two patrician families prepared with all due magnificence to honour the espousals of two of their scions, whose youth, beauty, and dictinetion made them a source of joyful jiride to their kindred. Classical and poetical description has handed down to us the cos- tume and envii'onments that marked the nujjtial ceremony in those early times. CatuUus's glowing marriage-song of " Julia and Man- lius," among others, affords indication of the picturesque accompani- ments that attended ancient spousal rites : — '• Claustra pandite, januae : Virgo adest. Viden' ut faces Splendidas quatiunt comas ? " " But the doors set open wide, For she comes, — the bride, the bride ! Don't you see the torches there, How they shake their shining hair ? " Leigh Hunfs translation. And there is also allusion to the bridal music ; the songs to Hymen, the glad epithalamia, which crowned the feast with rich SAINTCECILIA. 97 harmonious triumpli ; and wliicli form so momentous a feature in CecOia's marriage-day : — " Hymen, Hymenasus ; Slip thy snowy feet in socks Yellow-tinged, and girt thy locks With sweet-flowered marjoram. And in saffron veil, come ; Meet the day with dancing pleasure, Singing out a nuptial measure, And with fine liand at the air Shake the pine-torch with a flare." Ibid. We are tlius enabled from classic autliority, to image to our- selves how the fair bride, CecUia, was led forth, attired in a tunic of soft white wool, simply girdled with a slender cincture, also white and woollen; her long and glossy hair braided into six tresses, after the manner of the vestal virgins, — for so the Roman usage permitted to brides on the day they were wedded, as a fare- well token of their maiden state ; a veil of flame-coloured hue floating around her face and figure, screening her from public gaze, while reserving her modest beauty to view of the attendant hover- ing angel. Like Edmund Spenser's bride, in his own perfect Epithala- " Behold, -whiles she before the altar stands, Hearing the holy priest that to her speaks, And blesses her with his two happy hands. How the red roses flush up in her cheeks ! And the pure snow with goodly vermil stain, Like crimsin died in grain. That even the angels, which continually About the sacred altar do remain. Forget their service, and about her fly. Oft peeping in her face, that seems more fair The more they on it stare ; 13 98 SAINTCECILIA. But her sad* eyes, still fastend on the ground, Are governed with goodly modesty, That suffers not one look to glaunce awry, Which may let in a little thought unsound." So stood CeciHa, her eyes bent groundward, submitting to lend external participation in tbe pagan rites going on around lier ; but inwardly maintaining lier isolation of purity and devout wor- ship. In her bodily presence, but spiritual absence of abstracted meditation, the heathen observances proceeded ; the offering of wine and mUk took place, the ceremonial of breaking the cake, and the final placing of her hand within that of Valerian, aU went on as if she took part in the celebration of which she was but passive spectatress. At close of day, according to antique habitude, the ne-\\^ly wedded wife was conducted to the dwelling of her husband. Va- lerian's house was situated in the transtiberine quarter of Rome ; and it was here that, in after times, the basilica, or church dedi- cated to Saint CecUia, was erected, to mark the spot of her tri- umph. The nuptial torches lighted the way of the marriage pro- cession, as they approached the spousal dwelling. On the thresh- old, beneath the portico adorned with white draperies, amid which hung garlands of flowers and green fohage, Valerian stood awaiting Ceciha. There are two allusions in Shakespeare's Corio- lanus that illustrate this ancient Roman bridal observance. Au- fidius says : — " More dances my rapt heart, than when I first my wedded mistress saw bestride my threshold." And Coriolanus himself, in the cheerfulness of his conquering courage and safety, exclaims : — " ! let me clip you In arms as sound, as when I woo'd; in heart As merry, as when our nuptial day was done, And tapers burn'd to bedward." — * Serious — steadfast. SAINTCE CILIA. 99 Cecilia crossed tlie threshold: tliey brought her fair water, emblem of purity ; they gave her a key, symbol of the household duties henceforth to be committed to her charge ; they led her to a seat upon a fleece of unspun wool, in token of the domestic labours she would have to perform. Then the wedding guests passed, with the young couple into the Triclinium, or apartment where the marriage supper was served. During the repast, an epithalamium was sung, which celebrated the union of Valerian and Cecilia : a chou- of musicians filled the hall with their melodi- ous voices in concord with resounding instruments, and with the rich outpouring of the full-toned organ. Amidst this swelling harmony, Cecilia chanted softly to herself, lifting her soul to God in praise and adoration, and praying him to keep her immaculate, — in heart and body, — evermore. [" Cantantibus organis, Cecilia in corde suo soli Domino decantabat, dicens : Fiat cor meum et cor- pus meum immaculatum ut non confundar." Acta S. Oecilice.'] For this pious act of spiritual elevation, shaping itself in musical heart- utterance, Cecilia has been ever since regarded as the patron Saint of Music. The feast ended, a band of matrons conducted the trembling steps of the bride to the door of the nuptial-chamber ; where its rich decorations — in all the beauty of Roman taste and luxury — shone with a tempered charm ; amid the silence and darkened light, afibrding delicious contrast with the glare and tumult of the wed- ding banquet. The bridegroom followed ; and the matrons retired. When CeciHa found herself alone with Valerian, her young hus- band, a holy calm fell upon her spirit ; and she said to him, with her gentle voice sounding sweeter and softer than ever, amid the quiet of the night-scene : — " Dear friend, I have a secret to confide to thee : swear to me that thou wilt respect and preserve it." — Valerian swore with ardour to keej) her secret, and that nothing 100 S 2V I N T C E C 1 L I A . on earth should force him to reveal it. — " Listen, then," replied CeciUa ; " an Angel of God watches over me ;— aid me to preserve my vow, and he will love thee as he loves me, and shower on thee his blessed favours of guardianship and protection." Thereupon she exj)lained to him the vow of virgin purity and immaculacy she had taken, and besought him to respect it. The young man, deeply troubled, answered her thus : — " Ceci- lia, if you would that I believe your word, let me behold this An- gel. When I have seen him, if I recognize him for the Angel of God, I will do as you exhort me : but if I find that thou lovest an- other man, be sure my sword shall pierce bpth him and thyself." Upon which, the maiden answered with ineffable impressiveness ; — " Valerian, if thou wilt abide by my counsels, if thou consentest to be washed in the waters of eternal purification, if thou wilt be- lieve in the true and only God, who reigns above in the heavens, thine eye may behold the Angel who watches over me to guard, defend, and protect me." " And who is he that shall purify me, to the end that I may see thine Angel ? " asked Valerian. Cecilia replied : " There is a venerable old man who purifies men, so that they may behold the Angel of God." " And where may I find this old man ? " said Valerian. " Go forth from the city by the Appian Way," returned Cecilia ; " proceed until thou reachest the third milliary column. There thou wUt find some poor creatures who ask alms of passers- by. These poor people are objects of my frequent interest ; and my secret is known to them. As thou approachest them, salute them in my name, giving them my benediction, and say to them : ' Cecilia sends me to you, that you may conduct me to the holy Ur- ban : I have a j)rivate message to convey to him.' — When thou comest into the presence of the sainted old man, repeat to him the words I have said unto thee : he will purify thee, and robe SAINT CECILIA. 101 thee in fresli white garments. At thy return, thou wilt find me still here awaiting thee ; thou wilt behold the Angel, then become thy friend also ; and thou wilt obtain from him all that thou shalt ask of him." With the first dawn of day, Valerian set forth towards the re- treat of Urban ; and all fell out according as Cecilia had pre-de- scribed. He hastened back, clothed in the white baptismal gar- ment of a new-made Christian ; which however attracted no obser- vation in the streets of Rome, where cloaks and tunics of that hue were no rarity. He went straight to the door of the chamber where he had left Cecilia, and softly opened it. On entering, he perceived her kneeling in prayer, while near to her stood the An- gel of the Lord ; his face radiant with celestial light ; his wings with innumerable colours. The spirit of bliss held in his hand two coronals of intertwined roses and lilies. One of these he j^laced on the head of Cecilia, the other on that of Valerian, as he said, in heavenly accents, to the young couple : — " Deserve to keep these crowns by the purity of your hearts, and the sanctity of your bodies : it is from the garden of paradise that I bring them to you. These flowers will never fade, their perfume will be ever fresh and gracious ; but no one will be able to behold them, save by merit- ing the privilege, like yourselves, through purity and implicitness to Heaven's will. Now, O Valerian, for thine acquiescence with the chaste aspiration of Ceciha, Christ, the Son of God, has sent me to thee, to hearken whatever boon thou desu-est that he should grant." The young man, full of pious gratitude, fell at the feet of the diNdne messenger, and thus ventured to utter his request : — " No- thing in life is more dear to me than the aftection of my brother : — it would be cruel to me, who am now freed from peril, were this beloved brother to be left in danger of destruction. I beseech of 102 SAINTCECILIA. Christ to deliver my brother Tibnrtius, as he hath dehvered my- self; aud that he will render us worthy of Him in the confession of his name." — ^Then the Angel, tm-ning to Valerian a face on which beamed the sajDreme joy that thrills the spirits of bliss at the sight of human virtue, rephed : — " Because thou hast asked a boon of Christ that He is not less willing to bestow than thou to receive, — inasmuch as thy heart was turned to Him through Cecilia, His ser- vant ; so shalt thou win over the heart of thy brother, that both of you may attain the palm of martyrdom." The Angel re-ascended to the skies, leaving Valerian and Cecilia to the plenitude of their holy gladness. They were still in beatific conversation, when Tiburtius came into the room, impatient to see his well-beloved brother Valerian, to whom Cecilia being now espoused, he saluted her affectionately as his sister. In stoop- ing towards her to give her his fraternal kiss, he smelt the delicious fraOTance that emanated from the maiden's beautiful hair, as of odorous spring flowers ; yet it was then the winter season. An expression of surprise escaped him ; and the young couple revealed to him the wondrous secret of the heavenly crowns they wore, imparting to him the means by which he might not only behold, but obtain one for himself With the eagerness of the neophyte, Valerian poured forth his tale to his brother's ear ; whUe with the confirmed ardour of the long faithful Christian, Cecilia uttered her persuasive exhortations to Tiburtius. Their combined arguments produced the desired fruit ; Tibur- tius was no less desirous than they to fulfil his newly-awakened aspiration to become a Christian; and it was not long ere the two brothers repaired together to the holy Urban's retreat, to seek baptism for the young Koman, from the venerable pontiff's hand. For a time, peacefuluess aud calm life were theirs ; but on the SAINTGECILIA. 103 return of the vernal montlis, war called the Emperor Alexander Severus away ffom Rome, and the executive legal power was vest- ed in the hands of deputy rulers during his absence. The man who filled the office of Prsefectus urbis, — a civil function, differing from that of Praefectus praetorio, — was Turcius Almachius, noto- rious for the hatred he bore the Christians. No sooner, there- fore, was the emperor gone, whose leniency to the sect was well known, than Almachius commenced a series of persecutions of un- relenting fury. His ferocious malignity first attacked the humliler classes of Romans who professed the denounced faith ; and while he consigned their living bodies to torture and death, he denied to their dead bodies the posthumous consolation of ceremonious burial. He knew what importance the association attached to this final token of respect ; and how frequently, in their zeal to render the last offices to theii* martyred brethren, they themselves incur- red a similar fate. To repose amid that valorous phalanx of devotees, who had died for their faith, and who lay beneath the mould of the crypts in graves bearing the simple, but beautiful in- scription of two emphatic words, — "Zft^^ce?," was esteemed a priv- ilege well worth risking life for. Valerian and Tiburtius were among the most active of those who hazarded peril for the sake of giving Christian burial to Christian martyrs; audit was thus that they came to be denounced to Almachius as zealous partisans of the proscribed sect. He had the two brothers arrested, and brought before him ; seeking to intimidate the young patricians before he proceeded to extremity with them. But they both, with the nobleness and courage of their re- spective natures, scorned to avail themselves of the opportunity which the venal ma2:istrate ojave them for evading; confession of their foith ; they said enough to let it clearly be seen that they belonged 104 SAINT CECILIA. to tlie sect they favoured ; and Almacliius, umvilling to pronounce sentence of deatli against youths of their rank, condemned them to be scourged with rods. Finding that this faUed to subdue them, he sentenced the brothers to be conducted to the fourth milliary column on the Appian Way, near to which there was a temple of Jupiter. Here, they were to be asked to burn incense before the idol ; and if they refused to do so, they were to suffer decapitation. Ere Valerian could return home to say one word of farewell to Cecilia, he and his brother were led away to their ordeal ; but it is said that she found means to meet them once more, on their way to the appointed spot, and that she had the courage to bid them go forth, as soldiers of Christ, and win their laurels of life eternal. They met death valorously ; and the vigilance of some devoted friends among the faithful, secured to Cecilia the mournful pri\d- lege of enshrouding the mangled remains of Valerian and Tiburtius, and depositing them reverentially in a place of sepulture on the left side of the Appian Way. Not long was Ceciha in following the two young brothers in their martyrdom. Soon she was summoned to appear before Almachius, in order that she might abjure her suspected faith ; so far from this, however, her recorded colloquy with the tyrannous prsefect, only served to proclaim her steadfixst adlierence to the creed she had adopted, and openly to avow herself that, which, secretly, she had long been, — a Christian. He, — desirous that her death should be as private as possible, so as to avoid scandal and tumult, as well as possible reprehension from the emperor, should Severus come to learn what had taken place in his absence, — ^gave orders that Cecilia should be con- ducted back to her own mansion, and there shut up in the bath- room attached to it, called by the Romans the caMarium. A fire S A I N T C E C I L I A . 105 was to be kept up in the hypocaust, or stove ; so that the virgin martyr thus left without air, beneath the heated roof, woukl inhale death with the burning vapour, and obviate the necessity of a lic- tor coming to immolate her. But the prgefect's cowardly expedient failed. A miraculous atmosphere seemed to environ her ; and, like the three who were cast into the fiery furnace, without a hair of their heads being singed, the saintly Cecilia remained in the heated bath scathless, awaiting untU her Heavenly Spouse should call her to him. This prodigy being reported to Almachius, he beheld his desire to avoid shedding the blood of a Roman lady frustrated ; he therefore sent a Hctor to behead her on the very spot where she had escaped death. So eagerly did the virgin martyr welcome the blow which was to deliver her from earthly bondage, that the executioner's energy was paralyzed, and his iU-assured arm could not strike with certainty at a victim thus submissively ready to encounter her fate. Thrice he brandished aloft his weapon, and thrice it fell with ineifectual force on the neck of Cecilia. An ex- isting law forbade more than three blows dealt by the headsman ; if the third did not kdl, the sufferer was left to die. Thus the lictor left the virgin, stretched on the bath-room floor, weltering in her blood, mortally wounded, but not yet expiring. The doors remaining open after the Hctor's departure, a crowd of Christians who had been awaiting the consummation of the sacrifice, made theii' way in, struck with grief and horror. The gentle victim smUed faintly on those holy poor whom she had so long charitably cared for ; and even in this supreme instant de- voted herself to their cause by addressing kindly words of encour- agement and exhortation to them to be firm in faith : and when they brought the venerable Urban to her side, she still showed her affection for them, by bequeathing to him her worldly goods 14 106 SAINT CECILIA. for their behoof. Thus lay she ; to the last, exertmg herself to utter consoling and hopeful words. Her young and \irginal body lay prone, tenderly couched on its right side ; her limbs laxly ex- tended ; her arms drooped one over the other patiently ; her head bent meekly down. Thus she yielded her last sigh ; and thus, — in this pathetic attitude of martyred maidhood, an Itahan artist, Ste- fano Mademo, sculptured a marble figure of Saint Cecilia, which adorns her church at Rome. Her remains were deposited by Pope Urban in the crypt which his predecessor, Calixtus, had prepared for the sepulchre of the pontifis themselves beneath the Appian "Way ; and it was not until six centuries afterwards, that pope Paschal I. exhumed the virgin martyr's body, and caused it to be transported to her transtiberine basilica. On a subsequent occasion, when by Pontifical authority, the saint's tomb was again opened and examined, it is averred that the body was discovei*ed in the same attitude and vesture it had. worn at the moment of death ; and then it was that Maderno's recumbent statue was sculptured as an efligy for her monument. A beautiful incident is related as attending this second homage to Saint Cecilia's remains ; and it is in the true poetical spirit of Catholic reverence for legendary association. While the ceremony of opening the virgin martyr's cofiin proceeded, the usual burning of incense in the sacred edifice was forborne ; on account, as it was said, of leaving free to be perceived the delicious odour of roses and lilies that emanated in undying freshness from the shrine in which the saint's body reposed. The legend of Saint Ceciha, is, throughout, one of the most lovely that the world's history records. It associates, in one form, some of the most noble and gracious of humanity's adornments : — youth, beauty, purity, harmony, holiness ; — all have their share in this exquisite story. SAINTGEGILIA. lOT Chaucer, with his taste for refined charm in simplicity, took it for one of his Canterbm-y Tales ; and he has told it with his wont- ed grace. The two beautiful lines describing Cecilia's singing with- in herself, at the marriage feast, are weU known ; — " And while that the organs maden melody, To God alone thus in hire hertsong she." The point, describing Tiburtius entering the room where his broth- er and new-married sister have just had the interview with the Angel, is told with all the exquisite freshness of primitive inno- cence : — " And with that word Tiburce his brother come ; And whan that he the savour undernome * Which that the roses and the lilies cast : — Within his heart he gan to wonder fast, And said ;— ' I wonder this time of the year Whennes that sweet savour Cometh so. Of roses and lilies that I smel here : For though I had hem in min hondes two, The savour might in me no deper go : — The swetes smel that in min herto I find, Hath changed me all in another kind.' — Valerian said : ' Two corones han we. Snow-white and rose-red, that ehinen clear. Which that thine eyen han no might to see : And as thou smellest hem thurgh my praierc. So shalt thou seen hem, leve brother dear. If it so bo thou wilt, withouten slouthe Beleve aright and know the veray trouthe.' " The eai'ly martyrdoms of the Christian Church afford beauti- ful subjects for dramatic, as well as poetic treatment ; and it is a wonder that they have not more frequently been made themes of tragedy. Corneille has taken for the hero and title of one of his stately dramas, " Polyeucte," a martyr who suffered under the Em- • Undernome — undertook — 'ook in subordinately ; — as it were, dimly perceived the scent of the flowers he could not see. 108 SAINTCECILIA. peror Decius, iu the year 250; exactly two decades later than Saint Cecilia's martyi-dom. They who have had the privilege of beholding the great tragic actress, Rachel, perform the part of Pauline, in this play, will have witnessed a wonderful embodiment of the early female martyrs, as we may conceive them to have ap- peared, when proclaiming their adherence to the proscribed faith, and prepared to seal belief with life-blood. Her entrance upon the stage in that simple white tunic, — ^like a victim ready to suffer at the stake, — her hair put back from her brow, her bare arms held to heaven, her face lustrous with the light of new-perceived truth, — was a vision, once seen, never to be forgotten, so long as memory lasts. And ineffably thrilling, too, that voice, in which she uttered those herald words : — Mon cpoux, en mourant, m'a laisse ses lumieres ; Son sang, dont tes bourreaux viennent de me couvrir, M'a desille les yeux, at me les vient d'ouvrir. Je vois, je sais, je crois,}e suis desabusee ; De ce bienbeureux sang tu me vois baptisee; Je suis cuRETiENNE cnfin, — n'cst-ce point assez dit ?" [My busband, in dying, bas left me bis faith ; His blood shed upon me by men without ruth, Hath unseal'd mine eyes, and shown me the truth ; I see, I know, / believe, my soul's new advis'd ; With this thrice blessed blood thou sec'st me baptized ; I'm a CHRISTIAN, in short, — needs there more to be said ? "] The tone and look that accompanied those two syllables, " Je croLs," were incomparably fine — it was the very soul of fervent ex- pression. "Vivia Perpetua," another of the early Christian martyrs, forms the subject of a beautiful dramatic poem, which deserves to be widely known. It is by Sarah Flower Adams, a lady of refined taste, and earnest feeling, who had a sister gifted with a musician's talent ; both fitting followers of Saint Cecilia in Art and in holy S A I N T C E G I L I A . IQO aspii'ation ; and both, like her, now dead. Two passages from the '' Vivia Perpetua " may serve to show the poem's excellence, and to aptly illustrate the subject under discussion : — Vivius. What is a CLristian ? Vivia. Truth above all, — it is the Christian's word ; Love over all, — it is the Christian's soul ; Life beyond all, — it is the Christian's hope : To lay down life for Christ who liv'd For Truth and Love, and died for Life Immortal, — This is to be a Christian. — I am ready." The second passage glowingly describes that spiritual desire for highest adoration, which burns within the human heart, and lends it a fire of faith strong enough to meet the fii-es of martyi-dom unflinchingly : — Vivia. " 0, have you not A life within, that asks another life For its unfolding ? Hast not felt thy soul To swell and press against this limiting earth ? Hast never thirsted for a perfect Truth ? Hast never long'd to meet with what should fill Full to its largo desire thy sense of praise ? To praise — praise infinitely, were enough. To dwell for ever with the Great Perfection, , The one untiring, ever-moving Spirit Of Good, — what were it ! Then to have reveal'd By light, the element wherein he dwells, His mighty plans, wrought out of one great law, The law of Love. No longer mystery : Faith turn'd to sight, as promis'd of the Lord. — Think what joy, what loving adoration. Would burst the song of praise from forth our souls, — Praise' that hadgain'd increaa'd intelligence. To meet the work of His intelligence, — When, with our upturn'd eyes, we reached the height. Where, like the beams of his own sun on the mountain, Rested the all-seeing gaze of the Creator, Over the world he made ; and he proclaim'd That— All was good I " 110 SAINTCECILIA. The exact dates of neither Saint Cecilia's birth nor martyrdom, are known ; it is merely ascertained that she met her doom in the spring of the year 230. But the day appointed for the com- memoration of Saint CecUia's anniversary, is the 2 2d of November ; and it has been the graceful custom to celebrate the festival of the patron-saint of Music with a vocal and instrumental performance in her honour. A little volume, containing an account of these mu- sical celebrations of Saint Cecilia's Day has lately been put forth by William Henry Husk ; and among the collection of odes he has appended, Dryden's, Pope's, and Cougreve's are those most distin- guished in name. They are each characteristic of their several au- thor's styles, although treating of the same theme. The passages strictly relative to Saint Cecilia herself, shall be quoted here, as af- fording illustrative evidence of this remark. First, Dryden's ; — ro- bust and vigorous : — " Thus long ago, Ere heaving bellows learn'd to blow, While organs yet wore mute •, Timotheus, to his breathing flute And sounding lyre, Could swell the soul to rage, or kindle soft desire. At last divine Cecilia came, Inven tress of the vocal frame; — The sweet enthusiast, from her sacred store, Enlarg'd the narrow bounds. And added length to solemn sounds. With nature's mother-wit, and arts unknown before. Let old Timotheus yield the prize, Or both divide the crown ; He rais'd a mortal to the skies ; She drew an angel down." Then Pope's ; smooth, neat, and well-turned : — " Music the fiercest grief can charm, And fate's severest rage disarm ; Music can soften pain to ease, And make despair and madness please : SAINTGE CILIA. HI Our joys below it can improve, And antedate the bliss above. This the divine Cecilia found, And to her ^laker's praise confin'd the sound. When the fall organ joins the tuneful quire, Th' immortal pow'rs incline their ear : Borne on the swelling notes, our souls aspire While solemn airs improve the sacred fire ; And angels lean from Heav'n to hear. Of Orpheus now no more let poets tell. To bright Cecilia greater pow'r is giv'n His numbers rais'd a shade from hell, Her's lift the soul to Heav'n." And lastly, Congreve's ; courtly, polished, — almost as bowingly gallant as one of his own comedy fine gentlemen. We seem to see Dan Phoebus, in embroidered coat and ruffles — ^like Mirabell or Bell- mour, at the feet of MUlamant or Belinda — laying his harp and his laurels at the feet of Saint Cecilia, in the hoop-petticoat and powdered head-dress of Mrs. Bracegirdle : — " Cecilia comes, with holy rapture fill'd. To ease the world of care. Cecilia, more than all the Muses skill'd, Phoebus himself to her must yield. And at her feet lay down His golden harp and laurel crown ; The soft enervate lyre is drown'd In the deep organ's more majestic sound. In peals the swelling notes ascend the skies ; Perpetual breath the swelling notes supplies. And lasting as her name Who form'd the tuneful frame, Th' immortal music never dies." Saint CecUia forms a blended impersonation of Christian faith, divine music and feminine purity. V, '"1- rv*« .'X HELOISE. Hardly could a finer exemplar of the principle of self-abnegation be pointed out than Heloise. She formed an embodiment of that generous passion of love which prefers the honour of the beloved object to its own. That noble affection which lives and has its breath in the welfare of another — the chosen one. That affection whose ambition is exalted, — for it seeks the glory of another self, instead of self-aggrandizement ; whose aspirations are all disinter- ested, having for aim the advantage of the beloved one, forgetfid of personal distinction. Peculiarly a womanly affection, — content to merge all considerations of individual fame (even womanhood's fame itself) in that of the man preferred, proud of his renown, and humbly willing to remain obscure, and even defamed for his sake. Her tragical history may be gathered from the celebrated " Letters " written by Abelard, and herself, which fortunately time has preserved ; thus enabling us to trace, almost in autobiograph- ical form (the incidents of the story in his, the inner essence, its truth of respective character in hers), the private particulars of two l^elngs who played so conspicuous a part in the World's great Drama, seven centuries since. In Abelard's letter, which was addressed to a friend, who had suffered severe misfortune, and 15 114 HELOISE. whom lie wished to inspire with fortitude, from a detaU of griefs far exceeding those he strove to console, and indeed, almost unex- ampled in calamity, — are detailed the afflicting circumstances of his and Heloise's life up to that peried ; and in the letters of Heloise, are revealed the intimate vestiges of character, and moral conformation that marked each. Her own character is brightly visible in the warm outpourings of the woman-heart, overflowing through every line and every word ; while that of Abelard is latently legible in the appeals she with such fervom" and eloquence addresses to him. Heloise was one of those women, in whom a strong intellect is combined with equal strength of feehng; in whom ardour of mind is co-existent with the most glowing generosity of soul. From childhood, she was distinguished by mental capacity and affection- ate disposition. From earhest youth she applied herself to science and philosophy ; and became mistress of the Latin, Greek, and Hebrew languages. Very beautiful, she diligently cultivated her understanding, which was naturally vigorous. She received her first education in the convent of Argenteuil, near Paris; and during girlhood, pursued her studies under the roof of her uncle, Fulbert, who was a canon in the cathedral of Paris, and almoner to King Henry I. of France. Her uncle, proud of Heloise's attainments, — rare at any time in a woman, but especially so at the period when she lived, — which had already won her a name in the world, was eager to promote her tuition. When therefore Abelard appeared in Paris, in the full lustre of his scholastic reputation, and proposed to enter Ful- bert's house as a boarder, gi^^ng instruction to the niece as an equivalent, the canon, — who was no less parsimonious than violent- tempered, caught at this proposal, which aftbrded so fail- an oppor- tunity of fulfilling his views. Abelard's own words remark upon H E L IS E. 115 the rash folly of the canon's behaviour ; thus " confiding," as it were, " a tender lambkin to the care of a famished wolf." The advantages to be gained by the plan so blinded Fulbert to its dangers, that he actually placed his young niece under the sole direc- tion of her new preceptor ; begging him to devote all the hoiu-s he could spare, to her iastruction, and went so far as to empower Abelard not only to see her at all hours, but, if he found her neg- ligent or inattentive, to use chastisement. Thus, the designs of Abelard were offered every facility for success, by the imprudence of the uncle ; and, placed in this con- stant proximity with his beautiful pupil, he failed not to take full advantage of his position. Heloise was but seventeen, when she first met Abelard ; while he was a man of thirty-nine. Hers was the very age at which a girl of her temperament and her endow- ments, was likely to become enamoured of a man of his age and character. He came to her surrounded by all the influences of his learned reputation, his graces of person and manner, his scholarly and varied accomplishments. She herself makes touching allusion to this. It has an effect, as if recording to posterity her lover's talent, and appealing to it in extenuation of her early fault. "Among the qualities that distinguished you," writes she to him many years afterwards, " you possessed two gifts especially, which must have won you the heart of any woman : I mean, those of poet and musician. I cannot think that these accomplishments were ever before possessed by a philosopher in equal degree. It was thus, that, as a relaxation from your philosophical studies, you composed, by way of pastime, numberless verses and love-songs, whose poetic thought and musical grace, found an echo in every heart. Your name flew from mouth to mouth ; and your stanzas remained graven in the memory of even the most ignorant, by the sweetness of your melodies. And ah ! in consequence, how the 116 H E L ISE. hearts of all tlie women were drawn towards you ! But as the greater number of your verses sang our love, my name soon be- came distinguished, and then the envy of women was roused." The classical reading of Heloise had habituated her to imbibe her ideas of right and wrong from such precejDts as she found in the pages of the ancients. She had no mothei", no female guide near her to counsel and advise ; no friend at hand to point out where a gu'l might run fearfullest hazard in forming her conduct solely upon the tenets of such authors as she read. Aided by womanly admonitions, Heloise might have reaped wholesome ad- vantage from her studies, and learned to gather fuller and wiser meaning fr-om them. As it was, she may be imagined to have made her own crude and too-large construction of such books as she studied ; and that from this — joined with her own generous natm-e — she grew to be over-reliant and confiding, where she gave her heart. It is probable that her girlish enthusiasm implicitly interpreted passages hke the following one from Plato : — " For when the lover and the beloved have once arrived at the same point, the province of each being distinguished ; the one able to assist in the cultivation of the mind and in the acquirement of every other excellence ; the other yet requiring education, and seeking the possession of wisdom ; then alone, by the union of these conditions, and in no other case, is it honourable for the beloved to yield up the affections to the lover." From his character of professor of divinity, numbering among his scholars those who subsequently proved some of the most emi- nent men of the time — (a pope, nineteen cardinals, more than fifty archbishops and bishops, among ecclesiastics ; and the almost incredible number of five thousand disciples in all, are asserted to have owed their education to Abelard's school of instruction) — from his high reputation — from being one of the most able dialec- H E L IS E. 117 ticians and keen disputants then living — from his attractions of person and manner, then in the prime of mature manhood — fi'om his more refined and tasteful acquirements combined with knowl- edge, — Abelard could scarcely faU of becoming master of the whole heart and mind of a girl whose previous pursuits had moulded her to a loving reverence for intellectual supremacy. Her reading had made the ancient philosophers her book-idols ; and now she be- held embodied before her theii- living representative in this gifted man, possessed not only of their powers, but of a handsome person, a most winning tongue, and an all-absorbing passion for herself. Well skilled in the arts of casuistry, practised in the subtlest and smooth- est forms of sophistry, he was at no loss to beguile the judgment, whUe he fascinated the aflfections of his willing conquest. From being pupil, Heloise became mistress to the man she loved better than herself; and, from that time, made his will — ^not her own — the rule of her life. The uncle — obtuse as he was rash — was the last to discover their intercourse ; and when he did — rash as he was obtuse — burst into fury against this shame to his family, and reproached Heloise with making herself and him the scandalous talk of Paris. The lovers were separated for a time ; but Abelard took advantage of a temjjorary absence of Fulbert's, to convey Heloise away, disguised as a man, into Brittany, where she re- mained with a sister of Abelard's called Denise, and there gave birth to a son, whom she named Astrolabus. Fulbert's rage knew no bounds at this public proof of domestic infamy; and Abelard, to ajjpease his wrath, went to him, and offered to repaii- the injury his family honor had sustained by marrying Heloise, on condition that the union should be kept a secret. Repenting the act of treachery he had committed, Abe- lard was w illin g to make the only reparation in his power ; but knowing that it involved the ruin of all his hopes of ecclesiastical 118 H E L OISE. preferment, and even — constituted as letters then were — the de- struction of all Lis literary ambition and prospects of learned fame, he affixed this condition to his protfer of redress. Fulbert readily promised compliance, only too rejoiced to secure a proposal beyond his utmost expectation ; for such a marriage, besides salving his wounded reputation, would secure his niece's union with a man whose scholastic renown rendered his alliance a liic^h distinction. But the person most nearly interested in the project, viewed it with far less selfish eyes. Abelard, on arriving ia Brittany to commu- nicate what her uncle and himself had agreed upon between them, found Heloise wholly averse from the proposed marriage. Ever more sohcitous for him than for herself, she foresaw, in this step, his ruin, and she chose rather to abide by her own. He had ali'eady taken degrees in clerical office ; and the clergy of his per- suasion are prohibited from wedlock. She knew, that were he to marry, all hope of advancement as an ecclesiastic was precluded ; and she was aware that unless ordained, his prosjiects of attaining fame as a man of letters were at once quenched. Literary eminence was at that time almost wholly confined to the priesthood ; and, were Abelard to put it out of his power to become a dignitary of the chm'ch, he could hardly dream of acquiring that renown which his talents were sure to command, had they free scope for their exercise. Heloise placed all these inducements before her lover ; urged all the arguments which her erudition could so well supply from philosophical and theological authority, that might prevail with him to give up the thought of taking a wife; — she cited the Apostle's words, the Saint's exhortations against assuming the yoke of marriage ; represented the loss which the church would sustain, and the detriment phUosojihy would suffer, if so shining a light as Abelard's genius were withdrawn from them ; and, in short, left no plea unadvanced which could support his cause against her own. HELOISE. 119 She even went so far as to assure him that she would prefer owing all to his love and voluntary fxith, unshackled by any tie. "With a woman's romance of generosity — in stri\'ing to persuade him into what she thought would be for his best advantage — ^she made it seem her own wish that they should remain united by affection only, without the ties of marriage. This piece of prodigal self-abnegation has been curiously mis- conceived. In judging so exceptional a character as that of He- loise, it is impossible to gauge it by ordinary rules ; but conven- tional minds will pronounce conventionally, however singularly above theu- own the mind they contemplate. With tears and prayers she sought to dissuade Abelard from making the sacrifice he meditated ; but finding that he was bent upon its fulfilment, she yielded to his will — as she did from first to last in all things — ■ and accompanied him back to Paris, that the marriage might be privately performed. Here, a few days after their return, having passed the whole night in a secluded church, praying with holy vigil and pious ob- servance, Abelard and Heloise went through the nuptial ceremony in presence of her uncle and a few trusted friends ; quitting each other immediately it had taken place, living separately in great re- tirement, and seeing each other but rarely, and with every pre- caution, in order to keep their marriage concealed. But Fulbert, forgetful of all his promises, and thoughtful only of the affi'ont his family honor had received, lost no time in spread- ing the fact of the marriage, as pubhcly as possible, to efface the former scandal. Heloise, on the contrary, soHcitous only for Abe- lard's interest, and convinced that his being known as a married man would annihilate his advancement, persisted in denying the circumstance. Her uncle, furious at her steadfast adherence to her views of what was right ; enraged that she should be more careful 120 H E L I S E . of anotter's reputation than lier own, and jealous of lier deference to any authority but Ms — for lie suspected Abelard of actuating her conduct — vowed to make his niece repent her pertinacity ; and as she resided in the same house with him, he had no difficulty in carrying his threat into effect. Abelard, coming to the knowledge of Fulbert's harshness towards his niece, rescued her from this treatment by taking her away from the canon's house, and placing her in the convent of Argenteuil, where she had been brought up. This step only the more roused Fulbert's wrath, who saw in it, as he thought, the desire of a villain to rid himself of a woman's claims to be acknowledged as his wife, by inducing her to become a nun. Blindly rash and violent as ever — goaded into ferocity now — he planned a vengeance of pre-eminent cruelty and wicked- ness. He found means to execute his barbarous scheme, by brib- ing Abelard's servant to admit some hired ruffians into his master's chamber at midnight, who there committed a foul deed which left the unhappy husband no other resource than to retire into a monastery, and grieve out the remainder of his life in seclusion and celibacy. Heloise, not only sharing, but anticipating his im- molation, took the veil at Argenteuil ; and then Abelard became a monk in the Abbey of St. Denis. In their cloistered life, as in their worldly sojourn, the natures of the two were conspicuously marked by difference of individual character. Heloise shines nobly the superior, in generosity, unselfish conduct, heroic devotion, firm faith, and constancy of heart. While Abelard — ^restless and miserable — fretted against the horrors of his fate, passing a fever- ish existence of alternate squabbles with his monks, burning regrets for his lost happiness, vain attempts to gain the power and honor which his talent entitled him to obtain ; Heloise set herself bravely and in earnest to the task of subduing her emotions, disciiJining her soul to resignation, and endeavouring not only to preach peace HE L O IS E. 121 and virtue but to practise them. At St. Deuis, and afterwards at St. Gildas, Abelard rebuked the disorders of tlie respective com- munities ; but with so little effect, that in the former place, the monks conspired to accuse him of high treason and heresy, and compassed the condemnation of one of his theological works, which was publicly burned at Soissons ; while, in the latter place, the brotherhood resented his interference so virulently, as to seek his destruction by poison. Finding that his suspicions were aroused sufficiently to make him examine ordinary food, they sacrilegiously infased poison into the consecrated wine at the very altar : and on another occasion, one of his attendants chancing to eat of what had been prepared for his meal, died on the spot. Heloise — who had also had her difficulties to contend with in the shape of conventual disorderliness and refractory members among the sisterhood, after bearing the ignominy of being exjielled in company with them from the convent of Argenteuil, although her own conduct was blameless — •found refuge in the Oratory of Paraclete, and succeeded in estabhshing regularity among the nuns, whose abbess she became. This Oratory of Paraclete had been built by Abelard ; and by him was she installed there. After eleven years of separation, they met on the occasion of the conse- cration of the community. The husband and wife — the married lovers, fate-divorced for Hfe — ^met after eleven years of mutual un- extinguished passion, and unquenched regret. But theii* respec- tive relations were now so changed as to subdue all token of what passed within the sanctuary of these closed hearts. God alone can know the emotions that surged beneath the outward calm of the Monk's frock and cowl, the Abbess's veil and habit. He was the superior and pastor ; she the holy recluse. Abelard's own words record the exemplary conduct of Heloise in her appointed station here. He says : — " The Abbot of St. Denis reclaimed as an ap- 16 123 IIELOISE. purtenance formerly subjected to the jurisdiction of liis monastery the convent of Argenteuil, where my Heloise — for some time past my sister in Christ Jesus rather than my wife — had taken the veil. Hardly was she appointed Abbess there, when he violently expelled the community of nuns over which she presided. Be- holding them thus driven out to exile and dispemon, I conceived that the Lord presented me an occasion of establishing my Ora- tory. I repaired thither, and invited Heloise and such of her com- munity of nuns as remained attached to her person to come and take possession. On theii* arrival, I made them a donation of the entii-e Oratory and its dependencies, and after this donation, by the consent and intervention of the Bishop of the diocese. Pope Inno- cent II. confii-med to them by privilege its possession in perpe- tuity, to them and those who should follow them. They lived here some time, poor, and only too desolate. But a ray of Divine mercy, which they so devoutly implored, did not fail to reach them. The Lord, the true Paraclete (the Consoler), touched with pity the hearts of the surrounding population, and inspired kindness to- wards them. One single year multiplied around them the pro- ducts of the earth more, I veritably think (God only knows), than a hundred years would have done for me, had I remained there in their place. For inasmuch as the female sex is feebler than ours, so their distress is more moving, and affects more readily the hearts of their fellow-creatures ; and as in the eyes of mankind, so like- wise to God, is their vii-tue more acceptable. Thus, the Lord, in his goodness towards our dear sister, who directed her companions, permitted her to find favour in the eyes of every one. The Bishops cherished her like a daughter, the clergy like a sister, the laity like a mother ; and all equally admired her fervent piety, her wisdom, and her incomparable gentleness and patience in all things. She was seldom seen, keeping retu-ed' within her cell, that she might H E L I 8 E . 123 devote herself the more exclusively to her holy meditations and prayers: but this only made those around her the more eagerly solicitous to obtain her presence, and the pious instruction derived from her conversation." Abelard, a prey to disappointment, iiTitable from misfortune, had not the temper successfully to controul those under his gov- ernment, nor to subdue those who were his enemies. These latter pursued their accusations of heresy ; and he resolved to defend himself from the charge before the council. He was again con- demned ; and he then determined to appeal to the Pope. Jour- neying for this purpose, he halted at Cluni, where he was hospita- bly received by Peter the Venerable, abbot there. The good ec- clesiastic soothed his gi'iefs, and strove to appease his foes. He persuaded Abelard to cease from contention, to retire from con- troversy, to withdraw from the vexations and strifes of existence, and to stay and end his days with him at Cluni. Abiding here in the strictest retu'ement, practising the austerities of the order with the utmost rigour, exciting admiration by his penitence and mark- ed humility, he died two years after, in 1142. After the death of Abelard, Heloise obtained permission from Peter the Venerable, to have the remains of her husband conveyed to Paraclete, where they were accordingly interred. She survived him ; but held thenceforth no communication with the world. She ceased to correspond with her friends ; and wrote them no more letters. She spoke no word thereafter, save in prayer or in instruc- tion. She never again pronounced the name of Abelard ; and al- lowed her heart to revert to the past only when communing with God. She dedicated herself with fervour to all the observances of her order, fulfilling its several penances, and undergoing its most rigid discipline. She re^Tsed and confirmed those ordinations for the ruling of her convent, and for the conduct of her nuns, which 124 H EL 18 E. she had laid down with so much care and judgment ; and the sub- stance of these ordinations proclaims her own admirable nature, and noble-hearted courage. Never did woman, betrayed into a single weakness in early youth, expiate it subsequently by strength of repentance and moral valour more completely than Heloise. He latter life was a fine act of self-redemption. She spent it, not in fruitless murmurs, or doleful lamentations ; but in humble, yet energetic eflbrt, she sought to improve those around her, while meekly chastening her own spirit. She turned her former fault into a source of leniency and forbearance towards others, while sin- cerely repenting it herself; and used her sorrows as a means of ennobling, not of enervating her heart. She made them teach her unselfishness, not selfishness. She made them help her to sustain, not to reproach him, who although their source, was equally with herself their sufiferer. She made them enable her to bury within her own soul her agony of martyred love, and rather try to assuage her husband's murdered happiness by assumed composure, than complain of her wifehood's death. Heloise is a type of womanly fortitude in affection — strong in passion — strong in generous for- getfulness of self — strong in endurance — strong in faith — strong in constancy. She was strong in intellect, and strong in good sense, — not always the same thing. She commanded the respect and esteem of those who knew her ; and won their lasting regard. She was revered and loved by the sisterhood of Paraclete, who owed their welfare to her discretion and prudent governance. She became an object of edification to the world ; was loaded with benefits by princes and potentates; and possessed the steady friendship of Peter the Venerable. She died Abbess of Paraclete, the 17th of May, 1164, aged sixty- three, twenty-two years after her husband Abelard. It was ex- actly the number of years between their respective ages ; and it HELOISE. 125 seemed as if she merely survived Lim that period, to bring them together in all respects. At her own request, Helolse was buried in the same tomb with her husband ; and here they were at length re-uuited in death. The beautiful belief of the time — more true in the essence of its imaginative and poetical creed than much of the present prosaic literality — averred that when Heloise's body was laid beside that of her wedded lover, his arms opened to re- ceive her. Many learned men of the time affirmed the circum- stance, and bore testimony to its being fact. The very point of its being stated — even invented — ^proves the grand force of mutual attachment recognized as existing between the two. They Avere known to be so united by love for each other, though cruelly sev- ered by fate during life, that it seemed as if then* ultimate joining by death must be marked by some visible sign of welcome — some token of joy beyond the course of mortal operation. The gi-ave closed their griefs, and crowned their wish, by restoring them once more and for ever to each other's arms, together to enjoy eternity of peace and love. The tastefully designed Gothic tomb which received the re- remains of Abelard and Heloise, was constructed from the clois- tral ruins of Paraclete, and brought to Paris at the beginning of the present century; subsequently it was placed (in 1817) in the cemetery of P^re-la-chaise, where it still stands — a shrine of interest to visitors from aU. parts of the globe. It has been well said of Heloise by one of her biographers, — " She is one of the personages of the twelfth century whom we know most, but not best." She stands forth generally as an object oipity^ rather than of admiration; she is remembered in her errors and her misfortunes, rather than in her expiation and her courage. She is celebrated for her learning, instead of for her strength of understanding. She has come down to us through the 126 HELOISE. medium of fiction, instead of in her own fine reality. Poets and romance-writers liave presented her to our fancy invested with at- tributes for compassion, rather than for veneration. They have disguised — nay, disfigured her with their adornments, instead of letting us see her in her simple beauty of plain truth. Her own lettera reveal her high-minded warmth of feeling ; as her life ex- hibits her noble character. Her style is esteemed a model of elegant latinity for the age in which she lived ; — ^it is animated, energetic ; and where her heart, speaks the language is fervent, emphatic and natural. Of the language, of the mere diction and construction of the Latin in which these letters are written, scholarly men are, of course, the most competent judges ; but it is, perhaps, only a woman, who can truly discern the intrinsic spirit — what Shake- speare so finely calls " the inly touch of love" — of these letters. It almost requires a woman's heart to penetrate the core of woman- hood resident in these lettera of Heloise. They are so instinct with that involuntary shrinking and veiling of the secret depths of passionate feeling — even when most impulsively uttering its irrepressible emotions — which characterize a woman's writing, that scarcely any man can correctly read its more delicate shades of meaning. That still farther reserve of tenderness which always lies beneath the most unreserved expressions of tenderness in a woman, teaching her to adopt a mode of utterance that conveys but imperfect representation of her heart's workings, demands feminine insight to perceive its fnll extent. No man but one ever deciphered the soul of womanhood in its entirety, in its hidden involutions, as in its outward demonstrations ; and that one was WUliam Shakespeare. In the letters of Heloise are to be descried this intuitive reticence of the womanly nature, conjoined with the singularly bold outspeaking of her time. It is this plain out- HELOISE. 127 speaking, tliis straightforward usage of words and terms, which that age sanctioned, and which the custom of writing in Latin aided in producing, which has greatly served to blind those who have hitherto judged Heloise by these letters, to the internal evidence tbey afford of her character. The plain terms she uses, convey to modern ideas, an impression of grossness ; whereas, they were no more than what those, well versed in philosophical discussion and doctrinal disputation, constantly employed. Besides this circum- stance, the involuntary subterfuge of womanhood above alluded to, — and which is not so much a conscious withholding of the whole truth as an instinctive sensitiveness, and generous desire to reveal but that which shall render homage to him who is beloved, in- stead of asserting the claim of her who loves — ^has tended to keep the in warder sense of Heloise's eloquent epistles as yet undis- covered. Some of the ablest biographers and essayists have ex- pressed wonder at certain of her sentiments and acts ; not perceiv- ing the true interpretation they bear. For instance, one of the most esteemed among those who have written upon this subject, confesses himself at a loss to account for the long silence maintained by Heloise during the years which first followed her retreat into a cloister, and to conceive the reason which at length induced her to break this silence, by addi-essing that letter (the first) to Abe- lard. The essayist does not seem to perceive that two causes served to hold that noble heart in mute sufferance : — ^first, its entire resigna- tion to the will of its possessor — an obedient resignation which formed the principles of her whole conduct ; and secondly, the profound wound that her love had received, which made passive endurance her only resource. He whom she had elected controul- ler of her destiny, had willed her life-burial, and she buried her griefs with herself in dumb submission to his decree. The reason of her breaking silence, was the sudden coming to a knowledge of 128 H E L O I S E . Ms griefs, of the long years of tortured misery he had gone through, the perpetual harass and disappointment he had sustained, the existing perils which beset him even whUe he wi'ote, which forced from her that passionate outburst of long-pent feeling. His letter to a friend, detailing the history of his injuries, of his sor- rows, and of his anxieties, chanced to fall into Heloise's hands, and she could no longer resist the irrepressible impulse to write to him. The intense feeling — ^the vital freshness of blood-warm emo- tion imbuing every sentence of that letter, di'ew hot tears from eyies that perused it for the first time — ^seven ages af£er the words were peB|ied. They flowed straight from the heart of the woman- writer, and they went straight to the heart of the woman-reader. " One touch of Nature makes the whole world kin ; " and that touch of kindred womanhood struck with sympathetic vibration through long cycles of the world's revolution ; creating direct in- tercommunion between a breather of the twelfth century, and one of the nineteenth in sistership of compassionate interest. There is another point upon which the generality have failed to comprehend this great-souled woman. The motive of Heloise's re- fusal to sanctify her attachment by marriage, has been strangely misunderstood and misrepresented: and instead of the spirit of self-sacrifice which evidently dictated it, the relaters of her sad story have attributed her act to caprice of will, and licence of sen- timent. Pope, in his celebrated epistle, " Eloisa to Abelard," con- firms this misconstruction of her motive, in those meretiicious lines : — " How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made. Love, free as air, at sight of human ties. Spreads his light wings, and in a moment flies. — Let wealth, let honour, wait the wedded dame, August her deed, and sacred be her fame ; Before true passion all those views remove ; HE LO I S E. 129 Fame, -wealth, and honour ! What arc you to Love ? The jealous God, when wo profane his fires. Those restless passions in revenge inspires. And bids them make mistaken mortals groan, Who seek in love for aught but love alone. Should at my feet the world's great master fall, Himself, his throne, his world, I'd scorn 'cm all; Nor Cwsar's empress would I deign to prove ; — No, make me mistress to the man I love ; If there be yet another name more free. More fond than mistress, make mo that to thee." Not by the wild irregular impulse, liere conveyed, was she ac- tuated, but by the purely generous desire to promote the ftme and honour of her lover at the expense of her own ; for not only did she object to maiTy him, but she denied her marriage after it had taken place, because she believed it would be an impediment to Abelard's advancement. So far from being a woman subject to weakness, and swayed by inclination, she possessed remarkable power over her feelings. She was a woman of strong passions, with wonderful command over them ; their very strength proving the force of mind she could exercise when called upon to subjugate them. The ascen- dancy which Abelard possessed over her young heart and imagina- tion, and the generous preference she ever gave his wishes and his interests to her own, existed unchanged through her whole life. The same prodigality of affection which occasioned her to sacrifice maiden fame to his persuasions, and caused her to relinquish the privilege of being acknowledged his wife, made her willingly ac- cede to his desire that she should quit the world, and immure her- self in a cloister, when he found himself compelled to retii'e into a monastery. The prompt obedience she showed in this instance, contrasts nobly with the unworthy doubt of her which this con- duct betrayed. His selfish exaction was best rebuked and shamed 17 130 HELOISE. by her immediate yielding. The injurious mistrust implied in his wishing her profession as a nun to preceds his taking the vows of a monk, was none the less felt by her because she at once deferred to its dictate ; but with her native warmth of character, she em- braced this as an occasion of yet another act of self-devotion to him she loved. Moreover, knowing that to her the world was dead, she was content, still living, to become as one dead thence- forth. The errors of Heloise's passion are almost merged in its excess; and well-nigh forgiven in its constancy. The fortitude, the heroic firmness with which she accepted the lot assigned to her, and the subsequent courage and calm with which she sought to render it a means of expiation in sustained performance of duty, amount to the sublime of human endeavour. Distorted by the medium through which his grosser perceptions viewed them, it was from the two first of Heloise's original letters that Pope took the ground-work of his "Epistle " above-quoted. But — if the opuiion may be given without presumption — ^the fiivour which the poet's version (or rather vulgar travestie*) has met with, is surely rather to be attributed to the neat quotable couplets with which the poem abounds, than to any fidehty of transcript it affords of that noble woman^s sentiments. How poorly does the illicit love- rant in which Pope's heroine bemoans her own departed joys com- pare with the generous warmth of feeling and concentrated force of expression with which Heloise declares her acute sense of their mutual misery — of Ms anguish, Ms afflictions. How pronely, yet how nobly does she assert her readiness to abide by any decree of Abelard's, and share his xitmost rigour of fate, exclaiming : " I who without hesitation, God knows, would have either followed or * Such an interpretation of tlio letter of Ileloiso, was to be looked for froiii the man who libelled bis whole sisterliood with the well-known axiom : " Every woman is at heart ft rake." IIELOISE. 131 preceded you into tlie burning gulpha of the earth, if such had been your good pleasure ! " Infinitely pathetic and solemn is that " God knows ! " And she says, with an ardour, heightened by the very simplicity of the words, " For my soul was not with myself, but with thee." Even more energetic is the effect in the origiual Latia terseness ; — " non enim mecum animus mens, sed tecum erat." This sentence, in fact, contains the key to Heloise's whole course of action. To please him, to fulfil what he wished, she placed her very being at his disposal. In one passage she says, with her own strength of expression: — "I struck my senses themselves with interdict to obey your will. My whole ambition has been to become thus, and above all things, your property." The humility, the lowliness with which she casts herself at the very foot of liis love, so that it will but accept hers in its perfect devotion, is the absolute transcript of womanly affection. "With this clue to Heloise's self-transfer and self-prostration in her love for Abelard, should be read the passage in her first letter, which has been so superficially judged to afford proof of her licence of inclination with regard to the marriage-tie. Wonder has been expressed that she should prefer being a mistress to a wife ; and it has been pronounced extraordinary that she should rather live shamed than righted. It is far more wonderful that they should not see, that it is any thiug but her own preference she is pleadmg for, and that it is his honour that occupies her thought instead of hers. Let the words speak for themselves, in their simple integrity ; nay, even in their old-world plainness and out-spoken freedom. The heart- felt earnestness of their writer will excuse them with those hearts capable of feeling that where the sentiment is sincere, it signifies not whether it be clothed in the candour of the antique fashion, or veiled in the more decorous language of modern refinement. 132 HE LOIS B. Tlius writes Heloise to her husband : — " Never, God knows, have I sought in you other thing than yourself. It is you, you alone, not your possessions that I loved. I thought not of rights of wedlock, nor of dowry, nor of my pleasures or my inclinations ; it is yours, you well know, that I have studied to satisfy. Although the name of wife be deemed more holy and more strong, another would always have been dearest to my heart — that of your mis- tress ; and — shall I say it without shocking you ? — that of your concubine or your leman ; hoping, that the more I made myself humble and of small account, the more should I raise myself in grace and favour with you, and that, contenting myself with this lot, I sliould tlie less fetter your glorious future!''' " I thank you for having not entirely forgotten all my senti- ments on this subject in the letter addressed to your friend for his consolation. You have not disdained to recapitulate some of the motives which actuated me in striving to dissuade you from this fatal union ; but you have passed over in silence almost all the rear sons which made me prefer love to mamage ; liberty to indissolu- ble bonds. I take God to witness, that if Augustus, supreme mas- ter of the universe, had offered me the signal honour of his alliance, placing at my feet the emj^ii'e of the whole world, I would have accepted with more joy and pride the name of your paramour than the title of empress. For neither riches nor power constitute a mail's su/periority : in tlie one ca^e it is the effect of fortune ; in the other^ that of meritP It is this last clause of Heloise's protest that explains her sentiment. They who discover mere flagitious propensity and perverted appetite in Heloise's declaration that she would rather be Abelard's mistress than Caesar's empress, read the isolated sentence without its context. She proclaims her indivi- dual preference for the sole man in the world who she feels to be worthy of her love and possessed of her love ; and it is this exclu H E L ISE. 133 siveness of attacliment which she believes authorizes her utmost prodigality of demonstration. When she asserts that she would rather bear the name of mistress than wife, it is because she feels that the foi'mer lets her owe all to Abelard's favor, and the latter will shackle his cai'eer. Self-abasement is her pride, if it serve to will his love ; self-transfusion into an embodiment of his wUl is that which she desires, so that his content is secured. The very words with which Heloise continues her argument for claiming supremacy of merit to be the sole gi'ound on which a woman's preference for a man should be based, proves the jjurity of her love-creed, and evidences that she holds individuality of af- fection to be that which hallows its unreserved bestowal. She goes on to say : — " The woman who espouses more willingly a rich man than a poor man, and who seeks in a husband his rank rather than himself, let this woman be sure she is for sale. Assuredly she who is biased by such calculation to engage in matrimony, may be entitled to the market-price, but not to any tenderness of grat- itude ; for it is very certain that she regards fortune, and not the person of her husband ; and that she moreover regrets not having been able to prostitute herself to a more wealthy jDurchaser." Let the reader faii-ly say, whether the open speaking of Heloise does not justify itself, by the honesty and veritable delicacy of the doctrine set forth. The mingling of intense feehng with unselfish thought for him addressed, was never more vividly exhibited. Her appeals are made in the most generous spirit, whUe within them may be traced the involuntary cries of a heart that feels itself scarcely yet understood, even by the man to whom it is wholly given. Men cannot comprehend that yearning for the tenderness of love, when the passion of love is denied, which women feel. Men, when deprived of the passionate expression of their affection, feel as if all were lost, and nothing less contents them ; but a 134 H E L I S E. woman can rest satisfied witli deprivation of personal assurance of her lover's fondness, if she possess undoubted proof that his tender- ness of attachment, — his love remains securely hers. And with what exquisite tact of delicate subtlety does Heloise convey this desire of her woman's soul ! How she begins by conjuring Abelard in the name of her sisterhood as well as herself, and gradually, — as her pen warms into more individual fervour as she goes on, — how insensibly does she fall into the more exclusive form of address. She beseeches him to write to her and her nuns ; aud while entreating it as a relief to their anxiety for his safety, be- trays how the feminine instinct, the desire to yield consolation, actuates the request. She says : — " In the name of Christ, who still reserves you for his service, and whose lowliest servants we are as well as yours, — ah ! we conjure you, deign to write to us frequently. Tell us, amid what shipwrecks you are still tossing, we need to know them.- We alone remain to you in this world; let us take part in your sorrows, as in your joys. Wounded spiiits find some consolation in the compassion they inspire ; a burden sustained by many is borne more easily, and seems more light. If this tempest should abate, hasten, — hasten your letters ; we cannot be too soon re-assured. Whatever be their contents, they cannot but do us good, since they will at least prove that you hold us in remembrance. " How sweet it is to receive a letter from an absent friend ! Seneca teaches us this from his own example, when he writes to Lucilius : — ' You write to me often, and I thank you ; for you show yourself to me in the only manner possible to you. I never receive one of your letters, but we are immediately together.' K the por- traits of our absent friends gently beguile our sight, and charm the regrets of absence by a vain phantom of consolation, what for more lively joy should we not feel in receiving letters which bring us the actual impress of the absent friend ! H E L I S E . 135 "Thanks be to heaven, these means still remain to you for affording us your presence ; malice does not forbid it to you, no obstacle interposes ; let not delay, I beseech you, arise from your negligence. " You have wi'itten to your friend a long consolation, with a view to hia misfortunes, it is true, but touching yours. While thus minutely recalling them to console him, you have greatly added to our affliction : while seeking to assuage hia hurts, you have open- ed new wounds in oui* grief, and you have widened the old ones. Heal, in mercy, the sufferings you have inflicted, since you pour balm on those that others have caused. You have soothed the sorrows of a friend, of a companion, and you have discharged the debt of friendship and close intimacy ; but your obligation towards us is stUl more sacred : for it is not fiiendship we feel towards you, but adoration and worship ; we are not your companions, but your daughters ; and if there be a name yet more tender and more holy 'tis that becomes us. As to the importance of the debt which engages you to us, is it needful to dwell on proof and e\adence, as if of any thing doubtful ? After God, you are the sole founder of this retreat, the sole architect of this Oratory, the sole creator of this community. You have not built upon a foundation already made ; all here is your work. This solitude, frequented only by wild animals and robbers, had never known human habitation, had never possessed a single house. Upon the very dens of wild beasts, upon the very haunts of marauders, here, where the name of the Lord had never been heard, you raised a divine tabernacle, a temple dedicated to the Holy Ghost, the Comforter. For this work you never had recourse to the wealth of kings or princes, when you might have obtained aught you demanded, in order that nothing of what was done might owe its existence to any but your- self Clerks and scholars came in crowds to profit by your instruc- 130 H E L I S E . tions, aud furiiisliecl you witli the necessary means ; and tliose who lived by the benefices of the church, accustomed to receive rather than to make offerings, those who till then had hands only for tak- ing and not for giving, became profuse and importunate in their liberalities. This new plantation in the field of the Lord is then truly yom" property. It is filled with young plants which require watering that they may flourish. This i:)lantation is weakly from the very circumstance of its being of female growth : it is feeble, even were it not newly set." Thus does she seek to interest him. in their young community ; while, with true womanly sentiment, glorying in attributing all they now possess, to him and his pious exertions. The words with which she concludes this portion of her letter, are beautifully characteristic. " You, who do so much for your enemies, remember what you owe to us, your daughter. And without sj^eakiug of my sisters here, I claim your debt towards myself: — -perchance you will he more eager to recompense at once these women xoho have given tliem^elves to God, in the person of her who gave herself solely to you^ How involuntarily in the sentences that follow, does the wo- man's heart betray its deep-hidden sense of bruise and injury, while asking spu'itual consolation ; how the secret pain, crushed down in silence for so many years of outward patience and submission, speaks in throes of agony through those calls for comfort, — the comfort that the assurance of his love in unchanged tenderness and regard for her can alone bring. How unwillingly, even to herself, has she owned the keen sense of his lessened thought of her, yet how irresistibly it presses upon her, and with what self-existent force it penetrates through her words. Thus she proceeds : — " The numerous and extensive treatises which the holy Fathers have composed with so much zeal for the instruction, for the en- H E L I S E . 13Y couragement, and even for tlie consolation of nuns, your vast eru- dition acquaints you with better tlian our helplessness. And it is not without some painful wonder that I have remarked your long forgetfulness of those kindly commencements you made in our conversion. Oh my master ! nothing has moved you on our be- half, neither Christian charity, nor your love for us, nor the example of the Holy Fathers. You have abandoned me in my tottering faith, and in the deep dejection of my soul. Your voice hath not rejoiced mine ear, your letters have not consoled my sohtude. " Yet you know the sanctity of the duties which your engage- ments impose upon you. Hath not the sacrament of marriage united us to each other ? And what claims are wanting upon your affection for me, if it be true that in the face of heaven and earth I have always burned for you with a love unlimited ? Dear — dear — you know, and no one is ignorant of it, that in losing you, I have lost all." The repetition of that simple title, " Dear — dear," is ineffably moving in its pathos of eloquence: it is like her heart sobbing forth its irrepressible sense of loss and woe. It reminds one of the knell that rings in Milton's beautifully mournful iteration : — " Now thou art gone ! Now thou art gone ! " which has struck upon so many bereft hearts with sympathy of lament in reading the " Lycidas." Elsewhere Heloise says with generous compunction, and with the same under-current of appeal, seeking to awaken his tenderness while tenderly and humbly pouring forth her own undying love for him : " How dear have I cost you ! And yet, most innocent was I, you know. Crime consists not in deed, but in intention. Justice does not weigh the event, but the thought which produced it. 18 138 H E L I S E . You, who alone have been the object of my every sentiment, can alone judge them. I abide by your sentence — I leave myself to your verdict.'' The conclusion of this finely eloquent letter is worthy to form its climax. It is solemn in its characteristic fervoui* and simplicity, dignity, and humility : — " By that God Himself, to whom you have consecrated yom-self, I conjure you to restore me yom* presence in the only manner possible to you ; that is to say, by the consoling virtue of a letter. Thus re-animated, I shall at least be able to apply myself with more fervency to the Divine service. Formerly, when you sought to win me into mundane enjoyments, you plied me ceaselessly with letters; each day your lays placed your Heloise in every mouth ; every place, every house rang with my name. This eloquence, of old employed to incite me to ten-estrial pleasures, shall it not now dedicate itself to the holy pm'pose of drawing me towards Heaven ? Once again, bethink you of the duty you owe ; consider what I ask : and I conclude this long letter by a brief close. Farewell — you are all to me." Abelard's reply was couched in equally characteristic terms. It shows the man to us in %dsible form — ^the egoist, the clever dialec- tician, the expert sophist, with just the touch of pedantry belonging to his conscious attainments, and his pugnacious disposition. He was proud of his intellectual strength, and loved to prove it in intellectual combats ; he felt his erudite superiority, and was fond of opportunity for evincing it to the world. His habit of doctrin- ising and dogmatising not only made him ever on the fret for de- monstrating his learned knowledge in public, but it led him into perpetual quotation in his private letters. He even imbued his pupil, Heloise, with this addiction to the citing of authorities, from the ancient classic wiiters in philosophy, and from the Fathers of the Church in controversy. She quotes Seneca and St. Jerome in H E L I S E . 139 tlie course of lier letters to Abelard ; and lie mentions tliat in tlie very act of taking tlie veil, she ejaculated amid sobs and tears the complaint of Cornelia, from Lucan's " Pharsalia." In Abelard's answer to Heloise's first letter, we behold him grave, staid, almost reproving — the austere monk, the admonitory pastor. He absolves himself fi-om the charge of neglecting her and her sisterhood, on the plea, that knowing her to be richly endowed with all gifts of divine grace, he felt support from him to be unnecessary, and that he had therefore administered no exhortation, addressed no precept to the community of nuns at Paraclete. He heaps her with lauda- tion, but expresses no single word of sympathy for her avowed weakness, or any syllable that shows he comprehends herself. The nearest phrases approaching to what might serve to show that her craving for his tenderness meets response, are those where he says, " it is especially with this hope that I send you the psalter which you requested of me. Sister very dear to me formerly in worldly life^ now a thousmid times more dear to m£ in Christ Jesusy And afterwards : — " You know, very dear, and well Moved, what affec- tionate charity your convent,