ilpji i In >/?////! ^ n 4 c.i K s OT ssm c< i -{ w 1 ^M LIBRARY OF THE UNIVERSITY OF CALIFORNIA. Gl FT OF lA/l Class \ \..^^y,.rn TEAGEDY OF EKROKS. By the same Author. RECORD OF AN OBSCURE MAN. I vol. i6mo. 75 cents. In Press. TRAGEDY OF ERRORS. PART II. BOSTON. TICKNOR AND FIELDS PUBLISHERS. TRAGEDY OF ERRORS "Aux plus d^sh^rit^s le plus d amour." . OF THE \ UNIVERSITY ) OF M^ BOSTON: TICKNOR AND FIELDS 1862. Entered according to Act of Congress in the year 1861, by TlCKNOR AND FIELDS, in the Clerk s Office of the District Court for the District of Massachusetts. RIVERSIDE, CAMBRIDGE: STEREOTYPED AND PRINTED BY H. 0. HOUGHTON. TEAGEDY OF ERRORS. MORNING. 1 - PERSONS REPRESENTED. STANLEY, a wealthy Southern planter. EMMA, his wife. HELEN, his daughter. ALICE, cousin and adopted sister of Helen s husband. HERMANN, a German refugee, formerly tutor to Helen. WOODFOKD, formerly overseer of a plantation in Cuba. SLAVES. HECATE. PERDITA. TURPIN. DORCAS. THERESA. EZEKIEL, a preacher from a neighboring plantation. BOAZ, a preacher. EOXANA, waiting-woman to Mrs. Stanley. PHILIP, body-servant to Mr. Stanley. SORDEL, \ PYRRHUS, ) FLORA, "j CHLOE, \young girls. BELLA, ) JUBAL, an old man, formerly slave to Mr. Stanley s mother. DAFFY, Roxana s grandson. PETER, an old man. ( Of these slaves, Hecate, Perdita, Turpin, Chloe, and Daffy show no mark of African descent ; Theresa is a light quadroon ; EzeMel, JBoaz, Milo, Pyrrhus, Jubal, and Peter are black. The rest are Other slaves: field-hands and house-servants. Scene. Belrespiro, a plantation in one of the Southern States. -<,T:BT* O - THE " UNIVERSITY *UF : TKAGEDY OF ERRORS. MORNING. SCENE I. A large Glade. On the left and in tlie background, the Forest. Groups of the Work-people of the Plantation, in holiday dress, are gathered here and there, some chatting, some dancing, others en gaged in athletic games. Parties of people are still entering from the right. In the foreground, towards the left, is a group of men, among whom are MELAS, BOAZ, and PYRRHUS. MILO lies on the grass near them. Two days ! two holidays ! MELAS. Two happy days ! PYRRHUS. To dance and sing ! BOAZ. To exhort and pray ! MILO. To sleep in ! 8 TRAGEDY OF ERRORS. PYKRHUS. Not pale and short, like those we have at Christmas, But long and broad and sunny ! MELAS. Good Miss Helen ! Where er she goes, she takes a blessing with her. God render it again to her and hers ! What is the time? BOAZ. Not six yet. PYRRHUS. Almost six ! We lose our day. MILO. We lose our night, you mean. We might have stayed another hour asleep. To-day s our own ! PYRRHUS. To-day and all to-morrow! MILO. But tis good napping here upon the grass, In the mild morning sunshine, even better Than under cover. PYRRHUS. But our songs and laughter, Our merry dances, Father Zekiel s preaching, How will these suit with sleep ? MORNING. 9 MILO. Oh, bravely, friend ! My ears stand open, though my eyes be shut. My soul shall dance and sing and shout with you, While the contented body takes its rest. MELAS. Be happy your own way. To-day is free. PYERHUS. To-day and all to-morrow. MILO. But the next day ! PYRRHUS. Two long days off. We ll meet it when it comes, And live through it as through so many others. You 11 live through it ! Ungrateful that you are ! With such a master, a true gentleman, That lives and lets live ! This is all the thanks You give for two whole days of idleness : Only to grumble that they have an end! Shame ! Shame ! PYRRHUS. Yes, shame, to spend our time in prosing! What shall we do? How shall our mirth begin? 10 TRAGEDY OF ERRORS. [Women enter; among them, FLORA, CHLOE, BELLA, and Rox- ANA, who is followed by DAFFY. They place themselves in the centre of the foreground. The men suspend their conver sation to observe them. PHILIP enters, approaches the fore ground, and looks on with an air of superiority. BELLA, to Flora. How gay you are ! Where did these roses come from ? 1 thought mine pretty ; but they re only real ones. Where all I have comes from : from kind Miss Helen. The first ball-dress she had was trimmed with them. I dressed her ; and how beautiful she looked ! Poor dress ! it was so fresh that night ! so lovely ! And last year, when we took it from the drawer, It was all changed and flimsy with the damp. BOAZ, who has been gradually drawing near them. Yes, thus it is, my friends, with earthly pleasures : A moment fresh and bright, then dull and faded. CHLOE. You, Boaz ? Ah, how true ! These idle girls, With their gay talk of balls and dress and ribbons, Turn off the thoughts from death and sacred things. How is it, Boaz? When I hear the preacher Discourse and pray, my soul belongs to heaven ; I feel myself already fit to fly. But afterwards, when I have left the meeting, Though I would hold me in a state of grace, \ MORNING. 11 The banjo s twang or a rose-colored ribbon Calls down my heart and I am all this earth s. BOAZ. That is the nature of the female heart, That lightly sways to this or that attraction. CHLOE. "What shall we do, then ? If it is our nature Be not cast down ; for it will be considered. Wisdom and strength have not been made your portion. But therefore should each feeble female mind Choose for itself a wise and strong director. Those prone to temporal follies should choose one That has the gift of preaching and expounding ; So that by words both in and out of season Their souls may still be lifted and sustained. CHLOE. How well he talks ! what precious words of wisdom ! How did you come by so much learning, Boaz ? ROXANA, looking at Flora s dress. It s well ; it s well. You re right to love Miss Helen. But my Miss Emma had a bigger fortune. FLORA. You love the mistress as I love Miss Helen. 12 TRAGEDY OF ERRORS. ROXANA. Love her? and who should love her, if I do not? I took her, when, a little frightened child, She stood alone there in her father s house. The nurse that brought her must not stay with her, For fear the thought of home should stay there too, The home that she was sick for, the old home. And was n t it to me she used to tell How much her sister was more like a mother Than her own father was a father to her? When did Miss Helen do as much by you? Then, when her sister and her sister s all Went down at sea, who was it fretted with her, And sat up nights, and told her all the wrong Sure to be done to poor unmothered girls ? When did you ever that much for Miss Helen? And now, who is it that she listens to FLORA, smiling. Hecate ? ROXANA, disdainfully. You don t know what you re saying. Hecate! How much some people see ! Who s that, who s that, Gliding along the margin of the wood ? [ THERESA enters by a path through the wood on the left. It is it must be yes, it is Theresa! MORNING. 13 CHLOE. On holidays she has n t shown herself E er since her son became a runaway. FLORA. She gathers flowers. What should she do with flowers ? DAFFY. A runaway? What did he run away for? ROXANA. Oh, nonsense ! nothing ! [To Flora and Chloe. Talk of something else. T is ill to say such things before the children. Bad acts are catching. Who knows what might hap pen ? FLORA. Do you think he d never hear it but from her ? PHILIP, coming forward. What are you talking of ? Theresa s son ? I know the most about it. I was there. DAFFY. How was it? Tell! [MELAS, PYRRHUS, and MILO join the group in the centre of the foreground. PHILIP. Well, you all know Theresa 14 TRAGEDY OF ERRORS. Was, in her day, the handsomest and proudest Of all that walked the earth : proud of her beauty, Proud of her manners, prouder of her voice, Proudest of all of her one child, her boy. Well, I 11 not say but that she had some reason: Now that he s dead and gone, I think she had. Our master s youngest sister, when she married, Took that boy off with her to her plantation : T was great promotion for him, that it was ! He was to be her coachman. He was dressed Like any gentleman, and hardly had A thing to do but go out on the carriage. He was n t old enough, they thought, to drive : He was but sixteen, though he looked like twenty. Well, whether t was the Devil tempted him, Or whether t was the pride his mother gave him, At any rate, one morning he was missing. At first no one believed t was so; but soon The truth came out. " To horse and after him ! " So went the word. It was not long in doing. Our master was there then, and I was with him. They came up with him in an open space Between two woods, just as it might be here. He would not yield till they had fired three times; Nor then. But when he fell all faint with bleeding, They tied him on a horse to take him home. He did n t get there, died upon the way. We scooped a hole out for him in the swamp And laid him in. DAFFY. In his fine clothes ? MORNIXG. 15 PHILIP. No, no ! The boy left all his handsome things behind him. He wore the dress of a field-hand. He bought it, No doubt, with money got from visitors. He was a handy lad, and his good manners And cleverness brought him in many presents. That helped to turn his head. MELAS. Yes, that and reading. Reading? Ah, that s as may be. There are heads, As you must know, are strong enough to bear it. But he was young and light. PHILIP. , Well, there he lies, Theresa s pride and darling ! FLORA. Hush ! she comes ! No, she has stopped. She does not seem to know Where she is going. CHLOE. She can t know, indeed ! Tis the last place where I should think to see her. Ah, but to-day ! She always loved Miss Helen. 16 TRAGEDY OF ERRORS. CHLOE. Well, then, she d better show her love to her, And keep within to-day. That face of hers Would change a wedding to a funeral. KOXANA. Ah, poor Theresa! Twas another story In times that I remember ! Once we thought It was no holiday, if she were wanting. PHILIP. Nor only we. For even when the mistress Had company, Theresa sang to them. ROXANA. She sang, they said, in all the languages. She had been by and heard the music-lessons The foreign master gave to Miss Lucretia ; And such a gift she had, that girl, from Nature, That all she heard she could at once repeat, Only more perfect and more beautiful. PHILIP. The mistress said that she had never heard At any theatre or opera-house A voice like hers. FLOKA. I can remember it. When quite a child, I used to hear her sing. It seemed to me as if the heavens opened MORNING. 17 And her song bore me upward on its wings. What would I give to hear that voice once more ! DAFFY. But I have never heard it. How long is it Since she gave up her singing ? ROXANA. Since the day She heard that news. T is now about twelve years. MELAS. Twelve years ? So long ? How did the mistress take it ? Hard at the first. To hear Theresa sing Had been her greatest pleasure. Hours and hours She used to listen, and, when one song ended, Would quickly say, " Again ! again ! another ! " CHLOE. Oh, my poor mistress ! what a loss it was ! Her time hung heavy. I have seen her shed Tears, speaking of that girl s ingratitude. They tried all means to move her stubbornness. Nothing would do, and she was let alone. She does her work as she was used to do, Knits and embroiders ; sing she can t, or will not. 2 18 TRAGEDY OF ERRORS. FLORA. See her, poor thing ! see how she ties up nosegays, And lets them drop, and then begins again! Now she stands wondering at herself. Theresa ! She comes towards us ! She is really coming ! If she would sing ! Perhaps, if we should ask her This day, this happy day What ! do for you What even the mistress could not win from her? Who knows ? We can but try. Perhaps she 11 hear us. We have no power to order ; we but beg. [THERESA comes near. Her face is wan, but has the remains of great beauty; her look is vague and abstracted, but at moments has in it something tender and beseeching. KOXANA. Good-morning ! We are glad FLORA. To see you here. Theresa dear, we were just speaking of you. THERESA. You might have chosen better. FLORA. We were saying MORNING. 19 What pleasure it would give us on this day To hear the voice we used to love so much. THERESA. That voice! Ah, when you hear it, dread its tones! When the dumb speak, it is a time of danger. FLOKA. Those heavenly tones can only promise good. THERESA. You know not what you ask. You will not hear them. FLORA. Oh, dear Theresa, why, then, are you here ? THERESA. Ah, why, indeed ? A something in the air Told me it was a fitting time for me. Something has happened, some calamity. Is there a corpse for me to help lay out? Wake up, Theresa ! No, you dream. Wake up ! This is the happiest day in all the year. Your dreams are black, but they are morning dreams, And go by contraries. Miss Helen comes ! She comes to us for the first time to-day Since she was married ! Think, then, what a pleasure ! Here we shall see her, and shall see the child, Our little master that will be one day ! 20 TRAGEDY OF ERRORS. Come, then, one song, Theresa ! just one song ! Don t look so frozen and so straight before you Wake up ! look at us ! Dear Theresa, once ! ALL, pressing round Theresa. Yes, dear Theresa, only once ! one song ! Thanks ! thanks ! But leave me where I am, good friends ! {She looks round upon them, then seems to rouse herself mill effort and sings. Her voice is at first low and tremulous, but conies out at last clear and full, with a touch of wildness. Seek not in me what I have been ! The days are vanished long When my soul drew the sunshine in, And breathed it back in song. Then was no need to ask my lay, I poured it like the bird ; My heart within kept holiday, And sang, though no man heard. The form that led your dance and mirth Is gathered to the past: That step no longer treads the earth, Those lips have smiled their last. The sleepers underneath the ground In their still bed are blest : MORNING. 21 There are, who, with the living found, Know death without its rest. I do not ask God s curse on those Who wrought this utter woe ; I grudge them not the heart s repose They could not let me know. But ask me not to share again Their sorrow or their weal ! These bring me neither joy nor pain : I have forgot to feel. Two only thoughts, in its despair, My mind unfaded keeps : That burial without a prayer ! That grave where no one weeps ! [ Theresa goes. The others remain a few moments silent, watching her until she disaj>pears in the forest. CHLOE, to Flora. What have you done, unlucky girl ! That song ! And that must be the first we hear to-day ! T will bring no blessing on the baby s cradle. I must go off. The day is spoiled for me. It seems as if a cloud had hid the sun. FLOKA. No, stay ! See there ! it shines as bright as ever. I, too, felt chilled and stunned ; but now t is past. 22 TRAGEDY OF ERROKS. CHLOE. Well, take your mirth out. I will go and pray. Oh, what a pity ! What did bring her here ? And what could make me urge her so to sing ? [To Chloe, who is going slowly away. Come back ! You can t be so unkind ! Come back ! CHLOE, returning. Only to please you, then. My heart s not here. Oh, here comes Sordel ! [To Sordel, who enters. Have you something new ? You look as if you had a song to sing us. T will not be gay, I know, it never is, But only gently sad : that does no harm. Your mournful lays I can support ; but hers ! Whose, then? FLORA. Oh, do not ask ! Begin and sing. We had expected you. We all are met On purpose here. We like your songs the best. A song ! a song ! UNIVERSIT OF MORNING. 23 FLORA. Soft, sweet, and not too sad! SORDEL sings, accompanying himself on a kind of rude guitar. She went, my life s one treasure ; She will not come again ! She went to ease and pleasure : I stayed to toil and pain ! I might have known me better, Dark, sullen, rude, and she ! No, they could not have let her Belong to one like me ! And yet not to me only Love this delusion brought. Oh, how my life were lonely, If not for that one thought ! In vain the wealth and splendor ! Those soft eyes watch and pine. I feel their long gaze render The love, the grief in mine. In vain the proud caressing She dares not quite gainsay Her hand returns the pressing Of a hand that s far away ! [They applaud. Sordel withdraws, and, seating himself under a tree, tunes his instrument. 24 TRAGEDY OF ERRORS. VOICES, in another part of the glade, shout. He comes ! he comes ! Ezekiel the preacher ! [ EZEKIEL enters by a path through the forest, on the left, Ezekiel here? How will that please the master? Preacher Ezekiel is n t too well looked on. Who bade him here ? PYKRHUS. He was n t bidden ; he came. PHILIP. No, he was bidden here. How else could he Have known that we had holiday to-day ? Had you the master s leave ? PYRRHUS. He did n t forbid it. He knows on holidays we must have preaching. PHILIP. Yes, but Ezekiel ! MELAS. Oh, he 11 overlook it. PHILIP. I don t know that ! MORXIXG. 25 PYRRHUS. Why, he s too good a master To be hard on us only for a sermon. KOXANA He s not of those that go against religion. PHILIP. He does n t object to it in moderation. BOAZ. Ah, but Ezekiel is not orthodox. I will myself expound a little later: I have not been moved yet. PYRRHUS, laughing. We re not impatient. MELAS, to Pyrrhus. No, as you say, he is too good a master To grudge us the salvation of our souls. He knows, when we are working out salvation, We only do our other work the better. And he who has a better world in prospect Is the more easily content in this. 26 TRAGEDY OF ERRORS. BOAZ. Yes, he s a good man and a wise, our master. PYKRHUS. He chooses the best way to keep us faithful. He has no need to make himself uneasy As to our hearing this or that. He knows What we dread most is being sent away. Our dreading it may n t hinder it from coming To some of us, some day ! PYKRHUS. Well, leave that now. What will come will come. We 11 not borrow trouble. [ EZEKIEL advances slowly, frequently stopped by persons who go out from the different groups to speak to him. He is a tall, well-proportioned man, very black, with finely formed head and regular features. He is distinctly seen, for he towers above the others. A little behind him comes TURPIN, a man of middle height, slender, of pale complexion, with black beard and curling black hair. His features are delicately cut, but wear an ex pression of defiance, displaced now by one of reckless jollity, now of cynical disdain, as he exchanges jests and sarcasms with the gay groups among whom he passes. MELAS. Here is the preacher! Listen, he is speaking! ROXANA. Ah, we lost that! But he is coming nearer. MORNING. 27 MILO. He comes too soon. We have not had our fun out. PYRRHUS. Oh, he will let us dance. He is not Michael. MILO. No, but he is another of the same. CHLOE. He will not let us murder our own souls : That were poor kindness, Father Michael tells us. MELAS. But Michael speaks in anger, lie in love. If he forbid us to enjoy ourselves, I shan t know what to think. He looks so mild, Perhaps he will not. [As they speak, they go a little way to meet Ezekiel. lie returns their salutations with dignity and kindness. The rest of the people have left their sports and gather round to listen to him. He speaks without effort, but in a voice so clear and full that he is heard by all. 1 forbid you nothing. The grant or the denial of your hearts Must be your guide. If these speak not for God, Vain to perform, and vainer to abstain ! 28 TRAGEDY OF ERRORS. MELAS. Do you condemn us ? God forbid, my brother! My mission is to win you back to Eden, Not to repel you with a flaming sword. We want to come to heaven, if we can ; But here we have one day of pleasure sure. If we lose this, and yet get nothing for it ! MILO. How can we know, that, even if we get there, It won t be there the same almost as here ? We are poor ignorant and simple creatures, And, as we die, so we wake up again. Will not the great, the learned, and the wise Have all their places higher there than we ? What pleasure shall we have to sit in heaven, And be forever there, as here, the lowest ? [DORCAS enters: a small, meagre, brown woman, with wrinkled skin, and large black eyes, whose common expression is that of craft and restless suspicion, but which at times kindle with a wild gleam. She stands listening somewhat apart from the rest, who do not notice her. Preacher Ezekiel, I have had that thought More times than once. How, if we must wake up MORNING. 29 The same we fell asleep, shall we be able To hold our heads up, when we get to heaven, Among so many great and learned people ? I think much on the other world; I long To have my portion there among the good. But will it, can it, be a heaven to me. Where there s a higher and lower, as there is here? There is a higher and lower ; yet not as here. Have you not heard the gospel, that you know not The last shall there be first, the first be last ? Those who have suffered most shall know most joy, Who have borne most reproach be most exalted. You never heard that tale in Scripture told, How t was with Dives in the other world, The proud rich man, who in his earthly life Had never known what hunger was nor thirst? MILO. I don t know that I recollect that story. BOAZ. Not know that story ? Oh, what ignorance ! EZEKIEL. You never heard of Dives, the rich man, How splendidly he lived, how high he feasted ? VOICES. We ve heard of him. But tell ! tell all about him ! 30 TRAGEDY OF ERRORS. EZEKIEL. His spacious halls, even in summer heats, Were cool and fresh, with their white marble floors, Their dripping fountains of sweet-perfumed water, And spreading fans, that, hung on golden cords, And gently moved by hands of unseen slaves, Gave evening breezes in the stillest noon. At night a soft and silk-hung bed received him. Sweet music cheated to the light repose That was a pleasure only, not a want. How rich his table was I need not tell you, What meats, what sugared dishes, and what wines, Wines cooled with ice brilliant and hard as diamonds ! When he had guests, and that was every day, And once a week at least a splendid banquet, They never ate off anything but gold ; And each guest had a servant to himself, That stood behind his chair and helped but him. Dives, be sure, had troops on troops of servants. PYRRHUS. Oh, but what luck to have had such a master ! Well, the time came that he must leave all this. He went to sleep one night in his cool room, Slaves fanned him, music lulled him, all as usual. He had not said his prayers: of that be certain. What should he pray for ? He had all already. He slept, then, as I said; but suddenly MORNING. 31 He finds himself out of his costly bed, Out of his splendid room, and through the air Whirling away. " Oh, what a dream ! " he thinks ; " If I could only wake ! " But on he whirls Swift as a musket-ball, until, at last, Giddy and breathless, he brings up in hell. He did n t know t was hell at first : or rather, He did n t know t by name ; he felt what t was. A glare, as of ten thousand thousand torches, Struck on his eyes ; in vain he held them shut ; The glare was there within as t was without. He saw no sun nor blaze the light could come from ; It seemed the air itself was all aglow. Then came the little creeping, unseen flames, Wound themselves round him, twining up and up, Till the whole surface of his naked soul Was wreathed with fire, that like the fire of fever Burned, parched, and anguished, but without consuming. VOICES interrupt, chanting. Oh, dreadful land! T is easier here to bear The hottest torments of the noontide glare ! OTHER VOICES. Oh, let us suffer here, so that we come not there! When he could see about him in that blaze, He looked from side to side to seek for help ; And presently, one after one, appeared 32 TRAGEDY OF ERRORS. Friends he had seen, with splendid funerals, Borne to lie down to rest in marble tombs. They looked at him, but did not say him welcome. Then he remembered all that had been told him Of death and of the reckoning after death. He knew that he was dead and was in hell. Lifting his eyes up then in his despair, He saw far off, lying in cool, blue space, The happy habitations of the chosen. To the soul s senses distance is no hindrance. It was so far that in a thousand years A bird could not have flown from him to them ; And yet he seemed to hear the waving trees, The gentle murmur of the silver waters, The music toning from the heavenly harps. He saw the blessed walking in white raiment ; He saw how kind they smiled upon each other, Like loving brothers in their father s house. VOICES break in. When shall we come to thee, land of bliss? OTHER VOICES. To win that lovely world, well may we pine in this ! But all the faces there were strange to him : In vain he sought some old friend or relation, That might be brought to speak a word for him ; Until, at last, searching with desperate eyes, MORNING. 33 He found a face to which memory answered, " Yes ! " But where beheld, at first it could not tell him. Slowly the where, the when, came back to him. That face, so beautiful, so still, so noble, Was it the face of the despised beggar, Whose bleeding sores and face awry with pain Disgusted him, as he passed out his gate In his carriage, mornings ? It was Lazarus ! This was a poor old man who d been a servant ; But whether t was with Dives or another, I did not rightly hear, and cannot tell you. BOAZ, aside. He cannot read ! He s only heard ! I thought so ! A pretty fellow he to be a preacher ! But he had been a servant, and a good one. If he could but have kept off growing old, He would have done so, for his master s sake. But the strong limbs grew feeble, the quick hands Awkward and slow ; and so a younger man Must do his work; there was no place for him. His master then gave him his liberty. VOICES. Gave him his liberty ? Ah, that was hard ! EZEKIEL. A year or two he just got work enough 34 TRAGEDY OF ERRORS. To keep along; but soon no one would hire him Even for his keep, he was so sick and feeble ; He got more blows than coppers or than food. When strength was none and work was none, he sat him Down on a stone not far from Dives gate, And waited that the scornful passers-by Should throw him now and then a bit of money. There all day long he sat; sometimes he got one, And some days none ; but never a kind word Nor a kind look was his, by any chance : Only the dogs sometimes made friends with him. He was translated on the very night That Dives left his soft and curtained bed For the last time. The old man had that day Received no alms. He stretched his feeble body, When the night fell, upon the cold, hard stone, But his soul raised itself to God in prayer. Grateful he prayed, with heart o erflowed with love. He thanked his Maker for the inward light That overpowered the outward gloom, for strength Divinely sent, which made the body s weakness Appear no evil more. As thus he prayed, And more and more his soul strove up to God, Sudden it seemed to disengage itself: It rose, it soared, it found itself in heaven ! This was the face that Dives knew again : " Lazarus himself ! " he said ; and then he wished That the last time he passed the beggar by He d happened to have given him a cent. Too late for that! But still, when he considered MORNING. 35 What honor it would be for Lazarus To do a favor to a man like him, He thought he d risk the making a request. So, for the first time, he sent up a prayer : He begged that Lazarus might come to him And bring him down only a drop of water To cool his tongue. Oh, but his thirst was fearful ! Soon as the wish was thought, t was heard in heaven, And back the answer came as swift again : " Thou hadst thy good things in the earthly life, And Lazarus his evil. It is finished. A gulf is now forever set between you. Thou canst not come to him, nor he to thee ! " FLORA. Ah, me ! I almost fear we are too happy ! DORCAS, chuckling to herself. He that when here would not have looked at water ! That s what Ezekiel s preaching is ! It suits me ! MILO. We shall be first there ! T don t seem possible ! ROXANA. Ah, that s a comfortable Scripture doctrine ! TURPIN. What fun it must have been to that old fellow ! If I could but look down from Paradise, 36 TRAGEDY OF ERRORS. And hear my master bawling up from Tophet, " A glass of water, boy ! " I d give up dancing And drinking, and I d just stick close to praying Through my whole life, if it could come to that. To see him shake his fists and rage and tear, While I sit solemn there and look at him, Safe out of reach ! Ah, that would pay him off ! FLORA. What shocking words ! You are not of our people, But you have been let come to share our pleasure ; And this is all your gratitude ! For shame ! I was n t let come ; I ve got to pay for it. I was sent on errand to another place, But made off here instead. The punishment, I dare say, would have caught me all the same For something else that was n t better worth it. DORCAS, still standing apart. And those who take their vengeance in this world, Will they enjoy it in the next again ? If not, I ve overreached myself. No, no ! A bird in the hand ! Dorcas, when you saw her Set up for sale on the same block with you, You had your heaven, if you ne er have another ! FLORA. I can t but think t was hard on Lazarus, Though that old master had been no good man, MORNING. 37 Not to be able just to comfort him With one poor drop of water, when he asked it. T is likely, though, they did n t let Lazarus hear him. If it were possible of course it is not But just suppose that I could be in heaven, And poor Miss Helen pining down below there ; If she signed to me for a glass of water, I d give it her, though I lost heaven for it. MELAS. The Scripture saith that hardly shall a rich man Enter the kingdom. What rich men will be there ? There will be those that have been poor in spirit, Remaining God s true children, not disowning Their brotherhood with any He hath made. There will be those that in this life have borne An aching heart beneath the costly dress. For there are found, even in stately houses, Those that are brought to God through suffering : I ve seen such near, and looked upon their lives. We need not grudge to offer them the hand ; They are of us, and well may share our heaven. DORCAS, in a smothered voice, with clenched hands. Not one of them ! not one of them ! not one ! Through suffering! And our Miss Helen, then? T would be no heaven to me where she was not 38 TRAGEDY OF ERRORS. MELAS. We know by riches men come not to heaven. But wisdom ? learning ? that is something else. BOAZ, consequentially. Wisdom and learning, yes, that s different. MELAS. We are so ignorant, alas, and simple ! Simple indeed ! Why, wisdom, earthly wisdom, Is the last wealth a man can take to heaven : More cumbersome it is than bags of gold. Has not Christ said, " Become as little children, Or else you cannot enter " ? Said not Paul, " He who is wise with earthly wisdom must Become a fool, if he would be a Christian ? " I tell you, children, if you miss of heaven, T is not your ignorance will keep you out. And would you know what station God prefers, And what respect He has for human learning ? Inquire where Christ was born, and what his breeding. Who were his learned tutors? In what college Got he the wisdom that redeemed the world ? He might have had his choice ; he might have come As the most rich and learned of the earth, And so have had the great men and the wise men All following him, proud to be his disciples. That might have tempted one of us, not him. He chose to come and be a carpenter, MORNING. 39 A carpenter, why, just as I m a blacksmith! A carpenter, just like your Pyrrhus there ! And when the time came to go out and preach, Whom did he choose to aid him in his work ? Who were they Avhom they call the Twelve Apostles ? There was n t a gentleman among them all ! Poor fishermen and such ! And for their learning, [Looking round him and stretching out his arms. The books they read are open still to us. [Looking upward devoutly. The source of wisdom, whence their spirits drank, Is not yet dry. It flows for him that seeks it. BOAZ. As if Saint Peter had not been a bishop ! [Aside to Philip. I told you that he was not orthodox. Not orthodox ? It s quite ill-bred and low. I m off from this. I like genteeler preaching. [ Goes. CHLOE. Really, I d rather they d been gentlemen ! EZEKIEL, after a pause. Let us not ask about the fate of others. To their own master let them stand or fall. We have our own salvation to work out. [Pauses again, then proceeds. Yes, let the rich and mighty have their kingdom, 40 TRAGEDY OF ERRORS. The kingdom of this earth. We grudge them not Their transient bliss. But we, the heirs of light, We upon whom the saving mark is set, The mark that men interpret Want and Shame, But that to angel eyes reads Wealth and Glory, Shall we renounce our promised heritage ? If those to whom this earth is given in portion Make all they can of it, and lose no ray Of their short sunshine, who can wonder at them ? This earth is fair, is wondrous fair ; its pleasures Sweet to the sense of man. And he who stands Beside their flood upon the placid shore, And feels their rippling billows woo his feet With soft, decoying touch, how shall he choose But lose himself into the treacherous tide, And rise and sink and revel with its waves ? But we, whose way tends through the weary waste, Beyond whose sands lies our appointed home, Shall we stay dallying with the shining pebbles That haply here and there may strew our path, And lose from sight the sunlit mountain-tops, From thought the happy, cool, embosomed valleys, The shadowing trees, the springs of living water? VOICES interrupt. Oh, blessed land beyond those mountains hidden ! OTHER VOICES. Oh, dreary desert stretching out between ! MORNING. 41 OTHER VOICES. Oh, earthly joys ! so near, and yet forbidden ! OTHER VOICES. Oh, heavenly pleasures ! ours, and yet unseen ! CHORUS OF VOICES. Hard is our portion in these earthly bowers, When what is ours is not, and what is is not ours! EZEKIEL. Oh, faint not! falter not! From that blest land Celestial eyes are watching your approach. Follow with resolute step your dreary path. With steadfast courage meet the demon hosts That bar your passage to your promised home. Unmarked on earth these mean defeats and triumphs ; But there, with each reverse a shadow falls Over the brightness of angelic faces, Each victory wakes in heaven one joy the more ! PHILIP reenters. You must all come, the order has been given, And range yourselves each side the avenue. You must come now, and not delay a minute, That you may be there when the carriage passes. Each one must have a red rose in the hand, Or some bright flower, to make the scene more gay- A 5>^ 0^ THE \ UNIVERSITY 1 42 TRAGEDY OF ERRORS. FLORA. Oh, beautiful ! that was the mistress order. I 11 twine some wreaths : that will be prettier still. You must be careful not to fright the horses ; And when the carriage has gone by, you must Move forward in a regular procession, Until you are assembled on the lawn, Where all the grass has just been cut on purpose. And there you all are to receive your portions, Which you may either carry to your cabins, Or else bring here and have a general feast. To each man will be given a double portion ; Women will have a portion and a half; The men to have a share of spirits beside. [ The people gather round EzeTciel. MILO. Preacher, you know we must obey the master. \_EzeTciel assents. Milo goes, and others with him. PYRRHUS, lingering. We will come back again and hear the rest. EZEKIEL. Go, go, and do your duty. Follow them. FLORA. You know we must go out to meet Miss Helen ! MORNING. 43 EZEKIEL. She is your mistress, and is kind to you ? FLORA. Kind as an angel. EZEKIEL. Well, well, go and meet her. But you will come with us and have your share? Our master always gives the same to strangers As to his people, on our holidays. CHLOE. We shall have meat and bread and lard and sugar. And then Miss Helen will add something, surely, She always does, sweet cake, or something good. And every man to have a glass of spirits ! Did you not hear ? We 11 have a glorious feast ! I will stay here. I have brought bread with me. I will refresh myself, and speak again When you come back. If you are long away, I will employ the time in praying for you, That the unusual license of this day May not become to you a cause of stumbling. 44 TRAGEDY OF ERRORS. MELAS. Ezeldel, shall I risk my soul s salvation, If I accept my share of what is going ? T were better, if you could abstain, my son. But if you cannot, take in moderation. MELAS. To all temptation you are deaf and blind. EZEKIEL. I was not once ; but, by God s grace, I Ve conquered. [ They go slowly, Flora stooping from time to time to gather flowers. Dorcas remains standing in her former position, her eyes fixed on Ezekiel, who continues speaking to himself. And yet not wholly. I have still my combats, No longer of the flesh, but of the spirit. Oh, if warm prayers and resolute self-denial Were all God asked for in return for heaven, Then were it easy ; but the lowly mind, The soft forgiving spirit, how win these ? Love to my God, love to the good I feel; But the unjust, the cruel, and the base, Before I recollect that I must love them, The indignant flash has passed across my brain. No outward act, no outward word betrays it; But God has seen it. Did I wrong, just now, MORNING. 45 To grant a half-permission to the people To cheat themselves awhile with these false pleasures ? I fear I erred in this. Alas ! my heart Is weaker to these children than myself. But if I erred, so is not theirs the error, Not theirs the atonement. Let a double fast, Let work continued through the hours of rest, Atone my fault. So will my master gain. I cannot love him, but can toil for him As if I did. But, O deceitful heart, Thou dost betray thyself! The heaviest penance I give myself is to do him a pleasure ? [Dorcas approaches slowly. It is that wandering-witted woman, Dorcas ! What can she want with me ? DORCAS, aside. He does not know me, Or thinks that I ve forgotten. And I had. I did not know him, when I heard him preach. But later, when the people had all left him, I saw once more that look upon his face It wore when It was only for an instant, But there it was ! What if I told him all ? Vengeance at least we might enjoy together. [ To Ezekiel. Ezekiel, you re a powerful man in speech. T is the first time I ve heard you give a sermon. These foolish people all bepraised you so, I thought t was something else. If I had known 46 TKAGEDY OF ERRORS. What people meant by comfort in religion, I would have sought it sooner. EZEKIEL. Not too late At the eleventh hour to come to God. DORCAS. That s not the tone I want to hear. Just now I saw a keen light flashing from your eye That had more warmth in it than these prim words. And when you told us about that old beggar, How his heart crowed when he looked down from heaven, And saw his master getting his deserts! EZEKIEL. I told you that? You know not what you speak. Either you said so, or you let us feel so. My memory is not great for holding words ; I only take the spirit. I don t know The sense of half I hear, but what I feel I can t mistake in. EZEKIEL, aside. What a sharp reproach This woman brings me ! God ! and is it so ? Can, then, the hidden, the unconscious feelings MORNING. 47 Impart themselves ? Can our words take from these A meaning that we had not thought to give them ? Oh, wretched man, the curse still cleaves to thee ! [To Dorcas. Is it not rather thy unwholesome heart That changed the words of health to words of poison ? It might have been so, it might well have been so ; But it was not. Thou bear st in thee unslaked A thirst that I have known, that I have quenched, Yet not entirely. Have I read thee well ? Know st thou this thirst ? EZEKIEL, aside. Does madness give such power To read in the heart what the owner does not see there ? God ! what a hell wakes in me at her words ! Is it a fiend sent from the abyss to tempt me? A moment since I almost triumphed. Never Stood I so near the victory, so near heaven. And now ! [To Dorcas. What brings you here to me, strange woman? I came for what I see you will not give me : I came for comfort, hope. I ve reached my ends. But life is short, and mine draws near its close. I ve but one thing to lose, in losing it, 48 TRAGEDY OF ERRORS. The joy of looking on a sated vengeance. For thirty years I ve feasted on this joy, And now to die ! To give up breathing, moving, Oh, that were nothing ! But to give up hating ! Hating with a secure, triumphant hate ! That thought weighs on me, when I think of death. Your words to-day awakened a new hope. Tell me, you are a preacher and must know, Can we beyond the grave enjoy our vengeance? What must we do to earn the right to this? EZEKIEL, with effort, Woman, this dreadful hope I cannot give you. With thoughts of vengeance we come not to heaven. Oh, strive to gain another heart ! DORCAS. Be silent ! Tell what I ask, or do not speak at all ! I do not want another heart. My own Is good enough for all I ask of it. What use to me a heart that knew to love? I ve nothing left to love ! This stuff to me ! EZEKIEL, aside. Nothing to love ! I will have patience with her. [Aloud. How ! hast thou nothing left to love ? No children ? No brothers ? sisters ? But perhaps thou art Not of this country ? MORNING. 49 DORCAS. No, I am from Cuba. EZEKIEL, aside. From Cuba ! She has breathed that air with her ! [To Dorcas. You know the Spanish tongue ? DORCAS. I knew it once, But have forgotten it. For thirty years And more I have not heard the Spanish spoken. EZEKIEL. For forty years I have not heard it spoken, [Aside. Or only in my dreams. DORCAS. You have forgot it ? EZEKIEL, aside. Forgot the tongue in which she spoke, we spoke ? [ To Dorcas. This is but idle talk. Unhappy woman, How gladly would I do thee good ! but not As thou hadst hoped. DORCAS. No other way ! To take 4 50 TKAGEDY OF ERRORS. Away from me the only good I have Is not to do me good. If in your heaven There is no place for hate, there s none for me ! I ll take my chance and go without religion. I thought you might have taught one I could learn. As pay, I would have shared my wealth with you. But since t is so, keep your wares; I keep mine. [Dorcas goes. Poor crazed thing, how gladly would I save her ! Alas, I am more like to lose myself! The work of forty years undone at once ! What form flits by ? what tones are in my ears ? Oh, what a spell there was in that word, Cuba f She moves before me, that wild, graceful creature, "With her fantastic gayety, sweet sadness, Her bursts of passion ravishing and fearful ! For she, like me, was nearer Africa Than are the most. Our mothers saw the light First underneath those glowing skies. Our blood Is tempered only by a single mixture. But while I bore upon my bronzed face The signs that marked me of my mother country, She wore the impress only on her soul : Her features, skin, were of her father s race. Oh, vanish, beautiful and fearful vision ! Back to the grave where thou hast slept till now ! Moulder where moulder youth and joy and hope ! Dead to my love, live not to my despair ! MORNING. 51 God ! tliou know st how I have wished to serve thee ! How striven to come to thee by prayer and penance ! Cast me not off! deny me not thy grace! Help me to battle these invading demons ! The help comes not. The tempest is not laid. 1 feel that heaven is shut against my prayer. That prayer itself, perhaps, is a transgression, Coming from this perturbed, dishallowed heart. O heart, that didst believe thyself His temple, How art thou desolate, thou God-abandoned ! 52 TRAGEDY OF ERRORS. MORNING. SCENE II. A large r$om, witli windows opening on a long portico, whose columns are wreathed with vines. STANLEY and HERMANN are seated near one of the windows, engaged in conversation. EMMA reclines on a sofa. Near her stands a table, on which is a large vase of white flowers. The room is profusely decorated with flowers. A little slave-girl stands near Emma, employed in fanning her. The child lets the fan sink, and turns towards the window. How close it is ! A storm is coming on ! Where is your fan ? The thing is half asleep ; Or else her wits are out upon the green. There, lay it down, and go and join the rest. [ The child goes. T is strange how fond these people are of dancing ! They really have more pleasures far than we. HERMANN, to Emma. They have less thought. Thought is the foe of pleas ure. STANLEY, aside. If Emma s pleasure had no other foe ! EMMA, looking at her watch. Not nine o clock yet! Where is Bella? Gone Off with the rest, no doubt. Give them but dancing, MORNING. 53 They forget everything. The only person That can amuse me now is little Bella. T is true she never will know how to sing Like Was not that the sound of distant thunder ? [She starts up. STANLEY, going to the window. Not yet, not yet. The clouds are gathering. Yes, we shall have a thunder-storm to-day. If it will only wait a few hours more, It may come on and welcome. EMMA. Do not say it! STANLEY. When we have once our Helen safely housed, The storm may burst. In fact, we need the rain. EMMA. Then let us have the rain without the storm. HERMANN. It is not often that our wish is granted In the same measure or in the same manner As our mind imaged its fulfilment. \ STANLEY. I Have but one wish in life and one in death : 54 TRAGEDY OF ERRORS. That I might have my Helen s blessed presence While my term holds, and that her loving accents May be the latest tones that reach my ear ! EMMA, aside. I never saw my husband look so pious ! T was almost like a prayer ! HERMANN, aside. In this connection This solemn wish ! The Gods avert the omen ! [ To Stanley. Upon a prayer so pure and so restricted Heaven could not frown. [Musingly. And yet perhaps t is better To let the eternal circles hold their way, Nor make them swerve by vow or prayer of ours. STANLEY, in his ordinary tone. For me, I think I shall not claim much merit For my forbearance. HERMANN. Ah, the human will, Borne upward on the wings of faith and longing, Has mighty power. But the audacious effort Is often punished by its own success. The compelled Destinies avenge constraint. MORNING. 55 [ Checking himself. These are not topics for this happy day. I am to blame. I know not what came on me. STANLEY. Your serious mood gained me. How is it, Doctor ? You are more grave to-day and more sententious Than even your wont. And yet you, too, love Helen. You, too, look forward to her coming back HERMANN, warmly. As to the coming back of spring. T is true. Whate er my heart has left of soft and loving Belongs to her. I yield but to her father. [Stanley and Hermann continue to converse in dumb show. EMMA, aside. But to her father ? And her mother, then ? The mother has a right to love the best ! T is strange, they make no more account of me Than if I were not ! Am I, then, a cipher ? [ With a more animated expression. I love her ! She is beautiful, my child ! And yet and yet how is it ? In my heart There is a sore place somewhere. Oh, what is it? Why cannot I feel all the joy that they do ? Where is the glow, the longing of a mother That listens for the footstep of her child ? My husband s eye has an unusual brightness ; His voice is lower, and his tones more feeling 56 TRAGEDY OF ERRORS. Than commonly. And even the old Doctor Has something tender on his rugged features. How cold my heart is to my only child ! "What damps it so ? T is this depressing climate. They call it here the South. What can the North be ? My feelings once gushed out so warm, so lively ! My sister-mother, and my real sister, My darling Agatha ! I had no need To chide myself for want of love to you ! When little Agatha and I were playmates, How soft my heart was ! with what tenderness Did it give back the love that all things offered! Now, dull and weak, it has no quickened throb Even at the coming of my own, own daughter ! Could I but love ! could I but love as once ! HERMANN, to Stanley. T was in this room that I first made acquaintance With my young pupil. With dejected heart I came to you that morning, broken in hope As well as fortune, brought by force to lay All my aspirings down and toil for bread. I thought it shame, I, not without a name Among the learned of the elder world, I, who once thought my brain should influence The interests of the future, thus to stoop To teach a little girl her A, B, C. STANLEY. It was a waste of power. I felt it was. MORNING. 57 HERMANN. I have long ceased to think it such. The man Who in this world of error and delusion Has found one unwarped mind, one candid heart, Has not been luckless. His life is not wasted, If he have had this mind, this heart to train. And if his conscience tell him he has left it In its first candor, has but aided it In its expansion, not controlled or moulded. Content to furnish fitting nourishment And watch unfold the perfect human flower, He may forgive himself for many errors, Forgive the world for many disappointments. STANLEY. Doctor, the obligations we are under To you, for all that you have done for Helen, Are not to be expressed. You know we feel them. HERMANN. The obligations ! Do not use that word, Else I, too, must begin acknowledgments. I must recount the many acts of kindness ; The recognition not the least of these Of the poor exile s claims upon respect ; The confidence ; the full appreciation Of my endeavors, of my system ; the Perhaps you will permit me to say friendship Which for so many years has honored me. 58 TRAGEDY OF ERRORS. STANLEY, courteously, but with a slight shade of condescension, not, how ever, perceived by the Doctor, who is occupied with his own thoughts. The friendship of a man like you is honor. [ With genuine warmth. And one who is what you are to my Helen Claims not regard alone, but gratitude. HERMANN. In my new office I did have some merit, I 11 not deny it. A laborious pedant, Professor in a University, A German University, encased In triple armor of scholastic learning, I laid the cumbrous load at Nature s feet, Confessed myself her subject, humbled me To be companion of a little child, Learning of her more, daily, than I taught. There was some strength required for that. I laud me More for this modesty, this power to value My life s toil at its worth, than for the works That gave me fame once, or those other writings That set a state on fire phosphoric fire, That glowed and startled, and then faded out And won for me the questionable glories Of obscure martyrdom. The hardest chains To break are those of prejudice and custom ; And when our pride has interest to maintain them, We seldom even try their strength : we wear them As if they simply were restraints of duty, And it were sacrilege to find them heavy. MORNING. 59 Here is the great support of useless learning : That man the best years of whose life were given To arid studies, whose impulsive youth, Whose vigorous manhood, has restrained its soarings, Compressed its energies, to gain one end, Will loathly own that end not worth attaining, Even to himself, above all, when he sees Less favored crowds with envying admiration Revere his inappreciable merits. Shall he whom all believe in doubt himself? [Stanley and Dr. Hermann continue to talk in dumb show. EMMA, aside. How sky and trees and flowers looked kindly on me ! The winds, the birds, even the humming insects, Had something for me loving in their tones. I live in a changed world : the glow, the beauty, The friendliness have passed away and left it Drear and unfeeling. It is not in me, This change ; else why this thirst to love, This craving for the ample interchange Of gushing, warm, unforced, unbound affection ? STANLEY, to Hermann. T is safe for you to scoff at scholarship. A less learned man could not presume to do it. HERMANN. Men covet what they cannot estimate. The unknown good, the unconceived, has charms 60 TRAGEDY OF ERRORS. Beyond the tried. The untaught look on learning As a philosopher s-stone, a talisman, That gives the wearer power and consequence, Invests him with mysterious distinction, With attributes whose realness can be scanned But by his peers. Howe er among themselves These may divide and wrangle, they uphold The common cause against outside assailants, Let no profane hand touch their ark. Believe me, T is not so much the intrinsic worth of learning, As its contingencies, inspires the crowd Of votaries real or seeming. Fashion some, Others ambition leads, or vanity. The patient seekers after truth are few ; Rare the enthusiasts for ancient lore. These seldom men, when found, deserve respect Proportioned to their genius or their merit. Think not that I would undervalue learning, Real learning ; t is the spurious I question. To read the history of the human mind, Writ as we find it in the master works The long departed ages have bequeathed us, This is no futile labor. To unfetter The lore else sealed up in a silent language, And give it forth living once more and fruitful, This is no arid, no unthankful task. What in the hands of genius is arid ? But this asks something more than scholarship. A poet only can revive a poet ; A sage must reproduce the sage s work. MOENING. 61 We are not poets all, alas ! nor sages. It is not given to all of us to wield The wizard wand of re-creative power. [Smiting. I almost think it was not given to me. STANLEY. You rate yourself lower than others do. HERMANN. No, no ! I know my powers. They did not lead In that direction. On some other path I might have come to good. I ve toiled and moiled, Year after year, on learned commentaries, First those of others, then upon my own. No classic work but I have analyzed, Have scanned as with a microscope. I spent My strength on doubtful passages, proposing Here a new reading, there suggesting changes In the till then accepted punctuation. I changed the initial letters of two words In the JEneid, and with great advantage ; T is true indeed ; two passages made clear Which had before greatly perplexed the critics. When I showed Helen how it was before, And how with my new reading, she perceived The importance, instantly, of my correction. STANLEY, politely. Your labors were not, then, without result? 62 TRAGEDY OF ERRORS. HERMANN, laughing. You see the pedant is not dead in me ! [Seriously. Not quite without result. No, I may say it: I had successes better worth than these You have just heard me boast. I ve had my share Of fame in the learned world, and I enjoyed it, Yes, I enjoyed it in a certain measure. But when that moment of awakening came ! When the electric spark that coursed the earth Reached me in my calm study, when the world, The actual living world revealed itself, When first I waked to feeling for my kind, When human hopes and human interests Made claim on me, with what another beat Moved my strong pulse ! Yes, for one month I lived ! I am a broken and disheartened man, My dreams are faded, my hopes laid in dust ; But still I deem those fleet illusions worth More than realities ; even now I hold My disappointments dearer than my triumphs. [ Checking himself. Whither have I been led ? What matters now My pedant life, or my political? The one has been as fruitful as the other. EMMA, aside, extending her hand to the flowers upon the table. The others continue to converse. Only the flowers have kept their faith with me. They still are kind. But they are touched with sadness. MORNING. 63 They speak of soothing now, no more of joy. If it be true, as I have heard it said, That spirits gone from here have leave to work Upon the earth they ve left, the good and lovely Busied with objects beautiful and useful, The wicked with the hurtful and unsightly, If this be true, perhaps t is Agatha s To paint the chalice of the opening flowers ; Her angel hand, perhaps, prepared the tints Of these soft field-flowers or of those pure roses : She knew them destined to her pining sister. Surely, she would not live in glory there, And see me in my tedious earthly home, Nor strive to send me solace. HERMANN, to Stanley. Ah, your daughter ! Her scholarship is of another sort, If truly we may call that scholarship Which is yet more of nature than of toil. Not by slow work, not by a mole-like digging, Does she unearth the treasures of the past ; With an enchanter s wand she summons them, And they disclose themselves. Precisely so. HERMANN. Often a passage held as difficult She has at once, without a word of comment 64 TRAGEDY OF ERRORS. From me, expounded like the ablest scholar, Hitting the meaning with unerring instinct. Ah, yes! HERMANN. Her fine, idealizing sense Enables her to recompose the scene The poet pictured, to reclothe his heroes With their own form, reanimate their voice : For her they live and feel and act again ; For her once more put on their grace and freshness The fairy tales that charmed the youthful world. I, who in early youth was set to drudge Over these works, construing word by word, Till they had lost life and significance, Who in my manhood merely looked on them As offering themes for learned commentation, On which to found my fame, had not conceived A mind so free that it could simply take These works as other works, as other novels, Delighted, pained, admiring, or condemning, As it found cause, without pedantic carping Or superstitious reverence, reading them In the same spirit they were written in, Or that in which they first were listened to. T was in your Helen I first found this marvel. Themes in scholastic hands grown dry and sterile Took a new bloom for her; her genial nature Infused them with its life. MOKNING. 65 STANLEY. Her father feels Your praise not more than just. Her intellect Is truly of a most uncommon order : The powers of acquisition and of judgment Are found in happy equipoise. HERMANN. Your pardon ! These gifts are not the intellect s alone. What we, for want of better name, call heart Has a large share in genius, in hers. Her soul perceives the latent harmonies That ruder senses miss. She feels the accord Between the genius of a race, its language, Its history : thus each reveals the other. Through some mysterious power of sympathy, The acts, the thoughts of distant times and lands, To her are as the present and the near. All that is human is akin to her. Doctor, how well you understand my daughter ! I ve seen all this, but could not have expressed it. Thank you for helping me. I have some fears That marriage with its cares and occupations May be to her, at least in some degree, What t is to women commonly, the grave Of talents and accomplishments. 66 TRAGEDY OF ERRORS. HERMANN. This fear Was the sole drawback to the satisfaction I found in teaching her. Could I have had A youth as pupil with such gifts as hers, What joy, what pride for me ! As t was, I felt That these fair blossoms might all drop untimely And never come to fruit. Yet possibly, In a young man s case, hindrances yet graver Had intervened to rob me of my harvest. The charms of the world, its snares, its mean ambitions, Prepare for men sometimes a heavier downfall Than women find in that still gulf of marriage. And truth to say, this singleness of heart, This love of beauty for pure beauty s sake, This sense of absolute truth, of absolute duty, When found in men, is chiefly found in those Whose course is early closed. I might have stood, A useless, lone old man, beside the grave Where my last cares and hopes lay mouldering. T is better as it is ; and who shall say, Although no present and apparent fruit Come of my work, that it has all been lost ? Helen may pass through life obscure and silent ; But, in her tranquil course, she may have poured Into new souls her genius, her wisdom, And they may give forth, widely fertilizing, The treasures drawn from these invisible springs. STANLEY. She wrote me she should teach her boy herself. MORNING. 67 HERMANN. Yes, there it is ! A mother will not let Her child be ignorant of what she knows, If she can help it ; and so true is this, The Icelanders, a wise and primitive people, Ordain by law women may not be married Till they know how to read ; secure of this : That what the mother knows the child will know. Thus they provide for popular instruction. Ah, what you tell me gives me pleasure. Yet The best intents are thwarted. I know not Whether her husband shares My son-in-law Is a good fellow, a good fellow, Doctor ! No better heart. I m sure you think so, too. Somewhat exacting. But we all are so, When we love truly. And he worships Helen. You know he loved her from her infancy. It was all settled between him and me Rather, his father settled it with me Before she dreamed of marriage. And in truth, Fancy s vagaries were forestalled by me. I taught her to regard her fate as fixed. Thus I preserved her from the wretched error Women of genius and heart are prone to : The dressing up some hollow effigy With gifts and graces not its own ; the making For this poor puppet fatal sacrifices, Deplored too late when time has dissipated 68 TRAGEDY OF ERRORS. Forever the illusion. I at least Secured my daughter wealth, position, leisure : Three real goods, which, if the unsubstantial Are added, only will enhance their value ; And if these fail, will help to compensate Their loss, HERMANN. I trust these will not fail; for man Lives not by bread alone, and still less woman. Helen is happy, if a woman can be. Her husband, handsome, rich, and well brought up, Has elegant tastes, unusual cultivation. He has seen Europe. Very few young men Have his advantages. Yes, she is happy. Besides, she loves him, I am sure of it, And better since her marriage than before. HERMANN. Before, I own-; it, I had some misgivings. That constant putting off Oh, girlishness ! And then t was natural she should make no haste To quit a home of which she was the centre, The light, the life. She could not find herself Of more importance or more independent In her own house. But, since she must be married, MORNING. 69 I thought myself most fortunate to find A match so safe, in most respects, so equal. If I have sometimes said within myself, " He does n t deserve her" t is that no man could, And that I ask a happiness for her Of which I think no other woman worthy. But, if you thought she was not fond of him, You were deceived. She did not show it boldly: You d not expect that of her : and, indeed, Her love was not that trivial, flighty sort, Made up of tears and smiles and fond caprices, But a kind sister s tenderness, the best Foundation for a happy married life. HERMANN. Perhaps so, yes, no doubt. But yet sometimes It seemed to me you 11 think I am conceited She liked my company as well as his. She often seemed more bright and gay with me Than with her lover. She was more at ease, It may have been ; and then perhaps she wished To make the most of those last days with you. I saw with pleasure, that, instead of idling, As most girls do, the time of her engagement, She was collected and industrious, Then as before, perhaps a shade more quiet, As well became a woman entering on 70 TRAGEDY OF ERRORS. A change so grave. If I had ever doubted She loved him as a wife should love her husband, These doubts were all removed on the last visit I made to them. I thought I knew my daughter, - Knew all her loveliness, her grace, her beauty ; But, until I had seen her in her home, I only knew her half. I can t describe it, This change, it was so slight, yet so essential. When you have seen her, you will understand. Such perfect patience ! such sweet deference ! You know the best of men are sometimes captious. Yes, truly, love works miracles with women ! [Smiling. It almost moves my jealousy to see Myself supplanted thus. EMMA, starting up. Ah, that was lightning ! STANLEY. But very distant. EMMA. It will soon come nearer. STANLEY. Not very soon. "We shall have some time yet. We shall see Helen safe at home before The storm comes on us. Do not be afraid. [Going near her. Do calm yourself. You have seen storms before. MORNING. 71 EMMA. Only too many ! Oh, that night ! that night ! STANLEY. T is your imagination lends them terrors. EMMA. Imagination ? Yes, and memory ! STANLEY, kindly. You have, indeed, most sad associations With thunder-storms ; but recollect, my Emma, You have no loved ones now upon the sea ; And if you had, this storm which moves towards us Would not endanger them. In general, These tempests move but in a narrow circuit. [Soothingly. And then this storm will not be violent, Like that you re thinking of. EMMA. Do you believe not? Perhaps it will not. But it seems so like it ! STANLEY. You think the same of every storm that rises. That storm was hours and hours in coming on. Oh, how distinctly I remember it ! 72 TRAGEDY OF ERRORS. I sat and watched the long, pale, silent flashes, Held to my place by a mysterious dread. At last my strained ear caught a distant roll, And then a fuller peal. In funeral train The clouds moved forward, heavy, black, and slow. And yet the sky above me was serene ; The air was" still. But, as I marked this stillness, Sudden a frightened fluttering of the leaves ! Then, all at once, a tumult overhead ! The massy cloud-rocks crashing on each other! The mad winds clutching at the struggling tree-tops ! I knew not then above what trembling victims Those clouds had frowned before they burst on us. I knew not then what sails those winds had rent Before they spent their fury on our pines. And yet, perhaps, that thrill of nameless dread, Unknown to me, a daughter of the tropics, Up to that hour, even in the wildest storm, Was my heart s answer to a dying groan, Borne to me on the swift, unpitying blast ! STANLEY, aside. The only subject that can rouse emotion In Emma is the shipwreck of her sister And little cousin. HERMANN, aside. What tenacity The affections have sometimes in feeble natures! MORNING. 73 Calm yourself. This excitement will exhaust you. Already you are flushed and feverish. [Going close to her and speaking low. T is natural you should recollect with kindness The sister who was as a mother to you, And the young playmate of your early childhood, Held rather as a sister than a cousin. I do not blame the strength of your attachments : But recollect how many years have passed ; Remember all you have to make you happy. Cannot the husband, then, replace the friend? The little girl whose early death you mourn, Is she not more than given back in Helen ? EMMA, aside She is not given back, my little sister ! [Aloud. Yes, I am calm. I did not mean to vex you. STANLEY. It is not often that you vex me, Emma, [Aside. Or, for that matter, move me any way. [To Emma. You are tranquillity itself, in general. Come, cheer up ! These sad looks would grieve our child. [Aside. I must have patience with her feebleness ; For is she not the mother of my Helen ? 74 TRAGEDY OF ERRORS. [Aloud, looking at the flowers in the vase. What pretty flowers ! how tastefully arranged ! You always have a fairy world about you! EMMA, smiling. Yes, they are beautiful ! Who gathered them ? I found them here when I came down this morning. I thought at first that Helen had arrived, And had prepared me this surprise. I looked To see her come out from behind the curtain, As formerly. [Aside. She is a dear, good child ! STANLEY. What ! all these flowers you found here ? EMMA. No, this vase full. The others Bella brought. I always send her Out every morning to bring in the flowers, And then I see them all arranged myself. STANLEY. The Doctor smiles. [To the Doctor. Is this your mystery ? HERMANN, No, no, not mine ! But I perhaps can solve it. MORNING. 75 As I came over early in the morning, Not to be wanting at the first reception, I saw that wan-faced, silent girl, Theresa, Stealing along the garden-walk before me, Her apron filled with flowers. As her whole air Betokened secrecy, I stopped discreetly, Studying the plants that grew beside the walk, And then went sauntering on the longest way Towards the house. As I approached the window This one and stooped to raise the sash and enter, I heard the sliding of another sash In the same room, and, turning, saw Theresa In the act of issuing forth. She did not greet me, But glided off in silence. That Theresa! Why does the strange thing, by her wayward silence, Take from me the enjoyment of my life ? I never had a girl I cared so much for, Nor one that seemed to be so faithful to me. I really thought it was a true attachment. [Aside. But for me disappointment everywhere ! STANLEY. You re not distressing yourself now for that ? EMMA. No, no, I don t distress myself. 76 TRAGEDY OF ERRORS. I hope not. Doctor, what say you ? See, the sky looks ctear. It will not rain yet. Shall we take a stroll Along the avenue to meet the carriage ? The people have been drawn up there an hour Or more, to greet their mistress when she enters. T will be a pretty scene, and we shall have A smile from Helen s eyes some half-hour sooner. HERMANN. Thanks, many thanks! That hope were bribe enough For a less pleasant walk ; but this needs none. Emma, in passing, I send Bella to you ; When we return, we bring you something precious. [Stanley and Hermann go out. They leave me here to meet the storm alone ! What s Bella ? What can she do for me ? Oh, I shall die here of fear and loneliness ! [She goes to the window, looks out, returns calmer, and seats her self on the sofa. My Helen comes ! My lovely, graceful Helen ! And with her Hecate comes ! Ah, there it is ! Hecate comes back to freeze, to petrify me ! And everybody thinks she s so devoted ! They wonder I could give her up to Helen. MORNING. 77 How I remember when she first came near me ! I felt her fix her basilisk eyes on me, And a cold shiver ran through all my veins. Was it a warning sent to me, perhaps ? Every one envied me my handsome slave. I had not enough courage to refuse her. Why did I not ? O Hecate ! my life s varnpire ! Yet I have nothing to reproach her with, Or only with too constant a devotion. How high she held herself, the silent creature ! Dumb out of pride, not out of ignorance, As we supposed at first. When first I heard The accents of her voice, how strange a thrill Shot through my heart! It was again a warning. It was for Helen that she broke her silence. Yes, yes, she came between me and my child ! And this is why I cannot love my daughter As other mothers do. O Helen, Helen, Could my heart once gush out for you in fondness ! [ Clasping her hands passionately, and rising. Could I but once enjoy a mother s rapture, In full, full, overflowing, deluging measure, And yield my soul in that o erwhelming bliss ! That moment, that death moment, should repay me My torpid life ! [Sinking down again. No, it is not for me ! [After a pause, tenderly. How did I long for you, my pretty darling, Before you came ! how did I press my lips 78 TRAGEDY OF ERRORS. On that dreamed cheek ! how did I twine my fingers In airy ringlets of imagined gold ! precious one ! O little unseen daughter ! Dearer even now than is my living child ! Yes, when you came, you should restore me all : My Agatha should live again in you ; The love my parent-sister poured on me 1 should return to you in seven-fold measure, And that which my fond heart had felt for her Should throb for me in my sweet daughter s bosom! Oh, all those tedious years of lonely life Passed with that hard, dry, selfish hypocrite, That governess of mine, and my stern father, How did they disappear and melt in nothing ! My coming life appeared to link itself To the far past : these made my whole existence. I almost thought I always had been happy. And when the time came that I was to press you Real and substantial in these waiting arms, Oh, it was Hecate held you up to me ! Oh, it was Hecate laid you on my bosom ! How came she there ? I did not send for her, I did not want her. When I felt the touch Of my own child, it was not what I looked for. My heart stood still, instead of bounding up. Something came in between my babe and me. It was her love. That creature dared to love it ! She dared to vie in tenderness with me For my own infant! I am very weak ! MORNING. 79 I know I m weak. I m sure that Stanley thinks so. } T is so, or I had never let her nurse it. Yes, I am weak, or only strong to suffer ! What was she to my child, that she should love it ? My happiness was poisoned at its source. In vain my baby bloomed in health and beauty ; I could not love with fulness of enjoyment. I saw her little arms thrown fondly round That neck, her head reposing on that bosom! Yet could I sooner have forgiven the love The unreasoning child bestowed upon its nurse Than that strange chill that sat on my own heart. Did I not love her ? Did I not admire her ? Had I not pride in her ? Yes, all of this ! Yet, even as she sat upon my lap, And I was fondling her with every mark Of fullest, deepest love, when I looked round And saw that stranger woman standing near, Ready to take my not unwilling darling, I felt the impotence of my dull heart. Her silent look said more than my caressings. I sank back baffled, weary, inly owning The nurse s tenderness was more than mine. It was a spell that woman cast on me. These Africans are skilled in dreadful arts, Which they transmit, the mothers to their daughters, And they to theirs. Hecate might well be one To share this fearful legacy. Her look And, above all, when it is fixed on me Has something in it of undying pain, 80 TRAGEDY OF ERRORS. Mixed with exulting triumph, that might suit A priestess of those temples that they tell of Where men pay worship to the fallen spirit. It holds me still, this chilling, cramping spell ! I wait my child, not as the mother waits Whose fond protecting love requires an object To foster and support. - 1 foster Helen ! I guide and counsel, I admonish her, As mothers do ! Poor, little, feeble woman, I, guardian of that vigorous, noble creature ! She is less mine than ever ! For my infant I could in part fulfil the mother s office, Could minister at times to little wants, Could aid to conquer petty obstacles, Could soothe in childish troubles, fancied dangers, Could at least feel myself the wiser, stronger. But, ah, how soon she passed beyond my reach! I am the earthbound bird that sees the swanlet Its wings have brooded soaring high in space. It is my birthday ! No one thinks of it, Except that poor half-crazy girl, Theresa! These were her gift, these flowers I thought so kind. Why did she bring them ? Not to do me pleasure. They are all white, as for a bride or corpse. In her mind had they some significance ? Perhaps they are a sign of penitence. Her heart may have been touched by Helen s coming. Perhaps she thought of Helen s little boy. Yes, white means innocence. Perhaps she meant MORNING. 81 A type of the pure joy of this reunion. I 11 take it so. [She goes to the table, leans over the vase, and touches the flowers. And yet I do not feel it. Since I have known these flowers were brought by her, It seems to me their leaves are touched with blight. They look at me as in reproach or warning. What would they say to me ? What pain awaits me ? No, nothing new ! The present is sufficient ! These pallid flowers, plucked by unloving hands, Alone remind of my neglected birthday. And yet perhaps Helen did not forget it. [ With joy. She thought of me, when she arranged this journey ! My Helen thought of me ! I hear her say, " That day shall give my mother back her daughter." And shall I be the last to welcome her ? Why do I stay ? The clouds are passing off. The storm but threatened. Some few drops of rain, And it is over. All my idle fears Pass off as easily ! My heart feels light, As suits the day that gives me back my child. My child! Sweet words ! And this day brings her back ! [She goes to the window. The flowers repeat it, the birds warble it ! All Nature seems to sing in happy chorus : "This day shall give the mother back her child!" [She goes out. 82 TRAGEDY OF ERRORS. MORNING. SCENE III. STANLEY and HERMANN are walking together in a wide avenue. On one side are trees; on the other an open lawn. They stop at a spot where a large tree has been left standing in the middle of the ave nue, which widens out on either side of it. The slaves in holiday attire are ranged along the avenue, or form, groups on the lawn, or are looking out from behind the trees. HERMANN. A cheerful scene, and full of poetry, To me, a European ! These dark faces, These vivid hues, this profuse gesture, all That speaks the sun-born and the youthful race Has a keen charm in it to one like me, Who live in thought, in whom emotion, impulse, So long held down, almost forget their rights. When first I landed on your shores, I found Not what I had imagined. Everywhere I saw another Europe : busier, More energetic, and more self-reliant, But the same world, engrossed by the same cares, Pursuing the same ends, with more success, Because with greater freedom, and, alas That I must say, devotion more exclusive. The freshness, the exuberance, the slighting Of the cold actual for the warm ideal, All those rash virtues, those endearing faults, MOKNING. 83 That I had thought must mark the youthful race, Existed only in my foolish hope. It seemed this people had been born mature : I found an age of reason permanent. STANLEY. And you object to this? HERMANN. Oh, I approve it! That is to say, one half of me approves it : The other found it rather same, perhaps, And sad. The very child encountered me With such a thoughtful, penetrative glance, I felt myself the boy, and him the world-wise. Youth I found not. Hardly I caught its trace Upon the hollow cheek of a gaunt stripling, Or in the patient eyes of some poor woman: Its mirth, its lightness, its enthusiasms Held down and choked, the forms it should have graced Bearing the impress only of its struggles. STANLEY. You saw the North. HERMANN. I saw at first the North. But even here I found again my Europe. STANLEY. Yes, there you found its factories, its workshops ; And here you meet its culture, its refinements. 84 TRAGEDY OF ERRORS. HERMANN, aside. I will not flatter him, and must not wound. What shall I say ? STANLEY. It s very praiseworthy, Hard-handed labor, most respectable. The sturdy farmer, the expert mechanic Are valuable members of the state. The country that has all its boast in these Has strength, has solid wealth. But the refinements, The true delights of life, the higher tastes, Find their development but where two races Inhabit the same soil : one being destined To furnish the material wants of life, And one to cultivate the finer graces. HERMANN. One made for work, the other for enjoyment. If you prefer. I only state a fact : I do not justify its being one. But toil and taste, producing and consuming, Are not in this world cast in one man s lot. Coarse food contents the clown whose labor yields The spicy fruits, fine grains, and delicate wines That court the Sybarite s exacting palate. The artisan scarce values his own work : He paints, he carves but for another s eyes ; And he that weaves seldom knows how to wear. MORNING. 85 No, these two separate classes need each other. The lower from the surplus of the higher Draws its subsistence ; while those finer wants Which it knows not, but which to the superior Are real needs, its labor satisfies : Happy when, as in Europe once, as here, Fixed barriers divide the working classes From those whose office is to think and rule. That restless striving, that uneasy envy, Which, at the North, and in those states called free Of the Old World, disturb the poor man s peace, Are here unknown : his birth has fixed his station. The high, the low, take from the hand of Fate, Unquestioning, their lot. And no injustice. To those the manual toil, to these the mental. To us belong the joys of aspiration ; To them the calmer pleasures of contentment. HERMANN, aside. I had been prompt once to take up the gauntlet. But now, no, no, let the world wag ; I m old. STANLEY. And so you found us all too European : There too much industry, here too much ease ? HERMANN. Why, something so. STANLEY, complacently. You are not so far wrong. 86 TRAGEDY OF ERRORS. la the North you find your thrifty middle classes ; We represent your aristocracy. HERMANN, with sudden energy. Ah, if you knew the noble race as I do, You would less willingly find this resemblance ! I ve seen them near : I know their vain ambitions, Their empty cares, false pride, and splendid meanness Spending a fortune on a feast, and bating In the same day the wage of some poor mother ! STANLEY, with a little hauteur. T is natural that you should hold your views, And I my own. We see from different stand-points. HERMANN, not perceiving Stanley s pique. T is somewhat strange here in America Our old noblesse possesses the prestige That has died out in Europe. You imagine That nobleness goes with nobility. We know, we others. But this Scotch Magician, This Great Unknown, as people like to call him, Is the chief source of your illusions. He Has given to rank, which man s caprice created, That homage we should only pay to those Whom the Eternal hand has signed for honor. The stamp of chivalry, of high-souled courage, Of loyalty, of generous self-devotion, Are not these marks divine ? MORNING. 87 HERMANN. And these you lend To the noblesse of Europe ! Mere illusion ! They won their place by brutal violence ; Have kept it by tenacious selfishness. Look from the bosom of old Father Rhine ! Behold on every cliff the robber s nest, Whence in old time their vulture eyes peered down To mark where, borne on his benevolent tide, The laden bark advanced, their destined prey ! Look round in Switzerland, in Italy ! See, on the heights, their crumbling fastnesses, Joy of the dilettante traveller, Traditional object of the peasant s hate ! Here were the cradles of our old noblesse. Rapine and murder watched its infancy; Its riper years more organized wrong protected. And now, in its decrepitude, you see it Grasping with trembling hand its worn insignia, Alternating a doting insolence With palsied fear, as its security Is shaken or flattered by the year s event. I ve heard Americans regretting blandly . Their land had none of these romantic ruins That crown our heights and overlook our rivers. " Our Hudson were as lovely as your Rhine," I ve heard them say, " had we but your old castles." STANLEY. T is true, though. I have thought the same, myself. TRAGEDY OF ERRORS. HERMANN. Ah, if your land consents to envy Europe, Let it be rather for the wealth of art Laid up for it by humble, patient hands ; Or be it for the victories won in science By silent toil of calm, secluded men : Not for these monuments of crime and vengeance. Happy the land whose sons have piled no stones But those laid up by bloodless hands ; whose fabrics Dread no attacks but those of time ! Grudge not The older world the mournful poetry That wreathes itself about those blackening ruins ! STANLEY. You find, then, something in our land to praise? HEKMANN. Much, much to praise, and a few things to love, Even in the bustling, striving North ; and here My heart and fancy can both find their food. [Interrupting himself, as lie sees a gratified expression steal over Stanley s face. I do not speak now of your social circles; Choice as they are, they offer nothing new : They, like the rest, are a transplanted Europe. Nor was I even thinking of our Helen : She is herself ; no land lays claim to her ; That is apart ; there is my life of lives. But for my idle studies, for refreshing Of my warped, dried-up faculties, I stroll MORNING. 89 Before the cabins of this primitive people, Or sit me down amid a scene like this. Among the blacks ? They are sometimes amusing : They have quick senses, and some native fun. HERMANN. But you yourself, though born and bred among them, Have scarcely known so much of them as I. You cannot view them in the light that I do. You see them worse or better than they are. Their wits are sharpened by desire to please, Or blunted by the dread of blame. They wait Upon your look. They smile or draw long faces, Whine dolefully or speak in chirping tones, To keep in tune with your imagined humor. But me, the dreaming, silent foreigner, They mind me not more than the waving branches, Or innocent winds, that bear away their words, But not report them. Thus their cares, their joys, Their loves and hates express themselves before me In their own natural language : word, look, gesture, Unstudied, unrestrained. Stretched on the turf, Or propped against some pine-tree trunk, I bathe My world-worn soul in this fresh gushing Nature, As in the fabled youth-restoring spring. STANLEY, smiling. What a true German ! Doctor, give me leave To smile a little at your poet ardor. 90 TRAGEDY OF ERRORS. HERMANN, laughing cordially. Free leave ! free leave ! I knew you could not see What I can see. For you it is not there. But never mind. Let me enjoy my feast, And you your laugh. You have a brilliant world To lead your life in : wealth, power, influence. I only have my studies and my dreams. STANLEY. Under which head are classed your present HERMANN. Ravings ? Under both heads, perhaps. Man is my study, This poor maligned and deified human nature, Its lights and shades, its strengths and weaknesses. But, as I am a simple amateur, And my researches have no aim of profit, Whether for me or for the world, I hardly May call my studies more than reveries. But be that as it will, I can pursue them With interest untired among a people Still in the golden age of faith and fancy, Not risen up to that of doubt and reason. Then it is touching to my heart, the fate Of this poor orphaned race, whose opening youth Is trained by no too tender stepdame. Yet To Cinderella in her dismal corner Came fairy gifts; and to this abject people Flow from the world of fancy infinite comforts MORNING. 91 That elder, happier races hardly know. Not easy to repress the joy of youth In races any more than single children. I will say something strange : In this New World, What I have found of youth and poetry I have found here. STANLEY. You have found poetry ? HERMANN. Lived, looked. Nor only lived and looked, but sung: All except written. Not a circumstance Checkers their life or yours but has its minstrels. Each joy, each sorrow passes into song That mates itself with a congenial music, Now deeply mournful, now so wildly glad, As if the pining spirit, cramped and baffled Within its crouching frame, had found an outlet And soared to sudden freedom. On your shelves I see the Scottish minstrelsy, I see Servian anthology, Icelandic ballads ; In fine, you have a choice herbarium Of the wild-flowers of other lands, and leave Those that spring up about your feet to wither, Unculled, uncared for: yet they might, perhaps, Take place beside their sisters. I once heard A slow lament, sung by a gray old man Whose little granddaughter was sold away, That seemed to me for melody and pathos 92 TRAGEDY OF ERRORS. To have few rivals in the primitive verse Of infant peoples. T was not on your place ; T was on your neighbor s there. Ah, yes, I know. Shabby of him. I don t approve his course. If his affairs compelled him to adopt it, T would be another thing ; but he is rich. Only some grave offence, or their own choice Through some caprice, or marriage off the place, Or so can make me send my people off. HERMANN. I know it. They have not that cause of grief To exalt their souls to poetry. But sorrow Has many inlets to the human soul; And the slave s life, be lenient as you will, Is liable to some vicissitudes. STANLEY. Less, though, than that of others. Did you hear, Speaking of music, did you ever hear The girl Theresa, when she sang her best? HERMANN. When I came here she was already silent. STANLEY. The fault of that ungrateful dog, her son. MORNING. 93 You find them poets, then ? I ve sometimes heard Their songs from far, but did not catch the words. The airs I have found pleasing. Yes, for music Some of them have a real gift, I grant you. HERMANN. I marvel no appreciative hand Has yet caught up these wandering melodies. The time will come when these neglected strains Will charm in hall and drawing-room. You smile. Who knows ? What if the earliest contribution Truly original, that this New World Makes to the gentler arts, should be the product Of this poor foundling ? I have sometimes thought This unformed race, scarce issued from its childhood, Has been brought hither from its ardent birthplace That its warm blood may give a fuller pulse To veins grown too sedate by time and wisdom ; As over Europe s passionate, fervid South Was once sent down the cool Transalpine flood. That thought could come but from a European, But from a German. HERMANN. Yes, we Germans have Few prejudices on the score of race. We live beneighbored by not kindred peoples. 94 TRAGEDY OF ERRORS. Some of them hate us. But we hate them not ; Content to absorb them, having for allies Time and our own superiority. You Anglo-Saxons hold your sacred blood Too precious to be mixed with other streams. You frown upon the Celt, your cousin-german ; Frenchmen, Italians, not their Roman lineage Makes them your equals ; and the lofty Spaniard Encounters pride more steadfast than his own ; Your brother German finds a mild disfavor. As for the humbler and more distant branches Of the human family, you hardly deign To count them kindred. That it could bring profit To your high race to blend its stream with theirs, What blasphemy ! STANLEY. But little less, indeed ! Your satire is not quite without foundation, Perhaps, in what concerns the higher races, Who stand with us on the same grade of culture ; But as regards a union with the lower, Or, if you like it better, undeveloped, We cannot guard the purity of blood Too carefully. HERMANN. Yet scorn them not too far : Their turn may come, perhaps. Remember, men Do not take seed of a perfected fruit, When they would raise new sorts, but rather choose MORNING. 95 Some ruder kind, half-way to excellence. And thus it is with races : a fresh people Must in its nature have rough elements, That, when toned down by social contact, trained By formal culture, it may still be racy, Not weakened into mediocrity. The world is for the young. Your nation s youth Is, after all, a pseudo youth. Behold, It is a scion from an ancient tree, Not a new seedling ! Whether is it destined, As I have heard old farmers say of grafts, To pine and dwindle with the parent tree, Bearing distempered fruit on failing limbs, While yet its separate life is new? This question Time only can decide. STANLEY. I am not sanguine. But, if we fail, I find the cause of failure Not in the race, but in the institutions That offer no restraint to innovation. A government that follows the direction In which the passions of the mob impel it, What pledge for permanence ? what pledge for safety ? HERMANN. You will not fail ! I did but theorize, An idle pastime. No, you will not fail. I find my hope there whence you draw your fears. With freedom, Nature finds her own defence 96 TRAGEDY OF ERRORS. Against the causes of decline. In vain Will prejudice propose its poor specifics. The sturdy health that is the gift of freedom Discards all nostrums. Not by stern exclusion, But generous welcome, will your favored nation Guard its preeminence. Your friendly shores, Offering a second home to those whose boldness Has earned proscription, or whose enterprise Desires a wider field, prepares the advent Of a new race upon the human scene : Not new in name, but young in hope and vigor. That energetic land from which you draw Your love of sway and love of liberty Thus kept its manhood green. Its tide of life, Still freshened by infusion of new blood, Rolled full and strong while lands whose narrow rule Attracted no recruits declined and dwindled. Yet there was but a type, a prophecy Of what shall find fulfilment here, the germ Of the fair blossoms and the generous fruits That here shall teem. Your nation is not born. The spirit is but shaping now the form For a new incarnation. Lands and races The most remote, the most estranged, contribute The elements of this fresh life. Destruction Will work for it, as will creative power; Discord as harmony; regret and pain Must have their part, as well as hope and joy. But in the fitting time the God-informed MORNING. 97 Will stand forth fair and strong, and take upon him His office in the world. [ The noise of carriage-wheels is heard, then ceases. STANLEY. Hark ! was not that No HERMANN. Yes! The carriage stops. She is alighting. She has divined that we await her here. This was a favorite spot with her. This tree, Sole lingerer of the primeval forest, Had for her eyes the charm that desolate sternness Has for the kind and happy. Here they are ! [HELEN enters, followed by HECATE, who carries the child. STANLEY. Helen ! HELEN, springing forward to meet him. My father ! [Helen embraces her father, then turns and gives her hand to Hermann. My best Doctor! [EMMA enters. Helen hastens to meet her, and embraces her EMMA, returning Helen s embrace. Darling ! HERMANN, aside. The same, and yet her countenance is other. She has passed through another phase, I see. 98 TRAGEDY OF ERRORS. EMMA, whispers. You love me, Helen? HELEN. Dearest mother ! EMMA. Truly ? Darling ! You really love her, then, your mother ? [Aside. She is not now so far from me as once. Has she known sorrow, then ? T is probable. HELEN, holding her mother s hand in both hers, and speaking low and tenderly. I did not love her half enough before. I never knew how mothers loved their children, Till I had one to love. You felt for me All that I feel for him ? EMMA. All ? All, and more ! You have so many gifts, have so much knowledge ! I knew but how to love, to love my child ! Your children now. What happy days, my mother, We will all have together ! [Looking round for her child. Where s my darling ? MORNING. 99 FLORA, coming forward. Hecate has carried him the shortest way Towards the house. EMMA, aside. Hecate ! She comes between me And all I love. Even this happy moment Her name embitters. [To Helen. What ! without your order ? She fears the sun for him. She might have waited Till you had given him a first caress. But you have not to learn what Hecate is. You know her waywardness and faithfulness, Both due, perhaps, to your indulgence. EMMA. Yes,- My false indulgence. I am very weak. HELEN, caressingly. Not so ! but kind, and win more love than fear. EMMA. She does not love me, Helen; do not think so. I have a touchstone here by which I know it : I should love anything that gave me love, So much I need it. Her I do not love, And cannot. Out of spite to me, I know 100 TRAGEDY OF ERRORS. She has withdrawn the child from my embrace. She knew how full my heart must be, how eager, And made herself a joy of thwarting me. HELEN. Let us suppose that she has hastened forward, Not thinking you had strength to come so far, To bring the darling to your arms the sooner. EMMA, smiling, but not satisfied. Oh, you were always ready with excuses To shield your nurse. HELEN, smiling. And you to listen to them. [ EZEKIEL enters : perceiving the group in the avenue, he turns aside, after fixing his eyes for an instant upon Helen, and is lost in the crowd on the lawn. TUKPIN enters with him, and disappears with him. STANLEY. Was that Ezekiel, whom they call the Preacher ? HERMANN. The same. STANLEY. A sturdy fellow for a saint ! HELEN, with interest. Was that Ezekiel ? MORNING. 10 1 STANLEY. I don t like that man. You d better not encourage him to come here. HELEN. What has he done? STANLEY. Oh, nothing that I know of; His bearing does not please me. HERMANN. He is manly. STANLEY. A slave has no occasion. HERMANN. Yet a man Works better than a tool without a soul. STANLEY. I demand very little of my people. They are contented, and content their master. HERMANN. That is enough. The fellow who came after, He is not yours? STANLEY. He would not be mine long. 102 TRAGEDY OF ERROES. HERMANN. I should not like to have that face about me. If ever evil demon lived in man, One looked out from those lurid eyes of his. [ DORCAS enters, and endeavors to attract Helen s attention by curt sying repeatedly. HELEN. Ah, it is Dorcas ! [To Dorcas. Where is Perdita? DORCAS, curtsying. She stayed at home a-nursing her sick child. HELEN, surprised. Her child? DORCAS. Why not? Fair as loblolly -bay flowers. The mother s not so bad ; but he, a pearl ! A cunning little footboy for the mistress, If he d grown up, or groom for master s brother. Great honor for him, if he lived for it! HELEN. The child is sick ? DORCAS. And likely to be sicker. He 11 never come to stand behind your carriage Or hand your plate. He 11 miss all that, the creature ! MORNING. 103 HELEN, to Emma. Did you know this? EMMA. No, no one told me of it. HELEN. She has no medicines, then ? DORCAS. She does not need them. Has she not me ? Am I not worth ten doctors ? I know things no one in this country knows : I have tried all. I would not have him die, Such luck as he was born to ! Perdita, The daughter of the mistress favorite girl, What might her son not get ? But so it is : Some die and leave their luck before they taste it, [Shaking her head mournfully. And some outlive it ; and some live it out, [Smiling and curtsying. As master will, and mistress. HELEN, to Emma. Shall we go And see poor Perdita? She may need aid. EMMA. Send it by Dorcas. DORCAS, Send by me, Miss Helen ! 104 TRAGEDY OF ERRORS. EMMA. Send it by Hecate, by the girl s own mother. DORCAS. Send it by me. I m more than an own mother. EMMA. Send what she wants. Give anything you like. Only don t talk of her. Don t let me see her. Her presence irritates me. HELEN. Dearest mother, So kind to all, and only not to her! Don t blame me, don t reproach me, don t you, Helen ! One thing I cannot bear, nor ever could : To be found fault with. And by you ! No, no ! I cannot tell you why I should dislike her. T is not on purpose. People have their natures. There are to whom the strawberry is a poison ; The scent of roses makes some people sick ; With me, it is the sight of Perdita. I m sure I m sorry that the child is ill, And hope it may get well. Let Dorcas take her All that she needs, whatever you can think of; But I don t want to see her. DORCAS, aside. Not so strange MOKNING. 105 As you may think, young mistress, in your mother ! The pale thing has some human blood in her. She has not wit enough to think it out, But has a sense she has been wronged somehow. I know it all. I, silly, poor old Dorcas, Hold all these threads here in these trembling hands ; I pull them as I will, this way and that ; Know all their secrets ; yes, know more of them Than they themselves. O cunning brain of mine, [Tapping her forehead. What do you hold ? Who looks at your brown case And guesses what is locked there ? I must dance ! I cannot hold my joy down ! STANLEY, who has been talking apart with Hermann. I see well I shall have none of Helen s time this morning. The births, the deaths, the accidents, the weddings, The various ailments, all must be reported, Congratulated, counselled, or condoled on. I 11 go my way until all this is settled. The merry Alice, too, will soon be here ; And there will be a world of confidences : T is always so. Well, we shall meet at dinner. To know you here must be enough till then. The quiet evening will be all our own. Doctor, you have not seen my new improvements. I ve urged them on, that they might be completed For Helen s coming. [To Helen. You 11 be charmed with them. 106 TRAGEDY OF ERRORS. This evening I shall take you to admire them. By moonlight the effect is even better. [To Hermann. I 11 take a last look before Helen sees them, To make sure all is right. Will you go, too ? [ Stanley and Hermann go out. DORCAS, aside. But I don t want her coming to my cabin. And Hecate, above all, I don t want her. What can they do there ? I can dose the child : I 11 do my all. What should I let it die for ? It s no such boon to live. [To Helen. Don t vex yourself To come to her this morning. Mind the mistress. I made the worst of it. You know we do. In fact, it was n t so much the child that kept her. She knows her face is not the welcomest, And never comes into the mistress way, Unless she s bidden. Take your ease this morning. The child will do. He s nothing else but cross. He 11 soon come round. WOMAN, who had been pressing forward. Dorcas is in the right. It is too soon to plague her with our matters. VOICES. Too soon ! too soon ! We 11 wait, wait till to-morrow. MORNING. 107 OTHER VOICES. We 11 wait ! we 11 wait ! OLD MAN, to Helen. Make yourself comfortable, And think of nothing at all. Our wants will keep. Thank you, good friends ! You shall not lose by waiting. EMMA. What do they say ? HELEN. The child is not so ill As I supposed at first. [Smiling. Old Dorcas says She made the worst of it. EMMA. I knew she did. I will not ask you to extend your walk. To-morrow I will see poor Perdita. [To the people. Enjoy yourselves to-day. Go, have your feast. Bella will bring you something more from me. To-morrow those who have requests to make May come to me. 108 TRAGEDY OF ERRORS. MANY VOICES. Thanks, mistress ! Thanks, Miss Helen ! HELEN, to Emma. We will walk slowly. Use my strength for yours. How sweet it is to feel you lean on me ! EMMA, aside. How could I ever think she did not love me, And even doubt if I loved her ? At last I m happy ! Oh, how happy could I be, Did not the thought of that weird Hecate flit Across me, as the shadowy, noiseless bat In summer evenings through our darkening hall ! [They disappear among the trees. TEAGEDY OF ERRORS. NOON. TEAGEDY OF EKKOKS. NOON. SCENE. A large, low room in the upper story. Book-cases and other furniture of carved black wood. HELEN is seated near a table. ALICE enters, loaded with flowers, which she throws down on the table as she speaks. In your old haunt ! I knew it ! Here are flowers To deck it with: not those bold garden-flowers That stand to be admired, but such sweet shy ones, That I would not have forced them from their shade, But for a bower secluded as their own. They droop already. Ah, these savage flowers Are not so patient as the tame ! [To FLORA, who enters. Some vases. [Flora goes. Oh, I have walked so far ! But not alone? 112 TKAGEDY OF ERRORS. ALICE. No, not alone. But guess, though, who was with me. You cannot guess ! HELEN. Hecate ? ALICE. No less a person. I don t know how I came by such an honor. She never used to think it worth her while To give herself much trouble for my sake. Perhaps with her clear sight she has read through me, And knows how dearly I love you, my Helen ! Whatever loves you has a claim on her. Did you observe how she caressed the spaniel That yelped out such delight at seeing you? But, whether for your merits or my own, Hecate to-day was all devotion to me. She knows the forest as I know my garden: The very guardian fairy of the flowers Finds not more surely their sweet hiding-places. T was a strange pleasure that I found in wandering Through the dim paths with that mysterious creature. Sometimes I really almost felt afraid, As I walked on and heard her step behind: I seemed to feel her gleaming gaze fixed on me. But when I turned to look at her, her eyes Rested on mine with such a gentle glance I wondered at my fears ; yet soon again Would the same awe creep over me. I must NOON. 113 Still look and look, and still convince myself, That, when I looked before, I saw aright. I never knew her as she is to-day: To-day I hardly wonder that you love her. She has been always such a riddle to me, Such an unreal, mysterious apparition, That your confiding love for her appeared Like those spell-bound affections that we read of. I hardly even dared to ask about her, Fearing to draw her anger on my head, And feel the influence of some hurtful charm. The awe I felt before her in my childhood Has never quite worn off. Until to-day, She s been to me a half-unearthly creature : But now I shall begin to think her human. Is it the joy of the return has changed her? HELEN. That cannot be ; for she has seemed less sad, This year that she has been away with me, Than I have ever known her. My poor Hecate ! I have a heavy grief in store for her. [FLORA enters with vases, and places them on the table. At a sign from, Alice, she goes. Alice arranges the flowers ; from time to time leaving them, as she becomes interested in the conver sation, and then returning to them again. A grief for Hecate, Helen ? 8 114 TRAGEDY OF ERRORS. HELEN. She must leave me. When we go home, she must remain behind. ALICE. How can you think of it ? T will kill her ! Herbert Oh, yes ! I understand ! He is not used To such a queenly bearing in a slave. Really, it is no wonder. T is like having Zenobia in chains to wait on you. Poor Hecate ! t is a grief for her, indeed ! I shall do all I can to lighten it. To me this parting will be no slight pain. Seeing her only as you see her, Alice, You cannot know, and Herbert does not know What she has been and what she is to me. ALICE. Oh, yes ! I see ! Never was such devotion. Nor is it only the unreasoning fondness Nurses so often lavish on their darlings That I have had from her; but more, much more. NOON. 115 Eccentric as she is, undisciplined As seem her feelings, she can be to me, When I have need of it, friend, counsellor, The truest, wisest. In my infancy My mother left me wholly in her charge : Yet did she never try, by false indulgence, To win my love ; never used artifice ; Never taught me to use it; but maintained Firmness and truth: hard virtues for a slave ! ALICE. Truth a hard virtue for a slave ? Say, rather, Impossible. I have seen every virtue In servants but that one. HELEN. This power to speak The truth and act the truth confirms her story That she was born in freedom. The first years Govern the after-life. ALICE. How came she here? No one knows what she is, nor whence she came. My father bought her at a public sale, Shortly before his marriage, and presented Her to my mother as a bridal gift. 116 TRAGEDY OF ERRORS. ALICE. How did she come by this strange name of Hecate ? She answered loathly to the name they gave her She had another of her own. I once, Trying to call her as she called herself, In my imperfect speech, found this by chance, And ever since she has been known by it : For this strange name, so innocently given, Fits her wild, brilliant, almost fearful beauty. You well may call it fearful ! Till to-day I always shunned her. When she has proposed To do me any service, I refused it. Jt seemed she offered it in mockery, And knew I should not dare receive it of her. Others have felt this ; I am not alone. HELEN. From the first hour that she came here to this, No menial service has been asked of her. When she first came, her youth, her splendid beauty, Her constant silence, for she knew no language Spoken by any here, and her proud sadness, Woke in my mother such a blended feeling Of awe and pity, that she suffered her To follow her own course in everything : To come and go, to sit by her and work, NOON. 117 Or wander through the woods, as pleased her best. She never showed her gratitude in words, Or even in look, but held towards my mother The same stern, lofty bearing as to others. Yet such was her attachment to her mistress, That, though her own child was not two hours old, Hecate was with my mother at my birth ; And, as she since has often told me, hers Were the first lips that pressed a kiss on mine. Ah, to you, Helen, she is always gentle. She is not Hecate, when she speaks to you. She was my nurse. She has for me the feeling That these poor women have towards their nurslings A love so strong that it sometimes supplants The love they ought to have for their own children. It often makes me sorrowful to think That I, who have so much to make me happy, Take from poor Perdita the highest good Her lot could let her know, a mother s love. I cannot hide it from myself, that Hecate, In all else so unlike a slave, has this In common with the meanest : she is wanting In love and sense of duty to her child. ALICE. To you so fond! Helen, how beautiful 118 TRAGEDY OF ERRORS. She is, when her dark eyes rain down on you Their tenderness ! Had she not been a slave, What might she not have been! HELEN. Ah, what indeed ! [Helen remains silent for a few moments. At least since she has been with us, she has not Known harshness or injustice. I might say That in this house she rather rules than serves. The other servants stand in awe of her Far more than of their mistress or my father. Even he allows in her the lofty bearing He would not suffer in another slave. And over me, I own it, she has gained An influence almost equal to a mother s. No mother could have been more kind, more patient. How would she watch by me, when I was ill ! The cold, stern Hecate was the gentlest nurse ! The first words that she spoke were said to me. For two whole years after her coming here, She uttered not a word in any language ; When suddenly, as if by inspiration, She could speak English with a purity Seldom attained by people of her class, Even by those who are brought up among us, And never hear another language spoken. Her native language is not English, then ? What is it? French? NOOK. 119 HELEN. We do not know. We think That she speaks English with a Spanish accent. Yet this, perhaps, may be accounted for : She may have caught this accent from my mother, Whose native language, as you know, was Spanish. Hecate herself maintains a resolute silence Upon this point, as upon all that could Help us to find out her true origin. French she can understand, but cannot speak ; Spanish she does not speak nor understand ; English she speaks, how well you know, how purely. What trace there is of foreign idiom Seems but to give originality And a peculiar grace to all she says. She speaks as one might who has learned by reading, Not by the ear. HELEN. Yet, when she came, they say, She could not read. ALICE. And now she reads so well! How did she learn? HELEN. She may have learned with me : She was by always, when I had my lessons. I well remember that she used to help me, And make me say them over in my playtime. When I was eight years old, she read at least : 120 TRAGEDY OF ERRORS. She used to read aloud to me for hours. Since, it has been one of my greatest pleasures To hear her read, recite, or improvise. ALICE. Oh, I remember well her charming tales ! When I was here, if she began to tell one, I could not keep away, although I feared her. She had about her a strange fascination ! I felt it, though with as much dread as pleasure. HELEN. And I with pleasure only. I would sit And look on her as on a picture, listen To her rich voice as to delightful music, While she recounted stories, half invention And half remembered fragments, or caressed me With such a lavish wealth of loving words ! Thus have I known her. She has other moods. She only shows to you her lovely side. But I have seen her under all her phases. I often make a call at Dorcas hut ; That strange old creature has attraction for me ; There I ve seen Hecate with her own poor daughter ; She is an altered being ! HELEN. There combined NOON. 121 She sees the guilt and shame of the two races : Hates her white blood as that of her oppressors, Loathes the dark blood that makes her child a slave. But, Alice, oh, how cruel the condition That could pervert a nature such as hers! Poor Perdita ! the quiet, patient creature ! But for your kindness, I should pity her. She seems to have no thought but of her duty. Yes, Perdita at least was born a slave, And has no wish or hope above her lot. Hecate asserts her life began in freedom, And that the man who sold her as a slave Did so against all right. Her father s death, "Which happened on a journey, suddenly, Left her, her infant brother, and their mother, Dependent on the service of a man Who had come with them from their distant home, Where he had been their steward. Her poor mother, Feeble alike with illness and with grief, In a strange land, speaking a foreign language, Trusted this man to act for her. He offered To be their escort to the city whither Their journey lay, and where they had near friends. She left to him the arrangements. They arrived, After a tedious fortnight, late one night, In a large town. The steward carried them 122 TRAGEDY OF ERRORS. To a low, dismal tavern in the suburbs ; They were conducted to an upper room ; The door was locked, the key withdrawn. They passed A sleepless night, divided between fears And smiling at their fears. They watched with longing To hear the steward come. It was not day When the steep staircase creaked with cautious footsteps. The door was opened, and a woman entered, Holding a little lamp ; four others followed. Without a word, but with imperious gestures, They forced poor Hecate and her fainting mother To dress themselves in coarse, ill-fashioned garments. A covered wagon took them, thus disguised, To a large building. After some hours waiting In a bare cell whose door was firmly barred, They were led out into a wide, low hall Crowded with men, resounding with loud voices. Here Hecate s hand was wrested from her mother s. Confused, amazed, she understood no more What passed before her. It was only later She knew she had been sold, she was a slave ! ALICE. What a strange story ! Oh, if it were true ! Her mother s and her little brother s fate She never learned. All that remained to her Of her old life was her black waiting-woman, Who clung to her, and, by a happy chance, NOON. 123 Was bought by the same man, a needy planter. His small, remote plantation was shut in By hills on one side, little naked hills, And on the other bounded by pine-barrens. Her life was here as dreary as the landscape. The master s poverty with double weight Bears on the slave. But not alone the food Scanty and coarse, the insufficient clothing, The harsh refusals and the sharp revilings, Not these alone made Hecate s misery ; The want of all that nourishes the fancy ; The absence of all beauty, of all change, Awoke within her a more cruel craving Than bodily wants can cause. The master s house Itself was mean and low and poorly furnished. No trailing vines, no rich o ershadowing trees With outward beauty screened the inward bareness. The wretched negro huts were all alike, Set in straight rows, and not a shrub or flower Redeemed their squalor. To that lonely region No traveller came. Either there were no neighbors, Or intercourse with them was interdicted : For no strange face was seen on the plantation, Unless it were when a new laborer Came to replace one that was dead or sold. Hecate has often told me of those years : Only the pictures that came back to her Out of her early childhood, as she said, Enabled her to live and keep her reason. 124 TRAGEDY OF ERRORS. ALICE. How came she here? HELEN. Upon this planter s death, The people were sent off and sold. A dealer Bought Hecate and the girl who came with her From her first home. He brought her to this State And offered her for sale. My father saw her By accident, and bought her for my mother. The other woman begged so earnestly Not to be parted from her, that my father Bought her, too, that same Dorcas whom you spoke of. ALICE. What can we think of this strange tale ? My father Says Hecate s pride makes her desire to think Herself free-born : slaves often have this fancy. Yet he made earnest efforts, for my sake, To learn the truth ; but all without avail. Hecate herself would give us no assistance. Her father s name has never passed her lips ; She says she has forgotten it; but, when I press her, such a fearful agitation Shakes her whole frame, she looks so wild, so woful, That I must think she has some hidden motive To keep it from us, and I cease to urge. My mother thinks this is sufficient proof NOON. 125 That the whole story is a fabrication, Or, at the least, a fanciful delusion, On Hecate s part. She thinks it could not be A child should thus forget a father s name, Or, knowing it, in such a case conceal it. And yet the exiles in Siberia Sometimes forget their names, though they were sent there After they were grown men. Why not a child, Taken so suddenly from all she loved, Placed in new scenes, new-named in a strange language ? Perhaps, if all be as she says and thinks, If she has borne an honorable name, She dreads, after so many years abasement, To claim her rank and family once more. What grief, what shame for her, in the return To her lost home of innocence ! ALICE. Poor Hecate ! HELEN. Whether she once were free or born in bondage, She has in her a sense of dignity That we do not attribute to the slave. How my heart bleeds for her, poor, injured creature, When I think over all she must have suffered ! Of THE IVF&S5T/ 126 TRAGEDY OF ERRORS. Here is, no doubt, the secret of her strangeness, Her varying moods, her coldness to her child. And is not this susceptibility Itself a proof that she was born in freedom? She may be free ! She may be even white ! Oh, what a horror, if the case were so ! Such things have happened. I have heard a story Of a poor boy, light-haired, blue-eyed, they said, Who was for seven years believed a slave. He proved to be the child of foreign parents Who had died suddenly. It was decided The little fellow was to have his freedom. And Hecate has no trace of negro blood ; Nor has her daughter. HELEN. But among our servants Whose origin we know, are some yet whiter. Yes, Roxy s grandson, Daffy. Then there s Chloe ; And there was Minta, and her pretty boy. Pity they died, poor things ! But Dorcas, What did she tell you? Did you question her? Her mind is weak and wandering, but she might, Perhaps, remember what passed long ago, Though she forgets what happened yesterday. NOON. 127 She never could be brought to give an answer In a straightforward way on any subject. "When questioned about Hecate, she becomes More vague and wayward even than usual. The man whose slave she was, you know his name? It was a common one. The dealer knew it, But nothing else about him. Hecate says His place was in a newly settled State. She went to it from where she first was sold By a rough road that seemed interminable : She could not tell what time the journey took, It was so full of pain and so unvaried. After his death, she says she travelled far To reach the place where she was sold again. The dealer bought her in the far Southwest, And she had come there from still farther South. Vague indications to direct our search ! Then years had passed before she told her story. She told it, too, not fully and at once, But first in hints. Then slowly, piece by piece, Came out the history I have given you. How much of it is true, and how much fancy, Or others story mingled with her own, It is not easy to decide. At first I listened to these tales as to the rest, 128 TRAGEDY OF ERRORS. Finding in them only the hour s amusement; But later, seeing with how deep a feeling, What minute details, what consistency The story was repeated, I began To see more in it than a woven dream. I may be wrong, her strong imagination Gives such a lifelike color to her pictures. But I have notes of all that she has told me ; My father has the name of her first master, And of the man who sold her to himself. "With these, if time and accident no, if The overruling hand of Providence Should offer us one day the guiding clue. We may explore this mystery. Till now My efforts have been fruitless. ALICE. But, if Hecate Dreads the discovery, why should you seek To give her back what she would not regain? Ah, there is something in us which impels To work for justice, to defend a right, Without respect to the first consequences. And then, though Hecate might not wish for freedom, She has no right to keep it from her child And her child s children. But my hope has failed As years pass on and nothing comes to aid it. All I can do is to entreat my father To give her her own freedom and her daughter s. NOON. 129 ALICE. And he will not consent? He says it is Impossible ; he could not free her here ; She must be banished to the North, to live All unprotected in a land of strangers ; She has no means of earning her own bread ; She would be wholly helpless; and her daughter, Even if the choice were given her, would rather Remain with us, and die where she was born, Than venture out in the great world alone. I know not what to answer to these reasons Urged by my father; but if He is right. You can do nothing more than you have done. [Alice rises and places the vases of flowers in different parts of the room. Look, is it well ? [Changing the position of a vase. No, this is better here. Now where is Flora? She can take the rest. [The door opens. Ah, she is coming. [ With surprise. Hecate ! 130 TRAGEDY OF ERRORS. HECATE, entering. It is I. HELEN, to Hecate, who stands looking at her with an anxious, inquiring expression. What is it ? HECATE. Thou art sad. Come, then, and tell me Some pleasant tales, such as your fancy weaves them, Half real, half fantastic. And thou canst Still listen to my idle tales ? Dear treasure ! Rose of my desert ! Sunbeam to my night ! God has o erpaid me in bestowing thee ! Yes, I will find for thee the sunniest tales Of brighter lands than these. No, thou art sad. To the sad heart the glad tale is unwelcome. I 11 tell thee, then, of sorrow, but of such As cannot come near thee. To my own world, The world of dreams, I 11 lead thee. Dost thou know Thou canst not know what paradise is opened, When sleep withdraws the veil from that fair land, For him whose day -life knows nor joy nor rest. To the o erblest are given ominous dreams, Prefiguring change and loss. The troubled sleeper NOON. 131 Struggles to wake, and, having waked, counts over His blessings, one by one, assures himself He still is rich and happy and beloved: Yet scarce he banishes the haunting shadows. But on his eyes whom toil and sorrow lead, Fainting and wan, to pitying sleep s protection, Rise joy-fraught visions ; sweet, consoling tones Bear to his ear promise of future rest ; All that his life has lost or never known Comes to enrich it then. Ah, mid its bliss, Already does his heart forebode the waking ! He clings to sleep, but feels her kind embrace Slowly relax, till, half-incredulous, He knows himself again, and drearily Takes up once more the burden of his woes. Thou happy heart, and [Looking at Alice. Thou gay bird, perhaps Your silk-embowered rest has sometimes known Dark, threatening forms that would not be shut out By bolts or bars, that were not to be daunted By all your state? ALICE. Oh, often, Hecate, often! Ah, you have found, perhaps, the hidden source Of this day s sadness. A dim, formless vision, Just at the break of morning, passed before me. T was like the shadow of approaching evil, 132 TRAGEDY OF ERRORS. And rested, as it seemed, upon my child. I thank thee for reminding me how slight The cause that waked this tremor. T will soon pass. Thou hast well said, such dreams assail the happy. And wilt thou know what dreams the wretched have? Wilt thou look through the slumbers of the slave And see the world that opens on his night ? [To Alice. Draw not back, proud one ! I 11 not ask of thee To stoop the snowy pinions of thy soul To the earth-burrowed nest, to soil their lustre By contact with ignoble griefs and hopes. I know too well the placid scorn that dwells In your high hearts, to ask their sympathy For the emotions of a sooty breast. But slavery s yoke has not in all time rested Only on those predestined to its thrall By a divine decree. That favored isle From whose brave sons Freedom elects its champions, And whose rich life, o erflowing, quickened here These vigorous young republics, that blest isle Has seen her fair-cheeked children borne away To serve dark masters under tropic skies. Of one of these you will not scorn to hear How, spent with toil, on the unfriendly earth He sank at eve, and saw, with sickening eye, The blazing sun of Africa go down. See where he lies, with straight, gold-dusted hair, NOON. 133 Eyes that still wear the hue of Northern streams, Cheek that the foreign skies have reddened, not bronzed! He is a slave. Yet look on him and hear ! " Sink at last, cruel splendor ! fade, pitiless light ! Leave the outcast to sue for the mercy of night ! In the world the day shines on the slave has no part ; Its desires, its affections are strange to his heart. All around, happy cares that I know not I see ; Bright hopes open near me, they bloom not for me. Where I pass, cheerful greetings on kind faces shine ; But no eye seeks an answering welcome in mine. Of life and of love all things else have their fill ; But my heart must ache on in its loneliness still. Every low-bending grass-blade, each tremulous spray Had its own humble share in thy brightness, O Day ! No valley so sunken, no hill-peak so bare, But awoke to a hope while thy smile rested there ! In all this large bounty no portion for me, "Who could once claim a child s ? I am orphaned of thee ! " Thou art here, pale protectress ! Before thy cold sway Must die out the bright tints, the clear voices of day ; Must recede all the mocking enchantments of light ! Oh, how thou art welcome, thou stern, silent Night ! Not thus did I greet thee in earlier days, When thy dark mantle hid the bright world from my gaze ! How I watched then the sunlight s last lingering gleam, As it lovingly loitered on woodland and stream! And, oh, the glad waking! Forth, forth on the lawn, While the early birds pour forth their hymn to the dawn, 134 TRAGEDY OF ERRORS. And the gentle flowers, lifting their heads, one by one, Softly whisper each other their joy in the sun ! The woods put off their slumber ; the light morning breeze, Springing up from its trance, is astir in the trees. And see how the waves of the willow-watched lake At the first thrilling touch of the sunbeam awake ! O home once my own ! Is the old gladness there ? To thy unestranged children is morning still fair ? Do thy birds carol ever? Thy airs, roving free, Still bear the sweet errands of meadow and tree ? On thy lake, with the breeze are the billows at play, As when I last watched them, all careless as they ? Hear me, dear, happy waters ! Let one freshening wave Steal hither and bless the parched lips of the slave ! Lend once more, friendly willows, your sheltering boughs ! Oh, might yet your cool leaflets sweep over my brows ! " Am I heard ? am I answered ? That low, tender strain ! Do the birds of my land bid me welcome again ? What sky arches o er me? Does this perfumed air From the flowers that once knew me a kind greeting bear? Lo, the willow-trees yonder ! The bright lake is near ! The plash of its waters comes soft to mine ear ! My home, and unchanged! Yet an alien I stand Mid the birds and the trees and the flowers of my land ; And the dull, heavy tread of the slave prints the sod Which the bold, rapid step of my free boyhood trod. NOON. 135 Ah, my own cabin home, with its vine-curtained door ! All the old household faces crowd round me once more ! T is thy voice, my own sister ! how welcome, how dear, Falls the music of kindness again on mine ear ! And these dear circling arms, and this welcoming face ! I am havened once more in a mother s embrace ! Oh, but clasp me, my mother ! Thy fond arms enfold The same loving boy whom they cradled of old ! Take thou back thy poor lost one, all changed though he be, Yet the same in his childlike reliance on thee ! " But what dark creeping shadow draws ever more near ? Can the curse that has blighted have power o er me here? In my home can its withering terrors have part ? Can it reach me when pressed to my own mother s heart ? Ah, so long have I trembled, this unquiet fear Will cease not from troubling my soul even here ! My mother, the son whose proud right it should be To shield thee from danger asks safety of thee ! No more mayst thou call me thy noble, thy brave; For the heart of thy child is the heart of a slave ! Yet do not thou scorn me ! all free as thou art, Deny not the fallen his home in thy heart ! It grows faint, thy fond pressure ! Yet clasp me ! more near ! Thy face fades from mine eyes, thy voice fails on mine ear ! 136 TRAGEDY OF ERRORS. Oh, yet one look of love ! yet one pitying tone ! Alone ! with the darkness and silence alone ! Still the same dreary void ! still the same wasting pain ! The unloved, the forgotten, is homeless again! " Not unloved ! not forgotten ! Thou couldst not forget ! Thy heart, my own mother, beats warm for me yet ! As my soul longed for thee, so thy love called on mine ; All my heart s eager yearnings found answer in thine. Strong is love; strong is grief; the soul s fetters gave way : On the fond mother s bosom the long orphaned lay. Yes, thou hast been with me ! On this blighted brow Thy sorrowful eyes looked in love even now. To thy warm throbbing heart this chilled heart has been pressed, Thy dear arms have clasped me, thy kind voice has blessed. We have met ! we shall meet ! Though, through slow wasting years, Mine the slave s abject toil, mine the slave s lonely tears, Thy love, living and watching, shall find me again Where remaineth a rest for the children of pain. Mother ! no- flower that earth bears may lift its bright head Along the rough pathway my footsteps must tread : The more dear to my heart shall these hope-blossoms be I have borne from the dreamland in token of thee ! " NOON. 137 HECATE, to Helm, after a pause. The tears are in thine eyes, thou gentle one ! Oh, my poor Hecate ! what a depth of grief Hast thou revealed in these thy fancy s pictures ! Does the remembrance of a happier time Still live in thee ? Dost thou still pine for freedom ? Oh, when I look upon thy heavy sorrow, Knowing its cause, I have a sense of guilt ! I almost hate myself for being happy ! HECATE. Think not I envy thee thy radiant life. Thy happiness is all is left of mine. Nay, look not sad. Do I not live in thee ? This wasted heart, famished of joy and love, Drinks in whole draughts of rapture in thy presence. HELEN. But tell me, Hecate, dost thou long for freedom ? As tottering age longs back its youth; as snows That down the mountains rush in muddy torrents Pine to take back their frozen purity ; As lightning-blasted oaks regret their foliage. It is a longing which is not of hope, But the imbecile craving of despair. No human hand can give me back my freedom : 138 TRAGEDY OF ERRORS. That is a gift which only God bestows. Man may deface the work of the divine, But not restore its wholeness. On my soul The seal of ignominy has been set. Redemption Can come to me but from the hand of death. HELEN, after a pause. Hecate, let not thy thought reproach my father. Thou know st he saved thee from a harder bondage; And when I urged on him thy mournful story, He left no means untried to learn the truth. Even now if there were any room to hope Search well thy memory. Tell me all thou know st. All it needs thee to know thou hast already: Only believe the love I offer thee Is not the service of an abject heart ; And let no doubt come near my mother s name. Tell me of her. HECATE. She was as fair and slight As my proud father dark and manly strong. All in her harmonized : her sweet pale face, Where only the eyes were rich with light and color ; Her low-toned voice ; her softly falling tread, And the white gossamer that robed her. Flowers Were her sole jewels; yet her caskets held NOON. 139 The imprisoned fires of Asia s costliest stones. They only gleamed to glad my infant eyes. HELEN. Thy father ? HECATE. Stern, and honoring only her. And he was harsh sometimes : the generous oak Yields a rough hold to the soft-clinging tendrils Of the fond vine that leans her life on his. Ah, my sweet mother ! when she heard his step, She looked up with a gentle, asking smile, To disarm anger, if he came in anger, To welcome kindness, if he came in kindness. Thus I remember her. Alone, she wept Sometimes, yes, often ; yet I think not more Than wives are wont. They were not passionate tears ; But tranquil, slowly dropped, as if her grief Had years enough wherein to spend itself. She had griefs, then ? What woman has them not ? Even thou, my Helen, turn st away thine eyes Before that question, thou, young wife and mother I Nay, have no fear that I will probe these wounds. I know them slight. God grant them never deeper ! 140 TRAGEDY OF ERRORS. HELEN. God grant them never greater than my strength ! But not for happiness was woman born, For selfish pleasure, but for something higher. I feel it here. Hecate, thou hast not erred. I am no more the gay, all-hoping girl. Life has now called me to its serious cares. Already I forebode the sordid griefs It lays on woman, and the lofty duties. For these I will bear those. Oh, my own Helen! Yes, not for happiness ; for something higher ! I feel and know it in my degradation ! Oh, be thou all I might have been ! My soul Can only dimly now discern the noble ; As faintly, through the mists of time, we seize The shadowy outlines of a dead friend s features. But when, on some related face, gleams out That look, that smile, so loved once, so familiar, Forth from its night starts the long faded image, And for a moment stands all living there. So when thoughts from thy noble soul breathe forth, Kindred to those of my dead nobleness, For a brief instant they charm back its phantom ! Faded, gone ! I am here, and I am Hecate ! [Goes. [Helen remains thoughtful. Alice observes her for a moment, then gayly : NOON. 141 Be what you will. For me, I will be happy. I m not unreasonable. I shall only ask A handsome fortune, one that matches mine Will do; a husband that will let me spend Just what I please ; a very handsome house ; Statues and pictures in it ; pretty children, Although they do say, to be sure, that children Too handsome when they re young will grow up ugly : But I must have them pretty while they re little ; What they are afterwards is their affair. Only to me, my Alice, talk thus lightly, Who read your heart ; I know you have deep feelings. I do not know it. As I feel, I talk. There s one good thing : I am no hypocrite. I say at once, my husband must be rich : I have n t the least taste for self-denial. To risk your life upon some great occasion Is very well, if one but come out safe ; But to go every day dressed dowdily, To wear old-fashioned caps and home-made bonnets, There s not a man in the world at least in ours Worth sacrifices and protracted martyrdoms Like these." No, Helen, these high-sounding virtues, Self-sacrifice, and magnanimity, And strength of soul, and all the rest of them, 142 TRAGEDY OF ERRORS. Are very well for men. They have their part To play before the world. They take the worth Of all their sacrifices out in fame. But we what do we ever get by ours? Who 11 ever know it, if I scorch my face Stewing preserves, or if I spoil my hands In starching muslins? If I spend my life Passing between the nursery and the kitchen, A perfect heroine in my self-devotion, Who 11 ever take the least account of it ? And there am I, after a few short years, An ugly, dowdy, ordinary woman, Without a thought beyond a stew or stocking. Who 11 thank me for my worn-out youth and beauty, My stinted intellect ? Perhaps my husband ? Oh, not a bit of it ! He 11 see me changed, And wonder how he ever thought me pretty. I ve seen it all. I know what I am saying. I had an aunt who married in the North HELEN. Your mother s sister? ALICE. Yes, my Aunt Sophia. I made a visit to her once, and then I learned what a love-match is. My poor aunt! They say that she was lovely in her youth, And never was attachment so romantic As that between her and her husband, lover, I mean, before he had become her husband. NOON. 143 When I first saw her, she was thin and pale, "With anxious eyes shaded by heavy lids : He was still handsome rather, though too stout. Could I describe to you that woman s life ! She rose at six o clock, it was in winter : I don t know what time she got up in summer, At dawn, no doubt. No sooner up than busy. First, all the pretty things about the parlor Were to be dusted by her careful hand : Servants were not abundant, and besides, A breakage was a serious affair. Then to the work-basket before t was light. Shirts were to mend, when not to make, and stockings. One thing got through, there stood another ready. I said one day, " And when shall you be done ? " " Done ? " and she turned on me a wondering look, " Done what ? this apron ? " " Done with all your work. " " Never," she said, and that so placidly ! Then she must hear the younger children s lessons, Before they went to school, to have them perfect. She d heard the Latin Grammar through so often, Beginning with the oldest boys, and coming Down to the youngest, just in training then, That she could listen to the recitation And never leave her mending : coarse print, fine print, She knew it all as well as a professor. HELEN. Well, then, at least, in giving, she gained instruction. 144 TRAGEDY OF ERRORS. ALICE. If she could but have put it to some use ! But no, she never got beyond the grammar. When they were old enough to do without her, They went their way, and she began again The same old story with the younger ones. "Well, then came breakfast. Just before it came, The children were admonished to be quiet, Because papa was coming. Papa came, Despatched his breakfast, read his newspaper, Departed for his office. After breakfast, She washed the breakfast-things and set them up, And then to work again. I tried to read Aloud to her, thinking it quite humane : But her poor head was so intent on planning How to make Charley s jackets do for Tommy, Or how to cut two mantles for the girls Out of her last-year s cloak, or perhaps only How to have what remained from yesterday Made serviceable for another dinner, That, when I ve read some most pathetic passage, And my eyes looked for sympathy in hers, I found that cold, vague, introverted look Which says the mind, at work within itself, Is not at home to foreign visitors. At times, indeed, in some auspicious moment, I caught her ear, and, through her ear, her heart. Once taken captive, it made no resistance, But suffered me to lead it where I would. Then fell the hateful work ; the needle stopped ; NOON. 145 The humid eye, melting by turns and kindling, Gave back the varying passion of the page. And I read on with tremulous delight, Dreading the moment that should break the spell, Take from me my congenial companion, And leave instead the toiling, careful housewife. Too soon it came ! At once the conscious flush Springs to her cheek, and quick the guilty hands, Convicted of a moment s idleness, Catch self-reproachful at the slighted work, While the perturbed and hurried eyes send round Sharp glances to detect what other duties That season of oblivion has betrayed. HELEN. This life seems sad and wearisome indeed; Yet without doubt it had its compensations. ALICE. I don t know what they were. I saw her life, How it wore by. One day was like another. You think, perhaps, she found them in her children ? In the elder possibly ; they were from home. The younger were a set of little Pickles. When they came home from school, there was a time To get their hands and faces washed for dinner ! And then their lessons were to hear once more ! My uncle came again at three o clock, But left his soul behind him at his office, Musing a law-case. His material form, 10 146 TRAGEDY OF ERRORS. Having reinforced itself, rejoined the spirit. The afternoon was very like the morning: A scene of busy cutting, making, mending, Varied by short excursions to the kitchen. But then the evening was her holiday, Perhaps you think ? A heavy holiday ! About as gay as a New England Sunday ! The children sat apart to con their lessons, Each with his little lamp and little table. At intervals one or the other came Across the room, on tiptoe, to obtain A whispered explanation from his mother. Except this, and the ticking of the clock, The crackling of the fire, the gentle rustling Of my aunt s dress, as flew her nimble needle, And now and then a deep sonorous hem From my portly uncle, not a sound disturbed The more than churchlike stillness ; for the children, Untamed as colts when only with their mother, Were grave as owlets when papa was there. But if, in some forgetful moment, words Above the breath, or an ill-smothered laugh, Broke out from them, the conscience-stricken mother Lifted her eyes to meet her husband s look And intercept the blame it carried in it. Those evenings seemed to me without an end. I hailed the hour of general dispersion That brought me freedom, me, not her : she sat Till one o clock over her mending-basket. NOON. 147 HELEN. Why did you, go to stay so long a time ? To tell the truth, it was a punishment. You know I was so thoroughly spoiled ! My mother Thought it would do me good to pass six months Under this roof of struggle and privation. It did me good. I learned a lesson there That I shall profit by. Was she depressed And sad ? ALICE. My aunt? She never seemed to know She was n t the happiest woman in the world ! I asked myself, was it stupidity ? Or was it something quite beyond my ken ? HELEN. This life of self-devotion had rewards That human eye saw not. Believe it, Alice. What was unseen I cannot estimate. The visible rewards were somewhat scanty. The children took it as a thing of course That she should toil and moil and watch for them. I do believe her sons had loved her better, 148 TRAGEDY OF ERRORS. If they had seen her pretty and well-dressed, ) Than as it was, with all her sacrifices. I told her so one day, in my blunt way. She answered gently, " Yes, perhaps they might j Have loved me more : I should deserve it less." She did not miss their thanks. To take her kindness Was to do her one. I remember once I saw her thoughts turned back upon herself: But for a moment, though. It was one Sunday: We had all been to church: the preacher s text was, " Her children arise up and call her blessed." Oh, Alice, I can never hear that verse But my heart swells ! You talk of fame, of glory ! What glory ever filled the soul with rapture Like that which must o erflow the mother s being Whose children call her blessed? Well, my uncle At dinner-time said to the youngest boy, " What did you hear at church ? " " We heard a sermon About a mother who was very good." " Like yours," my uncle said. These simple words Showed him less unobservant than he seemed. I never knew before he felt her value. It seemed to be a new thing to her, too : A flush of glad surprise suffused her cheek ; Tears, half of pleasure, half of penitence, NOON. 149 Pressed to her eyes. It seemed she asked herself, Had she deserved this praise ? and gleams of joy And shades of sadness, alternating, flitted Over her face, to which its youth came back For a brief moment, and then fled again, Leaving it only gentler still and humbler. Her husband, though, saw nothing of all this: He ate his dinner in the utmost calm. You must have loved your aunt: you would not else Have learned to read her feelings in her face ; You would not else have been so jealous for her, And thought she was not valued at her worth. ALICE. Oh, yes, I loved her, love her memory. I thought her life preposterous, but I loved her. I asked her once, how could a mind like hers Content itself amid such vulgar cares, Trouble itself about such petty savings ? I was a child, and could ask anything. She said: "We have to educate our children. I have myself no means of earning money : I can but save it. If I were more lavish, If I allowed myself a life of ease, Either our boys must want advantages I would not have them want, or else their father Must doubly toil, and wear out soul and strength. This thought supports me: every cent I save 150 TRAGEDY OF ERRORS. Is so much care and labor spared to him. Then, if my spirit flags, I rouse it up With thinking on the future of my sons. I see them with their father s eloquence And all his gifts, joined to my " " Self-devotion," I added, as she sought some humbler word. "My industry, to my one humble merit, My legacy to them : all other talents They will inherit from the father s side." She never lost faith in her husband s genius. Success and fame did come to him at last : But she was in her grave, and never knew it. HELEN. Her hopes for him were answered. And her children, Have they not well repaid her cares and efforts? Her eldest son already has a name Honored by all whose suffrage is an honor ; The second son, young as he is, has gained A rank among our greatest poets. Few So happy as this humbly toiling woman ! She died, but died with all her ends accomplished. ALICE. No, not accomplished ; or she did not know it. HELEN. She had foreknown it : the religious heart Confides more in the promises of faith Than in the evidence of mortal senses. NOON. 151 ALICE. Oh, could she but have lived a little longer ! The grave had hardly closed on her, when all Turned out exactly to her wish : her husband Prosperous at last ; her children something more. HELEN. Yes, she said well: they have their father s powers And hers united. Not a generous work, Not a just cause, but has their advocacy, And given with that heartfelt eloquence That finds the answering chords in other hearts. These noble brothers ! what a part is theirs ! One from the sacred desk gives forth with power The teachings of eternal truth ; the other, Not less a preacher of the inspired word That imposition of no human hands Devolved this office on him, gives to earth The sacred oracles in strains as lofty And spirit-stirring as the ancient prophets : Wrong shrinks before his voice, and trampled right Makes good its claims, at least in human hearts. He is a benefactor of the earth Who makes two grass-blades grow where grew but one : How much more he who generous emotions Calls forth in torpid minds ! who makes the waste Of rude, uncultured hearts to blossom out In genial virtues ! How I thank you, Alice, For sketching me the life of this dear woman ! Well, I believe no sacrifice is lost, 152 TRAGEDY OF ERRORS. But each just aim, if steadfastly pursued, Is reached at last, that even the silent efforts Of earnest hearts have value before God, And work the good they strive for. Yet we all Have need sometimes to fortify our faith. The example of such efforts and such triumphs Cheers and inspires. I wonder at you, Helen ! You, with your gifts, your splendid powers, your beauty, You take example, you draw strength from one Good, gentle, patient, all ways praiseworthy, But no more fit to be compared to you Than a poor rushlight to the evening star ! Alice ! God has indeed heaped blessings on me, And made my trials can I call them trials ? So light they hardly leave me room for merit. When I compare my life with the existence Of some poor toiling woman, the rewards My slightest effort finds with the sparse gains That pay her ceaseless labors, smiles and thanks And amplest recognition compensating The smallest sacrifice I make for others, While her sad life s monotonous toils and pains Nor sympathy nor gratitude makes sweet, When I compare myself with such a woman, I feel, with a profound humility, How much her life is nobler, higher than mine. NOON. 153 But, if there be a woman who deserves More veneration than these humble martyrs, Is it not she who, bred in luxury Mental and physical, and versed in all That makes life beautiful and rich and graceful, Can yet accept with a courageous patience The cares, devoid of dignity and charm, Of a restricted, sordid, household life, Who, with the tastes and wants that culture gives, Condemns herself to mental poverty That others may be rich ? Believe me, sister, These silent sacrifices are of those That before God have worth. These are the women Who, with their humbler sisters of the poor, Keep, in our time, uninjured the tradition, The ideal of womanhood. I grudge them not their honors ! Offer me power or glory worth the having, I d make, perhaps, the needed sacrifices To win it. But I cannot hope for either. Our age, our country only grant to women Distinction in a petty sphere, through wealth Displayed in house and dress and equipage. And wherefore kick against the pricks ? I aim Only at what I see within my reach. HELEN. The things which lie within our reach are often More worth than the far-sought. And are you sure 154 TRAGEDY OF ERRORS. There are no higher duties left for women Than to display on dress and furniture The wealth that others industry provides ? ALICE. Oh, educate their children, scold their servants, Smile when a husband sulks ; all said in one : Domestic virtue ! I ve no taste for it. Or let me be a heroine, or be nothing! The heroines of the past, who have bequeathed us What we possess of ease and dignity, Suffered and toiled unknown and unregarded. Their noble patience, their sublime forbearance Guarded the sacred ties of home and kindred From violent rupture, until their protection Became the common care of cultured man, And, sanctified by habit, passed to law. This work is done. But shall we rest supine ? The task of woman will not be accomplished, Until, throughout the world, the law of love Supplant the law of force, until the bonds That join a loving family together, Making their joys, griefs, aspirations one, Hold all the children of the common Father. You do not count, I fear, among your great The " illustrious women," those who " raised themselves NOON. 155 Above their sex," as the historians tell us : That is to say, did almost as much mischief As if they had been men. These war-makers Are not your heroines, I suppose. HELEN. As little As, in our own time, are those errant women Who think to imitate the faults of men Is to be sharers in their privileges. Not these ; but those who have the force to live Faithful to duty, duty absolute : Not asking whether men perform their part, But working out their own as unto God. What the strong women of the elder time Endured and did, unknowing their own work, What they began without support and singly, Following the law of God within their hearts, We must fulfil with higher consciousness, With deeper insight, and with greater concert. The incentives that men need to urge them on Are wanting, it is true, to woman : fame, Power, wide-spread influence, even the honest pleasure Found in free use of noble faculties, These are denied to her. Restrained and cramped In all her outward acts, she cannot know The joys of self-possession, man s great bliss ; She only claims those of renunciation. ALICE. Claims? I withdraw my claim, for one ! 156 TRAGEDY OF ERRORS. HELEN. Yes, claims The glorious privilege of God s commissioned : The right to live and work for others good, Requiring no return. This right the humblest May claim ; nor let the most endowed renounce it. If God bestows high gifts upon a woman, T is for His service, and His service only. Let her not lift her head to meet the laurels Men offer to their great, but, humbly stooping, Incline it to the crown of martyrdom. Thus did the faithful of the early time, Unseen, unpraised, and only dimly knowing Their sorrow was to work out others good. Alice, what wastes of woe the mind runs over, As through man s history it traces back The destiny of woman ! Think what grief Wrung those strong hearts that, generous to the selfish, To the false constant, to the brutal kind, Broke not, revenged not ! For one faithless Helen, One Clytemnestra who paid crime with crime, And earned a name with men, how many firm, Heroic hearts in stillness bore, returning Kindness for wrong, and hardly knew it wrong, So raised above the consciousness of self And self s deserts were they ! There are who call These resolute, devoted women slaves ! And were they not? I should have called them so. NOON. 157 HELEN. The service they gave was not slavish service. We know what that is. Self-control, forbearance, Persistence, silent exercise of duty, Are these the attributes of servitude ? No, of free-will those generous hearts and strong Gave without stint their wealth and energy. Not servants they, but liberal benefactors ! Then first the woman sinks to the dependant, When, giving up her right to self-devotion, She seeks her ease, and strives in trifling pleasures To dissipate the energies that fret And waste her soul, supine in idleness ; Then, when, instead of giving, she asks ; then, when She puts her weakness forward as a pretext For duties unfulfilled, by flattery seeking, And feigned abasement, to usurp a power For selfish ends, which, wielded for the highest, She might possess of right ; then, when, a traitor To man, and to the Heaven-planted instinct That makes him see in her a second conscience, She gives him the reflection of his thought, And not the word God printed on her soul. The poor and lowly hold their office still : They toil and bear as ever. But the others, Who, for a higher work, are left exempt From manual drudgery, how do they fulfil The task appointed them ? A fearful question, Which w T e shall all one day be called to answer! 158 TRAGEDY OF ERRORS. ALICE. If all can answer with as clear a conscience As you can, well for them ! Oh, Alice, no ! To be beloved is sweet. I would not lose Your dear affection. But what merit have I Even in the qualities you love in me? They are a gift accorded like my wealth. What have I done, what have I borne, to earn Or what I have or what I am? It must be, Alice, it must be God has duties for me : I even think I can discern the path He has ordained for me ; now only dimly ; But light will come. My life is in its morning. I but begin to understand myself And judge the world about me. I have passed Childhood and youth in happy dreams. The real Calls on me now ; I hear its serious voice. This much is clear: in placid idleness I cannot rest, while round about me lies A world of want and ignorance and pain ; My soul demands to labor in God s vineyard. Have you not done so ? Have you not shed blessings Where er your look has fallen ? If your power Were equal to your will, you would have made An earthly paradise of your plantation. NOON. 159 You have done all but the impossible. Content yourself, for you have done enough. HELEN. Enough to show me that I have done nothing : At best a tending of the sickly branches, While safe below a worm corrodes the root. God takes not from us superficial service: We must give all, or we have given nothing. Oh, to what heights of virtue would you soar ? I half forebode. But do you hope to drag My brother Herbert with you to the summit ? HELEN. His heart, his mind, have slept, perhaps, till now, Like mine. ALICE, aside. Have slept, but not like yours ! To him Will come the hour of waking, as to me. He, too, will feel the need to try his powers. His heart is generous, his spirit high. Have you forgotten with what zeal, what courage, He took the part of that poor, helpless man, Unjustly held a slave? 160 TRAGEDY OF ERRORS. ALICE. No ; I remember. [Aside. And so much penetration as she has, Yet does not see what I could see so plainly ! One half his zeal was nothing but resentment Against a man who d given him offence ; The other and the best half was desire To please herself ; and it did more to win her Than his vows or her father s arguments. o HELEX, smiling. He even overcame the indolence That my reproaches had assailed in vain. How hard he worked ! Oh, he has energy ! He only wants an object and an impulse. ALICE, aside. You will suggest the first and give the last. Dear simpleton, how easily I read you ! But you are now his wife, not yet to win. So wise she is, so little worldly-wise ! These will not fail. Alice, what happiness, If I could labor hand in hand with Herbert For a great cause ! ALICE. If! NOON. 161 HELEN. I am not impatient. I shall not try to carry him by storm. I am content to work obscurely, slowly, Alone, if so it must be, but beginning What other hands, more strong, more free, will finish. What patience can, and what a resolute will, Tempered by meekness and by gentleness, That will I offer to the cause of right. But, oh, with him ! if I might work with him ! Then no conflicting duties in my heart Would waste my strength, no hampering doubts restrain ; My whole self I could render. Oh, how welcome Toil, reproach, danger, would he let me dare them, And dare them with me ! ALICE. Herbert ! HELEN. Is not truth, When spoken by a loved and loving voice, Powerful ? And has not manly courage often Received its impulse, manly intellect Its inspiration, from a woman s heart ? Enjoy your dreams: and yet they are but dreams, Like those your childhood and your early youth Pleased themselves with. These, in their turn, will yield 11 162 TRAGEDY OF ERRORS. With passing years to a new set of visions. Oh, woman s dearest, truest friend is Fancy ! How could we bear our dreary lot without her? She makes the whole world free to our cramped childhood She gives our youth noble, chivalric lovers ; She fills our tame, eventless lives with action, When, in our strength, the impulse to accomplish Spurs us, as men. Leave them realities, Their real toil, too real disappointments ! Give us the unreal that compensates all ! Fancy ! I, too, have known that sweet misleader, Have wandered through her flowery paths, have breathed The lulling airs of her enchanted realm. I, too, have soothed the longing of my soul With imaged deeds, inane activity. My soul awakes, and dreams content no more. Leave me my portion in the realm of visions ! O shadowy land, more true for us thy shadows, More satisfying, than the world of substance ! Oh, never shut us from thy refuge ! There Is our true home, our lost inheritance. In thee as yet the woman is unfallen : She stands erect and lifts her gaze to heaven, To a just heaven, that rewards her faith, Nor leaves to generous hopes and kindly deeds The blight of failure and ingratitude. NOON. 163 No discord in thy regions, no frustration ! The fairy blossoms yield their fairy fruit, The imaged purpose finds ideal fulfilment ; All tends in order to its destined end. Why art thou not the true world? Harmony And sequence, are not these the law? Disorder, Strife, and confusion, are not these negation? It is so dear to live in truth and freedom ! Why must thy pure and heaven-lighted realm Alternate for us with a baser world? HELEN, taking her hand tenderly. Alice, these glimpses of a higher life, These transient flights to heaven, are granted us, Not that we should despise our earthly homes, And turn, reluctant, from our task-work here, But that with clearer faith and firmer courage We should confront our duty, bravely striving, Each in the measure of his strength, to make The real world conform to the ideal. You feel within yourself the force to strive Even for the unattainable. I do not. I will still dream myself to bliss, to power, Attaining in one rapid flight the goal Others may toil for through the dusty road And never come the nearer. And you, Helen, Will find this is but a more lively dream. 1 have had some myself that seemed like earnest, But they have faded like the rest. 164 TRAGEDY OF ERRORS. HELEN. No dream, Nor altogether joyful and contenting, Like Fancy s magic work. Severe it stands, An earnest purpose, but a human purpose, Subject to cross, delay, and disappointment. Be what you will, do what you will, my Helen, I only ask to love you, not to follow. Godspeed upon the path I shall not tread ! I go. I see you need repose. Besides, Your mother will be jealous, if I stay Longer with you. Oh, yes ! [Archly. I know, I know ! [Goes. HELEN, alone. She, his adopted sister, doubts of him ! Turn not that way, my thoughts ! No, he is good And true and generous. He is very young, And so am I. "We will grow up together : With every day shall see our duties clearer ; With every day gain greater strength for them. Why is it, when I look toward our future, That over hopes that should be brightest, dearest, The shadow of so deep a sadness falls ? Without my choice, unsubject to my will, Through my heart wander mournful melodies, Like the sad sighing of a wind-swept lyre. NOON. 165 Is it foreboding? false the prophecy That this same heart has made me until now ? Am I of those whose offered sacrifice Is not accepted? Shall I live in vain? Not mine the resolute effort, final triumph, But that most sorrowful of mortal dooms, Abortive toil, and pain without result ? Not this ! not this ! Oh, any fate but this ! [After a few moments, fervently. Whether God call on me to do or bear, I only pray my hour may find me ready ! TRAGEDY OF ERRORS. AFTERNOON. TKAGEDY OF ERRORS. AFTERNOON. SCENE I. A part of the grounds from which the house is visible through the trees ; on the other side, a cluster of negro huts. Enter WOODFORD, a pale, care-warn man, with thin, gray hair. WOODFORD. This is the place; but I see no one yet. That is the mansion over there. Rich people. There s the slaves quarter. Not a soul about, Not even a child. It is n t Sunday, is it ? No, the coach comes on Thursday. It is Friday. T was on a Friday Never mind, leave that ! I m going to do the best I can. If only I could find somebody to speak a word to ! What shall I ask? Why, first for some refreshment. And, as I take it, I 11 find how the land lies. I can take time enough. I m not known here. T is Friday, is it ? Have n t I always said I d not begin another job on Friday ? Well, have the other days been luckier ? 170 TEAGEDY OF ERRORS. And then, that was n t luck. T was Satan s tempting Brought that about. Perhaps he s at it now ! He wants his pay, and I m brought here to give it ! Shall I back out ? No, fool ! It is the fever Still flickering round my brain. All these queer fancies Are come of that. But this fixed resolution To undo what I ve done, that s not the fever. No, that is something else. Wherever t came from, It s strong and steady, does not come and go Like sick-bed whims, but pricks and urges always. But they were awful, though, those fever phantoms ! God, let them not come back ! I 11 keep them off, If a good life can do it. The first step In my new path I m taking now. How many Years is it now since then ? Why, almost thirty ! Thirty ! T is late ! The girl was ten years old : Hard upon forty now. The babe a man. The mother if I find her over sixty. Well, how these thirty years have slid away ! Hard, bitter years, too, most of them, in passing, But to look back upon, a misty dream ! And all the time I ve partly known t would come To this at last: but never found the day Until this day. And now it seems as if My penitence had followed straight my sin, And that, the deed scarce done, I can undo it. Not so ! not so ! The thirty years are there ! What s that ? [A harsh laugh is heard. Woodford turns and sees DORCAS, who comes out from behind a clump of trees. AFTERNOON. 171 DORCAS. Well done ! and so you re here at last ! WOODFORD. You know me, then ? DORCAS. Know you ? Do you know me ? WOODFORD. No. Should I know you ? Surely t is not Surely ! Surely as you are advertised in hell, My name is pasted up with yours. You ve had A mighty running spell of many years. But they re upon your track ! They 11 hunt you down ! No need for me ! When you go home, I 11 follow. WOODFORD. Is all this real ? Mad old hag, speak plainer ! Are you, or are you not I am Pamela, Your slave, your tool once, as you thought. Your tempter Now know me, your employer ! T was through me, The Devil, our master,*sent through me his order To you, his meaner servant. Was it so? 172 TRAGEDY OF ERRORS. I spoke no word, I looked no look, but sent Straight from my heart the project into yours. Did you not struggle at first to keep it out ? Did it not creep, and creep, and wind itself, And make itself a home ? Ah, was it so ? And even when housed, had it not hid itself, And dwelt in the dark, torpid with shame and fear, If only your poor strength had nourished it ? Did you not feel the courage more than yours That braced you ? not know strange the energy That, in the rapid moment of decision, Gave the quick spur to your uncertain will? WOODFORD, aside. Which of us is the mad one ? Mine the deed. Mine the reward. What have you won by it ? Were you made richer by your stolen wealth ? Were you made happier ? Do not answer me. I know as well as you. I ve followed you. I ve seen how your tormented, anxious brain Refused to do for you its former work, Leaving the duper to become the dupe. I Ve known the quailings of your feeble heart, And held you at a distance by my will. Had you not been here sooner without that? Look at me, man! This is nt now the form That woman wore whom you thought your accomplice AFTERNOON. 173 Yet not unknown to you this haggard face, Nor do these wild eyes now first look in yours. Have they not watched your bed and met your waking ? Is not this shrivelled hand the same that pointed Its menacing finger at your traitor lips That sleep had half unsealed ? Is not this voice Known the familiar haunter of your dreams ? Speak not ! I know ! When your look fell on me, It saw made real a phantom of the night. I know what purpose brings you here to-day. You have tracked out your victims. You have come To learn the issue of your crime ; to offer If without too much danger late atonement. WOODFORD. Oh, late indeed ! If only not too late ! DORCAS. Of that you shall be judge. WOODFORD, aside. That hideous smile ! [Aloud. Is death beforehand with my slow repentance ? Death was beforehand even with my vengeance. The woman who had wronged me, she who called Upon her own and on her children s head The doom of which you were the instrument, 174 TKAGEDY OF ERRORS. Had hardly lifted to her lips the cup My hatred offered, ere she sank away And passed beyond my reach. WOODFORD. And she had wronged you, That gentle woman ? DORCAS. She had wronged me basely. That is no interest of yours. Ask on Of what concerns you. WOODFORD, aside. So the mother died. Poor soul ! poor soul ! She had been dead ere this, In any case, she had such feeble health. And then my task is easier as it is. The children will not recollect. Let s see. My name appeared not. I took all precautions. I may, perhaps, repair, and not confess. [Aloud. And and the boy ? What can you tell of him ? DORCAS. Nothing of him. My child was not a boy. WOODFORD. Nothing ? He is not here ? The most important ! AFTERNOON. 175 DORCAS. To you perhaps, but not to me. The girl Stood in the place of mine. I stuck to her. It was her fate I wished to live upon. WOODFORD. They were not kept together? Surely not. "Why should they be ? We were not kept together, My child and I. And even if they had been, They had been parted now at all events. You did not look to find a full-grown man Tied to his sister s apron-string or mine ? WOODFORD. Ah, to be sure ! And you can give no clue ? How should I give one ? Do I read the papers ? Do I attend ttie auctions ? Do I deal In human flesh that never injured me ? You that are always buying and selling should tell Each other what you want to know, not bother Those that don t mix themselves in your affairs. [Aside. What matter is the boy ? Why don t he ask About things worth the knowing ? 176 TRAGEDY OF ERRORS. WOODFORD, aside. I must search. Without the boy how can I make a stir ? [Aloud. The girl? She lives? DORCAS. She lives. WOODFORD. And here ? DORCAS. And here. WOODFORD. What has her fate been ? Has she a kind mistress ? DORCAS. A kinder mistress than she is a servant. WOODFORD. What does that mean ? DORCAS. She is not over useful. Her free blood boils in her. WOODFORD. It is not quelled After so many years? AFTERNOON. 177 DOECAS. It had been so, Perhaps, if she had stayed where you first left her. That had been well. And yet what is is better. WOODFORD. How came she here ? By Satan s work, and mine. You know what house this is? WOODFORD. A Mr. Stanley s. DORCAS, aside. That s all he knows. [Akmd. Right. [Aside. All he need to know ! [Aloud. How did you come to find us out? WOODFORD. I learned You had been sold to somebody named Stanley. I ve searched the country over for the Stanleys. This is the third. 12 178 TRAGEDY OF ERRORS. DORCAS. The right one. Now ask on. I m here to answer. Is her mistress kind ? You Ve asked and I have told you. Ask the rest WOODFORD. Has she is she has she been married? No. WOODFORD. I breathe ! At least that s well ! DORCAS. Well that her child Has ne er a father? WOODFORD. Child ? She has a child ? DORCAS. And that child one. Well, is atonement easy? If t were, you d not been here. Is pardon easy ? WOODFORD, aside. Not even human pardon! The divine How shall I win ? Atonement is denied ! Go seek the boy, if your sin prick too sharp. AFTERNOON. 179 Your tardy penitence may profit him. He can be cleansed. His shame will slip from him, With the slave s name, like a snake s cast-off skin. But as for these, though you heaped proof on proof, Their friends would never find it clear enough : They d sooner leave them as they are than own them. WOODFORD, aside. She says the truth. I 11 find the boy alone. I cannot help these. If I save but one, It will be much. I shall have done my best. DORCAS. Go seek the boy. You have your story ready : You are the faithful steward, who, escaping By miracle from shipwreck, mourned as dead His master s family, until, by chance Coming years afterward to a suspicion That all had not been lost, searched out the matter, And found that the poor, foreign, orphan children Had been confounded with the straying negroes. WOODFORD, aside. Does her mind give back mine, or do my thoughts Spring from her brain, that thus she mimics me? DORCAS. Go seek the boy. And yet think well ! Sharp scent Will follow up the traces you point out. Not life alone, nor freedom, is in question, 180 TRAGEDY OF ERRORS. But house and lands ; and these wake keen debate. They will not take his birth upon your word ; And tracking out his history inch by inch, Think you they 11 miss your part in his adventures, In his and theirs? WOODFORD, aside. She s right. Concealment would Be fruitless, and would take from me all merit. No ! total silence, or a full disclosure ! A full disclosure, that will be the shortest! And seeing that I am not forced to this, But come of my free will to offer it, They will not be too hard on me, old man As I am now and tottering to the grave. I charge you, think before the step is taken ! She s dead, the feeble one. She might have pardoned, In pity of your suffering, and in thanks Even for her children s late deliverance. But think you those who re ousted for their sake And forced to own relations that disgrace them Will overflow with gratitude to you ? They 11 vent, in form of judgment on your crime, Their rage at you for trying to repair it. WOODFOKD, aside. What would that judgment be ? A prison ? Death ! I could have borne imprisonment ; but death AFTERNOON. 181 I cannot face it, my crime half redeemed, Perhaps not that. DORCAS. Look well before you leap ! You 11 only run your neck into the noose, And give no help to those you die for. WOODFORD, aside. Die? I cannot die ! Oh, I must have more time ! I must consider. I must look about me. I 11 search the boy out, and determine after. They 11 take your guilt at your own word. Not so The rights of those you wronged. These will but find Their lot more bitter as audacious claimants Than as submissive servants. Let them be. What s done is done. WOODFORD, aside. For me, as well as them! No hope for them, and no return for me ! DORCAS. For you, as well as them ! WOODFORD. And yet repentance 182 TRAGEDY OF ERRORS. DOKCAS. Repentance ! Was not Judas penitent ? Did he not offer back the thirty pieces? And did that hinder Satan s getting him ? Weak fool ! there is no safety in repentance : It is in courage and in obstinacy. I m safe. I know I m Satan s, and obey him. He aids me here, and on the other side Has a snug corner ready waiting for me. You would call God your master and serve Satan; And so you anger both and get but blows And curses from both sides, no pay from either. But you are what you are, and cannot mend it ! WOODFORD. Leave me ! I am on earth still, and the demons Have no right yet to haunt me ! DORCAS. 9 And no power WOODFORD. Must I still bear this burden? You must bear it Until I bid you lay it down. WOODFORD, with sudden anger. Till you * AFTERNOON. 183 DORCAS. Smooth out your eyebrows. I m the head. You did The work I gave you. You would threaten me ! What can you do to me, for whom life has No hopes, and death no fears ? T is you that trem ble, Knowing in me the owner of your secret ! WOODFORD, aside. Has she, perhaps, intention to forestall me, And rob me of the merit of repentance ? [Aloud. I wronged you once, t is true. I broke my promise. I never had expected else of you. If I had wanted what you promised me, I had found means to make you keep your word. It was not freedom I desired, but vengeance. You gave me what I sought. You re safe from me, Unless you threaten. That I bear not. I m Wiser than you, have better friends and stronger. Even the good the angels can t protect, If I, poor Dorcas, set about their ruin. It seems that the God Christ has little power Upon this earth. He pays his debts in heaven. But mine is prince of this world and the lower. You have no aid nor helper here nor yonder. [Dorcas goes, waving her hand with a gesture of disdain. 184 TRAGEDY OF ERRORS. WOODFOKD. The torturing hag ! her power is more than earthly ! When I walked hither in the pleasant morning, It almost seemed that peace awaited me Under the shade of these tall trees, that stretched Their friendly arms as if inviting me To a still sanctuary where my soul Would find itself delivered from its guilt. Oh, mockery ! This is no sacred grove, Or to avenging furies dedicated. O gentle mother ! who, in our still home Lying away amid New England hills, Once laid together my infant hands in prayer ! O rigid father ! who accounted crime A Sunday laugh, a truant hour from school ! timid sister ! bold, through love of me, To win the pardon of my childish sins ! Well that the grass is growing on your graves ! O childhood scenes ! O youthful joys and griefs ! Why do you lift your tender images, More torturing than memories of crime, Before my sullied, shrinking soul ? Hence ! hence ! Leave me to fiends whom I give hate for hate ! But take away those cruel loving eyes That madden me with their sad tenderness ! Come back, accomplice of my guilt ! come back ! You I can look on ! Bring your maledictions, My victims ! I can bear your presence better Than solitude possessed by grieving spectres AFTERNOON. 185 That point me to my time of innocence ! They have dispersed before that invocation. The gentler demons shrink before the fiercer. Remorse awakes, and keen-eyed Retribution, Watching secure, with menacing eyes, its prey. Familiar fiends ! and how exorcise you ? You flit not, frightened like the milder phantoms. There are no stronger demons left to summon. What spell has power with you, O grim companions? Once more the oracle within my heart, Not cheeringly, but sternly now, makes answer : Atonement ! word of hope once, of despair, Of condemnation now. Again, Atonement! Is there hope still, then ? Would the hidden voice, That seems the voice of my most intimate self, Mock me with falsehood ? Yet how make atonement For guilt whose fruit admits no remedy ? If to repair stand not within thy power , Then cleanse thy soul at least by expiation. By expiation ! It must come to that ! Not yet ! not yet ! Oh, cowardice ! oh, weakness ! No, I must struggle more, must suffer more, Before my feeble, vacillating will Resolve at last to end my spirit s torture By expiation, fruitless for my victims ! Will even expiation be accepted ? Selfish, Perhaps, this haste to set my soul at ease. Let me think calmly. Who would make a search For the lost boy so zealously as I should ? Who with such chances of success as I ? 186 TRAGEDY OF ERRORS. I will put off the moment of confession Till I have found him out. His wretched sister Can never be more lost than now. Forth, then, On this new quest ! I shall at least have respite While the search lasts. And now let me retreat By the same road I came. T is fortunate I have been seen by no one but Pamela. They would not know me. No, but they might read A guilty secret written on my face. \He disappears among the trees, looking about him cautiously. AFTERNOON. 187 AFTERNOON. SCENE II. A negro cabin. PERDITA seated near a led on which lies a dead child. She chants in a subdued tone. PERDITA. There liest thou low, my own sweet, blighted flower! No care of mine can make thee bloom again ! Passed from my life is that dear, transient joy, The sole that opened on this path of pain ! But thou, pure being ! some far, happy land Has surely won thee to its golden bowers ! While here my heavy heartbeats count the time, Lightly for thee flit by the laughing hours ! Were it but so ! dearest, I would not ask Thee back to pain, could I but know thee blest ! Alas ! alas ! I see a pallid shade Wandering through space and nowhere finding rest! To the proud heaven of thy father s sires Dar st thou, poor trembling one, thy look to raise? In vain ! in vain ! their cold blue Saxon eyes Look sternly down upon thy pleading gaze ! Stand st thou a suppliant near the dusky land Where Africa s swart sons their Eden hold ? 188 TRAGEDY OF ERRORS. No room for thee ! They read thy alien blood On thy pale cheek and locks of waving gold. Oh, everywhere repelled ! In God s wide world Hast thou no home ? Does heaven deny its joy ? Is there no bosom pitiful and kind To fold thee till I come, my outcast boy ? Ah, there is One who trod this earthly path With bleeding feet, who knew our grief, our shame ! He was rejected and despised. Seek Him ! Full surely He will not deny thy claim ! Thou crucified and mocked ! a mother s love Shared Thy last pangs upon the bloody tree ! O Jesus ! by that heart that ached to Thine, Suffer my little child to come to Thee ! [ DORCAS enters and stands in the doorway, regarding Perdita, who remains motionless. DORCAS, aside. A ray of sunshine almost fell on you, Poor cellar-plant ! but my dark shadow came Between you and its warmth. Pine on ! dwarf on ! Who knows where pines and dwarfs a fairer flower Than ever you had claim to, swarthy Hecate ! How she sits, still and tearless ! Is he dead ? [Approaching the bed; aloud. Did your Miss Helen send the medicines ? AFTERNOON. 189 [Perdita makes a negative sign with her head. I knew she would not ! Had you been a lady, He had been living now, your boy, and playing. What care ! what thought ! how had the doctors come And stood about him, studying how to save him ! Think you now, if Miss Helen s child were sick, They d let him die for want of help, as this did ? Her child was born to wealth, and mine to woe. God made it so. I do not strive with Him. And then Miss Helen is so kind and good ! I would not have her feel what I am feeling, Not even to save myself ! Yet look at him ! Is he not fair ? Her baby is not fairer ? DORCAS, fiercely. How dare you set yourself above your caste? What are you better than another slave ? So, so ! your white blood gives you all this pride ! PERDITA. I am not proud, or only proud of him; And he is not. Oh, be not harsh with me! I am but what you made me, and the Lord. DORCAS. I made you ? Yes, child, you are what I made you ! You never spoke a truer word than that ! 190 TRAGEDY OF ERRORS. [Angrily. But what are you, to look with scorn on color? For all your pride and all your white descent, Your skin is darker now than mine. Look here ! Compare your arm with mine ! Is it not darker ? PEKDITA, absently. Different. DORCAS, fiercely You hussy ! dare you tell me so ? Different? And well it may be different, Our rich brown skin, from that of Europe s outcasts ! Ours has the soft, warm tint the sun lays on, And the blood courses rich and pure beneath it: Their creeping blood, a turbid, dingy liquor, Gives their thin skin its own unwholesome hue. My mother was a princess in her land ; My father was a nobleman in his. I was not born upon this vulgar soil ! PERDITA, imploringly. Dorcas ! not iiow ! not now ! my heart is sore ! DORCAS, lowering her tone. It had been sorer, had your baby lived! [Bitterly, but almost with a touch of softness. You 11 give him to the kind embracing earth, That folds her arms about the friendless outcast As tenderly as round the pampered nursling Of gilded homes. More tenderly : no tomb AFTERNOON. 191 Divides him from her with its marble coldness ; The summer sun sends its warm rays to him ; The birds sing morning hymns above his bed ; The springing flowers bend tenderly about it. Lay him to rest, and let your heart rest too ! PERDITA. Dorcas, dear Dorcas ! you speak soothing to me ! Say on ! say on ! oh, I have need of it ! I never had another mother. Hecate Would never let me call her so. T was you That watched me when I was as young as this one. DORCAS. Watched you ? and tenderly ? You 11 not say that ? Oh, the first taste I had of life was bitter ! You know it, Dorcas. Never look of love Or word of kindness ! T is not to reproach you, I am too broken for that. And your last words, Were they not almost kind ? Say on ! say on ! And only let me call you mother ! DORCAS. No! If she who had a right to call me mother Slept deeply as this little one, I might Receive another to my heart. Till then It waits for her. 192 TRAGEDY OF ERRORS. PERDITA. You have a daughter ? where ? DORCAS. Where ? and you ask me where ? I hear her call me On every wind. At times I hear her laugh Ring out clear, happy; and at times her shriek Is borne to me upon the midnight blast. Whence ? If I knew it, were I here ? What chains Could hold, what dangers keep me back? PERDITA. Oh, none ! None even such a feeble thing as I am ! And you ! And you have lost her ? Not by death ? DORCAS. She was sent from me by a woman s whim, A woman s spite. My daughter was too pretty ; She sang too sweetly ; was too like her own. Oh, Dorcas, had I known what you have suffered, I could have loved you, spite of all your harshness! Keep back your love ! I will have none of it ! But bless your God for this calm sleep, this safety. He is beyond their reach. AFTERNOON. 193 PERDITA. Oh, let me love you ! DORCAS. I will not ! PERDITA. Dorcas, oh, I must love something ! It is so empty here ! [Putting her hand to her breast. Love your own mother ! She s beautiful, and I am old and hateful ! She s beautiful. Alas, I cannot love her ! She awes me back, more than you frighten me. DORCAS. Live, then, alone, like me ! T is Heaven s justice, - Or Hell s ; your God s or mine ! Live, then, alone ! Let your youth wither and your heart grow stone ! This was a warmer heart that now is flint ! PERDITA. Dorcas, I pity you. Give me your pity ! Let us not hate, and both of us so lonely! DORCAS. You hate ! You cannot hate ! You have not force ! 13 194 TRAGEDY OF ERRORS. Therefore I tell you that you ought to hate me. Her blood is in your veins who was the cause That I am standing here alone and loveless. Now offer me again your love, your pity ! PERDITA. Her blood is mine ! Whom can you mean ? Not Hecate ? And if not Hecate, then another. Ask not. PERDITA. And what if one akin to me have wronged you ? Why should that hinder me to pity you ? I did not wait for pity, empty pity. I have had vengeance, girl ! I have had vengeance ! There is not one of all your blood and race, From her proud sister to that nameless windfall, That has not felt it ! PERDITA. Dorcas, do not tell me That you have wrought him harm ? DORCAS. I will not tell you! PERDITA. You did not did not take his life ? AFTERNOON. 195 DORCAS. No, no! A stupid vengeance ! Could I send the life Back to his veins, I d do it for her sake Who made me childless with a living child ! PERDITA. Speak not so loud in presence of my dead ! DORCAS. Even you have courage to defend your child ! You feared that I had power to work my threat And give him back his life ? PERDITA. No : only God Can do that, and He will not. But lay not The touch of hatred on that innocent form ! Let him at least lie in his grave in peace, Nor take a curse to sleep with him ! It needs not My touch to ban him. On your race there rests A curse that will not pass. Above the earth Or under it, t will find them out. You have 196 TRAGEDY OF ERRORS. Great power, they say. I would not anger you. I will be humble to you, very humble, And patient, as I always was till now. Poor creeping coward ! only out of fear You speak me fair. I see your guile, you reptile ! Your baseness does but tempt the crushing foot. I would not spare you, if I could, one pang. But I have now no power to save or smite. The curse was sent forth by a frenzied heart; And where it fell, it clings and burns, like vitriol, That the hand casts, but casts without recall. If I could pity, t is the haughty Hecate, Who does not know what cause she has to hate me, But loathes by instinct. I can scan her heart, And read my own in her fierce agonies. I know what t is to have a child not mine : What *t is to feel the bitter love turn hate Through mere foreboding ; that hate change to love Again, to passionate, wild love, when comes The black hour of fulfilment. This will come To Hecate and to you. Then look to feel For once the clasping of a mother s arms, For once to read a mother s grief and love Upon the face of her who gave you birth ! PERDITA. Oh, let it come that once, whatever follow ! AFTERNOON. 197 It will, be sure ! The hour of separation Will give you, when it takes from you, a mother ! The sun is setting. See the lengthened shadows! How bright it is without ! how dingy here ! There s hardly light enough to see your child. Heed that the demons take him not away And leave a vampire in his place ! Such things Do happen, you know. I 11 go and beg two candles Up at the house, to light your watch. Thus much I 11 do for you, though you are Hecate s child. With the first daylight we will make for him A little grave and lay a stone on it, Where you may sit at night and talk to him, While yet you can. Heed me, a change is near ! The hour of parting comes, the hour of parting From all you love, the living and the dead ! Hecate must know what I have known, and you Have to live out again my daughter s sorrows. An exile she ; an exile you must be ! The living and the dead ! Lost she her dead ? I must go forth and leave his grave untended? You must. T is writ. And by this sign I know My daughter s child sleeps in a lonely grave. [Going, she looks back. Outside your threshold, in a sheltered place, 198 TRAGEDY OF ERRORS. Lay privately some valued thing. The demon, Lurking to catch the spirit of your child, Will take your gift in ransom. See to it ! [Goes. TRAGEDY OF EEROES. EVENING. TEAGEDY OF EKKOKS. EVENING. SCENE. The glade in the wood. Moonlight. Groups of slaves, as in the First Scene of Morning. In the foreground, towards the left, SOEDEL leans against a tree. In the centre of the foreground a group of persons, among whom are MELAS, FLORA, ROXANA, PETER, CHLOE, DAFFY, and others. Sordel s himself to-night. With this clear moonlight, This gentle air to fan us, and his music, What is there left to wish for? [To Peter. Uncle Peter, Tell us, tell truly now, were Oscar s rhymes Much sweeter to the ear and to the heart Than our Sordel s ? PYRRHUS. Oscar, the famous singer? MELAS. That died last year. 202 TRAGEDY OF ERRORS. PETEK. That died last year indeed ! He died full twenty years ago. PYERHUS. Not so. MELAS, to Pyrrhus. Don t contradict him. He is old. PETEK. Old ? Oscar ? He was already old when I was young. He never came to this plantation ? Never. Folks came from far and near to him, but he Never stirred foot except to seek the wood Where he wove baskets and his songs together. They say, that, of all trees, he loved the pine. Sang he so well? PETER. Boy, I will tell you this: What music is, what song is, none of you Born in these days can ever know nor will. EVENING. 203 We have had singers ; but their race is out. Sordel does well. For those who have not heard What I have heard, yes, and for those who have, He brings a pleasant hour. But, in my youth ! Nor do I now mean Oscar. PYRRHUS. We may have As good as he some day. Speak soberly. You know not what you talk of. Never ear Nor heart will know such strains again. They say His mother was a wonder-working woman, Who, by strange arts and heathenish devices, Brought with her from the other side the world, Compelled the spirits of the air to teach him Tones never heard before from mortal lips. Men listened at the peril of their souls, But still they listened. MELAS. What was Oscar like? I can remember him still straight and tall. His cheek was thin ; his brow was seamed ; his eye Bright with a gleam that was not earth s, nor heaven s. 204 TRAGEDY OF ERRORS. MELAS. The secret of his skill is lost ? Oh, boy, You would not search for it? Know you the price He paid for it? The cruel Unseen Powers Took back their gifts, and took his spirit with them. Full twenty weary years the body lingered Trying to die after the soul had left it. DAFFY, to Chloe. Is all this true ? CHLOE. People believed so once. But we had other singers in our time, Not aided by black arts, whose every song Was worth a year full of the idle piping That men delight in now. And farther back There were still greater. In my father s day, For instance MELAS. Uncle Peter, we will grant you That former days were richer days than ours In rhyme and music. PYRBHUS. There was little work, They tell us, in those times; and ease is songful. EVENING. 205 MELAS. And then they had a language of their own, Those older singers, and strains brought from far : The language and the strains their mothers taught them. For those who listened and for those who sang, Voices of home and happy childhood mingled With the sweet melody. This made it sacred. And therefore has their memory passed to us Hallowed and dear. Those precious songs are lost : Or, if of some the words remain, the sense Is hid ; there a no one to interpret it. PYRRHUS. Perhaps we shall be boasting to our children Of what our music was ! T is like you may. That does n t make it better now. FLORA. Oh, Pyrrhus, Don t anger the old man ! And all agree These times are not like those. MELAS. Sordel himself Owns he has not the force of those old rhymers. PYRRHUS. Yet we have those who suit us and our time. 206 TRAGEDY OF ERRORS. MELAS. Who put our thoughts in words for us, who tell us What we have felt, but knew not how to speak. Just so it is. When I have heard Sordel, Or sometimes Daniel, I have felt my thought Set in his verse. It moved so easily, I wondered how I missed the words he found. We have our sacred songs, which, if they speak not Of a lost home, tell* of a home to find. Let us not envy other times or people. [JUBAL enters from the left, in a cloak. He approaches, unnoticed, the group in the foreground, and listens to their conversation with a pleased and paternal expression. Sordel must sing again. These old-world stories Are not so cheering as his songs. Ask, Melas. MELAS, approaching Sordel. So still, Sordel? You that make others glad Seem not to share the cordial of your music. My heart s still beating time to your last song. [Sordel does not answer. EVENING. 207 MELAS, returning to Flora. I dare not urge. He a tired, or else unhappy. PYRRHUS. He must be happy as a mortal can be! He could be happier; for he could be rich. He only has his song. MELAS. Is song not riches ? JUBAL lays his hand on the shoulder of Melas and nods to him, smil ing pleasantly. He then throws off his cloak and discovers a stringed instrument, of a quaint form, ornamented with rude carvings. As he tunes his instrument, he addresses Melas in a sort of recitative. Who should answer, if not I ? I read your longing in your eye. Boy, this riches they who covet, To win it, only need to love it : But boldly, strongly; for our art Smiles never on the faint of heart. [He preludes and then sings, accompanying himself on his instrument. Who is richer than the singer ? Though he have not lands nor gold, Yet the wealth his fancies hold Is more than miser ever told. Who is richer than the singer? 208 TRAGEDY OF ERRORS. Is it, then, the foolish clinger To the treasures of the ground, "With long toil and stooping found, And which, gathered, are to keep At cost of joy and cost of sleep ? Ask their owner which most hard, To earn his thousands or to guard? [Interlude. Ah, the singer s treasures rare Come without his thought or care! It is ordered, everything Shall to him a tribute bring. And he sits a tranquil king, With his realm about him spread, While the gentle and the dread, The uncomely and the fair, The abounding and the bare, With a smile or with a frown, Duly lay their offering down. Joyful sunshine, mournful shade, False abyss and open glade, Wasting flood and fertile shower, Blasted trunk and budding flower, Glaring sand-plain, forest dim, Gentle hill-slope, rock-cliff grim, All must minister to him. Breezes on the bending grass Leave a token as they pass ; Floating islands of the sky Waft a gift as they sail by; EVENING. 209 Silver brooklets, chiming sweet, Lay their music at his feet; Watchers by the brooded nest Give the gladness of their breast ; Shedding rose and fading leaf Make an offering of their grief: No shape or life in earth or space But knows him there and does him grace. [Interlude. Has the singer greater pain To keep his fortune than to gain? How should he from riches part Who has his treasury in his heart? [All remain silent for a moment, then He is not poor, nor are they poor who hear him ! FLORA. Blessed is song ! What were the world without it ? JUBAL, sings. Who is rich, if not the singer ? Is he not the joyful bringer Of the best things mortals know ? How should he such gifts bestow, If Heaven had not loved him best And made him richer than the rest? [Interlude. What would you have known of Beauty, 14 210 TRAGEDY OF ERRORS. If the singer had not brought Down from heaven that pearly thought? How learned you the name of Duty ? Did that diamond pure and fine Not lie buried in its mine, Until his divining dream Opened the secret of its gleam ? Your existence, rudely wrought Of coarse iron, being fraught With the light those jewels shed, Seemed from that hour with silver spread. [Interlude. Lands and gold Make hard and cold. But the singer s wealth makes tender. He can be a liberal spender, Nor yet see his storehouse bare. When the poor have had their share, Still he has, and has to spare. Shut out none With walls of stone ! All may rob him at their pleasure ; For when all enjoy his treasure, Still it is not less his own. [Jubal throws Ms cloak over his shoulders and is about to go. The people, who stand for a moment, still wrapt in his song after it has ceased, suddenly wake, rush fwward, surround and detain him. JUBAL. Let me go, children ! You have had of me EVENING. 211 All I am worth. The music, not the case, Is your affair. When you have had the grain, Let the wind sweep the husk off. My last song I leave with you. [SoRDEL comes f&wnard, takes the old marts hand reverently, presses it to his heart, then to his lips, and returns to his place by the tree. VOICES. But who ? But whence ? What name ? Oh, when we tell the story of this day, What is that name that we would least forget ? And do you know me not without my name ? I am that Jubal whom you all have heard of, Vowed, with the Christian water that washed off The Cain and fallen man in me, to service Of instruments of wind and string. These pipes [He takes a set of rude pipes from his bosom. Were my first organ. While all yet lay void And formless in my soul, I fashioned them, Not knowing what I did. They touched my lips, I felt the Spirit move upon my being, Composing to their place the jarring parts. And now it breathed through me and there was light ! That radiant day ! its joy can thrill me yet ! After, came to me new and new creations, Each more complete ; and last of all was born This human gift of melody in speech, Which when I won, the song that only breathed 212 TRAGEDY OF ERRORS. Seemed like the mute prayer of the dumber creatures For freer voice, which I put up no more. Then did the harp, to which I was baptized Not less than to the pipes, invite my hand, And offer its sweet tinklings to attend As winged air-sprites on my mounting words. [He raises the pipes to his lips, and then replaces them in his bosom. Yet do I keep my earliest consoler Nearer my heart than any newer joy. VOICES. Jubal ! MELAS. We should have known you! JUBAL. Said I not? MELAS. And yet you look much younger than you can be. My son, I am yet younger than appears. , I never learned to count my age by years. While swift thoughts visit me, fresh fancies gladden, While hope can charm me still, and memory sadden, While still my heart to the old friends is true, And yet gives hearty welcome to the new, While praise and shame my spirit load or lighten, While every change has power to shade or brighten, May I not claim, without offence to truth, Though seventy years oppose, I hold my youth? EVENING. 213 FLORA, laughing. He is as young as any one of us. How bright his eye is ! His foot pats the ground, Timing his words now, as before his music. MELAS, to Jubal "Why sing you, then, for the last time to-day ? If from this day I cease to pour my song, It is not that I feel the fountain dried. But I would lay the harp down ere my hand Forget its cunning. I would have the echo Of my last song die sweetly on the ear, And die regretted. MELAS. And so it would, whenever ! I should have known you, Jubal. I remember, On the great wedding-day, that you came down To our plantation with your master then, Ours now. JUBAL. He was not even then my master. And I might say I never had a master. I was your master s mother s. When she went, She left me unto hands as weak as hers ; And they, with loving thanks for loving service, Gave me the freedom I had never missed. Now I belong only to God and music. 214 TRAGEDY OF ERRORS. VOICES. Coine back, then ! oh, come back ! Your home is here ! And would you have me turn her gift against her? And who shall tend for me that ailing boy, When I am no more near him? Who shall make The long nights short for him by reading, tireless Through double love of him and of the page ? This place is dear ; I love the very ground ; For it was here that I was called and chosen. But when Miss Cora bade me hence with her, How could I let her go where all was strange, And I to stay, not knowing if she missed me ? Besides, I thought new climates and new scenes Might give me higher thoughts and richer fancies. And then, she knew one music from another. So I consented, and my choice was blest. For, after that, I made this happy harp, The third and best, I played it at her wedding, And at your master s. Those were its great days. But no rejoicing in our neighborhood For twenty years it has not shared and heightened. It never sounded yet for your Miss Helen ; But when I heard her son, the heir, should come To the old place for the first time to-day, I knew its voice and mine must aid the welcome. And from this day I do devote to silence Strings that have never spoken but for joy : I will not further tempt their luck, nor mine. EVENING. 215 VOICES. But stay ! but stay ! FLORA. We have not thanked you yet. I gave but what was given me for you. I should have wronged you, had I kept it from you. MELAS, detaining him. Does he for whom the earth and air have gifts Wrong, if he hold them for his lonely use ? JUBAL. If the flowers wither in the selfish hand, If the song die within the stifling heart, It shall be answered for, young man ! And therefore Have these flowers thorns for those who share them not, This song afflicts the breast where it is pent. For God is oftener gracious in the pain We pray to Him may pass than in the ease We note not to give thank for. FLORA. He is gone ! JUBAL, going, turns and waves his hand to Melas. Who struggles with dumb music in his breast, Give it but way and let his soul have rest ! 216 TKAGEDY OF ERRORS. PYRRHUS. Jubal ! a pleasant name ! MANY, to Roxana. Oh, teU us of him ! ROXANA. I saw him only once, before to-day, As I have told you: at my mistress wedding. VOICES. But why, but why came he not back to us ? ROXANA. Our master s mother left him to her sister. FLORA. Our mistress would have valued him as much. ROXANA. She heard him but that once, and had Theresa. FLORA. We have Sordel. PYRRHUS. What can we ask for more ? PETER. I fear, I fear, this Jubal is too jovial ! I have known many singers in my day: They re sad and silent when they do not sing. EVENING. 217 FLORA. Sordel is so: that shows him the right sort. Song is their language, and they have no other. SORDEL comes forward, preludes and sings. "Would you the singer s feeling trace ? Then take not for the true The mood that s written on his face, But that he wakes in you. Not on his brow the sunshine lies, Not there the shadow rests ; His joys shine out from other eyes, His griefs swell other breasts. Nor trust his verse; that, too, beguiles; But the heart s echo hear: For sorrow often speaks in smiles, And gladness through a tear. If, when his song pours light and free, Your hearts uncheered remain, T is that the careless melody Springs from a heart in pain. Or do the faintly murmured words Breathe of delight and rest, Though plaintive as the song of birds Above the guarded nest? 218 TRAGEDY OF ERRORS. T is that the spirit s truth destroys The fond dissembler s art : His strain reveals the tender joys That nestle in his heart. PYRRHUS, to Peter. How does that please you, Father Peter? PETER, with candor. Well. I don t refuse to listen to your songs Because I have heard better. I m not proud. [Enter MILO, chanting in a loud, sonorous voice. As he proceeds, the rest become silent, one after another, until the attention of all is turned upon him. He advances towards the foreground. Great house, great barn, great coach, great trees, great lands, All his ! and then, all his these heaps of hands ! And he to leave all this and go away ? No, don t believe it ! no, he means to stay ! VOICES. What is he talking of? Who go ? All these Are our own master s : house, barn, land, and trees. What can it mean ? He leave and go away ? It is impossible! MILO. Why, so I say. EVENING. 219 Who knows if in the world he comes to next He 11 have first choice ? How would his soul be vexed, If, coming to the other side, it found It was to harrow, not to have the ground ! VOICES. "What can it be ? It s terrible, this doubt ! OTHER VOICES. Come to it, then ! Whose soul ? Whose soul ? Speak out ! Such things have happened, so they say, and worse. A heavy tombstone is a heavy purse. This lifetime s gold weighs down the dead man so, His spirit cannot stretch its wings to go To the best world, but, dragged and pulled, must fall Eight through the earth, to the worst place of all ! What are we going to hear ? My heart stands still ! KOXANA. \ Something has happened ! Is it good or ill ? The shapes of all the pleasures he has known Keep by his side, although no more his own ; Their ghosts seek his, and beckoning, mocking, taunt Him who once haunted them, whom now they haunt. 220 TRAGEDY OF ERRORS. Such things I ve heard for true, and were they not, What, then, has heaven that he has not got? Had he but all to gain, as you and I ! No, no ! be sure he does not mean to die ! VOICES. Die? BOAZ, enters. Will he die ? I heard that he was ill Only this moment, and came here to tell you. VOICES. Who ill? The master ill? And like to die? PYRRHUS. He like to die ? So bright and well this morning ! How did it happen ? BOAZ. T was a sudcjen seizure. The doctor says there s hope, and only hope. VOICES. What will become of us ? So good a master ! ANOTHER VOICE. But, if he dies, Miss Helen is our mistress. [PHILIP enters, and joins the group in the foreground. PYRRHUS. Our mistress. But her husband is our master. Is he good, think you? EVENING. 221 MELAS. Why, he must be good ; Or else she had n t had him. PYERHUS, to Philip. But you know him. You ve seen him at his place. He s a good master ? PHILIP. Ah, a good master? Yes. But not like ours. He has a rather short way with his people : A little high or so. PYRRHUS. That s what I thought. I Ve seen him often here as boy and man. He always had a brisk, short way with us. But when he d got Miss Helen s promise safe, He came out stronger. PHILIP. Well, that s natural, Being sure, you know. But after all, he s good. He holds no close grip on his purse, that s one thing. MELAS. No, he s free-handed. I ve had proof of that. PYRRHUS. We 11 not be stinted, then ? 222 TEAGEDY OF ERRORS. CHLOE. No, we 11 have plenty, Meat, clothes, and holidays. The master willing, Miss Helen won t say, No. PYRRHUS. If he s free-handed, That s all I ask. PETER. You re young and rash, my boy ! Not the free spenders are the best for us ; The close ones may be safest in the end. I ve seen the world. I m not much over sixty ; I ve had four changes. PYRRHUS. Each time for the better. PETER. Well, that s true, too : each time except the first. I Ve had my troubles. But I hope they re over. If this storm blows by, as I think it will, I hope I 11 end my days in peace. The master Is young yet, much too young to die. MELAS. Miss Helen Stays with him all the time? EVENING. 223 PHILIP. Miss Helen and Hecate. The mistress falls from one faint to another. The mistress ! I must go to her at once ! But whose will we be who were hers at first ? Shall we be hers, or shall we be Miss Helen s ? We shall be hers. Stick you by those you re born with ; Don t look to strangers. That s the advice I give you. When changes once begin, they don t end soon. ROXANA. Miss Helen s husband is a stranger, then? To you he is. You were not born on s place. Keep to your own. Don t court the new. Stand fast. Say you re the mistress s, whatever happens. That will be my card. So, let come what will, I shall fall easy. Or they won t object, Or, if they do, I shall have shown attachment To my old mistress. They like that in us. I shall not fare the worse. Do you as I do. But now I must be wanted at the house. They cannot do without me. And you, Philip ? 224 TRAGEDY OF ERRORS. PHILIP. I Ve been upon a confidential errand, And just came back this way. I m going now. BOAZ. And I must go. ROXANA, reluctantly. And I, to my poor mistress. [.Booz, Philip, and Roxana go. MELAS. What do we gossip here, and our poor master Lies in the struggle between death and life ? If death prevail, there wait the evil powers On the one side, the good ones on the other, Ready to take the spirit as it flits. Who is there that will think to chase the bad, And call the good ones down in greater number, By pious word or song? Who is there near him That will take thought of this ? Then we must do it. Woe, woe to him, if the black bands prove strongest! Shall his soul pass unhelped by hymn or prayer? VOICES. Oh, no ! oh, no ! and he so good a master ! Strike up a hymn ! Strike up a death-bed hymn ! [Voices in various quarters give the pitch for different tunes. In different parts of the field a beginning is made of some favorite hymn, but the voice dies away after a few notes. A dead silence follows, suddenly broken by a clear, sweet voice. EVENING. VOICE. From earthly toil and sorrow The weary pass away, To find their last to-morrow, Their endless resting-day. Then let there be no grieving, Though they go forth alone ; Think they are only leaving A strange land for their own. OTHER VOICES, reply. We grieve not for those going, Their home and ours to find ; For us our tears are flowing, For us who stay behind. Not those who re havened yonder, Where rest and plenty bless ; But we mourn those who wander Still in the wilderness. MELAS. What hymn is this ? A hymn for us the poor ! It suits not the condition of our master. Is he a wanderer in the wilderness ? Is he tired out with living ? Will he find More rest and ease on the other side than here? 15 226 TRAGEDY OF ERRORS. PYRRHUS. Hardly. Look here ! Have none of you some hymns You ve heard at church ? hymns proper for our masters ? VOICE. A death-bed hymn ? I can remember one. But all they say themselves to one another May not be fit for us to say of them. Most of the death-bed hymns I ve heard at church Were full of heavy threatenings. MELAS. Listen ! listen ! VOICE, sings. "Where is the tree? To-day it stood The fairest glory of the wood, So high its top, so wide its root. The Lord came by and looked for fruit! O tree, thy haughty head is sunk ! No longer may thy hollow trunk Stretch its false branches to the sky: Where thou hast fallen thou must lie ! The early and the latter rain Shall strike thy crisping leaves in vain, Nor sun nor wind shall do thee good: EVENING. 227 It is too late to grow new wood. Thou hadst thy springtide and thy prime : They passed, and there is no more time ! O soul ! thou heard st the Master call, And thought s! it soon to give up all : There were yet time to seek His ways After a length of prosperous days. The hopes of this world s children pass Like wayside herb or housetop grass, Wine spilled before it reach the cup, Corn blasted ere it be grown up. Now, sinner, must thy fleeting day Count with things waste and thrown away. Its course is run. Beneath the sod There is no time to work for God: No time for work, lost soul ! and yet Eternity for vain regret ! AN OLD MAN. Oh, may he but find mercy ! For the rich Christ has more threats than promises. For us, Only for us, the word is full of mercy ! [Sobs and groans. A VOICE, bursts forth, lovely Christ ! sweet Christ ! the poor man s brother ! How shall we show our gratitude to Thee ? 228 TRAGEDY OF ERRORS. AXOTIIER VOICE, answers. The Master saith : " By loving one another Shall you make known the love you have for me." CHORUS OF VOICES. Then let us love and let us help our neighbor, Since this is all the pay that Christ will ask ; And we will think it is for Him we labor, When our tired hands make out a brother s task. You talk about yourselves and your religion, And have no thought of your poor dying master! Shall his soul pass unhelped by sacred song ? [WJiile Melas is speaking, EZEKIEL enters. lie stands a little apart, and regards the people with a grave and sympathizing expression. PYKRHUS. Can our songs aid him ? [Ezekiel comes forward. The people are all silenced by his ap pearance. They draw back a little, and stand in an attitude of respectful attention. EZEKIEL. We are one in Christ, And nearer one than you may think, on earth. This soul, that shivers on the misty confines Of the two worlds, has had its part of care, Its part of weariness, its part of pain ; And if it lay its burden loathly down, EVENING. 229 Hugging that care, that weariness, that pain, Has it not greater need of prayer than those Whom the deceitful ties of worldly wealth Retain not, making heaven s bliss less dear? [Pause. Ere we uplift our souls to the All-Pure, Search we ourselves, that no unholy feeling Make void the prayer our lips address to Him. We kneel for one who goes to judgment hence. If any here, of those who call him master, Reproach him in their hearts for griefs endured Or joys withheld, let them forgive him now. Heavy upon the spirit of the dying Hangs the dependant s accusation ! Let not Him miss through you his part of Paradise. Father, forgive him, as we have forgiven ! THERESA, who has entered while JEzekiel is speaking, and stands apart, raises her tight hand to heaven, praying inwardly. Judge, as he measured, mete Thou unto him ! OLD MAN, raising his hands towards heaven. Father, forgive us, as we have forgiven ! VOICES. Amen ! Amen ! What have we to forgive ? OTHER VOICES. Amen ! Amen ! Who could reproach him now ? 230 TRAGEDY OF ERRORS. EZEKIEL. Pray with me, brothers ! Thou that art the Father Of rich and poor, of bond and free, look down Upon this spot, where meet Thy humblest children To ask Thy mercy for a dying man ! This man is not our equal. Before Thee Alone could we appear to plead for him. But Thou, All-Great, dost with impartial eyes Look on his wealth as on our misery. O Father, if the load of worldly cares Press down his soul that would spring up to Thee, Aid Thou its struggles, lend it of Thy strength, And let Thy heaven, opening before it, Court it with glimpses of transcendent joy ! If the affections of this mortal state Hold with soft ties, but strong, let Thy compassion Gently unloose from earth the clinging tendrils, To bind them to the bowers of Paradise ! O God and Judge ! if unrepented sin Lurk in the dim recesses of his heart, Hidden ally of the malignant demon, Let Thy kind chastisement awake the sleeping! Stir Thou his conscience to its lowest depths, And let the anguish of the final hour, Summing the tortures of a long repentance. Be counted unto him for expiation ! So may his spirit, purified by pain, Ask and receive its part in Thy atonement ! EVENING. 231 VOICES. Amen ! Amen ! EZEKIEL. Lord, let Thy blessing rest Upon these sheep soon left without a shepherd ! Be Thou their guard and guide ! Hast Thou not said, " When all forsake, the Lord will take thee up " ? Grant, Father, in Thy mercy, that they may Still look upon the faces of their own, Still tend the land that saw their children born ! But if Thou have decreed it otherwise, O Father, if the places that have known them Shall know them now no more forever, grant them To keep their faith companion of their exile, To feel, O present Help in time of need, They cannot wander where Thou wilt not follow ! Brothers, farewell ! Watch through the night with prayer ! Though God deny his life to your petitions, Yet shall your hearts be purified and chastened, And fitter to accept what He ordains. [Ezeldel goes. The people remain with their heads bowed as in silent prayer. The scene closes. TRAGEDY OF ERRORS. NIGHT. TKAGEDY OF EKEORS. NIGHT. SCENE. A large, dimly lighted room. On the right a bed, of which the curtains are drawn away on the side next the spectators. STAN LEY lies on it. HECATE stands near it. Storm without. The wind, at intervals, bursts in at the open window and sweeps through the room, then dies away into stillness. HECATE. The hour is come! These signs are known to me. STANLEY, in a faint voice. Where is my daughter? HECATE. She was summoned hence. The mistress STANLEY. Call her back ! \ HECATE. She went unwilling. 236 TRAGEDY OF ERRORS. She will not long delay. [Aside. The time is short ! STANLEY, rousing himself. Is it thou, Hecate ? Do thy faithful hands Still tend my pillow ? Thou shalt be rewarded. More than a servant s duty thou hast rendered : Thou shalt do service to no other master. Thou and thy child are by my will made free. Thy will ? And has thy will the power of Fate To bind and loose ? Frail man ! know that our child A stronger will than thine has freed already. STANLEY. What means this tone ? Thy daughter is not dead ? No : radiant with life, with hope, with beauty ! God listened to my prayer and granted her My share of happiness. Thou canst not now Withdraw from her her birthright as thy daughter, Thy eldest born. STANLEY. Hecate, I know thee not In this strange mood. HECATE. Say rather, now thou know st me. NIGHT. 237 For the first time the first for twenty years We meet alone together face to face. Know st thou who stands beside thee here? Thy slave, The plaything of a former time, the drudge, The patient nurse of this ? Another office I fill beside thy deathbed : Heaven s justice Makes itself heard through me. STANLEY. Hecate, what say st thou? Is it my troubled brain that lends thy voice These ominous tones, thy face this ghastly sternness ? Do sight and hearing fail me ? HECATE. Dying man ! They say that in the fatal hour the soul Takes retrospect of her past road ; that objects Long dim in distance start forth suddenly In vividness beyond their natural hues : Forms worn and bent retake the bloom of youth ; Kind smiles look forth from long-estranged eyes ; Faces flit by that the green earth-sod covers ; Tones whose last echoes died long years ago Float backward on the ethery waves to thrill The torpid ear with keener consciousness. Is it thus? STANLEY. Yes. Faces come back, and voices. But stay near me in silence. I am weak. 238 TRAGEDY OF ERRORS. Perplex me not with talking. I can listen, Reply, no longer. HECATE. Thou wilt listen ! Seest thou Among those forms a slight young girl ? STANLEY. Cease, cease This idling ! These pale flitting figures Molest me, even unsummoned by thy words. I would compose myself for death. My life Has not been wholly without stain of earth, But no dishonor marks it. I have filled My place as man, as citizen, as neighbor. I have already made my peace with God. I am at peace with man. I have wronged no one. HECATE. Among those flitting figures mark st thou one Slight, sorrow-touched, with soft, entreating eyes That seem to seek in every human face Something once known, but long pursued in vain? Just sixteen years have formed her what she is : Ten years of summer, six of polar frost. The glow of tropic years reveals its trace In the quick mantling, quick receding blood ; The wintry years have stamped their iron reign On her calm brow, her firm, untrembling lip. She stands amid a group composed of all Earth holds most abject ; yet she feels no shame. NIGHT. 239 Near her are men cold, stern, or rude, whose nod Can sign her fate ; yet neither hope nor fear Stirs in her heart. Her eyes have made their quest : What they sought was not, and their clouded gaze Sank to the earth. She marks not when the crowd Dissolves around her ; heeds not that the tumult Gives place to silence. Suddenly a voice Close by her side ! It only asked her name. But, at those tones, low, tender, musical, Her sleeping heart awoke. She raised her eyes, And met those answering eyes. Oh, what a heaven Of light and joy was opened in that glance ! The sought was found : that look of human love ! That look last read upon a mother s face, But blent with grief, but dimmed by helplessness, Shone on her once again ; now gay with smiles And confident in power. That kindly look Was bent on her by him whom in that hour Fortune had made her master. In that name No terrors more. To follow, toil for him, To render back by years of faithful service The debt that moment of delight imposed, This thought filled all her soul. With springing step She followed him, nor asked nor heeded whither ; Trusting in him as in her mother, in God. STANLEY. Why seek to call forth from the hazy past These idle visions? It is as to strive To build again the fairy monuments 240 TRAGEDY OF ERRORS. Formed by the shifting summer clouds. To thee These recollections have, perhaps, a value: To me what are they but the irksome record Of vanities forgotten or despised ? Bethink thee where thou art ! Earth s vain distinctions Exist for thee no longer. Thou art standing, A feeble, naked soul, upon the brink Of the unknown. Thou art no more the master Of wide-spread lands, of other human souls. We are here now as equals, as two beings Whose fates are interlocked eternally. Thou, looking backward through the frigid course Of lagging years to thy exuberant youth, View st its desires and acts as fleeting follies. Yet not the less in those rich hours of spring AVere the first ardors of thy opening heart Poured forth upon the friendless orphaned girl; Yet not the less was an eternal bond Then welded between thy proud soul and hers. Thou canst not cancel, even by thy scorn, Not even by thy blank forgetfulness, Those marriage-ties unowned by human laws, But set down in irrevocable record. Yes, thou must hear ! From our united lives, Howe er disjoined, howe er repellent now, Has sprung a life destined to be the source Of a long line that through all future time Shall bear the traces of our blended natures : NIGHT. 241 And from that world where shall be our next meeting, The angels of the master and the slave Shall watch together o er its shifting fortunes. Whate er the path, through sunshine or in shade, Those beings born of ours are called to tread, Our parent hearts will track their wandering steps. Once more those hearts must thrill in harmony. Each throb of pain that heaves those tender bosoms Through which our blended life-tide flows shall send To ours a sharper pang. To the glad beat Of happy hearts ours shall exulting answer. Together shall we stretch our viewless hands To hold the waverer on the brink of crime Back from its gulf; we shall together suffer The double anguish of remorse that sees In the new guilt the old revived. But, oh ! May we not also in the generous thought, The noble deed, reclaim the parents share ? May we not, glorying in our children s virtue, Find our own lives redeemed ? Oh, may we not Turn on each other then relenting looks, And, reconciled at last, together seek, Even in our crippled, uncompleted lives, The latent germ of the full-opened flower ? STANLEY. My ear is weary ! Rave no more ! HECATE. I rave, 16 242 TRAGEDY OF ERRORS. Because I dare to figure for the offspring Of thy own richest years, most real affections, A fate not cursed, attributes not ignoble ? If, deeming thus, I rave, thou rav st with me ! Blooms not that fair existence sprung from ours With all thy life not less than mine had brightest? All that there was of happy in my fate, All that there was of generous in thy heart, Passed into hers, leaving us destitute, But crowning her with wealth in overplus. Is she not dowered with such munificent gifts As in old time have won the name of god-born For those whose parentage no father claimed? What on thy dreary, colorless existence Gleamed, the sole sunbeam ? On thy stagnant life What came to thee as the fresh breeze of heaven, Lifting the clogging vapors from thy path ? When, in thy dull and objectless career, Mid vulgar cares, and joys more vulgar yet, When didst thou know one hour of heartfelt bliss That was not by thy daughter s hand prepared? Knew st thou in all these years one pure emotion, One generous thought, that was not waked by her ? What solace has thy death-hour, what regret, That does not speak of her ? what earthward hope That does not wreathe itself round Helen s name ? STANLEY. Helen ! Ah, in that name thou hast a spell That never fails thee ! All is overlooked : NIGHT. 243 Thy frequent strangeness, thy proud looks, bold words, When I recall what thou hast been to her ! What have I been to her? The patient nurse That put away her baby from her bosom And dutifully took the mistress child? Have I not often told thee in these veins There does not flow one drop of servile blood? Thou wouldst think otherwise. Thou wast content To count upon a slave s fidelity. Fidelity ! and I was faithful where I owed allegiance : true to God and Nature. Outlawed I stood; unbound by human compacts; The woman lived in me, the mother, sole ! How, then! and thou couldst think that radiant being The fruit of bonds by priests and lawyers framed To join thy lands to Emma Fortescue s ? And thou couldst think that life o erflowed with sunshine, Exuberant with love, with joy, with hope, The offspring of your cold, reluctant union With that affectionless, idealess thing ! STANLEY. God ! whither tends this ? Listen ! When that hour, That happy mothers wait with dread and hope Alternating and mingling, fell on me, 244 TRAGEDY OF ERRORS. I lay crushed under a despair so heavy That the debasements of those months of shame And all the closing tortures were as nothing. The poorest wretch, yet owning her own soul, That on her squalid couch brings forth to-day A new existence, however fallen, guilt-soiled, Knows in that hour foreboding of return ; And gentle thoughts of pious expiation Lull her regrets, as to her sheltering bosom She holds the new-born, hers, her own ! But I ! The shame, the tortures, had for me no fruit But deeper shame, but keener agonies : I knew my doom ; the sentence had gone forth. In the proud mansion near, another child Waited to see the light. Around the couch Where its pale mother was to meet her hour, Already was prepared what wealth could buy Or love invent, to mitigate its pangs. The looked-for babe, the heir of lands and gold, Had yet no claim on Nature s richest treasures:, The feeble source from which its life had sprung Could never hope to nourish its expansion. A richer breast must yield the high-born foundling The food its mother s poverty denied. I was marked out, unwilling benefactress, To foster the strange claimant in my arms, To yield my bosom to the vampire lips That through my veins should suck my infant s life. I knew it all : yet a few weeks and then NIGHT. 245 My child was orphaned. Sudden from despair I rose to more than hope, to strength, to daring; I felt in me a power to master Fate. I battled fiercely, and my strong will conquered. My soul had inwardly received assurance Of the won victory, when towards my door Came hurrying feet. The ancient blear-eyed crone That sat by me rose quickly from her place; But, ere she reached the door, a young girl entered : " Come to the mistress ! " In her frighted look I read it all: the fated hour was come. I rose. I had no purpose in my heart. I only knew my place was by that bed, That thither my child s future called me. Blindly I followed the mysterious impulsion. Within the house confusion reigned ; the servants Ran wildly round, not knowing what they did. The master was from home. The great event Had come untimely, and the pampered lady Found in her hour of need no other aid But the old purblind crone s that tended me : But hers and mine. I in my arms received My destined charge. Upon the selfsame breast The sisters lay. Upon the head of one Propitious stars shot down their influence. The other was before her birth predestined To misery and shame. Thou hast divined. God gave the occasion, and I welcomed it. The inward prophecy had found fulfilment. 246 TRAGEDY OF ERRORS. When the new mother, rallying from her faintness, Asked for her child, before her ravished eyes I held my rose-tinged, fairly-rounded babe, While her poor bantling sent forth feeble wails Upon the wretched pallet of the slave. STANLEY. Thou torturing fiend ! Is it in mockery Of my death-agonies thou comest hither To aid their sharpness with thy lying words ? HECATE. Thy heart, thy conscience tell thee I speak truth. STANLEY., It cannot be ! Thou couldst not dare ! Not dare? What fear should check me? The respectful awe, Perchance, that bows the slave s soul to his master s, And makes him tremble even at his own thoughts, If they suggest rebellion ? The slave-brand I wear not on my soul! I will and dare! STANLEY. No ! it is one of your mad brain s delusions ! HECATE. Nor falsehood nor yet dream : reality ! NIGHT. 247 Thou know st it such ! Thy quivering betrays thee ! The daughter thou hadst left to infamy Is crowned with wealth and honor. She whose fate Would have been dearer to thee than thy soul s Creeps through her abject, hopeless life. Thou demon ! Why hast thou kept this for my dying hour ? HECATE. That thou might st be the partner of my secret On the other side the grave ; but that on this Thou shouldst not have the power to mar my work. [The curtains open on the other side of the bed from that near which Hecate stands. HELEN appears, pale and agitated. At the gesture of surprise and horror which Hecate makes on seeing her, Stanley turns his head. STANLEY. Helen, thou there ? HELEN. My father, I am here. STANLEY. What hast thou heard, child? HELEN, kneeling. Lay thy dying hand In blessing on thy outcast daughter s head ! 248 TRAGEDY OF ERRORS. Forgive me, father, my unconscious crime, As I forgive thee for my guilty birth ! Pardon thou all the years of toil and shame Thy high-born child has borne for Helen s sake, In prospect of the years of toil and shame Thy slave-born daughter shall endure for hers ! For the defrauded Perdita shall find Justice ? [Rising. Is it, then, justice that appoints Fate so diverse for children of one blood ? No ! but, alike the fruit of wrong and crime, We will divide our misery : the blight That nipped the opening shoots of her young life Shall wither mine in its full blossom. Father ! Mother ! I do now take this burden on me To bear with patience till my death ! These pains, Which I do willingly accept, may God Impute to you in ransom of your crime ! O God! Thus Helen HELEN. No ! not thus, my father ! By all the lavish love that blessed my childhood, The patient guidance lent my riper years, Though they were granted to a name, a shadow, And the poor changeling knows them not her own, Yet, for the bliss that in those hours I tasted, NIGHT. 249 I bless thee still with a full daughter s heart ! And thou, my father, in this mortal hour, Will not the vain distinctions of this earth Release thy heart ? Am I not still thy child ? Curse not the cheat that let me call thee father ! Grudge not thy daughter the dear memories That to her future abject life shall be As the tradition of a paradise To fallen man, keeping alive her faith In an eternal principle of good ! Once more, I pray thee, father, bless thy child! How shall I bless thee, Helen ? With weak words ? I that have cursed thee even in giving thee life, And leave thee now O God, it shall not be! There is yet time ! My brain is master still ! I will keep death at bay ! Go, call my brother ! [ To Hecate, who stands as if benumbed, her eyes fixed on Helen with a rigid stare. Hecate ! hag ! witch ! fiend ! demon ! Hecate ! go ! T is for your child ! Go ! bring my brother hither ! {To Helen, tenderly. Thy hand in mine ! Oh for one hour of life ! In vain ! Death gripes me ! God, thou gav st me years Enough to sin in, but to make amends Deniest a moment ! Helen ! child ! receive The fruitless blessing of thy guilty father ! [Dies. [The curtain falls. OF THE UNIVERSITY [X^* Any Books in this list will be sent free of postage, on receipt of price. BOSTON, 135 WASHINGTON STREET, DECEMBER, 1861. A LIST OF BOOKS PUBLISHED BY TICKNOR AND FIELDS. Sir Walter Scott. ILLUSTRATED HOUSEHOLD EDITION OF THE WAVER- LEY NOVELS. 50 volumes. In portable size, 16mo. form. Now Complete. Price 75 cents a volume. 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