I -FROM -THE- LIBRARY -OF - KONRAD - BURDACH - (-&J. CJL it- (90$ ! Cteutom |ss Stories ENGLISH CLASSICS DRYDEN CHRISTIE Soution MACMILLAN AND CO. PUBLISHERS TO THE UNIVERSITY OF DRYDEN STANZAS ON THE DEATH OF OLIVER CROMWELL ASTRMA REDUX; ANN US MIRABILIS ABSALOM AND ACHITOPHEL RELIGIO LAIC I; THE HIND AND THE PANTHER EDITED BY W. D. CHRISTIE, M.A., C.B. Trinity College, Cambridge SECOND EDITION AT THE CLARENDON PRESS M DCCC LXXIV rights reserved] PREFACE. THE Editor of this volume has published within the last twelvemonth an edition of Dryden's Poems, one of Messrs. Macmillan's Globe Series, with a carefully revised text, the result of a labour of some duration. The Globe edition of Dryden's Poems contains more than a hundred corrections of the text as presented in Sir Walter Scott's edition, or that of Mr. Robert Bell in his series of the English Poets. In the portion of Dryden's Poems published in this volume the text is the same as that of the Globe edition; and there are some forty corrections within the compass of these Poems. The Notes to this volume contain a suggestion of one new correction which I have not embodied in the text, not feeling absolutely sure about it; but I think it prob- able that the words Caledonian and Caledon, which have come down to us from Dryden in ' The Hind and the Panther' (Part I. line 14, and Part III. line 3), were intended by him to be Calydonian and Cafydon. VI . PREFACE. The Biography prefixed to this volume is of necessity in much part a repetition of the longer Memoir at the beginning of the Globe edition. Since the publica- tion of the latter I have satisfied myself by additional information obtained from Trinity College, Cambridge, that the story of Dryden's continued residence at Cam- bridge till 1657 is a mistake, and that he ceased to reside there in 1654 or early in 1655. W. D. C. 32 DORSET SQUARE, LONDON, February 1871. In this second edition I have been able to make an interesting addition to the note at p. xvi. as to Dryden at Trinity College. W. D. C. October, 1873. CONTENTS. PAGE Biographical Introduction ..... ix A POEM UPON THE DEATH OF HIS LATE HIGH- NESS OLIVER, LORD PROTECTOR OF ENGLAND, SCOTLAND, AND IRELAND .... I ASTR^EA REDUX. A POEM ON THE HAPPY RE- STORATION AND RETURN OF HIS SACRED MAJESTY CHARLES THE SECOND 9 ANNUS MIRABILIS: THE YEAR OF WONDERS, 1666. AN HISTORICAL POEM. To the Metropolis of Great Britain . . 23 An Account of the ensuing Poem . . 25 Verses to her Royal Highness the Duchess [of York] 33 The Poem 37 ABSALOM AND ACHITOPHEL. A POEM. To the Reader 85 The Poem 88 RELIGIO LAICI ; OR, A LAYMAN'S FAITH. A POEM. The Preface 119 The Poem 131 viii CONTENTS. THE HIND AND THE PANTHER. A POEM IN THREE PARTS. PAGE To the Reader 147 The Poem. Part I . . . 4 . 151 Part II 167 Part III . . . . ' . 187 NOTES 225 GLOSSARY ........ 287 BIOGRAPHICAL INTRODUCTION. THE poetry and authorship of Dryden cover a period of more than half a century. His first poem was written in youth, within a few months after the execution of Charles the First, and his last a few days before death, within not many months of the death of William the Third and the accession of Anne to the throne. ' Glorious John Dryden,' or ' Glorious John/ as Sir Walter Scott christened him, is the great literary figure of the forty years that follow the Restoration. Dryden was born only fifteen years, and his first poem was written only thirty -three years, after the death of Shakespeare. It is strange to find Dryden deliberately writing in 1672 that the English language had been so changed since Shakespeare wrote, that any one then reading his plays, or Fletcher's, or Jonson's, and comparing them with what had been written since the Restoration, would see the change ( almost in every line a . J There are frequent careless statements and hasty generaliza- tions in Dryden's critical dissertations, which were mostly composed rapidly for particular occasions, and there may be exaggeration in this assertion, but it probably contains more truth than exaggeration. Milton, born eight years before Shakespeare's death, was Dryden's senior by twenty-three a Defence of the Epilogue to the Second Part of ' The Conquest of Granada.' X BIOGRAPHICAL INTRODUCTION. years, and ' Paradise Lost' was published in 1669, the year before that in which Dryden received the appointment of poet laureate, succeeding Davenant, the author of 'Gon- dibert,' and Dryden's co-operator in a versified abridgment and debasement of f Paradise Lost.* Milton died in 1674, unhonoured by the multitude, when Dryden was at the height of his dramatic popularity, and is spoken of as 'the good and famous poet' by the cultivated Evelyn b . A quarter of a century later Dryden had a splendid public funeral. Gowley, who was Dryden's superior in the imaginative faculty, and who, like Dryden after him, had had a fame unjustly superior to Milton's during his life, had died in 1667. The poetry of Cowley had been a favourite reading of Dryden's youth. He speaks of Cowley, in several passages of his prose writings, with the respect due to a master, and says on one occasion that his authority is 'almost sacred' to him c . Before the end of the seventeenth century, the popularity of Cowley had disappeared d , and no traces of the influence of his metaphysical style are to be discovered in any of Dryden's poems later than the 'Annus Mirabilis' of 1666. Denham and Waller, two poets of humbler order, had, while Dryden was young, produced smooth and harmonious poems, and contributed to the improvement of verse; and it remained for Dryden to advance this work, and bring metrical har- mony to perfection in his own poems, and, during forty years after the Restoration, of various writing in prose and in verse, to give precision and purity and new wealth and capa- bility to the English language. b Evelyn's Diary, June 27, 1674. Essay on Heroic Plays, prefixed to the First Part of ' The Conquest of Granada.' d In the Preface to the ' Fables,' written in 1699, Dryden wrote of Cowley : ' Though he must always be thought a great poet, he is no longer esteemed a good writer ; and for ten impressions which his works have had in so many successive years, yet at present a hundred books are scarcely purchased once a twelvemonth ; for, as my last Lord Rochester said, though somewhat profanely, " Not being of God, he could not stand." ' BIOGRAPHICAL INTRODUCTION. xi John Dryden was born on the gth of August, i63i e , at Aldwincle, a village in Northamptonshire, which was also the birthplace of the Church historian, Thomas Fuller. Both his parents belonged to Northamptonshire families of distinc- tion. His father, Erasmus Dryden, the third son of Sir Erasmus Dryden, Baronet, of Canons Ashby, was a Justice of the Peace for Northamptonshire. The Drydens were all Puritans and Commonwealthmen. Sir Erasmus Dryden, who died in 1632, the year after the birth of his celebrated grandson, was sent to prison, but a few years before his death in old age, for refusing to pay loan-money to Charles the First. To this event Dryden refers in his Epistle to his cousin John Driden of Chesterton f , Member for Hunting- donshire, whose public spirit he compares with their common grandfather's : ' Such was your generous grandsire, free to grant In Parliaments that weighed their Prince's want, But so tenacious of the common cause As not to lend the king against his laws ; And in a loathsome dungeon doomed to lie, In bonds retained his birthright liberty, And shamed oppression till it set him free.' The old man was liberated on the eve of the general election for Charles the First's third Parliament in 1628. Sir John 6 The year of Dryden's birth is incorrectly given as 1632 in the in- scription on the monument in Westminster Abbey. f Malone and some other biographers have said much about the spelling of Dryden's name, and represented that he early in life deliber- ately changed the spelling from Driden to Dryden ; and Malone has made a statement, which appears to be totally without authority, that the poet gave offence to his uncle, Sir John, by this change of spelling. The spelling of names was very variable in Dryden's time, and I believe there is nothing more than accident in the variations of spelling of his name : Dryden, Driden, and also Drey den and Dreydon occur. Dryden's name is spelt Driden on title-pages of his works after the Restoration, . and in one instance ('Astrsea Redux') as late as 1688. I follow other biographers and editors in preserving the spelling Driden for the name of his cousin John, to whom he addressed the beautiful poetical epistle, on account of convenience of distinction. xil BIOGRAPHICAL INTRODUCTION. Dryden, successor to Sir Erasmus, and Dryden's uncle, inherited the Puritan zeal. Dryden's mother was Mary, daughter of the Reverend Henry Pickering, rector of Ald- wincle All Saints from 1597 till his death in 1637. The Pickerings were near neighbours of the Drydens, and the two families were connected by marriage before the union of the poet's parents, a daughter of Sir Erasmus Dryden having married Sir John Pickering, Knight, the elder brother of the rector of Aldwincle. Sir Gilbert Pickering, the son and successor of Sir John, was thus doubly related to Dryden. Sir Gilbert, having been made a baronet by Charles the First, became a Gromwellite, and held high office during the Pro- tectorate; he was Chamberlain to Oliver Cromwell, and High Steward of Westminster, and one of the so-called peers of Cromwell's second Chamber of 1658, and afterwards one of Richard Cromwell's chief advisers. The marriage of Erasmus Dryden and Mary Pickering took place on the 2ist of October 1630, in the church of Pilton, a village near Aldwincle. The poet was their first child, the eldest of a family of fourteen. A room in the parsonage- house at Aldwincle All Saints is shown as his birthplace. This tradition, which has been maintained uninterruptedly from Dryden's time till now, is unsupported by positive evidence, but as it necessitates only the probable supposi- tion that his mother was on a visit to her parents at the time of the birth of her first child, there is no reason for not accepting it. Of the early life of Dryden very little is known. His father possessed a small property at Blakesley in the neigh- bourhood of Canons Ashby, the seat of the Drydens, and of Tichmarch the seat of the Pickerings. A monument erected in Tichmarch church to his memory, by his cousin Mrs. Creed, has an inscription which boasts that 'he was bred and had his first learning here.' But the best part of his education was obtained at Westminster, under Dr. Busby. He entered the school as a King's Scholar, but in what year "is not known. He retained through life a pleasant remem- brance of his Westminster days, and a great respect for Dr, BIOGRAPHICAL INTRODUCTION. XIII Busby, to whom in 1693 he dedicated his translation of the Fifth Satire of Persius. He says in the Dedication that he had received from Dr. Busby 'the first and truest taste of Persius.' Two of his sons were educated at Westminster under the same head-master, Dr. Busby. He remembered to the last, but without resentment, Dr. Busby's floggings. In one of his latest letters, written in 1699 to Charles Montagu, Chancellor of the Exchequer, when sending for his inspection some poems before publication, he speaks of having corrected and re-corrected them, and he says, * I am now in fear that I have purged them out of their spirit, as our Master Busby used to whip a boy so long till he made him a confirmed blockhead.' Charles Montagu had been educated at Westminster, but he was thirty years younger than Dryden, and might have been at the school with Dryden's sons. In 1650 Dryden left Westminster with a scholarship, for Trinity College, Cambridge. In 1649 he had written his first poem, which gave little promise of the smoothness and harmony of versification to which he afterwards attained. Lord Hastings, the subject of it, the eldest son of the Earl of Huntingdon, had been educated at Westminster, and his rare attainments had raised among his friends high hopes of future eminence. When these hopes were destroyed by his untimely death from small pox, when he was just of age, in 1649, the event was lamented in as many as thirty-three elegies by different authors, which were collected and pub- lished in 1650 by Richard Brome, with the title of 'Lacrymae Musarum, the Tears of the Muses; exprest in Elegies written by divers Persons of nobility and worth upon the death of Henry Lord Hastings, only son of the Right Hon- ourable Ferdinando Earl of Huntingdon, heir-general of the high-born Prince George, Duke of Clarence, brother to King Edward the Fourth #.' Among the contributors to this volume were three who were already known as poets, and whose s Sir Walter Scott, who had not seen this little volume, erroneously gives ninety-eight as the number of the elegies. XIV BIOGRAPHICAL INTRODUCTION. fame has survived them, Denham, Herrick, and Andrew Marvel. Dryden's second known poem, a short compli- mentary address prefixed to a little volume of sacred poetry by John Hoddesden, a friend and schoolfellow, was probably written at the beginning of Dryden's residence at Gam- bridge. Hoddesden's little volume bore the title ' Sion and Parnassus,' and was published in 1650. Dryden was entered at Trinity College, Cambridge, on the 1 8th of May, 1650; he matriculated July 16, and was elected a scholar of the college on the Westminster foundation, October 2, 1.650. He took his degree of Bachelor of Arts in January 1654. Beyond these dates very little is known of his college life. With the exception of a single passage in his life of Plutarch, where he mentions having read that author in the library of Trinity College, Cambridge, and adds that to that foundation he gratefully acknowledges the debt of a great part of his education, there is no mention of his Cambridge days in his writings ; and this silence has created an impression that in after life he regarded Cambridge with aversion. Some lines in one of his Oxford Prologues, written in 1681, have seemed further proof of such a feeling * Oxford to him a dearer name shall be Than his own mother university; Thebes did his green unknowing youth engage, He chooses Athens in his riper age.' But these lines prove nothing, being probably prompted by no other motive than the desire of the moment to please an Oxford audience. A passage in a letter from Dryden to Wilmot Earl of Rochester, written in 1675, in which he sends him copies of a Prologue and Epilogue for Oxford, composed on another occasion, shows that all he wrote for Oxford may not be sincere. He tells Rochester that the pieces were approved, 'and by the event your lordship will judge how easy 'tis to pass anything upon an University, and what gross flattery the learned will endure/ But Dryden's life at Cambridge had not passed always pleasantly. In the second year of his residence at Trinity, BIOGRAPHICAL INTRODUCTION. XV he had incurred the displeasure of the authorities for * dis- obedience to the Vice-Master, and his contumacy in taking of his punishment.' What the disobedience was is not known ; the ultimate sentence assigned was ' that Dry den be put out of commons for a fortnight at least, and that he go not out of the college during the time aforesaid, excepting to sermons, without express leave from the Master or Vice-Master, and that at the end of a fortnight he read a confession of his crime in the Hall at dinner-time at the three Fellows' tables.' And there may be some truth, with exaggeration also, in a taunt of Shadwell, that he left Cambridge suddenly in con- sequence of a quarrel. Dryden's father died in June 1654, a few months after he had taken his B.A. degree. By his father's death he inherited two-thirds of a small estate at Blakesley, which gave him an income of about 407. a year. The remaining third of the property was left to his mother for her life, and she lived till 1676. It is calculated that 407. a year in Dryden's time would have been equal to four times as much now. Dryden's income would therefore have been sufficient to support him decently with economy. He ceased to be a scholar of Trinity in April 1655, before the natural expiry by time of his scholarship, on account of his having ceased to reside at Cambridge. This appears from the following entry in the college Conclusion Book of April 2 3> I ^55, 'That scholars be elected into the places of Sr. Hooker, Sr. Sawies, Sr. Driden, Sr. Quincey, Sr. Burton; with this proviso, that if the said Bachelors shall return to the College at or before Midsummer next, to continue con- stantly according to statute, then the scholars chosen into their places respectively shall recede and give place to them, otherwise to stand as proper scholars.' It further appears that a young man named Wilford was elected into Dryden's place on the above-mentioned condition. The Senior Bursar's book shows that neither Dryden nor any of the others for whom as scholars successors were elected at the same time, re-entered into their scholarships. They all received the scholars' stipends up to Michaelmas 1655, and no further XVI BIOGRAPHICAL INTRODUCTION. payment is credited to any of them. It may therefore be concluded that the story hitherto told, derived from Malone, of Dry den's having returned to Cambridge after his father's death, and having continued to reside there till the middle of 1657, is not correct. He had ceased to reside before April 1655 ; and if he returned to Cambridge after his father's death in June 1654, it would have been only for a very short time h . Having ceased to be a scholar of the College, he was in- eligible for a fellowship, the fellows being chosen exclusively from the scholars. It has been thought surprising that he did not, when the time came in 1657, take the degree of Master of Arts, but the smallness of his means is quite suf- ficient to explain why he did not do so. By the ancient fc I am indebted to Mr. W. Aldis Wright, the late librarian of Trinity College, for the information which has enabled me to contradict posi- tively the old story of Dryden's continuing to reside at Cambridge till 1657. The story is Malone's, and on a careful examination of his statements I see that the only authority, if it can be so called, for Dryden's continued residence till 1657 is a description of him by Settle in a polemical pamphlet as 'a man of seven years' standing at Cambridge.' Malone was made aware, after the completion of his Life of Dryden, of the entry in the Conclusion Book of April 23, 1655 ; and he mentions this in his Additions and Emendations (Dryden's Prose Works by Malone, vol. i. part 2, p. 134). But he adds 'that there are instances of gownsmen residing at Cambridge after the loss of their scholarships.' In the memoir in the Globe Edition of Dryden's poems, I have given the 'old story of Dryden's continuing to reside till 1657 w ^ n doubt, and stated that there is no proof of its correctness. I am now able posi- tively to contradict it. The following interesting account of Dryden by a college contemporary, the Rev. Dr. Crichton, is given in a letter written in 1727 by a Mr. Pain, which is in the Trinity College Library, and has been lately found by Mr. W. A. Wright, who has obligingly furnished it to me. It confirms the fact of Dryden's early departure from Trinity after taking his B.A. degree. ' The Doctor also mentioned something of Dryden the poet, which I tell you because you may have occasion to say something of him. Dryden, he said, was two years above him, and was reckoned a man of good parts and learning while in college : he had to his knowledge read over and very well understood all the Greek and Latin poets : he stayed to take his Bachelor's degree, but his head was too roving and active, or what else you'll call it, to confine himself to a college life, and so he left it and went to London into gayer company, and set up for a poet, which he was as well qualified for as any man.' BIOGRAPHICAL INTRODUCTION. xvil statutes of the University, any one possessed of any estate, annuity, or certain income for life amounting to 267. i$s. ^d. was required to pay 61. 6s. \d. in addition to the ordinary fees for any degree ; and those for the M.A. degree for one not a fellow would be as much. Dry den, with his small income of forty pounds, might naturally be unwilling to incur this expense. It is possible also that Dryden's premature departure from Cambridge without fellowship or degree may have been caused by a disagreeable incident, such as he is taunted with by Shadwell * At Cambridge first your scurrilous vein began, Where saucily you traduced a nobleman, Who for that crime traduced you on the head, And you had been expelled had you not fled 1 .' The scurrility of Shadwell is anything but perfect authority, but there must have been some foundation for the taunt of these malicious lines. A degree of Master of Arts was conferred on Dryden by the Archbishop of Canterbury in 1668, on the recommenda- tion of King Charles the Second, when he had made himself known as an author, and had acquired the King's favour by political poems and plays suited to his taste. There is no information about Dryden's life after his leaving Cambridge till he appeared as an author in London on the occasion of Oliver Cromwell's death. It has always hitherto been said that he began to reside in London about the middle of 1657; but this was probably a part of the story that he continued to reside till 1657 at Cambridge. It is not impossible that he went to London earlier than has been hitherto supposed; and it is quite possible that he may have gone there later. He was probably aided by his relative, Sir Gilbert Pickering, at the beginning of his life in London, and he may have gone thither soon after his father's death to profit by Sir Gilbert's friendship. High in Cromwell's favour, a member of his Privy Council, and Chamberlain of his household, he was in a position to render 1 ' The Medal of John Bayes.' b XVlil BIOGRAPHICAL INTRODUCTION. valuable assistance to his clever young cousin. Shad well, after taunting Dryden with discreditable flight from Gam- bridge, next holds him up to scorn as clerk to Sir Gilbert * The next step of advancement you began, Was being clerk to Noll's Lord Chamberlain, A sequestra tor and Committee manV It is not improbable that Sir Gilbert employed him as his secretary. Oliver Cromwell died on the 3rd of September, 1658; and Dryden, now in his twenty-seventh year, wrote a poem in honour of his memory. Since he had written the verses to John Hoddesden in 1650, being then an undergraduate at Cambridge, he had written no poetry that is known, and the 1 Heroic Stanzas' to the memory of the Protector is his first poem of any importance. This poem was published with two others on the same subject by Waller and Sprat. It is written in quatrain stanzas, and is very superior to Dryden's two earlier efforts. When the ' Heroic Stanzas ' appeared, Richard Cromwell seemed to be firmly established as his father's successor, and Dryden celebrated the peaceful security which the able and vigorous government of the Pro- tector had bequeathed to his country. * No civil broils have since his death arose, But faction now by habit does obey; And wars have that respect for his repose As winds for halcyons when they breed at sea. His ashes in a peaceful urn shall rest; His name a great example stands to show How strangely high endeavours may be blessed Where piety and valour jointly go.' This tranquillity was of short duration. On the meeting of Parliament in January 1659 it was evident that Richard Cromwell was unable to rule, and in less than eighteen months after the publication of the ' Heroic Stanzas ' Charles the Second was restored. k Malone strangely thinks that the last line may apply to Dryden himself, but it is clearly intended for Sir Gilbert Pickering. BIOGRAPHICAL INTRODUCTION. XIX Sir Gilbert Pickering, who had been closely and con- spicuously connected with both the Protectors, and who had sat as one of the judges at the trial of Charles the First, though not when sentence was given, was lucky to escape with life and with most of his property. He was made in- capable of all office, and became a private and powerless man. Dryden, having lost this serviceable benefactor, and not being disposed to sacrifice all advancement to political consistency, became a warm Royalist, and now endeavoured, by zealously espousing the cause of the restored King, to blot out all recollection of his praises of the Protector. ' Astraea Redux/ a poem written in celebration of the return of the King, was published before the end of the year, and was quickly fol- lowed by two other poems in like strain, a ' Panegyric ' ad- dressed to the King on his coronation, and an address to the Lord Chancellor Clarendon, on New Year's Day, 1662. These poems doubtless brought presents of money. Some compli- mentary verses, addressed by Dryden to Sir Robert Howard, were published in 1660, in the beginning of a volume of Howard's poems, the first of which was a panegyric on the restored King, and the last a panegyric on Monk, his chief restorer. Sir Robert Howard was a younger son of the Earl of Berkshire, who had been constant, with all his family, to the cause of royalty, and had impoverished himself in the cause. Henry Herringman was at this time the fashionable publisher, and published both for Howard and Dryden. Shadwell proceeds, in his vituperative biography, to taunt Dryden with drudgery for Herringman, and with living on Howard. * He turned a journeyman to a bookseller, Wrote prefaces to books for meat and drink, And, as he paid, he would both write and think; Then, by the assistance of a noble knight, Thou hadst plenty, ease, and liberty to write : First like a gentleman he made thee live, And on his bounty thou didst amply thrive 1 .' * ' The Medal of John Bayes.' XX BIOGRAPHICAL INTRODUCTION. Theatrical representations, which the austerity of the Puritans had proscribed during the Commonwealth, were now revived, and Dryden immediately turned to play-writing and made it a source of income. After the Restoration, two theatres, and only two, were licensed, one called the King's, which was under the management of Thomas Killigrew, the court wit and a dramatic writer, and the other, the Duke of York's, under the poet laureate, Sir William Davenant. Dryden's first play, l The Wild Gallant,' was produced at the King's Theatre, in February 1663. It was not successful, and he attributed the failure to his boldness 'in beginning with comedy, which is the most difficult part of dramatic poetry.' A tragi-comedy, 'The Rival Ladies,' brought out in the same year, was better received. Pepys, who had pronounced 'The Wild Gallant* 'so poor a thing as ever he saw in his life,' thought this ' a very innocent and most pretty witty play m .' The plots of both plays are extravagantly improbable, and coarseness and indecency appear in both. But they pleased the court, perhaps rather on account of than in spite of their demerits ; and even the unpopular ' Wild Gallant ' was specially favoured by Lady Castlemaine, and her royal lover caused it to be several times performed at court. Dryden next assisted Sir Robert Howard in the composition of a tragedy, ' The Indian Queen,' which was acted with great success at the King's Theatre, in January 1664. Before ' The Indian Queen ' was brought out on the stage, Howard and Dryden had become brothers-in-law. Dryden was married to Lady Elizabeth Howard on the ist of December 1663. This was not a happy marriage. Lady Elizabeth was a woman of violent temper, and had apparently no sympathy with her husband's literary pursuits. Dryden has been taunted by some of the virulent foes of his later life with having been hectored into this marriage by the lady's brothers in order to save her reputation ; and there is reason to believe that her conduct before marriage was not 1 Diary, February 23, 1663, and August 4, 1664. BIOGRAPHICAL INTRODUCTION. XXI irreproachable. If this were so, happiness could hardly be expected. The success of ' The Indian Queen ' encouraged Dryden to bring out in the following year, 1665, a sequel, under the title of ' The Indian Emperor,' and that play was a great success and much advanced Dry den's fame. ( The Indian Emperor ' was published in 1667, with a dedication to the young and beautiful Duchess of Monmouth, the 'charming Annabel* of ( Absalom and Achitophel,' who was an early patroness of Dryden, and whom in his later years he called his ' first and best patroness 11 .' 'The Rival Ladies' had been published with a dedication to the Earl of Orrery, a dramatic writer. 'The Wild Gallant' was not published till 1669, when the fame otherwise acquired by Dryden helped to recommend it to favour. He revived ' The Wild Gallant ' on the stage in 1667. In the summer of 1665 the Plague broke out in London, and all who could do so fled to the country. Dryden retired to Gharlton, in Wiltshire, the seat of his father-in-law, Lord Berkshire, and he remained there for the greater part of eighteen months. , During this period of retreat he wrote the 'Annus Mirabilis,' the 'Essay on Dramatic Poesy,' and the comedy of ' Secret Love, or the Maiden Queen.' The 'Annus Mirabilis,' a poem celebrating the events of the year 1665-6, and describing the war with Holland, the Plague, and the Great Fire of London, was published in 1667^ with a dedication to the Metropolis, and a long preface ad- dressed to Sir Robert Howard. This poem is written in the quatrain stanzas in which Dryden had sung the praises of Oliver Cromwell eight years before. In the preface he says, ' I have chosen to write my poem in quatrain stanzas of four alternate rhymes, because I have ever judged them more noble and of greater dignity both for sound and numbers than any other verse in use among us.' The minute know- ledge of naval matters displayed in the poem was acquired Dedication of ' King Arthur,' to the Marquis of Halifax, 1691. XXli BIOGRAPHICAL INTRODUCTION. it appears, for the occasion and under some difficulties. * For my own part/ he says, * if I had little knowledge of the sea, yet I have thought it no shame to learn, and if I have made some mistakes, it is only, as you can bear me witness, because I have wanted opportunity to correct them, the whole poem being first written and now sent you from a place where I have not so much as the converse of any seaman.' In this poem Dryden's skill and force of language is first strikingly remarkable. Some parts of it, and especially the description of the Fire of London, are very fine. Dryden's next publication was the ' Essay on Dramatic Poesy,' also written during his long residence at Charlton: this was published in 1668. A subject treated of in this essay was the use of rhyme in tragedies, which was now the fashion, and favoured by the King. Dry den had praised rhymed tragedies in his dedication to the Earl of Orrery, of the * Rival Ladies,' published in 1664. In the following year Sir Robert Howard published a collection of plays, with a pre- face, in which, though he had himself done tragedy in rhyme, he severely criticised Dryden's doctrine. In the ' Essay on Dramatic Poesy,' Dryden vindicated his views. The essay was in the form of a conversation between four persons, Eugenius, Lisideius, Crites, and Neander ; and under these names were respectively veiled Lord Buckhurst (afterwards Earl of Dor- set), Sir Charles Sedley, Sir Robert Howard, and Dryden himself. Neander maintained the cause of rhyme in tragedies, and Crites argued on the other side with inferior force. This led to a literary controversy with Howard, which pro- duced for a time some ill-feeling between the brothers-in- law, but the estrangement did not last long. During the ravages of the Plague and Fire the playhouses had been closed. They were re-opened towards the close of 1666, and in the following March ' Secret Love, or the Maiden Queen,' the play which Dryden had written at Charl- ton, was brought out at the King's Theatre. It was a great success. Pepys, who was present on the first night, com- mends ' the regularity of it and the strain of wit,' and is quite enthusiastic in his praises of Nell Gwyn, in the part of BIOGRAPHICAL INTRODUCTION. xxiii Florimel . The play was published in the following year, with a preface, in which Dryden states that Charles had ' graced ' the successful comedy ' with the title of his play.' Another comedy, l Sir Martin Mar-all/ was brought out in the autumn of 1667 at the Duke's House. This was an adaptation of Moliere's play, 'L'tourdi,' which had been translated by the Duke of Newcastle ; and when it appeared on the stage, Pepys tells us that the general opinion was that it was a l play by the Lord Duke of Newcastle, and corrected by Dryden.' Dryden afterwards published himself as author, and we may take for granted that the authorship was really his. 'The Tempest, or the Enchanted Island,' produced at the Duke's Theatre in November, 1667, was an adaptation by Dryden and Davenant of Shakespeare's Tempest. The new play was nothing more nor less than a debasement of Shake- speare's, and Dryden doubtless knew well its inferiority. In the prologue he paid a fine tribute to the genius of Shake- speare. These are the opening lines : ' As when a tree's cut down, the secret root, Lives underground, and thence new branches shoot, So from old Shakespeare's honoured dust this day Springs up and buds a new reviving play : Shakespeare, who, taught by none, did first impart To Fletcher wit, to labouring Jonson art; He, monarch-like, gave these his subjects law, And is that Nature which they paint and draw.' And in the same prologue he says 'But Shakespeare's magic could not copied be; Within that circle none durst walk but he.' Again ' But Shakespeare's power is sacred as a king's.' Dryden and Davenant's ' Tempest ' was published by Dryden in 1668, Davenant having died in the interval: and in the preface Dryden mentions that Davenant had taught him to venerate Shakespeare. o Diary, March 2, 1667. xxiv BIOGRAPHICAL INTRODUCTION. If Dryden's mutilation of the Tempest seems incon- sistent with his reverence for Shakespeare, it must be borne in mind that Dry den wrote for money, that to adapt took less time than to create, and that the audiences for which he wrote neglected Shakespeare's plays and applauded Dryden's. * Those who have best succeeded on the stage Have still conformed their genius to their age P.* The year 1667 had been one of great dramatic success for Dryden. The 'Maiden Queen/ 'Sir Martin Mar-all,' and ' The Tempest ' had all been well received, and his first play, ' The Wild Gallant/ unsuccessful when it first appeared, had been revived with some success. Until now the profits derived by Dryden from his plays had come from the third night's representation, which custom made the author's benefit, from the prices received from his publisher, from presents in return for dedications, and prob- ably also from a retaining fee from the King's company, to which all his plays were given. A successful ' third night ' of a play would probably at this time bring Dryden forty or at most fifty guineas, and the price of the copyright of one of his plays would now be but a trifle. Thus, for ' Cleomenes,' one of his latest plays, he is known to have received thirty guineas, and no more ; and this was probably the highest price he ever got. He is said never to have received, in his days of greatest fame, more than a hundred guineas for third night and copyright together. There had been no dedication to his last three published plays, the ' Maiden Queen,' e Sir Martin Mar-all,' and ' The Tempest.' But henceforth his plays were always, dedicated to some noble patron, who, ac- cording to the custom of the time, sent a present of money in return for the compliment. To recount Dryden's noble patrons is a necessary part of his biography. ' What. I pre- tend by this dedication,' he said, in 1691, in dedicating 'King Arthur,' to George Savile Lord Halifax, Ms an honour which I do myself to posterity by acquainting them that I have been conversant with the first persons of the age in which I lived.' P Dryden's Epilogue to the Second Part of ' The Conquest of Granada.' BIOGRAPHICAL INTRODUCTION. XXV After the production of ' The Tempest ' he entered into a contract with the King's company, by which he bound him- self to produce three plays a year, in return for a share and a quarter of the profits of the theatre, all which were divided into twelve shares and a quarter. Under this arrangement Dry den received from 1667 to 1672 a yearly income of from 3oo/. to 400 /. a year. The King's Theatre was burnt down in 1672, and the losses of the company then reduced Dryden's share of profits to about 2oo/. a year. His reci- procal duty, to write three plays a year, was never fulfilled ; but the company appear to have behaved always generously to him and not to have mulcted him for his shortcomings. Under this new contract two comedies, * An Evening's Love, or the Mock Astrologer,' an adaptation of the younger Cor- neille's ' Feint Astrologue/ and ' Ladies a la Mode,' were pro- duced in 1668. ' An Evening's Love' was not very successful. Evelyn went to see it, and was ' afflicted to see how the stage was degenerated and polluted by the licentious times