TWIN ROSES TWIN ROSES. A NARRATIVE. BY ANNA CORA RITCHIE. AUTHOR OF " AUTOBIOGRAPHY OF AN ACTRESS," " MIMIC LIFE," " AKMAND," ETC. " How have you made division of yourself ? An apple, cleft in two. is not more twin Thau these two creatures." SHAKESPEARE. BOSTON: TICKNOR AND FIELDS. M DCCC LVII. Entered according to Act of Congress, in the year 1857, by WlLl.HW FoUSUKi: UlTYIIlK, In the Clerk's Office of the District Court of the District of Massachusetto CAMBRIDGE: TCRKOTTPID AMD P R I If T P. D BY H. 0. HOUUHTON AMD CX)Mi MY SISTERS, NINE OF THE BRIGHTEST LINKS IN LIFE'S CHAIN, THIS NARRATIVE IS DEDICATED BY ANNA CORA RITCHIE. 1703372 PREFACE. " TWIN ROSES " belongs to the series of narra- tives commenced in " Mimic Life." A friend asks, " Why do you devote yourself to writing of the stage ? could you not be inspired with equal interest in other subjects ? " Yes ; but it was not designed that the experiences of ten years should be wasted. There are abun- dant workers in other fields; the invisible hand that rules events points out my humbler task in this. A. C. R. CONTENTS. PAOI CHAPTER I. THE WHITE ROSE 1 CHAPTER U. HERMAN AND JEANNIE 21 CHAPTER III. A SERPENT TONGUE 35 CHAPTER IV. DEARLY-BOUGHT EXPERIENCE 46 CHAPTER V. THE RED ROSE 60 CHAPTER VI. THE LOVERS 78 CHAPTER VII. A BRIDAL 90 CHAPTER VIII. TEMPTATION ] 04 COXTKNTS. PAQB CHAl'TKK IX. AN uran IN i;n BOUM CHAPTER X, OCKAN I'l l:u - ................................... 133 CHAPTER XI. THB MISSING BOAT ............................... 146 CHAPTER XII. 8TRUOOI.KS IV llll NI.\V WOI'.I.D .................. 153 CH.MTKK XIII. ..................................... 166 niAi-iTi; xiv. ................................. 182 CHAI'IKI: XV. mi N\III:\I i.i:ii>i,i: ............................ 193 \\ I. \ i ................................... 208 THAI 1 ll.!! XVII. CLOUDS .......................................... 218 CIIAIMI.I; xvni. . i> VM. INK in I.HN< ii ..................... 228 cii\rn:i: MX. t>TKt .................................... 242 259 TWIN ROSES. CHAPTER I. THE WHITE ROSE. THEY chatted merrily over their work, that group of pale-faced women. Their fingers were weary, and their eyes heavy ; but the employ- ment in which they were engaged elicited a transient interest. The raiment they were fash- ioning, was of garish hues and seemingly rich materials. Here an ermine mantle swept the ground, there lay a robe of ruby-colored velvet, sparkling with festal gold ; scattered spangles wasted their brightness on the uncarpeted floor, and bullion glittered in prodigal profusion. The room was long and narrow. The waUs were lined with rows of shelves mounting to the ceiling. Many a tedious flight of ladder-like stair must be climbed before that apartment could be reached. It was a theatrical wardrobe. i 2 TWIN K' The mirthful voices are suddenly hushed, the busy needles dart in and out with fresh velocity. Mr. Brown has stolen into the room unheard, and, with rebuking visage, confronts the gossiping group. These slaves of the needle are his subjects, and this Prince of "masking stall'" is a merciless despot. The little shrivelled up costumer has, by logi- cal deducements, arrived at the conclusion that he is the most consummate and important artist in the temple of dramatic art, from which our narrative starts. He is perfect master of the'mys- t cries of " snip and nip, and cut, and slish, and slash, according to the fashion and the time." !!' boasts of intimate acquaintance with the sics, and has great respect for the old fogies of antiquity, especially for one Plato, who sage- ly defines man to be " an animal, with two legs and without feathers."* Mr. Brown's diminutive heart beats high in his circumscribed bosom as he p-llccts that h< converts this animal man into a hero, by supplying the absent plumage. Mr. Hrown is well versed in history, but, to hi in the historic page only unfolds one vast, con- timioii- illustration of costume. All great polit- Apophthegnuta of Diogenes Laertius. TWIN ROSES. 3 ical convulsions are chronicled by variation of outward adornment. A strict adherence to his- torical authority, Mr. Brown regards as the relig- ion of his craft. He descants with unmeasured disgust upon the days when Garrick played Mac- beth in the costume of a general officer, with scarlet coat, gold lace, and powdered wig. Mr. Brown has done away with all such anachronisms in the dramas he " dresses." Oh, of course ; who doubts it ? These toiling women he regards as mere human sewing-machines out of every one the greatest possible amount of work must be extracted. He has the privilege of engaging or discharging them, i. e., of enabling them to exist or giving them a fair chance of starvation. What wonder that the presence of the Schneider- King excites awe ? Mr. Brown now carried on one arm portions of a black velvet costume, and on the other trim- mings of purple satin. " Chatter chatter chatter ! always chatter- ing ! Set of lazy magpies ! Lavish of your tongues and sparing of your needles. Pity I can't employ your tongues to do the stitching. That would be a bargain worth something. Now stir yourselves and take this in hand at once. Hamlet dress just taken measure." 4 TWIN ROSES. " Who is going to play Hamlet ? " asked sev- eral voices at once. " A Tyro who can afford to do the handsome tiling for his stage bravery. That's the most im- portant point. Wants the grandest Hamlet fit- out that ever dilated the eyes of the British pub- lic. We'll do Hamlet for him in first-rate style." " Is he young ? Is he handsome ? Has he ever appeared before ? " asked Liza, the most juvenile of the group. What if he is ? What if he hasn't ? " replied Mr. Brown with decorous sternness. " What's that to you, Miss Liza ? Mind your work or we can find somebody who will. This trimming must be extra rich. Can only trust that to Jeannie Garnett's dainty fingers. You, Liza, lazy bones, hunt up the black bugles and take them in to Jeannie. Tell her we want some of her finest L, r ns. Be off with you ! " " When is the dress to be completed ? " asked one of the women timidly. ' IimneiliiiU'ly of course, immediately. Let's have no napping over your thimbles. I shall :i -quint at you again by and bye, so look rp mid no more chattering. Wish some one would invent a inuxxle for women's tongues. Valuable patent that." TWIN ROSES. 5 Mr. Brown withdrew. Liza selected the bugles, gathered up the purple trimmings, and opened a door which led into an inner chamber. What a delicious perfume came floating on the musty, tinsel-tainted atmosphere! A gale of Araby wafted into a workhouse. What had the breath of flowers to do there ? The single window of that small apartment was visible as the door unclosed. At the first glance, you fancied there must be a bower with- out. A broad shelf a species of rude balcony or tiny, hanging garden, shot out beneath the casement. Roses and heliotropes, bright-hued geraniums, odorous verbena, sweet-scented mign- onette and spring violets crowded one another in loving proximity. From either extremity of this miniature parterre sprang jasmine and cypress vines, intermingling their pearly white and scarlet flowers, and clambering upwards until the twining tendrils formed an arch over the window. They partly screened the dingy house-tops, but revealed one glimpse of blue sky, and gave to the casement that bower-like aspect. From a rustic basket, suspended just within the room, a luxuriant air plant spread out its rich, green drapery, and embowered a wicker 1 * 6 TWIN ROSES. cage that hung beneath. A tame bulfinch made music within. In that chamber's narrow circuit, how many objects arrest and charm the eye! And with what humble appliances have these picturesque surroundings been produced ! The whitewashed walls are covered with simple engravings, but the subjects are exquisite. There is the marriage of St. Catherine here Carlo Dolci's Virgin and Child there St. Cathe- rine bome to heaven by The Angels Raphael's Holy Family Hubner's Guardian Angels illo's St. John, and Raphael's Vision of The frames are constructed of pine and fir, and hemlock cones perchance poverty could aspire to no costlier. A small bracket between every picture, holds a statuette of humble plaster, it is true, but embodying almost as eloquently as marble the sculptor's inspiration. Blessed are the brush, the chisel, the pen-