36/3 093d A A 2 5 1 6 2 7 6 Guest Dozen New Poems THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES ly Edgar A. Quest A DOZEN NEW POEMS by EDGAR A. GUEST With by FRANK X. LEYENDECKER W. T. B E N D A HARVEY EMRICH and M. L. BOWER THE REILLY & LEE CO. Chicago Copyright, 1920, by THE REILLY & LEE Co. Illustrations Copyrighted, 1920, by The International Magazine Company and reproduced by special arrangement with the Cosmopolitan Magazine PS - THE GRATE FIRE /' I'M SORRY for a fellow if he cannot look and see In a grate fire's friendly flaming all the joys which used to be. If in quiet contemplation of a cheerful ruddy blaze, He sees nothing there recalling all his happy yesterdays, Then his mind is dead to fancy and his life is bleak and bare, And he's doomed to walk the highways that are always thick with care. When the logs are dry as tinder and they crackle with the heat, And the sparks, like merry children, come a-dancing round my feet, In the cold, long nights of autumn I can sit before the blaze And watch a panorama born of all my yesterdays. I can leave the present burdens and that moment's bit of woe, And claim once more the gladness of the bygone long- ago. There are no absent faces in the grate-fire's merry throng; No hands in death are folded, and no lips are stilled to song. All the friends who were are living like the sparks that fly about; [7] 1048461 They come romping out to greet me with the same old merry shout, Till it seems to me I'm playing once again on boy- hood's stage, Where there's no such thing as sorrow and there's no such thing as age. I can be the care-free schoolboy! I can play the lover, too! I can walk through Maytime orchards with the old sweetheart I knew, I can dream the glad dreams over, greet the old familiar friends In a land where there's no parting and the laughter never ends. All the gladness life has given from a grate fire I re- claim, And I'm sorry for the fellow who can only see the flame. from a drawing by W. T. B E K o A WHEN MOTHER'S SEWING BUTTONS ON WHEN mother's sewing buttons on Their little garments, one by one, I settle down contented there And watch her in her rocking chair. She's at the task she likes the best Each little waist and undervest She fondles in a mother's way, And notes each sign of sturdy play And shakes her head and says to me: "I wonder how this came to be?" There's something in her patient eyes, As in and out her needle flies, Which seems to tell the joy she takes In every little stitch she makes. An hour of peace has settled down; Hushed is the clamor of the town; And even I am different then, For I forsake the ways of men And see about the garments there Bright visions of a happy pair. Buttons are closely linked to joy. Each little girl and little boy Who dares to climb the garden fence Buys that delight at their expense; [10] Buttons are childhood's tattle tales Swifter than telegrams or mails They fly to tell of moments glad That little boys and girls have had; And mother reads the stories there From every vacant space and tear. She sweetly smiles and says to me: "How sturdy they have grown to be! It keeps me busy to repair The shirts and things they have to wear." I chuckle as I watch her sew, For joy has set the room aglow, And in the picture I can see The strength which means so much to me. The scene is good to look upon When mother's sewing buttons on. THE HOMELY MAN LOOKS as though a cyclone hit him Can't buy clothes that seem to fit him; An' his cheeks are rough like leather, Made for standin' any weather. Outwards he wuz fashioned plainly, Loose o' joint an' blamed ungainly, But I'd give a lot if I'd Been prepared so fine inside. Best thing I can tell you of him Is the way the children love him. Now an' then I get to thinkin' He is much like old Abe Lincoln Homely like a gargoyle graven, An' looks worse when he's unshaven ; But I'd take his ugly phiz Jes' to have a heart like his. I ain't oversentimental, But old Blake is so blamed gentle An' so thoughtful-like of others He reminds us of our mothers. Rough roads he is always smoothin', An' his way is, oh, so soothin' That he takes away the sting When your heart is sorrowing. [12] From a painting by M. L. BOWER THE HOMELY MAN (Concluded) Children gather round about him Like they can't get on without him; An' the old depend upon him, Pilin' all their burdens on him, Like as though the thing that grieves 'em Has been lifted when he leaves 'em. Homely? That can't be denied, But he's glorious inside. THE BETTER JOB IF I were running a fa&ory I'd stick up a sign for all to see, I'd print it large and I'd nail it high On every wall that the men walked by, And I'd have it carry this sentence clear: "The Better Job that you want is here!'* It's the common trait of the human race To pack up and roam from place to place; Men have done it for ages and do it now, Seeking to better themselves somehow; They quit their posts and their tools they drop For a better job in another shop. It may be I'm wrong, but I hold to this That somewhere something must be amiss When a man worth while must move away For the better job with the better pay; And something is false in our own renown When men can think of a better town. So if I were running a factory I'd stick up this sign for all to see, Which never an eye in the place could miss : "There isn't a better town than this; * You need not go wandering, far or near The Better Job that you want is here!" ['5] LIFE LIFE is a jest; Take the delight of it. Laughter is best; Sing through the night of it. Swiftly the tear And the hurt and the ache of it Find us down here; Life must be what we make of it. Life is a song; Let us dance to the thrill of it. Griefs hours are long, And cold is the chill of it. Joy is man's need; Let us smile for the sake of it. This be our creed: Life must be what we make of it. Life is a soul; The virtue and vice of it. Strife for a goal, And man's strength is the price of it. Your life and mine, The bare bread and the cake of it, End in this line: Life must be what we make of it. [16] From a charcoal drawing ^yWT. BENDA THE CHIP v ON YOUR SHOULDER YOU'LL LEARN when you're older, that chip on your shoulder Which you dare other boys to upset And stand up and fight for, and struggle and smite for, Has caused you much pain and regret. When Time, life's adviser, has made you much wiser, You won't be so quick with the blow; You won't be so willing to fight for a shilling, And change a good friend to a foe. You won't be a sticker for trifles, and bicker And quarrel for nothing at all; You'll grow to be kinder, more thoughtful, and blinder To faults which are petty and small. You won't take the trouble your two fists to double When some one your pride may offend; When with rage now you bristle you'll smile or you'll whistle, And keep the good will of a friend. You'll learn when you're older, that chip on your shoulder Which proudly you battle to guard, Has frequently shamed you and often defamed you, And left you a record that's marred! [18] When you've grown calm and steady, you won't be so ready To fight for a difference that's small For you'll know, when you're older, that chip on your shoulder Is only a chip after all. ['9] THE JOYS WE MISS THERE never comes a lonely day but what we miss the laughing ways Of those who used to walk with us through all our happy yesterdays. We seldom miss the earthly great the famous men that life has known But, as the years go racing by, we miss the friends we used to own. The chair wherein he used to sit recalls the kindly father true, For, oh, so filled with fun he was, and, oh, so very much he knew! And as we face the problems grave with which the years of life are filled, We miss the hand which guided us and miss the voice forever stilled. We little guessed how much he did to smooth our path- way day by day, How much of joy he brought to us, how much of care he brushed away; But now that we must treat! alone the thoroughfare of life, we find How many burdens we were spared by him who was so brave and kind. [20] From a painting ^M.L.BoWER THE JOYS WE MISS (Concluded) Death robs the living, not the dead they sweetly sleep whose tasks are done; But we are weaker than before who still must live and labor on. For when come care and grief to us, and heavy burdens bring us woe, We miss the smiling, helpful friends on whom we leaned long years ago. We miss the happy, tender ways of those who brought us mirth and cheer: We never gather round the hearth but what we wish our friends were near; For peace is born of simple things a kindly word, a good-night kiss, The prattle of a babe, and love these are the vanished joys we miss. [22] THE CALL I MUST get out to the woods again, to the whispering trees and the birds aswing, Away from the haunts of pale-faced men, to the spaces wide where strength is king; I must get out where the skies are blue and the air is clean and the rest is sweet, Out where there's never a task to do or a goal to reach or a foe to meet. I must get out on the trails once more that wind through shadowy haunts and cool, Away from the presence of wall and door, and see my- self in a crystal pool; I must get out with the silent things, where neither laughter nor hate is heard, Where malice never the humblest stings and no one is hurt by a spoken word. Oh, I've heard the call of the tall white pine, and heard the call of the running brook; I'm tired of the tasks which each day are mine, I'm weary of reading a printed book; I want to get out of the din and strife, the clang and clamor of turning wheel, And walk for a day where life is life, and the joys are true and the pictures real. THE COMMON TOUCH I WOULD not be too wise so very wise That I must sneer at simple songs and creeds, And let the glare of wisdom blind my eyes To humble people and their humble needs. I would not care to climb so high that I Could never hear the children at their play, Could only see the people passing by, Yet never hear the cheering words they say. I would not know too much too much to smile, At trivial errors of the heart and hand, Nor be too proud to play the friend the while, And cease to help and know and understand. I would not care to sit upon a throne, Or build my house upon a mountain-top, Where I must dwell in glory all alone And never friend come in or poor man stop. God grant that I may live upon this earth And face the tasks which every morning brings, And never lose the glory and the worth Of humble service and the simple things. [24] From a painting by HARVEY EMRICH GOLF PRIDE As A GOLFER I'm not one who cops the money, I shall always be a member of the dubs; There are times my style is positively funny, I am awkward in my handling of the clubs; I am not a skillful golfer, nor a plucky, But this about myself I proudly say When I win a hole by freaky stroke or lucky, I never claim I played the shot that way. There are times, despite my blundering behavior, When fortune seems to follow at my heels; Now and then I toil supremely in her favor, She lets me pull the rankest sort of steals; She'll give to me the friendliest assistance, I'll jump a ditch at times when I should not, I'll top the ball and get a lot of distance But I don't claim that's how I played the shot. I've hooked a ball when just that hook I needed, And wondered how I ever turned the trick; I've thanked my luck for what a friendly tree did, Although my fortune made my rival sick; Sometimes my shots are just as I had planned 'em, The sort of shots which usually I play, But when up to the cup I chance to land 'em, I never claim I played 'em just that way. [26] There's little in my game that will commend me, I'm not a shark who shoots the course in par; I need good fortune often to befriend me, I have my faults and know just what they are; I play golf in a desperate do -or- die way, And into traps and trouble oft I stray; But when by chance the breaks are coming my way, I do not claim I played the shots that way. LIVING THE miser thinks he's living when he's hoarding up his gold; The soldier calls it living when he's doing something bold; The sailor thinks it living to be tossed upon the sea, And upon this very subject no two men of us agree. But I hold to the opinion, as I walk my way along, That living's made of laughter and good-fellowship and song. I wouldn't call it living to be always seeking gold, To bank all the present gladness for the days when I'll be old. I wouldn't call it living to spend all my strength for fame, And forego the many pleasures which today are mine to claim. I wouldn't for the splendor of the world set out to roam, And forsake my laughing children and the peace I know at home. Oh, the thing that I call living isn't gold or fame at all; It's fellowship and sunshine, and it's roses by the wall; It's evenings glad with music and a hearth-fire that's ablaze, [28] From a painting by FRANK X. LEYENDECKER LIVING (Concluded) And the joys which come to mortals in a thousand dif- ferent ways; It is laughter and contentment and the struggle for a goal; It is everything that's needful in the shaping of a soul! [30] THE FELLOWSHIP OF BOOKS I CARE not who the man may be, Nor how his tasks may fret him, Nor where he fares, nor how his cares And troubles may beset him, If books have won the love of him, Whatever fortune hands him, He'll always own, when he's alone, A friend who understands him. Though other friends may come and go, And some may stoop to treason, His books remain, through loss or gain, And season after season The faithful friends for every mood, His joy and sorrow sharing; For old time's sake, they'll lighter make The burdens he is bearing. Oh, he has counsel at his side, And wisdom for his duty, And laughter gay for hours of play And tenderness and beauty, And fellowship divinely rare, True friends who never doubt him, Unchanging love, and God above, Who keeps good books about him. UNIVERSITY OF CALIFORNIA LIBRARY Los Angeles This book is DUE on the last date stamped below, Form L9-50m-4,'61(B8994 B 4)444 LOS / PS 3513 Guest - G93d Dozen new poems PS 3513 G93d 3 1158 01216 3829 OOP 251 627