■ 1M JV~~»' NEW CHAPTERS IN GREEK HISTORY. NEW CHAPTERS IN GREEK HISTORY. HISTORICAL RESULTS OF RECENT EXCAVATIONS IN GREECE AND ASIA MINOR. BY PERCY GARDNER, M.A., Litt.D., LINCOLN AND MERTON rROFESSOR OF CLASSICAL ARCHAEOLOGY AND ART, OXFORD ; LATE DISNEY PROFESSOR OF ARCHAEOLOGY, CAMBRIDGE. WITH ILLUSTRATIONS. UIIVBESIT7 toros^ LONDON: JOHN MURRAY, ALBEMARLE STREET. 1892. ^n i o LONDON : PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CKOSS. ^0 SIR CHARLES THOMAS NEWTON, K.C.B., PROFESSOR REGINALD STUART POOLE, DR. BARCLAY VINCENT HEAD, AND MY OTHER COLLEAGUES AT THE BRITISH MUSEUM, 1871-1887, £ gratefully gcbicate these Jiapxr0, IN GREAT PART WRITTEN WHILE I ENJOVED THE INESTIMABLE ADVANTAGE OF THEIR SOCIETY AND DAILY COUNSEL. PREFACE. £> The object of the present work is to try to call more eeneral attention to the results of recent excavation in Greek lands. This object I have tried to express in the title chosen : it will of course be understood that the New CJiapters are not the chapters of this book, but the chapters which have been opened to us at Mycenae, at Olympia, and in the other scenes of recent researches. The interest of these researches is many-sided : some people will be attracted by their mythologic, some by their artistic results, some by their bearing on ancient life and manners, and so forth. On their artistic aspects I have scarcely touched, this book being not primarily concerned with art. My endeavour has been to set forth briefly, and, if possible, in a way tending to interest all Fhil-hellenes, the gains which the excavations of the last twenty years have brought us in regard to our knowledge of Greek history, using the word history in the widest sense, as covering not only political events, but all sides of the activity of a nation. About half of the matter in this work has been printed before. The greater part of Chapters IV., VI., VII., VIII., IX., XV. has appeared in the Quarterly Reviezv, viii Preface. most of Chapter X. in the Contemporary Review, most of Chapter XI. in the Fortnightly Review, and parts of Chapters I., V. in Macmillaris Magazine. Chapters I., II., III., XII., XIII., XIV. are mainly or entirely unpublished, and V. and VI. are in great part new. I have to thank the proprietors of the Contemporary and Fortnightly Revieivs and of Macmillari s Magazine for permission freely to use this old material. I have carefully revised it, in some cases almost re-writing, and in all cases endeavouring to bring my work up to the level of recent knowledge. One chapter only, that on the Successors of Alexander, I have not attempted to revise. It is evident that so slight a sketch of so vast a subject could not be seriously corrected. The claim of this paper to appear in the present book rests on the fact that it embodies the results of considerable numismatic research. As a rule the inscriptions found at the sites dealt with in these chapters have not been discussed, as such dis- cussion would have been too technical, and dealt only with detached points. Besides, to deal only with the subject-matter of the inscriptions discovered on the one site of Olympia would take a volume. Inscriptions do, however, furnish the main theme of two Chapters, XII. and XIV. The Chapters are quite independent, excepting II. to V., in which is attempted the very difficult task of giving a slight account of the recent discoveries of the remains of pre-historic Greece. In a subject so rapidly moving and so full of false lights, it is dangerous to commit oneself to any views ; and it is almost certain that future discovery will modify any views set forth under the Preface. ix existing circumstances. But I felt it incumbent on me not to avoid the responsibility of publishing such opinions as many years' study of the subject have suggested to me. The few illustrations used are all taken from authori- tative works, and intended only to make the text more intelligible. I have to express my indebtedness to the authors and proprietors of them. These Chapters were usually written as a relief in the intervals of lecturing, cataloguing and other more absorb- ing employments. They are not, I need scarcely say, in- tended to be exhaustive. Within limits so narrow nothing more could be attempted than to give a rough outline. I have written not for archaeologists, but for the ordinary educated reader, for those who are acquainted with the literature or the history or the art of Greece, and who wish to fill up lacunae, or to learn in what directions the spade is increasing our acquaintance with ancient Hellas. Certain inconsistencies, as the use sometimes of I and sometimes of the more formal we, or differences in style and scale, result from the variety of the occasions on which various parts of the work were written. Also in some of the papers earliest written, especially Chapter X., are passages which I should not now write : but these, unless actually incorrect, I have not usually altered. Of the sites not here treated of, some are dealt with in more or less detail in recent papers by other writers. As to Delos the reader is referred to Professor Jebb's paper in the first volume of the Journal of Hellenic Studies; Ephesus and the Cimmerian Bosphorus are spoken of in Sir Charles Newton's Essays ; Icaria and Paphos in Mr. Louis Dyer's Gods in Greece. But the x Preface. English literature on this subject is anything but extensive. My principal obligations are expressed in the dedica- tion. In addition, I am indebted to several friends, in Oxford and elsewhere, for reading the proofs of various chapters and helping me with suggestions and corrections, in particular to Mr. W. W. Fowler, Mr. D. G. Hogarth, and Miss Alice Gardner. PERCY GARDNER. Oxford, \st March, 1892. CONTENTS CHAPTER I. THE VERIFICATION OF ANCIENT HISTORY. Scarceness and unsatisfactory character of ancient authorities, I. Desirability of verification, 3. Actual and ideal history, 5. Possible tests of historical fact, geographic, 8 : inscriptions, 1 1 : works of art, 14: coins, 15. Instance, Mycenaean history, 17. Great extent of materials for verification of history, 20. The verification of history by the imagination, 22. Principal means, travel and archaeology, 24. CHAPTER II. PHRYGIA AND TROAS. The exploration of Asia Minor, 28. Inconsistent accounts of the Phrygians in ancient writers, 30. The Phrygians properly a wanior clan who ruled a Canaanite population, 31. The region about Mount Sipylus, 34. The Greater Phrygia on the San- garius, 35. Reliefs of this district, 37. Great Phrygian tombs, 40. The Troad : excavations at Hissarlik, 44. Correspondences and discrepancies with the Iliad, 46. Exceptional finds of the Mycenaean class, 51. The Palace, 53. CHAPTER III. MYCENAE AND THE ISLANDS. Geography of Argolis, 56. Legends of Mycenae, 58. Pausanias at Mycenae, 59. Subterranean treasuries, 61. Schliemann's dis- covery of rock-tombs, 63. Subsequent excavations, 67. Orcho- menus, 69. Bapheion, 70. Close relations of art to Egypt, 72. Mr. Petrie's date, 74. Burials at Mycenae probably re-inter- ments, 76. The circle of stones later, 79. Indications of con- nection with Phrygia, 81. Comparison with legends accepted by Thucydides, 83. Date of Achaean civilization, 84. The Carian theory, 86. Mycenaean and earlier remains in the Islands, 87. xii Contents. CHAPTER IV. THE PALACE AT TIRYNS. Position of Tiryns, 91. Its history, 93. The Palace, 96. Propy- laea, 100. Forecourt, 101. Great hall, 102. Bath-room, 106. Quarters of women, 107. Alabaster frieze, no. Wall-paintings, in. Chambers in walls, 112. Question of nationality, 114. Splendour of heroic age, 116. CHAPTER V. RECENT DISCOVERIES AND THE HOMERIC POEMS. Date of Homeric poems, 118. Native and imported works of art at Mycenae, 120. Break in art after the Dorian invasion, 123. The geometric style, 125. Revival of art under eastern influences, 126. The shield of Achilles, 130. Other works described in the Iliad, 139. The Cup of Nestor, 141. Homeric armour, 143. The Palace of Odysseus, 145. The golden age at Mycenae, 151. CHAPTER VI. ANCIENT CYPRUS. thoenicians and early inhabitants, 153. Cult of Aphrodite, 155. Adonis, 157. Greek settlements, 159. The Cypria, 160. Persian Conquests, 162. Evagoras, 164. The Ptolemies, 165. Effemi- nacy of people, 167. Mediaeval Cyprus, 168. Present inhabitants, 171. Beginning of excavations, 173. The discovery of the language, 173. Cesnola's excavations, 175. Cyprus Exploration Fund, 177. Classes of tombs, 178. Excavation at Paphos, 1S0. Excavation at Salamis, 181. The problem of Cypriote art, 183. CHAPTER VII. NAUCRATIS AND THE GREEKS IN EGYPT. Earliest contact of Greeks and Egyptians, 188. Psammitichus, 1*9. Egypt opened to the Greeks, 191. Discoveries at Daphnae, 194. Inscriptions at Abu Simbel, 198. Aprics, 198. Amasis, 200. Site of Naucratis, 202. Early history of the colony, 204. Pottery of Naucratis, 206. Building of the Hellenion, 208. Scarabs and pottery, 214. The Persian conquest of Egypt, 215. Egyptian revolts, 218. Alexander the Great in Egypt, 223. The Ptolemaic regime, 225. Contents. xiii CHAPTER VIII. THE EXCAVATION OF THE ATHENIAN ACROPOLIS. Recent excavations on the Acropolis, 231. Visit of Pausanias, 235. The Acropolis in pre-historic times, 236. The kings, 238. De- struction by the Persians, 239. Reconstruction after B.C. 479, 241. Levelling of surface, 242. Burial of broken statues, 243. Old temple of Athena, 244. Pediment of temple of Athena, 245. Other early pediments, 246. Female figures, 247. Early Athenian vases, 251. Works of Cimon, 254. Was the old temple of Athena rebuilt? 255. Splendid works of Pericles, 256. The Propylaea, 258. Cults of the Acropolis, 259. Later history of the Acropolis, 262. Lord Elgin, 263. CHAPTER IX. OLYMPIA AND THE FESTIVAL. The German excavation, 266. Physical training in Greece, 267. Nudity and oil, 269. Ancient and modern feats, 271. Institution of the Olympic festival, 273. The throng in the Altis, 274. The temple of Zeus, 277. The Heraeum, 283. Other buildings in the Altis, 285. Palaestrae outside the Altis, 289. Order of the contests, 293. Rewards of the victors, 297. Downfall of Greek athletic sports, 300. Their place taken by military exercises, 303. CHAPTER X. THE RELIEFS AND INSCRIPTIONS OF ATHENIAN TOMBS. The cemetery by the Dipylon, 305. Reliefs representing daily life, 307. Reliefs having reference to death, 311. Symbolical figures, 314. Conventional character of monuments, 316. Backward reference of reliefs, 320. Inscriptions on public tombs, 321. Simplicity of private inscriptions, 323. Metrical epitaphs, 325. Paucity of references to future life, 330. Christian epitaphs, 331. Minatory inscriptions, 334. CHAPTER XL SPARTAN TOMBS AND THE CULTUS OF THE DEAD. Discovery of archaic reliefs at Sparta, 338. Representations of heroes on them, 340. Ancient beliefs as to the future life, 341. Persis- tence of burial customs, 343. Details of the Spartan reliefs, 344. Lycian tombs and reliefs, 346. Representations of banquets, 347. The hero as rider, 351. Female figures in heroic reliefs, 353. Connection with Attic sepulchral reliefs, 353. Terra- cotta statuettes in graves, 354. xiv Contents. CHAPTER XII. EPIDAURUS AND ANCIENT MEDICINE. Plato's opinion of medicine, 357. Rise of the cult of Asclepius, 35S. Democedes, 359. Other public physicians. 360. Physicians' oath, 361. Precinct of Asclepius at Athens, 363. The Plains of Aristophanes, 365. Excavations at Epidaurus, 368. Records of cures by Asclepius, 370 : their date, 376. Later Asclepian in- scriptions at Epidaurus and Rome, 378. CHAPTER XIII. ELEUSIS AND THE MYSTERIES. Sources of our knowledge, 381. Various local mysteries, 383. Origin of those at Eleusis, 384. Four acts of the mysteries, 386. Pro- cession to Eleusis, 38S. The Hall of the Mystae, 389. Proceed- ings at Eleusis, 392. The sacred dramas, 395. Vase-paintings. 399. Effects of the celebrations, 401. CHAPTER XIV. DODONA AND THE ORACLES. Early cults at Dodona, 403. Apolline oracles, 405. Methods of giving responses, 407. Dodonaean responses in ancient writers. 408. Leaden tablets with questions discovered by Carapanos, 400. CHAPTER XV. THE SUCCESSORS OF ALEXANDER AND CREEK CIVILIZATION IN THE EAST. History of Hellas and Hellenism, 413. Essentially Greek character of Alexander's conquests, 414. Paucity of authorities for later Greek history, 417. Condition of Macedon after Alexander, 419. Gaulish invasion, 420. Reconstitution of the kinerdom. &.11 Greece : the Achaean League, 423. The reformed Sparta, 425. The Aetolians, 426. Egypt, 427. Syria, 430. Greek hold on Asia, 431. The far East, 433. Cities of Syria and Asia Minor, 435. Expansion of commerce, 436. Rhodes, 438. Changes in religion, 440. Sarapis, 442. Cybele and Mithras, 443. The Games, 445. Erani and thiasi in Greece, 446. Philosophy, 447. Material progress and science, 449. Wealth and luxury, 451. Profligacy, 452. Domestic life; position of women, 454. Senti- ment for nature, 456. Realism in art, 457. LIST OF ILLUSTRATIONS. PAGE 51. Jewelry from Hissarlik 53. Ground-plan of Palace, Hissarlik 62. The Acropolis of Mycenae 64. Royal tombs, Mycenae 65. Mycenae swords .... 66. Siege of city, Mycenae 69. Ceiling at Orchomenus 71. Gold cups from Bapheion. 99. Plan of Upper Citadel, Tiryns 113. Walls at Carthage and Tiryns 138. Phoenician Cup, Cyprus . 139. Gold plate, Mycenae . 141. Cup, Mycenae 144. Gold seal, Mycenae 234. The Acropolis of Athens . 278. Olympia 390. Eleusis SOURCE. Schliemann's Ilios, p. 488. Schliemann's Tiryns, p. 225. Schuchhardt, Schliemanrts Ausgrabungen, trans., p. 298. Schliemann's Mycenae,-^. 124. Bulletin de Corr. Hell., vol. x. Epheincris Arch. 1891, pi. 2. Schliemann's Tiryns, p. 299." Arc/idol. Anseiger, 1S90, p. 104. Schliemann's Tiryns, pi. ii. P- 3-4- Cesnola's Cyprus, pi. xix. Schliemann's Mycenae, p. 309. P- 237. „ „ P- 174- Journ. Hell. Studies, 1S80, pi. viii. Funde von Olympia, pi. i. Praktika, 1887, pi. i. NEW CHAPTERS IN GREEK HISTORY. CHAPTER I. THE VERIFICATION OF ANCIENT HISTORY. There is a notable distinction between the records of ancient and the records of modern history. All that we possess of records of ancient history, that is, of the ages before the great barbarian invasions, reaches us as wreckage, as a small remnant which has survived the flood of ages of ignorance and has floated down to us. The records of modern history, on the other hand, are mostly on our side of the flood. From this one fact arise great differences in method between the investiga- tion of the history of Egypt or Assyria, Greece or Rome, and the investigation of modern history, some of which will be mentioned below. But the most important differ- ence lies in the far greater necessity for verification in the case of ancient history, wherever verification is possible. The great difficulty of writers on modern history is in co-ordinating the vast masses of material before them, comparing statement with statement and writer with writer, and deciding which version of a story has the better authority. Writing and printing have for several centuries past been so usual that almost everything im- portant which has happened has been somewhere or other recorded. It is the quantity rather than the scarcity of information which makes our great difficulty in dealing with modern, and particularly with very modern times. The opposite holds of ancient history. There the great 13 7. New Chapters in Greek History. [Chap. I. trouble is not only the conflict of authorities, but even more their paucity. If anyone wanders away from the main stream of ancient history he will be astonished to find how little is recorded. We scarcely know the out- lines of the history of the Phoenicians, the Etruscans, or even the Parthians. We learn little about the cities founded by the Greeks in South Italy, and of their sudden and wonderful bloom ; and even if we follow the main stream of history we continually find that we have but a single narrative of an event, and that single narrative on the face of it very improbable if not impossible, or obviously prejudiced, or inconsistent with itself. Nor have we only the paucity of ancient authorities to complain of, but also their unsatisfactory character. A considerable part of our account of ancient history rests on the word of such writers as Diodorus and Justin, who follow authorities no longer extant, and whose judgment is worth next to nothing. When Diodorus contradicts Thucydides we lightly set him aside, but when he contra- dicts no one, because no one else mentions the particular event of which he is speaking, then, in the absence of any direct counter-evidence, we are disposed to accept his statements. Perhaps we cannot help doing so ; but if the woof of ancient history contains such patchings how can it hold together ? Even to the best and most trustworthy of ancient writers, with one or two possible exceptions, feelings such as are now usual as to the sacredness of fact were absolutely foreign : there is a scientific realism about the modern mind which is a recent growth, and of which the ancients generally had no more notion than they had of gunpowder or of printing. And at all events from the time of Thucydides onwards, we must make allowance in all ancient histories for the strong influence of rhetorical and sophistic tendencies, which grew stronger and stronger. Chap. I.] The Verification of A ncient History. 3 Hence to many students the pursuit of ancient history is a gradual education in scepticism. They begin by despising Diodorus, and go on to doubting Herodotus, until they proceed to have very grave doubts about many things in Thucydides. And if there comes a reaction, it is only the reaction which is the natural fruit of that extreme scepticism which is always conservative. Men do not learn to believe in the ancient writers more, but they begin more and more to doubt whether certainty is attainable in ancient history at all. Abandoning all hope of reaching actual fact, they become content to learn what was believed by this or that party, this or that historian. They take the statements of ancient writers with a grain of salt ; but they do not attempt a really searching criticism of those statements, because they regard such criticism as an attempt to measure distances with an elastic thread or to rule lines with a rod of pith. The spirit of criticism and the spirit of scepticism are 1/ the same. And as we cannot in these days cease to be critical, it is likely that we shall tend more and more to scepticism as regards ancient history. But the best, per- haps the only, remedy for scepticism lies in the possibility of to some extent verifying ancient history. This verifica- tion consists, in history as in physical science, in bringing views before they are finally accepted to the test of actually-existing fact There are of course limits to the availability of such facts in the case of ancient history, yet the test can sometimes be applied, more often than most students of ancient history are disposed to believe. I do not propose now to discuss all the tests which may be brought to bear upon the statements of the ancient historians. For example, the languages of the ancient world, though sometimes dead, are at least very well- preserved corpses, and their dissection is a scientific process whence may accrue much gain to history. No B 2 4 New CJiapters in Greek History. [Chap. I. doubt comparative philology furnishes us in many cases with a test whereby we may directly learn the truth in such matters as the geographical distribution of races, their relations one to the other, and their economic and social conditions at various periods of history. But com- parative philology is so far outside the circle of my know- ledge that I cannot venture to speak further of it. Perhaps more important from the historical point of view is the very modern science of ethnography, which deals with the beginnings of civilisation, traces to a common origin customs prevailing in various lands, and shows how in many countries the same primary forces of human desire and intelligence produced results of a parallel character. Comparative mythology and folklore come under this head. Of course this test is of little value when we come to speak of civilised societies. But in regard to the earliest history of Egyptians, Greeks and Romans, the religious customs and social habits of those nations, the ethnographic test may be applied with advantage. I propose, however, to confine myself to the mention of four classes of facts with which our narratives of ancient history may be brought into contact: — (i) geographic fact, (2) inscriptions, (3) works of art, and (4) coins. These classes of facts we must briefly consider in turn. But first I wish to insist on a distinction of some import- ance to the enquiry before us. We must distinguish between objective history and sub- jective history, between what has really taken place in the world, and what is supposed to have taken place. Ob- jective history is the succession of events as they would appear if investigated on the spot by a committee of men of thorough scientific training and free from preposses- sions. We know how the phonograph repeats as often as is Chap. I.] The Verification of A ncient History. desired words spoken into it, in the very tones in which they were spoken. If all the past history of the world were registered in a sort of infinite phonograph, and a com- mittee of savants had the power of rehearsing again and again any event of the past which interested them, with all the accompanying sights and sounds, then in time we might form an actual or objective history of the world, not indeed absolutely free from subjective colouring, since our savants would be after all but men, yet with very little colouring beyond such as belongs to man generically. Beside the stream of actual history of the past runs another stream of ideal history, the course not of that which has really taken place, but of that which is supposed to have taken place. Of course, speaking strictly, this is not one stream but many, for at every period there must have been the widest differences of opinion between men and men as to events which they witnessed, or of which they heard. But with every day the variety of these opinions would diminish, until after a while, one or two or three versions of each event would gain ascendancy and be perpetuated in books of history. Each nation or city or group of men would come to some rough agreement as to what they believed to have happened, and this belief would then take its place in what I have called ideal history. Of course nothing like all the versions of various events actually current have come down to us ; sometimes we have but one version, sometimes two, sometimes a dozen: while objective history is a single line, subjective history resembles a skein sometimes of one thread, some- , times of two, sometimes of many. However, infinite complexity arises from the fact that actual and subjective history are ever acting and reacting one on another. It is of course the object of every his- torian to recover so far as is possible, the actual objective course of events. But the historian's duty is not limited 6 New Chapters in Greek History. [Chap. I. to that. It does not in the least follow that if we can really settle the objective history of some event, we can afford to neglect the versions of it current at the time or subsequently. For it may often turn out that beliefs as to - what took place, though not corresponding to the facts, yet exercised a greater political and social influence than the facts themselves. This will be clearer if we take an instance from Greek history. We do not know whether the Greek tradition of a war waged by the Greeks in common against Troy was based upon fact or not. To prove either that it had a real foundation or that it had no real foundation would be a great triumph for a scientific historian. But at the same time the decision of this point would not be of great im- portance in relation to subsequent Greek history. The contemporaries of Miltiades and of Alexander believed • that the Trojan war was historical fact, and that belief of theirs exercised an enormous effect on their political and military actions. So, if not itself a fact, the Trojan war became the cause of innumerable facts. Even if it never took place it was far more powerful among the realities of the world than if it had taken place and been forgotten for want of a sacer vates. In fact, anyone would easily see what a blunderer the historian would be who made a demonstration of the non-reality of the Trojan war a ground for asserting that it had nothing to do with Greek history. It seemed the more necessary thus to insist on the value of ideal history in order to guard against the notion that the present book is in any way directed against the literary study of the ancient historians. It is true that it advocates as strongly as possible the most exact and painstaking attempt to discover the actual objective facts of past history. And it is true that its tendency is directed against the notion that objective history can be recovered Chap. I.] The Verification of Ancient History. J from the ancient texts alone, without the discipline of existing facts. But even if we knew with absolute cer- tainty the entire objective course of ancient history, the texts of the great ancient historians would scarcely lose anything either in interest or importance. It is their modern commentators who would suffer, and not they. In some respects they would even gain, as their works would acquire a fresh psychologic interest, and shew us more clearly than before through what kinds of spectacles ancient historians looked at the events passing on around them, and on what principles they constructed their narratives. It is, however, almost entirely with objective history that we have at present to deal. The existing facts of the world take us beyond the mere subjective statements of historians, and enable us to investigate in a certain number of cases the actual realities of past history. And we are able to do this in two directions, first in regard to actual fact of 'past history, civil and military affairs, the dates of migrations and wars, of the founding of cities and their destruction, the very bone and frame- work of the past ; and, secondly, in regard to the back- ground of history, the state of manners and of arts, the customs of daily life and the cultus of the gods, the nature of houses, of arms, and clothing and the like. To take a single monument of the past for illustration. Everyone who has seen representations of that marvellous tapestry at Bayeux, on which is portrayed, by contem- porary hands, the Norman Conquest of England, will understand that it is naturally appealed to, alike when there is a question as to some of the actual facts of the ad- ventures of Harold and the Battle of Hastings, and when we wish more fully to realise the outward life of the times, the forms of towers and churches, of ships and camps, or the arms and equipment of Norman and of Saxon. 8 Neiu Chapters in Greek History, [Chap. I. We must briefly indicate the nature of the services rendered to ancient history in both these directions by existing fact of four classes : geographic, epigraphic, artistic, and numismatic. I. The geographical test is of all the easiest to apply to historical narrative, and that which requires the least special preparation. It may even, in these days of good maps, be applied in many cases without the necessity of foreign travel. But, of course, travel is a necessity for those who wish to make much use of it. Of all tests which can be applied to the woof of history, the geographical is the most objective. The facts on which it is based depend not at all on man and his fancies, but on the laws of physics and chemistry. Thus primarily they can be applied only to the recovery of objective history, and not immediately to ideal history. It may, in some cases, turn out that geographical fact is totally at variance with all the accounts of an event which have been handed down to us : in such a case we are almost helpless. But far more often the facts of geography will establish one and discredit the other of two contending views of an event. Let us take an instance or two. In the first volume of the Transactions of the American School at Athens, Professor Goodwin has published a masterly criticism of that account of the battle of Salamis which has generally passed current, and is adopted by Grote, Busolt, and other authorities. This account, based professedly upon the text of Herodotus, supposes that on the night before the battle the Persian fleet which had been stationed in the neighbour- hood of Athens, moved right along the shore of Attica to Eleusis, so as to block the Greek fleet into the opposite Chap. I.] The Verification of Ancient History. 9 harbour of Salamis ; and that with morning it advanced in long line from the shore of Attica against the Greek fleet to destroy it ; but was beaten in a battle in the straits. Professor Goodwin's first object is to prove that this account cannot be reconciled with the geographical facts of the straits. The map in Grote's history, where it looks not impossible, is incorrectly drawn, and on so small a scale as to be merely misleading. The writer then goes on to consider the only alternative view which the con- figuration of the district permits ; namely, that the Persians did not blockade the Greeks by sailing through the straits between Attica and Salamis, but only blockaded the other end of the straits towards the Megarid by send- ing a squadron round the south coast of the island of Salamis. That this is what really took place he produces strong arguments to prove, for which I can only refer to the paper itself. And Professor Goodwin might have said, in the manner of many a hasty writer before and since, that if Herodotus gives a different account Herodotus must be wrong. But Mr. Goodwin is not content with so summary a dismissal of testimony ; so, after making out the course, which, according to his observation of geo- graphical facts, the battle must have taken, he turns again to our ancient authorities, Aeschylus, Herodotus and Ephorus, as followed by Diodorus, to see if the ideal account accepted by them was really in contradiction with fact. He tries to shew that the language of Diodorus (Ephorus) and of Aeschylus, who was probably an eye- witness of the battle, suits the version of the strategy which he proposes, better than the received version. And, finally he maintains that even the language of Herodotus is very easily to be reconciled with his own view. Of course it is only on the spot that one could finally test the arguments of Mr. Goodwin : and his views do not io New CJiapters in Greek History. [Chap. I. seem to be accepted by some of those who have since written on the subject. But whether he be right or wrong, in any case his method is admirable. His facts are worth thousands of pages of learned comments on ancient texts,, if made without regard to things, and merely based on the interpretation of words. A second instance is furnished by the very careful in- vestigations of Gen. Cunningham as to the place and details of the battle between Alexander and Porus, pub- lished in the first volume of his Ancient Geography of India. It is true that Gen. Cunningham's discussion is marred by a want of critical power, for he does not make sufficient distinction between the trustworthy narrative of Arrian, based on the testimony of contemporaries, and the comparatively valueless statements of Curtius. But he redeems this fault by the care and thoroughness of his topographical studies, and the determination with which he himself marched on the roads which Alexander's army would take to reach the Indus, thus testing their practic- ability. His views appear to be in harmony with Arrian's narrative, though of course unless one has been on the spot one cannot fully judge of them. It is geographic survey and experiment only which can, in a case like this, establish a solid causeway across the marsh of uncertainty, rendering easier the labours of every scholar who shall in future concern himself with this passage of history. I should not omit to mention in this connexion the vigorous and repeated efforts of Prof. Ramsay, Mr. Hogarth and others, to throw light on the confused geography of Asia Minor, and on the course taken by the roads in pre- historic, in Persian, and in Roman times. The expeditions of Xerxes, of the younger Cyrus, of Alexander, of Trajan, must all be wrapped in some degree of uncertainty as regards detail, until we more fully know the geography of Western Asia. Chap. I.] The Verification of Ancient History. n II. The second test is furnished by inscriptions. It is how- ever at once evident that ancient inscriptions can never furnish us with so objective a test for history as geo- graphical facts. There has perhaps been some misunder- standing on this point, and too pronounced a tendency in certain quarters to regard inscriptions as infallible, which they clearly are not. All that we can prove from the recovery of an inscription is, firstly, that a certain version of fact was current in a particular time and place, and secondly that this version was proclaimed by the public setting up of a document recording it. The value of the testimony of inscriptions must be judged by the same canons as that of any other testimony, and it can in some cases only help us to recover ideal, not objective history. But for instance, if the inscription contains a lav/ or decree of any kind, it is an objective fact that the law or decree was passed and recorded by authority. As regards the earlier part of ancient history, the annals of the Egyptians and Assyrians, it is well known that in our days inscriptions are the main source of knowledge, and the writings of authors like Berosus, Diodorus, and even Herodotus are only used, with the greatest caution, to fill gaps, or to compare with the contemporary docu- ments, the mass of which is yearly growing upon us. As an instance of the abundance of this ancient material, there are in the British Museum thousands of un-read cuneiform tablets, so many in fact that it has been stated that they cannot t*e read and arranged in less than a century from now ; yet every year increases the stock. The importance of the cuneiform documents has come home to classical scholars in connection with the question of the credibility of Herodotus. Not many years ago 12 New Chapters in Greek History. [Chap. I. critics were divided on the question whether the testimony of Herodotus or that of Ctesias was preferable in regard to the ancient history of the East, and the controversy would doubtless have been periodically revived, the " last new view " being on one side or the other alternately, but for the possibilities of verification now offered by cunei- form tablets, which have decided for all time that Ctesias was the impostor and Herodotus the true man. But with regard to the value of Greek inscriptions, the opinion of the learned is not so unanimous ; and it has sometimes been proclaimed with authority that Greek in- scriptions are of little value for Greek history. It is easy enough to understand how such an opinion could arise in the mind of a scholar who should approach Greek history only from the literary side. And it has thus much of truth in it, that it is but seldom that we can quote a statement of Herodotus or Thucydides, and then print on the oppo- site page the text of a Greek inscription which disproves that statement. Such instances can be found. For example, Grote rejected on the ground of the silence of Thucydides, the assertion of some ancient authorities that the tribute which the Athenians exacted from their allies was doubled towards the end of the Peloponnesian war. Nor could the question between Thucydides and the other writers have ever been settled but for the testimony of one of the inscriptions published by Kohler in his Urkunden zur Geschichte des Delisch-Attischen Bundcs, which proves beyond question that such a raising of the tribute did occur. And the new fact tells against Grote's view of the character of the Athenian government. In regard to the services of inscriptions to the bone and framework of Greek history it is sufficient to refer to these tribute-inscriptions or to the Parian Chronicle now pre- served at Oxford. Yet it is generally allowed that the corrections in historical fact due to inscriptions arc really Chap. I.] The Verification of Ancient History. 13 but a small part of their use and importance to us. They are continually leading us into fields where the ancient historians are silent. They show us what the relations were between city and city, what laws were passed to govern the conduct of the citizens, what decrees in honour of benefactors. They reveal to us a hundred traits of manners and feeling, a hundred customs of religious cultus or of daily life. The ancient historians give us full de- scriptions of the manners and customs of the barbarous nations outside Greece, but naturally they assume a know- ledge of Greek manners in their readers, a knowledge necessarily existing at the time, but now barely to be gained by the most laborious application to literature, to art, and to inscriptions. And the facts thus acquired and held in the mind are as important for verifying ancient history as are the facts of Greek geography. They as it were throw a strong light on to the background of history, whereby we may see with far greater accuracy the progress of events which passes in the foreground. With inscriptions we should class, seeing that they are practically a kind of picture-writing or sculptured record, those historical reliefs which give us a professed represen- tation of events in ancient history. As the well-known historian of the Norman Conquest tests the literary accounts of the Battle of Hastings by comparing them with the Bayeux Tapestry ; so must those who would follow the history of the conquest of Dacia by Trajan compare the accounts of the Roman historians with the relief of the wonderful column which was set up to com- memorate that conquest while it was still fresh, and which still remains in modern Rome as a legacy of the ancient renown of the Roman arms. 14 • New Chapters in Greek History. [Chap. I. III. The third test which can be brought to bear on history, that of works of art and style, is of all tests the hardest to apply. It can only be applied by specialists, and even by them with great caution. But special study is gradually teaching us more and more how much men may be known by their works. The bone of a fossil animal is not more expressive to the palaeontologist than is a piece of pottery or a weapon to the student of mankind. And if the facts which we thus learn about man are vague and general, and do not extend to political detail, they are nevertheless very important in their way. For an instance of the application to history of this test of works we may go back almost to the origin of history itself, to an interesting statement of Thucydides in the eighth chapter of his first book. He says that when in his own time the Athenians at Delos proceeded to purify the island by removing the dead buried there, the majority of these corpses appeared to be of Carian nationality, to judge from the character of the arms buried with them, and the fashion of their interment. This statement of Thucydides is in itself thoroughly scientific. He speaks in just the same way as an archaeologist of the most modern stamp. It is true that if Thucydides had described, in but a dozen words> the fashion of arms and the manner of interment to which he refers, he would have laid us under still deeper obliga- tion. He was writing, as was very natural, rather for his contemporaries than for the barbarians of future ages. But even writing as he does, he gives us a clue : and more than one series of excavations in the last few years has been undertaken in order to ascertain more exactly Thucydides' meaning in this passage, and to discover what value is to be attached to his observation. Chap. I.] The Verification of A ncient History. 1 5 In fact, not only this passage but the whole of the extremely valuable first fifteen chapters of Thucydldes' first book cross and recross the path of classical archae- ology a score of times. Sometimes archaeological research conveys to us for the first time the full meaning of his words, sometimes it clearly shows him to have been im- perfectly informed upon certain points. Into all this I cannot here enter more fully. But there are few passages in any ancient author which gain more by the comparison with the testimony of the existing remains of ancient art and handicraft. In the following pages we shall have repeatedly to recur to Thucydidean statements as to early Greece ; therefore we need not at present dwell on them at greater length. The excavations on the Athenian Acropolis, of which below we give a brief account, serve greatly to clear and enrich our notions of the character of the rule of Peisi- stratus and of the doings of the Athenians just after the battle of Plataea. If other Greek sites were excavated in a manner as complete and methodical as Athens and Olympia, the additions to our knowledge of Greek history, both framework and background, would be incalculable. IV. The fourth test is that of coins. Coins are at once works of art and inscriptions, and the certainty of their date commonly makes them especially useful to the historian. When we have series of coins most of which bear dates — like those of the Seleucidae of Syria, the kings of Parthia and the Roman emperors — it is obvious how valuable a means they afford for determining the chronology of the reigns of the kings and rulers who issued them. For instance the dates of the reigns of the Parthian kings Phraataces, Orodes II., and Vonones are fixed, on numis- / 1 6 New CJiapters in Greek History. [Chap. i. matic testimony only, to the years B.C. 2 to A.D. 1 1 ; and these reigns date some important events of Roman history, and help us to determine the policy of Augustus on various occasions. As a rule the autonomous coins of Greece bear no dates, and their period can only be fixed by arguments of style and epigraphy. But the mints of Greece were so active that we are able in the case of hundreds of Greek cities to place beside their history, as recorded by ancient writers, a tolerably continuous numis- matic record with which it may be compared, and whereby it may be occasionally corrected, more often supplemented and expanded. To give detailed instances would involve too long a disquisition ; but a few cases of the correction or expansion of history by numismatic evidence may be summarily mentioned. We have, I believe, no record of a union of the people of the cities of Arcadia before the time when the Arcadian League was established by Epami- nondas. Yet if there had been no tradition of a political union it is improbable that the idea of founding one would have occurred to that great statesman. On turning to coins, we find, issuing probably from the mint of Heraea, a very extensive series belonging to the sixth and fifth centuries, the inscription of which, 'Ap/caSt/cov, is sufficient to prove that some kind of federal union, involving at least the use of a common coinage, must have existed in Arcadia as early as the time of the Persian wars. As another instance we may take the city of Patrae in Achaia. The language of Polybius and Pausanias seems to imply that the city, after suffering severely at the time of the Gaulish invasion of Greece, was entirely destroyed at the time of the sack of Corinth in B.C. 146. Yet Ave learn that Mark Antony, when he sailed against Augustus, made Patrae his head-quarters. This apparent inconsis- tency is made less hopeless when we find from the evidence of the silver coins of Patrae that the city must Chap. I.] The Verification of Ancient History. IJ have been commercially important and flourishing in the first century before the Christian era, doubtless in virtue of its position, which made it a convenient landing place of Roman officers coming to Greece. But by far the most remarkable addition made by numismatic evidence to ancient history is in the case of the Greek kingdoms in India in the second and first centuries before our era. Hellenic civilisation in India, cut off by the wedge of Parthian conquest from Syria and Egypt, ran its own course, and was little known of in the West. It has hardly any share in that history which consists of what is believed to have happened. The very idea of a Greek kingdom in India, though familiar to the archaeologist, is quite strange to most students of ancient history. Yet it was both powerful and extensive, and its results wide and far- reaching. It is probable that even Chinese and Japanese art owe a great part of their peculiar quality to Hellenic influence. And almost all that we know, or can ever know, about the Greek conquests in India, is derived from the testimony of coins and of rock-sculptures. V. Perhaps as good an instance as could be found of the manner in which excavation may sometimes correct and expand our notions of ancient history will be found in Mycenae. If we look at the index of Grote's History we shall find only one reference to a place in the text where Mycenae is mentioned. Turning to the passage we find that Mycenae is spoken of as the seat of a mythical race of kings. Apparently Grote did not know that the walls of Mycenae are still extant, nor did it occur to him that there are existing facts bearing the impress of the history of Mycenae ; we might fancy that Mycenae admitted of investigation no more than Atlantis or Sodom. Yet much C x 8 New Chapters in Greek History. [Chap. I. of the ancient history of Mycenae has been recovered in the course of its modern history. First Schliemann dis- covered the graves of its heroes, rich beyond imagination in works of early art ; and since then the Archaeological Society of Athens has brought to light on the Acropolis of the city the palace of its mighty rulers of prehistoric days, telling us much of their splendour and their customs. The fruits of the excavations tell also of the destruction of the city by the Argives, and of the colony which they sent to dwell within the mighty walls. They shew that that colony was established in the third century B.C., and remained for some centuries ; and some inscriptions recently unearthed tell of a transplanting of the inhabitants by Nabis, the tyrant of Sparta, to Lacedaemon, and of their subsequent return to their own city ; and inform us of their government and tribal divisions. " These inscrip- tions," writes their editor, " prove the inaccuracy of three ancient writers Strabo, Diodorus and Pausanias, who all assert that Mycenae was destroyed by the Argives after the Persian wars, and remained thenceforward an un- inhabited ruin." It is not unlikely that there may seem in our instances something pedantic and overstrained. Our interest in ancient history, it may be said, lies not in details but in large masses. It matters little how early the Arcadians acquired a political unity or what Nabis did to Mycenae ; that which interests us is the constitution of Athens, the repulse of Persia, the brief bloom of Thebes. Life is not so long that we can spend our days over the unimportant fates of uninteresting tribes and towns. And I am quite ready to confess that there is some force in this objection, especially when urged by those who do not intend to give special attention to ancient history. But to a certain degree the objection may be met. In the first place, it is no less true as regards history Chap. I.] The Verification of Ancient History. 19 than as regards physical science, that fact is fact, and as such sacred. And it is never possible to tell what facts may have a wide bearing. It continually happens — it has often happened within my experience — that archaeological facts to which their discoverers attached very small im- portance have been at once seized on by historians, by the men of general views, as of the highest value ; abundant instances may be found in Busolt's new history of Greece. Every fact is a thing of infinite possibilities ; it may lie / unused for years or generations, until some new fact suddenly appears to make it fruitful. None of us can tell/ what is a negligible quantity in history ; and sometimes the smallest-looking rock of reality will upset a whole cargo of received views and send them to limbo for ever .. l & And in the second place, no one who was practically acquainted with the process of verifying history would ever say that his knowledge had not materially grown in the process. There are effects on knowledge, and there are effects on imagination which go far beyond the mere attain- ment of accuracy in detail. By this process the mind gains a grasp alike of the flesh and of the skeleton or bonework of history. Our bones are covered with flesh and skin ; but without the bones flesh and skin would lose their form and coherence ; and in the same way all that is morally instructive and intellectually stimulating in history rests on the arrangement of facts. A criterion the historian must have to decide is what is possible and what impossible ; and to the formation of that criterion the study of fact, epigraphic, geographic, and numismatic, tends very greatly. Such study, too, prunes away the excess of scepticism, and remedies a certain misology, a certain feeling that any one theory is about as defensible as any other, which is sometimes the result of too great an in- dulgence in general views. It is easy to start a new view in history, and the starting of a new view confers such C 2 20 New Chapters in Greek History. [Chap. I. ready distinction, that apart from an occasional appeal to fact, it is hard to see how controversy would ever come to a pause. There is another point which must be mentioned when we compare the testimony of monuments with that of ancient historians. We are not likely to recover the works of Ephorus or Trogus Pompeius, or even the lost decades of Livy. Practically our stock of ancient historians is complete,* and has been complete for centuries. We can remelt by improved processes the slag left in previous treatments of the ore furnished by their writings, and so recover a little metal ; but fresh ore is not likely to reach us from that quarter ; whereas the number of ancient historical monuments accessible to us is increasing con- tinually and rapidly, increasing at such a pace that the greatest of German scholars find the utmost difficulty in saving themselves from being overwhelmed by its mass. Boeckh's Corpus of Greek Inscriptions is but a few decades old ; it contains about 10,000 inscriptiohs. In 1876 Mr. Newton estimated the number of extant inscriptions at 20,000 to 30,000. In the last ten years tens of thousands have been added to the number, some of them of the greatest value, and of enormous length. In the case of other systematic collections of archaeological facts, edition succeeds edition continually and each contains so much new matter that its predecessors are virtually useless. Thus the proportion between data derived from existing fact and data derived from the ancient historians is con- tinually shifting, and always shifting in one direction. * I have left this passage as it was written before the appearance of the Athenian Constitution, although that discovery has to some extent contradicted it. We are scarcely likely to be so fortunate again ; and, in tact, the stir and freshness produced in Greek history by the new discovery is an apt illustration of the value of fresh matter in old-world studies. Chap. I.] The Verification of Ancient History. 21 That archaeology can ever take the same place in regard to Greek history which it has taken in regard to the his- tory of Egypt and Assyria is of course quite out of the question ; and yet it is difficult to set a limit to its con- tinually increasing services, more especially to the history of the times before the Persian wars. We must also con- sider that existing facts bear testimony directly to the realities of objective history, which cannot be the case with historical writings. Ifwewereto recover the text of Ephorus, of course its value would be unlimited ; and yet in all probability it would increase rather than diminish our uncertainties as to the actual facts of Greek history, by giving us a new version which we should often find hard to reconcile with that which we at present accept. This has in fact been the result of the very important discovery of the Aristotelian Constitution of Athens. But every new archaeological fact which is discovered tends not to the raising, but to the end of controversy. To take one instance. Every attempt at a history of Parthia hitherto written has necessarily begun with a discussion of the date of the Parthian revolt against the Seleucidae, which various writers have placed in various years. If we recovered the history of Trogus Pompeius, his date would give but a new impetus to the discussion. But among the thousands of documents discovered in Babylonia by George Smith, one came to light which bore a double date, a date according both to the Seleucid era, and to the era of Parthian independence. In a moment the Gordian knot was cut ; and now we know that the date of Parthian in- dependence was B.C. 249-8. Against the testimony of this little clay tablet, no statement of an ancient historian could stand for an hour. Finally there is an influence on imagination exercised by the dealing with actual fact, which must not be lost sight of. History is verified by the intellect, but it is 22 New Chapters in Greek History. [Chap. I. vivified by the imagination. The sight of a battle exercises a very different power on feeling and fancy, from the mere reading about one in a newspaper ; and if the newspaper account be read on the battle-field itself, the imagination will be greatly stimulated. Still greater will be the stimulus if dismounted cannon, scattered arms, and a ground ploughed by cannon balls add reality to the scene. In the same way Hiero of Syracuse becomes a far more real person to us as we look at the helmet which he dedi- cated at Olympia after his victory over the Etruscans at Cumae. And the historical reality of the victory of Plataea impresses itself more fully on us as we read on the bronze serpent of Constantinople the names of the Greek states which had a part in it. If the eye can see and the hand touch the results of the deeds of the ancients, we shall believe in them as we should never believe in them from merely reading our Herodotus and Thucydides. They come out of cloudland and become dwellers on our earth, men of like passions with ourselves, with human feelings and desires. The verification of history, of which I have hitherto spoken, must be the work of scholars and specialists. But the vivification of ancient history, of which I am now speaking, belongs as much or more to the ordinary student. We must now briefly consider history not as a great branch of knowledge, but as a means of education. The aspects in which history may be regarded are as many as the tendencies and prepossessions in the mind of man. One historian cares only to trace in the past the workings of political tendencies and forces ; another is absorbed in following the succession of phases and modes of civilisation ; another regards historical records as the chronicles of the struggles of races and national tempera- ments ; another sees in the annals of nations nothing but a series of biographies of great men. Yet perchance all Chap. I.] The Verification of Ancient History. 23 would alike concede that one of the greatest benefits bestowed by the muse of history on her votaries is that she lifts them out of the ordinary dull routine of a mono- tonous life, and conveys them through bygone scenes and to distant countries ; that she enlarges their ideas through the contemplation of states of civilisation different from the present ; that she widens their charity by laying out before them a vast panorama of forgotten beliefs and endeavours ; that she softens their hearts with emotions of pity and admiration for persons who have lived and died ; that she helps them to the goal of right action by mapping out the course whereby others have attained that goal. But the history which should enlighten the intellect and furnish wings to the imagination is not to be lightly ap- proached. Only by long and patient discipline alike of mind and fancy can the genius of history be mastered and compelled to do our bidding. To read the pages of his- torians, to remember the sequence of events and their dates ; this is something indeed, but it is only the first step in the study of history. The second step is to go back to original documents, to read the statements of writers who were contemporary with the events they record ; to pore over inscriptions, treaties, letters, charters ; to place side by side the statements of authorities who have accepted divergent stories as to certain occurrences, and from the comparison to attempt to elicit truth. The third step is to fuse the collected material in the fire of imagination, and to remould it into a new whole. Long and laborious is the historical training of the imagination. It demands the concentration of all the faculties, the absence of mean cares and uncongenial pur- suits. There are two methods whereby it may be accom- plished, two methods whereof either separately may partly avail, but only when the two are combined can rich and full and satisfactory results be attained. 24 New Chapters in Greek History. [Chap. i. The first method or way is the perusal of the literature of the country whose history is the subject of our study. In the literature of each age the spirit of that age finds its freest and most splendid development. When we read the Odes of a Pindar, the Idylls of a Theocritus, we seem to hold a close communion with their minds, minds with which all the spirits of their contemporaries were in close concert. The poet is the mirror wherein the spirit of his time is reflected, and if we gaze on the mirror long enough and steadily enough the forms reflected in it become real, and we seem to dwell among them, to see with their eyes and feel with their hearts. But this is not only the happy privilege of poets. The condition of scientific thought in the best ages of Greece is as accurately reflected in the pages of Plato and Aristotle as are Greek emotions in the songs of the lyrical poets. In the works of the dramatists we see clearly the condition of an important branch of Greek art ; we learn what thoughts passed across the minds of the audience which sat all day long in the theatre of Dionysus at Athens on the great festivals. The orations of Demosthenes and Lysias show us to what passions the fiery orators of Athens could make a sure appeal, and on what prejudices they could safely play in order to arouse sympathy and win a cause. Thucydides brings before us in the liveliest form the working of the minds of Greek politicians, the objects of their statesmen, their views of political forces ; while on the other hand the older and nobler narrative of Herodotus exhibits the simple piety and open love of knowledge which dis- tinguished the Greeks of the generation which witnessed the repulse of the armies of Persia. The imagination may be roused by the poetry of the ancients and interested by their histories, but it can never be fairly seized and held captive amid the scenes of ancient life and history unless it be also approached Chap, l.] The Verification of Ancient History. 25 through the senses. Not only must we sympathise with the emotions of the Greeks and Romans and share their aspirations, but we must also see with their eyes and feel with their hands, stand where they stood, and sail where they sailed. It would be most satisfactory if every student of classical literature could climb the Acrocorinthus and look across the narrow sea at the gleaming temples of Athens ; or could gaze from the Acropolis of Athens to where the highway of the vEgean is blocked by ^Egina, the eye-sore of the Piraeus ; or could sail the beautiful JEgean amid the clustering islands which seem to draw on the mariner from one to another until he reaches new lands and a fresh climate ; or could wander on the Palatine at Rome and trace the walls of early Rome, and observe the sites of the first temples of the Republic, and look away thence to the hills where stood in early times the little citadels which, sheltered the enemies of the babyhood of Rome. All this I say is most desirable ; indeed I incline to think that no one who has not stood in Pompeii can imagine the vast gulf which separates ancient from modern manners, or understand how far less complex was that civilisation than ours. But all cannot travel, and even those who do travel need a special preparation to enable them to gain all that may be gained from a stay in lands of classical antiquity. The great substitute or complement for foreign travel is the study of archaeology, which, no less than travel, acts directly on sense and imagination, and gives to our con- ceptions of ancient history and manners a vivid reality which they would otherwise never attain. When we care- fully restore on architectural principles the Olympieium or the Erechtheium, when we follow the rise, development, and fall of Greek sculpture, when we examine and com- pare the innumerable vase-pictures which the piety of the ancients towards their dead has preserved to us, when we 26 New Chapters in Greek History. [Chap. I hold in our hands the gems wherewith heads of houses sealed their deeds and their cupboards, and the coins which they carried to the fish-market, we acquire through sense a connection with the ancients which is instinctive in character, and of a wondrous force. From feeling with them in small things we learn to appreciate them in greater, until their literature and history alike seem to rise from the grave of centuries and become once more alive. Surely there never lived a people on the life of which external surroundings worked with deeper effect than on the Greeks. Certainly no people was ever so surrounded on all sides by the works of its own hands, works which acted at every moment on the mind both consciously and unconsciously. In the Greece of history every city was full of temples and porticoes, and every portico, every agora, and every temple, was one vast storehouse full of works of great painters and sculptors. Nor were these intended merely to please the eye and intoxicate the senses. There was not a statue and not a relief which did not speak to all beholders of some incident of mythology, or some notable deed of history. Mythology and history alike stood there in concrete form in all the streets and public buildings of the country. The Greeks did not hear or read of the gods and the deeds of their own ancestors ; they saw them every day wherever they went. Love of their native city was not with them a sentiment, but a passion for this temple, that painting, that stoa. And when they went into their houses the same scenes which they had witnessed without, met them again within. The walls of their rooms, and the pottery of common use, were all painted with exploits of gods and men. Their very mirrors and pins were adorned with human figures, not one of which wanted its meaning. Thus to the Greeks the works of their artists were not merely things to admire, and symbols of worship, they were geography, history, Chap. I.] The Verification of Ancient History. 27 religious teaching, and literature. For the common people the rare scrolls of parchment and papyrus which held the writings of authors were far out of reach ; it was less through the ear than through the eye that they received the education which raised them out of the narrow limits of the present. How then can any one aspire to under- stand Greek manners, Greek civilisation, Greek history, if he is ignorant of the chief source of Greek education, and knows nothing of what occupied constantly the largest part in the minds of the people ? "Large and health-giving" is the phrase applied by a French statesman, who also stands in the first rank as an archaeologist, to the science of archaeology, and large and health-giving it is. Large because it treats of the outer or external side of all the works of man since he came into being, health-giving because it adds a venerable character to all the products of the energy of our fathers and ancestors natural and spiritual, impressing on us the continuity of life, and imparting a strongly developed sense of a common humanity. And most health-giving is it because it deals entirely with facts, not with words, with actual objects, and not with mere notions. To the archaeologist every fragment of wood, of stone, or of metal, on which a human hand has worked, is an embodiment of a thought, an illustration of a phase of civilisation. Every- thing has a meaning and a history, and tells of human effort, human progress, human culture. 28 New Chapters in Greek History. [Chai>. II. CHAPTER II. PHRYGIA AND TROAS. It is probable that no region in the world holds such treasures for archaeology as does Asia Minor. In respect alike to abundance of art remains and gain in historic knowledge we may expect in future to reap a harvest of unimagined richness in that most interesting country. There lie buried the remains of a score of civilisations which flourished successively or contemporaneously in the dawn of consecutive history, and furnish a ladder of tran- sition between the old-world empires on the banks of the Tigris and the Nile, and the new civilisation which takes its rise in Greece. And Asia Minor is in most parts still virgin soil to the excavator. Italy and South Russia are in great part worked out. Greece proper has of late years been so eagerly searched that her marvellous archaeological treasures are rapidly becoming known to us. But Asia Minor is to the historian what Africa is to the geographer, a vast new region of unknown possibilities, a continent the exhaustion of which lies beyond the limits of our foresight. During the last decade most of the nations of Europe have at least gleaned in this rich field. The Germans have carried to Berlin the spoils of Pergamum, works of an art somewhat florid and sentimental but of marvellous power and variety. The Austrians have despatched a well- appointed mission to Lycia, and brought back the inter- esting sculptures of Gyol Bashi, which decorated a great Chai\ ii.] Phrygia and Troas. 29 tomb near Myra. The French have excavated at Myrina ; the Americans at Assos. Schliemann has revealed city beneath city on the site of Hissarlik in the Troad. Even the Turks have been roused to emulation, and have deter- mined to secure a share in the discoveries. And besides excavations we have had energetic and learned travellers, penetrating the country in every direction : Humann and Hirschfeld, Benndorf and Puchstein, Paris and Sterrett, Ramsay and Hogarth have all added greatly to our know- ledge of the inner lands of Asia Minor and of the monu- ments which still remain above the surface of the soil. To England there has fallen but a moderate share in these achievements. If we had shewn more energy or been ready to spend money, our share in the rich spoil of the buried Hellenic cities might have been great ; but since Wood's excavations at Ephesus came to an end for want of funds, no excavations of any great extent have been carried on by Englishmen among the cities of the coast. On the other hand in the exploration of the interior they have taken a prominent part. In spite of fever and robbers, of general indifference and narrow financial resources, Professor Ramsay has plunged year by year into the heart of the country, accompanied by Mr. Hogarth and various younger companions, and has succeeded in greatly increasing our knowledge of the early inhabitants of the great central table-land from the earliest times to those of the Turks. His papers scattered through the pages of a multitude of learned Journals, are the best foundation for a study of a race whose history and whose relations to the Greeks have hitherto been made little of, the ancient inhabitants of Phrygia. In the works of the great Greek writers which have come down to us, notably, in the histories of Herodotus and Thucydides, the Phrygians figure but little. To the >o New Chapters in Greek History. [Chap. II. Greeks generally they were known but as the race whence most of their slaves were drawn, as a people branded with the qualities of slaves, idleness, cowardice, effeminacy. The few fables in regard to Phrygian antiquity which were current in Hellas were mainly concerned with Midas who turned all that he touched into gold, and Marsyas who rashly provoked Apollo to a musical contest, and paid for his temerity with his skin. From the Phrygians came those orgiastic forms of religious cult which were con- nected with the worship of Dionysus and of the Mother of the Gods, orgies which led alike to sensual excess and to hideous self-mutilations, to semi-religious frenzy and bestial immoralities, against which the strong good-sense of the better Greeks set itself at all periods, though it could not deprive them of their attractions for the lowest of the people. And yet it was to this race sunk in cor- ruption, except when roused by frenzy, that the warlike Trojan stock belonged. Hector and Aeneas were Phry- gians ; and the most manly race of the ancient world, the Romans, were proud of their supposed descent from shepherds of Phrygia. This remarkable inconsistency may be solved if we adopt Mr. Ramsay's views.* He thinks that in the second millennium before the Christian era there was spread over Asia Minor, perhaps over most of Greece and Italy also, a congeries of races, probably of a Semitic or Canaanite cast, races of no vigorous character and no advanced civilisation. We can still observe traces of the section of this group of races which dwelt in Asia Minor in laneuao-e and in custom. The place-names ending in -nda and -sa, so common in many parts of Asia Minor, give us a hint as regards their language. They traced descent, as do all peoples at a certain stage of their progress, through the * Journal of Hellenic Studies, ix. 351. Chap. II.] Phrygia and Troas. 3 1 mother and not through the father. As with nations in the stage of Mutterrecht their chief deity was female, the deity afterwards called by the Greeks Cybele, who was in their cult connected with the effeminate Attis. They were a people of shepherds and ploughmen, little skilled in the art of war, and using only inferior weapons. Many of them were grouped as temple-slaves about the shrines of the great female deities. In this age, according to Mr. Ramsay, the main seat of political power was the City of Pteria in Cappadocia, a '• city the extensive ruins of which at Boghaz Keui still attest its former power. The people of Pteria frequently engraved on the rocks the figures of their deities, ac- companying those figures by hieroglyphic signs of a peculiar kind. Similar reliefs and similar hieroglyphic inscriptions across Asia Minor and even on the West Coast, such for example as the figure of a warrior in the Kara Bel near Smyrna, seem to show that the civilisation and probably the dominion of Pteria was widely extended. Mr. Ramsay finds the best proof of the power of Pteria in the course of what was the main road of Northern Asia Minor, which seems to find its main reason in Pteria, and which passed the river Halys by a bridge, the mere erection of which at so early a period seems to Mr. Ramsay a proof of no small skill in engineering. This view, it must be confessed, receives small support from ancient writers, of whom only Herodotus even mentions Pteria ; it is based upon geographical arguments and on existing facts. Into Asia Minor thus peopled there broke at some un- certain, but very early period, conquering warrior tribes • kindred to the Greeks, who came across the Hellespont from Thrace. These tribes were known by various names, Lycians, Lydians, Phrygians, Carians, and the like ; but they probably differed but little one from the other in race i 32 New Chapters in Greek History. [Chap. II. and language. In place of the Mutterrecht they introduced descent through the father, an important step in early progress. Their chief deity was male, a thundering god like the Greek Zeus, known in Asia Minor as Papas (Father), or Bronton (Thunderer), or Osogo. They made their way chiefly by the superiority of their armour. Herodotus tells us that round shields and crested helmets were inventions of the Carians ; and no doubt the kindred tribes shared in these useful discoveries. Of the battles which they waged against the Semitic inhabitants we have a reflex in the curious story told in the Iliad * how Priam of Troy fought on the side of the Phrygians in a battle on the river Sangarius against the hosts of the Amazons ; since the Amazons would naturally represent to the imagi- nation of the invaders the Asiatic hosts which worshipped a goddess, and traced their descent through the mother. These warrior-tribes were for a time dominant, but were by degrees, as is always the case, absorbed into the body of the people among whom they dwelt. To their number would belong the valiant soldiers of Priam, the Carian auxiliaries of the Egyptians, the horsemen who made the strength of the army of Croesus, but though they had hegemony in Asia Minor, and planted there many cults and many customs, they never made the mass of the population. They were an aristocracy like the Spartans in Laconia and the Thessali in the plain of Thessaly. Such in outline is the view to which Mr. Ramsay has been led, partly by the researches of his predecessors, and partly by his own. It is by no means established truth, as he readily allows. There is a doubt whether we should attribute the hieroglyphics of Asia Minor to the influence of the Cappadocians of Pteria, or of the Hittites of Carchemish. Nevertheless the view that the semi-Greek * III. 184. Chai\ ii.] Phrygia and Troas. 33 races of Asia Minor were an invading and conquering aristocracy, a view in which Mr. Ramsay by no means stands alone, seems best to suit the facts of the case. To them belong the royal tombs of Asia Minor, notably of Lycia and Phrygia, with their inscriptions written in languages certainly of an Aryan character, and to them refer the warlike traditions which were handed down to the Greeks. But that the mass of the people of inner Asia Minor were connected rather with the Canaanites of the south than with the Thracians of the north seems clear. The Phrygian Cybele and Attis, the Trojan Aphrodite and Paris, are so nearly paralleled by the Astarte and Adonis of Syria as to indicate an identity of origin ; whereas the thundering god reminds us at once of the Zeus of Dodona who dwelt amid storms, and the Mountain-Zeus of Arcadia. The sacred cities of Asia Minor, Sardes and Comana and Pessinus and the rest, with their communities of temple-slaves dedicated to the service of a great nature-goddess, remind us of nothing Hellenic or European, but find a complete parallel in Syria. Yet we must allow that this view is by no means free from difficulties. Neither Greeks nor Romans distin- guished between the invaders and the primitive inhabi- tants. They give us no hint that the worship of Cybele belonged to a different race from that which produced the Phrygian kings, but on the contrary connect goddess and kings in legend. So it seems at any rate certain that in historical times there was a fusion of earlier and later inhabitants. The invaders must have adopted from the natives the worship of Cybele and imparted in return that of Bronton. And, as is usually the case, the older race as time went on asserted more strongly its preponderance. Let us however pass from these somewhat vague specu- lations, and consider more in detail what is actually known in regard to the Phrygians, and in this narrower search we D 34 New Chapters in Greek History. [Chap. II. shall find the travels and researches of recent years of no small value. There are three districts in Asia Minor which are specially connected with the history of Phrygia. JFirst there is the region dominated by the majestic and romantic Mount Sipylus, in the neighbourhood of Smyrna. This region was in Greek myth closely connected with the names of Tantalus and Pelops, those early Phrygian heroes who so largely enter into Greek myth. Everyone knows the story how Tantalus, richest and most luxurious of the kings of Asia, and so favoured by heaven as to become the p-uest-friend of the immortal gods, dared once in his im- piety to set before them human flesh at a banquet, the flesh of his own son Pelops. Everyone knows how he was punished for this impiety in the lower world, and how the son Pelops, restored to life, sought his fortune in the land of Greece, and found it at Olympia, where he won the hand of Hippodameia, and a kingdom destined to extend over all the region named after him the Peloponnese. Thucydides says that it was the power of Phrygian gold which extended the dominion of Pelops, and to this state- ment we shall have hereafter to return. With the migra- tion of Pelops the legendary history of that district ceases. The city of Tantalus was destroyed by an earthquake and hidden under the waters of Lake Saloe, and when we again hear of the region about Smyrna, it is as the centre of the dominions of the wealthy and powerful kings of Lydia : though it is of course very probable that there was scarcely any distinction between the races of the Phrygians and the Lydians. Lydian kings may quite well have carried on the sceptre of Tantalus. Pausanias, a native of Magnesia, a Greek city which lay at the foot of Sipylus, says * that in his time there existed * V. 13. Chap. II.] PJirygia and Troas. 35 in his own country monuments of the kingdom of Tantalus and Pelops, " the lake of Tantalus which was named after him and his conspicuous tomb, and the Throne of Pelops which stands on Sipylus on the crest of the mountain above the temple of Mater Placiana." The identification of these localities has been the object of many excursions from Smyrna undertaken by Weber, Humann and Ram- say. A careful survey of the mountain and patient ex- cavation of all interesting spots would bring great gain to history, and probably settle finally the question of the historic value of the Tantalid legends. But the mountain is precipitous and a favourite haunt of brigands, and hitherto little has been placed on a basis of certainty. It is clear that the whole district is full of the traces of early occupation by men who built fortresses on the rocks, cut steps, and formed cisterns and caverns ; but in the absence of systematic excavation there is insufficient evidence who or what these men were. Two figures cut in the rock have attained a wide notoriety, the great statue of the Mother of the Gods * which is supposed to be men- tioned in the Iliad, though in a late passage, and the relief in the Kara Bel which represents a warrior accompanied by a cartouche containing hieroglyphics. But both these works are not of the true Phrygian class but belong to the earlier populations. The second historic district, that which lies on the head- waters of the Maeander and the Sangarius, is the Greater Phrygia of history. In this region lay the most notable scenes of Phrygian history and legend ; the lake where * Of this the best representations are those published by Weber in Lc Sipylus, and by Humann in the Athen. Mittheilungen, 1888. pi. I. Both Humann and Ramsay are disposed to think that the Niobe of the Iliad (xxiv. 614) is not this figure, but merely some group of rocks which bore a fancied resemblance to a human figure. Mr. Humann publishes {Ibid. p. 22) a kind of seat hewn out on the top of a lofty rock, which may well be the legendary throne of Pelops. D 2 36 New Chapters Z7i Greek History. [Chap. II. Marsyas cut the reeds for his flutes ; the spring where Silenus used to drink, and where he was captured ; the city Gordium, where was preserved the wagon which had belonged to Gordias the legendary founder of the Phrygian monarchy ; the scene of the early battles with the Ama- zons ; the plains which were made rich by Phrygian ploughs, and which held the great cities the fame of which was known to the author of the Iliad* It would seem that this region was ruled in the eighth century before our aera by a dynasty of wealthy kings who bore in turn the name of Gordias and of Midas. Hero- dotus speaks of a rich throne sent by one of these Midas kings to Delphi as the earliest gift received at that sacred place from any barbarian ruler. Of the reigns of these monarchs we have no annals. As they are not mentioned in the Iliad, where the Phrygian leaders are Otreus and Mygdon,f it is inferred that their rule did not begin before the ninth century. When the Cimmerians swept across Asia about B.C. 670, the Phrygians suffered terribly, and one of their kings committed suicide ; but the dynasty seems to have survived until the time of Croesus, % who became master of the country. To Cyrus the Phrygians seem to have submitted peaceably ; it would almost seem that the well-armed warrior clan had by this time died out, for while the Lydians in the army of Xerxes are said to have been armed like the Greeks, the Phrygians are stated to have borne only plaited leather helmets, with small shields, javelins and swords. In the same way the Thracians, whence these well-armed warrior tribes are * //. iii. 400. t It is, however, not impossible that Mygdon may be a variant form of Midas. % See Herodotus, i. 35, for the charming story of the Phrygian Adrastus, son of Gordias, and grandson of Midas, who slew acci- dentally Atys, son of Croesus. Croesus addresses him as a scion of a reigning house. Chai\ ii.] PJirygia and Troas. 37 supposed to have sprung, are described by Herodotus, and in fact are represented on Greek vases, as equipped in mere barbaric fashion. One of the reliefs discovered by Mr. Ramsay in the heart of Phrygia represents armed warriors with helmet and breastplate, in equipment almost undistinguishable from Greek hoplites ; and this relief must have been cut long before the time of Herodotus. Thus the theory of a conquering race of well-armed invaders is not without definite archaeological support. Such are our difficulties in these racial questions, which sometimes make the investigator feel as if he were climbing a hill of sand or wading through a deep morass. But perhaps in some cases our difficulties spring, as they may in this, from the modern intellectual prejudice which insists in looking for continuous progress in all forms of civilisation, and which is very loth to believe that the great discoveries which tend to the raising and preservation of nations can die out. This prejudice has to survive many shocks in dealing with ancient history ; since in many countries and for many ages the course of history runs steadily in a downward direction. As to Thrace in particular, classical Greek writers were aware that the country had greatly declined in their days in the direction of barbarism, that the country of Orpheus had ceased to be a place of poets, and the orderly army of Rhesus had given place to hordes of disorderly cavalry. Thus in historic times the warlike and manly character of the Phrygian race was passed away ; to the Greeks they were henceforth known as the most submissive of slaves, and very useful in agriculture. Their devotion to the plough may be traced in almost the only fragment of their legislation which survives, the law which punished with death the crimes of slaying a ploughing ox or stealing a plough. Like modern peasants of Asia, they were ready 38 New Chapters in Greek History. [Chap. II. to accept any ruler who left them the bare means of living ; and so when early in the third century B.C. the Gauls made a settlement in Asia Minor, they seized a great part of Phrygia, which hereafter bore their name as Galatia. We learn that one Midas took as his queen Demodica, daughter of Agamemnon of Cyme ; and this makes it probable that through Cyme the Phrygians would receive letters and something of Greek culture, a probability which has been confirmed in Mr. Ramsay's opinion by the dis- coveries of Phrygian inscriptions. The legends which the Greeks received from Phrygia belong to this inland region, and they bear a uniform character of melancholy. Passing the well known stories of Marsyas and of Midas, we have the repulsive legend of the effeminate Attis, by whose example the priests of the Mother-Goddess justified their self-mutilation, and who was made into a pine tree. Then there is the curious agricultural myth of Lityerses, a son of Midas, a reaper who challenged all passing strangers to a contest in reaping, and when they failed slew them and dismembered their bodies, in which fashion he was himself treated by Herakles. The great antiquity of the country was proved by legends of the deluge which was said to have happened on the death of a king Nannacus. The Phrygians even had a legend of the ark which rested near Celaenae, and coins of Apamea struck in the reign of the Emperor Philip show that they regarded their traditions as identical with the Jewish legend which centres in Noah. It is more than likely that most or all of these stories belong to the early, probably Semitic, population of Phrygia; in antiquity there was nothing which conquerors so readily accepted from the conquered as religious cults and heroic myths. There is no tale of victorious kings or of foreign invasion, all the legends have reference to agriculture, music, and religion. Chap. II.] Phrygia and Troas. 39 It is remarkable that features of the Phrygian character persist even to our days. Mr. Ramsay has remarked how the mixture of ascetic hardness and unbridled ecstasy which marked the Montanists among early Christian sects may be derived from their Phrygian origin ; and under Mohammedan rule the whirling and howling dervishes keep up the tradition, and prove that deeply-seated national characteristics survive through all changes of religion. It is by no means unlikely that much of the blood of the early inhabitants may still run in the veins of the modern dwellers in Asia Minor. To Colonel Leake belongs the credit of the first great ^y discovery of Phrygian monuments in the valley of the Sangarius. Near Nacoleia he lighted on a rock the whole front of which had been scarped in the form of a temple- front, and carved with regular geometrical patterns with an imitative door in the midst. Around ran an inscription in letters closely resembling the Greek, recording the exe- cution of the work by one Attes in honour or in memory of Midas. It was the first clear revelation of the Phrygian language, and it seemed evidently the tomb of one of the royal line of the country. It is true that some recent writers, including M. Perrot,* are disposed to see in the monument rather the shrine of a deity than the tomb of a monarch. Their main ground is that no actual sepulchral chamber is visible. But it may well be concealed : and the genius of the Phrygian race, which turned naturally in the direction of the commemoration of ancestors, together with the number of monuments in the neighbourhood which are certainly tombs, prevent us from following these writers. We hold it to be certainly a royal sepulchre. And this tomb appears to have been close to a city which may be * Histoire de VArt dans VAntiquiti, vol. v. ; Perse, Phrygie, &c, pp. 89, 101, 181. M. Perrot gives the best general account which is ^ accessible of Phrygia and its monuments. 40 New Chapters in Greek History. [Chai\ II. judged from the extent of its remains to have been the capital of the Sangarian Phrygia. This city stands on a rocky plateau of which the general level is some 200 feet above that of the plain below.* "The rock is a rather soft and friable volcanic stone which splits easily in vertical surfaces ; and either on this account or through scarping, or probably through both causes combined, the plateau is almost entirely surrounded by vertical faces of rock, absolutely inaccessible, except where a break occurs. Some of these breaks are wholly or in part modern, but many of them are ancient, and one can trace distinctly on each side of these old gaps the lines where the wall that filled up the gap fitted into the rock. Besides this there was a parapet built along the edge of the plateau." It is a thousand pities that we have yet to wait to an unknown future for the results which a careful excavation of this capital of an old-world dynasty could not fail to furnish. The various expeditions of Stewart, Texier, Perrot and Ramsay have gradually revealed an extraordinary abund- ance of rock-cut tombs throughout the region ranging in date over the whole, or nearly the whole, of the twelve hundred years of the Phrygian, Persian, Greek and Roman rule. We may briefly indicate the classes into which these tombs fall, if we arrange them by the style and decoration of their fagades. According to Perrot the oldest class is / represented by a facade at Delikli-tash,f which is not unlike that of an early Greek temple without the pediment. It may perhaps at first be surprising to find a front of this form given to about the eighth century. But in favour of M. Perrot's view may be cited an interesting piece of evidence, which has hitherto been insufficiently considered. In a relief at Khorsabad, which represents the taking by King Sargon of theTcfty' of Monsasir in Armenia, we have * Ramsay in Journ. Hell. Stud., vol. ix. p. 376. t Perrot, vol. v., p. 90. Chap. II.] Phrygia and Troas. 41 a representation of the temple of the god Haldia,* and it is not a little surprising to find that it stood in almost exactly the form of a Greek hexastyle temple, with pediment. This remarkable building, quite unique among the reliefs of Assyria, seems to prove that the form of the Greek temple, like many other things, came to the Greeks through Asia Minor ; and the fagades of Phrygian tombs are like footsteps which the idea has left in its passage across the country from east to west. The next group consists of the tombs which resemble that of Midas, and bear on their fronts a variety of geo- metrical patterns, lozenges, crosses and maeanders. Many such tombs have been found in the neighbourhood of the Midas city, and the inscriptions which they bear shew in whose honour or memory they were erected. It has been suggested that the custom of covering the fagade of a tomb with patterns of this kind must arise from the inten- tion of reproducing on a front of stone the patterns of the carpets which might well be hung over the doorway of a dwelling. Mr. Ramsay, however, thinks that the pattern bears a closer resemblance to tile-work ; and it may perhaps be suggested that it bears a closer likeness still to the patterns natural to matting, as we may see them any day by looking under our feet, and that matting would form a very natural screen to an open door. The third class of tombs is best represented by those remarkable rock-sepulchres guarded by gigantic carved lions which Mr. Ramsay found at Ayazinn, and which he justly considers of the highest interest. The most interest- ing of these, called by Mr. Ramsay the broken lion-tomb,f is a large chapel carved out of the solid rock. It is adorned on two of its outer faces with reliefs representing rampant lions on a colossal scale, and in a vigorous style * Botta, Monuments de Ninive, ii. pi. 141 ; Perrot, vol. ii., p. 410. t See the Journal of Hellenic Studies, vol. ix. \ \ 42 New Chapters in Greek History. [Chap. n. of archaic art, and with a still more interesting group representing warriors armed with a panoply like that of the Greeks. Within are curious pillars with shell-like capital. Near this tomb stands another over which are sculptured two enormous lions face to face, almost in the attitude of those over the lion-gate of Mycenae, but with cubs at their feet. In the hills and plains around are strewn a variety of tombs, mostly of later date, indeed, in some cases clearly belonging to the Hellenistic or even the Roman age ; the whole forming a vast series reaching from the rise of the Phrygian power in Asia to Christian times. And among the Phrygian tombs we find here and there rock-reliefs and hieroglyphics such as are associated with the civilisation of Pteria, and which are probably of an earlier date than anything Phrygian. It is clearly impossible here to discuss in any detail these important archaeological data. Mr. Ramsay and M. Perrot are agreed that Phrygian art takes its rise from that of Cappadocia, usually called Hittite. But they differ considerably in their assignment of the period of that art. Mr. Ramsay thinks that the lion-tombs are the earliest, dating from the first days of the dynasty of Gordias and Midas ; and that later the Phrygians developed the geo- metrical style of decoration, such as that used on the Midas-tomb, which must be given to the time just before the Cimmerian invasion of about 675. M. Perrot, on the contrary, considers that the tombs of geometrical pattern are earlier, dating perhaps from the eighth century ; whereas the tombs at Ayazinn, with their reliefs of lions and of warriors shew the influence of Greek art, and can scarcely be placed earlier than the sixth century.* We * The lions M. Perrot considers as copies derived through Car- chemish of the lions of Assyria. Assyrian art, he observes, is the only one wherein lions are represented with energy and fidelity to nature. It is quite true that the lions of Assyria are far superior to those of Chap. II.] Phrygia and Troas. 43 cannot venture to express an opinion as to the relative value of these views. In fact it must be allowed that most of the representations hitherto published of the Phrygian monuments, except in the few cases where they are based upon photographs, are so unsatisfactory and wanting in style that they do not render any final opinion possible. Inscriptions of the Roman age, which abound in Phrygia, also furnish us with a mine, as yet but little worked, of information as to the language and customs of the people. Very important in particular are the epitaphs which appear on the late tombs of this people, some of them containing imprecatory formulae in an unknown tongue which cast a backward light on the graves of earlier times. They are a curious mixture of records of the dead and dedications to the gods. After recording the names of the dead and of the erector of the tomb, they often conclude with some such phrase as " dedicated to Zeus Bronton," or " payment of a vow to Papas," or " to the Mother of the Gods on behalf of so and so." It seems that in Phrygian belief those who died became in some sense identified with the national divinities, losing their lives to become absorbed in one higher and more general. This is quite typical of what we know of the Phrygians, a race soft and cowardly, easily reduced in this life by stronger peoples to penury and wretchedness, and consoling themselves by the ecstatic joys of their corybantic religion, and by the hope of escaping through the gate of death into another and a wider sphere. In a nation like this we must naturally suppose that the blood of a race kindred to the Greeks was almost lost amid that of the communities of temple- slaves of pre- Aryan race, of which we find so many traces throughout Asia Minor. The main interest which attaches to Phrygia, after all, Greece, or, indeed, to any which appear in art until the present century. 44 New CJiapters in Greek History. [Chap. II. rests on the legends which connect it in early days with Greece, and notably with Argolis. But any consideration of this matter may best be postponed until we have dealt with the wonderful discoveries of recent years at Tiryns and at Mycenae. Meantime some account must be given of Hissarlik and the great questions connected with that interesting site. The third district connected with Phrygian history is the Troad. It is sufficiently clear, even from the Homeric poems, that there was no racial difference between Trojan and Phrygian. Hecuba was a Phrygian princess, and Aphrodite, when she appears to Anchises in the Homeric Hymn in mortal guise, calls herself a daughter of a Phrygian king. Priam in his youth had fought among the Phrygians on the Sangarius ; and Hesychius tells us that the name Hector was Phrygian. The Romans notoriously did not distinguish between Trojan and Phrygian ; and if the languages of the kindred tribes varied, it varied prob- ably only as in days before the invention of writing the tongues of parallel tribes of the same race always vary. And in later historic times we find the district of Troas called Lesser Phrygia : Xenophon tells us that in the time of Cyrus it was under the rule of an independent king. With regard to the Troad we have precisely that archaeo- logical evidence which is wanting in case of Sipylus. Dr. Schliemann's excavations at Hissarlik have given us a mass of historical data as to the succession of inhabitants in this region. It is unnecessary that I should here repeat the thrice- told story of the fates of Troy. Everyone knows how Dardanus, the son of Zeus, founded his city on the spurs of Mount Ida. His son Ilus founded " in the plain," as we are told, the city of Ilium ; and Ilus' son Laomcdon had the good fortune to receive the assistance of the immortal gods in building the walls of the city, which Chap. II.] Phrygia and Troas. 45 " like a mist rose into towers." Like Tantalus, he abused the friendship of Heaven ; and later when Herakles had slain for him the sea monster sent by Poseidon, he de- frauded the hero of his rightful reward. Herakles, with his friend Telamon, sacked Troy, and placed on the throne Priam, the only son of Laomedon who respected righteous dealing. But Priam's son, Paris or Alexander, again fell into crime, carrying off from Greece the beauteous Helen, and bringing on the great Trojan war, which has been for all time the heroic model of military exploit. The only facts of the legendary history which it is necessary to bring into the field of possible history, and to compare with the results of excavation, are the twice repeated destruction of the city by Hellenic foes, and the circum- stance that it was situated in the plain. The excavations, which are still proceeding in spite of Dr. Schliemann's lamented death, must be mentioned, but must be mentioned with caution. In the first place, they are not complete ; in the second place, in the course of them Dr. Schliemann executed more than once a com- plete change of front in his views ; in the third place, the walls of recovered Troy, if so they must be called, have once more been besieged by a host of Hellenes, and in the din of controversy historic science does not always flourish. No one can deny that the recent excavations have fur- nished to anthropology and to history most valuable in- formation. They have shewn how the little hill of Hissarlik was occupied during successive ages, reaching back far into the second millennium B.C., by successive strata of inhabitants. For a time the grade of civilisation which the superimposed layers of remains shew to have been reached by the builders of fortress after fortress rises. In the case of the second * city from the bottom, we can * So called in Troja and in Dr. Schuchhardt's recent work on Schliemann's discoveries. In Ilios it was called the third city. J 46 New Giapters in Greek History. [Chap. II. trace massive walls and gates, we can identify the foundations of a palace ; and in the numerous works of the crafts of potter and smith which have been recovered we can discern proof of considerable proficiency in the arts of life. We can recover a mirror of a state of society in which indeed letters, coins, iron, all the great inventions of rising civilisation, were unknown, yet which could scarcely be called void of all civilisation or wanting in vigorous promise. This city had more than one distinct period of existence, and perished, perhaps more than once, in violent conflagra- tion ; and on the site we can trace for ages afterwards the abode of communities far inferior in wealth, in power, and in arts, to that which had been destroyed, weak and un- settled tribes of no magnitude or cohesion, until at last we reach the beginning of the historic age, and once more strike into the stream of progress, a stream destined in this case to flow steadily onwards, since Greece has now lifted the human race for all time to a new level. Then we come into clear daylight. We know that we are survey- ing the remains of the city which Alexander the Great planned, and which his general, Lysimachus, erected ; the new Ilium, which was in the intention of its founders to have been a worthy successor to the Ilium of old, and to have made amends to Athena for the loss of the temple where the Trojan women placed their offerings. A few more careful excavations of this kind would put us in our knowledge of human stratification in Asia Minor almost in the position which geologists hold in regard to the strata of the earth. They would place the science of pre- historic archaeology on a new level. But that which concerns us at the moment, the relation of the remains at Hissarlik to the story of Troy is even now more obscure than one could have hoped. If the legend of the Trojan War was based, as it almost Chap. II.] Phrygia and Troas. 47 certainly was based, on some events which actually happened, then there can be little doubt that the Troy which was besieged was the second or burnt city, which was built on the hill of Hissarlik^ and the massive walls and gates of which still exist in stately array. Dr. Schlie- mann claims to have proved, by a series of excavations and surveys, that on no other site in the whole district there stood important fortifications in the prehistoric age ; and, further, that of the successive cities which occupied the plateau of Hissarlik, the second city alone, which perished in a violent conflagration, was of sufficient importance to dominate the district round, and to shelter a warlike and powerful royal house. On the same site stood the later Ilium of the Greeks ; thither went up Xerxes and Alexander the Great to sacrifice to the Ilian Athena ; and in fact until the age of Alexandrian learning, the general voice of antiquity pointed out the hill of Hissarlik as the site of the city which so long defied the host of Agamemnon. Further, as Schuchhardt ably argues, the Homeric de- scriptions of battles before the city gates, suit in the main the site of Hissarlik. A plain of three miles in width separates the city from the shore, and this plain is bisected by the ancient bed of the Scamander, which is joined to the north of the city by a stream which may be the Homeric Simois. It is true that Demetrius of Scepsis and some modern writers have maintained this whole plain to be a recent alluvial deposit ; but against this con- tention we must set the verdict of Dr. Virchow, that it is by no means recent land : and we know as a fact that it has been as it now is for 2000 years. Towards this plain open the principal gates of the citadel. The Hellespont, on which lay, according to tradition, the Greek tents, is a little further from the hill, and reached by following the natural line of road, the course of the Scamander. "Bonpav- bashi, which has been put forward as a rival claimant to 48 New Chapters in Greek History. [Chap. II. occupying the site of Ilium, cannot be said to stand, as did Ilium, " in the plain." Turning to the question how far the Iliad corresponds in detail with existing fact, we reach many difficulties. It seems to every visitor that the little citadel on Hissarlik, which was but some 330 feet in diameter, cannot have enclosed the noble palace of Priam, or have sheltered the ranks of his tributaries. The little plain towards the sea seems too narrow to have contained the exploits of Achilles, and the long array of the Achaean host. And carping critics go further, and point out many small dis- crepancies. There is no place near the gate where rise, as in the Homeric descriptions, two fountains of water, one cold and one warm. There is no rising ground in the plain like the Qpwa^ ireBioio on which Hector encamped at night, when he intended in the morning to drive the Greeks into the sea. Achilles could not have pursued Hector thrice round the citadel on Hissarlik without cross- ing the ridge which connects it with the hill behind. Such and many other difficulties have been raised by critics, from Demetrius of Scepsis onwards, who wished to prove that Troy must have had another site. From the point which we have in these days reached in Homeric criticism, it should be easy to set aside trifling objections of this kind. It should be enough to say that it is ridiculous to treat the Iliad as if it were an accurate record. The race of Achilles round the walls is like the deeds of Diomedes when he overthrows Ares and wounds Aphrodite in the hand. The poet of the Iliad probably was not perfectly informed as to the geography of the Trojan plain ; and could not limit the flight of Pegasus by the bounds of knowledge. When Victor Hugo describes the Battle of Waterloo, he makes the whole event turn on the interposition of a ditch, which, as I under- stand, other people cannot find : but that is no sound Chap. II.] Phrygia and Troas. 49 proof that the battle was really fought somewhere else. And it is distinctly the character of Homeric poetry to magnify and exalt everything it touches. It turns farm- houses into palaces, bronze into gold, men into godlike heroes. Why should it not turn 10,000 men into 100,000, or a citadel into a broad-streeted city ? In the same way, when the Iliad speaks of the windy heights of Troy, and even of the beetling crags on which the city stood, these phrases are by no means inconsistent with the facts of Hissarlik, or outside the range of Homeric exaggeration. It is partly a natural tendency of the imagination of the Homeric age, and partly a mere trick of language which makes the poet project everything on a multiplied scale. Our old English ballads have much the same tendency. And what is the Homeric exaggeration compared to that of Virgil or of Milton ? Unfortunately Dr. Schliemann and his assistants, instead of taking this sound and rational line of argument, have been led into an endeavour to fight their adversaries with their own weapons. If the citadel on Hissarlik was not large enough for Troy, there must have been a lower city of larger size lying at the foot of the hill. Of this lower city there is no trace, except one doubtful piece of wall, but this again can without difficulty be accounted for. If there are no warm springs near the city gate, there is at all events one at the source of Scamander in the hills above. Even Achilles must have his feat made possible by proving that the ridge he had to cross in his course round the city was in ancient times forty feet lower than it is now. As if such a hero as Achilles would care for forty feet more or less ! There is no real historic difficulty in the supposition that, in Greek prehistoric days, Hellenic chiefs led an army to the Trojan plain, encamped on the Hellespont, laid siege to the city on the Hill of Hissarlik, daily fought E 50 New Chapters in Greek History. [Chap. II. in the plain with the defenders, and at last took their citadel and burnt it. We know from the testimony of the reliefs at Medinet Abu in Egypt,, that in the thirteenth and twelfth centuries B.C. the land of the Nile was invaded repeatedly by swarms of warriors who came in ships from the islands and the coasts of the Aegean Sea ; and in the lists of tribal names of these barbarians some Egyptologists recognize the name of the Achaeans. The period would seem to have been a swarming-time of the Hellenic and kindred races, and they may well then have made an expedition of which in later days they would not have been capable. But of course it does not follow, because such an expedition was possible, that it was actual. We can suppose the story of the Iliad to be so complete a transformation of some forgotten facts as to have no historic character ; but in my opinion this view is improbable. After considering internal evidence and historical prob- abilities, let us next turn to the archaeological evidence. There are great difficulties in supposing that the second or burnt city on the site of Hissarlik was destroyed at about the traditional date of the Trojan war by Achaean Greeks. In the first place, the date of the remains of that city, though it cannot be with certainty fixed, must be placed too early. The fourteenth century B.C. is I believe the most modern date which has been suggested ; most archaeologists would go back further still. And among these remains there is nothing which bears kinship to any of the monuments of Phrygia which have come down to us, or which we could fairly assign to a people such as the Homeric Trojans. And the difficulties thicken when we compare with the relics at Hissarlik those of Mycenae and Tiryns, which we have reason, as will be shewn later, to regard as typical of the civilisation of the Achaeans. In this matter at present the evidence seems self-contra- Chap. II.] PJirygia mid Troas. 51 dictory. The general remains of the burnt city, such as the vases which are moulded in the form of a human face, the terra-cotta disks with their curious devices, even the large treasure of gold and silver objects found by the walls, and commonly called the Treasure of Priam, all appear to belong not merely to a different civilisation to that of Mycenae and Tiryns, but also to a far earlier and ruder age. Most archaeologists do not hesitate to say that the burnt city of Ilium must have perished long before the palace of Tiryns was built, or the graves at Mycenae dug. I have myself more than once expressed this view in printed papers : and on the whole it is supported by the mass of our evidence. Helbig remarks * that the scanty JEWELRY FROM HISSARLIK. use of the potter's wheel, and the primitive forms of the pottery show the backward character of the Ilian civilisa- tion : this pottery contrasts markedly with the far more Homerische Epos, 2nd ed., p. 47. E 2 52 New Chapters in Greek History. [Chap. n. highly finished ware of the Argolis. The influence of Egypt or of Phoenicia, so clearly marked at Mycenae, fails altogether at Hissarlik. The inhabitants used no swords like those of Mycenae, but only short daggers, and a number of their utensils, axes, hammers, knives, and saws, were of stone ; while at Mycenae stone is in most cases, save for the points of arrows, superseded. But at the same time there are a few pieces of evidence which seem to connect Ilium with the cities of Argolis as regards date, as well as regards customs. In various spots, which are supposed to mark them as belonging to the civi- lisation of the burnt city, were found a few of those circular gold-leaves with impressed patterns of which so many were found at Mycenae, as well as bracelets, hair- pins and other jewels (p. 51), which were decorated with patterns of Mycenaean character. Since, however, in archaeology it is always unsafe to draw conclusions from a few specimens, this piece of evidence cannot claim great weight. It is as regards importance quite outweighed by another. On the summit of the hill at Hissarlik, and in a line with the principal gate, were found the founda- tions of a palace closely resembling those of Tiryns and Mycenae. It was divided into two parts, for men and women ; it was approached through propylaea, and in the main hall stood a hearth just where it stands at Tiryns. Of course we cannot tell how long this kind of palace may have remained the usual abode of a king in the cities bordering the Aegean ; such an arrangement may be in some cities older by ages than in others. Yet the fact we have mentioned is remarkable ; and it may be doubted whether considerable value ought not to be attached to it. If we sum up and weigh the evidence of various kinds as regards the historic character of the Trojan war, we must confess that at present it does not compel us to any posi- Chap. II.] Phrygia and Troas. 53 tive conclusion. It is probable that the author of the Iliad had some historic siege before his mind, and that the place besieged stood upon the Hill of Hissarlik. Yet the only important fortress which occupied that spot in prehistoric times perished in a conflagration long before the assumed HPO03£PON GROUND PLAN OF PALACE. date of the Trojan war, and before the rise of the wealthy Greek kings of Mycenae ; nor do its inhabitants seem to have been of Trojan stock, or of a race kindred to the Greeks. If we could suppose that the author of the Iliad converted traditions of a siege and capture by the in- vading Trojans, of Ilium when it was still in the hands of a Syro-Cappadocian population, into his own story of a 54 New CJiapters in Greek History. [Chap. II. siege and capture of the Trojan Ilium by the Greeks, a solution would be reached very satisfactory to archae- ologists. The remains of the burnt city would well suit the Semitic peoples whom the Phrygians found in posses- sion of Asia Minor when they came in. But such a view has in it too much of paradox, and involves too many his- torical improbabilities to be acceptable. It is very likely that, if we wait, fresh archaeological evidence will throw light on a matter at present so obscure, and make into a whole the scattered facts which at present do not appear to fit into one another. ( 55 ) CHAPTER III. MYCENAE AND THE ISLANDS. When in the winter of 1876 the brilliant discoveries of Dr. Schliemann at Mycenae, and the richness of the treasure in gold, silver and bronze which he brought to light, drew the attention of all Europe, every archaeologist felt that a new chapter in the record of prehistoric Greece was being unrolled, and a new light being thrown on an age which had been hitherto known to us only from the mythical legends of Greek historians, and from the immortal Homeric poems. The discoveries of Dr. Schlie- mann came to us as a first glimpse into an unknown world, but new glimpses into that world have been since afforded us by a score of interesting excavations and discoveries in Greece and the Islands. And it seems that the time has almost arrived when we can review and marshal the accumulated evidence. That we are yet prepared to indi- cate with clearness the general results to which it leads, and to compare in a satisfactory way the evidence of the spade with the evidence of legend and of poem, I do not say. But we can at least lay down a few lines which seem to be established by research and comparison, and measure out more exactly the amount of uncertainty which yet remains. In days when the timid sailor dared not venture out of sight of land or out of reach of a port, the Argolid possessed re- markable facilities for commerce. The Levantine sailor, at 56 New Chapters in Greek History. [Chap. III. least until the sixth century B.C., loved above all to pass close under the lee of islands, or between islands and the coast, and dreaded the free motion and fierce gales of an open sea. To this day, when a sudden storm rises in the Aegean, the steamboats run for the shelter of the nearest island, and placing it between them and the wind, ride at anchor and wait. And those islands are perfect breakwaters. The change which comes over the sea when, during a high wind, one passes behind one of them, is marvellous. Now a vessel starting from Argolis could sail northwards behind a perfect screen of islands and without once striking into open sea, past Aegina, Ceos, and Euboea, as far as Pherae in Thessaly. Or it could voyage eastwards between two rows of islands as far as Cnidus or Miletus, or southwards to Crete. Or it could pass the isthmus at Corinth, and go westward through the sheltered Corinthian gulf to Leucas and Epirus. Being so favourably situate, it was impossible that the Argolid should have failed to carry on large commerce from times of the remotest antiquity. In the very beginning of his work, Herodotus states that the Phoenicians had no sooner settled on the shores of the Mediterranean, than they found their way to Argos, bear- ing Egyptian and Assyrian wares. These they would spread out on the beach, and hold a five or six days' fair, and they thought themselves fortunate if after disposing of their goods they could attract aboard their ships the fair daughters of the land, when they would at once set sail, bearing their precious prizes to the harems of the East. In the legend which states that Danaiis, who drove out the Pelasgic king Gelanor, was the son of Belus and brother of Aegyptus, we find a clear assertion in mythic form that the seeds of the higher culture which turned Pelasgians into Danai came from abroad, and were brought from the seats of the ancient monarchies of Mesopotamia and of Egypt. Chap. Ill] Mycenae and the Islands. 57 In the heroic age of Greece, Argolis contained three cities, all famous, though they clearly cannot all three have flourished together. The natural centre of the plain, the place which, apart from accidental reasons, must always have been the spot on which an invader would seize or in which a ruler would settle, was Argos with its lofty citadel. And the traditions of Argos mount up until they are lost in the mist of ages : Argos, like Ephesus or like London, had always been a city since cities were built in Greece. But to the other two cities of the plain are assigned definite founders. First Proetus, in the third generation from Danaiis, built Tiryns near the sea in the ways of commercial intercourse. And next Perseus, two generations later, built Mycenae on the spur of a hill that stands at the head of the valley. In the construe^ tion of both these cities the later Greeks saw the hand of the Cyclopes of Lycia. And it is not a little interesting to observe that there is certainly a similarity of style between the architecture of the lion-gate at Mycenae and that of early Lycian tombs, in both cases wooden beams being closely imitated in another material, stone. It is also the opinion of the best authorities that the existing walls at Mycenae are of a less early date than those at Tiryns. The walls and gates which now remain at Mycenae enclose only the Acropolis or citadel of the early city. The slopes below were occupied by a considerable town. That the poet of the Iliad knew of Mycenae as a populous city is implied by the epithet broad-streeted, evpvdyvia, which he applies to the place : certainly no broad streets can have existed in the narrow and steep spaces of the Acropolis. Some traces of houses belonging to this lower town are supposed still to exist ; a road among them can still be traced, and there are remains of bridges which spanned the mountain-streams. But these traces are slight and obscure, and must have been obscure during the Greek 5 8 New CJiapters in Greek History. LChap. III. historic age, for the Greek historians and poets all suppose that the Mycenae of Atreus and Agamemnon lay within the citadel walls. We are told that sons of Perseus ruled both at Tiryns and at Mycenae. In the tale that Herakles, who was a Perseid prince of Tiryns, was obliged to serve Eurystheus, the hereditary ruler of Mycenae, we seem to find an indi- cation that of the two cities Mycenae was the more im- portant ; and that it was larger is abundantly clear from the testimony of excavation. According to the legends, only two generations inter- vened between Perseus and the accession at Mycenae of the Phrygian stranger Pelops, who established there a new dynasty. It is not necessary that I should here repeat the story of Pelops, one of the most brilliant and celebrated figures in early Greek mythology.* Everyone knows how he came from the district near Smyrna and Mount Sipylus, with his followers and his treasures of gold, how he won his bride Hippodameia in a chariot-race at Olympia, and how he gradually succeeded, according to Thucydides, by means of his great wealth, in acquiring dominion in the southern peninsula of Greece, thenceforward known by his name as Peloponnesus. Before the time of Pelops the legends of Argolis are vague and confused, but henceforth they become more consistent, and bear at least the out- ward appearance of history. Atreus was the son of Pelops by his Greek bride, and his son Agamemnon, king of Mycenae, is the hero who shines out so nobly in the Iliad, and who on his return from Troy fell a victim to the intrigues of his wife Clytemnestra and her paramour, his cousin Aegisthus. According to the story, Aegisthus held the throne for seven years, but in the eighth he was put to death by Orestes, who succeeded not only to the kingdom * It is given in the seventh chapter of Grote's History of Greece, and in all the Dictionaries. Chap, in.] Mycenae and the Islands. 59 of Mycenae, but also to that of his uncle Menelaus in Sparta. Then came the Dorian invasion, which transferred Peloponnese from Achaean to Dorian hands. And thence- forth Mycenae which had for a time taken precedence even of Argos loses that proud position. In the division of lands, Temenus the chief of the Herakleidae set up his throne in Argos ; and Mycenae must have been if not ruined, at least greatly reduced. In the time of the Persian invasion, it could furnish but eighty men to the army of Leonidas, and but 200 to that which fought and won at Plataea. Shortly afterwards, as we learn, the Argives expelled the inhabitants who remained ; and the period of its independence came to an end. But the whole period of Mycenaean history which is important in connexion with recent excavation is the five or six generations from the time of Perseus to that of Orestes. During that time, which may be reckoned as between one and two centuries, Mycenae plays a part in history which is unique. It is not merely the head of Argolis, but it is the first city of Peloponnese, and bears rule, as is said of Agamemnon in the Iliad, over the island world which is the bridge between Asia and Europe. Thucydides was astonished at the legendary fame of Mycenae as compared with the smallness of its site ; he did not know, as we do, that all that remained of Mycenae in the historic age was the walls not of the city but of the Acropolis. But we must postpone for the moment a full discussion of his remarks. The second period of Mycenaean history which is im- portant to the present purpose consists of the few hours during which the traveller Pausanias was wandering amid its remains, which in his time cannot have been in a very different condition to that in which they stood before the recent excavations. It is necessary to cite his words,* as * ii. 16, 4. 60 New Chapters in Greek History. [Chap. ill. they are important. " There remains of the city," he says, " part of the circuit walls besides the gate on which stand lions, the work, they say, of the Cyclopes, who built for Proetus the wall at Tiryns ; and amid the ruins is the spring called after Perseus, also the underground buildings of Atreus and his sons where they kept their treasures. There is also the grave of Atreus, and of those whom Aegisthus slew while feasting them on their return with Agamemnon from Troy. As to the tomb of Cassandra, that is also claimed by the Lacedaemonians of Amyclae. There is a separate tomb of Agamemnon, also of his charioteer Eurymedon, and a common grave of Teleda- mus and Pelops, who were, they say, twin boys whom Cassandra bore, and whom Aegisthus slew while infants along with their parents .... (gap) .... (Electra) who was given in marriage by Orestes to Pylades. Hellanicus says that Medon and Strophius were sons born to Pylades by Electra. But Clytemnestra and Aegisthus were buried a little way without the walls, being considered unworthy of a place within, where lay Agamemnon himself, and those who fell with him." It is impossible to extract from this passage, which con- tains several ambiguities, any quite certain result. But without entering into any long discussion, we may regard it as making certain points clear. We may take it that Pausanias mistakes the citadel at Mycenae to which the Lion-gate gives access for the city which lay around it in ruins. The fountain of Perseus has not been identified, though there are said to be water tanks in the citadel. The tombs of Agamemnon and his companions, and of Atreus and probably of Electra, were pointed out within the walls of the citadel, while the tomb of Aegisthus and Clytemnestra lay without those walls. To this testimony of Pausanias and to the question of its value we shall have to recur. Meantime we cannot but be sure as to what Chap, in.] Mycenae and the Islands. 61 Pausanias means when he speaks of the subterranean treasuries of Atreus and his sons. The subterranean treasure-houses, of which six at least are now known to exist in the lower city of Mycenae, are so well known from the numerous accounts of travellers that they need not be described at length. They consist of a circular chamber in the shape of a bee-hive, formed of massive stones laid in circles one over another, the circles becoming smaller and smaller in diameter towards the top until the whole is covered in by a single massive stone. This circular chamber is approached by a sunken way, and out of one side of it opens a small rectangular apartment, and the whole is so covered in with earth as to resemble in appearance a large mole-hill. It has been disputed whether these constructions were intended for tombs or for treasuries, but by far the most probable opinion is that they were both. In the rectangular chamber, which opens out of the larger one, were placed, in all likelihood, the remains of a hero or a monarch. In the circular outer chamber were stored all the articles of pomp and luxury which had surrounded him in life, and which were destined for his use and enjoyment in the shadowy future world, which was considered as a somewhat slight and joyless continuation of the present. Here were his cups of gold and silver, his tripods of bronze, his warlike weapons ; and, by a strange piece of realism, even whetstones wherewith to keep these weapons keen ; his sceptre, and all his wealth wherein he delighted. His body was covered with plates of gold, and perhaps wives or favourite slaves were laid beside him to be his companions in the future world. Everything leads us to believe that these treasuries and the walls of the citadel are about synchronous. Both are alike built of tier upon tier of huge squared blocks of tufa. The principle of the entrance-gate is the same in both. Upon two uprights is placed transversely a block of 62 New CJiapters in Greek History. [Chap. III. enormous size, above which is a triangular slab, perhaps carved in both cases with lions in relief, although the reliefs of the treasuries have disappeared. In the still extant gate of the citadel, the stones on either side of this trian- gular slab are arranged, just as they are in the treasuries, each tier somewhat overlapping the tier below, and the ends cut obliquely so as to fit on to the triangular slab — the very principle on which the whole of the treasuries are constructed. The doorway of the best-preserved of the treasuries has lost its decoration ; but in the earth close by were found fragments of pillars of a similar character to the pillar between the lions on the citadel gate, and in addition specimens of that kind of ornament — consisting in rows of raised disks or bosses — which appears on the top of the above-mentioned pillar. The third important period of Mycenaean history com- prises the re-discovery of the buried treasures of the city in the present century. In the year 1808 or 18 10, Veli Pasha, who was then Governor of Peloponnesus, heard the report that wealth was hidden in the building called the Treasury of Atreus. He dug down to the entrance, and his workmen searched inside. What they found is now disputed, and will probably never be known. On the one side it is said that not only were large masses of gold and silver ornaments discovered, but also twenty-five colossal statues. This story goes a long way towards refuting itself; for colossal statues do not easily disappear, and these having been, according to tradition, sold to travellers at Tripolitza, should be still remaining in that town or else discoverable in some of our great museums. The part of the story which concerns the statues being thus found wanting, we are inclined to reject the whole of it and to prefer the rival story, supported, according to Dr. Schlie- mann, by the memory of the oldest inhabitants, that Veli Pasha found next to nothing for his pains. Gate of the Lions. Towers. Side gate. Circular precinct of the graves. Placeof agold find. Dwelling-house. HIK Ascent to the palace. L Court of the palace. MNO Principal apartments of the palace. PQRS Smaller apartments and corridors. T Doric temple. A Gate of the Lions. M ,q Fountain of Perseia. Ctl /ml Makry Lithari (Gate- way uf the Lower City). K The Kokoretza stream, c The Chavos stream. /ch. \» E Peak of the Hagios Elias. s Peak of the Szara. w Well. Ch Village of Charvati. 1 "Treasury of Atreus." 2 Bee hivetomb, excavated by Mr-*. Scblieraann. S 4 5 other bee-hive tombs. To face page 62. Chap. III.] Mycenae and the Islands. 63 After a brief excavation at Tiryns, where little of value was discovered, Dr. and Mrs. Schliemann settled at Mycenae on the 7th of August, 1876, and set sixty-three workmen to dig in the trenches. These men were divided into three parties, of which one was set to dig down to the entrance of a small subterranean treasury in the immediate neighbourhood of the Gate of the Lions ; a second was to excavate through the gate a passage into the Acropolis ; and the third party was ordered to make a huge trench just within the gate. The first result of these diggings was the discovery that Mycenae, after its destruction by the Argives about B.C. 470, was again inhabited by a colony which owned the supremacy of Argos, and which must have remained for some time on the spot, as it has left a layer of debris some feet in depth. This colony probably belonged to the Hellenistic age. The trench cut inside the Gate of the Lions soon led to remarkable discoveries. It was found that the whole space there was occupied by a circle of stones, an enclosure made of two concentric circles of upright stones, the space between which was roofed by thin stone slabs. At first it was supposed that this circle was intended to form a continuous bench enclosing - an agora for meetings and councils. That view, however, is now untenable. The barrier was too lofty to sit on, and it is most unlikely that any agora existed in the Acropolis ; an agora would be found, if at all, in the lower city where the people dwelt. It soon appeared that the circle was formed for a definite purpose, to enclose a set of tombs of a very remarkable kind. The locality of these tombs was first suggested by the discovery at a depth of several yards below the surface of the ground within the circle, of some most curious tombstones, some plain, some carved with rude representations of warriors in chariots, attacking the foe or setting out for war, of lions pursuing their prey, or 64 Nczv Chapters in Greek History. [Chap. TTI. of strange involved patterns, evidently not suitable to stone, but adopted from some other material. Beneath each of these stones lay a tomb cut deep into the rock below. Dr. Schliemann supposed that these graves, after receiving their contents, were filled up with earth, but Dr. Dorpfeld has since made it probable that each had a roof made of slabs of stone supported by beams of wood shod with bronze, which only fell in after many years. In these rock-cut tombs lay the bodies of the prehistoric rulers of Mycenae. In two of them lay three women, their heads adorned with lofty gold diadems, their bodies covered with plates of gold which had been sewn on their dresses. In four graves lay the bodies of men, varying in number from one to five, some wearing golden masks or breastplates, all adorned with gold, not less profusely than the women, and buried with arms and utensils, with vessels of gold and silver, with a wealth of objects of use and of luxury sufficient to stock a rich museum of Athens, and fairly to astonish those who see it for the first time. Of these riches it is impossible without illustrations to convey any impression. The reader must turn to the pages of Schliemann's Mycenae, or those of Schuchhardt's recent work on Schliemann 's Excavations, if he would form a notion of them. All that we can here attempt is to give representations and brief discussions of the few objects which give us most historical information, and which are bases of our argument. Curiously enough, the most important of Mycenaean works of art required re-dis- covery after their discovery. The swords which lay in the graves were supposed by Dr. Schliemann to be of merely rusted bronze, but since then Mr. Kumanudes has carefully cleaned them and revealed devices inlaid on the bronze in gold and silver.* On one sword we see a series of gallop- * Best published, in the true colours, in the Bulletin dc Corre- spondance helldniquc, vol. x. To face page 64. Chap. III.] Mycenae and the Islands. 65 MYCENAE SWORDS. 66 Neiv Chapters in Greek History. [Chap. III. On two others we find a scene of hunting. A ing lions. river full of fish runs down the blade. Lotuses grow in it, and wild ducks are feeding among them. Two cats, probably tame, and trained for the purpose, leap among the ducks and seize them with mouth and paw. This is a subject which is found in wall paintings of the eighteenth dynasty in the British Museum * from Thebes in Egypt : the river, the fish, the lotus, the cat, the ducks all recur. On another sword we have a very vigorous representation of a lion hunt. There are three lions, all in varying attitudes ; one flies, another also runs, but looks back ; the third turns on the pursuers, and drags down one of them : the others in various attitudes, armed with the spear and SIEGE OF CITY. the bow, and sheltered behind huge shields, hasten to the rescue of their fallen comrade (p. 65). A still more recent and perhaps not less interesting * Page 54, No. 70, General Guide Chap. III.] Mycenae and the Islands. 67 discovery is announced in the Ephemeris* for 1891. Among the fragments of silver vessels found by Schlie- mann in tomb No. 4 on the Acropolis was one at the time thrown aside as uninteresting. But recently, on removing the oxide with which it was encrusted, Mr. Kumanudes has revealed a scene of no small interest engraved on it, and here repeated. A city with lofty walls is being attacked by some enemy, who unfortunately does not appear in the limits of the fragment. We see the women on the housetops stretching out their arms in encourage- ment to friend or supplication to foe : they seem to be clad in garments with sleeves. Before the walls is a hill planted with olives, and there the defenders of the city who have issued forth from the gates take their stand. Most of them are naked, armed with bow or with sling, but two bear large shields and spears, and in the fore- ground is a warrior who wears a conical helmet with tuft at top, and a jerkin covering his body and his upper arms and legs. Also some unarmed figures are kneeling, per- haps the elders of the city. In the Hesiodic Shield of Herakles is a passage which might almost pass for a description of this remarkable fragment.f Mention is there made of the contending hosts of defenders and attackers, " and the women on the well- built towers were crying with shrill voice and tearing their cheeks, life-like, made by the hands of glorious Hephaes- tus. And the men who were elders and stricken in years were without the gate assembled, holding up their hands to the blessed gods, in fear for their children who were in the combat." After Dr. Schliemann's excavations at Mycenae had come to an end, the place proved to be no exhausted mine. Further investigations carried on since 1887 on the * Ephemeris Archaiologike, 1891, pi. 2, 2. f Line 237, &c. Quoted by Mr. Tsountas in the Ephemeris, 1. c. F 2 68 New Chapters in Greek History. [Chap. III. spot by Mr. Tsountas on behalf of the Greek Archaeo- logical Society, have led to interesting results. On the very summit of the Acropolis rock were found the remains of a temple, and beneath that the foundations of an early palace. Of this palace we shall have further to speak in connection with the much better preserved palace of Tiryns. And in the lower city there came to light a large number of graves of the common people, also of the pre- historic age. It may seem strange that any people should place the tombs of the dead amid the dwellings of the living ; but we know on good authority that such was in some places the early Greek custom. Plutarch mentions it among the institutions of Lycurgus that the dead should be buried in the city and near the temples ; and this, like most of the Spartan customs, was probably very ancient. The contents of these graves are in some cases later in character than those of the royal tombs, forming a transi- tion to what we know as the art of historic Greece. But on the whole the accordance in technique and style with the remains found by Schliemann is close, and furnishes abundant proofs, if such were needed, that these works of art are not in the main imported from abroad, but manu- factured on the spot by a local school of workmen, and represent if not an indigenous at least a local art. Great discoveries like those at Mycenae almost always prove like the letting out of water, and receive from all sides supplements and corollaries. So we need not be surprised that within the last fifteen years it has been made clear that the Mycenaean treasures are no isolated phenomena, but belong to a class of remains widely spread through northern and southern Greece, through Crete and the Islands. Naturally, attention was called to all the beehive tombs which existed in various districts, and in them and in other early sepulchres was found quite a wealth of the remains of heroic Greece. Chap. III.] Mycenae and the Islands. 69 In the very year of the discovery at Mycenae a grave was excavated at Spata in Attica, the contents of which bore so striking a resemblance to the antiquities of Mycenae that it was even shewn that objects precisely like some of the ornaments at Spata could be made from moulds of stone found at Mycenae. And yet a difference of period was observable. For at Spata there were a few objects, notably a head in ivory and ivory sphinxes, which we could clearly see to belong almost to the period of the beginning of Greek sculpture, properly so called. With the contents of the tomb at Spata may be com- pared those of various tombs of beehive form excavated in recent years, at Menidi, at Orchomenus, at Volo, and in iHf iSi^Hg ^=^H : ' ^ I e &' ! & f ' npTJQ DGjaDGnnaaDDQDDDDDuDoaQno^apOQnaociOQgQaonaoaQPQa, ww- v CEILING OF ORCHOMENUS. JjOM. other places. As a rule these tombs have been so com- pletely spoiled in antiquity by robbers, that nothing re- mains but small fragments of bronze or of glass. But these serve to give us an idea of style. And we find that the style of these fragmentary remains is the same as the style of the objects from Spata, and the same as J jo New Chapters in Greek History. [Chap. Ill the style of the earliest bronzes found on the site of Olympia, which on that site precede works of which the style is distinctly Greek ; these latter can be dated to the seventh century or thereabouts. The carved ceiling of the inner chamber of the tomb at Orchomenus is adorned with a beautiful pattern which closely resembles Egyptian designs, and seems to indicate communications in pre- historic days between Egypt and Greece. Quite recently a fortunate Greek savant has discovered in the beehive tomb at Bapheion, near Spata, interest- ing relics of the same age, including two gold cups which are perhaps the most interesting remains of prehistoric Greece, and which are represented on page Jl. We see on them woods consisting in the upper scene of palm-trees, and in the lower of trees which belong to a temperate climate. Amid these are depicted scenes from the cap- ture of wild or half-wild bulls by hunters. These latter are lightly clad ; they wear only waistband and boots ; their long hair streams down their backs. In the upper scene two of them are overthrown by the charge of an infuriated animal ; in the lower scene one has succeeded in fastening a rope to the hind leg of a bull whose anger and alarm are clearly indicated. The contrasted attitudes of the bulls, in the upper scene certainly wild, in the lower perhaps tamed to the service of man, are rendered with remarkable vigour and skill. Together with the siege of the city on the silver vessel and the lion-hunt depicted on the sword from Mycenae, these cups give us the most vivid representation which we possess of the pursuits of the prehistoric Greeks, and their cousins on the other side of the Aegean Sea. For light on the origin and the date of the works of art of the Mycenaean class, we must undoubtedly turn to Egypt : and it is surprising how clear light we obtain thence. Chap. III.] Mycenae and the Islands. 71 GOLD CUPS FROM BAPHEION. 72 New Chapters in Greek History. [Chap. Ill Firstly, in the Mycenaean tombs and among the remains of the city have been found some articles which must have come from Egypt, such as an engraved ostrich-egg, and a tassel of Egyptian porcelain.* These were found by Schlie- mann. Since his excavations has been found a scarab bearing the name of the Egyptian Queen Ti. f This lady has been reasonably, though not certainly, identified as the Queen of Amenophis III. of Egypt of the fifteenth cen- tury ; and in very recent excavations some pottery has been found % which bears the name of Amenophis himself. It is true that these names do not give us a precise date ; since it was a custom, as we learn, to copy the cartouches of celebrated kings and queens on works of a later date. But at all events we may consider it proved that the re- mains of Mycenae are not earlier than the fourteenth or fifteenth century. And a clear proof of abundant intercourse between Egypt and Greece in the Mycenaean age is furnished by the obvious resemblance between works of Mycenaean art and those of Egypt. The sculptured pattern of the sepul- chral chamber at Orchomenus is almost identical with patterns painted in Egyptian tombs. The swords repre- senting a duck hunt § give us a scene of a very peculiar character, which could only originate in Egypt : there were no cats in Greece, and the custom of training cats to catch birds seems to be peculiar to Egypt. The lion-hunt and the siege of the city from the Mycenaean tombs will also readily carry back the eye to Egyptian prototypes. || Yet notwithstanding this close relation to Egyptian art, the masterpieces of Mycenae have much in them which is non-Egyptian, and which seems to mark a native style of art. There is a freedom from convention and a vigour * Mycenae, p. 241. \ Ephem. Archaiol. 1887, p. 169. % Ephem. Archaiol. 1891, pi. 3. § Above, p. 65. |J e.g. Perrot, Egyp/e, trans. I. 47. Chap. III.] Mycenae and the Islands. \% about them which is unmistakeable. Some recent writer have been disposed to call them importations from Phoe- nicia. They cite the appearance of the palm-tree, the half-clad appearance of the men, the presence of the lion as indications pointing to Syria rather than to Greece. This view is, however, unsatisfactory. So far as we know, Phoenician art, from first to last, was singularly wanting in any sort of originality : it only combined given forms. And again, it is impossible to draw a line as regards style between works in gold and silver, which might possibly have been imported from Phoenicia, and heavy objects such as tombstones which could not be imported. It seems far more probable that in this problem we have almost to eliminate the Phoenicians, and to find only a native Greek art working largely in obedience to Egyptian teaching. If the dates which presently I hope to make probable are accepted, the culmination of the Mycenaean age would correspond with the time when the cities o Phoenicia had been plundered or destroyed by the people of the north in their march on Egypt, and when Phoeni- cian influence was at a low ebb. Accordingly, among the Mycenaean treasures are scarcely any which can be with confidence declared to be Phoenician. The objects which have the best claim to that attribution are the gold plates which represent a naked goddess surrounded by doves* and a temple with doves perching on it ; but even these may as well betray a Cyprian or a Canaanite as a Phoenician origin. The Goddess of Love and her doves were by no means peculiar to the people of Sidon and Ascalon. On another side Mr. Petrie has pointed out * that pottery of the Mycenaean class was imported into Egypt under the eighteenth and subsequent dynasties ; and the pre- sence of it in conjunction with Egyptian antiquities which * Jour n. Hell. Stud. 1890, p. 271 ; 1891, p. 201. 74 New CJiapters in Greek History. [Chap. III. can be dated, gives us a clue for the determination of the date of the Mycenaean civilisation. Quite recently, he has endeavoured to affix closer dates to the tombs of the Mycenaean Acropolis. He considers that their contents can be assigned almost with certainty to the period 1200- 1100 B.C. But the twelfth century was, if any trust at all is to be placed in Greek tradition, the age of the culmina- tion of the Achaean power, shortly before the irruption of the poor and comparatively barbarous Dorians from the north shattered the fabric of princely luxury, and paved the way for the rise of the city commonwealths of the historic age. It is scarcely possible to over-estimate the value of this date, if it may be relied on. And it certainly accords with most indications. We can scarcely pass in silence the important evidence as to the peoples of the Levant in prehistoric days which is furnished by the wall-paintings at Medinet Abu in Egypt.* We have there in contemporary records the account of more than one battle waged by the Egyptians in B.C. 1 300-1200 against the peoples of Asia Minor and the Islands, who are represented in the wall paintings as attacking the country both by sea and land.f The names given to these peoples by Egyptologists are so various, and the identifications with particular races are so uncertain that I am unwilling to repeat them. One can only venture to speak of the wall-painting of the sea-fight at Pelusium, in which the fleet of the invaders was destroyed by Rameses III., because, however the Egyptian hierogly- phics may be read, the paintings of Egyptian artists are clear and trustworthy. In this cartoon, the northern peoples who attack Egypt are represented as sailing in ships rising at both ends with * Rosellini, Monumenti Storichi, pi. 125 and foil, t In an Appendix to Ilios (p. 745) Dr. Brugsch 'gives a detailed account of these wars. Chap. Hi.] Mycenae and the Islands. 75 lofty curves, whereas the ships of the Egyptians are curved only at one end, and adorned at the other with a lion's head. They are unbearded men, clad in jerkins reaching to the knee and girt in at the waist, armed with spears, short swords and round shields. One tribe of them have on their heads a lofty cap apparently made of feathers, the other tribe wear a round helmet surmounted by a crescent and ball. On other paintings of the same age both tribes appear as auxiliaries or mercenaries of the Egyptians in their wars. It has been well remarked that the ships of these invaders recall by their form the Homeric epithets afi regard to the wife. A moment's reflection will show us that the thing which is really by far the most surprising in all this is the fact that the site is in Greece proper. If in the lands of Phrygia or Lycia, or among the hills of Etruria, we had found the same proofs of the ancient existence of wealthy and powerful and civilised nobles, we should have been far less surprised. We should expect the Mermnadae of Lydia, or the Phrygian princes of the line of Midas, to live in this royal fashion. But we are accustomed to think of Greece as a land of political communities, of little self- governing states with agora, and harbour, and senate- house, and with an acropolis covered not with a palace, but with the temples of the gods. Such is the Greece of history. But utterly different was pre-historic Greece. There is a broad line dividing mythical from political Hellas, a line which seems to coincide with the great break made in the continuity of Hellas by the Dorian invasion. On the older side of that line we see the castles of magm"- ficent princes standing amid the huts of their dependants, but no trade, no high art, curiously enough, no temples of the gods, though rude images of them. On the more recent side of the line we see vigorous communities, choosing their own governments, carrying on trade with all parts of the Mediterranean and Euxine, and planting colonies on all shores, full of the highest artistic feelings, and building on the heights where the royal castles had stood those magnificent temples to Apollo and Athene, Zeus and Poseidon, which were the centres of all the higher life of Hellas, so long as Hellas lived. But the tendency to revert to an original type is as strong in nations as in breeds of animals. So in Greek history we find constant instances of reversion towards the early organisation in the rise of those tyrannies which were a H gS New Chapters in Greek History. [Chap. IV. poor and feeble imitation of the splendour of monarch}*. The Greece which we know and love, the Greece of art and song, of religion and philosophy, of conquest and trade, came to birth at the Dorian invasion, and is, in great part at least, the child of the Dorian genius and loftiness of character. Just such a contrast as exists between prehistoric and historic Hellas, exists also in Greek literature between Homer and the later poets. The Homeric poetry may have been reduced to form after the splendour of the Ionian and Achaean chiefs had passed away ; but it breathes all the spirit of their sway. With Homer, too, the chief is the only man worthy of a thought, the common herd are fit only to be slain by him in the field of battle, or dragged by him into slavery. To Homer also cunning works of art show the influence of Cyprus, Phoenicia, and the East. Homer knows comparatively little of temples of the gods. The courts and the camps described in the Iliad and Odyssey are rather akin to those of Lydians or Etruscans than of historic Greeks. We must, however, guard our- selves from misunderstanding. In using the name of Homer, we do not of course assert that the Homeric poems had a single author. But we do assert the anti- quity of those poems. Homer reflects the pre-historic age of Greece as truly as does Herodotus the Greece of the Persian wars, or Pausanias the Greece of the age of the Antonines. We shall therefore make no excuse for usine the Homeric text when we find in it anything which seems to throw light on the antiquities discovered on early Greek sites, and more particularly on the site of Tiryns. Espe- cially is it desirable to set side by side Homer's descrip- tions of palaces like those of Alcinous and Odysseus, and the palace of which the remains still exist at Tiryns. The plan which accompanies this paper, a reduction of that at p. 309 of Schliemann's Tiryns, will enable readers Chap. IV.] The Palace at Tiryns. 99 easily to understand the plan and arrangements of the palace of which the foundations have been unearthed at Tiryns, and of its surroundings. To the upper citadel, ?f|geg|^^ ^t?^5 a&) (On** mSSk mm Villi 11 ' PLAN OF THE UPPER CITADEL OF TIRYNS. almost the whole space of which it occupies, access could be had by two means only. The main entrance through the outer wall was at the north-east corner, to which a gradual ascent from the lower ground led up. Entering H 2 ioo Neiv CJiapters in Greek History. [Chap. IV. by this way and turning sharply to the left, the visitor would pass along a narrow passage between the outer wall of the palace and the wall of the citadel, and through a mighty gate, of which the socket is in its place to this day. We mark on our plan, by a dotted line, the route by which we intend to lead our readers. Passing through the gate, which probably in plan and construction resembled the well-known Lion-gate of Mycenae, our traveller would continue his way between the mighty walls, liable if he came with hostile intent to be slain by many weapons, even after thus obtaining an entrance, by the guard stationed on the citadel wall or the roof of the palace. At length he would reach the main entry. Students of Greek archi- tecture have long been familiar with the fact that the entry to Greek sacred areas, such as the Acropolis of Athens and the domain of Demeter at Eleusis, were entered through a noble propylaeum, of which the form is constant and fixed. The Greek propylaeum consists of two porches set back to back, whereof one looks outward towards the outer world, the other inward towards the enclosure. At the common back of the two porches runs a solid wall with great gates. The construction combines, as do most Greek contrivances, great beauty with great convenience, since the two porches offered a pleasing shelter to those waiting for the doors to open, whether they wished to go out or in. Such is the fixed Greek custom, but it is not a little surprising to find a propylaeum of precisely this kind guarding the entry to the upper Acropolis of Tiryns. This fact by itself seems to carry back the history of Greek architecture some centuries. Of course, though the essen- tial idea is the same in the pre-historic as in the historic Greek doorway, the details differ. We should be dis- appointed if we sought at Tiryns the marble pillars, the sculptured friezes, the stone roofs which were features of such propylaca as those of Pericles. At Tiryns there were Chap. IV.] The Palace at Tiryns. 101 pillars indeed, but they were of wood, let into lime- stone bases : and the roof instead of being of slabs of stone or tiles, was almost certainly made of rushes covered with clay, after the fashion still usual in the East ; but while materials change, form persists, the idea takes a new ex- pression, but does not itself change. Through the propylaeum we pass into a large court or open space, round the sides of which are buildings used no doubt as barracks for the guards, and store-houses for provisions. But we shall direct our steps still westwards and pass through another propylaeum of smaller size but similar construction, which leads direct into the forecourt of the men's apartments which corresponds to the av\r) of Homer. Afterwards we shall return to the outer propy- laeum and make our way to the women's apartments, which are at Tiryns kept studiously apart from those of the men. The men's forecourt is a space of some sixty-eight by fifty-two feet. It is carefully paved with a concrete of lime and pebbles, and full provision is made for its drainage by the slope of the paving to a sink at one corner. It is on all four sides surrounded by porticoes, affording cool and pleasant retreats from the power of the sun. At one side of the court is a square construction of peculiar interest, an altar with a hollow pit in the midst of it for the reception of the blood of victim's. Those familiar with the Homeric poems will scarcely read these few dry lines of description without recalling to mind many a passage in the Iliad and Odyssey, which the new discovery sets in fresh light, or which clothes with life and reality the skeleton of the new discovery. We remember many facts about the av\i] of the palace of Odysseus ; but they at once show us a difference between his abode and that of the rulers of Tiryns : the Ithacan palace was rude and rustic, and a far less splendid abode 102 New Chapters in Greek History. [Chap. IV. than that of which we can now trace the plan. When Eumaeus brings his pigs for the feasting of the suitors he lets them feed in the forecourt ; and cattle are tethered under the porticoes, while slave-women do their grinding of meal in the sheds round. Odysseus' house is, in fact, the abode of a gentleman-farmer ; the palace of Tiryns is more like the glorious abode of Alcinous in Phaeacian fairy- land, or the splendid house of Menelaus, which glittered like the sun and moon as one drew near to it. Yet the difference in this matter is one of scale and of splendour, rather than of plan. Telemachus, we learn, had a bed- chamber in the forecourt, so had Phoenix : such rooms we see at once were in the porticoes which enclosed it. The forecourt of Odysseus contained a great altar of Zeus Herceius, " whereon Laertes and Odysseus had burned many thighs of oxen." So, too, the aged Peleus burned in his forecourt the thighs of an ox in honour of thunder- loving Zeus. This seems to justify us in identifying the altar at Tiryns as that of Zeus. Only one puzzle which has long baffled the Homeric commentators remains a puzzle. In the forecourt at Ithaca was a OoXos, a circular building of uncertain use ; and as there is no trace of any such building in the court at Tiryns, its purpose must remain a mystery for the present. Homer's heroes when they go to a house always cross the court and enter into the fAeyapov, or great hall of the men, through a portico, the echoing aWovaa of which the poet often speaks. We must do exactly the same at Tiryns, as the plan will show at a glance. The portico which we now approach is the frontage of the most important part of the whole palace, shown to be so to an architect by its occupying the very highest part of the citadel, and by its governing the orientation of all the parts about it. Though only the foundations of the wall remain, to the height of a yard from the ground, yet the Chap. IV.] The Palace at Tiryns. 103 patient induction of Dr. Dorpfeld has enabled him to recover many of the details of its construction. Its elevation is that called in the case of temples in antis ; that is, it has a wall on three sides, while on the fourth side, that which faces the court, the place of a wall is taken by a couple of columns which supports an architrave and a roof. The antae, or foremost parts of the side-walls, exhibit sufficient remains in dowel-holes and the like to assure us that the walls of the portico were covered by a thick panelling of wood, a panelling probably covered in turn, if we may trust the analogy of some of the buildings at Mycenae and the Homeric testimony, with plates of bronze, which may well indeed have glittered like the sun and like the moon. In the. back wall of this portico were three doors, each provided with a stone sill (every one will remember Homer's \aivos ol»S6. IV. a narrow way led between walls to a forecourt, like that of the men but smaller (see plan) ; and facing this court stands a hall with its vestibule, and in the midst of the hall a hearth. Between this women's hall and the outer wall of the palace cluster a number of rooms of various sizes, and there is reason to believe that it is possible to indicate the place where there was a staircase, leading to an upper story, of which of course no trace now remains. Among these rooms Dorpfeld would look for the bed-chamber of the mistress of the palace, for the treasury where the valuables were kept, and other rooms necessary to a princely establishment. That this scheme of arrangement was by no means peculiar to Tiryns appears certain when we re-examine the ruins of that city on the hill of Hissarlik, which Dr. Schliemann, not without some reason, regards as the historical prototype of the Homeric Troy. There we find as central mass of the remains * two oblong blocks of buildings side by side, a lesser and a larger, which at first Schliemann, misled by Hellenic analogy, supposed to be temples. There can now be little doubt that they are not temples at all. Temples occupied the acropolis hills of sites in Greece and Asia Minor in historical times, but not in these pre-historic days which are so fast becoming clearer to us. Then the most important places were occupied by those earthly gods or god -like heroes, the wealthy and splendid race of Zeus-descended kings. At Hissarlik too then we must take the ruins to be those of the men's and women's apartments respectively ; and in fact looking on their ground-plan in the new light, we at once see the remains of the family hearth. Also the recent excavations of the Greek Archaeological Society at Mycenae have resulted, as we have already mentioned, in the discovery there of the foundations of a * See cut, p. 53. Chap. IV.] The Palace at Tiryns. 109 palace nearly resembling in ground-plan that of Tiryns. These foundations, ill-preserved as they are, afford us valuable indications of date. Above them and covering them were the foundations of a Greek temple of the Doric order, a fact which proves beyond all dispute their pre- V historic character. About the palace were found fragments of pottery of the Mycenaean class, and fragmentary fresco paintings which seem once to have decorated the walls. We learn that at Cnossus also have been found in con- junction one with the other, a palace of the Tirynthian class and Mycenaean pottery. We have thus to do, not with an isolated phenomenon, but with one of a class. We must suppose that if trial were made on the acropolis hills of Greece we should, in the pre-historic strata, find parallels to what has been found at Tiryns. We must therefore regard it as proved that in the pre-historic Greek palace, the men's apartments and the women's stood apart, though side by side, each with its own fore-court, vesti- bule and hall. The obvious means of communication at Tiryns is by making a long circuit, which takes us almost to the gate of the citadel. It also appears that it is possible to find a way from the bath-room to the women's court. It is, however, evidently absurd to suppose that the chief, when he wished to visit the apartments of his wife, would make a long excursion through the town, and not likely that the usual route would be by the bath-room. There must have been some closer means of communication, and since we possess knowledge as to the foundations only, it is reasonable to suppose that there was a communicating doorway above the foundations, an dpaodvpr] such as that mentioned in the Odyssey, as leading out of the men's hall towards the women's apartments. This separation of men and women at Tiryns and Mycenae has been the ground of much controversy, because it appears to be inconsistent with the 1 10 New Chapters in Greek History. [Chap. IV. customs of the Achaean heroes as described by Homer. We shall return to the subject in the chapter which deals specially with the Homeric questions raised by recent excavation. We must, however, pass on from the ground-plan of the palace at Tiryns to one or two important discoveries of detail. The 6piy/cos Kvdvoio, the cyanus frieze, which the excavations brought to light in the vestibule of the men's hall, probably adorned that chamber, at some height above the ground. This beautiful frieze is made of alabaster, carved in patterns of Egyptian character, with pieces of blue glass inserted at intervals, to give it colour and variety. In this case, too, recent archaeology had proved the soundness of its methods, by giving an explanation very near to the truth. Dr. Helbig had argued that the frieze of cyanus could not be of steel, or any of the other metals which have been suggested, but must have consisted of small plates of blue enamel, inserted into some underlying substance, and worked into the pattern of a frieze. This is remarkably near the truth, and fresh proof that archae- ology, having arrived at a capacity for divining what is not yet discovered, has the right to be considered a fully established science. Scarcely inferior to the alabaster frieze in interest, and very similar to it in design, are the mural paintings of which fragments were found in many parts of the palace. It is useless to attempt to describe their designs, for they can only be studied or understood by turning to the plates of Schliemann's Tiryns. Their style is perfectly unmis- takable : every one who has turned over Rosellini's or Lepsius' plates of Egyptian architectural designs will see that their true parentage is Egyptian. No one who has learned the lesson of Mycenae, or has seen a drawing of the marvellous stone ceiling of purely Egyptian pattern which was found by Schlicmann in the conical tomb at Chap. IV.] The Palace at Tiryns. 1 1 1 Orchomenus, would be surprised to find in the wall-decora- tions at Tiryns designs of Egyptian origin. But when we use the phrase " of Egyptian origin," we must do so with circumspection. The native art of Egypt is now known tof be, not less than Greek art, a thing of gradual evolution along definite lines. In this fixed and ordered series the patterns at Tiryns have no place. They are eclectic and eccentric ; in fact, they are what archaeologists term bar- barous imitations. The idea of them comes from Egypt, but in the realization we see the genius of another race. And there is a curious peculiarity about the transcription. When Gauls and Britons copy the coins of Massilia, or of Philip of Macedon, they have an inveterate tendency to pervert lines and patterns into animal and vegetable forms : on the Gaulish coins, in particular, we find quite a be- wildering variety of winged monsters, boars, dragons, and birds, all developed out of the simple head of Apollo and the chariot of Philip's gold pieces. At Tiryns we discover precisely the same tendency. The Egyptian patterns grow \J into the form of birds or winged monsters, some of which have so much of pattern and so little of animal about them, that it takes a close study to discover the radical perversion which has taken place, a perversion exactly the opposite to that to which we are accustomed in modern art, where animals and plants become conventional and sink into patterns. The delight in animal form was very strong in Phoenician and early Greek art, and dominated it more and more as time went on. In one specimen of Tirynthian wall-decoration we have a direct and curiously vigorous representation of animal form, in that very remarkable bull, bearing a human figure on its back, which is one of the most startling results of Dr. Schliemann's excavations, and which furnishes a new illustration of the law, that in all art of all nations there are spasmodic outbreaks of naturalism, sudden touches of that nature which makes the whole 1 1 2 Neiv CJiapters in Greek History. [Chap. IV. world kin. We may compare the bulls of the Bapheion vases figured at p. 71. The massive Cyclopean walls which surround the citadel of Tiryns, and which formed an outer line of defence to the royal palace, are familiar to travellers. But things familiar to us often hide from us their secrets. So it is here. The industry and ingenuity of Dorpfeld have re- vealed to us many unsuspected facts in regard to these walls. Firstly, it is now proved that the universal belief that they were constructed without mortar is erroneous. A strong cement of lime held together the huge polygonal masses of stone : this has now disappeared from the face of the wall, having been washed out by the rain, but still remains in the interior of the structure. Secondly, the nature and uses of the galleries which have long been known to exist in the thickness of the walls have been fully explored. It is now shown that in two cases at least these galleries led to a number of vaulted chambers, built in the wall, and probably used for the storage of provisions and water and warlike material. Some of these chambers appear at the top of our plan. Thirdly, it seems to be quite established that there existed on the top of the wall a covered way, a gallery or portico, admirably adapted for the shelter of the garrison of the castle, and for the dis- comfiture of assailants. If all cities of pre-historic Greece were thus fortified and provided, it is no wonder that Thebes repulsed Tydeus and his comrades, and that the siege of Troy lasted ten years. A further very interesting discovery is that the citadel-wall is pierced on the west side by a postern gate, from which a long and winding stone staircase leads (see plan, p. 99) up into the back of the palace. Dr. Dorpfeld lays great stress on the fact that recent excavations have revealed in the massive walls which sur- round Byrsa, the citadel of ancient Carthage, galleries and Chap. IV.] The Palace at Tiryns. 113 chambers for storage, which in plan and construction differ but slightly from those at Tiryns. He even goes so far as to say,* " So long as a similar casemate-like construction has not been found in Lycia, or in any other district of Asia Minor which had not been visited by the Phoenicians, the conformity between the structures of Tiryns and Byrsa must be looked upon as a proof that both were erected by < -to To WALL AT CARTHAGE. WALL AT TIRYNS. Phoenician builders." These words were written before the palaces at Mycenae and elsewhere were found, and it is not likely that Dr. Dorpfeld still holds the opinion expressed in them. But the question raised in them is one which it is necessary to discuss. In doing this, however, I will postpone further enquiry how far the palace at Tiryns corresponds to the data of the Odyssey, to the chapter which deals with Homeric Archaeology. Primitive legend, if that be worth anything, is most explicit as to the connections of the early kings, if not the early inhabitants of Tiryns. The city was built, we are * Tiryns, p. 325. ^ 114 New Chapters in Greek History. [Chap. IV. told, by Cyclopes, whom the Argive Proetus brought with him from Lycia. This is but one of several tales which indicate close connection in pre-historic times between Argolis and Lycia, and these tales form together a group among several groups of legends which go to prove that the princely houses of Greece had frequent intercourse with the princely houses of the Asiatic coast, of Troas and Phrygia and Lycia and Cyprus. We hear continually of migrations of the heads of clans from Asia to Europe, or from Europe to Asia ; and everything indicates that they were of kindred races, living the same kind of life and strongly united together by aristocratic class feelings. Whether, therefore, the race which ruled in Tiryns were Achaean, or Lycian, or Phrygian, or even of Phoenician extraction, does not greatly matter. They were the sort of kings of whom tradition speaks, and through such in their day passed the line of succession of Hellenic ideas and nascent European civilisation. It is clear, then, that the ruling race of Tiryns may fairly be considered as Greek, for all practical purposes. And the people whom they ruled were almost certainly of Hellenic stock. Works of such magnitude as these colossal walls are not raised by a handful of resident aliens ; they are the result of the slow and patient labour of the people of the country where they exist. But the main question is, after all, not as to the nationality of either king or people, but of the architects who directed and controlled the works. Shall we declare them to have been Phoenician ? This is a more hopeful question, for the existing remains give us much material for an answer. For our part, we do not think that the evidence, as a whole, indicates Phoenician architects. Years ago we were all strongly inclined to the belief that the Phoenicians were the main channel through which civilisation flowed into Greece. But of late years evidence to the contrary has Chap. IV.] The Palace at Tiryns. 1 1 5 increased. Mr. Ramsay has found in Phrygia great lions carved on the rocks, which seem clearly to be in the direct line of descent of Greek decorative sculpture. And still more recently the excavations at Naucratis have proved that the Greeks borrowed largely from the Egyptians direct, and not through the mediation of the Phoenicians. We cannot therefore allow that the existence at Tiryns of a particular mode of erecting storehouses in the walls, which is found also on Phoenician sites, proves necessarily the presence there of Phoenician architects. Phoenicians and Greeks, and the natives of Asia Minor, may very probably all have acquired the method of construction from some common and older source. The fact rather is, as indeed Dr. Adler points out in his Preface to Tiryns, that the architecture and art of Tiryns, and of the closely similar city of Mycenae, present analogies to the remains of several ancient peoples. The general form of the conical tombs, like the so-called Treasury of Atreus, with its underground dromos or approach, seems to derive from Phrygia, where dwellings of this form, and similarly covered by a mound of earth, existed in the time of Xenophon, and exist even to this day. To Phrygia, too, we may trace back the style of the sculptured lions over the gate of Mycenae. The wooden pillars, and the roofs formed of trees laid side by side, of which we find imitations in the stone construction at Tiryns and Mycenae, remind us of the tomb-architecture of Lycia and of Phrygia, the style of which is based on the use of wood. The beautiful carved ceiling of Orchomenus, and the painted wall-patterns of Tiryns, distinctly derive from Egypt, whether directly or through the mediation of the Phoeni- cians. And besides all this, there is both at Tiryns and Mycenae a great deal of decoration and drawing, which seems autochthonous. The Mycenaean warriors, the bulls of Tiryns and Bapheion, a thoroughly Hellenic torch-holder I 2 n6 New Chapters in Greek History. [Chap. IV. from Tiryns, all betray native Greek ideas and art. In this connexion we must mention also the pipes used in the drainage of the Tirynthian palace, which closely resemble those used in the aqueduct constructed at Samos by Eupalinus. It seems therefore most probable, judging' /from the evidence at present available, that the walls and palaces of the Argolid were not merely raised by Greek hands, but also designed by a Greek brain, though we may trace in them the influence of several of the peoples which surrounded the Greeks, and which were probably at the time more advanced than they in material civilisation. The palace walls of Tiryns and of Mycenae, combined with the rich treasures of the Mycenaean tombs, serve well to make our notion of the life of the heroes of Greek legend more complete and more vivid. These discoveries prove that the summits of the hills of Greece, which in the historic age were covered with the temples of the gods, and with works of art dedicated to them, were at an earlier period dedicated not to gods but to men. There rose the noble palaces of the ancient kings of the cities of Greece, god-descended monarchs on whose luxury and prowess, on whose immoderate pride and ruinous crimes the legends told in later Greece loved to dwell, and whose memories furnished subjects to Sophocles and Euripides, as well as to the earlier epic poets. On high they dwelt, fenced in by strong walls, like our own barons of the Middle Ages ; while around the foot of their Acropolis-rocks clustered the dwellings of the common people whom they ruled with a rod of iron. Sidonian merchants brought them slaves, or the rich products of Egypt and Cyprus ; while they lived, thousands of obedient serfs toiled on their lands or reared their fortress-walls ; and when they died they were buried in chambers lined with plates of bronze, and filled with the richest offerings that could be found in Greece, or brought from lands of Chap. IV.] The Palace at Tiryns. 1 1 7 older civilisation. Their easy lives passed amid a pomp which we should associate rather with the courts of Sardes or Cyprus than with the cities of Greece. This was the golden age of which Hesiod writes, when the heavens were nearer and the gods were more familiar ; when deities looked with favour on daughters of men, and there were born giants and warriors of superhuman prowess and undying fame. As their palaces shone through the land with a light like the light of sun and moon, so do they shine through the mists of history radiant and splendid. 1 1 8 Nezu Chapters in Greek History. [Chap. v. CHAPTER V. RECENT DISCOVERIES AND THE HOMERIC POEMS. I HAVE above dwelt strongly on the outer or historical side of the discoveries at Mycenae, because, if they are to be used at all in illustration of the art of the Homeric poems, it is of the utmost importance to know exactly what is their date and origin. It is one thing vaguely to compare the art products of Mycenae with those spoken of in Homer, with a view to finding analogies, and quite another thing to proceed after identifying the art familiar to the heroes of whom Homer sings, to try to measure by means of art the space between them and the Iliad. It is this latter task that I would venture in a very slight and tentative way to attempt. Of course this is only one line of argument, and if its results do not agree with those reached on other lines, we must be ready to reconsider the matter. My view, which it may be well to set forth in few words at once, is this : that the art familiar to the authors of the Iliad and Odyssey is in many respects like the art revealed at Mycenae, but distinctly later, and shewing clear evidence of comparative poverty and degradation. As to the date and method of composition of the Ho- meric poems, I cannot speak either in detail or with authority. But I am quite ready to accept the usually received view that they grew up during a considerable space of time, and contain earlier and later elements. Chap, v.] Recent Discoveries and the Homeric Poems. 1 19 Wilamowitz's view, which Helbig, after a careful survey of the archaeological side of the Homeric question * is quite ready to accept, gives the latest parts of the Iliad to the eighth century ; the Odyssey to the eighth and seventh centuries. But both poems no doubt incorporate legends and even ballads of a much earlier period, and it is in the earlier parts especially that the Aeolic dialect prevails. In the main the Epos belongs to the Aeolian and Ionian colonists of Asia Minor ; but they brought much of their materials from Greece ; and parts of the Iliad and Odyssey as they stand were composed, in Wilamowitz's opinion, in that country. Mr. Monro f and Mr. Leaf| are both disposed to think that most of the Homeric poems were composed by Achaeans before the Dorian conquest, and taken to Asia by the colonists. This I cannot concede ; for it seems to me certain that the poets who wrote thern were speaking of a past which lay some distance behind them. And as the Homeric poems are composite in origin and conventional in language, so the civilisation which they portray is by no means primitive, but in its way complex and artificial. We are constantly tempted to suppose, because the Iliad is our earliest specimen of Greek litera- ture, that therefore it represents the beginnings of the Greek race in all respects. But this is far from being the case. The mythology of Homer is incomparably more advanced, refined, and artificial, than that which meets us in the pages of Pausanias or of Apollodorus. The life of the wealthy Achaean kings at home, not of course on the battle field, is depicted as more luxu- rious than that of any historic Greeks down to the i * Das Homerische Epos aus den Denkmalern erlantert. 2nd edit. 1887, p. 1. t English Historical Review, 1886. X Introduction to Schuchhardt's recent work. 120 New Chapters in Greek History. [Chai\ y. Hellenistic age. This heaven-descended aristocracy had acquired, as dominant aristocracies do acquire, great elegance and refinement of life, and an elaborate code of manners. In western Greece, Ithaca for instance, life was ruder and simpler ; but from what the Homeric poems tell us of the courts of eastern Greece, we can judge that they represented not the beginnings of culture, but the bloom of a culture which had gradually arisen, and which, though not advanced, was in its way finished and complete. Before we proceed to compare the works of plastic and toreutic art mentioned in Homer with those found recently in Greece, it will be necessary to give some sketch, how- ever slight and imperfect, of the history of art in Greece between the age of Mycenae and historical times. It would be very interesting if we could pick out amid the Mycenaean spoils those which may be claimed as Greek in design, and not imported from abroad. This, however, we cannot do with complete certainty. The pottery is no doubt of local manufacture, but though it makes us acquainted with Greek decorative forms, the subjects depicted are so simple as not to help us to judge of the state of art in depicting scenes from life. On these vases the human form very seldom * occurs. The tomb- stones of Mycenae must almost certainly have been made on the spot : but it is generally allowed that the designs on them are mere copies from work in metal, probably on a much smaller scale, and executed by artists unused to working in stone. The fragmentary wall-paintings at Mycenae and Tiryns were certainly home-made, and were they more complete they would afford us the best test we have for the establishment of the style in which the Achaeans worked. The only complete group in them is * There is a remarkable exception in the procession of warriors on a vase {Mycenae, p. 133). But this is of doubtful date and unusual style ;' it may even be an importation from Cyprus. Chap, v.] Recent Discoveries and the Homeric Poems. 1 2 1 that of the bull galloping with a man kneeling on his back. Some human figures with asses' heads, at Mycenae, are also fairly well preserved. Putting together what we can learn from these indica- tions, we seem to be justified in assuming that the art visible in the smaller remains at Mycenae, the engraved stones, the gold seals, the thin plates of gold, and the rest, represent native rather than foreign art. More elaborate, and at a higher level of art, though similar in style, are the wonderful sword-blades adorned with scenes inlaid in them, scenes which were concealed by rust and oxide from discovery by Dr. Schliemann, but afterwards brought to light by the patience and ingenuity of Kumanudes. The style of the most remarkable, a hunt of three lions by a body of warriors armed with shield and spear, is very dis- tinctive. The proportions of the figures and their general plan are Egyptian. But the whole scene has a life and hardy naturalism which belong to Greece : the figures are lithe and in motion, not fixed and mechanical. And the central touch of the picture, a man lying stretched under J . the fierce attack of a lion who turns on his pursuers, is a motive for which one might in vain seek a close prototype amid all the sculptures of Egypt and Assyria. In Egyp- tian battle-scenes not one of the Egyptian soldiers is represented as falling ; but the Greeks saw that the fall of a few men while their comrades were victorious is a touch which adds pathos and human interest to a battle. And it was in virtue of keen and true perceptions like this that v Greek art at a later time rose to so high a level. The cups of Bapheion, too, of which mention has already been made, and which are figured on p. 71, appear in spite of the introduction of the Syrian palm-tree to be in all probability the productions of Greek artistic talent. The likeness they bear to the celebrated mural painting of the bull at Tiryns indicates this. 122 Nezv Chapters in Greek History. [Chap. V. Several of the gold signets found in the tombs at Mycenae show us a style identical with that of the swords ; the men on them are armed in the same way, and carry the same sorts of shields. And these signets again lead us to the intaglios of early date which are found in Crete and Rhodes and other Greek islands, the peculiar style of which has offered a basis to the very remarkable theories recently put forth by Milchhoefer * as to the existence of a native and local style of art in Greece at least as early as the twelfth century before the Christian era. These intaglios are cut upon small stones of lentoid shape, which are pierced with a hole for suspension, and probably served the owners as seals or amulets. They are not found in Asia, but frequently in the Greek islands, Crete, Rhodes, Melos, and Cyprus, and sometimes on the mainland of Hellas. Their subjects are distinctive, and it is remarkable that they display but little Oriental influence. Oriental creatures, the lion, the griffin, and the sphinx, appear on them, according to Milchhoefer, but rarely. Nearly always they present to us either animals of Euro- pean character, bulls, goats, stags, dogs, and the like, or subjects derived from Indo-European mythology. Among the latter, beings with the head of a horse are conspicuous, and Milchhoefer tries with all the resources of learning to show that horse-headed monsters belong to the mythology of Greece rather than of any other country, and to connect them with the tales of the Harpies, of the Gorgon who gives birth to the winged horse Pegasus, and the horse- headed Demeter worshipped at Phigalia and Thelpusa. These gems the writer considers to be the work of the Pelasgic race in the islands of the Aegean. He goes too far in his theories, no doubt, but his views are very sug- gestive, and undoubtedly contain a kernel of truth. Thus we are able to identify among objects found at * Die Anfange dcr Kunst in GriechcnlancL Leipzig, 1SS3. Chap, v.] Recent Discoveries and the Homeric Poems. 123 Mycenae many specimens of native Greek art, as well as v much work which seems to reveal a Phrygian origin. A third element at Mycenae, the Semitic or Phoenician, is far ( less plentifully present. Here and there in the woodcuts which illustrate Mycenae we find objects which seem to have been imported from Phoenicia. Such is the figure of Aphrodite with a dove resting on her head,* and the gold plate which bears a representation of a temple of the same goddess with doves seated on it. Through the Phoenicians, too, perhaps came the tassel made of Egyptian porcelain, which was found in one tomb, and especially an ostrich egg, which can only have been of African origin. These objects prove that Phoenician trade existed at the time of the Pelopid kings, but their rarity proves that Phoenician commerce had not yet reached the fulness of development which belonged to it at a later time. In the Mycenaean age the Greeks could hold their own against any people, except perhaps the Egyptians, in the richness and beauty of their handiwork. Nor do the few Phoenician produc- tions from Mycenae show any of that elaboration of design and complication of scene which belongs to the Phoenician art of the eighth and succeeding centuries. Dr. Helbig, who regards the Mycenaean swords and seals as works of Phoenician art, does not sufficiently consider the difficulty of separating them from works of home manufacture ; nor does he allow for the fact of a direct Egyptian influence on Greece, which is proved to demonstration by the ceiling at Orchomenus. Let us follow the archaeological record of Greece down to a later time. Those who have studied the early history of Greece are aware that it offers an extraordinary lacuna between the supposed time of the Dorian conquest of Peloponnesus and the first Olympiad. The date of the Dorian invasion * Mycenae, p. 180. I2 4 New Chapters in Greek History. [Chap. V. according to the received reckoning is 1104 B -C ; the Olympiads begin in 776 B.C. We have thus a period of three centuries and a quarter which is almost a blank as regards events of which we have any knowledge. Yet the state of Greece as represented in the mythic legends so entirely differs from the state of Greece as it appears in the dawning of history, that we are compelled to believe that there is a gap of time between. This gap is supposed to be filled with obscure events and inglorious names. It is supposed that exhausted Greece was in those centuries recovering from the benumbing effects of the Dorian con- quest, and rising by slow degrees to the height of civilisa- tion from which she had fallen during the wandering of the tribes. But it would appear that this blank space of time held the seeds of the rapid development of aftertimes. It was then that wealthy and prosperous Greek colonies grew up along the whole Asiatic coast, and Cumae arose as the first outpost of Hellas towards the west. Into this period falls the Lycurgean legislation, which laid the foundation of the greatness of Sparta, and the rise of the Homeric and Hesiodic schools of poetry, which fixed for all time the main outlines of Greek mythology and the Greek language. It is not a little remarkable that in the archaeological record of Greece there is a gap which closely corresponds to the gap in Greek history. The objects found at Mycenae, and the kindred objects found in the excavations at Bapheion and Menidi, belong to the time before the Dorian invasion. The art remains of the next age are comparatively very poor, alike as regards style and ma- terial. But they exist in the lowest strata of the remains at Olympia, in the continued series of the island-eems in Melos and Thera, and elsewhere. The most interesting remains of the post-Dorian age exist where the Dorians did not penetrate, in Attica. In the very early cemetery Chap. V.] Recent Discoveries and the Homeric Poems. 125 of the Dipylon at Athens have been discovered works in bronze and other materials which must be given to this period, which exhibit in their decoration that geometrical style of art which seems to belong to most races at a certain low stage of their civilisation. The Dipylon pottery also,* although contemptible from the point of view of art, is interesting from the subjects portrayed on it, chariot- races, the laying out of corpses, sacred dances and pro- cessions. It is as clearly historic in age, in spite of its rudeness, as Mycenaean art is pre-historic, and some of the later specimens even bear inscriptions in Greek letters. The Dipylon pottery is about the highest representative of art after the Dorian conquest of Peloponnesus. It is probable enough that the Dorians were slow in acquiring the use of the arts, not being naturally aesthetic. And it may be that the conquered Ionians and Achaeans had small chance, amid their struggles for bare existence, to continue or develop their artistic activity. So while it is possible that carefully conducted excavations amid the ruins of the cities of Aeolis and Ionia might bring to light the traces of an art linked on one side to the art of Mycenae, and on the other side to the art of historical Greece, yet it will scarcely be wonderful if that art, if discovered, will disappoint us by its meagreness and want of energy. But of course this is a question to which the final answer can only come from the spade. It is in the eighth or seventh century before the Christian, era that Greek history, and indeed the history of Europe, may be said to begin. This period witnessed the colonising of Sicily and lower Italy by Greeks, and the rapid spread of Milesian trading stations in the Euxine, the conquest of the Messenians by Sparta, the rise of lyric poetry, and the establishment of the Olympic festival, to be for a * The most convenient account of early Greek pottery will be found / in Rayet and Collignon's Histoire de la Ceramiqne Grecque. V 126 New CJiapters in Greek History. [Chap. v. thousand years a tie to bind Hellas together. And it saw a revival of art, which had its origin in the East and thence spread over the islands of Greece into the mainland. The spread of the use of writing, and the gradual introduction of coins, accompany henceforth the slow development of sculpture out of mere decoration ; so that at any later time we have means for assigning a date within fairly narrow limits to any objects of Greek art which we may find. We must very briefly follow this new wave of art, which passed westward from Phoenicia along the shores of the Mediterranean. Especially in the case of two materials, metal and pottery, we can trace stage by stage the spread- ing influence. Let us begin with metal-work. In one of the palaces of Nimroud excavated by Sir H. Layard there were found a number of bowls of bronze, with designs of repousse work, which now form a chief ornament of the Assyrian galleries of the British Museum. The palace in which they lay was not built by King Sargon, but he is believed to have used it. And as the bowls in question do not exhibit the style which we recognise as Assyrian, but are, on the contrary, of distinctly Egyptian type, it seems clear that they were importations from abroad. It is regarded by archaeologists as almost certain that they were some of the spoils brought home by Sargon in the course of his conquest of Phoenicia about B.C. 720. These vases then give us a view of the art of Phoenicia at that time. We cannot here give any detailed description of them ; * it must suffice to say that they show throughout an intelligent appreciation of the ideas and customs of Egyptian art, but in imitating that art they adapt ; they add as well as lose in copying. But they introduce few- forms and few ideas foreign to the art of Egypt. Baby- * Layard, Nineveh, 2nd series. Perrot et Chipiez, Hist, de FArt, vol. ii. Chap, v.] Recent Discoveries and the Homeric Poems. 127 Ionia and Assyria contribute comparatively little to them. Other metal bowls of silver and bronze, which are also ascribed to Phoenician workshops, have been found in / various countries of the Mediterranean, more particularly in Etruria and Cyprus. These bowls have been repeatedly published * and discussed. Their most remarkable charac- teristic lies in the way in which they combine the represen- tations of Egyptian and Assyrian art. In alternate bands, sometimes in alternate groups of the same band, we may discern, mingled together, Egyptian kings slaying their foes, Assyrian monarchs hunting lions, the scarabaeus of Egypt, the sacred tree of Assyria, scenes of ritual such as figure on the walls of Egyptian tombs, and incidents of court life such as we see depicted on the walls of the palaces of Nimroud. These vessels of thoroughly eclectic or mixed art belong to a later period than the vases of Nimroud, which show mainly Egyptian influence. They must belong to the seventh and the sixth centuries before the Christian era ; and this date will well suit the objects found with them in Cyprus and in Etruria. There can be no doubt that works in metal so finished and effective as these engraved Phoenician bowls must have had great influence in Greece and Italy, more espe- cially because they came at a time when the old art of Greece was nearly extinct, and no new art had yet arisen to take its place. In Etruria we find careful and well- executed copies of some of the more usual and mechanical designs on these bowls. We might have imagined that the importation of works so complete into Greece would have produced in that land also mere imitations more or less perfect. But careful copying did not suit the Greek nature. Hellenic artists were at all periods original and * L. P. di Cesnola, Cyprus, pi. xix. Perrot et Chipiez, Hist, de PArt, vol. iii. pp. 759, 769, 779> &c -, 128 New Chapters in Greek History. [Chap. v. productive. So though Phoenician metal-work stimulated them into activity, the line taken by that activity was original and national. What it was will more clearly appear if we consider the history of the decoration of vases at the same period. The spreading Oriental influence of which we have spoken may be traced less clearly in those vases of Cyprus which were probably executed by Phoenician hands, than in the pottery discovered at Camirus, in Rhodes, in such quantities by Salzmann and Biliotti.* The designs of these remarkable vessels show us in many points influences which must be Oriental. The rows of animals which surround the vases in bands, each animal in exactly the same attitude as the other, show close analogy to the Phoenician bowls of Nimroud. Among these animals those predominate of which the eastern origin is clear, the lion, the sphinx, the griffin, and many other winged monsters such as the Asiatic brain alone originates. The field of the vases is filled with floral ornaments and rosettes, which is a mark of Assyrian influence. And in the decoration of the vases two forms predominate, the lotus, alternately flower and bud, which belongs to Egypt, and the sacred tree which is a distinguishing feature of Assyrian decoration. On the Dipylon vases, on the other hand, such Oriental designs are notably absent, and the scenes bear far more the character of home-invention. The colouring of these vases is rich, and they are beautiful with a certain mechanical completeness. In their way they are specimens of very successful decoration, and we cannot wonder that they fascinated the Greeks of the seventh century. That the Greeks fully adopted this kind of vase-painting, whencesoever it came to them originally, has been of late abundantly proved by the discoveries at Naucratis in Egypt, where an enormous quantity of pottery * Nccropole dc Camirc. Chap. V.] Recent Discoveries and the Homeric Poems. 1 29 of the class has been discovered, dating doubtless from near the time of the foundation of Naucratis in the seventh century B.C. But Greek art soon became a thing too much alive to be confined in the limits of any decoration, how- ever admirable. A demand arose for something contain- ing more of human interest. And the Greek potters met the demand, not by copying on their vases some of the more elaborate scenes of cult or of court life, such as they must have seen on the eclectic metal vessels of Phoenicia, but by introducing something of their own, some scene out of Greek legend or mythology. Thus we see illustrations of Greek myths gradually make their way on the decorative Oriental pottery, and by degrees claim the first place, driving into a corner the foreign elements, until the friezes of animals which used to cover the whole surface of the vases remain only in a narrow band above and below the mythological scene, which has now occupied the post of honour which it is never again to lose until Greek art is in its dotage. A good illustration alike of the Oriental setting of early Greek art and its aggressive attempt at originality will be found in that remarkable archaic bronze plate found at Olympia, where a combat between Herakles and a Centaur appears as a proof of Hellenic workmanship among animals and monsters of purely Asiatic character. Having thus brought down the archaeological record of Greece to the seventh century, after which time we emerge into the full light of history, let us retrace our steps. Let us take up the problem at the other end ; and briefly consider what account is given in the Homeric poems themselves of the state of contemporary art ; and of those details of vessels, armour, and the like, of which we find in works of art a full and satisfactory representation. Such a discussion will, we believe, firmly establish the conclusion that the Homeric poems were written at a time of decadence of art, when the light which shines so clearly K '\ 130 New Chapters in Creek History. [Chap. v. ___^_ at Mycenae had faded away, but yet the new revival had not made its start from the East, or at most had but recently started on its career of conquest. When the art of the Homeric age is spoken of, one's mind naturally turns to the description of the shield of Achilles in the eighteenth book of the Iliad. And as this is the only careful description of a work of art in the Homeric poems, it is the touchstone by which will be tried all theories which attempt to determine the condition of the modelling arts in the Homeric age. Assuredly we have no intention of writing an account of all the views which have been set forth by Alexandrian and by modern writers on this fruitful subject, which has ranged the greatest names in opposite camps. Nor would the present writer venture to attack a subject already handled by Welcker, Brunn, and a host of able writers, but for the fact that the last few years have greatly increased the possibilities of forming a sound judgment. Two questions require consideration — (1) How far is the Homeric description suggested by, or how far does it correspond with, works of art familiar to the poet? (2) Supposing such correspondences to exist, to what class of works of art do they point as contemporary with the Homeric poems ? We have placed these questions in their logical order ; but this we shall have to reverse in any practical discussion of the matter, because until we have determined the kind of art with which Homer was familiar we cannot in fairness attempt to decide how far he was influenced by it. There are three theories which may be held, and have been held, as to the art contemporary with the Homeric poems. The first, and perhaps the most natural, is that it was the archaic Greek art which is represented to us by Pausanias' description of the chest of Cypselus, as well as by a multitude of early painted vases which have come Chap, v.] Recent Discoveries and the Homeric Poems. 131 down to us, among which the so-called Francois vase* is conspicuous for its early age and its great variety of sub- jects. This, we say, is the most natural view, but a little consideration will show us that it is untenable. It is, in fact, now generally abandoned ; and with reason. In the first place, none of our vases of the so-called Corinthian, Rhodian, or Cyrenaean classes can be carried back to the age of Homer. And the chest of Cypselus, which closely resembles them in subjects and style, probably belongs to the seventh century. Secondly, if we compare the scenes of the Homeric shield with the scenes of the vases and the Cypseline chest, we shall find a strongly-marked contrast. All the Homeric scenes are general or ethical ; they repre- sent phases of life and action, a city at war, ploughing, a lawsuit, and the like ; while all the scenes on the vases and the chest are mythological, represent the doings of Perseus or Herakles, or other heroes, or the interferences of the gods in the life of the world. We have here a distinction clear, deep-seated, and unmistakable ; which proves, if anything can be proved in archaeology, that the two phases of art are divided by a considerable period of time, and belong to distinct civilisations. In the Hesiodic account of the shield of Herakles, or at least the part of that account which is not a mere copy of epic models, we do find scenes which correspond very nearly with those existing on early vases. But it is certain that the Hesiodic description is later by many years than the Homeric. Let us then dismiss this first theory and turn to the second, which requires more respectful consideration, as it r has been set forth by very high authorities, Brunn for instance, and is still upheld by Dr. Helbig and Mr. A. S. Murray. This theory brings into connection the Homeric shield and those Phoenician bowls of silver and of bronze of which we have above spoken, and considers that Homer * Monumenti deW Institute, iv. pis. 54-58. K 2 132 New Chapters in Greek History. [Chap. v. borrowed his scenes from them, and through them from the Avail-paintings and reliefs of Egypt and Assyria. Mr. Murray, in his History of Greek Sculpture, has gone so far as to print a design of the shield of Achilles of which nearly all the scenes are taken from these sources. He also points out, what is much to the purpose, that recently in Crete there have been discovered shields, the designs of which may be placed in line with those of the bowls, and which may have been imported from Phoenicia or Cyprus.* They are however very fragmentary. Undoubtedly there would be much to be said for this view if it could be shown, or even rendered probable, that Phoenician wares of the more developed and syncretic designs were exported to the shores of the Mediterranean as early as the ninth century B.C. But this is not merely unlikely but almost impossible. We have already shown that the Phoenician bowls of even the eighth century exhibit a style almost purely Egyptian ; and that the Assyrian designs, which have more of the Homeric character than the Egyptian, do not appear until a later age. In fact, the bowls which by variety and richness of design most tempt a comparison with the Homeric description are comparatively late,f and in all probability not so early as many extant works of archaic Greek art. It seems therefore an anachronism to suppose that Homer can have seen such. Other considera- tions confirm the argument from date. One of the most striking and remarkable things about the Homeric de- scription is the way in which the inlaying of various metals on the shield is described ; we have a field of gold, vines with silver props, a fence of tin, oxen of gold and tin, and * Mtiseo Italiano, vol. ii. f That found in the Regulini-Galassi tomb was in company with an / Etruscan inscription, and the Etruscan alphabet was of late intro- / duction. That found at Palestrinawas among objects not earlier than those in the Regulini-Galassi tomb. Dr. Helbig himself declares that I the Regulini-Galassi tomb belongs to the sixth century B.C. Chap. V.] Recent Discoveries and the Homeric Poems. 133 the like. If there be one point on which Homer is de- scribing art which he has seen, it is this. But the silver-gilt and the bronze bowls of Phoenicia are chased and repousse, but not inlaid with various metals. Moreover, the chief > theme of Egyptian art as rendered on the bowls is the worship of the gods, the chief themes of Assyrian art as rendered on the bowls are the exploits of kings and the destruction of evil spirits in the form of monsters. But in the Homeric description the cultus of the gods is notably absent ; and great as was the pre-eminence of the kings in Homer's days, it is not their deeds which appear on the shield but the ordinary life of mankind, subject-matter, one might have thought, rather adapted for a Hesiodic than a Homeric description. The t hird_ theory as to Homeric art, and on the whole the most reasonable, is the view which sees the nearest 6 analogy to the Homeric description in some of the works of art discovered at Mycenae, such as the sword-blades already mentioned. The subjects on these blades possess in a remarkable degree the most distinct features of the scenes of the shield. They are ethical or general, represent scenes, and not the exploits of personages. Nor is this all. The lion-hunt of the most remarkable blade (p. 65) is not merely * a Homeric subject, but it is treated in a really epic way. One lion flies headlong, one flies but turns to look on his pursuers, a third turns fiercely to meet them ; of the attack- ing party one has fallen ; the others are varied in arms and attitude. In spite of the rough style of this work of art, there is more of vigour and freshness, more of pathos, more in fact of the Homeric spirit in it than in the productions of Egyptian and Assyrian artists. They are but chronicles : it is a poem. The fragment also on which the siege is represented (p. 66) has something of epic variety and force, though the naked slingers and archers are not much like the warriors of Agamemnon. If from treatment ^ 134 Netv CJiapters in Greek History. [Chap. V. \ we turn to technique, the correspondence is perhaps even more striking. Some of the more beautiful of the sword- blades, including that which bears the lion-hunt, are thus decorated :* — the blade itself consists of bronze, but on each side a second plate of bronze is fastened, overlaid with a metallic enamel of dark hue, which served for the insertion of figures cut in thin gold leaf. These latter depend for their effect partly on the graving-tool, but especially on the varied hues of gold, which varies in colour from the dark red of pure gold to the shimmer of silver. " It seems beyond doubt," writes Koehler, " that the varied toning of the gold was produced by methods of art." On these blades we find fishes of dark gold swimming in a stream of pale gold, drops of blood are represented by inserted spots of red gold ; in some cases silver is used. What could be nearer to Homer's golden vines with silver props, or his oxen of gold and tin ? It has also been well pointed out by Hirschfeld and Helbigj that coincidences in subject though not in execu- tion may be observed between Homeric works of art and those Dipylon vases which were probably contemporary with the Homeric poems, though representing a different wave of art from that of the old Achaean monarchies. On these vases, " in accordance with Homeric custom, men in ordinary life wear the sword ; their equipment comprises those greaves which gave to the Achaeans the epithet ivKvyj/MSes." As was the case with Patroclus' corpse, here also a corpse laid out is covered from head to foot with a cloth. On the Dipylon vases we find chariot-races in honour of the dead, like those of the Iliad, and tripods set forth as the prizes. A dance of youths and maidens recalls a scene of the shield of Achilles. These resemblances, though not very striking, are worthy of notice. But it is * U. Koehler in Athen. Mittheilimgcn, vii. z\\. f Das Homerische Epos, p. 76. Chap, v.] Recent Discoveries and the Homeric Poems. 135 also to be observed that the ships depicted on the Dipylon vases have beaks or rams in front of them, of which no trace is to be found in the Homeric poems ; and in this respect at least they represent a somewhat later age. Thus it seems that the authors of the Iliad and Odyssey gained their notion of works of art less from foreign than from Hellenic productions. The art of the great Achaean age they probably knew by tradition and by survival ; while perhaps the art of their contemporaries was rather like that of the Dipylon vases ; or at all events a degraded descendant of the Achaean. We proceed to attack our second question — How far is Homer in his description of the shield thinking of works of art, and how far is he giving loose rein to his poetic imagination ? The problem has become far simpler if we are satisfied that Homer was not thinking of Phoenician bowls with their elaborate scenes, nor of Cyprian shields, but of arms with inlaid patterns, of shields which he had seen. The general plan of Homer's shield is clear ; as to that, all scholars are agreed. On the boss in the midst were represented earth, sea, and sky, sun, moon, and the constellations of heaven, while round the edge ran ocean, inclosing the whole design. Between the two extremes, arranged in concentric bands, were representations of the principal phases of human life : a city at peace and a city at war, tilling and vintage, a lion-hunt and a peaceful pasture, a dance of youths and maidens. The general arrangement is like that which we find on early Greek and Etruscan shields, which are also thus planned in concentric rings. The group of sun, moon, and sky in abbreviated form appears at the top of one of the very remarkable gold signets found at Mycenae,* and we may easily suppose a wave pattern which might well represent the ocean, to run round the edge of any circular object of metal. But when * Schliemann, Mycenae, p. 254, No. 530. y 136 New Chapters in Greek History. [Chap. V. we come to the numerous and complicated scenes which fill the surface of the imaginary shield, it must at once be admitted that their order and their details are developed \ without the least regard to any existing or possible work of art, from the poetical rather than the plastic point of view. It is true that there runs through the whole description a law of measure and balance, scene being matched with scene, and circumstance contrasted with circumstance. But this is the result, not of any dependence on a work of art actual or imagined, but of the love of balance and architectonic form which belongs to all the works of the Hellenic race, to poetry no less than to sculpture, which marks the plays of a Sophocles as strongly as the pedi- ments of a Pheidias. It is, moreover, quite remarkable [ how simple are the designs of all the early Greek shields which are depicted on vases, or have come down to us in the pages of Pausanias. Usually they are decorated with one, or at most with two, figures. The most complicated shield known, that of Athena Parthenos at Athens, was adorned but with a single group of combatants. Etruscan shields, made under Phoenician influence, are of more complex design, but their pattern at most comprises a few monotonous rows of animals. Indeed no one could read with critical mind the Homeric description without observing that of the scenes described none is stationary ; all are full of successive events. The disputants turn first to the people and then to the elders ; the ploughmen turn up one furrow and down another ; the city at war passes through the successive events of half a day. All this is quite natural to a poet describing the phases of human life, but not natural to a poet who is trying to embody to < his imagination a real work of art. Homer has beyond almost all poets the power of making the things he speaks of real and concrete ; if he had been Chap, v.] Recent Discoveries and tJie Homeric Poems. 137 intending to describe a real shield, he would have brought it before our minds as he brings before our minds the quarrel between Agamemnon and Achilles, or the warriors whom Helen describes from the towers of Ilium. It may be well, however, to speak more in detail of one particular passage, that which describes the siege of the city, since as to this a particular theory has been set forth. It will be in the memory of most of our readers that Homer speaks of a series of events as happening. He describes a city girt by two armies which are at issue between them- selves, one army wishing to destroy the place wholly, the other to accept a ransom for it. While they deliberate the citizens issue forth, led by Ares and Pallas Athene, and form an ambush, by means of which they succeed in capturing the cattle of the enemy and slaying their herds- men. The council of the enemy breaks up, they hasten to the rescue of their herds, and a fierce battle is joined on the banks of a river. It has been maintained* that this description is prompted by a reminiscence of an artistic representation of a town with the enemy on both sides of it as he appears on a Phoenician cupf (p. 138) ; that Homer took the idea of two armies from the two attacking corps. This, however, seems to be fanciful. In the Homeric description the point is far less that the attacking armies are two than that they are together assembled in council ; and it is hard to see how an artist of the Homeric age could represent what Homer describes in less than three * Murray, Greek Sculpture, i. p. 49 ; Helbig, Homerische Epos, P. 305- f Cesnola, Cyprus, pi. xix. In the outer scene we have, in the midst, a city which is attacked by scaling parties from both sides, one party lightly armed, the other armed in Carian or Greek fashion ; cavalry and archers advance as supports, and labourers cut down trees. In the middle band we see two Assyrian figures flanking the sacred tree, and various Egyptian deities, I sis, Harpocrates, the frog- god and the scarab. Within is a line of sphinxes. 138 New Chapters in Greek History. [Chap. V. PHOENICIAN CUP, CYPRUS. Chap, v.] Recent Discoveries and the Homeric Poems. 139 scenes, of which the first would represent the deliberation, the second the ambush, and the third the battle, and each of these scenes would probably be too complicated for such an artist to manage intelligibly. And the argument de- rived from this vase loses much of its force now that / we possess on the Mycenaean silver vessel a scene of siege of unquestionable pre-historic date, but in design very straightforward (p. 66). Thus it seems clear that all that Homer took , from existing art in his description was the general principle of producing effects by means of inlaying of metal of various colours, and the custom of arranging the designs of shields in concentric bands ; beyond that GOLD PLATE, MYCENAE. he is free. And it is just thus that scholars are agreed to interpret other Homeric descriptions. The poet speaks of golden maids formed by Hephaestus, who had power of motion and speech and more than mortal wisdom ; but no one supposes that there were in those days statues of gold ; these beings are mere fantastic imaginations of the poet. In some other cases a real work of art may be the basis of the description, as in that remarkable description of the group on the brooch of Odysseus.* " On the face * Od. xix. 228. 140 Nezv Chapters in Greek History. [Chap. V. of it was a curious device, a hound in his forepaws held a dappled fawn and gazed on it as it writhed. And all men marvelled at the workmanship, how, wrought as they were in gold, the hound was gazing on the fawn and strangling it, and the fawn was writhing with his feet and striving to flee." Certainly in this passage the poet shows a marvellous power of putting life into a simple design, such as he may well have seen ; such for example as the Mycenaean gold plate* (p. 139) which represents a lion leaping on a stag. But here there is no narrative ; he . does not say that the fawn was feeding, and the dog sprang upon it and tore it, but describes a single moment. In two lines of Homer only do we find a description of a work of art which seems to have been made on the lines of Phoenician art or the Greek art which rose out of it. He says of the sword-belt of Herakles,f that on it were wrought bears and boars and lions and battles and slaughter : a passage which certainly does suggest a composition of a fighting scene between rows of stylised animals such as we see on Rhodian vases. But this passage occurs in the Odyssey, not the Iliad, and it stands by itself, so we need not press its evidence. In some cases the resemblances between Mycenaean antiquities and works of art mentioned in the Homeric poems are closer and more detailed. An instance will be found in the case of the cup described in the Iliad as belonging to Nestor,} "a right goodly cup, that the old man brought from home, embossed with studs of gold, and four handles there were to it, and round each, two golden doves were feeding, and to the cup were two feet -. below." I cite Mr. Lang's translation, but the precise meaning of the original has been much disputed, and we know that in antiquity at least one treatise was devoted by a learned Alexandrian to the elucidation of this cup. * Mycenae, p. 309. f Od. xi. 610. % II. xi. 630. Chap, v.] Recent Discoveries and the Homeric Poems. 141 But the comparison of a gold vessel found at Mycenae has made the nature of Nestor's treasure quite clear to us. This vessel,* which like Nestor's was fastened together with golden nails, has two handles, and on each handle a bird sitting, while two curious supports run up from the base to the rim. We at once conjecture that in Nestor's CUP OF MYCENAE. cup the doves were not feeding round the handles, but standing one on each side of each handle ; and that the 7rv0fMeve<; of Homer were not feet, but supports joining the rim to the foot. In spite however of the general likeness between the art of Mycenae and that of the Iliad, the latter seems / in a more exhausted and depressed condition. One can scarcely call the shield of Achilles a work of decaying art : but of course that is a poet's work of art, the like of which never really existed. Besides the shield, works of art are rarely described, and when they are it is with an * Mycenae, p. 237. 142 New Chapters in Greek History. [Chap. v. exaggerated astonishment, which shews such things not to be common in Homeric days. Anything artistically good is either imported from Sidon, or else made by Hephaestus : that such things could be made by ordinary workmen seems scarcely to have entered into the Homeric mind. Would anyone who was accustomed to see brooches well engraved write in regard to the device of a brooch, " And all men marvelled at the workmanship, how, wrought as they were in gold, the hound was gazing on the fawn and strangling it, and the fawn was writhing with his feet and striving to flee." Such a description even applied to a painting by Landseer would sound hyperbolic. Such passages seem clearly to shew that in Homeric times works of art were rare, and in most cases either imported from abroad or else handed down as heirlooms from past generations. But at Mycenae we have to do with an art, not indeed highly advanced, but in the full swing of life and motion, and quite as likely to send out its products to foreign shores as to feel the need of bringing in from elsewhere cunningly wrought works of art. Analogy does certainly render it probable that the author of the Iliad does in art, as in other respects, work rather in the light of the past than in that of the present. It has been well pointed out that we find in the Iliad no trace of many customs which must almost certainly have existed among the author's Greek contemporaries. The Homeric Achaeans are unacquainted with writing, they do not use the horse for riding on, they do not eat boiled meat* It is unlikely that any of these customs were foreign to the Greeks of the ninth and eighth centuries ; but they were kept out of their epic poems on the same principle on which a writer of pastoral idylls in our day would avoid the mention of the telegraph or telephone. * Ephemeris Arch. 1891, p. 40 : Wilamowitz, Homcrische Unter- suchungen, p. 292. Chap, v.] Recent Discoveries and the Homeric Poems. 143 Perhaps the clearest evidence of changing custom which is furnished by the Homeric poems is to be found in the descriptions of arms and armour, on which Mr. Leaf has written an excellent paper.* He shews that the Homeric passages which speak of the shields of Achaean and Trojan warriors exhibit marked inconsistency. The poet evidently thinks of shields as round, and often speaks of them as round ; but in other places he clearly implies that they were of that oblong scutum-like form which is often depicted in the island gems and the monuments of Mycenae. Thus the shield of Ajax is compared to a tower, which comparison would be pointless unless it were of oblong form. Hector's shield as he walks touches at once neck and ankle ; this would be possible if the shield were oblong, but practically impossible if it were round, a round shield five feet in diameter being a mon- strosity. So, too, Homer constantly speaks of the re\a/jbcov or strap by which the shield was suspended from the neck of his heroes. On Egyptian monuments and those of Mycenae we frequently see the oblong scutum thus sus- pended, but the round shield is alike on Egyptian and Greek monuments managed by means of two handles, and requires no shoulder-belt. We are almost certainly justified in supposing that when the Iliad was written the oblong shield had but recently given way in use to V that of circular form, whence some confusion arose, and traditional phrases properly applicable only to oblong shields were applied to round bucklers. The body- armour of the Homeric heroes consisted, as Mr. Leaf and Dr. Helbig have well shewn, of breastplate and backplate, united to form a cuirass, girt round the body by a fyocrrrjp or belt, below the bottom of which the body was protected by a metal girdle called a filrpTj. This is an arrangement which does not occur in the representa- * Journal of Hellenic Studies, iv. p. 283. ^ 144 New CJiapters in Greek History. [Chap. V. tions on swords and signets at Mycenae. There the warriors, who do not usually even wear helmets, do not appear to be clad in body-armour at all. It is also an arrangement unknown to Greek art after the sixth century. Hellenic warriors, from the stele of Aristion onwards, are represented indeed as wearing a cuirass, but the lower part of their bodies is not protected by a iiirprj, but by a sort of leathern apron attached to the lower end of the cuirass. But on very early Greek vases, such as those from Melos,* and even on black-figured vases, we find an arrangement of armour which seems to correspond to the Homeric description. The cuirass is represented as ending below not in an apron, but in a sharp ridge, while below it the hips are girded with a close-fitting girdle which may well be intended to represent the fiirpij. In this case also we see a marked progress between the period repre- sented by the Mycenaean remains and the Homeric age. That this progress should have taken place notably in warlike panoply is natural enough. The defeats which they had suffered from the Dorians must have taught the Achaeans by sad experience the insufficiency of their defensive armour, and made them consider seriously how a remedy could be found. One curious Mycenaean intaglio in gold f seems to represent a lightly equipped Achaean of the early period armed only with a sword, slaying a warrior wearing a helmet with conspicuous crest, who gold ornament, tries to shelter himself behind an oval shield. Is this latter a Dorian, or possibly a Carian soldier ? In speaking of shields, we clearly see how the Homeric poet mixes the customs of his own age with what is handed down by tradition as to the equipment of earlier and * Come, Melische Thongefasse. \ Mycenae, p. 174. Chap. V.] Recent Discoveries and the Homeric Poems. 145 more splendid times, sometimes mingling the inconsis- tent elements. And this analogy will greatly help us in approaching the mo st difficult question presented to us by the recent excavations in the Argolid, the relations of the Achaean palace to that of the Homeric poems, we should rather say to that of the Odyssey, since in the Iliad we have no description of a palace sufficiently detailed and exact to help us. On the one hand we have the plans of the great houses at Tiryns and Mycenae, of which I have already spoken, with their courts and their halls, and with the apartments of men and women separate, though placed side by side. And facts seem clearly to prove that these houses were the residences of Achaean chiefs in the 12th and nth centuries before our aera. On the other hand in the Odyssey it is clearly implied, as almost all commentators are agreed, that men's and women's chambers were not thus separated, but were adjacent, with doors between, so that intercourse was easy and continual. Professor Jebb in a very clear and able paper * maintains that in the palace of Odysseus: (1) The women's part of the house was immediately behind the men's hall, directly com- municating with it by a door. (2) There was a second way of going from the men's hall to the back part of the house, by a passage outside of the hall. And this is in fact the ordinary view which had been previously accepted by the orthodox Homeric commentators : f Mr. Hayman and Mr. Lang however are disposed to regard the women's quarters as not even separate ; and there are some passages in the Odyssey which seem to support this view. But in any case it is necessary to allow Prof. Jebb's contention * Journal of Hellenic Studies, \\\. 185. f Winckler, Wohnhduser dcr Hellenen, Protodikos, De aedilnis Homericis, &c. This view I have also maintained in the Journal of H. S., iii. 264. L 146 New CJiapters in Greek History. [Chap. V. that the Odyssey becomes unintelligible if we suppose the scene of the slaying of the suitors to have taken place in a palace like that of Tiryns, with men's and women's apartments separated by a space one from the other. But firstly, it appears that in the Achaean age there was a considerable difference in degree of civilisation between eastern and western Greece. The rulers of the poor and hardy races of Epirus, Acarnania and the Western Isles would scarcely be likely to reach such a degree of civilisation as the wealthy rulers of the Argolid. Besides, if we must suppose, as is indeed certain, that the Odyssey was put together, whether in Europe or in Asia, at a period subsequent to the Dorian invasion, how unlikely it is that we should find in it any exact remembrance of the pre- Dorian palace. A race which degenerated in art, changed the character of its armour, and passed from riches to poverty, would not be likely to preserve the custom of building such palaces as the Achaean kings possessed in Greece. The palace of Alcinous was perhaps a remini- scence, coloured by fancy and time, of the great houses of early Greece ; but the palace of Odysseus is but a farm- house, where swine wallow in the court and the maids are busy with their mills. We can scarcely be surprised that the poet of the Odyssey, needing a clear and actual scene for the slaying of the suitors, went rather by houses which he saw around him than by those of which tradition told. Unfortunately our information as to the disposition of parts in the Greek house at various periods is very frag- mentary. We can only discern that it varied greatly, and depended largely upon degrees of wealth and luxury. In the farm-houses of early type described by Galen, the wife sits by the hearth in the main apartment. In the Athenian house described by Lysias in his speech de caede Erastos- t/ienis, husband and wife occupy two chambers, one over Chap, v.] Recent Discoveries and the Homeric Poems. 147 the other, the upper being approached by a ladder. But the ordinary custom in wealthy houses of the later age was to assign to the men and the women of a family separate courts with a passage between, around which courts were grouped the living-rooms and the bed-rooms of the family. The house of Odysseus does not coincide entirely with any of these arrangements. Its general plan agrees nearly with that of the wealthy historic house. Yet there are a number of details in which the agreement with the Tiryn- thian palace is singularly close : some of these agreements we will briefly indicate. (1.) At Tiryns, before the door of the main hall, lies a court surrounded by arcades and fenced with walls, the entrance being through the folding doors of a propylaeum. With this we may compare Od. 17, 264. "Eumaeus, verily this is the fair house of Odysseus, and right easily might it be known even if seen among many : there is building upon building ; and the court of the house is cunningly wrought with wall and frieze, and well fenced are the folding doors ; a man could not easily storm it." Again in Od. 16, 343, " The wooers came forth from the hall, past the great wall of the court, and there before the gates they sat them down." (2.) At Tiryns there is a porch in front of the hall, which well corresponds to the echoing porch of the Odyssey. (3.) In the court at Tiryns was an altar with a trench evidently intended for sacrifices : in the house of Odysseus the altar of Zeus Herceius is situate in the court before the hall. (4.) At Tiryns the hearth stands in the middle of the hall, the smoke rising through a hole in the roof: in the Odyssey the fire in the hall is frequently mentioned, it stood in the midst, and was used for cooking food. (5.) At Tiryns a passage led from the hall to a bath-room L 2 148 New CJiapters in Greek History. [Chap. V carefully arranged: in the Odyssey (17, 85) the suitors, *' when they came to the fair-lying palace, laid aside their cloaks on the couches and chairs, and went to the well- polished baths and bathed them." (6.) At Tiryns the door-sills were in some cases made of stone, in other cases of wood : this is altogether in harmony with the Homeric custom. (7.) The glass and alabaster frieze found at Tiryns is not only in accordance with Homeric custom, but it explains as has above been pointed out, the Homeric phrase dpvyicb New Chapters in Greek Histoiy. [Chap. Til. taken by Agesilaus and Chabrias. Agesilaus had already been deeply wounded in his Spartan pride by Tachos, who had failed to understand that the coarse clothes and rude manners of the Spartan king were a sign not of humility, but of infinite pretension, and had ventured to slight him. He is said to have referred to Sparta the question which side he should take, and to have received in reply the answer that he should do whatever was for the advantage of Sparta. He left the party of Tachos and adopted that of Nectanebus ; Chabrias followed his ex- ample ; and Tachos' Egyptian troops not venturing to retain their loyalty, he fled to the Persian court, where he was received as a useful ally. We hear next of a fresh Persian invasion of Egypt, which was repulsed by two Greek leaders of mercenaries, Diophantes of Athens and Lamius of Sparta. But a subsequent expedition, which took place in the reign of Artaxerxes Ochus about B.C. 350, was more successful. The manner of its success is very characteristic of the times. The Persian army of invasion was accompanied by a large body of Greek troops under Nicostratus and Mentor of Rhodes. Nectanebus marched against it, ac- companied by 20,000 Greek troops under Cleinias of Cos. On the frontier the two bodies of mercenary troops came into collison, and Cleinias was defeated. The disaster was irreparable ; Nectanebus fled to the south, and the cities of Egypt surrendered without further struggle. The Persian King Ochus visited Egypt, and is said to have repeated all the cruelties and enormities of Cam- byses, down to the slaying of the Apis-bull ; though it may perhaps be doubted whether the fact is that Ochus copied Cambyses, or merely that Plutarch and other late writers who record these deeds copy Herodotus. In any case this was the end of Egyptian independence, and the historian must allow that the end was due. A nation Chap. VII.] Naucratis, and the Greeks in Egypt. 223 that could allow its national existence to depend on the victory or defeat of one body of foreign mercenaries by another, can scarcely claim our pity when it fell. Egypt had still a history before it ; but it was a history not concerned with conquest or war, but with science and poetry, religion and philosophy. But before the first page of that later history could be opened, it was neces- sary that Greek influence should affect far more deeply the national life. Hitherto Greeks had been only the defenders and mercenaries of Egypt ; it was necessary that they should become her masters ; and not masters only of her political organization, but also of her learning, her science, her religion, and her art. Persian authority had scarcely been re-established in Egypt when Persia in turn succumbed to a new and mighty foe. Alexander the Great having welded into one force the wisdom of Greece and the hardy strength of Macedonia, brought that force to bear with irresistible energy on the languid and overgrown empire of Asia, and it crumbled at once to pieces. In no country was the victory of Alexander more rapid or more easy than in Egypt. City after city opened its gates on his approach ; and the throne of the Pharaohs cost him scarcely the life of a spearman. Of course to forces and talents such as those of which Alexander disposed, Egypt could under any circumstances have made but a weak resistance. But there is reason to believe that she did not care to resist. Sabaces, the Persian satrap of the country, had fallen at Issus, and the Persian garrison was withdrawn to meet the nearer needs of the Empire. The Egyptians had no motive for resisting Alexander on behalf of their foreign masters, and they were too weak and dispirited to oppose him in the interests of their independence. Rather they were inclined to welcome him as a liberator, as a hero belonging to another and more tolerant race than the 224 New CJiapters in Greek History. [Chai\ Til. lords whom they were used to obey. Alexander offered sacrifices to the national deities, and amused the people with warlike pomp and agonistic festivals. The Egyp- tian priests were ready with a fiction to make submission in some sense a duty. Nectanebus II. had disappeared at the time of the Persian reconquest ; the priests gave out that he had made his way to Macedon, and there, through the use of magic arts, become the father of Alexander. The story was an invention, as obviously false as the earlier fable which had made Cambyses son of an Egyptian princess ; in both cases the motive was the same, and in both cases the story fulfilled its object. Escorted by his troops, Alexander sailed from Memphis by the Canobic branch of the Nile ; he landed at Racotis. Here was the place where Homer represents the imaginary raid of Odysseus into Egypt as having taken place, in a poem which Alexander knew by heart. He at once made up his mind to build there a great city to bear his name, and to be a memorial of him for ever ; and thus the greatest of all the Alexandrias came into being. Hence he visited the oasis of Ammon, led to the spot, when the way was lost in the sand, by two serpents ; and found in that deity a third claimant to the honour of having begotten him. As Alexandria grew, Naucratis declined. In the troubled times of Nectanebus, the city had rather shrunk than increased, and had suffered from some hostile violence, of which traces still remain. Despite the efforts of Ptolemy Philadelphus to restore the place, it never again flourished. A fragmentary papyrus proves that it retained under the Greek kings its municipal organization, under magistrates called rifiov^oi, remain- ing a free Greek community. About the third century of our era, after giving a home to some notable men of Chap. YIL] Naucratis, and the Greeks in Egypt. 225 letters, — Philistus, Proclus, Athenacus and Julius Pollux — Naucratis ceased to exist. Since then the site, one of the coolest, healthiest, and pleasantest in Egypt, has been tenanted by none but scattered Copts and companies of agricultural Arabs. Egypt was indeed fortunate in being assigned, when Alexander's flimsy empire fell to pieces, to Ptolemy, son of Lagus, the gentlest and wisest of the Macedonian generals, a man who understood, while bringing fresh life into the administration, the religion, and the social condition of Egypt, how to avoid shocking the sensibilities of the conservative people of the land. In religion, we find under the? Ptolemaic kings a process of syncretism. The resemblance, which had not escaped Herodotus, of the worship of Isis to that of the Greek Demeter, made it easy that she should retain her place at the head of the pantheon of Egypt. But her consort Osiris gradually recedes into the background before a new deity, Sarapis, whose worship was introduced into the country by Ptolemy in consequence of a dream. Sarapis took his place beside Isis, and the other Egyptian gods, Anubis, Harpocrates and the like, sank into mere satellites of the supreme pair, into whose worship more and more of symbolism and of mysticism entered, until the Egyptian religion seemed to the pagans of the third century of our era no unworthy rival of Christianity. But the state religion of Egypt in Hellenistic times was less the cult of Isis and Sarapis than that of the kingly race. According to the tales of the priests, all the gods of Egypt, from Osiris downwards, had been originally suc- cessive kings of the country ; it was therefore not difficult, especially since the Libyan Amnion guaranteed Alex- ander's divine parentage, to raise him also from the rank of king to that of god. The worship of the Macedonian hero and his Greek successors became the central worship Q 226 New CJiapters in Greek History. [Chap. Yll. of Egypt, and not only united Macedonian, Greek, and Egyptian in a common litany, but served to give religious sanction to the power of the reigning dynasty. As kings, the Ptolemies stepped into the customs and the honours of the Pharaohs. This was natural, since among the Greeks there was no precedent for such relations as existed in the East between sovereigns and subjects. Alexander did indeed for a short time assume the posi- tion of a Persian king of kings, and in some part of the station which he thus claimed most of his successors tried to imitate him. But probably the precedents of the Persian court had less effect in Egypt than in Syria or even Macedon. Of course the relation of the king to his Greek subjects and to his Egyptian subjects would not be the same. To the former he would be a country- man in high station ; to the latter an earthly god. From the facts of archaeology we may illustrate this distinc- tion. When on the walls of an Egyptian temple one of the Ptolemaic dynasty is depicted as engaged in reli- gious or political observance, he is represented, as were the older monarchs of the land, in Egyptian dress, in conventional attitude, with the inexpressive features of an abstraction, not of a person. When on their silver coins, struck for the use of Greek commerce, the portraits of the Ptolemies appear, they appear as men, idealized indeed to some degree, but still as men, liable to the accidents and diseases of humanity. On the bronze coins struck under Ptolemaic rule, mostly for the use of the Egyptians themselves, we have usually no portrait at all, but the effigy of a deity. Something, however, was changed even in the govern- ment of the native Egyptian population. Writers on the Ptolemaic constitution of Egypt attach great im- portance to the establishment of Boards of Judges who moved in circuit into the different districts of Egypt. Chap. VII.] Naucratis, and the Greeks in Egypt. 227 Hitherto the Courts of Justice had had their fixed seats in the great cities ; and the peasantry being, like all peasant cultivators, very litigious, had flocked into the towns with their causes, and waited for long periods until they could be attended to. We are told that the result was that much of the fertile land of Egypt remained for considerable periods untilled. Instead of abolishing the local courts, the Ptolemaic kings strove in some degree to supersede them by providing Boards of Chrematistae, who moved among the people, invested directly by the King with a portion of his authority, and responsible to him alone. Thus cheaper and speedier justice was made accessible to the peasantry. But in Ptolemaic as in Pharaonic Egypt, the King was prac- tically an autocrat, whose rescripts were law, and whose officers held power not a moment longer than they retained his favour. In Ptolemaic as in Pharaonic Egypt, the nome or district was the unit of government ; pro- bably the hierarchy of officials in the nome was not much altered. But although the political constitution of Egypt was not greatly altered when the land fell into Greek hands, yet in other respects great changes took place. The mere fact that Egypt took its place among a family of Hellenistic nations, instead of claiming as of old a proud isolation, must have had a great effect on the trade, the manufactures, and the customs of the country. To begin with trade. Under the native kings Egypt had scarcely any external trade, and trade could scarcely spring up during the wars with Persia. But under the Ptolemies, intercourse between Egypt and Sicily, Syria or Greece, would naturally and necessarily advance rapidly. Egypt produced manufactured goods which were every- where in demand ; fine linen, ivory, porcelain, notably that papyrus which Egypt alone produced, and which Q 2 228 New Chapters in Greek History. [Chap. VII. was necessary to the growing trade in manuscripts. Artificial barriers being once removed, enterprising traders of Corinth and Tarentum, Ephesus and Rhodes, would naturally seek these goods in Egypt, bringing in return whatever of most attractive their own countries had to offer. It seems probable that the subjects of the Ptole- mies seldom or never had the courage to sail direct down the Red Sea to India. In Roman times this voyage became not unusual, but at an earlier time the Indian trade was principally in the hands of the Arabs of Yemen and of the Persian Gulf. Nevertheless the com- merce of Egypt under the Ptolemies spread eastwards as well as westwards. The important towns of Arsinoe and Berenice arose on the Red Sea as emporia of the Arabian trade. And as always happens when Egypt is in vigorous hands, the limits of Egyptian rule and commerce were pushed further and further up the Nile. The influx into Alexandria and Memphis of a crowd of Greek architects, artists, and artizans, could not fail to produce movement in that stream of art which had in Egypt long remained all but stagnant. A wealthy Greek court and self-indulgent Greek satraps had to be supplied with articles of luxury which would not offend them by hieratic stiffness or bear the impress of a religion which they half despised. That the Egyptians responded to the demand we know ; the best proof is to be found in reading the extraordinary account in Athenaeus of the pomp of Ptolemy Philadelphus. We there not merely read of a display of wealth such as was perhaps never rivalled, of mountains of gold and silver, but also find precious indications of a new departure in Greek art, which seems on that occasion to have borrowed some- thing from the abstract tendencies of Egyptian thought. There were statues not merely of gods and kings, but of a multitude of cities, and even personifications of qualities Chap. VII.] Na7icratis, and the Greeks in Egypt. 229 such as Arete, Valour, and of spaces of time such as the Year and Penteteris. Such abstractions are not to be found in Greek art in its best period, nor are they in the spirit of Greek art at all ; but they mark the new age and the progressive amalgamation of Greek and Egyptian nationalities and ideas under the just and benign rule of the earlier Ptolemies. If we may trust the somewhat over-coloured and flighty panegyrics which have come down to us, the material progress of Egypt under Ptolemy Philadelphus was most wonderful. We read, though we cannot for a moment trust the figures of Appian, that in his reign Egypt possessed an army of 200,000 foot soldiers and 40,000 horsemen, 300 elephants and 2000 chariots of war. The fleet at the same period is said to have included 1500 large vessels, some of them with twenty or thirty banks of oars. Allowing for exaggeration, we must suppose that Egypt was then more powerful than it had been since the days of Rameses. The enormous wealth of Philadelphus would enable him to secure the services of a large number of those wandering mercenaries, troops from Crete and Thessaly, Peloponnesus and Caria, Libya and Galatia, who mainly made up the armies of the Hellenistic kings ; and who, if they were well paid, seem to have been fairly faithful. The number of towns in Egypt under the early Ptolemies is given by some writers as over 30,000. But far more noble, and far more durable in its effects than any mere material expansion, was the rise at Alexan- dria of a great literary and scientific school. Among the scholiasts on the great poets and prose-writers of Greece there was no doubt much pedantry, but a lite- rature which was adorned by the writings of Theo- critus, and Bion, and Callimachus, cannot be despised. And to our day most children are trained to mental 230 Nezv Chapters in Greek History. [Chap. Yll. accuracy by the writings of an Alexandrian professor of mathematics, Euclid. A large part of the thoughts which dominate the world's views in philosophy, religion, and science, saw the light first in Alexandria. But if it were our intention to do justice to the glories of that illustrious city, it would claim not the last page of a chapter but a volume. We have introduced the Greeks as they made their first appearance in Egypt as mail-clad warriors from over the sea, and we have followed their career until from being the hired protectors of the Egyptians, they became their masters. The later relations between Egypt on the one side, and Syria, Athens, and Rome on the other, would form a subject not less interesting, but beyond our compass. Egypt, with Alexandria as its capital, plays a great part in the drama of history ; Egypt, with Naucratis as its link with the outer world, was compara- tively recluse. It is therefore the more welcome when excavation helps us to clear away some of the mist which envelopes the earliest of the Greek settlements in Egypt, and enables us more clearly to understand under what conditions it existed and what were its relations to Greece and to Egypt. 231 CHAPTER VIII. THE EXCAVATION OF THE ATHENIAN ACROPOLIS. It is only by slow degrees that the modern world has learned how much is left of ancient Athens. To the great scholars of the Renaissance, Athens was a name in history but not in geography, a vanished city like Baby- lon and Jerusalem. From the days when Ciriaco of Ancona, in 1447, first brought it to the knowledge of the learned world that though the jewels were gone, valuable fragments of the casket still remained, down to the present year, archaeological research has pressed closer and closer at Athens on the heels of the ravages of time and barbarism, until it may fairly be said that as Athens is almost the most interesting of ancient cities, so the remains which it has left us are more extensive and suggestive than those of any other place, with the possible exception of Rome. And this is only natural. Jerusalem has left an invisible record in the spiritual life of man- kind ; but the genius of the Athenians was pre-eminently plastic. What they thought and felt they worked out in their exquisite native marble, and the rocky soil and dry air of Attica have preserved at least some remains of their admirable creations through the political vicissi- tudes of twenty-five centuries. The modern Athenians are possessed by a curious passion, intelligible but quite unhistorical. They are de- termined to obliterate so far as they can the whole tract 232 New CJiapters in Greek History. [Chap. YIII. of history which lies between the Roman Conquest and King George. Every year brings the spoken language of educated circles in Athens nearer to the language of Demosthenes. The children receive high-sounding names like Miltiades and Sophocles, and read in the elementary schools the great masterpieces of Hellenic literature. Cities and districts lose their mediaeval and go back to their classical names. The Panathenaic festival has been brought to life, and Christian churches are demolished in order that the remains of pagan temples may be disin- terred from their walls and foundations. Whether the modern Hellenes are quite wise in taking up a past to the burden of which they are scarcely equal, and forgetting a more recent past with its many useful lessons, may be doubted. In any case, it is in this spirit that they have dealt with the Athenian Acropolis. That they should clear away the mosque which occupied the interior of the Parthenon when it fell into their hands after Nava- rino, as well as the Turkish battery, and later the ugly tower which commanded the entrance to the Acropolis, is not matter for wonder. It was a less happy impulse which made them destroy the bastion erected by their own Captain Odysseus in the War of Independence, and which led them in 1834 to set up in their places some of the columns of the Parthenon which had fallen, and quite recently to range the drums of fallen columns in formal order at the sides of the building. But since we are now promised that the Christian frescoes on the walls of the Parthenon shall be spared, and since the founda- tions of even Roman buildings are respected, we must not unduly complain, especially seeing that nothing but praise can be awarded to the zeal and method with which the extensive excavations of the last five years have been conducted. It is chiefly with the results of these recent excavations, Chap, viii.] The Excavation of the Athenian Acropolis. 233 conducted by the Greek Archaeological Society, that we propose to deal in the present chapter. They are of extraordinary richness and interest ; and although reports of them have appeared from time to time in the columns of the Athenaeum, and in the pages of the Journal of Hellenic Studies, they have not been fairly brought before the notice of those, in England so numerous a class, whose interest in Greece and Greek art is general rather than special. To help our readers we copy, in the annexed woodcut, a plan of the Acropolis due to Messrs. Penrose and Schultz, and published in the Journal of Hellenic Studies for 1 889. For permission to use it our thanks are due to the Council of the Hellenic Society. If this plan be compared with that published in 1885 in Baumeister's Denkmaeler or that in Baedeker's Greece, it will be seen how much progress has lately been made in the topography of the site. But the pro- gress is not due only to the excavations ; in great part it is the work of Dr. Doerpfeld, Head of the German School of Athens, a man whose patience, science, and enthusiasm are all alike remarkable ; a man who has shed upon all the sites where he has worked a flood of new light, and who possesses in a rare degree the power of interesting and convincing others. There are two recent works on the Athenian Acropolis. Dr. Boetticher's* is a readable and useful resume of the views generally accepted at the time of his writing, illustrated by abundant engravings. Unfortunately it was written a little too soon ; and the writer is more at home in dealing with the problems of architecture than with those of sculpture, epigraphy, or topography. The book of Miss Harrison and Mrs. Verrall,f two dis- * Die Akropolis von A then. \ Mythology and Monuments of Ancient Athens. 234 New Chapters in Greek History. [Chap. VIII. Chap. VIII.] The Excavation of the Athenian Acropolis. 235 tinguished quasi-graduates of Newnham College, is of a far more important and thorough-going character ; we should rather say Miss Harrison's book, for Mrs. Verrall has contributed only a good translation of some chapters of Pausanias, and the work bears throughout the stamp of a strong individuality. It is probably the best Guide to the Acropolis, and ancient Athens generally, which has yet appeared. Miss Harrison is a devoted adherent of Dr. Doerpfeld, who has allowed her, with the generosity common among the best sort of savants, to anticipate many of his unpublished views. His enthusi- asm is contagious ; and readers will be surprised to find that it is possible to extract from discussions on topo- graphy and Attic myths much that is interesting and almost overflowing with actuality. The book leads us from point to point in the midst of the temples, the dedications, the mythology, the cultus of the ancient Athenians, until they become astonishingly familiar to us. We learn all about the plans of Mnesicles when he began the Propylaea, and why those plans were not carried out ; we trace the steps by which the stage of the Dionysiac Theatre gradually encroached on the orchestra, following the altering character of dramatic representations ; we visit the grotto of Pan, and sympathize with the herds- man-god, who finds himself sadly out of place among the cultivated and metaphysical Athenians ; we trace from point to point the wanderings of the traveller Pausanias, and often get the true clue to his puzzling utterances and his more puzzling silences. In regard to Pausanias, we are glad to see that Miss Harrison does not endorse the theories of some rather too advanced scholars in Germany, who maintain that Pausanias was no traveller at all, but a redactor of old guide-books and collector of queer stories. She writes : — "I feel bound to record my own conviction that the 236 New Chapters in Greek History. [Chap. VIII. narrative of Pausanias is no instance of ' Reise Ro- mantik,' but the careful, conscientious, and in some parts amusing and quite original narrative of a bond fide traveller. If Pausanias did read his Polemon before he started, and when he got back to his study in Asia Minor posted up his notes by the help of the last mythological handbook, what educated man would do less ? ... In the face of recent excavations, which every- where, save in the most trivial details, confirm the nar- rative of Pausanias, such criticism proves nothing but that there is a vast amount of energy and learned ingenuity out of work." No test could be more severe than that to which Miss Harrison submits the narrative of Pausanias ; if it en- dures that test, we may fairly be content to trust it when there is no special reason for mistrust. To these special works we have to add the less de- tailed, but not less interesting StadtgescJiichte von A then by the Nestor of Greek archaeology, Professor Ernst Curtius, who writes of Athens at once with the ardour of a lover, the science of a historian, and the imagination of a poet. His book treats of the whole ancient history of Athens, and his longer experience and wider knowledge serve in some cases to correct the revolutionary views of Dr. Doerpfeld. The Acropolis, with its levelled top surrounded by lofty walls, approached through magnificent Propylaea, and loaded with ancient temples and monuments, evi- dently owes at least as much to art as to nature. It has long been known that its present form and aspect dates from the age of Cimon and of Pericles. The recent excavations have thrown light on all ages of Athenian history, but they are specially notable for having opened up to us the stages through which the whole Acropolis passed before it reached what may be Chap. VIII.] The Excavation of the Athenian Acropolis. 237 called its classical form. Hitherto it has risen as abruptly from the background of history as from the level soil of the Attic plain. But now we can trace step by step its formation out of an irregular rocky mass, sloping on at least two sides gradually to the ground below, and sur- mounted only by the poor huts of a prehistoric race, whom the later Greeks called by the vague name of Pelasgi. The nucleus of almost all the celebrated centres of civic life in Greece was a rocky eminence rising out of a river-valley. Such a rock was a natural fortress, and afforded shelter to a sparse population of shepherds and fishermen in the early times of Greece, when, as Herodotus and Thucydides tell us, every man's life was in his hands, and no coast free from the constant in- cursions of pirates. Under such outward pressure the village life of primitive barbarians began to crystallize into civic order. On some parts of the Acropolis-rock one may still trace, though not so clearly as on the neighbouring Areiopagus, the foundations of the huts or cells of the early inhabitants. Recently a few graves dating from the same age have been discovered. They contain, besides human bones, only a few rude terra- cotta figures, and fragments of the primitive pottery known to archaeologists as Mycenaean, because it is found in greatest abundance on the site of Mycenae. It is evident that in very early times efforts were made to strengthen the Acropolis with walls, especially on the western side where it is most easily accessible. Of such early walls there are considerable remains close to the Propylaea of Pericles. Some archaeologists have tried to trace the lines of a far more complete system of forti- fication, running round the foot of the Acropolis and enclosing a small part of the surrounding plain. This view, which is however based on no great amount of existing remains, would help to account for the fact that 238 New Chapters in Greek History. [Chap. VIII. a strip of land at the foot of the rock was in Greek historical times known as the Pelasgicum and kept, for traditional religious reasons, free of buildings. In the recent excavations, there have been found near the later Erechtheum traces of the foundations of a prehistoric palace, which Dr. Doerpfeld supposes to have been the abode of the kings who traced their lineage to Erechtheus, as well as of a rocky staircase leading thence to the lower ground, just as does the staircase at Tiryns, which de- scends to the plain from the palace of the rulers of that early city. That the kings of Athens in the heroic age had their palace on the Acropolis may be regarded as certain, though it is possible that its site is covered by the Parthenon. What that palace would be like we may judge from the remarkable discovery at Tiryns of re- mains of the palace of the Greek heroic age, of which we have already spoken. They record a civilization luxurious if not lofty, and an age when wealthy and noble families dispersed over Greece disposed of the resources of the country, and ruled over masses of sub- ject vassals, whose huts clustered about their lofty abodes. When, early in the sixth century, Peisistratus seized on the Government of Athens, he, like the early kings, took up his abode on the Acropolis. But by this time the change had begun which at Athens, as in most Greek cities, transformed the Acropolis from an abode of men into a dwelling-place of the gods. There already existed a large temple of Athena in the very midst of the Acro- polis, of which the foundations have in the last few years been traced by Dr. Doerpfeld. Mr. Penrose maintains, in a paper recently read before the Hellenic Society, that Peisistratus also erected an older Parthenon, on the site on which the present Parthenon stands, and that various still remaining achitectural fragments which Dr. Chap. VIII.] The Excavation of the Athenian Acropolis. 239 Doerpfeld had given to the temple of his own discovery really belonged to this building. It is at all events proved by inscriptions published by Dr. Lolling* that a temple called the Hecatompedon existed at Athens before the Persian conquest, and it seems more natural to apply this term to an earlier Parthenon than with Doerpfeld and Curtius to the midmost temple of Athena. Peisistratus was content to share the plateau with the eoddess to whom he owed his elevation and success. Considerable remains of the Acropolis and its monu- ments as they existed in the time of the Peisistratidae have been preserved to us as a consequence of the havoc wrought by the Persians when they were in possession of Athens in B.C. 480 and 479. As, however, this state- ment has the air of a paradox, we must try to prove that it is true. Herodotus tells us (VIII. 51), how in B.C. 480 the numberless host of Xerxes came down upon Athens, and how the Athenian people fled upon their ships to the opposite island of Salamis, except a few who, reading literally the oracle which bade the Athenians trust to their wooden walls, barricaded the approaches to the Acropolis with beams and planks, and so awaited the foe. To the Persians when they arrived they offered a desperate resistance, but some of the mountaineers in the invading army climbed up the steep rock to the sanc- tuary of Aglauros on the north of the Acropolis, and thence mounted the narrow staircase which led thither from the summit (see plan). The defenders were put to the sword, or flung themselves in despair down the precipices, and the Persian soldiery completed their work by breaking down and destroying the monuments on the sacred site, and burning the buildings. The destruction was a deed of warlike fury, not of religious iconoclasm. * Athena for 1890. 240 New Chapters in Greek History. [Chap. yiii. It was formerly supposed that the Persians, and especially their kings, were actuated by a hatred of idolatry, and a zeal for more spiritual religion in their dealings with con- quered nations. But the records of Egypt show us that in that country the Persian invaders displayed an easy tolerance towards Egyptian cultus. So it was at Athens. On the day after the temples had been burned Xerxes ordered the Athenian exiles who were in his camp to go up to the Acropolis and sacrifice to Athena after their own fashion. It is said that they found a portent, which showed that the humiliation of Athens would not be lasting. The sacred olive-tree of Athena, instead of withering from the flames, had in one night sent out a fresh shoot a cubit in length. After the glorious victory of the Greeks at Salamis, the Persian troops retired for the winter into Boeotia, and the Athenians could for a few months revisit their home. But in the spring of 479, Mardonius once more occupied the ruined city, and Herodotus says that when he left it to meet the Spartans at Plataea, he once more burned all that could be burned, and levelled with the ground whatever still remained standing, walls, houses, temples and statues. The destruction was as complete as barbarous fury could make it. When the people of Athens came back to their city, they found only an un- distinguishable heap of ruins, blackened with fire and shattered by hammers. But the days which followed the repulse of the Persians were in all Greece days of vigour and progress, of youthful hopes and unbounded aspirations. It was not likely that the Athenians, who had hurled back the whole strength of Asia, would sit long idle in the midst of ruins. And it was not likely, at a time when art was growing and expanding every day, that they would be content to restore the buildings and monuments of Chap, vill.] The Excavation of the Athenian Acropolis. 241 the Acropolis to the state in which they had been before the coming of Xerxes. When art is stagnant or dead, nations care greatly to preserve the monuments handed down to them by previous generations. When art is alive and growing, destruction is sometimes almost wel- comed as an opportunity for progress, and the feeling of Homer's Diomedes, "We are far better than our fathers," governs the energies of architect, sculptor, and painter. So the Athenians proceeded to make new temples larger than the old, to set up more beautiful statues, to establish more splendid cults. The marble fragments with which the surface of the Acropolis was covered, they used only as materials for walls or foundations for buildings. They were straightway buried out of sight ; and buried they remained until the excavations of the last three years. Yet the Athenians seem to have made some distinctions. Pausanias speaks in one place of ancient images of Athena blackened by Persian smoke, but still holding their places of honour. Thus it would seem that some of the images of the gods, sacred from long association, were repaired and set up again. But almost all that had not so strong religious sanction was condemned. Votive portraits of men and women, dedications bearing the names of wealthy citizens, even the sculptural decorations of temples, were thrown aside as no longer worthy of a place in the Athens which was to be. The story of the building of the walls of the lower city by Themistocles is well known. In constant fear of Spartan interruption, men, women, and children toiled incessantly at the work, and for material not only the walls of private houses were demolished, but also in- scribed stones and sepulchral monuments were broken up and used ; in fact, from the wall of Themistocles we have in recent years recovered inscriptions and frag- ments of tombs of an early period ; the slab, for R 242 Neiv Chapters in Greek History. [Chap. VIII. instance, on which is sculptured the head of a youth holding a discus. But it would be a mistake to suppose that the walls of the upper city or Acropolis were thus hastily piled together. They show, on the other hand, every mark of care, and are admirably constructed. In places, it is true, we find, instead of squared stones from the quarry, the remains of pillar and cornice taken from the ruined temples lying near ; but it is likely that this break in the order of the walls was the result not of haste or parsimony, but of deliberate intention. Pausanias tells us that some of the Greeks were anxious to leave all the ruins on the Acropolis lying as they stood for an eternal memorial of the hate due to the Persians. This could not be done ; but it was found possible to retain and to embody in the walls of the citadel a me- morial of the ruin wrought by the barbarians sufficient to act as a perpetual reminder. According to Dr. Doerpfeld it is to Cimon that we must ascribe the reduction of the Acropolis to its present form. The wall on the north has been ascribed by the excellent authority of Leake to Themistocles ; but Pau- sanias says expressly that all the walls of the Acropolis which did not date from the Pelasgic age were erected by Cimon. Of the method of formation of the surface of the Acropolis after the Persian invasion, we must endeavour to give some account. The natural rock which is its foundation is not flat above, but rises in the midst somewhat like a gable roof. Let us pursue this analogy a little further. Let us suppose a house with gable roof, of which the ridge runs parallel to the front and back walls of the house. Then it is evident that if the two walls of the house are carried up to the level of the ridge, and the two tri- angular spaces between ridge and walls filled up, a flat roof will be the result. This was the plan followed by Chap. VIII.] The Excavation of the Athenian Acropolis. 243 the Athenian architects. They built their solid walls on the line where the abrupt rise of the rock ceased, and as the walls rose they filled the space between them and the highest ridge with layer above layer of earth and stones until they produced a surface, not indeed mathe- matically level, but level enough to serve as a foundation for the noble temples and beautiful monuments with which the piety of the Athenians designed to reward the gods who had rolled back the tide of Persian in- vasion, and made Athens free and glorious. It is these spaces behind the walls which have been thoroughly searched in the last five years. And as they were filled to a great degree with the ruined walls and inscriptions and statues left scattered on the site when the Persians departed, it may easily be understood that a rich harvest has been reaped of works of historical and artistic interest belonging to the age of Peisistratus and the time which followed down to B.C. 480. In the neighbourhood of the Erechtheum ancient sculptures lay crowded together ; at one spot fourteen statues were found, representing in various styles of art a goddess or her votaries. Seldom has a more admirable opportunity been offered to archaeologists than this. An endless series of statues, of fragments of pediments, of bases, of inscriptions, of shards of vases, is laid before them, and they may be quite sure that all belong to a period of which the limit in time is sharply defined. A hundred questions as to the meaning, the school, the historical bearing of each monument are suggested, and beyond these questions lies the grand problem of recovering the whole artistic and mythologic surroundings of the sixth century at Athens. And the very men most fitted to use the opportunity are on the spot. Besides the members of the Greek Archaeological Society there are now con- R 2 244 New Chapters in Greek History. [Chap. VIII. centrated in Athens, in the German, French, English, and American Schools, the most promising young archaeologists of many countries. It cannot be denied that the lead in all archaeological matters belongs to the Germans. But we must remember that the British School at Athens has been but quite recently estab- lished, and suffers from poverty unknown to the other Schools, which can rely on Government support. We now know with certainty that in the Peisistratid age a temple of Athena stood between the sites of the later Parthenon and the later Erechtheum. In size it does not approach the Parthenon, from which temple it also differs in ground-plan (see p. 234), inasmuch as behind the cella of the goddess we find traces of two rooms, which would seem to have been used as treasure- chambers. Perhaps they may have contained respec- tively the treasures of Athena and those of the other gods, which are in the later inscriptions kept apart, and which were guarded by different Boards of Treasurers. Dr. Doerpfeld has attempted the reconstruction of this temple from data still existing. Nothing but the bare foundations remain on the spot ; but in virtue of a series of elaborate measurements he claims some fragments built into the neighbouring Acropolis walls as belonging to the building, and not only tells us the number of pillars, their size and character, but even ventures to assure us that whereas the body of the temple is of very early date, the stylobate was added in the time of Peisistratus. Mr. Penrose, however, claims these same remains for the earlier Parthenon, and has many reasons in favour of his view. The talent and patience of a younger archaeologist, Dr. Studniczka, has recovered from the masses of remains some fragments of a group which may have adorned the pediment of one or other of these temples. This discovery offers so good an in- Chap, vill.] The Excavation of the Athenian Acropolis. 245 stance of the application of archaeological method that we must give a more detailed account of it. An archaic helmeted head of Athena of sixth-century work was found many years ago on the Acropolis, and is well-known from casts (at South Kensington, Oxford, and Cambridge) and from engravings in the histories of sculpture. To this head Studniczka joined an almost shapeless fragment of more recent discovery, which turns out to be the shoulder of the goddess covered with the aegis, on the edges of which were ranged snakes, painted, according to the crude fashion of colouring then in use for marble, with red and green paint. Head and shoulder being thus placed together, it becomes evident that we have before us no detached figure, but part of a group, for Athena looks downward, and her arm is outstretched as if in conflict. And if in conflict, she could not but be represented as victorious, looking down on an over- thrown enemy. To find this enemy, it was necessary to examine the numerous fragments of human figures stored in the Acropolis Museum. The lower part of a male figure was discovered which in scale and in species of marble corresponded to the Athena. The position of his legs showed that he was lying on his back. And on the upper surface of one leg were at regular intervals spots which seemed on careful examination to arise from the dripping of water mixed with red and green colour. Now the intervals between these spots corresponded so nearly to the spaces between the different snakes on the aegis of Athena, which were painted in these very colours, as to leave small doubt that it was from these very snakes that the rain-water fell in drops upon the leg of the prostrate man ; so he must have lain directly under the aegis. Here then, was the opponent of Athena, a prostrate foe, no doubt one of the earth- born Giants, whom in so many sculptures, and on so 246 New Chapters in Greek History. [Chap. VIII. many vases, Athena is represented as overthrowing and slaying. So far, however, we have only proved a group, not a pediment. But fragments of corresponding Giants, in the store-rooms of the Museum, soon showed that the com- position was extensive ; and the fact that one side of them was fully worked showed that they stood against some background as in a pediment, and did not make up a free-standing group. Lastly, the lines of breakage of the figures, and the wide dispersion of the fragments, proved that they had fallen from a height. They could thus only belong to a pediment ; and the dimensions of a pediment to which they must have belonged being carefully calculated from the height of the central figures, it is asserted that a pediment of exactly that size would suit the temple of Athena. Thus, by an admirable chain of reasoning, Dr. Studniczka has en- abled us to restore to the pediment of Peisistratus' temple a representation of a battle of Gods and Giants in which Athena occupied the central position. And we can further tell exactly what was the condition of sculpture, and what the principles of pedimental com- position at the time. The temple of Athena, though the most important of the shrines of the Acropolis in the sixth century, cer- tainly did not stand alone. For we have recovered the whole or part of five or six other pediments of small size, and executed in rough local stone. These com- positions now form one of the most conspicuous features of the Acropolis Museum, and arouse the wonder, far more than the admiration, of visitors. To those who are accustomed to consider Greek Art as a thing dropped from the skies, calm, colourless and faultless, they must come with a shock. For both in form and in colour these interesting memorials of the early art of Greece Chap. VIII.] The Excavation of the A thenian A cropolis. 247 are bold, awkward, and wanting in all refinement. Per- haps the most curious of them is the pediment put together by the skill of Dr. Brueckner, in which Zeus and Herakles in the midst are fighting back to back against two monsters advancing against them from the corners ; on one side the giant snake Echidna, on the other Typhon, a winged figure with three human bodies and interwoven snakes for feet, a monster coloured throughout with brightest red and blue and green, which might seem better suited for the adornment of a Mexican than of a Greek temple to those who have not realised that Greek art, like every other art, was of gradual growth, and started from barbarous beginnings. Interesting as these pediments are historically, one cannot wonder that the contemporaries of Themistocles were very ready to thrust them out of sight. But these sculptures are of older date than that of Peisistratus. It must not be supposed that the Peisistratid age was one of barbarous art ; on the contrary, it is revealed in these excavations as an age of extraordinary progress, and various culture. It is stated that Peisistratus collected and edited the Homeric poems. He also attracted to his brilliant and luxurious court the most celebrated of the artists of all Greece, who set up their productions side by side on the Acropolis, and so laid the foundations of that Attic style in sculpture which by the end of the sixth century was fully formed, and be- coming conscious of its high destiny. We have recovered the bases which supported statues by Aristion of Paros, and Aristocles of Crete, by Archermus of Chios, by Endoeus of Ionia, by Callon of Aegina, and others ; in a few cases it has been possible to restore to the bases the statues which belonged to them, No group of statues belonging to this early age has attracted more attention than the very remarkable series 248 New Chapters in Greek History. [Chap. VIII. of archaic female figures, clad in the flowing Ionian dress, of which an almost endless series is now set up in the Acropolis Museum, and which must when the Persians broke in have formed quite a crowd of stately statues standing in rows on their dedicative bases somewhere in the neighbourhood of the temple of Athena. In style they vary greatly ; and it is a fascinating task to trace from one to another the gradual dawn upon the artistic sense of Greece of greater skill in the rendering of difficult detail, of keener love for nature, of clearer feeling for style. Yet all, even the rudest, have something of that inexplicable charm which belongs to archaic Greek Art, and which takes a stronger and stronger hold of students of archaeology. This charm was felt in antiquity by Pausanias, who found something divine in the primitive sculptures of the school of Daedalus, and by Lucian, who praises the sweet and subtle smile of the Sosandra of Calamis. Among ourselves, one may venture to say, it is only archaic art which can arouse a real enthusiasm. It is not Reubens nor even Michael Angelo, who really takes hold of our younger lovers of painting, but Giotto and Fra Angelico. For one young archaeologist who really cares for the Laocoon, or even the Hermes of Praxiteles, three will be found who are strongly affected by the Hestia Giustiniani or the Harpy Tomb. It is a tendency not unnatural in an age when taste is directed rather by the understanding than the senses, and when the tendency to asceticism is so marked among more sensitive natures. Unfortunately it is found impossible to take casts of these statues, for fear of destroying the delicate remains of colour which yet linger on hair and eyes and dress. So it is not easy without visiting Athens to appreciate them. A useful series of photographs, however, is ap- pearing in Kavvadias' new work, Les J\I usees d'At/ie/ies. Chap, vill.] The Excavation of the Athenian Acropolis. 249 We shall make no attempt at descriptions, which in such cases are useless. But we may say a few words on the interesting question, what was the object of those who set up these statues, and whom of gods or of mortals do they represent ? If we question the statues themselves, and the bases on which they stood, we shall find little material towards a solution. These figures standing stiffly side by side, supporting with one hand their dress and in the other perhaps a flower, looking before them with rigid smile and vacant eyes, seem to embody rather the idea of woman than any set of living ladies. The inscriptions of the bases sometimes tell us that they were dedicated to Athena, or give us the dedicator's or the artist's name, but contain no further information. But it is at once evident that three alternatives lie before us. They might represent the Goddess herself, since according to Greek notions no present could be more acceptable to one of the gods than a well-wrought image of himself. How charming is the dedication written in archaic characters on the base from Melos, probably intended for a statue of Apollo, " Son of Zeus, accept from Ecphantus this blameless statue, for with prayer to thee he finished the graving of it." A temple of ancient Greece is seldom excavated without discovery of statues or statuettes of the deity to whom it was dedicated, placed in it by the grateful hands of those who had found favour in his eyes. Or, secondly, they might represent not the Goddess but her earthly embodiment the priestess. We read that in the vestibule of the great temple of Hera, near Argos, there stood portrait-statues of all her priestesses, including even the careless Chrysis, who had fallen asleep during her ministry, while the sacred lamp set fire to some of the offerings, and the whole temple was burned. Or, thirdly, they might portray votaries of various sorts. The 250 New Chapters in Greek History. [Chap. VIII. less educated Greeks were really idolaters ; that is to say, they constantly made confusion between a person and an image representing that person, like the witches of a later age ; so it was natural enough that they should wish ever to stand if not in person, at least by the proxy of a portrait, in the neighbourhood of a deity in whose power to help they fully believed, and who was present in his temple-image as he was present nowhere else. These are the three possibilities. But the second may be promptly rejected. The only priestesses of Athena on the Acropolis were the regular priestess of Athena Polias, an aged woman who held office for life, and the Arre- phoric maidens, some twelve years of age. The statues in question certainly do not represent children, and they are too numerous to be portraits of the successive priestesses of Athena Polias, each of whom would hold office for many years. So they cannot represent priest- esses. But between the other alternatives it is hard to choose. If they represent Athena, it is Athena deprived of her usual attributes, her warlike equipment of hel- met and aegis and spear ; though we know that at this very time the goddess was usually represented as clad in full armour. And if they represent votaries, these votaries are generalized, and have nothing of indi- vidual character in them. Either the deity has given up her divinity for womanhood, or the women have merged their womanhood in something which approaches the divine. Between these alternatives it would not be easy to decide, but for the statement of Pausanias already adduced, that there stood in his time on the Acro- polis figures of Athena blackened by the smoke of Persian fires, which seems to suggest that statues not preserved but buried would be not of the Goddess but of her votaries. This argument perhaps must not be Chap. VIII.] The Excavation of the Athenian Acropolis. 251 pressed too far ; but it does seem to make the scales dip in favour of the human alternative. Beside these female figures, we have extensive remains of the works of art and of piety which adorned the Acropolis at the opening of the fifth century. There are fragments of horsemen, set up in memory of victories in the games or of deliverance in war, or perhaps of admission into the class of knights ; there are reliefs of delicious archaic art representing the Gods or their dealings with men. There is one fragment on which is sculptured a youth driving his chariot, which may possibly be part of the frieze of the Peisistratid temple of Athena. There are several portrait-heads, or heads intended for portraits, but telling us more of the school of the artist than of the physiognomy of the subject. There are scribes seated at work, who strongly remind us of the figures of similar functionaries from Egypt. And the bases which supported these dedicated statues, and others which have disappeared, bear the names, one might almost say the autographs, of many prominent Athenian citizens, and of the artists whom they em- ployed in the service of the Gods of Athens. It is interesting to find among the dedications several by the great Athenian potters of the end of the sixth century, Andocides, Euphronius and others. It is a fresh proof of the wealth of these potters and the consideration which they enjoyed. Many beautiful fragments of vases bearing the names of Euphronius, Hiero, Scythes, and other vase-painters have also been recovered ; and these, though in themselves of no very great importance, have given us evidence long looked for, as to the date and the source of the beautiful black-figured and early red- figured vases which now form so prominent a part of the treasures of the great museums of Europe. It was in the last century that excavations in the 252 New Chapters in Greek History. [Cjiap. VIII. cemeteries of Etruria brought first to light large numbers of ancient vases painted with scenes from the mythology and the daily life of Greece. At first they were called Etruscan vases, in spite of the fact that not only their art and their subject but also their inscriptions were purely Greek. It is only in late years that the fact has been discovered that they were importations from Greek factories, coming in the earlier period from Corinth or Chalcis, and after a time principally from Athens. We may congratulate ourselves on the fortunate circumstance that the wealthy Lucumos of Etruria thought it in good taste to adorn their houses and to fill their graves with these delightful vessels. Our gain is inestimable. It is true that Greek vases have a language of their own ; and probably even well-informed and artistic visitors pass through the vase-rooms of our museums without feeling much interest in their contents. But the lang-uaee is well worth learning. There is no class of ancient monu- ments which has risen so rapidly of late years in the estimation of archaeologists. The students who take the pains to understand Greek vases soon discover not only that their art is, within the limits which it studiously observes, most admirable, but also that they carry with them more of the flavour of ancient life than even sculpture or coins. They not only give us abundant information as to the beliefs, the cults and the customs of Greece, but they put us at once, if only they have escaped restoration in modern Italian workshops, on terms of friendship with the potter who moulded and the painter who decorated them. Clay with its mar- vellous durability preserves for us not only the ultimate design of the worker, but his first sketch, his second thoughts, his mistakes and carelessness, his happy inspi- rations, and the obstacles which interfered with their realization. A vase bears the same relation to a sculp- Chap. VIII.] The Excavation of the Athenian Acropolis. 253 tured relief which a diary bears to a formal histori- cal treatise. It is more local, temporary, and personal. And at the same time vases are among our most serious documents in matters of mythology and mythography. Every year they are used more and more for comparison with the plots of the tragedies of Aeschylus and Euri- pides, and the lyric tales of Pindar. Writers now apply the test of vases, as they are perfectly justified in doing, in order to determine the comparative antiquity of various versions of Attic myths, and their popularity among the people. How far brighter and fresher is this source of knowledge than the musty, pedantic pages of an Apollodorus or a Hyginus ! In contact with the actual works of the Attic potters the conventional com- positions of the Alexandrian mythologists fall to pieces, and we have, in the place of complicated structures of mythological gingerbread, myths living and growing, crossing and recrossing, springing 'from the heart of the people and finding expression in their customs. It is then no small advantage that we derive from the exca- vations at the Acropolis, that they really lay a solid foundation for the construction of a history of ancient vase-painting. To the stirring times which followed the Persian wars belong some of the well-known features of the Acropolis. Cimon and his contemporaries not only made of the surface of the Acropolis a table-land fit for the erection of great buildings, but they began some important monuments and planned more. One magnificent trophy erected out of the Persian spoils remained always a feature of the citadel. This was the great bronze figure of Athena called in later times Promachos, the work of Pheidias, whose glittering spear and helmet were visible out to sea, not indeed from Sunium, as Pausanias seems to imply, since Hymettus intervenes, but at a great 254 New Cliaptcrs in Greek History. [Chap. Yin. distance. At the same period were set up other dedica- tions full of the rapidly unfolding promise of Attic art. There were paintings by Polygnotus, the Raffaele of antiquity, whom Cimon had brought from Thasos, and who became a citizen of Athens and the originator of that ethical style, pure and self-contained, of which the Parthenon frieze became the fullest embodiment. There were statues by Calamis, whose works, now lost to us, are perhaps among all Greek sculptures those which we should most care to recover ; we can form but a very very slight notion of them from the archaizing reliefs of the Neo-Attic school. We have recovered* a basis inscribed with a dedicatory inscription by Callias who fought at Marathon ; and it is possible that on it may have stood the celebrated Aphrodite of Calamis ; but this is a poor consolation. There were also works by Myron of Discobolus fame, notably his cow, about which the poetasters of antiquity wrote thousands of epigrams, none of which, if we may judge of them by those extant, told anything about the work of art, but only informed men as to the ingenuity of the epigrammatist. The other works planned at this time were not final. Propylaea were planned to form an entrance on the west, but they had soon to make way for the far more magnificent Propylaea of Pericles. A Parthenon is sup- posed to have been planned, but it seems not to have risen above the foundations. We cannot be sure why the next generation chose to begin these tasks afresh, instead of working on the projected lines. But it seems likely that the rapid rise of Athenian power and prosperity enlarged the ambition of the architects and artists, and the Delian fund provided them with so large a treasure that they were able to carry out designs of greater magnificence than were a few years before even con- * Harrison and Verrall, p. 387. Chap. VIII.] The Excavation of the Athenian Acropolis. 255 templated. Professor Curtius, in an interesting passage of the work already mentioned* tries to find traces of opposition on the part of the friends of Cimon to the new impulse to deck the city like a courtesan with gold and precious stones. A question warmly debated in the archaeological camp of late is whether the Peisistratid temple of Athena was rebuilt after the Persian wars or not. Doerpfeld maintains that it was rebuilt without the surrounding stylobate. He pertinently asks where the treasures of the Delian confederacy could have been stored, before Parthenon and Erechtheum were built, save in this old temple. Probably if Doerpfeld had contented himself with the view that the cella was rebuilt for a temporary purpose, and then pulled down on the erection of the Parthenon and Erechtheum, archaeologists would have been indis- posed to quarrel with him. But he by no means stops at that point. He tries to show that it still remained standing during all the period of Greek history, and was visited by Pausanias in the Antonine age. Thus extended, the view does incur grave difficulties. We are asked to believe that the beautiful porch of the Erechtheum, with its row of maidens standing to support the roof, was built within two yards of the blank wall of. this earlier building (see p. 234); and that at a time when Pericles was adorning the Acropolis with every embellishment which art could devise or money procure, he allowed the very centre of the hill to be occupied by. a structure destitute of architectural and sculptural ornament, and only set up in haste for practical purposes. It is of course impossible here to give even a short account of a controversy which involves the citation of ancient writers and of inscriptions, as well as the weigh- * p. 140. 2 ^ 6 iVWf Chapters in Greek History. [Chap. VIII. ing of architectural evidence. Doerpfeld's arguments have been met point by point by Petersen, the late Head of the German School, and the question is still far from being settled. Miss Harrison is as usual entirely on the side of Dr. Doerpfeld, whose arguments she sums up*. She even goes further, and supposes that when Pausanias speaks of the temple of Athena Polias and the treasures it contained, he intends not, as all writers have hitherto supposed, a part of the complex building called the Erechtheum, but this most ancient temple of Athena. At the same time she is obliged to allow that the very archaic wooden figure of Athena which the people of Athens guarded as their most important and venerable treasure, was preserved under the roof of the Erechtheum, thus acknowledging in her theory a weakness which if not fatal is at least serious. It is an interesting as well as a pretty quarrel ; but we must leave it to be dealt with by others. We now reach the great age of Athens, the age of the Olympian Pericles, when every year brought fresh fame and power to Athens abroad, and rendered the city more beautiful within. Never again could come such a con- junction of circumstances. In the midst of a people of highly organized sensibility and keen love of the beau- tiful, a school of architects and sculptors unrivalled alike in loftiness and delicacy was called upon to adorn a site of incomparable natural beauty, which had been swept clear for them by the Persians and made ready by Cimon. And for resources they were able to draw upon the almost boundless wealth accumulated from the tribute, while close to them lay the mountain Pentelicus composed of the most beautiful marble which the world can show. However splendid their success, it could scarcely reach the level of their opportunity. * p. 504- Chap. VIII.] The Excavation of the Athenian Acropolis. 257 It was at this time that the surface of the Acropolis received the stamp which it wore until the downfall of Paganism. It may be well therefore to recount the principal features of the site ; and we would beg the reader to follow us on the plan. It was of great importance to provide the plateau on the west side with an approach worthy of Athens. The Propylaea of Cimon were set aside as unsatisfactory, and the architect Mnesicles was entrusted with the task of planning new gates ; not such gates as might keep out an enemy ; for that the Athenians trusted to their ships and the city-wall ; but such gates as might properly impress citizen and visitor as they entered. Not only did the Propylaea of Mnesicles form a standing boast to the Athenians, but they still form, as every visitor to Athens knows, a most beautiful and imposing whole. Dr. Doerpfeld has made an interesting discovery, to which he has been led, not by the unearthing of new facts, but by a more careful weighing of those already known. The ground-plan of the building as it stands is evidently irregular, and not in accordance with the principles of Greek architecture. The reason of this is, according to Doerpfeld, that the original plan was not fully carried out. The hall which stands on the right side as one approaches the entrance should have been as large as the hall on the left side, and behind each there was to have, been a still more extensive gallery, in- tended no doubt for the reception of the great works in painting and sculpture, which then every year was pro- ducing at Athens. Why the plan was not carried out we cannot be sure, but it is very likely that one reason may have been an objection on the part of the votaries of Artemis Brauronia, on whose precinct the too auda- cious Mnesicles would fain have trespassed. There is a clear summary of Doerpfeld's reasonings in Miss Har- S 258 New Chapters in Greek History. [Chap. Till. rison's book ; * it will be to many architects a pleasure to follow them. Within the enclosure the most prominent monuments were of course those devoted to the worship of Athena. As one passed the Propylaea, her great bronze statue by Pheidias towered over one's head, and behind it was visible the smoke curling up from her great altar, which stood in the open air. On the right hand stood the Parthenon in its unrivalled majesty, and on the left the smaller Erechtheum, with its row of marble maidens sus- taining the roof of the southern porch. In regard to these two temples recent excavation has added com- paratively little to our knowledge ; an exquisite head of the goddess Iris, from the Parthenon frieze, is the chief new addition. The ground beneath their founda- tions is the only part of the surface of the Acropolis which has escaped a thorough investigation ; and it is greatly to be hoped that the zeal for knowledge of the modern Athenians will never lead them to venture on underpinning the two temples in order to search beneath them. While the Propylaea were being built, one of the skilled masons fell from a height. His life was des- paired of ; but Athena appeared in a dream to Pericles, and prescribed a remedy, from the use of which the mason recovered. In return Pericles set up a statue of Athena Hygieia, the patroness of medicine, near her altar on the Acropolis. It gives actuality to this pleas- ing story when we discover close to the Propylaea, possibly on the spot where the mason fell, a basis of a statue bearing an inscription in letters of the time of Pericles, which reads : " The Athenians to Athena Hy- gieia : Pyrrhus, the Athenian, was the sculptor." Besides being Virgin, Protector, and Healer, Athena * P- 355- Chap. VIII.] The Excavation of the Athenian Acropolis. 259 was worshipped on the Citadel by other titles. She was also Giver of Victory ; and the exquisite little temple of Nike Apteros, which stands just outside the Pro- pylaea, was really dedicated to her, the " Unwinged Vic- tory," in contrast to the ordinary winged victory, who was but her servant and messenger. It used to be supposed that as Ergane, the patroness of work, Athena had a separate sanctuary on the Acropolis. This is now, however denied. It is true that an inscription recording a dedication to Athena Ergane was found in the space between the shrine of Artemis Brauronia and the Par- thenon, and in consequence it was supposed that the Deity had there a sacred precinct ; but the result of recent excavation is to show that here there stood no shrine, but a stoa, which may have been the Chalcotheca of which Pausanius speaks, and which has been assigned to various spots in the enclosure. Athena Ergane must have had an altar and a cult, but that she had a temple is very doubtful. There was, finally, a statue of Athena Lemnia made by Pheidias, which Lucian, perhaps the best critic of antiquity, declares to have surpassed in grace and beauty all other works of the master. Next in importance to the cult of Athena was that of the Brauronian Artemis, who possessed a territory be- hind a wing of the Propylaea, and whose worship bore many marks of great antiquity. There stood in her temple, as we gather from an inscription in the British Museum, two statues, a more ancient seated one, and a later one by Praxiteles. The votaries of Artemis were called bears, and in early times girls clad in bearskins danced in her honour. A little stone bear found on the Acropolis illustrates the custom, which few moderns will hesitate to regard as a remnant of totem-worship. Ar- temis was everywhere the goddess of child-birth ; so we are not surprised to learn from inscriptions that her S 2 260 New Chapters in Greek History. [Chap. VHL temple became a regular wardrobe, where garments of all kinds, dedicated to the formidable deity, with mirrors and many other feminine trifles, were heaped up in profusion. Other cults had a place, though a less prominent one, on the Acropolis ; and of nearly all of them we have some remains in the form of inscriptions found on the spot. There was Aphrodite Pandemos, whose statue, the work of Scopas, was seated on a galloping goat. There were Ge Kourotrophos and Demeter Chloe, who had a little shrine by the Propylaea, and Pan, who had a cave on the side of the rock. It is, however, surpris- ing how small a share in the sacred site fell to the higher and more dignified gods, Zeus and Apollo, Hera and Hermes. The men of Athens were content that the great centre of their worship should be their ances- tral Athena, the armed Virgin, mistress alike in war and the arts of peace. The fact is remarkable. In Athens women led a secluded life, and were during all the flourishing age of the city of little account, though their influence grew with the decline. Nor was virginity after early youth regarded as either natural or pleasing to the gods. An armed woman could scarcely be more out of place anywhere than at Athens. The old saying that men make the gods in their own likeness fails singularly in this instance. The explanation is probably to be found in the identification of the Deity with her city. It was no worship of Humanity which held the Athenians, but a worship of the beautiful and glorious city of the violet crown, a veneration for their illustrious ancestors, and a conviction that alike in arts and arms they held the lead of the whole world. The object of their cultus was an idealized and glorified embodiment of their civic life. If, with Pausanias, we could have spent a day amid Chap. VIII.] The Excavation of the Athenian Acropolis. 261 the splendid dedications and crowded statues of the Acropolis, we should have found many things to astonish us, and to widen our notions of classical art, which are far too narrow and conventional, too much shaped by the Roman copyist and the Italian restorer, by the outworn views of Winckelmann and Lessing, and the conventional proprieties of the Vatican and the Capitol. The ancient Athenians were not classical in the narrow sense in which the age of the Antonines, or the age of Louis XIV., was classical. They followed impulse freely ; but the impulse in turn was kept in check by a clear perception of the conditions under which works of art of various sorts must be executed, and a frank accept- ance of traditional types, as well as the sense of what was beautiful, and the love of what was natural. One cannot but wish that some copy or record remained to us of the statue of Diitrephes, pierced by arrows, ap- parently an anticipation of the S. Sebastian of Christian painters, or of the bronze figure of the Trojan horse by Strongylion, with Menestheus and Teucer, Demophon and Acamas, looking out from his side, two works of which we have the bases only. One cannot but wish that we could restore the group which represented Athena leaping full-armed from the head of Zeus, or the bronze Theseus lifting the natural rock to recover his father's sandals. One cannot but long for an hour in the Pinacotheca, amid the paintings of Polygnotus and Aglaophon, so infinitely removed from the super- ficialities and vulgarities of Pompeii. These things are gone for ever, and it is perhaps a poor consolation to know that we have of late become better able to appre- ciate their loss. We must not, however, imitate the modern Athenians by ignoring the Athens of the times which succeeded Pericles, but must recount, however briefly, the existing 262 New Cliapters in Greek History. [Chap. viii. monuments of the Acropolis dating from later and less splendid ages. Of the brief revival of Athenian power in the fourth century there are extant traces in the bases which once supported the statues of Conon and Timotheus men- tioned by Pausanias, and in a number of interesting tablets which record the alliances and the decrees of the restored Athenian empire. Of the Alexandrine age are the choragic monuments of Nicias and of Thrasyllus, the latter of which was still surmounted in the time of the traveller Stuart by the seated statue of Dionysus, since removed to the British Museum. The kings of Pergamon have bequeathed to us enduring memorials of their love for Athens in the great stoa, of which remains still exist in the rear of the stage-buildings of the theatre, and in the figures of overthrown Giants and Amazons and Persians, executed in the Pergamene style, now preserved in several of the museums of Europe. The basis of the statue erected to Agrippa in the earliest days of the Roman Empire may still be seen outside the Propylaea, and recent researches have revealed the foundations of the temple of Rome and Caesar, the emblem of the incorporation of the city of Athena in the world-wide dominion of the Romans. Several existing buildings at Athens date also from the time of Hadrian, and bear testimony to the philhellenic propensities of an emperor who sought to restore animation to the Greek nation, and only succeeded in galvanizing the corpse of the race. Thereafter every century took something from the glory of Athens, and added nothing to it. The main blame for the wanton destruction of the memorials of their own greatness rests on the Greeks, though doubtless Turks and Venetians have done their part in the work of ruin. The share of England deserves rather praise than blame Chap. VIII.] The Excavation of the Athenian Acropolis. 263 There is still in some quarters a mistaken notion, fostered by the poems of Byron, and encouraged by Greek Chau- vinists, that one of the worst spoilers of later ages was Lord Elgin. But the facts of history not only justify the action of Elgin, but prove that he must be classed among public benefactors. He knew that in all pro- bability if the sculptures of the Parthenon were left where they were, they would shortly perish. And in fact had they been left they would have suffered severely in the troubled days of the Greek revolt. The west end of the Parthenon which he had stripped of its sculptures was exposed for a year in 1826 to the repeated blows of Turkish cannon-balls. The so-called Caryatid of the Erechtheum which Elgin carried off has been preserved intact, the five which he left in situ suffered severely in the revolutionary war. The reliefs of the Choragic Monument of Lysicrates which he spared have since been so much defaced, that the cast taken in Elgin's time preserves many details which they have lost. And in addition the art of Europe received the impulse im- parted by the exquisite Pheidian sculptures many years earlier than would have been the case had they remained at Athens. The visitor at Athens cannot help a moment's regret when he looks at the blank spaces in the pedi- ments and on the cella walls of the Parthenon, and in imagination fills them with the sculptures which repre- sent the birth of Athena and the Panathenaic Procession. But a little reflection shows him that it was a wise prudence which removed the jewels from a casket ex- posed to a hundred risks, and not then guarded by any strong national feeling. Beyond doubt had Elgin left the sculptures on the temple, the Greeks themselves would before now, in justifiable zeal for their better preserva- tion, have transferred them to the galleries of their new and spacious museums. Moreover, Michaelis and Boet- 264 New CJiapters in Greek History. ["Chap. yiii. ticher, although as Germans free from national bias in the matter, fully allow that in possessing herself of the Parthenon sculptures, England conferred a benefit on the world. Had the artistic treasures brought to the west from the Athenian Acropolis, from Aegina, from Bassae re- mained in Greece, Athens would have been too rich and the rest of the world too poor in what is after all the common possession of civilized man. But the Greeks have the future in their own hands. And we must ex- pect that year by year the harvest of sculpture in the Athenian and provincial museums will grow richer and richer, until the country recovers something of the posi- tion which it held in the days of Pausanias as the most glorious storehouse in the world of the sculpture of the only nation which ever really understood sculpture. The voyage to Athens, already exercising every year a stronger attraction on the cultivated classes, will become more and more an essential part of education. And those who still believe that classical training is the best means of developing the humane side of men will be unwise if they fail to appreciate this growing advantage which has fallen in their way, or to use it as a means of giving actuality to Greek literature and history, and enthusiasm to those occupied with them. ( 265 ) CHAPTER IX. OLYMPIA AND THE FESTIVAL In order that the study of history may duly fulfil its mission in enlarging the ideas and widening the charity of mankind, it is essential that both the writers and the readers of historical works should use the imagination not less than the intellect and the memory. It is not enough to study the chronicles of past days ; what we want is to re-live the life of past days ; to sympathize with the hopes and fears, to share the beliefs and the sentiments, of the age and the country which we make our study ; to image to ourselves its daily life ; to fall into its ways of thinking. The historical training of the imagination is a long and laborious task. Nor can it ever be completed by the study of documents and of literature ; though these, of course, have their place in the curriculum. But it is also necessary that the imagination should be approached through the senses. We must not only read, but feel and see. Thus, there are only two methods by which it is possible adequately to carry the imagination through past episodes of history. One is to study in museums the material relics— the corpses, so to speak — left by those episodes ; the other is to visit their graves — the scenes where those episodes took place — and there follow with patience and reverence their details. 266 New Chapters in Greek History. [Chap. IX. It is most fortunate when these methods can be com- bined ; when in visiting the scene of great events we see also on all sides traces of their course and results of their energy. This is now the case at Olympia. The result of the excavations carried on there at great cost and with supreme disinterestedness by the German people has been to enable the traveller at Olympia not only to study the scene of the greatest of Greek athletic fes- tivals, but to trace the celebration from hour to hour and from point to point. He not only sees the hill of Cronion, where the spectators crowded, wades through Olympic dust, and feels the sun of Olympia beat on his head ; but he can wander on the threshold of the Temple of Zeus, pass from building to building in the sacred enclosure of the Altis, and stand at the starting-point of the runners in the Stadium. Taking the guide-book of the old Greek traveller Pausanias in our hand, we can follow in his steps ; and out of broken pillars, truncated pedestals, and the foundations of demolished buildings, we can conjure forth the beautiful Olympia of old, with its glorious temples, its rows of altars, its statues of gods and godlike men who conquered in the games, its trea- suries full of the noblest works of art and the richest spoils of war. And we can people the solitude with the combatants and with the spectators, a crowd filled with the enthusiasm of the place and with delight in manly contests ; a crowd over whom emotions swept as rapidly as the chariots through the hippodrome, and who were ever breaking out into wild cries of delight or loud shouts of scorn and derision. We can see the bestowal of the crowns of wild olive, and can hear the heralds recite the names of those who have been victorious. Scarcely any chapter of Greek history is of more interest, or contains more instruction for modern readers, than that which records the rise and the fall of Greek Chap. IX.] Olympia and the Festival. 267 athletic sports. The chapter is a short one. The bloom of all the promising institutions of Greece was short. Abuse soon succeeded use ; excess supervened on mode- ration ; and the same causes which had made the great- ness of the people, in matters athletic as in other matters, also caused its decline and eclipse. So long as Greece lived at all, and education in any- way embodied national ideas, the physical training of the body was much regarded. An harmonious development of body and mind was sought in all systems of train- ing ; and an erect carriage, well-turned limbs, and activity of movement, were considered as necessary to the gentle- man as modesty and good sense. From their earliest years the boys frequented not only the house of the teacher who instructed in reading and writing, but also the palaestra of the athlete who carefully trained their bodies with various exercises. The greatest of Greek philosophers, when they discussed ideal possibilities in education, never dreamed of neglecting its more corporeal side. Aristotle maintained that gymnastic training ought to begin earlier than that of the mind ; and Plato, in the Laws, advocated the system of restricting boys to the exercises of the gymnasium until their tenth year, -and only allowing them to take up letters when their physical frame was already formed. As the boys grew older, they frequented new places of training, and learned new exercises. The ball and the hoop gave way to the discus and wrestling ; but no Greek youth at any stage of his life would pass a day without devoting some hours at least to systematic development of his body. On the banks of some pleasant stream, and beneath the shade of groves of platanus, were the early palaestras of the Greeks. Here in the open air and during the heat of the day the men and the lads contended one with the other in mimic contest, or sedulously set themselves 2 68 New Chapters in Greek History. [Chap. IX. to overcome any physical defect or awkwardness of person. Here all, except the classes who were bound by sordid necessity to the market or the workshop, met in the afternoon to gain an appetite for dinner, and to mix with the circle of their friends in talking, in running, in leaping", or in enjoying the most beautiful of all sights, that of the healthy human body in vigorous action. Grave and elderly men, generals, priests, and magistrates, were not too stiff or too dignified to lay aside their clothes and enter the stadium or the wrestlingr-ring-. And in this pure democracy of the palaestra he was king who was in person most beautiful and fittest for the various contests ; he alone was despised who was mean in body or wanting in energy for the conflict. To the life of the palaestra a new meaning and aim was given by the establishment of the great athletic festivals of Greece. Even in heroic times there had been, on the death of a chief, funereal sports wherein his com- panions in arms displayed their strength and activity. Homer's heroes compete in running, wrestling, and the driving of chariots. Peleus vanquished his contem- poraries in wrestling and the pentathlum, and Milanion won Atalanta by his swiftness of foot. But the intro- duction of the great festivals at stated times brought system into athletic contests. Now athletes from the farthest ends of the Hellenic world could be sure of meeting formidable competitors, and had a chance of trying for the championship of Hellas. At first men contended at Olympia in running only, a fact which makes it seem likely that the sports of the heroic age were somewhat out of use ; but before long, wrestling, the pentathlum, and other contests were added. The ideas of the different races and cities of Greece of course varied as to the nature of physical perfection and the objects of gymnastic training. With the Spar- Chap, ix.] Olympia and the Festival. 269 tans endurance and hardness were most thought of; among the Ionians grace and symmetry were wor- shipped. The Boeotians cultivated wrestling in a marked manner. Croton was noted for the great stature and force of her athletes ; Aegina sent forth men highly skilled in pugilism. But, setting aside ( these minor dif- ferences, we may find some distinctive features which specially marked the athletics of the Greeks in general. The most striking of these, and indeed the key to them all, was the custom of complete nudity during exercise. Runners, wrestlers, leapers and boxers, whether practising among themselves or performing at the games beneath the eyes of assembled multitudes, divested them- selves of every shred of clothing. Over and over again we find it mentioned by the writers as one of the marks of distinction between Greeks and barbarians that, while the latter were ashamed to show themselves naked, a true Hellene thought no shame in doing so. This was a result brought about by gymnastic training. But when it was established it seemed, to every true Greek, part of the order of nature. The Lydians, Herodotus naively remarks, are ashamed to be seen naked, even the men of them. Not long ago, says Plato, the Greeks thought, just like the barbarians, that it was a shame and an absurdity for a man to appear naked. The very first thing, says Solon in a dialogue of Lucian, which an athlete has to learn, is to expose his unpro- tected body to all kinds of weather. Such exposure was made more possible by a free use of oil, which the Greek daily rubbed into every part of his body, and which probably had the effect not only of protecting its surface against sun and wind, but of diminishing the flow of perspiration and of rendering the joints supple and elastic. Over the oil was sprinkled fine sand, which had a detergent effect. Baths too were greatly used in ) 270 New Chapters in Greek History. [Chap. IX. the Greek gymnasia, not warm baths so much until late times, but frequent cold plunges in the river and douches beneath a fountain. Such training must have had a wondrous effect in rendering the body hard and healthy, and the skin soft and supple. This question, however, we leave to phy- sicians, and speak only of the outward physical and moral effects of the life. The first result would be ruddiness of body. When Agesilaus stripped his Persian prisoners, their white bodies caused the utmost ridicule among the bronzed Greek soldiers, who looked on them as on women brought up delicately in houses. In Greek paintings the bodies of women are rendered by white colour, but those of men are red, and this no doubt only reproduces the facts of daily life. And with ruddiness there was joined the utmost symmetry. Grace and rhythm of movement and form aroused enthusiastic admiration wherever Greek men practised together. This, all strove to imitate, all looked for in friend and connection, all desired to perpetuate. Statues of the most beautiful and vigorous men, of victorious athletes in particular, were erected by the hundred and thousand, not at Olympia only, but in every city of Greece. Of these a small remnant remains to testify to us of Greek physical perfection. Modern sculptors sigh in k vain for models which can compare with them ; in the gymnastic rooms at our Universities we see no forms so powerful, yet so well-balanced and light. Yet Galen states that in his day many of the young men were not inferior in physique to the statues of great sculptors. It is this habit of constantly watching the beautiful and powerful bodies of athletes in every attitude and in every kind of exercise, which accounts for many of the peculiarities of the Greek nature. It accounts for the unrivalled excellence of their sculpture ; they had not Chap. IX.] Olympia and the Festival. 271 to copy in a studio the limbs of a single unsatisfactory- model, but were able by comparison of form with form daily to grow in knowledge of every part of the human frame, and daily to raise their standard as to the possi- bilities of human perfection. The shapes of men became as familiar to sculptor and painter as those of the sheep to a shepherd or those of horses to a groom. These artists became intoxicated with the beauty of men, until every force of nature presented itself to them under a human aspect ; until all their decoration consisted in the introduction of human forms ; nay, even abstract qualities, events, and places, seemed to clothe themselves with flesh and blood. There is another aspect in which we may regard Greek athletic sports, that is as a training for war. Some of the contests were of a distinctly warlike character, such as running a race with a shield on one's arm, and such as hurling the spear. And in days when man clashed against man and a duel often ended in a personal grapple, it was no mean advantage to be a good wrestler. Plutarch attributes the victory of the Thebans at Leuctra to their superiority in wrestling to the Lacedaemonians, wrestling being a special art of the Boeotians. Indeed, if we examine any one of the numerous friezes from Greek temples which represent groups of fighters, we may see at once how much the victory depended on personal force and agility. The most learned and laborious of the German writers on the Greek games, Dr. Krause, concludes his work* with a comparison between ancient and modern athletic sports, resulting in the claim of immense superiority in the Greeks over any moderns. But Dr. Krause's stan- dard of modern proficiency was that of the German Turnvereins of forty years ago. It is since that time that * Die Gymnastik titid Agonistik der Hellenen. 272 New CJiapters in Greek History. [Chap. IX. athletic contests very closely resembling those of the Greeks have been introduced in our English cities, and especially have taken deep root at our Universities. Mr. Mahaffy* has more recently compared our English athletics with those of Olympia and the Isthmus, and decided far more favourably for the moderns. The pro- ficiency of modern athletes may be tested by any one who will pass a day in witnessing their competitions. But it is not an easy task to estimate properly the skill of the Greeks in this manner, and in our opinion Mr. Mahaffy takes by far too mean a view of it. In some matters he is distinctly unjust. Thus, he tries to show that Greek pugilists did not hit straight from the shoulder, and quotes a passage of Virgil in support of this view ; adducing also the supposed fact that it was the ears of Greek boxers, and not their noses and cheeks, which suffered in their encounters. But Virgil knew very little about Greek athletics ; and it would be easy to adduce several passages from ancient writers which show that Greek boxers attacked nose and mouth not less than other parts of the face. The battered ears belonged to pancratiasts rather than boxers. On vases we see representations of boxers standing one against another in well-balanced attitudes, their heads thrown back and their arms well advanced ; and unless the physique of the combatants is very falsely depicted, their blows must have been delivered with immense force. Mr. Mahaffy ridicules the tales of Greek prowess in leaping, and certainly we are driven into scepticism when we hear of Phayllus clearing fifty feet at a bound, but it is extremely probable that the ancients had studied the theory of leaping more than we, and were able by means of the weights which they held in their hands to propel their bodies for considerable distances. * In MacviillaiCs Magazine, vol. xxxvi. p. 61. Chap. IX.] Olympia and the Festival. 273 During the recent excavations one curious memorial of Greek prowess has come to light at Olympia — an oval mass of rock two feet in length and one in depth, which bears an inscription testifying that one Bybon raised it with one hand above his head and hurled it — whither we cannot clearly make out. In fact, in the matter of athletic sports our more com- plicated civilisation gives us no advantage. Red Indians run as fast as English professionals, and some of the most distinguished pugilists have been negroes. In these matters four things alone give success — strength, address, science, and practice. All four of these the Greeks united in the highest degree. Bodily forms such as theirs must have been admirably adapted for every ex- ploit, whether of force, activity, or endurance. They lived in the open air, had no sedentary employment, did not trouble themselves about reading of any kind, or that study which is destruction to an athlete, practised for hours every day, and had the utmost inducement to attain the highest possible perfection. So the mass of their young men reached, during the best age of Greek history, a stage of physical prowess and perfection which has probably never been attained in any other age or country. And the custom of doing all exercises to the sound of the flute would tend to produce measure and a studied grace of movement conspicuously absent in some of the most celebrated of modern athletes. Once in every four years the heralds from Elis pro- claimed through all the cities of Greece a sacred truce which was to last for a month. In the midst of that month, from the eleventh to the sixteenth day, was the great athletic festival of Zeus at Olympia. The earlier and the later days of the month were occupied with the journey to the spot and the return homeward. War, business, and pleasure, were alike stayed ; and the roads T 274 New Chapters in Greek History. [Chap. IX. leading to Olympia were daily more and more thronged with a mingled crowd. Woe to the man who molests one of the pilgrims of the Deity on his sacred journey ! Zeus, the protector of strangers, will guard his votaries, and severe judgments from Heaven will dog the steps of the sacrilegious offender during life or drag him to an early grave. We are accustomed to think of the Greeks as all alike ; yet it is certain that the spectators who watched the crowds pouring towards Olympia along the road which passed up the Alpheus into Arcadia, or that which led to the sacred port of Pheia, witnessed wide differences of type and of dress. From all the shores of the Medi- terranean and the Euxine Seas the Greek colonies sent deputations to represent them at the games, to bear offerings to the temple, and to perform sacrifices on their behalf. And the Greeks readily took a tinge from the land wherein they dwelt. There were dwellers on the northern shore of the Black Sea, to whom constant inter- course and frequent intermarriage with their Scythian neighbours gave almost the aspect of nomads ; and colonists from Massilia, who in dress and blood were half Gauls. There were people of Cyrene, with the hot blood and dark complexion of Africa, and oriental Ionians with trailing robes and effeminate airs. There were rude pirates from Acarnania, and delicate sensual- ists from Cyprus. And not only were various climates and different stages of civilisation represented, but all social classes and all occupations. The rich rode on horseback, with a train of slaves following, or were gently transported in a litter on the shoulders of stal- wart bearers ; the poor marched in troops, carrying their frugal provisions with them. Here might be seen a merchant with a large stock of oriental draperies, or of works of art adapted for votive purposes, of which he Chap. IX.] Olympia and the Festival. 275 hoped to dispose during the festival ; there, a poet eager to recite his verses amid the throng, or a musician carrying his precious lyre with him. Here was a statu- ary, with his coppersmiths, hoping to secure orders for statues of victors ; there a gymnastic trainer, eager to learn the latest fashion in wrestling, or to watch the prowess of a former pupil. Many would come to fulfil a vow undertaken at some time of sorrow or sickness, many to consult the various oracles at Olympia as to future conduct or past events, to seek the aid of some deity in marrying a daughter, or detecting a thief. Many would come to display their wealth before the eyes of Greece, many to hear news from all parts of the world, or to ask after seafaring relations, or friends who had long been absent and unheard-of. In one point the throng was very noteworthy — it contained no women. The long journey, the fatigue of witnessing the contest, the character of the competitions, were all quite unfit for the carefully-nurtured and secluded women of the Ionian and Achaean races ; even the Dorian women, who dwelt at less distance, and were not unused to mingle with men, were mostly or even entirely excluded. Pausanias indeed says that although married women were not ad- mitted, virgins might be spectators of the festival ; but it is much doubted whether this statement is not based on some misunderstanding. Arriving at Olympia the visitors had to provide them- selves with quarters. There was probably no city on the spot, certainly none at all capable of containing the arriv- ing multitudes ; few buildings besides the religious edi- fices and those used by judges, trainers, and athletes. The strangers had to pitch themselves tents in the field surrounding the Altis, or sleep in the stone porticoes. A vast camp arose, and in the days preceding the festival the camp became a fair. Merchants set up their booths, T 2 276 New Chapters in Greek History. [Chap. IX. and money-changers their tables, all the classes of artists tried to collect audiences and admirers, crowds attended the exercises of the athletes who were in training, or admired the practice of the horses and chariots which were entered for races. Heralds recited treaties, military or commercial, recently formed between Greek cities, in order that they might be the more widely known. The representatives of the various cities passed from altar to altar, sacrificing to the deities whose favour they most coveted ; and the dignitaries of Elis offered a series of public sacrifices in a regular order mentioned by Pau- sanias, the earliest honours being awarded to Hestia and the Olympian Zeus. The judges appointed by the people of Elis to conduct the festival were called Hellanodicae. Their number varied between eight and twelve. Their first business was to conduct an examination of the candidates who wished to enter for the various contests. Duty to Zeus himself required that no person who was not of Greek blood, that no one who had been convicted of crime, or guilty of impiety, that no member of a city which had incurred the divine wrath, should be admitted. Candi- dates had also to prove that for ten months they had been undergoing a regular course of training in a gym- nasium, and to practise for the thirty days preceding the festival at the great gymnasium of Elis, under the eyes of the Hellanodicae themselves. After undergoing these tests their names were placed on a white board, and suspended at Olympia. After this there was no drawing back. He who, when the time came, shrank from the contest, was adjudged a coward, and fined with a fine as heavy as that inflicted on men guilty of bribery, or of taking an unfair advantage of an opponent. The greatest of Greek athletes, Thcagenes, entered at Olympia for the contests of boxing and the pancratium. In the Chap. IX.] Olympia and the Festival. 277 former he was victorious, but suffered so severely that he was unfit for the terrible test of the pancratium, and even he was remorselessly fined, as failing to appear through cowardice. When the candidates enrolled themselves they offered a boar in sacrifice, at the altar of Zeus Horcius, the hearer of oaths, which stood in the Senate-House, and swore solemnly to observe the laws of the contest. After they were entered, they and their friends alike besieged the altars of those deities who specially interested them- selves in the games, and more particularly of the heroes who had in mythical ages distinguished themselves in the various sports. Charioteers sought the Heroum of Pelops ; pancratiasts specially invoked the aid of Her- cules, pentathli implored the assistance of Peleus, and boxers appealed to the protection of Euthymus, a boxer of historical times, but of world-wide fame. The leisure days before the festival would, by most of the visitors, be spent in great part amid the temples and statues of the Altis. And we are now, in consequence of the results of the German excavations, enabled to form a clear and satisfactory idea as to what they would have found there to awaken their emotions of admiration and piety. The central point of it, alike in a material and a religious sense, was the great Temple of Zeus. To- wards this, every visitor would at once make his way, entering at the southern gate of the Altis, and passing along the sacred road, trodden by frequent processions between monuments erected in memory of Olympian victors and illustrious men — monuments whereof the bases still exist, with inscriptions reading like epitaphs to tell us how much of beauty and of excellence we have lost for ever. Towering above the crowd of distinguished men, a little to the right of the road, was the wonderful Victory of Paeonius on her tall triangular base. The 278 New Chapters in Greek History. [Chap. IX. discovery of this figure, a cast of which is now set up in the British Museum, was the first important result reached by the German explorers, and the first inscrip- tion which they copied was the memorable lines, en- graved below it, recording the victory of the Messenians and Naupactians over their " enemies." We gather from Pausanias that these enemies were the Lacedaemonians, and that the event really commemorated was the calamity of Sphacteria, but that those who erected the trophy dared not be more explicit. A little further on stood the bronze bull dedicated by the Eretrians, of which an ear has been recovered. All these monuments the visitor might pass without notice in his eagerness to behold the great temple. There is now scarcely any temple in Greece of which we can form a juster idea than of this. The foundations are complete, even the pavement remains in parts, and the columns lie side by side close to the temple, just as they fell in the earthquake which shattered the fabric. To a large extent the structure might be built again from the old materials, which lie on the site in a disorder beneath which a real order may be sometimes discerned. And it is not only the shell of the edifice which remains ; the metopes which adorned its ends, and the compositions which filled its two pediments, have been slowly recovered, piece by piece, from the ground, until we can form a very distinct notion of the sculpture of the temple ; only that the great chrys- elephantine statue of Pheidias, the chief glory of Olym- pia, and the embodiment of the highest Greek notion of divinity, has perished completely. It is supposed that the only direct copy of it which has come down to us from antiquity is to be found on bronze coins of Elis, of the age of Hadrian. The student who would study the Olympian temple To face page 278. Chap. IX.] Olympia and tlie Festival. 279 may supplement a visit to the new museum at Olympia itself by one to the museums of Berlin or Dresden, where casts of the marbles found at Olympia have been arranged by scientific hands into groups such as they may originally have formed.* Here the student will find the pedimcntal groups recomposed, as far as is at present possible, and can judge of the appearance they must have presented to the ancient visitor at Olympia. According to Pausanias, in the eastern pediment Paeonius represented the chariot-race between Oenomaus and Pelops ; in the western pediment Alcamenes por- trayed the battle of the Centaurs and the Lapithae at the marriage of Pirithous. Both of these groups are full, to the archaeologist, of instruction, and to the artist, it must be confessed, of disappointment. It might have been expected that the great sculptors who worked at Olympia, the elder contemporaries of Pheidias, would have left us something which might in its way rival the marvellous grace and charm which belong to the pedimental groups of the Parthenon. All critics are agreed that this expectation has not been realised, and the art-loving part of the public seems to have made up its mind that the Olympian pediments may be neglected or despised. It is true that some of the groups which represent Centaurs struggling with their prey are of great force of design, and that some of the standing and reclining figures are by no means devoid of a certain largeness and nobility of treatment. But it is agreed that the whole effect, more especially of the * The literature on the subject of the arrangement of these pediments is very extensive ; most of it is in the pages of the German Archaeological Jahrbuch of the last few years. The little models of Gruettner to be found in all museums of casts afford a useful but somewhat misleading means for comparing the various views. 280 New Chapters in Greek History. [Chap. IX. Oenomaus group, is poor ; that the drapery of the figures is rendered in a shallow and feeble manner ; that the faults of execution are numberless. Indeed, an ordinary student of art will find, in an hour's study of these figures, faults which in our day an inferior sculptor would not commit. And, what it still worse to a modern eye, the figures are not only faulty, but often displeasing, and the heads have a heaviness which sometimes seems to amount to brutality, and are re- pellent, if not absolutely repulsive. That which repels the artist, attracts the archaeologist, who is bound to explain how this character can attach to sculptures from the most celebrated temple in Greece. In seeking an explanation we have lighted on many new truths. It has been suggested by Professor Brunn, that the peculiarities of Olympian sculpture arise from the circumstance that both Paeonius and Alcamenes were trained in the peculiar schools of Northern Greece. Others have fancied that these two artists only furnished the designs for the pedimental groups, and that these designs were very much marred in the execution by the clumsiness of the Peloponnesians who were employed as craftsmen. It can scarcely be doubted that there is much truth in this latter part of the theory, and we may safely lay to the credit of unskilled stone-masons the smaller defects of the pedimental sculptures. But, even then, the artist who designed the Chariot-contest can scarcely be acquitted of jejuneness and poverty, and he who designed the Combat of Centaurs sins quite as deeply in the direction of excess of strain and de- ficiency in sobriety. In fact, the composition as well as the execution is of provincial character, and the safest plan is absolutely to reject Pausanias' assignment of the pediments to Alcamenes and Paeonius, and to suppose that they are entirely due to a local school of sculpture. Chap. IX.] Olympia and the Festival. 28 1 The clearest result of the whole controversy is the per- ception how far Pheidias was in advance of his pre- decessors in the construction of groups and in all qualities of design, and how superior were the Athenian stone-cutters in knowledge of their craft to those of other parts of Greece. This is a lesson which we might have learned already from a study of the frieze of the temple at Bassae ; but now we are not likely ever to forget it. The metopes from the Temple of Zeus, representing the various Labours of Heracles by an unknown artist, though showing the same qualities of art, are certainly more pleasing than the pedimental groups. They are not, indeed, without rudeness and stiffness, but in their backward style there is the charm which so usually marks the works of early Greek art, but which the pediments have lost, without getting knowledge and mastery in exchange. One of the most marked charac- teristics of the metopes is the want of elaboration in detail. The hair and beards of the figures are merely blocked out; the parts of the garments are -not clearly distinguished from one another. Critics have long seen - that evidently the artist who made these groups trusted chiefly to the use of colour for the effect of his com- positions. And actual discovery has entirely verified this conjecture. Among the discoveries is a head of Heracles, from that metope wherein he is strangling the lion. Of this head the hair and eyes still bear distinct traces of colour. In the group of Heracles and the bull, the background was blue, and the body of the bull brown. Another metope had a red background. It is thus quite certain that the sculpture of the metopes of the temple was painted throughout. And, indeed, the pedimental groups were also painted, for a part of the chlamys worn by the middle figure of the western 282 New Chapters in Greek PI i story. [Chap. IX. pediment has been found still stained with a deep red colour. And colour was not confined to the sculpture, but extended also to the architectural decoration. All the buildings of Doric order at Olympia are largely coloured in blue and red. The pillars are not coloured, but the triglyphs are of an intense blue, the abacus beneath them red. Of the cornices the cymatia have blue and red leaves alternately, and the viae are blue and red. It is clear from these very exact indications, that we shall always greatly misjudge Greek architecture and sculpture if we think of them as cold and colour- less. And although the colours of the ancients may seem crude, and their juxtaposition harsh, yet it is certain that the climate of Greece requires that the brilliancy of marble should be moderated by colour of a strong degree. The Athens of our day, because the mansions in it arc built of pure white marble, is most dazzling to the eyes, and all beauty of form in the buildings is lost amid the glare of the cloudless Athe- nian sky. A little to the north of the great Temple of Zeus was the Pelopium. The space between, as Pausanias says, as well as the precinct of the Pelopium itself, was a grove of trees and full of statues. The chapel of the chief hero of Olympia nestled close to the temple of the chief deity of Olympia, and there was the closest connexion between the honours rendered to Pelops and the worship offered to Zeus. But Pelops would seem to be the older dweller in the Altis. Close by, again, was the huge elliptical altar of Zeus, of which the base was of stone, but the whole of the upper part consisted of the ashes of victims moistened with the sacred water of the Alphcius. In the solid mass of ashes steps were cut, whereby men could mount to the summit of the altar ; but women, even at those Chap. IX.] Olympia and the Festival. 283 seasons when they might come within the Altis, were not allowed to walk on the ashes. A little farther still to the north was the Temple of Hera. The worship of Hera was quite as ancient at Olympia as that of Zeus, and belonged in a special degree to the people of Elis. The temple of the goddess was built in nearly the same form as that of the god ; but it was smaller and decidedly more ancient. Some parts of it were to the last made of the primitive wood, though in most parts the wood had decayed and been replaced with stone. In every respect Hera stood to the women of Elis in the same relation in which her lord stood to the men of Elis. The men had an athletic contest in honour of Zeus ; and the virgins of Elis ran races in honour of Hera. The Hellanodicae were picked from the tribes of the country, to conduct the festival of Zeus ; and women were chosen from the same tribes to preside at the festival of Hera, and, in addition, to weave every year a robe for the goddess. Of the Heraeum no sculptured remains exist, like those which bring before our eyes the glories of the Temple of Zeus. The marvellous riches which Pausanias beheld stored up within the temple, among which was the wondrous coffer of Cypselus, and the disk of Iphitus, on which was inscribed the proclamation of the Olympic truce, have disappeared. Only two important pieces of sculpture remain. Of these the first is the head of a large and very early statue of Hera herself. It may indeed belong to the primitive seated statue of Hera which Pausanias mentions, and which was set up as her representative in the temple as soon as ever the Greeks began to venture on anything more ambitious than the primitive pillars and xoana. The huge fiat face and rude features remind us of the earliest sculptures from 284 New Chapters in Greek History. [Chap. IX. Selinus, and make even the archaic Hera of the Ludo- visi gallery seem modern. The other piece of sculpture has already gained world-wide fame, and casts of it are everywhere. It is the statue by Praxiteles of Hermes carrying the child Dionysus, which Pausanias mentions as having been dedicated in the Temple of Hera, and which was found there by the German explorers lying on its face within the cella, broken indeed, yet with its surface almost uninjured, a wondrous contribution to our knowledge of art, and an addition to our pleasures for all time. The statues of the Parthenon belong to the school of Pheidias, and those of the temple at Tegea to the school of Scopas ; but we cannot lay our hand on any one of the figures and say, This is the veritable work of the great master. Of the works of Myron, Polycleitus, Praxiteles, we have many copies, some earlier and some later, some better and some worse. But we had nothing of which we were sure that it contained no misunderstandings and no embellishments of a later hand. Now for the first time we possess a work which may with reasonable certainty be attributed to one of the very greatest sculptors of antiquity, and for every line and touch of which we can hold him responsible. That this figure of Hermes is of surpassing beauty is acknowledged by all. Though it is wanting in the lofty idealism of Pheidias, and the boldness of dcsism and anatomical detail of the later Greek schools, yet it has charms of its own which strike every observer. Power and grace are mingled in charming proportions in the figure of the deity, and in his face is a sweetness of expression which is most attractive. The surface is admirably finished, and we find everywhere the origi- nality and absence of convention which ordinarily mark the work of a master-hand. We arc perhaps somewhat Chap. IX.] Olympia and the Festival. 285 surprised to find, that at a period in Greek art so com- paratively early as that of Praxiteles, every trace of archaic stiffness had disappeared ; that the god, indeed, may almost be said to lounge. And though there is no effeminacy in the form, we may find its softness and roundness of outline to exceed our expectations. But in that case, all we have to do is slightly to correct our notions of the art of Praxiteles. He seems to have entirely accomplished his mission of calling the gods down to earth, and thoroughly clothing them in the flesh of beautiful humanity. His style suited the Greek taste better than the loftier manner of Pheidias, and the effect it had on the whole Greek world was immediate and prodigious. The influence of Pheidias, as is the way when artists strike too high a note, spread but slowly in Greece ; but that of Praxiteles and Scopas may be traced at once in all parts of the Greek world, from Syracuse in the West to Lycia in the East. It is worthy of notice that on this statue also were found traces of colour. Lips and hair still retained a tinge of red, and on the foot there were remains of colour and of gilding ; indeed, a sandal of gilt bronze had been attached to it. Close to the Heraeum was the Prytaneum, the official house of the magistrates who had charge of the entire Altis. In it was an altar whereon the flame never died out, night or day. The burnt-out ashes were periodically removed and heaped on the great altar of Zeus which we have already mentioned. In the Prytaneum continual libations were made to a great variety of deities, and mystic songs were sung, of which Pausanias does not venture to give us the words. It was a sort of meeting- ground of all the deities who were held in honour by the people of Elis. In the Prytaneum also took place the feast given at the end of every festival to the various 286 New CJiapters in Greek History. [Chap. IX. victors by the people of Elis, a feast the materials of which were probably supplied from the flesh of the hecatomb of oxen which were slaughtered in sacrifice to Zeus. Thus the successful athletes became in a special degree the guests of the great deity of Olympia, and received honour from him in return for their labours in his service. The Heraeum was in the north-west corner of the Altis. As the stranger passed thence eastward along the northern border of the sacred enclosure, he would light on the only remaining temple which had a place in it, the Metroum, or shrine of the Mother of the Gods. The reason which induced the people of Elis to erect this temple in the very precincts of Zeus must remain unknown. The German explorations have ascertained the fact that it was not erected at an early period, indeed not before the time of Alexander, when many Eastern cults first found a home on Greek soil. But on whatever occasion the worship of Cybele was introduced at Olympia, it did not long continue, for in the time of Pausanias the building was without any statue of her, but full of those of Roman emperors. Beyond the Metroum was a long line of statues of Zeus, the pedestals of which still exist. These were erected out of the fines incurred by those competitors in the Olympic games who had acted un- fairly or violated the solemn regulations of the contest. Pausanias gives a list of the fines inflicted. We are astonished alike at the smallness of their number and the greatness of their amount, two circumstances which alike testify to the honour in which the games were held and the sportsmanlike spirit of the Greeks. Opposite to the Zanes, as the statues of Zeus were called, and the Metroum, were the treasuries of various States, wherein were stored the offerings which they or their citizens bestowed from time to time upon the god of Chap. IX.] Olympia and the Festival. 287 Olympia. The contents of these treasuries are of course gone, but the line of foundations remains. They were ' built in the form of small Greek temples in antis with pronaos and cella, and in some instances adorned with sculpture. Thus Pausanias tells us that the pediment of the treasury of the Megarians, which stood at the eastern end of the Street of Treasuries, was adorned with a re- presentation of the Battle of the Gods and Giants. And in fact, in taking down a rude wall erected in the Altis in Byzantine times for purposes of defence against the barbarians, several blocks of poros stone were discovered which are proved by many indications to belong to the treasury of the Megarians, and which certainly do offer us figures from such a contest. We may distinguish Zeus and Athena, Poseidon and Ares, with some of their opponents, and a monster of the sea who comes to the aid of Poseidon. Another treasury of peculiar interest, which has been protected from complete destruction by a fortunate landslip, is that erected by Gelo and his Syracusans in memory of the ever-memorable defeat which they inflicted on the Carthaginians' 1 on the very day, as is said, on which the battle of Salamis was fought in Greece. Three temples, a Prytaneum, and the Treasuries : such, together with numberless figures of deities and altars for sacrifice, and statues of victors and warlike trophies, were the contents of the sacred Altis in the period of Greek independence. Before passing outside the four walls which on all sides secured and shut it in from the outer world, we may for a moment glance at the changes which came over it at a later period. Indeed, in after time the fortunes and the calamities of Greece alike left their marks in the sacred enclosure. After the melancholy battle of Chaeroneia, Philip of Macedon erected in it a round temple, of which the foundations still remain. In 288 New Cliapters in Greek History. [Chap. IX. this temple were statues in gold and ivory, materials usually reserved for the gods, of Philip and his son Alexander, as well as of Amyntas, father of Philip, and of Olympias and Eurydice. Philip was very powerful at Elis, and in his day kings and generals were fast taking the place of the Greek deities, and appropriating the honours due to them. So of Demetrius and of Pyrrhus and of Ptolemy, the inheritors of the empire of Alex- ander, there were conspicuous statues near the Temple of Zeus. The sack of Corinth by Mummius, which concludes the chapter in Greek history opened at Chaeroneia, also left its traces at Olympia. It would seem that Mummius was not quite satisfied at heart with his work ; at any rate his offerings at Olympia were on a most profuse scale. The Temple of Zeus was hung by him with twenty-one gilded shields, and two large statues of Zeus in bronze were set up by him — being the first offerings, as Pausanias says, ever dedicated by a Roman. And when in the time of Hadrian and the Antonines material prosperity returned to Greece, a notable sign of it was erected in the Altis by Herodes Atticus, wealthiest and most beneficent of the later Greeks. This was a great reservoir of pure water, built in the Street of Treasuries, and flanked by two small temples, containing statues respectively of Marcus Aurelius and the younger Faustina. There had always been a difficulty at Olympia in procuring pure water, and that difficulty was finally overcome only when Greece was in its dotage, and past real enjoyment from any outward change. Then came the ravages of the Christians, who used the materials of the buildings of the Altis for their churches, and to form walls of defence against roaming bands of Goths and Slavs ; and then the havoc of the earthquakes which levelled the proud temples with the ground : and Chap. IX.] Olympia and tlie Festival. 289 then a degraded race who built their wretched cells all about the enclosure of any material that came to hand ; and then Turkish times, when lime-kilns were established on the sites of all the great Greek temples. When we think of such a series of ages of misery and fighting and ignorance, we are almost ready to be surprised, not that so little of Olympia remains to us, but that so much has escaped the grasp of successive swarms of plunderers and successive generations of barbarians seeking by every means to eke out a wretched existence. Around the Altis as a centre were grouped the other buildings used by the people of Elis and the Hellanodicae for purposes connected with the festival. To the north- west of it, between the Heraeum and the Cladeus, may still be seen the remains of a great palaestra. This is an elaborate edifice some 200 feet square, divided into a number of rooms and corridors. Vitruvius has left us a detailed description of the gymnasium of the Greeks, showing how the various rooms were grouped about the hall specially belonging to the Ephebi ; how one was devoted to the games of ball, in another was the corycus, a leathern sack hung up for pugilists to try their fists on ; how one apartment was devoted to the oiling of the athletes, another to the cold bath, and another to the hot bath. In other parts of the gymnasium were galleries with sanded floors for the wrestlers, and raised platforms round their sides, where trainers and friends could stand out of fear of the contact of the oily bodies of the athletes ; and besides, shady walks for the studious, and exedrae where the philosophers could hold forth among their disciples. The plan of the Palaestra of Elis corre- sponds to the words of Vitruvius. But Olympia was no place for philosophers. It was in the various gymnasia that the final preparations for the momentous struggles of the festival took place, and the feverish air which hung U 2 go Nezv Chapters in Greek History. [Chap. ix. over the place, and infected alike competitors and spec- tators, must have greatly indisposed them for unim- passioned dialogue and ethical niceties. Still on the ^ast of the Altis, but farther south than the Palaestra, lie the remains of a most interesting Byzantine church. The early date and excellent pre- servation of this building make it of great value to the enquirers who concern themselves with Christian anti- quities. But it is no less interesting to classical archae- ologists. The chapel is erected on the solid foundations of an earlier building. This earlier building lay exactly to the west of the Temple of Zeus ; its size and aspect are almost precisely those of the cella of the temple, and there was a very large door opening in the direction of the Altis. It is conjectured by the German excavators that this building was the celebrated workshop of Pheidias, wherein the great chryselephantine statue of Zeus was put together in a space and a light almost exactly corresponding to those which awaited it in the cella of the Olympieium. The piety of the people of Elis spared this workshop, and it was still shown in the . days of Pausanias as one of the most venerated buildings of the district. On the south of the Altis lay the Buleuterium, or Senate-house of Olympia. This is in shape a very re- markable building, and was erected piece by piece. From the sixth century B.C. dates one long narrow hall with apse. To this a second erection, of similar shape, was added in a few years. Then a smaller square building was set up between the two ; and finally, in Roman times, all three buildings were united together by a porch with colonnades. Greek architecture did not easily lend itself to enlargements. When a building had become too small for the purposes to which it was appropriated, it was necessary either entirely to pull it down and rebuild, or Chap, ix.] Olympia and the Festival. 291 to add a new building without. The strict architectural rules of the Greeks prevented them from altering the proportions of temples and halls. In the Senate-house sat the Olympian Senate, the body which was the final court of appeal in all matters relating to the festival — who inflicted fines on competitors, and to whom an appeal lay from the Hellanodicae. Within this build- ing, too, was the altar of Zeus, at which all competitors took a solemn oath to abide by the conditions of the contest, and to take no unfair advantage. After the oath their names were placed on the list, and read out to the assembled multitude. Here, too, was the treasury, whence the expenses of the feast and the sacrifices were defrayed. Along the whole eastern side of the Altis ran long pillared galleries, which furnished a retreat in inclement weather to the Olympian throng, and possibly afforded them shelter at night. At least we know that the Leonidaeum, which was in a line with these halls, was used as an inn by distinguished Roman visitors in the time of Pausanias. At the north-eastern corner of the Altis there was a covered way into the Stadium, which ran eastward from that point. It had been expected that the end or head of the Stadium would be placed in a recess of the hill of Cronus, such being the usual arrangement of the stadia of Greece. But such has not turned out to be the case here. The Olympian Stadium runs, not into the Cronion, but along at its base. And, in fact, in this way the hill would offer a better vantage- ground for spectators. It rises so steeply that the crowd could stand, row above row, to the very top of the hill, and obtain a clear view of the course from the starting- point to the goal ; though, of course, a less near view than could be had from the sides of the Stadium itself. These sides are specially made sloping for the con- U 2 292 New Chapters in Greek History. ["Chap. IX venience of spectators, so that as many as possible might see well. As they uncovered the marble slabs which marked the starting-place and the goal so eagerly looked forward to by the runners, the explorers must have felt such a pleasure as rarely falls to the lot of archaeologists. The last year of researches was as fruitful in results as any. On the west side more especially, between the Altis and the Cladeus, discoveries thickened. The Palaestra, of which mention has already been made, was cleared of earth, and the ground-plan laid bare, and another and larger gymnasium found farther to the south ; and, farther to the north, a whole series of buildings and spaces appropriated to special sports, stadia for runners, and spaces for the practice of spear-throwers, and for the use of the discus. The Heroum of the Seer Iamus was brought to light, and the altar used by his descendants in their professional divination ; also the foundations of numerous buildings used as residences by trainers and by athletes. When the celebrated eleventh day of the sacred month arrived, nothing was thought of but the athletic contest. Before the sun arose, every point of Cronion whence a good view could be obtained, every part of the Stadium, was thronged. Only the Hippodrome was deserted, for the contests of horses did not take place on the first day And the throng still stood in the deep dust, as the day grew hotter and hotter ; no one dared to leave his place for a moment, or it would be lost. Such light refresh- ment of food and drink as would support an abstemious Greek, each carried with him. No hats were allowed ; every man must appear bareheaded in the presence of Zeus. Only when the sun went down, and there was no more light thereby to continue the contests, the people trooped away to their tents, and to snatch a hurried Chap. IX.] Olympia and the Festival. 293 sleep before they thought of securing places for the next day. But neither heat nor dust, hunger nor thirst, could quench the general enthusiasm. At every skilful blow of a boxer, at every cunning throw of a wrestler, a tempest of cheers rent the air. And woe to the wretch who ventured on an unfair stroke, or who succumbed without a gallant struggle. He had to endure infinite cries of scorn until he escaped by flight from the hooting crowd. Fathers and teachers were near to encourage by their voices their sons and pupils who were engaged in the contests. We hear of one case in which a mother was present in male disguise to witness the victory of her sons. She was detected ; but the Hellanodicae, recog- nizing the irresistible force which urged a member of so athletic a stock into the neighbourhood of contests which touched her so nearly, left her unpunished. The water at Olympia was scarce and bad ; the assembled people must have suffered terribly from thirst ; but against another of the plagues of Greece, flies, they were protected, it is said, by a special interposition of Zeus, who, in reply to a prayer of Hercules, drove the flies across the river. We cannot wonder that, as the festival recurred, sacrifices were con- tinually offered to Zeus, the Averter of flies. In the times preceding the Persian wars, the whole of the Olympic contest had been crowded into one day. But at the seventy-seventh celebration, night fell before the contests were completed, and it was resolved to extend the time. After that, five days were occupied ; already Pindar, in one of his later odes, speaks of a five days' contest. Unfortunately, we cannot accurately trace the order in which the various competitions succeeded one another. The running probably came first, then the pentathlum, the decision of which occupied a consider- able time. Then followed the horse-races and chariot- races, and the boxing and wrestling came last of all. 294 Neiv Chapters in Greek History. [Chap. IX. Such, at least, seems to be the order indicated by Xenophon, who says that when the confederated Ar- cadians attacked Olympia in the midst of the 104th celebration of the festival, they arrived after the horse- races were over, and the running which formed part of the pentathlum, but before the wrestling. Pausanias says that in his time the running and the pentathlum pre- ceded the contests in which horses took part. In our brief description of the games we will follow this same order ; we will begin with the running and the kindred contests, then speak of the horse-races, and last of the wrestling and boxing. The foot-races all took place in the Stadium. They were in number four. There was the single course, wherein the competitors ran one length of the stadium or about two hundred yards ; the double course, in which they ran once up and once down the stadium ; the long race ; and the armed race, in which each competitor had to carry on his left arm a shield. In each of these races, if the number of entries was considerable, there were various heats, and the winners of the heats con- tended again in the final and decisive race. We know from vases the attitudes of the runners. Those who were running a long distance clenched their fists and held their arms close to their sides like our runners. But those who were contending in the short and in the armed race swung their arms with violence backwards and forwards at each stride, or rather each spring, pro- pelling themselves with their arms almost as much as with their legs. How this can have answered we scarcely know ; yet if the custom had not led to success it would surely have been discontinued. Next to the running came the pentathlum, which was, of all the contests, the most complicated. It comprised no less than five distinct competitions, and it would seem Chap. IX.] Olympia and the Festival. 295 that in order to secure victory, it was necessary to win in three out of the five. First came leaping. The leaper held weights like our dumb-bells, called halteres, in his hands. He probably leaped standing. The leap was measured in length, not height ; but as to the distance which a Greek athlete could cover we are in perplexity, being, as we said, unable to receive the statements of certain writers that fifty feet was sometimes covered. Next came the hurling of discus and spear. The discus, if we may judge from a specimen at present in the British Museum, weighed about twelve pounds. It was round and fiat, and a skilful athlete, by putting all his weight into the throw, would sometimes hurl it more than a hundred feet. The spear was thrown either with the hand or by means of a strap attached to it, as it still is in many countries. These three competitions — leaping, throwing the spear, and hurling the discus — were the chief and es- sential parts of the pentathlic contest They did not recur at any other stage of the festival, and it is probable that any athlete who vanquished his competitors in all three exercises was adjudged winner of the prize. But when, as more usually happened, the first place in these three exercises was secured by different men, then the final award was determined by the result of a farther com- petition in running and wrestling, although both running and wrestling had separate crowns reserved for them at other stages of the festival. Thus it was necessary that the athlete who entered for the pentathlum should be skilled in many forms of exercise ; and those who were distinguished in it were the most beautiful and accom- plished men of Greece. The horse-races at Olympia were very numerous. First in honour and importance was the race of four- horse chariots, wherein the kings and despots and the wealthiest of Greek nobles thought it an honour to be 296 New Chapters in Greek History. [Chap. IX. successful. Certain cities, such as Syracuse and Agri- gentum, were so proud of the victories of their citizens at Olympia that they adopted the victorious quadriga as the normal type of their coins. The family which secured a victory in the chariot-race at once acquired a certain standing, and was looked up to even in the most democratic cities. Yet this victory must have rested in a great degree with fortune. For, as all the chariots had to turn round a pillar at the end of the course, collisions between them were excessively common. The best chariots might easily thus be wrecked and the worst survive. Thus, when Dionysius the Elder, Despot of Syracuse, contended at Olympia in the chariot-race, all the other competitors agreed to crush his quadriga, in order that the prize might not fall to one who had inflicted so much injury on Greeks, and ruined so many cities. Besides the race of four-horse chariots there was a race of pair-horse chariots, of mule-chariots, of quadrigas of colts, and other chariots. Horses were also run out of harness. Philip of Macedon won in the single-horse race, and was so elated that he placed on his coinage the vic- torious horse, with a jockey on his back, and a wreath on his neck. This was in the same year in which his son Alexander was born and Potidaea fell into his hands, and he classed all three events together as splendid gifts of fortune. But of course at Olympia he won no stakes, only an olive-wreath, and the name of having been vic- torious in the sacred contest. To the equestrian contests succeeded wrestling, boxing, and the pancratium. The wrestling of the Greeks was as full of tricks and feints as that of modern times. As the Greeks wrestled quite naked, and rubbed themselves with oil before entering the lists, it must have been no easy matter to get a hold, and the ancients naturally thought a Chap. IX.] Olympia and tJie Festival. 297 good grasp the better part of the battle. We learn that victory was bought with three throws ; but it remains uncertain as to how throws were counted, and whether when the combatants had fallen they continued the struggle on the ground. The Greek boxers wound about their hands a strip of raw ox-hide, which seems to have been intended partly to protect the hand, and partly to moderate the force of blows, like our boxing-gloves. Certainly at its introduction it was not meant to inflict a cruel wound ; the nail-studded cestus was unknown to the Greeks in early times. Peculiar to the Greeks was the pancratium, a mixture of boxing and wrestling — a cruel combat, continued whether standing or on the ground, until one of the contending athletes acknowledged himself defeated. In these three competitions the competitors had, of course, to be drawn in pairs, and the Hellanodicae managed this in a very business-like manner. They put into an urn two tesserae marked A, two marked B, and so forth, the number of tesserae corresponding to that of the competitors. The athletes then drew each a tessera at random, and the two who drew an A had to contend together, likewise the two who drew a B, and so on. If there was an uneven number of competitors one would have a letter to himself, and so draw a bye. He was called the Ephedras. Of course the victors in the first round drew again for opponents in the second round, thus proceeding until only two were left in. When the toils and agonies of the Olympic contest were over, there followed the rewards of the victors. From the sacred olive-tree several branches, as many indeed as there were contests, were cut with a golden knife by a boy specially selected, both of whose parents must still be alive. Of each of these branches a wreath was made, and these wreaths were placed upon a brazen tripod in full $^ 29S New Chapters in Greek History. [Chap. IX. view of the people. On the fifth day of the contest, the fifteenth of the sacred month, a solemn assembly was held, and the victors came up in order to receive their prizes. They wound woollen fillets round their heads, and over the fillets one of the Hellanodicae placed the wreath, while another probably handed a palm. At the same moment a herald announced in loud tones the name and city of the athlete who was being crowned, together with the contest in which he had been victorious. On every announcement followed a burst of acclamation, and not the victor alone, but all his friends and relations felt a thrill of pride and delight, which extended even to all the spectators who could boast of being born in the same city. Then followed a round of feasting and sacrifices. All the gods, whose protection the athletes had implored before the contest, were rewarded with sacrifices by those who attributed the victory to their favour and assistance. Again the magistrates of Elis were lavish with offerings at the altars of the Altis. To Zeus himself a whole hecatomb of oxen was brought ; the victims were slaughtered, and with their flesh a great feast was made, a feast to which the people of Elis invited all the victorious athletes. Meantime, if these were wealthy, they would be, like Alcibiades, keeping open house for all their friends ; if they were not, they had but to choose whom among their friends and townsfolk they would honour by accepting in- vitations to their tables. The poets were called in to write odes in honour of the victors and of all their ancestors. Sculptors were called in to execute portraits of them in bronze and marble, to be placed in the Altis for the study of all future generations. As they moved about, dis- tinguished by the fillets they wore and their palms, they were ever the centres of admiring crowds, and followed by the eyes of all. Chap. IX.] Olympia a?id the Festival. 299 What became of the vanquished ? Of them we hear but little. But it is to be feared that the Greeks did not treat athletes who had manfully striven and failed of success with that respect which they merited. We may fear that they often incurred undeserved hissing and ridicule : cer- tainly they retired from the scene of contest, or hid them- selves in the throng, and tried to escape notice. Respect for a vanquished competitor could never be counted among Greek virtues. Soon Olympia began to empty. In groups and parties as they had come, the spectators dispersed. Only those who knew any of the victors formed a throng about him, in order to lead him home in solemn procession. Travel- ling, they beguiled their way with song and merry-making. And as they approached their native city they began to prepare for a splendid reception. In the city the success of the athlete had been already announced, and his ap- proach was expected. It was a white day ; no work was done, but all the population crowded out to welcome him who had brought home such honour. According to ancient usage, a part of the city-wall was thrown down in order that the hero might pass by a way not made vulgar by other footsteps. And so he entered to the notes of a triumphal song, written by a Pindar or Simonides and sung by the noblest-born of the city, passing over a path strewn with flowers towards the house of his father. Nor did the honours even then cease ; ever after the hero was a man to be followed and respected. The proudest and wealthiest houses sought an alliance with him in marriage, his voice was listened to with respect in council, and in war the place of greatest honour and danger was specially reserved for him. Such was the Olympian festival at its best, in the age between the Persian invasion of Greece and the Greek invasion of Persia. But it was not long before evil days 300 New Chapters in Greek History. [Chap. IX. came. The degradation of Greek athletic sports may be traced to several causes. The less pleasing of them — boxing and the pancratium — came more into favour and use, and at the same time changed their character. Boxing had, indeed, from early times been practised at Olympia, but was not at first savage in character. The early cestus was very unlike the cruel instrument made of iron and leather which suited the brutal tastes of the Romans, and which was even introduced in late times at Pytho and Olympia. The pancratium, in which two athletes were set together to fight with fists and feet and in wrestling until one confessed himself vanquished, must always have been a sport unfitted for gentlemen. At Sparta it was proscribed, it being contrary to the genius of the people that any one of them should allow that he was vanquished, even in sport. Yet for a time the victors in boxing and the pancratium are frequently men of the noblest and wealthiest Greek families, such as the Dia- goridae of Rhodes, and the wealthy Dorians of Aegina. It was only by degrees that the professional element among the competitors came in, and the gentlemanly spirit went out. The first Alexander of Macedon was proud to enter among the runners at Olympia ; the third Alexander was indignant when such a course was sug- gested to him. We cannot trace the change in detail, but only discern a landmark here and there. It was Dromeus of Stymphalus who, in the fifth century, substituted a meat diet for the previous regimen of cheese and figs, and ever after his time athletes who intended to be successful had to devour great quantities of flesh, a diet unnatural in the climate of Greece, and apt to produce sleepiness and slowness of wit. But it was Herodicus of Selymbria, a contemporary of Socrates, who ruined athletics, by introducing elaborate rules for eating and drinking and exercise. In fact, he Chap. IX.] Olympia and the Festival. 301 first made training into a system, and discovered the fatal truth that, by scientific tending, the human body can be made, not healthy and beautiful, but muscular, and adapted to this or that special exercise. He, no doubt, improved the speed of the races and the skill of the wrestlings, but he spoiled athletics as a means of education for life and happiness. After his time, victory at Olympia became a thing which had to be worked for by special methods, instead of being the crown of a career good in itself. The competitors ceased to be drawn from the better classes : probably many of them trained for the games in order that they might make a living afterwards as professional trainers, or in order that they might secure the more substantial prizes allotted to victors in the Hellenistic cities of Asia. Instead of being an element in the life of all, athletic sports became the whole of the life of a special class. We know that this lamentable change did not take place all at once. Sparta in particular, true to her high traditions, opposed all speciality in the matter of athletics. In that city new tricks in athletic contests, and new methods of training, were not allowed ; we even hear of youths who were chastised by the Ephori for attempt- ing finesse in ball-play. But in all countries that which secures success must succeed ; and there can be little doubt that the Olympian victory went more and more to the professional. At the same time a complete change comes over the sentiments of poets, philosophers, and the leaders of Greek thought in relation to the games. By an old custom of Athens an Olympian victor had a right to live at the public expense in the Prytaneum ; by an old Spartan law he had a right in battle to stand next the king. In the time of Pindar a victorious athlete was placed almost among the demi-gods, and Dionysius the 302 New Chapters in Greek History. [Chap. IX. Elder offered the athlete Antipater a large sum if he would allow Syracuse to receive the credit of giving him birth. But in the time of Plato, thinking men were beginning to find the reverse of the medal. Xenophon makes Socrates complain that excess in some one sport spoils the symmetry of the body, runners acquiring thick legs and feeble shoulders, and boxers large shoulders and weak legs. Socrates' disciple, Euripides, makes one of his characters declare athletes to be one of the greatest pests of Greece, and ask what throwing the discus and wrestling have to do with leading to wisdom and virtue. Perhaps in the strictures of this poet we may see too much of the sophist, who is inclined to value the intel- lectual faculties of his countrymen only, and to despise mere physical prowess. But some of the most distin- guished warriors of later Greece echo his sentiments as regards the value of athletes. Epaminondas declared that fleshy boxers and pancratiasts were of no use as soldiers, and dismissed them from his army. Alexander the Great cared not for athletic sports. When Philopoemen was urged to cultivate his natural gift of wrestling, he refused, saying that if he studied to become a better wrestler, he should become a worse soldier. Special diet and special training made athletes into a special class, and late writers do not tire of ridiculing them — their vast muscle and small wit, their extreme appetite for food and sluggish- ness in war, their sleepiness and stupidity. The great physician Galen sets his face against athletic training, though he of course thinks highly of bodily exercises. He declares the state of health of professional athletes to be most deceptive and precarious, and their strength to be of no use for any sound and practical purpose. We may, then, easily account for the contempt in which the Romans held the Greek sports. They knew them only after they had passed their best. They con- Chap. IX.] Olympia and the Festival. 303 sidered that athletic sports unfitted for war ; that they made men lazy, always hanging about the gymnasia, and quarrelling for want of something better to do. What specially disgusted the Romans was the Greek custom of entire nudity when at exercise. This custom suited neither the better nor the worse side of the Roman character. It offended the Roman sense of dignity and respectability ; and at the same time it did not suit the hard and brutal fibre of the nation. Certain ugly vices attended_ the practice at gymnasia even in Greece. Among the coarser Romans these same vices would, had they adopted Greek manners, have been conspicuously in the foreground, and that in their worst and most vulgar form. The Greek who was luxurious was so at least with something of refinement and grace ; but the Roman who quitted his native hardness and sank into luxury was a mere swine, a repulsive spectacle to all who were not entirely corrupted. From the time of Roman predominance to our own military exercises have superseded those which have reference merely to health and beauty. In most of the countries of the Continent it is still from military drill that the youth of the nation receives its physical train- ing. Among ourselves there has been a great revival in the practice of athletic sports, which now occupy in our schools and Universities a place which is, in the opinion of many teachers, too large and too honourable. Whether they will retain that place or not will probably depend on their capacity to acknowledge a limit. It was excessive training and extreme specialization which brought ruin on the athletic sports of Greece, which fell into disrepute so soon as they ceased to be a means and usurped the place of an end. As soon as it came about that a boxer must devote his life to boxing, and a wrestler to wrestling, and make himself fit for that at 304 New CJiapters in Greek History. [Chap. IX. the expense of becoming unfit for everything else, then all men of sense and dignity began to despise both boxing and wrestling. We need not surely apply the lesson to English sports, or point out to our own youth the danger and discredit which threaten their favourite pursuits, unless they take to heart the teach- ing of history, and pursue the middle course in which lies safety. ( 305 ) CHAPTER X. THE RELIEFS AND INSCRIPTIONS OF ATHENIAN TOMBS. At Athens the grave-stones of the ancient inhabitants are not only among the most interesting, but among the most extensive remains. Near Piraeus, through ali the Ceramicus, and in many other parts of the city, excava- tions have constantly brought to light a vast quantity of inscribed and sculptured slabs and columns, which have mostly, unlike antiquities of many other classes, remained at Athens, and now fill one wing of the new museum and the whole space in front. But there is a group of grave-stones of equal interest which are left standing, just where they were disinterred, by the old road which led through the gate Dipylon from Athens to Eleusis, the road annually trodden by the procession at the Eleusinia. These tombs, in size and beauty supe- rior to the rest, are preserved for us, as is supposed, by a fortunate chance.* Sulla, when he attacked Athens and remorselessly massacred the miserable inhabitants, made his approach close to the gate Dipylon. There he erected the long aggeres by which his engines were brought close to the wall, and there his soldiers threw down several hundred yards of the city ramparts, which were formed of sun-baked bricks. Hence a vast mass of ruin which completely overwhelmed and buried the lines of tombs immediately without the gate, and pre- * See F. Lenormant's Vole Eleusinieime, vol. i. X 306 New CJiapters in Greek History. [Chap. X. served them almost uninjured until one day when they were once more brought to the light by a French archaeological expedition in the year 1863. The sudden- ness with which these monuments were overwhelmed is indicated by the fact that some of them were and remain unfinished ; the completeness of their disappear- ance is proved by the silence of Pausanias the traveller, who, passing through all quarters of Athens in the time of the Antonines, would appear to have seen no trace of them. All of the monuments in this group are of course indubitably Athenian, and furnish the best materials for the present paper. Of the stones in the museum it is sometimes impossible to trace the finding spot ; some are Boeotian, some from Peloponnesus, some from the Islands. But the great majority are of Athe- nian origin. Of the longer inscriptions a large proportion are from the tombs of foreign residents at Athens. I propose to consider in the case of these grave-stones two points, firstly, the reliefs which they bear ;* secondly, the inscriptions engraven on them. Amongst the earliest of Athenian sepulchral monu- ments is the often-cited stele of Aristion. It represents the deceased on a scale somewhat larger than life, as standing clad in full armour, spear in hand. The ground of the relief is red ; traces of colour may be seen, or rather might at the time of discovery be seen, on many parts of the body, and holes may be observed made by the nails which fastened armour of bronze on to the body. The design or idea of this slab differs not much * On the subject of these reliefs there is no complete work, but several monographs, the best of which are those of Friedlaender and Pervanoglu, and a chapter by Furtwaengler in his Collection Sabouroff. Recently has appeared the earlier part of the Corpus of Attic Sepulchral Reliefs, edited for the German Institute by Dr. Conze. Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 307 from that of a portrait statue. Clearly in early Greek times, for this statue is given to the very beginning of the fifth century. B.C., the survivors wished to see" in the monument the dead, as it were, still living among them, still to be seen in his daily dress, and about his daily business. But it is from the later fifth, and the fourth centuries before the Christian era, that we inherit the great mass of the sculptured tomb-stones which crowd the museums. No one can spend a few hours among these without perceiving that the representations fall naturally into four or five classes. The first and the most extensive class consists of formal groups wanting in distinctive character, which display the dead either alone or in company with others. The companions, where there are such, are sometimes other members of the family, sometimes slaves or at- tendants, who, in accordance with the well-known canon of Greek art, which gives larger stature to the person of more importance, are always represented as of diminu- tive size. Sometimes the companion is not a person at all, but a favourite animal, a pet dog or bird. Such subjects are common in Macedonian times. The group- ing is usually simple and graceful, the attitudes natural and unforced, the movements, if movement there be, measured. But the execution is not of the best, save in a few remarkable cases, and there is a want of invention, nay, there is even vulgarity, in the designs. Pausanias mentions sepulchral reliefs by the great artists, and a few of those which have reached us are of very fine execution : but this is quite the exception. Like our modern photographers, the inferior Greek artists who usually did this kind of work had a few cardinal notions as to possibilities of arrangement, and could not easily be induced to depart from them. I will give x 2 308 Nezv Chapters in Greek History. [Chap. X. the details of a few reliefs of this class, (i) A seated lady, who with her left hand holds the end of the veil which covers her face ; before her stands a man, facing her. (2) A pair of sisters, Demetria and Pamphila. Pamphila is seated, and turns her head towards the spectator ; with her right hand she grasps the end of her veil. Demetria stands over against her, her right hand folded across her breast, and grasps her veil with her left hand. (3) A man clad in long himation stands, in his hand a scroll. In front of him stands a small male figure, naked, holding a vessel, perhaps an oil-flask. The scroll which the master holds and the flask of the slave seem here to have as little meaning as the books and the flower-baskets of photographic rooms. (4) A mother clad in flowing Ionian drapery is seated to left. Her left hand rests on the seat ; with her right she lifts something from a little toilette-box which a servant holds out. Round her knees clings a little girl. (5) A lad stands clasping to his breast a bird which a snake at his feet threatens and springs upward to reach. In other reliefs we find a dog in the place of the snake ; some- times a dog is standing elsewhere in the picture. Tame birds would seem to have been the usual playmates of Athenian children, and tame dogs the constant com- panions of young men, while in many houses a favourite which would be rarely appreciated in England, a snake, was nurtured. As this is the commonest class of reliefs, so it is the least original. But it is by no means rare to find on sepulchral slabs a more exact reference to the past life or the habits of the dead. Sometimes we are told more than the bare fact that the departed was father, mother, wife, or sister — was young, old, or in the prime of life. I select the following: — (1) A youth, naked, or wearing the light chlamys only, stands holding in his hand the strigil and Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 309 oil-flask, those invariable accompaniments of gymnastic exercises among the Greeks. No doubt the survivors, who chose the design, wished to indicate that their friend was prominent in manly sports and labours. In this, the field of his best energies, they wished him still to seem to live. (2) A young man, clad in a chlamys, charges with spear advanced a wild boar, which is coming out of its lair; at his side is a dog, which leaps forward at the quarry. Above, on a rock, stands a deer. We see at a glance that this is the tomb of one who loved the chase. (3) On a rock sits a man in an attitude of grief; beneath is the sea, and on it a boat with or without sailors. It is a generally received opinion that monuments of this character were set up over those who had been wrecked at sea. (4) A young rider, clad in the light chlamys of the Athenian cavalry, charges, at once trampling beneath his horse's hoofs and transfixing with his spear a fallen foe, who tries in vain with his shield to ward off the at- tack of his triumphant enemy. From the accompanying inscription we know that this monument was erected in honour of Dexilaus, one of the five horsemen at Corinth — that is to say, as is supposed, one of the five horsemen who did some notable deeds of valour in the battle under the walls of Corinth, in which the Athenians were en- gaged in the year B.C. 394. The relief thus dates almost from the best time of Attic art, and it is worthy of its [time. It does not, of course, represent the moment of the death of the young warrior ; we see him strong and I triumphant, such as his friends would fain have seen him j always ; to show him fallen would have suited an enemy rather than a friend. (5) Another relief, although set up jin honour of a man of Ascalon, is clearly of Athenian handiwork and design. A sleeping man rests on a jcouch. Close to his head rises on its hind-paws a lion, 'who is clearly ready to slay or carry him off. On the 310 Nezv Chapters in Greek History. [Chap. X. other side of the couch is a warrior who attacks and re- pels the beast. In the background appears the prow of a ship. From a Greek metrical inscription which ac- companies this relief, it would appear that the Phoe- nician stranger here buried had incurred great peril at some previous period of his life from the attack of a lion, who seems to have surprised him resting on the shore, but who was driven off by the timely arrival of friends just landed from their ship.* (6) A man and his wife, both muffled in ample garments, advance towards the spectator. Between them advances a priestess of Isis, clad in the dress of her calling, holding in her right hand the sistrum, in her left the vessel of sacred water. It is possible, the inscriptions which accompany this re- presentation being illegible, that the monument was erected to a father and mother, and to their daughter devoted to Isis. Or it is possible that we have here expressed in a symbolical form the devotion of a man and woman to that mysterious worship which spread in Ptolemaic times from the bank of the Nile over all lands, and their firm trust that in the next world Isis would recognize and protect her worshippers. Such are a few specimens of the reliefs which give us more precise information with regard to the lives and habits of the dead. In the same way, those who had devoted themselves to a profession appear on their tombs with the badges of that profession ; physicians, for instance, with the cupping-glass and other instruments of their daily use. And in this matter it is clear that the Athenians merely followed one of the most natural of all instincts leading to a custom common among all nations. Thus in the Odyssey, the ghost of the drowned oarsman, Elpenor, begs Ulysses, when he reaches the * I should say that another explanation of this relief is given by Dr. Wolters in the Athenien Mittheilungen for 1SS8, p. 310. Chap. X.] Reliej r s and Inscriptions of Athenian Tombs. 311 island of Aeaea, to raise a tomb to him, and to fix on it the oar he was wont to wield. And thus, even in our own day, what device is commoner on a soldier's grave than sword and cannon, or on a painter's than palette and brush ? But although the sculptors of tombs usually designed references to the past life of those they commemorated, such was not always the case. After all, past was past, and it were idle to deny that the moment of death brought a vast change over everything. The next class of reliefs have reference to the fact and the moment of death. Among the Romans that fact was symbolized in art frequently by sleep ; and among all Christian nations it has become usual to speak of death in meta- phorical language borrowed from the rest of night. But it was not usually merely as a deeper sleep that death presented itself to the imagination of Athenian sculptors. They considered death rather as a departure, a going far away from and losing sight of one's family and friends. Scenes of leave-taking are among the most frequent of all sepulchral reliefs. I am not, however, sure that this leave-taking is quite consciously adopted as the image of death. Indeed, all images of death were somewhat distasteful to the joyous sensuousness of Athenian taste. But when an artist had to represent the dead and the surviving friends of the dead in a group, this posture of farewell, which must have been one of the most usual and natural to think of, seems to have frequently suggested itself, and, in virtue of its inherent appropriateness to the occasion, to have become more and more common. This leave-taking presents itself in the least intrusive and gentlest form in those representations where a lady appears dressing herself with the assistance of her maids for an out-door journey, throwing over her head the ample veil, and perhaps hand- 312 New Chapters in Greek History. [Chap. X. ing to an attendant nurse the babe whom she cannot take out into the open air with her. Sometimes the preparations are more advanced ; the lady sits or stands veiled and prepared for a journey, and gives her hand to husband or father who stands opposite. Sometimes two men grasp hands as if about to travel in different directions. Occasionally a horse appears in the back- ground which is destined to carry away the master of the house. In this very introduction of the horse we see how much the notion of travel preponderates in those scenes over that of death. For the horse was not directly connected by the Greeks with death. The rider on the pale horse had yet to be introduced to the popular imagination by the writer of the Apocalypse, who must have borrowed from a non-Hellenic source. Dwelling closely hemmed in by the sea, they never thought of the dead as travelling to other worlds by land, but usually as going over the waves mysterious and vast to some distant island, or perhaps as penetrat- ing into deep abysses of the land. But for journeys from town to town in Hellas, the horse was the appropriate conveyer. And the horse seems in many cases to signify the knightly rank of the dead. The old opinion of archaeologists with regard to these scenes of farewell, an opinion grounded on in- sufficient induction, was that in them the dead were represented as seated, the survivors as standing and taking leave of them. It is now acknowledged that this is not the case. It is true that most commonly in the groups one is seated, while of the standing figures one grasps his or her hand. But a careful study of the accompanying inscriptions proves that it is sometimes the dead person who stands while the survivor sits ; and again, in other cases both the dead and the living stand, while sometimes, again, of the several dead persons com- Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 313 memorated some stand and some are seated. The fact is that any pedantic rule of uniformity is put out of the question by the circumstances under which sepulchral reliefs were designed and executed. It was essential to the composition of a group, thought the artists, that some of the figures should stand and others sit ; but the question which should do which was settled, not by a desire to convey a careful meaning to the eyes of beholders, but by the study of a little graceful variety, within somewhat narrow limits, and the influence of every-day custom which made it far more natural and usual that a woman should be seated when taking leave of a man, than a man when taking leave of a woman. Sometimes a little life breaks in on the formality of the group. Children cling about their mother's knee, or daughters stand by in an attitude betokening their grief; but those circumstances which might move emotion in the spectator are quite banished or kept sedulously in the background. Here, as ever, the Greek abode by that motto, " Nothing in extremes," which expresses the ultimate law of all his art. In the later periods these scenes are common at Athens as in other parts of Greece. But the numerous and well-known reliefs which represent a feast or ban- quet certainly do not originate in Attica, nor do they belong to the circle of Athenian ideas : their origin is rather Peloponnesian, and we may best treat of them in the next chapter, in connection with the grave-reliefs of Sparta and Boeotia. Into these representations of life a faint allusion to death, a slight ^flavour of mortality is often introduced. We sometimes see an urn set up in a corner, such an urn as received the ashes of the dead ; or the tomb which bears the relief was made in the form of a water- pot, as was the case, as we are told by Demosthenes, 314 New CJiapters in Greek History. [Chap. X. with those who died unmarried. Like the skeleton at an Egyptian feast, this urn would seem meant to show- that in the gayest ' moment of life death hovers near, waiting to strike. If a babe in swaddling-clothes is represented in the scene, the meaning is that the mother died in giving birth to it. The same moral is conveyed in other cases, by the appearance at the side or in the fore- ground of a snake entwined round a tree ; the snake being the companion of the dead, sometimes even the embodi- ment of the dead man's spirit or ghost. And in scenes where there is no allusion to death so concrete or con- ventional as the above, there is over all an aspect of grief and dissatisfaction. Children or slaves are weep- ing without apparent cause, or women stand with an arm folded across their breast, their head resting on a hand, in an attitude consecrated by the Greeks to sor- row, not as among us to mere reflection. There are a few instances to be found, even among works of the fifth century, in which the moment of dying is portrayed, with the grief of those standing by ; but this is very excep- tional, and even here considerable reserve is exercised. All the scenes of which I have spoken have this in common, that they represent to us the deceased, w r ith or without the living. But sometimes, though rarely, the Greeks substituted for these groups a merely symbolical figure of an animal or some fabulous creature. On a tomb at Athens, erected in memory of one Leon, stands a marble lion, evidently in punning allusion to his name. Over the tomb of the celebrated courtezan Lai's, in the suburbs of Corinth, was a group representing a lioness standing over a prostrate ram, a symbol the reference of which to the extraordinary career and splendid success of the woman is evidently appropriate. Stone snakes often guarded a tomb, in imitation of the living snakes sure soon to glide about it, on the same prin- Chap. X.] Relief s and Inscriptions of Athenian Tombs. 315 ciple on which, when the Athenians sought a floral decoration for a stele, they sometimes chose the acanthus, which is notable for freely growing among stones. But it was especially the forms of female monsters, sirens, sphinxes, and harpies, which were selected for the adorn- ment of tombs. All these were spoken of in legend as fatal evils, carrying off to death young men and maidens. The sirens especially slew the young after attracting them by the sweetness of their singing, and so well became the graves of those who were lost in the mid ardour of their pursuit of the delights of youth. In modern Greek superstition their place is taken by the Anerades or Nereids who carry away the young, as of old they carried away young Hylas the friend of Heracles, as he fetched water from a well. Battles of heroes and Amazons, Dionysiac revels, and mythological scenes, occurring on sarcophagi, belong to Hellenistic and Roman times, and represent phases of thought quite other than those suggested by the reliefs inspired by early Greek feeling. It is extremely seldom that any mythological subject is found on Greek tombs at all. Charon, with his boat, sometimes appears in the foreground. And in another very interesting represent- ation, which however is not Athenian, Hermes appears as the conductor of souls, leading gently by the hand a young girl to the future world. So small is the part played by the gods in sepulchral scenes. Not a trace appears of scenes of future happiness or misery, no allusion to that future judgment of souls which is so prominently brought before us in Egyptian pictures. Only, in times when the Egyptian worship of Sarapis and Isis had penetrated to Athens, and served there to impart purer and higher views as to future punishment and reward, we do sometimes find the priestess of Isis going before the departed with all pomp of worship to 316 New CJiapters in Greek History. [Chap. X. guide them through the perils of the last journey, and lead them to a safe resting-place. But these scenes only illustrate the triumph of the religious notions of the Egyptians over the susceptible Greeks, at a time when their national city life was extinct, and they were driven by the fewer attractions of the present life to think more about the possibilities of the next. It seems to be desirable, in view of the unfounded assertions so frequently set forth on the subject of Greek art, to gather what light we can on that most interesting subject from the facts above summarized. In doing so, however, it is above all things necessary to bear in mind the conditions under which sepulchral monuments were designed and executed. And first, it is quite clear that where several persons who died at intervals are buried in one tomb, they cannot all have been adequately represented in the relief, which would naturally be the production of a single time. A citizen dies, and a relief is erected over his body, perhaps representing him as taking a farewell of his wife, while his infant son stands by. This same son, may be, dies in middle life and is buried with his father, and an epitaph is inserted on the monument stating the fact. It may thus happen that a man of thirty or forty may appear in the sepulchral relief as an infant. Such slight inconsistencies are inseparable from the nature of these monuments. But it must be confessed that sometimes between inscription and sculpture there are contradictions which cannot be thus easily explained, and which raise serious reflections. The fact is that the conviction is forced upon us by the comparison of a multitude of instances, that very often the relief placed on a tomb did not possess much re- ference to its contents. There can be no doubt that the more ordinary sorts of representations were made in numbers by the sculptors, and, as we should phrase it, Chap. X] Reliefs and Inscriptions of A tJienia?i Tombs. 317 kept in stock by them for customers to choose from. And if the would-be buyer found a group of which the general outline and arrangement suited him, he would scarcely decline to purchase it because it was not entirely appropriate, because it made his wife look twenty years too young, or even turned the boys of his family into girls. Those who are let into this secret will not be sur- prised if they occasionally find a subject repeated exactly on two tombs without variation, nor if a sculptured group is little in harmony with the inscribed list of the dead. Even in those cases in which a relief was executed by special order on the death of a person, a relief adapted in plan and intended in details to represent the deceased happy amid his family or pursuing his favourite avocation, we must not expect too much. Even here, the sculptor confines himself to a gene- ralized or idealized representation. Probably he knew nought of the dead, and certainly he took no pains to exactly imitate the living. Hence the same con- ventional types, the bearded man, the veiled woman, the girl, the infant, repeat themselves almost without variety, through all the Macedonian period of Athenian graves. The men who appear on sepulchral reliefs of the same period are as much like one to another as the horsemen of the frieze of the Parthenon, or the fighting heroes of the Aegina pediments. In Roman times this is far less the case ; but among the Greeks of the fourth and third centuries B.C., the artist was careful only of the type, and careless of the individual peculiarities. Nevertheless it is quite an error to suppose that the Athenians were all cast in one mould. They differed one from another almost as much as an equal number of Englishmen taken at random. And of this proof is extant in their surviving portraits. There still exists at 318 New Chapters in Greek History. [Chap. X. Athens a remarkable series of portraits of those citizens who in succeeding years undertook the office of cosmetes. This series stretches over a long period, and though it is true that that period belongs to the decline, not the flourishing greatness of the city, and Athenian blood may then have been mixed with that of other races, yet the type cannot have disappeared. Taking these statues then as portraits of some of the most prominent Athenian citizens, and probably some of the purest- blooded, what do we find ? One head is almost African in type, with thick lips and woolly hair ; one face might be taken for that of an English judge ; one for that of an Italian street-musician. We may safely affirm that an Athenian crowd of the period must have contained as many widely divergent types as an English or French one. So of the Greek princes who reigned during the third and second centuries before the Christian era over the disjecta membra, the fragments of the Empire of the Great Alexander, we possess quite a portrait gallery in their numerous and excellent coins. Here, too, we find the widest variety of type, many coins presenting to us heads which no one whose knowledge of Greek art was superficial would suppose to be Greek at all. But although individual Greeks differed thus widely one from another, and although, in the Alexan- drine times of Greek art, artists quite understood the art of taking portraits, yet throughout the forms and features of those sculptured on tombs are quite conven- tionally rendered. And in nothing does one see more clearly than here the blending of Attic good taste with Attic superficiality and dislike of too deep or too per- sistent emotion. For a tombstone calling up in a general way past life and past happiness would be a constant source of emotion, gentle and melancholy, but not too intense in degree ; while the sight of the very features Chap. X.] Relief s and Inscriptions of Athenian Tombs. 319 of dead father, mother, wife, or child would be too startling and cause far more pain than pleasure. We moderns are less afraid of pain, and, when we place on tombs any representation of the dead at all, make it as exact a likeness as we can. But most, even now, prefer a mere slab in the graveyard and a portrait in the family-room or the bedroom. The sources of these generalized types of man, youth, woman, and child are of course to be found in the common feeling of the Hellenic nation working through the brains and hands of the ablest statuaries. As in the accepted type of Zeus, the Greek sculptures embodied all that seemed to them most venerable, wise, and majestic ; as in the accepted type of Apollo they combined youthful beauty with supreme dignity ; so in the accepted type of matron they strove to embody all the matronly virtues, in the young girl all childish grace and promise, in the bearded man the dignity and self-control of a worthy citizen, such as Aristides or Epaminondas. The type was fixed in the case of human beings, as in the case of some of the Hellenic deities, by the sculptors of the generation which succeeded those who had fought at Marathon and Plataea, and altered but little after that until the collapse of Hellenic independence and Hellenic art. Goethe has expressed, in a passage which cannot be too often quoted, the ultimate truth about Greek sepul- chral reliefs : — " The wind which blows from the tombs of the ancients comes with gentle breath as over a mound of roses. The reliefs are touching and pathetic, and always represent life. There stand father and mother, their son between them, gazing at one another with unspeakable truth to nature. Here a pair clasp hands. Here a father seems to rest on his couch and wait to be entertained by his 320 Neiv Chapters in Greek History. [Chap. X. family. To me the presence of these scenes was very touching. Their art is of a late period, yet are they simple, natural, and of universal interest. Here there is no knight in harness on his knees awaiting a joyful resurrection, The artist has with more or less skill pre- sented to us only the persons themselves, and so made their existence lasting and perpetual. They fold not their hands, gaze not into heaven ; they are on earth, what they were and what they are. They stand side by side, take interest in one another, love one another ; and that is what is in the stone, even though somewhat unskilfully, yet most pleasingly depicted." * It is a proof at once of the genius of Goethe and of his keen sympathy with all that is truly Greek, that at a time before Greek art was half understood, he was able to judge from the few inferior specimens known to him of the general character of these sepulchral reliefs. That on which he lays his master-hand is certainly their most essential character. Their whole aspect is turned, so to speak, from the future to the past, and from heaven to earth. We whose ancestors have been, for some twelve hundred years, taught constantly that death is but the entrance to wider life, that the world is a place of pro- bation and preparation for eternity, can scarcely place ourselves in thought in the position of men who seem to have found the world charming and delightful, and to have been well satisfied with it, preferring to let their minds dwell on the enjoyments of the past rather than on a future which at best was a cold and gloomy echo of the present world. It is not that they disbelieved in the unseen world, or thought that the soul died with the body ; such scepticism was perhaps rarer in antiquity than in modern times, and confined in antiquity as in modern times to a few of the highly educated. But * Italienische Reise, ii-propos of the museum at Verona. Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 321 that inevitable future occupied comparatively very little of their time and thought ; it was a cold shadow to be kept out of sunny life as much as might be. And when it was thought of, it was thought of without very much either of hope or fear. Terrible punishments in it were reserved for terrible criminals, supreme pleasures for the supremely good, but for ordinary mortals an ordinary fate was reserved, a sort of ghost or echo of their mortal life, made up, like that, of pleasure and pain, but with both pleasure and pain diluted and made ghostly. From discontent with life and repining at the lot assigned by fate, the Greeks would seem to have been singularly free, and no nation ever thought life better worth living. I shall have more to say on this subject further on. It remains to speak of the inscriptions which accompany or even take the place of the reliefs, and which have some- times a considerable interest for us. It will be conve- nient to quote these inscriptions in English ; those who wish to compare the original Greek can easily do so in the complete work of Kumanudes.* If we turned to the Greek Anthology, we could no doubt find epitaphs of a far more elegant and finished character than those which appear on the graves them- selves ; but the compositions of the Anthology are merely epideictic, exercises of ingenuity without any such real interest as belongs to epitaphs really used. There are in the British Museum two sepulchral in- scriptions on public tombs of considerable interest. Of these one contains lists of all the citizens who fell in a single year at the various places where Athens was carry- ing on war. We learn from Thucydides and Pausanias that it was the Athenian custom thus annually to honour * 'Attiktjs 'E7riypu(£cu 'Ettitvu^ioi. Athens, 1871. See also the Corpus Inscriptionum Atticarum ; and Kaibel, Epigrammata Graeca ex lapidibus coulecta : 1878. Y 322 New CJiapters in Greek History. [Chap. X with a public monument all those who had in the pre- vious year fallen in the battles of their country — a custom which must have nerved for death many a soldier's heart, as he reflected that he was sure, if he fell, of a sort of immortality before the eyes and in the memory of his countrymen. The other inscription,* which was written under a relief representing three warriors, com- memorates those Athenians who fell before Potidaea, in the year B.C. 432. It runs thus : — "Thus to the dead is deathless honour paid, Who, fired with courage hot, in arms arrayed, Felt each our fathers' valour in him glow, And won long fame by victory o'er the foe. " Heaven claimed their souls, in earth their limbs were laid, Yet past the gates their conquering charge they made ; Of those they routed some in earth abide, Some in strong walls their lives for safety hide. " Erechtheus' city mourns her children's fall, Who fought and died by Potidaea's wall, True sons of Athens, for a virtuous name They gave their lives, and swelled their country's fame." The smallness of the number of public epitaphs at Athens is well compensated by the abundance of private ones, of which upwards of 4,000 have been already pub- lished, while every year brings a multitude of fresh ones to light. I will attempt to class these, as I did the reliefs. The commonest inscriptions by far are those which simply record, in the case of a man, his name, his * Corpus of British Musaun Inscriptions^ i. p. 102. The reading of the first few lines is very doubtful. I follow Mr. Hicks. Chap. X.] Relief ~s and Inscriptions of Athenian Tombs. 323 father's name, and his deme or township ; in the case of a woman, her name, that of her father, husband, or husband and father, with their respective demes. Of the numerous epitaphs which remain, perhaps nine out of ten are of this simple character. Sometimes they accompany reliefs of an elaborate character, or are placed on tombs of great size and pretensions. Than such an epitaph nothing could possibly offend less against good taste, and it was pro- bably thought somewhat sentimental and gtisliing at Athens to indulge in a longer metrical sepulchral in- scription. When longer inscriptions occur, they seldom bear much sign either of taste or education. Their grammar is often doubtful, and, when in metre, they halt terribly. They clearly belong to the same class of compositions as the lame verses which abound in English graveyards. In the case of very early reliefs we find usually not only the name of the dead, but also of the artist who did the work. In later times this custom dropped, and we have scarcely in any case a clue to the name of the sculptor. This fact is the more curious, inasmuch as in other remains of antiquity, such as gems and coins, to insert the artist's name becomes more usual as we approach the best time of art. Not many epitaphs of an earlier period than the year B.C. 400 are preserved, nor are these, except in the case of public tombs, of special importance. One is interesting to students of epigraphy as it bears an exact date, the year B.C. 430, when the plague, following in the wake of the Peloponnesian army, invaded Attica : " I am the tomb of Myrina, who died of the plague." Another, of an ordinary Attic type, has a grace and charm which is seldom absent from the earlier productions of Attica : — " Let the reader pass on, be he citizen or stranger from afar, having pitied for a moment a brave man who fell Y 2 324 Neiv CJiapters in Greek History. [Chap. X. in battle and lost his young prime. Having shed a tear here, go by, and good go with you." To the period between the falling of Athens into Lysander's hands and the times of the Roman Anto- nines belongs the vast body of the epitaphs. A more exact chronological classification is neither easy, it being especially hard to determine the period of those inscrip- tions which are not accompanied by reliefs, nor necessary. It is best to divide them into classes, not by a determina- tion of date, but rather by a consideration of drift and content, and to consider all as belonging to one long period, a period when the Athenian Empire had indeed passed away, and external conquests were not to be hoped for ; but when Athens still ruled in the realm of mind and attracted to herself the flower of the culture of Hellas and the world. I have already said that the commonest sort of inscriptions comprised only the name of the dead, his father's name, and that of his deme. But not unfre- quently a few words of comment were added. The person who paid for the erection of the tomb liked to see some record of his liberality. Thus a stone marks the spot where " His sons buried Julius Zosimianus, the head of the School of Zeno," that is, the head of the Stoics of Athens. Another records that " Polystratus set up this portrait in memory of his brother." We frequently find the trade or calling of the deceased mentioned in his epitaph. One Heracleides is stated to have been the greatest master of the catapult, a war- like machine which seems to have required some skill in the handling. Many other trades are mentioned in connection with the dead. One was a bathing-man, another a mid-wife and physician, another a 'priestess of the all-producing Mother, probably Cybelc, another second in rank in joyous comedy, another a bull-fighter. On one tomb the record ends quaintly, after mentioning Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 325 that the grave contained one or two named persons, with the phrase, " also the others who are represented in the relief," where the stonemason or his instructor seems to have grown tired of a bare list of names, and stopped short in the midst. The longer inscriptions which are found on Attic gravestones, if we except only the class of minatory or deprecatory epitaphs, which I reserve to the last, are in metre. To this rule there are few, if any, exceptions, so that the ancient epitaph-writer could at least, unlike the modern, claim the saeva necessitas as a reason for at- tempting a metrical composition. I shall, however, ren- der into English prose rather than verse the specimens of these selected for purposes of illustration, as it would convey quite a false impression if I were to disguise their oddities and crudities under the smooth mantle of English heroic verse. The metrical epitaphs are of four kinds. Those of the first kind are in the form of a dialogue between the dead and the surviving friend, or in some cases of a mere direct address to the dead. The simplest form which such an address can take is the ^prjare %atpe — " Farewell, lost friend " — which is so usual on tombs of a certain period, but which does not, apparently, appear on any which belonged certainly to an Athenian. Of this simple and touching phrase we find a number of metrical amplifica- tions : — " Farewell, tomb of Melite ; the best of women lies here, who loved her loving husband, Onesimus ; thou wast most excellent, wherefore he longs for thee after thy death, for thou wast the best of wives. Farewell, thou too, dearest husband, only love my children." But an inscription of this kind is necessarily of a late period, and but little in accord with the canon of fashion- able taste. More usual and less emotional is the following, 326 New Cliapters in Greek History. [Chap. X. which details a conversation not with the dead, but with his tomb : — " Whose tomb are we to call thee ? That of famous Nepos. And who of the children of Cecrops begat him ? say. He was not of the land of Cecrops, but from Thrace." Another epitaph, after proceeding in verse, suddenly breaks into prose : " And if you seek my name, I am Theogeiton, son of Thymochus of Thebes." Of course it is quite natural that the tombstone should thus speak in the first person in the name and on behalf of the deceased. In some of our commonest English epitaphs such as " Affliction sore long time I bore," we find the same peculiarity ; but that a grave-stone should give information in reply to cross-questioning is less usual. The second kind of metrical inscriptions, which is by far the most numerous, speaks of the past life and his- tory of the deceased. Thus over the grave of a soldier we find : — " Of thy valour stands many a trophy in . Greece and in the souls of men ; such wast thou, Nicobulus, when thou leftest the bright light of the sun and passedst, beloved of thy friends, to the dwelling of Persephone." Other triumphs besides warlike ones are elsewhere recorded ; on the tomb of one Praxinus, the doer, we read the punning epitaph : — "My name and my father's this stone proclaims, and my country ; but by my worthy deeds I attained such a name as few may obtain." We are not aware in this case to what special kind of deeds the inscription refers ; often it is more explicit as in the following, erected over a young statuary : — " I began to flourish as a statuary not inferior to Praxiteles, and came to twice eight years of age. My name was Eutychides,* but that name fate mocked, tearing me so early away to Hades." * Child of good luck. Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 327 On the tomb of one Plutarchus, who seems to have been a merchant, we find a brief history of his life : — " This is the tomb of the discreet Plutarchus, who, desiring fame which comes of many toils, came to Ausonia. There he endured toils on toils far from his country, although an only child and dear to his parents. Yet gained he not his desire, though long- ing much, for first the fate of unlovely death reached him." Sometimes out of a whole life one event or circumstance of peculiar interest was taken, and commemorated as well by inscription as relief, as in the case of that Phoenician stranger already mentioned who narrowly escaped the jaws of a lion. The inscription on his tomb describes that escape, and explains the meaning of the representa- tion it accompanies. The virtues of the dead must always in all countries form the most frequent and suitable subject of sepulchral inscriptions. Athens is no exception to the rule. We find on the grave of a young man : — " Here Euthycritus, having reached the goal of every virtue, lies entombed in his native soil, dear to father and mother, and loved by his sisters and all his companions, in the prime of his life." A copper-smelter from Crete has the simple and pleas- ing epitaph : — " This memorial to Sosinous, of his justice, his prudence, and his virtue, his sons erected on his death." The following is from the tomb of one Sotius : — " Here in earth lies Sotius, superior to all in the art he practised, virtuous of soul, and dear to his fellow- citizens ; for ever he studied to please all, and his heart was most just towards his friends." Such are a few of the panegyrics bestowed on men after their death ; those bestowed on women are 328 New Chapters in Greek History. [Chap. X. fewer in number, but not less interesting. A young girl is commended for her serious and staid dis- position : — " She who lies here coveted not, while alive, garments or gold, but desired discretion and virtue. But now, Dionysia, in place of youth and bloom, the fates have awarded thee this sepulchre." More than once we find epitaphs which speak of the virtue and kindness of nurses, evidently set up by young men who had never ceased to care for and respect them. The ancients evidently felt for the wet-nurse who cherished their infancy, slave as she might be, something of lasting and filial affection : — " Here is laid in earth the best of nurses, whose foster- child still misses her. I loved thee, nurse, when alive, and still I honour thee though thou art laid in the ground, and shall honour as long as I live." More characteristic of the Greek disposition than mere praise of the dead are those praises of the good fortune of the departed, which sound almost mocking to modern ears, and yet on a little reflection do not displease. Of one Symmachus, of Chios, we read on his tomb that through life his joys were many and his sorrows few, that he reached the extreme limit of old age, and lies in Athens, the city dear to gods and men. On the tombs of women it is often stated that they were in comfortable circumstances, and that they lived to see their children's children. All the happiness of past life seemed to the Greeks a gain, and even when it was over was to be re- garded, not with bitter regret, but gentle sympathy. In one inscription, though a late one, we find an elaborate description of the beauty of the young wife buried below, of her yellow hair, her bright eyes, her snow-white forehead, the ruddy lips and ivory teeth of her lovely mouth. These things were past, it is true, but even so Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 329 they were something better to look back upon than ugliness. Sometimes, however, through the general level of cheeri- ness a sadder note breaks : — " My name is Athenais, and with grief I go to my place among the dead, leaving my husband and my darling children. A grudging web the Fates spun for me. When youthful promise is early cut off it is scarcely possible that it should be spoken of without a sound of sad regret. Even the statement of the fact produces this impression : — "If fortune had continued thy life, Macareus, and brought thee to manhood, strong wast thou in the hope that thou wouldst become the guiding spirit of tragic art among the Hellenes. But thou diest not without fame for discretion and virtue." Even here consolation comes in to modify regret, so true to the happy disposition of the Greeks is the charming saying of Spenser, " A dram of sweete is worth a pound of sowre ! " As in sepulchral reliefs, so in epitaphs, the Greek mourner usually turns his thought to the past, and dwells on the life which is over rather than on any which may be beginning. Nevertheless we do find, here and there, some allusions to the state of the departed which are of great interest, and which furnish us with evidence on a subject still obscure and much discussed, the beliefs of the ordinary minds among the Greeks as to the future life, and as to reward and punishment in it. The small space which these allusions occupy, compared with the whole body of epitaphs, shows how small a corner of Athenian thought was taken up with meditation on matters outside the present life. This was, as we shall see in the next chapter, less the case in Dorian and 330 New CJiapters in Greek History. [Chap. X. North Greek cities. But the materialism of the Greeks was rather natural and practical than speculative, and we nowhere find any positive denial of future existence. In one or two epitaphs there is an appearance of such denial, but its meaning must not be pressed. Thus, in one case, we find the phrase, " Rising out of earth I am become earth again," and in another epitaph, one Nicomedes, who calls himself the servant of the Muses, says that he is "clad in wakeless sleep." Here we probably only have popular phrases used in a vague and indefinite sense, and without the least intention of theorizing on the nature of the soul. Commoner still are even more vague phrases as to the destination of the soul, which is said to fly to heaven, to air, or to aether.* It is aether which is said in the metrical inscription first quoted to receive the souls of the slain Athenian warriors. So in the following : — " Here Dialogus, student of wisdom, his limbs purged with pure fire, is gone to the immortals. Here lie naked the bones of Dialogus the discreet, who practised virtue and wisdom ; them a little dust hides sprinkled over them ; but the spirit from his limbs the broad heaven has received." Dialogus was presumably a philosopher and had learned the difference between soul and body. The words, heaven and the immortals, have to him a some- what vague meaning, representing rather something hoped for than believed in and expected. There is a stronger flavour of philosophic materialism in the follow- ing : — " Damp aether holds the soul and mighty intel- lect of Eurymachus, but his body is in this tomb." The word aldrjp, aether, is certainly used by Homer to signify the abode of the gods, and no doubt the poet of our metrical inscription had Homer in his mind, but here * ovpavoS) aWijf.). Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 331 the word " damp " (1)7/00?) seems to point to some materialist notion as to the nature of spirit and its affinity to the upper air. A more popular interpretation must be accepted in other cases, such as : " Earth sent thee forth to light, Sibyrtius, and earth holds thy re- mains, but aether, the source of thy soul, has received it again." But the vulgar notions with regard to the future state were certainly borrowed from Homer, sucked in by the many with their mothers' milk, or at latest imbibed at school, where Homer occupied the place taken by the Bible in our Church schools. The Greeks generally were inclined to regard Homer as infallible, and so, when they thought of the future state at all, pictured it ac- cording to his teaching. Hence they made it a shadowy realm under the government of Hades and Persephone, a poor washed-out copy of the brilliant life on earth. The dead go to the chamber of Persephone, or, as it is sometimes phrased, the chamber of the blessed. " The bones and the flesh of our sweet son lie in earth, but his soul is gone to the chamber of the holy." It is clear, from some other inscriptions, that in that chamber re- wards were supposed to await the good, and punishments the bad. Thus one man writes on the grave of his nurse, "And I know that, if below the earth there be rewards for the good, for thee, nurse, more than for any, is honour waiting in the abode of Persephone and Pluto." The suggestive if is again repeated elsewhere. "If there is with Persephone any reward for piety, a share of that was bestowed on thee in death by Fate." The expres- sion in both instances seems to be rather of a wish or longing than of a sure and certain hope. Indeed, this wavering tone never becomes full and confident until we come down to the times of Christian inscriptions, when a sudden and marvellous change takes 33 2 New Chapters in Greek History. [Chap. X. place. To the Christian the place of interment is no longer a tomb, but a sleeping-place. When he speaks of aether and heaven as receiving the soul, the words have quite another ring. Though Christian epitaphs at Athens be somewhat beyond my province, I cannot avoid introducing one or two, if merely for the sake of contrast. The following charmingly combines the genial backward glance of the Greek with the forward glance of the Christian : — " Look, friend, on the sacred beauty of Asclepiodota, of her immortal soul and body, for to both nature gave one undefined beauty, and if Fate seized her it van- quished her not ; in her death she was not forsaken, nor did she abandon her husband though she left him, but now more than ever watches him out of heaven, and rejoices in him and guards him." Or take another : — " His body is hidden here in earth, but his soul is escaped to Heaven (aWrfp) and returned to its source, for he has obtained the reward of the best of lives." Sometimes one catches a note of a still higher strain : " There, whence pain and moans are banished, take thy rest." I think no one can deny that these epitaphs are quite equal to the pagan ones in literary taste and feli- city of language, while in sentiment they mark a striking advance. It would have been natural to expect that the religion of Isis, which among all ancient faiths clung most closely to the belief in a future life, and which owed to that circumstance its great influence among the later Greeks, would have left in the epitaphs some traces of a surer hope and trust in what was beyond the grave. But such is not the case ; and a still more remarkable omission is to be noticed. The great Eleusinian mysteries were cele- brated annually, within a few miles of Athens. The Chap. X.] Reliefs and Inscriptions of Athenian Tombs. 333 whole population must have known more or less of the meaning of the ceremonies ; and there were probably few adult Athenians who had not been initiated. But it has always been supposed that the continuance of the dead and the life to come were the chief matters on which light was thrown during the celebration. It has been thought that the analogy between the sowing of wheat and the burying of the dead, that analogy which the Apostle Paul works out in full detail, was then insisted on. Cicero speaks of the mysteries of Eleusis as some of the noblest productions of Attic soil, and declares that they impart not only directions for leading a better life, but also a better hope in death. Polygnotus painted on the walls of the Lesche at Delphi the punishments suffered in Hades by those who neglected to have them- selves initiated in the mysteries. Yet in all the Attic epitaphs which have come down to us, we discern not a trace of any such doctrine as we should have been dis- posed, from such indications, to attribute to the College of Priests who conducted the mysteries. When the next world is at all spoken of, it either appears as the Homeric realm of Hades and his bride Persephone, or else is mentioned in the vague language of the philoso- phers as aether and heaven. The conclusion seems in- evitable. We are strongly warned against attributing too much influence over the ordinary mind, or any very lofty and spiritual teaching, to the mysteries. The wise men, like Cicero and Plutarch, may have found in them deep meaning and profound consolation, reading into them the results of their own philosophy and faith ; just as some writers of recent times have read into them most of the doctrines of Christianity. But to the common people they were probably a string of outward observances with little inner meaning. Like the sacra- ments of Christianity, to which in many respects they 334 New CJiapters in Greek History. [Chap. X. were parallel, they had a strong tendency to lose all life and become mere form. That their secret was so well preserved can be attributed to but one cause — that their secret, such as it was, was not of a kind that could be communicated. It is certain that throughout Greece, in antiquity, the future life was by the common people looked upon with distaste, if not with dread ; and that they had no doctrine tending to soften its repulsion. Moral reflections and words of advice form a not un- frequent ending to Athenian epitaphs. Sometimes in these nothing more is expressed than a kindly wish for the reader. Thus one stranger after stating that he was shipwrecked, adds in genial spirit, " May every sailor safely reach his home ! " Another wishes for all way- farers who read the stone a prosperous journey. Some- times there is a general observation : " It is rare for a woman to be at once noble and discreet ; " or a quota- tion from a poet, as in the case of the well-known line, " Those whom the gods love die early." Sometimes the occasion is improved, as a Scotch minister would say, and a little sermon read to the passer-by, who is advised to live virtuously, " knowing that the abode of Pluto beneath is full of wealth and has need of nothing," — virtues, that is to say, and not riches, are the only things which will avail after death. So far with regard to metrical inscriptions. The long inscriptions which are not metrical are nearly always of the same kind as the well-known epitaph of Shake- speare, — curses pronounced against those who shall in future time attempt to move or destroy the grave, curses of which the modern explorer makes very light, ap- parently supposing that their virtue has in the course of centuries departed. But in ancient time they might be more effectual. They are always of a very late date ; so long as the people of Athens had a common feeling Chap, x.] Relief r s and Inscriptions of Athenian Tombs. 335 and a common pride in their city there was small fear of the violation of the grave of a citizen, but under the Roman Emperors the Athenian citizenship and Greek nationality fell to pieces, and no one felt sure of the future. Herodes Atticus, the wealthiest citizen of Athens in the reign of Hadrian, who built the Athenians a splendid marble Odeum, set up a monument to his wife Appia Annia Regilla, " the light of the house," which he thought it necessary to fence by a very unpleasant string of threats. " By the gods and heroes I charge any who hold this place not to move aught of this : and if any destroy or alter these statues and honours (rt/xa?), for him may earth refuse to bear fruit, and sea become unsailable, and may he and his race perish miserably ! " The inscription goes on to heap blessings on those who keep the tomb in its place and pay it honour. A lady who bears the Roman name of Antonia hands over, in her epitaph, her tomb to keep to Pluto and Demeter and Persephone and all the nether gods, calling down a curse on all who violate it. In another epitaph we find a formidable list of diseases which are likely to seize the violator — palsy, fever, ague, elephantiasis, and the rest. In another instance the dimensions of the curse are curtailed, and it is put neatly into two hexameter verses, " Move not the stone from the earth, villain, lest after thy death, wretch, dogs mangle thy unburied body." In the last-quoted epitaph it is evidently the writer's intention to threaten a punishment according to the lex talionis. To move a tombstone was an offence of the same class, though in degree of course slighter, as to leave the body of a dead man unburied. It is well- known how keenly every Greek dreaded that his body should after his death be deprived of burial-rites, and how bitterly he condemned all who through fear or 336 New Chapters in Greek History. [Chap. x. carelessness abandoned dead friends to dogs and vul- tures. No doubt this dread was connected with the very ancient and widespread notion that those who re- mained unburied could not rest in the grave, were re- pelled from the gates of the world of spirits, and hovered as unhappy ghosts in the vicinity of their corpses. As the first step towards exposing a dead body was the tearing down of the stone which covered it, and as the stone was moreover closely associated with the dead, some of the mysterious horror which guarded the corpse was transferred to the gravestone above it. We may consider ourselves happy that among us gravestones are protected not by curses but by blessings, by cherished memories and associations ; and so perhaps it was in the better times at Athens ; only when the old civilisation was falling into corruption, all gentler ties were loosed, and every man fought for himself and his, with any weapons which came nearest. One closes the Corpus of SepulcJiral Inscriptions with a feeling of surprise ; surprise that a people so gifted as the Athenians should be so helpless and tongue-tied in the presence of death. The reliefs do not disappoint a reasonable expectation ; in taste at least they put our modern cemeteries to shame, if the range of ideas ex- pressed is somewhat narrow. But the inscriptions are at a far greater depth below Greek poetry and oratory than the reliefs are below the best Greek sculpture. The reason may partly be that the reliefs are the work of professionals, the inscriptions of amateurs. But there are two other reasons of a more satisfactory character. The first of these I have already mentioned, that except in the case of soldiers and of public characters, such as eminent poets, it was considered in bad taste at Athens to have an epitaph at all ; those, therefore, which we find are mostly written by persons of the less respectable Chap. X.] Reliefs and Inscriptions of AtJienian Tombs. 337 classes, and in the later and worse times of the city. But the deepest reason, at least from the modern point of view, is that the Greek mind found in death no in- spiring force ; they might regard its inevitable power with equanimity and even cheerfulness, but in any way to rejoice in its presence, to look upon it with hope and warmth of heart, did not consist with the point of view of their religion. Such feelings at such a time are in- spired only by one or two religions of the world, among which there is no place for naturalism. Z 33% Neiv Chapters in Greek History. [Chap. Xt. CHAPTER XL SPARTAN TOMBS AND THE CULTUS OF THE DEAD.* In no class of ancient monuments have more extensive or more important discoveries been made of late than in the class of sepulchral monuments, so that we have now to revise in fresh light our opinions of a few years ago. In some respects we have altogether to remodel those opinions. So rapid is in our days the growth of Greek archaeological science, that every year consigns to limbo some dictum of the older school of archaeologists, who laid down rules as to Greek art with all the courage of limited experience. But the chief discoveries of sepulchral reliefs have been made outside Attica. Nothing has appeared to throw doubt on the thesis, set forth in the last chapter and firmly established by the discovery of the great Athenian cemetery by the gate Dipylon, that in sculpturing their tombs the minds of the Athenians exhibited a strong tendency to look backwards rather than forwards, to dwell on the life which finds its termination in the grave, rather than on that which there begins. But we now know that the custom of referring only to the life of the past was not by any means universally observed in the subjects painted and sculptured on Greek tombs. It was * The subject of this paper is treated more in detail, and with citation of authorities, in an article entitled A Sepulchral Relief from Tarentum, by the present writer, in the Jotimal of Hellenic Studies for 1884. Chap. XL] Spartan Tombs and the Cultns of the Dead. 339 the line taken by the high art of Athens and other great cities ; indeed, it best suited the instincts of all Greek art, to which all that was vague and mystic was re- pulsive and ugly. But it did not altogether satisfy the emotions and beliefs of the common people, especially in the more backward cities of Hellas, and among con- servative races like the Dorians and Arcadians. They did not believe that human life ended at the grave, and they did not content themselves with representations which seemed to imply that such was the case. They loved to think of and represent their dead ancestors as still living. In the year 1877 Messrs. Dressel and Milchhoefer, then members of the German school of Athens, wandering through Peloponnese in the laudable fashion of German students, and eagerly looking out for works of ancient art, lighted at Sparta upon some very remarkable monu- ments then recently exhumed. These were certain stelae or slabs, bearing a relief which represented two persons, a man and a woman, enthroned side by side, and depicted in a very archaic style of art. The man usually holds a wine-cup, and the woman grasps the end of her veil. A snake appears close behind the pair, and sometimes there are depicted as approaching them with offerings, votaries, whom their diminutive size shows to be of far less dignity than the principal figures. It was at once evident to the discoverers of these slabs that the subject depicted on them was the offering of sacrifices to a male and female deity. But, as is so often the case with new and important discoveries, the whole bearing of the reliefs was not at first seen. Two theories were at once mooted in regard to them. One set of archaeologists saw in the seated male figure holding the wine-cup the god Dionysus, and in his consort either Ariadne, or perhaps Persephone, who was in some parts of Greece regarded as the wife Z 2 34° New Chapters in Greek History. [Chai\ XI. of the Chthonic Dionysus. Other archaeologists preferred to consider the pair as Hades and Persephone, the great deities of the unseen world, and supposed that the in- tention was to represent sacrifices brought to them by- mortals as a propitiation, and in hopes to secure their favour in the world of shades. Messrs. Dressel and Milchhoefer accepted at first the view last mentioned, and adduced several arguments in its favour. They pointed out the prevalence of the worship of Hades and the great goddesses of nature in several parts of Peloponnesus, particularly at Andania in Messenia, and in Arcadia, and tried to show that the character of the offerings was well fitted to the cultus of these dread powers of the future world. The wine-cup in the hand of Hades they regarded as a substitute for the horn which he more commonly carries. This view, though incorrect, was at the time very natural. But very shortly a number of monuments of a similar kind were brought to light in other parts of the Peloponnesus and of Northern Greece, which made it impossible longer to doubt of the true meaning of the Spartan stelae. For instance, at Sparta two slabs were discovered which had certainly served as tombstones, and bore the names of Timocles and Aristocles respectively. On each of these was represented a seated male figure, holding wine-cup and pomegranate. Here the representation was evidently of the man who was buried in the tomb. And in other cases the person thus seated is female, in some cases holding a pomegranate or feeding a serpent from a cup. These fresh instances have suggested for the earlier- found and better-known Spartan reliefs a new interpre- tation which is, I believe, universally accepted. The pair seated in state must be the deceased hero or ancestor and his wife. They await the offerings of their descen- I Chap. XL] Spartan Tombs and the Citltus of the Dead. 341 dants and votaries, who bring them such objects as were in Greece commonly offered to the dead — fowls, and eggs, and pomegranates. The snake who accompanies them is the well-known companion and servant of the dead. We find, then, in Peloponnesus and in other parts of Greece, in quite early times, abundant monuments testi- fying to the prevalence of a widely-spread cultus of the dead. We have proof that not only did the gods, and those heroes of old who had almost stepped into the rank of the gods, receive worship and sacrifice in the temples and houses of the Greeks, but also ordinary human beings after their death. In text-books which deal with Greek antiquities we had already read of these customs, but they had hitherto been supposed to have left little trace in literature and in art. Men well ac- quainted with Greek history and customs had often scarcely heard of them or given them a thought. But now the evidences of the customs of ve/cvena in Greece need no longer be sought in writers of Alexandrian times and in inscriptions. They are thrust under the eyes of all who gain but a superficial acquaintance with Greek art. It is not too much to say that the new discoveries are to archaeologists quite a revelation, and of the greatest value to those who care to study the origin and the history of religious belief. We will briefly set forth the Greek beliefs on the sub- ject of the life after death, and next, give a general view of the Greek sepulchral monuments which illustrate those beliefs. An idea which commonly prevails among barbarous peoples as to the life after death is, that it is in essentials merely a continuation of the ordinary mundane existence. When alive the warrior requires a house, when dead he must be sheltered in a tomb ; and the form and arrange- ments of early tombs often follow those of the house 34 2 New Chapters in Greek History. [Chap. XI. When alive the warrior requires food ; when he is dead food must still be brought to him in his new abode. He must have drink also, and pleasant smells, lamps to light his darkness, and abundant vesture and armour for him to wear. As hunting was the principal pleasure in life, so in the life after death the warrior must have all things neces- sary for the chase. His horse and his dog must be slain and buried with him, that they may continue their ser- vices to their master. His wife must also attend his steps to the new state of existence ; and enemies must be slain at the spot where he is buried, in order that he may have slaves to do his behests in the future as in the past. This general statement is fully borne out by the testi- mony afforded by the graves of ancient peoples. The walls of Egyptian tombs are painted with innumerable scenes of public and religious and private life — scenes like those amid which the dead man had passed his days. To the real scenes the paintings bore a similar resem- blance to that which the shadowy life of the tomb bore to the real life of the flesh. The interior of Etruscan tombs is adorned with scenes of revelry, of amusement, and sport, to glad the eyes of the hero hovering within and disperse his ennui ; and in these tombs are found the bones of the warrior's horse and dog which were slain to bear him company on the last journey. In early Greek graves are found armour and vestments, cups and vases, weapons and utensils. The writer will not easily lose the sense that the Greeks at one time really be- lieved in this life of the tomb which flashed upon him when, in turning over the spoils found by Dr. Schliemann in the tombs of Mycenae, he came upon a whetstone, actually put among the swords that their edge might be renewed when blunted with use. In the later times of the Egyptians and the Greeks Chap. XL] Spartan Tombs and the Ciiltus of the Dead. 343 this nai've faith died away, and was replaced by beliefs of a more worthy and spiritual kind. Men came to be- lieve in a realm of souls far away beyond the desert or hidden in the depths of the earth, and presided over by mighty and just rulers. They began to feel that it was the soul only that survived death, and that it did not stay at the tomb, but went on a long journey, and abode far from descendant and townsman. But we find always in history that customs outlast the beliefs which gave birth to them, and often survive into quite a different state of opinion. So it was in this case. The burial customs which arose when the grave was supposed to be a real abode were kept up when the soul was believed entirely to quit the body at death. It was still in the tomb that provision for the future life was heaped up. It was in the actual mouth of the corpse that the fee for Charon, the ferryman, was placed. It was to the very place of burial that offerings were brought on the all souls' days of antiquity. The logical complement of the later doctrine of Hades would have been to regard as immaterial what happened to the body after death. But this was a point never reached by ancient nations ; they always regarded want of burial of the body as fatal to the bliss of the soul in Hades. Changes did, however, take place in burial customs in consequence of the growing discordance between them and popular belief. They were still maintained, but in more and more perfunctory and unreal fashion. The arms and ornaments buried with the dead became flimsier and less fit for use. Every archaeologist knows that sometimes the graves of Greece and Etruria contain the mere pretence of offerings : gold ornaments as thin as paper ; loaves and fruits of terra-cotta ; weapons unfit for use, and vases of the most unserviceable kind. " In sacris simulata pro veris accipi," wrote Servius ; and in no class 344 A T ew Chapters in Greek History. [Chap. XI. of sacred rites does hollow pretence more commonly take the place of reality than in those connected with funerals and tombs. Such, in merest outline, is the history of Greek beliefs as to the life beyond the grave during the course of the historical ages. And if we examine a few examples of the various groups of sepulchral monuments to be found in various parts of Hellas, we shall find ample illustration of our sketch. Among the earliest of Greek sculptured tombstones are those Spartan reliefs of which mention has already been made. In them we see the departed ancestor and ances- tress seated like gods to receive the homage of survivors. When the seated hero holds out a wine-cup, it seems a broad hint to survivors to fill it. Accordingly, in Boeotian and other reliefs, we actually see a female figure approaching to fill from a pitcher the extended vessel. And upon Greek graves there commonly lay, as we learn from the testimony of excavations, an amphora of coarse ware to receive the doles of wine brought to the cemetery. The food brought by suppliants on the Peloponnesian stelae consists of eggs and fowls, and more especially the pomegranate. This last seems to have been the recognised food of the shades. Hades gives it to his stolen bride, Persephone ; and she, by eating it, becomes incapable of quitting the place of the dead to return to her bright existence in the upper air. And to this day pomegranate seeds are one element in the sweet cakes which are made to be distributed by those who have lost a friend, at certain intervals after his death, cakes evidently representing those bestowed in old times on the lost friend himself. This realism of offerings to the dead naturally suggests to us that the idea of offerings of food and wine to the deities themselves arose from the transfer to them of Chap. XL] Spartan Tombs and the Qtltus of the Dead. 345 ideas originally connected with dead mortals. In his- torical times the Greeks made wide distinction between the offerings to deities and those brought to heroes, both as to time and mode and as to the objects sacrificed ; but this distinction is not fundamental, and we cannot help looking on the whole custom of sacrifice as one imported into the cultus of deities from that of the dead. It is not unusual to represent deities also in sculpture as holding out a cup or vessel, and it seems clear that what- ever meaning the Greeks attached to the action in later times, it must in earlier have signified a readiness to receive offerings. Great sculptors substituted for this action, which to them seemed trivial or mean, some higher motive, placing a Victory or a sceptre in the hands of the greater divinities ; but in case of some of the lesser, such as Tv^r), Fortune, the patera remained to the end a not unusual attribute. The snake which is erect behind the pair stands in a very intimate relation to the dead. His habit of dwelling in holes in those rocky spots which the Greeks chose for their cemeteries, amid which he mysteriously appeared and disappeared, originated the idea that he was either the companion or even the impersonation of the dead (in- certus geniumne loci famulumne parentis esse putet*) ; and the idea was fostered by the manners of the reptile, his shyness when approached, and the wisdom and sub- tilty attributed to him by the ancients. It is curious to find, in other reliefs, the horse and the dog in the place of the snake. Their presence, indeed, is not in itself surprising. They have their place beside their master in the sculpture by the same right by which their bones were laid beside his in the grave. As they died with him and are his companions in the fields of Elysium, so they swell his state when he sits to receive homage and * Aeneid, v. 95. 346 New Chapters in Greek History. [Chap. XI. offerings. Yet it is somewhat strange to find horse and dog, which imply a free and open life of hunting and amusement, alternately with the sad and cold serpent, which belongs to no happy hunting-ground, but to the rocky soil of the cemetery. Such being the symbolism of Spartan tombs, we naturally inquire with what purpose these designs were sculptured. With us a gravestone is merely a reminder, placed on the spot where some of our friends are laid, and intended to awake in the survivors memories, sad, indeed, yet touched with a certain melancholy pleasure, since it can never be altogether sorrowful to think of those we have loved, even after their departure. But we are accustomed, it must be remembered, to look upon images as mere works of art, and quite with- out associations of worship. The Greeks, on the other hand, being idolators— that is to say, accustomed to assist their religious sentiments by images of the gods in painting and in sculpture — were accustomed also to con- sider the presence of the gods as especially belonging to their images. And there can be no doubt that they carried the same associations to the reliefs on the tombs of their ancestors. They regarded those worthies as distinct, of course, from the images of them on the tombs, and yet they supposed that there was a bond of con- nection between the two, and that the soul of the de- ceased ancestor was present in the carving on his tomb as he was not present elsewhere. These reliefs, then, are in a sense the idols of the domestic worship of the Greeks, or at least of the less civilised tribes among them, and were never looked upon without a touch of religious awe. A series of monuments beginning at a scarcely later date than the Spartan stelae is that of the Lycian rock-cut tombs of the Xanthus valley. Some of these are elabo- Chap. XI.] Spartan Tombs and the Cultus of the Dead. 347 rate architectural monuments, adorned with a profusion of sculpture, and of great importance for the history of art. But all these monuments, including the Harpy tomb, the Nereid monument, and the heroon recently discovered at Gyol Bashi, served undoubtedly as memorials of chiefs or kings buried beneath them. The sculptured friezes which adorn them embody sometimes heroic or local myths. Sometimes, as in the case of the Nereid monu- ment, they seem to commemorate historical deeds and expeditions. But certainly, in several instances, they bear reliefs representing the buried ruler as enthroned in state, waiting to receive the homage of survivors. As an instance, we may cite the pediment-sculptures of the well-known Nereid monument, now in the British Mu- seum. Here the presence of votaries suggests, and even proves, that the scene represented belongs to the life beyond the tomb, and not to the mundane existence of the buried king. German savants have of late advocated the theory that the mysterious seated figures, which adorn the beautiful archaic Lycian monument in the British Museum which is known as the Harpy tomb, are really deceased heroes and heroines seated to receive offerings from votaries who reverently approach them. Hitherto the sculptures of this lovely monument have offered a wide field for con- jectural explanations, some of a very fanciful character ; I but without fully declaring in favour of the new inter- pretation, we must confess that it is far better in accord 1 than are most others with the simplicity of early art, and the primitive beliefs which we have reason to attribute to I the Lycian race. And in connection with these Peloponnesian and Lycian j reliefs we must consider the large class of sepulchral I reliefs which represent a feast, and which reach us from all parts of Greece, especially from Athens, where they 54-8 ■ New Chapters in Greek History. [Chap. XI. form in the later period a group differing in character from the ordinary Attic grave-reliefs. We begin with a simple and ordinary class : Male figure reclining on couch ; at his feet seated female figure ; before the couch a tripod covered with eatables and drinkables, with a slave to serve them ; while the man is feasting, the woman commonly draws her veil about her. Or the male figure reclines alone. It is evident that here we have nothing to give a colour or a flavour to the scene ; the feast is to all appearance an every-day one. It is well known that the heroes of Homer sit at table ; and the custom of reclining came in at some time between the age of Homer and historical times. The custom never spread to women, at least of the modest class, nor to boys. We are told that in Macedon boys were not allowed to recline at table until they had slain a boar, which sometimes did not happen until they were middle-aged ; Cassander for instance had to sit like a boy until he reached his thirty-fifth year. When men dined together in Greece modest women were not present ; but when a man dined at home his wife would naturally be present, not reclining with him, nor probably eating with him, but sitting by to entertain him with her talk while he dined. The group which I have described is therefore an ordinary scene from the private life of the Greeks. Sometimes the seated wife rests her head on her hand in an attitude which to the Greeks signified grief. This may seem a jarring note at a feast ; but we know that it was customary in Athenian grave- reliefs which represent scenes of daily life to introduce some such touch as this, to show that the beautiful picture has been spoiled by the hand of death, that it was not destined to last, and that already the shadow of coming change was thrown on to the happy scene. In the same way we may interpret another adjunct some- Chap. XL] Spartan Tombs and the Cu/tns of the Dead. 349 times found in banqueting scenes which certainly come from actual tomb-stones, a snake twined round a tree in the background. So far we find nothing to throw doubt on the theory of some writers that the daily banquet was introduced in sepulchral reliefs, from the same motives as other scenes of domestic life which so commonly appear on the tombs of Athens. What scene could be more characteristic of domestic felicity, what memory more pleasing to recall on a gravestone than these happy moments, when physical satisfaction of bodily needs went with pleasant talk and social enjoyment ? We may even go further and say that to certain reliefs of the class, this view alone seems appropriate. For ex- ample, one of the earliest and most interesting among them is on a tomb in the celebrated Athenian cemetery on the Sacred Way.* It represents two men reclining on a couch, with food as usual set before them, and their two wives seated by ; in the foreground is a galley, in which is Charon with his hand extended towards the feasters. A comparison with other Athenian reliefs leads us to think that this banquet, at all events, is one of every-day life. The sudden appearance in the midst of social enjoyment of one empowered to summon to the next world is a striking fancy, rather in accordance, one would think, with the taste of the Etruscans than that of the Greeks, yet by no means unknown in Greek and even Athenian sepulchral reliefs. We may instance the well-known relief inscribed with the name ^lupplvr] where Hermes appearsf leading by the hand the girl Myrrhina from the midst of her family, to convey her to Hades. Indeed this simple explanation of the group is in al- most all cases tenable where the monument is of Athe- * Salinas, Monumenti Scpokrali, PI. iv. f Ravaisson, Lc monument dc Myrrhine. V 350 New CJiapters in Greek History. [Chap. XI. nian provenience, and the relief belongs to an early period. But yet when we consider these banqueting reliefs as a class, and observe the frequency with which there occur on them some of those devices, the snake, the horse, the dog, which appear with full meaning on the early reliefs of Peloponnesus, we shall be disposed to think that the origin of them is to be connected with the memorials of Greek ancestor-worship, and that they em- body Peloponnesian rather than Athenian views. They seem to have reference to the customs already mentioned of bringing at stated times food and wine to the grave of the ancestor, a custom known to the Greeks under the name of veKixrca and the origin of the modern custom of laying flowers on the graves of friends. And we thus see that the feelings which in pre-historic ages gave birth to the worship of ancestors never died out among the Hellenes. To the last days of their pagan life no subject was more commonly depicted on their tombs than the offerings to forefathers, and no custom was more religiously kept up than those relating to the periodical visitation of the dead. Dr. Milchhoefer, in an able paper on these banqueting reliefs,* has made an observation which is so good as to deserve special notice. They are found, he observes, not usually in cemeteries, but in temples, especially the temples of Asclepius and other deities of healing. Thus they indicate that the custom of dedicating spots in great religious buildings to saints whose aid may be there sought by descendant or votary is no invention of the Christian church, but had a prototype in the customs of heathen Greece. In some minds the question may arise whether the Greeks, when they sculptured the feasts of the dead, supposed those feasts to take place in the tomb, at * Jahrbiich dcs Arch. Inst., 1887, p. 23. Chap. XL] Spartan Tombs and the Cultus of the Dead. 351 which they commonly deposited their offerings, or in Hades, the realm of the shades. This is a question which it is easier to ask than to answer ; indeed, it can- not be satisfactorily answered, for it is a matter in which the Greeks had never fully made up their minds. The gods dwelt in Olympus, yet they were also present on their temples. In the same way the dead were imagined to dwell in the world of shades, and yet they knew what took place at their tombs, and could enjoy the offerings there set out for them. The spot where a man's body is laid can never be entirely divorced from his person- ality. Do not we ourselves regard as sacred the spot where the body of a friend sleeps in death, although among us the idea of the distinctness of soul and body is far more clear and general than among the Greeks ? These are confusions of thought so deeply worked into the web of human nature that it may be doubted if they will ever be worked out of it. We moderns could easily understand that deities should be depicted as reclining on a couch to receive the homage of mankind. And we could understand that the banqueting-reliefs of tombs should be mere transcripts from ordinary daily life. But we find it very hard to understand how the Greeks, possessing the no- tions of the future life with which we meet in Homer and Pindar, and in the mockeries of Lucian, could erect such frequent monuments at all periods as memorials of the worship of the dead. We find it difficult simply be- cause the frame of mind implied is one of which we have no experience. But the view hardest to receive is that which is true. Let us next turn to another class of reliefs, those in which the deceased is represented, not as seated in state, but as riding on a horse, or leading one by the bridle. These designs are not found at Sparta, though they have 352 New Chapters in Greek History. [Chap. XI. been sometimes discovered at Argos and elsewhere in Peloponnesus. But they belong more especially to Northern Greece, particularly to Boeotia. I think that the veneration for ancestors implied in them is less in- tense than that implied in the Spartan reliefs, and for several reasons. At Sparta the hero is seated on a throne, in an attitude which belongs only or properly to the greater deities, especially Zeus and Hades. In Boe- otia he is no longer seated but riding. The Greeks did not represent their greater deities, excepting Poseidon, as riding on horseback, though they not unfrequently place them in chariots. This would seem to them a position of insufficient dignity. But there was a lower and less exalted race of beings than the gods, whom the Greeks did in a marked degree associate with horses. These are the demi-gods or heroes, mostly the sons of the gods by a mortal mother, like Heracles and Asclepius and Castor and Pollux. There was a decided distinction in Greece between the honours of these subordinate beings and those paid to the gods. And it is notable that the heroes were usually represented as riders. Everyone knows that this was the case with the twins Castor and Pollux, termed the Dioscuri, or the sons of Zeus par excellence. And those acquainted with Greek vases and other remains know that the same character belonged more or less to all those unnumbered heroes who en- joyed temples in later Greece as founders of cities, or great warriors or inventors of useful arts, or as noted benefactors of the human race. The inscription en- graved on a notable relief of this class is this :* " Dedi- o cated to Aleximachus by Calliteles." And it is supposed that Aleximachus is not the real name of the dead person thus commemorated, but a sort of state name or heroic name bestowed on him after death by those who wished * In the Sabouroff Collection. Chap. XL] Spartan Tombs and the Cultus of the Dead. 353 to raise him to the rank of a local hero. Such heroising of any man who was in his life at all distinguished was usual in all parts of Greece, and at all periods of Greek history. A point which requires some notice in both the Spar- tan and Boeotian reliefs is the very frequent presence on them of a lady accompanying the divine or semi-divine ancestor. Naturally we suppose her to be his wife. And this interpretation very well suits the Spartan tombs, where she sits by the hero's side in equal state. At Sparta women were held in higher honour than in the rest of Greece. Elsewhere they were looked on often either as household drudges or as mere playthings, but in Sparta they were regarded as real helpers to the men, and capable of that patriotism which the Spartans regarded as the highest virtue. And as a consequence of this esteem we find women in more than one of the crises of Spartan history, when the city was in danger from invasion or sedition, come nobly to the front and save the State which had treated them honourably. At Sparta, then, there is no reason why they should not occupy a divine place beside their husbands after death, as they had occupied a place beside him when alive. But in the rest of Greece such honour paid to a de- ceased woman might well seem excessive. And in the horseman-reliefs of Northern Greece she does not seem to share the worship of the hero, but rather to be doing honour to him, to meet him with an offering, and to pour wine into the cup which he holds out to be filled. It is even quite possible that, as a matter of artistic tradition and development, the ordinary reliefs of Attic tombs may originate in the same circle of ideas. Some of the earliest of the Athenian reliefs seem to indicate this. In the so-called Leucothea-relief, for instance, a work of the time of the Persian Wars, which represents 2 A 354 New Chapters in Greek History. [Chap. XI. a dead mother seated and embracing for the last time her infant, while other children stand before her, we have in the general composition, the seated lady and the small figures standing before her, an echo of the Spartan reliefs with seated hero and ancestress, and small votaries approaching. The line is carried on by the reliefs of a century later, in which seated ladies receive caskets from their attendant maids ; in which case we may suppose that the likeness to the scene common on vases, where the dead person seated on the steps of the tomb receives gifts from the living, is not fortuitous. It is however usually a mistake to consider the productions of developed sculpture too closely in the light of their origin. And in this case the fact already pointed out, that the dead person frequently is not seated but standing, shows that the class of monuments treated in the last chapter had broken away from the ideas of ancestor worship, and gained a new centre in the scenes of daily life. There yet remain various funeral customs of the Greeks which still await explanation, although we feel that the explanation is brought nearer year by year by new dis- coveries. For example, the beautiful figures of terra-cotta which of late years have reached us in such quantities from Asia and Greece, especially Tanagra, are connected with Greek burials in a very remarkable way. They are frequently found in connection with tombs. But they are not placed in the graves in an orderly or regular fashion. At Tanagra and Myrina and other sites they are seldom found entire, but almost always broken in a purposeful manner, the head usually torn off and lying apart. And they are as often to be met with in the earth over and beside a grave as in the grave itself. Messrs. Pottier and Reinach * express their conviction, * La Necropolc de Myrina : Bull. Corr. Hell. vol. vii. Chap. XL] Spartan Tombs and the Cultus of the Dead. 355 based upon a long induction, that the friends of the deceased must have stood beside the grave as it was being filled with earth with these pretty images in their hands, and thrown them — first breaking them — into the hole. How can so strange a custom be explained ? M. Rayet has proposed a remarkable theory on the subject. In early times, he remarks, men slew at the graves of departed chiefs their female kin or captive women to accompany them to the next world. It seems, then, likely that these terra-cotta women of the graves are the later representatives of these real women, just as terra-cotta loaves of bread and fruits take the place of real food ; and that they were thrown into the tomb to people the solitude of the grave, and to furnish the dead man with pleasing companionship in the world of shades. This theory would account for two things ; first, for the fact that there are scarcely any representations of bearded men among terra-cotta images — they are nearly all of women and of boys ; and secondly, for the custom of breaking the images, the breaking taking the place of the earlier slaying. Interesting as the newly-discovered Peloponnesian reliefs are to students of Greek art and ancient life, they are at least equally important to anthropologists who look beyond Greece to the very origin of civilisation. For they can undoubtedly be used in favour of the view of those who, like Mr. Herbert Spencer, suppose the worship of the gods to have arisen later than that of deceased human" beings, and to be an outgrowth from it. If we find sculpture employed as early as the sixth century B.C. in places so far apart as Lycia and Pelopon- nesus in making figures of the dead for the worship of the living, and if we find at a later time a regular cultus of the dead prevailing and flourishing in all parts of Greece, it would seem that the set of ideas embodied 2 A 2 356 New Chapters in Greek History. [Chap. XI. in these manifestations must have struck deep roots in the Greek mind. They seem to belong to a deeper and more primitive stratum than does the worship of the deities of Olympus. And this view is fully confirmed by the fact that whereas with the different branches of the Aryan race religious rites differ widely, and the names of the deities are diverse, yet the cultus of ancestors is common to several branches, and takes among them much the same form. The whole, or nearly the whole, of the new evidence is the result of persevering researches of young members of the German School of Archaeology at Athens. This is one of the many investigations by which they and their French colleagues have benefited the cause of know- ledge. And not only has knowledge been benefited, but not less the discoverers themselves. Such researches as these, conducted in the seats of ancient life, are really the only training by which archaeologists can be formed, or archaeology placed in its rightful position in the very front of historical studies. Museums of sculpture and of casts may help us ; but it is to the British School at Athens that we look to recover for England a position like that which she once held, as the nation most deeply interested in the study of classical lands and the beautiful remains of classical architecture and art. ( 357 ) CHAPTER XII. EPIDAURUS AND ANCIENT MEDICINE. The feeling of the noblest of the Greeks in regard to medicine is well set forth in the third book of Plato's Republic* " Do you not hold it disgraceful to require medical aid, unless it be for a wound, or an attack of illness incidental to the time of year, — to require it, I mean, owing to our laziness, and the life we lead, and to get ourselves so stuffed with humours and wind, like quagmires, as to compel the clever sons of Asclepius to call diseases by such names as flatulence and catarrh." " Asclepius was aware that in all well-regulated com- munities each man has a work assigned to him in the State, which he must needs do, and that no one has leisure to spend his life as an invalid in the doctor's hands." Primitive doctrine truly ! and sounding strangely out of date in an age when many of our great physicians spend all their lives in patching up the constitutions of those who are openly at war with the ordinances of mother nature, or in protracting for a few years the sufferings of those whom they cannot hope to cure. Plato recognises as a true art the gymnastic, which trains healthy bodies to be active and vigorous and useful, and stigmatises as a false art the medicine which would relieve and perpetuate a life radically unhealthy. But even in Plato's time this must have been doctrine * Pp. 405, 406. Translation of Davies and Vaughan. 35§ New Chapters in Greek History. [Chap. XII. much too lofty and too hard for the many. And as the moral tension of the Greek race grew laxer, so that they cared more and more for life and less and less for the causes of living, it must have passed more and more out of the reach of all but a very few. One of the clearest indications of the change is to be found in the growth of the cultus of Asclepius. In the time of Homer, Asclepius is merely the blameless phy- sician whose sons Podaleirius and Machaon led to Ilium the men of Tricca. The healing art was used for the treatment of outward wounds, not of inward infirmities ; and in this restricted sense Paeeon is the physician of Olympus. At a later time the functions of Paeeon as god of health were absorbed by Apollo as deity of harmony and of perfect physical development, and there- fore able to produce that vigorous health to which disease is as foreign as blight to a hardy and growing plant. We do not hear Asclepius spoken of as one of the greater of the gods until the time of Alexander the Great. But in the unsettled times which came later, when individualism triumphed and the State counted for little, when society was corrupt and moribund, and men's aim was to get out of life all the pleasure which it was capable of affording, physical health became a rarer blessing and its value grew greater and greater. Then Asclepius took his place in many districts at the very head of the Pantheon ; in inscriptions he was termed ^eyas, crayri'jp, K^ptoy6<;, who had learned to spy out the true but occult meaning of all the phenomena in which it was likely that the divine purposes would reveal themselves, more especially in the flight of birds, and in the convolutions of the internal organs of animals offered in sacrifice. The taking of omens was the work of hereditary clans of skilled observers. The history of the oracle at Dodona seems to cover all the distance between the mere taking of omens and the developed Apolline oracles. That it was by omens, some of them of a very primitive kind, that the will of Zeus was made manifest seems clear. Yet in the later age of Greece, at all events, the responses of Dodona were as systematic and as clear as those of Delphi. It will be necessary to set forth the evidence for both of these statements. Eustathius, in commenting on the already cited pas- sage of the Iliad, which speaks of the Selli of Dodona as washing not the feet and sleeping on the ground, regards it as a proof that oracles were sometimes given there by dream. Of course we cannot say that it was not so : but the Homeric passage on the face of it appears rather to refer to the rude and outdoor life of the Selli than to any custom such as is inferred. That Chap. XIV.] Dodona and the Oracles. 407 the oak-tree at Dodona was an ordinary source of super- natural wisdom is clear from several passages in the Tragedians. Aeschylus* and Sophocles f both speak of the vocal oaks as the source of oracles in the shrine of Zeus, and in fact the picturesque expression of Sopho- cles " many-tongued oak " seems clearly to point to the murmuring of the oak leaves as an articulate language. Again, Servius in commenting on a passage of the AeneidX speaks of a stream which flowed at the foot of this oak as a source of inspiration. The meaning of the frequent mention of doves (TreXeidSe?) in connexion with the Dodonaean oracle is more ambiguous ; for be- sides the doves which seem to have been connected with the temple, and which may in early times have given auguries by their flying and their cooing, the name of " doves " was later transferred to the priestesses, who spoke with more articulate voice. There was another curious mode of taking responses, which seems to imply that all the place was sacred, and even the wind that blew there was not devoid of purpose and meaning. The Cor- cyreans dedicated near the shrine a bronze tripod, over which stood a bronze man holding in his hand a whip, to which astragali were attached. In the wind these astragali struck the tripod, and from the noise which resulted omens were sometimes taken. We have, however, abundant proof that in the historical ages of Greece the responses at Dodona were given by priestesses, and Plato § in one place says that the Dodo- naean priestess spoke like the Delphic under the dominion of an ecstasy. Whether this implies that the oracle in Epirus became altogether like those of Apollo we cannot be sure : it may be that the utterances of the Peleiades were still to some extent controlled by the omens given * Prom. Vine, 851. f Trachiniae, 1148. X iii. 466. § Phaedrus, p. 244 b. 4t an d was one of the causes which induced them to undertake their fatal expedition to Sicily. Of course the god came out of the business quite well ; he had meant that they were to settle a small hill near Athens called Sikelia, and not the Island of Sicily. * ix. 93. t P- 53 1 - i Paus. viii. n, 12. Chap, xiv.] Dodona and the Oracles. 409 It would be easy to multiply these citations : the known Dodonaean responses are collected by M. Cara- panos,* and are both numerous and important. But it is time to pass on to the discoveries of the excavator, which throw especial light on the method in which en- quiries were made, and on the kinds of questions put to the god. Curiously, M. Carapanos did not find any com- plete or certain instance of a response to questions : probably these were taken away by the votaries ; but of written questions he found abundance. These questions were graven on leaden tablets ; most of them are made by private persons, in most cases pro- bably inhabitants of the more backward districts of Greece, Epirotes and Aetolians and Acarnanians, and in their naive directness and their defective grammar, they seem to bring before us clear proof of the simple faith, as well as of the primitive manners, of those who consulted the god.f We must first cite a few questions of political character, put by Greek civic communities. The people of Tarentum question the oracle of Zeus Naius and of Dione as to means of prosperity (Trepl iravrv^ia<;). A more detailed question is put by some (unascertained) neighbours of the Molossians, who enquire as to a proposed alliance with that people. And the Corcyreans put a question which to those who know their history sounds somewhat like a bitter jest : " to what god or hero they must offer prayer or sacrifice, to secure the blessing of internal harmony ? " The enquiries of private persons are more numerous, * p. 142, foil. t These oracle inscriptions are treated in^some detail by Mr. E. S. Roberts in the first volume of the Journal of Hellenic Studies, where other discussions of them are also cited. I need scarcely apologize for freely using Mr. Roberts' versions, and his results, j 4-IO New Chapters in Greek History. [Chap. XIV. and naturally of a more trivial character. Sometimes they are quite general. One Eubander, or Evander, and his wife would fain be informed to what god or what hero they must sacrifice in order to attain to prosperity. A native of Ambracia puts a similar request ; he enquires in regard to health, fortune and prosperity, and would fain learn to what god he must offer his prayers in order to gain these ends. Such requests as these have a some- what formal and conventional air, like the prayers of regular attendants at worship. But others are more de- tailed and of more interest. One Lysanias enquires whether the child with which his wife or mistress Annyla is pregnant is his own. One Agis, who has lost some cushions and pillows, and who is uncertain whether the theft is due to strangers or to some member of his own household, tries to make Zeus decide the question for him. Another votary seems to ask in an inscription, which we possess only in fragmentary form, whether it will be to his advantage to buy some town-house and farm which are in his mind. A capitalist asks whether if he takes to sheep-farming it will prove a good invest- ment. One Heracleidas asks the god whether any other child besides Aegle will be born to him. Sometimes the questions are so worded that they will be intelligible only to the god, perhaps a necessary pre- caution, if the honesty of the Peleiades or the priests was not above suspicion. Diognetus, son of Aristomedes, an Athenian, "begs and entreats you, Lord and Master, Zeus Nai'os, and Dione, and you Dodonaeans, to grant (a certain favour) to himself and all his well-wishers and his mother Clearete." As however this inscription is in- complete, the nature of the favour asked may have been stated in the part of it which has perished. The follow- ing is clearer. A certain person enquires "whether he shall be successful in trading in such a way as seems to Chap. XIV.] Dodona and the Oracles. 411 him expedient, carrying on at the same time his own craft." This votary clearly preferred that the god only, and not his ministers, should have a voice in his affairs. In another case a group of persons who make a common enquiry seem to prefer to limit the reply to certain lines. They ask "whether they shall best prosper by going to Elina (a place not mentioned elsewhere) or to Anacto- rium, or by effecting a certain sale." Evidently they had discussed the matter well among themselves, and though they were willing to let the god decide among their divergent views, did not care to run the risk of his suggesting some course which would please nobody. Requests such as these roughly engraven on lead tablets were laid before the god. But of the method in which answers were given the excavations give us no clear information. Nor is there among our tablets any certain specimen of a written response, though there are a few fragments which may be parts of such responses. These questions, couched in rude and uncouth dialectic forms, and full of bad grammar and false spelling, seem to bring vividly before us the hopes and fears, the customs and beliefs of a bygone age. The rude races who dwelt around stormy Dodona, Epirotes and Acarnanians and Locrians preserved their belief in the responses of the gods, when more polished and sceptical races of Greece had ceased to believe in any god except Fortune. The questions which they brought to Dodona were not merely such as modern people would naturally bring to a priest, questions of cult and sacrifice, but also such as we might put to a physician, a lawyer, or a stock- broker. Our own ancestors of a few generations back might have put such questions to the wise woman, or have opened the Bible at random to try and light on a solution for them in a Scripture-text, but they would not 412 New Chapters in Greek History. [Chap. XIV. have carried them to the highest shrine of their religion. Even the Roman and Greek churches, which in so many ways carry on the customs of pagan religion, do not pro- vide any fortune-telling apparatus. Prayer and purifica- tion, sacrifice and mystery, all survive in Christendom, but the oracles are dumb, and the needs which they supplied have to find satisfaction elsewhere. ( 413 ) CHAPTER XV. THE SUCCESSORS OF ALEXANDER AND GREEK CIVILIZATION IN THE EAST. The modern historians of Greece are much divided on the question where a history of Hellas ought to end. Curtius stops with the battle of Chaeroneia and the pros- tration of Athens before the advancing power of Macedon. Grote narrates the campaigns of Alexander, but stops short at the conclusion of the Lamian War, when Greece had in vain tried to shake off the supremacy of his generals. Thirlwall brings his narrative down to the time of Mummius, the melancholy sack of Corinth, and the constitution of Achaia as a Roman province. Of these divergent views we regard that of the German historian as the most correct. The plan of Bishop Thirlwall compels him to speak of Hellas as the land of the Greeks for centuries after the centre of gravity of the Hellenic world had been trans- ferred to Syria and Egypt, to Antioch, Pergamus, and Alexandria. It is as if a historian of the Dorians should confine his attention to the strip of land called Doris ; or a historian of the Arabs should omit to speak of the Mohammedan conquests in the three continents. The limits which Mr. Grote has imposed on himself are equally unfortunate. He details the victories of Alexan- der, but has to pass by the results of those victories. He shows us the Greeks breaking the narrow bounds of their race and becoming masters of Asia and Africa, but 414 New Chapters in Greek History. [Chap. XV. gives us no account of what they did with those conti- nents when they had acquired them. He leads us into the middle of the greatest revolution that ever took place in Hellenic manners and life, and then leaves us to find our way through the maze as best we can. The historic sense of Grote did not exclude prejudices, and in this case he was probably led astray by political bias. At the close of his ninety-sixth chapter, after mentioning the embassies sent by the degenerate Athen- ians to King Ptolemy, King Lysimachus, and Antipater, he throws down his pen in disgust, "and with sadness and humiliation brings his narrative to a close." Athens was no longer free and no longer dignified, and so Mr. Grote will have done with Greece at the very moment when the new Comedy was at its height, when the Museum was founded at Alexandria, when the plays of Euripides were acted at Babylon and Cabul, and every Greek soldier of fortune carried a diadem in his baeeaee. Surely the historian of Greece ought either to have stopped when the iron hand of Philip of Macedon put an end to the liberties and the political wranglings of Hellas, or else persevered to the time when Rome and Parthia crushed Greek power between them, like a ship between two icebergs. No doubt his reply would be, that he declined to regard the triumph abroad of Macedonian arms as a continua- tion of the history of Hellas. In Philip of Macedon he sees only the foreign conqueror of the Greeks, in Alex- ander a semi-barbarian soldier of fortune. No doubt it is possible, by accepting the evil told us by historians about Alexander, and rejecting the good, to make him appear a monster. But were Alexander even less noble and less far-sighted than Mr. Grote supposes him to have been, this would not in any way alter the tendencies of his conquests. Wherever the Macedonian settled, the Chap. XV.] The Successors of Alexander. 415 Greek became his fellow-citizen, and had over him the advantage of a greater talent for civil life. The Mace- donians spoke the Greek language, using a peculiar dialect, but that dialect disappears with their other pro- vincialisms when they suddenly become dominant. We find no trace in Asia of any specially Macedonian deities ; it is the gods of Hellas that the army of Alexander bears into the East. Even in manners and customs there seems to have been small difference between Greek and Mace- donian ; in our own day many primitive Greek customs, which have died out elsewhere, survive in remote districts of Macedonia. No doubt there was a great deal of Thracian blood among the hardy shepherds who followed the standards of Philip and Alexander ; but if not only the nobility but even the common people had no lan- guage, religion, or customs different from those of the Greeks, how was it possible to prevent the races from becoming mingled ? The more wealthy and educated classes in Macedonia were mostly Greek by blood, and entirely Greek in everything else except the practice of self-government. Wherever Alexander went, Homer and Aristotle went too. In the wake of his army came the Greek philosopher and man of science, the Greek archi- tect and artist, the Greek merchant and artisan. And Alexander must have known this. When he tried to fuse Greeks, Macedonians, and Persians, into one race, he must have known that whose blood soever ruled the mixture, Greek letters, science, and law must needs gain the upper hand. He must have known that the Greek schoolmasters would make Homer and Hesiod familiar to the children ; that the strolling companies of Dionysiac artists would repeat in every city the masterpieces of the Greek drama ; and that the Odes of Simonides and Pindar would be sung wherever there was a Greek lyre. It is well known that the ancients themselves took a 41 6 New Chapters in Greek History. [Chap. XY. view of the career of Alexander very different from Mr. Grote's. We will cite but a single passage from Plutarch, who wrote ages after the glamour and glare, which for long after Alexander's death concealed the reality of his achievements, had died away : " He taught the Hyr- canians the institution of marriage, the Arachosians agriculture ; he caused the Sogdians to support, not kill, their parents, the Persians to respect, not wed, their mothers. Wondrous philosopher ! who made the Indians worship the gods of the Greeks, the Scythians bury their dead instead of eating them. Asia, ordered by Alex- ander, read Homer ; the sons of the Persians, Susians, Gedrosians, repeated the tragedies of Euripides and So- phocles." This may be rhetorical, but still the rhetoric is very careful in its sweep to avoid collision with fact. It was precisely the people of North India who did receive the Greek deities ; it was, above all tragedians, Sophocles and Euripides who were in favour with the Asiatics. What Plutarch says about the Sogdians is completely confirmed by Strabo. The truth is, that the history of Greece consists of two parts, in every respect contrasted one with the other. The first recounts the stories of the Persian and Pelo- ponnesian wars, and ends with the destruction of Thebes and the subjugation of Athens and Sparta. The Hellas of which it speaks is a cluster of autonomous cities in the Peloponnesus, the Islands, and Northern Greece, together with their colonies scattered over the coasts of Italy, Sicily, Thrace, the Black Sea, Asia Minor, and Africa. These cities care only to be independent, or at most to lord it over one k another. Their political insti- tutions, their religious ceremonies, their customs, are civic and local. Language, commerce, a common Pantheon, and a common art and poetry are the ties that bind them together. In its second phase, Greek history Chap. XV.] The Successors of Alexander. 417 begins with the expedition of Alexander. It reveals to us the Greek as everywhere lord of the barbarian, as founding kingdoms and federal systems, as the instructor of all mankind in art and science, and the spreader of civil and civilized life over the known world. In the first period of her history Greece is forming herself, in her second she is educating the world. We will venture to borrow from the Germans a convenient expression, and call the history of independent Greece the history of Hellas, that of imperial Greece the history of Hellenism. In England Hellenism has been less fortunate as to its historians than in Germany, where it has occupied the attention, among others, of Niebuhr, Heeren, and Droysen. The period of the Diadochi or Successors of Alexander does not attract the student. The tone of Greek life was everywhere lowered, and manners had become luxurious and corrupt. Literature survived, and in some branches such as the Idyl and the Epigram flourished, but it had lost its freshness and become full of affectations. Philo- sophy was eagerly pursued, and went on developing, but there was no Plato to write it. It is difficult to discover any political matter of interest amid the incessant wars of the Antiochi and Ptolemies. To most readers Hellas, in the third and second centuries before our era, is like a man smitten with foul and incurable disease, and they are glad when the Roman conquest gives the coup de grace, and affords an opportunity of decent burial. And yet in this unattractive period is to be found the transition from ethnic and national to universal morality, from merely civic or autocratic to federal or imperial govern- ment, from ancient to modern sentiment and feeling. In it domestic life was largely developed, and the ground was prepared in which the seeds of Christianity were to be sown. To write the history of Hellenism requires talents of no 2 E 41 8 New Chapters in Greek History. [Chap. XV. common order. In this field we have no leading authority like Thucydides or Tacitus. We have to piece together the scattered testimonies of Justin, Appian, and Dio- dorus ; sometimes to try and fill up the enormous gaps they leave with quotations from writers like Zonaras and the Syncellus. An incidental statement of Pliny, of Lucian, or of Strabo, may contain all that we know of what happened during half a century in a great kingdom. These remarks apply of course rather to the eastern provinces of the empire of Alexander than to those bordering on the Mediterranean. Of the latter we have a tolerably consecutive account, especially when the Roman history of Polybius comes to our help. But in all cases the historians are far more ready to record the intestine wars which raged in the kingdoms of the Diadochi, and the crimes of their rulers, than to give us any notion of the systems of government, the municipal constitutions, the laws, the commerce, and the customs prevailing in the world of Hellenism. Yet these are the subjects on which now we eagerly desire information', while we are comparatively indifferent as to the results of the combats of the mercenaries of the Antiochi, the Antigoni, and the Ptolemies. To a certain extent the silence of historians is com- pensated by the existence of less accessible but deeper and more trustworthy sources of information. The Greek inscriptions found in the cities of Asia Minor furnish us with numerous details as to the civic life, the habits, and the religious observances of the dwellers in those cities under Seleucid and Roman rule. From existing Egyptian papyri M. Lumbroso has compiled 'an account of the government, the trade, and the general condition of Egypt under the Ptolemies. Professor Helbig has traced in the mural paintings of Pompeii the entire history of painting from Alexander the Great onwards, Chap. XV.] The Successors of Alexander. 419 and by an admirable induction has established a num- ber of propositions as to the nature of the art of the Hellenistic world ; whence we may learn much as to the emotions and perceptions of that world. Of the Greek kingdoms of Bactria and Cabul scarcely any memorial remains, except the abundant and interesting coins from which General Cunningham has been able to extract a surprising amount of information. Using these and other sources, and especially the masterly history of Droysen, who has brought all the rivulets of information together and united them into a stream of narrative, we will endeavour slightly to sketch the main characteristics of Hellenism, and to estimate the effects of the conquests of Alexander on Greece and Macedonia, on the various provinces of the old Persian Empire, in fact on the whole Oriental world, from Epirus on the west to India on the east, and from Pontus in the north to Egypt and Libya on the south. How slight such a sketch must be within the present limits of space, it is hardly necessary to point out. In no country were the changes produced by Alex- ander more striking than in his own Macedonia. Before his time and his father's, that land was a kingdom of the old Homeric type, whose ruler was ava% dvSpwv, but no despotic lord, and which was full of a sturdy and free population of ploughmen and shepherds. Even Philip never places his effigy on his coins nor calls himself King. But the Antigonid princes who after- wards ruled in Macedon were despots of the Asiatic type. They wore the diadem, were surrounded by a court, and were the centre of a bureaucratic and military system. They regarded their people as taxable pro- perty and as material for the manufacture of armies. And that people itself was sadly fallen and diminished. The Macedonian, lord throughout Asia, was at home 2 E 2 420 Neiv Chapters in Greek History. [Chap. XV. little better than a thrall. While he pushed his con- quests down the Indus and up the Nile, he was at home scarcely able to make head against barbarous neighbours. All the youth and energy of the country flowed in a never-ceasing stream towards the East ; only the unenterprising of the population remained at home. And this led to the most disastrous results. It was the age of the great eastward expeditions of the Gauls. A large body of them poured, about 280 B.C., through the passes of the Balkans down upon the devoted land. The King, Ptolemy Ceraunus, fell in battle, and like a flood the Gallic swarms swept over the plains of Macedon, slaying, torturing, burning, and committing every hideous excess which the heart of a barbarian can invent. In their own land, the Macedonians felt ten- fold all the misery and shame which they had inflicted on Persia. This was no case of the overthrow of one Greek state by another, it was no contest between civi- lized or semi-civilized nations, but the wasting of a settled land by a barbarous horde, whose only desires were to satisfy every brutal and bloodthirsty passion, to carry off all that could be carried, and to leave nothing behind but a broad track of fire and blood. For a moment the militia of the land, rallied by the gallant Sosthenes, who ought to be better known to history, made a stand, but again they were swept away by fresh waves of barbarism. Under Brennus the Gauls swarm southwards until they reach the very gates of Greece. And for a moment Greece remembers her old self, and the day when the Persians were advancing on the same road. Thermopylae must again be garrisoned. Antiochus, King of Syria, remembered his relationship to Hellas, and sent a contingent. The Boeotians, Phocians, and Aetolians mustered in force, Athens de- spatched 1500 men. The story of the defence of the Chap. XV.] The Successors of Alexander. 421 pass reminds one of old Greek days. Brennus, like Xerxes, could not force a way until traitors showed him the old path over the mountains ; then like Xerxes he took the defenders in rear, and but for the presence of Athenian triremes at hand to which they could fly, the little Greek army must have shared the fate of Leonidas. But the pass was forced, and Aetolia and Phocis lay at the mercy of the barbarians. Xerxes had made an attempt upon Delphi, and the god of Delphi had interfered to protect his temple ; but, in spite of fears, the rich treasures of the temple induced the Gauls to repeat the sacrilegious attempt. We fancy that we are reading romance rather than history, when we find in Justin's narrative how Apollo appeared in person, accom- panied by the warlike virgins Athene and Artemis, and wrought terrible havoc on the invading hosts ; how an earthquake and a terrific storm completed the discom- fiture of the Gauls, and Brennus fell by his own hand. At all events, whether the foes of the invaders at Delphi were mortal or superhuman, certainly they penetrated no further into Greece. Those who were not destroyed made a hasty retreat northward. Meantime their breth- ren, who had remained in Macedon, had been put to the sword by the hereditary King, Antigonus Gonatas, who had enticed them into his own deserted camp, and then fallen on them while they were feasting and spoil- ing. A third body of Gauls crossed over at Byzantium into Asia and founded the Gallo-Greek kingdom of Galatia in the heart of Phrygia. A fourth body settled in Thrace, and levied tribute on the Greek city of Byzantium. The flood had spent its fury and had ebbed, and as it retired it left Macedon and Greece exhausted and depopulated, but not demoralized. Almost all great out- bursts in the life of nations have followed the successful v 422 New Chapters in Greek History. [Chap. XV. repulse of a powerful invader. So Holland awoke after expelling the Spaniard, and the England of Elizabeth after frustrating him. So in Greece the great burst of Hellenic literature and art followed on the retreat of Xerxes. And after the repulse of the Gauls, we find among the northern Greeks a political revival, and even a certain after-bloom of art, if the theory be true which sees in the Apollo Belvedere and the Artemis of the Louvre the representations in contemporary sculpture of the deities of Delphi, as they appeared to the terror- stricken barbarians. It was Antigonus Gonatas, as we said, who so severely defeated the Gauls : and the same monarch before his death had formed a new Macedon. During his reign Greek culture and manners advanced ever more and more towards the north, and influenced even the rude Triballi and Dardani as far as the Danube. The population began to recover and the cities to grow, and Macedon to become once more a great power. The old Homeric freedom was gone for ever, but order and civilization had taken its place. If we turn to the Hellas which was contemporary with Antigonus and his successors, we shall find that the differences between it and the Hellas of Thucydides were rather deep-seated and radical than prominent and obvious. Thessaly was incorporated with the Macedonian kingdom. But in all Greece south of Thessaly the appearance of autonomy remained. No Macedonian harmost or oligarchy held sway in the cities. Only one or two of them, notably Corinth, usually contained a Macedonian garrison. Had the Greek cities now been content with an obscure autonomy, the kings of Macedon would probably have seldom interfered with them. But any city which adopted a lofty tone in dealing with its neighbours was sure to attract the attention of the King ; any city which attained wealth and prosperity Chap. XV.] The Successors of Alexander. 423 would certainly be called on to pay a subsidy to his exchequer. The Greeks, though much of their spirit was gone, were not so humbled as willingly to accept this position. Two courses were open to them. The meaner and more slavish of the cities sought to buy for them- selves the protection of one of the new kings of Asia or Africa by embassies, flatteries, and presents. The more sturdy and independent cities, in their efforts to escape from a humiliating position, made a great political discovery. This was the federal system of government. Hitherto, in Greece, either the cities had been independent one of another, or, if a confederacy was formed, the lead in it was always taken by one powerful state, which was practically master of the rest. The Athens of Pericles was dictator among the cities which had joined her alliance. Corinth, Sparta, Thebes, were each the political head of a group of towns, but none of the three admitted these latter to an equal share in their councils, or adopted their political views. Even in the Olynthian League, the city of Olynthus occupied a position quite superior to that of the other cities. But the Greek cities had not tried the experiment of an alliance on equal terms. This was now attempted by some of the lead- ing cities of the Peloponnese, and the result was the Achaean League, whose history sheds a lustre on the last days of independent Greece, and whose generals will bear comparison with the statesmen of any Greek Republic. Twice a year the ordinary assemblies of the League were held at Aegium ; but extraordinary assemblies might be convoked by the General to meet elsewhere. By this Assembly was made the selection of the officers of the League ; the General, who was its head, and his colleagues, the Admiral, the Master of the Horse, the Secretary, and ten Councillors. The Assembly had 424 New Chapters in Greek History. [Cbap. XV. further to deliberate on, and either accept or reject, measures brought before it by the Senate of the League. The voting took place, not by counting individuals, but by cities, and we have reason to believe that in the manner of reckoning the votes by individual cities some allowance was made for the influence of property. How this was done remains doubtful in the absence of exact details ; perhaps there was some regulation that the journey to Aegium should not be undertaken by all who had a fancy, but only by certain approved persons. Mr. Freeman, in his History of Federal Government, suggests that the length of the journey and the necessity of remaining for some time from home would in itself deter the poor of the Achaean cities from attending the meetings at Aegium, but it seems doubtful if that natural restriction were the only one. All the cities would appear to have had an equal number of . votes, but it was quite a matter of arrangement what was reckoned as a city. In the case of the Messenians, for example, three cities were accepted as members of the League, and then all the rest counted as one city of " the Messenians." So some of the suburbs of Mega- lopolis claimed to enter the League separately. We find here, then, no pure democracy, but a political system carefully constructed on representative and timocratic principles. The General was almost absolute master, but his power ceased at the end of a year, and he was not immediately re-eligible, so that he could hold his office in alternate years only. Aratus, who formed the League and was General seventeen times, is one of the most interesting characters of antiquity. His statesmanship and his power of ruling men were unrivalled, and, con- sidering the circumstances of the age, it adds greatly to our interest in his character that, as a soldier, he was more than suspected of cowardice. Chap. XV.] The Successors of Alexander. 425 The rival of the Achaean League in the Peloponnese was a reformed and renewed Sparta. Sparta was the last city in Greece to fall from pristine simplicity and hardihood into the luxury and loose morality of the Macedonian times, and at no city were such vigorous and noble efforts made to return to the lost virtue. When Agis, the son of Eudamidas, ascended the throne in 244 B.C., he found not only luxury and avarice domiciled in Sparta, but the whole of the land, which Lycurgus had divided into equal lots, absorbed in the possession of one hundred wealthy families, and even in great part in the hands of women. To restore the sternness and simplicity of ancient manners, and to provide Sparta with new citizens and every citizen with a plot of land, was the conservative idea of this young statesman. Every one may read, in the inimitable narra- tive of Plutarch, how his noble enthusiasm cost him his life, and how his schemes, living on in the love and reverence of his wife, Agiatis, passed to her second husband, the new king, Cleomenes, and launched him on a desperate effort to overthrow the Ephors and to restore the habits and constitution established by Lycurgus. The part that women took in the promotion of and opposition to his plans, is characteristic of the times and of the city where women were ever held in more honour than elsewhere. No more painful occurrence can perplex and disturb the reader of history than when two honest and noble men, in the accomplishment of their unselfish plans, are so thrown into hostility one against the other, that one must fall, and one set of plans be ruined. So it was in this case. Achaia and Sparta both required consolida- tion by success. The Peloponnese was not wide enough for Cleomenes and Aratus. Either, left to himself, might have restored the liberties of Greece, though in different 426 New Chapters in Greek History. [Chap. XV. ways ; their rivalry made liberty more impossible than ever. Aratus, as the weaker in the field, stultified his whole life, which had been devoted to the securing of independence to the Achaeans, by calling in the King of Macedon to take his part against Cleomenes. On the field of Sellasia the glorious hopes of Cleomenes were wrecked, and the recently reformed Sparta was handed over to a succession of bloodthirsty tyrants, never again to emerge from obscurity. But to the Achaeans themselves the interference of Macedon was little less fatal. Henceforth a Macedonian garrison occupied Corinth, which had been one of the chief cities of the League; and King Antigonus Doson was the recognized arbiter in all disputes of the Peloponnesian Greeks. In Northern Greece a strange contrast presented it- self. The historic races of the Athenians and Boeotians languished in peace, obscurity, and luxury. With them every day saw something added to the enjoyments and elegancies of life, and every day politics drifted more and more into the background. On the other hand, the rude semi-Greeks of the West, Aetolians, Acar- nanians, and Epirotes, to whose manhood the repulse of the Gauls was mainly due, came to the front and showed the bold spirit of Greeks divorced from the finer facul- ties of the race. The Acarnanians formed a league somewhat on the plan of the Achaean. But they were overshadowed by their neighbours the Aetolians, whose union was of a different character. It was the first time that there had been formed in Hellas a state framed in order to prey upon its neighbours. Among themselves, the Aetolians constituted the pure democracy peculiar to men who live with arms in their hands. Yearly they met at the stronghold of Thermus, where was stowed the booty won in their piratical expeditions, in order to Chap. XV.] The Successors of Alexander. 427 elect a general and decide on peace and war. But the contrast between these freebooters and the Achaeans is sufficiently marked by the circumstance that, when the latter admitted a city into their league, it entered with a full share of rights and had the same privileges as other cities. But when we hear of a city joining the Aetolian league, all that seems to be implied is that it paid an annual tribute in order to buy off the attacks of the Aetolians and to secure their protection against its neighbours. That such a city would send deputies to the Aetolian Assembly, or have a voice in the elec- tion of a general, there is no reason to believe. Epirus continued unchanged by the side of renovated Mace- donia, a kingdom of the old Homeric type, in which the power of the king was by no means unlimited, but subject to the control alike of the nobility and the prostates or president, whose name we find on inscrip- tions beside the king's. After the death of Pyrrhus and his son, the Epirotes, instead of falling into the hands of the Macedonian sovereign, formed a republic, democracy being far more suited to their habits and traditions than submission to any absolute ruler. Of the kingdoms founded by the generals of Alex- ander, the most compact and highly organised was Egypt. In Egypt Alexander was welcomed as a deliverer by a superstitious race ; he gave out that he was the son of the Egyptian deity Ammon. To the Egyptians it was an easy thing to add to the number of their gods, and to Alexander a distinguished place in the royal section of the Pantheon was at once accorded. Ptolemy, to whom good fortune had assigned Egypt as a satrapy on the death of his master, had no difficulty in taking his place in matters religious as well as political. He found a priest-ridden country, and, by closely binding the priesthood to himself, he gained the veneration of the 4 2 § New Chapters in Greek History. [Chap. xv. people. He found settled laws and an elaborate ad- ministrative machinery ; he retained both in the main, though modifying each with the political talent for which he was so justly famed. The commerce, the wealth, and the population of Egypt advanced at a wonderful pace under his wise rule ; so that the armies, the ships, the riches, the literary and artistic treasures of Egypt became within half a century the wonder of the world. In the administration of Egypt Ptolemy adopted and utilized that division into districts, or nomes, which had been in use from the earliest times. But the general government of the individual nomes became more mili- tary in character, while at the same time the various branches of the civil government were placed in the hands of separate officials. At the head of every nome was a Macedonian strategus, or general, assisted by an administrative officer, called an epistates, and a secretary. In every nome there were agoranomi, Hellenic function- aries, entrusted with the inspection of markets, the regu- lation of trade, and the settlement of the disputes between merchants. Graver causes were tried by commissions of three judges, who passed in circuit from city to city ; or they were carried to Alexandria for decision. Villages and sub-districts had each their group of officers, and the nomes themselves were gathered into larger pro- vinces, under the headship of a provincial governor. At the head of the whole bureaucracy stood the King, whose decree was law throughout the length and breadth of the land, and around whom was a military court, with innumerable grades of honour and distinction. To be enrolled in the bodyguard, to gain a right to the title of the King's Friend or the King's Cousin, was the ambition of Greek mercenaries and native Egyp- tians ; and as these titles and honours were to a great Chap. XV.] The Successors of Alexander. 429 extent hereditary in Egypt, they occupied the same relative position as the old German titles of office. But of course, in a land where a word of the sovereign could raise to honour or condemn to disgrace, any indepen- dent order of aristocracy was out of the question. All the higher honours, both about the person of the monarch and in the provinces, were in the hands of Macedonians and Greeks, the leaders of the hired troops who represented the physical force of the Egyptian kingdom. Any restraint which existed on the arbitrary power of the king came from them. On the demise of a king, they appointed his successor out of the princes of the Ptolemaic race, and, when a king became dis- tasteful to them, they possessed means for depriving him of the diadem. The native Egyptians seem to have accepted calmly a position of inferiority, out of which a man here and there rose by talent or fortune. They had long been unused to independence, and the respect paid to their laws and religion by their new masters made them disposed cheerfully to submit to their supremacy and protection. Only the great ports of Alexandria and Naucratis, with Ptolemais, a city built in Upper Egypt in order to dominate Thebes, — all three of which cities had in the main a Greek population, — enjoyed to a large extent the right of self-government, and formed small imperia in imperio. Both in political skill and in love of letters, the Kings of Pergamus were not inferior to the Ptolemies. Their territory was small ; yet one of them, Attalus I., was able to inflict a crushing defeat on the Gauls, and afterwards to use them as mercenaries against his neigh- bours. It was the traditional policy of the race to stand beside Rome in her wars in the East ; a course of conduct which brought a rich reward. All the princes of this dynasty were literary. Attalus I. composed a 43° New Chapters in Greek History. [Chap. XV. treatise on botany; Eumenes II. was noted as a muni- ficent patron of authors ; Attalus II. corresponded with the philosopher Polemo ; and, when Mummius sacked Corinth, he did his best to save from destruction the masterpieces of art of which that city was full. The library of Pergamus contained 200,000 volumes when Antony presented it to Cleopatra ; and the parchment of Pergamus has played a greater part even than the papyrus of Egypt in preserving for us copies of ancient works. Unlike the later Ptolemies, the Kings of Per- gamus possessed civic and domestic virtues. They cared little for regal state, and liked to appear to their people as only the leading citizens. In a dissolute age it is remarkable to find the two sons of Attalus I. erecting a temple at Cyzicus, not to their mistresses but to their mother Apollonis, who was a native of the city. In most respects the vast and ill-compacted empire of the Seleucidae formed a marked contrast to the highly organized kingdom of Egypt. Seleucus and his successors never succeeded, like the Ptolemies, in con- ciliating the national and religious prejudices of the races over which they ruled. The policy of Alexander, who had determined to make one race of Greeks and Persians, died with him. The Kings of Syria did not adopt like him the Persian dress, nor marry like him Asiatic wives. We trace in such fragments of their history as have come down to us strong indications of hostility between them and the creeds of the subject- races. On the occasion of the foundation by Seleucus of the city of Seleucia on the Tigris, the Magi tried to cheat the King into choosing an unpropitious site. To the Persian worshippers of Ormazd the image-worship of the Greeks seemed a degrading superstition. An- tiochus IV. made a vigorous endeavour to introduce the worship of Zeus Olympius in the cities of his dominion, Chap. XV.] The Successors of Alexander. 431 even in the temple of Jehovah at Jerusalem. So, while in Egypt the population was quiescent, in the Syrian Empire we have a long series of national revolts under patriotic leaders, beginning with the secession of the Persians in Iran and Media, and ending with the suc- cessful struggle of the Jewish Maccabees for inde- pendence. In fact in all Asia, save Asia Minor and Syria, the Hellenistic princes had very little hold on the peoples of the country except that arising from fear. What then were the means by which they so long retained their sway in the midst of a hostile population ? The answer to this important question contains the secret of the history of Asia during the three centuries before the Christian era. In the first place, the Greek kings in Asia could always secure the services of Greek and Macedonian mercenaries. At the time of Alexander's expedition against the Persian Empire there were stored in all the great cities, Susa, Ecbatana, Babylon, and the rest, enormous treasures of gold and silver. These were the hoarded results of the Persian exactions, and prodigal as Alexander was in his expenditure, he could not quite exhaust the vast supply, but left a proportion for his successors. As the shedding of honey draws together a cloud of flies, so the gradual melting of the mountain of Persian gold drew over into Asia a constant stream of soldiers of fortune. These men, who came chiefly from Crete, Arcadia, Macedon, and Thrace, were unscru- pulous indeed, but under good generals they made fair soldiers, and the descendants of Seleucus knew how to attach them to their service. We have a racy picture of one of these gentry in the Pyrgopolinices of Plautus, and no doubt the figure was familiar enough to the new Attic comedy. 43 2 Neiv Chapters in Greek History. [Chap. XV. But a mere mercenary army is not in itself sufficient to bind together a civilized State. It is well shown by Droysen that the main source of Greek power through- out Asia was in the cities founded everywhere in extra- ordinary numbers by Alexander and his successors. From the earliest days of Hellas the city had been a self-com- plete unit, organized and independent. The Greek cities of Asia Minor, even when under the sway of the Persian kings they had paid tribute and admitted a garrison, yet possessed in many respects their autonomy, appointed their own magistrates, and regulated their own commerce. Hence it would appear that the great Alexander conceived the idea of binding to himself the provinces which he overran by building a chain of cities across them, cities with mixed population, but dominated by a Greek faction, and trained to the enjoyment of Hellenic privilege. With Alexander, to conceive an idea and to put it into execu- tion was the same thing. He found the people of several districts living scattered in villages ; he drew them to- gether into cities, at the head of which he placed a few of his followers to organize. The result was a complete change in the manners of such people. From scattered and ignorant cultivators they became artisans or mer- chants, and remained for centuries attached to the Greek rule, which had so enlarged their ideas and improved their position. At the mouth of the Nile, near the shores of the Caspian, along the course of the Oxus, at the foot of the Paropamisus, on the banks of the Indus, wherever the arms of Alexander were victorious and the country seemed fertile, the great conqueror halted his army for a brief period, or detached a body of troops, and in a few weeks the walls of a city were rising to dominate the district. To fill those walls he left a few veterans weary of fighting and marching, and some of the merchants and artisans who followed his march in Chap. XV.] The Successors of Alexander. 433 crowds, and then summoned the inhabitants of the neigh- bourhood to complete the number of citizens. The Seleucid and other Greek princes continued the practice. So it was not long before the cities of Alexander and his generals absorbed the trade of Asia, and every one of them was a centre whence the Greek language, Greek ideas, and Greek religion spread over the East. We need only mention among them Alexandria, Antioch, Seleucia, Nicaea, Kandahar, to remind the reader how many of the great cities of the world then came into being. We may divide these cities into groups, according to their position, and will speak first of the fate of those founded in the far East. In the remote districts to the north of Cabul it must be confessed that the fruits of Alexander's conquests were not lasting. No sooner was the King dead, than the Macedonians settled on the Oxus and Jaxartes, to the number of 20,000 infantry and 3000 cavalry, smitten with a sudden despair at the thought of their distance from home, left their cities, and in full battle array took the road for Europe. The generals at Babylon could resist and slaughter them, but could not send them back across the Oxus, and by their desertion the barrier erected to keep out the bar- barous nomads of Turkistan was most fatally weakened. A century later one of those great migrations of nations which have so often changed the face of Asia set in. Relieved from the pressure of Persian power on the south, the barbarous nations of Sacae or Scythians on the borders of China began to migrate in masses towards the Oxus and Bactria. They had, no doubt, to make their way by hard fighting ; but the flood rolled on slowly and irresistibly, and in considerably less than two centuries after Alexander's death it had submerged the plains of Bactria and Sogdiana ; and the semi-Greek 2 F 434 New Chapters in Greek History. [Chap. XV. cities to the north of the Paropamisus or Indian Caucasus were either destroyed or left cut off from the world to starve slowly and become barbarous. The Macedonians and Greeks were driven into the Great natural strong-hold which fortune and the policy of Alexander had left them in that region. This is the Cabul valley, where for centuries a Hellenistic civilization maintained itself. When the Macedonian army first entered that region and approached the city of Nysa, in the neighbourhood of Jellalabad, they at once found themselves in a country resembling their own. Here grew the ivy and the vine ; here the people drank wine freely, and claimed to be descended from the army of Bacchus, the conqueror of India, who on his return had founded their city. Believing, like all his contemporaries, that the Indian expeditions of Bacchus and of Heracles were historical fact, Alexander received the people of Nysa with great favour, and granted them autonomy. It is probable that in this district the common worship of Bacchus brought about a certain fusion between Greek and barbarian, and this as well as the natural strength of the country may have helped the Greeks to make a stand. But after a while even this stronghold was stormed, and the unhappy Greeks were driven first into the Panjab and then crushed between the advancing hordes of Scythia and the Indian kingdom of Magadha ; and in the first century of our era Scythian chiefs ruled from Bactria to the mouth of the Indus. It is sometimes said that the conquests of Alexander had no influence on Indian civilization ; but the student of the antiquities of the Panjab knows better. The Scythians and the native dynasties of North India were lonsf enough in contact with the Greeks to learn their language, their religion, and their art. The coins of the Gupta kings of Magadha bear types of Greek origin, Chap, xv.] The Successors of Alexander. 435 those of the Sah kings of Guzerat bear Greek inscrip- tions, those of the wealthy Saka kings of Cabul present to us not only Greek legends, but figures of Greek deities, of Artemis, Heracles, and Pallas, and that certainly as late as the second century of our era. Buddhist figures, whether from the topes of Afghanistan, or even from China, show to any one accustomed to Greek art indu- bitable traces of a close affinity with it. And it is in the last degree improbable that peoples, which borrowed the style of their money and their religious art from the Greeks, should have borrowed nothing else. The fate of the Hellenistic cities in those more western regions of Asia which fell under the dominion of the. Parthians was less harsh. The Parthians, who lived on horseback, and did not willingly venture within the walls of a city, found it wise to tolerate them, and, in return probably for a fixed tribute, allowed them autonomy and protected their trade. The Parthian king even assumed the title Philhellen, Greek was his court language, and he beguiled his leisure by witnessing Greek plays and conversing with Greek travellers. The usual type of the Parthian coins represents a Greek city offering a wreath to the king ; their legend is Greek, and they are dated according to the Greek era of Syria. In some cases, when there was war between Parthia and the Seleucid kings of Syria, the Hellenistic cities of Parthia seem to have sided with the latter power, and taken the Syrian troops into friendly winter-quarters. How completely independent of the central power the greater cities were may be judged from the circumstance that in the popu- lous city of Seleucia on the Tigris there were internal civil wars between the Greek, Jewish, and Syrian factions without any interference on the part of the Parthians. Even the cities of Syria and Asia Minor, although under the rule of kings of Macedonian race, were pro- 2 F 2 43^ New CJiapters in Greek History. [Chap. XV. bably to a great extent self-governing. They had their senate and popular assembly, their magistrates elected by themselves, their alliances, monetary and commercial, with one another, and their decrees, which in most matters of internal police, religious worship, and commerce, had the force of law. The king exacted a revenue from them, and kept in them a garrison, whose chief must have had criminal jurisdiction, and power of life and death, but it is improbable that he interfered with their internal ar- rangements, the laws with regard to property, or the market regulations. Freedom from both taxes and gar- risons was gradually conferred on most of the great cities of Asia Minor and Syria by one or another of their rulers during the third and second centuries before our era. An extraordinary size and architectural splen- dour was attained by many of them. In some districts, such as Cyrrhestica in Northern Syria, they were so thickly scattered that the land became thoroughly Hel- lenized, and barbaric manners and barbaric language died out. Thus over all western Asia, including even countries which like Cappadocia retained their own kings, a mesh of Hellenistic and half-autonomous cities was spread, which with every generation became stronger, binding the land to civilization and law, and bringing in that state of extraordinary wealth and prosperity which we find at the time of the Christian era. As by hard fighting the Greeks had mastered the treasures of Persia and Babylon, so by commercial en- terprise they appropriated the resources of Tyre and Sidon. Those cities indeed survived their captuie by Alexander, living on as Hellenistic cities, and even re- covered prosperity, but they had lost their high rank for ever. Hitherto they had been the great intermediaries between East and West, and the trade of Egypt, Persia, and India had flowed through their markets. But with Chap. XV.] The Successors of Alexander. 437 the building of Alexandria near the mouth of the Nile a new era began. Henceforth only part of the trade of India passed by the caravan routes to the coast of Phoenicia. Much of it came direct to the shore of the Red Sea. Harpalus discovered or rediscovered the course of the monsoons, and at the proper seasons Arabian fleets went to and fro between the Malabar coast and the harbours sedulously constructed by the Ptolemies on the Red Sea, whence the wares passed overland to the basin of the Nile. India sent ivory, silk, precious stones, rice, scented woods ; and received in return gold and silver as well as the products of Egypt. To our own days gold coins of the early Roman emperors are not unfrequently found in India. The trade which passed up the courses of the Euphrates and the Tigris re- ceived a great impetus from the foundation, in the neighbourhood of Babylon, of the immense Greek trading city of Seleucia, and near the Syrian coast of Antioch with its seaport, also called Seleucia. Between the two Seleucias there must have been constant inter- course. Along all the great caravan routes eastward from the Mediterranean arose flourishing Greek cities, a number of which still survive, and would still flourish under a just government. Even the Oxus was in those days a high- way of commerce, floating the productions of Bactria into the Caspian Sea. The first Antiochus is said to have projected a canal which should join the Caspian Sea with the Euxine, and thus secure a water-highway from the Mediterranean into Upper Asia. This plan was un- fortunately never realized, but the importance of Sinope shows how extensive a trade passed towards the Caspian Sea from the west by land. If the growth of trade be an indication of advancing civilization, then civilization must have advanced very rapidly in the century which followed Alexander's death. 438 New CJiapters in Greek History. [Chap. xv. The great intermediary between Europe and Asia was the island of Rhodes. About 408 B.C. the cities of Rhodes combined to build a new capital to their island, which they called Rhodus. Almost immediately the young city started on a splendid commercial career, the period of her rise closely corresponding with that of the downfall of Athens. Her commercial navy was soon known in every port of the Mediterranean, and her ships of war assisted Alexander in the conquest of Tyre. Then came the celebrated siege of the city by Demetrius Poliorcetes, a siege full of spirit and chivalric feelings on both sides. When Demetrius became convinced that he could not take the city, he made a treaty of alliance with the Rhodians, and cemented it by presenting to them the engines of war with which he had been lately battering their walls, to the value of three hundred talents. Truly Rhodes was the spoilt child of the old age of Hellas, for when fifty years later the city was shaken and damaged by an earthquake, the kings of Egypt, Syria, and even Syracuse vied with the free Greek cities of Asia in pre- senting ships, money, and building materials, and in ac- cording to the Rhodian ships immunity from tolls in their ports. So Rhodes grew great, not through her prosperity alone, but also through her calamities. And it cannot be said that her unparalleled good fortune was wholly unmerited. In spite of their great wealth and over- flowing commerce, the people of the island retained something of the old Dorian honesty and simplicity. Their government was a mixture of one of the wisest forms, a commercial aristocracy, and the freest, a demo- cracy ; for though all votes had to be passed in popular assembly, yet this assembly could only discuss points brought before it by the senate. Rhodian commercial law was adopted by the Romans on account of its jus- Chap. XV.] The Successors of Alexander. 439 tice, and remains to this day the foundation of the Law of Nations. Twice did the Rhodians support in arms the freedom of Greek commerce, standing forth as cham- pions on behalf of weaker powers ; once when they put down the pirates who had already begun to swarm in the Eastern Mediterranean, and once when they com- pelled Byzantium to give up the power she had assumed of levying a tax on all the Greek vessels that passed the Golden Horn on their way to and from the Black Sea. But Rhodes, like the Achaean League and every pro- mising institution of later Greece, was destined to decay under the withering shadow of Roman jealousy. True that the Rhodians were firm allies of Rome, .and vigor- ously hostile to her enemies in Macedon and Asia. Yet the power and wealth of the island remained, and these were in themselves a sufficient cause for the enmity of a state which would not endure the faintest shadow of a rival. The Romans in 167 B.C. conceded the island of Delos to Athens, and made it a free port under their special protection. From that day Rhodes declined, and Delos became the emporium of Greece. One great staple of Delian trade was slaves, of whom we are told that sometimes ten thousand were landed in the morning and sold before evening. The Syrians and other Jews of antiquity flocked to Delos, and Rhodes was deserted. But even then the island remained the home of art and of philosophy. The group of Laocoon exists to our day to testify to the excellence of Rhodian sculpture, and Julius Caesar went to Rhodus to attend the lectures of Molo at the University. Other cities which grew in commerce and power in the times of the successors of Alexander, besides the new foundations and Rhodus, were some of those on the Black Sea, notably the Pontic 'HeTaclea, "Sinope, and Panticapaeum. The trade of the Euxine had' been almost 44-0 New Chapters in Greek History. [Chap. XV. monopolized hitherto, first by Miletus, and, after the fall of Miletus, by Athens. Now it was open to many states. The o-reat wheat-harvests of the Crimea, and the abundant fish of the Borysthenes, with the cattle and hides supplied by the Scythians, and timber from the vast forests of Thrace, made the export trade which flowed through the Bosphorus of great value. We have already mentioned how the people of Byzantium sought to levy a toll on the commerce of the Euxine, and how their attempt was frustrated by the Rhodians. The passage of the Bos- phorus remained free, and as a consequence the Greek cities of the Euxine remained flourishing and powerful in the face of surrounding Hellenistic potentates and barbarous tribes of Scythians until the time of Mithri- dates the Great. Our limited space now compels us to turn from the external and political aspects of the world of Hellenism to its internal aspects ; to the religion and manners of the later Greeks, and to the changes which these under- went in the centuries which followed Alexander's expe- dition. The religion of the Greeks had never claimed a universal character ; nor had they attempted to make proselytes among other nations. As Greeks they wor- shipped Zeus and Pallas and Apollo, but it seemed to them perfectly natural that other nations should have deities of their own, that the Egyptians should venerate Osiris and the Thracians Bendis. In their ruder days they were ready to slay the worshippers of strange deities, because the very fact of that worship would prove that they were aliens ; but they would never have consented to admit strangers to a share in their own sacrifices. The Pantheon of the Greeks was a national institution, and as the Greeks forced their way to a prominent place among the nations, so their deities became more powerful and more widely worshipped. But they would never Chap. XV] The Successors of Alexander. 441 deign to receive the sacrifice of a barbarian, or to listen to his prayer. Even the clans and the cities of Greece had all their own guardian deities, who were thoroughly identified with the places they protected, and hostile to all strangers and enemies. Indeed to the common people the true object of their worship was the local or civic deity, as embodied in some well-known statue or picture, and the deities of the Olympic circle were little more than abstractions. The object which the uncultivated people of Phigaleia really venerated was the black De- meter with the horse's head ; and the mob of Ephesus implicitly trusted for the defence of their persons and their city to the barbarous many-breasted figure which stood in their great temple. The more cultivated classes of course saw the deity behind the statue, and for them the Pantheon which Homer and Hesiod had formed was a national institution, but even they would not see what barbarians had to do with it. In the course of the Peloponnesian War Greek religion began to lose its hold on the Greeks. This was partly the work of the sophists and philosophers, who sought more lofty and moral views of Deity than were furnished by the tales of popular mythology. Still more it re- sulted from growing materialism among the people, who saw more and more of their immediate and physical needs, and less and less of the underlying- spiritual ele- ments in life. But though philosophy and materialism had made the religion of Hellas paler and feebler, they had not altered its nature or expanded it. It still re- mained essentially national, almost tribal. When, there- fore, Greeks and Macedonians suddenly found themselves masters of the nations of the East, and in close contact with a hundred forms of religion, an extraordinary and rapid change took place in their religious ideas. In religion, as in other matters, Egypt set to the world 44 2 New Chapters in Greek History. [Chap. XV. an example of prompt fusion of the ideas of Greeks and natives. To Ptolemy Soter, when the new city of Alexandria was just rising, there appeared in a vision a divine form, which bade the king fetch the image of his divinity from Pontus. The Egyptian priests could not interpret the dream, but the Eumolpid priest, Timotheus of Eleusis, who was then at Alexandria, after hearing the king's description of his visitant, declared him to be a half-Greek deity worshipped at the city of Sinope under the name of Sarapis. An embassy was de- spatched to Delphi, and the oracle of Apollo com- manded that they should act upon the vision. With great pomp, and of course in the midst of supernatural mani- festations, the image of Sarapis was solemnly conducted from Sinope to Alexandria. Who or what Sarapis was originally has been much disputed ; all that is certain is that he was in a special sense the deity of the heavens above and of the future life. The Egyptians at once saw in him a form of their national deity Osiris, and, as he had left behind at Sinope the goddess who was there his consort, they associated Isis with his wor- ship. The Greeks identified the new god sometimes with Zeus and sometimes with Hades or Pluto. In the splendid temple which was erected to receive the statue from Sinope, both nationalities could meet in a common worship. It is known that Alexander the Great in his last illness had sent to inquire at the temple of Sarapis as to his chances of recovery, and it may be suspected that the dream of Ptolemy, who was a real statesman, was a politic invention. If so, no imposture was ever more successful. Sarapis perfectly represented the new Egypt, and with his Egyptian consort he received as a marriage-portion all the arcana of the sacred lore. Greek- philosophy stepped in to adapt the new religion to the tastes of the educated classes. The cultus of Sarapis Chap. XV.] The Successors of A lexander. 443 and Isis spread rapidly over Egypt, and thence through Asia Minor and Greece. In fact that cultus supplied one of the great needs of the Hellenistic world. The decay of civic life and the disruption of family ties threw at this time greater stress on the personal and individual ; Greek men for the first time began to feel the need of a personal religion. Hitherto processions and sacrifices had belonged to the community, and had been the expression of its common life ; now they were burdened with personal wants and prayers. And the more disorganised the old framework of society became, the more stress did hope and imagina- tion lay upon the future life. But the religion of the Egyptians had always been much occupied with the next world, and in its new form it offered to all who accepted the guardianship and guidance of Sarapis and his consort a safe path amid the perils which attended on death and a happy future in the land of spirits. It also appealed to men and women one by one, drawing its votaries from the midst of cities and of families. No doubt it was mixed with much that was merely cere- monious and much that was superstitious, yet history justifies us in considering it as a forerunner of Chris- tianity, for which it prepared the way, and to which at a later time it became so formidable a rival. The his- tory of art quite confirms this view. The face of the Hellenic Zeus becomes more spiritual, mild, and mys- terious in that of Sarapis. With regard to the religions of other Eastern countries we have less definite information than in the case of Egypt. But it would appear that other ancient systems of belief underwent a change, and appeared in a new form under the influence of Hellenism. The Phrygian races in Asia Minor had long worshipped Cybele, a deity of the moon and of the rude powers of nature. 444 Neiv Chapters in Greek History. [Chap. xy. Her worship had spread among the Greeks, who had identified her with the Rhea of their own mythology. That worship suited the new times. It offered to the vulgar gay shows and imposing ceremonies, to the ex- citable enthusiastic rites in which religious and sensuous excitement were strangely blended, while the sceptic could imagine that in adoring the mother of the gods he was only worshipping the mysterious powers of Nature. The cult spread rapidly through the Greek world, and during the Hannibalic wars the Romans sent for the statue of Cybele from her temple at Pessinus, in Phrygia, and made her a home in the Eternal City. Of a similar character to the worship of Cybele was that of Mithras, a deity brought into prominence by the contact of the primitive sun-worship of the Persians with Hel- lenistic influence. In Syria Mithras, and in Asia Minor Cybele, offered a common worship to Greek and, bar- barian, and largely stimulated the fusion of races. We have already mentioned that the Greek invaders found in the Cabul valley traditions of heroic conquerors, whom they at once identified with the Bacchus and Heracles of their own mythology. The people of the place at once accepted an identification which placed them, as descended from the followers of Bacchus, on a footing of cousinship with the Greeks. These two heroes, together with Zeus and Pallas, the special- guardian deities of Alexander, were singled out for special devotion by the Greeks of the far East, and adopted by the nations round them. Even the Parthians and the barbarous Sacae who destroyed eventually the Greek cities of India incorporated these deities in their very eclectic Pantheons. On gold coins of the Scythic kings of the Panjab we find the names and the figures of Heracles and Sarapis beside those of Varuna and Siva, of Mithras and of Buddha. The worship of CiiAr. xv.] The Successors of A lexander. 445 Dionysus in particular, being fitted by its enthusiastic character, and the orgies which adhered to it from its Thracian origin, to rival the religion of Cybele herself, spread rapidly among the native races of Asia, and then returned in altered and Asiatic shape to Greece and the West. The Dionysiac festivals passed into Italy, and appeared to the Romans so fatal to morality and de- cency that the senate, in 186 B.C., passed a stringent decree forbidding them, and they were put down, not without much bloodshed. In the cities newly founded by the successors of Alex- ander these new deities found abundant welcome and crowds of votaries. But not to the exclusion of the older Greek gods. The troops settled in a particular city usually came from the same town or district in Greece or Macedon. They often gave to their new home the name of the old, whence names such as Edessa, Cyrrhus, and Chalcis were not rare in Syria and Asia Minor. And they often transplanted with them the guardian deity of their ancestral city, Zeus or Apollo or Artemis, who became their protector and friend amid their new surroundings. The festal pro- cessions and ceremonies migrated with the deity. In particular, we know, from the testimony of coins and inscriptions, that in a large number of the cities of the Hellenistic Asiatics games resembling the Pythia and Nemea of Hellas were held at stated intervals, and occupied a prominent place in the energies of the people. Whether the competitors had to establish some claim to Hellenic parentage we know not, but in any case the crowds of spectators must have been mixed ; and before all were held up the ideals of Greek athletic training and physical beauty. To the effeminate Asiatics there must have come on such occasions quite a revela- tion of manliness and simplicity. 446 New CJiapters in Greek History. [Chap. xy. Into Greece proper, in return for her population which flowed out, there flowed in a crowd of foreign deities. Isis was especially welcomed at Athens, where she found many votaries. In every cult the more mysterious ele- ments were made more of, and the brighter and more materialistic side passed by. Old statues which had fallen somewhat into contempt in the days of Pheidias and Praxiteles were restored to their places and received extreme veneration, not as beautiful, but as old and strange. On the coins of the previous period the re- presentations of deities had been always the best that the die-cutter could frame, taking as his models the finest contemporary sculpture ; but henceforth we often find on them strange, uncouth figures, remnants of a period of struggling early art, like the Apollo at Amy- clae, or the Hera of Samos. At the same time the recognized civic cults, with their ancient temples, their hereditary orders of priesthood, their orthodox sacrifices and processions, grew more and more distasteful to the many, and the desire for some- thing more exciting spread further and further. There had been, even before the Macedonian age, among the Greeks societies called erani or thiasi, voluntary associa- tions established by the concert of individuals for the worship of foreign deities. These dissenting sects, if we may so term them, had a fund, supplied by the contribu- tions of the members. They erected their own shrines, and elected their own priests and priestesses. The state looked with dislike and contempt on these societies, and their usual members were slaves and women. Under their auspices Sabazius and Cybele had become already domiciled at Athens. But after the time of Alexander the erani came forth from their lurking-places, and were an important element in Greek society. In the open streets might be seen processions in honour of the Chap. XV.] The Successors of Alexander. 447 deities of Asia and Egypt, Atys and Mithras and An- ubis, and the respectable burghers frequently found to their horror that their trusted slaves, nay, their wives and daughters, were constant attendants at the secret rites which characterised the meetings of the crani. We are told that those rites were disgraced with debauchery and the vilest excesses ; it may probably have been so, but we must remember that similar tales were told of the sacred meetings of the early Christians. Certainly much charlatanry and imposture hid under the mask of the foreign religions. Their priests boldly claimed a knowledge of the future. Under the influence of a frantic religious excitement, into which they worked themselves in the nominal worship of their deity, they uttered broken sentences in reply to the questions of their [votaries, sentences which these latter accepted as the oracles of supernatural knowledge. And they pro- fessed to cure the diseases of those who applied to them by throwing them into a similar state of frenzy. Those elements in the recognized Greek religions which lent themselves to such a transformation became more and more transfigured into the likeness of the Asiatic enthusiasms. The mysteries of Eleusis lost their sobriety ; mysterious cults like that of Tropho- nius attracted increasing crowds, and the temples of Asclepius were filled with votaries hoping for the personal appearance and inspiration of the healing deity. We need say little or nothing of the history of philo- sophy during the Hellenistic period, because this is a subject which has not been neglected like most of the phases of later Greek life. Mr. Grote remarks that, at the point where he closes his work, philosophy alone of all the productions of Greek activity has life in it and a career before it. All historians of philosophy 44§ New CJiapters in Greek History. [Chap. XV. spare a few pages to the successors of Plato and Aris- totle, though the understanding of them is somewhat marred by the incomplete idea usually possessed of their surroundings. The fact is that the same change came over philosophy at this period as came over re- ligion and morality, a change which may be expressed in its most general form when we say that the in- dividual and moral point of view is substituted for the civic. With Plato and Aristotle a man is first a citizen and then an individual ; with their successors he is a human being first, and a citizen only in the second place. His relation to his city is eclipsed by his relations to pleasure, to virtue, and to the order of the universe. The most complete sceptic of antiquity, Pyrrho, is said to have travelled to India in the train of Alex- ander, and to have conversed with the Indian Gymno- sophists. The story is characteristic. On the impulsive nature of a Greek, the reserve and self-containment of the Brahmin would produce a great effect, and the entire newness of the ideas held by him as to truth and falsehood, and even as to right and wrong, might easily lead an admirer, if not to adopt these ideas, at least to lose all belief in his own. Thousands of Greeks, when they found the best and noblest of the Asiatics differing from their own traditional views of morality, must have hastily leapt to the conclusion that morality is a matter of pure convention ; that right and wrong vary in various countries, and exist in the fancies of men rather than in the relations of things. There is but a step from the belief that all religions are true to the belief that all religions are false, and in philo- sophy as in religion, the experience of mankind may lead either to large-minded toleration or to complete scepticism. In the intellectual life of Athens there was still left Chap. XV.] The Successors of Alexander. 449 vitality enough to formulate the two most complete ex- pressions of the ethical ideas of the times, the doctrines of the Stoics and the Epicureans, towards one or the other of which all educated minds from that day to this have been drawn. No doubt our knowledge of these doctrines, being largely drawn from the Latin writers and their Greek contemporaries, is somewhat coloured and unjust. With the Romans a system of philo- sophy was considered mainly in its bearing upon conduct, whence the ethical elements in Stoicism and Epicu- reanism have been by their Roman adherents so thrust into the foreground, that we have almost lost sight of the intellectual elements, which can have had little less importance in the eyes of the Greeks. Notwithstanding, the rise of the two philosophies must be held to mark a new era in the history of thought, an era when the importance of conduct was for the first time recognized by the Greeks. It is often observed that the ancient Greeks were more modern than our own ancestors of the Middle Ages. But it is less generally recognized how far more modern than the Greeks of Pericles were the Greeks of Aratus. In very many respects the age of Hellenism and our own age present remarkable similarity. In both there appears a sudden increase in the power over i material nature, arising alike from the greater accessi- bility of all parts of the world and from the rapid development of the sciences which act upon the physi- cal forces of the world. In both this spread of science and power acts upon religion with a dissolving and, if we may so speak, centrifugal force, driving some men to take refuge in the most conservative forms of faith, some to fly to new creeds and superstitions, some to I drift into unmeasured scepticism. In both the facility of moving from place to place, and finding a distant 2 g 450 New Chapters in Greek History. [Chap. XV. home, tends to dissolve the closeness of civic and family- life, and to make the individual rather than the family or the city the unit of social life. And in the family relations, in the character of individuals, in the state of morality, in the condition of art, we find at both periods similar results from the similar causes we have mentioned. It is well known how brilliant an assembly of scientific and learned men the first two Ptolemies assembled at Alexandria. At the Museum Euclid was professor of mathematics ; Hipparchus and Eratosthenes made won- derful progress in the science of astronomy ; Herophilus and Erasistratus taught medicine and anatomy. The king was ready to welcome any traveller who had infor mation to give, and his emissaries penetrated India and Ethiopia in eager search for new facts or commercial openings. Astronomers, geographers, grammarians, his- torians, flocked to the Egyptian court, and their mutual friction produced in scientific matters a sharp and critical spirit such as science loves. Nor were there lacking engineers eager to turn the amassed knowledge to account. It is true that much of their ingenuity was employed for purposes of scientific destruction, as in the case of the wonderful engines which Demetrius Poliorcetes employed in vain against the Rhodians, and of the enormous war-galleys which the Kings of Egypt constructed. Nevertheless much progress was made in more peaceful arts. Some of the inventions of Archi- medes were of a character to make toil easier all over the world. In the construction of cities a vast improve- ment took place : wide and paved streets, colonnades, parks, convenient agoras, took the place of the fortuitous collections of hovels which had previously been called cities. Great roads, artificial havens, and canals made communication easier between town and town, and agrii chap. XV.] The Successors of Alexander. 451 culture received an impulse from the importation of new seeds from the East. The sudden wealth of the Greeks and the sudden increase in their power over material nature could not but very much increase the ease and luxury of their , lives. The grandees began to erect for themselves splendid palaces filled with all the richest produce of East and West, Etruscan bronzes and Attic pottery, Babylonian carpets and Coan curtains. The best artists painted their walls ; their courts were adorned with the statues of great sculptors ; their gold and silver vessels were masterpieces of toreutic art. Soft couches and clothes of most delicate fabric took the place of the simple coverlets and coarse cloaks of the heroes of Marathon. The new Greeks ever went about smelling of sweet unguents, and the use of paint for the face and false hair was not confined to the female sex. The poorer citizens followed the example of luxury as best they might, the bounds being set by their poverty and not their will. In many parts of Greece comfortable inns arose at intervals on the chief routes for the accom- modation of travellers, who were not now contented with a roof and some straw. The soldier, instead of march- ing barefoot like Socrates and Agesilaus, carried with him a train of camp-followers of both sexes, and sub- mitted to hardship only in the battle-field. Of course this luxury was more marked and notable among the Asiatic Greeks, but it affected the tone of all Hellenes just as surely as American customs spread into our colonies and affect ourselves. And with luxury there went, as always, laxity in morals and a proneness to the more sensual forms of vice. Their greater fineness of organization and better taste kept the Greeks at their J worst from ever falling into the bestial sensuality of their Roman imitators ; but there can be no doubt that ' • < S3 "i ■ '^.' •>'■"■■, .' ■ v ■ ''Hi--- •■>■.• f V.". ■ •'"•■ ; "" miff)