BBKB^^HHBHlHHW&ll OQOQOaO GEORGE DWELLS ARMES MEMORIAL LIBRARY * * * ST1LE5 HALL. .BERKELEY LIBRA.RY OF THE UNIVERSITY OF CALIFORNIA. GIFT OF Y. M. C. A. OF U. C. Accession 1.Q.JL7.5.6 Class Q FAVORITE AUTHORS IN PROSE AND POETRY THREE VOLUMES IN ONE illustrate* FAVORITE AUTHORS HOUSEHOLD FRIENDS ' GOOD COMPANY -CTB: OF r UNIVERSITY BOSTON JAMES R. OSGOOD AND COMPANY 1885 COPYRIGHT, 1860, 1863, 1865, BY TICKNOR AND FIELDS 1884, BY JAMES R. OSGOOD & Co. All rights reserved. -press: JOHN WILSON AND SON, CAMBKIDGK. FAVORITE AUTHORS * A COMPANION-BOOK OF PROSE AND POETRY " My Books, my best companions " FLETCHER CONTENTS. NATHANIEL HAWTHORNE : A Virtuoso's Collection 1 ALFRED TENNYSON: Dora . . . . . . 21 SIR WALTER SCOTT : A Tale of Witchcraft . . .27 ROBERT BROWNING : One Word More . . 37 ALEXANDER SMITH : In a Skye Bothy .... 45 JAMES GATES PERCIVAL : Ruins .... 66 MRS. JAMESON : A Revelation of Childhood ... 71 CHARLES SPRAQUE : To Montague .... 89 BARRY CORNWALL: The Man-Hunter .... 91 GERALD MASSEY: The Norseman .... 106 EDMUND BURKE : The Druids . . . . ' . 109 JOHN G. WHITTIER: The Witch's Daughter . . 123 LEIGH HUNT: The Old Lady, and The Old Gentleman 131 WILLIAM MOTHERWELL: A Sabbath Summer Noon . 140 MARY RUSSELL MITFORD : The Incendiary . . 145 IV CONTENTS. JOHN G SAXE: Wishing 159 CHARLES ROBERT LESLIE: The Great Portrait-Painters 161 WALTER SAVAGE LANDOR: To Age . . . .184 MATTHEW ARNOLD : The Youth of Man ... 1 85 DR. ARNOLD: Hannibal's March into Italy . . .18!) HENRY W. LONGFELLOW: The Monk Felix . . 211 THOMAS DE QUINCEY: A Mountain Catastrophe . .216 RALPH WALDO EMERSON: Threnody . . . 240 JOHN G. LOCKHART : Last Days of Sir Walter Scott . 249 OLIVER WENDELL HOLMES : The New Eden . . 2G5 JAMES RUSSELL LOWELL : Cambridge Worthies Thirty Years Ago 270 BETTINA VON ARNIM: Beethoven .... 204 SIR PHILIP SIDNEY: A Song from the Arcadia . . 300 UNIVERSITY OF A VIRTUOSO'S COLLECTION BY NATHANIEL HAWTHORNE. THE other clay, having a leisure hour at my disposal, 1 stepped iuto a new museum, to which my notice was casually drawn by a small and unobtrusive sign : " To BE SEEN HERE, A VIRTUOSO'S COLLECTION." Such was the simple yet not altogether unpromising announcement that ' turned my steps aside for a little while from the sunny side- walk of our principal thoroughfare. Mounting a sombre staircase, I pushed open a door at its summit, and found rsyself in the presence of a person, who mentioned the mod- erate sum that would entitle me to admittance. " Three shillings, Massachusetts tenor," said he. " Xo, I mean half a dollar, as you reckon in these days." "While searching my pocket for the coin, I glanced at the doorkeeper, the marked character and individuality of whose aspect encouraged me to expect something not quite in the ordinary way. He wore an old-fashioned great-coat, much faded, within which his meagre person was so completely enveloped, that the rest of his attire was undistingulshable. But his visage was remarkably wind-flushed, sunburnt, and weather-worn, and had a most unquiet, nervous, and appre- hensive expression. It seemed as if this man had some all- important object in view, some point of deepest interest to be decided, some momentous question to ask, might he but hope for a reply. As it was evident, however, that I i 2 NATHANIEL HAWTHORNE. coulil have nothing to do with his private affairs, 1 passed through an open doorway, which admitted me into the exten- sive hall of the museum. Directly in front of the portal was the bronze statue of a youth with winged feet. He was represented in the act of flitting away from earth, yet wore such a look of earnest invitation that it impressed me like a summons to enter the hall " It is the original statue of Opportunity, by the ancient sculptor Lysippus," said a gentleman who now approached me. " I place it at the entrance of my museum, because it is not at all times that one can gain admittance to such a collection." The speaker was a middle-aged person, of whom it was not easy to determine whether he had spent his life as a scholar or as a man of action ; in truth, all outward and ob- vious peculiarities had been worn away by an extensive and promiscuous intercourse with the world. There was no mark about him of profession, individual habits, or scarcely of country ; although his dark complexion and high features, made me conjecture that he was a native of some southern clime of Europe. At all events, he was evidently the vir- tuoso in person. " With your permission," said he, " as we have no descrip- tive catalogue, I will accompany you through the museum, and point out whatever may be most worthy of attention. In the first place, here is a choice collection of stuffed animals." Nearest the door stood the outward semblance of a wolf, exquisitely prepared, it is true, and showing a very wolfish fierceness in the large glass eyes which were inserted into its wild and crafty head. .Still it was merely the skin of a wolf, with nothing to distinguish it from other individuals of that unlovely breed. "How does this animal deserve a place in your collec tion ? " inquired I. A VIRTUOSO'S COLLECTION. 3 It is the wolf that devoured Little Red Riding Hood," answered the virtuoso ; " and by his side with a milder and more matronly look, as you perceive stands the she- wolf that suckled Romulus and Remus." k - All, indeed ! " exclaimed I. " And wliat lovely lamb is this with the snow-white fleece, which seems to .e of as delicate a texture as innocence itself?" " Methinks you have but carelessly read Spenser/ replied my guide, " or you would at once recognize the ' milk-white lamb ' which Una led. But I set no great value upon the lamb. The next specimen is better worth our notice." u What ! " cried I, " this strange animal, with the black head t of 9fi ox upon the body of a white horse ? Were u possible to suppose it, I should say that this was Alexander's steed Bucephalus." " The same," said the virtuoso. " And can you likewise give a name to the famous charger that stands beside hi.n ? '' Next to the renowned Bucephalus stood the mere skeleton of a horse, with the white bones peeping through his ill- conditioned hide ; but, if my heart had not wanted towards that pitiful anatomy, I might as well have quitted the museum at once. Its rarities had not been collected with pain and toil from the four quarters of the earth, and from the depth 3 of the sea, and from the palaces and sepulchres of ager, ic those who could mistake this illustrious steed. " It is Rosinante ! " exclaimed I, with enthusiasm. And so it proved. My admiration for the n^ble and gallant horse caused me to glance with less interest at- the other animals, although many of them might Iiave deserved the notice of Guvier himself. There was the donkey which Peter Bell cudgelled so soundly, and a brother of the same species who had suffered a similar infliction from the ancient prophet Balaam. Some doubts were entertained, however, as to the authenticity of the latter beast. My guide pointeu out the venerable Argus, that faithful dog of Ulysses, and NATHANIEL HAWTHORNE. another dog, (for so the skin bespoke it,) which, though Imperfectly preserved, seemed once to have had three heads. It was Cerberus. I was considerably amused at detecting in an obscure corner the fox that became so famous by the loss of his tail. There were several stuffed cats, which, as a dear lover of that comfortable beast, attracted my affection- ate regards. One was Dr. Johnson's cat Hodge ; and in the same row stood the favorite cats of Mahomet, Gray, and "Walter Scott, together with Puss in Boots, and a cat of very noble aspect who had once been a deity of ancient Egypt, Byron's tame bear came next. I must not forget to mention the Erymanthean boar, the skin of St. George's dragon, and that of the serpent Python ; and another skin with beauti- fully variegated hues, supposed to have been the garment of the " spirited sly snake " which tempted Eve. Against the walls were suspended the horns of the stag that Shake- speare shot ; and on the floor lay the ponderous shell of the tortoise which fell upon the head of JEschylus. In one row, as natural as life, stood the sacred bull Apis, the " cow with the crumpled horn," and a very wild-looking young heifer, which I guessed to be the cow that jumped over the moon, She was probably killed by the rapidity of her descent As I turned away, my eyes fell upon an indescribable monster, which proved to be a griffin. " I look in vain," observed I, " for the skin of an animal which might well deserve the closest study of a naturalist, the winged horse Pegasus." " He is not yet dead," replied the virtuoso ; " but he is so hard ridden by many young gentlemen of the day that I hope soon to add his skin and skeleton to my collection." We now passed to the next alcove of the hall, in which was a multitude of stuffed birds. They were very prettily arranged, some upon the branches of trees, others brooding upon nests, and others suspended by wires so artificially that they seemed in the very act of flight. Among them was s A. VIBTUOSO'S COLLECTION. 5 white dove, with a withered branch of olive-leaves in her mouth. " Can this be the very dove," inquired I, " that brought the message of peace and hope to the tempest-beaten pas- sengers of the ark ? " " Even so," said my companion. " And this raven, I suppose," continued I, " is the same that fed Elijah in the wilderness." "The raven? No," said the virtuoso; "it is a bird of modern date. He belonged to one Barnaby Rudge ; and many people fancied that the Devil himself was disguised under his sable plumage. But poor Grip has drawn his last cork, and has been forced to * say die ' at last. This other raven, ha'rdly less curious, is that in which the soul of King George I. revisited his lady love, the Duchess of Kendall." My guide next pointed out Minerva's owl and the vulture that preyed upon the liver of Prometheus. There was like- wise the sacred ibis of Egypt, and one of the Stymphalides which Hercules shot in his sixth labor. Shelley's skylark, Bryant's water-fowl, and a pigeon from the belfry of the Old South Church, preserved by N. P. AVillis, were placed on the same perch. I could not but shudder on beholding Coleridge's albatross, transfixed with the Ancient Mariner's crossbow shaft. Beside this bird of awful poesy stood a gray goose of very ordinary aspect. " Stuffed goose is no such rarity," observed I. " Why do you preserve such a specimen in your museum ? " " It is one of the flock whose cackling saved the Rompn Capitol," answered the virtuoso. " Many geese have cackled and hissed both before and since ; but none, like those, have clamored themselves into immortality." There seemed to be little else that demanded notice in this department of the museum, unless we except Robinson Crusoe's parrot, a live phosnix, a footless bird of paradise, and a splendid peacock, supposed to be the same that onr*> 6 NATHANIEL HAWTHORNE. contained the soul of Pythagoras. I therefore passed to the next alcove, the shelves of which were covered AN ith a mis- cellaneous collection of curiosities, such as arc usually found in similar establishments. One of the first tilings that took my eye was a strange-looking cap, woven of some substance that appeared to be neither woollen, cotton, nor linen. " Is that a magician's cap ? " I asked. " No," replied the virtuoso ; " it is merely Dr. Franklin's cap of asbestos. But here is one which, perhaps, may suit you better. It is the wishing-cap of Fortunatus. Will you try it on ? " " By no means," answered I, putting it aside with my hand. " The day of wild wishes is past with me. I desire nothing that may not come in the ordinary course of Provi- dence." " Then probably," returned the virtuoso, " you will not be tempted to rub this lamp ? " While speaking, he took from the shelf an antique brass lamp, curiously wrought with embossed figures, but so cov- ered with verdigris that the sculpture was almost eaten away. " It is a tnousand years," said he, " since the genius of this lamp constructed Aladdin's palace in a single night. But he still retains his power ; and the man who rubs Aladdin's .amp has but to desire either a palace or a cottage." u I might desire a cottage," replied I ; " but I would have it founded on sure and stable truth, not on dreams and fan- tasies. I have learned to look for the real and true." My guide next showed me Prospero's magic wand, broken into three fragments by the hand of its mighty master. On the same shelf lay the gold ring of ancient Gyges, which enabled the wearer to walk invisible. On the other side of the alcove was a tall looking-glass in a frame of ebony, but veiled with a curtain of purple silk, through the rents of which the gleam of the mirror was perceptible. A VIRTUOSO'S COLLECTION 7 " This is Cornelius Agrippa's magic glass," observed the virtuoso. " Draw aside the curtain, and picture any human form within your mind, and it will be reflected in the mir- ror." " It is enough if I can picture it within my mind," an- swered I. "Why should I wish it to be repeated in the mirror? But, indeed, these works of magic have grown wearisome to me. There are so many greater wonders in the world, to those who keep their eyes open and their sight undimmed by custom, that all the delusions of the old sorcer- ers seem flat and stale. Unless you can show me something re0!Iy curious, I care not to look farther into your museum." " Ah, well, then," said the virtuoso, composedly, " perhaps you may deem some of my antiquarian rarities deserving of a gknce." He pointed out the iron mask, now corroded with rust ; and my heart grew sick at the sight of this dreadful relic, which had shut out a human being from sympathy with his race. There was nothing half so terrible in the axe that beheaded King Charles, nor in the dagger that slew Henry of Navarre, nor in the arrow that pierced the heart of Wil- liam Rufus, all of which were shown to me. Many of the articles derived their interest, such as it was. from having been formerly in the possession of royalty. For instance, here was Charlemagne's sheep-skin cloak, the flowing wig of Louis Quatorze, the spinning-wheel of Sardanapalus, and King Stephen's famous breeches which cost him but a crown. The heart of the Bloody Mary, with the word " Calais " worn into its diseased substance, was preserved in a bottle of spirits ; and near it lay the golden case in which the queen of Gustavus Adolphus treasured up that hero's heart. Among these relics and heirlooms of kings I must not forget the long, hairy ears of Midas, and a piece of bread which had been changed to gold by the touch of that unlucky mon- arch. Accl as Grecian Helen was a quf-en, it may here be 8 NATHANIEL HAWTHORNE. mentioned that I was permitted to take into my hand a lock of her golden hair and the bowl which a sculptor modelled from the curve of her perfect breast. Here, likewise, was the robe that smothered Agamemnon, Nero's fiddle, the Czar Peter's brandy-bottle, the crown of Seniiramis, and Canute's sceptre which he extended over the sea. That my own land may not deem itself neglected, let me add that I was favored wit i a sight of the skull of King Pliilip, the famous Indian chief, whose head the Puritans smote off and exhibited upon u pole. " Show me something else," said I to the virtuoso. " Kings are in such an artificial position, that people in the ordinary walks of life cannot feel an interest in their relics. If you could show me the straw hat of sweet little Nell, I would far rather see it than a king's golden crown." " There it is," said my guide, pointing carelessly with his staff to the straw hat in question. " But, indeed, you are hard to please. Here are the seven-league boots. Will you try them on ? " " Our modern railroads have superseded their use," an- swered I ; " and as to these cowhide boots, I could show you quite as curious a pair at the Transcendental community in Roxbury." We next examined a collection of swords and other weap- ons, belonging to different epochs, but thrown together with- out much attempt at arrangement. Here was Arthur's sword Excalibar, and that of the Cid Campeador, and the sword of Brutus rusted with Caesar's blood and his own, and the sword of Joan of Arc, and that of Horatius, and that with which Virginius slew his daughter, and the one which Dionysius suspended over the head of Damocles. Here also was Ar- ria's sword, which she plunged into her own breast, in order to taste of death before her husband. The crooked blade of Saladin's cimeter next attracted my notice. I know not by what chance, but bo it happened, that the sword of one of oui A VIRTUOSO'S COLLECTION. 9 militia-generals was suspended between Don Quixote's lance and the brown blade of Hudibras. My heart throbbed high at the sight of the helmet of Miltiades and the spear that was broken in the breast of Epaminondas. I recognized the shield of Achilles by its resemblance to the admirable cast in the possession of Professor Felton. Nothing in this apartment interested me more than Major Pitcairn's pistol, the discharge of which, at Lexington, began the war of the Revolution, and was reverberated in thunder around the land for seven long years. The bow of Ulysses, though unstrung for ages, was placed against the wall, together with a sheaf of Robin Hood's arrows and the rifle of Daniel Boone. "Enough of weapons," said I, at length; "although I would gladly have seen . the sacred shield which fell from heaven in the time of Numa. And surely you should obtain the sword which Washington unsheathed at Cambridge. But the collection does you much credit. Let us pass on." In the next alcove we saw the golden thigh of Pythago- ras, which had so divine a meaning ; and, by one of the queer analogies to which the virtuoso seemed to be addicted, this ancient emblem lay on the same shelf with Peter Stuyve- sant's wooden leg, that was fabled to be of silver. Here was a remnant of the Golden Fleece, and a sprig of yellow leaves that resembled the foliage of a frost-bitten elm, but was duly authenticated as a portion of the golden branch by which ^Eneas gained admittance to the realm of Pluto. Atalanta's golden apple and one of the apples of discord were wrapped in the napkin of gold which Rhampsinitus brought from Ha- des ; and the whole were deposited in the golden vase of Bias, witli its inscription : " To THE WISEST." " And how did you obtain this vase ? " said I to the vir- tuoso. " It was given me long ago," replied he, with a scornful expression in his eye, " because I had learned to despise all things." 10 NATHANIEL HAWTHORNE. It had not escaped me that, though the virtuoso was evi- dently a man of high cultivation, yet he seemed to lack sym pathy with the spiritual, the sublime, and the tender. Apart from the whim that had led him to devote so much time, pains, and expense to the collection of this museum, he im- pressed me as one of the hardest and coldest men of the world whom I had ever met. " To despise all things ! " repeated I. " This, at best, is the wisdom of the understanding. It is the creed of a man whose soul, whose better and diviner part, has never beeb awakened, or has died out of him." " I did not think you were still so young," said the vir- tuoso. " Should you live to my years, you will acknowledge that the vase of Bias was not ill bestowed." Without further discussion of the point, he directed my attention to other curiosities. I examined Cinderella's little glass slipper, and compared it with one of Diana's sandals, and with Fanny Elssler's shoe, which bore testimony to the muscular character of her illustrious foot. On the same shelf were Thomas the Rhymer's green velvet shoes, and the brazen shoe of Empedocles which was thrown out of Mount JEtna. Anacreon's drinking-cup was placed in apt juxtaposition with one of Tom Moore's wine-glasses and Circe's magic bowl. These were symbols of luxury and riot ; but near them stood the cup whence Socrates drank his hemlock, and that which Sir Philip Sidney put from his death-parched lips to bestow the draught upon a dying sol- dier. Next appeared a cluster of tobacco-pipes, consisting of Sir Walter Raleigh's, the earliest on record, Dr. Parr's, Charles Lamb's, and the first calumet of peace which was ever smoked between a European and an Indian. Among other musical instruments, I noticed the lyre of Orpheus and those of Homer and Sappho, Dr. Franklin's famous whistle, the trumpet of Anthony Van Corlear, and the flute which Goldsmith played upon in his rambles through the French A VIRTUOSO'S COLLECTION. 11 provinces. The staff of Peter the Hermit stood ii. a corner with that of good old Bishop Jewel, and one of ivory, which had belonged to Papirius, the Roman Senator. The pon- derous club of Hercules was close at hand. The virtuoso showed me the chisel of Phidias, Claude's palette, and the brush of Apelles, observing that he intended to bestow the former either on Greenough, Crawford, or Powers, and. the two latter upon Washington Allston. There was a small vase of oracular gas from Delphos, which I trust will be submitted to the scientific analysis of Professor -Silliman. I was deeply moved on beholding a vial of the tears into which Niobe was dissolved ; nor less so on learning that a shapeless fragmenUof salt was a relic of that victim of despondency and sinful regrets, Lot's wife. My companion appeared to set great value upon some Egyptian darkness in a black- ing-jug. Several of the shelves were covered by a collec- tion of coins, among which, however, I remember none but the Splendid Shilling, celebrated by Phillips, and a dollar's worth of the iron money of Lycurgus, weighing about fifty pounds. Walking carelessly onward, I had nearly fallen over a huge bundle, like a pedler's pack, done up in sackcloth, and very securely strapped and corded. " It is Christian's burden of sin," said the virtuoso. " O, pray let us open it ! " cried I. " For many a year I have longed to know its contents." " Look into your own consciousness and memory," replied the virtuoso. "You will there find a list of whatever it contains." As this was an undeniable truth, I threw a melancholy look at the burden and passed on. A collection of old gar- ments, hanging on pegs, was worthy of some attention, es- pecially the shirt of Nessus, Caesar's mantle, Joseph's coat of many colors, the Vicar of Bray's cassock, Goldsmith's peach-bloom suit, a pair of President Jefferson's scarlet 1* NATHANIEL HAWTHORNE. breeches, John Randolph's red-baize hunting-sin it, the drab small-clothes of the Stout Gentleman, and the rags of the " man all tattered and torn." George Fox's hat impressed me with deep reverence as a relic of perhaps the truest apostle that has appeared on earth for these eighteen hun- dred years. My eye was next attracted by an old pair of shears, which I should have taken for a memorial of some famous tailor, only that the virtuoso pledged his veracity that they were the identical scissors of Atropos. He also showed me a broken hour-glass which had been thrown aside by Father Time, together with the old gentleman's gray fore- lock, tastefully braided into a brooch. In the hour-glass was the handful of sand, the grains of which had numbered the years of the Cumaean sibyl. I think that it was in this alcove that I saw the inkstand which Luther threw at the Devil, and the ring whi^h Essex, while under sentence of death, sent to Queen Elizabeth. And here was the blood- incrusted pen of steel with which Faust signed away his salvation. The virtuoso now opened the door of a closet, and showed me a lamp burning, while three others stood unlighted by its side. One of the three was the lamp of Diogenes, another that of Guy Fawkes, and the third that which Hero set forth to the midnight breeze in the high tower of Abydos. " See ! " said the virtuoso, blowing with all his force at the lighted lamp. The flame quivered and shrank away from his breath, but clung to the wick, and resumed its brilliancy as soon as the blast was exhausted. " It is an undying lamp from the tomb of Charlemagne," observed my guide. " That flame was kindled a thousand years ago." " How ridiculous to kindle an unnatural light in tombs ! " exclaimed I. " We should seek to behold the dead in the light of heaven. But what is the meaning of this chafing- dish of Blowing coals ? " A VIRTUOSO'S COLLECTION. 13 '* That." answered the virtuoso, " is the original fire which Prometheus stole from heaven. Look steadfastly into it, and you will discern another curiosity." I gazed into that fire, which, symbolically, was the origin of all that was bright and glorious in the soul of man, and in the midst of it, behold, a little reptile, sporting with evi- de nt enjoyment of the fervid heat ! It was a salamander. " What a sacrilege ! " cried I, with inexpressible disgust. " Can you find no better use for this ethereal fire than to cherish a loathsome reptile in it ? Yet there are men who abuse the sacred fire of their own souls to as foul and guilty a purpose." The virtuoso made no answer except by a dry laugh and an assurance that the salamander was the very same which Benvenuto Cellini had seen in his father's household fire. He then proceeded to show me other rarities ; for this closet appeared to be the receptacle of what he considered moet valuable in his collection. " There," said he, " is the Great Carbuncle of the White Mountains." I gazed with no little interest at this mighty gem, which it had been one of the wild projects of my youth to discover. Possibly it might have looked brighter to me in those days than now ; at all events, it had not such brilliancy as to detain me long from the other articles of the museum. The virtu- oso pointed out to me a crystalline stone which hung by a gel 1 chain against the wall. * That is the philosopher's stone," said he. " And have you the elixir vitne which generally accompa- nies it ? " inquired I. " Even so ; this urn is filled with it," he replied. " A draught would refresh you. Here is Hebe's cup ; will you quaff a health from it?" My heart thrilled within me at the idea of sach a reviving draught ; for methought I had great need of it after travel 14 NATHANIEL HAWTHORNE. ling so far on the dusty road of life. But I kucnv not whether it were a peculiar glance in the virtuoso's eye. or the circum- stance that this most precious liquid was contained in an an- tique sepulchral urn, that made me pause. Then came many a thought with which, in the calmer and better hours of life, I had strengthened myself to feel that Death is the very friend whom, in his due season, even the happiest mortal should be willing to embrace. " No ; I desire not an earthly immortality," said I. " Were man to live longer on the earth, the spiritual would die out of him. The spark of ethereal tire would be choked by the material, the sensual. There is a celestial something within us that requires, after a certain time, the atmosphere of heaven to preserve it from decay and ruin. I will have none of this liquid. You do well to keep it in a sepulchral urn ; for it would produce death while bestowing the shadow of life." " All this is unintelligible to me," responded my guide, with indifference. " Life earthly life is the only good. But you refuse the draught ? Well, it is not likely to be offered twice within one man's experience. Probably you have griefs which you seek to forget in death. I can enable you to forget them in life. Will you take a draught of Lethe?" As he spoke, the virtuoso took from the shelf a crystal vase containing a sable liquor, which caught no reflected i nage from the objects around. " Not for the world ! " exclaimed I, shrinking back. " I r-an spare none of my recollections, not even those of error or sorrow. They are all alike the food of my spirit. As well never to have lived as to lose them now." Without further parley we passed to the next alcove, the shelves of which were burdened with ancient volumes and with those rolls of papyrus in which was treasured up the eldest wisdom of the earth. Perhaps the most valuable A VIRTUOSO'S COLLECTION. 15 work in the collection, to a bibliomaniac, was the Book of Hermes. For my part, however, I would have given a higher price for those six of the Sibyl's books which Tarquiii refused to purchase, and which the virtuoso informed me he had himself found in the cave of Trophonius. Doubtless these old volumes contain prophecies of the fate :f Rome, both as respects the decline and fall of her temporal empire and the rise of her spiritual one. Not without value, like- wise, was the work of Anaxagoras on Nature, hitherto sup posed to be irrecoverably lost, and the missing treatises of Longinus, by which modern criticism might profit, and those books of Livy for which the classic student has so long sor- rowed without hope. Among these precious tomes I observed the original manuscript of the Koran, and also that of the Mormon Bible in Joe Smith's authentic autograph. Alex- ander's copy of the Iliad was also there, enclosed in the jewelled casket of Darius, still fragrant of the perfumes which the Persian kept in it. Opening an iron-clasped volume, bound in black leather, 1 discovered it to be Cornelius Agrippa's book of magic ; and it was rendered still more interesting by the fact that many flowers, ancient and modern, were pressed between its leaves. Here was a rose from Eve's bridal bower, and all those red and wliite roses which were plucked in the garden of the Temple by the partisans of York and Lancaster. Here was Halleck's Wild Rose of Alloway. Cowper had contributed a Sensitive-Plant, and Wordsworth an Eglantine, and Burns a Mountain Daisy, and Kirke Wliite a Star of Bethlehem, and Longfellow a Sprig of Fennel, with its yellow flowers. James Russell Lowell had given a Pressed Flower, but fra- grant still, which had been shadowed in the Rhine. There was also a sprig from Southey's Holly-Tree. One of the most beautiful specimens was a Fringed Gentian, which had been plucked and preserved for immortality by Bryant. From Jones Very, a poet whose voice is scarcely heard 16 NATHANIEL HAWTHORNE. among us by reason of its depth, there was a Windflower and a Columbine. As I closed Cornelius Agrippa's magic volume, an old, mildewed letter fell upon the floor. It proved to be an au- tograph from the Flying Dutchman to his wife. I could linger no longer among books ; for the afternoon was waning, and there was yet much to see. The bare mention of a few more curiosities must suffice. The immense skull of Poly- phemus was recognizable by the cavernous hollow in the centre of the forehead where once had blazed the giant's single eye. The tub of Diogenes, Medea's caldron, and Psyche's vase of beauty were placed one within another. Pandora's box, without the lid, stood next, containing noth- ing but the girdle of Venus, which had been carelessly flung into it. A bundle of birch rods which had been used by Shens tone's schoolmistress were tied up with the Countess of Salisbury's garter. I know not which to value most, a roc's egg as big as an ordinary hogshead, or the shell of the egg which Columbus set upon its end. Perhaps the most delicate article in the whole museum was Queen Mab's chariot, which, to guard it from the touch of meddlesome fingers, was placed under a glass tumbler. Several of the shelves were occupied by specimens of entomology. Feeling but little interest in the science, 1 noticed only Anacreon's grasshopper, and a humble-bee which had been presented to the virtuoso by Ralph Waldo Emerson. In the part of the hall which we had now reached I ob- served a curtain, that descended from the ceiling to the floor in voluminous folds, of a depth, richness, and magnificence which I had never seen equalled. It was not to be doubted that this splendid though dark and solemn veil concealed a portion of the museum even richer hi wonders than that tlirough which I had already passed ; but, on my attempting to grasp the edge of the curtain and draw it aside, it proved to be an illusive picture. A VIRTUOSO'S COLLECTION. 17 " You need not blush/' remarked the virtuoso ; " for that same curtain deceived Zeuxis. It is the celebrated painting of Parrhasius." In a range with the curtain there were a number of other choice pictures by artists of ancient days. Here was the fa- mous cluster of grapes by Zeuxis, so admirably depicted that it seemed as if the ripe juice were bursting forth. As to the picture of the old woman by the same illustrious painter, and which was so ludicrous that he himself died with laugh- inn at it, I cannot say that it particularly moved my risibility. Ancient humor seems to have little power over modern mus- cles. Here, also, was the horse painted by Apelles, which livinjr liprses neighed at ; his first portrait of Alexander the Great ; and his last unfinished picture of Venus asleep. Each of these works of art, together with others by Parrha- sius, Timantlies, Polygnotus, Apollodorus, Pausias, and Pam- philus, required more time and study than I could bestow for the adequate perception of their merits. I shall therefore leave them undescribed and uncriticised, nor attempt to settle the question of superiority between ancient and mod- ern art. For the same reason I shall pass lightly over the speci- mens of antique sculpture which this indefatigable and for- tunate virtuoso had dug out of the dust of fallen empires. Here was ^Etion's cedar statue of ^Esculapius, much de- cayed, and Alcon's iron statue of Hercules, lamentably rusted. Here was the statue of Victory, six feet high, which the Jupiter Olympus of Phidias had held in his hand. Here was a forefinger of the Colossus of Rhodes, seven feet in length. Here was the Venus Urania of Phidias, and other images of male and female beauty or grandeur, wrought by sculptors who appear never to have debased their souls by the sight of any meaner forms than those of gods or godlike mortals. But the deep simplicity of these great works was not to be comprehended by a mind excited and disturbed, as 18 NATHANIEL HAWTHORNE. mine was, by the various objects that had recently been pre- sented to it. I therefore turned away with merely a passing glance, resolving on some future occasion to brood over each individual statue and picture until my inmost spirit should feel their excellence. In this department, again, I noticed the tendency to whimsical combinations and ludicrous analo- gies which seemed to influence many of the arrangements of the museum. The wooden statue so well known as the Palladium of Troy was placed in close apposition with the wooden head of General Jackson which was stolen a few years since from the bows of the frigate Constitution. We had now completed the circuit of the spacious hall, and found ourselves again near the door. Feeling somewhat wearied with the survey of so many novelties and antiqui- ties, I sat down upon Cowper's sofa, while the virtuoso threw himself carelessly into Rabelais's easy-chair. Casting my eyes upon the opposite wall, I was surprised to perceive the shadow of a man nickering unsteadily across the wainscot, and looking as if it were stirred by some breath of air that found its way through the door or windows. No substantial figure was visible from which this shadow might be thrown ; nor, had there been such, was there any sunshine that would have caused it to darken upon the wall. " It is Peter Schlemihl's shadow," observed the virtuoso, " and one of the most valuable articles in my collection." " Methinks a shadow would have made a fitting doorkeeper to such a museum," said I ; " although, indeed, yonder figure has something strange and fantastic about him, which suits well enough with many of the impressions which I have received here. Pray, who is he ? " While speaking, I gazed more scrutinizingly than before at the antiquated presence of the person who had admitted me, and who still sat on his bench with the same restless aspect, and dim, confused, questioning anxiety that I had noticed on my first entrance. At this moment lie looked A VIRTUOSO'S COLLECTION. 19 eagerly toward us, and, half starting from liis seat, addressed me. " I beseech you, kind sir," said he, in a cracked, melan- choly tone, " have pity on the most unfortunate man in the world. For Heaven's sake, answer me a single question ! Is this the town of Boston ? " " You have recognized him now," said the virtuoso. " It is Peter Rugg, the missing man. I chanced to meet him the other day still in search of Boston, and conducted him hither ; and, as he could not succeed in finding his friends, I have taken him into my service as doorkeeper. He is some- what too apt to ramble, but otherwise a man of trust and integrity.'** " And might I venture to ask," continued I, " to whom am I indebted for this afternoon's gratification ? " The virtuoso, before replying, laid his hand upon an an- tique dart or javelin, the rusty steel head of which seemed to have been blunted, as if it had encountered the resistance of a tempered shield, or breastplate. " My name has not been without its distinction in the world for a longer period than that of any other man alive," answered he. " Yet many doubt of my existence ; perhaps you will do so to-morrow. This dart which I hold in my hand was once grim Death's own weapon. It served him well for the space of four thousand years ; but it iell bluuteJ as you see, when he directed it against my breast." These words were spoken with the calm and cold courtesy of manner that had characterized this singular personage throughout our interview. I fancied, it is time, that there was a bitterness indefinably mingled with his tone, as of one cut off from natural sympathies and blasted with a doom that had been inflicted on no other human being, and by the re- sults of which he had ceased to be human. Yet, withal, it seemed one of the most terrible consequences of that doom that the victim no longer regarded it as a calamity, but had 2(J NATHANIEL HAWTHORNE. finally accepted it as the greatest good that could lave befallen him. " You are the Wandering Jew ! " exclaimed I. The virtuoso bowed, without emotion of any kind, for, by centuries of custom, he had almost lost the sense of strange- ness in his fate, and was but imperfectly conscious of the astonishment and awe with which it affected such as are capable of death. " Your doom is indeed a fearful one ! " said I, with irre- pressible feeling and a frankness that afterwards startled me ; " yet perhaps the ethereal spirit is not entirely extinct under all tliis coiTupted or frozen mass of earthly life. Perhaps the immortal spark may yet be rekindled by a breath of heaven. Perhaps you may yet be permitted to die before it is too late to live eternally. You have my prayers for such a consummation. Farewell." " Your prayers will be in vain," replied he, with a smile of cold triumph. " My destiny is linked with the realities of earth. You are welcome to your visions and shadows of a future state ; but give me what I can see, and touch, and understand, and I ask no more." " It is indeed too late," thought I. " The soul is dead within him." Struggling between pity and horror, I extended my hand, to which the virtuoso gave his own, still with the habitual courtesy of a man of the world, but without a single heart- throb of human brotherhood. The touch seemed like ice, yet I know not whether morally or physically. As I de- paried, he bade me observe that the inner door of the hall was constructed with the ivory leaves of the gal-sway through which JEneas and the Sibyl had been disn ir>sed from Hades. DORA. BY ALFRED TENNYSON. WITH Fanner Allan at the farm abode % William and Dora. William was his son, And she his niece. He often looked at them, And often thought, " I '11 make them man and wife." Now Dora felt her uncle's will in all, And yearned towards William ; but the youth, because He had been always with her in the house, Thought not of Dora. Then there came a day When Allan called his son, and said, " My son : I married late, but I would wish to see My grandchild on my knees before I die : And I have set my heart upon a match. Now therefore look to Dora ; she is well To look to ; thrifty too beyond her age. She is my brother's daughter : he and I Had once hard words, and parted, and he died In foreign lands ; but for his sake I bred His daughter Dora : take her for your wife ; For I have wished this marriage, night and day, For many years." But William answered short " I cannot marry Dora ; by my life, I will not many Dora," Then the old man Was wroth, and doubled up his hands, and said 22 ALFRED TENNYSON. " You will not, boy ! you dare to answer thus ! But in my time a father's word was law, And so it shall be now for me. Look to 't ; Consider, William : take a month to think, And let me have an answer to my wish ; Or, by the Lord that made me, you shall pack, And nevermore darken my doors again ! " But William answered madly ; bit Ids lips, And broke away. The more he looked at her, The less he liked her ; and his ways were harsh ; But Dora bore them meekly. Then before The month was out he left his father's house, And hired himself to work within the fields ; And half in love, half spite, he wooed and wed A laborer's daughter, Mary Morrison. Then, when the bells were ringing, Allan called His niece and said : " My girl, I love you well ; But if you speak with him that was my son, Or change a word with her he calls his wife, My home is none of yours. My will is law." And Dora promised, being meek. She thought, " It cannot be : my uncle's mind will change ! " And days went on, and there was born a boy To William ; then distresses came on him ; And day by day he passed his father's gate, Heart-broken, and his father helped him not. But Dora stored what little she could save, And sent it them by stealth, nor did they know Who sent it ; till at last a fever seized On William, and in harvest-time he died. Then Dora went to Mary. Mary sat And looked with tears upon her boy, and thought DORA. 23 Hard tilings of Dora. Dora came and said : " I have obeyed my uncle until now, And I have sinned, for it was all through me This evil came on William at the first. But, Mary, for the sake of him that 's gone, And for your sake, the woman that he chose, Aw 1 for this orphan, I am come to you : y ji, know there has not been for these five years So full a harvest : let me take the boy, And I will set him in my uncle's eye Among the wheat ; that when his heart is glad Of the full harvest, he may see the boy, And bless him for the sake of him that 's gone. And Dora took the child, and went her way Across the wheat, and sat upon a mound That was unsown ; where many poppies grew. Far off the fanner came into the field, And spied her not ; for none of all his men Dare tell him Dora waited with the child ; And Dora would have risen and gone to him, But her heart failed her ; and the reapers reaped, And the sun fell, and all the land was dark. But when the morrow came, she rose and took The child once more, and sat upon the mound ; And made a little wreath of all the flowers That grew about, and tied it round his hat To make him pleasing in her uncle's eye. Then when the farmer passed into the field He spied her, and he left his men at work, And came and said, " Where were you yesterday ? Whose child is that ? What are you doing here ? " So Dora cast her eyes upon the ground, And answered softly, " This is William's child ! " 24 ALFRED TENNYSON. " And did I not," said Allan, " did I not Forbid you, Dora ? " Dora said c.gain : " Do with me as you will, but take the child, And bless him for the sake of him that 's gone ! n And Allan said, " I see it is a trick Got up betwixt you and the woman there. I must be taught my duty, and by you ! You knew my word was law, and yet you dared To slight it. Well for I will take the boy ; "But go you hence, and never see me more." So saying, he took the boy, that cried aloud And struggled hard. The wreath of flowers fell At Dora's feet. She bowed upon her hands, And the boy's cry came to her from the field, More and more distant. She bowed down liei head, Remembering the day when first she came, And all the things that had been. She bowed down And wept in secret ; and the reapers reaped, And the sun fell, and all the land was dark. Then Dora went to Mary's house, and stood Upon the threshold. Mary saw the boy "Was not with Dora. She broke out in praise To God, that helped her in her widowhood. And Dora said, " My uncle took the boy ; But, Mary, let me live and work with you : He says that he will never see me more." Then answered Mary, " This shall never be, That thou shouldst take my trouble on thyself: And, now I think, he shall not have the boy, For he will teach him hardness, and to slight His mother; therefore thou and I will go, And I will have my boy, and bring him home , And I will beg of him to take thee back ; DORA. 25 But if he will not take thee back again, Then thou and I will live within one house, And work for William's child, until he grows Of age to help us." So the women kissed Each other, and set out and reached the farm. The door was off the latch : they peeped and saw The boy set up betwixt his grandsire's knees, Who thrust him in the hollows of his arm, And clapt him on the hands and on the cheeks, Like one that loved him ; and the lad stretched out And babbled for the golden seal that hung From Allan's watch, and sparkled by the fire. Then they came in ; but when the boy beheld His mother, he cried out to come to her : And Allan set him down, and Mary said : " Father ! if you let me call you so I never came a-begging for myself, Or William, or this child ; but now I come For Dora : take her back ; she loves you well. Sir, when William died, he died at peace With all men ; for I asked him, and he said, He could not ever rue his marrying me. 1 had been a patient wife : but, Sir, he said That he was wrong to cross his father thus : 1 God bless him ! ' he said, ' and may he never know The troubles I have gone through ! ' Then he turned His face and passed unhappy that I am ! But now, Sir, let me have my boy, for you Will make him hard, and he will learn to slight His father's memory ; and take Dora back, And let all this be as it was before." So Mary said, and Dora hid her face By Mary. There was silence in the room ; 26 ALFRED TENNYSON. And all at once the old man burst in sobs : " I have been to blame to blame ! I have killed my son ! I have killed him ! but I loved him my dear son ! May God forgive me ! I have been to blame. Kiss me, my children ! " Then they clung about The old man's neck, and kissed him many times. And all the man was broken with remorse, And nil his love came back a hundred-fold; And for three hours he sobbed o'er William's child, Thinking of William. So those four abode Within one house together ; and as years Went forward, Mary took another mate ; But Dora lived unmarried till her death. A TALE OF WITCHCRAFT BY SIR WALTER SCOTT. MARGARET BARCLAY, wife of Archibald Dein. burgess of Irvine, had been slandered by her sister in-la\v. Janet Lyal, the spouse of John Dein, brother of Archibald, and by John Dein himself, as guilty of some act of theft. Upon this provocation Margaret Barclay raised an action of slander before the church court, which prosecution, after some procedure, the kirk-session discharged, by direct- ing a reconciliation between the parties. Nevertheless, al- though the two women shook hands before the court, yet the said Margaret Barclay declared that she gave her hand only in obedience to the kirk-session, but that she still retained her hatred and ill-will against John Dein and his wife Janet Lyal. About this time the bark of John Dein was about to sail for France, and Andrew Train, or Tran, Provost of the burgh of Irvine, who was an owner of the vessel, went with him, to superintend the commercial part of the voyage. Two other merchants of some consequence went in the same ves- sel, with a sufficient number of mariners. Margaret Barclay, the revengeful person already mentioned, was heard to im- precate curses upon the provost's argosy, praying to God that sea nor salt-water might never bear the ship, and that partans (crabs) might eat the crew at the bottom of the sea When, under these auspices, the ship was absent on her voyage, a vagabond fellow, named John Stewart, pretending 28 SIR WALTER SCOTT. to have knowledge of jugglery, and to possess the power of a spaeman, came to the residence of Tran, the provost, and dropped explicit hints that the ship was lost, and that the good woman of the house was a widow. The sad truth was afterward learned on more certain information. Two of the seamen, after a space of doubt and anxiety, arrived with the melancholy tidings that the bark of which John Dein was skipper and Provost Tran part-owner had been wrecked on the coast of England, near Padstow, when all on board had been lost, except the two sailors who brought the notice. Suspicion of sorcery, in those days easily awakened, was fixed on Margaret Barclay, who had imprecated curses on the ship ; and on John Stewart, the juggler, who had seemed to know of the evil fate of the voyage before he could have become acquainted with it by natural means. Stewart, who was first apprehended, acknowledged that Margaret Barclay, the other suspected person, had applied to him to teach her some magic arts, " in order that she might get gear, kye's milk, love of man, her heart's desire on such persons as had done her wrong, and, finally, that she might obtain the fruit of sea and land." Stewart declared that he denied to Margaret that he possessed the said arts himself, or had the power of communicating them. So far was well ; but, true or false, he added a string of circumstances, whether voluntarily declared or extracted by torture, which tended to fix the cause of the loss of the bark on Margaret Barclay. He had come, he said, to this woman's house in Irvine, shortly after the ship set sail from harbor. He went to Margaret's house by night, and found her engaged, with other two women, in making clay figures ; one of the figures was made handsome, with fair hair, supposed to represent Pro- vost Tran. They then proceeded to mould a figure of a ship in clay, and during this labor the Devil appeared to the company in the shape of a handsome black lapdog, such as ladies u=e to keep He added that the whole party left the A TALE OF WITCHCRAFT. 29 house together, and went into an empty waste-house nearer the seaport, which house he pointed out to the city magis- trates. From this house they went to the seaside, followed by the black lapdog aforesaid, and cast hi the figures of claj representing the ship and the men ; after which the sea raged roared, and became red like the juice of madder in a dyer'* caldron. This confession having been extorted from the unfortunate juggler, the female acquaintances of Margaret Barclay were next convened, that he might point out her associates in form- ing the charm, when he pitched upon a woman called Isobel Insh, or Taylor, who resolutely denied having ever seen him before. v She was imprisoned, however, in the belfry of the church. An addition to the evidence against the poor old woman Insh was then procured from her own daughter, Mar- garet Tailzeour, a child of eight years old, who lived as ser- vant with Margaret Barclay, the person principally accused. This child, who was keeper of a baby belonging to Margaret Barclay, either from terror, or the innate love of falsehood which we have observed as proper to childhood, declared, .that she was present when the fatal models of clay were formed, and that, in plunging them in the sea, Margaret Bar- clay, her mistress, and her mother, Isobel Insh, were assisted by another woman, and a girl of fourteen years old, who dwelt at the town-head. Legally considered, the evidence of this child was contradictory, and inconsistent with the con- fession of the juggler, for it assigned other particulars and dramatis persona in many respects different. But all was accounted sufficiently regular, especially since the girl failed not to swear to the presence of the black dog, to whose ap- pearance she also added the additional terrors of that of a black man. The dog also, according to her account, emitted flashes from its jaws and nostrils, to illuminate the witches during the performance of the spell. The child maintained this tory even to her mother's face only alleging that Isobel .".0 SIR WALTKR SCOTT. Insli remained behind in the waste-house, and was not pres- cut when tlic images were, put into the sea. Kor her own countenance and presence on the occasion, and to insure her secrecy, her mistress promised her a pair of new shoes. John Stewart, being re-examined, and confronted with the child, was easily compelled to allow that the "little smatoh- et" was there, and to give; that marvellous account of hid correspondence with Klfland, which we have given else- where.. The conspiracy thus far, ;us they conceived, disclosed, the magistrates and ministers wrought hard with Jsohel Insh, tc prevail upon her to tell the, truth ; and she at len-jth acknowl- edged her presence at the time when the models of the ship and mariners were destroyed, but endeavored 80 to modify her declaration as to deny all personal accession to the guilt. This poor creature almost admitted the supernatural powers imputed to her, promising liailie Dunlop (also a mariner), by whom she was imprisoned, that if he would dismi.-s her, he should never make a had voyage, hut have success in all his dealings by sea and land. She was finally brought to promise that she would fully confess the whole that she knew of the affair on the morrow. But finding herself in so hard a strait, the unfortunate woman made use of the darkness to attempt an escape. AVith this view she got out by a hack window of the belfry, although, says the report, there were "iron bolts, locks, and fetters on her"; and attained the roof of the church, where, losing her footing, she sustained a severe fall, and was greatly bruised. IJcing apprehended, ]>ailie Dunlop again urged her to confess; but the poor woman was determined to ap- peal to a more merciful tribunal, and maintained her inno- cence to the last minute of her life, denying all that she had formerly admitted, and dying five days after her fall from the roof of the church. The inhabitants of Irvine attributed her death to poisqn. A TALE OF WITCHCRAFT. .') 1 The seem thicken, for a commission was grunted for the trial of the two remaining persons accused, namely, Stewart the juggler and Margaret Barclay. The day of trial being arrived, the following singular events took place, which we give as stated in the record. " My Lord and Earl of Kglintoune (who Iwelln -vitliin the space of one mile to the said burgh), having eomo to the said burgh at the earnest request of the said Justices, .ing to them of his lordship's countenance, concur- and assistance, in trying of the aforesaid devilish practices, conform to the tenor of the foresaid commission, the said John Stewart, for his better preserving to the day of the'^issize, was put in a sure lockfast booth, where no manner of person might have accc.-s to him till the -Siting of the Justice Court, and for avoiding of putting violent hands on himself, he was very strictly guarded, and fettered by the arms, as use is. And upon that same day of the assize, about half an hour before the downsitting oi' the Justice Court, Mr. David Dickson, minister at Irvine, and Mr. George Dunbar, minister of Air, having gone to him, to exhort him to call on his God for mercy for his by- gone wicked and evil life, and that God would of his infinite mercy loose him out of the bonds of the Devil, whom he had served these many years bygone, he acquiesced in their prayer and godly exhortation, and uttered these words : ' I am so straitly guarded, that it lies not in my power to get rny hand to take off my bonnet, nor to get bread to my mouth.' And immediately after the departing of the two ministers from him, the juggler being sent for at the desire of my Lord of Kglintoune, to be confronted with a woman of the burgh of Air, called Janet Bous, who was apprehended by the rates of the burgh of Air for witchcraft, and sent to the burgh of Irvine purposely for that affair, he was found by the burgh officers who went about him, strangled and hanged by the cruik of the door, with a tail of hemp, or 32 ,:>iR WALTER SCOfT. a string made of hemp, supposed to have been his garter or string of his bonnet, not above the length of two span long, his knees not being from the ground half a span, and was brought out of the house, his life not being totally expelled. But, notwithstanding of whatsoever means used in the contrary for remeid of his life, he revived not, but so ended his life miserably, by the help of the Devil his master. " And because there was then only in life the said ulaaga- ret Barclay, and that the persons summoned to pass upon her assize, and upon the assize of the juggler, who, by the help of the Devil his master, had put violent hands on himself, were all present within the said burgh ; therefore, and for eschewing of the like in the person of the said Margaret, our sovereign lord's justices in that part, particularly above- named, constituted by commission, after solemn deliberation and advice of the said noble lord, whose concurrence and advice was chiefly required and taken in this matter, con- cluded with all possible diligence before the downsitting of the Justice Court, to put the said Margaret in torture ; in respect the Devil, by God's permission, had made her asso- ciates, who were the lights of the cause, to be their own burr toes (slayers). They used the torture underwritten, as being most safe and gentle (as the said noble lord assured the said justices), by putting of her two bare legs in a pair of stocks, and thereafter by onlaying of certain iron gauds (bars), severally, one by one, and then eiking and augment- ing the weight by laying on more gauds, and in easing of her by offtaking of the iron gauds one or more, as occasion offered, which iron gauds were but little short gauds, and broke not the skin of her legs, &c. " After using of the which kind of gentle torture, the said Margaret began, according to the increase of the pain, to cry, and crave for God's cause to take off her sliins the fore- said irons, and she should declare truly the whole matter A TALE OF WITCHCRAFT. 33 Which being removed, she began at her former denial : and being of new assayed in torture as of befoir, she then uttered these words : ' Take off, take off, and before God I shall show you the whole form ! ' " And the said irons being of new, upon her faithful! promise, removed, she then desired my Lord of Eglintoune, the said four justices, and the said Mr. David Dickson, min- ister of the burgh, Mr. George Dunbar, minister of Ayr, and Mr. Mitchell Wallace, minister of Kilmarnock, and Mr. John Cunninghame, minister of Dairy, and Hugh Kennedy, provost of Ayr, to come by themselves, and to remove all others, and she should declare truly, as she should answer to God, the whole matter. Whose desire hi that being fulfilled, she made her confession in this manner, but (i. e. without) any kind of demand, freely, without interrogation ; God's name by earnest prayer being called upon for opening of her lips, and easing of her heart, that she, by rendering of the truth, might glorify and magnify his holy name, and dis- appoint the enemy of her salvation." Trial of Margaret Barclay, $c., 1618. Margaret Barclay, who was a young and lively person, had hitherto conducted herself like a passionate and high- tempered woman innocently accused, and the only appear- ance of conviction obtained against her was, that she carried about her rowan-tree and colored thread, to make, as she said, her cow give milk, when it began to fail. But the gentle torture a strange junction of words recommended as an anodyne by the good Lord Eglinton, the placing, namely, her legs in the stocks, and loading her bare shins with bars of iron, overcame her resolution : when, at her screams and declarations that she was willing to tell all, the weights were removed. She then told a story of destroying the ship of John Dein, affirming that it was with the pur- pose of killing only her brother-in-law and Provost Tran, and saving the rest of the crew. She at the same time in- 3 34 SIR WALTER SCOTT. volved in the guilt Isobel Crawford. This poor woman was also apprehended, and, in great terror, confessed the imputed crime, retorting the principal blame on Margaret Barclay herself. The trial was then appointed to proceed, when Alexander Dean, the husband of Margaret Barclay, ap- peared in court with a lawyer to act in liis wife's behalf. Apparently, the sight of her husband awakened some hope and desire of life, for when the prisoner was asked by the lawyer whether she wished to be defended, she answered, '* As you please. But all I have confessed was in agony of torture ; and, before God, all I have spoken is false and untrue." To which she pathetically added, " Ye have been too long in .coming." The jury, unmoved by these affecting circumstances, pro- ceeded upon the principle that the confession of the accused could not be considered as made under the influence of tor- ture, since the bars were not actually upon her limbs at the time it was delivered, although they were placed at her elbow, ready to be again laid on her bare shins, if she was less explicit in her declaration than her auditors wished. On this nice distinction, they in one voice found Margaret Barclay guilty. It is singular that she should have again returned to her confession after sentence, and died affirming it ; the explanation of which, however, might be, either that she had really in her ignorance and folly tampered with some idle spells, or that an apparent penitence for her offence, however imaginary, was the only mode in which she could obtain any share of public sympathy at her death, or a portion of the prayers of the clergy and congregation, which, in her circumstances, she might be willing to pur- chase, even by confession of what all believed respecting her. It is remarkable, that she earnestly entreated the magistrates that no harm should be done to Isobel Craw- ford, the woman whom she had herself accused. This un- fortunate young creature was strangled at the stake, and her A TALE OF WITCHCRAFT. 35 body burned to ashes, having died with many expressions of religion and penitence. It was one fatal consequence of these cruel persecutions, that one pile was usually lighted at the embers of another. Accordingly, in the present case, three victims having al- ready perished by this accusation, the magistrates, incensed at the nature of the crime, so perilous as it seemed to men of a maritime life, and at a loss of several friends of their own, one of whom had been their principal magistrate, did not forbear to insist against Isobel Crawford, inculpated by Margaret Barclay's confession. A new commission was granted for her trial, and after the assistant minister of Ir- vine, Mr.JDavid Dickson, had made earnest prayers to God for opening her obdurate and closed heart, she was subjected to the torture of iron bars laid upon her bare shins, her feet being in the stocks, as in the case of Margaret Barclay. She endured this torture with incredible firmness, since she did " admirably, without any kind of din or exclamation, suffer above thirty stone of iron to be laid on her legs, never shrinking thereat in any sort, but remaining, as it were, steady." But in shifting the situation of the iron bars, and removing them to another part of her shins, her constanc-y gave way; she broke out into horrible cries (though nol more than three bars were then actually on her person) of "Tak aff! tak aff!" On being relieved from the tor- ture, she made the usual confession of all that she was charged with, and of a connection with the Devil which had subsisted for several years. Sentence was given against her accordingly. After this had been denounced, she openly denied all her former confessions, and died without any sign of repentance, offering repeated interruptions to the minister in his prayer, and absolutely refusing to pardon the executioner. This tragedy happened in the year 1613, and recorded as it is very particularly, and at considerable length, forms the 36 SIR WALTER SCOTT. most detailed specimen I have met with, Df a Scottish trial for witchcraft, illustrating, in particular, how poor wretches abandoned, as they conceived, by God and the world, de- prived of all human sympathy, and exposed to personal tor- tures of an acute description, became disposed to throw away the lives that were rendered bitter to them, by a voluntary confession of guilt, rather than struggle hopelessly against go many evils. Four persons here lost their lives, merely because the throwing sorae clay models into the sea, a fact told differently by tho vitnesses who spoke of it, corresponded with the season, for no day was fixed, in which a particular vessel was lost. It is scarce possible that, after reading such a story, a man of sense can listen for an instant to the evi- dence founded on confessions thus obtained, which has been almost the sole reason by which a few individuals, even in modern times, have endeavored to justify a belief in the existence of witchcraft. The result of the judicial examination of a criminal, when extorted by such means, is the most suspicious of all evidence, and even when voluntarily given, is scarce admissible, with- out the corroboration of other testimony. ONE WORD MORE. TO E. B. B. BY ROBERT BROWNING. fTlHERE they are, my fifty men and women Naming me the fifty poems finished I Take them, Love, the book * and me together. Where the heart lies, let the brain lie also. n. Rafael made a century of sonnets, Made and wrote them in a certain volume Dinted with the silver-pointed pencil Else he only used to draw Madonnas : These, the world might view, but One, the volume. Who that one, you ask ? Your heart instructs you. Did she live and love it all her lifetime ? Did she drop, his lady of the sonnets, Die, and let it drop beside her pillow Where it lay in place of Rafael's glory, Rafael's cheek so duteous and so loving, Cheek, the world was wont to hail a painter's, Rafael's cheek, her love had turned a poet's ? * Referring to his volume of Poems entitled " Men and Women." 38 ROBERT BROWNING. III. You and I would rather read that volume, (Taken to his beating bosom by it,) Lean and list the bosom-beats of Rafael, Would we not ? than wonder at Madonnas . Her, San Sisto names, and Her, Foligno, Her, that visits Florence in a vision, Her, that 's left with lilies in the Louvre Seen by us and all the world in circle. IV. You and I will never read that volume. Guido Reni, like his own eye's apple Guarded long the treasure-book and loved it. Guido Reni dying, all Bologna Cried, and the world with it, " Ours the treasure! 1 Suddenly, as rare things will, it vanished. v. Dante once prepared to paint an angel : Whom to please ? You whisper, " Beatrice." While he mused and traced it and retraced it, (Perad venture with a pen corroded Still by drops of that hot ink he dipped for, When, his left-hand i' the hair o' the wicked, Back he held the brow and pricked its stigma, Bit into the live man's flesh for parchment, Loosed Mm, laughed to see the writing rankle, Let the wretch go festering through Florence,) Dante, who loved well because he hated, Hated wickedness that hinders loving, Dante standing, studying his angel, In there broke the folk of his Inferno. Says he, " Certain people of importance " ONE WORD MORE. 39 (Such he gave his daily, dreadful line to) Entered and would seize, forsooth, the poet. Says the poet, " Then I stopped my painting." VI. You and I would rather see that angel, Painted by the tenderness of Dante, Would we not ? than read a fresh Inferno. vn. You and I will never see that picture. Whilq he mused on love and Beatrice, While he softened o'er his outlined angel, In they broke, those " people of importance " : We and Bice bear the loss forever. vm. What of Rafael's sonnets, Dante's picture ? rx. This : no artist lives and loves that longs not Once, and only once, and for One only, (Ah, the prize !) to find his love a language Fit and fair and simple and sufficient .Using nature that 's an art to others, Not, this one time, art that 's turned his nature. Ay, of all the artists living, loving, None but would forego his proper dowry, Does he paint ? he fain would write a poem, Does he write ? he fain would paint a picture. Put to proof art alien to the artist's, Once, and only once, and for One only, So to be the man and leave the artist, Save the man's joy, miss the artist's sorrow. 40 ROBERT BROWNING. Wherefore ? Heaven's gift takes earth's abatement ! He who smites the rock and spreads the water, Bidding drink and live a crowd beneath him, Even he, the minute makes immortal, Proves, perchance, his mortal in the minute, Desecrates, belike, the deed in doing. While he smites, how can he but remember, So he smote before, in such a peril, When they stood and mocked, " Shall smiting help us ? ' When they drank and sneered, " A stroke is easy ! " When they wiped their mouths and went their journey, Throwing him for thanks, " But drought was pleasant." Thus old memories mar the actual triumph ; Thus the doing savors of disrelish ; Thus achievement lacks a gracious somewhat ; O'er-importuned brows becloud the mandate, Carelessness or consciousness, the gesture. For he bears an ancient wrong about him, Sees and knows again those phalanxed faces, Hears, yet one time more, the 'customed prelude, " How should'st thou, of all men, smite, and save us ? " Guesses what is like to prove the sequel, " Egypt;' 8 flesh-pots, nay, the drought was better." XI. O, the crowd must have emphatic warrant ! Theirs, the Sinai-forehead's cloven brilliance, Right-arm's rod-sweep, tongue's imperial fiat Never dares the man put off the prophet XII. Did he love one face from out the thousands, (Were she Jethro's daughter, white and wifely. ONE WORD MORE. 41 Were she but the ^Ethiopian bondslave,) He would envy yon dumb, patient camel, Keeping a reserve of scanty water Meant to save his own life in the desert ; Ready in the desert to deliver (Kneeling down to let his breast be opened) Hoard and life together for his mistress. xm. I shall never, in the years remaining, Paint you pictures, no, nor carve you statues, Make you music that should all-express me ; So it seems : I stand on my attainment. This of verse alone, one life allows me ; Verse and nothing else have I to give you. Other heights in other lives, God willing, All the gifts from all the heights, your own, Love ! XIV. Yet a semblance of resource avails us, Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows through bronze, may breathe through silver, Fitly serenade a slumbrous princess. He who writes, may write for once, as I do. xv. Love, you saw me gather men and women, Live or dead or fashioned by my fancy, 42 EGBERT BROKING. Enter each and all, and use their service, Speak from every mouth, the speech, a poem. Hardly shall I tell my joys and sorrows, Hopes and fears, belief and disbelieving : I am mine and yours, the rest be all men's, Karshook, Cleon, Norbert and the fifty. Let me speak this once in my true person, Not as Lippo, Roland, or Andrea, Though the fruit of speech be just this sentence, Pray you, look on these my men and women, Take and keep my fifty poems finished ; Where my heart lies, let my brain lie also ! Poor the speech ; be how I speak, for all things. XVI. Not but that you know me ! Lo, the moon's self! Here in London, yonder late in Florence, Still we find her face, the thrice-transfigured. Curving on a sky imbrued with color, Drifted over Fiesole by twilight, Came she, our new crescent of a hair's-breadth. Full she flared it, lamping Samminiato, Rounder 'twixt the cypresses and rounder, Perfect till the nightingales applauded. Now, a piece of her old self, impoverished, Hard to greet, she traverses the house-roofs, Hurries with unhandsome thrift of silver, Goes dispiritedly, glad to finish. XVII. What, there 's nothing in the moon noteworthy ? Nay, for if that moon could love a mortal, Use, to charm him, (so to fit a fancy,) All her magic, ('t is the old sweet mythos,) She would turn a new side to her mortal, ONE WORD MORE. 4i Side unseen of herdsman, huntsman, steersman, Blank to Zoroaster on his terrace, Blind to Galileo on his turret, Dumb to Homer, dumb to Keats, him, even ! Think, the wonder of the moonstruck mortal, "When she turns round, comes again in heaven, Opens out anew for worse or better ? Proves she like some portent of an iceberg Swimming full upon the ship it founders, Hungry with huge teeth of splintered crystals ? Proves she as the paved-work of a sapphire Seen by Moses when he climbed the mountain ? Moses, Aaron, Nadab, and Abihu Climbed and saw the very God, the Highest, Stand upon the paved-work of a sapphire. Like the bodied heaven in his clearness Shone the stone, the sapphire of that paved-work, "When they ate and drank and saw God also ! XVIII. What were seen ? None knows, none ever shall know. Only this is sure, the sight were other, Not the moon's same side, born late in Florence, Dying now impoverished here in London. God be thanked, the meanest of his creatures Boasts two soul-sides, one to face the world with, One to show a woman when he loves her. XIX. This I say of me, but think of you, Love ! This to you, yourself my moon of poets ! Ah, but that 's the world's side, there 's the wonder Thus they see you, praise you, think they know you. There, in turn I stand with them and praise you. 44 ROBERT BROWNING. Out of my own self, I dare to phrase it But the best is when I glide from out them, Cross a step or two of dubious twilight, Come out on the other side, the novel Silent silver lights, and darks undreamed of, Where I hush and bless myself with silence. xx. O, their Rafael of the dear Madonnas, 0, their Dante of the dread Inferno, Wrote one song and in my brain I sing it, Drew one angel borne, see, on my bosom ! IN A SKYE BOTHY. BY ALEXANDER SMITH. MAN is an ease-loving animal, with a lingering affec- tion 'Cor Arcadian dales ; under the shadow of whose trees shepherd boys are piping " as they would never grow old." Human nature is a vagabond still, maugre the six thousand years of it, and amuses itself with dreams of soci- eties free and unrestrained. It is this vagabond feeling in the blood which draws one so strongly to Shakespeare. That sweet and liberal nature of his blossomed into all wild human generosities. "As You Like It" is a vaga- bond play ; and, verily, if there waved in any wind that blows upon the earth a forest, peopled as Aj-den's was in Shakespeare's imagination, with an exiled king drawing the sweetest, humanest lessons from misfortune, a melan- choly Jaques stretched by the river's brink, moralizing on the bleeding deer, a fair Rosalind chanting her saucy cuckoo song, fools like Touchstone (not like those of our acquaintance, reader), and the whole place from centre to circumference filled with mighty oak-bolls, all carven with lovers' names ; I would, be my worldly prospects what they may, pack up at once and join that vagabond company. For there I should find more gallant courtesies, finer sentiments, completer innocence and happiness, than I am like to dis- cover here, although I search for them from shepherd's cot to king's palace. Just to think how these people lived 46 ALEXANDER SMITH. Carelessly as the blossoming trees, happily as the singing birds ; time measured only by the acorn's patter on the fruitful soil. A world without debtor or creditor ; passing rich, yet with never a doit in its purse ; with no sordid cares, no regard for appearances ; nothing to occupy the young but love-making; nothing to occupy the old but listening to the " sermons in stones," and perusing the musical wisdom which dwells in " running brooks." Ar- den forest, alas ! is not rooted in the earth : it draws sustenance from a poet's brain ; and the light asleep on its leafy billows is that " that yet never was seen on sea or shore." But one cannot help dreaming of such a place, and striving to approach as nearly as possible to its sweet conditions. I am quite alone here : England may have been invaded and London sacked for aught I know. Several weeks since, a newspaper, accidentally blown to my solitude, in- formed me that the Great Eastern had been got under weigh, and was then swinging at the Nore. There is great joy, I perceive. Human nature stands astonished at itself; felicitates itself on its remarkable talent, and will for months to come purr complacently over its achievement in magazines and reviews. A fine world, messieurs, that will attain to heaven if in the power of steam. A very line world ; yet for ah 1 that, I have withdrawn from it for a time, and would rather not hear of its remarkable exploits. In my present mood I do not value them that coil of vapor on the brow of Blavin, which, as I gaze, smoulders into nothing in the fire of sunrise. Goethe, in his memorable book, '* Truth and Poetry," informs his readers that in his youtli he loved to shelter himself in the Scripture narratives, from the marching and counter-marching of armies, the cannonading, retreating, and fighting, that lay everywhere around him. He shut his eyes, as it were, and a whole war-convulsed Europe IN A SKYE BOTHY. 47 wheeled away into silence and distance, and in its place, lo ! the patriarchs, with their tawny tents, their man-ser- vants and maid-servants, and countless flocks in impercep- tible procession whitening the Syrian plains. In this my green solitude, I appreciate the full sweetness of the pas- sage. Everything here is silent as the Bible plains them- selves. I am cut off from former scenes and associates as by the sullen Styx and the grim ferrying of Charon's boat. The noise of the world does not touch me. I live too far inland to hear the thunder of the reef. To this place no , postman comes, no tax-gatherer. This region never heard the sound of the church-going bell. The land is pagan as when the yellow-haired Norseman landed a thousand years ago. I almost feel a pagan myself. Not using a notched stick, I have lost all count of time, and don't know Satur- day from Sunday. Civilization is like a soldier's stock; it makes you carry your head a good deal higher, makes the angels weep a little more at your fantastic tricks, and half suffocates you the while. I have thrown it away, and breathe freely. My bed is the heather, my mirror the stream from the hills, my comb and brush the sea-breeze, my watch the sun, my theatre the sunset, and my evening ser- vice not without a rude natural religion in it watching the pinnacles of the hills of Cuchullin sharpening in intense purple against the pallid orange of the sky, or listening to the melancholy voices of the sea-birds and the tide ; that over, I am asleep till touched by the earliest splendor of the dawn. I am, not without reason, hugely enamored of my vagabond existence. My bothy is situated on the shores of one of the lochs that intersect Skye. The coast Ls bare and rocky, hollowed into fantastic chambers : and when the tide is making, every cavern murmurs like a sea-shell. The land, from frequent rain green as emerald, rises into soft pastoral heights, and about a mile inland soars suddenly up into peaks* of baa- 48 ALEXANDER SMITH. tard marble, white as the cloud under which the lark sings at noon, bathed in rosy light at sunset. In front are the Cuchullin hills and the monstrous peak of Blavin ; then the green Strath runs narrowing out to sea, and the Island of Rum, with a white cloud upon it, stretches like a gigan- tic shadow across the entrance of the loch, and completes the scene. Twice every twenty-four hours the Atlantic tide sets in upon hollowed shores ; twice is the sea withdi awn, leaving spaces of green sand on which mermaids with .golden combs might sleek alluring tresses ; and black rocks, heaped with brown dulse and tangle, and lovely ocean blooms of purple and orange ; and bare islets, marked at full of tide by a glimmer of pale-green amid the univer- sal sparkle, where most the sea-fowl love to congregate. To these islets, on favorable evenings, come the crows, and sit in sable parliament ; business despatched, they start into air as at a gun, and stream away through the sunset to their roosting-place in the Armadale woods. The shore supplies for me the place of books and companions. Of course Blavin and Cuchullin hills are the chief attractions, and I never weary watching them. In the morning they wear a great white caftan of mist ; but that lifts away before noon, and they stand with all their scars and passionate torrent-lines bare to the blue heavens ; with perhaps a soli- tary shoulder for a moment gleaming wet to the sunlight. After a while a vapor begins to steam up from their abysses, gathering itself into strange shapes, knotting and twisting itself like smoke ; while above, the terrible crests are now lost, now revealed, in a stream of flying rack. In an hour a wall of rain, gray as granite, opaque as iron, stands^ up from the sea to heaven. The loch is roughening before the wind, and the islets, black dots a second ago, are patches of roaring foam. You hear the fierce sound of its coming. The lashing tempest sweeps over you, and looking behind, up the long inland glen, you can see on IN A SKYE BOTHY. 49 the birch woods, and on the sides of the hills, driven on the wind, the white smoke of the rain. Though fierce as a charge of Highland bayonets, these squalls are seldom of long duration, and you bless them when you creep from your shelter, for out comes the sun, and the birch woods are twinkling, and more intensely flash the levels of the sea, and at a stroke the clouds are scattered from the wet brow of Blavin, and to the whole a new element is added, the voice of the swollen stream as it rushes over a hun- dred tiny cataracts, and roars river-broad into the sea, mak- ing turbid the azure. Then I have my amusements in this solitary place. The mountains are of course open, and this morning at dawn a roe swept past me like the wind, nose to the dewy ground, " tracking," they call it here. Above all, I can wander on the ebbed beach. Hogg speaks of that " Undefined and mingled hum, Voice of the desert, never dumb." But far more than the murmuring and insecty air of the moorland, does the wet chirk-chirking of the living shore give one the idea of crowded and multitudinous life. Did the reader ever hunt razor-fish ? not sport like tiger- hunting, I admit ; yet it has its pleasures and excitements, and can kill a forenoon for an idle man agreeably. On the wet sands yonder the razor-fish are spouting like the foun- tains at Versailles on a fete day. The sly fellow sinks on discharging his watery feu de joie. If you are quickly after him through the sand, you catch him, and then comes the tug of war. Address and dexterity are required. If you pull vigorously, he slips out of his sheath a " mother- naked " mollusk, and escapes. If you do your spiriting gently, you drag him up to light, a long, thin case, with a white fishy bulb protruding at one end like a root, Rinse him in sea-water, toss him into your basket, and plunge 4 50 ALEXANDER SMITH. after another watery flash. These razor-fish are excellent eating, the people say ; and when used as bait, no fish that swims the ocean stream, cod, whiting, haddock, flat skate broad-shouldered, crimson bream, not the detested dog- fish himself, this summer swarming in every loch and be- cursed by every fisherman, can keep himself off the hook, and in an hour your boat is laden with glittering spoil. Then if you take your gun to the low islands, and you can go dry-shod at ebb of tide, you have your chance of sea-fowl. Gulls of all kinds are there, dookers and divers of every description ; flocks of shy curlews, and specimens of a hundred tribes, to which my limited ornithological knowledge cannot furnish a name. The Solan goose yonder falls from heaven into the water like a meteor-stone. See the solitary scart, with long, narrow wing and outstretched neck, shooting toward some distant promontory ! Anon, high overhead, come wheeling a covey of lovely sea-swallows. You fire ; one flutters down never more to skim the horizon or to dip in the sea sparkle. Lift it up; is it not beautiful? The wild keen eye is closed, but you see the delicate slate-color of the wings, and the long tail-feathers white as the creaming foam. There is a stain of blood on the breast, hardly brighter than the scarlet of its beak and feet. Lay it down, for its companions are dashing round and round, uttering harsh cries of rage and sorrow ; and had you the heart, you could shoot them one by one. At ebb of tide wild-looking children, from turf-cabins on the hillside, come down to hunt shell-fish. Even now a troop is busy ; how their shrill voices go the while ! Old Effie, I see, is out to-day, quite a picturesque object with her white cap and red shawl. With a tin can in 'one hand, an old reaping- hook in the other, she goes poking among the tangle. Let us see what sport she has had. She turns round at our salutation, very old, old almost as the worn rocks around IX A SKYE BOTHY. 51 She might ha\ e been the wife of Wordsworth's " Leech- gatherer." Her can is sprawling with brown crabs ; and opening her apron, she exhibits a large black and blue lobster, a fellow such as she alone can capture. A queer woman is Effie, and an awsome. She is familiar with ghosts and apparitions. She can relate leg-ends that have power over the superstitious blood, and with little coaxing will sing those wild Gaelic songs of hers, of dead lights on the sea, of fishing-boats going down in squalls, of un- buried bodies tossing day and night upon the gray peaks of the waves, and of girls that pray God to lay them by the sides of their drowned lovers ; although for them should never risa mass nor chant, and although their flesh should be torn asunder by the wild fishes of the sea. Rain is my enemy here, and at this writing I am suffer- ing siege. For three days this rickety dwelling has stood assault of wind and rain. Yesterday a blast breached the door, and the tenement fluttered for a moment like an um- brella caught in a gust. All seemed lost, but the door was got to again, heavily barred across, and the enemy foiled. An entrance, however, had been effected ; and that por- tion of the attacking column which I had imprisoned by my dexterous manoeuvre, maddening itself into whirlwind, rushed up the chimney, scattering my turf fire as it went, and so escaped. Since that time the windy columns have retired to the gorges of the hills, where I hear them howl at intervals ; and the only thing I am exposed to is the musketry of the rain. How viciously the small shot pep- pers the walls ! Here must I wait till the cloudy arma- ment breaks up. One's own mind is a dull companion in these circumstances. Sheridan, wont with his talk to brighten the table more than the champagne ; whose mind was a phosphorescent sea, dark in its rest, every movement a flash of splendor, if cooped up here, begirt with this murky atmosphere, would be dull as a Lincoln fen uneu- 52 ALEXANDER SMITH. livened by a single will-o'-the-wisp. Books are the only refuge on a rainy day ; but in Skye Bothies books are rare To me, however, the gods have proved kind, for in my sore need I found on a shelf here two volumes of the old Monthly Review, and have sauntered through these dingy literary catacombs with considerable satisfaction. What a strange set of old fogies the writers ! To read them is like conversing with the antediluvians. Their opinions have fallen into disuse long ago, and resemble to-day the rusty armor and gimcracks of a curiosity-shop. These essays and criticisms were thought brilliant, I suppose, when they appeared last century, and authors praised therein con- sidered themselves rather handsome flies, preserved in pure critical amber for the inspection of posterity. The volumes were published, I notice, from 1790 to 1792, and exhibit a period of wonderful literary activity. Not to speak of novels, histories, travels, farces, tragedies, upwards of two hundred poems are brought to judgment. Plainly, these Monthly Reviewers worked hard, and on the whole with spirit and deftness. A proper sense of the importance of their craft had these gentlemen ; they laid down the law with great gravity, and from critical benches shook their awful wigs on offenders. How it all looks now ! " Let us indulge ourselves with another extract," quoth one, " and contemplate once more the tear of grief before we are called upon to witness the tear of rapture." Both tears dried up long ago, as those that sparkled on a Pharaoh's cheek. Hear this other, stern as Rhadamanthus ; behold Duty steeling itself against human weakness ! " It grieves us to wound a young man's feelings ; but our judgment must not be biassed by any plea whatsoever. Why will men apply for our opinion, when they know that we cannot be silent, and that we will not lie ? " Listen to this prophet in Israel, one who has not bent the knee to Baal, and say if there is not a touch of hopeless pathos in him : " Fine IN A SKYE BOTHY. 53 woixls do not make fine poems. Scarcely a month passes in which we are not obliged to issue this decree. But in these days of universal heresy, our decrees are no more respected than the Bulls of the Bishop of Rome." O that men would hoar, that they would incline their hearts to wisdom ! The ghosts of the dim literary Hades are get- ting tiresome, and as I look up, lo! the rain has ceased, from sheer fatigue : great white vapors are rising from the damp valleys ; and, better than all, pleasant as Blucher's cannon on the evening of Waterloo, the sound of wheels on the boggy ground ; and just when the stanched rain- clouds are burning into a sullen red at sunset, I have a visitor in my Bothy, and pleasant human intercourse. Broadford Fair is a great event in the island. The little town lies on the margin of a curving bay, and under the shadow of a somewhat celebrated hill. On the crest of it is a cairn of stones, the burying-place of an ancient Scan- dinavian woman, tradition informs me, whose wish it was to be laid high up there, that she might sleep right in the pathway of the Norway wind. In a green glen, at its base, stand the ruins of the House of Corrichatachin, where Bos- well had his share of four bowls of punch, and went to bed at five in the morning, and, awakening at noon with a severe headache, saw Dr. Johnson burst in upon him with tLe exclamation, " What, drunk yet!" "His tone of voice w.'js not that of severe upbraiding," writes the penitent Bozzy, " so I was relieved a little." Broadford is a post-town of about a dozen houses, and is a place of great importance. If Portree is the London of Skye, Broadford is its Man- chester. The markets, held every three months or so, take place on a patch of moorland about a mile from the village. Not only are cattle sold and cash exchanged for the same, but there a Skye farmer meets his relations, from the brother of his blood to his cousin forty times removed. To these meetings he is irawn, not only by his love of coin, but by 54 ALEXANDER SMITH. his love of kindred, and the Broadford Mail and tiie Portree Advertiser lying yet in the womb of time by his love of gossip also. The market is the Skyeman's ex- change, his family gathering, and his newspaper. From the deep sea of his solitude he comes up to breathe there, and, refreshed, sinks again. This fair at Broadford I re- solved to see. Starting early in the morning, my way for the most part lay through a desolation where Nature seemed deteriorated, and at her worst. Winter could not possibly sadden the region ; no spring could quicken it into ^owc: s. The hills wear but for ornament the white streak of the torrent; the rocky soil clothes itself in heather to which the purple never comes. Even man, the miracle-worker, who transforms everything he touches, who has rescued a fertile Holland from the waves, who has reared a marble Venice from out salt lagunes and marshes, is defeated here. A turf hut, with smoke issuing from the roof, and a patch of sickly green around, which will ripen by November, is all that he has won from Nature. Gradually, as I pro- ceeded, the aspect of the country changed, began to ex- hibit traces of cultivation ; and erelong the red hill with the Norwegian woman's cairn a-top rose before me, sug- gesting Broadford and the close of the journey. The roads were filled with cattle, driven forward with oath and shout. Every now and then, a dog-cart came skirring along, and infinite the confusion, and loud the clamor of tongues, when one or other plunged into a herd of sheep, or skittish " three-year-olds." At the entrance to the fair, the horses were taken out of the vehicles, and left, with a leathern thong tied round tneir forelegs, to limp about in search of breakfast. As you advance, on either side of the road stand hordes of cattle, the wildest looking' creatures, black, white, dun, and cream-colored, with fells of hair hanging over their savage eyes, and graced with horns of prepos- terous dimensions. Horses neighed from their stakes, the IN A SKYE BOTHY. 55 owners looking out for customers. Sheep were there, too, in restless masses, scattering hither and thither like quick- silver, with dogs and men flying along their edges, excited to the verge of insanity. What a hubbub of sound ! "What lowing and neighing ! what bleating and barking ! It was a novel sight, that rude, primeval traffic. Down in the hollow ground tents had been knocked up since dawn ; there potatoes were being cooked for drovers who had been travelling all night; there, also, liquor could be had. To these places, I observed, contracting parties invariably re- paired to solemnize a bargain. Booths ranged along the side of the road were plentifully furnished with confections, ribbons, 'and cheap jewellery ; and as the morning wore on, around these the girls swarmed thickly, as bees round sum- mer flowers. The fair was running its full career of bar- gain-making and consequent dram-drinking, rude flirtation, and meeting of friend with friend, when up the middle of the road, hustling the passengers, terrifying the cattle, came three misguided young gentlemen medical students, I opined engaged in botanical researches in these regions. Evidently they had been "dwellers in tents." One of them, gifted with a comic genius, his companions were desperately solemn, at one point of the road, threw back his coat, in emulation of Sambo when he brings down the applauses of the threepenny gallery, and executed a shuffle in front of a bewildered cow. Crummie backed and shied, bent on retreat. He, agile as a cork, bobbed up and down in her front, turn whither she would, with shouts and hideous grimaces, his companions standing by the while like mutes at a funeral. That feat accomplished, the trio staggered on, amid the derision and scornful laughter of the Gael. Lifting our eyes up out of the noise and confusion, there were the solitary mountain-tops and the clear mirror of Broadford Bay, the opposite coast sleeping green in it with all its woods ; and lo ! the steamer from the South sliding 56 ALEXANDER SMITH. in, with her red funnel, breaking the reflection with a tract of foam, and disturbing the far-off morning silence with the thunder of her paddles. By noon, a considerable stroke of business had been done. Hordes of bellowing cattle were being driven off toward Broadford, and drovers were rush- ing about in a wonderful manner, armed with tar-pot and stick, smearing their peculiar mark upon the shaggy hides of their purchases. Rough-looking customers enough, these fellows, yet they want not means. Some of them, I am told, came here this morning with five hundred pounds in their pockot-books, and have spent every paper of it, and this day three months they will return with as large a sum. By three o'clock in the afternoon the place was deserted by cattle, and fun and business gathered round the booths and refreshment tents, the noise increasing every hour, and towards evening deepening into brawl and general combat. During the last few weeks I have had opportunity of wit- nessing something of life as it passes in the Skye wilder- nesses, and have been struck with its self-containedness, not less than with its remoteness. A Skye family luus every- thing within itself. The bare mountains yield them mutton, of a flavor and delicacy unknown in the south. The copses swarm with rabbits ; and if a net is set over night at the Black Island, there is abundance of fish to breakfast. The farmer grows his own corn, barley, and potatoes, digs his own peats, makes his own candles ; he tans leather, spins cloth shaggy as a terrier's pile, and a hunchback artist on the place transforms the raw materials into boots or shep- herd garments. Twice every year a huge hamper arrives from Glasgow, stuffed with all the little luxuries of house- keeping, tea, sugar, coffee, and the like. At more fre- quent intervals comes a ten-gallon cask from Greenock, whose contents can cunningly draw the icy fangs of a north- easter, or take the chill out of the clammy mists. " What want they that a king should have? " IN A SKYE BOTHY. 57 And once a week the Inverness Courier, like a window sud- denly opened on the roaring sea, brings a murmur of the outer world, its politics, its business, its crimes, its literature, its whole multitudinous and unsleeping life, making the stillness yet more still. To the Isle'sman the dial face of the year is not artificially divided, as in cities, by parlia- mentary session and recess, college terms or vacations, short and long, by the rising and sitting of courts of justice uor yet, as in more fortunate soils, by imperceptible gradations of colored light, the green flowery year deepening into the sunset of the October hollyhock, the slow reddening of bur- dened orchards, the slow yellowing of wheaten plains. Not by any of these, but by the higher and more affecting element of animal life, with its passions and instincts, its gladness and suffering ; existence like our own, although in a lower key, and untouched by its solemn issues ; the same music and wail, although struck on ruder and uncertain chords. To the Isle'sman, the year rises into interest when the hills, yet wet with melted snows, are pathetic with newly-yeaned lambs, and completes itself through the successive steps of weaning, fleecing, sorting, fattening, sale, final departure, and cash in pocket. The shepherd life is more interesting than the agricultural, inasmuch as it deals with a higher order of being ; for I suppose apart from considerations of profit a couchant ewe, with her you eg one at her side, or a ram, " with wreathed horns superb," cropping the herbage, is a more pleasing object to the aes- thetic sense than a field of mangold-wurzel, flourishing ever so gloriously. The shepherd inhabits a mountain country, lives more completely in the open air, and is acquainted with all phenomena of storm and calm, the thunder-smoke coiling in the wind, the hawk hanging stationary in the breathless blue. He knows the faces of the hills, recog- nizes the voices of the torrents as if they were children of his own, can unknit their intricate melody, as he lies with 58 ALEXANDER SMITH. his dog beside him on the warm slope at noon, separating ione from tone, and giving this to iron crag, that to pebbly oottom. From long intercourse, every member of his flock wears to his eye its special individuality, and he recognizes the countenance of a " wether " as he would the counte- nance of a human acquaintance. Sheep-farming is a pic- turesque occupation; and I think a cataract of sheep de- scending a hillside, now gathering into a mighty pool, now emptying itself in a rapid stream, the dogs, urged more 6y sagacity than by the shepherd's voice, flying along the sdges, turning, guiding, changing the shape of the mass, one of the prettiest sights in the world. But the most affecting incident of shepherd life is the weaning of the lambs ; affecting, because it reveals passions in the " fleecy fuois," the manifestation of which we are accustomed to consider ornamental in ourselves. From all the lulls men and dogs drive the flocks down into a fold, or fank, as it is called ncre, consisting of several chambers or compart- ments. Into uiese compartments the sheep are huddled, and then the separation takes place. The ewes are re- turned to the mountains, the lambs are driven away to some spot where tne pasture is rich, and wheie they are watched day and nigiit. Midnight comes with dews and stars ; the troop is couched peacefully as the cloudlets of a summer sky. Suddenly they are i-cstless, ill at ease, goaded by some sore unknown want, jt*d evince a dispo- sition to scatter in every direction ; out rhe shepherds are wary, the dogs swift and sure, and attei A little while the perturbation is allayed, and they rest ag*an. Walk up now to the fank. The full moon is riding between the hills, filling the glen with lustre and floating mysterious glooms. Listen ! You hear it on every sidt* uf you, till it dies away in the silence of distance, the ntt^y Rachel weeping for her children. The turf walls of the tetrk are in shadow, but something seems to be moving thei-e. As IN A SKYE BOTHY. 59 you approach, it disappears with a quick, short bleat, and a hurry of tiny hooves. Wonderful mystery of instinct ! Affection all the. more touching that it is so wrapt in dark- ness, hardly knowing its own meaning ! For nights and nights the creatures will be found haunting about these turfen walls, seeking the young that have been taken away. But my chief delight here is my friend and neighbor, Mr. Maclan. He was a soldier in his youth : is now very old, ninety and odd, I should say. He would strike one with a sense of strangeness in a city, and among men of the present generation. Here, however, he creates no surprise*; he is a natural product of the region, like the red heather, or the bed of the dried torrent He is a master of legendary lore. He knows the history of every considerable family in the island ; he circulates like sap through every genealogical tree ; he is an enthusiast in Gaelic poetry, and is fond of reciting compositions of native bards, his eyes lighted up, and his tongue moving glibly over the rugged clots of consonants. He has a servant cunning upon the pipes, and, dwelling there for a week, I heard Ronald often wandering near the house, solacing himself with their music ; now a plaintive love-song, now a coronach for chieftain borne to his grave, now a battle march, the notes of which, melancholy and monotonous at first, would all at once soar into a higher strain, and then hitrry and madden as beating time to the footsteps of the charging clan. I am the fool of association ; and the tree under which a king has rested, the stone in which a banner was planted on the morning of some victorious or disas- trous day, the house in which some great man first saw the light, are to me the sacredest things. This slight, gray, keen -eyed man the scabbard sorely frayed now, the blade sharp and bright as ever gives me a thrill like an old coin with its half obliterated effigy, a Druid stone on a 60 ALEXANDER SMITH. moor, a stain of blood on the floor of a palace. He stands before me a living figure, and history groups itself behind by way of background. He sits at the same board with me, arid yet he lifted Moore at Corunna, and saw the gal- lant dying eyes flash up with their last pleasure when the Highlanders charged past. He lay down to sleep in the light of Wellington's watch-fires in the gorges of the piny Pyrenees ; around him roared the death thunders of Water- loo. There is a certain awfulness about very old men ; they are amongst us, but not of us. They crop out of the living soil and herbage of to-day, like rocky strata bearing marks of the glacier or the wave. Their roots strike deeper than ours, and they draw sustenance from an earlier layer of soil. They are lonely amongst the young ; they cannot form new friendships, and are willing to be gone. They feel the " sublime attractions of the grave " ; for the soil of churchyards once flashed kind eyes on them, heard with them the chimes at midnight, sang and clashed the brimming goblet with them ; ami the present Tom and Harry are as nothing to the Tom and Harry that swag- gered about and toasted the reigning belles seventy years ago. We are accustomed to lament the shortness of life ; but it is wonderful how long it is notwithstanding. Often a single life, like a summer twilight, connects two historic days. Count back four lives, and King Charles is kneeling on the scaffold at Whitehall. To hear Mad an speak, one could not help thinking in this way. In a short run across the mainland with him this summer, we reached Culloden Moor. The old gentleman with a mournful air for he is a great Jacobite, and wears the, Prince's hair in a ring pointed out the burial-grounds of the clans. Struck with his manner, I inquired how he came to know their red resting-places. As if hurt, he drew himself up, laid his hand on my shoulder, saying, " Those who put them in told me." Heavens, how a century and odd years collapsed, IX A SKYE BOTHY. 61 and the bloody field, the battle-smoke not yet cleared away, and where Cumberland's artillery told the clansmen sleeping in thickest swaths, unrolled itself from the horizon down to my very feet ! For a whole evening he will sit and speak of his London life ; and I cannot help contrasting the young officer, who trod Bond Street witli powder in his hair at the end of last century, with the old man living in the shadow of Blavin now. Dwellers in cities have occasionally seen a house that has the reputation of being haunted, and heard a ghost story told. Most of them have knowledge of the trumpet-blast that sounds when a member of the Airlie family is about to die. Some few may have heard of the Irish gentleman who, seated in the London opera-house on the night his brother died, heard above the clash of the orchestra and the passion of the singers, the shrill warning keen of the banshee, an evil omen always to him and his. City people laugh when these stories are told, even although the blood should run chill the while. Here, one is steeped in a ghostly at- mosphere : men walk about here gifted with the second sight. There has been something weird and uncanny about the island for some centuries. Douglas, on the morning of Otterbourne, according to the ballad, was shaken unto super- stitious fears : " But I hae dreamed a dreary dream, Beyond the Isle of Skye ; I saw a dead man win a fight, And I think that man was I." Then the island is full of strange legends of the Norwe- gian times and earlier, legends it might be worth Mr. Dasent's while to take note of, should he ever visit the rainy Hebrides. One such legend, concerning Ossian and his poems, struck me a good deal. Near Mr. Maclan's place is a ruined castle, a mere hollow shell of a building, Dun- Bcaith by name, built in Fingalian days by the chieftain 02 - ALEXANDER SMITH. Cuclmllin, and so called in honor of his wife. The pile crumbles over the sea on a rocky headland bearded by gray green lichens. The place is quite desolate, and sel- dom visited. The only sounds heard there are the sharp whistle of the salt breeze, the bleat of a strayed sheep, the cry of wheeling sea-birds. Maclan and myself sat one sum- mer day on the ruined stair. The sea lay calm and bright beneath, its expanse broken only by a creeping sail. Across the loch rose the great red lull, in the shadow of which Boswell got drunk ; on the top of which is perched the Scandinavian woman's cairn. And out of the bare blue heaven, down on the ragged fringe of the Coolin hills, flowed a great white vapor gathering in the sunlight in mighty fleece on fleece. The old gentleman was the narrator, and the legend goes as follows : The castle was built by Cu- chullin and his Fingalians in a single night. The chief- tain had many retainers, was a great hunter, and terrible in war. Every night at feast the minstrel Ossian sang his exploits. Ossian, on one occasion, in wandering among the hills, was struck by sweet strains of music that seemed to issue from a green knoll on which the sun shone tempt- ingly. He sat down to listen, and was lulled asleep by the melody. He had no sooner fallen asleep than the knoil opened, and he beheld the under-world of the fairies. That afternoon and the succeeding night he spent in revelry, and in the morning he was allowed to return. Again the music sounded, again the senses of the minstrel were steeped in forgetfulness. And on the sunny knoll he awoke a gray- haired man ; for in one short fairy afternoon and evening had been crowded a hundred of our human years. In his absence, the world had entirely changed, the Fingalians were extinct, and the dwarfish race, whom we call men, were possessors of the country. Longing for companion- ship, Ossian married the daughter of a shepherd, and in process of time a little girl was born to him. Years passed IN A SKYE BOTHY. 63 on ; his wife died, and his daughter, woman grown now, married a. pious man, for the people were Christianized by this time, called, from his love of psalmody, Peter of the Psalms. Ossian, blind with age, went to reside with his daughter and her husband. Peter was engaged all day in hunting, and when lie came home at evening, and when the lamp was lighted, Ossian, sitting in a warm corner, was wont to recite the wonderful songs of . iis youth, and to celebrate the mighty battles and hunting Teats of the big-boned Fingalians. To these songs Peter of the Psalms gave attentiye ear, and being something of a peuman >% carefully inscribed them in a book. One day Peter had been more than usually successful in the chase, and brought home on his shoulders the carcass of a huge stag. Of this stag a leg was dressed for supper, and when it was picked bare, Peter triumphantly inquired of Ossian, " In the Fingalian days you speak about, killed you ever a stag so large as this ? " Ossian balanced the bone in his hand ; then, sniffing intense disdain, replied, " This bone, big as you tln'nk it, could be dropped into the hollow of a Fingalian blackbird's leg." Peter of the Psalms, en- raged at what he conceived an unconceivable crammer on the part of his father-in-law, started up, swearing that he would not ruin his soul by preserving any more of his lying songs, and flung the volume in the fire ; but his wife darted forward and snatched it up, half-charred, from the embers. At this conduct on the part of Peter, Ossian groaned in spirit, and wished to die, that he might be saved from the envy and stupidities of the little people, whose minds were as stunted as their bodies. When he went to bed he implored his ancient gods for he was a sad heathen to resuscitate, if but for one hour, the hounds, the stags, and the blackbirds of his youth, that he might astonish and confound the unbelieving Peter. His prayers done, he fell on slumber, and just before dawn a 64 ALEXANDER SMITH. weight upon his breast awoke him. To his great joy, he found that his prayers were answered, for upon his breast was crouched his favorite hound. He spoke to it, and the faithful creature whimpered and licked his face. Swiftly he called his little grandson, and they went out with the hound. When they came to the top of an eminence, Ossian said, " Put your fingers in your ears, little one, else I will make you deaf for life." The boy put his fingers in his ears, and then Ossian whistled so loud that the whole world rang. He then asked the child if he saw anything. ' k O, such large deer ! " said the child. " But a small herd, by the sound of it," said Ossian ; u we will let that herd pass." Presently the child called out, ' k 0, such large deer!" Ossian bent his ear to the ground to catch the sound of their coming, and then, as if satisfied, let slip the hound, who speedily tore down seven of the fattest. When the animals were skinned and laid in order, Ossian went towards a large lake, in the centre of which grew a remarkable bunch of rushes. He waded into the lake, tore up the rushes, and brought to light the great Finga- lian kettle, which had lain there for more than a century. Returning to their quarry, a fire was kindled ; the kettle containing the seven carcasses was placed thereupon ; and soon a most savory smell was spread abroad upon all the winds. When the. animals were stewed, after the approve. I fashion of his ancestors, Ossian sat down to his repa. t. Now as, since his sojourn with the fames, he had never enjoyed a sufficient meal, it was his custom to gather up the superfluous folds of his stomach by wooden splints, nine in number. As he now fed and expanded, splint after splint was thrown away, till at last, when the kettle was emptied, he lay down perfectly satisfied, and silent as ocean at the full of tide. Recovering himself, he gathered all the bones together, set fire to them, till the black smoke which arose darkened the heaven. " Little one," IN A SKYE BOTHY. 65 then said Ossian, " go up to the knoll, and tell me if you see anything." '" A great bird is flying hither," said the child; and immediately the great Fingalian blackbird alighted at the feet of Ossian, who at once caught and throttled it. The fowl was carried home, and was in the evening dressed for supper. After it was devoured, Ossian called for the stag's thigh-bone \shk.h had been the original cause of quarrel, and, before the face of the astonished and convicted Peter of the Psalms, dropped it in the hollow of the blackbird's leg. Ossian died on the night of his tri- umph, and the only record of his songs is the volume which Peter in his rage threw into the fire, and from which, when half consumed, it was rescued by his wife. I am to stay with Mr. Maclan to-night. A wedding has taken place up among the hills, and the whole party have been asked to make a night of it. The mighty kitchen has been cleared for the occasion ; torches are stuck up ready to be lighted ; and I ab-eady hear the first mutterings of the bagpipe's storm of sound. The old gentleman wears a look of brightness and hilarity, and vows that he will lead off the first reel with the bride. Everything is pre- pared ; and even now the bridal party are coming down the steep hill road. I must go out to meet them. To-mor- row I return to my bothy, to watch the sunny mists congre- gating on the crests of Blavin in radiant billow on billow, and on which the level heaven seems to lean. RUINS. BY JAMES GATES PERCIVAL. EARTH is a waste of ruins ; so I deemed, When the broad sun was sinking in the sea Of sand that rolled around Palmyra. Night Shared with the dying day a lonely sky, The canopy of regions void of life, And still as one interminable tomb. The shadows gathered on the desert, dark And darker, till alone one purple arch Marked the far place of setting. All above Was purely azure, for no moon in heaven Walked in her brightness, and with snowy light Softened the deep intensity, that gave Such awe unto the blue serenity Of the high throne of gods, the dwelling-place Of suns and stars, which are to us as gods, The fountains of existence and the seat Of all we dream of glory. Dim and vast The ruins stood around me, temples, fanes, Where the bright sun was worshipped, where the} gave Homage to Him who frowns in storms, and rolls The desert like an ocean, where they bowed Unto the queen of beauty, she in heaven Who gives the night its loveliness, and smiles Serenely on the drifted waste, and lends RUINS. 67 A silver softness to the ridgy wave Where the dark Arab sojourns, and with tales Of love and beauty wears the tranquil night In poetry away, her light the while Falling upon him, as a spirit falls, Dove-like or curling down in flame, a star Sparkling amid his flowing locks, or dews That melt in gold, and steal into the heart, Making it one enthusiastic glow., As if the God were present, and his voice Spake on the eloquent lips that pour abroad A gush of inspiration, bright as waves Swelling around Aurora's car, intense "With passion as the fire that ever flows In fountains on the Caspian shore, and full As the wide-rolling majesty of Nile. Over these temples of an age of wild And dark belief, and yet magnificent In all that strikes the senses, beautiful In the fair forms they knelt to, and the domes And pillars which upreared them, full of life In their poetic festivals, when youth Gave loose to all its energy, in dance, And song, and every charm the fancy weaves In the soft twine of cultured speech, attuned In perfect concord to the full-toned lyre : When nations gathered to behold the pomp That issued from the hallowed shrine in choirs Of youths, who bounded to the minstrelsy Of tender voices, and all instruments Of ancient harmony, in* solemn trains Bearing the votive offerings, flowing horns Of plenty wreathed with flowers, and gushing o'er With the ripe clusters of the purple vine, 68 JAMES GATES PERCIVAL. The violet of the fig, the scarlet flush Of granates peeping from the parted rind, The citron shining through its glossy leaves In burnished gold, the carmine veiled in down, Like mountain snow, on which the living stream Flowed from Astarte's minion, all that hang In Eastern gardens blended, while the sheaf Nods with its loaded ears, and brimming bowls Foam with the kindling element, the joy Of banquet, and the nectar that inspires Man -with the glories of a heightened power To feel the touch of beauty, and combine The scattered forms of elegance, till high Rises a magic vision, blending all That we have seen of glory, such as drew Assembled Greece to worship, when the form, Who gathered all its loveliness, arose Dewy and blushing from the parent foam, Than which her tint was fairer, and with hand That seemed of living marble parted back Her raven locks, and upward looked to Heaven, Smiling to see all Nature bright and calm ; Over these temples, whose long colonnades Are parted by the hand of time, and fall Pillar by pillar, block by block, and strew The ground in shapeless ruin, night descends Unmingled, and the many stars shoot through The gaps of broken walls, and glance between The shafts of tottering columns, marking out Obscurely, on the dark blue sky, the form Of Desolation, who hath made these piles Her home, and, sitting with her folded wings, Wraps in her dusty robe the skeletons Of a once countless multitude, whose toil Reared palaces and theatres, and brought RUINS. 69 All the fair forms of Grecian art to give Glory unto an island girt with sands As barren as the ocean, where the grave And stately Doric marked the solemn fane Where wisdom dwelt, and on the fairer shrine Of beauty sprang the light Ionian, wreathed With a soft volute, whose simplicity Becomes the deity of loveliness, Who with her snowy mantle, and her zone Woven with all attractions, and her locks Flowing as Nature bade them flow, compels The sterner Powers to hang upon her smiles. And tifere the grand Corinthian lifted high Its flowery capital, to crown the porch Where sat the sovereign of their hierarchy, The monarch armed with terror, whose curled locks Shaded a brow of thought and firm resolve, Whose eye, deep sunk, shot out its central fires, To blast and wither all who dared confront The gaze of highest power ; so sat their kings Enshrined in palaces, and when they came Thundering on their triumphal cars, all bright With diadem of gold, and purple robe Flashing with gems, before their rushing train Moving in serried columns fenced in steel, The herd of slaves obsequious sought the dust, And gazed not as the mystic pomp rolled by. Such were thy monarchs, Tadmor ! now thy streets Are silent, and thy walls o'erthrown, no voice Speaks through the long dim night of years, to tell These were once peopled dwellings ; I could dream Some sorcerer in his moonlight wanderings reared These wonders in an hour of sport, to mock The stranger with the show of life, and send Thought through the mist of ages, in the search 70 JAMES GATES PERCIVAL. Of nations who are now no more, who lived Erst in the pride of empire, ruled and swayed Millions in their supremacy, and toiled To pile these monuments of wealth and skill, That here the wandering tribe might pitch its tents Securer in their empty courts, and we, "Who have the sense of greatness, low might kneel To ancient mind, and gather from the torn And scattered fragments visions of the power, And splendor, and sublimity of old, Mocking the grandest canopy of heaven, And imaging the pomp of gods below. A REVELATION OF CHILDHOOD. (FROM A LETTER.) BY MRS. JAMESON. I WILL here put together some recollections of child-life*; not because it was in any respect an excep- tional or remarkable existence, but for a reason exactly the i everse, because it was like that of many children ; at least I have met with many children who throve or suffered from the same or similar unseen causes even under external con- ditions and management every way dissimilar. Facts, there- fore, which can be relied on, may be generally useful as Iiints towards a theory of conduct. What I shall say here fehall be simply the truth so far as it goes ; not something between the false and the true, garnished for effect, not something half remembered, half imagined, but plain, ab- solute, matter of fact. No ; certainly I was not an extraordinary child. I have had something to do with children, and have met with several more remarkable for quickness of talent and pre- cocity of feeling. If anything in particular, I believe I was particularly naughty, at least so it was said twenty tunes a day. But looking back now, I do not think I was par- ticular even in this respect ; I perpetrated not more than the usual amount of mischief so called which every lively, active child perpetrates between five and ten years old. I had the usual desire to know, and the usual 72 MRS. JAMESON. to learn ; the usual love of fairy-tales, and hatred of French exercises. But not of what I learned, but of what I did not learn ; not of what they taught me, but of what they could not teach me ; not of what was open, apparent, manageable, but of the under-current, the hidden, the unmanaged or unmanageable, I have to speak, and you, my friend, to he.ir and turn to account, if you will, and how you will. As \ve grow old the experiences of infancy come back upon us with a strange vividness. There is a period when the oxer- flowing, tumultuous life of our youth rises up between us and those first years ; but as the torrent subsides in its bed, we can look across the impassable gulf to that haunted fairy- land which we shall never more approach, and never more forget ! In memory I can go back to a very early age. I per- fectly remember being sung to sleep, and can remember even the tune which was sang to me, blessings on the voice that sang it ! I was an affectionate, but not, as I now think, a lovable nor an attractive child. I did not, like the little Mozart, ask of every one around me, " Do you love me ? " The instinctive question was, rather, " Can I love you ? " Yet certainly I was not more than six years old when I suffered from the fear of not being loved where I had attached myself, and from the idea that another was preferred before me, such anguish as had nearly killed me. Whether those around me regarded it as a fit of ill-temper, or a fit of illness, I do not know. I coidd not then have given a name to the pang that fevered me. I knew not the cause, but never forgot the suffering. It left a deeper impression than childish passions usually do ; and the recol- lection was so far salutary, that in after life I guarded myself against the approaches of that hateful, deformed, agonizing thing which men call jealousy, as I would from an attack of cramp or cholera. If such self-knowledge has A REVELATION OF CHILDHOOD. 73 not saved me from the pain, at least it has saved me from the demoralizing effects of the passion, by a wholesome terror, and even a sort of disgust. With a good temper, there was the capacity of strong, deep, silent resentment, and a vindictive spirit of rather a peculiar kind. I recollect that when one of those set over me inflicted what then appeared a most horrible injury and injustice, the thoughts of vengeance haunted my fancy for months ; but it was an inverted sort of vengeance. I imagined the house of my enemy on fire, and rushed through the flames to rescue her. She was drowning, and I leaped into the deep water to draw her forth. She was pining in prison, and I forced bars and bolts to deliver her. If this were magnanimity, it was not the less vengeance ; for, observe, I always fancied evil, and shame, and humilia- tion to my adversary ; to myself the role of superiority and gratified pride. For several years this sort of burning re- sentment against wrong done to myself and others, though it took no mean or cruel form, was a source of intense, untold suffering. No one was aware of it. I was left to settle it ; and my mind righted itself I hardly know how ; not cer- tainly by religious influences, they passed over my mind, and did not at the time sink into it, and as for earthly counsel or comfort, I never had either when most needed. And as it fared with me then, so it has been in after life ; so it has been, must be, with all those who, in fighting out alone the pitched battle between principle and passion, will accept no intervention between the infinite within them and the infinite above them ; so it has been, must be, with all strong natures. Will it be said, that victory in the struggle brings increase of strength ? It may be so with some who survive fhe contest ; but then, how many sink ! how many are crip- pled morally for life ! how many, strengthened in some par- ticular faculties, suffer in losing the harmony of the char- acter as a whole ! This is one of the points in which the 71 Mi:S. JAMKSON. matured mind may help the childish nature at strife with It is impossible, to say how Car this sort of vindictive- ni'dif have |)ciictrafc(l and hardened into the char- acter, if I habably for a similar reason. The other objects of the Druid worship were chiefly serpents in the animal world, and rude heaps of stone, or great pillars without polish or sculpture, in the inanimate. The serpent, by his dangerous qualities, is not ill adapted to inspire terror ; by his annual renewals, to raise admiration ; by his make, easily susceptible of many figures, to serve for a variety of symbols ; and by all, to be an object of religious observance : accordingly no object of idolatry has been more universal. And this is so natural, that serpent-veneration seems to be rising again even in the bosom of Mahome- tanism. The great stones, it has been supposed, were originally monuments of illustrious men, or the memorials of consid- erable actions, or they were landmarks for deciding the bounds of fixed property. In time, the memory of the persons or facts which these stones were erected to perpetu- ate wore away ; but the reverence which custom, and proba- bly certain periodical ceremonies, had preserved for those places was not so soon obliterated. The monuments them- selves then came to be venerated ; and not the less because the reason for venerating them was no longer known. The landmark was in those times held sacred on account of its THE DRUIDS. 119 great uses, and easily passed into an object of worship. Hence the god Terminus amongst the Romans. This relig- ious observance towards rude stones is one of the most ancient and universal of all customs. Traces of it are to be found in almost all, and especially in these Northern nations ; and to this day in Lapland, where heathenism is not yet entirely extirpated, their chief divinity, which they call Stor Junkare, is nothing more than a rude stone. Some writers, among the moderns, because the Druids ordinarily made no use of images in their worship, have given in to an opinion, that their religion was founded on the unity of the Godhead. Buf this is no just consequence. The spirituality of the idea, admitting their idea to have been spiritual, does not infer the unity of the object All the ancient authors who speak of this order agree, that, besides those great and more distinguishing objects of their worsliip already mentioned, they had gods answerable to those adored by the Romans. And we know that the Northern nations who overran the Roman Empire had in fact a great plurality of gods, whose attributes, though not their names, bore a close analogy to the idols of the South- ern world. The Druids performed the highest act of religion by sacrifice, agreeably to the custom of all other nations. They not only offered up beasts, but even human victims ; a barbarity almost universal in the heathen world, but exer- cised more uniformly, and with circumstances of peculiar craelty, amongst those nations where the religion of the Druids prevailed. They held that the life of a man was the only atonement for the life of a man. They frequently enclosed a number of wretches, some captives, some crimi- nals, and, when these were wanting, even innocent victims, in a gigantic statue of wicker-work, to which they set fire, and invoked their deities amidst the horrid cries and shrieks of the sufferers, and the shouts of those who assisted at tins tremendous rite. 120 EDMUND BURKE. There were none among the ancients more emiuent foi all the arts of divination than the Druids. Many of the superstitious practices in use to this day among the country people for discovering their future fortune seem to be remains of Druidism. Futurity is the great concern of mankind. Whilst the wise and learned look back upon ex- perience and history, and reason from things past about events to come, it is natural for the rude and ignorant, who have the same desires without the same reasonable means of satisfaction, to inquire into the secrets of futurity, and to govern their conduct by omens, dreams, and prodigies. The Druids, as well as th% Etruscan and Roman priest- hood, attended with diligence the flight of birds, the pecking of chickens, and the entrails of their animal sacrifices. It was obvious that no contemptible prognostics of the weather were to be taken from certain motions and appearances in birds and beasts. A people who lived mostly in the open air must have been well skilled in these observations. And as changes in the weather influenced much the fortune of their huntings, or their harvests, which were all their for- tunes, it was easy to apply the same prognostics to every event by a transition very natural and common ; and thus probably arose the science of auspices, which formerly guided the deliberations of councils, and the motions of armies, though now they only serve, and scarcely serve, if amuse the vulgar. The Druid temple is represented to have been nothing more than a consecrated wood. The ancients speak of no other. But monuments remain which show that the Druids Avere not in this respect wholly confined to groves. They had also a species of building, which in all probability was destined to religious use. This sort of structure was indeed without walls or roof. It was a colonnade, generally circular, of huge rude stones, sometimes single, sometimes double ; sometimes with, often without, an THE DRUIDS. 121 architrave These open temples were not in all respects peculiar to the Northern nations. Those of the Greeks which were dedicated to the celestial gods, ought in strict- ness to have had no roof, and were thence called Hy- pcethra. Many of these monuments remain in the British islands, curious for their antiquity, or astonishing for the greatness of the work ; enormous masses of rock, so poised as to be set in motion with the slightest touch, yet not to be pushed from their place by a very great power : 7at altars, pecu- liar and mystical in their structure, thrones, basins, heaps or kearns ; and a variety of other works, displaying a wild industry, and, a strange mixture of ingenuity and rudeness. But they are all worthy of attention ; not only as such monuments often clear up the darkness, and supply the defects, of history, but as they lay open a noble field of speculation for those who study the changes which have happened in the manners, opinions, and sciences of men, and who think them as worthy of regard as the fortune of wars, and the revolutions of kingdoms. The short account which I have here given does not con- tain the whole of what is handed down to us by ancient writers, or discovered by modern research, concerning this remarkable order. But I have selected those which appear to me the most striking features, and such as throw the strongest light on the genius and true character of the Dru- idical institution. In some respects it was undoubtedly very singular ; it stood out more from the body of the people than the priesthood of other nations ; and their knowledge and policy appeared the more striking by being contrasted with the great simplicity and rudeness of the people over whom they presided. But, notwithstanding some peculiar appearances and practices, it is impossible not to perceive a great conformity between this and the ancient orders which have been established for the purposes 122 EDMUND BURKE. of religion in almost all countries. For, to say nothing of the resemblance which many have traced between this and the Jewish priesthood, the Persian Magi, and the India Brachmans, it did not so greatly differ from the Roman priesthood either in the original objects, or in the general mode of worship, or in the constitution of their hierarchy. In the original institution, neither of these nations had the use of images ; the rules of the Salian as well as Druid discipline were delivered in verse ; both orders were under an elective head ; and both were for a long time the law- yers of their country. So that when the order of Druids was suppressed by the emperors, it was rather from a dread of an influence incompatible with the Roman government, lhan from any dislike of their religious opinions. THE WITCH'S DAUGHTER. BY JOHN G. WHITTTER. IT was the pleasant harvest time, When cellar-bins are closely stowed, And garrets bend beneath their load, And the old swallow-haunted barns Brown-gabled, long, and full of seams Through which the moted sunlight streams. And winds blow freshly in, to shake The red plumes of the roosted cocks, And the loose haymow's scented locks Are filled with summer's ripened stores, Its odorous grass and barley sheaves, From their low scaffolds to their eaves. On Esek Harden's oaken floor, With many an autumn threshing worn, Lay the heaped ears of unhusked corn. And thither came young men and maids, Beneath a moon that, large and low, Lit that sweet eve of long ago. 124 JOHN G. WHITTIER. They took then places ; some by chance, And others by a merry voice Or sweet sinile guided to their choice. How pleasantly the rising moon, Between the shadow of the mows, Looked on them through the great elm boughs ! On sturdy boyhood sun-embrowned, On girlhood with its solid curves Of healthful strength and painless nerves ! And jests went round, and laughs that made The house-dog answer with his howl, And kept astir the barn-yard fowl ; And quaint old songs their fathers sung, In Derby dales and Yorkshire moors, Ere Norman William trod their shores ; And tales, whose merry license shook The fat sides of the Saxon thane, Forgetful of the hovering Dane ! But still the sweetest voice was mute That river-valley ever heard, From lip of maid or throat of bird ; For Mabel Martin sat apart, And let the haymow's shadow fall Upon the loveliest face of all. She sat apart, as one forbid, Who knew that none would condescend To own the Witch-wife's child a friend. THE WITCH'S DAUGHTER. The seasons scarce had gone their round, Since curious thousands thronged to see Her mother on the gallows-tree ; And mocked the palsied limbs of age, That faltered on the fatal stairs, And wan lip trembling with its prayers ! Few questioned of the sorrowing child, Or, when they saw the mother die, Dreamed of the daughter's agony. They 'went up to their homes that day, As men and Christians justified : God willed it, and the wretch had died I Dear God and Father of us all, Forgive our faith in cruel lies, Forgive the blindness that denies ! Forgive thy creature when he takes, For the all-perfect love thou art, Some grim creation of his heart. Cast down our idols, overturn Our bloody altars ; let us see Thyself in thy humanity ! Poor Mabel from her mother's grave Crept to her desolate hearthstone, And wrestled with her fate alone ; With love, and anger, and despair, The phantoms of disordered sense, The awful doubts of Providence ! 126 JOHN G. WHITTIER. The school-boys jeered her as they passed And, when she sought the house of prayer, Her mother's curse pursued her there. And still o'er many a neighboring door She saw the horseshoe's curved charm, To guard against her mother's harm ; That mother, poor, and sick, and lame, Who daily, by the old arm-chair, Folded her withered arms in prayer ; Who turned, in Salem's dreary jail, Her worn old Bible o'er and o'er, When her dun eyes could read no more ! Sore tried and pained, the poor girl kept Her faith, and trusted that her way, So dark, would somewhere meet the day. And still her weary wheel went round Day after day, with no relief: Small leisure have the poor for grief. So in the shadow Mabel sits ; Untouched by mirth she sees and hears ; Her smile is sadder than her tears. But cruel eyes have found her out, And cruel lips repeat her name, And taunt her with her mother's shame. She answered not with railing words, But drew her apron o'er her face, And, sobbing, glided from the place. THE WITCH'S DAUGHTER. 127 And only pausing at the door, Her sad eyes met the troubled gaze Of one who, in her better days, Had been her warm and steady friend Ere yet her mother's doom had made Even Esek Harden half afraid. He felt that mute appeal of tears, And, starting, with an angry frown Hushed all the wicked murmurs down. " Good neighbors mine," he sternly said, " This passes harmless mirth or jest ; I brook no insult to my guest. " She is indeed her mother's child ; But God's sweet pity ministers Unto no whiter soul than hers. ** Let Goody Martin rest in peace ; I never knew her harm a fly, And witch or not, God knows not L " I know who swore her life away ; And, as God lives, I 'd not condemn An Indian dog on word of them." The broadest lands in all the town, The skill to guide, the power to awe, Were Harden's ; and his word was law. None dared withstand him to his face, But one sly maiden spake aside " The little witch is evil eyed ! 128 JOHN G. WHITTIER. " Her mother only killed a cow, Or witched a churn or dairy-pan ; But she, forsooth, must charm a man ! " Poor Mabel, in her lonely home, Sat by the window's narrow pane, White in the moonlight's silver rain. The river, on its pebbled rim, Made music such as childhood knew ; The door-yard tree was whispered through By voices such as childhood's ear Had heard in moonlights long ago ; And through the willow boughs below She saw the rippled water shine ; Beyond, in waves of shade and light, The hills rolled off into the night Sweet sounds and pictures mocking so The sadness of her human lot, She saw and heard, but heeded not. She strove to drown her sense of wrong, And, in her old and simple way, To teach her bitter heart to pray. Poor child ! the prayer, begun in faith, Grew to a low, despairing cry Of utter misery : " Let me die ! " 0, take me from the scornful eyes, And hide me where the cruel speech And mocking finger may not reach ! THE WITCH'S DAUGHTER. 129 * I dare not breathe my mother's name : A daughter's right I dare not cri^ve To weep above her unblest grave ! " Let me not live until my heart, With few to pity, and with none To love me, hardens into stone. " O God ! have mercy on thy child, Whose faith in thee grows weak and small, And take me ere I lose it all ! " A shadow on the moonlight fell, And murmuring wind and wave became A voice whose burden was her name. Had then God heard her ? Had he sent His angel down ? In flesh and blood, Before her Esek Harden stood ? He laid his hand upon her arm : " Dear Mabel, this no more shall be ; Who scoffs at you, must scoff at me. " You know rough Esek Harden well ; And if he seems no suitor gay, And if his hair is touched with gray, " The maiden grown shall never find His heart less warm than when she smiled, Upon his knees, a little child ! " Her tears of grief were tears of joy, As, folded in his strong embrace, She looked in Esek Harden's face. 130 JOHN G. WHITTIER. ' O, truest friend of aU ! " she said, " God bless you for your kindly thought, And make me worthy of my lot ! " He led her through his dewy fields, To where the swinging lanterns glowed, And through the doors the huskers showed " Good friends and neighbors ! " Esek said, " I 'm weary of this lonely life ; In Mabel see my chosen wife ! " She greets you kindly, one and all ; The past is past, and all offence Falls harmless from her innocence. " Henceforth she stands no more alone ; You know what Esek Harden is ; He brooks no wrong to him or his." Now let the merriest tales be told, And let the sweetest songs be sung, That ever made the old heart young ! For now the lost has found a home ; And a lone hearth shall brighter burn, As all the household joys return ! O, pleasantly the harvest moon, Between the shadow of the mows, Looked on them through the great elm boughs ! On Mabel's curls of golden hair On Esek's shaggy strength it fell ; And the wind whispered, " It is well ! n THE OLD LADY, AND THE OLD GENTLEMiN BY LEIGH HUNT. THE OLD LADY. IF the Old Lady is a widow and lives alone, the man- ners of her condition and time of life are so much the more apparent. She generally dresses in plain silks, that make a gentle rustling as she moves about the silence of her room; and she wears a nice cap with a lace border, that comes under the chin. In a placket at her side is an old enamelled watch, unless it is locked up in a drawer of her toilet, for fear of accidents. Her waist is rather tight and trim than otherwise, as she had a fine one when young ; and she is not sorry if you see a pair of her stock- ings on a table, that you may be aware of the neatness of her leg and foot Contented with these and other evident indications of a good shape, and letting her young friends understand that she can afford to obscure it a little, she wears pockets, and uses them well too. In the one is her handkerchief, and any heavier matter that is not likely to come out with it, such as the change of a sixpence ; in the other is a miscellaneous assortment, consisting of a pocket-book, a bunch of keys, a needle-case, a spectacle- case, crumbs of biscuit, a nutmeg and grater, a smelling- bottle, and, according to the season, an orange or apple, which after many days she draws out, warm and glossy, 132 LEIGH HUNT. to give to some little child that has well behaved itself. She generally occupies two rooms, in the neatest condition possible. In the chamber is a bed with a white coverlet, built up high and round, to look well, and with curtains of a pastoral pattern, consisting alternately of large plants, and shepherds and shepherdesses. On the mantel-piece are more shepherds and shepherdesses, with dot-eyed sheep at their feet, all in colored ware : the man, perhaps, in a pink jacket and knots of ribbons at his knees and shoes, holding his crook lightly in one hand, and with the other at his breast, turning his toes out and looking tenderly at the shepherdess ; the woman holding a crook also, and modestly returning his look, with a gypsy-hat jerked up behind, a very slender waist, with petticoat and hips to counteract, and the petticoat pulled up through the pocket- holes, in order to show the trimness of her ankles. But these patterns, of course, are various. The toilet is an- cient, carved at the edges, and tied about with a snow- white drapery of muslin. Beside it are various boxes, mostly japan ; and the set of drawers are exquisite things for a little girl to rummage, if ever little girl be so bold, containing ribbons and laces of various kinds ; linen smell- ing of lavender, of the flowers of which there is always dust in the corners; a heap of pocket-books for a series of years ; and pieces of dress long gone by, such as head- fronts, stomachers, and flowered satin shoes, with enormous heels. The stock of letters are under especial -lock and key. So much for the bedroom. In the sitting-room is rather a spare assortment of shining old mahogany furni- ture, or carved arm-chairs equally old, with chintz dra- peries down to the ground ; a folding or other screen, with Chinese figures, their round, little-eyed, meek faces perking sideways ; a stuffed bird, perhaps in a glass case (a living one is too much for her) ; a portrait of her husband over the mantel-piece, in a coat with frog-buttons, and a delicate THE OLD LADY. 133 frilled hand lightly inserted in the waistcoat ; and opposite him on the wall is a piece of embroidered literature, framed and glazed, containing some moral distich or maxim, worked in angular capital letters, with two trees or parrots below, in their proper colors ; the whole concluding with an ABC and numerals, and the name of the fair industrious, expressing it to be "her work, Jan. 14, 1762." The rest of the furniture consists of a looking-glass with carved edges, perhaps a settee, a hassock for the feet, a mat for the little dog, and a small set of shelves, in which are the " Spectator " and " Guardian," the " Turkish Spy," a Bible and Prayer-Book, " Young's Night Thoughts," with a piece of laceXn it to flatten, " Mrs. Rowe's Devout Exer- cises of the Heart," "Mrs. Glasse's Cookery," and perhaps " Sir Charles Grandison," and " Clarissa." John Buncle " is in the closet among the pickles and preserves. The clock is on the landing-place between the . two room doors, where it ticks audibly but quietly; and the landing-place, as well as the stairs, is carpeted to a nicety. The house is most in character, and properly coeval, if it is in a retired suburb, and strongly built, with wainscot rather than paper inside, and lockers in the windows. Before the windows should be some quivering poplars. Here the Old Lady receives a few quiet visitors to tea, and per- haps an early game at cards: or you may see her going out on the same kind of visit herself, with a light umbrella running up into a stick and crooked ivory handle, and her little dog, equally famous for his love to her and captious antipathy to strangers. Her grandchildren dislike him on holidays, and the boldest sometimes ventures to give him a sly kick under the table. When she returns at night, she appears, if the weather happens to be doubtful, in a calash ; and her servant in pattens, follows half behind and half at her side, with a lantern. Her opinions are not many nor new. She thinks the Io4 LEIGH HUNT clergyman a nice man. The Duke of Wellington, in he- opinion, is a very great man ; bnt she has a secret prefer- ence for the Marquis of Granby. She thinks the young women of the present day too forward, and the men not respectful enough; but hopes her grandchildren will be better; though she differs with her daughter in several points respecting their management. She sets little value on the new accomplishments; is a great though delicate connoisseur in butcher's meat and all sorts of housewifery ; and if you mention waltzes, expatiates on the grace and fine breeding of the minuet She longs to have seen one danced by Sir Charles Grandison, whom she almost con- siders as a real person. She likes a walk of a summer's evening, but avoids the new streets, canals, &c., and some- times goes through the churchyard, where her children and her husband lie buried, serious, but not melancholy. She has had three great epochs in her life: her mar- riage, her having been at court, to see the King and Queen and Royal Family, and a compliment on her fig- ure she once received, in passing, from Mr. "Wilkes, whom she describes as a sad, loose man, but engaging. His plainness she thinks much exaggerated. If anything takes her at a distance from home, it is still the court ; but she seldom stirs, even for that. The last time but one that she went, was to see the Duke of Wttrtemberg ; and most probably for the last time of all, to see the Princess Char- lotte and Prince Leopold. From this beatific vision she returned with the same admiration as ever for the fine, comely appearance of the Duke of York and the rest of the family, and great delight at having had a near view of the Princess, whom she speaks of with smiling pomp and lifted mittens, clasping them as passionately as she can together, and calling her, in a transport of mixed loyalty and self-love, a fine royal young creature, and Daughter of England." THE OLD GENTLEMAN. 135 THE OLD GENTLEMAN. OUR Old Gentleman, in order to be exclusively him- self, must be either a widower or a bachelor. Suppose the former. We do not mention his precise age, which would be invidious : nor whether he wears his own hair or a wig ; which would be wanting in universality. If a wig, it is a compromise between the more modern scratch and the departed glory of the toupee. If his own hair, it is white, in spite of his favorite grandson, who used to get on the chair behind him, and pull the silver hairs out, ten years ago. If he is bald at top, the hair-dresser, hovering and breathing about him like a second youth, takes care to give the bald place as much powder as the covered , in order that lie may convey to the sensoriuni within a pleasing indistinctness of idea respecting the exact limits of skin and hair. He is very clean and neat ; and, in warm weather, is proud of opening his waistcoat half-way down, and letting so much of his frill be seen, in order to show his hardiness as well as taste. His watch and shirt- buttons are of the best ; and he does not care if he has two rings on a finger. If his watch ever failed him at the club or coffee-house, he would take a walk every day to the nearest clock of good character, purely to keep it right. He has a cane at home, but seldom uses it, on finding it out of fashion with his elderly juniors. He has a small cocked hat for gala days, which he lifts higher from his head than the round one, when bowed to. In his pockets are two handkerchiefs (one for the neck at night-time), his spectacles, and his pocket-book. The pocket-book, among other things, contains a receipt for a cough, and some verses cut out of an odd sheet of an old magazine, on the lovely Duchess of A., beginning, " When beauteous Mira walks the plain " 136 LEIGH HUNT. He intends this for a commonplace-book which he keeps, consisting of passages in verse and prose, cut out of news- papers and magazines, and pasted in columns ; some of them rather gay. His principal other books are Shake- speare's Plays and Milton's Paradise Lost ; the Spectator, the History of England, the Works of Lady M. ~W. Mon- tague, Pope, and Churchill ; Middleton's Geography ; the Gentleman's Magazine ; Sir John Sinclair on Longevity ; several plays with portraits in character ; Account of Eliz- abeth Canning, Memoirs of George Ann Bellamy, Poetica Amusements at Bath-Easton, Blair's Works, Elegant Ex- tracts ; Junius as originally published ; a few pamplilets on the American War, and Lord George Gordon, &c., and one on the French Revolution. In his sitting-rooms are some engravings from Hogarth and Sir Joshua ; an engraved portrait of the Marquis of Granby ; ditto of M. le Comte de Grasse surrendering to Admiral Rodney ; a humorous piece after Penny ; and a portrait of himself, painted by Sir Joshua. His wife's portrait is in his cham- ber, looking upon his bed. She is a little girl, stepping forward with a smile, and a pointed toe, as if going to dance. He lost her when she was sixty. The Old Gentleman is an early riser, because he intends to live at least twenty years longer. He continues to take tea for breakfast, in spite of what is said against its nervous effects; having been satisfied on that point some years ago by Dr. Johnson's criticism on Hanway, and a great liking for tea previously. His china cups and sau- cers have been broken since his wife's death, all but one, which is religiously kept for his use. He passes his morn- ing in - walking or riding, looking in at auctions, looking after his India bonds or some such money securities, fur- thering some subscription set on foot by his excellent friend Sir John, or cheapening a new old print for his portfolio. He also hears of the newspapers ; not caring THE OLD GENTLEMAN. 137 to see them till after dinner at the coffee-house. He may also cheapen a fish or so ; the fishmonger soliciting his doubting eye as he passes, with a profound bow of recog- nition. He eats a pear before dinner. His dinner at the coffee-house is served up to him at the accustomed hour, in the old accustomed way, and by the accustomed waiter. If William did not bring it, the fish would be sure to be stale, and the flesh new. He eats no tart ; or if he ventures on a little, takes cheese with it. You might as soon attempt to persuade him out of his senses as that cheese is not good for digestion. He takes port ; and if he has drunk more than usual, and in a more private place, may be induced, by some respectful inquiries respecting the old style of music, to sing a song composed by Mr. Oswald or Mr. Lampe, such as, " Chloe, by that borrowed kiss/' or, " Come, gentle god of soft repose," or his wife's favorite ballad, beginning, " At Upton on the hill, There lived a happy pair." Of course, no such exploit can take place in the coffee- room ; but he will canvass the theory of that matter there with you, or discuss the weather, or the markets, or the theatres, or the merits of " my lord North " or " my lord Rockingham " ; for he rarely says simply, lord ; it is gen- erally " my lord," trippingly and genteelly off the tongue. If alone after dinner, his great delight is the newspapfir ; which he prepares to read by wiping his spectacles, care- fully adjusting them on his eyes, and drawing the candle close to him, so as to stand sideways betwixt his ocular aim and the small type. He then holds the paper at arm's length, and dropping his eyelids half down and his 138 LEIGH HUNT. mouth half open, takes cognizance of the day's informa- tion. If he leaves off, it is only when the door is opened by a new-comer, or when he suspects somebody is over- anxious to get the paper out of his hand. On these occa- sions he gives an important hem ! or so ; and resumes. In the evening, our Old Gentleman is fond of going to the theatre, or of having a game of cards. If he enjoys the latter at his own house or lodgings, he likes to pltiy with some friends whom he has known for many years ; but an elderly stranger may be introduced, if quiet and scientific ; and the privilege is extended to younger men of letters ; who, if ill players, are good losers. Not that he is a miser, but to win money at cards is like proving his victory by getting the baggage ; and to win of a younger man is a substitute for his not being able to beat him at rackets. He breaks up early, whether at home or abroad. At the theatre, he likes a front row in the pit. He comes early, if he can do so without getting into a squeeze, and sits patiently waiting for the drawing up of the cur- tain, with his hands placidly lying one over the other on the top of his stick. He generously admires some of the best performers, but thinks them far inferior to Gar- rick, Woodward, and Clive. During splendid scenes, he is anxious that the little boy should see. He has been induced to look in at Vauxhall again, but likes it still less than he did years back, and cannot bear it in comparison with Ranelagh. He thinks everything looks poor, flaring, and jaded. " Ah ! " says he, with a sort of triumphant sigh, " Ranelagh was a noble place ! Such taste, such elegance, such beauty ! There was the Duchess of A., the finest woman in England, sir ; and Mrs. L., a mighty fine creature ; and Lady Susan what's her name, that had that unfortunate affair with Sir Charles. Sir, they came swimming by you like the swans." THE OLD GENTLEMAN. 139 The Old Gentleman is very particular in having his slippers ready for him at the fire, whin he comes home. He is also extremely choice in his stuff, and de- lights to get a fresh box-full in Tavistock Street, in his way to the theatre. His box is a curiosity from India. He calls favorite young ladies by their Christian names, however slightly acquainted with them ; and has a privi iege of saluting all brides, mothers, and indeed every species of lady, on the least holiday occasion. If the hus- band, for instance, has met with a piece of luck, he instantly moves forward, and gravely kisses the wife on the cheek. The wife then says, " My niece, sir, from the country *Nj and he kisses the niece. The niece, see- ing her cousin biting her lips at the joke, says, " My .cousin Harriet, sir " ; and he kisses the cousin. He tk never recollects such weather," except during the " Great Frost," or when he rode down with " Jack Skrimshire to Xewinarket." He grows young again in liis little grand- children, especially the one which he thinks most like him- self; which is the handsomest. Yet he likes best, perhaps, the one most resembling his wife ; and will sit with him on his lap, holding his hand in silence, for a quarter of an hour together. He plays most tricks with the former, and makes him sneeze. He asks little boys in general who was the father of Zebedee's children. If his grand- sons are at school, he often goes to see them ; and makes them blush by telling the master or the upper scholars, that they are fine boys, and of a precocious genius. He is much struck when an old acquaintance dies, but adds that lie lived too fast; and that poor Bob was a sad dog in his youth ; " a very sad dog, sir ; mightily set upon .1 short life and a merry one." When he gets very old indeed, he will sit for whole evenings, and say little or nothing ; but informs you, thai there is Mrs. Jones (the housekeeper) " She '11 talk." A SABBATH SUMMER NOON BY WILLIAM MOTHERWELL. THE calmness of this noontide hour, The shadow of this wood, The fragrance of each wilding flower, Are marvellously good ; O, here crazed spirits breathe the balm Of Nature's solitude ! It is a most delicious calm That resteth everywhere, The holiness of soul-sung psalm, Of felt but voiceless prayer ! With hearts too full to speak their bliss. God's creatures silent are. They silent are ; but not the less In this most tranquil hour Of deep, unbroken dreaminess, They own that Love and Power Which, like the softest sunshine, rests On every leaf and flower. How silent are the song-filled nests That crowd this drowsy tree, A SABBATH SUMMER NOON. 141 How mute is every feathered breast That swelled with melody ! And yet bright bead-like eyes declare This hour is ecstasy. Heart forth ! as uncaged bird through ail And mingle in the tide Of blessed things, that, lacking care, Now full of beauty glide Around thee, in their angel hues Of joy and sinless pride. Here, on this green bank that o'erviews The far-retreating glen, Beneath the spreading beech-tree muse, Of all within thy ken ; For lovelier scene shall never break 'On thy dimmed sight again. Slow stealing from the tangled brake That skirts the distant hill, With noiseless hoof, two bright fawns make For yonder lapsing rill ; Meek children of the forest gloom, Drink on, and fear no ill ! And buried in the yellow broom That crowns the neighboring height, Couches a loutish shepherd groom, With all his flocks in sight ; Which dot the green braes gloriously With spots of living light. It is a sight that filleth me With meditative joy, 142 WILLIAM MOTHER WELL. To mark these dumb things curiously Crowd round their guardian boy ; As if they felt this Sabbath hour Of bliss lacked all alloy. I bend me towards the tiny flower, That underneath this tree Opens its little breast of sweets In meekest modesty, And breathes the eloquence of love In muteness, Lord ! to thee. There is no breath of wind to move The flag-like leaves, that spread Their grateful shadow far above This turf-supported head ; All sounds are gone, all murmuringe With living nature wed. n The babbling of the clear well-springs*, The whisperings of the trees, And all the cheerful jargonings Of feathered hearts at ease, That whilom filled the vocal wood, Have hushed their minstrelsies. The silentness of night doth brood O'er this bright summer noon ; And Nature, in her holiest mood, Doth all things well attune To joy, in the religious dreams Of green and leafy June. Far down the glen in distance gleams The hamlet's tapering spire, A SABBATH SUMMER NOON. 143 And, glittering in meridial beams, Its vane is tongued with fire ; And hark how sweet its silvery bell, And hark the rustic choir ! The holy sounds float up the dell To fill my ravished ear, And now the glorious anthems swell Of worshippers sincere, Of hearts bowed in the dust, that shed Faith's penitential tear. Dear Lord ! thy shadow is forth spread On all mine eye can see ; And, filled at the pure fountain-head Of deepest piety, My heart loves all created things, And travels home to thee. Around me while the sunshine flings A flood of mocky gold, My chastened spirit once more sings, As it was wont of old, That lay of gratitude which burst From young heart uncontrolled. When in the midst of nature nursed, Sweet influences fell On chilly hearts that were athirst, Like soft dews in the bell Of tender flowers, that bowed their heads And breathed a fresher smell, So, even now this hour hath sped In rapturous thought o'er me. 144 WILLIAM MOTHER WELL. Feeling myself with nature wed, A holy mystery, A part of earth, a part of heaven, A part, Great God ! of thee. Fast fade the cares of life's dull sweven, They perish as the weed, While unto me the power is given, A moral deep to read In every silent throe of mind External beauties breed. THE INCENDIARY. BY MARY RUSSELL MITFORD. NO one that had the misfortune to reside during the last winter in the disturbed districts of the south of Eng- land will ever forget the awful impression of .that terrible time. The stilly gatherings of the misguided peasantry amongst, the wild hills, partly heath and partly woodland, of which so much of the northern part of Hampshire is com- posed, dropping in one by one, and two by two in the gloom of evening, or the dim twilight of a November morn- ing ; or the open and noisy meetings of determined men at noontide in the streets and greens of our Berkshire villages, and even sometimes in the very churchyards, sallying forth in small but resolute numbers to collect money or destroy machinery, and compelling or persuading their fellow-labor- ers to join them at every farm they visited ; or the sudden appearance and disappearance of these large bodies, who sometimes remained together to the amount of several hun- dreds for many days, and sometimes dispersed, one scarcely knew how, in a few hours ; their daylight marches on the high road, regular and orderly as those of an army, or their midnight visits to lonely houses, lawless and terrific as the descent of pirates or the incursions of banditti ; all brought close to us a state of things which we never thought to have witnessed in peaceful and happy England. In the sister island, indeed, we had read of such horrors, but now they were brought home to our very household hearths ; we 10 146 MARY RUSSELL MITFORD. tasted of fear, the bitterest cup that an imaginative woman can taste, in all its agonizing varieties ; and felt, by sad experience, the tremendous difference between that distant report of danger, with which we had &o often fancied that we sympathized, and the actual presence of danger itself. Such events are salutary, inasmuch as they show to the human heart its own desperate self-deceit. I could not but smile at the many pretty letters of condolence and fellow- feeling which I received from writers who wrote far too well to feel anything, who most evidently felt nothing ; but the smile was a melancholy one, for I recollected how often, not intending to feign, or suspecting that I was feigning, I myself had written such. Nor were the preparations for defence, however neces- sary, less shocking than the apprehensions of attack. The hourly visits of bustling parish officers, bristling with impor- tance (for our village, though in the centre of the insur- gents, continued uncontaminated, " faithful amidst the un- faithful found," and was, therefore, quite a rallying-point for loyal men and true) ; the swearing in of whole regi- ments of petty constables ; the stationary watchmen, who every hour, to prove their vigilance, sent in some poor wretch, beggar or match-seller, or rambling child, under the denomination of suspicious persons ; the mounted patrol, whose deep " All 's well ! " which ought to have been consola- tory, was about the most alarming of all alarming sounds ; the soldiers, transported from place to place in carts the bet- ter to catch the rogues, whose local knowledge gave them great advantage in a dispersal ; the grave processions of magistrates and gentlemen on horseback j and above all, the nightly collecting of arms and armed men within our own dwelling, kept up a continual sense of nervous inquie- tude. Fearful, however, as were the realities, the rumors were a hundred-fold more alarming. Not an hour passed, but. THE INCENDIARY. 147 from some quarter or other, reports came pouring in of mobs gathering, mobs assembled, mobs marching upon us. Now the high roads were blockaded by the rioters, travellers murdered, soldiers defeated, and the magistrates, who had gone out to meet and harangue them, themselves surrounded and taken by the desperate multitude. Now the artisans the commons, so to say, of B. had risen to join the peas- antry, driving out the gentry and tradespeople, while they took possession of their houses and property, and only de- taining the mayor and aldermen as hostages. Now that illustrious town held loyal, but was besieged. Now the mob had carried the place ; and arti.-ans, constables, tradespeople, soldiers, and magistrates, the mayor and corporation included, were murdered to a man, to say nothing of women and chil- dren ; the market-place running with blood, and the town- hall piled with dead bodies. This last rumor, which was much to the taste of our villagers, actually prevailed for several hours ; terrified maid-servants ran shrieking about the house, and every corner of the village street realized Shakespeare's picture of " a smith swallowing a tailor's news." So passed the short winter's day. With the approach of night came fresh sorrows ; the red glow of fires gleaming on the horizon, and mounting into the middle sky ; the tolling of bells ; and the rumbling sound of the engines clattering along from place to place, and often, too often, rendered useless by the cutting of the pipes after they had begun to play. a dreadful aggravation of the calamity, since it proved that among those who assembled, professedly to help, were to be found favorers and abettors of the concealed in- cendiaries. O the horrors of those fires, breaking forth night after night, sudden, yet expected, always seeming nearer than they actually were, and always said to have been more mischievous to life and property than they actu- ally had been ! Mischievous enough they were, Heaven 148 MARY RUSSELL MITFORD. knows ! A terrible and unholy abuse of the most beau- tiful and comfortable of the elements! a sinful destruc- tion of the bounties of Providence ! an awful crime against God and man ! Shocking it was to behold the peasantry of England becoming familiarized with this tremendous power of evil, this desperate, yet most cow- \rdly sin ! The blow seemed to fall, too, just where it might least have een looked for, on the unoffending, the charitable, the \ma ; on those who were known only as the laborer's friends ; *u impoverish whom was to take succor, assistance and pro- ttiCiioii irom the poor. One of the objects of attack in our uvrn immediate neighborhood was a widow lady, between eignty and ninety, the best of the good, the kindest of the kind. Occvarences like this were in every way dreadful. They made us fear (and such fear is a revengeful passion, and comes ne^r to hate) the larger half of our species They weakened our faith in human nature. The revulsion was, however, close at hand. A time came which changed the current of our feelings, a time of ret- ribution. The fired weie quenched ; the riots were put- down ; the chief of the rwters were taken. Examination and commitment were the older of the day ; the crowded jails groaned with their overload of wretched prisoners ; sol- diers were posted at every avenue to guard against possible escape; and every door was watched night and day by miserable women, the wives, mothers, or daughters of the culprits, praying for admission to their unfortunate relatives. The danger was fairly over, and pity had succeeded to fear. Then, above all, came the special commission : the judges in threefold dignity ; the array of counsel ; the crowded court ; the solemn trial ; the awful sentence ; all the more impressive from the merciful feeling which pervaded the government, the counsel, and the court. My father, a very THE INCENDIARY. 149 old magistrate, being chairman of the bench, as well as one of the grand jury, and the then high sheriff, with whom it is every way an honor to claim acquaintance, being his inti- mate friend, I saw and knew more of the proceedings of this stirring time than usually falls to the lot of women, and took a deep interest in proceedings which had in them a thrilling excitement, as far beyond acted tragedy as truth is beyond fiction. I shall never forget the hushed silence of the auditors, a dense mass of human bodies, the heads only visible, ranged tier over tier to the very ceiling of the lofty hall ; the rare and striking importance which that silence and the awful- ness of the occasion gave to the mere official forms of a court of justice, generally so hastily slurred over and slightly attended to; the unusual seriousness of the counsel; the watchful gravity of the judges; and, more than all, the appearance of the prisoners themselves, belonging mostly to the younger classes of the peasantry, such men as one is accustomed to see in the fields, on the road, or the cricket- ground, with sunburnt faces, and a total absence of reflection or care, but who now, under the influence of a keen and bit- ter anxiety, had acquired not only the sallow paleness proper to a prison, but the look of suffering and of thought, the brows contracted and brought low over the eyes, the general sharpness of feature and elongation of countenance, which give an expression of intellect, a certain momentary eleva- tion, even to the commonest and most vacant of human faces. Such is the power of an absorbing passion, a great and en- grossing grief. One man only amongst the large number whom I heard arraigned (for they were brought out by tens and by twenties) would, perhaps, under other circumstances, have been accounted handsome ; yet a painter would at that moment have found studies in many. I shall never forget, either, the impression made on my mind by one of the witnesses. Several men had been ar- 150 MARY RUSSELL MITFORD. raigned together for machine-breaking. All but one of them had employed counsel for their defence, and under their direction had called witnesses to character, the most respect- able whom they could find, the clergy and overseers of their respective parishes, for example, masters with whom they had lived, neighboring farmers or gentry, or even magistrates, all that they could muster to grace or credit their cause. One poor man alone had retained no counsel, offered no defence, called no witness, though the evidence against him was by no means so strong as that against his fellow-prisoners ; and it was clear that his was exactly the case in which testimony to character would be of much avail. The defences had ended, and the judge was begin- ning to sum up, when suddenly a tall, gaunt, upright figure, with a calm, thoughtful brow, and a determined but most respectful demeanor, appeared in the witnesses' box. He was dressed in a smock-frock, and was clean and respect- able in , appearance, but evidently poor. The judge inter- rupted himself in his charge to inquire the man's business ; and hearing that he was a voluntary witness for the unde- fended prisoner, proceeded to question him, when the fol- lowing dialogue took place. The witness's replies, which seemed to me then, and still do so, very striking from their directness and manliness, were delivered with the same humble boldness of tone and manner that characterized the words. Judge. " You are a witness for the prisoner, an unsum- moned witness ? " " I am, my lord. I heard that he was to be tried to-day, and have walked twenty miles to speak the truth of him, as one poor man may do of another." " What is your situation in life ? " " A laborer, my lord ; nothing but a day-laborer." " How long have you known the prisoner ? " "As long as I have known anything. We were play- THE INCENDIARY. 151 mates together, went to the same school, have lived in the same parish. I have known him all my life." " And what, character has he borne ? " "As good a character, my lord, as a man need work under." It is pleasant to add, that this poor man's humble testi- mony was read from the judge's notes, and mentioned in the judge's charge, with full as much respect, perhaps a little more, than the evidence of clergymen and magistrates for the rest of the accused; and that, principally from this direct and simple tribute to his character, the prisoner in question was acquitted. To return,* Tiowever, from my evil habit of digressing (if I may use an Irish phrase) before I begin, and making my introduction longer than my story, a simple sin to which in many instances, and especially in this, I am fain to plead guilty; to come back to my title and my subject. I must inform my courteous readers, that the case of arson which attracted most attention and excited most interest in this part of the country, was the conflagration of certain ricks, barns, and farm-buildings, in the occupation of Rich- ard Mayne ; and that, not so much from the value of the property consumed (though that value was considerable), as on account of the character and situation of the prisoner, whom, after a long examination, the magistrates found them- selves compelled to commit for the offence. I did not hear this trial, the affair having occurred in the neighboring coun- ty, and do not, therefore, vouch for " the truth, the whok' truth, and nothing but the truth," as one does when an ear- witness ; but the general outline of the story will suffice for our purpose. Richard Mayne was a wealthy yeoman of the old school, sturdy, boisterous, bold, and kind, always generous, and gen- erally good-natured, but cross-grained and obstinate by fits, and sometimes purse-proud, after the fashion of men who 152 MARY RUSSELL MITFORD. have made monej by their own industry and shrewdness, He had married late in life, and above him in station, and had now been for two or three years a widower, with one only daughter, a girl of nineteen, of whom he was almost as fond as of his greyhound Mayfly, and for pretty much the same reason, that both were beautiful and gentle, and his own, and both admired and coveted by others, that May ny had won three cups, and that Lucy had refused four offers. A sweet and graceful creature was Lucy Mayne. Her mother, a refined and cultivated woman, the daughter of an unbeneficed clergyman, had communicated, perhaps uncon- sciously, much of her own taste to her daughter. It is true, that most young ladies, even of her own station, would have looked with great contempt on Lucy's acquirements, who neither played nor drew, and was wholly, in the phrase of the day, unaccomplished; but then she read Shakespeare and Milton, and the poets and prose-writers of the Jameses' and Charleses' times, with a perception and relish of their beauty very uncommon in a damsel under twenty; and when her father boasted of his Lucy as the cleverest as well as the prettiest lass within ten miles, he was not so far wrong as many of his hearers were apt to think him. After all, the person to whom Lucy's education owed most was a relation of her mother's, a poor relation, who, being left a widow with two children almost totally destitute, was permitted by Richard Mayne to occupy one end of a small farm-house, about a mile from the old substantial manorial residence which he himself inhabited, whilst he farmed the land belonging to both. Nothing could ex- ceed his kindness to the widow and her family ; and Mrs. Owen, a delicate and broken-spirited woman, who had known better days, and was now left with a sickly daughter and a promising son dependent on the precarious charity of rela- tives and friends, found in the free-handed and open-heaited THE INCENDIARY. 153 farmer and his charming little girl her only comfort. He even restored to her the blessing of her son's society, who had hitherto earned his living by writing for an attorney in the neighboring town, but whom her wealthy kinsman now brought home to her, and established as the present assist- ant and future successor of the master of a well-endowed grammar-school in the parish, Farmer Mayne being one of the trustees, and all-powerful with the other function- aries joined in the trust, and the then schoolmaster in so wretched a state of health as almost to insure a speedy vacancy. In most instances, such an exertion of an assumed rather than a legitimate authority, would have occasioned no small prejudice against the party protected ; but Philip Owen was not to be made unpopular, even by the unpopularity of his patron. Gentle, amiable, true, and kind, kind, both in word and deed, it was found absolutely impossible to dis- like him. He was clever, too, very clever, with a remark- able aptitude for teaching, as both parents and boys soon found to their mutual satisfaction ; for the progress of one half-year of his instruction equalled that made hi a twelve- month under the old regime. He must also, one should think, have been fond of teaching, for, after a hard day's fagging at Latin and English, and writing, and accounts, and all the drudgery of a boys' school, he would make a circuit of a mile and a half home in order to give Lucy Mayne a lesson in French or Italian. For a certain- ty, Philip Owen must have had a strong natural turn for playing the pedagogue, or he never would have gone so far out of his way just to read Fenelon and Alfieri with Lucy Mayne. So for two happy years matters continued. At the expi- ration of that time, just as the old schoolmaster, who de- clared that nothing but Philip's attention had kept him alive so long, was evidently on his death-bed, Farmer Maj-,e sud- 154 MARY RUSSELL MITFORD. denly turned Mrs. Owen, her son, and her sick daughter out of the house, which, by his permission, they had hitherto occupied ; and declared publicly, that whilst he held an acre of land in the parish, Philip Owen should never be elected master of the grammar-school, a threat which there was no doubt of his being able to carry into effect. The young man, however, stood his ground ; and sending off his mother and sister to an uncle in Wales, who had lately written kindly to them, hired a room at a cottage in the village, determined to try the event of an election, which the languishing state of the incumbent rendered inevitable. The cause of Farmer Mayne's inveterate dislike to one whom he had so warmly protected, and whose conduct, man- ners, and temper had procured him friends wherever lie was known, nobody could assign with any certainty. Perhaps he had unwittingly trodden on Mayfly's foot, or had opposed some prejudice of her master's, but his general careful- ness not to hurt anything, or offend anybody, rendered either of these conjectures equally improbable ; perhaps he had been found only too amiable by the farmer's other pet, those lessons in languages were dangerous things ! and when Lucy was seen at church with a pale face and red eyes, and when his landlord Squire Hawkins's blood-hunter was seen every day at Farmer Mayne's door, it became cur- rently reported and confidently believed, that the cause oi the quarrel was a love affair between the cousins, which the farmer was determined to break off, in order to bestow his daughter on the young lord of the manor. Affairs had been in this posture for about a fortnight, and the old schoolmaster was just dead, when a fire broke out in the rick-yard of Farley Court, and Philip Owen was appre- hended and committed as the incendiary ! The astonish- ment of the neighborhood was excessive ; the rector and half the farmers of the place offered to become bail ; but the offence was not bailable ; and the only consolation left for THE INCENDIARY. 155 the friends '>i the unhappy young man, was the knowledge that the trial would speedily come on, and their internal conviction that an acquittal was certain. As time wore on, however, their confidence diminished. The evidence against him was terribly strong. He had been observed lurking about the rick-yard with a lantern, in which a light was burning, by a lad in the employ of Farmer Mayne, who had gone thither for hay to fodder his cattle, about an hour before the fire broke out. At eleven o'clock the haystack was on fire, and at ten Robert Doyle had mentioned to James White, another boy in Farmer Mayne's service, that he had seen Mr. Philip Owen behind the great rick. % Farmer Mayne himself had met him at half past ten (as he was returning from B. market) in the lane leading from the rick-yard towards the village, and had observed him throw something he held in his hand into the ditch. Humphry Harris, a constable employed to seek for evidence, had found the next morning a lantern, answering to that described by Robert Doyle, in the part of the ditch indicated by Farmer Mayne, which Thomas Brown, the vil- lage shopkeeper, in whose house Owen slept, identified as having lent to his lodger in the early part of the evening. A silver pencil, given to Owen by the mother of one of his pupils, and bearing his full name on the seal at the end, was found close to where the fire was discovered ; and, to crown all, the curate of the village, with whom the young man's talents and character had rendered him a deserved favorite, had unwillingly deposed that he had said "it might be in his power to take a great revenge on Farmer Mayne," or words to that effect ; whilst a letter was produced from the accused to the farmer himself, intimating that one day he would be sorry for the oppression which he had exercised towards him and his. These two last facts were much relied upon as evincing malice, and implying a purpose of revenge from the accused towards the prosecutor; yet there were many I5t) MARY RUSSELL MITFORD. who thought that the previous circumstances might well account for them without reference to the present occur- rence, and that the conflagration of the ricks and farm- buildings might, under the spirit of the time (for fires were raging every night in the surrounding villages), be merely a remarkable coincidence. The young man himself simply denied the fact of setting fire to any part of the property or premises ; inquired earnestly whether any lives had been lost, and still more earnestly after the health of Miss Lucy ; and on finding that she had been confined to her bed by fever and delirium, occasioned, as was supposed, by the fright, ever since that unhappy occurrence, relapsed into a gloomy silence, and seemed to feel no concern or interest in the issue of the trial. His friends, nevertheless, took kind and zealous measures for his defence, engaged counsel, sifted testimony, and used every possible means, in the assurance of his innocence, to trace out the true incendiary. Nothing, however, could be discovered to weaken the strong chain of circumstantial evidence, or to impeach the credit of the witnesses, who, with the exception of the farmer himself, seemed all friendly to the accused, and most distressed at being obliged to bear tes- timony against him. On the eve of the' trial, the most zeal- ous of his friends could find no ground of hope, except in the chances of the day ; Lucy, for whom alone the prisoner asked, being still confined by severe illness. The judges arrived, the whole terrible array of the special commission ; the introductory ceremonies were gone through ; the cause was called on, and the case proceeded with little or no deviation from the evidence already cited. When called upon for his defence, the prisoner again asked if Lucy Mayne were in court ? and hearing that she was ill in her father's house, declined entering into any defence whatsoever. Witnesses to character, however, pressed foi ward, his old master, the attorney, the rector and curate THE INCENDIARY. lf>7 of (he parish, half the fanners of the village, everybody, in short, who ever had an opportunity of knowing him, even his reputed rival, Mr. Hawkins, who, speaking, he said, on the authority of one \\ ho knew him well, professed himself confident that he could not be guilty of a bad action, a piece of testimony that seemed to strike and affect the pris- oner more than anything that had passed ; evidence to character crowded into court; but all was of no avail against the strong chain of concurrent facts ; and the judge was preparing to sum up, and the jury looking as if they had already condemned, when suddenly a piercing shriek was heard in the hall, and pale, tottering, dishevelled, Lucy Mayne "rushed into her father's arms, and cried out, with a shrill, despairing voice, that " she was the only guilty ; that she had set fire to the rick ; and that if they killed Philip Owen for her crime, they would be guilty of murder." The general consternation may be imagined, especially that of the farmer, who had left his daughter almost insen- sible with illness, and still thought her light-headed. Medi- cal assistance, however, was immediately summoned, and it then appeared that what she said was most true ; that the lovers, for such they were, had been accustomed to deposit letters in one corner of that unlucky hay-rick ; that having seen from her chamber-window Philip Owen leaving the yard, she had flown with a taper in her hand to secure the expected letter, and, alarmed at her father's voice, had ran away so hastily, that she had, as she now remembered, left the lighted taper amidst the hay ; that then the fire came, and all was a blank to her, until, recovering that morning from the stupor succeeding to delirium, she had heard that Philip Owen was to be tried for his life from the effect of her carelessness, and had flown to save him she knew not how ! The sequel may be guessed ; Philip was, of course, ac- 158 MARY RUSSELL MITFORD. quitted ; everybody, even the very judge, pleaded for the lovers ; the young landlord and generous rival added his good word ; and the schoolmaster of Farley and his pretty wife are at this moment one of the best and happiest co j/tea in his Majesty's dominions. WISHING. BY JOHN G. SAXE. OF all amusements for the mind, From logic down to fishing, There is n't one that you can find So very cheap as " wishing." A very choice diversion too, If we but rightly use it, And not, as we are apt to do, Pervert it, and abuse it. I wish a common wish indeed My purse were somewhat fatter, That I might cheer the child of need, And not my pride to flatter ; That I might make Oppression reel, As only gold can make it, And break the Tyrant's rod of steel, As only gold can break it I wish that Sympathy and Love, And every human passion That has its origin above, Would come and keep in fashion ; That Scorn, and Jealousy, and Hate, And every base emotion, Were buried fifty fathom deep Beneath the waves of Ocean 1 160 JOHN G. SAXE. I wish that friends were always true, And motives always pure ; I wish the good were not so few, I wish the bad were fewer ; I wish that parsons ne'er forgot To heed their pious teaching ; I wish that practising was not So different from preaching ! 1 wish that modest worth might be Appraised with truth and candor ; I wish that innocence were free From treachery and slander ; I wish that men their vows would mind ; That women ne'er were rovers ; I wish that wives were always kind, And husbands always lovers ! I wish in fine that Joy and Mirth, And every good Ideal, May come erewhile, throughout the earth. To be the glorious Real ; Till God shall every creature bless With his supremest blessing, And Hope be lost in Happiness, And Wishing in Possessing 1 THE GREAT PORTRAIT-PAINTERS By CHARLES ROBERT LESLIE. THERE has never existed a great painter of History or Poetry who has not been great in portrait. Even Michael Angelo is no exception. There may not remain any painted portraits of known persons by his hand, but there are sculptured portraits by him, and it is impossible to look even at the engravings of the Prophets and Sibyls, without seeing that they are from a hand practised in portrait, a hand, too, that had acquired its power by the practice of literal exactness. " Fuseli distinguishes the styles, epic, dramatic, and historic, beautifully," says Mr. Haydon. But I think, as I do of such distinctions gen- erally, that these are entirely imaginary ; and that the style of Michael Angelo is distinguished, as are all others, by the peculiar mind of the artist only. Haydon adds that, " the same instruments are used in all styles, men and women ; and no two men or women were ever the same in form, feature, or proportion. After Fuseli has said, ' the detail of character is not consistent with the epic,' he goes on to show the great difference of character between each Prophet, as decided as any character chosen by Ra- phael in any of his more essentially dramatic works. ' Nor are the Sibyls,' continues Fuseli, ' those female oracles, less expressive or less individually marked.'" Thus, though Haydon was unwilling to abandon the classifications of U 162 CHARLES ROBERT LESLIE. Fuseli, the contradiction involved in them did not escape him. There cannot be a doubt that Michael Angelo, had he devoted himself to portrait only, would have been a super- lative portrait-painter ; for in his works we find everything in perfection that portrait requires, dignity, the expres- sion of character, the highest perception of beauty, in man, woman, and child ; and not only in the unfinished marble that adorns our Academy library, but in the smaller com- partments of the Sistine ceiling, the most natural and fa- miliar domestic incidents treated in the most graceful manner. It is right this should be remembered, because painters (as they fancy themselves) of High Art, who really have not the talents portrait requires, must not be allowed to class themselves with Michael Angelo, as long as they cannot do what he, in perfection, could do. Conspicuous as he stands among great portrait-painters, Vandyke is not first of the first. The attitudes of his single figures are often formal and unmeaning ; and his groups, however finely connected by composition, are sel- dom connected by sentiment. Fathers, mothers, sons, and daughters, stand or sit beside each other, as they stood or sat in his room, for the mere purpose of being painted ; and it is therefore the nicely discriminated individual char- acter of every head, the freshness and delicacy of his color, and the fine treatment of his masses, that have placed him high among portrait-painters. The Countess of Bedford, at Petworth, his Snyders at Castle Howard, his whole lengths at Warwick and at Windsor, the noble equestrian picture at Blenheim, of Charles L, with its magnificent landscape background, and the whole length of Charles in the Louvre, are among the masterpieces of Vandyke ; but he has nowhere shown such dramatic powers as are dis- played by Velasquez, in his portrait picture of "The Sur- render of Breda." THE GREAT PORTRAIT-PAINTERS. 163 The Governor of the town is presenting its keys to the Marquis Spinola, who (hat in hand) neither takes them, nor allows his late antagonist to kneel. But, laying his hand gently on his shoulder, he seems to say, " Fortune has favored me, but our cases might have been reversed." To paint such an act of generous courtesy was worthy of a contemporary of Cervantes. It is not, however, in the choice of the subject, but in the manner in which he has brought the scene before our eyes, that the genius and mind of Velasquez are shown. The cordial, unaffected bearing of the conqueror could only have been represented by as thorough a gentleman as himself. I know this picture but from copies. *Mr. Ford says of the original, " Never were knights, soldiers, or national character better painted, or the heavy Fleming, the intellectual Italian, and the proud Spaniard more nicely marked, even to their boots and breeches ; the lances of the guards actually vibrate. Ob- serve the contrast of the light-blue, delicate page, with the dark, iron-clad General, Spinola, who, the model of a high- bred, generous warrior, is consoling a gallant but vanquished enemy." Another great portrait picture, the conception of which is equally dramatic and original, is at Windsor Castle. The Archduke Ferdinand of Austria and the Prince of Spain, mounted on chargers, are directing an assault in the battle of Nortlingen. The conventional manner, sanctioned in- deed by great painters, of representing commanders of armies, whether mounted or on foot, quietly looking out of the picture, while the battle rages behind them, is here set aside. The generals are riding into the scene of action ; and yet their attitudes are so contrived as sufficiently to show their features. Nearer to the spectator are half- length figures, the end of a long line of steel-clad infantry, diminishing in perspective up a hill to the fortress they are storming. All is action ; and though we are only shown 164 CHARLES ROBERT LESLIE. the generals and the common soldiers, yet, as the horses of the former are in profile, and have just come into the picture, we may imagine a train of attendant officers about to appear ; and though portrait was the first object of Rubens, the picture is a noble representation of a battle. The conception, as regards the foot-soldiers, has been im- itated, though differently applied, by Opie ; and probably Raphael's composition in the Vatican, representing David gazing at Bathsheba, while the troops of Uriah pass below him, suggested it to Rubens. The pendant to this picture is the group of Sir Balthasar Gerbier, his wife, and children ; which Dr. Waagen inclines to attribute to Vandyke. But the arrangement and dra- matic connection of the figures is entirely free from the formality of Vandyke ; and a comparison of this fine com- position with Vandyke's " Children of Charles I." at Windsor, his "Pembroke Family" at Wilton, his "Earl and Countess of Derby" belonging to Lord Clarendon, or " The Nassau Family " at Penshanger, will show that it is by Rubens. Perhaps the noblest group of portraits ever painted, for it is considered the greatest work of its class by Titian, is that of the male part of the family of Luigi Cornaro. The fine old man, whose life by an extraordinary system of temperance was protracted to a hundred years, kneels be- fore an altar in the open air, followed by his son-in-law and grandchildren, except the three youngest, who are sitting on the steps of the altar playing with a little dog, an incident like some I have noticed in the works of Ra- phael. The characteristic arrangement of the figures, the noble simplicity of the lines, and the truth and power of the color, unite in placing this picture on the summit of Art. There is no apparent sacrifice of detail, no trick, that we can discover, to give supremacy to the heads, which yet rivet our attention at the first glance, and to which we THE GREAT PORTRAIT-PAINTERS. 1 63 return again and again, impressed by the thought and mind in the countenance's of the elder personages, and charmed with the youthful innocence of .the boys. I have seen peo- ple, ignorant of the principles of Art, and caring little about pictures, stand before this one in astonishment, and I have heard them express themselves in a way which proved that little of its excellence was lost on them. Fortunately for Eng- land, it belongs to his Grace the Duke of Northumberland. There was a time when kings, warriors, and other em- inent persons were painted, almost as a matter of course, in devotional attitudes. It was, in fact, a fashion, and was continued to a later date than the close of Titian's life. But is not so much what the individual painted may be doing, as its consistency with his whole life, and the look and man- ner given him by the painter, which interests or offends us. The piety of a kneeling hero may be ostentatious ; or we might happen to know that devotion was all the religion he practised, and that he was lifting to Heaven hands that had been steeped, and were again to be steeped, in innocent blood. Sir Thomas More was several times painted by Holbein, yet never, that I recollect, in an attitude of devo- tion, or accompanied by any symbol of that religion which was the rule of his life ; and what would the memory of More, or the genius of Holbein, have gained had he so painted him ? Raphael flattered Leo the Tenth, as he was directed, by introducing him, in the "Attila," as Leo the First. But when he was to paint a more characteristic portrait of the Pope, he represented only the sovereign and the dilettante. Leo is examining with a glass a splendidly- illuminated manuscript. He sits in a chair of state, at- tended, not by saints, but by two princes of the church; and the portrait is, as all portraits should be, biographical. Even in copies (from which only I know it), I fancy I see- faint indications of a love of fun, so characteristic of a Pontiff who delighted in a practical joke. 166 CHARLES ROBERT LESLIE. The admirers of devotional portrait object to the more modern custom of indicating the deeds of the person repre- sented, as savoring of vanity ; forgetting that acts of devo- tion are deeds, and, as far as attitude and expression have to do with devotion, the easiest of all deeds ; and when consisting in these alone, the most criminal of all vanities. The only portrait of that admirable woman Margaret Tu- dor, represents her in a religious habit, with her hands joined in prayer, and she could not have been so charac- teristically handed down to us in any other dress or attitude. Neither could Sir Joshua's portrait of General Eliott be more happily conceived than it is. The key of the fortress he is defending is held firmly in his hand. But commanding as are the air and attitude, they have nothing of the vanity of bravado ; indeed, if what is most honorable to the man should not be painted, the world would not have possessed the noble conception of Velasquez that has been described. What may be called masquerading or fancy-ball portrait is seldom happy; and though we do not object to Sir Joshua's "Kitty Fisher as Cleopatra," or "Emily Bertie as Thais," yet, as in such cases, let us be sure the assumed character accords with the real one. Sir Thomas Lawrence made a sketch of George the Fourth in the armor of the Black Prince, but had the good sense not to carry the matter further than a sketch. Are portrait-painters, it may be asked, to paint the vices of their sitters? Assuredly, if these vices exhibit them- selves in the countenance. And Fuseli praises Titian for expressing some of the most odious individual characteristics, in portraits that he selects as works of the highest order. Allan Cunningham accuses Reynolds of flattery, and I apprehend Sir Joshua was just as much of a flatterer as Titian. With a vulgar head before him, he would not, or rather could not, make a vulgar picture. But I do not believe that he would have given to Colonel Charteris " an THE GREAT PORTRAIT-PAINTERS. 167 aspect worthy a President of the Society for the Suppression of Vice," unless, which is not impossible, he had such an aspect. In his whole length of the Duke of Orleans, the debauchee was as apparent as the Prince. No man can be a good portrait-painter who is not a good physiognomist. I do not mean that he should know Lavater by heart, or that he must believe in all that phre- nology assumes. But he must be, what all of us are, in some degree, a judge of character by the signs exhibited in the face. A few of the broad distinctions of physiognomy depend on the forms of the features, but all its nicer shades have far more to do with expression ; and in this, indeed, the real character is often seen where the conformation of the features seems to contradict it. Socrates had the face and figure of a Silenus, but the great mind of the phi- losopher must have been visible, through the disguise, to all who could read expression. There are some general and well-known rules for the determination of physiognom- ical character, as far as it has to do with the shapes of the features ; the aquiline nose and eye, for instance, belong to the heroic class, thick lips to the sensual, and thin to the selfish; yet all these may be liable to many exceptions; the first certainly are; for Nelson, Wolfe, Turenne, and many other heroes, will occur to our recollection who had nothing of the eagle physiognomy. It is natural to asso- ciate beauty with goodness, and ugliness with wickedness ; and children generally do this. But an acquaintance with the world soon shows us that bad and selfish hearts may be concealed under the handsomest features, and the highest virtues hidden under the homeliest ; and that goodness may even consist with conformations of face absolutely ugly. We then begin to look for the character in the expression rather than in the forms of the features, and to distinguish assumed expressions from natural ones ; and so we go on, and, as we grow older, become better physiognomists, though 168 CHARLES ROBERT LLSLIE. we never arrive at that certainty of judgment which seems not to be intended we ever should. The best portrait-painters, though they may not have penetrated through the mask to all beneath it, have, by the Melity of their Art, given resemblances that sometimes correct and sometimes confirm the verdicts of historians. \Vho can look at Vandyke's three heads, painted to enable Bernini to make a bust, and believe all that has been said against Charles L? Or who can look at Holbein's por- traits of Henry VIII., and doubt the worst that has been said of his selfish cruelty ? Among the many excellences of Holbein, his treatment of the hands is not the least ; and it is evident that in his whole-lengths of Henry, they are portraits, and so are the legs, and that the king stood for the entire figure in that characteristic, but by no means graceful attitude, in which he set the fashion to his courtiers. We feel that we could swear to the truth, the whole truth, and nothing but the truth, of such portraits. Among the pictures at Hampton Court attributed to Holbein, few can be relied on as genuine. I cannot be- lieve that those historical curiosities, ' ; The Embarkation of Henry VIII. from Dover," "The Field of the Cloth of Gold," " The Meeting of Henry and Maximilian," or " The Battle of the Spurs," are his works; neither do I believe he painted the picture that includes Henry, Jane Seymour, Prince Edward, Mary, and Elizabeth, nor the life-sized whole-length of "The Earl of Surry." According to the general custom of attributing the portraits of every age to the greatest master of that age, Holbein is made answer- able for these, and many others, greatly inferior to the picture, certainly by him, belonging to the Surgeon Barbers' Company ; a work rivalling Titian in its color, and in the finely-marked individual character of the heads. It i. remarkable that, although it has hung in the very heart of THE GREAT PORTRAIT-PAINTERS. 169 London for more than three hundred years, it has not in the least suffered from smoke ; and if it has ever been cleaned, it has sustained no injury from the process. Dr., Waagen urges the importance of so fine a picture being removed to the National Gallery, and thinks an arrange- ment might be made to that purpose, between the Govern- ment and the company that possesses it ; "a consummation ' devoutly to be wished." There is not a Holbein in the National Gallery. While speaking of this great painter, I must not omit to notice the interest given to his picture of the family of Sir Thomas More, by making the background an exact representation of an apartment in More's house. This example might effect a great improvement hi portrait, and it would often be found easier to the painter (as well as far more agreeable) to copy realities, than to weary him- self with ineffectual attempts to make the eternal pillar and curtain, or the conventional sky and tree, look as well as they do in the backgrounds of Reynolds and Gains- borough. The question relating to the degree in which personal defects are to be marked must, in every case, be settled by the taste of the painter. Reynolds has not only shown that Baretti was near-sighted, but he has made that defect as much the subject of the picture as the sitter himself, and Baretti's absorption in his book strongly marks the literary man. But near-sightedness is not a deformity, and there can be no doubt that Reynolds abated whatever of malformation he might not for the sake of individuality think it right to exclude, and that he also invariably softened harshness of feature or expression, and diminished positive ugliness, as far as he could do so without losing character. Chantrey did the same ; but Lawrence softened harshness so much as often to lose character. The portraits of neither of the three could ever be called ridiculously like, an ex- 170 CHARLES ROBERT LESLIE. pression sometimes used in the way of compliment, but in reality pointing exactly to what a portrait should not be ; and Wilkie felt this so much that he went to the other extreme, and even deviated into unlikeness in his portraits, from the dread of that un-ideal mode of representation which excites us to laugh. We undervalue that which costs us least effort, and "West, while engaged on a small picture of his own family, little thought how much it would surpass in interest many of his more ambitious works. Its subject is the first visit of his father and elder brother to his young wife, after the birth of hor second child. They are Quakers ; and the venerable old man and his eldest son wear their hats, according to the custom of their sect. Nothing can be more beautifully conceived than the mother bending over the babe, sleeping in her lap. She is wrapped in a white dressing-gown, and her other son, a boy of six years old, is leaning on the arm of her chair. "West stands behind his father, with his palette and brushes in his hand, and the silence that reigns over the whole is that of religious medi- tation, which will probably end, according to the Quaker custom, in a prayer from the patriarch of the family. The picture is a very small one, the engraving from it being of the same size. It has no excellence of color, but the masses of light and shadow are impressive and simple, and I know not a more original illustration of the often-painted subject, the ages of man. Infancy, childhood, youth, middle life, and extreme age, are beautifully brought together in the quiet chamber of the painter's wife. Had he been employed to paint these five ages, he would perhaps have given himself a great deal of trouble to produce a work that would have been classical, but, compared with this, commonplace ; while he has here succeeded in making a picture which, being intended only for himself, is for that reason a picture for the whole world ; and if painters could THE GREAT PORTRAIT-PAINTERS 171 always thus put their hearts into their work, how much would the general interest of the Art be increased ! Among the many great lessons in portrait composition, by Rembrandt, are "The Night Watch," at Amsterdam, " The Group of Surgeons assembled round a Corpse," in the Musee at the Hague, and the picture which Mr. Smith, in his " Catalogue RaisonneY' calls " Ranier Hanslo and his Mother." A sight of the two first is well worth a journey to Holland. The last is sometimes described as " a woman consulting a Baptist minister," and at others, "a woman consulting an eminent lawyer, or an eminent physician." As there are large books on a table and in the background, and the expressions of the heads are earnest and serious, the subject might be either of these. I saw the picture (which belongs to the Earl of Ashburnham) many years ago, and have ever since been haunted with the wish to see it again. Indeed, I was about to make a day's journey for that sole purpose, when it was sent to London for sale. The persons it represents are unknown, the heads of neither are remarkable for beauty, or any other interest than that marked individuality that carries with it a certainty of likeness ; and yet it is a picture that throws down every barrier that would exclude it from the highest class of Art ; nor do I know anything from the hand of Rembrandt in which he appears greater than in this 'simple and unpre- tending work. I remember being surprised to hear Sir Thomas Lawrence object to its treatment, that though the man turns towards the woman, and is speaking earnestly, while she is listening with great attention, yet they do not look in each other's faces. I was surprised that he should not have noticed how frequently this happens, in conversa- tions on the most important subjects, and oftenest, indeed, in such conversations. Rembrandt has repeated these at- titudes and expressions, in the two principal personages in "The Night Watch," with the difference only, that tho 172 CHARLES ROBERT LESLIE. figures are walking as they converse. There is an engrav- ing of the " Hanslo and his Mother " by Josiah Boydell, which, however, fails in giving the breadth of light on the female head, the color of which is as near to perfection as Art ever approached. The hands in Rembrandt's portraits, as in those of Hol- bein, do everything required of them in the most natural and expressive way. But very different are the hands of Vandyke, which have an affected grace, adopted from Rubens, though carried further from Nature, and which may be traced from Rubens to Coreggio. The hands in Van- dyke's portraits are always of one type, thin and elegant, with long, tapered fingers. He was followed in these par- ticulars by Lely with still more of affectation, who carried a corresponding mannerism into his faces, losing nearly all individuality in that