Jflotes anb Jtsiifels DIRECTIONS FOR FLORAL DECORATION OF CHURCHES "Art is like a prudent steward, that lives on managing the riches oj nature." POPE RIVINGTONS lumtron . Waterloo Place ifort .... 'High Street CCamfirtogr . . ' . . Trinity Street Plat Vincent, Brooks, lilh Jfkte arto DIRECTIONS FOR THE FLORAL DECORATION OF CHURCHES BY W. A. BARRETT OF s. PAUL'S CATHEDRAL LATE CLERK OF MAGDALEN COLLEGE, AND COMMONER OF S. MARY HALL, OXFORD ' Quidquid ex ejjecto puro et sincere prontitur, lioc est deconnn." S. AMBKOSK. RIVINGTONS , tP.vforti. and 1868 WIVES AND DAUGHTERS OF OUR PAROCHIAL CLERGY WHO LIKE THOSE WHO WERE FIRST AT THE HOLY SEPULCHRE ARE FOREMOST IN EVERY GOOD AND USEFUL WORK is WITH EVERY RESPECT BY THE AUTHOR. 1114933 THE present work, which ought, perhaps, to be styled more a compilation than' a composition, as it can claim no merit of being the very first of its kind, is intended to serve as a Hand-book for those who wish to know how to set about decorating their Churches, to God's honour and glory, for the various Festivals of the Christian Year. In order to make the book interesting, apart from the main object in view, and yet more or less connected with it, care has been taken to explain, as fully as possible, the meanings of the various symbolical forms usually employed, viii Preface that their use in Floral decoration may not be misunderstood, or misinterpreted, so as to be taken for " dark or dumb ceremonies ; but be so set forth, that every man may understand what they do mean, and to what use they do serve." With a hearty desire that the book may be found useful ; and that the information in its pages may conduce to the " procuring of Reve- rence, and exciting of piety and devotion in the publick worship of God," the Author sends it forth to the world, "with all its imperfections on its head." LONDON, All Saints' Day, 1867. Content* PAGE HISTORICAL NOTES 3 CROSSES ' . . . 26 EMBLEMS OF OUR LORD AND OF THE SAINTS . . 35 FLOWERS AND PLANTS DEDICATED TO SAINTS . . 55 GENERAL HINTS IOI DESCRIPTION OF THE DESIGNS 1 15 SENTENCES AND TEXTS OF SCRIPTURE . . . 139 CONCLUSION . ... 166 Jflokrs 35. Three dozen other garlands for the quire J Holme and ivy at Christmas eve. . . iiijd. 4 " In the Churchwarden's accounts for the parish of S. Lawrence, Reading, we read : 1505. " It. Payed to Makrell for the holy bush agayne Christmas ...... ijd" In the Churchwardens' accounts of the parish of S. Martin Outwich, London, is : 1524. "Item : payde for brome agaynst Ester . . jd. Item : for holy and ivy at Chrystmas . . ijd. ob. Item : for rose garlands on Corpus Xti. day . ijd. 5 " 4 See also Brand, vol. i. 293. 5 North, Chronicle of S. Martin, Leicester, p. 223. Historical Notes 15 In the Steward's accounts of the guild of Corpus Christi, at Leicester, for the years 1525-6, is the fol- lowing entry : "It' ffor garneshyng off the awter . . . iijs. iiijd. 8 " That the custom of decorating churches with ever- greens and flowers was not confined to Christmas alone, the above quotations show. John Evelyn, writing about the year 1660, describes the practice in his time a time when the ancient customs of the Church were more or less smothered by Puritanism. Speaking of holly, he bursts into a poetical rapture, and says : " We still dress up our Churches and houses on Christmas and other festival days, with its cheerful green, and rutilant" berries." In 1535 the University of Oxford was visited by the Royal Commissioners; and, in the year after, the King recommended certain articles concerning faith and ceremonies ; saying, among other matters, " that vest- ments for God's service, holy water, candles on 6 North's Chron. of S. Martin. 7 Shining. 16 Flowers and Festivals Candlemas Day, palms on Palm Sunday, and other laudable customs, were to be continued; but that none of them had power to remit sin." A charge is extant for green wax for making flowers round the candles in Obitu Fundatoris, in the books of i Magdalen College, Oxford, for the year 1488-9*, and there are various other similar disbursements at different times. Payment for the last time appears to have been made for decorating the chapel with green boughs for the feast of S. John Baptist, in the year 1766. The old custom of preaching an annual sermon from the stone pulpit in S. John's quadrangle was trans- ferred to the Chapel about this time, as we find from Whitfield; who, in a pamphlet published about the year 1768, says : "They have lately thought proper to adjourn into the Chapel 9 ." Upon this occasion, the ground was covered with green rushes and grass, as were the surrounding walls and buildings with verdant 3 " Will Tonsori pro cera viridi pro floribus fiendis circa can- delis in obitu Dni. Fundatoris, iiijd." Bloxam, 262. 9 Bloxam, Magd. Coll. Reg., p. xxviij. Historical Notes 1 7 boughs of trees and with flowers, to imitate the preaching of S. John in the wilderness. Hearne, in his Diary, 2^th June, 1716, says: "Yes- terday preached at Magdalen College, Mr. Lydall, B.D., and Fellow of that college. It is customary upon this day to preach in a stone pulpit in the quadrangle, all beset with boughs, by way of allusion to S. John Baptist's preaching in the wilderness ; but this being a damp morning, the sermon was preached in the Chapel, as it always is when the morning proves wet" In the parish book of S. Margaret, Westminster, we find entries as late as 1647 : 1647. "Payde for garnyshyng the iiij torches for Cor- pus Christye day ijs. Flowres to the same torches . . . vjd. Item, payd for rosemarie and bayes that was stuck about the Church at Christmas . js. vjd." In Herbert's "Country Parson," 1675, page 56, the author tells us : " Our parson takes order that the Church be swept and kept clean, without dust or cobwebs; and at great festivals strawed and stuck c 1 8 Flozvers and Festivals with boughs, and perfumed with incense." And in the parish accounts of S. Botolph, Bishopsgate, is the following entry for the year 1678 : " Paid for frankincense and flowers, when the Chan- cellor sat with us ....... ijd." Polydore Vergil has also reference to the custom of not only decorating the Church with flowers ; but says that, in England, the priests performed the ser- vice, on certain high days, crowned with flowers; more especially at S. Paul's Cathedral, in London, on the feast-day of the Patron Saint. Learned John Stow also states that the Dean and Chapter of that Cathedral, on S. Paul's day, were " apparelled in coaps and vestments, with garlands of roses on their heads." A probable relic of this custom may be traced in the fact that the Judges, the Lord Mayor, the Aldermen, Sheriffs, and Common Councillors, when they attend Service at the Cathe- dral on the Sunday after Easier, and on Trinity Sunday, with many of the Clergy, carry each of them a bouquet of flowers in their hands, which Historical Notes 1 9 they either leave behind after service, or give to the Choristers or female members of the congre- gation. It may be that the custom of carrying flowers to Church was anciently considered a mark of temporary distinction, and practised only when service was officially attended. The peasantry living on the Elbe who possess a bit of land never enter the Church without a nosegay in their hands. They thus show that they claim the consideration due to persons who possess some pro- perty in the neighbourhood. Among the country people near Hamburg, there is no garden so small as not to possess a place for the flowers intended for this use; and the plat is distinguished by the name of " the Church nosegay '." In many country places in England, the habit of taking small bunches of flowers in the hand to Church is still observed, both by the peasantry and gentle people. 1 Mag. Universe!, Paris, 1835. C 2 2O Flowers and Festivals The custom of strewing the floors of Churches and houses with rushes was in use long before the luxury of carpets was known ; even in the palaces of royalty the floors were covered with rushes or straw, some- times with sweet herbs intermingled. There are several entries in parish accounts, of pay- ments made for strewing the floors of Churches with rushes or straw, according to the season of the year. In- the Churchwarden's accounts of the parish of S. Mary-at-Hill, London, Brand, the antiquary, who was sometime rector of the parish, quotes the fol- lowing entry : 1504. " Payde for 2 Berden Rysshes for the strewing the newe pewes . . . . . iijd." There are also entries in the parish books of Hailsham, Sussex, of charges for strewing the Church floor with straw or rushes ; and in the books of the City of Norwich, entries for pea-straw, and such strewing. Many other instances might be cited, besides those which have already been alluded to. Historical Notes 21 Besides being employed at the festivals of the Church, or on ordinary occasions, rushes were used at weddings : "Full many maids, clad in their best array, In honour of the bride, come with their flaskets Fill'd full with flowers ; others in wicker baskets Bring from the marish rushes, to o'erspread The ground, whereon to Church the lovers tread." BROWNE'S Brit. Past. i. 2. The custom of bringing the rushes for the use of the Church upon some fixed day no doubt gave rise to the rush-bearing processions still prevalent in the north of England. The Rev. G. Miles Cooper, in his paper on the Abbey of Bayham, in the " Sussex Archaeological Col- lections," vol. ix., 1857, observes : " Though few are ignorant of this ancient custom, it may not perhaps be so generally known, that the strewing of Churches grew into a religious festival, dressed up in all that picturesque circumstance wherewith the Old Church well knew how to array its ritual. Remains of it linger to this day in remote parts of England. In 22 Flozvers and Festivals Westmoreland, Lancashire, and districts of Yorkshire, there is still celebrated, between hay-making and harvest, a village fete called the Rush-bearing. Young women, dressed in white, and carrying garlands of flowers and rushes, walk in procession to the parish Church, accompanied by a crowd of rustics, with bands playing and banners flying. There they sus- pend their floral chaplets on the chancel rails, and the day is concluded with a simple feast. " The neighbourhood of Ambleside was, until lately, and may be still, one of the chief strong- holds of this popular practice; respecting which I will only add, as a curious fact, that up to the passing of the Municipal Reform Act, the town clerk of Norwich was accustomed to pay to the sub-sacrist of the Cathedral, an annual guinea for strewing the floor of the Cathedral with rushes on the Mayor's day, from the western door to the 'entrance into the choir. This is the most recent use of the custom which has come within my knowledge." In the " Herball to the Bible," 1587, mention is Historical Notes. 23 made of sedge and rushes, " the which manie in the countrie doe use in somer-tyme to strewe their parlors or Chirches, as well for coolness as for pleasaunt smell." The species preferred was, doubtless, the Calamus aromaticus or Acorus calamus, which when bruised gives forth an odour somewhat resembling that of the myrtle. The sweet cane, and the Calamus mentioned in Scripture (Jer. vi. 20, and Exod. xxx. 23), are probably the same as the Calamis aro- maticus. Inferior kinds were also used for the same purpose, when the sweet-scented rush was not to be obtained. The custom of decorating the Church with flowers and boughs is ancient and laudable ; and probably based upon the words of Isaiah (Ix. 13), "The glory of Lebanon shall come unto thee; the fir tree, the pine tree, and the box together, to beautify the place of My sanctuary ;" and S. Paul says, that " every creature of God is good 2 ." Whatever there is most 2 i Tim. iv. 4. 24 Flowers and Festivals beautiful and good, and most prized among the works of His hands, should be given back to Him. " The earth is the Lord's, and the fulness thereof." Flowers, then the fairest remnants of the pristine beauty of Paradise should be especially offered in the Church to Him who is the "Rose of Sharon and the Lily of the Valley." The Rev. James S. Pollock, in his little tract upon Ritual, says : " We read in the Bible, that her temple was adorned with carved 'palm trees, and open flowers, within and without 3 .' " And when our Blessed Lord triumphantly entered Jerusalem, the people ' took branches of palm trees, and went forth to meet Him 4 .' We read also of the ' great multitude, which no man could number,' having 'palms in their hands*.' Jesus loved flowers, and all things beautiful ; He has told us to ' consider the lilies 6 .' There the 'young plants 7 ' that are 3 i Kings vi. 29. 4 S. John xii. 1 3. 3 Rev. vii. 9. S. Matt. vi. 18. 7 Ps. cxliv. 12. Historical Notes growing up, should be used in decoration ; that we may see ' how they grow,' and that really ' green things ' may magnify Him that ' dwelleth in the gardens 8 .'" *' Cant. Sol. viii. 13. CROSSES ' ' Let no one, then, be ashamed of these symbols of our salvation, of these signs." S. JOHN CHRYSOSTOM, Homily Iv. HPHERE are many symbolical forms, whose outlines suggested much pious meaning to our unlearned ancestors, of which we, their posterity, have nearly lost sight. Of these are monograms, crosses of varied shapes, mathematical outlines, and natural objects. The meaning conveyed by the various forms most useful for the present purpose, will now be explained in as clear and as short a manner as possible. Chiefest of all is the Cross : "That holy Crosse, whence thy salvation came, On which thy Saviour and thy sin did die." WOTTON. Crosses 27 The various forms of Crosses are thus spoken of by old Fuller : " But chiefest of all (the symbols used in heraldry) is the Crosse ; which, though borne in arms before, yet was most commonly and gene- rally used since the Holy Warre. The plain crosse, or St. George's Crosse, I take it to be the mother of all the rest ; as plain song is much senior to any running of division l . Now, as by transposition of a few letters a world of words is made ; so by the varying of this Crosse in forme, colour, and metall (ringing as it were the changes) are made infinite several coats. The Cross of Jerusalem, or Jive crosses, most frequently used in this warre ; crosse patee, because the ends thereof are broad; fichee, whose bottom is sharp, to be fixed in the ground ; wav'ee, which those may justly weare who sailed thither through the miseries of the sea, or sea of miseries ; molinee, because like to the rind of a mill ; saltyree, or 1 The plain song in the Church was the old Gregorian tones, and such like ; by the "running of division" is meant the more or less florid harmonies with which it was accompanied. 28 Flowers and Festivals S. Andrew's Cross ; florid, or garlanded with flowers ; the crosse, crossed / besides the divers tricking or dressing; as piercing, voiding, fimbriating, ingrailing, couping and in fouxie and devices there is still a plus ultra ; insomuch that crosses alone, as they are variously disguised, are enough to distinguish all the several families of gentlemen in England." There are two principal forms of the Cross, the Latin and the Greek. The LATIN CROSS (Plate XXIV., fig. i) is the repre- sentation of the tree whereon our Lord suffered ; and it is this form which is most prevalent in the works of art of the Western Church. It was formerly called the Cross of the Passion, and is the Episcopal Cross. The GREEK CROSS (fig. 2) is less material and more spiritual in idea; it is said to represent our Lord's ministry; and also its four equal arms represent the glad tidings of the Gospel spread all over the world, as taught by the four evangelists, and symbolized by the four arms pointing in the direction of the four winds of heaven. Crosses 29 "The Latins, more material in sentiment than the Greeks, preferred the actual form ; the Greeks, more spiritual than the Latins, idealized the reality." Or, as another writer eloquently expresses himself, " The Latin Cross, from its form, speaks more directly of the atonement; representing more faithfully, pro- bably, the very instrument on which our Lord suffered. The Greek Cross we rather read as the emblem of Christianity in general the religion of the Cross." The Greek Cross is eminently distinguished by its ornamental character; nearly all the representations of the Cross, either heraldic or architectural, being modifications of this form; and, on the other hand, when the Cross is introduced as an accessory into pictures, it almost invariably takes the Latin form. CROSS OF CALVARY (fig. 3) belongs to the Latin type ; its peculiarity consists in the Cross being elevated upon three steps, which are said to repre- sent, symbolically, the three Christian graces, Faith, Hope, and Charity. CROSS, PATRIARCHAL, drawn with two horizontal 30 Floivcrs and Festivals bars; and, although said to belong to the Latin type of Cross, may also belong to the Greek type, or rather to both, as its form is a union of both types ; it is also called the Archbishop's Cross, or Cross of Lorraine. CROSS CROSSLET (fig. 4) is composed of four Latin crosses. CROSS OF JERUSALEM, or CROSS POTENT (fig. 5), is the unity of four Tau crosses (for a description of which see p. 31); and, with four Greek crosses between the right angles of the four arms, forms the heraldic coat of Jerusalem ; or, described according to technical phraseology, would be, on a field Argent, a cross potent, between four crosslets (little crosses), or. This is in violation of the heraldic law, of metal not being displayed upon metal ; but the gold upon silver is supposed to have been adopted in allusion to Psalm Ixviii. 13. CROSS PATEE (fig. 6). This is frequently drawn and mistaken for the Maltese Cross, which it resem- bles in form ; but Crosses 3 1 The MALTESE CROSS (fig. 7) has eight points, which are said to be symbolical of the eight beati- tudes. (See S. Matt chap, v.) S. ANDREW'S CROSS (fig. 8). The national Cross of Scotland, adopted in consequence of a tradition that S. Andrew first preached Christianity in that country. Combined with the Cross of S. George, it forms the Union Jack, so dear to every lover of his country. TAU CROSS, or S. ANTHONY'S CROSS (fig. 9). The Tau Cross is called from the Greek form and name for the letter T. It derives some interest from the tradition attached to it, as being the. Cross upon which our Lord was slain, rather than upon the Latin Cross. It is of very ancient origin, being frequently found among Egyptian hieroglyphics. And the Mark spoken of by the Prophet Ezekiel (chap. ix. v. 4) is supposed to be the Tau Cross. The old writers on Symbolism saw in the Tau Cross the ideal precursor of the real Cross. The Cross with three branches or limbs they considered 32 Flowers and Festivals to be the " anticipatory Cross ; the typical Cross ; the Cross of the Old Testament." It was considered by the Ancients as the emblem of eternal life. The CROSS OF S. GEORGE (fig. 2) is of the Greek form, and was anciently the badge of the kings of England, and therefore adopted by their retainers. The shield of the City of London still has this cross upon it, with the sword added ; the sword being the emblem of S. Paul, the patron saint of the City. THE CROSS OF IONA, or IRISH CROSS (fig. 10), is said to be the most ancient form used in this country, as evidenced by the antique way-side early Memorial Crosses being of this form. Many writers contend that because this style of Cross partakes more of the Greek character than of the Latin, it argues an Eastern rather than a Western origin for the intro- duction of Christianity into Great Britain. The CROSS OF CONSTANTINE (fig. n) is formed of the two first letters (x and p), with which the name of Christ is spelt in Greek. Although called a Cross, it partakes more of the character of a mono- Crosses 33 gram. It is called the Cross of Constantine, because it was used by that Emperor as a device upon his shield, and upon his coins. It is found frequently upon the sepulchres in the catacombs of Rome. It was a symbol much used by the early Christians, (this monogram was very often used in writing the name of Christ), and is found even in English documents so late as the year 1493 ; for, in the Chronicle of the Church of S. Martin at Leicester 2 , there is an item to the following effect : " It' ffor beryng of the ffertur 3 & for torches on Corp. Xpi (that is, Corpus Christi) day . . ijs. vjd." The Greek x is sometimes used in the present day in writing abbreviations : thus Christmas is often written Xmas. The MONOGRAM .CROSS (Plate XXIV., fig. 12) is a curious emblem of Christ, as King of Heaven, Leader of Men, Prince of Peace, and the Light, of the World. In using Crosses for decoration, it might be ad- 2 Compiled by Thomas North, 1866. 3 The Consecrated Wafer. 34 Flowers and Festivals visable to use the Tau Cross for all festivals during Advent (excepting upon S. Andrew's Day, when the Cross proper to that Saint would be most appro- priate), the Greek Cross during Lent, and the Latin for Easter; and afterwards, during the Christian year, because the Tau, being the anticipatory Cross, is best used to symbolize our Lord's coming; the Greek being emblematic of His ministry, and the Latin of His glorification. The Cross is said, by Mosheim, to be, in chemical language, the emblem of light; because it contains within its figure the forms of the three letters, of which the Latin word Lux (light) is composed [+' L- J+]. EMBLEMS OF OUR LORD AND OF THE SAINTS. ' ' Haply that emblematic lore, Which roused our sires to zeal sublime, Instruction e'en on us may pour Who linger in the dregs of time.' 1 '' "VOICES FROM THE EARLY CHURCH." "IV /T OST of the Emblems which are used to typify our Blessed Saviour, have been already spoken of in the chapter on Symbols, in addition to which the emblems of the Passion are sometimes employed ; these are, the nails, sponge on a reed spear, crown of thorns, hammer and pincers, the "superscription of his accusation," and the bleeding heart S. ANDREW first saint in the Christian year; his D ^ 36 Emblems of 'our Lord * emblem is a cross decussate, being formed of two pieces of wood crossing each other in the form of the letter X, that being the shape of the instrument of his death ; or, as others say, he was crucified upon a cross of the usual form, but the ground being loose, the cross gave way when he was lifted up, and sup- ported itself upon the foot and one of the side arms *. S. THOMAS has a spear or arrow, sometimes a builder's rule or square. S. JOHN THE DIVINE as an Apostle, has a cup with a serpent issuing out of it, in allusion to the cup of sorrow which he drank, according to our Lord's promise ; or to the cup having poison, which by his prayer issued from it in the form of a serpent ; also the eagle, who, soaring above the earth, symbolizes S. John as Evangelist, because he records events pointing to the Divine nature of our Lord. S. PAUL. His emblem is a sword v his attribute in a double sense; it signifies the manner of his mar- 1 Southey. and of the Saints 37 tyrdom, and it is emblematical of the good fight fought by the faithful Christian armed "with the sword of the Spirit, which is the word of God V S. MATTHIAS. An axe, or a spear or lance, and a book. S. MARK has a lion, the emblem of the Resurrec- tion; S. Mark being termed the Historian of the Resurrection. The lion is chosen, from the legend that the lion is always born dead, and is after three days roared over and licked into life by its father. "S. PHILIP. A long staff, surmounted by a Cross, sometimes of the Tau form, (see Plate XXIV., fig. 9,) and also a double Cross. S. JAMES THE LESS. A club of peculiar shape, called a fuller's bat, which was the emblem of his martyrdom. S. BARNABAS. A pilgrim's staff or a stone. S. PETER. Two keys, one of gold, the other of silver; emblematic of the "power of the keys" to 2 Eph. vi. 17. 3 8 Emblems of our Lord absolve and to bind ; and thus, as it were, to open the gates of heaven and of hell. S. JAMES THE GREAT. A pilgrim's staff, with a gourd attached to it ; also a scallop shell. S. BARTHOLOMEW. His proper emblem is the flay- ing knife by which he met his death. S. MATTHEW as an Apostle, has a book, or a purse, in allusion to his calling ; as an Evangelist his emblem is a man, because his gospel dwells more particularly upon the human nature of our Lord. S. LUKE. A calf or young ox, the emblem of sacrifice ; in allusion to his description of our Lord, more especially in His priestly character. S. SIMON. A saw, or two or more fishes. S. JUDE. A club or a ship. S. Hilary. Usually represented with three books, and with his feet on serpents; the books emblematical of his opposition to Arianism, and the serpents of the false doctrine he overthrew : he sometimes has a Patriarchal Cross. S. Prisca. Represented as a young girl, with a and of the Saints 39 palm branch and a lion at her feet, sometimes with a sword in her hand, and an eagle hovering near. S. Fabian. A book and a palm branch, with the triple crown upon his head. 6". Agnes is almost always represented with a lamb, either by her side or in her hand, from a fanciful word likeness between Agnus and Agnes ; or it may have been given her as an emblem of her spotless purity. S. Vincent is represented as a deacon, holding in his hand a gridiron full of spikes, and a raven hover- ing near. S. Blasius. His emblem is a wool comb. S. Agatha has usually a pair of pincers, having a nipple between the teeth; having reference to her martyrdom. 6 1 . Valentine has a true lover's knot for his device. 6". David. The harp is this saint's emblem. S. Chad has no distinctive emblem. S. Perpetua is generally represented with a cow standing near her. S. Gregory has a dove. 40 Emblems of our Lord S. Edward. A cup and a dagger. S. Benedict. A cup with a snake issuing from it, emblematical of poison. S. Richard. A plough or a plough-share. ,S. Ambrose. A hive of bees. S. Alphege is represented with his chasuble full of stones, and sometimes with a battle-axe in his hand, the implement by which his life was terminated. 6". George with the dragon, is well known, although variously represented ; the shield with his Cross is perhaps his best emblem. S. Dunstan. His emblem is a pair of tongs; also a harp, upon which instrument he is said to have been exceedingly skilful. S. Augustine has no distinctive emblem. .S. Nicomede. A spiked club. S. Boniface has for his emblem a scourge, or a book pierced through with a sword. S. Alban A sword and a cross. S. Swithun. In an ancient wooden stick calendar, or clog almanack, as it is called, this saint is repre- and of the Saints 41 sented by a series of wavy lines, intended to figure a shower of rain. S. Margaret is usually shown handsomely dressed, piercing a dragon, who is under her feet, with a long cross. S. Mary Magdalen. Her emblem is the "alabaster box of ointment." S. Anne. Her emblem is a dove with a ring in its beak. S. Lawrence. A gridiron. S. Augustine of Hippo. A heart in hand. S. Giles is usually represented with a crosier, and a hind with its fore-feet in his lap ; the hind's neck is sometimes pierced with an arrow. S. Enurchus. A dove alighting on the saint's head. S. Lambert. A palm branch and a dart or spear. S. Cyprian. A book and a sword. S. Michael. A spear and a pair of scales. Diony- sius, the Areopagite, says there are three great divi- sions of angels ; each division is subdivided into three orders or choirs, thus making nine in all. These are : 42 Emblems of our Lord I. COUNCILLORS of the Most High, who con- sist of: 1. Seraphim, represented as covered all over with eyes. 2. Cherubim, standing on wheels, and each one having six wings. 3. Thrones, represented with a throne or tower. II. GOVERNORS, who rule the stars and regulate the universe : 4. Dominations, represented with a sword, triple crown, and sceptre. 5. Virtues, in complete armour, carrying a battle-axe with a pennon flying from it, or a crown and censer. 6. Powers, binding or beating devils, or holding a baton. III. MESSENGERS of God's will : 7. Princedoms or principalities, in full ar- mour, holding a lily. and of the Saints 43 8. Archangels, who are S. Michael, S. Ra- phael, with a pilgrim's staff, and S. Uriel. 9. Angels. A wand. S. Jerome. A Cardinal's hat, and a lion. S. Remigius. A dove with an oil-cruse in its beak. S. Faith. A bundle of rods, or a brazen bed in her hand. S. Denys is represented as a Bishop, headless, carrying his head in his hand. S. Etheldreda. A crosier, a crown, and sceptre. S. Crispin. A pair of shoes. S. Leonard. The emblems of this saint are chains and fetters. S. Martin. A cloak and a sword. S. Brititis carries burning coals in his hand. .S 1 . Machutus. No emblem. S. Hugh. A swan. S. Cecilia. Organ-pipes are the usual emblems of this saint. S. Edmund. Arrows. 44 Emblems of our Lord S. Clement. A pot and an anchor; the former is connected with S. Clement in some unexplained way. There was anciently a custom of going about on S. Clement's night to beg drink to make merry with. The latter emblem is the instrument of the saint's martyrdom ; he was cast into the sea with an anchor about his neck. S. Catherine. A wheel with spikes. S. Catherine was at one time the most popular saint in England, as may be instanced by the many inns which have for their sign her emblem ; it is also not an un- common armorial bearing. S. Nicholas. Three purses, a book, an anchor, or a ship. S. Lucy. A lamp; a dish with a pair of eyes upon it. S. Silvester. A mitre, of which he is said to be the originator. and of the Saints 45 AN EXPLANATION OF MYSTICAL AND SYMBOLICAL FORMS. Fig. 3, plate XXIII. is an ancient monogram of the Holy Trinity; it is very frequently met with in mediaeval times. OTHER SYMBOLICAL FORMS. THE FIVE-POINTED STAR, called by Bishop Kennett the Pentangle of Solomon, which was used on the banner of Antiochus Soter, was employed all over Asia in ancient times as a charm against witchcraft ; it is also called the Pentalpha, because it contains five repetitions of the letter A, and the endless triangle. It was by Pythagoras used as an emblem of health. The Jews understood this symbol to mean safety; and, to this day, the English shepherd cuts it on the grass, or in the green sward, little thinking of its ancient signification ; the entire figure being put for V)fflQ( as representing the Greek characters vyeia, health. Bishop Kennett, quoted above, remarks that in his 46 Emblems of our Lord time a popular opinion prevailed, that if this figure be placed against the body, the angles will point to the places where our Blessed Lord was wounded; and so there arose an old superstitious conceit that the figure was a Fuga Demonum the devils were afraid of it " This mark was used, as the sign of the ^ is now, at the beginning of letters and bookes, for good luck's sake ; and the women amongst the Jewes (Dr. Ralph Bathurst tell me) did make this mark on the children's chrysome cloathes " (a curious misapplication of the word "chrysome," for Jews were not christened). "My old friend, Mr. Lancelot Morehouse, rector of Pert- wood, Wilts, was wont to marke this mark at the top of his missive letters, as the Roman Catholiques doe the