* ] 'alifornia gional cility ii e A m e s Ex Libris C. K. OGDEN U THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES TEXT-BOOK OP LIGHT-LINE SHORTHAND. A PRACTICAL, PHONETIC SYSTEM, WITHOUT SHADING. FOR BUSINESS, CORRESPONDENCE, AND VERBATIM REPORTING. SPECIALLY ADAPTED TO THE USE OF SCHOOLS AND COLLEGES. BY ROSCOE L. EAMES, STENOGRAPHER. A. S. BARNES & COMPANY, NEW YORK AND CHICAGO. 1883. COPYRIGHT, 1883, BY ROSCOE L. EAMES. M. F. COON, Engraver, 527 Commercial St., San Franciico. ST6 III INTRODUCTION. rjlHE System of Light-line Shorthand is thoroughly and 4- exhaustively presented in this volume. It has now passed through four editions, the first two being in lesson slips, and the third in pamphlet form. After years of study, experiment, and use, during which it has been subjected to the most thorough practical test in the different branches of reporting, Light-line Shorthand, a harmonious and com- plete whole, is now adequately brought to the notice of learners, and placed within reach of all who may wish to acquire the art of verbatim reporting. The illustrations are very copious, and both in variety and quantity, are unprecedented in any previous text-book, there being 58 pages of engraved shorthand matter, fur- nishing an admirable school for practice to the student of Stenography. The Vocabulary of upwards of 4,500 words and phrases, is ample, and together with the examples embodied in the lessons, gives command of a large proportion of the words used in extemporaneous speaking, besides furnishing abun- dant analogies for all other words. VI INTRODUCTION. The lessons are arranged on the plan of closely combining precept and example. Every principle is practically illus- trated, and examples for practice are introduced in the text where they belong, thus demanding attention, and securing the practice which is indispensable to success. The greatest care has been exercised to present no word to be written until the principles which control the forma- tion of the outline have been explained. Only one style is taught, and that the reporting style, the pupil being con- ducted by a series of graduated exercises, from the alphabet to the acquirement of all the principles of contraction. The correct and permanent consonant outline is given when a word is first presented, so that the student is freed from the task of afterwards unlearning it, in order to acquire a new and better one. The so-called " Corresponding Style" of shorthand is considered entirely unnecessary for any practical purpose. The lessons have been prepared with special reference to the necessities of the school and college, and the labor re- quired on the part of the teacher has been reduced to a minimum. This feature enhances, rather than lessens, the desirability of the book as a self-instructor. A brief statement of the features of the system may be appropriate : It is written without a single shaded charac- ter ; it assigns horizontal and slanting upward curves to the representation of the most frequently recurring sounds ; the cognate sounds are represented by lines struck in the same direction, but short and long for the whispered and INTRODUCTION. vii voiced sounds respectively; the signs are never halved nor lengthened, and only three sizes of stems are used, namely, tick, short, and long ; the system is unapproachable in ease of execution, and its exceeding legibility is largely conse- quent from this flexibility, for an outline that is easily executed is not liable to be distorted when written at a high rate of speed ; six stems may be struck in two directions, thus securing the greatest possible lineality, and, together with the frequency of curved lines, insuring acute angles in almost all cases where angles are necessary. The system conforms to the great law of Curve Motion, which is also the law of muscular motion. The Connecting Hook of this system cuts the Gordian Knot of bad joinings, and renders otherwise awkward and difficult forms as rapid and legible as any. The absence of shading, per se, adds at least twenty-five per cent, to speed, and fifty per cent, to legibility. The true status of Phrase- writing is herein fixed, and that much-vaunted practice relieved from the empiricism and obscurity in which it has been shrouded. Instead of the wholesale advice too often proffered by shorthand au- thors, to phrase under all conceivable circumstances, its real value and mode of application is plainly stated. A valuable arrangement of Connective Vowels is pre- sented the result of two years labor in this particular direction, after a practical knowledge of all modern schemes of a like nature. They combine the advantages of joining, and "pointing in," and may be generally connected where Vlll INTRODUCTION. most needed, at the beginning or end of words of but one consonant sound. The vowel sounds of the language are subjected to a rigorous practical analysis, and the assign- ment of material to their representation, and their grouping in three positions, will be found of the utmost value to the verbatim reporter. The system presents an entirely new arrangement of Stenographic Principles of Contraction, making improved use of the old, and introducing new and valuable material. It is chiefly in consequence of this that the objectionable features of shading and halving have been successfully eliminated. In this connection reference is made more especially to the Medium-sized circle, the Inclosed circle, the Divided circle, the Large loop, the Extension curl, the Lengthening principle, and the Compound curve. As a single illustration of the improved use of material, it may be stated that the medium-sized circle (equally as valuable as the small circle) is assigned in Phonography to the sound of ss or sz, occurring only five times in 1,400 words, while in the New System that circle is assigned to the sound of N, occurring about 500 times in 1,400 words. This material is as good as thrown away in Phonography. Aside from the advantage of light lines, the new system is manifestly superior in its lineality, and in its desirable frequency of acute angles. Among other points of superi- ority, Light-line Shorthand provides the best forms for the most common words, and gives the shorter form for the shorter combination of sounds, and vice versa. INTKODUCTION. IX From long experience, the Author's facilities for teaching by mail make this method fully equal to personal instruc- tion. Although the book is a thorough self-instructor, yet a course of lessons by a competent teacher will many times repay their cost in the abridgment of the time necessary for the acquirement of the system. Teachers should use their own judgment in the assign- ment of lessons, though in the first part of the book they are believed to be fairly proportioned. Subsequent lessons are made longer or shorter, in order to exhaust the par- ticular subject only of which they treat. Good materials for practice are ruled paper, with lines at least one-third of an inch apart, with but little gloss on the surface, and a pencil of medium quality. Pen and ink may be used if desirable, but their employment is exceptional among reporters. I acknowledge my indebtedness in the elaboration of this system to the various Phonographic and other writers on Shorthand, and especially to John Brown Smith, that bold pioneer in the new era of Stenography, whose original and acute mind first perceived and applied the scientific prin- ciples of Curve Motion in shorthand writing. ROSCOE L. EAMES. SAN FBANCISCO, January, 1883. LIGHT-LINE SHORTHAND. LESSON I. 1. The sounds of the English language are divided into two principal classes, obstructed sounds and free sounds. The former are called Consonants, and the latter Vowels. To illustrate: in the following words the consonants are represented by italics and the vowels by Eoman letters: pill, log, rob. 2. In this system of shorthand there are no silent letters, but each letter has an invariable power. In order to repre- sent a word in shorthand, it must first be resolved into its elements, or phonetically analyzed ; then the signs repre- senting the actual sounds heard must be written. For in- stance, in the word rogue, phonetic analysis discloses but three sounds, rog, the ue being silent; in laugh, only laf are found, and the words should be written accordingly. NOTB 1. It will be seen that the common orthography is misleading, and that the first task of the student will be to free himself from the slavery of the common spelling, and to learn to analyze words into their actual elementary sounds. 3. As in this system words are chiefly represented by the consonant outline, or skeleton, the vowels being generally omitted, the consonants, occupying as they do, the place of chief importance, are presented first. 4. The consonants of the English language are divided, according to their character, into six classes, called Abrupts, 12 LIGHT-LINE SHORTHAND. Continuants, Liquids, Nasals, Coalescents, and the As- pirate. 5. The Abrupts are those in which the breath is com- pletely obstructed in passing the organs of speech. They are eight in number, and are represented as follows : pee bee tee dee ch&y j&y k&y fftty I) Ch Their names are given immediately above the Plate, the italic letters in the names showing their sounds, or powers. For convenience and economy of illustration, each short- hand sign is represented by a letter of the common alphabet. These type letters are called " Stenotypes." They are shown immediately below the Plate. All alphabetical shorthand consonant forms are called stems or strokes. DIRECTION OP WRITING. LENGTH. 6. P and B should be struck upward, T and D from left to right, and Ch, J, K, and G downward. The short stems should be one-eighth, and the long stems one-quarter of an inch in length. Each of these stems should be a quarter of a circle. NOTE 3. For blackboard writing, of course, a larger scale must be fixed upon, but the relative proportions of the signs should be maintained. NOTE 3. P and B, when joined to other stems, may sometimes be written down- ward, as explained further on. When standing alone, they should always be written as directed in Par. 6. NOTE 4. Observe that similar sounds are represented by similar lines. The Cognate sounds (those produced by the same organic movement, but differing only in being whispered or voiced) being represented by lines struck in the same direc- tion, but short and long for the whispered and voiced sounds respectively. Thus, P and B are pronounced by the same organic movement, but P is whispered, while B is voiced ; so with T and D, Ch and J, K and G. These observations refer, of course, to the actual powers of these letters, as heard in a given word, not to their alpha- betical names. The sound of P, for instance, may be discovered by pronouncing LIGHT-LINE SHORTHAND. 13 the word " cap,' 1 then dropping the c, we have " ap," then the a, and we have the true sound of P. A similar process with the word "cab" will disclose the true sound of B. NOTE 5. Drill on these characters until their forms and names are readily asso- ciated. Let the teacher write a stem on the blackboard, the class giving its name. This exercise may be varied by the teacher pronouncing a letter while one of the class gives a description, as: Teacher, "P"; Pupil, " Northwest, curve, short," (describing the part of the circle which the letter forms). Teacher, "D"; Pupil, "North, curve, long," etc. Pupils should be drilled in writing, either on the black- board, or with pencil or pen and paper, in the latter case passing their exercises to the teacher for correction at his leisure, or the teacher may make the corrections by writing the proper forms on the board, the class observing and making their own. corrections. LESSON II. 7. The Continuants, or second class of consonants, in- volve less obstruction to the breath, or voice, in pronun- ciation, than the Abrupts. They are represented as fol- lows : e/ ree \th thee \sh she ess zee. F V Th Dh Sh Zh S Z As in Par. 5, the names and powers of the signs are given above the Plate, and the Stenotypes below. NOTB 6. It will be seen that F and V are cognates, as also Th and Dh, Sh and Zh, and S and Z. DIRECTION OF WRITING. LENGTH. 8. F and V should be struck upward. Th and Dh from left to right, and Sh, Zh, S, and Z downward. Their lengths are the same as those of the short and long stems represent- ing the Abrupts, as explained in Par. 6. Each of these stems should be a quarter of a circle. NOTE 7. F and V, when joined to other stems, may sometimes be struck down- ward, as subsequently explained. When standing alone, they should always be 14 LIGHT-LINE SHORTHAND. written & directed in Par. 8. The remarks on the Abrupts in Note 4 apply also to these consonant forms. NOTE 8. Drill on these signs as directed in Note 5 until they become familiar. It will be well, also, to introduce as part of this lesson a review drill on the forms given in Lesson I. LESSON III. REMAINING CONSONANTS. 9. The four remaining classes of consonants, comprising the Liquids K and L, the Nasals M, N, and Ng, the Coa- lescents W and Y, and the Aspirate H, are represented as follows : way y&y Aay RL NM NgWYH Their names are given above the Plate, the italic letters in the names showing their sounds or powers. Their Steno- types are shown immediately below the Plate. The hook of L may be written on either side of the stem, according to convenience, and should always be at the beginning of the stem. The most convenient side for the hook will be on the left when the stem is not connected with any other form. The wave signs Ng, W, and Y have two forms, as shown above, and may be reversed so as to curve the other way, when necessary to make an easy joining with other forms. DIRECTION OF STRIKING. LENGTH. 10. E and L should be struck upward, N and W from left to right, and M, Ng, Y, and H downward. Each stem LIGHT-LINE SHORTHAND. 15 in this Plate should be one-eighth of an inch in length, or the same as the short stems shown in Pars. 5 and 7. NOTE 9. R and L may sometimes be written downward as subsequently ex- plained. NOTE 10. Drill on these signs until they become familiar. R and L may be described as "Northeast," and "Northeast hooked," N "East," M " Southeast," and Ng, W and Y as "Southeast," "East," and "South" waves respectively ; H " South." A review of Lessons I and II can be advantageously introduced here. NOTE 11. The Liquids are so called from their peculiar sound resembling the flowing of a liquid. The Nasals are so named because the breath passes through the nasal passages in their pronunciation. The Coalesceuts are so called from their facility of uniting with other sounds. The Aspirate, as its name implies, is a rough breathing. 11. As an aid to recalling the consonant signs, the fol- lowing diagram will be of use : J T may be remembered by observing that it forms the T-op of the circle ; then D, its cognate, will be readily suggested. Th and its cognate Dh may be remembered as occupying the exact opposite quarter, or the sou-TH of the circle. P may be remembered as the prominent sound in u-P, it being the "up" curve. The different radii of the circle give the forms assigned to the Liquids, Nasals, Coalescents, and As- pirate. By familiarizing these maps of the consonant alphabet, the learner will be greatly assisted at first in recalling the alphabetic forms. 16 LIGHT-LINE SHOKTHAND. LESSON IV. VOWELS. 12. The three pairs of vowels pronounced through a widened mouth aperture are represented as follows : at it ape ell E i A e A a The names and sounds of these signs are the same, and are heard in the words given above the Plate, the italic letters representing their sounds and names. Their Stenotypes are given below the Plate, and consist of capital and small Roman letters, with the exception of the vowel A which is represented by an italic capital. DIRECTION OF STRIKING. LENGTH. 13. E and i should be struck upward, A from left to right, and A and a downward, e is a small dot. When joined to other forms E and i may be written up or down, whichever direction affords the best angle of joining. The dash signs should be one-sixteenth of an inch in length, and the dot for e as small as can be made conveniently. Each of the curved signs should be a quarter of a circle. When E and i are struck downward their Stenotypes are printed in italics. NOTE 12. The length of these vowel signs as compared with the consonant forms is as follows: The vowels E, i, A, A, and a should be one-half the length of the short consonant stems. So in blackboard writing their lengths must be proportioned to the scale of length adopted for the consonant stems. NOTE 13. These vowel signs are paired, as were the consonants, although they are not perfect cognates. The remarks in Note 4 apply generally to these signs, though the difference between the cognate sounds is in length rather than quality. LIGHT-LINE SHORTHAND. 1? NOTE 14. A drill may be had on these vowel signs similar to that on the conso- nants. Use the word " tick" for the straight vowel A, and " tick curve" for the others except e, which may be called the "dot." Let the teacher pronounce E ; the pupil describes it as " Southeast tick curve " ; teacher, A ; pupil, " tick East," etc. 14. Consonants and vowels are joined together in writing in their natural order, except when an awkward angle would result at the point of joining, when it is better to disjoin the vowel and write it beside the consonant stem, as explained hereafter. Write all words whose prominent vowel is E or i above the line, as follows : pea itch key A distinct joining must be made between consonants and vowels that is, they must join at an angle, and the best angle is the sharpest, because most easily formed, as any one can readily discover by experiment. Write the following exercise rapidly, and the superiority of acute angles over obtuse will be at once manifest : In order to insure the best angle of joining in all cases, the vowels E and i may be used interchangeably, either at the beginning or end of words. No difficulty in reading connected writing will be experienced from this practice, as these cognate sounds are not liable to conflict. NOTE 15. The reason for the three positions assigned to words in this lesson will be explained at the proper time. 18 LIGHT-LINE SHOKTHAND. EXAMPLES. Bee, tea, each, eke, if, fee, thee, she, ease, easy, e'en, knee, me, wee, ye, he. NOTE 16. The practice of writing from dictation should be adopted at once and steadily adhered to. No exercise should be passed over until it has become fairly familiar. At the outset, let the rule be established to read everything that is written repeatedly. Let the drill in reading be always as thorough as that in writing. This advice cannot be too highly commended, for nowhere does practical success depend more on "making haste slowly " than in this matter of reading whatever is writ- ten. 15. Write all words whose prominent vowel is A or e on the line, as follows : Abe eddy etch gay fay say nay hay When a vowel does not make a distinct joining with a con- sonant stem, it must be disjoined and written beside the stem, according to the following rule : 16. For a vowel to read before a stem, it must be written to the left of a vertical or inclined stem, and above a hori- zontal; for "a vowel to read after a stem, it must be written to the right of a vertical or inclined stem, and beloiu a hori- zontal. The vowel should be written near the stem but not touching it, and to avoid, as far as possible, a retrograde motion of the pencil, it should be written near the end of the stem where the pencil stops. This is called "pointing in" the vowels. Of course the dot e will always be pointed in. The Stenotype of this pointing in is a colon. EXAMPLES. Ape, pay, bay, ebb, day, edge, age, jay, ache, egg, they, may, aim, way, away, yea. NOTE 17. The position of a word, whether above, on the line, or otherwise, is determined- by the position of the consonant stem, and not by that of the vowel. The vowel accommodates itself to the position of the consonant. 17. Write all words whose prominent vowel" is A or a through the line if the consonant stem is vertical or in- LIGHT-LINE SHORTHAND. 19 clind, and on the line if the stem is horizontal, -as fol- lows : A and a may be written interchangeably to secure good angles, in the same manner as E and i, as heretofore ex- plained. EXAMPLES. Abbey, Addie, Aggie, ashy, Anna, Annie, am, ma. LESSON VOWELS. V. 18. The three pairs of vowels pronounced through a rounded mouth aperture are represented as follows : oil, on owe, whole pool, good The names and sounds of these signs are the same, and are heard in the words given above the Plate, the italic letters representing their sounds and names. Their Stenotypes are given below the Plate, and consist of small, or lower- case Roman letters. NOTE 18. Only one sign is given to represent the long and short sounds of the vowel in each case, the cognates being perfect and differing only in length. This scheme is entirely practicable. DIRECTION OF STRIKING. LENGTH. 19. aw and o should be struck downward, and u from left to right. The dashes aw and o should be one-sixteenth 20 LIGHT-LINE SHOKTHAND. of an inch in length, and the half-circle u one thirty-sec%nd of an inch across, and should form a half-circle as its descrip- tion indicates. NOTE 19. Drill on these signs until they become familiar. Let the teacher pro- nounce aw ; the pupil replies " tick Southeast," describing the direction toward which the sign is etruck ; the teacher pronounces u ; the pupil answers " small half circle North," describing the portion of a circle which it forms. 20. Write all words whose prominent vowel is aw above the line, as follows : paw aught daw chaw caw Disjoin the vowel when it will not make a distinct angle, and point it in as shown in Par. 16. EXAMPLES Jaw, off, thaw, Shaw, raw, gnaw, Waugh, yaw, haw. 21. Write all words whose prominent vowel is o on the line, as follows : ope Point in the vowel when it does not join well. EXAMPLES. Poe, bow, toe, Joe, oak, oaf, though, show, row, own, mow, woe, hoe. 22. Write all words whose prominent vowel is u through the line if the consonant stem is vertical or inclined, and on the line if the stem is horizontal, as follows : pooh thew chew shoe sue lieu LIGHT-LINE SHOKTHAND. 21 This vowel may open up or down ; use that form which gives the most acute angle in joining with other forms either the North, or the South half-circle. EXAMPLES. Adieu, Jew, rue, anew. LESSON VI. VOWELS. 23. The obscure vowel in her, the natural vowel in up, and the double vowels in by, boy, bough, and few, called diphthongs, are represented as follows : view The names and sounds of these signs are the same, and are heard in the words given above the Plate, the italic letters representing their sounds and names. Their Stenotypes are given below the Plate. DIRECTION OF STRIKING. LENGTH. 24. When standing alone, eu and I should be struck up- ward, awi from left to right, ow downward, and iu down- ward and left to right. When joined to other stems, eu and I may be written up or down according to convenience of joining. When written contrary to the direction given here, their Stenotypes are printed in italics. The signs eu, I, and ow should be one-sixteenth of an inch in length. The compound signs awi and iu, formed of the simple signs aw and i, and i and u respectively, have 22 LIGHT-LINE SHORTHAND. their component parts the same length as the simple signs which form them, eu and ow have reverse forms for con- venience in joining, either -of which may be used. NOTE 20. It is not necessary, except where great accuracy is required, to write the diphthong iu, the sign u being generally all that is needed. NOTE 21. In drilling on these signs, eu and ow may be described as " tick waves," I as " tick Northeast," and awi and iu by adopting the description of their com- ponent parts if desirable. 25. Write all words whose prominent vowel is eu or awi on the line, as follows : up boy toy joy coy Foye eu will always make a good joining by reversing it when necessary. Point in awi when it does not join well. EXAMPLES. Roy, annoy, ahoy. 26. Write all words whose prominent vowel is I above the line, as follows : pie tie fie A good angle may always be secured by joining the upward or downward form of this vowel. EXAMPLES. Buy, die, vie, ivy, thigh, thy, shy, icy, nigh, my, rye, lie, high. 27. Write all words whose prominent vowel is ow or iu through the line if the consonant stem is vertical or inclined, and on the line if the stem is horizontal, as follows : LIGHT-LINE SHORTHAND. 23 ow may always be joined by a choice of its forms. The same is true of iu, which may be reduced, generally, to its last element u. In the word " mew " it is necessary to write iu in full, to distinguish the word from " moo," with Avhich it might conflict, iu may be reversed as shown in the Plate. EXAMPLES. Dow, ouch, vow, sow, row, mow, how, pew, few, view. 28. Two vowels occurring together are represented by their signs joined, and written in their natural order, as follows : la payee doughy idea area Owen For this purpose e may be represented by its mate A to admit of joining, as in the word " Owen." In case of two or more vowels in a word, the position of the word is determined by the prominent or accented vowel. A word consisting altogether of vowels should be written on the line. Disjoin the vowels as usual when a good angle cannot be secured. EXAMPLES. Io, boa, Bowie, iota, dewey, Coey, lago, via, thawy, Zoe, showy, Oweii, Hoey. LESSON VII. RECAPITULATION. GENERAL VIEW. 29. All the alphabetical principles have now been ex- plained, and it will be in order to present a general view of the alphabet, for purposes of reference and thorough com- prehension. In the Plate on page 189 the alphabet is shown as a whole, the first column showing the shorthand conso- 24 LIGHT-LINE SHORTHAND. nant signs, the second their names, the third their Steno- types, the fourth a common word containing the sound of each letter, the fifth the direction in which each stem should be written, and the sixth the vowels with their Stenotypes. 30. It has been seen that all words are written in one of three positions above, on, or through the line, according to the prominent vowel. These three positions are named First, Second, and Third ; the First position being above, the Second on, and the Third through the line of writing. This rule of writing words in position must be strictly adhered to throughout this book, except where special instructions are given to the contrary. There are some words consisting of horizontal stems that are written imme- diately under the line, which is the real Third position for horizontals, but they are exceptions to the general rule, and will be noted in the lists of word signs and in the Vocabu- lary. It is generally unnecessary to write words beginning with horizontal stems in the Third position. 31. The object of writing words in position in this way is to enable the advanced writer to generally omit the vowels, and still retain legibility. All words are thus assigned to three general classes, two or three principal vowels being prominent in each class. The diphthongs are usually written. 32. The following table will exhibit the vowels assigned to each position : A e eu awi I f \r a u OW 1U LIGHT-LINE SHOKTHAND. 25 Nothing will obviate the necessity of acquiring thorough familiarity with this classification of the vowels and the positions of words determined by them. Writing in position must be carefully observed until the practice becomes auto- matic. NOTE 22. Let the teacher use his judgment as to the necessity of introducing a thorough review of the preceding instruction at this point, giving drills on all the alphabetical elements. It will be a loss of time to take up new features until those already presented have become the property of the learner. Above all, let the learner not omit to read everything he writes again and again. Beading and writing must keep equal pace. LESSON VIII. JOINING OF STEMS. 33. For greater economy and convenience, the Plates illustrating the following lessons will be given in the latter part of the book. The lines of shorthand characters will be numbered and referred to accordingly. This lesson is illus- trated by the Plate on page 190. 34. All the consonants in a word consisting of two or more stems are usually written without lifting the pen, the second beginning where the first ends, and so on until all are written. LINE 1. PP, PK. PCh, PL, TD, TCh, ThSh, RL, LR, MM. 35. Printing Stenotypes continuously without anything between them indicates that the signs they represent are joined. Printing with a hyphen between indicates that they are to be disjoined and written near together, whether consonants or vowels. When a vowel is to be pointed in, its Stenotype is separated from that of the consonant by a colon. 26 LIGHT-LINE SHORTHAND. NOTE 23. Stenotypes in parenthesis will be occasionally introduced in the fol- lowing exercises in this hook to show the way in which a word should be written ; sometimes the form of the whole word will be so indicated, and .sometimes only one consonant or vowel requiring special attention. Vowels so indicated should never be omitted. EXAMPLES. BB, BJ, PSh, BG, BZ, TB, DT, DK, DSh, DZ, ChP, JT, ChCh, JK, CUM, JN, JNg, KP, GT, KJ, KK, KVV, GSh, GZ, ThSh, ThM, ThNg, ST, SNg, ShD, RR, LL, NZh, NZ, NN, NM^ NNg, NH, NgK, YT, YK, YM, HT, HJ, HK, HSh, HN, HM, HNg, HH. NOTE 24. No confusion will result from printing the Stenotypes consecutively, since the small "h" and "g" are never used except in the Stenotypes Th, Sh, Ng, etc. NOTE 25. In joining the waves W, Y,and Ng to other consonants, use that form which makes the best joining with a preceding or following stem. 36. When vowels occur between consonants that are joined, it is usually better to point in such vowels. This method obviates the necessity of breaking the consonant outline, and adds to speed. In pointing in the vowels, as here directed, it should be done with as little retrograde motion as possible ; and although a vowel will read properly whether written after the first or before the second conso- nant, it will generally be more convenient to write it before the second, to avoid carrying the hand back. 37. The first stem, in a word consisting of more than one stem, is written in position according to the accented vowel of the word, the other stems following and accommodating themselves to the position of this first stem. Third position words of more than one stem, the first being horizontal, have that first stem written on the line. LINE 2. Tack, check, cog, chyme, noon, mock, mug, yacht, hook, hot. NOTB 26. The words in Line 2 are written in position, as will be seen, according to the accented vowel. The rule of position must always be observed in the examples following in this book. EXAMPLES. Chalk, choke, chuck, cheek, chick, chum, Jack, joke, jog, jig, jam, caulk, cake, coke, cook, keg, catch, coach, ketch, LIGHT-LIKE SHORTHAND. 27 cage, kedge, calm, comb, gawk, gag, gig, gouge, gage, gang, gong, game, Mack, Mike, muck, Mag, maim, yoke, yam, hack, hawk, hag, hog, hatch, hitch, hedge, hang, hung, ham, hum, home, hymn, talk, duke, dog, thumb, tuck, tick, tag, tug, tap, top, type, tape, tip, tongue, dock, dike, deck, duck, dug, dig, deep, dip, dupe, dab, daub, dub, dodge, adage, Doge, thatch, thong, theme, gnash, numb, nun, nine. LESSON IX. JOINING OF STEMS. (Illustrated by the Plate on page 190.) 38. There are a few cases where stems, if joined in the ordinary way, would show no angle, or a very slight angle at the point of connection, and in which the individuality of the stems would be somewhat obscured. In order to insure legibility and speed, special treatment of these cases is necessary. They are governed by the following rule : 39. When necessary to preserve the distinctive shape of connected stems, the joining should be made by a hook attached to one of the stems and written as follows : Between a curve and a straight stem, the hook should be attached to the curve ; between two curves, the hook should be attached to the first curve. The Stenotype of this con- necting hook is a small or lower-case c. LINK 8. Tomb, Adam, match, Josie, teething, thick. NOTE 27. Vowels at the beginning or end of words should be joined when con- venient. EXAMPLES. Tom, tame, team, dime, dame, dummy, dome, dim, deem, towage, toothache, Dutch, ditch, Edith, Idaho, Jewish, cozy, ethic, image, Madge, midget, myth, mouth, shame, sham, shiny, huzza. 28 LIGHT-LINE SHORTHAND. 40. In many cases the form of the word will indicate the distinctive shape of the stems, and render the use of the connecting hook unnecessary. LINE 4. Back, pack, being, teeth, defy, death. NOTE 28. In the case of an outline like the word " back," as shown in Line 4, the form of the word shows that the first stein is B, and the second K, since if both were long or both short, the bottoms of the two stems would be even horizontally, as in the next word " pack," in Line 4, in which both stems are short. The different stems are plainly shown in the remaining words of the line. The stems in the word " death " are made sufficiently plain by increasing the curvature of the stem Th. EXAMPLES. Patch, poach, poach, podge, page, apogee, peck, pock, opaque, poke, peg, epic (e), peevish, pang, aping, pung, batch, botch, balk, bake, aback, beck, book, big, bog, bug, buggy, bag, boggy, beg, bang, bung, teach, touch, tooth, shake, shook, ask. LESSON X. JOINING OF STEMS. STEMS STRUCK IN TWO DIRECTIONS. (Illustrated by the Plate on page 190.) 41. The six stems, P, B, F, V, E, and L, may sometimes be struck downward, as heretofore stated. The Stenotypes of the downward forms are printed in italics. The ordinary slant of these six stems when struck upward is about thirty degrees with the line of writing, but when struck down- ward their slant is considerably less, being about sixty de- grees with the line. NOTE 29. This difference in slant, although not very apparent in respect of the curves, and not essential in their case, is plainly seen in the case of the straight stems. This varying slant results from the natural laws of motion, which, in writing, subordinate all upward, downward, and backward movements to the on- ward direction of the writing. 42. The six stems above mentioned may be struck down- ward when necessary to secure a better joining with a pre- ceding or following stem. LIGHT-LINE SHORTHAND. 29 LINE 5. Pithy, bathe, fiat, veto, riot, Elliott. LINE 6. Reap, Zebedee, puffy, review, theory, delay. NOTE 30. Of course, where there is a choice of joinings, the best will at once be obvious, acute angles being much superior to obtuse. The best joining is no angle ; the next best an acute angle. EXAMPLES. Path, apathy, pith, both, bath, Booth, ebony, folk, fag, fog, foggy, fig, fetch, Fitch, fudge, fidget, effigy, food, funny, vouch, evoke, vague, vogue, road, ruddy, rack, rock, rake, wreak, reck, wreck, rick, rig, rag, renew, Reno, asp, ship, shape, shop, nip, neap, nap, shabby, nib, nob, bevy, envy, navy, thorough, authority, theorem, sherry, Ezra, zero, narrow, inroad, enrich, energy, enormity, pillow, Polly, Apollo, Paley, pulley, Polk, polka, billow, bellow, below, belly, belay, Bailey, by-law, bully, Billy, belie, bilk, bulk, bulky, tally, tal- low, outlaw, outlay, outlie, Italy, Italian, dally, dolly, daily, duly, Chili, chilly, jolly, jelly, callow, Kelly, gaily, galley, gully, ugly, yel- low, hilly, highly, hallow, hollow, holly, halo, alike, elk, Illinois, Caleb, colic, colleague, Galena, italic, dilemma, deluge, pillage, apology, Pollock, belch, bilge, bulge, Amalek, Malacca, Malaga. NOTE 31. Every word should be ftilly vocalized, since this practice is absolutely necessary to insure thorough familiarity with the vowels and the method of pointing them in. The learner will be advised when the proper time comes to begin omitting the vowels. 43. It is a great aid to legibility when vowels are omitted, if the place where the vowel occurs can be indicated. This can be done in the case of the stems K and L, when stand- ing alone, in the following way : 44. When R or L is the only consonant in a word, and is preceded by a vowel, the stem should be struck downward at an angle of about sixty degrees with the line of writing. LINE 7. Are, ear, arrow, ell, eel, ill, allay. EXAMPLES. Air, era, Erie, airy, array, or, Ira, awry, err, ally, Eli, alloy, allow. 45. When joined to a following stem and preceded by a vowel, and the upward or downward forms of these two 30 LIGHT-LINE SHORTHAND. stems will join equally well, they should be written down- ward, as shown in Par. 44. LINE 8. Army, herb, urge, alum, Elba, Alpha. EXAMPLES. Arotna, orb, Oreb, Arab, Arabia, airily, airing, elm, Alamo, Alma, Elijah, allege, elegy, Alp, elope, alibi, elbow, Alva, Oolong. 46. When E or L is the only consonant in a word, and is not preceded by a vowel, the stem should be struck upward at an angle of about thirty degrees with the line of writing. LINE 9. Ray, raw, row, lay, lee, low. EXAMPLES. Rue, rye, Roy, row, lie, lieu, lea. 47. When joined to a following stem, and not preceded by a vowel, and the upward or downward form of the letter E will join equally well, it should be written upward, as shown in Par. 46. NOTE 32. L is not used in this situation except in certain special cases, which will be given in the proper place. The method of writing initial L in words of more than one consonant will be shown further on. LINE 10. Reap, reach, review, Rory, rely, room, ring. EXAMPLES. Rip, ripe, rap, rob, rib, rope, robe, rub, ruby, rupee, rich, wretch, ridge, rage, ream, rim, rhyme, Rome, roam, rum, ram, rheum, roomy, wrung, rang, wrong. 48. When E occurs at the end of a word, being joined to a preceding stem, and both upward and downward forms are equally convenient, the stem should be struck upward if a vowel follows, and downward if no vowel follows it. The occurrence of the stem L in this situation almost invariably indicates that it is followed by a vowel ; there- fore it may be struck up or down. The exceptions to this rule will be noted hereafter. NOTE 33. The method of indicating final L with no vowel following will be subsequently explained LIGHT-LINE SHORTHAND. 31 LINE 11. Fair, ferry, Avery, Rarey, roar, merry, gaily, folly. NOTE 34. The proper direction and a good joining may sometimes be secured by reversing a preceding stem when allowable, as in the case of the words " fair " and " ferry," in Line 11. EXAMPLES. Fare, fear, fairy, fury, farrow, furrow, marrow, marry, miry, morrow, Mary, Murray, emery, rear, rare, Aurora, volley, villa, mellow, Molly, Milo, Emily, rally, Rolla. Raleigh, Riley. LESSON XI. BRIEF SIGNS FOR S, Z, N. FORWARD AND BACKWARD MOTION. 49. FORWARD AND BACKWARD MOTION. To facilitate illustration throughout the remaining lessons, the terms Forward and Backward Motion will be employed. Forward Motion is with, and Backward Motion contrary to, the motion of the hands of a clock, as shown in the following diagrams : BACKWARD MOTION. FORWARD MOTION. The arrow-points show the direction in which the forms are struck. 50. Although the alphabetic forms which have now been fully explained would enable the learner to write any word in the language, the long forms which would be required 32 LIGHT-LINE SHORTHAND. for many words would render verbatim reporting impossible. Therefore, in addition to the stem forms which have been assigned, speed requires shorter signs for certain frequently recurring consonant sounds. These requirements are met in the case of the sounds of S, Z, and N, as follows : 51. The sound of S or Z is indicated by a very small circle attached to stems at either end, and read in the order in which it is written. It is turned on the inside of curves, as folio Wo : sPs sDa sClis sKs sVs sThs sSbs sZs The Stenotype of this circle, whether used for S or Z, is a small or lower-case s. NOTE 35. No difficulty is experienced in using this sign for both S and Z, except in certain cases where Z occurs initially, hereafter provided for. 52. THE CIRCLE JOINED TO STRAIGHT STEMS. It is obvious that a straight stem has two sides to which a circle can be joined with equal facility ; but to satisfy the require- ments of shorthand writing, the simple circle is confined to one side of these stems, according to the following rule : 53. The small circle for S or Z is joined to straight stems with Backward Motion, as follows : sRs sNs sHa sMs sits Ls sLs The downward forms for R and L, it will be seen, are slanted less than their upward forms, and their Stenotypes are printed in italics. 54. The joining of the S circle at the beginning of L requires special mention. The following considerations LIGHT-LIKE SHOETHAND. 33 will make the scheme plain : 1st. This circle is always joined at the beginning of R with Backward Motion. 2d. The hook of L may be written on either side (Par. 9) ; then, to save the necessity of writing the circle carefully inside the hook of L, we can, by turning the circle with Forward Motion, include both the circle and hook, without any conflict with the R stem, with initial S circle. Observe that the downward L is commenced at the top, and conse- quently the hook and circle included will be found at the top. At the end of L the circle is governed by the same rule as is applied to the other straight stems, being joined with Backward Motion. NOTE 36. When any circle, loop, or hook is joined finally to L, the straightness of the stem will be preserved by writing the initial hook on the opposite side from the circle, loop or hook, as shown in the Plate. 55. The sound of N is represented by a medium-sized circle joined to stems at either end, and read in the order in which it is written. It is turned on the inside of curves, as follows : n'i'n nJn nK n nThn Bn Fn Shn Sn It is joined initially to straight stems with Backward Motion, and finally with Forward or Backward Motion, according to convenience, as follows : Rn Ln Mn Mn Hn The Stenotype of this circle is the small or lower-case n. NOTE 37.--It will he found more convenient to join the N circle finally with Back- ward Motion to all straight stems except downward R and H, where Forward Motion will be more convenient. 34 LIGHT-LINE SHORTHAND. LESSON XII. VOCALIZATION OF STEMS WITH CIRCLES ATTACHED. (Illustrated by the Plate on page 190.) 56. Vowels occurring between the sound represented by the S circle and the sound of the stem to which it is attached, are pointed in instead of joined, being written on the proper side of the stem. This circle at the beginning of a stem always reads first. LINE 12. Sip, sad, such, sky, sir, sly, snow, sing. NOTE 38. Vowels occurring after a stem having an initial circle may be joined when convenient. EXAMPLES. Sap, sop. spy, soap, sup, soup, spew, sob, sty, stay, stow, city, stew, sod, soda, seed, seedy, side, sage, sedge, siege, sack, sock, sky, scow, Psyche, sake, soak, suck, seek, sick, skew, sag, soggy, south, scythe, soothe, sash, saucy, Susie, sere, sewer, sour, sill, silly, seal, slaw, slay, sleigh, Saul, slow, slew, soil, seem, same, psalm, some, sung, sang, sway, soho. 57. This circle at the end of a stem always reads last LINE 13. Peace, adz, chess, geese, race, lose, miss, use. NOTB 89. Vowels occurring before a stem having a final circle may be joined when convenient. EXAMPLES. Peas, pace, pass, paws, pause, pose, puss, pus, pies, apes, bees, baize, bays, bass, base, boss, buys, boys, bows, boughs, ebbs, abyss, abase, obeys, abbess, abuse, abbeys, tease, toss, toes, ties, toys, adds, dies, dice, days, does, dues, deuce, adduce, cheese, chase, chaws, chose, choose, chews, choice, itches, etches, aegis, ages, edges, jaws, juice, Jews, joys, keys, kiss, ekes, case, aches, Cass, axe, cause, ox, oaks, echoes, coos, accuse, cows, gaze, guess, eggs, gas, gauze, goes, goose, guise, fees, phiz, face, efface, fuse, effuse, office, foes, fuss eaves, vase, views, vice, vies, voice, vows, avows, thaws, thews, thighs, this, those, thus, ears, rays, arrows, arose, rose, rows, ruse, rice, rouse, arouse, lees, lace, lays, lass, less, loss, loose, lice, lies, alas, louse, allows, niece, LIGHT-LINE SHORTHAND. 35 knees, inns, gnaws, nose, noose, nice, noise, ounce, amiss, mace, maize, amaze, aims, miss, mass, amass, alms, moss, moose, muse, amuse, mice, mouse, ways, woes, woos, yes, ewes, yews, hiss, haze, Hayes, hose, hoes, hies, house. 58. When a stem has a circle at each end the vowels belonging to it are best pointed in. LINE 14. Spice, seeds, sages, sails, psalms, Swiss. EXAMPLES. Sips, space, sops, soaps, suppose, spews, soups, spies, spouse, sobs, cities, stays, stows, stews. 59. Stems with the N circle attached are vocalized in the same manner as those with the S circle (Pars. 56-58). NOTE 40. This circle, like the S circle, reads first when joined at the beginning, and last when at the end of a stem. LINE 15. Knotty, nudge, neck, tin, run, men, yon, hone. EXAMPLES. Natty, notch, niche, knack, knock, nook, nag, nog, 'neath, pin, pain, pane, pen, pan, pawn, pun, pine, been, bean, bane, Ben, ban, bone, bun, boon, attain, ten, tan, tone, atone, ton, tine, town, Dean, Eden, din, dawn, Dane, Dan, den, deign, don, done, dine, chin, chain, chine, gin, Jane, John, June, join, keen, kin, akin, cane, ken, can (noun), con, cone, coon, kine, coin, gain, again, gone, gun, gown, fin, fain, feign, fen, fan, fawn, often, fun, fine, vain, vane, van, Vaughan, vine, thin, then, thine, sheen, shin, ashen, shone, shown, shun, ocean, shine, seen, sane, sawn, sown, sun, son, zone, rain, reign, wren, ran, roan, run, Rhine, mean, main, mane, men, amen, man, moan, omen, moon, mine, yawn, hen, Hun. 60. The outlines of a great many words, beginning with a vowel, with N as the first consonant sound, may be shortened materially, without sacrificing legibility, by using the N circle to represent that sound. Then, to show that the vowel comes before the n, it may be conventionally written inside the circle. NOTE 41. In practice it is seldom necessary to insert this vowel. LINE 16. Into, unto, undo, inch, enjoy, Inca. 36 LIGHT-LINE SHORTHAND. LESSON XIII. CIRCLES BETWEEN STEMS. CIRCLES FOLLOWING OTHER CIRCLES. (Illustrated by the Plate on page 190.) 61. When a circle occurs between two stems, if the stems join at an angle the circle is turned on the outside of that angle, and if the stems do not join at an angle, the circle is turned on that side of the first stem which it would occupy if no stem followed it. LINE 17. Chesapeake, fasten, reason, desk, museum, poison. (The remainder of this lesson is illustrated by the Plate on page 191.) LINE 1. Panama, bench, tenor, candy, fancy, runaway. EXAMPLES. (These words are all of two stems with the S circle between). Tacit, phthisic, task, tusk, Tuesday, tossing, teasing, deceit, deceive, disk, disavow, dismay, dosing, dusky, dowsing, chasten, Atchi- son, chosen, choosing, Jason, Joseph, accede, exit, cask, cassock, chasm, oxide, Cossack, oxen, causing, gazing, guessing, gassing, gasp, Augusta, gossip, gusset, physic, facade, facing, effacing, fusing, visage, season, schism, paucity, opposite, opacity, pasty, upset, episode, passage, pass- eth (P), possess (P), pacify, passing, pausing, pacing, posing, opposing, appeasing, opossum, bask, Biscay, besought, beset, bestow, obesity, beside, beseech, besiege, abusive, basing, boatswain, bassoon, besom, nicer (R), answer (R), noisome, Anson, unsung, mask, mosque, Mos- cow, music, musk, missive, massive, misery (R), miser (R), mouser (R), mizzen, mason, wisp, wasp, Wesson, yeasty, user (R), usury, hasp, hasty, husk, hasten. (These words are all of two stems with the N circle between). Bandy, banner, tanner, tannery, dainty, dinner, January, junior, can- nery, gainer, gunner, finer, finery, shiner, runner (RnR), minute, Mon- day, month, miner, meaning, handy, haunch, Henry, honing. 62. The rule given in Par. 61 is departed from only to LIGHT-LINE SHOETHAND. 37 avoid turning a circle on the back of a curved stem ; circles must always be turned on the inside of curves. LINE 2. Risk, nosegay, message, ranch, launch, manage. NOTE 42. The stem L may be used for initial L when followed by a circle and another stem, as in " launch," in Line 2. EXAMPLES. Reside, lucid, Lusk, range, linnet, lunch, lounge, munch. 63. Another S sound may be added after an S circle at the end of a word by turning a small circle on the back of the S circle, and after an N circle by turning a small circle inside the N circle. The Stenotype remains s. LINE 3. Pieces, doses, races, laces, fans, signs, runs, moons. NOTE 43. On straight stems the first circle is turned with Backward Motion, according to rale, and the following 8 circle is turned on the back of the first by carrying the pencil across the stem and half way round the first circle, where the lines join, forming the " divided circle." The N circle is turned in its proper direc- tion, and the S circle is turned inside of it by continuing the circular motion of the pencil until it forms a complete small circle inside of the larger one, presenting the ' inclosed circle." NOTE 44. The obscure vowel occurring between the two S sounds may be left unrepresented. EXAMPLES. (Small circle on the lack of the S circle). Paces, passes, pauses, poses, opposes, bases, bosses, buzzes, teases, tosses, dazes, adzes, dowses, cheeses, chases, chooses, Jesus, cases, axes, causes, cusses, gazes, guesses, gases, fizzes, phases, faces, fusses, vases, offices, fuses, vices, voices, ceases, assesses, sauces, sowses, roses, rises, arises (Rss), rouses, arouses, leases, losses, loses, looses, neices, noses, nooses, noises, misses, mazes, maces, amazes, messes, masses, mosses, musses, muses, amuses, uses, hisses, houses. (Small circle within the N circle]. Pins, pains, pens, pans, pawns, puns, pines, beans, bins, bans, bones, buns, boons, tins, tens, tans, tones, tons, tines, towns, Deans, dins, dens, Dan's, dawns, dines, downs, chins, chains, chance, chines, jeans, gins, Jane's, Jones, joins, canes, cans, cones, coons, coins, gains, gowns, fins, fens, feigns, fawns, evince, vanes, vans, vines, shins, shuns, shines, rains, means, mince, manes, mains, men's, man's, moans, mines, Haines, hens, hence, hones, Huns. 38 LIGHT-LINE SHORTHAND. 64. Two S sounds following the N circle are represented by elongating the small circle into a loop and turning it on the back of the N circle. The Stenotype of this loop is ss. LINE 4. Pounces, dunces, chances, Kansas, fences, rinses. EXAMPLES. Bounces, tenses, dances, Jones's, offences (F), evinces, minces. 65. The N circle may be used for M in a few special cases where there is no danger of conflict between N and M, the circle being made larger than usual for M when convenient. The Stenotype of the circle when used for M is the small or lower-case m. LINE 5. Money, pomp, submit, item, damp, Smith, name.. EXAMPLES. Pampa, Pompey, pump, bump, bumper (BmP.R), Au- tumn, damper, dump, camp, gimp, many, smooth (SmDh), hamper (HmPR), hump. LESSON XIV. REPRESENTATION OF S AND Z. (Illustrated by the Plate on page 191.) 66. When Z is the first consonant in a word (preceded or not by a vowel) it must be represented by the stem Zee. LINE 6. Zero, zinc, Ezra, Zion, Zurich, oozing, zany. NOTE 45. The connecting hook should of course be used when necessary to secure a distinct angle in joining. EXAMPLES. Czar, Isaac, Zachariah, Zebedee. 67. When Z is the last consonant in a word, and is fol- lowed by a vowel, the stem Zee must be used. LINE 7. Busy, cozy, fuzzy, rosy, noisy, Maza. LIGHT-LIKE SHOKTHAND. 39 EXAMPLES. Posy, boozy, dizzy, daisy, dozy, Josie, fuzee, Vesey, uneasy, mazy. 68. When S is the first consonant in a word, and is pre- ceded by a vowel, it must be represented by the stem Ess. LINE 8. Ask, asp, askew, ossify, Essex, Eason, isthmus. EXAMPLES. JSsop, Esquimaux, escape, espy, Osage, Estey. 69. When S is the last consonant in a word, and is fol- lowed by a vowel, the stem Ess must be used. LINE 9. Posse, Jessie, fussy, Vasa, racy, Massa. EXAMPLES. Abbacy, Tasso, Odyssey, Odessa, Jesse, juicy, Agassiz, foci, Macy, massy. 70. When not governed by the foregoing rules, the sounds of S and Z should be represented by the stems Ess and Zee respectively, when the stems will clearly give an easier form than would result from the use of the circle s. LINE 10. Suffice, excess, Smith, smooth, exercise, season, Cicero, Caesar. 71. When a word contains but the two consonants, S fol- lowed by S or Z, use one stem and one circle, as follows : When the word ends in S or Z, no vowel following, use the stem followed by the circle ; when a vowel follows the last S or Z, use the circle followed by the stem. LINE 11. Cease, says, sauce, size, sissy, saucy. EXAMPLES. Sees, seize, siss, sows, sues, sighs, Susie. 72. In all cases not governed by Pars. 66, 67, 68, 69, 70, and 71, the small circle s should be used for S and Z. (See Lesson XI.) 40 LIGHT-LINE SHORTHAND. LESSON XV. LOOPS FOR STR, TR (DR, THR, DHR), AND SEN. (Illustrated by Plate on page 191.) 73. A small loop, written only at the beginning of stems, is used for the combination str, with no vowel between the three consonants. It is joined to stems in the same manner as the S circle (inside of curves, and to straight stems with Backward Motion). Its Stenotype is str in lower-case letters. LINE 12. Strip, straight, stretch, strike, strive, stress, stroll, strain, string. NOTK 46. This loop is joined to L on the same principle as the S circle. (See Par. 54.) EXAMPLES. Strap, street, strait, strut, strode, stride, streak, stroke, struck, strife, Strine, stream, strong. 74. A small loop, less than half the length of a short stem, used only at the end of stems, represents tr, dr, or dhr, an obscure vowel, which may be left unrepresented, occur- ring between the r and the preceding consonant. It is turned within curves and joined to straight stems with Forward Motion. Its Stenotype is tr in lower-case letters. LINE 13. Better, tighter, daughter, gather, fetter, Astor, lighter, enter. EXAMPLES. Patter, Potter, pouter, powder, beater, bitter, bidder, batter, bother, butter, biter, teeter, titter, tetter, tatter, totter, auditor, debtor, doubter, cutter, gaiter, getter, gutter, goitre, fitter, fighter, avator, shatter, shutter, shooter, shouter, sitter, setter, Sutter, ratter, rooter, litter, loiter, neater, knitter, mutter, miter, heater, hatter, hater, hotter, header. LIGHT-LINE SHORTHAND. 41 75. The tr loop may follow any circle, in the manner here shown, after the stems P and B only. LINE 14. Paster, pester, pastor, poster, painter, pander, pointer, boaster, booster, banter, binder. NOTE 47. The tr loop in this situation cannot conveniently be used on other stems. The method of writing other words with similar terminations will be explained hereafter. 76. A large loop, more than half the length of a short stem, used only at the end of stems, represents the syllable " shon," spelled variously " tion," " sion," " cian," etc. It is turned within curves, and joined to straight stems with Backward Motion. Its Stenotype is shn in lower-case let- ters. LINE 15. Passion, occasion, vision, lesion, appellation, vocation, discussion, exception. EXAMPLES. Option, potion, edition, action, caution, auction, fashion, fusion, effusion, evasion, vacation, session, ration, oration (.Rshn), era- sion, erosion, elision (Zshn), elation, lotion, illusion, allusion, notion, motion, mission, emission, omission, emotion, unction, Hessian. (Two stems ending with shon loop.) Pollution (PZshn), aberration, abortion, adoption, diction, division, diffusion, adoration, dilation, dilution, ad- hesion (DcHshn), Egyptian, agitation, ejection, caption, corrosion, cohesion (KcHshn), gumption, ignition, fiction, faction, Phrenician (FNshn), eviction, vacation, avocation, variation (VJSshn), association (SShshn), eruption (^Pslm), irritation, irradiation, erection, irrigation, arrogation, refashion, revision, remission, election, allegation, elevation, alleviation, alienation, infusion, invasion, animation. 77. S or Z is added to a loop by turning the small circle on the back of the stem. LINE 16. Patters, fetters, pastors, binders, auctions, rations, alien- ations. 78. When two vowels occur together, as in " alienations," the last word in Line 16, when one of the vowels is the dot 42 LIGHT-LINE SHORTHAND. e, it may be represented, for convenience of joining, by its mate A. EXAMPLES. (Select from the words given under Pars. 74, 75, and 76, adding the S circle to them.) 79. The shon loop may include any circle, any vowel occurring between the circle and loop being omitted or written inside the loop. LINE 17. Opposition, decision, disposition, tension, redemption. NOTE 48. The vowel between the circle and loop above mentioned is seldom or never required to be written, the form being perfectly legible without it. EXAMPLES. Position, apposition, supposition, deposition, admis- sion, indisposition (nDsPsshn), exposition, accusation, vexation. LESSON XVI. INITIAL HOOKS. (Illustrated by the Plate on page 192.) 80. The sounds of E and L. unite very closely with other consonant sounds, the combination being uttered by one impulse of the voice. In such words as "pray," "try," "clay," "fly," etc., it will be noticed that "pr," "tr," "cl," and "fl," in those words are so closely united as to appear to be but one sound, no vowel occurring between them. This combination of R and L with other sounds is repre- sented by an adequately close and rapid combination of forms. 81. The sound of R following the sound of a stem is indicated by a small hook at the beginning of stems written LIGHT-LINE SHORTHAND. 43 within curves, and joined to straight stems by Forward Motion, as follows : Pr Br Tr Dr Clir Jr Kr Gr Fr Vr Thr i>kr Skr Zkr iSr. Zr Mr The Stenotype of this hook is the small or lower-case r. NOTE 49. Although written first in forming the outline, this R hook sounds after the stem to which it is attached. The first outline in the table above is " Pr," not "rP"; R before another consonant being always represented by the stem Ar. 82. E and L do not take the R hook. The wave signs Ng, W, and Y do not take it except in certain special forms when connected with a preceding stem, as shown in the Vocabulary. 83. The sound of L following the sound of a stem is indicated, on curves, by a large hook at the beginning of stems, and on straight stems by a small hook at the begin- ning, turned with Backward Motion, as follows : PI Bl Tl CM Jl Kl Gl Fl VI Thl Dhl Shi Zkl SI Zl XI Ml The Stenotype of this hook is the small or lower-case 1. NOTE 50. Although written first, as in the case of the R hook, this hook sounds after the stem to which it is attached. 84. R and L do not take the L hook. The wave signs Ng, W, and Y do not take it except in certain cases when following other stems, as shown in the Vocabulary. 44 LIGHT-LINE SHORTHAND. 85. These initially hooked stems are compound stems, and are vocalized, joined, and read the same as simple stems that is, the two sounds represented by the compound stem are spoken with one impulse and with no vowel sound between them ; therefore, vowels will be joined to them or written beside them the same as with simple stems. LINE 1. Pray, draw, acre, fry, throw, inner. EXAMPLES. Pry, prow, bray, brew, brow, tree, tray, trow, true, try, Tray, dray, drew, dry, crow, crew, cry, eager, gray, augur, grow, agree, free, fray, affray, offer, fro, Opbir, over, three, author, threw, either, Asher, usher, shrew, honor, owner, Emir. LINE 2. Blow, idle, clue, evil, easel, inly, only. EXAMPLES. Plea, play, ply, plow, able, blue, blew, addle, idly, clay, claw, cloy, glee, eagle, glow, ogle, glue, flee, flea, flay, flow, flew, fly. 86. These hooks are used between stems as well as at the beginning of words. LINE 3. Tucker, trifle, chiefly, shovel, ripple, rifle, roamer. NOTE 51. The slight vowel heard between the stem and hook in such words as "Tucker," "shovel," "roamer," need not be represented. / EXAMPLES. Teacher, tickle, taker, tackle, talker, travel, trimmer, decry, decline (DKln), digger, dagger, giver, gopher, feeble, feebly, fable, affable, foible, Schaeffer, shaver, chivalry, suffer, savor, reaper, ripper, Ripley, wrapper, roper, reply, rabble, rubber, ruble, richer, richly, rigger, riffle, raffle, ruffle, leper, lubber, labor, ledger, lodger, liquor, locker, lugger, liver, lover, lovely, lively, muckle, maker, mocker, mockery, muffle (MF1), heifer (HFr), homely. NOTE 52. Use the stem El for initial L in such words as "leper," "lubber," " labor," given in the above exercise. 87. Sometimes the hook can only be partially written ; in such cases a slight offset of the pencil answers the pur- pose. LIGHT-LINE SHORTHAND. 45 LINE 4. Paper, table, trouble, finely, neighbor, employ, hammer. EXAMPLES. Tipple, taper, topple, toper, deeper, dipper, dapper, dapple, doubly, double, feather, razor, nipple, noble, nobly, enable, unable, ennoble, masher, Mosher, haggle. 88. In some cases it is better to write the stems instead of trying to use the hooks, when the latter cannot well be shown. LINE 5. Pauper, trapper, trooper, joker, cracker, shipper. LESSON XVII. REVERSED L HOOK. (Illustrated by the Plate on page 192.) 89. T'-,e large L hook, as shown on curves, is frequently reversed and joined at an angle to stems at either end to represent an initial or final L sound. At the beginning of words it always opens up or down, and at the end of words it takes the most convenient direction. It is read in the order in which it is written. It should be a half-circle, twice the size of the vowel u that is, one-sixteenth of an inch in diameter. Its Stenotype is the small lower-case I printed in italics. NOTE 53. A small (u) or (d) in parenthesis printed after the Stenotype of this hook indicates the direction toward which it should open in a given outline, whether up or down. LINE 6. Leap, latch, lug, leaf, loathe, lash, line, limb. LINE 7. Bull, tail, chill, goal, fill, rule, lull, mile, Yale, hill. EXAMPLES. (One stem preceded by reversed L hook). Lip, lap, lop, loop, leach, liege, ledge, leek, leak, lick, lake, lack, lock, luck, look, like, leg, lag, log, laugh, loaf, luff, leave, laye, latch, loth, lathe, lithe, 46 LIGHT-LINE SHORTHAND. leash, lash, lean, lane, lawn, lone, loon, loin, lame, lamb, loam, loom, lime, Lang. (One stem with reversed L hook at the end). Peel, pill, pale, poll, pole, pool, pull, pile, bill, bale, ball, bawl, bowl, bile, boil, teal, tall, toll, tool, tile, toil, deal, dale, dell, doll, dole, dull, gill, gaol, jail, jowl, keel, kill, call, coal, cull, cool, chyle, coil, cowl, gale, gall, guile, feel, fail, fell, fall, fool, file, foil, foul, fowl, veal, vale, vile, thole, reel, rill, rail, roll, loll, meal, mill, male, mail, maul, mole, mule, yell, yawl, heel, hale, hell, hall, haul, hole, whole, hull. NOTE 54. The reversed L hook, as shown in the above examples, is almost always used to represent initial L followed by a stem, and final L preceded by a Btem. The only exceptions to this practice are in words like " labor " or " Laura," where L is best represented by the stem El, and " excel " (KsZ,), where the stem L must be used to admit of vocalization if desirable. L at the beginning of words and preceded by a vowel, and L at the end of words and followed by a vowel, are always represented by the stem El, to admit of vocalization if necessary. 90. The S circle only can be written inside the reversed L hook. No other circle or loop is allowable. LINE 8. Sleep, slouch, slack, slim, sling, pulse, tails, rolls, heels. EXAMPLES Slip, slap, slop, slope, sloop, slab, sledge, sleek, slick, slake, slag, slug, sloth, slash, slush, slam, slime, slung, slang. (For S added to the reversed L hook at the end of words, use the words given under Par. 89, Line 7.) 91. The combination " si " at the end of a word, some- times with a slight vowel, which may be left unrepresented, intervening between the two sounds, is also represented by the reversed L hook preceded by the S circle. The circle is joined to straight stems with Backward Motion, according to Par. 53, the hook following in the most convenient direc- tion. LINE 9. Pestle, dazzle, jostle, fizzle, rustle, nozzle, hustle. EXAMPLES. Puzzle, bustle, tassel, tussle, chisel, castle, guzzle, vessel, vassal, thistle, sizzle, wrestle, nasal, missile, muzzle, weasel, wassail, hazel. LIGHT-LINE SHORTHAND. 47 92. Another s may be turned inside the reversed L hook, as used in Par. 91. LINE 10. Pestles, dazzles, jostles, fizzles, rustles, nozzles, hustles. EXAMPLES. (Use the words given under Par. 91.) LESSON XVIII. CIRCLES AND THE STR LOOP ATTACHED TO INITIAL HOOKS. SPECIAL VOCALIZATION. (Illustrated by the Plate on page 192.) 93. The S circle is the only circle prefixed to compound curved stems. It is turned inside the hook. The str loop is not allowable in this situation. LINE 11. Spry, sprawl, stray, scrawl, screech, scream. EXAMPLES. Spree, spray, straw, strew, scrip, scrape, scrap, scrub, scribe, scratch, scraggy, scroll, screw, screen (sKrn), scrawny (sKrN). 94. The str loop or any circle may be prefixed to a com- pound K hook straight stem by turning the loop or circle with Forward Motion, the hook being included in the circle. It will be remembered that the simple circles and loop are joined to straight stems with Backward Motion. (See Pars. 53 and 55.) LINE 12. Sinner, simmer, summer, manner, strainer, streamer. 95. When the S circle occurs between a compound stem and a preceding stem, when practicable both the circle and hook must be shown. In the case of two straight stems in the same direction, it is sufficient to turn the circle with Forward Motion for the K hook. No circle or loop except the S circle can be used in this situation. 48 LIGHT-LINE SHORTHAND. LINE 13. (First three words.) Display, house-fly, Messmer. 96. When not conveniently formed, the hook may be omitted following the circle between stems, or the sound of the hook may be represented by the proper stem. LINE 13. (Last three words.) Describe, disagree, Jasper. 97. It is sometimes convenient to use a compound stem when its sounds do not closely unite that is, when a dis- tinct vowel occurs between them; then, to represent the vowel as coining between the sound of the stem and that of the hook, the vowel should be struck through the stern. The vowels A and o may be varied slightly from the hori- zontal and vertical to accomplish this when necessary. may be represented by its mate A for this purpose. LINE 14. Power, tell, cheer, fellow, violet, entire, here. EXAMPLES. Pure, till, delight (D1T), cheerful, chair, char, chore, agile, July, joyful, care, careful, follow, full, fully, village ( F1J), vir- tue ( FrCh), vulture ( FIChR), sheer, shale, share, shawl, shore, sure, azure, sell, easily, soul, repair, rebel, retire, recall, recur, regal, regale, rueful, reveal, ravel, revel, reamer, rammer, label (LBI), lappel, libel, until, endear, endure, nature (NChr), nurture (NrChr), angel, incur, sinecure (sNKr), naval, novel, Mitchell, hovel. LESSON XIX. EXCEPTIONAL HOOKS. (Illustrated by the Plate on page 192.) 98. When W is the first sound in a word consisting of more than one consonant sound, it may be represented by a small half-circle, joined to the following stem at the most acute angle, and opening to the right or left. It is the same size as the vowel u one thirty-second of an inch LIGHT-LINE SHORTHAND. 49 across. Its Stenotype is the small or lower-case w printed in italics. NOTE 55. A small (r) or (1) in parenthesis, printed after the Stenotype of this half-circle, indicates the direction toward which it should open in a given outline, whether to the right or left. LINE 15. Weep, weapon, wits, wedge, wax, wife, wafer, wash, war. EXAMPLES. Web, wait, wet, weed, widow, wade, wed, wide, witch, watch, wage, week, weak, walk, woke, wig, wag, waif, woof, weave, wave, waver, wove, wives, withe, wither, weather, wisher (wShB), weary (wR), wary, wear, wore, wire, wing. 99. This W half-circle may also be prefixed to any vowel, or used medially between stems, or between consonants and vowels. LINE 16. Quip, thwack, quake, quaff, query, squaw. NOTE 56. When pointed in, it is generally sufficient to simply write the half- circle in the place of the vowel, omitting the latter. EXAMPLES (w joined medially). Quota, quack, quoth, squeak, quiver, quaver, squeal, quarry, squall, squeeze (sKwJs). (w pointed in) Quick, queer, Squib, squab, squabble. 100. The L hook (see Par. 83) may be exceptionally used for W in the words here referred to. and in cases analogous where this hook will greatly improve the outline of the word. The Stenotype of the hook used for this purpose remains unchanged, being the lower-case 1. LINE 17. Twitch, tweak, twig, twice, quill, quail. (The remainder of this lesson is illustrated by the Plate on page 193.) 101. The sound of W following the sound of H may be indicated by a large initial hook joined to the left side of that stem. In analogy with the R and L hooks, though formed before, it is pronounced after the stem to which it is attached. Its Stenotype is a lower-case w. 50 LIGHT-LINE SHOETHAND. LINE 1. Whoa, why, whip, whack, whig, whisper, whiskey, whistle, wheel, whence, whine, whim. 102. The sound of W preceding the sound of L, N, or M, may be indicated by a large initial hook joined on the most convenient side. The most convenient side will be the left side of L (upward or downward form), the left side of M, and the upper side of N. This hook differs from any other initial hook in that it reads before the stem to which it is attached that is, it reads in the order in which it is written. It is joined to L by simply enlarging the hook which L already has. The Stenotype of this hook is the small or lower-case w. LINE 2. Weal, wool, Walter, willow, William, one, wine, Wednes- day, wimble. NOTE 57. Use the upward form of L when a vowel follows the stem, as in the word " willow," in Line 2. EXAMPLES. Wail, well, wall, wile, wallow, Willett (wLT), wal- let, Woolwich, Welch, welkin (wLKn), wolverine (wLVm), wealth (wZTh), wealthy, Welsh (wLSh), walrus, woolen (wLN), Walling, wean, win, winner, wen, wan, won, winter, windy, window, winch, wench, once, wince, winsome, winnow, women (wMn), woman, Wem- ple, wampum (wMPM). LESSON XX. FINAL HOOKS. (Illustrated by the Plate on page 193.) 103. The sounds of T, D, P, and V following other stems occur so frequently that, if written with their alphabetic forms in all cases, they would render the execution of the writing too slow for verbatim work. The use of the stems in all cases would also give rise to very awkward forms LIGHT-LIKE SHORTHAND. 51 seriously detrimental to speed. To provide adequately for the representation of these frequently recurring sounds, they are indicated by final hooks attached to all stems, and read in the order in which they are written. 104. The sound of T or D is represented by a small hook written at the end of stems. It is turned on the inside of curves, and joined to straight stems with Forward Motion for the sound of T, and Backward Motion for the sound of D, as follows : Pt Bt Tt Dt Cht Jt Kt Gt Ft Vt ThtDhtSht Zht St Zt Rt Rd Lt Ld Nt Nd Mt Aid Ngt Wt Yt Ht Hd The Stenotype of this hook on curves is the small or lower-case t ; on straight stems its Stenotype is the lower- case t when turned with Forward Motion, and the lower- case d when turned with Backward Motion. It is called the T hook. 105. The sound of F or V is represented by a large hook written at the end of stems, and joined in the same manner as the T hook. On straight stems it is turned with For- ward Motion for F, and Backward Motion for V, as fol- lows : Pf Bf Tf Df Chf Jf Kf Gf Ff Vf Thf Dhf Slif Zhf Sf Zf Rf Rv Lf Lv Nf Nv Mf Mv Ngf Wf Yf Hf Hv 52 LIGHT-LINE SHORTHAND. The Stenotype of this hook on curves is the small or lower-case f ; on straight stems its Stenotype is the lower- case f when turned with Forward Motion, and the lower- case v when turned with Backward Motion. It is called the F hook. 106. Vowels are joined or written beside stems with these final hooks the same as in the case of the stems alone. LINE 3. Peat, apt, deed, fate, thought, showed, set, eased, write, read, note, end. EXAMPLES. (Single stems followed by the T hook). Pit, pate, paid, aped, pat, pet, pad, pot, pawed, pod, pied, pout, beat, bit, bate, bait, bet, bot, bought, boat, boot, bead, bid, bode, bowed, bayed, bed, bad, abode, bud, bide, buoyed, tat, taught, tote, tut, toot, tight, Todd, towed, tide, tied, toyed, date, dot, dote, doubt, deed, dead, added, died, feet, fit, fat, aft, fought, oft, foot, fight, vat, vote, vied, void, vowed, viewed, thawed, shot, shut, shoot, shout, shade, shed, shad, shod, seat, sit, sate, sat, sought, sot, soot, sight, site, cite, oozed, writ, rat, rot, wrought, rote, wrote, root, rout, rid, read, red, rod, rowed, rood, rued, neat, knit, net, gnat, ant, not, nut, night, knout, need, nod, gnawed, node, owned, annoyed, weighed, wooed. LINE 4. Puff, dove, chafe, calf, five, thief, shave, seive, reef, rave, enough, knave. EXAMPLES. (Single stems followed by the F hook). Pave, beef, buff, above, tough, deaf, doff, chief, chaff, achieve, Jove, gyve, cough, cuff, cave, cove, gaff, Gough, gave, sheaf, sheave, shove, safe, save, salve, rough, roof, rife, reave (Rv), rove, rive, knife. 107. A distinction may be made between the sounds of T and D following the stems Ch, J, K, and G, by writing T with the stem and D with the hook, the stem being rather more convenient than the hook. LINE 5. Cheat, chewed, jet, aged, kite, cowed, get, guyed. EXAMPLES (Two stems). Chit, chat, etched, Choate, jot, jut, jute, eked, kit, cat, cot, caught, cut, cute, gate, got, goat, gout. (Stemfol- LIGHT-LINE SHORTHAND. 53 lowed by the Thook.) Chid, chawed, chide, jade, edged, jawed, joyed, Jude, keyed, kid, cawed, cud, cooed, gad. 108. To avoid the inconvenience of the backward hook for T on the stems M and H, represent T by the stem, D being represented by the proper hook. F and V may both be represented by the Backward Motion hook on these stems for the same reason. 6. Meat, made, hit, hid, muff, move, half, heave. EXAMPLES (Two stems). Mit, mate, met, mat, mote, mite, might, heat, hate, hat, hot, hut, hoot, height, Hoyt. (Stem, followed by the D hook.) Mead, mud, amid, aimed, maid, mad, Maud, mode, mowed, mud, mood, mewed, heed, head, had, hod, hoed, hood, hide. (Stem with V hook.) Miff, huff, hoof, halve, hove, hive. NOTE 58. By a judicious use of the hooks explained in this lesson contrasted with the stem signs for the same sounds, great increase of legibility may be attained. The hooks may be used when the sound they represent is the last sound in the word, and the stem signs when that sound is followed by a vowel. This principle will be more fully amplified hereafter. LESSON XXI. CIRCLE AND HOOK FOLLOWING HOOKS. T TICK. (Illustrated by the Plate on page 193.) 109. The S circle is the only circle added to final hooks. On curved stems it is always turned inside the hook. LINE 7. Pets, debts, chiefs, coves, thieves, sheaves, safes. EXAMPLES. (Use the words given under Par. 106, Lines 3 and 4.) 110. On straight stems the S circle may be added to a T hook by turning the circle with Forward Motion, the hook being included in the circle. It will be remembered that the simple circle is joined to straights with Backward Motion. (See Par. 53.) This principle is in analogy with 54 LIGHT-LINE SHORTHAND. that explained in Par. 94 concerning the circle and R hook. To the D hook, and the F hook on straight stems, the circle is added by turning it inside the hook. LINE 8. Writes, reads, lights, loads, notes, nodes, moods, heads, reefs, raves, knives, moves, heaves. EXAMPLES. (Use the words given under Par. 106, Lines 3 and 4.) 111. The sound of T or D, following the sound of any hook, may be represented as follows : After the F hook, or reversed L hook, by turning the T hook within the first hook ; after a T or D hook by a short, slanting tick, called the " T tick," joined at an angle. The past tense of verbs ending in ed as a separate syllable is represented by this T tick when the present tense ends in a T hook. The Steno- type of this T tick is a lower-case t printed in italics. LINE 9. Paved, achieved, cuffed, thefts, shafts, soft, raved, miffed, heft. EXAMPLES. (Use the words given under Par. 106, Line 4.) LINE 10. Peeled, dolt, jilts, felt, rolled, lulled, mild, mold. EXAMPLES. (Use the words given under Par. 89, Line 7.) LINE 11. Dated, goaded, shotted, suited, rated, loaded, netted, headed. EXAMPLES. (Use the words given under Par. 106, Line 3.) LESSON XXII. SHON LOOP, REVERSED L HOOK, AND VOWELS FOL- LOWING THE T HOOK. T HOOK FOLLOWING CIRCLES AND LOOPS. HOOKED VOWELS. (Illustrated by the Plate on page 193.) 112. The shon loop, or the reversed L hook, may follow the T hook in the manner here indicated, the vowel occur- LIGHT-LINE SHOKTHAND. 55 ring between the hook and shon loop being omitted, or written inside the loop. LINE 12. Potation, disputation, rotation, battle, victuals, rattled, noddle, metal, huddle. EXAMPLES. Citation, notation, paddle, puddle, poodle, bottle, tittle, tattle, toddle, Toodles, kettle (Ktl), cattle, coddle, cuddle, fiddle, settle, saddle, sidle, riddle, ladle, nettle, noodle,, middle, mettle, medal, mottle, model. 113. A T or D sound following a circle or loop, may be represented by adding the T hook after such circle or loop. The Stenotype of this hook in this situation remains un- changed, being the lower-case t. LINE 13. Post, lost, amazed, dint, lent, named, battered, muttered, occasioned, motioned, toughest. EXAMPLES. (8 circle followed by the T hook) Pieced, appeased, paced, past, passed, paused, opposed, beast, based, abased, best, abused, teased, test, attest, tossed, dozed, chased, chest, jest, jist, just, adjust, joist, kissed, Kast, cost, coast, accused, gazed, guest, guessed, aghast, ghost, gust, feast, fist, faced, effaced, fast, fussed, foist, Faust, visit, vest, vast, ceased, assessed, soused, wrist, raced, raised, rest, roast, rust, roost, roused, aroused, least, leased, list, laced, lest, lust, loosed, mist, missed, mast, must, moist, mused, amused, wist, waste, waist, west, yeast, Yost, used, hist, hazed, host, hoist, housed, movst. (N circle followed by the T hook.) Pinned, paint, pained, pent, penned, pant, opened, pint, pined, point, pound, bent, bind, bound, tinned, taint, attained, tent, attend, tanned, toned, taunt, attuned, deigned, dent, don't, dined, chained, chant, jaunt, joint, joined, caned, Kent, canned, can't, conned, kind, coined, count, gained, gaunt, faint, feigned, fanned, font, fawned, fond, find, fined, fount, found, veined, vent, vaunt, shined, sha'n't, assent, send, signed, sound, rained, arraigned (,Rnt), rent, rant, round, lint, lend, lent, land, mint, meant, mend, amend, manned, moaned, mined, mind, mound, hint, haunt, hand, honed, hunt, hind, hound. 56 LIGHT-LIKE SHORTHAND. (tr loop followed by the T hook.) Pattered, powdered, bettered, bothered, buttered, teetered, tattered, tottered, tutored, chattered, gathered, fettered, shattered, shuddered, lightered, littered, entered, mitered. (shn followed by the T hook.) Patient, cautioned, cushioned, quo- tient (Kshnt : w),* fashioned. * NOTE 59. When necessary to point in a vowel preceded by the sound of W, it is generally sufficient to write the half-circle w, omitting the vowel. 114. The circles followed by the T hook may be used between stems in words like the following. When the pre- ceding stem is straight, the rule given in Par. 48 is applied if practicable. LINE 14. Chester, country, kindly, visitor, fainter, foundry, re- store, arastra. NOTE 60. The application of the rule given in Par. 48 will he seen in the words " fainter " and " foundry," in Line 14. Either direction being equally convenient, F is so disposed as to permit the writing of B downward when no vowel follows, and upward when a vowel follows. Also in the words " restore " and " arastra," which illustrate this principle, the circle stands for simple S, being in the same relation as a circle between stems. (See Par. 61.) EXAMPLES. Tender, jester, gender, jointer, extra, canter, coaster, Ouster, counter, gander, fester, fender, faster, foster, finder, founder, vestry (FstR), Ventura, thunder, sister, sender, saunter, sounder, render, roaster, rooster, Lyster, Lester, lender, laundry (LntR), lus- ter, Nestor, mentor, muster, moister. 115. The reversed L hook, or any vowel, may follow the T hook after circles, as here shown LINE 15. Pedestal, crystal, bundle, kindle, fondle, mental, crusty, vista, rusty, rondo. EXAMPLES. Vestal, costal, spindle, brindle, trundle, dandle, gentle, candle, sandal, rental, lentil, mantle, handle, tasty, testy, dusty, audacity, gusty, frosty (Frsti), thirsty (Thrsti), lusty, nasty, nicety, honesty, misty, musty, modesty (Mtsti). 116. This T hook is exceptionally used before the S circle, and in connection with it, to represent the frequent com- LIGHT-LINE SHOKTHAND. 57 bination "st" the hook, though formed before, being- pronounced after the circle. Its Steuotype is st in lower- case letters. L may always be struck upward when pre- ceded by st and standing alone, as that direction is much the more convenient, and L is scarcely ever followed by a vowel in this situation. LINE 16. Stop, state, stitch, stake, Stacy, store, still, stilly, stem, sting. EXAMPLES. Steep, step, stoop, stab, stout, steed, stead, steady, study, stood, stage, stick, sticky, stack, stalk, stock, stoke, stuck, stag, steer, star, stare, stair, stir, steel, steely, stale, stall, stole, stool, style, steam, stung. 117. The straight line vowel signs take the E, L, and T hooks. LINE 17. Ail (ale), awl, oar (ore), sore (soar), ire, isle (aisle), sire, odd (awed), ate, aid, owed (ode), oats. NOTE 61. -In Line 17 the form for "ire" is struck downward, and for "isle" upward, as is evidenced by the difference in slant. LESSON XXIII. PREFIXES AND AFFIXES. (Illustrated by the Plate on page 194.) 118. Owing to their frequent recurrence and the tedious- ness of writing them in full, certain initial syllables are provided with brief signs. NOTE 62. For the sake of ready illustration, words whose outlines are contracted (that is, with one or more consonant sounds unrepresented) will be occasionally made use of. Such contracted forms will be found in the Vocabulary. 119. The initial syllables con, com, and cog are indicated by writing a dot, called the con dot, before the beginning 58 LIGHT-LINE SHORTHAND. of the remainder of the word. The Stenotype of this dot is a lower-case e printed in italics. LINE 1. Condone, confuse, consign, compose, combat, contrast, conceal, cognate, cognomen. NOTE 63. Similar syllables may occasionally be represented by the same signs, as " campaign " (e-Pn), but as a general rule these prefix signs should not be used for syllables which are not prefixes in the proper sense. In the word " comma," for instance, " com " not being a prefix, should not be represented by the con dot, but the word should be written in full, KM. NOTE 64. Vowels will be largely omitted in the exercises following, only promi- nent ones being written when necessary. EXAMPLES. Contest, concussion, connection, confusion, connive, conceit (e-St), concern (e-Srn), conciliate (e-sLT), compute, compassion, commute (e-TT), cognizance (e-NsNs). 120. When the prefix con or com occurs in the middle of a word, it may be indicated by writing the syllable which follows, near to, or if convenient, immediately under or through the syllable which precedes it. The Stenotype of this overlapping or nearness is a hyphen, and of striking through, a semicolon. In the case of vowel or tick out- lines, proximity is effected by writing the vowel or tick opposite the end of the consonant stem, so as not to con- flict with a "pointed in" vowel. LINE 2. Disconnect, recommend, circumambient, non-committal, recommence. EXAMPLES. Preconceived (Pr-Sf t), discompose, discomfort (Ds-FjRT), recumbent, recompense, reconuoiter, recombine, recommit, uncon- quered, incompetent, misconjecture. 121. nT or Nt, whichever makes the best joining, is a prefix for "enter," "inter," "intro," "ante," or "anti," joined to the rest of the word. LINE 3. Entertain, interdict, introduce, antidote, interjection. 122. M is a prefix for " magni," " magne," "magnan," "Me," and "Mac," usually disjoined. LIGHT-LINE SHOKTHAND. 59 LINE 4 Magnitude, magnetism, magnanimous, McMicliael, Mac- donald. EXAMPLES. Magnify, magnetic, magnetize, Magna Charta (M-KrT). 123. H is a prefix for "hydra," "hydro," disjoined. LINE 5. Hydraulic, hydrogen, hydrometry, hydrophobia, hydropi- cal, hydrostatics. AFFIXES. 124. The. final syllable " ing " is frequently indicated by writing a dot at the end of the preceding part of the word ; the plural " ings " is represented by a small circle in the same situation. The Stenotype of the dot is the lower-case e, and of the circle, the lower-case s, both printed in italics. LINE 6. Paying, doubting, coming, thinking, knowing, readings, cuttings. 125. The stem Ng is frequently used when it makes a good joining. LINE 7. Opening, being, vieing, shining, running, writing. 126. B is an affix for "ble," "bly," Ability," when Bl is not equally convenient, and Bs is an affix for "bleness." These signs are joined or disjoined according to conveni- ence. LINE 8. Attainable, accountability, vendible, risible, charitable- ness, peaceableness, knowableness. EXAMPLES. Profitable, tangible, deducible, detestable, chargeable, enjoyable, accountable, forcible, insurmountable, knowable, feebleness (FBls), teachableness, questionableness (KsChnBs). 127. J is an affix for "ology,"and JK for "ological," "ologically," usually disjoined, but sometimes joined in quite frequent words. 60 LIGHT-LINE SHORTHAND. LINE 9. Penology, biology, zoology, phraseology, physiological, theologically, etymology. EXAMPLES. Tautology, osteology, philology, detnonology, phreno logical, chronology, genealogy, geologically, doxology, astrology. 128. G, or Gr if it will join well, is an affix for "graphy," and GK or GrK for "graphic," "graphically," usually joined. LINE 10. Biography, Tachygraphy, Stenography, Geographic, Phonographically. EXAMPLES. Topography, chirography, brachygraphy, typography, orthography, calligraphy. 129. F, or f is an affix for "ful," "fully," and with Ns added, for "fulness," when those syllables cannot conven- iently be written in full, usually joined. LINE 11. Spoonful, wrathfully, revengeful, hurtful, peaceful ness, faithfulness. EXAMPLES. Watchfulness (yjChFlNs), sinfulness, ekillfulness, carefulness. 130. V, or f is an affix for " ever," joined. LINE 12. Whatever, whichever, whenever, whoever, however, wherever. 131. sV, or Sf is an affix for "soever," joined. LINE 13 Whichsoever, whensoever, whosoever, howsoever, whith ersoever, wheresoever. .132. Sh is an affix for "ship," "tial-ly," "cial-ly," usually joined. LINE 14. Friendship, lordship, worship, providential, deferen- tially, essentially, reverentially. 133. M is an affix for "ment," or "mental," when joined, and for "matic," or " mutically," when disjoined. LIGHT-LINE SHORTHAND. 61 LINE 15. Payment, apartment, attainment, disappointment, auto- matic, systematically, pneumatics. EXAMPLES. Indictment (nDtM), resentment, firmament, ornament, sacrament, temperament (TmPM), commandment, bombardment, de- facement, advancement, commencement, inducement, management, lodgment, embezzlement, abasement, disfranchisement, disbursement, abatement, excitement, achievement, movement, amazement, amuse- ment, consignment, adornment, investment, emolument (M1M). 134. I is an affix for "ly" when L cannot conveniently be joined. LINE 16. Tightly, deadly, fitly, shortly, sightly, madly, hardly. LESSON XXIV. VAEIOUS EXPEDIENTS. (Illustrated by the Plate on page 195.) 135. Negative, or other words which are formed by pre- fixing a vowel sound to a primitive, or other derivative word, may be distinguished by prefixing the vowel sign which represents the initial vowel. LINE 17. Liberal, illiberal, rational, irrational, moral, immoral, memorial, immemorial. (The remainder of this lesson is illustrated by the Plate on page Q.) 136. A proper name or an emphasized word may be noted by a dash written under it. LINE 1. Isaac Pitman was the founder of Phonography. LINE 2. So far as it is an art, it is the art of reasoning. 62 LIGHT-LINE SHORTHAND. NOTE 65. For contractions used, see the lists of word-signs and the Vocabu- lary. 137. The sound of Ng before K or G may be represented by the N circle. LINE 3. Pink, bank, buncombe, trunk, kink, finger. EXAMPLES. Spunk, sprinkle, banker, bunk, bunker, bungle, tank, tinkle, drink, drunk, drunkard (DrnKRd), drank, dank, donkey, chink, chunk, jangle, junk, Jenkins (JnKns), Conkling, crank, Congo, kan garoo, gangrene, rink (RnK), rank, rankle, wrangle, wrinkle, link, lingo, lank, mink, monk, monkey, wink, Yankee, Hank, hunger, hungry (HnGR). 138. There are certain derivatives in which the name of the action and the name of the doer will differ in the short- hand outline only in the size of a loop, if written in analogy with other words, as "creation," "creator"; both being nouns, this distinction is not sufficient. To meet all such cases, use the shon loop in writing the name of the action, and the vowel eu, the name of the doer. That vowel never occurs at the end of a word, and in this situation may stand for tr. LINE 4. Action, actor, creation, Creator, faction, factor, protec- tion, protector. EXAMPLES. Let the pupil extemporize illustrations, say ten pairs of words of this character. 139. The combination " sw " is usually represented by SI. The L hook is also used for the sound of w in the middle of words in several cases. LINE 5 (First four forms). Switch, swab, swing, request. EXAMPLES. Entwine, inquest, esquire, unguent, earthquake, ade- quate. 140. In these four phrases the L hook is used for the sound of Y. The Stenotype remains 1. LIGHT-LINE SHORTHAND. 63 LINE 5 (Last four forms). By you, did you, do you, if you. 141. s is sometimes used for Sh when flexibility de- mands it. LINE 6. Objectionable, exceptionable, auctioneer, fashionable, visionary, vanquish. 142. The syllable "ed" may be added after contractions by the T tick. LINE 7. Regarded, recollected, perfected, effected, represented. 143. The syllables con and com may be omitted from many common words, the remainder of the word being written in the First Position. LINE 8. Contraction, condition, community, communion, com- plexion, contain. NOTE 66. Placing the words from which these prefixes are omitted in the First Position will prevent conflict with other words having the same forms, which generally take the other positions, as, attraction, addition, unity, union, attain. 144. " Did " must be written in full that is, with the T hook added, when phrased with a preceding word, to pre- vent conflict with " do." LINE 9. I did not, you did, they did, how did. 145. Adapt the shorthand alphabet to the representation of initials of proper names, by writing the vowels, circle, and wave signs in the Second Position, the short stems in the First Position, and the long stems in the Third Position. Add the vowel i to G to prevent possible conflict with J. LINES 10, 11, 12. A, B, C, D, E, P, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z. NOTE 67. If written with care and with strict observance of position, the above forms will indicate the proper initial unerringly. 146. In writing numbers, use the ordinary figures, except 1, 2, 3, 4, 5, and 10, which should be written in shorthand. 64 LIGHT-LINE SHORTHAND. Also write in shorthand, first, second, third, and fourth. Use figures for the remaining ordinal numbers; for round numbers use the contractions (see Vocabulary) for hundred, thousand, and million. LINE 13. One, two, three, four, five, ten, first, second, third, fourth. LINE 14. One thousand men reached there on the 7th day. 147. To represent a foreign sound, write the English sound nearest resembling it, and under that draw a waving dash. LINE 15. Encore, Messieur, nicht, senor, VcMejo. 148. Consonant signs which are awkward of formation in a given case, or whose sounds are obscurely heard, may frequently be omitted in order to secure a good form for a word or phrase, provided the outline remaining be sug- gestive. LINE 16. Principal-le, destruction, accomplish, excellency, ex- treme, gravity. NOTE 68. This principle will be applied freely in the lists of contractions and the Vocabulary. 149. The syllables " fication " may generally be contracted to Fshn. LINE 17. Purification, edification, identification, glorification, modification. (The remainder of this lesson is illustrated by the Plate on page 196.) 150. N may often stand for " ant " or " ent " without any sacrifice of legibility. LINE 1. Transcendent, dependent, descendant, attendant. LIGHT-LINE SHORTHAND. 65 151. Sh may sometimes be used for Ch, and Zh for J, in order to secure a good form for a frequently recurring word or phrase. LINE 2 (First three words). Express charges, expressage, ex- press agent. 152. " Super" may generally be contracted to sP. LINE 2 (Last three words). Supersede, superscription, super- induce. 153. The syllable con or com may sometimes be omitted when it occurs in the middle of a word, and the parts joined, if the outline so formed will not conflict with that of some other word. LINE 3. Incomprehensible, uncontrollable, unconditional, incon- venient, inconsistent. 154. If a negative prefix requires an N sound to be rep- resented, N or n must be used instead of a vowel sign. (See Par. 135.) LINE 4. Unattainable, unaccomplished, unrequited, unmolested, unhandy. 155. It is sometimes inconvenient to represent both T or D sounds in the past tense of verbs, where the T hook is followed by the T tick ; in such cases, omit the T hook and write only the T tick, leaving one of the sounds unrepre- sented. LINE 5. Fitted, voted, folded, vaulted, related, resulted, un- folded. 156. Vowels may be joined to final hooks when a superior form results. LINE 6. Pity, pretty, beauty, Duffy, guffaw, Guiteau, produce. 66 LIGHT-LINE SHORTHAND. 157. A curve vowel can never follow a circle, as it might be mistaken for the T hook ; but the form of a word may sometimes be materially improved by introducing a straight line vowel in this situation. LINE 7. Attenuation, dispensation, causation, luxation, annex- ation, gasoline. EXAMPLES. Condensation, compensation, inspissation, accusation. 158. Use a medial vowel rather than the connecting hook when the former affords an equally facile form, especially when vocalization is necessary to legibility. LINE 8. Gum, doom, pike, finny, Zeno, rogue. EXAMPLES. Dumb, pica, pug (PeuG), puke, Gaza, pony, bony, fop, fob, Beulah, hazy, Gussie, occupy, Willoughby, spoony. 159. Contractions may be suggestively vocalized when desirable for the sake of legibility. This is generally applied in the case of phrasing, subsequently explained. LINE 9. Upon, took, object, come, think, shall, put, can. 160. To avoid an awkward form it is sometimes necessary to disjoin parts of words. LINE 10 (First three words). Fusible, Grafton, systematize. 161. When two S sounds occur together, one may some- times be omitted without endangering legibility. LINE 10 (Last four forms). Dissimilar, it is said, just such, as soon as. 162. Legibility is greatly improved by indicating the number of syllables by the number of stems, in many words. LINE 11. Piccolo, period, coincide, canary, La Paz, Laura, Lima. LIGHT-LINE SHORTHAND. 67 LESSON XXV. USE OF STENOGRAPHIC MATERIAL. (Illustrated by the Plate on page 196.) 163. It has been said that a discriminating use of the material heretofore given, contrasting the full stems with contracted modifications such as circles, hooks, etc., having the same sound renders it possible in many cases to show where the vowel comes in, thus adding to speed by saving the time necessary to write the vowel. I shall endeavor in this lesson to make this important rule clear to the learner, so that he may intelligently apply it whenever necessary. 164. The S circle at the beginning of a word shows unmistakably that S is the first sound in the word ; so that, if an initial vowel precedes an S sound, that sound must be represented by the stem. LINE 12. Same, asthma, spy, espy, sack, ask, stay, Estey. EXAMPLES. Let the student extemporize five pairs. NOTE 69. The stem S, however, at the beginning of a word, does not always indicate that a vowel precedes it, for the law of form frequently requires the stem S to represent an initial 8 sound, as in "something" (SmTh), "sign" (8n), "send" (Snt). 165. Any circle written at the end of a word indicates unmistakably that that circle represents the last sound in the word ; if a vowel should follow the sound represented by the circle, a stem would have to be substituted for the circle. LINE 13. Puss, pussy, days, daisy, pain, pony, tin, tiny. EXAMPLES. Let the student extemporize ten pairs. 166. When two S or Z sounds are the only consonants in a word, the form of the word is governed by the presence 68 LIGHT-LINE SHORTHAND. or absence of a final vowel. If the word ends in a vowel, let it end in the stem ; if it does not end in a vowel, let it end in the circle. (See Lesson XIV.) LINE 14. Sis, sissy, sauce, saucy, sues, Susie, seize, says. 167. The use of the str loop shows unmistakably that no vowel intervenes between its elements ; if a vowel should occur, a stem must be used for at least one of the elements. LINE 15. Strip, stirrup, stride, storied, strife, starve, stroll, sterile. EXAMPLES. Let the student extemporize ten pairs. 168. The tr loop, or its equivalent eu, shows that no vowel can follow its last R sound, a stem being necessary when a vowel follows the sounds represented by the loop. LINE 16. Better, betray, voter, votary, ratter, rotary, factor, fac- tory. EXAMPLES. Let the student extemporize five pairs. 169. The R and L hooks indicate, as a general rule, that the hook and stem coalesce, with no vowel between them, the stems or reversed L hook being used when a vowel intervenes. LINE 17. Plea, pillow, crew, car, flee, fool, throw, thorough. EXAMPLES. Let the student extemporize teu pairs. (The remainder of this lesson is illustrated by the Plate on page 197.) 170. The stem L at the beginning of a word indicates that a vowel precedes it, and the stem L at the end of a word indicates that a vowel follows it. The reversed L hook is used for initial and final L. Any deviations from this rule will be specially noted. LINE 1. Elk, luck, Alp, lap, pulley, pull, Kelly, coal. LIGHT-LINE SHOKTHAND. 69 171. A final hook shows that the word ends in the sound represented by the hook, with no vowel following, while a stem ending a word will generally show that a vowel fol- lows it. LINE 2. Puff, puffy, doubt, duty, shot, chateau, rate, ready. 172. The sound of W at the beginning of a word should be represented by the W half circle (using w before L, N, and M) ; if a vowel precedes the W, then use the stem Way. LINE 3. Wait, await, wake, awake, one, award. 173. Initial "si" should be represented by si, but when preceded by a vowel the stem S must be used. LINE 4. Sleep, slack, slim, sling, asleep, aslope, aslant. 174. Initial "si" followed by the sound of T, F, V, S, Z, R, N, or tr, without a vowel following them, should be represented by sL; but followed by the sound of D, this combination should be represented by si followed by the stem D. LINE 5. Sleet, slave, sluice, slur, slant, slaughter, sled, slide. EXAMPLES. Slain, slate, slice, slit, slut, slat, Slade. 175. Flexibility or ease of writing requires that final hooks, circles, or loops on straight stems should be written on the side opposite to any initial modification. All final hooks, circles, or loops, except the S circle, obey this law of form ; but simple s must always be turned with Backward Motion when joined to straight stems, initially or finally. This law supersedes every other rule except in the case of the S circle. LINE 6. Serf, snort, summon, consummation, melt, heart, slaugh- ter, less, lights. 70 LIGHT-LINE SHOETHAND. NOTE 70. When the tr loop is turned with Backward Motion on straight stems, its Stenotype becomes dr. NOTE 71. This law of form may be followed almost always in the case of the stem L, since its initial hook (unlike, all other initial hooks) may be written on either side. This hook is not read, but is only a mark of distinction from the stem R. (See the words " less " and " lights," hi Line 6.) 176. The above rule should also be observed when straight stems, modified initially, follow other stems. LINE 7. Desert, absolute, accent, examine, answered, wharf. EXAMPLES. Let the student extemporize five illustrations. NOTE 72. Final modifications on straight stems have been assigned with special reference to the importance of this principle. 177. Flexibility requires the use of acute angles, if avail- able, where angles are at all necessary. To secure this, the six stems with twu directions should be struck up or down, regardless of any previous rule. Line 8 shows forms to be avoided, while Line 9 shows the proper forms to be used in such cases. LINE 8 (Improper forms). Fig, ferry, rock, car, narrow, hovel. LINE 9 (Proper forms).- Fig, ferry, rock, car, narrow, hovel. 178. In turning a circle inside of a hook, let the circle be elongated into a loop, when both circle and hook will be easily shown. The circle thus modified cannot conflict with another loop, because no loop is ever turned inside of a hook. LINE 10. Stray, pets, doves, reads, loads, ends, moods, heads. 179. Following R or L, N will be found more convenient and faster than n. LINE 11. Iron, Perrin, Strathern, saloon, Silurian, silent, salient. 180. The wave signs W, Y, and Ng, should be begun with Forward or Backward Motion, so as to secure a good joining with other stems. LIGHT-LINE SHORTHAND. 71 LINE 12. Awake, acquire, yoke, ink, anxious, being, losing. 181. When the sound of L follows the S circle at the end of a word, with a vowel between the S and the L, the stem El must be used so as to provide a place for the vowel to be written. (See Par. 170.) LINE 13. Excel, codicil. LESSON XXVI. PHRASING. (Illustrated, by the Plate on page 197.) 182. Phrasing consists in joining the signs of two or more words in a continuous outline, or simply indicating the sounds of those words by the various principles of con- traction. This principle should be used with caution ; only the most common words should be phrased, and then only when they are naturally grouped together in speaking. Above all, avoid straining after phrase-writing, but make the joinings only when they seem natural and easy, and are suggested without any special effort of the memory. Re- member, in case of doubt, it is always proper to write words separately and in their correct positions. Let it be laid down as a principle, that the formation of new phrases when in the act of following a speaker is entirely out of the question, and any such futile idea should be dismissed from the mind at once. No phrases are of any practical value except those which have been thoroughly elaborated and committed to memory in the same way as any other con- tractions. It may be possible to extemporize some phrases under a slow speaker, but as it cannot be done under a fast 72 LIGHT-LINE SHORTHAND. one, it is difficult to see the utility of it at all. If one must get along without extemporizing phrases under a fast speaker, he certainly can get along Avithout it under a slow one. The opinions here maintained are confirmed by fac similes of the actual notes of reporters of all schools. 183. For phrasing purposes, a, an, or and is represented by the vowels A, A, or a, according to convenience of join- ing. They are not joined initially, but only medially or finally. The syllable " ing" may be indicated by nearness, as in the phrases "giving a," "seeing a," etc. LINE 14. Is a, as a, with a, for a, giving a, seeing a, finding a. EXAMPLES. Can a, which a, judge a, love a, think a, before a, from a, but a. 184. The word "it" may be represented by the T tick when the full form or the T hook cannot be joined. LIKE 15. Tried it, told it, wished it, signed it, raised it, found it, called it, recollect it. EXAMPLES. Stayed it, studied it, faced it, shunned it, shared it, send it, assessed it, roast it, lost it, lent it, named it, mind it, meant it, missed it. 185. The direction of striking an outline is sometimes changed to facilitate joining or phrasing, if legibility be not impaired thereby. LINE 16. Of a, to a, thinking of, nothing, we would, would we, think you, it would. NOTE 73. The article A is written slanting only in these two instances, being a special arrangement for the two phrase* of a and too. Of is written horizontal when used in the place of the Ing dot, so as not to conflict with to; and a, an, or and, in this situation, is always written with the A or a vowel sign, to prevent conflict with of. 186. The form of a word is sometimes changed to facili- tate joining. LIGHT-LINE SHORTHAND. 73 LINE 17. Some, something, any, anything, can be done, shall be done, may be done. (The remainder of this lesson is illustrated by the Plate on page 198.) 187. The forms for with, were, where, and would, may be doubled in size to add you, or your ; you, to add would or were. LINE 1. With you, with your, were you, were your, where you, where your, would you, would your, you would, you were. 188. Usually only the first word of a phrase occupies its proper position, the rest of the phrase following, of course, without regard to the rule of position. LINE 3 (First two forms). I think so, they shall. 189. But when the first word of the phrase sign belongs to the First Position, it may be written a little higher or lower without being removed from its own position, so that sometimes the second word may also be written in position. LINE 2 (Last seven forms). We have, we see, I say, I wish, I shall, I can, is he. 190. The auxiliary verb have may be omitted in some phrases where it must necessarily be supplied, and gen- erally, connecting words, which must necessarily and may readily be supplied, may be omitted in common phrases, the connected words being joined, or written near together. LINE 3. Can have done, shall have done, year after year, from time to time, from day to day, hour after hour, hours and hours, Word of God. "191. Between figures or maybe omitted by writing the second figure or figures a little above and to the right of the first; and, by writing the second a little below and to the 4 74 LIGHT-LIKE SHOKTHAND. right of the first; to, by leaving a space if the phrase begins with from; in fractions, the line between the numerator and denominator may be omitted, and in dates only the last two figures of the present century need be written. LINE 47 or 8, 6 and 7, from 12 to 14, f, 16, 1882. 192. The phrase of the may frequently be indicated by nearness. LINE 5. End of the lesson, arrival of the steamer, words of the text, business of the session, news of the day, yours of the 16th re- ceived. 193. A few common words may be written immediately below the line to indicate a preceding , an, or and. When of is written under the line for this purpose, it must be written horizontally to prevent conflict with to; and a or an in this situation must be represented by e to prevent conflict with of. This position will constitute a Fourth Position for stem signs which are vertical or inclined. If the writer chooses to write any horizontal stems in this position, they must be depressed at least half the length of the H stem below the line, so as not to interfere with the Third Position. And if you is so written, it must also be depressed in the same way to prevent possible conflict with will, especially when enlarged to represent you would or you were. LINE 6. And the, and a-an, and I-should, and on-other-O, and of, and to-know-no, and we-with-where, and would, and will, and all-let, and is-his-as-has, and which, and may, a man. 194. The may be very generally omitted and indicated by nearness, and to may quite often be indicated by the same expedient. In phrasing, the may sometimes be represented by the T tick, but only by striking that tick in the direc- LIGHT-LINE SHOKTHAND. 75 tion of R, as otherwise it might be mistaken for a or an. LINE 7. By the time, in the matter, in the other, I wish to have, time to come, expect to go, with the exception. 195. The may be joined in a few advantageous phrases. LINE 8. Of the, to the, but the, should the, from the, on the, with the, is the, the more haste the less speed. EXAMPLES Could the, know the, were the, where the, as the, has the, will the. 196. In phrasing on simple stems, the circles, loop, and hooks, add as follows : N circle adds in, an, and, been, own, than; and when used for the sound of M, adds may, him, time, my ; tr loop adds there, their, they are, and occasion- ally other; R hook adds are, our, or; L hook adds all, will; T hook adds it, and occasionally the; F hook adds of, have, ever. (Illustrated by Lines 9 to 15 inclusive.) Than may sometimes be joined as shown in the last two forms in Line 10. LINE 9. Put in, come in, in an, by an, now and then, here and there, have been, had been. LINE 10. Have been there, had been there, their own, larger than, rather than, more than, higher than, sooner than, better than. LINE 11. It may be, she may be, for him, see him, to him, long time, for my, at my. ; LINE 12. Over there, out there, if their, that they are, there they are, when they are, each other. LINE 13. They are, hy our, in our, two or three, at all, they will, in all. LINE 14. Upon it, for it, say it, while it, in it, upon the, by the, about the, for the. LINE 15. Out of, think of, which have, they have, shall have, do you have, did you ever. 76 LIGHT-LINE SHORTHAND. NOTE 74. It must not be supposed that the circles, hooks, etc., here referred to, are to be used in every conceivable case for the words assigned to them. On the contrary, each modification is employed for only a limited number of phrases, where its use is specially advantageous. Their employment beyond the phrase-signs quoted here should be with caution, and where no impairment of legibility will be occasioned. In phrasing, the N or M circle should be turned with Forward Motion on straight stems or ticks, to prevent conflict with the S circle, as in the phrases " in his," " in my " (Nm[fj). 197. Special contractions or phrase signs may be formed by the reporter when needed, always retaining the principal, or at least the initial sounds of the words and phrases so represented. LINE 16. Pacific coast, Pacific Mail Steamship Co., Central Pacific Railroad Co., Southern Pacific Railroad Co., Atchison, Topeka and Santa Fe R. R. Co., House of Representatives. 198. Since the nominative and objective cases of pro- nouns may be represented by the same form without con- fusion, as in the case of he and him, so those two words may be indicated by the same circle, he being arbitrarily repre- sented in this case for the sake of the very advantageous forms resulting with this frequent word. LINE 17 (First two forms). Did he, that he was. 199. / may be omitted in such phrases as are shown here, and the L hook may stand for W. LINE 17 (Last six forms). That I have, when I am, it was, which was, that was, she was. 200. The phrases is Ms, as has, etc., which would natu- rally be represented by two separate circles, may be indicated by writing a loop, standing alone and slanting up to the right, for the two circles. Con and com may be indicated by nearness between words, as well as between syllables. (See Par. 120.) The phrase to the may be omitted in cer- tain common phrases, and indicated by nearness, as in come LIGHT-LINE SHORTHAND. 77 to the conclusion (K-Klshn), call attention to the fact (Kl Tshn-F), where the words to the are necessarily sup- plied. The word of may often be omitted, but without writing the words near together. Been may sometimes be represented by N, when advantageous in phrases, as in has not been (sNtN), they have been (DhfN). Not may some- times be represented by N, as in would not (w[l]N). In a few special phrases him may be represented by a horizontal tick, as in with him (w[Y\ A); said, by the S circle and T hook, as in he said (list) ; not, by the word sign for no, struck ver- tically when more convenient, as in we would not (wivo) ; Jet us not (" let " s " no ") ; and year, by Y, as in this year (DhsY). 201. CAUTION. We must not be phrased following other words, nor between words, except where it cannot be mis- taken for you. 202. Phrasing should be avoided when a pause occurs between the words, or when they do not belong to the same part of the sentence ; when the joining would produce an awkward or illegible form ; when the phrase would be inconveniently long, or would interfere with the writing on the line above or below. 203. It will be found that phrasing will seldom prove advantageous in phrases of more than two words, and those very frequently recurring. Phrases or contractions that occur so infrequently as to require an effort of the memory to recall them, are a detriment rather than a help to speed, as the hesitation of a moment suffices to write the words separately. 204. The power of using phrases to advantage depends largely on the memory, and the practice should be adopted gradually, as the student finds them necessary. Different 78 LIGHT-LINE SHORTHAND. persons will vary in this particular. Many excellent re- porters scarcely ever phrase at all, even the most frequent words, and their testimony shows that the faster they write, the less they phrase. These facts only emphasize the re- marks at the beginning of this lesson, and show that phrasing is not the desideratum which shorthand authors have been wont to pronounce it. LESSON XXVII. LIST OP WORD-SIGNS. PUNCTUATION. 205. Observation shows that fully one-half of ordinary extemporaneous speaking is made up of the repetition of about one hundred common words. A large degree of brevity will obviously be attained by providing brief signs for these frequently recurring words. Many of these do not require further abbreviation than merely omitting the vowels; others contain several consonants, which, if written in full, would be too slow for reporting purposes. These words are represented by signs of adequate brevity, generally requiring but one motion of the pencil, as shown in the following TABLE OF WORD-SIGNS. ( Upon -(Put ( Part y ( About 1 What / Between (Wish J Shall | Pleasure Usual-] y Was Recollect LIGHT-LIKE SHOETHAND. TABLE OF WORD-SIGNS CONTINUED. (It 1 Take ( Took At Out-too Did ( Difter-ence-ent < Dollar-g ( Defendant (Do I Which ( Change (Much < Charge ( Object ( Judge K Large ( Advantage ( Common < Kingdom ( Come ( Court -(Can ( Qive-n (God -{ Together (Go (Good ^Life | For ( After Actuate KChT Advertisement DsM Addendum DnDcM *Advice-se D'fs *Addition-al D 3 slm Advisable D'sB *Address D3rs Advisedly DfstL Adduce Dus Advisement DfsM Adequate DK1T Adviser VfsR Adhere DHr Advocacy DfKS Adhesion DcHshn Aeriform ARFr Adieu Du Aeronaut AfiNd Adjournment JrnM Afar ^4Fr *Adjudicate JDK Affect ^K Adjunct JnKT Affectation ^KTshn Adjustment JsM Affiance FNs Admeasurement DcMZh Affidavit FV Administer DsR Affinity ^nT Administration DaRshn Affirm-ative F.BM Administrator DsRfl Afflict ^1K Administratrix DsRflKs Affluent FINd Admirable-y DMrB Afford ^R Admire-ation D'Mr Affront Frnt Admirer DMrR Aforesaid FrSt LIGHT-LINE SHORTHAND. 125 After F Analogous NloGs Afternoon F>nN Analogy NloJ Afterwards FUts Analysis NISs Against Gst Analytic NltK Agent JN Analyze N1Z Ago Q 3 Anatomy NtM Agriculture-al G'rKZ *Ancestor NsStr Agriculturist GrK/st *Ancestry NsStR Ailment AIM Anchor NKr Alderman LRMn Ancient NShnt Alert LEA And e* Alienate ZNd Anecdote nKDt All i'(u) Aneurism NYRsM Alleviate LVt Angel NJ1 Allure LR Anger-y Ng.R Almighty "all"MT Angle Ng^ Almost " all " Mst Angular NgLR Alphabet LBt Animal NM1 Already "all" R Annexation nKsAShn 'Also "alT's Annihilate NL(f)d Alter LR Anniversary NVrsR Alteration LRshn Announce NNs Altercation LRKshn Annoyance NNs Alternate-ive LRN Annual-ly Nl(u) Although "all"Dh Another " another " Altitude ZTTt Answer NS.B Altogether J(d)G 2 *Antagonist-ic NtG Always "all"Z 2 Antagonism NtGsM Ambidextrous MBtKstRs Antarctic N^KK Ameliorate .4 MIR ^Anterior nTRR Amendment MnM Anthracite NThrSt Amenity MNT Anticipate nTsPt Among Ng 2 Antidote nTDt Amphibious Mc^Bs Antimony NtMN Amphitheater McFThtr Antipodes nTPtis Amplitude MPtD Antiquary NtKR An e* Antique NtK 126 LIGHT-LINE SHOKTHAN"D. Antiquity - NtKT *Approhation PBshn Anxiety Ngs/T Appropriate-ion PP Aorta A#T *Approve aPf Apart Pt Appurtenance PtNNs Apathetic PThtK Aqueous AK1S Apex APKs Arbitrary JfBtRR Apology PLJ Architect RKK Apologue PIG Architecture-al JJKChr Apoplexy PPKS Arctic EKK *Apostle aPs? Arduous BJs Apothecary PThKr Area Alt Appall aPl Arid ARV Apparatus PRTs Aristocracy .BstKS Apparel PEl Aristocrat .BstKT Apparent-ly PnT Aristocratic i?stKK Appeal PI Arithmetic-al RThM Appear Pr *Arm Em Appearance Prns *Army EM. Appendage aPnJ *Aroma RM.A Appendix PntKs Arraign Bn *Appertain PTn Arrange EuJ Appetite PTt Arrest EsT *Apple PI Arrive-al Ev *Appliance PPNs Arsenic EsWK *Applicable-ility P1B Art BT Applicant Pl 8 Knt *Article EK *Apply Pl Articulation iTTKlshn *Appoint aPnt Artifice EFs *Apportion aPshn Artificial BSb *Apportionment aPshnM As 8 s *Appraise APTS Ascendant SnNt Appreciate PrSht Ascendancy SnNS * Apprehend PrnD Ascension SnSlin *Apprehensible P^DBB Ascertain SrtN *Apprehension Pr^shn *Asleep SIP *Apprehensive P^sF Aspect SP *Apprize Prs:I Asperity SPrti LIGHT-LINE SHOKTHAND. 127 Aspire-ation SPR Aurora Borealis URBKLt Assail SI Auspicious SPShs Assault Sit Authentic-ate-ity Thnt *Assemblage SMBJ *Author Thr *Assembly SmB Authoritative ThJJTf Assert Srt Authority Th^T *Assign S 3 n Autocrat awTKrT *Assist-ance S 3 st Automatic awT-M * Assistant S 3 sNt * Autumn awTm Associate SSht Auxiliary KsiR Assort Srt *Available VW Assuage ScJ Avarice FRs Assurance Shrns Avenge FnJ Astonish-ment StN Aver AVr *At T3 Averse ^Vrs *Atheist Thst Avocation F 3 Kshn *Atheistical Thsti *Avoid FD Atmosphere-ic TsF Avoidance FDns *Atom aTm Avoirdupois FrDPs Attach TCh Aware W 3 Attachment TChM Awful awFl Attempt TmPt Awkward KRd *Attention Tshn Aye Ai Attenuate TnT * Attenuation TnAShn B *Attract Tr 3 Backward BKwR *Attraction Tr^hn Backwoods BK>Ds *Attractive Tr s Tf Baker BKR Auburn awBrn Bakery BKRi Auction Kshn Balance Bins Auctioneer KsN^ *Ballot Bid *Audience awDns Ballot-box BBKs *Auditor awDtr Bandage BnJ *Auditory awDR Banish 5nSh August Qst Bankrupt BnKP Aureolar tavrBL Banquet BK1T Auricle EKl Baptism BP 128 LIGHT-LINE SHOBTHAND. Baptist BPst Birthright .BRTht Barbarian ErBn Bishop BSh Barbarity EBT Bloodthirsty BltThsti Barometer BrmTR Body Bt 1 Barouche BRSh Bolster B^(u)st^ Bath BTh Bony BoN Bayonet BoN Both STh *Beatify BtF Breakfast Br^st Beautiful EtFl Breath BrTh *Beautify EtF *Bright ErIT Beauty Bti Brilliant BrYnt *Became BKM Brother Brtr Because Ks 1 Brotherhood BrHd *Become BK Bulk ELK Beelzebub "O7/-11 "\e Z? DHUJ0JD *Butlet EIT *Behin Hnt 1 Buoyant BYnt Being BNg Burden BrtN *Belief-ve Blf *Burn Brn *Belong BINg *Burst B^st Beneath tfnTh Busybody BsBti *Beneficent Bn/TsNd But "But" *Beneficial EnF Butterfly Bt^ll Benefit EnFT By- word Ewfit *Benevolence-t BnF Bequeath BK1 C Berth #RTh *Cajole KAJ1 Betake BtK Calculate-ion Kl^ Better Btr Calendar KlntR Between T i Call K^ Beware BWr Calvary KlVt Bewilder EwLR *Came KM Bewitch BcwCh Camphene KmFn *Beyond Bnt 1 *Can K 3 Bias BS Canal KNl *Bible EB Canary KNR Billiards BlYs Cancellation KNsShn Billion BlYn Cancer KnsR LIGHT-LINE SHORTHAND. 129 Candidate KntDt Cattle Ktf Canker KnKR Caudal KVl Cannibal KNB1 Causation KsAShn Cannon KNN Cauterize KTIs Cannonade KNNd Cavalier KF1R *Cannot KnT Cavalry K FIRi *Canopy KNP Cavity KfET Canvas KnFs Celebrate-d SIS Canvass KnFs Celebrity SIBT Capitulate KPChlT Celerity SlflT *Capricious KPiShs Celestial SISh Captivate-ty KPfT Celibacy sLBS Captive KPf Cellar sat Car KR Cellular S1LR Carbon KrBn Celluloid SILt Card KRd Censure sNSh Cardinal KRdNJ Census SnSs *Care Kr Central sNTrZ Career KEB Centralization sNTrsAShn Cargo KrG Center sNtr Caricature KrKChr Centrifugal sNTrfG Carnival KRNV1 Centripetal sNTrPti Carotid KRawTt Century sNChr Carpet KrPt Ceremony s^mN Carriage KRJ *Certain-ly-ty s^T Cartridge KRRJ Certify-icate SrtF Cashier KShr Cervical SrfK Cashmere KasMR *Cessation SsShn Casual KZhl *Cession Sshn Catalogue KIG Chair Chr Catechise KtEKs Challenge ChlnJ Category KtEGE Chamber ChMB Caterpillar KTPLR Champagne ShmPn Cathartic KThrTK Champion ChMPn Cathedral KThDri Chancellor Chnsm Catholic KThl Chancery ChnsR Catholicism KThlsM Change Ch 130 LIGHT-LIKE SHORTHAND. Character KK Civilize sVs Characteristic KKsK Civilized sVst Characterize KKIs Claimant KIMnt Charge Ch 3 Clarionet KIRN Charity ChrT Clavicle Klf^K Charlatan ShrJ(d)Tn Clear-ly KIR Charnel-house ChRNlHs Clergy K1RJ Chattel ChtZ Clergyman KIRMn Cheer Chr *Clerk KIRK Chieftain ChTn Client KIN *Cbild Chi 1 Coalesce KALs Childhood ChlD Codify KtF *Children Chin Co-equal KiKl Chivalry ShVl.R Co-eternal KiTrn Chloroform KIRFrM Co-exist KKSst Choir KwR Coflee Kf^ Christian KrsChn Coffin Kf#N Christendom KrsNM Cogitate KcJTt Christmas KrsMs Cohabit KcHB Church ChrCh Coherent KHrnt Cicatrice-ze sKATre Collect K1K *Circle sRK College Ktt *Circular sRKR Colonization KINsShn Circulate aRKT Color KIR Circulation 8.RKshn Colossus KLsS Circumference SrPrns Column KLM Circumlocution aRlKshn Combination B'nshn Circumnavigate s^NfG Combustion BsChn Circumscribe sBsKB *Come K 2 Circumspect sRsPK Comedy KMD Circumstance sTns Comet KMT Circumstantial sTSh *Comfort-able F.BT Cistern Sat^N Command c-Nd 3 Citadel sTDJ Commemorate-ive e-MMRt Citizen sTsN Commendable NdABl Civil sV Commendation NdAShn Civility sVET Commentary NtA# LIGHT-LINE SHOKTHAND. 131 Commentator NtAew *Comprehension Pr'nshn Commerce KMrs *Comprehen8ive-ness Pr'sF Commercial KMr *Compress Pr's Commiseration KMsRshn Compromise KmPMs *Commission Sbn 1 Compulsion P/(u)Slm Commissioner Shn# Compunction PnKshn *Commit-tee KmT Computation PtAShn Common K 1 Comrade KmRd Commonplace K'Ps:A Concave KnKf Communicate YnK Concavity KnKf^T *Communion Yn'N Conceal e-sL *Community Yn'T Concede e-sD Companion PnN Conceit e-St Company KN Conceivable SfAB Comparable PRE Conceive e-Sf Comparative PfiTf Concentrate sNTrt Comparison P.RsN Conception sPshn Compartment KmPtM Concern-ing Sm Compass KmPs Concert Srt Compassion KmPshn Concertina SrtN Compatible-y-ility PtB Concession S'shn Compensate PnsT Conciliate sZT Compensation PsAShn Conclude e-Kl Competent PtNd Concomitant KnKTnt Competition Ptsbn Concussion KnKshn Competitor Pteu ^Condemn KntM Compilation P^(u)AShn *Condemnation KnMnShn Complexion PIKshn Condensation DsAShn Compliance PINs Condescend D'sNd Compliant PINd Condescension D'sNshn Complicate P1KT *Condition-al D'shn Complication PlKASlm Conduct D'K Comport POT Conductor DKtr Composition e-Psshn Confederacy FtRS Composure PZh Confederate e-FtRt ^Comprehend Pr'nD *Confer e-F *Compreliensible Pr'nsB Conference e-Fns 132 LIGHT-LINE SHORTHAND. Confide FD Considerate sDR *Confirm Fr'M Consideration sD'shn Conflagration FIGshn Consign Sn Conflict FIK Consignee ScN *Conform KFr Consist Sst Conformation K^rshn Consistent SsNt Congenial-ity KnJNZ(u) Console e-sL Congenital KnJnTZ Consolidate sLVt Conglomerate GlmRd Consonant 8 NNt Congratulate GrChlT Conspicuous sPKs *Congregation-al KnGshn Conspiracy sPS Congregationalism KnGsNsM Conspirator sPTr Congress Grs Conspire e-sPR Congressional Grshn Constable stB Conjecture JKChr Constabulary BiBLE Conjugate JG Constant sTnt Connect e-K Constancy sTnS Connive e-V Constellation stLsbn Connoisseur KNsT Consternation st^N Connubial KNBJ(U) Constipate StPt Conquer KnKR Constituency stChNS Conquest KnKst Constituent stChN Consanguinity e-sNGlnT Constitution-al stT'sbn Conscience Shns Constitutionality stTsZT Conscientious-ly ShnShs Constitutionalist stTsZst Conscious-ly Shi Constitutive stdbTf Conscript KnsKP Construction strK Consecrate KnsK Contact e-TK Consecutive-ly KnsKTf Contagious TcJs Consent e-Snt *Contain Tn 1 Consequence sKns Contaminate-ion T'cMN Consequent sKnt Contemplate-ion TmPX Consequential sKNSh Contemporaneous TmP.BNs Conservative SrfV Contempt TmPt Conservatory SrfR Content T'nt Conserve c-Srf Contention T'nshn Consider D Contentious T'Shs LIGHT-LINE SHORTHAND. 133 Contentment T'nM Cork KRK Context KntKst *Corporal K-rPfil Contiguity KntGT *Corporeal KrP^i^(u) Continent KntNNd *Correct Kr'K Contingency TnJNS Correspond-ent KrsPnt Continue-al-ly KntN Corrupt KrPt Continuity KntNT Council-sel KsL Contort e-TRd Country KntR *Contract Tr 1 County KnT *Con traction Tr'shn Courage KRJ Contractor Tr'eu Court K* Contradict KntD Courtesy KrtS Contradiction KntDshn Covenant KfNNd Contradictory KntDR Cover Kf Contradistinct-ion KntDsNg Coverture KfChR Contradistinguish KntDst Crazy KrAZ Contrary KntRR *Creation Krshn Contravene KntR Fn *Creator Kreu Contravention KntR Fshn Creature KrChr Contribute KntBt Credit KrD Contribution KntBshn Credulity KrJIT Contributor KntBtfw Crevice Krf.E's Controvert-sial-sy KntFr Crime Krm Contumacious KnTcMShs Criminal KrniN Conundrum KnNDrcM Crimination KrmNshn Convalescent VISnt Cross-examine-ation KrsMn Convene-ience ) *Crowd Krt Convenient-ly ) Vn Cube KuB Convention-al Vshn *Cudgel KJ1 Conversation-al VrSshn Culminate-ion K1MN Convict FK Cultivate KltF Convivial VVl *Cure KuR Convolution e-Vlshn *Curiosity KRsti Co-ordinate KcflDnT Curious KRs Co-partner KPNr Currency KRnS *Copy KPi Current KRnt Cord KRd Custom KsM 134 LIGHT-LINE SHORTHAND. Customer KsMR Degenerate-ion DJnli Cutter KTR *Deify DF:Ei Cycle sIKl Delegate DZG Cylinder SlntR Deliberate DIBt Czar ZR Delicate DLK Czarina ZBN Delicious DIShs Czarowitz ZSTs Delight D1T Delightful DITf D Delinquent DlnKnt *Damage DmJ Delinquency DlnKS *Damn D^i Deliver-y Dl *Damnation DmNshn Deliverance Dins * Danger DnJR Democracy DmKS Dare DR Democrat-ic DmK *Dark DRK Demolish DMISh *Daughter Dtr Demonstrate DmsT Dear DR Demoralize-ation DMr^ *Decease DsS Demur DMr Decision Dsslm Demurrer DMrR Decisive DSsV Demure DMr Declaim-ation DK1M Denizen DnsN Declare-ation DK1R Denominate-ion DnM *Dedicate DtKT Denounce DnNs *Deduct DtK Density DnsT Defame DfM Deputy DPti Defaulter DFltr Derange-ment DrnJ Defeat DIET Derogate-ion-ory DRG Defect DfK Describe DsKB *Defence Df Description DsKP Defendant D* *Deserve DsR Defensive DfNSf *Desiccation DsKAShn Defer D^r *Desire Ds.R Deficiency DFsNS Desist DZst Deficient-ly D^sNd *Desolate DSlt Definite DfNd Destroy-uctive DstR Deform DFr Destruction DstRshn Deformity VFrT Detach DTCh LIGHT-LINE SHORTHAND. 135 Deter DTK Disparage-ment DsPJ Determine-ation DtM *Disperse DsPjRs Detonation DtoNshn *Displace DsPls Detract DTr *Disregard DsRGr Detraction DTrshn Disreputable DsRPB Develop-ment DF1 Disrespect-ful DsRsPK Devil DF1 Dissatisfy-action DsTsF *Devise DFs Dissimilar DsM Devolve DF1 *Dissolute DsXd *Devote DfoT Dissolve DSlf *Devotion DfosN Dissuade DSlt Diameter DmTR *Distinct-ion DsNg *Differ-ence-ent D 1 *Distinctive DsNgf *Difficult Df *Distingnish-ed Dst Dilapidate DIPtT Distract DsT *Dimension DmNslin Distribute DstBt *Diminish DmNSh Disturb DstB *Diminution DmNShn Disunion DsNN *Direct DrK *Disunite DsNd:I *Direction Drshn *Divide DFt Directly DrKl Dividend Df^JDnt Director Dreu Divine DfN Directory DrR *Do D *Disad vantage DsDfJ *Doctor Dr 1 Disagree DsG *Doctrine Drn Disbelieve DsBf *Dollar-s D 1 Disciple DsPZ(u) Domestic DmsK Discipline DsPn Domicile DcMSl Discover-y DsKf *Domination DmNshn Discoverer DsKf^R Dominion DmNN Discredit DsKD *Doom DuM Discriminate-ion DsKM *Down Dn 3 * Disease DZs *Down right D3nRd:I *Disengage DsNcG *Downward D 8 nRd Disinterested DsNstt Duet DuT Disloyal-ty DsLl Duplicate DPK Disoblige-ing DsBJ *Duration Dr3shn 136 LIGHT-LINE SHORTHAND. During Dr Employee MPlt Dwarf DIRv *Enamel NMJ Dwell-ing Dl* Encourage nKRJ Dwindle DlntZ Encyclopedia NsKPta Energy N.BJ E *Engage-ment nG Each Ch 1 English NgSh Early SI Enlargement nJ 3 Earth RTh Enlighten NltN Earthquake RThKlK Entangle NtNg Eastern Sn Enterprise NPs *Ebony #N Enthusiasm-t-ic nThsS Ecclesiastic-al KlZst Entire-ly NTr Eclipse iKIPs Entwine NTln Economy KnM Entwist NTlst *Edition EDshu *Enviable NFS *Editor Deu *Epistle Pal *Educate-ion JK *Epoch PK Effect FK Equable-ility iKIB Effectual FKChl Equal Kl Efficacious .FKAShs Equality KIT Efficiency FShnS Equalize Klls Efficient FShnt Equation iKlshn Eh H:e *Equator iKl Eject JKT Equivalent KFlnt Elaborate LBt Equivocate KfoK Elder IAr Eradicate SDK Electioneer LKsKR Especial-ly SP Electric-ity LK Esquire SK1R Electrotype LKP Essential SnSh Emancipate MsP Establish-ment SSh Embellish-ment MBSh Estrange STrnJ Embrazure MBZh Eternal Trn Eminent MNNt Eternity TrnT Emolument M1M Eulogy YJ Emphasis-ze McFsS Euphony YfoN Emphatic McF Evade EVi LIGHT-LINE SHORTHAND. 137 Evangelist FnJst i Execrable KsKB Even tfVn Execute KsKT Event Fnt Executioner KsKsNE Eventual FnChZ Executive KsKTf Ever V 1 Executor KsKeu Everlasting V'fet Executrix KsKKs Evermore V'M Exegesis KsJss Every v Exemplary KSMPI.R Everywhere VM Exemplification KsMP^shn Evidence FD Exempt KsMPt Evident FDnt Exercise KsRsZ Evolution Vlshn Exert KsRd Exact-ion KsK Exhale-ation KsRl Exalt KsLd. Exhaust KSst Examine-ation KsMn Exhaustion KSsShn Example KsMP Exhibit KsBt Exasperate-ion KSsP Exhilarate-ion K'siR Excavate KsKfA Exhort KsRd Excavation KsKfAShn Exhortation KsRShn Excel KsL Exigency KsJNS Excellency KsNS Exile KSl Excellent KsNd Exist-ence KSst Exceptionable KsPsN5 Existent KSsN Excess KSs Exonerate KsNOT Excessive KSsV Exorbitant EaRB Exchange KsCh Exorcise KsRSs Exchequer KsChK Exordium KsfiDm Excite KsT Expect-ation KsPK Excitement KsTcM Expectancy KsPKNS Exclaim-ation SKlm Expectorate-ion KsPKR Exclamatory SKlmTR Expediency KsPtNS Exclude SKI Expedient KsPtN Exclusion SKlshn Expedite KsPtT Exclusive SKlsF Expedition KsPtshn Excominunicate-ion Ks-YnK Expeditious KsPShs Excruciating KsKRSh Expel KsPZ Exculpate KsKZP Expenditure KsPnCh 138 LIGHT-LIKE SHOKTHAND. Experience K'sP F Experiment KsPM Facetious FSShs Expert KsPtfd Facility-ate F'S Expiate-ion KsP : EA Fact F 3 Expire-ation K'sP^R Faculty FKT *Explain-ation SPln Fade FD Explicit SPlsT Familiar-ity F'M Explode SPlt Familiarize FMs Explore-ation SP1.B Familiarization F'MsShn Export-ation KsPjB Family F 3 M Expostulate KsPsChlT Fanaticism ^nTsM *Express SPs Fancy FnS *Expressage SPsZh Fantastic FntSt *Extemporaneous KsTmP Farm FRM *Extempore KsTmPJJ Farther Frtr *Extemporary KsTmRR Fashionable FsNBl *Extension KsTshn Fatal FTl Extenuate KsTnT Father FDh *Extenuation KsTnshn Favor Ff Exterminate-ion KsRMN Favorable FB External KsRNl Favored Fft *Extinct-ion KsNg Favorite FfRt *Extinguish KsNgSh Favoritism FfRsM Extra KstR Felicity FIStE *Extract KsT Fellow FV Extraction K 3 sTshn Felonious FloNs Extraordinary KsRd Ferocious T^RShs Extravagance KsTfGns Fervent FrVnt Extravasation KsTfASshn Festive-ity ^ J sTf Extreme KsRM Fever FfR *Extricate KstK Fidelity FDT *Exuberance-t KsB:u Filial m *Exude KsD:u Final FN1 Eye I 1 Finance FNNs Eyeball IBl Finely FN1 Eyebrow IBr Finite FnT Eyelash ILSh First Fst LIGHT-LINE SHORTHAND. 139 Flight FIT *Gamble-r GmB *Fluent Flnt *Gambol GmK Food FD *Game GM *Fool Fl *Garden GrDn Footstep FstP Gather Gtr Foreign-er FrH General Jn *Forenoon FrNN Generality JnTi Foreordination Fr^Nshn Generalization Jsshn Forest FEst Generalize Jns Forever FV Generation Jshn *Form Fr 1 *Genesis JNsS Formal-ly-ity Frl Genial JN/(u) Formation Frshn *Genius JNs Former-ly FrB *Genteel JnT; Forth FTh *Gentile J'nTJ Fortunate FrChnT *Gentle Jnt^ *Forward FrE Gentleman Jnt 3 Freedom FrDm Gentlemen Jnt 2 Freight Frt Genuflection Jn^Kshn Frequency FrnS Genuine JnN Frequent Frnt *Genus JNsieu From "from" Geometry JMTr *Froward FiwK *Go G 3 *Fruition FrShn *God G 1 Fulfill F1 3 F Good G 8 *Funeral FnRZ Govern-ment Gf *Funereal FKRl Governor GfR Furnish Frn Gracious GrAShs Furniture ^rnChR Graduate GrcJT Futility FTT Gradual GrJl Future FChE Graphic Grf.E'K Futurity FChT Gravitation GrTshn Gravity GrT G *Gray GrA Galaxy G1KS *Great Gr Gallant GIN Guarantee GrnTi Galvanize GlfNs *Guardian GRdN 140 LIGHT-LIKE SHOKTHAND. *Guide GD Heterogeneous HRJNs Gymnasium JmNsM Hieroglyphic HRG1K Gymnast JmNst Him H 1 Gymnastics JmNstis Himself Hs 1 His s 1 H History HsR Habeas Corpus HBsK Hitherto HDhr"to" Habit HB Homeopathy-ic HmPTh Habitatiou HBslm Homogeneous HmJNs Habitual HBChl Horizon-tal HRsN Hair Hr Horse Hrs Halleluiah HIL Horticulture-al HrKl Hamlet HMlt Horticulturist HrKfat Hamper HmPR Hostility HsTT Handkerchief HnChf Hottentot HTnTT Handsome HnsM Housewife HsWf Harbor HrB However H 8 v Harmonic JffcnNtK Human HmN Harmonica BmNA Humanity HmNT Harmonious TJmNs Humbug , HBG Harmony Rm$ Humility HM1T Hazy HAZ Hundred Hnt Health mTh *Hypercritical HPKrTKl Heaven HN *Hypocrite-ical HPKT Help HZP Hypothecate HPTh Hemisphere HmSP Hysterics Hs^Ks Henceforth HsFTh Her Hr I Here Hr 1 I P Hereafter Hr'F Iambic IMBK Hereditament HrdM Ibex /BKs Hereditary HrR *Ice IS *Herein Hrn Idea ID *Hereon HrN Ideal-ly IDL Heretofore HrFr Ideality IDT Herewith Hra(l) Identify IDnF Heterodox HdoDs Idiocy EDS LIGHT-LINE SHORTHAND. 141 Idiom EVcM *Impudent MPtNd Idiosyncrasy DsNKrS *Impure-ity MPB Idiot HVt Inaccessible-i 1 ity nKSs5 Idle mi Inadvertent-ly nDFrTnt Idol IDl Inalienable NZNB1 Idolater JDZR Inauguration NGrshn *Idolatry DJR Incapable nKPB Illustrate-ion-rious L(b)sT *Incessant NsSnt Imaginary Jn 3 R Incipient NsPNt Imagination J 3 shn Incognito N'-NT Imagine Jn 8 Incoherent nKHrN Immaterial EM 3 T Inconsiderable NsDB Immature EMTR Inconsiderate NsDRd Immeasurable EMZh inconsistent NSsNt Immediate-ly M'D Incontrovertible nKnt FrB Immemorial EMMRJ Inconvenience-t NFn Immigrant EMGrnt Incredible-ility NKrDB Immigrate EMGrT Incredulity NKrJIT Immoral-ity iMrZ Indeed nDt Immortal -ity iMrd Indefatigable Nt^GB Immovable EMvABl Indemnify nDmNJ? 7 Impalpable MPP5 Indemnity nDmNT Impartial MPSh Independence-t nDPnt *Impassionate MPshnT Indescribable nDsKBS *Impassioned M 3 Pshnt Indestructible nDstRZ? Impatience MPshns Indeterminable nDtMB Impenetrable-ility MPnTB *Indeterminate nDtMN Imperceptible MPsP.8 Index NtKs *Imponderable MPntB Indicate NtK Import MP^ Indication Nt'Kshn Importance-t M'P Indict-ment nDt Importation MP^Tshn Indifferent nD 1 *Improbable-ility MPB *Indignant NtGnt Impromptu MPmPtu Indignation NtGshn *Improper-priety M'PP Indignity NtGnT Improve-ment M 3 Pf Indirect NDrK *Imprudent MPuNd Indiscriminate-ion nDsKM 142 LIGHT-LINE SHORTHAND. Indispensable nDsPns *Ingenuous-ness nJNS Individual nDfJ I iilial tit-ant NHB Indoctrinate NDrnT:A Inherent NHrnt Indolent NtZN Inherit NHrT Indomitable nDcMTB *Iniquity nKT Indorse NDrs Injure-y NJr Indulge NU Injurious NJrs *Indulgence NUns Ink NgK *Indulgent Nttnt innovation NoVshn Industry oDstR *Innoxious NnKShs Indwelling NDl-e Innuendo NYnD Ineffectual N^KChl Innutrition ^NTrshn Inefficient nFShnt Inodorous NoDRs Inequitable NK1TB Inordinate NJJDnT Inertia NrSh Inquire-y NWr inevitable NFTB Inquisition NKlsahn Inexhaustible nKSstB Inquisitive NKlsTf Inexperience nKsP Insecure NsK Inexplicable NSP1KB Insecurity NsKT Inexpressible ^SPsB *Insert NS.RT *Infallible-ility NFZB Insinuate NsNY Infant NJfrt Insolent NSlnt Infer-ence WF Insolvency NSlfNS Inferior-ity NFRR Inspect-ion NsPK Infidel NJTO Inspire-ation N'sP^ Infidelity NJPDT Install-ation N'sT^ Infinite-y NFnT Instruct-ion NsK Infinitude N^nTt *Instrument N'st Infirm NFrM Insubordinate-ion NsBtN Inflect NFK Insufficient NSFSh Influence N's Insult NSlt Influential N'Sh Insurance NsYs Informal-ity NFrZ Insure NsY Information Nshn 1 *Integrity nTGrT Infrequent NFrnt Intellect NtK "Ingenious nJNs Intellectual Nt'KChl Ingenuity nJNT *Intelligence-t NtJ LIGHT-LIN^E SHOKTHAND. 143 Intemperance nTmPns Iron UN Intemperate nTmP Irresistible ERsS Intend-t NtNd Issue ESh Interchange Nt'Ch It T Intercourse NtKRa Italian TN *Interest-ed Ntst Italic ILK *Interesting Ntst-e *Item JTm Interfere H4F Itself Ts *Interior nT'RR Intermediate NtMD J Interminable NtMn# Jealous Jls Intermingle NtMNgl Journal JRN1 Internal NTrn Judge J s *Inter national NtNsNl * Judicial JDSh ^Interpret NPt * Judicious JDShs *Interpretation NPshn Jurisdiction JrsDshn Interrogate-ion N^G Jurisprudence JrsPtNs "Interrupt nTPt Juror JRR Intersect NTrsK* Jury JR Intertwine NTrTn Justify .. JaP Interval NtFl Juvenile Jf 8 Intimate NtM Juxtaposition JKsPsshn Intimidate nTmDt Into nT 1 K Intolerant nTZRN Kingdom K 1 Intoxicate-ion NtKsK Knew N 3 Intractable NTrTB Know " Know " Inure NY Knowledge nJ 1 Invalid NF1D Invention N Fnshn L Investigate ion NFsG Label LB1 Inviolable NFZB Labor LBr Inviolate NFZT Lacerate LsRt Invulnerable NVlnRS *Lad Ld Inward NW.R *Lady ID Iodine loDn Lamp MP Irish /RSh Land Lnt 144 Landscape Language Lantern Lard -oil Large Largely Larger Larynx "*Last ^Latitude Laughter Laureate Lavish Law Lawsuit Lawyer Leather *Lecture Left Legal Legerdemain *Legislate-ure *Legislation *Legislator Leisure Lenient Let Letter Liable Liberal-ity Liberate Libertine Liberty Lieutenant Life Lifeless Lifetime LIGHT-LINE SHOKTHAND. LnSKP Lightning Ng 3 Lily Lnt^N *Limit LRt Linger J 3 Lion Jl 3 Liquid Jr 3 Literary LRNgs *Literature Z(d)st 2 Little LtTt Live IFtr Long LOT Lord IVEs Love L'(f) Low " Law " St Loyal-ty " Law " S Ludicrous LDh Lumber LChr Luxuriant LG1 LJDmN Made LJ Magic LJshn Magistrate LJR Magnificent LZh Mainland ZNNd Majority P(n) Make LR Maker LB1 Malevolent Er l L Malicious LBrt Malignant-ity LBrtN Manifesto Br 1 Manly LtNNd Manner pi Maneuver F'Ls Manslaughter F';M Manual M LtNg LL LM LNg L/N LK1D LtRR LRCh L 1 V Ng' V 2 Lo U LtKs LMr ^(d)KsRnt Md McJK McJsRd M'sNd MNINt McJT M 2 MKr Ml Vint MIShs M1G MnFsto MN1 mNr MNVr MsLR MN1 LIGHT-LINE SHOETHAND. 145 *Manufactory *Manufacture ^Manufacturer MnFtR MnF Metaphor-ical Metaphysical Method-ical MtFsK M 2 cTht Manuscript *Mar MsKP MR Methodism Methodist McThsM McThst March *Mark Market Marsh MJJCh Mr MrT MrSh Metropolis Metropolitan Midnight Midst MPZs MPXTn MDnT Mtst Marvelous Masculine Master MrVls MsKJN MsR Might Military Milk MT MIR M1K *Material M 3 T Millennium MlnM Materiality Mathematics MTZT McThMs Million Mineral Ml 1 MnRJ Matrimony *Matter MdMN M 3 Miniature *Minister MnChR MnS *Mature MTR *Ministerial MnSZ Maturity Meander Measure MTT MNtr MZh *Ministration ^Ministry Minstrel MnSshn *Medial MDJ Miracle MrKl Medium Melancholy Member Md'M MlnK MM Misapply Misapprehension Misdemeanor M 3 sP:I M 3 sPnshn MsMnR Memoranda MMnD Misfortune MsF Memorandum Mention Merchandise MMnDm MnShn MrDs Misre present-ation Missionary *Mistake MsRP MsT Merchant MrcChnt Mistaken MsTn Merciful MRSf *Mistook M 3 sT *Mercury Mercy Messenger Metal-lie MrKri MRS MsNJr Mistrust Misunderstand-ing Mitigate Moderate MsTst MsNsTnt MtQ MDrt Metallurgy Metamorphosis ma MMRFss Modern Modernize MDrn MDrnls 146 LIGHT-LINE SHORTHAND. Modest Mtst Myth McTh Modification MdFshn Mythology-ical MThlJ Modify MdF Modulate MJ1T N Mohammedan MMDn Naked nKD Money mN Name Nm Monitor MnTR Narrate N^T Monopoly MnPZ Narrow KB *Monster MstR Nation-al Nshn Monstrosity MstJSsT Nationality NsNIT Month MnTh Native-ity nTf 2 Moonlight MNlt Nature-al NChr Moral-ity Mr> Navigate-ion NfG More Mr Navy-al NF Morning Mrn *Nearest Nrst Mortal-ity Mrd 1 Near-ly Nr *Mortgage MflG Necessary-ily NsR ^Mortgagee MJ2J Necessity NsT *Mortgagor M.KJR Neglect NG1K Mortification MrdFshn Negligence NGlns Mother McDh Negligent NGlnt Mourn Mrn *Negro NGr Mouth McTh Nerve Nrv Much Ch Nervous Nrvs Multifarious MltFRs Neuralgia Nl&I Multiform Mlt^ Never N 1 Multiply M1P Nevertheless N'<(r)s Multitude MITt New N 8 Municipal MnSP Newspaper NsPPr Municipality MnSPT Next Nst Munificent MnFSnt *Nigger nGR Murder Mrtr No "no" Murderer MrtrR Nobody " no " Bt Mutilate-ion Mu Nomenclature NKlChr Mutual MChl *Nominate-ion N>mN *Mystery MstR *Nominee NmNi Mystify MaTF None " no " n(f) LIGHT-LIN^ SHORTHAND. 147 Nonconformity NN-FrMT Nondescript NNsKP Oar or Nonsuit NNSt Oasis oAS's *Noon NN Oats ots Nor Nr Obdurate awBtRd Normal NrMl Obedient oBtNd North NrTh *0bey oB *Northeast NrSt Object J 1 Northeastern NrSn Objection Jshn 1 Northward NiwR Objectionable JsNBl Northwest Nrwst Objective J'Tf Nostril NstfiJ Objector J'eu Nostrum NsttfM Obligation BG Not Nt Oblige BJ Notary nTR Obliterate-ion BLR Note Nt Oblivion BlfN Nothing PThf Obscure BsKR Notice nTs Obscurity BsKT Notify NtF Obsequious BsKWs Notification NtFshn Observe-ance BsR Notoriety nTR/T Observatory BsRdR Notwithstanding N'sTnt *0bsolete BSlt Nourish-ment NrSh Obstacle EsKl *Novelty NV1E *0bstruct-ion BsK November NfM Obtain BtN Novitiate uVSht Occasion-al Kshn Now N 3 *0ccupy KuP Number NMr Octavo KTfo Numeration NMrshn Ocular KuLR Numerator NMreu Odd awd Nun NN Odious oDs Nunnery NN# Odor oDR Nuptials NPShs Of "of" Nurse Nrs Offence Fna Nurture NrChr Offend Fnt Nymph NmF Offensive F&V t " no " is struck In the direction of R 148 LIGHT-LIKE SHORTHAND. Offer Fr Ordinance .BNNs Official FSh Ordinary Rd l Officious FSlis Ordination ^Nshn Offspring FPrNg Ordnance RXNs Often Fn Ore or Oil awi Organ .RGn Ointment NtMnt Organic tf'GnK Old ol Organism .RGnsM Olio oU Organize-ation jR'GNs Omnipotent MnPtNd Orient-al RXt Omnipresent MnPsNd Origin RJn On " on " Original-ity-ate R>J Once wNs Ornament-al J?'nM One wN Ornamentation ^nMnShn Only Nl Ornithology ^NThlJ Onward " on " wR Orphan ^Fn Opaque oPK Orphanage .RFnZh *0pen oPn Orthodox-y JB'Th Opera &wPR Ostentation StNShn Operate P 1 R Ostentatious StNShs Operator P } Rtr Ostracise STrsIs Opiate oPt Ostracism STrsM Opinion "pnN Other " other " Opportune PTn Ought T i Opportunity PTnT Our R* Opposition awPsshn Ourselves Rss a *0ppress Pre 1 Out T 3 *0ppression Prahn 1 Outer T3R *Oppressive Prs'F Outlaw T 3 Z Optician PtiShn Outlawry T"ZR Orang-outang TJNgNg Outline T*IN *0rator RdR Outlive T s Lv *0ratory mm Outrage T 8 RJ *Oratorio urn Outset T s sT Ordain EN Outside T 3 sD Order-ly RR Outspread TsPt:e Ordinal RW Outstretch T^tRCh LIGHT-LINE SHOKTHAND. 149 Outstrip TstRP Owl OW 2 J Outvote T 3 cVt Own N Outwalk T a cwK Owner Nr Outward T*wM Oyster Str Outwear T*wM Outwit T%;T P Outwork T^wRK Pacific Ps^K Oval oFl* Painter Pntr Ovary dVR Pair PR Oven ewVn Pamphlet PmFT Over Vr Panacea PNS^ Overawe Vr 2 aw Panel PN1 Overbalance Vr'Blns Panther PnTh5 Overbear-ing Vr*BR Pantomime PnMM Overboard VrB^d Paper PPr Overcharge Vr 2 Ch Parade PUD Overcome FrK Parallel PiL Overdo Fr 2 D Paralysis PrLsS Overhear Vr^HR Paralytic PrLK Overland FriN Paralyze Pris Overlook Fr 2 /K Paraphernalia PrFNL Overpower Vr 5 Pr Parasite PRsT Overrate VrJJT *Parasol PrsL Overrule Vr 2 ^ *Parcel Prsl Overrun VrJ2N Parchment PrChM Oversight VrSt Pardon PPDn *Oversleep Vr 2 sZP Parent-al PnT Overspread VrsPD Parentage PnTcJ *0verstep VrstP Parenthesis PrnThsS Overt oFrT Parish PrSh Overtake FrT Park PRK Overture FrChR Parliament-ary PL Overturn FrTn Parole P^ Overwhelm-ing VriM Paroxysm P^BKsM Overwork VrwR Parsimonious PrsMNs Owe o Parson PtfsN Owing o-e Parsonage PJteJ 150 LIGHT-LINE SHORTHAND. Part P s Pedigree PtGi Partial PrSh Peevish PVSh Partiality PrShT Pegasus PGASs Partici pate-ion P'JSTsP Pelf P^ Particle P.KTK1 Penalty PN1T Particular P'rtK Pencil PNsJ(u) Partisan PtsN Pendency PnNS Part-owner PtNfl Pendulous PnJte Partner PrNr Pendulum PnJM Party P 3 Penetrate PnTt Passenger PsNJr Penetration PnTshn Passionate PshnT Peninsular PnNShL Pastime PsM Penitential PnTSh Pasture PsChr Penitentiary PnTShfl Patent PtNd Penny PN Patentee PtNdE *People ptp Paternal PtRNl Perfect-ion PfK Paternity PtRntt Perform -ance PrFr Pathetic PTht Perfume PrfM Pathology PThlJ Perhaps H 3 Ps Patience Pshns Peril PrL Patient Pshnt Period PRD Patriarch PtRfiK Perish PrSh Patrician PtRshn Perjury PrJr Patriot-ic PtRd Permanent PrmNNd Patriotism PtRsM Permit-ssion PrM Patrol PtRJ Peroration P#Rshn *Patron PTrn Perpendicular PrPnD Patronage PtJ Perpetual PrPChl Patronize PTrnls Perplexity PrPKsT *Pattern PtRn Perquisite PrKsT Pavilion PVln *Persecute-ion Ps 2 K Pawnbroker PnBKR Persevere PrsFB Peculiar-ity PKI Persist PrZst Pecuniary PKnR Person PrsN Pedantic PtNtK Personification PrsNFshn Pedestrian PtA&RN Perspective PrsPKTf LIGHT-LINE SHORTHAND. 151 Persuade PrSlt Pitiable PtU? Pertain PrtN Pitiful PtF Pertinacious PrtNShs Pity Pti Pertinent PrtNNd Plagiarism PUrsM Perturbation PrtRBshn Plainly P1N1 Perusal P^s^ Planet PlnT Pervade PrfD Platform PUFr Pervert PrFrT Platonic PltNcK Perversity PrFrsT Platoon PltuN Pestilence PsZNs Pleasure Zh 2 Petard PtaRd Plenipotentiary PlnPtNSh Petition Ptshn Pliant PINd Petrify PtF *Plodder PltR Petroleum PtRM *Plotter Pltr Pettish PtiSh Plumage PlmJ Petty Pti Plunderer PlntrR Petulant PChlnt Pneumatics N-Ms Phantasm FntZm Poet PT Pharisee FrS Poetical PTK1 Phenomenon FnMNN Poetry PTr Philanthropy-ic Fln 3 ThP Polar PLR Philosopher FlsFJ? Polarization PZRsShn Philosophy-ical FlsF Pole-star P/(u)stJS ^Physical FsK Police Plis Physician FZshn Police Officer PlsFsB Piano PN Policy PIS Picture PKChr Polish PISh Piety PIT Polite-ness PL Pilgrim PIGrm *Politic PLK Pilotage PidZli *Political P1K Pimple PmPl Politician Pltshn Pious PS Politics PIKs Piquancy PENS Poll-tax PJ(d)Ks Piquant PKNd Polygamy PZG Piracy PRS Polygamist PLQst Pistol Pstf Pony PoN Piteous Ptis *Poor P 152 LIGHT-LINE SHORTHAND. Pope PP Pre-existence PrKSst Popular-ity P 1 PLR *Prefer-ence PrF Populate-ation P'P Pregnant PrGNN Portable P5TB Prej udice PrJDs Portfolio PBdFl Prejudicial PrJDSh Portion Prshn Premeditated PrMD Portray PrTr Premier PrMr Position Psshn *Premise Prmls *Possess-ion PsS *Premises PrmASs Possessive PsSf Premium PrMM Possessor PsSE Prepare-ation Pr^PR Possible-ility PsB Preponderate-ion PrPnt Postage PsJ Preponderance Pr'PnNs Posterity PsTT Prepossessing PrPsS Postmaster PsMs5 Prerogative PrBQ Post-office PsFa Presbyterian PrsBtfN Posture PsChr Presentation PrsNShn Potentate PtNTt Preserve-ation PrsR Potential PtNSh Presidency PrsDS Poverty PfT Presidential PrsDSh Powder Ptr Presumptuous PrsMPChs *Power Pr 3 *Pretend PrtNd Powerful Prf Preternatural PrtrNChr Practicable PrKB Pretext PrtKst Practice-al PrK Pretty Prti Precede PrsD Prevail-lence-t PrVl Precinct PrsNg Prevaricate-ion PrFrK Precipitate PrsPtT Prevent PrfNd Precise PrSs Previous-ly PrFs Preclude PrKl Price-list Freest Preconcerted Pr-SrM Priestcraft PrsKft Predecessor PrtiSs-R Primary PrMr Predicate PrtKT Primitive PrMTf Predict PrtK Primogeniture PrmJnChB Predominate PrtMN *Principal-le PrsP *Pre-emineiit PrMNN Prisoner PrsN5 Pre-engagement PrnGM *Private PrfT LIGHT-LINE SHOETHAND. 153 Privation PrfAShn *Promise PrMs Privilege PrfJ *Promote PrmT *Probable-ility PiB Promotion PnnsN Probation PrBslm Prompt PrmPt Probationer PrBsN5 Promulgate-ion PrMlG Probity PrBti Pronounce PrnNs Problem PrBm Pronunciation PrnNShshn Problematical PrB-M Propel PrP^(u) Procedure PrsJr Proper PrP Proceed PrsD Property PrP Process PrSs Prophecy-sy PrFS Procession PrSshn *Prophet PrFt Proclivity PrKlf^T Prophetess PrFtAs Procrastinate PrKrstN Proportion-al PrPshn Procure PrKR Proportionable PrPsN5 Prodigal Prtfi Proportionate PrPshnT Prodigious PrtJs Proprietor PrPtr *Produce Prtus Propriety PrP Product PrtK Propulsion PrPZ(u)Shn Production PrtKshn Prorogation Pr.BGshn Profanation PrFnAShn Prorogue Pr^G Profane PrFn *Prosecute PrsKT Profession-al Prfshn Prosecution PrsKshn Professor PrFsK Prospect PrsPK" Proficiency PrFShnS Prosperity PrsPJXT Proficient PrFSh Prostitute PrsTTt *Profit PrfT Prostrate PrsTt Profligacy-te PrfZG *Protect-ion PrtK Profound PrFnt *Protest PrTst Profusion PrFsbn Protestant PrsTnt Prognostic-ate PrGNst Protestantism PrsTsM Prognostication PrGNstShn Protestation PrTsTshn Prognosticator PrGNstB Protract PrTr Prohibit-ion PrHB Protraction PrTrshn Prolong-ation PrZ(u)Ng Protuberance PrtuBns Promenade PrMNd Proverb-ial Prf'R5 Prominent PrmNNd Provide PrfD 154 LIGHT-LINE SHORTHAND. Providential PrfDSh Putrescent PtRsNt Provincial PrfNSh Putrid PtD Provision-al Pr Fshn Pyramid P.BM Provocation PrFKshn Pyrit'orm PRFi * Provoke PrFK Pyrotechnics P^TnKs Proximate-ity PrKsMT Prudent PrtNd Q Prudish PrtiSh *Quack KwK *Public-ish PB Quadrangle-ular K'DRNg *Publication PBshn Quadrant KDRnt *Publisher PBSh Quadratic KDRK Puerile PuBl Quadrennial KDRN1 Pugilist PJlst Quadrille KDBl Pulpit PIP Quadrumanous KDRmNs Pulsation P(u)sShn Quadruped KDPt Pulverization PI Frsshn Quaff KwF Punctual PnChZ Quail Kll Punctuation PnChshn Quaint KwNd *Punish-ment PNSh Quaker KKR *Pure Pr 8 Qualification KlFshn Purgatory PMGR Qualify K1F ^Purification PrFshn Quality KIT *Purify PrF Quandary KlntR Puritan PrTn Quantity KntT Puritanism PrTnsM Quarantine KIRnN Purity PrT Quarrel Km Purple PrPl Quarry KwR Purport PrPJ?T Quart KIRd Purpose-ly PPs Quarter-ly KRR Pursuance PrSns Quartette KRtT Pursuant PrSnt Quash K Sagacious sGAShs Roar Kit Sail sL *Robber EB Sailor sLE Rock BK Saint Snt Rogue RoG Salary eLR Romantic RMnK Sale SI Roseate RZt Salient sZNd LIGHT-LINE SHORTHAND. 159 Saliva sLV Sausage SsZh Saloon BLN Savage sFJ Salt sLd Save-ior Sf Saltpetre sLPtr Sawyer SY Salubrious sLuBs Scaffold sKFlt Salubrity suBti Scarcity sKRsti * Salutary siuTR Scenery Sn.B Salute sLT School sKl Salvage sLVJ School-house sKtows Same sM Schooner sKnR Sample SmP *Science SnS Sanctification sKtJ'shn Scientific SnF Sanctify sKtF Scorn sKRn Sanctimonious sKtMNs Scornful sKRnF Sanction sNgshn Scripture sKP Sanctity sKTT Scrofula sK^la Sanctuary sKChr Scruple sKPZ Sanctum sKtM Scrutiny sKtN Sand Snt Sculpture sKZP Sandal Sntt Sculptor sKZPtr Sandstone SntsN Scurrility sKRLT Sandwich SntwSh Seal sL Sanguify sNgF Search sECh Sanguine sNgwN Season SsN Sanguineous sNgwNs Seaworthy Sw^Dh Sanitary sNtR Secede SSt Sanity Snti Seceder SSeu Sapling sPZNg Secession SSshn Saponaceous sPnAShs Seclude sKD Sarcophagus s^KGs Seclusion sKshn Sardonic sBDnK Second-hand sKnNd Satanic sTnK Secret-e sKT Satyr StR Secretary sKTR Satisfy -action-actory sTsF Secretion sKshn Saturate sChR Secular sKLE Saturation sChRshn Secure sK 3 Saucer Ss^ Security sKT 160 LIGHT-LINE SHORTHAND. Sedative sDTf Sequestrate sKWsOT Seductive sDtF Serenade stfNd Seed sD Serene 8fin Seen Sn Serenity s^nT Segregate sGG Serious Srs Seizure SsY Sermon s#Mn Seldom si/Dm Serpent SrPnt Select S1K Servant SrVnt Self-denial s'DNZ Serve Srf Self-esteem s'StM Service SrVs Self-evident s 2 FD Servile-ity Srfl Selfish s 3 Sh Servitude SrfTt Self-love B*l(u) V Session Sshn Self-will SH(U) Set St Sell SI Settee StE Seminal sMNl Settle Stl Seminary sMnR Settlement St^M Senate sNt Sever SfR *Senator sNtr Several Sf Senatorial sNtRZ Severe-ity SfR *Send Snt Sexual sKShl Senior SnT Shall Sh 8 Sensation SnSshn Shame ShcM Sense Sns Shampoo ShmPu Sensible Sns5 Shank ShNgK Sensitive SnsV Shelf Shlf Sensual SnShJ(r) Shepherd ShPrt Sensuality SnShT Sheriff ShrF *Sent sNt Shield Shft Sentiment-al BNtM Shingle ShNgl Sentinel SntNl *Ship ShP *Sentry sNTr *Shipment ShP Separate sPOT Shirk ShJSK Separation sPR Shirt BhJZt Sepulcher sPKR Short -hand Shrnt Sequel sKwZ Should "should" Sequence sKWs Shoulder Shltr LIGHT-LINE SHOETHAND. 161 *Shovel ShVl Size Ss Shriek ShRK Skillful sK^l *Shuttle Shtl Skinflint sKNFlnt Sickle sKl Skittish sKTSh *Side sD Slander sLntB Sift Sft Slate sLd *Sight St Slaughter-house sLRHs Sign Sn Slave sLv Signal sG Slavery sLR Signify-icance-icant sQnF Slavish sLvs Signification sQcuFshu Sled s/D Silent sLN *Slight slT Silk sLK Slit sLd Sylvan sXVn Sloven sLFn Silver SIVr Slumber sLMr Similar-ity sM 1 Smart sMrd Simple-y SmP *Smith SmTh Simpleton SmPTn Smoke sMK Simplicity SmPsU' *Smooth SmDh Simplification SmPFshn Smother sMDhr Simplify SmPF *Snag sNcG Simultaneous sMZTu *Snake sNK Sin sN Snatch sNCh Since Sns Sneer sKR Sincere-ity SnSjR Snort sNrd Sinew sNT Soar sor Single sNg Sober sBR Singular sNgR Sobriety sERT Singularity eNgRT Sociable sSh5 Sinister sNst.R *Social sShl Sink sNgK Society SS Sinuous sNYs Sofa SF Sir sR Soft Sft Sirup BltP Soil *L Sister SstR Soiree S1.RA Sit St Sojourn sJRn Situate-ion sCh 1 Solace sLa 162 LIGHT-LINE SHORTHAND. *Soldier SIZh Sound Snt *Soldiery SIZhfl Source Srs Sole SI Southeast sThst Solemn sZM Southern sDhn Solicit Slst Southward sThwR Solicitation SlstShn Southwest eThwst Solicitor Slst.R Sovereign SfRn Solicitous SlstS Sovereignty SfRntt Solicitude SlstD Spangle sPNgl Solid sD Spanish ePNSh Soliloquy sLIK Speaker sPKR *Solo SL Speedy sPti Solstice SlstS Spendthrift sPnThf Soluble Slutf Sphere sFR Solution Slshn Spirit sPt Solvable SlfABl Spiritual sPCbl Solve Slf Spittoon sPtuN Solvent SlfNt Splendid sPnD Somebody sMBt Splendor sPntr *Something SmTh Sprain sPrn Sometimes sMMs Spring sPNg Somnambulist sMnMBst Squad sKD Somnolent sMNINt Squalid sK^D Son Sn Squander sKntR Sonata sNT Square sKR Soon Sn Squash BKw(r)Sli Sophistry SFstR Squat sKw(l)T Soprano sPRN Squaw sKwaw Sorcerer aRsRR Squeeze sKws Sorcery sRsR Squirm sKwRM Sordid sRDt Squirrel S'KR; Sore sor Staff sTf Sorrow sR *Staid sTt Sorry sR Stain sTn Sort sRT Stalactite etLKTt Sot St Stale stL *Soul SI Stall stL LIGHT-LINE SHORTHAND. 163 Stammer stMr Stomach stMK Stand sTnt Stone sTn Standard sTnRd Storehouse BtRows Stanza sTnZ Storm st.RM Star stu Story st^i Start stRT Stove sTf Starve stJ2f *S to wage sTcJ State stT Straddle strDi Statement stTcM Straight strT Station aTshn Strand strNt Stationary BTsN22 Strange strJ Statistics stTsKs Stranger strJR Statuary stChRt Strangle strNgZ Statue stChu Strangulation strNg^Shn Stature stChB Stratagem strTcJM Stave sTf Strawberry strBJ? *Steady stD Stray sTr Steal stL Strenuous strNYs Steam stM Stricken strKN Steamer stMr Stroll strL Steelyard stLY Stubborn stBn Steeple StPl Student stDnt Stencil sTsZ Study stD Stereotype st!2TP Stuff sTf Sterile BtRl Stultify sTltF Stern 8tRn Stupendous stPnDs Stethoscope stThosKP Stutter sTtr Steward sTRd Style stL Stiff sTf Suasion Slshn Still stL Suavity SlfEE StUt stLd Sub-committee sB-T Stimulant stMJNd Subdue sBtu Stimulate-ation stMM *Subject sB Stipulate-ion stPL *Subjection sBshn Stoic stoK Subjective sBf Stoicism stosM *Subjugate-ion sBJG Stolid stZD *Sublime-ity sBM 164 LIGHT-LINE SHORTHAND. Submit sBmT Sulphuret sZWT Submission sBmshn Sulphuric sLFrK Submissive sBmsF Sultan sZTn Subordinate sBtNd Summer sMr Subpoena sBP Sumptuous sMPChs Subsequent sBsKnt Sun Sn Subserve sBsR Superannuated sPNY Subservient sBsRFnt Supercilious sPSls Subsist sBSst Supereminent sPMNNd Substantial sBsNSh Supererogation sP^Gshn Subterfuge sBtrJPJ Superexcellent sPKsNd Subterranean sBtrNN Superficial sPFSh Subtract sBTr Superintend-ent sPnTnt Subtraction sBTrshn Superintendence sPnTnNs Subvert sBFrT Superior sPMB Succeed sKsD Supernatural sPnCh Success-ful SsS Superstitious sPsTShs Succession SaShn Supervisor sPFsR Successive SsSf Supper SP.B Successor SsS# Supply sPl Succinct sKsNg Support sP^d Suffer SFr Suppress sPs Suffice SFs Suppression sPshn Sufficiency-t SFSh Suppurate-ion sPa.R Suffix sFKs *Supreme sPm Suffocate-ion sFK Supremacy sPmS Suffuse SFs Sure Shr Sugar ShGr Surety ShrtE Suggest-ion sJst Surf sBt Suggestive sJsTf Surface SrFs Suicide SSt Surmise s^Ms *Suit St *Snrpass S-RPs Suitable SB1 Surplus sRPa Suitor Str *Surprise sPs Sulky sLK Surrender s^ntR Sulphate sLFt Surreptitious s^PShs Sulphur sLFr Survey SrV LIGHT-LINE SHORTHAND. 165 Survive-or SrVf Sympathy-etic SmPTh Susceptible SsPB Symptom SmPtM Suspect SsP Symptomatic SmPt-M Suspend SsPnt Synagogue sNGG Suspicion SsPshn Synonymous sNNMs Suspicious SsPsS Synopsis sNPsS Sustain SsN Syringe sflnJ Sustentation SsNShn *System Set Suture sChR Systematic Sst-M Swab SIB Systemize SstZ Swaddle Sltl Swag SlcG T Swain swN Tabernacle TBnK Swale swL *Table TB1 Swallow swL *Tableau TBlo Swamp SlmP Taciturnity TsTRnU' Swarm SLRM Tactics TKKs Swarth SUSTh Take rjij Swath SITh Talent TJNd Sway sW Tambourine TrnBJJN Swear SLS Tame TcM Sweat Sit Tanner TnR Sweep SLP Tantalize Tntls *Sweet sT Tantalization TntlsShn Swell swL Tardy TrD Swerve SLRf Tariff TRv *Swift Sift Tarnish TRnSh Swill swL Tartar TRdr Swim SIM Tattle Ttf Swindle Slntf *Tax Ts 3 Swindler SlntB Taxable Ts 3 B Swing SINg Taxation Ts^hn *Switch SICh Technical TKnK Switchman SIChmN Te Deum TDm Syllable 815 Telegram TIGrm Sylph eLv Telegraph TIGrf Symmetry sMTr Telescope TlsKP 166 LIGHT-LINE SHORTHAND. Temerity TMrT *Thanksgiving Th'NgsG *Temper TmP That Dh 3 *Temperament TmPM The i 1 Temperance TmPns Theater ThTr *Temperate TmPS Their Dhr *Temperature TmPChr *Theism ThtsM Tempest TmPst *Theist-ical Tlust Tempestuous TmPsChs Them Dhm Templar TmPLR Themselves Dhms Temple TmP^u) Thenceforth DhsFTh Temporal TmPl Theodolite ThawDJT *Temporary TmRR Theoretical Th'^K Tempt TmPt Theory Th^ Temptation TmPshn Therapeutics TkBPtKs Tempter TmPtR There R 3 *Tenable TnABl Thereabout R 3 5 Tenacious TNShs Thereafter WF Tenacity TNsti Thereat J?3T Tendency TnNS Thereby R 3 B Tenor TnR Therefor Rap Tergiversation TrGRSshn Therefore R 3 Fr Term-inate TRM Therein R^ Termination TRMshn Thereof R 3 F:aw Terminus TRMnS Thereon R 3 on" Terrestrial TrstRJ Thereupon R 3 P Terrific TRFK Therewith Rw Territory TrTR Thermometer ThrMM *Testament TsMd These is 1 Testator TsTtr Thick ThcK Testatrix TsTtKs Thievish ThfESh Testify TeF Thing Th 1 Testimony TsM Think Th 1 Texture TsChR Third Thrt Than N Thither Dhtr Thank Th Thou Dh Thankful Th'f Thousand Th 3 Thankfulness ThfNs Thralldom ThrZM LIGHT-LINE SHORTHAND. 167 Threshold ThrSht *Torment TRMnt Thrifty ThrfE Tornado TrnD:o Throughout ThrT Torrent TRnt Thump ThrnP Torture TrChr Thunderstruck ThntjBsK Total TTl Thwart TUJTT Toward Trt Ticket TK Township TnSh Till Tl *Tract Trt 8 Timber TmB Tractable Trt 3 ABl Time M 1 Tractile Trt 3 l *Timekeeper TcMKP *Traction Tr*Kshn *Timely TM1 Trade Trt Timepiece TcMPs *Trader Trtr Timid TmD Trade- wind Trtw>N Timorous TMrs Tradition TrDshn Tincture TnKChr Tragedy-ic TrcJ *Tingle TNgl *Trait-or TrT *Tinkle TnKJ Tramp TrmP Tiptop TPtP Tranquil TrnK^ Tire TR Transact TrsK Titillate TTL Transaction TrsKshn Title TL Transatlantic TrsTntK Tittle-tattle TTtl Transcend TrsNd To "to" Transcendent TrsNN To-day "to"D Transcript TrsKP Together G 3 *Transfer Trs 8 ^ Told Tit ^Transform Trs'.F'r Tolerable TLRE Transformation Trs'Frshn Tolerance-t TLRN Transgressor TrsGsR Tolerate-ion TLR Transient Trshnt . Tomahawk TmHK Transit TrsT Tomb TcM Transition Trsshn To-morrow M'R Translate-ion TrsX Tonsil TNs Transparency-t TrsPR Too T 3 Transpiration TrsP^shn Took T 3 Transpire TrsPR Torch TRCh . Transplant TrsPnt 168 LIGHT-LINE SHORTHAND. Transport-ation TrsPJ? Tunnel TNI Transverse TrsFs Turbulence TrBns Travel TrFl Turbulent TrBnt Travesty Trfst Turf TRv Treachery TrChri Turgid TRJ *Treasure TrsR Turgidity TRJT *Treasurer TrsILR Turn Trn *Treasury TrsRi Turnip TRnP Tremble TrmB Turpentine TrPnTn Tremendous TrcMnS Turpitude TrPtD Tremor TrMr Turtle Trtl Tremulous TrMIs Tutor Ttr 8 Trepidation TrPtshn Twain TwN Trial TrL Twang TINg Triangle TrNgl Tweezers TlsRs Tribulation TrBlshn *Twice Tls Tribunal TrBNl Twine TwN Trillion TrZN Twinkle TlnKZ Trinity TrnT Twirl T1RJ Triplicate TrPKT Twist Tlst Triumph TrmF Two f3 Trivial TrfEZ Tympanum TmPnM Trowsers TrsRs Typhoid T^t Truant TrNd Tyranny TRN Trump TrmP Tyrant- TRnt Trumpet TrmPt "Trustee TrsT U *Trusty Trsti Ubiquity YBKT *Tub TB Ulcer LsB *Tube TuB Ultimate XM Tuition TShn Ultimo IM Tumble TmB Ultra LT Tumbler TmB5 Unaccented nKsN Tumult TMlt Unaccompanied nKNd Tumultuous TMlts Unaccustomed nKsMd *Tune Tn 8 Unalterable oLRE *Tuner Tn"R Unanimous TnNMs LIGHT-LINE SHORTHAND. 169 Unanswerable nNsRBl Unengaged NnG *Unavoidable NFS Unenlightened NJTltN Uncertain NsOT Unequal NK1 Unchangeable nChB Unequivocal nKfoK Uncivil NsV *Uneven NFN Uncomfortable uFRT Unexceptionable nKsPsN Uncommon nK Unexpected nKsPK Unconcerned NSrnt Unfaithful nFThf Unconditional NDslm Unfavorable nFB Unconnected N-K Unforeseen NFrSn Unconscious NShs Unfortunate NFChnT Unconstitu tional N'sTshn Unfurl NFrZ Unctuous NgChs Ungracious NGrAShs Uncultivated NKltF Unguarded nGR Under Nt 2 Uniform YnjP'R Underbrush NBrSh Uniformity YnFT Undercurrent NtKRut Unimportant nMP Underground NtGnt Uninterested nNtst Undergrowth NtGcTh Uninteresting nNtst-e Underhanded NHnt Uninterrupted NnTPW Underline Nt^N Union YnN Underneath Nt'NTh *Unit YNd Understand-ing NsTnt Unite YnT Understood NsTt *Unity YnT Undertake NtT Universal YnFs Undertaker NtTKr Universality Yn FsZT Undertook NtTu Universe YnFs Underwriter NtRR University YnFsT Undeviating nDf#T Unknown NNn Undivided nWt Unless Nls Undoubted nVt Unlike NIK *Undoubtedly nDZ Unlimited nLM Undulate NJ1T Unlovely nLVl Undulation NJlshn Unlucky NIKi *Unduly nDuZ Unmannerly NmNr Unearthly NOTh Unmindful NMnF Uneducated nJKt Unnatural ewNChr 170 LIGHT-LINE SHORTHAND. Unnecessary ewNsR Valuable V1B Until NT1 ^Valuation VPShn Untimely nTMl Value VI Untiring NTr-e Valve Vlf Unto nT* Valvular VIV^ Unutterable nTRBJ Vampire VMP5 Unwary Nw>.Ri Vanish VnSh Unwilling NZ(d)-e Vanity FnT Unwitting Nw>-e Vanquish FnKs Unworthy NDh Variable VB Unwritten NrdN Variance V.RNs Upright PUT Variation V^shn Upward PwK Variegated VtfG Us 8 s Variety V5T Usage YsJ Various VRs Use Ys Varnish V^nSh Useful YsF Vehement VMnt Useless Ysfe Vehicle VHK1 Usual Zh 8 Velocity Vlstt Usurp YsRP Venality VN1T Usury YsR Vendee Vntt Utensil YTs Veneer VnR Utility YTT Venerable VnR.B Utmost TcMst Ventilate VntLt Utter TR Ventriloquist Vnt-ftKst Utterly TRL Venture FnChR Venue VnY V Veracious VrAShs Vacillate VSL Veracity Vr^lsti Valediction FlDshn Verdant V.RDnt Valedictory F1DR Verdict FrK Valentine FlntN Verdure V^Jr Valet FIT Verify VrP Valid FID Veritable V^TB Validity F1DT Verity VriT Valley VU* Vernacular FrnKm Valor VLB Vernal VrNl LIGHT-LINE SHORTHAND. 171 Versatility VrSTIT Virtue FrCh Verse Vrs Virulent FrZNd Versification VrsFshn Visible VsB Versify VrsF Visionary VsN^ Version Vrshn Visit Vst Vertebra FrTB Vista VatA Vertex FrTKs Vital FTZ Vertical FrTKl Vitality FTT Very V 4 Vitrefy VtRF Vestibule VstBl Vituperate FTPt Vestry VstSi Vituperation FTPshn Vesture FsChR Vivacity VVsti Veterinary VTEnR Viva Voce ws Veto FT Vivify WJ? 7 Vicinity VSnt Vizier VZh Vicissitude VSstD Vocabulary VKELJR Victim FKm Vociferate VsFR Victimize FKmls Void Vt Victor FKeu Volatile rm Victory FKR Volcano F1KN Victuals Vtfo Volition Vlshn Vigilance FJns Voluble Vlu Vigilant FJnt Volume VIM *Vignette VnYT *Voluntary Vlnt^i Village FU *Volunteer Vlnt^ Villain FIN Voluptuous FlPChs Vindicate FntK *Voracious VoRShs Vindictive FntKTf Vortex FrTKs *Vineyard VnTt *Votary VtR *Viol VJ7 Vote Vt Viola VoL *Voter Vtr Violate VIA Vowel VI Violation Vl'Shn Vulcanize FlKnls Violence Vlns Vulgar FIG Violent VINt Vulgarity F1GT Violin V1N Vulnerable F1NB1 Virgin FrJn Vulture FIChR 172 LIGHT-LINE SHOKTHAND. w Weapon 2 (l) " to Wealth w^Th Wherever w*Vr LIGHT-LINE SHORTHAND. 173 Wherewith w*w Window wND Whether Hw 2 Wine wN Which Ch Wing w(l)Ng Whichever Chf 2 Wink wNK Whiffletree Hw^lTi Winner wKH While wZ Winter wNtr Whim HwM Wipe wP Whine Hwn Wire wR Whip HwP Wisdom WsM Whirl HwRJ Wish Sh 1 Whirlwind HwRwNt Wisp WsP Whisper HwsP Wit wT White Hwd With W\T) Whitewash HwdSh Withdraw Dh ! Dr Whithersoever HwDhrSf Wither w(r)Dhr Who H* Withheld-hold v> l (i)Htt Whole HZ Within w(l)N' Wholesale RM Without w(l)T s Whom H 2 *Withstand wSnt 3 Whose Hs* Wizard WsjBt Why Hw 1 Wolf vfLv Wide wT> Woman wMn 3 Widow wD Womanhood wMnHt Width wDTh Women wMn 1 Wield wZd Wonder-ful wN'fl Wife w(l)F Wondrous wNDrs Wigwam wQtwM. Wood wD Wild wLD Woodland wDZN Wilderness w72Ns Wool wL Willful l l (d)Fl Woolen wiN Will l\d) Word Rt Willingness ^(d)-Ns Wordy RiE Willow wL Work K1)R Wiley wL Workmanlike wRMNIK Win wN World ev? Winch wNCh Worldliness e 2 Ns Wind wNt Worldly eun 174 LIGHT-LINE SHORTHAND. Worm >RM Year u'(u) Worn wBu Yearly u'J Worry w>Ri Yellow TJC Worse wRs Yes Ys Worship wRSh Yesterday YsD Worshipful wRShf Yet u'(u) *Worshipper tcRShP Yield Yt Worst wRst Yonder YntR Worsted wRatt You u 2 (d) Worth Th Young Ng Worthless This Younger NgB Worthy Dh 8 Youngster NgstS Would w\l) Your Y 3 Wound wNt Yourself Ys 3 Wrangle RNgf Youth u(u)Th Wrinkle RnKJ Youthful uThf *Write Rt *Writer RR Z Writing RtNg Zealous ZLs Written RtN Zebra ZBr Zenith ZnTh Y Zephyr ZFr Yacht YT Zero ZR Yankee YnK Zigzag ZGsG Yard Yt Zinc ZNgK Yarn YRn Zouave ZV Ye Y Zymotic Z-M MONTHS. January JnR July Jl February FB August Gst March M^Ch September sPtM April PiL October KTB May M November NfM June Jn December DsM LIGHT-LINE SHORTHAND. 175 DAYS OF THE WEEK. Sunday sND Thursday Monday MnD Friday Tuesday TsB Saturday Wednesday wNsD ThtfsD .FrD sTD Europe Asia Africa America GRAND DIVISIONS OF THE EARTH. YP ASh FrK MrK North America South America Australia NrMr sThM PRINCIPAL COUNTRIES, ETC., OF THE WORLD. Abyssinia BsN^L Guatemala GTM1 Algeria Amazon MsN Guinea Hindoostan GN HnDsTn Arabia RE India nDM Bolivia BLV Ireland RIN Brazil Canada KnD Italy Jamaica TL JMK Cape Colony Central America KPKJN sNTrMr Japan Mexico JPn MKsK Chili CbL Morocco M^K China ChN New Brunswick NBrnsK Denmark DnMtfK Newfoundland N^ntfN East Indies StNDs New Grenada NGrnD Egypt England Ethiopia France JPt Ngnt ThP Frns New Zealand Nicaragua Norway Nova Scotia NZZN NKrG KRW N FsKSh Germany Gibraltar JRMN JERLR Ontario Palestine NTR PisTn Great Britain Greece GrBtN Grs Patagonia Persia PtGN PRSh 176 LIGHT-LINE SHORTHAND. Peru PRn Sumatra sMTr Prussia PrSh Sweden SltN Russia RSh Tasmania TsMN Scotland sKJN Tehuantepec TwNPK Sahara sHR Tripoli ' TrPL Saxony sKsN Tunis TNs Siberia sB^a Turkey TRK Sierra Nevada stfnFD United States Ys Soudan SDn Venezuela VnZL Spain sPn Yucatan YKTn STATES AND TERRITORIES. Alabama XBM Mississippi MsSsP Alaska Z(b)sK Missouri MsR Arizona SsN Montana MnTN Arkansas .RKnss Nebraska NBrsK California KlFr Nevada NFD Colorado KLRT> New Hampshire NHmSh Connecticut KNtK New Jersey nJRZ Dakota DKT New Mexico N 2 MsK Delaware D1W New York N'T District of Columbia DsKmB North Carolina NKrN Florida F1.RD Ohio HI Georgia JrJ Oregon .RGn Illinois ZN Pennsylvania PsFN Indiana NtN Rhode Island RtZN Indian Territory NtNTrTR South Carolina sThKrN Iowa 7W Tennessee TnS Kansas Knss Texas TKss Kentucky KntK Utah YT Louisiana LsN Vermont VrMut Maine Mn Virginia FrJN Maryland MRLnt Washington Terri- ShTTR Massachusetts MsChsTs tory Michigan MSh Wisconsin WsKsN Minnesota MNsT Wyoming WinNg . LIGHT-LINE SHOKTHAND. 177 CITIES AND TOWNS. Acapulco KPLK Cleveland Kl Flnt Albany BcN Columbus KIMBs Alexandria ZKsNDr Concord KnKRd Amsterdam Ms^Dm Constantinople KsTntNPl Athens Thns Copenhagen KPnHGn Atlanta TLnT Council Bluffs KsZ/Bfs Auburn awBrn Cork KRK Augusta GsT Denver DnFR Austin BOS Detroit DRawi Baltimore BltMR Dresden DrsDn Bangor BnGR Dublin DBln Bath STh Edinburgh DnBG Belfast BHu)Fst Fall River FlBvR Benicia BNSh Florence FlftNs Berlin BBIN Frankfort ^rnK.PrT Bethlehem BThlM Fredericksburg ^rDKsBG Beyrout ERT Galena GZN Birmingham BrmNgM Galveston Gl FstN Bembay BmB Geneva JNF Boston BsTn Gettysburg GTsBG Brattleboro BrWB^ Gibraltar JERLE Bristol BrsTJ Glasgow GlsG Brooklyn BrKlN Grass Valley GrsFli Brussels Brsfe Halifax H^Fs Buenos Ayres BwNsRs Hamburg HMBG Buffalo BF1 Harrisburg HRsBG Burlington BrZ;Tn Hartford HrdFt Cairo KRo Havre HFr Cambridge KmBJ Hong Kong HnKNg Canton KnTn Honolulu HN1L Cape Town KPTn Indianapolis NtNPJs Catskill KsKl Jackson JKsN Charleston ChrfeTn Jacksonville JKsNVl Chicago ShKG Jefferson J^rsN Cincinnati SnSntt Jerusalem JRsM 178 LIGHT-LINE SHORTHAND. Key West KWst New Orleans N.RZNs Kingston KNgsN New York NY Lafayette LJFT Niagara N/GR LaPaz LPs Panama PnM Lima LM Paris P.RS Limerick LMrK Philadelphia FllF Lincoln LnKn Place rville PlsRVl Little Rock URK Plymouth PIMcTh Liverpool LVrPl Portland PrtXN London J(d)NN Porto Rico PrtRK Los Angeles LsNg Providence PrfDns Louisville LsVZ Quebec KBK Lowell U Quincy KINS Lynn Z(d)N Raleigh RL Manchester MnChstR Richmond RChMnt Marblehead MrBHd Rio Janeiro RJnR Marseilles MrSls Rochester RChstR Marysville MRsVZ Rome RM Mazatlan MaTJN Sacramento sKRM Melbourne Mffin St. Louis sNtXs Memphis MMFs St. Petersburg sNPsBG Milwaukee MlwK Salem sZM Mobile MB; Salt Lake City sZ^KsT Monterey MntR San Francisco sNsK Monte Video MnTFD San Jose sNZ Montgomery MnGmR Santa Barbara sNBrB^ Montpelier MntPZjR Santa Clara sNKIR Montreal MntRZ Santa Fe sN.PA Moscow MsK Santa Rosa sNtRZ Mt. Vernon MnT FrNN Saratoga S.KTG Nantucket NNtKT Savannah sFN Napa NP Shanghai ShNgI Naples NPls Sheffield ShFrt Nashville NShVl Smyrna BM.BN Nazareth NsRTh Springfield sPNgFlt New Bedford KBtFr Stockholm stKM New Haven NHvN Sydney sDN LIGHT-LINE SHORTHAND. 179 Syracuse sEKs Vienna FN^ Tallahassee TLS Virginia City FrJNsT Toledo TZD Waltham wdM Topeka TPK Washington ShTn Utica YTK Washington, D. C. ShTnDS Vallejo V1H Waterloo WLu Valparaiso VIPrZ Wilmington wM;Tn Venice VnS Worcester Wst Vera Cruz V_RKrs Yonkers YnKRs Vicksburg FKsBG Yreka wRK Victoria FKTR MISCELLANEOUS PHRASES. About that time ^Dhm At all events TlfNs Above aU B *At all times T 3 lms Am not MnT At any time T 8 nM American people M 3 rPP At any rate T 3 nRd Are not RuT At first T 3 st Are you .Ru *At last T 3 fet As a matter of course s-MKrs *At least T^lst As far as sF.Rs At length TlTh As fast as sFsts At liberty T 3 B As for sP At one time T 3 lnM As follows sFs At once T 3 ns As good as s 2 Gs At our own T3rn As it is sTs At present T 2 Prs As large as s 9 Js At right angles T 8 RNgs As long as s*Ngs At that time T 3 Dhm As many as s 2 MNs At the present time TPrsM As much as s 2 Chs At the rate of T 3 Rd As near as s 9 Nrs At what time T 3 Tm As soon as s 2 Ss At which T'Ch As soon as convenient sSsVn But it is "buf'Ts As soon as possible sSsP But not "buf'o As well as s 9 ws By any means B'nMns At all Tl By no means B'/Mna 180 LIGHT-LINE SHORTHAND. By way of B'Wf Have not H 8 nT Can be done K 3 BtN He had H'Hd Can have K 3 f He has H'Hs Cannot K 3 nT He is not H'sNd Can't Knt He might HtnT Come in K*n He must H'mst Come on KN He must be H'msB Could not " could "nt He must have HmsH Did not DtN He must not HrnsN Do not D 3 nT He said Hst Don't Dnt House of Commons H 3 sKs During this time D 3 rDhsM House of Lords Hs^ts Each other ChHr House of Repre- ) HsRs Ever saw V'S sentatives ) For that purpose FDhP How long H 3 Ng For the purpose FP How many H 3 mN For the sake of FsK If anything FnTh For what FT If it is-has Fts For which FCh If there be FJ?B Give us G's If you Fl Give you G'u If you are FIT? Good many G 3 mN If you have F1H Go on G 3 N If you were- would Flwj Great deal Gil If you will FK Great many GrmN If your FT Greater than GrN In an Nn(f) Had had HdH In all Nl Had it been HdBn In all cases NIKss Had it not Hdtat In all its Nits Had not Hn(b)t In all probability NlPr5 Has had 8 a Ht In any NN Has it e s T In any other NN" other Has not sNt In a short time NShtM Has not been sNtN In as much as NsCh 3 s Have been H 3 n(f) In every respect NFRsPK Have had H 3 Hd In him Nm(f) Have it H 3 T In liia-us N's LIGHT-LINE SHORTHAND. 181 *In his life NsP Just about JstB In its Nts Just as good JstsG In my Nm(f) Just as long JstsNg *In my life KmF Just as well JstswL In order XRR Kingdom of Heaven K'fHN In other words N^ts Larger than Jr'n In our Nr Less than LsN In reality Nrf Let it "left In reference to NF Let it be "let"B In regard to KB Let me "let"M In relation to NShn Let not "let ""no" In respect NsPK Let the "lef'E In the course NtKRs Let there be "lef'^B In the first place NstPs Let us "lef's In the second place NsKPs Let us have "lef'sH In this matter nDhsM Let us not "lef's "no In which nCh Let you "let"u(u) Is it s'T Lighter than LtrN Is it not s'TnT Long and short NgnSht Is not s'Nt Long time Ngm Is that s'Dh Lord and Saviour tf'dSf Is there s'5 Lord God 5'G It had T 2 t Lord Jesus Christ RJK It has T*s Many years mNus It is Ts May be MB It is not TsNd May be found MBFnt It may be TmB May have Mv It must be TmsB May have been MBn It must not TmsN May not MnT It might T 2 mT May you Mu It was Tns Might be MTB It was said TlsD Might have MTf It will Tl Might not MTnT It will not TlnT Moral certainty Mr'feE It would Tw(r) More than one Mrn(b)N It would be TB Much more Ch 3 M It would have TwH Much less than Ch%N 182 LIGHT-LINE SHORTHAND. Must be MsB Point of view Pn F Must have MsH Political party P1KP Must not MsN Put him P 3 m My dear MD Quite well known Kwl/NN My fellow-citizens MFISs Referred to RF"to" My own MN Right or wrong RtRNg Natural consequence NChreKns Right hand R'Hnt Natural history NChrsR Seem to be sMB Natural selection NChrshn Seems to be sMsB New Testament N 3 sM Seems to have sMsH No better "no"Btr Seems to have) , No less than "no"teN [ sMsHn(f) been ) No more "no "Mr Set forth StFTh Nor is it Nrst Shall be Sh 3 B Notary Public nTPB Shall be done Sh 3 BtN Of all "of"J(r) Shall have Sh 3 f Of his-us "of"s Shall not Sh 3 nt Of you "of"u(d) She had Sh't Old Testament olsM She may Sh'm On account of "on"Knt She may be Sh'nxB On all hands "on"(l)Ns She may have Sh'mH On the contrary "on"KntRR She may not Sh'mN On the one hand "on"wNNt She must Sh'mst On the other hand "on"Nd She said Sh'st Once more wNsM She says Sh l ss Once or twice wNsTs She will ShH One or two wN.RT She would Sh'w(r) Ought not T'nT She would not Sh'sco Ought to T 1 ! Should be " should "(d)B Ought to be T'B Should be done " should "BtN Ought to have Tf 1 Should be able "should "B5 Ought to have been Tf'N Should have " should "(u)H Ought to know T'I"no" Should it " should "(d)T Our own .R 3 N Should not be " should "(u)oB Out of Tf 3 Should you " should "(d)u Over and above VrABf Should you not "should"(d)uN Over and over VrnV Since that time Sns'DhM LIGHT-LINE SHOBTHAND. 183 So far as SFre 1 Through and through ThrnTh So long SNg Together with G>(1) So many SmN Told him TltH So much SSh Told it T1W Spirit of Christ sPt'Kst Too much T 8 Ch Spirit of God sPt'G To wit "to"Wt Spirit of Jesus sPtJss Two or three Ti^Thr Sure of Sh 8 rf Under the circum- ) XT _ } NsTnss Takingitforgranted TTGrnt stances ) Take into consider- i Under which NtCh ation ) TsDshn Up stairs Pstrs That are Dh 3 # United States Ys That is not Dh 3 sNt United States of) - r - YsM That it Dht 8 America ) That it is Dhts 8 United States Sen- )_,.,,, 5- YsNdr That it was Dh 3 Tls ator That subject Dh 3 s Very often VFn That you Dh 8 u Was not Z 8 nt Their own Dhrn We are wR 3 There are R 3 R We are aware wRW There was R 3 Z We are not wRaT There will be R 3 ^B We can w(l)K 8 There would be RIB We could )(l)"could" They all Vhl We have wR s They had DhHd We may wM They had been DhHn(b) We must wMst They have Dhv We were-would WW(T) They have been DhvN We will wL They were Dhw We will not wLo They will Dhl Were not "were"o They would Dhj(r) When it is wNHs They would not Dhw(r)o Whereas "where"s This city DhsStE Whether or not Hwnt This is Dliss Which would be ChB This morning DhsMn Which will Chi This state DhsSt While it is wZds This subject DhsS.B Will be "will"B 184 LIGHT-LINE SHORTHAND. Will not "wffl"N You may be Y^B Would not " would "N You might be YWTB You have Y 3 f You must Ymst You may Y 3 m Your own Y 3 N BUSINESS PHRASES AND FORMS. As good as new s 2 GsN Furnish you FrnY At an early date T 3 nfiDt Greatly oblige Gr/BJ At hand T 8 nt Hopmgtohearfromi^ At liberty T 3 B you again ) At owner's risk T 3 nsK Hopingtohearfrom ) Atthepresentwrit- T3pgRNg ing i you soon ) I am in receipt IM 3 RSt At the rate of T"Rd If you please FlPs At this station T 3 DhsSshn Inclosedwesendyou NKlsNu At your earliest ) In compliance with > NPlNsYR- convenience ) your request ) Klst Balance due BlsD In our line NrN Be able EB In reply NP1 Be good enough BGNv In reply to your NP1Y Bill of lading BZL Into the matter nT'tM By express B'sPs Just received JstRSf By mail BM1 Let us know " let " s " no ' By this mail EsM.1 List price LstPs Call your attention KZuTshn Locomotive ZMTf C.O.D. SoD Meet your approval MTuPf Deferred payments DFrPs Much obliged Ch 3 BJ Do so Ds Much pleased Ch 3 Pst Duly received DRSf Musical instruments M 3 sNsts Early as possible RlsPsB Musical merchandise M 3 sM Early attention R Pshn No doubt "no"Dt Expressage SPsZh One per cent, per) wNpspM Express agent SPsZhnt month j Express charges SPsShs Owners' risk NrsJJsK First class l^stKs Per cent. Ps For sale FS Please accept PlsKsPt LIGHT-LINE SHORTHAND. 185 Please let us know Please return to us Please send us Please sign Privilege of exam- ) ination J Replying to your Retail price Send you Serious inconven- ) ience ) Shipping receipt Some time since Style one Take the liberty Taken the liberty Too late Very much pleased Very well Was received We are glad We are much j obliged PM(d)s"no" PlsRRnts PlsNs PlsN We are much > pleased ) We are willing to -j "we".R 3 Ch Pst "to" PrfJsMn We feel We inclose wN'Kls RP1Y RtLPs Sntu SrsN Fn We may be able We regret to say We shall be pleased We shall have We will wMB.B w(l)RGr-S wSh 3 BPst wL 1 Shst 1 sMMsNs stLwN We will say We will sell you We would like wL'S wL'Slu TB Wholesale msz TnB TlEd VShPst You are at liberty You may be able Your esteemed favor Y 3 TB Y 3 mB# Y 3 sMdFf VI Your favor Y f3 Z 3 Sf Your kind favor Y 3 Kn7^ "we"7? 3 GD Your letter Y 3 ^ "we"^ 3 Ch- Your order Y 3 RR BJ You will find u^d)Fnt LAW PHRASES AND FORMS. Aforesaid FrSt Anything to do nTh-D As a matter of course s 2 MKrs A 8 charged in the ) complaint ) Assault and battery S1'5 Attorney-General TrnJn At what time T 3 Tm Being called and ) BK/sRn BsJBf BnRsNow Best of your knowl- j edge and belief ! Beyond a reason- 1 able doubt f Breach of promise) ^ } BrPMr of marnage By the court BHK Can you state K 8 sTt Ceased and deter-) [ SsAD mined ) Change of venue ChV 186 LIGHT-LINE SHORTHAND. Circumstantial evi- ) I sin V D deuce ) How long have you ) _ > H 3 Ng"no i known J Client KIN I am of the impres- , Considered as read sDsRd sion i Counsel for the de- ) I did not /'DtN [ K 3 sD fendant ) I do not J'DnT Counsel for the j ^ 3 pf If anything FnTh plaintiff I In and for NnF Cross-examination KrsMn In point of fuct NPnF Defendant's counsel DsK In rebuttal NStl Did you ever Dlf l In writing Nrd:I District-Attorney DsTN Irrelevant and im- } p-p,. District court DsK material ' ) Do you know D1 3 I Is not well taken s'NtwiTn Do you know any- ) Judicial district JDs thing about J Justifiable homicide JsFMsD Do you live D1 3 F Just state JsTt Do you think DPTh Duly sworn DsRn Last will and tes.) M tament ) Expressed or im- ) \rmt Law L ] (f) plied ) Leasehold L'sHt For life FF Legal and personal ) Gentlemen of the i T I 1 *-. 1 I -> representative ) , f tl 1 1 ' 1 I > jury Letters of adminis- ) , v LRsDsR Good and compe- > ^^ ^ tent evidence ) tration ) Manslaughter M^LR Goods and chattels G 3 sChfe Matter in contro- ) _ , [ M 3 -KntFr Go on and state G 3 Nst versy ) Grant, bargain and i Matter of fact M 3 F sell ) Matter of law M 3 L Habeas corpus HBsK May it please your ) MplgN Handwriting H 3 nRNg honor ) Heirs,executors,ad- \ Mechanic's lien MKsZN ministrators, and > ^sKsDsNs Money had and re- ) NHRgf assigns ceived How long have you > been j Motion for a new ) . [ MsNTri trial ) LIGHT-LINE SHOKTHAND. 187 Murder in the first ),,,, State how stH 3 [ Mr^rsG degree ) State if stF 1 No, sir "no"s State when stwN 1 Not guilty NtGT State when and J > stwNiw Of and for "of'nF where ) , " n".Frn- State where sf'where" On friendly terms j TRMg State whether stHw On the same day "on"sMD Superior court sP'K Party of the first > p>Fetp Supreme court sP'mK part ) Taken under ad- ) m L TnNsM Party of the second > visement ) part f That he was Dh 3 mZ Personal property PrsP That I was Dh 3 Z Plaintiff's counsel PfsK That is to say Dh 3 sS Pleads guilty PlsGT Then and there DhnAtf Police court PlsK Took possession T 3 Psshn Power of attorney PrfTN To the best of my ) _ _, t BsMRshn Prisoner at the bar PrsBJS recollection ) Property-holder PrPHR Under the influ- ) Pursuant to ad- ?,, [ PrSnZhn ence of liquor ) journment ) Uninterrupted pos- ) Quite intimately ) KNtKnt session ) acquainted ) Upon their own ) } PitrNSh-e Real estate R^S showing ) Revenue R FN Verdict FrK Right, title and in- j RtTZNgt Verdict for the de- 1 terest ) fendant f Rulings of the court R 3 NgsK Verdict for the ) FrKpf Say anything to you SnThu plaintiff ) See him Sm Versus VsS Sergeant-at-anns sR s RmB Set forth StFTh ( "were you" Were you there ] ' H Sets forth SsFTh What is your busi- ) \ T'sBsNs Seized and pos- J Satpsgf ness sessed of ) Where do you live "W5'" J (1)V Something of that > SmThDh- kind ) Knt Where do you re- ) (< y' w 2 (l)RsD side ) 188 LIGHT-LINE SHORTHAND. Wilful negligence Words to that ef- fect Writ of error ) ^ ) RtRB Writ of injunction RtJshn Yes, sir YsR Your honor Y 3 N NOTE. Where Stenotypes are carried to the next line below, and hyphens are used, such hyphens do not indicate nearness, except in the case of the phrases " We are willing to," on page 185, and " Something of that kind," on page 187. 190 191 192 193 194 193 198 197 198 199 200 201 C Q_P 1 202 203 ( ^ TL ^f ^ 204 205 I K// 206 207 208 209 210 211 213 214 215 216 217 218 220 222 223 224 \ K ) . r\ 225 226 o \ 227 228 229 v _ LL * , \P r ^ r*>- -f-t- 230 231 232 234 233 236 23? 238 239 240 241 aaaa 242 243 244 245 246 247 University of California SOUTHERN REGIONAL LIBRARY FACILITY 405 Hilgard Avenue, Los Angeles, CA 90024-1388 Return this material to the library from which it was borrowed. NON-RENFWABLE DEC 08 RECD LD-URL JAN 11199* 1993 itKtCEIVED 000564919 Z 56 E12t