'- >'liB*ttli CLEMENT SHORTER ^«-;»*y>«i Mi u f j-Jf ' n THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES IMMORTAL MEMORIES TO THE IMMORTAL MEMORY OF DR. SAMUEL JOHNSON WILLIAM COWPER GEORGE BORROW AND GEORGE CRABBE THE LITERARY ASSOCIATIONS OF EAST ANGLIA THE PRIVATE LIFE OF FERDINAND LASSALLE DR. JOHNSON'S ANCESTRY LORD ACTON'S HUNDRED BEST BOOKS IMMORTAL MEMORIES By CLEMENT SHORTER HODDER AND STOUGHTON LONDON A/[CMVII Butler and Tanner, The Selwood Printing Works. Frame, and London. c^ PREFATORY The following addresses were delivered at the request of various literary societies and com- memorative committees. They amused me to write, and they apparently interested the audi- ences for which they were primarily intended. Perhaps they do not bear an appearance in print. But they are not for my brother-journalists to read nor for the judicious men of letters. I pre- fer to think that they are intended solely for those whom Hazlitt styled " sensible people." Hazlitt said that " the most sensible people to be met with in society are men of business and of the world." I am hoping that these will buy my book and that some of them will like it. It is recorded by Sir Henry Taylor of Samuel Rogers that when he wrote that very indifferent poem, Italy, he said, " I will make people buy. Turner shall illustrate my verse." It is of no importance that the biographer of Rogers tells ^^dQO*»7 vi PREFATORY us that the poet first made the artist known to the world hy these illustrations. Taylor's story is a good one, and the moral worth taking to heart. The late Lord Acton, most learned and most accomplished of men, wrote out a list of the hundred best books as he considered them to be. They were printed in a popular magazine. They naturally excited much interest. I have rescued them from the pages of the Pall Mall Magazine. Those who will not buy my book for its seven other essays may do so on account of Lord Acton's list of books being here first pre- served " between boards." I shall be equally well pleased. CLEMENT SHORTER. Great Missenden, Bucks. CONTENTS PAGE I TO THE IMMORTAL MEMORY OF DR. SAMUEL JOHNSON 3 II TO THE IMMORTAL MEMORY OF WILLIAM COWPER 31 III TO THE IMMORTAL MEMORY OF GEORGE BORROW 61 IV TO THE IMMORTAL MEMORY OF GEORGE CRABBE 97 vii viii CONTENTS PAGE V THE LITERARY ASSOCIATIONS OF EAST ANGLIA 131 VI DR. JOHNSON'S ANCESTRY 157 VII THE PRIVATE LIFE OF FERDINAND LASSALLE 185 VIII LORD ACTON AND THE HUNDRED BEST BOOKS 225 TO THE IMMORTAL MEMORY OF DR. SAMUEL JOHNSON I.M. vlii , CONTENTS PAGE V THE LITERARY ASSOCIATIONS OF EAST ANGLIA 131 VI DR. JOHNSON'S ANCESTRY 157 VII THE PRIVATE LIFE OF FERDINAND I,ASSALLE 185 VIII LORD ACTON AND THE HUNDRED BEST BOOKS 225 TO THE IMMORTAL MEMORY OF DR. SAMUEL JOHNSON I.M. I TO THE IMMORTAL MEMORY OF DR. SAMUEL JOHNSON A toast proposed at the Johnson Birthday Celebration held at the Three Crowns Inn, Lichfield» in Sep- tember, 1906. In rising to propose this toast I cannot ignore what must be in many of your minds, the re- collection that last year it was submitted by a very dear friend of my own, who, alas ! has now gone to his rest, I mean Dr. Richard Garnett.^ Many of you who heard him in this place will recall, with kindly memories, that venerable scholar. I am one of those who, in the interval have stood 1 Richard Garnett (l 835-1906) was son of the philologist of the same name who was for a time priest-vicar of Lichfield Cathedral. He attended the Johnson Celebration on Sept. 18, 1905, and proposed " the Immortal Memory of Dr. John- son." He died on the following Good Friday, April 13, and was buried in Highgate Cemetery April 17, 1906. 4 TO THE IMMORTAL MEMORY OF beside his open grave ; and I know you will per- mit me to testify here to the fact that rarely has such brilliant scholarship been combined with so kindly a nature, and with so much generosity to other workers in the literary field. One may sigh that it is not possible to perpetuate for all time for the benefit of others the vast mass of learning which such men as Dr. Garnett are able to accumulate. One may lament even more that one is not able to present in some concrete form, as an example to those who follow, his fine qualities of heart and mind — his generous faculty for ' helping lame dogs over stiles.' Dr. Garnett had not only a splendid erudition that specially qualified him for proposing this toast, he had also what many of you may think an equally exceptional qualification — he was a native of Lichfield ; he was born in this fine city. As a Londoner — like Boswell when charged with the crime of being a Scotsman I may say that I cannot help it — I suppose I should come to you with hesitating footsteps. Perhaps it was rash of me to come at all, in spite of an invitation so kindly worded. Yet how gladly does any lover, not only of Dr. Johnson, but of all good literature. DR. SAMUEL JOHNSON 5 come to Lichfield. Four cathedral cities of our land stand forth in my mind with a certain mag- netic power to draw even the most humble lover of books towards them — Oxford, Bath, Norwich, Lichfield, these four and no others. Oxford we all love and revere as the nourishing mother of so many famous men. Here we naturally recall Dr. Johnson's love of it — his defence of it against all comers. The glamour of Oxford and the memory of the great men who from age to age have walked its streets and quadrangles, is with us upon every visit. Bath again has noble memories. Upon house after house in that fine city is inscribed the fact that it was at one time the home of a famous man or woman of the past. Through its streets many of our great imagin- ative writers have strolled, and those streets have been immortalized in the pages of several great novelists, notably of Jane Austen and Charles Dickens. For the City of Norwich I have a particular affection, as for long the home in quite separate epochs of Sir Thomas Browne and of George Borrow. I recall that in the reign of one of its Bishops — the father of Dean Stanley — there 6 TO THE IMMORTAL MEMORY OF was a literary circle of striking character, that men and women of intellect met in the episcopal palace to discuss all ' obstinate questionings.' But if he were asked to choose between the golden age of Bath, of Norwich, or of Lichfield, I am sure that any man who knew his books would give the palm to Lichfield, and would recall that period in the life of Lichfield when Dr. Seward resided in the Bishop's Palace, with his two daughters, and when they were there entertaining so many famous friends. I saw the other day the statement that Anna Seward's name was unknown to the present generation. Now I have her works in nine volumes ^ ; I have read them, and I doubt not but that there are many more who have done the same. Sir Walter Scott's friendship would alone preserve her memory if every line she wrote 1 Anna Seward (i 747-1 809). Her works were published after her death : — The Poetical Works of Anna Seward. With Extracts from her Literary Correspondence. Edited by Walter Scott, Esq. In three volumes — John Ballantyne & Co., 18 10. Letters of Anna Sezvard written between the Tears 1784 and 1807. In six volumes. Archibald Constable & Co., 181 1. " Longwinded and florid " one biographer calls her letters, but by the aid of what Scott calls ' the laudable practice of skipping ' they are quite entertaining. DR. SAMUEL JOHNSON 7 deserved to be forgotten as is too readily assumed. Scott, indeed, professed admiration for her verse, and a yet greater poet, Wordsworth, wrote in praise of two fine lines at the close of one of her sonnets, that entitled ' Invitation to a Friend,' lines which I believe present the first appearance in English poetry of the form of blank verse immortalized by Tennyson. Come, that I may not hear the winds of night, Nor count the heavy eave-drops as they fall. " You have well criticized the poetic powers of this lady," says Wordsworth, " but, after all, her verses please me, with all their faults, better than those of Mrs. Barbauld, who, with much higher powers of mind, was spoiled as a poetess by being a dissenter." Less, however, can be said for her poetry to-day than for her capacity as a letter writer. A letter writing faculty has immortalized more than one English author, Horace Walpole for example, who had this in common with Anna Seward, that he had the bad taste not to like Dr. Johnson. Sooner or later there will be a reprint of a selection of Anna Seward's correspondence ; you will find in it a picture of country life in the 8 TO THE IMMORTAL MEMORY OF middle of the eighteenth century — and by that I mean Lichfield life — that is quite unsurpassed. Anna Seward, her friends and her enemies, stand before us in very marked outline. As with Walpole also, she must have written with an eye to publication. Veracity was not her strong point, but her literary faculty was very marked indeed. Those who have read the letters that treat of her sister's betrothal and death, for example, will not easily forget them. The accepted lover, you remember, was a Mr. Porter, a son of the widow whom Johnson married ; and Sarah Seward, aged only eighteen, died soon after her betrothal to him. That is but one of a thousand episodes in the world into which we are introduced in these pages. ^ 1 Sir Robert Thomas White-Thomson, K.C.B., wrote to me in reference to this estimate of Miss Seward from Broom- ford Manor, Exbourne, North Devon, and his letter seemed of sufficient importance from a genealogical standpoint for me to ask his permission to make an extract from the letter : " I have read your address in a Lichfield newspaper. Apart from the wider and more important bearings of your words, those which had reference to the Seward family were especially welcome to me. You will understand this when I tell you that, with the exception of the Romney portrait of Anna, and a few other objects left ' away ' by her will, my DR. SAMUEL JOHNSON 9 The Bishop's Palace was the scene of brilliant symposiums. There one might have met Erasmus Darwin of the Botanic Garden^ whose fame has been somewhat dulled by the extra- ordinary genius of his grandson. There also came Richard Edgeworth, the father of Maria, whose Castle Rackrent and The Absentee are still among the most delightful books that we read ; and there were the two young girls, Honora and Elizabeth Sneyd, who were des- tined in succession to become Richard Edge- worth's wives. There, above all, was Thomas Day, the author of Sanford and Merton, a book which delighted many of us when we were grandfather, Thomas White, of Lichfield Close, her cousin and residuary legatee, became possessed of all the contents of her house. Some of the books and engravings were sold by auction, but the remainder were taken good care of, and passed to me on my mother's death in i860. As thus, ' in a way ' the representative of the ' Swan of Lichfield,' you can easily see what such an appreciation of her as was yours means to me. Of course I know her weak points, and how the pot of clay must suflFer in trying to ' bump ' the pot of iron in midstream, but I also know that she was no ordinary personage in her day, when the standard of feminine culture was low, and I have resented some things that have been written of her. Mrs. Oliphant treats her kindly in her Literary Hist'^ry of England, and now I have your ' appreciation ' of her, for which I beg to thank you." lo TO THE IMMORTAL MEMORY OF young, and which I imagine with all its prig- gishness will always survive as a classic for children. There, for a short time, came Major Andre, betrothed to Honora Sneyd, but des- tined to die so tragically in the American War of Independence. It is to Miss Seward's malicious talent as a letter writer that we owe the exceedingly picturesque account of Day's efforts to obtain a wife upon a particular pattern, his selection of Sabrina Sidney, whom he prepared for that high destiny by sending her to a boarding school until she was of the right age — his lessons in stoicism — his disappointment because she screamed when he fired pistols at her petticoats, and yelled when he dropped melted sealing- wax on her bare arms ; it is a tragi-comic picture, and one is glad that Sabrina married some other man than her exacting guardian. But we would not miss Miss Seward's racy stories for any- thing, nor ignore her many letters with their revelation of the glories of old-time Lichfield, and of those ' lunar meetings ' at which the wise ones foregathered. Now and again these worthies burst into sarcasm at one another's expense, as when Darwin satirizes the publica- DR. SAMUEL JOHNSON ii tion of Mr. Seward's edition of Beaumont and Fletcher, and Dr. Johnson's edition of Shaksfere From Lichfield famed two giant critics come, Tremble, ye Poets ! hear them ! Fe, Fo, Fum ! By Seward's arm the mangled Beaumont bled, And Johnson grinds poor Shakspere's bones for bread- "But perhaps after all, if we eliminate Dr. Johnson, the lover of letters gives the second place, not to Miss Seward and her circle, but to David Garrick. Lichfield contains more than one memento of that great man. The actor's art is a poor sort of thing as a rule. Johnson, in his tarter moments, expresses this attitude, as when he talked of Garrick as a man who exhibited himself for a shilling, when he called him ' a futile fellow,' and implied that it was very unworthy of Lord Campden to have made much of the actor and to have ignored so dis- tinguished a writer as Goldsmith, when thrown into the company of both. Still undoubtedly Johnson's last word upon Garrick is the best — ' his death has eclipsed the gaiety of nations and diminished the public stock of harmless pleasure.' We who live more than a hundred years later are able to recognize that Garrick has been the one 12 TO THE IMMORTAL MEMORY OF great actor from that age to this. As a rule the mummers are mimics and little more, and gener- ations go on, giving them their brief but glorious hour of fame, and then leaving them as mere names in the history of the stage. Garrick was preserved from this fate, not only by the circum- stance that he had an army of distinguished literary friends, but by his interesting personality and by his own writings. Many lines of his plays and prologues have become part of current speech. Moreover his must have been a great personality, as those of us who have met Sir Henry Irving in these latter days have realized that his was also a great personality. It is fitting, therefore, that these two great actors, the most famous of an interesting, if not always an heroic profession, should lie side by side in Westminster Abbey. I now come to my toast " The memory of Dr. Johnson." After all, Johnson was the great- est of all Lichfieldians, and one of the great men of his own and of all ages. We may talk about him and praise him because we shall be the better for so doing, but we shall certainly say nothing new. One or two points, however, seem to me worthy of emphasis in this company of John- DR. SAMUEL JOHNSON 13 sonians. I think we should resent two popular fallacies which you will not hear from literary students, but only from one whom it is con- venient to call " the man in the street." The first is, that we should know nothing about Johnson if it were not for Boswell's famous life, and the second that Johnson the author is dead, and that our great hero only lives as a brilliant conversationalist in the pages of Bos- well and others. Boswell's Life of Johnson is the greatest biography in the English language ; we all admit that. It is crowded with in- cident and anecdote. Neither Walter Scott nor Rousseau, each of whom has had an equal number of pages devoted to his personality, lives so distinctly for future ages as does John- son in the pages of Boswell. Understanding all this, we are entitled to ask ourselves what we should have thought of Dr. Johnson had there been no Boswell ; and to this question I do not hesitate to answer that we should have loved him as much as ever, and that there would still have been a mass of material with the true Boswellian flavour. He would not have made an appeal to so large a public, but some ingenious person 14 TO THE IMMORTAL MEMORY OF would have drawn together all the anecdotes, all the epigrams, all the touches of that fine humanity, and given us from these various sources an amalgam of Johnson, that every bookman at least would have desired to read and study. In Fanny Burney's Letters and Diaries the presenta- tion of Johnson is delightful. I wonder very much that all the Johnson fragments that Miss Burney provides have not been published separately. Then Mrs. Thrale has chatted about Johnson copiously in her " Anecdotes," and these pleasant stories have been re-printed again and again for the curious. I recall many other sources of information about the great man and his wonder- ful talk — by Miss Hawkins, Miss Reynolds, Miss Hannah More for example — and many of you who have Dr. Birkbeck Hill's Johnson Miscellanies have these in a pleasantly acceptable form. My second point is concerned with Dr. John- son's position apart from all this fund of anecdote, and this brilliant collection of unforgettable epigram in Boswell and elsewhere. As a writer, many will tell you, Dr. Johnson is dead. The thing is absurd on the face of it. There is room for some disagreement as to his position as a poet. DR. SAMUEL JOHNSON 15 On that question of poetry unanimity is ever hard to seek ; so many mistake rhetoric for poetry. Only twice at the most, it seems to me, does Dr. Johnson reach anything in the shape of real inspiration in his many poems, ^ although it must be admitted that earlier generations admired them greatly. To have been praised ardently by Sir Walter Scott, by Byron, and by Tennyson should seem sufficient to demonstrate that he was a poet, were it not that, as I could prove if time allowed, poets are almost invariably bad critics of poetry. Sir Walter Scott read The Vanity of Human JVishes with " a choking sensation in the throat," and declared that he had more pleasure in reading that and Johnson's other long poem, London, than any other poetic compositions he could mention. But then I think it was always the sentiment in verse, and not its quality, that attracted Scott. Byron also declared that The Vanity of Human Wishes was " a great poem." 1 Once certainly in the lines " On the Death of Mr. Robert Levet " :— Well try'd through many a varying year, See Levet to the grave descend, Officious, innocent, sincere, Of ev'ry friendless name the friend. 1 6 TO THE IMMORTAL MEMORY OF Certainly these poems are quotable poems. Who does not recall the line about " surveying man- kind from China to Peru," or think, as Johnson taught us, to : — Mark what ills the scholar's life assail, Toil, envy, want, the patron, and the jail. Or remember his epitaph on one who : — Left a name at which the world grew pale. To point a moral or adorn a tale. One line — " Superfluous lags the veteran on the stage " has done duty again and again. I might quote a hundred such examples to show Johnson, whatever his qualities as a poet, is very much alive indeed in his verse. It is, however, as a great prose writer, that I prefer to consider him. Here he is certainly one of the most permanent forces in our literature. Rasselas, for example, while never ranking with us moderns quite so high as it did with the excellent Miss Jenkins in Crafiford, is a never failing delight. So far from being a dead book, is there a young man or a young woman setting out in the world of to-day, aspiring to an all-round literary cultivation, who DR. SAMUEL JOHNSON 17 is not required to know it ? It has been re-pub- lished continually. What novelist of our time would not give much to have so splendid a public recognition as was provided when Lord Beaconsfield, then Mr. Disraeli, after the Abys- sinian Expedition, pictured in the House of Commons " the elephants of Asia dragging the artillery of Europe over the mountains of Rasselas." Equally in evidence are those wonderful Lives of The Poets which Johnson did not complete until he was seventy-two years of age, literary efforts which have always seemed to me to be an encouraging demonstration that we should never allow ourselves to grow old. Many of these ' Lives ' are very beautiful. They are all sugges- tive. Only the other day I read them again in the fine new edition that was prepared by that staunch Johnsonian, Dr. Birkbeck Hill. The greatest English critic of these latter days, Mr. Matthew Arnold, showed his appreciation by making a selection from them for popular use. From age to age every man with the smallest profession of interest in literature will study them. Of how many books can this be said ? I.M. o 1 8 TO THE IMMORTAL MEMORY OF Greatest of all was Johnson as a writer in his least premeditated work, his Prayers and Meditations. They take rank in my mind with the very best things of their kind, The Medi- tations of Marcus Aurelius, The Confessions of Rousseau, and similar books. They are healthier than any of their rivals. William Cowper, that always fascinating poet and beautiful letter writer, more than once disparaged Johnson in this connexion. Cowper said that he would like to have " dusted Johnson's jacket until his pension rattled in his pocket," for what he had said about Milton. He read some ex- tracts, after Johnson's death, from the Medita- tions, and wrote contemptuously of them.-^ But if Cowper had always possessed, in addition to his 1 Prayers and Meditations : composed by Samuel Johnson, LL.D., and published from his Manuscripts by George Stra- ham, D.D., Prebendary of Rochester and Vicar of Islington in Middlesex, 1785. Dr. Birkbeck Hill suggests that Johnson could not have contemplated the publication of the work in its entirety, but the world is the better for the self revelation, not- withstanding Cowper's remark in a letter to Newton (August 27, 1785), that " the publisher of it is neither much a friend to the cause of religion nor to the author's memory ; for by the specimen of it that has reached us, it seems to contain only such stuff as has a direct tendency to expose both to ridicule." DR. SAMUEL JOHNSON 19 fascinating other-worldliness the healthy world- liness of Dr. Johnson, perhaps we should all have been the happier. To me that collection of Prayers and Meditations seems one of the most helpful books that I have ever read, and I am surprised that it is not constantly re-printed in a handy form.^ It is a valuable inspiration to men to keep up their spirits under adverse conditions, to conquer the weaknesses of their natures ; not in the stifling manner of Thomas a Kempis, but in a breezy, robust way. Yes, I think that these three works, Rasselas, The Lives of the Poets, and the Prayers and Medita- tions, make it quite clear that Johnson still holds his place as one of our greatest writers, even if we were not familiar with his many delightful letters, and had not read his Rambler — which his old enemy. Miss Anna Seward, insisted was far better than Addison's Spectator. All this is only to say that we cannot have too much of Dr. Johnson. The advantage of such a gathering as this is that it helps us to keep that ^ There is an edition with a brief Introduction by Augustine Birrell, published by Elliot Stock in 1904, and another, with an Introduction by " H. C," was issued by H. R. Allenson in 1906. 20 TO THE IMMORTAL MEMORY OF fact alive. Moreover, I feel that it is a good thing if we can hearten those who have devoted themselves to laborious research connected with such matters. Take, for example, the work of Dr. Birkbeck Hill : his many volumes are a delight to the Johnson student. I knew Dr. Hill very well, and I have often felt that his work did not receive half the encouragement that it deserved. We hear sometimes, at least in London, of authors who advertise themselves. I rather fancy that all such advertisement is monopolized by the novelist, and that the newspapers do not trouble themselves very much about literary men who work in other fields than that of fiction. Fiction has much to be said for it, but as a rule it reaps its reward very promptly, both in finance and in fame. No such rewards come to the writer of biography, to the writer of history, to the literary editor. Dr. Hill's beautiful edition of Boswell's Life^ with all its fascinating annotation, did not reach a second edition in his lifetime. I am afraid that the sum that he made out of it, or that his publishers made out of it, would seem a very poor reward indeed when gauged by the results in other fields of labour. DR. SAMUEL JOHNSON 21 Within the past few weeks I have had the privilege of reading a book that continues these researches. Mr. Aleyn Lyell Reade has pub- lished a handsome tome, which he has privately- printed, entitled Dr. Johnson'' s Ancestry : His Kinsfolk and Family Connexions. I am glad to hear that the Johnson Museum has purchased a copy, for such a work deserves every encourage- ment. The author must have spent hundreds of pounds, without the faintest possibility of obtaining either fame or money from the tran- saction. He seems to have employed copyists in every town in Staffordshire, to copy wills, registers of births and deaths, and kindred records from the past. Now Dr. Birkbeck Hill could not have afforded to do this ; he was by no means a rich man. Mr. Reade has clearly been able to spare no expense, with the result that here are many interesting facts corrective of earlier students. The whole is a valuable record of the ancestry of Dr. Johnson. It shows clearly that whereas Dr. Johnson thought very little of his ancestry, and scarcely knew anything of his grandfather on the paternal or the maternal side, he really sprang from a very remarkable 22 TO THE IMMORTAL MEMORY OF stock, notably on the maternal side ; and that his mother's family, the Fords, had among their connexions all kinds of fairly prosperous people, clergymen, officials, professional men as well as sturdy yeomen. These ancestors of Dr. Johnson did not help him much to push his way in the world. Of some of them he had scarcely heard. All the same it is of great interest to us to know this ; it in a manner explains him. That before Samuel Johnson was born, one of his family had been Lord Mayor of London, another a Sheriff, that they had been associated in various ways, not only with the city of his birth, but also with the great city which Johnson came to love so much, is to let in a flood of fresh light upon our hero. My time does not permit me to do more than make a passing reference to this book, but I should like to offer here a word of thanks to its author for his marvellous industry, and a word of congratula- tion to him for the extraordinary success that has accrued to his researches. I mention Mr. Reade's book because it is full of Lichfield names and Lichfield associations, and it is with Dr. Johnson's life-long connexion with DR. SAMUEL JOHNSON 23 Lichfield that all of us are thinking to-night. Now here I may say, without any danger of being challenged by some visitor who has the misfortune not to be a citizen of Lichfield — you who are will not wish to challenge me — that this city has distinguished itself in quite an unique way. I do not believe that it can be found that any other town or city of England — I will not say of Scot- land or of Ireland — has done honour to a literary son in the same substantial measure that Lich- field has done honour to Samuel Johnson. The peculiar glory of the deed is that it was done to the living Johnson, not coming, as so many honours do, too late for a man to find pleasure in the recognition. We know that — Seven wealthy towns contend for Homer dead, Through which the living Homer begged his bread. But I doubt whether in the whole history of literature in England it can be found that any other purely literary man has received in his lifetime so substantial a mark of esteem from the city which gave him birth, as Johnson did when your Corporation, in 1767, " at a common- hall of the bailiffs and citizens, without any 24 TO THE IMMORTAL MEMORY OF solicitation," presented him with the ninety- nine years' lease of the house in which he was born. Your citizens not only did that for John- son, but they gave him other marks of their esteem. He writes from Lichfield to Sir Joshua Reynolds to express his pleasure that his portrait has been " much visited and much admired." " Every man," he adds, " has a lurking desire to appear considerable in his native place." Then we all remember Boswell's naive confession that his pleasure at finding his hero so much beloved led him, when the pair arrived at this very hostelry, to imbibe too much of the famous Lich- field ale. If Boswell wished, as he says, to offer incense to the spirit of the place, how much more may we desire to do so to-night, when exactly 125 years have passed, and his hero is now more than ever recognized as a king of men. I do not suggest that we should honour Johnson in quite the same way that Boswell did. This is a more abstemious age. But we must drink to his memory all the same. Think of it. A century and a quarter have passed since that memorable evening at the Three Crowns^ when Johnson and Boswell thus DR. SAMUEL JOHNSON 25 foregathered in this very room. You recall the journey from Birmingham of the two com- panions. " We are getting out of a state of death," the Doctor said with relief, as he approached his native city, feeling all the magic and invigoration that is said to come to those who in later years return to " calf-land." Then how good he was to an old schoolfellow who called upon him here. The fact that this man had failed in the battle of life while Johnson had succeeded, only made the Doctor the kinder. I know of no more human picture than that — " A Mr. Jackson," as he is called by Boswell, " in his coarse grey coat," obviously very poor, and as Boswell suggests, " dull and untaught." The " great Cham of Literature " listens patiently as the worthy Jackson tells his troubles, so much more patiently than he would have listened to one of the famous men of his Club in Lon- don, and the hero-worshipping Boswell drinks his deep potations, but never neglects to take notes the while. Of Boswell one remembers further that Johnson had told Wilkes that he had brought him to Lichfield, " my native city," " that he might see for once real Civility — for 26 TO THE IMMORTAL MEMORY OF you know he lives among savages in Scotland, and among rakes in London." All good stories are worth hearing again and again, and so I offer an apology for recalling the picture to your mind at this time and in this place. Alas ! I have not the gift of the worldfamed Lord Verulam, who, as Francis Bacon, sat in the House of Commons. The members, we are told, so delighted in his oratory that when he rose to speak they " were fearful lest he should make an end." I am making an end. Johnson then was not only a great writer, a conversationalist so unique that his sayings have passed more into current speech than those of any other English- man, but he was also a great moralist — a superb inspiration to a better life. We should not love Johnson so much were he not presented to us as a man of many weaknesses and faults akin to our own, not a saint by any means, and therefore not so far removed from us as some more ethereal characters of whom we may read. Johnson striving to methodize his life, to fight against sloth and all the minor vices to which he was prone, is the Johnson whom some of us prefer to keep ever in mind. " Here was," I quote DR. SAMUEL JOHNSON 27 Carlyle, " a strong and noble man, one of our great English souls." I love him best in his book called Prayers and Meditations^ where we know him as we know scarcely any other Englishman, for the good, upright fighter in this by no means easy battle of life. It is as such a fighter that we think of him to-night. Reading the account of his battles may help us to fight ours. Gentlemen, I give you the toast of the evening. Let us drink in solemn silence, upstanding, " The Immortal Memory of Dr. Samuel Johnson." TO THE IMMORTAL MEMORY OF WILLIAM COWPER II TO THE IMMORTAL MEMORY OF WILLIAM COWPER An address entitled * The Sanity of Cowper,* delivered at the Centenary Celebration at OIney, Bucks, on the occasion of the Hundredth Anniversary of the Death of the poet William Cowper, April 25, 1900. I OWE some apology for coming down to Olney to take part in what I believe is a purely local celebration, in which no other Londoner, as far as I know, has been asked to take part. I am here not because I profess any special qualification to speak about Cowper, in the town with which his name is so pleasantly associated, but because Mr. Mackay,^ the son-in-law of your Vicar, has 'written a book about the Brontes, and I have done likewise, and he asked me to come. 1 The Rev. Angus Mackay, author of The Brontes In Fact and Fiction. He was Rector of Holy Trinity Church, Dean Bridge, Edinburgh, when he died, aged 54, on New Year's Day, 1907. Earlier in life he had been a Curate at Olney. SI 32 TO THE IMMORTAL MEMORY OF This common Interest has little, you will say, to do with the Poet of Olney. Between Cowper and Charlotte Bronte there were, however, not a few points of likeness or at least of contrast. Both were the children of country clergymen ; both lived lives of singular and, indeed, unusual strenuousness ; both were the very epitome of a strong Protestantism ; and yet both — such is the inevitable toleration of genius — were drawn in an unusual manner to attachment to friends of the Roman Cathohc Church — Cowper to Lady Throckmorton, who copied out some of his translations from Homer for him, assisted by her father-confessor. Dr. Gregson, and Miss Bronte to her Professor, M. Heger, the man in the whole world whom she most revered. Under circumstances of peculiar depression both these great Protestant writers went further on occasion than their Protestant friends would have approved, Cowper to contemplate — so he assures us in one of his letters — the entering a French monastery, and Miss Bronte actually to kneel in the Confes- sional in a Brussels church. Further, let me remind you that there were moments in the lives of Charlotte Bronte and her sisters, when Cow- WILLIAM COWPER 33 per's poem, The Castaway, was their most soul- stirring reading. Then, again, Mary Unwin's only daughter became the wife of a Vicar of Dewsbury, and it was at Dewsbury and to the very next vicar, that Mr. Bronte, the father of Charlotte, was curate when he first went into Yorkshire, Finally, let it be recalled that Cowper and Charlotte Bronte have attracted as much attention by the pathos of their lives as by any- thing that they wrote. Thus far, and no further, can a strained analogy carry us. The most enthu- siastic admirers of the Brontes can only claim for them that they permanently added certain artistic treasures to our literature. Cowper did incomparably more than this. His work marked an epoch. But first let me say how interested we who are strangers naturally feel in being in Olney. To every lover of literature Olney is made classic ground by the fact that Cowper spent some twenty years of his life in it — not always with too genial a contemplation of the place and its inhabitants. " The genius of Cowper throws a halo of glory over all the surroundings of Olney and Weston," says Dean Burgon. But Olney I.M. 34 TO THE IMMORTAL MEMORY OF has claims apart from Cowper. John Newton ^ presents himself to me as an impressive person- ality. There was a time, indeed, of youthful impetuosity when I positively hated him, for Southey, whose biography I read very early in life, certainly endeavours to assist the view that Newton was largely responsible for the poet's periodical attacks of insanity. But a careful survey of the facts modifies any such impression. Newton was narrow at times, he was over-concerned as to the letter, often ignoring the spirit of true piety, but the student of the two volumes of his Life and Corre- spondence that we owe to Josiah Bull, will be com- pelled to look at " the old African blasphemer as he called himself, with much of sympathy. That he had a note of tolerance, with which he is not usually credited, we learn from one of his letters, where he says : I am willing to be a debtor to the wise and to the un- ^ John Newton (i 725-1 807) had been the captain of a slave ship before his ' conversion.' He became Curate of Olney in 1764 and published the famous Olney Hymns with Cowper in 1779. In 1780 Newton became the popular Incumbent of St. Mary Woolnoth, London. WILLIAM COWPER 35 wise, to doctors and shoemakers, if I can get a hint from any one without respect of parties. When a house is on fire Churchmen and Dissenters, Methodists and Papists, Moravians and Mystics are all welcome to bring water. At such times nobody asks, " Pray, friend, whom do you hear ? " or " What do you think of the five points ? " Even my good friend Canon Benham, who has done so much to sustain the honourable fame of Cowper, and who would have been here to-day but for a long-standing engagement, is scarcely fair to Newton.^ It is not true, as has been suggested, that Cowper always changed his manner into one of painful sobriety when he wrote to Newton. One of his most humorous letters — a rhyming epistle — was addressed to that divine. I have writ (he says) in a rhyming fit, what will make you dance, and as you advance, will keep you still, though against your will, dancing away, alert and gay, till you come to an end of what I have penned ; which you may do ere Madam and you are quite worn out with jigging about, I take my leave, and here you receive a bow profound, down to the ground, from your humble me, W. C. ^ See the Globe Cozvper, with an Introduction by the Rev. William Benham, the Rector of St. Edmund's, Lombard Street. Canon Benham has written many books, but he has done no better piece of work than this fine Introduction which first appeared in 1870. 36 TO THE IMMORTAL MEMORY OF Now, I quote this very familiar passage from the correspondence to remind you that Cowper could only have written it to a man possessed of considerable healthy geniality. At any rate, alike as a divine and as the author of the Olney Hymns^ Newton holds an important place in the history of theology, and Olney has a right to be proud of him. An even more important place is held by Thomas Scott, ^ and it seems to me quite a wonderful thing that Olney should sometimes have held at one and the same moment three such remarkable men as Cowper, Newton, and Scott. In my boyhood Scott's name was a household word, and many a time have I thumbed the volumes of his Commentaries^ those Commentaries which Sir James Stephen declared to be " the greatest theological performance of our age and country." Of Scott Cardinal Newman in his Apologia said, it will be remembered, that " to 1 Thomas Scott (1747-1821). His commentaries first appeared in weekly parts between 1788 and 1792, and were first issued in ten volumes, 1823-25. He was Rector of Astin Sandford in Buckinghamshire from 1 801 until his death. His Life was published by his son, the Rev. John Scott, in 1822. WILLIAM COWPER i-] him, humanly speaking, I almost owe my soul." Even here our literary associations with Olney and its neighbourhood are not ended, for, it was within five miles of this town — at Easton Maudit — that Bishop Percy ^ lived and prepared those Reliques which have inspired a century of ballad literature. Here the future Bishop of Dromore was visited by Dr. Johnson and others. What a pity that with only five miles separating them Cowper and Johnson should never have met ! Would Cowper have reconsidered the wish made when he read Johnson's biography of Milton in the Lives of the Poets : " Oh ! I could thresh his old jacket till I made his pension jingle in his pocket ! " ? But it is with Cowper only that we have here to do, and when we are talking of Cowper the difficulty is solely one of compression. So much has been written about him and his work. The Lives of him form of themselves a most sub- stantial library. He has been made the subject of what is surely the very worst biography in the 1 Thomas Percy (1729-1811) became Vicar of Easton Maudit, Northamptonshire, in 1753. Johnson visited him here in 1764. In 1765 Percy published his Reliques of Ancient English Poetry. He became Bishop of Dromere in 1782. 38 TO THE IMMORTAL MEMORY OF language and of one that is among the very best. The well-meaning Hayley ^ wrote the one, in which the word " tenderness " appears at least twice on every page, and Southey ^ the other. Not less fortunate has the poet been in his critics. Walter Bagehot, James Russell Lowell, Mrs. Oliphant, George Eliot ^ — these are but a few of 1 William Hayley (1745-1820) was counted a great poet in his day and placed in the same rank with Dryden and Pope. He wrote 'Triumphs of Temper 178 1, Triumphs of Music 1804, and many other works ; but he is of interest here by virtue of his Life and Letters of William Cozvper, Esq., with Remarks on Epistolary Writers, published in 1803. 2 Robert Southey (i 774-1843), whose Life and Works of Cowper is in fifteen volumes, which were published by Baldwin & Cradock between the years 1835 and 1837. The attractive form in which the works are presented, the many fine steel engravings, and the excellent type make this still the only way for book lovers to approach Cowper. Southey had to suffer the competition of the Rev. T. S. Grimshawe, who produced, through Saunders & Otley, about the same time a reprint of Hayley's biography with much of Cowper's corre- spondence that is not in Southey's volumes. The whole correspondence was collected by Mr. Thomas Wright, and published by Hodder & Stoughton in 1904. ' Walter Bagehot (i 826-1 877) in his Literary Studies. James Russell Lowell (1819-1891) in his Essays. Mrs. Oliphant 1828-1897) in her Literary History of England; and George Eliot (18 19-1880) in her Essays (Worldliness and Other Worldliness). WILLIAM COWPER 39 the names that occur to me as having said some- thing wise and to the point concerning the Poet of Olney. I somehow feel that it is safer for me to refer to the Poet of Olney than to speak of William Cowper, because I am not quite sure how you would wish me to pronounce his name. Cooper, he himself pronounced it, as his family are in the habit of doing. The present Lord Cowper is known to all the world as Lord Cooper. The derivation of the name and the family coat-of- arms justify that pronunciation, and it might be said that a man was, and is, entitled to settle the question of the pronunciation of his own name. And yet I plead for what I am quite willing to allow is the incorrect pronunciation. All pronunciation, even of the simplest words, is settled finally by a consensus of custom. Throughout the English-speaking world the name is now constantly pronounced Cowper, as if that most useful and ornamental animal the cow had given it its origin. Well-read Scotland is peculiarly unanimous in the custom, and well- read America follows suit. William Shakspere, I doubt not, called himself Shaxspere, and we 40 TO THE IMMORTAL MEMORY OF decline to imitate him, and so probably many of us will with a light heart go on speaking of William Cowper to the end of the chapter. At any rate Shakspere and Cowper, divergent as were their lives and their work — and one readily recognizes the incomparably greater position of the former — had alike a keen sense of humour, rare among poets it would seem, and hugely would they both have enjoyed such a controversy as this. This suggestion of the humour of Cowper brings me to my main point. Humour is so essentially a note of sanity, and it is the sanity of Cowper that I desire to emphasize here. We have heard too much of the insanity of Cowper, of the " maniac's tongue "to which Mrs. Browning referred, of the *' maniacal Calvinist " of whom Byron wrote somewhat scornfully. Only a day or two ago I read in a high-class journal that " one fears that Cowper's despondency and madness are better known to-day than his poetry." That is not to know the secret of Cowper. It is true that there were periods of maniacal de- pression, and these were not always religious ones. Now, it was from sheer nervousness at WILLIAM COWPER 41 the prospect of meeting his fellows, now it was from a too logical acceptance of the doctrine of eternal punishment. Had it not been these, it would have been something else. It might have been politics, or a hundred things that now and again give a twist to the mind of the wisest. With Cowper it was generally religion. I am not hereto promote a paradox. I accept the only too well-known story of Cowper's many visitations, but, looking back a century, for the purpose of asking what was Cowper's contribution to the world's happiness and why we meet to speak of our love for him to-day, I insist that these visitations are not essential to our memory of him as a great figure in our literature — the maker of an epoch. Cowper lived for some seventy years — sixty- nine, to be exact. Of these years there was a period longer than the full term of Byron's life, of Shelley's or of Keats's, of perfect sanity, and it was in this period that he gave us what is one of the sanest achievements in our literature, view it as we may. Let us look backwards over the century — a century which has seen many changes of which Cowper had scarcely any vision — the 42 TO THE IMMORTAL MEMORY OF wonders of machinery and of electricity, of com- mercial enterprise, of the newspaper press, of book production. The galloping postboy is the most persistent figure in Cowper's landscape. He has been replaced by the motor car. Nations have arisen and fallen ; a thousand writers have become popular and have ceased to be re- membered. Other writers have sprung up who have made themselves immortal. Burns and Byron, Coleridge and Wordsworth, Scott and Shelley among the poets. We ask ourselves, then, what distinctly differen- tiates Cowper's life from that of his brothers in poetry, and I reply — his sanity. He did not indulge in vulgar amours, as did Burns and Byron ; he did not ruin his moral fibre by opium, as did Coleridge ; he did not shock his best friends by an over-weening egotism, as did Wordsworth he did not spoil his life by reckless financial complications, as did Scott ; or by too great an enthusiasm to beat down the world's conventions, as did Shelley. I do not here condemn any one or other of these later poets. Their lives cannot be summed up in the mistakes they made. I only urge that, as it is not good to be at warfare WILLIAM COWPER 43 with your fellows, to be burdened with debts that you have to kill yourself to pay, to alienate your friends by distressing mannerisms, to cease to be on speaking terms with your family — there- fore Cowper, who avoided these things, and, out of threescore years and more allotted to him, lived for some forty or fifty years at least a quiet, idyllic life, surrounded by loyal and loving friends, had chosen the saner and safer path. That, it may be granted, was very much a matter of temperament, and for it one does not need to praise him. The appeal to us of Robert Burns to gently scan our brother man will necessarily find a ready acceptance to-day, and a plea on behalf of kindly toleration for any great writer who has inspired his fellows is natural and honour- able. But Cowper does not require any such kindly toleration. His temperament led him to a placid life, where there were few temptations, and that life with its quiet walks, its occasional drives, its simple recreations, has stood for a whole century as our English ideal. It is what, amid the strain of the severest commercialism in our great cities, we look forward to for our declining years as a haven on this side of the grave. 44 TO THE IMMORTAL MEMORY OF But I have undertaken to plead for Cowper's sanity. I desire, therefore, to beg you to look not at this or that episode in his life, when, as we know, Cowper was in the clutches of evil spirits, but at his life as a whole — a life of serene contentment in the company of his friends, his hares Puss, Tiny and Bess, his " eight pair of tame pigeons," his correspondents ; and then I ask you to turn to his work, and to note the essential sanity of that work also. First there is his poetry. When after the Bastille had fallen Charles James Fox quoted in one of his speeches Cowper's lines — written long years before — praying that that event might occur, he paid an unconscious tribute to the sanity of Cowper's genius.^ Few poets who have let their convictions and aspirations find expression in verse have come so near the mark. Wordsworth's verse — that which was written at the same age — is studded with prophecy of evils that never occurred. It was not because of any supermundane intelligence, such as latter- day poets have been pleased to affect and latter- 1 It has no bearing upon the subject that the horrors of the Bastille at the time of its fall were greatly exaggerated. WILLIAM COWPER 45 day critics to assume for them, that Cowper wrote in anticipation of the fall of the Bastille in those thrilling lines, but because his exceedingly sane outlook upon the world showed him that France was riding fast towards revolution. We have been told that Cowper's poetry lacked the true note of passion, that there was an absence of the " lyric cry." I protest that I find the note of passion in the " Lines on the Receipt of my Mother's Picture," in his two sets of verses to Mrs. Unwin, in his sonnet to Wilberforce not less marked than I find it in other great poets. I find in The Task and elsewhere in Cowper's works a note of enthusiasm for human brotherhood, for man's responsibility for man, for universal kin- ship, that had scarcely any place in literature before he wrote quietly here at Olney thoughts wiser and saner than he knew. To-day we call ourselves by many names. Conservatives or Liberals, Radicals, or Socialists ; we differ widely as to ways and means ; but we are all practically agreed about one thing — that the art of politics is the art of making the world happier. Each politician who has any aspirations beyond mere ambition desires to leave the world a little better 46 TO THE IMMORTAL MEMORY OF than he found it. This is a commonplace of to-day. It was not a commonplace of Cowper's day. Even the great-hearted, lovable Dr. John- son was only concerned with the passing act of kindliness to his fellows ; patriotism he declared to be the last refuge of a scoundrel ; collective aspiration was mere charlatanry in his eyes, and when some one said that he had lost his appetite because of a British defeat, Johnson thought him an impostor, in which Johnson was probably right. There have been plenty of so-called patriots who were scoundrels, there has been plenty of affectation of sentiment which is little better than charlatanry, but we do not consider when we weigh the influence of men whether Rous- seau was morally far inferior to Johnson. We know that he was. But Rousseau, poor an instru- ment as he may have been, helped to break many a chain, to relieve many a weary heart, to bring to whole peoples a new era in which the horrors of the past became as a nightmare, and in which ideals were destined to reign for ever. Cowper, an incomparably better man than Rousseau, helped to permeate England with that collective sentiment, which, while it does not excuse us WILLIAM COWPER 47 for neglecting our neighbour, is a good thing for preserving for nations a healthy natural life, a more and more difficult task with the grow- ing complications of commercialism. Cowper here, as I sa)^, unconsciously performed his greatest service to humanity ; and it was per- formed, be it remembered, at Olney. It has been truly said that in Cowper : — The poetry of human wrong begins, that long, long cry against oppression and evil done by man to man, against the political, moral, or priestly tyrant, which rings louder and louder through Burns, Coleridge, Shel- ley, and Byron, ever impassioned, ever longing, ever prophetic — never, in the darkest time, quite despairing.^ And Cowper achieved this without losing sight for one moment of the essential necessity for personal worth : Spend all thy powers Of rant and rhapsody in Virtue's praise. Be most sublimely good, verbosely grand, and it profiteth nothing, he said in effect. That was not his only service as a citizen. He struck the note of honest patriotism as it had not ^ Theology in the English Poets, by Stopford A. Brooke. 48 TO THE IMMORTAL MEMORY OF been struck before since Milton, by the familiar lines commencing : England, with all thy faults, I love thee still, My country ! As also in that stirring ballad " On the Loss of the Royal George : " Her timbers yet are sound, And she may float again. Full charged with England's thunder. And plough the distant main. There are two other great claims that might here be made for Cowper did time allow, that he anticipated Wordsworth alike as a lover of nature, as one who had more than a superficial affection for it — the superficial affection of Thomson and Gray — and that he anticipated Wordsworth also as a lover of animal life. Cowper's love of nature was the less effective than Wordsworth's only, surely, in that he had not had Wordsworth's advantage of living amid impressive scenery. His love of animal life was far less platonic than Wordsworth's. To his hares and his pigeons and all dumb creatures he was genuinely devoted. Perhaps it was because he had in him the blood WILLIAM COWPER 49 of kings — for, curiously enough, it is no more difficult to trace the genealogical tree of both Cowper and Byron down to William the Con- queror than it is to trace the genealogical tree of Queen Victoria — it was perhaps, I say, this descent from kings which led him to be more tolerant of " sport " than was Wordsworth. At any rate, Cowper's vigorous description of being in at the death of a fox may be contrasted with Wordsworth's " Heart Leap Well," and you will prefer Cowper or Wordsworth, as your tastes are for or against our old-fashioned English sports. But even then, as often, Cowper in his poetry was less tolerant than in his prose, for he writes in The Task of : detested sport That owes its pleasures to another's pain, We may note in all this the almost entire lack of indebtedness in Cowper to his prede- cessors. One of his most famous phrases, indeed, that on " the cup that cheers, but not inebriates," he borrowed from Berkeley ; but his borrowings were few, far fewer than those of any other great poet, whereas mine would be a long essay were I to produce by the medium of I.M. ^ 50 TO THE IMMORTAL MEMORY OF parallel columns all that other poets have borrowed from him. Lastly, among Cowper's many excellencies as a poet let me note his humour. His pathos, his humanity — many fine qualities he has in common with others ; but what shall we say of his humour? If the ubiquitous Scot were present, so far from his native heath — and I daresay we have one or two with us — he might claim that humour was also the prerogative of Robert Burns. He might claim, also, that certain other great characteristics of Cowper were to be found almost simultane- ously in Burns. There is virtue in the almost. Cowper was born in 1731, Burns in 1759. At any rate humour has been a rare product among the greater English poets. It was entirely absent in Wordsworth, in Shelley, in Keats. Byron possessed a gift of satire and wit, but no humour, Tennyson only a suspicion of it in " The Northern Farmer." From Cowper to Browning, who also had it at times, there has been little humour in the greatest English poetry, although plenty of it in the lesser poets — Hood and the rest. But there was in Cowper a great sense of humour, as there was also plenty of what WILLIAM COWPER 51 Hazlitt, almost censoriously, calls " elegant trifling." Not only in the imperishable " John Gilpin," but in the " Case Between Nose and Eyes," " The Nightingale and Glow-worm," and other pieces you have examples of humorous verse which will live as long as our language endures. Cowper's claims as a poet, then, may be empha- sized under four heads : — I. His enthusiasm for humanity. II. His love of nature. III. His love of animal life. IV. His humour. And in three of these, let it be said emphatic- ally, he stands out as the creator of a new era. There is another claim I make for him, and with this I close — his position as a master of prose, as well as of poetry. Cowper was the greatest letter-writer in a language which has produced many great letter-writers — Walpole, Gray, Byron, Scott, FitzGerald, and a long list. But nearly all these men were men of affairs, of action. Given a good literary style they could hardly have been other than interesting, they had so much to say that they gained from external sources. Even FitzGerald — the one 52 TO THE IMMORTAL MEMORY OF recluse — had all the treasures of literature con- stantly passing into his study. Cowper had but eighteen books altogether during many of his years in Olney, and some of us who have lent our volumes in the past and are still sighing over gaps in our shelves find consolation in the fact that six of Cowper's books had been returned to him after a friend had borrowed for twenty years or so. Now, it is comparatively easy to write good letters with a library around you ; it is marvellous that Cowper could have done this with so little material, and his letters are, from this point of view, the best of all — " divine chit-chat " Coleridge called them. His simple style captivates us. And here let me say — keeping to my text — that it is the sanest of styles, a style with no redundancies, no rhetoric, no straining after effect. The outlook on life is sane — what could be finer than the chase for the lost hare, or the call of the Parliamentary candidate, or the flogging of the thief ? — and the outlook on literature is particularly sane. Cowper was well-nigh the only true poet in the first rank in English literature who was at the same time a true critic. Literary history affords a singular revelation of the wild and inco- WILLIAM COWPER 53 herent judgments of their fellows on the part of the poets. For praise or blame, there are few literary judgments of Byron, of Shelley, of Words- worth that will stand. Coleridge was a critic first, and his poetry, though good, is small in quantity, and the same may be said of Matthew Arnold. Tennyson discreetly kept away from prose, and his letters, be it remembered, lack distinction as do most letters of the nineteenth century. If, however, as we are really to believe, he it was who really made the first edition of Palgrave's Golden Treasury of Lyric Poetry, he came near to Cowper in his sanity of judgment, and one delights to think that in that precious volume Cowper ranks third — that is, after Shakspere and Wordsworth — in the number of selections that are there given, and rightly given, as imperishable masterpieces of English poetry. Tennyson, also, was at one with Cowper in declaring that an appreciation of Lycidas was a touchstone of taste for poetry. To Tennyson, as to Cowper, Milton was the one great English poet after Shakspere ; and here, also, we revere the saneness of view. More sane too, was Cowper than any of the 54 TO THE IMMORTAL MEMORY OF modern critics, in that he did not believe that mere technique was the standpoint from which all poetry must ultimately be judged. " Give me," he says, " a manly rough line with a deal of meaning in it, rather than a whole poem full of musical periods, that have nothing in them, only smoothness to recommend them ! " And thus he justified Robert Browning and many another singer. Let us then dismiss from our minds the one- sided picture of Cowper as a gloomy fanatic, who was always asking himself in Carlylian phrase, " Am I saved ? Am I damned ? " Let us re- member him as staunch to the friends of his youth, sympathetic to his old schoolfellow, Warren Hastings, when the world would make him out too black. Opposed in theory to tobacco, how he delighted to welcome his good friend Mr. Bull. " My greenhouse," he says, " wants only the flavour of your pipe to make it perfectly delightful ! " Naturally tolerant of total absti- nence, he asks one friend to drink to the success of his Homer, and thanks another for a present of bottle-stands. From beginning to end, save in those periods of aberration, there is' no more WILLIAM COWPER 55 resemblance to Cowper in the picture that certain narrow-minded people have desired to portray than there is in these same people's conception of Martin Luther. The real Luther, who loved dancing and mirth and the joy of living as much as did any of the men he so courageously opposed, was not more remote from a conception of him once current in this country than was the real Cowper — the frank, genial humorist, who wrote " John Gilpin," who in his youth " giggled and made giggle " with his girl-cousins, and in his maturer years " laughed and made laugh " with Lady Austen and Lady Hesketh. To all men there are periods of weariness and depression, side by side with periods of happiness and hopefulness. Cowper, alas ! had more than his share of the tragedy of life, but let us not forget that he had some of its joy, and that joy is reflected for us in a substantial literary achieve- ment, which has lived, and influenced the world, while his more tragic experiences may well be buried in oblivion. This, you may have noted, is not a criticism of Cowper, but an eulogy. I would wish to say, however, that the criticism of Cowper by living writers has been of surpassing 56 TO THE IMMORTAL MEMORY OF excellence. For the first fifty or sixty years of the century that we are recalling Cowper was the most popular poet of our country, with Burns and Byron for rivals. He has been largely de- throned by Wordsworth and Shelley, and Tenny- son, not one of whom has been praised too much. But if Cowper has sunk somewhat out of sight of late years, owing to inevitable circumstances, it is during these late years that he has secured the goodwill of the best living critics. Would that Mr. Leslie Stephen^ — who wrote his life in the Dictionary of National Biography — would that Mr. Edmund Gosse — who has so recently published a great biography of Cowper's memorable ances- tor. Dr. Donne — were, one or other of them, here to-day ; or Mr. Austin Dobson, who has visited Olney, and described his impressions ; or Dr. Jessopp, who lives near Cowper's tomb in East Dereham Church. These writers are, alas ! not with us, and some presentment of a poet they love has fallen to less capable hands. 1 Mr. Leslie Stephen, who became Sir Leslie Stephen, K.C.B., in 1902, was born in 1832 and died in 1904. In addition to the article in the D.N.B.^ this great critic has one on " Cowper and Rousseau " in his Hours in a Library. WILLIAM COWPER 57 But not the most brilliant of speeches, not all the enthusiasm of all the critics, can ever restore Cowper to his former immense popularity. We do well, however, to celebrate his centenary, because it is good at certain periods to remember our indebtedness to the great men who have helped us in literature or in life. But that is not to say that we work for the dethronement of later favourites. " Each age must write its own books," says Emerson, and this is particularly the case with the great body of poetry. Cowper, however, will live to all time among students of literature by his longer poems ; he will live to all time among the multitude by his ballads and certain of his lyrics. He will, assuredly, live by his letters, to study which will be a thousand times more helpful to the young writer than many volumes of Addison, to whom we were once ad- vised to devote our days and our nights. Cowper will live, above all, as a profoundly interesting and beautiful personality, as a great and good English- man — the greatest of all the sons of this his adopted town. TO THE IMMORTAL MEMORY OF GEORGE BORROW Ill TO THE IMMORTAL MEMORY OF GEORGE BORROW An Address delivered in Norwich on the Occasion of the Borrow Centenary, 1903. One hundred years ago there was born some two miles from the pleasant little town of East Dereham, in this county, a child who was chris- tened George Henry Borrow. That is why we are assembled here this evening. I count it one of the most interesting coincidences in literary history that only three years earlier there should have left the world in the same little town — a town only known perhaps to those of us who are Norfolk men — a poet who has always seemed to me to be one of the greatest glories of our literature : I mean William Cowper. Cowper died in April, 1800, and Borrow was born in July, 1803, in this same town of East Dereham : and there very much it might be thought, any point of likeness or of contrast must surely end. 01 62 TO THE IMMORTAL MEMORY OF Cowper and Borrow do, indeed, come into some trivial kind of kinship at one or two points. In reading Cowper's beautiful letters I have come across two addressed by him to one Richard Phil- lips, a bookseller of that day, who had been in prison for publishing some of ThomasPaine's works. Cowper had been asked by Phillips to write a sympathetic poem denunciatory of the political and religious tyranny that had sent Phillips to jail. Cowper had at first agreed, but was after- wards advised not to have anything more to do with Phillips. Judging by the after career of Phillips, Cowper did wisely; for Phillips was not a good man, although twenty years later he had become a sheriff of London and was knighted. As Sir Richard Phillips he was visited by George Borrow, then a youth at the begin- ning of his career. Borrow came to Phillips armed with an introduction from William Taylor of Norwich, and his reception is most dramatically recorded in the pages of Lavengro. This is, however, to anticipate. Then there is a poem by Cowper to Sir John Fenn ^ the antiquary, the 1 Sir John Fenn (1739-1794), the antiquary, obtained the originals of the Paston Letters from Thomas Worth, a chemist GEORGE BORROW 63 first editor of the famous Paston Letters. In it there is a reference to Fenn's spouse, who, under the pseudonym of " Mrs. Teachwell," wrote many books for children in her day. Now Bor- row could remember this lady — Dame Eleanor Fenn — when he was a boy. He recalled the " Lady Bountiful leaning on her gold-headed cane, while the sleek old footman followed at a respect- ful distance behind." Lady Fenn was forty-six years old when Cowper referred to her. She was sixty-six when the boy Borrow saw her in Dereham streets. At no other points do these great East Dereham writers come upon com- mon ground : Cowper during the greater part of his life was a recluse. He practically fled from the world. In reading the many letters of Diss. The following lines were first printed in Cowper's Collected Poems, by Mr. J. C. Bailey in his admirable edition of 1906, published by the Methuens : — Two omens seem propitious to my fame, Your spouse embalms my verse, and you my name ; A name, which, all self-flattery far apart Belongs to one who venerates in his heart The wise and good, and therefore of the few Known by these titles, sir, both yours and you. They were written to please his cousin John Johnson who was to oblige Fenn by giving him an autograph of Cowper's. 64 TO THE IMMORTAL MEMORY OF he wrote — and they are among the best letters in the English language — one is struck by the small number of his correspondents. He had few acquaintances and still fewer friends. He had never seen a hill until he was sixty, and then it was only the modest hills of Sussex that seemed to him so supremely glorious. He was never on the Continent. For half a lifetime he did not move out of one county, the least pic- turesque part of Buckinghamshire, the neigh- bourhood of Olney and of Weston. There he wrote the poems that have been a delight to several generations, poems which although they may have gone out of fashion with many are still very dear to some among us ; and there, as I have said, he wrote the incomparable letters that have an equally permanent place in literature. You could not conceive a more extraordinary contrast than the life of this other writer associated with East Dereham, whom we have met to celebrate this evening. George Borrow was the son of a soldier, who had risen from the ranks, and of a mother who had been an actress. Soldier and actress both imply to all of us a restless, wandering life. The soldier was a Cornishman GEORGE BORROW 65 hy birth, the actress was of French origin, and so you have blended in this little Norfolk boy — who is a Norfolk boy in spite of it all — every kind of nomadic habit, every kind of fiery, imagin- ative enthusiasm, a temperament not usually characteristic of those of us who claim East Anglia as the land of our birth or of our progenitors. I wish it were possible for me to reconstruct that Norwich world into which young George Borrow entered at thirteen years of age. That it was a Norwich of great intellectual activity is indisputable. In the year of Borrow's birth John Gurney, who died six years later, first became a partner in the Norwich bank. His more famous son, Joseph John Gurney — aged fifteen — left the Earlham home in order to study at Oxford. His sister, the still more famous Elizabeth Fry, was now twenty-three. So that when Borrow, the thirteen year old son of the veteran soldier — who had already been in Ire- land picking up scraps of Irish, and in Scotland adding to his knowledge of Gaelic — settled down for some of his most impressionable years in Nor- wich, Joseph John Gurney was a young man of twenty-eight and Elizabeth Fry was thirty-six. i.u. 66 TO THE IMMORTAL MEMORY OF Dr. James Martineau was eleven years of age and his sister Harriet was fourteen. Another equally clever woman, not then married to Austin, the famous jurist, was Sarah Taylor, aged twenty- three. This is but to name a few of the crowd of Norwich worthies of that day. Would that some one could produce a picture of the literary life of Norwich of this time and of a quarter of a century onward — a period that includes the famous Bishop Stanley's^ occupancy of the See of Norwich and the visits to this city from all parts of England of a great number of famous literary men. It is my pleasant occupation to-night to endeavour to show that Borrow, the very least of these men and women in public estimation for a good portion of his life, and perhaps the least in popular judg- ment even since his death, was really the greatest, was really the man of all others to whom this beautiful city should do honour if it asks for a name out of its nineteenth century history to crown with local recognition. ^ Edward Stanley (i 779-1 849), the father of Arthur Penrhyn Stanley (1815-1881), Dean of Westminster, was Bishop of Norwich from 1837 ^^ ^^^9- GEORGE BORROW 6^ For whatever homage may have fallen to Borrow during the half-century or more since his name first came upon many tongues Norwich, it must be admitted, has given very little of it. No one associated with your city, I repeat, but has heard of the Gurneys and the Martineaus, of the Stan- leys and the Austins, whose life stories have made so large a part of your literary and intellec- tual history during this very period. But I turn in vain to a number of books that I have in my library for any information con- cerning one who is indisputably the greatest among the intellectual children of Norwich. I turn to Mr. Prothero's Lije of Dean Stanley — not one word about Borrow ; to that pleasant Memoir of Sarah Austin and her mother, Mrs, Taylor,called Three Generatiofis of a Norfolk Family — again not one word. I turn to Mr. Braith- waite's biography of Joseph John Gurney, and to Mr. Augustus Hare's book The Gurneys of Earlham — upon these worthy biographers Borrow made no impression whatever, although Joseph John Gurney was personally helpful to him and we read in Lavengro of that pleasant meeting between the pair on the river bank when Mr. Gurney chided 68 TO THE IMMORTAL MEMORY OF the boy Borrow or Lavengro for angling. " From that day," he says, "I became less and less a practitioner of that cruel fishing." In Harriet Martineau's Autobiography, which enjoyed its hour of fame when it was published twenty- six years ago, there is a contemptuous reference to the disciple of William Taylor, " this poly- glot gentleman, who went through Spain dis- seminating Bibles." If Miss Martineau were alive now she would hear the works of " this polyglot gentleman " praised on every hand, and would find that a cult had arisen which to her would certainly be quite incomprehensible. In that large, dismal book — the Life of James Martineau, again, there is but one mention of Dr. Martineau's famous schoolfellow whose name has been linked with him only by a silly story. Do not let it be thought that I am complaining of this neglect ; the world will always treat its greatest writers in precisely this fashion. Borrow did not lack for fame of a kind, but he was, as I desire to show, praised in his lifetime for the wrong thing, where he was praised at all. Every- one in the fifties and sixties read The Bible in Spain, as they read a hundred other books of GEORGE BORROW 69 that period, now forgotten. Many read it who were deceived by its title. They expected a tract. Many read it as we to-day read the latest novel or biography of the hour. Then a new book arises and the momentary favourite is forgotten. We think for a whole week that we are in contact with a well-nigh immortal work. A little later we concern ourselves not at all whether the book is immortal or not. We go on to something else. The critic is as much to blame as the reader. Not one man in a hundred whose profession it is to come between the author and the public, and to guide the reader to the best in literature, has the least perception of what is good literature. It is easy when a writer has captured the suffrages of the crowd for the critic to tell the world that he is great. That happened to Carlyle, to Tennyson, to many a popular author whose earliest books commanded little attention : but, happily, these writers did not lose heart. They kept on writing. Borrow was otherwise made. He wrote The Bible in Spain — a book of travel of surprising merit. It sold largely on its title. Mr. Augustine Birrell has told us that he knew a boy in a very 70 TO THE IMMORTAL MEMORY OF strict household who devoured the narrative on Sunday afternoons, the title being thought to cover a conventional missionary journey. Well, when I was a boy The Bible in Spain had gone out of fashion and the public had not taken up with the author's greater work, Lavengro. Borrow was naturally disappointed. He abused the critics and the public. Perhaps he grew somewhat soured. He did not hesitate in The Romany Rye to talk candidly about those " ill-favoured .dogs . . . the newspaper editors," and he made the gentle- man's gentleman of Lavengro describe how he was excluded from the Servants' Club in Park Lane because his master followed a profession " so mean as literature." In fact as a reaction from the unfriendly reception accorded to the Romany Rye — now one of the most costly of his books in a first edition — he lost heart, and he grew to despise the whole literary and writing class. Hence the various stories presenting him in not very sympathetic guise, the story of Thackeray being snubbed on asking Borrow if he had read the Snoh Papers, of Miss Agnes Strickland re- ceiving an even more forcible rebuff when she offered to send him her Queens of England. GEORGE BORROW 71 " For God's sake don't Madame ; I should not know where to put them or what to do with them." These stories are in Gordon Hake's Memoirs of Eighty Tears, but Mr. Francis Hindes Groome has shown us the other side of the picture, and others also to whom I shall refer a little later have done the same. Perhaps the literary class is never the worse for a little plain speaking. The real secret of Borrow is this — that he was a man of action turned into a writer by force of circumstances. The life of Borrow, unlike that of most famous men of letters, has not been overwritten. His death in 1881 caused little emotion and attracted but small attention in the newspapers. The Times, then as now so excellent in its biographies as a rule, devoted but twenty lines to him. Here I may be pardoned for being auto- biographical. I was last in Norwich in the early eighties. I had a wild enthusiasm for literature so far as my taste had been directed — that is to say I read every book I came across and had been doing so from my earliest boyhood. But I had never heard of George Borrow or of his works. In my then not in- 72 TO THE IMMORTAL MEMORY OF frequent visits to Norwich I cannot recall that his name was ever mentioned, and in my life in London, among men who were, many of them, great readers, I never heard of Bor- row or of his achievement. He died in 1881, and as I do not recall hearing his name at the time of his death or until long afterwards, I must have missed certain articles in the Athenaeum— two of them admirable "appreciations" by Mr. Watts-Dunton — and so my state of benightedness was as I have described. It may be that those who are a year or two older than I am and those who are younger may find this extraordinary. You have always heard of Borrow and of his works, but I think I am entitled to insist that when Borrow sank into his grave, an old, and to many an eccentric and bitter man, he had fallen into the most curious oblivion with the public that has ever come to a man, I will not say of equal distinction, but of any distinction what- ever. Mr. Egmont Hake told the readers of the Athenaeum in a biography that appeared at the time of Sorrow's death that Borrow's works were " forgotten in England " and I find in turning to the biography of Borrow in T^he GEORGE BORROW 73 Norvicensian, for 1882 — the organ of the Norwich Grammar School — that the writer of this obituary notice confessed that there were none of Borrow's works in the library of the school of which Borrow had been the most distinguished pupil. From that time — in 1881 — until 1899, a period of eighteen years, Borrow had but little biographical recognition. A few introductions to his books, sundry encyclopaedia articles, and one or two magazine essays made up the sum total of information concerning the author of Lavengro untilDr. Knapp's Zz/i.:tiit^ Works, t roii.e , ai,.. Lv:..:on UNIVERSITY OF CALIFORNIA LIBRARY Los Angeles This book is DUE on the last date stamped below. J,-- JUN 1 195^ JIP 1 ? .J962 1 9 7QPn Form L9-25m-9,'47(A5618)444 JUL 1 9 198L Tf!F LTBFr:^3rf tTMTVFRSITV ()i^ r.AT IFr^WUB PN 511 Shorter - S55c ii Immortal memo- ries. ^ -^-^ ./^- ^ y^^zri^ / ilii III llil III mil lull AA 000 577 653 9 PN 511 S558i ^Wssa^BS^s^ssssssssss^m iifmiiafaafttaam^esKaa^^ wn^i^^imjmsj^: